summaryrefslogtreecommitdiff
path: root/8445-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:31:29 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:31:29 -0700
commit99180e795b2d8e8ceeec6b918208eeb0149d14b4 (patch)
treeab8538a8429fdbeb2c566a6133f5aa9aa4893abf /8445-h
initial commit of ebook 8445HEADmain
Diffstat (limited to '8445-h')
-rw-r--r--8445-h/8445-h.htm8495
1 files changed, 8495 insertions, 0 deletions
diff --git a/8445-h/8445-h.htm b/8445-h/8445-h.htm
new file mode 100644
index 0000000..98ff6cc
--- /dev/null
+++ b/8445-h/8445-h.htm
@@ -0,0 +1,8495 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
+<html>
+<head>
+<meta name="generator" content="HTML Tidy, see www.w3.org">
+<meta http-equiv="Content-Type" content=
+"text/html; charset=iso-8859-1">
+<title>Look Back on Happiness, by Knut Hamsun</title>
+<style type="text/css">
+<!--
+body {margin-left:5%; margin-right:10%;Color: #000000;Background-Color: #FFFFFF;
+Font-Family: Times, "Times New Roman", Serif;}
+H1{Font-Family: Arial, Helvetica, Sans-Serif;Font-Size: 140%;Font-Weight: bold;}
+H2{Font-Family: Arial, Helvetica, Sans-Serif;Font-Size: 120%;Font-Weight: bold;}
+H3{Font-Family: Arial, Helvetica, Sans-Serif;Font-Size: 110%;Font-Weight: bold;}
+P{Text-Align: justify;}
+HR{Width: 30%;}
+A:link {color: #660000;Background-Color: #FFFFFF;}
+A:visited {color: #660066;Background-Color: #FFFFFF;}
+A:hover {color: #000000;Background-Color: #FFFFFF;}
+A:active {color: #FF0000;Background-Color: #FFFFFF;}
+.fnsuper{Font-Size: 70%;Vertical-Align: top;}
+.footnote{Font-Size: 90%;Margin-Left: 6em;}
+.centered{Text-Align: center;Margin-Top: 2em;}
+.spaced{Text-Align: center;Margin-Top: 4em;}
+-->
+</style>
+</head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Look Back on Happiness, by Knut Hamsun
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+Title: Look Back on Happiness
+
+Author: Knut Hamsun
+
+Posting Date: September 8, 2014 [EBook #8445]
+Release Date: July, 2005
+First Posted: July 11, 2003
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LOOK BACK ON HAPPINESS ***
+
+
+
+
+Produced by Eric Eldred, Robert Connal and the Online
+Distributed Proofreading Team.
+
+
+
+
+
+
+</pre>
+
+
+<h1 class="spaced">LOOK BACK ON HAPPINESS</h1>
+
+<h1 class="spaced">KNUT HAMSUN</h1>
+
+<h2 class="spaced">Translated from the Norwegian<br>
+<br>
+By PAULA WIKING</h2>
+
+<p>&nbsp;</p>
+
+<p>&nbsp;</p>
+
+<h2 class="spaced">I</h2>
+
+<p>I have gone to the forest.</p>
+
+<p>Not because I am offended about anything, or very unhappy about
+men's evil ways; but since the forest will not come to me, I must
+go to it. That is all. I have not gone this time as a slave and a
+vagabond. I have money enough and am overfed, stupefied with
+success and good fortune, if you understand that. I have left the
+world as a sultan leaves rich food and harems and flowers, and
+clothes himself in a hair shirt.</p>
+
+<p>Really, I could make quite a song and dance about it. For I mean
+to roam and think and make great irons red-hot. Nietzsche no doubt
+would have spoken thus: The last word I spake unto men achieved
+their praise, and they nodded. But it was my last word; and I went
+into the forest. For then did I comprehend the truth, that my
+speech must needs be dishonest or foolish.... But I said nothing of
+the kind; I simply went to the forest.</p>
+
+<hr>
+<p>You must not believe that nothing ever happens here. The
+snowflakes drift down just as they do in the city, and the birds
+and beasts scurry about from morning till night, and from night
+till morning. I could send solemn stories from this place, but I do
+not. I have sought the forest for solitude and for the sake of my
+great irons; for I have great irons which lie within me and grow
+red-hot. So I deal with myself accordingly. Suppose I were to meet
+a buck reindeer one day, then I might say to myself:</p>
+
+<p>"Great heavens, this is a buck reindeer, he's dangerous!"</p>
+
+<p>But if then I should be too frightened, I might tell myself a
+comforting lie and say it was a calf or some feathered beast.</p>
+
+<p>You say nothing happens here?</p>
+
+<p>One day I saw two Lapps meet. A boy and a girl. At first they
+behaved as people do. "<em>Boris!</em>" they said to each other and
+smiled. But immediately after, both fell at full length in the snow
+and were gone from my sight. After a quarter of an hour had passed,
+I thought, "You'd better see to them; they may be smothered in the
+snow." But then they got up and went their separate ways.</p>
+
+<p>In all my weatherbeaten days, I have never seen such a greeting
+as that.</p>
+
+<hr>
+<p>Day and night I live in a deserted hut of peat into which I must
+crawl on my hands and knees. Someone must have built it long ago
+and used it, for lack of a better,--perhaps a man who was in
+hiding, a man who concealed himself here for a few autumn days.
+There are two of us in the hut, that is if you regard Madame as a
+person; otherwise there is only one. Madame is a mouse I live with,
+to whom I have given this honorary title. She eats everything I put
+aside for her in the nooks and corners, and sometimes she sits
+watching me.</p>
+
+<p>When I first came, there was stale straw in the hut, which
+Madame by all means was allowed to keep; for my own bed I cut fresh
+pine twigs, as is fitting. I have an ax and a saw and the necessary
+crockery. And I have a sleeping bag of sheepskin with the wool
+inside. I keep a fire burning in the fireplace all night, and my
+shirt, which hangs by it, smells of fresh resin in the morning.
+When I want coffee, I go out, fill the kettle with clean snow, and
+hang it over the fire till the snow turns to water.</p>
+
+<p>Is this a life worth living?</p>
+
+<p>There you have betrayed yourself. This is a life you do not
+understand. Yes, your home is in the city, and you have furnished
+it with vanities, with pictures and books; but you have a wife and
+a servant and a hundred expenses. Asleep or awake you must keep
+pace with the world and are never at peace. I have peace. You are
+welcome to your intellectual pastimes and books and art and
+newspapers; welcome, too, to your bars and your whisky that only
+makes me ill. Here am I in the forest, quite content. If you ask me
+intellectual questions and try to trip me up, then I will reply,
+for example, that God is the origin of all things and that truly
+men are mere specks and atoms in the universe. You are no wiser
+than I. But if you should go so far as to ask me what is eternity,
+then I know quite as much in this matter, too, and reply thus:
+Eternity is merely unborn time, nothing but unborn time.</p>
+
+<p>My friend, come here to me and I will take a mirror from my
+pocket and reflect the sun on your face, my friend.</p>
+
+<p>You lie in bed till ten or eleven in the morning, yet you are
+weary, exhausted, when you get up. I see you in my mind's eye as
+you go out into the street; the morning has dawned too early on
+your blinking eyes. I rise at five quite refreshed. It is still
+dark outdoors, yet there is enough to look at--the moon, the stars,
+the clouds, and the weather portents for the day. I prophesy the
+weather for many hours ahead. In what key do the winds whistle? Is
+the crack of the ice in the Glimma light and dry, or deep and long?
+These are splendid portents, and as it grows lighter, I add the
+visible signs to the audible ones, and learn still more.</p>
+
+<p>Then a narrow streak of daylight appears far down in the east,
+the stars fade from the sky, and soon light reigns over all. A crow
+flies over the woods, and I warn Madame not to go outside the hut
+or she will be devoured.</p>
+
+<p>But if fresh snow has fallen, the trees and copses and the great
+rocks take on giant, unearthly shapes, as though they had come from
+another world in the night. A storm-felled pine with its root torn
+up looks like a witch petrified in the act of performing strange
+rites.</p>
+
+<p>Here a hare has sprung by, and yonder are the tracks of a
+solitary reindeer. I shake out my sleeping bag and after hanging it
+high in a tree to escape Madame, who eats everything, I follow the
+tracks of the reindeer into the forest. It has jogged along without
+haste, but toward a definite goal--straight east to meet the day.
+By the banks of the Skiel, which is so rapid that its waters never
+freeze, the reindeer has stopped to drink, to scrape the hillside
+for moss, to rest a while, and then moved on.</p>
+
+<p>And perhaps what this reindeer has done is all the knowledge and
+experience I gain that day. It seems much to me. The days are
+short; at two, I am already strolling homeward in the deep
+twilight, with the good, still night approaching. Then I begin to
+cook. I have a great deal of meat stored in three pure-white drifts
+of snow. In fact I have something even better: eight fat cheeses of
+reindeer milk, to eat with butter and crisp-bread.</p>
+
+<p>While the pot is boiling I lie down, and gaze at the fire till I
+fall asleep. I take my midday nap before my meal. And when I waken,
+the food is cooked, filling the hut with an aroma of meat and
+resin. Madame darts back and forth across the floor and at length
+gets her share. I eat, and light my cutty-pipe.</p>
+
+<p>The day is at an end. All has been well, and I have had no
+unpleasantness. In the great silence surrounding me, I am the only
+adult, roaming man; this makes me bigger and more important, God's
+kin. And I believe the red-hot irons within me are progressing
+well, for God does great things for his kin.</p>
+
+<p>I lie thinking of the reindeer, the path it took, what it did by
+the river, and how it continued on its journey. There under the
+trees it has nibbled, and its horns have rubbed against the bark,
+leaving their marks; there an osier bed has forced it to turn
+aside; but just beyond, it has straightened its path and continued
+east once more. All this I think of.</p>
+
+<p>And you? Have you read in a newspaper, which disagrees with
+another newspaper, what the public in Norway is thinking of old-age
+insurance?</p>
+
+<h2 class="spaced">II</h2>
+
+<p>On stormy days I sit indoors and find something to occupy my
+time. Perhaps I write letters to some acquaintance or other telling
+him I am well, and hope to hear the same from him. But I cannot
+post the letters, and they grow older every day. Not that it
+matters. I have tied the letters to a string that hangs from the
+ceiling to prevent Madame from gnawing at them.</p>
+
+<p>One day a man came to the hut. He walked swiftly and stealthily;
+his clothes were ordinary and he wore no collar, for he was a
+laboring man. He carried a sack, and I wondered what could be in
+it.</p>
+
+<p>"Good morning," we said to each other. "Fine weather in the
+woods."</p>
+
+<p>"I didn't expect to find anybody in the hut," said the man. His
+manner was at once forceful and discontented; he flung down the
+sack without humility.</p>
+
+<p>"He may know something about me," I thought, "since he is such a
+man."</p>
+
+<p>"Have you lived here long?" he asked. "And are you leaving
+soon?"</p>
+
+<p>"Is the hut yours, perhaps?" I asked in my turn.</p>
+
+<p>Then he looked at me.</p>
+
+<p>"Because if the hut is yours, that's another matter," I said.
+"But I don't intend like a pickpocket to take it with me when I
+leave."</p>
+
+<p>I spoke gently and jestingly to avoid committing a blunder by my
+speech.</p>
+
+<p>But I had said quite the right thing; the man at once lost his
+assurance. Somehow I had made him feel that I knew more about him
+than he knew about me.</p>
+
+<p>When I asked him to come in, he was grateful and said:</p>
+
+<p>"Thank you, but I'm afraid I'll get snow all over your
+floor."</p>
+
+<p>Then he took special pains to wipe his boots clean, and bringing
+his sack with him, crawled in.</p>
+
+<p>"I could give you some coffee," I said.</p>
+
+<p>"You shouldn't trouble on my account," he replied, wiping his
+face and panting with the heat, "though I've been walking all
+night."</p>
+
+<p>"Are you crossing the fjeld?"</p>
+
+<p>"That depends. I don't suppose there's work to be got on a
+winter day on the other side, either."</p>
+
+<p>I gave him coffee.</p>
+
+<p>"Got anything to eat?" he said. "It's a shame to ask you. A
+round of crisp-bread? I had no chance to bring food with me."</p>
+
+<p>"Yes, I've got bread, butter, and reindeer cheese. Help
+yourself."</p>
+
+<p>"It's not so easy for a lot of people in the winter," said the
+man as he ate.</p>
+
+<p>"Could you take some letters to the village for me?" I asked.
+"I'll pay you for it."</p>
+
+<p>"Oh, no, I couldn't do that," the man replied. "I'm afraid
+that's impossible. I must cross the fjeld now. I've heard there's
+work in Hilling, in the Hilling Forest. So I can't."</p>
+
+<p>"Must get his back up a bit again," I thought. "He just sits now
+there without any guts at all. In the end he'll start begging for a
+few coppers."</p>
+
+<p>I felt his sack and said:</p>
+
+<p>"What's this you're lugging about with you? Heavy things?"</p>
+
+<p>"Mind your own business!" was his instant retort, as he drew the
+sack closer to him.</p>
+
+<p>"I wasn't going to steal any of it; I'm no thief," I said,
+jesting again.</p>
+
+<p>"I don't care what you are," he muttered.</p>
+
+<p>The day wore on. Since I had a visitor, I had no desire to go to
+the woods, but wanted to sit and talk to him and ask him questions.
+He was a very ordinary man, of no great interest to the irons in my
+fire, with dirty hands, uneducated and uninteresting in his speech;
+probably he had stolen the things in his sack. Later I learned that
+he was quick in much small knowledge that life had taught him. He
+complained that his heels felt cold, and took off his boots. And no
+wonder he felt cold, for where the heels of his stockings should
+have been there were only great holes. He borrowed a knife to cut
+away the ragged edges, and then drew on the stockings again back to
+front, so that the torn soles came over his instep. When he had put
+on his boots again, he said, "There, now it's nice and warm."</p>
+
+<p>He did no harm. If he took down the saw and the ax from their
+hooks to inspect them, he put them back again where he had found
+them. When he examined the letters, trying perhaps to read the
+addresses, he did not let them go carelessly, leaving them to swing
+back and forth, but held the string so that it hung motionless. I
+had no reason to complain about him.</p>
+
+<p>He had his midday meal with me, and when he had eaten, he
+said:</p>
+
+<p>"Do you mind if I cut myself some pine twigs to sit on?"</p>
+
+<p>He went out to cut off some soft pine, and we had to move
+Madame's straw to make room for the man inside the hut. Then we lay
+on our twigs, burning resin and talking.</p>
+
+<p>He was still there in the afternoon, still lying down as though
+to postpone the time of his leaving. When it began to grow dark, he
+went to the low doorway and looked out at the weather. Then,
+turning his head back, he asked:</p>
+
+<p>"Do you think there'll be snow tonight?"</p>
+
+<p>"You ask me questions and I ask you questions," I said, "but it
+looks like snow; the smoke is blowing down."</p>
+
+<p>It made him uneasy to think it might snow, and he said he had
+better leave that night. Suddenly he flew into a rage. For as I lay
+there, I stretched, so that my hand accidentally touched his sack
+again.</p>
+
+<p>"You leave me alone!" he shouted, tearing the sack from my
+grasp. "Don't you touch that sack, or I'll show you!"</p>
+
+<p>I replied that I had meant nothing by it, and had no intention
+of stealing anything from him.</p>
+
+<p>"Stealing, eh! What of it? I'm not afraid of you, and don't you
+go thinking I am! Look, here's what I've got in the bag," said the
+man, and began to rummage in it and to show me the contents: three
+pairs of new mittens, some sort of thick cloth for garments, a bag
+of barley, a side of bacon, sixteen rolls of tobacco, and a few
+large lumps of sugar candy. In the bottom of the bag was perhaps
+half a bushel of coffee beans.</p>
+
+<p>No doubt it was all from the general stores, with the exception
+of a heap of broken crisp-bread, which might have been stolen
+elsewhere.</p>
+
+<p>"So you've got crisp-bread after all," I said.</p>
+
+<p>"If you knew anything about it, you wouldn't talk like that,"
+the man replied. "When I'm crossing the fjeld on foot, walking and
+walking, don't I need food to put in my belly? It's blasphemy to
+listen to you!"</p>
+
+<p>Neatly and carefully he put everything back into the sack, each
+article in its turn. He took pains to build up the rolls of tobacco
+round the bacon, to protect the cloth from grease stains.</p>
+
+<p class="poetry">"You might buy this cloth from me," he said.
+"I'll<br>
+ let you have it cheap. It's duffle. It only gets in my way."<br>
+</p>
+
+<p>"How much do you want for it?" I asked.</p>
+
+<p>"There's enough for a whole suit of clothes, maybe more," he
+said to himself as he spread it out.</p>
+
+<p>I said to the man:</p>
+
+<p>"Truly you come here into the forest bringing with you life and
+the world and intellectual values and news. Let us talk a little.
+Tell me something: are you afraid your footprints will be visible
+tomorrow if there's fresh snow tonight?"</p>
+
+<p>"That's my business. I've crossed the field before and I know
+many paths," he muttered. "I'll let you have the cloth for a few
+crowns."</p>
+
+<p>I shook my head, so the man again neatly folded the cloth and
+put it back in the bag exactly as though it belonged to him.</p>
+
+<p>"I'll cut it up into material for trousers; then the pieces
+won't be so large, and I'll be able to sell it."</p>
+
+<p>"You'd better leave enough for a whole suit in one piece," I
+said, "and cut up the rest for trousers."</p>
+
+<p>"You think so? Yes, maybe you're right."</p>
+
+<p>We calculated how much would be necessary for a grown man's
+suit, and took down the string from which the letters hung to
+measure our own clothes, so as to be sure to get the measurements
+right. Then we cut into the edge of the cloth, and tore it across.
+In addition to one complete suit, there was enough left for two
+good-sized pairs of trousers.</p>
+
+<p>Then the man offered to sell me other things out of his sack,
+and I bought some coffee and a few rolls of tobacco. He put the
+money away in a leather purse, and I saw how empty the purse was,
+and the circumstantial and poverty-stricken fashion in which he put
+the money away, afterward feeling the outside of his pocket.</p>
+
+<p>"You haven't been able to sell me much," I said, "but I don't
+need any more than that."</p>
+
+<p>"Business is business," said he. "I don't complain."</p>
+
+<p>It was quite decent of him.</p>
+
+<p>While he was making ready to depart and clearing his bed of pine
+needles out of the way, I thought pityingly of his sordid little
+theft. Stealing because he was needy--a side of bacon and a length
+of cloth which he was trying to sell in the forest! Theft has
+indeed ceased to be a matter of great moment. This is because legal
+punishment for misdemeanors of all kinds has also ceased to be of
+great moment. It is only a dull, human punishment; the religious
+element has been removed from the law, and a local magistrate is no
+longer a man of mystic power.</p>
+
+<p>I well remember the last time I heard a judge explain the
+meaning of the oath as it should be explained. It chilled us all to
+the bone to hear him. We need some witchcraft again, and the Sixth
+Book of Moses, and the sin against the Holy Ghost, and signing your
+name in the blood of a newly baptized child! Steal a sack of money
+and silver treasure, if you like, and hide the sack in the hills
+where on autumn evenings a blue flame will hover over the spot. But
+don't come to me with three pairs of mittens and a side of
+household bacon!</p>
+
+<p>The man no longer worried about the sack; leaving it behind, he
+crawled out of the hut to study the weather. The coffee and tobacco
+I had bought I put back into the sack, for I did not need them.
+When he returned, he said:</p>
+
+<p>"I think after all I'd better stop the night here with you, if
+you don't mind."</p>
+
+<p>In the evening he gave no indication of being prepared to
+contribute any of his own food. I cooked some coffee and gave him
+some dry bread to eat with it.</p>
+
+<p>"You shouldn't have expenses for me," he said.</p>
+
+<p>Then he began to rummage in his sack again, pushing the bacon
+well down so that the cloth might not be stained by it; after this
+he took off his leather belt and put it round the sack, with a loop
+to carry over one shoulder.</p>
+
+<p>"Now if I take the neck of the sack over the other shoulder,
+I'll find it easier to carry," he said.</p>
+
+<p>I gave him my letters to post on the other side of the fjeld and
+he stowed them away safely, slapping the outside of his pocket
+afterward; I also gave him a special envelope in which to keep the
+money for the stamps, and tied it to the neck of the sack.</p>
+
+<p>"Where do you live?" I asked him.</p>
+
+<p>"Where can a poor man live? Of course I live by the sea. I'm
+sorry to say I have a wife and children--no use denying it."</p>
+
+<p>"How many children have you?"</p>
+
+<p>"Four. One's got a crippled arm and the others--there's
+something wrong with all of them. It's not easy for a poor devil.
+My wife's ill, and a few days ago she thought she was dying and
+wanted Communion."</p>
+
+<p>A sad note crept into his voice. But the note was false. He was
+telling me a pack of lies. When they came to look for him from the
+village, no Christian would have the heart to accuse a man with
+such a large and sick family. This, no doubt, was his meaning.</p>
+
+<p>Man, oh man, thou art worse than a mouse!</p>
+
+<p>I questioned him no further, but asked him to sing something, a
+ballad or a song, since we had nothing else to do.</p>
+
+<p>"I've no heart to sing now," he replied. "Except possibly a
+hymn."</p>
+
+<p>"All right; sing a hymn, then."</p>
+
+<p>"Not now. I'd like to do you a favor, but--"</p>
+
+<p>His uneasiness was rising. A little later he took his sack and
+went out.</p>
+
+<p>"Well, he's gone," I thought, "but he hasn't said the customary
+peace-be-with-you. I'm glad I've come into the forest," I thought.
+"This is my home, and from this day forth, no mother's son shall
+come within my walls again."</p>
+
+<p>I made an elaborate agreement with myself that I should have no
+more truck with men.</p>
+
+<p>"Madame, come here," I said. "I esteem you highly, and herewith,
+Madame, I undertake to enter upon a union with you for life!"</p>
+
+<p>Half an hour later, the man returned. He carried no sack.</p>
+
+<p>"I thought you'd gone," I said.</p>
+
+<p>"Gone? I'm not a dog," he replied. "I've met people before this,
+and I say good morning when I come and peace-be-with-you when I go.
+You shouldn't sneer at me, you know."</p>
+
+<p>"What have you done with the sack?"</p>
+
+<p>"I've carried it part of the way."</p>
+
+<p>His concealing the sack in case anyone should come proved he had
+forethought, for it was easier to get away scot-free without a
+burden on one's back. To stop him from telling me any more lies
+about his poverty, I said:</p>
+
+<p>"I expect you've raised plenty of dust in your day? Still do,
+for that matter?"</p>
+
+<p>"Well, I do what I can," he replied cheerfully. "I can lift a
+barrel easier than most, and nobody was able to dance me off the
+floor last Christmas! Hush--is that someone coming?"</p>
+
+<p>We listened. His eyes darted toward the entrance, and in a
+moment he had chosen to meet danger halfway. He was taut and
+splendid; I could see his jaw working.</p>
+
+<p>"It's nothing," I said.</p>
+
+<p>Resolute and strong as a bull, he crawled out of the hut and was
+gone for a few minutes. When he returned, breathing heavily, he
+said:</p>
+
+<p>"It's nothing."</p>
+
+<p>We lay down for the night.</p>
+
+<p>"In God's name!" he said, as he settled himself on his pine bed.
+I fell asleep at once, and for some time slept deeply. But during
+the night restlessness seized on the man again. "Peace be with
+you!" I heard him mutter as he crawled out of the hut.</p>
+
+<p>In the morning I burned the man's bed of pine needles; it made a
+lively fire of crackling pine in the hut.</p>
+
+<p>Outside, the ground was covered with new-fallen snow.</p>
+
+<h2 class="spaced">III</h2>
+
+<p>There is nothing like being left alone again, to walk peacefully
+with oneself in the woods. To boil one's coffee and fill one's
+pipe, and to think idly and slowly as one does it.</p>
+
+<p>There, now I'll fill the kettle with snow, I think, and now I'm
+crushing the coffee beans with a stone; later I must beat my
+sleeping bag well in the snow and get the wool white again. There
+is nothing in this of literature or great novels or public opinion;
+does it matter? But then I haven't been toiling just to get this
+coffee into my life. Literature? When Rome ruled the world, she was
+no more than Greece's apprentice in literature. Yet Rome ruled the
+world. Let us look too at another country we know: it fought a war
+of independence the glory of which still shines, and it brought
+forth the greatest school of painting in the world. Yet it had no
+literature, and has none today....</p>
+
+<p>Day by day I grow more knowing in the ways of the trees and the
+moss and the snow on the ground, and all things are my friends. The
+stump of a fir tree stands thawing in the sun; I feel my
+familiarity with it grow, and sometimes I stand there loving it,
+for there is something in it that moves my soul. The bark is badly
+broken. One winter in the deep snow, the tree must have been
+crippled, and now it points upward long and naked. I put myself in
+its place, and look at it with pity. My eyes perhaps have the
+simple, animal expression that human eyes had in the age of the
+mastodons.</p>
+
+<p>No doubt you will seize this opportunity to mock me, for there
+are many amusing things you can say about me and this stump of a
+fir. Yet in your heart, you know that I am superior to you in this
+as in everything else, with the single exception that I have not
+your conventional accomplishments, nor have I passed examinations.
+About the forest and the earth you can teach me nothing, for here I
+feel what no man else has felt.</p>
+
+<p>Sometimes I take the wrong direction and lose my way. Yes, truly
+this may happen sometimes. But I do not begin to twist and lose
+myself outside my very door, like the children of the city. I am
+twelve miles out, far up the opposite bank of the Skjel River,
+before I begin to get lost, and then only on a sunless day, with
+perhaps thick, wild snow coming down, and no north or south in the
+sky. Then you must know the special marks of this kind of tree and
+that, the galipot of the pine, the bark of deciduous trees, the
+moss that grows at their roots, the angle of the south and
+north-pointing branches, the stones that are moss-covered and those
+that are bare, and the pattern of the network of veins in the
+leaves. From all these things while there is daylight I can find my
+way.</p>
+
+<p>But if the dusk falls, I know it will be impossible for me to
+get home till the next day. "How shall I pass this night?" I say to
+myself. And I roam about till I find a sheltered spot; the best is
+a crag standing with its back to the wind. Here I collect a few
+armfuls of pine needles, button my jacket tight, and take a long
+time to settle. No one who has not tried it knows anything of the
+fine pleasure that streams through the soul as one sits in a snug
+shelter on such a night. I light my pipe to pass the time, but the
+tobacco doesn't agree with me because I haven't eaten, so I put
+some resin in my mouth to chew as I lie thinking of many things.
+The snow continues to fall outside; if I have been lucky enough to
+find a shelter facing the right way, the snowdrifts will close in
+over me and form a crest like a roof above my retreat. Then I am
+quite safe, and may sleep or wake as I please; there will be no
+danger of freezing my feet.</p>
+
+<hr>
+<p>Two men came to my hut; they were in a great hurry, and one of
+them called to me:</p>
+
+<p>"Good morning. Has a man passed this way?"</p>
+
+<p>I didn't like his face. I was not his servant and his question
+was too stupid.</p>
+
+<p>"Many people may have passed this way. Do you mean have I
+<em>seen</em> a man go by?"</p>
+
+<p>So much for him!</p>
+
+<p>"I meant what I said," the man replied surlily. "I'm asking you
+in the name of the law."</p>
+
+<p>"Oh."</p>
+
+<p>I had no desire for further conversation, and crawled into my
+hut.</p>
+
+<p>The two men followed me. The constable grinned and said:</p>
+
+<p>"Did you <em>see</em> a man pass by here yesterday?"</p>
+
+<p>"No," I said.</p>
+
+<p>They looked at each other, and took counsel together; then they
+left the hut and returned to the village.</p>
+
+<p>I thought: What zeal this policeman showed in the execution of
+his duties, how he shone with public spirit! There will be bonuses
+for the capture and transport of the criminal; there will be honor
+in having carried out the deed. All mankind should adopt this man
+because he is its son, created in its image! Where are the irons?
+He would rattle the links a little and lift them on his arm like
+the train of a riding skirt, to make me feel his terrifying power
+to put people in irons ... I feel nothing.</p>
+
+<p>And what tradesmen--what kings of trade--we have today! They
+instantly miss what a man can carry off in a sack, and notify the
+police.</p>
+
+<p>From now on I begin to long for the spring. My peat hut lies
+still too near to mankind, and I will build myself another when the
+frost has gone out of the ground. On the other side of the Skjel, I
+have chosen a spot in the forest which I think I shall like. It is
+twenty-four miles from the village and eighteen across the
+fjeld.</p>
+
+<h2 class="spaced">IV</h2>
+
+<p>Have I said that I was too near men? Heaven help me, for some
+days in succession I have been taking strolls in the forest, saying
+good morning and pretending I was in human company. If it was a man
+I imagined beside me, we carried on a long, intelligent
+conversation, but if it was a woman, I was polite: "Let me carry
+your parcel, miss." Once it must have been the Lapp's daughter I
+seemed to meet, for I flattered her most lavishly and offered to
+carry her fur cloak if she would take it off and walk in her skin;
+tut, tut.</p>
+
+<p>Heaven help me, I am no longer too near men. And probably I will
+not build that peat hut still further away from them.</p>
+
+<p>The days grow longer, and I do not mind. The truth is that in
+the winter I suffered privation and learned much in order to master
+myself. It has taken time and sometimes a resolute will, so it
+cannot be denied that I am paying for my education rather dearly.
+Sometimes I have been needlessly stern with myself.</p>
+
+<p>"There is a loaf of bread," I said. "It doesn't surprise me, it
+doesn't interest me; I am used to it. But if you see no bread for
+twelve hours, it will mean something to you," I said, and hid the
+bread away.</p>
+
+<p>That was in the winter.</p>
+
+<p>Were they dreary days? No, good days. My liberty was so great
+that I could do and think as I pleased; I was alone, the bear of
+the forest. But even in the heart of the forest no man dares speak
+aloud without looking round; rather, he walks in silence. For a
+time you console yourself that it's typically English to be silent,
+it's regal to be silent. But suddenly you find this has gone too
+far, your mouth begins to wake, to stretch, and suddenly to shout
+nonsense.</p>
+
+<p>"Bricks for the palace! The calf is much stronger today!"</p>
+
+<p>Perhaps if your voice is strong, the sound will carry for a
+quarter of a mile--but then you feel a sting as though after a
+slap. If only you had kept your regal silence! One day the postman
+who crosses the fjeld once a month came on me just as I had
+shouted.</p>
+
+<p>"What?" he called from the wood.</p>
+
+<p>"Careful below!" I called back to save my face. "I've put out a
+trap."</p>
+
+<p>But with the longer days, my courage grows; it must be the
+spring that causes this mysterious revival within me, and I no
+longer fear a shout more or less. I needlessly rattle my pots and
+pans as I cook, and I sing at the top of my voice. It is
+spring.</p>
+
+<p>Yesterday I stood on a hillock and looked out across the wintry
+woods. They have a different expression now; they have gone gray
+and bedraggled, and the midday sun has thawed down the snow and
+diminished it. There are catkins everywhere, drifts of them in the
+underbrush, looking like letters of the alphabet piled in a heap.
+The moon rises, the stars break forth. I am cold and shiver a
+little, but I have nothing to do in the hut, and prefer to shiver
+as long as possible. In the winter I did nothing so foolish, but
+went home if I was cold. Now I'm tired of that, too. It is the
+spring.</p>
+
+<p>The sky is pure and cool, lying wide open to all the stars.
+There is a great flock of worlds up in that endless meadow, tiny,
+teeming worlds, so tiny that they are like the sound of a tinkling
+bell; as I look at them, I can hear thousands of tiny bells. Yes,
+certainly I am being drawn more and more toward the grassy slopes
+of spring.</p>
+
+<h2 class="spaced">V</h2>
+
+<p>I fill the fireplace with pine wood, hoist my belongings to my
+back, and leave the hut. "Farewell, Madame."</p>
+
+<p>That was the end.</p>
+
+<p>I feel no pleasure at leaving my shelter, but a touch of
+sadness--as I always do on leaving a place that has been my home
+for some time. But all the world stands outside calling to me.
+Indeed I am like all lovers of the woods and fields; wordlessly we
+had agreed to meet, and as I sat there last night, I felt my eyes
+being drawn to the door.</p>
+
+<p>Several times I look back at the hut, with the smoke rising up
+from the chimney; the smoke billows and waves to me, and I wave
+back.</p>
+
+<p>The silky pallor of the morning refreshes me; in a long blue
+haze over the forest, a slow dawn rises. It looks like a cheerful
+piratical coast in the sky before me. The mountains are all on my
+left.</p>
+
+<p>After a few hours' march I am like new from top to toe, and I
+press on swiftly. I beat the air with my stick, and it says "hoo"
+as it swishes; whenever I think I deserve it, I sit down and give
+myself food.</p>
+
+<p>No, you have not my pleasures in the town.</p>
+
+<p>I beat my legs with my stick from the sheer exuberance of
+living, and nearly cry out. I behave as though the burden on my
+back had no weight, taking needless leaps, and overexerting myself
+a little; but an overexertion to which one is driven by inner
+content is easy to bear. In my solitude, many miles from men and
+houses, I am in a childishly happy and carefree state of mind,
+which you are incapable of understanding unless someone explains it
+to you. I play a little game with myself, pretending to have
+discovered a remarkable kind of tree. At first I pay little
+attention, then I stretch my neck and contract my eyelids and
+gaze.</p>
+
+<p>"What!" I say to myself. "Surely it couldn't be--"</p>
+
+<p>I throw down my burden and approach, inspect the tree and nod
+sagely, saying it is a strange, fabled tree that I have discovered.
+And I take out my notebook and describe it.</p>
+
+<p>Merely jest and happiness, a queer little impulse to play.
+Children have done it before me. And here comes no postman to
+surprise me. As suddenly as I have begun the game, I end it again,
+as children do. But for a moment I was transported back to the
+dear, foolish bliss of childhood.</p>
+
+<p>Perhaps it was the anticipation of soon seeing men again that
+made me playful and happy!</p>
+
+<p>Next day, just as a raw mist descends on mountain and forest, I
+reach the Lapp's house. I enter. But though I meet with nothing but
+kindness, a Lapp hut contains little that is interesting. There are
+spoons and knives of bone on the peat wall, and a small paraffin
+lamp hangs from the roof. The Lapp himself is a dull nonentity who
+can neither tell fortunes nor conjure. His daughter has gone across
+the field; she has learned to read, but not to write, at the
+village school. The two old people, husband and wife, are fools.
+The whole family share a sort of animal dumbness; if I ask them a
+question, I may or may not get half a reply: "Mm-no, mm-yes." I am
+not a Lapp, and so they distrust me.</p>
+
+<p>All the afternoon the mist lay white on the forest. I slept a
+while. In the evening, the sky was clear again, and there were a
+few degrees of frost. I left the hut. The moon stood full and
+silent above the earth.</p>
+
+<p>Heigh-ho--what untuned strings!</p>
+
+<p class="poetry">&nbsp;&nbsp;But where are the birds all gone
+away,<br>
+ &nbsp;&nbsp;and what kind of place is this?<br>
+ &nbsp;&nbsp;Here where I stand nothing moves or stirs,<br>
+ &nbsp;&nbsp;in this world that is dead, no event occurs;<br>
+ &nbsp;&nbsp;I stand in a silvermine.<br>
+ &nbsp;&nbsp;My eyes sweep round, but I sorely miss<br>
+ &nbsp;&nbsp;a homely, well-known outline.<br>
+</p>
+
+<p class="poetry">&nbsp;&nbsp;And so he came to a silver wood--<br>
+ &nbsp;&nbsp;thus ran an ancient tale.<br>
+ &nbsp;&nbsp;Here rests a song of shimmering fire<br>
+ &nbsp;&nbsp;as though it were sung by a starry choir.<br>
+ &nbsp;&nbsp;And swift in my youth, I leap<br>
+ &nbsp;&nbsp;to bind fast the troll, the cunning male,<br>
+ &nbsp;&nbsp;and awaken a maid from her sleep.<br>
+</p>
+
+<p class="poetry">&nbsp;&nbsp;Today I smile at childish tales,<br>
+ &nbsp;&nbsp;old age has made me wise.<br>
+ &nbsp;&nbsp;Once proudly in prodigal youth I trod,<br>
+ &nbsp;&nbsp;now by age my foot is heavily shod;<br>
+ &nbsp;&nbsp;yet my heart--my heart would fly.<br>
+ &nbsp;&nbsp;I am driven by fire and bound by ice,<br>
+ &nbsp;&nbsp;no rest nor repose have I.<br>
+</p>
+
+<p class="poetry">&nbsp;&nbsp;A shuddering chill falls on the
+night,<br>
+ &nbsp;&nbsp;like a cloud from the lungs in the cold.<br>
+ &nbsp;&nbsp;There passed a great gust through the silver lace<br>
+ &nbsp;&nbsp;of the woods, like a lion's royal pace<br>
+ &nbsp;&nbsp;on paws that are soundless and still.<br>
+ &nbsp;&nbsp;It may be a god on his evening stroll.<br>
+ &nbsp;The roots of the forest thrill.<br>
+</p>
+
+<p>When I returned to the hut, the daughter had also returned home,
+and sat eating after her long march. Olga the Lapp, tiny and queer,
+conceived in a snowdrift, in the course of a greeting.
+"<em>Boris</em>!" they said and fell on their noses.</p>
+
+<p>She had bought red and blue pieces of cloth at the draper's shop
+in the village, and no sooner had she finished eating than she
+pushed the cups and plates away and began to embroider her Sunday
+jacket with pretty strips of the cloth. All the while she never
+spoke a word, because a stranger was in the room.</p>
+
+<p>"You know me, Olga, don't you?"</p>
+
+<p>"Mm."</p>
+
+<p>"But you look so angry."</p>
+
+<p>"M-no."</p>
+
+<p>"How's the snow track across the fjeld?"</p>
+
+<p>"All right."</p>
+
+<p>I knew there was a deserted hut the family had once lived in,
+and asked:</p>
+
+<p>"How far is it to your old hut?"</p>
+
+<p>"Not far," said Olga.</p>
+
+<p>Olga Lapp has someone to smile at surely, even if she will not
+smile at me. Here she sits in the great forest, pandering to her
+vanity and sewing wonderful scrolls on her jacket. On Sunday, no
+doubt, she will wear it to church and meet the man whose eyes it is
+meant to gladden.</p>
+
+<p>I was not anxious to stay any longer with these small beings,
+these human grains of sand. As I had slept enough in the afternoon
+and the moon was bright, I prepared to leave. After laying in a
+further supply of reindeer cheese and whatever other food I could
+get, I left the hut. But what a surprise: the bright moonlight was
+gone, and the sky was overcast; there was no frost, only mild
+weather and wet woods. It was spring.</p>
+
+<p>When Olga Lapp saw this, she advised me against leaving; but why
+should I listen to her chatter? She came with me a little way into
+the woods to direct me, then turned and went back, tiny and queer,
+her feathers ruffled like a hen's.</p>
+
+<h2 class="spaced">VI</h2>
+
+<p>It was difficult to advance. Never mind. A few hours later I
+found myself high up on the fjeld; I must have strayed from the
+path. What is that dark shape there? A mountain peak. And that over
+there? Another peak. Let us pitch camp on the spot, then.</p>
+
+<p>There was a deep goodness and tenderness about this mild night.
+I sat in the dark recalling forgotten memories of my childhood, and
+many experiences in this place and that. And what a satisfaction it
+is, too, to have money in one's pocket, even if one sleeps in the
+open!</p>
+
+<p>During the night I woke up; I found it growing too warm for me
+under my crag, and loosened my sleeping bag. It seemed to me, too,
+that a sound still hummed in my ear, as though I had called out or
+sung in my sleep. Suddenly I felt completely rested, and turned to
+look about me. It was dark and mild, a stone-still world. The sky
+was paler than the ring of mountains round me; I lay in the center
+of a city of peaks, at the foot of a great cliff, huge to the point
+of deformity. The wind began to blow, and suddenly there was a
+booming in the distance. Then came a streak of lightning, and
+immediately after the thunder rolled down like a gigantic avalanche
+between the most distant peaks. It was matchless to lie there
+listening, and a supernatural delight, a thrill of enjoyment, ran
+through me. A stranger madness filled me than I had ever felt
+before, and I gave it expression by laughing aloud in wanton and
+humorous abandon. Many a thought ran through my mind, witticisms
+alternating with moments of such great sorrow that I lay sighing
+deeply. The lightning and thunder came closer, and it began to
+rain--a torrential rain. The echoes were overpowering; all nature
+was an uproar, a hullabalooing. I tried to conquer the night by
+shouting at it, lest mysteriously it should rob me of my strength
+and leave me without a will. These mountains, I thought, are sheer
+incantations against my journey, great planted curses that block my
+path. Or perhaps I have only strayed into a mountains' trade union?
+But I nod my head repeatedly. That means I am brave and happy.
+Perhaps after all they are only stuffed mountains.</p>
+
+<p>More lightning and thunder and torrential rain; it felt as
+though the near-by echo had slapped me, reverberating a hundred
+times through me. Never mind. I have read about many battles and
+been in a rain of bullets before this. Yet in a moment of sadness
+and humility in the presence of the powers about me, I weep and
+think:</p>
+
+<p>"Who am I now among men? Or am I lost already? Am I nothing
+already?"</p>
+
+<p>And I cry out and call my name to hear if it still lives.</p>
+
+<p>A wheel of gold turned before my eyes, and the thunder clapped
+over my very head, on my own fjeld. Instantly I started out of the
+sleeping bag and left my shelter. The thunder rolled on, there was
+lightning and more thunder, worlds were uprooted. Why had I not
+listened to Olga's advice and remained in the hut? Is it the Lapps
+whose magic powers are doing this? The Lapps? Those human mites,
+those mountain dwarfs! What is all this noise to me? I made a
+feeble effort to walk against it, but stopped again, for I was
+among giants, and saw the foolishness of trying to battle with the
+thunder.</p>
+
+<p>I leaned against the side of the mountain: no longer did I stand
+shouting and hurling challenges at my opponent, but looked at him
+with milk-blue eyes. And now that I have yielded, none but a
+mountain would be so hard. But I am not rhymes and rhythms alone;
+did you think I should waste my good brain chasing such rainbows?
