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+The Project Gutenberg EBook of Amadigi di Gaula, by Nicola Francesco Haym
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Amadigi di Gaula
+       Amadis of Gaul
+
+Author: Nicola Francesco Haym
+
+Release Date: January 1, 2006 [EBook #17440]
+
+Language: Italian and English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK AMADIGI DI GAULA ***
+
+
+
+
+Produced by Louise Hope, Paul Murray and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by the Bibliothèque nationale de France (BnF/Gallica) at
+http://gallica.bnf.fr)
+
+
+
+
+
+[Transcriber's Note:
+Some typographical errors have been corrected, while others were left in
+their original form. Details are given at the end of the file.]
+
+       *       *       *       *       *
+
+                    _AMADIS_
+                       of
+                     _GAUL_.
+
+                       an
+                     OPERA.
+
+
+           As it is perform'd at the
+                 King's Theatre
+
+                     in the
+                  _Hay-Market_.
+
+                   _LONDON:_
+Printed for _Jacob Tonson_, at _Shakespear's-Head_
+        over-against _Catherine-Street_
+             in the _Strand_. 1715.
+
+
+       *       *       *       *       *
+
+            To the Right Honourable
+                   _RICHARD_,
+                    Earl of
+           _Burlington_ and _Corck_,
+    Baron _Clifford_ of _Landesbrough_, & c.
+
+
+_My LORD_,
+
+My Duty and Gratitude oblige me to give this Publick Testimony, of
+that Generous Concern Your Lordship has always shown for the promoting
+of Theatrical Musick, but this Opera more immediately claims Your
+Protection, as it is compos'd in Your own Family.
+
+The particular Encouragement you have given to the liberal Arts, not
+only shows the Delicacy of Your Taste, but will be a Means to Establish
+them in this Climate, and _Italy_ will no longer boast of being the Seat
+of Politeness, whilst the Sons of Art flourish under Your Patronage.
+
+Your Lordship indeed has distinguished Your self this way, and every
+Science has raised it self under Your Auspicious Bounty. So true a
+Notion of Merit, and so nice a Discernment of what is Curious, is but
+rarely found among Persons of an advanced Age; but You my Lord, by an
+uncommon Felicity of Genius, do even in the Bloom of Youth make Your
+Entrance in the World with the most refin'd Taste and mature Judgment.
+
+But I fear the Pleasure I take in Recounting Your Excellent Qualities
+will make me commit an Involuntary Errour, and that I shall be thought
+Troublesome, when I only designed to show with how much Respect I am,
+
+_My LORD,_
+  _Your Lordship's most Humble,
+      _most Obliged, and most
+          _Faithful Servant,_
+
+    John James Heidegger.
+
+
+       *       *       *       *       *
+
+Personaggi.
+
+  Dramatis Personæ
+
+
+Amadigi di Gaula Eroe, amante di Oriana.
+
+  _Amadis_ of _Gaul_, a famous Heroe, in love with _Oriana_.
+
+      Sig. Cav. _Nicolino Grimaldi_.
+
+Dardano, Prencipe di Tracia.
+
+  _Dardanus_, Prince of _Thracia_.
+
+      Sig. _Diana Vico_.
+
+Oriana, Figlia del' Rè dell' Isole fortunate.
+
+    Sig. _Anastasia Robinson_.
+
+  _Oriana_, Daughter of the King of the Fortunate Islands.
+
+      Mrs. _Anastasia Robinson_.
+
+Melissa, Maga Amante Di Amadigi.
+
+    Sig. _Elisabetta Pilotta Schiavonetti,
+    di S.A.R. la Principessa di Galles_.
+
+  _Melissa_, an Enchantress, in love with _Amadis_.
+
+      Sig. _Elizabetta Pilotta Schiavonetti_,
+      Servant to her Royal Highness the Princess of _Wales_.
+
+
+       *       *       *       *       *
+
+               Amadigi di Gaula.
+
+              _Amadis_ of _Gaul_.
+
+       *       *       *       *       *
+
+
+ATTO I. SCENA I.
+
+    ACT I. SCENE I.
+
+
+Giardino di Melissa.
+
+  SCENE _Melissa_'s Garden.
+
+Notte.
+
+  Night.
+
+Amadigi, e Dardano.
+
+  _Amadis_ and _Dardanus_.
+
+AMADIGI.
+
+  AMADIS.
+
+  Or' che di negro Ammanto
+  E' ricoperto il Cielo, e ogn' un' riposa
+  Prencipe andiamo, oue l'honor c'Invita;
+  Abbandoniam' queste incantate Soglie,
+  Che già troppo contrarie
+  Furo' alla gloria mia, ed' al' mio Amore.
+
+    Now that the Heav'ns with sable Veil
+    Are cover'd close, and all Mankind repose,
+    Prince, let us go, where Honour us invites;
+    Let us abandon this enchanted Place,
+    Which too averse already hath prov'd
+    Both to my Glory, and my Love.
+
+Dard.
+
+  Già d' Amadigi il nome
+  Fa' incredibil' le proue
+  Della forza dell' braccio, e del' valore:
+  Dopo tante vittorie
+  Tempo è dunque che ascolti,
+  Della vaga Melissa
+  Gl' Innamorati pianti.
+  Mira; come qui ride il fiore; e come
+  Verdeggia il prato; e Limpido il ruscello,
+  Qui come inriga il suolo:
+  Tutto con l'arti sue forma d'Incanti,
+  Per piacere à tè Sol', che sei sua vita.
+
+    The Name of _Amadis_ already makes
+    Incredible, th' amazing Proofs
+    As well of Valour as of Strength of Arm:
+    After so many Victories obtain'd
+    'Tis also time to lend an Ear
+    To beautiful _Melissa_'s Sighs,
+    And listen to her kind Complaints.
+    See how the Flow'rs seem all to smile,
+    How green the Meadows, and how clear the Streams
+    Which seem to water all the pleasant Ground:
+    All this she forms by her enchanting Arts,
+    You, only you, to please, who are her Life.
+
+Amad.
+
+  Più cerca ella piacermi, io più la sprezzo.
+
+    The more she strives to please, the more I her despise.
+
+Dard.
+
+  Ingrato dunque sei.
+
+    The more ungrateful you.
+
+Amad.
+
+  Mira; e poi dimmi Ingrato:
+              [Gli mostra il ritratto di Oriana.
+  Mira questi colori,
+  Che non sono ch' un' ombra al' par del' giorno,
+  E dì, se posso oh' Dio,
+  Per Melissa Lasciar, l'Idolo mio?
+
+    View first this Piece, then call me Ingrate.
+                [He shews him the Picture of _Oriana_.
+    View but these Colours, which yet are no more
+    Than Shadows at the Day's approach,
+    And tell me, if I can, Oh Gods!
+    Leave, for _Melissa_'s sake, this Idol of my Love?
+
+Dard.
+
+  (Ah'! che rimiro ò stelle!
+  Questo è il mio ben' si finga.)
+  Ella ti corisponde?
+
+    (Ah me! what is't I see? O Stars!
+    This is my Dear; but I'll dissemble)
+    And does answer thy Love.
+
+Amad.
+
+  M'ama quant' Io l'Adoro.
+  Mà; che più qui si tarda? andiam ò Prence.
+
+    She loves me as much as I do her adore.
+    But pray, why stay we here? Prince, let us go.
+
+Dard.
+
+  Signor' più non m'oppongo, alle tue brame:
+  Resta; che intanto Io vado
+  Per ricercare, un opportuno calle.
+  Che celi a gl'occhi altrui il nostro scampo.
+
+    I shall no longer, Sir, oppose your Will:
+    Remain you here; in the mean time I'll go
+    And try to find some secret Passage out,
+    Which may from ev'ry Eye conceal our Flight.
+
+Amad.
+
+  Quiui t'attendo. (Dard.) (Ed' Io di sdegno auvampo.)
+      Pugnerò contro del' fato,
+      Vendicato il cor' sarà;
+      E il riuale mio spietato
+      Al mio pie vinto cadrà.
+          Pugnerò, &c.
+
+    Here I'll attend. (_Dard._) And I inraged burn.
+    Dardanus says,
+            _He will fight against Fate to revenge his Love;
+            and that his Rival shall fall at his Feet._
+
+
+SCENA II.
+
+    SCENE II.
+
+Amadigi solo.
+
+    _Amadis_ alone.
+
+  O' notte, ò cara notte;
+  Spiega il più oscuro velo:
+  E tù nume dei sogni
+  Soccorri un fido Amante
+  Con i silentii, e l'ombre;
+  Che già mai favoristi, con l'orror del tuo nero,
+  Un cor del' mio più fido, e più sincero.
+
+    O Night, O dearest, dearest Night;
+    Spread now thy thickest, darkest Veil:
+    And you great Deity of Dreams
+    Succour a faithful Lover once
+    With Silence and with deepest Shades;
+    You never yet help'd with your dismal Black
+    A Heart more true, nor more sincere than mine.
+
+      Notte amica dei riposi
+      Deh' m'assisti, e riconforta,
+      Il mio sen' che stà penan----
+
+            _He invokes the Night to assist and comfort his
+            troubled Breast, and stops abruptly._
+
+Si schiarisce in un subito la Scena, Scaturiscono da terra vasi,
+fontane, e statue. ----ed' una truppa di Spiriti infernali, inuiati
+da Melissa, da tutti i Lati della Scena, si oppongono alla partenza
+di Amadigi.
