summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:32:55 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:32:55 -0700
commit18ec031d64987b33ce552eee5ca521d1528d1ced (patch)
tree8f698e8886401f360a90e92edb5de8241ccba9ac
initial commit of ebook 9242HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--9242-0.txt561
-rw-r--r--9242-0.zipbin0 -> 12177 bytes
-rw-r--r--9242-h.zipbin0 -> 13388 bytes
-rw-r--r--9242-h/9242-h.htm701
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/9242.txt592
-rw-r--r--old/9242.zipbin0 -> 12429 bytes
-rw-r--r--old/haw6910.txt565
-rw-r--r--old/haw6910.zipbin0 -> 11835 bytes
11 files changed, 2435 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/9242-0.txt b/9242-0.txt
new file mode 100644
index 0000000..a961300
--- /dev/null
+++ b/9242-0.txt
@@ -0,0 +1,561 @@
+The Project Gutenberg eBook of Old Ticonderoga, by Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: Old Ticonderoga
+ A Picture of The Past
+
+Author: Nathaniel Hawthorne
+
+Release Date: September 18, 2003 [eBook #9242]
+[Most recently updated: May 16, 2022]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: David Widger
+
+*** START OF THE PROJECT GUTENBERG EBOOK OLD TICONDEROGA ***
+
+
+
+
+Old Ticonderoga
+
+A Picture of The Past
+
+by Nathaniel Hawthorne
+
+
+
+
+The greatest attraction, in this vicinity, is the famous old fortress
+of Ticonderoga, the remains of which are visible from the piazza of the
+tavern, on a swell of land that shuts in the prospect of the lake.
+Those celebrated heights, Mount Defiance and Mount Independence,
+familiar to all Americans in history, stand too prominent not to be
+recognized, though neither of them precisely corresponds to the images
+excited by their names. In truth, the whole scene, except the interior
+of the fortress, disappointed me. Mount Defiance, which one pictures as
+a steep, lofty, and rugged hill, of most formidable aspect, frowning
+down with the grim visage of a precipice on old Ticonderoga, is merely
+a long and wooded ridge; and bore, at some former period, the gentle
+name of Sugar Hill. The brow is certainly difficult to climb, and high
+enough to look into every corner of the fortress. St. Clair’s most
+probable reason, however, for neglecting to occupy it, was the
+deficiency of troops to man the works already constructed, rather than
+the supposed inaccessibility of Mount Defiance. It is singular that the
+French never fortified this height, standing, as it does, in the
+quarter whence they must have looked for the advance of a British army.
+
+In my first view of the ruins, I was favored with the scientific
+guidance of a young lieutenant of engineers, recently from West Point,
+where he had gained credit for great military genius. I saw nothing but
+confusion in what chiefly interested him; straight lines and zigzags,
+defence within defence, wall opposed to wall, and ditch intersecting
+ditch; oblong squares of masonry below the surface of the earth, and
+huge mounds, or turf-covered hills of stone, above it. On one of these
+artificial hillocks, a pine-tree has rooted itself, and grown tall and
+strong, since the banner-staff was levelled. But where my unmilitary
+glance could trace no regularity, the young lieutenant was perfectly at
+home. He fathomed the meaning of every ditch, and formed an entire plan
+of the fortress from its half-obliterated lines. His description of
+Ticonderoga would be as accurate as a geometrical theorem, and as
+barren of the poetry that has clustered round its decay. I viewed
+Ticonderoga as a place of ancient strength, in ruins for half a
+century: where the flags of three nations had successively waved, and
+none waved now; where armies had struggled, so long ago that the bones
+of the slain were mouldered; where Peace had found a heritage in the
+forsaken haunts of War. Now the young West-Pointer, with his lectures
+on ravelins, counterscarps, angles, and covered ways, made it an affair
+of brick and mortar and hewn stone, arranged on certain regular
+principles, having a good deal to do with mathematics, but nothing at
+all with poetry.
+
+I should have been glad of a hoary veteran to totter by my side, and
+tell me, perhaps, of the French garrisons and their Indian allies,—of
+Abercrombie, Lord Howe, and Amherst,—of Ethan Allen’s triumph and St.
+Clair’s surrender. The old soldier and the old fortress would be
+emblems of each other. His reminiscences, though vivid as the image of
+Ticonderoga in the lake, would harmonize with the gray influence of the
+scene. A survivor of the long-disbanded garrisons, though but a private
+soldier, might have mustered his dead chiefs and comrades,—some from
+Westminster Abbey, and English churchyards, and battle-fields in
+Europe,—others from their graves here in America,—others, not a few,
+who lie sleeping round the fortress; he might have mustered them all,
+and bid them march through the ruined gateway, turning their old
+historic faces on me, as they passed. Next to such a companion, the
+best is one’s own fancy.
+
+At another visit I was alone, and, after rambling all over the
+ramparts, sat down to rest myself in one of the roofless barracks.
+These are old French structures, and appear to have occupied three
+sides of a large area, now overgrown with grass, nettles, and thistles.
+The one in which I sat was long and narrow, as all the rest had been,
+with peaked gables. The exterior walls were nearly entire, constructed
+of gray, flat, unpicked stones, the aged strength of which promised
+long to resist the elements, if no other violence should precipitate
+their fall.—The roof, floors, partitions, and the rest of the wood-work
+had probably been burnt, except some bars of stanch old oak, which were
+blackened with fire, but still remained imbedded into the window-sills
+and over the doors. There were a few particles of plastering near the
+chimney, scratched with rude figures, perhaps by a soldier’s hand. A
+most luxuriant crop of weeds had sprung up within the edifice, and hid
+the scattered fragments of the wall. Grass and weeds grew in the
+windows, and in all the crevices of the stone, climbing, step by step,
+till a tuft of yellow flowers was waving on the highest peak of the
+gable. Some spicy herb diffused a pleasant odor through the ruin. A
+verdant heap of vegetation had covered the hearth of the second floor,
+clustering on the very spot where the huge logs had mouldered to
+glowing coals, and flourished beneath the broad flue, which had so
+often puffed the smoke over a circle of French or English soldiers. I
+felt that there was no other token of decay so impressive as that bed
+of weeds in the place of the backlog.
