summaryrefslogtreecommitdiff
path: root/7239-h/7239-h.htm
diff options
context:
space:
mode:
Diffstat (limited to '7239-h/7239-h.htm')
-rw-r--r--7239-h/7239-h.htm8082
1 files changed, 8082 insertions, 0 deletions
diff --git a/7239-h/7239-h.htm b/7239-h/7239-h.htm
new file mode 100644
index 0000000..8d797e9
--- /dev/null
+++ b/7239-h/7239-h.htm
@@ -0,0 +1,8082 @@
+<?xml version="1.0" encoding="iso-8859-1"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta content="pg2html (binary v0.17)" name="linkgenerator" />
+ <title>
+ Men, Women, and Boats, by Stephen Crane
+ </title>
+ <style type="text/css" xml:space="preserve">
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .75em; margin-bottom: .75em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 5%; margin-right: 5%; text-align: justify; font-size: 80%; font-style: italic;}
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ .xx-small {font-size: 60%;}
+ .x-small {font-size: 75%;}
+ .small {font-size: 85%;}
+ .large {font-size: 115%;}
+ .x-large {font-size: 130%;}
+ .indent5 { margin-left: 5%;}
+ .indent10 { margin-left: 10%;}
+ .indent15 { margin-left: 15%;}
+ .indent20 { margin-left: 20%;}
+ .indent25 { margin-left: 25%;}
+ .indent30 { margin-left: 30%;}
+ .indent35 { margin-left: 35%;}
+ .indent40 { margin-left: 40%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {position: absolute; right: 1%; font-size: 0.6em;
+ font-variant: normal; font-style: normal;
+ text-align: right; background-color: #FFFACD;
+ border: 1px solid; padding: 0.3em;text-indent: 0em;}
+ .side { float: left; font-size: 75%; width: 15%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ .head { float: left; font-size: 90%; width: 98%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: center;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ p.pfirst, p.noindent {text-indent: 0}
+ span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 0.8 }
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Men, Women, and Boats, by Stephen Crane
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Men, Women, and Boats
+
+Author: Stephen Crane
+
+Editor: Vincent Starrett
+
+Release Date: January, 2005 [EBook #7239]
+First Posted: March 30, 2003
+Last Updated: June 2, 2019
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MEN, WOMEN, AND BOATS ***
+
+
+
+
+Etext Produced by John Bilderback, Eric Eldred, Charles Franks
+and the Online Distributed Proofreading Team.
+
+HTML file produced by David Widger
+
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ MEN, WOMEN, AND BOATS
+ </h1>
+ <h2>
+ By Stephen Crane
+ </h2>
+ <h3>
+ Edited With an Introduction by Vincent Starrett
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ <b>CONTENTS</b>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> NOTE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> STEPHEN CRANE: <i>AN ESTIMATE</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> THE OPEN BOAT </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> THE RELUCTANT VOYAGERS </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0001"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0002"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0003"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0004"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0005"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ V </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0006"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ VI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0011"> THE END OF THE BATTLE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> UPTURNED FACE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0013"> AN EPISODE OF WAR </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0014"> AN EXPERIMENT IN MISERY </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0015"> THE DUEL THAT WAS NOT FOUGHT </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0016"> A DESERTION </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0017"> A DARK-BROWN DOG </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0018"> THE PACE OF YOUTH </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0019"> A TENT IN AGONY </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0020"> FOUR MEN IN A CAVE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0021"> THE MESMERIC MOUNTAIN </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0022"> THE SNAKE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0023"> LONDON IMPRESSIONS </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0007"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0008"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0009"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0010"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0011"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ V </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0012"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ VI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0013"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ VII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0014"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;CHAPTER
+ VIII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0032"> THE SCOTCH EXPRESS </a>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0001" id="link2H_4_0001"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ NOTE
+ </h2>
+ <p>
+ A Number of the tales and sketches here brought together appear now for
+ the first time between covers; others for the first time between covers in
+ this country. All have been gathered from out-of-print volumes and old
+ magazine files.
+ </p>
+ <p>
+ "The Open Boat," one of Stephen Crane's finest stories, is used with the
+ courteous permission of Doubleday, Page &amp; Co., holders of the
+ copyright. Its companion masterpiece, "The Blue Hotel," because of
+ copyright complications, has had to be omitted, greatly to the regret of
+ the editor.
+ </p>
+ <p>
+ After the death of Stephen Crane, a haphazard and undiscriminating
+ gathering of his earlier tales and sketches appeared in London under the
+ misleading title, "Last Words." From this volume, now rarely met with, a
+ number of characteristic minor works have been selected, and these will be
+ new to Crane's American admirers; as follows: "The Reluctant Voyagers,"
+ "The End of the Battle," "The Upturned Face," "An Episode of War," "A
+ Desertion," "Four Men in a Cave," "The Mesmeric Mountain," "London
+ Impressions," "The Snake."
+ </p>
+ <p>
+ Three of our present collection, printed by arrangement, appeared in the
+ London (1898) edition of "The Open Boat and Other Stories," published by
+ William Heinemann, but did not occur in the American volume of that title.
+ They are "An Experiment in Misery," "The Duel that was not Fought," and
+ "The Pace of Youth."
+ </p>
+ <p>
+ For the rest, "A Dark Brown Dog," "A Tent in Agony," and "The Scotch
+ Express," are here printed for the first time in a book.
+ </p>
+ <p>
+ For the general title of the present collection, the editor alone is
+ responsible.
+ </p>
+ <h3>
+ V. S.
+ </h3>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ STEPHEN CRANE: <i>AN ESTIMATE</i>
+ </h2>
+ <p>
+ It hardly profits us to conjecture what Stephen Crane might have written
+ about the World War had he lived. Certainly, he would have been in it, in
+ one capacity or another. No man had a greater talent for war and personal
+ adventure, nor a finer art in describing it. Few writers of recent times
+ could so well describe the poetry of motion as manifested in the surge and
+ flow of battle, or so well depict the isolated deed of heroism in its
+ stark simplicity and terror.
+ </p>
+ <p>
+ To such an undertaking as Henri Barbusse's "Under Fire," that powerful,
+ brutal book, Crane would have brought an analytical genius almost
+ clairvoyant. He possessed an uncanny vision; a descriptive ability
+ photographic in its clarity and its care for minutiae&mdash;yet
+ unphotographic in that the big central thing often is omitted, to be felt
+ rather than seen in the occult suggestion of detail. Crane would have seen
+ and depicted the grisly horror of it all, as did Barbusse, but also he
+ would have seen the glory and the ecstasy and the wonder of it, and over
+ that his poetry would have been spread.
+ </p>
+ <p>
+ While Stephen Crane was an excellent psychologist, he was also a true
+ poet. Frequently his prose was finer poetry than his deliberate essays in
+ poesy. His most famous book, "The Red Badge of Courage," is essentially a
+ psychological study, a delicate clinical dissection of the soul of a
+ recruit, but it is also a <i>tour de force</i> of the imagination. When he
+ wrote the book he had never seen a battle: he had to place himself in the
+ situation of another. Years later, when he came out of the Greco-Turkish
+ <i>fracas</i>, he remarked to a friend: "'The Red Badge' is all right."
+ </p>
+ <p>
+ Written by a youth who had scarcely passed his majority, this book has
+ been compared with Tolstoy's "Sebastopol" and Zola's "La Débâcle," and
+ with some of the short stories of Ambrose Bierce. The comparison with
+ Bierce's work is legitimate; with the other books, I think, less so.
+ Tolstoy and Zola see none of the traditional beauty of battle; they apply
+ themselves to a devoted&mdash;almost obscene&mdash;study of corpses and
+ carnage generally; and they lack the American's instinct for the rowdy
+ commonplace, the natural, the irreverent, which so materially aids his
+ realism. In "The Red Badge of Courage" invariably the tone is kept down
+ where one expects a height: the most heroic deeds are accomplished with
+ studied awkwardness.
+ </p>
+ <p>
+ Crane was an obscure free-lance when he wrote this book. The effort, he
+ says, somewhere, "was born of pain&mdash;despair, almost." It was a better
+ piece of work, however, for that very reason, as Crane knew. It is far
+ from flawless. It has been remarked that it bristles with as many
+ grammatical errors as with bayonets; but it is a big canvas, and I am
+ certain that many of Crane's deviations from the rules of polite rhetoric
+ were deliberate experiments, looking to effect&mdash;effect which,
+ frequently, he gained.
+ </p>
+ <p>
+ Stephen Crane "arrived" with this book. There are, of course, many who
+ never have heard of him, to this day, but there was a time when he was
+ very much talked of. That was in the middle nineties, following
+ publication of "The Red Badge of Courage," although even before that he
+ had occasioned a brief flurry with his weird collection of poems called
+ "The Black Riders and Other Lines." He was highly praised, and highly
+ abused and laughed at; but he seemed to be "made." We have largely
+ forgotten since. It is a way we have.
+ </p>
+ <p>
+ Personally, I prefer his short stories to his novels and his poems; those,
+ for instance, contained in "The Open Boat," in "Wounds in the Rain," and
+ in "The Monster." The title-story in that first collection is perhaps his
+ finest piece of work. Yet what is it? A truthful record of an adventure of
+ his own in the filibustering days that preceded our war with Spain; the
+ faithful narrative of the voyage of an open boat, manned by a handful of
+ shipwrecked men. But Captain Bligh's account of <i>his</i> small boat
+ journey, after he had been sent adrift by the mutineers of the <i>Bounty</i>,
+ seems tame in comparison, although of the two the English sailor's voyage
+ was the more perilous.
+ </p>
+ <p>
+ In "The Open Boat" Crane again gains his effects by keeping down the tone
+ where another writer might have attempted "fine writing" and have been
+ lost. In it perhaps is most strikingly evident the poetic cadences of his
+ prose: its rhythmic, monotonous flow is the flow of the gray water that
+ laps at the sides of the boat, that rises and recedes in cruel waves,
+ "like little pointed rocks." It is a desolate picture, and the tale is one
+ of our greatest short stories. In the other tales that go to make up the
+ volume are wild, exotic glimpses of Latin-America. I doubt whether the
+ color and spirit of that region have been better rendered than in Stephen
+ Crane's curious, distorted, staccato sentences.
+ </p>
+ <p>
+ "War Stories" is the laconic sub-title of "Wounds in the Rain." It was not
+ war on a grand scale that Crane saw in the Spanish-American complication,
+ in which he participated as a war correspondent; no such war as the recent
+ horror. But the occasions for personal heroism were no fewer than always,
+ and the opportunities for the exercise of such powers of trained and
+ appreciative understanding and sympathy as Crane possessed, were abundant.
+ For the most part, these tales are episodic, reports of isolated instances&mdash;the
+ profanely humorous experiences of correspondents, the magnificent courage
+ of signalmen under fire, the forgotten adventure of a converted yacht&mdash;but
+ all are instinct with the red fever of war, and are backgrounded with the
+ choking smoke of battle. Never again did Crane attempt the large canvas of
+ "The Red Badge of Courage." Before he had seen war, he imagined its
+ immensity and painted it with the fury and fidelity of a Verestchagin;
+ when he was its familiar, he singled out its minor, crimson passages for
+ briefer but no less careful delineation.
+ </p>
+ <p>
+ In this book, again, his sense of the poetry of motion is vividly evident.
+ We see men going into action, wave on wave, or in scattering charges; we
+ hear the clink of their accoutrements and their breath whistling through
+ their teeth. They are not men going into action at all, but men going
+ about their business, which at the moment happens to be the capture of a
+ trench. They are neither heroes nor cowards. Their faces reflect no
+ particular emotion save, perhaps, a desire to get somewhere. They are a
+ line of men running for a train, or following a fire engine, or charging a
+ trench. It is a relentless picture, ever changing, ever the same. But it
+ contains poetry, too, in rich, memorable passages.
+ </p>
+ <p>
+ In "The Monster and Other Stories," there is a tale called "The Blue
+ Hotel". A Swede, its central figure, toward the end manages to get himself
+ murdered. Crane's description of it is just as casual as that. The story
+ fills a dozen pages of the book; but the social injustice of the whole
+ world is hinted in that space; the upside-downness of creation, right
+ prostrate, wrong triumphant,&mdash;a mad, crazy world. The incident of the
+ murdered Swede is just part of the backwash of it all, but it is an
+ illuminating fragment. The Swede was slain, not by the gambler whose knife
+ pierced his thick hide: he was the victim of a condition for which he was
+ no more to blame than the man who stabbed him. Stephen Crane thus speaks
+ through the lips of one of the characters:&mdash;
+ </p>
+<pre xml:space="preserve">
+ "We are all in it! This poor gambler isn't even
+ a noun. He is a kind of an adverb. Every sin is
+ the result of a collaboration. We, five of us, have
+ collaborated in the murder of this Swede. Usually
+ there are from a dozen to forty women really involved
+ in every murder, but in this case it seems
+ to be only five men&mdash;you, I, Johnnie, Old Scully,
+ and that fool of an unfortunate gambler came
+ merely as a culmination, the apex of a human movement,
+ and gets all the punishment."
+</pre>
+ <p>
+ And then this typical and arresting piece of irony:&mdash;
+ </p>
+<pre xml:space="preserve">
+ "The corpse of the Swede, alone in the saloon,
+ had its eyes fixed upon a dreadful legend that
+ dwelt atop of the cash-machine: 'This registers the
+ amount of your purchase.'"
+</pre>
+ <p>
+ In "The Monster," the ignorance, prejudice and cruelty of an entire
+ community are sharply focussed. The realism is painful; one blushes for
+ mankind. But while this story really belongs in the volume called
+ "Whilomville Stories," it is properly left out of that series. The
+ Whilomville stories are pure comedy, and "The Monster" is a hideous
+ tragedy.
+ </p>
+ <p>
+ Whilomville is any obscure little village one may happen to think of. To
+ write of it with such sympathy and understanding, Crane must have done
+ some remarkable listening in Boyville. The truth is, of course, he was a
+ boy himself&mdash;"a wonderful boy," somebody called him&mdash;and was
+ possessed of the boy mind. These tales are chiefly funny because they are
+ so true&mdash;boy stories written for adults; a child, I suppose, would
+ find them dull. In none of his tales is his curious understanding of human
+ moods and emotions better shown.
+ </p>
+ <p>
+ A stupid critic once pointed out that Crane, in his search for striking
+ effects, had been led into "frequent neglect of the time-hallowed rights
+ of certain words," and that in his pursuit of color he "falls occasionally
+ into almost ludicrous mishap." The smug pedantry of the quoted lines is
+ sufficient answer to the charges, but in support of these assertions the
+ critic quoted certain passages and phrases. He objected to cheeks
+ "scarred" by tears, to "dauntless" statues, and to "terror-stricken"
+ wagons. The very touches of poetic impressionism that largely make for
+ Crane's greatness, are cited to prove him an ignoramus. There is the
+ finest of poetic imagery in the suggestions subtly conveyed by Crane's
+ tricky adjectives, the use of which was as deliberate with him as his
+ choice of a subject. But Crane was an imagist before our modern imagists
+ were known.
+ </p>
+ <p>
+ This unconventional use of adjectives is marked in the Whilomville tales.
+ In one of them Crane refers to the "solemn odor of burning turnips." It is
+ the most nearly perfect characterization of burning turnips conceivable:
+ can anyone improve upon that "solemn odor"?
+ </p>
+ <p>
+ Stephen Crane's first venture was "Maggie: A Girl of the Streets." It was,
+ I believe, the first hint of naturalism in American letters. It was not a
+ best-seller; it offers no solution of life; it is an episodic bit of slum
+ fiction, ending with the tragic finality of a Greek drama. It is a
+ skeleton of a novel rather than a novel, but it is a powerful outline,
+ written about a life Crane had learned to know as a newspaper reporter in
+ New York. It is a singularly fine piece of analysis, or a bit of
+ extraordinarily faithful reporting, as one may prefer; but not a few
+ French and Russian writers have failed to accomplish in two volumes what
+ Crane achieved in two hundred pages. In the same category is "George's
+ Mother," a triumph of inconsequential detail piling up with a cumulative
+ effect quite overwhelming.
+ </p>
+ <p>
+ Crane published two volumes of poetry&mdash;"The Black Riders" and "War is
+ Kind." Their appearance in print was jeeringly hailed; yet Crane was only
+ pioneering in the free verse that is today, if not definitely accepted, at
+ least more than tolerated. I like the following love poem as well as any
+ rhymed and conventionally metrical ballad that I know:&mdash;
+ </p>
+<pre xml:space="preserve">
+ "Should the wide world roll away,
+ Leaving black terror,
+ Limitless night,
+ Nor God, nor man, nor place to stand
+ Would be to me essential,
+ If thou and thy white arms were there
+ And the fall to doom a long way."
+</pre>
+ <p>
+ "If war be kind," wrote a clever reviewer, when the second volume
+ appeared, "then Crane's verse may be poetry, Beardsley's black and white
+ creations may be art, and this may be called a book";&mdash;a smart
+ summing up that is cherished by cataloguers to this day, in describing the
+ volume for collectors. Beardsley needs no defenders, and it is fairly
+ certain that the clever reviewer had not read the book, for certainly
+ Crane had no illusions about the kindness of war. The title-poem of the
+ volume is an amazingly beautiful satire which answers all criticism.
+ </p>
+<pre xml:space="preserve">
+ "Do not weep, maiden, for war is kind.
+ Because your lover threw wild hands toward the sky
+ And the affrighted steed ran on alone,
+ Do not weep.
+ War is kind.
+
+ "Hoarse, booming drums of the regiment,
+ Little souls who thirst for fight,
+ These men were born to drill and die.
+ The unexplained glory flies above them,
+ Great is the battle-god, and his kingdom&mdash;
+ A field where a thousand corpses lie.
+
+</pre>
+ <hr />
+<pre xml:space="preserve">
+ "Mother whose heart hung humble as a button
+ On the bright splendid shroud of your son,
+ Do not weep.
+ War is kind."
+</pre>
+ <p>
+ Poor Stephen Crane! Like most geniuses, he had his weaknesses and his
+ failings; like many, if not most, geniuses, he was ill. He died of
+ tuberculosis, tragically young. But what a comrade he must have been, with
+ his extraordinary vision, his keen, sardonic comment, his fearlessness and
+ his failings!
+ </p>
+ <p>
+ Just a glimpse of Crane's last days is afforded by a letter written from
+ England by Robert Barr, his friend&mdash;Robert Barr, who collaborated
+ with Crane in "The 0' Ruddy," a rollicking tale of old Ireland, or,
+ rather, who completed it at Crane's death, to satisfy his friend's earnest
+ request. The letter is dated from Hillhead, Woldingham, Surrey, June 8,
+ 1900, and runs as follows:&mdash;
+ </p>
+<pre xml:space="preserve">
+ "My Dear &mdash;&mdash;
+
+ "I was delighted to hear from you, and was much
+ interested to see the article on Stephen Crane you
+ sent me. It seems to me the harsh judgment of an
+ unappreciative, commonplace person on a man of
+ genius. Stephen had many qualities which lent
+ themselves to misapprehension, but at the core he
+ was the finest of men, generous to a fault, with
+ something of the old-time recklessness which used
+ to gather in the ancient literary taverns of London.
+ I always fancied that Edgar Allan Poe revisited the
+ earth as Stephen Crane, trying again, succeeding
+ again, failing again, and dying ten years sooner
+ than he did on the other occasion of his stay on
+ earth.
+
+ "When your letter came I had just returned from
+ Dover, where I stayed four days to see Crane off
+ for the Black Forest. There was a thin thread of
+ hope that he might recover, but to me he looked like
+ a man already dead. When he spoke, or, rather,
+ whispered, there was all the accustomed humor in
+ his sayings. I said to him that I would go over to
+ the Schwarzwald in a few weeks, when he was getting
+ better, and that we would take some convalescent
+ rambles together. As his wife was listening
+ he said faintly: 'I'll look forward to that,' but he
+ smiled at me, and winked slowly, as much as to say:
+ 'You damned humbug, you know I'll take no more
+ rambles in this world.' Then, as if the train of
+ thought suggested what was looked on before as the
+ crisis of his illness, he murmured: 'Robert, when
+ you come to the hedge&mdash;that we must all go over&mdash;
+ it isn't bad. You feel sleepy&mdash;and&mdash;you don't
+ care. Just a little dreamy curiosity&mdash;which world
+ you're really in&mdash;that's all.'
+
+ "To-morrow, Saturday, the 9th, I go again to
+ Dover to meet his body. He will rest for a little
+ while in England, a country that was always good
+ to him, then to America, and his journey will be
+ ended.
+
+ "I've got the unfinished manuscript of his last
+ novel here beside me, a rollicking Irish tale, different
+ from anything he ever wrote before. Stephen
+ thought I was the only person who could finish it,
+ and he was too ill for me to refuse. I don't know
+ what to do about the matter, for I never could work
+ up another man's ideas. Even your vivid imagination
+ could hardly conjecture anything more ghastly
+ than the dying man, lying by an open window overlooking
+ the English channel, relating in a sepulchral
+ whisper the comic situations of his humorous hero
+ so that I might take up the thread of his story.
+
+ "From the window beside which I write this I
+ can see down in the valley Ravensbrook House,
+ where Crane used to live and where Harold Frederic,
+ he and I spent many a merry night together. When
+ the Romans occupied Britain, some of their legions,
+ parched with thirst, were wandering about these dry
+ hills with the chance of finding water or perishing.
+ They watched the ravens, and so came to the stream
+ which rises under my place and flows past Stephen's
+ former home; hence the name, Ravensbrook.
+
+ "It seems a strange coincidence that the greatest
+ modern writer on war should set himself down
+ where the greatest ancient warrior, Caesar, probably
+ stopped to quench his thirst.
+
+ "Stephen died at three in the morning, the same
+ sinister hour which carried away our friend Frederic
+ nineteen months before. At midnight, in Crane's
+ fourteenth-century house in Sussex, we two tried
+ to lure back the ghost of Frederic into that house of
+ ghosts, and to our company, thinking that if reappearing
+ were ever possible so strenuous a man as
+ Harold would somehow shoulder his way past the
+ guards, but he made no sign. I wonder if the less
+ insistent Stephen will suggest some ingenious method
+ by which the two can pass the barrier. I can imagine
+ Harold cursing on the other side, and welcoming
+ the more subtle assistance of his finely fibred
+ friend.
+
+ "I feel like the last of the Three Musketeers, the
+ other two gone down in their duel with Death. I
+ am wondering if, within the next two years, I also
+ shall get the challenge. If so, I shall go to the competing
+ ground the more cheerfully that two such
+ good fellows await the outcome on the other side.
+
+ "Ever your friend,
+
+ "ROBERT BARR."
+</pre>
+ <p>
+ The last of the Three Musketeers is gone, now, although he outlived his
+ friends by some years. Robert Barr died in 1912. Perhaps they are still
+ debating a joint return.
+ </p>
+ <p>
+ There could be, perhaps, no better close for a paper on Stephen Crane than
+ the subjoined paragraph from a letter written by him to a Rochester
+ editor:&mdash;
+ </p>
+<pre xml:space="preserve">
+ "The one thing that deeply pleases me is the
+ fact that men of sense invariably believe me to be
+ sincere. I know that my work does not amount to
+ a string of dried beans&mdash;I always calmly admit it&mdash;but
+ I also know that I do the best that is in me
+ without regard to praise or blame. When I was
+ the mark for every humorist in the country, I went
+ ahead; and now when I am the mark for only fifty
+ per cent of the humorists of the country, I go
+ ahead; for I understand that a man is born into the
+ world with his own pair of eyes, and he is not at all
+ responsible for his vision&mdash;he is merely responsible
+ for his quality of personal honesty. To keep
+ close to this personal honesty is my supreme ambition."
+</pre>
+ <h3>
+ VINCENT STARRETT.
+ </h3>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE OPEN BOAT
+ </h2>
+ <p>
+ A Tale intended to be after the fact. Being the experience of four men
+ from the sunk steamer "Commodore"
+ </p>
+ <h3>
+ I
+ </h3>
+ <p>
+ None of them knew the color of the sky. Their eyes glanced level, and were
+ fastened upon the waves that swept toward them. These waves were of the
+ hue of slate, save for the tops, which were of foaming white, and all of
+ the men knew the colors of the sea. The horizon narrowed and widened, and
+ dipped and rose, and at all times its edge was jagged with waves that
+ seemed thrust up in points like rocks. Many a man ought to have a bath-tub
+ larger than the boat which here rode upon the sea. These waves were most
+ wrongfully and barbarously abrupt and tall, and each froth-top was a
+ problem in small-boat navigation.
+ </p>
+ <p>
+ The cook squatted in the bottom and looked with both eyes at the six
+ inches of gunwale which separated him from the ocean. His sleeves were
+ rolled over his fat forearms, and the two flaps of his unbuttoned vest
+ dangled as he bent to bail out the boat. Often he said: "Gawd! That was a
+ narrow clip." As he remarked it he invariably gazed eastward over the
+ broken sea.
+ </p>
+ <p>
+ The oiler, steering with one of the two oars in the boat, sometimes raised
+ himself suddenly to keep clear of water that swirled in over the stern. It
+ was a thin little oar and it seemed often ready to snap.
+ </p>
+ <p>
+ The correspondent, pulling at the other oar, watched the waves and
+ wondered why he was there.
+ </p>
+ <p>
+ The injured captain, lying in the bow, was at this time buried in that
+ profound dejection and indifference which comes, temporarily at least, to
+ even the bravest and most enduring when, willy nilly, the firm fails, the
+ army loses, the ship goes down. The mind of the master of a vessel is
+ rooted deep in the timbers of her, though he commanded for a day or a
+ decade, and this captain had on him the stern impression of a scene in the
+ greys of dawn of seven turned faces, and later a stump of a top-mast with
+ a white ball on it that slashed to and fro at the waves, went low and
+ lower, and down. Thereafter there was something strange in his voice.
+ Although steady, it was, deep with mourning, and of a quality beyond
+ oration or tears.
+ </p>
+ <p>
+ "Keep 'er a little more south, Billie," said he.
+ </p>
+ <p>
+ "'A little more south,' sir," said the oiler in the stern.
+ </p>
+ <p>
+ A seat in this boat was not unlike a seat upon a bucking broncho, and by
+ the same token, a broncho is not much smaller. The craft pranced and
+ reared, and plunged like an animal. As each wave came, and she rose for
+ it, she seemed like a horse making at a fence outrageously high. The
+ manner of her scramble over these walls of water is a mystic thing, and,
+ moreover, at the top of them were ordinarily these problems in white
+ water, the foam racing down from the summit of each wave, requiring a new
+ leap, and a leap from the air. Then, after scornfully bumping a crest, she
+ would slide, and race, and splash down a long incline, and arrive bobbing
+ and nodding in front of the next menace.
+ </p>
+ <p>
+ A singular disadvantage of the sea lies in the fact that after
+ successfully surmounting one wave you discover that there is another
+ behind it just as important and just as nervously anxious to do something
+ effective in the way of swamping boats. In a ten-foot dingey one can get
+ an idea of the resources of the sea in the line of waves that is not
+ probable to the average experience which is never at sea in a dingey. As
+ each slatey wall of water approached, it shut all else from the view of
+ the men in the boat, and it was not difficult to imagine that this
+ particular wave was the final outburst of the ocean, the last effort of
+ the grim water. There was a terrible grace in the move of the waves, and
+ they came in silence, save for the snarling of the crests.
+ </p>
+ <p>
+ In the wan light, the faces of the men must have been grey. Their eyes
+ must have glinted in strange ways as they gazed steadily astern. Viewed
+ from a balcony, the whole thing would doubtless have been weirdly
+ picturesque. But the men in the boat had no time to see it, and if they
+ had had leisure there were other things to occupy their minds. The sun
+ swung steadily up the sky, and they knew it was broad day because the
+ color of the sea changed from slate to emerald-green, streaked with amber
+ lights, and the foam was like tumbling snow. The process of the breaking
+ day was unknown to them. They were aware only of this effect upon the
+ color of the waves that rolled toward them.
+ </p>
+ <p>
+ In disjointed sentences the cook and the correspondent argued as to the
+ difference between a life-saving station and a house of refuge. The cook
+ had said: "There's a house of refuge just north of the Mosquito Inlet
+ Light, and as soon as they see us, they'll come off in their boat and pick
+ us up."
+ </p>
+ <p>
+ "As soon as who see us?" said the correspondent.
+ </p>
+ <p>
+ "The crew," said the cook.
+ </p>
+ <p>
+ "Houses of refuge don't have crews," said the correspondent. "As I
+ understand them, they are only places where clothes and grub are stored
+ for the benefit of shipwrecked people. They don't carry crews."
+ </p>
+ <p>
+ "Oh, yes, they do," said the cook.
+ </p>
+ <p>
+ "No, they don't," said the correspondent.
+ </p>
+ <p>
+ "Well, we're not there yet, anyhow," said the oiler, in the stern.
+ </p>
+ <p>
+ "Well," said the cook, "perhaps it's not a house of refuge that I'm
+ thinking of as being near Mosquito Inlet Light. Perhaps it's a life-saving
+ station."
+ </p>
+ <p>
+ "We're not there yet," said the oiler, in the stern.
+ </p>
+ <h3>
+ II
+ </h3>
+ <p>
+ As the boat bounced from the top of each wave, the wind tore through the
+ hair of the hatless men, and as the craft plopped her stern down again the
+ spray splashed past them. The crest of each of these waves was a hill,
+ from the top of which the men surveyed, for a moment, a broad tumultuous
+ expanse, shining and wind-riven. It was probably splendid. It was probably
+ glorious, this play of the free sea, wild with lights of emerald and white
+ and amber.
+ </p>
+ <p>
+ "Bully good thing it's an on-shore wind," said the cook; "If not, where
+ would we be? Wouldn't have a show."
+ </p>
+ <p>
+ "That's right," said the correspondent.
+ </p>
+ <p>
+ The busy oiler nodded his assent.
+ </p>
+ <p>
+ Then the captain, in the bow, chuckled in a way that expressed humor,
+ contempt, tragedy, all in one. "Do you think We've got much of a show now,
+ boys?" said he.
+ </p>
+ <p>
+ Whereupon the three were silent, save for a trifle of hemming and hawing.
+ To express any particular optimism at this time they felt to be childish
+ and stupid, but they all doubtless possessed this sense of the situation
+ in their mind. A young man thinks doggedly at such times. On the other
+ hand, the ethics of their condition was decidedly against any open
+ suggestion of hopelessness. So they were silent.
+ </p>
+ <p>
+ "Oh, well," said the captain, soothing his children, "We'll get ashore all
+ right."
+ </p>
+ <p>
+ But there was that in his tone which made them think, so the oiler quoth:
+ "Yes! If this wind holds!"
+ </p>
+ <p>
+ The cook was bailing: "Yes! If we don't catch hell in the surf."
+ </p>
+ <p>
+ Canton flannel gulls flew near and far. Sometimes they sat down on the
+ sea, near patches of brown seaweed that rolled on the waves with a
+ movement like carpets on a line in a gale. The birds sat comfortably in
+ groups, and they were envied by some in the dingey, for the wrath of the
+ sea was no more to them than it was to a covey of prairie chickens a
+ thousand miles inland. Often they came very close and stared at the men
+ with black bead-like eyes. At these times they were uncanny and sinister
+ in their unblinking scrutiny, and the men hooted angrily at them, telling
+ them to be gone. One came, and evidently decided to alight on the top of
+ the captain's head. The bird flew parallel to the boat and did not circle,
+ but made short sidelong jumps in the air in chicken-fashion. His black
+ eyes were wistfully fixed upon the captain's head. "Ugly brute," said the
+ oiler to the bird. "You look as if you were made with a jack-knife." The
+ cook and the correspondent swore darkly at the creature. The captain
+ naturally wished to knock it away with the end of the heavy painter; but
+ he did not dare do it, because anything resembling an emphatic gesture
+ would have capsized this freighted boat, and so with his open hand, the
+ captain gently and carefully waved the gull away. After it had been
+ discouraged from the pursuit the captain breathed easier on account of his
+ hair, and others breathed easier because the bird struck their minds at
+ this time as being somehow grewsome and ominous.
+ </p>
+ <p>
+ In the meantime the oiler and the correspondent rowed And also they rowed.
+ </p>
+ <p>
+ They sat together in the same seat, and each rowed an oar. Then the oiler
+ took both oars; then the correspondent took both oars; then the oiler;
+ then the correspondent. They rowed and they rowed. The very ticklish part
+ of the business was when the time came for the reclining one in the stern
+ to take his turn at the oars. By the very last star of truth, it is easier
+ to steal eggs from under a hen than it was to change seats in the dingey.
+ First the man in the stern slid his hand along the thwart and moved with
+ care, as if he were of Sèvres. Then the man in the rowing seat slid his
+ hand along the other thwart. It was all done with most extraordinary care.
+ As the two sidled past each other, the whole party kept watchful eyes on
+ the coming wave, and the captain cried: "Look out now! Steady there!"
+ </p>
+ <p>
+ The brown mats of seaweed that appeared from time to time were like
+ islands, bits of earth. They were traveling, apparently, neither one way
+ nor the other. They were, to all intents, stationary. They informed the
+ men in the boat that it was making progress slowly toward the land.
+ </p>
+ <p>
+ The captain, rearing cautiously in the bow, after the dingey soared on a
+ great swell, said that he had seen the light-house at Mosquito Inlet.
+ Presently the cook remarked that he had seen it. The correspondent was at
+ the oars then, and for some reason he too wished to look at the
+ lighthouse, but his back was toward the far shore and the waves were
+ important, and for some time he could not seize an opportunity to turn his
+ head. But at last there came a wave more gentle than the others, and when
+ at the crest of it he swiftly scoured the western horizon.
+ </p>
+ <p>
+ "See it?" said the captain.
+ </p>
+ <p>
+ "No," said the correspondent slowly, "I didn't see anything."
+ </p>
+ <p>
+ "Look again," said the captain. He pointed. "It's exactly in that
+ direction."
+ </p>
+ <p>
+ At the top of another wave, the correspondent did as he was bid, and this
+ time his eyes chanced on a small still thing on the edge of the swaying
+ horizon. It was precisely like the point of a pin. It took an anxious eye
+ to find a light house so tiny.
+ </p>
+ <p>
+ "Think we'll make it, captain?"
+ </p>
+ <p>
+ "If this wind holds and the boat don't swamp, we can't do much else," said
+ the captain.
+ </p>
+ <p>
+ The little boat, lifted by each towering sea, and splashed viciously by
+ the crests, made progress that in the absence of seaweed was not apparent
+ to those in her. She seemed just a wee thing wallowing, miraculously
+ top-up, at the mercy of five oceans. Occasionally, a great spread of
+ water, like white flames, swarmed into her.
+ </p>
+ <p>
+ "Bail her, cook," said the captain serenely.
+ </p>
+ <p>
+ "All right, captain," said the cheerful cook.
+ </p>
+ <h3>
+ III
+ </h3>
+ <p>
+ It would be difficult to describe the subtle brotherhood of men that was
+ here established on the seas. No one said that it was so. No one mentioned
+ it. But it dwelt in the boat, and each man felt it warm him. They were a
+ captain, an oiler, a cook, and a correspondent, and they were friends,
+ friends in a more curiously iron-bound degree than may be common. The hurt
+ captain, lying against the water-jar in the bow, spoke always in a low
+ voice and calmly, but he could never command a more ready and swiftly
+ obedient crew than the motley three of the dingey. It was more than a mere
+ recognition of what was best for the common safety. There was surely in it
+ a quality that was personal and heartfelt. And after this devotion to the
+ commander of the boat there was this comradeship that the correspondent,
+ for instance, who had been taught to be cynical of men, knew even at the
+ time was the best experience of his life. But no one said that it was so.
+ No one mentioned it.
+ </p>
+ <p>
+ "I wish we had a sail," remarked the captain. "We might try my overcoat on
+ the end of an oar and give you two boys a chance to rest." So the cook and
+ the correspondent held the mast and spread wide the overcoat. The oiler
+ steered, and the little boat made good way with her new rig. Sometimes the
+ oiler had to scull sharply to keep a sea from breaking into the boat, but
+ otherwise sailing was a success.
+ </p>
+ <p>
+ Meanwhile the lighthouse had been growing slowly larger. It had now almost
+ assumed color, and appeared like a little grey shadow on the sky. The man
+ at the oars could not be prevented from turning his head rather often to
+ try for a glimpse of this little grey shadow.
+ </p>
+ <p>
+ At last, from the top of each wave the men in the tossing boat could see
+ land. Even as the lighthouse was an upright shadow on the sky, this land
+ seemed but a long black shadow on the sea. It certainly was thinner than
+ paper. "We must be about opposite New Smyrna," said the cook, who had
+ coasted this shore often in schooners. "Captain, by the way, I believe
+ they abandoned that life-saving station there about a year ago."
+ </p>
+ <p>
+ "Did they?" said the captain.
+ </p>
+ <p>
+ The wind slowly died away. The cook and the correspondent were not now
+ obliged to slave in order to hold high the oar. But the waves continued
+ their old impetuous swooping at the dingey, and the little craft, no
+ longer under way, struggled woundily over them. The oiler or the
+ correspondent took the oars again.
+ </p>
+ <p>
+ Shipwrecks are <i>à propos</i> of nothing. If men could only train for
+ them and have them occur when the men had reached pink condition, there
+ would be less drowning at sea. Of the four in the dingey none had slept
+ any time worth mentioning for two days and two nights previous to
+ embarking in the dingey, and in the excitement of clambering about the
+ deck of a foundering ship they had also forgotten to eat heartily.
+ </p>
+ <p>
+ For these reasons, and for others, neither the oiler nor the correspondent
+ was fond of rowing at this time. The correspondent wondered ingenuously
+ how in the name of all that was sane could there be people who thought it
+ amusing to row a boat. It was not an amusement; it was a diabolical
+ punishment, and even a genius of mental aberrations could never conclude
+ that it was anything but a horror to the muscles and a crime against the
+ back. He mentioned to the boat in general how the amusement of rowing
+ struck him, and the weary-faced oiler smiled in full sympathy. Previously
+ to the foundering, by the way, the oiler had worked double-watch in the
+ engine-room of the ship.
+ </p>
+ <p>
+ "Take her easy, now, boys," said the captain. "Don't spend yourselves. If
+ we have to run a surf you'll need all your strength, because we'll sure
+ have to swim for it. Take your time."
+ </p>
+ <p>
+ Slowly the land arose from the sea. From a black line it became a line of
+ black and a line of white, trees and sand. Finally, the captain said that
+ he could make out a house on the shore. "That's the house of refuge,
+ sure," said the cook. "They'll see us before long, and come out after us."
+ </p>
+ <p>
+ The distant lighthouse reared high. "The keeper ought to be able to make
+ us out now, if he's looking through a glass," said the captain. "He'll
+ notify the life-saving people."
