summaryrefslogtreecommitdiff
path: root/old/8p11710h.htm
diff options
context:
space:
mode:
Diffstat (limited to 'old/8p11710h.htm')
-rw-r--r--old/8p11710h.htm2317
1 files changed, 2317 insertions, 0 deletions
diff --git a/old/8p11710h.htm b/old/8p11710h.htm
new file mode 100644
index 0000000..b15d7d6
--- /dev/null
+++ b/old/8p11710h.htm
@@ -0,0 +1,2317 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>Punchinello, No. 17</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<style type="text/css">
+<!--
+body {margin:10%; text-align:justify}
+img {border: 0;}
+blockquote {font-size:14pt}
+P {font-size:14pt}
+-->
+</style>
+</head>
+<body>
+
+<h1>Punchinello, Vol. 1, No. 17, July 23, 1870</h1>
+<pre>
+Project Gutenberg's Punchinello, Vol. 1, No. 17, July 23, 1870, by Various
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: Punchinello, Vol. 1, No. 17, July 23, 1870
+
+Author: Various
+
+Release Date: February, 2006 [EBook #9885]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on October 27, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THE PROJECT GUTENBERG EBOOK PUNCHINELLO, VOL. 1, NO. 17 ***
+
+
+
+
+Produced by Cornell University, Joshua Hutchinson, Sandra Brown
+David Widger and the Online Distributed Proofreading Team.
+
+
+
+
+
+</pre>
+
+
+
+<br><br>
+<center>
+<img alt="001.jpg (278K)" src="001.jpg" height="1150" width="761">
+</center>
+<br><br>
+
+<br><br>
+<center>
+<img alt="002.jpg (280K)" src="002.jpg" height="1120" width="764">
+</center>
+<br><br>
+
+
+
+<br><br><hr><br><br>
+<center>
+<h2>THE MYSTERY OF MR. E. DROOD.</h2>
+
+<h4>
+AN ADAPTATION.</h4>
+
+<h3>
+BY ORPHEUS C. KERR</h3>
+</center>
+<br><br>
+
+<p>
+CHAPTER XI.--(Continued.)</p>
+
+<p>
+BLADAMS ushered in two waiters--one Irish and one German--who wore that
+look of blended long-suffering and extreme weariness of everything
+eatable, which, in this country, seems inevitably characteristic of the
+least personal agency in the serving of meals. (There may be lands in
+which the not essentially revolting art of cookery can be practiced
+without engendering irritable gloom in the bosoms of its practitioners,
+and the spreading of tables does not necessarily entail upon the actors
+therein a despondency almost sinister; but the American kitchen is the
+home of beings who never laugh, save in that sardonic bitterness of
+spirit which grimly mocks the climax of human endurance in the burning
+of the soup; and the waiter of the American dining-room can scarcely
+place a dish upon the board without making it eloquent of a blighted
+existence.) Having dashed the stews upon the reading-table before the
+fire, and rescued a drowning fly[1] from one of them with his least
+appetizing thumb-nail, the melancholy Irish attendant polished the
+spoons with his pocket-handkerchief and hurled them on either side of
+the plates. Perceiving that his German associate, in listlessly throwing
+the mugs of ale upon the table, had spilled some of the liquid, he
+hurriedly wiped the stain away with EDWIN DROOD'S worsted muffler, and
+dried the sides of the glasses upon the napkin intended for Mr. DIBBLE'S
+use. There was something of the wild resources of despair, too, in this
+man's frequent ghostly dispatch of the German after articles forgotten
+in the first trip, such as another cracker, the cover of the
+pepper-cruet, the salt, and one more pinch of butter; and so greatly did
+his apparent dejection of soul increase as each supplementary luxury
+arrived and was recklessly slammed into its place, that, upon finally
+retiring from the room with his associate, his utter hopelessness of
+aspect gave little suggestion of the future proud political preferment
+to which, by virtue of his low estate and foreign birth, he was
+assuredly destined.</p>
+
+<p>[Footnote 1: In anticipation of any critical objection to the
+introduction of a living <i>fly</i> in <i>December</i>, the Adapter begs leave to
+suspect than an anachronism is always legitimate in a work of fiction
+when a point is to be made. Thus, in Chapter VIII of the inimitable
+"NICHOLAS NICKLEBY," Mr. SQUEERS tells NICHOLAS that morning has come,
+"and <i>ready iced</i>, too;" and that "the pump's <i>froze</i>," while, only a
+few pages later, in the same chapter, one of Mr. SQUEERS' scholars is
+spoken of as "weeding the garden."]</p>
+
+<p>The whole scene had been a reproachful commentary upon the stiff
+American system of discouraging waiters from making remarks upon the
+weather, inquiring the cost of one's new coat, conferring with one upon
+the general prospects of his business for the season, or from indulging
+in any of the various light conversational diversions whereby barbers,
+Fulton street tailors, and other depressed gymnasts, are occasionally
+and wholesomely relieved from the misery of brooding over <i>their</i>
+equally dispiriting avocations.</p>
+
+<p>After the departure of the future aldermen, or sheriffs, of the city,
+the good old lawyer accompanied his young guest in an expeditious
+assimilation of the stews; saying little, but silently regretting, for
+the sake of good manners, that Mr. BLADAMS could not eat oysters without
+making a noise as though they were alive in his mouth. At last, mug of
+ale in hand, he turned to his clerk:</p>
+
+<p>"BLADAMS!"</p>
+
+<p>"Sir to you!" responded Mr. BLADAMS, hastily putting down the plate from
+which he had been drinking his last drop of stew, and grasping his own
+mug.</p>
+
+<p>"Your health, BLADAMS.--Mr. EDWIN joins me, I'm sure.--And may the--may
+our--that is, may your--suppose we call it Bump of Happiness--may your
+Bump of Happiness increase."</p>
+
+<p>Staring thoughtfully, Mr. BLADAMS felt for the Bump upon his head and,
+having scratched what he seemed to take for it, replied: "It's a go,
+sir. The Bump has increased some since KENT'S Commentaries fell on it
+from that top-shelf the other day."</p>
+
+<p>"I am going to toast my lovely ward," whispered Mr, DIBBLE to EDWIN;
+"but I put BLADAMS first, because he was once a person to be respected,
+and I treat him with politeness in place of a good salary."</p>
+
+<p>"Success to the Bump," said EDWIN DROOD, rather struck by this piece of
+practical economy, and newly impressed with the standard fact that
+politeness costs nothing.</p>
+
+<p>"And now," continued Mr. DIBBLE, with a wink in which his very ear
+joined, "I give you the peerless Miss FLORA POTTS. BLADAMS, please
+remember that there are others here to eat crackers besides yourself,
+and join us in a health to Miss POTTS."</p>
+
+<p>"Let the toast pass, drink to the lass!" cried Mr. BLADAMS, husky with
+crackers. "All ale to her!"</p>
+
+<p>"Count me in, too," assented EDWIN.</p>
+
+<p>"Dear me!" said the old lawyer, breaking a momentary spell of terror
+occasioned by Mr. BLADAMS having turned blue and nearly choked to death
+in a surreptitious attempt to swallow a cracker which he had previously
+concealed in one of his cheeks. "Dear me! although I am a square,
+practical man, I do believe that I could draw a picture of a true
+lover's state of mind to-night."</p>
+
+<p>"A regular chromo," wheezed Mr. BLADAMS, encouragingly; pretending not
+to notice that his employer was reaching an ineffectual arm after the
+crackers at his own elbow.</p>
+
+<p>"Subject to the approving, or correcting, judgment of Mr. E. DROOD, I
+make bold to guess that the modern true lover's mind, such as it is, is
+rendered jerky by contemplation of the lady who has made him the object
+of her virgin affectations," proceeded Mr. DIBBLE, looking intently at
+EDWIN, but still making farther and farther reaches toward the distant
+crackers, even to the increased tilting of his chair. "I venture the
+conjecture, that if he has any darling pet name for her, such as
+Pinky-winky,' 'Little Fooly,' 'Chignonentily,' or 'Waxy Wobbles,' he
+feels horribly ashamed if any one overhears it, and coughs violently to
+make believe that be never said it."</p>
+
+<p>It was curious to see EDWIN listening with changing color to this
+truthful exposure of his young mind; the while, influenced
+unconsciously, probably, by the speaker's example, he, too, had begun
+reaching and chair-tilting toward the crackers across the table. What
+time Mr. BLADAMS, at the opposite side of the board, had apparently sunk
+into a sudden and deep slumber; although from beneath one of his folded
+arms a finger dreamily rested upon the rim of the cracker-plate, and
+occasionally gave it a little pull farther away from the approaching
+hands.</p>
+
+<p>"My picture," continued Mr. DIBBLE, now quite hoarse, and almost
+horizontal in his reaching, to EDWIN DROOD, also nearly horizontal in
+the same way--"my picture goes on to represent the true lover as ever
+eager to be with his dear one, for the purpose of addressing implacable
+glares at the Other Young Man with More Property, whom She says she
+always loved as a Brother when they were Children Together; and of
+smiling bitterly and biting off the ends of his new gloves (which is
+more than he can really afford, at his salary,) when She softly tells
+him that he is making a perfect fool of himself. My picture further
+represents him to be continually permeated by a consciousness of such
+tight boots as he ought not to wear, even for the Beloved Object, and of
+such readiness to have new cloth coats spoiled, by getting hair-oil on
+the left shoulder, as shall yet bring him to a scene of violence with
+his distracted tailor. It shows him, likewise, as filled with exciting
+doubts of his own relative worth: that is, with self-questionings as to
+whether he shall ever be worth enough to buy that cantering imported
+saddle horse which he has already promised; to spend every summer in a
+private cottage at Newport; to fight off Western divorces, and to pay an
+eloquent lawyer a few thousands for getting him clear, on the plea of
+insanity, after he shall have shot the Other Young Man with More
+Property for wanting his wife to be a Sister to him, again, as she was,
+you know, when they were Children Together."</p>
+
+<p>EDWIN, despite the coldness of the season, had perspired freely during
+the latter part of the Picture, and sought to disguise his uneasiness at
+its beautiful, yet severe truth, by a last push of his extended arm
+toward the crackers. Quickly observing this, Mr. DIBBLE also made a
+final desperate reach after the same object; so that both old man and
+young, while pretending to heed each other's words only, were two-thirds
+across the table, with their feet in the air and their chairs poised on
+one leg each. At that very moment, by some unhappy chance, while nearly
+the whole weight of the two was pressing upon their edge of the board,
+Mr. BLADAMS abruptly awoke, and raised his elbows from his edge, to
+relieve his arms by stretching. Released from his pressure, the table
+flew up upon two legs with remarkable swiftness, and then turned over
+upon Mr. DIBBLE and Mr. E. DROOD; bringing the two latter and their
+chairs to the floor under a shower of plates and crackers, and resting
+invertedly upon their prostrate forms, like some species of
+four-pillared monumental temple without a roof.</p>
+
+<p>A person less amiable than the good Mr. DIBBLE would have borrowed the
+name of an appurtenance of a mill, at least once, as a suitable
+expression of his feelings upon such a trying occasion; but, instead of
+this, when Mr. BLADAMS, excitedly crying "fire!" lifted the overturned
+table from off himself and young guest, he merely arose to a sitting
+position on the littered carpet, and said to EDWIN, with a smile and a
+rub: "Pray, am I at all near the mark in my picture?"</p>
+
+<p>"I should say, sir," responded EDWIN, with a very strange expression of
+countenance, also rubbing the back of his head, "that you are rather
+hard upon the feelings of the unluckly lover. He may not show <i>all</i> that
+he feels--"</p>
+
+<p>There he paused so long to feel his nose and ascertain about its being
+broken, that Mr. DIBBLE limped to his feet and ended that part of the
+discussion by hobbling to an open iron safe across the office.</p>
+
+<p>Taking from a private drawer in this repository a small paper parcel,
+containing a pasteboard box, and opening the latter, the old lawyer
+produced what looked like a long, flat white cord, with shining tips at
+either end.</p>
+
+<p>"This, Mr. EDWIN," said he, with marked emotion, "is a stay-lace, with
+golden tags, which belonged to Miss FLORA'S mother. It was handed to me,
+in the abstraction of his grief, by Miss FLORA'S father, on the day of
+the funeral; be saying that he could never bear to look upon it again.
