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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/718-0.txt b/718-0.txt new file mode 100644 index 0000000..6756df7 --- /dev/null +++ b/718-0.txt @@ -0,0 +1,15460 @@ +The Project Gutenberg eBook of Tono-Bungay, by H.G. Wells + +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you +will have to check the laws of the country where you are located before +using this eBook. + +Title: Tono-Bungay + +Author: H.G. Wells + +Release Date: November, 1996 [eBook #718] +[Most recently updated: March 23, 2021] + +Language: English + +Character set encoding: UTF-8 + +Produced by: John Bean; Diane Bean and David Widger + +*** START OF THE PROJECT GUTENBERG EBOOK TONO-BUNGAY *** + +[Illustration] + + + + +Tono-Bungay + +by H.G. Wells + + +Contents + + BOOK THE FIRST + CHAPTER THE FIRST + CHAPTER THE SECOND + CHAPTER THE THIRD + + BOOK THE SECOND + CHAPTER THE FIRST + CHAPTER THE SECOND + CHAPTER THE THIRD + CHAPTER THE FOURTH + + BOOK THE THIRD + CHAPTER THE FIRST + CHAPTER THE SECOND + CHAPTER THE THIRD + CHAPTER THE FOURTH + + BOOK THE FOURTH + CHAPTER THE FIRST + CHAPTER THE SECOND + CHAPTER THE THIRD + + + + +BOOK THE FIRST +THE DAYS BEFORE TONO-BUNGAY WAS INVENTED + + + + +CHAPTER THE FIRST +OF BLADESOVER HOUSE, AND MY MOTHER; AND THE CONSTITUTION OF SOCIETY + + +I + +Most people in this world seem to live “in character”; they have a +beginning, a middle and an end, and the three are congruous one with +another and true to the rules of their type. You can speak of them as +being of this sort of people or that. They are, as theatrical people +say, no more (and no less) than “character actors.” They have a class, +they have a place, they know what is becoming in them and what is due +to them, and their proper size of tombstone tells at last how properly +they have played the part. But there is also another kind of life that +is not so much living as a miscellaneous tasting of life. One gets hit +by some unusual transverse force, one is jerked out of one’s stratum +and lives crosswise for the rest of the time, and, as it were, in a +succession of samples. That has been my lot, and that is what has set +me at last writing something in the nature of a novel. I have got an +unusual series of impressions that I want very urgently to tell. I have +seen life at very different levels, and at all these levels I have seen +it with a sort of intimacy and in good faith. I have been a native in +many social countries. I have been the unwelcome guest of a working +baker, my cousin, who has since died in the Chatham infirmary; I have +eaten illegal snacks—the unjustifiable gifts of footmen—in pantries, +and been despised for my want of style (and subsequently married and +divorced) by the daughter of a gasworks clerk; and—to go to my other +extreme—I was once—oh, glittering days!—an item in the house-party of a +countess. She was, I admit, a countess with a financial aspect, but +still, you know, a countess. I’ve seen these people at various angles. +At the dinner-table I’ve met not simply the titled but the great. On +one occasion—it is my brightest memory—I upset my champagne over the +trousers of the greatest statesman in the empire—Heaven forbid I should +be so invidious as to name him!—in the warmth of our mutual admiration. + +And once (though it is the most incidental thing in my life) I murdered +a man.... + +Yes, I’ve seen a curious variety of people and ways of living +altogether. Odd people they all are great and small, very much alike at +bottom and curiously different on their surfaces. I wish I had ranged +just a little further both up and down, seeing I have ranged so far. +Royalty must be worth knowing and very great fun. But my contacts with +princes have been limited to quite public occasions, nor at the other +end of the scale have I had what I should call an inside acquaintance +with that dusty but attractive class of people who go about on the +high-roads drunk but _en famille_ (so redeeming the minor lapse), in +the summertime, with a perambulator, lavender to sell, sun-brown +children, a smell, and ambiguous bundles that fire the imagination. +Navvies, farm-labourers, sailormen and stokers, all such as sit in 1834 +beer-houses, are beyond me also, and I suppose must remain so now for +ever. My intercourse with the ducal rank too has been negligible; I +once went shooting with a duke, and in an outburst of what was no doubt +snobbishness, did my best to get him in the legs. But that failed. + +I’m sorry I haven’t done the whole lot though.... + +You will ask by what merit I achieved this remarkable social range, +this extensive cross-section of the British social organism. It was the +Accident of Birth. It always is in England. Indeed, if I may make the +remark so cosmic, everything is. But that is by the way. I was my +uncle’s nephew, and my uncle was no less a person than Edward +Ponderevo, whose comet-like transit of the financial heavens +happened—it is now ten years ago! Do you remember the days of +Ponderevo, the _great_ days, I mean, of Ponderevo? Perhaps you had a +trifle in some world-shaking enterprise! Then you know him only too +well. Astraddle on Tono-Bungay, he flashed athwart the empty +heavens—like a comet—rather, like a stupendous rocket!—and overawed +investors spoke of his star. At his zenith he burst into a cloud of the +most magnificent promotions. What a time that was! The Napoleon of +domestic conveniences! + +I was his nephew, his peculiar and intimate nephew. I was hanging on to +his coat-tails all the way through. I made pills with him in the +chemist’s shop at Wimblehurst before he began. I was, you might say, +the stick of his rocket; and after our tremendous soar, after he had +played with millions, a golden rain in the sky, after my bird’s-eye +view of the modern world, I fell again, a little scarred and blistered +perhaps, two and twenty years older, with my youth gone, my manhood +eaten in upon, but greatly edified, into this Thames-side yard, into +these white heats and hammerings, amidst the fine realites of steel—to +think it all over in my leisure and jot down the notes and +inconsecutive observations that make this book. It was more, you know, +than a figurative soar. The zenith of that career was surely our flight +across the channel in the Lord Roberts _B_.... + +I warn you this book is going to be something of an agglomeration. I +want to trace my social trajectory (and my uncle’s) as the main line of +my story, but as this is my first novel and almost certainly my last, I +want to get in, too, all sorts of things that struck me, things that +amused me and impressions I got—even although they don’t minister +directly to my narrative at all. I want to set out my own queer love +experiences too, such as they are, for they troubled and distressed and +swayed me hugely, and they still seem to me to contain all sorts of +irrational and debatable elements that I shall be the clearer-headed +for getting on paper. And possibly I may even flow into descriptions of +people who are really no more than people seen in transit, just because +it amuses me to recall what they said and did to us, and more +particularly how they behaved in the brief but splendid glare of +Tono-Bungay and its still more glaring offspring. It lit some of them +up, I can assure you! Indeed, I want to get in all sorts of things. My +ideas of a novel all through are comprehensive rather than austere.... + +Tono-Bungay still figures on the hoardings, it stands in rows in every +chemist’s storeroom, it still assuages the coughs of age and brightens +the elderly eye and loosens the elderly tongue; but its social glory, +its financial illumination, have faded from the world for ever. And I, +sole scorched survivor from the blaze, sit writing of it here in an air +that is never still for the clang and thunder of machines, on a table +littered with working drawings, and amid fragments of models and notes +about velocities and air and water pressures and trajectories—of an +altogether different sort from that of Tono-Bungay. + +II + +I write that much and look at it, and wonder whether, after all, this +is any fair statement of what I am attempting in this book. I’ve given, +I see, an impression that I want to make simply a hotch-potch of +anecdotes and experiences with my uncle swimming in the middle as the +largest lump of victual. I’ll own that here, with the pen already +started, I realise what a fermenting mass of things learnt and emotions +experienced and theories formed I’ve got to deal with, and how, in a +sense, hopeless my book must be from the very outset. I suppose what +I’m really trying to render is nothing more nor less than Life—as one +man has found it. I want to tell—_myself_, and my impressions of the +thing as a whole, to say things I have come to feel intensely of the +laws, traditions, usages, and ideas we call society, and how we poor +individuals get driven and lured and stranded among these windy, +perplexing shoals and channels. I’ve got, I suppose, to a time of life +when things begin to take on shapes that have an air of reality, and +become no longer material for dreaming, but interesting in themselves. +I’ve reached the criticising, novel-writing age, and here I am writing +mine—my one novel—without having any of the discipline to refrain and +omit that I suppose the regular novel-writer acquires. + +I’ve read an average share of novels and made some starts before this +beginning, and I’ve found the restraints and rules of the art (as I +made them out) impossible for me. I like to write, I am keenly +interested in writing, but it is not my technique. I’m an engineer with +a patent or two and a set of ideas; most of whatever artist there is in +me has been given to turbine machines and boat building and the problem +of flying, and do what I will I fail to see how I can be other than a +lax, undisciplined story-teller. I must sprawl and flounder, comment +and theorise, if I am to get the thing out I have in mind. And it isn’t +a constructed tale I have to tell, but unmanageable realities. My +love-story—and if only I can keep up the spirit of truth-telling all +through as strongly as I have now, you shall have it all—falls into no +sort of neat scheme of telling. It involves three separate feminine +persons. It’s all mixed up with the other things.... + +But I’ve said enough, I hope, to excuse myself for the method or want +of method in what follows, and I think I had better tell without +further delay of my boyhood and my early impressions in the shadow of +Bladesover House. + +III + +There came a time when I realised that Bladesover House was not all it +seemed, but when I was a little boy I took the place with the entirest +faith as a complete authentic microcosm. I believed that the Bladesover +system was a little working-model—and not so very little either—of the +whole world. + +Let me try and give you the effect of it. + +Bladesover lies up on the Kentish Downs, eight miles perhaps from +Ashborough; and its old pavilion, a little wooden parody of the temple +of Vesta at Tibur, upon the hill crest behind the house, commands in +theory at least a view of either sea, of the Channel southward and the +Thames to the northeast. The park is the second largest in Kent, finely +wooded with well-placed beeches, many elms and some sweet chestnuts, +abounding in little valleys and hollows of bracken, with springs and a +stream and three fine ponds and multitudes of fallow deer. The house +was built in the eighteenth century, it is of pale red brick in the +style of a French chateau, and save for one pass among the crests which +opens to blue distances, to minute, remote, oast-set farm-houses and +copses and wheat fields and the occasional gleam of water, its hundred +and seventeen windows look on nothing but its own wide and handsome +territories. A semi-circular screen of great beeches masks the church +and village, which cluster picturesquely about the high road along the +skirts of the great park. Northward, at the remotest corner of that +enclosure, is a second dependent village, Ropedean, less fortunate in +its greater distance and also on account of a rector. This divine was +indeed rich, but he was vindictively economical because of some +shrinkage of his tithes; and by reason of his use of the word Eucharist +for the Lord’s Supper he had become altogether estranged from the great +ladies of Bladesover. So that Ropedean was in the shadows through all +that youthful time. + +Now the unavoidable suggestion of that wide park and that fair large +house, dominating church, village and the country side, was that they +represented the thing that mattered supremely in the world, and that +all other things had significance only in relation to them. They +represented the Gentry, the Quality, by and through and for whom the +rest of the world, the farming folk and the labouring folk, the +trades-people of Ashborough, and the upper servants and the lower +servants and the servants of the estate, breathed and lived and were +permitted. And the Quality did it so quietly and thoroughly, the great +house mingled so solidly and effectually earth and sky, the contrast of +its spacious hall and saloon and galleries, its airy housekeeper’s room +and warren of offices with the meagre dignities of the vicar, and the +pinched and stuffy rooms of even the post-office people and the grocer, +so enforced these suggestions, that it was only when I was a boy of +thirteen or fourteen and some queer inherited strain of scepticism had +set me doubting whether Mr. Bartlett, the vicar, did really know with +certainty all about God, that as a further and deeper step in doubting +I began to question the final rightness of the gentlefolks, their +primary necessity in the scheme of things. But once that scepticism had +awakened it took me fast and far. By fourteen I had achieved terrible +blasphemies and sacrilege; I had resolved to marry a viscount’s +daughter, and I had blacked the left eye—I think it was the left—of her +half-brother, in open and declared rebellion. + +But of that in its place. + +The great house, the church, the village, and the labourers and the +servants in their stations and degrees, seemed to me, I say, to be a +closed and complete social system. About us were other villages and +great estates, and from house to house, interlacing, correlated, the +Gentry, the fine Olympians, came and went. The country towns seemed +mere collections of ships, marketing places for the tenantry, centres +for such education as they needed, as entirely dependent on the gentry +as the village and scarcely less directly so. I thought this was the +order of the whole world. I thought London was only a greater country +town where the gentle-folk kept town-houses and did their greater +shopping under the magnificent shadow of the greatest of all fine +gentlewomen, the Queen. It seemed to be in the divine order. That all +this fine appearance was already sapped, that there were forces at work +that might presently carry all this elaborate social system in which my +mother instructed me so carefully that I might understand my “place,” +to Limbo, had scarcely dawned upon me even by the time that Tono-Bungay +was fairly launched upon the world. + +There are many people in England to-day upon whom it has not yet +dawned. There are times when I doubt whether any but a very +inconsiderable minority of English people realise how extensively this +ostensible order has even now passed away. The great houses stand in +the parks still, the cottages cluster respectfully on their borders, +touching their eaves with their creepers, the English countryside—you +can range through Kent from Bladesover northward and see persists +obstinately in looking what it was. It is like an early day in a fine +October. The hand of change rests on it all, unfelt, unseen; resting +for awhile, as it were half reluctantly, before it grips and ends the +thing for ever. One frost and the whole face of things will be bare, +links snap, patience end, our fine foliage of pretences lie glowing in +the mire. + +For that we have still to wait a little while. The new order may have +gone far towards shaping itself, but just as in that sort of lantern +show that used to be known in the village as the “Dissolving Views,” +the scene that is going remains upon the mind, traceable and evident, +and the newer picture is yet enigmatical long after the lines that are +to replace those former ones have grown bright and strong, so that the +new England of our children’s children is still a riddle to me. The +ideas of democracy, of equality, and above all of promiscuous +fraternity have certainly never really entered into the English mind. +But what _is_ coming into it? All this book, I hope, will bear a little +on that. Our people never formulates; it keeps words for jests and +ironies. In the meanwhile the old shapes, the old attitudes remain, +subtly changed and changing still, sheltering strange tenants. +Bladesover House is now let furnished to Sir Reuben Lichtenstein, and +has been since old Lady Drew died; it was my odd experience to visit +there, in the house of which my mother had been housekeeper, when my +uncle was at the climax of Tono-Bungay. It was curious to notice then +the little differences that had come to things with this substitution. +To borrow an image from my mineralogical days, these Jews were not so +much a new British gentry as “pseudomorphous” after the gentry. They +are a very clever people, the Jews, but not clever enough to suppress +their cleverness. I wished I could have gone downstairs to savour the +tone of the pantry. It would have been very different I know. +Hawksnest, over beyond, I noted, had its pseudomorph too; a newspaper +proprietor of the type that hustles along with stolen ideas from one +loud sink-or-swim enterprise to another, had bought the place outright; +Redgrave was in the hands of brewers. + +But the people in the villages, so far as I could detect, saw no +difference in their world. Two little girls bobbed and an old labourer +touched his hat convulsively as I walked through the village. He still +thought he knew his place—and mine. I did not know him, but I would +have liked dearly to have asked him if he remembered my mother, if +either my uncle or old Lichtenstein had been man enough to stand being +given away like that. + +In that English countryside of my boyhood every human being had a +“place.” It belonged to you from your birth like the colour of your +eyes, it was inextricably your destiny. Above you were your betters, +below you were your inferiors, and there were even an unstable +questionable few, cases so disputable that you might for the rough +purposes of every day at least, regard them as your equals. Head and +centre of our system was Lady Drew, her “leddyship,” shrivelled, +garrulous, with a wonderful memory for genealogies and very, very old, +and beside her and nearly as old, Miss Somerville, her cousin and +companion. These two old souls lived like dried-up kernels in the great +shell of Bladesover House, the shell that had once been gaily full of +fops, of fine ladies in powder and patches and courtly gentlemen with +swords; and when there was no company they spent whole days in the +corner parlour just over the housekeeper’s room, between reading and +slumber and caressing their two pet dogs. When I was a boy I used +always to think of these two poor old creatures as superior beings +living, like God, somewhere through the ceiling. Occasionally they +bumped about a bit and one even heard them overhead, which gave them a +greater effect of reality without mitigating their vertical +predominance. Sometimes too I saw them. Of course if I came upon them +in the park or in the shrubbery (where I was a trespasser) I hid or +fled in pious horror, but I was upon due occasion taken into the +Presence by request. I remember her “leddyship” then as a thing of +black silks and a golden chain, a quavering injunction to me to be a +good boy, a very shrunken loose-skinned face and neck, and a ropy hand +that trembled a halfcrown into mine. Miss Somerville hovered behind, a +paler thing of broken lavender and white and black, with screwed up, +sandy-lashed eyes. Her hair was yellow and her colour bright, and when +we sat in the housekeeper’s room of a winter’s night warming our toes +and sipping elder wine, her maid would tell us the simple secrets of +that belated flush.... After my fight with young Garvell I was of +course banished, and I never saw those poor old painted goddesses +again. + +Then there came and went on these floors over our respectful heads, the +Company; people I rarely saw, but whose tricks and manners were +imitated and discussed by their maids and valets in the housekeeper’s +room and the steward’s room—so that I had them through a medium at +second hand. I gathered that none of the company were really Lady +Drew’s equals, they were greater and lesser after the manner of all +things in our world. Once I remember there was a Prince, with a real +live gentleman in attendance, and that was a little above our customary +levels and excited us all, and perhaps raised our expectations unduly. +Afterwards, Rabbits, the butler, came into my mother’s room downstairs, +red with indignation and with tears in his eyes. “Look at _that!_” +gasped Rabbits. My mother was speechless with horror. _That_ was a +sovereign, a mere sovereign, such as you might get from any commoner! + +After Company, I remember, came anxious days, for the poor old women +upstairs were left tired and cross and vindictive, and in a state of +physical and emotional indigestion after their social efforts.... + +On the lowest fringe of these real Olympians hung the vicarage people, +and next to them came those ambiguous beings who are neither quality +nor subjects. The vicarage people certainly hold a place by themselves +in the typical English scheme; nothing is more remarkable than the +progress the Church has made—socially—in the last two hundred years. In +the early eighteenth century the vicar was rather under than over the +house-steward, and was deemed a fitting match for the housekeeper or +any not too morally discredited discard. The eighteenth century +literature is full of his complaints that he might not remain at table +to share the pie. He rose above these indignities because of the +abundance of younger sons. When I meet the large assumptions of the +contemporary cleric, I am apt to think of these things. It is curious +to note that to-day that down-trodden, organ-playing creature, the +Church of England village Schoolmaster, holds much the same position as +the seventeenth century parson. The doctor in Bladesover ranked below +the vicar but above the “vet,” artists and summer visitors squeezed in +above or below this point according to their appearance and +expenditure, and then in a carefully arranged scale came the tenantry, +the butler and housekeeper, the village shopkeeper, the head keeper, +the cook, the publican, the second keeper, the blacksmith (whose status +was complicated by his daughter keeping the post-office—and a fine hash +she used to make of telegrams too!) the village shopkeeper’s eldest +son, the first footman, younger sons of the village shopkeeper, his +first assistant, and so forth. + +All these conceptions and applications of a universal precedence and +much else I drank in at Bladesover, as I listened to the talk of +valets, ladies’-maids, Rabbits the butler and my mother in the +much-cupboarded, white-painted, chintz-brightened housekeeper’s room +where the upper servants assembled, or of footmen and Rabbits and +estate men of all sorts among the green baize and Windsor chairs of the +pantry—where Rabbits, being above the law, sold beer without a license +or any compunction—or of housemaids and still-room maids in the bleak, +matting-carpeted still-room or of the cook and her kitchen maids and +casual friends among the bright copper and hot glow of the kitchens. + +Of course their own ranks and places came by implication to these +people, and it was with the ranks and places of the Olympians that the +talk mainly concerned itself. There was an old peerage and a Crockford +together with the books of recipes, the Whitaker’s Almanack, the Old +Moore’s Almanack, and the eighteenth century dictionary, on the little +dresser that broke the cupboards on one side of my mother’s room; there +was another peerage, with the covers off, in the pantry; there was a +new peerage in the billiard-room, and I seem to remember another in the +anomalous apartment that held the upper servants’ bagatelle board and +in which, after the Hall dinner, they partook of the luxury of sweets. +And if you had asked any of those upper servants how such and such a +Prince of Battenberg was related to, let us say, Mr. Cunninghame Graham +or the Duke of Argyle, you would have been told upon the nail. As a +boy, I heard a great deal of that sort of thing, and if to this day I +am still a little vague about courtesy titles and the exact application +of honorifics, it is, I can assure you, because I hardened my heart, +and not from any lack of adequate opportunity of mastering these +succulent particulars. + +Dominating all these memories is the figure of my mother—my mother who +did not love me because I grew liker my father every day—and who knew +with inflexible decision her place and the place of every one in the +world—except the place that concealed my father—and in some details +mine. Subtle points were put to her. I can see and hear her saying now, +“No, Miss Fison, peers of England go in before peers of the United +Kingdom, and he is merely a peer of the United Kingdom.” She had much +exercise in placing people’s servants about her tea-table, where the +etiquette was very strict. I wonder sometimes if the etiquette of +housekeepers’ rooms is as strict to-day, and what my mother would have +made of a _chauffeur_.... + +On the whole I am glad that I saw so much as I did of Bladesover—if for +no other reason than because seeing it when I did, quite naively, +believing in it thoroughly, and then coming to analyse it, has enabled +me to understand much that would be absolutely incomprehensible in the +structure of English society. Bladesover is, I am convinced, the clue +to almost all that is distinctively British and perplexing to the +foreign inquirer in England and the English-speaking peoples. Grasp +firmly that England was all Bladesover two hundred years ago; that it +has had Reform Acts indeed, and such—like changes of formula, but no +essential revolution since then; that all that is modern and different +has come in as a thing intruded or as a gloss upon this predominant +formula, either impertinently or apologetically; and you will perceive +at once the reasonableness, the necessity, of that snobbishness which +is the distinctive quality of English thought. Everybody who is not +actually in the shadow of a Bladesover is as it were perpetually +seeking after lost orientations. We have never broken with our +tradition, never even symbolically hewed it to pieces, as the French +did in quivering fact in the Terror. But all the organizing ideas have +slackened, the old habitual bonds have relaxed or altogether come +undone. And America too, is, as it were, a detached, outlying part of +that estate which has expanded in queer ways. George Washington, +Esquire, was of the gentlefolk, and he came near being a King. It was +Plutarch, you know, and nothing intrinsically American that prevented +George Washington being a King.... + +IV + +I hated teatime in the housekeeper’s room more than anything else at +Bladesover. And more particularly I hated it when Mrs. Mackridge and +Mrs. Booch and Mrs. Latude-Fernay were staying in the house. They were, +all three of them, pensioned-off servants. + +Old friends of Lady Drew’s had rewarded them posthumously for a +prolonged devotion to their minor comforts, and Mrs. Booch was also +trustee for a favourite Skye terrier. Every year Lady Drew gave them an +invitation—a reward and encouragement of virtue with especial reference +to my mother and Miss Fison, the maid. They sat about in black and +shiny and flouncey clothing adorned with gimp and beads, eating great +quantities of cake, drinking much tea in a stately manner and +reverberating remarks. + +I remember these women as immense. No doubt they were of negotiable +size, but I was only a very little chap and they have assumed nightmare +proportions in my mind. They loomed, they bulged, they impended. Mrs. +Mackridge was large and dark; there was a marvel about her head, +inasmuch as she was bald. She wore a dignified cap, and in front of +that upon her brow, hair was _painted_. I have never seen the like +since. She had been maid to the widow of Sir Roderick Blenderhasset +Impey, some sort of governor or such-like portent in the East Indies, +and from her remains—in Mrs. Mackridge—I judge Lady Impey was a very +stupendous and crushing creature indeed. Lady Impey had been of the +Juno type, haughty, unapproachable, given to irony and a caustic wit. +Mrs. Mackridge had no wit, but she had acquired the caustic voice and +gestures along with the old satins and trimmings of the great lady. +When she told you it was a fine morning, she seemed also to be telling +you you were a fool and a low fool to boot; when she was spoken to, she +had a way of acknowledging your poor tinkle of utterance with a +voluminous, scornful “Haw!” that made you want to burn her alive. She +also had a way of saying “Indade!” with a droop of the eyelids. + +Mrs. Booch was a smaller woman, brown haired, with queer little curls +on either side of her face, large blue eyes and a small set of +stereotyped remarks that constituted her entire mental range. Mrs. +Latude-Fernay has left, oddly enough, no memory at all except her name +and the effect of a green-grey silk dress, all set with gold and blue +buttons. I fancy she was a large blonde. Then there was Miss Fison, the +maid who served both Lady Drew and Miss Somerville, and at the end of +the table opposite my mother, sat Rabbits the butler. Rabbits, for a +butler, was an unassuming man, and at tea he was not as you know +butlers, but in a morning coat and a black tie with blue spots. Still, +he was large, with side whiskers, even if his clean-shaven mouth was +weak and little. I sat among these people on a high, hard, early +Gregorian chair, trying to exist, like a feeble seedling amidst great +rocks, and my mother sat with an eye upon me, resolute to suppress the +slightest manifestation of vitality. It was hard on me, but perhaps it +was also hard upon these rather over-fed, ageing, pretending people, +that my youthful restlessness and rebellious unbelieving eyes should be +thrust in among their dignities. + +Tea lasted for nearly three-quarters of an hour, and I sat it out +perforce; and day after day the talk was exactly the same. + +“Sugar, Mrs. Mackridge?” my mother used to ask. + +“Sugar, Mrs. Latude-Fernay?” + +The word sugar would stir the mind of Mrs. Mackridge. “They say,” she +would begin, issuing her proclamation—at least half her sentences began +“they say”—“sugar is fatt-an-ing, nowadays. Many of the best people do +not take it at all.” + +“Not with their tea, ma’am,” said Rabbits intelligently. + +“Not with anything,” said Mrs. Mackridge, with an air of crushing +repartee, and drank. + +“What won’t they say next?” said Miss Fison. + +“They do say such things!” said Mrs. Booch. + +“They say,” said Mrs. Mackridge, inflexibly, “the doctors are not +recomm-an-ding it now.” + +My Mother: “No, ma’am?” + +Mrs. Mackridge: “No, ma’am.” + +Then, to the table at large: “Poor Sir Roderick, before he died, +consumed great quan-ta-ties of sugar. I have sometimes fancied it may +have hastened his end.” + +This ended the first skirmish. A certain gloom of manner and a pause +was considered due to the sacred memory of Sir Roderick. + +“George,” said my mother, “don’t kick the chair!” + +Then, perhaps, Mrs. Booch would produce a favourite piece from her +repertoire. “The evenings are drawing out nicely,” she would say, or if +the season was decadent, “How the evenings draw in!” It was an +invaluable remark to her; I do not know how she would have got along +without it. + +My mother, who sat with her back to the window, would always consider +it due to Mrs. Booch to turn about and regard the evening in the act of +elongation or contraction, whichever phase it might be. + +A brisk discussion of how long we were to the longest or shortest day +would ensue, and die away at last exhausted. + +Mrs. Mackridge, perhaps, would reopen. She had many intelligent habits; +among others she read the paper—_The Morning Post_. The other ladies +would at times tackle that sheet, but only to read the births, +marriages, and deaths on the front page. It was, of course, the old +_Morning Post_ that cost threepence, not the brisk coruscating young +thing of to-day. “They say,” she would open, “that Lord Tweedums is to +go to Canada.” + +“Ah!” said Mr. Rabbits; “dew they?” + +“Isn’t he,” said my mother, “the Earl of Slumgold’s cousin?” She knew +he was; it was an entirely irrelevant and unnecessary remark, but +still, something to say. + +“The same, ma’am,” said Mrs. Mackridge. “They say he was extremelay +popular in New South Wales. They looked up to him greatlay. I knew him, +ma’am, as a young man. A very nice pleasant young fella.” + +Interlude of respect. + +“’Is predecessor,” said Rabbits, who had acquired from some clerical +model a precise emphatic articulation without acquiring at the same +time the aspirates that would have graced it, “got into trouble at +Sydney.” + +“Haw!” said Mrs. Mackridge, scornfully, “so am tawled.” + +“’E came to Templemorton after ’e came back, and I remember them +talking ’im over after ’e’d gone again.” + +“Haw?” said Mrs. Mackridge, interrogatively. + +“’_Is_ fuss was quotin’ poetry, ma’am. ’E said—what was it ’e +said—‘They lef’ their country for their country’s good,’—which in some +way was took to remind them of their being originally convic’s, though +now reformed. Every one I ’eard speak, agreed it was takless of ’im.” + +“Sir Roderick used to say,” said Mrs. Mackridge, “that the First +Thing,”—here Mrs. Mackridge paused and looked dreadfully at me—“and the +Second Thing”—here she fixed me again—“and the Third Thing”—now I was +released—“needed in a colonial governor is Tact.” She became aware of +my doubts again, and added predominantly, “It has always struck me that +that was a Singularly True Remark.” + +I resolved that if ever I found this polypus of Tact growing up in my +soul, I would tear it out by the roots, throw it forth and stamp on it. + +“They’re queer people—colonials,” said Rabbits, “very queer. When I was +at Templemorton I see something of ’em. Queer fellows, some of ’em. +Very respectful of course, free with their money in a spasammy sort of +way, but—Some of ’em, I must confess, make me nervous. They have an eye +on you. They watch you—as you wait. They let themselves appear to be +lookin’ at you...” + +My mother said nothing in that discussion. The word colonies always +upset her. She was afraid, I think, that if she turned her mind in that +direction my errant father might suddenly and shockingly be discovered, +no doubt conspicuously bigamic and altogether offensive and +revolutionary. She did not want to rediscover my father at all. + +It is curious that when I was a little listening boy I had such an idea +of our colonies that I jeered in my heart at Mrs. Mackridge’s colonial +ascendancy. These brave emancipated sunburnt English of the open, I +thought, suffer these aristocratic invaders as a quaint anachronism, +but as for being gratified—! + +I don’t jeer now. I’m not so sure. + +V + +It is a little difficult to explain why I did not come to do what was +the natural thing for any one in my circumstances to do, and take my +world for granted. A certain innate scepticism, I think, explains it +and a certain inaptitude for sympathetic assimilation. My father, I +believe, was a sceptic; my mother was certainly a hard woman. + +I was an only child, and to this day I do not know whether my father is +living or dead. He fled my mother’s virtues before my distincter +memories began. He left no traces in his flight, and she, in her +indignation, destroyed every vestige that she could of him. Never a +photograph nor a scrap of his handwriting have I seen; and it was, I +know, only the accepted code of virtue and discretion that prevented +her destroying her marriage certificate and me, and so making a clean +sweep of her matrimonial humiliation. I suppose I must inherit +something of the moral stupidity that would enable her to make a +holocaust of every little personal thing she had of him. There must +have been presents made by him as a lover, for example—books with +kindly inscriptions, letters perhaps, a flattened flower, a ring, or +such-like gage. She kept her wedding-ring, of course, but all the +others she destroyed. She never told me his christian name or indeed +spoke a word to me of him; though at times I came near daring to ask +her: add what I have of him—it isn’t much—I got from his brother, my +hero, my uncle Ponderevo. She wore her ring; her marriage certificate +she kept in a sealed envelope in the very bottom of her largest trunk, +and me she sustained at a private school among the Kentish hills. You +must not think I was always at Bladesover—even in my holidays. If at +the time these came round, Lady Drew was vexed by recent Company, or +for any other reason wished to take it out of my mother, then she used +to ignore the customary reminder my mother gave her, and I “stayed on” +at the school. + +But such occasions were rare, and I suppose that between ten and +fourteen I averaged fifty days a year at Bladesover. + +Don’t imagine I deny that was a fine thing for me. Bladesover, in +absorbing the whole countryside, had not altogether missed greatness. +The Bladesover system has at least done one good thing for England, it +has abolished the peasant habit of mind. If many of us still live and +breathe pantry and housekeeper’s room, we are quit of the dream of +living by economising parasitically on hens and pigs.... About that +park there were some elements of a liberal education; there was a great +space of greensward not given over to manure and food grubbing; there +was mystery, there was matter for the imagination. It was still a park +of deer. I saw something of the life of these dappled creatures, heard +the belling of stags, came upon young fawns among the bracken, found +bones, skulls, and antlers in lonely places. There were corners that +gave a gleam of meaning to the word forest, glimpses of unstudied +natural splendour. There was a slope of bluebells in the broken +sunlight under the newly green beeches in the west wood that is now +precious sapphire in my memory; it was the first time that I knowingly +met Beauty. + +And in the house there were books. The rubbish old Lady Drew read I +never saw; stuff of the Maria Monk type, I have since gathered, had a +fascination for her; but back in the past there had been a Drew of +intellectual enterprise, Sir Cuthbert, the son of Sir Matthew who built +the house; and thrust away, neglected and despised, in an old room +upstairs, were books and treasures of his that my mother let me rout +among during a spell of wintry wet. Sitting under a dormer window on a +shelf above great stores of tea and spices, I became familiar with much +of Hogarth in a big portfolio, with Raphael, there was a great book of +engravings from the stanzas of Raphael in the Vatican—and with most of +the capitals of Europe as they had looked about 1780, by means of +several pig iron-moulded books of views. There was also a broad +eighteenth century atlas with huge wandering maps that instructed me +mightily. It had splendid adornments about each map title; Holland +showed a fisherman and his boat; Russia a Cossack; Japan, remarkable +people attired in pagodas—I say it deliberately, “pagodas.” There were +Terrae Incognitae in every continent then, Poland, Sarmatia, lands +since lost; and many a voyage I made with a blunted pin about that +large, incorrect and dignified world. The books in that little old +closet had been banished, I suppose, from the saloon during the +Victorian revival of good taste and emasculated orthodoxy, but my +mother had no suspicion of their character. So I read and understood +the good sound rhetoric of Tom Paine’s “Rights of Man,” and his “Common +Sense,” excellent books, once praised by bishops and since sedulously +lied about. Gulliver was there unexpurgated, strong meat for a boy +perhaps but not too strong I hold—I have never regretted that I escaped +niceness in these affairs. The satire of Traldragdubh made my blood +boil as it was meant to do, but I hated Swift for the Houyhnhnms and +never quite liked a horse afterwards. Then I remember also a +translation of Voltaire’s “Candide,” and “Rasselas;” and, vast book +though it was, I really believe I read, in a muzzy sort of way of +course, from end to end, and even with some reference now and then to +the Atlas, Gibbon—in twelve volumes. + +These readings whetted my taste for more, and surreptitiously I raided +the bookcases in the big saloon. I got through quite a number of books +before my sacrilegious temerity was discovered by Ann, the old +head-housemaid. I remember that among others I tried a translation of +Plato’s “Republic” then, and found extraordinarily little interest in +it; I was much too young for that; but “Vathek”—“Vathek” was glorious +stuff. That kicking affair! When everybody _had_ to kick! + +The thought of “Vathek” always brings back with it my boyish memory of +the big saloon at Bladesover. + +It was a huge long room with many windows opening upon the park, and +each window—there were a dozen or more reaching from the floor up—had +its elaborate silk or satin curtains, heavily fringed, a canopy (is +it?) above, its completely white shutters folding into the deep +thickness of the wall. At either end of that great still place was an +immense marble chimney-piece; the end by the bookcase showed the wolf +and Romulus and Remus, with Homer and Virgil for supporters; the design +of the other end I have forgotten. Frederick, Prince of Wales, +swaggered flatly over the one, twice life-size, but mellowed by the +surface gleam of oil; and over the other was an equally colossal group +of departed Drews as sylvan deities, scantily clad, against a +storm-rent sky. Down the centre of the elaborate ceiling were three +chandeliers, each bearing some hundreds of dangling glass lustres, and +over the interminable carpet—it impressed me as about as big as +Sarmatia in the store-room Atlas—were islands and archipelagoes of +chintz-covered chairs and couches, tables, great Sevres vases on +pedestals, a bronze man and horse. Somewhere in this wilderness one +came, I remember, upon—a big harp beside a lyre-shaped music stand, and +a grand piano.... + +The book-borrowing raid was one of extraordinary dash and danger. + +One came down the main service stairs—that was legal, and illegality +began in a little landing when, very cautiously, one went through a red +baize door. A little passage led to the hall, and here one +reconnoitered for Ann, the old head-housemaid—the younger housemaids +were friendly and did not count. Ann located, came a dash across the +open space at the foot of that great staircase that has never been +properly descended since powder went out of fashion, and so to the +saloon door. A beast of an oscillating Chinaman in china, as large as +life, grimaced and quivered to one’s lightest steps. That door was the +perilous place; it was double with the thickness of the wall between, +so that one could not listen beforehand for the whisk of the +feather-brush on the other side. Oddly rat-like, is it not, this +darting into enormous places in pursuit of the abandoned crumbs of +thought? + +And I found Langhorne’s “Plutarch” too, I remember, on those shelves. +It seems queer to me now to think that I acquired pride and +self-respect, the idea of a state and the germ of public spirit, in +such a furtive fashion; queer, too, that it should rest with an old +Greek, dead these eighteen hundred years to teach that. + +VI + +The school I went to was the sort of school the Bladesover system +permitted. The public schools that add comic into existence in the +brief glow of the Renascence had been taken possession of by the ruling +class; the lower classes were not supposed to stand in need of schools, +and our middle stratum got the schools it deserved, private schools, +schools any unqualified pretender was free to establish. Mine was kept +by a man who had had the energy to get himself a College of Preceptors +diploma, and considering how cheap his charges were, I will readily +admit the place might have been worse. The building was a dingy +yellow-brick residence outside the village, with the schoolroom as an +outbuilding of lath and plaster. + +I do not remember that my school-days were unhappy—indeed I recall a +good lot of fine mixed fun in them—but I cannot without grave risk of +misinterpretation declare that we were at all nice and refined. We +fought much, not sound formal fighting, but “scrapping” of a sincere +and murderous kind, into which one might bring one’s boots—it made us +tough at any rate—and several of us were the sons of London publicans, +who distinguished “scraps” where one meant to hurt from ordered +pugilism, practising both arts, and having, moreover, precocious +linguistic gifts. Our cricket-field was bald about the wickets, and we +played without style and disputed with the umpire; and the teaching was +chiefly in the hands of a lout of nineteen, who wore ready-made clothes +and taught despicably. The head-master and proprietor taught us +arithmetic, algebra, and Euclid, and to the older boys even +trigonometry, himself; he had a strong mathematical bias, and I think +now that by the standard of a British public school he did rather well +by us. + +We had one inestimable privilege at that school, and that was spiritual +neglect. We dealt with one another with the forcible simplicity of +natural boys, we “cheeked,” and “punched” and “clouted”; we thought +ourselves Red Indians and cowboys and such-like honourable things, and +not young English gentlemen; we never felt the strain of “Onward +Christian soldiers,” nor were swayed by any premature piety in the cold +oak pew of our Sunday devotions. All that was good. We spent our rare +pennies in the uncensored reading matter of the village dame’s shop, on +the _Boys of England_, and honest penny dreadfuls—ripping stuff, stuff +that anticipated Haggard and Stevenson, badly printed and queerly +illustrated, and very very good for us. On our half-holidays we were +allowed the unusual freedom of rambling in twos and threes wide and far +about the land, talking experimentally, dreaming wildly. There was much +in those walks! To this day the landscape of the Kentish world, with +its low broad distances, its hop gardens and golden stretches of wheat, +its oasts and square church towers, its background of downland and +hangers, has for me a faint sense of adventure added to the pleasure of +its beauty. We smoked on occasion, but nobody put us up to the proper +“boyish” things to do; we never “robbed an orchard” for example, though +there were orchards all about us, we thought stealing was sinful, we +stole incidental apples and turnips and strawberries from the fields +indeed, but in a criminal inglorious fashion, and afterwards we were +ashamed. We had our days of adventure, but they were natural accidents, +our own adventures. There was one hot day when several of us, walking +out towards Maidstone, were incited by the devil to despise ginger +beer, and we fuddled ourselves dreadfully with ale; and a time when our +young minds were infected to the pitch of buying pistols, by the legend +of the Wild West. Young Roots from Highbury came back with a revolver +and cartridges, and we went off six strong to live a free wild life one +holiday afternoon. We fired our first shot deep in the old flint mine +at Chiselstead, and nearly burst our ear drums; then we fired in a +primrose studded wood by Pickthorn Green, and I gave a false alarm of +“keeper,” and we fled in disorder for a mile. After which Roots +suddenly shot at a pheasant in the high road by Chiselstead, and then +young Barker told lies about the severity of the game laws and made +Roots sore afraid, and we hid the pistol in a dry ditch outside the +school field. A day or so after we got in again, and ignoring a certain +fouling and rusting of the barrel, tried for a rabbit at three hundred +yards. Young Roots blew a molehill at twenty paces into a dust cloud, +burnt his fingers, and scorched his face; and the weapon having once +displayed this strange disposition to flame back upon the shooter, was +not subsequently fired. + +One main source of excitement for us was “cheeking” people in vans and +carts upon the Goudhurst road; and getting myself into a monstrous +white mess in the chalk pits beyond the village, and catching yellow +jaundice as a sequel to bathing stark naked with three other Adamites, +old Ewart leading that function, in the rivulet across Hickson’s +meadows, are among my _memorabilia_. Those free imaginative afternoons! +how much they were for us! how much they did for us! All streams came +from the then undiscovered “sources of the Nile” in those days, all +thickets were Indian jungles, and our best game, I say it with pride, I +invented. I got it out of the Bladesover saloon. We found a wood where +“Trespassing” was forbidden, and did the “Retreat of the Ten Thousand” +through it from end to end, cutting our way bravely through a host of +nettle beds that barred our path, and not forgetting to weep and kneel +when at last we emerged within sight of the High Road Sea. So we have +burst at times, weeping and rejoicing, upon startled wayfarers. Usually +I took the part of that distinguished general Xenōphen—and please note +the quantity of the ō. I have all my classical names like +that,—Socrates rhymes with Bates for me, and except when the bleak eye +of some scholar warns me of his standards of judgment, I use those dear +old mispronunciations still. The little splash into Latin made during +my days as a chemist washed off nothing of the habit. Well,—if I met +those great gentlemen of the past with their accents carelessly +adjusted I did at least meet them alive, as an equal, and in a living +tongue. Altogether my school might easily have been worse for me, and +among other good things it gave me a friend who has lasted my life out. + +This was Ewart, who is now a monumental artist at Woking, after many +vicissitudes. Dear chap, how he did stick out of his clothes to be +sure! He was a longlimbed lout, ridiculously tall beside my more youth +full compactness, and, except that there was no black moustache under +his nose blob, he had the same round knobby face as he has to-day, the +same bright and active hazel brown eyes, the stare, the meditative +moment, the insinuating reply. Surely no boy ever played the fool as +Bob Ewart used to play it, no boy had a readier knack of mantling the +world with wonder. Commonness vanished before Ewart, at his expository +touch all things became memorable and rare. From him I first heard tell +of love, but only after its barbs were already sticking in my heart. He +was, I know now the bastard of that great improvident artist, Rickmann +Ewart; he brought the light of a lax world that at least had not turned +its back upon beauty, into the growing fermentation of my mind. + +I won his heart by a version of Vathek, and after that we were +inseparable yarning friends. We merged our intellectual stock so +completely that I wonder sometimes how much I did not become Ewart, how +much Ewart is not vicariously and derivatively me. + +VII + +And then when I had newly passed my fourteenth birthday, came my tragic +disgrace. + +It was in my midsummer holidays that the thing happened, and it was +through the Honourable Beatrice Normandy. She had “come into my life,” +as they say, before I was twelve. + +She descended unexpectedly into a peaceful interlude that followed the +annual going of those Three Great Women. She came into the old nursery +upstairs, and every day she had tea with us in the housekeeper’s room. +She was eight, and she came with a nurse called Nannie; and to begin +with, I did not like her at all. + +Nobody liked this irruption into the downstairs rooms; the two “gave +trouble,”—a dire offence; Nannie’s sense of duty to her charge led to +requests and demands that took my mother’s breath away. Eggs at unusual +times, the reboiling of milk, the rejection of an excellent milk +pudding—not negotiated respectfully but dictated as of right. Nannie +was a dark, longfeatured, taciturn woman in a grey dress; she had a +furtive inflexibility of manner that finally dismayed and crushed and +overcame. She conveyed she was “under orders”—like a Greek tragedy. She +was that strange product of the old time, a devoted, trusted servant; +she had, as it were, banked all her pride and will with the greater, +more powerful people who employed her, in return for a life-long +security of servitude—the bargain was nonetheless binding for being +implicit. Finally they were to pension her, and she would die the hated +treasure of a boarding-house. She had built up in herself an enormous +habit of reference to these upstairs people, she had curbed down all +discordant murmurings of her soul, her very instincts were perverted or +surrendered. She was sexless, her personal pride was all transferred, +she mothered another woman’s child with a hard, joyless devotion that +was at least entirely compatible with a stoical separation. She treated +us all as things that counted for nothing save to fetch and carry for +her charge. But the Honourable Beatrice could condescend. + +The queer chances of later years come between me and a distinctly +separated memory of that childish face. When I think of Beatrice, I +think of her as I came to know her at a later time, when at last I came +to know her so well that indeed now I could draw her, and show a +hundred little delicate things you would miss in looking at her. But +even then I remember how I noted the infinite delicacy of her childish +skin and the fine eyebrow, finer than the finest feather that ever one +felt on the breast of a bird. She was one of those elfin, rather +precocious little girls, quick coloured, with dark hair, naturally +curling dusky hair that was sometimes astray over her eyes, and eyes +that were sometimes impishly dark, and sometimes a clear brown yellow. +And from the very outset, after a most cursory attention to Rabbits, +she decided that the only really interesting thing at the tea-table was +myself. + +The elders talked in their formal dull way—telling Nannie the trite old +things about the park and the village that they told every one, and +Beatrice watched me across the table with a pitiless little curiosity +that made me uncomfortable. + +“Nannie,” she said, pointing, and Nannie left a question of my mother’s +disregarded to attend to her; “is he a servant boy?” + +“S-s-sh,” said Nannie. “He’s Master Ponderevo.” + +“Is he a servant boy?” repeated Beatrice. + +“He’s a schoolboy,” said my mother. + +“Then may I talk to him, Nannie?” + +Nannie surveyed me with brutal inhumanity. “You mustn’t talk too much,” +she said to her charge, and cut cake into fingers for her. + +“No,” she added decisively, as Beatrice made to speak. + +Beatrice became malignant. Her eyes explored me with unjustifiable +hostility. “He’s got dirty hands,” she said, stabbing at the forbidden +fruit. “And there’s a fray to his collar.” + +Then she gave herself up to cake with an appearance of entire +forgetfulness of me that filled me with hate and a passionate desire to +compel her to admire me.... And the next day before tea, I did for the +first time in my life, freely, without command or any compulsion, wash +my hands. + +So our acquaintance began, and presently was deepened by a whim of +hers. She had a cold and was kept indoors, and confronted Nannie +suddenly with the alternative of being hopelessly naughty, which in her +case involved a generous amount of screaming unsuitable for the ears of +an elderly, shaky, rich aunt, or having me up to the nursery to play +with her all the afternoon. Nannie came downstairs and borrowed me in a +careworn manner; and I was handed over to the little creature as if I +was some large variety of kitten. I had never had anything to do with a +little girl before, I thought she was more beautiful and wonderful and +bright than anything else could possibly be in life, and she found me +the gentlest of slaves—though at the same time, as I made evident, +fairly strong. And Nannie was amazed to find the afternoon slip +cheerfully and rapidly away. She praised my manners to Lady Drew and to +my mother, who said she was glad to hear well of me, and after that I +played with Beatrice several times. The toys she had remain in my +memory still as great splendid things, gigantic to all my previous +experience of toys, and we even went to the great doll’s house on the +nursery landing to play discreetly with that, the great doll’s house +that the Prince Regent had given Sir Harry Drew’s first-born (who died +at five), that was a not ineffectual model of Bladesover itself, and +contained eighty-five dolls and had cost hundreds of pounds. I played +under imperious direction with that toy of glory. + +I went back to school when that holiday was over, dreaming of beautiful +things, and got Ewart to talk to me of love; and I made a great story +out of the doll’s house, a story that, taken over into Ewart’s hands, +speedily grew to an island doll’s city all our own. + +One of the dolls, I privately decided, was like Beatrice. + +One other holiday there was when I saw something of her—oddly enough my +memory of that second holiday in which she played a part is vague—and +then came a gap of a year, and then my disgrace. + +VIII + +Now I sit down to write my story and tell over again things in their +order, I find for the first time how inconsecutive and irrational a +thing the memory can be. One recalls acts and cannot recall motives; +one recalls quite vividly moments that stand out inexplicably—things +adrift, joining on to nothing, leading nowhere. I think I must have +seen Beatrice and her half-brother quite a number of times in my last +holiday at Bladesover, but I really cannot recall more than a little of +the quality of the circumstances. That great crisis of my boyhood +stands out very vividly as an effect, as a sort of cardinal thing for +me, but when I look for details, particularly details that led up to +the crisis—I cannot find them in any developing order at all. This +halfbrother, Archie Garvell, was a new factor in the affair. I remember +him clearly as a fair-haired, supercilious looking, weedily-lank boy, +much taller than I, but I should imagine very little heavier, and that +we hated each other by a sort of instinct from the beginning; and yet I +cannot remember my first meeting with him at all. + +Looking back into these past things—it is like rummaging in a neglected +attic that has experienced the attentions of some whimsical robber—I +cannot even account for the presence of these children at Bladesover. +They were, I know, among the innumerable cousins of Lady Drew, and +according to the theories of downstairs candidates for the ultimate +possession of Bladesover. If they were, their candidature was +unsuccessful. But that great place, with all its faded splendour, its +fine furniture, its large traditions, was entirely at the old lady’s +disposition; and I am inclined to think it is true that she used this +fact to torment and dominate a number of eligible people. Lord Osprey +was among the number of these, and she showed these hospitalities to +his motherless child and step-child, partly, no doubt, because he was +poor, but quite as much, I nowadays imagine, in the dim hope of finding +some affectionate or imaginative outcome of contact with them. Nannie +had dropped out of the world this second time, and Beatrice was in the +charge of an extremely amiable and ineffectual poor army-class young +woman whose name I never knew. They were, I think, two remarkably +illmanaged and enterprising children. I seem to remember too, that it +was understood that I was not a fit companion for them, and that our +meetings had to be as unostentatious as possible. It was Beatrice who +insisted upon our meeting. + +I am certain I knew quite a lot about love at fourteen and that I was +quite as much in love with Beatrice then as any impassioned adult could +be, and that Beatrice was, in her way, in love with me. It is part of +the decent and useful pretences of our world that children of the age +at which we were, think nothing, feel nothing, know nothing of love. It +is wonderful what people the English are for keeping up pretences. But +indeed I cannot avoid telling that Beatrice and I talked of love and +kissed and embraced one another. + +I recall something of one talk under the overhanging bushes of the +shrubbery—I on the park side of the stone wall, and the lady of my +worship a little inelegantly astride thereon. Inelegantly do I say? you +should have seen the sweet imp as I remember her. Just her poise on the +wall comes suddenly clear before me, and behind her the light various +branches of the bushes of the shrubbery that my feet might not profane, +and far away and high behind her, dim and stately, the cornice of the +great façade of Bladesover rose against the dappled sky. Our talk must +have been serious and business-like, for we were discussing my social +position. + +“I don’t love Archie,” she had said, _apropos_ of nothing; and then in +a whisper, leaning forward with the hair about her face, “I love +_you!_” + +But she had been a little pressing to have it clear that I was not and +could not be a servant. + +“You’ll never be a servant—ever!” + +I swore that very readily, and it is a vow I have kept by nature. + +“What will you be?” said she. + +I ran my mind hastily over the professions. + +“Will you be a soldier?” she asked. + +“And be bawled at by duffers? No fear!” said I. “Leave that to the +plough-boys.” + +“But an officer?” + +“I don’t know,” I said, evading a shameful difficulty. + +“I’d rather go into the navy.” + +“Wouldn’t you like to fight?” + +“I’d like to fight,” I said. “But a common soldier it’s no honour to +have to be told to fight and to be looked down upon while you do it, +and how could I be an officer?” + +“Couldn’t you be?” she said, and looked at me doubtfully; and the +spaces of the social system opened between us. + +Then, as became a male of spirit, I took upon myself to brag and lie my +way through this trouble. I said I was a poor man, and poor men went +into the navy; that I “knew” mathematics, which no army officer did; +and I claimed Nelson for an exemplar, and spoke very highly of my +outlook upon blue water. “He loved Lady Hamilton,” I said, “although +she _was_ a lady—and I will love you.” + +We were somewhere near that when the egregious governess became +audible, calling “Beeee-âtrice! Beeee-e-âtrice!” + +“Snifty beast!” said my lady, and tried to get on with the +conversation; but that governess made things impossible. + +“Come here!” said my lady suddenly, holding out a grubby hand; and I +went very close to her, and she put her little head down upon the wall +until her black fog of hair tickled my cheek. + +“You are my humble, faithful lover,” she demanded in a whisper, her +warm flushed face near touching mine, and her eyes very dark and +lustrous. + +“I am your humble, faithful lover,” I whispered back. + +And she put her arm about my head and put out her lips and we kissed, +and boy though I was, I was all atremble. So we two kissed for the +first time. + +“_Beeee-e-e_-â-trice!” fearfully close. + +My lady had vanished, with one wild kick of her black-stocking leg. A +moment after, I heard her sustaining the reproaches of her governess, +and explaining her failure to answer with an admirable lucidity and +disingenuousness. + +I felt it was unnecessary for me to be seen just then, and I vanished +guiltily round the corner into the West Wood, and so to love-dreams and +single-handed play, wandering along one of those meandering bracken +valleys that varied Bladesover park. And that day and for many days +that kiss upon my lips was a seal, and by night the seed of dreams. + +Then I remember an expedition we made—she, I, and her half-brother—into +those West Woods—they two were supposed to be playing in the +shrubbery—and how we were Indians there, and made a wigwam out of a +pile of beech logs, and how we stalked deer, crept near and watched +rabbits feeding in a glade, and almost got a squirrel. It was play +seasoned with plentiful disputing between me and young Garvell, for +each firmly insisted upon the leading _rôles_, and only my wider +reading—I had read ten stories to his one—gave me the ascendency over +him. Also I scored over him by knowing how to find the eagle in a +bracken stem. And somehow—I don’t remember what led to it at all—I and +Beatrice, two hot and ruffled creatures, crept in among the tall +bracken and hid from him. The great fronds rose above us, five feet or +more, and as I had learnt how to wriggle through that undergrowth with +the minimum of betrayal by tossing greenery above, I led the way. The +ground under bracken is beautifully clear and faintly scented in warm +weather; the stems come up black and then green; if you crawl flat, it +is a tropical forest in miniature. I led the way and Beatrice crawled +behind, and then as the green of the further glade opened before us, +stopped. She crawled up to me, her hot little face came close to mine; +once more she looked and breathed close to me, and suddenly she flung +her arm about my neck and dragged me to earth beside her, and kissed me +and kissed me again. We kissed, we embraced and kissed again, all +without a word; we desisted, we stared and hesitated—then in a suddenly +damped mood and a little perplexed at ourselves, crawled out, to be +presently run down and caught in the tamest way by Archie. + +That comes back very clearly to me, and other vague memories—I know old +Hall and his gun, out shooting at jackdaws, came into our common +experiences, but I don’t remember how; and then at last, abruptly, our +fight in the Warren stands out. The Warren, like most places in England +that have that name, was not particularly a warren, it was a long slope +of thorns and beeches through which a path ran, and made an alternative +route to the downhill carriage road between Bladesover and Ropedean. I +don’t know how we three got there, but I have an uncertain fancy it was +connected with a visit paid by the governess to the Ropedean vicarage +people. But suddenly Archie and I, in discussing a game, fell into a +dispute for Beatrice. I had made him the fairest offer: I was to be a +Spanish nobleman, she was to be my wife, and he was to be a tribe of +Indians trying to carry her off. It seems to me a fairly attractive +offer to a boy to be a whole tribe of Indians with a chance of such a +booty. But Archie suddenly took offence. + +“No,” he said; “we can’t have that!” + +“Can’t have what?” + +“You can’t be a gentleman, because you aren’t. And you can’t play +Beatrice is your wife. It’s—it’s impertinent.” + +“But” I said, and looked at her. + +Some earlier grudge in the day’s affairs must have been in Archie’s +mind. “We let you play with us,” said Archie; “but we can’t have things +like that.” + +“What rot!” said Beatrice. “He can if he likes.” + +But he carried his point. I let him carry it, and only began to grow +angry three or four minutes later. Then we were still discussing play +and disputing about another game. Nothing seemed right for all of us. + +“We don’t want you to play with us at all,” said Archie. + +“Yes, we do,” said Beatrice. + +“He drops his aitches like anything.” + +“No, ’e doesn’t,” said I, in the heat of the moment. + +“There you go!” he cried. “E, he says. E! E! E!” + +He pointed a finger at me. He had struck to the heart of my shame. I +made the only possible reply by a rush at him. “Hello!” he cried, at my +blackavised attack. He dropped back into an attitude that had some +style in it, parried my blow, got back at my cheek, and laughed with +surprise and relief at his own success. Whereupon I became a thing of +murderous rage. He could box as well or better than I—he had yet to +realise I knew anything of that at all—but I had fought once or twice +to a finish with bare fists. I was used to inflicting and enduring +savage hurting, and I doubt if he had ever fought. I hadn’t fought ten +seconds before I felt this softness in him, realised all that quality +of modern upper-class England that never goes to the quick, that hedges +about rules and those petty points of honour that are the ultimate +comminution of honour, that claims credit for things demonstrably half +done. He seemed to think that first hit of his and one or two others +were going to matter, that I ought to give in when presently my lip +bled and dripped blood upon my clothes. So before we had been at it a +minute he had ceased to be aggressive except in momentary spurts, and I +was knocking him about almost as I wanted to do; and demanding +breathlessly and fiercely, after our school manner, whether he had had +enough, not knowing that by his high code and his soft training it was +equally impossible for him to either buck-up and beat me, or give in. + +I have a very distinct impression of Beatrice dancing about us during +the affair in a state of unladylike appreciation, but I was too +preoccupied to hear much of what she was saying. But she certainly +backed us both, and I am inclined to think now—it may be the +disillusionment of my ripened years—whichever she thought was winning. + +Then young Garvell, giving way before my slogging, stumbled and fell +over a big flint, and I, still following the tradition of my class and +school, promptly flung myself on him to finish him. We were busy with +each other on the ground when we became aware of a dreadful +interruption. + +“Shut up, you _fool!_” said Archie. + +“Oh, Lady Drew!” I heard Beatrice cry. “They’re fighting! They’re +fighting something awful!” + +I looked over my shoulder. Archie’s wish to get up became irresistible, +and my resolve to go on with him vanished altogether. + +I became aware of the two old ladies, presences of black and purple +silk and fur and shining dark things; they had walked up through the +Warren, while the horses took the hill easily, and so had come upon us. +Beatrice had gone to them at once with an air of taking refuge, and +stood beside and a little behind them. We both rose dejectedly. The two +old ladies were evidently quite dreadfully shocked, and peering at us +with their poor old eyes; and never had I seen such a tremblement in +Lady Drew’s lorgnettes. + +“You’ve never been fighting?” said Lady Drew. + +“You have been fighting.” + +“It wasn’t proper fighting,” snapped Archie, with accusing eyes on me. + +“It’s Mrs. Ponderevo’s George!” said Miss Somerville, so adding a +conviction for ingratitude to my evident sacrilege. + +“How could he _dare?_” cried Lady Drew, becoming very awful. + +“He broke the rules” said Archie, sobbing for breath. “I slipped, +and—he hit me while I was down. He knelt on me.” + +“How could you _dare?_” said Lady Drew. + +I produced an experienced handkerchief rolled up into a tight ball, and +wiped the blood from my chin, but I offered no explanation of my +daring. Among other things that prevented that, I was too short of +breath. + +“He didn’t fight fair,” sobbed Archie. + +Beatrice, from behind the old ladies, regarded me intently and without +hostility. I am inclined to think the modification of my face through +the damage to my lip interested her. It became dimly apparent to my +confused intelligence that I must not say these two had been playing +with me. That would not be after the rules of their game. I resolved in +this difficult situation upon a sulky silence, and to take whatever +consequences might follow. + +IX + +The powers of justice in Bladesover made an extraordinary mess of my +case. + +I have regretfully to admit that the Honourable Beatrice Normandy did, +at the age of ten, betray me, abandon me, and lie most abominably about +me. She was, as a matter of fact, panic-stricken about me, conscience +stricken too; she bolted from the very thought of my being her +affianced lover and so forth, from the faintest memory of kissing; she +was indeed altogether disgraceful and human in her betrayal. She and +her half-brother lied in perfect concord, and I was presented as a +wanton assailant of my social betters. They were waiting about in the +Warren, when I came up and spoke to them, etc. + +On the whole, I now perceive Lady Drew’s decisions were, in the light +of the evidence, reasonable and merciful. + +They were conveyed to me by my mother, who was, I really believe, even +more shocked by the grossness of my social insubordination than Lady +Drew. She dilated on her ladyship’s kindnesses to me, on the effrontery +and wickedness of my procedure, and so came at last to the terms of my +penance. “You must go up to young Mr. Garvell, and beg his pardon.” + +“I won’t beg his pardon,” I said, speaking for the first time. + +My mother paused, incredulous. + +I folded my arms on her table-cloth, and delivered my wicked little +ultimatum. “I won’t beg his pardon nohow,” I said. “See?” + +“Then you will have to go off to your uncle Frapp at Chatham.” + +“I don’t care where I have to go or what I have to do, I won’t beg his +pardon,” I said. + +And I didn’t. + +After that I was one against the world. Perhaps in my mother’s heart +there lurked some pity for me, but she did not show it. She took the +side of the young gentleman; she tried hard, she tried very hard, to +make me say I was sorry I had struck him. Sorry! + +I couldn’t explain. + +So I went into exile in the dog-cart to Redwood station, with Jukes the +coachman, coldly silent, driving me, and all my personal belongings in +a small American cloth portmanteau behind. + +I felt I had much to embitter me; the game had and the beginnings of +fairness by any standards I knew.... But the thing that embittered me +most was that the Honourable Beatrice Normandy should have repudiated +and fled from me as though I was some sort of leper, and not even have +taken a chance or so, to give me a good-bye. She might have done that +anyhow! Supposing I had told on her! But the son of a servant counts as +a servant. She had forgotten and now remembered. + +I solaced myself with some extraordinary dream of coming back to +Bladesover, stern, powerful, after the fashion of Coriolanus. I do not +recall the details, but I have no doubt I displayed great +magnanimity... + +Well, anyhow I never said I was sorry for pounding young Garvell, and I +am not sorry to this day. + + + + +CHAPTER THE SECOND +OF MY LAUNCH INTO THE WORLD AND THE LAST I SAW OF BLADESOVER + + +I + +When I was thus banished from Bladesover House, as it was then thought +for good and all, I was sent by my mother in a vindictive spirit, first +to her cousin Nicodemus Frapp, and then, as a fully indentured +apprentice, to my uncle Ponderevo. + +I ran away from the care of my cousin Nicodemus back to Bladesover +House. + +My cousin Nicodemus Frapp was a baker in a back street—a slum +rather—just off that miserable narrow mean high road that threads those +exquisite beads, Rochester and Chatham. He was, I must admit, a shock +to me, much dominated by a young, plump, prolific, malingering wife; a +bent, slow-moving, unwilling dark man with flour in his hair and +eyelashes, in the lines of his face and the seams of his coat. I’ve +never had a chance to correct my early impression of him, and he still +remains an almost dreadful memory, a sort of caricature of incompetent +simplicity. As I remember him, indeed, he presented the servile +tradition perfected. He had no pride in his person; fine clothes and +dressing up wasn’t “for the likes of” him, so that he got his wife, who +was no artist at it, to cut his black hair at irregular intervals, and +let his nails become disagreeable to the fastidious eye; he had no +pride in his business nor any initiative; his only virtues were not +doing certain things and hard work. “Your uncle,” said my mother—all +grown-up cousins were uncles by courtesy among the Victorian +middle-class—“isn’t much to look at or talk to, but he’s a Good +Hard-Working Man.” There was a sort of base honourableness about toil, +however needless, in that system of inversion. Another point of honour +was to rise at or before dawn, and then laboriously muddle about. + +It was very distinctly impressed on my mind that the Good Hard-Working +Man would have thought it “fal-lallish” to own a pocket handkerchief. +Poor old Frapp—dirty and crushed by, product of, Bladesover’s +magnificence! He made no fight against the world at all, he was +floundering in small debts that were not so small but that finally they +overwhelmed him, whenever there was occasion for any exertion his wife +fell back upon pains and her “condition,” and God sent them many +children, most of whom died, and so, by their coming and going, gave a +double exercise in the virtues of submission. + +Resignation to God’s will was the common device of these people in the +face of every duty and every emergency. There were no books in the +house; I doubt if either of them had retained the capacity for reading +consecutively for more than a minute or so, and it was with amazement +that day after day, over and above stale bread, one beheld food and +again more food amidst the litter that held permanent session on the +living-room table. + +One might have doubted if either of them felt discomfort in this dusty +darkness of existence, if it was not that they did visibly seek +consolation. They sought this and found it of a Sunday, not in strong +drink and raving, but in imaginary draughts of blood. They met with +twenty or thirty other darkened and unclean people, all dressed in +dingy colours that would not show the dirt, in a little brick-built +chapel equipped with a spavined roarer of a harmonium, and there +solaced their minds on the thought that all that was fair and free in +life, all that struggled, all that planned and made, all pride and +beauty and honour, all fine and enjoyable things, were irrevocably +damned to everlasting torments. They were the self-appointed confidants +of God’s mockery of his own creation. So at any rate they stick in my +mind. Vaguer, and yet hardly less agreeable than this cosmic jest, this +coming “Yah, clever!” and general serving out and “showing up” of the +lucky, the bold, and the cheerful, was their own predestination to +Glory. + +“There is a Fountain, filled with Blood +Drawn from Emmanuel’s Veins,” + + +so they sang. I hear the drone and wheeze of that hymn now. I hated +them with the bitter uncharitable condemnation of boyhood, and a twinge +of that hate comes back to me. As I write the words, the sounds and +then the scene return, these obscure, undignified people, a fat woman +with asthma, an old Welsh milk-seller with a tumour on his bald head, +who was the intellectual leader of the sect, a huge-voiced haberdasher +with a big black beard, a white-faced, extraordinarily pregnant woman, +his wife, a spectacled rate collector with a bent back.... I hear the +talk about souls, the strange battered old phrases that were coined +ages ago in the seaports of the sun-dry Levant, of balm of Gilead and +manna in the desert, of gourds that give shade and water in a thirsty +land; I recall again the way in which at the conclusion of the service +the talk remained pious in form but became medical in substance, and +how the women got together for obstetric whisperings. I, as a boy, did +not matter, and might overhear. + +If Bladesover is my key for the explanation of England, I think my +invincible persuasion that I understand Russia was engendered by the +circle of Uncle Frapp. + +I slept in a dingy sheeted bed with the two elder survivors of Frapp +fecundity, and spent my week days in helping in the laborious disorder +of the shop and bakehouse, in incidental deliveries of bread and so +forth, and in parrying the probings of my uncle into my relations with +the Blood, and his confidential explanations that ten shillings a +week—which was what my mother paid him—was not enough to cover my +accommodation. He was very anxious to keep that, but also he wanted +more. There were neither books nor any seat nor corner in that house +where reading was possible, no newspaper ever brought the clash of +worldly things into its heavenward seclusion; horror of it all grew in +me daily, and whenever I could I escaped into the streets and tramped +about Chatham. The news shops appealed to me particularly. One saw +there smudgy illustrated sheets, the _Police News_ in particular, in +which vilely drawn pictures brought home to the dullest intelligence an +interminable succession of squalid crimes, women murdered and put into +boxes, buried under floors, old men bludgeoned at midnight by robbers, +people thrust suddenly out of trains, happy lovers shot, vitrioled and +so forth by rivals. I got my first glimpse of the life of pleasure in +foully drawn pictures of “police raids” on this and that. Interspersed +with these sheets were others in which Sloper, the urban John Bull, had +his fling with gin bottle and obese umbrella, or the kindly empty faces +of the Royal Family appeared and reappeared, visiting this, opening +that, getting married, getting offspring, lying in state, doing +everything but anything, a wonderful, good-meaning, impenetrable race +apart. + +I have never revisited Chatham; the impression it has left on my mind +is one of squalid compression, unlit by any gleam of a maturer charity. +All its effects arranged themselves as antithetical to the Bladesover +effects. They confirmed and intensified all that Bladesover suggested. +Bladesover declared itself to be the land, to be essentially England; I +have already told how its airy spaciousness, its wide dignity, seemed +to thrust village, church, and vicarage into corners, into a secondary +and conditional significance. Here one gathered the corollary of that. +Since the whole wide country of Kent was made up of contiguous +Bladesovers and for the gentlefolk, the surplus of population, all who +were not good tenants nor good labourers, Church of England, submissive +and respectful, were necessarily thrust together, jostled out of sight, +to fester as they might in this place that had the colours and even the +smells of a well-packed dustbin. They should be grateful even for that; +that, one felt, was the theory of it all. + +And I loafed about this wilderness of crowded dinginess, with young, +receptive, wide-open eyes, and through the blessing (or curse) of some +fairy godmother of mine, asking and asking again: “But after all, +_why_—” + +I wandered up through Rochester once, and had a glimpse of the Stour +valley above the town, all horrible with cement works and foully +smoking chimneys and rows of workmen’s cottages, minute, ugly, +uncomfortable, and grimy. So I had my first intimation of how +industrialism must live in a landlord’s land. I spent some hours, too, +in the streets that give upon the river, drawn by the spell of the sea. +But I saw barges and ships stripped of magic and mostly devoted to +cement, ice, timber, and coal. The sailors looked to me gross and +slovenly men, and the shipping struck me as clumsy, ugly, old, and +dirty. I discovered that most sails don’t fit the ships that hoist +them, and that there may be as pitiful and squalid a display of poverty +with a vessel as with a man. When I saw colliers unloading, watched the +workers in the hold filling up silly little sacks and the succession of +blackened, half-naked men that ran to and fro with these along a plank +over a thirty-foot drop into filth and mud, I was first seized with +admiration of their courage and toughness and then, “But after all, +_why_—?” and the stupid ugliness of all this waste of muscle and +endurance came home to me. Among other things it obviously wasted and +deteriorated the coal.... And I had imagined great things of the sea! + +Well, anyhow, for a time that vocation was stilled. + +But such impressions came into my leisure, and of that I had no excess. +Most of my time was spent doing things for Uncle Frapp, and my evenings +and nights perforce in the company of the two eldest of my cousins. He +was errand boy at an oil shop and fervently pious, and of him I saw +nothing until the evening except at meals; the other was enjoying the +midsummer holidays without any great elation; a singularly thin and +abject, stunted creature he was, whose chief liveliness was to pretend +to be a monkey, and who I am now convinced had some secret disease that +drained his vitality away. If I met him now I should think him a +pitiful little creature and be extremely sorry for him. Then I felt +only a wondering aversion. He sniffed horribly, he was tired out by a +couple of miles of loafing, he never started any conversation, and he +seemed to prefer his own company to mine. His mother, poor woman, said +he was the “thoughtful one.” + +Serious trouble came suddenly out of a conversation we held in bed one +night. Some particularly pious phrase of my elder cousin’s irritated me +extremely, and I avowed outright my entire disbelief in the whole +scheme of revealed religion. I had never said a word about my doubts to +any one before, except to Ewart who had first evolved them. I had never +settled my doubts until at this moment when I spoke. But it came to me +then that the whole scheme of salvation of the Frappes was not simply +doubtful, but impossible. I fired this discovery out into the darkness +with the greatest promptitude. + +My abrupt denials certainly scared my cousin amazingly. + +At first they could not understand what I was saying, and when they did +I fully believe they expected an instant answer in thunderbolts and +flames. They gave me more room in the bed forthwith, and then the elder +sat up and expressed his sense of my awfulness. I was already a little +frightened at my temerity, but when he asked me categorically to unsay +what I had said, what could I do but confirm my repudiation? + +“There’s no hell,” I said, “and no eternal punishment. No God would be +such a fool as that.” + +My elder cousin cried aloud in horror, and the younger lay scared, but +listening. “Then you mean,” said my elder cousin, when at last he could +bring himself to argue, “you might do just as you liked?” + +“If you were cad enough,” said I. + +Our little voices went on interminably, and at one stage my cousin got +out of bed and made his brother do likewise, and knelt in the night +dimness and prayed at me. That I found trying, but I held out +valiantly. “Forgive him,” said my cousin, “he knows not what he +sayeth.” + +“You can pray if you like,” I said, “but if you’re going to cheek me in +your prayers I draw the line.” + +The last I remember of that great discussion was my cousin deploring +the fact that he “should ever sleep in the same bed with an Infidel!” + +The next day he astonished me by telling the whole business to his +father. This was quite outside all my codes. Uncle Nicodemus sprang it +upon me at the midday meal. + +“You been sayin’ queer things, George,” he said abruptly. “You better +mind what you’re saying.” + +“What did he say, father?” said Mrs. Frapp. + +“Things I couldn’t’ repeat,” said he. + +“What things?” I asked hotly. + +“Ask ’_im_,” said my uncle, pointing with his knife to his informant, +and making me realise the nature of my offence. My aunt looked at the +witness. “Not—?” she framed a question. + +“Wuss,” said my uncle. “Blarsphemy.” + +My aunt couldn’t touch another mouthful. I was already a little +troubled in my conscience by my daring, and now I began to feel the +black enormity of the course upon which I had embarked. + +“I was only talking sense,” I said. + +I had a still more dreadful moment when presently I met my cousin in +the brick alley behind the yard, that led back to his grocer’s shop. + +“You sneak!” I said, and smacked his face hard forthwith. “Now then,” +said I. + +He started back, astonished and alarmed. His eyes met mine, and I saw a +sudden gleam of resolution. He turned his other cheek to me. + +“’It it,” he said. “’It it. _I’ll_ forgive you.” + +I felt I had never encountered a more detestable way of evading a +licking. I shoved him against the wall and left him there, forgiving +me, and went back into the house. + +“You better not speak to your cousins, George,” said my aunt, “till +you’re in a better state of mind.” + +I became an outcast forthwith. At supper that night a gloomy silence +was broken by my cousin saying, + +“’E ’it me for telling you, and I turned the other cheek, muvver.” + +“’E’s got the evil one be’ind ’im now, a ridin’ on ’is back,” said my +aunt, to the grave discomfort of the eldest girl, who sat beside me. + +After supper my uncle, in a few ill-chosen words, prayed me to repent +before I slept. + +“Suppose you was took in your sleep, George,” he said; “where’d you be +then? You jest think of that me boy.” By this time I was thoroughly +miserable and frightened, and this suggestion unnerved me dreadfully +but I kept up an impenitent front. “To wake in ’ell,” said Uncle +Nicodemus, in gentle tones. “You don’t want to wake in ’ell, George, +burnin’ and screamin’ for ever, do you? You wouldn’t like that?” + +He tried very hard to get me to “jest ’ave a look at the bake’ouse +fire” before I retired. “It might move you,” he said. + +I was awake longest that night. My cousins slept, the sleep of faith on +either side of me. I decided I would whisper my prayers, and stopped +midway because I was ashamed, and perhaps also because I had an idea +one didn’t square God like that. + +“No,” I said, with a sudden confidence, “damn me if you’re coward +enough.... But you’re not. No! You couldn’t be!” + +I woke my cousins up with emphatic digs, and told them as much, +triumphantly, and went very peacefully to sleep with my act of faith +accomplished. + +I slept not only through that night, but for all my nights since then. +So far as any fear of Divine injustice goes, I sleep soundly, and +shall, I know, to the end of things. That declaration was an epoch in +my spiritual life. + +II + +But I didn’t expect to have the whole meeting on Sunday turned on to +me. + +It was. It all comes back to me, that convergence of attention, even +the faint leathery smell of its atmosphere returns, and the coarse feel +of my aunt’s black dress beside me in contact with my hand. I see again +the old Welsh milkman “wrestling” with me, they all wrestled with me, +by prayer or exhortation. And I was holding out stoutly, though +convinced now by the contagion of their universal conviction that by +doing so I was certainly and hopelessly damned. I felt that they were +right, that God was probably like them, and that on the whole it didn’t +matter. And to simplify the business thoroughly I had declared I didn’t +believe anything at all. They confuted me by texts from Scripture which +I now perceive was an illegitimate method of reply. When I got home, +still impenitent and eternally lost and secretly very lonely and +miserable and alarmed, Uncle Nicodemus docked my Sunday pudding. + +One person only spoke to me like a human being on that day of wrath, +and that was the younger Frapp. He came up to me in the afternoon while +I was confined upstairs with a Bible and my own thoughts. + +“’Ello,” he said, and fretted about. + +“D’you mean to say there isn’t—no one,” he said, funking the word. + +“No one?” + +“No one watching yer—always.” + +“Why should there be?” I asked. + +“You can’t ’elp thoughts,” said my cousin, “anyhow. You mean—” He +stopped hovering. “I s’pose I oughtn’t to be talking to you.” + +He hesitated and flitted away with a guilty back glance over his +shoulder.... + +The following week made life quite intolerable for me; these people +forced me at last into an Atheism that terrified me. When I learnt that +next Sunday the wrestling was to be resumed, my courage failed me +altogether. + +I happened upon a map of Kent in a stationer’s window on Saturday, and +that set me thinking of one form of release. I studied it intently for +half an hour perhaps, on Saturday night, got a route list of villages +well fixed in my memory, and got up and started for Bladesover about +five on Sunday morning while my two bed mates were still fast asleep. + +III + +I remember something, but not so much of it as I should like to recall, +of my long tramp to Bladesover House. The distance from Chatham is +almost exactly seventeen miles, and it took me until nearly one. It was +very interesting and I do not think I was very fatigued, though I got +rather pinched by one boot. + +The morning must have been very clear, because I remember that near +Itchinstow Hall I looked back and saw the estuary of the Thames, that +river that has since played so large a part in my life. But at the time +I did not know it was the Thames, I thought this great expanse of mud +flats and water was the sea, which I had never yet seen nearly. And out +upon it stood ships, sailing ships and a steamer or so, going up to +London or down out into the great seas of the world. I stood for a long +time watching these and thinking whether after all I should not have +done better to have run away to sea. + +The nearer I drew to Bladesover, the more doubtful I grew of the +duality of my reception, and the more I regretted that alternative. I +suppose it was the dirty clumsiness of the shipping I had seen nearly, +that put me out of mind of that. I took a short cut through the Warren +across the corner of the main park to intercept the people from the +church. I wanted to avoid meeting any one before I met my mother, and +so I went to a place where the path passed between banks, and without +exactly hiding, stood up among the bushes. This place among other +advantages eliminated any chance of seeing Lady Drew, who would drive +round by the carriage road. + +Standing up to waylay in this fashion I had a queer feeling of +brigandage, as though I was some intrusive sort of bandit among these +orderly things. It is the first time I remember having that outlaw +feeling distinctly, a feeling that has played a large part in my +subsequent life. I felt there existed no place for me that I had to +drive myself in. + +Presently, down the hill, the servants appeared, straggling by twos and +threes, first some of the garden people and the butler’s wife with +them, then the two laundry maids, odd inseparable old creatures, then +the first footman talking to the butler’s little girl, and at last, +walking grave and breathless beside old Ann and Miss Fison, the black +figure of my mother. + +My boyish mind suggested the adoption of a playful form of appearance. +“Coo-ee, mother” said I, coming out against the sky, “Coo-ee!” + +My mother looked up, went very white, and put her hand to her bosom. + +I suppose there was a fearful fuss about me. And of course I was quite +unable to explain my reappearance. But I held out stoutly, “I won’t go +back to Chatham; I’ll drown myself first.” The next day my mother +carried me off to Wimblehurst, took me fiercely and aggressively to an +uncle I had never heard of before, near though the place was to us. She +gave me no word as to what was to happen, and I was too subdued by her +manifest wrath and humiliation at my last misdemeanour to demand +information. I don’t for one moment think Lady Drew was “nice” about +me. The finality of my banishment was endorsed and underlined and +stamped home. I wished very much now that I had run away to sea, in +spite of the coal dust and squalour Rochester had revealed to me. +Perhaps over seas one came to different lands. + +IV + +I do not remember much of my journey to Wimblehurst with my mother +except the image of her as sitting bolt upright, as rather disdaining +the third-class carriage in which we traveled, and how she looked away +from me out of the window when she spoke of my uncle. “I have not seen +your uncle,” she said, “since he was a boy....” She added grudgingly, +“Then he was supposed to be clever.” + +She took little interest in such qualities as cleverness. + +“He married about three years ago, and set up for himself in +Wimblehurst.... So I suppose she had some money.” + +She mused on scenes she had long dismissed from her mind. “Teddy,” she +said at last in the tone of one who has been feeling in the dark and +finds. “He was called Teddy... about your age.... Now he must be +twenty-six or seven.” + +I thought of my uncle as Teddy directly I saw him; there was something +in his personal appearance that in the light of that memory phrased +itself at once as Teddiness—a certain Teddidity. To describe it in and +other terms is more difficult. It is nimbleness without grace, and +alertness without intelligence. He whisked out of his shop upon the +pavement, a short figure in grey and wearing grey carpet slippers; one +had a sense of a young fattish face behind gilt glasses, wiry hair that +stuck up and forward over the forehead, an irregular nose that had its +aquiline moments, and that the body betrayed an equatorial laxity, an +incipient “bow window” as the image goes. He jerked out of the shop, +came to a stand on the pavement outside, regarded something in the +window with infinite appreciation, stroked his chin, and, as abruptly, +shot sideways into the door again, charging through it as it were +behind an extended hand. + +“That must be him,” said my mother, catching at her breath. + +We came past the window whose contents I was presently to know by +heart, a very ordinary chemist’s window except that there was a +frictional electrical machine, an air pump and two or three tripods and +retorts replacing the customary blue, yellow, and red bottles above. +There was a plaster of Paris horse to indicate veterinary medicines +among these breakables, and below were scent packets and diffusers and +sponges and soda-water syphons and such-like things. Only in the middle +there was a rubricated card, very neatly painted by hand, with these +words— + +Buy Ponderevo’s Cough Linctus _now_. +NOW! +WHY? +Twopence Cheaper than in Winter. +You Store Apples! why not the Medicine +You are Bound to Need? + + +in which appeal I was to recognise presently my uncle’s distinctive +note. + +My uncle’s face appeared above a card of infant’s comforters in the +glass pane of the door. I perceived his eyes were brown, and that his +glasses creased his nose. It was manifest he did not know us from Adam. +A stare of scrutiny allowed an expression of commercial deference to +appear in front of it, and my uncle flung open the door. + +“You don’t know me?” panted my mother. + +My uncle would not own he did not, but his curiosity was manifest. My +mother sat down on one of the little chairs before the soap and patent +medicine-piled counter, and her lips opened and closed. + +“A glass of water, madam,” said my uncle, waved his hand in a sort of +curve and shot away. + +My mother drank the water and spoke. “That boy,” she said, “takes after +his father. He grows more like him every day.... And so I have brought +him to you.” + +“His father, madam?” + +“George.” + +For a moment the chemist was still at a loss. He stood behind the +counter with the glass my mother had returned to him in his hand. Then +comprehension grew. + +“By Gosh!” he said. “Lord!” he cried. His glasses fell off. He +disappeared replacing them, behind a pile of boxed-up bottles of blood +mixture. “Eleven thousand virgins!” I heard him cry. The glass was +banged down. “O-ri-ental Gums!” + +He shot away out of the shop through some masked door. One heard his +voice. “Susan! Susan!” + +Then he reappeared with an extended hand. “Well, how are you?” he said. +“I was never so surprised in my life. Fancy!... _You!_” + +He shook my mother’s impassive hand and then mine very warmly holding +his glasses on with his left forefinger. + +“Come right in!” he cried—“come right in! Better late than never!” and +led the way into the parlour behind the shop. + +After Bladesover that apartment struck me as stuffy and petty, but it +was very comfortable in comparison with the Frapp living-room. It had a +faint, disintegrating smell of meals about it, and my most immediate +impression was of the remarkable fact that something was hung about or +wrapped round or draped over everything. There was bright-patterned +muslin round the gas-bracket in the middle of the room, round the +mirror over the mantel, stuff with ball-fringe along the mantel and +casing in the fireplace,—I first saw ball-fringe here—and even the lamp +on the little bureau wore a shade like a large muslin hat. The +table-cloth had ball-fringe and so had the window curtains, and the +carpet was a bed of roses. There were little cupboards on either side +of the fireplace, and in the recesses, ill-made shelves packed with +books, and enriched with pinked American cloth. There was a dictionary +lying face downward on the table, and the open bureau was littered with +foolscap paper and the evidences of recently abandoned toil. My eye +caught “The Ponderevo Patent Flat, a Machine you can Live in,” written +in large firm letters. My uncle opened a little door like a cupboard +door in the corner of this room, and revealed the narrowest twist of +staircase I had ever set eyes upon. “Susan!” he bawled again. “Wantje. +Some one to see you. Surprisin’.” + +There came an inaudible reply, and a sudden loud bump over our heads as +of some article of domestic utility pettishly flung aside, then the +cautious steps of someone descending the twist, and then my aunt +appeared in the doorway with her hand upon the jamb. + +“It’s Aunt Ponderevo,” cried my uncle. “George’s wife—and she’s brought +over her son!” His eye roamed about the room. He darted to the bureau +with a sudden impulse, and turned the sheet about the patent flat face +down. Then he waved his glasses at us, “You know, Susan, my elder +brother George. I told you about ’im lots of times.” + +He fretted across to the hearthrug and took up a position there, +replaced his glasses and coughed. + +My aunt Susan seemed to be taking it in. She was then rather a pretty +slender woman of twenty-three or four, I suppose, and I remember being +struck by the blueness of her eyes and the clear freshness of her +complexion. She had little features, a button nose, a pretty chin and a +long graceful neck that stuck out of her pale blue cotton morning +dress. There was a look of half-assumed perplexity on her face, a +little quizzical wrinkle of the brow that suggested a faintly amused +attempt to follow my uncle’s mental operations, a vain attempt and a +certain hopelessness that had in succession become habitual. She seemed +to be saying, “Oh Lord! What’s he giving me _this_ time?” And as came +to know her better I detected, as a complication of her effort of +apprehension, a subsidiary riddle to “What’s he giving me?” and that +was—to borrow a phrase from my schoolboy language “Is it keeps?” She +looked at my mother and me, and back to her husband again. + +“You know,” he said. “George.” + +“Well,” she said to my mother, descending the last three steps of the +staircase and holding out her hand! “you’re welcome. Though it’s a +surprise.... I can’t ask you to _have_ anything, I’m afraid, for there +isn’t anything in the house.” She smiled, and looked at her husband +banteringly. “Unless he makes up something with his old chemicals, +which he’s quite equal to doing.” + +My mother shook hands stiffly, and told me to kiss my aunt.... + +“Well, let’s all sit down,” said my uncle, suddenly whistling through +his clenched teeth, and briskly rubbing his hands together. He put up a +chair for my mother, raised the blind of the little window, lowered it +again, and returned to his hearthrug. “I’m sure,” he said, as one who +decides, “I’m very glad to see you.” + +V + +As they talked I gave my attention pretty exclusively to my uncle. + +I noted him in great detail. I remember now his partially unbuttoned +waistcoat, as though something had occurred to distract him as he did +it up, and a little cut upon his chin. I liked a certain humour in his +eyes. I watched, too, with the fascination that things have for an +observant boy, the play of his lips—they were a little oblique, and +there was something “slipshod,” if one may strain a word so far, about +his mouth, so that he lisped and sibilated ever and again and the +coming and going of a curious expression, triumphant in quality it was, +upon his face as he talked. He fingered his glasses, which did not seem +to fit his nose, fretted with things in his waistcoat pockets or put +his hands behind him, looked over our heads, and ever and again rose to +his toes and dropped back on his heels. He had a way of drawing air in +at times through his teeth that gave a whispering zest to his speech +It’s a sound I can only represent as a soft Zzzz. + +He did most of the talking. My mother repeated what she had already +said in the shop, “I have brought George over to you,” and then +desisted for a time from the real business in hand. “You find this a +comfortable house?” she asked; and this being affirmed: “It looks—very +convenient.... Not too big to be a trouble—no. You like Wimblehurst, I +suppose?” + +My uncle retorted with some inquiries about the great people of +Bladesover, and my mother answered in the character of a personal +friend of Lady Drew’s. The talk hung for a time, and then my uncle +embarked upon a dissertation upon Wimblehurst. + +“This place,” he began, “isn’t of course quite the place I ought to be +in.” + +My mother nodded as though she had expected that. + +“It gives me no Scope,” he went on. “It’s dead-and-alive. Nothing +happens.” + +“He’s always wanting something to happen,” said my aunt Susan. “Some +day he’ll get a shower of things and they’ll be too much for him.” + +“Not they,” said my uncle, buoyantly. + +“Do you find business—slack?” asked my mother. + +“Oh! one rubs along. But there’s no Development—no growth. They just +come along here and buy pills when they want ’em—and a horseball or +such. They’ve got to be ill before there’s a prescription. That sort +they are. You can’t get ’em to launch out, you can’t get ’em to take up +anything new. For instance, I’ve been trying lately—induce them to buy +their medicines in advance, and in larger quantities. But they won’t +look for it! Then I tried to float a little notion of mine, sort of an +insurance scheme for colds; you pay so much a week, and when you’ve got +a cold you get a bottle of Cough Linctus so long as you can produce a +substantial sniff. See? But Lord! they’ve no capacity for ideas, they +don’t catch on; no Jump about the place, no Life. Live!—they trickle, +and what one has to do here is to trickle too—Zzzz.” + +“Ah!” said my mother. + +“It doesn’t suit me,” said my uncle. “I’m the cascading sort.” + +“George was that,” said my mother after a pondering moment. + +My aunt Susan took up the parable with an affectionate glance at her +husband. + +“He’s always trying to make his old business jump,” she said. “Always +putting fresh cards in the window, or getting up to something. You’d +hardly believe. It makes ME jump sometimes.” + +“But it does no good,” said my uncle. + +“It does no good,” said his wife. “It’s not his miloo...” + +Presently they came upon a wide pause. + +From the beginning of their conversation there had been the promise of +this pause, and I pricked my ears. I knew perfectly what was bound to +come; they were going to talk of my father. I was enormously +strengthened in my persuasion when I found my mother’s eyes resting +thoughtfully upon me in the silence, and than my uncle looked at me and +then my aunt. I struggled unavailingly to produce an expression of meek +stupidity. + +“I think,” said my uncle, “that George will find it more amusing to +have a turn in the market-place than to sit here talking with us. +There’s a pair of stocks there, George—very interesting. Old-fashioned +stocks.” + +“I don’t mind sitting here,” I said. + +My uncle rose and in the most friendly way led me through the shop. He +stood on his doorstep and jerked amiable directions to me. + +“Ain’t it sleepy, George, eh? There’s the butcher’s dog over there, +asleep in the road-half an hour from midday! If the last Trump sounded +I don’t believe it would wake. Nobody would wake! The chaps up there in +the churchyard—they’d just turn over and say: ‘Naar—you don’t catch us, +you don’t! See?’.... Well, you’ll find the stocks just round that +corner.” + +He watched me out of sight. + +So I never heard what they said about my father after all. + +VI + +When I returned, my uncle had in some remarkable way become larger and +central. “Tha’chu, George?” he cried, when the shop-door bell sounded. +“Come right through”; and I found him, as it were, in the chairman’s +place before the draped grate. + +The three of them regarded me. + +“We have been talking of making you a chemist, George,” said my uncle. + +My mother looked at me. “I had hoped,” she said, “that Lady Drew would +have done something for him—” She stopped. + +“In what way?” said my uncle. + +“She might have spoken to some one, got him into something perhaps....” +She had the servant’s invincible persuasion that all good things are +done by patronage. + +“He is not the sort of boy for whom things are done,” she added, +dismissing these dreams. “He doesn’t accommodate himself. When he +thinks Lady Drew wishes a thing, he seems not to wish it. Towards Mr. +Redgrave, too, he has been—disrespectful—he is like his father.” + +“Who’s Mr. Redgrave?” + +“The Vicar.” + +“A bit independent?” said my uncle, briskly. + +“Disobedient,” said my mother. “He has no idea of his place. He seems +to think he can get on by slighting people and flouting them. He’ll +learn perhaps before it is too late.” + +My uncle stroked his cut chin and me. “Have you learnt any Latin?” he +asked abruptly. + +I said I had not. + +“He’ll have to learn a little Latin,” he explained to my mother, “to +qualify. H’m. He could go down to the chap at the grammar school +here—it’s just been routed into existence again by the Charity +Commissioners and have lessons.” + +“What, me learn Latin!” I cried, with emotion. + +“A little,” he said. + +“I’ve always wanted” I said and; “_Latin!