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The Cook's Decameron, by Mrs. W. G. Waters
</title>
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The Project Gutenberg EBook of The Cook's Decameron: A Study in Taste:, by
Mrs. W. G. Waters
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The Cook's Decameron: A Study in Taste:
Containing Over Two Hundred Recipes For Italian Dishes
Author: Mrs. W. G. Waters
Release Date: July 23, 2008 [EBook #930]
Last Updated: February 7, 2013
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK THE COOK'S DECAMERON ***
Produced by Metra Christofferson, and David Widger
</pre>
<p>
<br /><br />
</p>
<h1>
THE COOK'S DECAMERON
</h1>
<h2>
A Study In Taste
</h2>
<h3>
Containing Over Two Hundred Recipes For Italian Dishes
</h3>
<p>
<br />
</p>
<h2>
By Mrs. W. G. Waters
</h2>
<p>
<br /> <br />
</p>
<h4>
"Show me a pleasure like dinner, which comes every day <br /> and lasts an
hour."— Talleyrand circa 1801
</h4>
<p>
<br /> <br />
</p>
<h3>
To <br /> <br /> A. V. <br /> <br /> In memory of Certain Ausonian Feasts
</h3>
<p>
<a name="link2H_PREF" id="link2H_PREF">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Preface
</h2>
<p>
Montaigne in one of his essays* mentions the high excellence Italian
cookery had attained in his day. "I have entered into this Discourse upon
the Occasion of an Italian I lately receiv'd into my Service, and who was
Clerk of the Kitchen to the late Cardinal Caraffa till his Death. I put
this Fellow upon an Account of his office: Where he fell to Discourse of
this Palate-Science, with such a settled Countenance and Magisterial
Gravity, as if he had been handling some profound Point of Divinity. He
made a Learned Distinction of the several sorts of Appetites, of that of a
Man before he begins to eat, and of those after the second and third
Service: The Means simply to satisfy the first, and then to raise and
acute the other two: The ordering of the Sauces, first in general, and
then proceeded to the Qualities of the Ingredients, and their Effects: The
Differences of Sallets, according to their seasons, which ought to be
serv'd up hot, and which cold: The Manner of their Garnishment and
Decoration, to render them yet more acceptable to the Eye after which he
entered upon the Order of the whole Service, full of weighty and important
Considerations."
</p>
<p>
It is consistent with Montaigne's large-minded habit thus to applaud the
gifts of this master of his art who happened not to be a Frenchman. It is
a canon of belief with the modern Englishman that the French alone can
achieve excellence in the art of cookery, and when once a notion of this
sort shall have found a lodgment in an Englishman's brain, the task of
removing it will be a hard one. Not for a moment is it suggested that
Englishmen or any one else should cease to recognise the sovereign merits
of French cookery; all that is entreated is toleration, and perchance
approval, of cookery of other schools. But the favourable consideration of
any plea of this sort is hindered by the fact that the vast majority of
Englishmen when they go abroad find no other school of cookery by the
testing of which they may form a comparison. This universal prevalence of
French cookery may be held to be a proof of its supreme excellence—that
it is first, and the rest nowhere; but the victory is not so complete as
it seems, and the facts would bring grief and humiliation rather than
patriotic pride to the heart of a Frenchman like Brillat-Savarin. For the
cookery we meet in the hotels of the great European cities, though it may
be based on French traditions, is not the genuine thing, but a bastard,
cosmopolitan growth, the same everywhere, and generally vapid and
uninteresting. French cookery of the grand school suffers by being
associated with such commonplace achievements. It is noted in the
following pages how rarely English people on their travels penetrate where
true Italian cookery may be tasted, wherefore it has seemed worth while to
place within the reach of English housewives some Italian recipes which
are especially fitted for the presentation of English fare to English
palates under a different and not unappetising guise. Most of them will be
found simple and inexpensive, and special care has been taken to include
those recipes which enable the less esteemed portions of meat and the
cheaper vegetables and fish to be treated more elaborately than they have
hitherto been treated by English cooks.
</p>
<p>
The author wishes to tender her acknowledgments to her husband for certain
suggestions and emendations made in the revision of the introduction, and
for his courage in dining, "greatly daring," off many of the dishes. He
still lives and thrives. Also to Mrs. Mitchell, her cook, for the interest
and enthusiasm she has shown in the work, for her valuable advice, and for
the care taken in testing the recipes.
</p>
<p>
<br /> <br />
</p>
<hr />
<p>
<br /> <br />
</p>
<blockquote>
<p class="toc">
<big><b>CONTENTS</b></big>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_PREF"> Preface </a>
</p>
<p class="toc">
<a href="#link2H_PROL"> Prologue </a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#linkpart1"> <b>PART I. THE COOK'S DECAMERON</b> </a>
</p>
<p class="toc">
<a href="#link2H_4_0003"> The First Day </a>
</p>
<p class="toc">
<a href="#link2H_4_0004"> The Second Day </a>
</p>
<p class="toc">
<a href="#link2H_4_0005"> The Third Day </a>
</p>
<p class="toc">
<a href="#link2H_4_0006"> The Fourth Day </a>
</p>
<p class="toc">
<a href="#link2H_4_0007"> The Fifth Day </a>
</p>
<p class="toc">
<a href="#link2H_4_0008"> The Sixth Day </a>
</p>
<p class="toc">
<a href="#link2H_4_0009"> The Seventh Day </a>
</p>
<p class="toc">
<a href="#link2H_4_0010"> The Eighth Day </a>
</p>
<p class="toc">
<a href="#link2H_4_0011"> The Ninth Day </a>
</p>
<p class="toc">
<a href="#link2H_4_0012"> The Tenth Day </a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_PART"> <b>PART II—RECIPES</b> </a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_4_0014"> <b>Sauces</b> </a>
</p>
<p class="toc">
<a href="#link2H_4_0015"> No. 1. Espagnole, or Brown Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0016"> No. 2. Velute Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0017"> No. 3. Bechamel Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0018"> No. 4. Mirepoix Sauce (for masking) </a>
</p>
<p class="toc">
<a href="#link2H_4_0019"> No. 5. Genoese Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0020"> No. 6. Italian Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0021"> No. 7. Ham Sauce, Salsa di Prosciutto </a>
</p>
<p class="toc">
<a href="#link2H_4_0022"> No. 8. Tarragon Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0023"> No. 9. Tomato Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0024"> No. 10. Tomato Sauce Piquante </a>
</p>
<p class="toc">
<a href="#link2H_4_0025"> No. 11. Mushroom Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0026"> No. 12. Neapolitan Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0027"> No. 13. Neapolitan Anchovy Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0028"> No. 14. Roman Sauce (Salsa Agro-dolce) </a>
</p>
<p class="toc">
<a href="#link2H_4_0029"> No. 15. Roman Sauce (another way) </a>
</p>
<p class="toc">
<a href="#link2H_4_0030"> No. 16. Supreme Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0031"> No. 17. Pasta marinate (For masking Italian
Frys) </a>
</p>
<p class="toc">
<a href="#link2H_4_0032"> No. 18. White Villeroy </a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_4_0033"> <b>Soups</b> </a>
</p>
<p class="toc">
<a href="#link2H_4_0034"> No. 19. Clear Soup </a>
</p>
<p class="toc">
<a href="#link2H_4_0035"> No. 20. Zuppa Primaverile (Spring Soup) </a>
</p>
<p class="toc">
<a href="#link2H_4_0036"> No. 21. Soup alla Lombarda </a>
</p>
<p class="toc">
<a href="#link2H_4_0037"> No. 22. Tuscan Soup </a>
</p>
<p class="toc">
<a href="#link2H_4_0038"> No. 23. Venetian Soup </a>
</p>
<p class="toc">
<a href="#link2H_4_0039"> No. 24. Roman Soup </a>
</p>
<p class="toc">
<a href="#link2H_4_0040"> No. 25. Soup alla Nazionale </a>
</p>
<p class="toc">
<a href="#link2H_4_0041"> No. 26. Soup alla Modanese </a>
</p>
<p class="toc">
<a href="#link2H_4_0042"> No. 27. Crotopo Soup </a>
</p>
<p class="toc">
<a href="#link2H_4_0043"> No. 28. Soup all'Imperatrice </a>
</p>
<p class="toc">
<a href="#link2H_4_0044"> No. 29. Neapolitan Soup </a>
</p>
<p class="toc">
<a href="#link2H_4_0045"> No. 30. Soup with Risotto </a>
</p>
<p class="toc">
<a href="#link2H_4_0046"> No. 31. Soup alla Canavese </a>
</p>
<p class="toc">
<a href="#link2H_4_0047"> No. 32. Soup alla Maria Pia </a>
</p>
<p class="toc">
<a href="#link2H_4_0048"> No. 33. Zuppa d' Erbe (Lettuce Soup) </a>
</p>
<p class="toc">
<a href="#link2H_4_0049"> No. 34. Zuppa Regina di Riso (Queen's Soup)
</a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_4_0050"> <b>Minestre</b> </a>
</p>
<p class="toc">
<a href="#link2H_4_0051"> No. 35. A Condiment for Seasoning Minestre,
&c. </a>
</p>
<p class="toc">
<a href="#link2H_4_0052"> No. 36. Minestra alla Casalinga </a>
</p>
<p class="toc">
<a href="#link2H_4_0053"> No. 37. Minestra of Rice and Turnips </a>
</p>
<p class="toc">
<a href="#link2H_4_0054"> No. 38. Minestra alla Capucina </a>
</p>
<p class="toc">
<a href="#link2H_4_0055"> No. 39. Minestra of Semolina </a>
</p>
<p class="toc">
<a href="#link2H_4_0056"> No. 40. Minestrone alla Milanese </a>
</p>
<p class="toc">
<a href="#link2H_4_0057"> No. 41. Minestra of Rice and Cabbage </a>
</p>
<p class="toc">
<a href="#link2H_4_0058"> No. 42. Minestra of Rice and Celery </a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_4_0059"> <b>Fish</b> </a>
</p>
<p class="toc">
<a href="#link2H_4_0060"> No. 43. Anguilla alla Milanese (Eels). </a>
</p>
<p class="toc">
<a href="#link2H_4_0061"> No. 44. Filletti di Pesce alla Villeroy
(Fillets of Fish) </a>
</p>
<p class="toc">
<a href="#link2H_4_0062"> No. 45. Astachi all'Italiana (Lobster) </a>
</p>
<p class="toc">
<a href="#link2H_4_0063"> No. 46. Baccala alla Giardiniera (Cod) </a>
</p>
<p class="toc">
<a href="#link2H_4_0064"> No. 47. Triglie alla Marinara (Mullet) </a>
</p>
<p class="toc">
<a href="#link2H_4_0065"> No. 48. Mullet alla Tolosa </a>
</p>
<p class="toc">
<a href="#link2H_4_0066"> No. 49. Mullet alla Triestina </a>
</p>
<p class="toc">
<a href="#link2H_4_0067"> No. 50. Whiting alla Genovese </a>
</p>
<p class="toc">
<a href="#link2H_4_0068"> No. 51. Merluzzo in Bianco (Cod) </a>
</p>
<p class="toc">
<a href="#link2H_4_0069"> No. 52. Merluzzo in Salamoia (Cod) </a>
</p>
<p class="toc">
<a href="#link2H_4_0070"> No. 53. Baccala in Istufato (Haddock) </a>
</p>
<p class="toc">
<a href="#link2H_4_0071"> No. 54. Naselli con Piselli (Whiting) </a>
</p>
<p class="toc">
<a href="#link2H_4_0072"> No. 55. Ostriche alla Livornese (Oysters) </a>
</p>
<p class="toc">
<a href="#link2H_4_0073"> No. 56. Ostriche alla Napolitana (Oysters)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0074"> No. 57. Ostriche alla Veneziana (Oysters) </a>
</p>
<p class="toc">
<a href="#link2H_4_0075"> No. 58. Pesci diversi alla Casalinga (Fish)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0076"> No. 59. Pesce alla Genovese (Sole or Turbot)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0077"> No. 60. Sogliole in Zimino (Sole) </a>
</p>
<p class="toc">
<a href="#link2H_4_0078"> No. 61. Sogliole al tegame (Sole) </a>
</p>
<p class="toc">
<a href="#link2H_4_0079"> No. 62. Sogliole alla Livornese (Sole) </a>
</p>
<p class="toc">
<a href="#link2H_4_0080"> No. 63. Sogliole alla Veneziana (Sole) </a>
</p>
<p class="toc">
<a href="#link2H_4_0081"> No. 64. Sogliole alla Parmigiana (Sole).* </a>
</p>
<p class="toc">
<a href="#link2H_4_0082"> No. 65. Salmone alla Genovese (Salmon) </a>
</p>
<p class="toc">
<a href="#link2H_4_0083"> No. 66. Salmone alla Perigo (Salmon) </a>
</p>
<p class="toc">
<a href="#link2H_4_0084"> No. 67. Salmone alla giardiniera (Salmon) </a>
</p>
<p class="toc">
<a href="#link2H_4_0085"> No. 68. Salmone alla Farnese (Salmon) </a>
</p>
<p class="toc">
<a href="#link2H_4_0086"> No. 69. Salmone alla Santa Fiorentina (Salmon)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0087"> No. 70. Salmone alla Francesca (Salmon) </a>
</p>
<p class="toc">
<a href="#link2H_4_0088"> No. 71. Fillets of Salmon in Papiliotte </a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_4_0089"> <b>Beef, Mutton, Veal, Lamb, &C.</b> </a>
</p>
<p class="toc">
<a href="#link2H_4_0090"> No. 72. Manzo alla Certosina (Fillet of Beef)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0091"> No. 73. Stufato alla Florentina (Stewed Beef)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0092"> No. 74. Coscia di Manzo al Forno (Rump Steak)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0093"> No. 75. Polpettine alla Salsa Piccante (Beef
Olives) </a>
</p>
<p class="toc">
<a href="#link2H_4_0094"> No. 76. Stufato alla Milanese (Stewed Beef)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0095"> No. 77. Manzo Marinato Arrosto (Marinated
Beef) </a>
</p>
<p class="toc">
<a href="#link2H_4_0096"> No. 78. Manzo con sugo di Barbabietole (Fillet
of Beef) </a>
</p>
<p class="toc">
<a href="#link2H_4_0097"> No. 79. Manzo in Insalata (Marinated Beef)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0098"> No. 80. Filetto di Bue con Pistacchi (Fillets
of Beef with Pistacchios) </a>
</p>
<p class="toc">
<a href="#link2H_4_0099"> No. 81. Scalopini di Riso (Beef with Risotto)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0100"> No. 82. Tenerumi alla Piemontese (Tendons of
Veal) </a>
</p>
<p class="toc">
<a href="#link2H_4_0101"> No. 83. Bragiuole di Vitello (Veal Cutlets)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0102"> No. 84. Costolette alla Manza (Veal Cutlets)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0103"> No. 85. Vitello alla Pellegrina (Breast of
Veal) </a>
</p>
<p class="toc">
<a href="#link2H_4_0104"> No. 86. Frittura Piccata al Marsala (Fillet of
Veal) </a>
</p>
<p class="toc">
<a href="#link2H_4_0105"> No. 87. Polpettine Distese (Veal Olives) </a>
</p>
<p class="toc">
<a href="#link2H_4_0106"> No. 88. Coste di Vitello Imboracciate (Ribs of
Veal) </a>
</p>
<p class="toc">
<a href="#link2H_4_0107"> No. 89. Costolette di Montone alla Nizzarda
(Mutton Cutlets) </a>
</p>
<p class="toc">
<a href="#link2H_4_0108"> No. 90. Petto di Castrato all'Italiana (Breast
of Mutton) </a>
</p>
<p class="toc">
<a href="#link2H_4_0109"> No. 91. Petto di Castrato alla Salsa piccante
(Breast of Mutton) </a>
</p>
<p class="toc">
<a href="#link2H_4_0110"> No. 92. Tenerumi d'Agnello alla Villeroy
(Tendons of Lamb) </a>
</p>
<p class="toc">
<a href="#link2H_4_0111"> No. 93. Tenerumi d' Agnello alla Veneziana
(Tendons of Lamb) </a>
</p>
<p class="toc">
<a href="#link2H_4_0112"> No. 94. Costolette d' Agnello alla Costanza
(Lamb Cutlets) </a>
</p>
<p class="toc">
<a href="#link2H_4_0113"> Tongue, Sweetbread, Calf's Head, Liver,
Sucking Pig, &C. </a>
</p>
<p class="toc">
<a href="#link2H_4_0114"> No. 95. Timballo alla Romana </a>
</p>
<p class="toc">
<a href="#link2H_4_0115"> No. 96. Timballo alla Lombarda </a>
</p>
<p class="toc">
<a href="#link2H_4_0116"> No. 97. Lingua alla Visconti (Tongue) </a>
</p>
<p class="toc">
<a href="#link2H_4_0117"> No. 98. Lingua di Manzo al Citriuoli (Tongue
with Cucumber) </a>
</p>
<p class="toc">
<a href="#link2H_4_0118"> No. 99. Lingue di Castrato alla Cuciniera
(Sheep's Tongues) </a>
</p>
<p class="toc">
<a href="#link2H_4_0119"> No. 100. Lingue di Vitello all'Italiana
(Calves' Tongues) </a>
</p>
<p class="toc">
<a href="#link2H_4_0120"> No. 101. Porcelletto alla Corradino (Sucking
Pig) </a>
</p>
<p class="toc">
<a href="#link2H_4_0121"> No. 102. Porcelletto da Latte in Galantina
(Sucking Pig) </a>
</p>
<p class="toc">
<a href="#link2H_4_0122"> No. 103. Ateletti alla Sarda </a>
</p>
<p class="toc">
<a href="#link2H_4_0123"> No. 104. Ateletti alla Genovese </a>
</p>
<p class="toc">
<a href="#link2H_4_0124"> No. 105. Testa di Vitello alla Sorrentina
(Calf's Head) </a>
</p>
<p class="toc">
<a href="#link2H_4_0125"> No. 106. Testa di Vitello con Salsa Napoletana
(Calf's Head) </a>
</p>
<p class="toc">
<a href="#link2H_4_0126"> No. 107. Testa di Vitello alla Pompadour
(Calf's Head) </a>
</p>
<p class="toc">
<a href="#link2H_4_0127"> No. 108. Testa di Vitello alla Sanseverino
(Calf's Head) </a>
</p>
<p class="toc">
<a href="#link2H_4_0128"> No. 109. Testa di Vitello in Frittata (Calf's
Head) </a>
</p>
<p class="toc">
<a href="#link2H_4_0129"> No. 110. Zampetti (Calves' Feet) </a>
</p>
<p class="toc">
<a href="#link2H_4_0130"> No. 111. Bodini Marinati </a>
</p>
<p class="toc">
<a href="#link2H_4_0131"> No. 112. Animelle alla Parmegiana (Sweetbread)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0132"> No. 113. Animelle in Cartoccio (Sweetbread)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0133"> No. 114. Animelle all'Italiana (Sweetbread)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0134"> No. 115. Animelle Lardellate (Sweetbread) </a>
</p>
<p class="toc">
<a href="#link2H_4_0135"> No. 116. Frittura di Bottoni e di Animelle
(Sweetbread and Mushrooms) </a>
</p>
<p class="toc">
<a href="#link2H_4_0136"> No. 117. Cervello in Fili serbe (Calf's
Brains) </a>
</p>
<p class="toc">
<a href="#link2H_4_0137"> No. 118. Cervello alla Milanese (Calf's
Brains) </a>
</p>
<p class="toc">
<a href="#link2H_4_0138"> No. 119. Cervello alla Villeroy (Calf's
Brains) </a>
</p>
<p class="toc">
<a href="#link2H_4_0139"> No. 120. Frittura of Liver and Brains </a>
</p>
<p class="toc">
<a href="#link2H_4_0140"> No. 121. Cervello in Frittata Montano (Calf's
Brains) </a>
</p>
<p class="toc">
<a href="#link2H_4_0141"> No. 122. Marinata di Cervello alla Villeroy
(Calf's Brains) </a>
</p>
<p class="toc">
<a href="#link2H_4_0142"> No. 123. Minuta alla Milanese (Lamb's
Sweetbread) </a>
</p>
<p class="toc">
<a href="#link2H_4_0143"> No. 124. Animelle al Sapor di Targone (Lamb's
Fry) </a>
</p>
<p class="toc">
<a href="#link2H_4_0144"> No. 125. Fritto Misto alla Villeroy </a>
</p>
<p class="toc">
<a href="#link2H_4_0145"> No. 126. Fritto Misto alla Piemontese </a>
</p>
<p class="toc">
<a href="#link2H_4_0146"> No. 127. Minuta di Fegatini (Ragout of Fowls'
Livers) </a>
</p>
<p class="toc">
<a href="#link2H_4_0147"> No. 128. Minuta alla Visconti (Chickens'
Livers) </a>
</p>
<p class="toc">
<a href="#link2H_4_0148"> No. 129. Croutons alla Principesca </a>
</p>
<p class="toc">
<a href="#link2H_4_0149"> No. 130. Croutons alla Romana </a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_4_0150"> <b>Fowl, Duck, Game, Hare, Rabbit, &c.</b>
</a>
</p>
<p class="toc">
<a href="#link2H_4_0151"> No. 131. Soffiato di Cappone (Fowl Souffle)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0152"> No. 132. Pollo alla Fiorentina (Chicken) </a>
</p>
<p class="toc">
<a href="#link2H_4_0153"> No. 133. Pollo all'Oliva (Chicken) </a>
</p>
<p class="toc">
<a href="#link2H_4_0154"> No. 134. Pollo alla Villereccia (Chicken) </a>
</p>
<p class="toc">
<a href="#link2H_4_0155"> No. 135. Pollo alla Cacciatora (Chicken) </a>
</p>
<p class="toc">
<a href="#link2H_4_0156"> No. 136. Pollastro alla Lorenese (Fowl) </a>
</p>
<p class="toc">
<a href="#link2H_4_0157"> No. 137. Pollastro in Fricassea al Burro
(Fowl) </a>
</p>
<p class="toc">
<a href="#link2H_4_0158"> No. 138. Pollastro in istufa di Pomidoro
(Braized Fowl) </a>
</p>
<p class="toc">
<a href="#link2H_4_0159"> No. 139. Cappone con Riso (Capon with Rice)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0160"> No. 140. Dindo Arrosto alla Milanese (Roast
Turkey) </a>
</p>
<p class="toc">
<a href="#link2H_4_0161"> No. 141. Tacchinotto all'Istrione (Turkey
Poult) </a>
</p>
<p class="toc">
<a href="#link2H_4_0162"> No. 142. Fagiano alla Napoletana (Pheasant)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0163"> No. 143. Fagiano alla Perigo (Pheasant) </a>
</p>
<p class="toc">
<a href="#link2H_4_0164"> No. 144. Anitra Selvatica (Wild Duck) </a>
</p>
<p class="toc">
<a href="#link2H_4_0165"> No. 145. Perniciotti alla Gastalda
(Partridges) </a>
</p>
<p class="toc">
<a href="#link2H_4_0166"> No. 146. Beccaccini alla Diplomatica (Snipe)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0167"> No. 147. Piccioni alla minute (Pigeons) </a>
</p>
<p class="toc">
<a href="#link2H_4_0168"> No. 148. Piccioni in Ripieno (Stuffed Pigeons)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0169"> No. 149. Lepre in istufato (Stewed Hare) </a>
</p>
<p class="toc">
<a href="#link2H_4_0170"> No. 150. Lepre Agro-dolce (Hare) </a>
</p>
<p class="toc">
<a href="#link2H_4_0171"> No. 151. Coniglio alla Provenzale (Rabbit)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0172"> No. 152. Coniglio arrostito alla Corradino
(Roast Rabbit) </a>
</p>
<p class="toc">
<a href="#link2H_4_0173"> No. 153. Coniglio in salsa Piccante (Rabbit)
</a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_4_0174"> <b>Vegetables</b> </a>
</p>
<p class="toc">
<a href="#link2H_4_0175"> No. 154. Asparagi alla salsa Suprema
(Asparagus) </a>
</p>
<p class="toc">
<a href="#link2H_4_0176"> No. 155. Cavoli di Bruxelles alla Savoiarda
(Brussels Sprouts) </a>
</p>
<p class="toc">
<a href="#link2H_4_0177"> No. 156. Barbabietola alla Parmigiana
(Beetroot) </a>
</p>
<p class="toc">
<a href="#link2H_4_0178"> No. 157. Fave alla Savoiarda (Beans) </a>
</p>
<p class="toc">
<a href="#link2H_4_0179"> No. 158. Verze alla Capuccina (Cabbage) </a>
</p>
<p class="toc">
<a href="#link2H_4_0180"> No. 159. Cavoli fiodi alla Lionese
(Cauliflower) </a>
</p>
<p class="toc">
<a href="#link2H_4_0181"> No. 160. Cavoli fiodi fritti (Cauliflower)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0182"> No. 161. Cauliflower alla Parmigiana </a>
</p>
<p class="toc">
<a href="#link2H_4_0183"> No. 162. Cavoli Fiori Ripieni </a>
</p>
<p class="toc">
<a href="#link2H_4_0184"> No. 163. Sedani alla Parmigiana (Celery) </a>
</p>
<p class="toc">
<a href="#link2H_4_0185"> No. 164. Sedani fritti all'Italiana (Celery)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0186"> No. 165. Cetriuoli alla Parmigiana (Cucumber)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0187"> No. 166. Cetriuoli alla Borghese (Cucumber)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0188"> No. 167. Carote al sughillo (Carrots) </a>
</p>
<p class="toc">
<a href="#link2H_4_0189"> No. 168. Carote e piselli alla panna (Carrots
and Peas) </a>
</p>
<p class="toc">
<a href="#link2H_4_0190"> No. 169. Verze alla Certosine (Cabbage) </a>
</p>
<p class="toc">
<a href="#link2H_4_0191"> No. 170. Lattughe al sugo (Lettuce) </a>
</p>
<p class="toc">
<a href="#link2H_4_0192"> No. 171 Lattughe farcite alla Genovese
(Lettuce) </a>
</p>
<p class="toc">
<a href="#link2H_4_0193"> No. 172. Funghi cappelle infarcite (Stuffed
Mushrooms) </a>
</p>
<p class="toc">
<a href="#link2H_4_0194"> No. 173. Verdure miste (Macedoine of
Vegetables) </a>
</p>
<p class="toc">
<a href="#link2H_4_0195"> No. 174. Patate alla crema (Potatoes in cream)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0196"> No. 175. Cestelline di patate alla giardiniera
(Potatoes) </a>
</p>
<p class="toc">
<a href="#link2H_4_0197"> No. 176. Patate al Pomidoro (Potatoes with
Tomato Sauce) </a>
</p>
<p class="toc">
<a href="#link2H_4_0198"> No. 177. Spinaci alla Milanese (Spinach) </a>
</p>
<p class="toc">
<a href="#link2H_4_0199"> No. 178. Insalata di patate (Potato salad)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0200"> No. 179. Insalata alla Navarino (Salad) </a>
</p>
<p class="toc">
<a href="#link2H_4_0201"> No. 180. Insalata di pomidoro (Tomato Salad)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0202"> No. 181. Tartufi alla Dino (Truffles) </a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_4_0203"> <b>Macaroni, Rice, Polenta, and Other Italian
Pastes</b> </a>
</p>
<p class="toc">
<a href="#link2H_4_0204"> No. 182. Macaroni with Tomatoes </a>
</p>
<p class="toc">
<a href="#link2H_4_0205"> No. 183. Macaroni alla Casalinga </a>
</p>
<p class="toc">
<a href="#link2H_4_0206"> No. 184. Macaroni al Sughillo </a>
</p>
<p class="toc">
<a href="#link2H_4_0207"> No. 185. Macaroni alla Livornese </a>
</p>
<p class="toc">
<a href="#link2H_4_0208"> No. 186. Tagliarelle and Lobster </a>
</p>
<p class="toc">
<a href="#link2H_4_0209"> No. 187. Polenta </a>
</p>
<p class="toc">
<a href="#link2H_4_0210"> No. 188. Polenta Pasticciata </a>
</p>
<p class="toc">
<a href="#link2H_4_0211"> No. 189. Battuffoli </a>
</p>
<p class="toc">
<a href="#link2H_4_0212"> No. 190. Risotto all'Italiana </a>
</p>
<p class="toc">
<a href="#link2H_4_0213"> No. 191. Risotto alla Genovese </a>
</p>
<p class="toc">
<a href="#link2H_4_0214"> No. 192. Risotto alla Spagnuola </a>
</p>
<p class="toc">
<a href="#link2H_4_0215"> No. 193. Risotto alla Capuccina </a>
</p>
<p class="toc">
<a href="#link2H_4_0216"> No. 194. Risotto alla Parigina </a>
</p>
<p class="toc">
<a href="#link2H_4_0217"> No. 195. Ravioli </a>
</p>
<p class="toc">
<a href="#link2H_4_0218"> No. 196. Ravioli alla Fiorentina </a>
</p>
<p class="toc">
<a href="#link2H_4_0219"> No. 197. Gnocchi alla Romana </a>
</p>
<p class="toc">
<a href="#link2H_4_0220"> No. 198. Gnocchi alla Lombarda </a>
</p>
<p class="toc">
<a href="#link2H_4_0221"> No. 199. Frittata di Riso (Savoury Rice
Pancake) </a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_4_0222"> <b>Omelettes And Other Egg Dishes</b> </a>
</p>
<p class="toc">
<a href="#link2H_4_0223"> No. 200. Uova al Tartufi (Eggs with Truffles)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0224"> No. 201. Uova al Pomidoro (Eggs and Tomatoes)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0225"> No. 202. Uova ripiene (Canapes of Egg) </a>
</p>
<p class="toc">
<a href="#link2H_4_0226"> No. 203. Uova alla Fiorentina (Eggs) </a>
</p>
<p class="toc">
<a href="#link2H_4_0227"> No. 204. Uova in fili (Egg Canapes) </a>
</p>
<p class="toc">
<a href="#link2H_4_0228"> No. 205. Frittata di funghi (Mushroom
Omelette) </a>
</p>
<p class="toc">
<a href="#link2H_4_0229"> No. 206. Frittata con Pomidoro (Tomato
Omelette) </a>
</p>
<p class="toc">
<a href="#link2H_4_0230"> No. 207. Frittata con Asparagi (Asparagus
Omelette) </a>
</p>
<p class="toc">
<a href="#link2H_4_0231"> No. 208. Frittata con erbe (Omelette with
Herbs) </a>
</p>
<p class="toc">
<a href="#link2H_4_0232"> No. 209. Frittata Montata (Omelette Souffle)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0233"> No. 210. Frittata di Prosciutto (Ham Omelette)
</a>
</p>
<p>
<br />
</p>
<p class="toc">
<a href="#link2H_4_0234"> <b>Sweets and Cakes</b> </a>
</p>
<p class="toc">
<a href="#link2H_4_0235"> No. 211. Bodino of Semolina </a>
</p>
<p class="toc">
<a href="#link2H_4_0236"> No. 212. Crema rappresa (Coffee Cream) </a>
</p>
<p class="toc">
<a href="#link2H_4_0237"> No. 213. Crema Montata alle Fragole
(Strawberry Cream) </a>
</p>
<p class="toc">
<a href="#link2H_4_0238"> No. 214. Croccante di Mandorle (Cream Nougat)
</a>
</p>
<p class="toc">
<a href="#link2H_4_0239"> No. 215. Crema tartara alla Caramella (Caramel
Cream) </a>
</p>
<p class="toc">
<a href="#link2H_4_0240"> No. 216. Cremona Cake </a>
</p>
<p class="toc">
<a href="#link2H_4_0241"> No. 217. Cake alla Tolentina </a>
</p>
<p class="toc">
<a href="#link2H_4_0242"> No. 218. Riso all'Imperatrice </a>
</p>
<p class="toc">
<a href="#link2H_4_0243"> No. 219. Amaretti leggieri (Almond Cakes) </a>
</p>
<p class="toc">
<a href="#link2H_4_0244"> No. 220. Cakes alla Livornese </a>
</p>
<p class="toc">
<a href="#link2H_4_0245"> No. 221. Genoese Pastry </a>
</p>
<p class="toc">
<a href="#link2H_4_0246"> No. 222. Zabajone </a>
</p>
<p class="toc">
<a href="#link2H_4_0247"> No. 223. Iced Zabajone </a>
</p>
<p class="toc">
<a href="#link2H_4_0248"> No. 224. Pan-forte di Siena (Sienese Hardbake)
</a>
</p>
<p>
<br />
</p>
<p class="toc">
<b>New Century Sauce</b>
</p>
<p class="toc">
<a href="#link2H_4_0249"> No. 225. Fish Sauce </a>
</p>
<p class="toc">
<a href="#link2H_4_0250"> No. 226. Sauce Piquante (for Meat, Fowl, Game,
Rabbit, &c.) </a>
</p>
<p class="toc">
<a href="#link2H_4_0251"> No. 227. Sauce for Venison, Hare, &c. </a>
</p>
<p class="toc">
<a href="#link2H_4_0252"> No. 228. Tomato Sauce Piquante </a>
</p>
<p class="toc">
<a href="#link2H_4_0253"> No. 229. Sauce for Roast Pork, Ham, &c.
</a>
</p>
<p class="toc">
<a href="#link2H_4_0254"> No. 230. For masking Cutlets, &c. </a>
</p>
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<h1>
PART I. THE COOK'S DECAMERON
</h1>
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<h2>
Prologue
</h2>
<p>
The Marchesa di Sant'Andrea finished her early morning cup of tea, and
then took up the batch of correspondence which her maid had placed on the
tray. The world had a way of treating her in kindly fashion, and hostile
or troublesome letters rarely veiled their ugly faces under the envelopes
addressed to her; wherefore the perfection of that pleasant half-hour
lying between the last sip of tea and the first step to meet the new day
was seldom marred by the perusal of her morning budget. The apartment
which she graced with her seemly presence was a choice one in the Mayfair
Hotel, one which she had occupied for the past four or five years during
her spring visit to London; a visit undertaken to keep alive a number of
pleasant English friendships which had begun in Rome or Malta. London had
for her the peculiar attraction it has for so many Italians, and the weeks
she spent upon its stones were commonly the happiest of the year.