+You lie. Here I lean against the whole world, and you, perhaps,
+believe the blue of my eyes....</p>
+
+<p>At that, the lightning struck me. This was a miracle, and it
+happened to me. It ran down my left elbow, scorching the sleeve of
+my jacket. The lightning seemed like a ball of wool that dropped to
+the ground. I felt a sensation of heat, and saw that the ground
+farther down the mountain was struck a loud blow and then split. A
+great oppression held me down; a spear of darkness shot through me.
+And then it thundered beyond all measure, not long and rumbling,
+but firm and clear and rattling.</p>
+
+<p>The storm passed on.</p>
+
+<h2 class="spaced">VII</h2>
+
+<p>Next day I arrived at the deserted hut, drenched to the skin,
+struck by lightning, but in a strangely gentle and yielding mood,
+as after a punishment. My good fortune in the midst of my ill-luck
+made me overfriendly to everything; I tramped on without hurting
+the ground, and I avoided sinful thoughts, though it was spring. I
+was not even out of temper when I had to retrace my steps across
+the fjeld to find my way again to the hut. I had time; there was no
+hurry. I was the first tourist of the spring season, and far too
+early.</p>
+
+<p>So I remained at my ease in the hut for a few days. Sometimes at
+night verses and small poems blossomed in my mind as though I had
+become a real poet. At any rate there were signs that great changes
+had taken place within me since the winter, when I had desired
+nothing but to lie blinking my eyes and be left in peace.</p>
+
+<p>One day when everything was thawing in the sun, I left the hut
+and walked about the mountains for some hours. I had lately been
+thinking of writing some children's verses, addressed to a certain
+little girl, but nothing had come of it. Now as I walked on the
+mountainside, I felt again a desire for this pastime, and worked at
+it on several occasions, but could not get it into shape. The
+night, when one has slept an hour or two, is the time when such
+things come to one.</p>
+
+<p>So I went straight on to the village and bought myself a good
+store of food. There were many people in this district, and it did
+me good to hear human speech and laughter again; but there was no
+place here where I could stay, and in any case I had come too
+early. I had much to carry on my way home to my hut again. About
+halfway I met a man, a casual laborer, a vagabond, whose name was
+Solem. Later I heard that he was the bastard son of a telegraph
+operator who had been in Rosenlund nearly a generation before.</p>
+
+<p>That this man should have stepped off the path to let me pass
+with my burden was a good trait in him, and I thanked him and said,
+"I shouldn't have run over you in any case, ha, ha!"</p>
+
+<p>He asked me if there was much snow on the way to the village. I
+told him it was much the same as here. "I see," he said, and turned
+away. I thought that perhaps he had come a long way, and since he
+carried nothing that looked like provisions, I offered him some of
+mine in order to make him talk a little. He thanked me and
+accepted.</p>
+
+<p>He was above middle height, and quite young, not more than in
+his twenties, possibly just on thirty--a fine fellow. After the
+swaggering fashion of wanderers, he had a lock of hair escaping
+from under the peak of his cap; but he wore no beard. This
+full-grown man still shaved without growing tired of doing so, and
+this, together with his fringe of hair and his general manner, gave
+me the impression that he wished to seem younger than he was.</p>
+
+<p>We talked while he ate; he laughed readily and was in a cheerful
+mood, and since his face was beardless and hard, it looked like a
+laughing iron mask. But he was sensible and pleasant. There was
+only one thing: I had been silent for so long that I talked now
+perhaps too readily; and if it happened that both this boy Solem
+and I spoke at once, he would stop immediately to let me have my
+say. When this had happened several times, I grew tired of winning,
+and stopped too. But that merely made him nod and say: "Go
+ahead."</p>
+
+<p>I explained to him that I idled in solitude, studying strange
+trees, and writing a thing or two about them, that I lived in a
+hut, but that today I had finished my stock of provisions and had
+had to go to the village. When he heard about the hut, he stopped
+chewing, and sat as though he were listening; then he said hastily:
+"Yes, in a way I know these telegraph poles across the mountains
+very well. Not these particular poles, but others. I was a linesman
+till not long ago."</p>
+
+<p>"Were you?" I said. "Haven't you passed my hut today?" I
+added.</p>
+
+<p>He hesitated a moment, but when he saw that I was not trying to
+put him in the wrong, he admitted that he had been in the hut and
+rested, and found my crisp-bread there.</p>
+
+<p>"It wasn't easy to sit there without taking some of it," he
+said.</p>
+
+<p>We spoke of many things. His language was hardly coarse at all,
+nor did he dawdle over his food. My own manners had run wild to
+such an extent that I valued his good behavior.</p>
+
+<p>He offered to help me carry my pack as a mark of his gratitude
+for the food, and I accepted his offer. It was in this way that the
+stranger returned to the hut with me. As soon as I came in I saw a
+note on the table, a sort of thanks for the bread; it was an
+extremely ill-mannered epistle, full of obscene expressions. When
+Solem saw what I was reading, his iron face broke into a smile. I
+pretended not to understand the note and threw it back on the
+table; he picked it up and tore it to shreds.</p>
+
+<p>"I'm sorry you've seen it," he said. "We linesmen have a way of
+doing that sort of thing, and I'd forgotten I'd left it here."</p>
+
+<p>Soon after this he went out.</p>
+
+<p>He stayed that night and next day, and found a means of repaying
+me by washing some of my clothes and making himself useful in other
+ways. There was a large tub outside the hut--had been since the
+Lapps lived there--which was cracked and leaked abundantly, but
+Solem stopped the cracks with bacon fat and boiled my clothes in
+it. It was very funny to watch him imperturbably skimming off the
+fat that floated up.</p>
+
+<p>He seemed to want to stay till we had finished the provisions
+again, and then to go with me to the village; but when he heard I
+was going the other way, to the mountain farm somewhere under the
+great peaks of the Tore, where summer visitors stayed and many
+travelers passed, he wanted to go there, too. He was a bird of
+passage.</p>
+
+<p>"Can't I come with you and help you carry?" he asked me. "I'm
+used to farm work, too, and perhaps I can get a job there."</p>
+
+<h2 class="spaced">VIII</h2>
+
+<p>The bustle of spring season had already started at the great
+farm; men and animals were awake, the barn re-echoed with lowing
+the whole day long, and the goats had long since been let out to
+pasture.</p>
+
+<p>It was a long way between neighbors here; one or two cotters had
+cleared an area in the forest, which they had then bought; apart
+from that, all the land in sight belonged to the farm. Many new
+houses had been built here as the traffic over the fjelds
+increased, and gargoyles, homelike and Norwegian, sat on the gable
+ends, while the sound of a piano came from the living-room. Do you
+know the place? You have been here, and the people of the farm have
+asked after you.</p>
+
+<p>Good days, nothing but good days: a suitable transition from
+solitude. I speak to the young people who own the homestead now,
+and to the husband's old father and young sister Josephine. The old
+man leaves his room to look at me. He is terrifyingly old, perhaps
+ninety; his eyes are worn and half-crazed, and his figure has
+shrunk to nothing. He toils with both hands to drag himself into
+the day, and each time it is as though he left his mother's womb
+anew and found a world before him:</p>
+
+<p>"Look, how strange, there are houses on the farm," he thinks as
+he gazes at them. And when the barn doors stand open, he looks at
+them, too, and thinks:</p>
+
+<p>"Just like a doorway; what can it be? Looks exactly like a
+doorway...."</p>
+
+<p>And he stands still a long time staring at it.</p>
+
+<p>But Josephine, the daughter of his latest marriage, is young and
+plays the piano for me. Ah, Josephine! As she runs through the
+garden, her feet are like a breeze under her skirt. How kind she is
+to the visitors! Surely she has seen us coming a long way off,
+Solem and myself, and sat down to play the piano. She has gray,
+pathetic, young girl's hands--hands which confirm an old
+observation of mine that one's hands reveal one's sexual character,
+showing chastity, indifference, or passion.</p>
+
+<p>It is pleasant to watch Josephine crouch down to milk the goat.
+But she is only doing this now to charm and please the stranger.
+Ordinarily she has no time for such work, for she is too busy at
+her indoor tasks, waiting at table and watering the flowers and
+chatting with me about who climbed the Tore Peak last summer, and
+who did it the summer before that. These are Josephine's tasks.</p>
+
+<p>Refreshed and rejuvenated, I idle about, stand for a while
+watching Solem, who has been put to carting manure, then drift on
+down through the wood to the cotters' houses. Neat, compact houses,
+barns with room for two cows and a couple of goats in each,
+half-naked children playing homemade games outside the barns,
+quarrels and laughter and tears. The men at both places cart manure
+on sleighs, seeking a path where the snow and ice still lie on the
+ground, and doing very well with it. I do not descend to the
+houses, but watch the work from my point of vantage. Well do I know
+the life of labor, and well do I like it.</p>
+
+<p>It was no small area these cotters had broken up; the homesteads
+were tiny but the fences surrounding the land included a good
+section of forest. When the ground was cleared all the way to the
+fence, this would be a farm with five cows and a horse. Good
+luck!</p>
+
+<p>The days pass, the windowpanes have thawed, the snow is melting
+away, green things grow against south walls, and the leaves break
+out in the woods. My original intention to make great irons hot
+within me is unchanged; but if I ever thought this an easy task I
+must be an incredible fool. I do not even know with any certainty
+if there are irons in me still, or whether I can shape them if
+there are. Since the winter, life has made me lonely and small; I
+idle and loiter here, remembering that once things were different.
+Now that I have reached daylight and men again, I begin to
+understand all this. I was a different person once. The wave has
+its feathered crest, and so had I; wine has its fire, and so had I.
+Neurasthenia, the ape of all the diseases, pursues me.</p>
+
+<p>What then? No, I do not mourn this. Mourn? It is for women to
+mourn. Life is only a loan, and I am grateful for the loan. At
+times I have had gold and silver and copper and iron and other
+small metals; it was a great delight to live in the world, much
+greater than an endless life away from the world; but pleasure
+cannot last. I know of no one who has not been through the same
+thing; but I know of no one who will admit it. How they have
+declined! But they themselves have said:</p>
+
+<p>"See how everything is better!"</p>
+
+<p>At their first jubilee, they left life behind and began a
+vegetating existence; once one is fifty, the seventies begin. And
+the irons were no longer red-hot; there were no irons. But by
+heaven, how stubbornly Simplicity insisted the irons were there,
+insisted that they were red.</p>
+
+<p>"See the irons!" Simplicity said. "See how red they are!"</p>
+
+<p>As though it mattered that death can be kept off for another
+twenty years from one who has already begun to perish! I have no
+use for such a way of thinking; but you have, no doubt, you with
+your cheerful mediocrity and school education. A one-armed man can
+still walk; a one-legged man can lie down. Has the forest taught
+you nothing, then? What have I learned in the forest? <em>That
+young trees grow there</em>.</p>
+
+<p>In my footsteps walks youth, youth that is shamelessly,
+barbarously scorned, merely because it is young, scorned by
+stupidity and degeneration. I have seen this for many years. I know
+nothing more despicable than your school education and your
+school-education standards. Whether you have a catechism or a
+compass by which to guide your life is all the same; come here, my
+friend, and I will give you a compass made of my latest iron.</p>
+
+<h2 class="spaced">IX</h2>
+
+<p>A tourist arrived at the farm: the first tourist. And the master
+of the house himself went with him across the fjeld, and as for
+Solem, why, he, too, went with him so that he might know the way
+for later tourists. We found the fat, short, and thin-haired
+stranger standing in the yard, an elderly, well-to-do man who
+walked for the sake of his health and the last twenty years of his
+life. Josephine, the dear girl, made her feet a breeze beneath her
+skirts, and got him into the living room, with its piano and its
+earthenware bowls with beaded edges. When he was leaving, he
+brought out his small change, which Josephine received in her gray,
+young-girl's fingers. On the other side of the fjeld, Solem was
+given two crowns for acting as guide, and that was good pay. All
+went so well that the master himself was content.</p>
+
+<p>"Now they'll be coming," he said. "If only they would leave us
+in peace," he added.</p>
+
+<p>By this he meant he regretted the good, carefree days that he
+and his household had enjoyed till now; but in a few weeks a motor
+road would be opened in the neighboring valley, and then it was a
+question whether the tourist traffic might not be deflected there.
+His wife and Josephine were a little afraid it would be; but he
+himself had held as long as possible to the opinion that all their
+regular visitors who had come again year after year would remain
+faithful. No matter how many roads and motor cars they might have
+in other places, they could not get the peaks of the Tore range
+anywhere but here.</p>
+
+<p>The master of the house had felt so confident that once more he
+had much timber lying by the wall of the barn, ready to be built
+into new cottages, with six new guestrooms, a great hall with
+reindeer horns and log chairs, and a bathroom. But what was the
+matter with him today; was he beginning to doubt? "If only they
+would leave us in peace," he said.</p>
+
+<p>A week later Mrs. Brede arrived with her children; she had a
+cottage to herself, as in previous summers. So she must be rich and
+fashionable, this Mrs. Brede, since she had a cottage to herself.
+She was a charming lady, and her little daughters were well-grown,
+handsome children. They curtsied to me, making me feel, I don't
+know why, as though they were giving me flowers. A strange
+feeling.</p>
+
+<p>Then came Miss Torsen and Mrs. Molie, who were both to stay for
+the summer. They were followed by Schoolmaster Staur, who would
+stay a week. Later came two schoolmistresses, the Misses Johnsen
+and Palm, and still later Associate Schoolmaster Höy and several
+others--tradesmen, telephone operators, a few people from Bergen,
+one or two Danes. There were many of us at table now, and the talk
+was lively. When Schoolmaster Staur was asked if he wanted more
+soup, he replied: "No, thank you; I require no more!" and then
+rolled his eyes at us to show that this was the correct thing to
+say. Between meals we made up small parties, going this way and
+that on the sides of the fjeld and in the woods. But of transient
+guests there were few or none at all, and it was really on these
+that the house would earn well--on rooms for a night, on single
+meals, on cups of coffee. Josephine seemed to be worrying lately,
+and her young fingers grew more greedy as they counted silver
+coins.</p>
+
+<p>Lean brook trout, goat's-meat stew, and tinned foods. Some of
+the guests were dissatisfied people who spoke of leaving; others
+praised both the food and the wild mountain scenery. Schoolmistress
+Torsen wanted to leave. She was tall and handsome and wore a red
+hat on her dark hair; but there were no suitable young men here,
+and in the long run it was a bore to waste her holidays so
+completely. Tradesman Batt, who had been in both Africa and
+America, was the only possibility, for even the Bergensians
+amounted to nothing.</p>
+
+<p>"Where's Miss Torsen?" Batt would ask us.</p>
+
+<p>"Here I am; I'm coming," the lady answered.</p>
+
+<p>They did not care for walks up the fjeld, but preferred to go to
+the woods together, where they talked for hours. But Tradesman Batt
+did not amount to much either; he was short and freckled, and
+talked of nothing but money and trade. Besides, he had only a small
+shop in the town, and dealt in tobacco and fruit. No, he did not
+amount to much.</p>
+
+<p>One day, during a long spell of rain, I sat talking with Miss
+Torsen. She was an extraordinary girl, ordinarily proud and
+reserved, but sometimes talkative, lively, and perhaps a little
+inconsiderate, too. We sat in the living room, with people coming
+and going continually, but she did not let that disturb her, and
+talked in high, clear tones; in her eagerness she sometimes clasped
+her hands, and then dragged them apart again. After we had been
+sitting there for some time, Tradesman Batt came in, listened to
+her for a moment, and then said:</p>
+
+<p>"I'm going out now, Miss Torsen; are you coming?"</p>
+
+<p>She swept him once with her eyes from head to foot; then she
+turned away and went on talking, looking very proud and determined
+as she did so. No doubt she had many good qualities; she was
+twenty-seven, she said, and sick and tired of a teacher's life.</p>
+
+<p>But why had she ever entered on such a life in the first
+place?</p>
+
+<p>"Oh, just doing what everybody else did," she replied. "The
+girls next door were also going to walk the road of scholarship; to
+study languages, as they called it, study grammar; it all sounded
+so fine. We were going to be independent and earn a lot of money.
+That's what I thought! Have a home, however small, that was quite
+my own. How we slogged away all through school! Some of the girls
+had money, but those of us who were poor couldn't dress like them,
+and we hadn't well-kept hands like theirs. And so we came to avoid
+all work at home for the sake of our hands.</p>
+
+<p>"And we played up to the boys at school, too. We thought them
+such fine gentlemen; one of them had a riding horse, bit of a fool,
+of course, but he was a millionaire's son and awfully decent, gave
+us banknotes--me, anyhow--and he kissed me many times. His name was
+Flaten; his father was a merchant. Of course, he being so handsome
+and dashing, we wanted to be nice to him too. I should have done
+anything he asked; I used to pray to God for him.</p>
+
+<p>"I'm sure I wasn't the only one who wanted to be smart and
+pretty. That was how we passed the time. Washing and cooking and
+mending fell to the lot of my mother and sisters; we students
+wouldn't do anything but sit round being very learned and getting
+seraphic hands. We were quite mad, as I don't mind admitting. It
+was in the course of those years that we acquired all the distorted
+ideas we've been burdened with since; we grew dull with school
+wisdom, anaemic, unbalanced: sometimes terribly unhappy about our
+sad lot, sometimes hysterically happy, and pluming ourselves on our
+examinations and our importance. We were the pride of the
+family.</p>
+
+<p>"And of course we were independent. We got jobs in offices, at
+forty <em>kroner</em> a month. Because now there was no longer
+anything in the least extraordinary about us students--we were no
+rarity, there were hundreds of us--forty <em>kroner</em> was the
+most they gave us. Thirty went to Father and Mother for our keep,
+and ten for ourselves. It wasn't enough. We had to have pretty
+clothes for the office, and we were young, we liked to walk out;
+but everything was too dear for us, we went into debt, and some of
+us got engaged to poor devils like ourselves. The narrow school
+life during our years of development did more than hurt our
+intelligence; we wanted to show spirit, too, and not recoil before
+any experience, so some of us went to the bad, others married--and
+with such antecedents, of course, there was first-rate
+mismanagement in the home; others disappeared to America. But
+probably all of them are still boasting their languages and their
+examinations. It's all they have left--not happiness or health or
+innocence, but their matriculation. Good God!"</p>
+
+<p>"But surely some of you have become schoolmistresses with good
+salaries?"</p>
+
+<p>"Good salaries! Anyhow, first we had to start studying all over
+again. As though Father and Mother and brothers and sisters hadn't
+sacrificed enough for our sakes already! There was cramming again
+for long periods, and then we began life in the schoolroom--to give
+to others the same unnatural upbringing we had had ourselves. Oh,
+yes, ours was a noble vocation; it was almost like being
+missionaries. But now if you'll excuse me, I'd like to talk about
+something besides this exalted position. Anything else you
+please."</p>
+
+<p>Tradesman Batt opened the door and said:</p>
+
+<p>"Are you coming, Miss Torsen? It's stopped raining now."</p>
+
+<p>"Oh, leave me alone," she replied.</p>
+
+<p>Tradesman Batt withdrew.</p>
+
+<p>"Why do you turn him away like that?" I asked.</p>
+
+<p>"Because ... well, the weather is bad," she said, looking out of
+the window. "Besides, he's such a fool. And he takes such
+liberties."</p>
+
+<p>How sure of herself she looked, and how right she seemed!</p>
+
+<p>Poor Miss Torsen! True or not, the news gradually spread that
+Miss Torsen had recently lost her post at the school, where
+indulgence had been exercised for a long time toward her eccentric
+methods of teaching.</p>
+
+<p>So that was it.</p>
+
+<p>But certainly what she had told me was nonetheless true.</p>
+
+<h2 class="spaced">X</h2>
+
+<p>The news has leaked out that the master of the homestead here
+owes a huge debt, and that because he needs cash he has sold new,
+valuable plots of land to his cotters. I am finding out many things
+now. Mrs. Brede with the handsome, well-modeled head knows
+something about everything, for her many summers at the farm have
+given her knowledge. When she talks about conditions here, she need
+not grope for words.</p>
+
+<p>The master has taken a large mortgage.</p>
+
+<p>No one would believe that all is not well here; the many new
+buildings and flagpoles, the curtains at the windows and the
+red-painted well house--all give an impression of great prosperity.
+The rooms, too, make a good impression. I shall not speak of the
+piano, but here are pictures on the walls and photographs of the
+farm seen from all angles; good newspapers are kept and there is a
+selection of novels on the tables; though guests sometimes take
+books away with them, the books are never missed. Or take a thing
+like this: you get your bill on a handsomely printed paper, with a
+picture at the top of the farm and the Tore range in the
+background. In short, no one would doubt for a moment that there is
+a fortune here. And why not, after twenty years as a kind of resort
+for tourists and pensioners?</p>
+
+<p>Nevertheless, the truth is that this homestead with all its
+interior and exterior furnishings costs more than the business is
+worth. Manufacturer Brede, too, has put money into it, and that is
+why Mrs. Brede comes here every year with her children, to get
+their dividends in board and lodging.</p>
+
+<p>No wonder she has a house to herself; after all, it's her own
+house.</p>
+
+<p>"It was a good place in the old days," says Mrs. Brede.
+"Travelers stopped here and had a meal and a bed for the night; it
+cost nothing to run the place then. But the tourist traffic has
+forced him to make improvements and enlargements. You have to keep
+pace with development, and be as good as other such places in the
+country; they're all competing. And probably the master here is not
+the right man to carry on such an irregular and capricious
+business; he has learned to like idleness too much, and lets the
+farm take care of itself. But the two cotters are hard-working
+fellows. They're nephews of his, and bit by bit they're buying the
+farm from him and cultivating it. My husband often says it will end
+with the cotters or their children buying this whole place of his,
+Paul's."</p>
+
+<p>"How can the cotters get power to do that?"</p>
+
+<p>"They work hard; they're peasants. They started in the forest
+with three or four goats each, first one of them, then the other
+one, working down in the village and coming home with food and
+money, and all the time clearing their own ground. The goats grew
+more numerous, a cow was added, they bought more virgin land, and
+they acquired still more livestock. They sowed grain and planted
+potatoes and cultivated pasture land; the owner here buys root
+vegetables from his cotters; he hasn't time to toil with such
+things himself; there's a great deal of work in it. Oh, no, they
+don't sow anything but green fodder for the stock here; Paul says
+it's not worth-while. And in a way he's right. He's tried hiring
+enough men to run the farm too, but it won't work. It's just in the
+spring season that the tourists start coming, and then the men are
+constantly being interrupted in their work on the farm to pilot
+tourists across the fjeld, or to do this or that for the guests.
+And this goes on all through the short summer months; for several
+years, they haven't even found the time to spread all their manure.
+But the worst time is really the autumn, when the tourists are all
+rushing to get home again, and it's quite impossible to do the
+harvesting undisturbed. It's almost become a custom here now, my
+husband says, for the cotters to get half the harvest of the farm's
+outlying fields."</p>
+
+<p>On my wondering at Mrs. Brede's knowledge of farming, she told
+me with a shake of the head that she herself knew very little about
+it, and had all her information from her husband. The fact was that
+every time these cotters wanted to buy a fresh piece of land from
+Paul, her husband had to give his consent. This was because of the
+mortgage, and this, too, was how they had learned of these matters.
+Manufacturer Brede, as a matter of fact, was most anxious to be
+released from his undertaking, but this was by no means easy. It
+was with great apprehensions that he now regarded the new
+automobile route.</p>
+
+<p>Mrs. Brede was full of a maternal gentleness; she played with
+her little girls, and seemed to enjoy an admirable balance of mind.
+One day, for example, a goat came home with one of its hind legs
+broken, and all the guests hurried out with brandy and lanolin and
+bandages for the wound; but Mrs. Brede remained quietly where she
+was, experienced, wise, and a little surprised at all the
+excitement.</p>
+
+<p>"All you can do with such a goat," she said, "is to slaughter
+it."</p>
+
+<p>The lady, I understood, must have married early, for her two
+little girls were twelve and ten. Her husband seemed to deal in
+important business, for he spent a large part of the year in
+Iceland, and traveled a good deal elsewhere as well. This, too, the
+lady bore quietly. And yet she was still young and handsome, a
+little plump, perhaps, for her height, but with a lovely,
+unwrinkled skin. She was quite unlike Miss Torsen, the only other
+good-looking lady at the farm; Miss Torsen was tall and dark.</p>
+
+<p>But perhaps Mrs. Brede was not always so calm as she seemed. One
+evening when she went down to the men's hut and asked Solem to do
+her a service, I saw that her face was strange and covered with
+blushes. Would Solem come to her room and repair a window-blind
+that had fallen down? It was late in the evening, and the lady
+seemed to have been in bed already, and to have risen again. Solem
+did not appear very willing. Suddenly their eyes met, and clung for
+a moment. Yes, certainly, of course he would come....</p>
+
+<p>What an iron face he had, and what a rogue he was!</p>
+
+<p>Mrs. Brede departed.</p>
+
+<p>But a moment later she returned to say that she had changed her
+mind. Never mind, thank you, she would fix the blind in position
+herself.</p>
+
+<h2 class="spaced">XI</h2>
+
+<p>An occasional tourist came or went, Solem accompanied him across
+the fjeld, and he was gone. But where were all the foreigners this
+year? Bennett's and Cook's conducted tours, the hordes that would
+"do" the mountain peaks of Norway--where were they?</p>
+
+<p>At last two solitary Englishmen turned up. They were
+middle-aged, unshaven and ill-groomed altogether, two engineers or
+something of that sort, but quite as speechless and uncivil as the
+grandest of the traveling British clowns. "Guide! Guide!" they
+called. "You the guide?" Nothing about them was any different from
+what we had grown to expect; these two traveled brainlessly and
+solemnly to the mountain tops, were in a hurry, had a purpose,
+behaved as though they were running to catch a doctor. Solem went
+with them to the top and down the other side, and they offered him
+a fifty-<em>öre</em> bit. Solem held out the palm of his hand, he
+told me afterwards, for he thought they would put more in it, but
+nothing came of that. So he created a disturbance--Solem has grown
+spoiled and insolent from all his idling with tourists.</p>
+
+<p><em>"Mehr,</em> more," said he.</p>
+
+<p>No, they would not. Solem flung the coin on the ground and
+struck his hands together repeatedly. This had the required effect,
+and one <em>krone</em> made its appearance. But on Solem's taking
+the noble lord by the shoulder and exerting a little pressure, two
+<em>kroner</em> were at last forthcoming.</p>
+
+<p>At length a conducted party arrived. Many tongues, both sexes,
+huntsmen, fishermen, dogs, mountaineers, porters. There was a
+tremendous commotion at the farm; the flag was run up, Paul bent
+double under all the orders he received, and Josephine ran, flew at
+every call. Mrs. Brede had to give up her sitting room to three
+English ladies, and the rest of us were crowded together as close
+as possible. I, for my part, was to be allowed to keep my bed
+because of my settled age; but I said, "By no means, let this
+English solicitor or whatever he is have my bed; what does it
+matter for a night!"</p>
+
+<p>Then I went out.</p>
+
+<p>If one keeps one's eyes open, one may see a great deal at such a
+resort in the daytime. And one may see much at night, too. What is
+the meaning of all this bleating of goats in the shed? Why are the
+animals not at rest? The door is closed; none of the visiting dogs
+has got in. Or--<em>have</em> some of the visiting dogs got in?
+Vice, like virtue, walks in rings and circles; nothing is new, all
+returns to its beginnings and repeats itself. The Romans ruled the
+world, yes. They were so mighty, the Romans, so invincible, that
+they could permit themselves a vice or two, they could afford to
+live at the arena, they had their fun with young boys and animals.
+Then one day retribution overtook them, their children's children
+lost battles everywhere, and their children's children again only
+sat--sat and looked backward. The ring was closed; none were less
+rulers of the world than the Romans.</p>
+
+<p>They paid no attention to me, the two Englishmen in the goats'
+shed; I was merely one of the natives, a Norwegian, who had but to
+accept the ways of the mighty tourists. But they themselves
+belonged to that nation of gamblers, coachmen, and vice which one
+day the wholesome Gothic soul will castigate to death....</p>
+
+<p>The disturbance continued all night, and very early, the dogs
+began to bark. The caravan awoke; it was six in the morning, and
+doors began to bang in all the houses. They were in a great hurry,
+these travelers; they were running to catch the doctor. They had
+breakfast in two sessions, but though the household was bent double
+before them and gave of its best, they were not satisfied. "If we
+had only known a little earlier," said Paul. But they muttered that
+we should just wait; there were motor cars in other places. Then
+Paul spoke--Paul, the master of the farm, the man who lived under
+the Tore peaks:</p>
+
+<p>"But I'm going to enlarge; don't you see all the timber outside?
+And I'm planning to get a telephone...."</p>
+
+<p>The caravan paid the exact amount of their small bill and
+departed, accompanied by the master and Solem, both carrying
+trunks.</p>
+
+<p>Peace descended on us again.</p>
+
+<p>Schoolmaster Staur left now, too. He had been busy collecting
+plants round the Tore peaks, and talked about his plants at table
+in a very learned fashion, giving the Latin names, and pointing out
+their peculiarities. Yes, indeed, he had learned a great deal at
+school.</p>
+
+<p>"Here you see an <em>Artemis cotula</em>," he said.</p>
+
+<p>Miss Torsen, who had also imbibed much learning, recognized the
+name and said:</p>
+
+<p>"Yes, take plenty of it with you."</p>
+
+<p>"What for?"</p>
+
+<p>"It's insect powder."</p>
+
+<p>Schoolmaster Staur knew nothing of that, and there was a good
+deal of discussion in which Associate Master Höy had to take a
+hand.</p>
+
+<p>No, Schoolmaster Staur knew nothing of that. But he could
+classify plants and learn their names by heart. He enjoyed that.
+The peasant children in his neighborhood were ignorant of these
+classes and names, and he could teach them. He enjoyed that so
+much.</p>
+
+<p>But was the spirit of the soil his friend? The plant that is cut
+down one year, yet grows again the next--did this miracle make him
+religious and silent? The stones, and the heather, and the branches
+of trees, and the grass, and the woods, and the wind, and the great
+heaven of all the universe--were these his friends?</p>
+
+<p><em>Artemis cotula</em>....</p>
+
+<h2 class="spaced">XII</h2>
+
+<p>When I get tired of Associate Master Höy and the ladies....
+Sometimes I think of Mrs. Molie. She sits sewing while the
+Associate Master gravely keeps her company; they talk about the
+servants at home whose only desire is to stay out all night. Mrs.
+Molie is a thin, flat-chested lady, but probably she has at one
+time been less plain; her bluish teeth look as though they were
+cold, as though they were made of ice, but perhaps a few years ago,
+her full lips and the dark down at the corners of her mouth seemed
+to her husband the most beautiful thing he knew. Her husband--well,
+he was a seafaring man, a ship's captain; he only came home on rare
+occasions, just often enough to increase the family; usually he was
+in Australia, China, or Mexico. It was hail and farewell with him.
+And here is his wife now for the sake of her health. I wonder--is
+it only for her health, or are she and the Associate Master
+possibly children of the same provincial town?</p>
+
+<p>When I get tired of Associate Master Höy and the ladies, I leave
+them and go out. And then I stay out all day long and nobody knows
+where I keep myself. It is fitting that a settled man should be
+different from the Associate Master, who is very far from being so
+settled. So I go out. It is a bright day with just the right amount
+of warmth, and my summer woods are filled with the fragrance of
+plants. I rest frequently, not because I need to, but because the
+ground is full of caresses. I go so far that no one can find me;
+only then am I released. No sound reaches me from farms or men, no
+one is in sight; only this overgrown little goat track, which is
+green at the edges and lovely. Only a bit of a goat track which
+looks as though it had fallen asleep in the woods, lying there so
+thin and lonely.</p>
+
+<p>You who read this feel nothing, but I who sit here writing feel
+a kind of sweetness at the memory of a mere track in the woods. It
+was like meeting a child.</p>
+
+<p>With my hands under my neck and my nose in the air, my eyes flit
+across the sky. High up above the peaks of Tore, a clustering mist
+sways in slow rhythm, breaks apart and presses close again,
+fluctuates and strains to give birth to something. But when I rise
+to walk on, the end is not yet in sight.</p>
+
+<p>I meet a line of ants, a procession of ants, busy travelers.
+They neither toil nor carry anything; they simply move. I retrace
+my steps to see if I can find their leader, but it is useless:
+farther and farther I retreat, I begin to run, but the procession
+is endless before and behind me. Perhaps they started a week ago.
+So I go on my way, and the other insects go on theirs.</p>
+
+<p>Surely this is not a mountainside I walk on; this is a bosom, an
+embrace, in its softness. I tread gently, for I do not wish to
+stamp or weigh it down, and I marvel: a mountain so tender and
+defenseless, indulgent like a mother. To think of an ant walking on
+this! Here and there lie stones, half-covered with moss, not
+because they have fallen there, but because this is their home, and
+they have lived here long. This is peerless.</p>
+
+<p>When I reach the top and look back, it is high noon. Far away on
+another peak walks one of the cows of the cotters, a strange little
+cow with red and white flanks. A crow sits on a high cliff above me
+and caws down at me in a voice like an iron rasp scraping against
+the stone. A warm thrill runs through me, and I feel, as I have
+done in the woods so many times before, that someone has just been
+here, and has stepped to one side. Someone is with me here, and a
+moment later I see his back disappearing into the woods. "It is
+God," I think. There I stand, neither speaking nor singing. I only
+see. I feel all my face being filled with the sight. "It was God,"
+I think.</p>
+
+<p>"A vision," you say. "No, a little insight into things," I
+reply. "Am I making a god of nature? Do not you? Have not the
+Mohammedans their god, the Jews theirs, the Hindus theirs? No one
+knows God, my friend; man knows only gods. And sometimes I meet
+mine."</p>
+
+<p>I go home by a different route, which forms a vast arc with the
+one I came by. The sun is warmer now and the ground less smooth. I
+reach a great ruin, the remnant of a landslide, and here, to amuse
+myself, I pretend to be tired, flinging myself on the ground
+exactly as though someone were watching me and saw how exhausted I
+am. It is only for my amusement, because my brain has been idle so
+long. The sky is clear everywhere; the clusters of mist over the
+Tore peaks are gone, heaven knows where, but they have stolen away.
+In their place, an eagle swings in great circles over the valley.
+Huge, black, and inaccessible, he traces ring after ring as though
+held on a rail in the air, moving with voluptuous languor, a
+thick-necked male, a winged stallion exulting. It is like music to
+watch him. At length he disappears behind the peaks.</p>
+
+<p>And here are only myself and the ruin and the little juniper
+trees. What miracles all things are! These stones in the ruin
+perhaps hold some meaning; they have lain here for thousands of
+years, but perhaps they, too, roam, and make an inexpressible
+journey. The glaciers move, the land rises, and the land falls;
+there is no hurry here. But since my consciousness cannot associate
+fact with such a conception, it grows blind with fury and revolts:
+The ruin cannot move; these are mere words, a game!</p>
+
+<p>This ruin is a town; here and there lie scattered buildings of
+stone. It's a peaceable gathering, without sensations or suicides,
+and perhaps a well-shaped soul sits in each of these stones. But
+heaven protect me just the same from the inhabitants of these
+towns! Rolling stones cannot bark, neither do they attract thieves;
+they are mere ballast. Quiet behavior: that is what I hold against
+them, that they make no fiery gestures; it would become them to
+roll a little, but there they lie, with even their sex unknown. But
+you saw the eagle instead! Be still....</p>
+
+<p>A gentle wind begins to blow, swaying the bracken a little, the
+flowers and the straw; but the straw cannot sway, it only
+trembles.</p>
+
+<p>I walk on along my great arc and come down by the first cotter's
+house.</p>
+
+<p>"Well, I expect you'll end up by building a summer resort too,"
+I tell him in the course of our conversation.</p>
+
+<p>"Oh, no; we couldn't venture on anything like that," he replies
+cunningly. In his heart I daresay he has no desire to, for he has
+seen what it leads to.</p>
+
+<p>I didn't like him; his eyes were fawning and rested on the
+ground. He thought of nothing but land; he was land-greedy, like an
+animal that sought to escape its padlock. The other cotter had
+bought a slightly larger piece of land than he, a marsh that would
+feed one cow more; but he himself had only got this bit of a field.
+Still, this would amount to something, too, as long as he kept his
+health to work it.</p>
+
+<p>He gripped his spade again.</p>
+
+<h2 class="spaced">XIII</h2>
+
+<p>Solem was being discussed at dinner; I don't know who began it,
+but some of the ladies thought he was good-looking, and they nodded
+and said, Yes, he was the right sort.</p>
+
+<p>"What do you mean by the right sort?" Associate Master Höy
+asked, looking up from his plate.</p>
+
+<p>No one answered.</p>
+
+<p>Then Associate Master Höy could not help smiling broadly, and
+said:</p>
+
+<p>"Well, well! I must have a look at this Solem some time. I've
+never paid any attention to him."</p>
+
+<p>Associate Master Höy might look at Solem all he pleased; he
+would grow no bigger for that, nor Solem smaller. The good Mr. Höy
+was annoyed, and that was the truth. It is catching for a woman to
+discover that a man is "the right sort"; the other women grow
+curious, and stick their noses into it: "So-o-o, is he?" And a few
+days later the whole flock of them are of one opinion: "Yes,
+indeed, he's the right sort!"</p>
+
+<p>Pity the poor, left-over associate masters then!</p>
+
+<p>Poor Mr. Höy; there was Mrs. Molie, too, nodding her head for
+Solem. To tell the truth, she had no appearance of knowing much
+about the matter, but she could not lag behind the others.</p>
+
+<p>"So, Mrs. Molie is nodding, too!" said Mr. Höy, and smiled
+again. He was intensely annoyed. Mrs. Molie turned pink and
+pretty.</p>
+
+<p>At the next meal, Mr. Höy could contain himself no longer.</p>
+
+<p>"Ladies," he said, "mine eyes have now beheld Master Solem."</p>
+
+<p>"Well?"</p>
+
+<p>"Common sneak-thief!"</p>
+
+<p>"Oh, shame!"</p>
+
+<p>"You must admit he has a brazen look on his face. No beard. Blue
+chin, a perfect horse-face...."</p>
+
+<p>"There's no harm in that," said Mrs. Molie.</p>
+
+<p>Mrs. Molie doesn't seem to have gone quite out of circulation
+after all, I thought. In fact, she had lately been developing quite
+a little cushion over her chest, and no longer looked so hunched
+up. She had eaten well and slept well, and improved at this resort.
+Mrs. Molie, I suspect, still has plenty of life left in her.</p>
+
+<p>This proved true a few days later. Once again: poor Associate
+Master Höy! For now we had a new visitor at the farm, a gay dog of
+a lawyer, and he talked more to Mrs. Molie than to anyone else. Had
+there been anything between her and Mr. Höy? True, he was not much
+to look at, but then neither was she.</p>
+
+<p>The young lawyer was a sportsman, yet he was learned in the
+social sciences, too, had been in Switzerland and studied the
+principle of the referendum. At first he had worked a few years in
+an architect's office, he told us, but then he had changed to the
+law instead, which in its turn had led him into social problems. No
+doubt he was a rich and unselfish man to be able to change his
+vocation and to travel in this way. "Ah, Switzerland!" he said, and
+his eyes watered. None of us could understand his fervor.</p>
+
+<p>"Yes, it must be a wonderful country," Mrs. Molie said.</p>
+
+<p>The Associate Master looked ready to burst, and was quite
+incapable of restraining himself.</p>
+
+<p>Speaking of Solem, he said suddenly, "I've changed my mind about
+him lately. He's ten times better than many another."</p>
+
+<p>"There, you see!"</p>
+
+<p>"Yes, he is. And he doesn't pretend to be anything more than he
+is. And what he is, is of some use. I saw him slaughter the lame
+goat."</p>
+
+<p>"Did you stop to watch that?"</p>
+
+<p>"I happened to be passing. It was the work of a moment for him.
+And later I saw him in the woodshed. He knows his job, that fellow.
+I can well understand that the ladies see something in him."</p>
+
+<p>How the Associate Master clowned! He finished by imploring the
+wife of the captain who was sailing the China seas to be sure and
+remain faithful to her Chinaman.</p>
+
+<p>"Do be quiet and let the lawyer tell us about Switzerland," said
+Mrs. Molie.</p>
+
+<p>Witch! Did she want to drive her fellow-being the Associate
+Master into jumping off the highest peak of the Tore tonight?</p>
+
+<p>But then Mrs. Brede took a hand. She understood Mr. Höy's
+torment and wanted to help him. Had not this same Mr. Höy just
+expressed himself kindly about Solem, and was not Solem the lad who
+one fine evening had caused her to tear down her window blind?