+
+Here I sat, with those roofless walls about me, the clear sky over my
+head, and the afternoon sunshine falling gently bright through the
+window-frames and doorway. I heard the tinkling of a cow-bell, the
+twittering of birds, and the pleasant hum of insects. Once a gay
+butterfly, with four gold-speckled wings, came and fluttered about my
+head, then flew up and lighted on the highest tuft of yellow flowers,
+and at last took wing across the lake. Next a bee buzzed through the
+sunshine, and found much sweetness among the weeds. After watching him
+till he went off to his distant hive, I closed my eyes on Ticonderoga
+in ruins, and cast a dream-like glance over pictures of the past, and
+scenes of which this spot had been the theatre.
+
+At first, my fancy saw only the stern hills, lonely lakes, and
+venerable woods. Not a tree, since their seeds were first scattered
+over the infant soil, had felt the axe, but had grown up and flourished
+through its long generation, had fallen beneath the weight of years,
+been buried in green moss, and nourished the roots of others as
+gigantic. Hark! A light paddle dips into the lake, a birch canoe glides
+round the point, and an Indian chief has passed, painted and
+feather-crested, armed with a bow of hickory, a stone tomahawk, and
+flint-headed arrows. But the ripple had hardly vanished from the water,
+when a white flag caught the breeze, over a castle in the wilderness,
+with frowning ramparts and a hundred cannon. There stood a French
+chevalier, commandant of the fortress, paying court to a copper-colored
+lady, the princess of the land, and winning her wild love by the arts
+which had been successful with Parisian dames. A war-party of French
+and Indians were issuing from the gate to lay waste some village of New
+England. Near the fortress there was a group of dancers. The merry
+soldiers footing it with the swart savage maids; deeper in the wood,
+some red men were growing frantic around a keg of the fire-water; and
+elsewhere a Jesuit preached the faith of high cathedrals beneath a
+canopy of forest boughs, and distributed crucifixes to be worn beside
+English scalps.
+
+I tried to make a series of pictures from the old French war, when
+fleets were on the lake and armies in the woods, and especially of
+Abercrombie’s disastrous repulse, where thousands of lives were utterly
+thrown away; but, being at a loss how to order the battle, I chose an
+evening scene in the barracks, after the fortress had surrendered to
+Sir Jeffrey Amherst. What an immense fire blazes on that hearth,
+gleaming on swords, bayonets, and musket-barrels, and blending with the
+hue of the scarlet coats till the whole barrack-room is quivering with
+ruddy light! One soldier has thrown himself down to rest, after a
+deer-hunt, or perhaps a long run through the woods with Indians on his
+trail. Two stand up to wrestle, and are on the point of coming to
+blows. A fifer plays a shrill accompaniment to a drummer’s song,—a
+strain of light love and bloody war, with a chorus thundered forth by
+twenty voices. Meantime, a veteran in the corner is prosing about
+Dettingen and Fontenoy, and relates camp-traditions of Marlborough’s
+battles, till his pipe, having been roguishly charged with gunpowder,
+makes a terrible explosion under his nose. And now they all vanish in a
+puff of smoke from the chimney.
+
+I merely glanced at the ensuing twenty years, which glided peacefully
+over the frontier fortress, till Ethan Allen’s shout was heard,
+summoning it to surrender “in the name of the great Jehovah and of the
+Continental Congress.” Strange allies! thought the British captain.
+Next came the hurried muster of the soldiers of liberty, when the
+cannon of Burgoyne, pointing down upon their stronghold from the brow
+of Mount Defiance, announced a new conqueror of Ticonderoga. No virgin
+fortress, this! Forth rushed the motley throng from the barracks, one
+man wearing the blue and buff of the Union, another the red coat of
+Britain, a third a dragoon’s jacket, and a fourth a cotton frock; here
+was a pair of leather breeches, and striped trousers there; a
+grenadier’s cap on one head, and a broad-brimmed hat, with a tall
+feather, on the next; this fellow shouldering a king’s arm, that might
+throw a bullet to Crown Point, and his comrade a long fowling-piece,
+admirable to shoot ducks on the lake. In the midst of the bustle, when
+the fortress was all alive with its last warlike scene, the ringing of
+a bell on the lake made me suddenly unclose my eyes, and behold only
+the gray and weed-grown ruins. They were as peaceful in the sun as a
+warrior’s grave.
+
+Hastening to the rampart, I perceived that the signal had been given by
+the steamboat Franklin, which landed a passenger from Whitehall at the
+tavern, and resumed its progress northward, to reach Canada the next
+morning. A sloop was pursuing the same track; a little skiff had just
+crossed the ferry; while a scow, laden with lumber, spread its huge
+square sail, and went up the lake. The whole country was a cultivated
+farm. Within musket-shot of the ramparts lay the neat villa of Mr.
+Pell, who, since the Revolution, has become proprietor of a spot for
+which France, England, and America have so often struggled. How
+forcibly the lapse of time and change of circumstances came home to my
+apprehension! Banner would never wave again, nor cannon roar, nor blood
+be shed, nor trumpet stir up a soldier’s heart, in this old fort of
+Ticonderoga. Tall trees have grown upon its ramparts, since the last
+garrison marched out, to return no more, or only at some dreamer’s
+summons, gliding from the twilight past to vanish among realities.
