summaryrefslogtreecommitdiff
path: root/old/8p11710h.htm
blob: b15d7d62b8ee0f1b4ac23ae321d1638665690f35 (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087
2088
2089
2090
2091
2092
2093
2094
2095
2096
2097
2098
2099
2100
2101
2102
2103
2104
2105
2106
2107
2108
2109
2110
2111
2112
2113
2114
2115
2116
2117
2118
2119
2120
2121
2122
2123
2124
2125
2126
2127
2128
2129
2130
2131
2132
2133
2134
2135
2136
2137
2138
2139
2140
2141
2142
2143
2144
2145
2146
2147
2148
2149
2150
2151
2152
2153
2154
2155
2156
2157
2158
2159
2160
2161
2162
2163
2164
2165
2166
2167
2168
2169
2170
2171
2172
2173
2174
2175
2176
2177
2178
2179
2180
2181
2182
2183
2184
2185
2186
2187
2188
2189
2190
2191
2192
2193
2194
2195
2196
2197
2198
2199
2200
2201
2202
2203
2204
2205
2206
2207
2208
2209
2210
2211
2212
2213
2214
2215
2216
2217
2218
2219
2220
2221
2222
2223
2224
2225
2226
2227
2228
2229
2230
2231
2232
2233
2234
2235
2236
2237
2238
2239
2240
2241
2242
2243
2244
2245
2246
2247
2248
2249
2250
2251
2252
2253
2254
2255
2256
2257
2258
2259
2260
2261
2262
2263
2264
2265
2266
2267
2268
2269
2270
2271
2272
2273
2274
2275
2276
2277
2278
2279
2280
2281
2282
2283
2284
2285
2286
2287
2288
2289
2290
2291
2292
2293
2294
2295
2296
2297
2298
2299
2300
2301
2302
2303
2304
2305
2306
2307
2308
2309
2310
2311
2312
2313
2314
2315
2316
2317
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
<title>Punchinello, No. 17</title>
<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
<style type="text/css">
<!--
body {margin:10%; text-align:justify}
img {border: 0;}
blockquote {font-size:14pt}
P {font-size:14pt}
-->
</style>
</head>
<body>

<h1>Punchinello, Vol. 1, No. 17, July 23, 1870</h1>
<pre>
Project Gutenberg's Punchinello, Vol. 1, No. 17, July 23, 1870, by Various

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file.  Please do not remove it.  Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file.  Included is
important information about your specific rights and restrictions in
how the file may be used.  You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**eBooks Readable By Both Humans and By Computers, Since 1971**

*****These eBooks Were Prepared By Thousands of Volunteers!*****


Title: Punchinello, Vol. 1, No. 17, July 23, 1870

Author: Various

Release Date: February, 2006 [EBook #9885]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on October 27, 2003]

Edition: 10

Language: English

Character set encoding: ISO-8859-1

*** START OF THE PROJECT GUTENBERG EBOOK PUNCHINELLO, VOL. 1, NO. 17 ***




Produced by Cornell University, Joshua Hutchinson, Sandra Brown
David Widger and the Online Distributed Proofreading Team.





</pre>



<br><br>
<center>
<img alt="001.jpg (278K)" src="001.jpg" height="1150" width="761">
</center>
<br><br>

<br><br>
<center>
<img alt="002.jpg (280K)" src="002.jpg" height="1120" width="764">
</center>
<br><br>



<br><br><hr><br><br>
<center>
<h2>THE MYSTERY OF MR. E. DROOD.</h2>

<h4>
AN ADAPTATION.</h4>

<h3>
BY ORPHEUS C. KERR</h3>
</center>
<br><br>

<p>
CHAPTER XI.--(Continued.)</p>

<p>
BLADAMS ushered in two waiters--one Irish and one German--who wore that
look of blended long-suffering and extreme weariness of everything
eatable, which, in this country, seems inevitably characteristic of the
least personal agency in the serving of meals. (There may be lands in
which the not essentially revolting art of cookery can be practiced
without engendering irritable gloom in the bosoms of its practitioners,
and the spreading of tables does not necessarily entail upon the actors
therein a despondency almost sinister; but the American kitchen is the
home of beings who never laugh, save in that sardonic bitterness of
spirit which grimly mocks the climax of human endurance in the burning
of the soup; and the waiter of the American dining-room can scarcely
place a dish upon the board without making it eloquent of a blighted
existence.) Having dashed the stews upon the reading-table before the
fire, and rescued a drowning fly[1] from one of them with his least
appetizing thumb-nail, the melancholy Irish attendant polished the
spoons with his pocket-handkerchief and hurled them on either side of
the plates. Perceiving that his German associate, in listlessly throwing
the mugs of ale upon the table, had spilled some of the liquid, he
hurriedly wiped the stain away with EDWIN DROOD'S worsted muffler, and
dried the sides of the glasses upon the napkin intended for Mr. DIBBLE'S
use. There was something of the wild resources of despair, too, in this
man's frequent ghostly dispatch of the German after articles forgotten
in the first trip, such as another cracker, the cover of the
pepper-cruet, the salt, and one more pinch of butter; and so greatly did
his apparent dejection of soul increase as each supplementary luxury
arrived and was recklessly slammed into its place, that, upon finally
retiring from the room with his associate, his utter hopelessness of
aspect gave little suggestion of the future proud political preferment
to which, by virtue of his low estate and foreign birth, he was
assuredly destined.</p>

<p>[Footnote 1: In anticipation of any critical objection to the
introduction of a living <i>fly</i> in <i>December</i>, the Adapter begs leave to
suspect than an anachronism is always legitimate in a work of fiction
when a point is to be made. Thus, in Chapter VIII of the inimitable
"NICHOLAS NICKLEBY," Mr. SQUEERS tells NICHOLAS that morning has come,
"and <i>ready iced</i>, too;" and that "the pump's <i>froze</i>," while, only a
few pages later, in the same chapter, one of Mr. SQUEERS' scholars is
spoken of as "weeding the garden."]</p>

<p>The whole scene had been a reproachful commentary upon the stiff
American system of discouraging waiters from making remarks upon the
weather, inquiring the cost of one's new coat, conferring with one upon
the general prospects of his business for the season, or from indulging
in any of the various light conversational diversions whereby barbers,
Fulton street tailors, and other depressed gymnasts, are occasionally
and wholesomely relieved from the misery of brooding over <i>their</i>
equally dispiriting avocations.</p>

<p>After the departure of the future aldermen, or sheriffs, of the city,
the good old lawyer accompanied his young guest in an expeditious
assimilation of the stews; saying little, but silently regretting, for
the sake of good manners, that Mr. BLADAMS could not eat oysters without
making a noise as though they were alive in his mouth. At last, mug of
ale in hand, he turned to his clerk:</p>

<p>"BLADAMS!"</p>

<p>"Sir to you!" responded Mr. BLADAMS, hastily putting down the plate from
which he had been drinking his last drop of stew, and grasping his own
mug.</p>

<p>"Your health, BLADAMS.--Mr. EDWIN joins me, I'm sure.--And may the--may
our--that is, may your--suppose we call it Bump of Happiness--may your
Bump of Happiness increase."</p>

<p>Staring thoughtfully, Mr. BLADAMS felt for the Bump upon his head and,
having scratched what he seemed to take for it, replied: "It's a go,
sir. The Bump has increased some since KENT'S Commentaries fell on it
from that top-shelf the other day."</p>

<p>"I am going to toast my lovely ward," whispered Mr, DIBBLE to EDWIN;
"but I put BLADAMS first, because he was once a person to be respected,
and I treat him with politeness in place of a good salary."</p>

<p>"Success to the Bump," said EDWIN DROOD, rather struck by this piece of
practical economy, and newly impressed with the standard fact that
politeness costs nothing.</p>

<p>"And now," continued Mr. DIBBLE, with a wink in which his very ear
joined, "I give you the peerless Miss FLORA POTTS. BLADAMS, please
remember that there are others here to eat crackers besides yourself,
and join us in a health to Miss POTTS."</p>

<p>"Let the toast pass, drink to the lass!" cried Mr. BLADAMS, husky with
crackers. "All ale to her!"</p>

<p>"Count me in, too," assented EDWIN.</p>

<p>"Dear me!" said the old lawyer, breaking a momentary spell of terror
occasioned by Mr. BLADAMS having turned blue and nearly choked to death
in a surreptitious attempt to swallow a cracker which he had previously
concealed in one of his cheeks. "Dear me! although I am a square,
practical man, I do believe that I could draw a picture of a true
lover's state of mind to-night."</p>

<p>"A regular chromo," wheezed Mr. BLADAMS, encouragingly; pretending not
to notice that his employer was reaching an ineffectual arm after the
crackers at his own elbow.</p>

<p>"Subject to the approving, or correcting, judgment of Mr. E. DROOD, I
make bold to guess that the modern true lover's mind, such as it is, is
rendered jerky by contemplation of the lady who has made him the object
of her virgin affectations," proceeded Mr. DIBBLE, looking intently at
EDWIN, but still making farther and farther reaches toward the distant
crackers, even to the increased tilting of his chair. "I venture the
conjecture, that if he has any darling pet name for her, such as
Pinky-winky,' 'Little Fooly,' 'Chignonentily,' or 'Waxy Wobbles,' he
feels horribly ashamed if any one overhears it, and coughs violently to
make believe that be never said it."</p>

<p>It was curious to see EDWIN listening with changing color to this
truthful exposure of his young mind; the while, influenced
unconsciously, probably, by the speaker's example, he, too, had begun
reaching and chair-tilting toward the crackers across the table. What
time Mr. BLADAMS, at the opposite side of the board, had apparently sunk
into a sudden and deep slumber; although from beneath one of his folded
arms a finger dreamily rested upon the rim of the cracker-plate, and
occasionally gave it a little pull farther away from the approaching
hands.</p>