+There is cause and effect in all things.</p>
+
+<p>"Switzerland," said Mrs. Brede in her gentle fashion, and then
+she reddened and laughed a little. "I don't know anything about
+Switzerland; but once I bought some dress material that was Swiss,
+and I've never in my life been so cheated."</p>
+
+<p>The lawyer only smiled at this.</p>
+
+<p>Schoolmistress Johnsen talked about what she had learned,
+watchmakers and the Alps and Calvin--</p>
+
+<p>"Yes, those are the only three things in a thousand years," said
+the Associate Master, his face quite altered and pale with
+suppressed rage.</p>
+
+<p>"Really, really, Associate Höy!" exclaimed Schoolmistress Palm
+with a smile.</p>
+
+<p>But the lawyer focused everyone's admiration on himself by
+telling them all about Switzerland, that wonderful country, that
+model for all small countries of the world. What social conditions,
+what a referendum, what planning in the exploitation of the
+country's natural wonders! There they had sanatoriums; there they
+knew how to deal with tourists! Tremendous!</p>
+
+<p>"Yes, and what Swiss cheese," said the Associate Master. "It
+smells like tourists' feet."</p>
+
+<p>Dead silence. So Associate Master Höy was prepared to go to such
+lengths!</p>
+
+<p>"Well, what about Norwegian old-milk cheese?" said a Danish
+voice mildly.</p>
+
+<p>"Yes, that's filthy stuff, too," Mr. Höy replied. "Just the
+thing for Schoolmaster Staur pontificating in his armchair."</p>
+
+<p>Laughter.</p>
+
+<p>Since matters were now smoothed over again, the lawyer could
+safely continue:</p>
+
+<p>"If we could only make such Swiss cheese here," he said, "we
+should not be so poor. Generally speaking, I found after my modest
+investigations in that country that they are ahead of us in every
+respect. We have everything to learn from them: their frugality,
+their diligence, their long working hours, the small home
+industries--"</p>
+
+<p>"And so on," interrupted Associate Master Höy. "All trifles,
+nothingness, negativity! A country that exists thanks only to the
+mercy of its neighbors ought not to be a model for any other
+country on earth. We must try to rise above the wretched stench of
+it, which only makes us ill. The big countries and big
+circumstances should be our model. Everything grows, even the small
+things, unless they're predestined to a Lilliput existence. A child
+can learn from another child, of course, but the model is the
+adult. Some day the child will be an adult itself. A pretty state
+of affairs it would be if an eternal child, a born pygmy, were to
+be its model! But that's what all this rubbish about Switzerland
+really amounts to. Why on earth should we, of all people, take the
+smallest and meanest country as our model? Things are small enough
+here anyhow. Switzerland is the serf of Europe. Have you ever heard
+of a young South American country of Norway's size trying to be on
+a level with Switzerland? Why do you think Sweden is taking such
+great strides forward now? Not because it looks to Switzerland, or
+to Norway, but to Germany! Honor to Sweden for that! But what about
+us? We don't want to be a piddling little nation stuck up in our
+mountains, a nation that brings forth peace conferences,
+ski-runners, and an Ibsen once every thousand years; we have
+potentialities for a thousand times more--"</p>
+
+<p>The lawyer had for some time been holding up his hand to
+indicate that he wanted to reply; now he shouted at the top of his
+voice:</p>
+
+<p>"Just a moment!"</p>
+
+<p>The Associate Master stopped.</p>
+
+<p>"Just one question--a small, trifling question," said the
+lawyer, preparing his ground well. "Have you ever once set foot in
+the country you speak of?"</p>
+
+<p>"I should think I have," replied the Associate Master.</p>
+
+<p>There! The lawyer got nothing for his trifling question. And
+then it all came out what a heartless jilt Mrs. Molie was. She had
+known all the time that Mr. Höy had been on a traveling scholarship
+in Switzerland, but she had never mentioned it. What a snake in the
+grass! She had even encouraged the lawyer, but no one else, to talk
+about Switzerland.</p>
+
+<p>"Oh, yes, of course Associate Master Höy has been in
+Switzerland" she said, as though to clinch the matter.</p>
+
+<p>"In that case, the Associate Master and I have looked on the
+country with different eyes; that's all," said the lawyer, suddenly
+anxious to end the controversy.</p>
+
+<p>"They haven't even folk tales there," said the Associate Master,
+who seemed unable to stop. "There they sit, generation after
+generation, filing watch springs and piloting Englishmen up their
+mountains. But it's a country without folk music or folk tales. I
+suppose you think we ought to work hard to resemble the Swiss in
+that, too?"</p>
+
+<p>"What about William Tell?" asked Miss Johnsen.</p>
+
+<p>Several of the ladies nodded, or at any rate Miss Palm did.</p>
+
+<p>At this point Mrs. Molie turned her head and looked out of the
+window as she said:</p>
+
+<p>"You really had a very different opinion about Switzerland
+before, Mr. Associate Master."</p>
+
+<p>This was a hit below the belt. He wanted to reply, wanted to
+annihilate her, but he restrained himself and remained silent.</p>
+
+<p>"Don't you remember?" she asked, goading him.</p>
+
+<p>"No," he replied. "You mistook my meaning. Really, I can't
+understand it, I usually make myself quite clear; after all, I'm
+accustomed to explaining to children."</p>
+
+<p>Another foul. Mrs. Molie said no more, merely smiling
+patiently.</p>
+
+<p>"I can only say that my opinion is diametrically opposed to
+yours," the lawyer repeated. "But I did think," he went on, "that
+this was one thing I knew something about, however...."</p>
+
+<p>Mrs. Molie got up and went out with her head bent, seemingly on
+the point of bursting into tears. The Associate Master sat still
+for a moment, and then followed her, whistling and putting on as
+brave a manner as though he felt quite easy in his mind.</p>
+
+<p>"What's your opinion?" asked Mrs. Brede, turning to the doyen of
+the company, namely myself.</p>
+
+<p>And as becomes a man of settled years, I replied:</p>
+
+<p>"Probably there has been a little exaggeration on both
+sides."</p>
+
+<p>Everybody agreed with this. But I could never have acted as a
+mediator, for I thought the Associate Master was right. In one's
+early seventies, one still has many pathetically young ideas.</p>
+
+<p>The lawyer rounded off the discussion thus:</p>
+
+<p>"Well, when all's said and done we have Switzerland to thank for
+being able to sit here at our ease in this comfortable mountain
+resort. We get tourists into the country on the Swiss model, and
+earn money and pay off our debts. Ask this man if he would have
+been willing to do without all we have learned from
+Switzerland...."</p>
+
+<p>That evening Mrs. Brede asked,</p>
+
+<p>"Why did you make Mr. Höy look so unreasonable today, Mrs.
+Molie?"</p>
+
+<p>"I?" said Mrs., Molie innocently. "Well, really--!"</p>
+
+<p>As a matter of fact, it seemed as though Mrs. Molie had really
+been innocent, for the very next morning she and the Associate
+Master set off up the fjeld together in a very gay mood, and
+remained away till midday. If they had the matter out between them,
+then no doubt the lady spoke to her much-tried friend as
+follows:</p>
+
+<p>"Surely you can see I'm not interested in that lawyer-person!
+What an idea! I only drew him out so you'd have the chance to give
+him a good dressing down--don't you understand that? Really, you're
+the silliest, sweetest--come here, let me kiss you...."</p>
+
+<h2 class="spaced">XIV</h2>
+
+<p>Since the departure of the great caravan, there have been no
+other visitors. Some of us cannot understand it; others have in a
+manner of speaking got a whiff of what is wrong; but all of us
+still believe there will be more visitors, because after all we're
+the only ones that have the Tore peaks!</p>
+
+<p>But no one appears.</p>
+
+<p>The women of the house do their daily work for the inmates and
+do not complain, but they are not happy. Paul still takes things
+quietly; he sleeps a great deal in his room behind the kitchen, but
+once or twice I have seen him walking away from the house at night,
+walking in deep thought toward the woods.</p>
+
+<p>From the neighboring valley comes the rumor that the motor
+traffic has started there now. So this is the explanation of the
+quiet in our valley! Then one day a Dane came down to us from the
+fjeld. He had climbed the Tore peaks from the other side, something
+that had been thought impossible till now. He had simply driven in
+a car to the foot of the mountains and walked across!</p>
+
+<p>So we no longer had the Tore peaks to ourselves, either.</p>
+
+<p>I wonder whether, after all, Paul is not going to try to sow
+green-fodder in the long strip of land down by the river. That, at
+any rate, had been his original intention, but then came the great
+caravan, and he neglected it. Now, of course, the season is too far
+advanced for sowing, and there will be nothing but docks and
+chickweed. Could not the field be turfed, at least, and sown? Why
+didn't Paul think of such things instead of walking the woods at
+night?</p>
+
+<p>But Paul has many thoughts. At an early age, his interest in
+farming was diverted to the tourist traffic, and there it has
+remained. He hears that our lawyer is also an architect and asks
+him to draw a plan for the big new house with the six rooms, the
+hall and the bathroom. Paul has already ordered the log chairs and
+the reindeer horns for the hall.</p>
+
+<p>"If you weren't alone up here, you might have got some of the
+cars coming here too," said the lawyer.</p>
+
+<p>"I've thought of that," Paul replied. "It's not impossible I can
+do something about it. But I must have the house first. And I must
+have a road."</p>
+
+<p>The lawyer promised to draw a plan of the house, and went round
+to look at the site. The house was to cost such and such a sum.
+Paul was already quite convinced that three or four good tourist
+summers would pay it off.</p>
+
+<p>Paul was not worrying. As we looked over the site together, I
+discovered that he smelled of brandy.</p>
+
+<p>Finally a small party of Norwegians and foreigners arrived,
+travelers who were out to walk, and not to drive in cars.
+Everyone's spirits rose; the strangers stayed a few days and
+nights, and were guided across the fjeld by Solem, who earned a
+fair penny. Paul, too, was visibly cheered, and strolled about the
+farm in his Sunday clothes. He had a few things to discuss with the
+lawyer about the house.</p>
+
+<p>"If there's anything to consult about, we had better do it now,"
+he said. "I shall be away for a couple of days."</p>
+
+<p>So they attended to a few minor matters.</p>
+
+<p>"Are you going to town?" asked the lawyer.</p>
+
+<p>"No," Paul replied; "only down to the village. I want to see if
+I can get the people there to co-operate on a few ideas of mine: a
+telephone and automobile service and so on."</p>
+
+<p>"Good luck!" said the lawyer.</p>
+
+<p>So the lawyer sat drafting plans while the rest of us went about
+our own affairs. Josephine went to Solem and said:</p>
+
+<p>"Will you go and sow the field by the river?"</p>
+
+<p>"Has Paul said so?" he asked.</p>
+
+<p>"Yes," she replied.</p>
+
+<p>Solem went very unwillingly. While he was drawing the harrow,
+Josephine went down to him and said:</p>
+
+<p>"Harrow it once more."</p>
+
+<p>What a brisk little thing she was, with far more forethought
+than the men! She looked bewitching, for all her hard work. I have
+seen her many times with her hair tumbled, but it didn't matter.
+And when she pretended that none but the maids milked the goats and
+did outside work, it was for the good name of the house. She had
+learned to play the piano for the same reason. The mistress of the
+house helped her nobly, for both women were thoughtful and
+industrious, but Josephine was everywhere, for she was light as a
+feather. And the chaste little hands she had!</p>
+
+<p>"Josephine, Joséfriendly!" I called her wittily.</p>
+
+<h2 class="spaced">XV</h2>
+
+<p>Our dark beauty, Miss Torsen, was now seriously considering
+taking her departure. She was healthy enough in any case, so she
+did not need a stay in the mountains on that account, and if she
+was bored, why should she stay?</p>
+
+<p>But a minor event caused her to stay.</p>
+
+<p>In their lack of occupation, the ladies at the resort began to
+cultivate Solem. They ate so much and grew so fat and healthy that
+they felt a need to busy themselves with something, and to find
+someone to make a fuss over. And here was the lad Solem. They got
+into the habit of telling one another what Solem had said and what
+Solem believed, and they all listened with great interest. Solem
+himself had grown spoiled, and joked disrespectfully with the
+ladies; he called himself a great chap, and once he had even
+bragged in a most improper way, saying:</p>
+
+<p>"Look, here's a sinful devil for you!"</p>
+
+<p>"Do you know what Solem said to me?" asked Miss Palm. "He's
+chopping wood and he's got a bandage on his finger, and it keeps
+getting caught in the wood and bothers him, poor fellow. So he
+said: 'I wish I had time to stop so I could chop this blasted
+finger right off my hand!'"</p>
+
+<p>"Tough, isn't he?" said the other ladies. "He's quite capable of
+doing it, too!"</p>
+
+<p>A little later I passed the woodshed and saw Mrs. Brede there,
+tying a fresh bandage on Solem's finger.... Poor lady! She was
+chaste, but young.</p>
+
+<p>The days have been oppressively warm for some time now, with the
+heat coming down in waves from the mountain and robbing us of all
+our strength. But in the evenings we recovered somewhat, and busied
+ourselves in various ways: some of us wrote letters or played
+forfeit games in the garden, while others were so far restored that
+they went for a walk "to look at nature."</p>
+
+<p>Last Sunday evening I stood talking to Solem outside his room.
+He had on his Sunday clothes, and seemed to have no intention of
+going to bed.</p>
+
+<p>Miss Torsen came by, stopped, and said:</p>
+
+<p>"I hear you're going for a walk with Mrs. Brede?"</p>
+
+<p>Solem removed his cap, which left a red ring round his
+forehead.</p>
+
+<p>"Who, me?" he said. "Well, maybe she said something about it.
+There was a path through the woods she wanted me to show her, she
+said."</p>
+
+<p>Miss Torsen was filled with madness now; handsome and desperate,
+she paced back and forth; you could almost see the sparks flying.
+Her red felt hat was held on the back of her head by a pin, the
+brim turned up high in front. Her throat was bare, her frock thin,
+her shoes light.</p>
+
+<p>It was extraordinary to watch her behavior; she had opened a
+window onto her secret desires. What cared she for Tradesman Batt!
+Had she not toiled through her youth and gained school knowledge?
+But no reality! Poor Miss Torsen. Solem must not show a path to any
+other lady tonight.</p>
+
+<p>As nothing more was said, and Solem was preparing to depart,
+Miss Torsen cleared her throat.</p>
+
+<p>"Come with me instead!" she said.</p>
+
+<p>Solem looked round quickly and said, "All right."</p>
+
+<p>So I left them; I whistled as I walked away with exaggerated
+indifference, as though nothing on earth were any concern of
+mine.</p>
+
+<p>"Come with me instead," she said. And he went. They were already
+behind the outhouses, then behind the two great rowan trees; they
+hurried lest Mrs. Brede should see them. Then they were gone.</p>
+
+<p>A door wide open, but where did it lead? I saw no sweetness in
+her, nothing but excitement. She had learned grammar, but no
+language; her soul was undernourished. A true woman would have
+married; she would have been a man's wife, she would have been a
+mother, she would have been a benediction to herself. Why pounce on
+a pleasure merely to prevent others from having it? And she so tall
+and handsome!</p>
+
+<p>The dog stands growling over a bone. He waits till another dog
+approaches. Then suddenly he is overcome with gluttony, pounces on
+the bone and crushes it between his teeth. Because the other dog is
+approaching.</p>
+
+<p>It seemed as though this small event had to happen before my
+mind was ready for the night. I awoke in the dark and felt within
+me the nursery rhyme I had dawdled over so long: four rollicking
+verses about the juniper tree.</p>
+
+<p class="poetry">&nbsp;&nbsp;To the top of the steepest
+mountains,<br>
+ &nbsp;&nbsp;where the little juniper stands,<br>
+ &nbsp;&nbsp;no other tree can follow<br>
+ &nbsp;&nbsp;from all the forest lands.<br>
+ &nbsp;&nbsp;Halfway to the hilltop<br>
+ &nbsp;&nbsp;the shivering pine catches hold;<br>
+ &nbsp;&nbsp;the birch has actually passed him,<br>
+ &nbsp;&nbsp;though sneezing with a cold.<br>
+ &nbsp;&nbsp;But a little shrub outstrips them,<br>
+ &nbsp;&nbsp;a sturdy fellow he,<br>
+ &nbsp;&nbsp;and stands quite close to the summit,<br>
+ &nbsp;&nbsp;though he measures barely a yard.<br>
+ &nbsp;&nbsp;They look like a train from the valley below<br>
+ &nbsp;&nbsp;with the shortest one for the guard.<br>
+ &nbsp;&nbsp;Or else perhaps he's a coachman now--<br>
+ &nbsp;&nbsp;why, it's only a juniper tree.<br>
+</p>
+
+<p class="poetry">&nbsp;&nbsp;Down dale there's summer
+lightning,<br>
+ &nbsp;&nbsp;green leaves and St. John's feast,<br>
+ &nbsp;&nbsp;with songs and games of children,<br>
+ &nbsp;&nbsp;and a dozen dances at least.<br>
+ &nbsp;&nbsp;But high on the empty mountain<br>
+ &nbsp;&nbsp;stands a shrub in lonely glory,<br>
+ &nbsp;&nbsp;with only the trolls that prowl about,<br>
+ &nbsp;&nbsp;just like in a story.<br>
+ &nbsp;&nbsp;The wind with the juniper's forelock<br>
+ &nbsp;&nbsp;is making very free;<br>
+ &nbsp;&nbsp;it sweeps across the world beneath<br>
+ &nbsp;&nbsp;that lies there helpless and bare,<br>
+ &nbsp;&nbsp;but the air on the heights is fresher<br>
+ &nbsp;&nbsp;than you'll ever find it elsewhere.<br>
+ &nbsp;&nbsp;None can see so far around<br>
+ &nbsp;&nbsp;as such a juniper tree.<br>
+</p>
+
+<p class="poetry">&nbsp;&nbsp;There hovers over the mountain<br>
+ &nbsp;&nbsp;for a moment summer's breath;<br>
+ &nbsp;&nbsp;at once eternal winter<br>
+ &nbsp;&nbsp;brings back his companion, death.<br>
+ &nbsp;&nbsp;Yet sturdy stands the juniper<br>
+ &nbsp;&nbsp;with needles ever green.<br>
+ &nbsp;&nbsp;I wonder how the little chap<br>
+ &nbsp;&nbsp;can bear a life so lean.<br>
+ &nbsp;&nbsp;He's hard as bone and gristle,<br>
+ &nbsp;&nbsp;as anyone can see;<br>
+ &nbsp;&nbsp;when every other tree is stripped,<br>
+ &nbsp;&nbsp;his berries are scarlet and sleek,<br>
+ &nbsp;&nbsp;and every berry's plainly marked<br>
+ &nbsp;&nbsp;with a cross upon its cheek.<br>
+ &nbsp;&nbsp;So now we know what he looks like too,<br>
+ &nbsp;&nbsp;this jolly juniper tree.<br>
+</p>
+
+<p class="poetry">&nbsp;&nbsp;At times I think he sings to
+himself<br>
+ &nbsp;&nbsp;a cheerful little song:<br>
+ &nbsp;&nbsp;"I've got a bright blue heaven<br>
+ &nbsp;&nbsp;to look at all day long!"<br>
+ &nbsp;&nbsp;Sometimes to his juniper brothers<br>
+ &nbsp;&nbsp;he calls that they need not fear<br>
+ &nbsp;&nbsp;the trolls that are prowling and peering<br>
+ &nbsp;&nbsp;about them far and near.<br>
+ &nbsp;&nbsp;Gently the winter evening<br>
+ &nbsp;&nbsp;falls over the copse on the height,<br>
+ &nbsp;&nbsp;and a thousand stars and candles<br>
+ &nbsp;&nbsp;are lit in the plains of the sky.<br>
+ &nbsp;&nbsp;The juniper trees grow weary<br>
+ &nbsp;&nbsp;and nod their heads on the sly;<br>
+ &nbsp;&nbsp;before we know it they're fast asleep,<br>
+ &nbsp;&nbsp;so we say: "Good night, good night!"<br>
+</p>
+
+<p>I got up and wrote out these rhymes on a sheet of paper, which I
+sent to a little girl, a child with whom I had walked much in the
+country, and she learned them at once. Then I read them to Mrs.
+Brede's little girls, who stood still like two bluebells,
+listening. Then they tore the paper out of my hand and ran to their
+mother with it. They loved their mother very much. And she loved
+them too; they had the most delightful fun together at bedtime.</p>
+
+<p>Brave Mrs. Brede with her children! She might have committed a
+madness, but could not find it in her heart to do so. Yet did
+anyone prize her for that? Who? Her husband?</p>
+
+<p>A man should take his wife to Iceland with him. Or risk the
+consequences of her being left behind for endless days.</p>
+
+<h2 class="spaced">XVI</h2>
+
+<p>Miss Torsen no longer talks about leaving. Not that she looks
+very happy about staying, either; but Miss Torsen is altogether too
+restless and strange to be contented with anything.</p>
+
+<p>Naturally she caught cold after that evening in the woods with
+Solem, and stayed in bed with a headache next day; when she got up
+again, she was quite all right.</p>
+
+<p>Was she? Why was her throat so blue under the chin, as though
+someone had seized her by it?</p>
+
+<p>She never went near Solem any more, and behaved as though he
+were nonexistent. Apparently there had been a struggle in the woods
+that had made her blue under the chin, and they were friends no
+longer! It was like her to want nothing real, nothing but the
+sensation, nothing but the triumph. Solem had not understood that,
+and had flown into a passion. Had it been thus?</p>
+
+<p>Yes, there was no doubt that Solem had been cheated. He was more
+direct and lacked subtlety; he made allusions, and said things like
+"Oh, yes, that Miss Torsen, she's a fine one; I'll bet she's as
+strong as a man!"</p>
+
+<p>And then he laughed, but with repressed fury. He followed her
+with gross eyes wherever she went, and in order to assert himself
+and seem indifferent, he would sing a song of the linesman's life
+whenever she was about. But he might have saved himself the
+trouble. Miss Torsen was stone-deaf to his songs.</p>
+
+<p>And now it seemed she was going to stay at the resort out of
+sheer defiance. We enjoyed her company no more than we had done
+before, but she began to make herself agreeable to the lawyer,
+sitting by his work table in the living room as he drew plans of
+houses. Such is the perverse idleness of summer resorts.</p>
+
+<hr>
+<p>So the days pass; they hold no further novelty for me, and I
+begin to weary of them. Now and then comes a stranger who is going
+across the fjeld, but things are no longer, I am told, as they were
+in other years, when visitors came in droves. And things will not
+improve until we, too, get roads and cars.</p>
+
+<p>I have not troubled to mention it before this, but the
+neighboring valley is called Stordalen (Great Valley), while ours
+is only called Reisa after the river: the whole of the Reisa
+district is no more than an appendage. Stordalen has all the
+advantages, even the name. But Paul, our host, calls the
+neighboring valley Little Valley, because, says Paul, the people
+there are so petty and avaricious.</p>
+
+<p>Poor Paul! He has returned from his tour to the village as
+hopeless as he went, and hopelessly drunk besides. For more than a
+day, he stayed in his room without once emerging. When he
+reappeared at last, he was aloof and reserved, pretending he had
+been very successful during his absence; he should manage about the
+cars, never fear! In the evening, after he had had a few more
+drinks, he became self-important in a different way: oh, those
+fools in the village had no sense of any kind, and had refused to
+give their consent to a road to his place. He was the only one with
+any sense. Would not such a bit of a road be a blessing to the
+whole appendage? Because then the caravans would come, scattering
+money over the valley. They understood nothing, those fools!</p>
+
+<p>"But sooner or later there will have to be a road here," said
+the lawyer.</p>
+
+<p>"Of course," replied Paul with finality.</p>
+
+<p>Then he went to his room and lay down again.</p>
+
+<p>On another day, a small flock of strangers came again; they had
+toiled up themselves, carrying their luggage in the hot sun, and
+now they wanted some help. Solem was ready at once, but he could
+not possibly carry all the bags and knapsacks; Paul was lying down
+in his room. I had seen Paul again during the night go out to the
+woods, talking loudly and flinging his arms about as though he had
+company.</p>
+
+<p>And here were all the strangers.</p>
+
+<p>Paul's wife and Josephine came out of the house and sent Solem
+across to Einar, the first cotter, to ask if he would come and help
+them carry. In the meantime the travelers grew impatient and kept
+looking at their watches, for if they could not cross the Tore
+fjeld before nightfall, they would have to spend the night
+outdoors. One of them suggested to the others that perhaps this
+delay was intentional. The owner of the place probably wanted them
+to spend the night there; they began to grumble among themselves,
+and at last they asked:</p>
+
+<p>"Where is the master, the host?"</p>
+
+<p>"He's ill," said Josephine.</p>
+
+<p>Solem returned and said:</p>
+
+<p>"Einar hasn't time to come; he's lifting his potatoes."</p>
+
+<p>A pause.</p>
+
+<p>Then Josephine said:</p>
+
+<p>"I've got to go across the fjeld anyhow--wait a minute!"</p>
+
+<p>She was gone for a moment, then returned, loaded the bags and
+knapsacks on her little back, and trotted off. The others
+followed.</p>
+
+<p>I caught up with Josephine and took her burden from her. But I
+would not allow her to turn back, for this little tour away from
+the house would do her good. We walked together and talked on the
+way: she had really no complaints, she said, for she had a tidy sum
+of money saved up.</p>
+
+<p>When we reached the top of the fjeld, Josephine wanted to turn
+back. She thought it a waste of time to walk by my side, with
+nothing to do but walk.</p>
+
+<p>"I thought you had to cross the fjeld anyhow?" I said.</p>
+
+<p>She was too shrewd to deny it outright, for in that case she,
+the daughter of the old man at the Tore Peak farm, would have been
+going with the tourists solely to carry their luggage.</p>
+
+<p>"Yes, but there's no hurry. I was to have visited someone, but
+that can wait till the winter."</p>
+
+<p>We stood arguing about this, and I was so stubborn that I
+threatened to throw all the luggage down the mountainside, and then
+she would see!</p>
+
+<p>"Then I'll just take them and carry them myself," replied
+Josephine, "and then <em>you'll</em> see!"</p>
+
+<p>By this time the others had caught up with us, and before I knew
+what had happened, one of the strangers had come forward and lifted
+the burden from my back, taken off his cap with a great deal of
+ceremony, and told me his own and his companions' names. I must
+excuse them, I really must forgive them; this was too bad, he had
+been so unobserving....</p>
+
+<p>I told him I could easily have carried him as well as the bags.
+It is not strength I lack; but day and night I carry about with me
+the ape of all the diseases, who is heavy as lead. Ah, well, many
+another groans under a burden of stupidity, which is little better.
+We all have our cross to bear....</p>
+
+<p>Then Josephine and I turned homeward again.</p>
+
+<hr>
+<p>Yes, indeed, people treat me with uncontrollable politeness;
+this is because of my age. People are indulgent toward me when I am
+troublesome to others, when I am eccentric, when I have a screw
+loose; people forgive me because my hair is gray. You who live by
+your compass will say that I am respected for the writing I have
+been doing all these years. But if that were so, I should have had
+respect in my young days when I deserved it, not now when I no
+longer deserve it so well. No one--no one in the world--can be
+expected to write after fifty nearly so well as before, and only
+the fools or the self-interested pretend to improve after that
+age.</p>
+
+<p>Now it is a fact that I have been practicing a most distinctive
+authorship, better than most; I know that very well. But this is
+due, not so much to my endeavors, as to the fact that I was born
+with this ability.</p>
+
+<p>I have made a test of this, and I know it is true. I have
+thought to myself: "Suppose someone else had said this!" Well, no
+doubt others have said it sometimes, but that has not hurt me. I
+have gone even further than this: I have intentionally exposed
+myself to direct contempt from other literary men, and this has not
+hurt me either. So I am sure of my ground. On the other hand, my
+way of life has lent me an inner distinction for which I have a
+right to demand respect, because it is the fruit of my own
+endeavors. You cannot make me out a small man without lying. Yet
+one can endure even such a lie if one has character.</p>
+
+<p>You may quote Carlyle against me--how authors are misjudged!--
+"<em>Considering what book-writers do in the world, and what the
+world does with book-writers, I should say it is the most anomalous
+thing the world at present has to show</em>." You may quote many
+others as well; they will assert that a great to-do is made over me
+for my authorship as well as my native ability, and my struggle to
+hammer this ability into a useful shape. And I say only what is the
+truth, that most of the fuss is made because I have reached an age
+in which my years are revered.</p>
+
+<p>And that is what seems to me so wrong; it is a custom which
+makes it easy to hold down the gifted young in a most hostile and
+arrogant fashion. Old age should not be honored for its own sake;
+it does nothing but halt and delay the march of man. The primitive
+races, indeed, have no respect for old age, and rid themselves
+unhesitatingly of it and of its defects. A long time ago I deserved
+honor much more, and valued it; now, in more than one sense, I am a
+richer man and can afford to do without.</p>
+
+<p>Yet now I have it. If I enter a room, respectful silence falls.
+"How old he's grown!" everyone present thinks. And they all remain
+silent so that I may speak memorable words in that room. Amazing
+nonsense!</p>
+
+<p>The noise should raise the roof when I enter: "Welcome, old
+fellow and old companion; for pity's sake don't say anything
+memorable to us--you should have done that when you were better
+able to. Sit down, old chap, and keep us company. But don't let
+your old age cast a shadow on us, and don't restrain us; you have
+had your day--now it's our turn...."</p>
+
+<p>This is honest speech.</p>
+
+<p>In peasant homes they still have the right instinct: the mothers
+preserve their daughters, the fathers their sons, from the rough,
+unpleasant labors. A proper mother lets her daughter sew while she
+herself works among the cattle. And the daughter will do the same
+with her own daughter. It is her instinct.</p>
+
+<h2 class="spaced">XVII</h2>
+
+<p>Dear me, these human beings grow duller every day, and I see
+nothing in them that I have not known before. So I sink to the
+level of watching Solem's increasing passion for Miss Torsen. But
+that too is familiar and dull.</p>
+
+<p>Solem, after all the attention the ladies have paid him, has a
+delusion of greatness; he buys clothes and gilt watch chains for
+the money he earns, and on Sundays wears a white woolen pullover,
+though it is very warm; round his neck and over his chest lies a
+costly silk tie tied in a sailor's knot. No one else is so smart as
+he, as he well knows; he sings as he crosses the farmyard, and
+considers no one too good for him now. Josephine objects to his
+loud singing, but Solem lad has grown so indispensable at the
+resort that he no longer obeys all orders. He has his own will in
+many things, and sometimes Paul himself takes a glass in his
+company.</p>
+
+<p>Miss Torsen appears to have settled down. She is very busy with
+the lawyer, and makes him explain each and every angle he draws in
+his plans. Quite right of her, too, for undeniably the lawyer is
+the right man for her, a wit and a sportsman, well-to-do, rather
+simple-minded, strong-necked. At first Mrs. Molie seemed unable to
+reconcile herself to the constant companionship of these two in the
+living room, and she frequently had some errand that took her
+there; what was she after, Mrs. Molie, of the ice-blue teeth?</p>
+
+<p>At last the lawyer finished his plans and was able to deliver
+them. He began to speak again about a certain peak of the Tore
+range which no one had yet climbed, and was therefore waiting to be
+conquered by him. Miss Torsen objected to this plan, and as she
+grew to know him better, begged him most earnestly not to undertake
+such a mad climb. So he promised with a smile to obey her wishes.
+They were in such tender agreement, these two!</p>
+
+<p>But the blue peak still haunted the lawyer's mind; he pointed it
+out to his lady, and smacked his lips, his eyes watering again.</p>
+
+<p>"Gracious, it makes me dizzy just to look at it!" she said.</p>
+
+<p>So the lawyer put his arm round her to steady her.</p>
+
+<p>The sight was painful to Solem, whose eyes were continually on
+the pair. One day as we left the luncheon table, he approached Miss
+Torsen and said:</p>
+
+<p>"I know another path; would you like to see it tonight?"</p>
+
+<p>The lady was confused and a little embarrassed, and said at
+length:</p>
+
+<p>"A path? No, thank you."</p>
+
+<p>She turned to the lawyer, and as they walked away together, she
+said:</p>
+
+<p>"I never heard of such brazenness!"</p>
+
+<p>"What got into him?" said the lawyer.</p>
+
+<p>Solem went away, his teeth gleaming in a sneer.</p>
+
+<p>That evening, Solem repeated the performance. He went up to Miss
+Torsen again and said:</p>
+
+<p>"What about that path? Shall we go now?"</p>
+
+<p>As soon as she saw him coming, she turned quickly and tried to
+elude him. But Solem did not hesitate to follow her.</p>
+
+<p>"Now I've just got one thing to say," she said, stopping. "If
+you're insolent to me again, I'll see that you're driven off the
+farm...."</p>
+
+<p>But it was not easy to drive Solem off the farm. After all, he
+was guide and porter to the tourists, and the only permanent
+laborer on the farm as well. And soon the hay would have to be
+brought in, and casual laborers would be engaged to work under him.
+No, Solem could not be driven off. Besides, the other ladies were
+on his side; the mighty Mrs. Brede alone could save him by a word.
+She held the Tore Peak resort in the palm of her hand.</p>
+
+<p>Solem was not discharged; but he held himself in check and
+became a little more civil. He seemed to suffer as much as ever.
+Once at midday, as he was standing in the woodshed, I saw him make
+a scratch with the ax across the nail of his thumb.</p>
+
+<p>"What on earth are you doing?" I asked.</p>
+
+<p>"Oh, I'm just marking myself," he replied, laughing gloomily.
+"When this scratch grows out--"</p>
+
+<p>He stopped.</p>
+
+<p>"What then?"</p>
+
+<p>"Oh, I'll be away from here then," he said.</p>
+
+<p>But I had the impression that he meant to say something
+different, so I probed further.</p>
+
+<p>"Let me look. Well, it's not a deep scratch; you won't be here
+long then, will you?"</p>
+
+<p>"Nails grow slowly," he muttered.</p>
+
+<p>Then he strolled away whistling, and I set about chopping
+wood.</p>
+
+<p>A little later Solem returned across the farmyard with a
+cackling hen under his arm. He went to the kitchen window and
+called:</p>
+
+<p>"This the kind of hen you want me to kill?"</p>
+
+<p>"Yes," was the reply.</p>
+
+<p>Solem came back to the woodshed and asked me for the ax, as he
+wanted to behead a few hens. It was easy to see that he did
+everything on the farm; he was, hand and brain, indispensable.</p>
+
+<p>He laid the hen on a block and took aim, but it was not easy,
+for she twisted her head like a snake and would not lie still. She
+had stopped cackling now.</p>
+
+<p>"I can feel her heart jumping inside her," said Solem.</p>
+
+<p>Suddenly he saw his chance and struck. There lay the head; Solem
+still held the body, which jerked under his hand. The thing was
+done so quickly that the two sections of the bird were still one in
+my eyes; I could not grasp a separation so sudden and unbelievable,
+and it took my sight a second or two to overtake the event.
+Bewilderment was in the expression of this detached head, which
+looked as though it could not believe what had happened, and raised
+itself a little as if to show there was nothing the least bit
+wrong. Solem let the body go. It lay still for a moment, then
+kicked its legs, leaped to the ground and began to hop, the
+headless body reeling on one wing till it struck the wall and
+spattered blood in wide arcs before it fell at last.</p>
+
+<p>"I let her go too soon after all," said Solem.</p>
+
+<p>Then he went off to fetch another hen.</p>
+
+<h2 class="spaced">XVIII</h2>
+
+<p>I return to the mad idea of Solem's being discharged. This
+would, to be sure, have averted a certain disaster here at the
+farm: but who would fetch and carry then? Paul? But I've told you
+he just lounges all day in his room, and has been doing so lately
+more than ever; the guests never see him except through an
+unsuccessful maneuver on his part.</p>
+
+<p>One evening he came walking across the lawn. He must, in his
+disregard of time, have thought the guests had already retired, but
+we all sat outside in the mild darkness. When Paul saw us, he drew
+himself up and saluted as he passed; then, calling Solem to him, he
+said:</p>
+
+<p>"You mustn't cross the field again without letting me know. I
+was right there in my room, writing. The idea of Josephine carrying
+luggage!"</p>
+
+<p>Paul strode on. But even yet he felt he had not appeared
+important enough, so he turned round and asked:</p>
+
+<p>"Why didn't you take one of my cotters with you to act as
+porter?"</p>
+
+<p>"They wouldn't go," Solem replied. "They were busy lifting
+potatoes."</p>
+
+<p>"Wouldn't go?"</p>
+
+<p>"That's what Einar said."</p>
+
+<p>Paul thought this over.</p>
+
+<p>"What insolence! They'd better not go too far or I'll drive them
+off the place."</p>
+
+<p>Then the law awoke in the lawyer's bosom, and he asked:</p>
+
+<p>"Haven't they bought their land?"</p>
+
+<p>"Yes," said Paul. "But I'm the master of this farm. I have a say
+in things too. I'm not without power up here in Reisa, believe
+me...."</p>
+
+<p>Then he said sternly to Solem:</p>
+
+<p>"You come to me next time."</p>
+
+<p>Whereupon he stalked off to the woods again.</p>
+
+<p>"He's a bit tight again, our good Paul," said the lawyer.</p>
+
+<p>Nobody replied.</p>
+
+<p>"Can you imagine an innkeeper in Switzerland behaving like
+that?" the lawyer remarked.</p>
+
+<p>Mrs. Brede said gently:</p>
+
+<p>"What a pity! He never drank before."</p>
+
+<p>And at once the lawyer was charitable again:</p>
+
+<p>"I'll have a good talk with him," he said.</p>
+
+<hr>
+<p>There followed a period in which Paul was sober from morning
+till night, when Manufacturer Brede paid us a visit. The flag was
+hoisted, and there was great commotion at the farm; Josephine's
+feet said <em>whrr</em> under her skirt. The manufacturer arrived
+with a porter; his wife and children went far down the road to meet
+him, and the visitors at the resort sallied forth too.</p>
+
+<p>"Good morning!" he greeted us with a great flourish of his hat.
+He won us all over. He was big and friendly, fat and cheerful, with
+the broad good cheer that plenty of money gives. He became good
+friends with us at once.</p>
+
+<p>"How long are you staying, Daddy?" his little girls asked, as
+they clung to him.</p>
+
+<p>"Three days."</p>
+
+<p>"Is that all!" said his wife.</p>
+
+<p>"Is that all?" he replied, laughing. "That's not such a short
+time, my dear; three days is a lot for me."</p>
+
+<p>"But not for me and the children," she said.</p>
+
+<p>"Three whole days," he repeated. "I can tell you I've had to do
+some moving to be able to stay as quiet as this, ha, ha!"</p>
+
+<p>They all went in. The manufacturer had been here before and knew
+the way to his wife's cottage. He ordered soda water at once.</p>
+
+<p>In the evening, when the children had gone to bed, the
+manufacturer and his wife joined us in the living room; he had
+brought whisky with him for the gentlemen, and ordered soda water;
+for the ladies he had wine. It was quite a little party, the
+manufacturer playing the host with skill, and we were all well
+satisfied. When Miss Palm played folk melodies on the piano, this
+heavy-built man grew quiet and sentimental; but he didn't think
+only of himself, for suddenly he went out and lowered the flag.
+Flags should be lowered at sunset, he said. Once or twice he went
+across to the cottage, too, to see if the children were sleeping
+well. Generally speaking, he seemed fond of the children. Though he
+owned factories and hotels and many other things, yet he seemed to
+take the greatest pride of all in possessing a couple of
+children.</p>
+
+<p>One of the men from Bergen struck his glass for silence, and
+began to make a speech.</p>
+
+<p>The Bergensians had all long been very quiet and retiring, but
+here was a perfect occasion for making speeches. Was not here a man
+from the great world outside, from the heart of life, who had
+brought them wine and good cheer and festivity? Strange wares up
+here in this world of blue mountains ... and so on.</p>
+
+<p>He talked for about five minutes, and became very animated.</p>
+
+<p>The manufacturer told us a little about Iceland--a neutral
+country that neither the Associate Master nor the lawyer had
+visited, and therefore could not disagree about. One of the Danes
+had been there and was able to confirm the justness of the
+manufacturer's impressions.</p>
+
+<p>But most of the time he told cheerful anecdotes:</p>
+
+<p>"I have a servant, a young lad, who said to me one day, when I
+was in a bad temper: 'You've become a great hand at swearing in
+Icelandic!' Ha, ha, ha--he appreciated me: 'a great hand at
+swearing in Icelandic,' he said!"</p>
+
+<p>Everybody laughed, and his wife asked:</p>
+
+<p>"And what did you say?"</p>
+
+<p>"What did I say? Why, I couldn't say anything, could I, ha, ha,
+ha!"</p>
+
+<p>Then another man from Bergen took the floor: we must not forget
+we had the family of a real man of the world with us here--his
+wife, "this peerless lady, scattering charm and delight about her,"
+and the children, dancing butterflies! And a few minutes later,
+"Hip, hip, hurrah!" followed by a flourish on the piano.</p>
+
+<p>The manufacturer drank a toast with his wife.</p>
+
+<p>"Well, that's that!" was all he said.</p>
+
+<p>Mrs. Molie sat off in a corner talking in a loud voice with the
+Dane who had come over the top of the Tore from the wrong end; she
+seemed purposely to be talking so audibly. The manufacturer's
+attention was attracted, and he asked for further information about
+the motor cars in the neighboring valley: how many there were, and
+how fast they could go. The Dane told him.</p>
+
+<p>"But just imagine coming across the fjeld from the other side!"
+said Mrs. Molie. "It hasn't been done before."</p>
+
+<p>In response to the manufacturer's questions, the Dane told him
+about this adventurous journey also.</p>
+
+<p>"Isn't there a blue peak somewhere in the mountains about here?"
+said Mrs. Molie. "I suppose you'll be going up that next. Where
+ever will you stop?"</p>
+
+<p>Yes, the Dane felt quite tempted by this peak, but said he
+believed it was unconquerable.</p>
+
+<p>"I should have climbed that peak long ago if you, Miss Torsen,
+hadn't forbidden me," said the lawyer.</p>
+
+<p>"You'd never have made it," said Mrs. Molie in an indifferent
+tone. This was probably her revenge. She turned to the Dane again
+as though ready to believe him capable of anything.</p>
+
+<p>"I shouldn't want anyone to think of climbing that peak," said
+Miss Torsen. "It's as bare as a ship's mast."</p>
+
+<p>"What if I tried it, Gerda?" the manufacturer asked his wife
+with a smile. "After all, I'm an old sailor."</p>
+
+<p>"Nonsense," she said, smiling a little.</p>
+
+<p>"Well, I climbed the mast of a schooner last spring."</p>
+
+<p>"Where?"</p>
+
+<p>"In Iceland."</p>
+
+<p>"What for?"</p>
+
+<p>"I don't know, though--all this mountain climbing--I haven't
+much use for it," said the manufacturer.</p>
+
+<p>"What did you do it for? What did you climb the mast for?" his
+wife repeated nervously.</p>
+
+<p>The manufacturer laughed.</p>
+
+<p>"The curiosity of the female sex--!"</p>
+
+<p>"How can you do a thing like that! And what about me and the
+children if you--"</p>
+
+<p>She broke off. Her husband grew serious and took her hand.</p>
+
+<p>"It was stormy, my dear; the sails were flapping, and it was a
+question of life and death. But I shouldn't have told you.