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK OLD TICONDEROGA ***
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you will have to check the laws of the country where
+ you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
diff --git a/9242-0.zip b/9242-0.zip
new file mode 100644
index 0000000..8b19672
--- /dev/null
+++ b/9242-0.zip
Binary files differ
diff --git a/9242-h.zip b/9242-h.zip
new file mode 100644
index 0000000..b680043
--- /dev/null
+++ b/9242-h.zip
Binary files differ
diff --git a/9242-h/9242-h.htm b/9242-h/9242-h.htm
new file mode 100644
index 0000000..2d65ddb
--- /dev/null
+++ b/9242-h/9242-h.htm
@@ -0,0 +1,701 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of Old Ticonderoga, by Nathaniel Hawthorne</title>
+
+<style type="text/css">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+
+</head>
+
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Old Ticonderoga, by Nathaniel Hawthorne</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Old Ticonderoga<br />
+  A Picture of The Past</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Nathaniel Hawthorne</div>
+<div style='display:block; margin:1em 0'>Release Date: September 18, 2003 [eBook #9242]<br />
+[Most recently updated: May 16, 2022]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: David Widger</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK OLD TICONDEROGA ***</div>
+
+<h1>Old Ticonderoga</h1>
+
+<h3>A Picture of The Past</h3>
+
+<h2 class="no-break">by Nathaniel Hawthorne</h2>
+
+<hr />
+
+<div class="chapter">
+
+<p>
+The greatest attraction, in this vicinity, is the famous old fortress of
+Ticonderoga, the remains of which are visible from the piazza of the tavern, on
+a swell of land that shuts in the prospect of the lake. Those celebrated
+heights, Mount Defiance and Mount Independence, familiar to all Americans in
+history, stand too prominent not to be recognized, though neither of them
+precisely corresponds to the images excited by their names. In truth, the whole
+scene, except the interior of the fortress, disappointed me. Mount Defiance,
+which one pictures as a steep, lofty, and rugged hill, of most formidable
+aspect, frowning down with the grim visage of a precipice on old Ticonderoga,
+is merely a long and wooded ridge; and bore, at some former period, the gentle
+name of Sugar Hill. The brow is certainly difficult to climb, and high enough
+to look into every corner of the fortress. St. Clair&rsquo;s most probable
+reason, however, for neglecting to occupy it, was the deficiency of troops to
+man the works already constructed, rather than the supposed inaccessibility of
+Mount Defiance. It is singular that the French never fortified this height,
+standing, as it does, in the quarter whence they must have looked for the
+advance of a British army.
+</p>
+
+<p>
+In my first view of the ruins, I was favored with the scientific guidance of a
+young lieutenant of engineers, recently from West Point, where he had gained
+credit for great military genius. I saw nothing but confusion in what chiefly
+interested him; straight lines and zigzags, defence within defence, wall
+opposed to wall, and ditch intersecting ditch; oblong squares of masonry below
+the surface of the earth, and huge mounds, or turf-covered hills of stone,
+above it. On one of these artificial hillocks, a pine-tree has rooted itself,
+and grown tall and strong, since the banner-staff was levelled. But where my
+unmilitary glance could trace no regularity, the young lieutenant was perfectly
+at home. He fathomed the meaning of every ditch, and formed an entire plan of
+the fortress from its half-obliterated lines. His description of Ticonderoga
+would be as accurate as a geometrical theorem, and as barren of the poetry that
+has clustered round its decay. I viewed Ticonderoga as a place of ancient
+strength, in ruins for half a century: where the flags of three nations had
+successively waved, and none waved now; where armies had struggled, so long ago
+that the bones of the slain were mouldered; where Peace had found a heritage in
+the forsaken haunts of War. Now the young West-Pointer, with his lectures on
+ravelins, counterscarps, angles, and covered ways, made it an affair of brick
+and mortar and hewn stone, arranged on certain regular principles, having a
+good deal to do with mathematics, but nothing at all with poetry.
+</p>
+
+<p>
+I should have been glad of a hoary veteran to totter by my side, and tell me,
+perhaps, of the French garrisons and their Indian allies,&mdash;of Abercrombie,
+Lord Howe, and Amherst,&mdash;of Ethan Allen&rsquo;s triumph and St.
+Clair&rsquo;s surrender. The old soldier and the old fortress would be emblems
+of each other. His reminiscences, though vivid as the image of Ticonderoga in
+the lake, would harmonize with the gray influence of the scene. A survivor of
+the long-disbanded garrisons, though but a private soldier, might have mustered
+his dead chiefs and comrades,&mdash;some from Westminster Abbey, and English
+churchyards, and battle-fields in Europe,&mdash;others from their graves here
+in America,&mdash;others, not a few, who lie sleeping round the fortress; he
+might have mustered them all, and bid them march through the ruined gateway,
+turning their old historic faces on me, as they passed. Next to such a
+companion, the best is one&rsquo;s own fancy.
+</p>
+
+<p>
+At another visit I was alone, and, after rambling all over the ramparts, sat
+down to rest myself in one of the roofless barracks. These are old French
+structures, and appear to have occupied three sides of a large area, now
+overgrown with grass, nettles, and thistles. The one in which I sat was long
+and narrow, as all the rest had been, with peaked gables. The exterior walls
+were nearly entire, constructed of gray, flat, unpicked stones, the aged
+strength of which promised long to resist the elements, if no other violence
+should precipitate their fall.&mdash;The roof, floors, partitions, and the rest
+of the wood-work had probably been burnt, except some bars of stanch old oak,
+which were blackened with fire, but still remained imbedded into the
+window-sills and over the doors. There were a few particles of plastering near
+the chimney, scratched with rude figures, perhaps by a soldier&rsquo;s hand. A
+most luxuriant crop of weeds had sprung up within the edifice, and hid the
+scattered fragments of the wall. Grass and weeds grew in the windows, and in
+all the crevices of the stone, climbing, step by step, till a tuft of yellow
+flowers was waving on the highest peak of the gable. Some spicy herb diffused a
+pleasant odor through the ruin. A verdant heap of vegetation had covered the
+hearth of the second floor, clustering on the very spot where the huge logs had
+mouldered to glowing coals, and flourished beneath the broad flue, which had so
+often puffed the smoke over a circle of French or English soldiers. I felt that
+there was no other token of decay so impressive as that bed of weeds in the
+place of the backlog.