+ </p>
+ <p>
+ "None of those other boats could have got ashore to give word of the
+ wreck," said the oiler, in a low voice. "Else the lifeboat would be out
+ hunting us."
+ </p>
+ <p>
+ Slowly and beautifully the land loomed out of the sea. The wind came
+ again. It had veered from the north-east to the south-east. Finally, a new
+ sound struck the ears of the men in the boat. It was the low thunder of
+ the surf on the shore. "We'll never be able to make the lighthouse now,"
+ said the captain. "Swing her head a little more north, Billie," said he.
+ </p>
+ <p>
+ "'A little more north,' sir," said the oiler.
+ </p>
+ <p>
+ Whereupon the little boat turned her nose once more down the wind, and all
+ but the oarsman watched the shore grow. Under the influence of this
+ expansion doubt and direful apprehension was leaving the minds of the men.
+ The management of the boat was still most absorbing, but it could not
+ prevent a quiet cheerfulness. In an hour, perhaps, they would be ashore.
+ </p>
+ <p>
+ Their backbones had become thoroughly used to balancing in the boat, and
+ they now rode this wild colt of a dingey like circus men. The
+ correspondent thought that he had been drenched to the skin, but happening
+ to feel in the top pocket of his coat, he found therein eight cigars. Four
+ of them were soaked with sea-water; four were perfectly scathless. After a
+ search, somebody produced three dry matches, and thereupon the four waifs
+ rode impudently in their little boat, and with an assurance of an
+ impending rescue shining in their eyes, puffed at the big cigars and
+ judged well and ill of all men. Everybody took a drink of water.
+ </p>
+ <h3>
+ IV
+ </h3>
+ <p>
+ "Cook," remarked the captain, "there don't seem to be any signs of life
+ about your house of refuge."
+ </p>
+ <p>
+ "No," replied the cook. "Funny they don't see us!"
+ </p>
+ <p>
+ A broad stretch of lowly coast lay before the eyes of the men. It was of
+ dunes topped with dark vegetation. The roar of the surf was plain, and
+ sometimes they could see the white lip of a wave as it spun up the beach.
+ A tiny house was blocked out black upon the sky. Southward, the slim
+ lighthouse lifted its little grey length.
+ </p>
+ <p>
+ Tide, wind, and waves were swinging the dingey northward. "Funny they
+ don't see us," said the men.
+ </p>
+ <p>
+ The surf's roar was here dulled, but its tone was, nevertheless,
+ thunderous and mighty. As the boat swam over the great rollers, the men
+ sat listening to this roar. "We'll swamp sure," said everybody.
+ </p>
+ <p>
+ It is fair to say here that there was not a life-saving station within
+ twenty miles in either direction, but the men did not know this fact, and
+ in consequence they made dark and opprobrious remarks concerning the
+ eyesight of the nation's life-savers. Four scowling men sat in the dingey
+ and surpassed records in the invention of epithets.
+ </p>
+ <p>
+ "Funny they don't see us."
+ </p>
+ <p>
+ The lightheartedness of a former time had completely faded. To their
+ sharpened minds it was easy to conjure pictures of all kinds of
+ incompetency and blindness and, indeed, cowardice. There was the shore of
+ the populous land, and it was bitter and bitter to them that from it came
+ no sign.
+ </p>
+ <p>
+ "Well," said the captain, ultimately, "I suppose we'll have to make a try
+ for ourselves. If we stay out here too long, we'll none of us have
+ strength left to swim after the boat swamps."
+ </p>
+ <p>
+ And so the oiler, who was at the oars, turned the boat straight for the
+ shore. There was a sudden tightening of muscle. There was some thinking.
+ </p>
+ <p>
+ "If we don't all get ashore&mdash;" said the captain. "If we don't all get
+ ashore, I suppose you fellows know where to send news of my finish?"
+ </p>
+ <p>
+ They then briefly exchanged some addresses and admonitions. As for the
+ reflections of the men, there was a great deal of rage in them. Perchance
+ they might be formulated thus: "If I am going to be drowned&mdash;if I am
+ going to be drowned&mdash;if I am going to be drowned, why, in the name of
+ the seven mad gods who rule the sea, was I allowed to come thus far and
+ contemplate sand and trees? Was I brought here merely to have my nose
+ dragged away as I was about to nibble the sacred cheese of life? It is
+ preposterous. If this old ninny-woman, Fate, cannot do better than this,
+ she should be deprived of the management of men's fortunes. She is an old
+ hen who knows not her intention. If she has decided to drown me, why did
+ she not do it in the beginning and save me all this trouble? The whole
+ affair is absurd.... But no, she cannot mean to drown me. She dare not
+ drown me. She cannot drown me. Not after all this work." Afterward the man
+ might have had an impulse to shake his fist at the clouds: "Just you drown
+ me, now, and then hear what I call you!"
+ </p>
+ <p>
+ The billows that came at this time were more formidable. They seemed
+ always just about to break and roll over the little boat in a turmoil of
+ foam. There was a preparatory and long growl in the speech of them. No
+ mind unused to the sea would have concluded that the dingey could ascend
+ these sheer heights in time. The shore was still afar. The oiler was a
+ wily surfman. "Boys," he said swiftly, "she won't live three minutes more,
+ and we're too far out to swim. Shall I take her to sea again, captain?"
+ </p>
+ <p>
+ "Yes! Go ahead!" said the captain.
+ </p>
+ <p>
+ This oiler, by a series of quick miracles, and fast and steady
+ oarsmanship, turned the boat in the middle of the surf and took her safely
+ to sea again.
+ </p>
+ <p>
+ There was a considerable silence as the boat bumped over the furrowed sea
+ to deeper water. Then somebody in gloom spoke. "Well, anyhow, they must
+ have seen us from the shore by now."
+ </p>
+ <p>
+ The gulls went in slanting flight up the wind toward the grey desolate
+ east. A squall, marked by dingy clouds, and clouds brick-red, like smoke
+ from a burning building, appeared from the south-east.
+ </p>
+ <p>
+ "What do you think of those life-saving people? Ain't they peaches?'
+ </p>
+ <p>
+ "Funny they haven't seen us."
+ </p>
+ <p>
+ "Maybe they think we're out here for sport! Maybe they think we're
+ fishin'. Maybe they think we're damned fools."
+ </p>
+ <p>
+ It was a long afternoon. A changed tide tried to force them southward, but
+ the wind and wave said northward. Far ahead, where coast-line, sea, and
+ sky formed their mighty angle, there were little dots which seemed to
+ indicate a city on the shore.
+ </p>
+ <p>
+ "St. Augustine?"
+ </p>
+ <p>
+ The captain shook his head. "Too near Mosquito Inlet."
+ </p>
+ <p>
+ And the oiler rowed, and then the correspondent rowed. Then the oiler
+ rowed. It was a weary business. The human back can become the seat of more
+ aches and pains than are registered in books for the composite anatomy of
+ a regiment. It is a limited area, but it can become the theatre of
+ innumerable muscular conflicts, tangles, wrenches, knots, and other
+ comforts.
+ </p>
+ <p>
+ "Did you ever like to row, Billie?" asked the correspondent.
+ </p>
+ <p>
+ "No," said the oiler. "Hang it!"
+ </p>
+ <p>
+ When one exchanged the rowing-seat for a place in the bottom of the boat,
+ he suffered a bodily depression that caused him to be careless of
+ everything save an obligation to wiggle one finger. There was cold
+ sea-water swashing to and fro in the boat, and he lay in it. His head,
+ pillowed on a thwart, was within an inch of the swirl of a wave crest, and
+ sometimes a particularly obstreperous sea came in-board and drenched him
+ once more. But these matters did not annoy him. It is almost certain that
+ if the boat had capsized he would have tumbled comfortably out upon the
+ ocean as if he felt sure that it was a great soft mattress.
+ </p>
+ <p>
+ "Look! There's a man on the shore!"
+ </p>
+ <p>
+ "Where?"
+ </p>
+ <p>
+ "There! See 'im? See 'im?"
+ </p>
+ <p>
+ "Yes, sure! He's walking along."
+ </p>
+ <p>
+ "Now he's stopped. Look! He's facing us!"
+ </p>
+ <p>
+ "He's waving at us!"
+ </p>
+ <p>
+ "So he is! By thunder!"
+ </p>
+ <p>
+ "Ah, now we're all right! Now we're all right! There'll be a boat out here
+ for us in half-an-hour."
+ </p>
+ <p>
+ "He's going on. He's running. He's going up to that house there."
+ </p>
+ <p>
+ The remote beach seemed lower than the sea, and it required a searching
+ glance to discern the little black figure. The captain saw a floating
+ stick and they rowed to it. A bath-towel was by some weird chance in the
+ boat, and, tying this on the stick, the captain waved it. The oarsman did
+ not dare turn his head, so he was obliged to ask questions.
+ </p>
+ <p>
+ "What's he doing now?"
+ </p>
+ <p>
+ "He's standing still again. He's looking, I think.... There he goes again.
+ Toward the house.... Now he's stopped again."
+ </p>
+ <p>
+ "Is he waving at us?"
+ </p>
+ <p>
+ "No, not now! he was, though."
+ </p>
+ <p>
+ "Look! There comes another man!"
+ </p>
+ <p>
+ "He's running."
+ </p>
+ <p>
+ "Look at him go, would you."
+ </p>
+ <p>
+ "Why, he's on a bicycle. Now he's met the other man. They're both waving
+ at us. Look!"
+ </p>
+ <p>
+ "There comes something up the beach."
+ </p>
+ <p>
+ "What the devil is that thing?"
+ </p>
+ <p>
+ "Why it looks like a boat."
+ </p>
+ <p>
+ "Why, certainly it's a boat."
+ </p>
+ <p>
+ "No, it's on wheels."
+ </p>
+ <p>
+ "Yes, so it is. Well, that must be the life-boat. They drag them along
+ shore on a wagon."
+ </p>
+ <p>
+ "That's the life-boat, sure."
+ </p>
+ <p>
+ "No, by &mdash;&mdash;, it's&mdash;it's an omnibus."
+ </p>
+ <p>
+ "I tell you it's a life-boat."
+ </p>
+ <p>
+ "It is not! It's an omnibus. I can see it plain. See? One of these big
+ hotel omnibuses."
+ </p>
+ <p>
+ "By thunder, you're right. It's an omnibus, sure as fate. What do you
+ suppose they are doing with an omnibus? Maybe they are going around
+ collecting the life-crew, hey?"
+ </p>
+ <p>
+ "That's it, likely. Look! There's a fellow waving a little black flag.
+ He's standing on the steps of the omnibus. There come those other two
+ fellows. Now they're all talking together. Look at the fellow with the
+ flag. Maybe he ain't waving it."
+ </p>
+ <p>
+ "That ain't a flag, is it? That's his coat. Why, certainly, that's his
+ coat."
+ </p>
+ <p>
+ "So it is. It's his coat. He's taken it off and is waving it around his
+ head. But would you look at him swing it."
+ </p>
+ <p>
+ "Oh, say, there isn't any life-saving station there. That's just a winter
+ resort hotel omnibus that has brought over some of the boarders to see us
+ drown."
+ </p>
+ <p>
+ "What's that idiot with the coat mean? What's he signaling, anyhow?"
+ </p>
+ <p>
+ "It looks as if he were trying to tell us to go north. There must be a
+ life-saving station up there."
+ </p>
+ <p>
+ "No! He thinks we're fishing. Just giving us a merry hand. See? Ah, there,
+ Willie!"
+ </p>
+ <p>
+ "Well, I wish I could make something out of those signals. What do you
+ suppose he means?"
+ </p>
+ <p>
+ "He don't mean anything. He's just playing."
+ </p>
+ <p>
+ "Well, if he'd just signal us to try the surf again, or to go to sea and
+ wait, or go north, or go south, or go to hell&mdash;there would be some
+ reason in it. But look at him. He just stands there and keeps his coat
+ revolving like a wheel. The ass!"
+ </p>
+ <p>
+ "There come more people."
+ </p>
+ <p>
+ "Now there's quite a mob. Look! Isn't that a boat?"
+ </p>
+ <p>
+ "Where? Oh, I see where you mean. No, that's no boat."
+ </p>
+ <p>
+ "That fellow is still waving his coat."
+ </p>
+ <p>
+ "He must think we like to see him do that. Why don't he quit it? It don't
+ mean anything."
+ </p>
+ <p>
+ "I don't know. I think he is trying to make us go north. It must be that
+ there's a life-saving station there somewhere."
+ </p>
+ <p>
+ "Say, he ain't tired yet. Look at 'im wave."
+ </p>
+ <p>
+ "Wonder how long he can keep that up. He's been revolving his coat ever
+ since he caught sight of us. He's an idiot. Why aren't they getting men to
+ bring a boat out? A fishing boat&mdash;one of those big yawls&mdash;could
+ come out here all right. Why don't he do something?"
+ </p>
+ <p>
+ "Oh, it's all right, now."
+ </p>
+ <p>
+ "They'll have a boat out here for us in less than no time, now that
+ they've seen us."
+ </p>
+ <p>
+ A faint yellow tone came into the sky over the low land. The shadows on
+ the sea slowly deepened. The wind bore coldness with it, and the men began
+ to shiver.
+ </p>
+ <p>
+ "Holy smoke!" said one, allowing his voice to express his impious mood,
+ "if we keep on monkeying out here! If we've got to flounder out here all
+ night!"
+ </p>
+ <p>
+ "Oh, we'll never have to stay here all night! Don't you worry. They've
+ seen us now, and it won't be long before they'll come chasing out after
+ us."
+ </p>
+ <p>
+ The shore grew dusky. The man waving a coat blended gradually into this
+ gloom, and it swallowed in the same manner the omnibus and the group of
+ people. The spray, when it dashed uproariously over the side, made the
+ voyagers shrink and swear like men who were being branded.
+ </p>
+ <p>
+ "I'd like to catch the chump who waved the coat. I feel like soaking him
+ one, just for luck."
+ </p>
+ <p>
+ "Why? What did he do?"
+ </p>
+ <p>
+ "Oh, nothing, but then he seemed so damned cheerful."
+ </p>
+ <p>
+ In the meantime the oiler rowed, and then the correspondent rowed, and
+ then the oiler rowed. Grey-faced and bowed forward, they mechanically,
+ turn by turn, plied the leaden oars. The form of the lighthouse had
+ vanished from the southern horizon, but finally a pale star appeared, just
+ lifting from the sea. The streaked saffron in the west passed before the
+ all-merging darkness, and the sea to the east was black. The land had
+ vanished, and was expressed only by the low and drear thunder of the surf.
+ </p>
+ <p>
+ "If I am going to be drowned&mdash;if I am going to be drowned&mdash;if I
+ am going to be drowned, why, in the name of the seven mad gods who rule
+ the sea, was I allowed to come thus far and contemplate sand and trees?
+ Was I brought here merely to have my nose dragged away as I was about to
+ nibble the sacred cheese of life?"
+ </p>
+ <p>
+ The patient captain, drooped over the water-jar, was sometimes obliged to
+ speak to the oarsman.
+ </p>
+ <p>
+ "Keep her head up! Keep her head up!"
+ </p>
+ <p>
+ "'Keep her head up,' sir." The voices were weary and low.
+ </p>
+ <p>
+ This was surely a quiet evening. All save the oarsman lay heavily and
+ listlessly in the boat's bottom. As for him, his eyes were just capable of
+ noting the tall black waves that swept forward in a most sinister silence,
+ save for an occasional subdued growl of a crest.
+ </p>
+ <p>
+ The cook's head was on a thwart, and he looked without interest at the
+ water under his nose. He was deep in other scenes. Finally he spoke.
+ "Billie," he murmured, dreamfully, "what kind of pie do you like best?"
+ </p>
+ <h3>
+ V
+ </h3>
+ <p>
+ "Pie," said the oiler and the correspondent, agitatedly. "Don't talk about
+ those things, blast you!"
+ </p>
+ <p>
+ "Well," said the cook, "I was just thinking about ham sandwiches, and&mdash;"
+ </p>
+ <p>
+ A night on the sea in an open boat is a long night. As darkness settled
+ finally, the shine of the light, lifting from the sea in the south,
+ changed to full gold. On the northern horizon a new light appeared, a
+ small bluish gleam on the edge of the waters. These two lights were the
+ furniture of the world. Otherwise there was nothing but waves.
+ </p>
+ <p>
+ Two men huddled in the stern, and distances were so magnificent in the
+ dingey that the rower was enabled to keep his feet partly warmed by
+ thrusting them under his companions. Their legs indeed extended far under
+ the rowing-seat until they touched the feet of the captain forward.
+ Sometimes, despite the efforts of the tired oarsman, a wave came piling
+ into the boat, an icy wave of the night, and the chilling water soaked
+ them anew. They would twist their bodies for a moment and groan, and sleep
+ the dead sleep once more, while the water in the boat gurgled about them
+ as the craft rocked.
+ </p>
+ <p>
+ The plan of the oiler and the correspondent was for one to row until he
+ lost the ability, and then arouse the other from his sea-water couch in
+ the bottom of the boat.
+ </p>
+ <p>
+ The oiler plied the oars until his head drooped forward, and the
+ overpowering sleep blinded him. And he rowed yet afterward. Then he
+ touched a man in the bottom of the boat, and called his name. "Will you
+ spell me for a little while?" he said, meekly.
+ </p>
+ <p>
+ "Sure, Billie," said the correspondent, awakening and dragging himself to
+ a sitting position. They exchanged places carefully, and the oiler,
+ cuddling down in the sea-water at the cook's side, seemed to go to sleep
+ instantly.
+ </p>
+ <p>
+ The particular violence of the sea had ceased. The waves came without
+ snarling. The obligation of the man at the oars was to keep the boat
+ headed so that the tilt of the rollers would not capsize her, and to
+ preserve her from filling when the crests rushed past. The black waves
+ were silent and hard to be seen in the darkness. Often one was almost upon
+ the boat before the oarsman was aware.
+ </p>
+ <p>
+ In a low voice the correspondent addressed the captain. He was not sure
+ that the captain was awake, although this iron man seemed to be always
+ awake. "Captain, shall I keep her making for that light north, sir?"
+ </p>
+ <p>
+ The same steady voice answered him. "Yes. Keep it about two points off the
+ port bow."
+ </p>
+ <p>
+ The cook had tied a life-belt around himself in order to get even the
+ warmth which this clumsy cork contrivance could donate, and he seemed
+ almost stove-like when a rower, whose teeth invariably chattered wildly as
+ soon as he ceased his labor, dropped down to sleep.
+ </p>
+ <p>
+ The correspondent, as he rowed, looked down at the two men sleeping
+ under-foot. The cook's arm was around the oiler's shoulders, and, with
+ their fragmentary clothing and haggard faces, they were the babes of the
+ sea, a grotesque rendering of the old babes in the wood.
+ </p>
+ <p>
+ Later he must have grown stupid at his work, for suddenly there was a
+ growling of water, and a crest came with a roar and a swash into the boat,
+ and it was a wonder that it did not set the cook afloat in his life-belt.
+ The cook continued to sleep, but the oiler sat up, blinking his eyes and
+ shaking with the new cold.
+ </p>
+ <p>
+ "Oh, I'm awful sorry, Billie," said the correspondent contritely.
+ </p>
+ <p>
+ "That's all right, old boy," said the oiler, and lay down again and was
+ asleep.
+ </p>
+ <p>
+ Presently it seemed that even the captain dozed, and the correspondent
+ thought that he was the one man afloat on all the oceans. The wind had a
+ voice as it came over the waves, and it was sadder than the end.
+ </p>
+ <p>
+ There was a long, loud swishing astern of the boat, and a gleaming trail
+ of phosphorescence, like blue flame, was furrowed on the black waters. It
+ might have been made by a monstrous knife.
+ </p>
+ <p>
+ Then there came a stillness, while the correspondent breathed with the
+ open mouth and looked at the sea.
+ </p>
+ <p>
+ Suddenly there was another swish and another long flash of bluish light,
+ and this time it was alongside the boat, and might almost have been
+ reached with an oar. The correspondent saw an enormous fin speed like a
+ shadow through the water, hurling the crystalline spray and leaving the
+ long glowing trail.
+ </p>
+ <p>
+ The correspondent looked over his shoulder at the captain. His face was
+ hidden, and he seemed to be asleep. He looked at the babes of the sea.
+ They certainly were asleep. So, being bereft of sympathy, he leaned a
+ little way to one side and swore softly into the sea.
+ </p>
+ <p>
+ But the thing did not then leave the vicinity of the boat. Ahead or
+ astern, on one side or the other, at intervals long or short, fled the
+ long sparkling streak, and there was to be heard the whirroo of the dark
+ fin. The speed and power of the thing was greatly to be admired. It cut
+ the water like a gigantic and keen projectile.
+ </p>
+ <p>
+ The presence of this biding thing did not affect the man with the same
+ horror that it would if he had been a picnicker. He simply looked at the
+ sea dully and swore in an undertone.
+ </p>
+ <p>
+ Nevertheless, it is true that he did not wish to be alone. He wished one
+ of his companions to awaken by chance and keep him company with it. But
+ the captain hung motionless over the water-jar, and the oiler and the cook
+ in the bottom of the boat were plunged in slumber.
+ </p>
+ <h3>
+ VI
+ </h3>
+ <p>
+ "If I am going to be drowned&mdash;if I am going to be drowned&mdash;if I
+ am going to be drowned, why, in the name of the seven mad gods who rule
+ the sea, was I allowed to come thus far and contemplate sand and trees?"
+ </p>
+ <p>
+ During this dismal night, it may be remarked that a man would conclude
+ that it was really the intention of the seven mad gods to drown him,
+ despite the abominable injustice of it. For it was certainly an abominable
+ injustice to drown a man who had worked so hard, so hard. The man felt it
+ would be a crime most unnatural. Other people had drowned at sea since
+ galleys swarmed with painted sails, but still&mdash;
+ </p>
+ <p>
+ When it occurs to a man that nature does not regard him as important, and
+ that she feels she would not maim the universe by disposing of him, he at
+ first wishes to throw bricks at the temple, and he hates deeply the fact
+ that there are no brick and no temples. Any visible expression of nature
+ would surely be pelleted with his jeers.
+ </p>
+ <p>
+ Then, if there be no tangible thing to hoot he feels, perhaps, the desire
+ to confront a personification and indulge in pleas, bowed to one knee, and
+ with hands supplicant, saying: "Yes, but I love myself."
+ </p>
+ <p>
+ A high cold star on a winter's night is the word he feels that she says to
+ him. Thereafter he knows the pathos of his situation.
+ </p>
+ <p>
+ The men in the dingey had not discussed these matters, but each had, no
+ doubt, reflected upon them in silence and according to his mind. There was
+ seldom any expression upon their faces save the general one of complete
+ weariness. Speech was devoted to the business of the boat.
+ </p>
+ <p>
+ To chime the notes of his emotion, a verse mysteriously entered the
+ correspondent's head. He had even forgotten that he had forgotten this
+ verse, but it suddenly was in his mind.
+ </p>
+<pre xml:space="preserve">
+ "A soldier of the Legion lay dying in Algiers,
+ There was a lack of woman's nursing, there was dearth of
+ woman's tears;
+ But a comrade stood beside him, and he took that comrade's hand,
+ And he said: 'I shall never see my own, my native land.'"
+</pre>
+ <p>
+ In his childhood, the correspondent had been made acquainted with the fact
+ that a soldier of the Legion lay dying in Algiers, but he had never
+ regarded the fact as important. Myriads of his school-fellows had informed
+ him of the soldier's plight, but the dinning had naturally ended by making
+ him perfectly indifferent. He had never considered it his affair that a
+ soldier of the Legion lay dying in Algiers, nor had it appeared to him as
+ a matter for sorrow. It was less to him than the breaking of a pencil's
+ point.
+ </p>
+ <p>
+ Now, however, it quaintly came to him as a human, living thing. It was no
+ longer merely a picture of a few throes in the breast of a poet, meanwhile
+ drinking tea and warming his feet at the grate; it was an actuality&mdash;stern,
+ mournful, and fine.
+ </p>
+ <p>
+ The correspondent plainly saw the soldier. He lay on the sand with his
+ feet out straight and still. While his pale left hand was upon his chest
+ in an attempt to thwart the going of his life, the blood came between his
+ fingers. In the far Algerian distance, a city of low square forms was set
+ against a sky that was faint with the last sunset hues. The correspondent,
+ plying the oars and dreaming of the slow and slower movements of the lips
+ of the soldier, was moved by a profound and perfectly impersonal
+ comprehension. He was sorry for the soldier of the Legion who lay dying in
+ Algiers.
+ </p>
+ <p>
+ The thing which had followed the boat and waited, had evidently grown
+ bored at the delay. There was no longer to be heard the slash of the
+ cut-water, and there was no longer the flame of the long trail. The light
+ in the north still glimmered, but it was apparently no nearer to the boat.
+ Sometimes the boom of the surf rang in the correspondent's ears, and he
+ turned the craft seaward then and rowed harder. Southward, some one had
+ evidently built a watch-fire on the beach. It was too low and too far to
+ be seen, but it made a shimmering, roseate reflection upon the bluff back
+ of it, and this could be discerned from the boat. The wind came stronger,
+ and sometimes a wave suddenly raged out like a mountain-cat, and there was
+ to be seen the sheen and sparkle of a broken crest.
+ </p>
+ <p>
+ The captain, in the bow, moved on his water-jar and sat erect. "Pretty
+ long night," he observed to the correspondent. He looked at the shore.
+ "Those life-saving people take their time."
+ </p>
+ <p>
+ "Did you see that shark playing around?"
+ </p>
+ <p>
+ "Yes, I saw him. He was a big fellow, all right."
+ </p>
+ <p>
+ "Wish I had known you were awake."
+ </p>
+ <p>
+ Later the correspondent spoke into the bottom of the boat.
+ </p>
+ <p>
+ "Billie!" There was a slow and gradual disentanglement. "Billie, will you
+ spell me?"
+ </p>
+ <p>
+ "Sure," said the oiler.
+ </p>
+ <p>
+ As soon as the correspondent touched the cold comfortable sea-water in the
+ bottom of the boat, and had huddled close to the cook's life-belt he was
+ deep in sleep, despite the fact that his teeth played all the popular
+ airs. This sleep was so good to him that it was but a moment before he
+ heard a voice call his name in a tone that demonstrated the last stages of
+ exhaustion. "Will you spell me?"
+ </p>
+ <p>
+ "Sure, Billie."
+ </p>
+ <p>
+ The light in the north had mysteriously vanished, but the correspondent
+ took his course from the wide-awake captain.
+ </p>
+ <p>
+ Later in the night they took the boat farther out to sea, and the captain
+ directed the cook to take one oar at the stern and keep the boat facing
+ the seas. He was to call out if he should hear the thunder of the surf.
+ This plan enabled the oiler and the correspondent to get respite together.
+ "We'll give those boys a chance to get into shape again," said the
+ captain. They curled down and, after a few preliminary chatterings and
+ trembles, slept once more the dead sleep. Neither knew they had bequeathed
+ to the cook the company of another shark, or perhaps the same shark.
+ </p>
+ <p>
+ As the boat caroused on the waves, spray occasionally bumped over the side
+ and gave them a fresh soaking, but this had no power to break their
+ repose. The ominous slash of the wind and the water affected them as it
+ would have affected mummies.
+ </p>
+ <p>
+ "Boys," said the cook, with the notes of every reluctance in his voice,
+ "she's drifted in pretty close. I guess one of you had better take her to
+ sea again." The correspondent, aroused, heard the crash of the toppled
+ crests.
+ </p>
+ <p>
+ As he was rowing, the captain gave him some whisky-and-water, and this
+ steadied the chills out of him. "If I ever get ashore and anybody shows me
+ even a photograph of an oar&mdash;"
+ </p>
+ <p>
+ At last there was a short conversation.
+ </p>
+ <p>
+ "Billie.... Billie, will you spell me?"
+ </p>
+ <p>
+ "Sure," said the oiler.
+ </p>
+ <h3>
+ VII
+ </h3>
+ <p>
+ When the correspondent again opened his eyes, the sea and the sky were
+ each of the grey hue of the dawning. Later, carmine and gold was painted
+ upon the waters. The morning appeared finally, in its splendor, with a sky
+ of pure blue, and the sunlight flamed on the tips of the waves.
+ </p>
+ <p>
+ On the distant dunes were set many little black cottages, and a tall white
+ windmill reared above them. No man, nor dog, nor bicycle appeared on the
+ beach. The cottages might have formed a deserted village.
+ </p>
+ <p>
+ The voyagers scanned the shore. A conference was held in the boat. "Well,"
+ said the captain, "if no help is coming we might better try a run through
+ the surf right away. If we stay out here much longer we will be too weak
+ to do anything for ourselves at all." The others silently acquiesced in
+ this reasoning. The boat was headed for the beach. The correspondent
+ wondered if none ever ascended the tall wind-tower, and if then they never
+ looked seaward. This tower was a giant, standing with its back to the
+ plight of the ants. It represented in a degree, to the correspondent, the
+ serenity of nature amid the struggles of the individual&mdash;nature in
+ the wind, and nature in the vision of men. She did not seem cruel to him
+ then, nor beneficent, nor treacherous, nor wise. But she was indifferent,
+ flatly indifferent. It is, perhaps, plausible that a man in this
+ situation, impressed with the unconcern of the universe, should see the
+ innumerable flaws of his life, and have them taste wickedly in his mind
+ and wish for another chance. A distinction between right and wrong seems
+ absurdly clear to him, then, in this new ignorance of the grave-edge, and
+ he understands that if he were given another opportunity he would mend his
+ conduct and his words, and be better and brighter during an introduction
+ or at a tea.
+ </p>
+ <p>
+ "Now, boys," said the captain, "she is going to swamp, sure. All we can do
+ is to work her in as far as possible, and then when she swamps, pile out
+ and scramble for the beach. Keep cool now, and don't jump until she swamps
+ sure."
+ </p>
+ <p>
+ The oiler took the oars. Over his shoulders he scanned the surf.
+ "Captain," he said, "I think I'd better bring her about, and keep her
+ head-on to the seas and back her in."
+ </p>
+ <p>
+ "All right, Billie," said the captain. "Back her in." The oiler swung the
+ boat then and, seated in the stern, the cook and the correspondent were
+ obliged to look over their shoulders to contemplate the lonely and
+ indifferent shore.
+ </p>
+ <p>
+ The monstrous in-shore rollers heaved the boat high until the men were
+ again enabled to see the white sheets of water scudding up the slanted
+ beach. "We won't get in very close," said the captain. Each time a man
+ could wrest his attention from the rollers, he turned his glance toward
+ the shore, and in the expression of the eyes during this contemplation
+ there was a singular quality. The correspondent, observing the others,
+ knew that they were not afraid, but the full meaning of their glances was
+ shrouded.
+ </p>
+ <p>
+ As for himself, he was too tired to grapple fundamentally with the fact.
+ He tried to coerce his mind into thinking of it, but the mind was
+ dominated at this time by the muscles, and the muscles said they did not
+ care. It merely occurred to him that if he should drown it would be a
+ shame.
+ </p>
+ <p>
+ There were no hurried words, no pallor, no plain agitation. The men simply
+ looked at the shore. "Now, remember to get well clear of the boat when you
+ jump," said the captain.
+ </p>
+ <p>
+ Seaward the crest of a roller suddenly fell with a thunderous crash, and
+ the long white comber came roaring down upon the boat.
+ </p>
+ <p>
+ "Steady now," said the captain. The men were silent. They turned their
+ eyes from the shore to the comber and waited. The boat slid up the
+ incline, leaped at the furious top, bounced over it, and swung down the
+ long back of the wave. Some water had been shipped and the cook bailed it
+ out.
+ </p>
+ <p>
+ But the next crest crashed also. The tumbling, boiling flood of white
+ water caught the boat and whirled it almost perpendicular. Water swarmed
+ in from all sides. The correspondent had his hands on the gunwale at this
+ time, and when the water entered at that place he swiftly withdrew his
+ fingers, as if he objected to wetting them.
+ </p>
+ <p>
+ The little boat, drunken with this weight of water, reeled and snuggled
+ deeper into the sea.
+ </p>
+ <p>
+ "Bail her out, cook! Bail her out," said the captain.
+ </p>
+ <p>
+ "All right, captain," said the cook.
+ </p>
+ <p>
+ "Now, boys, the next one will do for us, sure," said the oiler. "Mind to
+ jump clear of the boat."
+ </p>
+ <p>
+ The third wave moved forward, huge, furious, implacable. It fairly
+ swallowed the dingey, and almost simultaneously the men tumbled into the
+ sea. A piece of lifebelt had lain in the bottom of the boat, and as the
+ correspondent went overboard he held this to his chest with his left hand.
+ </p>
+ <p>
+ The January water was icy, and he reflected immediately that it was colder
+ than he had expected to find it on the coast of Florida. This appeared to
+ his dazed mind as a fact important enough to be noted at the time. The
+ coldness of the water was sad; it was tragic. This fact was somehow so
+ mixed and confused with his opinion of his own situation that it seemed
+ almost a proper reason for tears. The water was cold.
+ </p>
+ <p>
+ When he came to the surface he was conscious of little but the noisy
+ water. Afterward he saw his companions in the sea. The oiler was ahead in
+ the race. He was swimming strongly and rapidly. Off to the correspondent's
+ left, the cook's great white and corked back bulged out of the water, and
+ in the rear the captain was hanging with his one good hand to the keel of
+ the overturned dingey.
+ </p>
+ <p>
+ There is a certain immovable quality to a shore, and the correspondent
+ wondered at it amid the confusion of the sea.
+ </p>
+ <p>
+ It seemed also very attractive, but the correspondent knew that it was a
+ long journey, and he paddled leisurely. The piece of life-preserver lay
+ under him, and sometimes he whirled down the incline of a wave as if he
+ were on a handsled.
+ </p>
+ <p>
+ But finally he arrived at a place in the sea where travel was beset with
+ difficulty. He did not pause swimming to inquire what manner of current
+ had caught him, but there his progress ceased. The shore was set before
+ him like a bit of scenery on a stage, and he looked at it and understood
+ with his eyes each detail of it.
+ </p>
+ <p>
+ As the cook passed, much farther to the left, the captain was calling to
+ him, "Turn over on your back, cook! Turn over on your back and use the
+ oar."
+ </p>
+ <p>
+ "All right, sir." The cook turned on his back, and, paddling with an oar,
+ went ahead as if he were a canoe.
+ </p>
+ <p>
+ Presently the boat also passed to the left of the correspondent with the
+ captain clinging with one hand to the keel. He would have appeared like a
+ man raising himself to look over a board fence, if it were not for the
+ extraordinary gymnastics of the boat. The correspondent marvelled that the
+ captain could still hold to it.
+ </p>
+ <p>
+ They passed on, nearer to shore&mdash;the oiler, the cook, the captain&mdash;and
+ following them went the water-jar, bouncing gaily over the seas.
+ </p>
+ <p>
+ The correspondent remained in the grip of this strange new enemy&mdash;a
+ current. The shore, with its white slope of sand and its green bluff,
+ topped with little silent cottages, was spread like a picture before him.
+ It was very near to him then, but he was impressed as one who in a gallery
+ looks at a scene from Brittany or Holland.
+ </p>
+ <p>
+ He thought: "I am going to drown? Can it be possible Can it be possible?
+ Can it be possible?" Perhaps an individual must consider his own death to
+ be the final phenomenon of nature.
+ </p>
+ <p>
+ But later a wave perhaps whirled him out of this small, deadly current,
+ for he found suddenly that he could again make progress toward the shore.
+ Later still, he was aware that the captain, clinging with one hand to the
+ keel of the dingey, had his face turned away from the shore and toward
+ him, and was calling his name. "Come to the boat! Come to the boat!"
+ </p>
+ <p>
+ In his struggle to reach the captain and the boat, he reflected that when
+ one gets properly wearied, drowning must really be a comfortable
+ arrangement, a cessation of hostilities accompanied by a large degree of
+ relief, and he was glad of it, for the main thing in his mind for some
+ months had been horror of the temporary agony. He did not wish to be hurt.
+ </p>
+ <p>
+ Presently he saw a man running along the shore. He was undressing with
+ most remarkable speed. Coat, trousers, shirt, everything flew magically
+ off him.
+ </p>
+ <p>
+ "Come to the boat," called the captain.
+ </p>
+ <p>
+ "All right, captain." As the correspondent paddled, he saw the captain let
+ himself down to bottom and leave the boat. Then the correspondent
+ performed his one little marvel of the voyage. A large wave caught him and
+ flung him with ease and supreme speed completely over the boat and far
+ beyond it. It struck him even then as an event in gymnastics, and a true
+ miracle of the sea. An over-turned boat in the surf is not a plaything to
+ a swimming man.
+ </p>
+ <p>
+ The correspondent arrived in water that reached only to his waist, but his
+ condition did not enable him to stand for more than a moment. Each wave
+ knocked him into a heap, and the under-tow pulled at him.
+ </p>
+ <p>
+ Then he saw the man who had been running and undressing, and undressing
+ and running, come bounding into the water. He dragged ashore the cook, and
+ then waded towards the captain, but the captain waved him away, and sent
+ him to the correspondent. He was naked, naked as a tree in winter, but a
+ halo was about his head, and he shone like a saint. He gave a strong pull,
+ and a long drag, and a bully heave at the correspondent's hand. The
+ correspondent, schooled in the minor formulae, said: "Thanks, old man."
+ But suddenly the man cried: "What's that?" He pointed a swift finger. The
+ correspondent said: "Go."
+ </p>
+ <p>
+ In the shallows, face downward, lay the oiler. His forehead touched sand
+ that was periodically, between each wave, clear of the sea.
+ </p>
+ <p>
+ The correspondent did not know all that transpired afterward. When he
+ achieved safe ground he fell, striking the sand with each particular part
+ of his body. It was as if he had dropped from a roof, but the thud was
+ grateful to him.
+ </p>
+ <p>
+ It seems that instantly the beach was populated with men with blankets,
+ clothes, and flasks, and women with coffeepots and all the remedies sacred
+ to their minds. The welcome of the land to the men from the sea was warm
+ and generous, but a still and dripping shape was carried slowly up the
+ beach, and the land's welcome for it could only be the different and
+ sinister hospitality of the grave.
+ </p>
+ <p>
+ When it came night, the white waves paced to and fro in the moonlight, and
+ the wind brought the sound of the great sea's voice to the men on shore,
+ and they felt that they could then be interpreters.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE RELUCTANT VOYAGERS
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0001" id="link2HCH0001"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER I
+ </h2>
+ <h3>
+ Two men sat by the sea waves.
+ </h3>
+ <p>
+ "Well, I know I'm not handsome," said one gloomily. He was poking holes in
+ the sand with a discontented cane.
+ </p>
+ <p>
+ The companion was watching the waves play. He seemed overcome with
+ perspiring discomfort as a man who is resolved to set another man right.
+ </p>
+ <p>
+ Suddenly his mouth turned into a straight line.
+ </p>
+ <p>
+ "To be sure you are not," he cried vehemently.