+
+    The Scene grows Light on a sudden, and there arises confusedly from
+    the Ground, Vasas, Fountains, and Statues. And a Troop of infernal
+    Spirits (sent by _Melissa_) on both sides of the Scene, prevent
+    _Amadis_'s going off the Stage.
+
+  Che miro! inuido fato
+  Bramo la notte, e il sol' m' apporta il giorno?
+  Fuggirò, mà doue? forse di qui?
+  Ah' nò; ch' impedito è ogni passo
+  Allo scampo, alla fuga.
+  Ah' Melissa, Melissa! io son' tradito.
+  Mà che! s'apra col' ferro il varco.
+
+    What do I see? O Envious Fate!
+    I wish'd for Night. Does _Phoebus_ bring the Day?
+    Ill fly, but where? Can I from hence get free?
+    Ah no, all Passages are stopp'd,
+    All things combine to hinder my Escape.
+    _Melissa_, ah _Melissa_, I'm betray'd,
+    But with my Sword I'll hew my Passage out.
+
+              [Mentre pone il pugno alla spada sopragiunge Melissa.
+
+                [Whilst he lays his Hand on his Sword, _Melissa_
+                comes suddenly to him.
+
+
+SCENA III.
+
+    SCENE III.
+
+Melissa, ed Amadigi.
+
+    _Melissa_ and _Amadis_.
+
+Mel.
+
+  E tù cerchi fuggir? perfido; Ingrato.
+  Deh' Melissa t'arresti.
+
+    Do you pretend t' escape? Perfidious and Ingrate
+    You're now arrested at _Melissa_'s Suit.
+
+Amad.
+
+  Nulla può ritenermi.
+
+    There's nothing shall, nor can detain me.
+
+Mel.
+
+  Ti piegherà il mio pianto.
+
+    My weeping surely will prevail.
+
+Amad.
+
+  Hò già risolto.
+
+    I have resolved.
+
+Mel.
+
+  I sospir;
+
+    And my Sighs;
+
+Amad.
+
+  Non gli apprezzo.
+
+    Are things on which I set no value.
+
+Mel.
+
+  Adoprerò Lusinghe.
+
+    Will Flatt'ry, or will Fawning please?
+
+Amad.
+
+  Solo l'ardor di Gloria, il cor mi tocca.
+
+    Nothing but thirst of Glory ever touch'd my Heart.
+
+Mel.
+
+  E pur' so' ch' Oriana, il sen' t'accende.
+
+    And yet _Oriana_ I know has fir'd your Breast.
+
+Amad.
+
+  Dunque perche mi segui?
+
+    Why is't that thus you follow me?
+
+Mel.
+
+  Crudel; perche t'adoro.
+
+    Because I adore you, cruel Man.
+
+Amad.
+
+  E se sdegno il tuo foco,
+  Come farai, ch' Io t'ami?
+
+    But seeing I disdain your Flames,
+    What can you do to make me love?
+
+Mel.
+
+  Nella torre incantata, è gia il tuo bene.
+  Và dunque empio Spietato
+  Vanne à colei che t'arde il cor; mà pensa,
+  Che sdegnata Melissa,
+  Tutti i mostri d'Inferno,
+  Tutte l'Arpie più fozze,
+  Cerbero, furie, fuoco, e fiamme appresta;
+  E pria che la riuale al' sen' tù stringa,
+  Frà mille pene, Io ti vedrò perire.
+
+    Your Dear's already in th' enchanted Tow'r;
+    Go impious, false and cruel, go
+    To her who has inflam'd your Heart, but know,
+    That now _Melissa_ (justly enrag'd)
+    Will soon raise all th' Infernal Monsters up,
+    All ugly Harpies shall approach,
+    _Cerberus_ and Furies, Fire and Flames appear.
+    And e'er you close my Rival in your Arms,
+    Replete with Anguish I shall see you expire.
+
+Amad.
+
+  L'Arti tue non faranno
+  Che accrescere al mio petto, e forza, e ardire.
+      Non sà temere
+      Questo mio petto;
+      S'ardir l'Accende,
+      L'accende amor:
+      Saprà Vedere,
+      Odiò, e dispetto;
+      Strane vicende
+      Non teme il Cor'.
+          Non sà, &c.    [Parte.
+
+    All your dire Arts this only Effect will have
+    To add new Strength and Courage to my Soul.
+                [_He says that his Heart inflam'd with Love and
+                Courage fears nothing._    [Exit.
+
+
+SCENA IV.
+
+    SCENE IV.
+
+Melissa sola.
+
+    _Melissa_ alone.
+
+  Il' crudel' m'abbandona, e mi detesta;
+  Numi! e soffrire il deggio?
+  Ingrato; segui il foco, che t'arde
+  Segui l'amor, che ti consuma, ò Ingrato.
+  Mà in vano ti Lusinghi
+  Che l'arti mie sapran farti morire.
+  Mà cielo, e come!
+  Morir farò chi vita è di quest' alma?
+  Ah' che già sento in petto
+  Che l'Odio, e l'ira và cangiando aspetto.
+
+    The Cruel Wretch forsakes me and detests me,
+    Ought I, (ye Heav'ns) to suffer this?
+    Follow, Ingrate, the Fire that burns you,
+    Follow the Love, Ingrate, that now consumes you.
+    You flatter still your self in vain,
+    My Arts can never fail to kill you.
+    But then, O Heav'ns! How can I do't?
+    Can I kill him, who Life gives to this Soul?
+    Ah! Now I feel within my Breast
+    That Wrath and Hate begin to change their Looks.----
+
+      Ah' spietato, e non ti moue
+      Un affetto si costante
+      Che per tè mi fà Languir?
+      Mà crudel tù non sai come
+  Fai sdegnar' quest' alma amante
+  Che tu brami di tradir.
+          Ah' spietato, &c.    [Parte.
+
+            _She asks him if the constant Affection which makes her
+            languish, does not move him; and that he don't consider
+            how much his Cruelty provokes her amorous Soul, which he
+            desires to betray._    [Exit.
+
+SCENA V.
+
+    SCENE V.
+
+Loggia infiammata, che impedisce l'entrata della torre di Oriana.
+
+    A Porch in Flames, which hinder the entring into _Oriana's_ Tower.
+
+Amadigi, e Dardano.
+
+    _Amadis_ and _Dardanus_.
+
+Amad.
+
+  Risueglian' queste fiamme il mio Coraggio.
+  Abbattuti hò gli mostri, e tù il vedesti;
+  Or questa sola proua
+  Del' Braccio mio qui resta.
+  Ma! quai caratteri io veggio? Si legga.
+
+    These Flames awake and urge my Courage.
+    The Monsters I've o'erthrown: You Witness are;
+    Now here this one and only Proof
+    Of my brave Valour still remains untry'd.
+    But! What Characters are those I see? Read.
+
+              [Dardano Legge.
+
+                [_Dardanus_ reads.
+
+Dard.
+
+  A un sol' le fiamme, è di passar concesso;
+  Ch' egli è l'Eroe più forte,
+  Cui Scelse amor fra tanti
+  Per' quiui vnir, i due piu fidi Amanti.
+
+    To pass the Flames is granted but to one;
+    This one's the only valiant Heroe,
+    Which Love, 'mongst all Mankind hath chose
+    Here to unite the two most faithful Lovers.
+
+Amad.
+
+  Prencipe; or' si concosco
+  Che felice mi vuol' amica stella;
+  Se dopo tante pene,
+  Stringer potrò al'mio sen' Oriana bella.
+
+    Now, Prince, I evidently see
+    Kind Stars will me a happy Mortal make,
+    If after suff'ring so much Pain
+    I once enjoy fair _Oriana_'s Arms.
+
+              [Và per trauersar le Fiamme.
+
+                [He makes as if he would pass the Flames.
+
+Dard.
+
+  Amadigi t' arresta,
+  E meco pria fauella.
+
+    Hold, _Amadis_,
+    And first discourse with me.
+
+Amad.
+
+  Che mai!
+
+    What can this mean?
+
+Dard.
+
+  Io tuo riuale, e tuo Nemico sono,
+
+    I am your Rival and your Enemy.
+
+Amad.
+
+  Numi!
+
+    Oh Heav'ns!
+
+Dard.
+
+  D'Oriana invaghito
+  Mà Sprezzato da lei, di te geloso,
+  Cercai di Lusingarti
+  Nell' Amor di Melissa;
+  La tua fuga Scopersi; e in vano oprai:
+  Or ch' all' Estremo de miei mali io giunsi,
+  Finger più non si dee: Meco conuienti
+  Che tuo nemico, e tuo riual mi scopro
+  Prouar chi di noi sià più degno amante.
+
+    In Love with _Oriana_, but
+    Despis'd by her, and jealous grown of you.
+    I try'd by Flatt'ry and by Craft
+    T'inspire you in _Melissa_'s Love;
+    Your Flight I soon disclos'd; yet all in vain:
+    Now that my Ills are come to an Extream
+    No longer I'll dissemble; and to be plain,
+    Since I'm your Rival and declared Foe
+    We'll try which is most worthy of her Love.
+
+Amad.
+
+  Troppo nel pregio mio tù parte hauesti.