+</p>
+
+<p>
+Here I sat, with those roofless walls about me, the clear sky over my head, and
+the afternoon sunshine falling gently bright through the window-frames and
+doorway. I heard the tinkling of a cow-bell, the twittering of birds, and the
+pleasant hum of insects. Once a gay butterfly, with four gold-speckled wings,
+came and fluttered about my head, then flew up and lighted on the highest tuft
+of yellow flowers, and at last took wing across the lake. Next a bee buzzed
+through the sunshine, and found much sweetness among the weeds. After watching
+him till he went off to his distant hive, I closed my eyes on Ticonderoga in
+ruins, and cast a dream-like glance over pictures of the past, and scenes of
+which this spot had been the theatre.
+</p>
+
+<p>
+At first, my fancy saw only the stern hills, lonely lakes, and venerable woods.
+Not a tree, since their seeds were first scattered over the infant soil, had
+felt the axe, but had grown up and flourished through its long generation, had
+fallen beneath the weight of years, been buried in green moss, and nourished
+the roots of others as gigantic. Hark! A light paddle dips into the lake, a
+birch canoe glides round the point, and an Indian chief has passed, painted and
+feather-crested, armed with a bow of hickory, a stone tomahawk, and
+flint-headed arrows. But the ripple had hardly vanished from the water, when a
+white flag caught the breeze, over a castle in the wilderness, with frowning
+ramparts and a hundred cannon. There stood a French chevalier, commandant of
+the fortress, paying court to a copper-colored lady, the princess of the land,
+and winning her wild love by the arts which had been successful with Parisian
+dames. A war-party of French and Indians were issuing from the gate to lay
+waste some village of New England. Near the fortress there was a group of
+dancers. The merry soldiers footing it with the swart savage maids; deeper in
+the wood, some red men were growing frantic around a keg of the fire-water; and
+elsewhere a Jesuit preached the faith of high cathedrals beneath a canopy of
+forest boughs, and distributed crucifixes to be worn beside English scalps.
+</p>
+
+<p>
+I tried to make a series of pictures from the old French war, when fleets were
+on the lake and armies in the woods, and especially of Abercrombie&rsquo;s
+disastrous repulse, where thousands of lives were utterly thrown away; but,
+being at a loss how to order the battle, I chose an evening scene in the
+barracks, after the fortress had surrendered to Sir Jeffrey Amherst. What an
+immense fire blazes on that hearth, gleaming on swords, bayonets, and
+musket-barrels, and blending with the hue of the scarlet coats till the whole
+barrack-room is quivering with ruddy light! One soldier has thrown himself down
+to rest, after a deer-hunt, or perhaps a long run through the woods with
+Indians on his trail. Two stand up to wrestle, and are on the point of coming
+to blows. A fifer plays a shrill accompaniment to a drummer&rsquo;s
+song,&mdash;a strain of light love and bloody war, with a chorus thundered
+forth by twenty voices. Meantime, a veteran in the corner is prosing about
+Dettingen and Fontenoy, and relates camp-traditions of Marlborough&rsquo;s
+battles, till his pipe, having been roguishly charged with gunpowder, makes a
+terrible explosion under his nose. And now they all vanish in a puff of smoke
+from the chimney.
+</p>
+
+<p>
+I merely glanced at the ensuing twenty years, which glided peacefully over the
+frontier fortress, till Ethan Allen&rsquo;s shout was heard, summoning it to
+surrender &ldquo;in the name of the great Jehovah and of the Continental
+Congress.&rdquo; Strange allies! thought the British captain. Next came the
+hurried muster of the soldiers of liberty, when the cannon of Burgoyne,
+pointing down upon their stronghold from the brow of Mount Defiance, announced
+a new conqueror of Ticonderoga. No virgin fortress, this! Forth rushed the
+motley throng from the barracks, one man wearing the blue and buff of the
+Union, another the red coat of Britain, a third a dragoon&rsquo;s jacket, and a
+fourth a cotton frock; here was a pair of leather breeches, and striped
+trousers there; a grenadier&rsquo;s cap on one head, and a broad-brimmed hat,
+with a tall feather, on the next; this fellow shouldering a king&rsquo;s arm,
+that might throw a bullet to Crown Point, and his comrade a long fowling-piece,
+admirable to shoot ducks on the lake. In the midst of the bustle, when the
+fortress was all alive with its last warlike scene, the ringing of a bell on
+the lake made me suddenly unclose my eyes, and behold only the gray and
+weed-grown ruins. They were as peaceful in the sun as a warrior&rsquo;s grave.
+</p>
+
+<p>
+Hastening to the rampart, I perceived that the signal had been given by the
+steamboat Franklin, which landed a passenger from Whitehall at the tavern, and
+resumed its progress northward, to reach Canada the next morning. A sloop was
+pursuing the same track; a little skiff had just crossed the ferry; while a
+scow, laden with lumber, spread its huge square sail, and went up the lake. The
+whole country was a cultivated farm. Within musket-shot of the ramparts lay the
+neat villa of Mr. Pell, who, since the Revolution, has become proprietor of a
+spot for which France, England, and America have so often struggled. How
+forcibly the lapse of time and change of circumstances came home to my
+apprehension! Banner would never wave again, nor cannon roar, nor blood be
+shed, nor trumpet stir up a soldier&rsquo;s heart, in this old fort of
+Ticonderoga. Tall trees have grown upon its ramparts, since the last garrison
+marched out, to return no more, or only at some dreamer&rsquo;s summons,
+gliding from the twilight past to vanish among realities.