<p>"My picture," continued Mr. DIBBLE, now quite hoarse, and almost
horizontal in his reaching, to EDWIN DROOD, also nearly horizontal in
the same way--"my picture goes on to represent the true lover as ever
eager to be with his dear one, for the purpose of addressing implacable
glares at the Other Young Man with More Property, whom She says she
always loved as a Brother when they were Children Together; and of
smiling bitterly and biting off the ends of his new gloves (which is
more than he can really afford, at his salary,) when She softly tells
him that he is making a perfect fool of himself. My picture further
represents him to be continually permeated by a consciousness of such
tight boots as he ought not to wear, even for the Beloved Object, and of
such readiness to have new cloth coats spoiled, by getting hair-oil on
the left shoulder, as shall yet bring him to a scene of violence with
his distracted tailor. It shows him, likewise, as filled with exciting
doubts of his own relative worth: that is, with self-questionings as to
whether he shall ever be worth enough to buy that cantering imported
saddle horse which he has already promised; to spend every summer in a
private cottage at Newport; to fight off Western divorces, and to pay an
eloquent lawyer a few thousands for getting him clear, on the plea of
insanity, after he shall have shot the Other Young Man with More
Property for wanting his wife to be a Sister to him, again, as she was,
you know, when they were Children Together."</p>

<p>EDWIN, despite the coldness of the season, had perspired freely during
the latter part of the Picture, and sought to disguise his uneasiness at
its beautiful, yet severe truth, by a last push of his extended arm
toward the crackers. Quickly observing this, Mr. DIBBLE also made a
final desperate reach after the same object; so that both old man and
young, while pretending to heed each other's words only, were two-thirds
across the table, with their feet in the air and their chairs poised on
one leg each. At that very moment, by some unhappy chance, while nearly
the whole weight of the two was pressing upon their edge of the board,
Mr. BLADAMS abruptly awoke, and raised his elbows from his edge, to
relieve his arms by stretching. Released from his pressure, the table
flew up upon two legs with remarkable swiftness, and then turned over
upon Mr. DIBBLE and Mr. E. DROOD; bringing the two latter and their
chairs to the floor under a shower of plates and crackers, and resting
invertedly upon their prostrate forms, like some species of
four-pillared monumental temple without a roof.</p>

<p>A person less amiable than the good Mr. DIBBLE would have borrowed the
name of an appurtenance of a mill, at least once, as a suitable
expression of his feelings upon such a trying occasion; but, instead of
this, when Mr. BLADAMS, excitedly crying "fire!" lifted the overturned
table from off himself and young guest, he merely arose to a sitting
position on the littered carpet, and said to EDWIN, with a smile and a
rub: "Pray, am I at all near the mark in my picture?"</p>

<p>"I should say, sir," responded EDWIN, with a very strange expression of
countenance, also rubbing the back of his head, "that you are rather
hard upon the feelings of the unluckly lover. He may not show <i>all</i> that
he feels--"</p>

<p>There he paused so long to feel his nose and ascertain about its being
broken, that Mr. DIBBLE limped to his feet and ended that part of the
discussion by hobbling to an open iron safe across the office.</p>

<p>Taking from a private drawer in this repository a small paper parcel,
containing a pasteboard box, and opening the latter, the old lawyer
produced what looked like a long, flat white cord, with shining tips at
either end.</p>

<p>"This, Mr. EDWIN," said he, with marked emotion, "is a stay-lace, with
golden tags, which belonged to Miss FLORA'S mother. It was handed to me,
in the abstraction of his grief, by Miss FLORA'S father, on the day of
the funeral; be saying that he could never bear to look upon it again.
To you, as Miss FLORA'S future husband, I now give it."</p>

<p>"A stay-lace!" echoed EDWIN, coming forward as quickly as his lameness
would allow, and staunching his swollen upper lip with a handkerchief.</p>

<p>"Yes," was the grave response. "You have undoubtedly noticed, Mr. EDWIN,
that in every fashionable romance, the noble and grenadine heroine has a
habit of 'drawing herself up proudly' whenever any gentleman tries to
shake hands with her, or asks her how she can possibly be so majestic
with him. This lace was used by Miss FLORA'S mother to draw herself up
proudly with; and she drew herself up so much with it, that it finally
reached her heart and killed her. I here place it in your hands, that
you may ultimately give it to your young wife as a memento of a mother
who did nothing by halves but die. If you, by any chance, should not
marry the daughter, I solemnly charge you, by the memory of the living
and the dead, to bring it back to me."</p>

<p>Receiving the parcel with some awe, EDWIN placed it in one of his
pockets.</p>

<p>"BLADAMS." said Mr. DIBBLE, solemnly, "you are witness of the transfer."</p>

<p>"Deponent, being duly sworn, does swear and cuss that he saw it, to the
best of his knowledge and belief," returned the clerk, helping Mr. DROOD
to resume his overcoat.</p>

<p>When in his own room, at Gowanus, that night, Mr. DIBBLE, in his
nightcap, paused a moment before extinguishing his light, to murmur to
himself: "I wonder, now, whether poor POTTS confided his orphan child to
me because he knew that I might have been the successful suitor to the
mother if I had been worth a little more money just about then?"</p>

<p>What time, in the law-office in town, Mr. BLADAMS was upon his knees on
the floor, tossing crackers from all directions on the carpet into his
mouth, like a farinacious goblin, and nearly suffocating whenever he
glanced at the disordered table.</p>

<p>(To be Continued.)</p>

<br><br><hr><br><br>

<h2>THE FREE BATHS.</h2>

<table summary="">
<tr><td>

<img alt="004a.jpg (87K)" src="004a.jpg" height="593" width="406">
</td><td>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

</td><td>
<p>PUNCHINELLO begs to congratulate the Hon. W.M. TWEED upon his
inestimable boon to the public--the Free Baths. With regard to a certain
class--and a very large class--of the public of New York City, it has
sometimes been cynically asked, "Will it wash?" Since the establishment
of Free Baths under the Department of Public Works, that question has
been satisfactorily replied to in the affirmative. Hardworked mechanics
at once recognized the chance for a wash, and went at it with a rush. It
was Coney Island come to town, with the roughs left behind, and the
extortionate bathing-dress men, and the other disagreeable features of
that lovely but desecrated isle. In recognition of the decided success
of the new baths, and of the vast benefit that must be derived from them
by a large portion of the community, PUNCHINELLO begs to invest the Hon.
W. M. TWEED with the Blue Ribbon of the O.F.B., or "Originator of the
Free Baths."</p>
</td></tr>
</table>
<br><br><hr><br><br>

<h2>THE PLAYS AND SHOWS.</h2>

<table summary="">
<tr><td>

<img alt="004b.jpg (101K)" src="004b.jpg" height="617" width="410">
</td><td>
<p>CENTRAL PARK GARDEN is the subject of this article.</p>

<p>It is all very well for the editor of PUNCHINELLO to require me to write
about the Plays and Shows, but how would he like to do it himself, with
the thermometer at 103 degrees, and the Fourth of July only just over?
And then, inasmuch as I am not a white-hatted philosopher, writing of
"What I know about Farming," how can I be expected to write of things
which have no existence? For, with the exception of the CENTRAL PARK
GARDEN, and one or two minor places of amusement, there are no plays and
shows at present in this happy city.</p>

<p>We certainly owe the managers a debt of gratitude for closing their hot
and glaring theatres during this intolerable month. Of course nobody was
obliged to attend them while they were open; but then, when people were
told that the theatres were crowded to an uncomfortable extent, they
felt an irrepressible desire to go and be uncomfortable.</p>

</td></tr>
</table>

<p>It is one of the peculiar characteristics of Man, as distinguished from
the higher animals, that he will go through fire and water to get into a
theatre which he is told is crammed to the point of suffocation, whereas
he won't deign to enter one where he is sure to find a comfortable seat.
Now the charm of the CENTRAL PARK GARDEN consists in this: that the
visitor can take his vapor bath in the Seventh Avenue cars on his way to
the Garden, and can enjoy the sweet consciousness of being jostled and
sat upon in the search for amusement, while he is still certain of
finding pure air and plenty of room at the GARDEN itself.</p>

<p>By the bye, it has just occurred to me that the Fourth of July is
properly a show. It might be called a burlesque, but for the fact that
it is unaccompanied by the luxury of legs. Indeed, after the celebration
is over, there are always fewer legs in the nation than there were at
its commencement. There is no canon of criticism which would expurgate
legs from the theatrical burlesque, but there are cannons of Fourth of
July which do their best to abolish the incautious legs of patriotic
youth. I reconsider my purpose of writing of the CENTRAL PARK GARDEN,
and will devote this column to the national show.</p>

<p>I have somewhere read--not in BANCROFT'S History, of course; no man ever
did that and lived--that the Fourth of July was established in order to
commemorate our deliverance from a government which taxed us with
stamp-duties. How happy ought we to be when we reflect that, thanks to
our noble fathers who fought and bled at Long Branch. I should say
Nahant,--well, at some watering-place, I really forget precisely
where,--we have no taxes, and know not what a revenue stamp is like!
Thank fortune, we have no share in the national debt of Great Britain,
and have no national debt of our own that is worth mention. Besides, we
are going to found the little debt that we do owe, so that nobody will
ever be bothered about it again.</p>

<p>I like this plan of funding debts; but, curiously enough, sordid
capitalists and miserly landlords don't. I offered the other day to fund
all my personal debts, in the shape of a long loan at three per cent,
but my creditors did not take kindly to the idea. Such is the sordid
meanness which is too sadly characteristic of the merely commercial
mind. But to return to our subject, which is, I believe, the CENTRAL
PARK GARDEN.</p>

<p>It is curious how critics will differ. Here is a case in point. The
other night, at the CENTRAL PARK GARDEN, I sat near a table surrounded
by five well-known musical critics. THEODORE THOMAS had just led his
orchestra through the devious ways of the <i>Tannhauser</i> overture, and I
naturally listened to hear the opinions which the critical five might
express. This is what they really did say.</p>