+  Or sia del' fallo tuo pena bastante
+  Saper ch' Io sono il più gradito amante.
+
+    Of all my Glories you have reap'd your Share,
+    For your Deceit, let it your Penance be
+    To know that I advance most in her Love.
+
+      Vado, Corro, al mio tesoro,
+      Non apprezzo il tuo furor;
+      Per un vago, e bel crin' d'oro
+      Foco, e fiamme, e poco al' Cor.
+          Vado, &c.
+
+            _He says he will fly to his Treasure in spight of
+            _Dardanus_'s Fury, and that to gain his Fair one Flames
+            and Fires is the least a Heart can suffer._
+
+              [Trauersa le fiamme.
+
+                [He passes through the Flames.
+
+
+SCENA VI.
+
+    SCENA VI.
+
+Dardano solo.
+
+    _Dardanus_ alone.
+
+Dard.
+
+  Deh ferma, oh' Dio! già penetrò la soglia;
+  Le seguirò nel' foco:
+  Mà; un Ignoto poter' me lo contrasta.
+  Si tenti ancor; non posso.
+  Dunque il vedrò gioir sù gl' occhi miei?
+  No; Melissa à te aspetta
+  Far sù L'empio per me, per te vendetta.
+
+    Hold, hold; oh God! the Threshold he has already enter'd;
+    Now through the Fire I'll follow him:
+    But; oh some unknown Pow'r detains my Steps.
+    I'll try again; I cannot stir.
+    Shall he rejoice before my Eyes?
+    No, no; _Melissa_, it ought to be thy Care
+    To see thy self and me, on this base Man reveng'd.
+
+      Agitato il cor mi sento,
+      Dall' affetto, e dal' furor;
+      Un riuale che pauento
+      Fà che peni questo Cor.
+          Agitato, &c.    [Parte.
+
+            He says he finds his Heart disturb'd both by Love and
+            Wrath; and that a Rival whom he fears, is the Cause of
+            all he suffers.    [Exit.
+
+              [La Loggia incantata si spezza, e cade al' suono di
+              strepitosa sinfonia; si oscura la Scena, con tuoni,
+              e Lampi, e si rischiara all' apparire d' Oriana, la quale
+              Comparisce circondata da Caualieri, e Dame incantate; e si
+              cangia la Scena in un bellissimo colonnato.
+
+                [The Enchanted Porch splits asunder and falls at the
+                Sound of a loud boisterous Simphony; the Scene darkens,
+                and it thunders and lightens, but clears up again at
+                the appearing of _Oriana_, who comes surrounded with
+                enchanted Knights and Ladies; and the Scene changes
+                into most beautiful Rows of Pillars.
+
+
+SCENE VII.
+
+    SCENE VII.
+
+Amadigi, Oriana, e truppa di Caualieri, e Dame incantate.
+
+    _Amadis_ and _Oriana_, and a great Company of Knights and Ladies.
+
+Ori.
+
+  Cieli che fia? qual' rumore improuiso
+  Agitò questo Luogo?
+  Ah' che veggio? Amadigi il mio bene.
+
+    What can this mean? What sudden rambling Noise
+    Made all this Place both shake and move?
+    Ah what do I see? 'tis my dear _Amadis_.
+
+Amad.
+
+  Io ti tolgo a gl'incanti
+  Ma il tuo bel volto Oriana
+  Fà che incantato io resti.
+
+    Though from Enchantments I have set you free,
+    Yet, dearest _Oriana_, your fair Face
+    Makes me remain a quite enchanted Man.
+
+Ori.
+
+  Temo che inganno sia, di qui mirarti.
+
+    To see you here, I fear is some Deceit.
+
+Amad.
+
+  Temer non dei mia Cara:
+  Della cruda Melissa
+  L'arte per me fù vana;
+  Bella al seno ti stringo.
+
+    Dearest, you have no Cause to fear:
+    Cruel _Melissa's_ direst Arts
+    By me have all abortive prov'd.
+    Fairest, I lodge thee in my Breast.
+
+Ori.
+
+  S'Inganno egli è dolce, è per me l'inganno,
+  Amadigi; si pensi
+  Come da queste soglie tu mi torrai.
+
+    If 'tis Deceit, 'tis sweet Deceit to me.
+    'Tis time, kind _Amadis_, to think
+    What Means you'll use to free me from this Place.
+
+Amad.
+
+  Ostacol più non v' è, Libera sei.
+
+    You're free; no farther Obstacle occurs.
+
+Ori.
+
+  Dunque finiti sono, i pianti miei.
+
+    Why then, my Tears (at last) are at an End.
+
+      Gioie venite in sen'
+      Brillate nel mio Cor,
+      Che tutto il mio dolor,
+      Fuggì, sparì da me,
+      S' è meco il caro ben'
+      Altro non curo no,
+      E sempre goderò
+      Caro mio ben' con tè.
+          Gioie, &c.
+
+            _She invokes all Joy to her Breast, affirming that all her
+            Sorrow is vanish'd, and that enjoying the Company of her
+            Dear she can want nothing._
+
+Amad.
+
+  In questo instante Io prouo
+  Di mia vita il piu grato, e bel Momento.
+
+    I in this Instant gladly enjoy
+    The best and happiest Moment of my Life.
+
+Ori.
+
+  Amor: basta, non piu: troppo è il contento.
+
+    Love, 'tis enough, no more; the Pleasure is too great.
+
+Amad.
+
+  La gioia opprime i sensi
+  E, à tè vicino à bella
+  Divien' dolce d' Amor l'aspra quadrella.
+
+    Joys so compleat my Senses quite oppress,
+    And neighbouring now so near my Fairest,
+    The bitter Darts of Love, are all turn'd sweet.
+
+      E si dolce il mio contento,
+      E si grato il mio piacer;
+      Che nel seno io già sento,
+      Che non v' è più che temer.
+          E si dolce, &c.
+
+            _He says, he feels sweet Pleasure and entire Content in
+            his Heart; that for the future he shall have nothing to
+            dread._
+
+              [Vanno a sedere e segue una Danza di Cavalieri, e Dame
+              incantate.
+
+                [They sit down; and there follows a Dance of inchanted
+                Knights and Ladies.
+
+Ori.
+
+  Andianne ora mio ben', che più si tarda?
+
+    Let's go, my Dear; what causes our Delay?
+
+Amad.
+
+  Prima convien', che á preparar men' vada,
+  Quanto alla nostra fuga, ancor bisogna;
+  Attendi ò bella intanto
+  Nelle contigue stanze, il mio ritorno.
+
+    'Tis fit I first should go and get prepar'd
+    What-ever may be needful for our Flight;
+    In the mean-time, my Fairest, wait
+    In the next Chamber my Return.
+
+Ori.
+
+  Vado, ma tosto riedi,
+  Che Lontana da té duro é il soggiorno.
+
+    I go, but pray let your Return be soon,
+    For in your Absence no Abode can please.
+
+      O Caro mio tesor
+      Deh' presto torna á mé,
+      E vieni á consolar
+      Quest' alma amante;
+      Che non puó questo cor'
+      Esser Lontan da té
+      Che bramo ogn' or mirar
+      Il tuo sembiante.
+          O Caro, &c.    [Parte.
+
+            _She intreats him to return with Speed to comfort her
+            loving Soul; because her Heart cannot be long from him,
+            for whose Sight she is always longing._    [Exit.
+
+
+SCENA VIII.
+
+    SCENE VIII.
+
+Melissa che sopragiunge, Dardano à parte, e detti.
+
+    _Melissa_ who comes in suddenly. _Dardanus_ at a Distance, and the
+    aforesaid.
+
+Amad.
+
+  Cieli; numi, che miro?
+
+    Oh Heav'ns! O Gods! What do I see?
+
+Dard.
+
+  (Ecco la mia vendetta.)
+
+    Now my Revenge draws near.    [Aside.
+
+Mel.
+
+  Demoni, accorete
+  Qui si conduca Oriana.
+
+    Haste Devils, run, or rather fly,
+    And instantly bring _Oriana_ here.
+
+              [Vengono i Demoni, e portano Oriana.
+
+                [The Devils go and bring in _Oriana_.
+
+Amad.
+
+  Che mai sará?
+
+    What can this mean?
+
+Dard.
+
+  (Se la toglie all' riuale Io son contento.)
+
+    If she but takes her from my Rival I am content.    [Aside.
+
+Mel.
+
+  Oriana si trasporti, oue il riual' l'attende.
+
+    Transport _Oriana_ where the Rival waits.
+
+Dard.
+  (Or' si ch' Io son' contento.)    [Parte.
+
+    So, this is right, and I am now content.    [Aside.
+
+Ori.
+
+  Melissa oh' Dio!
+
+    _Melissa!_ Oh ye Gods!
+
+Amad.
+
+  Io ti Soccorro.
+
+    I, to your Aid and Succour come.
+
+Mel.
+
+  Ritenetelo o' furie.
+
+    Detain him Furies.
+
+Amad.
+
+  Oh' Numi!    [Parte Oriana.
+
+    Oh Heav'ns.    [Exit _Oriana_.
+
+Mel.
+
+  Ora il furor, la rabbia, e l'ira mia
+  Distrugga queste mura, a tè si Care:
+  Vanne altroue à Lagnarti.