</p>
<p>
The review she took of her letters before breaking the seals first puzzled
her, and then roused certain misgivings in her heart. She recognised the
handwriting of each of the nine addresses, and at the same time recalled
the fact that she was engaged to dine with every one of the correspondents
of this particular morning. Why should they all be writing to her? She had
uneasy forebodings of postponement, and she hated to have her engagements
disturbed; but it was useless to prolong suspense, so she began by opening
the envelope addressed in the familiar handwriting of Sir John Oglethorpe,
and this was what Sir John had to say—
</p>
<p>
"My Dear Marchesa, words, whether written or spoken, are powerless to
express my present state of mind. In the first place, our dinner on
Thursday is impossible, and in the second, I have lost Narcisse and
forever. You commented favourably upon that supreme of lobster and the Ris
de Veau a la Renaissance we tasted last week, but never again will you
meet the handiwork of Narcisse. He came to me with admirable testimonials
as to his artistic excellence; with regard to his moral past I was, I
fear, culpably negligent, for I now learn that all the time he presided
over my stewpans he was wanted by the French police on a charge of
murdering his wife. A young lady seems to have helped him; so I fear
Narcisse has broken more than one of the commandments in this final
escapade. The truly great have ever been subject to these momentary
aberrations, and Narcisse being now in the hands of justice—so
called—our dinner must needs stand over, though not, I hope, for
long. Meantime the only consolation I can perceive is the chance of a cup
of tea with you this afternoon."
</p>
<p>
"J. O."
</p>
<p>
Sir John Oglethorpe had been her husband's oldest and best friend. He and
the Marchesa had first met in Sardinia, where they had both of them gone
in pursuit of woodcock, and since the Marchesa had been a widow, she and
Sir John had met either in Rome or in London every year. The dinner so
tragically manque had been arranged to assemble a number of Anglo-Italian
friends; and, as Sir John was as perfect as a host as Narcisse was as a
cook, the disappointment was a heavy one. She threw aside the letter with
a gesture of vexation, and opened the next.
</p>
<p>
"Sweetest Marchesa," it began, "how can I tell you my grief at having to
postpone our dinner for Friday. My wretched cook (I gave her seventy-five
pounds a year), whom I have long suspected of intemperate habits, was
hopelessly inebriated last night, and had to be conveyed out of the house
by my husband and a dear, devoted friend who happened to be dining with
us, and deposited in a four-wheeler. May I look in tomorrow afternoon and
pour out my grief to you? Yours cordially,
</p>
<p>
"Pamela St. Aubyn Fothergill."
</p>
<p>
When the Marchesa had opened four more letters, one from Lady Considine,
one from Mrs. Sinclair, one from Miss Macdonnell, and one from Mrs.
Wilding, and found that all these ladies were obliged to postpone their
dinners on account of the misdeeds of their cooks, she felt that the laws
of average were all adrift. Surely the three remaining letters must
contain news of a character to counterbalance what had already been
revealed, but the event showed that, on this particular morning, Fortune
was in a mood to strike hard. Colonel Trestrail, who gave in his chambers
carefully devised banquets, compounded by a Bengali who was undoubtedly
something of a genius, wrote to say that this personage had left at a
day's notice, in order to embrace Christianity and marry a lady's-maid who
had just come into a legacy of a thousand pounds under the will of her
late mistress. Another correspondent, Mrs. Gradinger, wrote that her
German cook had announced that the dignity of womanhood was, in her
opinion, slighted by the obligation to prepare food for others in exchange
for mere pecuniary compensation. Only on condition of the grant of perfect
social equality would she consent to stay, and Mrs. Gradinger, though she
held advanced opinions, was hardly advanced far enough to accept this
suggestion. Last of all, Mr. Sebastian van der Roet was desolate to
announce that his cook, a Japanese, whose dishes were, in his employer's
estimation, absolute inspirations, had decamped and taken with him
everything of value he could lay hold of; and more than desolate, that he
was forced to postpone the pleasure of welcoming the Marchesa di Sant'
Andrea at his table.
</p>
<p>
When she had finished reading this last note, the Marchesa gathered the
whole mass of her morning's correspondence together, and uttering a few
Italian words which need not be translated, rolled it into a ball and
hurled the same to the farthest corner of the room. "How is it," she
ejaculated, "that these English, who dominate the world abroad, cannot get
their food properly cooked at home? I suppose it is because they, in their
lofty way, look upon cookery as a non-essential, and consequently fall
victims to gout and dyspepsia, or into the clutches of some international
brigandaccio, who declares he is a cordon bleu. One hears now and again
pleasant remarks about the worn-out Latin races, but I know of one Latin
race which can do better than this in cookery." And having thus delivered
herself, the Marchesa lay back on the pillows and reviewed the situation.
</p>
<p>
She was sorry in a way to miss the Colonel's dinner. The dishes which the
Bengali cook turned out were excellent, but the host himself was a trifle
dictatorial and too fond of the sound of his own voice, while certain of
the inevitable guests were still worse. Mrs. Gradinger's letter came as a
relief; indeed the Marchesa had been wondering why she had ever consented
to go and pretend to enjoy herself by eating an ill-cooked dinner in
company with social reformers and educational prigs. She really went
because she liked Mr. Gradinger, who was as unlike his wife as possible, a
stout youth of forty, with a breezy manner and a decided fondness for
sport. Lady Considine's dinners were indifferent, and the guests were apt
to be a bit too smart and too redolent of last season's Monte Carlo odour.
The Sinclairs gave good dinners to perfectly selected guests, and by
reason of this virtue, one not too common, the host and hostess might be
pardoned for being a little too well satisfied with themselves and with
their last new bibelot. The Fothergill dinners were like all other dinners
given by the Fothergills of society. They were costly, utterly
undistinguished, and invariably graced by the presence of certain guests
who seemed to have been called in out of the street at the last moment.
Van der Roet's Japanese menus were curious, and at times inimical to
digestion, but the personality of the host was charming. As to Sir John
Oglethorpe, the question of the dinner postponed troubled her little:
another repast, the finest that London's finest restaurant could furnish,
would certainly be forthcoming before long. In Sir John's case, her
discomposure took the form of sympathy for her friend in his recent
bereavement. He had been searching all his life for a perfect cook, and he
had found, or believed he had found, such an one in Narcisse; wherefore
the Marchesa was fully persuaded that, if that artist should evade the
guillotine, she would again taste his incomparable handiwork, even though
he were suspected of murdering his whole family as well as the partner of
his joys.
</p>
<p>
That same afternoon a number of the balked entertainers foregathered in
the Marchesa's drawing-room, the dominant subject of discourse being the
approaching dissolution of London society from the refusal of one human to
cook food for another. Those present were gathered in two groups. In one
the Colonel, in spite of the recent desertion of his Oriental, was
asserting that the Government should be required to bring over
consignments of perfectly trained Indian cooks, and thus trim the balance
between dining room and kitchen; and to the other Mrs. Gradinger, a gaunt,
ill-dressed lady in spectacles, with a commanding nose and dull, wispy
hair, was proclaiming in a steady metallic voice, that it was absolutely
necessary to double the school rate at once in order to convert all the
girls and some of the boys as well, into perfectly equipped food-cooking
animals; but her audience gradually fell away, and in an interval of
silence the voice of the hostess was heard giving utterance to a tentative
suggestion.
</p>
<p>
"But, my dear, it is inconceivable that the comfort and the movement of
society should depend on the humours of its servants. I don't blame them
for refusing to cook if they dislike cooking, and can find other work as
light and as well paid; but, things being as they are, I would suggest
that we set to work somehow to make ourselves independent of cooks."
</p>
<p>
"That 'somehow' is the crux, my dear Livia," said Mrs. Sinclair. "I have a
plan of my own, but I dare not breathe it, for I'm sure Mrs. Gradinger
would call it 'anti-social,' whatever that may mean."
</p>
<p>
"I should imagine that it is a term which might be applied to any scheme
which robs society of the ministrations of its cooks," said Sir John.
</p>
<p>
"I have heard mathematicians declare that what is true of the whole is
true of its parts," said the Marchesa. "I daresay it is, but I never
stopped to inquire. I will amplify on my own account, and lay down that
what is true of the parts must be true of the whole. I'm sure that sounds
quite right. Now I, as a unit of society, am independent of cooks because
I can cook myself, and if all the other units were independent, society
itself would be independent—ecco!"
</p>
<p>
"To speak in this tone of a serious science like Euclid seems rather
frivolous," said Mrs. Gradinger. "I may observe—" but here
mercifully the observation was checked by the entry of Mrs. St. Aubyn
Fothergill.
</p>
<p>
She was a handsome woman, always dominated by an air of serious
preoccupation, sumptuously, but not tastefully dressed. In the social
struggle upwards, wealth was the only weapon she possessed, and wealth
without dexterity has been known to fail before this. She made efforts,
indeed, to imitate Mrs. Sinclair in the elegancies of menage, and to pose
as a woman of mind after the pattern of Mrs. Gradinger; but the task first
named required too much tact, and the other powers of endurance which she
did not possess.
</p>
<p>
"You'll have some tea, Mrs. Fothergill?" said the Marchesa. "It's so good
of you to have come."
</p>
<p>
"No, really, I can't take any tea; in fact, I couldn't take any lunch out
of vexation at having to put you off, my dear Marchesa."
</p>
<p>
"Oh, these accidents will occur. We were just discussing the best way of
getting round them," said the Marchesa. "Now, dear,"—speaking to
Mrs. Sinclair—"let's have your plan. Mrs. Gradinger has fastened
like a leech on the Canon and Mrs. Wilding, and won't hear a word of what
you have to say."
</p>
<p>
"Well, my scheme is just an amplification of your mathematical
illustrations, that we should all learn to cook for ourselves. I regard it
no longer as impossible, or even difficult, since you have informed us
that you are a mistress of the art. We'll start a new school of cookery,
and you shall teach us all you know."
</p>
<p>
"Ah, my dear Laura, you are like certain English women in the hunting
field. You are inclined to rush your fences," said the Marchesa with a
deprecatory gesture. "And just look at the people gathered here in this
room. Wouldn't they—to continue the horsey metaphor—be rather
an awkward team to drive?"
</p>
<p>
"Not at all, if you had them in suitable surroundings. Now, supposing some
beneficent millionaire were to lend us for a month or so a nice country
house, we might install you there as Mistress of the stewpans, and sit at
your feet as disciples," said Mrs. Sinclair.
</p>
<p>
"The idea seems first-rate," said Van der Roet; "and I suppose, if we are
good little boys and girls, and learn our lessons properly, we may be
allowed to taste some of our own dishes."
</p>
<p>
"Might not that lead to a confusion between rewards and punishments?" said
Sir John.
</p>
<p>
"If ever it comes to that," said Miss Macdonnell with a mischievous glance
out of a pair of dark, flashing Celtic eyes, "I hope that our mistress
will inspect carefully all pupils' work before we are asked to eat it. I
don't want to sit down to another of Mr. Van der Roet's Japanese salads
made of periwinkles and wallflowers."
</p>
<p>
"And we must first catch our millionaire," said the Colonel.
</p>
<p>
During these remarks Mrs. Fothergill had been standing "with parted lips
and straining eyes," the eyes of one who is seeking to "cut in." Now came
her chance. "What a delightful idea dear Mrs. Sinclair's is. We have been
dreadfully extravagant this year over buying pictures, and have doubled
our charitable subscriptions, but I believe I can still promise to act in
a humble way the part of Mrs. Sinclair's millionaire. We have just
finished doing up the 'Laurestinas,' a little place we bought last year,
and it is quite at your service, Marchesa, as soon as you liketo occupy
it."
</p>
<p>
This unlooked-for proposition almost took away the Marchesa's breath. "Ah,
Mrs. Fothergill," she said, "it was Mrs. Sinclair's plan, not mine. She
kindly wishes to turn me into a cook for I know not how long, just at the
hottest season of the year, a fate I should hardly have chosen for
myself."
</p>
<p>
"My dear, it would be a new sensation, and one you would enjoy beyond
everything. I am sure it is a scheme every one here will hail with
acclamation," said Mrs. Sinclair. All other conversation had now ceased,
and the eyes of the rest of the company were fixed on the speaker. "Ladies
and gentlemen," she went on, "you have heard my suggestion, and you have
heard Mrs. Fothergill's most kind and opportune offer of her country house
as the seat of our school of cookery. Such an opportunity is one in ten
thousand. Surely all of us—-even the Marchesa—must see that it
is one not to be neglected."
</p>
<p>
"I approve thoroughly," said Mrs. Gradinger; "the acquisition of
knowledge, even in so material a field as that of cookery, is always a
clear gain."
</p>
<p>
"It will give Gradinger a chance to put in a couple of days at Ascot,"
whispered Van der Roet.
</p>
<p>
"Where Mrs. Gradinger leads, all must follow," said Miss Macdonnell. "Take
the sense of the meeting, Mrs. Sinclair, before the Marchesa has time to
enter a protest."
</p>
<p>
"And is the proposed instructress to have no voice in the matter?" said
the Marchesa, laughing.
</p>
<p>
"None at all, except to consent," said Mrs. Sinclair; "you are going to be
absolute mistress over us for the next fortnight, so you surely might obey
just this once."
</p>
<p>
"You have been denouncing one of our cherished institutions, Marchesa,"
said Lady Considine, "so I consider you are bound to help us to replace
the British cook by something better."
</p>
<p>
"If Mrs. Sinclair has set her heart on this interesting experiment. You
may as well consent at once, Marchesa," said the Colonel, "and teach us
how to cook, and—what may be a harder task—to teach us to eat
what other aspirants may have cooked."
</p>
<p>
"If this scheme really comes off," said Sir John, "I would suggest that
the Marchesa should always be provided with a plate of her own up her
sleeve—if I may use such an expression—so that any void in the
menu, caused by failure on the part of the under-skilled or over-ambitious
amateur, may be filled by what will certainly be a chef-d'oeuvre."
</p>
<p>
"I shall back up Mrs. Sinclair's proposition with all my power," said Mrs.
Wilding. "The Canon will be in residence at Martlebridge for the next
month, and I would much rather be learning cookery under the Marchesa than
staying with my brother-in-law at Ealing."
</p>
<p>
"You'll have to do it, Marchesa," said Van der Roet; "when a new idea
catches on like this, there's no resisting it."
</p>
<p>
"Well, I consent on one condition—that my rule shall be absolute,"
said the Marchesa, "and I begin my career as an autocrat by giving Mrs.
Fothergill a list of the educational machinery I shall want, and
commanding her to have them all ready by Tuesday morning, the day on which
I declare the school open."
</p>
<p>
A chorus of applause went up as soon as the Marchesa ceased speaking.
</p>
<p>
"Everything shall be ready," said Mrs. Fothergill, radiant with delight
that her offer had been accepted, "and I will put in a full staff of
servants selected from our three other establishments."
</p>
<p>
"Would it not be as well to send the cook home for a holiday?" said the
Colonel. "It might be safer, and lead to less broth being spoilt."
</p>
<p>
"It seems," said Sir John, "that we shall be ten in number, and I would
therefore propose that, after an illustrious precedent, we limit our
operations to ten days. Then if we each produce one culinary poem a day we
shall, at the end of our time, have provided the world with a hundred new
reasons for enjoying life, supposing, of course, that we have no failures.
I propose, therefore, that our society be called the 'New Decameron.'"
</p>
<p>
"Most appropriate," said Miss Macdonnell, "especially as it owes its
origin to an outbreak of plague—the plague in the kitchen."
</p>
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<h2>
The First Day
</h2>
<p>
On the Tuesday morning the Marchesa travelled down to the "Laurestinas,"
where she found that Mrs. Fothergill had been as good as her word.
Everything was in perfect order. The Marchesa had notified to her pupils
that they must report themselves that same evening at dinner, and she took
down with her her maid, one of those marvellous Italian servants who
combine fidelity with efficiency in a degree strange to the denizens of
more progressive lands. Now, with Angelina's assistance, she proposed to
set before the company their first dinner all'Italiana, and the last they
would taste without having participated in the preparation. The real work
was to begin the following morning.
</p>
<p>
The dinner was both a revelation and a surprise to the majority of the
company. All were well travelled, and all had eaten of the mongrel French
dishes given at the "Grand" hotels of the principal Italian cities, and
some of them, in search of adventures, had dined at London restaurants
with Italian names over the doors, where—with certain honourable
exceptions—the cookery was French, and not of the best, certain
Italian plates being included in the carte for a regular clientele, dishes
which would always be passed over by the English investigator, because he
now read, or tried to read, their names for the first time. Few of the
Marchesa's pupils had ever wandered away from the arid table d'hote in
Milan, or Florence, or Rome, in search of the ristorante at which the
better class of townsfolk were wont to take their colazione. Indeed,
whenever an Englishman does break fresh ground in this direction, he
rarely finds sufficient presence of mind to controvert the suggestions of
the smiling minister who, having spotted his Inglese, at once marks down
an omelette aux fines herbes and a biftek aux pommes as the only food such
a creature can consume. Thus the culinary experiences of Englishmen in
Italy have led to the perpetuation of the legend that the traveller can
indeed find decent food in the large towns, "because the cooking there is
all French, you know," but that, if he should deviate from the beaten
track, unutterable horrors, swimming in oil and reeking with garlic, would
be his portion. Oil and garlic are in popular English belief the
inseparable accidents of Italian cookery, which is supposed to gather its
solitary claim to individuality from the never-failing presence of these
admirable, but easily abused, gifts of Nature.
</p>
<p>
"You have given us a delicious dinner, Marchesa," said Mrs. Wilding as the
coffee appeared. "You mustn't think me captious in my remarks—indeed
it would be most ungracious to look a gift-dinner in the—What are
you laughing at, Sir John? I suppose I've done something awful with my
metaphors—mixed them up somehow."
</p>
<p>
"Everything Mrs. Wilding mixes will be mixed admirably, as admirably, say,
as that sauce which was served with the Manzo alla Certosina," Sir John
replied.
</p>
<p>
"That is said in your best style, Sir John," replied Mrs. Wilding; "but
what I was going to remark was, that I, as a poor parson's wife, shall ask
for some instruction in inexpensive cooking before we separate. The dinner
we have just eaten is surely only within the reach of rich people."
</p>
<p>
"I wish some of the rich people I dine with could manage now and then to
reach a dinner as good," said the Colonel.
</p>
<p>
"I believe it is a generally received maxim, that if you want a truth to
be accepted you must repeat the same in season and out, whenever you have
the opportunity," said the Marchesa. "The particular truth I have now in
mind is the fact that Italian cookery is the cookery of a poor nation, of
people who have scant means wherewith to purchase the very inferior
materials they must needs work with; and that they produce palatable food
at all is, I maintain, a proof that they bring high intelligence to the
task. Italian culinary methods have been developed in the struggle when
the cook, working with an allowance upon which an English cook would
resign at once, has succeeded by careful manipulation and the study of
flavouring in turning out excellent dishes made of fish and meat
confessedly inferior. Now, if we loosen the purse-strings a little, and
use the best English materials, I affirm that we shall achieve a result
excellent enough to prove that Italian cookery is worthy to take its stand
beside its great French rival. I am glad Mrs. Wilding has given me an
opportunity to impress upon you all that its main characteristics are
simplicity and cheapness, and I can assure her that, even if she should
reproduce the most costly dishes of our course, she will not find any
serious increase in her weekly bills. When I use the word simplicity, I
allude, of course, to everyday cooking. Dishes of luxury in any school
require elaboration, care, and watchfulness."
</p>
<pre xml:space="preserve">
Menu—Dinner {*}
Zuppa d'uova alla Toscana. Tuscan egg-soup.
Sogliole alla Livornese. Sole alla Livornese.
Manzo alla Certosina. Fillet of beef, Certosina sauce.
Minuta alla Milanese. Chickens' livers alla Milanese.
Cavoli fiodi ripieni. Cauliflower with forcemeat.
Cappone arrosto con insalata. Roast capon with salad.
Zabajone. Spiced custard.
Uova al pomidoro. Eggs and tomatoes.
</pre>
<pre xml:space="preserve">
* The recipes for the dishes contained in all these menus
will be found in the second part of the book. The limits of
the seasons have necessarily been ignored.
</pre>
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<h2>
The Second Day
</h2>
<p>
Wednesday's luncheon was anticipated with some curiosity, or even
searchings of heart, as in it would appear the first-fruits of the hand of
the amateur. The Marchesa wisely restricted it to two dishes, for the
compounding of which she requisitioned the services of Lady Considine,
Mrs. Sinclair, and the Colonel. The others she sent to watch Angelina and
her circle while they were preparing the vegetables and the dinner
entrees. After the luncheon dishes had been discussed, they were both
proclaimed admirable. It was a true bit of Italian finesse on the part of
the Marchesa to lay a share of the responsibility of the first meal upon
the Colonel, who was notoriously the most captious and the hardest to
please of all the company; and she did even more than make him jointly
responsible, for she authorised him to see to the production of a special
curry of his own invention, the recipe for which he always carried in his
pocket-book, thus letting India share with Italy in the honours of the
first luncheon.
</p>
<p>
"My congratulations to you on your curry, Colonel Trestrail," said Miss
Macdonnell. "You haven't followed the English fashion of flavouring a
curry by emptying the pepper-pot into the dish?"
</p>
<p>
"Pepper properly used is the most admirable of condiments," the Colonel
said.
</p>
<p>
"Why this association of the Colonel and pepper?" said Van der Roet. "In
this society we ought to be as nice in our phraseology as in our
flavourings, and be careful to eschew the incongruous. You are coughing,
Mrs. Wilding. Let me give you some water."
</p>
<p>
"I think it must have been one of those rare grains of the Colonel's
pepper, for you must have a little pepper in a curry, mustn't you,
Colonel? Though, as Miss Macdonnell says, English cooks generally overdo
it."
</p>
<p>
"Vander is in one of his pleasant witty moods," said the Colonel, "but I
fancy I know as much about the use of pepper as he does about the use of
oil colours; and now we have, got upon art criticism, I may remark, my
dear Vander, I have been reminded that you have been poaching on my
ground. I saw a landscape of yours the other day, which looked as if some
of my curry powder had got into the sunset. I mean the one poor blind old
Wilkins bought at your last show."
</p>
<p>
"Ah, but that sunset was an inspiration, Colonel, and consequently beyond
your comprehension."
</p>
<p>
"It is easy to talk of inspiration," said Sir John, "and, perhaps, now
that we are debating a matter of real importance, we might spend our time
more profitably than in discussing what is and what is not a good picture.
Some inspiration has been brought into our symposium, I venture to affirm
that the brain which devised and the hand which executed the Tenerumi di
Vitello we have just tasted, were both of them inspired. In the
construction of this dish there is to be recognised a breath of the same
afflatus which gave us the Florentine campanile, and the Medici tombs, and
the portrait of Monna Lisa. When we stand before any one of these
masterpieces, we realise at a glance how keen must have been the primal
insight, and how strenuous the effort necessary for the evolution of so
consummate an achievement; and, with the savour of the Tenerumi di Vitello
still fresh, I feel that it deserves to be added to the list of Italian
capo lavori. Now, as I was not fortunate enough to be included in the
pupils' class this morning, I must beg the next time the dish is presented
to us—and I imagine all present will hail its renaissance with joy—that
I may be allowed to lend a hand, or even a finger, in its preparation."
</p>
<p>
"Veal, with the possible exception of Lombard beef, is the best meat we
get in Italy," said the Marchesa, "so an Italian cook, when he wants to
produce a meat dish of the highest excellence, generally turns to veal as
a basis. I must say that the breast of veal, which is the part we had for
lunch today, is a somewhat insipid dish when cooked English fashion. That
we have been able to put it before you in more palatable form, and to win
for it the approval of such a connoisseur as Sir John Oglethorpe, is
largely owing to the judicious use of that Italian terror—more dire
to many English than paper-money or brigands—garlic."
</p>
<p>
"The quantity used was infinitesimal," said Mrs. Sinclair, "but it seems
to have been enough to subdue what I once heard Sir John describe as the
pallid solidity of the innocent calf."
</p>
<p>
"I fear the vein of incongruity in our discourse, lately noted by Van der
Roet, is not quite exhausted," said Sir John. "The Colonel was up in arms
on account of a too intimate association of his name with pepper, and now
Mrs. Sinclair has bracketed me with the calf, a most useful animal, I
grant, but scarcely one I should have chosen as a yokefellow; but this is
a digression. To return to our veal. I had a notion that garlic had
something to do with the triumph of the Tenerumi, and, this being the
case, I think it would be well if the Marchesa were to give us a
dissertation on the use of this invaluable product."
</p>
<p>
"As Mrs. Sinclair says, the admixture of garlic in the dish in question
was a very small one, and English people somehow never seem to realise
that garlic must always be used sparingly. The chief positive idea they
have of its characteristics is that which they gather from the odour of a
French or Italian crowd of peasants at a railway station. The effect of
garlic, eaten in lumps as an accompaniment to bread and cheese, is
naturally awful, but garlic used as it should be used is the soul, the
divine essence, of cookery. The palate delights in it without being able
to identify it, and the surest proof of its charm is manifested by the
flatness and insipidity which will infallibly characterise any dish
usually flavoured with it, if by chance this dish should be prepared
without it. The cook who can employ it successfully will be found to
possess the delicacy of perception, the accuracy of judgment, and the
dexterity of hand, which go to the formation of a great artist. It is a
primary maxim, and one which cannot be repeated too often, that garlic
must never be cut up and used as part of the material of any dish. One
small incision should be made in the clove, which should be put into the
dish during the process of cooking, and allowed to remain there until the
cook's palate gives warning that flavour enough has been extracted. Then
it must be taken out at once. This rule does not apply in equal degree to
the use of the onion, the large mild varieties of which may be cooked and
eaten in many excellent bourgeois dishes; but in all fine cooking, where
the onion flavour is wanted, the same treatment which I have prescribed
for garlic must be followed."
</p>
<p>
The Marchesa gave the Colonel and Lady Considine a holiday that afternoon,
and requested Mrs. Gradinger and Van der Roet to attend in the kitchen to
help with the dinner. In the first few days of the session the main
portion of the work naturally fell upon the Marchesa and Angelina, and in
spite of the inroads made upon their time by the necessary directions to
the neophytes, and of the occasional eccentricities of the neophytes'
energies, the dinners and luncheons were all that could be desired. The
Colonel was not quite satisfied with the flavour of one particular soup,
and Mrs. Gradinger was of opinion that one of the entrees, which she
wanted to superintend herself, but which the Marchesa handed over to Mrs.
Sinclair, had a great deal too much butter in its composition. Her
conscience revolted at the action of consuming in one dish enough butter
to solace the breakfast-table of an honest working man for two or three
days; but the faintness of these criticisms seemed to prove that every one
was well satisfied with the rendering of the menu of the day.
</p>
<pre xml:space="preserve">
Menu—Lunch
Tenerumi di Vitello. Breast of veal.
Piccione alla minute. Pigeons, braized with liver, &c.
Curry
</pre>
<pre xml:space="preserve">
Menu—Dinner
Zuppa alla nazionale. Soup alla nazionale.
Salmone alla Genovese. Salmon alla Genovese.
Costolette alla Costanza. Mutton cutlets alla Costanza.
Fritto misto alla Villeroy. Lamb's fry alla Villeroy.
Lattughe al sugo. Stuffed Lettuce.
Dindo arrosto alla Milanese. Roast turkey alla Milanese.
Crema montata alle fragole. Strawberry cream.
Tartufi alla Dino. Truffles alla Dino.
</pre>
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<h2>
The Third Day
</h2>
<p>
"I observe, dear Marchesa," said Mrs. Fothergill at breakfast on Thursday
morning, "that we still follow the English fashion in our breakfast
dishes. I have a notion that, in this particular especially, we gross
English show our inferiority to the more spirituelles nations of the
Continent, and I always feel a new being after the light meal of delicious
coffee and crisp bread and delicate butter the first morning I awake in
dear Paris."
</p>
<p>
"I wonder how it happens, then, that two goes of fish, a plateful of
omelette, and a round and a half of toast and marmalade are necessary to
repair the waste of tissue in dear England?" Van der Roet whispered to
Miss Macdonnell.
</p>
<p>
"It must be the gross air of England or the gross nature of the—"
</p>
<p>
The rest of Miss Macdonnell's remark was lost, as the Marchesa cried out
in answer to Mrs. Fothergill, "But why should we have anything but English
breakfast dishes in England? The defects of English cookery are manifest
enough, but breakfast fare is not amongst them. In these England stands
supreme; there is nothing to compare with them, and they possess the
crowning merit of being entirely compatible with English life. I cannot
say whether it may be the effect of the crossing, or of the climate on
this side, or that the air of England is charged with some subtle
stimulating quality, given off in the rush and strain of strenuous
national life, but the fact remains that as soon as I find myself across
the Channel I want an English breakfast. It seems that I am more English
than certain of the English themselves, and I am sorry that Mrs.
Fothergill has been deprived of her French roll and butter. I will see
that you have it to-morrow, Mrs. Fothergill, and to make the illusion
complete, I will order it to be sent to your room."
</p>
<p>
"Oh no, Marchesa, that would be giving too much trouble, and I am sure you
want all the help in the house to carry out the service as exquisitely as
you do," said Mrs. Fothergill hurriedly, and blushing as well as her
artistic complexion would allow.
</p>
<p>
"I fancy," said Mrs. Sinclair, "that foreigners are taking to English
breakfasts as well as English clothes. I noticed when I was last in Milan
that almost every German or Italian ate his two boiled eggs for breakfast,
the sign whereby the Englishman used to be marked for a certainty."
</p>
<p>
"The German would probably call for boiled eggs when abroad on account of
the impossibility of getting such things in his own country. No matter how
often you send to the kitchen for properly boiled eggs in Germany, the
result is always the same cold slush," said Mrs. Wilding; "and I regret to
find that the same plague is creeping into the English hotels which are
served by German waiters."
</p>
<p>
"That is quite true," said the Marchesa; "but in England we have no time
to concern ourselves with mere boiled eggs, delicious as they are. The
roll of delicacies is long enough, or even too long without them. When I
am in England, I always lament that we have only seven days a week and one
breakfast a day, and when I am in Italy I declare that the reason why the
English have overrun the world is because they eat such mighty breakfasts.
Considering how good the dishes are, I wonder the breakfasts are not
mightier than they are."
</p>
<p>
"It always strikes me that our national barrenness of ideas appears as
plainly in our breakfasts as anywhere," said Mrs. Gradinger. "There is a
monotony about them which—"
</p>
<p>
"Monotony!" interrupted the Colonel. "Why, I could dish you up a fresh
breakfast every day for a month. Your conservative tendencies must be very
strong, Mrs. Gradinger, if they lead you to this conclusion."
</p>
<p>
"Conservative! On the contrary, I—that is, my husband—always
votes for Progressive candidates at every election," said Mrs. Gradinger,
dropping into her platform intonation, at the sound of which consternation
arose in every breast. "I have, moreover, a theory that we might reform
our diet radically, as well as all other institutions; but before I
expound this, I should like to say a few words on the waste of wholesome
food which goes on. For instance, I went for a walk in the woods yesterday
afternoon, where I came upon a vast quantity of fungi which our ignorant
middle classes would pronounce to be poisonous, but which I—in
common with every child of the intelligent working-man educated in a board
school where botany is properly taught—knew to be good for food."
</p>
<p>
"Excuse me one moment," said Sir John, "but do they really use
board-school children as tests to see whether toadstools are poisonous or
not?"
</p>
<p>
"I do not think anything I said justified such an inference," said Mrs.
Gradinger in the same solemn drawl; "but I may remark that the children
are taught from illustrated manuals accurately drawn and coloured. Well,
to come back to the fungi, I took the trouble to measure the plot on which
they were growing, and found it just ten yards square. The average weight
of edible fungus per square yard was just an ounce, or a hundred and
twelve pounds per acre. Now, there must be at least twenty millions of
acres in the United Kingdom capable of producing these fungi without
causing the smallest damage to any other crop, wherefore it seems that,
owing to our lack of instruction, we are wasting some million tons of good
food per annum; and I may remark that this calculation pre-supposes, that
each fungus springs only once in the season; but I have reason to believe
that certain varieties would give five or six gatherings between May and
October, so the weight produced would be enormously greater than the
quantity I have named."
</p>
<p>
Here Mrs. Gradinger paused to finish her coffee, which was getting cold,
and before she could resume, Sir John had taken up the parole. "I think
the smaller weight will suffice for the present, until the taste for
strange fungi has developed, or the pressure of population increased. And
before stimulating a vastly increased supply, it will be necessary to
extirpate the belief that all fungi, except the familiar mushroom, are
poisonous, and perhaps to appoint an army of inspectors to see that only
the right sort are brought to market."
</p>
<p>
"Yes, and that will give pleasant and congenial employment to those youths
of the working-classes who are ambitious of a higher career than that of
their fathers," said Lady Considine, "and the ratepayers will rejoice, no
doubt, that they are participating in the general elevation of the
masses."
</p>
<p>
"Perhaps Mrs. Gradinger will gather a few of her less deadly fungi, and
cook them and eat them herself, pour encourager les autres," said Miss
Macdonnell. "Then, if she doesn't die in agonies, we may all forswear beef
and live on toadstools."
</p>
<p>
"I certainly will," said Mrs. Gradinger; "and before we rise from table I
should like—"
</p>
<p>
"I fear we must hear your remarks at dinner, Mrs. Gradinger," said the
Marchesa. "Time is getting on, and some of the dishes to-day are rather
elaborate, so now to the kitchen."
</p>
<pre xml:space="preserve">
Menu—Lunch.
Risotto alla Genovese. Savoury rice.
Pollo alla Villereccia. Chicken alla Villereccia.
Lingue di Castrato alla cucinira. Sheeps' tongues alla cucinira.
Menu—Dinner
Zuppa alla Veneziana. Venetian soup.
Sogliole alla giardiniera. Sole with Vegetables.
Timballo alla Romana. Roman pie.
Petto di Castrato alla salsa di burro. Breast of mutton with butter sauce.
Verdure miste. Mixed vegetables.
Crema rappresa. Coffee cream.
Ostriche alla Veneziana. Oyster savoury.
</pre>
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<h2>
The Fourth Day
</h2>
<p>
THE Colonel was certainly the most severely critical member of the
company. Up to the present juncture he had been sparing of censure, and
sparing of praise likewise, but on this day, after lunch, he broke forth
into loud praise of the dish of beef which appeared in the menu. After
specially commending this dish he went on—
</p>
<p>
"It seems to me that the dinner of yesterday and to-day's lunch bear the
cachet of a fresh and admirable school of cookery. In saying this I don't
wish to disparage the traditions which have governed the preparation of
the delicious dishes put before us up to that date, which I have referred
to as the parting of the ways, the date when the palate of the expert
might detect a new hand upon the keys, a phrase once employed, I believe,
with regard to some man who wrote poetry. To meet an old friend, or a
thoroughly tested dish, is always pleasant, but old friends die or fall
out, and old favourite dishes may come to pall at last; and for this
reason I hold that the day which brings us a new friend or a new dish
ought to be marked with white chalk."
</p>
<p>
"And I think some wise man once remarked," said Sir John, "that the
discovery of a dish is vastly more important than the discovery of a star,
for we have already as many stars as we can possibly require, but we can
never have too many dishes."