<p>FIRST CRITIC. "Thank heavens, the music is over for a few minutes. Now,
boys, we'll have some more beer."</p>

<p>SECOND CRITIC. "Not any for me, thank you. I'll have a Jamaica sour."</p>

<p>THIRD CRITIC. "Bring me a claret punch."</p>

<p>FOURTH CRITIC. "Whiskey cocktail"</p>

<p>FIFTH CRITIC. "Well! I'll stick to beer. It's the best thing in this
weather."</p>

<p>What ought a man to think of the <i>Tannhauser</i>, after hearing these five
contradictory opinions? For my own part I rather thought the cigars were
a trifle too strong.</p>

<p>And there is just the same difference of opinion about THEODORE THOMAS'S
merits as a conductor. On this occasion there were two aged and indigent
musicians in the audience, who knew more about orchestral music than
even the present President of the Philharmonic Society, and to each of
them did I propound the question, "Is THOMAS a good conductor?"</p>

<p>FIRST AGED PERSON. "My dear sir, he doesn't conduct at all. His
orchestra pays no attention to him, and plays in spite of the absurd and
meaningless passes which he makes with his <i>baton</i>."</p>

<p>SECOND A. P. "My dear sir, he is the best conductor of the day. He has
made his orchestra the best in the country,--in fact, the only one. No
man has done more for our musical public than has THEODORE THOMAS."</p>

<p>And as I ordered eleemosynary beer for these Aged Persons, and pondered
their slightly contradictory utterances in my mind, I heard a fair young
creature in a scarlet plimpton and a fleezy robe of Axminster remark,
"O! that dear delightful Mr. THOMAS. He is so Perfectly lovely! and his
coat fits him so divinely! He is ever so much handsomer than CARL
BERGMANN."</p>

<p>While I agree most heartily with everything that I heard at the GARDEN
on the occasion which I have mentioned, I am not quite sure that the
establishment is either a play or a show. On the whole, I don't think I
had better say anything about it. If anybody has a different opinion,
let him express himself. If he don't like to take the trouble, let him
apply to ADAMS Express Company, which will express him to the end of the
world, if he should so desire.</p>

<p>MATADOR.</p>

<br><br><hr><br><br>

<h2>CRISPIN vs. COOLIE.</h2>

<p>For CRISPIN, old CRISPIN, patron saint of all cordwainers, Mr.
PUNCHINELLO has a profound respect. When still a young man, (A.D. 1125,)
he was well acquainted with the venerable gentleman; and the very
beautiful pair of shoes which Mr. P. wears when in full costume, (<i>vide</i>
his portrait on the title page,) were heeled and tapped for him by the
hands of CRISPIN himself. They are still in excellent order, although,
in these very shoes, Mr. P. walked his celebrated match against Time,
beating that swift old party and doing his 1000 miles in 24 h., 12 m.,
30 s. Between Mr. P. and shoes there is a well-marked resemblance. The
shoe has a sole and he has a soul; the shoe is both useful and
ornamental, and so is he; the shoe has an upper, and Mr. P.'s motto is,
"Upper and still up." In fact, he is so well satisfied with his
understanding, that he would not stand in any other man's shoes for any
consideration; and so long as the CRISPINS will make him fits which are
not convulsions, and will sew in a way which shall produce no crop of
corns, and remind him, by the neatness of their work, of Lovely PEGGY,
it is the intention of the Senor PUNCHINELLO to patronize the Native
American awl altogether.</p>

<p>For JOHN Chinaman also, the Herr VON PUNCHINELLO has a great admiration.
He never takes tea, having been advised by his physician to drink
nothing but lager-bier, with an occasional beaker of rum, gin, or
brandy, or Monongahela, or whatever may be handy on the shelf.
Nevertheless, as an admirer of the fair sex, 'Squire PUNCHINELLO
believes in Old Hyson and Hyson Jr., in Oolong and Bohea, in Souchong
and Gunpowder, in Black and Green; and if there were Scarlet or Yellow
or Blue Teas, Col. PUNCHINELLO would equally admire, steep, sweeten and
sip them. Nor is Dr. PUNCHINELLO less an admirer of the explosive
fire-cracker, sent to us by JOHN, to assist us in the preservation of
our liberties. The Hon. Mr. PUNCHINELLO declines dogs (in pies,) and
opium (in pipes,) nor can he say whether he approves of bird's nests (in
porridge,) as he has never eaten any, and never wants to; although he
is, in his way, an acknowledged Nestor. But still, Prof. PUNCHINELLO
wishes JOHN well, if for no other reason, at least out of respect for
his old friend CONFUCIUS, with whom, some years ago, he was extremely
intimate--many of the finest things in the books of that venerable sage
having been suggested to him by Don PUNCHINELLO.</p>

<p>The reader, therefore, (if he is of an acute turn of mind,) will easily
perceive that two distinct emotions fill the bosom of plain Mr. P., and
are hitting out at each other with extreme liveliness. He desires for
the Crispins all the wages they can manage to get. He desires for his
friend HI-YAH, a boundless growth of the pig-tail of prosperity; and the
only question is whether this is a vegetable, the growth of which should
be encouraged upon the Yankee Doodle soil. As probably the most profound
Political Economist of this or any other age, after a week's tremendous
thinking upon this subject, after having a thousand times resolved to
give it up, Mr. P. has received the following letter from North Adams,
Mass., which he hastens to lay before his readers:</p>


<br><br>
<center>
<img alt="005a.jpg (19K)" src="005a.jpg" height="197" width="623">
</center>
<br><br>


<p>Exactly so! Right, JOHN, perfectly right! Our views, exactly! Our mutual
friend, Prof. WHANG-HO, of the University of Pekin, couldn't have put it
more neatly. But don't you think, if you are coming to America at all,
that it would be well to come as the rest come, without selling
yourself, body, soul and pig-tail, to some shrewd Dutch driver, like
KOOPMANSCHOOP, for instance? O JOHN, my Joe JOHN! When you do come, let
it be to freeze to the American Eagle, and with a firm determination to
make him your own beloved bird! When you work, be sure that you get the
worth of your work! No chains and slavery, anything like them! And
especially no nonsense about being sent back in your coffin to the
Central Flowery Kingdom. A country which is good enough to live in, is
good enough to be buried in.</p>

<p>And what is this missive which we have received through the post, and
which we have since kept locked up in a powder-proof safe?</p>


<br><br>
<center>
<img alt="005b.jpg (24K)" src="005b.jpg" height="213" width="631">
</center>
<br><br>


<p>O ye beloved children of CRISPIN! why send to us these mysterious,
manslaughterous and mortal hieroglyphics? Of course you don't mean to
kill Mr. P., and even if you did, you couldn't do it, for the great P.
is one of the immortals. Neither, if you will but stop to think about
it, will you molest poor HI-YAH because he wears a tail and eats
dog-cutlets fried in crumb. Before you indulge in the luxury of murder,
or even the minor divertisements of mobbing, ducking, hustling, and
stoning, why not try the expedient of making it up with the Bosses?</p>

<p>Mr. PUNCHINELLO has thought of visiting North Adams, Lynn, and other
shoe-sites, for the purpose of offering the help of his eminently
judicial mind in reconciling Employer and Employé; but fearing that he
might get his nose (which is a beautiful and dignified protuberance)
most shamefully pulled for his pains, he has concluded to keep the peace
by keeping out of the scrimmage. But, as there never was a
misunderstanding yet which time and common sense could not clear up, Mr.
P. contents himself with exhorting the Bosses to be considerate, the
Crispinians to be reasonable, and JOHN Chinaman to cut off his tail,
whatever natural tears its loss may occasion.</p>

<br><br><hr><br><br>

<h2>SEE THE POINT?</h2>

<center>
<table summary="">
<tr><td>

<p>  EDWIN and ANGELINA took a sail up the lovely Hudson.<br>
  As they sailed on and on, EDWIN said to his ANGELINA:<br>
  "Dearest love, don't let your cerulean eyes rest upon West Point."<br>
  "And why not, darling old tootsicums?" asked ANGELINA.<br>
  "Because they have colored pupils in them, light of my life," replied
  EDWIN.</p>

</td></tr>
</table>
</center>



<br><br><hr><br><br>



<br><br>
<center>
<img alt="006.jpg (150K)" src="006.jpg" height="698" width="755">
</center>
<br><br>



<br><br><hr><br><br>

<h2>FOAM;[1]</h2>

<h4>OR</h4>

<h3>HOW JENKINS WENT SUMMERING.</h3>

<h4>
A LYRICAL DRAMA.</h4>

<p>
<i>Played with immense success at the summer residence of</i> Gen. GRANT, <i>at
Long Branch, for one thousand and two nights.</i>[2]</p>

<p>ACT I.</p>

<p><i>Scene.--Bed-room in attic of seventh-class boarding-house. Furniture, a
bed, two chairs, and a table. The table is ornamented with a cup of
coffee, a loaf of bread, and a plate of hash; knife, et cetera. (Enter
from the adjoining hall,</i> MR. JENKINS CRUSOE, <i>dressed in a tattered
morning wrapper</i>.)</p>

<p>JENKINS. (<i>Loq</i>.) Phew! I can't stand this hot weather. I must go into
the country. But where shall I go?[3] (<i>Sings</i>:)</p>
<center>
<table summary="">
<tr><td>

<p>  If I'm any judge of the weather,<br>
    The days are refreshingly hot,<br>
  Though one place's as good as another,<br>
    I think I'll get out of this spot;<br>
          But where shall I go?<br>
          Where shall I go?<br>
          Where shall I go<br>
              For the summer?</p>
</td></tr>
</table>
</center>



<p>(<i>Looks at table</i>.) Ha, ha! Ho, ho! My breakfast will be cold.
(<i>Reflectively</i>.) I guess I'll eat. (<i>Sits down and hurts the hash.)</i></p>