+Well--we'd better say good night now, Gerda."</p>
+
+<p>The manufacturer and his wife got up.</p>
+
+<p>Then the first man from Bergen made another speech.</p>
+
+<hr>
+<p>The manufacturer stayed with us for the promised three days, and
+then made ready to travel again. His mood never changed; he was
+contented and entertaining the whole time. Every evening one whisky
+and soda was brought him--no more. Before their bedtime, his little
+girls had a wildly hilarious half-hour with him. At night a
+tremendous snoring could be heard from his cottage. Before his
+arrival, the little girls had spent a good deal of time with me,
+but now they no longer knew I existed, so taken up with their
+father were they. He hung a swing for them between the two rowan
+trees in the field, taking care to pack plenty of rag under the
+rope so as not to injure the tree.</p>
+
+<p>He also had a talk with Paul; there were rumors that he was
+intending to take his money out of the Tore Peak resort. Paul's
+head was bent now, but he seemed even more hurt that the
+manufacturer should have paid a visit to the cotters to see how
+they were getting on.</p>
+
+<p>"So that's where he's gone?" he said. "Well, let him stay there,
+for all I care!"</p>
+
+<p>The manufacturer cracked jokes to the very end. Of course he was
+a little depressed by the farewells, too, but he had to keep his
+family's courage up. His wife stood holding one of his arms with
+both hands, and the children clung to his other arm.</p>
+
+<p>"I can't salute you," the manufacturer said to us, smiling. "I'm
+not allowed to say good-bye."</p>
+
+<p>The children rejoiced at this and cried, "No, he can't have his
+arm back; Mummy, you hold him tight, too!"</p>
+
+<p>"Come, come!" the father said. "I've got to go to Scotland, just
+a short trip. And when you come home from the mountains, I'll be
+there, too."</p>
+
+<p>"Scotland? What are you going to Scotland for?" the children
+asked.</p>
+
+<p>He twisted round and nodded to us.</p>
+
+<p>"These women! All curiosity!" he said.</p>
+
+<p>But none of his family laughed.</p>
+
+<p>He continued to us:</p>
+
+<p>"I was telling my wife a story about a rich man who was curious,
+too. He shot himself just to find out what comes after death. Ha,
+ha, ha! That's the height of curiosity, isn't it? Shooting yourself
+to find out what comes after death!"</p>
+
+<p>But he could not make his family laugh at this tale, either. His
+wife stood still; her face was beautiful.</p>
+
+<p>"So you're leaving now," was all she said.</p>
+
+<p>Mr. Brede's porter came out with his luggage; he had stayed at
+the farm for these three days in order to be at hand.</p>
+
+<p>Then the manufacturer walked down through the field, accompanied
+by his wife and children.</p>
+
+<p>I don't know--this man with his good humor and kindliness and
+money and everything, fond of his children, all in all to his
+wife--</p>
+
+<p>Was he really everything to his wife?</p>
+
+<p>The first evening he wasted time on a party, and every night he
+wasted time in snoring. And so the three days and nights went
+by....</p>
+
+<h2 class="spaced">XIX</h2>
+
+<p>It is very pleasant here at harvest time. Scythes are being
+sharpened in the field, men and women are at work; they go thinly
+clad and bareheaded, and call to one another and laugh; sometimes
+they drink from a bucket of whey, then set to work again. There is
+the familiar fragrance of hay, which penetrates my senses like a
+song of home, drawing me home, home, though I am not abroad. But
+perhaps I am abroad after all, far away from the soil where I have
+my roots.</p>
+
+<p>Why, indeed, do I stay here any longer, at a resort full of
+schoolmistresses, with a host who has once more said farewell to
+sobriety? Nothing is happening to me; I do not grow here. The
+others go out and lie on their backs; I steal off and find relish
+in myself, and feel poetry within me for the night. The world wants
+no, poetry; it wants only verses that have not been sung
+before.</p>
+
+<p>And Norway wants no red-hot irons; only village smiths forge
+irons now, for the needs of the mob and the honor of the
+country.</p>
+
+<p>No one came; the stream of tourists went up and down Stordalen
+and left our little Reisa valley deserted. If only the Northern
+Railway could have come to Reisa with Cook's and Bennett's
+tours--then Stordalen in its turn would have lain deserted.
+Meanwhile, the cotters who are cultivating the soil will probably
+go on harvesting half the crop of the outlying fields for the rest
+of time. There is every reason to think so--unless our descendants
+are more intelligent than we, and refuse to be smitten with the
+demoralizing effects of the tourist traffic.</p>
+
+<p>Now, my friend, you mustn't believe me; this is the point where
+you must shake your head. There is a professor scuttling about the
+country, a born mediocrity with a little school knowledge about
+history; you had better ask him. He'll give you just as much
+mediocre information, my friend, as your vision can grasp and your
+brain endure.</p>
+
+<hr>
+<p>Hardly had Manufacturer Brede left when Paul began to live a
+most irregular life again. More and more all roads were closed to
+him; he saw no way out and therefore preferred to make himself
+blind, which gave him an excuse for not seeing. Seven of our
+permanent guests now left together: the telephone operators,
+Tradesman Batt, Schoolmistresses Johnsen and Palm, and two men who
+were in some sort of business, I don't quite know what. This whole
+party went across the fjeld to Stordalen to be driven about in
+cars.</p>
+
+<p>Cases of various kinds of foodstuffs arrived for Paul; they were
+carried up one evening by a man from the village. He had to make
+several journeys with the side of his cart let down, and bring the
+cases over the roughest spots one by one. That was the kind of road
+it was. Josephine received the consignment, and noticed that one of
+the cases gave forth the sound of a liquid splashing inside. That
+had come to the wrong place, she said, and writing another address
+on it, she told the man to take it back. It was sirup that had come
+too late, she said; she had got sirup elsewhere in the
+meantime.</p>
+
+<p>Later in the evening we heard them discussing it in the kitchen;
+the sirup had not come too late, Paul said angrily.</p>
+
+<p>"And I've told you to clear these newspapers away!" he cried. We
+heard the sound of paper and glass being swept to the floor.</p>
+
+<p>Well, things were not too easy for Paul; the days went by dull
+and empty, nor had he any children to give him pleasant thoughts at
+times. Though he wanted to build still more houses, he could not
+use half those he had already. There was Mrs. Brede living alone
+with her children in one of them, and since seven of the guests had
+left, Miss Torsen was also alone in the south wing. Paul wanted at
+all costs to build roads and share in the development of the
+tourist traffic; he even wanted to run a fleet of motor cars. But
+since he had not the power to do this alone and could get no
+assistance, nothing was left him but to resign himself. And now to
+make matters worse Manufacturer Brede had said he would withdraw
+his money....</p>
+
+<p>Paul's careworn face looked out of the kitchen door. Before
+going out himself he wanted to make sure there was no one about,
+but he was disappointed in this, for the lawyer at once greeted him
+loudly: "Good evening, Paul!" and drew him outside.</p>
+
+<p>They strolled down the field in the dusk.</p>
+
+<p>Assuredly there is little to be gained by "having a good talk"
+with a man about his drinking; such matters are too vital to be
+settled by talking. But Paul seems to have admitted that the lawyer
+was right in all he said, and probably left him with good
+resolutions.</p>
+
+<p>Paul went down to the village again. He was going to the post
+office; the money he had from the seven departed guests would be
+scattered to all quarters of the globe. And yet it was not enough
+to cover everything--in fact not enough for anything, for interest,
+repayments, taxes, and repairs. It paid only for a few cases of
+food from the city. And of course he stopped the case of sirup from
+going back.</p>
+
+<p>Paul returned blind-drunk because he no longer wished to see. It
+was the same thing all over again. But his brain seemed in its own
+way to go on searching for a solution, and one day he asked the
+lawyer:</p>
+
+<p>"What do you call those square glass jars for keeping small fish
+in--goldfish?"</p>
+
+<p>"Do you mean an aquarium?"</p>
+
+<p>"That's it," said Paul. "Are they dear?"</p>
+
+<p>"I don't know. Why?"</p>
+
+<p>"I wonder if I could get one."</p>
+
+<p>"What do you want it for?"</p>
+
+<p>"Don't you think it might attract people to the place? Oh, well,
+perhaps it wouldn't."</p>
+
+<p>And Paul withdrew.</p>
+
+<p>Madder than ever. Some people see flies. Paul saw goldfish.</p>
+
+<h2 class="spaced">XX</h2>
+
+<p>The lawyer is constantly in Miss Torsen's company; he even
+swings her in the children's swing, and puts his arm around her to
+steady her when the swing stops. Solem watches all this from the
+field where he is working, and begins to sing a ribald song.
+Certainly these two have so ill-used him that if he is going to
+sing improper songs in self-defense, this is the time to do it; no
+one will gainsay that. So he sang his song very loud, and then
+began to yodel.</p>
+
+<p>But Miss Torsen went on swinging, and the lawyer went on putting
+his arm round her and stopping her....</p>
+
+<p>It was a Saturday evening. I stood talking to the lawyer in the
+garden; he didn't like the place, and wanted to leave, but Miss
+Torsen would not go with him, and going alone was such a bore. He
+did not conceal that the young woman meant something to him.</p>
+
+<p>Solem approached, and lifted his cap in greeting. Then he looked
+round quickly and began to talk to the lawyer--politely, as became
+his position of a servant:</p>
+
+<p>"The Danish gentleman is going to climb the peak tomorrow. I'm
+to take a rope and go with him."</p>
+
+<p>The lawyer was startled.</p>
+
+<p>"Is he--?"</p>
+
+<p>The blankness of the lawyer's face was a remarkable sight. His
+small, athletic brain failed him. A moment passed in silence.</p>
+
+<p>"Yes, early tomorrow morning," said Solem. "I thought I'd tell
+you. Because after all it was your idea first."</p>
+
+<p>"Yes, so it was," said the lawyer. "You're quite right. But now
+he'll be ahead of me."</p>
+
+<p>Solem knew how to get round that.</p>
+
+<p>"No, I didn't promise to go," he said. "I told him I had to go
+to the village tomorrow."</p>
+
+<p>"But we can't deceive him. I don't want to do that."</p>
+
+<p>"Pity," said Solem. "Everybody says the first one to climb the
+Blue Peak will be in all the papers."</p>
+
+<p>"He'll take offense," the lawyer murmured, considering the
+matter.</p>
+
+<p>But Solem urged him on:</p>
+
+<p>"I don't think so. Anyhow, you were the first one to talk about
+it."</p>
+
+<p>"Everybody here will know, and I'll be prevented," said the
+lawyer.</p>
+
+<p>"We can go at dawn," said Solem.</p>
+
+<p>In the end they came to an agreement.</p>
+
+<p>"You won't tell anyone?" the lawyer said to me.</p>
+
+<hr>
+<p>The lawyer was missed in the course of the morning; he was not
+in his room, and not in the garden.</p>
+
+<p>"Perhaps the Danish mountaineer can tell us where he is," I
+said. But it transpired that the Dane had not even thought of
+climbing the Blue Peak that day, and knew nothing whatever about
+the expedition.</p>
+
+<p>This surprised me greatly.</p>
+
+<p>I looked at the clock; it was eleven. I had been watching the
+peak through my field glasses from the moment I got up, but there
+was nothing to be seen. It was five hours since the two men had
+left.</p>
+
+<p>At half-past eleven Solem came running back; he was drenched in
+sweat and exhausted.</p>
+
+<p>"Come and help us!" he called excitedly to the group of
+guests.</p>
+
+<p>"What's happened?" somebody asked.</p>
+
+<p>"He fell off."</p>
+
+<p>How tired Solem was and drenched to the skin! But what could we
+do? Rush up the mountainside and look at the accident too?</p>
+
+<p>"Can't he walk?" somebody asked.</p>
+
+<p>"No, he's dead," said Solem, looking from one to another of us
+as though to read in our faces whether his message seemed credible.
+"He fell off; he didn't want me to help him."</p>
+
+<p>A few more questions and answers. Josephine was already halfway
+across the field; she was going to the village to telephone for the
+doctor.</p>
+
+<p>"We shall have to get him down," said the Danish
+mountaineer.</p>
+
+<p>So he and I improvised a stretcher; Solem was instructed to take
+brandy and bandages to the site of the accident, and the
+Bergensians, the Associate Master, Miss Torsen, and Mrs. Molie went
+with him.</p>
+
+<p>"Did you really say nothing to Solem about climbing the peak
+today?" I asked the Dane.</p>
+
+<p>"No," he replied. "I never said a word about it. If I had meant
+to go, I should certainly not have wanted company...."</p>
+
+<p>Later that afternoon we returned with the lawyer on the
+stretcher. Solem kept explaining all the way home how the accident
+had happened, what he had said and what the lawyer had said,
+pointing to objects on the way as though this stone represented the
+lawyer and that the abyss into which he had plunged.... Solem still
+carried the rope he had not had a chance to use. Miss Torsen asked
+no more than anyone else, and made purely conventional comments: "I
+advised him against it, I begged him not to go...."</p>
+
+<p>But however much we talked, we could not bring the lawyer back
+to life. Strange--his watch was still going, but he himself was
+dead. The doctor could do nothing here, and returned to his
+village.</p>
+
+<p>There followed a depressing evening. Solem went to the village
+to send a telegram to the lawyer's family, and the rest of us did
+what we thought decent under the circumstances: we all sat in the
+living room with books in our hands. Now and again, some reference
+would be made to the accident: it was a reminder, we said, how
+small we mortals were! And the Associate Master, who had not the
+soul of a tourist, greatly feared that this disaster would injure
+the resort and make things still more difficult for Paul; people
+would shun a place where they were likely to fall off and be
+killed.</p>
+
+<p>No, the Associate Master was no tourist, and did not understand
+the Anglo-Saxon mind.</p>
+
+<p>Paul himself seemed to sense that the accident might benefit him
+rather than do him harm. He brought out a bottle of brandy to
+console us on this mournful evening.</p>
+
+<p>And since it was a death to which we owed this attention, one of
+the men from Bergen made a speech.</p>
+
+<h2 class="spaced">XXI</h2>
+
+<p>The accident became widely known. Newspapermen came from the
+city, and Solem had to pilot them up the mountain and show them the
+spot where it had taken place. If the body had not been removed at
+once, they would have written about that, too.</p>
+
+<p>Children and ignoramuses might be inclined to think it foolish
+that Solem should be taken from the work in the fields at harvest
+time, but must not the business of the tourist resort go before all
+else?</p>
+
+<p>"Solem, tourists!" someone called to him. And Solem left his
+work. A flock of reporters surrounded him, asked him questions,
+made him take them to the mountains, to the river. A phrase was
+coined at the farm for Solem's absences:</p>
+
+<p>"Solem's with death."</p>
+
+<p>But Solem was by no means with death; on the contrary, he was in
+the very midst of life, enjoying himself, thriving. Once again he
+was an important personage, listened to by strangers, doling out
+information. Nor did his audience now consist of ladies
+only--indeed, no; this was something new, a change; these were
+keen, alert gentlemen from the city.</p>
+
+<p>To me, Solem said:</p>
+
+<p>"Funny the accident should have happened just when the scratch
+on my nail has grown out, isn't it?"</p>
+
+<p>He showed me his thumbnail; there was no mark on it.</p>
+
+<p>The newspaper reporters wrote articles and sent telegrams, not
+only about the Blue Peak and the dreadful death, but about the
+locality, and about the Tore Peak resort, that haven for the weary,
+with its wonderful buildings set like jewels in the mountains. What
+a surprise to come here: gargoyles, living room, piano, all the
+latest books, timber outside ready for new jewels in their setting,
+altogether a magnificent picture of Norway's modern farming.</p>
+
+<p>Yes, indeed, the newspapermen appreciated it. And they did their
+advertising.</p>
+
+<p>The English arrived.</p>
+
+<p>"Where is Solem?" they asked, and "Where is the Blue Peak?" they
+asked.</p>
+
+<p>"We ought to get the hay in," said Josephine and the wife at the
+farm. "There'll be rain, and fifty cartloads are still out!"</p>
+
+<p>That was all very well, but "Where is Solem?" asked the English.
+So Solem had to go with them. The two casual laborers began to cart
+away the hay, but then the women had no one to help them rake.
+Confusion was rife. Everyone rushed wildly hither and thither
+because there was no one to lead them.</p>
+
+<p>The weather stayed fine overnight; it was patient, slow-moving
+weather. As soon as the dew dried up, more hay would be brought in,
+perhaps all the hay. Oh, we should manage all right.</p>
+
+<p>More English appeared; and "Solem--the Blue Peak?" they said.
+Their perverse, sportsmen's brains tingled and thrilled; they had
+successfully eluded all the resorts on the way, and arrived here
+without being caught. There was the Blue Peak, like a mast against
+the sky! They hurried up so fast that Solem was hardly able to keep
+pace with them. They would have felt for ever disgraced if they had
+neglected to stand on this admirable site of a disaster, this most
+excellent abyss. Some said it would be a lifelong source of regret
+to them if they did not climb the Blue Peak forthwith; others had
+no desire but to gloat over the lawyer's death fall, and to shout
+down the abyss, gaping at the echo, and advancing so far out on the
+ledge that they stood with their toes on death.</p>
+
+<p>But it's an ill wind that blows good to none, and the resort
+earned a great deal of money. Paul began to revive again, and the
+furrows in his face were smoothed out. A man of worth grows strong
+and active with good fortune; in adversity he is defiant. One who
+is not defiant in adversity is worth nothing; let him be destroyed!
+Paul stopped drinking; he even began to take an interest in the
+harvesting, and worked in the field in Solem's place. If only he
+had begun when the weather was still slow and patient!</p>
+
+<p>But at least Paul began to tackle things in the right spirit
+again; he only regretted that he had set aside for the cotters
+those outlying fields from which they were used to getting half the
+hay; this year he would have liked to keep it himself. But he had
+given his word, and there was nothing to be done about it.</p>
+
+<p>Besides, it was raining now. Haymaking had to stop; they could
+not even stack what had already been gathered. Outside, three
+cartloads of fodder were going to waste.</p>
+
+<hr>
+<p>Before long the novelty of the Tore Peak resort wore off again.
+The newspapermen wrote and sent telegrams about other gratifying
+misfortunes, the death on the Blue Peak having lost its news value.
+It had been an intoxication; now came the morning after.</p>
+
+<p>The Danish mountaineer quite simply deserted. He strapped on his
+knapsack and walked across the field like one of the villagers,
+caring no more for the Blue Peak. The commotion he had witnessed in
+the last week had taught him a lesson.</p>
+
+<p>And the tourists swarmed on to other places.</p>
+
+<p class="poetry">"What harm have I done them," Paul probably<br>
+ thought, "that they should be going again? Have I been<br>
+ too much in the fields and too little with them? But I<br>
+ greeted them humbly and took my man out of the<br>
+ harvesting work to help them...."<br>
+</p>
+
+<p>Then two young men arrived, sprouts off the Norwegian tree,
+sportsmen to their finger tips, who talked of nothing but sailing,
+cycling, and football; they were going to be civil engineers--the
+young Norway. They, too, wanted to see the Blue Peak to the best of
+their ability; after all, one must keep pace with modern life. But
+they were so young that when they looked up at the peak, they were
+afraid. Solem had learned more than one trick in tourist company;
+craftily he led them on, and then extorted money from them in
+return for a promise not to expose their foolishness. So all was
+well; the young sprouts came down the mountain again, bragging and
+showing off their sportsmanship. One of them brought down a
+bloodstained rag which he flung on the ground, saying,</p>
+
+<p>"There's what's left of your lawyer that fell off."</p>
+
+<p>"Ha, ha, ha, ha!" laughed the other sprout.</p>
+
+<p>Yes, truly, they had acquired dashing ways among their sporting
+acquaintances.</p>
+
+<p>It rained for three weeks; then came two fine days, and then
+rain again for a fortnight. The sun was not to be seen, the sky was
+invisible, the mountain tops had disappeared; we saw nothing but
+rain. The roofs at the Tore Peak resort began to leak more and
+more.</p>
+
+<p>The hay that still lay spread on the ground was black and
+rotting, and the stacks had gone moldy.</p>
+
+<p>The cotters had got their hay indoors during the patient spell.
+They had carried it, man, woman, and child, on their backs.</p>
+
+<p>The men from Bergen and Mrs. Brede with her children have left
+for home. The little girls curtsied and thanked me for taking them
+walking in the hills and telling them stories. The house is empty
+now. Associate Master Höy and Mrs. Molie were the last to go; they
+left last week, traveling separately, though both were going to the
+same small town.</p>
+
+<p>He went by way of the village--a very roundabout route--while
+she crossed the field. It is very quiet now, but Miss Torsen is
+still here.</p>
+
+<p>Why do I not leave? Don't know. Why ask? I'm here. Have you ever
+heard anyone ask: "How much is a northern light?" Hold your
+tongue.</p>
+
+<p>Where should I go if I did leave? Do you imagine I want to go to
+the town again? Or do you think I'm longing for my old hut and the
+winter, and Madame? I'm not longing for any specific place; I am
+simply longing.</p>
+
+<p>Of course I ought to be old enough to understand what all
+sensible Norwegians know, that our country is once more on the
+right road. The papers are all writing about the splendid progress
+the tourist traffic has made in Stordalen since the motor road was
+opened--ought I not to go there and feel gratified?</p>
+
+<p>From old habit, I still take an interest in the few of us who
+are left; Miss Torsen is still here.</p>
+
+<p>Miss Torsen--what more is there to be said about her? Well, she
+does not leave; she stays here to complete the picture of the woman
+Torsen, child of the middle class who has read schoolbooks all
+through her formative years, who has learned all about <em>Artemis
+cotula</em>, but undernourished her soul. That is what she is doing
+here.</p>
+
+<p>I remember a few weeks ago, when we were infested with
+Englishmen, a young sprout coming down from the mountain top with a
+bloodstained rag which he threw on the ground, saying, "Here's
+what's left of your lawyer that fell off!" Miss Torsen heard it,
+and never moved a muscle. No, she never mourned the death of the
+lawyer very keenly; on the contrary, she wrote off at once to ask
+another friend to come. When he came, he turned out to be a
+swaggering scatterbrain--a "free lance," he called himself in the
+visitors' book. I have not mentioned him before because he was less
+important than she; less important, in fact, than any of us. He was
+beardless and wore his collar open; heaven knows if he wasn't
+employed at a theater or in the films. Miss Torsen went to meet him
+when he came, and said, "Welcome to our mountains," and "Thanks for
+coming." So evidently she had sent for him. But why did she not
+leave? Why did she seem to strike root in the place, and even ask
+others to come here? Yet she had been the first to want to leave
+last summer! There was something behind this.</p>
+
+<h2 class="spaced">XXII</h2>
+
+<p>I muse on all this, and understand that her staying here is
+somehow connected with her carnal desires, with the fact that Solem
+is still here. How muddled it all is, and how this handsome girl
+has been spoiled! I saw her not long ago, tall and proud, upright,
+untouched, walking intentionally close to Solem, yet not replying
+to his greeting. Did she suspect him of complicity in the death of
+the lawyer and avoid him for that reason? Not in the least; she
+avoided him less than before, even letting him take her letters to
+the post office, which she had not done previously. But she was
+unbalanced, a poor thing that had lost her bearings. Whenever she
+could, she secretly defiled herself with pitch, with dung; she
+sniffed at foulness and was not repelled.</p>
+
+<p>One day, when Solem swore a needlessly strong oath at a horse
+that was restless, she looked at him, shivered, and went a deep
+red. But she mastered herself at once, and asked Josephine:</p>
+
+<p>"Isn't that man leaving soon?"</p>
+
+<p>"Yes," Josephine replied, "in a few days."</p>
+
+<p>Though she had seized this opportunity to ask her question with
+a great show of indifference, I am certain it was an important one
+to her. She went away in silence.</p>
+
+<p>Yes, Miss Torsen stayed, for she was sexually bound to Solem.
+Solem's despair, Solem's rough passion that she herself had
+inflamed, his brutality, his masculinity, his greedy hands, his
+looks--she sniffed at all this and was excited by it. She had grown
+so unnatural that her sexual needs were satisfied by keeping this
+man at a distance. The Torsen type no doubt lies in her solitary
+bed at night, reveling in the sensation that in another house a man
+lies writhing for her.</p>
+
+<p>But her friend, the actor? He was in no sense the other's equal.
+There was nothing of the bull in him, nothing of action, only the
+braggadocio of the theater....</p>
+
+<hr>
+<p>Here am I, growing small and petty with this life. I question
+Solem about the accident. We are alone together in the
+woodshed.</p>
+
+<p>Why had he lied and said the Dane wanted to climb the Blue Peak
+that unfortunate Sunday morning?</p>
+
+<p>Solem looked at me, pretending not to understand.</p>
+
+<p>I repeated my question.</p>
+
+<p>Solem denied he had said any such thing.</p>
+
+<p>"I heard you," I said.</p>
+
+<p>"No, you didn't," he said.</p>
+
+<p>A pause.</p>
+
+<p>Suddenly he dropped to the floor of the shed, convulsed, without
+shape, an outline merely; a few minutes passed before he got up
+again. When he was on his feet once more, pulling his clothes to
+rights, we looked at each other. I had no wish to speak to him
+further, and left him. Besides, he was going away soon.</p>
+
+<p>After this, everything was dull and empty again. I went out
+alone, aping myself and shouting: "Bricks for the palace! The calf
+is much stronger today!" And when this was done, I did other
+nothings, and when my money began to run out, I wrote to my
+publisher, pretending I would soon send him an unbelievably
+remarkable manuscript. In short, I behaved like a man in love.
+These were the typical symptoms.</p>
+
+<p>And to take the bull by the horns: no doubt you suspect me of
+dwelling on the subject of Miss Torsen out of self-interest? In
+that case I must have concealed well in these pages that I never
+think of her except as an object, as a theme; turn back the pages
+and you will see! At my age, one does not fall in love without
+becoming grotesque, without making even the Pharaohs laugh.</p>
+
+<hr>
+<p><em>Finis.</em></p>
+
+<p class="poetry">But there is one thing I cannot finish doing,
+and that is withdrawing to my room, and sitting alone with
+the good darkness round me. This, after all, is the last pleasure.
+</p>
+
+<p>An interlude:</p>
+
+<p>Miss Torsen and her actor are walking this way; I hear their
+footsteps and their voices; but since I am sitting in the dark of
+the evening, I cannot see them. They stop outside my open window,
+leaning against it, and the actor says something, asks her to do
+something she does not want to do, tries to draw her with him; but
+she resists.</p>
+
+<p>Then he grows angry.</p>
+
+<p>"What the devil did you send for me for?" he asks roughly.</p>
+
+<p>And she begins to weep and says:</p>
+
+<p>"So that's all you've come for! Oh, oh! But I'm not like that at
+all. Why can't you leave me alone? I'm not hurting you."</p>
+
+<p>Am I one who understands women? Self-deception. Vain boasting. I
+made my presence known then because her weeping sounded so
+wretched; I moved a chair and cleared my throat.</p>
+
+<p>The sound caught his attention at once, and he hushed her,
+trying to listen; but she said:</p>
+
+<p>"No, it was nothing...."</p>
+
+<p>But she knew very well this was not true; she knew what the
+sound was. It was not the first time Miss Torsen used this trick
+with me; she had often pretended that she thought I was not within
+hearing, and then created some such delicate situation. Each time I
+had promised myself not to intervene; but she had not wept before;
+now she wept.</p>
+
+<p>Why did she use these wiles? To clear herself in my eyes--mine,
+the eyes of a settled man--to make me believe how good she was, how
+well-behaved! But, dear child, I knew that before; I could see it
+from your hands! You are so unnatural that in your seven and
+twentieth year, you walk unmarried, barren and unopen!</p>
+
+<p>The pair drifted away.</p>
+
+<p>And there is something else I cannot finish doing: withdrawing
+into solitude in the woods, alone with the good darkness round me.
+This is the last pleasure.</p>
+
+<p>One needs solitude and darkness, not because one flees the
+company of others and can endure only one's own, but because of
+their quality of loftiness and religion. Strange how all things
+pass distantly, yet all is near; we sit in an omnipresence. It must
+be God. It must be ourselves as a part of all things.</p>
+
+<p class="poetry">&nbsp;&nbsp;What would my heart, where would I
+stray?<br>
+ &nbsp;&nbsp;Shall I leave the forest behind me?<br>
+ &nbsp;&nbsp;It was my home but yesterday;<br>
+ &nbsp;&nbsp;now toward the city I wend my way;<br>
+ &nbsp;&nbsp;to the darkness of night I've resigned me.<br>
+</p>
+
+<p class="poetry">&nbsp;&nbsp;The world round me sleeps as I tarry,
+alone,<br>
+ &nbsp;&nbsp;soothing my ear with its quiet.<br>
+ &nbsp;&nbsp;How large and gray is the city of stone<br>
+ &nbsp;&nbsp;in which the many all hopes enthrone!<br>
+ &nbsp;&nbsp;Shall I, too, accept their fiat?<br>
+</p>
+
+<p class="poetry">&nbsp;&nbsp;Hark! Do the bells ring on the
+hillside?<br>
+</p>
+
+<p class="poetry">&nbsp;&nbsp;Back to the peace of the forest I
+turn<br>
+ &nbsp;&nbsp;in the nightly hour that's hoarest.<br>
+ &nbsp;&nbsp;There's a sweet-smelling hedgerow to which I
+yearn;<br>
+ &nbsp;&nbsp;I shall rest my head on heather and fern,<br>
+ &nbsp;&nbsp;and sleep in the depths of the forest.<br>
+</p>
+
+<p class="poetry">&nbsp;&nbsp;Hark, how the bells ring on the
+hillside!<br>
+</p>
+
+<p>Romantic? Yes. Mere sentimentality, mood, rhyme--nothing?
+Yes.</p>
+
+<p>It is the last happiness.</p>
+
+<h2 class="spaced">XXIII</h2>
+
+<p>The sun has returned. Not darkly glowing and regal--more than
+that: imperial, because it is flaming. This you do not understand,
+my friend, whatever the language in which it is dished up for you.
+But I say there is an imperial sun in the sky.</p>
+
+<p>It's a good day for going to the woods; it is sweeping time, for
+the woods are full of yellow things that have come suddenly into
+being. A short time ago they were not there, or I did not see them,
+or they had the earth's own complexion. There is something unborn
+about them, like embryos in an early stage. But if I whirl them
+about, they are miracles of fulfillment.</p>
+
+<p>Here are fungi of every sort, mushrooms and puffballs. How close
+is the poisonous mushroom to the happy family of the edible
+mushroom, and how innocently it stands there! Yet it is deadly.
+What magnificent cunning! A spurious fruit, a criminal, habitual
+vice itself, but preening in splendor and brilliance, a very
+cardinal of fungi. I break off a morsel to chew; it is good and
+soft on the tongue, but I am a coward and spit it out again. Was it
+not the poisonous mushroom that drove men berserker? But in the
+dawn of our own day, we die of a hair in the throat.</p>
+
+<p>The sun is already setting. Far up the mountainside are the
+cattle, but they are moving homeward now; I can hear by their bells
+that they are moving. Tinkling bells and deep-mouthed bells,
+sometimes sounding together as though there were a meaning in it, a
+pattern of tones, a rapture.</p>
+
+<p>And rapture, too, to see all the blades of grass and the tiny
+flowers and plants. Beside me where I lie is a small pod plant,
+wonderfully meek, with tiny seeds pushing out of the pod--God bless
+it, it's becoming a mother! It has got caught in a dry twig and I
+liberate it. Life quivers within it; the sun has warmed it today
+and called it to its destiny. A tiny, gigantic miracle.</p>
+
+<p>Now it is sunset, and the woods bend under a rustling that
+passes through them sweet and heavy; it is the evening.</p>
+
+<p>I lie for another hour or two; the birds have long since gone to
+rest, and darkness falls thick and soft.... As I walk homeward, my
+feet feel their way and I hold my hands before me till I reach the
+field, where it is a little lighter. I walk on the hay that has
+been left outdoors; it is tough and black, and I slip on it because
+it is already rotting. As I approach the houses, bats fly
+noiselessly past me, as though on wings of foam. A slight shudder
+convulses me whenever they pass.</p>
+
+<p>Suddenly I stop.</p>
+
+<p>A man is walking here. I can see him against the wall of the new
+house. He has on a coat that looks like the actor's raincoat, but
+it is not the little comedian himself. There he goes, into the
+house, right into the house. It is Solem.</p>
+
+<p>"Why, that's where she sleeps!" I think. "Ah, well. Alone in the
+building, in the south wing, Miss Torsen alone--yes, quite alone.
+And Solem has just gone in."</p>
+
+<p>I stand there waiting to be at hand, to rush in to the rescue,
+for after all I am a human being, not a brute. Several minutes
+pass. He has not even bothered to be very quiet, for I hear him
+clicking the key in the lock. Surely I ought to hear a cry now? I
+hear nothing, nothing; a chair scraping across the floor, that is
+all.</p>
+
+<p>"But good heavens, he may do her some harm! He may injure her;
+he may overpower her with rape! Ought I not to tap on the window?
+I--what for? But at the very first cry, I shall be on the spot,
+take my word for it."</p>
+
+<p>Not a single cry.</p>
+
+<p>The hours pass; I have settled down to wait. Of course I cannot
+go my way and desert a helpless woman. But the hours wear on. A
+very thorough business in there, nothing niggardly about this; it
+is almost dawn. It occurs to me that he may be killing her, perhaps
+has killed her already; I am alarmed and about to get up--when the
+key clicks in the lock again and Solem emerges. He does not run,
+but walks back the way he came, down to the veranda of my own
+house. There he hangs the actor's raincoat where it hung before,
+and emerges again. But this time he is naked. He has been naked
+under the coat all this time. Is it possible? Why not? No
+inhibitions, no restraint, no covering; Solem has thought it all
+out. Now, stark naked, he stalks to his room.</p>
+
+<p>What a man!</p>
+
+<p>I sit thinking and collecting myself and regaining my wits. What
+has happened? The south wing is still wrapped in silence, but the
+lady is not dead; I can see that from Solem's fearless manner as he
+goes to his room, lights the lamp, and goes to bed.</p>
+
+<p>It relieves me to know she is alive, revives me, and makes me
+superlatively brave: if he has dared to kill her, I will report it
+at once. I shall not spare him. I shall accuse him of both her
+death and the lawyer's. I shall go further: I shall accuse
+others--the thief of last winter, the man that stole the sides of
+bacon from a tradesman and sold me rolls of tobacco out of his bag.
+No, I shall not keep silence about anything then....</p>
+
+<h2 class="spaced">XXIV</h2>
+
+<p>When it grew light, Solem went to the kitchen, had his
+breakfast, settled his business with Paul and the women, and
+returned to his room. He was in no hurry; though it was no longer
+early in the day, he took his time about tying his bundles,
+preparatory to leaving. Lingeringly he looked into the windows of
+the south wing as he passed.</p>
+
+<p>Then Solem was gone.</p>
+
+<p>A little later Miss Torsen came in to breakfast. She asked at
+once about Solem. And why might she be so interested in Solem? She
+had certainly stopped in her room intentionally so as to give him
+time to leave; if she wanted to see him she could have been here
+long ago. But was it not safest to seem a little angry? Supposing,
+night owl that I was, that I had seen something!</p>
+
+<p>"Where is Solem?" she asked indignantly.</p>
+
+<p>"Solem has gone now," Josephine replied.</p>
+
+<p>"Lucky for him!"</p>
+
+<p>"Why?" asked Josephine.</p>
+
+<p>"Oh, he's a dreadful creature!"</p>
+
+<p>How agitated she was! But in the course of the day she calmed
+down. Her anger dissolved, and there was neither weeping nor a
+scene; only she did not walk proudly, as was her habit, but
+preferred to sit in silence.</p>
+
+<p>That passed too; she roused herself briskly soon after Solem's
+departure, and in a few days she was the same as ever. She took
+walks, she talked and laughed with us, she made the actor swing her
+in the children's swing, as in the lawyer's day....</p>
+
+<p>I went out one evening, for there was good weather and darkness
+for walking; there was neither a moon nor stars. The gentle ripple
+of the little Reisa river was all the sound I heard; there were God
+and Goethe and <em>über allen Gipfeln ist Ruh'</em> that night. On
+my return, I was in the mood to walk softly and on tiptoe, so I
+undressed and went to bed in the dark.</p>
+
+<p>Then they came again to my window, those two lunatics, the lady
+and the actor. What next? But it was not he that chose this spot;
+of that I was sure. She chose it because she was convinced I had
+returned. There was something she <em>wanted</em> me to hear.</p>
+
+<p>Why should I listen to him still pleading with her?</p>
+
+<p>"I've had enough of this," he said. "I'm leaving tomorrow."</p>
+
+<p>"Oh, well...." she said. "No, let's not tonight," she added
+suddenly; "some other time. Yes? In a few days? We'll talk about it
+tomorrow. Good night."</p>
+
+<p>For the first time it struck me: she wants to rouse you, too,
+settled man though you are; she wants to make you as mad as the
+others! That's what she's after!</p>
+
+<p>And now I remember, before the lawyer arrived, when there was
+Tradesman Batt--I remember how during his first few days here, she
+would give me a kind word or a look that was quite out of the
+picture, and as unmistakable as her pride would permit. No, she had
+no objections to seeing old age wriggle. And listen to this: before
+this she had been intent to show a well-behaved indifference to
+sex, but that was finished; was she not at this moment resisting
+only faintly, and raising definite hopes? "Not tonight, but some
+other time," she had said. Yes, a half-refusal, a mere
+postponement, that I was meant to hear. She was corrupt, but she
+was also cunning, with the cunning of a madman. So corrupt.</p>
+
+<p>Dear child, Pharaoh laughs before his pyramids; standing before
+his pyramids he laughs. He would laugh at me, too.</p>
+
+<hr>
+<p>Next day we three remaining guests were sitting in the living
+room. The lady and the actor read one book; I read another.</p>
+
+<p>"Will you," she says to him, "do me a great favor?"</p>
+
+<p>"With pleasure."</p>
+
+<p>"Would you go out in the grounds where we sat yesterday and
+fetch my galoshes?"</p>
+
+<p>So he went out to do her this great favor. He sang a well-known
+popular song as he crossed the yard, cheerful in his own peculiar
+way.</p>
+
+<p>She turned to me.</p>
+
+<p>"You seem silent."</p>
+
+<p>"Do I?"</p>
+
+<p>"Yes, you're very silent."</p>
+
+<p>"Listen to this," I said, and began to read to her from the book
+I held in my hands. I read a longish bit.</p>
+
+<p>She tried to interrupt me several times, and at length said
+impatiently:</p>
+
+<p>"What is this you want me to listen to?"</p>
+
+<p>"The <em>Musketeers</em>. You must admit it's entertaining."</p>
+
+<p>"I've read it," she said. And then she began to clasp her hands
+and drag them apart again.</p>
+
+<p>"Then you must hear something you haven't read before," I
+replied, and went across to my room to fetch a few pages I had
+written. They were only a few poems--nothing special, just a few
+small verses. Not that I am in the habit of reading such things
+aloud, but I seized on this for the moment because I wanted to
+prevent her from humbling herself, and telling me anything
+more.</p>
+
+<p>While I was reading the poems to her, the actor returned.</p>
+
+<p>"I couldn't find any galoshes there," he said.</p>
+
+<p>"No?" she replied absently.</p>
+
+<p>"No, I really looked everywhere, but...."</p>
+
+<p>She got up and left the room.</p>
+
+<p>He looked after her in some surprise, and sat still for a
+moment. Then it occurred to him.</p>
+
+<p>"I believe her galoshes are in the passage outside her door," he
+said, and hurried after her.</p>
+
+<p>I sat back, thinking it over. There had been a sweetness in her
+face as she said, "Yes, you're very silent." Had she seen through
+me and my pretext for reading to her? Of course she had. She was no
+fool. I was the fool, nobody else. I should have driven a sportsman
+to despair. Some practice the sport of making conquests and the
+sport of making love, because they find it so agreeable; I have
+never practiced sport of any kind. I have loved and raged and
+suffered and stormed according to my nature--that is all; I am an
+old-fashioned man. And here I sit in the shadow of evening, the
+shadow of the half-century. Let me have done!</p>
+
+<p>The actor returned to the living room confused and dejected. She
+had turned him out; she had wept.</p>
+
+<p>I was not surprised, for it was the mode of expression of her
+type.</p>
+
+<p>"Have you ever heard the like of it? She told me to get out! I
+shall leave tomorrow."</p>
+
+<p>"Have you found the galoshes?" I asked.</p>
+
+<p>"Of course," he replied. "They were right in the passage. 'Here
+they are,' I said to her. 'Yes, yes,' she said. 'Right under your
+nose,' I said. 'Yes, yes, go away,' she said, and began to cry. So
+I went away."</p>
+
+<p>"She'll get over it."</p>
+
+<p>"Do you think so? Yes, I expect she will. Oh, well, it's my
+opinion nobody can understand women, anyhow. But they're a mighty
+sex, the women, a mighty sex. They certainly are."</p>
+
+<p>He sat on a while, but he had no peace of mind, and soon went
+out again.</p>
+
+<hr>
+<p>That evening the lady was in the dining room before us; she was
+there when we came in, and we all nodded slightly in greeting. To
+the actor she was very kind, quite making up for her petulance of
+the afternoon.</p>
+
+<p>When he sat down he found a letter in his table napkin: a
+written note folded into the napkin. He was so surprised that he
+dropped everything he was doing to unfold and read it. With an
+exclamation and a smile, his blue, delighted eyes splashed over
+her; but she was looking down into her lap with her forehead
+wrinkled, so he put the note away in his vest pocket.</p>
+
+<p>Then it probably dawned on him that he had betrayed her, and he
+tried to cover it up somehow.</p>
+
+<p>"Well, here goes for food!" he said, as though he were going to
+require all his energy for the task of eating.</p>
+
+<p>Why had she written? There was nothing to prevent her speaking
+to him. He had, after all, been sitting on the doorstep when she
+emerged from her room and passed him. Had she foreseen that the
+good comedian could not contain himself, but would surely let a
+third person into the secret?</p>
+
+<p>Why probe or question further? The actor did not eat much, but
+he looked very happy. So the note must have said yes, must have
+been a promise; perhaps she would not tantalize him further.</p>
+
+<h2 class="spaced">XXV</h2>
+
+<p>A few days later, they were going to leave. They would travel
+together, and that would be the end.</p>
+
+<p>I might have pitied them both, for though life is good, life is
+stern. One result at any rate was accomplished. She had not sent
+for him in vain, nor had he come in vain.</p>
+
+<p>That was the end of the act. But there were more acts to
+come--many more.</p>
+
+<p>She had lost much: having been ravished, she gave herself away;
+why be niggardly now? And this is the destiny of her type, that
+they lose increasingly much, retaining ever less; what need to hold
+back now? The ground has been completely shifted: from
+half-measures to the immolation of all virtue. The type is
+well-known, and can be found at resorts and boarding-houses, where
+it grows and flourishes.</p>
+
+<p>In spite of her wasted adolescence, her examination and her
+"independence," she has been coming home from her office stool or
+her teacher's desk more or less exhausted; suddenly she finds
+herself in the midst of a sweet and unlimited idleness, with
+quantities of tinned food for her meals. The company round her is
+continually changing, tourists come and go, and she passes from
+hand to hand for walks and talks; the tone is "country
+informality." This is sheer loose living; this is a life stripped
+of all purpose. She does not even sleep enough because she hears
+through the thin wall every sound made by her neighbor in the next
+room, while arriving or departing Englishmen bang doors all night.