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK OLD TICONDEROGA ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &#8226; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+</body>
+</html>
+
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..a93525d
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #9242 (https://www.gutenberg.org/ebooks/9242)
diff --git a/old/9242.txt b/old/9242.txt
new file mode 100644
index 0000000..1a7e424
--- /dev/null
+++ b/old/9242.txt
@@ -0,0 +1,592 @@
+The Project Gutenberg EBook of Old Ticonderoga, A Picture of The Past, by
+Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Old Ticonderoga, A Picture of The Past
+
+Author: Nathaniel Hawthorne
+
+Posting Date: December 20, 2010 [EBook #9242]
+Release Date: November, 2005
+First Posted: September 18, 2003
+Last Updated: February 6, 2007
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK OLD TICONDEROGA ***
+
+
+
+
+Produced by David Widger. HTML version by Al Haines
+
+
+
+
+
+
+
+
+
+ THE SNOW-IMAGE
+
+ AND
+
+ OTHER TWICE-TOLD TALES
+
+
+
+ OLD TICONDEROGA
+ A PICTURE OF THE PAST
+
+ By
+
+ Nathaniel Hawthorne
+
+
+
+The greatest attraction, in this vicinity, is the famous old fortress of
+Ticonderoga, the remains of which are visible from the piazza of the
+tavern, on a swell of land that shuts in the prospect of the lake. Those
+celebrated heights, Mount Defiance and Mount Independence, familiar to
+all Americans in history, stand too prominent not to be recognized,
+though neither of them precisely corresponds to the images excited by
+their names. In truth, the whole scene, except the interior of the
+fortress, disappointed me. Mount Defiance, which one pictures as a
+steep, lofty, and rugged hill, of most formidable aspect, frowning down
+with the grim visage of a precipice on old Ticonderoga, is merely a long
+and wooded ridge; and bore, at some former period, the gentle name of
+Sugar Hill. The brow is certainly difficult to climb, and high enough to
+look into every corner of the fortress. St. Clair's most probable
+reason, however, for neglecting to occupy it, was the deficiency of
+troops to man the works already constructed, rather than the supposed
+inaccessibility of Mount Defiance. It is singular that the French never
+fortified this height, standing, as it does, in the quarter whence they
+must have looked for the advance of a British army.
+
+In my first view of the ruins, I was favored with the scientific guidance
+of a young lieutenant of engineers, recently from West Point, where he
+had gained credit for great military genius. I saw nothing but confusion
+in what chiefly interested him; straight lines and zigzags, defence
+within defence, wall opposed to wall, and ditch intersecting ditch;
+oblong squares of masonry below the surface of the earth, and huge
+mounds, or turf-covered hills of stone, above it. On one of these
+artificial hillocks, a pine-tree has rooted itself, and grown tall and
+strong, since the banner-staff was levelled. But where my unmilitary
+glance could trace no regularity, the young lieutenant was perfectly at
+home. He fathomed the meaning of every ditch, and formed an entire plan
+of the fortress from its half-obliterated lines. His description of
+Ticonderoga would be as accurate as a geometrical theorem, and as barren
+of the poetry that has clustered round its decay. I viewed Ticonderoga
+as a place of ancient strength, in ruins for half a century: where the
+flags of three nations had successively waved, and none waved now; where
+armies had struggled, so long ago that the bones of the slain were
+mouldered; where Peace had found a heritage in the forsaken haunts of
+War. Now the young West-Pointer, with his lectures on ravelins,
+counterscarps, angles, and covered ways, made it an affair of brick and
+mortar and hewn stone, arranged on certain regular principles, having a
+good deal to do with mathematics, but nothing at all with poetry.
+
+I should have been glad of a hoary veteran to totter by my side, and tell
+me, perhaps, of the French garrisons and their Indian allies,--of
+Abercrombie, Lord Howe, and Amherst,--of Ethan Allen's triumph and St.
+Clair's surrender. The old soldier and the old fortress would be emblems
+of each other. His reminiscences, though vivid as the image of
+Ticonderoga in the lake, would harmonize with the gray influence of the
+scene. A survivor of the long-disbanded garrisons, though but a private
+soldier, might have mustered his dead chiefs and comrades,--some from
+Westminster Abbey, and English churchyards, and battle-fields in
+Europe,--others from their graves here in America,--others, not a few,
+who lie sleeping round the fortress; he might have mustered them all,
+and bid them march through the ruined gateway, turning their old historic
+faces on me, as they passed. Next to such a companion, the best is one's
+own fancy.
+
+At another visit I was alone, and, after rambling all over the ramparts,
+sat down to rest myself in one of the roofless barracks. These are old
+French structures, and appear to have occupied three sides of a large
+area, now overgrown with grass, nettles, and thistles. The one in which
+I sat was long and narrow, as all the rest had been, with peaked gables.
+The exterior walls were nearly entire, constructed of gray, flat,
+unpicked stones, the aged strength of which promised long to resist the
+elements, if no other violence should precipitate their fall.--The roof,
+floors, partitions, and the rest of the wood-work had probably been
+burnt, except some bars of stanch old oak, which were blackened with
+fire, but still remained imbedded into the window-sills and over the
+doors. There were a few particles of plastering near the chimney,
+scratched with rude figures, perhaps by a soldier's hand. A most
+luxuriant crop of weeds had sprung up within the edifice, and hid the
+scattered fragments of the wall. Grass and weeds grew in the windows,
+and in all the crevices of the stone, climbing, step by step, till a tuft
+of yellow flowers was waving on the highest peak of the gable. Some
+spicy herb diffused a pleasant odor through the ruin. A verdant heap of
+vegetation had covered the hearth of the second floor, clustering on the
+very spot where the huge logs had mouldered to glowing coals, and
+flourished beneath the broad flue, which had so often puffed the smoke
+over a circle of French or English soldiers. I felt that there was no
+other token of decay so impressive as that bed of weeds in the place of
+the backlog.