_” + +I had long been obsessed by the idea that having no Latin was a +disadvantage in the world, and Archie Garvell had driven the point of +this pretty earnestly home. The literature I had read at Bladesover had +all tended that way. Latin had had a quality of emancipation for me +that I find it difficult to convey. And suddenly, when I had supposed +all learning was at an end for me, I heard this! + +“It’s no good to you, of course,” said my uncle, “except to pass exams +with, but there you are!” + +“You’ll have to learn Latin because you have to learn Latin,” said my +mother, “not because you want to. And afterwards you will have to learn +all sorts of other things....” + +The idea that I was to go on learning, that to read and master the +contents of books was still to be justifiable as a duty, overwhelmed +all other facts. I had had it rather clear in my mind for some weeks +that all that kind of opportunity might close to me for ever. I began +to take a lively interest in this new project. + +“Then shall I live here?” I asked, “with you, and study... as well as +work in the shop?” + +“That’s the way of it,” said my uncle. + +I parted from my mother that day in a dream, so sudden and important +was this new aspect of things to me. I was to learn Latin! Now that the +humiliation of my failure at Bladesover was past for her, now that she +had a little got over her first intense repugnance at this resort to my +uncle and contrived something that seemed like a possible provision for +my future, the tenderness natural to a parting far more significant +than any of our previous partings crept into her manner. + +She sat in the train to return, I remember, and I stood at the open +door of her compartment, and neither of us knew how soon we should +cease for ever to be a trouble to one another. + +“You must be a good boy, George,” she said. “You must learn.... And you +mustn’t set yourself up against those who are above you and better than +you.... Or envy them.” + +“No, mother,” I said. + +I promised carelessly. Her eyes were fixed upon me. I was wondering +whether I could by any means begin Latin that night. + +Something touched her heart then, some thought, some memory; perhaps +some premonition.... The solitary porter began slamming carriage doors. + +“George” she said hastily, almost shamefully, “kiss me!” + +I stepped up into her compartment as she bent downward. + +She caught me in her arms quite eagerly, she pressed me to her—a +strange thing for her to do. I perceived her eyes were extraordinarily +bright, and then this brightness burst along the lower lids and rolled +down her cheeks. + +For the first and last time in my life I saw my mother’s tears. Then +she had gone, leaving me discomforted and perplexed, forgetting for a +time even that I was to learn Latin, thinking of my mother as of +something new and strange. + +The thing recurred though I sought to dismiss it, it stuck itself into +my memory against the day of fuller understanding. Poor, proud, +habitual, sternly narrow soul! poor difficult and misunderstanding son! +it was the first time that ever it dawned upon me that my mother also +might perhaps feel. + +VII + +My mother died suddenly and, it was thought by Lady Drew, +inconsiderately, the following spring. Her ladyship instantly fled to +Folkestone with Miss Somerville and Fison, until the funeral should be +over and my mother’s successor installed. + +My uncle took me over to the funeral. I remember there was a sort of +prolonged crisis in the days preceding this because, directly he heard +of my loss, he had sent a pair of check trousers to the Judkins people +in London to be dyed black, and they did not come back in time. He +became very excited on the third day, and sent a number of increasingly +fiery telegrams without any result whatever, and succumbed next morning +with a very ill grace to my aunt Susan’s insistence upon the resources +of his dress-suit. In my memory those black legs of his, in a +particularly thin and shiny black cloth—for evidently his dress-suit +dated from adolescent and slenderer days—straddle like the Colossus of +Rhodes over my approach to my mother’s funeral. Moreover, I was +inconvenienced and distracted by a silk hat he had bought me, my first +silk hat, much ennobled, as his was also, by a deep mourning band. + +I remember, but rather indistinctly, my mother’s white paneled +housekeeper’s room and the touch of oddness about it that she was not +there, and the various familiar faces made strange by black, and I seem +to recall the exaggerated self-consciousness that arose out of their +focussed attention. No doubt the sense of the new silk hat came and +went and came again in my emotional chaos. Then something comes out +clear and sorrowful, rises out clear and sheer from among all these +rather base and inconsequent things, and once again I walk before all +the other mourners close behind her coffin as it is carried along the +churchyard path to her grave, with the old vicar’s slow voice saying +regretfully and unconvincingly above me, triumphant solemn things. + +“I am the resurrection and the life, saith the Lord; he that believeth +in me, though he were dead, yet shall he live: and whosoever liveth and +believeth in me shall never die.” + +Never die! The day was a high and glorious morning in spring, and all +the trees were budding and bursting into green. Everywhere there were +blossoms and flowers; the pear trees and cherry trees in the sexton’s +garden were sunlit snow, there were nodding daffodils and early tulips +in the graveyard beds, great multitudes of daisies, and everywhere the +birds seemed singing. And in the middle was the brown coffin end, +tilting on men’s shoulders and half occluded by the vicar’s Oxford +hood. + +And so we came to my mother’s waiting grave. + +For a time I was very observant, watching the coffin lowered, hearing +the words of the ritual. It seemed a very curious business altogether. + +Suddenly as the service drew to its end, I felt something had still to +be said which had not been said, realised that she had withdrawn in +silence, neither forgiving me nor hearing from me—those now lost +assurances. Suddenly I knew I had not understood. Suddenly I saw her +tenderly; remembered not so much tender or kindly things of her as her +crossed wishes and the ways in which I had thwarted her. Surprisingly I +realised that behind all her hardness and severity she had loved me, +that I was the only thing she had ever loved and that until this moment +I had never loved her. And now she was there and deaf and blind to me, +pitifully defeated in her designs for me, covered from me so that she +could not know.... + +I dug my nails into the palms of my hands, I set my teeth, but tears +blinded me, sobs would have choked me had speech been required of me. +The old vicar read on, there came a mumbled response—and so on to the +end. I wept as it were internally, and only when we had come out of the +churchyard could I think and speak calmly again. + +Stamped across this memory are the little black figures of my uncle and +Rabbits, telling Avebury, the sexton and undertaker, that “it had all +passed off very well—very well indeed.” + +VIII + +That is the last I shall tell of Bladesover. The dropscene falls on +that, and it comes no more as an actual presence into this novel. I did +indeed go back there once again, but under circumstances quite +immaterial to my story. But in a sense Bladesover has never left me; it +is, as I said at the outset, one of those dominant explanatory +impressions that make the framework of my mind. Bladesover illuminates +England; it has become all that is spacious, dignified pretentious, and +truly conservative in English life. It is my social datum. That is why +I have drawn it here on so large a scale. + +When I came back at last to the real Bladesover on an inconsequent +visit, everything was far smaller than I could have supposed possible. +It was as though everything had shivered and shrivelled a little at the +Lichtenstein touch. The harp was still in the saloon, but there was a +different grand piano with a painted lid and a metrostyle pianola, and +an extraordinary quantity of artistic litter and _bric-à-brac_ +scattered about. There was the trail of the Bond Street showroom over +it all. The furniture was still under chintz, but it wasn’t the same +sort of chintz although it pretended to be, and the lustre-dangling +chandeliers had passed away. Lady Lichtenstein’s books replaced the +brown volumes I had browsed among—they were mostly presentation copies +of contemporary novels and the _National Review_ and the _Empire +Review_, and the _Nineteenth Century and After_ jostled current books +on the tables—English new books in gaudy catchpenny “artistic” covers, +French and Italian novels in yellow, German art handbooks of almost +incredible ugliness. There were abundant evidences that her ladyship +was playing with the Keltic renascence, and a great number of ugly cats +made of china—she “collected” china and stoneware cats—stood about +everywhere—in all colours, in all kinds of deliberately comic, highly +glazed distortion. + +It is nonsense to pretend that finance makes any better aristocrats +than rent. Nothing can make an aristocrat but pride, knowledge, +training, and the sword. These people were no improvement on the Drews, +none whatever. There was no effect of a beneficial replacement of +passive unintelligent people by active intelligent ones. One felt that +a smaller but more enterprising and intensely undignified variety of +stupidity had replaced the large dullness of the old gentry, and that +was all. Bladesover, I thought, had undergone just the same change +between the seventies and the new century that had overtaken the dear +old _Times_, and heaven knows how much more of the decorous British +fabric. These Lichtensteins and their like seem to have no promise in +them at all of any fresh vitality for the kingdom. I do not believe in +their intelligence or their power—they have nothing new about them at +all, nothing creative nor rejuvenescent, no more than a disorderly +instinct of acquisition; and the prevalence of them and their kind is +but a phase in the broad slow decay of the great social organism of +England. They could not have made Bladesover they cannot replace it; +they just happen to break out over it—saprophytically. + +Well—that was my last impression of Bladesover. + + + + +CHAPTER THE THIRD +THE WIMBLEHURST APPRENTICESHIP + + +I + +So far as I can remember now, except for that one emotional phase by +the graveside, I passed through all these experiences rather callously. +I had already, with the facility of youth, changed my world, ceased to +think at all of the old school routine and put Bladesover aside for +digestion at a latter stage. I took up my new world in Wimblehurst with +the chemist’s shop as its hub, set to work at Latin and materia medica, +and concentrated upon the present with all my heart. Wimblehurst is an +exceptionally quiet and grey Sussex town rare among south of England +towns in being largely built of stone. I found something very agreeable +and picturesque in its clean cobbled streets, its odd turnings and +abrupt corners; and in the pleasant park that crowds up one side of the +town. The whole place is under the Eastry dominion and it was the +Eastry influence and dignity that kept its railway station a mile and +three-quarters away. Eastry House is so close that it dominates the +whole; one goes across the marketplace (with its old lock-up and +stocks), past the great pre-reformation church, a fine grey shell, like +some empty skull from which the life has fled, and there at once are +the huge wrought-iron gates, and one peeps through them to see the +façade of this place, very white and large and fine, down a long avenue +of yews. Eastry was far greater than Bladesover and an altogether +completer example of the eighteenth century system. It ruled not two +villages, but a borough, that had sent its sons and cousins to +parliament almost as a matter of right so long as its franchise +endured. Every one was in the system, every one—except my uncle. He +stood out and complained. + +My uncle was the first real breach I found in the great front of +Bladesover the world had presented me, for Chatham was not so much a +breach as a confirmation. But my uncle had no respect for Bladesover +and Eastry—none whatever. He did not believe in them. He was blind even +to what they were. He propounded strange phrases about them, he +exfoliated and wagged about novel and incredible ideas. + +“This place,” said my uncle, surveying it from his open doorway in the +dignified stillness of a summer afternoon, “wants Waking Up!” + +I was sorting up patent medicines in the corner. + +“I’d like to let a dozen young Americans loose into it,” said my uncle. +“Then we’d see.” + +I made a tick against Mother Shipton’s Sleeping Syrup. We had cleared +our forward stock. + +“Things must be happening _somewhere_, George,” he broke out in a +querulously rising note as he came back into the little shop. He +fiddled with the piled dummy boxes of fancy soap and scent and so forth +that adorned the end of the counter, then turned about petulantly, +stuck his hands deeply into his pockets and withdrew one to scratch his +head. “I must do _something_,” he said. “I can’t stand it. + +“I must invent something. And shove it.... I could. + +“Or a play. There’s a deal of money in a play, George. What would you +think of me writing a play eh?... There’s all sorts of things to be +done. + +“Or the stog-igschange.” + +He fell into that meditative whistling of his. + +“Sac-ramental wine!” he swore, “this isn’t the world—it’s Cold Mutton +Fat! That’s what Wimblehurst is! Cold Mutton Fat!—dead and stiff! And +I’m buried in it up to the arm pits. Nothing ever happens, nobody wants +things to happen ‘scept me! Up in London, George, things happen. +America! I wish to Heaven, George, I’d been born American—where things +hum. + +“What can one do here? How can one grow? While we’re sleepin’ here with +our Capital oozing away into Lord Eastry’s pockets for rent-men are up +there....” He indicated London as remotely over the top of the +dispensing counter, and then as a scene of great activity by a whirl of +the hand and a wink and a meaning smile at me. + +“What sort of things do they do?” I asked. + +“Rush about,” he said. “Do things! Somethin’ glorious. There’s cover +gambling. Ever heard of that, George?” He drew the air in through his +teeth. “You put down a hundred say, and buy ten thousand pounds worth. +See? That’s a cover of one per cent. Things go up one, you sell, +realise cent per cent; down, whiff, it’s gone! Try again! Cent per +cent, George, every day. Men are made or done for in an hour. And the +shoutin’! Zzzz.... Well, that’s one way, George. Then another +way—there’s Corners!” + +“They’re rather big things, aren’t they?” I ventured. + +“Oh, if you go in for wheat or steel—yes. But suppose you tackled a +little thing, George. Just some little thing that only needed a few +thousands. Drugs for example. Shoved all you had into it—staked your +liver on it, so to speak. Take a drug—take ipecac, for example. Take a +lot of ipecac. Take all there is! See? There you are! There aren’t +unlimited supplies of ipecacuanha—can’t be!—and it’s a thing people +must have. Then quinine again! You watch your chance, wait for a +tropical war breaking out, let’s say, and collar all the quinine. Where +ARE they? Must have quinine, you know. Eh? Zzzz. + +“Lord! there’s no end of things—no end of _little_ things. +Dill-water—all the suffering babes yowling for it. Eucalyptus +again—cascara—witch hazel—menthol—all the toothache things. Then +there’s antiseptics, and curare, cocaine....” + +“Rather a nuisance to the doctors,” I reflected. + +“They got to look out for themselves. By Jove, yes. They’ll do you if +they can, and you do them. Like brigands. That makes it romantic. +That’s the Romance of Commerce, George. You’re in the mountains there! +Think of having all the quinine in the world, and some millionaire’s +pampered wife gone ill with malaria, eh? That’s a squeeze, George, eh? +Eh? Millionaire on his motor car outside, offering you any price you +liked. That ’ud wake up Wimblehurst.... Lord! You haven’t an Idea down +here. Not an idea. Zzzz.” + +He passed into a rapt dream, from which escaped such fragments as: +“Fifty per cent. advance sir; security—to-morrow. Zzzz.” + +The idea of cornering a drug struck upon my mind then as a sort of +irresponsible monkey trick that no one would ever be permitted to do in +reality. It was the sort of nonsense one would talk to make Ewart laugh +and set him going on to still odder possibilities. I thought it was +part of my uncle’s way of talking. But I’ve learnt differently since. +The whole trend of modern money-making is to foresee something that +will presently be needed and put it out of reach, and then to haggle +yourself wealthy. You buy up land upon which people will presently want +to build houses, you secure rights that will bar vitally important +developments, and so on, and so on. Of course the naïve intelligence of +a boy does not grasp the subtler developments of human inadequacy. He +begins life with a disposition to believe in the wisdom of grown-up +people, he does not realise how casual and disingenuous has been the +development of law and custom, and he thinks that somewhere in the +state there is a power as irresistible as a head master’s to check +mischievous and foolish enterprises of every sort. I will confess that +when my uncle talked of cornering quinine, I had a clear impression +that any one who contrived to do that would pretty certainly go to +jail. Now I know that any one who could really bring it off would be +much more likely to go to the House of Lords! + +My uncle ranged over the gilt labels of his bottles and drawers for a +while, dreaming of corners in this and that. But at last he reverted to +Wimblehurst again. + +“You got to be in London when these things are in hand. Down here—! + +“Jee-rusalem!” he cried. “Why did I plant myself here? Everything’s +done. The game’s over. Here’s Lord Eastry, and he’s got everything, +except what his lawyers get, and before you get any more change this +way you’ll have to dynamite him—and them. _He_ doesn’t want anything +more to happen. Why should he? Any chance ’ud be a loss to him. He +wants everything to burble along and burble along and go on as it’s +going for the next ten thousand years, Eastry after Eastry, one parson +down another come, one grocer dead, get another! Any one with any ideas +better go away. They _have_ gone away! Look at all these blessed people +in this place! Look at ’em! All fast asleep, doing their business out +of habit—in a sort of dream, Stuffed men would do just as well—just. +They’ve all shook down into their places. _They_ don’t want anything to +happen either. They’re all broken in. There you are! Only what are they +all alive for?... + +“Why can’t they get a clockwork chemist?” + +He concluded as he often concluded these talks. “I must invent +something,—that’s about what I must do. Zzzz. Some convenience. +Something people want.... Strike out.... You can’t think, George, of +anything everybody wants and hasn’t got? I mean something you could +turn out retail under a shilling, say? Well, _you_ think, whenever you +haven’t got anything better to do. See?” + +II + +So I remember my uncle in that first phase, young, but already a little +fat, restless, fretful, garrulous, putting in my fermenting head all +sorts of discrepant ideas. Certainly he was educational.... + +For me the years at Wimblehurst were years of pretty active growth. +Most of my leisure and much of my time in the shop I spent in study. I +speedily mastered the modicum of Latin necessary for my qualifying +examinations, and—a little assisted by the Government Science and Art +Department classes that were held in the Grammar School—went on with my +mathematics. There were classes in physics, in chemistry, in +mathematics and machine drawing, and I took up these subjects with +considerable avidity. Exercise I got chiefly in the form of walks. +There was some cricket in the summer and football in the winter +sustained by young men’s clubs that levied a parasitic blackmail of the +big people and the sitting member, but I was never very keen at these +games. I didn’t find any very close companions among the youths of +Wimblehurst. They struck me, after my cockney schoolmates, as loutish +and slow, servile and furtive, spiteful and mean. _We_ used to swagger, +but these countrymen dragged their feet and hated an equal who didn’t; +we talked loud, but you only got the real thoughts of Wimblehurst in a +knowing undertone behind its hand. And even then they weren’t much in +the way of thoughts. + +No, I didn’t like those young countrymen, and I’m no believer in the +English countryside under the Bladesover system as a breeding ground +for honourable men. One hears a frightful lot of nonsense about the +Rural Exodus and the degeneration wrought by town life upon our +population. To my mind, the English townsman, even in the slums, is +infinitely better spiritually, more courageous, more imaginative and +cleaner, than his agricultural cousin. I’ve seen them both when they +didn’t think they were being observed, and I know. There was something +about my Wimblehurst companions that disgusted me. It’s hard to define. +Heaven knows that at that cockney boarding-school at Goudhurst we were +coarse enough; the Wimblehurst youngsters had neither words nor courage +for the sort of thing we used to do—for our bad language, for example; +but, on the other hand, they displayed a sort of sluggish, real +lewdness, lewdness is the word—a baseness of attitude. Whatever we +exiled urbans did at Goudhurst was touched with something, however +coarse, of romantic imagination. We had read the _Boys of England_, and +told each other stories. In the English countryside there are no books +at all, no songs, no drama, no valiant sin even; all these things have +never come or they were taken away and hidden generations ago, and the +imagination aborts and bestialises. That, I think, is where the real +difference against the English rural man lies. It is because I know +this that I do not share in the common repinings because our +countryside is being depopulated, because our population is passing +through the furnace of the towns. They starve, they suffer, no doubt, +but they come out of it hardened, they come out of it with souls. + +Of an evening the Wimblehurst blade, shiny-faced from a wash and with +some loud finery, a coloured waistcoat or a vivid tie, would betake +himself to the Eastry Arms billiard-room, or to the bar parlour of some +minor pub where nap could be played. One soon sickened of his slow +knowingness, the cunning observation of his deadened eyes, his idea of +a “good story,” always, always told in undertones, poor dirty worm! his +shrewd, elaborate maneuvers for some petty advantage, a drink to the +good or such-like deal. There rises before my eyes as I write, young +Hopley Dodd, the son of the Wimblehurst auctioneer, the pride of +Wimblehurst, its finest flower, with his fur waistcoat and his bulldog +pipe, his riding breeches—he had no horse—and his gaiters, as he used +to sit, leaning forward and watching the billiard-table from under the +brim of his artfully tilted hat. A half-dozen phrases constituted his +conversation: “hard lines!” he used to say, and “Good baazness,” in a +bass bleat. Moreover, he had a long slow whistle that was esteemed the +very cream of humorous comment. Night after night he was there. + +Also you knew he would not understand that _I_ could play billiards, +and regarded every stroke I made as a fluke. For a beginner I didn’t +play so badly, I thought. I’m not so sure now; that was my opinion at +the time. But young Dodd’s scepticism and the “good baazness” finally +cured me of my disposition to frequent the Eastry Arms, and so these +noises had their value in my world. + +I made no friends among the young men of the place at all, and though I +was entering upon adolescence I have no love-affair to tell of here. +Not that I was not waking up to that aspect of life in my middle teens +I did, indeed, in various slightly informal ways scrape acquaintance +with casual Wimblehurst girls; with a little dressmaker’s apprentice I +got upon shyly speaking terms, and a pupil teacher in the National +School went further and was “talked about” in connection with me but I +was not by any means touched by any reality of passion for either of +these young people; love—love as yet came to me only in my dreams. I +only kissed these girls once or twice. They rather disconcerted than +developed those dreams. They were so clearly not “it.” I shall have +much to say of love in this story, but I may break it to the reader now +that it is my role to be a rather ineffectual lover. Desire I knew well +enough—indeed, too well; but love I have been shy of. In all my early +enterprises in the war of the sexes, I was torn between the urgency of +the body and a habit of romantic fantasy that wanted every phase of the +adventure to be generous and beautiful. And I had a curiously haunting +memory of Beatrice, of her kisses in the bracken and her kiss upon the +wall, that somehow pitched the standard too high for Wimblehurst’s +opportunities. I will not deny I did in a boyish way attempt a shy, +rude adventure or so in love-making at Wimblehurst; but through these +various influences, I didn’t bring things off to any extent at all. I +left behind me no devastating memories, no splendid reputation. I came +away at last, still inexperienced and a little thwarted, with only a +natural growth of interest and desire in sexual things. + +If I fell in love with any one in Wimblehurst it was with my aunt. She +treated me with a kindliness that was only half maternal—she petted my +books, she knew about my certificates, she made fun of me in a way that +stirred my heart to her. Quite unconsciously I grew fond of her.... + +My adolescent years at Wimblehurst were on the whole laborious, +uneventful years that began in short jackets and left me in many ways +nearly a man, years so uneventful that the Calculus of Variations is +associated with one winter, and an examination in Physics for Science +and Art department Honours marks an epoch. Many divergent impulses +stirred within me, but the master impulse was a grave young disposition +to work and learn and thereby in some not very clearly defined way get +out of the Wimblehurst world into which I had fallen. I wrote with some +frequency to Ewart, self-conscious, but, as I remember them, not +intelligent letters, dated in Latin and with lapses into Latin +quotation that roused Ewart to parody. There was something about me in +those days more than a little priggish. But it was, to do myself +justice, something more than the petty pride of learning. I had a very +grave sense of discipline and preparation that I am not ashamed at all +to remember. I was serious. More serious than I am at the present time. +More serious, indeed, than any adult seems to be. I was capable then of +efforts—of nobilities.... They are beyond me now. I don’t see why, at +forty, I shouldn’t confess I respect my own youth. I had dropped being +a boy quite abruptly. I thought I was presently to go out into a larger +and quite important world and do significant things there. I thought I +was destined to do something definite to a world that had a definite +purpose. I did not understand then, as I do now, that life was to +consist largely in the world’s doing things to me. Young people never +do seem to understand that aspect of things. And, as I say, among my +educational influences my uncle, all unsuspected, played a leading +part, and perhaps among other things gave my discontent with +Wimblehurst, my desire to get away from that clean and picturesque +emptiness, a form and expression that helped to emphasise it. In a way +that definition made me patient. “Presently I shall get to London,” I +said, echoing him. + +I remember him now as talking, always talking, in those days. He talked +to me of theology, he talked of politics, of the wonders of science and +the marvels of art, of the passions and the affections, of the +immortality of the soul and the peculiar actions of drugs; but +predominantly and constantly he talked of getting on, of enterprises, +of inventions and great fortunes, of Rothschilds, silver kings, +Vanderbilts, Goulds, flotations, realisations and the marvelous ways of +Chance with men—in all localities, that is to say, that are not +absolutely sunken to the level of Cold Mutton Fat. + +When I think of those early talks, I figure him always in one of three +positions. Either we were in the dispensing lair behind a high barrier, +he pounding up things in a mortar perhaps, and I rolling pill-stuff +into long rolls and cutting it up with a sort of broad, fluted knife, +or he stood looking out of the shop door against the case of sponges +and spray-diffusers, while I surveyed him from behind the counter, or +he leant against the little drawers behind the counter, and I hovered +dusting in front. The thought of those early days brings back to my +nostrils the faint smell of scent that was always in the air, marbled +now with streaks of this drug and now of that, and to my eyes the rows +of jejune glass bottles with gold labels, mirror-reflected, that stood +behind him. My aunt, I remember, used sometimes to come into the shop +in a state of aggressive sprightliness, a sort of connubial ragging +expedition, and get much fun over the abbreviated Latinity of those +gilt inscriptions. “Ol Amjig, George,” she would read derisively, “and +he pretends it’s almond oil! Snap!—and that’s mustard. Did you _ever_, +George? + +“Look at him, George, looking dignified. I’d like to put an old label +on to _him_ round the middle like his bottles are, with Ol Pondo on it. +That’s Latin for Impostor, George _must_ be. He’d look lovely with a +stopper.” + +“_You_ want a stopper,” said my uncle, projecting his face.... + +My aunt, dear soul, was in those days quite thin and slender, with a +delicate rosebud completion and a disposition to connubial badinage, to +a sort of gentle skylarking. There was a silvery ghost of lisping in +her speech. She was a great humourist, and as the constraint of my +presence at meals wore off, I became more and more aware of a filmy but +extensive net of nonsense she had woven about her domestic relations +until it had become the reality of her life. She affected a derisive +attitude to the world at large and applied the epithet “old” to more +things than I have ever heard linked to it before or since. “Here’s the +old news-paper,” she used to say—to my uncle. “Now don’t go and get it +in the butter, you silly old Sardine!” + +“What’s the day of the week, Susan?” my uncle would ask. + +“Old Monday, Sossidge,” she would say, and add, “I got all my Old +Washing to do. Don’t I _know_ it!”... + +She had evidently been the wit and joy of a large circle of +schoolfellows, and this style had become a second nature with her. It +made her very delightful to me in that quiet place. Her customary walk +even had a sort of hello! in it. Her chief preoccupation in life was, I +believe, to make my uncle laugh, and when by some new nickname, some +new quaintness or absurdity, she achieved that end, she was, behind a +mask of sober amazement, the happiest woman on earth. My uncle’s laugh +when it did come, I must admit was, as Baedeker says, “rewarding.” It +began with gusty blowings and snortings, and opened into a clear “Ha +ha!” but in fullest development it included, in those youthful days, +falling about anyhow and doubling up tightly, and whackings of the +stomach, and tears and cries of anguish. I never in my life heard my +uncle laugh to his maximum except at her; he was commonly too much in +earnest for that, and he didn’t laugh much at all, to my knowledge, +after those early years. Also she threw things at him to an enormous +extent in her resolve to keep things lively in spite of Wimblehurst; +sponges out of stock she threw, cushions, balls of paper, clean +washing, bread; and once up the yard when they thought that I and the +errand boy and the diminutive maid of all work were safely out of the +way, she smashed a boxful of eight-ounce bottles I had left to drain, +assaulting my uncle with a new soft broom. Sometimes she would shy +things at me—but not often. There seemed always laughter round and +about her—all three of us would share hysterics at times—and on one +occasion the two of them came home from church shockingly ashamed of +themselves, because of a storm of mirth during the sermon. The vicar, +it seems, had tried to blow his nose with a black glove as well as the +customary pocket-handkerchief. And afterwards she had picked up her own +glove by the finger, and looking innocently but intently sideways, had +suddenly by this simple expedient exploded my uncle altogether. We had +it all over again at dinner. + +“But it shows you,” cried my uncle, suddenly becoming grave, “what +Wimblehurst is, to have us all laughing at a little thing like that! We +weren’t the only ones that giggled. Not by any means! And, Lord! it +_was_ funny!” + +Socially, my uncle and aunt were almost completely isolated. In places +like Wimblehurst the tradesmen’s lives always are isolated socially, +all of them, unless they have a sister or a bosom friend among the +other wives, but the husbands met in various bar-parlours or in the +billiard-room of the Eastry Arms. But my uncle, for the most part, +spent his evenings at home. When first he arrived in Wimblehurst I +think he had spread his effect of abounding ideas and enterprise rather +too aggressively; and Wimblehurst, after a temporary subjugation, had +rebelled and done its best to make a butt of him. His appearance in a +public-house led to a pause in any conversation that was going on. + +“Come to tell us about everything, Mr. Pond’revo?” some one would say +politely. + +“You wait,” my uncle used to answer, disconcerted, and sulk for the +rest of his visit. + +Or some one with an immense air of innocence would remark to the world +generally, “They’re talkin’ of rebuildin’ Wimblehurst all over again, +I’m told. Anybody heard anything of it? Going to make it a reg’lar +smartgoin’, enterprisin’ place—kind of Crystal Pallas.” + +“Earthquake and a pestilence before you get _that_,” my uncle would +mutter, to the infinite delight of every one, and add something +inaudible about “Cold Mutton Fat.”... + +III + +We were torn apart by a financial accident to my uncle of which I did +not at first grasp the full bearings. He had developed what I regarded +as an innocent intellectual recreation which he called stock-market +meteorology. I think he got the idea from one use of curves in the +graphic presentation of associated variations that he saw me plotting. +He secured some of my squared paper and, having cast about for a time, +decided to trace the rise and fall of certain lines and railways. +“There’s something in this, George,” he said, and I little dreamt that +among other things that were in it, was the whole of his spare money +and most of what my mother had left to him in trust for me. + +“It’s as plain as can be,” he said. “See, here’s one system of waves +and here’s another! These are prices for Union Pacifics—extending over +a month. Now next week, mark my words, they’ll be down one whole point. +We’re getting near the steep part of the curve again. See? It’s +absolutely scientific. It’s verifiable. Well, and apply it! You buy in +the hollow and sell on the crest, and there you are!” + +I was so convinced of the triviality of this amusement that to find at +last that he had taken it in the most disastrous earnest overwhelmed +me. + +He took me for a long walk to break it to me, over the hills towards +Yare and across the great gorse commons by Hazelbrow. + +“There are ups and downs in life, George,” he said—halfway across that +great open space, and paused against the sky.... “I left out one factor +in the Union Pacific analysis.” + +“_Did_ you?” I said, struck by the sudden chance in his voice. “But you +don’t mean?” + +I stopped and turned on him in the narrow sandy rut of pathway and he +stopped likewise. + +“I do, George. I _do_ mean. It’s bust me! I’m a bankrupt here and now.” + +“Then—?” + +“The shop’s bust too. I shall have to get out of that.” + +“And me?” + +“Oh, you!—_you’re_ all right. You can transfer your apprenticeship, +and—er—well, I’m not the sort of man to be careless with trust funds, +you can be sure. I kept that aspect in mind. There’s some of it left +George—trust me!—quite a decent little sum.” + +“But you and aunt?” + +“It isn’t _quite_ the way we meant to leave Wimblehurst, George; but we +shall have to go. Sale; all the things shoved about and ticketed—lot a +hundred and one. Ugh!... It’s been a larky little house in some ways. +The first we had. Furnishing—a spree in its way.... Very happy...” His +face winced at some memory. “Let’s go on, George,” he said shortly, +near choking, I could see. + +I turned my back on him, and did not look round again for a little +while. + +“That’s how it is, you see, George.” I heard him after a time. + +When we were back in the high road again he came alongside, and for a +time we walked in silence. + +“Don’t say anything home yet,” he said presently. “Fortunes of War. I +got to pick the proper time with Susan—else she’ll get depressed. Not +that she isn’t a first-rate brick whatever comes along.” + +“All right,” I said, “I’ll be careful”; and it seemed to me for the +time altogether too selfish to bother him with any further inquiries +about his responsibility as my trustee. He gave a little sigh of relief +at my note of assent, and was presently talking quite cheerfully of his +plans.... But he had, I remember, one lapse into moodiness that came +and went suddenly. “Those others!” he said, as though the thought had +stung him for the first time. + +“What others?” I asked. + +“Damn them!” said he. + +“But what others?” + +“All those damned stick-in-the-mud-and-die-slowly tradespeople: Ruck, +the butcher, Marbel, the grocer. Snape! Gord! George, _how_ they’ll +grin!” + +I thought him over in the next few weeks, and I remember now in great +detail the last talk we had together before he handed over the shop and +me to his successor. For he had the good luck to sell his business, +“lock, stock, and barrel”—in which expression I found myself and my +indentures included. The horrors of a sale by auction of the furniture +even were avoided. + +I remember that either coming or going on that occasion, Ruck, the +butcher, stood in his doorway and regarded us with a grin that showed +his long teeth. + +“You half-witted hog!” said my uncle. “You grinning hyaena”; and then, +“Pleasant day, Mr. Ruck.” + +“Goin’ to make your fortun’ in London, then?” said Mr. Ruck, with slow +enjoyment. + +That last excursion took us along the causeway to Beeching, and so up +the downs and round almost as far as Steadhurst, home. My moods, as we +went, made a mingled web. By this time I had really grasped the fact +that my uncle had, in plain English, robbed me; the little +accumulations of my mother, six hundred pounds and more, that would +have educated me and started me in business, had been eaten into and +was mostly gone into the unexpected hollow that ought to have been a +crest of the Union Pacific curve, and of the remainder he still gave no +account. I was too young and inexperienced to insist on this or know +how to get it, but the thought of it all made streaks of decidedly +black anger in that scheme of interwoven feelings. And you know, I was +also acutely sorry for him—almost as sorry as I was for my aunt Susan. +Even then I had quite found him out. I knew him to be weaker than +myself; his incurable, irresponsible childishness was as clear to me +then as it was on his deathbed, his redeeming and excusing imaginative +silliness. Through some odd mental twist perhaps I was disposed to +exonerate him even at the cost of blaming my poor old mother who had +left things in his untrustworthy hands. + +I should have forgiven him altogether, I believe, if he had been in any +manner apologetic to me; but he wasn’t that. He kept reassuring me in a +way I found irritating. Mostly, however, his solicitude was for Aunt +Susan and himself. + +“It’s these Crises, George,” he said, “try Character. Your aunt’s come +out well, my boy.” + +He made meditative noises for a space. + +“Had her cry of course,”—the thing had been only too painfully evident +to me in her eyes and swollen face—“who wouldn’t? But now—buoyant +again!... She’s a Corker. + +“We’ll be sorry to leave the little house of course. It’s a bit like +Adam and Eve, you know. Lord! what a chap old Milton was! + +“‘The world was all before them, where to choose +Their place of rest, and Providence their guide.’ + + +“It sounds, George.... Providence their guide!... Well—thank goodness +there’s no imeedgit prospect of either Cain or Abel!” + +“After all, it won’t be so bad up there. Not the scenery, perhaps, or +the air we get here, but—_Life!_ We’ve got very comfortable little +rooms, very comfortable considering, and I shall rise. We’re not done +yet, we’re not beaten; don’t think that, George. I shall pay twenty +shillings in the pound before I’ve done—you mark my words, +George,—twenty—five to you.... I got this situation within twenty-four +hours—others offered. It’s an important firm—one of the best in London. +I looked to that. I might have got four or five shillings a week +more—elsewhere. Quarters I could name. But I said to them plainly, +wages to go on with, but opportunity’s my game—development. We +understood each other.” + +He threw out his chest, and the little round eyes behind his glasses +rested valiantly on imaginary employers. + +We would go on in silence for a space while he revised and restated +that encounter. Then he would break out abruptly with some banal +phrase. + +“The Battle of Life, George, my boy,” he would cry, or “Ups and Downs!” + +He ignored or waived the poor little attempts I made to ascertain my +own position. “That’s all right,” he would say; or, “Leave all that to +me. _I’ll_ look after them.” And he would drift away towards the +philosophy and moral of the situation. What was I to do? + +“Never put all your resources into one chance, George; that’s the +lesson I draw from this. Have forces in reserve. It was a hundred to +one, George, that I was right—a hundred to one. I worked it out +afterwards. And here we are spiked on the off-chance. If I’d have only +kept back a little, I’d have had it on U.P. next day, like a shot, and +come out on the rise. There you are!” + +His thoughts took a graver turn. + +“It’s where you’ll bump up against Chance like this, George, that you +feel the need of religion. Your hard-and-fast scientific men—your +Spencers and Huxleys—they don’t understand that. I do. I’ve thought of +it a lot lately—in bed and about. I was thinking of it this morning +while I shaved. It’s not irreverent for me to say it, I hope—but God +comes in on the off-chance, George. See? Don’t you be too cocksure of +anything, good or bad. That’s what I make out of it. I could have +sworn. Well, do you think I—particular as I am—would have touched those +Union Pacifics with trust money at all, if I hadn’t thought it a +thoroughly good thing—good without spot or blemish?... And it was bad! + +“It’s a lesson to me. You start in to get a hundred percent. and you +come out with that. It means, in a way, a reproof for Pride. I’ve +thought of that, George—in the Night Watches. I was thinking this +morning when I was shaving, that that’s where the good of it all comes +in. At the bottom I’m a mystic in these affairs. You calculate you’re +going to do this or that, but at bottom who knows at all _what_ he’s +doing? When you most think you’re doing things, they’re being done +right over your head. _You’re_ being done—in a sense. Take a hundred-to +one chance, or one to a hundred—what does it matter? You’re being Led.” + +It’s odd that I heard this at the time with unutterable contempt, and +now that I recall it—well, I ask myself, what have I got better? + +“I wish,” said I, becoming for a moment outrageous, “_you_ were being +Led to give me some account of my money, uncle.” + +“Not without a bit of paper to figure on, George, I can’t. But you +trust me about that never fear. You trust me.” + +And in the end I had to. + +I think the bankruptcy hit my aunt pretty hard. There was, so far as I +can remember now, a complete cessation of all those cheerful outbreaks +of elasticity, no more skylarking in the shop nor scampering about the +house. But there was no fuss that I saw, and only little signs in her +complexion of the fits of weeping that must have taken her. She didn’t +cry at the end, though to me her face with its strain of +self-possession was more pathetic than any weeping. “Well” she said to +me as she came through the shop to the cab, “Here’s old orf, George! +Orf to Mome number two! Good-bye!” And she took me in her arms and +kissed me and pressed me to her. Then she dived straight for the cab +before I could answer her. + +My uncle followed, and he seemed to me a trifle too valiant and +confident in his bearing for reality. He was unusually white in the +face. He spoke to his successor at the counter. “Here we go!” he said. +“One down, the other up. You’ll find it a quiet little business so long +as you run it on quiet lines—a nice quiet little business. There’s +nothing more? No? Well, if you want to know anything write to me. I’ll +always explain fully. Anything—business, place or people. You’ll find +Pil Antibil. a little overstocked by-the-by, I found it soothed my mind +the day before yesterday making ’em, and I made ’em all day. Thousands! +And where’s George? Ah! there you are! I’ll write to you, George, +_fully_, about all that affair. Fully!” + +It became clear to me as if for the first time, that I was really +parting from my aunt Susan. I went out on to the pavement and saw her +head craned forward, her wide-open blue eyes and her little face intent +on the shop that had combined for her all the charms of a big doll’s +house and a little home of her very own. “Good-bye!” she said to it and +to me. Our eyes met for a moment—perplexed. My uncle bustled out and +gave a few totally unnecessary directions to the cabman and got in +beside her. “All right?” asked the driver. “Right,” said I; and he woke +up the horse with a flick of his whip. My aunt’s eyes surveyed me +again. “Stick to your old science and things, George, and write and +tell me when they make you a Professor,” she said cheerfully. + +She stared at me for a second longer with eyes growing wider and +brighter and a smile that had become fixed, glanced again at the bright +little shop still saying “Ponderevo” with all the emphasis of its +fascia, and then flopped back hastily out of sight of me into the +recesses of the cab. Then it had gone from before me and I beheld Mr. +Snape, the hairdresser, inside his store regarding its departure with a +quiet satisfaction and exchanging smiles and significant headshakes +with Mr. Marbel. + +IV + +I was left, I say, as part of the lock, stock, and barrel, at +Wimblehurst with my new master, a Mr. Mantell; who plays no part in the +progress of this story except in so far as he effaced my uncle’s +traces. So soon as the freshness of this new personality faded, I began +to find Wimblehurst not only a dull but a lonely place, and to miss my +aunt Susan immensely. The advertisements of the summer terms for Cough +Linctus were removed; the bottles of coloured water—red, green, and +yellow—restored to their places; the horse announcing veterinary +medicine, which my uncle, sizzling all the while, had coloured in +careful portraiture of a Goodwood favourite, rewhitened; and I turned +myself even more resolutely than before to Latin (until the passing of +my preliminary examination enabled me to drop that), and then to +mathematics and science. + +There were classes in Electricity and Magnetism at the Grammar School. +I took a little “elementary” prize in that in my first year and a medal +in my third; and in Chemistry and Human Physiology and Sound, Light and +Heat, I did well. There was also a lighter, more discursive subject +called Physiography, in which one ranged among the sciences and +encountered Geology as a process of evolution from Eozoon to Eastry +House, and Astronomy as a record of celestial movements of the most +austere and invariable integrity. I learnt out of badly-written, +condensed little text-books, and with the minimum of experiment, but +still I learnt. Only thirty years ago it was, and I remember I learnt +of the electric light as an expensive, impracticable toy, the telephone +as a curiosity, electric traction as a practical absurdity. There was +no argon, no radium, no phagocytes—at least to my knowledge, and +aluminium was a dear, infrequent metal. The fastest ships in the world +went then at nineteen knots, and no one but a lunatic here and there +ever thought it possible that men might fly. + +Many things have happened since then, but the last glance I had of +Wimblehurst two years ago remarked no change whatever in its pleasant +tranquillity. They had not even built any fresh houses—at least not +actually in the town, though about the station there had been some +building. But it was a good place to do work in, for all its +quiescence. I was soon beyond the small requirements of the +Pharmaceutical Society’s examination, and as they do not permit +candidates to sit for that until one and twenty, I was presently +filling up my time and preventing my studies becoming too desultory by +making an attack upon the London University degree of Bachelor of +Science, which impressed me then as a very splendid but almost +impossible achievement. The degree in mathematics and chemistry +appealed to me as particularly congenial—albeit giddily inaccessible. I +set to work. I had presently to arrange a holiday and go to London to +matriculate, and so it was I came upon my aunt and uncle again. In many +ways that visit marked an epoch. It was my first impression of London +at all. I was then nineteen, and by a conspiracy of chances my nearest +approach to that human wilderness had been my brief visit to Chatham. +Chatham too had been my largest town. So that I got London at last with +an exceptional freshness of effect, as the sudden revelation of a whole +unsuspected other side to life. + +I came to it on a dull and smoky day by the South Eastern Railway, and +our train was half an hour late, stopping and going on and stopping +again. I marked beyond Chiselhurst the growing multitude of villas, and +so came stage by stage through multiplying houses and diminishing +interspaces of market garden and dingy grass to regions of interlacing +railway lines, big factories, gasometers and wide reeking swamps of +dingy little homes, more of them and more and more. The number of these +and their dinginess and poverty increased, and here rose a great public +house and here a Board School and there a gaunt factory; and away to +the east there loomed for a time a queer, incongruous forest of masts +and spars. The congestion of houses intensified and piled up presently +into tenements; I marveled more and more at this boundless world of +dingy people; whiffs of industrial smell, of leather, of brewing, +drifted into the carriage; the sky darkened, I rumbled thunderously +over bridges, van-crowded streets, peered down on and crossed the +Thames with an abrupt eclat of sound. I got an effect of tall +warehouses, of grey water, barge crowded, of broad banks of +indescribable mud, and then I was in Cannon Street Station—a monstrous +dirty cavern with trains packed across its vast floor and more porters +standing along the platform than I had ever been in my life before. I +alighted with my portmanteau and struggled along, realising for the +first time just how small and weak I could still upon occasion feel. In +this world, I felt, an Honours medal in Electricity and magnetism +counted for nothing at all. + +Afterwards I drove in a cab down a canon of rushing street between high +warehouses, and peeped up astonished at the blackened greys of Saint +Paul’s. The traffic of Cheapside—it was mostly in horse omnibuses in +those days—seemed stupendous, its roar was stupendous; I wondered where +the money came from to employ so many cabs, what industry could support +the endless jostling stream of silk-hatted, frock-coated, hurrying men. +Down a turning I found the Temperance Hotel Mr. Mantell had recommended +to me. The porter in a green uniform who took over my portmanteau, +seemed, I thought, to despise me a good deal. + +V + +Matriculation kept me for four full days and then came an afternoon to +spare, and I sought out Tottenham Court Road through a perplexing +network of various and crowded streets. But this London was vast! it +was endless! it seemed the whole world had changed into packed +frontages and hoardings and street spaces. I got there at last and made +inquiries, and I found my uncle behind the counter of the pharmacy he +managed, an establishment that did not impress me as doing a +particularly high-class trade. “Lord!” he said at the sight of me, “I +was wanting something to happen!” + +He greeted me warmly. I had grown taller, and he, I thought, had grown +shorter and smaller and rounder but otherwise he was unchanged. He +struck me as being rather shabby, and the silk hat he produced and put +on, when, after mysterious negotiations in the back premises he +achieved his freedom to accompany me, was past its first youth; but he +was as buoyant and confident as ever. + +“Come to ask me about all _that_,” he cried. “I’ve never written yet.” + +“Oh, among other things,” said I, with a sudden regrettable politeness, +and waived the topic of his trusteeship to ask after my aunt Susan. + +“We’ll have her out of it,” he said suddenly; “we’ll go somewhere. We +don’t get you in London every day.” + +“It’s my first visit,” I said, “I’ve never seen London before”; and +that made him ask me what I thought of it, and the rest of the talk was +London, London, to the exclusion of all smaller topics. He took me up +the Hampstead Road almost to the Cobden statue, plunged into some back +streets to the left, and came at last to a blistered front door that +responded to his latch-key, one of a long series of blistered front +doors with fanlights and apartment cards above. We found ourselves in a +drab-coloured passage that was not only narrow and dirty but +desolatingly empty, and then he opened a door and revealed my aunt +sitting at the window with a little sewing-machine on a bamboo +occasional table before her, and “work”—a plum-coloured walking dress I +judged at its most analytical stage—scattered over the rest of the +apartment. + +At the first glance I judged my aunt was plumper than she had been, but +her complexion was just as fresh and her China blue eye as bright as in +the old days. + +“London,” she said, didn’t “get blacks” on her. + +She still “cheeked” my uncle, I was pleased to find. “What are you old +Poking in for at _this_ time—_Gubbitt?_” she said when he appeared, and +she still looked with a practised eye for the facetious side of things. +When she saw me behind him, she gave a little cry and stood up radiant. +Then she became grave. + +I was surprised at my own emotion in seeing her. She held me at arm’s +length for a moment, a hand on each shoulder, and looked at me with a +sort of glad scrutiny. She seemed to hesitate, and then pecked little +kiss off my cheek. + +“You’re a man, George,” she said, as she released me, and continued to +look at me for a while. + +Their _ménage_ was one of a very common type in London. They occupied +what is called the dining-room floor of a small house, and they had the +use of a little inconvenient kitchen in the basement that had once been +scullery. The two rooms, bedroom behind and living room in front, were +separated by folding-doors that were never now thrown back, and indeed, +in the presence of a visitor, not used at all. There was of course no +bathroom or anything of that sort available, and there was no water +supply except to the kitchen below. My aunt did all the domestic work, +though she could have afforded to pay for help if the build of the +place had not rendered that inconvenient to the pitch of impossibility. +There was no sort of help available except that of indoor servants, for +whom she had no accommodation. The furniture was their own; it was +partly secondhand, but on the whole it seemed cheerful to my eye, and +my aunt’s bias for cheap, gay-figured muslin had found ample score. In +many ways I should think it must have been an extremely inconvenient +and cramped sort of home, but at the time I took it, as I was taking +everything, as being there and in the nature of things. I did not see +the oddness of solvent decent people living in a habitation so clearly +neither designed nor adapted for their needs, so wasteful of labour and +so devoid of beauty as this was, and it is only now as I describe this +that I find myself thinking of the essential absurdity of an +intelligent community living in such makeshift homes. It strikes me now +as the next thing to wearing second-hand clothes. + +You see it was a natural growth, part of that system to which +Bladesover, I hold, is the key. There are wide regions of London, miles +of streets of houses, that appear to have been originally designed for +prosperous-middle-class homes of the early Victorian type. There must +have been a perfect fury of such building in the thirties, forties, and +fifties. Street after street must have been rushed into being, Campden +Town way, Pentonville way, Brompton way, West Kensington way in the +Victoria region and all over the minor suburbs of the south side. + +I am doubtful if many of these houses had any long use as the +residences of single families if from the very first almost their +tenants did not makeshift and take lodgers and sublet. They were built +with basements, in which their servants worked and lived—servants of a +more submissive and troglodytic generation who did not mind stairs. The +dining-room (with folding doors) was a little above the ground level, +and in that the wholesome boiled and roast with damp boiled potatoes +and then pie to follow, was consumed and the numerous family read and +worked in the evening, and above was the drawing-room (also with +folding doors), where the infrequent callers were received. That was +the vision at which those industrious builders aimed. Even while these +houses were being run up, the threads upon the loom of fate were +shaping to abolish altogether the type of household that would have +fitted them. Means of transit were developing to carry the moderately +prosperous middle-class families out of London, education and factory +employment were whittling away at the supply of rough, hardworking, +obedient girls who would stand the subterranean drudgery of these +places, new classes of hard-up middle-class people such as my uncle, +employees of various types, were coming into existence, for whom no +homes were provided. None of these classes have ideas of what they +ought to be, or fit in any legitimate way into the Bladesover theory +that dominates our minds. It was nobody’s concern to see them housed +under civilised conditions, and the beautiful laws of supply and demand +had free play. They had to squeeze in. The landlords came out +financially intact from their blundering enterprise. More and more +these houses fell into the hands of married artisans, or struggling +widows or old servants with savings, who became responsible for the +quarterly rent and tried to sweat a living by sub-letting furnished or +unfurnished apartments. + +I remember now that a poor grey-haired old woman who had an air of +having been roused from a nap in the dust bin, came out into the area +and looked up at us as we three went out from the front door to “see +London” under my uncle’s direction. She was the sub-letting occupier; +she squeezed out a precarious living by taking the house whole and +sub-letting it in detail and she made her food and got the shelter of +an attic above and a basement below by the transaction. And if she +didn’t chance to “let” steadily, out she went to pauperdom and some +other poor, sordid old adventurer tried in her place.... + +It is a foolish community that can house whole classes, useful and +helpful, honest and loyal classes, in such squalidly unsuitable +dwellings. It is by no means the social economy it seems, to use up old +women, savings and inexperience in order to meet the landlord’s +demands. But any one who doubts this thing is going on right up to +to-day need only spend an afternoon in hunting for lodgings in any of +the regions of London I have named. + +But where has my story got to? My uncle, I say, decided I must be shown +London, and out we three went as soon as my aunt had got her hat on, to +catch all that was left of the day. + +VI + +It pleased my uncle extremely to find I had never seen London before. +He took possession of the metropolis forthwith. “London, George,” he +said, “takes a lot of understanding. It’s a great place. Immense. The +richest town in the world, the biggest port, the greatest manufacturing +town, the Imperial city—the centre of civilisation, the heart of the +world! See those sandwich men down there! That third one’s hat! Fair +treat! You don’t see poverty like that in Wimblehurst George! And many +of them high Oxford honour men too. Brought down by drink! It’s a +wonderful place, George—a whirlpool, a maelstrom! whirls you up and +whirls you down.” + +I have a very confused memory of that afternoon’s inspection of London. +My uncle took us to and fro showing us over his London, talking +erratically, following a route of his own. Sometimes we were walking, +sometimes we were on the tops of great staggering horse omnibuses in a +heaving jumble of traffic, and at one point we had tea in an Aerated +Bread Shop. But I remember very distinctly how we passed down Park Lane +under an overcast sky, and how my uncle pointed out the house of this +child of good fortune and that with succulent appreciation. + +I remember, too, that as he talked I would find my aunt watching my +face as if to check the soundness of his talk by my expression. + +“Been in love yet, George?” she asked suddenly, over a bun in the +tea-shop. + +“Too busy, aunt,” I told her. + +She bit her bun extensively, and gesticulated with the remnant to +indicate that she had more to say. + +“How are _you_ going to make your fortune?” she said so soon as she +could speak again. “You haven’t told us that.” + +“’Lectricity,” said my uncle, taking breath after a deep draught of +tea. + +“If I make it at all,” I said. “For my part I think shall be satisfied +with something less than a fortune.” + +“We’re going to make ours—suddenly,” she said. + +“So _he_ old says.” She jerked her head at my uncle. + +“He won’t tell me when—so I can’t get anything ready. But it’s coming. +Going to ride in our carriage and have a garden. Garden—like a +bishop’s.” + +She finished her bun and twiddled crumbs from her fingers. “I shall be +glad of the garden,” she said. “It’s going to be a real big one with +rosaries and things. Fountains in it. Pampas grass. Hothouses.” + +“You’ll get it all right,” said my uncle, who had reddened a little. + +“Grey horses in the carriage, George,” she said. “It’s nice to think +about when one’s dull. And dinners in restaurants often and often. And +theatres—in the stalls. And money and money and money.” + +“You may joke,” said my uncle, and hummed for a moment. + +“Just as though an old Porpoise like him would ever make money,” she +said, turning her eyes upon his profile with a sudden lapse to +affection. “He’ll just porpoise about.” + +“I’ll do something,” said my uncle, “you bet! Zzzz!” and rapped with a +shilling on the marble table. + +“When you do you’ll have to buy me a new pair of gloves,” she said, +“anyhow. That finger’s past mending. Look! you Cabbage—you.” And she +held the split under his nose, and pulled a face of comical fierceness. + +My uncle smiled at these sallies at the time, but afterwards, when I +went back with him to the Pharmacy—the low-class business grew brisker +in the evening and they kept open late—he reverted to it in a low +expository tone. “Your aunt’s a bit impatient, George. She gets at me. +It’s only natural.... A woman doesn’t understand how long it takes to +build up a position. No.... In certain directions now—I +am—quietly—building up a position. Now here.... I get this room. I have +my three assistants. Zzzz. It’s a position that, judged by the +criterion of imeedjit income, isn’t perhaps so good as I deserve, but +strategically—yes. It’s what I want. I make my plans. I rally my +attack.” + +“What plans,” I said, “are you making?” + +“Well, George, there’s one thing you can rely upon, I’m doing nothing +in a hurry. I turn over this one and that, and I don’t +talk—indiscreetly. There’s—No! I don’t think I can tell you that. And +yet, why NOT?” + +He got up and closed the door into the shop. “I’ve told no one,” he +remarked, as he sat down again. “I owe you something.” + +His face flushed slightly, he leant forward over the little table +towards me. + +“Listen!” he said. + +I listened. + +“Tono-Bungay,” said my uncle very slowly and distinctly. + +I thought he was asking me to hear some remote, strange noise. “I don’t +hear anything,” I said reluctantly to his expectant face. He smiled +undefeated. “Try again,” he said, and repeated, “Tono-Bungay.” + +“Oh, _that!_” I said. + +“Eh?” said he. + +“But what is it?” + +“Ah!” said my uncle, rejoicing and expanding. “What _is_ it? That’s +what you got to ask? What _won’t_ it be?” He dug me violently in what +he supposed to be my ribs. “George,” he cried—“George, watch this +place! There’s more to follow.” + +And that was all I could get from him. + +That, I believe, was the very first time that the words Tono-Bungay +ever heard on earth—unless my uncle indulged in monologues in his +chamber—a highly probable thing. Its utterance certainly did not seem +to me at the time to mark any sort of epoch, and had I been told this +word was the Open Sesame to whatever pride and pleasure the grimy front +of London hid from us that evening, I should have laughed aloud. + +“Coming now to business,” I said after a pause, and with a chill sense +of effort; and I opened the question of his trust. + +My uncle sighed, and leant back in his chair. “I wish I could make all +this business as clear to you as it is to me,” he said. “However—Go on! +Say what you have to say.” + +VII + +After I left my uncle that evening I gave way to a feeling of profound +depression. My uncle and aunt seemed to me to be leading—I have already +used the word too often, but I must use it again—_dingy_ lives. They +seemed to be adrift in a limitless crowd of dingy people, wearing +shabby clothes, living uncomfortably in shabby second-hand houses, +going to and fro on pavements that had always a thin veneer of greasy, +slippery mud, under grey skies that showed no gleam of hope of anything +for them but dinginess until they died. It seemed absolutely clear to +me that my mother’s little savings had been swallowed up and that my +own prospect was all too certainly to drop into and be swallowed up +myself sooner or later by this dingy London ocean. The London that was +to be an adventurous escape from the slumber of Wimblehurst, had +vanished from my dreams. I saw my uncle pointing to the houses in Park +Lane and showing a frayed shirt-cuff as he did so. I heard my aunt: +“I’m to ride in my carriage then. So he old says.” + +My feelings towards my uncle were extraordinarily mixed. I was +intensely sorry not only for my aunt Susan but for him—for it seemed +indisputable that as they were living then so they must go on—and at +the same time I was angry with the garrulous vanity and illness that +had elipped all my chance of independent study, and imprisoned her in +those grey apartments. When I got back to Wimblehurst I allowed myself +to write him a boyishly sarcastic and sincerely bitter letter. He never +replied. Then, believing it to be the only way of escape for me, I set +myself far more grimly and resolutely to my studies than I had ever +done before. After a time I wrote to him in more moderate terms, and he +answered me evasively. And then I tried to dismiss him from my mind and +went on working. + +Yes, that first raid upon London under the moist and chilly depression +of January had an immense effect upon me. It was for me an epoch-making +disappointment. I had thought of London as a large, free, welcoming, +adventurous place, and I saw it slovenly and harsh and irresponsive. + +I did not realise at all what human things might be found behind those +grey frontages, what weakness that whole forbidding façade might +presently confess. It is the constant error of youth to over-estimate +the Will in things. I did not see that the dirt, the discouragement, +the discomfort of London could be due simply to the fact that London +was a witless old giantess of a town, too slack and stupid to keep +herself clean and maintain a brave face to the word. No! I suffered +from the sort of illusion that burnt witches in the seventeenth +century. I endued her grubby disorder with a sinister and magnificent +quality of intention. + +And my uncle’s gestures and promises filled me with doubt and a sort of +fear for him. He seemed to me a lost little creature, too silly to be +silent, in a vast implacable condemnation. I was full of pity and a +sort of tenderness for my aunt Susan, who was doomed to follow his +erratic fortunes mocked by his grandiloquent promises. + +I was to learn better. But I worked with the terror of the grim +underside of London in my soul during all my last year at Wimblehurst. + + + + +BOOK THE SECOND +THE RISE OF TONO-BUNGAY + + + + +CHAPTER THE FIRST +HOW I BECAME A LONDON STUDENT AND WENT ASTRAY + + +I + +I came to live in London, as I shall tell you, when I was nearly +twenty-two. Wimblehurst dwindles in perspective, is now in this book a +little place far off, Bladesover no more than a small pinkish speck of +frontage among the distant Kentish hills; the scene broadens out, +becomes multitudinous and limitless, full of the sense of vast +irrelevant movement. I do not remember my second coming to London as I +do my first, for my early impressions, save that an October memory of +softened amber sunshine stands out, amber sunshine falling on grey +house fronts I know not where. That, and a sense of a large +tranquillity. + +I could fill a book, I think, with a more or less imaginary account of +how I came to apprehend London, how first in one aspect and then in +another it grew in my mind. Each day my accumulating impressions were +added to and qualified and brought into relationship with new ones; +they fused inseparably with others that were purely personal and +accidental. I find myself with a certain comprehensive perception of +London, complete indeed, incurably indistinct in places and yet in some +way a whole that began with my first visit and is still being mellowed +and enriched. + +London! + +At first, no doubt, it was a chaos of streets and people and buildings +and reasonless going to and fro. I do not remember that I ever +struggled very steadily to understand it, or explored it with any but a +personal and adventurous intention. Yet in time there has grown up in +me a kind of theory of London; I do think I see lines of an ordered +structure out of which it has grown, detected a process that is +something more than a confusion of casual accidents though indeed it +may be no more than a process of disease. + +I said at the outset of my first book that I find in Bladesover the +clue to all England. Well, I certainly imagine it is the clue to the +structure of London. There have been no revolutions no deliberate +restatements or abandonments of opinion in England since the days of +the fine gentry, since 1688 or thereabouts, the days when Bladesover +was built; there have been changes, dissolving forest replacing forest, +if you will; but then it was that the broad lines of the English system +set firmly. And as I have gone to and fro in London in certain regions +constantly the thought has recurred this is Bladesover House, this +answers to Bladesover House. The fine gentry may have gone; they have +indeed largely gone, I think; rich merchants may have replaced them, +financial adventurers or what not. That does not matter; the shape is +still Bladesover. + +I am most reminded of Bladesover and Eastry by all those regions round +about the West End parks; for example, estate parks, each more or less +in relation to a palace or group of great houses. The roads and back +ways of Mayfair and all about St. James’s again, albeit perhaps of a +later growth in point of time, were of the very spirit and +architectural texture of the Bladesover passages and yards; they had +the same smells, the space, the large cleanest and always going to and +fro where one met unmistakable Olympians and even more unmistakable +valets, butlers, footmen in mufti. There were moments when I seemed to +glimpse down areas the white panelling, the very chintz of my mother’s +room again. + +I could trace out now on a map what I would call the Great-House +region; passing south-westward into Belgravia, becoming diffused and +sporadic westward, finding its last systematic outbreak round and about +Regent’s Park. The Duke of Devonshire’s place in Piccadilly, in all its +insolent ugliness, pleases me particularly; it is the quintessence of +the thing; Apsley House is all in the manner of my theory, Park Lane +has its quite typical mansions, and they run along the border of the +Green Park and St. James’s. And I struck out a truth one day in +Cromwell Road quite suddenly, as I looked over the Natural History +Museum “By Jove,” said I “but this is the little assemblage of cases of +stuffed birds and animals upon the Bladesover staircase grown enormous, +and yonder as the corresponding thing to the Bladesover curios and +porcelain is the Art Museume and there in the little observatories in +Exhibition Road is old Sir Cuthbert’s Gregorian telescope that I hunted +out in the storeroom and put together.” And diving into the Art Museum +under this inspiration, I came to a little reading-room and found as I +had inferred, old brown books! + +It was really a good piece of social comparative anatomy I did that +day; all these museums and libraries that are dotted over London +between Piccadilly and West Kensington, and indeed the museum and +library movement throughout the world, sprang from the elegant leisure +of the gentlemen of taste. Theirs were the first libraries, the first +houses of culture; by my rat-like raids into the Bladesover saloon I +became, as it were, the last dwindled representative of such a man of +letters as Swift. But now these things have escaped out of the Great +House altogether, and taken on a strange independent life of their own. + +It is this idea of escaping parts from the seventeenth century system +of Bladesover, of proliferating and overgrowing elements from the +Estates, that to this day seems to me the best explanation, not simply +of London, but of all England. England is a country of great Renascence +landed gentlefolk who have been unconsciously outgrown and overgrown. +The proper shops for Bladesover custom were still to be found in Regent +Street and Bond Street in my early London days in those days they had +been but lightly touched by the American’s profaning hand—and in +Piccadilly. I found the doctor’s house of the country village or +country town up and down Harley Street, multiplied but not otherwise +different, and the family solicitor (by the hundred) further eastward +in the abandoned houses of a previous generation of gentlepeople, and +down in Westminster, behind Palladian fronts, the public offices +sheltered in large Bladesoverish rooms and looked out on St. James’s +Park. The Parliament Houses of lords and gentlemen, the parliament +house that was horrified when merchants and brewers came thrusting into +it a hundred years ago, stood out upon its terrace gathering the whole +system together into a head. + +And the more I have paralleled these things with my Bladesover-Eastry +model, the more evident it has become to me that the balance is not the +same, and the more evident is the presence of great new forces, blind +forces of invasion, of growth. The railway termini on the north side of +London have been kept as remote as Eastry had kept the railway-station +from Wimblehurst, they stop on the very outskirts of the estates, but +from the south, the South Eastern railway had butted its great stupid +rusty iron head of Charing Cross station, that great head that came +smashing down in 1905—clean across the river, between Somerset House +and Whitehall. The south side had no protecting estate. Factory +chimneys smoke right over against Westminster with an air of carelessly +not having permission, and the whole effect of industrial London and of +all London east of Temple Bar and of the huge dingy immensity of London +port is to me of something disproportionately large, something morbidly +expanded, without plan or intention, dark and sinister toward the clean +clear social assurance of the West End. And south of this central +London, south-east, south-west, far west, north-west, all round the +northern hills, are similar disproportionate growths, endless streets +of undistinguished houses, undistinguished industries, shabby families, +second-rate shops, inexplicable people who in a once fashionable phrase +do not “exist.” All these aspects have suggested to my mind at times, +do suggest to this day, the unorganised, abundant substance of some +tumorous growth-process, a process which indeed bursts all the outlines +of the affected carcass and protrudes such masses as ignoble +comfortable Croydon, as tragic impoverished West Ham. To this day I ask +myself will those masses ever become structural, will they indeed shape +into anything new whatever, or is that cancerous image their true and +ultimate diagnosis?... + +Moreover, together with this hypertrophy there is an immigration of +elements that have never understood and never will understand the great +tradition, wedges of foreign settlement embedded in the heart of this +yeasty English expansion. One day I remember wandering eastward out of +pure curiosity—it must have been in my early student days—and +discovering a shabbily bright foreign quarter, shops displaying Hebrew +placards and weird, unfamiliar commodities and a concourse of +bright-eyed, eagle-nosed people talking some incomprehensible gibberish +between the shops and the barrows. And soon I became quite familiar +with the devious, vicious, dirtily-pleasant eroticism of Soho. I found +those crowded streets a vast relief from the dull grey exterior of +Brompton where I lodged and lived my daily life. In Soho, indeed, I got +my first inkling of the factor of replacement that is so important in +both the English and the American process. + +Even in the West End, in Mayfair and the square, about Pall Mall, Ewart +was presently to remind me the face of the old aristocratic dignity was +fairer than its substance; here were actors and actresses, here money +lenders and Jews, here bold financial adventurers, and I thought of my +uncle’s frayed cuff as he pointed out this house in Park Lane and that. +That was so and so’s who made a corner in borax, and that palace +belonged to that hero among modern adventurers, Barmentrude, who used +to be an I.D.B.,—an illicit diamond buyer that is to say. A city of +Bladesovers, the capital of a kingdom of Bladesovers, all much shaken +and many altogether in decay, parasitically occupied, insidiously +replaced by alien, unsympathetic and irresponsible elements; and with a +ruling an adventitious and miscellaneous empire of a quarter of this +daedal earth complex laws, intricate social necessities, disturbing +insatiable suggestions, followed from this. Such was the world into +which I had come, into which I had in some way to thrust myself and fit +my problem, my temptations, my efforts, my patriotic instinct, all my +moral instincts, my physical appetites, my dreams and my sanity. + +London! I came up to it, young and without advisers, rather priggish, +rather dangerously open-minded and very open-eyed, and with +something—it is, I think, the common gift of imaginative youth, and I +claim it unblushingly—fine in me, finer than the world and seeking fine +responses. I did not want simply to live or simply to live happily or +well; I wanted to serve and do and make—with some nobility. It was in +me. It is in half the youth of the world. + +II + +I had come to London as a scholar. I had taken the Vincent Bradley +scholarship of the Pharmaceutical Society, but I threw this up when I +found that my work of the Science and Art Department in mathematics, +physics and chemistry had given me one of the minor Technical Board +Scholarships at the Consolidated Technical Schools at South Kensington. +This latter was in mechanics and metallurgy; and I hesitated between +the two. The Vincent Bradley gave me £70 a year and quite the best +start-off a pharmaceutical chemist could have; the South Kensington +thing was worth about twenty-two shillings a week, and the prospects it +opened were vague. But it meant far more scientific work than the +former, and I was still under the impulse of that great intellectual +appetite that is part of the adolescence of men of my type. Moreover it +seemed to lead towards engineering, in which I imagined—I imagine to +this day—my particular use is to be found. I took its greater +uncertainty as a fair risk. I came up very keen, not doubting that the +really hard and steady industry that had carried me through Wimblehurst +would go on still in the new surroundings. + +Only from the very first it didn’t.... + +When I look back now at my Wimblehurst days, I still find myself +surprised at the amount of steady grinding study, of strenuous +self-discipline that I maintained throughout my apprenticeship. In many +ways I think that time was the most honourable period in my life. I +wish I could say with a certain mind that my motives in working so well +were large and honourable too. To a certain extent they were so; there +was a fine sincere curiosity, a desire for the strength and power of +scientific knowledge and a passion for intellectual exercise; but I do +not think those forces alone would have kept me at it so grimly and +closely if Wimblehurst had not been so dull, so limited and so +observant. Directly I came into the London atmosphere, tasting freedom, +tasting irresponsibility and the pull of new forces altogether, my +discipline fell from me like a garment. Wimblehurst to a youngster in +my position offered no temptations worth counting, no interests to +conflict with study, no vices—such vices as it offered were coarsely +stripped of any imaginative glamourfull drunkenness, clumsy leering +shameful lust, no social intercourse even to waste one’s time, and on +the other hand it would minister greatly to the self-esteem of a +conspicuously industrious student. One was marked as “clever,” one +played up to the part, and one’s little accomplishment stood out finely +in one’s private reckoning against the sunlit small ignorance of that +agreeable place. One went with an intent rush across the market square, +one took one’s exercise with as dramatic a sense of an ordered day as +an Oxford don, one burnt the midnight oil quite consciously at the rare +respectful, benighted passer-by. And one stood out finely in the local +paper with one’s unapproachable yearly harvest of certificates. Thus I +was not only a genuinely keen student, but also a little of a prig and +poseur in those days—and the latter kept the former at it, as London +made clear. + +Moreover Wimblehurst had given me no outlet in any other direction. + +But I did not realise all this when I came to London, did not perceive +how the change of atmosphere began at once to warp and distribute my +energies. In the first place I became invisible. If I idled for a day, +no one except my fellow-students (who evidently had no awe for me) +remarked it. No one saw my midnight taper; no one pointed me out as I +crossed the street as an astonishing intellectual phenomenon. In the +next place I became inconsiderable. In Wimblehurst I felt I stood for +Science; nobody there seemed to have so much as I and to have it so +fully and completely. In London I walked ignorant in an immensity, and +it was clear that among my fellow-students from the midlands and the +north I was ill-equipped and under-trained. With the utmost exertion I +should only take a secondary position among them. And finally, in the +third place, I was distracted by voluminous new interests; London took +hold of me, and Science, which had been the universe, shrank back to +the dimensions of tiresome little formulae compacted in a book. I came +to London in late September, and it was a very different London from +that great greyly-overcast, smoke-stained house-wilderness of my first +impressions. I reached it by Victoria and not by Cannon Street, and its +centre was now in Exhibition Road. It shone, pale amber, blue-grey and +tenderly spacious and fine under clear autumnal skies, a London of +hugely handsome buildings and vistas and distances, a London of gardens +and labyrinthine tall museums, of old trees and remote palaces and +artificial waters. I lodged near by in West Brompton at a house in a +little square. + +So London faced me the second time, making me forget altogether for a +while the grey, drizzling city visage that had first looked upon me. I +settled down and went to and fro to my lectures and laboratory; in the +beginning I worked hard, and only slowly did the curiosity that +presently possessed me to know more of this huge urban province arise, +the desire to find something beyond mechanism that I could serve, some +use other than learning. With this was a growing sense of loneliness, a +desire for adventure and intercourse. I found myself in the evenings +poring over a map of London I had bought, instead of copying out +lecture notes—and on Sundays I made explorations, taking omnibus rides +east and west and north and south, and to enlarging and broadening the +sense of great swarming hinterlands of humanity with whom I had no +dealings, of whom I knew nothing.... + +The whole illimitable place teemed with suggestions of indefinite and +sometimes outrageous possibility, of hidden but magnificent meanings. + +It wasn’t simply that I received a vast impression of space and +multitude and opportunity; intimate things also were suddenly dragged +from neglected, veiled and darkened corners into an acute vividness of +perception. Close at hand in the big art museum I came for the first +time upon the beauty of nudity, which I had hitherto held to be a +shameful secret, flaunted and gloried in; I was made aware of beauty as +not only permissible, but desirable and frequent and of a thousand +hitherto unsuspected rich aspects of life. One night in a real rapture, +I walked round the upper gallery of the Albert Hall and listened for +the first time to great music; I believe now that it was a rendering of +Beethoven’s Ninth Symphony.... + +My apprehension of spaces and places was reinforced by a quickened +apprehension of persons. A constant stream of people passed by me, eyes +met and challenged mine and passed—more and more I wanted then to +stay—if I went eastward towards Piccadilly, women who seemed then to my +boyish inexperience softly splendid and alluring, murmured to me as +they passed. Extraordinarily life unveiled. The very hoardings +clamoured strangely at one’s senses and curiosities. One bought +pamphlets and papers full of strange and daring ideas transcending +one’s boldest; in the parks one heard men discussing the very existence +of God, denying the rights of property, debating a hundred things that +one dared not think about in Wimblehurst. And after the ordinary +overcast day, after dull mornings, came twilight, and London lit up and +became a thing of white and yellow and red jewels of light and +wonderful floods of golden illumination and stupendous and unfathomable +shadows—and there were no longer any mean or shabby people—but a great +mysterious movement of unaccountable beings.... + +Always I was coming on the queerest new aspects. Late one Saturday +night I found myself one of a great slow-moving crowd between the +blazing shops and the flaring barrows in the Harrow Road; I got into +conversation with two bold-eyed girls, bought them boxes of chocolate, +made the acquaintance of father and mother and various younger brothers +and sisters, sat in a public-house hilariously with them all, standing +and being stood drinks, and left them in the small hours at the door of +“home,” never to see them again. And once I was accosted on the +outskirts of a Salvation Army meeting in one of the parks by a +silk-hatted young man of eager and serious discourse, who argued +against scepticism with me, invited me home to tea into a clean and +cheerful family of brothers and sisters and friends, and there I spent +the evening singing hymns to the harmonium (which reminded me of +half-forgotten Chatham), and wishing all the sisters were not so +obviously engaged.... + +Then on the remote hill of this boundless city-world I found Ewart. + +III + +How well I remember the first morning, a bright Sunday morning in early +October, when I raided in upon Ewart! I found my old schoolfellow in +bed in a room over an oil-shop in a back street at the foot of Highgate +Hill. His landlady, a pleasant, dirty young woman with soft-brown eyes, +brought down his message for me to come up; and up I went. The room +presented itself as ample and interesting in detail and shabby with a +quite commendable shabbiness. I had an impression of brown walls—they +were papered with brown paper—of a long shelf along one side of the +room, with dusty plaster casts and a small cheap lay figure of a horse, +of a table and something of grey wax partially covered with a cloth, +and of scattered drawings. There was a gas stove in one corner, and +some enameled ware that had been used for overnight cooking. The +oilcloth on the floor was streaked with a peculiar white dust. Ewart +himself was not in the first instance visible, but only a fourfold +canvas screen at the end of the room from which shouts proceeded of +“Come on!” then his wiry black hair, very much rumpled, and a staring +red-brown eye and his stump of a nose came round the edge of this at a +height of about three feet from the ground “It’s old Ponderevo!” he +said, “the Early bird! And he’s caught the worm! By Jove, but it’s cold +this morning! Come round here and sit on the bed!” + +I walked round, wrung his hand, and we surveyed one another. + +He was lying on a small wooden fold-up bed, the scanty covering of +which was supplemented by an overcoat and an elderly but still cheerful +pair of check trousers, and he was wearing pajamas of a virulent pink +and green. His neck seemed longer and more stringy than it had been +even in our schooldays, and his upper lip had a wiry black moustache. +The rest of his ruddy, knobby countenance, his erratic hair and his +general hairy leanness had not even—to my perceptions grown. + +“By Jove!” he said, “you’ve got quite decent-looking, Ponderevo! What +do you think of me?” + +“You’re all right. What are you doing here?” + +“Art, my son—sculpture! And incidentally—” He hesitated. “I ply a +trade. Will you hand me that pipe and those smoking things? So! You +can’t make coffee, eh? Well, try your hand. Cast down this +screen—no—fold it up and so we’ll go into the other room. I’ll keep in +bed all the same. The fire’s a gas stove. Yes. Don’t make it bang. too +loud as you light it—I can’t stand it this morning. You won’t smoke ... +Well, it does me good to see you again, Ponderevo. Tell me what you’re +doing, and how you’re getting on.” + +He directed me in the service of his simple hospitality, and presently +I came back to his bed and sat down and smiled at him there, smoking +comfortably, with his hands under his head, surveying me. + +“How’s Life’s Morning, Ponderevo? By Jove, it must be nearly six years +since we met! They’ve got moustaches. We’ve fleshed ourselves a bit, +eh? And you?” + +I felt a pipe was becoming after all, and that lit, I gave him a +favourable sketch of my career. + +“Science! And you’ve worked like that! While I’ve been potting round +doing odd jobs for stone-masons and people, and trying to get to +sculpture. I’ve a sort of feeling that the chisel—I began with +painting, Ponderevo, and found I was colour-blind, colour-blind enough +to stop it. I’ve drawn about and thought about—thought more +particularly. I give myself three days a week as an art student, and +the rest of the time I’ve a sort of trade that keeps me. And we’re +still in the beginning of things, young men starting. Do you remember +the old times at Goudhurst, our doll’s-house island, the Retreat of the +Ten Thousand Young Holmes and the rabbits, eh? It’s surprising, if you +think of it, to find we are still young. And we used to talk of what we +would be, and we used to talk of love! I suppose you know all about +that now, Ponderevo?” + +I finished and hesitated on some vague foolish lie, “No,” I said, a +little ashamed of the truth. “Do you? I’ve been too busy.” + +“I’m just beginning—just as we were then. Things happen.” + +He sucked at his pipe for a space and stared at the plaster cast of a +flayed hand that hung on the wall. + +“The fact is, Ponderevo, I’m beginning to find life a most +extraordinary queer set-out; the things that pull one, the things that +don’t. The wants—This business of sex. It’s a net. No end to it, no way +out of it, no sense in it. There are times when women take possession +of me, when my mind is like a painted ceiling at Hampton Court with the +pride of the flesh sprawling all over it. _Why>?_... And then again +sometimes when I have to encounter a woman, I am overwhelmed by a +terror of tantalising boredom—I fly, I hide, I do anything. You’ve got +your scientific explanations perhaps; what’s Nature and the universe up +to in that matter?” + +“It’s her way, I gather, of securing the continuity of the species.” + +“But it doesn’t,” said Ewart. “That’s just it! No. I have succumbed +to—dissipation—down the hill there. Euston Road way. And it was damned +ugly and mean, and I hate having done it. And the continuity of the +species—Lord!... And why does Nature make a man so infernally ready for +drinks? There’s no sense in that anyhow.” He sat up in bed, to put this +question with the greater earnestness. “And why has she given me a most +violent desire towards sculpture and an equally violent desire to leave +off work directly I begin it, eh?... Let’s have some more coffee. I put +it to you, these things puzzle me, Ponderevo. They dishearten me. They +keep me in bed.” + +He had an air of having saved up these difficulties for me for some +time. He sat with his chin almost touching his knees, sucking at his +pipe. + +“That’s what I mean,” he went on, “when I say life is getting on to me +as extraordinarily queer, I don’t see my game, nor why I was invited. +And I don’t make anything of the world outside either. What do _you_ +make of it?” + +“London,” I began. “It’s—so enormous!” + +“Isn’t it! And it’s all up to nothing. You find chaps keeping grocers’ +shops—why the _devil_, Ponderevo, do they keep grocers’ shops? They all +do it very carefully, very steadily, very meanly. You find people +running about and doing the most remarkable things being policemen, for +example, and burglars. They go about these businesses quite gravely and +earnestly. I somehow—can’t go about mine. Is there any sense in it at +all—anywhere?” + +“There must be sense in it,” I said. “We’re young.” + +“We’re young—yes. But one must inquire. The grocer’s a grocer because, +I suppose, he sees he comes in there. Feels that on the whole it +amounts to a call.... But the bother is I don’t see where I come in at +all. Do you?” + +“Where _you_ come in?” + +“No, where _you _come in.” + +“Not exactly, yet,” I said. “I want to do some good in the +world—something—something effectual, before I die. I have a sort of +idea my scientific work—I don’t know.” + +“Yes,” he mused. “And I’ve got a sort of idea my sculpture,—but _how_ +it is to come in and _why_,—I’ve no idea at all.” He hugged his knees +for a space. “That’s what puzzles me, Ponderevo, no end.” + +He became animated. “If you will look in that cupboard,” he said, “you +will find an old respectable looking roll on a plate and a knife +somewhere and a gallipot containing butter. You give them me and I’ll +make my breakfast, and then if you don’t mind watching me paddle about +at my simple toilet I’ll get up. Then we’ll go for a walk and talk +about this affair of life further. And about Art and Literature and +anything else that crops up on the way.... Yes, that’s the gallipot. +Cockroach got in it? Chuck him out—damned interloper....” + +So in the first five minutes of our talk, as I seem to remember it now, +old Ewart struck the note that ran through all that morning’s +intercourse.... + +To me it was a most memorable talk because it opened out quite new +horizons of thought. I’d been working rather close and out of touch +with Ewart’s free gesticulating way. He was pessimistic that day and +sceptical to the very root of things. He made me feel clearly, what I +had not felt at all before, the general adventurousness of life, +particularly of life at the stage we had reached, and also the absence +of definite objects, of any concerted purpose in the lives that were +going on all round us. He made me feel, too, how ready I was to take up +commonplace assumptions. Just as I had always imagined that somewhere +in social arrangements there was certainly a Head-Master who would +intervene if one went too far, so I had always had a sort of implicit +belief that in our England there were somewhere people who understood +what we were all, as a nation, about. That crumpled into his pit of +doubt and vanished. + +He brought out, sharply cut and certain, the immense effect of +purposelessness in London that I was already indistinctly feeling. We +found ourselves at last returning through Highgate Cemetery and +Waterlow Park—and Ewart was talking. + +“Look at it there,” he said, stopping and pointing to the great vale of +London spreading wide and far. “It’s like a sea—and we swim in it. And +at last down we go, and then up we come—washed up here.” He swung his +arms to the long slopes about us, tombs and headstones in long +perspectives, in limitless rows. + +“We’re young, Ponderevo, but sooner or later our whitened memories will +wash up on one of these beaches, on some such beach as this. George +Ponderevo, F.R.S., Sidney Ewart, R.I.P. Look at the rows of ’em!” + +He paused. “Do you see that hand? The hand, I mean, pointing upward, on +the top of a blunted obelisk. Yes. Well, that’s what I do for a +living—when I’m not thinking, or drinking, or prowling, or making love, +or pretending I’m trying to be a sculptor without either the money or +the morals for a model. See? And I do those hearts afire and those +pensive angel guardians with the palm of peace. Damned well I do ’em +and damned cheap! I’m a sweated victim, Ponderevo...” + +That was the way of it, anyhow. I drank deep of talk that day; we went +into theology, into philosophy; I had my first glimpse of socialism. I +felt as though I had been silent in a silence since I and he had +parted. At the thought of socialism Ewart’s moods changed for a time to +a sort of energy. “After all, all this confounded vagueness _might_ be +altered. If you could get men to work together...” + +It was a good talk that rambled through all the universe. I thought I +was giving my mind refreshment, but indeed it was dissipation. All +sorts of ideas, even now, carry me back as it were to a fountain-head, +to Waterlow Park and my resuscitated Ewart. There stretches away south +of us long garden slopes and white gravestones and the wide expanse of +London, and somewhere in the picture is a red old wall, sun-warmed, and +a great blaze of Michaelmas daisies set off with late golden sunflowers +and a drift of mottled, blood-red, fallen leaves. It was with me that +day as though I had lifted my head suddenly out of dull and immediate +things and looked at life altogether.... But it played the very devil +with the copying up of my arrears of notes to which I had vowed the +latter half of that day. + +After that reunion Ewart and I met much and talked much, and in our +subsequent encounters his monologue was interrupted and I took my +share. He had exercised me so greatly that I lay awake at nights +thinking him over, and discoursed and answered him in my head as I went +in the morning to the College. I am by nature a doer and only by the +way a critic; his philosophical assertion of the incalculable vagueness +of life which fitted his natural indolence roused my more irritable and +energetic nature to active protests. “It’s all so pointless,” I said, +“because people are slack and because it’s in the ebb of an age. But +you’re a socialist. Well, let’s bring that about! And there’s a +purpose. There you are!” + +Ewart gave me all my first conceptions of socialism; in a little while +I was an enthusiastic socialist and he was a passive resister to the +practical exposition of the theories he had taught me. “We must join +some organisation,” I said. “We ought to do things.... We ought to go +and speak at street corners. People don’t know.” + +You must figure me a rather ill-dressed young man in a state of great +earnestness, standing up in that shabby studio of his and saying these +things, perhaps with some gesticulations, and Ewart with a clay-smudged +face, dressed perhaps in a flannel shirt and trousers, with a pipe in +his mouth, squatting philosophically at a table, working at some chunk +of clay that never got beyond suggestion. + +“I wonder why one doesn’t want to,” he said. + +It was only very slowly I came to gauge Ewart’s real position in the +scheme of things, to understand how deliberate and complete was this +detachment of his from the moral condemnation and responsibilities that +played so fine a part in his talk. His was essentially the nature of an +artistic appreciator; he could find interest and beauty in endless +aspects of things that I marked as evil, or at least as not negotiable; +and the impulse I had towards self-deception, to sustained and +consistent self-devotion, disturbed and detached and pointless as it +was at that time, he had indeed a sort of admiration for but no +sympathy. Like many fantastic and ample talkers he was at bottom +secretive, and he gave me a series of little shocks of discovery +throughout our intercourse. + +The first of these came in the realisation that he quite seriously +meant to do nothing in the world at all towards reforming the evils he +laid bare in so easy and dexterous a manner. The next came in the +sudden appearance of a person called “Milly”—I’ve forgotten her +surname—whom I found in his room one evening, simply attired in a blue +wrap—the rest of her costume behind the screen—smoking cigarettes and +sharing a flagon of an amazingly cheap and self-assertive grocer’s wine +Ewart affected, called “Canary Sack.” “Hullo!” said Ewart, as I came +in. “This is Milly, you know. She’s been being a model—she IS a model +really.... (keep calm, Ponderevo!) Have some sack?” + +Milly was a woman of thirty, perhaps, with a broad, rather pretty face, +a placid disposition, a bad accent and delightful blond hair that waved +off her head with an irrepressible variety of charm; and whenever Ewart +spoke she beamed at him. Ewart was always sketching this hair of hers +and embarking upon clay statuettes of her that were never finished. She +was, I know now, a woman of the streets, whom Ewart had picked up in +the most casual manner, and who had fallen in love with him, but my +inexperience in those days was too great for me to place her then, and +Ewart offered no elucidations. She came to him, he went to her, they +took holidays together in the country when certainly she sustained her +fair share of their expenditure. I suspect him now even of taking money +from her. Odd old Ewart! It was a relationship so alien to my orderly +conceptions of honour, to what I could imagine any friend of mine +doing, that I really hardly saw it with it there under my nose. But I +see it and I think I understand it now.... + +Before I fully grasped the discursive manner in which Ewart was +committed to his particular way in life, I did, I say, as the broad +constructive ideas of socialism took hold of me, try to get him to work +with me in some definite fashion as a socialist. + +“We ought to join on to other socialists,” I said. + +“They’ve got something.” + +“Let’s go and look at some first.” + +After some pains we discovered the office of the Fabian Society, +lurking in a cellar in Clement’s Inn; and we went and interviewed a +rather discouraging secretary who stood astraddle in front of a fire +and questioned us severely and seemed to doubt the integrity of our +intentions profoundly. He advised us to attend the next open meeting in +Clifford’s Inn and gave us the necessary data. We both contrived to get +to the affair, and heard a discursive gritty paper on Trusts and one of +the most inconclusive discussions you can imagine. Three-quarters of +the speakers seemed under some jocular obsession which took the form of +pretending to be conceited. It was a sort of family joke, and as +strangers to the family we did not like it.... As we came out through +the narrow passage from Clifford’s Inn to the Strand, Ewart suddenly +pitched upon a wizened, spectacled little man in a vast felt hat and a +large orange tie. + +“How many members are there in this Fabian Society of yours?” he asked. + +The little man became at once defensive in his manner. + +“About seven hundred,” he said; “perhaps eight.” + +“Like—like the ones here?” + +The little man gave a nervous self-satisfied laugh. “I suppose they’re +up to sample,” he said. + +The little man dropped out of existence and we emerged upon the Strand. +Ewart twisted his arm into a queerly eloquent gesture that gathered up +all the tall façades of the banks, the business places, the projecting +clock and towers of the Law Courts, the advertisements, the luminous +signs, into one social immensity, into a capitalistic system gigantic +and invincible. + +“These socialists have no sense of proportion,” he said. “What can you +expect of them?” + +IV + +Ewart, as the embodiment of talk, was certainly a leading factor in my +conspicuous failure to go on studying. Social theory in its first crude +form of Democratic Socialism gripped my intelligence more and more +powerfully. I argued in the laboratory with the man who shared my bench +until we quarreled and did not speak and also I fell in love. + +The ferment of sex had been creeping into my being like a slowly +advancing tide through all my Wimblehurst days, the stimulus of London +was like the rising of a wind out of the sea that brings the waves in +fast and high. Ewart had his share in that. More and more acutely and +unmistakably did my perception of beauty, form and sound, my desire for +adventure, my desire for intercourse, converge on this central and +commanding business of the individual life. I had to get me a mate. + +I began to fall in love faintly with girls I passed in the street, with +women who sat before me in trains, with girl fellow-students, with +ladies in passing carriages, with loiterers at the corners, with +neat-handed waitresses in shops and tea-rooms, with pictures even of +girls and women. On my rare visits to the theatre I always became +exalted, and found the actresses and even the spectators about me +mysterious, attractive, creatures of deep interest and desire. I had a +stronger and stronger sense that among these glancing, passing +multitudes there was somewhere one who was for me. And in spite of +every antagonistic force in the world, there was something in my very +marrow that insisted: “Stop! Look at this one! Think of her! Won’t she +do? This signifies—this before all things signifies! Stop! Why are you +hurrying by? This may be the predestined person—before all others.” + +It is odd that I can’t remember when first I saw Marion, who became my +wife—whom I was to make wretched, who was to make me wretched, who was +to pluck that fine generalised possibility of love out of my early +manhood and make it a personal conflict. I became aware of her as one +of a number of interesting attractive figures that moved about in my +world, that glanced back at my eyes, that flitted by with a kind of +averted watchfulness. I would meet her coming through the Art Museum, +which was my short cut to the Brompton Road, or see her sitting, +reading as I thought, in one of the bays of the Education Library. But +really, as I found out afterwards, she never read. She used to come +there to eat a bun in quiet. She was a very gracefully-moving figure of +a girl then, very plainly dressed, with dark brown hair I remember, in +a knot low on her neck behind that confessed the pretty roundness of +her head and harmonised with the admirable lines of ears and cheek, the +grave serenity of mouth and brow. + +She stood out among the other girls very distinctly because they +dressed more than she did, struck emphatic notes of colour, startled +one by novelties in hats and bows and things. I’ve always hated the +rustle, the disconcerting colour boundaries, the smart unnatural angles +of women’s clothes. Her plain black dress gave her a starkness.... + +I do remember, though, how one afternoon I discovered the peculiar +appeal of her form for me. I had been restless with my work and had +finally slipped out of the Laboratory and come over to the Art Museum +to lounge among the pictures. I came upon her in an odd corner of the +Sheepshanks gallery, intently copying something from a picture that +hung high. I had just been in the gallery of casts from the antique, my +mind was all alive with my newly awakened sense of line, and there she +stood with face upturned, her body drooping forward from the hips just +a little—memorably graceful—feminine. + +After that I know I sought to see her, felt a distinctive emotion at +her presence, began to imagine things about her. I no longer thought of +generalised womanhood or of this casual person or that. I thought of +her. + +An accident brought us together. I found myself one Monday morning in +an omnibus staggering westward from Victoria—I was returning from a +Sunday I’d spent at Wimblehurst in response to a unique freak of +hospitality on the part of Mr. Mantell. She was the sole other inside +passenger. And when the time came to pay her fare, she became an +extremely scared, disconcerted and fumbling young woman; she had left +her purse at home. + +Luckily I had some money. + +She looked at me with startled, troubled brown eyes; she permitted my +proffered payment to the conductor with a certain ungraciousness that +seemed a part of her shyness, and then as she rose to go, she thanked +me with an obvious affectation of ease. + +“Thank you so much,” she said in a pleasant soft voice; and then less +gracefully, “Awfully kind of you, you know.” + +I fancy I made polite noises. But just then I wasn’t disposed to be +critical. I was full of the sense of her presence; her arm was +stretched out over me as she moved past me, the gracious slenderness of +her body was near me. The words we used didn’t seem very greatly to +matter. I had vague ideas of getting out with her—and I didn’t. + +That encounter, I have no doubt, exercised me enormously. I lay awake +at night rehearsing it, and wondering about the next phase of our +relationship. That took the form of the return of my twopence. I was in +the Science Library, digging something out of the _Encyclopædia +Britannica_, when she appeared beside me and placed on the open page an +evidently premeditated thin envelope, bulgingly confessing the coins +within. + +“It was so very kind of you,” she said, “the other day. I don’t know +what I should have done, Mr.