+In a short time she has become a neurotic, sated with company,
+surfeited with herself and the place. She is ready to go off with
+the next halfway respectable organ grinder that happens along. And
+so she pairs off with the most casual visitors, flirts with the
+guide, hovering about him and making bandages for his fingers, and
+at last throws herself into the arms of a nameless nobody who has
+arrived at the house today.</p>
+
+<p>This is the Torsen type.</p>
+
+<p>And now, at this very moment, she retires to her room to collect
+the fragments of herself, in preparation for her departure--at the
+end of the summer. It takes time; there are so many fragments, one
+in every corner. But perhaps it consoles her to think that she
+knows the genitive of <em>mensa</em>.</p>
+
+<p>Things are not quite so bad for the actor. He has staked
+nothing, is committed to nothing. No part of his life is destroyed,
+nor anything within him. As he came, so he goes, cheerful, empty,
+nice. In fact he is even something more of a man because he has
+really made a conquest. He has no wish but to spend some pleasant
+hours with the Torsen type.</p>
+
+<p>He strolled about the garden waiting for her to get ready. Once
+she was visible through the doorway, and he called to her:</p>
+
+<p>"Aren't you coming soon? Don't forget we've got to cross the
+mountain!"</p>
+
+<p>"Well, I can't go bareheaded," she replied.</p>
+
+<p>He was impatient.</p>
+
+<p>"No, you've got to put your hat on, and what a lot of time that
+takes! Ugh!"</p>
+
+<p>She measured him coldly and said:</p>
+
+<p>"You're very--familiar."</p>
+
+<p>If he had paid her back in the same coin there would have been
+weeping and gnashing of teeth and cries of "Go away! Go alone!" and
+an hour's delay, and reconciliation and embraces. But the actor's
+manner changed at once, and he replied docilely, as his nature
+was,</p>
+
+<p>"Familiar? Well--perhaps. Sorry!"</p>
+
+<p>Then he strolled about the garden again, humming occasionally
+and swinging his stick. I took note of the oddly feminine shape of
+his knees, and the unusual plumpness of his thighs; there was
+something unnatural about this plumpness, as though it did not
+belong to his sex.</p>
+
+<p>His shoes were down at the heel, and his collar was open. His
+raincoat hung regally from his shoulders and flapped in the wind,
+though it was not raining. He was a proud and comical sight. But
+why speak harsh words about a raincoat? It was not he, the owner,
+that had abused it, and it hung from his shoulders as innocently as
+a bridal veil.</p>
+
+<p>Why speak harsh words about anyone? Life is good, but life is
+stern. Perhaps when she comes out, I think to myself, the following
+scene will take place: I stand here waiting only for this
+departure. So she gives me her hand and says good-bye.</p>
+
+<p>"Why don't you say something?" she asks in order to seem bright
+and easy in her mind.</p>
+
+<p>"Because I don't want to hurt you in the great error of your
+ways."</p>
+
+<p>"Ha, ha, ha," she laughs, too loudly and in a forced tone; "the
+great error of my ways! Well, really!"</p>
+
+<p>And her anger grows, while I am assured and fatherly, standing
+on the firm ground of conscious virtue. Yet I say an unworthy thing
+like this:</p>
+
+<p>"Don't throw yourself away, Miss Torsen!"</p>
+
+<p>She raises her head then; yes, the Torsen type would raise her
+head and reply, pale and offended:</p>
+
+<p>"Throw myself away?--I don't understand you."</p>
+
+<p>But it is possible, too, that Miss Torsen, at heart a fine,
+proud girl, would have a lucid moment and see things in their true
+light:</p>
+
+<p>"Why not, why shouldn't I throw myself away? What is there to
+keep? I am thrown away, wasted ever since my school days, and now I
+am seven and twenty...."</p>
+
+<p>My own thoughts run away with me as I stand there wishing I were
+somewhere else. Perhaps she, too, in her room wishes me far
+away.</p>
+
+<p>"Good-bye," I say to the actor. "Will you remember me to Miss
+Torsen? I must go now."</p>
+
+<p>"Good-bye," says he, shaking hands in some surprise. "Can't you
+wait a few minutes? Well, all right, I'll give her your greeting.
+Good-bye, good-bye."</p>
+
+<p>I take a short cut to get out of the way, and as I know every
+nook and corner, I am soon outside the farm, and find a good
+shelter. From here I shall see when these two leave. She has only
+to say good-bye now to the people of the farm.</p>
+
+<p>It struck me that yesterday was the last time I spoke to her. We
+spoke only a few insignificant words that I have forgotten, and
+today I have not spoken to her....</p>
+
+<p>Here they come.</p>
+
+<p>Curious--they seemed somehow to have become welded together;
+though they walked separately up the mountain track, yet they
+belonged together. They did not speak; the essential things had
+probably already been said. Life had grown ordinary for them; it
+still remained to them to be of use to each other. He walked first,
+while she followed many paces behind; it was lonely to look at
+against the rugged background of the mountain. Where had her tall
+figure gone to? She seemed to have grown shorter because she had
+hitched up her skirt and was carrying her knapsack on her back.
+They each carried one, but he carried hers and she his, probably
+because, owing to the greater number of her clothes, hers was the
+heavier sack. Thus had they shifted their burdens; what burdens
+would they carry in the future? She was, after all, no longer a
+schoolmistress, and perhaps he was no longer with the theater or
+the films.</p>
+
+<p>I watched those two crossing rocky, mountainous ground, bare
+ground, with not a tree anywhere except a few stunted junipers; far
+away near the ridge murmured the little Reisa. Those two had put
+their possessions together, were walking together; at the next halt
+they would be man and wife, and take only one room because it was
+cheaper.</p>
+
+<p>Suddenly I started up and, moved by some impulse of human
+sympathy--nay, of duty--I wanted to run across to her, talk to her,
+say a word of warning: "Don't go on!" I could have done it in a few
+minutes--a good deed, a duty....</p>
+
+<p>They disappeared behind the shoulder of the hill.</p>
+
+<p>Her name was Ingeborg.</p>
+
+<h2 class="spaced">XXVI</h2>
+
+<p>And now I, too, must wander on again, for I am the last at the
+Tore Peak farm. The season is wearing on, and this morning it
+snowed for the first time--wet, sad snow.</p>
+
+<p>It is very quiet at the farm now, and Josephine might have
+played the piano again and been friendly to the last guest; but now
+I am leaving, too. Besides, Josephine has little to play and be
+cheerful for; things have gone badly this year, and may grow worse
+as time goes on. The prospect is not a good one. "But something
+will turn up," says Josephine. She need not worry, for she has
+money in the bank, and no doubt there is a young man in the offing,
+on the other side of the fjeld.</p>
+
+<p>Oh, yes, Josephine will always manage; she thinks of everything.
+The other day, for instance--when Miss Torsen and her friend left.
+The friend could not pay his bill, and all he said was that he had
+expected money, but it hadn't come, and he couldn't stay any longer
+because of his private affairs. That was all very well, but when
+would the bill be paid? Why, he would send it from the town, of
+course; that was where he had his money!</p>
+
+<p>"But how do we know we'll get the money?--from him, anyway,"
+said Josephine. "We've had these actor-people here before. And I
+didn't like the way he swanked about outside, thinking he was as
+good as anybody, and throwing his stick up in the air and catching
+it again. And then when Miss Torsen came in to say good-bye, I told
+her, and I wondered if she couldn't let me have the money for him.
+Miss Torsen was shocked, and said, 'Hasn't he paid himself?' 'No,'
+I said, 'he hasn't, and this year being such a bad one, we need
+every penny.' So then Miss Torsen said of course we should get the
+money; how much was it? And I told her, and she said she couldn't
+pay for him now, but she would see the money was sent; we could
+trust her for that. And I think we can, too. We'll get the money
+all right, if not from him. I daresay she'll send it
+herself...."</p>
+
+<p>And Josephine went off to serve me my dinner.</p>
+
+<p>Paul is on his feet now, too. Not that his step is always very
+steady, but at least he puts his feet to the ground. But he takes
+no interest in things; he does little more than feeding the horses
+and chopping some wood. He ought to be clearing the manure out of
+the summer cow houses for autumn use, but he keeps putting it off,
+and probably it will not be done at all. So far it hasn't mattered,
+but this morning's first wet snow has covered the hay outdoors and
+the maltreated land. And so it will remain till next spring. Poor
+Paul! He is an easygoing man at heart, but he pushes doggedly on
+against a whirlwind; sometimes he smiles to himself, knowing how
+useless it is to struggle--a distorted smile.</p>
+
+<p>His father, the old man alone in his room, stands sometimes on
+his threshold, as he used to do, and reflects. He is lost in
+memories, for he has ninety years behind him. The many houses on
+the farm confuse him a little; the roofs are all too big for him,
+and he is afraid they might come down and carry him off. Once he
+asked Josephine if it was right that his hands and fingers should
+run away from him every day across the fields. So they put mittens
+on his hands, but he took to chewing them; in fact he ate
+everything he was given, and enjoyed a good digestion. So they must
+be thankful he had his health, Josephine said, and could be up and
+about.</p>
+
+<hr>
+<p>I did not follow the others across the field, but returned the
+way I had come last spring, down toward the woods and the sea. It
+is fitting that I should go back, always back, never forward
+again.</p>
+
+<p>I passed the hut where Solem and I had lived together, and then
+the Lapps--the two old people and Olga, this strange cross between
+a human being and a dwarf birch. A stove stood against the peat
+wall, and a paraffin lamp hung from the roof of their stone-age
+dwelling. Olga was kind and helpful, but she looked tiny and
+pathetic, like a ruffled hen; it pained me to watch her flit about
+the room, tiny and crooked, as she looked for a pair of reindeer
+cheeses for me.</p>
+
+<p>Then I reached my own hut of last winter where I had passed so
+many lonely months. I did not enter it.</p>
+
+<p>Or rather, I did enter it, for I had to spend the night there.
+But I shall skip this, so for the sake of brevity, I call it not
+entering. This morning I wrote something playful about Madame, the
+mouse I left here last spring; but tonight I am taking it out again
+because I am no longer in the mood, and because there is no point
+in it. Perhaps it would have amused you to read it, my friend; but
+there is no point in amusing you now. I must deject you now and
+make you listen to me; there is not much more to hear.</p>
+
+<p>Am I moralizing? I am explaining. No, I am not moralizing; I am
+explaining. If it is moralizing to see the truth and tell it to
+you, then I am moralizing. Can I help that? Intuitively I see into
+what is distant; you do not, for this is something you cannot learn
+from your little schoolbooks. Do not let this rouse your hatred for
+me. I shall be merry again with you later, when my strings are
+tuned to merriment. I have no power over them. Now they are tuned
+to a chorale....</p>
+
+<hr>
+<p>At dawn, in the bright moonlight, I leave the hut and push on
+quickly in order to reach the village as soon as possible. But I
+must have started too early or walked too fast, for at this rate I
+shall reach the village at high noon. What am I chasing after?
+Perhaps it is feeling the nearness of the sea that drives me
+forward. And as I stand on the last high ridge, with the glitter
+and roar of the sea far beneath, a sweetness darts through me like
+a greeting from another world. "<em>Thalatta!</em>" I cry; and I
+wipe my eyeglasses tremblingly. The roar from below is sleepless
+and fierce, a tone of jungle passion, a savage litany. I descend
+the ridge as though in a trance and reach the first house.</p>
+
+<p>There was no one about, and a few children's faces at a window
+suddenly disappeared. Everything here was small and poor, though
+only the barn was of peat; the house was a timbered fisherman's
+home. As I entered the house, I saw that though it was as poor
+within as without, the floor was clean and covered with pine twigs.
+There were many children here. The mother was busy cooking
+something over the fire.</p>
+
+<p>I was offered a chair, and sitting down, began to chat with a
+couple of small boys. As I was in no hurry and asked for nothing,
+the woman said:</p>
+
+<p>"I expect you want a boat?"</p>
+
+<p>"A boat?" I said in my turn, for I had not come by boat on my
+last visit; I had walked instead over fjelds and valleys many miles
+from the sea. "Yes, why not?" I said. "But where does it go?"</p>
+
+<p>"I thought you wanted a boat to go to the trading center," she
+replied, "because that's where the steamer stops. We've rowed over
+lots of people this year."</p>
+
+<p>Great changes here; the motor traffic in Stordalen must have
+completely altered all the other traffic since my last visit ten
+months ago.</p>
+
+<p>"Where can I stop for a few days?" I asked.</p>
+
+<p>"At the trading center, the other side of the islands. Or
+there's Eilert and Olaus; they're both on this side. You could go
+there; they've got big houses."</p>
+
+<p>She showed me the two places on this side of the water, close to
+the shore, and I proceeded thither.</p>
+
+<h2 class="spaced">XXVII</h2>
+
+<p>A large house, with and upper story of planks built on later,
+displayed a new signboard on the wall: Room and Board. The barn, as
+usual, was a peat hut.</p>
+
+<p>As I did not know which was Eilert and which Olaus, and had
+stopped to consider which road to take, a man came hurrying toward
+me. Ah, well, the world is a small place; we meet friends and
+acquaintances everywhere. Here am I, meeting an old acquaintance,
+the thief of last winter, the pork thief. What luck, what a
+satisfaction!</p>
+
+<p>This was Eilert. He took in paying guests now.</p>
+
+<p>At first he pretended not to recognize me, but he soon gave that
+up. Once he had done so, however, he carried the thing off in
+style:</p>
+
+<p>"Well, well," he said, "what a nice surprise! You are most
+welcome under my humble roof, and such it is!"</p>
+
+<p>My own response was rather less jaunty, and I stood still
+collecting my thoughts. When I had asked a few questions, he
+explained that since the motor traffic had started in Stordalen,
+many visitors came through this way, and sometimes they wanted to
+stop over at his house before being rowed across to the steamer.
+They always came down in the evenings, and it might be fine, or it
+might not, and at night the fjord was often wild. He had therefore
+had to arrange to house them, because after all, you can't expect
+people to spend the night outdoors.</p>
+
+<p>"So you've turned into a hotelkeeper," I said.</p>
+
+<p>"Well, you can joke about it," he returned, "but all I do is to
+give shelter to the people who come here. That's all the hotel
+there is to it. My neighbor Olaus can't do any more either, even if
+he builds a place that's ten times as big. Look over there--now
+he's building another house--a shed, I'd call it--and he's got
+three grown men working on it so he can get it done by next summer.
+But it won't be much bigger than my place at that, and anyhow, the
+gentry don't want to be bothered walking all that distance to his
+place when here's my house right at the car stop. And besides it
+was me that started it, and if I was Olaus I wouldn't have wanted
+to imitate me like a regular monkey and started keeping boarders
+which I didn't know the first thing about. But he can't make
+himself any different from what he is, so he puts up a few old bits
+of canvas and rugs and cardboard inside his barn and gets people to
+sleep there. But I'd never ask the gentry to sleep in a barn, a
+storehouse for fodder and hay for dumb beasts, if you'll excuse my
+mentioning it! But of course if you've no shame in you and don't
+know how to behave in company--"</p>
+
+<p>"Lucky I've met you," I said. "Why, I might have gone on down
+the road to his place!"</p>
+
+<p>We walked on together, with Eilert talking and explaining all
+the way, and assuring me over and over again that Olaus was a
+good-for-nothing for copying him as he did.</p>
+
+<p>If I had known what was awaiting me, I should certainly have
+passed by Eilert's house. But I did not know. I was innocent,
+though I may not have appeared so. It cannot be helped.</p>
+
+<p>"It's too bad I've got somebody in the best room," said Eilert.
+"They're gentlefolk from the city. They came down here through
+Stordalen, and they had to walk because the cars have stopped for
+the season. They've been in my house for quite some days, and I
+think they'll be staying on a while yet. I think they're out now,
+but of course it means I can't let you have my best room."</p>
+
+<p>I looked up, and saw a face in the window. A shiver ran through
+me--no, of course not a shiver, far from it, but certainly this was
+a fresh surprise. What a coincidence! As we were about to enter the
+door, there was the actor, too--standing there looking at me: the
+actor from the Tore Peak resort. It was his knees, his coat, and
+his stick. So I was right--I <em>had</em> recognized her face at an
+upper window. Yes, indeed, the world is small.</p>
+
+<p>The actor and I greeted each other and began to talk. How nice
+to see me again! And how was Paul, the good fellow--still soaking
+himself in liquor, he supposed? Funny effect it has sometimes; Paul
+seemed to think the whole inn was an aquarium and we visitors the
+goldfish! "Ha, ha, ha, goldfish; I wish we were, I must say!--Well,
+Eilert, are we getting some fresh haddock for supper?
+Good!--Really, we like it here very much; we've already been here
+several days; we want to stay and get a good rest."</p>
+
+<p>As we stood there, a rather stout girl came down from the loft
+and addressed the actor:</p>
+
+<p>"The missis wants you to come right upstairs."</p>
+
+<p>"Oh? Very well, at once.... Well, see you later. You'll be
+stopping here, too, I expect?"</p>
+
+<p>He hurried up the stairs.</p>
+
+<p>Eilert and I followed to my room.</p>
+
+<hr>
+<p>As a matter of fact, I went out again with Eilert at once. He
+had a great deal to tell me and explain to me, and I was not
+unwilling to listen to him then. Really, Eilert was not too bad, a
+fine fellow with four ragged, magnificent youngsters by his first
+wife, who had died two years before, and another child by his
+second wife. He must have forgotten, as he told me this, the yarn
+about the sick wife and the ailing children that he had spun for me
+last winter. The girl who had come down the stairs with the message
+from the "missis" was no servant, but Eilert's young wife. And she,
+too, was all right--strong and good, handy about the stables, and
+pregnant again.</p>
+
+<p>It all looks good to me, Eilert: your wife and everything you
+tell me about your family.</p>
+
+<p>No one will understand my strange contentment, then; I had been
+full of an obscure happiness from the moment I came to this house.
+Probably a mere coincidence, but that did not detract from my
+satisfactory state of mind; I was pleased with everything, and all
+things added to my cheerful frame of mind. There were some pigs by
+the barn, very affectionate pigs, because they were used to the
+children playing with them and kissing them and riding on their
+backs. And there was one of the goats, up on the roof of course,
+standing so far out along the edge that it was a wonder he didn't
+grow dizzy. Seagulls flew criss-cross over the fields, screaming
+their own language to one another, and being friends or enemies to
+the best of their ability. Down by the mouth of the river, just
+beneath the sunset, began the great road that winds up through the
+woods and the valley. There is something of the friendliness of a
+living being about such a forest road.</p>
+
+<p>Eilert was going out in his boat to fish haddock, and I went
+with him. Actually he should have been getting some meat for us;
+but he had promised the gentry from the city some fish, and fish
+was one of the gifts of God. Besides, if he lacked meat, he could
+always slaughter one of the pigs.</p>
+
+<p>There was a slight wind; but then we wanted some wind, Eilert
+said, as long as there was not too much of it.</p>
+
+<p>"Not reliable tonight though," he said, looking up into the sky;
+"the bigger the wind, the stronger the current."</p>
+
+<p>At first I was very brave, and sat on the thwart thinking of
+Eilert's French words: <em>travali, prekevary, sutinary,
+mankémang</em>, and many others. They've had a long way to travel,
+coming here by ancient routes via Bergen, and now they're common
+property.</p>
+
+<p>And then suddenly I lost all interest in French words, and felt
+extremely ill. It was much too windy, and we got no haddock.</p>
+
+<p>"Pity she's come up so quick," said Eilert; "let's try inshore
+for a while."</p>
+
+<p>But we got nothing there either, and as the wind increased and
+the sea rose, "We'd better go home," said Eilert.</p>
+
+<p>The sea had been just right before, remarkably so, but now there
+was entirely too much of it. Why on earth did I feel so bad? An
+inner exhaustion, some emotional excitement, would have explained
+it. But I had experienced no emotional excitement.</p>
+
+<p>We rowed in the foam and feathery jets of spray. "She's rising
+fast!" cried Eilert, rowing with all his might.</p>
+
+<p>I felt so wretched that Eilert told me to ship my oars; he would
+manage by himself. But for all my wretchedness, I remembered that
+they could see me from the shore, and I would not put down my oars.
+Eilert's wife might see me and laugh at me.</p>
+
+<p>What a revolting business, this seasickness that forced me to
+put my head over the gunwale and make a pig of myself! I had a
+moment's relief, and then it began all over again. Charming! I felt
+as though I were in labor; the wrong way up, of course, through my
+throat, but it was a delivery nonetheless. It moved up, then
+stopped, came on again and stopped, came on and stopped once more.
+It was a lump of iron--iron, did I say? No, steel; I had never felt
+anything like it before; it was not something I was born with. All
+my internal mechanism was stopped by it. Then I took a running
+start far down inside me and began, strangely, to howl with all my
+strength; but a howl, however successful, cannot break down a lump
+of steel. The pains continued. My mouth filled with bile. Soon,
+thank heaven, my chest would burst. O--oh--oh.... Then we rowed
+inside the islands that served as a breakwater, and I was
+saved.</p>
+
+<p>Quite suddenly I was well again, and began to play the clown,
+imitating my own behavior in order to deceive the people ashore.
+And I assured Eilert, too, that this was the first time I had ever
+been seasick, so that he should understand it was nothing to gossip
+about. After all, he had not heard about the great seas I had
+sailed without the slightest discomfort; once I had been
+four-and-twenty days on the ocean, with most of the passengers in
+bed, and even the captain sick in cascades; but not me!</p>
+
+<p>"Yes, I get seasick sometimes, too," says Eilert.</p>
+
+<p>That evening I sat eating alone in the dining room. Since we had
+not brought back any haddock, the visitors upstairs had no desire
+to come down. All they wanted, Eilert's wife said, was some bread
+and butter and milk to be sent up.</p>
+
+<h2 class="spaced">XXVIII</h2>
+
+<p>Next morning they had gone.</p>
+
+<p>Yes, indeed, they left at four in the morning, at dawn; I heard
+them perfectly well, for my room was near the stairs. The knight of
+the plump thighs came first, clumping heavily down the stairs. She
+hushed him, and her voice sounded angry.</p>
+
+<p>Eilert had just risen too, and they stood outside for some
+minutes, negotiating with him for the boat--yes, at once; they had
+changed their minds and wanted to leave, immediately. Then they
+went down to the boat, Eilert with them. I could see them through
+the window, chilled by the cold of early morning and short-tempered
+with each other. There had been a frost during the night; ice lay
+on the water in the buckets, and the ground was harsh to walk on.
+Poor things--no food, no coffee; a windy morning, with the sea
+still running rather high. There they go with their knapsacks on
+their backs; she is still wearing her red hat.</p>
+
+<p>Well, it was no concern of mine, and I lay down again, intending
+to sleep till about noon. Nothing was any concern of mine, except
+myself. I could not see the boat from my bed, so I got up
+again--just to while the time away--to see how far they had gone.
+Not very far, though both men were rowing. A little later I got up
+and looked again--oh, yes, they were getting on. I took up my post
+by the window. It was really quite interesting to watch the boat
+getting smaller and smaller; finally I opened the window, even
+looked through my field-glasses. As it was not yet quite light, I
+could not see them very clearly, but the red hat was still
+discernible. Then the boat disappeared behind an island. I dressed
+and went down. The children were all still in bed, but the wife,
+Regine, was up. How calmly and naturally she took everything!</p>
+
+<p>"Do you know where your husband is?" I asked her.</p>
+
+<p>"Yes--funny, aren't they?" she replied. "I never saw them till
+after they'd left--gone down to the fjord. Where do you suppose
+they're going? Haddock fishing?"</p>
+
+<p>"Maybe," was all I said. But I thought to myself: "They're
+leaving, all right. They had their knapsacks on their backs."</p>
+
+<p>"Funny couple," Regine resumed. "Nothing to eat, no coffee, not
+a thing! And the missis not wanting anything to eat last night,
+neither!"</p>
+
+<p>I merely shook my head and went out. Regine called to me that
+coffee was nearly ready, so if I'd like a cup--</p>
+
+<p>Of course the only thing I could do in the face of such
+foolishness was to shake my head and go away. One must take the
+sensible view. How was it possible to understand such behavior?
+Nevertheless I, the undersigned, should have gone on to Olaus
+yesterday, instead of going fishing. That would have been still
+more sensible. What business had I at this house? Very likely she
+found it embarrassing to be called the "missis," and this was why
+she could neither eat last night nor stay here today. So she had
+beaten a retreat, with her friend and her knapsack.</p>
+
+<p>Well, it was not much to go away with, but perhaps that doesn't
+matter. As long as one has a reason to go away.</p>
+
+<hr>
+<p>Later in the forenoon Eilert returned home. He was alone, but he
+came up the path carrying one of the knapsacks--the larger one. He
+was in a furious temper, and kept saying they'd better not try it
+on him--no, they'd just better not.</p>
+
+<p>Of course it was the bill again.</p>
+
+<p>"She'll probably have a good deal of this sort of trouble," I
+thought to myself, "but no doubt she'll get used to it, and take it
+as nonchalantly as it should be taken. There are worse things."</p>
+
+<p>But the fact remains that it was I that upset them, I that had
+driven them away without their clothes; perhaps they had really
+expected some money to be sent here--who knows?</p>
+
+<p>I got hold of Eilert. How big was the bill? What, was that all?
+"Good heavens! Here you are, here's your money; now row across to
+them at once with their clothes!"</p>
+
+<p>But it all proved in vain, for the strangers had gone; they had
+arrived just in time for the boat, and were aboard it at that very
+moment.</p>
+
+<p>Well, there was no help for it.</p>
+
+<p>"Here's their address," says Eilert. "We can send the clothes
+next Thursday; that's the next trip the boat goes south again."</p>
+
+<p>I took down the address, but I was most ungracious to Eilert.
+Why couldn't he have kept the other knapsack--why this particular
+one?</p>
+
+<p>Eilert replied that it was true the gentleman had offered him
+the other one, but he could see from the outside that it was not so
+good as this one. And I should remember that the money the missis
+had paid him hadn't covered more than the bill for one of them. So
+it was only reasonable that he should take the fullest knapsack. As
+a matter of fact, he had behaved very well, and that was the truth.
+Because when she gave him the larger knapsack, and wrote the
+address, she had scolded, but he had kept quiet, and said not
+another word. And anyway, nobody had better try it on him--they'd
+better not, or he'd know the reason why!</p>
+
+<p>Eilert shook a long-armed fist at the sky.</p>
+
+<p>When he had eaten, drunk his coffee, and rested for a while, he
+was not so lively and talkative as on the previous day. He had been
+brooding and speculating ever since last summer, when the motor
+traffic started, and did I think it would be a good idea for him to
+hire three grown men, too, and build a much bigger house than
+Olaus's?</p>
+
+<p>So he had caught it, too--the great, modern Norwegian
+disease!</p>
+
+<p>The knapsack was back in her room again; yes, these were her
+clothes; I recognized her blouses, her skirts and her shoes. I
+hardly looked at them, of course; just unpacked them, folded them
+neatly, and put them back in the bag again; because no doubt Eilert
+had had them all out in a heap. This was really my only reason for
+unpacking them.</p>
+
+<h2 class="spaced">XXIX</h2>
+
+<p>Once more I was run into a party of English, the last for this
+year.</p>
+
+<p>They arrived by steamer in the morning and stopped at the
+trading station for a few hours, meanwhile sending up a detachment
+through the valley to order a car to meet them. Stordalen,
+Stordalen, they said. So they had apparently not yet seen
+Stordalen--an omission they must repair at once.</p>
+
+<p>And what a sensation they made!</p>
+
+<p>They came across by rowboat from the trading station; we could
+hear them a long way off, an old man's voice drowning out all the
+others. Eilert dropped everything he had in hand, and ran down to
+the landing place in order to be the first on the spot. From
+Olaus's house, too, a man and a few half-grown boys went down, and
+from all the houses round swarmed curious and helpful crowds. There
+were so many spectators at the landing place that the old man with
+the loud voice drew himself up to his full height in the boat and
+majestically shouted his English at us, as though his language must
+of course be ours as well:</p>
+
+<p>"Where's the car? Bring the car down!"</p>
+
+<p>Olaus, who was sharp, guessed what he meant and at once sent his
+two boys up the valley to meet the car and hurry it on, for the
+Englishmen had arrived.</p>
+
+<p>They disembarked, they were in a great hurry, they could not
+understand why the car had not come to meet them: "What was the
+meaning of this?" There were four of them. "Stordalen!" they said.
+As they came up past Eilert's house, they looked at their watches
+and swore because so many minutes were being wasted. Where the
+devil was the car? The populace followed at some distance, gazing
+with reverence on these dressed-up fools.</p>
+
+<p>I remember a couple of them: an old man--the one with the loud
+voice--who wore a pleated kilt on each thigh and a jacket of green
+canvas with braid and buckles and straps and innumerable pockets
+all over it. What a man, what a power! His beard, streaming out
+from under his nose like the northern lights, was greenish-white,
+and he swore like a madman. Another of the party was tall and bent,
+a flagpole of sorts, astonishing, stupendous, with sloping
+shoulders, a tiny cap perched above extravagantly arched eyebrows;
+he was an upended Roman battering ram, a man on stilts. I measured
+him with my eyes, and still there was something left over. Yet he
+was bent and broken, old before his time, quite bald; but his mouth
+was tight as a tiger's, and he had a madness in his head that kept
+him on the move.</p>
+
+<p>"Stordalen!" he cried.</p>
+
+<p>England will soon have to open old people's homes for her sons.
+She desexes her people with sport and obsessive ideas: were not
+other countries keeping her in perpetual unrest, she would in a
+couple of generations be converted to pederasty....</p>
+
+<p>Then the horn of the car was heard tooting in the woods, and
+everyone raced to meet it.</p>
+
+<p>Of course Olaus's two boys had done an honest day's work in
+meeting the car so far up the road, and urging the driver to hurry;
+were they not to get any reward? True, they were allowed to sit in
+the back seat for their return journey and thus enjoyed the drive
+of a lifetime; but money! They had acquired enough brazenness in
+the course of the summer not to hesitate, and approached the
+loud-voiced old man, holding out their palms and clamoring:
+"Money!" But that did not suit the old man, who entered the car
+forthwith, urging his companions to hurry. The driver, no doubt
+thinking of his own tips, felt he would serve his passengers best
+by driving off with them at once. So off he went. A toot of the
+horn, and a rapid fanfare--tara-ra-boom-de-ay!</p>
+
+<p>The spectators turned homeward, talking about the illustrious
+visitors. Foreign lands--ah, no, this country will not bear
+comparison with them! "Did you see how tall the younger lord was?"
+"And did you see the other one, the one with the skirts and the
+northern lights?"</p>
+
+<p>But some of the homeward-turning bumpkins, such as the Olaus
+family, had more serious matters on their minds. Olaus for the
+first time understood what he had read in the paper so many times,
+that the Norwegian elementary school is a worthless institution
+because it does not teach English to the children of the lower
+orders. Here were his boys, losing a handsome tip merely because
+they could not swear back intelligibly at the gentleman with the
+northern lights. The boys themselves had also something to think
+about: "That driver, that scoundrel, that southerner! But just
+wait!" They had heard that bits of broken bottle were very good for
+tires....</p>
+
+<hr>
+<p>I return to her knapsack and her clothes, and the reason why I
+do so is that Eilert is so little to be trusted. I want to count
+her clothes to make sure none of them disappear; it was a mistake
+not to have done so at once.</p>
+
+<p>It may seem as though I kept returning to these clothes and
+thinking about them; but why should I do that? At any rate it is
+now evident that I was right in suspecting Eilert, for I heard him
+going upstairs, and when I came in, he was turning out the bag and
+going through the clothes.</p>
+
+<p>"What are you doing?" I said.</p>
+
+<p>At first he tried to brazen it out.</p>
+
+<p>"Never you mind," he replied. But my knowing something about him
+was so much to my advantage that he soon drew in his horns. How I
+wronged him, he complained, and exploited him:</p>
+
+<p>"You haven't bought these clothes," he said. "I could have got
+more for them if I'd sold them." He had been paid, but he still
+wanted more, like the stomach, which goes on digesting after death.
+That was Eilert. Yet he was not too bad; he had never been any
+better, and he certainly had grown no worse with his new
+livelihood.</p>
+
+<p>May no one ever grow worse with a new livelihood!</p>
+
+<p>So I moved the knapsack and the clothes into my own room in
+order to take better care of them. It was a slow job to tidy
+everything up for the second time, but it had to be done. Later
+that evening I would resume my journey, taking the knapsack with
+me. I had done with the place, and the nights were moonlit
+again.</p>
+
+<p>Enough of these clothes!</p>
+
+<h2 class="spaced">XXX</h2>
+
+<p>Once again I am at an age when I walk in the moonlight. Thirty
+years ago I walked in the moonlight, too, walked on crackling,
+snowy roads, on bare, frozen ground, round unlocked barns, on the
+hunt for love. How well I remember it! But it is no longer the same
+moonlight. I could even read by it the letter she gave me. But
+there are no such letters any more.</p>
+
+<p>Everything is changed. The tale is told, and tonight I walk
+abroad on an errand of the head, not of the heart: I shall go
+across to the trading center and dispatch a knapsack by the
+steamer; after that I shall wander on. And that requires nothing
+but a little ordinary training in walking, and the light of the
+moon to see by. But in those old days, those young days, we studied
+the almanac in the autumn to find out if there would be a moon on
+Twelfth Night, for we could use it then.</p>
+
+<p>Everything is changed; I am changed. The tale lies within the
+teller.</p>
+
+<p>They say that old age has other pleasures which youth has not:
+deeper pleasures, more lasting pleasures. That is a lie. Yes, you
+have read right: that is a lie. Only old age itself says this, in a
+self-interest that flaunts its very rags. The old man has forgotten
+when he stood on the summit, forgotten his own self, his own
+<em>alias</em>, red and white, blowing a golden horn. Now he stands
+no longer--no, he sits--it is less of a strain to sit. But now
+there comes to him, slow and halting, fat and stupid, the honor of
+old age. What can a sitting man do with honor? A man on his feet
+can use it; to a sitting man it is only a possession. But honor is
+meant to be used, not to be sat with.</p>
+
+<p>Let sitting men wear warm stockings.</p>
+
+<hr>
+<p>What a coincidence: another barn on my road, just as in the days
+of the golden horn! It offers me plenty of straw and shelter for
+the night; but where is the girl who gave me the letter? How warm
+her breath was, coming between lips a little parted! She will come
+again, of course; let us wait, we have plenty of time, another
+twenty years--oh, yes, she will come....</p>
+
+<p>I must be on my guard against such traps. I have entered upon
+the honorable years; I am weak and quite capable of believing that
+a barn is a gift from above: thou well-deserving old man, here is a
+barn for thee!</p>
+
+<p>No, thank you, I'm only just in my seventies.</p>
+
+<p>And so in my errand of the head I pass by the barn.</p>
+
+<p>Toward morning I find shelter under a projecting crag. It is
+fitting that I should live under crags hereafter, and I lie down in
+a huddle, small and invisible. Anything else you please, as long as
+you don't flaunt your selfishness and your rags!</p>
+
+<p>I am comfortable now, lying with my head on another person's
+knapsack full of used clothes; I am doing this solely because it is
+just the right size. But sleep will not come; there are only
+thoughts and dreams and lines of poetry and sentimentality. The
+sack smells human, and I fling it away, laying my head on my arm.
+My arm smells of wood--not even wood.</p>
+
+<p>But the slip of paper with the address--have I got the address?
+And I scratch a match to read it through and know it by heart
+tomorrow. Just a line in pencil, nothing; but perhaps there is a
+softness in the letters, a womanliness--I don't know.</p>
+
+<p>It doesn't matter.</p>
+
+<p>I manage to reach the trading center at midday, when everyone is
+up and about, and the post office open. They give me a large sheet
+of wrapping paper and string and sealing wax; I wrap the parcel and
+seal it and write on the outside. There!</p>
+
+<p>Oh--I forgot the slip of paper with the address--to put it
+inside, I mean. Stupid! But otherwise I have done what I should. As
+I continue on my way, I feel strangely void and deserted; no doubt
+because the knapsack was quite heavy after all, and now I am well
+rid of it. "The last pleasure!" I think suddenly. And as I walk on
+I think irrelevantly: "The last country, the last island, the last
+pleasure...."</p>
+
+<h2 class="spaced">XXXI</h2>
+
+<p>What now?</p>
+
+<p>I didn't know at first. The winter stood before me, my summer
+behind me--no task, no yearning, no ambition. As it made no
+difference where I stayed, I remembered a town I knew, and thought
+I might as well go there--why not? A man cannot forever sit by the
+sea, and it is not necessary to misunderstand him if he decides to
+leave it. So he leaves his solitude--others have done so before
+him--and a mild curiosity drives him to see the ships and the
+horses and the tiny frostbitten gardens of a certain town. When he
+arrives there, he begins to wonder in his idleness if he does not
+know someone in this town, in this terrifyingly large town. The
+moonlight is bright now, and it amuses him to give himself a
+certain address to visit evening after evening, and to take up his
+post there as though something depended on it. He is not expected
+anywhere else, so he has the time. Then one evening someone finds
+him reading under a lamppost, stops suddenly and stares, takes a
+few steps toward him, and bends forward searchingly.</p>
+
+<p>"Isn't it--? Oh, no, excuse me, I thought--"</p>
+
+<p>"Yes, it is. Good evening, Miss Torsen."</p>
+
+<p>"Why, good evening. I thought it looked like you. Good evening.
+Yes, thank you, very well. And thanks for the knapsack; I
+understood all at once--I quite understand--"</p>
+
+<p>"Do you live here? What a strange coincidence!"</p>
+
+<p>"Yes, I live here; those are my windows. You wouldn't like to
+come up, would you? No, perhaps you wouldn't."</p>
+
+<p>"But I know where there are some benches down by the shore.
+Unless you're cold?" I suggested.</p>
+
+<p>"No, I'm not cold. Yes, thank you, I'd like to."</p>
+
+<p>We went down to a bench, looking like a father and daughter out
+walking. There was nothing striking about us, and we sat the whole
+evening undisturbed. Later we sat undisturbed on other evenings all
+through a cold autumn month.</p>
+
+<p>Then she told me first the short chapter of her journey home,
+some of it only hinted, suggested, and some of it in full;
+sometimes with her head deeply bowed, sometimes, when I asked a
+question, replying by a brief word or a shake of the head. I write
+it down from memory; it was important to her, and it became
+important for others as well.</p>
+
+<p>Besides--in a hundred years it will all be forgotten. Why do we
+struggle? In a hundred years someone will read about it in memoirs
+and letters and think: "How she wriggled, how she fussed--dear me!"
+There are others about whom nothing at all will be written or read;
+life will close over them like a grave. Either way...</p>
+
+<p>What sorrows she had--dear, dear, what sorrows! The day she had
+been unable to pay the bill, she thought herself the center of the
+universe; everybody stared at her, and she was at her wits' end.
+Then she heard a man's voice outside saying: "Haven't you watered
+Blakka yet?" That was <em>his</em> preoccupation. So she was not
+the center of the universe after all.</p>
+
+<p>Then she and her companion had left the house, and set out on
+their tour. The center? Not at all. Day after day they walked
+across fields, and through valleys, had meals in houses by the way,
+and water from the brooks. If they met other travelers, they
+greeted them, or they did not greet them; no one was less a center
+of attention than they, and no one more. Her companion walked in
+vacant thoughtlessness, whistling as he went.</p>
+
+<p>At one place they stopped for food.</p>
+
+<p>"Will you pay for mine for the time being?" he said.</p>
+
+<p>She hesitated and then said briefly that she could not pay "for
+the time being" all the way.</p>
+
+<p>"Of course not, by no means," said he. "Just for the moment.
+Perhaps we can get a loan further down the valley."</p>
+
+<p>"I don't borrow."</p>
+
+<p>"Ingeborg!" said he, pretending playfully to whimper.</p>
+
+<p>"What is it?"</p>
+
+<p>"Nothing. Can't I say 'Ingeborg' to my own wife?"</p>
+
+<p>"I'm not your own wife," she said, getting up.</p>
+
+<p>"Pish! We were man and wife last night. It says so in the
+visitors' book."</p>
+
+<p>She was silent at this. Yes, last night they had been man and
+wife; that was to save getting two rooms, and travel economically.