+
+Here I sat, with those roofless walls about me, the clear sky over my
+head, and the afternoon sunshine falling gently bright through the
+window-frames and doorway. I heard the tinkling of a cow-bell, the
+twittering of birds, and the pleasant hum of insects. Once a gay
+butterfly, with four gold-speckled wings, came and fluttered about my
+head, then flew up and lighted on the highest tuft of yellow flowers, and
+at last took wing across the lake. Next a bee buzzed through the
+sunshine, and found much sweetness among the weeds. After watching him
+till he went off to his distant hive, I closed my eyes on Ticonderoga in
+ruins, and cast a dream-like glance over pictures of the past, and scenes
+of which this spot had been the theatre.
+
+At first, my fancy saw only the stern hills, lonely lakes, and venerable
+woods. Not a tree, since their seeds were first scattered over the
+infant soil, had felt the axe, but had grown up and flourished through
+its long generation, had fallen beneath the weight of years, been buried
+in green moss, and nourished the roots of others as gigantic. Hark! A
+light paddle dips into the lake, a birch canoe glides round the point,
+and an Indian chief has passed, painted and feather-crested, armed with a
+bow of hickory, a stone tomahawk, and flint-headed arrows. But the
+ripple had hardly vanished from the water, when a white flag caught the
+breeze, over a castle in the wilderness, with frowning ramparts and a
+hundred cannon. There stood a French chevalier, commandant of the
+fortress, paying court to a copper-colored lady, the princess of the
+land, and winning her wild love by the arts which had been successful
+with Parisian dames. A war-party of French and Indians were issuing from
+the gate to lay waste some village of New England. Near the fortress
+there was a group of dancers. The merry soldiers footing it with the
+swart savage maids; deeper in the wood, some red men were growing frantic
+around a keg of the fire-water; and elsewhere a Jesuit preached the faith
+of high cathedrals beneath a canopy of forest boughs, and distributed
+crucifixes to be worn beside English scalps.
+
+I tried to make a series of pictures from the old French war, when fleets
+were on the lake and armies in the woods, and especially of Abercrombie's
+disastrous repulse, where thousands of lives were utterly thrown away;
+but, being at a loss how to order the battle, I chose an evening scene in
+the barracks, after the fortress had surrendered to Sir Jeffrey Amherst.
+What an immense fire blazes on that hearth, gleaming on swords, bayonets,
+and musket-barrels, and blending with the hue of the scarlet coats till
+the whole barrack-room is quivering with ruddy light! One soldier has
+thrown himself down to rest, after a deer-hunt, or perhaps a long run
+through the woods with Indians on his trail. Two stand up to wrestle,
+and are on the point of coming to blows. A fifer plays a shrill
+accompaniment to a drummer's song,--a strain of light love and bloody
+war, with a chorus thundered forth by twenty voices. Meantime, a veteran
+in the corner is prosing about Dettingen and Fontenoy, and relates
+camp-traditions of Marlborough's battles, till his pipe, having been
+roguishly charged with gunpowder, makes a terrible explosion under his
+nose. And now they all vanish in a puff of smoke from the chimney.
+
+I merely glanced at the ensuing twenty years, which glided peacefully
+over the frontier fortress, till Ethan Allen's shout was heard, summoning
+it to surrender "in the name of the great Jehovah and of the Continental
+Congress." Strange allies! thought the British captain. Next came the
+hurried muster of the soldiers of liberty, when the cannon of Burgoyne,
+pointing down upon their stronghold from the brow of Mount Defiance,
+announced a new conqueror of Ticonderoga. No virgin fortress, this!
+Forth rushed the motley throng from the barracks, one man wearing the
+blue and buff of the Union, another the red coat of Britain, a third a
+dragoon's jacket, and a fourth a cotton frock; here was a pair of leather
+breeches, and striped trousers there; a grenadier's cap on one head, and
+a broad-brimmed hat, with a tall feather, on the next; this fellow
+shouldering a king's arm, that might throw a bullet to Crown Point, and
+his comrade a long fowling-piece, admirable to shoot ducks on the lake.
+In the midst of the bustle, when the fortress was all alive with its last
+warlike scene, the ringing of a bell on the lake made me suddenly unclose
+my eyes, and behold only the gray and weed-grown ruins. They were as
+peaceful in the sun as a warrior's grave.
+
+Hastening to the rampart, I perceived that the signal had been given by
+the steamboat Franklin, which landed a passenger from Whitehall at the
+tavern, and resumed its progress northward, to reach Canada the next
+morning. A sloop was pursuing the same track; a little skiff had just
+crossed the ferry; while a scow, laden with lumber, spread its huge
+square sail, and went up the lake. The whole country was a cultivated
+farm. Within musket-shot of the ramparts lay the neat villa of Mr. Pell,
+who, since the Revolution, has become proprietor of a spot for which
+France, England, and America have so often struggled. How forcibly the
+lapse of time and change of circumstances came home to my apprehension!
+Banner would never wave again, nor cannon roar, nor blood be shed, nor
+trumpet stir up a soldier's heart, in this old fort of Ticonderoga. Tall
+trees have grown upon its ramparts, since the last garrison marched out,
+to return no more, or only at some dreamer's summons, gliding from the
+twilight past to vanish among realities.