</p>
<p>
"I was wondering whether any one would detect the variations I made
yesterday, but I need not have wondered, with such an expert at table as
Colonel Trestrail," said the Marchesa with a laugh. "Well, the Colonel has
found me out; but from the tone of his remarks I think I may hope for his
approval. At any rate, I'm sure he won't move a vote of censure."
</p>
<p>
"If he does, we'll pack him off to town, and sentence him to dine at his
club every day for a month," said Lady Considine.
</p>
<p>
"What crime has this particular club committed?" said Mrs. Sinclair in a
whisper.
</p>
<p>
"Vote of censure! Certainly not," said the Colonel, with an angry ring in
his voice. Mrs. Sinclair did not love him, and had calculated accurately
the carrying power of her whisper. "That would be the basest ingratitude.
I must, however, plead guilty to an attack of curiosity, and therefore I
beg you, Marchesa, to let us into the secret of your latest inspiration."
</p>
<p>
"Its origin was commonplace enough," said the Marchesa, "but in a way
interesting. Once upon a time—more years ago than I care to remember—I
was strolling about the Piazza Navona in Rome, and amusing myself by going
from one barrow to another, and turning over the heaps of rubbish with
which they were stocked. All the while I was innocently plagiarising that
fateful walk of Browning's round the Riccardi Palace in Florence, the day
when he bought for a lira the Romana homocidiorum. The world knows what
was the outcome of Browning's purchase, but it will probably never fathom
the full effect of mine. How do his lines run?"
</p>
<pre xml:space="preserve">
"These
I picked the book from. Five compeers in flank
Stood left and right of it as tempting more—
A dog's-eared Spicilegium, the fond tale
O' the frail one of the Flower, by young Dumas,
Vulgarised Horace for the use of schools,
The Life, Death, Miracles of Saint Somebody,
Saint Somebody Else, his Miracles, Death and Life."
</pre>
<p>
"Well, the choice which lay before me on one particular barrow was fully
as wide, or perhaps wider than that which met the poet's eye, but after I
had espied a little yellow paper-covered book with the title La Cucina
Partenopea, overo il Paradiso dei gastronomi, I looked no farther. What
infinite possibilities of pleasure might lie hidden under such a name. I
secured it, together with the Story of Barlaam and Josaphat, for
thirty-five centesimi, and handed over the coins to the hungry-eyed old
man in charge, who regretted, I am sure, when he saw the eager look upon
my face, that he had not marked the books a lira at least. I should now be
a rich woman if I had spent all the money I have spent as profitably as
those seven sold. Besides being a master in the art of cookery, the author
was a moral philosopher as well; and he addresses his reader in prefatory
words which bespeak a profound knowledge of life. He writes: 'Though the
time of man here on earth is passed in a never-ending turmoil, which must
make him often curse the moment when he opened his eyes on such a world;
though life itself must often become irksome or even intolerable,
nevertheless, by God's blessing, one supreme consolation remains for this
wretched body of ours. I allude to that moment when, the forces being
spent and the stomach craving support, the wearied mortal sits down to
face a good dinner. Here is to be found an effectual balm for the ills of
life: something to drown all remembrance of our ill-humours, the worries
of business, or even family quarrels. In sooth, it is only at table that a
man may bid the devil fly away with Solomon and all his wisdom, and give
himself up to an earthly delight, which is a pleasure and a profit at the
same time.'"
</p>
<p>
"The circumstances under which this precious book was found seem to
suggest a culinary poem on the model of the 'Ring and the Book,"' said
Mrs. Sinclair, "or we might deal with the story in practical shape by
letting every one of us prepare the same dish. I fancy the individual
renderings of the same recipe would vary quite as widely as the versions
of the unsavoury story set forth in Mr. Browning's little poem."
</p>
<p>
"I think we had better have a supplementary day for a trial of the sort
Mrs. Sinclair suggests," said Miss Macdonnell. "I speak with the memory of
a preparation of liver I tasted yesterday in the kitchen—one of the
dishes which did not appear at dinner."
</p>
<p>
"That is rather hard on the Colonel," said Van der Roet; "he did his best,
and now, see how hard he is trying to look as if he didn't know what you
are alluding to!"
</p>
<p>
"I never in all my life—" the Colonel began; but the Marchesa,
fearing a storm, interfered. "I have a lot more to tell you about my
little Neapolitan book," she went on, "and I will begin by saying that,
for the future, we cannot do better than make free use of it. The author
opens with an announcement that he means to give exact quantities for
every dish, and then, like a true Neapolitan, lets quantities go entirely,
and adopts the rule-of-thumb system. And I must say I always find the
question of quantities a difficult one. Some books give exact measures,
each dish being reckoned enough for four persons, with instructions to
increase the measures in proportion to the additional number of diners but
here a rigid rule is impossible, for a dish which is to serve by itself,
as a supper or a lunch, must necessarily be bigger than one which merely
fills one place in a dinner menu. Quantities can be given approximately in
many cases, but flavouring must always be a question of individual taste.
Latitude must be allowed, for all cooks who can turn out distinguished
work will be found to be endowed with imagination, and these, being
artists, will never consent to follow a rigid rule of quantity. To put it
briefly, cooks who need to be told everything, will never cook properly,
even if they be told more than everything. And after all, no one takes
seriously the quantities given by the chef of a millionaire or a prince;
witness the cook of the Prince de Soubise, who demanded fifty hams for the
sauces and garnitures of a single supper, and when the Prince protested
that there could not possibly be found space for them all on the table,
offered to put them all into a glass bottle no bigger than his thumb. Some
of Francatelli's quantities are also prodigious, as, for instance, when to
make a simple glaze he calls for three pounds of gravy beef, the best part
of a ham, a knuckle of veal, an old hen, and two partridges."
</p>
<pre xml:space="preserve">
Menu—Lunch
Maccheroni al sugillo. Macaroni with sausage and tomatoes.
Manzo in insalata. Beef, pressed and marinated.
Lingue di vitello all'Italiana. Calves' tongues.
</pre>
<pre xml:space="preserve">
Menu—Dinner.
Zuppa alla Modanese. Modenese soup.
Merluzzo in salamoia. Cod with sauce piquante.
Pollastro in istufa di pomidoro. Stewed chicken with tomatoes.
Porcelletto farcito alla Corradino. Stuffed suckling pig.
Insalata alla Navarino. Navarino salad.
Bodino di semolino. Semolina pudding.
Frittura di cocozze. Fried cucumber.
</pre>
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<h2>
The Fifth Day
</h2>
<p>
The following day was very warm, and some half-dozen of the party wandered
into the garden after lunch and took their coffee under a big chestnut
tree on the lawn. "And this is the 16th of June," said Lady Considine.
"Last year, on this very day, I started for Hombourg. I can't say I feel
like starting for Hombourg, or any other place, just at present."
</p>
<p>
"But why should any one of us want to go to Hombourg?" said Sir John.
"Nobody can be afraid of gout with the admirable diet we enjoy here."
</p>
<p>
"I beg you to speak for yourself, Sir John," said Lady Considine. "I have
never yet gone to Hombourg on account of gout."
</p>
<p>
"Of course not, my dear friend, of course not; there are so many reasons
for going to Hombourg. There's the early rising, and the band, and the new
people one may meet there, and the change of diet—especially the
change of diet. But, you see, we have found our change of diet within an
hour of London, so why—as I before remarked—should we want to
rush off to Hombourg?"
</p>
<p>
"I am a firm believer in that change of diet," said Mrs. Wilding, "though
in the most respectable circles the true-bred Briton still talks about
foreign messes, and affirms that anything else than plain British fare
ruins the digestion. I must say my own digestion is none the worse for the
holiday I am having from the preparations of my own 'treasure.' I think we
all look remarkably well; and we don't quarrel or snap at each other, and
it would be hard to find a better proof of wholesome diet than that."
</p>
<p>
"But I fancied Mrs. Gradinger looked a little out of sorts this morning,
and I'm sure she was more than a little out of temper when I asked her how
soon we were to taste her dish of toadstools," said Miss Macdonnell.
</p>
<p>
"I expect she had been making a trial of the British fungi in her
bedroom," said Van der Roet; "and then, you see, our conversation isn't
quite 'high toned' enough for her taste. We aren't sufficiently awake to
the claims of the masses. Can any one explain to me why the people who are
so full of mercy for the mass, are so merciless to the unit?"
</p>
<p>
"That is her system of proselytising," said the Colonel, "and if she is
content with outward conversion, it isn't a bad one. I often feel inclined
to agree to any proposition she likes to put forward, and I would, if I
could stop her talking by my submission."
</p>
<p>
"You wouldn't do that, Colonel, even in your suavest mood," said Van der
Roet; "but I hope somebody will succeed in checking her flow of discourse
before long. I'm getting worn to a shadow by the grind of that awful
voice."
</p>
<p>
"I thought your clothes were getting a bit loose," said the Colonel, "but
I put that phenomenon down to another reason. In spite of Mrs. Wilding's
praise of our present style of cooking, I don't believe our friend Vander
finds it substantial enough to sustain his manly bulk, and I'll tell you
the grounds of my belief. A few mornings ago, when I was shaving, I saw
the butcher bring into the house a splendid sirloin, and as no sirloin has
appeared at table, I venture to infer that this joint was a private affair
of Vander's, and that he, as well as Mrs. Gradinger, has been going in for
bedroom cookery. Here comes the Marchesa; we'll ask her to solve the
mystery."
</p>
<p>
"I can account for the missing sirloin," said the Marchesa. "The Colonel
is wrong for once. It went duly into the kitchen, and not to Mr. Van der
Roet's bedroom; but I must begin with a slight explanation, or rather
apology. Next to trial by jury, and the reverence paid to rank, and the
horror of all things which, as poor Corney Grain used to say, 'are not
nice,' I reckon the Sunday sirloin, cooked and served, one and indivisible
as the typical fetish of the great English middle class. With this fact
before my eyes, I can assure you I did not lightly lay a hand on its
integrity. My friends, you have eaten that sirloin without knowing it. You
may remember that yesterday after lunch the Colonel was loud in praise of
a dish of beef. Well, that beef was a portion of the same, and not the
best portion. The Manzo in insalata, which pleased the Colonel's palate,
was that thin piece at the lower end, the chief function of which, when
the sirloin is cooked whole, seems to lie in keeping the joint steady on
the dish while paterfamilias carves it. It is never eaten in the
dining-room hot, because every one justly prefers and goes for the under
cut; neither does it find favour at lunch next day, for the reason that,
as cold beef, the upper cut is unapproachable. I have never heard that the
kitchen hankers after it inordinately; indeed, its ultimate destination is
one of the unexplained mysteries of housekeeping. I hold that never, under
any circumstances, should it be cooked with the sirloin, but always cut
off and marinated and braized as we had it yesterday. Thus you get two hot
dishes; our particular sirloin has given us three. The parts of this joint
vary greatly in flavour, and in texture as well, and by accentuating this
variation by treatment in the kitchen, you escape that monotony which is
prone to pervade the table so long as the sirloin remains in the house.
Mrs. Sinclair is sufficiently experienced as a housekeeper to know that
the dish of fillets we had for dinner last night was not made from the
under cut of one sirloin. It was by borrowing a little from the upper part
that I managed to fill the dish, and I'm sure that any one who may have
got one of the uppercut fillets had no cause to grumble. The Filetto di
Bue which we had for lunch to-day was the residue of the upper cut, and,
admirable as is a slice of cold beef taken from this part of the joint, I
think it is an excellent variation to make a hot dish of it sometimes. On
the score of economy, I am sure that a sirloin treated in this fashion
goes a long way further."
</p>
<p>
"The Marchesa demolishes one after another of our venerable institutions
with so charming a despatch that we can scarcely grieve for them," said
Sir John. "I am not philosopher enough to divine what change may come over
the British character when every man sits down every day to a perfectly
cooked dinner. It is sometimes said that our barbarian forefathers left
their northern solitudes because they hankered after the wine and delicate
meats of the south, and perhaps the modern Briton may have been led to
overrun the world by the hope of finding a greater variety of diet than he
gets at home. It may mean, Marchesa, that this movement of yours for the
suppression of English plain cooking will mark the close of our national
expansion."
</p>
<p>
"My dear Sir John, you may rest assured that your national expansion, as
well as your national cookery, will continue in spite of anything we may
accomplish here, and I say good luck to them both. When have I ever denied
the merits of English cookery?" said the Marchesa. "Many of its dishes are
unsurpassed. These islands produce materials so fine, that no art or
elaboration can improve them. They are best when they are cooked quite
plainly, and this is the reason why simplicity is the key-note of English
cookery. A fine joint of mutton roasted to a turn, a plain fried sole with
anchovy butter a broiled chop or steak or kidney, fowls or game cooked
English fashion, potatoes baked in their skins and eaten with butter and
salt, a rasher of Wiltshire bacon and a new-laid egg, where will you beat
these? I will go so far as to say no country can produce a bourgeoises
dish which can be compared with steak and kidney pudding. But the point I
want to press home is that Italian cookery comes to the aid of those who
cannot well afford to buy those prime qualities of meat and fish which
allow of this perfectly plain treatment. It is, as I have already said,
the cookery of a nation short of cash and unblessed with such excellent
meat and fish and vegetables as you lucky islanders enjoy. But it is rich
in clever devices of flavouring, and in combinations, and I am sure that
by its help English people of moderate means may fare better and spend
less than they spend now, if only they will take a little trouble."
</p>
<pre xml:space="preserve">
Menu—Lunch
Gnocchi alla Romana. Semolina with parmesan.
Filetto di Bue al pistacchi. Fillet of beef with pistachios
Bodini marinati. Marinated rissoles.
</pre>
<pre xml:space="preserve">
Menu—Dinner.
Zuppa Crotopo. Croute au pot soup.
Sogliole alla Veneziana. Fillets of sole.
Ateletti alla Sarda. Atelets of ox-palates, &c.
Costolette di Montone alla Nizzarda. Mutton cutlets.
Pollo alla Fiorentina. Fowl with macaroni.
Crema tartara alla Caramella. Caramel cream.
Uova rimescolati al tartufi. Eggs with truffles.
</pre>
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<h2>
The Sixth Day
</h2>
<p>
The following morning, at breakfast, a servant announced that Sir John
Oglethorpe was taking his breakfast in his room, and that there was no
need to keep anything in reserve for him. It was stated, however, that Sir
John was in no way indisposed, and that he would join the party at lunch.
</p>
<p>
He seated himself in his usual place, placid and fresh as ever; but,
unharmed as he was physically, it was evident to all the company that he
was suffering from some mental discomposure. Miss Macdonnell, with a frank
curiosity which might have been trying in any one else, asked him
point-blank the reason of his absence from the meal for which, in spite of
his partiality for French cookery, he had a true Englishman's devotion.
</p>
<p>
"I feel I owe the company some apology for my apparent churlishness," he
said; "but the fact is, that I have received some very harrowing, but at
the same time very interesting, news this morning. I think I told you the
other day how the vacancy in my kitchen has led up to a very real tragedy,
and that the abhorred Fury was already hovering terribly near the head of
poor Narcisse. Well, I have just received from a friend in Paris journals
containing a full account of the trial of Narcisse and of his fair
accomplice. The worst has come to pass, and Narcisse has been doomed to
sneeze into the basket like a mere aristocrat or politician during the
Terror I was greatly upset by this news, but I was interested, and in a
measure consoled, to find an enclosure amongst the other papers, an
envelope addressed to me in the handwriting of the condemned man. This
voix d'outre tombe, I rejoice to say, confides to me the secret of that
incomparable sauce of his, a secret which I feared might be buried with
Narcisse in the prison ditch."
</p>
<p>
The Marchesa sighed as she listened. The recipe of the sauce was safe
indeed, but she knew by experience how wide might be the gulf between the
actual work of an artist and the product of another hand guided by his
counsels, let the hand be ever so dexterous, and the counsels ever so
clear. "Will it be too much," she said, "to ask you to give us the details
of this painful tragedy?"
</p>
<p>
"It will not," Sir John replied reflectively. "The last words of many a
so-called genius have been enshrined in literature: probably no one will
ever know the parting objurgation of Narcisse. I will endeavour, however,
to give you some notion as to what occurred, from the budget I have just
read. I fear the tragedy was a squalid one. Madame, the victim, was
elderly, unattractive in person, exacting in temper, and the owner of
considerable wealth—at least, this is what came out at the trial. It
was one of those tangles in which a fatal denouement is inevitable; and,
if this had not come through Mademoiselle Sidonie, it would have come
through somebody else. The lovers plotted to remove madame by first
drugging her, then breaking her skull with the wood chopper, and then
pitching her downstairs so as to produce the impression that she had met
her death in this fashion. But either the arm of Mademoiselle Sidonie—who
was told off to do the hammering—was unskilled in such work, or the
opiate was too weak, for the victim began to shriek before she gave up the
ghost. Detection seemed imminent, so Narcisse, in whom the quality of
discretion was evidently predominant, bolted at once and got out of the
country. But the facts were absolutely clear. The victim lived long enough
to depose that Mademoiselle Sidonie attacked her with the wood chopper,
while Narcisse watched the door. The advocate of Narcisse did his work
like a man. He shed the regulation measure of tears; he drew graphic
pictures of the innocent youth of Narcisse, of his rise to eminence, and
of his filial piety as evidenced by the frequent despatch of money and
comestibles to his venerable mother, who was still living near Bourges.
Once a year, too, this incomparable artist found time to renew his youth
by a sojourn in the simple cottage which saw his birth, and by embracing
the giver of his life. Was it possible that a man who treated one woman
with such devotion and reverence could take the life of another? He
adduced various and picturesque reasons to show that such an event must be
impossible, but the jury took the opposite view. Some one had to be
guillotined, and the intelligent jury decided that Paris could spare
Narcisse better than it could spare Mademoiselle Sidonie. I fear the fact
that he had deigned to sell his services to a brutal islander may have
helped them to come to this conclusion, but there were other and more
weighty reasons. Of the supreme excellence of Narcisse as an artist the
jury knew nothing, so they let him go hang—or worse—but of
Mademoiselle Sidonie they knew a good deal, and their knowledge, I
believe, is shared by certain English visitors to Paris. She is one of the
attractions of the Fantasies d'Arcadie, and her latest song, Bonjour Coco,
is sung and whistled in every capital of Europe; so the jury, thrusting
aside as mere pedantry the evidence of facts, set to work to find some
verdict which would not eclipse the gaiety of La Ville Lumiere by cutting
short the career of Mademoiselle Sidonie. The art of the chef appealed to
only a few, and he dies a mute, but by no means inglorious martyr: the art
of the chanteuse appeals to the million, the voice of the many carries the
day, and Narcisse must die."
</p>
<p>
"It is a revolting story," said Mrs. Gradinger, "and one possible only in
a corrupted and corrupting society. It is wonderful, as Sir John remarks,
how the conquering streams of tendency manifest themselves even in an
affair like this. Ours is a democratic age, and the wants and desires of
the many, who find delight in this woman's singing, override the whims of
the pampered few, the employers of such costly luxuries as men cooks."
</p>
<p>
"You see you are a mere worm, Sir John," laughed Miss Macdonnell, "and you
had better lay out your length to be trampled on."
</p>
<p>
"Yes, I have long foreseen our fate, we who happen to possess what our
poor brother hankers after. Well, perhaps I may take up the worm's role at
once and 'turn', that is, burn the recipe of Narcisse."
</p>
<p>
"O Sir John, Sir John," cried Mrs. Sinclair "any such burning would remind
me irresistibly of Mr. Mantalini's attempts at suicide. There would be an
accurate copy in your pocket-book, and besides this you would probably
have learnt off the recipe by heart."
</p>
<p>
"Yes, we know our Sir John better than that, don't we?" said the Marchesa;
"but, joking apart, Sir John, you might let me have the recipe at once. It
would go admirably with one of our lunch dishes for to-morrow."
</p>
<p>
But on the subject of the sauce, Sir John—like the younger Mr.
Smallweed on the subject of gravy—was adamant. The wound caused by
the loss of Narcisse was, he declared, yet too recent: the very odour of
the sauce would provoke a thousand agonising regrets. And then the hideous
injustice of it all: Narcisse the artist, comparatively innocent (for to
artists a certain latitude must be allowed), to moulder in quicklime, and
this greedy, sordid murderess to go on ogling and posturing with
superadded popularity before an idiot crowd unable to distinguish a
Remoulade from a Ravigotte! "No, my dear Marchesa," he said, "the secret
of Narcisse must be kept a little longer, for, to tell the truth, I have
an idea. I remember that ere this fortunes have been made out of sauces,
and if this sauce be properly handled and put before the public, it may
counteract my falling, or rather disappearing rents. If only I could hit
upon a fetching name, and find twenty thousand pounds to spend in
advertising, I might be able once more to live on my acres."
</p>
<p>
"Oh, surely we shall be able to find you a name between us," said Mrs.
Wilding; "money, and things of that sort are to be procured in the city, I
believe; and I daresay Mr. Van der Roet will design a pretty label for the
sauce bottles."
</p>
<pre xml:space="preserve">
Menu—Lunch.
Pollo all'olive. Fowl with olives.
Scaloppine di rive. Veal cutlets with rice.
Sedani alla parmigiana. Stewed celery.
</pre>
<pre xml:space="preserve">
Menu—Dinner.
Zuppa primaverile. Spring soup
Sote di Salmone al funghi. Salmon with mushrooms.
Tenerumi d'Agnello alla veneziana. Breast of lamb alla Veneziana.
Testa di Vitello alla sorrentina. Calf's head alla Sorrentina.
Fagiano alla perigo. Pheasant with truffles.
Torta alla cremonese. Cremona tart.
Uova alla fiorentina. Egg savoury.
</pre>
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<h2>
The Seventh Day
</h2>
<p>
"It seems invidious to give special praise where everything is so good,"
said Mrs. Sinclair next day at lunch, "but I must say a word about that
clear soup we had at dinner last night. I have never ceased to regret that
my regard for manners forbade me ask for a second helping."
</p>
<p>
"See what it is to have no manners," said Van der Roet. "I plunged boldly
for another portion of that admirable preparation of calf's head at
dinner. If I hadn't, I should have regretted it for ever after. Now, I'm
sure you are just as curious about the construction of these masterpieces
as I am, Mrs. Sinclair, so we'll beg the Marchesa to let us into the
secret."
</p>
<p>
"Mrs. Sinclair herself had a hand in the calf's-head dish, 'Testa di
Vitello alla sorrentina,' so perhaps I may hand over that part of the
question to her. I am very proud that one of my pupils should have won
praise from such a distinguished expert as Mr. Van der Roet, and I leave
her to expound the mystery of its charm. I think I may without presumption
claim the clear soup as a triumph, and it is a discovery of my own. The
same calf's head which Mrs. Sinclair has treated with such consummate
skill, served also as the foundation for the stock of the clear soup. This
stock certainly derived its distinction from the addition of the liquor in
which the head was boiled. A good consomme can no doubt be made with
stock-meat alone, but the best soup thus made will be inferior to that we
had for dinner last night. Without the calf's head you will never get such
softness, combined with full roundness on the tongue, and the great merit
of calf's head is that it lets you attain this excellence without any
sacrifice of transparency."
</p>
<p>
"I have marvelled often at the clearness of your soups, Marchesa," said
the Colonel. "What clearing do you use to make them look like pale
sherry?"
</p>
<p>
"No one has any claim to be called a cook who cannot make soup without
artificial clearing," said the Marchesa. "Like the poet, the consomme is
born, not made. It must be clear from the beginning, an achievement which
needs care and trouble like every other artistic effort, but one
nevertheless well within the reach of any student who means to succeed. To
clear a soup by the ordinary medium of white of egg or minced beef is to
destroy all flavour and individuality. If the stock be kept from boiling
until it has been strained, it will develop into a perfectly clear soup
under the hands of a careful and intelligent cook. The fleeting delicate
aroma which, as every gourmet will admit, gives such grateful aid to the
palate, is the breath of garden herbs and of herbs alone, and here I have
a charge to bring against contemporary cookery. I mean the neglect of
natural in favour of manufactured flavourings. With regard to herbs, this
could not always have been the rule, for I never go into an old English
garden without finding there a border with all the good old-fashioned pot
herbs growing lustily. I do not say that the use of herbs is unknown, for
of course the best cookery is impossible without them, but I fear that
sage mixed with onion is about the only one which ever tickles the palate
of the great English middle-class. And simultaneously with the use of herb
flavouring in soup has arisen the practice of adding wine, which to me
seems a very questionable one. If wine is put in soup at all, it must be
used so sparingly as to render its presence imperceptible. Why then use it
at all? In some sauces wine is necessary, but in all cases it is as
difficult to regulate as garlic, and requires the utmost vigilance on the
part of the cook."
</p>
<p>
"My last cook, who was very stout and a little middle-aged, would always
use flavouring sauces from the grocer's rather than walk up to the garden,
where we have a most seductive herb bed," said Mrs. Wilding; "and then,
again, the love of the English for pungent-made sauces is another reason
for this makeshift practice. 'Oh, a table-spoonful of somebody's sauce
will do for the flavouring,' and in goes the sauce, and the flavouring is
supposed to be complete. People who eat their chops, and steaks, and fish,
and game, after having smothered the natural flavour with the same harsh
condiment, may be satisfied with a cuisine of this sort, but to an
unvitiated palate the result is nauseous."
</p>
<p>
"Yet as a Churchwoman, Mrs. Wilding, you ought to speak with respect of
English sauces. I think I have heard how a libation of one of them, which
was poured over a certain cathedral, has made it look as good as new,"
said Miss Macdonnell, "and we have lately learned that one of the most
distinguished of our party is ambitious to enter the same career."
</p>
<p>
"I would suggest that Sir John should devote all that money he proposes to
make by the aid of his familiar spirit—the ghost of Narcisse—to
the building of a temple in honour of the tenth muse, the muse of
cookery," said Mrs. Sinclair; "and what do you think, Sir John, of a name
I dreamt of last night for your sauce, 'The New Century Sauce'? How will
that do?"
</p>
<p>
"Admirably," said Sir John after a moment's pause; "admirably enough to
allow me to offer you a royalty on every bottle sold. 'The New Century
Sauce', that's the name for me; and now to set to work to build the
factory, and to order plans for the temple of the tenth muse."
</p>
<pre xml:space="preserve">
Menu—Lunch.
Maccheroni al pomidoro. Macaroni with tomatoes,
Vitello alla pellegrina. Veal cutlets alla pellegrina.
Animelle al sapor di targone. Sweetbread with tarragon sauce.
</pre>
<pre xml:space="preserve">
Menu—Dinner.
Zuppa alla Canavese. Soup alla Canavese
Naselli con piselli. Whiting with peas.
Coscia di manzo al forno. Braized ribs of beef.
Lingua alla Visconti. Tongue with grapes.
Anitra selvatica. Wild duck.
Zabajone ghiacciato. Iced syllabub.
Crostatini alla capucina. Savoury of rice, truffles, &c.
</pre>
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<h2>
The Eighth Day
</h2>
<p>
"We are getting unpleasantly near the end of our time," said the Colonel,
"but I am sure not one of us has learnt one tithe of what the Marchesa has
to teach."
</p>
<p>
"My dear Colonel Trestrail," said the Marchesa, "an education in cookery
does not mean the teaching of a certain number of recipes. Education, I
maintain, is something far higher than the mere imparting of facts; my
notion of it is the teaching of people to teach themselves, and this is
what I have tried to do in the kitchen. With some of you I am sure I have
succeeded, and a book containing the recipe of every dish we have tried
will be given to every pupil when we break up."
</p>
<p>
"I think the most valuable lesson I have learnt is that cookery is a
matter for serious study," said Mrs. Sinclair. "The popular English view
seems to be that it is one of those things which gets itself done. The
food is subjected to the action of heat, a little butter, or pepper, or
onion, being added by way of flavouring, and the process is complete. To
put it bluntly, it requires at least as much mental application to roast a
fowl as to cut a bodice; but it does not strike the average Englishwoman
in this way, for she will spend hours in thinking and talking about
dressmaking (which is generally as ill done as her cooking), while she
will be reluctant to give ten minutes to the consideration as to how a
luncheon or supper dish shall be prepared. The English middle classes are
most culpably negligent about the food they eat, and as a consequence they
get exactly the sort of cooks they deserve to get. I do not blame the
cooks; if they can get paid for cooking ill, why should they trouble to
learn to cook well?"
</p>
<p>
"I agree entirely," said Mrs. Wilding. "That saying, 'What I like is good
plain roast and boiled, and none of your foreign kickshaws,' is, as every
one knows, the stock utterance of John Bull on the stage or in the novel;
and, though John Bull is not in the least like his fictitious presentment,
this form of words is largely responsible for the waste and want of
variety in the English kitchen. The plain roast and boiled means a joint
every day, and this arrangement the good plain cook finds an admirable one
for several reasons: it means little trouble, and it means also lots of
scraps and bones and waste pieces. The good plain cook brings all the
forces of obstruction to bear whenever the mistress suggests made dishes;
and, should this suggestion ever be carried out, she takes care that the
achievement shall be of a character not likely to invite repetition. Not
long ago a friend of mine was questioning a cook as to soups, whereupon
the cook answered that she had never been required to make such things
where she had lived; all soups were bought in tins or bottles, and had
simply to be warmed up. Cakes, too, were outside her repertoire, having
always been 'had in' from the confectioner's, while 'entrys' were in her
opinion, and in the opinion of her various mistresses, 'un'ealthy' and not
worth making."
</p>
<p>
"My experience is that, if a mistress takes an interest in cooking, she
will generally have a fairly efficient cook," said Mrs. Fothergill. "I
agree with Mrs. Sinclair that our English cooks are spoilt by neglect; and
I think it is hard upon them, as a class, that so many inefficient women
should be able to pose as cooks while they are unable to boil a potato
properly."
</p>
<p>
"And the so-called schools of cookery are quite useless in what they
teach," said Miss Macdonnell. "I once sent a cook of mine to one to learn
how to make a clear soup, and when she came back, she sent up, as an
evidence of her progress, a potato pie coloured pink and green, a most
poisonous-looking dish—and her clear soups were as bad as ever."
</p>
<p>
Said the Colonel, "I will beg leave to enter a protest against the
imperfections of that repast which is supposed to be the peculiar delight
of the ladies, I allude to afternoon tea. I want to know why it is that
unless I happen to call just when the tea is brought up—I grant, I
know of a few houses which are honourable exceptions—I am fated to
drink that most abominable of all decoctions, stewed lukewarm tea. 'Will
you have some tea? I'm afraid it isn't quite fresh,' the hostess will
remark without a blush. What would she think if her husband at dinner were
to say, 'Colonel, take a glass of that champagne. It was opened the day
before yesterday, and I daresay the fizz has gone off a little'? Tea is
cheap enough, and yet the hostess seldom or never thinks of ordering up a
fresh pot. I believe it is because she is afraid of the butler."
</p>
<p>
"I sympathise with you fully, Colonel," said Lady Considine, "and my
withers are unwrung. You do not often honour me with your presence on
Tuesdays, but I am sure I may claim to be one of your honourable
exceptions."
</p>
<p>
"Indeed you may," said the Colonel. "Perhaps men ought not to intrude on
these occasions; but I have a preference for taking tea in a pretty
drawing-room, with a lot of agreeable women, rather than in a club
surrounded by old chaps growling over the latest job at the War Office,
and a younger brigade chattering about the latest tape prices, and the
weights for the spring handicaps."
</p>
<p>
"All these little imperfections go to prove that we are not a nation of
cooks," said Van der Roet. "We can't be everything. Heine once said that
the Romans would never have found time to conquer the world if they had
been obliged to learn the Latin grammar; and it is the same with us. We
can't expect to found an empire all over the planet, and cook as well as
the French, who—perhaps wisely—never willingly emerge from the
four corners of their own land."
</p>
<p>
"There is energy enough left in us when we set about some purely
utilitarian task," said Mrs. Wilding, "but we never throw ourselves into
the arts with the enthusiasm of the Latin races. I was reading the other
day of a French costumier who rushed to inform a lady, who had ordered a
turban, of his success, exclaiming, 'Madame, apres trots nun's d'insomnie
les plumes vent placees.' And every one knows the story of Vatel's suicide
because the fish failed to arrive. No Englishman would be capable of
flights like these."
</p>
<p>
"Really, this indictment of English cookery makes me a little nervous,"
said Lady Considine "I have promised to join in a driving tour through the
southern counties. I shudder to think of the dinners I shall have to eat
at the commercial hotels and posting-houses on our route."
</p>
<p>
"English country inns are not what they ought to be, but now and then you
come across one which is very good indeed, as good, if not better, than
anything you could find in any other country; but I fear I must admit
that, charges considered, the balance is against us," said Sir John.
</p>
<p>
"When you start you ought to secure Sir John's services as courier, Lady
Considine," said the Marchesa. "I once had the pleasure of driving for a
week through the Apennines in a party under his guidance, and I can assure
you we found him quite honest and obliging."
</p>
<p>
"Ah, Marchesa, I was thinking of that happy time this very morning," said
Sir John. "Of Arezzo, where we were kept for three days by rain, which I
believe is falling there still. Of Cortona, with that wonderful little
restaurant on the edge of the cliff, whence you see Thrasumene lying like
a silver mirror in the plain below. Of Perugia, the august, of Gubbio,
Citta di Castello, Borgo San Sepolcro, Urbino, and divers others. If you
go for a drive in Italy, you still may meet with humours of the road such
as travellers of old were wont to enjoy. I well remember on the road
between Perugia and Gubbio we began to realise we were indeed traversing
mountain paths. On a sudden the driver got down, waved his arms, and
howled to some peasants working in a field below. These, on their part,
responded with more arm-waving and howling, directed apparently towards a
village farther up the hill, whereupon we were assailed with visions of
brigands, and amputated ears, and ransom. But at a turn of the road we
came upon two magnificent white oxen, which, being harnessed on in front,
drew us, and our carriages and horses as well, up five miles of steep
incline. These beautiful fellows, it seemed, were what the driver was
signalling for, and not for brigands. Again, every inn we stayed at
supplied us with some representative touch of local life and habit. Here
the whole personnel of the inn, reinforced by a goodly contingent of the
townsfolk, would accompany us even into our bedrooms, and display the
keenest interest in the unpacking of our luggage. There the cook would
come and take personal instructions as to the coming meal, throwing out
suggestions the while as to the merits of this or that particular dish,
and in one place the ancient chambermaid insisted that one of the ladies,
who had got a slight cold, should have the prete put into her bed for a
short time to warm it. You need not look shocked, Colonel. The prete in
question was merely a wooden frame, in the midst of which hangs a scaldino
filled with burning ashes—a most comforting ecclesiastic, I can
assure you. All the inns we visited had certain characteristics in common.
The entrance is always dirty, and the staircase too, the dining rooms
fairly comfortable, the bedrooms always clean and good, and the food much
better than you would expect to find in such out-of-the-way places; indeed
I cannot think of any inn where it was not good and wholesome, while often
it was delicious. In short, Lady Considine, I strongly advise you to take
a drive in Italy next spring, and if I am free I shall be delighted to act
as courier."