+  Il tuo riual gioisca al' tuo dolore,
+  E il Contento di lui, ti roda il Core.
+
+    Now shall my Fury, Wrath and fiercest Rage
+    Destroy these Walls, to thee so dear:
+    Go to some other to bemoan thy Ills.
+    At all thy Grief thy Rival shall rejoice,
+    And his Content shall wound and gnaw thy Heart.
+
+      Io godo Scherzo e rido
+      Crudel, nel tuo dolor;
+      Tù m' insegnasti infido
+      A dare affanni à vn Cor.
+          Io godo, &c.    [Parte.
+
+            _She says she rejoices and laughs at his Sorrows; and that
+            his Unkindness to her has taught her to torment a Heart._
+
+                [Exit.
+
+
+SCENA IX.
+
+    SCENE IX.
+
+Amadigi solo.
+
+    _Amadis_ alone.
+
+  Ferma, deh' ferma oh' Dio!
+  Cruda furia d'inferno
+  Nata per tormentar due fidi Amanti;
+  Ascolta li miei pianti,
+  Rendimi il mio tesoro,
+  Che Cosi troppo è fiero il mio Martoro.
+
+    Hold, hold, (Oh Gods!)
+    Hold cruel Furies of th' Infernal Lake,
+    Born to torment two faithful Hearts;
+    Listen this once unto my Tears;
+    Restore me back my only Treasure.
+    For thus; my Pains are much too great to bear.
+
+      O' Rendetemi il mio bene
+      Astri infidi,
+      O' pur' fatemi Morir;
+      Che non posso in tante pene
+      Io più Viuere, e Soffrir.
+          O' Rendetemi, &c.
+
+            _He begs cruel Fate to restore him his Dear, or deprive
+            him of Life, because he cannot live and suffer so much._
+
+
+
+
+ATTO II. SCENA I.
+
+    ACT II. SCENE I.
+
+
+La Scena rappresenta un Giardino con un bellissimo Palazzo in distanza
+nel' mezzo del' quale si vede la Fontana del' vero Amore.
+
+    The Scene represents a Garden with a Magnificent Palace at a
+    Distance; in the midst of it is the Fountain of True Love.
+
+Amadigi solo.
+
+    _Amadis_ alone.
+
+  Io Ramingo men' vado
+  Per valli, e per foreste afflitto e solo,
+  Ne so doue mi volga incerto il piede.
+  Mà; quiui appunto Io scorgo
+  D'Amor l'antro incantato
+  L'acque del' quale i dubi amanti accerta:
+  Voglio in esse Specchiarmi,
+  Per veder s'il mio ben fida è in amarmi.
+
+    Thus wand'ring, I afflicted go
+    Through Vales and Forrests all alone;
+    Nor do I know how to direct my Steps.
+    But here this Instant I perceive
+    The fam'd inchanted Fountain of Love,
+    Whose Waters faithful Lovers undeceive:
+    In it I'll view my self, to see
+    Whether my Dear is faithful in her Love to me.
+
+      Sussurrate, onde vezzose
+      Limpidette consolate
+      Questo misero mio Cor;
+      E tu nume d'ogni affetto
+      Compatisci questo petto,
+      Ch' è ripieno di dolor.
+          Sussurrate, &c.
+
+            _He invokes the pleasant Streams to comfort his miserable
+            Heart, as also the God of Love to pity his tormented Mind._
+
+              [Riguarda nella Fontana.
+
+                [He stands viewing himself in the fountain.
+
+  Numi che veggio? Oriana
+  Accarezza il riuale, e mè disprezza!
+  Cruda, perfida, ingrata;
+  Mai più di donna ascolterò li pianti.
+  Ma gia m' opprime il core,
+  Della sua crudeltà l'atro dolore.
+  Io manco, io mo----
+
+    Ye Gods what do I see? _Oriana_
+    Courting my Rival, and despising me!
+    False, cruel and ungrateful Maid;
+    I'll never more believe a Woman's Tears.
+    But now my Heart is quite opprest
+    With Sorrow which her Cruelty hath caus'd.
+    I faint, I die----
+
+              [Cade suenuto sopra un Sasso.
+
+                [He falls in a Swoon upon a Rock.
+
+
+SCENA II.
+
+    SCENE II.
+
+Melissa, e Detto.
+
+    _Melissa_ and _Ditto_.
+
+Mel.
+
+  Suenne Amadigi dal' suo duolo oppresso:
+  Si risuegli dal' sonno.    [Fà i suoi Scongiuri.
+  Furie accorrete, e quiui
+  Oriana apportate
+  E premio all' loro amore
+  Sia lo sdegno, e rigor, odio, e dolore.    [Parte.
+
+    _Amadis_ faints and falls opprest with Grief,
+    I'll quickly rouse him from his Sleep;
+    Fly Furies, fly without Delay,    [She makes her Charms.
+    And hither _Oriana_ bring,
+    And of their Love, th' only Reward that be
+    Sorrow and Rigour, Hatred and Disdain.    [Exit.
+
+
+SCENA III.
+
+    SCENE III.
+
+Oriana ed Amadigi.
+
+    _Oriana_ and _Amadis_.
+
+Ori.
+
+  Cieli, che' sarà mai?
+  Ecco il mio ben', mà! Oh' Dio!
+  Estinto è l'idol mio!
+
+    O Heav'ns, what more am I to suffer?
+    I see my Love, but oh ye Gods!
+    The Idol of my Heart is dead.
+
+              [Si auuicina ad' Amadigi.
+
+                [She draws near to _Amadis_.
+
+  Amadigi; sole degl' occhi miei
+  Chi dai sensi ti priua? oh' ciel' non odi!
+  Spietatissima sorte:
+  Ah' che Melissa hà dato à lui la Morte,
+  E per Maggior tormento
+  Vuole che estinto io miri il mio Contento.
+
+    O _Amadis_, thou Brightness of my Eyes,
+    Who hath deprived thee of Sense? Oh Heav'ns!
+    He does not hear! O cruel Fate:
+    Ah, 'tis _Melissa_ has given him his Death;
+    And still my Torments to augment
+    She makes me Witness of my Joy's Decease.
+
+      S' estinto è l' Idol' mio
+      Morire io voglio ancor;
+      Che Viuer non poss' Io
+      Con tanti affanni al' cor'.
+          S' estinto, &c.
+
+            _She says if her Lover is dead, that she will die also,
+            and is sure the great Sorrow of her Heart will deprive
+            her of Life._
+
+  Mà qual' scampo al mio affanno?
+  Si prenda il proprio ferro
+  Dell' estinto Consorte;    [Và per prendere la spada di Amadigi.
+  Ed' Vnisca due Cori vna sol' Morte.
+
+    But what can give Remission to my Grief?
+    I'll take the Sword
+    Of my departed Spouse--    [She goes to take _Amadis_'s Sword.
+    And make Death unite two loving Hearts.
+
+              [Amadigi si risente.
+
+                [_Amadis_ recovers his Senses.
+
+Amad.
+
+  Chi mi sueglia dal' sonno?
+
+    Who is't that thus disturbs my Sleep?
+
+Ori.
+
+  Amadigi mio ben? tù viui e Spiri?
+
+    Dear _Amadis_, and dost thou live and breath?
+
+Amad.
+
+  Chi sei? che chiedi?
+
+    And who are you? What do you want?
+
+Ori.
+
+  Non conosci Oriana?
+
+    Don't you your _Oriana_ know?
+
+Amad. (Si Leua)
+
+  Oriana!
+  Un infida, che per altri m' abborre?
+
+    _Oriana!_    [Rises.
+    A faithless Maid, who hates me for another's sake?
+
+Ori.
+
+  Infida tù mi chiami?
+
+    Faithless! is that the Name you give me?
+
+Amad.
+
+  Si; perfida, e crudele.
+
+    Yes; faithless, false, and cruel Maid.
+
+Ori.
+
+  Che feci mai?
+
+    What have I ever done?
+
+Amad.
+
+  Và, chiedilo a tè Stessa e lo saprai.
+
+    Ask but your self, and then you soon will know.
+
+Ori.
+
+  Dunque quando credea
+  Che tù ingrato mi amassi,
+  Tù cosi mi disprezzi?
+
+    Then I perceive that when I once believ'd
+    That you (ungrateful) bore me Love,
+    You even then despis'd me thus.
+
+Amad.
+
+  Hò magnanimo il core
+  E amar non sò chi altrui promise Amore.
+
+    My Heart's too great to cherish Love.
+    For her whose Love is promis'd to another.
+
+      T' amai quant' il mio Cor
+      Già seppe amarti;
+      Or' che tù cangi amor
+      Io ti disprezzo;
+      Se cangio il mio desir,
+      Di mè deb' non Lagnarti;
+      L' offese a non soffrir,
+      E il petto auvezze.
+          T' amai, &c.
+
+            _He says he has lov'd her as much as 'twas possible for a
+            Heart to love; but since she has chang'd her Affection,
+            he slights her; and that he ought not to complain, because
+            he was never us'd to put up an Offence._----
+
+Ori.
+
+  Chi mai creduto hauria
+  Ch' Amadigi il mio ben' fosse crudele?
+
+    Who once cou'd ever have believ'd
+    That my Dear _Amadis_ shou'd cruel prove?
+
+Amad.
+
+  E chi creduto hauria
+  Che Oriana ver' mè fosse infedele?