—” + +I supplied my name. “I knew,” I said, “you were a student here.” + +“Not exactly a student. I—” + +“Well, anyhow, I knew you were here frequently. And I’m a student +myself at the Consolidated Technical Schools.” + +I plunged into autobiography and questionings, and so entangled her in +a conversation that got a quality of intimacy through the fact that, +out of deference to our fellow-readers, we were obliged to speak in +undertones. And I have no doubt that in substance it was singularly +banal. Indeed I have an impression that all our early conversations +were incredibly banal. We met several times in a manner +half-accidental, half furtive and wholly awkward. Mentally I didn’t +take hold of her. I never did take hold of her mentally. Her talk, I +now know all too clearly, was shallow, pretentious, evasive. Only—even +to this day—I don’t remember it as in any way vulgar. She was, I could +see quite clearly, anxious to overstate or conceal her real social +status, a little desirous to be taken for a student in the art school +and a little ashamed that she wasn’t. She came to the museum to “copy +things,” and this, I gathered, had something to do with some way of +partially earning her living that I wasn’t to inquire into. I told her +things about myself, vain things that I felt might appeal to her, but +that I learnt long afterwards made her think me “conceited.” We talked +of books, but there she was very much on her guard and secretive, and +rather more freely of pictures. She “liked” pictures. I think from the +outset I appreciated and did not for a moment resent that hers was a +commonplace mind, that she was the unconscious custodian of something +that had gripped my most intimate instinct, that she embodied the hope +of a possibility, was the careless proprietor of a physical quality +that had turned my head like strong wine. I felt I had to stick to our +acquaintance, flat as it was. Presently we should get through these +irrelevant exterior things, and come to the reality of love beneath. + +I saw her in dreams released, as it were, from herself, beautiful, +worshipful, glowing. And sometimes when we were together, we would come +on silences through sheer lack of matter, and then my eyes would feast +on her, and the silence seemed like the drawing back of a curtain—her +superficial self. Odd, I confess. Odd, particularly, the enormous hold +of certain things about her upon me, a certain slight rounded duskiness +of skin, a certain perfection of modelling in her lips, her brow, a +certain fine flow about the shoulders. She wasn’t indeed beautiful to +many people—these things are beyond explaining. She had manifest +defects of form and feature, and they didn’t matter at all. Her +complexion was bad, but I don’t think it would have mattered if it had +been positively unwholesome. I had extraordinarily limited, +extraordinarily painful, desires. I longed intolerably to kiss her +lips. + +V + +The affair was immensely serious and commanding to me. I don’t remember +that in these earlier phases I had any thought of turning back at all. +It was clear to me that she regarded me with an eye entirely more +critical than I had for her, that she didn’t like my scholarly +untidiness, my want of even the most commonplace style. “Why do you +wear collars like that?” she said, and sent me in pursuit of +gentlemanly neckwear. I remember when she invited me a little abruptly +one day to come to tea at her home on the following Sunday and meet her +father and mother and aunt, that I immediately doubted whether my +hitherto unsuspected best clothes would create the impression she +desired me to make on her belongings. I put off the encounter until the +Sunday after, to get myself in order. I had a morning coat made and I +bought a silk hat, and had my reward in the first glance of admiration +she ever gave me. I wonder how many of my sex are as preposterous. I +was, you see, abandoning all my beliefs, my conventions unasked. I was +forgetting myself immensely. And there was a conscious shame in it all. +Never a word—did I breathe to Ewart—to any living soul of what was +going on. + +Her father and mother and aunt struck me as the dismalest of people, +and her home in Walham Green was chiefly notable for its black and +amber tapestry carpets and curtains and table-cloths, and the age and +irrelevance of its books, mostly books with faded gilt on the covers. +The windows were fortified against the intrusive eye by cheap lace +curtains and an “art pot” upon an unstable octagonal table. Several +framed Art School drawings of Marion’s, bearing official South +Kensington marks of approval, adorned the room, and there was a black +and gilt piano with a hymn-book on the top of it. There were draped +mirrors over all the mantels, and above the sideboard in the +dining-room in which we sat at tea was a portrait of her father, +villainously truthful after the manner of such works. I couldn’t see a +trace of the beauty I found in her in either parent, yet she somehow +contrived to be like them both. + +These people pretended in a way that reminded me of the Three Great +Women in my mother’s room, but they had not nearly so much social +knowledge and did not do it nearly so well. Also, I remarked, they did +it with an eye on Marion. They had wanted to thank me, they said, for +the kindness to their daughter in the matter of the ‘bus fare, and so +accounted for anything unusual in their invitation. They posed as +simple gentlefolk, a little hostile to the rush and gadding-about of +London, preferring a secluded and unpretentious quiet. + +When Marion got out the white table-cloth from the sideboard-drawer for +tea, a card bearing the word “APARTMENTS” fell to the floor. I picked +it up and gave it to her before I realised from her quickened colour +that I should not have seen it; that probably had been removed from the +window in honour of my coming. + +Her father spoke once in a large remote way of he claims of business +engagements, and it was only long afterwards I realised that he was a +supernumerary clerk in the Walham Green Gas Works and otherwise a +useful man at home. He was a large, loose, fattish man with +unintelligent brown eyes magnified by spectacles; he wore an +ill-fitting frock-coat and a paper collar, and he showed me, as his +great treasure and interest, a large Bible which he had grangerised +with photographs of pictures. Also he cultivated the little garden-yard +behind the house, and he had a small greenhouse with tomatoes. “I wish +I ’ad ’eat,” he said. “One can do such a lot with ’eat. But I suppose +you can’t ’ave everything you want in this world.” + +Both he and Marion’s mother treated her with a deference that struck me +as the most natural thing in the world. Her own manner changed, became +more authoritative and watchful, her shyness disappeared. She had taken +a line of her own I gathered, draped the mirror, got the second-hand +piano, and broken her parents in. + +Her mother must once have been a pretty woman; she had regular features +and Marion’s hair without its lustre, but she was thin and careworn. +The aunt, Miss Ramboat, was a large, abnormally shy person very like +her brother, and I don’t recall anything she said on this occasion. + +To begin with there was a good deal of tension, Marion was frightfully +nervous and every one was under the necessity of behaving in a +mysteriously unreal fashion until I plunged, became talkative and made +a certain ease and interest. I told them of the schools, of my +lodgings, of Wimblehurst and my apprenticeship days. “There’s a lot of +this Science about nowadays,” Mr. Ramboat reflected; “but I sometimes +wonder a bit what good it is?” + +I was young enough to be led into what he called “a bit of a +discussion,” which Marion truncated before our voices became unduly +raised. “I dare say,” she said, “there’s much to be said on both +sides.” + +I remember Marion’s mother asked me what church I attended, and that I +replied evasively. After tea there was music and we sang hymns. I +doubted if I had a voice when this was proposed, but that was held to +be a trivial objection, and I found sitting close beside the sweep of +hair from Marion’s brow had many compensations. I discovered her mother +sitting in the horsehair armchair and regarding us sentimentally. I +went for a walk with Marion towards Putney Bridge, and then there was +more singing and a supper of cold bacon and pie, after which Mr. +Ramboat and I smoked. During that walk, I remember, she told me the +import of her sketchings and copyings in the museum. A cousin of a +friend of hers whom she spoke of as Smithie, had developed an original +business in a sort of tea-gown garment which she called a Persian Robe, +a plain sort of wrap with a gaily embroidered yoke, and Marion went +there and worked in the busy times. In the times that weren’t busy she +designed novelties in yokes by an assiduous use of eyes and note-book +in the museum, and went home and traced out the captured forms on the +foundation material. “I don’t get much,” said Marion, “but it’s +interesting, and in the busy times we work all day. Of course the +workgirls are dreadfully common, but we don’t say much to them. And +Smithie talks enough for ten.” + +I quite understood the workgirls were dreadfully common. + +I don’t remember that the Walham Green _ménage_ and the quality of +these people, nor the light they threw on Marion, detracted in the +slightest degree at that time from the intent resolve that held me to +make her mine. I didn’t like them. But I took them as part of the +affair. Indeed, on the whole, I think they threw her up by an effect of +contrast; she was so obviously controlling them, so consciously +superior to them. + +More and more of my time did I give to this passion that possessed me. +I began to think chiefly of ways of pleasing Marion, of acts of +devotion, of treats, of sumptuous presents for her, of appeals she +would understand. If at times she was manifestly unintelligent, in her +ignorance became indisputable, I told myself her simple instincts were +worth all the education and intelligence in the world. And to this day +I think I wasn’t really wrong about her. There was something +extraordinarily fine about her, something simple and high, that +flickered in and out of her ignorance and commonness and limitations +like the tongue from the mouth of a snake.... + +One night I was privileged to meet her and bring her home from an +entertainment at the Birkbeck Institute. We came back on the +underground railway and we travelled first-class—that being the highest +class available. We were alone in the carriage, and for the first time +I ventured to put my arm about her. + +“You mustn’t,” she said feebly. + +“I love you,” I whispered suddenly with my heart beating wildly, drew +her to me, drew all her beauty to me and kissed her cool and +unresisting lips. + +“Love me?” she said, struggling away from me, “Don’t!” and then, as the +train ran into a station, “You must tell no one.... I don’t know.... +You shouldn’t have done that....” + +Then two other people got in with us and terminated my wooing for a +time. + +When we found ourselves alone together, walking towards Battersea, she +had decided to be offended. I parted from her unforgiven and terribly +distressed. + +When we met again, she told me I must never say “that” again. + +I had dreamt that to kiss her lips was ultimate satisfaction. But it +was indeed only the beginning of desires. I told her my one ambition +was to marry her. + +“But,” she said, “you’re not in a position—What’s the good of talking +like that?” + +I stared at her. “I mean to,” I said. + +“You can’t,” she answered. “It will be years” + +“But I love you,” I insisted. + +I stood not a yard from the sweet lips I had kissed; I stood within +arm’s length of the inanimate beauty I desired to quicken, and I saw +opening between us a gulf of years, toil, waiting, disappointments and +an immense uncertainty. + +“I love you,” I said. “Don’t you love me?” + +She looked me in the face with grave irresponsive eyes. + +“I don’t know,” she said. “I _like_ you, of course.... One has to be +sensibl...” + +I can remember now my sense of frustration by her unresilient reply. I +should have perceived then that for her my ardour had no quickening +fire. But how was I to know? I had let myself come to want her, my +imagination endowed her with infinite possibilities. I wanted her and +wanted her, stupidly and instinctively.... + +“But,” I said “Love—!” + +“One has to be sensible,” she replied. “I like going about with you. +Can’t we keep as we are?’” + +VI + +Well, you begin to understand my breakdown now, I have been copious +enough with these apologia. My work got more and more spiritless, my +behaviour degenerated, my punctuality declined; I was more and more +outclassed in the steady grind by my fellow-students. Such supplies of +moral energy as I still had at command shaped now in the direction of +serving Marion rather than science. + +I fell away dreadfully, more and more I shirked and skulked; the humped +men from the north, the pale men with thin, clenched minds, the intent, +hard-breathing students I found against me, fell at last from keen +rivalry to moral contempt. Even a girl got above me upon one of the +lists. Then indeed I made it a point of honour to show by my public +disregard of every rule that I really did not even pretend to try. + +So one day I found myself sitting in a mood of considerable +astonishment in Kensington Gardens, reacting on a recent heated +interview with the school Registrar in which I had displayed more +spirit than sense. I was astonished chiefly at my stupendous falling +away from all the militant ideals of unflinching study I had brought up +from Wimblehurst. I had displayed myself, as the Registrar put it, “an +unmitigated rotter.” My failure to get marks in the written examination +had only been equalled by the insufficiency of my practical work. + +“I ask you,” the Registrar had said, “what will become of you when your +scholarship runs out?” + +It certainly was an interesting question. What _was_ going to become of +me? + +It was clear there would be nothing for me in the schools as I had once +dared to hope; there seemed, indeed, scarcely anything in the world +except an illpaid assistantship in some provincial organized Science +School or grammar school. I knew that for that sort of work, without a +degree or any qualification, one earned hardly a bare living and had +little leisure to struggle up to anything better. If only I had even as +little as fifty pounds I might hold out in London and take my B.Sc. +degree, and quadruple my chances! My bitterness against my uncle +returned at the thought. After all, he had some of my money still, or +ought to have. Why shouldn’t I act within my rights, threaten to ‘take +proceedings’? I meditated for a space on the idea, and then returned to +the Science Library and wrote him a very considerable and occasionally +pungent letter. + +That letter to my uncle was the nadir of my failure. Its remarkable +consequences, which ended my student days altogether, I will tell in +the next chapter. + +I say “my failure.” Yet there are times when I can even doubt whether +that period was a failure at all, when I become defensively critical of +those exacting courses I did not follow, the encyclopaedic process of +scientific exhaustion from which I was distracted. My mind was not +inactive, even if it fed on forbidden food. I did not learn what my +professors and demonstrators had resolved I should learn, but I learnt +many things. My mind learnt to swing wide and to swing by itself. + +After all, those other fellows who took high places in the College +examinations and were the professor’s model boys haven’t done so +amazingly. Some are professors themselves, some technical experts; not +one can show things done such as I, following my own interest, have +achieved. For I have built boats that smack across the water like +whiplashes; no one ever dreamt of such boats until I built them; and I +have surprised three secrets that are more than technical discoveries, +in the unexpected hiding-places of Nature. I have come nearer flying +than any man has done. Could I have done as much if I had had a turn +for obeying those rather mediocre professors at the college who +proposed to train my mind? If I had been _trained_ in research—that +ridiculous contradiction in terms—should I have done more than produce +additions to the existing store of little papers with blunted +conclusions, of which there are already too many? I see no sense in +mock modesty upon this matter. Even by the standards of worldly success +I am, by the side of my fellow-students, no failure. I had my F.R.S. by +the time I was thirty-seven, and if I am not very wealthy poverty is as +far from me as the Spanish Inquisition. Suppose I had stamped down on +the head of my wandering curiosity, locked my imagination in a box just +when it wanted to grow out to things, worked by so-and-so’s excellent +method and so-and-so’s indications, where should I be now? + +I may be all wrong in this. It may be I should be a far more efficient +man than I am if I had cut off all those divergent expenditures of +energy, plugged up my curiosity about society with more currently +acceptable rubbish or other, abandoned Ewart, evaded Marion instead of +pursuing her, concentrated. But I don’t believe it! + +However, I certainly believed it completely and was filled with remorse +on that afternoon when I sat dejectedly in Kensington Gardens and +reviewed, in the light of the Registrar’s pertinent questions my first +two years in London. + + + + +CHAPTER THE SECOND +THE DAWN COMES, AND MY UNCLE APPEARS IN A NEW SILK HAT + + +I + +Throughout my student days I had not seen my uncle. I refrained from +going to him in spite of an occasional regret that in this way I +estranged myself from my aunt Susan, and I maintained a sulky attitude +of mind towards him. And I don’t think that once in all that time I +gave a thought to that mystic word of his that was to alter all the +world for us. Yet I had not altogether forgotten it. It was with a +touch of memory, dim transient perplexity if no more—why did this thing +seem in some way personal?—that I read a new inscription upon the +hoardings: + +THE SECRET OF VIGOUR, +TONO-BUNGAY. + + +That was all. It was simple and yet in some way arresting. I found +myself repeating the word after I had passed; it roused one’s attention +like the sound of distant guns. “Tono”—what’s that? and deep, rich, +unhurrying;—“_bun_—gay!” + +Then came my uncle’s amazing telegram, his answer to my hostile note: +“_Come to me at once you are wanted three hundred a year certain +tono-bungay._” + +“By Jove!” I cried, “of course! + +“It’s something—. A patent-medicine! I wonder what he wants with me.” + +In his Napoleonic way my uncle had omitted to give an address. His +telegram had been handed in at Farringdon Road, and after complex +meditations I replied to Ponderevo, Farringdon Road, trusting to the +rarity of our surname to reach him. + +“Where are you?” I asked. + +His reply came promptly: + +“192A, Raggett Street, E.C.” + +The next day I took an unsanctioned holiday after the morning’s +lecture. I discovered my uncle in a wonderfully new silk hat—oh, a +splendid hat! with a rolling brim that went beyond the common fashion. +It was decidedly too big for him—that was its only fault. It was stuck +on the back of his head, and he was in a white waistcoat and shirt +sleeves. He welcomed me with a forgetfulness of my bitter satire and my +hostile abstinence that was almost divine. His glasses fell off at the +sight of me. His round inexpressive eyes shone brightly. He held out +his plump short hand. + +“Here we are, George! What did I tell you? Needn’t whisper it now, my +boy. Shout it—_loud!_ spread it about! Tell every one! Tono—TONO—, +TONO-BUNGAY!” + +Raggett Street, you must understand, was a thoroughfare over which some +one had distributed large quantities of cabbage stumps and leaves. It +opened out of the upper end of Farringdon Street, and 192A was a shop +with the plate-glass front coloured chocolate, on which several of the +same bills I had read upon the hoardings had been stuck. The floor was +covered by street mud that had been brought in on dirty boots, and +three energetic young men of the hooligan type, in neck-wraps and caps, +were packing wooden cases with papered-up bottles, amidst much straw +and confusion. The counter was littered with these same swathed +bottles, of a pattern then novel but now amazingly familiar in the +world, the blue paper with the coruscating figure of a genially nude +giant, and the printed directions of how under practically all +circumstances to take Tono-Bungay. Beyond the counter on one side +opened a staircase down which I seem to remember a girl descending with +a further consignment of bottles, and the rest of the background was a +high partition, also chocolate, with “Temporary Laboratory” inscribed +upon it in white letters, and over a door that pierced it, “Office.” +Here I rapped, inaudible amid much hammering, and then entered +unanswered to find my uncle, dressed as I have described, one hand +gripping a sheath of letters, and the other scratching his head as he +dictated to one of three toiling typewriter girls. Behind him was a +further partition and a door inscribed “ABSOLUTELY PRIVATE—NO +ADMISSION,” thereon. This partition was of wood painted the universal +chocolate, up to about eight feet from the ground, and then of glass. +Through the glass I saw dimly a crowded suggestion of crucibles and +glass retorts, and—by Jove!—yes!—the dear old Wimblehurst air-pump +still! It gave me quite a little thrill—that air-pump! And beside it +was the electrical machine—but something—some serious trouble—had +happened to that. All these were evidently placed on a shelf just at +the level to show. + +“Come right into the sanctum,” said my uncle, after he had finished +something about “esteemed consideration,” and whisked me through the +door into a room that quite amazingly failed to verify the promise of +that apparatus. It was papered with dingy wall-paper that had peeled in +places; it contained a fireplace, an easy-chair with a cushion, a table +on which stood two or three big bottles, a number of cigar-boxes on the +mantel, whisky Tantalus and a row of soda syphons. He shut the door +after me carefully. + +“Well, here we are!” he said. “Going strong! Have a whisky, George? +No!—Wise man! Neither will I! You see me at it! At it—hard!” + +“Hard at what?” + +“Read it,” and he thrust into my hand a label—that label that has now +become one of the most familiar objects of the chemist’s shop, the +greenish-blue rather old-fashioned bordering, the legend, the name in +good black type, very clear, and the strong man all set about with +lightning flashes above the double column of skilful lies in red—the +label of Tono-Bungay. “It’s afloat,” he said, as I stood puzzling at +this. “It’s afloat. I’m afloat!” And suddenly he burst out singing in +that throaty tenor of his— + +“I’m afloat, I’m afloat on the fierce flowing tide, +The ocean’s my home and my bark is my bride! + + +“Ripping song that is, George. Not so much a bark as a solution, but +still—it does! Here we are at it! By-the-by! Half a mo’! I’ve thought +of a thing.” He whisked out, leaving me to examine this nuclear spot at +leisure while his voice became dictatorial without. The den struck me +as in its large grey dirty way quite unprecedented and extraordinary. +The bottles were all labelled simply A, B, C, and so forth, and that +dear old apparatus above, seen from this side, was even more patiently +“on the shelf” than when it had been used to impress Wimblehurst. I saw +nothing for it but to sit down in the chair and await my uncle’s +explanations. I remarked a frock-coat with satin lapels behind the +door; there was a dignified umbrella in the corner and a clothes-brush +and a hat-brush stood on a side-table. My uncle returned in five +minutes looking at his watch—a gold watch—“Gettin’ lunch-time, George,” +he said. “You’d better come and have lunch with me!” + +“How’s Aunt Susan?” I asked. + +“Exuberant. Never saw her so larky. This has bucked her up something +wonderful—all this.” + +“All what?” + +“Tono-Bungay.” + +“What is Tono-Bungay?” I asked. + +My uncle hesitated. “Tell you after lunch, George,” he said. “Come +along!” and having locked up the sanctum after himself, led the way +along a narrow dirty pavement, lined with barrows and swept at times by +avalanche-like porters bearing burthens to vans, to Farringdon Street. +He hailed a passing cab superbly, and the cabman was infinitely +respectful. “Schäfer’s,” he said, and off we went side by side—and with +me more and more amazed at all these things—to Schäfer’s Hotel, the +second of the two big places with huge lace curtain-covered windows, +near the corner of Blackfriars Bridge. + +I will confess I felt a magic charm in our relative proportions as the +two colossal, pale-blue-and-red liveried porters of Schäfers’ held open +the inner doors for us with a respectful salutation that in some manner +they seemed to confine wholly to my uncle. Instead of being about four +inches taller, I felt at least the same size as he, and very much +slenderer. Still more respectful—waiters relieved him of the new hat +and the dignified umbrella, and took his orders for our lunch. He gave +them with a fine assurance. + +He nodded to several of the waiters. + +“They know me, George, already,” he said. “Point me out. Live place! +Eye for coming men!” + +The detailed business of the lunch engaged our attention for a while, +and then I leant across my plate. “And NOW?” said I. + +“It’s the secret of vigour. Didn’t you read that label?” + +“Yes, but—” + +“It’s selling like hot cakes.” + +“And what is it?” I pressed. + +“Well,” said my uncle, and then leant forward and spoke softly under +cover of his hand, “It’s nothing more or less than...” + +(But here an unfortunate scruple intervenes. After all, Tono-Bungay is +still a marketable commodity and in the hands of purchasers, who bought +it from—among other vendors—me. No! I am afraid I cannot give it away—) + +“You see,” said my uncle in a slow confidential whisper, with eyes very +wide and a creased forehead, “it’s nice because of the” (here he +mentioned a flavouring matter and an aromatic spirit), “it’s +stimulating because of” (here he mentioned two very vivid tonics, one +with a marked action on the kidney.) “And the” (here he mentioned two +other ingredients) “makes it pretty intoxicating. Cocks their tails. +Then there’s” (but I touch on the essential secret.) “And there you +are. I got it out of an old book of recipes—all except the” (here he +mentioned the more virulent substance, the one that assails the +kidneys), “which is my idea! Modern touch! There you are!” + +He reverted to the direction of our lunch. + +Presently he was leading the way to the lounge—sumptuous piece in red +morocco and yellow glazed crockery, with incredible vistas of settees +and sofas and things, and there I found myself grouped with him in two +excessively upholstered chairs with an earthenware Moorish table +between us bearing coffee and Benedictine, and I was tasting the +delights of a tenpenny cigar. My uncle smoked a similar cigar in an +habituated manner, and he looked energetic and knowing and luxurious +and most unexpectedly a little bounder, round the end of it. It was +just a trivial flaw upon our swagger, perhaps that we both were clear +our cigars had to be “mild.” He got obliquely across the spaces of his +great armchair so as to incline confidentially to my ear, he curled up +his little legs, and I, in my longer way, adopted a corresponding +receptive obliquity. I felt that we should strike an unbiased observer +as a couple of very deep and wily and developing and repulsive persons. + +“I want to let you into this”—puff—“George,” said my uncle round the +end of his cigar. “For many reasons.” + +His voice grew lower and more cunning. He made explanations that to my +inexperience did not completely explain. I retain an impression of a +long credit and a share with a firm of wholesale chemists, of a credit +and a prospective share with some pirate printers, of a third share for +a leading magazine and newspaper proprietor. + +“I played ’em off one against the other,” said my uncle. I took his +point in an instant. He had gone to each of them in turn and said the +others had come in. + +“I put up four hundred pounds,” said my uncle, “myself and my all. And +you know—” + +He assumed a brisk confidence. “I hadn’t five hundred pence. At least—” + +For a moment he really was just a little embarrassed. “I _did_” he +said, “produce capital. You see, there was that trust affair of yours—I +ought, I suppose—in strict legality—to have put that straight first. +Zzzz.... + +“It was a bold thing to do,” said my uncle, shifting the venue from the +region of honour to the region of courage. And then with a +characteristic outburst of piety, “Thank God it’s all come right! + +“And now, I suppose, you ask where do YOU come in? Well, fact is I’ve +always believed in you, George. You’ve got—it’s a sort of dismal grit. +Bark your shins, rouse you, and you’ll go! You’d rush any position you +had a mind to rush. I know a bit about character, George—trust me. +You’ve got—” He clenched his hands and thrust them out suddenly, and at +the same time said, with explosive violence, “Wooosh! Yes. You have! +The way you put away that Latin at Wimblehurst; I’ve never forgotten +it. + +“Wo-oo-oo-osh! Your science and all that! Wo-oo-oo-osh! I know my +limitations. There’s things I can do, and” (he spoke in a whisper, as +though this was the first hint of his life’s secret) “there’s things I +can’t. Well, I can create this business, but I can’t make it go. I’m +too voluminous—I’m a boiler-over, not a simmering stick-at-it._You_ +keep on _hotting up and hotting up_. Papin’s digester. That’s you, +steady and long and piling up,—then, wo-oo-oo-oo-osh. Come in and +stiffen these niggers. Teach them that wo-oo-oo-oo-osh. There you are! +That’s what I’m after. You! Nobody else believes you’re more than a +boy. Come right in with me and be a man. Eh, George? Think of the fun +of it—a thing on the go—a Real Live Thing! Wooshing it up! Making it +buzz and spin! Whoo-oo-oo.”—He made alluring expanding circles in the +air with his hand. “Eh?” + +His proposal, sinking to confidential undertones again, took more +definite shape. I was to give all my time and energy to developing and +organising. “You shan’t write a single advertisement, or give a single +assurance” he declared. “I can do all that.” And the telegram was no +flourish; I was to have three hundred a year. Three hundred a year. +(“That’s nothing,” said my uncle, “the thing to freeze on to, when the +time comes, is your tenth of the vendor’s share.”) + +Three hundred a year certain, anyhow! It was an enormous income to me. +For a moment I was altogether staggered. Could there be that much money +in the whole concern? I looked about me at the sumptuous furniture of +Schäfer’s Hotel. No doubt there were many such incomes. + +My head was spinning with unwonted Benedictine and Burgundy. + +“Let me go back and look at the game again,” I said. “Let me see +upstairs and round about.” + +I did. + +“What do you think of it all?” my uncle asked at last. + +“Well, for one thing,” I said, “why don’t you have those girls working +in a decently ventilated room? Apart from any other consideration, +they’d work twice as briskly. And they ought to cover the corks before +labelling round the bottle.” + +“Why?” said my uncle. + +“Because—they sometimes make a mucker of the cork job, and then the +label’s wasted.” + +“Come and change it, George,” said my uncle, with sudden fervour “Come +here and make a machine of it. You can. Make it all slick, and then +make it woosh. I know you can. Oh! I know you can.” + +II + +I seem to remember very quick changes of mind after that lunch. The +muzzy exaltation of the unaccustomed stimulants gave way very rapidly +to a model of pellucid and impartial clairvoyance which is one of my +habitual mental states. It is intermittent; it leaves me for weeks +together, I know, but back it comes at last like justice on circuit, +and calls up all my impression, all my illusions, all my willful and +passionate proceedings. We came downstairs again into that inner room +which pretended to be a scientific laboratory through its high glass +lights, and indeed was a lurking place. My uncle pressed a cigarette on +me, and I took it and stood before the empty fireplace while he propped +his umbrella in the corner, deposited the new silk hat that was a +little too big for him on the table, blew copiously and produced a +second cigar. + +It came into my head that he had shrunken very much in size since the +Wimblehurst days, that the cannon ball he had swallowed was rather more +evident and shameless than it had been, his skin less fresh and the +nose between his glasses, which still didn’t quite fit, much redder. +And just then he seemed much laxer in his muscles and not quite as +alertly quick in his movements. But he evidently wasn’t aware of the +degenerative nature of his changes as he sat there, looking suddenly +quite little under my eyes. + +“Well, George!” he said, quite happily unconscious of my silent +criticism, “what do you think of it all?” + +“Well,” I said, “in the first place—it’s a damned swindle!” + +“Tut! tut!” said my uncle. “It’s as straight as—It’s fair trading!” + +“So much the worse for trading,” I said. + +“It’s the sort of thing everybody does. After all, there’s no harm in +the stuff—and it may do good. It might do a lot of good—giving people +confidence, f’rinstance, against an epidemic. See? Why not? don’t see +where your swindle comes in.” + +“H’m,” I said. “It’s a thing you either see or don’t see.” + +“I’d like to know what sort of trading isn’t a swindle in its way. +Everybody who does a large advertised trade is selling something common +on the strength of saying it’s uncommon. Look at Chickson—they made him +a baronet. Look at Lord Radmore, who did it on lying about the alkali +in soap! Rippin’ ads those were of his too!” + +“You don’t mean to say you think doing this stuff up in bottles and +swearing it’s the quintessence of strength and making poor devils buy +it at that, is straight?” + +“Why not, George? How do we know it mayn’t be the quintessence to them +so far as they’re concerned?” + +“Oh!” I said, and shrugged my shoulders. + +“There’s Faith. You put Faith in ’em.... I grant our labels are a bit +emphatic. Christian Science, really. No good setting people against the +medicine. Tell me a solitary trade nowadays that hasn’t to be—emphatic. +It’s the modern way! Everybody understands it—everybody allows for it.” + +“But the world would be no worse and rather better, if all this stuff +of yours was run down a conduit into the Thames.” + +“Don’t see that, George, at all. ’Mong other things, all our people +would be out of work. Unemployed! I grant you Tono-Bungay _may_ be—not +_quite_ so good a find for the world as Peruvian bark, but the point +is, George—it _makes trade!_ And the world lives on trade. Commerce! A +romantic exchange of commodities and property. Romance. ’Magination. +See? You must look at these things in a broad light. Look at the +wood—and forget the trees! And hang it, George! we got to do these +things! There’s no way unless you do. What do _you_ mean to do—anyhow?” + +“There’s ways of living,” I said, “Without either fraud or lying.” + +“You’re a bit stiff, George. There’s no fraud in this affair, I’ll bet +my hat. But what do you propose to do? Go as chemist to some one who +_is_ running a business, and draw a salary without a share like I offer +you. Much sense in that! It comes out of the swindle as you call +it—just the same.” + +“Some businesses are straight and quiet, anyhow; supply a sound article +that is really needed, don’t shout advertisements.” + +“No, George. There you’re behind the times. The last of that sort was +sold up ‘bout five years ago.” + +“Well, there’s scientific research.” + +“And who pays for that? Who put up that big City and Guilds place at +South Kensington? Enterprising business men! They fancy they’ll have a +bit of science going on, they want a handy Expert ever and again, and +there you are! And what do you get for research when you’ve done it? +Just a bare living and no outlook. They just keep you to make +discoveries, and if they fancy they’ll use ’em they do.” + +“One can teach.” + +“How much a year, George? How much a year? I suppose you must respect +Carlyle! Well, you take Carlyle’s test—solvency. (Lord! what a book +that French Revolution of his is!) See what the world pays teachers and +discoverers and what it pays business men! That shows the ones it +really wants. There’s a justice in these big things, George, over and +above the apparent injustice. I tell you it wants trade. It’s Trade +that makes the world go round! Argosies! Venice! Empire!” + +My uncle suddenly rose to his feet. + +“You think it over, George. You think it over! And come up on Sunday to +the new place—we got rooms in Gower Street now—and see your aunt. She’s +often asked for you, George often and often, and thrown it up at me +about that bit of property—though I’ve always said and always will, +that twenty-five shillings in the pound is what I’ll pay you and +interest up to the nail. And think it over. It isn’t me I ask you to +help. It’s yourself. It’s your aunt Susan. It’s the whole concern. It’s +the commerce of your country. And we want you badly. I tell you +straight, I know my limitations. You could take this place, you could +make it go! I can see you at it—looking rather sour. Woosh is the word, +George.” + +And he smiled endearingly. + +“I got to dictate a letter,” he said, ending the smile, and vanished +into the outer room. + +III + +I didn’t succumb without a struggle to my uncle’s allurements. Indeed, +I held out for a week while I contemplated life and my prospects. It +was a crowded and muddled contemplation. It invaded even my sleep. + +My interview with the Registrar, my talk with my uncle, my abrupt +discovery of the hopeless futility of my passion for Marion, had +combined to bring me to sense of crisis. What was I going to do with +life? + +I remember certain phases of my indecisions very well. + +I remember going home from our talk. I went down Farringdon Street to +the Embankment because I thought to go home by Holborn and Oxford +Street would be too crowded for thinking.... That piece of Embankment +from Blackfriars to Westminster still reminds me of that momentous +hesitation. + +You know, from first to last, I saw the business with my eyes open, I +saw its ethical and moral values quite clearly. Never for a moment do I +remember myself faltering from my persuasion that the sale of +Tono-Bungay was a thoroughly dishonest proceeding. The stuff was, I +perceived, a mischievous trash, slightly stimulating, aromatic and +attractive, likely to become a bad habit and train people in the +habitual use of stronger tonics and insidiously dangerous to people +with defective kidneys. It would cost about sevenpence the large bottle +to make, including bottling, and we were to sell it at half a crown +plus the cost of the patent medicine stamp. A thing that I will confess +deterred me from the outset far more than the sense of dishonesty in +this affair, was the supreme silliness of the whole concern. I still +clung to the idea that the world of men was or should be a sane and +just organisation, and the idea that I should set myself gravely, just +at the fine springtime of my life, to developing a monstrous bottling +and packing warehouse, bottling rubbish for the consumption of foolish, +credulous and depressed people, had in it a touch of insanity. My early +beliefs still clung to me. I felt assured that somewhere there must be +a hitch in the fine prospect of ease and wealth under such conditions; +that somewhere, a little overgrown, perhaps, but still traceable, lay a +neglected, wasted path of use and honour for me. + +My inclination to refuse the whole thing increased rather than +diminished at first as I went along the Embankment. In my uncle’s +presence there had been a sort of glamour that had prevented an +outright refusal. It was a revival of affection for him I felt in his +presence, I think, in part, and in part an instinctive feeling that I +must consider him as my host. But much more was it a curious persuasion +he had the knack of inspiring—a persuasion not so much of his integrity +and capacity as of the reciprocal and yielding foolishness of the +world. One felt that he was silly and wild, but in some way silly and +wild after the fashion of the universe. After all, one must live +somehow. I astonished him and myself by temporising. + +“No,” said I, “I’ll think it over!” + +And as I went along the embankment the first effect was all against my +uncle. He shrank—for a little while he continued to shrink—in +perspective until he was only a very small shabby little man in a dirty +back street, sending off a few hundred bottles of rubbish to foolish +buyers. The great buildings on the right of us, the Inns and the School +Board place—as it was then—Somerset House, the big hotels, the great +bridges, Westminster’s outlines ahead, had an effect of grey largeness +that reduced him to the proportions of a busy black beetle in a crack +in the floor. + +And then my eye caught the advertisements on the south side of +“Sorber’s Food,” of “Cracknell’s Ferric Wine,” very bright and +prosperous signs, illuminated at night, and I realised how +astonishingly they looked at home there, how evidently part they were +in the whole thing. + +I saw a man come charging out of Palace Yard—the policeman touched his +helmet to him—with a hat and a bearing astonishingly like my uncle’s. +After all,—didn’t Cracknell himself sit in the House? + +Tono-Bungay shouted at me from a hoarding near Adelphi Terrace; I saw +it afar off near Carfax Street; it cried out again upon me in +Kensington High Street, and burst into a perfect clamour; six or seven +times I saw it as I drew near my diggings. It certainly had an air of +being something more than a dream. + +Yes, I thought it over—thoroughly enough.... Trade rules the world. +Wealth rather than trade! The thing was true, and true too was my +uncle’s proposition that the quickest way to get wealth is to sell the +cheapest thing possible in the dearest bottle. He was frightfully right +after all. _Pecunia non olet_,—a Roman emperor said that. Perhaps my +great heroes in Plutarch were no more than such men, fine now only +because they are distant; perhaps after all this Socialism to which I +had been drawn was only a foolish dream, only the more foolish because +all its promises were conditionally true. Morris and these others +played with it wittingly; it gave a zest, a touch of substance, to +their aesthetic pleasures. Never would there be good faith enough to +bring such things about. They knew it; every one, except a few young +fools, knew it. As I crossed the corner of St. James’s Park wrapped in +thought, I dodged back just in time to escape a prancing pair of greys. +A stout, common-looking woman, very magnificently dressed, regarded me +from the carriage with a scornful eye. “No doubt,” thought I, “a +pill-vendor’s wife....” + +Running through all my thoughts, surging out like a refrain, was my +uncle’s master-stroke, his admirable touch of praise: “Make it all +slick—and then make it go Woosh. I know you can! Oh! I _know_ you can!” + +IV + +Ewart as a moral influence was unsatisfactory. I had made up my mind to +put the whole thing before him, partly to see how he took it, and +partly to hear how it sounded when it was said. I asked him to come and +eat with me in an Italian place near Panton Street where one could get +a curious, interesting, glutting sort of dinner for eighteen-pence. He +came with a disconcerting black-eye that he wouldn’t explain. “Not so +much a black-eye,” he said, “as the aftermath of a purple patch.... +What’s your difficulty?” + +“I’ll tell you with the salad,” I said. + +But as a matter of fact I didn’t tell him. I threw out that I was +doubtful whether I ought to go into trade, or stick to teaching in view +of my deepening socialist proclivities; and he, warming with the +unaccustomed generosity of a sixteen-penny Chianti, ran on from that +without any further inquiry as to my trouble. + +His utterances roved wide and loose. + +“The reality of life, my dear Ponderevo,” I remember him saying very +impressively and punctuating with the nut-crackers as he spoke, “is +Chromatic Conflict ... and Form. Get hold of that and let all these +other questions go. The Socialist will tell you one sort of colour and +shape is right, the Individualist another. What does it all amount to? +What _does_ it all amount to? _Nothing!_ I have no advice to give +anyone,—except to avoid regrets. Be yourself, seek after such beautiful +things as your own sense determines to be beautiful. And don’t mind the +headache in the morning.... For what, after all, is a morning, +Ponderevo? It isn’t like the upper part of a day!” + +He paused impressively. + +“What Rot!” I cried, after a confused attempt to apprehend him. + +“Isn’t it! And it’s my bedrock wisdom in the matter! Take it or leave +it, my dear George; take it or leave it.”... He put down the +nut-crackers out of my reach and lugged a greasy-looking note-book from +his pocket. “I’m going to steal this mustard pot,” he said. + +I made noises of remonstrance. + +“Only as a matter of design. I’ve got to do an old beast’s tomb. + +“Wholesale grocer. I’ll put it on his corners,—four mustard pots. I +dare say he’d be glad of a mustard plaster now to cool him, poor devil, +where he is. But anyhow,—here goes!” + +V + +It came to me in the small hours that the real moral touchstone for +this great doubting of mind was Marion. I lay composing statements of +my problem and imagined myself delivering them to her—and she, +goddess-like and beautiful; giving her fine, simply-worded judgment. + +“You see, it’s just to give one’s self over to the Capitalistic +System,” I imagined myself saying in good Socialist jargon; “it’s +surrendering all one’s beliefs. We _may_ succeed, we _may_ grow rich, +but where would the satisfaction be?” + +Then she would say, “No! That wouldn’t be right.” + +“But the alternative is to wait!” + +Then suddenly she would become a goddess. She would turn upon me +frankly and nobly, with shining eyes, with arms held out. “No,” she +would say, “we love one another. Nothing ignoble shall ever touch us. +We love one another. Why wait to tell each other that, dear? What does +it matter that we are poor and may keep poor?” + +But indeed the conversation didn’t go at all in that direction. At the +sight of her my nocturnal eloquence became preposterous and all the +moral values altered altogether. I had waited for her outside the door +of the Parsian-robe establishment in Kensington High Street and walked +home with her thence. I remember how she emerged into the warm evening +light and that she wore a brown straw hat that made her, for once not +only beautiful but pretty. + +“I like that hat,” I said by way of opening; and she smiled her rare +delightful smile at me. + +“I love you,” I said in an undertone, as we jostled closer on the +pavement. + +She shook her head forbiddingly, but she still smiled. Then—“Be +sensible!” + +The High Street pavement is too narrow and crowded for conversation and +we were some way westward before we spoke again. + +“Look here,” I said; “I want you, Marion. Don’t you understand? I want +you.” + +“Now!” she cried warningly. + +I do not know if the reader will understand how a passionate lover, an +immense admiration and desire, can be shot with a gleam of positive +hatred. Such a gleam there was in me at the serene self-complacency of +that “_Now!_” It vanished almost before I felt it. I found no warning +in it of the antagonisms latent between us. + +“Marion,” I said, “this isn’t a trifling matter to me. I love you; I +would die to get you.... Don’t you care?” + +“But what is the good?” + +“You don’t care,” I cried. “You don’t care a rap!” + +“You know I care,” she answered. “If I didn’t—If I didn’t like you very +much, should I let you come and meet me—go about with you?” + +“Well then,” I said, “promise to marry me!” + +“If I do, what difference will it make?” + +We were separated by two men carrying a ladder who drove between us +unawares. + +“Marion,” I asked when we got together again, “I tell you I want you to +marry me.” + +“We can’t.” + +“Why not?” + +“We can’t marry—in the street.” + +“We could take our chance!” + +“I wish you wouldn’t go on talking like this. What is the good?” + +She suddenly gave way to gloom. “It’s no good marrying” she said. +“One’s only miserable. I’ve seen other girls. When one’s alone one has +a little pocket-money anyhow, one can go about a little. But think of +being married and no money, and perhaps children—you can’t be sure....” + +She poured out this concentrated philosophy of her class and type in +jerky uncompleted sentences, with knitted brows, with discontented eyes +towards the westward glow—forgetful, it seemed, for a moment even of +me. + +“Look here, Marion,” I said abruptly, “what would you marry on?” + +“What _is_ the good?” she began. + +“Would you marry on three hundred a year?” + +She looked at me for a moment. “That’s six pounds a week,” she said. +“One could manage on that, easily. Smithie’s brother—No, he only gets +two hundred and fifty. He married a typewriting girl.” + +“Will you marry me if I get three hundred a year?” + +She looked at me again, with a curious gleam of hope. + +“_If!_” she said. + +I held out my hand and looked her in the eyes. “It’s a bargain,” I +said. + +She hesitated and touched my hand for an instant. “It’s silly,” she +remarked as she did so. “It means really we’re—” She paused. + +“Yes?” said I. + +“Engaged. You’ll have to wait years. What good can it do you?” + +“Not so many years.” I answered. + +For a moment she brooded. + +Then she glanced at me with a smile, half-sweet, half-wistful, that has +stuck in my memory for ever. + +“I like you!” she said. “I shall like to be engaged to you.” + +And, faint on the threshold of hearing, I caught her ventured “dear!” +It’s odd that in writing this down my memory passed over all that +intervened and I feel it all again, and once again I’m Marion’s boyish +lover taking great joy in such rare and little things. + +VI + +At last I went to the address my uncle had given me in Gower Street, +and found my aunt Susan waiting tea for him. + +Directly I came into the room I appreciated the change in outlook that +the achievement of Tono-Bungay had made almost as vividly as when I saw +my uncle’s new hat. The furniture of the room struck upon my eye as +almost stately. The chairs and sofa were covered with chintz which gave +it a dim, remote flavour of Bladesover; the mantel, the cornice, the +gas pendant were larger and finer than the sort of thing I had grown +accustomed to in London. And I was shown in by a real housemaid with +real tails to her cap, and great quantities of reddish hair. There was +my aunt too looking bright and pretty, in a blue-patterned tea-wrap +with bows that seemed to me the quintessence of fashion. She was +sitting in a chair by the open window with quite a pile of +yellow-labelled books on the occasional table beside her. Before the +large, paper-decorated fireplace stood a three-tiered cake-stand +displaying assorted cakes, and a tray with all the tea equipage except +the teapot, was on the large centre-table. The carpet was thick, and a +spice of adventure was given it by a number of dyed sheep-skin mats. + +“Hel-_lo!_” said my aunt as I appeared. “It’s George!” + +“Shall I serve the tea now, Mem?” said the real housemaid, surveying +our greeting coldly. + +“Not till Mr. Ponderevo comes, Meggie,” said my aunt, and grimaced with +extraordinary swiftness and virulence as the housemaid turned her back. + +“Meggie she calls herself,” said my aunt as the door closed, and left +me to infer a certain want of sympathy. + +“You’re looking very jolly, aunt,” said I. + +“What do you think of all this old Business he’s got?” asked my aunt. + +“Seems a promising thing,” I said. + +“I suppose there is a business somewhere?” + +“Haven’t you seen it?” + +“‘Fraid I’d say something AT it George, if I did. So he won’t let me. +It came on quite suddenly. Brooding he was and writing letters and +sizzling something awful—like a chestnut going to pop. Then he came +home one day saying Tono-Bungay till I thought he was clean off his +onion, and singing—what was it?” + +“‘I’m afloat, I’m afloat,’” I guessed. + +“The very thing. You’ve heard him. And saying our fortunes were made. +Took me out to the Ho’burm Restaurant, George,—dinner, and we had +champagne, stuff that blows up the back of your nose and makes you go +_So_, and he said at last he’d got things worthy of me—and we moved +here next day. It’s a swell house, George. Three pounds a week for the +rooms. And he says the Business’ll stand it.” + +She looked at me doubtfully. + +“Either do that or smash,” I said profoundly. + +We discussed the question for a moment mutely with our eyes. My aunt +slapped the pile of books from Mudie’s. + +“I’ve been having such a Go of reading, George. You never did!” + +“What do you think of the business?” I asked. + +“Well, they’ve let him have money,” she said, and thought and raised +her eyebrows. + +“It’s been a time,” she went on. “The flapping about! Me sitting doing +nothing and him on the go like a rocket. He’s done wonders. But he +wants you, George—he wants you. Sometimes he’s full of hope—talks of +when we’re going to have a carriage and be in society—makes it seem so +natural and topsy-turvy, I hardly know whether my old heels aren’t up +here listening to him, and my old head on the floor.... Then he gets +depressed. Says he wants restraint. Says he can make a splash but can’t +keep on. Says if you don’t come in everything will smash—But you are +coming in?” + +She paused and looked at me. + +“Well—” + +“You don’t say you won’t come in!” + +“But look here, aunt,” I said, “do you understand quite?... It’s a +quack medicine. It’s trash.” + +“There’s no law against selling quack medicine that I know of,” said my +aunt. She thought for a minute and became unusually grave. “It’s our +only chance, George,” she said. “If it doesn’t go...” + +There came the slamming of a door, and a loud bellowing from the next +apartment through the folding doors. “Here-er Shee _Rulk_ lies _Poo_ +Tom Bo—oling.” + +“Silly old Concertina! Hark at him, George!” She raised her voice. +“Don’t sing that, you old Walrus, you! Sing ‘I’m afloat!’” + +One leaf of the folding doors opened and my uncle appeared. + +“Hullo, George! Come along at last? Gossome tea-cake, Susan?” + +“Thought it over George?” he said abruptly. + +“Yes,” said I. + +“Coming in?” + +I paused for a last moment and nodded yes. + +“Ah!” he cried. “Why couldn’t you say that a week ago?” + +“I’ve had false ideas about the world,” I said. “Oh! they don’t matter +now! Yes, I’ll come, I’ll take my chance with you, I won’t hesitate +again.” + +And I didn’t. I stuck to that resolution for seven long years. + + + + +CHAPTER THE THIRD +HOW WE MADE TONO-BUNGAY HUM + + +I + +So I made my peace with my uncle, and we set out upon this bright +enterprise of selling slightly injurious rubbish at +one-and-three-halfpence and two-and-nine a bottle, including the +Government stamp. We made Tono-Bungay hum! It brought us wealth, +influence, respect, the confidence of endless people. All that my uncle +promised me proved truth and understatement; Tono-Bungay carried me to +freedoms and powers that no life of scientific research, no passionate +service of humanity could ever have given me.... + +It was my uncle’s genius that did it. No doubt he needed me,—I was, I +will admit, his indispensable right hand; but his was the brain to +conceive. He wrote every advertisement; some of them even he sketched. +You must remember that his were the days before the Time took to +enterprise and the vociferous hawking of that antiquated +_Encyclopædia_. That alluring, button-holing, +let-me-just-tell-you-quite-soberly-something-you-ought-to-know style of +newspaper advertisement, with every now and then a convulsive jump of +some attractive phrase into capitals, was then almost a novelty. “Many +people who are MODERATELY well think they are QUITE well,” was one of +his early efforts. The jerks in capitals were, “DO NOT NEED DRUGS OR +MEDICINE,” and “SIMPLY A PROPER REGIMEN TO GET YOU IN TONE.” One was +warned against the chemist or druggist who pushed “much-advertised +nostrums” on one’s attention. That trash did more harm than good. The +thing needed was regimen—and Tono-Bungay! + +Very early, too, was that bright little quarter column, at least it was +usually a quarter column in the evening papers: “HILARITY—Tono-Bungay. +Like Mountain Air in the Veins.” The penetrating trio of questions: +“Are you bored with your Business? Are you bored with your Dinner. Are +you bored with your Wife?”—that, too, was in our Gower Street days. +Both these we had in our first campaign when we worked London south +central, and west; and then, too, we had our first poster—the HEALTH, +BEAUTY, AND STRENGTH one. That was his design; I happen still to have +got by me the first sketch he made for it. I have reproduced it here +with one or two others to enable the reader to understand the mental +quality that initiated these familiar ornaments of London. + +(The second one is about eighteen months later, the germ of the +well-known “Fog” poster; the third was designed for an influenza +epidemic, but never issued.) + +These things were only incidental in my department. I had to polish +them up for the artist and arrange the business of printing and +distribution, and after my uncle had had a violent and needless quarrel +with the advertising manager of the _Daily Regulator_ about the amount +of display given to one of his happy thoughts, I also took up the +negotiations of advertisements for the press. + +We discussed and worked out distribution together first in the +drawing-room floor in Gower Street with my aunt sometimes helping very +shrewdly, and then, with a steadily improving type of cigar and older +and older whisky, in his smuggery at their first house, the one in +Beckenham. Often we worked far into the night sometimes until dawn. + +We really worked infernally hard, and, I recall, we worked with a very +decided enthusiasm, not simply on my uncle’s part but mine, It was a +game, an absurd but absurdly interesting game, and the points were +scored in cases of bottles. People think a happy notion is enough to +make a man rich, that fortunes can be made without toil. It’s a dream, +as every millionaire (except one or two lucky gamblers) can testify; I +doubt if J.D. Rockefeller in the early days of Standard Oil, worked +harder than we did. We worked far into the night—and we also worked all +day. We made a rule to be always dropping in at the factory unannounced +to keep things right—for at first we could afford no properly +responsible underlings—and we traveled London, pretending to be our own +representatives and making all sorts of special arrangements. + +But none of this was my special work, and as soon as we could get other +men in, I dropped the traveling, though my uncle found it particularly +interesting and kept it up for years. “Does me good, George, to see the +chaps behind their counters like I was once,” he explained. My special +and distinctive duty was to give Tono-Bungay substance and an outward +and visible bottle, to translate my uncle’s great imaginings into the +creation of case after case of labelled bottles of nonsense, and the +punctual discharge of them by railway, road and steamer towards their +ultimate goal in the Great Stomach of the People. By all modern +standards the business was, as my uncle would say, “absolutely _bonâ +fide_.” We sold our stuff and got the money, and spent the money +honestly in lies and clamour to sell more stuff. Section by section we +spread it over the whole of the British Isles; first working the +middle-class London suburbs, then the outer suburbs, then the home +counties, then going (with new bills and a more pious style of “ad”) +into Wales, a great field always for a new patent-medicine, and then +into Lancashire. + +My uncle had in his inner office a big map of England, and as we took +up fresh sections of the local press and our consignments invaded new +areas, flags for advertisements and pink underlines for orders showed +our progress. + +“The romance of modern commerce, George!” my uncle would say, rubbing +his hands together and drawing in air through his teeth. “The romance +of modern commerce, eh? Conquest. Province by province. Like sogers.” + +We subjugated England and Wales; we rolled over the Cheviots with a +special adaptation containing eleven per cent. of absolute alcohol; +“Tono-Bungay: Thistle Brand.” We also had the Fog poster adapted to a +kilted Briton in a misty Highland scene. + +Under the shadow of our great leading line we were presently taking +subsidiary specialties into action; “Tono-Bungay Hair Stimulant” was +our first supplement. Then came “Concentrated Tono-Bungay” for the +eyes. That didn’t go, but we had a considerable success with the Hair +Stimulant. We broached the subject, I remember, in a little catechism +beginning: “Why does the hair fall out? Because the follicles are +fagged. What are the follicles?...” So it went on to the climax that +the Hair Stimulant contained all “The essential principles of that most +reviving tonic, Tono-Bungay, together with an emollient and nutritious +oil derived from crude Neat’s Foot Oil by a process of refinement, +separation and deodorization.... It will be manifest to any one of +scientific attainments that in Neat’s Foot Oil derived from the hoofs +and horns of beasts, we must necessarily have a natural skin and hair +lubricant.” + +And we also did admirable things with our next subsidiaries, +“Tono-Bungay Lozenges,” and “Tono-Bungay Chocolate.” These we urged +upon the public for their extraordinary nutritive and recuperative +value in cases of fatigue and strain. We gave them posters and +illustrated advertisements showing climbers hanging from marvelously +vertical cliffs, cyclist champions upon the track, mounted messengers +engaged in Aix-to-Ghent rides, soldiers lying out in action under a hot +sun. “You can GO for twenty-four hours,” we declared, “on Tono-Bungay +Chocolate.” We didn’t say whether you could return on the same +commodity. We also showed a dreadfully barristerish barrister, wig, +side-whiskers, teeth, a horribly life-like portrait of all existing +barristers, talking at a table, and beneath, this legend: “A Four +Hours’ Speech on Tono-Bungay Lozenges, and as fresh as when he began.” +Then brought in regiments of school-teachers, revivalist ministers, +politicians and the like. I really do believe there was an element of +“kick” in the strychnine in these lozenges, especially in those made +according to our earlier formula. For we altered all our +formulae—invariably weakening them enormously as sales got ahead. + +In a little while—so it seems to me now—we were employing travelers and +opening up Great Britain at the rate of a hundred square miles a day. +All the organisation throughout was sketched in a crude, entangled, +half-inspired fashion by my uncle, and all of it had to be worked out +into a practicable scheme of quantities and expenditure by me. We had a +lot of trouble finding our travelers; in the end at least half of them +were Irish-Americans, a wonderful breed for selling medicine. We had +still more trouble over our factory manager, because of the secrets of +the inner room, and in the end we got a very capable woman, Mrs. +Hampton Diggs, who had formerly managed a large millinery workroom, +whom we could trust to keep everything in good working order without +finding out anything that wasn’t put exactly under her loyal and +energetic nose. She conceived a high opinion of Tono-Bungay and took it +in all forms and large quantities so long as I knew her. It didn’t seem +to do her any harm. And she kept the girls going quite wonderfully. + +My uncle’s last addition to the Tono-Bungay group was the Tono-Bungay +Mouthwash. The reader has probably read a hundred times that inspiring +inquiry of his, “You are Young Yet, but are you Sure Nothing has Aged +your Gums?” + +And after that we took over the agency for three or four good American +lines that worked in with our own, and could be handled with it; Texan +Embrocation, and “23—to clear the system” were the chief.... + +I set down these bare facts. To me they are all linked with the figure +of my uncle. In some of the old seventeenth and early eighteenth +century prayerbooks at Bladesover there used to be illustrations with +long scrolls coming out of the mouths of the wood-cut figures. I wish I +could write all this last chapter on a scroll coming out of the head of +my uncle, show it all the time as unfolding and pouring out from a +short, fattening, small-legged man with stiff cropped hair, disobedient +glasses on a perky little nose, and a round stare behind them. I wish I +could show you him breathing hard and a little through his nose as his +pen scrabbled out some absurd inspiration for a poster or a picture +page, and make you hear his voice, charged with solemn import like the +voice of a squeaky prophet, saying, “George! list’n! I got an ideer. I +got a notion! George!” + +I should put myself into the same picture. Best setting for us, I +think, would be the Beckenham snuggery, because there we worked +hardest. It would be the lamplit room of the early nineties, and the +clock upon the mantel would indicate midnight or later. We would be +sitting on either side of the fire, I with a pipe, my uncle with a +cigar or cigarette. There would be glasses standing inside the brass +fender. Our expressions would be very grave. My uncle used to sit right +back in his armchair; his toes always turned in when he was sitting +down and his legs had a way of looking curved, as though they hadn’t +bones or joints but were stuffed with sawdust. + +“George, whad’yer think of T.B. for sea-sickness?” he would say. + +“No good that I can imagine.” + +“Oom! No harm _trying_, George. We can but try.” + +I would suck my pipe. “Hard to get at. Unless we sold our stuff +specially at the docks. Might do a special at Cook’s office, or in the +Continental Bradshaw.” + +“It ’ud give ’em confidence, George.” + +He would Zzzz, with his glasses reflecting the red of the glowing +coals. + +“No good hiding our light under a Bushel,” he would remark. + +I never really determined whether my uncle regarded Tono-Bungay as a +fraud, or whether he didn’t come to believe in it in a kind of way by +the mere reiteration of his own assertions. I think that his average +attitude was one of kindly, almost parental, toleration. I remember +saying on one occasion, “But you don’t suppose this stuff ever did a +human being the slightest good all?” and how his face assumed a look of +protest, as of one reproving harshness and dogmatism. + +“You’ve a hard nature, George,” he said. “You’re too ready to run +things down. How can one _tell?_ How can one venture to _tell?_...” + +I suppose any creative and developing game would have interested me in +those years. At any rate, I know I put as much zeal into this +Tono-Bungay as any young lieutenant could have done who suddenly found +himself in command of a ship. It was extraordinarily interesting to me +to figure out the advantage accruing from this shortening of the +process or that, and to weigh it against the capital cost of the +alteration. I made a sort of machine for sticking on the labels, that I +patented; to this day there is a little trickle of royalties to me from +that. I also contrived to have our mixture made concentrated, got the +bottles, which all came sliding down a guarded slant-way, nearly filled +with distilled water at one tap, and dripped our magic ingredients in +at the next. This was an immense economy of space for the inner +sanctum. For the bottling we needed special taps, and these, too, I +invented and patented. + +We had a sort of endless band of bottles sliding along an inclined +glass trough made slippery with running water. At one end a girl held +them up to the light, put aside any that were imperfect and placed the +others in the trough; the filling was automatic; at the other end a +girl slipped in the cork and drove it home with a little mallet. Each +tank, the little one for the vivifying ingredients and the big one for +distilled water, had a level indicator, and inside I had a float +arrangement that stopped the slide whenever either had sunk too low. +Another girl stood ready with my machine to label the corked bottles +and hand them to the three packers, who slipped them into their outer +papers and put them, with a pad of corrugated paper between each pair, +into a little groove from which they could be made to slide neatly into +position in our standard packing-case. It sounds wild, I know, but I +believe I was the first man in the city of London to pack patent +medicines through the side of the packing-case, to discover there was a +better way in than by the lid. Our cases packed themselves, +practically; had only to be put into position on a little wheeled tray +and when full pulled to the lift that dropped them to the men +downstairs, who padded up the free space and nailed on top and side. +Our girls, moreover, packed with corrugated paper and matchbook-wood +box partitions when everybody else was using expensive young men to +pack through the top of the box with straw, many breakages and much +waste and confusion. + +II + +As I look back at them now, those energetic years seem all compacted to +a year or so; from the days of our first hazardous beginning in +Farringdon Street with barely a thousand pounds’ worth of stuff or +credit all told—and that got by something perilously like snatching—to +the days when my uncle went to the public on behalf of himself and me +(one-tenth share) and our silent partners, the drug wholesalers and the +printing people and the owner of that group of magazines and +newspapers, to ask with honest confidence for £150,000. Those silent +partners were remarkably sorry, I know, that they had not taken larger +shares and given us longer credit when the subscriptions came pouring +in. My uncle had a clear half to play with (including the one-tenth +understood to be mine). + +£150,000—think of it!—for the goodwill in a string of lies and a trade +in bottles of mitigated water! Do you realise the madness of the world +that sanctions such a thing? Perhaps you don’t. At times use and wont +certainly blinded me. If it had not been for Ewart, I don’t think I +should have had an inkling of the wonderfulness of this development of +my fortunes; I should have grown accustomed to it, fallen in with all +its delusions as completely as my uncle presently did. He was immensely +proud of the flotation. “They’ve never been given such value,” he said, +“for a dozen years.” But Ewart, with his gesticulating hairy hands and +bony wrists, his single-handed chorus to all this as it played itself +over again in my memory, and he kept my fundamental absurdity +illuminated for me during all this astonishing time. + +“It’s just on all fours with the rest of things,” he remarked; “only +more so. You needn’t think you’re anything out of the way.” + +I remember one disquisition very distinctly. It was just after Ewart +had been to Paris on a mysterious expedition to “rough in” some work +for a rising American sculptor. This young man had a commission for an +allegorical figure of Truth (draped, of course) for his State Capitol, +and he needed help. Ewart had returned with his hair cut _en brosse_ +and with his costume completely translated into French. He wore, I +remember, a bicycling suit of purplish-brown, baggy beyond ageing—the +only creditable thing about it was that it had evidently not been made +for him—a voluminous black tie, a decadent soft felt hat and several +French expletives of a sinister description. “Silly clothes, aren’t +they?” he said at the sight of my startled eye. “I don’t know why I +got’m. They seemed all right over there.” + +He had come down to our Raggett Street place to discuss a benevolent +project of mine for a poster by him, and he scattered remarkable +discourse over the heads (I hope it was over the heads) of our +bottlers. + +“What I like about it all, Ponderevo, is its poetry.... That’s where we +get the pull of the animals. No animal would ever run a factory like +this. Think!... One remembers the Beaver, of course. He might very +possibly bottle things, but would he stick a label round ’em and sell +’em? The Beaver is a dreamy fool, I’ll admit, him and his dams, but +after all there’s a sort of protection about ’em, a kind of muddy +practicality! They prevent things getting at him. And it’s not your +poetry only. It’s the poetry of the customer too. Poet answering to +poet—soul to soul. Health, Strength and Beauty—in a bottle—the magic +philtre! Like a fairy tale.... + +“Think of the people to whom your bottles of footle go! (I’m calling it +footle, Ponderevo, out of praise,” he said in parenthesis.) + +“Think of the little clerks and jaded women and overworked people. +People overstrained with wanting to do, people overstrained with +wanting to be.... People, in fact, overstrained.... The real trouble of +life, Ponderevo, isn’t that we exist—that’s a vulgar error; the real +trouble is that we _don’t_ really exist and we want to. That’s what +this—in the highest sense—just stands for! The hunger to be—for +once—really alive—to the finger tips!... + +“Nobody wants to do and be the things people are—nobody. YOU don’t want +to preside over this—this bottling; I don’t want to wear these beastly +clothes and be led about by you; nobody wants to keep on sticking +labels on silly bottles at so many farthings a gross. That isn’t +existing! That’s—sus—_substratum_. None of us want to be what we are, +or to do what we do. Except as a sort of basis. What do we want? _You_ +know. _I_ know. Nobody confesses. What we all want to be is something +perpetually young and beautiful—young Joves—young Joves, Ponderevo”—his +voice became loud, harsh and declamatory—“pursuing coy half-willing +nymphs through everlasting forests.”... + +There was a just-perceptible listening hang in the work about us. + +“Come downstairs,” I interrupted, “we can talk better there.” + +“I can talk better here,” he answered. + +He was just going on, but fortunately the implacable face of Mrs. +Hampton Diggs appeared down the aisle of bottling machines. + +“All right,” he said, “I’ll come.” + +In the little sanctum below, my uncle was taking a digestive pause +after his lunch and by no means alert. His presence sent Ewart back to +the theme of modern commerce, over the excellent cigar my uncle gave +him. He behaved with the elaborate deference due to a business magnate +from an unknown man. + +“What I was pointing out to your nephew, sir,” said Ewart, putting both +elbows on the table, “was the poetry of commerce. He doesn’t, you know, +seem to see it at all.” + +My uncle nodded brightly. “Whad I tell ’im,” he said round his cigar. + +“We are artists. You and I, sir, can talk, if you will permit me, as +one artist to another. It’s advertisement has—done it. Advertisement +has revolutionised trade and industry; it is going to revolutionise the +world. The old merchant used to tote about commodities; the new one +creates values. Doesn’t need to tote. He takes something that isn’t +worth anything—or something that isn’t particularly worth anything—and +he makes it worth something. He takes mustard that is just like anybody +else’s mustard, and he goes about saying, shouting, singing, chalking +on walls, writing inside people’s books, putting it everywhere, +‘Smith’s Mustard is the Best.’ And behold it is the best!” + +“True,” said my uncle, chubbily and with a dreamy sense of mysticism; +“true!” + +“It’s just like an artist; he takes a lump of white marble on the verge +of a lime-kiln, he chips it about, he makes—he makes a monument to +himself—and others—a monument the world will not willingly let die. +Talking of mustard, sir, I was at Clapham Junction the other day, and +all the banks are overgrown with horse radish that’s got loose from a +garden somewhere. You know what horseradish is—grows like +wildfire—spreads—spreads. I stood at the end of the platform looking at +the stuff and thinking about it. ‘Like fame,’ I thought, ‘rank and wild +where it isn’t wanted. Why don’t the really good things in life grow +like horseradish?’ I thought. My mind went off in a peculiar way it +does from that to the idea that mustard costs a penny a tin—I bought +some the other day for a ham I had. It came into my head that it would +be ripping good business to use horseradish to adulterate mustard. I +had a sort of idea that I could plunge into business on that, get rich +and come back to my own proper monumental art again. And then I said, +‘But _why_ adulterate? I don’t like the idea of adulteration.’” + +“Shabby,” said my uncle, nodding his head. “Bound to get found out!” + +“And totally unnecessary, too! Why not do up a mixture—three-quarters +pounded horseradish and a quarter mustard—give it a fancy name—and sell +it at twice the mustard price. See? I very nearly started the business +straight away, only something happened. My train came along.” + +“Jolly good ideer,” said my uncle. He looked at me. “That really is an +ideer, George,” he said. + +“Take shavin’s, again! You know that poem of Longfellow’s, sir, that +sounds exactly like the first declension. What is it?—‘Marr’s a maker, +men say!’” + +My uncle nodded and gurgled some quotation that died away. + +“Jolly good poem, George,” he said in an aside to me. + +“Well, it’s about a carpenter and a poetic Victorian child, you know, +and some shavin’s. The child made no end out of the shavin’s. So might +you. Powder ’em. They might be anything. Soak ’em in +jipper,—Xylo-tobacco! Powder’em and get a little tar and turpentinous +smell in,—wood-packing for hot baths—a Certain Cure for the scourge of +Influenza! There’s all these patent grain foods,—what Americans call +cereals. I believe I’m right, sir, in saying they’re sawdust.” + +“No!” said my uncle, removing his cigar; “as far as I can find out it’s +really grain,—spoilt grain.... I’ve been going into that.” + +“Well, there you are!” said Ewart. “Say it’s spoilt grain. It carried +out my case just as well. Your modern commerce is no more buying and +selling than sculpture. It’s mercy—it’s salvation. It’s rescue work! It +takes all sorts of fallen commodities by the hand and raises them. Cana +isn’t in it. You turn water—into Tono-Bungay.” + +“Tono-Bungay’s all right,” said my uncle, suddenly grave. “We aren’t +talking of Tono-Bungay.” + +“Your nephew, sir, is hard; he wants everything to go to a sort of +predestinated end; he’s a Calvinist of Commerce. Offer him a dustbin +full of stuff; he calls it refuse—passes by on the other side. Now +_you_, sir you’d make cinders respect themselves.” + +My uncle regarded him dubiously for a moment. But there was a touch of +appreciation in his eye. + +“Might make ’em into a sort of sanitary brick,” he reflected over his +cigar end. + +“Or a friable biscuit. Why _not?_ You might advertise: ‘Why are Birds +so Bright? Because they digest their food perfectly! Why do they digest +their food so perfectly? Because they have a gizzard! Why hasn’t man a +gizzard? Because he can buy Ponderevo’s Asphalt Triturating, Friable +Biscuit—Which is Better.’” + +He delivered the last words in a shout, with his hairy hand flourished +in the air.... + +“Damn clever fellow,” said my uncle, after he had one. “I know a man +when I see one. He’d do. But drunk, I should say. But that only makes +some chap brighter. If he WANTS to do that poster, he can. Zzzz. That +ideer of his about the horseradish. There’s something in that, George. +I’m going to think over that....” + +I may say at once that my poster project came to nothing in the end, +though Ewart devoted an interesting week to the matter. He let his +unfortunate disposition to irony run away with him. He produced a +picture of two beavers with a subtle likeness, he said, to myself and +my uncle—the likeness to my uncle certainly wasn’t half bad—and they +were bottling rows and rows of Tono-Bungay, with the legend “Modern +commerce.” It certainly wouldn’t have sold a case, though he urged it +on me one cheerful evening on the ground that it would “arouse +curiosity.” In addition he produced a quite shocking study of my uncle, +excessively and needlessly nude, but, so far as I was able to judge, an +admirable likeness, engaged in feats of strength of a Gargantuan type +before an audience of deboshed and shattered ladies. The legend, +“Health, Beauty, Strength,” below, gave a needed point to his parody. +This he hung up in the studio over the oil shop, with a flap of brown +paper; by way of a curtain over it to accentuate its libellous offence. + + + + +CHAPTER THE FOURTH +MARION + + +I + +As I look back on those days in which we built up the great Tono-Bungay +property out of human hope and credit for bottles and rent and +printing, I see my life as it were arranged in two parallel columns of +unequal width, a wider, more diffused, eventful and various one which +continually broadens out, the business side of my life, and a narrow, +darker and darkling one shot ever and again with a gleam of happiness, +my home-life with Marion. For, of course, I married Marion. + +I didn’t, as a matter of fact, marry her until a year after Tono-Bungay +was thoroughly afloat, and then only after conflicts and discussions of +a quite strenuous sort. By that time I was twenty-four. It seems the +next thing to childhood now. We were both in certain directions +unusually ignorant and simple; we were temperamentally antagonistic, +and we hadn’t—I don’t think we were capable of—an idea in common. She +was young and extraordinarily conventional—she seemed never to have an +idea of her own but always the idea of her class—and I was young and +sceptical, enterprising and passionate; the two links that held us +together were the intense appeal her physical beauty had for me, and +her appreciation of her importance in my thoughts. There can be no +doubt of my passion for her. In her I had discovered woman desired. The +nights I have lain awake on account of her, writhing, biting my wrists +in a fever of longing! ... + +I have told how I got myself a silk hat and black coat to please her on +Sunday—to the derision of some of my fellow-students who charged to +meet me, and how we became engaged. But that was only the beginning of +our difference. To her that meant the beginning of a not unpleasant +little secrecy, an occasional use of verbal endearments, perhaps even +kisses. It was something to go on indefinitely, interfering in no way +with her gossiping spells of work at Smithie’s. To me it was a pledge +to come together into the utmost intimacy of soul and body so soon as +we could contrive it.... + +I don’t know if it will strike the reader that I am setting out to +discuss the queer, unwise love relationship and my bungle of a marriage +with excessive solemnity. But to me it seems to reach out to vastly +wider issues than our little personal affair. I’ve thought over my +life. In these last few years I’ve tried to get at least a little +wisdom out of it. And in particular I’ve thought over this part of my +life. I’m enormously impressed by the ignorant, unguided way in which +we two entangled ourselves with each other. It seems to me the queerest +thing in all this network of misunderstandings and misstatements and +faulty and ramshackle conventions which makes up our social order as +the individual meets it, that we should have come together so +accidentally and so blindly. Because we were no more than samples of +the common fate. Love is not only the cardinal fact in the individual +life, but the most important concern of the community; after all, the +way in which the young people of this generation pair off determines +the fate of the nation; all the other affairs of the State are +subsidiary to that. And we leave it to flushed and blundering youth to +stumble on its own significance, with nothing to guide in but shocked +looks and sentimental twaddle and base whisperings and cant-smeared +examples. + +I have tried to indicate something of my own sexual development in the +preceding chapter. Nobody was ever frank and decent with me in this +relation; nobody, no book, ever came and said to me thus and thus is +the world made, and so and so is necessary. Everything came obscurely, +indefinitely, perplexingly; and all I knew of law or convention in the +matter had the form of threatenings and prohibitions. Except through +the furtive, shameful talk of my coevals at Goudhurst and Wimblehurst, +I was not even warned against quite horrible dangers. My ideas were +made partly of instinct, partly of a romantic imagination, partly woven +out of a medley of scraps of suggestion that came to me haphazard. I +had read widely and confusedly “Vathek,” Shelley, Tom Paine, Plutarch, +Carlyle, Haeckel, William Morris, the Bible, the _Freethinker_, the +_Clarion_, “The Woman Who Did,”—I mention the ingredients that come +first to mind. All sorts of ideas were jumbled up in me and never a +lucid explanation. But it was evident to me that the world regarded +Shelley, for example, as a very heroic as well as beautiful person; and +that to defy convention and succumb magnificently to passion was the +proper thing to do to gain the respect and affection of all decent +people. + +And the make-up of Marion’s mind in the matter was an equally +irrational affair. Her training had been one, not simply of silences, +but suppressions. An enormous force of suggestion had so shaped her +that the intense natural fastidiousness of girlhood had developed into +an absolute perversion of instinct. For all that is cardinal in this +essential business of life she had one inseparable epithet—“horrid.” +Without any such training she would have been a shy lover, but now she +was an impossible one. For the rest she had derived, I suppose, partly +from the sort of fiction she got from the Public Library, and partly +from the workroom talk at Smithie’s. So far as the former origin went, +she had an idea of love as a state of worship and service on the part +of the man and of condescension on the part of the woman. There was +nothing “horrid” about it in any fiction she had read. The man gave +presents, did services, sought to be in every way delightful. The woman +“went out” with him, smiled at him, was kissed by him in decorous +secrecy, and if he chanced to offend, denied her countenance and +presence. Usually she did something “for his good” to him, made him go +to church, made him give up smoking or gambling, smartened him up. +Quite at the end of the story came a marriage, and after that the +interest ceased. + +That was the tenor of Marion’s fiction; but I think the work-table +conversation at Smithie’s did something to modify that. At Smithie’s it +was recognised, I think, that a “fellow” was a possession to be +desired; that it was better to be engaged to a fellow than not; that +fellows had to be kept—they might be mislaid, they might even be +stolen. There was a case of stealing at Smithie’s, and many tears. + +Smithie I met before we were married, and afterwards she became a +frequent visitor to our house at Ealing. She was a thin, bright-eyed, +hawk-nosed girl of thirtyodd, with prominent teeth, a high-pitched, +eager voice and a disposition to be urgently smart in her dress. Her +hats were startling and various, but invariably disconcerting, and she +talked in a rapid, nervous flow that was hilarious rather than witty, +and broken by little screams of “Oh, my _dear!_” and “you never did!” +She was the first woman I ever met who used scent. Poor old Smithie! +What a harmless, kindly soul she really was, and how heartily I +detested her! Out of the profits on the Persian robes she supported a +sister’s family of three children, she “helped” a worthless brother, +and overflowed in help even to her workgirls, but that didn’t weigh +with me in those youthfully-narrow times. It was one of the intense +minor irritations of my married life that Smithie’s whirlwind chatter +seemed to me to have far more influence with Marion than anything I had +to say. Before all things I coveted her grip upon Marion’s inaccessible +mind. + +In the workroom at Smithie’s, I gathered, they always spoke of me +demurely as “A Certain Person.” I was rumoured to be dreadfully +“clever,” and there were doubts—not altogether without justification—of +the sweetness of my temper. + +II + +Well, these general explanations will enable the reader to understand +the distressful times we two had together when presently I began to +feel on a footing with Marion and to fumble conversationally for the +mind and the wonderful passion I felt, obstinately and stupidity, must +be in her. I think she thought me the maddest of sane men; “clever,” in +fact, which at Smithie’s was, I suppose, the next thing to insanity, a +word intimating incomprehensible and incalculable motives.... She could +be shocked at anything, she misunderstood everything, and her weapon +was a sulky silence that knitted her brows, spoilt her mouth and robbed +her face of beauty. “Well, if we can’t agree, I don’t see why you +should go on talking,” she used to say. That would always enrage me +beyond measure. Or, “I’m afraid I’m not clever enough to understand +that.” + +Silly little people! I see it all now, but then I was no older than she +and I couldn’t see anything but that Marion, for some inexplicable +reason, wouldn’t come alive. + +We would contrive semi-surreptitious walks on Sunday, and part +speechless with the anger of indefinable offences. Poor Marion! The +things I tried to put before her, my fermenting ideas about theology, +about Socialism, about aesthetics—the very words appalled her, gave her +the faint chill of approaching impropriety, the terror of a very +present intellectual impossibility. Then by an enormous effort I would +suppress myself for a time and continue a talk that made her happy, +about Smithie’s brother, about the new girl who had come to the +workroom, about the house we would presently live in. But there we +differed a little. I wanted to be accessible to St. Paul’s or Cannon +Street Station, and she had set her mind quite resolutely upon +Ealing.... It wasn’t by any means quarreling all the time, you +understand. She liked me to play the lover “nicely”; she liked the +effect of going about—we had lunches, we went to Earl’s Court, to Kew, +to theatres and concerts, but not often to concerts, because, though +Marion “liked” music, she didn’t like “too much of it,” to picture +shows—and there was a nonsensical sort of babytalk I picked up—I forget +where now—that became a mighty peacemaker. + +Her worst offence for me was an occasional excursion into the Smithie +style of dressing, debased West Kensington. For she had no sense at all +of her own beauty. She had no comprehension whatever of beauty of the +body, and she could slash her beautiful lines to rags with hat-brims +and trimmings. Thank Heaven! a natural refinement, a natural timidity, +and her extremely slender purse kept her from the real Smithie +efflorescence! Poor, simple, beautiful, kindly limited Marion! Now that +I am forty-five, I can look back at her with all my old admiration and +none of my old bitterness with a new affection and not a scrap of +passion, and take her part against the equally stupid, +drivingly-energetic, sensuous, intellectual sprawl I used to be. I was +a young beast for her to have married—a hound beast. With her it was my +business to understand and control—and I exacted fellowship, +passion.... + +We became engaged, as I have told; we broke it off and joined again. We +went through a succession of such phases. We had no sort of idea what +was wrong with us. Presently we were formally engaged. I had a +wonderful interview with her father, in which he was stupendously grave +and _h_—less, wanted to know about my origins and was tolerant +(exasperatingly tolerant) because my mother was a servant, and +afterwards her mother took to kissing me, and I bought a ring. But the +speechless aunt, I gathered, didn’t approve—having doubts of my +religiosity. Whenever we were estranged we could keep apart for days; +and to begin with, every such separation was a relief. And then I would +want her; a restless longing would come upon me. I would think of the +flow of her arms, of the soft, gracious bend of her body. I would lie +awake or dream of a transfigured Marion of light and fire. It was +indeed Dame Nature driving me on to womankind in her stupid, inexorable +way; but I thought it was the need of Marion that troubled me. So I +always went back to Marion at last and made it up and more or less +conceded or ignored whatever thing had parted us, and more and more I +urged her to marry me.... + +In the long run that became a fixed idea. It entangled my will and my +pride; I told myself I was not going to be beaten. I hardened to the +business. I think, as a matter of fact, my real passion for Marion had +waned enormously long before we were married, that she had lived it +down by sheer irresponsiveness. When I felt sure of my three hundred a +year she stipulated for delay, twelve months’ delay, “to see how things +would turn out.” There were times when she seemed simply an antagonist +holding out irritatingly against something I had to settle. Moreover, I +began to be greatly distracted by the interest and excitement of +Tono-Bungay’s success, by the change and movement in things, the going +to and fro. I would forget her for days together, and then desire her +with an irritating intensity at last, one Saturday afternoon, after a +brooding morning, I determined almost savagely that these delays must +end. + +I went off to the little home at Walham Green, and made Marion come +with me to Putney Common. Marion wasn’t at home when I got there and I +had to fret for a time and talk to her father, who was just back from +his office, he explained, and enjoying himself in his own way in the +greenhouse. + +“I’m going to ask your daughter to marry me!” I said. “I think we’ve +been waiting long enough.” + +“I don’t approve of long engagements either,” said her father. “But +Marion will have her own way about it, anyhow. Seen this new powdered +fertiliser?” + +I went in to talk to Mrs. Ramboat. “She’ll want time to get her +things,” said Mrs. Ramboat.... + +I and Marion sat down together on a little seat under some trees at the +top of Putney Hill, and I came to my point abruptly. + +“Look here, Marion,” I said, “are you going to marry me or are you +not?” + +She smiled at me. “Well,” she said, “we’re engaged—aren’t we?” + +“That can’t go on for ever. Will you marry me next week?” + +She looked me in the face. “We can’t,” she said. + +“You promised to marry me when I had three hundred a year.” + +She was silent for a space. “Can’t we go on for a time as we are? We +_could_ marry on three hundred a year. But it means a very little +house. There’s Smithie’s brother. They manage on two hundred and fifty, +but that’s very little. She says they have a semi-detached house almost +on the road, and hardly a bit of garden. And the wall to next-door is +so thin they hear everything. When her baby cries—they rap. And people +stand against the railings and talk.... Can’t we wait? You’re doing so +well.” + +An extraordinary bitterness possessed me at this invasion of the +stupendous beautiful business of love by sordid necessity. I answered +her with immense restraint. + +“If,” I said, “we could have a double-fronted, detached house—at +Ealing, say—with a square patch of lawn in front and a garden +behind—and—and a tiled bathroom.” + +“That would be sixty pounds a year at least.” + +“Which means five hundred a year.... Yes, well, you see, I told my +uncle I wanted that, and I’ve got it.” + +“Got what?” + +“Five hundred pounds a year.” + +“Five hundred pounds!” + +I burst into laughter that had more than a taste of bitterness. + +“Yes,” I said, “really! and _now_ what do you think?” + +“Yes,” she said, a little flushed; “but be sensible! Do you really mean +you’ve got a Rise, all at once, of two hundred a year?” + +“To marry on—yes.” + +She scrutinised me a moment. “You’ve done this as a surprise!” she +said, and laughed at my laughter. She had become radiant, and that made +me radiant, too. + +“Yes,” I said, “yes,” and laughed no longer bitterly. + +She clasped her hands and looked me in the eyes. + +She was so pleased that I forgot absolutely my disgust of a moment +before. I forgot that she had raised her price two hundred pounds a +year and that I had bought her at that. + +“Come!” I said, standing up; “let’s go towards the sunset, dear, and +talk about it all. Do you know—this is a most beautiful world, an +amazingly beautiful world, and when the sunset falls upon you it makes +you into shining gold. No, not gold—into golden glass.... Into +something better that either glass or gold.”... + +And for all that evening I wooed her and kept her glad. She made me +repeat my assurances over again and still doubted a little. + +We furnished that double-fronted house from attic—it ran to an attic—to +cellar, and created a garden. + +“Do you know Pampas Grass?” said Marion. “I love Pampas Grass... if +there is room.” + +“You shall have Pampas Grass,” I declared. And there were moments as we +went in imagination about that house together, when my whole being +cried out to take her in my arms—now. But I refrained. On that aspect +of life I touched very lightly in that talk, very lightly because I had +had my lessons. She promised to marry me within two months’ time. +Shyly, reluctantly, she named a day, and next afternoon, in heat and +wrath, we “broke it off” again for the last time. We split upon +procedure. I refused flatly to have a normal wedding with wedding cake, +in white favours, carriages and the rest of it. It dawned upon me +suddenly in conversation with her and her mother, that this was +implied. I blurted out my objection forthwith, and this time it wasn’t +any ordinary difference of opinion; it was a “row.” I don’t remember a +quarter of the things we flung out in that dispute. I remember her +mother reiterating in tones of gentle remonstrance: “But, George dear, +you _must_ have a cake—to send home.” I think we all reiterated things. +I seem to remember a refrain of my own: “A marriage is too sacred a +thing, too private a thing, for this display. Her father came in and +stood behind me against the wall, and her aunt appeared beside the +sideboard and stood with arms, looking from speaker to speaker, a +sternly gratified prophetess. It didn’t occur to me then! How painful +it was to Marion for these people to witness my rebellion. + +“But, George,” said her father, “what sort of marriage do you want? You +don’t want to go to one of those there registry offices?” + +“That’s exactly what I’d like to do. Marriage is too private a thing—” + +“I shouldn’t feel married,” said Mrs. Ramboat. + +“Look here, Marion,” I said; “we are going to be married at a registry +office. I don’t believe in all these fripperies and superstitions, and +I won’t submit to them. I’ve agreed to all sorts of things to please +you.” + +“What’s he agreed to?” said her father—unheeded. + +“I can’t marry at a registry office,” said Marion, sallow-white. + +“Very well,” I said. “I’ll marry nowhere else.” + +“I can’t marry at a registry office.” + +“Very well,” I said, standing up, white and tense and it amazed me, but +I was also exultant; “then we won’t marry at all.” + +She leant forward over the table, staring blankly. But presently her +half-averted face began to haunt me as she had sat at the table, and +her arm and the long droop of her shoulder. + +III + +The next day I did an unexampled thing. I sent a telegram to my uncle, +“_Bad temper not coming to business_,” and set off for Highgate and +Ewart. He was actually at work—on a bust of Millie, and seemed very +glad for any interruption. + +“Ewart, you old Fool,” I said, “knock off and come for a day’s gossip. +I’m rotten. There’s a sympathetic sort of lunacy about you. Let’s go to +Staines and paddle up to Windsor.” + +“Girl?” said Ewart, putting down a chisel. + +“Yes.” + +That was all I told him of my affair. + +“I’ve got no money,” he remarked, to clear up ambiguity in my +invitation. + +We got a jar of shandy-gaff, some food, and, on Ewart’s suggestion, two +Japanese sunshades in Staines; we demanded extra cushions at the +boathouse and we spent an enormously soothing day in discourse and +meditation, our boat moored in a shady place this side of Windsor. I +seem to remember Ewart with a cushion forward, only his heels and +sunshade and some black ends of hair showing, a voice and no more, +against the shining, smoothly-streaming mirror of the trees and bushes. + +“It’s not worth it,” was the burthen of the voice. “You’d better get +yourself a Millie, Ponderevo, and then you wouldn’t feel so upset.” + +“No,” I said decidedly, “that’s not my way.” + +A thread of smoke ascended from Ewart for a while, like smoke from an +altar. + +“Everything’s a muddle, and you think it isn’t. Nobody knows where we +are—because, as a matter of fact we aren’t anywhere. Are women +property—or are they fellow-creatures? Or a sort of proprietary +goddesses? They’re so obviously fellow-creatures. You believe in the +goddess?” + +“No,” I said, “that’s not my idea.” + +“What is your idea?” + +“Well” + +“H’m,” said Ewart, in my pause. + +“My idea,” I said, “is to meet one person who will belong to me—to whom +I shall belong—body and soul. No half-gods! Wait till she comes. If she +comes at all.... We must come to each other young and pure.” + +“There’s no such thing as a pure person or an impure person.... Mixed +to begin with.” + +This was so manifestly true that it silenced me altogether. + +“And if you belong to her and she to you, Ponderevo—which end’s the +head?” + +I made no answer except an impatient “oh!” + +For a time we smoked in silence.... + +“Did I tell you, Ponderevo, of a wonderful discovery I’ve made?” Ewart +began presently. + +“No,” I said, “what is it?” + +“There’s no Mrs. Grundy.” + +“No?” + +“No! Practically not. I’ve just thought all that business out. She’s +merely an instrument, Ponderevo. She’s borne the blame. Grundy’s a man. +Grundy unmasked. Rather lean and out of sorts. Early middle age. With +bunchy black whiskers and a worried eye. Been good so far, and it’s +fretting him! Moods! There’s Grundy in a state of sexual panic, for +example,—‘For God’s sake cover it up! They get together—they get +together! It’s too exciting! The most dreadful things are happening!’ +Rushing about—long arms going like a windmill. ‘They must be kept +apart!’ Starts out for an absolute obliteration of everything absolute +separations. One side of the road for men, and the other for women, and +a hoarding—without posters between them. Every boy and girl to be sewed +up in a sack and sealed, just the head and hands and feet out until +twenty-one. Music abolished, calico garments for the lower animals! +Sparrows to be suppressed—ab-so-lutely.” + +I laughed abruptly. + +“Well, that’s Mr. Grundy in one mood—and it puts Mrs. Grundy—She’s a +much-maligned person, Ponderevo—a rake at heart—and it puts her in a +most painful state of fluster—most painful! She’s an amenable creature. +When Grundy tells her things are shocking, she’s shocked—pink and +breathless. She goes about trying to conceal her profound sense of +guilt behind a haughty expression.... + +“Grundy, meanwhile, is in a state of complete whirlabout. Long lean +knuckly hands pointing and gesticulating! ‘They’re still thinking of +things—thinking of things! It’s dreadful. They get it out of books. I +can’t imagine where they get it! I must watch! There’re people over +there whispering! Nobody ought to whisper!—There’s something suggestive +in the mere act! Then, pictures! In the museum—things too dreadful for +words. Why can’t we have pure art—with the anatomy all wrong and pure +and nice—and pure fiction pure poetry, instead of all this stuff with +allusions—allusions?... Excuse me! There’s something up behind that +locked door! The keyhole! In the interests of public morality—yes, Sir, +as a pure good man—I insist—_I’ll_ look—it won’t hurt me—I insist on +looking my duty—M’m’m—the keyhole!’” + +He kicked his legs about extravagantly, and I laughed again. + +“That’s Grundy in one mood, Ponderevo. It isn’t Mrs. Grundy. That’s one +of the lies we tell about women. They’re too simple. Simple! Woman ARE +simple! They take on just what men tell ’em.” + +Ewart meditated for a space. “Just exactly as it’s put to them,” he +said, and resumed the moods of Mr. Grundy. + +“Then you get old Grundy in another mood. Ever caught him nosing, +Ponderevo? Mad with the idea of mysterious, unknown, wicked, delicious +things. Things that aren’t respectable. Wow! Things he mustn’t do!... +Any one who knows about these things, knows there’s just as much +mystery and deliciousness about Grundy’s forbidden things as there is +about eating ham. Jolly nice if it’s a bright morning and you’re well +and hungry and having breakfast in the open air. Jolly unattractive if +you’re off colour. But Grundy’s covered it all up and hidden it and put +mucky shades and covers over it until he’s forgotten it. Begins to +fester round it in his mind. Has dreadful struggles—with himself about +impure thoughts.... Then you set Grundy with hot ears,—curious in +undertones. Grundy on the loose, Grundy in a hoarse whisper and with +furtive eyes and convulsive movements—making things indecent. +Evolving—in dense vapours—indecency! + +“Grundy sins. Oh, yes, he’s a hypocrite. Sneaks round a corner and sins +ugly. It’s Grundy and his dark corners that make vice, vice! We +artists—we have no vices. + +“And then he’s frantic with repentance. And wants to be cruel to fallen +women and decent harmless sculptors of the simple nude—like me—and so +back to his panic again.” + +“Mrs. Grundy, I suppose, doesn’t know he sins,” I remarked. + +“No? I’m not so sure.... But, bless her heart she’s a woman.... She’s a +woman. Then again you get Grundy with a large greasy smile—like an +accident to a butter tub—all over his face, being Liberal Minded—Grundy +in his Anti-Puritan moments, ‘trying not to see Harm in it’—Grundy the +friend of innocent pleasure. He makes you sick with the Harm he’s +trying not to see in it... + +“And that’s why everything’s wrong, Ponderevo. Grundy, damn him! stands +in the light, and we young people can’t see. His moods affect us. We +catch his gusts of panic, his disease of nosing, his greasiness. We +don’t know what we may think, what we may say, he does his silly utmost +to prevent our reading and seeing the one thing, the one sort of +discussion we find—quite naturally and properly—supremely interesting. +So we don’t adolescence; we blunder up to sex. Dare—dare to look—and he +may dirt you for ever! The girls are terror-stricken to silence by his +significant whiskers, by the bleary something in his eyes.” + +Suddenly Ewart, with an almost Jack-in-the-box effect, sat up. + +“He’s about us everywhere, Ponderevo,” he said, very solemnly. +“Sometimes—sometimes I think he is—in our blood. In _mine_.” + +He regarded me for my opinion very earnestly, with his pipe in the +corner of his mouth. + +“You’re the remotest cousin he ever had,” I said. + +I reflected. “Look here, Ewart,” I asked, “how would you have things +different?” + +He wrinkled up his queer face, regarded the wait and made his pipe +gurgle for a space, thinking deeply. + +“There are complications, I admit. We’ve grown up under the terror of +Grundy and that innocent but docile and—yes—formidable lady, his wife. +I don’t know how far the complications aren’t a disease, a sort of +bleaching under the Grundy shadow.... It is possible there are things I +have still to learn about women.... Man has eaten of the Tree of +Knowledge. His innocence is gone. You can’t have your cake and eat it. +We’re in for knowledge; let’s have it plain and straight. I should +begin, I think, by abolishing the ideas of decency and indecency....” + +“Grundy would have fits!” I injected. + +“Grundy, Ponderevo, would have cold douches—publicly—if the sight was +not too painful—three times a day.... But I don’t think, mind you, that +I should let the sexes run about together. No. The fact behind the +sexes—is sex. It’s no good humbugging. It trails about—even in the best +mixed company. Tugs at your ankle. The men get showing off and +quarrelling—and the women. Or they’re bored. I suppose the ancestral +males have competed for the ancestral females ever since they were both +some sort of grubby little reptile. You aren’t going to alter that in a +thousand years or so.... Never should you have a mixed company, +never—except with only one man or only one woman. How would that be?... + +“Or duets only?... + +“How to manage it? Some rule of etiquette, perhaps.”... He became +portentously grave. + +Then his long hand went out in weird gestures. + +“I seem to see—I seem to see—a sort of City of Women, Ponderevo. +Yes.... A walled enclosure—good stone-mason’s work—a city wall, high as +the walls of Rome, going about a garden. Dozens of square miles of +garden—trees—fountains—arbours—lakes. Lawns on which the women play, +avenues in which they gossip, boats.... Women like that sort of thing. +Any woman who’s been to a good eventful girls’ school lives on the +memory of it for the rest of her life. It’s one of the pathetic things +about women—the superiority of school and college—to anything they get +afterwards. And this city-garden of women will have beautiful places +for music, places for beautiful dresses, places for beautiful work. +Everything a woman can want. Nurseries. Kindergartens. Schools. And no +man—except to do rough work, perhaps—ever comes in. The men live in a +world where they can hunt and engineer, invent and mine and +manufacture, sail ships, drink deep and practice the arts, and fight—” + +“Yes,” I said, “but—” + +He stilled me with a gesture. + +“I’m coming to that. The homes of the women, Ponderevo, will be set in +the wall of their city; each woman will have her own particular house +and home, furnished after her own heart in her own manner—with a little +balcony on the outside wall. Built into the wall—and a little balcony. +And there she will go and look out, when the mood takes her, and all +round the city there will be a broad road and seats and great shady +trees. And men will stroll up and down there when they feel the need of +feminine company; when, for instance, they want to talk about their +souls or their characters or any of the things that only women will +stand.... The women will lean over and look at the men and smile and +talk to them as they fancy. And each woman will have this; she will +have a little silken ladder she can let down if she chooses—if she +wants to talk closer...” + +“The men would still be competing.” + +“There perhaps—yes. But they’d have to abide by the women’s decisions.” + +I raised one or two difficulties, and for a while we played with this +idea. + +“Ewart,” I said, “this is like Doll’s Island. + +“Suppose,” I reflected, “an unsuccessful man laid siege to a balcony +and wouldn’t let his rival come near it?” + +“Move him on,” said Ewart, “by a special regulation. As one does +organ-grinders. No difficulty about that. And you could forbid it—make +it against the etiquette. No life is decent without etiquette.... And +people obey etiquette sooner than laws...” + +“H’m,” I said, and was struck by an idea that is remote in the world of +a young man. “How about children?” I asked; “in the City? Girls are all +very well. But boys, for example—grow up.” + +“Ah!” said Ewart. “Yes. I forgot. They mustn’t grow up inside.... +They’d turn out the boys when they were seven. The father must come +with a little pony and a little gun and manly wear, and take the boy +away. Then one could come afterwards to one’s mother’s balcony.... It +must be fine to have a mother. The father and the son...” + +“This is all very pretty in its way,” I said at last, “but it’s a +dream. Let’s come back to reality. What I want to know is, what are you +going to do in Brompton, let us say, or Walham Green _now?_” + +“Oh! damn it!” he remarked, “Walham Green! What a chap you are, +Ponderevo!” and he made an abrupt end to his discourse. He wouldn’t +even reply to my tentatives for a time. + +“While I was talking just now,” he remarked presently, + +“I had a quite different idea.” + +“What?” + +“For a masterpiece. A series. Like the busts of the Cæsars. Only not +heads, you know. We don’t see the people who do things to us +nowadays...” + +“How will you do it, then?” + +“Hands—a series of hands! The hands of the Twentieth Century. I’ll do +it. Some day some one will discover it—go there—see what I have done, +and what is meant by it.” + +“See it where?” + +“On the tombs. Why not? The Unknown Master of the Highgate Slope! All +the little, soft feminine hands, the nervous ugly males, the hands of +the flops, and the hands of the snatchers! And Grundy’s loose, lean, +knuckly affair—Grundy the terror!