</p>
<p>
"Sir John has forgotten one or two touches I must fill in," said the
Marchesa. "It was often difficult to arrange a stopping-place for lunch,
so we always stocked our basket before starting. After the first day's
experience we decided that it was vastly more pleasant to take our meal
while going uphill at a foot-pace, than in the swing and jolt of a
descent, so the route and the pace of the horses had to be regulated in
order to give us a good hour's ascent about noon. Fortunately hills are
plentiful in this part of Italy, and in the keen air we generally made an
end of the vast store of provisions we laid in, and the generous fiascho
was always empty a little too soon. Our drive came to an end at Fano,
whither we had gone on account of a strange romantic desire of Sir John to
look upon an angel which Browning had named in one of his poems. Ah! how
vividly I can recall our pursuit of that picture. It was a wet, melancholy
day. The people of Fano were careless of the fame of their angel, for no
one knew the church which it graced. At last we came upon it by the merest
chance, and Sir John led the procession up to the shrine, where we all
stood for a time in positions of mock admiration. Sir John tried hard to
keep up the imposition, but something, either his innate honesty or the
chilling environment of disapproval of Guercino's handiwork, was too much
for him. He did his best to admire, but the task was beyond his powers,
and he raised no protest when some scoffer affirmed that, though Browning
might be a great poet, he was a mighty poor judge of painting, when he
gave in his beautiful poem immortality to this tawdry theatrical canvas.
'I think,' said Sir John, 'we had better go back to the hotel and order
lunch. It would have been wiser to have ordered it before we left.' We
were all so much touched by his penitence that no one had the heart to
remind him how a proposition as to lunch had been made by our leading
Philistine as soon as we arrived, a proposition waved aside by Sir John as
inadmissible until the 'Guardian Angel' should have been seen and
admired."
</p>
<p>
"I plead guilty," said Sir John. "I think this experience gave a
death-blow to my career as an appreciator. Anyhow, I quite forget what the
angel was like, and for reminiscences of Fano have to fall back upon the
excellent colazione we ate in the externally unattractive, but internally
admirable, Albergo del Moro."
</p>
<pre xml:space="preserve">
Menu—Lunch.
Astachi all'Italiana. Lobster all'Italiana
Filetto di bue alla Napolitana. Fillet of beef with Neapolitan sauce.
Risotto alla spagnuola. Savoury rice.
</pre>
<pre xml:space="preserve">
Menu—Dinner.
Zuppa alla Romana. Soup with quenelles.
Salmone alla Genovese. Salmon alla Genovese.
Costolette in agro-dolce. Mutton cutlets with Roman sauce.
Flano di spinacci. Spinach in a mould.
Cappone con rive. Capon with rice.
Croccante di mandorle. Almond sweet.
Ostriche alla Napolitana. Oyster savoury.
</pre>
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<h2>
The Ninth Day
</h2>
<p>
"Since I have been associated with the production of a dinner, I have had
my eyes opened as to the complicated nature of the task, and the numerous
strings which have to be pulled in order to ensure success," said the
Colonel; "but, seeing that a dinner-party with well-chosen sympathetic
guests and distinguished dishes represents one of the consummate triumphs
of civilisation, there is no reason to wonder. To achieve a triumph of any
sort demands an effort."
</p>
<p>
"Effort," said Miss Macdonnell. "Yes, effort is the word I associate with
so many middle-class English dinners. It is an effort to the hosts, who
regard the whole business as a mere paying off of debts; and an effort to
the guests, who, as they go to dress, recall grisly memories of former
similar experiences. It often astonishes me that dinner-giving of this
character should still flourish."
</p>
<p>
"The explanation is easy," said Van der Roet; "it flourishes because it
gives a mark of distinction. It is a delicious moment for Mrs. Johnson
when she is able to say to Mrs. Thompson, 'My dear, I am quite worn-out;
we dined out every day last week, and have four more dinners in the next
five days.' These good people show their British grit by the persistency
with which they go on with their penitential hospitality, and their lack
of ideas in never attempting to modify it so as to make it a pleasure
instead of a disagreeable duty."
</p>
<p>
"It won't do to generalise too widely, Van der Roet," said Sir John. "Some
of these good people surely enjoy their party-giving; and, from my own
experience of one or two houses of this sort, I can assure you the food is
quite respectable. The great imperfection seems to lie in the utter want
of consideration in the choice of guests. A certain number of people and a
certain quantity of food shot into a room, that is their notion of a
dinner-party."
</p>
<p>
"Of course we understand that the success of a dinner depends much more on
the character of the guests than on the character of the food," said Mrs.
Sinclair; "and most of us, I take it, are able to fill our tables with
pleasant friends; but what of the dull people who know none but dull
people? What gain will they get by taking counsel how they shall fill
their tables?"
</p>
<p>
"More, perhaps, than you think, dear Mrs. Sinclair," said Sir John. "Dull
people often enjoy themselves immensely when they meet dull people only.
The frost comes when the host unwisely mixes in one or two guests of
another sort—people who give themselves airs of finding more
pleasure in reading Stevenson than the sixpenny magazines, and who don't
know where Hurlingham is. Then the sheep begin to segregate themselves
from the goats, and the feast is manque."
</p>
<p>
"Considering what a trouble and anxiety a dinner-party must be to the
hostess, even under the most favouring conditions, I am always at a loss
to discover why so many women take so much pains, and spend a considerable
sum of money as well, over details which are unessential, or even
noxious," said Mrs. Wilding. "A few flowers on the table are all very well—one
bowl in the centre is enough—but in many houses the cost of the
flowers equals, if it does not outrun, the cost of all the rest of the
entertainment. A few roses or chrysanthemums are perfect as accessories,
but to load a table with flowers of heavy or pungent scent is an outrage.
Lilies of the valley are lovely in proper surroundings, but on a
dinner-table they are anathema. And then the mass of paper monstrosities
which crowd every corner. Swans, nautilus shells, and even wild boars are
used to hold up the menu. Once my menu was printed on a satin flag, and
during the war the universal khaki invaded the dinner table. Ices are
served in frilled baskets of paper, which have a tendency to dissolve and
amalgamate with the sweet. The only paper on the table should be the menu,
writ plain on a handsome card."
</p>
<p>
"No one can complain of papery ices here," said the Marchesa. "Ices may be
innocuous, but I don't favour them, and no one seems to have felt the want
of them; at least, to adopt the phrase of the London shopkeeper, 'I have
had no complaints.' And even the ice, the very emblem of purity, has not
escaped the touch of the dinner-table decorator. Only a few days ago I
helped myself with my fingers to what looked like a lovely peach, and let
it flop down into the lap of a bishop who was sitting next to me. This was
the hostess's pretty taste in ices."
</p>
<p>
"They are generally made in the shape of camelias this season," said Van
der Roet. "I knew a man who took one and stuck it in his buttonhole."
</p>
<p>
"I must say I enjoy an ice at dinner," said Lady Considine. "I know the
doctors abuse them, but I notice they always eat them when they get the
chance."
</p>
<p>
"Ah, that is merely human inconsistency," said Sir John. "I am inclined to
agree with the Marchesa that ice at dinner is an incongruity, and may well
be dispensed with. I think I am correct, Marchesa, in assuming that Italy,
which has showered so many boons upon us, gave us also the taste for
ices."
</p>
<p>
"I fear I must agree," said the Marchesa. "I now feel what a blessing it
would have been for you English if you had learnt from us instead the art
of cooking the admirable vegetables your gardens produce. How is it that
English cookery has never found any better treatment for vegetables than
to boil them quite plain? French beans so treated are tender, and of a
pleasant texture on the palate, but I have never been able to find any
taste in them. They are tasteless largely because the cook persists in
shredding them into minute bits, and I maintain that they ought to be
cooked whole—certainly when they are young—and sautez, a
perfectly plain and easy process, which is hard to beat. Plain boiled
cauliflower is doubtless good, but cooked alla crema it is far better;
indeed, it is one of the best vegetable dishes I know. But perhaps the
greatest discovery in cookery we Italians ever made was the combination of
vegetables and cheese. There are a dozen excellent methods of cooking
cauliflower with cheese, and one of these has come to you through France,
choux-fleurs au gratin, and has become popular. Jerusalem artichokes
treated in the same fashion are excellent; and the cucumber, nearly always
eaten raw in England, holds a first place as a vegetable for cooking. I
seem to remember that every one was loud in its praises when we tasted it
as an adjunct to Manzo alla Certosina. Why is it that celery is for the
most part only eaten raw with cheese? We have numberless methods of
cooking it in Italy, and beetroot and lettuce as well. There is no spinach
so good as English, and nowhere is it so badly cooked; it is always coarse
and gritty because so little trouble is taken with it, and I can assure
you that the smooth, delicate dish which we call Flano di spinacci is not
produced merely by boiling and chopping it, and turning it out into a
dish."
</p>
<pre xml:space="preserve">
Menu—Lunch
Minestrone alla Milanese. Vegetable broth.
Coniglio alla Provenzale. Rabbit alla Provenzale.
Insalata di pomidoro. Tomato salad.
</pre>
<pre xml:space="preserve">
Menu—Dinner.
Zuppa alla Maria Pia. Soup alla Maria Pia.
Anguilla con ortaggi alla Milanese. Eels with vegetables.
Manzo con sugo di barbabietoli. Fillet of beef with beetroot sauce.
Animelle alla parmegiana. Sweetbread with parmesan.
Perniciotti alla Gastalda. Partridges alla Gastalda.
Uova ripiani. Stuffed eggs.
</pre>
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<h2>
The Tenth Day
</h2>
<p>
The sun rose on the tenth and last day at the "Laurestinas" as he was wont
to rise on less eventful mornings. At breakfast the Marchesa proposed that
the lunch that day should be a little more ornate than usual, and the
dinner somewhat simpler. She requisitioned the services of six of the
company to prepare the lunch, and at the same time announced that they
would all have a holiday in the afternoon except Mrs. Sinclair, whom she
warned to be ready to spend the afternoon in the kitchen helping prepare
the last dinner.
</p>
<p>
Four dishes, all admirable, appeared at lunch, and several of the party
expressed regret that the heat of the weather forbade them from tasting
every one; but Sir John was not of these. He ate steadily through the
menu, and when he finally laid down his knife and fork he heaved a sigh,
whether of satisfaction or regret it were hard to say.
</p>
<p>
"It is a commonplace of the deepest dye to remark that ingratitude is
inherent in mankind," he began; "I am compelled to utter it, however, by
the sudden longing I feel for a plate from the hand of the late lamented
Narcisse after I have eaten one of the best luncheons ever put on a
table."
</p>
<p>
"Experience of one school of excellence has caused a hankering after the
triumphs of another," said Miss Macdonnell "There is one glory of the
Marchesa, there is, or was, another of Narcisse, and the taste of the
Marchesa's handiwork has stimulated the desire of comparision. Never mind,
Sir John, perhaps in another world Narcisse may cook you—"
</p>
<p>
"Oh stop, stop, for goodness' sake," cried Sir John, "I doubt whether even
he could make me into a dainty dish to set before the King of Tartarus,
though the stove would no doubt be fitted with the latest improvements and
the fuel abundant."
</p>
<p>
"Really, Sir John, I'm not sure I ought not to rise and protest," said
Mrs. Wilding, "and I think I would if it weren't our last day."
</p>
<p>
"Make a note of Sir John's wickedness, and pass it on to the Canon for use
in a sermon," said Van der Roet.
</p>
<p>
"I can only allow you half-an-hour, Laura," said the Marchesa to Mrs.
Sinclair, "then you must come and work with me for the delectation of
these idle people, who are going to spend the afternoon talking scandal
under the chestnuts."
</p>
<p>
"I am quite ready to join you if I can be of any help," said Mrs.
Gradinger. "When knowledge is to be acquired, I am always loath to stand
aside, not for my own sake so much as for the sake of others less
fortunate, to whom I might possibly impart it hereafter."
</p>
<p>
"You are very good," said the Marchesa, "but I think I must adhere to my
original scheme of having Mrs. Sinclair by herself. I see coffee is now
being taken into the garden, so we will adjourn, if you please."
</p>
<p>
After the two workers had departed for the kitchen, an unwonted silence
fell on the party under the chestnuts. Probably every one was pondering
over the imminent dissolution of the company, and wondering whether to
regret or rejoice. The peace had been kept marvellously well, considering
the composition of the company. Mrs. Fothergill at times had made a show
of posing as the beneficent patron, and Mrs. Gradinger had essayed to
teach what nobody wanted to learn; but firm and judicious snubbing had
kept these persons in their proper places. Nearly every one was sorry that
the end had come. It had been real repose to Mrs. Wilding to pass ten days
in an atmosphere entirely free from all perfume of the cathedral close.
Lady Considine had been spending freely of late, and ten days' cessation
of tradesmen's calls, and servants on board wages, had come as a welcome
relief. Sir John had gained a respite from the task he dreaded, the task
of going in quest of a successor to Narcisse. Now as he sat consuming his
cigarette in the leisurely fashion so characteristic of his enjoyment—and
those who knew him best were wont to say that Sir John practiced few arts
so studiously as that of enjoyment—he could not banish the figure of
Narcisse from his reverie. A horrible thought assailed him that this
obsession might spring from the fact that on this very morning Narcisse
might have taken his last brief walk out of the door of La Roquette, and
that his disembodied spirit might be hovering around. Admirable as the
cookery of the Marchesa had been, and fully as he had appreciated it, he
felt he would give a good deal to be assured that on this the last evening
of the New Decameron he might sit down to a dinner prepared by the hand of
his departed chef.
</p>
<p>
That evening the guests gathered round the table with more empressement
than usual. The Marchesa seemed a little flurried, and Mrs. Sinclair, in a
way, shared her excitement. The menu, for the first time, was written in
French, a fact which did not escape Sir John's eye. He made no remark as
to the soup; it was the best of its kind, and its French name made it no
better than the other triumphs in the same field which the Marchesa had
achieved. But when Sir John tasted the first mouthful of the fish he
paused, and after a reflective and regretful look at his plate, he cast
his eye round the table. All the others, however, were too busily intent
in consuming the Turbot la Vatel to heed his interrogative glance, so he
followed suit, and after he had finished his portion, asked, sotto voce,
for another bit.
</p>
<p>
In the interval before the service of the next dish Sir John made several
vain attempts to catch the Marchesa's eye, and more than once tried to get
in a word; but she kept up a forced and rather nervous conversation with
Lady Considine and Van der Roet, and refused to listen. As Sir John helped
himself to the next dish, Venaison sauce Grand Veneur, the feeling of
astonishment which had seized him when he first tasted the fish deepened
into something like Consternation. Had his palate indeed deceived him, or
had the Marchesa, by some subtle effort of experimental genius, divined
the secret of Narcisse—the secret of that incomparable sauce, the
recipe of which was safely bestowed in his pocket-book? Occasionally he
had taken a brief nap under the verandah after lunch: was it possible that
in his sleep he might have murmured, in her hearing, words which gave the
key of the mystery, and the description of those ingredients which often
haunted his dreams? One thing was certain, that the savour which rose from
the venison before him was the same which haunted his memory as the
parting effort of the ill-starred Narcisse.
</p>
<p>
Sir John was the least superstitious of mortals, still here he was face to
face with one of these conjunctions of affairs which the credulous accept
as manifestations of some hidden power, and sceptics as coincidences and
nothing more. All the afternoon he had been thinking of Narcisse, and
yearning beyond measure for something suggestive of his art; and here, on
his plate before him, was food which might have been touched by the
vanished hand. The same subtle influence pervaded the Chartreuse a la
cardinal, the roast capon and salad, and the sweet. At last, when the
dinner was nearly over, and when the Marchesa had apparently said all she
had to say to Van der Roet, he lifted up his voice and said, "Marchesa,
who gave you the recipe for the sauce with which the venison was served
this evening?"
</p>
<p>
The Marchesa glanced at Mrs. Sinclair, and then struck a hand-bell on the
table. The door opened, and a little man, habited in a cook's dress of
spotless white, entered and came forward. "M. Narcisse," said the
Marchesa, "Sir John wants to know what sauce was used in dressing the
venison; perhaps you can tell him."
</p>
<p>
Here the Marchesa rose and left the room, and all the rest followed her,
feeling it was unmeet that such a reunion should be witnessed by other
eyes, however friendly they might be.
</p>
<hr />
<p>
"Now, you must tell us all about it," said Lady Considine, as soon as they
got into the drawing-room, "and how you ever managed to get him out of
this scrape."
</p>
<p>
"Oh, there isn't much to tell," said the Marchesa. "Narcisse was
condemned, indeed, but no one ever believed he would be executed. One of
my oldest friends is married to an official high up in the Ministry of
Justice, and I heard from her last week that Narcisse would certainly be
reprieved; but I never expected a free pardon. Indeed, he got this
entirely because it was discovered that Mademoiselle Sidonie, his
accomplice, was really a Miss Adah Levine, who had graduated at a
music-hall in East London, and that she had announced her intention of
retiring to the land of her birth, and ascending to the apex of her
profession on the strength of her Parisian reputation. Then it was that
the reaction in favour of Narcisse set in; the boulevards could not stand
this. The journals dealt with this new outrage in their best Fashoda
style; the cafes rang with it: another insult cast upon unhappy France,
whose destiny was, it seemed, to weep tears of blood to the end of time.
There were rumours of an interpellation in the Chamber, the position of
the Minister of the Interior was spoken of as precarious, indeed the
Eclaireur reported one evening that he had resigned. Pockets were picked
under the eyes of sergents de ville, who were absorbed in proclaiming to
each other their conviction of the innocence of Narcisse, and the guilt of
cette coquine Anglaise. Cabmen en course ran down pedestrians by the
dozen, as they discussed l'affaire Narcisse to an accompaniment of
whip-cracking. In front of the Cafe des Automobiles a belated
organ-grinder began to grind the air of Mademoiselle Sidonie's great song
Bonjour Coco, whereupon the whole company rose with howls and cries of, 'A
bas les Anglais, a bas les Juifs. 'Conspuez Coco.' In less than five
minutes the organ was disintegrated, and the luckless minstrel flying with
torn trousers down a side street. For the next few days la haute gomme
promenaded with fragments of the piano organ suspended from watch chains
as trophies of victory. But this was not all. Paris broke out into poetry
over l'affaire Narcisse, and here is a journal sent to me by my friend
which contains a poem in forty-nine stanzas by Aristophane le Beletier,
the cher maitre of the 'Moribonds,' the very newest school of poetry in
Paris. I won't inflict the whole of it on you, but two stanzas I must read—
</p>
<pre xml:space="preserve">
"'Puisse-je te rappeler loin des brouillards maudits.
Vers la France, sainte mere et nourrice!
Reviens a Lutece, de l'art vrai paradis,
Je t'evoque, O Monsieur Narcisse!
Quitte les saignants bifteks, de tes mains sublimes
Gueris le sein meurtri de ta mere!
Detourne ton glaive trenchant de tes freles victimes
Vers l'Albion et sa triste Megere.'"
</pre>
<p>
"Dear me, it sounds a little like some other Parisian odes I have read
recently," said Lady Considine. "The triste Megere, I take it, is poor old
Britannia, but what does he mean by his freles victimes?"
</p>
<p>
"No doubt they are the pigeons and the rabbits, and the chickens and the
capons which Narcisse is supposed to have slaughtered in hecatombs, in
order to gorge the brutal appetite of his English employer," said Miss
Macdonnell. "After disregarding such an appeal as this M. Narcisse had
better keep clear of Paris for the future, for if he should go back and be
recognised I fancy it would be a case of 'conspuvez Narcisse."'
</p>
<p>
"The French seem to have lost all sense of exactness," said Mrs.
Gradinger, "for the lines you have just read would not pass muster as
classic. In the penultimate line there are two syllables in excess of the
true Alexandrine metre, and the last line seems too long by one. Neither
Racine nor Voltaire would have taken such liberties with prosody. I
remember a speech in Phaedre of more than a hundred lines which is an
admirable example of what I mean. I dare say some of you know it. It
begins:—
</p>
<pre xml:space="preserve">
"Perfide! oses-tu bien te montrer devant moi? Monstre,"
</pre>
<p>
but before the reciter could get fairly under way the door mercifully
opened, and Sir John entered. He advanced towards the Marchesa, and shook
her warmly by the hand, but said nothing; his heart was evidently yet too
full to allow him to testify his relief in words. He was followed closely
by the Colonel, who, taking his stand on the hearth-rug, treated the
company to a few remarks, couched in a strain of unwonted eulogy. In the
whole course of his life he had never passed a more pleasant ten days,
though, to be sure, he had been a little mistrustful at first. As to the
outcome of the experiment, if they all made even moderate use of the
counsels they had received from the Marchesa, the future of cookery in
England was now safe. He was not going to propose a formal vote of thanks,
because anything he could say would be entirely insufficient to express
the gratitude he felt, and because he deemed that each individual could
best thank the Marchesa on his or her behalf.
</p>
<p>
There was a momentary silence when the Colonel ceased, and then a clearing
of the throat and a preliminary movement of the arms gave warning that
Mrs. Gradinger was going to speak. The unspoken passage from Racine
evidently sat heavily on her chest. Abstracted and overwrought as he was,
these symptoms aroused in Sir John a consciousness of impending danger,
and he rushed, incontinent, into the breach, before the lady's opening
sentence was ready.
</p>
<p>
"As Colonel Trestrail has just remarked, we, all of us, are in debt to the
Marchesa in no small degree; but, in my case, the debt is tenfold. I am
sure you all understand why. As a slight acknowledgment of the sympathy I
have received from every one here, during my late trial, I beg to ask you
all to dine with me this day week, when I will try to set before you a
repast a la Francaise, which I hope may equal, I cannot hope that it will
excel, the dinners all'Italiana we have tasted in this happy retreat.
Narcisse and I have already settled the menu."
</p>
<p>
"I am delighted to accept," said the Marchesa. "I have no engagement, and
if I had I would throw my best friend over."
</p>
<p>
"And this day fortnight you must all dine with me," said Mrs. Sinclair. "I
will spend the intervening days in teaching my new cook how to reproduce
the Marchesa's dishes. Then, perhaps, we may be in a better position to
decide on the success of the Marchesa's experiment."
</p>
<hr />
<p>
The next morning witnessed the dispersal of the party. Sir John and
Narcisse left by an early train, and for the next few days the reforming
hand of the last-named was active in the kitchen. He arrived before the
departure of the temporary aide, and had not been half-an-hour in the
house before there came an outbreak which might easily have ended in the
second appearance of Narcisse at the bar of justice, as homicide, this
time to be dealt with by a prosaic British jury, which would probably have
doomed him to the halter. Sir John listened over the balusters to the
shrieks and howls of his recovered treasure, and wisely decided to lunch
at his club. But the club lunch, admirable as it was, seemed flat and
unappetising after the dainty yet simple dishes he had recently tasted;
and the following day he set forth to search for one of those Italian
restaurants, of which he had heard vague reports. Certainly the repast
would not be the same as at the "Laurestinas," but it might serve for
once. Alas! Sir John did not find the right place, for there are "right
places" amongst the Italian restaurants of London. He beat a hasty retreat
from the first he entered, when the officious proprietor assured him that
he would serve up a dejeuner in the best French style. At the second he
chose a dish with an Italian name, but the name was the only Italian thing
about it. The experiment had failed. It seemed as if Italian restaurateurs
were sworn not to cook Italian dishes, and the next day he went to do as
best he could at the club.
</p>
<p>
But before he reached the club door he recalled how, many years ago, he
and other young bloods used to go for chops to Morton's, a queer little
house at the back of St. James' Street, and towards Morton's he now turned
his steps. As he entered it, it seemed as if it was only yesterday that he
was there. He beheld the waiter, with mouth all awry, through calling down
the tube. The same old mahogany partitions to the boxes, and the same
horse-hair benches. Sir John seated himself in a box, where there was one
other luncher in the corner, deeply absorbed over a paper. This luncher
raised his head and Sir John recognised Van der Roet.
</p>
<p>
"My dear Vander, whatever brought you here, where nothing is to be had but
chops? I didn't know you could eat a chop."
</p>
<p>
"I didn't know it myself till to-day," said Van der Roet, with a hungry
glance at the waiter, who rushed by with a plate of smoking chops in each
hand. "The fact is, I've had a sort of hankering after an Italian lunch,
and I went out to find one, but I didn't exactly hit on the right shop, so
I came here, where I've been told you can get a chop properly cooked, if
you don't mind waiting."
</p>
<p>
"Ah! I see," said Sir John, laughing. "We've both been on the same quest,
and have been equally unlucky. Well, we shall satisfy our hunger here at
any rate, and not unpleasantly either."
</p>
<p>
"I went to one place," said Van der Roet "and before ordering I asked the
waiter if there was any garlic in the dish I had ordered. 'Garlic, aglio,
no, sir, never.' Whereupon I thought I would go somewhere else. Next I
entered the establishment of Baldassare Romanelli. How could a man with
such a name serve anything else than the purest Italian cookery, I
reasoned, so I ordered, unquestioning, a piatio with an ideal Italian
name, Manzo alla Terracina. Alas! the beef used in the composition thereof
must have come in a refrigerating chamber from pastures more remote than
those of Terracina, and the sauce served with it was simply fried onions.
In short, my dish was beefsteak and onions, and very bad at that. So in
despair I fell back upon the trusty British chop."
</p>
<p>
As Van der Roet ceased speaking another guest entered the room, and he and
Sir John listened attentively while the new-comer gave his order. There
was no mistaking the Colonel's strident voice. "Now, look here! I want a
chop underdone, underdone, you understand, with a potato, and a small
glass of Scotch whisky, and I'll sit here."
</p>
<p>
"The Colonel, by Jove," said Sir John; "I expect he's been
restaurant-hunting too."
</p>
<p>
"Hallo!" said the Colonel, as he recognised the other two, "I never
thought I should meet you here: fact is, I've been reading about
agricultural depression' and how it is the duty of everybody to eat chops
so as to encourage the mutton trade, and that sort of thing."
</p>
<p>
"Oh, Colonel, Colonel," said Van der Roet. "You know you've been hungering
after the cookery of Italy, and trying to find a genuine Italian lunch,
and have failed, just as Sir John and I failed, and have come here in
despair. But never mind, just wait for a year or so, until the 'Cook's
Decameron' has had a fair run for its money, and then you'll find you'll
fare as well at the ordinary Italian restaurant as you did at the
'Laurestinas,' and that's saying a good deal."
</p>
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</p>
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<br /><br /><br /><br />
</div>
<h2>
PART II—RECIPES
</h2>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Sauces
</h2>
<p>
As the three chief foundation sauces in cookery, Espagnole or brown sauce,
Velute or white sauce, and Bechamel, are alluded to so often in these
pages, it will be well to give simple Italian recipes for them.
</p>
<p>
Australian wines may be used in all recipes where wine is mentioned:
Harvest Burgundy for red, and Chasselas for Chablis.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 1. Espagnole, or Brown Sauce
</h2>
<p>
The chief ingredient of this useful sauce is good stock, to which add any
remnants and bones of fowl or game. Butter the bottom of a stewpan with at
least two ounces of butter, and in it put slices of lean veal, ham, bacon,
cuttings of beef, fowl, or game trimmings, three peppercorns, mushroom
trimmings, a tomato, a carrot and a turnip cut up, an onion stuck with two
cloves, a bay leaf, a sprig of thyme, parsley and marjoram. Put the lid on
the stewpan and braize well for fifteen minutes, then stir in a
tablespoonful of flour, and pour in a quarter pint of good boiling stock
and boil very gently for fifteen minutes, then strain through a tamis,
skim off all the grease, pour the sauce into an earthenware vessel, and
let it get cold. If it is not rich enough, add a little Liebig or glaze.
Pass through a sieve again before using.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 2. Velute Sauce
</h2>
<p>
The same as above, but use white stock, no beef, and only pheasant or fowl
trimmings, button mushrooms, cream instead of glaze, and a chopped
shallot.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 3. Bechamel Sauce
</h2>
<p>
Ingredients: Butter, ham, veal, carrots, shallot, celery bay leaf, cloves,
thyme, peppercorns, potato flour, cream, fowl stock.
</p>
<p>
Prepare a mirepoix by mixing two ounces of butter, trimmings of lean veal
and ham, a carrot, a shallot, a little celery, all cut into dice, a bay
leaf, two cloves, four peppercorns, and a little thyme. Put this on a
moderate fire so as not to let it colour, and when all the moisture is
absorbed add a tablespoonful of potato flour. Mix well, and gradually add
equal quantities of cream and fowl stock, and stir till it boils. Then let
it simmer gently. Stir occasionally, and if it gets too thick, add more
cream and white stock. After two hours pass it twice slowly through a
tamis so as to get the sauce very smooth.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 4. Mirepoix Sauce (for masking)
</h2>
<p>
Ingredients: Bacon, onions, carrots, ham, a bunch of herbs, parsley,
mushrooms, cloves, peppercorns, stock, Chablis.
</p>
<p>
Put the following ingredients into a stewpan: Some bits of bacon and lean
ham, a carrot, all cut into dice, half an onion, a bunch of herbs, a few
mushroom cuttings, two cloves, and four peppercorns. To this add one and a
quarter pint of good stock and a glass of Chablis, boil rapidly for ten
minutes then simmer till it is reduced to a third. Pass through a sieve
and use for masking meat, fowl, fish, &c.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 5. Genoese Sauce
</h2>
<p>
Ingredients: Onion, butter, Burgundy, mushrooms, truffles, parsley, bay
leaf, Espagnole sauce (No.1), blond of veal, essence of fish, anchovy
butter, crayfish or lobster butter.
</p>
<p>
Cut up a small onion and fry it in butter, add a glass of Burgundy, some
cuttings of mushrooms and truffles, a pinch of chopped parsley and half a
bay leaf. Reduce half. In another saucepan put two cups of Espagnole
sauce, one cup of veal stock, and a tablespoonful of essence of fish,
reduce one-third and add it to the other saucepan, skim off all the
grease, boil for a few minutes, and pass through a sieve. Then stir it
over the fire, and add half a teaspoonful of crayfish and half of anchovy
butter.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 6. Italian Sauce
</h2>
<p>
Ingredients: Chablis, mushrooms, leeks, a bunch of herbs, peppercorns,
Espagnole sauce, game gravy or stock, lemon.
</p>
<p>
Put into a stewpan two glasses of Chablis, two tablespoonsful of mushroom
trimmings, a leek cut up, a bunch of herbs, five peppercorns, and boil
till it is reduced to half. In another stewpan mix two glasses of
Espagnole (No. 1) or Velute sauce (No 2) and half a glass of game gravy,
boil for a few minutes then blend the contents of the two stewpans, pass
through a sieve, and add the juice of a lemon.
</p>
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<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 7. Ham Sauce, Salsa di Prosciutto
</h2>
<h3>
Ingredients: Ham, Musca or sweet port, vinegar, basil spice.
</h3>
<p>
Cut up an ounce of ham and pound it in a mortar then mix it with three
dessert spoonsful of port or Musca and a teaspoonful of vinegar a little
dried basil and a pinch of spice. Boil it up, and then pass it through a
sieve and warm it up in a bain-marie. Serve with roast meats. If you
cannot get a sweet wine add half a teaspoonful of sugar. Australian Muscat
is a good wine to use.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 8. Tarragon Sauce
</h2>
<h3>
Ingredients: Tarragon, stock, butter, flour.
</h3>
<p>
To half a pint of good stock add two good sprays of fresh tarragon, simmer
for quarter of an hour in a stewpan and keep the lid on. In another
stewpan melt one ounce of butter and mix it with three dessert-spoonsful
of flour, then gradually pour the stock from the first stewpan over it,
but take out the tarragon. Mix well, add a teaspoonful of finely chopped
tarragon and boil for two minutes.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 9. Tomato Sauce
</h2>
<h3>
Ingredients: Tomatoes, ham, onions, basil, salt, oil, garlic, spices.
</h3>
<p>
Broil three tomatoes, skin them and mix them with a tablespoonful of
chopped ham, half an onion, salt, a dessert-spoonful of oil, a little
pounded spice and basil. Then boil and pass through a sieve. Whilst the
sauce is boiling, put in a clove of garlic with a cut, but remove it
before you pass the sauce through the sieve.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 10. Tomato Sauce Piquante
</h2>
<p>
Ingredients: Ham, butter, onion, carrot, celery, bay leaf, thyme, cloves,
peppercorns, vinegar, Chablis, stock, tomatoes, Velute or Espagnole sauce,
castor sugar, lemon.
</p>
<p>
Cut up an ounce of ham, half an onion, half a carrot, half a stick of
celery very fine, and fry them in butter together with a bay leaf, a sprig
of thyme, one clove and four peppercorns. Over this pour a third of a cup
of vinegar, and when the liquid is all absorbed, add half a glass of
Chablis and a cup of stock. Then add six tomatoes cut up and strained of
all their liquid. Cook this in a covered stewpan and pass it through a
sieve, but see that none of the bay leaf or thyme goes through. Mix this
sauce with an equal quantity of Velute (No. 2) or Espagnole sauce, (No.
1), let it boil and pass through a sieve again and at the last add a
teaspoonful of castor sugar, the juice of half a lemon, and an ounce of
fresh butter. (Another tomato sauce may be made like this, but use stock
instead of vinegar and leave out the lemon juice and sugar.)
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 11. Mushroom Sauce
</h2>
<h3>
Ingredients: Velute sauce, essence of mushrooms, butter.
</h3>
<p>
Mix two dessert-spoonsful of essence of mushrooms with a cupful of Velute
sauce (No. 2), reduce, keep on stirring, and just before serving add an
ounce of butter. This sauce can be made with essence of truffle, or game,
or shallot.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 12. Neapolitan Sauce
</h2>
<p>
Ingredients: Onions, ham, butter, Marsala, blond of veal, thyme, bay leaf,
peppercorns, cloves, mushrooms, Espagnole sauce (No. 1), tomato sauce,
game stock or essence.
</p>
<p>
Fry an onion in butter with some bits of cut-up ham, then pour a glass of
Marsala over it, and another of blond of veal, add a sprig of thyme, a bay
leaf, four peppercorns, a clove, a tablespoonful of mushroom cuttings, and
reduce half. In another saucepan put two cups of Espagnole sauce, one
cupful of tomato sauce, and half a cup of game stock or essence. Reduce a
third, and add the contents of the first saucepan, boil the sauce a few
minutes, and pass it through a sieve. Warm it up in a bain-marie before
using.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 13. Neapolitan Anchovy Sauce
</h2>
<p>
Ingredients: Anchovies, fennel, flour, spices, parsley, marjoram, garlic,
lemon juice, vinegar, cream.