+
+    And who cou'd ever have believ'd
+    That _Oriana_ wou'd prove false to me?
+
+Ori.
+
+  Infida tù mi chiami,
+  Quand io t' adoro? ingrato;
+
+    How can you call me false
+    When I adore you? O Ingrate.
+
+Amad.
+
+  Sò che per' altri, è il seno tuo piagato.
+
+    I know your Heart is wounded by another.
+
+Oria.
+      Ti pentirai crudel'
+      D' hauermi offesa vn' di
+      Perfido, ingrato.
+      S' io ti seguii fedel
+      Saprò fuggirti ancor
+      Crudo Spietato.
+          Ti pentirai, &c.
+
+            _Oriana calls him false and cruel, and says he shall yet
+            repent the having offended her; and that if hitherto she
+            hath follow'd him, she'll now fly from him._
+
+              [Parte Oriana.
+
+                [Exit _Oriana_.
+
+
+SCENA IV.
+
+    SCENE IV.
+
+Amadigi, e poi Melissa.
+
+    _Amadis_ and afterwards _Melissa_.
+
+Amad.
+
+  Dunque colei, da cui
+  Speravo ogni conforto al'graue affanno
+  Cosi mi sprezza, e fugge?
+  E nel medesmo istante
+  Che fede mi giurò, di fè mi manca?
+  Ed io viuo, e non moro?
+  Faccia pur' quest' acciaro
+  Ciò che non puote il duolo.
+
+    Does even she (from whom
+    I hop'd all Comfort in my greatest Grief)
+    Thus slight me, thus avoid my Sight?
+    And in that Moment in which she
+    Had promis'd Faith to me, break all her Vows?
+    And do I live, and don't I dye?
+    Let then this pointed Steel perform
+    That which my Sorrows ne'er cou'd do.
+
+              [Vuol' uccidersi, mà vien' trattenuto da Melissa, che
+              Soprag'iunge.
+
+                [He offers to kill himself, but is hinder'd by
+                _Melissa_, who comes suddenly to him.
+
+Mel.
+
+  Fermati, e viui.
+
+    Hold, hold your Hand, and live.
+
+Amad.
+
+  Cruda Melissa; Lascia
+  Ch'io dia fine al mio duol' con la mia morte.
+
+    Cruel _Melissa_ hold me not,
+    Let me by Death give End unto my Grief.
+
+Mel.
+
+  Puoi tue pene finir' senza morire.
+
+    Your Pains may end, and yet you need not die.
+
+Amad.
+
+  Benche à mè sia crudele
+  Quella per cui sospiro
+  A Lei sempre qual' fui, sarò fedele.
+  Ne altro io da tè bramo,
+  Che mi Lasci Morir', già ch'io non t'amo.
+
+    Although she cruel is to me,
+    For whom I breath such Storms of Sighs,
+    Yet as I ever faithful was, I'll so remain.
+    Nor do I greater Boon of you request,
+    Than (since I cannot love you) that you'll let me dye.
+
+Mel.
+
+  Io più soffrir' nol posso.
+  Non sperar con la morte
+  Dar' fine alle tue pene;
+  Che prima ti conuien' alma spietata
+  Prouar quanto far' può donna sdegnata.
+  Diuenga in questo Loco
+  Ogni placido aspetto, orrore, e foco.
+
+    This is too much for me to bear.
+    Hope not by Death
+    To end your Pains,
+    For e'er you end, 'tis just (you cruel Soul)
+    You taste how much offended Love can do.
+    Let all the pleasant Aspects that appear
+    Within this Place be Horror.
+
+              [La Scena si cangia in un antro orribile--
+
+                [The Scene changes into a horrible Cave.
+
+  E voi de miei furori.
+  Orridi essecutori
+  Accorrete à punir, chi mi disprezza.
+
+    And you my furious Fiends,
+    Horrid Executioners of my Wrath,
+    Hasten to punish him, who thus does slight me.
+
+              [Dei Mostri Sortono dal' seno della terra, s'odono tuoni
+              nell' aria--
+
+                [Monsters ascend from the Bowels of the Earth; and
+                Thunder is heard in the Air.
+
+Amad.
+
+  L'anima, è troppo auvezza
+  Alle pene, a gl' affanni;
+  E se credi con' questo
+  D' amollire il mio cor', folle t'inganni.
+
+    My Life has been too much inur'd
+    To Torments, Sufferings and Pains,
+    And if you think, with help of these
+    To mollifie my Heart, vain Woman, you're deceived.
+
+Mel.
+
+  Cessate, omai cessate
+  Che più graui tormenti, a lui preparo.
+  Circondatelo ò furie    [Le Furie lo circondano.
+  Vedrà nelle mie soglie
+  Ciò che nel' fonte ei vide:
+  Vuò ch' il suo duolo, al mio divenga eguale
+  E colei che l'adora, ami il riuale.
+
+    Cease then, O cease;
+    For him far greater Torments I prepare.
+    Surround him Furies ev'ry way:    [The Furies surround him.
+    He soon shall see within these bounds
+    That, which he in the Fountain saw:
+    I'll make his Grief full equal unto mine,
+    And she whom he adores, shall love his Rival.
+
+        _à due_
+      Crudel tù non farai
+      Ch' il tuo rigor già mai,
+      Perturbi la costanza;
+
+Amad. } a 2 { Ho' petto    } Da soffrire.
+Mel.  }     { Si hai petto }
+
+        _à 2_
+      Ogn' aspro, e rio Martire,
+
+Amad. } a 2 { Non temo il tuo } rigor
+Mel.  }     { Torro col' mio  }
+
+Amad. } a 2 { Ne tua possanza
+Mel.  }     { La tua speranza.
+
+          Crudel, &c.    [Partono.
+
+            They both sing a Duo: She threatens, and he seems void
+            of Fear.    [Exeunt _Ambo_.
+
+
+SCENA V. Palazzo di Melissa.
+
+    SCENE V. Palazzo di Melissa.
+
+    SCENE V. The Palace of _Melissa_.
+
+Dardano solo.
+
+    _Dardanus_ alone.
+
+Dard.
+
+  D' vn' suenturato amante
+  Prouo tutte le pene in questo petto.
+  Ama Oriana Amadigi, e me disprezza:
+  Mi promette Melissa
+  Conforto al mio tormento,
+  Mà tardi Veggio oh' Dio,
+  Ch' è vano ogni potere, al' duolo mio:
+
+    In this my Breast too sensibly I feel,
+    Of an unhappy Lover, all the Pains.
+    _Oriana_ adores this _Amadis_, and me she slights:
+    _Melissa_ indeed doth promise me
+    To comfort my tormented Mind,
+    But now too late I see, Oh Gods,
+    That all her Pow'r can ne'er redress my Grief.
+
+      Pena tiranna
+      Io sento al core,
+      Ne spero mai
+      Trouar pietà;
+      Amor m'affanna
+      E il mio dolore
+      In tanti guai
+      Pace non hà.
+          Pena tiranna, &c.
+
+            _He says, he feels a Tyrannous Pain at his Heart, and
+            never expects to find Pity, Quiet or Relief._
+
+              [Mentre vuol' partire vien ritenuto da Melissa.
+
+                [As he is departing, he is detain'd by _Melissa_.
+
+
+SCENA VI.
+
+    SCENE VI.
+
+Melissa, e detto.
+
+    _Melissa_ and _Dardanus_.
+
+Mel.
+
+  Arresta ò Prence.
+  Quivi frà breui istanti
+  Vedrai quella che adori
+  Mite a gl' affanni tuoi,
+  Ne più qual' già solea aspra, e crudele.
+
+    Stay Prince,
+    For here you instantly shall see
+    The Lady you adore
+    Made mild and pliant by your Grief,
+    And now no more (as formerly) severe.
+
+Dard.
+
+  Com ciò sia?
+
+    But how can it be brought to pass?
+
+Mel.
+
+  Con Incantati giri
+  Cangiai tue forme; e à i Lumi d' Oriana
+  Non più di Tracia il Prence,
+  Mà, Amadigi parrai;
+  E inuisibili a lui ambi sarete.
+
+    By my enchanting Lines and Circles
+    I've chang'd your Form; and unto _Oriana_'s Eyes,
+    No more the Prince of _Thrace_,
+    But _Amadis_, you shall appear.
+    And both of you shall be invisible to him.
+
+Dard.
+
+  E à che giouar ciò deue?
+
+    Of what Advantage will this prove?
+
+Mel.
+
+  Che t'merà colei, che tanto adori.
+
+    That she shall love you, whom you so adore.
+
+Dard.
+
+  Mà sott' altro sembiante.
+
+    But in the Likeness of another.
+
+Mel.
+
+  Ancor che per inganno,
+  Piace l'essere amato, à un' core amante.
+
+    Though by Deceit it be perform'd,
+    Yet still a Lover's pleas'd in being lov'd again.
+
+      Se tù brami di godere
+      Lascia pur' à mè il pensiere
+      Ch' Io contento ti farò;
+      Non haurai più tanti affanni
+      Ed' il fine de tuoi danni
+      Io con pace mirerò;
+          Se tù brami, &c.    [Parte.
+
+                _She bids him, if he aims at Joy, to leave the
+                Management of all to her; and she will make him
+                content; that he shall have no more Trouble of Mind,
+                but that all shall end in Peace._     [Exit.