+But she had been very foolish to agree to it.</p>
+
+<p>"'Miss Torsen,' then?" he whimpered.</p>
+
+<p>And to put an end to the game, she paid for both of them and
+took her knapsack on her back.</p>
+
+<p>They walked again. At the next stop she paid for them both
+without discussion--for the evening meal, for bed and breakfast. It
+grew to be a habit. They walked on once more. They reached the end
+of the valley by the sea, and here she revolted again.</p>
+
+<p>"Go away--go on by yourself; I don't want you in my room any
+more!"</p>
+
+<p>The old argument no longer held good. When he repeated that they
+saved money by it, she replied that she for her part required no
+more than one room, and was quite able to pay for it. He joked
+again, whimpered, "Ingeborg!" and left her. He was beaten, and his
+back was bent.</p>
+
+<p>She ate alone that evening.</p>
+
+<p>"Isn't your husband coming in?" asked the woman of the
+house.</p>
+
+<p>"Perhaps he doesn't want anything," she replied.</p>
+
+<p>There he stood, away by the tiny barn pretending to be
+interested in the roof, in the style of building, and walked round
+looking at it, pursing his lips and whistling. But she could see
+perfectly well from the window that his face was blue and dejected.
+When she had eaten, she walked down to the shore, calling as she
+passed him:</p>
+
+<p>"Go in and eat!"</p>
+
+<p>But he had not sunk quite so low; he would not go in to eat, and
+slept under no roof that night.</p>
+
+<p>It ended as such things usually end: when she found him at last
+next morning, regretting her action and shaken by his appearance,
+everything slipped back again to where it had been.</p>
+
+<p>They stopped at this place a few days, waiting for the mail
+boat, when one evening an elderly man came to the house. She knew
+him, and he knew them both; she was thrown into a state of the
+greatest excitement, made ready to leave at once, wept and beat her
+breast, and wanted to go home, immediately, at once. It ended as
+such things usually end: when she had calmed down, she went to bed
+for the night. She was not the center of the universe, and the old
+acquaintance who had happened to pass that way did not appear to be
+looking only at her. Nevertheless, she staged a sort of flight
+early next morning, in the gray dawn, before other people were up.
+This much she did.</p>
+
+<p>Aboard the mail boat she met no more acquaintances, and had
+leisure to think things over calmly. She now broke with her
+companion in earnest. She had a minor disagreement with him again,
+for he had no ticket, and one word gave rise to the next. It was
+all very well for her, he said; she had her return ticket in her
+pocket. Besides, had he not got himself involved in all these
+trials and tribulations because of her letter last summer, and was
+she not ashamed of herself? He would not have moved a foot outside
+the town had it not been for that letter of hers. Then she gave him
+her purse and all her money and asked him to leave her. There was
+probably enough to buy him a ticket, and now she would be rid of
+him.</p>
+
+<p>"Of course I shouldn't accept this, but there's no other way,"
+he said, and left her.</p>
+
+<p>She stood gazing across the water, and wondering what to do. She
+was in a bad way now, so very different from what she had once
+thought; what shame, what utter futility she had wandered into! She
+brooded till she was worn out; then she began to listen to what
+people about her were saying. Two men were huddled on benches
+trying to shelter from the wind; she heard one of them say he was a
+schoolmaster, and the other that he was an artisan. The
+schoolmaster did not remain seated long, but got up and swaggered
+toward her. She passed him in silence and took his place on the
+bench.</p>
+
+<p>It was a raw autumn day, and it did her good to get out of the
+wind. The artisan probably thought this tall, well-dressed lady had
+a berth, but when she sat down, he moved over on his own bench. He
+was on the point of lighting his pipe, but stopped.</p>
+
+<p>"Go on, don't mind me," she said.</p>
+
+<p>So he lit it, but he was careful not to blow the smoke into her
+face.</p>
+
+<p>He was only a youngster, a little over twenty, with thick
+reddish hair under his cap, and whitish eyebrows high up on his
+forehead. His chest was broad and flat, but his back was round and
+his hands massive. A great horse.</p>
+
+<p>Then a tray was brought him, sandwiches and coffee, which he had
+evidently been waiting for; he paid, but went on smoking and let
+the food stand.</p>
+
+<p>"Please eat," she said. "You don't mind my sitting here?"</p>
+
+<p>"Not at all," he replied. He knocked out his pipe slowly, taking
+plenty of time over it; then sat still again.</p>
+
+<p>"I don't really need anything to eat yet, either," he said.</p>
+
+<p>"Oh--haven't you come far?"</p>
+
+<p>"No, only last night. Where do you come from, lady?"</p>
+
+<p>"From the town. I've been on holiday."</p>
+
+<p>"That's what I thought," he said, nodding his head.</p>
+
+<p>"I've been up at the Tore Peak farm," she added.</p>
+
+<p>"The Tore Peak? So."</p>
+
+<p>"Do you know it?"</p>
+
+<p>"No, but I know some of the people there."</p>
+
+<p>A pause.</p>
+
+<p>"Josephine's there," he resumed.</p>
+
+<p>"Yes. Do you know her?"</p>
+
+<p>"Oh, no."</p>
+
+<p>They talked a little more. The boat sailed on, and they sat
+there talking; it was all they had to do. She asked where he came
+from and what his trade was, and it seemed he was nothing
+important, only a paltry carpenter, and his mother had a small
+farm. Would the lady like a simple cup of coffee?</p>
+
+<p>"Why, yes, thank you." Could she have a little of his, "just a
+little in the saucer?"</p>
+
+<p>She poured some of the coffee into the saucer and asked for a
+bite of food as well. Never had food tasted so good, and when she
+had finished, she thanked him for that, too.</p>
+
+<p>"Haven't you a berth?" he asked.</p>
+
+<p>"Yes, but I'd rather stay here," she said. "If I go below, I'll
+be sick."</p>
+
+<p>"That's what I thought. Well, now I wonder--"</p>
+
+<p>With that he got up and walked slowly and heavily away. She
+watched his back disappearing down the companion to the lower
+deck.</p>
+
+<p>She waited for him a long time, fearing that someone else might
+come and take his place. Coffee from the saucer, a good-sized
+sandwich with the carpenter: nothing wily or unnatural about that;
+this sheltered corner seemed to her like a tiny foothold in
+life.</p>
+
+<p>There he was, coming back with more food and coffee, a whole
+tray in his big hands. He laughed good-naturedly at himself for
+walking so carefully.</p>
+
+<p>She threw up her hands and overdid things a little:</p>
+
+<p>"Great heavens! Really, you're much, much too kind!"</p>
+
+<p>"Well, I thought since you were sitting here anyhow--"</p>
+
+<p>They both ate; she grew warm and sleepy, and leaned back
+half-dozing. Every time she opened her eyes, she saw the carpenter
+lighting his pipe; he struck two or three matches at once, but he
+was in no hurry; they were always half burned before he put his
+pipe in his mouth and began to suck at it. The schoolmaster called
+something to him, drew his attention to something far inland, but
+the carpenter merely nodded and said nothing.</p>
+
+<p>"I wonder if he's afraid he'll wake me," she thought.</p>
+
+<p>At one stop, her former traveling companion turned up again; he
+had been below in the cabin.</p>
+
+<p>"Aren't you coming down, Ingeborg?" he asked.</p>
+
+<p>She did not reply.</p>
+
+<p>The carpenter looked from one to the other.</p>
+
+<p>"Miss Torsen, then!" whimpered the traveling companion
+playfully. He stood waiting a moment, and finally went away.</p>
+
+<p>"Ingeborg," the carpenter was probably thinking. "Miss Torsen,"
+he was thinking.</p>
+
+<p>"How long will you be in the town?" she asked, getting up.</p>
+
+<p>"Oh, I'll be there some time."</p>
+
+<p>"What are you doing there?"</p>
+
+<p>He was a little embarrassed, and since his skin was so fair, she
+could see at once that he reddened. He bent forward, planting his
+elbows on his knees before he replied.</p>
+
+<p>"I want to learn a little more in my trade, be an apprentice,
+maybe. It all depends."</p>
+
+<p>"Oh, I see."</p>
+
+<p>"What do you think of it?" he asked.</p>
+
+<p>"I think it's a good idea."</p>
+
+<p>"Do you?"</p>
+
+<p>They were on deck nearly the whole of the day, but toward
+evening it turned bitter cold and windy. When she had grown stiff
+with sitting, she got up and stamped her feet, and when she had
+stamped till she was tired, she sat down again. Once when she was
+standing a little distance away, she saw the carpenter place a
+parcel on the bench as though to keep her seat for her.</p>
+
+<p>Her quondam traveling companion stuck his head out of a doorway,
+the wind blowing his hair forward over his forehead, and cried:</p>
+
+<p>"Ingeborg, go below, will you!"</p>
+
+<p>"Oh," she groaned. Suddenly she was seized with fury. The ship
+heeled over on its side as she walked toward him, and she had to
+take a few skips to keep her balance.</p>
+
+<p>"I don't want you to talk to me again," she hissed at him. "Do
+you hear? I mean it, by all that's holy!"</p>
+
+<p>"Good gracious!" he exclaimed and disappeared.</p>
+
+<p>At about three o'clock, the carpenter turned up with coffee and
+sandwiches again.</p>
+
+<p>"Really you mustn't be doing this all the time," she said.</p>
+
+<p>He merely laughed good-naturedly again, and told her to eat if
+she thought it was good enough.</p>
+
+<p>"We'll soon be there now," she said as she ate. "Have you
+someone to go to?"</p>
+
+<p>"Oh, yes, I have a sister."</p>
+
+<p>Slowly and thoughtfully he took another sandwich and turned it
+over, looking at it absently before he took a bite out of it. When
+he had finished one mouthful, he took another. And when he had
+finished that one, too, he said:</p>
+
+<p>"I thought that as I'm going to stay in town over the winter,
+I'd better learn something. And what with the farm as well--"</p>
+
+<p>"Yes, indeed."</p>
+
+<p>"You think so too?"</p>
+
+<p>"Oh, yes. I think so."</p>
+
+<p>Why did he tell her about his private affairs? She had private
+affairs of her own. She thanked him for the sandwiches and got
+up.</p>
+
+<p>As the boat drew alongside the pier, he offered her his hand and
+said:</p>
+
+<p>"My name is Nikolai."</p>
+
+<p>"Oh, yes?"</p>
+
+<p>"I thought in case we meet again--Nikolai Palm--but I expect the
+town's too big--"</p>
+
+<p>"Yes, I expect it is. Well, thanks ever so much for all your
+kindness. Good-bye."</p>
+
+<h2 class="spaced">XXXII</h2>
+
+<p>I ask Miss Torsen:</p>
+
+<p>"Have you met the carpenter since?"</p>
+
+<p>"What carpenter? Oh--no, I haven't. I only told you about him
+because he's a sort of mutual acquaintance."</p>
+
+<p>"Acquaintance?"</p>
+
+<p>"Yes, of yours and mine. Only indirectly, of course. He happens
+to be the brother of that schoolmistress Miss Palm that was at the
+Tore Peak farm last summer."</p>
+
+<p>"Well, the world's a small place. We all belong to the same
+family."</p>
+
+<p>"And that's why I've told you all this about him."</p>
+
+<p>"But you didn't find out about this relationship on the boat,
+did you? So you must have met him since."</p>
+
+<p>"Yes,--well, no, that is to say I've seen him a few times, but
+not to speak to. We just said good morning and how are you and so
+on. Then he said he was her brother."</p>
+
+<p>"Ha, ha, ha!"</p>
+
+<p>"It was just in passing, quite by accident."</p>
+
+<p>This gave me a good opportunity for saying: "What a lot of
+things are accidental! It was an accident that I should have
+stopped under a particular lamppost to look up something, to read a
+few lines. And then you happened to live there."</p>
+
+<p>"That's right."</p>
+
+<p>"I expect you and the carpenter will be getting married," I
+said.</p>
+
+<p>"Ha, ha! No, indeed, I shan't marry anyone."</p>
+
+<p>"No?"</p>
+
+<p>"You have to be pretty naïve to marry."</p>
+
+<p>"Well, I don't know that being naïve does any harm--being not
+quite so clever. Where does your cleverness lead you? Only to being
+cheated. Because there isn't anybody who's quite clever
+enough."</p>
+
+<p>"I should have thought being clever is just the thing to protect
+you against being cheated. What else would it do?"</p>
+
+<p>"Exactly. What else? But the trouble is we trust our cleverness
+so much that we get cheated that way. Or else we let things go from
+bad to worse, because why should we worry? After all we've got our
+cleverness to help get us out of the mess!"</p>
+
+<p>"Well, in that case it's pretty hopeless!"</p>
+
+<p>"Relying on your cleverness--yes. That was your own opinion last
+summer, you know."</p>
+
+<p>"Yes, I remember that. I thought--oh, I don't know. But when I
+came back to town again it was as though--"</p>
+
+<p>A pause.</p>
+
+<p>"I don't know what to think," she said.</p>
+
+<p>"And I do because I'm old and wise. You see, Miss Torsen, in the
+old days people didn't think so much about cleverness and secondary
+schools and the right to vote; they lived their lives on a
+different plane, they were naïve. I wonder if that wasn't a pretty
+good way to live. Of course people were cheated in those days, too,
+but they didn't smart under it so; they bore it with greater
+natural strength. We have lost our healthy powers of
+endurance."</p>
+
+<p>"It's getting cold," she said. "Shall we go home?--Yes, of
+course that's all quite true, but we're living in modern times. We
+can't change the times; I can't, at any rate; I've got to keep up
+with the times."</p>
+
+<p>"Yes, that's what it says in the Oslo morning paper. Because it
+used to say so in the <em>Neue Freie Presse</em>. But a person with
+character goes his own way up to a point, even if the majority go a
+different way."</p>
+
+<p>"Yes--well, I'm really going to tell you something now," she
+said, stopping. "I go to a really sensible school during the
+day."</p>
+
+<p>"Do you?" I said.</p>
+
+<p>"Only this time I'm learning housekeeping; isn't that a good
+thing?"</p>
+
+<p>"You mean you're learning to cut sandwiches for yourself?"</p>
+
+<p>"Ha, ha!"</p>
+
+<p>"Well, you said you weren't going to marry!"</p>
+
+<p>"Oh, I don't know."</p>
+
+<p>"Very well. You marry; you settle down in his valley. But first
+you have to learn housekeeping so that you can make an omelette or
+possibly a pudding for tourists or Englishmen that pass
+through."</p>
+
+<p>"His valley? Whose valley?"</p>
+
+<p>"You'd much better go to his mother's and learn all the
+housekeeping you're going to need from her."</p>
+
+<p>"Really, really," she said smiling as she walked on again,
+"you're quite on the wrong track. It isn't he--it isn't
+anybody."</p>
+
+<p>"So much the worse for you. There ought to be somebody."</p>
+
+<p>"Yes, but suppose it's not the one I want."</p>
+
+<p>"Oh, yes, it will be the one you want. You're big enough and
+handsome enough and capable enough."</p>
+
+<p>"Thank you very much, but--well. Thanks so much. Good
+night."</p>
+
+<p>Why did she break off so suddenly and leave me so hurriedly,
+almost at a run? Was she crying? I should have liked to have said
+more, to have been wise and circumstantial and made useful
+suggestions, but I was left standing in a kind of stupid
+surprise.</p>
+
+<p>Then something happened.</p>
+
+<p>"We haven't seen each other for such a long time," she said, the
+next time we met. "I'm so glad to see you again. Shall we take a
+short walk? I was just--"</p>
+
+<p>"Going to post a letter, I see."</p>
+
+<p>"Yes, I was going to post a letter. It's only--it's not--"</p>
+
+<p>We went to a newspaper office with the letter. It was evidently
+an advertisement; perhaps she was trying to find a situation.</p>
+
+<p>As she came out of the office a gentleman greeted her. She
+turned a deep red, and stopped for a moment at the top of the two
+stone steps leading from the entrance. Her head was bent almost to
+her chest, as though she were looking very carefully at the steps
+before venturing to come down them. They greeted each other again;
+the stranger shook her hand, and they began to talk.</p>
+
+<p>He was a man of her own age, good-looking, with a soft, fair
+beard, and dark eyebrows that looked as though he had blacked them.
+He wore a top hat, and his overcoat, which was open, was lined with
+silk.</p>
+
+<p>I heard them mention an evening of the previous week on which
+they had enjoyed themselves; it had been a relaxation. There had
+been quite a party, first out driving, then at supper together. It
+was a memory they had in common. Miss Torsen didn't say much. She
+seemed a little embarrassed, but smiling and beautiful. I began to
+look at the illustrated papers displayed in the window, when
+suddenly the thought struck me: "Good God, she's in love!"</p>
+
+<p>"Look, I have a suggestion," he said. Then they discussed
+something, agreed about something, and she nodded. After that he
+left her.</p>
+
+<p>She came toward me slowly and in silence. I spoke to her about
+some of the pictures in the window. "Yes," she said, "just think!"
+But she gazed at them without seeing anything. Silently we walked
+on, and for several minutes, at least, she said nothing.</p>
+
+<p>"Hans Flaten never changes," she said finally.</p>
+
+<p>"Is that who it was?" I asked.</p>
+
+<p>"His name's Flaten."</p>
+
+<p>"Yes, I remember you mentioned the name last summer. Who is
+he?"</p>
+
+<p>"His father's a merchant."</p>
+
+<p>"But he himself?"</p>
+
+<p>"His father owns the big shop in Almes Street, you know."</p>
+
+<p>"Yes, but what about <em>him</em>; what does he do?"</p>
+
+<p>"I don't know if he does anything special; he just studies. His
+father's so rich, you know."</p>
+
+<p>I recalled old Flaten's shop in Almes Street, a good, solid
+countryman's shop; in the mornings the yard was always full of
+horses, while the owners were busy making purchases in the
+shop.</p>
+
+<p>"He's such a man of the world," she went on. "He simply throws
+money about--banknotes. When he goes anywhere, the people all
+whisper, 'That's Flaten!'"</p>
+
+<p>"He dresses as though he were a baron," I said.</p>
+
+<p>"Yes," she replied, rather offended. "Yes, he dresses
+well--always has."</p>
+
+<p>"Is that the man you want?" I asked lightly.</p>
+
+<p>She was silent a moment, and then said with a resolute nod:</p>
+
+<p>"Yes."</p>
+
+<p>"What--that dandy?"</p>
+
+<p>"Why not? We're old friends, we've gone to school together,
+spent a lot of time together. It's really based on a firm
+foundation. He's the only man I've ever been in love with in all my
+life, and it's lasted many years. Sometimes, I'll admit, I forget
+him, but the moment I see him again, I'm as much in love as ever.
+I've told him so, and we both laugh about it, but that doesn't
+change it. It's queer."</p>
+
+<p>"Then I suppose he's too rich to marry her," I thought, and
+asked nothing more.</p>
+
+<p>When we parted, I said:</p>
+
+<p>"Where does Carpenter Nikolai work?"</p>
+
+<p>"I don't know," she replied. "Oh, yes, I do know. We're near
+there, and I can show you if you like. What do you want to see him
+for?"</p>
+
+<p>"Nothing. I just wondered if he's at a good place, with a
+competent master."</p>
+
+<hr>
+<p>Why did I, indeed, want to see Carpenter Nikolai, the artisan?
+Yet I have visited him and made his acquaintance. He is a bull in
+stature, strong and plain-featured, a man of few words. Last
+Saturday we saw the town together; why, I don't know, but I
+suggested it myself.</p>
+
+<p>I made friends with the carpenter for my own sake, because of my
+loneliness. I no longer went to the benches by the shore, as the
+weather was a little too cold, and Miss Torsen interested me very
+little now; she had changed so much since returning to the town.
+She had become more the ordinary type of girl, not in any one
+thing, but in general. She thought of nothing but vanities and
+nonsense, and seemed quite to have forgotten her last summer's
+wholesome, bitter view of life. Now she was back at school again,
+in her leisure hours meeting the gentleman named Flaten, and this
+occupied all of her time. Either she had no depths, or she had been
+vitiated in the vital years of adolescence.</p>
+
+<p>"What do you expect me to do?" she asked. "Of course I'm going
+to school again; I've been going to school ever since I was a
+child. I'm no good at anything else. I can only learn--that's what
+I'm used to. There isn't much I can think or do on my own, and I
+don't enjoy it either. So what do you expect?"</p>
+
+<p>No, what could I expect?</p>
+
+<p>Carpenter Nikolai went to the circus. He was not much surprised
+at anything he saw there, or he pretended not to be. The acrobatics
+on horseback--"Well, not bad, but after all--!" The tiger--"I
+thought tigers were much bigger!" Besides, his big, heavy head
+seemed preoccupied with other thoughts, and he paid little
+attention to the women riders who were doing their tricks.</p>
+
+<p>On the way home he said:</p>
+
+<p>"I ought not to ask you, I expect, but would you go to the
+<em>Krone</em> with me tomorrow evening?"</p>
+
+<p>"The <em>Krone</em>--what's that?"</p>
+
+<p>"It's a place where they dance."</p>
+
+<p>"A dance hall, in other words. Where is it? Do you feel so much
+like dancing?"</p>
+
+<p>"No, not much."</p>
+
+<p>"You want to see what goes on there?"</p>
+
+<p>"Yes."</p>
+
+<p>"All right, I'll go."</p>
+
+<hr>
+<p>It was on a Sunday evening, the girls' and boys' own evening,
+that the carpenter and I went to the dance.</p>
+
+<p>He had decked himself out in a starched collar and a heavy watch
+chain. But he was very young, and when you are young, you look well
+in anything. He had such remarkable strength that it was never
+necessary for him to give way; this had lent him assurance and
+authority. If you spoke to him, he was slow to reply, and if you
+slapped him on the shoulder, he was slow in turning round to see
+who had greeted him. He was a pleasant, good-humored companion.</p>
+
+<p>We went to the booking office; there was no one there, and the
+window was closed. Moreover a notice on the wall announced that the
+hall was let to a private club for the first two hours of the
+evening.</p>
+
+<p>A few young people came along as we were standing there, read
+the notice, and went away again. The carpenter was unwilling to go,
+looked round, and went in through the gate as though looking for
+someone.</p>
+
+<p>"We can't do anything about it," I called after him.</p>
+
+<p>"No," he said. "But I wonder--?"</p>
+
+<p>He crossed the yard and began to look up at all the windows.</p>
+
+<p>A man came down the stairs.</p>
+
+<p>"What is it?" he asked.</p>
+
+<p>"My friend wanted to buy a ticket," I replied. The carpenter
+still showed no inclination to return from the yard.</p>
+
+<p>The man approached me, and proved to be the landlord. He
+explained, like the notice, that a club had rented the hall for the
+first two hours.</p>
+
+<p>"Come along, we can't get in!" I called to my companion.</p>
+
+<p>But he was in no hurry, so I chatted with the landlord while
+waiting for him.</p>
+
+<p>"Yes, it's rather an exclusive club. Only eight couples, but
+just the same they've hired a full orchestra--rich people, you
+see."</p>
+
+<p>They had refreshments and plenty of champagne, and then they
+danced as though their lives depended on it. Why they did it? Oh,
+well, young people, rich and fashionable, bored by Sunday evening
+at home; they wanted to work off the week's idleness in two hours,
+so they danced. Not unusual, really.</p>
+
+<p>"And of course," said the landlord, "I earn more in those two
+hours than in the whole of the evening otherwise. Liberal
+people--they don't count the pennies. And yet there's no wear and
+tear, because of course people like that don't dance on their
+heels."</p>
+
+<p>The carpenter, who had come halfway back, stood listening to
+us.</p>
+
+<p>"What sort of people are they, generally speaking?" I inquired.
+"Businessmen, officers, or what?"</p>
+
+<p>"Excuse me, but I can't tell you that," replied the landlord.
+"It's a private party; that's all I can say. To-night, for
+instance, I don't even know who they are. The money just came by
+special messenger."</p>
+
+<p>"It's Flaten," said the carpenter.</p>
+
+<p>"Flaten--is it?" said the landlord, as though he did not know
+it. "Mr. Flaten has been here before; he's a fine gentleman, always
+in fashionable company. So it's Mr. Flaten, is it? Well, excuse me,
+I must have another look round the hall--"</p>
+
+<p>The landlord left us.</p>
+
+<p>But the carpenter followed him.</p>
+
+<p>"Couldn't we look on?" he asked.</p>
+
+<p>"What, at the dancing? Oh, no."</p>
+
+<p>"In a corner somewhere?"</p>
+
+<p>"No, I couldn't allow that. I don't even let my own wife and
+daughter in--nobody, not a soul. They wouldn't like it."</p>
+
+<p>"Are you coming or--?" I called, as though for the last
+time.</p>
+
+<p>"Yes, I'm coming," said the carpenter, turning back.</p>
+
+<p>"So you knew about this party?" I said.</p>
+
+<p>"Yes," he replied. "She talked about it last Friday."</p>
+
+<p>"Who talked about it? Miss Torsen?"</p>
+
+<p>"Yes. She said I might sit in the gallery."</p>
+
+<p>We walked on down the street, each busy with his own
+thoughts--or perhaps with the same thought. I, at least, was
+furious.</p>
+
+<p class="poetry">"Really, my good Nikolai, I have no desire to
+buy<br>
+ tickets in order to look at Mr. Flaten and his ladies!"<br>
+</p>
+
+<p>"No."</p>
+
+<p>Curious idea of hers, inviting this man to watch her dance. It
+was preposterous, but like her. Last summer, too--did she not like
+a third party within hearing whenever she sailed close to the wind?
+A thought struck me, and I asked the carpenter as calmly as I
+could:</p>
+
+<p>"Did Miss Torsen want me to sit in the gallery, too--did she say
+anything about that?"</p>
+
+<p>"No," he replied.</p>
+
+<p>"Didn't she say anything about me?"</p>
+
+<p>"No."</p>
+
+<p>"You're lying," I thought, "and I daresay she's told you to
+lie!" I was highly incensed, but I could not squeeze the truth out
+of the carpenter.</p>
+
+<p>Cars rolled up behind us and stopped at the <em>Krone</em>.
+Nikolai turned and wanted to go back, but when he saw that I kept
+straight on, he hesitated a moment and then followed me. I heard
+him once sighing heavily.</p>
+
+<p>We strolled the streets for an hour, while I cooled off and made
+myself agreeable to my companion again. We had a glass of beer
+together, then went to a cinema, and afterward to a shooting
+gallery. Finally we went to a skittle ground, where we stayed for
+some time. Nikolai was the first to want to leave; he looked at his
+watch, and was suddenly in a tearing hurry. He was hardly even
+willing to finish the game.</p>
+
+<p>We had to pass the <em>Krone</em> again. The cars had gone.</p>
+
+<p>"Just as I thought," said the carpenter, looking very
+disappointed. I believe he would have liked to be present when the
+party came out to enter their cars. He looked up and down the empty
+street and repeated, "Just as I thought!" He was suddenly anxious
+to go home.</p>
+
+<p>"No, let's go inside," I said.</p>
+
+<hr>
+<p>It was a big, handsome hall with a platform for the orchestra,
+and a throng of people on the great floor. We sat in the gallery
+looking on.</p>
+
+<p>There was a very mixed crowd: seamen, artisans, hotel staff,
+shop assistants, casual workers; the ladies were apparently
+seamstresses, servant girls, and shopgirls, with a sprinkling of
+light-footed damsels who had no daytime occupation. The floor was
+crowded with dancers. In addition to a constable whose duty it was
+to intervene if necessity arose, the establishment had its own
+commissionaire, who walked about the hall with a stick, keeping an
+eye on the assembled company. As soon as a dance was finished, the
+gentlemen all crowded to the platform and paid ten <em>öre</em>. If
+anyone seemed to be trying to cheat, the commissionaire would tap
+him politely on the arm with his stick. Gentlemen who had to be
+tapped many times were regarded as suspicious characters, and
+might, as a last resource, even be expelled. Order was admirably
+maintained.</p>
+
+<p>Waltz, mazurka, schottische, square dance, waltz. I soon noticed
+a man who was dancing with great assiduity, never stopping
+once--tall, swarthy, lively--a heartbreaker. The ladies clustered
+round him.</p>
+
+<p>"Can that be Solem down there dominating the crowd?" I
+thought.</p>
+
+<p>"Wouldn't you like to dance?" I asked Carpenter Nikolai.</p>
+
+<p>"Oh, no," he replied with a smile.</p>
+
+<p>"Then we can leave any time you like."</p>
+
+<p>"All right," he said and remained seated.</p>
+
+<p>"Your thoughts seem to be far away."</p>
+
+<p>A long pause.</p>
+
+<p>"I was thinking that I haven't a horse on my farm. I have to
+carry all the manure and the wood myself."</p>
+
+<p>"So that's why you're so strong."</p>
+
+<p>"I'll have to go home in a few days and chop wood for the
+winter."</p>
+
+<p>"Yes, of course you will."</p>
+
+<p>"I was going to say--," he persisted, and then fell silent.</p>
+
+<p>"Yes?"</p>
+
+<p>"No, it's no use suggesting it. I'd have liked you to come with
+me this winter, though--I've got a small spare room."</p>
+
+<p>"Why should I go there?" Still--it wasn't a bad idea.</p>
+
+<p>"It would be nice if you could," said the carpenter.</p>
+
+<p>Just then I heard the name of Solem mentioned in the hall. Yes,
+there he was, swaggering as usual, the self-same Solem from Tore
+Peak. He was standing alone, in high spirits, announcing that he
+was Solem--"Solem, my lad." He appeared not to be in the company of
+any one lady, for I saw him choosing partners indiscriminately.
+Then he chose the wrong lady, and her partner shook his head and
+said no. Solem remembered that. He allowed the couple to dance the
+next dance, and when it was finished, approached again and bowed to
+the lady. Once more he was refused.</p>
+
+<p>The lady's appearance was striking--sophisticated or innocent,
+who could tell? Ash-blonde, tall, Grecian, in a black frock without
+trimming. How quiet and retiring she was! Of course she was a tart,
+but what a gentle one--a nun of vice, with a face as pure as that
+of a repentant sinner. Peerless!</p>
+
+<p>This was a woman for Solem.</p>
+
+<p>It was after he had received his second "No" from the gentleman
+that he began to talk, to tell everyone that he was "Solem, my
+lad." But his boasts were dull: Something was going to happen; he
+would show them an image of sin! There was no sting in it; just
+old, familiar rubbish these people had heard before. The
+commissionaire crossed over to him and asked him to be quiet,
+pointing at the same time to the constable by the door. This
+pouring of oil on the waters was successful, for Solem himself
+said: "Hush, we mustn't make trouble." But he did not lose sight of
+the Grecian and her partner.</p>
+
+<p>He allowed a few dances to pass again, himself engaging other
+partners to dance with. There was now a huge crowd, all the
+late-comers having by this time arrived. Many were crowded off the
+floor and had to wait, rushing to get first place in the next dance
+instead.</p>
+
+<p>Then something happened.</p>
+
+<p>A couple slipped and fell. It was Solem and his partner. As he
+was getting up again, he tripped up another couple--the Grecian and
+her partner, both of whom fell down. And Solem was so strangely
+clumsy as he rose that his long arms and legs brought down a third
+couple. In a few minutes there was a squirming heap on the floor;
+screams and oaths were heard, people grew angry and kicked one
+another, while Solem skillfully directed the disaster with sincere
+and wholehearted malevolence. Couple after couple met their
+Waterloo over those already fallen. The commissionaire poked them
+with his stick, exhorting them to get up; the constable himself
+assisted him, and the music stopped. In the meantime, Solem, acting
+with the better part of valor, slipped out of the room and did not
+return.</p>
+
+<p>Gradually the fallen couples got to their feet again, rubbing
+their shins, dusting off their clothes, some laughing, others
+swearing. The Grecian lady's partner had a bleeding wound on his
+temple, and put his hands to his head in a daze. Questions were
+being asked about that--what was his name?--that tall fellow who
+had started all the trouble. "Solem," said some of the ladies.
+Threats were uttered against Solem: he was the one. "Go and find
+him, somebody--we'll show him!"--"Why, he couldn't help it," said
+the ladies.</p>
+
+<p>Ah, Solem, Solem--how the ladies loved him!</p>
+
+<p>But the Grecian rose from the dust as from a bath. The sand from
+the floor clung to her black dress, making it look as though
+spangled with stardust. Submissively she accepted the lot of lying
+under all the others, entwined in their legs, and smiled when
+someone pointed out to her that the comb in her Grecian knot was
+crushed.</p>
+
+<h2 class="spaced">XXXIII</h2>
+
+<p>Today, the first of October forty years ago, we drove the
+snowplow at home. Yes, I regret to say that I remember forty years
+ago.</p>
+
+<p>Nothing escapes my attention yet, but everything moves past me.
+I sit in the gallery looking on. If Nikolai the carpenter had been
+observant, he would have seen my fingers closing and opening again,
+my absurdity augmented by affectation and grimacing. Fortunately he
+was a child. In the end I left it all behind me, and took my proper
+seat. My address is the chimney corner.</p>
+
+<p>Now it is winter again, with snow over the north, and
+Anglo-Saxon claptrap in the town. This is my desolate period; my
+wheels stop, my hair stops growing, my nails stop growing,
+everything stops growing but the days of my life. And it is well
+that my days increase--from now on it is well.</p>
+
+<p>Not much happens during the winter. Well, of course, Nikolai has
+got an overcoat for the first time in his life. He didn't really
+need it, he says, but he bought it because of the advertisement;
+and it was dear, twenty <em>kroner</em>, but he got it for
+eighteen! I am sure Nikolai is much happier about his overcoat than
+Flaten is about his.</p>
+
+<p>But let me not forget Flaten, for something has happened to him.
+His friends have given him a farewell party and drunk him out of
+bachelordom, for he is going to marry. It is Miss Torsen who told
+me this; I met her by accident again under her own lamppost, and
+she told me then.</p>
+
+<p>"And you're not wearing mourning?" I said.</p>
+
+<p>"Oh, no," she said, smiling. "No, it's something I've known a
+long time. Besides, perhaps I'm not very faithful; I don't
+know."</p>
+
+<p>"I think you've hit the truth there."</p>
+
+<p>She looked startled.</p>
+
+<p>"What do you mean?"</p>
+
+<p>"I think you've changed very much since last summer. You were
+straight and competent then, you saw clearly, you knew what you
+wanted. What's happened to your tinge of bitterness? Or have you no
+longer reason to be bitter?"</p>
+
+<p>This was all too gravely spoken, but I was like a father and
+meant well.</p>
+
+<p>She began to walk on, her head bent in thought. Then she said
+something very sensible:</p>
+
+<p>"Last summer I had just lost my livelihood. I'm telling you
+things exactly as they were. I lost my post, which was a very
+serious matter. This made me reflect for a time; that's true. But
+then--I don't know--I'm quite adult, but not adult enough. I have
+two sisters who are really steady; they're married and quite
+settled, though they're younger than I. I don't know what's wrong
+with me."</p>
+
+<p>"Would you like to go to a concert with me?" I asked.</p>
+
+<p>"Now? No, thank you, I'm not dressed for it."</p>
+
+<p>A pause.</p>
+
+<p>"But it's kind of you to ask me!" she said with sudden pleasure.
+"It might have been very nice, but--well, you must let me tell you
+about the dinner party, the banquet; what a lot of pranks they
+thought of!"</p>
+
+<p>She was right about that; these jolly young people had played a
+great many pranks, some of them childish and stupid, others not too
+bad. First they had drunk wine of the vintage of 1812. No, first of
+all, Flaten was sent an invitation, of course, and it consisted of
+a painting, a very emancipated painting in a frame, the only
+written words being the date and the place, and the legend:
+<em>Ballads, Bachiads, Offenbachiads, Bacchanales</em>. Then there
+were speeches for him who was about to leave them, and generally
+speaking a most deafening shouting over the wineglasses. And there
+was music, with someone of the company playing all the time.</p>
+
+<p>But as the evening wore on, this sort of thing was not enough,
+and girls with their faces masked were brought in to dance. As
+there had been a great deal of champagne, however, this part of the
+program tended to deteriorate into something different, and the
+girls had to be sent away. Then the gentlemen went down to the
+hotel lobby and stood at the door watching for "opportunities."</p>
+
+<p>There--a young woman approached carrying a baby and a bundle of
+clothes. Great, wet flakes of snow were drifting down, and she bent
+forward over the child to shelter it as she walked.</p>
+
+<p>"Whoa!" said the gentleman and caught hold of her. "Is that your
+child!"</p>
+
+<p>"Yes, he's mine."</p>
+
+<p>"What, a boy?"</p>
+
+<p>"Yes."</p>
+
+<p>They talked more with her; she was thin and young, evidently a
+servant girl. They also looked at the child, and Helgesen and Lind,
+who were both short-sighted, polished their glasses and inspected
+it carefully.</p>
+
+<p>"Are you going off to drown the child?" somebody says.</p>
+
+<p>"No," says the girl in confusion.</p>
+
+<p>That was a nasty question, all the others agreed, and the first
+one admitted it. He went off to fetch his raincoat, and hung it
+over the girl's shoulders. Then he tickled the child under the chin
+and made it smile--a marvel of a child, human bones and rags and
+dirt all in one little bundle.</p>
+
+<p>"Poor bastard," he said. "Born of a maiden!"</p>
+
+<p>"That's better!" the others remarked. "Now let's do something,"
+they said. "Where do you live?" to the girl.</p>
+
+<p>"I've lived at such and such places," she replied.
+"<em>Have</em> lived; very well, this is what we'll do," one of
+them said, taking out his pocketbook. The others followed suit, and
+a great deal of money was pushed into the girl's hand.</p>
+
+<p>"Wait a minute--wait--I haven't given her enough; I asked her
+such a nasty question," said the first of them.</p>
+
+<p>"Neither have I," said another, "because we all thought the same
+thing, but now we're going to settle some money on this son of a
+maiden!"</p>
+
+<p>A collection was taken up, with Helgesen as the cashier. Then
+Bengt hailed a cab, invited the girl to enter, and got in after
+her.</p>
+
+<p>"Go ahead--I want to go to Langes Street!" he called to the
+driver.</p>
+
+<p>Bengt was taking the child home to his mother, the others said.
+The group were rather silent after this.</p>
+
+<p>"Your eyes are so ridiculously wet, Bolt; are you crying about
+the money?"</p>
+
+<p>"What about you?" Bolt replied. "You're as sentimental as an old
+woman!"</p>
+
+<p>They grew cheerful again, and there were further
+"opportunities." A peasant came down the street with a cow he was
+taking to the butcher's.</p>
+
+<p>"What will you charge for letting our guest of honor ride your
+cow?" young Rolandsen asked him. The peasant smiled and shook his
+head. So they bought the cow from him, paying cash for it. "Wait a
+minute," they said to the peasant. Then they put a label on the
+cow, addressed to a lady they knew.</p>
+
+<p>"Take it to this address," they said to the peasant.</p>
+
+<p>By the time they had finished with this, Bengt had returned.</p>
+
+<p>"Where have <em>you</em> been?" they asked in surprise.</p>
+
+<p>"The old lady said yes," was all he replied.</p>
+
+<p>"Hurrah!" they all shouted. "Let's drink to the baby! Here,
+let's go to the bar. Did she really say yes? Hurrah for the old
+lady, too! What are we standing here for? Let's walk into the
+bar!"</p>
+
+<p><em>"Walk!"</em> someone mocks. "No, indeed, we'll drive-waiter,
+cars!"</p>
+
+<p>The waiter rushed inside to telephone. It took some time, as it
+was getting late, but the gentlemen waited. It was already closing
+time and people were streaming out of the bar. At length the cars
+arrived, ten of them, one for each man. The gentlemen entered
+them.</p>
+
+<p>"Where to?" asked the drivers.</p>
+
+<p>"Next door," they said.</p>
+
+<p>So the cars drove up to the next door of the same house, that
+being the bar, and there the gentlemen gravely got out and paid the
+drivers.</p>
+
+<p>The bar was closed.</p>
+
+<p>"Shall we break in?" they said.</p>
+
+<p>"Of course," they said.</p>
+
+<p>So they all ran against the door together, till it said
+<em>ump!</em> and flew open. The night watchman rushed at them,
+shouting, and they caught hold of him, slapped him on the back, and
+embraced him. Then they went behind the counter and got out bottles
+for him and for themselves, drinking and shouting hurrah for the
+baby, for Bengt's mother, for the baby's mother, for the night
+watchman, for love and for life. When they had done, they put some
+banknotes over the night watchman's mouth and tied a handkerchief
+over them. Then they went back to the dining room.</p>
+
+<p>The supper was served. Flaten's plate was a red silk bedroom
+slipper lined with glass. They ate and drank and rollicked as long
+as they had the strength; the hours passed, and dawn approached.
+Then Flaten began to distribute souvenirs among them. One got his
+watch, another his pocketbook (which was empty), a third his tie
+pin. After this he went on to his shoes, giving one to each of two
+friends, his trousers to another, and his shirt to still another,
+till at length he sat there in the nude. Next they collected quilts
+from the hotel bedrooms to wrap him up in--red silk eiderdown
+quilts. Flaten fell asleep and the other nine watched over him. He
+slept for an hour; it was morning then, and they woke him up. He
+started up from the quilts, found he was naked, and sent home for
+some more clothes. And then the party began all over again....</p>
+
+<p>Later we were discussing Miss Torsen's story; she had forgotten
+one or two details which she filled in afterwards.</p>
+
+<p>"Anyhow, it was lucky for the girl with the baby," she said.</p>
+
+<p>"And for the baby itself," I said.</p>
+
+<p>"Yes. But what an idea! Poor old lady, to be told such a
+tale!"</p>
+
+<p>"Some day perhaps you'll change your mind about that."</p>
+
+<p>"You think so? But it would have been nicer still if I'd got the
+money they settled on the child."</p>
+
+<p>"You'll change your mind about that, too."</p>
+
+<p>"Shall I? Why? When?"</p>
+
+<p>"When you yourself have a baby that smiles at you."</p>
+
+<p>"Ugh, how can you say such things!"</p>
+
+<p>She must have misunderstood my meaning, for she was childishly
+offended. To restore her to good humor I asked at random:</p>
+
+<p>"What sort of food did you get at the party?"</p>
+
+<p>"Don't know," she replied.</p>
+
+<p>"Don't you know?"</p>
+
+<p>"Good lord, no--I wasn't there," she returned in the greatest
+amazement.</p>
+
+<p>"Well, no, of course not, I only thought--"</p>
+
+<p>"Oh, so that's it. That's what you thought!" she said, still
+more offended. And she clasped her hands as she had done in the
+summer, and tore them apart again.</p>
+
+<p>"Really and truly, I do assure you--look here, honestly--I only
+thought you were taking a culinary interest. After all, you do
+learn cooking and such in the daytime."</p>
+
+<p>"Oh, so you just make conversation with me; you adapt your
+speech to suit my narrow outlook!"</p>
+
+<p>A pause.</p>
+
+<p>"Anyhow, perhaps you're right up to a point; I might have asked
+about the food, only I forgot."</p>
+
+<p>She seemed very irritable that evening. Would it interest her to
+talk about Flaten? A little apprehensively, I ventured:</p>
+
+<p>"But you haven't told me whom Flaten is going to marry."</p>
+
+<p>"She's not pretty at all," she replied suddenly. "What do you
+want to know for? You don't know her."</p>
+
+<p>"I suppose Flaten will be entering his father's firm now?" I
+persisted.</p>
+
+<p>"Oh, damn Flaten! You seem to care about him a lot more than I
+do! Flaten, Flaten, Flaten--how should I know if he's going to
+enter his father's firm!"</p>
+
+<p>"I only thought once he's married--"</p>
+
+<p>"But she's got money, too. No, I don't think he's going into his
+father's firm. He said once he wanted to edit a paper. Well, what's
+so funny about that?"</p>
+
+<p>"I'm not laughing."</p>
+
+<p>"Yes, you were. Anyhow, Flaten wants to edit a paper. And since
+Lind publishes a kennel journal, Flaten wants to publish a human
+journal, he says."</p>
+
+<p>"A human journal?"</p>
+
+<p>"Yes. And you ought to subscribe to it," she added suddenly,
+almost throwing the words into my face.</p>
+
+<p>She was now in a state of excitement the cause of which I did
+not understand, so I remained silent, merely replying, "Ought I?