</p>
<p>
Wash three anchovies in vinegar, bone and pound them in a mortar with a
teaspoonful of chopped fennel and a pinch of cinnamon. Then mix in a
teaspoonful of chopped parsley and marjoram, a squeeze of lemon juice, a
teaspoonful of flour, half a gill of boiled cream and the bones of the
fish for which you will use this sauce. Pass through a sieve, add a clove
of garlic with a cut in it, and boil. If the fish you are using is cooked
in the oven, add a little of the liquor in which it has been cooked to the
sauce. Take out the garlic before serving. Instead of anchovies you may
use caviar, pickled tunny, or any other pickled fish.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 14. Roman Sauce (Salsa Agro-dolce)
</h2>
<p>
Ingredients: Espagnole sauce, stock, burnt sugar, vinegar, raisins, pine
nuts or almonds.
</p>
<p>
Mix two spoonsful of burnt sugar with one of vinegar, and dilute with a
little good stock. Then add two cups of Espagnole sauce (No. 1), a few
stoned raisins, and a few pinocchi* (pine nuts) or shredded almonds. Keep
this hot in a bain-marie, and serve with cutlets, calf's head or feet or
tongue.
</p>
<p>
*The pinocchi which Italians use instead of almonds can be bought in
London when in season.
</p>
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<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 15. Roman Sauce (another way)
</h2>
<p>
Ingredients: Espagnole sauce, an onion, butter, flour, lemon, herbs,
nutmeg, raisins, pine nuts or almonds, burnt sugar.
</p>
<p>
Cut up a small bit of onion, fry it slightly in butter and a little flour,
add the juice of a lemon and a little of the peel grated, a bouquet of
herbs, a pinch of nutmeg, a few stoned raisins, shredded almonds or
pinocchi, and a tablespoonful of burnt sugar. Add this to a good Espagnole
(No. 1), and warm it up in a bain-marie.
</p>
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</p>
<div style="height: 4em;">
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</div>
<h2>
No. 16. Supreme Sauce
</h2>
<h3>
Ingredients: White sauce, fowl stock, butter.
</h3>
<p>
Put three-quarters of a pint of white sauce into a saucepan, and when it
is nearly boiling add half a cup of concentrated fowl stock. Reduce until
the sauce is quite thick, and when about to serve pass it through a tamis
into a bain-marie and add two tablespoonsful of cream.
</p>
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</p>
<div style="height: 4em;">
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</div>
<h2>
No. 17. Pasta marinate (For masking Italian Frys)
</h2>
<p>
Ingredients: Semolina flour, eggs, salt, butter (or olive oil), vinegar,
water.
</p>
<p>
Mix the following ingredients well together: two ounces of semolina flour,
the yolks of two eggs, a little salt, and two ounces of melted butter. Add
a glass of water so as to form a liquid substance. At the last add the
whites of two eggs beaten up to a snow. This will make a good paste for
masking meat, fish, vegetables, or sweets which are to be fried in the
Italian manner, but if for meat or vegetables add a few drops of vinegar
or a little lemon juice.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 18. White Villeroy
</h2>
<h3>
Ingredients: Butter, flour, eggs, cream, nutmeg, white stock.
</h3>
<p>
Make a light-coloured roux by frying two ounces of butter and two ounces
of flour, stir in some white stock and keep it very smooth. Let it boil,
and add the yolks of three eggs, mixed with two tablespoonsful of cream
and a pinch of nutmeg. Pass it through a sieve and use for masking
cutlets, fish, &c.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Soups
</h2>
<p>
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</p>
<div style="height: 4em;">
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</div>
<h2>
No. 19. Clear Soup
</h2>
<p>
Ingredients: Stock meat, water, a bunch of herbs (thyme, parsley, chervil,
bay leaf, basil, marjoram), three carrots, three turnips, three onions,
three cloves stuck in the onions, one blade of mace.
</p>
<p>
Cut up three pounds of stock meat small and put it in a stock pot with two
quarts of cold water, three carrots, and three turnips cut up, three
onions with a clove stuck in each one, a bunch of herbs and a blade of
mace. Let it come to the boil and then draw it off, at once skim off all
the scum, and keep it gently simmering, and occasionally add two or three
tablespoonsful of cold water. Let it simmer all day, and then strain it
through a fine cloth.
</p>
<p>
Some of the liquor in which a calf's head has been cooked, or even a
calf's foot, will greatly improve a clear soup.
</p>
<p>
The stock should never be allowed to boil as long as the meat and
vegetables are in the stock pot.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 20. Zuppa Primaverile (Spring Soup)
</h2>
<h3>
Ingredients: Clear soup, vegetables.
</h3>
<p>
Any fresh spring vegetables will do for this soup, but they must all be
cooked separately and put into the soup at the last minute. It is best
made with fresh peas, asparagus tips, and a few strips of tarragon.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 21. Soup alla Lombarda
</h2>
<p>
Ingredients: Clear soup, fowl forcemeat, Bechamel (No. 3), peas, lobster
butter, eggs, asparagus.
</p>
<p>
Make a firm forcemeat of fowl and divide it into three parts, to the first
add two spoonsful of cream Bechamel, to the second four spoonsful of puree
of green peas, to the third two spoonsful of lobster butter and the yolk
of an egg; thus you will have the Italian colours, red, white, and green.
Butter a pie dish and make little quenelles of the forcemeat. Just before
serving boil them for four minutes in boiling stock, take them out
carefully and put them in a warm soup tureen with two spoonsful of cooked
green peas and pour a very fresh clear soup over them. Hand little
croutons fried in lobster butter separately.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 22. Tuscan Soup
</h2>
<h3>
Ingredients: Stock, eggs.
</h3>
<p>
Whip up three or four eggs, gradually add good stock to them, and keep on
whisking them up until they begin to curdle. Keep the soup hot in a
bain-marie.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 23. Venetian Soup
</h2>
<h3>
Ingredients: Clear soup, butter, flour, Parmesan, eggs.
</h3>
<p>
Make a roux by frying two ounces of butter and two ounces of flour, add an
ounce of grated cheese and half a cup of good stock. Mix up well so as to
form a paste, and then take it off the fire and add the yolks of four
eggs, mix again and form the again and form the paste into little
quenelles. Boil these in a little soup, strain off, put them into the
tureen and pour a good clear soup over them.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 24. Roman Soup
</h2>
<p>
Ingredients: Stock, butter, eggs, salt, crumb of bread, parsley, nutmeg,
flour, Parmesan.
</p>
<p>
Mix three and a half ounces of butter with two eggs and four ounces of
crumbs of bread soaked in stock, a little chopped parsley, salt, and a
pinch of nutmeg. Reduce this and add two tablespoonsful of flour and one
of grated Parmesan. Form this into little quenelles and boil them in stock
for a few minutes put them into a tureen and pour a good clear soup over
them.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 25. Soup alla Nazionale
</h2>
<h3>
Ingredients: Clear soup, savoury custard.
</h3>
<p>
Make a savoury custard and divide it into three parts, one to be left
white, another coloured red with tomato, and the third green with spinach.
Put a layer of each in a buttered saucepan and cook for about ten minutes,
cut it into dice, so that you have the three Italian colours (red, white,
and green) together, then put the custard into a soup tureen and pour a
good clear soup over it.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 26. Soup alla Modanese
</h2>
<p>
Ingredients: Stock, spinach, butter, salt, eggs, Parmesan, nutmeg,
croutons.
</p>
<p>
Wash one pound of spinach in five or six waters, then chop it very fine
and mix it with three ounces of butter, salt it and warm it up. Then let
it get cold, pass through a hair sieve, and add two eggs, a tablespoonful
of grated Parmesan, and very little nutmeg. Add this to some boiling stock
in a copper saucepan, put on the lid, and on the top put some hot coals so
that the eggs may curdle and help to thicken the soup. Serve with fried
croutons.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 27. Crotopo Soup
</h2>
<h3>
Ingredients: Clear soup, veal, ham, eggs, salt, pepper, nutmeg, rolls.
</h3>
<p>
Pound half a pound of lean veal in a mortar, then add three ounces of
cooked ham with some fat in it, the yolk of an egg, salt, pepper, and very
little nutmeg. Pass through a sieve, cut some small French rolls into
slices, spread them with the above mixture, and colour them in the oven.
Then cut them in halves or quarters, put them into a tureen, and just
before serving pour a very good clear soup over them.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 28. Soup all'Imperatrice
</h2>
<p>
Ingredients: Breast of fowl, eggs, salt, pepper, ground rice, nutmeg,
clear stock.
</p>
<p>
Pound the breast of a fowl in a mortar, and add to it a teaspoonful of
ground rice, the yolk of an egg, salt, pepper, and a pinch of nutmeg. Pass
this through a sieve, form quenelles with it, and pour a good clear soup
over them.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 29. Neapolitan Soup
</h2>
<p>
Ingredients: Fowl, potato flour, eggs, Bechamel sauce, peas, asparagus,
spinach, clear soup.
</p>
<p>
Mix a quarter pound of forcemeat of fowl with a tablespoonful of potato
flour, a tablespoonful of Bechamel sauce (No. 3), and the yolk of an egg;
put this into a tube about the size round of an ordinary macaroni; twenty
minutes before serving squirt the forcemeat into a saucepan with boiling
stock, and nip off the forcemeat as it comes through the pipe into pieces
about an inch and a half long. Let it simmer, and add boiled peas and
asparagus tips. If you like to have the fowl macaroni white and green, you
can colour half the forcemeat with a spoonful of spinach colouring. Serve
in a good clear soup.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 30. Soup with Risotto
</h2>
<h3>
Ingredients: Risotto (No. 189), eggs, bread crumbs, clear or brown soup.
</h3>
<p>
If you have some good risotto left, you can use it up by making it into
little balls the size of small nuts. Egg and bread crumb and fry them in
butter; dry them and put them into a soup tureen with hot soup. The soup
may be either clear or brown.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 31. Soup alla Canavese
</h2>
<p>
Ingredients: White stock, butter, onions, carrot, celery, tomato,
cauliflower, fat bacon, parsley, sage, Parmesan, salt, pepper.
</p>
<p>
Chop up half an onion, half a carrot, half a stick of celery, a small bit
of fat bacon, and fry them in two ounces of butter. Then cover them with
good white stock, boil for a few minutes, pass through a sieve, and add
two tablespoonsful of tomato puree. Then blanch half a cauliflower in
salted water, let it get cold, drain all the water out of it, and break it
up into little bunches and put them into a stock pot with the stock, a
small leaf of dried sage, crumbled up, and a little chopped parsley, and
let it all boil; add a pinch of grated cheese and some pepper. Serve with
grated Parmesan handed separately.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 32. Soup alla Maria Pia
</h2>
<p>
Ingredients: White stock, eggs, butter, peas, white beans, carrot, onion,
leeks, celery, cream croutons.
</p>
<p>
Soak one pound of white beans for twelve hours, then put them into a stock
pot with a little salt, butter, and water, add a carrot, an onion, two
leeks, and a stick of celery, and simmer until the vegetables are well
cooked; then take out all the fresh vegetables, drain the beans and pass
them through a sieve, but first dilute them with good stock. Put this
puree into a stock pot with good white stock, and when it has boiled keep
it hot in a bain-marie until you are about to serve; then mix the yolk of
three eggs in a cup of cream, and add this to the soup. Pour the soup into
a warm tureen, add some boiled green peas, and serve with fried croutons
handed separately.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 33. Zuppa d' Erbe (Lettuce Soup)
</h2>
<p>
Ingredients: Stock, sorrel, endive, lettuce, chervil, celery, carrot,
onion, French roll, Parmesan cheese.
</p>
<p>
Boil the following vegetables and herbs in very good stock for an hour:
Two small bunches of sorrel, a bunch of endive, a lettuce, a small bunch
of chervil, a stick of celery, a carrot and an onion, all well washed and
cut up. Then put some slices of toasted French roll into a tureen and pour
the above soup over them. Serve with grated Parmesan handed separately.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 34. Zuppa Regina di Riso (Queen's Soup)
</h2>
<h3>
Ingredients: Fowl stock, ground rice, milk, butter.
</h3>
<p>
Put a tablespoonful of ground rice into a saucepan and gradually add half
a pint of milk, boil it gently for twelve minutes in a bainmarie, but stir
the whole time, so as to get it very smooth. Just before serving add an
ounce of butter, pass it through a sieve, and mix it with good fowl stock.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Minestre
</h2>
<p>
Minestra is a thick broth, very much like hotch-potch, only thicker. In
Italy it is often served at the beginning of dinner instead of soup; it
also makes an excellent lunch dish. Two or three tablespoonsful of No. 35
will be found a great improvement to any of these minestre.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 35. A Condiment for Seasoning Minestre, &c.
</h2>
<p>
Ingredients: Onions, celery, carrots, butter, salt, stock, tomatoes,
mushrooms.
</p>
<p>
Cut up an onion, a stick of celery, and a carrot; fry them in butter and
salt; add a few bits of cooked ham and veal cut up, two mushrooms, and the
pulp of a tomato. Cook for a quarter of an hour, and add a little stock
occasionally to keep it moist. Pass through a sieve, and use for seasoning
minestre, macaroni, rice, &c. It should be added when the dish is
nearly cooked.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 36. Minestra alla Casalinga
</h2>
<h3>
Ingredients: Rice, butter, stock, vegetables.
</h3>
<p>
All sorts of vegetables will serve for this dish. Blanch them in boiling
salted water, then drain and fry them in butter. Add plenty of good stock,
and put them on a slow fire. Boil four ounces of rice in stock, and when
it is well done add the stock with the vegetables. Season with two or
three spoonsful of No. 35, and serve with grated cheese handed separately.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 37. Minestra of Rice and Turnips
</h2>
<h3>
Ingredients: Rice, turnips, butter, gravy, tomatoes.
</h3>
<p>
Cut three or four young turnips into slices and put them on a dish, strew
a little salt over them, cover them with another dish, and let them stand
for about two hours until the water has run out of them. Then drain the
slices, put them in a frying-pan and fry them slightly in butter. Add some
good gravy and mashed-up tomatoes, and after having cooked this for a few
minutes pour it into good boiling stock. Add three ounces of well-washed
rice, and boil for half-an-hour.
</p>
<p>
Minestra loses its flavour if it is boiled too long. In Lombardy, however,
rice, macaroni, &c., are rarely boiled enough for English tastes.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 38. Minestra alla Capucina
</h2>
<h3>
Ingredients: Rice, anchovies, butter, stock, and onions.
</h3>
<p>
Scale an anchovy, pound it, and fry it in butter together with a small
onion cut across, and four ounces of boiled rice. Add a little salt, and
when the rice is a golden brown, take out the onion and gradually add some
good stock until the dish is of the consistency of rice pudding.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 39. Minestra of Semolina
</h2>
<h3>
Ingredients: Stock, semolina, Parmesan.
</h3>
<p>
Put as much stock as you require into a saucepan, and when it begins to
boil add semolina very gradually, and stir to keep it from getting lumpy
Cook it until the semolina is soft, and serve with grated Parmesan handed
separately. To one quart of soup use three ounces of semolina.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 40. Minestrone alla Milanese
</h2>
<p>
Ingredients: Rice or macaroni, ham, bacon, stock, all sorts of vegetables.
</p>
<p>
Minestrone is a favourite dish in Lombardy when vegetables are plentiful.
Boil all sorts of vegetables in stock, and add bits of bacon, ham, onions
braized in butter, chopped parsley, a clove of garlic with two cuts, and
rice or macaroni. Put in those vegetables first which require most
cooking, and do not make the broth too thin. Leave the garlic in for a
quarter of an hour only.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 41. Minestra of Rice and Cabbage
</h2>
<h3>
Ingredients: Rice, cabbage, stock, ham, tomato sauce.
</h3>
<p>
Cut off the stalk and all the hard outside leaves of a cabbage, wash it
and cut it up, but not too small, then drain and cook it in good stock and
add two ounces of boiled rice. This minestre is improved by adding a
little chopped ham and a few spoonsful of tomato sauce.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 42. Minestra of Rice and Celery
</h2>
<h3>
Ingredients: Celery, rice, stock.
</h3>
<p>
Cut up a head of celery and remove all the green parts, then boil it in
good stock and add two ounces of rice, and boil till it is well cooked.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Fish
</h2>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 43. Anguilla alla Milanese (Eels).
</h2>
<p>
Ingredients: Eels, butter, flour, stock, bay leaves, salt, pepper,
Chablis, a macedoine of vegetables.
</p>
<p>
Cut up a big eel and fry it in two ounces of butter, and when it is a good
colour add a tablespoonful of flour, about half a pint of stock, a glass
of Chablis, a bay leaf, pepper, and salt, and boil till it is well cooked.
In the meantime boil separately all sorts of vegetables, such as carrots,
cauliflower, celery, beans, tomatoes, &c. Take out the pieces of eel,
but keep them hot, whilst you pass the liquor which forms the sauce
through a sieve and add the vegetables to this. Let them boil a little
longer and arrange them in a dish; place the pieces of eel on them and
cover with the sauce. It is most important that the eels should be served
very hot.
</p>
<p>
Any sort of fish will do as well for this dish.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 44. Filletti di Pesce alla Villeroy (Fillets of Fish)
</h2>
<h3>
Ingredients: Fish, flour, butter, Villeroy.
</h3>
<p>
Any sort of fish will do, turbot, sole, trout, &c. Cut it into
fillets, flour them over and cook them in butter in a covered stewpan;
then make a Villeroy (No. 18), dip the fillets into it and fry them in
clarified butter.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 45. Astachi all'Italiana (Lobster)
</h2>
<p>
Ingredients: Lobsters, Velute sauce, Marsala, butter, forcemeat of fish,
olives, anchovy butter, button mushrooms, truffles, lemon, crayfish,
Italian sauce.
</p>
<p>
Two boiled lobsters are necessary. Cut all the flesh of one of the
lobsters into fillets and put them into a saucepan with half a cup of
Velute sauce (No. 2) and half a glass of Marsala, and boil for a few
minutes. Put a crouton of fried bread on an oval dish and cover it with a
forcemeat of fish, and on this place the whole lobster, cover it with
buttered paper, and put it in a moderate oven just long enough to cook the
forcemeat. Then make some quenelles of anchovy butter, olives, and button
mushrooms, mix them with Italian sauce (No. 6), and garnish the dish with
them, and round the crouton arrange the fillets of lobster with a garnish
of slices of truffle. Add a dessert-spoonful of crayfish butter and a good
squeeze of lemon juice to the sauce, and serve.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 46. Baccala alla Giardiniera (Cod)
</h2>
<h3>
Ingredients: Cod or hake, carrots, turnips, butter, herbs.
</h3>
<p>
Boil a piece of cod or hake and break it up into flakes, then cut up two
carrots and a turnip; boil them gently, and when they are half boiled
drain and put them into a stewpan with an ounce of butter, half a teacup
of boiling water, salt, and herbs. When they are well cooked add the fish
and serve. Fillets of lemon soles may also be cooked this way.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 47. Triglie alla Marinara (Mullet)
</h2>
<h3>
Ingredients: Mullet, salt, pepper, onions, parsley, oil, water.
</h3>
<p>
Cut a mullet into pieces and put it into a stewpan (with the lid on), with
salt, pepper, a cut-up onion, some chopped parsley, half a wineglass of
the finest olive oil and half a pint of water, and in this cook the fish
gently. Arrange the fillets on a dish, pour a little of the broth over
them, and add the onion and parsley. Instead of mullet you can use cod,
hake, whiting, lemon sole, &c.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 48. Mullet alla Tolosa
</h2>
<p>
Ingredients: Mullet, butter, salt, onions, parsley, almonds, anchovies,
button mushrooms, tomatoes.
</p>
<p>
Cut off the fins and gills of a mullet, put it in a fireproof dish with
two ounces of butter and salt. Cut up a small bit of onion, a sprig of
parsley, a few blanched almonds, one anchovy, and a few button mushrooms,
previously softened in hot water, and put them over the fish and bake for
twenty minutes Then add two tablespoonsful of tomato sauce or puree, and
when cooked serve. If you like, use sole instead of mullet.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 49. Mullet alla Triestina
</h2>
<p>
Ingredients: Mullet (or sole or turbot), butter, salt half a lemon,
Chablis.
</p>
<p>
Put the fish in a fireproof dish with one and a half ounces of butter,
salt, a squeeze of lemon juice, and half a glass of Chablis. Put it on a
very, slow fire and turn the fish when necessary. When it is cooked serve
in the dish.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 50. Whiting alla Genovese
</h2>
<p>
Ingredients: Whiting, butter, pepper, salt, bay leaf claret, parsley,
onions, garlic capers, vinegar, Espagnole sauce, mushrooms, anchovies.
</p>
<p>
Put one or two whiting into a stewpan with two ounces of butter, salt,
pepper, two bay leaves, and a glass of claret or Burgundy; cook on a hot
fire and turn the fish when necessary. Have ready beforehand a remoulade
sauce made in the following manner: Put in a saucepan 1 1/2 ounces of
butter, half a teaspoonful of chopped parsley, half an onion, a clove of
garlic (with one cut), four capers, one anchovy, all chopped up except the
garlic. Then add three tablespoonsful of vinegar and reduce the sauce. Add
two glasses of Espagnole sauce (No. 1) and a little good stock; boil it
all up (take out the garlic and bay leaves) and pass through a sieve, then
pour it over the whiting. Boil it all again for a few minutes, and before
serving garnish with a few button mushrooms cooked separately. The
remoulade sauce will be much better if made some hours beforehand.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 51. Merluzzo in Bianco (Cod)
</h2>
<p>
Ingredients: Cod or whiting, salt, onions, parsley, cloves, turnips,
marjoram, chervil, milk.
</p>
<p>
Boil gently in a big cupful of salted water two onions, one turnip, a
pinch of chopped parsley, chervil, and marjoram and four cloves. After
half an hour pass this through a sieve (but first take out the cloves),
and add an equal quantity of milk and a little cream, and in this cook the
fish and serve with the sauce over it.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 52. Merluzzo in Salamoia (Cod)
</h2>
<p>
Ingredients: Cod, hake, whiting or red mullet, onions, parsley, mint,
marjoram, turnips, mushrooms, chervil, cloves, salt, milk, cream, eggs.
</p>
<p>
Put a salt-spoonful of salt, two onions, a little parsley, marjoram, mint,
chervil, a turnip, a mushroom, and the heads of two cloves into a stewpan
and simmer in a cupful of milk for half an hour, then let all the
ingredients settle at the bottom, and pass the broth through a hair sieve,
and add to it an equal quantity of milk or cream, and in it cook your fish
on a slow fire. When the fish is quite cooked, pour off the sauce, but
leave a little on the fish to keep it warm; reduce the rest in a
bain-marie; stir all the time, so that the milk may not curdle. Thicken
the sauce with the yolk of an egg, and when about to serve pour it over
the fish.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 53. Baccala in Istufato (Haddock)
</h2>
<p>
Ingredients: Haddock or lemon sole, carrots, anchovies, lemon, pepper,
butter, onions, flour, white wine, stock.
</p>
<p>
Stuff a haddock (or filleted lemon sole) with some slices of carrot which
have been masked with a paste made of pounded anchovies, very little
chopped lemon peel, salt and pepper. Then fry an onion with two cuts
across it in butter. Take out the onion as soon as it has become a golden
colour, flour the fish and put it in the butter, and when it has been well
fried on both sides pour a glass of Marsala over it, and when it is all
absorbed add a cup of fowl or veal stock and let it simmer for half an
hour, then skim and reduce the sauce, pour it over the fish and serve.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 54. Naselli con Piselli (Whiting)
</h2>
<p>
Ingredients: Whiting, onions, parsley, peas, tomatoes, butter, Parmesan,
Bechamel sauce.
</p>
<p>
Cut a big whiting into two or three pieces and fry them slightly in
butter, add a small bit of onion, a teaspoonful of chopped parsley and fry
for a few minutes more. Then add some peas which have been cooked in
salted water, three tablespoonsful of Bechamel sauce (No. 3), and three of
tomato puree, and cook all together on a moderate fire.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 55. Ostriche alla Livornese (Oysters)
</h2>
<p>
Ingredients: Oysters, parsley, shallot, anchovies, fennel pepper, bread
crumbs, cream, lemon.
</p>
<p>
Detach the oysters from their shells and put then into china shells with
their own liquor. Have ready a dessert-spoonful of parsley, shallot,
anchovy and very little fennel, add a tablespoonful of bread crumbs and a
little pepper, and mix the whole with a little cream. Put some of this
mixture on each oyster, and then bake them in a moderate fire for a
quarter of an hour. At the last minute add a squeeze of lemon juice to
each oyster and serve on a folded napkin.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 56. Ostriche alla Napolitana (Oysters)
</h2>
<p>
Ingredients: Oysters, parsley, celery, thyme, pepper, garlic, oil, lemon.
</p>
<p>
Prepare the oysters as above, but rub each shell with a little garlic. Put
on each oyster a mixture made of chopped parsley, a little thyme, pepper,
and bread crumbs. Then pour a few drops of oil on each shell, put them on
the gridiron on an open fire, grill for a few minutes, and add a little
lemon juice before serving.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 57. Ostriche alla Veneziana (Oysters)
</h2>
<p>
Ingredients: Oysters, butter, shallots, truffles, lemon juice, forcemeat
of fish.
</p>
<p>
Take several oysters out of their shells and cook them in butter, a little
chopped shallot, and their own liquor, add a little lemon juice and then
put in each of the deeper shells a layer of forcemeat made of fish and
chopped truffles, then an oyster or two, and over this again another layer
of the forcemeat, cover up with the top shell and put them in a fish
kettle and steam them. Then remove the top shell and arrange the shells
with the oysters on a napkin and serve.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 58. Pesci diversi alla Casalinga (Fish)
</h2>
<p>
Ingredients: Any sort of fish, celery, parsley, carrots, garlic, onion,
anchovies, almonds, capers, mushrooms, butter, salt, pepper, flour,
tomatoes.
</p>
<p>
Chop up a stick of celery, a sprig of parsley, a carrot, an onion. Pound
up an anchovy in brine (well cleaned, boned, and scaled), four shredded
almonds, three capers and two mushrooms. Put all this into a saucepan with
one ounce of butter, salt and pepper, and fry for a few minutes, then add
a few spoonsful of hot water and a tablespoonful of flour and boil gently
for ten minutes, put in the fish and cook it until it is done. If you
like, you may add a little tomato sauce.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 59. Pesce alla Genovese (Sole or Turbot)
</h2>
<p>
Ingredients: Fish (sole, mullet, or turbot), butter, salt, onion, garlic,
carrots, celery, parsley, nutmeg, pepper, spice, mushrooms, tomatoes,
flour, anchovies.
</p>
<p>
Fry an onion slightly in one and a half ounces of butter, add a small
cut-up carrot, half a stick of celery, a sprig of parsley, and a salt
anchovy (scaled), which will dissolve in the butter. Into this put the
fish cut up in pieces, a pinch of spice and pepper, and let it simmer for
a few minutes, then add two cut-up mushrooms, a tomato mashed up, and a
little flour. Mix all together, and cook for twenty minutes.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 60. Sogliole in Zimino (Sole)
</h2>
<p>
Ingredients: Sole, onion, beetroot, butter, celery, tomato sauce or white
wine.
</p>
<p>
Cut up a small onion and fry it slightly in one ounce of butter, then add
some slices of beetroot (well-washed and drained), and a little celery cut
up; to this add fillets of sole or haddock, salt and pepper. Boil on a
moderate on the fish kettle. When the beetroot is nearly cooked add two
tablespoonsful of tomato puree and boil till all is well cooked. Instead
of the tomato you may use half a glass of Chablis.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 61. Sogliole al tegame (Sole)
</h2>
<p>
Ingredients: Sole (or mullet), butter, anchovies, parsley, garlic, capers,
eggs.
</p>
<p>
Put an ounce of butter and an anchovy in a saucepan together with a sole
or mullet. Fry lightly for a few minutes, then strew a little pepper and
chopped parsley over it, put in a clove of garlic with one cut, and cook
for half an hour, but turn the fish over when one side is sufficiently
done. A few minutes before taking it off the fire add three capers and
stir in the yolk of an egg at the last minute. Do not leave the garlic in
more than five minutes.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 62. Sogliole alla Livornese (Sole)
</h2>
<h3>
Ingredients: Sole, butter, garlic, pepper, salt, tomatoes, fennel.
</h3>
<p>
Fillet a sole and put it in a saute-pan with one and a half ounces of
butter and a clove of garlic with one cut in it, then sprinkle over it a
little chopped fennel, salt and pepper, and let it cook for a few minutes.
Turn over the fillets w hen they are sufficiently cooked on one side, take
out the garlic and cover the fish with a puree of tomatoes at the last.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 63. Sogliole alla Veneziana (Sole)
</h2>
<p>
Ingredients: Sole, anchovies, butter, bacon, onion, stock, Chablis, salt,
nutmeg, parsley, Spanish olives, one bay leaf.
</p>
<p>
Fillet a sole and interlard each piece with a bit of anchovy. Tie up the
fillets and put them in a saute-pan with two ounces of butter, a slice of
bacon or ham, and a few small slices of onion. Cover half over with good
stock and a glass of Chablis, and add salt, a pinch of nutmeg, a bunch of
parsley, and a bay leaf. Cover with buttered paper, and cook on a slow
fire for about an hour. Drain the fish, pass the liquor through a sieve,
reduce it to the consistency of a thick sauce, and pour it over the fish.
Garnish each fillet with a Spanish olive stuffed with anchovy.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 64. Sogliole alla Parmigiana (Sole).*
</h2>
<h3>
Ingredients: Sole, Parmesan, butter, cream, cayenne.
</h3>
<p>
Fillet a sole and wipe each piece with a clean cloth, then place them in a
fireproof dish, and put a small piece of butter on each fillet. Then make
a good white sauce, and mix it with two tablespoonsful of grated Parmesan
and half a gill of cream. Cover the fish well with the sauce, and bake in
a moderate oven for twenty minutes.
</p>
<p>
*Lemon soles may be used in any of the above-named dishes.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 65. Salmone alla Genovese (Salmon)
</h2>
<h3>
Ingredients: Salmon, Genoese sauce (No. 5), butter, lemon.
</h3>
<p>
Boil a bit of salmon, drain it, take off the skin, and mask it with a
Genoese sauce, to which add a spoonful of the water in which the salmon
has been boiled, and at the last add a pat of fresh butter and a squeeze
of lemon juice.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 66. Salmone alla Perigo (Salmon)
</h2>
<p>
Ingredients: Salmon, forcemeat of fish, truffles, butter, Madeira,
croutons of bread, crayfish tails, anchovy butter.
</p>
<p>
Cut a bit of salmon into well shaped fillets, and marinate them in lemon
juice and a bunch of herbs for two hours, wipe them, put a layer of
forcemeat of fish over each, and decorate them with slices of truffle.
When put them into a well-buttered saute-pan with half a cup of stock and
a glass of Madeira or Marsala, cover with buttered paper, and put them
into a moderate oven for twenty minutes. Arrange the fillets in a circle
on croutons of bread, garnish the centre with crayfish tails and with
truffles cut into dice, a quarter of a pint of Velute sauce (No. 2), and
half a teaspoonful of anchovy butter. Glaze the fillets and serve.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 67. Salmone alla giardiniera (Salmon)
</h2>
<p>
Ingredients: Salmon, forcemeat of fish, vegetables, butter, Bechamel, and
Espagnole sauce.
</p>
<p>
Prepare the fillets as above (No. 66), and put on each a layer of white
forcemeat of fish. Cook a macedoine of vegetables separately, and garnish
each fillet with some of it, then cook them in a covered stewpan Put a
crouton of bread in an entree dish and garnish it with cooked peas, mixed
with Bechamel sauce (No. 3), stock, and butter. Around this place the
fillets of fish, leaving the centre with the peas uncovered. Pour some
rich Espagnole sauce (No. 1) round the fillets and serve.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 68. Salmone alla Farnese (Salmon)
</h2>
<p>
Ingredients: Salmon, oil, lemon juice, thyme, salt, pepper, nutmeg,
mayonnaise sauce, lobster butter, gelatine, Velute sauce, olives, anchovy
butter, white truffles, mushrooms in oil, crayfish.
</p>
<p>
Boil a piece of salmon, and when cold cut it into fillets and marinate
them for two hours in oil, lemon juice, salt, thyme pepper, and nutmeg.
Then make a good mayonnaise and add to it some lobster butter mixed with a
little dissolved gelatine and Velute sauce (No. 2). Wipe the fillets and
arrange them in a circle on a dish, and pour the mayonnaise over them.
Then decorate the border of the dish with aspic jelly, and in the centre
put some stoned Spanish olives stuffed with anchovy butter, truffles,
mushrooms in oil, and crayfish tails.
</p>
<p>
<a name="link2H_4_0086" id="link2H_4_0086">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 69. Salmone alla Santa Fiorentina (Salmon)
</h2>
<h3>
Ingredients: Salmon, eggs, mayonnaise, parsley, flour.
</h3>
<p>
Marinate a piece of boiled salmon for an hour; take out the bone and cut
the fish into fillets, wipe them, roll them in flour and dip them in eggs
beaten up or in mayonnaise sauce, and fry them a good colour. Arrange in a
circle on the dish, garnish with fried parsley, and serve with Dutch or
mayonnaise sauce. Any fillets of fish may be cooked in this manner.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 70. Salmone alla Francesca (Salmon)
</h2>
<p>
Ingredients: Salmon, butter, onions, parsley, salt, pepper, nutmeg, stock,
Chablis, Espagnole sauce (No.1) mushrooms, anchovy butter, lemon.
</p>
<p>
Put a firm piece of salmon in a stewpan with one and a half ounces of
butter, an onion cut up, a teaspoonful of chopped parsley (blanched),
salt, pepper, very little nutmeg, a cup of stock, and a glass of Chablis.
Cook for half an hour over a hot fire, turn the salmon occasionally, and
if it gets dry, add a cup of Espagnole sauce. Let it boil until
sufficiently cooked, and then put it on a dish. Into the sauce put four
mushrooms cooked in white sauce, half a teaspoonful of anchovy butter and
a little lemon juice. Pour the sauce over the salmon and serve.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 71. Fillets of Salmon in Papiliotte
</h2>
<h3>
Ingredients: Salmon, oil, lemon juice, salt, pepper, nutmeg, herbs.
</h3>
<p>
Cut a piece of salmon into fillets, marinate them in oil, lemon juice,
salt, pepper, nutmeg, and herbs for two hours. Wipe and put them into
paper souffle cases with a little oil, butter, and herbs. Cook them on a
gridiron, and serve with a sauce piquante made in the following manner:
Half a pint of rich Espagnole sauce (No. 1) and a dessert-spoonful of New
Century{*} sauce, warmed up in a bain-marie.