+ </p>
+ <p>
+ "You look like thunder. I do not desire to be unpleasant, but I must
+ assure you that your freckled skin continually reminds spectators of white
+ wall paper with gilt roses on it. The top of your head looks like a little
+ wooden plate. And your figure&mdash;heavens!"
+ </p>
+ <p>
+ For a time they were silent. They stared at the waves that purred near
+ their feet like sleepy sea-kittens.
+ </p>
+ <p>
+ Finally the first man spoke.
+ </p>
+ <p>
+ "Well," said he, defiantly, "what of it?"
+ </p>
+ <p>
+ "What of it?" exploded the other. "Why, it means that you'd look like
+ blazes in a bathing-suit."
+ </p>
+ <p>
+ They were again silent. The freckled man seemed ashamed. His tall
+ companion glowered at the scenery.
+ </p>
+ <p>
+ "I am decided," said the freckled man suddenly. He got boldly up from the
+ sand and strode away. The tall man followed, walking sarcastically and
+ glaring down at the round, resolute figure before him.
+ </p>
+ <p>
+ A bath-clerk was looking at the world with superior eyes through a hole in
+ a board. To him the freckled man made application, waving his hands over
+ his person in illustration of a snug fit. The bath-clerk thought
+ profoundly. Eventually, he handed out a blue bundle with an air of having
+ phenomenally solved the freckled man's dimensions.
+ </p>
+ <p>
+ The latter resumed his resolute stride.
+ </p>
+ <p>
+ "See here," said the tall man, following him, "I bet you've got a regular
+ toga, you know. That fellow couldn't tell&mdash;"
+ </p>
+ <p>
+ "Yes, he could," interrupted the freckled man, "I saw correct mathematics
+ in his eyes."
+ </p>
+ <p>
+ "Well, supposin' he has missed your size. Supposin'&mdash;"
+ </p>
+ <p>
+ "Tom," again interrupted the other, "produce your proud clothes and we'll
+ go in."
+ </p>
+ <p>
+ The tall man swore bitterly. He went to one of a row of little wooden
+ boxes and shut himself in it. His companion repaired to a similar box.
+ </p>
+ <p>
+ At first he felt like an opulent monk in a too-small cell, and he turned
+ round two or three times to see if he could. He arrived finally into his
+ bathing-dress. Immediately he dropped gasping upon a three-cornered bench.
+ The suit fell in folds about his reclining form. There was silence, save
+ for the caressing calls of the waves without.
+ </p>
+ <p>
+ Then he heard two shoes drop on the floor in one of the little coops. He
+ began to clamor at the boards like a penitent at an unforgiving door.
+ </p>
+ <p>
+ "Tom," called he, "Tom&mdash;"
+ </p>
+ <p>
+ A voice of wrath, muffled by cloth, came through the walls. "You go t'
+ blazes!"
+ </p>
+ <p>
+ The freckled man began to groan, taking the occupants of the entire row of
+ coops into his confidence.
+ </p>
+ <p>
+ "Stop your noise," angrily cried the tall man from his hidden den. "You
+ rented the bathing-suit, didn't you? Then&mdash;"
+ </p>
+ <p>
+ "It ain't a bathing-suit," shouted the freckled man at the boards. "It's
+ an auditorium, a ballroom, or something. It isn't a bathing-suit."
+ </p>
+ <p>
+ The tall man came out of his box. His suit looked like blue skin. He
+ walked with grandeur down the alley between the rows of coops. Stopping in
+ front of his friend's door, he rapped on it with passionate knuckles.
+ </p>
+ <p>
+ "Come out of there, y' ol' fool," said he, in an enraged whisper. "It's
+ only your accursed vanity. Wear it anyhow. What difference does it make? I
+ never saw such a vain ol' idiot!"
+ </p>
+ <p>
+ As he was storming the door opened, and his friend confronted him. The
+ tall man's legs gave way, and he fell against the opposite door.
+ </p>
+ <p>
+ The freckled man regarded him sternly.
+ </p>
+ <p>
+ "You're an ass," he said.
+ </p>
+ <p>
+ His back curved in scorn. He walked majestically down the alley. There was
+ pride in the way his chubby feet patted the boards. The tall man followed,
+ weakly, his eyes riveted upon the figure ahead.
+ </p>
+ <p>
+ As a disguise the freckled man had adopted the stomach of importance. He
+ moved with an air of some sort of procession, across a board walk, down
+ some steps, and out upon the sand.
+ </p>
+ <p>
+ There was a pug dog and three old women on a bench, a man and a maid with
+ a book and a parasol, a seagull drifting high in the wind, and a distant,
+ tremendous meeting of sea and sky. Down on the wet sand stood a girl being
+ wooed by the breakers.
+ </p>
+ <p>
+ The freckled man moved with stately tread along the beach. The tall man,
+ numb with amazement, came in the rear. They neared the girl.
+ </p>
+ <p>
+ Suddenly the tall man was seized with convulsions. He laughed, and the
+ girl turned her head.
+ </p>
+ <p>
+ She perceived the freckled man in the bathing-suit. An expression of
+ wonderment overspread her charming face. It changed in a moment to a
+ pearly smile.
+ </p>
+ <p>
+ This smile seemed to smite the freckled man. He obviously tried to swell
+ and fit his suit. Then he turned a shrivelling glance upon his companion,
+ and fled up the beach. The tall man ran after him, pursuing with mocking
+ cries that tingled his flesh like stings of insects. He seemed to be
+ trying to lead the way out of the world. But at last he stopped and faced
+ about.
+ </p>
+ <p>
+ "Tom Sharp," said he, between his clenched teeth, "you are an unutterable
+ wretch! I could grind your bones under my heel."
+ </p>
+ <p>
+ The tall man was in a trance, with glazed eyes fixed on the bathing-dress.
+ He seemed to be murmuring: "Oh, good Lord! Oh, good Lord! I never saw such
+ a suit!"
+ </p>
+ <p>
+ The freckled man made the gesture of an assassin.
+ </p>
+ <p>
+ "Tom Sharp, you&mdash;"
+ </p>
+ <p>
+ The other was still murmuring: "Oh, good Lord! I never saw such a suit! I
+ never&mdash;"
+ </p>
+ <p>
+ The freckled man ran down into the sea.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER II
+ </h2>
+ <p>
+ The cool, swirling waters took his temper from him, and it became a thing
+ that is lost in the ocean. The tall man floundered in, and the two forgot
+ and rollicked in the waves.
+ </p>
+ <p>
+ The freckled man, in endeavoring to escape from mankind, had left all save
+ a solitary fisherman under a large hat, and three boys in bathing-dress,
+ laughing and splashing upon a raft made of old spars.
+ </p>
+ <p>
+ The two men swam softly over the ground swells.
+ </p>
+ <p>
+ The three boys dived from their raft, and turned their jolly faces
+ shorewards. It twisted slowly around and around, and began to move seaward
+ on some unknown voyage. The freckled man laid his face to the water and
+ swam toward the raft with a practised stroke. The tall man followed, his
+ bended arm appearing and disappearing with the precision of machinery.
+ </p>
+ <p>
+ The craft crept away, slowly and wearily, as if luring. The little wooden
+ plate on the freckled man's head looked at the shore like a round, brown
+ eye, but his gaze was fixed on the raft that slyly appeared to be waiting.
+ The tall man used the little wooden plate as a beacon.
+ </p>
+ <p>
+ At length the freckled man reached the raft and climbed aboard. He lay
+ down on his back and puffed. His bathing-dress spread about him like a
+ dead balloon. The tall man came, snorted, shook his tangled locks and lay
+ down by the side of his companion.
+ </p>
+ <p>
+ They were overcome with a delicious drowsiness. The planks of the raft
+ seemed to fit their tired limbs. They gazed dreamily up into the vast sky
+ of summer.
+ </p>
+ <p>
+ "This is great," said the tall man. His companion grunted blissfully.
+ </p>
+ <p>
+ Gentle hands from the sea rocked their craft and lulled them to peace.
+ Lapping waves sang little rippling sea-songs about them. The two men
+ issued contented groans.
+ </p>
+ <p>
+ "Tom," said the freckled man.
+ </p>
+ <p>
+ "What?" said the other.
+ </p>
+ <p>
+ "This is great."
+ </p>
+ <p>
+ They lay and thought.
+ </p>
+ <p>
+ A fish-hawk, soaring, suddenly, turned and darted at the waves. The tall
+ man indolently twisted his head and watched the bird plunge its claws into
+ the water. It heavily arose with a silver gleaming fish.
+ </p>
+ <p>
+ "That bird has got his feet wet again. It's a shame," murmured the tall
+ man sleepily. "He must suffer from an endless cold in the head. He should
+ wear rubber boots. They'd look great, too. If I was him, I'd&mdash;Great
+ Scott!"
+ </p>
+ <p>
+ He had partly arisen, and was looking at the shore.
+ </p>
+ <p>
+ He began to scream. "Ted! Ted! Ted! Look!"
+ </p>
+ <p>
+ "What's matter?" dreamily spoke the freckled man. "You remind me of when I
+ put the bird-shot in your leg." He giggled softly.
+ </p>
+ <p>
+ The agitated tall man made a gesture of supreme eloquence. His companion
+ up-reared and turned a startled gaze shoreward.
+ </p>
+ <p>
+ "Lord!" he roared, as if stabbed.
+ </p>
+ <p>
+ The land was a long, brown streak with a rim of green, in which sparkled
+ the tin roofs of huge hotels. The hands from the sea had pushed them away.
+ The two men sprang erect, and did a little dance of perturbation.
+ </p>
+ <p>
+ "What shall we do? What shall we do?" moaned the freckled man, wriggling
+ fantastically in his dead balloon.
+ </p>
+ <p>
+ The changing shore seemed to fascinate the tall man, and for a time he did
+ not speak.
+ </p>
+ <p>
+ Suddenly he concluded his minuet of horror. He wheeled about and faced the
+ freckled man. He elaborately folded his arms.
+ </p>
+ <p>
+ "So," he said, in slow, formidable tones. "So! This all comes from your
+ accursed vanity, your bathing-suit, your idiocy; you have murdered your
+ best friend."
+ </p>
+ <p>
+ He turned away. His companion reeled as if stricken by an unexpected arm.
+ </p>
+ <p>
+ He stretched out his hands. "Tom, Tom," wailed he, beseechingly, "don't be
+ such a fool."
+ </p>
+ <p>
+ The broad back of his friend was occupied by a contemptuous sneer.
+ </p>
+ <p>
+ Three ships fell off the horizon. Landward, the hues were blending. The
+ whistle of a locomotive sounded from an infinite distance as if tooting in
+ heaven.
+ </p>
+ <p>
+ "Tom! Tom! My dear boy," quavered the freckled man, "don't speak that way
+ to me."
+ </p>
+ <p>
+ "Oh, no, of course not," said the other, still facing away and throwing
+ the words over his shoulder. "You suppose I am going to accept all this
+ calmly, don't you? Not make the slightest objection? Make no protest at
+ all, hey?"
+ </p>
+ <p>
+ "Well, I&mdash;I&mdash;&mdash;" began the freckled man.
+ </p>
+ <p>
+ The tall man's wrath suddenly exploded. "You've abducted me! That's the
+ whole amount of it! You've abducted me!"
+ </p>
+ <p>
+ "I ain't," protested the freckled man. "You must think I'm a fool."
+ </p>
+ <p>
+ The tall man swore, and sitting down, dangled his legs angrily in the
+ water. Natural law compelled his companion to occupy the other end of the
+ raft.
+ </p>
+ <p>
+ Over the waters little shoals of fish spluttered, raising tiny tempests.
+ Languid jelly-fish floated near, tremulously waving a thousand legs. A row
+ of porpoises trundled along like a procession of cog-wheels. The sky
+ became greyed save where over the land sunset colors were assembling.
+ </p>
+ <p>
+ The two voyagers, back to back and at either end of the raft, quarrelled
+ at length.
+ </p>
+ <p>
+ "What did you want to follow me for?" demanded the freckled man in a voice
+ of indignation.
+ </p>
+ <p>
+ "If your figure hadn't been so like a bottle, we wouldn't be here,"
+ replied the tall man.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER III
+ </h2>
+ <p>
+ The fires in the west blazed away, and solemnity spread over the sea.
+ Electric lights began to blink like eyes. Night menaced the voyagers with
+ a dangerous darkness, and fear came to bind their souls together. They
+ huddled fraternally in the middle of the raft.
+ </p>
+ <p>
+ "I feel like a molecule," said the freckled man in subdued tones.
+ </p>
+ <p>
+ "I'd give two dollars for a cigar," muttered the tall man.
+ </p>
+ <p>
+ A V-shaped flock of ducks flew towards Barnegat, between the voyagers and
+ a remnant of yellow sky. Shadows and winds came from the vanished eastern
+ horizon.
+ </p>
+ <p>
+ "I think I hear voices," said the freckled man.
+ </p>
+ <p>
+ "That Dollie Ramsdell was an awfully nice girl," said the tall man.
+ </p>
+ <p>
+ When the coldness of the sea night came to them, the freckled man found he
+ could by a peculiar movement of his legs and arms encase himself in his
+ bathing-dress. The tall man was compelled to whistle and shiver. As night
+ settled finally over the sea, red and green lights began to dot the
+ blackness. There were mysterious shadows between the waves.
+ </p>
+ <p>
+ "I see things comin'," murmured the freckled man.
+ </p>
+ <p>
+ "I wish I hadn't ordered that new dress-suit for the hop to-morrow night,"
+ said the tall man reflectively.
+ </p>
+ <p>
+ The sea became uneasy and heaved painfully, like a lost bosom, when little
+ forgotten heart-bells try to chime with a pure sound. The voyagers cringed
+ at magnified foam on distant wave crests. A moon came and looked at them.
+ </p>
+ <p>
+ "Somebody's here," whispered the freckled man.
+ </p>
+ <p>
+ "I wish I had an almanac," remarked the tall man, regarding the moon.
+ </p>
+ <p>
+ Presently they fell to staring at the red and green lights that twinkled
+ about them.
+ </p>
+ <p>
+ "Providence will not leave us," asserted the freckled man.
+ </p>
+ <p>
+ "Oh, we'll be picked up shortly. I owe money," said the tall man.
+ </p>
+ <p>
+ He began to thrum on an imaginary banjo.
+ </p>
+ <p>
+ "I have heard," said he, suddenly, "that captains with healthy ships
+ beneath their feet will never turn back after having once started on a
+ voyage. In that case we will be rescued by some ship bound for the golden
+ seas of the south. Then, you'll be up to some of your confounded devilment
+ and we'll get put off. They'll maroon us! That's what they'll do! They'll
+ maroon us! On an island with palm trees and sun-kissed maidens and all
+ that. Sun-kissed maidens, eh? Great! They'd&mdash;"
+ </p>
+ <p>
+ He suddenly ceased and turned to stone. At a distance a great, green eye
+ was contemplating the sea wanderers.
+ </p>
+ <p>
+ They stood up and did another dance. As they watched the eye grew larger.
+ </p>
+ <p>
+ Directly the form of a phantom-like ship came into view. About the great,
+ green eye there bobbed small yellow dots. The wanderers could hear a
+ far-away creaking of unseen tackle and flapping of shadowy sails. There
+ came the melody of the waters as the ship's prow thrust its way.
+ </p>
+ <p>
+ The tall man delivered an oration.
+ </p>
+ <p>
+ "Ha!" he exclaimed, "here come our rescuers. The brave fellows! How I long
+ to take the manly captain by the hand! You will soon see a white boat with
+ a star on its bow drop from the side of yon ship. Kind sailors in blue and
+ white will help us into the boat and conduct our wasted frames to the
+ quarter-deck, where the handsome, bearded captain, with gold bands all
+ around, will welcome us. Then in the hard-oak cabin, while the wine
+ gurgles and the Havanas glow, we'll tell our tale of peril and privation."
+ </p>
+ <p>
+ The ship came on like a black hurrying animal with froth-filled maw. The
+ two wanderers stood up and clasped hands. Then they howled out a wild duet
+ that rang over the wastes of sea.
+ </p>
+ <p>
+ The cries seemed to strike the ship.
+ </p>
+ <p>
+ Men with boots on yelled and ran about the deck. They picked up heavy
+ articles and threw them down. They yelled more. After hideous creakings
+ and flappings, the vessel stood still.
+ </p>
+ <p>
+ In the meantime the wanderers had been chanting their song for help. Out
+ in the blackness they beckoned to the ship and coaxed.
+ </p>
+ <p>
+ A voice came to them.
+ </p>
+ <p>
+ "Hello," it said.
+ </p>
+ <p>
+ They puffed out their cheeks and began to shout. "Hello! Hello! Hello!"
+ </p>
+ <p>
+ "Wot do yeh want?" said the voice.
+ </p>
+ <p>
+ The two wanderers gazed at each other, and sat suddenly down on the raft.
+ Some pall came sweeping over the sky and quenched their stars.
+ </p>
+ <p>
+ But almost the tall man got up and brawled miscellaneous information. He
+ stamped his foot, and frowning into the night, swore threateningly.
+ </p>
+ <p>
+ The vessel seemed fearful of these moaning voices that called from a
+ hidden cavern of the water. And now one voice was filled with a menace. A
+ number of men with enormous limbs that threw vast shadows over the sea as
+ the lanterns flickered, held a debate and made gestures.
+ </p>
+ <p>
+ Off in the darkness, the tall man began to clamor like a mob. The freckled
+ man sat in astounded silence, with his legs weak.
+ </p>
+ <p>
+ After a time one of the men of enormous limbs seized a rope that was
+ tugging at the stem and drew a small boat from the shadows. Three giants
+ clambered in and rowed cautiously toward the raft. Silver water flashed in
+ the gloom as the oars dipped.
+ </p>
+ <p>
+ About fifty feet from the raft the boat stopped. "Who er you?" asked a
+ voice.
+ </p>
+ <p>
+ The tall man braced himself and explained. He drew vivid pictures, his
+ twirling fingers illustrating like live brushes.
+ </p>
+ <p>
+ "Oh," said the three giants.
+ </p>
+ <p>
+ The voyagers deserted the raft. They looked back, feeling in their hearts
+ a mite of tenderness for the wet planks. Later, they wriggled up the side
+ of the vessel and climbed over the railing.
+ </p>
+ <p>
+ On deck they met a man.
+ </p>
+ <p>
+ He held a lantern to their faces. "Got any chewin' tewbacca?" he inquired.
+ </p>
+ <p>
+ "No," said the tall man, "we ain't."
+ </p>
+ <p>
+ The man had a bronze face and solitary whiskers. Peculiar lines about his
+ mouth were shaped into an eternal smile of derision. His feet were bare,
+ and clung handily to crevices.
+ </p>
+ <p>
+ Fearful trousers were supported by a piece of suspender that went up the
+ wrong side of his chest and came down the right side of his back, dividing
+ him into triangles.
+ </p>
+ <p>
+ "Ezekiel P. Sanford, capt'in, schooner 'Mary Jones,' of N'yack, N. Y.,
+ genelmen," he said.
+ </p>
+ <p>
+ "Ah!" said the tall man, "delighted, I'm sure."
+ </p>
+ <p>
+ There were a few moments of silence. The giants were hovering in the gloom
+ and staring.
+ </p>
+ <p>
+ Suddenly astonishment exploded the captain.
+ </p>
+ <p>
+ "Wot th' devil&mdash;&mdash;" he shouted. "Wot th' devil yeh got on?"
+ </p>
+ <p>
+ "Bathing-suits," said the tall man.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0004" id="link2HCH0004"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IV
+ </h2>
+ <p>
+ The schooner went on. The two voyagers sat down and watched. After a time
+ they began to shiver. The soft blackness of the summer night passed away,
+ and grey mists writhed over the sea. Soon lights of early dawn went
+ changing across the sky, and the twin beacons on the highlands grew dim
+ and sparkling faintly, as if a monster were dying. The dawn penetrated the
+ marrow of the two men in bathing-dress.
+ </p>
+ <p>
+ The captain used to pause opposite them, hitch one hand in his suspender,
+ and laugh.
+ </p>
+ <p>
+ "Well, I be dog-hanged," he frequently said.
+ </p>
+ <p>
+ The tall man grew furious. He snarled in a mad undertone to his companion.
+ "This rescue ain't right. If I had known&mdash;"
+ </p>
+ <p>
+ He suddenly paused, transfixed by the captain's suspender. "It's goin' to
+ break," cried he, in an ecstatic whisper. His eyes grew large with
+ excitement as he watched the captain laugh. "It'll break in a minute,
+ sure."
+ </p>
+ <p>
+ But the commander of the schooner recovered, and invited them to drink and
+ eat. They followed him along the deck, and fell down a square black hole
+ into the cabin.
+ </p>
+ <p>
+ It was a little den, with walls of a vanished whiteness. A lamp shed an
+ orange light. In a sort of recess two little beds were hiding. A wooden
+ table, immovable, as if the craft had been builded around it, sat in the
+ middle of the floor. Overhead the square hole was studded with a dozen
+ stars. A foot-worn ladder led to the heavens.
+ </p>
+ <p>
+ The captain produced ponderous crackers and some cold broiled ham. Then he
+ vanished in the firmament like a fantastic comet.
+ </p>
+ <p>
+ The freckled man sat quite contentedly like a stout squaw in a blanket.
+ The tall man walked about the cabin and sniffed. He was angered at the
+ crudeness of the rescue, and his shrinking clothes made him feel too
+ large. He contemplated his unhappy state.
+ </p>
+ <p>
+ Suddenly, he broke out. "I won't stand this, I tell you! Heavens and
+ earth, look at the&mdash;say, what in the blazes did you want to get me in
+ this thing for, anyhow? You're a fine old duffer, you are! Look at that
+ ham!"
+ </p>
+ <p>
+ The freckled man grunted. He seemed somewhat blissful. He was seated upon
+ a bench, comfortably enwrapped in his bathing-dress.
+ </p>
+ <p>
+ The tall man stormed about the cabin.
+ </p>
+ <p>
+ "This is an outrage! I'll see the captain! I'll tell him what I think of&mdash;"
+ </p>
+ <p>
+ He was interrupted by a pair of legs that appeared among the stars. The
+ captain came down the ladder. He brought a coffee pot from the sky.
+ </p>
+ <p>
+ The tall man bristled forward. He was going to denounce everything.
+ </p>
+ <p>
+ The captain was intent upon the coffee pot, balancing it carefully, and
+ leaving his unguided feet to find the steps of the ladder.
+ </p>
+ <p>
+ But the wrath of the tall man faded. He twirled his fingers in excitement,
+ and renewed his ecstatic whisperings to the freckled man.
+ </p>
+ <p>
+ "It's going to break! Look, quick, look! It'll break in a minute!"
+ </p>
+ <p>
+ He was transfixed with interest, forgetting his wrongs in staring at the
+ perilous passage.
+ </p>
+ <p>
+ But the captain arrived on the floor with triumphant suspenders.
+ </p>
+ <p>
+ "Well," said he, "after yeh have eat, maybe ye'd like t'sleep some! If so,
+ yeh can sleep on them beds."
+ </p>
+ <p>
+ The tall man made no reply, save in a strained undertone. "It'll break in
+ about a minute! Look, Ted, look quick!"
+ </p>
+ <p>
+ The freckled man glanced in a little bed on which were heaped boots and
+ oilskins. He made a courteous gesture.
+ </p>
+ <p>
+ "My dear sir, we could not think of depriving you of your beds. No,
+ indeed. Just a couple of blankets if you have them, and we'll sleep very
+ comfortable on these benches."
+ </p>
+ <p>
+ The captain protested, politely twisting his back and bobbing his head.
+ The suspenders tugged and creaked. The tall man partially suppressed a
+ cry, and took a step forward.
+ </p>
+ <p>
+ The freckled man was sleepily insistent, and shortly the captain gave over
+ his deprecatory contortions. He fetched a pink quilt with yellow dots on
+ it to the freckled man, and a black one with red roses on it to the tall
+ man.
+ </p>
+ <p>
+ Again he vanished in the firmament. The tall man gazed until the last
+ remnant of trousers disappeared from the sky. Then he wrapped himself up
+ in his quilt and lay down. The freckled man was puffing contentedly,
+ swathed like an infant. The yellow polka-dots rose and fell on the vast
+ pink of his chest.
+ </p>
+ <p>
+ The wanderers slept. In the quiet could be heard the groanings of timbers
+ as the sea seemed to crunch them together. The lapping of water along the
+ vessel's side sounded like gaspings. A hundred spirits of the wind had got
+ their wings entangled in the rigging, and, in soft voices, were pleading
+ to be loosened.
+ </p>
+ <p>
+ The freckled man was awakened by a foreign noise. He opened his eyes and
+ saw his companion standing by his couch.
+ </p>
+ <p>
+ His comrade's face was wan with suffering. His eyes glowed in the
+ darkness. He raised his arms, spreading them out like a clergyman at a
+ grave. He groaned deep in his chest.
+ </p>
+ <p>
+ "Good Lord!" yelled the freckled man, starting up. "Tom, Tom, what's th'
+ matter?"
+ </p>
+ <p>
+ The tall man spoke in a fearful voice. "To New York," he said, "to New
+ York in our bathing-suits."
+ </p>
+ <p>
+ The freckled man sank back. The shadows of the cabin threw mysteries about
+ the figure of the tall man, arrayed like some ancient and potent
+ astrologer in the black quilt with the red roses on it.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0005" id="link2HCH0005"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER V
+ </h2>
+ <h3>
+ Directly the tall man went and lay down and began to groan.
+ </h3>
+ <p>
+ The freckled man felt the miseries of the world upon him. He grew angry at
+ the tall man awakening him. They quarrelled.
+ </p>
+ <p>
+ "Well," said the tall man, finally, "we're in a fix."
+ </p>
+ <p>
+ "I know that," said the other, sharply.
+ </p>
+ <p>
+ They regarded the ceiling in silence.
+ </p>
+ <p>
+ "What in the thunder are we going to do?" demanded the tall man, after a
+ time. His companion was still silent. "Say," repeated he, angrily, "what
+ in the thunder are we going to do?"
+ </p>
+ <p>
+ "I'm sure I don't know," said the freckled man in a dismal voice.
+ </p>
+ <p>
+ "Well, think of something," roared the other. "Think of something, you old
+ fool. You don't want to make any more idiots of yourself, do you?"
+ </p>
+ <p>
+ "I ain't made an idiot of myself."
+ </p>
+ <p>
+ "Well, think. Know anybody in the city?"
+ </p>
+ <p>
+ "I know a fellow up in Harlem," said the freckled man.
+ </p>
+ <p>
+ "You know a fellow up in Harlem," howled the tall man. "Up in Harlem! How
+ the dickens are we to&mdash;say, you're crazy!"
+ </p>
+ <p>
+ "We can take a cab," cried the other, waxing indignant.
+ </p>
+ <p>
+ The tall man grew suddenly calm. "Do you know any one else?" he asked,
+ measuredly.
+ </p>
+ <p>
+ "I know another fellow somewhere on Park Place."
+ </p>
+ <p>
+ "Somewhere on Park Place," repeated the tall man in an unnatural manner.
+ "Somewhere on Park Place." With an air of sublime resignation he turned
+ his face to the wall.
+ </p>
+ <p>
+ The freckled man sat erect and frowned in the direction of his companion.
+ "Well, now, I suppose you are going to sulk. You make me ill! It's the
+ best we can do, ain't it? Hire a cab and go look that fellow up on Park&mdash;What's
+ that? You can't afford it? What nonsense! You are getting&mdash;Oh! Well,
+ maybe we can beg some clothes of the captain. Eh? Did I see 'im?
+ Certainly, I saw 'im. Yes, it is improbable that a man who wears trousers
+ like that can have clothes to lend. No, I won't wear oilskins and a
+ sou'-wester. To Athens? Of course not! I don't know where it is. Do you? I
+ thought not. With all your grumbling about other people, you never know
+ anything important yourself. What? Broadway? I'll be hanged first. We can
+ get off at Harlem, man alive. There are no cabs in Harlem. I don't think
+ we can bribe a sailor to take us ashore and bring a cab to the dock, for
+ the very simple reason that we have nothing to bribe him with. What? No,
+ of course not. See here, Tom Sharp, don't you swear at me like that. I
+ won't have it. What's that? I ain't, either. I ain't. What? I am not. It's
+ no such thing. I ain't. I've got more than you have, anyway. Well, you
+ ain't doing anything so very brilliant yourself&mdash;just lying there and
+ cussin'." At length the tall man feigned prodigiously to snore. The
+ freckled man thought with such vigor that he fell asleep.
+ </p>
+ <p>
+ After a time he dreamed that he was in a forest where bass drums grew on
+ trees. There came a strong wind that banged the fruit about like empty
+ pods. A frightful din was in his ears.
+ </p>
+ <p>
+ He awoke to find the captain of the schooner standing over him.
+ </p>
+ <p>
+ "We're at New York now," said the captain, raising his voice above the
+ thumping and banging that was being done on deck, "an' I s'pose you
+ fellers wanta go ashore." He chuckled in an exasperating manner. "Jes'
+ sing out when yeh wanta go," he added, leering at the freckled man.
+ </p>
+ <p>
+ The tall man awoke, came over and grasped the captain by the throat.
+ </p>
+ <p>
+ "If you laugh again I'll kill you," he said.
+ </p>
+ <p>
+ The captain gurgled and waved his legs and arms.
+ </p>
+ <p>
+ "In the first place," the tall man continued, "you rescued us in a
+ deucedly shabby manner. It makes me ill to think of it. I've a mind to mop
+ you 'round just for that. In the second place, your vessel is bound for
+ Athens, N. Y., and there's no sense in it. Now, will you or will you not
+ turn this ship about and take us back where our clothes are, or to
+ Philadelphia, where we belong?"
+ </p>
+ <p>
+ He furiously shook the captain. Then he eased his grip and awaited a
+ reply.
+ </p>
+ <p>
+ "I can't," yelled the captain, "I can't. This vessel don't belong to me.
+ I've got to&mdash;"
+ </p>
+ <p>
+ "Well, then," interrupted the tall man, "can you lend us some clothes?"
+ </p>
+ <p>
+ "Hain't got none," replied the captain, promptly. His face was red, and
+ his eyes were glaring.
+ </p>
+ <p>
+ "Well, then," said the tall man, "can you lend us some money?"
+ </p>
+ <p>
+ "Hain't got none," replied the captain, promptly. Something overcame him
+ and he laughed.
+ </p>
+ <p>
+ "Thunderation," roared the tall man. He seized the captain, who began to
+ have wriggling contortions. The tall man kneaded him as if he were
+ biscuits. "You infernal scoundrel," he bellowed, "this whole affair is
+ some wretched plot, and you are in it. I am about to kill you."
+ </p>
+ <p>
+ The solitary whisker of the captain did acrobatic feats like a strange
+ demon upon his chin. His eyes stood perilously from his head. The
+ suspender wheezed and tugged like the tackle of a sail.
+ </p>
+ <p>
+ Suddenly the tall man released his hold. Great expectancy sat upon his
+ features. "It's going to break!" he cried, rubbing his hands.
+ </p>
+ <p>
+ But the captain howled and vanished in the sky.
+ </p>
+ <p>
+ The freckled man then came forward. He appeared filled with sarcasm.
+ </p>
+ <p>
+ "So!" said he. "So, you've settled the matter. The captain is the only man
+ in the world who can help us, and I daresay he'll do anything he can now."
+ </p>
+ <p>
+ "That's all right," said the tall man. "If you don't like the way I run
+ things you shouldn't have come on this trip at all."
+ </p>
+ <p>
+ They had another quarrel.
+ </p>
+ <p>
+ At the end of it they went on deck. The captain stood at the stern
+ addressing the bow with opprobrious language. When he perceived the
+ voyagers he began to fling his fists about in the air.
+ </p>
+ <p>
+ "I'm goin' to put yeh off!" he yelled. The wanderers stared at each other.
+ </p>
+ <p>
+ "Hum," said the tall man.
+ </p>
+ <p>
+ The freckled man looked at his companion. "He's going to put us off, you
+ see," he said, complacently.
+ </p>
+ <p>
+ The tall man began to walk about and move his shoulders. "I'd like to see
+ you do it," he said, defiantly.
+ </p>
+ <p>
+ The captain tugged at a rope. A boat came at his bidding.
+ </p>
+ <p>
+ "I'd like to see you do it," the tall man repeated, continually. An
+ imperturbable man in rubber boots climbed down in the boat and seized the
+ oars. The captain motioned downward. His whisker had a triumphant
+ appearance.
+ </p>
+ <p>
+ The two wanderers looked at the boat. "I guess we'll have to get in,"
+ murmured the freckled man.
+ </p>
+ <p>
+ The tall man was standing like a granite column. "I won't," said he. "I
+ won't! I don't care what you do, but I won't!"
+ </p>
+ <p>
+ "Well, but&mdash;" expostulated the other. They held a furious debate.
+ </p>
+ <p>
+ In the meantime the captain was darting about making sinister gestures,
+ but the back of the tall man held him at bay. The crew, much depleted by
+ the departure of the imperturbable man into the boat, looked on from the
+ bow.
+ </p>
+ <p>
+ "You're a fool," the freckled man concluded his argument.
+ </p>
+ <p>
+ "So?" inquired the tall man, highly exasperated.
+ </p>
+ <p>
+ "So! Well, if you think you're so bright, we'll go in the boat, and then
+ you'll see."
+ </p>
+ <p>
+ He climbed down into the craft and seated himself in an ominous manner at
+ the stern.
+ </p>
+ <p>
+ "You'll see," he said to his companion, as the latter floundered heavily
+ down. "You'll see!"
+ </p>
+ <p>
+ The man in rubber boots calmly rowed the boat toward the shore. As they
+ went, the captain leaned over the railing and laughed. The freckled man
+ was seated very victoriously.
+ </p>
+ <p>
+ "Well, wasn't this the right thing after all?" he inquired in a pleasant
+ voice. The tall man made no reply.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0006" id="link2HCH0006"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VI
+ </h2>
+ <p>
+ As they neared the dock something seemed suddenly to occur to the freckled
+ man.
+ </p>
+ <p>
+ "Great heavens!" he murmured. He stared at the approaching shore.
+ </p>
+ <p>
+ "My, what a plight, Tommy!" he quavered.
+ </p>
+ <p>
+ "Do you think so?" spoke up the tall man. "Why, I really thought you liked
+ it." He laughed in a hard voice. "Lord, what a figure you'll cut."
+ </p>
+ <p>
+ This laugh jarred the freckled man's soul. He became mad.
+ </p>
+ <p>
+ "Thunderation, turn the boat around!" he roared. "Turn 'er round, quick!
+ Man alive, we can't&mdash;turn 'er round, d'ye hear!"
+ </p>
+ <p>
+ The tall man in the stern gazed at his companion with glowing eyes.
+ </p>
+ <p>
+ "Certainly not," he said. "We're going on. You insisted Upon it." He began
+ to prod his companion with words.
+ </p>
+ <p>
+ The freckled man stood up and waved his arms.
+ </p>
+ <p>
+ "Sit down," said the tall man. "You'll tip the boat over."
+ </p>
+ <p>
+ The other man began to shout.
+ </p>
+ <p>
+ "Sit down!" said the tall man again.
+ </p>
+ <p>
+ Words bubbled from the freckled man's mouth. There was a little torrent of
+ sentences that almost choked him. And he protested passionately with his
+ hands.
+ </p>
+ <p>
+ But the boat went on to the shadow of the docks. The tall man was intent
+ upon balancing it as it rocked dangerously during his comrade's oration.
+ </p>
+ <p>
+ "Sit down," he continually repeated.
+ </p>
+ <p>
+ "I won't," raged the freckled man. "I won't do anything." The boat wobbled
+ with these words.
+ </p>
+ <p>
+ "Say," he continued, addressing the oarsman, "just turn this boat round,
+ will you? Where in the thunder are you taking us to, anyhow?"
+ </p>
+ <p>
+ The oarsman looked at the sky and thought. Finally he spoke. "I'm doin'
+ what the cap'n sed."
+ </p>
+ <p>
+ "Well, what in th' blazes do I care what the cap'n sed?" demanded the
+ freckled man. He took a violent step. "You just turn this round or&mdash;"
+ </p>
+ <p>
+ The small craft reeled. Over one side water came flashing in. The freckled
+ man cried out in fear, and gave a jump to the other side. The tall man
+ roared orders, and the oarsman made efforts. The boat acted for a moment
+ like an animal on a slackened wire. Then it upset.
+ </p>
+ <p>
+ "Sit down!" said the tall man, in a final roar as he was plunged into the
+ water. The oarsman dropped his oars to grapple with the gunwale. He went
+ down saying unknown words. The freckled man's explanation or apology was
+ strangled by the water.
+ </p>
+ <p>
+ Two or three tugs let off whistles of astonishment, and continued on their
+ paths. A man dozing on a dock aroused and began to caper.
+ </p>
+ <p>
+ The passengers on a ferry-boat all ran to the near railing. A miraculous
+ person in a small boat was bobbing on the waves near the piers. He sculled
+ hastily toward the scene. It was a swirl of waters in the midst of which
+ the dark bottom of the boat appeared, whale-like.
+ </p>
+ <p>
+ Two heads suddenly came up.
+ </p>
+ <p>
+ "839," said the freckled man, chokingly. "That's it! 839!"
+ </p>
+ <p>
+ "What is?" said the tall man.
+ </p>
+ <p>
+ "That's the number of that feller on Park Place. I just remembered."
+ </p>
+ <p>
+ "You're the bloomingest&mdash;" the tall man said.
+ </p>
+ <p>
+ "It wasn't my fault," interrupted his companion. "If you hadn't&mdash;" He
+ tried to gesticulate, but one hand held to the keel of the boat, and the
+ other was supporting the form of the oarsman. The latter had fought a
+ battle with his immense rubber boots and had been conquered.
+ </p>
+ <p>
+ The rescuer in the other small boat came fiercely. As his craft glided up,
+ he reached out and grasped the tall man by the collar and dragged him into
+ the boat, interrupting what was, under the circumstances, a very brilliant
+ flow of rhetoric directed at the freckled man. The oarsman of the wrecked
+ craft was taken tenderly over the gunwale and laid in the bottom of the
+ boat. Puffing and blowing, the freckled man climbed in.
+ </p>
+ <p>
+ "You'll upset this one before we can get ashore," the other voyager
+ remarked.
+ </p>
+ <p>
+ As they turned toward the land they saw that the nearest dock was lined
+ with people. The freckled man gave a little moan.
+ </p>
+ <p>
+ But the staring eyes of the crowd were fixed on the limp form of the man
+ in rubber boots. A hundred hands reached down to help lift the body up. On
+ the dock some men grabbed it and began to beat it and roll it. A policeman
+ tossed the spectators about. Each individual in the heaving crowd sought
+ to fasten his eyes on the blue-tinted face of the man in the rubber boots.