+
+
+SCENA VII.
+
+    SCENE VII.
+
+Dardano solo.
+
+  Mà se questo non basta
+  A mitigar la pena mia crudele,
+  Altra strada si tenti.
+  Sarà di questo ferro,
+  Scopo, chi è la caggion' d'ogni mia doglia
+  E i Lacci del suo amor, lo sdegno scioglia.
+
+    But yet if this be not enough
+    To mitigate my cruel Pain,
+    I'll try another way:
+    He that occasions all my Grief
+    Shall be the Butt, at which this Steel shall aim,
+    My Wrath shall soon unloose his strongest ties of Love.
+
+
+SCENA VIII.
+
+    SCENE VIII.
+
+Oriana, e detto, da essa creduto Amadigi.
+
+    _Oriana_, and the aforesaid, who by her is suppos'd to be
+    _Amadis_.
+
+Ori.
+
+  Amadigi mio ben', deh' quando mai
+  Finirai di dar pene al' core amante?
+  Deh! dimmi, in che t'offesi?
+
+    My dearest _Amadis_; Ah when will you
+    Finish the Anguish of my loving Heart?
+    Oh! tell me in what I have offended you!
+
+Dard. (a parte.)
+  (In che t'offesi!
+  Da mè ciò non si seppe;
+  L'arte assista l'inganno, ò son' scoperto.)
+
+    In what I have offended you!
+    I never thought of such a thing,
+    Let Art assist Deceit, or I'm discover'd.    [Aside.
+
+Ori.
+
+  Contami la caggion dell'ira tua;
+
+    Tell me the Reason of your Anger.
+
+Dard.
+
+  Bella; i trascorsi dell' labro
+  Non giungono nel cor di chi ben' Ama.
+
+    Fairest, the sudden Slips of Speech
+    Ne'er reach the Heart of him that loves.
+
+Ori.
+
+  Se t'offesi perdona;
+  Fù inuolontaria colpa,
+  Se fù colpa la mia.
+
+    If I've offended, pardon me;
+    'T was an involuntary Crime,
+    If Crime at all mine can be call'd.
+
+Dard.
+
+  Il rammentarmi dei passati errori,
+  Arrossir fà le gote,
+  Più di ciò non si parli.
+
+    The bare Remembrance of my former Faults
+    Into Vermillion turn my Cheeks;
+    And on this Subject, let's discourse no more.
+
+Ori.
+
+  Cesse Melissa; e si compiace anch' essa,
+  Del reciproco affetto.
+
+    _Melissa_ is quiet, and seems now well pleas'd
+    At our reciprocal Amours.
+
+Dard.
+
+  Dunque mio ben', sei mia?
+
+    And are you then, my Dearest, mine?
+
+Ori.
+
+  Ostacol' più non trouo à i nostri ardori.
+
+    I see no farther hindrance to our Flames.
+
+Dard.
+
+  Or' sian' dunque beati, i nostri amori.
+
+    Then happy is our Love become at last.
+
+      Tù mia speranza,
+      Tù mio conforto,
+      Sei di quest'alma,
+      L' amato ben';
+      La mia costanza
+      E giunta in porto
+      Ed' hò la palma
+      Del' tuo bel' sen!
+          Dolce, &c.
+
+            _He calls her the Hope and Comfort of His Soul, and that
+            his Constancy is arriv'd at the desired Port, and has
+            obtain'd the Victory of her Heart._
+
+              [Finita l'aria Amadigi attrauersa la Scena senza veder
+              Dardano, da cui e però veduto, e lo segue adirato.
+
+                [At the End of this Air, _Amadis_ crosses the Stage,
+                without seeing _Dardanus_, tho' _Dardanus_ perceives
+                him and follows him in a Passion.
+
+Dard.
+
+  Mà qui il riual? si vendichi l'offesa.    [Parte.
+
+    My Rival here? I'll now revenge th' Offence!    [Exit.
+
+Ori.
+
+  Cosi mi Lascia, e parte?
+  Sento strepito d'armi; e che sarà?
+
+    Does he depart, and leave me thus?
+    Clashing of Swords I hear; what can this be?
+
+              [Si sente rumore di armi.
+
+                [Clashing of Swords is heard.
+
+
+SCENA IX.
+
+    SCENE IX.
+
+Melissa che sorte furiosa, e detta.
+
+    _Melissa_ who comes in a Fury, and _Oriana_.
+
+Mel.
+
+  Cieli; numi! Soccorso; astri crudeli.
+
+    Heav'ns! Gods! some Succour send. O cruel Stars.
+
+Ori.
+
+  Che t'affligge ò Melissa?
+
+    O _Melissa_, what afflicts you?
+
+Mel.
+
+  Ascolta; quel che poc' anzi
+  Amadigi parea di Tracia, è il Prence;
+  Che veduto Amadigi
+  Corse per tor la vita al' suo riuale.
+
+    Listen to what I say: He who just now
+    Appear'd like _Amadis_, is Prince of _Thrace_;
+    Who seeing _Amadis_ approach
+    Ran to deprive his Rival of his Life.
+
+Ori.
+
+  Numi; che ascolto!
+
+    Ye Gods, what do I hear!
+
+Mel.
+
+  Egli Amadigi assale
+  Il dì cui braccio inuitto
+  D'un colpo ch'il difende
+  Hà il suo riual' trafitto:
+  Mira colà; di Tracia il Prence estinto.
+
+    He first assaulted _Amadis_,
+    Whose valiant and unvanquish'd Arm
+    With one bold Stroke preserv'd himself
+    And pierc'd his Rival through:
+    See there, the now deceased _Thracian_ Prince.
+
+Ori.
+
+  Or tu forse m'inganni;
+
+    Perhaps in this you still deceive me.
+
+Mel.
+
+  Più Ingannar non ti voglio.
+  Troppo sian' veri
+  Quelli che a voi preparo aspri tormenti.
+
+    I never will deceive you more;
+    Too true the Torments shall appear,
+    And those most sharp, which I prepare for you.
+
+Ori.
+
+  Barbara, e che ti feci?
+
+    O barb'rous Wretch, what have I done to you?
+
+Mel.
+
+  M'involasti un amante.
+
+    You stole my Lover from me.
+
+Ori.
+
+  Colpa mia gia non fù!
+
+    That was no Fault of mine,
+
+Mel.
+
+  Sia tuo l'affanno.
+
+    But yet the Torment shall be yours.
+
+Ori.
+
+  Ti puniranno i Numi;
+
+    The Gods will punish you.
+
+Mel.
+
+  Trema per me Cocito.
+
+    I can make th'Abyss to tremble.
+
+Ori.
+
+  Il' ciel' gl' empi condanna.
+
+    Just Heav'n condemns the Wicked.
+
+Mel.
+
+  Ma esseguisce l'inferno.
+
+    But it is Hell that executes.
+
+Ori.
+
+  Gioue per te s'adira.
+
+    And _Jove_ himself with you will angry be.
+
+Mel.
+
+  Se non cessi d'amarlo.
+
+    And if you don't forbear to love him--
+
+              [La Minaccia.
+
+                [She threatens her.
+
+Ori.
+
+  L'amerò sin' che ho vita.
+
+    I'll always love him whilst I live.
+
+Mel.
+
+  Morrai, se non v' assenti,
+
+    You'll surely die, if do not yield.
+
+Ori.
+
+  Ascolta--
+  Perfida incantatrice, empia Megera
+  Tesifone d'Inferno, Arpia del' mondo;
+  Tù ben' veder potrai
+  Guizzar nell'aria i pesci;
+  Gl' augei volar nell'onde;
+  Farsi gelido il fuoco,
+  Brugiar il gelo, ed' appianarsi i monti,
+  E alle nubi salir, le valli, e gl'antri;
+  Mà far' già non potrai
+  Ch' il feruido desio
+  Mai si stanchi d'amar l'Idolo mio.
+
+    Hear me
+    Perfidious Sorceress, impious _Megera_
+    Hell's _Tesiphon_, and Harpye of the World;
+    I full well know you can with Ease
+    Make Fishes swim and slide in th' Air,
+    All winged Birds to flye amidst the Waves;
+    Congeal the Fire and make it freeze,
+    Cause Ice to burn, and Mountains level make,
+    And raise up to the Clouds both Vales and Caves:
+    But you can never bring to pass
+    That th' ardent Longings of my Soul
+    Do ever cease to love the Idol of my Heart.
+
+Mel.
+
+  Son sorda a i detti tuoi.
+
+    I am quite deaf to what you say.
+
+              [Vuol partire ma Oriana la ritiene.
+
+                [She is going off, but is detain'd by _Oriana_.
+
+Ori.
+      Affannami,
+      Tormentami,
+      E' vano il tuo rigor;
+      Si vago, è l'Idol mio
+      Che di cangiar desio,
+      Non ha potere il cor.
+          Affanni, &c.    [Parte.
+
+            _She says, though _Melissa_ afflicts and torments her,
+            yet all her Rigour is in vain, and that her Dearest is
+            so lovely, that her Heart can never alter its Affection._
+
+                [Exit _Oriana_.
+
+
+SCENA X.
+
+    SCENE X.
+
+Melissa sola.
+
+    _Melissa_ alone.