<p><i>(Enter washerwoman, shoemaker, servant-girl, and hatter. They dance
around the table, like English blondes.) (All sing:)</i></p>

<center>
<table summary="">
<tr><td>


<p>  Poor old JENKINS CRUSOE,<br>
   Why did you go for to do so?<br>
  JENKINS! JENKINS! JENKINS! JENKINS!<br>
	Poor old JENKINS CRUSOE.</p>

</td></tr>
</table>
</center>


<p>SERVANT GIRL. (<i>Sings</i>.) Pay for the floor I have scrubbed, sir.</p>

<p>WASHERWOMAN.      "      Pay for the clothes I have rubbed, sir.</p>

<p>HATTER.           "      Pay for the hats you have worn, sir.</p>

<p>SHOEMAKER.        "      Pay for the boots that are gone, sir.</p>

<p>(<i>All sing</i>:)</p>

<center>
<table summary="">
<tr><td>


<p>  Poor old JENKINS CRUSOE,<br>
    Why did you go for to do so?<br>
  JENKINS! JENKINS! JENKINS! JENKINS!<br>
    Poor old JENKINS CRUSOE.</p>
</td></tr>
</table>
</center>



<p>(JENKINS <i>rises from the table and sings</i>:)</p>

<center>
<table summary="">
<tr><td>


<p>  I've a castle in Spain,<br>
    Filled with ingots of gold,<br>
  I've a mine in Golconda,<br>
    Whose wealth is untold.<br>
  Then dry up your tears,<br>
    Come out of your sorrow,<br>
  I'll pay what I owe,<br>
    I'll pay you to-morrow,<br>
  I'll pay you to-morrow,<br>
    All that I owe.</p>
</td></tr>
</table>
</center>



<p>(<i>Servant-girl et al. dance "Shoo Fly," and sing</i>:)</p>

<center>
<table summary="">
<tr><td>

<p>  We feel, we feel, we feel,<br>
    We feel like a young typhoon;<br>
  We hope, we hope, we hope,<br>
    We hope you'll be paying soon.</p>


</td></tr>
</table>
</center>


<p>(<i>Exeunt Servant-girl, et al</i>.)</p>

<p>JENKINS. (<i>Loq.</i>)  Well, come soon. Now I must go. I hate to cheat the
provider of that seventh-class hash, but I must beat on somebody. Well,
let them all come, and devil take the hindmost. I'll pack my valise.
(<i>Puts things in his valise. Sings</i>:)</p>

<center>
<table summary="">
<tr><td>


<p>  It's rich that I am, am I not?<br>
  Just look at the fixings I've got;<br>
  Here's a brush, here's a comb,<br>
  Both are for fixing my dome,<br>
  A tooth-brush and collar, that's all,<br>
  My baggage's conveniently small.</p>
</td></tr>
</table>
</center>



<p>JENKINS. (<i>Loq</i>.) That valise is too thin. No landlord would take me on
that. It's consumptive-looking. I'll fill it with newspapers. Here, this
will do, this triple-sheet <i>Tribune</i>, with Mrs. MCFARLAND'S epistle.
That'll fill it. (<i>Shoves paper in valise</i>.) Now for my hat and coat.
(<i>Puts them on</i>.) Off I go. (<i>Sings</i>:)</p>

<center>
<table summary="">
<tr><td>


<p>  I'm off, I'm off,<br>
  I'm off for Long Branch,<br>
  I'll have a jolly old time,<br>
  I'll have a jolly old time,<br>
  I'll bathe in the surf,<br>
  I'll ride on the turf,<br>
  Dance with the girls,<br>
  Steal all their pearls,<br>
  And have a jolly old time.</p>
</td></tr>
</table>
</center>



<p>(<i>Exit</i> JENKINS)</p>

<p><i>Curtain</i></p>

<p>[Footnote 1: Must not be confounded with "Surf."]</p>

<p>[Footnote 2: The reader will notice that this drama was more popular
than the Arabian Nights, which only ran for one thousand and one
nights.]</p>

<p>[Footnote 3: The music of these songs can be purchased at Timbuctoo.]</p>

<p>
ACT II.</p>

<p><i>Scene.--Steamboat landing. Real steamboat, real landing, real water,
real smoke coming out of a real chimney on the steamboat. Real captain
and real passengers. (It is understood that there is to be no
make-believe about the fares.) A real chambermaid in the back cabin
would add to the effectiveness of the scene, but is not an absolute
necessity.</i></p>

<p>[The author would here say that he has a proper respect for the
auxiliaries of the stage, and, in a scene, which belongs to the stage
carpenter, the author would be cruel If he marred the effects of the
scenery by mere words. He therefore uses as little of those
superfluities as possible. In a nautical scene of course some words will
slip in, which it would be improper to print, but as that is chicken
(the polite for foul) language, the author, of course, is not
responsible for it.]</p>

<p><i>As the curtain rises, real women with real oranges parade the dock,
singing</i>:</p>

<center>
<table summary="">
<tr><td>



<p>  Come buy our sweet oranges, come buy!<br>
          Hark, as we holler,<br>
          Six for a dollar,<br>
  Come buy our sweet oranges, come buy!</p>

</td></tr>
</table>
</center>


<p><i>Real scream from steam whistle.</i> JENKINS <i>obeys the orange-women, and
goes By on a run. Steamboat leaves wharf-twenty-two feet out in stream,
when</i> JENKINS <i>reaches string-piece. Grand and terrific jump by</i>
JENKINS, <i>twenty-two feet in the clear. He lands on the steamer, and all
the sailors shout.</i></p>

<p><i>Curtain</i></p>

<p>[As in a realistic scene one must stick to reality, you will notice that
I made JENKINS leap twenty-two feet, which is, I am informed, the exact
space jumped over by the father of his country on a festive occasion.]</p>

<p>(I would say to the young man who objects to carpenter scenes, that he
can go out during this act and indulge in his favorite beverage--gin and
milk.)</p>

<p>
ACT III.</p>

<p><i>Scene.--Lawn in front of Continental Hotel at Long Branch. Enter</i>
JENKINS, <i>disguised in a second-hand silk hat, and a claw-hammer coat,
with a hand-organ on his back. He stops before one of the windows,
grinds the hand-organ, and sings:</i></p>
<center>
<table summary="">
<tr><td>


<p>  Gaily the troubadour<br>
    Touched his or-gan,<br>
  As he came staggering<br>
    Home with a can--</p>
</td></tr>
</table>
</center>


<p>(<i>Numerous heads put out of numerous windows</i>.)</p>

<p>[As all the following are said at the same moment, the reader is here
requested to take a long breath.]</p>

<p><i>1st Window.</i> Stop that howling!</p>

<p><i>2d</i>   "      Dry up, you idiot!</p>

<p><i>3d</i>   "      Cork that organ!</p>

<p><i>4th</i>  "      Bust that music-box!</p>

<p>(And so on, <i>ad infinitum</i>, until all the supes are used up; the supes
can probably supply their own language of the above kind.)</p>

<p>(<i>Windows shut. Enter</i> JULIETTE, <i>from window</i>.)</p>

<p>JENKINS. Fair JULIETTE!</p>

<p>JULIETTE. Beautiful JENKINS!</p>

<p>JENKINS. Lovest thou CRUSOE? (<i>She rests on his bosom</i>.)</p>

<p>JENKINS. But SNUBS, the widower? Ha, Ha! Ho, Ho!</p>

<p>JULIETTE. (<i>Sings</i>:)</p>
<center>
<table summary="">
<tr><td>


<p>  I never loved him in my life,<br>
    I never loved his baby,<br>
  I'll slip out some dark night,<br>
    And marry JENKINS, maybe.</p>
</td></tr>
</table>
</center>


<p>JENKINS. (<i>Sings:</i>)</p>
<center>
<table summary="">
<tr><td>

<p>  Pretty maid, if I kiss,<br>
    Will you faint away,<br>
  Will you cry for your pa,<br>
    Pretty maiden, say?<br>
  If I press dainty lips,<br>
    Will you make a screech?<br>
  If you do, I'll away,<br>
    And you cannot peach.</p>

<p>      Pretty maid, do not faint,<br>
        Charming little belle,<br>
      Mind you now, pretty maid,<br>
        Do not kiss and tell.</p>


</td></tr>
</table>
</center>

<p>(<i>He charges upon her lips and then returns to the charge</i>.)</p>

<p>JULIETTE. (<i>Sings</i>:)</p>
<center>
<table summary="">
<tr><td>


<p>  You are going far away,<br>
  Far away from poor JULIETTE,<br>
  And there's no one left to love me now,<br>
  I fear you'll too forget.</p>
</td></tr>
</table>
</center>


<p>(<i>Just at this moment, enter Heavy Father, and kicks</i> JENKINS, <i>Heavy
Father then seizes</i> JULIETTE <i>and leads her into house</i>. JENKINS
<i>skedaddles</i>.)</p>

<p><i>Enter</i> JENKINS <i>at side, looks carefully around, and finding the coast
clear, comes in, slings the organ on his back, and sings</i>:</p>
<center>
<table summary="">
<tr><td>

<p>  I went, I went,<br>
  As meek as any lamb,<br>
  He took me, yes, he took me<br>
  For some other man.</p>


</td></tr>
</table>
</center>

<p><i>Curtain</i>.</p>

<p>(The manager should have the curtain in hand, because the last pathetic
song of JENKINS will no doubt be encored.)</p>

<p>Errata.--Before the word "played," in the fifth line, insert the words
"will be."</p>

<p>After the word "played," in the fifth line, insert the words, "if it is
ever played at all."</p>

<p>LOT.</p>

<br><br><hr><br><br>


<br><br>
<center>
<img alt="007.jpg (118K)" src="007.jpg" height="552" width="607">
</center>
<br><br>