+ They surged to and fro, while the policeman beat them indiscriminately.
+ </p>
+ <p>
+ The wanderers came modestly up the dock and gazed shrinkingly at the
+ throng. They stood for a moment, holding their breath to see the first
+ finger of amazement levelled at them.
+ </p>
+ <p>
+ But the crowd bended and surged in absorbing anxiety to view the man in
+ rubber boots, whose face fascinated them. The sea-wanderers were as though
+ they were not there.
+ </p>
+ <p>
+ They stood without the jam and whispered hurriedly.
+ </p>
+ <p>
+ "839," said the freckled man.
+ </p>
+ <p>
+ "All right," said the tall man.
+ </p>
+ <p>
+ Under the pommeling hands the oarsman showed signs of life. The voyagers
+ watched him make a protesting kick at the leg of the crowd, the while
+ uttering angry groans.
+ </p>
+ <p>
+ "He's better," said the tall man, softly; "let's make off."
+ </p>
+ <p>
+ Together they stole noiselessly up the dock. Directly in front of it they
+ found a row of six cabs.
+ </p>
+ <p>
+ The drivers on top were filled with a mighty curiosity. They had driven
+ hurriedly from the adjacent ferry-house when they had seen the first
+ running sign of an accident. They were straining on their toes and gazing
+ at the tossing backs of the men in the crowd.
+ </p>
+ <p>
+ The wanderers made a little detour, and then went rapidly towards a cab.
+ They stopped in front of it and looked up.
+ </p>
+ <p>
+ "Driver," called the tall man, softly.
+ </p>
+ <p>
+ The man was intent.
+ </p>
+ <p>
+ "Driver," breathed the freckled man. They stood for a moment and gazed
+ imploringly.
+ </p>
+ <p>
+ The cabman suddenly moved his feet. "By Jimmy, I bet he's a gonner," he
+ said, in an ecstacy, and he again relapsed into a statue.
+ </p>
+ <p>
+ The freckled man groaned and wrung his hands. The tall man climbed into
+ the cab.
+ </p>
+ <p>
+ "Come in here," he said to his companion. The freckled man climbed in, and
+ the tall man reached over and pulled the door shut. Then he put his head
+ out the window.
+ </p>
+ <p>
+ "Driver," he roared, sternly, "839 Park Place&mdash;and quick."
+ </p>
+ <p>
+ The driver looked down and met the eye of the tall man. "Eh?&mdash;Oh&mdash;839?
+ Park Place? Yessir." He reluctantly gave his horse a clump on the back. As
+ the conveyance rattled off the wanderers huddled back among the dingy
+ cushions and heaved great breaths of relief.
+ </p>
+ <p>
+ "Well, it's all over," said the freckled man, finally. "We're about out of
+ it. And quicker than I expected. Much quicker. It looked to me sometimes
+ that we were doomed. I am thankful to find it not so. I am rejoiced. And I
+ hope and trust that you&mdash;well, I don't wish to&mdash;perhaps it is
+ not the proper time to&mdash;that is, I don't wish to intrude a moral at
+ an inopportune moment, but, my dear, dear fellow, I think the time is ripe
+ to point out to you that your obstinacy, your selfishness, your villainous
+ temper, and your various other faults can make it just as unpleasant for
+ your ownself, my dear boy, as they frequently do for other people. You can
+ see what you brought us to, and I most sincerely hope, my dear, dear
+ fellow, that I shall soon see those signs in you which shall lead me to
+ believe that you have become a wiser man."
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE END OF THE BATTLE
+ </h2>
+ <p>
+ A sergeant, a corporal, and fourteen men of the Twelfth Regiment of the
+ Line had been sent out to occupy a house on the main highway. They would
+ be at least a half of a mile in advance of any other picket of their own
+ people. Sergeant Morton was deeply angry at being sent on this duty. He
+ said that he was over-worked. There were at least two sergeants, he
+ claimed furiously, whose turn it should have been to go on this arduous
+ mission. He was treated unfairly; he was abused by his superiors; why did
+ any damned fool ever join the army? As for him he would get out of it as
+ soon as possible; he was sick of it; the life of a dog. All this he said
+ to the corporal, who listened attentively, giving grunts of respectful
+ assent. On the way to this post two privates took occasion to drop to the
+ rear and pilfer in the orchard of a deserted plantation. When the sergeant
+ discovered this absence, he grew black with a rage which was an
+ accumulation of all his irritations. "Run, you!" he howled. "Bring them
+ here! I'll show them&mdash;" A private ran swiftly to the rear. The
+ remainder of the squad began to shout nervously at the two delinquents,
+ whose figures they could see in the deep shade of the orchard, hurriedly
+ picking fruit from the ground and cramming it within their shirts, next to
+ their skins. The beseeching cries of their comrades stirred the criminals
+ more than did the barking of the sergeant. They ran to rejoin the squad,
+ while holding their loaded bosoms and with their mouths open with
+ aggrieved explanations.
+ </p>
+ <p>
+ Jones faced the sergeant with a horrible cancer marked in bumps on his
+ left side. The disease of Patterson showed quite around the front of his
+ waist in many protuberances. "A nice pair!" said the sergeant, with sudden
+ frigidity. "You're the kind of soldiers a man wants to choose for a
+ dangerous outpost duty, ain't you?"
+ </p>
+ <p>
+ The two privates stood at attention, still looking much aggrieved. "We
+ only&mdash;" began Jones huskily.
+ </p>
+ <p>
+ "Oh, you 'only!'" cried the sergeant. "Yes, you 'only.' I know all about
+ that. But if you think you are going to trifle with me&mdash;"
+ </p>
+ <p>
+ A moment later the squad moved on towards its station. Behind the
+ sergeant's back Jones and Patterson were slyly passing apples and pears to
+ their friends while the sergeant expounded eloquently to the corporal.
+ "You see what kind of men are in the army now. Why, when I joined the
+ regiment it was a very different thing, I can tell you. Then a sergeant
+ had some authority, and if a man disobeyed orders, he had a very small
+ chance of escaping something extremely serious. But now! Good God! If I
+ report these men, the captain will look over a lot of beastly orderly
+ sheets and say&mdash;'Haw, eh, well, Sergeant Morton, these men seem to
+ have very good records; very good records, indeed. I can't be too hard on
+ them; no, not too hard.'" Continued the sergeant: "I tell you, Flagler,
+ the army is no place for a decent man."
+ </p>
+ <p>
+ Flagler, the corporal, answered with a sincerity of appreciation which
+ with him had become a science. "I think you are right, sergeant," he
+ answered.
+ </p>
+ <p>
+ Behind them the privates mumbled discreetly. "Damn this sergeant of ours.
+ He thinks we are made of wood. I don't see any reason for all this
+ strictness when we are on active service. It isn't like being at home in
+ barracks! There is no great harm in a couple of men dropping out to raid
+ an orchard of the enemy when all the world knows that we haven't had a
+ decent meal in twenty days."
+ </p>
+ <p>
+ The reddened face of Sergeant Morton suddenly showed to the rear. "A
+ little more marching and less talking," he said.
+ </p>
+ <p>
+ When he came to the house he had been ordered to occupy the sergeant
+ sniffed with disdain. "These people must have lived like cattle," he said
+ angrily. To be sure, the place was not alluring. The ground floor had been
+ used for the housing of cattle, and it was dark and terrible. A flight of
+ steps led to the lofty first floor, which was denuded but respectable. The
+ sergeant's visage lightened when he saw the strong walls of stone and
+ cement. "Unless they turn guns on us, they will never get us out of here,"
+ he said cheerfully to the squad. The men, anxious to keep him in an
+ amiable mood, all hurriedly grinned and seemed very appreciative and
+ pleased. "I'll make this into a fortress," he announced. He sent Jones and
+ Patterson, the two orchard thieves, out on sentry-duty. He worked the
+ others, then, until he could think of no more things to tell them to do.
+ Afterwards he went forth, with a major-general's serious scowl, and
+ examined the ground in front of his position. In returning he came upon a
+ sentry, Jones, munching an apple. He sternly commanded him to throw it
+ away.
+ </p>
+ <p>
+ The men spread their blankets on the floors of the bare rooms, and putting
+ their packs under their heads and lighting their pipes, they lived an easy
+ peace. Bees hummed in the garden, and a scent of flowers came through the
+ open window. A great fan-shaped bit of sunshine smote the face of one man,
+ and he indolently cursed as he moved his primitive bed to a shadier place.
+ </p>
+ <p>
+ Another private explained to a comrade: "This is all nonsense anyhow. No
+ sense in occupying this post. They&mdash;"
+ </p>
+ <p>
+ "But, of course," said the corporal, "when she told me herself that she
+ cared more for me than she did for him, I wasn't going to stand any of his
+ talk&mdash;" The corporal's listener was so sleepy that he could only
+ grunt his sympathy.
+ </p>
+ <p>
+ There was a sudden little spatter of shooting. A cry from Jones rang out.
+ With no intermediate scrambling, the sergeant leaped straight to his feet.
+ "Now," he cried, "let us see what you are made of! If," he added bitterly,
+ "you are made of anything!"
+ </p>
+ <p>
+ A man yelled: "Good God, can't you see you're all tangled up in my
+ cartridge belt?"
+ </p>
+ <p>
+ Another man yelled: "Keep off my legs! Can't you walk on the floor?"
+ </p>
+ <p>
+ To the windows there was a blind rush of slumberous men, who brushed hair
+ from their eyes even as they made ready their rifles. Jones and Patterson
+ came stumbling up the steps, crying dreadful information. Already the
+ enemy's bullets were spitting and singing over the house.
+ </p>
+ <p>
+ The sergeant suddenly was stiff and cold with a sense of the importance of
+ the thing. "Wait until you see one," he drawled loudly and calmly, "then
+ shoot."
+ </p>
+ <p>
+ For some moments the enemy's bullets swung swifter than lightning over the
+ house without anybody being able to discover a target. In this interval a
+ man was shot in the throat. He gurgled, and then lay down on the floor.
+ The blood slowly waved down the brown skin of his neck while he looked
+ meekly at his comrades.
+ </p>
+ <p>
+ There was a howl. "There they are! There they come!" The rifles crackled.
+ A light smoke drifted idly through the rooms. There was a strong odor as
+ if from burnt paper and the powder of firecrackers. The men were silent.
+ Through the windows and about the house the bullets of an entirely
+ invisible enemy moaned, hummed, spat, burst, and sang.
+ </p>
+ <p>
+ The men began to curse. "Why can't we see them?" they muttered through
+ their teeth. The sergeant was still frigid. He answered soothingly as if
+ he were directly reprehensible for this behavior of the enemy. "Wait a
+ moment. You will soon be able to see them. There! Give it to them!" A
+ little skirt of black figures had appeared in a field. It was really like
+ shooting at an upright needle from the full length of a ballroom. But the
+ men's spirits improved as soon as the enemy&mdash;this mysterious enemy&mdash;became
+ a tangible thing, and far off. They had believed the foe to be shooting at
+ them from the adjacent garden.
+ </p>
+ <p>
+ "Now," said the sergeant ambitiously, "we can beat them off easily if you
+ men are good enough."
+ </p>
+ <p>
+ A man called out in a tone of quick, great interest. "See that fellow on
+ horseback, Bill? Isn't he on horseback? I thought he was on horseback."
+ </p>
+ <p>
+ There was a fusilade against another side of the house. The sergeant
+ dashed into the room which commanded the situation. He found a dead
+ soldier on the floor. He rushed out howling: "When was Knowles killed?
+ When was Knowles killed? When was Knowles killed? Damn it, when was
+ Knowles killed?" It was absolutely essential to find out the exact moment
+ this man died. A blackened private turned upon his sergeant and demanded:
+ "How in hell do I know?" Sergeant Morton had a sense of anger so brief
+ that in the next second he cried: "Patterson!" He had even forgotten his
+ vital interest in the time of Knowles' death.
+ </p>
+ <p>
+ "Yes?" said Patterson, his face set with some deep-rooted quality of
+ determination. Still, he was a mere farm boy.
+ </p>
+ <p>
+ "Go in to Knowles' window and shoot at those people," said the sergeant
+ hoarsely. Afterwards he coughed. Some of the fumes of the fight had made
+ way to his lungs.
+ </p>
+ <p>
+ Patterson looked at the door into this other room. He looked at it as if
+ he suspected it was to be his death-chamber. Then he entered and stood
+ across the body of Knowles and fired vigorously into a group of plum
+ trees.
+ </p>
+ <p>
+ "They can't take this house," declared the sergeant in a contemptuous and
+ argumentative tone. He was apparently replying to somebody. The man who
+ had been shot in the throat looked up at him. Eight men were firing from
+ the windows. The sergeant detected in a corner three wounded men talking
+ together feebly. "Don't you think there is anything to do?" he bawled. "Go
+ and get Knowles' cartridges and give them to somebody who can use them!
+ Take Simpson's too." The man who had been shot in the throat looked at
+ him. Of the three wounded men who had been talking, one said: "My leg is
+ all doubled up under me, sergeant." He spoke apologetically.
+ </p>
+ <p>
+ Meantime the sergeant was re-loading his rifle. His foot slipped in the
+ blood of the man who had been shot in the throat, and the military boot
+ made a greasy red streak on the floor.
+ </p>
+ <p>
+ "Why, we can hold this place!" shouted the sergeant jubilantly. "Who says
+ we can't?"
+ </p>
+ <p>
+ Corporal Flagler suddenly spun away from his window and fell in a heap.
+ </p>
+ <p>
+ "Sergeant," murmured a man as he dropped to a seat on the floor out of
+ danger, "I can't stand this. I swear I can't. I think we should run away."
+ </p>
+ <p>
+ Morton, with the kindly eyes of a good shepherd, looked at the man. "You
+ are afraid, Johnston, you are afraid," he said softly. The man struggled
+ to his feet, cast upon the sergeant a gaze full of admiration, reproach,
+ and despair, and returned to his post. A moment later he pitched forward,
+ and thereafter his body hung out of the window, his arms straight and the
+ fists clenched. Incidentally this corpse was pierced afterwards by chance
+ three times by bullets of the enemy.
+ </p>
+ <p>
+ The sergeant laid his rifle against the stonework of the window-frame and
+ shot with care until his magazine was empty. Behind him a man, simply
+ grazed on the elbow, was wildly sobbing like a girl. "Damn it, shut up!"
+ said Morton, without turning his head. Before him was a vista of a garden,
+ fields, clumps of trees, woods, populated at the time with little fleeting
+ figures.
+ </p>
+ <p>
+ He grew furious. "Why didn't he send me orders?" he cried aloud. The
+ emphasis on the word "he" was impressive. A mile back on the road a
+ galloper of the Hussars lay dead beside his dead horse.
+ </p>
+ <p>
+ The man who had been grazed on the elbow still set up his bleat. Morton's
+ fury veered to this soldier. "Can't you shut up? Can't you shut up? Can't
+ you shut up? Fight! That's the thing to do. Fight!"
+ </p>
+ <p>
+ A bullet struck Morton, and he fell upon the man who had been shot in the
+ throat. There was a sickening moment. Then the sergeant rolled off to a
+ position upon the bloody floor. He turned himself with a last effort until
+ he could look at the wounded who were able to look at him.
+ </p>
+ <p>
+ "Kim up, the Kickers," he said thickly. His arms weakened and he dropped
+ on his face.
+ </p>
+ <p>
+ After an interval a young subaltern of the enemy's infantry, followed by
+ his eager men, burst into this reeking interior. But just over the
+ threshold he halted before the scene of blood and death. He turned with a
+ shrug to his sergeant. "God, I should have estimated them at least one
+ hundred strong."
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ UPTURNED FACE
+ </h2>
+ <p>
+ "What will we do now?" said the adjutant, troubled and excited.
+ </p>
+ <p>
+ "Bury him," said Timothy Lean.
+ </p>
+ <p>
+ The two officers looked down close to their toes where lay the body of
+ their comrade. The face was chalk-blue; gleaming eyes stared at the sky.
+ Over the two upright figures was a windy sound of bullets, and on the top
+ of the hill Lean's prostrate company of Spitzbergen infantry was firing
+ measured volleys.
+ </p>
+ <p>
+ "Don't you think it would be better&mdash;" began the adjutant. "We might
+ leave him until tomorrow."
+ </p>
+ <p>
+ "No," said Lean. "I can't hold that post an hour longer. I've got to fall
+ back, and we've got to bury old Bill."
+ </p>
+ <p>
+ "Of course," said the adjutant, at once. "Your men got intrenching tools?"
+ </p>
+ <p>
+ Lean shouted back to his little line, and two men came slowly, one with a
+ pick, one with a shovel. They started in the direction of the Rostina
+ sharp-shooters. Bullets cracked near their ears. "Dig here," said Lean
+ gruffly. The men, thus caused to lower their glances to the turf, became
+ hurried and frightened merely because they could not look to see whence
+ the bullets came. The dull beat of the pick striking the earth sounded
+ amid the swift snap of close bullets. Presently the other private began to
+ shovel.
+ </p>
+ <p>
+ "I suppose," said the adjutant, slowly, "we'd better search his clothes
+ for&mdash;things."
+ </p>
+ <p>
+ Lean nodded. Together in curious abstraction they looked at the body. Then
+ Lean stirred his shoulders suddenly, arousing himself.
+ </p>
+ <p>
+ "Yes," he said, "we'd better see what he's got." He dropped to his knees,
+ and his hands approached the body of the dead officer. But his hands
+ wavered over the buttons of the tunic. The first button was brick-red with
+ drying blood, and he did not seem to dare touch it.
+ </p>
+ <p>
+ "Go on," said the adjutant, hoarsely.
+ </p>
+ <p>
+ Lean stretched his wooden hand, and his fingers fumbled the blood-stained
+ buttons. At last he rose with ghastly face. He had gathered a watch, a
+ whistle, a pipe, a tobacco pouch, a handkerchief, a little case of cards
+ and papers. He looked at the adjutant. There was a silence. The adjutant
+ was feeling that he had been a coward to make Lean do all the grisly
+ business.
+ </p>
+ <p>
+ "Well," said Lean, "that's all, I think. You have his sword and revolver?"
+ </p>
+ <p>
+ "Yes," said the adjutant, his face working, and then he burst out in a
+ sudden strange fury at the two privates. "Why don't you hurry up with that
+ grave? What are you doing, anyhow? Hurry, do you hear? I never saw such
+ stupid&mdash;"
+ </p>
+ <p>
+ Even as he cried out in his passion the two men were laboring for their
+ lives. Ever overhead the bullets were spitting.
+ </p>
+ <p>
+ The grave was finished, It was not a masterpiece&mdash;a poor little
+ shallow thing. Lean and the adjutant again looked at each other in a
+ curious silent communication.
+ </p>
+ <p>
+ Suddenly the adjutant croaked out a weird laugh. It was a terrible laugh,
+ which had its origin in that part of the mind which is first moved by the
+ singing of the nerves. "Well," he said, humorously to Lean, "I suppose we
+ had best tumble him in."
+ </p>
+ <p>
+ "Yes," said Lean. The two privates stood waiting, bent over their
+ implements. "I suppose," said Lean, "it would be better if we laid him in
+ ourselves."
+ </p>
+ <p>
+ "Yes," said the adjutant. Then apparently remembering that he had made
+ Lean search the body, he stooped with great fortitude and took hold of the
+ dead officer's clothing. Lean joined him. Both were particular that their
+ fingers should not feel the corpse. They tugged away; the corpse lifted,
+ heaved, toppled, flopped into the grave, and the two officers,
+ straightening, looked again at each other&mdash;they were always looking
+ at each other. They sighed with relief.
+ </p>
+ <p>
+ The adjutant said, "I suppose we should&mdash;we should say something. Do
+ you know the service, Tim?"
+ </p>
+ <p>
+ "They don't read the service until the grave is filled in," said Lean,
+ pressing his lips to an academic expression.
+ </p>
+ <p>
+ "Don't they?" said the adjutant, shocked that he had made the mistake.
+ </p>
+ <p>
+ "Oh, well," he cried, suddenly, "let us&mdash;let us say something&mdash;while
+ he can hear us."
+ </p>
+ <p>
+ "All right," said Lean. "Do you know the service?"
+ </p>
+ <p>
+ "I can't remember a line of it," said the adjutant.
+ </p>
+ <p>
+ Lean was extremely dubious. "I can repeat two lines, but&mdash;"
+ </p>
+ <p>
+ "Well, do it," said the adjutant. "Go as far as you can. That's better
+ than nothing. And the beasts have got our range exactly."
+ </p>
+ <p>
+ Lean looked at his two men. "Attention," he barked. The privates came to
+ attention with a click, looking much aggrieved. The adjutant lowered his
+ helmet to his knee. Lean, bareheaded, he stood over the grave. The Rostina
+ sharpshooters fired briskly.
+ </p>
+ <p>
+ "Oh, Father, our friend has sunk in the deep waters of death, but his
+ spirit has leaped toward Thee as the bubble arises from the lips of the
+ drowning. Perceive, we beseech, O Father, the little flying bubble, and&mdash;".
+ </p>
+ <p>
+ Lean, although husky and ashamed, had suffered no hesitation up to this
+ point, but he stopped with a hopeless feeling and looked at the corpse.
+ </p>
+ <p>
+ The adjutant moved uneasily. "And from Thy superb heights&mdash;" he
+ began, and then he too came to an end.
+ </p>
+ <p>
+ "And from Thy superb heights," said Lean.
+ </p>
+ <p>
+ The adjutant suddenly remembered a phrase in the back part of the
+ Spitzbergen burial service, and he exploited it with the triumphant manner
+ of a man who has recalled everything, and can go on.
+ </p>
+ <p>
+ "Oh, God, have mercy&mdash;"
+ </p>
+ <p>
+ "Oh, God, have mercy&mdash;" said Lean.
+ </p>
+ <p>
+ "Mercy," repeated the adjutant, in quick failure.
+ </p>
+ <p>
+ "Mercy," said Lean. And then he was moved by some violence of feeling, for
+ he turned suddenly upon his two men and tigerishly said, "Throw the dirt
+ in."
+ </p>
+ <p>
+ The fire of the Rostina sharpshooters was accurate and continuous.
+ </p>
+ <hr />
+ <p>
+ One of the aggrieved privates came forward with his shovel. He lifted his
+ first shovel-load of earth, and for a moment of inexplicable hesitation it
+ was held poised above this corpse, which from its chalk-blue face looked
+ keenly out from the grave. Then the soldier emptied his shovel on&mdash;on
+ the feet.
+ </p>
+ <p>
+ Timothy Lean felt as if tons had been swiftly lifted from off his
+ forehead. He had felt that perhaps the private might empty the shovel on&mdash;on
+ the face. It had been emptied on the feet. There was a great point gained
+ there&mdash;ha, ha!&mdash;the first shovelful had been emptied on the
+ feet. How satisfactory!
+ </p>
+ <p>
+ The adjutant began to babble. "Well, of course&mdash;a man we've messed
+ with all these years&mdash;impossible&mdash;you can't, you know, leave
+ your intimate friends rotting on the field. Go on, for God's sake, and
+ shovel, you!"
+ </p>
+ <p>
+ The man with the shovel suddenly ducked, grabbed his left arm with his
+ right hand, and looked at his officer for orders. Lean picked the shovel
+ from the ground. "Go to the rear," he said to the wounded man. He also
+ addressed the other private. "You get under cover, too; I'll finish this
+ business."
+ </p>
+ <p>
+ The wounded man scrambled hard still for the top of the ridge without
+ devoting any glances to the direction whence the bullets came, and the
+ other man followed at an equal pace; but he was different, in that he
+ looked back anxiously three times.
+ </p>
+ <p>
+ This is merely the way&mdash;often&mdash;of the hit and unhit.
+ </p>
+ <p>
+ Timothy Lean filled the shovel, hesitated, and then in a movement which
+ was like a gesture of abhorrence he flung the dirt into the grave, and as
+ it landed it made a sound&mdash;plop! Lean suddenly stopped and mopped his
+ brow&mdash;a tired laborer.
+ </p>
+ <p>
+ "Perhaps we have been wrong," said the adjutant. His glance wavered
+ stupidly. "It might have been better if we hadn't buried him just at this
+ time. Of course, if we advance to-morrow the body would have been&mdash;"
+ </p>
+ <p>
+ "Damn you," said Lean, "shut your mouth!" He was not the senior officer.
+ </p>
+ <p>
+ He again filled the shovel and flung the earth. Always the earth made that
+ sound&mdash;plop! For a space Lean worked frantically, like a man digging
+ himself out of danger.
+ </p>
+ <p>
+ Soon there was nothing to be seen but the chalk-blue face. Lean filled the
+ shovel. "Good God," he cried to the adjutant. "Why didn't you turn him
+ somehow when you put him in? This&mdash;" Then Lean began to stutter.
+ </p>
+ <p>
+ The adjutant understood. He was pale to the lips. "Go on, man," he cried,
+ beseechingly, almost in a shout. Lean swung back the shovel. It went
+ forward in a pendulum curve. When the earth landed it made a sound&mdash;plop!
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0013" id="link2H_4_0013"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ AN EPISODE OF WAR
+ </h2>
+ <p>
+ The lieutenant's rubber blanket lay on the ground, and upon it he had
+ poured the company's supply of coffee. Corporals and other representatives
+ of the grimy and hot-throated men who lined the breastwork had come for
+ each squad's portion.
+ </p>
+ <p>
+ The lieutenant was frowning and serious at this task of division. His lips
+ pursed as he drew with his sword various crevices in the heap until brown
+ squares of coffee, astoundingly equal in size, appeared on the blanket. He
+ was on the verge of a great triumph in mathematics, and the corporals were
+ thronging forward, each to reap a little square, when suddenly the
+ lieutenant cried out and looked quickly at a man near him as if he
+ suspected it was a case of personal assault. The others cried out also
+ when they saw blood upon the lieutenant's sleeve.
+ </p>
+ <p>
+ He had winced like a man stung, swayed dangerously, and then straightened.
+ The sound of his hoarse breathing was plainly audible. He looked sadly,
+ mystically, over the breastwork at the green face of a wood, where now
+ were many little puffs of white smoke. During this moment the men about
+ him gazed statue-like and silent, astonished and awed by this catastrophe
+ which happened when catastrophes were not expected&mdash;when they had
+ leisure to observe it.
+ </p>
+ <p>
+ As the lieutenant stared at the wood, they too swung their heads, so that
+ for another instant all hands, still silent, contemplated the distant
+ forest as if their minds were fixed upon the mystery of a bullet's
+ journey.
+ </p>
+ <p>
+ The officer had, of course, been compelled to take his sword into his left
+ hand. He did not hold it by the hilt. He gripped it at the middle of the
+ blade, awkwardly. Turning his eyes from the hostile wood, he looked at the
+ sword as he held it there, and seemed puzzled as to what to do with it,
+ where to put it. In short, this weapon had of a sudden become a strange
+ thing to him. He looked at it in a kind of stupefaction, as if he had been
+ endowed with a trident, a sceptre, or a spade.
+ </p>
+ <p>
+ Finally he tried to sheath it. To sheath a sword held by the left hand, at
+ the middle of the blade, in a scabbard hung at the left hip, is a feat
+ worthy of a sawdust ring. This wounded officer engaged in a desperate
+ struggle with the sword and the wobbling scabbard, and during the time of
+ it he breathed like a wrestler.
+ </p>
+ <p>
+ But at this instant the men, the spectators, awoke from their stone-like
+ poses and crowded forward sympathetically. The orderly-sergeant took the
+ sword and tenderly placed it in the scabbard. At the time, he leaned
+ nervously backward, and did not allow even his finger to brush the body of
+ the lieutenant. A wound gives strange dignity to him who bears it. Well
+ men shy from this new and terrible majesty. It is as if the wounded man's
+ hand is upon the curtain which hangs before the revelations of all
+ existence&mdash;the meaning of ants, potentates, wars, cities, sunshine,
+ snow, a feather dropped from a bird's wing; and the power of it sheds
+ radiance upon a bloody form, and makes the other men understand sometimes
+ that they are little. His comrades look at him with large eyes
+ thoughtfully. Moreover, they fear vaguely that the weight of a finger upon
+ him might send him headlong, precipitate the tragedy, hurl him at once
+ into the dim, grey unknown. And so the orderly-sergeant, while sheathing
+ the sword, leaned nervously backward.
+ </p>
+ <p>
+ There were others who proffered assistance. One timidly presented his
+ shoulder and asked the lieutenant if he cared to lean upon it, but the
+ latter waved him away mournfully. He wore the look of one who knows he is
+ the victim of a terrible disease and understands his helplessness. He
+ again stared over the breastwork at the forest, and then turning went
+ slowly rearward. He held his right wrist tenderly in his left hand as if
+ the wounded arm was made of very brittle glass.
+ </p>
+ <p>
+ And the men in silence stared at the wood, then at the departing
+ lieutenant&mdash;then at the wood, then at the lieutenant.
+ </p>
+ <p>
+ As the wounded officer passed from the line of battle, he was enabled to
+ see many things which as a participant in the fight were unknown to him.
+ He saw a general on a black horse gazing over the lines of blue infantry
+ at the green woods which veiled his problems. An aide galloped furiously,
+ dragged his horse suddenly to a halt, saluted, and presented a paper. It
+ was, for a wonder, precisely like an historical painting.
+ </p>
+ <p>
+ To the rear of the general and his staff a group, composed of a bugler,
+ two or three orderlies, and the bearer of the corps standard, all upon
+ maniacal horses, were working like slaves to hold their ground, preserve,
+ their respectful interval, while the shells boomed in the air about them,
+ and caused their chargers to make furious quivering leaps.
+ </p>
+ <p>
+ A battery, a tumultuous and shining mass, was swirling toward the right.
+ The wild thud of hoofs, the cries of the riders shouting blame and praise,
+ menace and encouragement, and, last the roar of the wheels, the slant of
+ the glistening guns, brought the lieutenant to an intent pause. The
+ battery swept in curves that stirred the heart; it made halts as dramatic
+ as the crash of a wave on the rocks, and when it fled onward, this
+ aggregation of wheels, levers, motors, had a beautiful unity, as if it
+ were a missile. The sound of it was a war-chorus that reached into the
+ depths of man's emotion.
+ </p>
+ <p>
+ The lieutenant, still holding his arm as if it were of glass, stood
+ watching this battery until all detail of it was lost, save the figures of
+ the riders, which rose and fell and waved lashes over the black mass.
+ </p>
+ <p>
+ Later, he turned his eyes toward the battle where the shooting sometimes
+ crackled like bush-fires, sometimes sputtered with exasperating
+ irregularity, and sometimes reverberated like the thunder. He saw the
+ smoke rolling upward and saw crowds of men who ran and cheered, or stood
+ and blazed away at the inscrutable distance.
+ </p>
+ <p>
+ He came upon some stragglers, and they told him how to find the field
+ hospital. They described its exact location. In fact, these men, no longer
+ having part in the battle, knew more of it than others. They told the
+ performance of every corps, every division, the opinion of every general.
+ The lieutenant, carrying his wounded arm rearward, looked upon them with
+ wonder.
+ </p>
+ <p>
+ At the roadside a brigade was making coffee and buzzing with talk like a
+ girls' boarding-school. Several officers came out to him and inquired
+ concerning things of which he knew nothing. One, seeing his arm, began to
+ scold. "Why, man, that's no way to do. You want to fix that thing." He
+ appropriated the lieutenant and the lieutenant's wound. He cut the sleeve
+ and laid bare the arm, every nerve of which softly fluttered under his
+ touch. He bound his handkerchief over the wound, scolding away in the
+ meantime. His tone allowed one to think that he was in the habit of being
+ wounded every day. The lieutenant hung his head, feeling, in this
+ presence, that he did not know how to be correctly wounded.
+ </p>
+ <p>
+ The low white tents of the hospital were grouped around an old
+ school-house. There was here a singular commotion. In the foreground two
+ ambulances interlocked wheels in the deep mud. The drivers were tossing
+ the blame of it back and forth, gesticulating and berating, while from the
+ ambulances, both crammed with wounded, there came an occasional groan. An
+ interminable crowd of bandaged men were coming and going. Great numbers
+ sat under the trees nursing heads or arms or legs. There was a dispute of
+ some kind raging on the steps of the school-house. Sitting with his back
+ against a tree a man with a face as grey as a new army blanket was
+ serenely smoking a corn-cob pipe. The lieutenant wished to rush forward
+ and inform him that he was dying.
+ </p>
+ <p>
+ A busy surgeon was passing near the lieutenant. "Good-morning," he said,
+ with a friendly smile. Then he caught sight of the lieutenant's arm and
+ his face at once changed. "Well, let's have a look at it." He seemed
+ possessed suddenly of a great contempt for the lieutenant. This wound
+ evidently placed the latter on a very low social plane. The doctor cried
+ out impatiently, "What mutton-head had tied it up that way anyhow?" The
+ lieutenant answered, "Oh, a man."
+ </p>
+ <p>
+ When the wound was disclosed the doctor fingered it disdainfully. "Humph,"
+ he said. "You come along with me and I'll 'tend to you." His voice
+ contained the same scorn as if he were saying, "You will have to go to
+ jail."
+ </p>
+ <p>
+ The lieutenant had been very meek, but now his face flushed, and he looked
+ into the doctor's eyes. "I guess I won't have it amputated," he said.
+ </p>
+ <p>
+ "Nonsense, man! Nonsense! Nonsense!" cried the doctor. "Come along, now. I
+ won't amputate it. Come along. Don't be a baby."
+ </p>
+ <p>
+ "Let go of me," said the lieutenant, holding back wrathfully, his glance
+ fixed upon the door of the old school-house, as sinister to him as the
+ portals of death.
+ </p>
+ <p>
+ And this is the story of how the lieutenant lost his arm. When he reached
+ home, his sisters, his mother, his wife sobbed for a long time at the
+ sight of the flat sleeve. "Oh, well," he said, standing shamefaced amid
+ these tears, "I don't suppose it matters so much as all that."
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0014" id="link2H_4_0014"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ AN EXPERIMENT IN MISERY
+ </h2>
+ <p>
+ It was late at night, and a fine rain was swirling softly down, causing
+ the pavements to glisten with hue of steel and blue and yellow in the rays
+ of the innumerable lights. A youth was trudging slowly, without
+ enthusiasm, with his hands buried deep in his trousers' pockets, toward
+ the downtown places where beds can be hired for coppers. He was clothed in
+ an aged and tattered suit, and his derby was a marvel of dust-covered
+ crown and torn rim. He was going forth to eat as the wanderer may eat, and
+ sleep as the homeless sleep. By the time he had reached City Hall Park he
+ was so completely plastered with yells of "bum" and "hobo," and with
+ various unholy epithets that small boys had applied to him at intervals,
+ that he was in a state of the most profound dejection. The sifting rain
+ saturated the old velvet collar of his overcoat, and as the wet cloth
+ pressed against his neck, he felt that there no longer could be pleasure
+ in life. He looked about him searching for an outcast of highest degree
+ that they too might share miseries, but the lights threw a quivering glare
+ over rows and circles of deserted benches that glistened damply, showing
+ patches of wet sod behind them. It seemed that their usual freights had
+ fled on this night to better things. There were only squads of
+ well-dressed Brooklyn people who swarmed towards the bridge.
+ </p>
+ <p>
+ The young man loitered about for a time and then went shuffling off down
+ Park Row. In the sudden descent in style of the dress of the crowd he felt
+ relief, and as if he were at last in his own country. He began to see
+ tatters that matched his tatters. In Chatham Square there were aimless men
+ strewn in front of saloons and lodging-houses, standing sadly, patiently,
+ reminding one vaguely of the attitudes of chickens in a storm. He aligned
+ himself with these men, and turned slowly to occupy himself with the
+ flowing life of the great street.
+ </p>
+ <p>
+ Through the mists of the cold and storming night, the cable cars went in
+ silent procession, great affairs shining with red and brass, moving with
+ formidable power, calm and irresistible, dangerful and gloomy, breaking
+ silence only by the loud fierce cry of the gong. Two rivers of people
+ swarmed along the sidewalks, spattered with black mud, which made each
+ shoe leave a scarlike impression. Overhead elevated trains with a shrill
+ grinding of the wheels stopped at the station, which upon its leglike
+ pillars seemed to resemble some monstrous kind of crab squatting over the
+ street. The quick fat puffings of the engines could be heard. Down an
+ alley there were somber curtains of purple and black, on which street
+ lamps dully glittered like embroidered flowers.
+ </p>
+ <p>
+ A saloon stood with a voracious air on a corner. A sign leaning against
+ the front of the door-post announced "Free hot soup to-night!" The swing
+ doors, snapping to and fro like ravenous lips, made gratified smacks as
+ the saloon gorged itself with plump men, eating with astounding and
+ endless appetite, smiling in some indescribable manner as the men came
+ from all directions like sacrifices to a heathenish superstition.
+ </p>
+ <p>
+ Caught by the delectable sign the young man allowed himself to be
+ swallowed. A bartender placed a schooner of dark and portentous beer on
+ the bar. Its monumental form upreared until the froth a-top was above the
+ crown of the young man's brown derby.
+ </p>
+ <p>
+ "Soup over there, gents," said the bartender affably. A little yellow man
+ in rags and the youth grasped their schooners and went with speed toward a
+ lunch counter, where a man with oily but imposing whiskers ladled genially
+ from a kettle until he had furnished his two mendicants with a soup that
+ was steaming hot, and in which there were little floating suggestions of
+ chicken. The young man, sipping his broth, felt the cordiality expressed
+ by the warmth of the mixture, and he beamed at the man with oily but
+ imposing whiskers, who was presiding like a priest behind an altar. "Have
+ some more, gents?" he inquired of the two sorry figures before him. The
+ little yellow man accepted with a swift gesture, but the youth shook his
+ head and went out, following a man whose wondrous seediness promised that
+ he would have a knowledge of cheap lodging-houses.
+ </p>
+ <p>
+ On the sidewalk he accosted the seedy man. "Say, do you know a cheap place
+ to sleep?"
+ </p>
+ <p>
+ The other hesitated for a time, gazing sideways. Finally he nodded in the
+ direction of the street, "I sleep up there," he said, "when I've got the
+ price."
+ </p>
+ <p>
+ "How much?"
+ </p>
+<pre xml:space="preserve">
+"Ten cents."
+ The young man shook his head dolefully. "That's too rich for me."
+</pre>
+ <p>
+ At that moment there approached the two a reeling man in strange garments.
+ His head was a fuddle of bushy hair and whiskers, from which his eyes
+ peered with a guilty slant. In a close scrutiny it was possible to
+ distinguish the cruel lines of a mouth which looked as if its lips had
+ just closed with satisfaction over some tender and piteous morsel. He
+ appeared like an assassin steeped in crimes performed awkwardly.
+ </p>
+ <p>
+ But at this time his voice was tuned to the coaxing key of an affectionate
+ puppy. He looked at the men with wheedling eyes, and began to sing a
+ little melody for charity.