+Yes, perhaps I ought." Then she began to cry.</p>
+
+<p>"Dear child, don't cry. I shan't torment you any more."</p>
+
+<p>"You're not tormenting me."</p>
+
+<p>"Yes, by talking nonsense; I don't seem to strike the right
+note."</p>
+
+<p>"Yes, go on talking--that isn't it--I don't know--"</p>
+
+<p>What could I say to her? But since there is, after all, nothing
+so interesting as a question about oneself, I said:</p>
+
+<p>"You're nervous about something, but it will pass.
+Perhaps--well, not at once, of course--but perhaps it has hurt you
+that--well, that he's going his own way now. But remember--"</p>
+
+<p>"You're wrong," she said, shaking her head. "That doesn't really
+mean anything to me; I was just slightly attracted to him."</p>
+
+<p>"But you said he was the only one!"</p>
+
+<p>"Oh--you know, you think that sort of thing sometimes. Of course
+I've been in love with other people, too; I can't deny that. Flaten
+was very nice, and took me out driving sometimes, or to a dance or
+something like that. And of course I was proud of his paying
+attention to me in spite of my having lost my post. I think I could
+have got a job in his father's shop but--anyhow, I'm looking for a
+job now."</p>
+
+<p>"Are you? I hope you'll find a good one."</p>
+
+<p>"That's just the point. But I'm not getting any job at all. That
+is, I shall in the end, of course, but--well, for instance, in old
+Flaten's shop--I shouldn't fit in there."</p>
+
+<p>"Not very good pay either, I expect?"</p>
+
+<p>"I'm sure it's not. And then--I don't know; I feel I know too
+much for it. That wretched academic training of mine does nothing
+but harm. Oh, well, let's not talk any more about me. It must be
+late; I'd better go."</p>
+
+<p>I saw her to her door, said good night, and went home. I thought
+about her ceaselessly. It was wintry weather, with raw streets and
+an invisible sky. No, really, she's not suited for marriage. No man
+is served with a wife who is nothing but a student. Why has no one
+in the country noticed what the young women are coming to! Miss
+Torsen's tale of the wild party proved how accustomed she was to
+sitting and listening, and then herself disgorging endless tales.
+She had done it very well and not omitted much, but she paid
+attention only to the fun. A grown-up, eternal schoolgirl, one who
+had studied her life away.</p>
+
+<p>When I reached my own door, Miss Torsen arrived there at the
+same time; she had been close at my heels all the way. I guessed
+this from the fact that she was not in the least breathless as she
+spoke.</p>
+
+<p>"I forgot to ask you to forgive me," she said.</p>
+
+<p>"My dear girl--?"</p>
+
+<p>"Oh, for saying what I did. You mustn't subscribe. I'm so sorry
+about that. Please be kind and forgive me."</p>
+
+<p>She took my hand and shook it.</p>
+
+<p>In my amazement I stammered:</p>
+
+<p>"It was really a very witty remark: a human journal--ha, ha! Now
+don't stand there and get cold; put your gloves on again. Are you
+walking back?"</p>
+
+<p>"Yes. Good night. Forgive me for the whole evening."</p>
+
+<p>"Let me take you home; why not stay a few minutes--"</p>
+
+<p>"No, thank you."</p>
+
+<p>She pressed my hand firmly and left me.</p>
+
+<p>I suppose she wanted to spare my aging legs, damn them!
+Nevertheless I stole after her to see that she got home safely.</p>
+
+<hr>
+<p>It happened that Josephine came to the town--Josephine, that
+spirit of labor from the Tore Peak farm. I saw her, too, for she
+came to pay me a visit. She had looked up my address, and I joked
+with her again and called her Joséfriendly.</p>
+
+<p>How was everybody at Tore Peak? Josephine had good news about
+all of them, but she shook her head over Paul. Not that he drank
+much now; but he did little of anything else either, and had
+definitely lost interest in his work. He wanted to sell the farm.
+He wanted to try carting and delivery by horse cart in Stordalen. I
+asked if he had any prospective purchaser. Yes; Einar, one of the
+cotters, had had rather an eye on the farm. It all depended on
+Manufacturer Brede, who had put so much money into it.</p>
+
+<p>I remembered her father, the old man from another world, the man
+with mittens, who had to be spoon-fed on porridge because he was
+ninety, who smelled like an unburied corpse. I remembered him and
+asked Josephine:</p>
+
+<p>"Well, I expect your old father is dead by now?"</p>
+
+<p>"No, praise be," she replied. "Father is better than we dared
+hope. We must be thankful he's still on his feet."</p>
+
+<p>I took Josephine to the cinema and the circus, and she thought
+it all quite delightful. But she was shocked at the behavior of the
+ladies who rode with so little clothing on. She wanted to go to one
+of the great churches, too, and found her way there alone. For
+several days she was in the town and did a good deal of shopping. I
+never once saw her dejected or brooding about anything, and at
+length she said good-bye, because she was going back next day.</p>
+
+<p>Oh, so she was going home?</p>
+
+<p>Yes, she had done what she had come to do. She had also been to
+see Miss Torsen and got the money for the actor, because of course
+he had never sent it.</p>
+
+<p>"Poor Miss Torsen! She was furious with him for not sending it,
+and turned quite red and ashamed, too. She didn't seem to find it
+very easy either, because she asked me to wait till next day, but
+she gave it to me then."</p>
+
+<p>So Josephine had nothing more to do in the town. She had just
+visited Miss Palm, but she had not, on this occasion, met Miss
+Palm's brother, Nikolai, who was apprenticed to a master carpenter.
+Not that it mattered, Josephine said, because the last time she had
+seen him, nothing came of it, anyhow. So that was that. Because she
+was not a one to beg--she had some money of her own and livestock
+as well. As far as that was concerned, she had some woolen
+blankets, and two beds complete with bedding, too, nor did she lack
+clothes: she had many changes, both underthings and top ones. Yet
+in spite of that she had started some more weaving.</p>
+
+<p>I asked in some surprise whether they had been engaged. I had
+had no inkling--</p>
+
+<p>No, but--. Well, not exactly engaged with a ring, and plighting
+the troth and all. But that had been their intention. Because
+otherwise why should that schoolmistress, that sister of his,
+Sophie Palm, have come up and stayed for nothing at the Tore Peak
+farm for two whole summers, and behaved as though she were a lady?
+No, thank you, that was the end of that. Anyhow, that was what she,
+Josephine, had thought once, but it was a Providence that it wasn't
+going to happen, because there would never have been anything but
+trouble. So it was just as well.</p>
+
+<p>Suddenly Josephine caught herself up:</p>
+
+<p>"Good gracious--I nearly forgot to buy the indigo. It's for my
+weaving. Lucky I remembered it! Well--thanks for your
+hospitality."</p>
+
+<h2 class="spaced">XXXIV</h2>
+
+<p>It was between Christmas and the New Year, and I had accompanied
+Nikolai to his home. Since the town workshop was closed in any
+case, he had decided to go home and fell timber in the woods.</p>
+
+<p>It was a big farmhouse, enlarged from the old cottage by
+Nikolai's father, while Nikolai himself had moved up the roof and
+built on a second story. He has plenty of room for me; I have a
+small room to myself.</p>
+
+<p>His mother is hard-working and honest; she has a few animals to
+see to, and usually she is washing something or other, even if it
+is nothing more than some empty potato sacks. She cooks on the
+kitchen stove, and keeps her pots and pans shining. She is cleanly,
+and strains her milk through a muslin cloth, which she afterward
+washes and rinses twice. But she picks food remnants from between
+the prongs of forks with a hairpin!</p>
+
+<p>A mirror, pictures of the German Kaiser's family, and a crucifix
+hang on the walls of the living room; in one corner are two shelves
+with oddments, including a hymnbook and a book of sermons. They are
+still simple and orthodox in these parts. The rest of the furniture
+in the house, the chairs and tables and cupboards and a cleverly
+constructed chest, have all been made by Nikolai himself.</p>
+
+<p>Nikolai is just as slow and speechless here as in the town; the
+day after we arrived he went out to the woods without telling his
+mother. When I asked for him, she said:</p>
+
+<p>"I saw him take the sleigh, so I expect he's gone to the
+woods."</p>
+
+<p>His mother's name is Petra, and judging from her appearance she
+cannot be much over forty; like her son, she is ruddy and
+big-muscled, with a fair complexion and thick, graying hair, a
+veritable lion's mane. Her eyes are good companions to her
+hair--dark, and a little worn now, but still good enough to see far
+and sharply across the fjord. She, too, is taciturn, like all the
+peasants here, and usually keeps her large mouth shut.</p>
+
+<p>I ask her how long she has been a widow, and she says, "For
+nearly a generation--no, don't let me tell a lie," she corrects
+herself. "Sophie is four and twenty now, and it was the year after
+her birth that he died."</p>
+
+<p>They had only been married a couple of years. Nikolai is six and
+twenty.</p>
+
+<p>I ponder over this arithmetic, but as I am old and incapable, I
+cannot make it tally.</p>
+
+<p>Petra was very proud of her children, especially Sophie, who had
+gone to school and passed an examination, and now held such an
+important post. Of course her inheritance was used up, but she had
+her learning instead. Nobody could ever take that from her. A big,
+handsome girl, Sophie--look, here is her portrait.</p>
+
+<p>I said I had met her at Tore Peak.</p>
+
+<p>At Tore Peak? Oh, yes, she spent her summers there so as to be
+among her equals; you couldn't blame her for that. But she came
+home every year, too, as sure as the year came round itself. So I
+had met her at Tore Peak?</p>
+
+<p>Sometimes I went with Nikolai to the forest for timber, and made
+myself slightly useful. He is as strong as an ox, and has endurance
+almost to the point of insensibility--a cut, black eye--nothing.
+And now it becomes evident that his brain works well, too. He
+should have had a horse, yes, but he cannot keep a horse till he
+can provide more fodder. But he cannot buy more pasture land till
+he has more money. But he was learning more about his trade in the
+town, and when he had finished his course of training, he would
+earn more money. After that he would buy a horse.</p>
+
+<p>I visited the neighbors, too. The farms were small, but the
+farmers cultivated as much land as they required, and there was no
+poverty. Here were no flowerpots in the windows or pictures on the
+walls, as at Petra's; but good, thick furs with woven backs hung
+over the doors, and the children looked healthy and well-fed. The
+neighbors all knew I lived at Petra's house; every visitor to this
+district lived at Petra's house--had done so as long as they could
+remember. I could sense no hostility to Petra in these silent
+people, but the old schoolmaster was more talkative, and he was
+quite ready to spread gossip about her. This man was a bachelor; he
+had his own house and did his own housework. Had he, perhaps, at
+some time felt a secret desire for the widow Petra?</p>
+
+<p>The schoolmaster gossiped thus:</p>
+
+<p>People who had visited the village in Petra's girlhood always
+used to live at her parents' house. There was a room and a loft,
+and the engineer that planned the big road lived there, and so did
+the two traveling preachers, to say nothing of the itinerant
+peddlers who toured the district all the year round. So it went on
+for many a year, with the children growing up, and Petra getting
+big and hearty. Then Palm came; he was a Swede, a big merchant--a
+wholesale merchant, one might almost say, for that period, with his
+own boat and even a boy to carry his wares. Well, there were glass
+panes again in the windows of Petra's parents' house, and there was
+meat on Sundays, for Palm liked things done in style. He gave Petra
+presents of dress materials and sweets. Then he was finished with
+Petra, and went away to do business elsewhere. But it happened that
+the child Petra gave birth to was a boy, and when Palm returned and
+saw him, he stayed, and traveled no more. They married, and Palm
+added two rooms to the house, for it was his intention to open a
+shop there. But when he had built honestly and well, he died. His
+widow was left with two small children, but she had means enough,
+for Palm had had plenty of money. Then why did not Petra remarry?
+She could have got a man in spite of the handicap of two small
+children, for Petra herself was still a young girl. But from her
+childhood days, said the schoolmaster, she had been spoiled by this
+love of roving company, and again housed itinerant tramps and
+Swedes and peddlers, and thoroughly disgraced herself. Some of them
+stayed there for weeks, eating and drinking and idling. It was
+shameful. Her parents saw nothing wrong in this because it had
+always been their way of living, and besides it brought them a
+little money. So the years went by. When the children were grown
+and Sophie was out of the way, she might have married even then,
+for she still had half her money left, and being childless again,
+it was not too late. But no, Petra didn't want to, and it
+<em>was</em> too late, she said; it was the children's turn to
+marry now, she said.</p>
+
+<p>"Well, she's pretty old now, isn't she?" I said.</p>
+
+<p>"Yes, time passes," the schoolmaster replied. "I don't know
+whether anyone has asked her this year, but last year there was
+someone--one person--or so I've heard, so I've been told. But Petra
+didn't want to. If I could only guess what she's waiting for."</p>
+
+<p>"Perhaps she's not waiting at all."</p>
+
+<p>"Well, it's all the same to me," says the schoolmaster. "But she
+takes in all these tramps and peddlers and carries on and makes a
+public nuisance of herself...."</p>
+
+<p>As I walked home from the schoolmaster's, I found I understood
+Petra's arithmetic much better.</p>
+
+<hr>
+<p>Nikolai has gone back to his workshop in the town, but I have
+remained behind. It matters little where I am, for the winter makes
+a dead man of me in any case.</p>
+
+<p>To pass the time, I carefully measure the piece of land that
+Nikolai is going to break up when he can afford it, and I calculate
+what it will cost him, with drainage and everything: a bare two
+hundred <em>kroner</em>. Then he could keep a horse. It would have
+been an act of charity to give him this money in case his mother
+could not. He could have added another field to his land then.</p>
+
+<p class="poetry">"Look here, Petra--why don't you give Nikolai the
+two hundred<br>
+ <em>kroner</em> he needs for fodder for a horse?"<br>
+</p>
+
+<p>"And four hundred to buy the horse," she muttered.</p>
+
+<p>"That makes six."</p>
+
+<p>"I haven't got such a lot of six hundred <em>kroners</em> lying
+about."</p>
+
+<p>"But wouldn't the horse be useful for plowing?"</p>
+
+<p>A pause. Then:</p>
+
+<p>"He can break the ground himself."</p>
+
+<p>I was not unfamiliar with this line of reasoning. Everyone has
+his own problems, and Petra had hers. But the strange thing is that
+each one of us struggles for himself as though he had a hundred
+years to live. I once knew two brothers named Martinsen who owned a
+large farm, the produce of which they sold. Both were well-to-do
+bachelors without heirs. But both had diseased lungs, the younger
+brother's much worse than the elder's. In the spring, the younger
+brother became permanently bedridden, but though he approached his
+end, he still maintained an interest in everything that went on at
+the farm. He heard strangers talking in the kitchen and called his
+brother in.</p>
+
+<p>"What is it?" he asked.</p>
+
+<p>"Only someone to buy eggs."</p>
+
+<p>"What's the price per score now?"</p>
+
+<p>His brother told him.</p>
+
+<p>"Then give him the small eggs," he cautioned.</p>
+
+<p>A few days later he was dead. His brother lived till his
+sixty-seventh year, though his lungs were diseased. When anybody
+came to buy eggs, he always gave him the smallest....</p>
+
+<p>"But," I insisted to Petra, "Nikolai doesn't want to waste time
+breaking his ground himself, does he? Surely if he works at his
+trade he'll earn more!"</p>
+
+<p>"They don't pay for joinery here," Petra replied. "People buy
+their chairs and tables from the shops now; it's cheaper."</p>
+
+<p>"Then why is Nikolai working as an apprentice?"</p>
+
+<p>"I've asked him the same question," she replied. "Nikolai just
+wants to be a carpenter, but it won't get him anywhere. Still, he
+can do as he likes."</p>
+
+<p>"Well, what else could he do?"</p>
+
+<p>A pause. Petra's big mouth is closed. But at length she
+says:</p>
+
+<p>"There's plenty of traffic now and a lot of tourists in the
+summer, both at Tore Peak and down here on the headland. One time
+we had two Danes living here; they had traveled on foot. 'If you
+had a horse, you could have driven us here,' they said to me."</p>
+
+<p>"Ah," I thought to myself, "the cat sticking its nose out of the
+bag!"</p>
+
+<p>"'You've got a big house and four rooms,' the Danes said, and
+'There are high mountains and big woods,' they said, 'and fish in
+the fjord and fish in the river; there are lots of things here, and
+there's a broad road here,' they said. Nikolai was standing next to
+them and heard it all, too. 'Now we're here,' they said, 'but we
+can't get away again unless we walk.'"</p>
+
+<p>Just to say something, I asked her:</p>
+
+<p>"Four rooms--I thought you only had three?"</p>
+
+<p>"Yes, but the workshop could be turned into a room, too," the
+big mouth replied.</p>
+
+<p>"So that's it!" I thought. With hardly a pause, I continued:</p>
+
+<p>"But if Nikolai were going to deal with tourists, he'd have to
+get a horse, wouldn't he?"</p>
+
+<p>"Well, I suppose we could have managed it," Petra replied.</p>
+
+<p>"It's four hundred <em>kroner</em>."</p>
+
+<p>"Yes," she said, "and the carriage a hundred and fifty."</p>
+
+<p>"But this land won't feed a horse!"</p>
+
+<p>"What do other people feed horses on?" she asked. "They buy
+sacks of oats on the headland."</p>
+
+<p>"That's eighteen <em>kroner</em> a sack."</p>
+
+<p>"No, seventeen. And you earn as much as that on your first
+tourist."</p>
+
+<p>Yes, Petra had it all figured out; she was the born landlady,
+and had grown up in a lodginghouse. She could cook, too, for had
+she not put two snakes of Italian macaroni in the barley broth? The
+money for coffee, for the bed at night and waffles in the morning,
+had grown so dear to her that she hid it away, watched it increase,
+and grew rich on it. She did not produce like other peasant women,
+but no one can do everything at one time, and Petra was a parasite.
+She did not want to live by earning something; she wanted to live
+on the tourists who earned enough themselves, and could afford to
+come.</p>
+
+<p>Splendor and Englishmen, no doubt, in these parts! If it all
+works out as it should--and it probably will.</p>
+
+<hr>
+<p>It is February. I have an idea, a vagrant idea that comes to me,
+and I harbor it: now that there is a little snow, and its crust is
+hard, I shall walk across the fields into Sweden. That is what I
+shall do.</p>
+
+<p>But before I can do it, I must wait for my laundry, and Petra,
+who is cleanly, washes in many waters. So I pass the time in
+Nikolai's workshop, where there are many kinds of planes and saws
+and drills and lathes, and there I fashion strange things. For the
+small boys of the neighboring farm, I make a windmill that will
+really turn in the wind. It whirls and rattles well, and I remember
+my own childhood when we called this apparatus onomatopoeically a
+<em>windwhirr</em>.</p>
+
+<p>Besides this, I go out walking, and use my winter head as well
+as I can, which is not very well. I do not blame the winter, nor do
+I blame anything. But where are the red-hot irons and the youth of
+omnipotence? For hours sometimes I walk along a path in the woods
+with my hands folded on my back, an old man, my mind gilded for a
+moment by an occasional memory; I stop, and raise my eyebrows in
+surprise. Can this be an iron in the fire? It is not, for it fades
+again, and I am left behind in a quiet melancholy.</p>
+
+<p>But in order to recall my young days, I pretend to be filled
+with a heaven-sent energy. It is by no means all pretense, and
+pictures rise in my mind, fragmentary flageolet tones:</p>
+
+<p class="poetry">&nbsp;&nbsp;We came from the meadow<br>
+ &nbsp;&nbsp;and downy heather;<br>
+ &nbsp;&nbsp;we came from friendship,<br>
+ &nbsp;&nbsp;too-loo-loo-lay!<br>
+ &nbsp;&nbsp;A star that watched<br>
+ &nbsp;&nbsp;saw lips meet lips.<br>
+ &nbsp;&nbsp;None else so dear,<br>
+ &nbsp;&nbsp;so sweet as you.<br>
+</p>
+
+<p class="poetry">&nbsp;&nbsp;Those youthful days,<br>
+ &nbsp;&nbsp;those happy days,<br>
+ &nbsp;&nbsp;unmatched since then!<br>
+ &nbsp;&nbsp;but what am I now?<br>
+ &nbsp;&nbsp;The bees once swarmed,<br>
+ &nbsp;&nbsp;the swan once played.<br>
+ &nbsp;&nbsp;There's no play now,<br>
+ &nbsp;&nbsp;yet too-loo-loo-lay!<br>
+</p>
+
+<p>I break off, and put the pencil in my pocket with a tone still
+resounding within me. I walk on with some pleasure to myself, at
+least.</p>
+
+<p>There is a letter for me. Who on earth has found me out here?
+The letter is as follows:</p>
+<p>&nbsp;</p>
+<p>Forgive me for writing you, but I should like to talk to you
+about something that has happened. I should like to see you as soon
+as you come back. There's nothing the matter. Please don't say
+no.</p>
+
+<p>Yours,</p>
+
+<p>Ingeborg Torsen</p>
+
+<p>I reread it many times. "Something that has happened." But I'm
+going to Sweden, I'm going to move about a little, and stop losing
+myself in the affairs of others. Do they think I am mankind's old
+uncle, that I can be summoned hither and thither to give advice?
+Excuse me, but I am going to assert myself and become quite
+inaccessible; the snow is just right, and I have planned a big
+journey--a business tour, I might almost call it, very important to
+me--I have a great deal at stake.... How composite is the mind of
+man! As I sit talking drivel to myself, and even sometimes saying
+an angry word aloud in order that Petra may hear it, I am not at
+all displeased at having received this letter; in fact secretly I
+am so pleased that I feel ashamed. It is merely because I shall
+soon see the town again--the town with its frostbitten gardens and
+its ships.</p>
+
+<p>But what on earth can this mean? Has she been to my landlady's
+and got my address? Or has she met Nikolai?</p>
+
+<p>I left at once.</p>
+
+<h2 class="spaced">XXXV</h2>
+
+<p>My landlady was surprised.</p>
+
+<p>"Why, good evening. How well and happy you look! Here's your
+mail."</p>
+
+<p>"Let it lie. I must tell you, Madame Henriksen, that you are a
+jewel."</p>
+
+<p>"Ha, ha, ha!"</p>
+
+<p>"Yes, you are. You are a very kind woman. But you have given my
+address to someone."</p>
+
+<p>"No, indeed; I swear I haven't."</p>
+
+<p>"No? Well, then someone else must have done so. Yes, you're
+right, I am happy, and tomorrow morning I shall get up very early
+and walk down by the shore."</p>
+
+<p>"But I did send a message," said my landlady. "I hope it wasn't
+wrong of me. To a lady who wanted to know as soon as you
+arrived."</p>
+
+<p>"A lady? You sent a message just now?"</p>
+
+<p>"A little while ago, as soon as you came in. A young, handsome
+lady; she might have been your daughter, you know."</p>
+
+<p>"Thank you."</p>
+
+<p>"Well, I'm only saying what's so. She said she would come at
+once, because she had to see you about something."</p>
+
+<p>The landlady left me.</p>
+
+<p>So Miss Torsen was coming this very evening; something must have
+happened. She had never visited me before. I looked round; yes,
+everything was neat and tidy. I washed and made myself ready.
+There, she can have that chair; I'd better light the other lamp,
+too. It might not be a bad idea to sit down to my correspondence;
+that would make a good impression, and if I put some letters in a
+small, feminine hand on top, it might even make her a little
+jealous--hee, hee. Oh, God, ten or fifteen years ago one could play
+such tricks; it's too late now....</p>
+
+<p>Then she knocked and came in.</p>
+
+<p>I made no move to shake hands, and neither did she; I merely
+drew out a chair for her.</p>
+
+<p>"Excuse my coming like this," she said. "I asked Mrs. Henriksen
+to send me a message; it's nothing serious, and now I feel a little
+embarrassed about it, but--"</p>
+
+<p>I saw that it was something serious, and my heart began to
+pound. Why should my heart be affected?</p>
+
+<p>"This is the first time you've been in my rooms," I said,
+expectant and on the defensive.</p>
+
+<p>"Yes. It's very nice," she said, without looking round. She
+began to clasp her hands and pull them apart again till the tips of
+her gloves projected beyond her finger tips. She was in a state of
+great excitement.</p>
+
+<p>"Perhaps <em>now</em> I've done something you'll approve of?"
+she said, suddenly pulling off her glove.</p>
+
+<p>She had a ring on her finger.</p>
+
+<p>"Good," I said. It didn't affect me immediately; I was to
+understand more later, and merely asked:</p>
+
+<p>"Are you engaged?"</p>
+
+<p>"Yes," she replied. And she looked at me with a smile, though
+her mouth shook.</p>
+
+<p>I looked back at her, and I believe I said something like,
+"Well, now, well, well!" Then I nodded in a fatherly fashion, bowed
+formally, and said: "My heartiest congratulations!"</p>
+
+<p>"Yes, that's what it's come to," she said. "I think it was the
+best thing to do. Perhaps you think it's a bit unreliable of me or
+rash or--well, don't you?"</p>
+
+<p>"Oh, I don't know--"</p>
+
+<p>"But it was absolutely the best thing. And I just thought I'd
+tell you."</p>
+
+<p>I got up. She started, evidently in a very nervous state. But I
+had only risen to turn down the lamp behind her, which had begun to
+smoke.</p>
+
+<p>A pause. She said nothing more, so what could I say? But as the
+minutes passed and I saw she was distressed, I said:</p>
+
+<p>"Why did you want to tell me this?"</p>
+
+<p>"Yes--why did I?"</p>
+
+<p>"Perhaps for a moment you thought you were the center of the
+world again, but--"</p>
+
+<p>"Yes, I expect so."</p>
+
+<p>She looked about her with great, roving eyes. Then she got up;
+she had been sitting all this time as though about to spring at me.
+I rose, too. An unhappy woman--I saw that plainly enough; but good
+heavens, what could I do? She had come to tell me she was engaged,
+and at the same time looked very unhappy. Was that a way to behave?
+But as she got up, I could see her face better under her hat--I
+could see her hair--the hair that was beginning to show silken and
+silver at the temples--how beautiful it was! She was tall and
+handsome, and her breast was rising and falling--her great
+breast--what a great breast she had, rising and falling! Her face
+was brown, and her mouth open, just a little open, dry, feverishly
+dry--</p>
+
+<p>"Miss Ingeborg!"</p>
+
+<p>It was the first time I called her this. And I moved my hand
+toward her slightly, longing to touch her, perhaps to fondle her--I
+don't know--</p>
+
+<p>But she had collected herself now, and stood erect and hard. Her
+eyes had grown cold; they looked at me, putting me in my place
+again, as she walked toward the door. A cry of "No!" escaped
+me.</p>
+
+<p>"What's the matter?" she asked.</p>
+
+<p>"Don't go, not yet, not at once; sit down again and talk to me
+more."</p>
+
+<p>"No, you're quite right," she said. "I'm not the center of the
+universe. Here I come to bother you with my unimportant troubles,
+and you--well, of course, you're busy with your extensive
+correspondence."</p>
+
+<p>"Look here, sit down again, won't you? I shan't even read the
+letters; they're nothing, only two or three letters perhaps,
+probably from complete strangers. Now sit down; tell me everything;
+you owe me that much. Look, I shan't even read the letters."</p>
+
+<p>And with that I swept them up and threw them into the fire.</p>
+
+<p>"Oh--what are you doing?" she cried, and ran to the fireplace,
+trying to save them.</p>
+
+<p>"Don't bother," I said. "I expect no happiness to come to me
+through the post, and sorrows I do not seek."</p>
+
+<p>She stood so close to me that I found myself again on the point
+of touching her, just for a moment, touching her arm; but I caught
+myself in time. I had already gone too far, so I said as gently and
+sympathetically as I could:</p>
+
+<p>"Dear child, you must not be unhappy; it will all turn out for
+the best; you'll see. Now sit down--there, that's better."</p>
+
+<p>No doubt she had been taken aback by my violence, for she sank
+into her chair almost absently.</p>
+
+<p>"I'm not unhappy," she said.</p>
+
+<p>"Aren't you? So much the better!"</p>
+
+<p>I began to chatter away at top speed, though I tried to restrain
+myself, to show that I was nothing more than an uncle to her. I
+talked to distract her, to distract us both; I let my tongue wag--I
+could hear it buzzing. What could I say? A little of everything--a
+great deal, in fact:</p>
+
+<p>"Well, well, child. And whom are you marrying, who is the lucky
+man? Nice of you to come and tell me before anyone, really very
+nice; thank you very much. You see I've only just come home and I
+haven't slept much on the journey. I was anxious to know--well,
+perhaps not anxious exactly--but still--You know what such a
+homecoming is: lots of people, noise, brr!--I hardly got any sleep.
+Then I came home, and then you came along--thank you for coming,
+Miss Ingeborg--I might be your father and you're just a child;
+that's why I say 'Ingeborg.' But when you told me all this, I
+hadn't had any sleep, I wasn't quite balanced--not enough to give
+you advice; I mean, I hadn't quite appreciated--But now you can
+quite safely--I'd like to know, of course--Is he old? Is he young?
+Young, of course. I am imagining what will happen to you now, Miss
+Ingeborg, in your new condition. I mean, it will be so entirely
+different from what you've been accustomed to, but God bless you,
+it will all turn out for the best, I'm sure of that--"</p>
+
+<p>"But you don't even know who it is!" she interrupted, looking at
+me apprehensively again.</p>
+
+<p>"No, I don't, and I needn't if you'd rather not tell me yet. Who
+is it? A dapper little man, I can see that from his ring, a
+schoolmaster perhaps, a clever young schoolmaster--"</p>
+
+<p>She shook her head.</p>
+
+<p>"Then a big, good-natured man who wants to dance with you--"</p>
+
+<p>"Yes, perhaps," she said slowly.</p>
+
+<p>"There you are--you see I've guessed it. A bear who will carry
+you on his paws. On your birthday--do you know what he'll give you
+for your birthday?"</p>
+
+<p>But perhaps I was getting too childish; I bored her, and for the
+first time she looked away from me, looked at a picture on the
+wall, then at another picture. But it was not easy for me to stop
+now, after having spoken hardly at all for several weeks, and
+feeling profoundly excited besides--heaven only knows why.</p>
+
+<p>"How did you like the country?" she asked suddenly. As I could
+not see the drift of this question, I merely looked at her.</p>
+
+<p>"Weren't you at Nikolai's mother's house?" she persisted.</p>
+
+<p>"Yes."</p>
+
+<p>"What is she like?"</p>
+
+<p>"Are you interested in her?"</p>
+
+<p>"No, I don't suppose so. Oh dear!" she sighed wearily.</p>
+
+<p>"Come, come, you mustn't sound like that when you're newly
+engaged! What the country was like? Well, there was a
+schoolmaster--you know, an old bachelor, sly, and amusing. Said he
+knew me, and put on the most extraordinary airs the first day. And
+of course I returned the compliment and said I had come exclusively
+to meet him. 'Impossible!' he said. 'Why should it be?' I said;
+'forty years a schoolmaster, a respected man, permanent churchman,
+chairman, indispensable everywhere!' Well, then I attended his
+class. Most impressive. He talked continually; for once he had an
+audience, almost like a school inspection. 'You there, Peter!
+Ahem,' he said. 'There was a horse and a man, and one of them was
+riding on the other's back. Which one was riding, Peter?' 'The
+man,' Peter replies. A pause. 'Well, maybe you're right,
+Peter--maybe the man was riding. Just like sin, like the devil
+riding us....'"</p>
+
+<p>But she was looking at the wall again, drifting away from me
+again. I changed the subject clumsily:</p>
+
+<p>"Of course you'd rather hear about people you know--about Tore
+Peak, for instance. Josephine has been in town."</p>
+
+<p>"Yes, I know," she said, nodding her head.</p>
+
+<p>"Remember the old man at Tore Peak? I don't think I'll ever
+forget him. In a certain number of years I shall be like
+him--perhaps not quite so old. Then I shall be a child again with
+age. One day he came out, and went down to the field. I saw him; he
+had mittens on. You know he eats all sorts of things, and I saw him
+lie down and eat the hay."</p>
+
+<p>She stared at me foolishly.</p>
+
+<p>"But I must say he didn't look as though he had ever eaten hay
+before--possibly because it was rotting. It was the hay that had
+been left, you know--rotting down for next year--for the next
+tourist year."</p>
+
+<p>"You seem to think," she said smiling, "that you have to cheer
+me up, because I'm terribly unhappy. I'm quite the reverse. Perhaps
+he's too good for me; that's what his sister seems to think,
+anyhow, because she tried to stop it. But I'm going to enjoy
+snubbing that sister of his. Anyhow, I'm not unhappy, and that
+isn't the reason I've come. I'd really much rather have him than
+anyone else--since I can't get the one I really want."</p>
+
+<p>"You've told me this before, child--last winter, in fact. But
+the man you want has gone his way--besides, you said yourself that
+you didn't belong with him, or rather, that he didn't with you--I
+mean--"</p>
+
+<p>"Belong? Do I belong anywhere? Do you think I belong in the
+place I'm going to now? I'm afraid I'm not really suitable for
+anybody--at least I can't think of anyone I'd suit. I wonder how
+I'll manage. I wonder if he'll be able to stand me. But I'll do my
+very best; I've made up my mind to that."</p>
+
+<p>"Well, who is it--do I know him? Of course you suit each other.
+I can't believe you don't. He must be in love with you, quite madly
+in love, and you must love him in return. I'm sure you'll come
+through with flying colors, Miss Ingeborg, because you're capable
+and intelligent."</p>
+
+<p>"Oh, well," she said, rising suddenly to her feet. But she
+hesitated over something, and seemed about to speak, then changed
+her mind again. At the door, she stood with her back to me, pulling
+on her gloves, and said:</p>
+
+<p>"So you think I ought to do it?"</p>
+
+<p>I was taken aback by the question, and replied:</p>
+
+<p>"Ought to do it? Haven't you done it already?"</p>
+
+<p>"Yes. That is--well, yes, I've done it, I'm engaged. And I can
+tell from your manner that I've done the right thing."</p>
+
+<p>"Well, I don't know. I can't tell."</p>
+
+<p>I crossed the room to her.</p>
+
+<p>"Who is it?"</p>
+
+<p>"Oh, God, no; let's drop it. I can't bear any more now. Good
+night."</p>
+
+<p>She stretched her hand out fumblingly, but since she was looking
+at the floor, she could not find mine, and both our hands circled
+helplessly round each other for a moment. Then she opened the door
+and was gone. I called to her, begging her to wait, seized my hat,
+and hurried after her. An empty staircase. I rushed down and opened
+the street door. An empty street. She must have run.</p>
+
+<p>"I'll try to see her tomorrow," I thought.</p>
+
+<hr>
+<p>One day, two days, but I did not see her, though I went to all
+the usual places. Another day--nothing. Then I thought I would go
+up to her home and inquire about her. At first this did not seem to
+me too improper, but when it came to the point, I hesitated. There
+is, after all, something to be lost by making a fool of oneself.
+But was I not a kind of uncle? No--yes, of course, but still--</p>
+
+<p>A week passes, two weeks, three. The girl has quite disappeared;
+I hope she hasn't had an accident. I mount the stairs to her home
+and ring the bell....</p>
+
+<p>She's already gone away; they left as soon as they were married,
+last week. She's married to Nikolai, Carpenter Nikolai.</p>
+
+<hr>
+<p>March--what a month! The winter is over, yet there's no telling
+how much longer it may still last. That's what March is for.</p>
+
+<p>I have lived through another winter and seen the nigger
+entertainment at the Anglo-Saxon theater. You were there too, my
+friend. You saw how cleverly we all turned somersaults. Why, you
+even took part yourself, and you carry about a broken rib as a
+cherished little memento of the occasion. I saw it all from a
+slight distance away, ten miles, to be exact; no people were near
+me, but there were seven heavens above.</p>
+
+<p>And pretty soon I shall be reading what the officials have to
+say about the year's harvest in our country; that is to say, the
+harvest at the theater--in dollars, and in sterling.</p>
+
+<p>The waggish professor is enjoying himself, quite in his element.
+There he goes, self-assured and complacent, Sir Mediocrity in all
+his glory. By next year, he will have dragged other progressive
+people in his wake; he will have dressed up Norway still more, and
+made it still more attractive to the Anglo-Saxons. More dollars,
+and more sterling.</p>
+
+<p>What, do I hear someone objecting?</p>
+
+<p>Yes, Switzerland.</p>
+
+<p>Well, then, we shall invite Switzerland to dinner and toast her
+thus: "Colleague, our great aim is to resemble you. Who else can
+squeeze so much profit out of their mountains? Who else can file at
+such clockwork? Switzerland, make yourself at home; we don't want
+to rob you; there are no pickpockets at this table. Here's to
+you!"</p>
+
+<p>But if that doesn't help, we shall have to roll up our sleeves
+and fight. There are still Norwegians left in good old Norway, and
+our rival--is Switzerland.</p>
+
+<hr>
+<p>Mrs. Henriksen brings catkins in a vase into my room.</p>
+
+<p>"What, is it spring?"</p>
+
+<p>"Oh, it's getting on."</p>
+
+<p>"Then I shall be going away. You see, Mrs. Henriksen, I should
+very much have liked to stay, because this is really where I
+belong; but what more can I do here? I don't work; I merely idle.
+Do you understand me? I grieve continually, and my heart sits
+wrinkled. My most brilliant achievement is spinning coins: I toss a
+coin into the air and wait. When I came here last autumn I wasn't
+so bad, not nearly so bad. I was only half a year younger then, yet
+I was ten years younger. What has happened to me since? Nothing.
+Only--I'm not a better man than I was last autumn."</p>
+
+<p>"But you've been all right all winter, haven't you? And three
+weeks ago, when you came back from the country, you were so
+happy!"</p>
+
+<p>"Was I? I don't remember that. Ah, well, things don't move so
+fast, and nothing has happened to me in these three weeks. Well,
+never mind; at all events, I shall go away. I must travel when the
+spring comes. I have always done so in the past, and I want to do
+the same thing now. Sit down, Mrs. Henriksen."</p>
+
+<p>"No, thank you, I'm too busy."</p>
+
+<p>Too busy! Yes, you work--you're not ten years older than you
+were last autumn. You think it's hard work to rest on Sundays,
+don't you? Dear Madame Henriksen! You and your little daughter knit
+stockings for the whole family, you let your rooms, you keep your
+family together like a mother. But you mustn't let your little
+Louise sit for twelve years on a school form. If you do, you'll
+hardly ever see her all through her youth, those formative years of
+her life. And then she can't be like you or learn from you. She'll
+learn to have children easily enough, but she won't learn to be a
+mother, and when the time comes for her to keep her home and family
+together, she will not be able to do it. She'll only know
+"languages" and mathematics and the story of Bluebeard, but that is
+not food for the heart of a woman. That is twelve years of
+continual famine for her soul.</p>
+
+<p>"Excuse my asking, but where are you going to?"</p>
+
+<p>"I don't know, but I'm going. Why, where should I go? I shall go
+aboard a steamship and sail, and when I have sailed long enough, I
+will go ashore. If I find, on looking about me, that I have
+traveled too far or not far enough, I shall board a ship again and
+sail on. Once I walked across into Sweden as far as Kalmar and even
+Öland, but that was too far, so I turned back. No one cares to know
+where I am, least of all myself."</p>
+
+<h2 class="spaced">XXXVI</h2>
+
+<p>You get used to everything; you even get used to the passage of
+two years.</p>
+
+<p>And now it is spring again....</p>
+
+<p>It is market day in the frontier town; my room is noisy, for
+there is music down in the fields, the roundabout is whirling, the
+tightrope walker is gossiping outside his tent, and people of every
+sort throng the village. The crowds are great, and there is even a
+sprinkling of Norwegians from across the border. Horses snort and
+whinny, cows low, and trading is brisk.</p>
+
+<p>In the display window of the goldsmith across the road, a great
+cow of silver has made its appearance, a handsome breeder that the
+local farmers stop to admire.</p>
+
+<p>"She's too smart for my crags," says one of them with a
+laugh.</p>
+
+<p>"What do you think's her price?" says another with a laugh.</p>
+
+<p>"Why, do you want to buy her?"</p>
+
+<p>"No, haven't got fodder enough this year."</p>
+
+<p>A man trudges placidly down the road and also stops in front of
+this window. I see him from behind, and take note of his massive
+back. He stands there a long time, trying to make up his mind, no
+doubt, for now and then he scratches his beard. There he goes, sure
+enough, entering the shop with a ponderous tread. I wonder if he
+intends to buy the silver cow!</p>
+
+<p>It takes him an age, and still he hasn't come out. What on earth
+is he doing in there? Now that I have begun to watch him, I might
+as well go the whole hog. So I put on my hat and cross to the
+goldsmith's window myself, mingling with the other spectators, and
+watching the door.</p>
+
+<p>At last the man re-emerges--yes, it <em>is</em> Nikolai. It was
+his back and hands, but he has got a beard now, too. He looks
+splendid. Imagine Carpenter Nikolai being here!</p>
+
+<p>We greet each other, and we talk as he shakes me slowly and
+ponderously by the hand. Our conversation is halting, but we get
+on. Yes, of course, he has gone into the shop on business, in a
+kind of way.</p>
+
+<p>"You've not bought the silver cow, have you?"</p>
+
+<p>"Oh, no, not that. It didn't amount to anything, really. In
+fact, I didn't buy anything."</p>
+
+<p>By degrees, I discover that he is buying a horse. And he tells
+me that he has dug that piece of land of his, and is turning it
+into pasture, and his wife--oh, yes, thank you for asking--she
+lives in health to this day.</p>
+
+<p>"By the way," he said, "have you come here over the fjeld?"</p>
+
+<p>"Yes, I came last winter. In December."</p>
+
+<p>"What a pity I didn't know!"</p>
+
+<p>I explained that I hadn't had the time to visit his home then; I
+was in a hurry, there was some business--</p>
+
+<p>"Yes, I understand," he said.</p>
+
+<p>We said little more, for Nikolai was as taciturn as ever.