</p>
<p>
*Can be obtained at Messrs Lazenby's, Wigmoree Street, W.
</p>
<p>
<a name="link2H_4_0089" id="link2H_4_0089">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Beef, Mutton, Veal, Lamb, &C.
</h2>
<p>
<a name="link2H_4_0090" id="link2H_4_0090">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 72. Manzo alla Certosina (Fillet of Beef)
</h2>
<p>
Ingredients: Fillet of beef or rump steak, bacon, olive oil, salt, nutmeg,
anchovies, herbs, stock, garlic.
</p>
<p>
Put a piece of very tender rump steak or fillet of beef into a stewpan
with two slices of fat bacon and three teaspoonsful of the finest olive
oil; season with salt and a tiny pinch of nutmeg; let it cook uncovered,
and turn the meat over occasionally. When it is nicely browned add an
anchovy minced and mixed with chopped herbs, and a small clove of garlic
with one cut across it. Then cover the whole with good stock, put the
cover on the stewpan, and when it is all sufficiently cooked, skim the
grease off the sauce, pass it through a sieve, and pour it over the beef.
Leave the garlic in for five minutes only.
</p>
<p>
<a name="link2H_4_0091" id="link2H_4_0091">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 73. Stufato alla Florentina (Stewed Beef)
</h2>
<p>
Ingredients: Beef, mutton, or veal, onions, rosemary, Burgundy, tomatoes,
stock, potatoes, butter, garlic.
</p>
<p>
Cut up an onion and three leaves of rosemary, fry them slightly in an
ounce of butter, then add meat (beef, mutton, or veal), cut into
fair-sized pieces, salt it and fry it a little, then pour half a glass of
Burgundy over it, and add two tablespoonsful of tomato conserve, or better
still, fresh tomatoes in a puree. Cover up the stewpan and cook gently,
stir occasionally, and add some stock if the stew gets too dry. If you
like to add potatoes, cut them up, put them in the stewpan an hour before
serving, and cook them with the meat. A clove of garlic with one cut may
be added for five minutes.
</p>
<p>
<a name="link2H_4_0092" id="link2H_4_0092">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 74. Coscia di Manzo al Forno (Rump Steak)
</h2>
<p>
Ingredients: Rump steak, ham, salt, pepper, spice, fat bacon, onion,
stock, white wine.
</p>
<p>
Lard a bit of good rump steak with bits of lean ham, and season it with
salt, pepper, and a little spice, slightly brown it in butter for a few
minutes, then cover it with three or four slices of fat bacon and put it
into a stewpan with an onion chopped up, a cup of good stock, and half a
glass of white wine; cook with the cover on the stewpan for about an hour.
You may add a clove of garlic for ten minutes.
</p>
<p>
<a name="link2H_4_0093" id="link2H_4_0093">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 75. Polpettine alla Salsa Piccante (Beef Olives)
</h2>
<h3>
Ingredients: Beef steak, butter, onions, stock, sausage meat.
</h3>
<p>
Cut some thin slices of beef steak, and on each place a little forcemeat
of fowl or veal, to which add a little sausage meat: roll up the slices of
beef and cook them with butter and onions, and when they are well browned
pour some stock over them, and let them absorb it. Serve with a tomato
sauce (No. 10), or sauce piquante made with a quarter of a pint of rich
Espagnole (No. 1), and a dessert-spoonful of New Century sauce (see No. 71
note).
</p>
<p>
<a name="link2H_4_0094" id="link2H_4_0094">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 76. Stufato alla Milanese (Stewed Beef)
</h2>
<p>
Ingredients: Rump steak, bacon, ham, salt, pepper, cinnamon, cloves,
butter, onions, Burgundy.
</p>
<p>
Beat a piece of rump steak to make it tender and lard it well, cut up some
bits of fat bacon and dust them over with salt, pepper, and a tiny pinch
of cinnamon, and put them on the steak. Stick three cloves into the steak,
then put it into a stewpan, add a little of the fat of the beef chopped
up, an ounce of butter, an onion cut up, and some bits of lean ham. Put in
sufficient stock to cover the steak, add a glass of Burgundy, and stew
gently until it is cooked.
</p>
<p>
<a name="link2H_4_0095" id="link2H_4_0095">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 77. Manzo Marinato Arrosto (Marinated Beef)
</h2>
<p>
Ingredients: Beef, salt, larding bacon, Burgundy, vinegar, spices, herbs,
flour.
</p>
<p>
Beat a piece of rump steak, or fillet to make it tender; sprinkle it well
with salt and some chopped herbs, and leave it for an hour; then lard it
and marinate it as follows: Half a pint of red wine (Australian Harvest
Burgundy is best), half a glass of vinegar, a pinch of spice, and a
bouquet of herbs; leave it in this for twenty-four hours then take it out,
drain it well sprinkle it with flour, and roast it for twenty minutes
before a clear fire, braize it till quite tender, then press and glaze it.
The thin end of a sirloin is excellent cooked this way. Serve cold.
</p>
<p>
<a name="link2H_4_0096" id="link2H_4_0096">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 78. Manzo con sugo di Barbabietole (Fillet of Beef)
</h2>
<h3>
Ingredients: Beef, beetroot, salt.
</h3>
<p>
Cut up three raw beetroots put them into an earthen ware pot and cover
them with water. Keep them in some warm place, and allow them to ferment
for five, six, or eight days according to the season; the froth at the top
of the water will indicate the necessary fermentation. The take out the
pieces of beetroot, skim off all the froth, and into the fermented liquor
put a good piece of tender rump steak or fillet with some salt. Braize for
four hours and serve.
</p>
<p>
<a name="link2H_4_0097" id="link2H_4_0097">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 79. Manzo in Insalata (Marinated Beef)
</h2>
<p>
Ingredients: Beef, oil, salt, pepper, vinegar, parsley, capers, mushrooms,
olives, vegetables.
</p>
<p>
Cook a fillet of beef (or the thin end of a sirloin), which has been
previously marinated for two days in oil, salt, pepper, vinegar, and
chopped parsley. When cold press and glaze it, garnish it with capers,
mushrooms preserved in vinegar or gherkins, olives, and any kind of
vegetables marinated like the beef. Serve cold.
</p>
<p>
<a name="link2H_4_0098" id="link2H_4_0098">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 80. Filetto di Bue con Pistacchi (Fillets of Beef with Pistacchios)
</h2>
<h3>
Ingredients: Fillet of beef, oil, salt, flour, pistacchio nuts, gravy.
</h3>
<p>
Cut a piece of tender beef into little fillets, and put a them in a
stewpan with a tablespoonful of olive oil and salt. After they have cooked
for a few minutes, powder them with flour, and strew over each fillet some
chopped pistacchio nuts. Add a few spoonsful of very good boiling gravy,
and cook for another half-hour.
</p>
<p>
<a name="link2H_4_0099" id="link2H_4_0099">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 81. Scalopini di Riso (Beef with Risotto)
</h2>
<p>
Ingredients: Rump steak, butter, rice, truffles, tongue, stock, mushrooms.
</p>
<p>
Slightly stew a bit of rump steak with bits of tongue and mushrooms; let
it get cold, and cut it into scallops. Butter a pie dish, and garnish the
bottom of it with cooked tongue and slices of cooked truffle, then over
this put a layer of well-cooked and seasoned risotto (No. 190), then a
layer of the scallops of beef, and then another layer of risotto. Heat in
a bain-marie, and turn out of the pie dish, and serve with a very good
sauce poured round it.
</p>
<p>
<a name="link2H_4_0100" id="link2H_4_0100">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 82. Tenerumi alla Piemontese (Tendons of Veal)
</h2>
<p>
Ingredients: Tendons of veal, fowl forcemeat, truffles, risotto (No. 190),
a cock's comb, tongue.
</p>
<p>
Tendons of veal are that part of the breast which lies near the ribs, and
forms an opaque gristly substance. Partly braize a fine bit of this joint,
and press it between two plates till cold. Cut it up into fillets, and on
each spread a thin layer of fowl forcemeat, and decorate with slices of
truffle. Put the fillets into a stewpan, cover them with very good stock,
and boil till the forcemeat and truffles are quite cooked. Prepare a
risotto all'Italiana (No. 190), put it on a dish and decorate it with bits
of red tongue cut into shapes, and in the centre put a whole cooked
truffle and a white cock's comb, both on a silver skewer. Place the
tendons of veal round the dish. Add a good Espagnole sauce (No. 1) and
serve.
</p>
<p>
If you like, leave out the risotto and serve the veal with Espagnole sauce
mixed with cooked peas and chopped truffle.
</p>
<p>
<a name="link2H_4_0101" id="link2H_4_0101">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 83. Bragiuole di Vitello (Veal Cutlets)
</h2>
<p>
Ingredients: Veal, salt, pepper, butter, bacon, carrots, flour, Chablis,
water, lemon.
</p>
<p>
Cut a bit of veal steak into pieces the size of small cutlets, salt and
pepper them, and put them in a wide low stewpan. Add two ounces of butter,
a cut-up carrot, and some bits of bacon also cut up. When they are
browned, add a spoonful of flour, half a glass of Chablis, and half a
glass of water, and cook on a slow fire for half an hour, then take out
the cutlets, reduce the sauce, and pass it through a sieve. Put it back on
the fire and add an ounce of butter and a good squeeze of lemon, and when
hot pour it over the cutlets.
</p>
<p>
<a name="link2H_4_0102" id="link2H_4_0102">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 84. Costolette alla Manza (Veal Cutlets)
</h2>
<p>
Ingredients: Veal cutlets (fowl or turkey cutlets), forcemeat, truffles,
mushrooms, tongue, parsley, pasta marinate (No. 17).
</p>
<p>
Cut a few horizontal lines along your cutlets, and on each put a little
veal or fowl forcemeat, to which add in equal quantities chopped truffles,
tongue, mushrooms, and a little parsley. Over this put a thin layer of
pasta marinate, and fry the cutlets on a slow fire.
</p>
<p>
<a name="link2H_4_0103" id="link2H_4_0103">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 85. Vitello alla Pellegrina (Breast of Veal)
</h2>
<p>
Ingredients: Breast of veal, butter, onions, sugar, stock, red wine,
mushrooms, bacon, salt, flour, bay leaf.
</p>
<p>
Roast a bit of breast of veal, then glaze over two Spanish onions with
butter and a little sugar, and when they are a good colour pour a teacup
of stock and a glass of Burgundy over them, and add a few mushrooms, a bay
leaf, some salt, and a few bits of bacon. When the mushrooms and onions
are cooked, skim off the fat and thicken the sauce with a little flour and
butter fried together; pour it over the veal and put the onions and
mushrooms round the dish.
</p>
<p>
<a name="link2H_4_0104" id="link2H_4_0104">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 86. Frittura Piccata al Marsala (Fillet of Veal)
</h2>
<h3>
Ingredients: Veal, butter, Marsala, stock, lemon, bacon.
</h3>
<p>
Cut a tender bit of veal steak into small fillets, cut off all the fat and
stringy parts, flour them and fry them in butter. When they are slightly
browned add a glass of Marsala and a teacup of good stock, and fry on a
very hot fire, so that the fillets may remain tender. Take them off the
fire, put a little roll of fried bacon on each, add a squeeze of lemon
juice, and serve.
</p>
<p>
<a name="link2H_4_0105" id="link2H_4_0105">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 87. Polpettine Distese (Veal Olives)
</h2>
<p>
Ingredients: Veal steak, butter, bread, eggs, pistacchio nuts, spice,
parsley.
</p>
<p>
Cut some slices of veal steak very thin as for veal olives, and spread
them out in a well-buttered stewpan. On each slice of veal put half a
spoonful of the following mixture: Pound some crumb of bread and mix it
with a whole egg; add a little salt, some pistacchio nuts, herbs, and
parsley chopped up, and a little butter. Roll up each slice of veal, cover
with a sheet of buttered paper, put the cover on the stewpan and cook for
three-quarters of an hour in two ounces of butter on a slow fire. Thicken
the sauce with a dessert-spoonful of flour and butter fried together.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 88. Coste di Vitello Imboracciate (Ribs of Veal)
</h2>
<p>
Ingredients: Ribs of veal, butter, eggs, Parmesan, bread crumbs, parsley.
</p>
<p>
Cut all the sinews from a piece of neck or ribs of veal, cover the meat
with plenty of butter and half cook it on a slow fire, then let it get
cold. When cold, egg it over and roll it in bread crumbs mixed with a
tablespoonful of grated Parmesan; fry in butter and serve with a garnish
of fried parsley and a rich sauce. A dessert-spoonful of New Century sauce
mixed with quarter of a pint of good thick stock makes a good sauce. (See
No. 226.)
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 89. Costolette di Montone alla Nizzarda (Mutton Cutlets)
</h2>
<h3>
Ingredients: Mutton cutlets, butter, olives, mushrooms, cucumbers.
</h3>
<p>
Trim as many cutlets as you require, and marinate them in vinegar, herbs,
and spice for two hours. Before cooking wipe them well and then saute them
in clarified butter, and when they are well coloured on both sides and
resist the pressure of the finger, drain off the butter and pour four
tablespoonsful of Espagnole sauce (No. 1) with a teaspoonful of vinegar
and six bruised pepper corns over them. Arrange them on a dish, putting
between each cutlet a crouton of fried bread, and garnish with olives
stuffed with chopped mushrooms and with slices of fried cucumber.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 90. Petto di Castrato all'Italiana (Breast of Mutton)
</h2>
<p>
Ingredients: Breast of mutton, veal, forcemeat, eggs, herbs, spice,
Parmesan.
</p>
<p>
Stuff a breast of mutton with veal forcemeat mixed with two eggs beaten
up, herbs, a little spice, and a tablespoonful of grated Parmesan, braize
it in stock with a bunch of herbs and two onions. Serve with Italian sauce
(No. 6).
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 91. Petto di Castrato alla Salsa piccante (Breast of Mutton)
</h2>
<h3>
Ingredients: Same as No. 90.
</h3>
<p>
When the breast of mutton has been stuffed and cooked as above, let it get
cold and then cut it into fillets, flour them over, fry in butter, and
serve with tomato sauce piquante (No. 10), or one dessert-spoonful of New
Century sauce in a quarter pint of good stock or gravy.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 92. Tenerumi d'Agnello alla Villeroy (Tendons of Lamb)
</h2>
<p>
Ingredients: Tendons of lamb, eggs, bread crumbs, truffles, butter, stock,
Villeroy sauce.
</p>
<p>
Slightly cook the tendons (the part of the breast near the ribs) of lamb,
press them between two dishes till cold, then cut into a good shape and
dip them into a Villeroy sauce (No. 18) egg and bread-crumb, and saute
them in butter. When about to serve, put them in a dish with very good
clear gravy. A teaspoonful of chopped mint and a tablespoonful of chopped
truffles mixed with the bread crumbs will be a great improvement.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 93. Tenerumi d' Agnello alla Veneziana (Tendons of Lamb)
</h2>
<h3>
Ingredients: Tendons of lamb, butter, parsley, onions, stock.
</h3>
<p>
Fry the tendons of lamb in butter together with a teaspoonful of chopped
parsley and an onion. Serve with good gravy.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 94. Costolette d' Agnello alla Costanza (Lamb Cutlets)
</h2>
<p>
Ingredients: Lamb cutlets, butter, stock, cocks' combs, fowl's liver,
mushrooms.
</p>
<p>
Fry as many lamb cutlets as you require very sharply in butter, drain off
the butter and replace it with some very good stock or gravy. Make a
ragout of cocks' combs, bits of fowl's liver and mushrooms all cut up; add
a white sauce with half a gill of cream mixed with it, and with this mask
the cutlets, and saute them for fifteen minutes.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Tongue, Sweetbread, Calf's Head, Liver, Sucking Pig, &C.
</h2>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 95. Timballo alla Romana
</h2>
<p>
Ingredients: Cold fowl, game, or sweetbread, butter, lard, flour,
Parmesan, truffles, macaroni, onions, cream.
</p>
<p>
Make a light paste of two ounces of butter, two of lard, and half a pound
of flour, and put it in the larder for two hours. In the meantime boil a
little macaroni and let it get cold, then line a plain mould with the
paste, and fill it with bits of cut-up fowl, or game, or sweetbread, bits
of truffle cut in small dice, grated Parmesan, and a little chopped onion.
Put these ingredients in alternately, and after each layer add enough
cream to moisten. Fill the mould quite full, then roll out a thin paste
for the top and press it well together at the edges to keep the cream from
boiling out. Bake it in a moderate oven for an hour and a half, turn it
out of the mould, and serve with a rich brown sauce. Decorate the top with
bits of red tongue and truffles cut into shapes or with a little chopped
pistacchio nut.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 96. Timballo alla Lombarda
</h2>
<p>
Ingredients: Macaroni, fowl or game, eggs, stock, Velute sauce (No. 2),
tongue, butter, truffles.
</p>
<p>
Butter a smooth mould, then boil some macaroni, but take care that it is
in long pieces. When cold, take the longest bits and line the bottom of
the mould, making the macaroni go in circles; and when you come to the end
of one piece, join on the next as closely as possible until the whole
mould is lined; paint it over now and then with white of egg beaten up;
then mask the whole inside with a thin layer of forcemeat of fowl, which
should also be put on with white of egg to make it adhere; then cut up the
bits of macaroni which remain, warm them up in some good fowl stock and
Velute sauce much reduced, a little melted butter, some bits of truffle
cut into dice, tongue, fowl, or game also cut up in pieces. When the mould
is full, put on another layer of forcemeat, steam for an hour, then turn
out and serve with a very good brown sauce.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 97. Lingua alla Visconti (Tongue)
</h2>
<h3>
Ingredients: Tongue, glaze, bread, spinach, white grapes, port.
</h3>
<p>
Soak a smoked tongue in fresh water for forty-eight hours, then boil it
till it is tender. Peel off the skin, cut the tongue in rather thick
slices, and glaze them. Prepare an oval border of fried bread, cover it
with spinach about two inches thick, and on this arrange the slices of
tongue. Fill in the centre of the dish with white grapes cooked in port or
muscat.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 98. Lingua di Manzo al Citriuoli (Tongue with Cucumber)
</h2>
<p>
Ingredients: Ox tongue, salt, pepper, nutmeg, parsley, bacon, veal,
carrots, onions, thyme, bay leaves, cloves, stock.
</p>
<p>
Gently boil an ox tongue until you can peel off the skin, then lard it,
season it with salt, pepper, nutmeg, and chopped parsley, and boil it with
some bits of bacon, ham, veal, a carrot, an onion, two bay leaves, thyme
and two cloves. Pour some good stock over it and let it simmer gently
until it is cooked. Put the tongue on a dish and garnish it with slices of
fried cucumber. Boil the cucumber for five minutes before you fry it, to
take away the bitter taste. Serve the tongue with a sauce piquante, made
with one dessert-spoonful of New Century sauce to a quarter pint of good
Espangole sauce (No. 1).
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 99. Lingue di Castrato alla Cuciniera (Sheep's Tongues)
</h2>
<p>
Ingredients: Sheep's tongues, bacon, beef, onions, herbs, spice, eggs,
butter, flour.
</p>
<p>
Cook three or four sheep's tongues in good stock, and add some slices of
bacon, bits of beef, two onions, a bunch of herbs, and a pinch of spice.
Let them get cold, flour them and mask them with egg beaten up and fry
quickly in butter. Serve with Italian sauce (No. 6)
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 100. Lingue di Vitello all'Italiana (Calves' Tongues)
</h2>
<p>
Ingredients: Calves' tongues, salt, butter, stock, water, glaze, potatoes,
ham, truffles, sauce piquante.
</p>
<p>
Rub a good handful of salt into two or three calves' tongues and leave
them for twenty-four hours, then wash off all the salt and soak them in
fresh water for two hours. Stew them gently till tender, take them out,
skin and braize them in butter and good stock for half an hour. Let them
get cold and cut them into slices about half an inch thick; put the slices
into a buttered saute-pan and cover them with a good thick glaze; let them
get quite hot and then arrange them on a border of potatoes, and garnish
each slice with round shapes of cooked ham and truffle. Fill the centre
with any vegetables you like; fried cucumber is excellent, but if you use
it do not forget to boil it for five minutes before you fry it to take
away the bitter taste. Serve with a sauce piquante (No. 10, or No. 226).
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 101. Porcelletto alla Corradino (Sucking Pig)
</h2>
<p>
Ingredients: Sucking pig, ham, eggs, Parmesan, truffles, mushrooms,
garlic, bay leaves, coriander seeds, pistacchio nuts, veal forcemeat,
suet, bacon, herbs, spice.
</p>
<p>
Bone a sucking pig, remove all the inside and fill it with a stuffing made
of veal forcemeat mixed with a little chopped suet, ham, bacon, herbs, two
tablespoonsful of finely chopped pistacchio nuts, a pinch of spice, six
coriander seeds, two tablespoonsful of grated Parmesan, cuttings of
truffles and mushrooms all bound together with eggs. Sew the pig up and
braize it in a big stewpan with bits of bacon, a clove of garlic with two
cuts, a bunch of herbs and one bay leaf, for half an hour. Then pour off
the gravy, cover the pig with well-buttered paper, and finish cooking it
in the oven. Garnish the top with vegetables and truffles cut into shapes,
slices of lemon and sprigs of parsley. Serve with a good sauce piquante
(No. 229). Do not leave the garlic in for more than ten minutes.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 102. Porcelletto da Latte in Galantina (Sucking Pig)
</h2>
<p>
Ingredients: Sucking pig, forcemeat of fowl, bacon, truffles, pistacchio
nuts, ham, lemon, veal, bay leaves, salt, carrots, onions, shallots,
parsley, stock, Chablis, gravy.
</p>
<p>
Bone a sucking pig all except its feet, but be careful not to cut the skin
on its back. Lay it out on a napkin and line it inside with a forcemeat of
fowl and veal about an inch thick, over this put a layer of bits of
marinated bacon, slices of truffle, pistacchio nuts, cooked ham, and some
of the flesh of the pig, then another layer of forcemeat until the pig's
skin is fairly filled. Keep its shape by sewing it lightly together, then
rub it all over with lemon juice and cover it with slices of fat bacon,
roll it up and stitch it in a pudding cloth. Then put the bones and
cuttings into a stewpan with bits of bacon and veal steak cut up, two bay
leaves, salt, a carrot, an onion, a shallot, and a bunch of parsley. Into
this put the pig with a bottle of white wine and sufficient stock to cover
it, and cook on a slow fire for three hours. Then take it out, and when
cold take off the pudding-cloth. Pass the liquor through a hair sieve,
and, if necessary, add some stock; reduce and clarify it. Decorate the
dish with this jelly and serve cold.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 103. Ateletti alla Sarda
</h2>
<p>
Ingredients: Veal or fowl, ox palates, stock, tongue, truffles, butter,
mushrooms, sweetbread.
</p>
<p>
Soak two ox palates in salted water for four hours, then boil them until
the rough skin comes off, and cook them in good stock for six hours, press
them between two plates and let them get cold. Roll some forcemeat of veal
or fowl in flour, cut it into small pieces about the size of a cork, boil
them in salted water, let them get cold and cut them into circular pieces.
Cut the ox palates also into circular pieces the same size as the bits of
forcemeat, then thinner circles of cooked tongue and truffles. String
these pieces alternately on small silver skewers. Reduce to half its
quantity a pint of Velute sauce (No. 2), and add the cuttings of the
truffles, mushroom trimmings, bits of sweetbread, and a squeeze of lemon
juice. Let it get cold and then mask the atelets (or skewers with the
forcemeat, &c.) with it, and fry them quickly in butter. Fry a large
oval crouton of bread, scoop out the centre and fill it with fried slices
of cucumber and truffles boiled in a little Chablis. Stick the skewers
into the crouton and pour the sauce round it.
</p>
<p>
For a maigre dish use fillets of fish, truffles, mushrooms, and Bechamel
sauce (No. 3). The cucumber should be boiled for five minutes before it is
fried.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 104. Ateletti alla Genovese
</h2>
<p>
Ingredients: Veal, sweetbread, calf's brains, ox palates, mushrooms, fonds
d'artichauds, cocks' combs, eggs, Parmesan, bread crumbs.
</p>
<p>
Cook two ox palates as in the last recipe, then take equal quantities of
veal steak, sweetbread, calf's brains, equal quantities of mushrooms,
fonds d'artichauds, and cocks' combs. Fry them all in butter except the
palates, but be careful to put the veal in first, as it requires longer
cooking; the brains should go in last. Then put all these ingredients on a
cutting board and add the palates (cooked separately); cut them all into
pieces of equal size, either round or square, but keep the ingredients
separate, and string them alternately on silver skewers, as in the last
recipe. Then pound up all the cuttings and add a little crumb of bread
soaked in stock, the yolks of three eggs, the whites of two well beaten
up, two dessert-spoonsful of grated Parmesan, salt to taste, and chopped
truffles. Mix all this well together and mask the atelets with it; egg and
bread crumb them and fry in butter. When they are a good colour, serve
with fried parsley.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 105. Testa di Vitello alla Sorrentina (Calf's Head)
</h2>
<p>
Ingredients: Calf's head, veal, sweetbread, truffles, mushrooms,
pistacchio nuts, eggs, herbs, spice, stock, bacon, ham.
</p>
<p>
Boil a half calf's head well, and when it is half cold, bone it and fill
it with a stuffing of veal, the calf's brains, sweetbread, truffles,
mushrooms, pistacchio nuts, the yolks of two eggs, herbs, and a little
spice. Then stitch it up and braize it in good stock, with some slices of
bacon, ham, and a bunch of herbs. Serve with brain sauce mixed with cream.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 106. Testa di Vitello con Salsa Napoletana (Calf's Head)
</h2>
<p>
Ingredients: Calf's head, calf's liver, bacon, suet, truffles, almonds,
olives, calf's brains, capers, spice, coriander seeds, herbs, ham, stock.
</p>
<p>
Boil half a calf's head, bone it and fill it with a stuffing made of four
ounces of calf's liver, well chopped up and pounded in a mortar; two
ounces of bacon, one ounce of suet, three truffles, six almonds, three
olives, six coriander seeds, six capers, the calf's brains, a pinch of
spice and a teaspoonful of chopped herbs. Roll up the head, tie it up and
put it into a stewpan with some bits of bacon, ham, and very good stock,
and stew it slowly. Serve with Neapolitan sauce (No.12), or with tomato
sauce piquante (No. 10).
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 107. Testa di Vitello alla Pompadour (Calf's Head)
</h2>
<p>
Ingredients: Calf's head, calf's brains, cream, eggs, truffles, cinnamon,
stock, butter, Parmesan.
</p>
<p>
Boil and bone half a calf's head and fill it with a stuffing made of the
calf's brains, a gill of cream, the yolks of two eggs, two truffles cut
up, a little chopped ham, and a tiny pinch of cinnamon. Boil it in good
stock, and when it is sufficiently cooked take it out and mask it all over
with a mixture of butter, yolk of egg, and a tablespoonful of grated
Parmesan, then brown it in the oven and serve hot.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 108. Testa di Vitello alla Sanseverino (Calf's Head)
</h2>
<p>
Ingredients: Calf's head, sweetbread, fowl's liver, anchovies, herbs,
capers, garlic, bacon, ham, Malmsey or Muscat.
</p>
<p>
Boil and bone half a calf's head, and fill it with a stuffing made of half
a pound of sweetbread, a fowl's liver, two anchovies, a teaspoonful of
chopped herbs, a few chopped capers, and the calf's brains. Roll the head
up, stitch it together and braize it in half a tumbler of Malmsey or
Australian Muscat (Burgoyne's), half a cup of very good white stock, some
bits of ham and bacon, and a clove of garlic with two cuts. Cook it gently
for four hours and serve it with its own sauce. Do not leave the garlic in
longer than ten minutes.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 109. Testa di Vitello in Frittata (Calf's Head)
</h2>
<h3>
Ingredients: Calf's head, eggs, Parmesan, ham, pepper, butter, croutons.
</h3>
<p>
A good rechauffe' of calf's head may be made in the following manner:
After the head has been well boiled in good stock, cut it into slices and
mask these with a mixture of eggs well beaten up, grated Parmesan, pepper,
and chopped ham. Fry in butter, and garnish with fried parsley and fried
croutons. Serve with a sauce made of a quarter of a pint of good Bechamel
(No. 3) and a dessert-spoonful of New Century sauce.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 110. Zampetti (Calves' Feet)
</h2>
<p>
Ingredients: Calves' or pigs' feet, butter, leeks or small onions,
parsley, salt, pepper, stock, tomatoes, eggs, cheese, cinnamon.
</p>
<p>
Blanch and bone two or more calves' or pigs' feet and put them into a
stewpan with butter, leeks, or onions, chopped parsley, salt, pepper, and
a little stock. Let them boil till the liquid is somewhat reduced, then
add good meat gravy and two tablespoonsful of tomato puree, and just
before taking the stewpan off the fire, add the yolks of two eggs beaten
up, a tablespoonful of grated cheese, and a tiny pinch of cinnamon. Mix
all well together and serve very hot.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 111. Bodini Marinati
</h2>
<p>
Ingredients: Veal forcemeat, truffles, sweetbread, mushrooms, herbs,
flour, pasta marinate (No. 17), tongue, butter.
</p>
<p>
Make a mixture of truffles, tongue, sweetbread, mushrooms, and herbs, all
chopped up, and add it to a forcemeat of veal, the proportions being
two-thirds veal forcemeat and the other ingredients one third. Mix this
well and form it into little balls about the size of a pigeon's egg, flour
them and mask them all over with pasta marinate (No. 17). Fry them in
butter over a slow fire, so that the balls may be well cooked through, and
when they are the right colour dry them in a napkin and serve very hot.
</p>
<p>
These bodini may be made with various ingredients; they will be most
delicate with a forcemeat of fowl and bits of brain mixed with herbs,
truffle, cooked ham, or tongue. They are also excellent made with fish
(sole, mullet, turbot, &c.), either cooked or raw, and marinated in
lemon, salt, pepper, oil, nutmeg, and parsley.
</p>
<p>
<a name="link2H_4_0131" id="link2H_4_0131">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 112. Animelle alla Parmegiana (Sweetbread)
</h2>
<h3>
Ingredients: Sweetbread, bread crumbs, Parmesan, butter.
</h3>
<p>
Blanch as many sweetbreads as you require, and then roll them in bread
crumbs mixed with grated Parmesan, salt, and pepper; wrap them up in
buttered grease-proof paper and grill them. When they are cooked, take off
the paper, and serve with a good sauce in a sauce-boat.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 113. Animelle in Cartoccio (Sweetbread)
</h2>
<p>
Ingredients: Sweetbread, butter, herbs, salt, pepper, bread crumbs,
Parmesan, lemons, gravy, tomatoes.
</p>
<p>
Blanch a pound of sweetbread cuttings, mix it with two ounces of melted
butter, chopped herbs, salt, and pepper, and put it into paper souffle
cases. Then strew over each some bread crumbs mixed with grated Parmesan,
put the cases in the oven, and when they are browned serve either with
good gravy and lemon juice or with tomato sauce (No. 9).
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 114. Animelle all'Italiana (Sweetbread)
</h2>
<p>
Ingredients: Sweetbread, butter, onions, salt, herbs, eggs, glaze, Risotto
(No. 190), truffles, quenelles of fowl, Espagnole sauce, white sauce.
</p>
<p>
Blanch as many sweetbreads as you require, cut them into quarters and
saute them in butter with a small onion cut up, salt, and a bunch of
herbs. Then pour over them two cups of white sauce and cook gently for
twenty minutes; take out the sweetbreads and put them in a stewpan. Reduce
the sauce, and add to it a mixture made of the yolks of four eggs, one and
a half ounce of butter and a teaspoonful of glaze; pass it through a
sieve, pour it over the sweetbreads, and keep them warm in a bain-marie.
Have ready a good Risotto all'Italiana (No. 190), and put it into a border
mould (but first decorate the inside of the mould with slices of truffle),
put it in a moderate oven, and when it is warm turn it out on a dish.
Place the sweetbreads on the risotto and fill in the centre with quenelles
of fowl and Espagnole sauce (No. 1).
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 115. Animelle Lardellate (Sweetbread)
</h2>
<p>
Ingredients: Sweetbreads, larding, bacon, stock, a macedoine of
vegetables.
</p>
<p>
Blanch two sweetbreads, lard them, and cook them very slowly in good
stock. Skim the stock and reduce it to a glaze to cover the sweetbreads.
Then cut them into three or four pieces and arrange them round a dish, but
see that the larding is well glazed over. In the centre of the dish place
a piece of bread in the shape of a cup and fill this with a macedoine of
vegetables.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 116. Frittura di Bottoni e di Animelle (Sweetbread and Mushrooms)
</h2>
<p>
Ingredients: Sweetbread, fresh button mushrooms, flour, bread crumbs,
salt, pepper, parsley, butter, lemons.
</p>
<p>
Peel some button mushrooms and cut them in halves. Boil a sweetbread, and
cut it into pieces about the same size as the mushrooms, flour, egg, and
bread crumb them, and fry in butter; then serve with a garnish of fried
parsley. Hand cut lemons with this dish.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 117. Cervello in Fili serbe (Calf's Brains)
</h2>
<h3>
Ingredients: Calf's brains, stock, butter, parsley, lemon.
</h3>
<p>
Boil half a calf's brain in good stock for ten minutes then drain and pour
a little melted butter and the juice of half a lemon over the brain; add
some chopped parsley fried for one minute in butter, and serve as hot as
possible.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 118. Cervello alla Milanese (Calf's Brains)
</h2>
<h3>
Ingredients: Calf s brains, eggs, bread crumbs, butter.
</h3>
<p>
Scald a calf's brain and let it get cold. Wipe it on a cloth, and get it
as dry as possible, then cut it into pieces about the size of a walnut,
egg and bread crumb them, fry in butter, and strew a little salt over
them.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 119. Cervello alla Villeroy (Calf's Brains)
</h2>
<h3>
Ingredients: Calf's brains, eggs, flour, mushrooms, Velute sauce.
</h3>
<p>
Scald a calf's brain, and when cold cut it up and mask each piece with a
thick sauce made of well-reduced Velute (No. 2), mixed with chopped cooked
mushrooms; flour them over and dip them into the yolk of an egg, and fry
as quickly as possible.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 120. Frittura of Liver and Brains
</h2>
<p>
Ingredients: Calf's liver and brains (or lamb's or pig's fry), butter,
ham, flour, puff pastry.
</p>
<p>
Cut up half a pound of liver in small slices, flour and fry them in butter
or dripping, together with a calf's or pig's or sheep's brain, previously
scalded and also cut up. Serve with bits of fried ham and little
diamond-shaped pieces of puff pastry.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 121. Cervello in Frittata Montano (Calf's Brains)
</h2>
<h3>
Ingredients: Calf's brains, stock, cream, eggs, spice, Parmesan, butter.