<br><br><hr><br><br>

<h2>ON DORGS.</h2>
<br>

<p>Dorgs are very useful animals, especially when you have nothing handy
for dinner, and can get them to catch a rabbit for you.</p>

<p>A dorg is a very devoted animal, and should not be taxed, as its master
often is, by its various eccentricities--when it makes off with his
dinner, for instance, or leaves dental impressions on the meat in the
pantry. Indeed, its owner is sometimes tempted to imitate his <i>canis</i> in
the lifting business, and often with such success as to get board and
lodging free.</p>

<p>Dorgs are pugnacious critters. I had one that set on every fellow of its
kind he came across, and took such an affectionate grab of his foe, that
nothing would divide them till death did them part.</p>

<p>I noticed, however, that this dorg of mine was mostly fond of the
smaller fry, attacking them most vigorously, and barking from the
door-steps at the larger.</p>

<p>I once had a dorgy (diminutive of dorg, <i>alias</i> puppy,) which was very
fond of me, especially when I gave it something nice--which is nothing
but human nature in the third degree. It got knocked about a good deal,
especially its legs, so that it contracted a sort of hopping movement. I
could not get it to catch mice; it seemed to think them third cousins,
or something of the kind, and was very fond of playing with them; while,
on the other hand, I had a large dorg which we kept by us when we took
grain from the rick--I think he managed about 30 per minute. I never
could follow them down his throat, but his increased bulk was a kind of
index to the number. He generally lay by the kitchen fire twenty-four
hours after his banquet, to recover himself.</p>

<p>I once tried my small dorg at the swimming business, by throwing him
into a shallow pond. I had to go in after the beast pretty smart, boots,
trowsers, socks, and all. He and I had a roast by the fire that evening.
My trowsers, however, getting overdone in the operation, I lost $4 by
this experiment.</p>

<p>Dorgs are very fond of coat-tails and back-pockets, when some unseen
attraction lies there. They don't believe in appetite-assuagers "wasting
their fragrance on the desert air;" and will make vigorous efforts to
take possession of the hidden treasure, at any risk whatsoever.</p>

<p>As this is the time I and my dorg go visiting, I must jerk up the
machine for the present. I hope my remarks have done you some good. The
motto I always follow is, "Brevity is the soul of wit."</p>

<p>BILL BISCAY.</p>

<br><br><hr><br><br>

<h2>INSPIRATION VS. PERSPIRATION.</h2>

<p>Flannel, being an absorbent, has usually been recommended as the best
material for under-clothing in sweltering weather, such as that of the
present summer. An ingenious gentleman of this city, however, has
discovered that a full under-suit of blotting-paper is by far more
efficacious than flannel, and he has taken out a patent for the idea.
The article will not come under the denomination of dry goods.</p>

<br><br><hr><br><br>

<h2>THE RIGHT MAN.</h2>

<p>A Brooklyn item states as follows:</p>

<p>"Justice LYNCH is to have a new court-house in the Twenty-first Ward."</p>

<p>Why in that Ward, only? Have we not a Fourth Ward here, in New York,
and a Sixth Ward, and an Eighth Ward, and a Seventeenth Ward? Judge
LYNCH is just the man needed in each and all of these wards, and he may
be found there yet.</p>

<br><br><hr><br><br>

<h2>STRANGELY COINCIDENTAL.</h2>

<p>The Ice Panic and the Coolie Problem.</p>

<br><br><hr><br><br>


<br><br>
<center>
<img alt="008.jpg (299K)" src="008.jpg" height="1141" width="709">
</center>
<br><br>


<br><br><hr><br><br>

<h2>OUR PORTFOLIO.</h2>

<p>It is related of the Prince of Wales, that, driving home from the late
Derby Races, he lifted his hat to a group of ladies, and by accident
dropped a glove, whereupon the fair ones dived eagerly into the dirt for
it, while his Royal Highness laughed heartily at the scramble. Young
ladies this side of the Atlantic, it may be said with justice, are quite
as practiced divers; but when the darlings duck their fingers into the
dirt before any young fellow here, it more frequently happens that they
are not after his glove, or his heart, so much as his pocketbook.</p>

<br><br><hr><br><br>

<p>The practice, quite common among rustic gentlemen, of visiting the city
for the purpose of beholding the "elephant," doubtless suggested to the
late Sir THOMAS BROWNE the following advice which he gave his son, who
was about entering upon his studies in the department of Natural
History:</p>

<p>"When you see the elephant, observe whether he bendeth his knees before
and behind forward differently from other quadrupeds, as Aristotle
observeth; and whether his belly be the softest and smoothest part."</p>

<p>It is possible that some elephants have a habit of bending at the
knee-joints differently from others. Indeed, this reflection is more
than likely when we consider how many elephants there are, and upon what
evil doings many of them are bent, but it is not so evident that a
neophyte in this branch of knowledge could derive any benefit from
following Sir THOMAS'S injunctions. PUNCHINELLO begs leave to substitute
for the above, some advice which he thinks would produce a vastly more
salutary effect, and that to keep away from elephants altogether. Men of
experience will bear out our assertion, that the much talked of "horns
of a dilemma" are nothing to the tusks of an elephant; for it is
possible for a person to hang upon the aforesaid "horns" without fatal
results, but the party who is impaled upon the tusks of an elephant is
generally ever after indifferent to the opinions of mankind.</p>

<br><br><hr><br><br>

<h2>CRITICAL.</h2>

<p>"Where do you intend to Summer?" asked JOWLER of GROWLER, one day in the
"heated term."</p>

<p>"Summer?" retorted GROWLER--"is that what <i>you</i> call it?--<i>I</i> call it
Simmer."</p>

<br><br><hr><br><br>

<h2>PERSONAL.</h2>

<p>PRINCE ARTHUR has taken his departure for England. It is but just to say
that the regiment to which he belongs is not the same Rifle Brigade by
which the Coney Island boats are controlled.</p>

<br><br><hr><br><br>
<center>
<h2>GRANT'S BLACKBIRD PIE.</h2>

<h3>AIR: SING A SONG O' SIXPENCE.</h3>
</center>

<center>
<table summary="">
<tr><td>

<p>  Sing about a Treaty<br>
    Got up to supply<br>
  Half a million Black birds<br>
    For the Union Pie.<br>
  When the fact was published,<br>
    Swindlers at Sing Sing<br>
  Said the Author's one of us--<br>
    Let us call him King.</p>

<p>  FISH was at the Treasury<br>
    Clamoring for the money,<br>
  GRANT was in the "Blue-room"<br>
    Looking blithe and sunny,<br>
  MORBILL, in the Senate,<br>
    Brought things to a close--<br>
  GRANT'S half million Black birds<br>
    Vanished with the noes.</p>

</td></tr>
</table>
</center>


<br><br><hr><br><br>

<h2>SUGGESTED BY THE HEAT OF THE COOLIE QUESTION.</h2>

<p>Knees that the Crispins are constantly down on--Chi-nese.</p>

<br><br><hr><br><br>

<h2>PROBABLE RESULT OF THAT "CHINESE PUZZLE."</h2>

<p>A Chinese Fizzle.</p>

<br><br><hr><br><br>

<h2>ECLIPSE OF THE "SUN."</h2>

<p>JIMMY the bootblack, says he "shines for all--price ten cents."</p>

<br><br><hr><br><br>

<h2>TO U,'LYSS.</h2>

<p>ON THE REJECTION OF THE BAEZ TREATY.</p>

<center>
<table summary="">
<tr><td>


<p>  Behold how fickle Fortune the great ULYSSES treats,<br>
  Gives him victories in war-time, in peace heaps up defeats.<br>
  His Southern laurels linger a coronet of praise;<br>
  But a friendly Senate withers his San Domingan bays.</p>

</td></tr>
</table>
</center>


<br><br><hr><br><br>



<br><br>
<center>
<img alt="009.jpg (288K)" src="009.jpg" height="718" width="949">
</center>
<br><br>



<br><br><hr><br><br>

<h2>HIRAM GEEEN AT THE TOWER OF BABEL.</h2>

<h4>
HE INTERVIEWS AN OLD SETTLER.--A REMARKABLE NARRATIVE.</h4>

<p>
While in New York, a few days sints, I was standin' in the reer of the
old City haul, gazin' onto the unfinished marble bildin' which stands
there.</p>

<p>My eye gobbled up the seen afore me, like a young weesel a suckin' of
eggs,--when an old rinkled-featured--silver-haired and snowy-beerded
individual touched me on the sholder, and interogated me thuswisely:</p>

<p>"Stranger, you seem to be stuck to make out what that ere unfinished
bildin' is."</p>

<p>"Kerzaclee, old Hoss," sed I, "and I wouldent mind standin' the Lager to
find out."</p>

<p>"Come with me to yonder pile of stuns," sed the old feller, "and I will
relate a tail, which, for its mysteriousness, ukers the kemikle
analersis of a plate of bordin' house hash."</p>

<p>"Wall, old METHUSELER," sed I, as our legs was danglin' over the pile of
stuns, "onwind your yarn, but don't let your immaginashun go further
than a Bohemian's."</p>

<p>He then began the follerin' histry:</p>

<p>"In anshient times there was a Filosifer. HORRIS GREELEY was his
cognovit.</p>

<p>"He was Editor of a daily noosepaper. He took it into his nozzle one day
to rite some essays 'on what he knowed of farmin,' which he was about as
well posted on as a porpoise is about climbin' a tree.</p>

<p>"One day this <i>Jerkt</i> farmer, by brevet, writ an artikle about
irrigation.</p>

<p>"He told farmers that, in dry seasons, if they dammed the little streems
which crossed their farms, the water would set back, and overflow their
land, and keep their garden sas sozzlin' wet, and make things grow
bully.</p>

<p>"He was a great advocate of Dams.</p>

<p>"He useter become so absorbed in his favorite pastime, that a feller
man, if he irritated the Filosifer, became small streems <i>pro temper</i>,
and were dammed pooty sudden."</p>