—the little wrinkles and the thumb! +Only it ought to hold all the others together—in a slightly disturbing +squeeze....Like Rodin’s great Hand—you know the thing!” + +IV + +I forget how many days intervened between that last breaking off of our +engagement and Marion’s surrender. But I recall now the sharpness of my +emotion, the concentrated spirit of tears and laughter in my throat as +I read the words of her unexpected letter—“I have thought over +everything, and I was selfish....” I rushed off to Walham Green that +evening to give back all she had given me, to beat her altogether at +giving. She was extraordinarily gentle and generous that time, I +remember, and when at last I left her, she kissed me very sweetly. + +So we were married. + +We were married with all the customary incongruity. I gave—perhaps +after a while not altogether ungrudgingly—and what I gave, Marion took, +with a manifest satisfaction. After all, I was being sensible. So that +we had three livery carriages to the church (one of the pairs of horses +matched) and coachmen—with improvised flavour and very shabby silk +hats—bearing white favours on their whips, and my uncle intervened with +splendour and insisted upon having a wedding breakfast sent in from a +caterer’s in Hammersmith. The table had a great display of +chrysanthemums, and there was orange blossom in the significant place +and a wonderful cake. We also circulated upwards of a score of wedges +of that accompanied by silver-printed cards in which Marion’s name of +Ramboat was stricken out by an arrow in favour of Ponderevo. We had a +little rally of Marion’s relations, and several friends and friends’ +friends from Smithie’s appeared in the church and drifted vestry-ward. +I produced my aunt and uncle a select group of two. The effect in that +shabby little house was one of exhilarating congestion. The side-board, +in which lived the table-cloth and the “Apartments” card, was used for +a display of the presents, eked out by the unused balance of the +silver-printed cards. + +Marion wore the white raiment of a bride, white silk and satin, that +did not suit her, that made her seem large and strange to me; she +obtruded bows and unfamiliar contours. She went through all this +strange ritual of an English wedding with a sacramental gravity that I +was altogether too young and egotistical to comprehend. It was all +extraordinarily central and important to her; it was no more than an +offensive, complicated, and disconcerting intrusion of a world I was +already beginning to criticise very bitterly, to me. What was all this +fuss for? The mere indecent advertisement that I had been passionately +in love with Marion! I think, however, that Marion was only very +remotely aware of my smouldering exasperation at having in the end +behaved “nicely.” I had played—up to the extent of dressing my part; I +had an admirably cut frock—coat, a new silk hat, trousers as light as I +could endure them—lighter, in fact—a white waistcoat, night tie, light +gloves. Marion, seeing me despondent had the unusual enterprise to +whisper to me that I looked lovely; I knew too well I didn’t look +myself. I looked like a special coloured supplement to _Men’s Wear_, or +_The Tailor and Cutter_, Full Dress For Ceremonial Occasions. I had +even the disconcerting sensations of an unfamiliar collar. I felt +lost—in a strange body, and when I glanced down myself for reassurance, +the straight white abdomen, the alien legs confirmed that impression. + +My uncle was my best man, and looked like a banker—a little banker—in +flower. He wore a white rose in his buttonhole. He wasn’t, I think, +particularly talkative. At least I recall very little from him. + +“George” he said once or twice, “this is a great occasion for you—a +very great occasion.” He spoke a little doubtfully. + +You see I had told him nothing about Marion until about a week before +the wedding; both he and my aunt had been taken altogether by surprise. +They couldn’t, as people say, “make it out.” My aunt was intensely +interested, much more than my uncle; it was then, I think, for the +first time that I really saw that she cared for me. She got me alone, I +remember, after I had made my announcement. “Now, George,” she said, +“tell me everything about her. Why didn’t you tell—ME at least—before?” + +I was surprised to find how difficult it was to tell her about Marion. +I perplexed her. + +“Then is she beautiful?” she asked at last. + +“I don’t know what you’ll think of her,” I parried. “I think—” + +“Yes?” + +“I think she might be the most beautiful person in the world.” + +“And isn’t she? To you?” + +“Of course,” I said, nodding my head. “Yes. She IS...” + +And while I don’t remember anything my uncle said or did at the +wedding, I do remember very distinctly certain little things, scrutiny, +solicitude, a curious rare flash of intimacy in my aunt’s eyes. It +dawned on me that I wasn’t hiding anything from her at all. She was +dressed very smartly, wearing a big-plumed hat that made her neck seem +longer and slenderer than ever, and when she walked up the aisle with +that rolling stride of hers and her eye all on Marion, perplexed into +self-forgetfulness, it wasn’t somehow funny. She was, I do believe, +giving my marriage more thought than I had done, she was concerned +beyond measure at my black rage and Marion’s blindness, she was looking +with eyes that knew what loving is—for love. + +In the vestry she turned away as we signed, and I verily believe she +was crying, though to this day I can’t say why she should have cried, +and she was near crying too when she squeezed my hand at parting—and +she never said a word or looked at me, but just squeezed my hand.... + +If I had not been so grim in spirit, I think I should have found much +of my wedding amusing. I remember a lot of ridiculous detail that still +declines to be funny in my memory. The officiating clergyman had a +cold, and turned his “n’s” to “d’s,” and he made the most mechanical +compliment conceivable about the bride’s age when the register was +signed. Every bride he had ever married had had it, one knew. And two +middle-aged spinsters, cousins of Marion’s and dressmakers at Barking, +stand out. They wore marvellously bright and gay blouses and dim old +skirts, and had an immense respect for Mr. Ramboat. They threw rice; +they brought a whole bag with them and gave handfuls away to unknown +little boys at the church door and so created a Lilliputian riot; and +one had meant to throw a slipper. It was a very warm old silk slipper, +I know, because she dropped it out of a pocket in the aisle—there was a +sort of jumble in the aisle—and I picked it up for her. I don’t think +she actually threw it, for as we drove away from the church I saw her +in a dreadful, and, it seemed to me, hopeless, struggle with her +pocket; and afterwards my eye caught the missile of good fortune lying, +it or its fellow, most obviously mislaid, behind the umbrella-stand in +the hall.... + +The whole business was much more absurd, more incoherent, more human +than I had anticipated, but I was far too young and serious to let the +latter quality atone for its shortcomings. I am so remote from this +phase of my youth that I can look back at it all as dispassionately as +one looks at a picture—at some wonderful, perfect sort of picture that +is inexhaustible; but at the time these things filled me with +unspeakable resentment. Now I go round it all, look into its details, +generalise about its aspects. I’m interested, for example, to square it +with my Bladesover theory of the British social scheme. Under stress of +tradition we were all of us trying in the fermenting chaos of London to +carry out the marriage ceremonies of a Bladesover tenant or one of the +chubby middling sort of people in some dependent country town. There a +marriage is a public function with a public significance. There the +church is to a large extent the gathering-place of the community, and +your going to be married a thing of importance to every one you pass on +the road. It is a change of status that quite legitimately interests +the whole neighbourhood. But in London there are no neighbours, nobody +knows, nobody cares. An absolute stranger in an office took my notice, +and our banns were proclaimed to ears that had never previously heard +our names. The clergyman, even, who married us had never seen us +before, and didn’t in any degree intimate that he wanted to see us +again. + +Neighbours in London! The Ramboats did not know the names of the people +on either side of them. As I waited for Marion before we started off +upon our honeymoon flight, Mr. Ramboat, I remember, came and stood +beside me and stared out of the window. + +“There was a funeral over there yesterday,” he said, by way of making +conversation, and moved his head at the house opposite. “Quite a smart +affair it was with a glass ’earse....” + +And our little procession of three carriages with white-favour-adorned +horses and drivers, went through all the huge, noisy, indifferent +traffic like a lost china image in the coal-chute of an ironclad. +Nobody made way for us, nobody cared for us; the driver of an omnibus +jeered; for a long time we crawled behind an unamiable dust-cart. The +irrelevant clatter and tumult gave a queer flavour of indecency to this +public coming together of lovers. We seemed to have obtruded ourselves +shamelessly. The crowd that gathered outside the church would have +gathered in the same spirit and with greater alacrity for a street +accident.... + +At Charing Cross—we were going to Hastings—the experienced eye of the +guard detected the significance of our unusual costume and he secured +us a compartment. + +“Well,” said I, as the train moved out of the station, “_That’s_ all +over!” And I turned to Marion—a little unfamiliar still, in her +unfamiliar clothes—and smiled. + +She regarded me gravely, timidly. + +“You’re not cross?” she asked. + +“Cross! Why?” + +“At having it all proper.” + +“My dear Marion!” said I, and by way of answer took and kissed her +white-gloved, leather-scented hand.... + +I don’t remember much else about the journey, an hour or so it was of +undistinguished time—for we were both confused and a little fatigued +and Marion had a slight headache and did not want caresses. I fell into +a reverie about my aunt, and realised as if it were a new discovery, +that I cared for her very greatly. I was acutely sorry I had not told +her earlier of my marriage. + +But you will not want to hear the history of my honeymoon. I have told +all that was needed to serve my present purpose. Thus and thus it was +the Will in things had its way with me. Driven by forces I did not +understand, diverted altogether from the science, the curiosities and +work to which I had once given myself, I fought my way through a tangle +of traditions, customs, obstacles and absurdities, enraged myself, +limited myself, gave myself to occupations I saw with the clearest +vision were dishonourable and vain, and at last achieved the end of +purblind Nature, the relentless immediacy of her desire, and held, far +short of happiness, Marion weeping and reluctant in my arms. + +V + +Who can tell the story of the slow estrangement of two married people, +the weakening of first this bond and then that of that complex contact? +Least of all can one of the two participants. Even now, with an +interval of fifteen years to clear it up for me, I still find a mass of +impressions of Marion as confused, as discordant, as unsystematic and +self-contradictory as life. I think of this thing and love her, of that +and hate her—of a hundred aspects in which I can now see her with an +unimpassioned sympathy. As I sit here trying to render some vision of +this infinitely confused process, I recall moments of hard and fierce +estrangement, moments of clouded intimacy, the passage of transition +all forgotten. We talked a little language together whence were +“friends,” and I was “Mutney” and she was “Ming,” and we kept up such +an outward show that till the very end Smithie thought our household +the most amiable in the world. + +I cannot tell to the full how Marion thwarted me and failed in that +life of intimate emotions which is the kernel of love. That life of +intimate emotions is made up of little things. A beautiful face differs +from an ugly one by a difference of surfaces and proportions that are +sometimes almost infinitesimally small. I find myself setting down +little things and little things; none of them do more than demonstrate +those essential temperamental discords I have already sought to make +clear. Some readers will understand—to others I shall seem no more than +an unfeeling brute who couldn’t make allowances.... It’s easy to make +allowances now; but to be young and ardent and to make allowances, to +see one’s married life open before one, the life that seemed in its +dawn a glory, a garden of roses, a place of deep sweet mysteries and +heart throbs and wonderful silences, and to see it a vista of +tolerations and baby-talk; a compromise, the least effectual thing in +all one’s life. + +Every love romance I read seemed to mock our dull intercourse, every +poem, every beautiful picture reflected upon the uneventful succession +of grey hours we had together. I think our real difference was one of +aesthetic sensibility. + +I do still recall as the worst and most disastrous aspect of all that +time, her absolute disregard of her own beauty. It’s the pettiest thing +to record, I know, but she could wear curl-papers in my presence. It +was her idea, too, to “wear out” her old clothes and her failures at +home when “no one was likely to see her”—“no one” being myself. She +allowed me to accumulate a store of ungracious and slovenly +memories.... + +All our conceptions of life differed. I remember how we differed about +furniture. We spent three or four days in Tottenham Court Road, and she +chose the things she fancied with an inexorable resolution,—sweeping +aside my suggestions with—“Oh, _you_ want such queer things.” She +pursued some limited, clearly seen and experienced ideal—that excluded +all other possibilities. Over every mantel was a mirror that was +draped, our sideboard was wonderfully good and splendid with beveled +glass, we had lamps on long metal stalks and cozy corners and plants in +grog-tubs. Smithie approved it all. There wasn’t a place where one +could sit and read in the whole house. My books went upon shelves in +the dining-room recess. And we had a piano though Marion’s playing was +at an elementary level. + +You know, it was the cruelest luck for Marion that I, with my +restlessness, my scepticism, my constantly developing ideas, had +insisted on marriage with her. She had no faculty of growth or change; +she had taken her mould, she had set in the limited ideas of her +peculiar class. She preserved her conception of what was right in +drawing-room chairs and in marriage ceremonial and in every relation of +life with a simple and luminous honesty and conviction, with an immense +unimaginative inflexibility—as a tailor-bird builds its nest or a +beaver makes its dam. + +Let me hasten over this history of disappointments and separation. I +might tell of waxings and waning of love between us, but the whole was +waning. Sometimes she would do things for me, make me a tie or a pair +of slippers, and fill me with none the less gratitude because the +things were absurd. She ran our home and our one servant with a hard, +bright efficiency. She was inordinately proud of house and garden. +Always, by her lights, she did her duty by me. + +Presently the rapid development of Tono-Bungay began to take me into +the provinces, and I would be away sometimes for a week together. This +she did not like; it left her “dull,” she said, but after a time she +began to go to Smithie’s again and to develop an independence of me. At +Smithie’s she was now a woman with a position; she had money to spend. +She would take Smithie to theatres and out to lunch and talk +interminably of the business, and Smithie became a sort of permanent +weekender with us. Also Marion got a spaniel and began to dabble with +the minor arts, with poker-work and a Kodak and hyacinths in glasses. +She called once on a neighbour. Her parents left Walham Green—her +father severed his connection with the gas-works—and came to live in a +small house I took for them near us, and they were much with us. + +Odd the littleness of the things that exasperate when the fountains of +life are embittered! My father-in-law was perpetually catching me in +moody moments and urging me to take to gardening. He irritated me +beyond measure. + +“You think too much,” he would say. “If you was to let in a bit with a +spade, you might soon ’ave that garden of yours a Vision of Flowers. +That’s better than thinking, George.” + +Or in a torrent of exasperation, “I CARN’T think, George, why you don’t +get a bit of glass ’ere. This sunny corner you c’d do wonders with a +bit of glass.” + +And in the summer time he never came in without performing a sort of +conjuring trick in the hall, and taking cucumbers and tomatoes from +unexpected points of his person. “All out o’ MY little bit,” he’d say +in exemplary tones. He left a trail of vegetable produce in the most +unusual places, on mantel boards, sideboards, the tops of pictures. +Heavens! how the sudden unexpected tomato could annoy me!... + +It did much to widen our estrangement that Marion and my aunt failed to +make friends, became, by a sort of instinct, antagonistic. + +My aunt, to begin with, called rather frequently, for she was really +anxious to know Marion. At first she would arrive like a whirlwind and +pervade the house with an atmosphere of hello! She dressed already with +that cheerfully extravagant abandon that signalised her accession to +fortune, and dressed her best for these visits. + +She wanted to play the mother to me, I fancy, to tell Marion occult +secrets about the way I wore out my boots and how I never could think +to put on thicker things in cold weather. But Marion received her with +that defensive suspiciousness of the shy person, thinking only of the +possible criticism of herself; and my aunt, perceiving this, became +nervous and slangy... + +“She says such queer things,” said Marion once, discussing her. “But I +suppose it’s witty.” + +“Yes,” I said; “it _is_ witty.” + +“If I said things like she does—” + +The queer things my aunt said were nothing to the queer things she +didn’t say. I remember her in our drawing-room one day, and how she +cocked her eye—it’s the only expression—at the India-rubber plant in a +Doulton-ware pot which Marion had placed on the corner of the piano. + +She was on the very verge of speech. Then suddenly she caught my +expression, and shrank up like a cat that has been discovered looking +at the milk. + +Then a wicked impulse took her. + +“Didn’t say an old word, George,” she insisted, looking me full in the +eye. + +I smiled. “You’re a dear,” I said, “not to,” as Marion came lowering +into the room to welcome her. But I felt extraordinarily like a +traitor—to the India-rubber plant, I suppose—for all that nothing had +been said... + +“Your aunt makes Game of people,” was Marion’s verdict, and, +open-mindedly: “I suppose it’s all right... for her.” + +Several times we went to the house in Beckenham for lunch, and once or +twice to dinner. My aunt did her peculiar best to be friends, but +Marion was implacable. She was also, I know, intensely uncomfortable, +and she adopted as her social method, an exhausting silence, replying +compactly and without giving openings to anything that was said to her. + +The gaps between my aunt’s visits grew wider and wider. + +My married existence became at last like a narrow deep groove in the +broad expanse of interests in which I was living. I went about the +world; I met a great number of varied personalities; I read endless +books in trains as I went to and fro. I developed social relationships +at my uncle’s house that Marion did not share. The seeds of new ideas +poured in upon me and grew in me. Those early and middle years of one’s +third decade are, I suppose, for a man the years of greatest mental +growth. They are restless years and full of vague enterprise. + +Each time I returned to Ealing, life there seemed more alien, narrow, +and unattractive—and Marion less beautiful and more limited and +difficult—until at last she was robbed of every particle of her magic. +She gave me always a cooler welcome, I think, until she seemed entirely +apathetic. I never asked myself then what heartaches she might hide or +what her discontents might be. + +I would come home hoping nothing, expecting nothing. + +This was my fated life, and I had chosen it. I became more sensitive to +the defects I had once disregarded altogether; I began to associate her +sallow complexion with her temperamental insufficiency, and the heavier +lines of her mouth and nostril with her moods of discontent. We drifted +apart; wider and wider the gap opened. I tired of baby-talk and +stereotyped little fondlings; I tired of the latest intelligence from +those wonderful workrooms, and showed it all too plainly; we hardly +spoke when we were alone together. The mere unreciprocated physical +residue of my passion remained—an exasperation between us. + +No children came to save us. Marion had acquired at Smithie’s a disgust +and dread of maternity. All that was the fruition and quintessence of +the “horrid” elements in life, a disgusting thing, a last indignity +that overtook unwary women. I doubt indeed a little if children would +have saved us; we should have differed so fatally about their +upbringing. + +Altogether, I remember my life with Marion as a long distress, now +hard, now tender. It was in those days that I first became critical of +my life and burdened with a sense of error and maladjustment. I would +lie awake in the night, asking myself the purpose of things, reviewing +my unsatisfying, ungainly home-life, my days spent in rascal enterprise +and rubbish-selling, contrasting all I was being and doing with my +adolescent ambitions, my Wimblehurst dreams. My circumstances had an +air of finality, and I asked myself in vain why I had forced myself +into them. + +VI + +The end of our intolerable situation came suddenly and unexpectedly, +but in a way that I suppose was almost inevitable. + +My alienated affections wandered, and I was unfaithful to Marion. + +I won’t pretend to extenuate the quality of my conduct. I was a young +and fairly vigorous male; all my appetite for love had been roused and +whetted and none of it had been satisfied by my love affair and my +marriage. I had pursued an elusive gleam of beauty to the disregard of +all else, and it had failed me. It had faded when I had hoped it would +grow brighter. I despaired of life and was embittered. And things +happened as I am telling. I don’t draw any moral at all in the matter, +and as for social remedies, I leave them to the social reformer. I’ve +got to a time of life when the only theories that interest me are +generalisations about realities. + +To go to our inner office in Raggett Street I had to walk through a +room in which the typists worked. They were the correspondence typists; +our books and invoicing had long since overflowed into the premises we +had had the luck to secure on either side of us. I was, I must confess, +always in a faintly cloudily-emotional way aware of that collection of +for the most part round-shouldered femininity, but presently one of the +girls detached herself from the others and got a real hold upon my +attention. I appreciated her at first as a straight little back, a +neater back than any of the others; as a softly rounded neck with a +smiling necklace of sham pearls; as chestnut hair very neatly done—and +as a side-long glance; presently as a quickly turned face that looked +for me. + +My eye would seek her as I went through on business things—I dictated +some letters to her and so discovered she had pretty, soft-looking +hands with pink nails. Once or twice, meeting casually, we looked one +another for the flash of a second in the eyes. + +That was all. But it was enough in the mysterious free-masonry of sex +to say essential things. We had a secret between us. + +One day I came into Raggett Street at lunch time and she was alone, +sitting at her desk. She glanced up as I entered, and then became very +still, with a downcast face and her hands clenched on the table. I +walked right by her to the door of the inner office, stopped, came back +and stood over her. + +We neither of us spoke for quite a perceptible time. I was trembling +violently. + +“Is that one of the new typewriters?” I asked at last for the sake of +speaking. + +She looked up at me without a word, with her face flushed and her eyes +alight, and I bent down and kissed her lips. She leant back to put an +arm about me, drew my face to her and kissed me again and again. I +lifted her and held her in my arms. She gave a little smothered cry to +feel herself so held. + +Never before had I known the quality of passionate kisses. + +Somebody became audible in the shop outside. + +We started back from one another with flushed faces and bright and +burning eyes. + +“We can’t talk here,” I whispered with a confident intimacy. “Where do +you go at five?” + +“Along the Embankment to Charing Cross,” she answered as intimately. +“None of the others go that way...” + +“About half-past five?” + +“Yes, half-past five...” + +The door from the shop opened, and she sat down very quickly. + +“I’m glad,” I said in a commonplace voice, “that these new typewriters +are all right.” + +I went into the inner office and routed out the paysheet in order to +find her name—Effie Rink. And did no work at all that afternoon. I +fretted about that dingy little den like a beast in a cage. + +When presently I went out, Effie was working with an extraordinary +appearance of calm—and there was no look for me at all.... + +We met and had our talk that evening, a talk in whispers when there was +none to overhear; we came to an understanding. It was strangely unlike +any dream of romance I had ever entertained. + +VII + +I came back after a week’s absence to my home again—a changed man. I +had lived out my first rush of passion for Effie, had come to a +contemplation of my position. I had gauged Effie’s place in the scheme +of things, and parted from her for a time. She was back in her place at +Raggett Street after a temporary indisposition. I did not feel in any +way penitent or ashamed, I know, as I opened the little cast-iron gate +that kept Marion’s front grader and Pampas Grass from the wandering +dog. Indeed, if anything, I felt as if I had vindicated some right that +had been in question. I came back to Marion with no sense of +wrong-doing at all with, indeed, a new friendliness towards her. I +don’t know how it may be proper to feel on such occasions; that is how +I felt. + +I followed her in our drawing-room, standing beside the tall lamp-stand +that half filled the bay as though she had just turned from watching +for me at the window. There was something in her pale face that +arrested me. She looked as if she had not been sleeping. She did not +come forward to greet me. + +“You’ve come home,” she said. + +“As I wrote to you.” + +She stood very still, a dusky figure against the bright window. + +“Where have you been?” she asked. + +“East Coast,” I said easily. + +She paused for a moment. “I _know_,” she said. + +I stared at her. It was the most amazing moment in any life.... + +“By Jove!” I said at last, “I believe you do!” + +“And then you come home to me!” + +I walked to the hearthrug and stood quite still there regarding this +new situation. + +“I didn’t dream,” she began. “How could you do such a thing?” + +It seemed a long interval before either of us spoke another word. + +“Who knows about it?” I asked at last. + +“Smithie’s brother. They were at Cromer.” + +“Confound Cromer! Yes!” + +“How could you bring yourself” + +I felt a spasm of petulant annoyance at this unexpected catastrophe. + +“I should like to wring Smithie’s brother’s neck,” I said.... + +Marion spoke in dry, broken fragments of sentences. “You... I’d always +thought that anyhow you couldn’t deceive me... I suppose all men are +horrid—about this.” + +“It doesn’t strike me as horrid. It seems to me the most necessary +consequence—and natural thing in the world.” + +I became aware of some one moving about in the passage, and went and +shut the door of the room, then I walked back to the hearthrug and +turned. + +“It’s rough on you,” I said. “But I didn’t mean you to know. You’ve +never cared for me. I’ve had the devil of a time. Why should you mind?” + +She sat down in a draped armchair. “I _have_ cared for you,” she said. + +I shrugged my shoulders. + +“I suppose,” she said, “_she_ cares for you?” + +I had no answer. + +“Where is she now?” + +“Oh! does it matter to you?... Look here, Marion! This—this I didn’t +anticipate. I didn’t mean this thing to smash down on you like this. +But, you know, something had to happen. I’m sorry—sorry to the bottom +of my heart that things have come to this between us. But indeed, I’m +taken by surprise. I don’t know where I am—I don’t know how we got +here. Things took me by surprise. I found myself alone with her one +day. I kissed her. I went on. It seemed stupid to go back. And +besides—why should I have gone back? Why should I? From first to last, +I’ve hardly thought of it as touching you.... Damn!” + +She scrutinised my face, and pulled at the ball-fringe of the little +table beside her. + +“To think of it,” she said. “I don’t believe I can ever touch you +again.” + +We kept a long silence. I was only beginning to realise in the most +superficial way the immense catastrophe that had happened between us. +Enormous issues had rushed upon us. I felt unprepared and altogether +inadequate. I was unreasonably angry. There came a rush of stupid +expressions to my mind that my rising sense of the supreme importance +of the moment saved me from saying. The gap of silence widened until it +threatened to become the vast memorable margin of some one among a +thousand trivial possibilities of speech that would vex our relations +for ever. + +Our little general servant tapped at the door—Marion always liked the +servant to tap—and appeared. + +“Tea, M’m,” she said—and vanished, leaving the door open. + +“I will go upstairs,” said I, and stopped. “I will go upstairs” I +repeated, “and put my bag in the spare room.” + +We remained motionless and silent for a few seconds. + +“Mother is having tea with us to-day,” Marion remarked at last, and +dropped the worried end of ball-fringe and stood up slowly.... + +And so, with this immense discussion of our changed relations hanging +over us, we presently had tea with the unsuspecting Mrs. Ramboat and +the spaniel. Mrs. Ramboat was too well trained in her position to +remark upon our somber preoccupation. She kept a thin trickle of talk +going, and told us, I remember, that Mr. Ramboat was “troubled” about +his cannas. + +“They don’t come up and they won’t come up. He’s been round and had an +explanation with the man who sold him the bulbs—and he’s very heated +and upset.” + +The spaniel was a great bore, begging and doing small tricks first at +one and then at the other of us. Neither of us used his name. You see +we had called him Miggles, and made a sort of trio in the baby-talk of +Mutney and Miggles and Ming. + +VIII + +Then presently we resumed our monstrous, momentous dialogue. I can’t +now make out how long that dialogue went on. It spread itself, I know, +in heavy fragments over either three days or four. I remember myself +grouped with Marion, talking sitting on our bed in her room, talking +standing in our dining-room, saving this thing or that. Twice we went +for long walks. And we had a long evening alone together, with jaded +nerves and hearts that fluctuated between a hard and dreary recognition +of facts and, on my part at least, a strange unwonted tenderness; +because in some extraordinary way this crisis had destroyed our mutual +apathy and made us feel one another again. + +It was a dialogue that had discrepant parts that fell into lumps of +talk that failed to join on to their predecessors, that began again at +a different level, higher or lower, that assumed new aspects in the +intervals and assimilated new considerations. We discussed the fact +that we two were no longer lovers; never before had we faced that. It +seems a strange thing to write, but as I look back, I see clearly that +those several days were the time when Marion and I were closest +together, looked for the first and last time faithfully and steadfastly +into each other’s soul. For those days only, there were no pretences, I +made no concessions to her nor she to me; we concealed nothing, +exaggerated nothing. We had done with pretending. We had it out plainly +and soberly with each other. Mood followed mood and got its stark +expression. + +Of course there was quarreling between us, bitter quarreling, and we +said things to one another—long pent-up things that bruised and crushed +and cut. But over it all in my memory now is an effect of deliberate +confrontation, and the figure of Marion stands up, pale, melancholy, +tear-stained, injured, implacable and dignified. + +“You love her?” she asked once, and jerked that doubt into my mind. + +I struggled with tangled ideas and emotions. “I don’t know what love +is. It’s all sorts of things—it’s made of a dozen strands twisted in a +thousand ways.” + +“But you want her? You want her now—when you think of her?” + +“Yes,” I reflected. “I want her—right enough.” + +“And me? Where do I come in?” + +“I suppose you come in here.” + +“Well, but what are you going to do?” + +“Do!” I said with the exasperation of the situation growing upon me. +“What do you want me to do?” + +As I look back upon all that time—across a gulf of fifteen active +years—I find I see it with an understanding judgment. I see it as if it +were the business of some one else—indeed of two other +people—intimately known yet judged without passion. I see now that this +shock, this sudden immense disillusionment, did in real fact bring out +a mind and soul in Marion; that for the first time she emerged from +habits, timidities, imitations, phrases and a certain narrow +will-impulse, and became a personality. + +Her ruling motive at first was, I think, an indignant and outraged +pride. This situation must end. She asked me categorically to give up +Effie, and I, full of fresh and glowing memories, absolutely refused. + +“It’s too late, Marion,” I said. “It can’t be done like that.” + +“Then we can’t very well go on living together,” she said. “Can we?” + +“Very well,” I deliberated “if you must have it so.” + +“Well, can we?” + +“Can you stay in this house? I mean—if I go away?” + +“I don’t know.... I don’t think I could.” + +“Then—what do you want?” + +Slowly we worked our way from point to point, until at last the word +“divorce” was before us. + +“If we can’t live together we ought to be free,” said Marion. + +“I don’t know anything of divorce,” I said—“if you mean that. I don’t +know how it is done. I shall have to ask somebody—or look it up.... +Perhaps, after all, it is the thing to do. We may as well face it.” + +We began to talk ourselves into a realisation of what our divergent +futures might be. I came back on the evening of that day with my +questions answered by a solicitor. + +“We can’t as a matter of fact,” I said, “get divorced as things are. +Apparently, so far as the law goes you’ve got to stand this sort of +thing. It’s silly but that is the law. However, it’s easy to arrange a +divorce. In addition to adultery there must be desertion or cruelty. To +establish cruelty I should have to strike you, or something of that +sort, before witnesses. That’s impossible—but it’s simple to desert you +legally. I have to go away from you; that’s all. I can go on sending +you money—and you bring a suit, what is it?—for Restitution of Conjugal +Rights. The Court orders me to return. I disobey. Then you can go on to +divorce me. You get a Decree Nisi, and once more the Court tries to +make me come back. If we don’t make it up within six months and if you +don’t behave scandalously the Decree is made absolute. That’s the end +of the fuss. That’s how one gets unmarried. It’s easier, you see, to +marry than unmarry.” + +“And then—how do I live? What becomes of me?” + +“You’ll have an income. They call it alimony. From a third to a half of +my present income—more if you like—I don’t mind—three hundred a year, +say. You’ve got your old people to keep and you’ll need all that.” + +“And then—then you’ll be free?” + +“Both of us.” + +“And all this life you’ve hated” + +I looked up at her wrung and bitter face. “I haven’t hated it,” I lied, +my voice near breaking with the pain of it all. “Have you?” + +IX + +The perplexing thing about life is the irresolvable complexity of +reality, of things and relations alike. Nothing is simple. Every wrong +done has a certain justice in it, and every good deed has dregs of +evil. As for us, young still, and still without self-knowledge, +resounded a hundred discordant notes in the harsh angle of that shock. +We were furiously angry with each other, tender with each other, +callously selfish, generously self-sacrificing. + +I remember Marion saying innumerable detached things that didn’t hang +together one with another, that contradicted one another, that were, +nevertheless, all in their places profoundly true and sincere. I see +them now as so many vain experiments in her effort to apprehend the +crumpled confusions of our complex moral landslide. Some I found +irritating beyond measure. I answered her—sometimes quite abominably. + +“Of course,” she would say again and again, “my life has been a +failure.” + +“I’ve besieged you for three years,” I would retort “asking it not to +be. You’ve done as you pleased. If I’ve turned away at last—” + +Or again she would revive all the stresses before our marriage. + +“How you must hate me! I made you wait. Well now—I suppose you have +your revenge.” + +“_Revenge!_” I echoed. + +Then she would try over the aspects of our new separated lives. + +“I ought to earn my own living,” she would insist. + +“I want to be quite independent. I’ve always hated London. Perhaps I +shall try a poultry farm and bees. You won’t mind at first my being a +burden. Afterwards—” + +“We’ve settled all that,” I said. + +“I suppose you will hate me anyhow...” + +There were times when she seemed to regard our separation with absolute +complacency, when she would plan all sorts of freedoms and +characteristic interests. + +“I shall go out a lot with Smithie,” she said. + +And once she said an ugly thing that I did indeed hate her for that I +cannot even now quite forgive her. + +“Your aunt will rejoice at all this. She never cared for me...” + +Into my memory of these pains and stresses comes the figure of Smithie, +full-charged with emotion, so breathless in the presence of the horrid +villain of the piece that she could make no articulate sounds. She had +long tearful confidences with Marion, I know, sympathetic close +clingings. There were moments when only absolute speechlessness +prevented her giving me a stupendous “talking-to”—I could see it in her +eye. The wrong things she would have said! And I recall, too, Mrs. +Ramboat’s slow awakening to something in, the air, the growing +expression of solicitude in her eye, only her well-trained fear of +Marion keeping her from speech. + +And at last through all this welter, like a thing fated and altogether +beyond our control, parting came to Marion and me. + +I hardened my heart, or I could not have gone. For at the last it came +to Marion that she was parting from me for ever. That overbore all +other things, had turned our last hour to anguish. She forgot for a +time the prospect of moving into a new house, she forgot the outrage on +her proprietorship and pride. For the first time in her life she really +showed strong emotions in regard to me, for the first time, perhaps, +they really came to her. She began to weep slow, reluctant tears. I +came into her room, and found her asprawl on the bed, weeping. + +“I didn’t know,” she cried. “Oh! I didn’t understand!” + +“I’ve been a fool. All my life is a wreck! + +“I shall be alone!..._Mutney!_ Mutney, don’t leave me! Oh! Mutney! I +didn’t understand.” + +I had to harden my heart indeed, for it seemed to me at moments in +those last hours together that at last, too late, the longed-for thing +had happened and Marion had come alive. A new-born hunger for me lit +her eyes. + +“Don’t leave me!” she said, “don’t leave me!” She clung to me; she +kissed me with tear-salt lips. + +I was promised now and pledged, and I hardened my heart against this +impossible dawn. Yet it seems to me that there were moments when it +needed but a cry, but one word to have united us again for all our +lives. Could we have united again? Would that passage have enlightened +us for ever or should we have fallen back in a week or so into the old +estrangement, the old temperamental opposition? + +Of that there is now no telling. Our own resolve carried us on our +predestined way. We behaved more and more like separating lovers, +parting inexorably, but all the preparations we had set going worked on +like a machine, and we made no attempt to stop them. My trunks and +boxes went to the station. I packed my bag with Marion standing before +me. We were like children who had hurt each other horribly in sheer +stupidity, who didn’t know now how to remedy it. We belonged to each +other immensely—immensely. The cab came to the little iron gate. + +“Good-bye!” I said. + +“Good-bye.” + +For a moment we held one another in each other’s arms and +kissed—incredibly without malice. We heard our little servant in the +passage going to open the door. For the last time we pressed ourselves +to one another. We were not lovers nor enemies, but two human souls in +a frank community of pain. I tore myself from her. + +“Go away,” I said to the servant, seeing that Marion had followed me +down. + +I felt her standing behind me as I spoke to the cab man. + +I got into the cab, resolutely not looking back, and then as it started +jumped up, craned out and looked at the door. + +It was wide open, but she had disappeared.... + +I wonder—I suppose she ran upstairs. + +X + +So I parted from Marion at an extremity of perturbation and regret, and +went, as I had promised and arranged, to Effie, who was waiting for me +in apartments near Orpington. I remember her upon the station platform, +a bright, flitting figure looking along the train for me, and our walk +over the fields in the twilight. I had expected an immense sense of +relief where at last the stresses of separation were over, but now I +found I was beyond measure wretched and perplexed, full of the +profoundest persuasion of irreparable error. The dusk and somber Marion +were so alike, her sorrow seemed to be all about me. I had to hold +myself to my own plans, to remember that I must keep faith with Effie, +with Effie who had made no terms, exacted no guarantees, but flung +herself into my hands. + +We went across the evening fields in silence, towards a sky of +deepening gold and purple, and Effie was close beside me always, very +close, glancing up ever and again at my face. + +Certainly she knew I grieved for Marion, that ours was now no joyful +reunion. But she showed no resentment and no jealousy. Extraordinarily, +she did not compete against Marion. Never once in all our time together +did she say an adverse word of Marion.... + +She set herself presently to dispel the shadow that brooded over me +with the same instinctive skill that some women will show with the +trouble of a child. She made herself my glad and pretty slave and +handmaid; she forced me at last to rejoice in her. Yet at the back of +it all Marion remained, stupid and tearful and infinitely distressful, +so that I was almost intolerably unhappy for her—for her and the dead +body of my married love. + +It is all, as I tell it now, unaccountable to me. I go back into these +remote parts, these rarely visited uplands and lonely tares of memory, +and it seems to me still a strange country. I had thought I might be +going to some sensuous paradise with Effie, but desire which fills the +universe before its satisfaction, vanishes utterly like the going of +daylight—with achievement. All the facts and forms of life remain +darkling and cold. It was an upland of melancholy questionings, a +region from which I saw all the world at new angles and in new aspects; +I had outflanked passion and romance. + +I had come into a condition of vast perplexities. For the first time in +my life, at least so it seems to me now in this retrospect, I looked at +my existence as a whole. + +Since this was nothing, what was I doing? What was I for? + +I was going to and fro about Tono-Bungay—the business I had taken up to +secure Marion and which held me now in spite of our intimate +separation—and snatching odd week-ends and nights for Orpington, and +all the while I struggled with these obstinate interrogations. I used +to fall into musing in the trains, I became even a little inaccurate +and forgetful about business things. I have the clearest memory of +myself sitting thoughtful in the evening sunlight on a grassy hillside +that looked toward Seven Oaks and commanded a wide sweep of country, +and that I was thinking out my destiny. I could almost write my thought +down now, I believe, as they came to me that afternoon. Effie, restless +little cockney that she was, rustled and struggled in a hedgerow below, +gathering flowers, discovering flowers she had never seen before. I +had. I remember, a letter from Marion in my pocket. I had even made +some tentatives for return, for a reconciliation; Heaven knows now how +I had put it! but her cold, ill-written letter repelled me. I perceived +I could never face that old inconclusive dullness of life again, that +stagnant disappointment. That, anyhow, wasn’t possible. But what was +possible? I could see no way of honour or fine living before me at all. + +“What am I to do with life?” that was the question that besieged me. + +I wondered if all the world was even as I, urged to this by one motive +and to that by another, creatures of chance and impulse and unmeaning +traditions. Had I indeed to abide by what I had said and done and +chosen? Was there nothing for me in honour but to provide for Effie, go +back penitent to Marion and keep to my trade in rubbish—or find some +fresh one—and so work out the residue of my days? I didn’t accept that +for a moment. But what else was I to do? I wondered if my case was the +case of many men, whether in former ages, too, men had been so +guideless, so uncharted, so haphazard in their journey into life. In +the Middle Ages, in the old Catholic days, one went to a priest, and he +said with all the finality of natural law, this you are and this you +must do. I wondered whether even in the Middle Ages I should have +accepted that ruling without question. + +I remember too very distinctly how Effie came and sat beside me on a +little box: that was before the casement window of our room. + +“Gloomkins,” said she. + +I smiled and remained head on hand, looking out of the window forgetful +of her. + +“Did you love your wife so well?” she whispered softly. + +“Oh!” I cried, recalled again; “I don’t know. I don’t understand these +things. Life is a thing that hurts, my dear! It hurts without logic or +reason. I’ve blundered! I didn’t understand. Anyhow—there is no need to +go hurting you, is there?” + +And I turned about and drew her to me, and kissed her ear.... + +Yes, I had a very bad time—I still recall. I suffered, I suppose, from +a sort of _ennui_ of the imagination. I found myself without an object +to hold my will together. I sought. I read restlessly and discursively. +I tried Ewart and got no help from him. As I regard it all now in this +retrospect, it seems to me as if in those days of disgust and abandoned +aims I discovered myself for the first time. Before that I had seen +only the world and things in it, had sought them self-forgetful of all +but my impulse. Now I found myself _grouped_ with a system of appetites +and satisfactions, with much work to do—and no desire, it seemed, left +in me. + +There were moments when I thought of suicide. At times my life appeared +before me in bleak, relentless light, a series of ignorances, crude +blunderings, degradation and cruelty. I had what the old theologians +call a “conviction of sin.” I sought salvation—not perhaps in the +formula a Methodist preacher would recognise but salvation +nevertheless. + +Men find their salvation nowadays in many ways. Names and forms don’t, +I think, matter very much; the real need is something that we can hold +and that holds one. I have known a man find that determining factor in +a dry-plate factory, and another in writing a history of the Manor. So +long as it holds one, it does not matter. Many men and women nowadays +take up some concrete aspect of Socialism or social reform. But +Socialism for me has always been a little bit too human, too set about +with personalities and foolishness. It isn’t my line. I don’t like +things so human. I don’t think I’m blind to the fun, the surprises, the +jolly little coarsenesses and insufficiency of life, to the “humour of +it,” as people say, and to adventure, but that isn’t the root of the +matter with me. There’s no humour in my blood. I’m in earnest in warp +and woof. I stumble and flounder, but I know that over all these merry +immediate things, there are other things that are great and serene, +very high, beautiful things—the reality. I haven’t got it, but it’s +there nevertheless. I’m a spiritual guttersnipe in love with +unimaginable goddesses. I’ve never seen the goddesses nor ever +shall—but it takes all the fun out of the mud—and at times I fear it +takes all the kindliness, too. + +But I’m talking of things I can’t expect the reader to understand, +because I don’t half understand them myself. There is something links +things for me, a sunset or so, a mood or so, the high air, something +there was in Marion’s form and colour, something I find and lose in +Mantegna’s pictures, something in the lines of these boats I make. (You +should see X2, my last and best!) + +I can’t explain myself, I perceive. Perhaps it all comes to this, that +I am a hard and morally limited cad with a mind beyond my merits. +Naturally I resist that as a complete solution. Anyhow, I had a sense +of inexorable need, of distress and insufficiency that was unendurable, +and for a time this aeronautical engineering allayed it.... + +In the end of this particular crisis of which I tell so badly, I +idealised Science. I decided that in power and knowledge lay the +salvation of my life, the secret that would fill my need; that to these +things I would give myself. + +I emerged at last like a man who has been diving in darkness, clutching +at a new resolve for which he had groped desperately and long. + +I came into the inner office suddenly one day—it must have been just +before the time of Marion’s suit for restitution—and sat down before my +uncle. + +“Look here,” I said, “I’m sick of this.” + +“Hul_lo!_” he answered, and put some papers aside. + +“What’s up, George?” + +“Things are wrong.” + +“As how?” + +“My life,” I said, “it’s a mess, an infinite mess.” + +“She’s been a stupid girl, George,” he said; “I partly understand. But +you’re quit of her now, practically, and there’s just as good fish in +the sea—” + +“Oh! it’s not that!” I cried. “That’s only the part that shows. I’m +sick—I’m sick of all this damned rascality.” + +“Eh? Eh?” said my uncle. “_What_—rascality?” + +“Oh, _you_ know. I want some _stuff_, man. I want something to hold on +to. I shall go amok if I don’t get it. I’m a different sort of beast +from you. You float in all this bunkum. _I_ feel like a man floundering +in a universe of soapsuds, up and downs, east and west. I can’t stand +it. I must get my foot on something solid or—I don’t know what.” + +I laughed at the consternation in his face. + +“I mean it,” I said. “I’ve been thinking it over. I’ve made up my mind. +It’s no good arguing. I shall go in for work—real work. No! this isn’t +work; it’s only laborious cheating. But I’ve got an idea! It’s an old +idea—I thought of years ago, but it came back to me. Look here! Why +should I fence about with you? I believe the time has come for flying +to be possible. Real flying!” + +“Flying!” + +I stuck to that, and it helped me through the worst time in my life. My +uncle, after some half-hearted resistance and a talk with my aunt, +behaved like the father of a spoilt son. He fixed up an arrangement +that gave me capital to play with, released me from too constant a +solicitude for the newer business developments—this was in what I may +call the later Moggs period of our enterprises—and I went to work at +once with grim intensity. + +But I will tell of my soaring and flying machines in the proper place. +I’ve been leaving the story of my uncle altogether too long. I wanted +merely to tell how it was I took to this work. I took to these +experiments after I had sought something that Marion in some +indefinable way had seemed to promise. I toiled and forgot myself for a +time, and did many things. Science too has been something of an +irresponsive mistress since, though I’ve served her better than I +served Marion. But at the time Science, with her order, her inhuman +distance, yet steely certainties, saved me from despair. + +Well, I have still to fly; but incidentally I have invented the +lightest engines in the world. + +I am trying to tell of all the things that happened to me. It’s hard +enough simply to get it put down in the remotest degree right. But this +is a novel, not a treatise. Don’t imagine that I am coming presently to +any sort of solution of my difficulties. Here among my drawings and +hammerings _now_, I still question unanswering problems. All my life +has been at bottom, _seeking_, disbelieving always, dissatisfied always +with the thing seen and the thing believed, seeking something in toil, +in force, in danger, something whose name and nature I do not clearly +understand, something beautiful, worshipful, enduring, mine profoundly +and fundamentally, and the utter redemption of myself; I don’t know—all +I can tell is that it is something I have ever failed to find. + +XI + +But before I finish this chapter and book altogether and go on with the +great adventure of my uncle’s career. I may perhaps tell what else +remains to tell of Marion and Effie, and then for a time set my private +life behind me. + +For a time Marion and I corresponded with some regularity, writing +friendly but rather uninforming letters about small business things. +The clumsy process of divorce completed itself. + +She left the house at Ealing and went into the country with her aunt +and parents, taking a small farm near Lewes in Sussex. She put up +glass, she put in heat for her father, happy man! and spoke of figs and +peaches. The thing seemed to promise well throughout a spring and +summer, but the Sussex winter after London was too much for the +Ramboats. They got very muddy and dull; Mr. Ramboat killed a cow by +improper feeding, and that disheartened them all. A twelvemonth saw the +enterprise in difficulties. I had to help her out of this, and then +they returned to London and she went into partnership with Smithie at +Streatham, and ran a business that was intimated on the firm’s +stationery as “Robes.” The parents and aunt were stowed away in a +cottage somewhere. After that the letters became infrequent. But in one +I remember a postscript that had a little stab of our old intimacy: +“Poor old Miggles is dead.” + +Nearly eight years slipped by. I grew up. I grew in experience, in +capacity, until I was fully a man, but with many new interests, living +on a larger scale in a wider world than I could have dreamt of in my +Marion days. Her letters become rare and insignificant. At last came a +gap of silence that made me curious. For eighteen months or more I had +nothing from Marion save her quarterly receipts through the bank. Then +I damned at Smithie, and wrote a card to Marion. + +“Dear Marion,” I said, “how goes it?” + +She astonished me tremendously by telling me she had married again—“a +Mr. Wachorn, a leading agent in the paper-pattern trade.” But she still +wrote on the Ponderevo and Smith (Robes) notepaper, from the Ponderevo +and Smith address. + +And that, except for a little difference of opinion about the +continuance of alimony which gave me some passages of anger, and the +use of my name by the firm, which also annoyed me, is the end of +Marion’s history for me, and she vanishes out of this story. I do not +know where she is or what she is doing. I do not know whether she is +alive or dead. It seems to me utterly grotesque that two people who +have stood so close to one another as she and I should be so separated, +but so it is between us. + +Effie, too, I have parted from, though I still see her at times. +Between us there was never any intention of marriage nor intimacy of +soul. She had a sudden, fierce, hot-blooded passion for me and I for +her, but I was not her first lover nor her last. She was in another +world from Marion. She had a queer, delightful nature; I’ve no memory +of ever seeing her sullen or malicious. She was—indeed she was +magnificently—eupeptic. That, I think, was the central secret of her +agreeableness, and, moreover, that she was infinitely kind-hearted. I +helped her at last into an opening she coveted, and she amazed me by a +sudden display of business capacity. She has now a typewriting bureau +in Riffle’s Inn, and she runs it with a brisk vigour and considerable +success, albeit a certain plumpness has overtaken her. And she still +loves her kind. She married a year or so ago a boy half her age—a +wretch of a poet, a wretched poet, and given to drugs, a thing with +lank fair hair always getting into his blue eyes, and limp legs. She +did it, she said, because he needed nursing.... + +But enough of this disaster of my marriage and of my early love +affairs; I have told all that is needed for my picture to explain how I +came to take up aeroplane experiments and engineering science; let me +get back to my essential story, to Tono-Bungay and my uncle’s +promotions and to the vision of the world these things have given me. + + + + +BOOK THE THIRD +THE GREAT DAYS OF TONO-BUNGAY + + + + +CHAPTER THE FIRST +THE HARDINGHAM HOTEL, AND HOW WE BECAME BIG PEOPLE + + +I + +But now that I resume the main line of my story it may be well to +describe the personal appearance of my uncle as I remember him during +those magnificent years that followed his passage from trade to +finance. The little man plumped up very considerably during the +creation of the Tono-Bungay property, but with the increasing +excitements that followed that first flotation came dyspepsia and a +certain flabbiness and falling away. His abdomen—if the reader will +pardon my taking his features in the order of their value—had at first +a nice full roundness, but afterwards it lost tone without, however, +losing size. He always went as though he was proud of it and would make +as much of it as possible. To the last his movements remained quick and +sudden, his short firm legs, as he walked, seemed to twinkle rather +than display the scissors-stride of common humanity, and he never +seemed to have knees, but instead, a dispersed flexibility of limb. + +There was, I seem to remember, a secular intensification of his +features; his nose developed character, became aggressive, stuck out at +the world more and more; the obliquity of his mouth, I think, +increased. From the face that returns to my memory projects a long +cigar that is sometimes cocked jauntily up from the higher corner, that +sometimes droops from the lower;—it was as eloquent as a dog’s tail, +and he removed it only for the more emphatic modes of speech. He +assumed a broad black ribbon for his glasses, and wore them more and +more askew as time went on. His hair seemed to stiffen with success, +but towards the climax it thinned greatly over the crown, and he +brushed it hard back over his ears where, however, it stuck out +fiercely. It always stuck out fiercely over his forehead, up and +forward. + +He adopted an urban style of dressing with the onset of Tono-Bungay and +rarely abandoned it. He preferred silk hats with ample rich brims, +often a trifle large for him by modern ideas, and he wore them at +various angles to his axis; his taste in trouserings was towards fairly +emphatic stripes and his trouser cut was neat; he liked his frock-coat +long and full, although that seemed to shorten him. He displayed a +number of valuable rings, and I remember one upon his left little +finger with a large red stone bearing Gnostic symbols. “Clever chaps, +those Gnostics, George,” he told me. “Means a lot. Lucky!” He never had +any but a black mohair watch-chair. In the country he affected grey and +a large grey cloth top-hat, except when motoring; then he would have a +brown deer-stalker cap and a fur suit of esquimaux cut with a sort of +boot-end to the trousers. Of an evening he would wear white waistcoats +and plain gold studs. He hated diamonds. “Flashy,” he said they were. +“Might as well wear—an income tax-receipt. All very well for Park Lane. +Unsold stock. Not my style. Sober financier, George.” + +So much for his visible presence. For a time it was very familiar to +the world, for at the crest of the boom he allowed quite a number of +photographs and at least one pencil sketch to be published in the +sixpenny papers. + +His voice declined during those years from his early tenor to a flat +rich quality of sound that my knowledge of music is inadequate to +describe. His Zzz-ing inrush of air became less frequent as he ripened, +but returned in moments of excitement. Throughout his career, in spite +of his increasing and at last astounding opulence, his more intimate +habits remained as simple as they had been at Wimblehurst. He would +never avail himself of the services of a valet; at the very climax of +his greatness his trousers were folded by a housemaid and his shoulders +brushed as he left his house or hotel. He became wary about breakfast +as life advanced, and at one time talked much of Dr. Haig and uric +acid. But for other meals he remained reasonably omnivorous. He was +something of a gastronome, and would eat anything he particularly liked +in an audible manner, and perspire upon his forehead. He was a +studiously moderate drinker—except when the spirit of some public +banquet or some great occasion caught him and bore him beyond his +wariness—there he would, as it were, drink inadvertently and become +flushed and talkative—about everything but his business projects. + +To make the portrait complete one wants to convey an effect of sudden, +quick bursts of movement like the jumps of a Chinese-cracker to +indicate that his pose whatever it is, has been preceded and will be +followed by a rush. If I were painting him, I should certainly give him +for a background that distressed, uneasy sky that was popular in the +eighteenth century, and at a convenient distance a throbbing motor-car, +very big and contemporary, a secretary hurrying with papers, and an +alert chauffeur. + +Such was the figure that created and directed the great property of +Tono-Bungay, and from the successful reconstruction of that company +passed on to a slow crescendo of magnificent creations and promotions +until the whole world of investors marveled. I have already I think, +mentioned how, long before we offered Tono Bungay to the public, we +took over the English agency of certain American specialties. To this +was presently added our exploitation of Moggs’ Domestic Soap, and so he +took up the Domestic Convenience Campaign that, coupled with his +equatorial rotundity and a certain resolute convexity in his bearings +won my uncle his Napoleonic title. + +II + +It illustrates the romantic element in modern commerce that my uncle +met young Moggs at a city dinner—I think it was the Bottle-makers’ +Company—when both were some way advanced beyond the initial sobriety of +the occasion. This was the grandson of the original Moggs, and a very +typical instance of an educated, cultivated, degenerate plutocrat. His +people had taken him about in his youth as the Ruskins took their John +and fostered a passion for history in him, and the actual management of +the Moggs’ industry had devolved upon a cousin and a junior partner. + +Mr. Moggs, being of a studious and refined disposition, had just +decided—after a careful search for a congenial subject in which he +would not be constantly reminded of soap—to devote himself to the +History of the Thebaid, when this cousin died suddenly and precipitated +responsibilities upon him. In the frankness of conviviality, Moggs +bewailed the uncongenial task thus thrust into his hands, and my uncle +offered to lighten his burden by a partnership then and there. They +even got to terms—extremely muzzy terms, but terms nevertheless. + +Each gentleman wrote the name and address of the other on his cuff, and +they separated in a mood of brotherly carelessness, and next morning +neither seems to have thought to rescue his shirt from the wash until +it was too late. My uncle made a painful struggle—it was one of my +business mornings—to recall name and particulars. + +“He was an aquarium-faced, long, blond sort of chap, George, with +glasses and a genteel accent,” he said. + +I was puzzled. “Aquarium-faced?” + +“You know how they look at you. His stuff was soap, I’m pretty nearly +certain. And he had a name—And the thing was the straightest +Bit-of-All-right you ever. I was clear enough to spot that...” + +We went out at last with knitted brows, and wandered up into Finsbury +seeking a good, well-stocked looking grocer. We called first on a +chemist for a pick-me-up for my uncle, and then we found the shop we +needed. + +“I want,” said my uncle, “half a pound of every sort of soap you got. +Yes, I want to take them now. Wait a moment, George.... Now what sort +of soap d’you call _that?_” + +At the third repetition of that question the young man said, “Moggs’ +Domestic.” + +“Right,” said my uncle. “You needn’t guess again. Come along, George, +let’s go to a telephone and get on to Moggs. Oh—the order? Certainly. I +confirm it. Send it all—send it all to the Bishop of London; he’ll have +some good use for it—(First-rate man, George, he is—charities and all +that)—and put it down to me, here’s a card—Ponderevo—Tono-Bungay.” + +Then we went on to Moggs and found him in a camel-hair dressing-jacket +in a luxurious bed, drinking China tea, and got the shape of everything +but the figures fixed by lunch time. + +Young Moggs enlarged my mind considerably; he was a sort of thing I +hadn’t met before; he seemed quite clean and well-informed and he +assured me to never read newspapers nor used soap in any form at all, +“Delicate skin,” he said. + +“No objection to our advertising you wide and free?” said my uncle. + +“I draw the line at railway stations,” said Moggs, “south-coast cliffs, +theatre programmes, books by me and poetry generally—scenery—oh!—and +the _Mercure de France_.” + +“We’ll get along,” said my uncle. + +“So long as you don’t annoy me,” said Moggs, lighting a cigarette, “you +can make me as rich as you like.” + +We certainly made him no poorer. His was the first firm that was +advertised by a circumstantial history; we even got to illustrated +magazine articles telling of the quaint past of Moggs. We concocted +Moggsiana. Trusting to our partner’s preoccupation with the +uncommercial aspects of life, we gave graceful history—of Moggs the +First, Moggs the Second, Moggs the Third, and Moggs the Fourth. You +must, unless you are very young, remember some of them and our +admirable block of a Georgian shop window. My uncle brought early +nineteenth-century memoirs, soaked himself in the style, and devised +stories about old Moggs the First and the Duke of Wellington, George +the Third and the soap dealer (“almost certainly old Moggs”). Very soon +we had added to the original Moggs’ Primrose several varieties of +scented and superfatted, a “special nurseries used in the household of +the Duke of Kent and for the old Queen in Infancy,” a plate powder, +“the Paragon,” and a knife powder. We roped in a good little +second-rate black-lead firm, and carried their origins back into the +mists of antiquity. It was my uncle’s own unaided idea that we should +associate that commodity with the Black Prince. He became industriously +curious about the past of black-lead. I remember his button-holing the +president of the Pepys Society. + +“I say, is there any black-lead in Pepys? You know—black-lead—for +grates! _Or does he pass it over as a matter of course?_” + +He became in those days the terror of eminent historians. “Don’t want +your drum and trumpet history—no fear,” he used to say. “Don’t want to +know who was who’s mistress, and why so-and-so devastated such a +province; that’s bound to be all lies and upsy-down anyhow. Not my +affair. Nobody’s affair now. Chaps who did it didn’t clearly know.... +What I want to know is, in the Middle Ages, did they do anything for +Housemaid’s Knee? What did they put in their hot baths after jousting, +and was the Black Prince—you know the Black Prince—was he enameled or +painted, or what? I think myself, black-leaded—very likely—like +pipe-clay—but _did_ they use blacking so early?” + +So it came about that in designing and writing those Moggs’ Soap +Advertisements, that wrought a revolution in that department of +literature, my uncle was brought to realise not only the lost history, +but also the enormous field for invention and enterprise that lurked +among the little articles, the dustpans and mincers, the mousetraps and +carpet-sweepers that fringe the shops of the oilman and domestic +ironmonger. He was recalled to one of the dreams of his youth, to his +conception of the Ponderevo Patent Flat that had been in his mind so +early as the days before I went to serve him at Wimblehurst. “The Home, +George,” he said, “wants straightening up. Silly muddle! Things that +get in the way. Got to organise it.” + +For a time he displayed something like the zeal of a genuine social +reformer in relation to these matters. + +“We’ve got to bring the Home Up to Date? That’s my idee, George. We got +to make a civilised domestic machine out of these relics of barbarism. +I’m going to hunt up inventors, make a corner in d’mestic ideas. +Everything. Balls of string that won’t dissolve into a tangle, and gum +that won’t dry into horn. See? Then after conveniences—beauty. Beauty, +George! All these few things ought to be made fit to look at; it’s your +aunt’s idea, that. Beautiful jam-pots! Get one of those new art chaps +to design all the things they make ugly now. Patent carpet-sweepers by +these greenwood chaps, housemaid’s boxes it’ll be a pleasure to fall +over—rich coloured house-flannels. Zzzz. Pails, f’rinstance. Hang ’em +up on the walls like warming-pans. All the polishes and things in such +tins—you’ll want to cuddle ’em, George! See the notion? ‘Sted of all +the silly ugly things we got.”... + +We had some magnificent visions; they so affected me that when I passed +ironmongers and oil-shops they seemed to me as full of promise as trees +in late winter, flushed with the effort to burst into leaf and +flower.... And really we did do much towards that very brightness these +shops display. They were dingy things in the eighties compared to what +our efforts have made them now, grey quiet displays. + +Well, I don’t intend to write down here the tortuous financial history +of Moggs’ Limited, which was our first development of Moggs and Sons; +nor will I tell very much of how from that we spread ourselves with a +larger and larger conception throughout the chandlery and minor +ironmongery, how we became agents for this little commodity, partners +in that, got a tentacle round the neck of a specialised manufacturer or +so, secured a pull upon this or that supply of raw material, and so +prepared the way for our second flotation, Domestic Utilities; “Do it,” +they reordered it in the city. And then came the reconstruction of +Tono-Bungay, and then “Household services” and the Boom! + +That sort of development is not to be told in detail in a novel. I +have, indeed, told much of it elsewhere. It is to be found set out at +length, painfully at length, in my uncle’s examination and mine in the +bankruptcy proceedings, and in my own various statements after his +death. Some people know everything in that story, some know it all too +well, most do not want the details, it is the story of a man of +imagination among figures, and unless you are prepared to collate +columns of pounds, shillings and pence, compare dates and check +additions, you will find it very unmeaning and perplexing. And after +all, you wouldn’t find the early figures so much wrong as _strained_. +In the matter of Moggs and Do Ut, as in the first Tono-Bungay promotion +and in its reconstruction, we left the court by city standards without +a stain on our characters. The great amalgamation of Household Services +was my uncle’s first really big-scale enterprise and his first display +of bolder methods: for this we bought back Do Ut, Moggs (going strong +with a seven per cent. dividend) and acquired Skinnerton’s polishes, +the Riffleshaw properties and the Runcorn’s mincer and coffee-mill +business. To that Amalgamation I was really not a party; I left it to +my uncle because I was then beginning to get keen upon the soaring +experiments I had taken on from the results then to hand of Lilienthal, +Pilcher and the Wright brothers. I was developing a glider into a +flyer. I meant to apply power to this glider as soon as I could work +out one or two residual problems affecting the longitudinal stability. +I knew that I had a sufficiently light motor in my own modification of +Bridger’s light turbine, but I knew too that until I had cured my +aeroplane of a tendency demanding constant alertness from me, a +tendency to jerk up its nose at unexpected moments and slide back upon +me, the application of an engine would be little short of suicide. + +But that I will tell about later. The point I was coming to was that I +did not realise until after the crash how recklessly my uncle had kept +his promise of paying a dividend of over eight per cent. on the +ordinary shares of that hugely over-capitalised enterprise, Household +Services. + +I drifted out of business affairs into my research much more than +either I or my uncle had contemplated. Finance was much less to my +taste than the organisation of the Tono-Bungay factory. In the new +field of enterprise there was a great deal of bluffing and gambling, of +taking chances and concealing material facts—and these are hateful +things to the scientific type of mind. It wasn’t fear I felt so much as +an uneasy inaccuracy. I didn’t realise dangers, I simply disliked the +sloppy, relaxing quality of this new sort of work. I was at last +constantly making excuses not to come up to him in London. The latter +part of his business career recedes therefore beyond the circle of any +particular life. I lived more or less with him; I talked, I advised, I +helped him at times to fight his Sunday crowd at Crest Hill, but I did +not follow nor guide him. From the Do Ut time onward he rushed up the +financial world like a bubble in water and left me like some busy +water-thing down below in the deeps. + +Anyhow, he was an immense success. The public was, I think, +particularly attracted by the homely familiarity of his field of +work—you never lost sight of your investment they felt, with the name +on the house-flannel and shaving-strop—and its allegiance was secured +by the Egyptian solidity of his apparent results. Tono-Bungay, after +its reconstruction, paid thirteen, Moggs seven, Domestic Utilities had +been a safe-looking nine; here was Household Services with eight; on +such a showing he had merely to buy and sell Roeburn’s Antiseptic +fluid, Razor soaks and Bath crystals in three weeks to clear twenty +thousand pounds. + +I do think that as a matter of fact Roeburn’s was good value at the +price at which he gave it to the public, at least until it was strained +by ill-conserved advertisement. It was a period of expansion and +confidence; much money was seeking investment and “Industrials” were +the fashion. Prices were rising all round. There remained little more +for my uncle to do therefore, in his climb to the high unstable crest +of Financial Greatness but, as he said, to “grasp the cosmic oyster, +George, while it gaped,” which, being translated, meant for him to buy +respectable businesses confidently and courageously at the vendor’s +estimate, add thirty or forty thousand to the price and sell them +again. His sole difficulty indeed was the tactful management of the +load of shares that each of these transactions left upon his hands. But +I thought so little of these later things that I never fully +appreciated the peculiar inconveniences of that until it was too late +to help him. + +III + +When I think of my uncle near the days of his Great Boom and in +connection with the actualities of his enterprises, I think of him as I +used to see him in the suite of rooms he occupied in the Hardingham +Hotel, seated at a great old oak writing-table, smoking, drinking, and +incoherently busy; that was his typical financial aspect—our evenings, +our mornings, our holidays, our motor-car expeditions, Lady Grove and +Crest Hill belong to an altogether different set of memories. + +These rooms in the Hardingham were a string of apartments along one +handsome thick-carpeted corridor. All the doors upon the corridor were +locked except the first; and my uncle’s bedroom, breakfast-room and +private sanctum were the least accessible and served by an entrance +from the adjacent passage, which he also used at times as a means of +escape from importunate callers. The most eternal room was a general +waiting-room and very business-like in quality; it had one or two +uneasy sofas, a number of chairs, a green baize table, and a collection +of the very best Moggs and Tone posters: and the plush carpets normal +to the Hardingham had been replaced by a grey-green cork linoleum; Here +I would always find a remarkable miscellany of people presided over by +a peculiarly faithful and ferocious looking commissioner, Ropper, who +guarded the door that led a step nearer my uncle. Usually there would +be a parson or so, and one or two widows; hairy, eyeglassy, middle-aged +gentlemen, some of them looking singularly like Edward Ponderevos who +hadn’t come off, a variety of young and youngish men more or less +attractively dressed, some with papers protruding from their pockets, +others with their papers decently concealed. And wonderful, incidental, +frowsy people. + +All these persons maintained a practically hopeless siege—sometimes for +weeks together; they had better have stayed at home. Next came a room +full of people who had some sort of appointment, and here one would +find smart-looking people, brilliantly dressed, nervous women hiding +behind magazines, nonconformist divines, clergy in gaiters, real +business men, these latter for the most part gentlemen in admirable +morning dress who stood up and scrutinised my uncle’s taste in water +colours manfully and sometimes by the hour together. Young men again +were here of various social origins, young Americans, treasonable +clerks from other concerns, university young men, keen-looking, most of +them, resolute, reserved, but on a sort of hair trigger, ready at any +moment to be most voluble, most persuasive. + +This room had a window, too, looking out into the hotel courtyard with +its fern-set fountains and mosaic pavement, and the young men would +stand against this and sometimes even mutter. One day I heard one +repeating in all urgent whisper as I passed “But you don’t quite see, +Mr. Ponderevo, the full advantages, the _full_ advantages—” I met his +eye and he was embarrassed. + +Then came a room with a couple of secretaries—no typewriters, because +my uncle hated the clatter—and a casual person or two sitting about, +projectors whose projects were being entertained. Here and in a further +room nearer the private apartments, my uncle’s correspondence underwent +an exhaustive process of pruning and digestion before it reached him. +Then the two little rooms in which my uncle talked; my magic uncle who +had got the investing public—to whom all things were possible. As one +came in we would find him squatting with his cigar up and an expression +of dubious beatitude upon his face, while some one urged him to grow +still richer by this or that. + +“That’ju, George?” he used to say. “Come in. Here’s a thing. Tell +him—Mister—over again. Have a drink, George? No! Wise man! Liss’n.” + +I was always ready to listen. All sorts of financial marvels came out +of the Hardingham, more particularly during my uncle’s last great +flurry, but they were nothing to the projects that passed in. It was +the little brown and gold room he sat in usually. He had had it +redecorated by Bordingly and half a dozen Sussex pictures by Webster +hung about it. Latterly he wore a velveteen jacket of a golden-brown +colour in this apartment that I think over-emphasised its esthetic +intention, and he also added some gross Chinese bronzes. + +He was, on the whole, a very happy man throughout all that wildly +enterprising time. He made and, as I shall tell in its place, spent +great sums of money. He was constantly in violent motion, constantly +stimulated mentally and physically and rarely tired. About him was an +atmosphere of immense deference much of his waking life was triumphal +and all his dreams. I doubt if he had any dissatisfaction with himself +at all until the crash bore him down. Things must have gone very +rapidly with him.... I think he must have been very happy. + +As I sit here writing about all these things, jerking down notes and +throwing them aside in my attempt to give some literary form to the +tale of our promotions, the marvel of it all comes to me as if it came +for the first time the supreme unreason of it. At the climax of his +Boom, my uncle at the most sparing estimate must have possessed in +substance and credit about two million pounds’-worth of property to set +off against his vague colossal liabilities, and from first to last he +must have had a controlling influence in the direction of nearly thirty +millions. + +This irrational muddle of a community in which we live gave him that, +paid him at that rate for sitting in a room and scheming and telling it +lies. For he created nothing, he invented nothing, he economised +nothing. I cannot claim that a single one of the great businesses we +organised added any real value to human life at all. Several like +Tono-Bungay were unmitigated frauds by any honest standard, the giving +of nothing coated in advertisements for money. And the things the +Hardingham gave out, I repeat, were nothing to the things that came in. +I think of the long procession of people who sat down before us and +propounded this and that. Now it was a device for selling bread under a +fancy name and so escaping the laws as to weight—this was afterwards +floated as the Decorticated Health-Bread Company and bumped against the +law—now it was a new scheme for still more strident advertisement, now +it was a story of unsuspected deposits of minerals, now a cheap and +nasty substitute for this or that common necessity, now the treachery +of a too well-informed employee, anxious to become our partner. It was +all put to us tentatively, persuasively. Sometimes one had a large pink +blusterous person trying to carry us off our feet by his pseudo-boyish +frankness, now some dyspeptically yellow whisperer, now some earnest, +specially dressed youth with an eye-glass and a buttonhole, now some +homely-speaking, shrewd Manchester man or some Scotchman eager to be +very clear and full. + +Many came in couples or trios, often in tow of an explanatory +solicitor. Some were white and earnest, some flustered beyond measure +at their opportunity. Some of them begged and prayed to be taken up. My +uncle chose what he wanted and left the rest. He became very autocratic +to these applicants. + +He felt he could make them, and they felt so too. He had but to say +“No!” and they faded out of existence.... He had become a sort of +vortex to which wealth flowed of its own accord. His possessions +increased by heaps; his shares, his leaseholds and mortgages and +debentures. + +Behind his first-line things he found it necessary at last, and +sanctioned by all the precincts, to set up three general trading +companies, the London and African Investment Company, the British +Traders’ Loan Company, and Business Organisations Limited. This was in +the culminating time when I had least to do with affairs. I don’t say +that with any desire to exculpate myself; I admit I was a director of +all three, and I will confess I was willfully incurious in that +capacity. Each of these companies ended its financial year solvent by +selling great holdings of shares to one or other of its sisters, and +paying a dividend out of the proceeds. I sat at the table and agreed. +That was our method of equilibrium at the iridescent climax of the +bubble. + +You perceive now, however, the nature of the services for which this +fantastic community have him unmanageable wealth and power and real +respect. It was all a monstrous payment for courageous fiction, a +gratuity in return for the one reality of human life—illusion. We gave +them a feeling of hope and profit; we sent a tidal wave of water and +confidence into their stranded affairs. “We mint Faith, George,” said +my uncle one day. “That’s what we do. And by Jove we got to keep +minting! We been making human confidence ever since I drove the first +cork of Tono-Bungay.” + +“Coining” would have been a better word than minting! And yet, you +know, in a sense he was right. Civilisation is possible only through +confidence, so that we can bank our money and go unarmed about the +streets. The bank reserve or a policeman keeping order in a jostling +multitude of people, are only slightly less impudent bluffs than my +uncle’s prospectuses. They couldn’t for a moment “make good” if the +quarter of what they guarantee was demanded of them. The whole of this +modern mercantile investing civilisation is indeed such stuff as dreams +are made of. A mass of people swelters and toils, great railway systems +grow, cities arise to the skies and spread wide and far, mines are +opened, factories hum, foundries roar, ships plough the seas, countries +are settled; about this busy striving world the rich owners go, +controlling all, enjoying all, confident and creating the confidence +that draws us all together into a reluctant, nearly unconscious +brotherhood. I wonder and plan my engines. The flags flutter, the +crowds cheer, the legislatures meet. Yet it seems to me indeed at times +that all this present commercial civilisation is no more than my poor +uncle’s career writ large, a swelling, thinning bubble of assurances; +that its arithmetic is just as unsound, its dividends as ill-advised, +its ultimate aim as vague and forgotten; that it all drifts on perhaps +to some tremendous parallel to his individual disaster... + +Well, so it was we Boomed, and for four years and a half we lived a +life of mingled substance and moonshine. Until our particular +unsoundness overtook us we went about in the most magnificent of +motor-cars upon tangible high roads, made ourselves conspicuous and +stately in splendid houses, ate sumptuously and had a perpetual stream +of notes and money trickling into our pockets; hundreds of thousands of +men and women respected us, saluted us and gave us toil and honour; I +asked, and my worksheets rose, my aeroplanes swooped out of nothingness +to scare the downland pe-wits; my uncle waved his hand and Lady Grove +and all its associations of chivalry and ancient peace were his; waved +again, and architects were busy planning the great palace he never +finished at Crest Hill and an army of folkmen gathered to do his +bidding, blue marble came from Canada, and timber from New Zealand; and +beneath it all, you know, there was nothing but fictitious values as +evanescent as rainbow gold. + +IV + +I pass the Hardingham ever and again and glance aside through the great +archway at the fountain and the ferns, and think of those receding days +when I was so near the centre of our eddy of greed and enterprise. I +see again my uncle’s face, white and intent, and hear him discourse, +hear him make consciously Napoleonic decisions, “grip” his nettles, put +his “finger on the spot,” “bluff,” say “snap.” He became particularly +addicted to the last idiom. Towards the end every conceivable act took +the form of saying “snap!” + +The odd fish that came to us! And among others came Gordon-Nasmyth, +that queer blend of romance and illegality who was destined to drag me +into the most irrelevant adventure in my life the Mordet Island affair; +and leave me, as they say, with blood upon my hands. It is remarkable +how little it troubles my conscience and how much it stirs my +imagination, that particular memory of the life I took. The story of +Mordet Island has been told in a government report and told all wrong; +there are still excellent reasons for leaving it wrong in places, but +the liveliest appeals of discretion forbid my leaving it out +altogether. + +I’ve still the vividest memory of Gordon-Nasmyth’s appearance in the +inner sanctum, a lank, sunburnt person in tweeds with a yellow-brown +hatchet face and one faded blue eye—the other was a closed and sunken +lid—and how he told us with a stiff affectation of ease his incredible +story of this great heap of quap that lay abandoned or undiscovered on +the beach behind Mordet’s Island among white dead mangroves and the +black ooze of brackish water. + +“What’s quap?” said my uncle on the fourth repetition of the word. + +“They call it quap, or quab, or quabb,” said Gordon-Nasmyth; “but our +relations weren’t friendly enough to get the accent right.... + +“But there the stuff is for the taking. They don’t know about it. +Nobody knows about it. I got down to the damned place in a canoe alone. +The boys wouldn’t come. I pretended to be botanising.” ... + +To begin with, Gordon-Nasmyth was inclined to be dramatic. + +“Look here,” he said when he first came in, shutting the door rather +carefully behind him as he spoke, “do you two men—yes or no—want to put +up six thousand—for—a clear good chance of fifteen hundred per cent. on +your money in a year?” + +“We’re always getting chances like that,” said my uncle, cocking his +cigar offensively, wiping his glasses and tilting his chair back. “We +stick to a safe twenty.” + +Gordon-Nasmyth’s quick temper showed in a slight stiffening of his +attitude. + +“Don’t you believe him,” said I, getting up before he could reply. +“You’re different, and I know your books. We’re very glad you’ve come +to us. Confound it, uncle! Its Gordon-Nasmyth! Sit down. What is it? +Minerals?” + +“Quap,” said Gordon-Nasmyth, fixing his eye on me, “in heaps.” + +“In heaps,” said my uncle softly, with his glasses very oblique. + +“You’re only fit for the grocery,” said Gordon-Nasmyth scornfully, +sitting down and helping himself to one of my uncle’s cigars. “I’m +sorry I came. But, still, now I’m here.... And first as to quap; quap, +sir, is the most radio-active stuff in the world. That’s quap! It’s a +festering mass of earths and heavy metals, polonium, radium, ythorium, +thorium, carium, and new things, too. There’s a stuff called +Xk—provisionally. There they are, mucked up together in a sort of +rotting sand. What it is, how it got made, I don’t know. It’s like as +if some young creator had been playing about there. There it lies in +two heaps, one small, one great, and the world for miles about it is +blasted and scorched and dead. You can have it for the getting. You’ve +got to take it—that’s all!” + +“That sounds all right,” said I. “Have you samples?” + +“Well—_should_ I? You can have anything—up to two ounces.” + +“Where is it?”... + +His blue eye smiled at me and scrutinised me. He smoked and was +fragmentary for a time, fending off my questions; then his story began +to piece itself together. He conjured up a vision of this strange +forgotten kink in the world’s littoral, of the long meandering channels +that spread and divaricate and spend their burden of mud and silt +within the thunderbelt of Atlantic surf, of the dense tangled +vegetation that creeps into the shimmering water with root and sucker. +He gave a sense of heat and a perpetual reek of vegetable decay, and +told how at last comes a break among these things, an arena fringed +with bone-white dead trees, a sight of the hard-blue sea line beyond +the dazzling surf and a wide desolation of dirty shingle and mud, +bleached and scarred.... A little way off among charred dead weeds +stands the abandoned station,—abandoned because every man who stayed +two months at that station stayed to die, eaten up mysteriously like a +leper with its dismantled sheds and its decaying pier of wormrotten and +oblique piles and planks, still insecurely possible. + +And in the midst, two clumsy heaps shaped like the backs of hogs, one +small, one great, sticking out under a rib of rock that cuts the space +across,—quap! + +“There it is,” said Gordon-Nasmyth, “worth three pounds an ounce, if +it’s worth a penny; two great heaps of it, rotten stuff and soft, ready +to shovel and wheel, and you may get it by the ton!” + +“How did it get there?” + +“God knows! ... There it is—for the taking! In a country where you +mustn’t trade. In a country where the company waits for good kind men +to find it riches and then take ’em away from ’em. There you have +it—derelict.” + +“Can’t you do any sort of deal?” + +“They’re too damned stupid. You’ve got to go and take it. That’s all.” + +“They might catch you.” + +“They might, of course. But they’re not great at catching.” + +We went into the particulars of that difficulty. “They wouldn’t catch +me, because I’d sink first. Give me a yacht,” said Gordon-Nasmyth; +“that’s all I need.” + +“But if you get caught,” said my uncle. + +I am inclined to think Gordon-Nasmyth imagined we would give him a +cheque for six thousand pounds on the strength of his talk. It was very +good talk, but we didn’t do that. I stipulated for samples of his stuff +for analysis, and he consented—reluctantly. + +I think, on the whole, he would rather I didn’t examine samples. He +made a motion pocketwards, that gave us an invincible persuasion that +he had a sample upon him, and that at the last instant he decided not +to produce it prematurely. + +There was evidently a curious strain of secretiveness in him. He didn’t +like to give us samples, and he wouldn’t indicate within three hundred +miles the position of this Mordet Island of his. He had it clear in his +mind that he had a secret of immense value, and he had no idea at all +of just how far he ought to go with business people. And so presently, +to gain time for these hesitations of his, he began to talk of other +things. He talked very well. He talked of the Dutch East Indies and of +the Congo, of Portuguese East Africa and Paraguay, of Malays and rich +Chinese merchants, Dyaks and negroes and the spread of the Mahometan +world in Africa to-day. And all this time he was trying to judge if we +were good enough to trust with his adventure. Our cosy inner office +became a little place, and all our business cold and lifeless exploits +beside his glimpses of strange minglings of men, of slayings unavenged +and curious customs, of trade where no writs run, and the dark +treacheries of eastern ports and uncharted channels. + +We had neither of us gone abroad except for a few vulgar raids on +Paris; our world was England, are the places of origin of half the raw +material of the goods we sold had seemed to us as remote as fairyland +or the forest of Arden. But Gordon-Nasmyth made it so real and intimate +for us that afternoon—for me, at any rate—that it seemed like something +seen and forgotten and now again remembered. + +And in the end he produced his sample, a little lump of muddy clay +speckled with brownish grains, in a glass bottle wrapped about with +lead and flannel—red flannel it was, I remember—a hue which is, I know, +popularly supposed to double all the mystical efficacies of flannel. + +“Don’t carry it about on you,” said Gordon-Nasmyth. “It makes a sore.” + +I took the stuff to Thorold, and Thorold had the exquisite agony of +discovering two new elements in what was then a confidential analysis. +He has christened them and published since, but at the time +Gordon-Nasmyth wouldn’t hear for a moment of our publication of any +facts at all; indeed, he flew into a violent passion and abused me +mercilessly even for showing the stuff to Thorold. “I thought you were +going to analyse it yourself,” he said with the touching persuasion of +the layman that a scientific man knows and practises at the sciences. + +I made some commercial inquiries, and there seemed even then much truth +in Gordon-Nasmyth’s estimate of the value of the stuff. It was before +the days of Capern’s discovery of the value of canadium and his use of +it in the Capern filament, but the cerium and thorium alone were worth +the money he extracted for the gas-mantles then in vogue. There were, +however, doubts. Indeed, there were numerous doubts. What were the +limits of the gas-mantle trade? How much thorium, not to speak of +cerium, could they take at a maximum. Suppose that quantity was high +enough to justify our shipload, came doubts in another quarter. Were +the heaps up to sample? Were they as big as he said? Was +Gordon-Nasmyth—imaginative? And if these values held, could we after +all get the stuff? It wasn’t ours. It was on forbidden ground. You see, +there were doubts of every grade and class in the way of this +adventure. + +We went some way, nevertheless, in the discussion of his project, +though I think we tried his patience. Then suddenly he vanished from +London, and I saw no more of him for a year and a half. + +My uncle said that was what he had expected, and when at last +Gordon-Nasmyth reappeared and mentioned in an incidental way that he +had been to Paraguay on private (and we guessed passionate) affairs, +the business of the “quap” expedition had to be begun again at the +beginning. My uncle was disposed to be altogether sceptical, but I +wasn’t so decided. I think I was drawn by its picturesque aspects. But +we neither of us dreamt of touching it seriously until Capern’s +discovery. + +Nasmyth’s story had laid hold of my imagination like one small, intense +picture of tropical sunshine hung on a wall of grey business affairs. I +kept it going during Gordon-Nasmyth’s intermittent appearances in +England. Every now and then he and I would meet and reinforce its +effect. We would lunch in London, or he would cone to see my gliders at +Crest Hill, and make new projects for getting at those heaps again now +with me, now alone. + +At times they became a sort of fairy-story with us, an imaginative +exercise. And there came Capern’s discovery of what he called the ideal +filament and with it an altogether less problematical quality about the +business side of quap. For the ideal filament needed five per cent. of +canadium, and canadium was known to the world only as a newly separated +constituent of a variety of the rare mineral rutile. But to Thorold it +was better known as an element in a mysterious sample brought to him by +me, and to me it was known as one of the elements in quap. I told my +uncle, and we jumped on to the process at once. We found that +Gordon-Nasmyth, still unaware of the altered value of the stuff, and +still thinking of the experimental prices of radium and the rarity +value of cerium, had got hold of a cousin named Pollack, made some +extraordinary transaction about his life insurance policy, and was +buying a brig. We put in, put down three thousand pounds, and forthwith +the life insurance transaction and the Pollack side of this finance +vanished into thin air, leaving Pollack, I regret to say, in the brig +and in the secret—except so far as canadium and the filament went—as +residuum. We discussed earnestly whether we should charter a steamer or +go on with the brig, but we decided on the brig as a less conspicuous +instrument for an enterprise that was after all, to put it plainly, +stealing. + +But that was one of our last enterprises before our great crisis, and I +will tell of it in its place. + +So it was quap came into our affairs, came in as a fairy-tale and +became real. More and more real it grew until at last it was real, +until at last I saw with my eyes the heaps my imagination had seen for +so long, and felt between my fingers again that half-gritty, half soft +texture of quap, like sanded moist-sugar mixed with clay in which there +stirs something— + +One must feel it to understand. + +V + +All sorts of things came to the Hardingham and offered themselves to my +uncle. Gordon-Nasmyth stands but only because he played a part at last +in the crisis of our fortunes. So much came to us that it seemed to me +at times as though the whole world of human affairs was ready to +prostitute itself to our real and imaginary millions. As I look back, I +am still dazzled and incredulous to think of the quality of our +opportunities. + +We did the most extraordinary things; things that it seems absurd to me +to leave to any casual man of wealth and enterprise who cares to do +them. I had some amazing perceptions of just how modern thought and the +supply of fact to the general mind may be controlled by money. Among +other things that my uncle offered for, he tried very hard to buy the +_British Medical Journal_ and the _Lancet_, and run them on what he +called modern lines, and when they resisted him he talked very +vigorously for a time of organising a rival enterprise. That was a very +magnificent idea indeed in its way; it would have given a tremendous +advantage in the handling of innumerable specialties and indeed I +scarcely know how far it would not have put the medical profession in +our grip. It still amazes me—I shall die amazed—that such a thing can +be possible in the modern state. If my uncle failed to bring the thing +off, some one else may succeed. But I doubt, even if he had got both +these weeklies, whether his peculiar style would have suited them. The +change of purpose would have shown. He would have found it difficult to +keep up their dignity. + +He certainly did not keep up the dignity of the _Sacred Grove_, an +important critical organ which he acquired one day—by saying “snap”—for +eight hundred pounds. He got it “lock, stock and barrel”—under one or +other of which three aspects the editor was included. Even at that +price it didn’t pay. If you are a literary person you will remember the +bright new cover he gave that representative organ of British +intellectual culture, and how his sound business instincts jarred with +the exalted pretensions of a vanishing age. One old wrapper I +discovered the other day runs:— + +“THE SACRED GROVE.” + +_A Weekly Magazine of Art, Philosophy, Science and Belles Lettres._ + +HAVE YOU A NASTY TASTE IN YOUR MOUTH? +IT IS LIVER. + +YOU NEED ONE TWENTY-THREE PILL. +(JUST ONE.) +NOT A DRUG BUT A LIVE AMERICAN REMEDY. + +CONTENTS. + +A Hitherto Unpublished Letter from Walter Pater. +Charlotte Brontë’s Maternal Great Aunt. +A New Catholic History of England. +The Genius of Shakespeare. +Correspondence:—The Mendelian Hypothesis; The Split Infinitive; +“Commence,” or “Begin;” Claverhouse; Socialism and the Individual; The +Dignity of Letters. +Folk-lore Gossip. +The Stage; the Paradox of Acting. +Travel Biography, Verse, Fiction, etc. + +THE BEST PILL IN THE WORLD FOR AN IRREGULAR LIVER + + +I suppose it is some lingering traces of the Bladesover tradition to me +that makes this combination of letters and pills seem so incongruous, +just as I suppose it is a lingering trace of Plutarch and my +ineradicable boyish imagination that at bottom our State should be +wise, sane and dignified, that makes me think a country which leaves +its medical and literary criticism, or indeed any such vitally +important criticism, entirely to private enterprise and open to the +advances of any purchaser must be in a frankly hopeless condition. +These are ideal conceptions of mine. + +As a matter of fact, nothing would be more entirely natural and +representative of the relations of learning, thought and the economic +situation in the world at the present time than this cover of the +_Sacred Grove_—the quiet conservatism of the one element embedded in +the aggressive brilliance of the other; the contrasted notes of bold +physiological experiment and extreme mental immobility. + +VI + +There comes back, too, among these Hardingham memories, an impression +of a drizzling November day, and how we looked out of the windows upon +a procession of the London unemployed. + +It was like looking down a well into some momentarily revealed nether +world. Some thousands of needy ineffectual men had been raked together +to trail their spiritless misery through the West Eire with an appeal +that was also in its way a weak and insubstantial threat: “It is Work +we need, not Charity.” + +There they were, half-phantom through the fog, a silent, foot-dragging, +interminable, grey procession. They carried wet, dirty banners, they +rattled boxes for pence; these men who had not said “snap” in the right +place, the men who had “snapped” too eagerly, the men who had never +said “snap,” the men who had never had a chance of saying “snap.” A +shambling, shameful stream they made, oozing along the street, the +gutter waste of competitive civilisation. And we stood high out of it +all, as high as if we looked godlike from another world, standing in a +room beautifully lit and furnished, skillfully warmed, filled with +costly things. + +“There,” thought I, “but for the grace of God, go George and Edward +Ponderevo.” + +But my uncle’s thoughts ran in a different channel, and he made that +vision the test of a spirited but inconclusive harangue upon Tariff +Reform. + + + + +CHAPTER THE SECOND +OUR PROGRESS FROM CAMDEN TOWN TO CREST HILL + + +I + +So far my history of my aunt and uncle has dealt chiefly with his +industrial and financial exploits. But side by side with that history +of inflation from the infinitesimal to the immense is another +development, the change year by year from the shabby impecuniosity of +the Camden Town lodging to the lavish munificence of the Crest Hill +marble staircase and my aunt’s golden bed, the bed that was facsimiled +from Fontainebleau. And the odd thing is that as I come to this nearer +part of my story I find it much more difficult to tell than the clear +little perspective memories of the earlier days. Impressions crowd upon +one another and overlap one another; I was presently to fall in love +again, to be seized by a passion to which I still faintly respond, a +passion that still clouds my mind. I came and went between Ealing and +my aunt and uncle, and presently between Effie and clubland, and then +between business and a life of research that became far more +continuous, infinitely more consecutive and memorable than any of these +other sets of experiences. I didn’t witness a regular social progress +therefore; my aunt and uncle went up in the world, so far as I was +concerned, as if they were displayed by an early cinematograph, with +little jumps and flickers. + +As I recall this side of our life, the figure of my round-eyes, +button-nosed, pink-and-white Aunt Susan tends always to the central +position. We drove the car and sustained the car, she sat in it with a +magnificent variety of headgear poised upon her delicate neck, and +always with that faint ghost of a lisp no misspelling can +render—commented on and illuminated the new aspects. + +I’ve already sketched the little home behind the Wimblehurst chemist’s +shop, the lodging near the Cobden statue, and the apartments in Gower +Street. Thence my aunt and uncle went into a flat in Redgauntlet +Mansions. There they lived when I married. It was a compact flat, with +very little for a woman to do in it In those days my aunt, I think, +used to find the time heavy upon her hands, and so she took to books +and reading, and after a time even to going to lectures in the +afternoon. I began to find unexpected books upon her table: +sociological books, travels, Shaw’s plays. “Hullo!” I said, at the +sight of some volume of the latter. + +“I’m keeping a mind, George,” she explained. + +“Eh?” + +“Keeping a mind. Dogs I never cared for. It’s been a toss-up between +setting up a mind and setting up a soul. It’s jolly lucky for Him and +you it’s a mind. I’ve joined the London Library, and I’m going in for +the Royal Institution and every blessed lecture that comes along next +winter. You’d better look out.”... + +And I remember her coming in late one evening with a note-book in her +hand. + +“Where ya been, Susan?” said my uncle. + +“Birkbeck—Physiology. I’m getting on.” She sat down and took off her +gloves. “You’re just glass to me,” she sighed, and then in a note of +grave reproach: “You old _Package!_ I had no idea! The Things you’ve +kept from me!” + +Presently they were setting; up the house at Beckengham, and my aunt +intermitted her intellectual activities. The house at Beckengham was +something of an enterprise for them at that time, a reasonably large +place by the standards of the early years of Tono-Bungay. It was a big, +rather gaunt villa, with a conservatory and a shrubbery, a tennis-lawn, +a quite considerable vegetable garden, and a small disused coach-house. +I had some glimpses of the excitements of its inauguration, but not +many because of the estrangement between my aunt and Marion. + +My aunt went into that house with considerable zest, and my uncle +distinguished himself by the thoroughness with which he did the +repainting and replumbing. He had all the drains up and most of the +garden with them, and stood administrative on heaps—administrating +whisky to the workmen. I found him there one day, most Napoleonic, on a +little Elba of dirt, in an atmosphere that defies print. He also, I +remember, chose what he considered cheerful contrasts of colours for +the painting of the woodwork. This exasperated my aunt extremely—she +called him a “Pestilential old Splosher” with an unusual note of +earnestness—and he also enraged her into novelties of abuse by giving +each bedroom the name of some favourite hero—Cliff, Napoleon, Cæsar, +and so forth—and having it painted on the door in gilt letters on a +black label. “Martin Luther” was kept for me. Only her respect for +domestic discipline, she said, prevented her retaliating with “Old +Pondo” on the housemaid’s cupboard. + +Also he went and ordered one of the completest sets of garden +requisites I have ever seen—and had them all painted a hard clear blue. +My aunt got herself large tins of a kindlier hued enamel and had +everything secretly recoated, and this done, she found great joy in the +garden and became an ardent rose grower and herbaceous borderer, +leaving her Mind, indeed, to damp evenings and the winter months. When +I think of her at Beckenham, I always think first of her as dressed in +that blue cotton stuff she affected, with her arms in huge gauntleted +gardening gloves, a trowel in one hand and a small but no doubt hardy +and promising annual, limp and very young-looking and sheepish, in the +other. + +Beckenham, in the persons of a vicar, a doctor’s wife, and a large +proud lady called Hogberry, “called” on my uncle and aunt almost at +once, so soon in fact as the lawn was down again, and afterwards my +aunt made friends with a quiet gentlewoman next door, a propos of an +overhanging cherry tree and the need of repairing the party fence. So +she resumed her place in society from which she had fallen with the +disaster of Wimblehurst. She made a partially facetious study of the +etiquette of her position, had cards engraved and retaliated calls. And +then she received a card for one of Mrs. Hogberry’s At Homes, gave an +old garden party herself, participated in a bazaar and sale of work, +and was really becoming quite cheerfully entangled in Beckenham society +when she was suddenly taken up by the roots again by my uncle and +transplanted to Chiselhurst. + +“Old Trek, George,” she said compactly, “Onward and Up,” when I found +her superintending the loading of two big furniture vans. “Go up and +say good-bye to ‘Martin Luther,’ and then I’ll see what you can do to +help me.” + +II + +I look into the jumbled stores of the middle distance of memory, and +Beckenham seems to me a quite transitory phase. But really they were +there several years; through nearly all my married life, in fact, and +far longer than the year and odd months we lived together at +Wimblehurst. But the Wimblehurst time with them is fuller in my memory +by far then the Beckenham period. There comes back to me with a quite +considerable amount of detail the effect of that garden party of my +aunt’s and of a little social misbehaviour of which I was guilty on +that occasion. It’s like a scrap from another life. It’s all set in +what is for me a kind of cutaneous feeling, the feeling of rather +ill-cut city clothes, frock coat and grey trousers, and of a high +collar and tie worn in sunshine among flowers. I have still a quite +vivid memory of the little trapezoidal lawn, of the gathering, and +particularly of the hats and feathers of the gathering, of the +parlour-maid and the blue tea-cups, and of the magnificent presence of +Mrs. Hogberry and of her clear, resonant voice. It was a voice that +would have gone with a garden party on a larger scale; it went into +adjacent premises; it included the gardener who was far up the +vegetable patch and technically out of play. The only other men were my +aunt’s doctor, two of the clergy, amiable contrasted men, and Mrs. +Hogberry’s imperfectly grown-up son, a youth just bursting into collar. +The rest were women, except for a young girl or so in a state of +speechless good behaviour. Marion also was there. + +Marion and I had arrived a little estranged, and I remember her as a +silent presence, a shadow across all that sunlit emptiness of +intercourse. We had embittered each other with one of those miserable +little disputes that seemed so unavoidable between us. She had, with +the help of Smithie, dressed rather elaborately for the occasion, and +when she saw me prepared to accompany her in, I think it was a grey +suit, she protested that silk hat and frock coat were imperative. I was +recalcitrant, she quoted an illustrated paper showing a garden party +with the King present, and finally I capitulated—but after my evil +habit, resentfully.... Eh, dear! those old quarrels, how pitiful they +were, how trivial! And how sorrowful they are to recall! I think they +grow more sorrowful as I grow older, and all the small passionate +reasons for our mutual anger fade and fade out of memory. + +The impression that Beckenham company has left on my mind is one of a +modest unreality; they were all maintaining a front of unspecified +social pretension, and evading the display of the economic facts of the +case. Most of the husbands were “in business” off stage, it would have +been outrageous to ask what the business was—and the wives were giving +their energies to produce, with the assistance of novels and the +illustrated magazines, a moralised version of the afternoon life of the +aristocratic class. They hadn’t the intellectual or moral enterprise of +the upper-class woman, they had no political interests, they had no +views about anything, and consequently they were, I remember, extremely +difficult to talk to. They all sat about in the summer-house and in +garden-chairs, and were very hatty and ruffley and sunshady. Three +ladies and the curate played croquet with a general immense gravity, +broken by occasional loud cries of feigned distress from the curate. +“Oh! Whacking me about again! Augh!” + +The dominant social fact that afternoon was Mrs. Hogberry; she took up +a certain position commanding the croquet and went on, as my aunt said +to me in an incidental aside, “like an old Roundabout.” She talked of +the way in which Beckenham society was getting mixed, and turned on to +a touching letter she had recently received from her former nurse at +Little Gossdean. Followed a loud account of Little Gossdean and how +much she and her eight sisters had been looked up to there. “My poor +mother was quite a little Queen there,” she said. “And such _nice_ +Common people! People say the country labourers are getting +disrespectful nowadays. It isn’t so—not if they’re properly treated. +Here of course in Beckenham it’s different. I won’t call the people we +get here a Poor—they’re certainly not a proper Poor. They’re Masses. I +always tell Mr. Bugshoot they’re Masses, and ought to be treated as +such.”... + +Dim memories of Mrs. Mackridge floated through my mind as I listened to +her.... + +I was whirled on this roundabout for a bit, and then had the fortune to +fall off into a _tête-à-tête_ with a lady whom my aunt introduced as +Mrs. Mumble—but then she introduced everybody to me as Mumble that +afternoon, either by way of humour or necessity. + +That must have been one of my earliest essays in the art of polite +conversation, and I remember that I began by criticising the local +railway service, and that at the third sentence or thereabouts Mrs. +Mumble said in a distinctly bright and encouraging way that she feared +I was a very “frivolous” person. + +I wonder now what it was I said that was “frivolous.” + +I don’t know what happened to end that conversation, or if it had an +end. I remember talking to one of the clergy for a time rather +awkwardly, and being given a sort of topographical history of +Beckenham, which he assured me time after time was “Quite an old place. +_Quite_ an old place.” As though I had treated it as new and he meant +to be very patient but very convincing. Then we hung up in a distinct +pause, and my aunt rescued me. “George,” she said in a confidential +undertone, “keep the pot a-boiling.” And then audibly, “I say, will you +both old trot about with tea a bit?” + +“Only too delighted to _trot_ for you, Mrs. Ponderevo,” said the +clergyman, becoming fearfully expert and in his elements; “only too +delighted.” + +I found we were near a rustic table, and that the housemaid was behind +us in a suitable position to catch us on the rebound with the tea +things. + +“Trot!” repeated the clergyman to me, much amused; “excellent +expression!” And I just saved him from the tray as he turned about. + +We handed tea for a while.... + +“Give ’em cakes,” said my aunt, flushed, but well in hand. “Helps ’em +to talk, George. Always talk best after a little nourishment. Like +throwing a bit of turf down an old geyser.” + +She surveyed the gathering with a predominant blue eye and helped +herself to tea. + +“They keep on going stiff,” she said in an undertone.... “I’ve done my +best.” + +“It’s been a huge success,” I said encouragingly. + +“That boy has had his legs crossed in that position and hasn’t spoken +for ten minutes. Stiffer and stiffer. Brittle. He’s beginning a dry +cough—always a bad sign, George.... Walk ’em about, shall I?—rub their +noses with snow?” + +Happily she didn’t. I got myself involved with the gentlewoman from +next door, a pensive, languid-looking little woman with a low voice, +and fell talking; our topic, Cats and Dogs, and which it was we liked +best. + +“I always feel,” said the pensive little woman, “that there’s something +about a dog—A cat hasn’t got it.” + +“Yes,” I found myself admitting with great enthusiasm, “there is +something. And yet again—” + +“Oh! I know there’s something about a cat, too. But it isn’t the same.” + +“Not quite the same,” I admitted; “but still it’s something.” + +“Ah! But such a different something!” + +“More sinuous.” + +“Much more.” + +“Ever so much more.” + +“It makes all the difference, don’t you think?” + +“Yes,” I said, “_all_.” + +She glanced at me gravely and sighed a long, deeply felt “_Yes_.” + +A long pause. + +The thing seemed to me to amount to a stale-mate. Fear came into my +heart and much perplexity. + +“The—er—Roses,” I said. I felt like a drowning man. “Those roses—don’t +you think they are—very beautiful flowers?” + +“Aren’t they!” she agreed gently. “There seems to be something in +roses—something—I don’t know how to express it.” + +“Something,” I said helpfully. + +“Yes,” she said, “something. Isn’t there?” + +“So few people see it,” I said; “more’s the pity!” + +She sighed and said again very softly, “_Yes_.”