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Old Ticonderoga, A Picture of The Past, by
+Nathaniel Hawthorne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK OLD TICONDEROGA ***
+
+***** This file should be named 9242.txt or 9242.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/9/2/4/9242/
+
+Produced by David Widger. HTML version by Al Haines
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/9242.zip b/old/9242.zip
new file mode 100644
index 0000000..745cbfc
--- /dev/null
+++ b/old/9242.zip
Binary files differ
diff --git a/old/haw6910.txt b/old/haw6910.txt
new file mode 100644
index 0000000..df46c53
--- /dev/null
+++ b/old/haw6910.txt
@@ -0,0 +1,565 @@
+Project Gutenberg EBook, Old Ticonderoga, by Nathaniel Hawthorne
+From "The Snow Image and Other Twice-Told Tales"
+#69 in our series by Nathaniel Hawthorne
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**EBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These EBooks Were Prepared By Thousands of Volunteers*****
+
+
+
+Title: Old Ticonderoga, A Picture of The Past
+ (From: "The Snow Image and Other Twice-Told Tales")
+
+Author: Nathaniel Hawthorne
+
+Release Date: Nov, 2005 [EBook #9242]
+[This file was first posted on September 18, 2003]
+[Last updated on February 6, 2007]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK, OLD TICONDEROGA ***
+
+
+
+
+This eBook was produced by David Widger
+
+
+
+
+
+ THE SNOW-IMAGE
+
+ AND
+
+ OTHER TWICE-TOLD TALES
+
+
+
+ OLD TICONDEROGA
+ A PICTURE OF THE PAST
+
+ By
+
+ Nathaniel Hawthorne
+
+
+
+The greatest attraction, in this vicinity, is the famous old fortress of
+Ticonderoga, the remains of which are visible from the piazza of the
+tavern, on a swell of land that shuts in the prospect of the lake. Those
+celebrated heights, Mount Defiance and Mount Independence, familiar to
+all Americans in history, stand too prominent not to be recognized,
+though neither of them precisely corresponds to the images excited by
+their names. In truth, the whole scene, except the interior of the
+fortress, disappointed me. Mount Defiance, which one pictures as a
+steep, lofty, and rugged hill, of most formidable aspect, frowning down
+with the grim visage of a precipice on old Ticonderoga, is merely a long
+and wooded ridge; and bore, at some former period, the gentle name of
+Sugar Hill. The brow is certainly difficult to climb, and high enough to
+look into every corner of the fortress. St. Clair's most probable
+reason, however, for neglecting to occupy it, was the deficiency of
+troops to man the works already constructed, rather than the supposed
+inaccessibility of Mount Defiance. It is singular that the French never
+fortified this height, standing, as it does, in the quarter whence they
+must have looked for the advance of a British army.
+
+In my first view of the ruins, I was favored with the scientific guidance
+of a young lieutenant of engineers, recently from West Point, where he
+had gained credit for great military genius. I saw nothing but confusion
+in what chiefly interested him; straight lines and zigzags, defence
+within defence, wall opposed to wall, and ditch intersecting ditch;
+oblong squares of masonry below the surface of the earth, and huge
+mounds, or turf-covered hills of stone, above it. On one of these
+artificial hillocks, a pine-tree has rooted itself, and grown tall and
+strong, since the banner-staff was levelled. But where my unmilitary
+glance could trace no regularity, the young lieutenant was perfectly at
+home. He fathomed the meaning of every ditch, and formed an entire plan
+of the fortress from its half-obliterated lines. His description of
+Ticonderoga would be as accurate as a geometrical theorem, and as barren
+of the poetry that has clustered round its decay. I viewed Ticonderoga
+as a place of ancient strength, in ruins for half a century: where the
+flags of three nations had successively waved, and none waved now; where
+armies had struggled, so long ago that the bones of the slain were
+mouldered; where Peace had found a heritage in the forsaken haunts of
+War. Now the young West-Pointer, with his lectures on ravelins,
+counterscarps, angles, and covered ways, made it an affair of brick and
+mortar and hewn stone, arranged on certain regular principles, having a
+good deal to do with mathematics, but nothing at all with poetry.
+
+I should have been glad of a hoary veteran to totter by my side, and tell
+me, perhaps, of the French garrisons and their Indian allies,--of
+Abercrombie, Lord Howe, and Amherst,--of Ethan Allen's triumph and St.
+Clair's surrender. The old soldier and the old fortress would be emblems
+of each other. His reminiscences, though vivid as the image of
+Ticonderoga in the lake, would harmonize with the gray influence of the
+scene. A survivor of the long-disbanded garrisons, though but a private
+soldier, might have mustered his dead chiefs and comrades,--some from
+Westminster Abbey, and English churchyards, and battle-fields in Europe,
+--others from their graves here in America,--others, not a few, who lie
+sleeping round the fortress; he might have mustered them all, and bid
+them march through the ruined gateway, turning their old historic faces
+on me, as they passed. Next to such a companion, the best is one's own
+fancy.
+
+At another visit I was alone, and, after rambling all over the ramparts,
+sat down to rest myself in one of the roofless barracks. These are old
+French structures, and appear to have occupied three sides of a large
+area, now overgrown with grass, nettles, and thistles. The one in which
+I sat was long and narrow, as all the rest had been, with peaked gables.
+The exterior walls were nearly entire, constructed of gray, flat,
+unpicked stones, the aged strength of which promised long to resist the
+elements, if no other violence should precipitate their fall.--The roof,
+floors, partitions, and the rest of the wood-work had probably been
+burnt, except some bars of stanch old oak, which were blackened with
+fire, but still remained imbedded into the window-sills and over the
+doors. There were a few particles of plastering near the chimney,
+scratched with rude figures, perhaps by a soldier's hand. A most
+luxuriant crop of weeds had sprung up within the edifice, and hid the
+scattered fragments of the wall. Grass and weeds grew in the windows,
+and in all the crevices of the stone, climbing, step by step, till a tuft
+of yellow flowers was waving on the highest peak of the gable. Some
+spicy herb diffused a pleasant odor through the ruin. A verdant heap of
+vegetation had covered the hearth of the second floor, clustering on the
+very spot where the huge logs had mouldered to glowing coals, and
+flourished beneath the broad flue, which had so often puffed the smoke
+over a circle of French or English soldiers. I felt that there was no
+other token of decay so impressive as that bed of weeds in the place of
+the backlog.