<p>"What, you don't mean to say that an Editor swore in them days?" sed I,
interuptin' the old man.</p>

<p>"They occashunly took a hand in that ere biziness, and when they got
onto a fit, could cuss and swear ekal to the beet of us," sed he.</p>

<p>"Wall," sed I, "I thought they was all good moral men, like THEODORE
TILTON &amp; ANNER DICKINSON."</p>

<p>"Oh! no," he replide. "Editors in them days use to fat up on swearin'".</p>

<p>He then resumed, "Farmers throughout the land tride H.G.'s. dammin'
ways.</p>

<p>"They dammed all the streams, and anybody who didn't like their stile of
doin' things got sarved in the same manner. The consequents was, their
was a flood--yes sir, a flood.</p>

<p>"Brooklin, Jarsey and Hoboken ferry-botes was swamped, and the
passengers all drowned.</p>

<p>"To be a corroner them times was money in a feller's pocket, as the
inquest biziness was the best biziness agoin' outside of any
well-organized Ring.</p>

<p>"Only one bote lode was saved.</p>

<p>"JIM FISK, who was always on the look-out for a muss, was long-headed
enough to own that craft.</p>

<p>"It was run by Captin NOAH, who Know-ed what was coming. NOAH took his
family abord, and as he owned a menagerie, he took all of his wild
animals abord to, besides the members of the Press, who kept their
papers posted of the doin's abord that Ark.</p>

<p>"In about 40 days time, ev'ry dammed stream busted away, and the waters
dride up. And the boat ran ashore and got stuck fast, in one of them
new-fashioned tar pavements.</p>

<p>"The Common Counsel invited NOAH and his fokes to a Lager bier garden
and treated them to a banket, at the Sity's expense.</p>

<p>"NOAH, who liked his soothin' sirup, got drunker than a sensashun
preacher, on gin and milk, an orthodox drink them times.</p>

<p>"He finally went to sleep in the gutter, after undressin' hisself and
hangin' all his close on a lamp-post.</p>

<p>"HAM, a son of Captin NOAH'S, diskiverin' his confused parient in a soot
rather more comfortable than modest, was so mortified at his Dad's
nakedness, that the mortificashun become sot, and when NOAH awoke from
his soberin' off sleep, his son was blacker than the ace of spades.</p>

<p>"NOAH didn't like niggers.</p>

<p>"Not much he didn't.</p>

<p>"He hated 'em wusser nor a Pea cracker hates a Fenian.</p>

<p>"Seein' that his cheild had changed his political sentiments, he <i>Horris
Greelyzed</i> him in the follerin' well-known words:</p>

<p>"Cussed be Kanan.'</p>

<p>"HAM wasent to be fooled in that stile by the Govenor, so he got BUTLER,
whose surname was BENJAMIN, into whose sack was found a silver cup, and
I believe a few spoons, SICKLES, LOGAN, LONGSTREET, and a lot of other
chaps, to change their complexion. With the assistants of these men,
NOAH and his party was floored, and the 15th Amendment waxed mitey and
strong, espeshally with the mercury at one hundred degrees in the shade.</p>

<p>"Fokes was gettin' wicked and wickeder all the time.</p>

<p>"Members of Congress was drawin' the wool over the Goddess of Liberty's
eyes, and rammin' their hands way down into her purse. Cadetships were
bein' sold to the highest bidder.</p>

<p>"One day the wise men of Gotham sed one to another:</p>

<p>"'Let us bild us a tower which H.G. can't flood, if he dams from now
till dooms-day.'</p>

<p>"A big injun took the contract. As OOFTY GOOFT, a dutch German, remarkt,</p>

<p>"'He vash got Tam-many oder braves to give him a boosht.'</p>

<p>"Street pavements were laid on 5th avenoo, which the wind took up, and
the air smelt like a mixture of cold tar and Scotch snuff.</p>

<p>"Bulls and Bears of Wall street had a day of Egypshun darkness; it was
called Black Friday.</p>

<p>"'Shoo-fly' was sung in our nashunal Councils.</p>

<p>"Banks were robbed, and Judges went snucks with the robbers.</p>

<p>"Men got on fits of temper-ary insanity and clubbed their wives over the
head or popped off editors with a 6 shooter.</p>

<p>"Virtous and respectable ladies were Spencerized in the Halls of
Gustise, and the 12 temptashuns was drawin' crowded houses."</p>

<p>"See here, old man," sed I, "hain't you pilin' on the agony rather too
thick?"</p>

<p>"Facts, Squire," sed he, "trooth is stronger than frickshun."</p>

<p>"About these times," he continered, "things was becomin' slitely mixed.</p>

<p>"The different tribes cooden't suck cider through the same straw any
more.</p>

<p>"There was a confusion of tongues and a mixin' of contracts. The great
Sachem and the Young Democracy had each other by the ear, while the Big
Injun was bound to scratch his assailers bald headed.</p>

<p>"In this Reign of High Daddyism, the Young Democracy was scalpt, and
that ere bildin' afore us, the great tower of Babel, come to a dead
stand still, because the poletishuns coodent understand each other, and
fokes dident know where the money was all gone to."</p>

<p>The old man paused.</p>

<p>I sprung to my feet.</p>

<p>"And this," I exclaimed, "is the mitey Babel? Wood that I possessed some
of the fortins which has been made on thee. Wood that I was a
contracter," sed I, awed in presence of the great bildin' which caused
so many to sin.</p>

<p>In my enthusiasm I bust forth in that well-known Him:</p>
<center>
<table summary="">
<tr><td>


<p>  "I want to be a contracter,<br>
  And with contracters share."</p>

</td></tr>
</table>
</center>

<p>After I got cooled down I looked for the old man, and sure's your born
he had wrigged off. I took a Bee line for a naborin' Refreshment stand,
and cooled my excited brane with a fride doenut.</p>

<p>Adux, PUNCHINELLO.</p>

<p>Ewers and so 4thly,</p>

<p>HIRAM GBEEN, Esq, <i>Lait Gustise of the Peece.</i></p>

<br><br><hr><br><br>

<h2>ALL STUFF!</h2>

<p>That crusty old bachelor, CUMGRUMBLE, objects to the franchise being
extended to women, on the ground that, since they have become so
accustomed to padding their persons, they would inevitably take to
"stuffing" the ballot-boxes.</p>

<br><br><hr><br><br>

<h2>CHICAGO ECCENTRICITIES.</h2>

<p>A newspaper item tells about a horse in Chicago that chews tobacco.</p>

<p>Well, we can beat that in New York. Only a few days ago we saw Commodore
VANDERBILT driving one of his fast teams in Harlem Lane, and both the
horses were Smoking like mad.</p>

<p>But the item adds that the Chicago horse actually picks the hostler's
pocket of tobacco.</p>

<p>Well, that is just what one might expect of a Chicago horse.</p>

<br><br><hr><br><br>

<h2>THE WATERING PLACES.</h2>

<h4>
PUNCHINELLO'S VACATIONS.</h4>

<p>
After, all there is nothing like nature, in her primevality. When man
attempts to add a finishing-touch to the loveliness of the forest, lake,
or ocean, he makes a botch of it. What would the glowing tropics be, if
Park Commissioners had charge of them? The heart, sick of the giddy
flutterings of Man, seeks the sympathy of the shadowy dell, where the
jingle of coin is heard not, and where the votaries of fashion flaunt
not their vain tissues in the ambient air.</p>

<p>So, last week, thought Mr. P., and the moment he could get away he went
on a little trip to the Dismal Swamp.</p>

<p>There he found Nature--there was primevality indeed! An instantaneous
<i>rapport</i> took place between his feelings and the scene; of which the
delicious loveliness can be imagined from this picture.</p>


<br><br>
<center>
<img alt="012a.jpg (50K)" src="012a.jpg" height="191" width="673">
</center>
<br><br>


<p>As he slowly floated along the shingle canal, from Suffolk to the
"Dismal," what raptures filled his soul! Here, in the recesses of that
solemn mixture of trees and water, which they were rapidly approaching,
he could commune with his own soul, as it were. Mr. P. had never
communed with his own soul, as it were, though he knew it must be a nice
thing, because he had read so much about it. So he determined to try it.
It was a delightful anticipation--like scenting a new fancy drink.</p>

<p>But his reflections were rudely interrupted. The men who propelled the
scow which Mr. P. had chartered, had not pushed it more than four or
five miles into the mystic recesses of the Swamp, when they suddenly
stopped with a cry of "Breakers ahead!" Mr. P. rushed to the bow, and
there he beheld two doleful heads just peering above the waters of the
narrow canal. He started back in amazement. He thought, at first, that
they were Naiads--(they could not be Dryads)--or some other watery
spirits of these wilds. But he soon saw that they were nothing of the
kind. It was only Messrs. SCHENCK, of Ohio, and KELLEY, of Pennsylvania,
and through the limpid water it was easy to see that each of them was
endeavoring to raise a sunken log from the bottom.</p>


<br><br>
<center>
<img alt="012b.jpg (105K)" src="012b.jpg" height="446" width="676">
</center>
<br><br>


<p>"Why, what in the world are you doing here?" cried Mr. P.</p>

<p>Mr. SCHENCK, of Ohio, looked up sadly, and, dropping his log upon the
bottom, stood upon it, and thus replied:</p>

<p>"You may well be surprised, Mr. PUNCHINELLO, but we are here for the
public good. We have reason to suspect, that, following the example of
the Chinese Opium-smugglers, the vile traitors who are trying to break
down our iron interests have smuggled quantities of scrap--iron into
this country, and it is our belief that these sunken logs have been
bored and are full of it."</p>