... + +There was another long pause. I looked at her and she was thinking +dreamily. The drowning sensation returned, the fear and enfeeblement. I +perceived by a sort of inspiration that her tea-cup was empty. + +“Let me take your cup,” I said abruptly, and, that secured, made for +the table by the summer-house. I had no intention then of deserting my +aunt. But close at hand the big French window of the drawing-room +yawned inviting and suggestive. I can feel all that temptation now, and +particularly the provocation of my collar. In an instant I was lost. I +would—Just for a moment! + +I dashed in, put down the cup on the keys of the grand piano and fled +upstairs, softly, swiftly, three steps at a time, to the sanctuary of +my uncle’s study, his snuggery. I arrived there breathless, convinced +there was no return for me. I was very glad and ashamed of myself, and +desperate. By means of a penknife I contrived to break open his cabinet +of cigars, drew a chair to the window, took off my coat, collar and +tie, and remained smoking guiltily and rebelliously, and peeping +through the blind at the assembly on the lawn until it was altogether +gone.... + +The clergymen, I thought, were wonderful. + +III + +A few such pictures of those early days at Beckenham stand out, and +then I find myself among the Chiselhurst memories. The Chiselhurst +mansion had “grounds” rather than a mere garden, and there was a +gardener’s cottage and a little lodge at the gate. The ascendant +movement was always far more in evidence there than at Beckenham. The +velocity was increasing. + +One night picks itself out as typical, as, in its way, marking an +epoch. I was there, I think, about some advertisement stuff, on some +sort of business anyhow, and my uncle and aunt had come back in a fly +from a dinner at the Runcorns. (Even there he was nibbling at Runcorn +with the idea of our great Amalgamation budding in his mind.) I got +down there, I suppose, about eleven. I found the two of them sitting in +the study, my aunt on a chair-arm with a whimsical pensiveness on her +face, regarding my uncle, and he, much extended and very rotund, in the +low arm-chair drawn up to the fender. + +“Look here, George,” said my uncle, after my first greetings. “I just +been saying: We aren’t Oh Fay!” + +“Eh?” + +“Not Oh Fay! Socially!” + +“Old _Fly_, he means, George—French!” + +“Oh! Didn’t think of French. One never knows where to have him. What’s +gone wrong to-night?” + +“I been thinking. It isn’t any particular thing. I ate too much of that +fishy stuff at first, like salt frog spawn, and was a bit confused by +olives; and—well, I didn’t know which wine was which. Had to say _that_ +each time. It puts your talk all wrong. And she wasn’t in evening +dress, not like the others. We can’t go on in that style, George—not a +proper ad.” + +“I’m not sure you were right,” I said, “in having a fly.” + +“We got to do it all better,” said my uncle, “we got to do it in Style. +Smart business, smart men. She tries to pass it off as humorous”—my +aunt pulled a grimace—“it isn’t humorous! See! We’re on the up-grade +now, fair and square. We’re going to be big. We aren’t going to be +laughed at as Poovenoos, see!” + +“Nobody laughed at you,” said my aunt. “Old Bladder!” + +“Nobody isn’t going to laugh at me,” said my uncle, glancing at his +contours and suddenly sitting up. + +My aunt raised her eyebrows slightly, swung her foot, and said nothing. + +“We aren’t keeping pace with our own progress, George. We got to. We’re +bumping against new people, and they set up to be gentlefolks—etiquette +dinners and all the rest of it. They give themselves airs and expect us +to be fish-out-of-water. We aren’t going to be. They think we’ve no +Style. Well, we give them Style for our advertisements, and we’re going +to give ’em Style all through.... You needn’t be born to it to dance +well on the wires of the Bond Street tradesmen. See?” + +I handed him the cigar-box. + +“Runcorn hadn’t cigars like these,” he said, truncating one lovingly. +“We beat him at cigars. We’ll beat him all round.” + +My aunt and I regarded him, full of apprehensions. + +“I got idees,” he said darkly to the cigar, deepening our dread. + +He pocketed his cigar-cutter and spoke again. + +“We got to learn all the rotten little game first. See, F’rinstance, we +got to get samples of all the blessed wines there are—and learn ’em up. +Stern, Smoor, Burgundy, all of ’em! She took Stern to-night—and when +she tasted it first—you pulled a face, Susan, you did. I saw you. It +surprised you. You bunched your nose. We got to get used to wine and +not do that. We got to get used to wearing evening dress—_you_, Susan, +too.” + +“Always have had a tendency to stick out of my clothes,” said my aunt. +“However—Who cares?” She shrugged her shoulders. + +I had never seen my uncle so immensely serious. + +“Got to get the hang of etiquette,” he went on to the fire. “Horses +even. Practise everything. Dine every night in evening dress.... Get a +brougham or something. Learn up golf and tennis and things. Country +gentleman. Oh Fay. It isn’t only freedom from Goochery.” + +“Eh?” I said. + +“Oh!—Gawshery, if you like!” + +“French, George,” said my aunt. “But _I’m_ not ol’ Gooch. I made that +face for fun.” + +“It isn’t only freedom from Gawshery. We got to have Style. See! Style! +Just all right and one better. That’s what I call Style. We can do it, +and we will.” + +He mumbled his cigar and smoked for a space, leaning forward and +looking into the fire. + +“What is it,” he asked, “after all? What is it? Tips about eating; tips +about drinking. Clothes. How to hold yourself, and not say jes’ the few +little things they know for certain are wrong—jes’ the shibboleth +things.” + +He was silent again, and the cigar crept up from the horizontal towards +the zenith as the confidence of his mouth increased. + +“Learn the whole bag of tricks in six months.” he said, becoming more +cheerful. “Ah, Susan? Beat it out! George, you in particular ought to +get hold of it. Ought to get into a good club, and all that.” + +“Always ready to learn!” I said. “Ever since you gave me the chance of +Latin. So far we don’t seem to have hit upon any Latin-speaking stratum +in the population.” + +“We’ve come to French,” said my aunt, “anyhow.” + +“It’s a very useful language,” said my uncle. “Put a point on things. +Zzzz. As for accent, no Englishman has an accent. No Englishman +pronounces French properly. Don’t you tell _me_. It’s a Bluff.—It’s all +a Bluff. Life’s a Bluff—practically. That’s why it’s so important, +Susan, for us to attend to Style. Le Steel Say Lum. The Style it’s the +man. Whad you laughing at, Susan? George, you’re not smoking. These +cigars are good for the mind.... What do _you_ think of it all? We got +to adapt ourselves. We have—so far.... Not going to be beat by these +silly things.” + +IV + +“What do you think of it, George?” he insisted. + +What I said I thought of it I don’t now recall. Only I have very +distinctly the impression of meeting for a moment my aunt’s +impenetrable eye. And anyhow he started in with his accustomed energy +to rape the mysteries of the Costly Life, and become the calmest of its +lords. On the whole, I think he did it—thoroughly. I have crowded +memories, a little difficult to disentangle, of his experimental +stages, his experimental proceedings. It’s hard at times to say which +memory comes in front of which. I recall him as presenting on the whole +a series of small surprises, as being again and again, unexpectedly, a +little more self-confident, a little more polished, a little richer and +finer, a little more aware of the positions and values of things and +men. + +There was a time—it must have been very early—when I saw him deeply +impressed by the splendours of the dining-room of the National Liberal +Club. Heaven knows who our host was or what that particular little +“feed” was about now!—all that sticks is the impression of our +straggling entry, a string of six or seven guests, and my uncle looking +about him at the numerous bright red-shaded tables, at the exotics in +great Majolica jars, at the shining ceramic columns and pilasters, at +the impressive portraits of Liberal statesmen and heroes, and all that +contributes to the ensemble of that palatial spectacle. He was betrayed +into a whisper to me, “This is all Right, George!” he said. That +artless comment seems almost incredible as I set it down; there came a +time so speedily when not even the clubs of New York could have +overawed my uncle, and when he could walk through the bowing +magnificence of the Royal Grand Hotel to his chosen table in that +aggressively exquisite gallery upon the river, with all the easy calm +of one of earth’s legitimate kings. + +The two of them learnt the new game rapidly and well; they experimented +abroad, they experimented at home. At Chiselhurst, with the aid of a +new, very costly, but highly instructive cook, they tried over +everything they heard of that roused their curiosity and had any +reputation for difficulty, from asparagus to plover’s eggs. They +afterwards got a gardener who could wait at table—and he brought the +soil home to one. Then there came a butler. + +I remember my aunt’s first dinner-gown very brightly, and how she stood +before the fire in the drawing-room confessing once unsuspected pretty +arms with all the courage she possessed, and looking over her shoulder +at herself in a mirror. + +“A ham,” she remarked reflectively, “must feel like this. Just a +necklace.”... + +I attempted, I think, some commonplace compliment. + +My uncle appeared at the door in a white waistcoat and with his hands +in his trouser pockets; he halted and surveyed her critically. + +“Couldn’t tell you from a duchess, Susan,” he remarked. “I’d like to +have you painted, standin’ at the fire like that. Sargent! You +look—spirited, somehow. Lord!—I wish some of those damned tradesmen at +Wimblehurst could see you.”... + +They did a lot of week-ending at hotels, and sometimes I went down with +them. We seemed to fall into a vast drifting crowd of social learners. +I don’t know whether it is due simply to my changed circumstances, but +it seems to me there have been immensely disproportionate developments +of the hotel-frequenting and restaurant-using population during the +last twenty years. It is not only, I think, that there are crowds of +people who, like we were, are in the economically ascendant phase, but +whole masses of the prosperous section of the population must be +altering its habits, giving up high-tea for dinner and taking to +evening dress, using the week-end hotels as a practise-ground for these +new social arts. A swift and systematic conversion to gentility has +been going on, I am convinced, throughout the whole commercial +upper-middle class since I was twenty-one. Curiously mixed was the +personal quality of the people one saw in these raids. There were +conscientiously refined and low-voiced people reeking with proud +bashfulness; there were aggressively smart people using pet diminutives +for each other loudly and seeking fresh occasions for brilliant +rudeness; there were awkward husbands and wives quarrelling furtively +about their manners and ill at ease under the eye of the winter; +cheerfully amiable and often discrepant couples with a disposition to +inconspicuous corners, and the jolly sort, affecting an unaffected +ease; plump happy ladies who laughed too loud, and gentlemen in evening +dress who subsequently “got their pipes.” And nobody, you knew, was +anybody, however expensively they dressed and whatever rooms they took. + +I look back now with a curious remoteness of spirit to those crowded +dining-rooms with their dispersed tables and their inevitable +red-shaded lights and the unsympathetic, unskillful waiters, and the +choice of “Thig or Glear, Sir?” I’ve not dined in that way, in that +sort of place, now for five years—it must be quite five years, so +specialised and narrow is my life becoming. + +My uncle’s earlier motor-car phases work in with these associations, +and there stands out a little bright vignette of the hall of the +Magnificent, Bexhill-on-Sea, and people dressed for dinner and sitting +about amidst the scarlet furniture—satin and white-enameled woodwork +until the gong should gather them; and my aunt is there, very +marvelously wrapped about in a dust cloak and a cage-like veil, and +there are hotel porters and under-porters very alert, and an obsequious +manager; and the tall young lady in black from the office is surprised +into admiration, and in the middle of the picture is my uncle, making +his first appearance in that Esquimaux costume I have already +mentioned, a short figure, compactly immense, hugely goggled, wearing a +sort of brown rubber proboscis, and surmounted by a table-land of +motoring cap. + +V + +So it was we recognised our new needs as fresh invaders of the upper +levels of the social system, and set ourselves quite consciously to the +acquisition of Style and _Savoir Faire_. We became part of what is +nowadays quite an important element in the confusion of our world, that +multitude of economically ascendant people who are learning how to +spend money. It is made up of financial people, the owners of the +businesses that are eating up their competitors, inventors of new +sources of wealth, such as ourselves; it includes nearly all America as +one sees it on the European stage. It is a various multitude having +only this in common: they are all moving, and particularly their +womankind are moving, from conditions in which means were insistently +finite, things were few, and customs simple, towards a limitless +expenditure and the sphere of attraction of Bond Street, Fifth Avenue, +and Paris. Their general effect is one of progressive revolution, of +limitless rope. + +They discover suddenly indulgences their moral code never foresaw and +has no provision for, elaborations, ornaments, possessions beyond their +wildest dreams. With an immense astonished zest they begin _shopping_, +begin a systematic adaptation to a new life crowded and brilliant with +things shopped, with jewels, maids, butlers, coachmen, electric +broughams, hired town and country houses. They plunge into it as one +plunges into a career; as a class, they talk, think, and dream +possessions. Their literature, their Press, turns all on that; immense +illustrated weeklies of unsurpassed magnificence guide them in domestic +architecture, in the art of owning a garden, in the achievement of the +sumptuous in motor-cars, in an elaborate sporting equipment, in the +purchase and control of their estates, in travel and stupendous hotels. +Once they begin to move they go far and fast. Acquisition becomes the +substance of their lives. They find a world organised to gratify that +passion. In a brief year or so they are connoisseurs. They join in the +plunder of the eighteenth century, buy rare old books, fine old +pictures, good old furniture. Their first crude conception of dazzling +suites of the newly perfect is replaced almost from the outset by a +jackdaw dream of accumulating costly discrepant old things. + +I seem to remember my uncle taking to shopping quite suddenly. In the +Beckenham days and in the early Chiselhurst days he was chiefly +interested in getting money, and except for his onslaught on the +Beckenham house, bothered very little about his personal surroundings +and possessions. I forget now when the change came and he began to +spend. Some accident must have revealed to him this new source of +power, or some subtle shifting occurred in the tissues of his brain. He +began to spend and “shop.” So soon as he began to shop, he began to +shop violently. He began buying pictures, and then, oddly enough, old +clocks. For the Chiselhurst house he bought nearly a dozen grandfather +clocks and three copper warming pans. After that he bought much +furniture. Then he plunged into art patronage, and began to commission +pictures and to make presents to churches and institutions. His buying +increased with a regular acceleration. Its development was a part of +the mental changes that came to him in the wild excitements of the last +four years of his ascent. Towards the climax he was a furious spender; +he shopped with large unexpected purchases, he shopped like a mind +seeking expression, he shopped to astonish and dismay; shopped +_crescendo_, shopped _fortissimo, con molto espressione_ until the +magnificent smash of Crest Hill eroded his shopping for ever. Always it +was he who shopped. My aunt did not shine as a purchaser. It is a +curious thing, due to I know not what fine strain in her composition, +that my aunt never set any great store upon possessions. She plunged +through that crowded bazaar of Vanity Fair during those feverish years, +spending no doubt freely and largely, but spending with detachment and +a touch of humorous contempt for the things, even the “old” things, +that money can buy. It came to me suddenly one afternoon just how +detached she was, as I saw her going towards the Hardingham, sitting +up, as she always did, rather stiffly in her electric brougham, +regarding the glittering world with interested and ironically innocent +blue eyes from under the brim of a hat that defied comment. “No one,” I +thought, “would sit so apart if she hadn’t dreams—and what are her +dreams?” + +I’d never thought. + +And I remember, too, an outburst of scornful description after she had +lunched with a party of women at the Imperial Cosmic Club. She came +round to my rooms on the chance of finding me there, and I gave her +tea. She professed herself tired and cross, and flung herself into my +chair.... + +“George,” she cried, “the Things women are! Do _I_ stink of money?” + +“Lunching?” I asked. + +She nodded. + +“Plutocratic ladies?” + +“Yes.” + +“Oriental type?” + +“Oh! Like a burst hareem!... Bragging of possessions.... They feel you. +They feel your clothes, George, to see if they are good!” + +I soothed her as well as I could. “They _are_ Good aren’t they?” I +said. + +“It’s the old pawnshop in their blood,” she said, drinking tea; and +then in infinite disgust, “They run their hands over your clothes—they +paw you.” + +I had a moment of doubt whether perhaps she had not been discovered in +possession of unsuspected forgeries. I don’t know. After that my eyes +were quickened, and I began to see for myself women running their hands +over other women’s furs, scrutinising their lace, even demanding to +handle jewelry, appraising, envying, testing. They have a kind of +etiquette. The woman who feels says, “What beautiful sables?” “What +lovely lace?” The woman felt admits proudly: “It’s Real, you know,” or +disavows pretension modestly and hastily, “It’s Rot Good.” In each +other’s houses they peer at the pictures, handle the selvage of +hangings, look at the bottoms of china.... + +I wonder if it IS the old pawnshop in the blood. + +I doubt if Lady Drew and the Olympians did that sort of thing, but here +I may be only clinging to another of my former illusions about +aristocracy and the State. Perhaps always possessions have been Booty, +and never anywhere has there been such a thing as house and furnishings +native and natural to the women and men who made use of them.... + +VI + +For me, at least, it marked an epoch in my uncle’s career when I learnt +one day that he had “shopped” Lady Grove. I realised a fresh, wide, +unpreluded step. He took me by surprise with the sudden change of scale +from such portable possessions as jewels and motor-cars to a stretch of +countryside. The transaction was Napoleonic; he was told of the place; +he said “snap”; there were no preliminary desirings or searchings. Then +he came home and said what he had done. Even my aunt was for a day or +so measurably awestricken by this exploit in purchase, and we both went +down with him to see the house in a mood near consternation. It struck +us then as a very lordly place indeed. I remember the three of us +standing on the terrace that looked westward, surveying the +sky-reflecting windows of the house, and a feeling of unwarrantable +intrusion comes back to me. + +Lady Grove, you know, is a very beautiful house indeed, a still and +gracious place, whose age-long seclusion was only effectively broken +with the toot of the coming of the motor-car. An old Catholic family +had died out in it, century by century, and was now altogether dead. +Portions of the fabric are thirteenth century, and its last +architectural revision was Tudor; within, it is for the most part dark +and chilly, save for two or three favoured rooms and its tall-windowed, +oak-galleried hall. Its terrace is its noblest feature; a very wide, +broad lawn it is, bordered by a low stone battlement, and there is a +great cedar in one corner under whose level branches one looks out +across the blue distances of the Weald, blue distances that are made +extraordinarily Italian in quality by virtue of the dark masses of that +single tree. It is a very high terrace; southward one looks down upon +the tops of wayfaring trees and spruces, and westward on a steep slope +of beechwood, through which the road comes. One turns back to the still +old house, and sees a grey and lichenous façade with a very finely +arched entrance. It was warmed by the afternoon light and touched with +the colour of a few neglected roses and a pyracanthus. It seemed to me +that the most modern owner conceivable in this serene fine place was +some bearded scholarly man in a black cassock, gentle-voiced and +white-handed, or some very soft-robed, grey gentlewoman. And there was +my uncle holding his goggles in a sealskin glove, wiping the glass with +a pocket-handkerchief, and asking my aunt if Lady Grove wasn’t a “Bit +of all Right.” + +My aunt made him no answer. + +“The man who built this,” I speculated, “wore armour and carried a +sword.” + +“There’s some of it inside still,” said my uncle. + +We went inside. An old woman with very white hair was in charge of the +place and cringed rather obviously to the new master. She evidently +found him a very strange and frightful apparition indeed, and was +dreadfully afraid of him. But if the surviving present bowed down to +us, the past did not. We stood up to the dark, long portraits of the +extinguished race—one was a Holbein—and looked them in their sidelong +eyes. They looked back at us. We all, I know, felt the enigmatical +quality in them. Even my uncle was momentarily embarrassed, I think, by +that invincibly self-complacent expression. It was just as though, +after all, he had _not_ bought them up and replaced them altogether; as +though that, secretly, they knew better and could smile at him. + +The spirit of the place was akin to Bladesover, but touched with +something older and remoter. That armour that stood about had once +served in tilt-yards, if indeed it had not served in battle, and this +family had sent its blood and treasure, time after time, upon the most +romantic quest in history, to Palestine. Dreams, loyalties, place and +honour, how utterly had it all evaporated, leaving, at last, the final +expression of its spirit, these quaint painted smiles, these smiles of +triumphant completion! It had evaporated, indeed, long before the +ultimate Durgan had died, and in his old age he had cumbered the place +with Early Victorian cushions and carpets and tapestry table-cloths and +invalid appliances of a type even more extinct, it seemed to us, than +the crusades.... Yes, it was different from Bladesover. + +“Bit stuffy, George,” said my uncle. “They hadn’t much idea of +ventilation when this was built.” + +One of the panelled rooms was half-filled with presses and a +four-poster bed. “Might be the ghost room,” said my uncle; but it did +not seem to me that so retiring a family as the Durgans, so old and +completely exhausted a family as the Durgans, was likely to haunt +anybody. What living thing now had any concern with their honour and +judgments and good and evil deeds? Ghosts and witchcraft were a later +innovation—that fashion came from Scotland with the Stuarts. + +Afterwards, prying for epitaphs, we found a marble crusader with a +broken nose, under a battered canopy of fretted stone, outside the +restricted limits of the present Duffield church, and half buried in +nettles. “Ichabod,” said my uncle. “Eh? We shall be like that, Susan, +some day.... I’m going to clean him up a bit and put a railing to keep +off the children.” + +“Old saved at the eleventh hour,” said my aunt, quoting one of the less +successful advertisements of Tono-Bungay. + +But I don’t think my uncle heard her. + +It was by our captured crusader that the vicar found us. He came round +the corner at us briskly, a little out of breath. He had an air of +having been running after us since the first toot of our horn had +warned the village of our presence. He was an Oxford man, clean-shaven, +with a cadaverous complexion and a guardedly respectful manner, a +cultivated intonation, and a general air of accommodation to the new +order of things. These Oxford men are the Greeks of our plutocratic +empire. He was a Tory in spirit, and what one may call an adapted Tory +by stress of circumstances; that is to say, he was no longer a +legitimist; he was prepared for the substitution of new lords for old. +We were pill vendors he knew, and no doubt horribly vulgar in soul; but +then it might have been some polygamous Indian rajah, a great strain on +a good man’s tact, or some Jew with an inherited expression of +contempt. Anyhow, we were English, and neither Dissenters nor +Socialists, and he was cheerfully prepared to do what he could to make +gentlemen of both of us. He might have preferred Americans for some +reasons; they are not so obviously taken from one part of the social +system and dumped down in another, and they are more teachable; but in +this world we cannot always be choosers. So he was very bright and +pleasant with us, showed us the church, gossiped informingly about our +neighbours on the countryside—Tux, the banker; Lord Boom, the magazine +and newspaper proprietor; Lord Carnaby, that great sportsman, and old +Lady Osprey. And finally he took us by way of a village lane—three +children bobbed convulsively with eyes of terror for my uncle—through a +meticulous garden to a big, slovenly Vicarage with faded Victorian +furniture and a faded Victorian wife, who gave us tea and introduced us +to a confusing family dispersed among a lot of disintegrating basket +chairs upon the edge of a well-used tennis lawn. + +These people interested me. They were a common type, no doubt, but they +were new to me. There were two lank sons who had been playing singles +at tennis, red-eared youths growing black moustaches, and dressed in +conscientiously untidy tweeds and unbuttoned and ungirt Norfolk +jackets. There were a number of ill-nourished-looking daughters, +sensible and economical in their costume, the younger still with long, +brown-stockinged legs, and the eldest present—there were, we +discovered, one or two hidden away—displaying a large gold cross and +other aggressive ecclesiastical symbols; there were two or three +fox-terriers, a retrieverish mongrel, and an old, bloody-eyed and very +evil-smelling St. Bernard. There was a jackdaw. There was, moreover, an +ambiguous, silent lady that my aunt subsequently decided must be a very +deaf paying guest. Two or three other people had concealed themselves +at our coming and left unfinished teas behind them. Rugs and cushions +lay among the chairs, and two of the latter were, I noted, covered with +Union Jacks. + +The vicar introduced us sketchily, and the faded Victorian wife +regarded my aunt with a mixture of conventional scorn and abject +respect, and talked to her in a languid, persistent voice about people +in the neighbourhood whom my aunt could not possibly know. + +My aunt received these personalia cheerfully, with her blue eyes +flitting from point to point, and coming back again and again to the +pinched faces of the daughters and the cross upon the eldest’s breast. +Encouraged by my aunt’s manner, the vicar’s wife grew patronising and +kindly, and made it evident that she could do much to bridge the social +gulf between ourselves and the people of family about us. + +I had just snatches of that conversation. “Mrs. Merridew brought him +quite a lot of money. Her father, I believe, had been in the Spanish +wine trade—quite a lady though. And after that he fell off his horse +and cracked his brain pan and took to fishing and farming. I’m sure +you’ll like to know them. He’s _most_ amusing.... The daughter had a +disappointment and went to China as a missionary and got mixed up in a +massacre.”... + +“The most beautiful silks and things she brought back, you’d hardly +believe!” + +“Yes, they gave them to propitiate her. You see, they didn’t understand +the difference, and they thought that as they’d been massacring people, +_they’d_ be massacred. They didn’t understand the difference +Christianity makes.”... + +“Seven bishops they’ve had in the family!” + +“Married a Papist and was quite lost to them.”... + +“He failed some dreadful examination and had to go into the +militia.”... + +“So she bit his leg as hard as ever she could and he let go.”... + +“Had four of his ribs amputated.”... + +“Caught meningitis and was carried off in a week.” + +“Had to have a large piece of silver tube let into his throat, and if +he wants to talk he puts his finger on it. It makes him so interesting, +I think. You feel he’s sincere somehow. A most charming man in every +way.” + +“Preserved them both in spirits very luckily, and there they are in his +study, though of course he doesn’t show them to everybody.” + +The silent lady, unperturbed by these apparently exciting topics, +scrutinised my aunt’s costume with a singular intensity, and was +visibly moved when she unbuttoned her dust cloak and flung it wide. +Meanwhile we men conversed, one of the more spirited daughters listened +brightly, and the youths lay on the grass at our feet. My uncle offered +them cigars, but they both declined,—out of bashfulness, it seemed to +me, whereas the vicar, I think, accepted out of tact. When we were not +looking at them directly, these young men would kick each other +furtively. + +Under the influence of my uncle’s cigar, the vicar’s mind had soared +beyond the limits of the district. “This Socialism,” he said, “seems +making great headway.” + +My uncle shook his head. “We’re too individualistic in this country for +that sort of nonsense,” he said “Everybody’s business is nobody’s +business. That’s where they go wrong.” + +“They have some intelligent people in their ranks, I am told,” said the +vicar, “writers and so forth. Quite a distinguished playwright, my +eldest daughter was telling me—I forget his name. + +“Milly, dear! Oh! she’s not here. Painters, too, they have. This +Socialist, it seems to me, is part of the Unrest of the Age.... But, as +you say, the spirit of the people is against it. In the country, at any +rate. The people down here are too sturdily independent in their small +way—and too sensible altogether.”... + +“It’s a great thing for Duffield to have Lady Grove occupied again,” he +was saying when my wandering attention came back from some attractive +casualty in his wife’s discourse. “People have always looked up to the +house and considering all things, old Mr. Durgan really was +extraordinarily good—extraordinarily good. You intend to give us a good +deal of your time here, I hope.” + +“I mean to do my duty by the Parish,” said my uncle. + +“I’m sincerely glad to hear it—sincerely. We’ve missed—the house +influence. An English village isn’t complete—People get out of hand. +Life grows dull. The young people drift away to London.” + +He enjoyed his cigar gingerly for a moment. + +“We shall look to you to liven things up,” he said, poor man! + +My uncle cocked his cigar and removed it from his mouth. + +“What you think the place wants?” he asked. + +He did not wait for an answer. “I been thinking while you been +talking—things one might do. Cricket—a good English game—sports. Build +the chaps a pavilion perhaps. Then every village ought to have a +miniature rifle range.” + +“Ye-ees,” said the vicar. “Provided, of course, there isn’t a constant +popping.”... + +“Manage _that_ all right,” said my uncle. “Thing’d be a sort of long +shed. Paint it red. British colour. Then there’s a Union Jack for the +church and the village school. Paint the school red, too, p’raps. Not +enough colour about now. Too grey. Then a maypole.” + +“How far our people would take up that sort of thing—” began the vicar. + +“I’m all for getting that good old English spirit back again,” said my +uncle. “Merrymakings. Lads and lasses dancing on the village green. +Harvest home. Fairings. Yule Log—all the rest of it.” + +“How would old Sally Glue do for a May Queen?” asked one of the sons in +the slight pause that followed. + +“Or Annie Glassbound?” said the other, with the huge virile guffaw of a +young man whose voice has only recently broken. + +“Sally Glue is eighty-five,” explained the vicar, “and Annie Glassbound +is well—a young lady of extremely generous proportions. And not quite +right, you know. Not quite right—here.” He tapped his brow. + +“Generous proportions!” said the eldest son, and the guffaws were +renewed. + +“You see,” said the vicar, “all the brisker girls go into service in or +near London. The life of excitement attracts them. And no doubt the +higher wages have something to do with it. And the liberty to wear +finery. And generally—freedom from restraint. So that there might be a +little difficulty perhaps to find a May Queen here just at present who +was really young and er—pretty.... Of course I couldn’t think of any of +my girls—or anything of that sort.” + +“We got to attract ’em back,” said my uncle. “That’s what I feel about +it. We got to Buck-Up the country. The English country is a going +concern still; just as the Established Church—if you’ll excuse me +saying it, is a going concern. Just as Oxford is—or Cambridge. Or any +of those old, fine old things. Only it wants fresh capital, fresh idees +and fresh methods. Light railways, f’rinstance—scientific use of +drainage. Wire fencing machinery—all that.” + +The vicar’s face for one moment betrayed dismay. Perhaps he was +thinking of his country walks amids the hawthorns and honeysuckle. + +“There’s great things,” said my uncle, “to be done on Mod’un lines with +Village Jam and Pickles—boiled in the country.” + +It was the reverberation of this last sentence in my mind, I think, +that sharpened my sentimental sympathy as we went through the +straggling village street and across the trim green on our way back to +London. It seemed that afternoon the most tranquil and idyllic +collection of creeper-sheltered homes you can imagine; thatch still +lingered on a whitewashed cottage or two, pyracanthus, wall-flowers, +and daffodils abounded, and an unsystematic orchard or so was white +with blossom above and gay with bulbs below. I noted a row of straw +beehives, beehive-shaped, beehives of the type long since condemned as +inefficient by all progressive minds, and in the doctor’s acre of grass +a flock of two whole sheep was grazing,—no doubt he’d taken them on +account. Two men and one old woman made gestures of abject vassalage, +and my uncle replied with a lordly gesture of his great motoring +glove.... + +“England’s full of Bits like this,” said my uncle, leaning over the +front seat and looking back with great satisfaction. The black glare of +his goggles rested for a time on the receding turrets of Lady Grove +just peeping over the trees. + +“I shall have a flagstaff, I think,” he considered. “Then one could +show when one is in residence. The villagers will like to know.”... + +I reflected. “They will” I said. “They’re used to liking to know.”... + +My aunt had been unusually silent. Suddenly she spoke. “He says Snap,” +she remarked; “he buys that place. And a nice old job of Housekeeping +he gives me! He sails through the village swelling like an old turkey. +And who’ll have to scoot the butler? Me! Who’s got to forget all she +ever knew and start again? Me! Who’s got to trek from Chiselhurst and +be a great lady? Me! ... You old Bother! Just when I was settling down +and beginning to feel at home.” + +My uncle turned his goggles to her. “Ah! _this_ time it is home, +Susan.... We got there.” + +VII + +It seems to me now but a step from the buying of Lady Grove to the +beginning of Crest Hill, from the days when the former was a stupendous +achievement to the days when it was too small and dark and inconvenient +altogether for a great financier’s use. For me that was a period of +increasing detachment from our business and the great world of London; +I saw it more and more in broken glimpses, and sometimes I was working +in my little pavilion above Lady Grove for a fortnight together; even +when I came up it was often solely for a meeting of the aeronautical +society or for one of the learned societies or to consult literature or +employ searchers or some such special business. For my uncle it was a +period of stupendous inflation. Each time I met him I found him more +confident, more comprehensive, more consciously a factor in great +affairs. Soon he was no longer an associate of merely business men; he +was big enough for the attentions of greater powers. + +I grew used to discovering some item of personal news about him in my +evening paper, or to the sight of a full-page portrait of him in a +sixpenny magazine. Usually the news was of some munificent act, some +romantic piece of buying or giving or some fresh rumour of +reconstruction. He saved, you will remember, the Parbury Reynolds for +the country. Or at times, it would be an interview or my uncle’s +contribution to some symposium on the “Secret of Success,” or such-like +topic. Or wonderful tales of his power of work, of his wonderful +organisation to get things done, of his instant decisions and +remarkable power of judging his fellow-men. They repeated his great +_mot:_ “Eight hour working day—I want eighty hours!” + +He became modestly but resolutely “public.” They cartooned him in +_Vanity Fair_. One year my aunt, looking indeed a very gracious, +slender lady, faced the portrait of the King in the great room at +Burlington House, and the next year saw a medallion of my uncle by +Ewart, looking out upon the world, proud and imperial, but on the whole +a trifle too prominently convex, from the walls of the New Gallery. + +I shared only intermittently in his social experiences. People knew of +me, it is true, and many of them sought to make through me a sort of +flank attack upon him, and there was a legend, owing, very +unreasonably, partly to my growing scientific reputation and partly to +an element of reserve in my manner, that I played a much larger share +in planning his operations than was actually the case. This led to one +or two very intimate private dinners, to my inclusion in one or two +house parties and various odd offers of introductions and services that +I didn’t for the most part accept. Among other people who sought me in +this way was Archie Garvell, now a smart, impecunious soldier of no +particular distinction, who would, I think, have been quite prepared to +develop any sporting instincts I possessed, and who was beautifully +unaware of our former contact. He was always offering me winners; no +doubt in a spirit of anticipatory exchange for some really good thing +in our more scientific and certain method of getting something for +nothing.... + +In spite of my preoccupation with my experiments, work, I did, I find +now that I come to ransack my impressions, see a great deal of the +great world during those eventful years; I had a near view of the +machinery by which an astounding Empire is run, rubbed shoulders and +exchanged experiences with bishops and statesmen, political women and +women who were not political, physicians and soldiers, artists and +authors, the directors of great journals, philanthropists and all sorts +of eminent, significant people. I saw the statesmen without their +orders and the bishops with but a little purple silk left over from +their canonicals, inhaling, not incensen but cigar smoke. I could look +at them all the better because, for the most part, they were not +looking at me but at my uncle, and calculating consciously or +unconsciously how they might use him and assimilate him to their +system, the most unpremeditated, subtle, successful and aimless +plutocracy that ever encumbered the destinies of mankind. Not one of +them, so far as I could see, until disaster overtook him, resented his +lies, his almost naked dishonesty of method, the disorderly disturbance +of this trade and that, caused by his spasmodic operations. I can see +them now about him, see them polite, watchful, various; his stiff +compact little figure always a centre of attention, his wiry hair, his +brief nose, his under-lip, electric with self-confidence. Wandering +marginally through distinguished gatherings, I would catch the +whispers: “That’s Mr. Ponderevo!” + +“The little man?” + +“Yes, the little bounder with the glasses.” + +“They say he’s made—“... + +Or I would see him on some parterre of a platform beside my aunt’s +hurraying hat, amidst titles and costumes, “holding his end up,” as he +would say, subscribing heavily to obvious charities, even at times +making brief convulsive speeches in some good cause before the most +exalted audiences. “Mr. Chairman, your Royal Highness, my Lords, Ladies +and Gentlemen,” he would begin amidst subsiding applause and adjust +those obstinate glasses and thrust back the wings of his frock-coat and +rest his hands upon his hips and speak his fragment with ever and again +an incidental Zzzz. His hands would fret about him as he spoke, fiddle +his glasses, feel in his waistcoat pockets; ever and again he would +rise slowly to his toes as a sentence unwound jerkily like a clockwork +snake, and drop back on his heels at the end. They were the very +gestures of our first encounter when he had stood before the empty +fireplace in his minute draped parlour and talked of my future to my +mother. + +In those measurelessly long hot afternoons in the little shop at +Wimblehurst he had talked and dreamt of the Romance of Modern Commerce. +Here, surely, was his romance come true. + +VIII + +People say that my uncle lost his head at the crest of his fortunes, +but if one may tell so much truth of a man one has in a manner loved, +he never had very much head to lose. He was always imaginative, +erratic, inconsistent, recklessly inexact, and his inundation of wealth +merely gave him scope for these qualities. It is true, indeed, that +towards the climax he became intensely irritable at times and impatient +of contradiction, but that, I think, was rather the gnawing uneasiness +of sanity than any mental disturbance. But I find it hard either to +judge him or convey the full development of him to the reader. I saw +too much of him; my memory is choked with disarranged moods and +aspects. Now he is distended with megalomania, now he is deflated, now +he is quarrelsome, now impenetrably self-satisfied, but always he is +sudden, jerky, fragmentary, energetic, and—in some subtle fundamental +way that I find difficult to define—absurd. + +There stands out—because of the tranquil beauty of its setting +perhaps—a talk we had in the veranda of the little pavilion near my +worksheds behind Crest Hill in which my aeroplanes and navigable +balloons were housed. It was one of many similar conversations, and I +do not know why it in particular should survive its fellows. It happens +so. He had come up to me after his coffee to consult me about a certain +chalice which in a moment of splendour and under the importunity of a +countess he had determined to give to a deserving church in the +east-end. I, in a moment of even rasher generosity, had suggested Ewart +as a possible artist. Ewart had produced at once an admirable sketch +for the sacred vessel surrounded by a sort of wreath of Millies with +open arms and wings and had drawn fifty pounds on the strength of it. +After that came a series of vexatious delays. The chalice became less +and less of a commercial man’s chalice, acquired more and more the +elusive quality of the Holy Grail, and at last even the drawing +receded. + +My uncle grew restive.... “You see, George, they’ll begin to want the +blasted thing!” + +“What blasted thing?” + +“That chalice, damn it! They’re beginning to ask questions. It isn’t +Business, George.” + +“It’s art,” I protested, “and religion.” + +“That’s all very well. But it’s not a good ad for us, George, to make a +promise and not deliver the goods.... I’ll have to write off your +friend Ewart as a bad debt, that’s what it comes to, and go to a decent +firm.”... + +We sat outside on deck chairs in the veranda of the pavilion, smoked, +drank whisky, and, the chalice disposed of, meditated. His temporary +annoyance passed. It was an altogether splendid summer night, following +a blazing, indolent day. Full moonlight brought out dimly the lines of +the receding hills, one wave beyond another; far beyond were the +pin-point lights of Leatherhead, and in the foreground the little stage +from which I used to start upon my gliders gleamed like wet steel. The +season must have been high June, for down in the woods that hid the +lights of the Lady Grove windows, I remember the nightingales thrilled +and gurgled.... + +“We got here, George,” said my uncle, ending a long pause. “Didn’t I +say?” + +“Say!—when?” I asked. + +“In that hole in the To’nem Court Road, eh? It’s been a Straight Square +Fight, and here we are!” + +I nodded. + +“’Member me telling you—Tono-Bungay?.... Well.... I’d just that +afternoon thought of it!” + +“I’ve fancied at times;” I admitted. + +“It’s a great world, George, nowadays, with a fair chance for every one +who lays hold of things. The career ouvert to the Talons—eh? +Tono-Bungay. Think of it! It’s a great world and a growing world, and +I’m glad we’re in it—and getting a pull. We’re getting big people, +George. Things come to us. Eh? This Palestine thing.”... + +He meditated for a time and Zzzzed softly. Then he became still. + +His theme was taken up by a cricket in the grass until he himself was +ready to resume it. The cricket too seemed to fancy that in some scheme +of its own it had got there. “Chirrrrrrup” it said; “chirrrrrrup.” + +“Lord, what a place that was at Wimblehurst!” he broke out. “If ever I +get a day off we’ll motor there, George, and run over that dog that +sleeps in the High Street. Always was a dog asleep there—always. +Always... I’d like to see the old shop again. I daresay old Ruck still +stands between the sheep at his door, grinning with all his teeth, and +Marbel, silly beggar! comes out with his white apron on and a pencil +stuck behind his ear, trying to look awake... Wonder if they know it’s +me? I’d like ’em somehow to know it’s me.” + +“They’ll have had the International Tea Company and all sorts of people +cutting them up,” I said. “And that dog’s been on the pavement this six +years—can’t sleep even there, poor dear, because of the motor-horns and +its shattered nerves.” + +“Movin’ everywhere,” said my uncle. “I expect you’re right.... It’s a +big time we’re in, George. It’s a big Progressive On-coming Imperial +Time. This Palestine business—the daring of it.... It’s, it’s a +Process, George. And we got our hands on it. Here we sit—with our hands +on it, George. Entrusted. + +“It seems quiet to—night. But if we could see and hear.” He waved his +cigar towards Leatherhead and London. + +“There they are, millions, George. Jes’ think of what they’ve been up +to to-day—those ten millions—each one doing his own particular job. You +can’t grasp it. It’s like old Whitman says—what is it he says? Well, +anyway it’s like old Whitman. Fine chap, Whitman! Fine old chap! Queer, +you can’t quote him. ... And these millions aren’t anything. There’s +the millions over seas, hundreds of millions, Chinese, M’rocco, Africa +generally, ’Merica.... Well, here we are, with power, with leisure, +picked out—because we’ve been energetic, because we’ve seized +opportunities, because we’ve made things hum when other people have +waited for them to hum. See? Here we are—with our hands on it. Big +people. Big growing people. In a sort of way,—Forces.” + +He paused. “It’s wonderful, George,” he said. + +“Anglo-Saxon energy,” I said softly to the night. + +“That’s it, George—energy. It’s put things in our grip—threads, wires, +stretching out and out, George, from that little office of ours, out to +West Africa, out to Egypt, out to Inja, out east, west, north and +south. Running the world practically. Running it faster and faster. +Creative. There’s that Palestine canal affair. Marvellous idee! Suppose +we take that up, suppose we let ourselves in for it, us and the others, +and run that water sluice from the Mediterranean into the Dead Sea +Valley—think of the difference it will make! All the desert blooming +like a rose, Jericho lost for ever, all the Holy Places under water.... +Very likely destroy Christianity.”... + +He mused for a space. “Cuttin’ canals,” murmured my uncle. “Making +tunnels.... New countries.... New centres.... Zzzz.... Finance.... Not +only Palestine. + +“I wonder where we shall get before we done, George? We got a lot of +big things going. We got the investing public sound and sure. I don’t +see why in the end we shouldn’t be very big. There’s difficulties but +I’m equal to them. We’re still a bit soft in our bones, but they’ll +harden all right.... I suppose, after all, I’m worth something like a +million, George, cleared up and settled. If I got out of things now. +It’s a great time, George, a wonderful time!”... + +I glanced through the twilight at his convexity and I must confess it +struck me that on the whole he wasn’t particularly good value. + +“We got our hands on things, George, us big people. We got to hang +together, George run the show. Join up with the old order like that +mill-wheel of Kipling’s. (Finest thing he ever wrote, George; I jes’ +been reading it again. Made me buy Lady Grove.) Well, we got to run the +country, George. It’s ours. Make it a Scientific Organised Business +Enterprise. Put idees into it. ’Lectrify it. Run the Press. Run all +sorts of developments. All sorts of developments. I been talking to +Lord Boom. I been talking to all sorts of people. Great things. +Progress. The world on business lines. Only jes’ beginning.”... + +He fell into a deep meditation. + +He Zzzzed for a time and ceased. + +“_Yes_,” he said at last in the tone of a man who has at last emerged +with ultimate solutions to the profoundest problems. + +“What?” I said after a seemly pause. + +My uncle hung fire for a moment and it seemed to me the fate of nations +trembled in the balance. Then he spoke as one who speaks from the very +bottom of his heart—and I think it was the very bottom of his heart. + +“I’d jes’ like to drop into the Eastry Arms, jes’ when all those +beggars in the parlour are sittin’ down to whist, Ruck and Marbel and +all, and give ’em ten minutes of my mind, George. Straight from the +shoulder. Jes’ exactly what I think of them. It’s a little thing, but +I’d like to do it jes’ once before I die.”... + +He rested on that for some time Zzzz-ing. + +Then he broke out at a new place in a tone of detached criticism. + +“There’s Boom,” he reflected. + +“It’s a wonderful system this old British system, George. It’s staid +and stable and yet it has a place for new men. We come up and take our +places. It’s almost expected. We take a hand. That’s where our +Democracy differs from America. Over there a man succeeds; all he gets +is money. Here there’s a system open to every one—practically.... Chaps +like Boom—come from nowhere.” + +His voice ceased. I reflected upon the spirit of his words. Suddenly I +kicked my feet in the air, rolled on my side and sat up suddenly on my +deck chair with my legs down. + +“You don’t mean it!” I said. + +“Mean what, George?” + +“Subscription to the party funds. Reciprocal advantage. Have we got to +that?” + +“Whad you driving at, George?” + +“You know. They’d never do it, man!” + +“Do what?” he said feebly; and, “Why shouldn’t they?” + +“They’d not even go to a baronetcy. _No!_.... And yet, of course, +there’s Boom! And Collingshead and Gorver. They’ve done beer, they’ve +done snippets! After all Tono-Bungay—it’s not like a turf commission +agent or anything like that!... There have of course been some very +gentlemanly commission agents. It isn’t like a fool of a scientific man +who can’t make money!” + +My uncle grunted; we’d differed on that issue before. + +A malignant humour took possession of me. “What would they call you?” I +speculated. “The vicar would like Duffield. Too much like Duffer! +Difficult thing, a title.” I ran my mind over various possibilities. +“Why not take a leaf from a socialist tract I came upon yesterday. Chap +says we’re all getting delocalised. Beautiful word—delocalised! Why not +be the first delocalised peer? That gives you—Tono-Bungay! There is a +Bungay, you know. Lord Tono of Bungay—in bottles everywhere. Eh?” + +My uncle astonished me by losing his temper. + +“Damn it. George, you don’t seem to see I’m serious! You’re always +sneering at Tono-Bungay! As though it was some sort of swindle. It was +perfec’ly legitimate trade, perfec’ly legitimate. Good value and a good +article.... When I come up here and tell you plans and exchange +idees—you sneer at me. You _do_. You don’t see—it’s a big thing. It’s a +big thing. You got to get used to new circumstances. You got to face +what lies before us. You got to drop that tone.” + +IX + +My uncle was not altogether swallowed up in business and ambition. He +kept in touch with modern thought. For example, he was, I know, greatly +swayed by what he called “This Overman idee, Nietzsche—all that stuff.” + +He mingled those comforting suggestions of a potent and exceptional +human being emancipated from the pettier limitations of integrity with +the Napoleonic legend. It gave his imagination a considerable outlet. +That Napoleonic legend! The real mischief of Napoleon’s immensely +disastrous and accidental career began only when he was dead and the +romantic type of mind was free to elaborate his character. I do believe +that my uncle would have made a far less egregious smash if there had +been no Napoleonic legend to misguide him. He was in many ways better +and infinitely kinder than his career. But when in doubt between decent +conduct and a base advantage, that cult came in more and more +influentially: “think of Napoleon; think what the inflexibly-wilful +Napoleon would have done with such scruples as yours;” that was the +rule, and the end was invariably a new step in dishonour. + +My uncle was in an unsystematic way a collector of Napoleonic relics; +the bigger the book about his hero the more readily he bought it; he +purchased letters and tinsel and weapons that bore however remotely +upon the Man of Destiny, and he even secured in Geneva, though he never +brought home, an old coach in which Buonaparte might have ridden; he +crowded the quiet walls of Lady Grove with engravings and figures of +him, preferring, my aunt remarked, the more convex portraits with the +white vest and those statuettes with the hands behind the back which +threw forward the figure. The Durgans watched him through it all, +sardonically. + +And he would stand after breakfast at times in the light of the window +at Lady Grove, a little apart, with two fingers of one hand stuck +between his waistcoat-buttons and his chin sunken, thinking,—the most +preposterous little fat man in the world. It made my aunt feel, she +said, “like an old Field Marshal—knocks me into a cocked hat, George!” + +Perhaps this Napoleonic bias made him a little less frequent with his +cigars than he would otherwise have been, but of that I cannot be sure, +and it certainly caused my aunt a considerable amount of vexation after +he had read _Napoleon and the Fair Sex_, because for a time that roused +him to a sense of a side of life he had in his commercial +preoccupations very largely forgotten. Suggestion plays so great a part +in this field. My uncle took the next opportunity and had an “affair”! + +It was not a very impassioned affair, and the exact particulars never +of course reached me. It is quite by chance I know anything of it at +all. One evening I was surprised to come upon my uncle in a mixture of +Bohemia and smart people at an At Home in the flat of Robbert, the R.A. +who painted my aunt, and he was standing a little apart in a recess, +talking or rather being talked to in undertones by a plump, blond +little woman in pale blue, a Helen Scrymgeour who wrote novels and was +organising a weekly magazine. I elbowed a large lady who was saying +something about them, but I didn’t need to hear the thing she said to +perceive the relationship of the two. It hit me like a placard on a +hoarding. I was amazed the whole gathering did not see it. Perhaps they +did. She was wearing a remarkably fine diamond necklace, much too fine +for journalism, and regarding him with that quality of questionable +proprietorship, of leashed but straining intimacy, that seems +inseparable from this sort of affair. It is so much more palpable than +matrimony. If anything was wanted to complete my conviction it was my +uncles’s eyes when presently he became aware of mine, a certain +embarrassment and a certain pride and defiance. And the next day he +made an opportunity to praise the lady’s intelligence to me concisely, +lest I should miss the point of it all. + +After that I heard some gossip—from a friend of the lady’s. I was much +too curious to do anything but listen. I had never in all my life +imagined my uncle in an amorous attitude. It would appear that she +called him her “God in the Car”—after the hero in a novel of Anthony +Hope’s. It was essential to the convention of their relations that he +should go relentlessly whenever business called, and it was generally +arranged that it did call. To him women were an incident, it was +understood between them; Ambition was the master-passion. A great world +called him and the noble hunger for Power. I have never been able to +discover just how honest Mrs. Scrymgeour was in all this, but it is +quite possible the immense glamour of his financial largeness prevailed +with her and that she did bring a really romantic feeling to their +encounters. There must have been some extraordinary moments.... + +I was a good deal exercised and distressed about my aunt when I +realised what was afoot. I thought it would prove a terrible +humiliation to her. I suspected her of keeping up a brave front with +the loss of my uncle’s affections fretting at her heart, but there I +simply underestimated her. She didn’t hear for some time and when she +did hear she was extremely angry and energetic. The sentimental +situation didn’t trouble her for a moment. She decided that my uncle +“wanted smacking.” She accentuated herself with an unexpected new hat, +went and gave him an inconceivable talking-to at the Hardingham, and +then came round to “blow-up” me for not telling her what was going on +before.... + +I tried to bring her to a proper sense of the accepted values in this +affair, but my aunt’s originality of outlook was never so invincible. +“Men don’t tell on one another in affairs of passion,” I protested, and +such-like worldly excuses. + +“Women!” she said in high indignation, “and men! It isn’t women and +men—it’s him and me, George! Why don’t you talk sense? + +“Old passion’s all very well, George, in its way, and I’m the last +person to be jealous. But this is old nonsense.... I’m not going to let +him show off what a silly old lobster he is to other women.... I’ll +mark every scrap of his underclothes with red letters, +‘Ponderevo-Private’—every scrap. + +“Going about making love indeed,—in abdominal belts!—at his time of +life!” + +I cannot imagine what passed between her and my uncle. But I have no +doubt that for once her customary badinage was laid aside. How they +talked then I do not know, for I who knew them so well had never heard +that much of intimacy between them. At any rate it was a concerned and +preoccupied “God in the Car” I had to deal with in the next few days, +unusually Zzzz-y and given to slight impatient gestures that had +nothing to do with the current conversation. And it was evident that in +all directions he was finding things unusually difficult to explain. + +All the intimate moments in this affair were hidden from me, but in the +end my aunt triumphed. He did not so much throw as jerk over Mrs. +Scrymgeour, and she did not so much make a novel of it as upset a huge +pailful of attenuated and adulterated female soul upon this occasion. +My aunt did not appear in that, even remotely. So that it is doubtful +if the lady knew the real causes of her abandonment. The Napoleonic +hero was practically unmarried, and he threw over his lady as Napoleon +threw over Josephine for a great alliance. + +It was a triumph for my aunt, but it had its price. For some time it +was evident things were strained between them. He gave up the lady, but +he resented having to do so, deeply. She had meant more to his +imagination than one could have supposed. He wouldn’t for a long time +“come round.” He became touchy and impatient and secretive towards my +aunt, and she, I noted, after an amazing check or so, stopped that +stream of kindly abuse that had flowed for so long and had been so +great a refreshment in their lives. They were both the poorer for its +cessation, both less happy. She devoted herself more and more to Lady +Grove and the humours and complications of its management. The servants +took to her—as they say—she god-mothered three Susans during her rule, +the coachman’s, the gardener’s, and the Up Hill gamekeeper’s. She got +together a library of old household books that were in the vein of the +place. She revived the still-room, and became a great artist in jellies +and elder and cowslip wine. + +X + +And while I neglected the development of my uncle’s finances—and my +own, in my scientific work and my absorbing conflict with the +difficulties of flying,—his schemes grew more and more expansive and +hazardous, and his spending wilder and laxer. I believe that a haunting +sense of the intensifying unsoundness of his position accounts largely +for his increasing irritability and his increasing secretiveness with +my aunt and myself during these crowning years. He dreaded, I think, +having to explain, he feared our jests might pierce unwittingly to the +truth. Even in the privacy of his mind he would not face the truth. He +was accumulating unrealisable securities in his safes until they hung a +potential avalanche over the economic world. But his buying became a +fever, and his restless desire to keep it up with himself that he was +making a triumphant progress to limitless wealth gnawed deeper and +deeper. A curious feature of this time with him was his buying over and +over again of similar things. His ideas seemed to run in series. Within +a twelve-month he bought five new motor-cars, each more swift and +powerful than its predecessor, and only the repeated prompt resignation +of his chief chauffeur at each moment of danger, prevented his driving +them himself. He used them more and more. He developed a passion for +locomotion for its own sake. + +Then he began to chafe at Lady Grove, fretted by a chance jest he had +overheard at a dinner. “This house, George,” he said. “It’s a misfit. +There’s no elbow-room in it; it’s choked with old memories. And I can’t +stand all these damned Durgans! + +“That chap in the corner, George. No! the other corner! The man in a +cherry-coloured coat. He watched you! He’d look silly if I stuck a +poker through his Gizzard!” + +“He’d look,” I reflected, “much as he does now. As though he was +amused.” + +He replaced his glasses, which had fallen at his emotion, and glared at +his antagonists. “What are they? What are they all, the lot of ’em? +Dead as Mutton! They just stuck in the mud. They didn’t even rise to +the Reformation. The old out-of-date Reformation! Move with the +times!—they moved against the times. + +“Just a Family of Failure,—they never even tried! + +“They’re jes’, George, exactly what I’m not. Exactly. It isn’t +suitable.... All this living in the Past. + +“And I want a bigger place too, George. I want air and sunlight and +room to move about and more service. A house where you can get a Move +on things! Zzzz. Why! it’s like a discord—it jars—even to have the +telephone.... There’s nothing, nothing except the terrace, that’s worth +a Rap. It’s all dark and old and dried up and full of old-fashioned +things—musty old idees—fitter for a silver-fish than a modern man.... I +don’t know how I got here.” + +He broke out into a new grievance. “That damned vicar,” he complained, +“thinks I ought to think myself lucky to get this place! Every time I +meet him I can see him think it.... One of these days, George I’ll show +him what a Mod’un house is like!” + +And he did. + +I remember the day when he declared, as Americans say, for Crest Hill. +He had come up to see my new gas plant, for I was then only just +beginning to experiment with auxiliary collapsible balloons, and all +the time the shine of his glasses was wandering away to the open down +beyond. “Let’s go back to Lady Grove over the hill,” he said. +“Something I want to show you. Something fine!” + +It was an empty sunlit place that summer evening, sky and earth warm +with sundown, and a pe-wit or so just accentuating the pleasant +stillness that ends a long clear day. A beautiful peace, it was, to +wreck for ever. And there was my uncle, the modern man of power, in his +grey top-hat and his grey suit and his black-ribboned glasses, short, +thin-legged, large-stomached, pointing and gesticulating, threatening +this calm. + +He began with a wave of his arm. “That’s the place, George,” he said. +“See?” + +“Eh!” I cried—for I had been thinking of remote things. + +“I got it.” + +“Got what?” + +“For a house!—a Twentieth Century house! That’s the place for it!” + +One of his characteristic phrases was begotten in him. + +“Four-square to the winds of heaven, George!” he said. “Eh? Four-square +to the winds of heaven!” + +“You’ll get the winds up here,” I said. + +“A mammoth house it ought to be, George—to suit these hills.” + +“Quite,” I said. + +“Great galleries and things—running out there and there—See? I been +thinking of it, George! Looking out all this way—across the Weald. With +its back to Lady Grove.” + +“And the morning sun in its eye.” + +“Like an eagle, George,—like an eagle!” + +So he broached to me what speedily became the leading occupation of his +culminating years, Crest Hill. But all the world has heard of that +extravagant place which grew and changed its plans as it grew, and +bubbled like a salted snail, and burgeoned and bulged and evermore +grew. I know not what delirium of pinnacles and terraces and arcades +and corridors glittered at last upon the uplands of his mind; the +place, for all that its expansion was terminated abruptly by our +collapse, is wonderful enough as it stands,—that empty instinctive +building of a childless man. His chief architect was a young man named +Westminster, whose work he had picked out in the architecture room of +the Royal Academy on account of a certain grandiose courage in it, but +with him he associated from time to time a number of fellow +professionals, stonemasons, sanitary engineers, painters, sculptors, +scribes, metal workers, wood carvers, furniture designers, ceramic +specialists, landscape gardeners, and the man who designs the +arrangement and ventilation of the various new houses in the London +Zoological Gardens. In addition he had his own ideas. The thing +occupied his mind at all times, but it held it completely from Friday +night to Monday morning. He would come down to Lady Grove on Friday +night in a crowded motor-car that almost dripped architects. He didn’t, +however, confine himself to architects; every one was liable to an +invitation to week-end and view Crest Hill, and many an eager promoter, +unaware of how Napoleonically and completely my uncle had +departmentalised his mind, tried to creep up to him by way of tiles and +ventilators and new electric fittings. Always on Sunday mornings, +unless the weather was vile, he would, so soon as breakfast and his +secretaries were disposed of, visit the site with a considerable +retinue, and alter and develop plans, making modifications, Zzzz-ing, +giving immense new orders verbally—an unsatisfactory way, as +Westminster and the contractors ultimately found. + +There he stands in my memory, the symbol of this age for me, the man of +luck and advertisement, the current master of the world. There he +stands upon the great outward sweep of the terrace before the huge main +entrance, a little figure, ridiculously disproportionate to that +forty-foot arch, with the granite ball behind him—the astronomical +ball, brass coopered, that represented the world, with a little +adjustable tube of lenses on a gun-metal arm that focussed the sun upon +just that point of the earth on which it chanced to be shining +vertically. There he stands, Napoleonically grouped with his retinue +men in tweeds and golfing-suits, a little solicitor, whose name I +forget, in grey trousers and a black jacket, and Westminster in Jaeger +underclothing, a floriferous tie, and peculiar brown cloth of his own. + +The downland breeze flutters my uncle’s coat-tails, disarranges his +stiff hair, and insists on the evidence of undisciplined appetites in +face and form, as he points out this or that feature in the prospect to +his attentive collaborator. + +Below are hundreds of feet of wheeling-planks, ditches, excavations, +heaps of earth, piles of garden stone from the Wealden ridges. On +either hand the walls of his irrelevant unmeaning palace rise at one +time he had working in that place—disturbing the economic balance of +the whole countryside by their presence—upwards of three thousand +men.... + +So he poses for my picture amidst the raw beginnings that were never to +be completed. He did the strangest things about that place, things more +and more detached from any conception of financial scale, things more +and more apart from sober humanity. He seemed to think himself, at +last, released from any such limitations. He moved a quite considerable +hill, and nearly sixty mature trees were moved with it to open his +prospect eastward, moved it about two hundred feet to the south. At +another time he caught a suggestion from some city restaurant and made +a billiard-room roofed with plate glass beneath the waters of his +ornamental lake. He furnished one wing while its roof still awaited +completion. He had a swimming bath thirty feet square next to his +bedroom upstairs, and to crown it all he commenced a great wall to hold +all his dominions together, free from the invasion of common men. It +was a ten-foot wall, glass surmounted, and had it been completed as he +intended it, it would have had a total length of nearly eleven miles. +Some of it towards the last was so dishonestly built that it collapsed +within a year upon its foundations, but some miles of it still stand. I +never think of it now but what I think of the hundreds of eager little +investors who followed his “star,” whose hopes and lives, whose wives’ +security and children’s prospects are all mixed up beyond redemption +with that flaking mortar.... + +It is curious how many of these modern financiers of chance and bluff +have ended their careers by building. It was not merely my uncle. +Sooner or later they all seem to bring their luck to the test of +realisation, try to make their fluid opulence coagulate out as bricks +and mortar, bring moonshine into relations with a weekly wages-sheet. +Then the whole fabric of confidence and imagination totters—and down +they come.... + +When I think of that despoiled hillside, that colossal litter of bricks +and mortar, and crude roads and paths, the scaffolding and sheds, the +general quality of unforeseeing outrage upon the peace of nature, I am +reminded of a chat I had with the vicar one bleak day after he had +witnessed a glide. He talked to me of aeronautics as I stood in jersey +and shorts beside my machine, fresh from alighting, and his cadaverous +face failed to conceal a peculiar desolation that possessed him. + +“Almost you convince me,” he said, coming up to me, “against my +will.... A marvellous invention! But it will take you a long time, sir, +before you can emulate that perfect mechanism—the wing of a bird.” + +He looked at my sheds. + +“You’ve changed the look of this valley, too,” he said. + +“Temporary defilements,” I remarked, guessing what was in his mind. + +“Of course. Things come and go. Things come and go. But—H’m. I’ve just +been up over the hill to look at Mr. Edward Ponderevo’s new house. +That—that is something more permanent. A magnificent place!—in many +ways. Imposing. I’ve never somehow brought myself to go that way +before. Things are greatly advanced.... We find—the great number of +strangers introduced into the villages about here by these operations, +working-men chiefly, a little embarrassing. It put us out. They bring a +new spirit into the place; betting—ideas—all sorts of queer notions. +Our publicans like it, of course. And they come and sleep in one’s +outhouses—and make the place a little unsafe at nights. The other +morning I couldn’t sleep—a slight dyspepsia—and I looked out of the +window. I was amazed to see people going by on bicycles. A silent +procession. I counted ninety-seven—in the dawn. All going up to the new +road for Crest Hill. Remarkable I thought it. And so I’ve been up to +see what they were doing.” + +“They would have been more than remarkable thirty years ago,” I said. + +“Yes, indeed. Things change. We think nothing of it now at +all—comparatively. And that big house—” + +He raised his eyebrows. “Really stupendous! Stupendous. + +“All the hillside—the old turf—cut to ribbons!” + +His eye searched my face. “We’ve grown so accustomed to look up to Lady +Grove,” he said, and smiled in search of sympathy. “It shifts our +centre of gravity.” + +“Things will readjust themselves,” I lied. + +He snatched at the phrase. “Of course,” he said. + +“They’ll readjust themselves—settle down again. Must. In the old way. +It’s bound to come right again—a comforting thought. Yes. After all, +Lady Grove itself had to be built once upon a time—was—to begin +with—artificial.” + +His eye returned to my aeroplane. He sought to dismiss his graver +preoccupations. “I should think twice,” he remarked, “before I trusted +myself to that concern.... But I suppose one grows accustomed to the +motion.” + +He bade me good morning and went his way, bowed and thoughtful.... + +He had kept the truth from his mind a long time, but that morning it +had forced its way to him with an aspect that brooked no denial that +this time it was not just changes that were coming in his world, but +that all his world lay open and defenceless, conquered and surrendered, +doomed so far as he could see, root and branch, scale and form alike, +to change. + + + + +CHAPTER THE THIRD +SOARING + + +I + +For nearly all the time that my uncle was incubating and hatching Crest +Hill I was busy in a little transverse valley between that great +beginning and Lady Grove with more and more costly and ambitious +experiments in aerial navigation. This work was indeed the main +substance of my life through all the great time of the Tono-Bungay +symphony. + +I have told already how I came to devote myself to this system of +inquiries, how in a sort of disgust with the common adventure of life I +took up the dropped ends of my college studies, taking them up again +with a man’s resolution instead of a boy’s ambition. From the first I +did well at this work. It—was, I think, largely a case of special +aptitude, of a peculiar irrelevant vein of faculty running through my +mind. It is one of those things men seem to have by chance, that has +little or nothing to do with their general merit, and which it is +ridiculous to be either conceited or modest about. I did get through a +very big mass of work in those years, working for a time with a +concentrated fierceness that left little of such energy or capacity as +I possess unused. I worked out a series of problems connected with the +stability of bodies pitching in the air and the internal movements of +the wind, and I also revolutionised one leading part at last of the +theory of explosive engines. These things are to be found in the +_Philosophical Transactions_, the _Mathematical Journal_, and less +frequently in one or two other such publications, and they needn’t +detain us here. Indeed, I doubt if I could write about them here. One +acquires a sort of shorthand for one’s notes and mind in relation to +such special work. I have never taught; nor lectured, that is to say, I +have never had to express my thoughts about mechanical things in +ordinary everyday language, and I doubt very much if I could do so now +without extreme tedium. + +My work was, to begin with, very largely theoretical. I was able to +attack such early necessities of verification as arose with quite +little models, using a turntable to get the motion through the air, and +cane, whalebone and silk as building material. But a time came when +incalculable factors crept in, factors of human capacity and factors of +insufficient experimental knowledge, when one must needs guess and try. +Then I had to enlarge the scale of my operations, and soon I had +enlarged them very greatly. I set to work almost concurrently on the +balance and stability of gliders and upon the steering of inflated +bags, the latter a particularly expensive branch of work. I was no +doubt moved by something of the same spirit of lavish expenditure that +was running away with my uncle in these developments. Presently my +establishment above Lady Grove had grown to a painted wood chalet big +enough to accommodate six men, and in which I would sometimes live for +three weeks together; to a gasometer, to a motor-house, to three big +corrugated-roofed sheds and lock-up houses, to a stage from which to +start gliders, to a workshop and so forth. A rough road was made. We +brought up gas from Cheaping and electricity from Woking, which place I +found also afforded a friendly workshop for larger operations than I +could manage. I had the luck also to find a man who seemed my +heaven-sent second-in-command—Cothope his name was. He was a +self-educated-man; he had formerly been a sapper and he was one of the +best and handiest working engineers alive. Without him I do not think I +could have achieved half what I have done. At times he has been not so +much my assistant as my collaborator, and has followed my fortunes to +this day. Other men came and went as I needed them. + +I do not know how far it is possible to convey to any one who has not +experienced it, the peculiar interest, the peculiar satisfaction that +lies in a sustained research when one is not hampered by want of money. +It is a different thing from any other sort of human effort. You are +free from the exasperating conflict with your fellow-creatures +altogether—at least so far as the essential work goes; that for me is +its peculiar merit. Scientific truth is the remotest of mistresses; she +hides in strange places, she is attained by tortuous and laborious +roads, but _she is always there!_ Win to her and she will not fail you; +she is yours and mankind’s for ever. She is reality, the one reality I +have found in this strange disorder of existence. She will not sulk +with you nor misunderstand you nor cheat you of your reward upon some +petty doubt. You cannot change her by advertisement or clamour, nor +stifle her in vulgarities. Things grow under your hands when you serve +her, things that are permanent as nothing else is permanent in the +whole life of man. That, I think, is the peculiar satisfaction of +science and its enduring reward.... + +The taking up of experimental work produced a great change in my +personal habits. I have told how already once in my life at Wimblehurst +I had a period of discipline and continuous effort, and how, when I +came to South Kensington, I became demoralised by the immense effect of +London, by its innumerable imperative demands upon my attention and +curiosity. And I parted with much of my personal pride when I gave up +science for the development of Tono-Bungay. But my poverty kept me +abstinent and my youthful romanticism kept me chaste until my married +life was well under way. Then in all directions I relaxed. I did a +large amount of work, but I never troubled to think whether it was my +maximum nor whether the moods and indolences that came to me at times +were avoidable things. With the coming of plenty I ate abundantly and +foolishly, drank freely and followed my impulses more and more +carelessly. I felt no reason why I should do anything else. Never at +any point did I use myself to the edge of my capacity. The emotional +crisis of my divorce did not produce any immediate change in these +matters of personal discipline. I found some difficulty at first in +concentrating my mind upon scientific work, it was so much more +exacting than business, but I got over that difficulty by smoking. I +became an inordinate cigar smoker; it gave me moods of profound +depression, but I treated these usually by the homeopathic method,—by +lighting another cigar. I didn’t realise at all how loose my moral and +nervous fibre had become until I reached the practical side of my +investigations and was face to face with the necessity of finding out +just how it felt to use a glider and just what a man could do with one. + +I got into this relaxed habit of living in spite of very real +tendencies in my nature towards discipline. I’ve never been in love +with self-indulgence. That philosophy of the loose lip and the lax +paunch is one for which I’ve always had an instinctive distrust. I like +bare things, stripped things, plain, austere and continent things, fine +lines and cold colours. But in these plethoric times when there is too +much coarse stuff for everybody and the struggle for life takes the +form of competitive advertisement and the effort to fill your +neighbour’s eye, when there is no urgent demand either for personal +courage, sound nerves or stark beauty, we find ourselves by accident. +Always before these times the bulk of the people did not over-eat +themselves, because they couldn’t, whether they wanted to do so or not, +and all but a very few were kept “fit” by unavoidable exercise and +personal danger. Now, if only he pitch his standard low enough and keep +free from pride, almost any one can achieve a sort of excess. You can +go through contemporary life fudging and evading, indulging and +slacking, never really hungry nor frightened nor passionately stirred, +your highest moment a mere sentimental orgasm, and your first real +contact with primary and elemental necessities, the sweat of your +death-bed. So I think it was with my uncle; so, very nearly, it was +with me. + +But the glider brought me up smartly. I had to find out how these +things went down the air, and the only way to find out is to go down +with one. And for a time I wouldn’t face it. + +There is something impersonal about a book, I suppose. At any rate I +find myself able to write down here just the confession I’ve never been +able to make to any one face to face, the frightful trouble it was to +me to bring myself to do what I suppose every other coloured boy in the +West Indies could do without turning a hair, and that is to fling +myself off for my first soar down the wind. The first trial was bound +to be the worst; it was an experiment I made with life, and the chance +of death or injury was, I supposed, about equal to the chance of +success. I believed that with a dawn-like lucidity. I had begun with a +glider that I imagined was on the lines of the Wright brothers’ +aeroplane, but I could not be sure. It might turn over. I might upset +it. It might burrow its nose at the end and smash itself and me. The +conditions of the flight necessitated alert attention; it wasn’t a +thing to be done by jumping off and shutting one’s eyes or getting +angry or drunk to do it. One had to use one’s weight to balance. And +when at last I did it it was horrible—for ten seconds. For ten seconds +or so, as I swept down the air flattened on my infernal framework and +with the wind in my eyes, the rush of the ground beneath me filled me +with sick and helpless terror; I felt as though some violent +oscillatory current was throbbing in brain and back bone, and I groaned +aloud. I set my teeth and groaned. It was a groan wrung out of me in +spite of myself. My sensations of terror swooped to a climax. And then, +you know, they ended! + +Suddenly my terror was over and done with. I was soaring through the +air right way up, steadily, and no mischance had happened. I felt +intensely alive and my nerves were strung like a bow. I shifted a limb, +swerved and shouted between fear and triumph as I recovered from the +swerve and heeled the other way and steadied myself. + +I thought I was going to hit a rook that was flying athwart me,—it was +queer with what projectile silence that jumped upon me out of +nothingness, and I yelled helplessly, “Get out of the way!” The bird +doubled itself up like a partly inverted V, flapped, went up to the +right abruptly and vanished from my circle of interest. Then I saw the +shadow of my aeroplane keeping a fixed distance before me and very +steady, and the turf as it seemed streaming out behind it. The turf!—it +wasn’t after all streaming so impossibly fast. + +When I came gliding down to the safe spread of level green I had +chosen, I was as cool and ready as a city clerk who drops off an +omnibus in motion, and I had learnt much more than soaring. I tilted up +her nose at the right moment, levelled again and grounded like a +snowflake on a windless day. I lay flat for an instant and then knelt +up and got on my feet atremble, but very satisfied with myself. Cothope +was running down the hill to me. ... + +But from that day I went into training, and I kept myself in training +for many months. I had delayed my experiments for very nearly six weeks +on various excuses because of my dread of this first flight, because of +the slackness of body and spirit that had come to me with the business +life. The shame of that cowardice spurred me none the less because it +was probably altogether my own secret. I felt that Cothope at any rate +might suspect. Well,—he shouldn’t suspect again. + +It is curious that I remember that shame and self accusation and its +consequences far more distinctly than I recall the weeks of vacillation +before I soared. For a time I went altogether without alcohol, I +stopped smoking altogether and ate very sparingly, and every day I did +something that called a little upon my nerves and muscles. I soared as +frequently as I could. I substituted a motor-bicycle for the London +train and took my chances in the southward traffic, and I even tried +what thrills were to be got upon a horse. But they put me on made +horses, and I conceived a perhaps unworthy contempt for the certitudes +of equestrian exercise in comparison with the adventures of mechanism. +Also I walked along the high wall at the back of Lady Grove garden, and +at last brought myself to stride the gap where the gate comes. If I +didn’t altogether get rid of a certain giddy instinct by such +exercises, at least I trained my will until it didn’t matter. And soon +I no longer dreaded flight, but was eager to go higher into the air, +and I came to esteem soaring upon a glider, that even over the deepest +dip in the ground had barely forty feet of fall beneath it, a mere +mockery of what flight might be. I began to dream of the keener +freshness in the air high above the beechwoods, and it was rather to +satisfy that desire than as any legitimate development of my proper +work that presently I turned a part of my energies and the bulk of my +private income to the problem of the navigable balloon. + +II + +I had gone far beyond that initial stage; I had had two smashes and a +broken rib which my aunt nursed with great energy, and was getting some +reputation in the aeronautic world when, suddenly, as though she had +never really left it, the Honourable Beatrice Normandy, dark-eyed, and +with the old disorderly wave of the hair from her brow, came back into +my life. She came riding down a grass path in the thickets below Lady +Grove, perched up on a huge black horse, and the old Earl of Carnaby +and Archie Garvell, her half-brother, were with her. My uncle had been +bothering me about the Crest Hill hot-water pipes, and we were +returning by a path transverse to theirs and came out upon them +suddenly. Old Carnaby was trespassing on our ground, and so he hailed +us in a friendly fashion and pulled up to talk to us. + +I didn’t note Beatrice at all at first. I was interested in Lord +Carnaby, that remarkable vestige of his own brilliant youth. I had +heard of him, but never seen him. For a man of sixty-five who had +sinned all the sins, so they said, and laid waste the most magnificent +political debut of any man of his generation, he seemed to me to be +looking remarkably fit and fresh. He was a lean little man with +grey-blue eyes in his brown face, and his cracked voice was the worst +thing in his effect. + +“Hope you don’t mind us coming this way, Ponderevo,” he cried; and my +uncle, who was sometimes a little too general and generous with titles, +answered, “Not at all, my lord, not at all! Glad you make use of it!” + +“You’re building a great place over the hill,” said Carnaby. + +“Thought I’d make a show for once,” said my uncle. “It looks big +because it’s spread out for the sun.” + +“Air and sunlight,” said the earl. “You can’t have too much of them. +But before our time they used to build for shelter and water and the +high road.” + +Then I discovered that the silent figure behind the earl was Beatrice. + +I’d forgotten her sufficiently to think for a moment that she hadn’t +changed at all since she had watched me from behind the skirts of Lady +Drew. She was looking at me, and her dainty brow under her broad +brimmed hat—she was wearing a grey hat and loose unbuttoned coat—was +knit with perplexity, trying, I suppose, to remember where she had seen +me before. Her shaded eyes met mine with that mute question.... + +It seemed incredible to me she didn’t remember. + +“Well,” said the earl and touched his horse. + +Garvell was patting the neck of his horse, which was inclined to +fidget, and disregarding me. He nodded over his shoulder and followed. +His movement seemed to release a train of memories in her. She glanced +suddenly at him and then back at me with a flash of recognition that +warmed instantly to a faint smile. She hesitated as if to speak to me, +smiled broadly and understandingly and turned to follow the others. All +three broke into a canter and she did not look back. I stood for a +second or so at the crossing of the lanes, watching her recede, and +then became aware that my uncle was already some paces off and talking +over his shoulder in the belief that I was close behind. I turned about +and strode to overtake him. My mind was full of Beatrice and this +surprise. I remembered her simply as a Normandy. I’d clean forgotten +that Garvell was the son and she the step-daughter of our neighbour, +Lady Osprey. Indeed, I’d probably forgotten at that time that we had +Lady Osprey as a neighbour. There was no reason at all for remembering +it. It was amazing to find her in this Surrey countryside, when I’d +never thought of her as living anywhere in the world but at Bladesover +Park, near forty miles and twenty years away. She was so alive—so +unchanged! The same quick warm blood was in her cheeks. It seemed only +yesterday that we had kissed among the bracken stems.... + +“Eh?” I said. + +“I say he’s good stuff,” said my uncle. “You can say what you like +against the aristocracy, George; Lord Carnaby’s rattling good stuff. +There’s a sort of _Savoir Faire_, something—it’s an old-fashioned +phrase, George, but a good one there’s a Bong-Tong.... It’s like the +Oxford turf, George, you can’t grow it in a year. I wonder how they do +it. It’s living always on a Scale, George. It’s being there from the +beginning.”... + +“She might,” I said to myself, “be a picture by Romney come alive!” + +“They tell all these stories about him,” said my uncle, “but what do +they all amount to?” + +“Gods!” I said to myself; “but why have I forgotten for so long? Those +queer little brows of hers, the touch of mischief in her eyes—the way +she breaks into a smile!” + +“I don’t blame him,” said my uncle. “Mostly it’s imagination. That and +leisure, George. When I was a young man I was kept pretty busy. So were +you. Even then—!” + +What puzzled me more particularly was the queer trick of my memory that +had never recalled anything vital of Beatrice whatever when I met +Garvell again that had, indeed, recalled nothing except a boyish +antagonism and our fight. Now when my senses were full of her, it +seemed incredible that I could ever have forgotten.... + +III + +“Oh, Crikey!” said my aunt, reading a letter behind her coffee-machine. +“_Here’s_ a young woman, George!” + +We were breakfasting together in the big window bay at Lady Grove that +looks upon the iris beds; my uncle was in London. + +I sounded an interrogative note and decapitated an egg. + +“Who’s Beatrice Normandy?” asked my aunt. “I’ve not heard of her +before.” + +“She the young woman?” + +“Yes. Says she knows you. I’m no hand at old etiquette, George, but her +line is a bit unusual. Practically she says she’s going to make her +mother—” + +“Eh? Step-mother, isn’t it?” + +“You seem to know a lot about her. She says ‘mother’—Lady Osprey. +They’re to call on me, anyhow, next Wednesday week at four, and there’s +got to be you for tea.” + +“Eh?” + +“You—for tea. + +“H’m. She had rather—force of character. When I knew her before.” + +I became aware of my aunt’s head sticking out obliquely from behind the +coffee-machine and regarding me with wide blue curiosity. I met her +gaze for a moment, flinched, coloured, and laughed. + +“I’ve known her longer than I’ve known you,” I said, and explained at +length. + +My aunt kept her eye on me over and round the coffee-machine as I did +so. She was greatly interested, and asked several elucidatory +questions. + +“Why didn’t you tell me the day you saw her? You’ve had her on your +mind for a week,” she said. + +“It IS odd I didn’t tell you,” I admitted. + +“You thought I’d get a Down on her,” said my aunt conclusively. “That’s +what you thought” and opened the rest of her letters. + +The two ladies came in a pony-carriage with conspicuous punctuality, +and I had the unusual experience of seeing my aunt entertaining +callers. We had tea upon the terrace under the cedar, but old Lady +Osprey, being an embittered Protestant, had never before seen the +inside of the house, and we made a sort of tour of inspection that +reminded me of my first visit to the place. In spite of my +preoccupation with Beatrice, I stored a queer little memory of the +contrast between the two other women; my aunt, tall, slender and +awkward, in a simple blue homekeeping dress, an omnivorous reader and a +very authentic wit, and the lady of pedigree, short and plump, dressed +with Victorian fussiness, living at the intellectual level of palmistry +and genteel fiction, pink in the face and generally flustered by a +sense of my aunt’s social strangeness and disposed under the +circumstances to behave rather like an imitation of the more queenly +moments of her own cook. The one seemed made of whalebone, the other of +dough. My aunt was nervous, partly through the intrinsic difficulty of +handling the lady and partly because of her passionate desire to watch +Beatrice and me, and her nervousness took a common form with her, a +wider clumsiness of gesture and an exacerbation of her habitual oddity +of phrase which did much to deepen the pink perplexity of the lady of +title. For instance, I heard my aunt admit that one of the Stuart +Durgan ladies did look a bit “balmy on the crumpet”; she described the +knights of the age of chivalry as “korvorting about on the off-chance +of a dragon”; she explained she was “always old mucking about the +garden,” and instead of offering me a Garibaldi biscuit, she asked me +with that faint lisp of hers, to “have some squashed flies, George.” I +felt convinced Lady Osprey would describe her as “a most eccentric +person” on the very first opportunity;—“a most eccentric person.” One +could see her, as people say, “shaping” for that. + +Beatrice was dressed very quietly in brown, with a simple but +courageous broad-brimmed hat, and an unexpected quality of being +grown-up and responsible. She guided her step-mother through the first +encounter, scrutinised my aunt, and got us all well in movement through +the house, and then she turned her attention to me with a quick and +half-confident smile. + +“We haven’t met,” she said, “since—” + +“It was in the Warren.” + +“Of course,” she said, “the Warren! I remembered it all except just the +name.... I was eight.” + +Her smiling eyes insisted on my memories being thorough. I looked up +and met them squarely, a little at a loss for what I should say. + +“I gave you away pretty completely,” she said, meditating upon my face. +“And afterwards I gave way Archie.” + +She turned her face away from the others, and her voice fell ever so +little. + +“They gave him a licking for telling lies!” she said, as though that +was a pleasant memory. “And when it was all over I went to our wigwam. +You remember the wigwam?” + +“Out in the West Wood?” + +“Yes—and cried—for all the evil I had done you, I suppose.... I’ve +often thought of it since.”... + +Lady Osprey stopped for us to overtake her. “My dear!” she said to +Beatrice. “Such a beautiful gallery!” Then she stared very hard at me, +puzzled in the most naked fashion to understand who I might be. + +“People say the oak staircase is rather good,” said my aunt, and led +the way. + +Lady Osprey, with her skirts gathered for the ascent to the gallery and +her hand on the newel, turned and addressed a look full of meaning +overflowing indeed with meanings—at her charge. The chief meaning no +doubt was caution about myself, but much of it was just meaning at +large. I chanced to catch the response in a mirror and detected +Beatrice with her nose wrinkled into a swift and entirely diabolical +grimace. Lady Osprey became a deeper shade of pink and speechless with +indignation—it was evident she disavowed all further responsibility, as +she followed my aunt upstairs. + +“It’s dark, but there’s a sort of dignity,” said Beatrice very +distinctly, regarding the hall with serene tranquillity, and allowing +the unwilling feet on the stairs to widen their distance from us. She +stood a step up, so that she looked down a little upon me and over me +at the old hall. + +She turned upon me abruptly when she thought her step-mother was beyond +ear-shot. + +“But how did you get here?” she asked. + +“Here?” + +“All this.” She indicated space and leisure by a wave of the hand at +hall and tall windows and sunlit terrace. “Weren’t you the +housekeeper’s son?” + +“I’ve adventured. My uncle has become—a great financier. He used to be +a little chemist about twenty miles from Bladesover. We’re promoters +now, amalgamators, big people on the new model.” + +“I understand.” She regarded me with interested eyes, visibly thinking +me out. + +“And you recognised me?” I asked. + +“After a second or so. I saw you recognised me. I couldn’t place you, +but I knew I knew you. Then Archie being there helped me to remember.” + +“I’m glad to meet again,” I ventured. “I’d never forgotten you.” + +“One doesn’t forget those childish things.” + +We regarded one another for a moment with a curiously easy and +confident satisfaction in coming together again. I can’t explain our +ready zest in one another. The thing was so. We pleased each other, we +had no doubt in our minds that we pleased each other. From the first we +were at our ease with one another. “So picturesque, so very +picturesque,” came a voice from above, and then: “Bee-atrice!” + +“I’ve a hundred things I want to know about you,” she said with an easy +intimacy, as we went up the winding steps.... + +As the four of us sat at tea together under the cedar on the terrace +she asked questions about my aeronautics. My aunt helped with a word or +so about my broken ribs. Lady Osprey evidently regarded flying as a +most indesirable and improper topic—a blasphemous intrusion upon the +angels. “It isn’t flying,” I explained. “We don’t fly yet.” + +“You never will,” she said compactly. “You never will.” + +“Well,” I said, “we do what we can.” + +The little lady lifted a small gloved hand and indicated a height of +about four feet from the ground. “Thus far,” she said, “thus far—_and +no farther!_ No!” + +She became emphatically pink. “_No_,” she said again quite +conclusively, and coughed shortly. “Thank you,” she said to her ninth +or tenth cake. Beatrice burst into cheerful laughter with her eye on +me. I was lying on the turf, and this perhaps caused a slight confusion +about the primordial curse in Lady Osprey’s mind. + +“Upon his belly shall he go,” she said with quiet distinctness, “all +the days of his life.” + +After which we talked no more of aeronautics. + +Beatrice sat bunched together in a chair and regarded me with exactly +the same scrutiny, I thought, the same adventurous aggression, that I +had faced long ago at the tea-table in my mother’s room. She was +amazingly like that little Princess of my Bladesover memories, the +wilful misbehaviours of her hair seemed the same—her voice; things one +would have expected to be changed altogether. She formed her plans in +the same quick way, and acted with the same irresponsible decision. + +She stood up abruptly. + +“What is there beyond the terrace?” she said, and found me promptly +beside her. + +I invented a view for her. + +At the further corner from the cedar she perched herself up upon the +parapet and achieved an air of comfort among the lichenous stones. “Now +tell me,” she said, “all about yourself. Tell me about yourself; I know +such duffers of men! They all do the same things. How did you get—here? +All my men _were_ here. They couldn’t have got here if they hadn’t been +here always. They wouldn’t have thought it right. You’ve climbed.” + +“If it’s climbing,” I said. + +She went off at a tangent. “It’s—I don’t know if you’ll +understand—interesting to meet you again. I’ve remembered you. I don’t +know why, but I have. I’ve used you as a sort of lay figure—when I’ve +told myself stories. But you’ve always been rather stiff and difficult +in my stories—in ready-made clothes—a Labour Member or a Bradlaugh, or +something like that. You’re not like that a bit. And yet you _are!_” + +She looked at me. “Was it much of a fight? They make out it is.” + +“I don’t know why.” + +“I was shot up here by an accident,” I said. “There was no fight at +all. Except to keep honest, perhaps and I made no great figure in that. +I and my uncle mixed a medicine and it blew us up. No merit in that! +But you’ve been here all the time. Tell me what you have done first.” + +“One thing we didn’t do.” She meditated for a moment. + +“What?” said I. + +“Produce a little half-brother for Bladesover. So it went to the +Phillbrick gang. And they let it! And I and my step-mother—we let, too. +And live in a little house.” + +She nodded her head vaguely over her shoulder and turned to me again. +“Well, suppose it was an accident. Here you are! Now you’re here, what +are you going to do? You’re young. Is it to be Parliament? heard some +men the other day talking about you. Before I knew you were you. They +said that was what you ought to do.”... + +She put me through my intentions with a close and vital curiosity. It +was just as she had tried to imagine me a soldier and place me years +ago. She made me feel more planless and incidental than ever. “You want +to make a flying-machine,” she pursued, “and when you fly? What then? +Would it be for fighting?” + +I told her something of my experimental work. She had never heard of +the soaring aeroplane, and was excited by the thought, and keen to hear +about it. She had thought all the work so far had been a mere +projecting of impossible machines. For her Pilcher and Lilienthal had +died in vain. She did not know such men had lived in the world. + +“But that’s dangerous!” she said, with a note of discovery. + +“Oh!