+ </p>
+ <p>
+ "Say, gents, can't yeh give a poor feller a couple of cents t' git a bed?
+ I got five, and I gits anudder two I gits me a bed. Now, on th' square,
+ gents, can't yeh jest gimme two cents t' git a bed? Now, yeh know how a
+ respecter'ble gentlem'n feels when he's down on his luck, an' I&mdash;"
+ </p>
+ <p>
+ The seedy man, staring with imperturbable countenance at a train which
+ clattered overhead, interrupted in an expressionless voice&mdash;"Ah, go
+ t' h&mdash;&mdash;!"
+ </p>
+ <p>
+ But the youth spoke to the prayerful assassin in tones of astonishment and
+ inquiry. "Say, you must be crazy! Why don't yeh strike somebody that looks
+ as if they had money?"
+ </p>
+ <p>
+ The assassin, tottering about on his uncertain legs, and at intervals
+ brushing imaginary obstacles from before his nose, entered into a long
+ explanation of the psychology of the situation. It was so profound that it
+ was unintelligible.
+ </p>
+ <p>
+ When he had exhausted the subject, the young man said to him:
+ </p>
+ <p>
+ "Let's see th' five cents."
+ </p>
+ <p>
+ The assassin wore an expression of drunken woe at this sentence, filled
+ with suspicion of him. With a deeply pained air he began to fumble in his
+ clothing, his red hands trembling. Presently he announced in a voice of
+ bitter grief, as if he had been betrayed&mdash;"There's on'y four."
+ </p>
+ <p>
+ "Four," said the young man thoughtfully. "Well, look here, I'm a stranger
+ here, an' if ye'll steer me to your cheap joint I'll find the other
+ three."
+ </p>
+ <p>
+ The assassin's countenance became instantly radiant with joy. His whiskers
+ quivered with the wealth of his alleged emotions. He seized the young
+ man's hand in a transport of delight and friendliness.
+ </p>
+ <p>
+ "B' Gawd," he cried, "if ye'll do that, b' Gawd, I'd say yeh was a damned
+ good fellow, I would, an' I'd remember yeh all m' life, I would, b' Gawd,
+ an' if I ever got a chance I'd return the compliment"&mdash;he spoke with
+ drunken dignity&mdash;"b' Gawd, I'd treat yeh white, I would, an' I'd
+ allus remember yeh."
+ </p>
+ <p>
+ The young man drew back, looking at the assassin coldly. "Oh, that's all
+ right," he said. "You show me th' joint&mdash;that's all you've got t'
+ do."
+ </p>
+ <p>
+ The assassin, gesticulating gratitude, led the young man along a dark
+ street. Finally he stopped before a little dusty door. He raised his hand
+ impressively. "Look-a-here," he said, and there was a thrill of deep and
+ ancient wisdom upon his face, "I've brought yeh here, an' that's my part,
+ ain't it? If th' place don't suit yeh, yeh needn't git mad at me, need
+ yeh? There won't be no bad feelin', will there?"
+ </p>
+ <p>
+ "No," said the young man.
+ </p>
+ <p>
+ The assassin waved his arm tragically, and led the march up the steep
+ stairway. On the way the young man furnished the assassin with three
+ pennies. At the top a man with benevolent spectacles looked at them
+ through a hole in a board. He collected their money, wrote some names on a
+ register, and speedily was leading the two men along a gloom-shrouded
+ corridor.
+ </p>
+ <p>
+ Shortly after the beginning of this journey the young man felt his liver
+ turn white, for from the dark and secret places of the building there
+ suddenly came to his nostrils strange and unspeakable odors, that assailed
+ him like malignant diseases with wings. They seemed to be from human
+ bodies closely packed in dens; the exhalations from a hundred pairs of
+ reeking lips; the fumes from a thousand bygone debauches; the expression
+ of a thousand present miseries.
+ </p>
+ <p>
+ A man, naked save for a little snuff-colored undershirt, was parading
+ sleepily along the corridor. He rubbed his eyes, and, giving vent to a
+ prodigious yawn, demanded to be told the time.
+ </p>
+ <p>
+ "Half-past one."
+ </p>
+ <p>
+ The man yawned again. He opened a door, and for a moment his form was
+ outlined against a black, opaque interior. To this door came the three
+ men, and as it was again opened the unholy odors rushed out like fiends,
+ so that the young man was obliged to struggle as against an overpowering
+ wind.
+ </p>
+ <p>
+ It was some time before the youth's eyes were good in the intense gloom
+ within, but the man with benevolent spectacles led him skilfully, pausing
+ but a moment to deposit the limp assassin upon a cot. He took the youth to
+ a cot that lay tranquilly by the window, and showing him a tall locker for
+ clothes that stood near the head with the ominous air of a tombstone, left
+ him.
+ </p>
+ <p>
+ The youth sat on his cot and peered about him. There was a gas-jet in a
+ distant part of the room, that burned a small flickering orange-hued
+ flame. It caused vast masses of tumbled shadows in all parts of the place,
+ save where, immediately about it, there was a little grey haze. As the
+ young man's eyes became used to the darkness, he could see upon the cots
+ that thickly littered the floor the forms of men sprawled out, lying in
+ deathlike silence, or heaving and snoring with tremendous effort, like
+ stabbed fish.
+ </p>
+ <p>
+ The youth locked his derby and his shoes in the mummy case near him, and
+ then lay down with an old and familiar coat around his shoulders. A
+ blanket he handed gingerly, drawing it over part of the coat. The cot was
+ covered with leather, and as cold as melting snow. The youth was obliged
+ to shiver for some time on this affair, which was like a slab. Presently,
+ however, his chill gave him peace, and during this period of leisure from
+ it he turned his head to stare at his friend the assassin, whom he could
+ dimly discern where he lay sprawled on a cot in the abandon of a man
+ filled with drink. He was snoring with incredible vigor. His wet hair and
+ beard dimly glistened, and his inflamed nose shone with subdued lustre
+ like a red light in a fog.
+ </p>
+ <p>
+ Within reach of the youth's hand was one who lay with yellow breast and
+ shoulders bare to the cold drafts. One arm hung over the side of the cot,
+ and the fingers lay full length upon the wet cement floor of the room.
+ Beneath the inky brows could be seen the eyes of the man exposed by the
+ partly opened lids. To the youth it seemed that he and this corpse-like
+ being were exchanging a prolonged stare, and that the other threatened
+ with his eyes. He drew back, watching his neighbor from the shadows of his
+ blanket edge. The man did not move once through the night, but lay in this
+ stillness as of death like a body stretched out expectant of the surgeon's
+ knife.
+ </p>
+ <p>
+ And all through the room could be seen the tawny hues of naked flesh,
+ limbs thrust into the darkness, projecting beyond the cots; upreared
+ knees, arms hanging long and thin over the cot edges. For the most part
+ they were statuesque, carven, dead. With the curious lockers standing all
+ about like tombstones, there was a strange effect of a graveyard where
+ bodies were merely flung.
+ </p>
+ <p>
+ Yet occasionally could be seen limbs wildly tossing in fantastic nightmare
+ gestures, accompanied by guttural cries, grunts, oaths. And there was one
+ fellow off in a gloomy corner, who in his dreams was oppressed by some
+ frightful calamity, for of a sudden he began to utter long wails that went
+ almost like yells from a hound, echoing wailfully and weird through this
+ chill place of tombstones where men lay like the dead.
+ </p>
+ <p>
+ The sound in its high piercing beginnings, that dwindled to final
+ melancholy moans, expressed a red and grim tragedy of the unfathomable
+ possibilities of the man's dreams. But to the youth these were not merely
+ the shrieks of a vision-pierced man: they were an utterance of the meaning
+ of the room and its occupants. It was to him the protest of the wretch who
+ feels the touch of the imperturbable granite wheels, and who then cries
+ with an impersonal eloquence, with a strength not from him, giving voice
+ to the wail of a whole section, a class, a people. This, weaving into the
+ young man's brain, and mingling with his views of the vast and sombre
+ shadows that, like mighty black fingers, curled around the naked bodies,
+ made the young man so that he did not sleep, but lay carving the
+ biographies for these men from his meagre experience. At times the fellow
+ in the corner howled in a writhing agony of his imaginations.
+ </p>
+ <p>
+ Finally a long lance-point of grey light shot through the dusty panes of
+ the window. Without, the young man could see roofs drearily white in the
+ dawning. The point of light yellowed and grew brighter, until the golden
+ rays of the morning sun came in bravely and strong. They touched with
+ radiant color the form of a small fat man, who snored in stuttering
+ fashion. His round and shiny bald head glowed suddenly with the valor of a
+ decoration. He sat up, blinked at the sun, swore fretfully, and pulled his
+ blanket over the ornamental splendors of his head.
+ </p>
+ <p>
+ The youth contentedly watched this rout of the shadows before the bright
+ spears of the sun, and presently he slumbered. When he awoke he heard the
+ voice of the assassin raised in valiant curses. Putting up his head, he
+ perceived his comrade seated on the side of the cot engaged in scratching
+ his neck with long finger-nails that rasped like files.
+ </p>
+ <p>
+ "Hully Jee, dis is a new breed. They've got can-openers on their feet." He
+ continued in a violent tirade.
+ </p>
+ <p>
+ The young man hastily unlocked his closet and took out his shoes and hat.
+ As he sat on the side of the cot lacing his shoes, he glanced about and
+ saw that daylight had made the room comparatively commonplace and
+ uninteresting. The men, whose faces seemed stolid, serene or absent, were
+ engaged in dressing, while a great crackle of bantering conversation
+ arose.
+ </p>
+ <p>
+ A few were parading in unconcerned nakedness. Here and there were men of
+ brawn, whose skins shone clear and ruddy. They took splendid poses,
+ standing massively like chiefs. When they had dressed in their ungainly
+ garments there was an extraordinary change. They then showed bumps and
+ deficiencies of all kinds.
+ </p>
+ <p>
+ There were others who exhibited many deformities. Shoulders were slanting,
+ humped, pulled this way and pulled that way. And notable among these
+ latter men was the little fat man who had refused to allow his head to be
+ glorified. His pudgy form, builded like a pear, bustled to and fro, while
+ he swore in fishwife fashion. It appeared that some article of his apparel
+ had vanished.
+ </p>
+ <p>
+ The young man attired speedily, and went to his friend the assassin. At
+ first the latter looked dazed at the sight of the youth. This face seemed
+ to be appealing to him through the cloud wastes of his memory. He
+ scratched his neck and reflected. At last he grinned, a broad smile
+ gradually spreading until his countenance was a round illumination.
+ "Hello, Willie," he cried cheerily.
+ </p>
+ <p>
+ "Hello," said the young man. "Are yeh ready t' fly?"
+ </p>
+ <p>
+ "Sure." The assassin tied his shoe carefully with some twine and came
+ ambling.
+ </p>
+ <p>
+ When he reached the street the young man experienced no sudden relief from
+ unholy atmospheres. He had forgotten all about them, and had been
+ breathing naturally, and with no sensation of discomfort or distress.
+ </p>
+ <p>
+ He was thinking of these things as he walked along the street, when he was
+ suddenly startled by feeling the assassin's hand, trembling with
+ excitement, clutching his arm, and when the assassin spoke, his voice went
+ into quavers from a supreme agitation.
+ </p>
+ <p>
+ "I'll be hully, bloomin' blowed if there wasn't a feller with a nightshirt
+ on up there in that joint."
+ </p>
+ <p>
+ The youth was bewildered for a moment, but presently he turned to smile
+ indulgently at the assassin's humor.
+ </p>
+ <p>
+ "Oh, you're a d&mdash;d liar," he merely said.
+ </p>
+ <p>
+ Whereupon the assassin began to gesture extravagantly, and take oath by
+ strange gods. He frantically placed himself at the mercy of remarkable
+ fates if his tale were not true.
+ </p>
+ <p>
+ "Yes, he did! I cross m' heart thousan' times!" he protested, and at the
+ moment his eyes were large with amazement, his mouth wrinkled in unnatural
+ glee.
+ </p>
+ <p>
+ "Yessir! A nightshirt! A hully white nightshirt!"
+ </p>
+ <p>
+ "You lie!"
+ </p>
+ <p>
+ "No, sir! I hope ter die b'fore I kin git anudder ball if there wasn't a
+ jay wid a hully, bloomin' white nightshirt!"
+ </p>
+ <p>
+ His face was filled with the infinite wonder of it. "A hully white
+ nightshirt," he continually repeated.
+ </p>
+ <p>
+ The young man saw the dark entrance to a basement restaurant. There was a
+ sign which read "No mystery about our hash"! and there were other
+ age-stained and world-battered legends which told him that the place was
+ within his means. He stopped before it and spoke to the assassin. "I guess
+ I'll git somethin' t' eat."
+ </p>
+ <p>
+ At this the assassin, for some reason, appeared to be quite embarrassed.
+ He gazed at the seductive front of the eating place for a moment. Then he
+ started slowly up the street. "Well, good-bye, Willie," he said bravely.
+ </p>
+ <p>
+ For an instant the youth studied the departing figure. Then he called out,
+ "Hol' on a minnet." As they came together he spoke in a certain fierce
+ way, as if he feared that the other would think him to be charitable.
+ "Look-a-here, if yeh wanta git some breakfas' I'll lend yeh three cents t'
+ do it with. But say, look-a-here, you've gota git out an' hustle. I ain't
+ goin' t' support yeh, or I'll go broke b'fore night. I ain't no
+ millionaire."
+ </p>
+ <p>
+ "I take me oath, Willie," said the assassin earnestly, "th' on'y thing I
+ really needs is a ball. Me t'roat feels like a fryin'-pan. But as I can't
+ get a ball, why, th' next bes' thing is breakfast, an' if yeh do that for
+ me, b'Gawd, I say yeh was th' whitest lad I ever see."
+ </p>
+ <p>
+ They spent a few moments in dexterous exchanges of phrases, in which they
+ each protested that the other was, as the assassin had originally said, "a
+ respecter'ble gentlem'n." And they concluded with mutual assurances that
+ they were the souls of intelligence and virtue. Then they went into the
+ restaurant.
+ </p>
+ <p>
+ There was a long counter, dimly lighted from hidden sources. Two or three
+ men in soiled white aprons rushed here and there.
+ </p>
+ <p>
+ The youth bought a bowl of coffee for two cents and a roll for one cent.
+ The assassin purchased the same. The bowls were webbed with brown seams,
+ and the tin spoons wore an air of having emerged from the first pyramid.
+ Upon them were black mosslike encrustations of age, and they were bent and
+ scarred from the attacks of long-forgotten teeth. But over their repast
+ the wanderers waxed warm and mellow. The assassin grew affable as the hot
+ mixture went soothingly down his parched throat, and the young man felt
+ courage flow in his veins.
+ </p>
+ <p>
+ Memories began to throng in on the assassin, and he brought forth long
+ tales, intricate, incoherent, delivered with a chattering swiftness as
+ from an old woman. "&mdash;great job out'n Orange. Boss keep yeh hustlin'
+ though all time. I was there three days, and then I went an' ask 'im t'
+ lend me a dollar. 'G-g-go ter the devil,' he ses, an' I lose me job."
+ </p>
+ <p>
+ "South no good. Damn niggers work for twenty-five an' thirty cents a day.
+ Run white man out. Good grub, though. Easy livin'."
+ </p>
+ <p>
+ "Yas; useter work little in Toledo, raftin' logs. Make two or three
+ dollars er day in the spring. Lived high. Cold as ice, though, in the
+ winter."
+ </p>
+ <p>
+ "I was raised in northern N'York. O-a-ah, yeh jest oughto live there. No
+ beer ner whisky, though, way off in the woods. But all th' good hot grub
+ yeh can eat. B'Gawd, I hung around there long as I could till th' ol' man
+ fired me. 'Git t' hell outa here, yeh wuthless skunk, git t' hell outa
+ here, an' go die,' he ses. 'You're a hell of a father,' I ses, 'you are,'
+ an' I quit 'im."
+ </p>
+ <p>
+ As they were passing from the dim eating place, they encountered an old
+ man who was trying to steal forth with a tiny package of food, but a tall
+ man with an indomitable moustache stood dragon fashion, barring the way of
+ escape. They heard the old man raise a plaintive protest. "Ah, you always
+ want to know what I take out, and you never see that I usually bring a
+ package in here from my place of business."
+ </p>
+ <p>
+ As the wanderers trudged slowly along Park Row, the assassin began to
+ expand and grow blithe. "B'Gawd, we've been livin' like kings," he said,
+ smacking appreciative lips.
+ </p>
+ <p>
+ "Look out, or we'll have t' pay fer it t'night," said the youth with
+ gloomy warning.
+ </p>
+ <p>
+ But the assassin refused to turn his gaze toward the future. He went with
+ a limping step, into which he injected a suggestion of lamblike gambols.
+ His mouth was wreathed in a red grin.
+ </p>
+ <p>
+ In the City Hall Park the two wanderers sat down in the little circle of
+ benches sanctified by traditions of their class. They huddled in their old
+ garments, slumbrously conscious of the march of the hours which for them
+ had no meaning.
+ </p>
+ <p>
+ The people of the street hurrying hither and thither made a blend of black
+ figures changing yet frieze-like. They walked in their good clothes as
+ upon important missions, giving no gaze to the two wanderers seated upon
+ the benches. They expressed to the young man his infinite distance from
+ all that he valued. Social position, comfort, the pleasures of living,
+ were unconquerable kingdoms. He felt a sudden awe.
+ </p>
+ <p>
+ And in the background a multitude of buildings, of pitiless hues and
+ sternly high, were to him emblematic of a nation forcing its regal head
+ into the clouds, throwing no downward glances; in the sublimity of its
+ aspirations ignoring the wretches who may flounder at its feet. The roar
+ of the city in his ear was to him the confusion of strange tongues,
+ babbling heedlessly; it was the clink of coin, the voice if the city's
+ hopes which were to him no hopes.
+ </p>
+ <p>
+ He confessed himself an outcast, and his eyes from under the lowered rim
+ of his hat began to glance guiltily, wearing the criminal expression that
+ comes with certain convictions.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0015" id="link2H_4_0015"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE DUEL THAT WAS NOT FOUGHT
+ </h2>
+ <p>
+ Patsy Tulligan was not as wise as seven owls, but his courage could throw
+ a shadow as long as the steeple of a cathedral. There were men on Cherry
+ Street who had whipped him five times, but they all knew that Patsy would
+ be as ready for the sixth time as if nothing had happened.
+ </p>
+ <p>
+ Once he and two friends had been away up on Eighth Avenue, far out of
+ their country, and upon their return journey that evening they stopped
+ frequently in saloons until they were as independent of their surroundings
+ as eagles, and cared much less about thirty days on Blackwell's.
+ </p>
+ <p>
+ On Lower Sixth Avenue they paused in a saloon where there was a good deal
+ of lamp-glare and polished wood to be seen from the outside, and within,
+ the mellow light shone on much furbished brass and more polished wood. It
+ was a better saloon than they were in the habit of seeing, but they did
+ not mind it. They sat down at one of the little tables that were in a row
+ parallel to the bar and ordered beer. They blinked stolidly at the
+ decorations, the bartender, and the other customers. When anything
+ transpired they discussed it with dazzling frankness, and what they said
+ of it was as free as air to the other people in the place.
+ </p>
+ <p>
+ At midnight there were few people in the saloon. Patsy and his friends
+ still sat drinking. Two well-dressed men were at another table, smoking
+ cigars slowly and swinging back in their chairs. They occupied themselves
+ with themselves in the usual manner, never betraying by a wink of an
+ eyelid that they knew that other folk existed. At another table directly
+ behind Patsy and his companions was a slim little Cuban, with miraculously
+ small feet and hands, and with a youthful touch of down upon his lip. As
+ he lifted his cigarette from time to time his little finger was bended in
+ dainty fashion, and there was a green flash when a huge emerald ring
+ caught the light. The bartender came often with his little brass tray.
+ Occasionally Patsy and his two friends quarrelled.
+ </p>
+ <p>
+ Once this little Cuban happened to make some slight noise and Patsy turned
+ his head to observe him. Then Patsy made a careless and rather loud
+ comment to his two friends. He used a word which is no more than passing
+ the time of day down in Cherry Street, but to the Cuban it was a
+ dagger-point. There was a harsh scraping sound as a chair was pushed
+ swiftly back.
+ </p>
+ <p>
+ The little Cuban was upon his feet. His eyes were shining with a rage that
+ flashed there like sparks as he glared at Patsy. His olive face had turned
+ a shade of grey from his anger. Withal his chest was thrust out in
+ portentous dignity, and his hand, still grasping his wine-glass, was cool
+ and steady, the little finger still bended, the great emerald gleaming
+ upon it. The others, motionless, stared at him.
+ </p>
+ <p>
+ "Sir," he began ceremoniously. He spoke gravely and in a slow way, his
+ tone coming in a marvel of self-possessed cadences from between those lips
+ which quivered with wrath. "You have insult me. You are a dog, a hound, a
+ cur. I spit upon you. I must have some of your blood."
+ </p>
+ <p>
+ Patsy looked at him over his shoulder.
+ </p>
+ <p>
+ "What's th' matter wi' che?" he demanded. He did not quite understand the
+ words of this little man who glared at him steadily, but he knew that it
+ was something about fighting. He snarled with the readiness of his class
+ and heaved his shoulders contemptuously. "Ah, what's eatin' yeh? Take a
+ walk! You hain't got nothin' t' do with me, have yeh? Well, den, go sit on
+ yerself."
+ </p>
+ <p>
+ And his companions leaned back valorously in their chairs, and scrutinized
+ this slim young fellow who was addressing Patsy.
+ </p>
+ <p>
+ "What's de little Dago chewin' about?"
+ </p>
+ <p>
+ "He wants t' scrap!"
+ </p>
+ <p>
+ "What!"
+ </p>
+ <p>
+ The Cuban listened with apparent composure. It was only when they laughed
+ that his body cringed as if he was receiving lashes. Presently he put down
+ his glass and walked over to their table. He proceeded always with the
+ most impressive deliberation.
+ </p>
+ <p>
+ "Sir," he began again. "You have insult me. I must have
+ s-s-satisfac-shone. I must have your body upon the point of my sword. In
+ my country you would already be dead. I must have s-s-satisfac-shone."
+ </p>
+ <p>
+ Patsy had looked at the Cuban with a trifle of bewilderment. But at last
+ his face began to grow dark with belligerency, his mouth curved in that
+ wide sneer with which he would confront an angel of darkness. He arose
+ suddenly in his seat and came towards the little Cuban. He was going to be
+ impressive too.
+ </p>
+ <p>
+ "Say, young feller, if yeh go shootin' off yer face at me, I'll wipe d'
+ joint wid yeh. What'cher gaffin' about, hey? Are yeh givin' me er jolly?
+ Say, if yeh pick me up fer a cinch, I'll fool yeh. Dat's what! Don't take
+ me fer no dead easy mug." And as he glowered at the little Cuban, he ended
+ his oration with one eloquent word, "Nit!"
+ </p>
+ <p>
+ The bartender nervously polished his bar with a towel, and kept his eyes
+ fastened upon the men. Occasionally he became transfixed with interest,
+ leaning forward with one hand upon the edge of the bar and the other
+ holding the towel grabbed in a lump, as if he had been turned into bronze
+ when in the very act of polishing.
+ </p>
+ <p>
+ The Cuban did not move when Patsy came toward him and delivered his
+ oration. At its conclusion he turned his livid face toward where, above
+ him, Patsy was swaggering and heaving his shoulders in a consummate
+ display of bravery and readiness. The Cuban, in his clear, tense tones,
+ spoke one word. It was the bitter insult. It seemed fairly to spin from
+ his lips and crackle in the air like breaking glass.
+ </p>
+ <p>
+ Every man save the little Cuban made an electric movement. Patsy roared a
+ black oath and thrust himself forward until he towered almost directly
+ above the other man. His fists were doubled into knots of bone and hard
+ flesh. The Cuban had raised a steady finger.
+ </p>
+ <p>
+ "If you touch me wis your hand, I will keel you."
+ </p>
+ <p>
+ The two well-dressed men had come swiftly, uttering protesting cries. They
+ suddenly intervened in this second of time in which Patsy had sprung
+ forward and the Cuban had uttered his threat. The four men were now a
+ tossing, arguing; violent group, one well-dressed man lecturing the Cuban,
+ and the other holding off Patsy, who was now wild with rage, loudly
+ repeating the Cuban's threat, and maneuvering and struggling to get at him
+ for revenge's sake.
+ </p>
+ <p>
+ The bartender, feverishly scouring away with his towel, and at times
+ pacing to and fro with nervous and excited tread, shouted out&mdash;
+ </p>
+ <p>
+ "Say, for heaven's sake, don't fight in here. If yeh wanta fight, go out
+ in the street and fight all yeh please. But don't fight in here."
+ </p>
+ <p>
+ Patsy knew one only thing, and this he kept repeating:
+ </p>
+ <p>
+ "Well, he wants t' scrap! I didn't begin dis! He wants t' scrap."
+ </p>
+ <p>
+ The well-dressed man confronting him continually replied&mdash;
+ </p>
+ <p>
+ "Oh, well, now, look here, he's only a lad. He don't know what he's doing.
+ He's crazy mad. You wouldn't slug a kid like that."
+ </p>
+ <p>
+ Patsy and his aroused companions, who cursed and growled, were persistent
+ with their argument. "Well, he wants t' scrap!" The whole affair was as
+ plain as daylight when one saw this great fact. The interference and
+ intolerable discussion brought the three of them forward, battleful and
+ fierce.
+ </p>
+ <p>
+ "What's eatin' you, anyhow?" they demanded. "Dis ain't your business, is
+ it? What business you got shootin' off your face?"
+ </p>
+ <p>
+ The other peacemaker was trying to restrain the little Cuban, who had
+ grown shrill and violent.
+ </p>
+ <p>
+ "If he touch me wis his hand I will keel him. We must fight like gentlemen
+ or else I keel him when he touch me wis his hand."
+ </p>
+ <p>
+ The man who was fending off Patsy comprehended these sentences that were
+ screamed behind his back, and he explained to Patsy.
+ </p>
+ <p>
+ "But he wants to fight you with swords. With swords, you know."
+ </p>
+ <p>
+ The Cuban, dodging around the peacemakers, yelled in Patsy's face&mdash;
+ </p>
+ <p>
+ "Ah, if I could get you before me wis my sword! Ah! Ah! A-a-ah!" Patsy
+ made a furious blow with a swift fist, but the peacemakers bucked against
+ his body suddenly like football players.
+ </p>
+ <p>
+ Patsy was greatly puzzled. He continued doggedly to try to get near enough
+ to the Cuban to punch him. To these attempts the Cuban replied savagely&mdash;
+ </p>
+ <p>
+ "If you touch me wis your hand, I will cut your heart in two piece."
+ </p>
+ <p>
+ At last Patsy said&mdash;"Well, if he's so dead stuck on fightin' wid
+ swords, I'll fight 'im. Soitenly! I'll fight 'im." All this palaver had
+ evidently tired him, and he now puffed out his lips with the air of a man
+ who is willing to submit to any conditions if he can only bring on the row
+ soon enough. He swaggered, "I'll fight 'im wid swords. Let 'im bring on
+ his swords, an' I'll fight 'im 'til he's ready t' quit."
+ </p>
+ <p>
+ The two well-dressed men grinned. "Why, look here," they said to Patsy,
+ "he'd punch you full of holes. Why he's a fencer. You can't fight him with
+ swords. He'd kill you in 'bout a minute."
+ </p>
+ <p>
+ "Well, I'll giv' 'im a go at it, anyhow," said Patsy, stouthearted and
+ resolute. "I'll giv' 'im a go at it, anyhow, an' I'll stay wid 'im as long
+ as I kin."
+ </p>
+ <p>
+ As for the Cuban, his lithe body was quivering in an ecstasy of the
+ muscles. His face radiant with a savage joy, he fastened his glance upon
+ Patsy, his eyes gleaming with a gloating, murderous light. A most
+ unspeakable, animal-like rage was in his expression.
+ </p>
+ <p>
+ "Ah! ah! He will fight me! Ah!" He bended unconsciously in the posture of
+ a fencer. He had all the quick, springy movements of a skilful swordsman.
+ "Ah, the b-r-r-rute! The b-r-r-rute! I will stick him like a pig!"
+ </p>
+ <p>
+ The two peacemakers, still grinning broadly, were having a great time with
+ Patsy.
+ </p>
+ <p>
+ "Why, you infernal idiot, this man would slice you all up. You better jump
+ off the bridge if you want to commit suicide. You wouldn't stand a ghost
+ of a chance to live ten seconds."
+ </p>
+ <p>
+ Patsy was as unshaken as granite. "Well, if he wants t' fight wid swords,
+ he'll get it. I'll giv' 'im a go at it, anyhow."
+ </p>
+ <p>
+ One man said&mdash;"Well, have you got a sword? Do you know what a sword
+ is? Have you got a sword?"
+ </p>
+ <p>
+ "No, I ain't got none," said Patsy honestly, "but I kin git one." Then he
+ added valiantly&mdash;"An' quick, too."
+ </p>
+ <p>
+ The two men laughed. "Why, can't you understand it would be sure death to
+ fight a sword duel with this fellow?"
+ </p>
+ <p>
+ "Dat's all right! See? I know me own business. If he wants t' fight one of
+ dees d&mdash;n duels, I'm in it, understan'"
+ </p>
+ <p>
+ "Have you ever fought one, you fool?"
+ </p>
+ <p>
+ "No, I ain't. But I will fight one, dough! I ain't no muff. If he wants t'
+ fight a duel, by Gawd, I'm wid 'im! D'yeh understan' dat!" Patsy cocked
+ his hat and swaggered. He was getting very serious.
+ </p>
+ <p>
+ The little Cuban burst out&mdash;"Ah, come on, sirs: come on! We can take
+ cab. Ah, you big cow, I will stick you, I will stick you. Ah, you will
+ look very beautiful, very beautiful. Ah, come on, sirs. We will stop at
+ hotel&mdash;my hotel. I there have weapons."
+ </p>
+ <p>
+ "Yeh will, will yeh? Yeh bloomin' little black Dago!" cried Patsy in
+ hoarse and maddened reply to the personal part of the Cuban's speech. He
+ stepped forward. "Git yer d&mdash;n swords," he commanded. "Git yer
+ swords. Git 'em quick! I'll fight wi' che! I'll fight wid anyt'ing, too!
+ See? I'll fight yeh wid a knife an' fork if yeh say so! I'll fight yer
+ standin' up er sittin' down!" Patsy delivered this intense oration with
+ sweeping, intensely emphatic gestures, his hands stretched out eloquently,
+ his jaw thrust forward, his eyes glaring.
+ </p>
+ <p>
+ "Ah!" cried the little Cuban joyously. "Ah, you are in very pretty temper.
+ Ah, how I will cut your heart in two piece, my dear, d-e-a-r friend." His
+ eyes, too, shone like carbuncles, with a swift, changing glitter, always
+ fastened upon Patsy's face.
+ </p>
+ <p>
+ The two peacemakers were perspiring and in despair. One of them blurted
+ out&mdash;
+ </p>
+ <p>
+ "Well, I'll be blamed if this ain't the most ridiculous thing I ever saw."
+ </p>
+ <p>
+ The other said&mdash;"For ten dollars I'd be tempted to let these two
+ infernal blockheads have their duel."
+ </p>
+ <p>
+ Patsy was strutting to and fro, and conferring grandly with his friends.
+ </p>
+ <p>
+ "He took me for a muff. He t'ought he was goin' t' bluff me out, talkin'
+ 'bout swords. He'll get fooled." He addressed the Cuban&mdash;"You're a
+ fine little dirty picter of a scrapper, ain't che? I'll chew yez up, dat's
+ what I will!"
+ </p>
+ <p>
+ There began then some rapid action. The patience of well-dressed men is
+ not an eternal thing. It began to look as if it would at last be a fight
+ with six corners to it. The faces of the men were shining red with anger.
+ They jostled each other defiantly, and almost every one blazed out at
+ three or four of the others. The bartender had given up protesting. He
+ swore for a time and banged his glasses. Then he jumped the bar and ran
+ out of the saloon, cursing sullenly.
+ </p>
+ <p>
+ When he came back with a policeman, Patsy and the Cuban were preparing to
+ depart together. Patsy was delivering his last oration&mdash;
+ </p>
+ <p>
+ "I'll fight yer wid swords! Sure I will! Come ahead, Dago! I'll fight yeh
+ anywheres wid anyt'ing! We'll have a large, juicy scrap, an' don't yeh
+ forgit dat! I'm right wid yez. I ain't no muff! I scrap with a man jest as
+ soon as he ses scrap, an' if yeh wanta scrap, I'm yer kitten. Understan'
+ dat?"
+ </p>
+ <p>
+ The policeman said sharply&mdash;"Come, now; what's all this?" He had a
+ distinctly business air.
+ </p>
+ <p>
+ The little Cuban stepped forward calmly. "It is none of your business."
+ </p>
+ <p>
+ The policeman flushed to his ears. "What?"
+ </p>
+ <p>
+ One well-dressed man touched the other on the sleeve. "Here's the time to
+ skip," he whispered. They halted a block away from the saloon and watched
+ the policeman pull the Cuban through the door. There was a minute of
+ scuffle on the sidewalk, and into this deserted street at midnight fifty
+ people appeared at once as if from the sky to watch it.
+ </p>
+ <p>
+ At last the three Cherry Hill men came from the saloon, and swaggered with
+ all their old valor toward the peacemakers.
+ </p>
+ <p>
+ "Ah," said Patsy to them, "he was so hot talkin' about this duel business,
+ but I would a-given 'im a great scrap, an' don't yeh forgit it."
+ </p>
+ <p>
+ For Patsy was not as wise as seven owls, but his courage could throw a
+ shadow as long as the steeple of a cathedral.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0016" id="link2H_4_0016"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ A DESERTION
+ </h2>
+ <p>
+ The yellow gaslight that came with an effect of difficulty through the
+ dust-stained windows on either side of the door gave strange hues to the
+ faces and forms of the three women who stood gabbling in the hallway of
+ the tenement. They made rapid gestures, and in the background their
+ enormous shadows mingled in terrific conflict.
+ </p>
+ <p>
+ "Aye, she ain't so good as he thinks she is, I'll bet. He can watch over
+ 'er an' take care of 'er all he pleases, but when she wants t' fool 'im,
+ she'll fool 'im. An' how does he know she ain't foolin' im' now?"
+ </p>
+ <p>
+ "Oh, he thinks he's keepin' 'er from goin' t' th' bad, he does. Oh, yes.
+ He ses she's too purty t' let run round alone. Too purty! Huh! My Sadie&mdash;"
+ </p>
+ <p>
+ "Well, he keeps a clost watch on 'er, you bet. On'y las' week, she met my
+ boy Tim on th' stairs, an' Tim hadn't said two words to 'er b'fore th' ol'
+ man begin to holler. 'Dorter, dorter, come here, come here!'"
+ </p>
+ <p>
+ At this moment a young girl entered from the street, and it was evident
+ from the injured expression suddenly assumed by the three gossipers that
+ she had been the object of their discussion. She passed them with a slight
+ nod, and they swung about into a row to stare after her.
+ </p>
+ <p>
+ On her way up the long flights the girl unfastened her veil. One could
+ then clearly see the beauty of her eyes, but there was in them a certain
+ furtiveness that came near to marring the effects. It was a peculiar
+ fixture of gaze, brought from the street, as of one who there saw a
+ succession of passing dangers with menaces aligned at every corner.
+ </p>
+ <p>
+ On the top floor, she pushed open a door and then paused on the threshold,
+ confronting an interior that appeared black and flat like a curtain.
+ Perhaps some girlish idea of hobgoblins assailed her then, for she called
+ in a little breathless voice, "Daddie!"
+ </p>
+ <p>
+ There was no reply. The fire in the cooking-stove in the room crackled at
+ spasmodic intervals. One lid was misplaced, and the girl could now see
+ that this fact created a little flushed crescent upon the ceiling. Also, a
+ series of tiny windows in the stove caused patches of red upon the floor.
+ Otherwise, the room was heavily draped with shadows.
+ </p>
+ <p>
+ The girl called again, "Daddie!"
+ </p>
+ <p>
+ Yet there was no reply.
+ </p>
+ <p>
+ "Oh, Daddie!"
+ </p>
+ <p>
+ Presently she laughed as one familiar with the humors of an old man. "Oh,
+ I guess yer cussin' mad about yer supper, Dad," she said, and she almost
+ entered the room, but suddenly faltered, overcome by a feminine instinct
+ to fly from this black interior, peopled with imagined dangers.
+ </p>
+ <p>
+ Again she called, "Daddie!" Her voice had an accent of appeal. It was as
+ if she knew she was foolish but yet felt obliged to insist upon being
+ reassured. "Oh, Daddie!"
+ </p>
+ <p>
+ Of a sudden a cry of relief, a feminine announcement that the stars still
+ hung, burst from her. For, according to some mystic process, the
+ smoldering coals of the fire went aflame with sudden, fierce brilliance,
+ splashing parts of the walls, the floor, the crude furniture, with a hue
+ of blood-red. And in the light of this dramatic outburst of light, the
+ girl saw her father seated at a table with his back turned toward her.
+ </p>
+ <p>
+ She entered the room, then, with an aggrieved air, her logic evidently
+ concluding that somebody was to blame for her nervous fright. "Oh, yer
+ on'y sulkin' 'bout yer supper. I thought mebbe ye'd gone somewheres."
+ </p>
+ <p>
+ Her father made no reply. She went over to a shelf in the corner, and,
+ taking a little lamp, she lit it and put it where it would give her light
+ as she took off her hat and jacket in front of the tiny mirror. Presently
+ she began to bustle among the cooking utensils that were crowded into the
+ sink, and as she worked she rattled talk at her father, apparently
+ disdaining his mood.
+ </p>
+ <p>
+ "I'd 'a' come home earlier t'night, Dad, on'y that fly foreman, he kep' me
+ in th' shop 'til half-past six. What a fool! He came t' me, yeh know, an'
+ he ses, 'Nell, I wanta give yeh some brotherly advice.' Oh, I know him an'
+ his brotherly advice. 'I wanta give yeh some brotherly advice. Yer too
+ purty, Nell,' he ses, 't' be workin' in this shop an' paradin' through the
+ streets alone, without somebody t' give yeh good brotherly advice, an' I
+ wanta warn yeh, Nell. I'm a bad man, but I ain't as bad as some, an' I
+ wanta warn yeh.' 'Oh, g'long 'bout yer business,' I ses. I know 'im. He's
+ like all of 'em, on'y he's a little slyer. I know 'im. 'You g'long 'bout
+ yer business,' I ses. Well, he ses after a while that he guessed some
+ evenin' he'd come up an' see me. 'Oh, yeh will,' I ses, 'yeh will? Well,
+ you jest let my ol' man ketch yeh comin' foolin' 'round our place. Yeh'll
+ wish yeh went t' some other girl t' give brotherly advice.' 'What th' 'ell
+ do I care fer yer father?' he ses. 'What's he t' me?' 'If he throws yeh
+ downstairs, yeh'll care for 'im,' I ses. 'Well,' he ses, 'I'll come when
+ 'e ain't in, b' Gawd, I'll come when 'e ain't in.' 'Oh, he's allus in when
+ it means takin' care 'o me,' I ses. 'Don't yeh fergit it, either. When it
+ comes t' takin' care o' his dorter, he's right on deck every single
+ possible time.'"