<p>At this Mr. P. laughed right out.</p>

<p>"Oh, you may laugh if you please!" cried SCHENCK, of Ohio, "and perhaps
you can tell me why these logs are so heavy--why they lie here at the
bottom instead of floating--why--" but at this instant he slipped from
the log on which he was standing, and with a splash and a bubbling, he
disappeared. The men who were pushing the scow thought this an admirable
opportunity to pass on, and shouting to KELLEY, of Pennsylvania, to bob
his head, the gallant bark floated safely over these enthusiastic
conservators of our iron interests.</p>

<p>Although diverted for a time by this incident, a shadow soon began to
spread itself gradually over the mind of Mr. P. Was there, then, no
place where the subtle influence of man did not spread itself like a
noxious gas?--Where, oh, where! could one commune with his own soul, as
it were?</p>

<p>At length they reached Lake Drummond, that placid pool in the somnolent
shades, and Mr. P. put up at the house of a melancholy man, with a fur
cap, who lived in a cabin on the edge of the lonely water.</p>

<p>For supper they had catfish, and perch, and trout, and seven-up, and
euchre, and poker, and when the meal was over Mr. P. went out for a
moonlight row upon the lake. He had to make the most of his time, for it
would take him so long to get back to Nassau street, you know. He had
not paddled his scow more than half an hour over the dark but
moon-streaked waters of the lake, when he met with the maiden who, all
night long, by her firefly lamp, doth paddle her light canoe. This
estimable female steered her bark alongside the scow, and to the
startled Mr. P. she said: "Have you my tickets?"</p>


<br><br>
<center>
<img alt="012c.jpg (96K)" src="012c.jpg" height="430" width="693">
</center>
<br><br>


<p>"Tickets!" cried Mr. P. "Me?--tickets? What tickets?"</p>

<p>"Why, one ticket, of course, on the Norfolk, Petersburg and Richmond
line; and a through ticket from Richmond to New York, by way of
Fredericksburg and Washington. What other tickets could I mean?"</p>

<p>"I know nothing about them," said Mr. P.; "and what can you possibly
want with railroad tickets?"</p>

<p>"Oh, I am going to leave here," said she.</p>

<p>"Indeed!" cried Mr. P. "Going to leave here--this lake; this swamp; this
firefly lamp? To leave this spot, rendered sacred to your woes by the
poem of the gifted MOORE--"</p>

<p>"No more!" cried she. "I'm tired of hearing everybody that comes to this
pond a-singin' that doleful song."</p>

<p>"That is to say," said Mr. P., with a smile, "if your canoe is birch,
<i>you</i> are Sycamore."</p>

<p>"That's so," she gravely grunted.</p>

<p>"But tell me," said Mr. P., "where in the world can you be going?"</p>

<p>At this the maiden took a straw, and ramming it down the chimney of her
lamp, stirred up the flies until they glittered like dollar jewelry.
Then she chanted, in plaintive, tones, the following legend:</p>
<center>
<table summary="">
<tr><td>

<p>  "Three women came, one moonlight night,<br>
    And tempted me away.<br>
  They said, 'No longer on this lake,<br>
    Good maiden, must you stay.</p>

<p>  We're SUSAN A. and ANNA D.,<br>
    And LUCY S. also,<br>
  And what a lone female can do<br>
    We want the world to know.</p>

<p>  No better instance can we give,<br>
    Oh, Indian maid! than you,<br>
  How woman can, year after year.<br>
    Paddle her own canoe.'"</p>

</td></tr>
</table>
</center>


<p>"Just so," said Mr. P., "but don't you think that as you are--that is to
say--that not being of corporeal substance--by which I mean having been
so long departed, as it were; or, to speak more plainly--"</p>

<p>"Oh, yes! I know.--Dead, you mean," said the maiden. "But that makes no
difference. They'll be glad enough of a ghost of an example."</p>

<p>"Yes, yes," said Mr. P. "And yet their cause is good enough. I don't see
why they should make up--"</p>

<p>He would have said more, but turning, he saw that the Indian maid,
despairing of her tickets, had gone.</p>

<p>The next day Mr. P. went home himself. He communed with his own soul, as
it were, for a little while, and has no doubt it did him a deal of good.
But it would take so long to get back to his office, you see.</p>

<p>As a cheap watering place, where there are no fancy drives or fancy
horses; no club-houses; no big hotels; no gay company; nor anything to
tempt a man to sacrifice health and money in the empty pursuit of
pleasure, Mr. P. begs to recommend the Dismal Swamp.</p>

<p>If he knew of any other watering place of which as much might be said,
he would mention it--but he don't.</p>

<br><br><hr><br><br>

<h2>NOTES FROM CHICAGO.</h2>

<p>"In the spring a young man's fancies lightly turn to thoughts of Love,"
and Picnics--and this is the time for them; consequently, the attention
of the Western public is turned thoroughly and religiously to what may
be considered as one of the most important results of civilization and
refinement. We (the Western public) regard picnics as highly
advantageous to health and beauty, promoting social sympathy and
high-toned alimentiveness, advancing the interests of the community and
the ultimate welfare of the nation. In the first place, they are the
means, working indirectly, but surely, of encouraging the domestic
virtues and affections, the peace and harmony of families, because on
these festive occasions, the lunch is the most striking and attractive
feature, and, in order to obtain this in its highest perfection, the
culinary abilities of the lady participants are necessarily called into
action--those talents which have fallen somewhat into disrepute,
notwithstanding Professor BLOT'S magnanimous efforts to restore the
glories of the once honored culinary art. Therefore a picnic may be
considered as a great moral agency in promoting domestic happiness; for
what is so likely to touch the heart and arouse the slumbering
sensibility of a husband and father, as a roast of beef done to a charm,
or an <i>omelette soufflée</i> presenting just that sublime tint of
yellowness which can only be attained by means of the most delicate
refinement and discrimination? No other attention, however flattering,
is so soon recognised, or gratefully appreciated.</p>

<p>After one of these innocent festivals has been fully decided upon, then
we always select a day when gathering clouds predict, most
unmistakeably, a coming storm, because, what would a picnic be without
some excitement of this kind? A pudding minus the sauce, a sandwich
without the mustard, a joke without the point. What pleasure <i>could</i>
there be in a dry picnic? Ladies never appear to such excellent
advantage, never are so utterly bewitching, as when, with light summer
dresses bedraggled and dirty, they cling helplessly to their protectors,
or run in frantic haste to some place of shelter--for it is only when a
woman (or a gentle bovine) runs, that the poetry of motion is fully
realized. Then the gentlemen! Under what circumstances are they ever so
chivalric as during a pouring rain, when, wet to the skin, they assist
the faintly-shrieking beauties over the mud puddles, and hold umbrellas
tenderly above chignons and uncrimping crimps! To be sure they do not
often act as Sir WALTER RALEIGH did, but then they do not wear velvet
cloaks, and what would be the wit of throwing a piece of broadcloth or
white linen into the mud?</p>

<p>We have champagne picnics, lemonade and cold water picnics, and some,
which, although they cannot be classed under the head of hot water,
still manage, before they are through, to get all the participants into
it. We have widows' and widowers' picnics, a kind of reunion for the
encouragement of mutual consolation, where, meandering through green
fields and under nodding boughs, they can talk or muse upon the virtues
of the "dear departed," and the probable merits of the "coming man," or
woman.</p>

<p>Then the anti-matrimonials have theirs, too, always exceedingly select,
where the men look frightened, and the women indignant, and which
partakes somewhat of the character of a Methodist prayer-meeting, the
gentlemen all clinging to each other as if for protection, evidently in
bodily fear of another Sabine expedition, with the order of the
programme, however, a little reversed in regard to the two sexes. The
Sanitary department also indulges in a little treat of this kind, and in
such a case, it becomes really a duty. After guarding the city's health
for so long a time, after sternly following up Scarlet-fevers,
Small-poxes, and Ship-plagues, and driving them forth from their chosen
haunts, it certainly needs to look after its own constitution a little,
and sharpen, by country airs and odors, the powers probably deteriorated
amid the noxious vapors of city alleys and by-ways.</p>

<p>The Teachers' Institute, too, looking at the thing physiologically,
psychologically, and phrenologically, after mature deliberation,
conclude to descend to a little harmless amusement, contriving, however,
to mingle some instructive elements with the frivolous ones that less
enlightened spirits delight in. For instance, the flowers, that are
truly the "alphabet of angels" to the simple souls that love the violets
and daisies for their own sweet sakes, offer a very different alphabet
to the "Schoolma'ams" and Professors. They are no longer flowers, but
specimens, each bud and blossom pleading in vain for life, as ruthless
fingers coolly dissect them to discover whether they are poly or
mollyandria. And what an ignoramus you must be, if you do not know that
a balloon-vine is a <i>Cardiospernum Halicactum</i>. The "feast" on these
occasions is that "of reason" alone, encyclopedias and dictionaries
being all the nourishment required, although a stray bottle here and
there might hint at "the flow" of a little something beside "soul."</p>

<p>Then there are the Good Templars' picnics, where "water, cold water for
me, for me," is supposed to be the sentiment of every heart, mixing the
beverage sometimes, however, with a little innocent tea, or coffee; and
the Masonic festivals, where pretty white aprons and silver fringes,
shining amid green dells and vales, present quite a picturesque and
imposing appearance; and the Fenians, looking sometimes greener than the
haunts they are seeking.</p>

<p>Then every distinct and individual Sunday-school in the city has a
picnic, which it would be well to attend, if you are anxious to see the
diversities and eccentricities of youthful appetites fearfully
illustrated.--When the loaves and fishes were distributed, there could
not have been many growing boys present.--And beside these, the family
picnics, most cosy little affairs, represented by one big fat man, one
delicate-faced woman, one maiden-aunt, four graduated boys, and five
graduated girls, all piled into one big fat carriage, drawn by two big
fat horses. But it is the Germans who take the palm, and here language
fails, though beer doesn't.</p>