</h3>
<p>
Boil a calf's brain in good stock for ten minutes, let it get cold, cut it
up into little balls, and mask each piece with a mixture made of half a
gill of cream, the yolks of two eggs, a little spice, a tablespoonful of
grated Parmesan, and the whites of two eggs well beaten up. Fry the balls
in butter, and serve as hot as possible. You may mask and cook the calf's
brain without cutting it up, if you prefer it so.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 122. Marinata di Cervello alla Villeroy (Calf's Brains)
</h2>
<p>
Ingredients: Calf's brains, stock, Bechamel sauce, eggs, butter, lemon,
forcemeat of fowl, flour.
</p>
<p>
Boil a calf's or sheep's brain in good stock, wipe it well, and cut it up.
Reduce a pint of Bechamel (No. 3), and add to it the yolks of three eggs,
an ounce of butter, and the juice of a lemon. When it boils throw in the
cut-up brain; let it cool, then take out the brain and form it into little
balls about the size of a small walnut. Make a forcemeat of fowl, and add
a dessert-spoonful of flour to it, and spread it out very thin on a
paste-board, and into this wrap the balls of brain, each separately. Dip
them into a pasta marinate (No. 17), and fry them a golden brown.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 123. Minuta alla Milanese (Lamb's Sweetbread)
</h2>
<p>
Ingredients: Lamb's sweetbread, butter, onions, stock, Chablis, salt,
lemon, herbs, cocks' combs, fowls' livers.
</p>
<p>
Cut up equal quantities of lamb's sweetbreads, cocks' combs, fowls' livers
in pieces about the size of a filbert, flour and fry them slightly in
butter and a small bit of onion, add half a glass of Chablis, a cup of
good stock, and a bunch of herbs. Reduce the sauce, and thicken it with a
tablespoonful of butter and flour fried together. Make a border of Risotto
all'Italiana (No. 190), and put the sweetbread, &c., together with the
sauce in the centre.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 124. Animelle al Sapor di Targone (Lamb's Fry)
</h2>
<p>
Ingredients: Lamb's fry, ham, garlic, larding bacon, spice, herbs, butter,
flour, stock.
</p>
<p>
The lamb's fry should be nearly all sweetbread, and very little liver.
Lard each piece with bacon and ham, and roll it in chopped herbs and a
pinch of pounded spice. Then dip it in flour and braize in good stock, to
which add three ounces of butter, some bits of bacon, ham, a bay leaf,
herbs, and a clove of garlic with two cuts. Cook until the fry is well
glazed over, and serve with Tarragon sauce (No. 8). Do not leave the
garlic in longer than ten minutes.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 125. Fritto Misto alla Villeroy
</h2>
<p>
Ingredients: Cocks' combs, calf's brains, sweetbread, stock, truffles,
mushrooms, Villeroy, eggs, bread crumbs.
</p>
<p>
Cook some big cocks' combs, bits of calf s brains, and sweetbread in good
stock, then drain them and marinate them slightly in lemon juice and
herbs. Prepare a Villeroy (No. 18), and add to it cuttings of sweetbread,
brains, truffles, mushrooms, &c. When it is cold, mask the cocks'
combs and other ingredients with it, egg and bread-crumb them, and fry
them a golden brown.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 126. Fritto Misto alla Piemontese
</h2>
<p>
Ingredients: Sweetbread, calf s brains, ox palate, flour, eggs, Chablis,
salt, herbs butter.
</p>
<p>
Make a thin paste with a tablespoonful of flour, the yolks of two eggs,
two Spoonsful of Chablis, and a little salt. Mix this up well, and if it
is too thick add a little water. Beat up the whites of the two eggs into a
snow. In the meantime blanch a sweetbread, half a calf's brain, and a few
bits of cooked ox palate; boil them all up with a bunch of herbs; cut them
into pieces about the size of a walnut, and dip them into the paste so
that each piece is well covered, then dip them into the beaten-up whites
of egg, and fry them very quickly in butter. This fry is generally served
with a garnish of French beans, which should not be cut up, but half
boiled, then dried, floured over and fried together with the other
ingredients. The ox palates should be boiled for at least six hours before
you use them in this dish.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 127. Minuta di Fegatini (Ragout of Fowls' Livers)
</h2>
<p>
Ingredients: Fowls' or turkeys' livers, flour, butter, parsley, onions,
salt, pepper, stock, Chablis.
</p>
<p>
Cut the livers in half, flour them, and fry lightly in butter with chopped
parsley, very little chopped onion, salt and pepper, then add a quarter
pint of boiling stock and half a glass of Chablis, and cook until the
sauce is somewhat reduced. You can also cook the livers simply in good
meat gravy, but in this case they should not be floured. Serve with a
border of macaroni (No. 183), or Risotto (No. 190), or Polenta (No. 187).
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 128. Minuta alla Visconti (Chickens' Livers)
</h2>
<h3>
Ingredients: Fowls' livers, eggs, cheese, butter, cream, cayenne pepper.
</h3>
<p>
Braize two fowls' livers in butter, then pound them up, and mix with a
little cream, a tablespoonful of grated cheese and a dust of cayenne.
</p>
<p>
Spread this rather thickly over small squares of toast, and keep them hot
whilst you make a custard with half an ounce of butter, an egg well beaten
up, and a tablespoonful of cheese. Stir it over the fire till thick and
then spread it on the hot toast. Serve very hot. This makes a good
savoury.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 129. Croutons alla Principesca
</h2>
<p>
Ingredients: Croutons, tongue, sweetbread, truffles, fowl or game, Velute
sauce, stock, eggs, butter.
</p>
<p>
Fry a bit of bread in butter till it is a light brown colour, then cut it
into heart-shaped pieces. Prepare a ragout with bits of tongue,
sweetbread, fowl or game, truffles, two or three spoonsful of well-reduced
Velute sauce (No. 2), and two or three of reduced gravy. Put a spoonful of
the ragout in each crouton, and over it a layer of fowl forcemeat half an
inch thick; trim the edges neatly, glaze them with the yolk of eggs beaten
up, and put them in a buttered fireproof dish in the oven for twenty
minutes. Then glaze them with reduced stock and serve hot.
</p>
<p>
For a maigre dish use fish for the ragout and forcemeat.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 130. Croutons alla Romana
</h2>
<p>
Ingredients: Bread, fowl forcemeat, tongue, truffles, herbs, cream, stock,
butter, flour, eggs.
</p>
<p>
Cut a bit of crumb of bread into round or square shapes, and on each put a
spoonful of fowl or rabbit forcemeat, a little chopped tongue, and a
slight flavouring of chopped herbs; cover with a slice of bread the same
shape as the underneath piece, put them in a buttered fireproof dish, and
moisten them well with cream, butter, and stock. Cook until all the liquor
is absorbed, but turn them over so that both sides may be well cooked,
then flour and dip them into beaten-up eggs; fry them a good colour and
serve very hot.
</p>
<p>
For a maigre dish use forcemeat of fish or lobster, and more cream instead
of stock.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Fowl, Duck, Game, Hare, Rabbit, &c.
</h2>
<p>
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<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 131. Soffiato di Cappone (Fowl Souffle)
</h2>
<p>
Ingredients: Fowl, Bechamel, stock, semolina flour, potatoes, salt, eggs,
butter, smoked tongue or ham.
</p>
<p>
Prepare a puree of fowl or turkey and a small quantity of grated tongue or
ham, and whilst you are pounding the meat add some good gravy or stock.
Then make a Bechamel sauce (No. 3) and add two table-spoonsful of semolina
flour, a boiled potato and salt to taste, boil it up and add the puree of
fowl, then let it get nearly cold, add yolks of eggs and the white beaten
up into a snow. (For one pint of the puree use the yolks of three eggs.)
Pour the whole into a buttered souffle case, and half an hour before
serving put it in a moderate oven and serve hot. You can use game instead
of fowl, and serve in little souffle cases.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 132. Pollo alla Fiorentina (Chicken)
</h2>
<p>
Ingredients: Fowl, butter, vegetables, rice or macaroni, peppercorns,
stock, ham, tomatoes, bay leaves, onions, cloves, Liebig.
</p>
<p>
Roll up a fowl in buttered paper and put it in the oven in a fireproof
dish with all kinds of vegetables and a few peppercorns. Leave it there
for about two hours, then put the fowl and vegetables into two quarts of
good stock and let it simmer for one hour; serve on well-boiled rice or
macaroni and pour the following sauce over it. Sauce: Two pounds tomatoes,
one big cup of good stock, a quarter pound of chopped ham, three bay
leaves, one onion stuck with cloves, one teaspoonful of Liebig. Simmer an
hour and a half.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 133. Pollo all'Oliva (Chicken)
</h2>
<p>
Ingredients: Fowl, onions, celery, salt, parsley, carrots, butter, stock,
olives, tomatoes.
</p>
<p>
Cut up half an onion, a stick of celery, a sprig of parsley, a carrot, and
cook them all in a quarter pound of butter. Into this put a fowl cut up
and let it act brown all over, turn when necessary and then baste it with
boiling stock. Add four Spanish olives cut up and four others pounded in a
mortar, eight whole olives and three tablespoonsful of tomato puree
reduced, and when the fowl is well cooked pour the sauce over it.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 134. Pollo alla Villereccia (Chicken)
</h2>
<p>
Ingredients: Fowl, butter, flour, stock, bacon, ham, mushrooms, onions,
cloves, eggs, cream, lemons.
</p>
<p>
Cut up a fowl into quarters and put it into a saucepan with three ounces
of butter and a tablespoonful of flour Put it on the fire, and when it is
well browned add half a pint of stock, bits of bacon and ham, butter,
three mushrooms (previously boiled), an onion stuck with three cloves.
When this is cooked skim off the grease, pass the sauce through a sieve,
and add the yolks of two eggs mixed with two tablespoonsful of cream.
Lastly, add a squeeze of lemon juice to the sauce and pour it over the
fowl.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 135. Pollo alla Cacciatora (Chicken)
</h2>
<h3>
Ingredients: The same as No. 134 and tomatoes.
</h3>
<p>
Cook the fowl exactly as above, but add either a puree of tomatoes or
tomato sauce.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 136. Pollastro alla Lorenese (Fowl)
</h2>
<h3>
Ingredients: Fowl, butter, parsley, lemon, small onions, bread crumbs.
</h3>
<p>
Cut up a fowl and put it into a frying pan with two ounces of butter, one
onion cut up and a sprig of chopped parsley, salt and pepper; put it on
the fire and cook it, but turn the pieces several times: then take them
out and roll them whilst hot in bread crumbs, and fry them. Serve with cut
lemons.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 137. Pollastro in Fricassea al Burro (Fowl)
</h2>
<p>
Ingredients: Fowl, butter, fat bacon, ham, mushrooms, truffles, herbs,
spice, gravy.
</p>
<p>
Cut up a fowl and cook it in a fricassee of butter, bacon, ham, herbs,
mushrooms, truffles, spice, and good gravy or stock. Serve in its own
gravy.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 138. Pollastro in istufa di Pomidoro (Braized Fowl)
</h2>
<p>
Ingredients: Fowl, bacon, ham, bay leaf, spice, garlic, Burgundy,
tomatoes.
</p>
<p>
Braize a fowl with bits of fat bacon, ham, a bay leaf, a clove of garlic
with one cut in it, a pinch of spice, and a glass of Burgundy. Only leave
the garlic in for five minutes. When cooked serve with tomato sauce (No.
9).
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 139. Cappone con Riso (Capon with Rice)
</h2>
<p>
Ingredients: Capon, veal forcemeat, fat bacon, stock, rice, truffles,
mushrooms, cocks' combs, kidneys or fowls' liver, supreme sauce, milk,
Chablis.
</p>
<p>
Stuff a fine capon with a good firm forcemeat made of veal, tongue, ham,
and chopped truffles; cover it with larding bacon; tie it up in buttered
paper, and cook it in very good white stock. In the meantime boil four
ounces of rice in milk till quite stiff, mix in some chopped truffles, and
make ten little timbales of it. Take out the capon when it is sufficiently
cooked and place it on a dish; garnish it with cooked mushrooms, cocks'
combs, kidneys, or fowls' livers, and pour a sauce supreme (No. 16) over
it; round the dish place the timbales of rice, and between each put a
whole truffle cooked in white wine. Serve a sauce supreme in a sauce bowl.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 140. Dindo Arrosto alla Milanese (Roast Turkey)
</h2>
<p>
Ingredients: Turkey, sausage meat, prunes, chestnuts, a pear, butter,
Marsala, salt, rosemary, bacon, carrot, onion, turnip, garlic.
</p>
<p>
Blanch for seven or eight minutes three prunes, quarter of a pound of
sausage meat, three tablespoonsful of chestnut puree, two small slices of
bacon, half a cooked pear, and saute them in butter; chop up the liver and
gizzard of the turkey, mix them with the other ingredients, and add half a
glass of Marsala; use this as a stuffing for the turkey, and first braize
it for three quarters of an hour with salt, butter, a blade of rosemary,
bits of fat bacon, a carrot, a turnip, an onion, three cloves, and a clove
of garlic with a cut; then roast it before a clear fire for about twenty
minutes; put it back into the sauce till it is ready to serve. Only leave
the garlic in ten minutes.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 141. Tacchinotto all'Istrione (Turkey Poult)
</h2>
<p>
Ingredients: A turkey poult, ham, mace, bay leaves, lemons, water, salt,
onions, parsley, celery, carrots, Chablis.
</p>
<p>
Truss a turkey poult, and cover it all over with slices of ham or bacon,
put two bay leaves and four slices of lemon on it, and sprinkle with a
small pinch of mace, then sew it up tight in a dishcloth, and stew it in
good stock, salt, an onion, parsley, a stick of celery, a carrot, and a
pint of Chablis; cook for an hour, take it out of the cloth, and pour a
good rich sauce over it. It is also good cold with aspic jelly.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 142. Fagiano alla Napoletana (Pheasant)
</h2>
<h3>
Ingredients: Pheasant, macaroni, gravy, butter, Parmesan, tomatoes.
</h3>
<p>
Lard a pheasant, roast it, and serve it on a layer of macaroni cooked with
good reduced gravy, two ounces of butter, a tablespoonful of grated
Parmesan, and a puree of tomatoes. Serve with Neapolitan sauce (No. 12) in
a sauce bowl.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 143. Fagiano alla Perigo (Pheasant)
</h2>
<h3>
Ingredients: Pheasant, butter, truffles, larding bacon, Madeira.
</h3>
<p>
Make a mixture of three tablespoonsful of chopped truffles, three ounces
of butter and a little salt, and with this stuff a pheasant. Then cover it
with slices of fat bacon and keep it in a cool place till next day. A few
hours before serving, roast the pheasant and baste it well with melted
butter and a wine-glass of Madeira or Marsala. Make a crouton of fried
bread the shape of your dish, and over this put a Layer of forcemeat of
fowl and a number of small fowl quenelles; cover them with buttered paper,
then put the dish in the oven for a few minutes so as to settle the
forcemeat. When the pheasant is cooked, place it on the crouton and
garnish it with slices of truffle which have been previously cooked in
Madeira, and serve with a Perigord sauce.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 144. Anitra Selvatica (Wild Duck)
</h2>
<p>
Ingredients: Wild duck, butter, fowls' livers, Marsala, gravy, turnips,
carrots, parsley, mushrooms.
</p>
<p>
Cut a wild duck into quarters and put it into a stewpan with two fowls'
livers cut up and fried in butter. When the pieces of duck are coloured on
both sides, pour off the butter, and in its place pour a glass of Marsala,
a cup of stock, and a cup of Espagnole sauce (No.1), and cook gently for
ten minutes. In the meantime shape and blanch six young turnips and as
many young carrots, put them into a stewpan, and on the top of them put
the pieces of wild duck, liver, &c. Pass the liquor through a sieve
and pour it over the wild duck, add a bunch of parsley and other herbs and
five little mushrooms cut up, and cook on a slow fire for half an hour.
Skim the sauce, pass it through a sieve and add a pinch of sugar. Put the
pieces of wild duck in an entree dish, add the vegetables, &c., pour
the sauce over and serve.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 145. Perniciotti alla Gastalda (Partridges)
</h2>
<p>
Ingredients: Partridges, cauliflower, bacon, sausage, fowls' livers,
carrots, onions herbs, stock, gravy, butter, Madeira.
</p>
<p>
Cut a cauliflower into quarters, blanch for a few minutes, drain, and put
it into a saucepan with some bits of bacon. Let it drain on paper till
dry, then arrange the bits in a circle in a deep stewpan, and in the
centre put a small bit of sausage, the livers of the partridges, a fowl's
liver cut up, a carrot, an onion, and a bunch of herbs. Cover about
three-quarters high with good stock and gravy, put butter on the top and
boil gently for an hour; then take out the sausage, replace it by two or
three partridges, and simmer for three-quarters of an hour. In the
meantime cut a sausage in thin slices and line a mould with it. When the
birds are cooked, take them out, drain and cut them up, and fill the mould
with alternate layers of partridge and cauliflower, and steam for half an
hour. Five minutes before serving turn the mould over on a plate, but do
not take it off, so as to let all the grease drain off. Cut up the fowls'
and partridges' livers, make them into scallops and glaze them. Wipe off
all the grease round the mould; take it off, garnish the dish with the
scallops of liver and serve hot with an Espagnole sauce (No. 1) reduced,
and add a glass of Madeira or Marsala, and a glass of essence of game to
it. This is an excellent way of cooking an old partridge or pheasant.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 146. Beccaccini alla Diplomatica (Snipe)
</h2>
<p>
Ingredients: Snipe, ham, larding bacon, herbs, Marsala, croutons,
truffles, cocks' combs, mushrooms, sweetbread, tongue.
</p>
<p>
Truss fourteen snipe and cook them in a mirepoix made with plenty of ham,
fat bacon, herbs, and a wine glass of Marsala. When they are cooked pour
off the sauce, skim off the grease and reduce it. Take the two smallest
snipe and make a forcemeat of them by pounding them in a mortar with the
livers of all the snipe, then dilute this with reduced Espagnole sauce
(No. 1) and add it to the first sauce. Cut twelve croutons of bread just
large enough to hold a snipe each, and fry them in butter. Add some
chopped herbs and truffles to the forcemeat, spread it on the croutons,
and on each place a snipe and cover it with a bit of fat bacon and
buttered paper. Put them in a moderate oven for a few minutes, arrange
them on a dish, and pour some of their own sauce over them. Garnish the
spaces between the croutons with white cocks' combs, mushrooms, and
truffles. The truffles should be scooped out and filled with a little
stuffing of sweetbread, tongue, and truffles mixed with a little of the
sauce of the snipe. Serve the rest of the sauce in a sauce-boat.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 147. Piccioni alla minute (Pigeons)
</h2>
<p>
Ingredients: Pigeons, butter, truffles, herbs, fowls' livers, sweetbread,
salt, flour, stock, Burgundy.
</p>
<p>
Prepare two pigeons and put them into a stewpan with two ounces of butter,
two truffles cut up, two fowls' livers, half-pound of sweetbread cuttings
(boiled), a bunch of herbs and salt. Let them brown a little, then add a
dessert-spoonful of flour mixed with stock, and half a glass of Burgundy,
and stew gently for half an hour.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 148. Piccioni in Ripieno (Stuffed Pigeons)
</h2>
<p>
Ingredients: Pigeons, sweetbread, parsley, onions, carrots, salt, pepper,
bacon, stock, Chablis, fowls' livers, and gizzards.
</p>
<p>
Cut up a sweetbread, a fowl's liver and gizzard, an onion, a sprig of
parsley, and add salt and pepper. Put this stuffing into two pigeons, tie
larding bacon over them, and put them into a stewpan with a glass of
Chablis, a cup of stock, an onion, and a carrot. When cooked pass the
sauce through a sieve, skim it, add a little more sauce, and pour it over
the pigeons.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 149. Lepre in istufato (Stewed Hare)
</h2>
<p>
Ingredients: Hare, butter, onions, garlic, marjoram, celery, ham, salt,
Chablis, stock, mushrooms, spice, tomatoes.
</p>
<p>
Put into a stewpan three ounces of butter, an onion cut up, a clove of
garlic with a cut across it, a sprig of marjoram, and a little cut-up ham.
Fry these slightly, put the hare cut up into the same stewpan, and let it
get brown. Then pour a glass of Chablis and a glass of stock over it; add
a little tomato sauce or a mashed-up tomato, a pinch of spice, and a few
mushrooms; take out the garlic and let the rest stew gently for an hour or
more. Keep the cover on the stewpan, but stir the stew occasionally.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 150. Lepre Agro-dolce (Hare)
</h2>
<p>
Ingredients: Hare, vinegar butter, onion, ham, stock salt, sugar,
chocolate, almonds, raisins.
</p>
<p>
Cut up a hare and wash the pieces in vinegar, then cook them in butter,
chopped onion, some bits of ham stock and a little salt. Half fill a
wine-glass with sugar and add vinegar until the glass is three-quarters
full mix the vinegar and sugar well together, and when the hare is browned
all over and nearly cooked, pour the vinegar over it and add a dessert
spoonful of grated chocolate a few shredded almonds and stoned raisins.
Mix all well together and cook for a few minutes more. This is a favourite
Roman dish.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 151. Coniglio alla Provenzale (Rabbit)
</h2>
<p>
Ingredients: Rabbit, flour butter, stock, Chablis, parsley onion, spice,
mushrooms.
</p>
<p>
Cut up a rabbit, wipe the pieces, flour them over, and fry them in butter
until they are coloured all over. Then pour a glass of Chablis over them,
add some chopped parsley, half an onion, three mushrooms, salt, and a cup
of good stock. Cover the stewpan and cook on a moderate fire for about
three-quarters of an hour. Should the stew act too dry, add a spoonful of
stock occasionally.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 152. Coniglio arrostito alla Corradino (Roast Rabbit)
</h2>
<p>
Ingredients: Rabbit, pig's fry, butter, salt, pepper, fennel, bay leaf,
onions.
</p>
<p>
Make a stuffing of pig's fry (previously cooked in butter), salt, pepper,
fennel, an onion, all chopped up, and a bay leaf. With this stuff a rabbit
well and braize it for half an hour, then roast it before a brisk fire and
baste it well with good gravy. If you like, put in a clove of garlic with
one cut whilst it is being braized, but only leave it in for five minutes.
Serve with ham sauce (Salsa di prosciutto, No. 7.) A fowl may be cooked in
this way.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 153. Coniglio in salsa Piccante (Rabbit)
</h2>
<p>
Ingredients: Rabbit, butter, flour, celery, parsley, onion, carrot,
mushrooms, cloves, spices, Burgundy, stock, capers, anchovies.
</p>
<p>
Cut up a rabbit, wipe the pieces well on a dishcloth, flour them over and
put them into a frying-pan with two ounces of butter and fry for about ten
minutes. Then add half a stick of celery, parsley, an onion, half a
carrot, and three mushrooms, all cut up, three cloves, a pinch of spice
and salt, a glass of Burgundy, and the same quantity of stock; cover the
stewpan and cook for half an hour, then put the pieces of rabbit into
another stewpan and pass the liquor through a sieve; press it well with a
wooden spoon, so as to get as much through as possible, pour this over the
rabbit and add four capers and an anchovy in brine pounded in a mortar,
mix all well together, let it simmer for a few minutes, then serve hot
with a garnish of croutons fried in butter.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Vegetables
</h2>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 154. Asparagi alla salsa Suprema (Asparagus)
</h2>
<p>
Ingredients: Asparagus, butter, nutmeg, salt, supreme sauce (No. 16)
gravy, lemon, Parmesan.
</p>
<p>
Cut some asparagus into pieces about an inch long and cook them in boiling
water with salt, then drain and put them into a saute pan with one and a
half ounce of melted butter and sautez for a few minutes, but first add
salt, a pinch of nutmeg, and a dust of grated cheese. Pour a little
supreme sauce over them, and at the last add a little gravy, one ounce of
fresh butter, and a squeeze of lemon juice.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 155. Cavoli di Bruxelles alla Savoiarda (Brussels Sprouts)
</h2>
<p>
Ingredients: Brussels sprouts, butter, pepper, stock, Bechamel sauce,
Parmesan, croutons.
</p>
<p>
Take off the outside leaves of half a pound of Brussels sprouts, wash and
boil them in salted water. Let them get cool, drain, and put them in a
pie-dish with two ounces of fresh butter, a quarter pint of very good
stock, a little pepper, and a dust of grated Parmesan. When they are well
glazed over, pour off the sauce, season with three tablespoonsful of
boiling Bechamel sauce (No. 3), and serve with croutons fried in butter.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 156. Barbabietola alla Parmigiana (Beetroot)
</h2>
<h3>
Ingredients: Beetroot, white sauce, Parmesan, Cheddar.
</h3>
<p>
Boil a beetroot till it is quite tender, peel it, cut into slices, put it
in a fireproof dish, and cover it with a thick white sauce. Strew a little
grated Parmesan and Cheddar over it. Put it in the oven for a few minutes,
and serve very hot in the dish.
</p>
<p>
<a name="link2H_4_0178" id="link2H_4_0178">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 157. Fave alla Savoiarda (Beans)
</h2>
<h3>
Ingredients: Beans, stock, a bunch of herbs, Bechamel sauce.
</h3>
<p>
Boil one pound of broad beans in salt and water, skin and cook them in a
saucepan with a quarter pint of reduced stock and a hunch of herbs. Drain
them, take out the herbs, and season with two glasses of Bechamel sauce
(No. 3).
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 158. Verze alla Capuccina (Cabbage)
</h2>
<p>
Ingredients: Cabbage or greens, anchovies, salt, butter, parsley, gravy,
Parmesan.
</p>
<p>
Boil two cabbages in a good deal of water, and cut them into quarters. Fry
two anchovies slightly in butter and chopped parsley, add the cabbages,
and at the last three tablespoonsful of good gravy, two tablespoonsful of
grated Parmesan, salt and pepper, and when cooked, serve.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 159. Cavoli fiodi alla Lionese (Cauliflower)
</h2>
<p>
Ingredients: Cauliflower, butter, onions, parsley, lemon, Espagnole sauce.
</p>
<p>
Blanch a cauliflower and boil it, but not too much. Cut up a small onion,
fry it slightly in butter and chopped parsley, and when it is well
coloured, add the cauliflower and finish cooking it, then take it out, put
it in a dish, pour a good Espagnole sauce (No. 1) over it, and add a
squeeze of lemon juice.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 160. Cavoli fiodi fritti (Cauliflower)
</h2>
<h3>
Ingredients: Cauliflower or broccoli, gravy, lemon, salt, eggs, butter.
</h3>
<p>
Break up a broccoli or cauliflower into little bunches, blanch them, and
put them on the fire in a saucepan with good gravy for a few minutes, then
marinate them with lemon juice and salt, let them get cold, egg them over,
and fry in butter.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 161. Cauliflower alla Parmigiana
</h2>
<h3>
Ingredients: Cauliflower, butter, Parmesan, Cheddar, Espagnole, stock.
</h3>
<p>
Boil a cauliflower in salted water, then sautez it in butter, but be
careful not to cook it too much. Take it off the fire and strew grated
Parmesan and Cheddar over it then put in a fireproof dish and add a good
spoonful of stock and one of Espagnole (No. 1), and put it in the oven for
ten minutes.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 162. Cavoli Fiori Ripieni
</h2>
<p>
Ingredients: Cauliflower, butter, stock, forcemeat of fowl, tongue,
truffles, mushrooms, parsley, Espagnole, eggs.
</p>
<p>
Break up a cauliflower into separate little bunches, blanch them, and put
them in butter, and a quarter pint of reduced stock. Make a forcemeat of
fowl, add bits of tongue, truffles, mushrooms, and parsley, all cut up
small and mixed with butter. With this mask the pieces of cauliflower, egg
and breadcrumb them, fry like croquettes, and serve with a good Espagnole
sauce (No. 1).
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 163. Sedani alla Parmigiana (Celery)
</h2>
<p>
Ingredients: Celery, stock, ham, salt, pepper, Cheddar, Parmesan, butter,
gravy.
</p>
<p>
Cut all the green off a head of celery, trim the rest. Cut it into pieces
about four inches long, blanch and braize them in good stock, ham, salt,
and pepper. When cooked, drain and arrange them on a dish, sprinkle with
grated Parmesan and Cheddar, and add one and a half ounce of butter, then
put them in the oven till they have taken a good colour, pour a little
good gravy over them and serve.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 164. Sedani fritti all'Italiana (Celery)
</h2>
<h3>
Ingredients: Same as No. 163, eggs, bread crumbs, tomatoes.
</h3>
<p>
Prepare a head of celery as above, and cut it up into equal pieces. Blanch
and braize as above, and when cold egg and breadcrumb and sautez in
butter. Serve with tomato sauce.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 165. Cetriuoli alla Parmigiana (Cucumber)
</h2>
<h3>
Ingredients: Cucumber, butter, cheese, gravy, salt, cayenne.
</h3>
<p>
Cut a cucumber into slices about half an inch thick, boil for five minutes
in salted water, drain in a sieve, and fry slightly in melted butter, then
strew a little grated Parmesan over it, and add a good thick gravy, put it
into the oven for ten minutes to brown, and serve as hot as possible.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 166. Cetriuoli alla Borghese (Cucumber)
</h2>
<p>
Ingredients: Cucumber, cream, salt, Bechamel sauce, butter, Parmesan,
cayenne pepper.
</p>
<p>
Cook a cucumber as in No. 165, braize it for five minutes, add to it a
good rich Bechamel (No. 3), mixed with cream and grated Parmesan Spread
this well over the cucumber, and put it into the oven for ten minutes
keeping the rounds of cucumber separate, so as to arrange them in a circle
on a very hot dish. Care should be taken not to cook the cucumber too
long, or it will break in pieces and spoil the look of the dish.
</p>
<p>
<a name="link2H_4_0188" id="link2H_4_0188">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 167. Carote al sughillo (Carrots)
</h2>
<h3>
Ingredients: Carrots, stock, butter, sausage, pepper.
</h3>
<p>
Boil some young carrots in stock, slice them up, and put them in a stewpan
with a sausage cut up; cook for quarter of an hour on a slow fire, then
stir up the fire, and when the carrots and sausage are a good colour add a
good Espagnole sauce (No. 1), and serve.
</p>
<p>
<a name="link2H_4_0189" id="link2H_4_0189">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 168. Carote e piselli alla panna (Carrots and Peas)
</h2>
<h3>
Ingredients: Young carrots, peas, cream, salt.
</h3>
<p>
Half cook equal quantities of peas and young carrots (the carrots should
be cut in dice, and will require a little longer cooking), then put them
together in a stewpan with three or four tablespoonsful of cream, and cook
till quite tender. Serve hot.
</p>
<p>
<a name="link2H_4_0190" id="link2H_4_0190">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 169. Verze alla Certosine (Cabbage)
</h2>
<h3>
Ingredients: Cabbage, butter, salt, leeks or shallots, sardines, cheese.
</h3>
<p>
Any vegetable may be cooked in the following simple manner: Boil them
well, then slightly fry a little bit of leek or shallot and a sardine in
butter; drain the vegetables, put them in the butter, and cook gently so
that they may absorb all the flavour, and at the last add a dust of grated
cheese and a tiny pinch of spice.
</p>
<p>
<a name="link2H_4_0191" id="link2H_4_0191">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 170. Lattughe al sugo (Lettuce)
</h2>
<p>
Ingredients: Lettuce, Parmesan, bacon, stock, butter, croutons of bread,
gravy.
</p>
<p>
Take off the outside leaves of a lettuce, blanch and drain them well. Put
on each leaf a mixture of grated Parmesan, salt, little bits of chopped
bacon or ham, add a little good stock, cover over with buttered paper, and
cook in a hot oven for five minutes. Then drain off the stock and roll up
each leaf with the bacon, &c., put them on croutons of fried bread and
pour some good thick gravy over them.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 171 Lattughe farcite alla Genovese (Lettuce)
</h2>
<h3>
Ingredients: Lettuce, forcemeat of fowl or veal, ham, Espagnole sauce.
</h3>
<p>
Prepare a lettuce as above, and spread on each leaf a spoonful of
forcemeat of fowl or veal, add a little cooked ham chopped up, roll up the
leaves, and cook as above. Drain them on a cloth, arrange them neatly on a
dish, and pour some good Espagnole sauce (No. 1) over them.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 172. Funghi cappelle infarcite (Stuffed Mushrooms)
</h2>
<p>
Ingredients: Mushrooms, bread, stock, garlic, parsley, salt, Parmesan,
butter, eggs, cream.
</p>
<p>
Choose a dozen good fresh mushrooms, take off the stalks and put the tops
into a saucepan with a little butter. See that they lie bottom upwards.
Then cut up and mix together half the stalks of the mushrooms, a little
bread crumb soaked in gravy, the merest scrap of garlic and a little
chopped parsley. Put this into a separate saucepan and add to it two eggs,
half a gill of cream, salt, and two tablespoonsful of grated Parmesan. Mix
well so as to get a smooth paste and fill in the cavities of the mushrooms
with it. Then add a little more butter, strew some bread crumbs over each
mushroom, and cook in the oven for ten to fifteen minutes.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 173. Verdure miste (Macedoine of Vegetables)
</h2>
<p>
Ingredients: Cauliflower, carrots, celery, spinach, butter, cream, pepper,
Parmesan.
</p>
<p>
Boil some carrots, cauliflower, spinach, and celery (all cut up) in water.
Then put them in layers in a buttered china mould, and between each layer
add a little cream, pepper, and a little grated Parmesan and Cheddar. Fill
the mould in this manner, and put it in the oven for half an hour, so that
the vegetables may cook without adhering to the mould. Turn out and serve.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 174. Patate alla crema (Potatoes in cream)
</h2>
<p>
Ingredients: Potatoes, butter, Parmesan, white stock, cream, pepper, salt.
</p>
<p>
Boil two pounds of potatoes in salted water for a quarter of an hour, peel
and cut them into slices about the size of a penny, then arrange them in
layers in a very deep fireproof dish (with a lid), and on each layer pour
a little melted butter, a little good white stock and a dust of grated
Parmesan. Reduce a pint and a half of cream to half its quantity, add a
little pepper, and pour it over the potatoes. Put the dish in the oven for
twenty minutes. Serve as hot as possible.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 175. Cestelline di patate alla giardiniera (Potatoes)
</h2>
<p>
Ingredients: Potatoes, white stock, salt, butter, peas, asparagus,
sprouts, beans, &c.
</p>
<p>
Choose some big sound potatoes, cut them in half and scoop out a little of
the centre so as to form a cavity, blanch them in salted water and cook
for a quarter of an hour in good white stock and a little butter. Then
fill in the cavities with a macedoine of cooked vegetables and add a
little cream to each.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 176. Patate al Pomidoro (Potatoes with Tomato Sauce)
</h2>
<h3>
Ingredients: Potatoes, butter, salt, tomatoes, lemon, stock.