+To you, as Miss FLORA'S future husband, I now give it."</p>
+
+<p>"A stay-lace!" echoed EDWIN, coming forward as quickly as his lameness
+would allow, and staunching his swollen upper lip with a handkerchief.</p>
+
+<p>"Yes," was the grave response. "You have undoubtedly noticed, Mr. EDWIN,
+that in every fashionable romance, the noble and grenadine heroine has a
+habit of 'drawing herself up proudly' whenever any gentleman tries to
+shake hands with her, or asks her how she can possibly be so majestic
+with him. This lace was used by Miss FLORA'S mother to draw herself up
+proudly with; and she drew herself up so much with it, that it finally
+reached her heart and killed her. I here place it in your hands, that
+you may ultimately give it to your young wife as a memento of a mother
+who did nothing by halves but die. If you, by any chance, should not
+marry the daughter, I solemnly charge you, by the memory of the living
+and the dead, to bring it back to me."</p>
+
+<p>Receiving the parcel with some awe, EDWIN placed it in one of his
+pockets.</p>
+
+<p>"BLADAMS." said Mr. DIBBLE, solemnly, "you are witness of the transfer."</p>
+
+<p>"Deponent, being duly sworn, does swear and cuss that he saw it, to the
+best of his knowledge and belief," returned the clerk, helping Mr. DROOD
+to resume his overcoat.</p>
+
+<p>When in his own room, at Gowanus, that night, Mr. DIBBLE, in his
+nightcap, paused a moment before extinguishing his light, to murmur to
+himself: "I wonder, now, whether poor POTTS confided his orphan child to
+me because he knew that I might have been the successful suitor to the
+mother if I had been worth a little more money just about then?"</p>
+
+<p>What time, in the law-office in town, Mr. BLADAMS was upon his knees on
+the floor, tossing crackers from all directions on the carpet into his
+mouth, like a farinacious goblin, and nearly suffocating whenever he
+glanced at the disordered table.</p>
+
+<p>(To be Continued.)</p>
+
+<br><br><hr><br><br>
+
+<h2>THE FREE BATHS.</h2>
+
+<table summary="">
+<tr><td>
+
+<img alt="004a.jpg (87K)" src="004a.jpg" height="593" width="406">
+</td><td>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+
+</td><td>
+<p>PUNCHINELLO begs to congratulate the Hon. W.M. TWEED upon his
+inestimable boon to the public--the Free Baths. With regard to a certain
+class--and a very large class--of the public of New York City, it has
+sometimes been cynically asked, "Will it wash?" Since the establishment
+of Free Baths under the Department of Public Works, that question has
+been satisfactorily replied to in the affirmative. Hardworked mechanics
+at once recognized the chance for a wash, and went at it with a rush. It
+was Coney Island come to town, with the roughs left behind, and the
+extortionate bathing-dress men, and the other disagreeable features of
+that lovely but desecrated isle. In recognition of the decided success
+of the new baths, and of the vast benefit that must be derived from them
+by a large portion of the community, PUNCHINELLO begs to invest the Hon.
+W. M. TWEED with the Blue Ribbon of the O.F.B., or "Originator of the
+Free Baths."</p>
+</td></tr>
+</table>
+<br><br><hr><br><br>
+
+<h2>THE PLAYS AND SHOWS.</h2>
+
+<table summary="">
+<tr><td>
+
+<img alt="004b.jpg (101K)" src="004b.jpg" height="617" width="410">
+</td><td>
+<p>CENTRAL PARK GARDEN is the subject of this article.</p>
+
+<p>It is all very well for the editor of PUNCHINELLO to require me to write
+about the Plays and Shows, but how would he like to do it himself, with
+the thermometer at 103 degrees, and the Fourth of July only just over?
+And then, inasmuch as I am not a white-hatted philosopher, writing of
+"What I know about Farming," how can I be expected to write of things
+which have no existence? For, with the exception of the CENTRAL PARK
+GARDEN, and one or two minor places of amusement, there are no plays and
+shows at present in this happy city.</p>
+
+<p>We certainly owe the managers a debt of gratitude for closing their hot
+and glaring theatres during this intolerable month. Of course nobody was
+obliged to attend them while they were open; but then, when people were
+told that the theatres were crowded to an uncomfortable extent, they
+felt an irrepressible desire to go and be uncomfortable.</p>
+
+</td></tr>
+</table>
+
+<p>It is one of the peculiar characteristics of Man, as distinguished from
+the higher animals, that he will go through fire and water to get into a
+theatre which he is told is crammed to the point of suffocation, whereas
+he won't deign to enter one where he is sure to find a comfortable seat.
+Now the charm of the CENTRAL PARK GARDEN consists in this: that the
+visitor can take his vapor bath in the Seventh Avenue cars on his way to
+the Garden, and can enjoy the sweet consciousness of being jostled and
+sat upon in the search for amusement, while he is still certain of
+finding pure air and plenty of room at the GARDEN itself.</p>
+
+<p>By the bye, it has just occurred to me that the Fourth of July is
+properly a show. It might be called a burlesque, but for the fact that
+it is unaccompanied by the luxury of legs. Indeed, after the celebration
+is over, there are always fewer legs in the nation than there were at
+its commencement. There is no canon of criticism which would expurgate
+legs from the theatrical burlesque, but there are cannons of Fourth of
+July which do their best to abolish the incautious legs of patriotic
+youth. I reconsider my purpose of writing of the CENTRAL PARK GARDEN,
+and will devote this column to the national show.</p>
+
+<p>I have somewhere read--not in BANCROFT'S History, of course; no man ever
+did that and lived--that the Fourth of July was established in order to
+commemorate our deliverance from a government which taxed us with
+stamp-duties. How happy ought we to be when we reflect that, thanks to
+our noble fathers who fought and bled at Long Branch. I should say
+Nahant,--well, at some watering-place, I really forget precisely
+where,--we have no taxes, and know not what a revenue stamp is like!
+Thank fortune, we have no share in the national debt of Great Britain,
+and have no national debt of our own that is worth mention. Besides, we
+are going to found the little debt that we do owe, so that nobody will
+ever be bothered about it again.</p>
+
+<p>I like this plan of funding debts; but, curiously enough, sordid
+capitalists and miserly landlords don't. I offered the other day to fund
+all my personal debts, in the shape of a long loan at three per cent,
+but my creditors did not take kindly to the idea. Such is the sordid
+meanness which is too sadly characteristic of the merely commercial
+mind. But to return to our subject, which is, I believe, the CENTRAL
+PARK GARDEN.</p>
+
+<p>It is curious how critics will differ. Here is a case in point. The
+other night, at the CENTRAL PARK GARDEN, I sat near a table surrounded
+by five well-known musical critics. THEODORE THOMAS had just led his
+orchestra through the devious ways of the <i>Tannhauser</i> overture, and I
+naturally listened to hear the opinions which the critical five might
+express. This is what they really did say.</p>
+
+<p>FIRST CRITIC. "Thank heavens, the music is over for a few minutes. Now,
+boys, we'll have some more beer."</p>
+
+<p>SECOND CRITIC. "Not any for me, thank you. I'll have a Jamaica sour."</p>
+
+<p>THIRD CRITIC. "Bring me a claret punch."</p>
+
+<p>FOURTH CRITIC. "Whiskey cocktail"</p>
+
+<p>FIFTH CRITIC. "Well! I'll stick to beer. It's the best thing in this
+weather."</p>
+
+<p>What ought a man to think of the <i>Tannhauser</i>, after hearing these five
+contradictory opinions? For my own part I rather thought the cigars were
+a trifle too strong.</p>
+
+<p>And there is just the same difference of opinion about THEODORE THOMAS'S
+merits as a conductor. On this occasion there were two aged and indigent
+musicians in the audience, who knew more about orchestral music than
+even the present President of the Philharmonic Society, and to each of
+them did I propound the question, "Is THOMAS a good conductor?"</p>
+
+<p>FIRST AGED PERSON. "My dear sir, he doesn't conduct at all. His
+orchestra pays no attention to him, and plays in spite of the absurd and
+meaningless passes which he makes with his <i>baton</i>."</p>
+
+<p>SECOND A. P. "My dear sir, he is the best conductor of the day. He has
+made his orchestra the best in the country,--in fact, the only one. No
+man has done more for our musical public than has THEODORE THOMAS."</p>
+
+<p>And as I ordered eleemosynary beer for these Aged Persons, and pondered
+their slightly contradictory utterances in my mind, I heard a fair young
+creature in a scarlet plimpton and a fleezy robe of Axminster remark,
+"O! that dear delightful Mr. THOMAS. He is so Perfectly lovely! and his
+coat fits him so divinely! He is ever so much handsomer than CARL
+BERGMANN."</p>
+
+<p>While I agree most heartily with everything that I heard at the GARDEN
+on the occasion which I have mentioned, I am not quite sure that the
+establishment is either a play or a show. On the whole, I don't think I
+had better say anything about it. If anybody has a different opinion,
+let him express himself. If he don't like to take the trouble, let him
+apply to ADAMS Express Company, which will express him to the end of the
+world, if he should so desire.</p>
+
+<p>MATADOR.</p>
+
+<br><br><hr><br><br>
+
+<h2>CRISPIN vs. COOLIE.</h2>
+
+<p>For CRISPIN, old CRISPIN, patron saint of all cordwainers, Mr.