+ </p>
+ <p>
+ After a time, she turned and addressed cheery words to the old man. "Hurry
+ up th' fire, Daddie! We'll have supper pretty soon."
+ </p>
+ <p>
+ But still her father was silent, and his form in its sullen posture was
+ motionless.
+ </p>
+ <p>
+ At this, the girl seemed to see the need of the inauguration of a feminine
+ war against a man out of temper. She approached him breathing soft,
+ coaxing syllables.
+ </p>
+ <p>
+ "Daddie! Oh, Daddie! O&mdash;o&mdash;oh, Daddie!"
+ </p>
+ <p>
+ It was apparent from a subtle quality of valor in her tones that this
+ manner of onslaught upon his moods had usually been successful, but
+ to-night it had no quick effect. The words, coming from her lips, were
+ like the refrain of an old ballad, but the man remained stolid.
+ </p>
+ <p>
+ "Daddie! My Daddie! Oh, Daddie, are yeh mad at me, really&mdash;truly mad
+ at me!"
+ </p>
+ <p>
+ She touched him lightly upon the arm. Should he have turned then he would
+ have seen the fresh, laughing face, with dew-sparkling eyes, close to his
+ own.
+ </p>
+ <p>
+ "Oh, Daddie! My Daddie! Pretty Daddie!"
+ </p>
+ <p>
+ She stole her arm about his neck, and then slowly bended her face toward
+ his. It was the action of a queen who knows that she reigns
+ notwithstanding irritations, trials, tempests.
+ </p>
+ <p>
+ But suddenly, from this position, she leaped backward with the mad energy
+ of a frightened colt. Her face was in this instant turned to a grey,
+ featureless thing of horror. A yell, wild and hoarse as a brute-cry, burst
+ from her. "Daddie!" She flung herself to a place near the door, where she
+ remained, crouching, her eyes staring at the motionless figure, spattered
+ by the quivering flashes from the fire. Her arms extended, and her frantic
+ fingers at once besought and repelled. There was in them an expression of
+ eagerness to caress and an expression of the most intense loathing. And
+ the girl's hair that had been a splendor, was in these moments changed to
+ a disordered mass that hung and swayed in witchlike fashion.
+ </p>
+ <p>
+ Again, a terrible cry burst from her. It was more than the shriek of agony&mdash;it
+ was directed, personal, addressed to him in the chair, the first word of a
+ tragic conversation with the dead.
+ </p>
+ <p>
+ It seemed that when she had put her arm about its neck, she had jostled
+ the corpse in such a way that now she and it were face to face. The
+ attitude expressed an intention of arising from the table. The eyes, fixed
+ upon hers, were filled with an unspeakable hatred.
+ </p>
+ <hr />
+ <p>
+ The cries of the girl aroused thunders in the tenement. There was a loud
+ slamming of doors, and presently there was a roar of feet upon the boards
+ of the stairway. Voices rang out sharply.
+ </p>
+ <p>
+ "What is it?"
+ </p>
+ <p>
+ "What's th' matter?"
+ </p>
+ <p>
+ "He's killin' her!"
+ </p>
+ <p>
+ "Slug 'im with anythin' yeh kin lay hold of, Jack!"
+ </p>
+ <p>
+ But over all this came the shrill, shrewish tones of a woman. "Ah, th'
+ damned ol' fool, he's drivin' 'er inteh th' street&mdash;that's what he's
+ doin'. He's drivin' 'er inteh th' street."
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0017" id="link2H_4_0017"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ A DARK-BROWN DOG
+ </h2>
+ <p>
+ A child was standing on a street-corner. He leaned with one shoulder
+ against a high board fence and swayed the other to and fro, the while
+ kicking carelessly at the gravel.
+ </p>
+ <p>
+ Sunshine beat upon the cobbles, and a lazy summer wind raised yellow dust
+ which trailed in clouds down the avenue. Clattering trucks moved with
+ indistinctness through it. The child stood dreamily gazing.
+ </p>
+ <p>
+ After a time, a little dark-brown dog came trotting with an intent air
+ down the sidewalk. A short rope was dragging from his neck. Occasionally
+ he trod upon the end of it and stumbled.
+ </p>
+ <p>
+ He stopped opposite the child, and the two regarded each other. The dog
+ hesitated for a moment, but presently he made some little advances with
+ his tail. The child put out his hand and called him. In an apologetic
+ manner the dog came close, and the two had an interchange of friendly
+ pattings and waggles. The dog became more enthusiastic with each moment of
+ the interview, until with his gleeful caperings he threatened to overturn
+ the child. Whereupon the child lifted his hand and struck the dog a blow
+ upon the head.
+ </p>
+ <p>
+ This thing seemed to overpower and astonish the little dark-brown dog, and
+ wounded him to the heart. He sank down in despair at the child's feet.
+ When the blow was repeated, together with an admonition in childish
+ sentences, he turned over upon his back, and held his paws in a peculiar
+ manner. At the same time with his ears and his eyes he offered a small
+ prayer to the child.
+ </p>
+ <p>
+ He looked so comical on his back, and holding his paws peculiarly, that
+ the child was greatly amused and gave him little taps repeatedly, to keep
+ him so. But the little dark-brown dog took this chastisement in the most
+ serious way and no doubt considered that he had committed some grave
+ crime, for he wriggled contritely and showed his repentance in every way
+ that was in his power. He pleaded with the child and petitioned him, and
+ offered more prayers.
+ </p>
+ <p>
+ At last the child grew weary of this amusement and turned toward home. The
+ dog was praying at the time. He lay on his back and turned his eyes upon
+ the retreating form.
+ </p>
+ <p>
+ Presently he struggled to his feet and started after the child. The latter
+ wandered in a perfunctory way toward his home, stopping at times to
+ investigate various matters. During one of these pauses he discovered the
+ little dark-brown dog who was following him with the air of a footpad.
+ </p>
+ <p>
+ The child beat his pursuer with a small stick he had found. The dog lay
+ down and prayed until the child had finished, and resumed his journey.
+ Then he scrambled erect and took up the pursuit again.
+ </p>
+ <p>
+ On the way to his home the child turned many times and beat the dog,
+ proclaiming with childish gestures that he held him in contempt as an
+ unimportant dog, with no value save for a moment. For being this quality
+ of animal the dog apologized and eloquently expressed regret, but he
+ continued stealthily to follow the child. His manner grew so very guilty
+ that he slunk like an assassin.
+ </p>
+ <p>
+ When the child reached his doorstep, the dog was industriously ambling a
+ few yards in the rear. He became so agitated with shame when he again
+ confronted the child that he forgot the dragging rope. He tripped upon it
+ and fell forward.
+ </p>
+ <p>
+ The child sat down on the step and the two had another interview. During
+ it the dog greatly exerted himself to please the child. He performed a few
+ gambols with such abandon that the child suddenly saw him to be a valuable
+ thing. He made a swift, avaricious charge and seized the rope.
+ </p>
+ <p>
+ He dragged his captive into a hall and up many long stairways in a dark
+ tenement. The dog made willing efforts, but he could not hobble very
+ skilfully up the stairs because he was very small and soft, and at last
+ the pace of the engrossed child grew so energetic that the dog became
+ panic-stricken. In his mind he was being dragged toward a grim unknown.
+ His eyes grew wild with the terror of it. He began to wiggle his head
+ frantically and to brace his legs.
+ </p>
+ <p>
+ The child redoubled his exertions. They had a battle on the stairs. The
+ child was victorious because he was completely absorbed in his purpose,
+ and because the dog was very small. He dragged his acquirement to the door
+ of his home, and finally with triumph across the threshold.
+ </p>
+ <p>
+ No one was in. The child sat down on the floor and made overtures to the
+ dog. These the dog instantly accepted. He beamed with affection upon his
+ new friend. In a short time they were firm and abiding comrades.
+ </p>
+ <p>
+ When the child's family appeared, they made a great row. The dog was
+ examined and commented upon and called names. Scorn was leveled at him
+ from all eyes, so that he became much embarrassed and drooped like a
+ scorched plant. But the child went sturdily to the center of the floor,
+ and, at the top of his voice, championed the dog. It happened that he was
+ roaring protestations, with his arms clasped about the dog's neck, when
+ the father of the family came in from work.
+ </p>
+ <p>
+ The parent demanded to know what the blazes they were making the kid howl
+ for. It was explained in many words that the infernal kid wanted to
+ introduce a disreputable dog into the family.
+ </p>
+ <p>
+ A family council was held. On this depended the dog's fate, but he in no
+ way heeded, being busily engaged in chewing the end of the child's dress.
+ </p>
+ <p>
+ The affair was quickly ended. The father of the family, it appears, was in
+ a particularly savage temper that evening, and when he perceived that it
+ would amaze and anger everybody if such a dog were allowed to remain, he
+ decided that it should be so. The child, crying softly, took his friend
+ off to a retired part of the room to hobnob with him, while the father
+ quelled a fierce rebellion of his wife. So it came to pass that the dog
+ was a member of the household.
+ </p>
+ <p>
+ He and the child were associated together at all times save when the child
+ slept. The child became a guardian and a friend. If the large folk kicked
+ the dog and threw things at him, the child made loud and violent
+ objections. Once when the child had run, protesting loudly, with tears
+ raining down his face and his arms outstretched, to protect his friend, he
+ had been struck in the head with a very large saucepan from the hand of
+ his father, enraged at some seeming lack of courtesy in the dog. Ever
+ after, the family were careful how they threw things at the dog. Moreover,
+ the latter grew very skilful in avoiding missiles and feet. In a small
+ room containing a stove, a table, a bureau and some chairs, he would
+ display strategic ability of a high order, dodging, feinting and scuttling
+ about among the furniture. He could force three or four people armed with
+ brooms, sticks and handfuls of coal, to use all their ingenuity to get in
+ a blow. And even when they did, it was seldom that they could do him a
+ serious injury or leave any imprint.
+ </p>
+ <p>
+ But when the child was present these scenes did not occur. It came to be
+ recognized that if the dog was molested, the child would burst into sobs,
+ and as the child, when started, was very riotous and practically
+ unquenchable, the dog had therein a safeguard.
+ </p>
+ <p>
+ However, the child could not always be near. At night, when he was asleep,
+ his dark-brown friend would raise from some black corner a wild, wailful
+ cry, a song of infinite loneliness and despair, that would go shuddering
+ and sobbing among the buildings of the block and cause people to swear. At
+ these times the singer would often be chased all over the kitchen and hit
+ with a great variety of articles.
+ </p>
+ <p>
+ Sometimes, too, the child himself used to beat the dog, although it is not
+ known that he ever had what truly could be called a just cause. The dog
+ always accepted these thrashings with an air of admitted guilt. He was too
+ much of a dog to try to look to be a martyr or to plot revenge. He
+ received the blows with deep humility, and furthermore he forgave his
+ friend the moment the child had finished, and was ready to caress the
+ child's hand with his little red tongue.
+ </p>
+ <p>
+ When misfortune came upon the child, and his troubles overwhelmed him, he
+ would often crawl under the table and lay his small distressed head on the
+ dog's back. The dog was ever sympathetic. It is not to be supposed that at
+ such times he took occasion to refer to the unjust beatings his friend,
+ when provoked, had administered to him.
+ </p>
+ <p>
+ He did not achieve any notable degree of intimacy with the other members
+ of the family. He had no confidence in them, and the fear that he would
+ express at their casual approach often exasperated them exceedingly. They
+ used to gain a certain satisfaction in underfeeding him, but finally his
+ friend the child grew to watch the matter with some care, and when he
+ forgot it, the dog was often successful in secret for himself.
+ </p>
+ <p>
+ So the dog prospered. He developed a large bark, which came wondrously
+ from such a small rug of a dog. He ceased to howl persistently at night.
+ Sometimes, indeed, in his sleep, he would utter little yells, as from
+ pain, but that occurred, no doubt, when in his dreams he encountered huge
+ flaming dogs who threatened him direfully.
+ </p>
+ <p>
+ His devotion to the child grew until it was a sublime thing. He wagged at
+ his approach; he sank down in despair at his departure. He could detect
+ the sound of the child's step among all the noises of the neighborhood. It
+ was like a calling voice to him.
+ </p>
+ <p>
+ The scene of their companionship was a kingdom governed by this terrible
+ potentate, the child; but neither criticism nor rebellion ever lived for
+ an instant in the heart of the one subject. Down in the mystic, hidden
+ fields of his little dog-soul bloomed flowers of love and fidelity and
+ perfect faith.
+ </p>
+ <p>
+ The child was in the habit of going on many expeditions to observe strange
+ things in the vicinity. On these occasions his friend usually jogged
+ aimfully along behind. Perhaps, though, he went ahead. This necessitated
+ his turning around every quarter-minute to make sure the child was coming.
+ He was filled with a large idea of the importance of these journeys. He
+ would carry himself with such an air! He was proud to be the retainer of
+ so great a monarch.
+ </p>
+ <p>
+ One day, however, the father of the family got quite exceptionally drunk.
+ He came home and held carnival with the cooking utensils, the furniture
+ and his wife. He was in the midst of this recreation when the child,
+ followed by the dark-brown dog, entered the room. They were returning from
+ their voyages.
+ </p>
+ <p>
+ The child's practised eye instantly noted his father's state. He dived
+ under the table, where experience had taught him was a rather safe place.
+ The dog, lacking skill in such matters, was, of course, unaware of the
+ true condition of affairs. He looked with interested eyes at his friend's
+ sudden dive. He interpreted it to mean: Joyous gambol. He started to
+ patter across the floor to join him. He was the picture of a little
+ dark-brown dog en route to a friend.
+ </p>
+ <p>
+ The head of the family saw him at this moment. He gave a huge howl of joy,
+ and knocked the dog down with a heavy coffee-pot. The dog, yelling in
+ supreme astonishment and fear, writhed to his feet and ran for cover. The
+ man kicked out with a ponderous foot. It caused the dog to swerve as if
+ caught in a tide. A second blow of the coffee-pot laid him upon the floor.
+ </p>
+ <p>
+ Here the child, uttering loud cries, came valiantly forth like a knight.
+ The father of the family paid no attention to these calls of the child,
+ but advanced with glee upon the dog. Upon being knocked down twice in
+ swift succession, the latter apparently gave up all hope of escape. He
+ rolled over on his back and held his paws in a peculiar manner. At the
+ same time with his eyes and his ears he offered up a small prayer.
+ </p>
+ <p>
+ But the father was in a mood for having fun, and it occurred to him that
+ it would be a fine thing to throw the dog out of the window. So he reached
+ down and, grabbing the animal by a leg, lifted him, squirming, up. He
+ swung him two or three times hilariously about his head, and then flung
+ him with great accuracy through the window.
+ </p>
+ <p>
+ The soaring dog created a surprise in the block. A woman watering plants
+ in an opposite window gave an involuntary shout and dropped a flower-pot.
+ A man in another window leaned perilously out to watch the flight of the
+ dog. A woman who had been hanging out clothes in a yard began to caper
+ wildly. Her mouth was filled with clothes-pins, but her arms gave vent to
+ a sort of exclamation. In appearance she was like a gagged prisoner.
+ Children ran whooping.
+ </p>
+ <p>
+ The dark-brown body crashed in a heap on the roof of a shed five stories
+ below. From thence it rolled to the pavement of an alleyway.
+ </p>
+ <p>
+ The child in the room far above burst into a long, dirge-like cry, and
+ toddled hastily out of the room. It took him a long time to reach the
+ alley, because his size compelled him to go downstairs backward, one step
+ at a time, and holding with both hands to the step above.
+ </p>
+ <p>
+ When they came for him later, they found him seated by the body of his
+ dark-brown friend.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0018" id="link2H_4_0018"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE PACE OF YOUTH
+ </h2>
+ <h3>
+ I
+ </h3>
+ <p>
+ Stimson stood in a corner and glowered. He was a fierce man and had
+ indomitable whiskers, albeit he was very small.
+ </p>
+ <p>
+ "That young tarrier," he whispered to himself. "He wants to quit makin'
+ eyes at Lizzie. This is too much of a good thing. First thing you know,
+ he'll get fired."
+ </p>
+ <p>
+ His brow creased in a frown, he strode over to the huge open doors and
+ looked at a sign. "Stimson's Mammoth Merry-Go-Round," it read, and the
+ glory of it was great. Stimson stood and contemplated the sign. It was an
+ enormous affair; the letters were as large as men. The glow of it, the
+ grandeur of it was very apparent to Stimson. At the end of his
+ contemplation, he shook his head thoughtfully, determinedly. "No, no," he
+ muttered. "This is too much of a good thing. First thing you know, he'll
+ get fired."
+ </p>
+ <p>
+ A soft booming sound of surf, mingled with the cries of bathers, came from
+ the beach. There was a vista of sand and sky and sea that drew to a mystic
+ point far away in the northward. In the mighty angle, a girl in a red
+ dress was crawling slowly like some kind of a spider on the fabric of
+ nature. A few flags hung lazily above where the bathhouses were marshalled
+ in compact squares. Upon the edge of the sea stood a ship with its shadowy
+ sails painted dimly upon the sky, and high overhead in the still, sun-shot
+ air a great hawk swung and drifted slowly.
+ </p>
+ <p>
+ Within the Merry-Go-Round there was a whirling circle of ornamental lions,
+ giraffes, camels, ponies, goats, glittering with varnish and metal that
+ caught swift reflections from windows high above them. With stiff wooden
+ legs, they swept on in a never-ending race, while a great orchestrion
+ clamored in wild speed. The summer sunlight sprinkled its gold upon the
+ garnet canopies carried by the tireless racers and upon all the devices of
+ decoration that made Stimson's machine magnificent and famous. A host of
+ laughing children bestrode the animals, bending forward like charging
+ cavalrymen, and shaking reins and whooping in glee. At intervals they
+ leaned out perilously to clutch at iron rings that were tendered to them
+ by a long wooden arm. At the intense moment before the swift grab for the
+ rings one could see their little nervous bodies quiver with eagerness; the
+ laughter rang shrill and excited. Down in the long rows of benches, crowds
+ of people sat watching the game, while occasionally a father might arise
+ and go near to shout encouragement, cautionary commands, or applause at
+ his flying offspring. Frequently mothers called out: "Be careful,
+ Georgie!" The orchestrion bellowed and thundered on its platform, filling
+ the ears with its long monotonous song. Over in a corner, a man in a white
+ apron and behind a counter roared above the tumult: "Popcorn! Popcorn!"
+ </p>
+ <p>
+ A young man stood upon a small, raised platform, erected in a manner of a
+ pulpit, and just without the line of the circling figures. It was his duty
+ to manipulate the wooden arm and affix the rings. When all were gone into
+ the hands of the triumphant children, he held forth a basket, into which
+ they returned all save the coveted brass one, which meant another ride
+ free and made the holder very illustrious. The young man stood all day
+ upon his narrow platform, affixing rings or holding forth the basket. He
+ was a sort of general squire in these lists of childhood. He was very
+ busy.
+ </p>
+ <p>
+ And yet Stimson, the astute, had noticed that the young man frequently
+ found time to twist about on his platform and smile at a girl who shyly
+ sold tickets behind a silvered netting. This, indeed, was the great reason
+ of Stimson's glowering. The young man upon the raised platform had no
+ manner of license to smile at the girl behind the silvered netting. It was
+ a most gigantic insolence. Stimson was amazed at it. "By Jiminy," he said
+ to himself again, "that fellow is smiling at my daughter." Even in this
+ tone of great wrath it could be discerned that Stimson was filled with
+ wonder that any youth should dare smile at the daughter in the presence of
+ the august father.
+ </p>
+ <p>
+ Often the dark-eyed girl peered between the shining wires, and, upon being
+ detected by the young man, she usually turned her head quickly to prove to
+ him that she was not interested. At other times, however, her eyes seemed
+ filled with a tender fear lest he should fall from that exceedingly
+ dangerous platform. As for the young man, it was plain that these glances
+ filled him with valor, and he stood carelessly upon his perch, as if he
+ deemed it of no consequence that he might fall from it. In all the
+ complexities of his daily life and duties he found opportunity to gaze
+ ardently at the vision behind the netting.
+ </p>
+ <p>
+ This silent courtship was conducted over the heads of the crowd who
+ thronged about the bright machine. The swift eloquent glances of the young
+ man went noiselessly and unseen with their message. There had finally
+ become established between the two in this manner a subtle understanding
+ and companionship. They communicated accurately all that they felt. The
+ boy told his love, his reverence, his hope in the changes of the future.
+ The girl told him that she loved him, and she did not love him, that she
+ did not know if she loved him. Sometimes a little sign, saying "cashier"
+ in gold letters, and hanging upon the silvered netting, got directly in
+ range and interfered with the tender message.
+ </p>
+ <p>
+ The love affair had not continued without anger, unhappiness, despair. The
+ girl had once smiled brightly upon a youth who came to buy some tickets
+ for his little sister, and the young man upon the platform, observing this
+ smile, had been filled with gloomy rage. He stood like a dark statue of
+ vengeance upon his pedestal and thrust out the basket to the children with
+ a gesture that was full of scorn for their hollow happiness, for their
+ insecure and temporary joy. For five hours he did not once look at the
+ girl when she was looking at him. He was going to crush her with his
+ indifference; he was going to demonstrate that he had never been serious.
+ However, when he narrowly observed her in secret he discovered that she
+ seemed more blythe than was usual with her. When he found that his
+ apparent indifference had not crushed her he suffered greatly. She did not
+ love him, he concluded. If she had loved him she would have been crushed.
+ For two days he lived a miserable existence upon his high perch. He
+ consoled himself by thinking of how unhappy he was, and by swift, furtive
+ glances at the loved face. At any rate he was in her presence, and he
+ could get a good view from his perch when there was no interference by the
+ little sign: "Cashier."
+ </p>
+ <p>
+ But suddenly, swiftly, these clouds vanished, and under the imperial blue
+ sky of the restored confidence they dwelt in peace, a peace that was
+ satisfaction, a peace that, like a babe, put its trust in the treachery of
+ the future. This confidence endured until the next day, when she, for an
+ unknown cause, suddenly refused to look at him. Mechanically he continued
+ his task, his brain dazed, a tortured victim of doubt, fear, suspicion.
+ With his eyes he supplicated her to telegraph an explanation. She replied
+ with a stony glance that froze his blood. There was a great difference in
+ their respective reasons for becoming angry. His were always foolish, but
+ apparent, plain as the moon. Hers were subtle, feminine, as
+ incomprehensible as the stars, as mysterious as the shadows at night.
+ </p>
+ <p>
+ They fell and soared and soared and fell in this manner until they knew
+ that to live without each other would be a wandering in deserts. They had
+ grown so intent upon the uncertainties, the variations, the guessings of
+ their affair that the world had become but a huge immaterial background.
+ In time of peace their smiles were soft and prayerful, caresses confided
+ to the air. In time of war, their youthful hearts, capable of profound
+ agony, were wrung by the intricate emotions of doubt. They were the
+ victims of the dread angel of affectionate speculation that forces the
+ brain endlessly on roads that lead nowhere.
+ </p>
+ <p>
+ At night, the problem of whether she loved him confronted the young man
+ like a spectre, looming as high as a hill and telling him not to delude
+ himself. Upon the following day, this battle of the night displayed itself
+ in the renewed fervor of his glances and in their increased number.
+ Whenever he thought he could detect that she too was suffering, he felt a
+ thrill of joy.
+ </p>
+ <p>
+ But there came a time when the young man looked back upon these
+ contortions with contempt. He believed then that he had imagined his pain.
+ This came about when the redoubtable Stimson marched forward to
+ participate.
+ </p>
+ <p>
+ "This has got to stop," Stimson had said to himself, as he stood and
+ watched them. They had grown careless of the light world that clattered
+ about them; they were become so engrossed in their personal drama that the
+ language of their eyes was almost as obvious as gestures. And Stimson,
+ through his keenness, his wonderful, infallible penetration, suddenly came
+ into possession of these obvious facts. "Well, of all the nerves," he
+ said, regarding with a new interest the young man upon the perch.
+ </p>
+ <p>
+ He was a resolute man. He never hesitated to grapple with a crisis. He
+ decided to overturn everything at once, for, although small, he was very
+ fierce and impetuous. He resolved to crush this dreaming.
+ </p>
+ <p>
+ He strode over to the silvered netting. "Say, you want to quit your
+ everlasting grinning at that idiot," he said, grimly.
+ </p>
+ <p>
+ The girl cast down her eyes and made a little heap of quarters into a
+ stack. She was unable to withstand the terrible scrutiny of her small and
+ fierce father.
+ </p>
+ <p>
+ Stimson turned from his daughter and went to a spot beneath the platform.
+ He fixed his eyes upon the young man and said&mdash;
+ </p>
+ <p>
+ "I've been speakin' to Lizzie. You better attend strictly to your own
+ business or there'll be a new man here next week." It was as if he had
+ blazed away with a shotgun. The young man reeled upon his perch. At last
+ he in a measure regained his composure and managed to stammer: "A&mdash;all
+ right, sir." He knew that denials would be futile with the terrible
+ Stimson. He agitatedly began to rattle the rings in the basket, and
+ pretend that he was obliged to count them or inspect them in some way. He,
+ too, was unable to face the great Stimson.
+ </p>
+ <p>
+ For a moment, Stimson stood in fine satisfaction and gloated over the
+ effect of his threat.
+ </p>
+ <p>
+ "I've fixed them," he said complacently, and went out to smoke a cigar and
+ revel in himself. Through his mind went the proud reflection that people
+ who came in contact with his granite will usually ended in quick and
+ abject submission.
+ </p>
+ <h3>
+ II
+ </h3>
+ <p>
+ One evening, a week after Stimson had indulged in the proud reflection
+ that people who came in contact with his granite will usually ended in
+ quick and abject submission, a young feminine friend of the girl behind
+ the silvered netting came to her there and asked her to walk on the beach
+ after "Stimson's Mammoth Merry-Go-Round" was closed for the night. The
+ girl assented with a nod.
+ </p>
+ <p>
+ The young man upon the perch holding the rings saw this nod and judged its
+ meaning. Into his mind came an idea of defeating the watchfulness of the
+ redoubtable Stimson. When the Merry-Go-Round was closed and the two girls
+ started for the beach, he wandered off aimlessly in another direction, but
+ he kept them in view, and as soon as he was assured that he had escaped
+ the vigilance of Stimson, he followed them.
+ </p>
+ <p>
+ The electric lights on the beach made a broad band of tremoring light,
+ extending parallel to the sea, and upon the wide walk there slowly paraded
+ a great crowd, intermingling, intertwining, sometimes colliding. In the
+ darkness stretched the vast purple expanse of the ocean, and the deep
+ indigo sky above was peopled with yellow stars. Occasionally out upon the
+ water a whirling mass of froth suddenly flashed into view, like a great
+ ghostly robe appearing, and then vanished, leaving the sea in its
+ darkness, whence came those bass tones of the water's unknown emotion. A
+ wind, cool, reminiscent of the wave wastes, made the women hold their
+ wraps about their throats, and caused the men to grip the rims of their
+ straw hats. It carried the noise of the band in the pavilion in gusts.
+ Sometimes people unable to hear the music glanced up at the pavilion and
+ were reassured upon beholding the distant leader still gesticulating and
+ bobbing, and the other members of the band with their lips glued to their
+ instruments. High in the sky soared an unassuming moon, faintly silver.
+ </p>
+ <p>
+ For a time the young man was afraid to approach the two girls; he followed
+ them at a distance and called himself a coward. At last, however, he saw
+ them stop on the outer edge of the crowd and stand silently listening to
+ the voices of the sea. When he came to where they stood, he was trembling
+ in his agitation. They had not seen him.
+ </p>
+ <p>
+ "Lizzie," he began. "I&mdash;&mdash;"
+ </p>
+ <p>
+ The girl wheeled instantly and put her hand to her throat.
+ </p>
+ <p>
+ "Oh, Frank, how you frightened me," she said&mdash;inevitably.
+ </p>
+ <p>
+ "Well, you know, I&mdash;I&mdash;&mdash;" he stuttered.
+ </p>
+ <p>
+ But the other girl was one of those beings who are born to attend at
+ tragedies. She had for love a reverence, an admiration that was greater
+ the more that she contemplated the fact that she knew nothing of it. This
+ couple, with their emotions, awed her and made her humbly wish that she
+ might be destined to be of some service to them. She was very homely.
+ </p>
+ <p>
+ When the young man faltered before them, she, in her sympathy, actually
+ over-estimated the crisis, and felt that he might fall dying at their
+ feet. Shyly, but with courage, she marched to the rescue.
+ </p>
+ <p>
+ "Won't you come and walk on the beach with us?" she said.
+ </p>
+ <p>
+ The young man gave her a glance of deep gratitude which was not without
+ the patronage which a man in his condition naturally feels for one who
+ pities it. The three walked on.
+ </p>
+ <p>
+ Finally, the being who was born to attend at this tragedy said that she
+ wished to sit down and gaze at the sea, alone.
+ </p>
+ <p>
+ They politely urged her to walk on with them, but she was obstinate. She
+ wished to gaze at the sea, alone. The young man swore to himself that he
+ would be her friend until he died.
+ </p>
+ <p>
+ And so the two young lovers went on without her. They turned once to look
+ at her.
+ </p>
+ <p>
+ "Jennie's awful nice," said the girl.
+ </p>
+ <p>
+ "You bet she is," replied the young man, ardently.
+ </p>
+ <p>
+ They were silent for a little time.
+ </p>
+ <p>
+ At last the girl said&mdash;
+ </p>
+ <p>
+ "You were angry at me yesterday."
+ </p>
+ <p>
+ "No, I wasn't."
+ </p>
+ <p>
+ "Yes, you were, too. You wouldn't look at me once all day."
+ </p>
+ <p>
+ "No, I wasn't angry. I was only putting on."
+ </p>
+ <p>
+ Though she had, of course, known it, this confession seemed to make her
+ very indignant. She flashed a resentful glance at him.
+ </p>
+ <p>
+ "Oh, you were, indeed?" she said with a great air.
+ </p>
+ <p>
+ For a few minutes she was so haughty with him that he loved her to
+ madness. And directly this poem, which stuck at his lips, came forth
+ lamely in fragments.
+ </p>
+ <p>
+ When they walked back toward the other girl and saw the patience of her
+ attitude, their hearts swelled in a patronizing and secondary tenderness
+ for her.
+ </p>
+ <p>
+ They were very happy. If they had been miserable they would have charged
+ this fairy scene of the night with a criminal heartlessness; but as they
+ were joyous, they vaguely wondered how the purple sea, the yellow stars,
+ the changing crowds under the electric lights could be so phlegmatic and
+ stolid.
+ </p>
+ <p>
+ They walked home by the lakeside way, and out upon the water those gay
+ paper lanterns, flashing, fleeting, and careering, sang to them, sang a
+ chorus of red and violet, and green and gold; a song of mystic bands of
+ the future.
+ </p>
+ <p>
+ One day, when business paused during a dull sultry afternoon, Stimson went
+ up town. Upon his return, he found that the popcorn man, from his stand
+ over in a corner, was keeping an eye upon the cashier's cage, and that
+ nobody at all was attending to the wooden arm and the iron rings. He
+ strode forward like a sergeant of grenadiers.
+ </p>
+ <p>
+ "Where in thunder is Lizzie?" he demanded, a cloud of rage in his eyes.
+ </p>
+ <p>
+ The popcorn man, although associated long with Stimson, had never got over
+ being dazed.
+ </p>
+ <p>
+ "They've&mdash;they've&mdash;gone round to th'&mdash;th'&mdash;house," he
+ said with difficulty, as if he had just been stunned.
+ </p>
+ <p>
+ "Whose house?" snapped Stimson.
+ </p>
+ <p>
+ "Your&mdash;your house, I s'pose," said the popcorn man.
+ </p>
+ <p>
+ Stimson marched round to his home. Kingly denunciations surged, already
+ formulated, to the tip of his tongue, and he bided the moment when his
+ anger could fall upon the heads of that pair of children. He found his
+ wife convulsive and in tears.
+ </p>
+ <p>
+ "Where's Lizzie?"
+ </p>
+ <p>
+ And then she burst forth&mdash;"Oh&mdash;John&mdash;John&mdash;they've run
+ away, I know they have. They drove by here not three minutes ago. They
+ must have done it on purpose to bid me good-bye, for Lizzie waved her hand
+ sadlike; and then, before I could get out to ask where they were going or
+ what, Frank whipped up the horse."
+ </p>
+ <p>
+ Stimson gave vent to a dreadful roar.
+ </p>
+ <p>
+ "Get my revolver&mdash;get a hack&mdash;get my revolver, do you hear&mdash;what
+ the devil&mdash;" His voice became incoherent.
+ </p>
+ <p>
+ He had always ordered his wife about as if she were a battalion of
+ infantry, and despite her misery, the training of years forced her to
+ spring mechanically to obey; but suddenly she turned to him with a shrill
+ appeal.
+ </p>
+ <p>
+ "Oh, John&mdash;not&mdash;the&mdash;revolver."
+ </p>
+ <p>
+ "Confound it, let go of me!" he roared again, and shook her from him.
+ </p>
+ <p>
+ He ran hatless upon the street. There were a multitude of hacks at the
+ summer resort, but it was ages to him before he could find one. Then he
+ charged it like a bull.
+ </p>
+ <p>
+ "Uptown!" he yelled, as he tumbled into the rear seat.
+ </p>
+ <p>
+ The hackman thought of severed arteries. His galloping horse distanced a
+ large number of citizens who had been running to find what caused such
+ contortions by the little hatless man.
+ </p>
+ <p>
+ It chanced as the bouncing hack went along near the lake, Stimson gazed
+ across the calm grey expanse and recognized a color in a bonnet and a pose
+ of a head. A buggy was traveling along a highway that led to Sorington.
+ Stimson bellowed&mdash;"There&mdash;there&mdash;there they are&mdash;in
+ that buggy."
+ </p>
+ <p>
+ The hackman became inspired with the full knowledge of the situation. He
+ struck a delirious blow with the whip. His mouth expanded in a grin of
+ excitement and joy. It came to pass that this old vehicle, with its drowsy
+ horse and its dusty-eyed and tranquil driver, seemed suddenly to awaken,
+ to become animated and fleet. The horse ceased to ruminate on his state,
+ his air of reflection vanished. He became intent upon his aged legs and
+ spread them in quaint and ridiculous devices for speed. The driver, his
+ eyes shining, sat critically in his seat. He watched each motion of this
+ rattling machine down before him. He resembled an engineer. He used the
+ whip with judgment and deliberation as the engineer would have used coal
+ or oil. The horse clacked swiftly upon the macadam, the wheels hummed, the
+ body of the vehicle wheezed and groaned.
+ </p>
+ <p>
+ Stimson, in the rear seat, was erect in that impassive attitude that comes
+ sometimes to the furious man when he is obliged to leave the battle to
+ others. Frequently, however, the tempest in his breast came to his face
+ and he howled&mdash;
+ </p>
+ <p>
+ "Go it&mdash;go it&mdash;you're gaining; pound 'im! Thump the life out of
+ 'im; hit 'im hard, you fool!" His hand grasped the rod that supported the
+ carriage top, and it was clenched so that the nails were faintly blue.
+ </p>
+ <p>
+ Ahead, that other carriage had been flying with speed, as from realization
+ of the menace in the rear. It bowled away rapidly, drawn by the eager
+ spirit of a young and modern horse. Stimson could see the buggy-top
+ bobbing, bobbing. That little pane, like an eye, was a derision to him.
+ Once he leaned forward and bawled angry sentences. He began to feel
+ impotent; his whole expedition was a tottering of an old man upon a trail
+ of birds. A sense of age made him choke again with wrath. That other
+ vehicle, that was youth, with youth's pace; it was swift-flying with the
+ hope of dreams. He began to comprehend those two children ahead of him,
+ and he knew a sudden and strange awe, because he understood the power of
+ their young blood, the power to fly strongly into the future and feel and
+ hope again, even at that time when his bones must be laid in the earth.
+ The dust rose easily from the hot road and stifled the nostrils of
+ Stimson.
+ </p>
+ <p>
+ The highway vanished far away in a point with a suggestion of intolerable
+ length. The other vehicle was becoming so small that Stimson could no
+ longer see the derisive eye.
+ </p>
+ <p>
+ At last the hackman drew rein to his horse and turned to look at Stimson.
+ </p>
+ <p>
+ "No use, I guess," he said.
+ </p>
+ <p>
+ Stimson made a gesture of acquiescence, rage, despair. As the hackman
+ turned his dripping horse about, Stimson sank back with the astonishment
+ and grief of a man who has been defied by the universe. He had been in a
+ great perspiration, and now his bald head felt cool and uncomfortable. He
+ put up his hand with a sudden recollection that he had forgotten his hat.
+ </p>
+ <p>
+ At last he made a gesture. It meant that at any rate he was not
+ responsible.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0019" id="link2H_4_0019"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ A TENT IN AGONY
+ </h2>
+ <h3>
+ A SULLIVAN COUNTY TALE
+ </h3>
+ <p>
+ Four men once came to a wet place in the roadless forest to fish. They
+ pitched their tent fair upon the brow of a pine-clothed ridge of riven
+ rocks whence a bowlder could be made to crash through the brush and whirl
+ past the trees to the lake below. On fragrant hemlock boughs they slept
+ the sleep of unsuccessful fishermen, for upon the lake alternately the sun
+ made them lazy and the rain made them wet. Finally they ate the last bit
+ of bacon and smoked and burned the last fearful and wonderful hoecake.
+ </p>
+ <p>
+ Immediately a little man volunteered to stay and hold the camp while the
+ remaining three should go the Sullivan county miles to a farmhouse for
+ supplies. They gazed at him dismally. "There's only one of you&mdash;the
+ devil make a twin," they said in parting malediction, and disappeared down
+ the hill in the known direction of a distant cabin. When it came night and
+ the hemlocks began to sob they had not returned. The little man sat close
+ to his companion, the campfire, and encouraged it with logs. He puffed
+ fiercely at a heavy built brier, and regarded a thousand shadows which
+ were about to assault him. Suddenly he heard the approach of the unknown,
+ crackling the twigs and rustling the dead leaves. The little man arose
+ slowly to his feet, his clothes refused to fit his back, his pipe dropped
+ from his mouth, his knees smote each other. "Hah!" he bellowed hoarsely in
+ menace. A growl replied and a bear paced into the light of the fire. The
+ little man supported himself upon a sapling and regarded his visitor.
