summaryrefslogtreecommitdiff
path: root/old/9242.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/9242.txt')
-rw-r--r--old/9242.txt592
1 files changed, 592 insertions, 0 deletions
diff --git a/old/9242.txt b/old/9242.txt
new file mode 100644
index 0000000..1a7e424
--- /dev/null
+++ b/old/9242.txt
@@ -0,0 +1,592 @@
+The Project Gutenberg EBook of Old Ticonderoga, A Picture of The Past, by
+Nathaniel Hawthorne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Old Ticonderoga, A Picture of The Past
+
+Author: Nathaniel Hawthorne
+
+Posting Date: December 20, 2010 [EBook #9242]
+Release Date: November, 2005
+First Posted: September 18, 2003
+Last Updated: February 6, 2007
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK OLD TICONDEROGA ***
+
+
+
+
+Produced by David Widger. HTML version by Al Haines
+
+
+
+
+
+
+
+
+
+ THE SNOW-IMAGE
+
+ AND
+
+ OTHER TWICE-TOLD TALES
+
+
+
+ OLD TICONDEROGA
+ A PICTURE OF THE PAST
+
+ By
+
+ Nathaniel Hawthorne
+
+
+
+The greatest attraction, in this vicinity, is the famous old fortress of
+Ticonderoga, the remains of which are visible from the piazza of the
+tavern, on a swell of land that shuts in the prospect of the lake. Those
+celebrated heights, Mount Defiance and Mount Independence, familiar to
+all Americans in history, stand too prominent not to be recognized,
+though neither of them precisely corresponds to the images excited by
+their names. In truth, the whole scene, except the interior of the
+fortress, disappointed me. Mount Defiance, which one pictures as a
+steep, lofty, and rugged hill, of most formidable aspect, frowning down
+with the grim visage of a precipice on old Ticonderoga, is merely a long
+and wooded ridge; and bore, at some former period, the gentle name of
+Sugar Hill. The brow is certainly difficult to climb, and high enough to
+look into every corner of the fortress. St. Clair's most probable
+reason, however, for neglecting to occupy it, was the deficiency of
+troops to man the works already constructed, rather than the supposed
+inaccessibility of Mount Defiance. It is singular that the French never
+fortified this height, standing, as it does, in the quarter whence they
+must have looked for the advance of a British army.
+
+In my first view of the ruins, I was favored with the scientific guidance
+of a young lieutenant of engineers, recently from West Point, where he
+had gained credit for great military genius. I saw nothing but confusion
+in what chiefly interested him; straight lines and zigzags, defence
+within defence, wall opposed to wall, and ditch intersecting ditch;
+oblong squares of masonry below the surface of the earth, and huge
+mounds, or turf-covered hills of stone, above it. On one of these
+artificial hillocks, a pine-tree has rooted itself, and grown tall and
+strong, since the banner-staff was levelled. But where my unmilitary
+glance could trace no regularity, the young lieutenant was perfectly at
+home. He fathomed the meaning of every ditch, and formed an entire plan
+of the fortress from its half-obliterated lines. His description of
+Ticonderoga would be as accurate as a geometrical theorem, and as barren
+of the poetry that has clustered round its decay. I viewed Ticonderoga
+as a place of ancient strength, in ruins for half a century: where the
+flags of three nations had successively waved, and none waved now; where
+armies had struggled, so long ago that the bones of the slain were
+mouldered; where Peace had found a heritage in the forsaken haunts of
+War. Now the young West-Pointer, with his lectures on ravelins,
+counterscarps, angles, and covered ways, made it an affair of brick and
+mortar and hewn stone, arranged on certain regular principles, having a
+good deal to do with mathematics, but nothing at all with poetry.
+
+I should have been glad of a hoary veteran to totter by my side, and tell
+me, perhaps, of the French garrisons and their Indian allies,--of
+Abercrombie, Lord Howe, and Amherst,--of Ethan Allen's triumph and St.
+Clair's surrender. The old soldier and the old fortress would be emblems
+of each other. His reminiscences, though vivid as the image of
+Ticonderoga in the lake, would harmonize with the gray influence of the
+scene. A survivor of the long-disbanded garrisons, though but a private
+soldier, might have mustered his dead chiefs and comrades,--some from
+Westminster Abbey, and English churchyards, and battle-fields in
+Europe,--others from their graves here in America,--others, not a few,
+who lie sleeping round the fortress; he might have mustered them all,
+and bid them march through the ruined gateway, turning their old historic
+faces on me, as they passed. Next to such a companion, the best is one's
+own fancy.
+
+At another visit I was alone, and, after rambling all over the ramparts,
+sat down to rest myself in one of the roofless barracks. These are old
+French structures, and appear to have occupied three sides of a large
+area, now overgrown with grass, nettles, and thistles. The one in which
+I sat was long and narrow, as all the rest had been, with peaked gables.
+The exterior walls were nearly entire, constructed of gray, flat,
+unpicked stones, the aged strength of which promised long to resist the
+elements, if no other violence should precipitate their fall.--The roof,
+floors, partitions, and the rest of the wood-work had probably been
+burnt, except some bars of stanch old oak, which were blackened with
+fire, but still remained imbedded into the window-sills and over the
+doors. There were a few particles of plastering near the chimney,
+scratched with rude figures, perhaps by a soldier's hand. A most
+luxuriant crop of weeds had sprung up within the edifice, and hid the
+scattered fragments of the wall. Grass and weeds grew in the windows,
+and in all the crevices of the stone, climbing, step by step, till a tuft
+of yellow flowers was waving on the highest peak of the gable. Some
+spicy herb diffused a pleasant odor through the ruin. A verdant heap of
+vegetation had covered the hearth of the second floor, clustering on the
+very spot where the huge logs had mouldered to glowing coals, and
+flourished beneath the broad flue, which had so often puffed the smoke
+over a circle of French or English soldiers. I felt that there was no
+other token of decay so impressive as that bed of weeds in the place of
+the backlog.