—it’s dangerous.” + +“Bee-atrice!” Lady Osprey called. + +Beatrice dropped from the wall to her feet. + +“Where do you do this soaring?” + +“Beyond the high Barrows. East of Crest Hill and the wood.” + +“Do you mind people coming to see?” + +“Whenever you please. Only let me know” + +“I’ll take my chance some day. Some day soon.” She looked at me +thoughtfully, smiled, and our talk was at an end. + +IV + +All my later work in aeronautics is associated in my memory with the +quality of Beatrice, with her incidental presence, with things she said +and did and things I thought of that had reference to her. + +In the spring of that year I had got to a flying machine that lacked +nothing but longitudinal stability. My model flew like a bird for fifty +or a hundred yards or so, and then either dived and broke its nose or, +what was commoner, reared up, slid back and smashed its propeller. The +rhythm of the pitching puzzled me. I felt it must obey some laws not +yet quite clearly stated. I became therefore a student of theory and +literature for a time; I hit upon the string of considerations that led +me to what is called Ponderevo’s Principle and my F.R.S., and I worked +this out in three long papers. Meanwhile I made a lot of turn-table and +glider models and started in upon an idea of combining gas-bags and +gliders. Balloon work was new to me. I had made one or two ascents in +the balloons of the Aëro Club before I started my gasometer and the +balloon shed and gave Cothope a couple of months with Sir Peter +Rumchase. My uncle found part of the money for these developments; he +was growing interested and competitive in this business because of Lord +Boom’s prize and the amount of _réclame_ involved, and it was at his +request that I named my first navigable balloon Lord Roberts Alpha. + +Lord Roberts A very nearly terminated all my investigations. My idea +both in this and its more successful and famous younger brother, Lord +Roberts β, was to utilise the idea of a contractile balloon with a +rigid flat base, a balloon shaped rather like an inverted boat that +should almost support the apparatus, but not quite. The gas-bag was of +the chambered sort used for these long forms, and not with an internal +balloonette. The trouble was to make the thing contractile. This I +sought to do by fixing a long, fine-meshed silk net over it that was +fastened to be rolled up on two longitudinal rods. Practically I +contracted my sausage gas-bag by netting it down. The ends were too +complex for me to describe here, but I thought them out elaborately and +they were very carefully planned. Lord Roberts A was furnished with a +single big screw forward, and there was a rudder aft. The engine was +the first one to be, so to speak, right in the plane of the gas-bag. I +lay immediately under the balloon on a sort of glider framework, far +away from either engine or rudder, controlling them by wire-pulls +constructed on the principle of the well-known Bowden brake of the +cyclist. + +But Lord Roberts A has been pretty exhaustively figured and described +in various aeronautical publications. The unforeseen defect was the +badness of the work in the silk netting. It tore aft as soon as I began +to contract the balloon, and the last two segments immediately bulged +through the hole, exactly as an inner tube will bulge through the +ruptured outer cover of a pneumatic tire, and then the sharp edge of +the torn net cut the oiled-silk of the distended last segment along a +weak seam and burst it with a loud report. + +Up to that point the whole thing had been going on extremely well. As a +navigable balloon and before I contracted it, the Lord Roberts A was an +unqualified success. It had run out of the shed admirably at nine or +ten miles an hour or more, and although there was a gentle southwester +blowing, it had gone up and turned and faced it as well as any craft of +the sort I have ever seen. + +I lay in my customary glider position, horizontal and face downward, +and the invisibility of all the machinery gave an extraordinary effect +of independent levitation. Only by looking up, as it were, and turning +my head back could I see the flat aeroplane bottom of the balloon and +the rapid successive passages, swish, swish, swish of the vans of the +propeller. I made a wide circle over Lady Grove and Duffield and out +towards Effingham and came back quite successfully to the +starting-point. + +Down below in the October sunlight were my sheds and the little group +that had been summoned to witness the start, their faces craned upward +and most of them scrutinising my expression through field-glasses. I +could see Carnaby and Beatrice on horseback, and two girls I did not +know with them; Cothope and three or four workmen I employed; my aunt +and Mrs. Levinstein, who was staying with her, on foot, and Dimmock, +the veterinary surgeon, and one or two others. My shadow moved a little +to the north of them like the shadow of a fish. At Lady Grove the +servants were out on the lawn, and the Duffield school playground +swarmed with children too indifferent to aeronautics to cease their +playing. But in the Crest Hill direction—the place looked +extraordinarily squat and ugly from above—there were knots and strings +of staring workmen everywhere—not one of them working, but all agape. +(But now I write it, it occurs to me that perhaps it was their dinner +hour; it was certainly near twelve.) I hung for a moment or so enjoying +the soar, then turned about to face a clear stretch of open down, let +the engine out to full speed and set my rollers at work rolling in the +net, and so tightening the gas-bags. Instantly the pace quickened with +the diminished resistance... + +In that moment before the bang I think I must have been really flying. +Before the net ripped, just in the instant when my balloon was at its +systole, the whole apparatus was, I am convinced, heavier than air. +That, however, is a claim that has been disputed, and in any case this +sort of priority is a very trivial thing. + +Then came a sudden retardation, instantly followed by an inexpressibly +disconcerting tilt downward of the machine. That I still recall with +horror. I couldn’t see what was happening at all and I couldn’t +imagine. It was a mysterious, inexplicable dive. The thing, it seemed, +without rhyme or reason, was kicking up its heels in the air. The bang +followed immediately, and I perceived I was falling rapidly. + +I was too much taken by surprise to think of the proper cause of the +report. I don’t even know what I made of it. I was obsessed, I suppose, +by that perpetual dread of the modern aeronaut, a flash between engine +and balloon. Yet obviously I wasn’t wrapped in flames. I ought to have +realised instantly it wasn’t that. I did, at any rate, whatever other +impressions there were, release the winding of the outer net and let +the balloon expand again, and that no doubt did something to break my +fall. I don’t remember doing that. Indeed, all I do remember is the +giddy effect upon the landscape of falling swiftly upon it down a flat +spiral, the hurried rush of fields and trees and cottages on my left +shoulder and the overhung feeling as if the whole apparatus was +pressing down the top of my head. I didn’t stop or attempt to stop the +screw. That was going on, swish, swish, swish all the time. + +Cothope really knows more about the fall than I do. He describes the +easterly start, the tilt, and the appearance and bursting of a sort of +bladder aft. Then down I swooped, very swiftly, but not nearly so +steeply as I imagined I was doing. “Fifteen or twenty degrees,” said +Cothope, “to be exact.” From him it was that I learnt that I let the +nets loose again, and so arrested my fall. He thinks I was more in +control of myself than I remember. + +But I do not see why I should have forgotten so excellent a resolution. +His impression is that I was really steering and trying to drop into +the Farthing Down beeches. “You hit the trees,” he said, “and the whole +affair stood on its nose among them, and then very slowly crumpled up. +I saw you’d been jerked out, as I thought, and I didn’t stay for more. +I rushed for my bicycle.” + +As a matter of fact, it was purely accidental that I came down in the +woods. I am reasonably certain that I had no more control then than a +thing in a parcel. I remember I felt a sort of wincing, “Now it comes!” +as the trees rushed up to me. If I remember that, I should remember +steering. Then the propeller smashed, everything stopped with a jerk, +and I was falling into a mass of yellowing leaves, and Lord Roberts A, +so it seemed to me, was going back into the sky. + +I felt twigs and things hit me in the face, but I didn’t feel injured +at the time; I clutched at things that broke, tumbled through a froth +of green and yellow into a shadowy world of great bark-covered arms, +and there, snatching wildly, got a grip on a fair round branch, and +hung. + +I became intensely alert and clear-headed. I held by that branch for a +moment and then looked about me, and caught at another, and then found +myself holding to a practicable fork. I swung forward to that and got a +leg around it below its junction, and so was able presently to clamber +down, climbing very coolly and deliberately. I dropped ten feet or so +from the lowest branch and fell on my feet. “That’s all right,” I said, +and stared up through the tree to see what I could of the deflated and +crumpled remains that had once been Lord Roberts A festooned on the +branches it had broken. “Gods!” I said, “what a tumble!” + +I wiped something that trickled from my face and was shocked to see my +hand covered with blood. I looked at myself and saw what seemed to me +an astonishing quantity of blood running down my arm and shoulder. I +perceived my mouth was full of blood. It’s a queer moment when one +realises one is hurt, and perhaps badly hurt, and has still to discover +just how far one is hurt. I explored my face carefully and found +unfamiliar contours on the left side. The broken end of a branch had +driven right through my cheek, damaging my cheek and teeth and gums, +and left a splinter of itself stuck, like an explorer’s +fartherest-point flag, in the upper maxillary. That and a sprained +wrist were all my damage. But I bled as though I had been chopped to +pieces, and it seemed to me that my face had been driven in. I can’t +describe just the horrible disgust I felt at that. + +“This blood must be stopped, anyhow,” I said, thickheadedly. + +“I wonder where there’s a spider’s web”—an odd twist for my mind to +take. But it was the only treatment that occurred to me. + +I must have conceived some idea of going home unaided, because I was +thirty yards from the tree before I dropped. + +Then a kind of black disc appeared in the middle of the world and +rushed out to the edge of things and blotted them out. I don’t remember +falling down. I fainted from excitement, disgust at my injury and loss +of blood, and lay there until Cothope found me. + +He was the first to find me, scorching as he did over the downland +turf, and making a wide course to get the Carnaby plantations at their +narrowest. Then presently, while he was trying to apply the methodical +teachings of the St. John’s Ambulance classes to a rather abnormal +case, Beatrice came galloping through the trees full-tilt, with Lord +Carnaby hard behind her, and she was hatless, muddy from a fall, and +white as death. “And cool as a cucumber, too,” said Cothope, turning it +over in his mind as he told me. + +(“They never seem quite to have their heads, and never seem quite to +lose ’em,” said Cothope, generalising about the sex.) + +Also he witnessed she acted with remarkable decision. The question was +whether I should be taken to the house her step-mother occupied at +Bedley Corner, the Carnaby dower house, or down to Carnaby’s place at +Easting. Beatrice had no doubt in the matter, for she meant to nurse +me. Carnaby didn’t seem to want that to happen. “She _would_ have it +wasn’t half so far,” said Cothope. “She faced us out.... + +“I hate to be faced out of my opinion, so I’ve taken a pedometer over +it since. It’s exactly forty-three yards further. + +“Lord Carnaby looked at her pretty straight,” said Cothope, finishing +the picture; “and then he give in.” + +V + +But my story has made a jump from June to October, and during that time +my relations with Beatrice and the countryside that was her setting had +developed in many directions. She came and went, moving in an orbit for +which I had no data, going to London and Paris, into Wales and +Northampton, while her stepmother, on some independent system of her +own, also vanished and recurred intermittently. At home they obeyed the +rule of an inflexible old maid, Charlotte, and Beatrice exercised all +the rights of proprietorship in Carnaby’s extensive stables. Her +interest in me was from the first undisguised. She found her way to my +worksheds and developed rapidly, in spite of the sincere discouragement +of Cothope, into a keen amateur of aeronautics. She would come +sometimes in the morning, sometimes in the afternoon, sometimes afoot +with an Irish terrier, sometimes riding. She would come for three or +four days every day, vanish for a fortnight or three weeks, return. + +It was not long before I came to look for her. From the first I found +her immensely interesting. To me she was a new feminine type +altogether—I have made it plain, I think, how limited was my knowledge +of women. But she made me not simply interested in her, but in myself. +She became for me something that greatly changes a man’s world. How +shall I put it? She became an audience. Since I’ve emerged from the +emotional developments of the affair I have thought it out in a hundred +aspects, and it does seem to me that this way in which men and women +make audiences for one another is a curiously influential force in +their lives. For some it seems an audience is a vital necessity, they +seek audiences as creatures seek food; others again, my uncle among +them, can play to an imaginary audience. I, I think, have lived and can +live without one. In my adolescence I was my own audience and my own +court of honour. And to have an audience in one’s mind is to play a +part, to become self-conscious and dramatic. For many years I had been +self-forgetful and scientific. I had lived for work and impersonal +interests until I found scrutiny, applause and expectation in +Beatrice’s eyes. Then I began to live for the effect I imagined I made +upon her, to make that very soon the principal value in my life. I +played to her. I did things for the look of them. I began to dream more +and more of beautiful situations and fine poses and groupings with her +and for her. + +I put these things down because they puzzle me. I think I was in love +with Beatrice, as being in love is usually understood; but it was quite +a different state altogether from my passionate hunger for Marion, or +my keen, sensuous desire for and pleasure in Effie. These were selfish, +sincere things, fundamental and instinctive, as sincere as the leap of +a tiger. But until matters drew to a crisis with Beatrice, there was an +immense imaginative insurgence of a quite different quality. I am +setting down here very gravely, and perhaps absurdly, what are no doubt +elementary commonplaces for innumerable people. This love that grew up +between Beatrice and myself was, I think—I put it quite tentatively and +rather curiously—romantic love. That unfortunate and truncated affair +of my uncle and the Scrymgeour lady was really of the same stuff, if a +little different in quality. I have to admit that. The factor of +audience was of primary importance in either else. + +Its effect upon me was to make me in many respects adolescent again. It +made me keener upon the point of honour, and anxious and eager to do +high and splendid things, and in particular, brave things. So far it +ennobled and upheld me. But it did also push me towards vulgar and +showy things. At bottom it was disingenuous; it gave my life the +quality of stage scenery, with one side to the audience, another side +that wasn’t meant to show, and an economy of substance. It certainly +robbed my work of high patience and quality. I cut down the toil of +research in my eagerness and her eagerness for fine flourishes in the +air, flights that would tell. I shirked the longer road. + +And it robbed me, too, of any fine perception of absurdity. + +Yet that was not everything in our relationship. The elemental thing +was there also. It came in very suddenly. + +It was one day in the summer, though I do not now recall without +reference to my experimental memoranda whether it was in July or +August. I was working with a new and more bird-like aeroplane with wing +curvatures studied from Lilienthal, Pilcher and Phillips, that I +thought would give a different rhythm for the pitching oscillations +than anything I’d had before. I was soaring my long course from the +framework on the old barrow by my sheds down to Tinker’s Corner. It is +a clear stretch of downland, except for two or three thickets of box +and thorn to the right of my course; one transverse trough, in which +there is bush and a small rabbit warren, comes in from the east. I had +started, and was very intent on the peculiar long swoop with which any +new arrangement flew. Then, without any sort of notice, right ahead of +me appeared Beatrice, riding towards Tinker’s Corner to waylay and talk +to me. She looked round over her shoulder, saw me coming, touched her +horse to a gallop, and then the brute bolted right into the path of my +machine. + +There was a queer moment of doubt whether we shouldn’t all smash +together. I had to make up my mind very quickly whether I would +pitch-up and drop backward at once and take my chance of falling +undamaged—a poor chance it would have been—in order to avoid any risk +to her, or whether I would lift against the wind and soar right over +her. This latter I did. She had already got her horse in hand when I +came up to her. Her woman’s body lay along his neck, and she glanced up +as I, with wings aspread, and every nerve in a state of tension, swept +over her. + +Then I had landed, and was going back to where her horse stood still +and trembling. + +We exchanged no greetings. She slid from her saddle into my arms, and +for one instant I held her. + +“Those great wings,” she said, and that was all. + +She lay in my arms, and I thought for a moment she had fainted. + +“Very near a nasty accident,” said Cothope, coming up and regarding our +grouping with disfavour. He took her horse by the bridle. “Very +dangerous thing coming across us like that.” + +Beatrice disengaged herself from me, stood for a moment trembling, and +then sat down on the turf “I’ll just sit down for a moment,” she said. + +“Oh!” she said. + +She covered her face with her hands, while Cothope looked at her with +an expression between suspicion and impatience. + +For some moments nobody moved. Then Cothope remarked that perhaps he’d +better get her water. + +As for me, I was filled with a new outrageous idea, begotten I scarcely +know how from this incident, with its instant contacts and swift +emotions, and that was that I must make love to and possess Beatrice. I +see no particular reason why that thought should have come to me in +that moment, but it did. I do not believe that before then I had +thought of our relations in such terms at all. Suddenly, as I remember +it, the factor of passion came. She crouched there, and I stood over +her, and neither of us said a word. But it was just as though something +had been shouted from the sky. + +Cothope had gone twenty paces perhaps when she uncovered her face. “I +shan’t want any water,” she said. “Call him back.” + +VI + +After that the spirit of our relations changed. The old ease had gone. +She came to me less frequently, and when she came she would have some +one with her, usually old Carnaby, and he would do the bulk of the +talking. All through September she was away. When we were alone +together there was a curious constraint. We became clouds of +inexpressible feeling towards one another; we could think of nothing +that was not too momentous for words. + +Then came the smash of Lord Roberts A, and I found myself with a +bandaged face in a bedroom in the Bedley Corner dower-house with +Beatrice presiding over an inefficient nurse, Lady Osprey very pink and +shocked in the background, and my aunt jealously intervening. + +My injuries were much more showy than serious, and I could have been +taken to Lady Grove next day, but Beatrice would not permit that, and +kept me at Bedley Corner three clear days. In the afternoon of the +second day she became extremely solicitous for the proper aeration of +the nurse, packed her off for an hour in a brisk rain, and sat by me +alone. + +I asked her to marry me. + +All the whole I must admit it was not a situation that lent itself to +eloquence. I lay on my back and talked through bandages, and with some +little difficulty, for my tongue and mouth had swollen. But I was +feverish and in pain, and the emotional suspense I had been in so long +with regard to her became now an unendurable impatience. + +“Comfortable?” she asked. + +“Yes.” + +“Shall I read to you?” + +“No. I want to talk.” + +“You can’t. I’d better talk to you.” + +“No,” I said, “I want to talk to you.” + +She came and stood by my bedside and looked me in the eyes. “I don’t—I +don’t want you to talk to me,” she said. “I thought you couldn’t talk.” + +“I get few chances—of you.” + +“You’d better not talk. Don’t talk now. Let me chatter instead. You +ought not to talk.” + +“It isn’t much,” I said. + +“I’d rather you didn’t.” + +“I’m not going to be disfigured,” I said. “Only a scar.” + +“Oh!” she said, as if she had expected something quite different. “Did +you think you’d become a sort of gargoyle?” + +“L’Homme qui Rit!—I didn’t know. But that’s all right. Jolly flowers +those are!” + +“Michaelmas daisies,” she said. “I’m glad you’r not disfigured, and +those are perennial sunflowers. Do you know no flowers at all? When I +saw you on the ground I certainly thought you were dead. You ought to +have been, by all the rules of the game.” + +She said some other things, but I was thinking of my next move. + +“Are we social equals?” I said abruptly. + +She stared at me. “Queer question,” she said. + +“But are we?” + +“H’m. Difficult to say. But why do you ask? Is the daughter of a +courtesy Baron who died—of general disreputableness, I believe—before +his father—? I give it up. Does it matter?” + +“No. My mind is confused. I want to know if you will marry me.” + +She whitened and said nothing. I suddenly felt I must plead with her. +“Damn these bandages!” I said, breaking into ineffectual febrile rage. + +She roused herself to her duties as nurse. “What are you doing? Why are +you trying to sit up? Sit down! Don’t touch your bandages. I told you +not to talk.” + +She stood helpless for a moment, then took me firmly by the shoulders +and pushed me back upon the pillow. She gripped the wrist of the hand I +had raised to my face. + +“I told you not to talk,” she whispered close to my face. “I asked you +not to talk. Why couldn’t you do as I asked you?” + +“You’ve been avoiding me for a month,” I said. + +“I know. You might have known. Put your hand back—down by your side.” + +I obeyed. She sat on the edge of the bed. A flush had come to her +cheeks, and her eyes were very bright. “I asked you,” she repeated, +“not to talk.” + +My eyes questioned her mutely. + +She put her hand on my chest. Her eyes were tormented. + +“How can I answer you now?” she said. + +“How can I say anything now?” + +“What do you mean?” I asked. + +She made no answer. + +“Do you mean it must be ‘No’?” + +She nodded. + +“But” I said, and my whole soul was full of accusations. + +“I know,” she said. “I can’t explain. I can’t. But it has to be ‘No!’ +It can’t be. It’s utterly, finally, for ever impossible.... Keep your +hands still!” + +“But,” I said, “when we met again—” + +“I can’t marry. I can’t and won’t.” + +She stood up. “Why did you talk?” she cried, “couldn’t you _see?_” + +She seemed to have something it was impossible to say. + +She came to the table beside my bed and pulled the Michaelmas daisies +awry. “Why did you talk like that?” she said in a tone of infinite +bitterness. “To begin like that!” + +“But what is it?” I said. “Is it some circumstance—my social position?” + +“Oh, _damn_ your social position!” she cried. + +She went and stood at the further window, staring out at the rain. For +a long time we were absolutely still. The wind and rain came in little +gusts upon the pane. She turned to me abruptly. + +“You didn’t ask me if I loved you,” she said. + +“Oh, if it’s _that!_” said I. + +“It’s not that,” she said. “But if you want to know—” She paused. + +“I do,” she said. + +We stared at one another. + +“I do—with all my heart, if you want to know.” + +“Then, why the devil—?” I asked. + +She made no answer. She walked across the room to the piano and began +to play, rather noisily and rapidly, with odd gusts of emphasis, the +shepherd’s pipe music from the last act in “Tristan and Isolde.” +Presently she missed a note, failed again, ran her finger heavily up +the scale, struck the piano passionately with her fist, making a feeble +jar in the treble, jumped up, and went out of the room.... + +The nurse found me still wearing my helmet of bandages, partially +dressed, and pottering round the room to find the rest of my clothes. I +was in a state of exasperated hunger for Beatrice, and I was too +inflamed and weakened to conceal the state of my mind. I was feebly +angry because of the irritation of dressing, and particularly of the +struggle to put on my trousers without being able to see my legs. I was +staggering about, and once I had fallen over a chair and I had upset +the jar of Michaelmas daisies. + +I must have been a detestable spectacle. “I’ll go back to bed,” said I, +“if I may have a word with Miss Beatrice. I’ve got something to say to +her. That’s why I’m dressing.” + +My point was conceded, but there were long delays. Whether the +household had my ultimatum or whether she told Beatrice directly I do +not know, and what Lady Osprey can have made of it in the former case I +don’t imagine. + +At last Beatrice came and stood by my bedside. “Well?” she said. + +“All I want to say,” I said with the querulous note of a misunderstood +child, “is that I can’t take this as final. I want to see you and talk +when I’m better, and write. I can’t do anything now. I can’t argue.” + +I was overtaken with self-pity and began to snivel, “I can’t rest. You +see? I can’t do anything.” + +She sat down beside me again and spoke softly. “I promise I will talk +it all over with you again. When you are well. I promise I will meet +you somewhere so that we can talk. You can’t talk now. + +“I asked you not to talk now. All you want to know you shall know... +Will that do?” + +“I’d like to know” + +She looked round to see the door was closed, stood up and went to it. + +Then she crouched beside me and began whispering very softly and +rapidly with her face close to me. + +“Dear,” she said, “I love you. If it will make you happy to marry me, I +will marry you. I was in a mood just now—a stupid, inconsiderate mood. +Of course I will marry you. You are my prince, my king. Women are such +things of mood—or I would have behaved differently. We say ‘No’ when we +mean ‘Yes’—and fly into crises. So now, Yes—yes—yes. I will. I can’t +even kiss you. Give me your hand to kiss that. Understand, I am yours. +Do you understand? I am yours just as if we had been married fifty +years. Your wife—Beatrice. Is that enough? Now—now will you rest?” + +“Yes,” I said, “but why?” + +“There are complications. There are difficulties. When you are better +you will be able to—understand them. But now they don’t matter. Only +you know this must be secret—for a time. Absolutely secret between us. +Will you promise that?” + +“Yes,” I said, “I understand. I wish I could kiss you.” + +She laid her head down beside mine for a moment and then she kissed my +hand. + +“I don’t care what difficulties there are,” I said, and I shut my eyes. + +VII + +But I was only beginning to gauge the unaccountable elements in +Beatrice. For a week after my return to Lady Grove I had no sign of +her, and then she called with Lady Osprey and brought a huge bunch of +perennial sunflowers and Michaelmas daisies, “just the old flowers +there were in your room,” said my aunt, with a relentless eye on me. I +didn’t get any talk alone with Beatrice then, and she took occasion to +tell us she was going to London for some indefinite number of weeks. I +couldn’t even pledge her to write to me, and when she did it was a +brief, enigmatical, friendly letter with not a word of the reality +between us. + +I wrote back a love letter—my first love letter—and she made no reply +for eight days. Then came a scrawl: “I can’t write letters. Wait till +we can talk. Are you better?” + +I think the reader would be amused if he could see the papers on my +desk as I write all this, the mangled and disfigured pages, the +experimental arrangements of notes, the sheets of suggestions balanced +in constellations, the blottesque intellectual battlegrounds over which +I have been fighting. I find this account of my relations to Beatrice +quite the most difficult part of my story to write. I happen to be a +very objective-minded person, I forget my moods, and this was so much +an affair of moods. And even such moods and emotions as I recall are +very difficult to convey. To me it is about as difficult as describing +a taste or a scent. + +Then the objective story is made up of little things that are difficult +to set in a proper order. And love in an hysterical passion, now high, +now low, now exalted, and now intensely physical. No one has ever yet +dared to tell a love story completely, its alternations, its comings +and goings, its debased moments, its hate. The love stories we tell, +tell only the net consequence, the ruling effect.... + +How can I rescue from the past now the mystical quality of Beatrice; my +intense longing for her; the overwhelming, irrational, formless desire? +How can I explain how intimately that worship mingled with a high, +impatient resolve to make her mine, to take her by strength and +courage, to do my loving in a violent heroic manner? And then the +doubts, the puzzled arrest at the fact of her fluctuations, at her +refusal to marry me, at the fact that even when at last she returned to +Bedley Corner she seemed to evade me? + +That exasperated me and perplexed me beyond measure. + +I felt that it was treachery. I thought of every conceivable +explanation, and the most exalted and romantic confidence in her did +not simply alternate, but mingled with the basest misgivings. + +And into the tangle of memories comes the figure of Carnaby, coming out +slowly from the background to a position of significance, as an +influence, as a predominant strand in the nets that kept us apart, as a +rival. What were the forces that pulled her away from me when it was so +clearly manifest she loved me? Did she think of marrying him? Had I +invaded some long-planned scheme? It was evident he did not like me, +that in some way I spoilt the world for him. She returned to Bedley +Corner, and for some weeks she was flitting about me, and never once +could I have talk with her alone. When she came to my sheds Carnaby was +always with her, jealously observant. (Why the devil couldn’t she send +him about his business?) The days slipped by and my anger gathered. + +All this mingles with the making of Lord Roberts β. I had resolved upon +that one night as I lay awake at Bedley Corner; I got it planned out +before the bandages were off my face. I conceived this second navigable +balloon in a grandiose manner. It was to be a second Lord Roberts α, +only more so; it was to be three times as big, large enough to carry +three men, and it was to be an altogether triumphant vindication of my +claims upon the air. The framework was to be hollow like a bird’s +bones, airtight, and the air pumped in or out, and the weight of fuel I +carried changed. I talked much and boasted to Cothope—whom I suspected +of scepticisms about this new type—of what it would do, and it +progressed—slowly. It progressed slowly because I was restless and +uncertain. At times I would go away to London to snatch some chance of +seeing Beatrice there, at times nothing but a day of gliding and hard +and dangerous exercise would satisfy me. And now in the newspapers, in +conversation, in everything about me, arose a new invader of my mental +states. Something was happening to the great schemes of my uncle’s +affairs; people were beginning to doubt, to question. It was the first +quiver of his tremendous insecurity, the first wobble of that gigantic +credit top he had kept spinning so long. + +There were comings and goings, November and December slipped by. I had +two unsatisfactory meetings with Beatrice, meetings that had no +privacy—in which we said things of the sort that need atmosphere, +baldly and furtively. I wrote to her several times and she wrote back +notes that I would sometimes respond to altogether, sometimes condemn +as insincere evasions. “You don’t understand. I can’t just now explain. +Be patient with me. Leave things a little while to me.” She wrote. + +I would talk aloud to these notes and wrangle over them in my +workroom—while the plans of Lord Roberts β waited. + +“You don’t give me a chance!” I would say. “Why don’t you let me know +the secret? That’s what I’m for—to settle difficulties! to tell +difficulties to!” + +And at last I could hold out no longer against these accumulating +pressures. + +I took an arrogant, outrageous line that left her no loopholes; I +behaved as though we were living in a melodrama. + +“You must come and talk to me,” I wrote, “or I will come and take you. +I want you—and the time runs away.” + +We met in a ride in the upper plantations. It must have been early in +January, for there was snow on the ground and on the branches of the +trees. We walked to and fro for an hour or more, and from the first I +pitched the key high in romance and made understandings impossible. It +was our worst time together. I boasted like an actor, and she, I know +not why, was tired and spiritless. + +Now I think over that talk in the light of all that has happened since, +I can imagine how she came to me full of a human appeal I was too +foolish to let her make. I don’t know. I confess I have never +completely understood Beatrice. I confess I am still perplexed at many +things she said and did. That afternoon, anyhow, I was impossible. I +posed and scolded. I was—I said it—for “taking the Universe by the +throat!” + +“If it was only that,” she said, but though I heard, I did not heed +her. + +At last she gave way to me and talked no more. Instead she looked at +me—as a thing beyond her controlling, but none the less +interesting—much as she had looked at me from behind the skirts of Lady +Drew in the Warren when we were children together. + +Once even I thought she smiled faintly. + +“What are the difficulties” I cried, “there’s no difficulty I will not +overcome for you! Do your people think I’m no equal for you? Who says +it? My dear, tell me to win a title! I’ll do it in five years!... + +“Here am I just grown a man at the sight of you. I have wanted +something to fight for. Let me fight for you!... + +“I’m rich without intending it. Let me mean it, give me an honourable +excuse for it, and I’ll put all this rotten old Warren of England at +your feet!” + +I said such things as that. I write them down here in all their +resounding base pride. I said these empty and foolish things, and they +are part of me. Why should I still cling to pride and be ashamed? I +shouted her down. + +I passed from such megalomania to petty accusations. + +“You think Carnaby is a better man than I?” I said. + +“No!” she cried, stung to speech. “No!” + +“You think we’re unsubstantial. You’ve listened to all these rumours +Boom has started because we talked of a newspaper of our own. When you +are with me you know I’m a man; when you get away from me you think I’m +a cheat and a cad.... There’s not a word of truth in the things they +say about us. I’ve been slack. I’ve left things. But we have only to +exert ourselves. You do not know how wide and far we have spread our +nets. Even now we have a coup—an expedition—in hand. It will put us on +a footing.”... + +Her eyes asked mutely and asked in vain that I would cease to boast of +the very qualities she admired in me. + +In the night I could not sleep for thinking of that talk and the vulgar +things I had said in it. I could not understand the drift my mind had +taken. I was acutely disgusted. And my unwonted doubts about myself +spread from a merely personal discontent to our financial position. It +was all very well to talk as I had done of wealth and power and +peerages, but what did I know nowadays of my uncle’s position? Suppose +in the midst of such boasting and confidence there came some turn I did +not suspect, some rottenness he had concealed from me? I resolved I had +been playing with aeronautics long enough; that next morning I would go +to him and have things clear between us. + +I caught an early train and went up to the Hardingham. + +I went up to the Hardingham through a dense London fog to see how +things really stood. Before I had talked to my uncle for ten minutes I +felt like a man who has just awakened in a bleak, inhospitable room out +of a grandiose dream. + + + + +CHAPTER THE FOURTH +HOW I STOLE THE HEAPS OF QUAP FROM MORDET ISLAND + + +I + +“We got to make a fight for it,” said my uncle. “We got to face the +music!” + +I remember that even at the sight of him I had a sense of impending +calamity. He sat under the electric light with the shadow of his hair +making bars down his face. He looked shrunken, and as though his skin +had suddenly got loose and yellow. The decorations of the room seemed +to have lost freshness, and outside the blinds were up—there was not so +much fog as a dun darkness. One saw the dingy outlines of the chimneys +opposite quite distinctly, and then a sky of such brown as only London +can display. + +“I saw a placard,” I said: “‘More Ponderevity.’” + +“That’s Boom,” he said. “Boom and his damned newspapers. He’s trying to +fight me down. Ever since I offered to buy the _Daily Decorator_ he’s +been at me. And he thinks consolidating Do Ut cut down the ads. He +wants everything, damn him! He’s got no sense of dealing. I’d like to +bash his face!” + +“Well,” I said, “what’s to be done?” + +“Keep going,” said my uncle. + +“I’ll smash Boom yet,” he said, with sudden savagery. + +“Nothing else?” I asked. + +“We got to keep going. There’s a scare on. Did you notice the rooms? +Half the people out there this morning are reporters. And if I talk +they touch it up!... They didn’t used to touch things up! Now they put +in character touches—insulting you. Don’t know what journalism’s coming +to. It’s all Boom’s doing.” + +He cursed Lord Boom with considerable imaginative vigour. + +“Well,” said I, “what can he do?” + +“Shove us up against time, George; make money tight for us. We been +handling a lot of money—and he tightens us up.” + +“We’re sound?” + +“Oh, we’re sound, George. Trust me for that! But all the same—There’s +such a lot of imagination in these things.... We’re sound enough. +That’s not it.” + +He blew. “Damn Boom!” he said, and his eyes over his glasses met mine +defiantly. + +“We can’t, I suppose, run close hauled for a bitstop expenditure?” + +“Where?” + +“Well,—Crest Hill” + +“What!” he shouted. “Me stop Crest Hill for Boom!” He waved a fist as +if to hit his inkpot, and controlled himself with difficulty. He spoke +at last in a reasonable voice. “If I did,” he said, “he’d kick up a +fuss. It’s no good, even if I wanted to. Everybody’s watching the +place. If I was to stop building we’d be down in a week.” + +He had an idea. “I wish I could do something to start a strike or +something. No such luck. Treat those workmen a sight too well. No, sink +or swim, Crest Hill goes on until we’re under water.” + +I began to ask questions and irritated him instantly. + +“Oh, dash these explanations, George!” he cried; “You only make things +look rottener than they are. It’s your way. It isn’t a case of figures. +We’re all right—there’s only one thing we got to do.” + +“Yes?” + +“Show value, George. That’s where this quap comes in; that’s why I fell +in so readily with what you brought to me week before last. Here we +are, we got our option on the perfect filament, and all we want’s +canadium. Nobody knows there’s more canadium in the world than will go +on the edge of a sixpence except me and you. Nobody has an idee the +perfect filament’s more than just a bit of theorising. Fifty tons of +quap and we’d turn that bit of theorising into something. We’d make the +lamp trade sit on its tail and howl. We’d put Ediswan and all of ’em +into a parcel without last year’s trousers and a hat, and swap ’em off +for a pot of geraniums. See? We’d do it through Business Organisations, +and there you are! See? Capern’s Patent Filament! + +“The Ideal and the Real! George, we’ll do it! We’ll bring it off! And +then we’ll give such a facer to Boom, he’ll think for fifty years. He’s +laying up for our London and African meeting. Let him. He can turn the +whole paper on to us. He says the Business Organisations shares aren’t +worth fifty-two and we quote ’em at eighty-four. Well, here we are +gettin’ ready for him—loading our gun.” + +His pose was triumphant. + +“Yes,” I said, “that’s all right. But I can’t help thinking where +should we be if we hadn’t just by accident got Capern’s Perfect +Filament. Because, you know it was an accident—my buying up that.” + +He crumpled up his nose into an expression of impatient distaste at my +unreasonableness. + +“And after all, the meeting’s in June, and you haven’t begun to get the +quap! After all, we’ve still got to load our gun.” + +“They start on Toosday.” + +“Have they got the brig?” + +“They’ve got a brig.” + +“Gordon-Nasmyth!” I doubted. + +“Safe as a bank,” he said. “More I see of that man the more I like him. +All I wish is we’d got a steamer instead of a sailing ship.” + +“And,” I went on, “you seem to overlook what used to weigh with us a +bit. This canadium side of the business and the Capern chance has +rushed you off your legs. After all—it’s stealing, and in its way an +international outrage. They’ve got two gunboats on the coast.” + +I jumped up and went and stared out at the fog. + +“And, by Jove, it’s about our only chance! I didn’t dream.” + +I turned on him. “I’ve been up in the air,” I said. + +“Heaven knows where I haven’t been. And here’s our only chance—and you +give it to that adventurous lunatic to play in his own way—in a brig!” + +“Well, you had a voice—” + +“I wish I’d been in this before. We ought to have run out a steamer to +Lagos or one of those West Coast places and done it from there. Fancy a +brig in the channel at this time of year, if it blows southwest!” + +“I dessay you’d have shoved it, George. Still you know, George.... I +believe in him.” + +“Yes,” I said. “Yes, I believe in him, too. In a way. Still—” + +We took up a telegram that was lying on his desk and opened it. His +face became a livid yellow. He put the flimsy paper down with a slow, +reluctant movement and took off his glasses. + +“George,” he said, “the luck’s against us.” + +“What?” + +He grimaced with his mouth—in the queerest way at the telegram. + +“That.” + +I took it up and read: + +“Motor smash compound fracture of the leg gordon nasmyth what price +mordet now” + +For a moment neither of us spoke. + +“That’s all right,” I said at last. + +“Eh?” said my uncle. + +“_I’m_ going. I’ll get that quap or bust.” + +II + +I had a ridiculous persuasion that I was “saving the situation.” + +“I’m going,” I said quite consciously and dramatically. I saw the whole +affair—how shall I put it?—in American colours. + +I sat down beside him. “Give me all the data you’ve got,” I said, “and +I’ll pull this thing off.” + +“But nobody knows exactly where—” + +“Nasmyth does, and he’ll tell me.” + +“He’s been very close,” said my uncle, and regarded me. + +“He’ll tell me all right, now he’s smashed.” + +He thought. “I believe he will.” + +“George,” he said, “if you pull this thing off—Once or twice before +you’ve stepped in—with that sort of Woosh of yours—” + +He left the sentence unfinished. + +“Give me that note-book,” I said, “and tell me all you know. Where’s +the ship? Where’s Pollack? And where’s that telegram from? If that +quap’s to be got, I’ll get it or bust. If you’ll hold on here until I +get back with it.”... + +And so it was I jumped into the wildest adventure of my life. + +I requisitioned my uncle’s best car forthwith. I went down that night +to the place of despatch named on Nasmyth’s telegram, Bampton S.O. +Oxon, routed him out with a little trouble from that centre, made +things right with him and got his explicit directions; and I was +inspecting the _Maud Mary_ with young Pollack, his cousin and aide, the +following afternoon. She was rather a shock to me and not at all in my +style, a beast of a brig inured to the potato trade, and she reeked +from end to end with the faint, subtle smell of raw potatoes so that it +prevailed even over the temporary smell of new paint. She was a beast +of a brig, all hold and dirty framework, and they had ballasted her +with old iron and old rails and iron sleepers, and got a miscellaneous +lot of spades and iron wheelbarrows against the loading of the quap. I +thought her over with Pollack, one of those tall blond young men who +smoke pipes and don’t help much, and then by myself, and as a result I +did my best to sweep Gravesend clean of wheeling planks, and got in as +much cord and small rope as I could for lashing. I had an idea we might +need to run up a jetty. In addition to much ballast she held, remotely +hidden in a sort of inadvertent way a certain number of ambiguous cases +which I didn’t examine, but which I gathered were a provision against +the need of a trade. + +The captain was a most extraordinary creature, under the impression we +were after copper ore; he was a Roumanian Jew, with twitching, +excitable features, who had made his way to a certificate after some +preliminary naval experiences in the Black Sea. The mate was an Essex +man of impenetrable reserve. The crew were astoundingly ill-clad and +destitute and dirty; most of them youths, unwashed, out of colliers. +One, the cook was a mulatto; and one, the best-built fellow of them +all, was a Breton. There was some subterfuge about our position on +board—I forget the particulars now—I was called the supercargo and +Pollack was the steward. This added to the piratical flavour that +insufficient funds and Gordon-Nasmyth’s original genius had already +given the enterprise. + +Those two days of bustle at Gravesend, under dingy skies, in narrow, +dirty streets, were a new experience for me. It is like nothing else in +my life. I realised that I was a modern and a civilised man. I found +the food filthy and the coffee horrible; the whole town stank in my +nostrils, the landlord of the Good Intent on the quay had a stand-up +quarrel with us before I could get even a hot bath, and the bedroom I +slept in was infested by a quantity of exotic but voracious flat +parasites called locally “bugs,” in the walls, in the woodwork, +everywhere. I fought them with insect powder, and found them comatose +in the morning. I was dipping down into the dingy underworld of the +contemporary state, and I liked it no better than I did my first dip +into it when I stayed with my Uncle Nicodemus Frapp at the bakery at +Chatham—where, by-the-by, we had to deal with cockroaches of a smaller, +darker variety, and also with bugs of sorts. + +Let me confess that through all this time before we started I was +immensely self-conscious, and that Beatrice played the part of audience +in my imagination throughout. I was, as I say, “saving the situation,” +and I was acutely aware of that. The evening before we sailed, instead +of revising our medicine-chest as I had intended, I took the car and +ran across country to Lady Grove to tell my aunt of the journey I was +making, dress, and astonish Lady Osprey by an after dinner call. + +The two ladies were at home and alone beside a big fire that seemed +wonderfully cheerful after the winter night. I remember the effect of +the little parlour in which they sat as very bright and domestic. Lady +Osprey, in a costume of mauve and lace, sat on a chintz sofa and played +an elaborately spread-out patience by the light of a tall shaded lamp; +Beatrice, in a whiteness that showed her throat, smoked a cigarette in +an armchair and read with a lamp at her elbow. The room was +white-panelled and chintz-curtained. About those two bright centres of +light were warm dark shadow, in which a circular mirror shone like a +pool of brown water. I carried off my raid by behaving like a slave of +etiquette. There were moments when I think I really made Lady Osprey +believe that my call was an unavoidable necessity, that it would have +been negligent of me not to call just how and when I did. But at the +best those were transitory moments. + +They received me with disciplined amazement. Lady Osprey was interested +in my face and scrutinised the scar. Beatrice stood behind her +solicitude. Our eyes met, and in hers I could see startled +interrogations. + +“I’m going,” I said, “to the west coast of Africa.” + +They asked questions, but it suited my mood to be vague. + +“We’ve interests there. It is urgent I should go. I don’t know when I +may return.” + +After that I perceived Beatrice surveyed me steadily. + +The conversation was rather difficult. I embarked upon lengthy thanks +for their kindness to me after my accident. I tried to understand Lady +Osprey’s game of patience, but it didn’t appear that Lady Osprey was +anxious for me to understand her patience. I came to the verge of +taking my leave. + +“You needn’t go yet,” said Beatrice, abruptly. + +She walked across to the piano, took a pile of music from the cabinet +near, surveyed Lady Osprey’s back, and with a gesture to me dropped it +all deliberately on to the floor. + +“Must talk,” she said, kneeling close to me as I helped her to pick it +up. “Turn my pages. At the piano.” + +“I can’t read music.” + +“Turn my pages.” + +Presently we were at the piano, and Beatrice was playing with noisy +inaccuracy. She glanced over her shoulder and Lady Osprey had resumed +her patience. The old lady was very pink, and appeared to be absorbed +in some attempt to cheat herself without our observing it. + +“Isn’t West Africa a vile climate?” “Are you going to live there?” “Why +are you going?” + +Beatrice asked these questions in a low voice and gave me no chance to +answer. Then taking a rhythm from the music before her, she said— + +“At the back of the house is a garden—a door in the wall—on the lane. +Understand?” + +I turned over the pages without any effect on her playing. + +“When?” I asked. + +She dealt in chords. “I wish I _could_ play this!” she said. +“Midnight.” + +She gave her attention to the music for a time. + +“You may have to wait.” + +“I’ll wait.” + +She brought her playing to an end by—as school boys say—“stashing it +up.” + +“I can’t play to-night,” she said, standing up and meeting my eyes. “I +wanted to give you a parting voluntary.” + +“Was that Wagner, Beatrice?” asked Lady Osprey looking up from her +cards. “It sounded very confused.” + +I took my leave. I had a curious twinge of conscience as I parted from +Lady Osprey. Either a first intimation of middle-age or my inexperience +in romantic affairs was to blame, but I felt a very distinct objection +to the prospect of invading this good lady’s premises from the garden +door. I motored up to the pavilion, found Cothope reading in bed, told +him for the first time of West Africa, spent an hour with him in +settling all the outstanding details of Lord Roberts β, and left that +in his hands to finish against my return. I sent the motor back to Lady +Grove, and still wearing my fur coat—for the January night was damp and +bitterly cold—walked to Bedley Corner. I found the lane to the back of +the Dower House without any difficulty, and was at the door in the wall +with ten minutes to spare. I lit a cigar and fell to walking up and +down. This queer flavour of intrigue, this nocturnal garden-door +business, had taken me by surprise and changed my mental altitudes. I +was startled out of my egotistical pose and thinking intently of +Beatrice, of that elfin quality in her that always pleased me, that +always took me by surprise, that had made her for example so instantly +conceive this meeting. + +She came within a minute of midnight; the door opened softly and she +appeared, a short, grey figure in a motor-coat of sheepskin, bareheaded +to the cold drizzle. She flitted up to me, and her eyes were shadows in +her dusky face. + +“Why are you going to West Africa?” she asked at once. + +“Business crisis. I have to go.” + +“You’re not going—? You’re coming back?” + +“Three or four months,” I said, “at most.” + +“Then, it’s nothing to do with me?” + +“Nothing,” I said. “Why should it have?” + +“Oh, that’s all right. One never knows what people think or what people +fancy.” She took me by the arm, “Let’s go for a walk,” she said. + +I looked about me at darkness and rain. + +“That’s all right,” she laughed. “We can go along the lane and into the +Old Woking Road. Do you mind? Of course you don’t. My head. It doesn’t +matter. One never meets anybody.” + +“How do you know?” + +“I’ve wandered like this before.... Of course. Did you think”—she +nodded her head back at her home—“that’s all?” + +“No, by Jove!” I cried; “it’s manifest it isn’t.” + +She took my arm and turned me down the lane. “Night’s my time,” she +said by my side. “There’s a touch of the werewolf in my blood. One +never knows in these old families.... I’ve wondered often.... Here we +are, anyhow, alone in the world. Just darkness and cold and a sky of +clouds and wet. And we—together. + +“I like the wet on my face and hair, don’t you? When do you sail?” + +I told her to-morrow. + +“Oh, well, there’s no to-morrow now. You and I!” She stopped and +confronted me. + +“You don’t say a word except to answer!” + +“No,” I said. + +“Last time you did all the talking.” + +“Like a fool. Now—” + +We looked at each other’s two dim faces. “You’re glad to be here?” + +“I’m glad—I’m beginning to be—it’s more than glad.” + +She put her hands on my shoulders and drew me down to kiss her. + +“Ah!” she said, and for a moment or so we just clung to one another. + +“That’s all,” she said, releasing herself. “What bundles of clothes we +are to-night. I felt we should kiss some day again. Always. The last +time was ages ago.” + +“Among the fern stalks.” + +“Among the bracken. You remember. And your lips were cold. Were mine? +The same lips—after so long—after so much!... And now let’s trudge +through this blotted-out world together for a time. Yes, let me take +your arm. Just trudge. See? Hold tight to me because I know the way—and +don’t talk—don’t talk. Unless you want to talk.... Let me tell you +things! You see, dear, the whole world is blotted out—it’s dead and +gone, and we’re in this place. This dark wild place.... We’re dead. Or +all the world is dead. No! We’re dead. No one can see us. We’re +shadows. We’ve got out of our positions, out of our bodies—and +together. That’s the good thing of it—together. But that’s why the +world can’t see us and why we hardly see the world. Sssh! Is it all +right?” + +“It’s all right,” I said. + +We stumbled along for a time in a close silence. We passed a dim-lit, +rain-veiled window. + +“The silly world,” she said, “the silly world! It eats and sleeps. If +the wet didn’t patter so from the trees we’d hear it snoring. It’s +dreaming such stupid things—stupid judgments. It doesn’t know we are +passing, we two—free of it—clear of it. You and I!” + +We pressed against each other reassuringly. + +“I’m glad we’re dead,” she whispered. “I’m glad we’re dead. I was tired +of it, dear. I was so tired of it, dear, and so entangled.” + +She stopped abruptly. + +We splashed through a string of puddles. I began to remember things I +had meant to say. + +“Look here!” I cried. “I want to help you beyond measure. You are +entangled. What is the trouble? I asked you to marry me. You said you +would. But there’s something.” + +My thoughts sounded clumsy as I said them. + +“Is it something about my position?... Or is it something—perhaps—about +some other man?” + +There was an immense assenting silence. + +“You’ve puzzled me so. At first—I mean quite early—I thought you meant +to make me marry you.” + +“I did.” + +“And then?” + +“To-night,” she said after a long pause, “I can’t explain. No! I can’t +explain. I love you! But—explanations! To-night my dear, here we are in +the world alone—and the world doesn’t matter. Nothing matters. Here I +am in the cold with you and my bed away there deserted. I’d tell you—I +_will_ tell you when things enable me to tell you, and soon enough they +will. But to-night—I won’t—I won’t.” + +She left my side and went in front of me. + +She turned upon me. “Look here,” she said, “I insist upon your being +dead. Do you understand? I’m not joking. To-night you and I are out of +life. It’s our time together. There may be other times, but this we +won’t spoil. We’re—in Hades if you like. Where there’s nothing to hide +and nothing to tell. No bodies even. No bothers. We loved each +other—down there—and were kept apart, but now it doesn’t matter. It’s +over.... If you won’t agree to that—I will go home.” + +“I wanted,” I began. + +“I know. Oh! my dear, if you’d only understand I understand. If you’d +only not care—and love me to-night.” + +“I do love you,” I said. + +“Then _love_ me,” she answered, “and leave all the things that bother +you. Love me! Here I am!” + +“But!—” + +“No!” she said. + +“Well, have your way.” + +So she carried her point, and we wandered into the night together and +Beatrice talked to me of love.... + +I’d never heard a woman before in all my life who could talk of love, +who could lay bare and develop and touch with imagination all that mass +of fine emotion every woman, it may be, hides. She had read of love, +she had thought of love, a thousand sweet lyrics had sounded through +her brain and left fine fragments in her memory; she poured it out, all +of it, shamelessly, skilfully, for me. I cannot give any sense of that +talk, I cannot even tell how much of the delight of it was the magic of +her voice, the glow of her near presence. And always we walked swathed +warmly through a chilly air, along dim, interminable greasy roads—with +never a soul abroad it seemed to us, never a beast in the fields. + +“Why do people love each other?” I said. + +“Why not?” + +“But why do I love you? Why is your voice better than any voice, your +face sweeter than any face?” + +“And why do I love you?” she asked; “not only what is fine in you, but +what isn’t? Why do I love your dullness, your arrogance? For I do. +To—night I love the very raindrops on the fur of your coat!”... + +So we talked; and at last very wet, still glowing but a little tired, +we parted at the garden door. We had been wandering for two hours in +our strange irrational community of happiness, and all the world about +us, and particularly Lady Osprey and her household, had been asleep—and +dreaming of anything rather than Beatrice in the night and rain. + +She stood in the doorway, a muffled figure with eyes that glowed. + +“Come back,” she whispered. “I shall wait for you.” + +She hesitated. + +She touched the lapel of my coat. “I love you NOW,” she said, and +lifted her face to mine. + +I held her to me and was atremble from top to toe. “O God!” I cried. +“And I must go!” + +She slipped from my arms and paused, regarding me. For an instant the +world seemed full of fantastic possibilities. + +“Yes, _Go!_” she said, and vanished and slammed the door upon me, +leaving me alone like a man new fallen from fairyland in the black +darkness of the night. + +III + +That expedition to Mordet Island stands apart from all the rest of my +life, detached, a piece by itself with an atmosphere of its own. It +would, I suppose, make a book by itself—it has made a fairly voluminous +official report—but so far as this novel of mine goes it is merely an +episode, a contributory experience, and I mean to keep it at that. + +Vile weather, an impatient fretting against unbearable slowness and +delay, sea—sickness, general discomfort and humiliating self—revelation +are the master values of these memories. + +I was sick all through the journey out. I don’t know why. It was the +only time I was ever sea-sick, and I have seen some pretty bad weather +since I became a boat-builder. But that phantom smell of potatoes was +peculiarly vile to me. Coming back on the brig we were all ill, every +one of us, so soon as we got to sea, poisoned, I firmly believe, by +quap. On the way out most of the others recovered in a few days, but +the stuffiness below, the coarse food, the cramped dirty accommodation +kept me, if not actually sea-sick, in a state of acute physical +wretchedness the whole time. The ship abounded in cockroaches and more +intimate vermin. I was cold all the time until after we passed Cape +Verde, then I became steamily hot; I had been too preoccupied with +Beatrice and my keen desire to get the _Maud Mary_ under way at once, +to consider a proper wardrobe for myself, and in particular I lacked a +coat. Heavens! how I lacked that coat! And, moreover, I was cooped up +with two of the worst bores in Christendom, Pollack and the captain. +Pollack, after conducting his illness in a style better adapted to the +capacity of an opera house than a small compartment, suddenly got +insupportably well and breezy, and produced a manly pipe in which he +smoked a tobacco as blond as himself, and divided his time almost +equally between smoking it and trying to clean it. “There’s only three +things you can clean a pipe with,” he used to remark with a twist of +paper in hand. “The best’s a feather, the second’s a straw, and the +third’s a girl’s hairpin. I never see such a ship. You can’t find any +of ’em. Last time I came this way I did find hairpins anyway, and found +’em on the floor of the captain’s cabin. Regular deposit. Eh?... +Feelin’ better?” + +At which I usually swore. + +“Oh, you’ll be all right soon. Don’t mind my puffin’ a bit? Eh?” + +He never tired of asking me to “have a hand at Nap. Good game. Makes +you forget it, and that’s half the battle.” + +He would sit swaying with the rolling of the ship and suck at his pipe +of blond tobacco and look with an inexpressibly sage but somnolent blue +eye at the captain by the hour together. “Captain’s a Card,” he would +say over and over again as the outcome of these meditations. “He’d like +to know what we’re up to. He’d like to know—no end.” + +That did seem to be the captain’s ruling idea. But he also wanted to +impress me with the notion that he was a gentleman of good family and +to air a number of views adverse to the English, to English literature, +to the English constitution, and the like. + +He had learnt the sea in the Roumanian navy, and English out of a book; +he would still at times pronounce the e’s at the end of “there” and +“here”; he was a naturalised Englishman, and he drove me into a +reluctant and uncongenial patriotism by his everlasting carping at +things English. Pollack would set himself to “draw him out.” Heaven +alone can tell how near I came to murder. + +Fifty-three days I had outward, cooped up with these two and a shy and +profoundly depressed mate who read the Bible on Sundays and spent the +rest of his leisure in lethargy, three and fifty days of life cooped up +in a perpetual smell, in a persistent sick hunger that turned from the +sight of food, in darkness, cold and wet, in a lightly ballasted ship +that rolled and pitched and swayed. And all the time the sands in the +hour-glass of my uncle’s fortunes were streaming out. Misery! Amidst it +all I remember only one thing brightly, one morning of sunshine in the +Bay of Biscay and a vision of frothing waves, sapphire green, a bird +following our wake and our masts rolling about the sky. Then wind and +rain close in on us again. + +You must not imagine they were ordinary days, days, I mean, of an +average length; they were not so much days as long damp slabs of time +that stretched each one to the horizon, and much of that length was +night. One paraded the staggering deck in a borrowed sou’-wester hour +after hour in the chilly, windy, splashing and spitting darkness, or +sat in the cabin, bored and ill, and looked at the faces of those +inseparable companions by the help of a lamp that gave smell rather +than light. Then one would see going up, up, up, and then sinking down, +down, down, Pollack, extinct pipe in mouth, humorously observant, +bringing his mind slowly to the seventy-seventh decision that the +captain was a Card, while the words flowed from the latter in a nimble +incessant good. “Dis England eet is not a country aristocratic, no! Eet +is a glorified bourgeoisie! Eet is plutocratic. In England dere is no +aristocracy since de Wars of Roses. In the rest of Europe east of the +Latins, yes; in England, no. + +“Eet is all middle-class, youra England. Everything you look at, +middle-class. Respectable! Everything good—eet is, you say, shocking. +Madame Grundy! Eet is all limited and computing and self-seeking. Dat +is why your art is so limited, youra fiction, your philosophin, why you +are all so inartistic. You want nothing but profit! What will pay! What +would you?”... + +He had all those violent adjuncts to speech we Western Europeans have +abandoned, shruggings of the shoulders, waving of the arms, thrusting +out of the face, wonderful grimaces and twiddlings of the hands under +your nose until you wanted to hit them away. Day after day it went on, +and I had to keep any anger to myself, to reserve myself for the time +ahead when it would be necessary to see the quap was got aboard and +stowed—knee deep in this man’s astonishment. I knew he would make a +thousand objections to all we had before us. He talked like a drugged +man. It ran glibly over his tongue. And all the time one could see his +seamanship fretting him, he was gnawed by responsibility, perpetually +uneasy about the ship’s position, perpetually imagining dangers. If a +sea hit us exceptionally hard he’d be out of the cabin in an instant +making an outcry of inquiries, and he was pursued by a dread of the +hold, of ballast shifting, of insidious wicked leaks. As we drew near +the African coast his fear of rocks and shoals became infectious. + +“I do not know dis coast,” he used to say. “I cama hera because +Gordon-Nasmyth was coming too. Den he does not come!” + +“Fortunes of war,” I said, and tried to think in vain if any motive but +sheer haphazard could have guided Gordon-Nasmyth in the choice of these +two men. I think perhaps Gordon-Nasmyth had the artistic temperament +and wanted contrasts, and also that the captain helped him to express +his own malignant Anti-Britishism. + +He was indeed an exceptionally inefficient captain. On the whole I was +glad I had come even at the eleventh hour to see to things. + +(The captain, by-the-by, did at last, out of sheer nervousness, get +aground at the end of Mordet’s Island, but we got off in an hour or so +with a swell and a little hard work in the boat.) + +I suspected the mate of his opinion of the captain long before he +expressed it. He was, I say, a taciturn man, but one day speech broke +through him. He had been sitting at the table with his arms folded on +it, musing drearily, pipe in mouth, and the voice of the captain +drifted down from above. + +The mate lifted his heavy eyes to me and regarded me for a moment. Then +he began to heave with the beginnings of speech. He disembarrassed +himself of his pipe. I cowered with expectation. Speech was coming at +last. Before he spoke he nodded reassuringly once or twice. + +“E—” + +He moved his head strangely and mysteriously, but a child might have +known he spoke of the captain. + +“E’s a foreigner.” + +He regarded me doubtfully for a time, and at last decided for the sake +of lucidity to clench the matter. + +“That’s what E is—a _Dago!_” + +He nodded like a man who gives a last tap to a nail, and I could see he +considered his remark well and truly laid. His face, though still +resolute, became as tranquil and uneventful as a huge hall after a +public meeting has dispersed out of it, and finally he closed and +locked it with his pipe. + +“Roumanian Jew, isn’t he?” I said. + +He nodded darkly and almost forbiddingly. + +More would have been too much. The thing was said. But from that time +forth I knew I could depend upon him and that he and I were friends. It +happens I never did have to depend upon him, but that does not affect +our relationship. + +Forward the crew lived lives very much after the fashion of ours, more +crowded, more cramped and dirty, wetter, steamier, more verminous. The +coarse food they had was still not so coarse but that they did not +think they were living “like fighting cocks.” So far as I could make +out they were all nearly destitute men; hardly any of them had a proper +sea outfit, and what small possessions they had were a source of mutual +distrust. And as we pitched and floundered southward they gambled and +fought, were brutal to one another, argued and wrangled loudly, until +we protested at the uproar. + +There’s no romance about the sea in a small sailing ship as I saw it. +The romance is in the mind of the landsman dreamer. These brigs and +schooners and brigantines that still stand out from every little port +are relics from an age of petty trade, as rotten and obsolescent as a +Georgian house that has sunken into a slum. They are indeed just +floating fragments of slum, much as icebergs are floating fragments of +glacier. The civilised man who has learnt to wash, who has developed a +sense of physical honour, of cleanly temperate feeding, of time, can +endure them no more. They pass, and the clanking coal-wasting steamers +will follow them, giving place to cleaner, finer things.... + +But so it was I made my voyage to Africa, and came at last into a world +of steamy fogs and a hot smell of vegetable decay, and into sound and +sight of surf and distant intermittent glimpses of the coast. I lived a +strange concentrated life through all that time, such a life as a +creature must do that has fallen in a well. All my former ways ceased, +all my old vistas became memories. + +The situation I was saving was very small and distant now; I felt its +urgency no more. Beatrice and Lady Grove, my uncle and the Hardingham, +my soaring in the air and my habitual wide vision of swift effectual +things, became as remote as if they were in some world I had left for +ever.... + +IV + +All these African memories stand by themselves. It was for me an +expedition into the realms of undisciplined nature out of the world +that is ruled by men, my first bout with that hot side of our mother +that gives you the jungle—that cold side that gives you the air-eddy I +was beginning to know passing well. They are memories woven upon a +fabric of sunshine and heat and a constant warm smell of decay. They +end in rain—such rain as I had never seen before, a vehement, a frantic +downpouring of water, but our first slow passage through the channels +behind Mordet’s Island was in incandescent sunshine. + +There we go in my memory still, a blistered dirty ship with patched +sails and a battered mermaid to present _Maud Mary_, sounding and +taking thought between high ranks of forest whose trees come out +knee-deep at last in the water. There we go with a little breeze on our +quarter, Mordet Island rounded and the quap, it might be within a day +of us. + +Here and there strange blossoms woke the dank intensities of green with +a trumpet call of colour. Things crept among the jungle and peeped and +dashed back rustling into stillness. Always in the sluggishly drifting, +opaque water were eddyings and stirrings; little rushes of bubbles came +chuckling up light-heartedly from this or that submerged conflict and +tragedy; now and again were crocodiles like a stranded fleet of logs +basking in the sun. Still it was by day, a dreary stillness broken only +by insect sounds and the creaking and flapping of our progress, by the +calling of the soundings and the captain’s confused shouts; but in the +night as we lay moored to a clump of trees the darkness brought a +thousand swampy things to life and out of the forest came screaming and +howlings, screaming and yells that made us glad to be afloat. And once +we saw between the tree stems long blazing fires. We passed two or +three villages landward, and brown-black women and children came and +stared at us and gesticulated, and once a man came out in a boat from a +creek and hailed us in an unknown tongue; and so at last we came to a +great open place, a broad lake rimmed with a desolation of mud and +bleached refuse and dead trees, free from crocodiles or water birds or +sight or sound of any living thing, and saw far off, even as Nasmyth +had described, the ruins of the deserted station, and hard by two +little heaps of buff-hued rubbish under a great rib of rock, the quap! +The forest receded. The land to the right of us fell away and became +barren, and far on across notch in its backbone was surf and the sea. + +We took the ship in towards those heaps and the ruined jetty slowly and +carefully. The captain came and talked. + +“This is eet?” he said. + +“Yes,” said I. + +“Is eet for trade we have come?” + +This was ironical. + +“No,” said I. + +“Gordon-Nasmyth would haf told me long ago what it ees for we haf +come.” + +“I’ll tell you now,” I said. “We are going to lay in as close as we can +to those two heaps of stuff—you see them?—under the rock. Then we are +going to chuck all our ballast overboard and take those in. Then we’re +going home.” + +“May I presume to ask—is eet gold?” + +“No,” I said incivilly, “it isn’t.” + +“Then what is it?” + +“It’s stuff—of some commercial value.” + +“We can’t do eet,” he said. + +“We can,” I answered reassuringly. + +“We can’t,” he said as confidently. “I don’t mean what you mean. You +know so liddle—But—dis is forbidden country.” + +I turned on him suddenly angry and met bright excited eyes. For a +minute we scrutinised one another. Then I said, “That’s our risk. Trade +is forbidden. But this isn’t trade.... This thing’s got to be done.” + +His eyes glittered and he shook his head.... + +The brig stood in slowly through the twilight toward this strange +scorched and blistered stretch of beach, and the man at the wheel +strained his ears to listening the low-voiced angry argument that began +between myself and the captain, that was presently joined by Pollack. +We moored at last within a hundred yards of our goal, and all through +our dinner and far into the night we argued intermittently and fiercely +with the captain about our right to load just what we pleased. “I will +haf nothing to do with eet,” he persisted. “I wash my hands.” It seemed +that night as though we argued in vain. “If it is not trade,” he said, +“it is prospecting and mining. That is worse. Any one who knows +anything—outside England—knows that is worse.” + +We argued and I lost my temper and swore at him. Pollack kept cooler +and chewed his pipe watchfully with that blue eye of his upon the +captain’s gestures. Finally I went on deck to cool. The sky was +overcast I discovered all the men were in a knot forward, staring at +the faint quivering luminosity that had spread over the heaps of quap, +a phosphorescence such as one sees at times on rotting wood. And about +the beach east and west there were patches and streaks of something +like diluted moonshine.... + +In the small hours I was still awake and turning over scheme after +scheme in my mind whereby I might circumvent the captain’s opposition. +I meant to get that quap aboard if I had to kill some one to do it. +Never in my life had I been so thwarted! After this intolerable voyage! +There came a rap at my cabin door and then it opened and I made out a +bearded face. “Come in,” I said, and a black voluble figure I could +just see obscurely came in to talk in my private ear and fill my cabin +with its whisperings and gestures. It was the captain. He, too, had +been awake and thinking things over. He had come to explain—enormously. +I lay there hating him and wondering if I and Pollack could lock him in +his cabin and run the ship without him. “I do not want to spoil dis +expedition,” emerged from a cloud of protestations, and then I was able +to disentangle “a commission—shush a small commission—for special +risks!” “Special risks” became frequent. I let him explain himself out. +It appeared he was also demanding an apology for something I had said. +No doubt I had insulted him generously. At last came definite offers. I +broke my silence and bargained. + +“Pollack!” I cried and hammered the partition. + +“What’s up?” asked Pollack. + +I stated the case concisely. + +There came a silence. + +“He’s a Card,” said Pollack. “Let’s give him his commission. I don’t +mind.” + +“Eh?” I cried. + +“I said he was a Card, that’s all,” said Pollack. “I’m coming.” + +He appeared in my doorway a faint white figure joined our vehement +whisperings. + +We had to buy the captain off; we had to promise him ten per cent. of +our problematical profits. We were to give him ten per cent. on what we +sold the cargo for over and above his legitimate pay, and I found in my +out-bargained and disordered state small consolation in the thought +that I, as the Gordon-Nasmyth expedition, was to sell the stuff to +myself as Business Organisations. And he further exasperated me by +insisting on having our bargain in writing. “In the form of a letter,” +he insisted. + +“All right,” I acquiesced, “in the form of a letter. Here goes! Get a +light!” + +“And the apology,” he said, folding up the letter. + +“All right,” I said; “Apology.” + +My hand shook with anger as I wrote, and afterwards I could not sleep +for hate of him. At last I got up. I suffered, I found, from an unusual +clumsiness. I struck my toe against my cabin door, and cut myself as I +shaved. I found myself at last pacing the deck under the dawn in a mood +of extreme exasperation. The sun rose abruptly and splashed light +blindingly into my eyes and I swore at the sun. I found myself +imagining fresh obstacles with the men and talking aloud in +anticipatory rehearsal of the consequent row. + +The malaria of the quap was already in my blood. + +V + +Sooner or later the ridiculous embargo that now lies upon all the coast +eastward of Mordet Island will be lifted and the reality of the +deposits of quap ascertained. I am sure that we were merely taking the +outcrop of a stratum of nodulated deposits that dip steeply seaward. +Those heaps were merely the crumbled out contents of two irregular +cavities in the rock; they are as natural as any talus or heap of that +kind, and the mud along the edge of the water for miles is mixed with +quap, and is radio-active and lifeless and faintly phosphorescent at +night. But the reader will find the full particulars of my impression +of all this in the _Geological Magazine_ for October, 1905, and to that +I must refer him. There, too, he will find my unconfirmed theories of +its nature. If I am right it is something far more significant from the +scientific point of view than those incidental constituents of various +rare metals, pitchblende, rutile, and the like, upon which the +revolutionary discoveries of the last decade are based. Those are just +little molecular centres of disintegration, of that mysterious decay +and rotting of those elements, elements once regarded as the most +stable things in nature. But there is something—the only word that +comes near it is _cancerous_—and that is not very near, about the whole +of quap, something that creeps and lives as a disease lives by +destroying; an elemental stirring and disarrangement, incalculably +maleficent and strange. + +This is no imaginative comparison of mine. To my mind radio-activity is +a real disease of matter. Moreover, it is a contagious disease. It +spreads. You bring those debased and crumbling atoms near others and +those too presently catch the trick of swinging themselves out of +coherent existence. It is in matter exactly what the decay of our old +culture is in society, a loss of traditions and distinctions and +assured reactions. When I think of these inexplicable dissolvent +centres that have come into being in our globe—these quap heaps are +surely by far the largest that have yet been found in the world; the +rest as yet mere specks in grains and crystals—I am haunted by a +grotesque fancy of the ultimate eating away and dry-rotting and +dispersal of all our world. So that while man still struggles and +dreams his very substance will change and crumble from beneath him. I +mention this here as a queer persistent fancy. Suppose, indeed, that is +to be the end of our planet; no splendid climax and finale, no towering +accumulation of achievements, but just—atomic decay! I add that to the +ideas of the suffocating comet, the dark body out of space, the burning +out of the sun, the distorted orbit, as a new and far more possible +end—as Science can see ends—to this strange by-play of matter that we +call human life. I do not believe this can be the end; no human soul +can believe in such an end and go on living, but to it science points +as a possible thing, science and reason alike. If single human +beings—if one single ricketty infant—can be born as it were by accident +and die futile, why not the whole race? These are questions I have +never answered, that now I never attempt to answer, but the thought of +quap and its mysteries brings them back to me. + +I can witness that the beach and mud for two miles or more either way +was a lifeless beach—lifeless as I could have imagined no tropical mud +could ever be, and all the dead branches and leaves and rotting dead +fish and so forth that drifted ashore became presently shrivelled and +white. Sometimes crocodiles would come up out of the water and bask, +and now and then water birds would explore the mud and rocky ribs that +rose out of it, in a mood of transitory speculation. That was its +utmost admiration. And the air felt at once hot and austere, dry and +blistering, and altogether different the warm moist embrace that had +met us at our first African landfall and to which we had grown +accustomed. + +I believe that the primary influence of the quap upon us was to +increase the conductivity of our nerves, but that is a mere +unjustifiable speculation on my part. At any rate it gave a sort of +east wind effect to life. We all became irritable, clumsy, languid and +disposed to be impatient with our languor. We moored the brig to the +rocks with difficulty, and got aground on mud and decided to stick +there and tow off when we had done—the bottom was as greasy as butter. +Our efforts to fix up planks and sleepers in order to wheel the quap +aboard were as ill-conceived as that sort of work can be—and that sort +of work can at times be very ill-conceived. The captain had a +superstitious fear of his hold: he became wildly gesticulatory and +expository and incompetent at the bare thought of it. His shouts still +echo in my memory, becoming as each crisis approached less and less +like any known tongue. + +But I cannot now write the history of those days of blundering and +toil: of how Milton, one of the boys, fell from a plank to the beach, +thirty feet perhaps, with his barrow and broke his arm and I believe a +rib, of how I and Pollack set the limb and nursed him through the fever +that followed, of how one man after another succumbed to a feverish +malaria, and how I—by virtue of my scientific reputation—was obliged to +play the part of doctor and dose them with quinine, and then finding +that worse than nothing, with rum and small doses of Easton’s Syrup, of +which there chanced to be a case of bottles aboard—Heaven and +Gordon-Nasmyth know why. For three long days we lay in misery and never +shipped a barrow-load. Then, when they resumed, the men’s hands broke +out into sores. There were no gloves available; and I tried to get +them, while they shovelled and wheeled, to cover their hands with +stockings or greased rags. They would not do this on account of the +heat and discomfort. This attempt of mine did, however, direct their +attention to the quap as the source of their illness and precipitated +what in the end finished our lading, an informal strike. “We’ve had +enough of this,” they said, and they meant it. They came aft to say as +much. They cowed the captain. + +Through all these days the weather was variously vile, first a furnace +heat under a sky of a scowling intensity of blue, then a hot fog that +stuck in one’s throat like wool and turned the men on the planks into +colourless figures of giants, then a wild burst of thunderstorms, mad +elemental uproar and rain. Through it all, against illness, heat, +confusion of mind, one master impetus prevailed with me, to keep the +shipping going, to maintain one motif at least, whatever else arose or +ceased, the chuff of the spades, the squeaking and shriek of the +barrows, the pluppa, pluppa, pluppa, as the men came trotting along the +swinging high planks, and then at last, the dollop, dollop, as the +stuff shot into the hold. “Another barrow-load, thank God! Another +fifteen hundred, or it may be two thousand pounds, for the saving of +Ponderevo!...” + +I found out many things about myself and humanity in those weeks of +effort behind Mordet Island. I understand now the heart of the sweater, +of the harsh employer, of the nigger-driver. I had brought these men +into a danger they didn’t understand, I was fiercely resolved to +overcome their opposition and bend and use them for my purpose, and I +hated the men. But I hated all humanity during the time that the quap +was near me. + +And my mind was pervaded, too, by a sense of urgency and by the fear +that we should be discovered and our proceedings stopped. I wanted to +get out to sea again—to be beating up northward with our plunder. I was +afraid our masts showed to seaward and might betray us to some curious +passer on the high sea. And one evening near the end I saw a canoe with +three natives far off down the lake; I got field-glasses from the +captain and scrutinised them, and I could see them staring at us. One +man might have been a half-breed and was dressed in white. They watched +us for some time very quietly and then paddled off into some channel in +the forest shadows. + +And for three nights running, so that it took a painful grip upon my +inflamed imagination, I dreamt of my uncle’s face, only that it was +ghastly white like a clown’s, and the throat was cut from ear to ear—a +long ochreous cut. “Too late,” he said; “Too late!...” + +VI + +A day or so after we had got to work upon the quap I found myself so +sleepless and miserable that the ship became unendurable. Just before +the rush of sunrise I borrowed Pollack’s gun, walked down the planks, +clambered over the quap heaps and prowled along the beach. I went +perhaps a mile and a half that day and some distance beyond the ruins +of the old station. I became interested in the desolation about me, and +found when I returned that I was able to sleep for nearly an hour. It +was delightful to have been alone for so long,—no captain, no Pollack, +no one. Accordingly I repeated this expedition the next morning and the +next until it became a custom with me. There was little for me to do +once the digging and wheeling was organised, and so these prowlings of +mine grew longer and longer, and presently I began to take food with +me. + +I pushed these walks far beyond the area desolated by the quap. On the +edges of that was first a zone of stunted vegetation, then a sort of +swampy jungle that was difficult to penetrate, and then the beginnings +of the forest, a scene of huge tree stems and tangled creeper ropes and +roots mingled with oozy mud. Here I used to loaf in a state between +botanising and reverie—always very anxious to know what was up above in +the sunlight—and here it was I murdered a man. + +It was the most unmeaning and purposeless murder imaginable. Even as I +write down its well-remembered particulars there comes again the sense +of its strangeness, its pointlessness, its incompatibility with any of +the neat and definite theories people hold about life and the meaning +of the world. I did this thing and I want to tell of my doing it, but +why I did it and particularly why I should be held responsible for it I +cannot explain. + +That morning I had come upon a track in the forest, and it had occurred +to me as a disagreeable idea that this was a human pathway. I didn’t +want to come upon any human beings. The less our expedition saw of the +African population the better for its prospects. Thus far we had been +singularly free from native pestering. So I turned back and was making +my way over mud and roots and dead fronds and petals scattered from the +green world above when abruptly I saw my victim. + +I became aware of him perhaps forty feet off standing quite still and +regarding me. + +He wasn’t by any means a pretty figure. He was very black and naked +except for a dirty loin-cloth, his legs were ill-shaped and his toes +spread wide and the upper edge of his cloth and a girdle of string cut +his clumsy abdomen into folds. His forehead was low, his nose very flat +and his lower lip swollen and purplish-red. His hair was short and +fuzzy, and about his neck was a string and a little purse of skin. He +carried a musket, and a powder-flask was stuck in his girdle. It was a +curious confrontation. There opposed to him stood I, a little soiled, +perhaps, but still a rather elaborately civilised human being, born, +bred and trained in a vague tradition. In my hand was an unaccustomed +gun. And each of us was essentially a teeming, vivid brain, tensely +excited by the encounter, quite unaware of the other’s mental content +or what to do with him. + +He stepped back a pace or so, stumbled and turned to run. + +“Stop,” I cried; “stop, you fool!” and started to run after him, +shouting such things in English. But I was no match for him over the +roots and mud. + +I had a preposterous idea. “He mustn’t get away and tell them!” + +And with that instantly I brought both feet together, raised my gun, +aimed quite coolly, drew the trigger carefully and shot him neatly in +the back. + +I saw, and saw with a leap of pure exaltation, the smash of my bullet +between his shoulder blades. “Got him,” said I, dropping my gun and +down he flopped and died without a groan. “By Jove!” I cried with note +of surprise, “I’ve killed him!” I looked about me and then went forward +cautiously, in a mood between curiosity and astonishment, to look at +this man whose soul I had flung so unceremoniously out of our common +world. I went to him, not as one goes to something one has made or +done, but as one approaches something found. + +He was frightfully smashed out in front; he must have died in the +instant. I stooped and raised him by his shoulder and realised that. I +dropped him, and stood about and peered about me through the trees. “My +word!” I said. He was the second dead human being—apart, I mean, from +surgical properties and mummies and common shows of that sort—that I +have ever seen. I stood over him wondering, wondering beyond measure. + +A practical idea came into that confusion. Had any one heard the gun? + +I reloaded. + +After a time I felt securer, and gave my mind again to the dead I had +killed. What must I do? + +It occurred to me that perhaps I ought to bury him. At any rate, I +ought to hide him. I reflected coolly, and then put my gun within easy +reach and dragged him by the arm towards a place where the mud seemed +soft, and thrust him in. His powder-flask slipped from his loin-cloth, +and I went back to get it. Then I pressed him down with the butt of my +rifle. + +Afterwards this all seemed to me most horrible, but at the time it was +entirely a matter-of-fact transaction. I looked round for any other +visible evidence of his fate, looked round as one does when one packs +one’s portmanteau in an hotel bedroom. + +When I got my bearings, and carefully returned towards the ship. I had +the mood of grave concentration of a boy who has lapsed into poaching. +And the business only began to assume proper proportions for me as I +got near the ship, to seem any other kind of thing than the killing of +a bird or rabbit. + +In the night, however, it took on enormous and portentous forms. “By +God!” I cried suddenly, starting wide awake; “but it was murder!” + +I lay after that wide awake, staring at my memories. In some odd way +these visions mixed up with my dream of in my uncle in his despair. The +black body which saw now damaged and partly buried, but which, +nevertheless, I no longer felt was dead but acutely alive and +perceiving, I mixed up with the ochreous slash under my uncle’s face. I +tried to dismiss this horrible obsession from my mind, but it prevailed +over all my efforts. + +The next day was utterly black with my sense of that ugly creature’s +body. I am the least superstitious of men, but it drew me. It drew me +back into those thickets to the very place where I had hidden him. + +Some evil and detestable beast had been at him, and he lay disinterred. + +Methodically I buried his swollen and mangled carcass again, and +returned to the ship for another night of dreams. Next day for all the +morning I resisted the impulse to go to him, and played nap with +Pollack with my secret gnawing at me, and in the evening started to go +and was near benighted. I never told a soul of them of this thing I had +done. + +Next day I went early, and he had gone, and there were human footmarks +and ugly stains round the muddy hole from which he had been dragged. + +I returned to the ship, disconcerted and perplexed. That day it was the +men came aft, with blistered hands and faces, and sullen eyes. When +they proclaimed, through Edwards, their spokesman, “We’ve had enough of +this, and we mean it,” I answered very readily, “So have I. Let’s go.” + +VII + +We were none too soon. People had been reconnoitring us, the telegraph +had been at work, and we were not four hours at sea before we ran +against the gunboat that had been sent down the coast to look for us +and that would have caught us behind the island like a beast in a trap. +It was a night of driving cloud that gave intermittent gleams of +moonlight; the wind and sea were strong and we were rolling along +through a drift of rails and mist. Suddenly the world was white with +moonshine. The gunboat came out as a long dark shape wallowing on the +water to the east. + +She sighted the _Maud Mary_ at once, and fired some sort of popgun to +arrest us. + +The mate turned to me. + +“Shall I tell the captain?” + +“The captain be damned” said I, and we let him sleep through two hours +of chase till a rainstorm swallowed us up. Then we changed our course +and sailed right across them, and by morning only her smoke was +showing. + +We were clear of Africa—and with the booty aboard I did not see what +stood between us and home. + +For the first time since I had fallen sick in the Thames my spirits +rose. I was sea-sick and physically disgusted, of course, but I felt +kindly in spite of my qualms. So far as I could calculate then the +situation was saved. I saw myself returning triumphantly into the +Thames, and nothing on earth to prevent old Capern’s Perfect Filament +going on the market in fortnight. I had the monopoly of electric lamps +beneath my feet. + +I was released from the spell of that bloodstained black body all mixed +up with grey-black mud. I was going back to baths and decent food and +aeronautics and Beatrice. I was going back to Beatrice and my real life +again—out of this well into which I had fallen. It would have needed +something more than sea-sickness and quap fever to prevent my spirits +rising. + +I told the captain that I agreed with him that the British were the +scum of Europe, the westward drift of all the people, a disgusting +rabble, and I lost three pounds by attenuated retail to Pollack at +ha’penny nap and euchre. + +And then you know, as we got out into the Atlantic this side of Cape +Verde, the ship began to go to pieces. I don’t pretend for one moment +to understand what happened. But I think Greiffenhagen’s recent work on +the effects of radium upon ligneous tissue does rather carry out my +idea that emanations from quap have rapid rotting effect upon woody +fibre. + +From the first there had been a different feel about the ship, and as +the big winds and waves began to strain her she commenced leaking. Soon +she was leaking—not at any particular point, but everywhere. She did +not spring a leak, I mean, but water came in first of all near the +decaying edges of her planks, and then through them. + +I firmly believe the water came through the wood. First it began to +ooze, then to trickle. It was like trying to carry moist sugar in a +thin paper bag. Soon we were taking in water as though we had opened a +door in her bottom. + +Once it began, the thing went ahead beyond all fighting. For a day or +so we did our best, and I can still remember in my limbs and back the +pumping—the fatigue in my arms and the memory of a clear little dribble +of water that jerked as one pumped, and of knocking off and the being +awakened to go on again, and of fatigue piling up upon fatigue. At last +we ceased to think of anything but pumping; one became a thing of +torment enchanted, doomed to pump for ever. I still remember it as pure +relief when at last Pollack came to me pipe in mouth. + +“The captain says the damned thing’s going down right now;” he +remarked, chewing his mouthpiece. “Eh?” + +“Good idea!” I said. “One can’t go on pumping for ever.” + +And without hurry or alacrity, sullenly and wearily we got into the +boats and pulled away from the _Maud Mary_ until we were clear of her, +and then we stayed resting on our oars, motionless upon a glassy sea, +waiting for her to sink. We were all silent, even the captain was +silent until she went down. And then he spoke quite mildly in an +undertone. + +“Dat is the first ship I haf ever lost.... And it was not a fair game! +It wass not a cargo any man should take. No!” + +I stared at the slow eddies that circled above the departed _Maud +Mary_, and the last chance of Business Organisations. I felt weary +beyond emotion. I thought of my heroics to Beatrice and my uncle, of my +prompt “_I’ll_ go,” and of all the ineffectual months I had spent after +this headlong decision. I was moved to laughter at myself and fate. + +But the captain and the men did not laugh. The men scowled at me and +rubbed their sore and blistered hands, and set themselves to row.... + +As all the world knows we were picked up by the Union Castle liner, +_Portland Castle_. + +The hairdresser aboard was a wonderful man, and he even improvised me a +dress suit, and produced a clean shirt and warm underclothing. I had a +hot bath, and dressed and dined and drank a bottle of Burgundy. + +“Now,” I said, “are there any newspapers? I want to know what’s been +happening in the world.” + +My steward gave me what he had, but I landed at Plymouth still largely +ignorant of the course of events. I shook off Pollack, and left the +captain and mate in an hotel, and the men in a Sailor’s Home until I +could send to pay them off, and I made my way to the station. + +The newspapers I bought, the placards I saw, all England indeed +resounded to my uncle’s bankruptcy. + + + + +BOOK THE FOURTH +THE AFTERMATH OF TONO-BUNGAY + + + + +CHAPTER THE FIRST +THE STICK OF THE ROCKET + + +I + +That evening I talked with my uncle in the Hardingham for the last +time. The atmosphere of the place had altered quite shockingly. Instead +of the crowd of importunate courtiers there were just half a dozen +uninviting men, journalists waiting for an interview. Ropper the big +commissionaire was still there, but now indeed he was defending my +uncle from something more than time-wasting intrusions. I found the +little man alone in the inner office pretending to work, but really +brooding. He was looking yellow and deflated. + +“Lord!” he said at the sight of me. “You’re lean, George. It makes that +scar of yours show up.” + +We regarded each other gravely for a time. + +“Quap,” I said, “is at the bottom of the Atlantic. There’s some +bills—We’ve got to pay the men.” + +“Seen the papers?” + +“Read ’em all in the train.” + +“At bay,” he said. “I been at bay for a week.... Yelping round me.... +And me facing the music. I’m feelin’ a bit tired.” + +He blew and wiped his glasses. + +“My stomack isn’t what it was,” he explained. “One finds it—these +times. How did it all happen, George? Your Marconigram—it took me in +the wind a bit.” + +I told him concisely. He nodded to the paragraphs of my narrative and +at the end he poured something from a medicine bottle into a sticky +little wineglass and drank it. I became aware of the presence of drugs, +of three or four small bottles before him among his disorder of papers, +of a faint elusively familiar odour in the room. + +“Yes,” he said, wiping his lips and recorking the bottle. “You’ve done +your best, George. The luck’s been against us.” + +He reflected, bottle in hand. “Sometimes the luck goes with you and +sometimes it doesn’t. Sometimes it doesn’t. And then where are you? +Grass in the oven! Fight or no fight.” + +He asked a few questions and then his thoughts came back to his own +urgent affairs. I tried to get some comprehensive account of the +situation from him, but he would not give it. + +“Oh, I wish I’d had you. I wish I’d had you, George. I’ve had a lot on +my hands. You’re clear headed at times.” + +“What has happened?” + +“Oh! Boom!—infernal things.” + +“Yes, but—how? I’m just off the sea, remember.” + +“It’d worry me too much to tell you now. It’s tied up in a skein.” + +He muttered something to himself and mused darkly, and roused himself +to say— + +“Besides—you’d better keep out of it. It’s getting tight. Get ’em +talking. Go down to Crest Hill and fly. That’s _your_ affair.” + +For a time his manner set free queer anxieties in my brain again. + +I will confess that that Mordet Island nightmare of mine returned, and +as I looked at him his hand went out for the drug again. “Stomach, +George,” he said. + +“I been fightin’ on that. Every man fights on some thing—gives way +somewheres—head, heart, liver—something. Zzzz. Gives way somewhere. +Napoleon did at last. All through the Waterloo campaign, his stomach—it +wasn’t a stomach! Worse than mine, no end.” + +The mood of depression passed as the drug worked within him. His eyes +brightened. He began to talk big. He began to dress up the situation +for my eyes, to recover what he had admitted to me. He put it as a +retreat from Russia. There were still the chances of Leipzig. + +“It’s a battle, George—a big fight. We’re fighting for millions. I’ve +still chances. There’s still a card or so. I can’t tell all my +plans—like speaking on the stroke.” + +“You might,” I began. + +“I can’t, George. It’s like asking to look at some embryo. You got to +wait. I know. In a sort of way, I know. But to tell it—No! You been +away so long. And everything’s got complicated.” + +My perception of disastrous entanglements deepened with the rise of his +spirits. It was evident that I could only help to tie him up in +whatever net was weaving round his mind by forcing questions and +explanations upon him. My thoughts flew off at another angle. “How’s +Aunt Susan?” said I. + +I had to repeat the question. His busy whispering lips stopped for a +moment, and he answered in the note of one who repeats a formula. + +“She’d like to be in the battle with me. She’d like to be here in +London. But there’s corners I got to turn alone.” His eye rested for a +moment on the little bottle beside him. “And things have happened. + +“You might go down now and talk to her,” he said, in a directer voice. +“I shall be down to-morrow night, I think.” + +He looked up as though he hoped that would end our talk. + +“For the week-end?” I asked. + +“For the week-end. Thank God for week-ends, George!” + +II + +My return home to Lady Grove was a very different thing from what I had +anticipated when I had got out to sea with my load of quap and fancied +the Perfect-Filament was safe within my grasp. As I walked through the +evening light along the downs, the summer stillness seemed like the +stillness of something newly dead. There were no lurking workmen any +more, no cyclists on the high road. + +Cessation was manifest everywhere. There had been, I learnt from my +aunt, a touching and quite voluntary demonstration when the Crest Hill +work had come to an end and the men had drawn their last pay; they had +cheered my uncle and hooted the contractors and Lord Boom. + +I cannot now recall the manner in which my aunt and I greeted one +another. I must have been very tired there, but whatever impression was +made has gone out of my memory. But I recall very clearly how we sat at +the little round table near the big window that gave on the terrace, +and dined and talked. I remember her talking of my uncle. + +She asked after him, and whether he seemed well. “I wish I could help,” +she said. “But I’ve never helped him much, never. His way of doing +things was never mine. And since—since—. Since he began to get so rich, +he’s kept things from me. In the old days—it was different.... + +“There he is—I don’t know what he’s doing. He won’t have me near +him.... + +“More’s kept from me than anyone. The very servants won’t let me know. +They try and stop the worst of the papers—Boom’s things—from coming +upstairs.... I suppose they’ve got him in a corner, George. Poor old +Teddy! Poor old Adam and Eve we are! Ficial Receivers with flaming +swords to drive us out of our garden! I’d hoped we’d never have another +Trek. Well—anyway, it won’t be Crest Hill.... But it’s hard on Teddy. +He must be in such a mess up there. Poor old chap. I suppose we can’t +help him. I suppose we’d only worry him. Have some more soup +George—while there is some?...” + +The next day was one of those days of strong perception that stand out +clear in one’s memory when the common course of days is blurred. I can +recall now the awakening in the large familiar room that was always +kept for me, and how I lay staring at its chintz-covered chairs, its +spaced fine furniture, its glimpse of the cedars without, and thought +that all this had to end. + +I have never been greedy for money, I have never wanted to be rich, but +I felt now an immense sense of impending deprivation. I read the +newspapers after breakfast—I and my aunt together—and then I walked up +to see what Cothope had done in the matter of Lord Roberts β. Never +before had I appreciated so acutely the ample brightness of the Lady +Grove gardens, the dignity and wide peace of all about me. It was one +of those warm mornings in late May that have won all the glory of +summer without losing the gay delicacy of spring. The shrubbery was +bright with laburnum and lilac, the beds swarmed with daffodils and +narcissi and with lilies of the valley in the shade. + +I went along the well-kept paths among the rhododendra and through the +private gate into the woods where the bluebells and common orchid were +in profusion. Never before had I tasted so completely the fine sense of +privilege and ownership. And all this has to end, I told myself, all +this has to end. + +Neither my uncle nor I had made any provision for disaster; all we had +was in the game, and I had little doubt now of the completeness of our +ruin. For the first time in my life since he had sent me that wonderful +telegram of his I had to consider that common anxiety of +mankind,—Employment. I had to come off my magic carpet and walk once +more in the world. + +And suddenly I found myself at the cross drives where I had seen +Beatrice for the first time after so many years. It is strange, but so +far as I can recollect I had not thought of her once since I had landed +at Plymouth. No doubt she had filled the background of my mind, but I +do not remember one definite, clear thought. I had been intent on my +uncle and the financial collapse. + +It came like a blow in the face now; all that, too, had to end! + +Suddenly I was filled with the thought of her and a great longing for +her. What would she do when she realised our immense disaster? What +would she do? How would she take it? It filled me with astonishment to +realise how little I could tell.... + +Should I perhaps presently happen upon her? + +I went on through the plantations and out upon the downs, and thence I +saw Cothope with a new glider of his own design soaring down wind to my +old familiar “grounding” place. To judge by its long rhythm it was a +very good glider. “Like Cothope’s cheek,” thought I, “to go on with the +research. I wonder if he’s keeping notes.... But all this will have to +stop.” + +He was sincerely glad to see me. “It’s been a rum go,” he said. + +He had been there without wages for a month, a man forgotten in the +rush of events. + +“I just stuck on and did what I could with the stuff. I got a bit of +money of my own—and I said to myself, ‘Well, here you are with the gear +and no one to look after you. You won’t get such a chance again, my +boy, not in all your born days. Why not make what you can with it? ‘” + +“How’s Lord Roberts β?” + +Cothope lifted his eyebrows. “I’ve had to refrain,” he said. “But he’s +looking very handsome.” + +“Gods!” I said, “I’d like to get him up just once before we smash. You +read the papers? You know we’re going to smash?” + +“Oh! I read the papers. It’s scandalous, sir, such work as ours should +depend on things like that. You and I ought to be under the State, sir, +if you’ll excuse me.” + +“Nothing to excuse,” I said. “I’ve always been a Socialist—of a sort—in +theory. Let’s go and have a look at him. How is he? Deflated?” + +“Just about quarter full. That last oil glaze of yours holds the gas +something beautiful. He’s not lost a cubic metre a week.”... + +Cothope returned to Socialism as we went toward the sheds. + +“Glad to think you’re a Socialist, sir,” he said, “it’s the only +civilised state. I been a Socialist some years—off the _Clarion_. It’s +a rotten scramble, this world. It takes the things we make and invent +and it plays the silly fool with ’em. We scientific people, we’ll have +to take things over and stop all this financing and advertisement and +that. It’s too silly. It’s a noosance. Look at us!” + +Lord Roberts _B_, even in his partially deflated condition in his shed, +was a fine thing to stare up at. I stood side by side with Cothope +regarding him, and it was borne in upon me more acutely than ever that +all this had to end. I had a feeling just like the feeling of a boy who +wants to do wrong, that I would use up the stuff while I had it before +the creditors descended. I had a queer fancy, too, I remember, that if +I could get into the air it would advertise my return to Beatrice. + +“We’ll fill her,” I said concisely. + +“It’s all ready,” said Cothope, and added as an afterthought, “unless +they cut off the gas.”... + +I worked and interested myself with Cothope all the morning and for a +time forgot my other troubles. But the thought of Beatrice flooded me +slowly and steadily. It became an unintelligent sick longing to see +her. I felt that I could not wait for the filling of Lord Roberts β, +that I must hunt her up and see her soon. I got everything forward and +lunched with Cothope, and then with the feeblest excuses left him in +order to prowl down through the woods towards Bedley Corner. I became a +prey to wretched hesitations and diffidence. Ought I to go near her +now? I asked myself, reviewing all the social abasements of my early +years. At last, about five, I called at the Dower House. I was greeted +by their Charlotte—with a forbidding eye and a cold astonishment. + +Both Beatrice and Lady Osprey were out. + +There came into my head some prowling dream of meeting her. I went +along the lane towards Woking, the lane down which we had walked five +months ago in the wind and rain. + +I mooned for a time in our former footsteps, then swore and turned back +across the fields, and then conceived a distaste for Cothope and went +Downward. At last I found myself looking down on the huge abandoned +masses of the Crest Hill house. + +That gave my mind a twist into a new channel. My uncle came uppermost +again. What a strange, melancholy emptiness of intention that stricken +enterprise seemed in the even evening sunlight, what vulgar +magnificence and crudity and utter absurdity! It was as idiotic as the +pyramids. I sat down on the stile, staring at it as though I had never +seen that forest of scaffold poles, that waste of walls and bricks and +plaster and shaped stones, that wilderness of broken soil and wheeling +tracks and dumps before. It struck me suddenly as the compactest image +and sample of all that passes for Progress, of all the +advertisement-inflated spending, the aimless building up and pulling +down, the enterprise and promise of my age. This was our fruit, this +was what he had done, I and my uncle, in the fashion of our time. We +were its leaders and exponents, we were the thing it most flourishingly +produced. For this futility in its end, for an epoch of such futility, +the solemn scroll of history had unfolded.... + +“Great God!” I cried, “but is this Life?” + +For this the armies drilled, for this the Law was administered and the +prisons did their duty, for this the millions toiled and perished in +suffering, in order that a few of us should build palaces we never +finished, make billiard-rooms under ponds, run imbecile walls round +irrational estates, scorch about the world in motor-cars, devise +flying-machines, play golf and a dozen such foolish games of ball, +crowd into chattering dinner parties, gamble and make our lives one +vast, dismal spectacle of witless waste! So it struck me then, and for +a time I could think of no other interpretation. This was Life! It came +to me like a revelation, a revelation at once incredible and +indisputable of the abysmal folly of our being. + +III + +I was roused from such thoughts by the sound of footsteps behind me. + +I turned half hopeful—so foolish is a lover’s imagination, and stopped +amazed. It was my uncle. His face was white—white as I had seen it in +my dream. + +“Hullo!” I said, and stared. “Why aren’t you in London?” + +“It’s all up,” he said.... + +“Adjudicated?” + +“No!” + +I stared at him for a moment, and then got off the stile. + +We stood swaying and then came forward with a weak motion of his arms +like a man who cannot see distinctly, and caught at and leant upon the +stile. For a moment we were absolutely still. He made a clumsy gesture +towards the great futility below and choked. I discovered that his face +was wet with tears, that his wet glasses blinded him. He put up his +little fat hand and clawed them off clumsily, felt inefficiently for +his pocket-handkerchief, and then, to my horror, as he clung to me, he +began to weep aloud, this little, old worldworn swindler. It wasn’t +just sobbing or shedding tears, it was crying as a child cries. It was +oh! terrible! + +“It’s cruel,” he blubbered at last. “They asked me questions. They +_kep_’ asking me questions, George.” + +He sought for utterance, and spluttered. + +“The Bloody bullies!” he shouted. “The Bloody Bullies.” + +He ceased to weep. He became suddenly rapid and explanatory. + +“It’s not a fair game, George. They tire you out. And I’m not well. My +stomach’s all wrong. And I been and got a cold. I always been li’ble to +cold, and this one’s on my chest. And then they tell you to speak up. +They bait you—and bait you, and bait you. It’s torture. The strain of +it. You can’t remember what you said. You’re bound to contradict +yourself. It’s like Russia, George.... It isn’t fair play.... Prominent +man. I’ve been next at dinners with that chap, Neal; I’ve told him +stories—and he’s bitter! Sets out to ruin me. Don’t ask a civil +question—bellows.” He broke down again. “I’ve been bellowed at, I been +bullied, I been treated like a dog. Dirty cads they are! Dirty cads! +I’d rather be a Three-Card Sharper than a barrister; I’d rather sell +cat’s-meat in the streets. + +“They sprung things on me this morning, things I didn’t expect. They +rushed me! I’d got it all in my hands and then I was jumped. By Neal! +Neal I’ve given city tips to! Neal! I’ve helped Neal.... + +“I couldn’t swallow a mouthful—not in the lunch hour. I couldn’t face +it. It’s true, George—I couldn’t face it. I said I’d get a bit of air +and slipped out and down to the Embankment, and there I took a boat to +Richmond. Some idee. I took a rowing boat when I got there and I rowed +about on the river for a bit. A lot of chaps and girls there was on the +bank laughed at my shirt-sleeves and top hat. Dessay they thought it +was a pleasure trip. Fat lot of pleasure! I rowed round for a bit and +came in. Then I came on here. Windsor way. And there they are in London +doing what they like with me.... I don’t care!” + +“But” I said, looking down at him, perplexed. + +“It’s abscondin’. They’ll have a warrant.” + +“I don’t understand,” I said. + +“It’s all up, George—all up and over. + +“And I thought I’d live in that place, George and die a lord! It’s a +great place, reely, an imperial—if anyone has the sense to buy it and +finish it. That terrace—” + +I stood thinking him over. + +“Look here!” I said. “What’s that about—a warrant? Are you sure they’ll +get a warrant? I’m sorry uncle; but what have you done?” + +“Haven’t I told you?” + +“Yes, but they won’t do very much to you for that. They’ll only bring +you up for the rest of your examination.” + +He remained silent for a time. At last he spoke—speaking with +difficulty. + +“It’s worse than that. I’ve done something. They’re bound to get it +out. Practically they _have_ got it out.” + +“What?” + +“Writin’ things down—I done something.” + +For the first time in his life, I believe, he felt and looked ashamed. +It filled me with remorse to see him suffer so. + +“We’ve all done things,” I said. “It’s part of the game the world makes +us play. If they want to arrest you—and you’ve got no cards in your +hand—! They mustn’t arrest you.” + +“No. That’s partly why I went to Richmond. But I never thought—” + +His little bloodshot eyes stared at Crest Hill. + +“That chap Wittaker Wright,” he said, “he had his stuff ready. I +haven’t. Now you got it, George. That’s the sort of hole I’m in.” + +IV + +That memory of my uncle at the gate is very clear and full. I am able +to recall even the undertow of my thoughts while he was speaking. I +remember my pity and affection for him in his misery growing and +stirring within me, my realisation that at any risk I must help him. +But then comes indistinctness again. I was beginning to act. I know I +persuaded him to put himself in my hands, and began at once to plan and +do. I think that when we act most we remember least, that just in the +measure that the impulse of our impressions translates itself into +schemes and movements, it ceases to record itself in memories. I know I +resolved to get him away at once, and to use the Lord Roberts β in +effecting that. It was clear he was soon to be a hunted man, and it +seemed to me already unsafe for him to try the ordinary Continental +routes in his flight. I had to evolve some scheme, and evolve it +rapidly, how we might drop most inconspicuously into the world across +the water. My resolve to have one flight at least in my airship fitted +with this like hand to glove. It seemed to me we might be able to cross +over the water in the night, set our airship adrift, and turn up as +pedestrian tourists in Normandy or Brittany, and so get away. That, at +any rate, was my ruling idea. + +I sent off Cothope with a dummy note to Woking, because I did not want +to implicate him, and took my uncle to the pavilion. I went down to my +aunt, and made a clean breast of the situation. She became admirably +competent. We went into his dressing-room and ruthlessly broke his +locks. I got a pair of brown boots, a tweed suit and a cap of his, and +indeed a plausible walking outfit, and a little game bag for his +pedestrian gear; and, in addition, a big motoring overcoat and a supply +of rugs to add to those I had at the pavilion. I also got a flask of +brandy, and she made sandwiches. I don’t remember any servants +appearing, and I forget where she got those sandwiches. Meanwhile we +talked. Afterwards I thought with what a sure confidence we talked to +each other. + +“What’s he done?” she said. + +“D’you mind knowing?” + +“No conscience left, thank God!” + +“I think—forgery!” + +There was just a little pause. “Can you carry this bundle?” she asked. + +I lifted it. + +“No woman ever has respected the law—ever,” she said. “It’s too +silly.... The things it lets you do! And then pulls you up—like a mad +nurse minding a child.” + +She carried some rugs for me through the shrubbery in the darkling. + +“They’ll think we’re going mooning,” she said, jerking her head at the +household. “I wonder what they make of us—criminals.” ... An immense +droning note came as if in answer to that. It startled us both for a +moment. “The dears!” she said. “It’s the gong for dinner!... But I wish +I could help little Teddy, George. It’s awful to think of him there +with hot eyes, red and dry. And I know—the sight of me makes him feel +sore. Things I said, George. If I could have seen, I’d have let him +have an omnibusful of Scrymgeours. I cut him up. He’d never thought I +meant it before.... I’ll help all I can, anyhow.” + +I turned at something in her voice, and got a moon light gleam of tears +upon her face. + +“Could _she_ have helped?” she asked abruptly. + +“_She?_” + +“That woman.” + +“My God!” I cried, “_helped!