+ </p>
+ <p>
+ The bear was evidently a veteran and a fighter, for the black of his coat
+ had become tawny with age. There was confidence in his gait and arrogance
+ in his small, twinkling eye. He rolled back his lips and disclosed his
+ white teeth. The fire magnified the red of his mouth. The little man had
+ never before confronted the terrible and he could not wrest it from his
+ breast. "Hah!" he roared. The bear interpreted this as the challenge of a
+ gladiator. He approached warily. As he came near, the boots of fear were
+ suddenly upon the little man's feet. He cried out and then darted around
+ the campfire. "Ho!" said the bear to himself, "this thing won't fight&mdash;it
+ runs. Well, suppose I catch it." So upon his features there fixed the
+ animal look of going&mdash;somewhere. He started intensely around the
+ campfire. The little man shrieked and ran furiously. Twice around they
+ went.
+ </p>
+ <p>
+ The hand of heaven sometimes falls heavily upon the righteous. The bear
+ gained.
+ </p>
+ <p>
+ In desperation the little man flew into the tent. The bear stopped and
+ sniffed at the entrance. He scented the scent of many men. Finally he
+ ventured in.
+ </p>
+ <p>
+ The little man crouched in a distant corner. The bear advanced, creeping,
+ his blood burning, his hair erect, his jowls dripping. The little man
+ yelled and rustled clumsily under the flap at the end of the tent. The
+ bear snarled awfully and made a jump and a grab at his disappearing game.
+ The little man, now without the tent, felt a tremendous paw grab his coat
+ tails. He squirmed and wriggled out of his coat like a schoolboy in the
+ hands of an avenger. The bear bowled triumphantly and jerked the coat into
+ the tent and took two bites, a punch and a hug before he, discovered his
+ man was not in it. Then he grew not very angry, for a bear on a spree is
+ not a black-haired pirate. He is merely a hoodlum. He lay down on his
+ back, took the coat on his four paws and began to play uproariously with
+ it. The most appalling, blood-curdling whoops and yells came to where the
+ little man was crying in a treetop and froze his blood. He moaned a little
+ speech meant for a prayer and clung convulsively to the bending branches.
+ He gazed with tearful wistfulness at where his comrade, the campfire, was
+ giving dying flickers and crackles. Finally, there was a roar from the
+ tent which eclipsed all roars; a snarl which it seemed would shake the
+ stolid silence of the mountain and cause it to shrug its granite
+ shoulders. The little man quaked and shrivelled to a grip and a pair of
+ eyes. In the glow of the embers he saw the white tent quiver and fall with
+ a crash. The bear's merry play had disturbed the center pole and brought a
+ chaos of canvas upon his head.
+ </p>
+ <p>
+ Now the little man became the witness of a mighty scene. The tent began to
+ flounder. It took flopping strides in the direction of the lake.
+ Marvellous sounds came from within&mdash;rips and tears, and great groans
+ and pants. The little man went into giggling hysterics.
+ </p>
+ <p>
+ The entangled monster failed to extricate himself before he had walloped
+ the tent frenziedly to the edge of the mountain. So it came to pass that
+ three men, clambering up the hill with bundles and baskets, saw their tent
+ approaching. It seemed to them like a white-robed phantom pursued by
+ hornets. Its moans riffled the hemlock twigs.
+ </p>
+ <p>
+ The three men dropped their bundles and scurried to one side, their eyes
+ gleaming with fear. The canvas avalanche swept past them. They leaned,
+ faint and dumb, against trees and listened, their blood stagnant. Below
+ them it struck the base of a great pine tree, where it writhed and
+ struggled. The three watched its convolutions a moment and then started
+ terrifically for the top of the hill. As they disappeared, the bear cut
+ loose with a mighty effort. He cast one dishevelled and agonized look at
+ the white thing, and then started wildly for the inner recesses of the
+ forest.
+ </p>
+ <p>
+ The three fear-stricken individuals ran to the rebuilt fire. The little
+ man reposed by it calmly smoking. They sprang at him and overwhelmed him
+ with interrogations. He contemplated darkness and took a long, pompous
+ puff. "There's only one of me&mdash;and the devil made a twin," he said.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0020" id="link2H_4_0020"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ FOUR MEN IN A CAVE
+ </h2>
+ <h3>
+ LIKEWISE FOUR QUEENS, AND A SULLIVAN COUNTY HERMIT
+ </h3>
+ <p>
+ The moon rested for a moment on the top of a tall pine on a hill.
+ </p>
+ <p>
+ The little man was standing in front of the campfire making orations to
+ his companions.
+ </p>
+ <p>
+ "We can tell a great tale when we get back to the city if we investigate
+ this thing," said he, in conclusion.
+ </p>
+ <p>
+ They were won.
+ </p>
+ <p>
+ The little man was determined to explore a cave, because its black mouth
+ had gaped at him. The four men took a lighted pine-knot and clambered over
+ boulders down a hill. In a thicket on the mountainside lay a little tilted
+ hole. At its side they halted.
+ </p>
+ <p>
+ "Well?" said the little man.
+ </p>
+ <p>
+ They fought for last place and the little man was overwhelmed. He tried to
+ struggle from under by crying that if the fat, pudgy man came after, he
+ would be corked. But he finally administered a cursing over his shoulder
+ and crawled into the hole. His companions gingerly followed.
+ </p>
+ <p>
+ A passage, the floor of damp clay and pebbles, the walls slimy,
+ green-mossed, and dripping, sloped downward. In the cave atmosphere the
+ torches became studies in red blaze and black smoke.
+ </p>
+ <p>
+ "Ho!" cried the little man, stifled and bedraggled, "let's go back." His
+ companions were not brave. They were last. The next one to the little man
+ pushed him on, so the little man said sulphurous words and cautiously
+ continued his crawl.
+ </p>
+ <p>
+ Things that hung seemed to be on the wet, uneven ceiling, ready to drop
+ upon the men's bare necks. Under their hands the clammy floor seemed alive
+ and writhing. When the little man endeavored to stand erect the ceiling
+ forced him down. Knobs and points came out and punched him. His clothes
+ were wet and mud-covered, and his eyes, nearly blinded by smoke, tried to
+ pierce the darkness always before his torch.
+ </p>
+ <p>
+ "Oh, I say, you fellows, let's go back," cried he. At that moment he
+ caught the gleam of trembling light in the blurred shadows before him.
+ </p>
+ <p>
+ "Ho!" he said, "here's another way out."
+ </p>
+ <p>
+ The passage turned abruptly. The little man put one hand around the
+ corner, but it touched nothing. He investigated and discovered that the
+ little corridor took a sudden dip down a hill. At the bottom shone a
+ yellow light.
+ </p>
+ <p>
+ The little man wriggled painfully about, and descended feet in advance.
+ The others followed his plan. All picked their way with anxious care. The
+ traitorous rocks rolled from beneath the little man's feet and roared
+ thunderously below him, lesser stone loosened by the men above him, hit
+ him on the back. He gained seemingly firm foothold, and, turning halfway
+ about, swore redly at his companions for dolts and careless fools. The
+ pudgy man sat, puffing and perspiring, high in the rear of the procession.
+ The fumes and smoke from four pine-knots were in his blood. Cinders and
+ sparks lay thick in his eyes and hair. The pause of the little man angered
+ him.
+ </p>
+ <p>
+ "Go on, you fool!" he shouted. "Poor, painted man, you are afraid."
+ </p>
+ <p>
+ "Ho!" said the little man. "Come down here and go on yourself, imbecile!"
+ </p>
+ <p>
+ The pudgy man vibrated with passion. He leaned downward. "Idiot&mdash;"
+ </p>
+ <p>
+ He was interrupted by one of his feet which flew out and crashed into the
+ man in front of and below. It is not well to quarrel upon a slippery
+ incline, when the unknown is below. The fat man, having lost the support
+ of one pillar-like foot, lurched forward. His body smote the next man, who
+ hurtled into the next man. Then they all fell upon the cursing little man.
+ </p>
+ <p>
+ They slid in a body down over the slippery, slimy floor of the passage.
+ The stone avenue must have wibble-wobbled with the rush of this ball of
+ tangled men and strangled cries. The torches went out with the combined
+ assault upon the little man. The adventurers whirled to the unknown in
+ darkness. The little man felt that he was pitching to death, but even in
+ his convolutions he bit and scratched at his companions, for he was
+ satisfied that it was their fault. The swirling mass went some twenty
+ feet, and lit upon a level, dry place in a strong, yellow light of
+ candles. It dissolved and became eyes.
+ </p>
+ <p>
+ The four men lay in a heap upon the floor of a grey chamber. A small fire
+ smoldered in the corner, the smoke disappearing in a crack. In another
+ corner was a bed of faded hemlock boughs and two blankets. Cooking
+ utensils and clothes lay about, with boxes and a barrel.
+ </p>
+ <p>
+ Of these things the four men took small cognisance. The pudgy man did not
+ curse the little man, nor did the little man swear, in the abstract. Eight
+ widened eyes were fixed upon the center of the room of rocks.
+ </p>
+ <p>
+ A great, gray stone, cut squarely, like an altar, sat in the middle of the
+ floor. Over it burned three candles, in swaying tin cups hung from the
+ ceiling. Before it, with what seemed to be a small volume clasped in his
+ yellow fingers, stood a man. He was an infinitely sallow person in the
+ brown-checked shirt of the ploughs and cows. The rest of his apparel was
+ boots. A long grey beard dangled from his chin. He fixed glinting, fiery
+ eyes upon the heap of men, and remained motionless. Fascinated, their
+ tongues cleaving, their blood cold, they arose to their feet. The gleaming
+ glance of the recluse swept slowly over the group until it found the face
+ of the little man. There it stayed and burned.
+ </p>
+ <p>
+ The little man shrivelled and crumpled as the dried leaf under the glass.
+ </p>
+ <p>
+ Finally, the recluse slowly, deeply spoke. It was a true voice from a
+ cave, cold, solemn, and damp.
+ </p>
+ <p>
+ "It's your ante," he said.
+ </p>
+ <p>
+ "What?" said the little man.
+ </p>
+ <p>
+ The hermit tilted his beard and laughed a laugh that was either the
+ chatter of a banshee in a storm or the rattle of pebbles in a tin box. His
+ visitors' flesh seemed ready to drop from their bones.
+ </p>
+ <p>
+ They huddled together and cast fearful eyes over their shoulders. They
+ whispered.
+ </p>
+ <p>
+ "A vampire!" said one.
+ </p>
+ <p>
+ "A ghoul!" said another.
+ </p>
+ <p>
+ "A Druid before the sacrifice," murmured another.
+ </p>
+ <p>
+ "The shade of an Aztec witch doctor," said the little man.
+ </p>
+ <p>
+ As they looked, the inscrutable face underwent a change. It became a livid
+ background for his eyes, which blazed at the little man like impassioned
+ carbuncles. His voice arose to a howl of ferocity. "It's your ante!" With
+ a panther-like motion he drew a long, thin knife and advanced, stooping.
+ Two cadaverous hounds came from nowhere, and, scowling and growling, made
+ desperate feints at the little man's legs. His quaking companions pushed
+ him forward.
+ </p>
+ <p>
+ Tremblingly he put his hand to his pocket.
+ </p>
+ <p>
+ "How much?" he said, with a shivering look at the knife that glittered.
+ </p>
+ <p>
+ The carbuncles faded.
+ </p>
+ <p>
+ "Three dollars," said the hermit, in sepulchral tones which rang against
+ the walls and among the passages, awakening long-dead spirits with voices.
+ The shaking little man took a roll of bills from a pocket and placed
+ "three ones" upon the altar-like stone. The recluse looked at the little
+ volume with reverence in his eyes. It was a pack of playing cards.
+ </p>
+ <p>
+ Under the three swinging candles, upon the altar-like stone, the grey
+ beard and the agonized little man played at poker. The three other men
+ crouched in a corner, and stared with eyes that gleamed with terror.
+ Before them sat the cadaverous hounds licking their red lips. The candles
+ burned low, and began to flicker. The fire in the corner expired.
+ </p>
+ <p>
+ Finally, the game came to a point where the little man laid down his hand
+ and quavered: "I can't call you this time, sir. I'm dead broke."
+ </p>
+ <p>
+ "What?" shrieked the recluse. "Not call me! Villain Dastard! Cur! I have
+ four queens, miscreant." His voice grew so mighty that it could not fit
+ his throat. He choked wrestling with his lungs for a moment. Then the
+ power of his body was concentrated in a word: "Go!"
+ </p>
+ <p>
+ He pointed a quivering, yellow finger at a wide crack in the rock. The
+ little man threw himself at it with a howl. His erstwhile frozen
+ companions felt their blood throb again. With great bounds they plunged
+ after the little man. A minute of scrambling, falling, and pushing brought
+ them to open air. They climbed the distance to their camp in furious
+ springs.
+ </p>
+ <p>
+ The sky in the east was a lurid yellow. In the west the footprints of
+ departing night lay on the pine trees. In front of their replenished camp
+ fire sat John Willerkins, the guide.
+ </p>
+ <p>
+ "Hello!" he shouted at their approach. "Be you fellers ready to go deer
+ huntin'?"
+ </p>
+ <p>
+ Without replying, they stopped and debated among themselves in whispers.
+ </p>
+ <p>
+ Finally, the pudgy man came forward.
+ </p>
+ <p>
+ "John," he inquired, "do you know anything peculiar about this cave below
+ here?"
+ </p>
+ <p>
+ "Yes," said Willerkins at once; "Tom Gardner."
+ </p>
+ <p>
+ "What?" said the pudgy man.
+ </p>
+ <p>
+ "Tom Gardner."
+ </p>
+ <p>
+ "How's that?"
+ </p>
+ <p>
+ "Well, you see," said Willerkins slowly, as he took dignified pulls at his
+ pipe, "Tom Gardner was once a fambly man, who lived in these here parts on
+ a nice leetle farm. He uster go away to the city orften, and one time he
+ got a-gamblin' in one of them there dens. He went ter the dickens right
+ quick then. At last he kum home one time and tol' his folks he had up and
+ sold the farm and all he had in the worl'. His leetle wife she died then.
+ Tom he went crazy, and soon after&mdash;"
+ </p>
+ <p>
+ The narrative was interrupted by the little man, who became possessed of
+ devils.
+ </p>
+ <p>
+ "I wouldn't give a cuss if he had left me 'nough money to get home on the
+ doggoned, grey-haired red pirate," he shrilled, in a seething sentence.
+ The pudgy man gazed at the little man calmly and sneeringly.
+ </p>
+ <p>
+ "Oh, well," he said, "we can tell a great tale when we get back to the
+ city after having investigated this thing."
+ </p>
+ <p>
+ "Go to the devil," replied the little man.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0021" id="link2H_4_0021"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE MESMERIC MOUNTAIN
+ </h2>
+ <h3>
+ A TALE OF SULLIVAN COUNTY
+ </h3>
+ <p>
+ On the brow of a pine-plumed hillock there sat a little man with his back
+ against a tree. A venerable pipe hung from his mouth, and smoke-wreaths
+ curled slowly skyward, he was muttering to himself with his eyes fixed on
+ an irregular black opening in the green wall of forest at the foot of the
+ hill. Two vague wagon ruts led into the shadows. The little man took his
+ pipe in his hands and addressed the listening pines.
+ </p>
+ <p>
+ "I wonder what the devil it leads to," said he.
+ </p>
+ <p>
+ A grey, fat rabbit came lazily from a thicket and sat in the opening.
+ Softly stroking his stomach with his paw, he looked at the little man in a
+ thoughtful manner. The little man threw a stone, and the rabbit blinked
+ and ran through an opening. Green, shadowy portals seemed to close behind
+ him.
+ </p>
+ <p>
+ The little man started. "He's gone down that roadway," he said, with
+ ecstatic mystery to the pines. He sat a long time and contemplated the
+ door to the forest. Finally, he arose, and awakening his limbs, started
+ away. But he stopped and looked back.
+ </p>
+ <p>
+ "I can't imagine what it leads to," muttered he. He trudged over the brown
+ mats of pine needles, to where, in a fringe of laurel, a tent was pitched,
+ and merry flames caroused about some logs. A pudgy man was fuming over a
+ collection of tin dishes. He came forward and waved a plate furiously in
+ the little man's face.
+ </p>
+ <p>
+ "I've washed the dishes for three days. What do you think I am&mdash;"
+ </p>
+ <p>
+ He ended a red oration with a roar: "Damned if I do it any more."
+ </p>
+ <p>
+ The little man gazed dim-eyed away. "I've been wonderin' what it leads
+ to."
+ </p>
+ <p>
+ "What?"
+ </p>
+ <p>
+ "That road out yonder. I've been wonderin' what it leads to. Maybe, some
+ discovery or something," said the little man.
+ </p>
+ <p>
+ The pudgy man laughed. "You're an idiot. It leads to ol' Jim Boyd's over
+ on the Lumberland Pike."
+ </p>
+ <p>
+ "Ho!" said the little man, "I don't believe that."
+ </p>
+ <p>
+ The pudgy man swore. "Fool, what does it lead to, then?"
+ </p>
+ <p>
+ "I don't know just what, but I'm sure it leads to something great or
+ something. It looks like it."
+ </p>
+ <p>
+ While the pudgy man was cursing, two more men came from obscurity with
+ fish dangling from birch twigs. The pudgy man made an obviously herculean
+ struggle and a meal was prepared. As he was drinking his cup of coffee, he
+ suddenly spilled it and swore. The little man was wandering off.
+ </p>
+ <p>
+ "He's gone to look at that hole," cried the pudgy man.
+ </p>
+ <p>
+ The little man went to the edge of the pine-plumed hillock, and, sitting
+ down, began to make smoke and regard the door to the forest. There was
+ stillness for an hour. Compact clouds hung unstirred in the sky. The pines
+ stood motionless, and pondering.
+ </p>
+ <p>
+ Suddenly the little man slapped his knees and bit his tongue. He stood up
+ and determinedly filled his pipe, rolling his eye over the bowl to the
+ doorway. Keeping his eyes fixed he slid dangerously to the foot of the
+ hillock and walked down the wagon ruts. A moment later he passed from the
+ noise of the sunshine to the gloom of the woods.
+ </p>
+ <p>
+ The green portals closed, shutting out live things. The little man trudged
+ on alone.
+ </p>
+ <p>
+ Tall tangled grass grew in the roadway, and the trees bended obstructing
+ branches. The little man followed on over pine-clothed ridges and down
+ through water-soaked swales. His shoes were cut by rocks of the mountains,
+ and he sank ankle-deep in mud and moss of swamps. A curve just ahead lured
+ him miles.
+ </p>
+ <p>
+ Finally, as he wended the side of a ridge, the road disappeared from
+ beneath his feet. He battled with hordes of ignorant bushes on his way to
+ knolls and solitary trees which invited him. Once he came to a tall,
+ bearded pine. He climbed it, and perceived in the distance a peak. He
+ uttered an ejaculation and fell out.
+ </p>
+ <p>
+ He scrambled to his feet, and said: "That's Jones's Mountain, I guess.
+ It's about six miles from our camp as the crow flies."
+ </p>
+ <p>
+ He changed his course away from the mountain, and attacked the bushes
+ again. He climbed over great logs, golden-brown in decay, and was opposed
+ by thickets of dark-green laurel. A brook slid through the ooze of a
+ swamp, cedars and hemlocks hung their spray to the edges of pools.
+ </p>
+ <p>
+ The little man began to stagger in his walk. After a time he stopped and
+ mopped his brow.
+ </p>
+ <p>
+ "My legs are about to shrivel up and drop off," he said.... "Still if I
+ keep on in this direction, I am safe to strike the Lumberland Pike before
+ sundown."
+ </p>
+ <p>
+ He dived at a clump of tag-alders, and emerging, confronted Jones's
+ Mountain.
+ </p>
+ <p>
+ The wanderer sat down in a clear space and fixed his eyes on the summit.
+ His mouth opened widely, and his body swayed at times. The little man and
+ the peak stared in silence.
+ </p>
+ <p>
+ A lazy lake lay asleep near the foot of the mountain. In its bed of
+ water-grass some frogs leered at the sky and crooned. The sun sank in red
+ silence, and the shadows of the pines grew formidable. The expectant hush
+ of evening, as if some thing were going to sing a hymn, fell upon the peak
+ and the little man.
+ </p>
+ <p>
+ A leaping pickerel off on the water created a silver circle that was lost
+ in black shadows. The little man shook himself and started to his feet,
+ crying: "For the love of Mike, there's eyes in this mountain! I feel 'em!
+ Eyes!"
+ </p>
+ <p>
+ He fell on his face.
+ </p>
+ <p>
+ When he looked again, he immediately sprang erect and ran.
+ </p>
+ <p>
+ "It's comin'!"
+ </p>
+ <p>
+ The mountain was approaching.
+ </p>
+ <p>
+ The little man scurried, sobbing through the thick growth. He felt his
+ brain turning to water. He vanquished brambles with mighty bounds.
+ </p>
+ <p>
+ But after a time he came again to the foot of the mountain.
+ </p>
+ <p>
+ "God!" he howled, "it's been follerin' me." He grovelled.
+ </p>
+ <p>
+ Casting his eyes upward made circles swirl in his blood.
+ </p>
+ <p>
+ "I'm shackled I guess," he moaned. As he felt the heel of the mountain
+ about to crush his head, he sprang again to his feet. He grasped a handful
+ of small stones and hurled them.
+ </p>
+ <p>
+ "Damn you," he shrieked loudly. The pebbles rang against the face of the
+ mountain.
+ </p>
+ <p>
+ The little man then made an attack. He climbed with hands and feet wildly.
+ Brambles forced him back and stones slid from beneath his feet. The peak
+ swayed and tottered, and was ever about to smite with a granite arm. The
+ summit was a blaze of red wrath.
+ </p>
+ <p>
+ But the little man at last reached the top. Immediately he swaggered with
+ valor to the edge of the cliff. His hands were scornfully in his pockets.
+ </p>
+ <p>
+ He gazed at the western horizon, edged sharply against a yellow sky. "Ho!"
+ he said. "There's Boyd's house and the Lumberland Pike."
+ </p>
+ <p>
+ The mountain under his feet was motionless.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0022" id="link2H_4_0022"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE SNAKE
+ </h2>
+ <p>
+ Where the path wended across the ridge, the bushes of huckleberry and
+ sweet fern swarmed at it in two curling waves until it was a mere winding
+ line traced through a tangle. There was no interference by clouds, and as
+ the rays of the sun fell full upon the ridge, they called into voice
+ innumerable insects which chanted the heat of the summer day in steady,
+ throbbing, unending chorus.
+ </p>
+ <p>
+ A man and a dog came from the laurel thickets of the valley where the
+ white brook brawled with the rocks. They followed the deep line of the
+ path across the ridges. The dog&mdash;a large lemon and white setter&mdash;walked,
+ tranquilly meditative, at his master's heels.
+ </p>
+ <p>
+ Suddenly from some unknown and yet near place in advance there came a dry,
+ shrill whistling rattle that smote motion instantly from the limbs of the
+ man and the dog. Like the fingers of a sudden death, this sound seemed to
+ touch the man at the nape of the neck, at the top of the spine, and change
+ him, as swift as thought, to a statue of listening horror, surprise, rage.
+ The dog, too&mdash;the same icy hand was laid upon him, and he stood
+ crouched and quivering, his jaw dropping, the froth of terror upon his
+ lips, the light of hatred in his eyes.
+ </p>
+ <p>
+ Slowly the man moved his hands toward the bushes, but his glance did not
+ turn from the place made sinister by the warning rattle. His fingers,
+ unguided, sought for a stick of weight and strength. Presently they closed
+ about one that seemed adequate, and holding this weapon poised before him
+ the man moved slowly forward, glaring. The dog with his nervous nostrils
+ fairly fluttering moved warily, one foot at a time, after his master.
+ </p>
+ <p>
+ But when the man came upon the snake, his body underwent a shock as if
+ from a revelation, as if after all he had been ambushed. With a blanched
+ face, he sprang forward and his breath came in strained gasps, his chest
+ heaving as if he were in the performance of an extraordinary muscular
+ trial. His arm with the stick made a spasmodic, defensive gesture.
+ </p>
+ <p>
+ The snake had apparently been crossing the path in some mystic travel when
+ to his sense there came the knowledge of the coming of his foes. The dull
+ vibration perhaps informed him, and he flung his body to face the danger.
+ He had no knowledge of paths; he had no wit to tell him to slink
+ noiselessly into the bushes. He knew that his implacable enemies were
+ approaching; no doubt they were seeking him, hunting him. And so he cried
+ his cry, an incredibly swift jangle of tiny bells, as burdened with pathos
+ as the hammering upon quaint cymbals by the Chinese at war&mdash;for,
+ indeed, it was usually his death-music.
+ </p>
+ <p>
+ "Beware! Beware! Beware!"
+ </p>
+ <p>
+ The man and the snake confronted each other. In the man's eyes were hatred
+ and fear. In the snake's eyes were hatred and fear. These enemies
+ maneuvered, each preparing to kill. It was to be a battle without mercy.
+ Neither knew of mercy for such a situation. In the man was all the wild
+ strength of the terror of his ancestors, of his race, of his kind. A
+ deadly repulsion had been handed from man to man through long dim
+ centuries. This was another detail of a war that had begun evidently when
+ first there were men and snakes. Individuals who do not participate in
+ this strife incur the investigations of scientists. Once there was a man
+ and a snake who were friends, and at the end, the man lay dead with the
+ marks of the snake's caress just over his East Indian heart. In the
+ formation of devices, hideous and horrible, Nature reached her supreme
+ point in the making of the snake, so that priests who really paint hell
+ well fill it with snakes instead of fire. The curving forms, these
+ scintillant coloring create at once, upon sight, more relentless
+ animosities than do shake barbaric tribes. To be born a snake is to be
+ thrust into a place a-swarm with formidable foes. To gain an appreciation
+ of it, view hell as pictured by priests who are really skilful.
+ </p>
+ <p>
+ As for this snake in the pathway, there was a double curve some inches
+ back of its head, which, merely by the potency of its lines, made the man
+ feel with tenfold eloquence the touch of the death-fingers at the nape of
+ his neck. The reptile's head was waving slowly from side to side and its
+ hot eyes flashed like little murder-lights. Always in the air was the dry,
+ shrill whistling of the rattles.
+ </p>
+ <p>
+ "Beware! Beware! Beware!"
+ </p>
+ <p>
+ The man made a preliminary feint with his stick. Instantly the snake's
+ heavy head and neck were bended back on the double curve and instantly the
+ snake's body shot forward in a low, strait, hard spring. The man jumped
+ with a convulsive chatter and swung his stick. The blind, sweeping blow
+ fell upon the snake's head and hurled him so that steel-colored plates
+ were for a moment uppermost. But he rallied swiftly, agilely, and again
+ the head and neck bended back to the double curve, and the steaming,
+ wide-open mouth made its desperate effort to reach its enemy. This attack,
+ it could be seen, was despairing, but it was nevertheless impetuous,
+ gallant, ferocious, of the same quality as the charge of the lone chief
+ when the walls of white faces close upon him in the mountains. The stick
+ swung unerringly again, and the snake, mutilated, torn, whirled himself
+ into the last coil.
+ </p>
+ <p>
+ And now the man went sheer raving mad from the emotions of his forefathers
+ and from his own. He came to close quarters. He gripped the stick with his
+ two hands and made it speed like a flail. The snake, tumbling in the
+ anguish of final despair, fought, bit, flung itself upon this stick which
+ was taking his life.
+ </p>
+ <p>
+ At the end, the man clutched his stick and stood watching in silence. The
+ dog came slowly and with infinite caution stretched his nose forward,
+ sniffing. The hair upon his neck and back moved and ruffled as if a sharp
+ wind was blowing, the last muscular quivers of the snake were causing the
+ rattles to still sound their treble cry, the shrill, ringing war chant and
+ hymn of the grave of the thing that faces foes at once countless,
+ implacable, and superior.
+ </p>
+ <p>
+ "Well, Rover," said the man, turning to the dog with a grin of victory,
+ "we'll carry Mr. Snake home to show the girls."
+ </p>
+ <p>
+ His hands still trembled from the strain of the encounter, but he pried
+ with his stick under the body of the snake and hoisted the limp thing upon
+ it. He resumed his march along the path, and the dog walked tranquilly
+ meditative, at his master's heels.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0023" id="link2H_4_0023"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ LONDON IMPRESSIONS
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0007" id="link2HCH0007"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER I
+ </h2>
+ <p>
+ London at first consisted of a porter with the most charming manners in
+ the world, and a cabman with a supreme intelligence, both observing my
+ profound ignorance without contempt or humor of any kind observable in
+ their manners. It was in a great resounding vault of a place where there
+ were many people who had come home, and I was displeased because they knew
+ the detail of the business, whereas I was confronting the inscrutable.
+ This made them appear very stony-hearted to the sufferings of one of whose
+ existence, to be sure, they were entirely unaware, and I remember taking
+ great pleasure in disliking them heartily for it. I was in an agony of
+ mind over my baggage, or my luggage, or my&mdash;perhaps it is well to shy
+ around this terrible international question; but I remember that when I
+ was a lad I was told that there was a whole nation that said luggage
+ instead of baggage, and my boyish mind was filled at the time with
+ incredulity and scorn. In the present case it was a thing that I
+ understood to involve the most hideous confessions of imbecility on my
+ part, because I had evidently to go out to some obscure point and espy it
+ and claim it, and take trouble for it; and I would rather have had my
+ pockets filled with bread and cheese, and had no baggage at all.
+ </p>
+ <p>
+ Mind you, this was not at all a homage that I was paying to London. I was
+ paying homage to a new game. A man properly lazy does not like new
+ experiences until they become old ones. Moreover, I have been taught that
+ a man, any man, who has a thousand times more points of information on a
+ certain thing than I have will bully me because of it, and pour his
+ advantages upon my bowed head until I am drenched with his superiority. It
+ was in my education to concede some license of the kind in this case, but
+ the holy father of a porter and the saintly cabman occupied the middle
+ distance imperturbably, and did not come down from their hills to clout me
+ with knowledge. From this fact I experienced a criminal elation. I lost
+ view of the idea that if I had been brow-beaten by porters and cabmen from
+ one end of the United States to the other end I should warmly like it,
+ because in numbers they are superior to me, and collectively they can have
+ a great deal of fun out of a matter that would merely afford me the glee
+ of the latent butcher.
+ </p>
+ <p>
+ This London, composed of a porter and a cabman, stood to me subtly as a
+ benefactor. I had scanned the drama, and found that I did not believe that
+ the mood of the men emanated unduly from the feature that there was
+ probably more shillings to the square inch of me than there were shillings
+ to the square inch of them. Nor yet was it any manner of palpable
+ warm-heartedness or other natural virtue. But it was a perfect artificial
+ virtue; it was drill, plain, simple drill. And now was I glad of their
+ drilling, and vividly approved of it, because I saw that it was good for
+ me. Whether it was good or bad for the porter and the cabman I could not
+ know; but that point, mark you, came within the pale of my respectable
+ rumination.
+ </p>
+ <p>
+ I am sure that it would have been more correct for me to have alighted
+ upon St. Paul's and described no emotion until I was overcome by the
+ Thames Embankment and the Houses of Parliament. But as a matter of fact I
+ did not see them for some days, and at this time they did not concern me
+ at all. I was born in London at a railroad station, and my new vision
+ encompassed a porter and a cabman. They deeply absorbed me in new
+ phenomena, and I did not then care to see the Thames Embankment nor the
+ Houses of Parliament. I considered the porter and the cabman to be more
+ important.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0008" id="link2HCH0008"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER II
+ </h2>
+ <p>
+ The cab finally rolled out of the gas-lit vault into a vast expanse of
+ gloom. This changed to the shadowy lines of a street that was like a
+ passage in a monstrous cave. The lamps winking here and there resembled
+ the little gleams at the caps of the miners. They were not very competent
+ illuminations at best, merely being little pale flares of gas that at
+ their most heroic periods could only display one fact concerning this
+ tunnel&mdash;the fact of general direction. But at any rate I should have
+ liked to have observed the dejection of a search-light if it had been
+ called upon to attempt to bore through this atmosphere. In it each man sat
+ in his own little cylinder of vision, so to speak. It was not so small as
+ a sentry-box nor so large as a circus tent, but the walls were opaque, and
+ what was passing beyond the dimensions of his cylinder no man knew.
+ </p>
+ <p>
+ It was evident that the paving was very greasy, but all the cabs that
+ passed through my cylinder were going at a round trot, while the wheels,
+ shod in rubber, whirred merely like bicycles. The hoofs of the animals
+ themselves did not make that wild clatter which I knew so well. New York
+ in fact, roars always like ten thousand devils. We have ingenuous and
+ simple ways of making a din in New York that cause the stranger to
+ conclude that each citizen is obliged by statute to provide himself with a
+ pair of cymbals and a drum. If anything by chance can be turned into a
+ noise it is promptly turned. We are engaged in the development of a human
+ creature with very large, sturdy, and doubly, fortified ears.
+ </p>
+ <p>
+ It was not too late at night, but this London moved with the decorum and
+ caution of an undertaker. There was a silence, and yet there was no
+ silence. There was a low drone, perhaps a humming contributed inevitably
+ by closely-gathered thousands, and yet on second thoughts it was to me
+ silence. I had perched my ears for the note of London, the sound made
+ simply by the existence of five million people in one place. I had
+ imagined something deep, vastly deep, a bass from a mythical organ, but
+ found as far as I was concerned, only a silence.
+ </p>
+ <p>
+ New York in numbers is a mighty city, and all day and all night it cries
+ its loud, fierce, aspiring cry, a noise of men beating upon barrels, a
+ noise of men beating upon tin, a terrific racket that assails the abject
+ skies. No one of us seemed to question this row as a certain consequence
+ of three or four million people living together and scuffling for coin,
+ with more agility, perhaps, but otherwise in the usual way. However, after
+ this easy silence of London, which in numbers is a mightier city, I began
+ to feel that there was a seduction in this idea of necessity. Our noise in
+ New York was not a consequence of our rapidity at all. It was a
+ consequence of our bad pavements.
+ </p>
+ <p>
+ Any brigade of artillery in Europe that would love to assemble its
+ batteries, and then go on a gallop over the land, thundering and
+ thundering, would give up the idea of thunder at once if it could hear Tim
+ Mulligan drive a beer wagon along one of the side streets of cobbled New
+ York.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0009" id="link2HCH0009"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER III
+ </h2>
+ <p>
+ Finally a great thing came to pass. The cab horse, proceeding at a sharp
+ trot, found himself suddenly at the top of an incline, where through the
+ rain the pavement shone like an expanse of ice. It looked to me as if
+ there was going to be a tumble. In an accident of such a kind a hansom
+ becomes really a cannon in which a man finds that he has paid shillings
+ for the privilege of serving as a projectile. I was making a rapid
+ calculation of the arc that I would describe in my flight, when the horse
+ met his crisis with a masterly device that I could not have imagined. He
+ tranquilly braced his four feet like a bundle of stakes, and then, with a
+ gentle gaiety of demeanor, he slid swiftly and gracefully to the bottom of
+ the hill as if he had been a toboggan. When the incline ended he caught
+ his gait again with great dexterity, and went pattering off through
+ another tunnel.
+ </p>
+ <p>
+ I at once looked upon myself as being singularly blessed by this sight.
+ This horse had evidently originated this system of skating as a diversion,
+ or, more probably, as a precaution against the slippery pavement; and he
+ was, of course the inventor and sole proprietor&mdash;two terms that are
+ not always in conjunction. It surely was not to be supposed that there
+ could be two skaters like him in the world. He deserved to be known and
+ publicly praised for this accomplishment. It was worthy of many records
+ and exhibitions. But when the cab arrived at a place where some dipping
+ streets met, and the flaming front of a music-hall temporarily widened my
+ cylinder, behold there were many cabs, and as the moment of necessity came
+ the horses were all skaters. They were gliding in all directions. It might
+ have been a rink. A great omnibus was hailed by a hand under an umbrella
+ on the side walk, and the dignified horses bidden to halt from their trot
+ did not waste time in wild and unseemly spasms. They, too, braced their
+ legs and slid gravely to the end of their momentum.
+ </p>
+ <p>
+ It was not the feat, but it was the word which had at this time the power
+ to conjure memories of skating parties on moonlit lakes, with laughter
+ ringing over the ice, and a great red bonfire on the shore among the
+ hemlocks.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0010" id="link2HCH0010"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IV
+ </h2>
+ <p>
+ A Terrible thing in nature is the fall of a horse in his harness. It is a
+ tragedy. Despite their skill in skating there was that about the pavement
+ on the rainy evening which filled me with expectations of horses going
+ headlong. Finally it happened just in front. There was a shout and a
+ tangle in the darkness, and presently a prostrate cab horse came within my
+ cylinder. The accident having been a complete success and altogether
+ concluded, a voice from the side walk said, "<i>Look</i> out, now! <i>Be</i>
+ more careful, can't you?"
+ </p>
+ <p>
+ I remember a constituent of a Congressman at Washington who had tried in
+ vain to bore this Congressman with a wild project of some kind. The
+ Congressman eluded him with skill, and his rage and despair ultimately
+ culminated in the supreme grievance that he could not even get near enough
+ to the Congressman to tell him to go to Hades.
+ </p>
+ <p>
+ This cabman should have felt the same desire to strangle this man who
+ spoke from the sidewalk. He was plainly impotent; he was deprived of the
+ power of looking out. There was nothing now for which to look out. The man
+ on the sidewalk had dragged a corpse from a pond and said to it,
+ </p>
+ <p>
+ "<i>Be</i> more careful, can't you, or you'll drown?" My cabman pulled up
+ and addressed a few words of reproach to the other. Three or four figures
+ loomed into my cylinder, and as they appeared spoke to the author or the
+ victim of the calamity in varied terms of displeasure. Each of these
+ reproaches was couched in terms that defined the situation as impending.
+ No blind man could have conceived that the precipitate phrase of the
+ incident was absolutely closed.
+ </p>
+ <p>
+ "<i>Look</i> out now, cawn't you?" And there was nothing in his mind which
+ approached these sentiments near enough to tell them to go to Hades.
+ </p>
+ <p>
+ However, it needed only an ear to know presently that these expressions
+ were formulae. It was merely the obligatory dance which the Indians had to
+ perform before they went to war. These men had come to help, but as a
+ regular and traditional preliminary they had first to display to this
+ cabman their idea of his ignominy.
+ </p>
+ <p>
+ The different thing in the affair was the silence of the victim. He
+ retorted never a word. This, too, to me seemed to be an obedience to a
+ recognized form. He was the visible criminal, if there was a criminal, and
+ there was born of it a privilege for them.