+PUNCHINELLO has a profound respect. When still a young man, (A.D. 1125,)
+he was well acquainted with the venerable gentleman; and the very
+beautiful pair of shoes which Mr. P. wears when in full costume, (<i>vide</i>
+his portrait on the title page,) were heeled and tapped for him by the
+hands of CRISPIN himself. They are still in excellent order, although,
+in these very shoes, Mr. P. walked his celebrated match against Time,
+beating that swift old party and doing his 1000 miles in 24 h., 12 m.,
+30 s. Between Mr. P. and shoes there is a well-marked resemblance. The
+shoe has a sole and he has a soul; the shoe is both useful and
+ornamental, and so is he; the shoe has an upper, and Mr. P.'s motto is,
+"Upper and still up." In fact, he is so well satisfied with his
+understanding, that he would not stand in any other man's shoes for any
+consideration; and so long as the CRISPINS will make him fits which are
+not convulsions, and will sew in a way which shall produce no crop of
+corns, and remind him, by the neatness of their work, of Lovely PEGGY,
+it is the intention of the Senor PUNCHINELLO to patronize the Native
+American awl altogether.</p>
+
+<p>For JOHN Chinaman also, the Herr VON PUNCHINELLO has a great admiration.
+He never takes tea, having been advised by his physician to drink
+nothing but lager-bier, with an occasional beaker of rum, gin, or
+brandy, or Monongahela, or whatever may be handy on the shelf.
+Nevertheless, as an admirer of the fair sex, 'Squire PUNCHINELLO
+believes in Old Hyson and Hyson Jr., in Oolong and Bohea, in Souchong
+and Gunpowder, in Black and Green; and if there were Scarlet or Yellow
+or Blue Teas, Col. PUNCHINELLO would equally admire, steep, sweeten and
+sip them. Nor is Dr. PUNCHINELLO less an admirer of the explosive
+fire-cracker, sent to us by JOHN, to assist us in the preservation of
+our liberties. The Hon. Mr. PUNCHINELLO declines dogs (in pies,) and
+opium (in pipes,) nor can he say whether he approves of bird's nests (in
+porridge,) as he has never eaten any, and never wants to; although he
+is, in his way, an acknowledged Nestor. But still, Prof. PUNCHINELLO
+wishes JOHN well, if for no other reason, at least out of respect for
+his old friend CONFUCIUS, with whom, some years ago, he was extremely
+intimate--many of the finest things in the books of that venerable sage
+having been suggested to him by Don PUNCHINELLO.</p>
+
+<p>The reader, therefore, (if he is of an acute turn of mind,) will easily
+perceive that two distinct emotions fill the bosom of plain Mr. P., and
+are hitting out at each other with extreme liveliness. He desires for
+the Crispins all the wages they can manage to get. He desires for his
+friend HI-YAH, a boundless growth of the pig-tail of prosperity; and the
+only question is whether this is a vegetable, the growth of which should
+be encouraged upon the Yankee Doodle soil. As probably the most profound
+Political Economist of this or any other age, after a week's tremendous
+thinking upon this subject, after having a thousand times resolved to
+give it up, Mr. P. has received the following letter from North Adams,
+Mass., which he hastens to lay before his readers:</p>
+
+
+<br><br>
+<center>
+<img alt="005a.jpg (19K)" src="005a.jpg" height="197" width="623">
+</center>
+<br><br>
+
+
+<p>Exactly so! Right, JOHN, perfectly right! Our views, exactly! Our mutual
+friend, Prof. WHANG-HO, of the University of Pekin, couldn't have put it
+more neatly. But don't you think, if you are coming to America at all,
+that it would be well to come as the rest come, without selling
+yourself, body, soul and pig-tail, to some shrewd Dutch driver, like
+KOOPMANSCHOOP, for instance? O JOHN, my Joe JOHN! When you do come, let
+it be to freeze to the American Eagle, and with a firm determination to
+make him your own beloved bird! When you work, be sure that you get the
+worth of your work! No chains and slavery, anything like them! And
+especially no nonsense about being sent back in your coffin to the
+Central Flowery Kingdom. A country which is good enough to live in, is
+good enough to be buried in.</p>
+
+<p>And what is this missive which we have received through the post, and
+which we have since kept locked up in a powder-proof safe?</p>
+
+
+<br><br>
+<center>
+<img alt="005b.jpg (24K)" src="005b.jpg" height="213" width="631">
+</center>
+<br><br>
+
+
+<p>O ye beloved children of CRISPIN! why send to us these mysterious,
+manslaughterous and mortal hieroglyphics? Of course you don't mean to
+kill Mr. P., and even if you did, you couldn't do it, for the great P.
+is one of the immortals. Neither, if you will but stop to think about
+it, will you molest poor HI-YAH because he wears a tail and eats
+dog-cutlets fried in crumb. Before you indulge in the luxury of murder,
+or even the minor divertisements of mobbing, ducking, hustling, and
+stoning, why not try the expedient of making it up with the Bosses?</p>
+
+<p>Mr. PUNCHINELLO has thought of visiting North Adams, Lynn, and other
+shoe-sites, for the purpose of offering the help of his eminently
+judicial mind in reconciling Employer and Employé; but fearing that he
+might get his nose (which is a beautiful and dignified protuberance)
+most shamefully pulled for his pains, he has concluded to keep the peace
+by keeping out of the scrimmage. But, as there never was a
+misunderstanding yet which time and common sense could not clear up, Mr.
+P. contents himself with exhorting the Bosses to be considerate, the
+Crispinians to be reasonable, and JOHN Chinaman to cut off his tail,
+whatever natural tears its loss may occasion.</p>
+
+<br><br><hr><br><br>
+
+<h2>SEE THE POINT?</h2>
+
+<center>
+<table summary="">
+<tr><td>
+
+<p> EDWIN and ANGELINA took a sail up the lovely Hudson.<br>
+ As they sailed on and on, EDWIN said to his ANGELINA:<br>
+ "Dearest love, don't let your cerulean eyes rest upon West Point."<br>
+ "And why not, darling old tootsicums?" asked ANGELINA.<br>
+ "Because they have colored pupils in them, light of my life," replied
+ EDWIN.</p>
+
+</td></tr>
+</table>
+</center>
+
+
+
+<br><br><hr><br><br>
+
+
+
+<br><br>
+<center>
+<img alt="006.jpg (150K)" src="006.jpg" height="698" width="755">
+</center>
+<br><br>
+
+
+
+<br><br><hr><br><br>
+
+<h2>FOAM;[1]</h2>
+
+<h4>OR</h4>
+
+<h3>HOW JENKINS WENT SUMMERING.</h3>
+
+<h4>
+A LYRICAL DRAMA.</h4>
+
+<p>
+<i>Played with immense success at the summer residence of</i> Gen. GRANT, <i>at
+Long Branch, for one thousand and two nights.</i>[2]</p>
+
+<p>ACT I.</p>
+
+<p><i>Scene.--Bed-room in attic of seventh-class boarding-house. Furniture, a
+bed, two chairs, and a table. The table is ornamented with a cup of
+coffee, a loaf of bread, and a plate of hash; knife, et cetera. (Enter
+from the adjoining hall,</i> MR. JENKINS CRUSOE, <i>dressed in a tattered
+morning wrapper</i>.)</p>
+
+<p>JENKINS. (<i>Loq</i>.) Phew! I can't stand this hot weather. I must go into
+the country. But where shall I go?[3] (<i>Sings</i>:)</p>
+<center>
+<table summary="">
+<tr><td>
+
+<p> If I'm any judge of the weather,<br>
+ The days are refreshingly hot,<br>
+ Though one place's as good as another,<br>
+ I think I'll get out of this spot;<br>
+ But where shall I go?<br>
+ Where shall I go?<br>
+ Where shall I go<br>
+ For the summer?</p>
+</td></tr>
+</table>
+</center>
+
+
+
+<p>(<i>Looks at table</i>.) Ha, ha! Ho, ho! My breakfast will be cold.