+
+Here I sat, with those roofless walls about me, the clear sky over my
+head, and the afternoon sunshine falling gently bright through the
+window-frames and doorway. I heard the tinkling of a cow-bell, the
+twittering of birds, and the pleasant hum of insects. Once a gay
+butterfly, with four gold-speckled wings, came and fluttered about my
+head, then flew up and lighted on the highest tuft of yellow flowers, and
+at last took wing across the lake. Next a bee buzzed through the
+sunshine, and found much sweetness among the weeds. After watching him
+till he went off to his distant hive, I closed my eyes on Ticonderoga in
+ruins, and cast a dream-like glance over pictures of the past, and scenes
+of which this spot had been the theatre.
+
+At first, my fancy saw only the stern hills, lonely lakes, and venerable
+woods. Not a tree, since their seeds were first scattered over the
+infant soil, had felt the axe, but had grown up and flourished through
+its long generation, had fallen beneath the weight of years, been buried
+in green moss, and nourished the roots of others as gigantic. Hark! A
+light paddle dips into the lake, a birch canoe glides round the point,
+and an Indian chief has passed, painted and feather-crested, armed with a
+bow of hickory, a stone tomahawk, and flint-headed arrows. But the
+ripple had hardly vanished from the water, when a white flag caught the
+breeze, over a castle in the wilderness, with frowning ramparts and a
+hundred cannon. There stood a French chevalier, commandant of the
+fortress, paying court to a copper-colored lady, the princess of the
+land, and winning her wild love by the arts which had been successful
+with Parisian dames. A war-party of French and Indians were issuing from
+the gate to lay waste some village of New England. Near the fortress
+there was a group of dancers. The merry soldiers footing it with the
+swart savage maids; deeper in the wood, some red men were growing frantic
+around a keg of the fire-water; and elsewhere a Jesuit preached the faith
+of high cathedrals beneath a canopy of forest boughs, and distributed
+crucifixes to be worn beside English scalps.
+
+I tried to make a series of pictures from the old French war, when fleets
+were on the lake and armies in the woods, and especially of Abercrombie's
+disastrous repulse, where thousands of lives were utterly thrown away;
+but, being at a loss how to order the battle, I chose an evening scene in
+the barracks, after the fortress had surrendered to Sir Jeffrey Amherst.
+What an immense fire blazes on that hearth, gleaming on swords, bayonets,
+and musket-barrels, and blending with the hue of the scarlet coats till
+the whole barrack-room is quivering with ruddy light! One soldier has
+thrown himself down to rest, after a deer-hunt, or perhaps a long run
+through the woods with Indians on his trail. Two stand up to wrestle,
+and are on the point of coming to blows. A fifer plays a shrill
+accompaniment to a drummer's song,--a strain of light love and bloody
+war, with a chorus thundered forth by twenty voices. Meantime, a veteran
+in the corner is prosing about Dettingen and Fontenoy, and relates camp-
+traditions of Marlborough's battles, till his pipe, having been roguishly
+charged with gunpowder, makes a terrible explosion under his nose. And
+now they all vanish in a puff of smoke from the chimney.
+
+I merely glanced at the ensuing twenty years, which glided peacefully
+over the frontier fortress, till Ethan Allen's shout was heard, summoning
+it to surrender "in the name of the great Jehovah and of the Continental
+Congress." Strange allies! thought the British captain. Next came the
+hurried muster of the soldiers of liberty, when the cannon of Burgoyne,
+pointing down upon their stronghold from the brow of Mount Defiance,
+announced a new conqueror of Ticonderoga. No virgin fortress, this!
+Forth rushed the motley throng from the barracks, one man wearing the
+blue and buff of the Union, another the red coat of Britain, a third a
+dragoon's jacket, and a fourth a cotton frock; here was a pair of leather
+breeches, and striped trousers there; a grenadier's cap on one head, and
+a broad-brimmed hat, with a tall feather, on the next; this fellow
+shouldering a king's arm, that might throw a bullet to Crown Point, and
+his comrade a long fowling-piece, admirable to shoot ducks on the lake.
+In the midst of the bustle, when the fortress was all alive with its last
+warlike scene, the ringing of a bell on the lake made me suddenly unclose
+my eyes, and behold only the gray and weed-grown ruins. They were as
+peaceful in the sun as a warrior's grave.
+
+Hastening to the rampart, I perceived that the signal had been given by
+the steamboat Franklin, which landed a passenger from Whitehall at the
+tavern, and resumed its progress northward, to reach Canada the next
+morning. A sloop was pursuing the same track; a little skiff had just
+crossed the ferry; while a scow, laden with lumber, spread its huge
+square sail, and went up the lake. The whole country was a cultivated
+farm. Within musket-shot of the ramparts lay the neat villa of Mr. Pell,
+who, since the Revolution, has become proprietor of a spot for which
+France, England, and America have so often struggled. How forcibly the
+lapse of time and change of circumstances came home to my apprehension!
+Banner would never wave again, nor cannon roar, nor blood be shed, nor
+trumpet stir up a soldier's heart, in this old fort of Ticonderoga. Tall
+trees have grown upon its ramparts, since the last garrison marched out,
+to return no more, or only at some dreamer's summons, gliding from the
+twilight past to vanish among realities.
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK, OLD TICONDEROGA ***
+By Nathaniel Hawthorne
+
+** This file should be named haw6910.txt or haw6910.zip ***
+
+Corrected EDITIONS of our etexts get a new NUMBER, haw6911.txt
+VERSIONS based on separate sources get new LETTER, haw6910a.txt
+
+This eBook was produced by David Widger [widger@cecomet.net]
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
diff --git a/old/haw6910.zip b/old/haw6910.zip
new file mode 100644
index 0000000..3f75a8c
--- /dev/null
+++ b/old/haw6910.zip
Binary files differ