+
+Here I sat, with those roofless walls about me, the clear sky over my
+head, and the afternoon sunshine falling gently bright through the
+window-frames and doorway. I heard the tinkling of a cow-bell, the
+twittering of birds, and the pleasant hum of insects. Once a gay
+butterfly, with four gold-speckled wings, came and fluttered about my
+head, then flew up and lighted on the highest tuft of yellow flowers, and
+at last took wing across the lake. Next a bee buzzed through the
+sunshine, and found much sweetness among the weeds. After watching him
+till he went off to his distant hive, I closed my eyes on Ticonderoga in
+ruins, and cast a dream-like glance over pictures of the past, and scenes
+of which this spot had been the theatre.
+
+At first, my fancy saw only the stern hills, lonely lakes, and venerable
+woods. Not a tree, since their seeds were first scattered over the
+infant soil, had felt the axe, but had grown up and flourished through
+its long generation, had fallen beneath the weight of years, been buried
+in green moss, and nourished the roots of others as gigantic. Hark! A
+light paddle dips into the lake, a birch canoe glides round the point,
+and an Indian chief has passed, painted and feather-crested, armed with a
+bow of hickory, a stone tomahawk, and flint-headed arrows. But the
+ripple had hardly vanished from the water, when a white flag caught the
+breeze, over a castle in the wilderness, with frowning ramparts and a
+hundred cannon. There stood a French chevalier, commandant of the
+fortress, paying court to a copper-colored lady, the princess of the
+land, and winning her wild love by the arts which had been successful
+with Parisian dames. A war-party of French and Indians were issuing from
+the gate to lay waste some village of New England. Near the fortress
+there was a group of dancers. The merry soldiers footing it with the
+swart savage maids; deeper in the wood, some red men were growing frantic
+around a keg of the fire-water; and elsewhere a Jesuit preached the faith
+of high cathedrals beneath a canopy of forest boughs, and distributed
+crucifixes to be worn beside English scalps.
+
+I tried to make a series of pictures from the old French war, when fleets
+were on the lake and armies in the woods, and especially of Abercrombie's
+disastrous repulse, where thousands of lives were utterly thrown away;
+but, being at a loss how to order the battle, I chose an evening scene in
+the barracks, after the fortress had surrendered to Sir Jeffrey Amherst.
+What an immense fire blazes on that hearth, gleaming on swords, bayonets,
+and musket-barrels, and blending with the hue of the scarlet coats till
+the whole barrack-room is quivering with ruddy light! One soldier has
+thrown himself down to rest, after a deer-hunt, or perhaps a long run
+through the woods with Indians on his trail. Two stand up to wrestle,
+and are on the point of coming to blows. A fifer plays a shrill
+accompaniment to a drummer's song,--a strain of light love and bloody
+war, with a chorus thundered forth by twenty voices. Meantime, a veteran
+in the corner is prosing about Dettingen and Fontenoy, and relates
+camp-traditions of Marlborough's battles, till his pipe, having been
+roguishly charged with gunpowder, makes a terrible explosion under his
+nose. And now they all vanish in a puff of smoke from the chimney.
+
+I merely glanced at the ensuing twenty years, which glided peacefully
+over the frontier fortress, till Ethan Allen's shout was heard, summoning
+it to surrender "in the name of the great Jehovah and of the Continental
+Congress." Strange allies! thought the British captain. Next came the
+hurried muster of the soldiers of liberty, when the cannon of Burgoyne,
+pointing down upon their stronghold from the brow of Mount Defiance,
+announced a new conqueror of Ticonderoga. No virgin fortress, this!
+Forth rushed the motley throng from the barracks, one man wearing the
+blue and buff of the Union, another the red coat of Britain, a third a
+dragoon's jacket, and a fourth a cotton frock; here was a pair of leather
+breeches, and striped trousers there; a grenadier's cap on one head, and
+a broad-brimmed hat, with a tall feather, on the next; this fellow
+shouldering a king's arm, that might throw a bullet to Crown Point, and
+his comrade a long fowling-piece, admirable to shoot ducks on the lake.
+In the midst of the bustle, when the fortress was all alive with its last
+warlike scene, the ringing of a bell on the lake made me suddenly unclose
+my eyes, and behold only the gray and weed-grown ruins. They were as
+peaceful in the sun as a warrior's grave.
+
+Hastening to the rampart, I perceived that the signal had been given by
+the steamboat Franklin, which landed a passenger from Whitehall at the
+tavern, and resumed its progress northward, to reach Canada the next
+morning. A sloop was pursuing the same track; a little skiff had just
+crossed the ferry; while a scow, laden with lumber, spread its huge
+square sail, and went up the lake. The whole country was a cultivated
+farm. Within musket-shot of the ramparts lay the neat villa of Mr. Pell,
+who, since the Revolution, has become proprietor of a spot for which
+France, England, and America have so often struggled. How forcibly the
+lapse of time and change of circumstances came home to my apprehension!
+Banner would never wave again, nor cannon roar, nor blood be shed, nor
+trumpet stir up a soldier's heart, in this old fort of Ticonderoga. Tall
+trees have grown upon its ramparts, since the last garrison marched out,
+to return no more, or only at some dreamer's summons, gliding from the
+twilight past to vanish among realities.
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Old Ticonderoga, A Picture of The Past, by
+Nathaniel Hawthorne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK OLD TICONDEROGA ***
+
+***** This file should be named 9242.txt or 9242.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/9/2/4/9242/
+
+Produced by David Widger. HTML version by Al Haines
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.