+(<i>Reflectively</i>.) I guess I'll eat. (<i>Sits down and hurts the hash.)</i></p>
+
+<p><i>(Enter washerwoman, shoemaker, servant-girl, and hatter. They dance
+around the table, like English blondes.) (All sing:)</i></p>
+
+<center>
+<table summary="">
+<tr><td>
+
+
+<p> Poor old JENKINS CRUSOE,<br>
+ Why did you go for to do so?<br>
+ JENKINS! JENKINS! JENKINS! JENKINS!<br>
+ Poor old JENKINS CRUSOE.</p>
+
+</td></tr>
+</table>
+</center>
+
+
+<p>SERVANT GIRL. (<i>Sings</i>.) Pay for the floor I have scrubbed, sir.</p>
+
+<p>WASHERWOMAN. " Pay for the clothes I have rubbed, sir.</p>
+
+<p>HATTER. " Pay for the hats you have worn, sir.</p>
+
+<p>SHOEMAKER. " Pay for the boots that are gone, sir.</p>
+
+<p>(<i>All sing</i>:)</p>
+
+<center>
+<table summary="">
+<tr><td>
+
+
+<p> Poor old JENKINS CRUSOE,<br>
+ Why did you go for to do so?<br>
+ JENKINS! JENKINS! JENKINS! JENKINS!<br>
+ Poor old JENKINS CRUSOE.</p>
+</td></tr>
+</table>
+</center>
+
+
+
+<p>(JENKINS <i>rises from the table and sings</i>:)</p>
+
+<center>
+<table summary="">
+<tr><td>
+
+
+<p> I've a castle in Spain,<br>
+ Filled with ingots of gold,<br>
+ I've a mine in Golconda,<br>
+ Whose wealth is untold.<br>
+ Then dry up your tears,<br>
+ Come out of your sorrow,<br>
+ I'll pay what I owe,<br>
+ I'll pay you to-morrow,<br>
+ I'll pay you to-morrow,<br>
+ All that I owe.</p>
+</td></tr>
+</table>
+</center>
+
+
+
+<p>(<i>Servant-girl et al. dance "Shoo Fly," and sing</i>:)</p>
+
+<center>
+<table summary="">
+<tr><td>
+
+<p> We feel, we feel, we feel,<br>
+ We feel like a young typhoon;<br>
+ We hope, we hope, we hope,<br>
+ We hope you'll be paying soon.</p>
+
+
+</td></tr>
+</table>
+</center>
+
+
+<p>(<i>Exeunt Servant-girl, et al</i>.)</p>
+
+<p>JENKINS. (<i>Loq.</i>) Well, come soon. Now I must go. I hate to cheat the
+provider of that seventh-class hash, but I must beat on somebody. Well,
+let them all come, and devil take the hindmost. I'll pack my valise.
+(<i>Puts things in his valise. Sings</i>:)</p>
+
+<center>
+<table summary="">
+<tr><td>
+
+
+<p> It's rich that I am, am I not?<br>
+ Just look at the fixings I've got;<br>
+ Here's a brush, here's a comb,<br>
+ Both are for fixing my dome,<br>
+ A tooth-brush and collar, that's all,<br>
+ My baggage's conveniently small.</p>
+</td></tr>
+</table>
+</center>
+
+
+
+<p>JENKINS. (<i>Loq</i>.) That valise is too thin. No landlord would take me on
+that. It's consumptive-looking. I'll fill it with newspapers. Here, this
+will do, this triple-sheet <i>Tribune</i>, with Mrs. MCFARLAND'S epistle.
+That'll fill it. (<i>Shoves paper in valise</i>.) Now for my hat and coat.
+(<i>Puts them on</i>.) Off I go. (<i>Sings</i>:)</p>
+
+<center>
+<table summary="">
+<tr><td>
+
+
+<p> I'm off, I'm off,<br>
+ I'm off for Long Branch,<br>
+ I'll have a jolly old time,<br>
+ I'll have a jolly old time,<br>
+ I'll bathe in the surf,<br>
+ I'll ride on the turf,<br>
+ Dance with the girls,<br>
+ Steal all their pearls,<br>
+ And have a jolly old time.</p>
+</td></tr>
+</table>
+</center>
+
+
+
+<p>(<i>Exit</i> JENKINS)</p>
+
+<p><i>Curtain</i></p>
+
+<p>[Footnote 1: Must not be confounded with "Surf."]</p>
+
+<p>[Footnote 2: The reader will notice that this drama was more popular
+than the Arabian Nights, which only ran for one thousand and one
+nights.]</p>
+
+<p>[Footnote 3: The music of these songs can be purchased at Timbuctoo.]</p>
+
+<p>
+ACT II.</p>
+
+<p><i>Scene.--Steamboat landing. Real steamboat, real landing, real water,
+real smoke coming out of a real chimney on the steamboat. Real captain
+and real passengers. (It is understood that there is to be no
+make-believe about the fares.) A real chambermaid in the back cabin
+would add to the effectiveness of the scene, but is not an absolute
+necessity.</i></p>
+
+<p>[The author would here say that he has a proper respect for the
+auxiliaries of the stage, and, in a scene, which belongs to the stage
+carpenter, the author would be cruel If he marred the effects of the
+scenery by mere words. He therefore uses as little of those
+superfluities as possible. In a nautical scene of course some words will
+slip in, which it would be improper to print, but as that is chicken
+(the polite for foul) language, the author, of course, is not
+responsible for it.]</p>
+
+<p><i>As the curtain rises, real women with real oranges parade the dock,
+singing</i>:</p>
+
+<center>
+<table summary="">
+<tr><td>
+
+
+
+<p> Come buy our sweet oranges, come buy!<br>
+ Hark, as we holler,<br>
+ Six for a dollar,<br>
+ Come buy our sweet oranges, come buy!</p>
+
+</td></tr>
+</table>
+</center>
+
+
+<p><i>Real scream from steam whistle.</i> JENKINS <i>obeys the orange-women, and
+goes By on a run. Steamboat leaves wharf-twenty-two feet out in stream,
+when</i> JENKINS <i>reaches string-piece. Grand and terrific jump by</i>
+JENKINS, <i>twenty-two feet in the clear. He lands on the steamer, and all
+the sailors shout.</i></p>
+
+<p><i>Curtain</i></p>
+
+<p>[As in a realistic scene one must stick to reality, you will notice that
+I made JENKINS leap twenty-two feet, which is, I am informed, the exact
+space jumped over by the father of his country on a festive occasion.]</p>
+
+<p>(I would say to the young man who objects to carpenter scenes, that he
+can go out during this act and indulge in his favorite beverage--gin and
+milk.)</p>
+
+<p>
+ACT III.</p>
+
+<p><i>Scene.--Lawn in front of Continental Hotel at Long Branch. Enter</i>
+JENKINS, <i>disguised in a second-hand silk hat, and a claw-hammer coat,
+with a hand-organ on his back. He stops before one of the windows,
+grinds the hand-organ, and sings:</i></p>
+<center>
+<table summary="">
+<tr><td>
+
+
+<p> Gaily the troubadour<br>
+ Touched his or-gan,<br>
+ As he came staggering<br>
+ Home with a can--</p>
+</td></tr>
+</table>
+</center>
+
+
+<p>(<i>Numerous heads put out of numerous windows</i>.)</p>
+
+<p>[As all the following are said at the same moment, the reader is here
+requested to take a long breath.]</p>
+
+<p><i>1st Window.</i> Stop that howling!</p>
+
+<p><i>2d</i> " Dry up, you idiot!</p>
+
+<p><i>3d</i> " Cork that organ!</p>
+
+<p><i>4th</i> " Bust that music-box!</p>
+
+<p>(And so on, <i>ad infinitum</i>, until all the supes are used up; the supes
+can probably supply their own language of the above kind.)</p>
+
+<p>(<i>Windows shut. Enter</i> JULIETTE, <i>from window</i>.)</p>
+
+<p>JENKINS. Fair JULIETTE!</p>
+
+<p>JULIETTE. Beautiful JENKINS!</p>
+
+<p>JENKINS. Lovest thou CRUSOE? (<i>She rests on his bosom</i>.)</p>
+
+<p>JENKINS. But SNUBS, the widower? Ha, Ha! Ho, Ho!</p>
+
+<p>JULIETTE. (<i>Sings</i>:)</p>
+<center>
+<table summary="">
+<tr><td>
+
+
+<p> I never loved him in my life,<br>
+ I never loved his baby,<br>
+ I'll slip out some dark night,<br>
+ And marry JENKINS, maybe.</p>
+</td></tr>
+</table>
+</center>
+
+
+<p>JENKINS. (<i>Sings:</i>)</p>
+<center>
+<table summary="">
+<tr><td>
+
+<p> Pretty maid, if I kiss,<br>
+ Will you faint away,<br>
+ Will you cry for your pa,<br>
+ Pretty maiden, say?<br>
+ If I press dainty lips,<br>
+ Will you make a screech?<br>
+ If you do, I'll away,<br>
+ And you cannot peach.</p>
+
+<p> Pretty maid, do not faint,<br>
+ Charming little belle,<br>
+ Mind you now, pretty maid,<br>
+ Do not kiss and tell.</p>
+
+
+</td></tr>
+</table>
+</center>
+
+<p>(<i>He charges upon her lips and then returns to the charge</i>.)</p>
+
+<p>JULIETTE. (<i>Sings</i>:)</p>
+<center>
+<table summary="">
+<tr><td>
+
+
+<p> You are going far away,<br>
+ Far away from poor JULIETTE,<br>
+ And there's no one left to love me now,<br>
+ I fear you'll too forget.</p>
+</td></tr>
+</table>
+</center>
+
+
+<p>(<i>Just at this moment, enter Heavy Father, and kicks</i> JENKINS, <i>Heavy
+Father then seizes</i> JULIETTE <i>and leads her into house</i>. JENKINS
+<i>skedaddles</i>.)</p>
+
+<p><i>Enter</i> JENKINS <i>at side, looks carefully around, and finding the coast
+clear, comes in, slings the organ on his back, and sings</i>:</p>
+<center>
+<table summary="">
+<tr><td>
+
+<p> I went, I went,<br>
+ As meek as any lamb,<br>
+ He took me, yes, he took me<br>
+ For some other man.</p>
+
+
+</td></tr>
+</table>
+</center>
+
+<p><i>Curtain</i>.</p>
+
+<p>(The manager should have the curtain in hand, because the last pathetic
+song of JENKINS will no doubt be encored.)</p>
+
+<p>Errata.--Before the word "played," in the fifth line, insert the words
+"will be."</p>
+
+<p>After the word "played," in the fifth line, insert the words, "if it is
+ever played at all."</p>
+
+<p>LOT.</p>
+
+<br><br><hr><br><br>
+
+
+<br><br>
+<center>
+<img alt="007.jpg (118K)" src="007.jpg" height="552" width="607">
+</center>
+<br><br>
+
+
+<br><br><hr><br><br>
+
+<h2>ON DORGS.</h2>
+<br>
+
+<p>Dorgs are very useful animals, especially when you have nothing handy
+for dinner, and can get them to catch a rabbit for you.</p>
+
+<p>A dorg is a very devoted animal, and should not be taxed, as its master
+often is, by its various eccentricities--when it makes off with his
+dinner, for instance, or leaves dental impressions on the meat in the
+pantry. Indeed, its owner is sometimes tempted to imitate his <i>canis</i> in
+the lifting business, and often with such success as to get board and
+lodging free.</p>
+
+<p>Dorgs are pugnacious critters. I had one that set on every fellow of its
+kind he came across, and took such an affectionate grab of his foe, that
+nothing would divide them till death did them part.</p>
+
+<p>I noticed, however, that this dorg of mine was mostly fond of the
+smaller fry, attacking them most vigorously, and barking from the
+door-steps at the larger.</p>
+
+<p>I once had a dorgy (diminutive of dorg, <i>alias</i> puppy,) which was very
+fond of me, especially when I gave it something nice--which is nothing
+but human nature in the third degree. It got knocked about a good deal,
+especially its legs, so that it contracted a sort of hopping movement. I
+could not get it to catch mice; it seemed to think them third cousins,
+or something of the kind, and was very fond of playing with them; while,
+on the other hand, I had a large dorg which we kept by us when we took
+grain from the rick--I think he managed about 30 per minute. I never
+could follow them down his throat, but his increased bulk was a kind of
+index to the number. He generally lay by the kitchen fire twenty-four
+hours after his banquet, to recover himself.</p>
+
+<p>I once tried my small dorg at the swimming business, by throwing him
+into a shallow pond. I had to go in after the beast pretty smart, boots,
+trowsers, socks, and all. He and I had a roast by the fire that evening.