+ </p>
+ <p>
+ They unfastened the proper straps and hauled back the cab. They fetched a
+ mat from some obscure place of succor, and pushed it carefully under the
+ prostrate thing. From this panting, quivering mass they suddenly and
+ emphatically reconstructed a horse. As each man turned to go his way he
+ delivered some superior caution to the cabman while the latter buckled his
+ harness.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0011" id="link2HCH0011"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER V
+ </h2>
+ <p>
+ There was to be noticed in this band of rescuers a young man in evening
+ clothes and top-hat. Now, in America a young man in evening clothes and a
+ top-hat may be a terrible object. He is not likely to do violence, but he
+ is likely to do impassivity and indifference to the point where they
+ become worse than violence. There are certain of the more idle phases of
+ civilization to which America has not yet awakened&mdash;and it is a
+ matter of no moment if she remains unaware. This matter of hats is one of
+ them. I recall a legend recited to me by an esteemed friend, ex-Sheriff of
+ Tin Can, Nevada. Jim Cortright, one of the best gun-fighters in town, went
+ on a journey to Chicago, and while there he procured a top-hat. He was
+ quite sure how Tin Can would accept this innovation, but he relied on the
+ celerity with which he could get a six-shooter in action. One Sunday Jim
+ examined his guns with his usual care, placed the top-hat on the back of
+ his head, and sauntered coolly out into the streets of Tin Can.
+ </p>
+ <p>
+ Now, while Jim was in Chicago some progressive citizen had decided that
+ Tin Can needed a bowling alley. The carpenters went to work the next
+ morning, and an order for the balls and pins was telegraphed to Denver. In
+ three days the whole population was concentrated at the new alley betting
+ their outfits and their lives.
+ </p>
+ <p>
+ It has since been accounted very unfortunate that Jim Cortright had not
+ learned of bowling alleys at his mother's knee or even later in the mines.
+ This portion of his mind was singularly belated. He might have been an
+ Apache for all he knew of bowling alleys.
+ </p>
+ <p>
+ In his careless stroll through the town, his hands not far from his belt
+ and his eyes going sideways in order to see who would shoot first at the
+ hat, he came upon this long, low shanty where Tin Can was betting itself
+ hoarse over a game between a team from the ranks of Excelsior Hose Company
+ No. 1 and a team composed from the <i>habitues</i> of the "Red Light"
+ saloon.
+ </p>
+ <p>
+ Jim, in blank ignorance of bowling phenomena, wandered casually through a
+ little door into what must always be termed the wrong end of a bowling
+ alley. Of course, he saw that the supreme moment had come. They were not
+ only shooting at the hat and at him, but the low-down cusses were using
+ the most extraordinary and hellish ammunition. Still, perfectly undaunted,
+ however, Jim retorted with his two Colts, and killed three of the best
+ bowlers in Tin Can.
+ </p>
+ <p>
+ The ex-Sheriff vouched for this story. He himself had gone headlong
+ through the door at the firing of the first shot with that simple courtesy
+ which leads Western men to donate the fighters plenty of room. He said
+ that afterwards the hat was the cause of a number of other fights, and
+ that finally a delegation of prominent citizens was obliged to wait upon
+ Cortright and ask him if he wouldn't take that thing away somewhere and
+ bury it. Jim pointed out to them that it was his hat, and that he would
+ regard it as a cowardly concession if he submitted to their dictation in
+ the matter of his headgear. He added that he purposed to continue to wear
+ his top-hat on every occasion when he happened to feel that the wearing of
+ a top-hat was a joy and a solace to him.
+ </p>
+ <p>
+ The delegation sadly retired, and announced to the town that Jim Cortright
+ had openly defied them, and had declared his purpose of forcing his
+ top-hat on the pained attention of Tin Can whenever he chose. Jim
+ Cortright's plug hat became a phrase with considerable meaning to it.
+ </p>
+ <p>
+ However, the whole affair ended in a great passionate outburst of popular
+ revolution. Spike Foster was a friend of Cortright, and one day, when the
+ latter was indisposed, Spike came to him and borrowed the hat. He had been
+ drinking heavily at the "Red Light," and was in a supremely reckless mood.
+ With the terrible gear hanging jauntily over his eye and his two guns
+ drawn, he walked straight out into the middle of the square in front of
+ the Palace Hotel, and drew the attention of all Tin Can by a
+ blood-curdling imitation of the yowl of a mountain lion.
+ </p>
+ <p>
+ This was when the long suffering populace arose as one man. The top-hat
+ had been flaunted once too often. When Spike Foster's friends came to
+ carry him away they found nearly a hundred and fifty men shooting busily
+ at a mark&mdash;and the mark was the hat.
+ </p>
+ <p>
+ My informant told me that he believed he owed his popularity in Tin Can,
+ and subsequently his election to the distinguished office of Sheriff, to
+ the active and prominent part he had taken in the proceedings.
+ </p>
+ <p>
+ The enmity to the top-hat expressed by the convincing anecdote exists in
+ the American West at present, I think, in the perfection of its strength;
+ but disapproval is not now displayed by volleys from the citizens, save in
+ the most aggravating cases. It is at present usually a matter of mere jibe
+ and general contempt. The East, however, despite a great deal of kicking
+ and gouging, is having the top-hat stuffed slowly and carefully down its
+ throat, and there now exist many young men who consider that they could
+ not successfully conduct their lives without this furniture.
+ </p>
+ <p>
+ To speak generally, I should say that the headgear then supplies them with
+ a kind of ferocity of indifference. There is fire, sword, and pestilence
+ in the way they heed only themselves. Philosophy should always know that
+ indifference is a militant thing. It batters down the walls of cities, and
+ murders the women and children amid flames and the purloining of altar
+ vessels. When it goes away it leaves smoking ruins, where lie citizens
+ bayoneted through the throat. It is not a children's pastime like mere
+ highway robbery.
+ </p>
+ <p>
+ Consequently in America we may be much afraid of these young men. We dive
+ down alleys so that we may not kowtow. It is a fearsome thing.
+ </p>
+ <p>
+ Taught thus a deep fear of the top-hat in its effect upon youth, I was not
+ prepared for the move of this particular young man when the cab-horse
+ fell. In fact, I grovelled in my corner that I might not see the cruel
+ stateliness of his passing. But in the meantime he had crossed the street,
+ and contributed the strength of his back and some advice, as well as the
+ formal address, to the cabman on the importance of looking out
+ immediately.
+ </p>
+ <p>
+ I felt that I was making a notable collection. I had a new kind of porter,
+ a cylinder of vision, horses that could skate, and now I added a young man
+ in a top-hat who would tacitly admit that the beings around him were
+ alive. He was not walking a churchyard filled with inferior headstones. He
+ was walking the world, where there were people, many people.
+ </p>
+ <p>
+ But later I took him out of the collection. I thought he had rebelled
+ against the manner of a class, but I soon discovered that the top-hat was
+ not the property of a class. It was the property of rogues, clerks,
+ theatrical agents, damned seducers, poor men, nobles, and others. In fact,
+ it was the universal rigging. It was the only hat; all other forms might
+ as well be named ham, or chops, or oysters. I retracted my admiration of
+ the young man because he may have been merely a rogue.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0012" id="link2HCH0012"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VI
+ </h2>
+ <p>
+ There was a window whereat an enterprising man by dodging two placards and
+ a calendar was entitled to view a young woman. She was dejectedly writing
+ in a large book. She was ultimately induced to open the window a trifle.
+ "What nyme, please?" she said wearily. I was surprised to hear this
+ language from her. I had expected to be addressed on a submarine topic. I
+ have seen shell fishes sadly writing in large books at the bottom of a
+ gloomy acquarium who could not ask me what was my "nyme."
+ </p>
+ <p>
+ At the end of the hall there was a grim portal marked "lift." I pressed an
+ electric button and heard an answering tinkle in the heavens. There was an
+ upholstered settle near at hand, and I discovered the reason. A
+ deer-stalking peace drooped upon everything, and in it a man could invoke
+ the passing of a lazy pageant of twenty years of his life. The dignity of
+ a coffin being lowered into a grave surrounded the ultimate appearance of
+ the lift. The expert we in America call the elevator-boy stepped from the
+ car, took three paces forward, faced to attention and saluted. This
+ elevator boy could not have been less than sixty years of age; a great
+ white beard streamed towards his belt. I saw that the lift had been longer
+ on its voyage than I had suspected.
+ </p>
+ <p>
+ Later in our upward progress a natural event would have been an
+ establishment of social relations. Two enemies imprisoned together during
+ the still hours of a balloon journey would, I believe, suffer a mental
+ amalgamation. The overhang of a common fate, a great principal fact, can
+ make an equality and a truce between any pair. Yet, when I disembarked, a
+ final survey of the grey beard made me recall that I had failed even to
+ ask the boy whether he had not taken probably three trips on this lift.
+ </p>
+ <p>
+ My windows overlooked simply a great sea of night, in which were swimming
+ little gas fishes.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0013" id="link2HCH0013"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VII
+ </h2>
+ <p>
+ I have of late been led to reflect wistfully that many of the illustrators
+ are very clever. In an impatience, which was donated by a certain economy
+ of apparel, I went to a window to look upon day-lit London. There were the
+ 'buses parading the streets with the miens of elephants There were the
+ police looking precisely as I had been informed by the prints. There were
+ the sandwich-men. There was almost everything.
+ </p>
+ <p>
+ But the artists had not told me the sound of London. Now, in New York the
+ artists are able to portray sound because in New York a dray is not a dray
+ at all; it is a great potent noise hauled by two or more horses. When a
+ magazine containing an illustration of a New York street is sent to me, I
+ always know it beforehand. I can hear it coming through the mails. As I
+ have said previously, this which I must call sound of London was to me
+ only a silence.
+ </p>
+ <p>
+ Later, in front of the hotel a cabman that I hailed said to me&mdash;"Are
+ you gowing far, sir? I've got a byby here, and want to giv'er a bit of a
+ blough." This impressed me as being probably a quotation from an early
+ Egyptian poet, but I learned soon enough that the word "byby" was the name
+ of some kind or condition of horse. The cabman's next remark was addressed
+ to a boy who took a perilous dive between the byby's nose and a cab in
+ front. "That's roight. Put your head in there and get it jammed&mdash;a
+ whackin good place for it, I should think." Although the tone was low and
+ circumspect, I have never heard a better off-handed declamation. Every
+ word was cut clear of disreputable alliances with its neighbors. The whole
+ thing was clean as a row of pewter mugs. The influence of indignation upon
+ the voice caused me to reflect that we might devise a mechanical means of
+ inflaming some in that constellation of mummers which is the heritage of
+ the Anglo-Saxon race.
+ </p>
+ <p>
+ Then I saw the drilling of vehicles by two policemen. There were four
+ torrents converging at a point, and when four torrents converge at one
+ point engineering experts buy tickets for another place.
+ </p>
+ <p>
+ But here, again, it was drill, plain, simple drill. I must not falter in
+ saying that I think the management of the traffic&mdash;as the phrase goes&mdash;to
+ be distinctly illuminating and wonderful. The police were not ruffled and
+ exasperated. They were as peaceful as two cows in a pasture.
+ </p>
+ <p>
+ I can remember once remarking that mankind, with all its boasted modern
+ progress, had not yet been able to invent a turnstile that will commute in
+ fractions. I have now learned that 756 rights-of-way cannot operate
+ simultaneously at one point. Right-of-way, like fighting women, requires
+ space. Even two rights-of-way can make a scene which is only suited to the
+ tastes of an ancient public.
+ </p>
+ <p>
+ This truth was very evidently recognized. There was only one right-of-way
+ at a time. The police did not look behind them to see if their orders were
+ to be obeyed; they knew they were to be obeyed. These four torrents were
+ drilling like four battalions. The two blue-cloth men maneuvered them in
+ solemn, abiding peace, the silence of London.
+ </p>
+ <p>
+ I thought at first that it was the intellect of the individual, but I
+ looked at one constable closely and his face was as afire with
+ intelligence as a flannel pin-cushion. It was not the police, and it was
+ not the crowd. It was the police and the crowd. Again, it was drill.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0014" id="link2HCH0014"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VIII
+ </h2>
+ <p>
+ I have never been in the habit of reading signs. I don't like to read
+ signs. I have never met a man that liked to read signs. I once invented a
+ creature who could play the piano with a hammer, and I mentioned him to a
+ professor in Harvard University whose peculiarity was Sanscrit. He had the
+ same interest in my invention that I have in a certain kind of mustard.
+ And yet this mustard has become a part of me. Or, I have become a part of
+ this mustard. Further, I know more of an ink, a brand of hams, a kind of
+ cigarette, and a novelist than any man living. I went by train to see a
+ friend in the country, and after passing through a patent mucilage, some
+ more hams, a South African Investment Company, a Parisian millinery firm,
+ and a comic journal, I alighted at a new and original kind of corset. On
+ my return journey the road almost continuously ran through soap.
+ </p>
+ <p>
+ I have accumulated superior information concerning these things, because I
+ am at their mercy. If I want to know where I am I must find the definitive
+ sign. This accounts for my glib use of the word mucilage, as well as the
+ titles of other staples.
+ </p>
+ <p>
+ I suppose even the Briton in mixing his life must sometimes consult the
+ labels on 'buses and streets and stations, even as the chemist consults
+ the labels on his bottles and boxes. A brave man would possibly affirm
+ that this was suggested by the existence of the labels.
+ </p>
+ <p>
+ The reason that I did not learn more about hams and mucilage in New York
+ seems to me to be partly due to the fact that the British advertiser is
+ allowed to exercise an unbridled strategy in his attack with his new
+ corset or whatever upon the defensive public. He knows that the vulnerable
+ point is the informatory sign which the citizen must, of course, use for
+ his guidance, and then, with horse, foot, guns, corsets, hams, mucilage,
+ investment companies, and all, he hurls himself at the point.
+ </p>
+ <p>
+ Meanwhile I have discovered a way to make the Sanscrit scholar heed my
+ creature who plays the piano with a hammer.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0032" id="link2H_4_0032"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE SCOTCH EXPRESS
+ </h2>
+ <p>
+ The entrance to Euston Station is of itself sufficiently imposing. It is a
+ high portico of brown stone, old and grim, in form a casual imitation, no
+ doubt, of the front of the temple of Nike Apteros, with a recollection of
+ the Egyptians proclaimed at the flanks. The frieze, where of old would
+ prance an exuberant processional of gods, is, in this case, bare of
+ decoration, but upon the epistyle is written in simple, stern letters the
+ word "EUSTON." The legend reared high by the gloomy Pelagic columns stares
+ down a wide avenue, In short, this entrance to a railway station does not
+ in any way resemble the entrance to a railway station. It is more the
+ front of some venerable bank. But it has another dignity, which is not
+ born of form. To a great degree, it is to the English and to those who are
+ in England the gate to Scotland.
+ </p>
+ <p>
+ The little hansoms are continually speeding through the gate, dashing
+ between the legs of the solemn temple; the four-wheelers, their tops
+ crowded with luggage, roll in and out constantly, and the footways beat
+ under the trampling of the people. Of course, there are the suburbs and a
+ hundred towns along the line, and Liverpool, the beginning of an important
+ sea-path to America, and the great manufacturing cities of the North; but
+ if one stands at this gate in August particularly, one must note the
+ number of men with gun-cases, the number of women who surely have
+ Tam-o'-Shanters and plaids concealed within their luggage, ready for the
+ moors. There is, during the latter part of that month, a wholesale flight
+ from London to Scotland which recalls the July throngs leaving New York
+ for the shore or the mountains.
+ </p>
+ <p>
+ The hansoms, after passing through this impressive portal of the station,
+ bowl smoothly across a courtyard which is in the center of the terminal
+ hotel, an institution dear to most railways in Europe. The traveler lands
+ amid a swarm of porters, and then proceeds cheerfully to take the
+ customary trouble for his luggage. America provides a contrivance in a
+ thousand situations where Europe provides a man or perhaps a number of
+ men, and the work of our brass check is here done by porters, directed by
+ the traveler himself. The men lack the memory of the check; the check
+ never forgets its identity. Moreover, the European railways generously
+ furnish the porters at the expense of the traveler. Nevertheless, if these
+ men have not the invincible business precision of the check, and if they
+ have to be tipped, it can be asserted for those who care that in Europe
+ one-half of the populace waits on the other half most diligently and well.
+ </p>
+ <p>
+ Against the masonry of a platform, under the vaulted arch of the
+ train-house, lay a long string of coaches. They were painted white on the
+ bulging part, which led halfway down from the top, and the bodies were a
+ deep bottle-green. There was a group of porters placing luggage in the
+ van, and a great many others were busy with the affairs of passengers,
+ tossing smaller bits of luggage into the racks over the seats, and
+ bustling here and there on short quests. The guard of the train, a tall
+ man who resembled one of the first Napoleon's veterans, was caring for the
+ distribution of passengers into the various bins. There were no
+ second-class compartments; they were all third and first-class.
+ </p>
+ <p>
+ The train was at this time engineless, but presently a railway "flier,"
+ painted a glowing vermilion, slid modestly down and took its place at the
+ head. The guard walked along the platform, and decisively closed each
+ door. He wore a dark blue uniform thoroughly decorated with silver braid
+ in the guise of leaves. The way of him gave to this business the
+ importance of a ceremony. Meanwhile the fireman had climbed down from the
+ cab and raised his hand, ready to transfer a signal to the driver, who
+ stood looking at his watch. In the interval there had something progressed
+ in the large signal box that stands guard at Euston. This high house
+ contains many levers, standing in thick, shining ranks. It perfectly
+ resembles an organ in some great church, if it were not that these rows of
+ numbered and indexed handles typify something more acutely human than does
+ a keyboard. It requires four men to play this organ-like thing, and the
+ strains never cease. Night and day, day and night, these four men are
+ walking to and fro, from this lever to that lever, and under their hands
+ the great machine raises its endless hymn of a world at work, the fall and
+ rise of signals and the clicking swing of switches.
+ </p>
+ <p>
+ And so as the vermilion engine stood waiting and looking from the shadow
+ of the curve-roofed station, a man in the signal house had played the
+ notes that informed the engine of its freedom. The driver saw the fall of
+ those proper semaphores which gave him liberty to speak to his steel
+ friend. A certain combination in the economy of the London and
+ Northwestern Railway, a combination which had spread from the men who
+ sweep out the carriages through innumerable minds to the general manager
+ himself, had resulted in the law that the vermilion engine, with its long
+ string of white and bottle-green coaches, was to start forthwith toward
+ Scotland.
+ </p>
+ <p>
+ Presently the fireman, standing with his face toward the rear, let fall
+ his hand. "All right," he said. The driver turned a wheel, and as the
+ fireman slipped back, the train moved along the platform at the pace of a
+ mouse. To those in the tranquil carriages this starting was probably as
+ easy as the sliding of one's hand over a greased surface, but in the
+ engine there was more to it. The monster roared suddenly and loudly, and
+ sprang forward impetuously. A wrong-headed or maddened draft-horse will
+ plunge in its collar sometimes when going up a hill. But this load of
+ burdened carriages followed imperturbably at the gait of turtles. They
+ were not to be stirred from their way of dignified exit by the impatient
+ engine. The crowd of porters and transient people stood respectful. They
+ looked with the indefinite wonder of the railway-station sight-seer upon
+ the faces at the windows of the passing coaches. This train was off for
+ Scotland. It had started from the home of one accent to the home of
+ another accent. It was going from manner to manner, from habit to habit,
+ and in the minds of these London spectators there surely floated dim
+ images of the traditional kilts, the burring speech, the grouse, the
+ canniness, the oat-meal, all the elements of a romantic Scotland.
+ </p>
+ <p>
+ The train swung impressively around the signal-house, and headed up a
+ brick-walled cut. In starting this heavy string of coaches, the engine
+ breathed explosively. It gasped, and heaved, and bellowed; once, for a
+ moment, the wheels spun on the rails, and a convulsive tremor shook the
+ great steel frame.
+ </p>
+ <p>
+ The train itself, however, moved through this deep cut in the body of
+ London with coolness and precision, and the employees of the railway,
+ knowing the train's mission, tacitly presented arms at its passing. To the
+ travelers in the carriages, the suburbs of London must have been one long
+ monotony of carefully made walls of stone or brick. But after the hill was
+ climbed, the train fled through pictures of red habitations of men on a
+ green earth.
+ </p>
+ <p>
+ But the noise in the cab did not greatly change its measure. Even though
+ the speed was now high, the tremendous thumping to be heard in the cab was
+ as alive with strained effort and as slow in beat as the breathing of a
+ half-drowned man. At the side of the track, for instance, the sound
+ doubtless would strike the ear in the familiar succession of incredibly
+ rapid puffs; but in the cab itself, this land-racer breathes very like its
+ friend, the marine engine. Everybody who has spent time on shipboard has
+ forever in his head a reminiscence of the steady and methodical pounding
+ of the engines, and perhaps it is curious that this relative which can
+ whirl over the land at such a pace, breathes in the leisurely tones that a
+ man heeds when he lies awake at night in his berth.
+ </p>
+ <p>
+ There had been no fog in London, but here on the edge of the city a heavy
+ wind was blowing, and the driver leaned aside and yelled that it was a
+ very bad day for traveling on an engine. The engine-cabs of England, as of
+ all Europe, are seldom made for the comfort of the men. One finds very
+ often this apparent disregard for the man who does the work&mdash;this
+ indifference to the man who occupies a position which for the exercise of
+ temperance, of courage, of honesty, has no equal at the altitude of prime
+ ministers. The American engineer is the gilded occupant of a salon in
+ comparison with his brother in Europe. The man who was guiding this
+ five-hundred-ton bolt, aimed by the officials of the railway at Scotland,
+ could not have been as comfortable as a shrill gibbering boatman of the
+ Orient. The narrow and bare bench at his side of the cab was not directly
+ intended for his use, because it was so low that he would be prevented by
+ it from looking out of the ship's port-hole which served him as a window.
+ The fireman, on his side, had other difficulties. His legs would have had
+ to straggle over some pipes at the only spot where there was a prospect,
+ and the builders had also strategically placed a large steel bolt. Of
+ course it is plain that the companies consistently believe that the men
+ will do their work better if they are kept standing. The roof of the cab
+ was not altogether a roof. It was merely a projection of two feet of metal
+ from the bulkhead which formed the front of the cab. There were
+ practically no sides to it, and the large cinders from the soft coal
+ whirled around in sheets. From time to time the driver took a handkerchief
+ from his pocket and wiped his blinking eyes.
+ </p>
+ <p>
+ London was now well to the rear. The vermilion engine had been for some
+ time flying like the wind. This train averages, between London and
+ Carlisle forty-nine and nine-tenth miles an hour. It is a distance of 299
+ miles. There is one stop. It occurs at Crewe, and endures five minutes. In
+ consequence, the block signals flashed by seemingly at the end of the
+ moment in which they were sighted.
+ </p>
+ <p>
+ There can be no question of the statement that the road-beds of English
+ railways are at present immeasurably superior to the American road-beds.
+ Of course there is a clear reason. It is known to every traveler that
+ peoples of the Continent of Europe have no right at all to own railways.
+ Those lines of travel are too childish and trivial for expression. A
+ correct fate would deprive the Continent of its railways, and give them to
+ somebody who knew about them.
+ </p>
+ <p>
+ The continental idea of a railway is to surround a mass of machinery with
+ forty rings of ultra-military law, and then they believe they have one
+ complete. The Americans and the English are the railway peoples. That our
+ road-beds are poorer than the English road-beds is because of the fact
+ that we were suddenly obliged to build thousands upon thousands of miles
+ of railway, and the English were obliged to build slowly tens upon tens of
+ miles. A road-bed from New York to San Francisco, with stations, bridges,
+ and crossings of the kind that the London and Northwestern owns from
+ London to Glasgow, would cost a sum large enough to support the German
+ army for a term of years. The whole way is constructed with the care that
+ inspired the creators of some of our now obsolete forts along the Atlantic
+ coast.
+ </p>
+ <p>
+ An American engineer, with his knowledge of the difficulties he had to
+ encounter&mdash;the wide rivers with variable banks, the mountain chains,
+ perhaps the long spaces of absolute desert; in fact, all the perplexities
+ of a vast and somewhat new country&mdash;would not dare spend a
+ respectable portion of his allowance on seventy feet of granite wall over
+ a gully, when he knew he could make an embankment with little cost by
+ heaving up the dirt and stones from here and there. But the English road
+ is all made in the pattern by which the Romans built their highways. After
+ England is dead, savants will find narrow streaks of masonry leading from
+ ruin to ruin. Of course this does not always seem convincingly admirable.
+ It sometimes resembles energy poured into a rat-hole. There is a vale
+ between expediency and the convenience of posterity, a mid-ground which
+ enables men surely to benefit the hereafter people by valiantly advancing
+ the present; and the point is that, if some laborers live in unhealthy
+ tenements in Cornwall, one is likely to view with incomplete satisfaction
+ the record of long and patient labor and thought displayed by an
+ eight-foot drain for a nonexistent, impossible rivulet in the North. This
+ sentence does not sound strictly fair, but the meaning one wishes to
+ convey is that if an English company spies in its dream the ghost of an
+ ancient valley that later becomes a hill, it would construct for it a
+ magnificent steel trestle, and consider that a duty had been performed in
+ proper accordance with the company's conscience. But after all is said of
+ it, the accidents and the miles of railway operated in England are not in
+ proportion to the accidents and the miles of railway operated in the
+ United States. The reason can be divided into three parts&mdash;older
+ conditions, superior caution, the road-bed. And of these, the greatest is
+ older conditions.
+ </p>
+ <p>
+ In this flight toward Scotland one seldom encountered a grade crossing. In
+ nine cases of ten there was either a bridge or a tunnel. The platforms of
+ even the remote country stations were all of ponderous masonry in contrast
+ to our constructions of planking. There was always to be seen, as we
+ thundered toward a station of this kind, a number of porters in uniform,
+ who requested the retreat of any one who had not the wit to give us plenty
+ of room. And then, as the shrill warning of the whistle pierced even the
+ uproar that was about us, came the wild joy of the rush past a station. It
+ was something in the nature of a triumphal procession conducted at
+ thrilling speed. Perhaps there was a curve of infinite grace, a sudden
+ hollow explosive effect made by the passing of a signal-box that was close
+ to the track, and then the deadly lunge to shave the edge of a long
+ platform. There were always a number of people standing afar, with their
+ eyes riveted upon this projectile, and to be on the engine was to feel
+ their interest and admiration in the terror and grandeur of this sweep. A
+ boy allowed to ride with the driver of the band-wagon as a circus parade
+ winds through one of our village streets could not exceed for egotism the
+ temper of a new man in the cab of a train like this one. This valkyric
+ journey on the back of the vermilion engine, with the shouting of the
+ wind, the deep, mighty panting of the steed, the gray blur at the
+ track-side, the flowing quicksilver ribbon of the other rails, the sudden
+ clash as a switch intersects, all the din and fury of this ride, was of a
+ splendor that caused one to look abroad at the quiet, green landscape and
+ believe that it was of a phlegm quiet beyond patience. It should have been
+ dark, rain-shot, and windy; thunder should have rolled across its sky.
+ </p>
+ <p>
+ It seemed, somehow, that if the driver should for a moment take his hands
+ from his engine, it might swerve from the track as a horse from the road.
+ Once, indeed, as he stood wiping his fingers on a bit of waste, there must
+ have been something ludicrous in the way the solitary passenger regarded
+ him. Without those finely firm hands on the bridle, the engine might rear
+ and bolt for the pleasant farms lying in the sunshine at either side.
+ </p>
+ <p>
+ This driver was worth contemplation. He was simply a quiet, middle-aged
+ man, bearded, and with the little wrinkles of habitual geniality and
+ kindliness spreading from the eyes toward the temple, who stood at his
+ post always gazing out, through his round window, while, from time to
+ time, his hands went from here to there over his levers. He seldom changed
+ either attitude or expression. There surely is no engine-driver who does
+ not feel the beauty of the business, but the emotion lies deep, and mainly
+ inarticulate, as it does in the mind of a man who has experienced a good
+ and beautiful wife for many years. This driver's face displayed nothing
+ but the cool sanity of a man whose thought was buried intelligently in his
+ business. If there was any fierce drama in it, there was no sign upon him.
+ He was so lost in dreams of speed and signals and steam, that one
+ speculated if the wonder of his tempestuous charge and its career over
+ England touched him, this impassive rider of a fiery thing.
+ </p>
+ <p>
+ It should be a well-known fact that, all over the world, the engine-driver
+ is the finest type of man that is grown. He is the pick of the earth. He
+ is altogether more worthy than the soldier, and better than the men who
+ move on the sea in ships. He is not paid too much; nor do his glories
+ weight his brow; but for outright performance, carried on constantly,
+ coolly, and without elation, by a temperate, honest, clear-minded man, he
+ is the further point. And so the lone human at his station in a cab,
+ guarding money, lives, and the honor of the road, is a beautiful sight.
+ The whole thing is aesthetic. The fireman presents the same charm, but in
+ a less degree, in that he is bound to appear as an apprentice to the
+ finished manhood of the driver. In his eyes, turned always in question and
+ confidence toward his superior, one finds this quality; but his
+ aspirations are so direct that one sees the same type in evolution.
+ </p>
+ <p>
+ There may be a popular idea that the fireman's principal function is to
+ hang his head out of the cab and sight interesting objects in the
+ landscape. As a matter of fact, he is always at work. The dragon is
+ insatiate. The fireman is continually swinging open the furnace-door,
+ whereat a red shine flows out upon the floor of the cab, and shoveling in
+ immense mouthfuls of coal to a fire that is almost diabolic in its
+ madness. The feeding, feeding, feeding goes on until it appears as if it
+ is the muscles of the fireman's arms that are speeding the long train. An
+ engine running over sixty-five miles an hour, with 500 tons to drag, has
+ an appetite in proportion to this task.
+ </p>
+ <p>
+ View of the clear-shining English scenery is often interrupted between
+ London and Crew by long and short tunnels. The first one was
+ disconcerting. Suddenly one knew that the train was shooting toward a
+ black mouth in the hills. It swiftly yawned wider, and then in a moment
+ the engine dived into a place inhabitated by every demon of wind and
+ noise. The speed had not been checked, and the uproar was so great that in
+ effect one was simply standing at the center of a vast, black-walled
+ sphere. The tubular construction which one's reason proclaimed had no
+ meaning at all. It was a black sphere, alive with shrieks. But then on the
+ surface of it there was to be seen a little needle-point of light, and
+ this widened to a detail of unreal landscape. It was the world; the train
+ was going to escape from this cauldron, this abyss of howling darkness. If
+ a man looks through the brilliant water of a tropical pool, he can
+ sometimes see coloring the marvels at the bottom the blue that was on the
+ sky and the green that was on the foliage of this detail. And the picture
+ shimmered in the heat-rays of a new and remarkable sun. It was when the
+ train bolted out into the open air that one knew that it was his own
+ earth.
+ </p>
+ <p>
+ Once train met train in a tunnel. Upon the painting in the perfectly
+ circular frame formed by the mouth there appeared a black square with
+ sparks bursting from it. This square expanded until it hid everything, and
+ a moment later came the crash of the passing. It was enough to make a man
+ lose his sense of balance. It was a momentary inferno when the fireman
+ opened the furnace door and was bathed in blood-red light as he fed the
+ fires.
+ </p>
+ <p>
+ The effect of a tunnel varied when there was a curve in it. One was merely
+ whirling then heels over head, apparently in the dark, echoing bowels of
+ the earth. There was no needle-point of light to which one's eyes clung as
+ to a star.
+ </p>
+ <p>
+ From London to Crew, the stern arm of the semaphore never made the train
+ pause even for an instant. There was always a clear track. It was great to
+ see, far in the distance, a goods train whooping smokily for the north of
+ England on one of the four tracks. The overtaking of such a train was a
+ thing of magnificent nothing for the long-strided engine, and as the
+ flying express passed its weaker brother, one heard one or two feeble and
+ immature puffs from the other engine, saw the fireman wave his hand to his
+ luckier fellow, saw a string of foolish, clanking flat-cars, their
+ freights covered with tarpaulins, and then the train was lost to the rear.
+ </p>
+ <p>
+ The driver twisted his wheel and worked some levers, and the rhythmical
+ chunking of the engine gradually ceased. Gliding at a speed that was still
+ high, the train curved to the left, and swung down a sharp incline, to
+ move with an imperial dignity through the railway yard at Rugby. There was
+ a maze of switches, innumerable engines noisily pushing cars here and
+ there, crowds of workmen who turned to look, a sinuous curve around the
+ long train-shed, whose high wall resounded with the rumble of the passing
+ express; and then, almost immediately, it seemed, came the open country
+ again. Rugby had been a dream which one could properly doubt. At last the
+ relaxed engine, with the same majesty of ease, swung into the high-roofed
+ station at Crewe, and stopped on a platform lined with porters and
+ citizens. There was instant bustle, and in the interest of the moment no
+ one seemed particularly to notice the tired vermilion engine being led
+ away.
+ </p>
+ <p>
+ There is a five-minute stop at Crewe. A tandem of engines slip up, and
+ buckled fast to the train for the journey to Carlisle. In the meantime,
+ all the regulation items of peace and comfort had happened on the train
+ itself. The dining-car was in the center of the train. It was divided into
+ two parts, the one being a dining-room for first-class passengers, and the
+ other a dining-room for the third-class passengers. They were separated by
+ the kitchens and the larder. The engine, with all its rioting and roaring,
+ had dragged to Crewe a car in which numbers of passengers were lunching in
+ a tranquility that was almost domestic, on an average menu of a chop and
+ potatoes, a salad, cheese, and a bottle of beer. Betimes they watched
+ through the windows the great chimney-marked towns of northern England.
+ They were waited upon by a young man of London, who was supported by a lad
+ who resembled an American bell-boy. The rather elaborate menu and service
+ of the Pullman dining-car is not known in England or on the Continent.
+ Warmed roast beef is the exact symbol of a European dinner, when one is
+ traveling on a railway.
+ </p>
+ <p>
+ This express is named, both by the public and the company, the "Corridor
+ Train," because a coach with a corridor is an unusual thing in England,
+ and so the title has a distinctive meaning. Of course, in America, where
+ there is no car which has not what we call an aisle, it would define
+ nothing. The corridors are all at one side of the car. Doors open thence
+ to little compartments made to seat four, or perhaps six, persons. The
+ first-class carriages are very comfortable indeed, being heavily
+ upholstered in dark, hard-wearing stuffs, with a bulging rest for the
+ head. The third-class accommodations on this train are almost as
+ comfortable as the first-class, and attract a kind of people that are not
+ usually seen traveling third-class in Europe. Many people sacrifice their
+ habit, in the matter of this train, to the fine conditions of the lower
+ fare.
+ </p>
+ <p>
+ One of the feats of the train is an electric button in each compartment.
+ Commonly an electric button is placed high on the side of the carriage as
+ an alarm signal, and it is unlawful to push it unless one is in serious
+ need of assistance from the guard. But these bells also rang in the
+ dining-car, and were supposed to open negotiations for tea or whatever. A
+ new function has been projected on an ancient custom. No genius has yet
+ appeared to separate these two meanings. Each bell rings an alarm and a
+ bid for tea or whatever. It is perfect in theory then that, if one rings
+ for tea, the guard comes to interrupt the murder, and that if one is being
+ murdered, the attendant appears with tea. At any rate, the guard was
+ forever being called from his reports and his comfortable seat in the
+ forward end of the luggage-van by thrilling alarms. He often prowled the
+ length of the train with hardihood and determination, merely to meet a
+ request for a sandwich.
+ </p>
+ <p>
+ The train entered Carlisle at the beginning of twilight. This is the
+ border town, and an engine of the Caledonian Railway, manned by two men of
+ broad speech, came to take the place of the tandem. The engine of these
+ men of the North was much smaller than the others, but her cab was much
+ larger, and would be a fair shelter on a stormy night. They had also built
+ seats with hooks by which they hang them to the rail, and thus are still
+ enabled to see through the round windows without dislocating their necks.
+ All the human parts of the cab were covered with oilcloth. The wind that
+ swirled from the dim twilight horizon made the warm glow from the furnace
+ to be a grateful thing.
+ </p>
+ <p>
+ As the train shot out of Carlisle, a glance backward could learn of the
+ faint, yellow blocks of light from the carriages marked on the dimmed
+ ground. The signals were now lamps, and shone palely against the sky. The
+ express was entering night as if night were Scotland.
+ </p>
+ <p>
+ There was a long toil to the summit of the hills, and then began the
+ booming ride down the slope. There were many curves. Sometimes could be
+ seen two or three signal lights at one time, twisting off in some new
+ direction. Minus the lights and some yards of glistening rails, Scotland
+ was only a blend of black and weird shapes. Forests which one could hardly
+ imagine as weltering in the dewy placidity of evening sank to the rear as
+ if the gods had bade them. The dark loom of a house quickly dissolved
+ before the eyes. A station with its lamps became a broad yellow band that,
+ to a deficient sense, was only a few yards in length. Below, in a deep
+ valley, a silver glare on the waters of a river made equal time with the
+ train. Signals appeared, grew, and vanished. In the wind and the mystery
+ of the night, it was like sailing in an enchanted gloom. The vague
+ profiles of hills ran like snakes across the somber sky. A strange shape
+ boldly and formidably confronted the train, and then melted to a long dash
+ of track as clean as sword-blades.
+ </p>
+ <p>
+ The vicinity of Glasgow is unmistakable. The flames of pauseless
+ industries are here and there marked on the distance. Vast factories stand
+ close to the track, and reaching chimneys emit roseate flames. At last one
+ may see upon a wall the strong reflection from furnaces, and against it
+ the impish and inky figures of workingmen. A long, prison-like row of
+ tenements, not at all resembling London, but in one way resembling New
+ York, appeared to the left, and then sank out of sight like a phantom.
+ </p>
+ <p>
+ At last the driver stopped the brave effort of his engine The 400 miles
+ were come to the edge. The average speed of forty-nine and one-third miles
+ each hour had been made, and it remained only to glide with the hauteur of
+ a great express through the yard and into the station at Glasgow.
+ </p>
+ <p>
+ A wide and splendid collection of signal lamps flowed toward the engine.
+ With delicacy and care the train clanked over some switches, passes the
+ signals, and then there shone a great blaze of arc-lamps, defining the
+ wide sweep of the station roof. Smoothly, proudly, with all that vast
+ dignity which had surrounded its exit from London, the express moved along
+ its platform. It was the entrance into a gorgeous drawing-room of a man
+ that was sure of everything.
+ </p>
+ <p>
+ The porters and the people crowded forward. In their minds there may have
+ floated dim images of the traditional music-halls, the bobbies, the
+ 'buses, the 'Arrys and 'Arriets, the swells of London.
+ </p>
+ <h3>
+ THE END
+ </h3>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Men, Women, and Boats, by Stephen Crane
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MEN, WOMEN, AND BOATS ***
+
+***** This file should be named 7239-h.htm or 7239-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/7/2/3/7239/
+
+
+Etext Produced by John Bilderback, Eric Eldred, Charles Franks
+and the Online Distributed Proofreading Team.
+
+HTML file produced by David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>