_ Those—things don’t help!” + +“Tell me again what I ought to do,” she said after a silence. + +I went over the plans I had made for communicating, and the things I +thought she might do. I had given her the address of a solicitor she +might put some trust in. + +“But you must act for yourself,” I insisted. + +“Roughly,” I said, “it’s a scramble. You must get what you can for us, +and follow as you can.” + +She nodded. + +She came right up to the pavilion and hovered for a time shyly, and +then went away. + +I found my uncle in my sitting-room in an arm-chair, with his feet upon +the fender of the gas stove, which he had lit, and now he was feebly +drunken with my whisky, and very weary in body and spirit, and inclined +to be cowardly. + +“I lef’ my drops,” he said. + +He changed his clothes slowly and unwillingly. I had to bully him, I +had almost to shove him to the airship and tuck him up upon its wicker +flat. Single-handed I made but a clumsy start; we scraped along the +roof of the shed and bent a van of the propeller, and for a time I hung +underneath without his offering a hand to help me to clamber up. If it +hadn’t been for a sort of anchoring trolley device of Cothope’s, a sort +of slip anchor running on a rail, we should never have got clear at +all. + +V + +The incidents of our flight in Lord Roberts β do not arrange themselves +in any consecutive order. To think of that adventure is like dipping +haphazard into an album of views. One is reminded first of this and +then of that. We were both lying down on a horizontal plate of +basketwork; for Lord Roberts β had none of the elegant accommodation of +a balloon. I lay forward, and my uncle behind me in such a position +that he could see hardly anything of our flight. We were protected from +rolling over simply by netting between the steel stays. It was +impossible for us to stand up at all; we had either to lie or crawl on +all fours over the basket work. Amidships were lockers made of Watson’s +Aulite material,—and between these it was that I had put my uncle, +wrapped in rugs. I wore sealskin motoring boots and gloves, and a +motoring fur coat over my tweeds, and I controlled the engine by Bowden +wires and levers forward. + +The early part of that night’s experience was made up of warmth, of +moonlit Surrey and Sussex landscape, and of a rapid and successful +flight, ascending and swooping, and then ascending again southward. I +could not watch the clouds because the airship overhung me; I could not +see the stars nor gauge the meteorological happening, but it was fairly +clear to me that a wind shifting between north and northeast was +gathering strength, and after I had satisfied myself by a series of +entirely successful expansions and contractions of the real +air-worthiness of Lord Roberts β, I stopped the engine to save my +petrol, and let the monster drift, checking its progress by the dim +landscape below. My uncle lay quite still behind me, saying little and +staring in front of him, and I was left to my own thoughts and +sensations. + +My thoughts, whatever they were, have long since faded out of memory, +and my sensations have merged into one continuous memory of an +countryside lying, as it seemed, under snow, with square patches of +dimness, white phantoms of roads, rents and pools of velvety blackness, +and lamp-jewelled houses. I remember a train boring its way like a +hastening caterpillar of fire across the landscape, and how distinctly +I heard its clatter. Every town and street was buttoned with street +lamps. I came quite close to the South Downs near Lewes, and all the +lights were out in the houses, and the people gone to bed. We left the +land a little to the east of Brighton, and by that time Brighton was +well abed. and the brightly lit sea-front deserted. Then I let out the +gas chamber to its fullest extent and rose. I like to be high above +water. + +I do not clearly know what happened in the night. I think I must have +dozed, and probably my uncle slept. I remember that once or twice I +heard him talking in an eager, muffled voice to himself, or to an +imaginary court. But there can be no doubt the wind changed right round +into the east, and that we were carried far down the Channel without +any suspicion of the immense leeway we were making. I remember the kind +of stupid perplexity with which I saw the dawn breaking over a grey +waste of water, below, and realised that something was wrong. I was so +stupid that it was only after the sunrise I really noticed the trend of +the foam caps below, and perceived we were in a severe easterly gale. +Even then, instead of heading southeasterly, I set the engine going, +headed south, and so continued a course that must needs have either +just hit Ushant, or carry us over the Bay of Biscay. I thought I was +east of Cherbourg, when I was far to the west and stopped my engine in +that belief, and then set it going again. I did actually sight the +coast of Brittany to the southeast in the late afternoon, and that it +was woke me up to the gravity of our position. I discovered it by +accident in the southeast, when I was looking for it in the southwest. +I turned about east and faced the wind for some time, and finding I had +no chance in its teeth, went high, where it seemed less violent, and +tried to make a course southeast. It was only then that I realised what +a gale I was in. I had been going westward, and perhaps even in gusts +north of west, at a pace of fifty or sixty miles an hour. + +Then I began what I suppose would be called a Fight against the east +wind. One calls it a Fight, but it was really almost as unlike a fight +as plain sewing. The wind tried to drive me westwardly, and I tried to +get as much as I could eastwardly, with the wind beating and rocking us +irregularly, but by no means unbearably, for about twelve hours. My +hope lay in the wind abating, and our keeping in the air and eastward +of Finisterre until it did, and the chief danger was the exhaustion of +our petrol. It was a long and anxious and almost meditative time; we +were fairly warm, and only slowly getting hungry, and except that my +uncle grumbled a little and produced some philosophical reflections, +and began to fuss about having a temperature, we talked very little. I +was tired and sulky, and chiefly worried about the engine. I had to +resist a tendency to crawl back and look at it. I did not care to risk +contracting our gas chamber for fear of losing gas. Nothing was less +like a fight. I know that in popular magazines, and so forth, all such +occasions as this are depicted in terms of hysteria. Captains save +their ships engineers complete their bridges, generals conduct their +battles, in a state of dancing excitement, foaming recondite +technicalities at the lips. I suppose that sort of thing works up the +reader, but so far as it professes to represent reality, I am convinced +it is all childish nonsense, schoolboys of fifteen, girls of eighteen, +and literary men all their lives, may have these squealing fits, but my +own experience is that most exciting scenes are not exciting, and most +of the urgent moments in life are met by steady-headed men. + +Neither I nor my uncle spent the night in ejaculations, nor in humorous +allusions, nor any of these things. We remained lumpish. + +My uncle stuck in his place and grumbled about his stomach, and +occasionally rambled off into expositions of his financial position and +denunciations of Neal—he certainly struck out one or two good phrases +for Neal—and I crawled about at rare intervals in a vague sort of way +and grunted, and our basketwork creaked continually, and the wind on +our quarter made a sort of ruffled flapping in the wall of the gas +chamber. For all our wraps we got frightfully cold as the night wore +on. + +I must have dozed, and it was still dark when I realised with a start +that we were nearly due south of, and a long way from, a +regularly-flashing lighthouse, standing out before the glow of some +great town, and then that the thing that had awakened me was the +cessation of our engine, and that we were driving back to the west. + +Then, indeed, for a time I felt the grim thrill of life. I crawled +forward to the cords of the release valves, made my uncle crawl forward +too, and let out the gas until we were falling down through the air +like a clumsy glider towards the vague greyness that was land. + +Something must have intervened here that I have forgotten. + +I saw the lights of Bordeaux when it was quite dark, a nebulous haze +against black; of that I am reasonably sure. But certainly our fall +took place in the cold, uncertain light of early dawn. I am, at least, +equally sure of that. And Mimizan, near where we dropped, is fifty +miles from Bordeaux, whose harbour lights I must have seen. + +I remember coming down at last with a curious indifference, and +actually rousing myself to steer. But the actual coming to earth was +exciting enough. I remember our prolonged dragging landfall, and the +difficulty I had to get clear, and how a gust of wind caught Lord +Roberts B as my uncle stumbled away from the ropes and litter, and +dropped me heavily, and threw me on to my knees. Then came the +realisation that the monster was almost consciously disentangling +itself for escape, and then the light leap of its rebound. The rope +slipped out of reach of my hand. I remember running knee-deep in a salt +pool in hopeless pursuit of the airship. + +As it dragged and rose seaward, and how only after it had escaped my +uttermost effort to recapture it, did I realise that this was quite the +best thing that could have happened. It drove swiftly over the sandy +dunes, lifting and falling, and was hidden by a clump of windbitten +trees. Then it reappeared much further off, and still receding. It +soared for a time, and sank slowly, and after that I saw it no more. I +suppose it fell into the sea and got wetted with salt water and heavy, +and so became deflated and sank. + +It was never found, and there was never a report of anyone seeing it +after it escaped from me. + +VI + +But if I find it hard to tell the story of our long flight through the +air overseas, at least that dawn in France stands cold and clear and +full. I see again almost as if I saw once more with my bodily eyes the +ridges of sand rising behind ridges of sand, grey and cold and +black-browed, with an insufficient grass. I feel again the clear, cold +chill of dawn, and hear the distant barking of a dog. I find myself +asking again, “What shall we do now?” and trying to scheme with brain +tired beyond measure. + +At first my uncle occupied my attention. He was shivering a good deal, +and it was all I could do to resist my desire to get him into a +comfortable bed at once. But I wanted to appear plausibly in this part +of the world. I felt it would not do to turn up anywhere at dawn and +rest, it would be altogether too conspicuous; we must rest until the +day was well advanced, and then appear as road-stained pedestrians +seeking a meal. I gave him most of what was left of the biscuits, +emptied our flasks, and advised him to sleep, but at first it was too +cold, albeit I wrapped the big fur rug around him. + +I was struck now by the flushed weariness of his face, and the look of +age the grey stubble on his unshaved chin gave him. He sat crumpled up, +shivering and coughing, munching reluctantly, but drinking eagerly, and +whimpering a little, a dreadfully pitiful figure to me. But we had to +go through with it; there was no way out for us. + +Presently the sun rose over the pines, and the sand grew rapidly warm. +My uncle had done eating, and sat with his wrists resting on his knees, +the most hopeless looking of lost souls. + +“I’m ill,” he said, “I’m damnably ill! I can feel it in my skin!” + +Then—it was horrible to me—he cried, “I ought to be in bed; I ought to +be in bed... instead of flying about,” and suddenly he burst into +tears. + +I stood up. “Go to sleep, man!” I said, and took the rug from him, and +spread it out and rolled him up in it. + +“It’s all very well,” he protested; “I’m not young enough—” + +“Lift up your head,” I interrupted, and put his knapsack under it. + +“They’ll catch us here, just as much as in an inn,” he grumbled and +then lay still. + +Presently, after a long time, I perceived he was asleep. His breath +came with peculiar wheezings, and every now and again he would cough. I +was very stiff and tired myself, and perhaps I dozed. I don’t remember. +I remember only sitting, as it seemed, nigh interminably, beside him, +too weary even to think in that sandy desolation. + +No one came near us; no creature, not even a dog. I roused myself at +last, feeling that it was vain to seek to seem other than abnormal, and +with an effort that was like lifting a sky of lead, we made our way +through the wearisome sand to a farmhouse. There I feigned even a more +insufficient French than I possess naturally, and let it appear that we +were pedestrians from Biarritz who had lost our way along the shore and +got benighted. + +This explained us pretty well, I thought, and we got most heartening +coffee and a cart to a little roadside station. My uncle grew more and +more manifestly ill with every stage of our journey. I got him to +Bayonne, where he refused at first to eat, and was afterwards very +sick, and then took him shivering and collapsed up a little branch line +to a frontier place called Luzon Gare. + +We found one homely inn with two small bedrooms, kept by a kindly +Basque woman. I got him to bed, and that night shared his room, and +after an hour or so of sleep he woke up in a raging fever and with a +wandering mind, cursing Neal and repeating long, inaccurate lists of +figures. He was manifestly a case for a doctor, and in the morning we +got one in. He was a young man from Montpelier, just beginning to +practise, and very mysterious and technical and modern and unhelpful. +He spoke of cold and exposure, and _la grippe_ and pneumonia. He gave +many explicit and difficult directions.... I perceived it devolved upon +me to organise nursing and a sick-room. I installed a _religieuse_ in +the second bedroom of the inn, and took a room for myself in the inn of +Port de Luzon, a quarter of a mile away. + +VII + +And now my story converges on what, in that queer corner of refuge out +of the world, was destined to be my uncle’s deathbed. There is a +background of the Pyrenees, of blue hills and sunlit houses, of the old +castle of Luzon and a noisy cascading river, and for a foreground the +dim, stuffy room whose windows both the _religieuse_ and hostess +conspired to shut, with its waxed floor, its four-poster bed, its +characteristically French chairs and fireplace, its champagne bottles +and dirty basins and used towels and packets of _Somatosé_ on the +table. And in the sickly air of the confined space in behind the +curtains of the bed lay my little uncle, with an effect of being +enthroned and secluded, or sat up, or writhed and tossed in his last +dealings of life. One went and drew back the edge of the curtains if +one wanted to speak to him or look at him. + +Usually he was propped up against pillows, because so he breathed more +easily. He slept hardly at all. + +I have a confused memory of vigils and mornings and afternoons spent by +that bedside, and how the _religieuse_ hovered about me, and how meek +and good and inefficient she was, and how horribly black were her +nails. Other figures come and go, and particularly the doctor, a young +man plumply rococo, in bicycling dress, with fine waxen features, a +little pointed beard, and the long black frizzy hair and huge tie of a +minor poet. Bright and clear-cut and irrelevant are memories of the +Basque hostess of my uncle’s inn and of the family of Spanish people +who entertained me and prepared the most amazingly elaborate meals for +me, with soup and salad and chicken and remarkable sweets. They were +all very kind and sympathetic people, systematically so. And +constantly, without attracting attention, I was trying to get +newspapers from home. + +My uncle is central to all these impressions. + +I have tried to make you picture him, time after time, as the young man +of the Wimblehurst chemist’s shop, as the shabby assistant in Tottenham +Court Road, as the adventurer of the early days of Tono-Bungay, as the +confident, preposterous plutocrat. And now I have to tell of him +strangely changed under the shadow of oncoming death, with his skin lax +and yellow and glistening with sweat, his eyes large and glassy, his +countenance unfamiliar through the growth of a beard, his nose pinched +and thin. Never had he looked so small as now. And he talked to me in a +whispering, strained voice of great issues, of why his life had been, +and whither he was going. Poor little man! that last phase is, as it +were, disconnected from all the other phases. It was as if he crawled +out from the ruins of his career, and looked about him before he died. +For he had quite clear-minded states in the intervals of his delirium. + +He knew he was almost certainly dying. In a way that took the burthen +of his cares off his mind. There was no more Neal to face, no more +flights or evasions, no punishments. + +“It has been a great career, George,” he said, “but I shall be glad to +rest. Glad to rest!... Glad to rest.” + +His mind ran rather upon his career, and usually, I am glad to recall, +with a note of satisfaction and approval. In his delirious phases he +would most often exaggerate this self-satisfaction, and talk of his +splendours. He would pluck at the sheet and stare before him, and +whisper half-audible fragments of sentences. + +“What is this great place, these cloud-capped towers, these any +pinnacles?... Ilion. Sky-pointing.... Ilion House, the residence of one +of our great merchant princes.... Terrace above terrace. Reaching to +the heavens.... Kingdoms Cæsar never knew.... A great poet, George. +Zzzz. Kingdoms Cæsar never knew.... Under entirely new management. + +“Greatness....Millions... Universities.... He stands on the terrace—on +the upper terrace—directing—directing—by the globe—directing—the +trade.” + +It was hard at times to tell when his sane talk ceased and his delirium +began. The secret springs of his life, the vain imaginations were +revealed. I sometimes think that all the life of man sprawls abed, +careless and unkempt, until it must needs clothe and wash itself and +come forth seemly in act and speech for the encounter with one’s +fellow-men. I suspect that all things unspoken in our souls partake +somewhat of the laxity of delirium and dementia. Certainly from those +slimy, tormented lips above the bristling grey beard came nothing but +dreams and disconnected fancies.... + +Sometimes he raved about Neal, threatened Neal. “What has he got +invested?” he said. “Does he think he can escape me?... If I followed +him up.... Ruin. Ruin.... One would think _I_ had taken his money.” + +And sometimes he reverted to our airship flight. “It’s too long, +George, too long and too cold. I’m too old a man—too old—for this sort +of thing.... You know you’re not saving—you’re killing me.” + +Towards the end it became evident our identity was discovered. I found +the press, and especially Boom’s section of it, had made a sort of hue +and cry for us, sent special commissioners to hunt for us, and though +none of these emissaries reached us until my uncle was dead, one felt +the forewash of that storm of energy. The thing got into the popular +French press. People became curious in their manner towards us, and a +number of fresh faces appeared about the weak little struggle that went +on in the closeness behind the curtains of the bed. The young doctor +insisted on consultations, and a motor-car came up from Biarritz, and +suddenly odd people with questioning eyes began to poke in with +inquiries and help. Though nothing was said, I could feel that we were +no longer regarded as simple middle-class tourists; about me, as I +went, I perceived almost as though it trailed visibly, the prestige of +Finance and a criminal notoriety. Local personages of a plump and +prosperous quality appeared in the inn making inquiries, the Luzon +priest became helpful, people watched our window, and stared at me as I +went to and fro; and then we had a raid from a little English clergyman +and his amiable, capable wife in severely Anglican blacks, who swooped +down upon us like virtuous but resolute vultures from the adjacent +village of Saint Jean de Pollack. + +The clergyman was one of those odd types that oscillate between remote +country towns in England and the conduct of English Church services on +mutual terms in enterprising hotels abroad, a tremulous, obstinate +little being with sporadic hairs upon his face, spectacles, a red +button nose, and aged black raiment. He was evidently enormously +impressed by my uncle’s monetary greatness, and by his own inkling of +our identity, and he shone and brimmed over with tact and fussy +helpfulness. He was eager to share the watching of the bedside with me, +he proffered services with both hands, and as I was now getting into +touch with affairs in London again, and trying to disentangle the +gigantic details of the smash from the papers I had succeeded in +getting from Biarritz, I accepted his offers pretty generously, and +began the studies in modern finance that lay before me. I had got so +out of touch with the old traditions of religion that I overlooked the +manifest possibility of his attacking my poor, sinking vestiges of an +uncle with theological solicitudes. My attention was called to that, +however, very speedily by a polite but urgent quarrel between himself +and the Basque landlady as to the necessity of her hanging a cheap +crucifix in the shadow over the bed, where it might catch my uncle’s +eye, where, indeed, I found it had caught his eye. + +“Good Lord!” I cried; “is _that_ still going on!” + +That night the little clergyman watched, and in the small hours he +raised a false alarm that my uncle was dying, and made an extraordinary +fuss. He raised the house. I shall never forget that scene, I think, +which began with a tapping at my bedroom door just after I had fallen +asleep, and his voice— + +“If you want to see your uncle before he goes, you must come now.” + +The stuffy little room was crowded when I reached it, and lit by three +flickering candles. I felt I was back in the eighteenth century. There +lay my poor uncle amidst indescribably tumbled bedclothes, weary of +life beyond measure, weary and rambling, and the little clergyman +trying to hold his hand and his attention, and repeating over and over +again: + +“Mr. Ponderevo, Mr. Ponderevo, it is all right. It is all right. + +“Only Believe! ‘Believe on me, and ye shall be saved’!” + +Close at hand was the doctor with one of those cruel and idiotic +injection needles modern science puts in the hands of these +half-educated young men, keeping my uncle flickeringly alive for no +reason whatever. The _religieuse_ hovered sleepily in the background +with an overdue and neglected dose. In addition, the landlady had not +only got up herself, but roused an aged crone of a mother and a +partially imbecile husband, and there was also a fattish, stolid man in +grey alpaca, with an air of importance—who he was and how he got there, +I don’t know. I rather fancy the doctor explained him to me in French I +did not understand. And they were all there, wearily nocturnal, hastily +and carelessly dressed, intent upon the life that flickered and sank, +making a public and curious show of its going, queer shapes of human +beings lit by three uncertain candles, and every soul of them keenly +and avidly resolved to be in at the death. The doctor stood, the others +were all sitting on chairs the landlady had brought in and arranged for +them. + +And my uncle spoilt the climax, and did not die. + +I replaced the little clergyman on the chair by the bedside, and he +hovered about the room. + +“I think,” he whispered to me mysteriously, as he gave place to me, “I +believe—it is well with him.” + +I heard him trying to render the stock phrases of Low Church piety into +French for the benefit of the stolid man in grey alpaca. Then he +knocked a glass off the table, and scrabbled for the fragments. From +the first I doubted the theory of an immediate death. I consulted the +doctor in urgent whispers. I turned round to get champagne, and nearly +fell over the clergyman’s legs. He was on his knees at the additional +chair the Basque landlady had got on my arrival, and he was praying +aloud, “Oh, Heavenly Father, have mercy on this thy Child....” I +hustled him up and out of the way, and in another minute he was down at +another chair praying again, and barring the path of the _religieuse_, +who had found me the corkscrew. Something put into my head that +tremendous blasphemy of Carlyle’s about “the last mew of a drowning +kitten.” He found a third chair vacant presently; it was as if he was +playing a game. + +“Good Heavens!” I said, “we must clear these people out,” and with a +certain urgency I did. + +I had a temporary lapse of memory, and forgot all my French. I drove +them out mainly by gesture, and opened the window, to the universal +horror. I intimated the death scene was postponed, and, as a matter of +fact, my uncle did not die until the next night. + +I did not let the little clergyman come near him again, and I was +watchful for any sign that his mind had been troubled. But he made +none. He talked once about “that parson chap.” + +“Didn’t bother you?” I asked. + +“Wanted something,” he said. + +I kept silence, listening keenly to his mutterings. I understood him to +say, “They wanted too much.” His face puckered like a child’s going to +cry. “You can’t get a safe six per cent.,” he said. I had for a moment +a wild suspicion that those urgent talks had not been altogether +spiritual, but that, I think, was a quite unworthy and unjust +suspicion. The little clergyman was as simple and honest as the day. My +uncle was simply generalising about his class. + +But it may have been these talks that set loose some long dormant +string of ideas in my uncle’s brain, ideas the things of this world had +long suppressed and hidden altogether. Near the end he suddenly became +clearminded and lucid, albeit very weak, and his voice was little, but +clear. + +“George,” he said. + +“I’m here,” I said, “close beside you.” + +“George. You have always been responsible for the science. George. You +know better than I do. Is—Is it proved?” + +“What proved?” + +“Either way?” + +“I don’t understand.” + +“Death ends all. After so much—Such splendid beginnin’s. Somewhere. +Something.” + +I stared at him amazed. His sunken eyes were very grave. + +“What do you expect?” I said in wonder. + +He would not answer. “Aspirations,” he whispered. He fell into a broken +monologue, regardless of me. “Trailing clouds of glory,” he said, and +“first-rate poet, first-rate....George was always hard. Always.” + +For a long time there was silence. + +Then he made a gesture that he wished to speak. + +“Seems to me, George” + +I bent my head down, and he tried to lift his hand to my shoulder. I +raised him a little on his pillows, and listened. + +“It seems to me, George, always—there must be something in me—that +won’t die.” + +He looked at me as though the decision rested with me. + +“I think,” he said; “—something.” + +Then, for a moment, his mind wandered. “Just a little link,” he +whispered almost pleadingly, and lay quite still, but presently he was +uneasy again. + +“Some other world” + +“Perhaps,” I said. “Who knows?” + +“Some other world.” + +“Not the same scope for enterprise,” I said. + +“No.” + +He became silent. I sat leaning down to him, and following out my own +thoughts, and presently the _religieuse_ resumed her periodic conflict +with the window fastening. For a time he struggled for breath.... It +seemed such nonsense that he should have to suffer so—poor silly little +man! + +“George,” he whispered, and his weak little hand came out. “_Perhaps_—” + +He said no more, but I perceived from the expression of his eyes that +he thought the question had been put. + +“Yes, I think so;” I said stoutly. + +“Aren’t you sure?” + +“Oh—practically sure,” said I, and I think he tried to squeeze my hand. +And there I sat, holding his hand tight, and trying to think what seeds +of immortality could be found in all his being, what sort of ghost +there was in _him_ to wander out into the bleak immensities. Queer +fancies came to me.... He lay still for a long time, save for a brief +struggle or so for breath and ever and again I wiped his mouth and +lips. + +I fell into a pit of thought. I did not remark at first the change that +was creeping over his face. He lay back on his pillow, made a faint +zzzing sound that ceased, and presently and quite quietly he +died—greatly comforted by my assurance. I do not know when he died. His +hand relaxed insensibly. Suddenly, with a start, with a shock, I found +that his mouth had fallen open, and that he was dead.... + +VIII + +It was dark night when I left his deathbed and went back to my own inn +down the straggling street of Luzon. + +That return to my inn sticks in my memory also as a thing apart, as an +experience apart. Within was a subdued bustle of women, a flitting of +lights, and the doing of petty offices to that queer, exhausted thing +that had once been my active and urgent little uncle. For me those +offices were irksome and impertinent. I slammed the door, and went out +into the warm, foggy drizzle of the village street lit by blurred +specks of light in great voids of darkness, and never a soul abroad. +That warm veil of fog produced an effect of vast seclusion. The very +houses by the roadside peered through it as if from another world. The +stillness of the night was marked by an occasional remote baying of +dogs; all these people kept dogs because of the near neighbourhood of +the frontier. + +Death! + +It was one of those rare seasons of relief, when for a little time one +walks a little outside of and beside life. I felt as I sometimes feel +after the end of a play. I saw the whole business of my uncle’s life as +something familiar and completed. It was done, like a play one leaves, +like a book one closes. I thought of the push and the promotions, the +noise of London, the crowded, various company of people through which +our lives had gone, the public meetings, the excitements, the dinners +and disputations, and suddenly it appeared to me that none of these +things existed. + +It came to me like a discovery that none of these things existed. + +Before and after I have thought and called life a phantasmagoria, but +never have I felt its truth as I did that night.... We had parted; we +two who had kept company so long had parted. But there was, I knew, no +end to him or me. He had died a dream death, and ended a dream; his +pain dream was over. It seemed to me almost as though I had died, too. +What did it matter, since it was unreality, all of it, the pain and +desire, the beginning and the end? There was no reality except this +solitary road, this quite solitary road, along which one went rather +puzzled, rather tired.... + +Part of the fog became a big mastiff that came towards me and stopped +and slunk round me, growling, barked gruffly, and shortly and presently +became fog again. + +My mind swayed back to the ancient beliefs and fears of our race. My +doubts and disbeliefs slipped from me like a loosely fitting garment. I +wondered quite simply what dogs bayed about the path of that other +walker in the darkness, what shapes, what lights, it might be, loomed +about him as he went his way from our last encounter on earth—along the +paths that are real, and the way that endures for ever? + +IX + +Last belated figure in that grouping round my uncle’s deathbed is my +aunt. When it was beyond all hope that my uncle could live I threw +aside whatever concealment remained to us and telegraphed directly to +her. But she came too late to see him living. She saw him calm and +still, strangely unlike his habitual garrulous animation, an unfamiliar +inflexibility. + +“It isn’t like him,” she whispered, awed by this alien dignity. + +I remember her chiefly as she talked and wept upon the bridge below the +old castle. We had got rid of some amateurish reporters from Biarritz, +and had walked together in the hot morning sunshine down through Port +Luzon. There, for a time, we stood leaning on the parapet of the bridge +and surveying the distant peeks, the rich blue masses of the Pyrenees. +For a long time we said nothing, and then she began talking. + +“Life’s a rum Go, George!” she began. “Who would have thought, when I +used to darn your stockings at old Wimblehurst, that this would be the +end of the story? It seems far away now—that little shop, his and my +first home. The glow of the bottles, the big coloured bottles! Do you +remember how the light shone on the mahogany drawers? The little gilt +letters! _Ol Amjig_, and _S’nap!_ I can remember it all—bright and +shining—like a Dutch picture. Real! And yesterday. And here we are in a +dream. You a man—and me an old woman, George. And poor little Teddy, +who used to rush about and talk—making that noise he did—Oh!” + +She choked, and the tears flowed unrestrained. She wept, and I was glad +to see her weeping. + +She stood leaning over the bridge; her tear-wet handkerchief gripped in +her clenched hand. + +“Just an hour in the old shop again—and him talking. Before things got +done. Before they got hold of him. And fooled him. + +“Men oughtn’t to be so tempted with business and things.... + +“They didn’t hurt him, George?” she asked suddenly. + +For a moment I was puzzled. + +“Here, I mean,” she said. + +“No,” I lied stoutly, suppressing the memory of that foolish injection +needle I had caught the young doctor using. + +“I wonder, George, if they’ll let him talk in Heaven....” + +She faced me. “Oh! George, dear, my heart aches, and I don’t know what +I say and do. Give me your arm to lean on—it’s good to have you, dear, +and lean upon you.... Yes, I know you care for me. That’s why I’m +talking. We’ve always loved one another, and never said anything about +it, and you understand, and I understand. But my heart’s torn to pieces +by this, torn to rags, and things drop out I’ve kept in it. It’s true +he wasn’t a husband much for me at the last. But he was my child, +George, he was my child and all my children, my silly child, and life +has knocked him about for me, and I’ve never had a say in the matter; +never a say; it’s puffed him up and smashed him—like an old bag—under +my eyes. I was clever enough to see it, and not clever enough to +prevent it, and all I could do was to jeer. I’ve had to make what I +could of it. Like most people. Like most of us.... But it wasn’t fair, +George. It wasn’t fair. Life and Death—great serious things—why +couldn’t they leave him alone, and his lies and ways? If _we_ could see +the lightness of it— + +“Why couldn’t they leave him alone?” she repeated in a whisper as we +went towards the inn. + + + + +CHAPTER THE SECOND +LOVE AMONG THE WRECKAGE + + +I + +When I came back I found that my share in the escape and death of my +uncle had made me for a time a notorious and even popular character. +For two weeks I was kept in London “facing the music,” as he would have +said, and making things easy for my aunt, and I still marvel at the +consideration with which the world treated me. For now it was open and +manifest that I and my uncle were no more than specimens of a modern +species of brigand, wasting the savings of the public out of the sheer +wantonness of enterprise. I think that in a way, his death produced a +reaction in my favour and my flight, of which some particulars now +appeared stuck in the popular imagination. It seemed a more daring and +difficult feat than it was, and I couldn’t very well write to the +papers to sustain my private estimate. There can be little doubt that +men infinitely prefer the appearance of dash and enterprise to simple +honesty. No one believed I was not an arch plotter in his financing. +Yet they favoured me. I even got permission from the trustee to occupy +my chalet for a fortnight while I cleared up the mass of papers, +calculations, notes of work, drawings and the like, that I left in +disorder when I started on that impulsive raid upon the Mordet quap +heaps. + +I was there alone. I got work for Cothope with the Ilchesters, for whom +I now build these destroyers. They wanted him at once, and he was short +of money, so I let him go and managed very philosophically by myself. + +But I found it hard to fix my attention on aeronautics, I had been away +from the work for a full half-year and more, a half-year crowded with +intense disconcerting things. For a time my brain refused these fine +problems of balance and adjustment altogether; it wanted to think about +my uncle’s dropping jaw, my aunt’s reluctant tears, about dead negroes +and pestilential swamps, about the evident realities of cruelty and +pain, about life and death. Moreover, it was weary with the frightful +pile of figures and documents at the Hardingham, a task to which this +raid to Lady Grove was simply an interlude. And there was Beatrice. + +On the second morning, as I sat out upon the veranda recalling memories +and striving in vain to attend to some too succinct pencil notes of +Cothope’s, Beatrice rode up suddenly from behind the pavilion, and +pulled rein and became still; Beatrice, a little flushed from riding +and sitting on a big black horse. + +I did not instantly rise. I stared at her. “_You!_” I said. + +She looked at me steadily. “Me,” she said + +I did not trouble about any civilities. I stood up and asked point +blank a question that came into my head. + +“Whose horse is that?” I said. + +She looked me in the eyes. “Carnaby’s,” she answered. + +“How did you get here—this way?” + +“The wall’s down.” + +“Down? Already?” + +“A great bit of it between the plantations.” + +“And you rode through, and got here by chance?” + +“I saw you yesterday. And I rode over to see you.” I had now come close +to her, and stood looking up into her face. + +“I’m a mere vestige,” I said. + +She made no answer, but remained regarding me steadfastly with a +curious air of proprietorship. + +“You know I’m the living survivor now of the great smash. I’m rolling +and dropping down through all the scaffolding of the social system.... +It’s all a chance whether I roll out free at the bottom, or go down a +crack into the darkness out of sight for a year or two.” + +“The sun,” she remarked irrelevantly, “has burnt you.... I’m getting +down.” + +She swung herself down into my arms, and stood beside me face to face. + +“Where’s Cothope?” she asked. + +“Gone.” + +Her eyes flitted to the pavilion and back to me. We stood close +together, extraordinarily intimate, and extraordinarily apart. + +“I’ve never seen this cottage of yours,” she said, “and I want to.” + +She flung the bridle of her horse round the veranda post, and I helped +her tie it. + +“Did you get what you went for to Africa?” she asked. + +“No,” I said, “I lost my ship.” + +“And that lost everything?” + +“Everything.” + +She walked before me into the living-room of the chalet, and I saw that +she gripped her riding-whip very tightly in her hand. She looked about +her for a moment,—and then at me. + +“It’s comfortable,” she remarked. + +Our eyes met in a conversation very different from the one upon our +lips. A sombre glow surrounded us, drew us together; an unwonted +shyness kept us apart. She roused herself, after an instant’s pause, to +examine my furniture. + +“You have chintz curtains. I thought men were too feckless to have +curtains without a woman. But, of course, your aunt did that! And a +couch and a brass fender, and—is that a pianola? That is your desk. I +thought men’s desks were always untidy, and covered with dust and +tobacco ash.” + +She flitted to my colour prints and my little case of books. Then she +went to the pianola. I watched her intently. + +“Does this thing play?” she said. + +“What?” I asked. + +“Does this thing play?” + +I roused myself from my preoccupation. + +“Like a musical gorilla with fingers all of one length. And a sort of +soul.... It’s all the world of music to me.” + +“What do you play?” + +“Beethoven, when I want to clear up my head while I’m working. He +is—how one would always like to work. Sometimes Chopin and those +others, but Beethoven. Beethoven mainly. Yes.” + +Silence again between us. She spoke with an effort. + +“Play me something.” She turned from me and explored the rack of music +rolls, became interested and took a piece, the first part of the +Kreutzer Sonata, hesitated. “No,” she said, “that!” + +She gave me Brahms’ Second Concerto, Op. 58, and curled up on the sofa +watching me as I set myself slowly to play.... + +“I say,” he said when I had done, “that’s fine. I didn’t know those +things could play like that. I’m all astir...” + +She came and stood over me, looking at me. “I’m going to have a +concert,” she said abruptly, and laughed uneasily and hovered at the +pigeon-holes. “Now—now what shall I have?” She chose more of Brahms. +Then we came to the Kreutzer Sonata. It is queer how Tolstoy has loaded +that with suggestions, debauched it, made it a scandalous and intimate +symbol. When I had played the first part of that, she came up to the +pianola and hesitated over me. I sat stiffly—waiting. + +Suddenly she seized my downcast head and kissed my hair. She caught at +my face between her hands and kissed my lips. I put my arms about her +and we kissed together. I sprang to my feet and clasped her. + +“Beatrice!” I said. “Beatrice!” + +“My dear,” she whispered, nearly breathless, with her arms about me. +“Oh! my dear!” + +II + +Love, like everything else in this immense process of social +disorganisation in which we live, is a thing adrift, a fruitless thing +broken away from its connexions. I tell of this love affair here +because of its irrelevance, because it is so remarkable that it should +mean nothing, and be nothing except itself. It glows in my memory like +some bright casual flower starting up amidst the _débris_ of a +catastrophe. For nearly a fortnight we two met and made love together. +Once more this mighty passion, that our aimless civilisation has +fettered and maimed and sterilised and debased, gripped me and filled +me with passionate delights and solemn joys—that were all, you know, +futile and purposeless. Once more I had the persuasion “This matters. +Nothing else matters so much as this.” We were both infinitely grave in +such happiness as we had. I do not remember any laughter at all between +us. + +Twelve days it lasted from that encounter in my chalet until our +parting. + +Except at the end, they were days of supreme summer, and there was a +waxing moon. We met recklessly day by day. We were so intent upon each +other at first so intent upon expressing ourselves to each other, and +getting at each other, that we troubled very little about the +appearance of our relationship. We met almost openly.... We talked of +ten thousand things, and of ourselves. We loved. We made love. There is +no prose of mine that can tell of hours transfigured. The facts are +nothing. Everything we touched, the meanest things, became glorious. +How can I render bare tenderness and delight and mutual possession? I +sit here at my desk thinking of untellable things. + +I have come to know so much of love that I know now what love might be. +We loved, scarred and stained; we parted—basely and inevitably, but at +least I met love. + +I remember as we sat in a Canadian canoe, in a reedy, bush-masked +shallow we had discovered operating out of that pine-shaded Woking +canal, how she fell talking of the things that happened to her before +she met me again.... + +She told me things, and they so joined and welded together other things +that lay disconnected in my memory, that it seemed to me I had always +known what she told me. And yet indeed I had not known nor suspected +it, save perhaps for a luminous, transitory suspicion ever and again. + +She made me see how life had shaped her. She told me of her girlhood +after I had known her. “We were poor and pretending and managing. We +hacked about on visits and things. I ought to have married. The chances +I had weren’t particularly good chances. I didn’t like ’em.” + +She paused. “Then Carnaby came along.” + +I remained quite still. She spoke now with downcast eyes, and one +finger just touching the water. + +“One gets bored, bored beyond redemption. One does about to these huge +expensive houses I suppose—the scale’s immense. One makes one’s self +useful to the other women, and agreeable to the men. One has to +dress.... One has food and exercise and leisure, It’s the leisure, and +the space, and the blank opportunity it seems a sin not to fill. +Carnaby isn’t like the other men. He’s bigger.... They go about making +love. Everybody’s making love. I did.... And I don’t do things by +halves.” + +She stopped. + +“You knew?”—she asked, looking up, quite steadily. I nodded. + +“Since when?” + +“Those last days.... It hasn’t seemed to matter really. I was a little +surprised.” + +She looked at me quietly. “Cothope knew,” she said. “By instinct. I +could feel it.” + +“I suppose,” I began, “once, this would have mattered immensely. Now—” + +“Nothing matters,” she said, completing me. “I felt I had to tell you. +I wanted you to understand why I didn’t marry you—with both hands. I +have loved you”—she paused—“have loved you ever since the day I kissed +you in the bracken. Only—I forgot.” + +And suddenly she dropped her face upon her hands, and sobbed +passionately— + +“I forgot—I forgot,” she cried, and became still.... + +I dabbled my paddle in the water. “Look here!” I said; “forget again! +Here am I—a ruined man. Marry me.” + +She shook her head without looking up. + +We were still for a long time. “Marry me!” I whispered. + +She looked up, twined back a whisp of hair, and answered +dispassionately— + +“I wish I could. Anyhow, we have had this time. It has been a fine +time—has it been—for you also? I haven’t nudged you all I had to give. +It’s a poor gift—except for what it means and might have been. But we +are near the end of it now.” + +“Why?” I asked. “Marry me! Why should we two—” + +“You think,” she said, “I could take courage and come to you and be +your everyday wife—while you work and are poor?” + +“Why not?” said I. + +She looked at me gravely, with extended finger. “Do you really think +that—of me? Haven’t you seen me—all?” + +I hesitated. + +“Never once have I really meant marrying you,” she insisted. “Never +once. I fell in love with you from the first. But when you seemed a +successful man, I told myself I wouldn’t. I was love-sick for you, and +you were so stupid, I came near it then. But I knew I wasn’t good +enough. What could I have been to you? A woman with bad habits and bad +associations, a woman smirched. And what could I do for you or be to +you? If I wasn’t good enough to be a rich man’s wife, I’m certainly not +good enough to be a poor one’s. Forgive me for talking sense to you +now, but I wanted to tell you this somehow.” + +She stopped at my gesture. I sat up, and the canoe rocked with my +movement. + +“I don’t care,” I said. “I want to marry you and make you my wife!” + +“No,” she said, “don’t spoil things. That is impossible!” + +“Impossible!” + +“Think! I can’t do my own hair! Do you mean you will get me a maid?” + +“Good God!” I cried, disconcerted beyond measure, “won’t you learn to +do your own hair for me? Do you mean to say you can love a man—” + +She flung out her hands at me. “Don’t spoil it,” she cried. “I have +given you all I have, I have given you all I can. If I could do it, if +I was good enough to do it, I would. But I am a woman spoilt and +ruined, dear, and you are a ruined man. When we are making love we’re +lovers—but think of the gulf between us in habits and ways of thought, +in will and training, when we are not making love. Think of it—and +don’t think of it! Don’t think of it yet. We have snatched some hours. +We still may have some hours!” + +She suddenly knelt forward toward me, with a glowing darkness in her +eyes. “Who cares if it upsets?” she cried. “If you say another word I +will kiss you. And go to the bottom clutching you. + +“I’m not afraid of that. I’m not a bit afraid of that. I’ll die with +you. Choose a death, and I’ll die with you—readily. Do listen to me! I +love you. I shall always love you. It’s because I love you that I won’t +go down to become a dirty familiar thing with you amidst the grime. +I’ve given all I can. I’ve had all I can.... Tell me,” and she crept +nearer, “have I been like the dusk to you, like the warm dusk? Is there +magic still? Listen to the ripple of water from your paddle. Look at +the warm evening light in the sky. Who cares if the canoe upsets? Come +nearer to me. Oh, my love! come near! So.” + +She drew me to her and our lips met. + +III + +I asked her to marry me once again. + +It was our last morning together, and we had met very early, about +sunrise, knowing that we were to part. No sun shone that day. The sky +was overcast, the morning chilly and lit by a clear, cold, spiritless +light. A heavy dampness in the air verged close on rain. When I think +of that morning, it has always the quality of greying ashes wet with +rain. + +Beatrice too had changed. The spring had gone out of her movement; it +came to me, for the first time, that some day she might grow old. She +had become one flesh with the rest of common humanity; the softness had +gone from her voice and manner, the dusky magic of her presence had +gone. I saw these things with perfect clearness, and they made me sorry +for them and for her. But they altered my love not a whit, abated it +nothing. And when we had talked awkwardly for half a dozen sentences, I +came dully to my point. + +“And now,” I cried, “will you marry me?” + +“No,” she said, “I shall keep to my life here.” + +I asked her to marry me in a year’s time. She shook her head. + +“This world is a soft world,” I said, “in spite of my present +disasters. I know now how to do things. If I had you to work for—in a +year I could be a prosperous man.” + +“No,” she said, “I will put it brutally, I shall go back to Carnaby.” + +“But—!” I did not feel angry. I had no sort of jealousy, no wounded +pride, no sense of injury. I had only a sense of grey desolation, of +hopeless cross-purposes. + +“Look here,” she said. “I have been awake all night and every night. I +have been thinking of this—every moment when we have not been together. +I’m not answering you on an impulse. I love you. I love you. I’ll say +that over ten thousand times. But here we are—” + +“The rest of life together,” I said. + +“It wouldn’t be together. Now we are together. Now we have been +together. We are full of memories I do not feel I can ever forget a +single one.” + +“Nor I.” + +“And I want to close it and leave it at that. You see, dear, what else +is there to do?” + +She turned her white face to me. “All I know of love, all I have ever +dreamt or learnt of love I have packed into these days for you. You +think we might live together and go on loving. No! For you I will have +no vain repetitions. You have had the best and all of me. Would you +have us, after this, meet again in London or Paris or somewhere, +scuffle to some wretched dressmaker’s, meet in a _cabinet +particulier?_” + +“No,” I said. “I want you to marry me. I want you to play the game of +life with me as an honest woman should. Come and live with me. Be my +wife and squaw. Bear me children.” + +I looked at her white, drawn face, and it seemed to me I might carry +her yet. I spluttered for words. + +“My God! Beatrice!” I cried; “but this is cowardice and folly! Are +_you_ afraid of life? You of all people! What does it matter what has +been or what we were? Here we are with the world before us! Start clean +and new with me. We’ll fight it through! I’m not such a simple lover +that I’ll not tell you plainly when you go wrong, and fight our +difference out with you. It’s the one thing I want, the one thing I +need—to have you, and more of you and more! This love-making—it’s +love-making. It’s just a part of us, an incident—” + +She shook her head and stopped me abruptly. “It’s all,” she said. + +“All!” I protested. + +“I’m wiser than you. Wiser beyond words.” She turned her eyes to me and +they shone with tears. + +“I wouldn’t have you say anything—but what you’re saying,” she said. +“But it’s nonsense, dear. You know it’s nonsense as you say it.” + +I tried to keep up the heroic note, but she would not listen to it. + +“It’s no good,” she cried almost petulantly. “This little world has +made us what we are. Don’t you see—don’t you see what I am? I can make +love. I can make love and be loved, prettily. Dear, don’t blame me. I +have given you all I have. If I had anything more—I have gone through +it all over and over again—thought it out. This morning my head aches, +my eyes ache. + +“The light has gone out of me and I am a sick and tired woman. But I’m +talking wisdom—bitter wisdom. I couldn’t be any sort of helper to you, +any sort of wife, any sort of mother. I’m spoilt. + +“I’m spoilt by this rich idle way of living, until every habit is +wrong, every taste wrong. The world is wrong. People can be ruined by +wealth just as much as by poverty. Do you think I wouldn’t face life +with you if I could, if I wasn’t absolutely certain I should be down +and dragging in the first half-mile of the journey? Here I am—damned! +Damned! But I won’t damn you. You know what I am! You know. You are too +clear and simple not to know the truth. You try to romance and hector, +but you know the truth. I am a little cad—sold and done. I’m—. My dear, +you think I’ve been misbehaving, but all these days I’ve been on my +best behaviour.... You don’t understand, because you’re a man. + +“A woman, when she’s spoilt, is _spoilt_. She’s dirty in grain. She’s +done.” + +She walked on weeping. + +“You’re a fool to want me,” she said. “You’re a fool to want me—for my +sake just as much as yours. We’ve done all we can. It’s just +romancing—” + +She dashed the tears from her eyes and turned upon me. “Don’t you +understand?” she challenged. “Don’t you know?” + +We faced one another in silence for a moment. + +“Yes,” I said, “I know.” + +For a long time we spoke never a word, but walked on together, slowly +and sorrowfully, reluctant to turn about towards our parting. When at +last we did, she broke silence again. + +“I’ve had you,” she said. + +“Heaven and hell,” I said, “can’t alter that.” + +“I’ve wanted—” she went on. “I’ve talked to you in the nights and made +up speeches. Now when I want to make them I’m tongue-tied. But to me +it’s just as if the moments we have had lasted for ever. Moods and +states come and go. To-day my light is out...” + +To this day I cannot determine whether she said or whether I imagined +she said “chloral.” Perhaps a half-conscious diagnosis flashed it on my +brain. Perhaps I am the victim of some perverse imaginative freak of +memory, some hinted possibility that scratched and seared. There the +word stands in my memory, as if it were written in fire. + +We came to the door of Lady Osprey’s garden at last, and it was +beginning to drizzle. + +She held out her hands and I took them. + +“Yours,” she said, in a weary unimpassioned voice; “all that I had—such +as it was. Will you forget?” + +“Never,” I answered. + +“Never a touch or a word of it?” + +“No.” + +“You will,” she said. + +We looked at one another in silence, and her face full of fatigue and +misery. + +What could I do? What was there to do? + +“I wish—” I said, and stopped. + +“Good-bye.” + +IV + +That should have been the last I saw of her, but, indeed, I was +destined to see her once again. Two days after I was at Lady Grove, I +forget altogether upon what errand, and as I walked back to the station +believing her to be gone away she came upon me, and she was riding with +Carnaby, just as I had seen them first. The encounter jumped upon us +unprepared. She rode by, her eyes dark in her white face, and scarcely +noticed me. She winced and grew stiff at the sight of me and bowed her +head. But Carnaby, because he thought I was a broken and discomfited +man, saluted me with an easy friendliness, and shouted some genial +commonplace to me. + +They passed out of sight and left me by the roadside.... + +And then, indeed, I tasted the ultimate bitterness of life. For the +first time I felt utter futility, and was wrung by emotion that begot +no action, by shame and pity beyond words. I had parted from her dully +and I had seen my uncle break and die with dry eyes and a steady mind, +but this chance sight of my lost Beatrice brought me to tears. My face +was wrung, and tears came pouring down my cheeks. All the magic she had +for me had changed to wild sorrow. “Oh God!” I cried, “this is too +much,” and turned my face after her and made appealing gestures to the +beech trees and cursed at fate. I wanted to do preposterous things, to +pursue her, to save her, to turn life back so that she might begin +again. I wonder what would have happened had I overtaken them in +pursuit, breathless with running, uttering incoherent words, weeping, +expostulatory. I came near to doing that. + +There was nothing in earth or heaven to respect my curses or weeping. +In the midst of it a man who had been trimming the opposite hedge +appeared and stared at me. + +Abruptly, ridiculously, I dissembled before him and went on and caught +my train.... + +But the pain I felt then I have felt a hundred times; it is with me as +I write. It haunts this book, I see, that is what haunts this book, +from end to end. + + + + +CHAPTER THE THIRD +NIGHT AND THE OPEN SEA + + +I + +I have tried throughout all this story to tell things as they happened +to me. In the beginning—the sheets are still here on the table, grimy +and dogs-eared and old-looking—I said I wanted to tell _myself_ and the +world in which I found myself, and I have done my best. But whether I +have succeeded I cannot imagine. All this writing is grey now and dead +and trite and unmeaning to me; some of it I know by heart. I am the +last person to judge it. + +As I turn over the big pile of manuscript before me certain things +become clearer to me, and particularly the immense inconsequences of my +experiences. It is, I see now that I have it all before me, a story of +activity and urgency and sterility. I have called it _Tono-Bungay_, but +I had far better have called it _Waste_. I have told of childless +Marion, of my childless aunt, of Beatrice wasted and wasteful and +futile. What hope is there for a people whose women become fruitless? I +think of all the energy I have given to vain things. I think of my +industrious scheming with my uncle, of Crest Hill’s vast cessation, of +his resonant strenuous career. Ten thousand men have envied him and +wished to live as he lived. It is all one spectacle of forces running +to waste, of people who use and do not replace, the story of a country +hectic with a wasting aimless fever of trade and money-making and +pleasure-seeking. And now I build destroyers! + +Other people may see this country in other terms; this is how I have +seen it. In some early chapter in this heap I compared all our present +colour and abundance to October foliage before the frosts nip down the +leaves. That I still feel was a good image. Perhaps I see wrongly. It +may be I see decay all about me because I am, in a sense, decay. To +others it may be a scene of achievement and construction radiant with +hope. I, too, have a sort of hope, but it is a remote hope, a hope that +finds no promise in this Empire or in any of the great things of our +time. + +How they will look in history I do not know, how time and chance will +prove them I cannot guess; that is how they have mirrored themselves on +one contemporary mind. + +II + +Concurrently with writing the last chapter of this book I have been +much engaged by the affairs of a new destroyer we have completed. It +has been an oddly complementary alternation of occupations. Three weeks +or so ago this novel had to be put aside in order that I might give all +my time day and night to the fitting and finishing of the engines. Last +Thursday X 2, for so we call her, was done and I took her down the +Thames and went out nearly to Texel for a trial of speed. + +It is curious how at times one’s impressions will all fuse and run +together into a sort of unity and become continuous with things that +have hitherto been utterly alien and remote. That rush down the river +became mysteriously connected with this book. + +As I passed down the Thames I seemed in a new and parallel manner to be +passing all England in review. I saw it then as I had wanted my readers +to see it. The thought came to me slowly as I picked my way through the +Pool; it stood out clear as I went dreaming into the night out upon the +wide North Sea. + +It wasn’t so much thinking at the time as a sort of photographic +thought that came and grew clear. X2 went ripping through the dirty +oily water as scissors rip through canvas, and the front of my mind was +all intent with getting her through under the bridges and in and out +among the steam-boats and barges and rowing-boats and piers. I lived +with my hands and eyes hard ahead. I thought nothing then of any +appearances but obstacles, but for all that the back of my mind took +the photographic memory of it complete and vivid.... + +“This,” it came to me, “is England. That is what I wanted to give in my +book. This!” + +We started in the late afternoon. We throbbed out of our yard above +Hammersmith Bridge, fussed about for a moment, and headed down stream. +We came at an easy rush down Craven Reach, past Fulham and Hurlingham, +past the long stretches of muddy meadow And muddy suburb to Battersea +and Chelsea, round the cape of tidy frontage that is Grosvenor Road and +under Vauxhall Bridge, and Westminster opened before us. We cleared a +string of coal barges and there on the left in the October sunshine +stood the Parliament houses, and the flag was flying and Parliament was +sitting. + +I saw it at the time unseeingly; afterwards it came into my mind as the +centre of the whole broad panoramic effect of that afternoon. The stiff +square lace of Victorian Gothic with its Dutch clock of a tower came +upon me suddenly and stared and whirled past in a slow half pirouette +and became still, I know, behind me as if watching me recede. “Aren’t +you going to respect me, then?” it seemed to say. + +Not I! There in that great pile of Victorian architecture the landlords +and the lawyers, the bishops, the railway men and the magnates of +commerce go to and fro—in their incurable tradition of commercialised +Bladesovery, of meretricious gentry and nobility sold for riches. I +have been near enough to know. The Irish and the Labour-men run about +among their feet, making a fuss, effecting little, they’ve got no +better plans that I can see. Respect it indeed! There’s a certain +paraphernalia of dignity, but whom does it deceive? The King comes down +in a gilt coach to open the show and wears long robes and a crown; and +there’s a display of stout and slender legs in white stockings and +stout and slender legs in black stockings and artful old gentlemen in +ermine. I was reminded of one congested afternoon I had spent with my +aunt amidst a cluster of agitated women’s hats in the Royal Gallery of +the House of Lords and how I saw the King going to open Parliament, and +the Duke of Devonshire looking like a gorgeous pedlar and terribly +bored with the cap of maintenance on a tray before him hung by slings +from his shoulder. A wonderful spectacle! + +It is quaint, no doubt, this England—it is even dignified in places—and +full of mellow associations. That does not alter the quality of the +realities these robes conceal. The realities are greedy trade, base +profit—seeking, bold advertisement; and kingship and chivalry, spite of +this wearing of treasured robes, are as dead among it all as that +crusader my uncle championed against the nettles outside the Duffield +church. + +I have thought much of that bright afternoon’s panorama. + +To run down the Thames so is to run one’s hand over the pages in the +book of England from end to end. One begins in Craven Reach and it is +as if one were in the heart of old England. Behind us are Kew and +Hampton Court with their memories of Kings and Cardinals, and one runs +at first between Fulham’s episcopal garden parties and Hurlingham’s +playground for the sporting instinct of our race. The whole effect is +English. There is space, there are old trees and all the best qualities +of the home-land in that upper reach. Putney, too, looks Anglican on a +dwindling scale. And then for a stretch the newer developments slop +over, one misses Bladesover and there come first squalid stretches of +mean homes right and left and then the dingy industrialism of the south +side, and on the north bank the polite long front of nice houses, +artistic, literary, administrative people’s residences, that stretches +from Cheyne Walk nearly to Westminster and hides a wilderness of slums. +What a long slow crescendo that is, mile after mile, with the houses +crowding closelier, the multiplying succession of church towers, the +architectural moments, the successive bridges, until you come out into +the second movement of the piece with Lambeth’s old palace under your +quarter and the houses of Parliament on your bow! Westminster Bridge is +ahead of you then, and through it you flash, and in a moment the +round-faced clock tower cranes up to peer at you again and New Scotland +Yard squares at you, a fat beef-eater of a policeman disguised +miraculously as a Bastille. + +For a stretch you have the essential London; you have Charing Cross +railway station, heart of the world, and the Embankment on the north +side with its new hotels overshadowing its Georgian and Victorian +architecture, and mud and great warehouses and factories, chimneys, +shot towers, advertisements on the south. The northward skyline grows +more intricate and pleasing, and more and more does one thank God for +Wren. Somerset House is as picturesque as the civil war, one is +reminded again of the original England, one feels in the fretted sky +the quality of Restoration Lace. + +And then comes Astor’s strong box and the lawyers’ Inns. + +(I had a passing memory of myself there, how once I had trudged along +the Embankment westward, weighing my uncle’s offer of three hundred +pounds a year....) + +Through that central essential London reach I drove, and X2 bored her +nose under the foam regardless of it all like a black hound going +through reeds—on what trail even I who made her cannot tell. + +And in this reach, too, one first meets the seagulls and is reminded of +the sea. Blackfriars one takes—just under these two bridges and just +between them is the finest bridge moment in the world—and behold, +soaring up, hanging in the sky over a rude tumult of warehouses, over a +jostling competition of traders, irrelevantly beautiful and altogether +remote, Saint Paul’s! “Of course!” one says, “Saint Paul’s!” It is the +very figure of whatever fineness the old Anglican culture achieved, +detached, a more dignified and chastened Saint Peter’s, colder, greyer, +but still ornate; it has never been over thrown, never disavowed, only +the tall warehouses and all the roar of traffic have forgotten it, +every one has forgotten it; the steamships, the barges, go heedlessly +by regardless of it, intricacies of telephone wires and poles cut +blackly into its thin mysteries, and presently, when in a moment the +traffic permits you and you look round for it, it has dissolved like a +cloud into the grey blues of the London sky. + +And then the traditional and ostensible England falls from you +altogether. The third movement begins, the last great movement in the +London symphony, in which the trim scheme of the old order is +altogether dwarfed and swallowed up. Comes London Bridge, and the great +warehouses tower up about you, waving stupendous cranes, the gulls +circle and scream in your ears, large ships lie among their lighters, +and one is in the port of the world. Again and again in this book I +have written of England as a feudal scheme overtaken by fatty +degeneration and stupendous accidents of hypertrophy. + +For the last time I must strike that note as the memory of the dear +neat little sunlit ancient Tower of London lying away in a gap among +the warehouses comes back to me, that little accumulation of buildings +so provincially pleasant and dignified, overshadowed by the vulgarest, +most typical exploit of modern England, the sham Gothic casings to the +ironwork of the Tower Bridge. That Tower Bridge is the very balance and +confirmation of Westminster’s dull pinnacles and tower. That sham +Gothic bridge; in the very gates of our mother of change, the Sea! + +But after that one is in a world of accident and nature. For the third +part of the panorama of London is beyond all law, order, and +precedence; it is the seaport and the sea. One goes down the widening +reaches through a monstrous variety of shipping, great steamers, great +sailing-ships, trailing the flags of all the world, a monstrous +confusion of lighters, witches’ conferences of brown-sailed barges, +wallowing tugs, a tumultuous crowding and jostling of cranes and spars, +and wharves and stores, and assertive inscriptions. Huge vistas of dock +open right and left of one, and here and there beyond and amidst it all +are church towers, little patches of indescribably old-fashioned and +worn-out houses, riverside pubs and the like, vestiges of townships +that were long since torn to fragments and submerged in these new +growths. And amidst it all no plan appears, no intention, no +comprehensive desire. That is the very key of it all. Each day one +feels that the pressure of commerce and traffic grew, grew insensibly +monstrous, and first this man made a wharf and that erected a crane, +and then this company set to work and then that, and so they jostled +together to make this unassimilable enormity of traffic. Through it we +dodged and drove eager for the high seas. + +I remember how I laughed aloud at the glimpse of the name of a London +County Council steamboat that ran across me. _Caxton_ it was called, +and another was _Pepys_, and another was _Shakespeare_. They seemed so +wildly out of place, splashing about in that confusion. One wanted to +take them out and wipe them and put them back in some English +gentleman’s library. Everything was alive about them, flash ing, +splashing, and passing, ships moving, tugs panting, hawsers taut, +barges going down with men toiling at the sweeps, the water all a-swirl +with the wash of shipping, scaling into millions of little wavelets, +curling and frothing under the whip of the unceasing wind. Past it all +we drove. And at Greenwich to the south, you know, there stands a fine +stone frontage where all the victories are recorded in a Painted Hall, +and beside it is the “Ship” where once upon a time those gentlemen of +Westminster used to have an annual dinner—before the port of London got +too much for them altogether. The old façade of the Hospital was just +warming to the sunset as we went by, and after that, right and left, +the river opened, the sense of the sea increased and prevailed, reach +after reach from Northfleet to the Nore. + +And out you come at last with the sun behind you into the eastern sea. +You speed up and tear the oily water louder and faster, siroo, +siroo-swish-siroo, and the hills of Kent—over which I once fled from +the Christian teachings of Nicodemus Frapp—fall away on the right hand +and Essex on the left. They fall away and vanish into blue haze, and +the tall slow ships behind the tugs, scarce moving ships and wallowing +sturdy tugs, are all wrought of wet gold as one goes frothing by. They +stand out, bound on strange missions of life and death, to the killing +of men in unfamiliar lands. And now behind us is blue mystery and the +phantom flash of unseen lights, and presently even these are gone, and +I and my destroyer tear out to the unknown across a great grey space. +We tear into the great spaces of the future and the turbines fall to +talking in unfamiliar tongues. Out to the open we go, to windy freedom +and trackless ways. Light after light goes down. England and the +Kingdom, Britain and the Empire, the old prides and the old devotions, +glide abeam, astern, sink down upon the horizon, pass—pass. The river +passes—London passes, England passes... + +III + +This is the note I have tried to emphasise, the note that sounds clear +in my mind when I think of anything beyond the purely personal aspects +of my story. + +It is a note of crumbling and confusion, of change and seemingly +aimless swelling, of a bubbling up and medley of futile loves and +sorrows. But through the confusion sounds another note. Through the +confusion something drives, something that is at once human achievement +and the most inhuman of all existing things. Something comes out of +it.... How can I express the values of a thing at once so essential and +so immaterial. It is something that calls upon such men as I with an +irresistible appeal. + +I have figured it in my last section by the symbol of my destroyer, +stark and swift, irrelevant to most human interests. Sometimes I call +this reality Science, sometimes I call it Truth. But it is something we +draw by pain and effort ont of the heart of life, that we disentangle +and make clear. Other men serve it, I know, in art, in literature, in +social invention, and see it in a thousand different figures, under a +hundred names. I see it always as austerity, as beauty. This thing we +make clear is the heart of life. It is the one enduring thing. Men and +nations, epochs and civilisation pass each making its contribution I do +not know what it is, this something, except that it is supreme. It is, +a something, a quality, an element, one may find now in colours, now in +norms, now in sounds, now in thoughts. It emerges from life with each +year one lives and feels, and generation by generation and age by age, +but the how and why of it are all beyond the compass of my mind.... + +Yet the full sense of it was with me all that night as I drove, lonely +above the rush and murmur of my engines, out upon the weltering circle +of the sea. + +Far out to the northeast there came the flicker of a squadron of +warships waving white swords of light about the sky. I kept them +hull-down, and presently they were mere summer lightning over the +watery edge of the globe.... I fell into thought that was nearly +formless, into doubts and dreams that have no words, and it seemed good +to me to drive ahead and on and or through the windy starlight, over +the long black waves. + +IV + +It was morning and day before I returned with the four sick and +starving journalists who had got permission to come with me, up the +shining river, and past the old grey Tower.... + +I recall the back views of those journalists very distinctly, going +with a certain damp weariness of movement, along a side street away +from the river. They were good men and bore me no malice, and they +served me up to the public in turgid degenerate Kiplingese, as a modest +button on the complacent stomach of the Empire. Though as a matter of +fact, X2 isn’t intended for the empire, or indeed for the hands of any +European power. We offered it to our own people first, but they would +have nothing to do with me, and I have long since ceased to trouble +much about such questions. I have come to see myself from the outside, +my country from the outside—without illusions. We make and pass. + +We are all things that make and pass striving upon a hidden mission, +out to the open sea. + + + + +*** END OF THE PROJECT GUTENBERG EBOOK TONO-BUNGAY *** + +***** This file should be named 718-0.txt or 718-0.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/7/1/718/ + +Updated editions will replace the previous one--the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the +United States without permission and without paying copyright +royalties. 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Wells</div> +<div style='display:block; margin:1em 0'> +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online +at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you +are not located in the United States, you will have to check the laws of the +country where you are located before using this eBook. +</div> +<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Tono-Bungay</div> +<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: H.G. Wells</div> +<div style='display:block;margin:1em 0'>Release Date: November, 1996 [eBook #718]<br /> +[Most recently updated: March 23, 2021]</div> +<div style='display:block;margin:1em 0'>Language: English</div> +<div style='display:block;margin:1em 0'>Character set encoding: UTF-8</div> +<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: John Bean; Diane Bean and David Widger</div> +<div style='margin-top:2em;margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK TONO-BUNGAY ***</div> + +<div class="fig" style="width:55%;"> +<img src="images/cover.jpg" style="width:100%;" alt="[Illustration]" /> +</div> + +<h1>Tono-Bungay</h1> + +<h2 class="no-break">by H.G. Wells</h2> + +<hr /> + +<h2>Contents</h2> + +<table summary="" style=""> + +<tr> +<td> <a href="#book01"><b>BOOK THE FIRST</b></a></td> +</tr> + +<tr> +<td> <a href="#chap01">CHAPTER THE FIRST</a></td> +</tr> + +<tr> +<td> <a href="#chap02">CHAPTER THE SECOND</a></td> +</tr> + +<tr> +<td> <a href="#chap03">CHAPTER THE THIRD</a><br /><br /></td> +</tr> + +<tr> +<td> <a href="#book02"><b>BOOK THE SECOND</b></a></td> +</tr> + +<tr> +<td> <a href="#chap04">CHAPTER THE FIRST</a></td> +</tr> + +<tr> +<td> <a href="#chap05">CHAPTER THE SECOND</a></td> +</tr> + +<tr> +<td> <a href="#chap06">CHAPTER THE THIRD</a></td> +</tr> + +<tr> +<td> <a href="#chap07">CHAPTER THE FOURTH</a><br /><br /></td> +</tr> + +<tr> +<td> <a href="#book03"><b>BOOK THE THIRD</b></a></td> +</tr> + +<tr> +<td> <a href="#chap08">CHAPTER THE FIRST</a></td> +</tr> + +<tr> +<td> <a href="#chap09">CHAPTER THE SECOND</a></td> +</tr> + +<tr> +<td> <a href="#chap10">CHAPTER THE THIRD</a></td> +</tr> + +<tr> +<td> <a href="#chap11">CHAPTER THE FOURTH</a><br /><br /></td> +</tr> + +<tr> +<td> <a href="#book04"><b>BOOK THE FOURTH</b></a></td> +</tr> + +<tr> +<td> <a href="#chap12">CHAPTER THE FIRST</a></td> +</tr> + +<tr> +<td> <a href="#chap13">CHAPTER THE SECOND</a></td> +</tr> + +<tr> +<td> <a href="#chap14">CHAPTER THE THIRD</a></td> +</tr> + +</table> + +<hr /> + +<div class="chapter"> + +<h2><a name="book01"></a>BOOK THE FIRST<br /> +THE DAYS BEFORE TONO-BUNGAY WAS INVENTED</h2> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap01"></a>CHAPTER THE FIRST<br /> +OF BLADESOVER HOUSE, AND MY MOTHER; AND THE CONSTITUTION OF SOCIETY</h3> + +<h4>I</h4> + +<p> +Most people in this world seem to live “in character”; they have a +beginning, a middle and an end, and the three are congruous one with another +and true to the rules of their type. You can speak of them as being of this +sort of people or that. They are, as theatrical people say, no more (and no +less) than “character actors.” They have a class, they have a +place, they know what is becoming in them and what is due to them, and their +proper size of tombstone tells at last how properly they have played the part. +But there is also another kind of life that is not so much living as a +miscellaneous tasting of life. One gets hit by some unusual transverse force, +one is jerked out of one’s stratum and lives crosswise for the rest of +the time, and, as it were, in a succession of samples. That has been my lot, +and that is what has set me at last writing something in the nature of a novel. +I have got an unusual series of impressions that I want very urgently to tell. +I have seen life at very different levels, and at all these levels I have seen +it with a sort of intimacy and in good faith. I have been a native in many +social countries. I have been the unwelcome guest of a working baker, my +cousin, who has since died in the Chatham infirmary; I have eaten illegal +snacks—the unjustifiable gifts of footmen—in pantries, and been +despised for my want of style (and subsequently married and divorced) by the +daughter of a gasworks clerk; and—to go to my other extreme—I was +once—oh, glittering days!—an item in the house-party of a countess. +She was, I admit, a countess with a financial aspect, but still, you know, a +countess. I’ve seen these people at various angles. At the dinner-table +I’ve met not simply the titled but the great. On one occasion—it is +my brightest memory—I upset my champagne over the trousers of the +greatest statesman in the empire—Heaven forbid I should be so invidious +as to name him!—in the warmth of our mutual admiration. +</p> + +<p> +And once (though it is the most incidental thing in my life) I murdered a +man.... +</p> + +<p> +Yes, I’ve seen a curious variety of people and ways of living altogether. +Odd people they all are great and small, very much alike at bottom and +curiously different on their surfaces. I wish I had ranged just a little +further both up and down, seeing I have ranged so far. Royalty must be worth +knowing and very great fun. But my contacts with princes have been limited to +quite public occasions, nor at the other end of the scale have I had what I +should call an inside acquaintance with that dusty but attractive class of +people who go about on the high-roads drunk but <i>en famille</i> (so redeeming +the minor lapse), in the summertime, with a perambulator, lavender to sell, +sun-brown children, a smell, and ambiguous bundles that fire the imagination. +Navvies, farm-labourers, sailormen and stokers, all such as sit in 1834 +beer-houses, are beyond me also, and I suppose must remain so now for ever. My +intercourse with the ducal rank too has been negligible; I once went shooting +with a duke, and in an outburst of what was no doubt snobbishness, did my best +to get him in the legs. But that failed. +</p> + +<p> +I’m sorry I haven’t done the whole lot though.... +</p> + +<p> +You will ask by what merit I achieved this remarkable social range, this +extensive cross-section of the British social organism. It was the Accident of +Birth. It always is in England. Indeed, if I may make the remark so cosmic, +everything is. But that is by the way. I was my uncle’s nephew, and my +uncle was no less a person than Edward Ponderevo, whose comet-like transit of +the financial heavens happened—it is now ten years ago! Do you remember +the days of Ponderevo, the <i>great</i> days, I mean, of Ponderevo? Perhaps you +had a trifle in some world-shaking enterprise! Then you know him only too well. +Astraddle on Tono-Bungay, he flashed athwart the empty heavens—like a +comet—rather, like a stupendous rocket!—and overawed investors +spoke of his star. At his zenith he burst into a cloud of the most magnificent +promotions. What a time that was! The Napoleon of domestic conveniences! +</p> + +<p> +I was his nephew, his peculiar and intimate nephew. I was hanging on to his +coat-tails all the way through. I made pills with him in the chemist’s +shop at Wimblehurst before he began. I was, you might say, the stick of his +rocket; and after our tremendous soar, after he had played with millions, a +golden rain in the sky, after my bird’s-eye view of the modern world, I +fell again, a little scarred and blistered perhaps, two and twenty years older, +with my youth gone, my manhood eaten in upon, but greatly edified, into this +Thames-side yard, into these white heats and hammerings, amidst the fine +realites of steel—to think it all over in my leisure and jot down the +notes and inconsecutive observations that make this book. It was more, you +know, than a figurative soar. The zenith of that career was surely our flight +across the channel in the Lord Roberts <i>B</i>.... +</p> + +<p> +I warn you this book is going to be something of an agglomeration. I want to +trace my social trajectory (and my uncle’s) as the main line of my story, +but as this is my first novel and almost certainly my last, I want to get in, +too, all sorts of things that struck me, things that amused me and impressions +I got—even although they don’t minister directly to my narrative at +all. I want to set out my own queer love experiences too, such as they are, for +they troubled and distressed and swayed me hugely, and they still seem to me to +contain all sorts of irrational and debatable elements that I shall be the +clearer-headed for getting on paper. And possibly I may even flow into +descriptions of people who are really no more than people seen in transit, just +because it amuses me to recall what they said and did to us, and more +particularly how they behaved in the brief but splendid glare of Tono-Bungay +and its still more glaring offspring. It lit some of them up, I can assure you! +Indeed, I want to get in all sorts of things. My ideas of a novel all through +are comprehensive rather than austere.... +</p> + +<p> +Tono-Bungay still figures on the hoardings, it stands in rows in every +chemist’s storeroom, it still assuages the coughs of age and brightens +the elderly eye and loosens the elderly tongue; but its social glory, its +financial illumination, have faded from the world for ever. And I, sole +scorched survivor from the blaze, sit writing of it here in an air that is +never still for the clang and thunder of machines, on a table littered with +working drawings, and amid fragments of models and notes about velocities and +air and water pressures and trajectories—of an altogether different sort +from that of Tono-Bungay. +</p> + +<h4>II</h4> + +<p> +I write that much and look at it, and wonder whether, after all, this is any +fair statement of what I am attempting in this book. I’ve given, I see, +an impression that I want to make simply a hotch-potch of anecdotes and +experiences with my uncle swimming in the middle as the largest lump of +victual. I’ll own that here, with the pen already started, I realise what +a fermenting mass of things learnt and emotions experienced and theories formed +I’ve got to deal with, and how, in a sense, hopeless my book must be from +the very outset. I suppose what I’m really trying to render is nothing +more nor less than Life—as one man has found it. I want to +tell—<i>myself</i>, and my impressions of the thing as a whole, to say +things I have come to feel intensely of the laws, traditions, usages, and ideas +we call society, and how we poor individuals get driven and lured and stranded +among these windy, perplexing shoals and channels. I’ve got, I suppose, +to a time of life when things begin to take on shapes that have an air of +reality, and become no longer material for dreaming, but interesting in +themselves. I’ve reached the criticising, novel-writing age, and here I +am writing mine—my one novel—without having any of the discipline +to refrain and omit that I suppose the regular novel-writer acquires. +</p> + +<p> +I’ve read an average share of novels and made some starts before this +beginning, and I’ve found the restraints and rules of the art (as I made +them out) impossible for me. I like to write, I am keenly interested in +writing, but it is not my technique. I’m an engineer with a patent or two +and a set of ideas; most of whatever artist there is in me has been given to +turbine machines and boat building and the problem of flying, and do what I +will I fail to see how I can be other than a lax, undisciplined story-teller. I +must sprawl and flounder, comment and theorise, if I am to get the thing out I +have in mind. And it isn’t a constructed tale I have to tell, but +unmanageable realities. My love-story—and if only I can keep up the +spirit of truth-telling all through as strongly as I have now, you shall have +it all—falls into no sort of neat scheme of telling. It involves three +separate feminine persons. It’s all mixed up with the other things.... +</p> + +<p> +But I’ve said enough, I hope, to excuse myself for the method or want of +method in what follows, and I think I had better tell without further delay of +my boyhood and my early impressions in the shadow of Bladesover House. +</p> + +<h4>III</h4> + +<p> +There came a time when I realised that Bladesover House was not all it seemed, +but when I was a little boy I took the place with the entirest faith as a +complete authentic microcosm. I believed that the Bladesover system was a +little working-model—and not so very little either—of the whole +world. +</p> + +<p> +Let me try and give you the effect of it. +</p> + +<p> +Bladesover lies up on the Kentish Downs, eight miles perhaps from Ashborough; +and its old pavilion, a little wooden parody of the temple of Vesta at Tibur, +upon the hill crest behind the house, commands in theory at least a view of +either sea, of the Channel southward and the Thames to the northeast. The park +is the second largest in Kent, finely wooded with well-placed beeches, many +elms and some sweet chestnuts, abounding in little valleys and hollows of +bracken, with springs and a stream and three fine ponds and multitudes of +fallow deer. The house was built in the eighteenth century, it is of pale red +brick in the style of a French chateau, and save for one pass among the crests +which opens to blue distances, to minute, remote, oast-set farm-houses and +copses and wheat fields and the occasional gleam of water, its hundred and +seventeen windows look on nothing but its own wide and handsome territories. A +semi-circular screen of great beeches masks the church and village, which +cluster picturesquely about the high road along the skirts of the great park. +Northward, at the remotest corner of that enclosure, is a second dependent +village, Ropedean, less fortunate in its greater distance and also on account +of a rector. This divine was indeed rich, but he was vindictively economical +because of some shrinkage of his tithes; and by reason of his use of the word +Eucharist for the Lord’s Supper he had become altogether estranged from +the great ladies of Bladesover. So that Ropedean was in the shadows through all +that youthful time. +</p> + +<p> +Now the unavoidable suggestion of that wide park and that fair large house, +dominating church, village and the country side, was that they represented the +thing that mattered supremely in the world, and that all other things had +significance only in relation to them. They represented the Gentry, the +Quality, by and through and for whom the rest of the world, the farming folk +and the labouring folk, the trades-people of Ashborough, and the upper servants +and the lower servants and the servants of the estate, breathed and lived and +were permitted. And the Quality did it so quietly and thoroughly, the great +house mingled so solidly and effectually earth and sky, the contrast of its +spacious hall and saloon and galleries, its airy housekeeper’s room and +warren of offices with the meagre dignities of the vicar, and the pinched and +stuffy rooms of even the post-office people and the grocer, so enforced these +suggestions, that it was only when I was a boy of thirteen or fourteen and some +queer inherited strain of scepticism had set me doubting whether Mr. Bartlett, +the vicar, did really know with certainty all about God, that as a further and +deeper step in doubting I began to question the final rightness of the +gentlefolks, their primary necessity in the scheme of things. But once that +scepticism had awakened it took me fast and far. By fourteen I had achieved +terrible blasphemies and sacrilege; I had resolved to marry a viscount’s +daughter, and I had blacked the left eye—I think it was the left—of +her half-brother, in open and declared rebellion. +</p> + +<p> +But of that in its place. +</p> + +<p> +The great house, the church, the village, and the labourers and the servants in +their stations and degrees, seemed to me, I say, to be a closed and complete +social system. About us were other villages and great estates, and from house +to house, interlacing, correlated, the Gentry, the fine Olympians, came and +went. The country towns seemed mere collections of ships, marketing places for +the tenantry, centres for such education as they needed, as entirely dependent +on the gentry as the village and scarcely less directly so. I thought this was +the order of the whole world. I thought London was only a greater country town +where the gentle-folk kept town-houses and did their greater shopping under the +magnificent shadow of the greatest of all fine gentlewomen, the Queen. It +seemed to be in the divine order. That all this fine appearance was already +sapped, that there were forces at work that might presently carry all this +elaborate social system in which my mother instructed me so carefully that I +might understand my “place,” to Limbo, had scarcely dawned upon me +even by the time that Tono-Bungay was fairly launched upon the world. +</p> + +<p> +There are many people in England to-day upon whom it has not yet dawned. There +are times when I doubt whether any but a very inconsiderable minority of +English people realise how extensively this ostensible order has even now +passed away. The great houses stand in the parks still, the cottages cluster +respectfully on their borders, touching their eaves with their creepers, the +English countryside—you can range through Kent from Bladesover northward +and see persists obstinately in looking what it was. It is like an early day in +a fine October. The hand of change rests on it all, unfelt, unseen; resting for +awhile, as it were half reluctantly, before it grips and ends the thing for +ever. One frost and the whole face of things will be bare, links snap, patience +end, our fine foliage of pretences lie glowing in the mire. +</p> + +<p> +For that we have still to wait a little while. The new order may have gone far +towards shaping itself, but just as in that sort of lantern show that used to +be known in the village as the “Dissolving Views,” the scene that +is going remains upon the mind, traceable and evident, and the newer picture is +yet enigmatical long after the lines that are to replace those former ones have +grown bright and strong, so that the new England of our children’s +children is still a riddle to me. The ideas of democracy, of equality, and +above all of promiscuous fraternity have certainly never really entered into +the English mind. But what <i>is</i> coming into it? All this book, I hope, +will bear a little on that. Our people never formulates; it keeps words for +jests and ironies. In the meanwhile the old shapes, the old attitudes remain, +subtly changed and changing still, sheltering strange tenants. Bladesover House +is now let furnished to Sir Reuben Lichtenstein, and has been since old Lady +Drew died; it was my odd experience to visit there, in the house of which my +mother had been housekeeper, when my uncle was at the climax of Tono-Bungay. It +was curious to notice then the little differences that had come to things with +this substitution. To borrow an image from my mineralogical days, these Jews +were not so much a new British gentry as “pseudomorphous” after the +gentry. They are a very clever people, the Jews, but not clever enough to +suppress their cleverness. I wished I could have gone downstairs to savour the +tone of the pantry. It would have been very different I know. Hawksnest, over +beyond, I noted, had its pseudomorph too; a newspaper proprietor of the type +that hustles along with stolen ideas from one loud sink-or-swim enterprise to +another, had bought the place outright; Redgrave was in the hands of brewers. +</p> + +<p> +But the people in the villages, so far as I could detect, saw no difference in +their world. Two little girls bobbed and an old labourer touched his hat +convulsively as I walked through the village. He still thought he knew his +place—and mine. I did not know him, but I would have liked dearly to have +asked him if he remembered my mother, if either my uncle or old Lichtenstein +had been man enough to stand being given away like that. +</p> + +<p> +In that English countryside of my boyhood every human being had a +“place.” It belonged to you from your birth like the colour of your +eyes, it was inextricably your destiny. Above you were your betters, below you +were your inferiors, and there were even an unstable questionable few, cases so +disputable that you might for the rough purposes of every day at least, regard +them as your equals. Head and centre of our system was Lady Drew, her +“leddyship,” shrivelled, garrulous, with a wonderful memory for +genealogies and very, very old, and beside her and nearly as old, Miss +Somerville, her cousin and companion. These two old souls lived like dried-up +kernels in the great shell of Bladesover House, the shell that had once been +gaily full of fops, of fine ladies in powder and patches and courtly gentlemen +with swords; and when there was no company they spent whole days in the corner +parlour just over the housekeeper’s room, between reading and slumber and +caressing their two pet dogs. When I was a boy I used always to think of these +two poor old creatures as superior beings living, like God, somewhere through +the ceiling. Occasionally they bumped about a bit and one even heard them +overhead, which gave them a greater effect of reality without mitigating their +vertical predominance. Sometimes too I saw them. Of course if I came upon them +in the park or in the shrubbery (where I was a trespasser) I hid or fled in +pious horror, but I was upon due occasion taken into the Presence by request. I +remember her “leddyship” then as a thing of black silks and a +golden chain, a quavering injunction to me to be a good boy, a very shrunken +loose-skinned face and neck, and a ropy hand that trembled a halfcrown into +mine. Miss Somerville hovered behind, a paler thing of broken lavender and +white and black, with screwed up, sandy-lashed eyes. Her hair was yellow and +her colour bright, and when we sat in the housekeeper’s room of a +winter’s night warming our toes and sipping elder wine, her maid would +tell us the simple secrets of that belated flush.... After my fight with young +Garvell I was of course banished, and I never saw those poor old painted +goddesses again. +</p> + +<p> +Then there came and went on these floors over our respectful heads, the +Company; people I rarely saw, but whose tricks and manners were imitated and +discussed by their maids and valets in the housekeeper’s room and the +steward’s room—so that I had them through a medium at second hand. +I gathered that none of the company were really Lady Drew’s equals, they +were greater and lesser after the manner of all things in our world. Once I +remember there was a Prince, with a real live gentleman in attendance, and that +was a little above our customary levels and excited us all, and perhaps raised +our expectations unduly. Afterwards, Rabbits, the butler, came into my +mother’s room downstairs, red with indignation and with tears in his +eyes. “Look at <i>that!</i>” gasped Rabbits. My mother was +speechless with horror. <i>That</i> was a sovereign, a mere sovereign, such as +you might get from any commoner! +</p> + +<p> +After Company, I remember, came anxious days, for the poor old women upstairs +were left tired and cross and vindictive, and in a state of physical and +emotional indigestion after their social efforts.... +</p> + +<p> +On the lowest fringe of these real Olympians hung the vicarage people, and next +to them came those ambiguous beings who are neither quality nor subjects. The +vicarage people certainly hold a place by themselves in the typical English +scheme; nothing is more remarkable than the progress the Church has +made—socially—in the last two hundred years. In the early +eighteenth century the vicar was rather under than over the house-steward, and +was deemed a fitting match for the housekeeper or any not too morally +discredited discard. The eighteenth century literature is full of his +complaints that he might not remain at table to share the pie. He rose above +these indignities because of the abundance of younger sons. When I meet the +large assumptions of the contemporary cleric, I am apt to think of these +things. It is curious to note that to-day that down-trodden, organ-playing +creature, the Church of England village Schoolmaster, holds much the same +position as the seventeenth century parson. The doctor in Bladesover ranked +below the vicar but above the “vet,” artists and summer visitors +squeezed in above or below this point according to their appearance and +expenditure, and then in a carefully arranged scale came the tenantry, the +butler and housekeeper, the village shopkeeper, the head keeper, the cook, the +publican, the second keeper, the blacksmith (whose status was complicated by +his daughter keeping the post-office—and a fine hash she used to make of +telegrams too!) the village shopkeeper’s eldest son, the first footman, +younger sons of the village shopkeeper, his first assistant, and so forth. +</p> + +<p> +All these conceptions and applications of a universal precedence and much else +I drank in at Bladesover, as I listened to the talk of valets, +ladies’-maids, Rabbits the butler and my mother in the much-cupboarded, +white-painted, chintz-brightened housekeeper’s room where the upper +servants assembled, or of footmen and Rabbits and estate men of all sorts among +the green baize and Windsor chairs of the pantry—where Rabbits, being +above the law, sold beer without a license or any compunction—or of +housemaids and still-room maids in the bleak, matting-carpeted still-room or of +the cook and her kitchen maids and casual friends among the bright copper and +hot glow of the kitchens. +</p> + +<p> +Of course their own ranks and places came by implication to these people, and +it was with the ranks and places of the Olympians that the talk mainly +concerned itself. There was an old peerage and a Crockford together with the +books of recipes, the Whitaker’s Almanack, the Old Moore’s +Almanack, and the eighteenth century dictionary, on the little dresser that +broke the cupboards on one side of my mother’s room; there was another +peerage, with the covers off, in the pantry; there was a new peerage in the +billiard-room, and I seem to remember another in the anomalous apartment that +held the upper servants’ bagatelle board and in which, after the Hall +dinner, they partook of the luxury of sweets. And if you had asked any of those +upper servants how such and such a Prince of Battenberg was related to, let us +say, Mr. Cunninghame Graham or the Duke of Argyle, you would have been told +upon the nail. As a boy, I heard a great deal of that sort of thing, and if to +this day I am still a little vague about courtesy titles and the exact +application of honorifics, it is, I can assure you, because I hardened my +heart, and not from any lack of adequate opportunity of mastering these +succulent particulars. +</p> + +<p> +Dominating all these memories is the figure of my mother—my mother who +did not love me because I grew liker my father every day—and who knew +with inflexible decision her place and the place of every one in the +world—except the place that concealed my father—and in some details +mine. Subtle points were put to her. I can see and hear her saying now, +“No, Miss Fison, peers of England go in before peers of the United +Kingdom, and he is merely a peer of the United Kingdom.” She had much +exercise in placing people’s servants about her tea-table, where the +etiquette was very strict. I wonder sometimes if the etiquette of +housekeepers’ rooms is as strict to-day, and what my mother would have +made of a <i>chauffeur</i>.... +</p> + +<p> +On the whole I am glad that I saw so much as I did of Bladesover—if for +no other reason than because seeing it when I did, quite naively, believing in +it thoroughly, and then coming to analyse it, has enabled me to understand much +that would be absolutely incomprehensible in the structure of English society. +Bladesover is, I am convinced, the clue to almost all that is distinctively +British and perplexing to the foreign inquirer in England and the +English-speaking peoples. Grasp firmly that England was all Bladesover two +hundred years ago; that it has had Reform Acts indeed, and such—like +changes of formula, but no essential revolution since then; that all that is +modern and different has come in as a thing intruded or as a gloss upon this +predominant formula, either impertinently or apologetically; and you will +perceive at once the reasonableness, the necessity, of that snobbishness which +is the distinctive quality of English thought. Everybody who is not actually in +the shadow of a Bladesover is as it were perpetually seeking after lost +orientations. We have never broken with our tradition, never even symbolically +hewed it to pieces, as the French did in quivering fact in the Terror. But all +the organizing ideas have slackened, the old habitual bonds have relaxed or +altogether come undone. And America too, is, as it were, a detached, outlying +part of that estate which has expanded in queer ways. George Washington, +Esquire, was of the gentlefolk, and he came near being a King. It was Plutarch, +you know, and nothing intrinsically American that prevented George Washington +being a King.... +</p> + +<h4>IV</h4> + +<p> +I hated teatime in the housekeeper’s room more than anything else at +Bladesover. And more particularly I hated it when Mrs. Mackridge and Mrs. Booch +and Mrs. Latude-Fernay were staying in the house. They were, all three of them, +pensioned-off servants. +</p> + +<p> +Old friends of Lady Drew’s had rewarded them posthumously for a prolonged +devotion to their minor comforts, and Mrs. Booch was also trustee for a +favourite Skye terrier. Every year Lady Drew gave them an invitation—a +reward and encouragement of virtue with especial reference to my mother and +Miss Fison, the maid. They sat about in black and shiny and flouncey clothing +adorned with gimp and beads, eating great quantities of cake, drinking much tea +in a stately manner and reverberating remarks. +</p> + +<p> +I remember these women as immense. No doubt they were of negotiable size, but I +was only a very little chap and they have assumed nightmare proportions in my +mind. They loomed, they bulged, they impended. Mrs. Mackridge was large and +dark; there was a marvel about her head, inasmuch as she was bald. She wore a +dignified cap, and in front of that upon her brow, hair was <i>painted</i>. I +have never seen the like since. She had been maid to the widow of Sir Roderick +Blenderhasset Impey, some sort of governor or such-like portent in the East +Indies, and from her remains—in Mrs. Mackridge—I judge Lady Impey +was a very stupendous and crushing creature indeed. Lady Impey had been of the +Juno type, haughty, unapproachable, given to irony and a caustic wit. Mrs. +Mackridge had no wit, but she had acquired the caustic voice and gestures along +with the old satins and trimmings of the great lady. When she told you it was a +fine morning, she seemed also to be telling you you were a fool and a low fool +to boot; when she was spoken to, she had a way of acknowledging your poor +tinkle of utterance with a voluminous, scornful “Haw!” that made +you want to burn her alive. She also had a way of saying “Indade!” +with a droop of the eyelids. +</p> + +<p> +Mrs. Booch was a smaller woman, brown haired, with queer little curls on either +side of her face, large blue eyes and a small set of stereotyped remarks that +constituted her entire mental range. Mrs. Latude-Fernay has left, oddly enough, +no memory at all except her name and the effect of a green-grey silk dress, all +set with gold and blue buttons. I fancy she was a large blonde. Then there was +Miss Fison, the maid who served both Lady Drew and Miss Somerville, and at the +end of the table opposite my mother, sat Rabbits the butler. Rabbits, for a +butler, was an unassuming man, and at tea he was not as you know butlers, but +in a morning coat and a black tie with blue spots. Still, he was large, with +side whiskers, even if his clean-shaven mouth was weak and little. I sat among +these people on a high, hard, early Gregorian chair, trying to exist, like a +feeble seedling amidst great rocks, and my mother sat with an eye upon me, +resolute to suppress the slightest manifestation of vitality. It was hard on +me, but perhaps it was also hard upon these rather over-fed, ageing, pretending +people, that my youthful restlessness and rebellious unbelieving eyes should be +thrust in among their dignities. +</p> + +<p> +Tea lasted for nearly three-quarters of an hour, and I sat it out perforce; and +day after day the talk was exactly the same. +</p> + +<p> +“Sugar, Mrs. Mackridge?” my mother used to ask. +</p> + +<p> +“Sugar, Mrs. Latude-Fernay?” +</p> + +<p> +The word sugar would stir the mind of Mrs. Mackridge. “They say,” +she would begin, issuing her proclamation—at least half her sentences +began “they say”—“sugar is fatt-an-ing, nowadays. Many +of the best people do not take it at all.” +</p> + +<p> +“Not with their tea, ma’am,” said Rabbits intelligently. +</p> + +<p> +“Not with anything,” said Mrs. Mackridge, with an air of crushing +repartee, and drank. +</p> + +<p> +“What won’t they say next?” said Miss Fison. +</p> + +<p> +“They do say such things!” said Mrs. Booch. +</p> + +<p> +“They say,” said Mrs. Mackridge, inflexibly, “the doctors are +not recomm-an-ding it now.” +</p> + +<p> +My Mother: “No, ma’am?” +</p> + +<p> +Mrs. Mackridge: “No, ma’am.” +</p> + +<p> +Then, to the table at large: “Poor Sir Roderick, before he died, consumed +great quan-ta-ties of sugar. I have sometimes fancied it may have hastened his +end.” +</p> + +<p> +This ended the first skirmish. A certain gloom of manner and a pause was +considered due to the sacred memory of Sir Roderick. +</p> + +<p> +“George,” said my mother, “don’t kick the chair!” +</p> + +<p> +Then, perhaps, Mrs. Booch would produce a favourite piece from her repertoire. +“The evenings are drawing out nicely,” she would say, or if the +season was decadent, “How the evenings draw in!” It was an +invaluable remark to her; I do not know how she would have got along without +it. +</p> + +<p> +My mother, who sat with her back to the window, would always consider it due to +Mrs. Booch to turn about and regard the evening in the act of elongation or +contraction, whichever phase it might be. +</p> + +<p> +A brisk discussion of how long we were to the longest or shortest day would +ensue, and die away at last exhausted. +</p> + +<p> +Mrs. Mackridge, perhaps, would reopen. She had many intelligent habits; among +others she read the paper—<i>The Morning Post</i>. The other ladies would +at times tackle that sheet, but only to read the births, marriages, and deaths +on the front page. It was, of course, the old <i>Morning Post</i> that cost +threepence, not the brisk coruscating young thing of to-day. “They +say,” she would open, “that Lord Tweedums is to go to +Canada.” +</p> + +<p> +“Ah!” said Mr. Rabbits; “dew they?” +</p> + +<p> +“Isn’t he,” said my mother, “the Earl of +Slumgold’s cousin?” She knew he was; it was an entirely irrelevant +and unnecessary remark, but still, something to say. +</p> + +<p> +“The same, ma’am,” said Mrs. Mackridge. “They say he +was extremelay popular in New South Wales. They looked up to him greatlay. I +knew him, ma’am, as a young man. A very nice pleasant young fella.” +</p> + +<p> +Interlude of respect. +</p> + +<p> +“’Is predecessor,” said Rabbits, who had acquired from some +clerical model a precise emphatic articulation without acquiring at the same +time the aspirates that would have graced it, “got into trouble at +Sydney.” +</p> + +<p> +“Haw!” said Mrs. Mackridge, scornfully, “so am tawled.” +</p> + +<p> +“’E came to Templemorton after ’e came back, and I remember +them talking ’im over after ’e’d gone again.” +</p> + +<p> +“Haw?” said Mrs. Mackridge, interrogatively. +</p> + +<p> +“’<i>Is</i> fuss was quotin’ poetry, ma’am. ’E +said—what was it ’e said—‘They lef’ their country +for their country’s good,’—which in some way was took to +remind them of their being originally convic’s, though now reformed. +Every one I ’eard speak, agreed it was takless of ’im.” +</p> + +<p> +“Sir Roderick used to say,” said Mrs. Mackridge, “that the +First Thing,”—here Mrs. Mackridge paused and looked dreadfully at +me—“and the Second Thing”—here she fixed me +again—“and the Third Thing”—now I was +released—“needed in a colonial governor is Tact.” She became +aware of my doubts again, and added predominantly, “It has always struck +me that that was a Singularly True Remark.” +</p> + +<p> +I resolved that if ever I found this polypus of Tact growing up in my soul, I +would tear it out by the roots, throw it forth and stamp on it. +</p> + +<p> +“They’re queer people—colonials,” said Rabbits, +“very queer. When I was at Templemorton I see something of ’em. +Queer fellows, some of ’em. Very respectful of course, free with their +money in a spasammy sort of way, but—Some of ’em, I must confess, +make me nervous. They have an eye on you. They watch you—as you wait. +They let themselves appear to be lookin’ at you...” +</p> + +<p> +My mother said nothing in that discussion. The word colonies always upset her. +She was afraid, I think, that if she turned her mind in that direction my +errant father might suddenly and shockingly be discovered, no doubt +conspicuously bigamic and altogether offensive and revolutionary. She did not +want to rediscover my father at all. +</p> + +<p> +It is curious that when I was a little listening boy I had such an idea of our +colonies that I jeered in my heart at Mrs. Mackridge’s colonial +ascendancy. These brave emancipated sunburnt English of the open, I thought, +suffer these aristocratic invaders as a quaint anachronism, but as for being +gratified—! +</p> + +<p> +I don’t jeer now. I’m not so sure. +</p> + +<h4>V</h4> + +<p> +It is a little difficult to explain why I did not come to do what was the +natural thing for any one in my circumstances to do, and take my world for +granted. A certain innate scepticism, I think, explains it and a certain +inaptitude for sympathetic assimilation. My father, I believe, was a sceptic; +my mother was certainly a hard woman. +</p> + +<p> +I was an only child, and to this day I do not know whether my father is living +or dead. He fled my mother’s virtues before my distincter memories began. +He left no traces in his flight, and she, in her indignation, destroyed every +vestige that she could of him. Never a photograph nor a scrap of his +handwriting have I seen; and it was, I know, only the accepted code of virtue +and discretion that prevented her destroying her marriage certificate and me, +and so making a clean sweep of her matrimonial humiliation. I suppose I must +inherit something of the moral stupidity that would enable her to make a +holocaust of every little personal thing she had of him. There must have been +presents made by him as a lover, for example—books with kindly +inscriptions, letters perhaps, a flattened flower, a ring, or such-like gage. +She kept her wedding-ring, of course, but all the others she destroyed. She +never told me his christian name or indeed spoke a word to me of him; though at +times I came near daring to ask her: add what I have of him—it +isn’t much—I got from his brother, my hero, my uncle Ponderevo. She +wore her ring; her marriage certificate she kept in a sealed envelope in the +very bottom of her largest trunk, and me she sustained at a private school +among the Kentish hills. You must not think I was always at +Bladesover—even in my holidays. If at the time these came round, Lady +Drew was vexed by recent Company, or for any other reason wished to take it out +of my mother, then she used to ignore the customary reminder my mother gave +her, and I “stayed on” at the school. +</p> + +<p> +But such occasions were rare, and I suppose that between ten and fourteen I +averaged fifty days a year at Bladesover. +</p> + +<p> +Don’t imagine I deny that was a fine thing for me. Bladesover, in +absorbing the whole countryside, had not altogether missed greatness. The +Bladesover system has at least done one good thing for England, it has +abolished the peasant habit of mind. If many of us still live and breathe +pantry and housekeeper’s room, we are quit of the dream of living by +economising parasitically on hens and pigs.... About that park there were some +elements of a liberal education; there was a great space of greensward not +given over to manure and food grubbing; there was mystery, there was matter for +the imagination. It was still a park of deer. I saw something of the life of +these dappled creatures, heard the belling of stags, came upon young fawns +among the bracken, found bones, skulls, and