+My trowsers, however, getting overdone in the operation, I lost $4 by
+this experiment.</p>
+
+<p>Dorgs are very fond of coat-tails and back-pockets, when some unseen
+attraction lies there. They don't believe in appetite-assuagers "wasting
+their fragrance on the desert air;" and will make vigorous efforts to
+take possession of the hidden treasure, at any risk whatsoever.</p>
+
+<p>As this is the time I and my dorg go visiting, I must jerk up the
+machine for the present. I hope my remarks have done you some good. The
+motto I always follow is, "Brevity is the soul of wit."</p>
+
+<p>BILL BISCAY.</p>
+
+<br><br><hr><br><br>
+
+<h2>INSPIRATION VS. PERSPIRATION.</h2>
+
+<p>Flannel, being an absorbent, has usually been recommended as the best
+material for under-clothing in sweltering weather, such as that of the
+present summer. An ingenious gentleman of this city, however, has
+discovered that a full under-suit of blotting-paper is by far more
+efficacious than flannel, and he has taken out a patent for the idea.
+The article will not come under the denomination of dry goods.</p>
+
+<br><br><hr><br><br>
+
+<h2>THE RIGHT MAN.</h2>
+
+<p>A Brooklyn item states as follows:</p>
+
+<p>"Justice LYNCH is to have a new court-house in the Twenty-first Ward."</p>
+
+<p>Why in that Ward, only? Have we not a Fourth Ward here, in New York,
+and a Sixth Ward, and an Eighth Ward, and a Seventeenth Ward? Judge
+LYNCH is just the man needed in each and all of these wards, and he may
+be found there yet.</p>
+
+<br><br><hr><br><br>
+
+<h2>STRANGELY COINCIDENTAL.</h2>
+
+<p>The Ice Panic and the Coolie Problem.</p>
+
+<br><br><hr><br><br>
+
+
+<br><br>
+<center>
+<img alt="008.jpg (299K)" src="008.jpg" height="1141" width="709">
+</center>
+<br><br>
+
+
+<br><br><hr><br><br>
+
+<h2>OUR PORTFOLIO.</h2>
+
+<p>It is related of the Prince of Wales, that, driving home from the late
+Derby Races, he lifted his hat to a group of ladies, and by accident
+dropped a glove, whereupon the fair ones dived eagerly into the dirt for
+it, while his Royal Highness laughed heartily at the scramble. Young
+ladies this side of the Atlantic, it may be said with justice, are quite
+as practiced divers; but when the darlings duck their fingers into the
+dirt before any young fellow here, it more frequently happens that they
+are not after his glove, or his heart, so much as his pocketbook.</p>
+
+<br><br><hr><br><br>
+
+<p>The practice, quite common among rustic gentlemen, of visiting the city
+for the purpose of beholding the "elephant," doubtless suggested to the
+late Sir THOMAS BROWNE the following advice which he gave his son, who
+was about entering upon his studies in the department of Natural
+History:</p>
+
+<p>"When you see the elephant, observe whether he bendeth his knees before
+and behind forward differently from other quadrupeds, as Aristotle
+observeth; and whether his belly be the softest and smoothest part."</p>
+
+<p>It is possible that some elephants have a habit of bending at the
+knee-joints differently from others. Indeed, this reflection is more
+than likely when we consider how many elephants there are, and upon what
+evil doings many of them are bent, but it is not so evident that a
+neophyte in this branch of knowledge could derive any benefit from
+following Sir THOMAS'S injunctions. PUNCHINELLO begs leave to substitute
+for the above, some advice which he thinks would produce a vastly more
+salutary effect, and that to keep away from elephants altogether. Men of
+experience will bear out our assertion, that the much talked of "horns
+of a dilemma" are nothing to the tusks of an elephant; for it is
+possible for a person to hang upon the aforesaid "horns" without fatal
+results, but the party who is impaled upon the tusks of an elephant is
+generally ever after indifferent to the opinions of mankind.</p>
+
+<br><br><hr><br><br>
+
+<h2>CRITICAL.</h2>
+
+<p>"Where do you intend to Summer?" asked JOWLER of GROWLER, one day in the
+"heated term."</p>
+
+<p>"Summer?" retorted GROWLER--"is that what <i>you</i> call it?--<i>I</i> call it
+Simmer."</p>
+
+<br><br><hr><br><br>
+
+<h2>PERSONAL.</h2>
+
+<p>PRINCE ARTHUR has taken his departure for England. It is but just to say
+that the regiment to which he belongs is not the same Rifle Brigade by
+which the Coney Island boats are controlled.</p>
+
+<br><br><hr><br><br>
+<center>
+<h2>GRANT'S BLACKBIRD PIE.</h2>
+
+<h3>AIR: SING A SONG O' SIXPENCE.</h3>
+</center>
+
+<center>
+<table summary="">
+<tr><td>
+
+<p> Sing about a Treaty<br>
+ Got up to supply<br>
+ Half a million Black birds<br>
+ For the Union Pie.<br>
+ When the fact was published,<br>
+ Swindlers at Sing Sing<br>
+ Said the Author's one of us--<br>
+ Let us call him King.</p>
+
+<p> FISH was at the Treasury<br>
+ Clamoring for the money,<br>
+ GRANT was in the "Blue-room"<br>
+ Looking blithe and sunny,<br>
+ MORBILL, in the Senate,<br>
+ Brought things to a close--<br>
+ GRANT'S half million Black birds<br>
+ Vanished with the noes.</p>
+
+</td></tr>
+</table>
+</center>
+
+
+<br><br><hr><br><br>
+
+<h2>SUGGESTED BY THE HEAT OF THE COOLIE QUESTION.</h2>
+
+<p>Knees that the Crispins are constantly down on--Chi-nese.</p>
+
+<br><br><hr><br><br>
+
+<h2>PROBABLE RESULT OF THAT "CHINESE PUZZLE."</h2>
+
+<p>A Chinese Fizzle.</p>
+
+<br><br><hr><br><br>
+
+<h2>ECLIPSE OF THE "SUN."</h2>
+
+<p>JIMMY the bootblack, says he "shines for all--price ten cents."</p>
+
+<br><br><hr><br><br>
+
+<h2>TO U,'LYSS.</h2>
+
+<p>ON THE REJECTION OF THE BAEZ TREATY.</p>
+
+<center>
+<table summary="">
+<tr><td>
+
+
+<p> Behold how fickle Fortune the great ULYSSES treats,<br>
+ Gives him victories in war-time, in peace heaps up defeats.<br>
+ His Southern laurels linger a coronet of praise;<br>
+ But a friendly Senate withers his San Domingan bays.</p>
+
+</td></tr>
+</table>
+</center>
+
+
+<br><br><hr><br><br>
+
+
+
+<br><br>
+<center>
+<img alt="009.jpg (288K)" src="009.jpg" height="718" width="949">
+</center>
+<br><br>
+
+
+
+<br><br><hr><br><br>
+
+<h2>HIRAM GEEEN AT THE TOWER OF BABEL.</h2>
+
+<h4>
+HE INTERVIEWS AN OLD SETTLER.--A REMARKABLE NARRATIVE.</h4>
+
+<p>
+While in New York, a few days sints, I was standin' in the reer of the
+old City haul, gazin' onto the unfinished marble bildin' which stands
+there.</p>
+
+<p>My eye gobbled up the seen afore me, like a young weesel a suckin' of
+eggs,--when an old rinkled-featured--silver-haired and snowy-beerded
+individual touched me on the sholder, and interogated me thuswisely:</p>
+
+<p>"Stranger, you seem to be stuck to make out what that ere unfinished
+bildin' is."</p>
+
+<p>"Kerzaclee, old Hoss," sed I, "and I wouldent mind standin' the Lager to
+find out."</p>
+
+<p>"Come with me to yonder pile of stuns," sed the old feller, "and I will
+relate a tail, which, for its mysteriousness, ukers the kemikle
+analersis of a plate of bordin' house hash."</p>
+
+<p>"Wall, old METHUSELER," sed I, as our legs was danglin' over the pile of
+stuns, "onwind your yarn, but don't let your immaginashun go further
+than a Bohemian's."</p>
+
+<p>He then began the follerin' histry:</p>
+
+<p>"In anshient times there was a Filosifer. HORRIS GREELEY was his
+cognovit.</p>
+
+<p>"He was Editor of a daily noosepaper. He took it into his nozzle one day
+to rite some essays 'on what he knowed of farmin,' which he was about as
+well posted on as a porpoise is about climbin' a tree.</p>
+
+<p>"One day this <i>Jerkt</i> farmer, by brevet, writ an artikle about
+irrigation.</p>
+
+<p>"He told farmers that, in dry seasons, if they dammed the little streems
+which crossed their farms, the water would set back, and overflow their
+land, and keep their garden sas sozzlin' wet, and make things grow
+bully.</p>
+
+<p>"He was a great advocate of Dams.</p>
+
+<p>"He useter become so absorbed in his favorite pastime, that a feller
+man, if he irritated the Filosifer, became small streems <i>pro temper</i>,
+and were dammed pooty sudden."</p>
+
+<p>"What, you don't mean to say that an Editor swore in them days?" sed I,