+
+  Mi deride l'amante,
+  La riuale mi sprezza;
+  Ed' io lo soffro ò stelle?
+  Nò; Non sarà già mai
+  Ch' Io perda il mio vigor frà pene, e guai.
+
+    My Lover now derides me,
+    And by my Rival I'm despis'd;
+    And do I suffer this, O Stars?
+    No, no, it ne'er shall be, that I
+    My Courage lose, opprest by Grief and Woe.
+
+      Desterò dall' empia Dite
+      Ogni furia, a farui guerra
+      Crudi, perfidi si, si;
+      Ombre tetre, omai sortite
+      Dall' auello che vi serra
+      A' dar pene,
+      A colui che mi scherni.
+          Destero, &c.
+
+            _She says she'll raise every Fury to make War against
+            _Amadis_ and _Oriana_, whom she calls cruel and perfidious,
+            and commands the blackest Ghosts to ascend from their
+            Dungeons to torment those who slight her._
+
+
+
+
+ATTO III. SCENA I.
+
+
+Palazzo di Melissa.
+
+    The Palace of _Melissa_.
+
+Oriana condotta da Demoni.
+
+    _Oriana_ brought in by Devils.
+
+  Doue mi guida il fato mio tiranno!
+  Qui Melissa mi vuol? qui mi condanna
+  A soffrir' pene, e affanni?
+  E che mai feci ò sorte?
+  Perche adoro Amadigi,
+  Deggio dunque hauer Morte?
+  Si, si, neri Ministri
+  D'una furia d' Averno,
+  D' una infida Megera
+  Conducetemi pur, doue v'addita,
+  Che per caggion' si cara
+  Troppo sia dolce à mè perder la vita.
+
+    Where am I hurry'd by my cruel Fate!
+    Is't here _Melissa_ waits me? Is't here she condemns me
+    To suffer Sorrow, Pain and Grief?
+    What is't, O Fate, that I've committed?
+    Because I _Amadis_ adore,
+    Must I therefore be put to Death?
+    Yes, yes, ye gloomy Ministers
+    Of that fierce Fury of th' avernal Lake,
+    Of that most faithless vile _Megera_,
+    Carry me now where she commands ye;
+    For, for so dear a Cause as this,
+    'Twill be a Pleasure to lay down my Life.
+
+      Dolce vita del mio petto
+      Io per tè Morrò beata;
+      E più puro haurò L'affetto
+      Di quest' alma suenturata.
+          Dolce, &c.    [Parte.
+
+            _She says she shall be happy in dying for him who is the
+            Life of her Heart; and that such a Death will heighten her
+            Affection._    [Exit.
+
+
+SCENA II.
+
+    SCENE II.
+
+Il Teatro rappresenta un Antro destinato a gl' Incanti di Melissa.
+
+    The Stage represents a Cave appointed for the Enchantments of
+    _Melissa_.
+
+Melissa sola.
+
+    _Melissa_ alone.
+
+Mel.
+
+  Sento, ne sò che sia
+  Agitato il pensier, e mesto il core;
+  E ingombra l'alma mia pena, e timore;
+  Forse perche preparo
+  All' ingrato Amadigi acerba morte?
+  Mà che ci posso far, se più l'adoro
+  Quanto più m'abborrisce!
+  Egli a ciò mi costringe.
+  Amadigi qui venga,
+  E seco Oriana caggion del' mio tormento
+  Ch' oppressa dall' rigor' già l'alma lo sento.
+
+    I feel (but don't the Reason know)
+    My Thoughts disturb'd, my Heart grown sad,
+    And ev'n my Soul opprest with Grief and Fear,
+    Is it perhaps because I now prepare
+    For ingrate _Amadis_ a cruel Death?
+    But yet how can I help it, when the more
+    He hates me; just so much the more I love him!
+    Thus he constrains me to proceed.
+    Let _Amadis_ be hither brought,
+    And with him _Oriana_ who causes all my Pains,
+    For now I feel my Soul opprest by Rigour.
+
+      Vanne Lungi dal' mio petto
+      Vano amor, ch' Io vuò vendetta;
+      Non darò mai più ricetto,
+      A un' amabile saetta.
+          Vanne, &c.
+
+            _She bids vain Love be gone from her Breast, because she
+            will harbour nothing but Revenge, and will never more give
+            Admittance to any amorous Dart._
+
+
+SCENA III.
+
+    SCENE III.
+
+I Demoni Conducono Amadigi, ed' Oriana incatenati e detta.
+
+    The Devils bring in _Amadis_ and _Oriana_, both in Chains, and
+    the abovesaid.
+
+Ori.
+
+  Se t'offese Oriana
+  Ella sol' si punisca.
+
+    If _Oriana_ hath offended you
+    Let only her be punished.
+
+Amad.
+
+  Se ti sprezza Amadigi
+  Egli sol' merta pena.
+
+    If _Amadis_ hath slighted you
+    He only ought to suffer pain.
+
+Mel.
+
+  E pene, e morte haurai, da tè principio.
+
+    Both pain and death you'll have; but I begin with you.
+
+              [Và per ferire Amadigi.
+
+                [She is going to wound _Amadis_.
+
+Ori.
+
+  Numi, aita, soccorso.
+
+    O Heav'ns, aid and succour us.
+
+Mel.
+
+  Ma; che nuoua pietade
+  Mi passeggia nel' petto?
+  Perfido traditore
+  La tua morte vorrei, mà il cor nol' vuole.
+
+    But what new Pity now invades
+    And takes Possession of my Breast?
+    Unfaithful Traytor,
+    I'd be thy Death, but that my Heart wont give me leave.
+
+Amad.
+
+  Ah! che non gioua a mè la tua pietade,
+  Mentre ch' io temo oh' Dio
+  Per Oriana il mio ben', per l'Idol mio.
+
+    Ah, but your Pity gives me no Relief,
+    So long as I'm in fear, Oh Gods!
+    For my dear Idol, _Oriana_'s sake.
+
+Mel.
+
+  Ed' ancor tù m' inriti!
+  T' ucciderò nel' cor di lei spietato.
+
+    And do you still my Passion irritate?
+    O cruel Man, I'll stab thee in her Heart.
+
+              [Và per' uccidere Oriana.
+
+                [She offers to stab _Oriana_.
+
+Amad.
+
+  Ah' ferma!
+
+    Ah, hold your Hand!
+
+Ori.
+
+  No' Melissa
+  Salua il mio ben', ed' io contenta moro.
+
+    No, no, _Melissa_,
+    Spare but my Dear, and I'll contented die.
+
+Mel.
+
+  Mà, no; sia troppo breue
+  Questa pena à un ingrato;
+  Darò con' mille morti
+  A lei pene, a tè affanni, e a mè conforto.
+
+    But, no that Agony would be
+    Too short for an ungrateful Man;
+    I, with a thousand Deaths will give
+    Pain to her, Grief to you, and Comfort to my self.
+
+Amad. ed Ori. _à 2_
+
+    _Amad._ and _Ori._ sing _a Duo_.
+
+      Cangia al' fine il tuo rigore
+      Senti oh' Dio di noi pietà;
+      Deh' ti muoua il mio dolore,
+      Troppo usasti crudeltà.
+          Cangia, &c.
+
+            _Intreating _Melissa_ to abate her Rigour, and take
+            Compassion on them, and be mov'd at their Sufferings,
+            having already us'd too much Cruelty._
+
+Mel.
+
+  Nò, nò; ho già risolto.
+  Ombra del suo riuale
+  Prencipe sfortunato,
+  In Virtù de miei detti
+  Sorti dal' Regno Oscuro
+  E qui meco t'unisci a far vendetta
+  Del' mio amor, del tuo amor, del' nostro oltraggio.
+
+    No, no, I am resolv'd.
+    O you his Rival's Ghost,
+    Unhappy Prince,
+    In Vertue of these Words,
+    From the dark Kingdom, now come forth,
+    And here unite with me, that we may both
+    Revenge my Love, your Love, and both our Wrongs.
+
+
+SCENA IV.
+
+    SCENE IV.
+
+Ombra del' Prencipe di Tracia, e detti.
+
+    The Ghost of the Prince of _Thrace_, and the aforesaid.
+
+Omb.
+
+    _Ghost._
+
+  Han' penetrato i detti tuoi l'Inferno.
+  E i numi; nemici all' ingiustitia
+  Proteggon contro tè due fidi amanti;
+  E per' maggior mia pena
+  Voglion ch' io ti rammenti,
+  Ch' è giunta pur la fin' dei lor' tormenti.
+
+    Thy Words have penetrated Hell.
+    And all the Gods (averse to what's unjust)
+    Protect, in spight of thee, these faithful Lovers;
+    And, for my greater Punishment,
+    Command that I should let thee know,
+    That all their Torments now are near their End.
+
+              [Sparisce l'ombra.
+
+                [The Ghost disappears.
+
+
+SCENA V.
+
+    SCENE V.
+
+Amadigi, Melissa, ed Oriana.
+
+    _Amadis_, _Melissa_ and _Oriana_.
+
+Mel.
+
+  Cieli ingiusti, e inclementi
+  Dunque a voi soli sia
+  La vendetta concessa?
+
+    O Heav'ns inclement and unjust,
+    And is the Pow'r then to revenge
+    Granted to none but you alone?
+
+Ori.
+
+  A che mai si risolue?