<br><br><hr><br><br>

<h2>COMIC ZOOLOGY.</h2>

<h4>GENUS SQUALUS--THE SHARK.</h4>

<p>Linnaeus classifies the Sharks as the Squalidae family, and they are,
upon the whole, as unpleasant a family as a Squalid Castaway would
desire to meet with in a Squall. They are all carnivorous,
cartilaginous, and cantankerous. No fish culturist, from St. ANTHONY to
SETH GREEN, has thought it worth while to take them in hand, with the
view of reforming them, and their Vices are as objectionable now as they
were three thousand years ago. If a sailor falls overboard, the
Contiguous Shark considers it a <i>casus belli</i>, and immediately makes a
pitch at the tar, with the intention of putting itself outside of him.
Failing in that, it generally shears off a limb before it sheers away.
Herds of sharks instinctively follow fever-ships, and when the dead are
thrown into the sea, are seen by the seamen in the shrouds, ready to
perform the office of Undertakers. In the vicinity of the Trades, they
sometimes lie under the counters of merchantmen for days together.
Nothing comes amiss to them, from a midshipman to a marrow-bone, and it
may be interesting to politicians to know that Repeaters and Rings have
occasionally been found in the maws of these monsters. They bite readily
at "Salt horse," and, when hooked with a rattan in throat, may be yanked
on board with the bight of a hawser. An enormous specimen sometimes gets
caught in a forecastle yarn. In this case, never interfere with the
thread of the narrative by asking impertinent questions, however
difficult it may be to hoist it in.</p>

<p>Sharks abound at Newport, Long Branch, Cape May, and other
watering-places, at this season of the year, and many victims are seized
there by the Legs. The Bottle-Nose Shark is to be found in every
harbor--generally in the vicinity of the Bar. He may be known from the
other varieties by the redness of his gills. He is often seen disporting
himself among the Shallows, but is usually too Deep to be pulled up.
White Sharks are frequently observed hovering about emigrant ships in
the vicinity of the Battery, and the Blue Shark is now and then hauled
up as far North as Mulberry Street, while trying, as it were, to get on
the other side of JOURDAN. In China, nobody objects to take the fin of a
Shark, but in this country, when a Shark extends his fin to an honest
man, it is always rejected with contempt. This voracious creature is
common both in the Temperate and Torrid Zones. It has, in fact, no
particular habitat, but is found in Diver's places in almost every
latitude.</p>

<br><br><hr><br><br>



<br><br>
<center>
<img alt="014.jpg (232K)" src="014.jpg" height="828" width="655">
</center>
<br><br>


<br><br><hr><br><br>

<h2>A MOTLEY MELODY.</h2>

<h4>AIR:  OLD MOTHER HUBBARD.</h4>
<center>
<table summary="">
<tr><td>

<p>  Feast-loving MOTLEY<br>
  Over a bottle he<br>
  Quite overlooks Uncle SAM.<br>
  He asks not for chink,<br>
  So JOHN BULL, with a wink,<br>
  "Alabama" proclaims All a bam.</p>

</td></tr>
</table>
</center>

<center>
<table summary="">
<tr><td>


<p>  When he goes to State dinners to fill out his skin,<br>
  <i>Amor Patriae</i> leaks out as the turtle goes in.</p>

<p>  When he hob-nobs with ministers--capital sport--All<br>
  our losses at Sea he condoneth in Port.</p>

<p>  When by Britons soft-soaped, he's delighted to lave<br>
  In the lather that's only laid on for a shave.</p>

<p>  When to Downing street called, with a bow and a scrape<br>
  He accepts, in the place of hard dollars, red tape.</p>

<p>  When a guest at the table of London's Lord Mayor,<br>
  He Tables our Claim while addressing the Chair.</p>

<p>  And whenever he mingles with transmarine nobs<br>
  He is always the PRINCE OF AMERICAN SNOBS.</p>

</td></tr>
</table>
</center>

<br><br><hr><br><br>

<h2>"SWALLOW, SWALLOW," ETC.</h2>

<p>THE inevitable "enormous gooseberry" of the provincial newspaper "local"
has made its appearance. It is smaller than usual, being only three
inches in circumference; but that is a great advantage to persons
desirous of swallowing it.</p>

<br><br><hr><br><br>

<h2>TO WHOM IT MAY BE INTERESTING.</h2>

<p>AMONG the Japanese students in Rutger's College, there is one who revels
in the very suggestive name of HASHI-GUTCHI. Keepers of cheap
boarding-houses are warned against harboring that young man.</p>

<br><br><hr><br><br>

<h2>LETTER FROM A JAPANESE STUDENT.</h2>

<p>MR. PUNCHINELLO:--I knowee you, but you no knowee me.  My name
SOOGIWOORA. I Japanee young mans friend of Tycoon, great ruler. I read
muchee your paper. Sometimes it makee me laugh--sometimes cry. We have
also much funee mans in Japan. I come here with other Japanee young mans
to your college, what you call RUTGER'S, for learn to be great
statesman, for study--how you call--logeec and diplomacee, to makee
treatee. Much I readee your treatees and your policy much astudee. How
too much I can admire your great statesmans. Your SEWARD, he great
American mans, he gainee much territoree to the United States. He also
payee much for it. No gettee much in return. No matter. Americans rich
peoples. They tella me Alaska too cold. Japanee mans no could live there
then. Much snow and ice, big rocks, and--what you call--Fur Trees. How
that? Fur no grow on tree in Japan. Strange ting. Muchee animal they
say--what you call--walrus there. Perhaps Whale. That makee me to tink
of Mr. FEESH. He is deep, that FEESH. So deep I no can understand hims.
They tella me much other peoples no can understand hims too. He makee
much policee with his Foreign Relations. I ask a much people to tella me
who are his Foreign Relations. They laugh great deal and tella me Spain
and General PRIM. No knowee Spain countree in Japan. I no tink it much
of a countree, no havee muchee--how you call--Commerce. One ting puzzle
me great deal. Here much freedom. Sometimes I tink, too much. But that
Island--how you call it--Cuba. People tella me Spain cruel to that
island. Now I read muchee in the speeches and--how you call--State
papers, of great American mans, that your government is friend of--what
you call 'ems--two awfully hard word--Inglees very hard--Stop! I go get
book--O, now I have hims--Oppressed Nationalities. Now, you lettee Spain
buy--what you call--gunboats and big guns and powder and balls for
shoot, but you no lettee Cuba buy. I ask some peoples how that is. They
tella me Nootrality. Funny ting, Nootrality. Fraid Japanee mans stoopid,
no can understand hims now. Never mind. Learn bimeby.</p>

<p>Anoder ting. I no hear any one say General GRANT great mans. Only say he
go muchee to clam bake, go fishee and much smokee. Dat's all. Why you
makee him you ruler then? Because that he so much smokee? Tings much
different here from Japan. Tycoon or Mikado no go clam bake, no go
fishee. Stay at home and govern Japanee. No time go fishee. Only smoke
opium sometimes. Why General GRANT no smokee opium too? Good ting for
Japanee trade.</p>

<p>Since that I arrivee here much peoples aska me about hari-kari. One mans
he aska me if that what Japanee mans eat. I laugh great deal, and tella
him Japanee mans much prefer bird nest soup and shark fin. Then he laugh
much great deal too. Why? The other day I tread on Professor mans foot.
He old mans, much fat, with red nose and--how you call--gout. He swear
one little swear, but no much loud, and look much 'fended. I say him,
"No be 'fended," and proposee him hari-kari for--how you
call--satisfaction. He much sprise, and say, "What hari-kari?" Then I
tella hims that he should rip him ups and then I rip me ups--so. So
Japanee mans do when not satisfy. Then he laugh much great deal, say he
no 'fended, much satisfy, and shakee hands.</p>

<p>People here much friendly. Often say "Go drinkee with me." I say them I
no go drinkee. They aska me "why not?" I say them Japanee man no want go
talkee to lamp-post, shakee hands with pump, and try for makee light him
cigar with door-key. So it make American man do. Drinkee no good for
Japanee mans. Japanee TOMMY too much fond--what you call--cobblers.
TOMMY bad boy. Got drunks. Him kill.</p>

<p>Some American mans too much questions askee. Want know too much. We have
wild animal in Japan--what you call--Boar. We much fearee him. Run away
when come. So I fearee and run away when come mans that too much
questions ask. One ting puzzle me much. For why you call your money
shinplaster? I no can tell, unless that he walk away so fast.</p>

<p>SOOGIWOORA</p>

<br><br><hr><br><br>


<br><br>
<center>
<img alt="015.jpg (249K)" src="015.jpg" height="1112" width="759">
</center>
<br><br>



<br><br>
<center>
<img alt="016.jpg (251K)" src="016.jpg" height="1110" width="755">
</center>
<br><br>










<pre>





End of the Project Gutenberg EBook of Punchinello, Vol. 1, No. 17, July 23,
1870, by Various

*** END OF THE PROJECT GUTENBERG EBOOK PUNCHINELLO, VOL. 1, NO. 17 ***

This file should be named 8p11710h.htm or 8p11710h.zip
Corrected EDITIONS of our eBooks get a new NUMBER, 8p11711h.htm
VERSIONS based on separate sources get new LETTER, 8p11710ah.htm

Produced by Cornell University, Joshua Hutchinson, Sandra Brown
David Widger and the Online Distributed Proofreading Team.

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).


Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month:  1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1  1971 July
   10  1991 January
  100  1994 January
 1000  1997 August
 1500  1998 October
 2000  1999 December
 2500  2000 December
 3000  2001 November
 4000  2001 October/November
 6000  2002 December*
 9000  2003 November*
10000  2004 January*


The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

http://www.gutenberg.net/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart hart@pobox.com

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     eBook or this "small print!" statement.  You may however,
     if you wish, distribute this eBook in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The eBook, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The eBook may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the eBook (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          eBook in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the eBook refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees.  Copyright (C) 2001, 2002 by
Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*



</pre>

</body>
</html>