+interuptin' the old man.</p>
+
+<p>"They occashunly took a hand in that ere biziness, and when they got
+onto a fit, could cuss and swear ekal to the beet of us," sed he.</p>
+
+<p>"Wall," sed I, "I thought they was all good moral men, like THEODORE
+TILTON &amp; ANNER DICKINSON."</p>
+
+<p>"Oh! no," he replide. "Editors in them days use to fat up on swearin'".</p>
+
+<p>He then resumed, "Farmers throughout the land tride H.G.'s. dammin'
+ways.</p>
+
+<p>"They dammed all the streams, and anybody who didn't like their stile of
+doin' things got sarved in the same manner. The consequents was, their
+was a flood--yes sir, a flood.</p>
+
+<p>"Brooklin, Jarsey and Hoboken ferry-botes was swamped, and the
+passengers all drowned.</p>
+
+<p>"To be a corroner them times was money in a feller's pocket, as the
+inquest biziness was the best biziness agoin' outside of any
+well-organized Ring.</p>
+
+<p>"Only one bote lode was saved.</p>
+
+<p>"JIM FISK, who was always on the look-out for a muss, was long-headed
+enough to own that craft.</p>
+
+<p>"It was run by Captin NOAH, who Know-ed what was coming. NOAH took his
+family abord, and as he owned a menagerie, he took all of his wild
+animals abord to, besides the members of the Press, who kept their
+papers posted of the doin's abord that Ark.</p>
+
+<p>"In about 40 days time, ev'ry dammed stream busted away, and the waters
+dride up. And the boat ran ashore and got stuck fast, in one of them
+new-fashioned tar pavements.</p>
+
+<p>"The Common Counsel invited NOAH and his fokes to a Lager bier garden
+and treated them to a banket, at the Sity's expense.</p>
+
+<p>"NOAH, who liked his soothin' sirup, got drunker than a sensashun
+preacher, on gin and milk, an orthodox drink them times.</p>
+
+<p>"He finally went to sleep in the gutter, after undressin' hisself and
+hangin' all his close on a lamp-post.</p>
+
+<p>"HAM, a son of Captin NOAH'S, diskiverin' his confused parient in a soot
+rather more comfortable than modest, was so mortified at his Dad's
+nakedness, that the mortificashun become sot, and when NOAH awoke from
+his soberin' off sleep, his son was blacker than the ace of spades.</p>
+
+<p>"NOAH didn't like niggers.</p>
+
+<p>"Not much he didn't.</p>
+
+<p>"He hated 'em wusser nor a Pea cracker hates a Fenian.</p>
+
+<p>"Seein' that his cheild had changed his political sentiments, he <i>Horris
+Greelyzed</i> him in the follerin' well-known words:</p>
+
+<p>"Cussed be Kanan.'</p>
+
+<p>"HAM wasent to be fooled in that stile by the Govenor, so he got BUTLER,
+whose surname was BENJAMIN, into whose sack was found a silver cup, and
+I believe a few spoons, SICKLES, LOGAN, LONGSTREET, and a lot of other
+chaps, to change their complexion. With the assistants of these men,
+NOAH and his party was floored, and the 15th Amendment waxed mitey and
+strong, espeshally with the mercury at one hundred degrees in the shade.</p>
+
+<p>"Fokes was gettin' wicked and wickeder all the time.</p>
+
+<p>"Members of Congress was drawin' the wool over the Goddess of Liberty's
+eyes, and rammin' their hands way down into her purse. Cadetships were
+bein' sold to the highest bidder.</p>
+
+<p>"One day the wise men of Gotham sed one to another:</p>
+
+<p>"'Let us bild us a tower which H.G. can't flood, if he dams from now
+till dooms-day.'</p>
+
+<p>"A big injun took the contract. As OOFTY GOOFT, a dutch German, remarkt,</p>
+
+<p>"'He vash got Tam-many oder braves to give him a boosht.'</p>
+
+<p>"Street pavements were laid on 5th avenoo, which the wind took up, and
+the air smelt like a mixture of cold tar and Scotch snuff.</p>
+
+<p>"Bulls and Bears of Wall street had a day of Egypshun darkness; it was
+called Black Friday.</p>
+
+<p>"'Shoo-fly' was sung in our nashunal Councils.</p>
+
+<p>"Banks were robbed, and Judges went snucks with the robbers.</p>
+
+<p>"Men got on fits of temper-ary insanity and clubbed their wives over the
+head or popped off editors with a 6 shooter.</p>
+
+<p>"Virtous and respectable ladies were Spencerized in the Halls of
+Gustise, and the 12 temptashuns was drawin' crowded houses."</p>
+
+<p>"See here, old man," sed I, "hain't you pilin' on the agony rather too
+thick?"</p>
+
+<p>"Facts, Squire," sed he, "trooth is stronger than frickshun."</p>
+
+<p>"About these times," he continered, "things was becomin' slitely mixed.</p>
+
+<p>"The different tribes cooden't suck cider through the same straw any
+more.</p>
+
+<p>"There was a confusion of tongues and a mixin' of contracts. The great
+Sachem and the Young Democracy had each other by the ear, while the Big
+Injun was bound to scratch his assailers bald headed.</p>
+
+<p>"In this Reign of High Daddyism, the Young Democracy was scalpt, and
+that ere bildin' afore us, the great tower of Babel, come to a dead
+stand still, because the poletishuns coodent understand each other, and
+fokes dident know where the money was all gone to."</p>
+
+<p>The old man paused.</p>
+
+<p>I sprung to my feet.</p>
+
+<p>"And this," I exclaimed, "is the mitey Babel? Wood that I possessed some
+of the fortins which has been made on thee. Wood that I was a
+contracter," sed I, awed in presence of the great bildin' which caused
+so many to sin.</p>
+
+<p>In my enthusiasm I bust forth in that well-known Him:</p>
+<center>
+<table summary="">
+<tr><td>
+
+
+<p> "I want to be a contracter,<br>
+ And with contracters share."</p>
+
+</td></tr>
+</table>
+</center>
+
+<p>After I got cooled down I looked for the old man, and sure's your born
+he had wrigged off. I took a Bee line for a naborin' Refreshment stand,
+and cooled my excited brane with a fride doenut.</p>
+
+<p>Adux, PUNCHINELLO.</p>
+
+<p>Ewers and so 4thly,</p>
+
+<p>HIRAM GBEEN, Esq, <i>Lait Gustise of the Peece.</i></p>
+
+<br><br><hr><br><br>
+
+<h2>ALL STUFF!</h2>
+
+<p>That crusty old bachelor, CUMGRUMBLE, objects to the franchise being
+extended to women, on the ground that, since they have become so
+accustomed to padding their persons, they would inevitably take to
+"stuffing" the ballot-boxes.</p>
+
+<br><br><hr><br><br>
+
+<h2>CHICAGO ECCENTRICITIES.</h2>
+
+<p>A newspaper item tells about a horse in Chicago that chews tobacco.</p>
+
+<p>Well, we can beat that in New York. Only a few days ago we saw Commodore
+VANDERBILT driving one of his fast teams in Harlem Lane, and both the
+horses were Smoking like mad.</p>
+
+<p>But the item adds that the Chicago horse actually picks the hostler's
+pocket of tobacco.</p>
+
+<p>Well, that is just what one might expect of a Chicago horse.</p>
+
+<br><br><hr><br><br>
+
+<h2>THE WATERING PLACES.</h2>
+
+<h4>
+PUNCHINELLO'S VACATIONS.</h4>
+
+<p>
+After, all there is nothing like nature, in her primevality. When man
+attempts to add a finishing-touch to the loveliness of the forest, lake,
+or ocean, he makes a botch of it. What would the glowing tropics be, if
+Park Commissioners had charge of them? The heart, sick of the giddy
+flutterings of Man, seeks the sympathy of the shadowy dell, where the
+jingle of coin is heard not, and where the votaries of fashion flaunt
+not their vain tissues in the ambient air.</p>
+
+<p>So, last week, thought Mr. P., and the moment he could get away he went
+on a little trip to the Dismal Swamp.</p>
+
+<p>There he found Nature--there was primevality indeed! An instantaneous
+<i>rapport</i> took place between his feelings and the scene; of which the
+delicious loveliness can be imagined from this picture.</p>
+
+
+<br><br>
+<center>
+<img alt="012a.jpg (50K)" src="012a.jpg" height="191" width="673">
+</center>
+<br><br>
+
+
+<p>As he slowly floated along the shingle canal, from Suffolk to the
+"Dismal," what raptures filled his soul! Here, in the recesses of that
+solemn mixture of trees and water, which they were rapidly approaching,
+he could commune with his own soul, as it were. Mr. P. had never
+communed with his own soul, as it were, though he knew it must be a nice
+thing, because he had read so much about it. So he determined to try it.