+Besides, he had other business to attend to; he cannot absent
+himself from the farm for long, and had to return next day.</p>
+
+<p>"Have you bought your horse yet?"</p>
+
+<p>"Well, no, I haven't."</p>
+
+<p>"Do you think you will?"</p>
+
+<p>"I don't know yet. I'm trying to split a difference of five and
+twenty <em>kroner</em>."</p>
+
+<p>Later I saw Nikolai going to the goldsmith's again. He seemed to
+do a great deal of business there.</p>
+
+<p>"I could have company across the fjeld now," I thought. "It's
+spring, and do I not always travel in the spring?"</p>
+
+<p>I began to pack my knapsack.</p>
+
+<p>Nikolai emerged once more, apparently as empty-handed as he had
+entered. I opened my window and called to him to ask if he had
+bought the horse.</p>
+
+<p>"N-no--the man won't meet my price."</p>
+
+<p>"Well, can't you meet his?"</p>
+
+<p>"Y-yes, I could," he replied slowly. "But I don't think I've got
+enough money on me."</p>
+
+<p>"I could lend you some."</p>
+
+<p>At this Nikolai smiled and shook his head as though my offer
+were a fairy tale.</p>
+
+<p>"Thank you just the same," he said, turning to walk away.</p>
+
+<p>"Where are you going now?" I asked.</p>
+
+<p>"To look at another horse. It's old and small, still--"</p>
+
+<p>Was I thrusting myself on the man? I? Nonsense! I don't see that
+at all. He felt offended because I had passed his door last winter
+without stopping and now I wanted to make him friendly again. That
+was all. But as I wanted no cause for self-reproach, I stopped
+packing, nor would I ask Nikolai if I might go back with him. But I
+went out for a walk in the town. I had as much right to do that as
+anyone.</p>
+
+<p>I met Nikolai in the street with a colt, and we stopped to
+exchange a few words.</p>
+
+<p>"Is it yours?"</p>
+
+<p>"Yes, I've bought her; the man met me halfway after all," he
+replied with a smile.</p>
+
+<p>We walked along to the stable together and fed and petted the
+horse. She was a mare, two and a half years old, with a tawny coat
+and an off-white mane and tail--a perfect little lady.</p>
+
+<p>That evening Nikolai came over to my room of his own accord for
+a chat about the mare and the state of the roads. When he was
+saying good-bye at the door, he seemed struck by a sudden
+thought.</p>
+
+<p>"By the way," he said, "I suppose it's no good asking you, but
+you could get a lift for your knapsack, you know. We could be there
+day after tomorrow," he added.</p>
+
+<p>How could I offend him again?</p>
+
+<p>We walked all next day, spent the night in the mountain hut at
+the frontier, and then went on again. Nikolai carried my knapsack
+all the way, as well as his own smaller parcels. When I suggested
+that we should share the burden, he said it was no weight at all. I
+think Nikolai wanted to spare the little tawny lady.</p>
+
+<p>At noon we saw the fjord beneath us. Nikolai stopped and
+carefully rubbed down the mare once more. As our path sloped
+downward, I felt a pressure, a contraction in my chest; it was the
+sea air. Nikolai asked me what was the matter, but it was
+nothing.</p>
+
+<p>On reaching his home, we found the yard well swept, and in the
+doorway a woman on her knees with her back toward us, scrubbing the
+floor. It was the Saturday cleaning day.</p>
+
+<p>"Hullo!" Nikolai roared in a tremendously loud voice, stopping
+dead in his tracks as he did so.</p>
+
+<p>The woman in the doorway looked round; her hair was gray, but it
+was she, Miss Ingeborg, <em>Fru</em> <a name="fn"></a><a class=
+"fnsuper" href="#fn1">1</a> Ingeborg.</p>
+
+<p>"Good heavens!" she exclaimed, hastily mopping up the rest of
+the floor.</p>
+
+<p>"Look at all the cleaning that goes on here!" Nikolai said,
+laughing. "That's her idea of fun!"</p>
+
+<p>And I had believed Carpenter Nikolai incapable of
+lightheartedness! Yet I had seen how content he had been all the
+way home, how deeply content, and proud of the little lady he was
+bringing with him. Even now he was still stroking her.</p>
+
+<p>Fru Ingeborg rose to her feet, her skirts dark with the damp. It
+all seemed strange to me; her hair was so gray. I needed a little
+time, a moment, to collect myself, and turned away to give her
+time, too.</p>
+
+<p>"What a lovely horse!" I heard her exclaim.</p>
+
+<p>Nikolai went on stroking the mare.</p>
+
+<p>"I've brought a visitor with me," he said.</p>
+
+<p>I went to her and perhaps--I don't know--perhaps I rather
+overdid my unconcern. I greeted her and insisted on shaking her wet
+hand, which she hesitated to give me. I was anxious to appear quite
+formal with her, and shook her hand as I repeated my greeting.</p>
+
+<p>"Well, of all people!" she replied.</p>
+
+<p>I persisted in my formal attitude.</p>
+
+<p>"You must blame your husband," I said. "It's his fault that I'm
+here."</p>
+
+<p>"I wish you heartily welcome," she returned. "How lucky I've
+just got through the cleaning!"</p>
+
+<p>A slight pause. We looked at each other; two years had passed
+since our last meeting. To break the silence, we all began to
+admire the mare, Nikolai swelling with pride. Then we heard a child
+calling from within the house, and the young mother ran off.</p>
+
+<p>"Come in, won't you!" she called back over her shoulder.</p>
+
+<p>As soon as I entered, I saw that the room had been changed.
+There was too much middle-class frippery: white curtains at the
+windows, numerous pictures on the walls, a lamp pendent from the
+ceiling, underneath it in the center of the room a round table and
+chairs, knickknacks in a china cupboard, a pink-painted spinning
+wheel, flowers in pots--in short, the room was crowded. This, no
+doubt, was the sort of thing Fru Ingeborg had been used to and
+considered in good taste. But in Petra's day, this had been a light
+and spacious room.</p>
+
+<p>"How's your mother?" I asked Nikolai.</p>
+
+<p>As usual he was slow to reply. His wife answered for him:</p>
+
+<p>"She's very well."</p>
+
+<p>I wanted to ask, "Where is she?" but I refrained.</p>
+
+<p>"Look, I want to show you something," said Fru Ingeborg.</p>
+
+<p>It was the child in his bed--a boy, big and handsome, about a
+year old. He frowned at me at first, but only for a moment. As soon
+as he was on his mother's arm, he looked at me without fear.</p>
+
+<p>How happy and beautiful the young mother looked! Peerless,
+indeed, with her eyes full of an inscrutable graciousness she had
+not possessed before.</p>
+
+<p>"What a fine little <em>man!</em>" I said, admiring the boy.</p>
+
+<p>"I should think he was!" said the mother.</p>
+
+<hr>
+<p>You get used to everything. The sea air no longer oppresses me;
+I can speak without losing my breath to the woman who is now the
+mistress of this house. She likes to talk, too, pouring out her
+words nervously, as though it had been a long time since she last
+opened her mouth. What we talked about? Well, we neither asked nor
+answered questions about measuring angles or analyzing
+Shakespeare's grammar.</p>
+
+<p>Had she ever thought her matriculation would land her up here,
+amid livestock and Saturday cleaning?</p>
+
+<p>Oh, that parody of an education! She had taken the first
+toddling steps in a dozen sciences, but if she met someone with
+fully adult knowledge she was lost. She had other things to think
+about now, her home and her family and the farm. Of course there
+wasn't much livestock, now that Nikolai's mother had taken half of
+it with her--</p>
+
+<p>"Has Petra gone away?"</p>
+
+<p>Married--to the schoolmaster. No, Petra hadn't wanted to stay
+when the young wife took possession. One evening a strange man had
+come to the house, and Petra had wanted to admit him, but Fru
+Ingeborg would not. She knew who he was and wanted him to leave. So
+there were quarrels between the older woman and the young one.</p>
+
+<p>Petra was also dissatisfied with the young wife's work in the
+barn. It was true she was not very skillful, but she was learning
+all the time, and enjoyed improving her skill. She never asked
+questions; that, she saw, would have been foolish, but she worked
+things out by herself, and kept her eyes open when she visited
+neighboring farms. That didn't mean to say she could learn
+everything. There were things she never learned properly because
+she was not "to the manner born." Often the wives of rural
+officials are from small towns, and have not learned the ways of
+the country, though they must learn them in time. But they never
+learn them well. They know only just enough for their daily needs.
+To set up a weave, you must have grown up with the sound of the
+shuttle in your ears; to tend the cattle as they should be tended,
+you must have helped your mother since childhood. You can learn
+from others, but it will not be in your blood.</p>
+
+<p>Not everyone has a man like Nikolai to live with, either. The
+young wife is very fond of her Nikolai, this sound, hearty bear who
+loves her in return. Besides, Nikolai is not exacting; his wife
+seems to him peerless in all she does. Of course she has taken
+great pains; it has left its mark on her, too, and she is not gray
+for nothing. A few months ago she lost a front tooth, too--broke it
+on some bird shot left in the breast of a ptarmigan she was eating.
+She hardly dared look in the mirror now--didn't recognize herself.
+But what did it matter as long as Nikolai....</p>
+
+<p>Look what he'd brought her, this brooch, bought at the
+goldsmith's at the market: wasn't it lovely? Oh, Nikolai was mad;
+but she would do anything in the world for him, too. Imagine using
+some of the money for the horse on a brooch! Where is he now,
+where's he gone to? She'll bet anything he's stroking the mare
+again.</p>
+
+<p>"Nikolai!" she called.</p>
+
+<p>"Yes," his reply came from the stable.</p>
+
+<p>She sat down again, crossing her legs. Her face had turned pink;
+perhaps a thought, a memory, passed through her mind. She was
+suffused with excitement and beauty. Her dress clung to her body,
+outlining its contours. She began gently to stroke her knee.</p>
+
+<p>"Is the child asleep?" I asked. I had to say something.</p>
+
+<p>"Yes, he's asleep. And think of him!" she exclaimed. "Can you
+imagine anything more wonderful? Excuse my talking like this,
+but.... You know he's not a year old yet. I never knew children
+were such a blessing."</p>
+
+<p>"Well, you see they are."</p>
+
+<p>"Yes, I thought differently once; I remember that perfectly
+well, and you contradicted me. Of course it was stupid of me.
+Children? Miracles! And when you're old, they're the only
+happiness--the last happiness. I shall have more; I shall have many
+of them, a whole row of them, like organ pipes, each taller than
+the last. They're lovely.... But I wish I hadn't lost my tooth; it
+leaves such a black gap. I really feel quite bad about it, on
+Nikolai's account. I suppose a false one could be put in, but I
+shouldn't dream of it. Besides, I understand it's quite dear. But
+I've given up using any arts; I only wish I'd stopped earlier--I've
+gone on much too long. Think of all I've missed by it: all my
+childhood, all my youth. Haven't I idled away whole summers at
+resorts, even as a grown woman? I needed a holiday from my school
+work, a rest, and immediately turned it into sheer futility, every
+day a disgrace. I could cry with regret. I should have been married
+ten years ago, and had my husband all that time, and a home and
+many children. Now I'm already old, cheated out of ten years of my
+life, with gray hair and one tooth gone--"</p>
+
+<p>"Well, you've lost one tooth, but I've hardly got one left!"</p>
+
+<p>No sooner had I consoled her thus than I regretted it. Why
+should I make myself worse than I am? Things were bad enough
+anyhow. I was sick with fury at myself, and grinned and grimaced to
+show her my teeth: "Here, don't miss them, have a good look!" But
+I'm afraid she saw what a fool I was making of myself; everything I
+did was wrong.</p>
+
+<p>Then she consoled me in her turn, as people do when they can
+well afford it:</p>
+
+<p>"What, you old? Nonsense!"</p>
+
+<p>"Have you met the schoolmaster?" I asked abruptly.</p>
+
+<p>"Of course. I remember what you told me about him: a horse and a
+man came riding along the road.... But he's got sense, and he's
+terribly stingy. Oh, he's cunning; he borrows our harrow because
+ours is new and good. They've built a house at the end of the
+valley, and take in travelers--quite a big hotel, in fact, with
+the waitresses dressed in national costume. Of course Nikolai and I
+both went to the wedding; Petra really looked a charming and lovely
+bride. You mustn't think she and I are still unfriendly; she likes
+me better now that I'm more competent, and last summer they sent
+for me several times to interpret for some English people and that
+sort of thing--at least I know how to say soap and food and
+conveyance and tips in other languages!</p>
+
+<p>"But I don't think I should ever have had any serious trouble
+with Petra in the first place if Sophie hadn't come home--you know,
+the schoolmistress in the town. She's always found plenty to
+criticize in me, so I never liked her very much, I must admit. But
+when she came here, she was very arrogant toward me, and lorded it
+over me, showing off all her knowledge. I was busy trying to learn
+what I needed to know for the life up here, and then she came along
+and made me look small, talking about the Seven Years' War all the
+time. She was terribly learned about the Seven Years' War, because
+that's what she had in her examination. And our way of talking
+wasn't elegant enough for her; Nikolai used rough country
+expressions sometimes, and she didn't like that. But Nikolai speaks
+quite well enough, and I can't see what that fool of a sister of
+his has got to put on airs for! And on top of that she came home to
+stay--for six months, anyhow. She'd been engaged, so then she had
+to take a six months' holiday. The baby's with Petra, with his
+grandmother, so he's well taken care of. It's a boy, too, but he's
+hardly got any hair; mine has plenty of hair. Well, in a way, of
+course, it's a pity about Sophie, because she'd used up her legacy
+and her youth studying to be a schoolmistress, and then she comes
+home like that. But she really was insufferable, thinking she was a
+lot better than I because she hadn't been discharged, like me. So I
+asked her to leave. And then they both left, Sophie and her mother.
+Anyhow, her mother and I are quite reconciled.</p>
+
+<p>"But you mustn't think we've had any help from her to buy the
+horse. Nothing of the kind! We borrowed the money from the bank.
+But we'll manage, because it's our only debt. Nikolai has made all
+the furniture in here himself, the table and china cupboard and
+everything; we haven't bought a thing. He's dug up the new field
+himself, too. And we'll be getting more cattle; you ought to see
+what a handsome heifer we've got....</p>
+
+<p>"Even the food wasn't good enough for Sophie. Tins saved such a
+lot of trouble, she said; we ought to buy tinned food. It was
+enough to make you sick to listen to her. I was just beginning to
+knit, too; I'd got one of my neighbors to teach me, and I was
+knitting stockings for myself. But of course Lady Sophie--well, she
+bought her stockings in the city. Oh, she was charming. 'Get out!'
+I said to her. So they left."</p>
+
+<p>Nikolai entered the room.</p>
+
+<p>"Did you want me?"</p>
+
+<p>"No--oh, yes, I wanted you to come upstairs with me. I need
+something to hang things on in front of the fire, a
+clotheshorse--come along--"</p>
+
+<p>I stayed behind, thinking:</p>
+
+<p>"If only it lasts, if only it lasts! She's so overwrought;
+living on her nerves. And pregnant again. But what splendid
+resolution she shows, and how she's matured in these two years! But
+it has cost her a great deal, too.</p>
+
+<p>"Good luck to you, Ingeborg, good luck!"</p>
+
+<p>At all events, she had triumphed over Schoolmistress Sophie, who
+had once tried so hard to set Nikolai against her. "Get out!" How
+content Fru Ingeborg must be--what delight in this small triumph!
+Life had changed so much that such things were important to her;
+she grew heated again when she mentioned it, and pulled at her
+fingers as she had done in her schooldays. And why should she not
+be content? A small triumph now had the rank of a bigger one in the
+old days. Proportions were changed, but her satisfaction was no
+less.</p>
+
+<p>Listen--she has begun to read upstairs; there's the sound of a
+steady hum. Yes, it's Sunday today, and she, being the best
+educated of them, naturally reads the service. Bravo! Magnificent!
+She has extended her self-discipline even to this, for they are all
+orthodox Christians in this neighborhood. Believing? No, but not
+hostile, either. One reads Scripture. Rather a clever ruse, that of
+the clotheshorse.</p>
+
+<p>She has become an excellent cook, too, in the peasant style.
+Delicious broth, without noodles, but otherwise just as it should
+be, with barley, carrots, and thyme. I doubt whether she has
+learned this at the domestic science school. I consider all the
+things she has learned, and find them numerous. Had she, perhaps,
+been a little overstrung in her talk about children like organ
+pipes? I don't know, but her nostrils dilated like a mare's as she
+spoke. She must have known how unwillingly middle-class couples
+have children, and how short is the love between them: in the
+daytime they are together so that people might not talk, but the
+night separates them. She was different, for she would make hers a
+house of fruitfulness: often she and her husband were apart during
+the day, when their separate labors called them, but the night
+united them.</p>
+
+<p>Bravo, Fru Ingeborg!</p>
+
+<h2 class="spaced">XXXVII</h2>
+
+<p>Really, it was time I was leaving; at least I could have moved
+across to Petra and the Schoolmaster, who take in travelers. Really
+I ought to do that....</p>
+
+<p>Nikolai has got his tawny lady working on the farm; she's
+harnessed to a neat cart that he has made himself and banded with
+iron. And now the lady carts manure. The tiny farm with its few
+head of cattle doesn't yield too much of this precious substance,
+so it is soon spread. Then the lady draws the plow, and looks as
+though it were no more than the heavy train of a ball dress behind
+her! Nikolai has never heard of such a horse before, and neither
+has his wife.</p>
+
+<p>I take a walk down to the newly dug field and look at it from
+every angle. Then I take soil in my hand and feel it and nod,
+exactly as though I knew something about it. Rich, black
+soil--sheer perfection.</p>
+
+<p>I walk so far that I can see the gargoyles on Petra's hotel--and
+suddenly turn off the path into the woods, to sheltered groves and
+catkins and peace. The air is still; spring will soon be here.</p>
+
+<p>And so the days wear on.</p>
+
+<p>I am comfortable and feel very much at home; how I should like
+to stay here! I should pay well for my keep, and make myself useful
+and popular; I shouldn't harm a fly. But that evening I tell
+Nikolai that I must think of moving on; this will not do.... And
+perhaps he will mention it....</p>
+
+<p>"Can't you stop a while longer?" he says. "But I suppose it
+isn't the kind of place--"</p>
+
+<p>"God bless you, Nikolai; it <em>is</em> the kind of place,
+but--well, it's spring now, and I always travel in the spring. I
+should have to be very low before I gave that up. And besides, I
+expect you're both pretty tired of me, at least your wife."</p>
+
+<p>This, too, I hoped he would mention.</p>
+
+<p>Then I packed my knapsack and waited. No--no one came to take
+the knapsack out of my hand and forbid me to pack any farther. So
+perhaps Nikolai hasn't mentioned it. The man never does open his
+mouth. So I placed the knapsack on a chair in the middle of the
+room, all packed and ready, for everyone to see that we're leaving.
+And I waited for the morning of the next day, and this time the
+knapsack <em>was</em> observed. No, it wasn't. So I had to wait
+till the housewife called us to the midday meal, and tell her then,
+pointing to what was in the middle of the room:</p>
+
+<p>"I'm afraid I shall have to be leaving today."</p>
+
+<p>"No! Really? Why do you want to go away?" she said.</p>
+
+<p>"Why? Well, don't you think I should?"</p>
+
+<p>"Well, of course--But you might have stayed on a bit longer; the
+cows will be going out to spring pasture now, and we should have
+had more milk."</p>
+
+<p>That was all we said about it, and then she went back to her
+work.</p>
+
+<p>Bravo, Fru Ingeborg. You're true-blue. It struck me then, as it
+had done already on several occasions, that she had grown very like
+Josephine at Tore Peak, both in her way of thinking and her mode of
+expression. Twelve years of school had laid no foundations in her
+young mind, though it had loosened much that was firm within her.
+But that did not matter, as long as she kept a firm hold now.</p>
+
+<hr>
+<p>Nikolai is going down to the trading center, and since he will
+be bringing back some sacks of flour, he intends to drive. I know
+very well that I ought to go with him, because then I could catch
+the mail packet next day but one. I explain this to Nikolai and pay
+my bill. While he is harnessing the horse, I finish packing my
+bag.</p>
+
+<p>Oh, these eternal journeys! Hardly am I settled in one place
+than I am again unsettled in another--no home, no roots. What are
+those bells I hear? Ah, yes--Fru Ingeborg lets the cows out. They
+are going to pasture for the first time this spring, so that they
+shall give more milk.... Here comes Nikolai to tell me he is ready.
+Yes, here is the knapsack....</p>
+
+<p>"Nikolai, isn't it a bit early to let the cows out?"</p>
+
+<p>"Yes, but they're getting restless in the cow houses."</p>
+
+<p>"Yesterday I was in the woods and wanted to sit down, but I
+cannot sit in the snow. No, I cannot, though I could ten years ago.
+I must wait till there is really something to sit on. A rock is
+good enough, but you can't sit on a rock for very long in May."</p>
+
+<p>Nikolai looks uneasily at the mare through the window.</p>
+
+<p>"Yes, let's go.... And there were no butterflies, either. You
+know those butterflies that have wings exactly like pansies--there
+weren't any. And if happiness lives in the forest, I mean if God
+himself--well, He hasn't moved out yet; it's too early."</p>
+
+<p>Nikolai does not reply to my nonsense. After all, it is only the
+incoherent expression of a vague feeling, a gentle melancholy.</p>
+
+<p>We go outside together.</p>
+
+<p>"Nikolai, I'm not going."</p>
+
+<p>He turns around and looks at me, his eyes smiling
+good-humoredly.</p>
+
+<p>"You see, Nikolai, I think I have got an idea; I feel exactly as
+though an idea had come to me that may turn into a great, red-hot
+iron. So I mustn't disturb myself. I'm staying."</p>
+
+<p>"Well, I'm very glad to hear that," says Nikolai. "As long as
+you like being here...."</p>
+
+<p>And a quarter of an hour later, I can see Nikolai and the mare
+trotting briskly down the road. Fru Ingeborg stands in the yard
+with the boy on her arm to watch the gamboling calves.</p>
+
+<p>And here stand I. A fine old specimen, I am!</p>
+
+<hr>
+<p>Nikolai returned with my mail; quite a little pile had
+accumulated in the past few weeks.</p>
+
+<p>"I thought you're not in the habit of reading your letters,"
+said Fru Ingeborg banteringly. Nikolai sat listening to us.</p>
+
+<p>"No," I returned. "Just say the word, and I'll burn them
+unread."</p>
+
+<p>Suddenly she turned pale; she had put her hand with a smile on
+the letters, brushing my hand as she did so. I felt a great ardor,
+a moment's miraculous blood heat, more than blood heat--only for a
+moment--then she withdrew her hand and said:</p>
+
+<p>"Better read them."</p>
+
+<p>She was deeply flushed now.</p>
+
+<p>"I saw him burn his letters once," she explained to Nikolai.
+Then she found something to do at the stove, while she asked her
+husband about his journey, about the road, whether the mare had
+behaved well--which she had.</p>
+
+<p>A minor occurrence, of no importance to anyone. Perhaps I should
+not have mentioned it.</p>
+
+<hr>
+<p>A few days later.</p>
+
+<p>The weather has grown warm, my window is open, my door to the
+living room is open, all is still; I stand at the window looking
+out.</p>
+
+<p>A man entered the courtyard carrying an unshapely burden. I
+could not see his face very well, but thought it was Nikolai
+carrying something, so I went back to my table to work again.</p>
+
+<p>A little later I heard someone say "Good morning" in the living
+room.</p>
+
+<p>Fru Ingeborg did not return the greeting. Instead, I heard her
+ask in loud, hostile tones:</p>
+
+<p>"What do you want?"</p>
+
+<p>"I've come to pay you a visit."</p>
+
+<p>"My husband isn't in--he's in the field."</p>
+
+<p>"Never mind."</p>
+
+<p>"I do mind," she cried. "Go away!"</p>
+
+<p>I don't know what her face looked like then, but her voice was
+gray--gray with tears and indignation. In a moment I was in the
+living room.</p>
+
+<p>The stranger was Solem. Another meeting with Solem. He was
+everywhere. Our eyes met.</p>
+
+<p>"I think you were asked to leave?" I said.</p>
+
+<p>"Take it easy, take it easy," he said, in a kind of
+half-Norwegian, half-Swedish. "I trade in hides; I go round to the
+farms buying up hides. Have you got any?"</p>
+
+<p>"No!" she cried out. Her voice broke. She was completely
+distracted, and suddenly dipped a ladle into a pot that was boiling
+on the stove: Perhaps she was on the point of flinging it at
+him....</p>
+
+<p>At this juncture, Nikolai entered the house.</p>
+
+<p>He was a slow-moving man, but his eyes suddenly quickened as he
+took in the situation. Did he know Solem, and had he seen him
+coming to the farm? He laughed a little. "Ha, ha, ha," he said, and
+went on smiling--left his smile standing. It looked horrible; he
+was quite white, and his mouth seemed to have stiffened in a
+smiling cramp. Here was an equal for Solem, a sexual colleague, a
+stallion in strength and stubbornness. And still he went on
+smiling.</p>
+
+<p>"Well, if you haven't any hides--," said Solem, finding the
+door. Nikolai followed him, still smiling. In the yard he helped
+Solem raise his burden to his back.</p>
+
+<p>"Oh, thank you," said Solem in an uncomfortable tone. The bale
+of furs and skins was a large one; Nikolai picked it up and put it
+on Solem's back, swung it to his back in a curious fashion, with
+needless emphasis. Solem's knees gave way under him, and he fell on
+his face. We heard a groan of pain, for the paved yard was hard as
+the face of the mountain. Solem lay still for a moment, then he
+rose to his feet. His face had struck the ground in falling, and
+the blood was running down into his eyes. He tried to hoist his
+burden higher up his back, but it remained hanging slack. He began
+to walk away, with Nikolai behind him, still smiling. Thus they
+walked down the road, one behind the other, and disappeared into
+the woods.</p>
+
+<p>Well, let us be human. That fall to the ground was bad. The
+heavy burden hanging down so uncomfortably from one shoulder looked
+bad.</p>
+
+<p>Indoors I heard a sound of sobbing; Fru Ingeborg was in a state
+of collapse in a chair. And in her condition, too!</p>
+
+<p>Well, give it time--it will pass off. Gradually we begin to
+talk, and by asking her questions, I force her to collect
+herself.</p>
+
+<p>"He--that man--that beast--oh, you don't know how dreadful he
+is--I could murder him. He was the one--he was the first, but now
+he's getting it all back, he's getting more than his own
+back--you'll see. He was the first; I was all right till then, but
+he was the first. Not that it meant a great deal to me; I don't
+want to seem any better than I am--it was all the same to me. But
+afterward I began to understand. And it drew so much evil in its
+train, I fell so low; I was on my knees. It was his fault. And
+afterward it all grew clear to me. I want that man to leave me
+alone; I don't ever want to see him again. That's not unreasonable,
+is it?--Oh, where's Nikolai? You don't think he'll do anything to
+him, do you? They'll put him in prison. Please, run after them,
+stop him! He'll kill him--"</p>
+
+<p>"No, no. He has too much sense. Besides, he doesn't know, does
+he, that Solem has done anything to you?"</p>
+
+<p>She looked up at me then.</p>
+
+<p>"Are you asking on your own account?"</p>
+
+<p>"What do you mean?--I don't understand--"</p>
+
+<p>"I want to know if you're asking on your own account! Sometimes
+you seem as though you were trying to find me out. <em>No</em>, I
+<em>haven't</em> told my husband. You can think what you please
+about my honesty. I've only told him part of it, just a
+little--that the man wouldn't leave me alone. He's been here once
+before; he was the man Petra wanted to admit that I wouldn't have
+in. I said to Nikolai, 'I won't have that man coming in here!' And
+I told him a little more. But I didn't tell him about myself; so
+now what do you think of my honesty? But I don't want to tell him
+now either; I don't ever want to tell him. Why? Well, I don't owe
+you any explanation. But I don't mind your knowing--yes, I want to
+tell you, please! You see, it's not because I'm afraid of Nikolai's
+anger, but of his forgiveness--I couldn't bear to go on living as
+though nothing had happened. I'm sure he'd try to find excuses for
+me, because that's his nature; he's fond of me, and he's a peasant,
+too, and peasants don't take these things so seriously. But if he
+did find excuses for me, he wouldn't be much good, and I don't want
+him to be no good; I swear I don't--I'd rather be no good myself!
+Oh, we both have faults to forgive in each other, but we need all
+of what's left. We don't want to be animals; we want to be human
+beings, and I'm thinking of the future and our children.... But you
+oughtn't to make me talk so much. Why did you ask me that?"</p>
+
+<p>"All I meant was that if Nikolai doesn't know, then it couldn't
+occur to him to kill the man, and that was what you were worried
+about. I just wanted to reassure you."</p>
+
+<p>"Yes, you're always so clever; you turn me inside out. I wish
+now I hadn't told you--I wish you didn't know; I should have kept
+it to myself till I died. Now you just think I'm thoroughly
+dishonest."</p>
+
+<p>"On the contrary."</p>
+
+<p>"Really? Don't you think that?"</p>
+
+<p>"Quite the contrary. What you've told me is absolutely right,
+entirely true and right. And not only that--it's fine."</p>
+
+<p>"God bless you," she said, and began to sob again.</p>
+
+<p>"There now, you mustn't cry. Here comes Nikolai walking up the
+road as good and placid as ever."</p>
+
+<p>"Is he? Oh, thank God. You know, I haven't really any fault to
+find with him; I was too hasty when I said that. Even if I tried to
+find something, I couldn't. Of course he uses expressions
+sometimes--I mean he says some words differently, but it was only
+his sister that put that into my head. I must go out and meet him
+now."</p>
+
+<p>She began to look around for something to slip over her
+shoulders, but it took her a few minutes because she was still
+quite shaken. Before she had found anything, Nikolai trudged into
+the yard.</p>
+
+<p>"Oh, there you are! You haven't done anything rash, have
+you?"</p>
+
+<p>Nikolai's features were still a little drawn as he replied:</p>
+
+<p>"No, I just took him over to see his son."</p>
+
+<p>"Has Solem got a son here?" I asked.</p>
+
+<p>Neither of them replied. Nikolai turned to go back to his work,
+and his wife went with him across the field.</p>
+
+<p>Suddenly I understood: Sophie's child.</p>
+
+<p>How well I remember that day at Tore Peak, when Schoolmistress
+Sophie Palm came in to tell us the latest news about Solem, about
+the bandage on his finger, the finger he never had time to get rid
+of--stout fellow! They made each other's acquaintance then, and
+probably met again later in the town. Solem was everywhere.</p>
+
+<p>The ladies at the Tore Peak resort--well, Solem was no angel,
+but they did little to improve him. And so he met this woman who
+had learned nothing but to teach....</p>
+
+<hr>
+<p>I ought to have understood before this. I don't understand
+anything any more.</p>
+
+<p>But something has happened to me now.</p>
+
+<p>At last I'm beginning to suspect that their chief reason for
+wanting to keep me here is simply that they need money; my board
+and rent are to pay for the mare. That's all it amounts to.</p>
+
+<p>I should have known it long ago, but I am old. Perhaps I may add
+without being misunderstood that the brain withers before the
+heart. You can see it in all grandparents.</p>
+
+<p>At first I said "Bravo!" to my discovery, "Bravo! Fru Ingeborg,"
+I said, "you are priceless once again!" But human nature is such
+that I began to feel hurt. How much better it would be to pay for
+the mare once and for all and depart; I should have been more than
+pleased to do so. But I should not have succeeded. Nikolai would
+have shaken his head as though it were a fairy tale. Then I began
+to calculate that in fact there couldn't be much to pay for the
+mare now--perhaps nothing, perhaps she was paid for....</p>
+
+<p>Fru Ingeborg labors and slaves--I'm afraid she works too hard.
+She seldom sits down, though her pregnancy is far advanced now and
+she needs rest. She makes beds, cooks, sees to the animals, sews,
+mends, and washes. Often a lock of gray hair falls down on either
+side of her face, and she is so busy that she lets it hang; it's
+too short to be fastened back with a pin. But she looks charming
+and motherly, with her fine skin and her well-shaped mouth; she and
+the child together are sheer beauty. Of course I help to carry wood
+and water, but I make more work for her just the same. When I think
+of that, I grow hot about the ears.</p>
+
+<p>But how could I have imagined that anyone would want to keep me
+for my own sake? I should not have had all these years too many
+then, and these ardors too few. A good thing I've found it out at
+last.</p>
+
+<p>In a way the discovery made it easier for me to leave them, and
+this--time when I packed my knapsack, I meant it. But at least the
+child, her boy, had some love for me, and liked to sit on my arm
+because I showed him so much that was strange. It was the child's
+instinct for the peerless grandfather.</p>
+
+<p>At about this time, a sister of Fru Ingeborg's came to the farm
+to help with the housework. I began to pack then; overcome with
+grief, I packed. To spare Nikolai and the mare, I decided to make
+my way down to the steamship landing on foot. I shall also arrange
+to relieve all of us of the need for farewells and handshakes and
+<em>au revoirs</em>, believe me!</p>
+
+<p>But in spite of my resolution, I could not, after all, avoid
+taking them both by the hand and thanking them for their
+hospitality. That was all that was necessary. I stood in the
+doorway with my knapsack already on my back, smiling a little, and
+behaving splendidly.</p>
+
+<p>"Yes, indeed," I said, "I must begin to move about again."</p>
+
+<p>"Are you really going?" said Fru Ingeborg.</p>
+
+<p>"Why not?"</p>
+
+<p>"But so suddenly?"</p>
+
+<p>"Didn't I tell you yesterday?"</p>
+
+<p>"Yes, of course, but--would you like Nikolai to drive you?"</p>
+
+<p>"No, thank you."</p>
+
+<p>The boy was interested now, for I had a knapsack on my back and
+a coat with entirely unfamiliar buttons; he wanted me to carry him.
+Very well, then--just for a moment. But it was for more than a
+moment, more than a few moments, too. The knapsack had to be opened
+and investigated, of course. Then Nikolai entered the room.</p>
+
+<p>Fru Ingeborg said to me:</p>
+
+<p>"I'm afraid you think that just because my sister's here
+now--but we've got another room. And besides, now that it's summer,
+she could easily sleep in the loft."</p>
+
+<p>"But, my dear child, I must leave <em>some</em> time--I have
+work to do, too, you know."</p>
+
+<p>"Well, of course," said Fru Ingeborg, giving it up.</p>
+
+<p>Nikolai offered to drive me, but did not press me when I thanked
+him and refused.</p>
+
+<p>They came to the gate with me, and watched me walk away, the boy
+sitting on his mother's arm.</p>
+
+<p>At the bend of the road, I turned round to wave--to the child,
+of course, not to anyone else--only to the child. But there was no
+longer anyone there.</p>
+
+<h2 class="spaced">XXXVIII</h2>
+
+<p>I have written this story for you.</p>
+
+<p>Why have I written thus? Because my soul cries out with boredom
+before every Christmas, boredom with all the books that are all
+written the same way. I had even the intention of writing in
+dialect, so as to be truly Norwegian; but when I saw you understood
+the country's language also, I gave up writing in dialect because,
+for one thing, it is becoming obsolete.</p>
+
+<p>But why have I gathered so many incongruities within a single
+framework? My friend, one of the most celebrated literary creations
+was written during a plague, <em>because</em> of a plague--this is
+my answer. And, my friend, when you have lived for a long time away
+from the human beings you know inside and out, then you indulge
+once more in the iniquity of speech; your powers have been so
+little used that your head is filled with a thousand sermons. This
+is my defense.</p>
+
+<p>If I know you at all, you will revel in one or other of my
+outspoken passages; especially where there is a nocturnal episode,
+you will lick your chops. But to others you will shake your head
+and say: "Think of his writing such things!" Alas, small, vulgar
+soul, retire into solitude and try to understand that episode! It
+has cost me much to surrender it to you.</p>
+
+<p>Perhaps, too, you will be interested in myself and ask about my
+irons? Well, I may give you their greeting. They are the irons of
+one who is half a century old--he has no other kind. But the
+distinction between myself and my brother travelers is that I
+freely admit: I have none but these. They were planned so big and
+so red; yet they are small irons, and they hardly glow. This is the
+truth. They congregate with the painstaking works of others round
+the Christmas table. This is the truth. It is the truth even
+though, in spite of everything, they are distinct from the
+nothingness of others. You cannot judge this, for you are the
+modern spirit in Norway, and this is the spirit I scorn.</p>
+
+<p>One thing you will admit: you have not wasted your time in
+"cultured company"; I have not tried to quench your little upstart
+heart with a "lady." I have written about human beings. But within
+the speech that is spoken, another lies concealed, like the veins
+under the skin, like a story within a story. I have followed the
+septuagenarian of literature step by step, and reported the
+progress of his disintegration. I should have written this
+description long ago, but I had not years enough; only now am I
+entering upon them, directly and indirectly. I should have done it
+while the country was groping for long periods under the shadow of
+superannuated incompetence. Instead I do it now, when I myself am
+being accused of a tendency to cast shadows. "Sensationalism," you
+will say, "chasing after fame!" My dear, chaste friend, I have fame
+enough for the last twenty years of my life, and after that I shall
+be dead. And you? May you live long; you deserve it. May you almost
+survive me--in the flesh.</p>
+
+<p>I have just read what a man on the pinnacle of culture has said:
+"Experience shows that when culture spreads, it grows thin and
+colorless." Then one must not raise an outcry against the bearers
+of a new renaissance. I can no longer herald a renaissance; it is
+too late now. Once, when I had the power to do much and the desire
+to do more, mediocrity everywhere was too strong. I was the giant
+with the feet of clay--the lot of many youths. But now, my small,
+small friend, look about you: there has appeared, within even your
+field of vision, a figure here and a figure there, a shining crest,
+lavish with its bounty, geniuses beneath the open sky--you and I
+should bid them welcome. I walk in the evening of life and,
+trembling, recognize myself in them; they are youth with jeweled
+eyes. Yet you begrudge them your recognition; yes, you begrudge
+them fame. Because you are nobody.</p>
+
+<p>To you--to the modern spirit of Norway! I have written this
+during a plague, and because of the plague. I cannot stop the rot;
+no, it is unassailable now, it flourishes under national
+protection, tarara-boom-de-ay. But one day no doubt it will stop.
+Meanwhile I do what I can to fight it; you do the reverse.</p>
+
+<p>Of course I have shouted in the marketplace; perhaps that is why
+my voice is hoarse now, cracked at times. There are worse things. A
+worse thing would have been if it had not obeyed me. Is there any
+danger of that? No, my friend, not for you; you will live till you
+die, be assured.</p>
+
+<p>Why have I written to you, of all people? Why do you think? You
+refused to be convinced of the truth and integrity of my
+conclusions; but I shall yet force you to recognize that I am close
+to the truth. Not until then shall I make allowance for the fool in
+you.</p>
+
+<p>&nbsp;</p>
+
+<p>&nbsp;</p>
+
+<p>&nbsp;</p>
+
+ <a class="footnote" name="fn1"></a>[<a href="#fn">1</a>] Mrs.
+(Translator's note.)
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Look Back on Happiness, by Knut Hamsun
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LOOK BACK ON HAPPINESS ***
+
+***** This file should be named 8445-h.htm or 8445-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/8/4/4/8445/
+
+Produced by Eric Eldred, Robert Connal and the Online
+Distributed Proofreading Team.
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for the eBooks, unless you receive
+specific permission. If you do not charge anything for copies of this
+eBook, complying with the rules is very easy. You may use this eBook
+for nearly any purpose such as creation of derivative works, reports,
+performances and research. They may be modified and printed and given
+away--you may do practically ANYTHING in the United States with eBooks
+not protected by U.S. copyright law. Redistribution is subject to the
+trademark license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country outside the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you'll have to check the laws of the country where you
+ are located before using this ebook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm web site
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from both the Project Gutenberg Literary Archive Foundation and The
+Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
+trademark. Contact the Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org Section 3. Information about the Project Gutenberg
+Literary Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's principal office is in Fairbanks, Alaska, with the
+mailing address: PO Box 750175, Fairbanks, AK 99775, but its
+volunteers and employees are scattered throughout numerous
+locations. Its business office is located at 809 North 1500 West, Salt
+Lake City, UT 84116, (801) 596-1887. Email contact links and up to
+date contact information can be found at the Foundation's web site and
+official page at www.gutenberg.org/contact
+
+For additional contact information:
+
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works.
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our Web site which has the main PG search
+facility: www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+
+</pre>
+
+</body>
+</html>
+