+
+    What more can she resolve to do?
+
+Amad.
+
+  Io temo ancora.
+
+    I'm still afraid.
+
+Mel.
+
+  Mà che!
+  Muoia la mia riuale.
+
+    But what!
+    Now let my Rival die.
+
+              [Vuol' uccidere Oriana, mà si sente ritenere.
+
+                [She offers to kill _Oriana_, but finds her self
+                detained.
+
+  Chi il piè m' arresta, ò stelle?
+  Ah' che voi proteggete infidi numi
+  Una copia felice;
+  Io sola suenturata
+  Cielo, e Inferno mi aborre:
+  Morir si deè; si muoia.
+
+    What is't detains my Feet? Oh Stars!
+    Ah wicked Gods, 'tis you protect
+    This too too happy Pair,
+    I only am Unfortunate,
+    Both Heav'n and Hell abhor me:
+    I ought to die, and die I will.
+
+              [Si ferisce con un' stile.
+
+                [She wounds her self with a Ponyard.
+
+  Addio crudo Amadigi
+  Spira la tua nemica, anzi l'amante;
+  Godi del' mio morir barbaro ingrato.
+  Già il piè vacilla, e il Lume;
+  Ed' un freddo mortal già mi sorprende
+  Felice è la mia morte
+  S'un tuo sospir compiange la mia sorte.
+      Io già sento l'alma in sen'
+      Che da me partendo và--.
+
+    O cruel _Amadis_ adieu,
+    Your Enemy (or rather Lover) dies.
+    Barb'rous, Ingrate, rejoice now at my Death;
+    My Feet do tremble and so does my Sight,
+    And mortal Cold my Members all doth seize:
+    Yet still my Death would happy be
+    If one kind Sigh of yours would but bemoan my Fate.
+    I feel my Soul within my Breast
+    Forcing its way, just ready to depart.
+
+              [Cade sopra un sasso e muore.
+
+                [She falls down and dies.
+
+Ori.
+
+  Che Orrore.
+
+    What Horrour!
+
+Amad.
+
+  Infelice Melissa.
+
+    Unhappy _Melissa_.
+
+Ori.
+
+  Mà che ascolto!
+
+    But what is this I hear!
+
+Amad.
+
+  Che sento!
+  Qual' chiarore improviso abbaglia i Lumi?
+
+    What is it I perceive,
+    What sudden Light is this, that dazzles thus my Eyes?
+
+Ori.
+
+  Or' si che ci protegge il Cielo, e i Numi.
+
+    Now I'm convinc'd that Heav'n and Gods protect us.
+
+              [L'antro si cangia in un bellissimo Palazzo, e dopo breue
+              ed' allegra sinfonia discende un carro coperto da Nubi,
+              nel quale si vede L'Incantatore Orgando Zio d'Oriana.
+
+                [The Cave changes into a beautiful Palace; and after
+                a short, but pleasant Simphony, a Chariot descends
+                covered with Clouds, in which appears the Enchanter
+                _Orgando_, Uncle to _Oriana_.
+
+
+SCENA VI.
+
+    SCENE VI.
+
+Orgando, e detti.
+
+    _Orgando_ and the abovesaid.
+
+Org.
+
+  Son' finiti i tormenti, omai si goda;
+  Il' Ciel che vi protegge
+  Vuol' che cessin' gl' Incanti;
+  E con' dolci sponsali
+  S'Uniscan' con le destre i cori amanti.
+
+    Your Torment's ended, now you shall rejoice;
+    The Pious Heav'ns which protect you,
+    Command that all Enchantments cease;
+    And with sweet Matrimonial Rites
+    Let your Right Hands unite two loving Hearts.
+
+Amad.
+
+  Cara la man' ti stringo.
+
+    My dearest, thus I press thy Hand.
+
+Ori.
+
+  Più dolce è inaspettato un gran' contento.
+
+    Joy unexpected always is most sweet.
+
+Amad.
+
+  Or' ti ringratio Amor del mio tormento.
+  Cara mia sposa adesso
+  Ogni nube spari d'atro dolore,
+  S'Orgando, e il Dio d'amore
+  Con più soavi incanti
+  Unisce i due più fidi, e casti amanti.
+
+    Now Love, ev'n for my Pains, I give the Thanks.
+    This present Instant, dearest Spouse,
+    All Clouds of cruel Grief are vanisht quite,
+    For, kind _Orgando_ and the God of Love
+    With an Enchantment much more sweet,
+    Two chaste and faithful Lovers now unites.
+
+      Sento la gioia
+      Ch' in sen' mi brilla
+      E già scintilla
+      Nel' ciel la stella
+      Del' Dio d'Amor;
+      Sarò beato
+      Con' tè mia bella,
+      E amico il fato
+      Già mi promette
+      Contento al' Cor.
+          Sento la gioia, &c.
+
+            _He says that Joy sparkles in his Breast, as _Cupid_'s
+            Star does in the Heav'ns; and that he shall be happy with
+            _Oriana_, because Friendly Fate promises him his Heart's
+            Content._
+
+              [Orgando disceso dal suo carro.
+
+                [_Orgando_ descended from the Chariot, says.
+
+Org.
+
+  Godete omai felici
+  O fortunati sposi;
+  E qual già preparai
+  Danze campestri, e Magica Armonia
+  Qui del vostro goder preludio sia.
+
+    Rejoice at last and happy be,
+    O lucky Bridegroom and your Bride,
+    To celebrate your Nuptials I've prepar'd
+    A Rural Dance, and Magick Harmony,
+    To serve for Prelude to your future Joys.
+
+CORO.
+
+    _CHORUS._
+
+      Godete ò Cori amanti
+      Che non v'è più dolor;
+      Cangiato ha' i vostri pianti
+      In riso il Dio d'Amor.
+
+        Rejoice O loving Hearts
+        For no more Grief remains,
+        The God of Love hath chang'd
+        Your Weeping into Smiles.
+
+A 2 Amadigi ed' Oriana.
+
+    A Duo sung by _Amadis_ and _Oriana_.
+
+      Or si m'alletti
+      Speranza del' mio sen';
+      Non piu' Velen'
+      Mà sol' diletti
+      Io prouo in questo Cor.
+
+        Yes now I am pleas'd,
+        Dear Hope of my Heart.
+        Enchantments are vanquish'd
+        All tends to Delight
+        To please our Hearts.
+
+CORO.
+
+    _CHORUS._
+
+      Godete ò Cori amanti
+      Che non v'è più dolor;
+      Cangiato ha i vostri pianti
+      In riso il Dio d'Amor.
+
+        Rejoice O loving Hearts
+        For no more Grief remains,
+        The God of Love hath chang'd
+        Your Weeping into Smiles.
+
+Ballo di Pastori, e Pastorelle, e Finisce l'Opera.
+
+    A Dance of Shepherds and Shepherdesses.
+
+        _End of the OPERA._
+
+       *       *       *       *       *
+           *       *       *       *
+       *       *       *       *       *
+
+[Errors and Anomalies:
+
+The original text alternated between Italic and Roman type; in this
+e-text, longer passages were left unmarked to minimize confusion.
+
+Italian: songs/dialogue in italics; everything else roman
+English: songs/dialogue roman; everything else, including aria
+summaries, in italics; character names emphasised ("other" font)
+
+All variation between u and v, both capital and lower-case, is as
+in the original. The italic font used an unambiguous U, an unambiguous
+V-- and, on three occasions, an "in-between" form that most closely
+resembles lower-case italic v, but here seems to be meant for U:
+    [U]nkindness to her has taught her to torment a Heart.
+    [U]n infida, che per altri m' abborre?
+    ...the Enchanter _Orgando_, [U]ncle to _Oriana_.
+
+
+Italian:
+
+Che già troppo contrarie
+  _text reads_ gia'
+
+Più cerca ella piacermi, io più la sprezzo.
+  _text reads_ Piu' cerca
+
+si oppongono alla partenza / di Amadigi.
+  _text reads_ Amidigi
+
+SCENE VII. / Amadigi, Oriana, e truppa di Caualieri, e Dame incantate.
+  _spelling as in original_
+
+Andianne ora mio ben', che più si tarda?
+  _so in original_: Andiam'?
+
+Soprag'iunge.
+  _unclear in original_
+
+SCENE V. Palazzo di Melissa.
+  _spelling and format as in original_
+
+SCENA IX. / Melissa che sorte furiosa, e detta.
+  _text reads_ SCENA XI.
+
+Ascolta; quel che poc' anzi
+  _text reads_ Ascota
+
+T' ucciderò nel' cor di lei spietato.
+    _text reads_ T' uccidero'
+
+Nò Melissa
+    _text reads_ No' melissa
+
+
+English:
+
+The English text is not always an exact parallel of the Italian, either
+in language or in print format.
+
+Vasas, Fountains, and Statues
+  _spelling as in original_
+
+SCENA VI. / Dardano solo.
+  _spelling as in original_
+
+For, kind _Orgando_ and the God of Love
+  _text reads_ Organda
+
+_Orgando_ descended from the Chariot, says.
+...
+Rejoice at last and happy be,
+  _text damaged: "Orgando" supplied from context and Italian;
+  "last and" conjectural, based on Italian_ ]
+
+
+
+
+
+End of Project Gutenberg's Amadigi di Gaula, by Nicola Francesco Haym
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