+It was a delightful anticipation--like scenting a new fancy drink.</p>
+
+<p>But his reflections were rudely interrupted. The men who propelled the
+scow which Mr. P. had chartered, had not pushed it more than four or
+five miles into the mystic recesses of the Swamp, when they suddenly
+stopped with a cry of "Breakers ahead!" Mr. P. rushed to the bow, and
+there he beheld two doleful heads just peering above the waters of the
+narrow canal. He started back in amazement. He thought, at first, that
+they were Naiads--(they could not be Dryads)--or some other watery
+spirits of these wilds. But he soon saw that they were nothing of the
+kind. It was only Messrs. SCHENCK, of Ohio, and KELLEY, of Pennsylvania,
+and through the limpid water it was easy to see that each of them was
+endeavoring to raise a sunken log from the bottom.</p>
+
+
+<br><br>
+<center>
+<img alt="012b.jpg (105K)" src="012b.jpg" height="446" width="676">
+</center>
+<br><br>
+
+
+<p>"Why, what in the world are you doing here?" cried Mr. P.</p>
+
+<p>Mr. SCHENCK, of Ohio, looked up sadly, and, dropping his log upon the
+bottom, stood upon it, and thus replied:</p>
+
+<p>"You may well be surprised, Mr. PUNCHINELLO, but we are here for the
+public good. We have reason to suspect, that, following the example of
+the Chinese Opium-smugglers, the vile traitors who are trying to break
+down our iron interests have smuggled quantities of scrap--iron into
+this country, and it is our belief that these sunken logs have been
+bored and are full of it."</p>
+
+<p>At this Mr. P. laughed right out.</p>
+
+<p>"Oh, you may laugh if you please!" cried SCHENCK, of Ohio, "and perhaps
+you can tell me why these logs are so heavy--why they lie here at the
+bottom instead of floating--why--" but at this instant he slipped from
+the log on which he was standing, and with a splash and a bubbling, he
+disappeared. The men who were pushing the scow thought this an admirable
+opportunity to pass on, and shouting to KELLEY, of Pennsylvania, to bob
+his head, the gallant bark floated safely over these enthusiastic
+conservators of our iron interests.</p>
+
+<p>Although diverted for a time by this incident, a shadow soon began to
+spread itself gradually over the mind of Mr. P. Was there, then, no
+place where the subtle influence of man did not spread itself like a
+noxious gas?--Where, oh, where! could one commune with his own soul, as
+it were?</p>
+
+<p>At length they reached Lake Drummond, that placid pool in the somnolent
+shades, and Mr. P. put up at the house of a melancholy man, with a fur
+cap, who lived in a cabin on the edge of the lonely water.</p>
+
+<p>For supper they had catfish, and perch, and trout, and seven-up, and
+euchre, and poker, and when the meal was over Mr. P. went out for a
+moonlight row upon the lake. He had to make the most of his time, for it
+would take him so long to get back to Nassau street, you know. He had
+not paddled his scow more than half an hour over the dark but
+moon-streaked waters of the lake, when he met with the maiden who, all
+night long, by her firefly lamp, doth paddle her light canoe. This
+estimable female steered her bark alongside the scow, and to the
+startled Mr. P. she said: "Have you my tickets?"</p>
+
+
+<br><br>
+<center>
+<img alt="012c.jpg (96K)" src="012c.jpg" height="430" width="693">
+</center>
+<br><br>
+
+
+<p>"Tickets!" cried Mr. P. "Me?--tickets? What tickets?"</p>
+
+<p>"Why, one ticket, of course, on the Norfolk, Petersburg and Richmond
+line; and a through ticket from Richmond to New York, by way of
+Fredericksburg and Washington. What other tickets could I mean?"</p>
+
+<p>"I know nothing about them," said Mr. P.; "and what can you possibly
+want with railroad tickets?"</p>
+
+<p>"Oh, I am going to leave here," said she.</p>
+
+<p>"Indeed!" cried Mr. P. "Going to leave here--this lake; this swamp; this
+firefly lamp? To leave this spot, rendered sacred to your woes by the
+poem of the gifted MOORE--"</p>
+
+<p>"No more!" cried she. "I'm tired of hearing everybody that comes to this
+pond a-singin' that doleful song."</p>
+
+<p>"That is to say," said Mr. P., with a smile, "if your canoe is birch,
+<i>you</i> are Sycamore."</p>
+
+<p>"That's so," she gravely grunted.</p>
+
+<p>"But tell me," said Mr. P., "where in the world can you be going?"</p>
+
+<p>At this the maiden took a straw, and ramming it down the chimney of her
+lamp, stirred up the flies until they glittered like dollar jewelry.
+Then she chanted, in plaintive, tones, the following legend:</p>
+<center>
+<table summary="">
+<tr><td>
+
+<p> "Three women came, one moonlight night,<br>
+ And tempted me away.<br>
+ They said, 'No longer on this lake,<br>
+ Good maiden, must you stay.</p>
+
+<p> We're SUSAN A. and ANNA D.,<br>
+ And LUCY S. also,<br>
+ And what a lone female can do<br>
+ We want the world to know.</p>
+
+<p> No better instance can we give,<br>
+ Oh, Indian maid! than you,<br>
+ How woman can, year after year.<br>
+ Paddle her own canoe.'"</p>
+
+</td></tr>
+</table>
+</center>
+
+
+<p>"Just so," said Mr. P., "but don't you think that as you are--that is to
+say--that not being of corporeal substance--by which I mean having been
+so long departed, as it were; or, to speak more plainly--"</p>
+
+<p>"Oh, yes! I know.--Dead, you mean," said the maiden. "But that makes no
+difference. They'll be glad enough of a ghost of an example."</p>
+
+<p>"Yes, yes," said Mr. P. "And yet their cause is good enough. I don't see
+why they should make up--"</p>
+
+<p>He would have said more, but turning, he saw that the Indian maid,
+despairing of her tickets, had gone.</p>
+
+<p>The next day Mr. P. went home himself. He communed with his own soul, as
+it were, for a little while, and has no doubt it did him a deal of good.
+But it would take so long to get back to his office, you see.</p>
+
+<p>As a cheap watering place, where there are no fancy drives or fancy
+horses; no club-houses; no big hotels; no gay company; nor anything to
+tempt a man to sacrifice health and money in the empty pursuit of
+pleasure, Mr. P. begs to recommend the Dismal Swamp.</p>
+
+<p>If he knew of any other watering place of which as much might be said,
+he would mention it--but he don't.</p>
+
+<br><br><hr><br><br>
+
+<h2>NOTES FROM CHICAGO.</h2>
+
+<p>"In the spring a young man's fancies lightly turn to thoughts of Love,"
+and Picnics--and this is the time for them; consequently, the attention
+of the Western public is turned thoroughly and religiously to what may
+be considered as one of the most important results of civilization and
+refinement. We (the Western public) regard picnics as highly
+advantageous to health and beauty, promoting social sympathy and
+high-toned alimentiveness, advancing the interests of the community and
+the ultimate welfare of the nation. In the first place, they are the
+means, working indirectly, but surely, of encouraging the domestic
+virtues and affections, the peace and harmony of families, because on
+these festive occasions, the lunch is the most striking and attractive
+feature, and, in order to obtain this in its highest perfection, the
+culinary abilities of the lady participants are necessarily called into
+action--those talents which have fallen somewhat into disrepute,
+notwithstanding Professor BLOT'S magnanimous efforts to restore the
+glories of the once honored culinary art. Therefore a picnic may be
+considered as a great moral agency in promoting domestic happiness; for
+what is so likely to touch the heart and arouse the slumbering
+sensibility of a husband and father, as a roast of beef done to a charm,
+or an <i>omelette soufflée</i> presenting just that sublime tint of
+yellowness which can only be attained by means of the most delicate
+refinement and discrimination? No other attention, however flattering,
+is so soon recognised, or gratefully appreciated.</p>
+
+<p>After one of these innocent festivals has been fully decided upon, then
+we always select a day when gathering clouds predict, most
+unmistakeably, a coming storm, because, what would a picnic be without
+some excitement of this kind? A pudding minus the sauce, a sandwich
+without the mustard, a joke without the point. What pleasure <i>could</i>
+there be in a dry picnic? Ladies never appear to such excellent
+advantage, never are so utterly bewitching, as when, with light summer
+dresses bedraggled and dirty, they cling helplessly to their protectors,
+or run in frantic haste to some place of shelter--for it is only when a
+woman (or a gentle bovine) runs, that the poetry of motion is fully
+realized. Then the gentlemen! Under what circumstances are they ever so
+chivalric as during a pouring rain, when, wet to the skin, they assist
+the faintly-shrieking beauties over the mud puddles, and hold umbrellas
+tenderly above chignons and uncrimping crimps! To be sure they do not
+often act as Sir WALTER RALEIGH did, but then they do not wear velvet
+cloaks, and what would be the wit of throwing a piece of broadcloth or
+white linen into the mud?</p>
+
+<p>We have champagne picnics, lemonade and cold water picnics, and some,
+which, although they cannot be classed under the head of hot water,
+still manage, before they are through, to get all the participants into
+it. We have widows' and widowers' picnics, a kind of reunion for the
+encouragement of mutual consolation, where, meandering through green
+fields and under nodding boughs, they can talk or muse upon the virtues
+of the "dear departed," and the probable merits of the "coming man," or
+woman.</p>
+
+<p>Then the anti-matrimonials have theirs, too, always exceedingly select,
+where the men look frightened, and the women indignant, and which
+partakes somewhat of the character of a Methodist prayer-meeting, the
+gentlemen all clinging to each other as if for protection, evidently in
+bodily fear of another Sabine expedition, with the order of the
+programme, however, a little reversed in regard to the two sexes. The
+Sanitary department also indulges in a little treat of this kind, and in
+such a case, it becomes really a duty. After guarding the city's health
+for so long a time, after sternly following up Scarlet-fevers,
+Small-poxes, and Ship-plagues, and driving them forth from their chosen
+haunts, it certainly needs to look after its own constitution a little,
+and sharpen, by country airs and odors, the powers probably deteriorated
+amid the noxious vapors of city alleys and by-ways.</p>
+
+<p>The Teachers' Institute, too, looking at the thing physiologically,
+psychologically, and phrenologically, after mature deliberation,
+conclude to descend to a little harmless amusement, contriving, however,
+to mingle some instructive elements with the frivolous ones that less
+enlightened spirits delight in. For instance, the flowers, that are
+truly the "alphabet of angels" to the simple souls that love the violets
+and daisies for their own sweet sakes, offer a very different alphabet
+to the "Schoolma'ams" and Professors. They are no longer flowers, but
+specimens, each bud and blossom pleading in vain for life, as ruthless
+fingers coolly dissect them to discover whether they are poly or
+mollyandria. And what an ignoramus you must be, if you do not know that
+a balloon-vine is a <i>Cardiospernum Halicactum</i>. The "feast" on these
+occasions is that "of reason" alone, encyclopedias and dictionaries
+being all the nourishment required, although a stray bottle here and
+there might hint at "the flow" of a little something beside "soul."</p>
+
+<p>Then there are the Good Templars' picnics, where "water, cold water for
+me, for me," is supposed to be the sentiment of every heart, mixing the
+beverage sometimes, however, with a little innocent tea, or coffee; and
+the Masonic festivals, where pretty white aprons and silver fringes,
+shining amid green dells and vales, present quite a picturesque and
+imposing appearance; and the Fenians, looking sometimes greener than the
+haunts they are seeking.</p>
+
+<p>Then every distinct and individual Sunday-school in the city has a
+picnic, which it would be well to attend, if you are anxious to see the
+diversities and eccentricities of youthful appetites fearfully
+illustrated.--When the loaves and fishes were distributed, there could
+not have been many growing boys present.--And beside these, the family
+picnics, most cosy little affairs, represented by one big fat man, one
+delicate-faced woman, one maiden-aunt, four graduated boys, and five
+graduated girls, all piled into one big fat carriage, drawn by two big
+fat horses. But it is the Germans who take the palm, and here language
+fails, though beer doesn't.</p>
+
+<br><br><hr><br><br>
+
+<h2>COMIC ZOOLOGY.</h2>
+
+<h4>GENUS SQUALUS--THE SHARK.</h4>
+
+<p>Linnaeus classifies the Sharks as the Squalidae family, and they are,
+upon the whole, as unpleasant a family as a Squalid Castaway would
+desire to meet with in a Squall. They are all carnivorous,
+cartilaginous, and cantankerous. No fish culturist, from St. ANTHONY to
+SETH GREEN, has thought it worth while to take them in hand, with the
+view of reforming them, and their Vices are as objectionable now as they
+were three thousand years ago. If a sailor falls overboard, the
+Contiguous Shark considers it a <i>casus belli</i>, and immediately makes a
+pitch at the tar, with the intention of putting itself outside of him.