</h3>
<p>
Peel three or four raw potatoes, cut them in slices about the size of a
five-shilling piece, then put them into a stewpan with two ounces of
melted butter, and cook them gently until they are a good colour, add
salt, drain off the butter, then glaze them by adding half a glass of good
stock. Arrange them on a dish, pour some good tomato sauce over them, and
add a little butter and a squeeze of lemon juice.
</p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 177. Spinaci alla Milanese (Spinach)
</h2>
<h3>
Ingredients: Spinach, butter, Velute sauce, salt, pepper, flour, stock.
</h3>
<p>
Wash three pounds of spinach at least six times, boil it in a pint of
water, then mince it up very fine, pass it through a hair-sieve, and put
it in a saucepan with one and a half ounces of butter, add a cupful of
reduced Velute sauce (No. 2) with cream, salt, and pepper, add a
dessert-spoonful of flour and butter mixed, and boil until the spinach is
firm enough to make into a shape, garnish with hardboiled eggs cut into
quarters, and pour a good Espagnole sauce (No. 1) round the dish.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 178. Insalata di patate (Potato salad)
</h2>
<p>
Ingredients: New potatoes, oil, white vinegar, onions, parsley, tarragon,
chervil, celery, cream, salt, pepper, tarragon vinegar, watercress,
cucumber, truffles.
</p>
<p>
Steam as many new potatoes as you require until they are well cooked, let
them get cold, cut them into slices and pour three teaspoonsful of salad
oil and one of white vinegar over them. Then rub a salad bowl with onion,
put in a layer of the potato slices, and sprinkle with chopped parsley,
tarragon, chervil, and celery, then another layer of potatoes until you
have used all the potatoes; cover them with whipped cream seasoned with
salt, pepper, and a little tarragon vinegar, and garnish the top with
watercress, a few thin slices of truffle cooked in white wine, and some
slices of cooked cucumber.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 179. Insalata alla Navarino (Salad)
</h2>
<p>
Ingredients: Peas, bean onions, potatoes, tarragon, chives, parsley,
tomatoes, anchovies, oil, vinegar, ham.
</p>
<p>
Mix a tablespoonful of chopped parsley, a teaspoonful of chopped onion, a
teaspoonful of tarragon and chopped chives with half a gill of oil and
half a gill of vinegar. Put this into a salad bowl with all sorts of
cooked vegetables: peas, haricot beans, small onions, and potatoes cut up,
and mix them w ell but gently, so as not to break the vegetables. Then add
two or three anchovies in oil, and on the top place three or four ripe
tomatoes cut in slices. A little cooked smoked ham cut in dice added to
this salad is a great improvement.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 180. Insalata di pomidoro (Tomato Salad)
</h2>
<p>
Ingredients: Tomatoes, mayonnaise, shallot, horseradish, gherkin,
anchovies, fish, cucumber, lettuce, chervil, tarragon, eggs.
</p>
<p>
Mix the following ingredients: two anchovies in oil boned and minced, a
gill of mayonnaise sauce, a little grated horseradish, very little chopped
shallot, a little cold salmon or trout, and a small gherkin chopped. With
this mixture stuff some ripe tomatoes. Then make a good salad of endive or
lettuce, a teaspoonful of chopped tarragon and chervil, season it with
oil, vinegar, salt, and pepper (the proportions should be three of oil to
one of vinegar), put a layer of slices of cucumber in the salad, place the
tomatoes on the top of these, and decorate them with hard-boiled eggs
passed through a wire sieve.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 181. Tartufi alla Dino (Truffles)
</h2>
<h3>
Ingredients: Truffles, fowl forcemeat, champagne.
</h3>
<p>
Allow one truffle for each person, scoop out the inside, chop it up fine
and mix with a good forcemeat of fowl. With this fill up the truffles,
place a thin layer of truffle on the top of each, and cook them in
champagne in a stewpan for about half an hour. Then take them out, make a
rich sauce, to which add the champagne you have used and some of the
chopped truffle, put the truffles in this sauce and keep hot for ten
minutes. Serve in paper souffle cases.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Macaroni, Rice, Polenta, and Other Italian Pastes{*}
</h2>
<pre xml:space="preserve">
* Italian pastes of the best quality can be obtained at
Cosenza's, Wigmore Street, NW. For the following dishes,
tagliarelle and spaghetti are recommended.
</pre>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 182. Macaroni with Tomatoes
</h2>
<h3>
Ingredients: Macaroni, tomatoes, butter, onion, basil, pepper, salt.
</h3>
<p>
Fry half an onion slightly in butter, and as soon as it is coloured add a
puree of two big cooked tomatoes. Then boil quarter of a pound of macaroni
separately, drain it and put it in a deep fireproof dish, add the tomato
puree and three tablespoonsful of grated Parmesan and Cheddar mixed, and
cook gently for a quarter of an hour before serving. This dish may be made
with vermicelli, spaghetti, or any other Italian paste.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 183. Macaroni alla Casalinga
</h2>
<h3>
Ingredients: Macaroni, butter, stock, cheese, water, salt, nutmeg.
</h3>
<p>
Cut up a quarter pound of macaroni in small pieces and put it in boiling
salted water. When sufficiently cooked, drain and put it into a saucepan
with two ounces of butter, add good gravy or stock, three tablespoonsful
of grated Parmesan and Cheddar mixed, and a tiny pinch of nutmeg. Stir
over a brisk fire, and serve very hot.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 184. Macaroni al Sughillo
</h2>
<h3>
Ingredients: Macaroni, stock, tomatoes, sausage, cheese.
</h3>
<p>
Half cook four ounces of macaroni, drain it and put it in layers in a
fireproof dish, and gradually add good beef gravy, four tablespoonsful of
tomato puree, and thin slices of sausage. Sprinkle with grated Parmesan
and Cheddar, and cook for about twenty minutes. Before serving pass the
salamander over the top to brown the macaroni.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 185. Macaroni alla Livornese
</h2>
<p>
Ingredients: Macaroni, mushrooms, tomatoes, Parmesan, butter, pepper,
salt, milk.
</p>
<p>
Boil about four ounces of macaroni, and stew four or five mushrooms in
milk with pepper and salt. Put a layer of the macaroni in a buttered
fireproof dish, then a layer of tomato puree, then a layer of the
mushrooms and another layer of macaroni. Dust it all over with grated
Parmesan and Cheddar, put it in the oven for half an hour, and serve very
hot.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 186. Tagliarelle and Lobster
</h2>
<h3>
Ingredients: Tagliarelle, lobster, cheese, butter.
</h3>
<p>
Boil half a pound of tagliarelle, and cut up a quarter of a pound of
lobster. Butter a fireproof dish, and strew it well with grated Parmesan
and Cheddar mixed, then put in the tagliarelle and lobster in layers, and
between each layer add a little butter. Strew grated cheese over the top,
put it in the oven for twenty minutes, and brown the top with a
salamander.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 187. Polenta
</h2>
<p>
Polenta is made of ground Indian-corn, and may be used either as a
separate dish or as a garnish for roast meat, pigeons, fowl, &c. It is
made like porridge; gradually drop the meal with one hand into boiling
stock or water, and stir continually with a wooden spoon with the other
hand. In about a quarter of an hour it will be quite thick and smooth,
then add a little butter and grated Parmesan, and one egg beaten up. Let
it get cold, then put it in layers in a baking-dish, add a little butter
to each layer, sprinkle with plenty of Parmesan, and bake it for about an
hour in a slow oven. Serve hot.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 188. Polenta Pasticciata
</h2>
<h3>
Ingredients: Polenta, butter, cheese, mushrooms, tomatoes.
</h3>
<p>
Prepare a good polenta as above, put it in layers in a fireproof dish, and
add by degrees one and a half ounces of melted butter, two cooked
mushrooms cut up, and two tablespoonsful of grated cheese. (If you like,
you may add a good-sized tomato mashed up.) Put the dish in the oven, and
before serving brown it over with salamander.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 189. Battuffoli
</h2>
<h3>
Ingredients: Polenta, onion, butter, salt, stock, Parmesan.
</h3>
<p>
Make a somewhat firm polenta (No. 187) with half a pound of ground maize
and a pint and a half of salted water, add a small onion cut up and fried
in butter, and stir the polenta until it is sufficiently cooked. Then take
it off the fire and arrange it by spoonsful in a large fireproof dish, and
give each spoonful the shape and size of an egg. Place them one against
the other, and when the first layer is done, pour over it some very good
gravy or stock, and plenty of grated Parmesan. Arrange it thus layer by
layer. Put it into the oven for twenty minutes, and serve very hot.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 190. Risotto all'Italiana
</h2>
<h3>
Ingredients: Rice, an onion, butter, stock, tomatoes, cheese.
</h3>
<p>
Fry a small onion slightly in butter, then add half a pint of very good
stock. Boil four ounces of rice, but do not let it get pulpy, add it to
the above with three medium-sized tomatoes in a puree. Mix it all up well,
add more stock, and two tablespoonsful of grated Parmesan and Cheddar
mixed, and serve hot.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 191. Risotto alla Genovese
</h2>
<p>
Ingredients: Rice, beef or veal, onions, parsley, butter, stock, Parmesan,
sweetbread or sheep's brains.
</p>
<p>
Cut up a small onion and fry it slightly in butter with some chopped
parsley, add to this a little veal, also chopped up, and a little suet.
Cook for ten minutes and then add two ounces of rice to it. Mix all with a
wooden spoon, and after a few minutes begin to add boiling stock
gradually; stir with the spoon, so that the rice whilst cooking may absorb
the stock; when it is half cooked add a few spoonsful of good gravy and a
sweetbread or sheep's brains (previously scalded and cut up in pieces),
and, if you like, a little powdered saffron dissolved in a spoonful of
stock and three tablespoonsful of grated Parmesan and Cheddar mixed. Stir
well until the rice is quite cooked, but take care not to get it into a
pulp.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 192. Risotto alla Spagnuola
</h2>
<p>
Ingredients: Rice, pork, ham, onions, tomatoes, butter, stock, vegetables,
Parmesan.
</p>
<p>
Put a small bit of onion and an ounce of butter into a saucepan, add half
a pound of tomatoes cut up and fry for a few minutes. Then put in some
bits of loin of pork cut into dice and some bits of lean ham. After a time
add four ounces of rice and good stock, and as soon as it begins to boil
put on the cover and put the saucepan on a moderate fire. When the rice is
half cooked add any sort of vegetable, by preference peas, asparagus cut
up, beans, and cucumber cut up, cook for another quarter of an hour, and
serve with grated Parmesan and Cheddar mixed and good gravy.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 193. Risotto alla Capuccina
</h2>
<h3>
Ingredients: Risotto (No. 190) eggs, truffles, smoked tongue, butter.
</h3>
<p>
Make a good risotto, and when cooked put it into a fireproof dish. When
cold cut into shapes with a dariole mould and fry for a few minutes in
butter, then turn the darioles out, scoop out a little of each and fill it
with eggs beaten up, cover each with a slice of truffle and garnish with a
little chopped tongue. Put them in the oven for ten minutes.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 194. Risotto alla Parigina
</h2>
<h3>
Ingredients: Risotto (No. 190), game, sauce, butter.
</h3>
<p>
Make a good risotto, and when cooked pour it into a fireproof dish, let it
get cold, and then cut it out with a dariole mould, or else form it into
little balls about the size of a pigeon's egg. Fry these in butter and
serve with a rich game sauce poured over them.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 195. Ravioli
</h2>
<p>
Ingredients: Flour, eggs, butter, salt, forcemeat, Parmesan, gravy or
stock.
</p>
<p>
Make a paste with a quarter pound of flour, the yolk of two eggs, a little
salt and two ounces of butter. Knead this into a firm smooth paste and
wrap it up in a damp cloth for half an hour, then roll it out as thin as
possible, moisten it with a paste-brush dipped in water, and cut it into
circular pieces about three inches in diameter. On each piece put about a
teaspoonful of forcemeat of fowl, game, or fish mixed with a little grated
Parmesan and the yolks of one or two eggs. Fold the paste over the
forcemeat and pinch the edges together, so as to give them the shape of
little puffs; let them dry in the larder, then blanch by boiling them in
stock for quarter of an hour and drain them in a napkin. Butter a
fireproof dish, put in a layer of the ravioli, powder them over with
grated Parmesan, then another layer of ravioli and more Parmesan. Then add
enough very good gravy to cover them, put the dish in the oven for about
twenty-five minutes, and serve in the dish.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 196. Ravioli alla Fiorentina
</h2>
<p>
Ingredients: Beetroot, eggs, Parmesan, milk or cream, nutmeg, spices,
salt, flour, gravy.
</p>
<p>
Wash a beetroot and boil it, and when it is sufficiently cooked throw it
into cold water for a few minutes, then drain it, chop it up and add to it
four eggs, one ounce of grated Parmesan, one ounce of grated Cheddar, two
and a half ounces of boiled cream or milk, a small pinch of nutmeg and a
little salt. Mix all well together into a smooth firm paste, then roll
into balls about the size of a walnut, flour them over well, let them dry
for half an hour, then drop them very carefully one by one into boiling
stock and when they float on the top take them out with a perforated
ladle, put them in a deep dish, dust them over with Parmesan and pour good
meat or game gravy over them.
</p>
<p>
<a name="link2H_4_0219" id="link2H_4_0219">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 197. Gnocchi alla Romana
</h2>
<h3>
Ingredients: Semolina, butter, Parmesan, eggs, nutmeg, milk, cream.
</h3>
<p>
Boil half a pint of milk in a saucepan, then add two ounces of butter,
four ounces of semolina, two tablespoonsful of grated Parmesan, the yolks
of three eggs, and a tiny pinch of nutmeg. Mix all well together, then let
it cool, and spread out the paste so that it is about the thickness of a
finger. Put a little butter and grated Parmesan and two tablespoonsful of
cream in a fireproof dish, cut out the semolina paste with a small dariole
mould and put it in the dish. Dust a little more Parmesan over it, put it
in the oven for five minutes and serve in the dish.
</p>
<p>
<a name="link2H_4_0220" id="link2H_4_0220">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 198. Gnocchi alla Lombarda
</h2>
<p>
Ingredients: Potatoes, flour, salt, Parmesan and Gruyere cheese, butter,
milk, eggs.
</p>
<p>
Boil two or three big potatoes, and pass them through a hair sieve, mix in
two tablespoonsful of flour, an egg beaten up, and enough milk to form a
rather firm paste; stir until it is quite smooth. Roll it into the shape
of a German sausage, cut it into rounds about three quarters of an inch
thick, and put it into the larder to dry for about half an hour. Then drop
the gnocchi one by one into boiling salted water and boil for ten minutes.
Take them out with a slice, and put them in a well-buttered fireproof
dish, add butter between each layer, and strew plenty of grated Parmesan
and Cheddar over them. Put them in the oven for ten minutes, brown the top
with a salamander, and serve very hot.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 199. Frittata di Riso (Savoury Rice Pancake)
</h2>
<h3>
Ingredients: Rice, milk, salt, butter, cinnamon, eggs, Parmesan.
</h3>
<p>
Boil quarter of a pound of rice in milk until it is quite soft and pulpy,
drain off the milk and add to the rice an ounce of butter, two
tablespoonsful of grated Parmesan, and a pinch of cinnamon, and when it
has got rather cold, the yolks of four eggs beaten up. Mix all well
together, and with this make a pancake with butter in a frying pan.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Omelettes And Other Egg Dishes
</h2>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 200. Uova al Tartufi (Eggs with Truffles)
</h2>
<h3>
Ingredients: Eggs, butter, cream, truffles, Velute sauce, croutons.
</h3>
<p>
Beat up six eggs, pass them through a sieve, and put them into a saucepan
with two ounces of butter and two tablespoonsful of cream. Put the
saucepan in a bain-marie, and stir so that the eggs may not adhere. Sautez
some slices of truffle in butter, cover them with Velute sauce (No. 2) and
a glass of Marsala, and add them to the eggs. Serve very hot with fried
and glazed croutons. Instead of truffles you can use asparagus tips, peas,
or cooked ham.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 201. Uova al Pomidoro (Eggs and Tomatoes)
</h2>
<h3>
Ingredients: Eggs, salt, tomatoes, onion, parsley, butter, pepper.
</h3>
<p>
Cut up three or four tomatoes, and put them into a stewpan with a piece of
butter the size of a walnut and a clove of garlic with a cut in it. Put
the lid on the stewpan and cook till quite soft, then take out the garlic,
strain the tomatoes through a fine strainer into a bain-marie, beat up two
eggs and add them to the tomatoes, and stir till quite thick, then put in
two tablespoonsful of grated cheese, and serve on toast.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 202. Uova ripiene (Canapes of Egg)
</h2>
<p>
Ingredients: Eggs, butter, salt, pepper, nutmeg, cheese, parsley,
mushrooms, Bechamel and Espagnole sauce, stock.
</p>
<p>
Boil as many eggs as you want hard, and cut them in half lengthwise; take
out the yolks and mix them with some fresh butter, salt, pepper, very
little nutmeg, grated cheese, a little chopped parsley, and cooked
mushrooms also chopped. Then mix two tablespoonsful of good Bechamel sauce
(No. 3) with the raw yolk of one or two eggs and add it to the rest. Put
all in a saucepan with an ounce of butter and good stock, then fill up the
white halves with the mixture, giving them a good shape; heat them in a
bain-marie, and serve with a very good clear Espagnole sauce (No. 1).
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 203. Uova alla Fiorentina (Eggs)
</h2>
<h3>
Ingredients: Eggs, butter, Parmesan, cream, flour, salt, pepper, curds.
</h3>
<p>
Boil as many eggs as you require hard, then cut them in half and take out
the yolks and pound them in a mortar with equal quantities of butter and
curds, a tablespoonful of grated Parmesan, salt and pepper. Put this in a
saucepan and add the yolks of eight eggs and the white of one (this is for
twelve people), mix all well together and reduce a little. With this
mixture fill the hard whites of the eggs and spread the rest of the sauce
on the bottom of the dish, and on this place the whites. Then in another
saucepan mix half a gill of cream and an ounce of butter, a
dessert-spoonful of flour, salt, and pepper; let this boil for a minute,
and then glaze over the eggs in the dish with it, and on the top of each
egg put a little bit of butter, and over all a powdering of grated cheese.
Put this in the oven, pass the salamander over the top, and when the
cheese is coloured serve at once.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 204. Uova in fili (Egg Canapes)
</h2>
<p>
Ingredients: Eggs, butter, mushrooms, onions, flour, white wine, fish or
meat stock, salt, pepper, croutons of bread.
</p>
<p>
Put into a saucepan two ounces of butter, three large fresh mushrooms cut
into slices, and an onion cut up, fry them slightly, and when the onion
begins to colour add a spoonful of flour, a quarter of a glass of Chablis,
salt and pepper, and occasionally add a spoonful of either fish or meat
stock. Let this simmer for half an hour, so as to reduce it to a thick
sauce. Then boil as many eggs as you want hard; take out the yolks, but
keep them whole. Cut up the whites into slices, and add them to the above
sauce, pour the sauce into a dish, and on the top of it place the whole
yolks of egg, each on a crouton of bread.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 205. Frittata di funghi (Mushroom Omelette)
</h2>
<p>
Ingredients: Mushrooms, butter, eggs, bread crumbs, Parmesan, marjoram,
garlic.
</p>
<p>
Clean four or five mushrooms, cut them up, and put them into a frying-pan
with one and a half ounces of butter, a clove of garlic with two cuts in
it, and a little salt; fry them lightly till the mushrooms are nearly
cooked, and then take out the garlic. In the meantime beat up separately
the yolks and the whites of two or three eggs, add a little crumb of bread
soaked in water, a tablespoonful of grated Parmesan, and two leaves of
marjoram; go on beating all up until the crumb of bread has become
entirely absorbed by the eggs, then pour this mixture into the frying-pan
with the mushrooms, mix all well together and make an omelette in the
usual way.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 206. Frittata con Pomidoro (Tomato Omelette)
</h2>
<h3>
Ingredients: Eggs, tomatoes, butter, marjoram, parsley, spice.
</h3>
<p>
Peel two tomatoes and take out the seeds; then mix them with an ounce of
butter, chopped marjoram, parsley, and a tiny pinch of spice. Add three
eggs beaten up (the yolks and whites separately), and make an omelette.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 207. Frittata con Asparagi (Asparagus Omelette)
</h2>
<h3>
Ingredients: Eggs, asparagus, butter, ham, herbs, cheese.
</h3>
<p>
Blanch a dozen heads of asparagus and cook them slightly, then cut them up
and mix with two ounces of butter, bits of cut-up ham, herbs, and a
tablespoonful of grated Parmesan. Add them to three beaten-up eggs and
make an omelette.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 208. Frittata con erbe (Omelette with Herbs)
</h2>
<p>
Ingredients: Eggs, onions, sorrel, mint, parsley, asparagus, marjoram,
salt, pepper, butter.
</p>
<p>
Chop a little sorrel, a small bit of onion, mint, parsley, marjoram, and
fry in two ounces of butter, add some cut-up asparagus, salt, and pepper.
Then add three eggs beaten up and a little grated cheese, and make your
omelette.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 209. Frittata Montata (Omelette Souffle)
</h2>
<h3>
Ingredients: Eggs, Parmesan, pepper, parsley.
</h3>
<p>
Beat up the whites of three eggs to a froth and the yolks separately with
a tablespoonful of grated Parmesan, chopped parsley, and a little pepper.
Then mix them and make a light omelette.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 210. Frittata di Prosciutto (Ham Omelette)
</h2>
<h3>
Ingredients: Eggs, ham, Parmesan, mint, pepper, clotted cream.
</h3>
<p>
Beat up three eggs and add to them two tablespoonsful of clotted cream,
one tablespoonful of chopped ham, one of grated Parmesan, chopped mint and
a little pepper, and make the omelette in the usual way.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
Sweets and Cakes
</h2>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 211. Bodino of Semolina
</h2>
<p>
Ingredients: Semolina, milk, eggs, castor sugar, lemon, sultanas, rum,
butter, cream, or Zabajone (No. 222).
</p>
<p>
Boil one and a half pints of milk with four ounces of castor sugar, and
gradually add five ounces of semolina, boil for a quarter of an hour more
and stir continually with a wooden spoon, then take the saucepan off the
fire, and when it is cooled a little, add the yolks of six and the whites
of two eggs well beaten up, a little grated lemon peel, three-quarters of
an ounce of sultanas and two small glasses of rum. Mix well, so as to get
it very smooth, pour it into a buttered mould and serve either hot or
cold. If cold, put whipped cream flavoured with stick vanilla round the
dish; if hot, a Zabajone (No. 222).
</p>
<p>
<a name="link2H_4_0236" id="link2H_4_0236">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 212. Crema rappresa (Coffee Cream)
</h2>
<h3>
Ingredients: Coffee, cream, eggs, sugar, butter.
</h3>
<p>
Bruise five ounces of freshly roasted Mocha coffee, and add it to
three-quarters of a pint of boiling cream; cover the saucepan, let it
simmer for twenty minutes, then pass through a bit of fine muslin. In the
meantime mix the yolks of ten eggs and two whole eggs with eight ounces of
castor sugar and a glass of cream; add the coffee cream to this and pass
the whole through a fine sieve into a buttered mould. Steam in a
bain-marie for rather more than an hour, but do not let the water boil;
then put the cream on ice for about an hour, and before serving turn it
out on a dish and pour some cream flavoured with stick vanilla round it.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 213. Crema Montata alle Fragole (Strawberry Cream)
</h2>
<p>
Ingredients: Cream, castor sugar, Maraschino, strawberries or strawberry
jam.
</p>
<p>
Put a pint of cream on ice, and after two hours whip it up. Pass three
tablespoonsful of strawberry jam through a sieve and add two
tablespoonsful of Maraschino; mix this with the cream and build it up into
a pyramid. Garnish with meringue biscuits and serve quickly. You may use
fresh strawberries when in season, but then add castor sugar to taste.
</p>
<p>
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 214. Croccante di Mandorle (Cream Nougat)
</h2>
<p>
Ingredients: Almonds, sugar, lemon juice, butter, castor sugar,
pistachios, preserved fruits.
</p>
<p>
Blanch half a pound of almonds, cut them into shreds and dry them in a
slow oven until they are a light brown colour; then put a quarter pound of
lump sugar into a saucepan and caramel it lightly; stir well with a wooden
spoon. When the sugar is dissolved, throw the hot almonds into it and also
a little lemon juice. Take the saucepan off the fire and mix the almonds
with the sugar, pour it into a buttered mould and press it against the
sides of the mould with a lemon, but remember that the casing of sugar
must be very thin. (You may, if you like, spread out the mixture on a flat
dish and line the mould with your hands, but the sugar must be kept hot.)
Then take it out of the mould and decorate it with castor sugar,
pistacchio nuts, and preserved fruits. Fill this case with whipped cream
and preserved fruits or fresh strawberries.
</p>
<p>
<a name="link2H_4_0239" id="link2H_4_0239">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 215. Crema tartara alla Caramella (Caramel Cream)
</h2>
<h3>
Ingredients: Cream, eggs, caramel sugar, vanilla or lemon flavouring.
</h3>
<p>
Boil a pint of cream and give it any flavour you like. When cold, add the
yolks of eight eggs and two tablespoonsful of castor sugar, mix well and
pass it through a sieve; then burn some sugar to a caramel, line a smooth
mould with it and pour the cream into it. Boil in a bain-marie for an hour
and serve hot or cold.
</p>
<p>
<a name="link2H_4_0240" id="link2H_4_0240">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 216. Cremona Cake
</h2>
<p>
Ingredients: Ground rice, ground maize, sugar, one orange, eggs, salt,
cream, Maraschino, almonds, preserved cherries.
</p>
<p>
Weigh three eggs, and take equal quantities of castor sugar, butter,
ground rice and maize (the last two together); make a light paste with
them, but only use one whole egg and the yolks of the two others, add the
scraped peel of an orange and a pinch of salt. Roll this paste out to the
thickness of a five-shilling piece, colour it with the yolk of an egg and
bake it in a cake tin in a hot oven until it is a good colour, then take
it out and cut it into four equal circular pieces. Have ready some
well-whipped cream and flavour it with Maraschino, put a thick layer of
this on one of the rounds of pastry, then cover it with: the next round,
on which also put a layer of cream, and so on until you come to the last
round, which forms the top of the cake. Then split some almonds and colour
them in the oven, cover the top of the cake with icing sugar flavoured
with orange, and decorate the top with the almonds and preserved cherries.
</p>
<p>
<a name="link2H_4_0241" id="link2H_4_0241">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 217. Cake alla Tolentina
</h2>
<h3>
Ingredients: Sponge-cake, jam, brandy or Maraschino, cream, pine-apple.
</h3>
<p>
Make a medium-sized sponge-cake; when cold cut off the top and scoop out
all the middle and leave only the brown case; cover the outside with a
good coating of jam or red currant jelly, and decorate it with some of the
white of the cake cut into fancy shapes. Soak the rest of the crumb in
brandy or Maraschino and mix it with quarter of a pint of whipped cream
and bits of pineapple cut into small dice; fill the cake with this; pile
it up high in the centre and decorate the top with the brown top cut into
fancy shapes.
</p>
<p>
<a name="link2H_4_0242" id="link2H_4_0242">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 218. Riso all'Imperatrice
</h2>
<p>
Ingredients: Rice, sugar, milk, ice, preserved fruits, blanc-mange,
Maraschino, cream.
</p>
<p>
Boil two dessert-spoonsful of rice and one of sugar in milk. When
sufficiently boiled, drain the rice and let it get cold. In the meantime
place a mould on ice, and decorate it with slices of preserved fruit, and
fix them to the mould with just enough nearly cold dissolved isinglass to
keep them in place. Also put half a pint of blanc-mange on the ice, and
stir it till it is the right consistency, gradually add the boiled rice,
half a glass of Maraschino, some bits of pineapple cut in dice, and last
of all half a pint of whipped cream. Fill the mould with this, and when it
is sufficiently cold, turn it out and serve with a garnish of glace fruits
or a few brandy cherries.
</p>
<p>
<a name="link2H_4_0243" id="link2H_4_0243">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 219. Amaretti leggieri (Almond Cakes)
</h2>
<h3>
Ingredients: Almonds (sweet and bitter), eggs, castor sugar.
</h3>
<p>
Blanch equal quantities of sweet and bitter almonds, and dry them a little
in the oven, then pound them in a mortar, and add nearly double their
quantity of castor sugar. Mix with the white of an egg well beaten up into
a snow, and shape into little balls about the size of a pigeon's egg. Put
them on a piece of stout white paper, and bake them in a very slow oven.
They should be very light and delicate in flavour.
</p>
<p>
<a name="link2H_4_0244" id="link2H_4_0244">
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</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 220. Cakes alla Livornese
</h2>
<h3>
Ingredients: Almonds, eggs, sugar, salt, potato flour, butter.
</h3>
<p>
Pound two ounces of almonds, and mix them with the yolks of two eggs and a
spoonful of castor sugar flavoured with orange juice. Then mix two ounces
of sugar with an egg, and to this add the almonds, a pinch of salt, and
gradually strew in one and a half ounces of potato flour. When it is all
well mixed, add one ounce of melted butter, shape the cakes and bake them
in a slow oven.
</p>
<p>
<a name="link2H_4_0245" id="link2H_4_0245">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 221. Genoese Pastry
</h2>
<p>
Ingredients: Eggs, sugar, butter, flour, almonds, orange or lemon, brandy.
</p>
<p>
Weigh four eggs, and take equal weights of castor sugar, butter, and
flour. Pound three ounces of almonds, and mix them with an egg, melt the
butter, and mix all the ingredients with a wooden spoon in a pudding basin
for ten minutes, then add a little scraped orange or lemon peel, and a
dessert-spoonful of brandy. Spread out the paste in thin layers on a
copper baking sheet, cover them with buttered paper, and bake in a
moderately hot oven.
</p>
<p>
These cakes must be cut into shapes when they are hot, as otherwise they
will break.
</p>
<p>
<a name="link2H_4_0246" id="link2H_4_0246">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 222. Zabajone
</h2>
<p>
Ingredients: Eggs, sugar, Marsala, Maraschino or other light-coloured
liqueur, sponge fingers.
</p>
<p>
Zabajone is a kind of syllabub. It is made with Marsala and Maraschino, or
Marsala and yellow Chartreuse. Reckon the quantities as follows: for each
person the yolks of three eggs, one teaspoonful of castor sugar to each
egg, and a wine-glass of wine and liqueur mixed. Whip up the yolks of the
eggs with the sugar, then gradually add the wine. Put this in a
bain-marie, and stir until it has thickened to the consistency of a
custard. Take care, however, that it does not boil. Serve hot in custard
glasses, and hand sponge fingers with it.
</p>
<p>
<a name="link2H_4_0247" id="link2H_4_0247">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 223. Iced Zabajone
</h2>
<p>
Ingredients: Eggs, castor sugar, Marsala, cinnamon, lemon, stick vanilla,
rum, Maraschino, butter, ice.
</p>
<p>
Mix the yolks of ten eggs, two dessert-spoonsful of castor sugar, and
three wine-glasses of Marsala, add half a stick of vanilla, a small bit of
whole cinnamon, and the peel of half a lemon cut into slices.
</p>
<p>
Whip this up lightly over a slow fire until it is nearly boiling and
slightly frothy; then remove it, take out the cinnamon, vanilla, and lemon
pool, and whip up the rest for a minute or two away from the fire. Add a
tablespoonful of Maraschino and one of rum, and, if you like, a small
quantity of dissolved isinglass. Stir up the whole, pour it into a silver
souffle dish, and put it on ice. Serve with sponge cakes or iced wafers.
</p>
<p>
<a name="link2H_4_0248" id="link2H_4_0248">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 224. Pan-forte di Siena (Sienese Hardbake)
</h2>
<p>
Ingredients: Honey, almonds, filberts, candied lemon peel, pepper,
cinnamon, chocolate, corn flour, large wafers.
</p>
<p>
Boil half a pound of honey in a copper vessel, and then add to it a few
blanched almonds and filberts cut in halves or quarters and slightly
browned, a little candied lemon peel, a dust of pepper and powdered
cinnamon and a quarter pound of grated chocolate. Mix all well together,
and gradually add a tablespoonful of corn flour end two of ground almonds
to thicken it. Then take the vessel off the fire, spread the mixture on
large wafers, and make each cake about an inch thick. Garnish them on the
top with almonds cut in half, and dust over a little powdered sugar and
cinnamon, then put them in a very slow oven for an hour.
</p>
<p>
<br /> <br />
</p>
<p>
NEW CENTURY SAUCE * * The New Century Sauce may be bought at Messrs.
Lazenby's, Wigmore Street, W
</p>
<p>
<a name="link2H_4_0249" id="link2H_4_0249">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 225. Fish Sauce
</h2>
<p>
Add one dessert-spoonful of the sauce to a quarter pint of melted butter
sauce.
</p>
<p>
<a name="link2H_4_0250" id="link2H_4_0250">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 226. Sauce Piquante (for Meat, Fowl, Game, Rabbit, &c.)
</h2>
<p>
One dessert-spoonful to a quarter pint of ordinary brown or white stock.
It may be thickened by a roux made by frying two ounces of butter with two
ounces of flour.
</p>
<p>
<a name="link2H_4_0251" id="link2H_4_0251">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 227. Sauce for Venison, Hare, &c.
</h2>
<p>
Two dessert-spoonsful of New Century Sauce to half a pint of game gravy or
sauce, and a small teaspoonful of red currant jelly.
</p>
<p>
<a name="link2H_4_0252" id="link2H_4_0252">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 228. Tomato Sauce Piquante
</h2>
<p>
Fry three medium-sized tomatoes in one and a half ounce of butter. Pass
this through a sieve, then boil it up in a bain-marie till it thickens,
and add one dessertspoonful of New Century Sauce.
</p>
<p>
<a name="link2H_4_0253" id="link2H_4_0253">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 229. Sauce for Roast Pork, Ham, &c.
</h2>
<p>
Add to any ordinary white or brown sauce one dessert-spoonful of New
Century Sauce and two of port or Burgundy if the sauce is brown, two of
Chablis if white.
</p>
<p>
<a name="link2H_4_0254" id="link2H_4_0254">
<!-- H2 anchor --> </a>
</p>
<div style="height: 4em;">
<br /><br /><br /><br />
</div>
<h2>
No. 230. For masking Cutlets, &c.
</h2>
<p>
Making a roux by frying two ounces of butter with two ounces of flour, and
add two tablespoonsful of boiling stock. Stir in one dessert-spoonful of
New Century Sauce. Let it get cold, and it will then be quite firm and
ready for masking cutlets, &c.
</p>
<p>
<br /><br />
</p>
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