+Failing in that, it generally shears off a limb before it sheers away.
+Herds of sharks instinctively follow fever-ships, and when the dead are
+thrown into the sea, are seen by the seamen in the shrouds, ready to
+perform the office of Undertakers. In the vicinity of the Trades, they
+sometimes lie under the counters of merchantmen for days together.
+Nothing comes amiss to them, from a midshipman to a marrow-bone, and it
+may be interesting to politicians to know that Repeaters and Rings have
+occasionally been found in the maws of these monsters. They bite readily
+at "Salt horse," and, when hooked with a rattan in throat, may be yanked
+on board with the bight of a hawser. An enormous specimen sometimes gets
+caught in a forecastle yarn. In this case, never interfere with the
+thread of the narrative by asking impertinent questions, however
+difficult it may be to hoist it in.</p>
+
+<p>Sharks abound at Newport, Long Branch, Cape May, and other
+watering-places, at this season of the year, and many victims are seized
+there by the Legs. The Bottle-Nose Shark is to be found in every
+harbor--generally in the vicinity of the Bar. He may be known from the
+other varieties by the redness of his gills. He is often seen disporting
+himself among the Shallows, but is usually too Deep to be pulled up.
+White Sharks are frequently observed hovering about emigrant ships in
+the vicinity of the Battery, and the Blue Shark is now and then hauled
+up as far North as Mulberry Street, while trying, as it were, to get on
+the other side of JOURDAN. In China, nobody objects to take the fin of a
+Shark, but in this country, when a Shark extends his fin to an honest
+man, it is always rejected with contempt. This voracious creature is
+common both in the Temperate and Torrid Zones. It has, in fact, no
+particular habitat, but is found in Diver's places in almost every
+latitude.</p>
+
+<br><br><hr><br><br>
+
+
+
+<br><br>
+<center>
+<img alt="014.jpg (232K)" src="014.jpg" height="828" width="655">
+</center>
+<br><br>
+
+
+<br><br><hr><br><br>
+
+<h2>A MOTLEY MELODY.</h2>
+
+<h4>AIR: OLD MOTHER HUBBARD.</h4>
+<center>
+<table summary="">
+<tr><td>
+
+<p> Feast-loving MOTLEY<br>
+ Over a bottle he<br>
+ Quite overlooks Uncle SAM.<br>
+ He asks not for chink,<br>
+ So JOHN BULL, with a wink,<br>
+ "Alabama" proclaims All a bam.</p>
+
+</td></tr>
+</table>
+</center>
+
+<center>
+<table summary="">
+<tr><td>
+
+
+<p> When he goes to State dinners to fill out his skin,<br>
+ <i>Amor Patriae</i> leaks out as the turtle goes in.</p>
+
+<p> When he hob-nobs with ministers--capital sport--All<br>
+ our losses at Sea he condoneth in Port.</p>
+
+<p> When by Britons soft-soaped, he's delighted to lave<br>
+ In the lather that's only laid on for a shave.</p>
+
+<p> When to Downing street called, with a bow and a scrape<br>
+ He accepts, in the place of hard dollars, red tape.</p>
+
+<p> When a guest at the table of London's Lord Mayor,<br>
+ He Tables our Claim while addressing the Chair.</p>
+
+<p> And whenever he mingles with transmarine nobs<br>
+ He is always the PRINCE OF AMERICAN SNOBS.</p>
+
+</td></tr>
+</table>
+</center>
+
+<br><br><hr><br><br>
+
+<h2>"SWALLOW, SWALLOW," ETC.</h2>
+
+<p>THE inevitable "enormous gooseberry" of the provincial newspaper "local"
+has made its appearance. It is smaller than usual, being only three
+inches in circumference; but that is a great advantage to persons
+desirous of swallowing it.</p>
+
+<br><br><hr><br><br>
+
+<h2>TO WHOM IT MAY BE INTERESTING.</h2>
+
+<p>AMONG the Japanese students in Rutger's College, there is one who revels
+in the very suggestive name of HASHI-GUTCHI. Keepers of cheap
+boarding-houses are warned against harboring that young man.</p>
+
+<br><br><hr><br><br>
+
+<h2>LETTER FROM A JAPANESE STUDENT.</h2>
+
+<p>MR. PUNCHINELLO:--I knowee you, but you no knowee me. My name
+SOOGIWOORA. I Japanee young mans friend of Tycoon, great ruler. I read
+muchee your paper. Sometimes it makee me laugh--sometimes cry. We have
+also much funee mans in Japan. I come here with other Japanee young mans
+to your college, what you call RUTGER'S, for learn to be great
+statesman, for study--how you call--logeec and diplomacee, to makee
+treatee. Much I readee your treatees and your policy much astudee. How
+too much I can admire your great statesmans. Your SEWARD, he great
+American mans, he gainee much territoree to the United States. He also
+payee much for it. No gettee much in return. No matter. Americans rich
+peoples. They tella me Alaska too cold. Japanee mans no could live there
+then. Much snow and ice, big rocks, and--what you call--Fur Trees. How
+that? Fur no grow on tree in Japan. Strange ting. Muchee animal they
+say--what you call--walrus there. Perhaps Whale. That makee me to tink
+of Mr. FEESH. He is deep, that FEESH. So deep I no can understand hims.
+They tella me much other peoples no can understand hims too. He makee
+much policee with his Foreign Relations. I ask a much people to tella me
+who are his Foreign Relations. They laugh great deal and tella me Spain
+and General PRIM. No knowee Spain countree in Japan. I no tink it much
+of a countree, no havee muchee--how you call--Commerce. One ting puzzle
+me great deal. Here much freedom. Sometimes I tink, too much. But that
+Island--how you call it--Cuba. People tella me Spain cruel to that
+island. Now I read muchee in the speeches and--how you call--State
+papers, of great American mans, that your government is friend of--what
+you call 'ems--two awfully hard word--Inglees very hard--Stop! I go get
+book--O, now I have hims--Oppressed Nationalities. Now, you lettee Spain
+buy--what you call--gunboats and big guns and powder and balls for
+shoot, but you no lettee Cuba buy. I ask some peoples how that is. They
+tella me Nootrality. Funny ting, Nootrality. Fraid Japanee mans stoopid,
+no can understand hims now. Never mind. Learn bimeby.</p>
+
+<p>Anoder ting. I no hear any one say General GRANT great mans. Only say he
+go muchee to clam bake, go fishee and much smokee. Dat's all. Why you
+makee him you ruler then? Because that he so much smokee? Tings much
+different here from Japan. Tycoon or Mikado no go clam bake, no go
+fishee. Stay at home and govern Japanee. No time go fishee. Only smoke
+opium sometimes. Why General GRANT no smokee opium too? Good ting for
+Japanee trade.</p>
+
+<p>Since that I arrivee here much peoples aska me about hari-kari. One mans
+he aska me if that what Japanee mans eat. I laugh great deal, and tella
+him Japanee mans much prefer bird nest soup and shark fin. Then he laugh
+much great deal too. Why? The other day I tread on Professor mans foot.
+He old mans, much fat, with red nose and--how you call--gout. He swear
+one little swear, but no much loud, and look much 'fended. I say him,
+"No be 'fended," and proposee him hari-kari for--how you
+call--satisfaction. He much sprise, and say, "What hari-kari?" Then I
+tella hims that he should rip him ups and then I rip me ups--so. So
+Japanee mans do when not satisfy. Then he laugh much great deal, say he
+no 'fended, much satisfy, and shakee hands.</p>
+
+<p>People here much friendly. Often say "Go drinkee with me." I say them I
+no go drinkee. They aska me "why not?" I say them Japanee man no want go
+talkee to lamp-post, shakee hands with pump, and try for makee light him
+cigar with door-key. So it make American man do. Drinkee no good for
+Japanee mans. Japanee TOMMY too much fond--what you call--cobblers.
+TOMMY bad boy. Got drunks. Him kill.</p>
+
+<p>Some American mans too much questions askee. Want know too much. We have
+wild animal in Japan--what you call--Boar. We much fearee him. Run away
+when come. So I fearee and run away when come mans that too much
+questions ask. One ting puzzle me much. For why you call your money
+shinplaster? I no can tell, unless that he walk away so fast.</p>
+
+<p>SOOGIWOORA</p>
+
+<br><br><hr><br><br>
+
+
+<br><br>
+<center>
+<img alt="015.jpg (249K)" src="015.jpg" height="1112" width="759">
+</center>
+<br><br>
+
+
+
+<br><br>
+<center>
+<img alt="016.jpg (251K)" src="016.jpg" height="1110" width="755">
+</center>
+<br><br>
+
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Punchinello, Vol. 1, No. 17, July 23,
+1870, by Various
+
+*** END OF THE PROJECT GUTENBERG EBOOK PUNCHINELLO, VOL. 1, NO. 17 ***
+
+This file should be named 8p11710h.htm or 8p11710h.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, 8p11711h.htm
+VERSIONS based on separate sources get new LETTER, 8p11710ah.htm
+
+Produced by Cornell University, Joshua Hutchinson, Sandra Brown
+David Widger and the Online Distributed Proofreading Team.
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart hart@pobox.com
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
+
+
+</pre>
+
+</body>
+</html>
+