antlers in lonely places. There +were corners that gave a gleam of meaning to the word forest, glimpses of +unstudied natural splendour. There was a slope of bluebells in the broken +sunlight under the newly green beeches in the west wood that is now precious +sapphire in my memory; it was the first time that I knowingly met Beauty. +</p> + +<p> +And in the house there were books. The rubbish old Lady Drew read I never saw; +stuff of the Maria Monk type, I have since gathered, had a fascination for her; +but back in the past there had been a Drew of intellectual enterprise, Sir +Cuthbert, the son of Sir Matthew who built the house; and thrust away, +neglected and despised, in an old room upstairs, were books and treasures of +his that my mother let me rout among during a spell of wintry wet. Sitting +under a dormer window on a shelf above great stores of tea and spices, I became +familiar with much of Hogarth in a big portfolio, with Raphael, there was a +great book of engravings from the stanzas of Raphael in the Vatican—and +with most of the capitals of Europe as they had looked about 1780, by means of +several pig iron-moulded books of views. There was also a broad eighteenth +century atlas with huge wandering maps that instructed me mightily. It had +splendid adornments about each map title; Holland showed a fisherman and his +boat; Russia a Cossack; Japan, remarkable people attired in pagodas—I say +it deliberately, “pagodas.” There were Terrae Incognitae in every +continent then, Poland, Sarmatia, lands since lost; and many a voyage I made +with a blunted pin about that large, incorrect and dignified world. The books +in that little old closet had been banished, I suppose, from the saloon during +the Victorian revival of good taste and emasculated orthodoxy, but my mother +had no suspicion of their character. So I read and understood the good sound +rhetoric of Tom Paine’s “Rights of Man,” and his +“Common Sense,” excellent books, once praised by bishops and since +sedulously lied about. Gulliver was there unexpurgated, strong meat for a boy +perhaps but not too strong I hold—I have never regretted that I escaped +niceness in these affairs. The satire of Traldragdubh made my blood boil as it +was meant to do, but I hated Swift for the Houyhnhnms and never quite liked a +horse afterwards. Then I remember also a translation of Voltaire’s +“Candide,” and “Rasselas;” and, vast book though it +was, I really believe I read, in a muzzy sort of way of course, from end to +end, and even with some reference now and then to the Atlas, Gibbon—in +twelve volumes. +</p> + +<p> +These readings whetted my taste for more, and surreptitiously I raided the +bookcases in the big saloon. I got through quite a number of books before my +sacrilegious temerity was discovered by Ann, the old head-housemaid. I remember +that among others I tried a translation of Plato’s “Republic” +then, and found extraordinarily little interest in it; I was much too young for +that; but “Vathek”—“Vathek” was glorious stuff. +That kicking affair! When everybody <i>had</i> to kick! +</p> + +<p> +The thought of “Vathek” always brings back with it my boyish memory +of the big saloon at Bladesover. +</p> + +<p> +It was a huge long room with many windows opening upon the park, and each +window—there were a dozen or more reaching from the floor up—had +its elaborate silk or satin curtains, heavily fringed, a canopy (is it?) above, +its completely white shutters folding into the deep thickness of the wall. At +either end of that great still place was an immense marble chimney-piece; the +end by the bookcase showed the wolf and Romulus and Remus, with Homer and +Virgil for supporters; the design of the other end I have forgotten. Frederick, +Prince of Wales, swaggered flatly over the one, twice life-size, but mellowed +by the surface gleam of oil; and over the other was an equally colossal group +of departed Drews as sylvan deities, scantily clad, against a storm-rent sky. +Down the centre of the elaborate ceiling were three chandeliers, each bearing +some hundreds of dangling glass lustres, and over the interminable +carpet—it impressed me as about as big as Sarmatia in the store-room +Atlas—were islands and archipelagoes of chintz-covered chairs and +couches, tables, great Sevres vases on pedestals, a bronze man and horse. +Somewhere in this wilderness one came, I remember, upon—a big harp beside +a lyre-shaped music stand, and a grand piano.... +</p> + +<p> +The book-borrowing raid was one of extraordinary dash and danger. +</p> + +<p> +One came down the main service stairs—that was legal, and illegality +began in a little landing when, very cautiously, one went through a red baize +door. A little passage led to the hall, and here one reconnoitered for Ann, the +old head-housemaid—the younger housemaids were friendly and did not +count. Ann located, came a dash across the open space at the foot of that great +staircase that has never been properly descended since powder went out of +fashion, and so to the saloon door. A beast of an oscillating Chinaman in +china, as large as life, grimaced and quivered to one’s lightest steps. +That door was the perilous place; it was double with the thickness of the wall +between, so that one could not listen beforehand for the whisk of the +feather-brush on the other side. Oddly rat-like, is it not, this darting into +enormous places in pursuit of the abandoned crumbs of thought? +</p> + +<p> +And I found Langhorne’s “Plutarch” too, I remember, on those +shelves. It seems queer to me now to think that I acquired pride and +self-respect, the idea of a state and the germ of public spirit, in such a +furtive fashion; queer, too, that it should rest with an old Greek, dead these +eighteen hundred years to teach that. +</p> + +<h4>VI</h4> + +<p> +The school I went to was the sort of school the Bladesover system permitted. +The public schools that add comic into existence in the brief glow of the +Renascence had been taken possession of by the ruling class; the lower classes +were not supposed to stand in need of schools, and our middle stratum got the +schools it deserved, private schools, schools any unqualified pretender was +free to establish. Mine was kept by a man who had had the energy to get himself +a College of Preceptors diploma, and considering how cheap his charges were, I +will readily admit the place might have been worse. The building was a dingy +yellow-brick residence outside the village, with the schoolroom as an +outbuilding of lath and plaster. +</p> + +<p> +I do not remember that my school-days were unhappy—indeed I recall a good +lot of fine mixed fun in them—but I cannot without grave risk of +misinterpretation declare that we were at all nice and refined. We fought much, +not sound formal fighting, but “scrapping” of a sincere and +murderous kind, into which one might bring one’s boots—it made us +tough at any rate—and several of us were the sons of London publicans, +who distinguished “scraps” where one meant to hurt from ordered +pugilism, practising both arts, and having, moreover, precocious linguistic +gifts. Our cricket-field was bald about the wickets, and we played without +style and disputed with the umpire; and the teaching was chiefly in the hands +of a lout of nineteen, who wore ready-made clothes and taught despicably. The +head-master and proprietor taught us arithmetic, algebra, and Euclid, and to +the older boys even trigonometry, himself; he had a strong mathematical bias, +and I think now that by the standard of a British public school he did rather +well by us. +</p> + +<p> +We had one inestimable privilege at that school, and that was spiritual +neglect. We dealt with one another with the forcible simplicity of natural +boys, we “cheeked,” and “punched” and +“clouted”; we thought ourselves Red Indians and cowboys and +such-like honourable things, and not young English gentlemen; we never felt the +strain of “Onward Christian soldiers,” nor were swayed by any +premature piety in the cold oak pew of our Sunday devotions. All that was good. +We spent our rare pennies in the uncensored reading matter of the village +dame’s shop, on the <i>Boys of England</i>, and honest penny +dreadfuls—ripping stuff, stuff that anticipated Haggard and Stevenson, +badly printed and queerly illustrated, and very very good for us. On our +half-holidays we were allowed the unusual freedom of rambling in twos and +threes wide and far about the land, talking experimentally, dreaming wildly. +There was much in those walks! To this day the landscape of the Kentish world, +with its low broad distances, its hop gardens and golden stretches of wheat, +its oasts and square church towers, its background of downland and hangers, has +for me a faint sense of adventure added to the pleasure of its beauty. We +smoked on occasion, but nobody put us up to the proper “boyish” +things to do; we never “robbed an orchard” for example, though +there were orchards all about us, we thought stealing was sinful, we stole +incidental apples and turnips and strawberries from the fields indeed, but in a +criminal inglorious fashion, and afterwards we were ashamed. We had our days of +adventure, but they were natural accidents, our own adventures. There was one +hot day when several of us, walking out towards Maidstone, were incited by the +devil to despise ginger beer, and we fuddled ourselves dreadfully with ale; and +a time when our young minds were infected to the pitch of buying pistols, by +the legend of the Wild West. Young Roots from Highbury came back with a +revolver and cartridges, and we went off six strong to live a free wild life +one holiday afternoon. We fired our first shot deep in the old flint mine at +Chiselstead, and nearly burst our ear drums; then we fired in a primrose +studded wood by Pickthorn Green, and I gave a false alarm of +“keeper,” and we fled in disorder for a mile. After which Roots +suddenly shot at a pheasant in the high road by Chiselstead, and then young +Barker told lies about the severity of the game laws and made Roots sore +afraid, and we hid the pistol in a dry ditch outside the school field. A day or +so after we got in again, and ignoring a certain fouling and rusting of the +barrel, tried for a rabbit at three hundred yards. Young Roots blew a molehill +at twenty paces into a dust cloud, burnt his fingers, and scorched his face; +and the weapon having once displayed this strange disposition to flame back +upon the shooter, was not subsequently fired. +</p> + +<p> +One main source of excitement for us was “cheeking” people in vans +and carts upon the Goudhurst road; and getting myself into a monstrous white +mess in the chalk pits beyond the village, and catching yellow jaundice as a +sequel to bathing stark naked with three other Adamites, old Ewart leading that +function, in the rivulet across Hickson’s meadows, are among my +<i>memorabilia</i>. Those free imaginative afternoons! how much they were for +us! how much they did for us! All streams came from the then undiscovered +“sources of the Nile” in those days, all thickets were Indian +jungles, and our best game, I say it with pride, I invented. I got it out of +the Bladesover saloon. We found a wood where “Trespassing” was +forbidden, and did the “Retreat of the Ten Thousand” through it +from end to end, cutting our way bravely through a host of nettle beds that +barred our path, and not forgetting to weep and kneel when at last we emerged +within sight of the High Road Sea. So we have burst at times, weeping and +rejoicing, upon startled wayfarers. Usually I took the part of that +distinguished general Xenōphen—and please note the quantity of the ō. I +have all my classical names like that,—Socrates rhymes with Bates for me, +and except when the bleak eye of some scholar warns me of his standards of +judgment, I use those dear old mispronunciations still. The little splash into +Latin made during my days as a chemist washed off nothing of the habit. +Well,—if I met those great gentlemen of the past with their accents +carelessly adjusted I did at least meet them alive, as an equal, and in a +living tongue. Altogether my school might easily have been worse for me, and +among other good things it gave me a friend who has lasted my life out. +</p> + +<p> +This was Ewart, who is now a monumental artist at Woking, after many +vicissitudes. Dear chap, how he did stick out of his clothes to be sure! He was +a longlimbed lout, ridiculously tall beside my more youth full compactness, +and, except that there was no black moustache under his nose blob, he had the +same round knobby face as he has to-day, the same bright and active hazel brown +eyes, the stare, the meditative moment, the insinuating reply. Surely no boy +ever played the fool as Bob Ewart used to play it, no boy had a readier knack +of mantling the world with wonder. Commonness vanished before Ewart, at his +expository touch all things became memorable and rare. From him I first heard +tell of love, but only after its barbs were already sticking in my heart. He +was, I know now the bastard of that great improvident artist, Rickmann Ewart; +he brought the light of a lax world that at least had not turned its back upon +beauty, into the growing fermentation of my mind. +</p> + +<p> +I won his heart by a version of Vathek, and after that we were inseparable +yarning friends. We merged our intellectual stock so completely that I wonder +sometimes how much I did not become Ewart, how much Ewart is not vicariously +and derivatively me. +</p> + +<h4>VII</h4> + +<p> +And then when I had newly passed my fourteenth birthday, came my tragic +disgrace. +</p> + +<p> +It was in my midsummer holidays that the thing happened, and it was through the +Honourable Beatrice Normandy. She had “come into my life,” as they +say, before I was twelve. +</p> + +<p> +She descended unexpectedly into a peaceful interlude that followed the annual +going of those Three Great Women. She came into the old nursery upstairs, and +every day she had tea with us in the housekeeper’s room. She was eight, +and she came with a nurse called Nannie; and to begin with, I did not like her +at all. +</p> + +<p> +Nobody liked this irruption into the downstairs rooms; the two “gave +trouble,”—a dire offence; Nannie’s sense of duty to her +charge led to requests and demands that took my mother’s breath away. +Eggs at unusual times, the reboiling of milk, the rejection of an excellent +milk pudding—not negotiated respectfully but dictated as of right. Nannie +was a dark, longfeatured, taciturn woman in a grey dress; she had a furtive +inflexibility of manner that finally dismayed and crushed and overcame. She +conveyed she was “under orders”—like a Greek tragedy. She was +that strange product of the old time, a devoted, trusted servant; she had, as +it were, banked all her pride and will with the greater, more powerful people +who employed her, in return for a life-long security of servitude—the +bargain was nonetheless binding for being implicit. Finally they were to +pension her, and she would die the hated treasure of a boarding-house. She had +built up in herself an enormous habit of reference to these upstairs people, +she had curbed down all discordant murmurings of her soul, her very instincts +were perverted or surrendered. She was sexless, her personal pride was all +transferred, she mothered another woman’s child with a hard, joyless +devotion that was at least entirely compatible with a stoical separation. She +treated us all as things that counted for nothing save to fetch and carry for +her charge. But the Honourable Beatrice could condescend. +</p> + +<p> +The queer chances of later years come between me and a distinctly separated +memory of that childish face. When I think of Beatrice, I think of her as I +came to know her at a later time, when at last I came to know her so well that +indeed now I could draw her, and show a hundred little delicate things you +would miss in looking at her. But even then I remember how I noted the infinite +delicacy of her childish skin and the fine eyebrow, finer than the finest +feather that ever one felt on the breast of a bird. She was one of those elfin, +rather precocious little girls, quick coloured, with dark hair, naturally +curling dusky hair that was sometimes astray over her eyes, and eyes that were +sometimes impishly dark, and sometimes a clear brown yellow. And from the very +outset, after a most cursory attention to Rabbits, she decided that the only +really interesting thing at the tea-table was myself. +</p> + +<p> +The elders talked in their formal dull way—telling Nannie the trite old +things about the park and the village that they told every one, and Beatrice +watched me across the table with a pitiless little curiosity that made me +uncomfortable. +</p> + +<p> +“Nannie,” she said, pointing, and Nannie left a question of my +mother’s disregarded to attend to her; “is he a servant boy?” +</p> + +<p> +“S-s-sh,” said Nannie. “He’s Master Ponderevo.” +</p> + +<p> +“Is he a servant boy?” repeated Beatrice. +</p> + +<p> +“He’s a schoolboy,” said my mother. +</p> + +<p> +“Then may I talk to him, Nannie?” +</p> + +<p> +Nannie surveyed me with brutal inhumanity. “You mustn’t talk too +much,” she said to her charge, and cut cake into fingers for her. +</p> + +<p> +“No,” she added decisively, as Beatrice made to speak. +</p> + +<p> +Beatrice became malignant. Her eyes explored me with unjustifiable hostility. +“He’s got dirty hands,” she said, stabbing at the forbidden +fruit. “And there’s a fray to his collar.” +</p> + +<p> +Then she gave herself up to cake with an appearance of entire forgetfulness of +me that filled me with hate and a passionate desire to compel her to admire +me.... And the next day before tea, I did for the first time in my life, +freely, without command or any compulsion, wash my hands. +</p> + +<p> +So our acquaintance began, and presently was deepened by a whim of hers. She +had a cold and was kept indoors, and confronted Nannie suddenly with the +alternative of being hopelessly naughty, which in her case involved a generous +amount of screaming unsuitable for the ears of an elderly, shaky, rich aunt, or +having me up to the nursery to play with her all the afternoon. Nannie came +downstairs and borrowed me in a careworn manner; and I was handed over to the +little creature as if I was some large variety of kitten. I had never had +anything to do with a little girl before, I thought she was more beautiful and +wonderful and bright than anything else could possibly be in life, and she +found me the gentlest of slaves—though at the same time, as I made +evident, fairly strong. And Nannie was amazed to find the afternoon slip +cheerfully and rapidly away. She praised my manners to Lady Drew and to my +mother, who said she was glad to hear well of me, and after that I played with +Beatrice several times. The toys she had remain in my memory still as great +splendid things, gigantic to all my previous experience of toys, and we even +went to the great doll’s house on the nursery landing to play discreetly +with that, the great doll’s house that the Prince Regent had given Sir +Harry Drew’s first-born (who died at five), that was a not ineffectual +model of Bladesover itself, and contained eighty-five dolls and had cost +hundreds of pounds. I played under imperious direction with that toy of glory. +</p> + +<p> +I went back to school when that holiday was over, dreaming of beautiful things, +and got Ewart to talk to me of love; and I made a great story out of the +doll’s house, a story that, taken over into Ewart’s hands, speedily +grew to an island doll’s city all our own. +</p> + +<p> +One of the dolls, I privately decided, was like Beatrice. +</p> + +<p> +One other holiday there was when I saw something of her—oddly enough my +memory of that second holiday in which she played a part is vague—and +then came a gap of a year, and then my disgrace. +</p> + +<h4>VIII</h4> + +<p> +Now I sit down to write my story and tell over again things in their order, I +find for the first time how inconsecutive and irrational a thing the memory can +be. One recalls acts and cannot recall motives; one recalls quite vividly +moments that stand out inexplicably—things adrift, joining on to nothing, +leading nowhere. I think I must have seen Beatrice and her half-brother quite a +number of times in my last holiday at Bladesover, but I really cannot recall +more than a little of the quality of the circumstances. That great crisis of my +boyhood stands out very vividly as an effect, as a sort of cardinal thing for +me, but when I look for details, particularly details that led up to the +crisis—I cannot find them in any developing order at all. This +halfbrother, Archie Garvell, was a new factor in the affair. I remember him +clearly as a fair-haired, supercilious looking, weedily-lank boy, much taller +than I, but I should imagine very little heavier, and that we hated each other +by a sort of instinct from the beginning; and yet I cannot remember my first +meeting with him at all. +</p> + +<p> +Looking back into these past things—it is like rummaging in a neglected +attic that has experienced the attentions of some whimsical robber—I +cannot even account for the presence of these children at Bladesover. They +were, I know, among the innumerable cousins of Lady Drew, and according to the +theories of downstairs candidates for the ultimate possession of Bladesover. If +they were, their candidature was unsuccessful. But that great place, with all +its faded splendour, its fine furniture, its large traditions, was entirely at +the old lady’s disposition; and I am inclined to think it is true that +she used this fact to torment and dominate a number of eligible people. Lord +Osprey was among the number of these, and she showed these hospitalities to his +motherless child and step-child, partly, no doubt, because he was poor, but +quite as much, I nowadays imagine, in the dim hope of finding some affectionate +or imaginative outcome of contact with them. Nannie had dropped out of the +world this second time, and Beatrice was in the charge of an extremely amiable +and ineffectual poor army-class young woman whose name I never knew. They were, +I think, two remarkably illmanaged and enterprising children. I seem to +remember too, that it was understood that I was not a fit companion for them, +and that our meetings had to be as unostentatious as possible. It was Beatrice +who insisted upon our meeting. +</p> + +<p> +I am certain I knew quite a lot about love at fourteen and that I was quite as +much in love with Beatrice then as any impassioned adult could be, and that +Beatrice was, in her way, in love with me. It is part of the decent and useful +pretences of our world that children of the age at which we were, think +nothing, feel nothing, know nothing of love. It is wonderful what people the +English are for keeping up pretences. But indeed I cannot avoid telling that +Beatrice and I talked of love and kissed and embraced one another. +</p> + +<p> +I recall something of one talk under the overhanging bushes of the +shrubbery—I on the park side of the stone wall, and the lady of my +worship a little inelegantly astride thereon. Inelegantly do I say? you should +have seen the sweet imp as I remember her. Just her poise on the wall comes +suddenly clear before me, and behind her the light various branches of the +bushes of the shrubbery that my feet might not profane, and far away and high +behind her, dim and stately, the cornice of the great façade of Bladesover rose +against the dappled sky. Our talk must have been serious and business-like, for +we were discussing my social position. +</p> + +<p> +“I don’t love Archie,” she had said, <i>apropos</i> of +nothing; and then in a whisper, leaning forward with the hair about her face, +“I love <i>you!</i>” +</p> + +<p> +But she had been a little pressing to have it clear that I was not and could +not be a servant. +</p> + +<p> +“You’ll never be a servant—ever!” +</p> + +<p> +I swore that very readily, and it is a vow I have kept by nature. +</p> + +<p> +“What will you be?” said she. +</p> + +<p> +I ran my mind hastily over the professions. +</p> + +<p> +“Will you be a soldier?” she asked. +</p> + +<p> +“And be bawled at by duffers? No fear!” said I. “Leave that +to the plough-boys.” +</p> + +<p> +“But an officer?” +</p> + +<p> +“I don’t know,” I said, evading a shameful difficulty. +</p> + +<p> +“I’d rather go into the navy.” +</p> + +<p> +“Wouldn’t you like to fight?” +</p> + +<p> +“I’d like to fight,” I said. “But a common soldier +it’s no honour to have to be told to fight and to be looked down upon +while you do it, and how could I be an officer?” +</p> + +<p> +“Couldn’t you be?” she said, and looked at me doubtfully; and +the spaces of the social system opened between us. +</p> + +<p> +Then, as became a male of spirit, I took upon myself to brag and lie my way +through this trouble. I said I was a poor man, and poor men went into the navy; +that I “knew” mathematics, which no army officer did; and I claimed +Nelson for an exemplar, and spoke very highly of my outlook upon blue water. +“He loved Lady Hamilton,” I said, “although she <i>was</i> a +lady—and I will love you.” +</p> + +<p> +We were somewhere near that when the egregious governess became audible, +calling “Beeee-âtrice! Beeee-e-âtrice!” +</p> + +<p> +“Snifty beast!” said my lady, and tried to get on with the +conversation; but that governess made things impossible. +</p> + +<p> +“Come here!” said my lady suddenly, holding out a grubby hand; and +I went very close to her, and she put her little head down upon the wall until +her black fog of hair tickled my cheek. +</p> + +<p> +“You are my humble, faithful lover,” she demanded in a whisper, her +warm flushed face near touching mine, and her eyes very dark and lustrous. +</p> + +<p> +“I am your humble, faithful lover,” I whispered back. +</p> + +<p> +And she put her arm about my head and put out her lips and we kissed, and boy +though I was, I was all atremble. So we two kissed for the first time. +</p> + +<p> +“<i>Beeee-e-e</i>-â-trice!” fearfully close. +</p> + +<p> +My lady had vanished, with one wild kick of her black-stocking leg. A moment +after, I heard her sustaining the reproaches of her governess, and explaining +her failure to answer with an admirable lucidity and disingenuousness. +</p> + +<p> +I felt it was unnecessary for me to be seen just then, and I vanished guiltily +round the corner into the West Wood, and so to love-dreams and single-handed +play, wandering along one of those meandering bracken valleys that varied +Bladesover park. And that day and for many days that kiss upon my lips was a +seal, and by night the seed of dreams. +</p> + +<p> +Then I remember an expedition we made—she, I, and her +half-brother—into those West Woods—they two were supposed to be +playing in the shrubbery—and how we were Indians there, and made a wigwam +out of a pile of beech logs, and how we stalked deer, crept near and watched +rabbits feeding in a glade, and almost got a squirrel. It was play seasoned +with plentiful disputing between me and young Garvell, for each firmly insisted +upon the leading <i>rôles</i>, and only my wider reading—I had read ten +stories to his one—gave me the ascendency over him. Also I scored over +him by knowing how to find the eagle in a bracken stem. And somehow—I +don’t remember what led to it at all—I and Beatrice, two hot and +ruffled creatures, crept in among the tall bracken and hid from him. The great +fronds rose above us, five feet or more, and as I had learnt how to wriggle +through that undergrowth with the minimum of betrayal by tossing greenery +above, I led the way. The ground under bracken is beautifully clear and faintly +scented in warm weather; the stems come up black and then green; if you crawl +flat, it is a tropical forest in miniature. I led the way and Beatrice crawled +behind, and then as the green of the further glade opened before us, stopped. +She crawled up to me, her hot little face came close to mine; once more she +looked and breathed close to me, and suddenly she flung her arm about my neck +and dragged me to earth beside her, and kissed me and kissed me again. We +kissed, we embraced and kissed again, all without a word; we desisted, we +stared and hesitated—then in a suddenly damped mood and a little +perplexed at ourselves, crawled out, to be presently run down and caught in the +tamest way by Archie. +</p> + +<p> +That comes back very clearly to me, and other vague memories—I know old +Hall and his gun, out shooting at jackdaws, came into our common experiences, +but I don’t remember how; and then at last, abruptly, our fight in the +Warren stands out. The Warren, like most places in England that have that name, +was not particularly a warren, it was a long slope of thorns and beeches +through which a path ran, and made an alternative route to the downhill +carriage road between Bladesover and Ropedean. I don’t know how we three +got there, but I have an uncertain fancy it was connected with a visit paid by +the governess to the Ropedean vicarage people. But suddenly Archie and I, in +discussing a game, fell into a dispute for Beatrice. I had made him the fairest +offer: I was to be a Spanish nobleman, she was to be my wife, and he was to be +a tribe of Indians trying to carry her off. It seems to me a fairly attractive +offer to a boy to be a whole tribe of Indians with a chance of such a booty. +But Archie suddenly took offence. +</p> + +<p> +“No,” he said; “we can’t have that!” +</p> + +<p> +“Can’t have what?” +</p> + +<p> +“You can’t be a gentleman, because you aren’t. And you +can’t play Beatrice is your wife. It’s—it’s +impertinent.” +</p> + +<p> +“But” I said, and looked at her. +</p> + +<p> +Some earlier grudge in the day’s affairs must have been in Archie’s +mind. “We let you play with us,” said Archie; “but we +can’t have things like that.” +</p> + +<p> +“What rot!” said Beatrice. “He can if he likes.” +</p> + +<p> +But he carried his point. I let him carry it, and only began to grow angry +three or four minutes later. Then we were still discussing play and disputing +about another game. Nothing seemed right for all of us. +</p> + +<p> +“We don’t want you to play with us at all,” said Archie. +</p> + +<p> +“Yes, we do,” said Beatrice. +</p> + +<p> +“He drops his aitches like anything.” +</p> + +<p> +“No, ’e doesn’t,” said I, in the heat of the moment. +</p> + +<p> +“There you go!” he cried. “E, he says. E! E! E!” +</p> + +<p> +He pointed a finger at me. He had struck to the heart of my shame. I made the +only possible reply by a rush at him. “Hello!” he cried, at my +blackavised attack. He dropped back into an attitude that had some style in it, +parried my blow, got back at my cheek, and laughed with surprise and relief at +his own success. Whereupon I became a thing of murderous rage. He could box as +well or better than I—he had yet to realise I knew anything of that at +all—but I had fought once or twice to a finish with bare fists. I was +used to inflicting and enduring savage hurting, and I doubt if he had ever +fought. I hadn’t fought ten seconds before I felt this softness in him, +realised all that quality of modern upper-class England that never goes to the +quick, that hedges about rules and those petty points of honour that are the +ultimate comminution of honour, that claims credit for things demonstrably half +done. He seemed to think that first hit of his and one or two others were going +to matter, that I ought to give in when presently my lip bled and dripped blood +upon my clothes. So before we had been at it a minute he had ceased to be +aggressive except in momentary spurts, and I was knocking him about almost as I +wanted to do; and demanding breathlessly and fiercely, after our school manner, +whether he had had enough, not knowing that by his high code and his soft +training it was equally impossible for him to either buck-up and beat me, or +give in. +</p> + +<p> +I have a very distinct impression of Beatrice dancing about us during the +affair in a state of unladylike appreciation, but I was too preoccupied to hear +much of what she was saying. But she certainly backed us both, and I am +inclined to think now—it may be the disillusionment of my ripened +years—whichever she thought was winning. +</p> + +<p> +Then young Garvell, giving way before my slogging, stumbled and fell over a big +flint, and I, still following the tradition of my class and school, promptly +flung myself on him to finish him. We were busy with each other on the ground +when we became aware of a dreadful interruption. +</p> + +<p> +“Shut up, you <i>fool!</i>” said Archie. +</p> + +<p> +“Oh, Lady Drew!” I heard Beatrice cry. “They’re +fighting! They’re fighting something awful!” +</p> + +<p> +I looked over my shoulder. Archie’s wish to get up became irresistible, +and my resolve to go on with him vanished altogether. +</p> + +<p> +I became aware of the two old ladies, presences of black and purple silk and +fur and shining dark things; they had walked up through the Warren, while the +horses took the hill easily, and so had come upon us. Beatrice had gone to them +at once with an air of taking refuge, and stood beside and a little behind +them. We both rose dejectedly. The two old ladies were evidently quite +dreadfully shocked, and peering at us with their poor old eyes; and never had I +seen such a tremblement in Lady Drew’s lorgnettes. +</p> + +<p> +“You’ve never been fighting?” said Lady Drew. +</p> + +<p> +“You have been fighting.” +</p> + +<p> +“It wasn’t proper fighting,” snapped Archie, with accusing +eyes on me. +</p> + +<p> +“It’s Mrs. Ponderevo’s George!” said Miss Somerville, +so adding a conviction for ingratitude to my evident sacrilege. +</p> + +<p> +“How could he <i>dare?</i>” cried Lady Drew, becoming very awful. +</p> + +<p> +“He broke the rules” said Archie, sobbing for breath. “I +slipped, and—he hit me while I was down. He knelt on me.” +</p> + +<p> +“How could you <i>dare?</i>” said Lady Drew. +</p> + +<p> +I produced an experienced handkerchief rolled up into a tight ball, and wiped +the blood from my chin, but I offered no explanation of my daring. Among other +things that prevented that, I was too short of breath. +</p> + +<p> +“He didn’t fight fair,” sobbed Archie. +</p> + +<p> +Beatrice, from behind the old ladies, regarded me intently and without +hostility. I am inclined to think the modification of my face through the +damage to my lip interested her. It became dimly apparent to my confused +intelligence that I must not say these two had been playing with me. That would +not be after the rules of their game. I resolved in this difficult situation +upon a sulky silence, and to take whatever consequences might follow. +</p> + +<h4>IX</h4> + +<p> +The powers of justice in Bladesover made an extraordinary mess of my case. +</p> + +<p> +I have regretfully to admit that the Honourable Beatrice Normandy did, at the +age of ten, betray me, abandon me, and lie most abominably about me. She was, +as a matter of fact, panic-stricken about me, conscience stricken too; she +bolted from the very thought of my being her affianced lover and so forth, from +the faintest memory of kissing; she was indeed altogether disgraceful and human +in her betrayal. She and her half-brother lied in perfect concord, and I was +presented as a wanton assailant of my social betters. They were waiting about +in the Warren, when I came up and spoke to them, etc. +</p> + +<p> +On the whole, I now perceive Lady Drew’s decisions were, in the light of +the evidence, reasonable and merciful. +</p> + +<p> +They were conveyed to me by my mother, who was, I really believe, even more +shocked by the grossness of my social insubordination than Lady Drew. She +dilated on her ladyship’s kindnesses to me, on the effrontery and +wickedness of my procedure, and so came at last to the terms of my penance. +“You must go up to young Mr. Garvell, and beg his pardon.” +</p> + +<p> +“I won’t beg his pardon,” I said, speaking for the first +time. +</p> + +<p> +My mother paused, incredulous. +</p> + +<p> +I folded my arms on her table-cloth, and delivered my wicked little ultimatum. +“I won’t beg his pardon nohow,” I said. “See?” +</p> + +<p> +“Then you will have to go off to your uncle Frapp at Chatham.” +</p> + +<p> +“I don’t care where I have to go or what I have to do, I +won’t beg his pardon,” I said. +</p> + +<p> +And I didn’t. +</p> + +<p> +After that I was one against the world. Perhaps in my mother’s heart +there lurked some pity for me, but she did not show it. She took the side of +the young gentleman; she tried hard, she tried very hard, to make me say I was +sorry I had struck him. Sorry! +</p> + +<p> +I couldn’t explain. +</p> + +<p> +So I went into exile in the dog-cart to Redwood station, with Jukes the +coachman, coldly silent, driving me, and all my personal belongings in a small +American cloth portmanteau behind. +</p> + +<p> +I felt I had much to embitter me; the game had and the beginnings of fairness +by any standards I knew.... But the thing that embittered me most was that the +Honourable Beatrice Normandy should have repudiated and fled from me as though +I was some sort of leper, and not even have taken a chance or so, to give me a +good-bye. She might have done that anyhow! Supposing I had told on her! But the +son of a servant counts as a servant. She had forgotten and now remembered. +</p> + +<p> +I solaced myself with some extraordinary dream of coming back to Bladesover, +stern, powerful, after the fashion of Coriolanus. I do not recall the details, +but I have no doubt I displayed great magnanimity... +</p> + +<p> +Well, anyhow I never said I was sorry for pounding young Garvell, and I am not +sorry to this day. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap02"></a>CHAPTER THE SECOND<br /> +OF MY LAUNCH INTO THE WORLD AND THE LAST I SAW OF BLADESOVER</h3> + +<h4>I</h4> + +<p> +When I was thus banished from Bladesover House, as it was then thought for good +and all, I was sent by my mother in a vindictive spirit, first to her cousin +Nicodemus Frapp, and then, as a fully indentured apprentice, to my uncle +Ponderevo. +</p> + +<p> +I ran away from the care of my cousin Nicodemus back to Bladesover House. +</p> + +<p> +My cousin Nicodemus Frapp was a baker in a back street—a slum +rather—just off that miserable narrow mean high road that threads those +exquisite beads, Rochester and Chatham. He was, I must admit, a shock to me, +much dominated by a young, plump, prolific, malingering wife; a bent, +slow-moving, unwilling dark man with flour in his hair and eyelashes, in the +lines of his face and the seams of his coat. I’ve never had a chance to +correct my early impression of him, and he still remains an almost dreadful +memory, a sort of caricature of incompetent simplicity. As I remember him, +indeed, he presented the servile tradition perfected. He had no pride in his +person; fine clothes and dressing up wasn’t “for the likes +of” him, so that he got his wife, who was no artist at it, to cut his +black hair at irregular intervals, and let his nails become disagreeable to the +fastidious eye; he had no pride in his business nor any initiative; his only +virtues were not doing certain things and hard work. “Your uncle,” +said my mother—all grown-up cousins were uncles by courtesy among the +Victorian middle-class—“isn’t much to look at or talk to, but +he’s a Good Hard-Working Man.” There was a sort of base +honourableness about toil, however needless, in that system of inversion. +Another point of honour was to rise at or before dawn, and then laboriously +muddle about. +</p> + +<p> +It was very distinctly impressed on my mind that the Good Hard-Working Man +would have thought it “fal-lallish” to own a pocket handkerchief. +Poor old Frapp—dirty and crushed by, product of, Bladesover’s +magnificence! He made no fight against the world at all, he was floundering in +small debts that were not so small but that finally they overwhelmed him, +whenever there was occasion for any exertion his wife fell back upon pains and +her “condition,” and God sent them many children, most of whom +died, and so, by their coming and going, gave a double exercise in the virtues +of submission. +</p> + +<p> +Resignation to God’s will was the common device of these people in the +face of every duty and every emergency. There were no books in the house; I +doubt if either of them had retained the capacity for reading consecutively for +more than a minute or so, and it was with amazement that day after day, over +and above stale bread, one beheld food and again more food amidst the litter +that held permanent session on the living-room table. +</p> + +<p> +One might have doubted if either of them felt discomfort in this dusty darkness +of existence, if it was not that they did visibly seek consolation. They sought +this and found it of a Sunday, not in strong drink and raving, but in imaginary +draughts of blood. They met with twenty or thirty other darkened and unclean +people, all dressed in dingy colours that would not show the dirt, in a little +brick-built chapel equipped with a spavined roarer of a harmonium, and there +solaced their minds on the thought that all that was fair and free in life, all +that struggled, all that planned and made, all pride and beauty and honour, all +fine and enjoyable things, were irrevocably damned to everlasting torments. +They were the self-appointed confidants of God’s mockery of his own +creation. So at any rate they stick in my mind. Vaguer, and yet hardly less +agreeable than this cosmic jest, this coming “Yah, clever!” and +general serving out and “showing up” of the lucky, the bold, and +the cheerful, was their own predestination to Glory. +</p> + +<p class="poem"> +“There is a Fountain, filled with Blood<br /> +Drawn from Emmanuel’s Veins,” +</p> + +<p class="noindent"> +so they sang. I hear the drone and wheeze of that hymn now. I hated them with +the bitter uncharitable condemnation of boyhood, and a twinge of that hate +comes back to me. As I write the words, the sounds and then the scene return, +these obscure, undignified people, a fat woman with asthma, an old Welsh +milk-seller with a tumour on his bald head, who was the intellectual leader of +the sect, a huge-voiced haberdasher with a big black beard, a white-faced, +extraordinarily pregnant woman, his wife, a spectacled rate collector with a +bent back.... I hear the talk about souls, the strange battered old phrases +that were coined ages ago in the seaports of the sun-dry Levant, of balm of +Gilead and manna in the desert, of gourds that give shade and water in a +thirsty land; I recall again the way in which at the conclusion of the service +the talk remained pious in form but became medical in substance, and how the +women got together for obstetric whisperings. I, as a boy, did not matter, and +might overhear. +</p> + +<p> +If Bladesover is my key for the explanation of England, I think my invincible +persuasion that I understand Russia was engendered by the circle of Uncle +Frapp. +</p> + +<p> +I slept in a dingy sheeted bed with the two elder survivors of Frapp fecundity, +and spent my week days in helping in the laborious disorder of the shop and +bakehouse, in incidental deliveries of bread and so forth, and in parrying the +probings of my uncle into my relations with the Blood, and his confidential +explanations that ten shillings a week—which was what my mother paid +him—was not enough to cover my accommodation. He was very anxious to keep +that, but also he wanted more. There were neither books nor any seat nor corner +in that house where reading was possible, no newspaper ever brought the clash +of worldly things into its heavenward seclusion; horror of it all grew in me +daily, and whenever I could I escaped into the streets and tramped about +Chatham. The news shops appealed to me particularly. One saw there smudgy +illustrated sheets, the <i>Police News</i> in particular, in which vilely drawn +pictures brought home to the dullest intelligence an interminable succession of +squalid crimes, women murdered and put into boxes, buried under floors, old men +bludgeoned at midnight by robbers, people thrust suddenly out of trains, happy +lovers shot, vitrioled and so forth by rivals. I got my first glimpse of the +life of pleasure in foully drawn pictures of “police raids” on this +and that. Interspersed with these sheets were others in which Sloper, the urban +John Bull, had his fling with gin bottle and obese umbrella, or the kindly +empty faces of the Royal Family appeared and reappeared, visiting this, opening +that, getting married, getting offspring, lying in state, doing everything but +anything, a wonderful, good-meaning, impenetrable race apart. +</p> + +<p> +I have never revisited Chatham; the impression it has left on my mind is one of +squalid compression, unlit by any gleam of a maturer charity. All its effects +arranged themselves as antithetical to the Bladesover effects. They confirmed +and intensified all that Bladesover suggested. Bladesover declared itself to be +the land, to be essentially England; I have already told how its airy +spaciousness, its wide dignity, seemed to thrust village, church, and vicarage +into corners, into a secondary and conditional significance. Here one gathered +the corollary of that. Since the whole wide country of Kent was made up of +contiguous Bladesovers and for the gentlefolk, the surplus of population, all +who were not good tenants nor good labourers, Church of England, submissive and +respectful, were necessarily thrust together, jostled out of sight, to fester +as they might in this place that had the colours and even the smells of a +well-packed dustbin. They should be grateful even for that; that, one felt, was +the theory of it all. +</p> + +<p> +And I loafed about this wilderness of crowded dinginess, with young, receptive, +wide-open eyes, and through the blessing (or curse) of some fairy godmother of +mine, asking and asking again: “But after all, <i>why</i>—” +</p> + +<p> +I wandered up through Rochester once, and had a glimpse of the Stour valley +above the town, all horrible with cement works and foully smoking chimneys and +rows of workmen’s cottages, minute, ugly, uncomfortable, and grimy. So I +had my first intimation of how industrialism must live in a landlord’s +land. I spent some hours, too, in the streets that give upon the river, drawn +by the spell of the sea. But I saw barges and ships stripped of magic and +mostly devoted to cement, ice, timber, and coal. The sailors looked to me gross +and slovenly men, and the shipping struck me as clumsy, ugly, old, and dirty. I +discovered that most sails don’t fit the ships that hoist them, and that +there may be as pitiful and squalid a display of poverty with a vessel as with +a man. When I saw colliers unloading, watched the workers in the hold filling +up silly little sacks and the succession of blackened, half-naked men that ran +to and fro with these along a plank over a thirty-foot drop into filth and mud, +I was first seized with admiration of their courage and toughness and then, +“But after all, <i>why</i>—?” and the stupid ugliness of all +this waste of muscle and endurance came home to me. Among other things it +obviously wasted and deteriorated the coal.... And I had imagined great things +of the sea! +</p> + +<p> +Well, anyhow, for a time that vocation was stilled. +</p> + +<p> +But such impressions came into my leisure, and of that I had no excess. Most of +my time was spent doing things for Uncle Frapp, and my evenings and nights +perforce in the company of the two eldest of my cousins. He was errand boy at +an oil shop and fervently pious, and of him I saw nothing until the evening +except at meals; the other was enjoying the midsummer holidays without any +great elation; a singularly thin and abject, stunted creature he was, whose +chief liveliness was to pretend to be a monkey, and who I am now convinced had +some secret disease that drained his vitality away. If I met him now I should +think him a pitiful little creature and be extremely sorry for him. Then I felt +only a wondering aversion. He sniffed horribly, he was tired out by a couple of +miles of loafing, he never started any conversation, and he seemed to prefer +his own company to mine. His mother, poor woman, said he was the +“thoughtful one.” +</p> + +<p> +Serious trouble came suddenly out of a conversation we held in bed one night. +Some particularly pious phrase of my elder cousin’s irritated me +extremely, and I avowed outright my entire disbelief in the whole scheme of +revealed religion. I had never said a word about my doubts to any one before, +except to Ewart who had first evolved them. I had never settled my doubts until +at this moment when I spoke. But it came to me then that the whole scheme of +salvation of the Frappes was not simply doubtful, but impossible. I fired this +discovery out into the darkness with the greatest promptitude. +</p> + +<p> +My abrupt denials certainly scared my cousin amazingly. +</p> + +<p> +At first they could not understand what I was saying, and when they did I fully +believe they expected an instant answer in thunderbolts and flames. They gave +me more room in the bed forthwith, and then the elder sat up and expressed his +sense of my awfulness. I was already a little frightened at my temerity, but +when he asked me categorically to unsay what I had said, what could I do but +confirm my repudiation? +</p> + +<p> +“There’s no hell,” I said, “and no eternal punishment. +No God would be such a fool as that.” +</p> + +<p> +My elder cousin cried aloud in horror, and the younger lay scared, but +listening. “Then you mean,” said my elder cousin, when at last he +could bring himself to argue, “you might do just as you liked?” +</p> + +<p> +“If you were cad enough,” said I. +</p> + +<p> +Our little voices went on interminably, and at one stage my cousin got out of +bed and made his brother do likewise, and knelt in the night dimness and prayed +at me. That I found trying, but I held out valiantly. “Forgive +him,” said my cousin, “he knows not what he sayeth.” +</p> + +<p> +“You can pray if you like,” I said, “but if you’re +going to cheek me in your prayers I draw the line.” +</p> + +<p> +The last I remember of that great discussion was my cousin deploring the fact +that he “should ever sleep in the same bed with an Infidel!” +</p> + +<p> +The next day he astonished me by telling the whole business to his father. This +was quite outside all my codes. Uncle Nicodemus sprang it upon me at the midday +meal. +</p> + +<p> +“You been sayin’ queer things, George,” he said abruptly. +“You better mind what you’re saying.” +</p> + +<p> +“What did he say, father?” said Mrs. Frapp. +</p> + +<p> +“Things I couldn’t’ repeat,” said he. +</p> + +<p> +“What things?” I asked hotly. +</p> + +<p> +“Ask ’<i>im</i>,” said my uncle, pointing with his knife to +his informant, and making me realise the nature of my offence. My aunt looked +at the witness. “Not—?” she framed a question. +</p> + +<p> +“Wuss,” said my uncle. “Blarsphemy.” +</p> + +<p> +My aunt couldn’t touch another mouthful. I was already a little troubled +in my conscience by my daring, and now I began to feel the black enormity of +the course upon which I had embarked. +</p> + +<p> +“I was only talking sense,” I said. +</p> + +<p> +I had a still more dreadful moment when presently I met my cousin in the brick +alley behind the yard, that led back to his grocer’s shop. +</p> + +<p> +“You sneak!” I said, and smacked his face hard forthwith. +“Now then,” said I. +</p> + +<p> +He started back, astonished and alarmed. His eyes met mine, and I saw a sudden +gleam of resolution. He turned his other cheek to me. +</p> + +<p> +“’It it,” he said. “’It it. <i>I’ll</i> +forgive you.” +</p> + +<p> +I felt I had never encountered a more detestable way of evading a licking. I +shoved him against the wall and left him there, forgiving me, and went back +into the house. +</p> + +<p> +“You better not speak to your cousins, George,” said my aunt, +“till you’re in a better state of mind.” +</p> + +<p> +I became an outcast forthwith. At supper that night a gloomy silence was broken +by my cousin saying, +</p> + +<p> +“’E ’it me for telling you, and I turned the other cheek, +muvver.” +</p> + +<p> +“’E’s got the evil one be’ind ’im now, a +ridin’ on ’is back,” said my aunt, to the grave discomfort of +the eldest girl, who sat beside me. +</p> + +<p> +After supper my uncle, in a few ill-chosen words, prayed me to repent before I +slept. +</p> + +<p> +“Suppose you was took in your sleep, George,” he said; +“where’d you be then? You jest think of that me boy.” By this +time I was thoroughly miserable and frightened, and this suggestion unnerved me +dreadfully but I kept up an impenitent front. “To wake in +’ell,” said Uncle Nicodemus, in gentle tones. “You +don’t want to wake in ’ell, George, burnin’ and +screamin’ for ever, do you? You wouldn’t like that?” +</p> + +<p> +He tried very hard to get me to “jest ’ave a look at the +bake’ouse fire” before I retired. “It might move you,” +he said. +</p> + +<p> +I was awake longest that night. My cousins slept, the sleep of faith on either +side of me. I decided I would whisper my prayers, and stopped midway because I +was ashamed, and perhaps also because I had an idea one didn’t square God +like that. +</p> + +<p> +“No,” I said, with a sudden confidence, “damn me if +you’re coward enough.... But you’re not. No! You couldn’t +be!” +</p> + +<p> +I woke my cousins up with emphatic digs, and told them as much, triumphantly, +and went very peacefully to sleep with my act of faith accomplished. +</p> + +<p> +I slept not only through that night, but for all my nights since then. So far +as any fear of Divine injustice goes, I sleep soundly, and shall, I know, to +the end of things. That declaration was an epoch in my spiritual life. +</p> + +<h4>II</h4> + +<p> +But I didn’t expect to have the whole meeting on Sunday turned on to me. +</p> + +<p> +It was. It all comes back to me, that convergence of attention, even the faint +leathery smell of its atmosphere returns, and the coarse feel of my +aunt’s black dress beside me in contact with my hand. I see again the old +Welsh milkman “wrestling” with me, they all wrestled with me, by +prayer or exhortation. And I was holding out stoutly, though convinced now by +the contagion of their universal conviction that by doing so I was certainly +and hopelessly damned. I felt that they were right, that God was probably like +them, and that on the whole it didn’t matter. And to simplify the +business thoroughly I had declared I didn’t believe anything at all. They +confuted me by texts from Scripture which I now perceive was an illegitimate +method of reply. When I got home, still impenitent and eternally lost and +secretly very lonely and miserable and alarmed, Uncle Nicodemus docked my +Sunday pudding. +</p> + +<p> +One person only spoke to me like a human being on that day of wrath, and that +was the younger Frapp. He came up to me in the afternoon while I was confined +upstairs with a Bible and my own thoughts. +</p> + +<p> +“’Ello,” he said, and fretted about. +</p> + +<p> +“D’you mean to say there isn’t—no one,” he said, +funking the word. +</p> + +<p> +“No one?” +</p> + +<p> +“No one watching yer—always.” +</p> + +<p> +“Why should there be?” I asked. +</p> + +<p> +“You can’t ’elp thoughts,” said my cousin, +“anyhow. You mean—” He stopped hovering. “I +s’pose I oughtn’t to be talking to you.” +</p> + +<p> +He hesitated and flitted away with a guilty back glance over his shoulder.... +</p> + +<p> +The following week made life quite intolerable for me; these people forced me +at last into an Atheism that terrified me. When I learnt that next Sunday the +wrestling was to be resumed, my courage failed me altogether. +</p> + +<p> +I happened upon a map of Kent in a stationer’s window on Saturday, and +that set me thinking of one form of release. I studied it intently for half an +hour perhaps, on Saturday night, got a route list of villages well fixed in my +memory, and got up and started for Bladesover about five on Sunday morning +while my two bed mates were still fast asleep. +</p> + +<h4>III</h4> + +<p> +I remember something, but not so much of it as I should like to recall, of my +long tramp to Bladesover House. The distance from Chatham is almost exactly +seventeen miles, and it took me until nearly one. It was very interesting and I +do not think I was very fatigued, though I got rather pinched by one boot. +</p> + +<p> +The morning must have been very clear, because I remember that near Itchinstow +Hall I looked back and saw the estuary of the Thames, that river that has since +played so large a part in my life. But at the time I did not know it was the +Thames, I thought this great expanse of mud flats and water was the sea, which +I had never yet seen nearly. And out upon it stood ships, sailing ships and a +steamer or so, going up to London or down out into the great seas of the world. +I stood for a long time watching these and thinking whether after all I should +not have done better to have run away to sea. +</p> + +<p> +The nearer I drew to Bladesover, the more doubtful I grew of the duality of my +reception, and the more I regretted that alternative. I suppose it was the +dirty clumsiness of the shipping I had seen nearly, that put me out of mind of +that. I took a short cut through the Warren across the corner of the main park +to intercept the people from the church. I wanted to avoid meeting any one +before I met my mother, and so I went to a place where the path passed between +banks, and without exactly hiding, stood up among the bushes. This place among +other advantages eliminated any chance of seeing Lady Drew, who would drive +round by the carriage road. +</p> + +<p> +Standing up to waylay in this fashion I had a queer feeling of brigandage, as +though I was some intrusive sort of bandit among these orderly things. It is +the first time I remember having that outlaw feeling distinctly, a feeling that +has played a large part in my subsequent life. I felt there existed no place +for me that I had to drive myself in. +</p> + +<p> +Presently, down the hill, the servants appeared, straggling by twos and threes, +first some of the garden people and the butler’s wife with them, then the +two laundry maids, odd inseparable old creatures, then the first footman +talking to the butler’s little girl, and at last, walking grave and +breathless beside old Ann and Miss Fison, the black figure of my mother. +</p> + +<p> +My boyish mind suggested the adoption of a playful form of appearance. +“Coo-ee, mother” said I, coming out against the sky, +“Coo-ee!” +</p> + +<p> +My mother looked up, went very white, and put her hand to her bosom. +</p> + +<p> +I suppose there was a fearful fuss about me. And of course I was quite unable +to explain my reappearance. But I held out stoutly, “I won’t go +back to Chatham; I’ll drown myself first.” The next day my mother +carried me off to Wimblehurst, took me fiercely and aggressively to an uncle I +had never heard of before, near though the place was to us. She gave me no word +as to what was to happen, and I was too subdued by her manifest wrath and +humiliation at my last misdemeanour to demand information. I don’t for +one moment think Lady Drew was “nice” about me. The finality of my +banishment was endorsed and underlined and stamped home. I wished very much now +that I had run away to sea, in spite of the coal dust and squalour Rochester +had revealed to me. Perhaps over seas one came to different lands. +</p> + +<h4>IV</h4> + +<p> +I do not remember much of my journey to Wimblehurst with my mother except the +image of her as sitting bolt upright, as rather disdaining the third-class +carriage in which we traveled, and how she looked away from me out of the +window when she spoke of my uncle. “I have not seen your uncle,” +she said, “since he was a boy....” She added grudgingly, +“Then he was supposed to be clever.” +</p> + +<p> +She took little interest in such qualities as cleverness. +</p> + +<p> +“He married about three years ago, and set up for himself in +Wimblehurst.... So I suppose she had some money.” +</p> + +<p> +She mused on scenes she had long dismissed from her mind. “Teddy,” +she said at last in the tone of one who has been feeling in the dark and finds. +“He was called Teddy... about your age.... Now he must be twenty-six or +seven.” +</p> + +<p> +I thought of my uncle as Teddy directly I saw him; there was something in his +personal appearance that in the light of that memory phrased itself at once as +Teddiness—a certain Teddidity. To describe it in and other terms is more +difficult. It is nimbleness without grace, and alertness without intelligence. +He whisked out of his shop upon the pavement, a short figure in grey and +wearing grey carpet slippers; one had a sense of a young fattish face behind +gilt glasses, wiry hair that stuck up and forward over the forehead, an +irregular nose that had its aquiline moments, and that the body betrayed an +equatorial laxity, an incipient “bow window” as the image goes. He +jerked out of the shop, came to a stand on the pavement outside, regarded +something in the window with infinite appreciation, stroked his chin, and, as +abruptly, shot sideways into the door again, charging through it as it were +behind an extended hand. +</p> + +<p> +“That must be him,” said my mother, catching at her breath. +</p> + +<p> +We came past the window whose contents I was presently to know by heart, a very +ordinary chemist’s window except that there was a frictional electrical +machine, an air pump and two or three tripods and retorts replacing the +customary blue, yellow, and red bottles above. There was a plaster of Paris +horse to indicate veterinary medicines among these breakables, and below were +scent packets and diffusers and sponges and soda-water syphons and such-like +things. Only in the middle there was a rubricated card, very neatly painted by +hand, with these words— +</p> + +<div class="center"> +<table summary="" style="margin-left: auto; margin-right: auto; margin-top: +2em; margin-bottom: 2em;" border="1" > + +<tr> +<td>Buy Ponderevo’s Cough Linctus <i>now</i>.<br /> +NOW!<br /> +WHY?<br /> +Twopence Cheaper than in Winter.<br /> +You Store Apples! why not the Medicine<br /> +You are Bound to Need?</td> +</tr> + +</table> +</div> + +<p class="noindent"> +in which appeal I was to recognise presently my uncle’s distinctive note. +</p> + +<p> +My uncle’s face appeared above a card of infant’s comforters in the +glass pane of the door. I perceived his eyes were brown, and that his glasses +creased his nose. It was manifest he did not know us from Adam. A stare of +scrutiny allowed an expression of commercial deference to appear in front of +it, and my uncle flung open the door. +</p> + +<p> +“You don’t know me?” panted my mother. +</p> + +<p> +My uncle would not own he did not, but his curiosity was manifest. My mother +sat down on one of the little chairs before the soap and patent medicine-piled +counter, and her lips opened and closed. +</p> + +<p> +“A glass of water, madam,” said my uncle, waved his hand in a sort +of curve and shot away. +</p> + +<p> +My mother drank the water and spoke. “That boy,” she said, +“takes after his father. He grows more like him every day.... And so I +have brought him to you.” +</p> + +<p> +“His father, madam?” +</p> + +<p> +“George.” +</p> + +<p> +For a moment the chemist was still at a loss. He stood behind the counter with +the glass my mother had returned to him in his hand. Then comprehension grew. +</p> + +<p> +“By Gosh!” he said. “Lord!” he cried. His glasses fell +off. He disappeared replacing them, behind a pile of boxed-up bottles of blood +mixture. “Eleven thousand virgins!” I heard him cry. The glass was +banged down. “O-ri-ental Gums!” +</p> + +<p> +He shot away out of the shop through some masked door. One heard his voice. +“Susan! Susan!” +</p> + +<p> +Then he reappeared with an extended hand. “Well, how are you?” he +said. “I was never so surprised in my life. Fancy!... <i>You!</i>” +</p> + +<p> +He shook my mother’s impassive hand and then mine very warmly holding his +glasses on with his left forefinger. +</p> + +<p> +“Come right in!” he cried—“come right in! Better late +than never!” and led the way into the parlour behind the shop. +</p> + +<p> +After Bladesover that apartment struck me as stuffy and petty, but it was very +comfortable in comparison with the Frapp living-room. It had a faint, +disintegrating smell of meals about it, and my most immediate impression was of +the remarkable fact that something was hung about or wrapped round or draped +over everything. There was bright-patterned muslin round the gas-bracket in the +middle of the room, round the mirror over the mantel, stuff with ball-fringe +along the mantel and casing in the fireplace,—I first saw ball-fringe +here—and even the lamp on the little bureau wore a shade like a large +muslin hat. The table-cloth had ball-fringe and so had the window curtains, and +the carpet was a bed of roses. There were little cupboards on either side of +the fireplace, and in the recesses, ill-made shelves packed with books, and +enriched with pinked American cloth. There was a dictionary lying face downward +on the table, and the open bureau was littered with foolscap paper and the +evidences of recently abandoned toil. My eye caught “The Ponderevo Patent +Flat, a Machine you can Live in,” written in large firm letters. My uncle +opened a little door like a cupboard door in the corner of this room, and +revealed the narrowest twist of staircase I had ever set eyes upon. +“Susan!” he bawled again. “Wantje. Some one to see you. +Surprisin’.” +</p> + +<p> +There came an inaudible reply, and a sudden loud bump over our heads as of some +article of domestic utility pettishly flung aside, then the cautious steps of +someone descending the twist, and then my aunt appeared in the doorway with her +hand upon the jamb. +</p> + +<p> +“It’s Aunt Ponderevo,” cried my uncle. “George’s +wife—and she’s brought over her son!” His eye roamed about +the room. He darted to the bureau with a sudden impulse, and turned the sheet +about the patent flat face down. Then he waved his glasses at us, “You +know, Susan, my elder brother George. I told you about ’im lots of +times.” +</p> + +<p> +He fretted across to the hearthrug and took up a position there, replaced his +glasses and coughed. +</p> + +<p> +My aunt Susan seemed to be taking it in. She was then rather a pretty slender +woman of twenty-three or four, I suppose, and I remember being struck by the +blueness of her eyes and the clear freshness of her complexion. She had little +features, a button nose, a pretty chin and a long graceful neck that stuck out +of her pale blue cotton morning dress. There was a look of half-assumed +perplexity on her face, a little quizzical wrinkle of the brow that suggested a +faintly amused attempt to follow my uncle’s mental operations, a vain +attempt and a certain hopelessness that had in succession become habitual. She +seemed to be saying, “Oh Lord! What’s he giving me <i>this</i> +time?” And as came to know her better I detected, as a complication of +her effort of apprehension, a subsidiary riddle to “What’s he +giving me?” and that was—to borrow a phrase from my schoolboy +language “Is it keeps?” She looked at my mother and me, and back to +her husband again. +</p> + +<p> +“You know,” he said. “George.” +</p> + +<p> +“Well,” she said to my mother, descending the last three steps of +the staircase and holding out her hand! “you’re welcome. Though +it’s a surprise.... I can’t ask you to <i>have</i> anything, +I’m afraid, for there isn’t anything in the house.” She +smiled, and looked at her husband banteringly. “Unless he makes up +something with his old chemicals, which he’s quite equal to doing.” +</p> + +<p> +My mother shook hands stiffly, and told me to kiss my aunt.... +</p> + +<p> +“Well, let’s all sit down,” said my uncle, suddenly whistling +through his clenched teeth, and briskly rubbing his hands together. He put up a +chair for my mother, raised the blind of the little window, lowered it again, +and returned to his hearthrug. “I’m sure,” he said, as one +who decides, “I’m very glad to see you.” +</p> + +<h4>V</h4> + +<p> +As they talked I gave my attention pretty exclusively to my uncle. +</p> + +<p> +I noted him in great detail. I remember now his partially unbuttoned waistcoat, +as though something had occurred to distract him as he did it up, and a little +cut upon his chin. I liked a certain humour in his eyes. I watched, too, with +the fascination that things have for an observant boy, the play of his +lips—they were a little oblique, and there was something +“slipshod,” if one may strain a word so far, about his mouth, so +that he lisped and sibilated ever and again and the coming and going of a +curious expression, triumphant in quality it was, upon his face as he talked. +He fingered his glasses, which did not seem to fit his nose, fretted with +things in his waistcoat pockets or put his hands behind him, looked over our +heads, and ever and again rose to his toes and dropped back on his heels. He +had a way of drawing air in at times through his teeth that gave a whispering +zest to his speech It’s a sound I can only represent as a soft Zzzz. +</p> + +<p> +He did most of the talking. My mother repeated what she had already said in the +shop, “I have brought George over to you,” and then desisted for a +time from the real business in hand. “You find this a comfortable +house?” she asked; and this being affirmed: “It looks—very +convenient.... Not too big to be a trouble—no. You like Wimblehurst, I +suppose?” +</p> + +<p> +My uncle retorted with some inquiries about the great people of Bladesover, and +my mother answered in the character of a personal friend of Lady Drew’s. +The talk hung for a time, and then my uncle embarked upon a dissertation upon +Wimblehurst. +</p> + +<p> +“This place,” he began, “isn’t of course quite the +place I ought to be in.” +</p> + +<p> +My mother nodded as though she had expected that. +</p> + +<p> +“It gives me no Scope,” he went on. “It’s +dead-and-alive. Nothing happens.” +</p> + +<p> +“He’s always wanting something to happen,” said my aunt +Susan. “Some day he’ll get a shower of things and they’ll be +too much for him.” +</p> + +<p> +“Not they,” said my uncle, buoyantly. +</p> + +<p> +“Do you find business—slack?” asked my mother. +</p> + +<p> +“Oh! one rubs along. But there’s no Development—no growth. +They just come along here and buy pills when they want ’em—and a +horseball or such. They’ve got to be ill before there’s a +prescription. That sort they are. You can’t get ’em to launch out, +you can’t get ’em to take up anything new. For instance, I’ve +been trying lately—induce them to buy their medicines in advance, and in +larger quantities. But they won’t look for it! Then I tried to float a +little notion of mine, sort of an insurance scheme for colds; you pay so much a +week, and when you’ve got a cold you get a bottle of Cough Linctus so +long as you can produce a substantial sniff. See? But Lord! they’ve no +capacity for ideas, they don’t catch on; no Jump about the place, no +Life. Live!—they trickle, and what one has to do here is to trickle +too—Zzzz.” +</p> + +<p> +“Ah!” said my mother. +</p> + +<p> +“It doesn’t suit me,” said my uncle. “I’m the +cascading sort.” +</p> + +<p> +“George was that,” said my mother after a pondering moment. +</p> + +<p> +My aunt Susan took up the parable with an affectionate glance at her husband. +</p> + +<p> +“He’s always trying to make his old business jump,” she said. +“Always putting fresh cards in the window, or getting up to something. +You’d hardly believe. It makes ME jump sometimes.” +</p> + +<p> +“But it does no good,” said my uncle. +</p> + +<p> +“It does no good,” said his wife. “It’s not his +miloo...” +</p> + +<p> +Presently they came upon a wide pause. +</p> + +<p> +From the beginning of their conversation there had been the promise of this +pause, and I pricked my ears. I knew perfectly what was bound to come; they +were going to talk of my father. I was enormously strengthened in my persuasion +when I found my mother’s eyes resting thoughtfully upon me in the +silence, and than my uncle looked at me and then my aunt. I struggled +unavailingly to produce an expression of meek stupidity. +</p> + +<p> +“I think,” said my uncle, “that George will find it more +amusing to have a turn in the market-place than to sit here talking with us. +There’s a pair of stocks there, George—very interesting. +Old-fashioned stocks.” +</p> + +<p> +“I don’t mind sitting here,” I said. +</p> + +<p> +My uncle rose and in the most friendly way led me through the shop. He stood on +his doorstep and jerked amiable directions to me. +</p> + +<p> +“Ain’t it sleepy, George, eh? There’s the butcher’s dog +over there, asleep in the road-half an hour from midday! If the last Trump +sounded I don’t believe it would wake. Nobody would wake! The chaps up +there in the churchyard—they’d just turn over and say: +‘Naar—you don’t catch us, you don’t! See?’.... +Well, you’ll find the stocks just round that corner.” +</p> + +<p> +He watched me out of sight. +</p> + +<p> +So I never heard what they said about my father after all. +</p> + +<h4>VI</h4> + +<p> +When I returned, my uncle had in some remarkable way become larger and central. +“Tha’chu, George?” he cried, when the shop-door bell sounded. +“Come right through”; and I found him, as it were, in the +chairman’s place before the draped grate. +</p> + +<p> +The three of them regarded me. +</p> + +<p> +“We have been talking of making you a chemist, George,” said my +uncle. +</p> + +<p> +My mother looked at me. “I had hoped,” she said, “that Lady +Drew would have done something for him—” She stopped. +</p> + +<p> +“In what way?” said my uncle. +</p> + +<p> +“She might have spoken to some one, got him into something +perhaps....” She had the servant’s invincible persuasion that all +good things are done by patronage. +</p> + +<p> +“He is not the sort of boy for whom things are done,” she added, +dismissing these dreams. “He doesn’t accommodate himself. When he +thinks Lady Drew wishes a thing, he seems not to wish it. Towards Mr. Redgrave, +too, he has been—disrespectful—he is like his father.” +</p> + +<p> +“Who’s Mr. Redgrave?” +</p> + +<p> +“The Vicar.” +</p> + +<p> +“A bit independent?” said my uncle, briskly. +</p> + +<p> +“Disobedient,” said my mother. “He has no idea of his place. +He seems to think he can get on by slighting people and flouting them. +He’ll learn perhaps before it is too late.” +</p> + +<p> +My uncle stroked his cut chin and me. “Have you learnt any Latin?” +he asked abruptly. +</p> + +<p> +I said I had not. +</p> + +<p> +“He’ll have to learn a little Latin,” he explained to my +mother, “to qualify. H’m. He could go down to the chap at the +grammar school here—it’s just been routed into existence again by +the Charity Commissioners and have lessons.” +</p> + +<p> +“What, me learn Latin!” I cried, with emotion. +</p> + +<p> +“A little,” he said. +</p> + +<p> +“I’ve always wanted” I said and; “<i>Latin!</i>” +</p> + +<p> +I had long been obsessed by the idea that having no Latin was a disadvantage in +the world, and Archie Garvell had driven the point of this pretty earnestly +home. The literature I had read at Bladesover had all tended that way. Latin +had had a quality of emancipation for me that I find it difficult to convey. +And suddenly, when I had supposed all learning was at an end for me, I heard +this! +</p> + +<p> +“It’s no good to you, of course,” said my uncle, +“except to pass exams with, but there you are!” +</p> + +<p> +“You’ll have to learn Latin because you have to learn Latin,” +said my mother, “not because you want to. And afterwards you will have to +learn all sorts of other things....” +</p> + +<p> +The idea that I was to go on learning, that to read and master the contents of +books was still to be justifiable as a duty, overwhelmed all other facts. I had +had it rather clear in my mind for some weeks that all that kind of opportunity +might close to me for ever. I began to take a lively interest in this new +project. +</p> + +<p> +“Then shall I live here?” I asked, “with you, and study... as +well as work in the shop?” +</p> + +<p> +“That’s the way of it,” said my uncle. +</p> + +<p> +I parted from my mother that day in a dream, so sudden and important was this +new aspect of things to me. I was to learn Latin! Now that the humiliation of +my failure at Bladesover was past for her, now that she had a little got over +her first intense repugnance at this resort to my uncle and contrived something +that seemed like a possible provision for my future, the tenderness natural to +a parting far more significant than any of our previous partings crept into her +manner. +</p> + +<p> +She sat in the train to return, I remember, and I stood at the open door of her +compartment, and neither of us knew how soon we should cease for ever to be a +trouble to one another. +</p> + +<p> +“You must be a good boy, George,” she said. “You must +learn.... And you mustn’t set yourself up against those who are above you +and better than you.... Or envy them.” +</p> + +<p> +“No, mother,” I said. +</p> + +<p> +I promised carelessly. Her eyes were fixed upon me. I was wondering whether I +could by any means begin Latin that night. +</p> + +<p> +Something touched her heart then, some thought, some memory; perhaps some +premonition.... The solitary porter began slamming carriage doors. +</p> + +<p> +“George” she said hastily, almost shamefully, “kiss +me!” +</p> + +<p> +I stepped up into her compartment as she bent downward. +</p> + +<p> +She caught me in her arms quite eagerly, she pressed me to her—a strange +thing for her to do. I perceived her eyes were extraordinarily bright, and then +this brightness burst along the lower lids and rolled down her cheeks. +</p> + +<p> +For the first and last time in my life I saw my mother’s tears. Then she +had gone, leaving me discomforted and perplexed, forgetting for a time even +that I was to learn Latin, thinking of my mother as of something new and +strange. +</p> + +<p> +The thing recurred though I sought to dismiss it, it stuck itself into my +memory against the day of fuller understanding. Poor, proud, habitual, sternly +narrow soul! poor difficult and misunderstanding son! it was the first time +that ever it dawned upon me that my mother also might perhaps feel. +</p> + +<h4>VII</h4> + +<p> +My mother died suddenly and, it was thought by Lady Drew, inconsiderately, the +following spring. Her ladyship instantly fled to Folkestone with Miss +Somerville and Fison, until the funeral should be over and my mother’s +successor installed. +</p> + +<p> +My uncle took me over to the funeral. I remember there was a sort of prolonged +crisis in the days preceding this because, directly he heard of my loss, he had +sent a pair of check trousers to the Judkins people in London to be dyed black, +and they did not come back in time. He became very excited on the third day, +and sent a number of increasingly fiery telegrams without any result whatever, +and succumbed next morning with a very ill grace to my aunt Susan’s +insistence upon the resources of his dress-suit. In my memory those black legs +of his, in a particularly thin and shiny black cloth—for evidently his +dress-suit dated from adolescent and slenderer days—straddle like the +Colossus of Rhodes over my approach to my mother’s funeral. Moreover, I +was inconvenienced and distracted by a silk hat he had bought me, my first silk +hat, much ennobled, as his was also, by a deep mourning band. +</p> + +<p> +I remember, but rather indistinctly, my mother’s white paneled +housekeeper’s room and the touch of oddness about it that she was not +there, and the various familiar faces made strange by black, and I seem to +recall the exaggerated self-consciousness that arose out of their focussed +attention. No doubt the sense of the new silk hat came and went and came again +in my emotional chaos. Then something comes out clear and sorrowful, rises out +clear and sheer from among all these rather base and inconsequent things, and +once again I walk before all the other mourners close behind her coffin as it +is carried along the churchyard path to her grave, with the old vicar’s +slow voice saying regretfully and unconvincingly above me, triumphant solemn +things. +</p> + +<p> +“I am the resurrection and the life, saith the Lord; he that believeth in +me, though he were dead, yet shall he live: and whosoever liveth and believeth +in me shall never die.” +</p> + +<p> +Never die! The day was a high and glorious morning in spring, and all the trees +were budding and bursting into green. Everywhere there were blossoms and +flowers; the pear trees and cherry trees in the sexton’s garden were +sunlit snow, there were nodding daffodils and early tulips in the graveyard +beds, great multitudes of daisies, and everywhere the birds seemed singing. And +in the middle was the brown coffin end, tilting on men’s shoulders and +half occluded by the vicar’s Oxford hood. +</p> + +<p> +And so we came to my mother’s waiting grave. +</p> + +<p> +For a time I was very observant, watching the coffin lowered, hearing the words +of the ritual. It seemed a very curious business altogether. +</p> + +<p> +Suddenly as the service drew to its end, I felt something had still to be said +which had not been said, realised that she had withdrawn in silence, neither +forgiving me nor hearing from me—those now lost assurances. Suddenly I +knew I had not understood. Suddenly I saw her tenderly; remembered not so much +tender or kindly things of her as her crossed wishes and the ways in which I +had thwarted her. Surprisingly I realised that behind all her hardness and +severity she had loved me, that I was the only thing she had ever loved and +that until this moment I had never loved her. And now she was there and deaf +and blind to me, pitifully defeated in her designs for me, covered from me so +that she could not know.... +</p> + +<p> +I dug my nails into the palms of my hands, I set my teeth, but tears blinded +me, sobs would have choked me had speech been required of me. The old vicar +read on, there came a mumbled response—and so on to the end. I wept as it +were internally, and only when we had come out of the churchyard could I think +and speak calmly again. +</p> + +<p> +Stamped across this memory are the little black figures of my uncle and +Rabbits, telling Avebury, the sexton and undertaker, that “it had all +passed off very well—very well indeed.” +</p> + +<h4>VIII</h4> + +<p> +That is the last I shall tell of Bladesover. The dropscene falls on that, and +it comes no more as an actual presence into this novel. I did indeed go back +there once again, but under circumstances quite immaterial to my story. But in +a sense Bladesover has never left me; it is, as I said at the outset, one of +those dominant explanatory impressions that make the framework of my mind. +Bladesover illuminates England; it has become all that is spacious, dignified +pretentious, and truly conservative in English life. It is my social datum. +That is why I have drawn it here on so large a scale. +</p> + +<p> +When I came back at last to the real Bladesover on an inconsequent visit, +everything was far smaller than I could have supposed possible. It was as +though everything had shivered and shrivelled a little at the Lichtenstein +touch. The harp was still in the saloon, but there was a different grand piano +with a painted lid and a metrostyle pianola, and an extraordinary quantity of +artistic litter and <i>bric-à-brac</i> scattered about. There was the trail of +the Bond Street showroom over it all. The furniture was still under chintz, but +it wasn’t the same sort of chintz although it pretended to be, and the +lustre-dangling chandeliers had passed away. Lady Lichtenstein’s books +replaced the brown volumes I had browsed among—they were mostly +presentation copies of contemporary novels and the <i>National Review</i> and +the <i>Empire Review</i>, and the <i>Nineteenth Century and After</i> jostled +current books on the tables—English new books in gaudy catchpenny +“artistic” covers, French and Italian novels in yellow, German art +handbooks of almost incredible ugliness. There were abundant evidences that her +ladyship was playing with the Keltic renascence, and a great number of ugly +cats made of china—she “collected” china and stoneware +cats—stood about everywhere—in all colours, in all kinds of +deliberately comic, highly glazed distortion. +</p> + +<p> +It is nonsense to pretend that finance makes any better aristocrats than rent. +Nothing can make an aristocrat but pride, knowledge, training, and the sword. +These people were no improvement on the Drews, none whatever. There was no +effect of a beneficial replacement of passive unintelligent people by active +intelligent ones. One felt that a smaller but more enterprising and intensely +undignified variety of stupidity had replaced the large dullness of the old +gentry, and that was all. Bladesover, I thought, had undergone just the same +change between the seventies and the new century that had overtaken the dear +old <i>Times</i>, and heaven knows how much more of the decorous British +fabric. These Lichtensteins and their like seem to have no promise in them at +all of any fresh vitality for the kingdom. I do not believe in their +intelligence or their power—they have nothing new about them at all, +nothing creative nor rejuvenescent, no more than a disorderly instinct of +acquisition; and the prevalence of them and their kind is but a phase in the +broad slow decay of the great social organism of England. They could not have +made Bladesover they cannot replace it; they just happen to break out over +it—saprophytically. +</p> + +<p> +Well—that was my last impression of Bladesover. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap03"></a>CHAPTER THE THIRD<br /> +THE WIMBLEHURST APPRENTICESHIP</h3> + +<h4>I</h4> + +<p> +So far as I can remember now, except for that one emotional phase by the +graveside, I passed through all these experiences rather callously. I had +already, with the facility of youth, changed my world, ceased to think at all +of the old school routine and put Bladesover aside for digestion at a latter +stage. I took up my new world in Wimblehurst with the chemist’s shop as +its hub, set to work at Latin and materia medica, and concentrated upon the +present with all my heart. Wimblehurst is an exceptionally quiet and grey +Sussex town rare among south of England towns in being largely built of stone. +I found something very agreeable and picturesque in its clean cobbled streets, +its odd turnings and abrupt corners; and in the pleasant park that crowds up +one side of the town. The whole place is under the Eastry dominion and it was +the Eastry influence and dignity that kept its railway station a mile and +three-quarters away. Eastry House is so close that it dominates the whole; one +goes across the marketplace (with its old lock-up and stocks), past the great +pre-reformation church, a fine grey shell, like some empty skull from which the +life has fled, and there at once are the huge wrought-iron gates, and one peeps +through them to see the façade of this place, very white and large and fine, +down a long avenue of yews. Eastry was far greater than Bladesover and an +altogether completer example of the eighteenth century system. It ruled not two +villages, but a borough, that had sent its sons and cousins to parliament +almost as a matter of right so long as its franchise endured. Every one was in +the system, every one—except my uncle. He stood out and complained. +</p> + +<p> +My uncle was the first real breach I found in the great front of Bladesover the +world had presented me, for Chatham was not so much a breach as a confirmation. +But my uncle had no respect for Bladesover and Eastry—none whatever. He +did not believe in them. He was blind even to what they were. He propounded +strange phrases about them, he exfoliated and wagged about novel and incredible +ideas. +</p> + +<p> +“This place,” said my uncle, surveying it from his open doorway in +the dignified stillness of a summer afternoon, “wants Waking Up!” +</p> + +<p> +I was sorting up patent medicines in the corner. +</p> + +<p> +“I’d like to let a dozen young Americans loose into it,” said +my uncle. “Then we’d see.” +</p> + +<p> +I made a tick against Mother Shipton’s Sleeping Syrup. We had cleared our +forward stock. +</p> + +<p> +“Things must be happening <i>somewhere</i>, George,” he broke out +in a querulously rising note as he came back into the little shop. He fiddled +with the piled dummy boxes of fancy soap and scent and so forth that adorned +the end of the counter, then turned about petulantly, stuck his hands deeply +into his pockets and withdrew one to scratch his head. “I must do +<i>something</i>,” he said. “I can’t stand it. +</p> + +<p> +“I must invent something. And shove it.... I could. +</p> + +<p> +“Or a play. There’s a deal of money in a play, George. What would +you think of me writing a play eh?... There’s all sorts of things to be +done. +</p> + +<p> +“Or the stog-igschange.” +</p> + +<p> +He fell into that meditative whistling of his. +</p> + +<p> +“Sac-ramental wine!” he swore, “this isn’t the +world—it’s Cold Mutton Fat! That’s what Wimblehurst is! Cold +Mutton Fat!—dead and stiff! And I’m buried in it up to the arm +pits. Nothing ever happens, nobody wants things to happen ‘scept me! Up +in London, George, things happen. America! I wish to Heaven, George, I’d +been born American—where things hum. +</p> + +<p> +“What can one do here? How can one grow? While we’re sleepin’ +here with our Capital oozing away into Lord Eastry’s pockets for rent-men +are up there....” He indicated London as remotely over the top of the +dispensing counter, and then as a scene of great activity by a whirl of the +hand and a wink and a meaning smile at me. +</p> + +<p> +“What sort of things do they do?” I asked. +</p> + +<p> +“Rush about,” he said. “Do things! Somethin’ glorious. +There’s cover gambling. Ever heard of that, George?” He drew the +air in through his teeth. “You put down a hundred say, and buy ten +thousand pounds worth. See? That’s a cover of one per cent. Things go up +one, you sell, realise cent per cent; down, whiff, it’s gone! Try again! +Cent per cent, George, every day. Men are made or done for in an hour. And the +shoutin’! Zzzz.... Well, that’s one way, George. Then another +way—there’s Corners!” +</p> + +<p> +“They’re rather big things, aren’t they?” I ventured. +</p> + +<p> +“Oh, if you go in for wheat or steel—yes. But suppose you tackled a +little thing, George. Just some little thing that only needed a few thousands. +Drugs for example. Shoved all you had into it—staked your liver on it, so +to speak. Take a drug—take ipecac, for example. Take a lot of ipecac. +Take all there is! See? There you are! There aren’t unlimited supplies of +ipecacuanha—can’t be!—and it’s a thing people must +have. Then quinine again! You watch your chance, wait for a tropical war +breaking out, let’s say, and collar all the quinine. Where ARE they? Must +have quinine, you know. Eh? Zzzz. +</p> + +<p> +“Lord! there’s no end of things—no end of <i>little</i> +things. Dill-water—all the suffering babes yowling for it. Eucalyptus +again—cascara—witch hazel—menthol—all the toothache +things. Then there’s antiseptics, and curare, cocaine....” +</p> + +<p> +“Rather a nuisance to the doctors,” I reflected. +</p> + +<p> +“They got to look out for themselves. By Jove, yes. They’ll do you +if they can, and you do them. Like brigands. That makes it romantic. +That’s the Romance of Commerce, George. You’re in the mountains +there! Think of having all the quinine in the world, and some +millionaire’s pampered wife gone ill with malaria, eh? That’s a +squeeze, George, eh? Eh? Millionaire on his motor car outside, offering you any +price you liked. That ’ud wake up Wimblehurst.... Lord! You haven’t +an Idea down here. Not an idea. Zzzz.” +</p> + +<p> +He passed into a rapt dream, from which escaped such fragments as: “Fifty +per cent. advance sir; security—to-morrow. Zzzz.” +</p> + +<p> +The idea of cornering a drug struck upon my mind then as a sort of +irresponsible monkey trick that no one would ever be permitted to do in +reality. It was the sort of nonsense one would talk to make Ewart laugh and set +him going on to still odder possibilities. I thought it was part of my +uncle’s way of talking. But I’ve learnt differently since. The +whole trend of modern money-making is to foresee something that will presently +be needed and put it out of reach, and then to haggle yourself wealthy. You buy +up land upon which people will presently want to build houses, you secure +rights that will bar vitally important developments, and so on, and so on. Of +course the naïve intelligence of a boy does not grasp the subtler developments +of human inadequacy. He begins life with a disposition to believe in the wisdom +of grown-up people, he does not realise how casual and disingenuous has been +the development of law and custom, and he thinks that somewhere in the state +there is a power as irresistible as a head master’s to check mischievous +and foolish enterprises of every sort. I will confess that when my uncle talked +of cornering quinine, I had a clear impression that any one who contrived to do +that would pretty certainly go to jail. Now I know that any one who could +really bring it off would be much more likely to go to the House of Lords! +</p> + +<p> +My uncle ranged over the gilt labels of his bottles and drawers for a while, +dreaming of corners in this and that. But at last he reverted to Wimblehurst +again. +</p> + +<p> +“You got to be in London when these things are in hand. Down here—! +</p> + +<p> +“Jee-rusalem!” he cried. “Why did I plant myself here? +Everything’s done. The game’s over. Here’s Lord Eastry, and +he’s got everything, except what his lawyers get, and before you get any +more change this way you’ll have to dynamite him—and them. +<i>He</i> doesn’t want anything more to happen. Why should he? Any chance +’ud be a loss to him. He wants everything to burble along and burble +along and go on as it’s going for the next ten thousand years, Eastry +after Eastry, one parson down another come, one grocer dead, get another! Any +one with any ideas better go away. They <i>have</i> gone away! Look at all +these blessed people in this place! Look at ’em! All fast asleep, doing +their business out of habit—in a sort of dream, Stuffed men would do just +as well—just. They’ve all shook down into their places. <i>They</i> +don’t want anything to happen either. They’re all broken in. There +you are! Only what are they all alive for?... +</p> + +<p> +“Why can’t they get a clockwork chemist?” +</p> + +<p> +He concluded as he often concluded these talks. “I must invent +something,—that’s about what I must do. Zzzz. Some convenience. +Something people want.... Strike out.... You can’t think, George, of +anything everybody wants and hasn’t got? I mean something you could turn +out retail under a shilling, say? Well, <i>you</i> think, whenever you +haven’t got anything better to do. See?” +</p> + +<h4>II</h4> + +<p> +So I remember my uncle in that first phase, young, but already a little fat, +restless, fretful, garrulous, putting in my fermenting head all sorts of +discrepant ideas. Certainly he was educational.... +</p> + +<p> +For me the years at Wimblehurst were years of pretty active growth. Most of my +leisure and much of my time in the shop I spent in study. I speedily mastered +the modicum of Latin necessary for my qualifying examinations, and—a +little assisted by the Government Science and Art Department classes that were +held in the Grammar School—went on with my mathematics. There were +classes in physics, in chemistry, in mathematics and machine drawing, and I +took up these subjects with considerable avidity. Exercise I got chiefly in the +form of walks. There was some cricket in the summer and football in the winter +sustained by young men’s clubs that levied a parasitic blackmail of the +big people and the sitting member, but I was never very keen at these games. I +didn’t find any very close companions among the youths of Wimblehurst. +They struck me, after my cockney schoolmates, as loutish and slow, servile and +furtive, spiteful and mean. <i>We</i> used to swagger, but these countrymen +dragged their feet and hated an equal who didn’t; we talked loud, but you +only got the real thoughts of Wimblehurst in a knowing undertone behind its +hand. And even then they weren’t much in the way of thoughts. +</p> + +<p> +No, I didn’t like those young countrymen, and I’m no believer in +the English countryside under the Bladesover system as a breeding ground for +honourable men. One hears a frightful lot of nonsense about the Rural Exodus +and the degeneration wrought by town life upon our population. To my mind, the +English townsman, even in the slums, is infinitely better spiritually, more +courageous, more imaginative and cleaner, than his agricultural cousin. +I’ve seen them both when they didn’t think they were being +observed, and I know. There was something about my Wimblehurst companions that +disgusted me. It’s hard to define. Heaven knows that at that cockney +boarding-school at Goudhurst we were coarse enough; the Wimblehurst youngsters +had neither words nor courage for the sort of thing we used to do—for our +bad language, for example; but, on the other hand, they displayed a sort of +sluggish, real lewdness, lewdness is the word—a baseness of attitude. +Whatever we exiled urbans did at Goudhurst was touched with something, however +coarse, of romantic imagination. We had read the <i>Boys of England</i>, and +told each other stories. In the English countryside there are no books at all, +no songs, no drama, no valiant sin even; all these things have never come or +they were taken away and hidden generations ago, and the imagination aborts and +bestialises. That, I think, is where the real difference against the English +rural man lies. It is because I know this that I do not share in the common +repinings because our countryside is being depopulated, because our population +is passing through the furnace of the towns. They starve, they suffer, no +doubt, but they come out of it hardened, they come out of it with souls. +</p> + +<p> +Of an evening the Wimblehurst blade, shiny-faced from a wash and with some loud +finery, a coloured waistcoat or a vivid tie, would betake himself to the Eastry +Arms billiard-room, or to the bar parlour of some minor pub where nap could be +played. One soon sickened of his slow knowingness, the cunning observation of +his deadened eyes, his idea of a “good story,” always, always told +in undertones, poor dirty worm! his shrewd, elaborate maneuvers for some petty +advantage, a drink to the good or such-like deal. There rises before my eyes as +I write, young Hopley Dodd, the son of the Wimblehurst auctioneer, the pride of +Wimblehurst, its finest flower, with his fur waistcoat and his bulldog pipe, +his riding breeches—he had no horse—and his gaiters, as he used to +sit, leaning forward and watching the billiard-table from under the brim of his +artfully tilted hat. A half-dozen phrases constituted his conversation: +“hard lines!” he used to say, and “Good baazness,” in a +bass bleat. Moreover, he had a long slow whistle that was esteemed the very +cream of humorous comment. Night after night he was there. +</p> + +<p> +Also you knew he would not understand that <i>I</i> could play billiards, and +regarded every stroke I made as a fluke. For a beginner I didn’t play so +badly, I thought. I’m not so sure now; that was my opinion at the time. +But young Dodd’s scepticism and the “good baazness” finally +cured me of my disposition to frequent the Eastry Arms, and so these noises had +their value in my world. +</p> + +<p> +I made no friends among the young men of the place at all, and though I was +entering upon adolescence I have no love-affair to tell of here. Not that I was +not waking up to that aspect of life in my middle teens I did, indeed, in +various slightly informal ways scrape acquaintance with casual Wimblehurst +girls; with a little dressmaker’s apprentice I got upon shyly speaking +terms, and a pupil teacher in the National School went further and was +“talked about” in connection with me but I was not by any means +touched by any reality of passion for either of these young people; +love—love as yet came to me only in my dreams. I only kissed these girls +once or twice. They rather disconcerted than developed those dreams. They were +so clearly not “it.” I shall have much to say of love in this +story, but I may break it to the reader now that it is my role to be a rather +ineffectual lover. Desire I knew well enough—indeed, too well; but love I +have been shy of. In all my early enterprises in the war of the sexes, I was +torn between the urgency of the body and a habit of romantic fantasy that +wanted every phase of the adventure to be generous and beautiful. And I had a +curiously haunting memory of Beatrice, of her kisses in the bracken and her +kiss upon the wall, that somehow pitched the standard too high for +Wimblehurst’s opportunities. I will not deny I did in a boyish way +attempt a shy, rude adventure or so in love-making at Wimblehurst; but through +these various influences, I didn’t bring things off to any extent at all. +I left behind me no devastating memories, no splendid reputation. I came away +at last, still inexperienced and a little thwarted, with only a natural growth +of interest and desire in sexual things. +</p> + +<p> +If I fell in love with any one in Wimblehurst it was with my aunt. She treated +me with a kindliness that was only half maternal—she petted my books, she +knew about my certificates, she made fun of me in a way that stirred my heart +to her. Quite unconsciously I grew fond of her.... +</p> + +<p> +My adolescent years at Wimblehurst were on the whole laborious, uneventful +years that began in short jackets and left me in many ways nearly a man, years +so uneventful that the Calculus of Variations is associated with one winter, +and an examination in Physics for Science and Art department Honours marks an +epoch. Many divergent impulses stirred within me, but the master impulse was a +grave young disposition to work and learn and thereby in some not very clearly +defined way get out of the Wimblehurst world into which I had fallen. I wrote +with some frequency to Ewart, self-conscious, but, as I remember them, not +intelligent letters, dated in Latin and with lapses into Latin quotation that +roused Ewart to parody. There was something about me in those days more than a +little priggish. But it was, to do myself justice, something more than the +petty pride of learning. I had a very grave sense of discipline and preparation +that I am not ashamed at all to remember. I was serious. More serious than I am +at the present time. More serious, indeed, than any adult seems to be. I was +capable then of efforts—of nobilities.... They are beyond me now. I +don’t see why, at forty, I shouldn’t confess I respect my own +youth. I had dropped being a boy quite abruptly. I thought I was presently to +go out into a larger and quite important world and do significant things there. +I thought I was destined to do something definite to a world that had a +definite purpose. I did not understand then, as I do now, that life was to +consist largely in the world’s doing things to me. Young people never do +seem to understand that aspect of things. And, as I say, among my educational +influences my uncle, all unsuspected, played a leading part, and perhaps among +other things gave my discontent with Wimblehurst, my desire to get away from +that clean and picturesque emptiness, a form and expression that helped to +emphasise it. In a way that definition made me patient. “Presently I +shall get to London,” I said, echoing him. +</p> + +<p> +I remember him now as talking, always talking, in those days. He talked to me +of theology, he talked of politics, of the wonders of science and the marvels +of art, of the passions and the affections, of the immortality of the soul and +the peculiar actions of drugs; but predominantly and constantly he talked of +getting on, of enterprises, of inventions and great fortunes, of Rothschilds, +silver kings, Vanderbilts, Goulds, flotations, realisations and the marvelous +ways of Chance with men—in all localities, that is to say, that are not +absolutely sunken to the level of Cold Mutton Fat. +</p> + +<p> +When I think of those early talks, I figure him always in one of three +positions. Either we were in the dispensing lair behind a high barrier, he +pounding up things in a mortar perhaps, and I rolling pill-stuff into long +rolls and cutting it up with a sort of broad, fluted knife, or he stood looking +out of the shop door against the case of sponges and spray-diffusers, while I +surveyed him from behind the counter, or he leant against the little drawers +behind the counter, and I hovered dusting in front. The thought of those early +days brings back to my nostrils the faint smell of scent that was always in the +air, marbled now with streaks of this drug and now of that, and to my eyes the +rows of jejune glass bottles with gold labels, mirror-reflected, that stood +behind him. My aunt, I remember, used sometimes to come into the shop in a +state of aggressive sprightliness, a sort of connubial ragging expedition, and +get much fun over the abbreviated Latinity of those gilt inscriptions. +“Ol Amjig, George,” she would read derisively, “and he +pretends it’s almond oil! Snap!—and that’s mustard. Did you +<i>ever</i>, George? +</p> + +<p> +“Look at him, George, looking dignified. I’d like to put an old +label on to <i>him</i> round the middle like his bottles are, with Ol Pondo on +it. That’s Latin for Impostor, George <i>must</i> be. He’d look +lovely with a stopper.” +</p> + +<p> +“<i>You</i> want a stopper,” said my uncle, projecting his face.... +</p> + +<p> +My aunt, dear soul, was in those days quite thin and slender, with a delicate +rosebud completion and a disposition to connubial badinage, to a sort of gentle +skylarking. There was a silvery ghost of lisping in her speech. She was a great +humourist, and as the constraint of my presence at meals wore off, I became +more and more aware of a filmy but extensive net of nonsense she had woven +about her domestic relations until it had become the reality of her life. She +affected a derisive attitude to the world at large and applied the epithet +“old” to more things than I have ever heard linked to it before or +since. “Here’s the old news-paper,” she used to say—to +my uncle. “Now don’t go and get it in the butter, you silly old +Sardine!” +</p> + +<p> +“What’s the day of the week, Susan?” my uncle would ask. +</p> + +<p> +“Old Monday, Sossidge,” she would say, and add, “I got all my +Old Washing to do. Don’t I <i>know</i> it!”... +</p> + +<p> +She had evidently been the wit and joy of a large circle of schoolfellows, and +this style had become a second nature with her. It made her very delightful to +me in that quiet place. Her customary walk even had a sort of hello! in it. Her +chief preoccupation in life was, I believe, to make my uncle laugh, and when by +some new nickname, some new quaintness or absurdity, she achieved that end, she +was, behind a mask of sober amazement, the happiest woman on earth. My +uncle’s laugh when it did come, I must admit was, as Baedeker says, +“rewarding.” It began with gusty blowings and snortings, and opened +into a clear “Ha ha!” but in fullest development it included, in +those youthful days, falling about anyhow and doubling up tightly, and +whackings of the stomach, and tears and cries of anguish. I never in my life +heard my uncle laugh to his maximum except at her; he was commonly too much in +earnest for that, and he didn’t laugh much at all, to my knowledge, after +those early years. Also she threw things at him to an enormous extent in her +resolve to keep things lively in spite of Wimblehurst; sponges out of stock she +threw, cushions, balls of paper, clean washing, bread; and once up the yard +when they thought that I and the errand boy and the diminutive maid of all work +were safely out of the way, she smashed a boxful of eight-ounce bottles I had +left to drain, assaulting my uncle with a new soft broom. Sometimes she would +shy things at me—but not often. There seemed always laughter round and +about her—all three of us would share hysterics at times—and on one +occasion the two of them came home from church shockingly ashamed of +themselves, because of a storm of mirth during the sermon. The vicar, it seems, +had tried to blow his nose with a black glove as well as the customary +pocket-handkerchief. And afterwards she had picked up her own glove by the +finger, and looking innocently but intently sideways, had suddenly by this +simple expedient exploded my uncle altogether. We had it all over again at +dinner. +</p> + +<p> +“But it shows you,” cried my uncle, suddenly becoming grave, +“what Wimblehurst is, to have us all laughing at a little thing like +that! We weren’t the only ones that giggled. Not by any means! And, Lord! +it <i>was</i> funny!” +</p> + +<p> +Socially, my uncle and aunt were almost completely isolated. In places like +Wimblehurst the tradesmen’s lives always are isolated socially, all of +them, unless they have a sister or a bosom friend among the other wives, but +the husbands met in various bar-parlours or in the billiard-room of the Eastry +Arms. But my uncle, for the most part, spent his evenings at home. When first +he arrived in Wimblehurst I think he had spread his effect of abounding ideas +and enterprise rather too aggressively; and Wimblehurst, after a temporary +subjugation, had rebelled and done its best to make a butt of him. His +appearance in a public-house led to a pause in any conversation that was going +on. +</p> + +<p> +“Come to tell us about everything, Mr. Pond’revo?” some one +would say politely. +</p> + +<p> +“You wait,” my uncle used to answer, disconcerted, and sulk for the +rest of his visit. +</p> + +<p> +Or some one with an immense air of innocence would remark to the world +generally, “They’re talkin’ of rebuildin’ Wimblehurst +all over again, I’m told. Anybody heard anything of it? Going to make it +a reg’lar smartgoin’, enterprisin’ place—kind of +Crystal Pallas.” +</p> + +<p> +“Earthquake and a pestilence before you get <i>that</i>,” my uncle +would mutter, to the infinite delight of every one, and add something inaudible +about “Cold Mutton Fat.”... +</p> + +<h4>III</h4> + +<p> +We were torn apart by a financial accident to my uncle of which I did not at +first grasp the full bearings. He had developed what I regarded as an innocent +intellectual recreation which he called stock-market meteorology. I think he +got the idea from one use of curves in the graphic presentation of associated +variations that he saw me plotting. He secured some of my squared paper and, +having cast about for a time, decided to trace the rise and fall of certain +lines and railways. “There’s something in this, George,” he +said, and I little dreamt that among other things that were in it, was the +whole of his spare money and most of what my mother had left to him in trust +for me. +</p> + +<p> +“It’s as plain as can be,” he said. “See, here’s +one system of waves and here’s another! These are prices for Union +Pacifics—extending over a month. Now next week, mark my words, +they’ll be down one whole point. We’re getting near the steep part +of the curve again. See? It’s absolutely scientific. It’s +verifiable. Well, and apply it! You buy in the hollow and sell on the crest, +and there you are!” +</p> + +<p> +I was so convinced of the triviality of this amusement that to find at last +that he had taken it in the most disastrous earnest overwhelmed me. +</p> + +<p> +He took me for a long walk to break it to me, over the hills towards Yare and +across the great gorse commons by Hazelbrow. +</p> + +<p> +“There are ups and downs in life, George,” he said—halfway +across that great open space, and paused against the sky.... “I left out +one factor in the Union Pacific analysis.” +</p> + +<p> +“<i>Did</i> you?” I said, struck by the sudden chance in his voice. +“But you don’t mean?” +</p> + +<p> +I stopped and turned on him in the narrow sandy rut of pathway and he stopped +likewise. +</p> + +<p> +“I do, George. I <i>do</i> mean. It’s bust me! I’m a bankrupt +here and now.” +</p> + +<p> +“Then—?” +</p> + +<p> +“The shop’s bust too. I shall have to get out of that.” +</p> + +<p> +“And me?” +</p> + +<p> +“Oh, you!—<i>you’re</i> all right. You can transfer your +apprenticeship, and—er—well, I’m not the sort of man to be +careless with trust funds, you can be sure. I kept that aspect in mind. +There’s some of it left George—trust me!—quite a decent +little sum.” +</p> + +<p> +“But you and aunt?” +</p> + +<p> +“It isn’t <i>quite</i> the way we meant to leave Wimblehurst, +George; but we shall have to go. Sale; all the things shoved about and +ticketed—lot a hundred and one. Ugh!... It’s been a larky little +house in some ways. The first we had. Furnishing—a spree in its way.... +Very happy...” His face winced at some memory. “Let’s go on, +George,” he said shortly, near choking, I could see. +</p> + +<p> +I turned my back on him, and did not look round again for a little while. +</p> + +<p> +“That’s how it is, you see, George.” I heard him after a +time. +</p> + +<p> +When we were back in the high road again he came alongside, and for a time we +walked in silence. +</p> + +<p> +“Don’t say anything home yet,” he said presently. +“Fortunes of War. I got to pick the proper time with Susan—else +she’ll get depressed. Not that she isn’t a first-rate brick +whatever comes along.” +</p> + +<p> +“All right,” I said, “I’ll be careful”; and it +seemed to me for the time altogether too selfish to bother him with any further +inquiries about his responsibility as my trustee. He gave a little sigh of +relief at my note of assent, and was presently talking quite cheerfully of his +plans.... But he had, I remember, one lapse into moodiness that came and went +suddenly. “Those others!” he said, as though the thought had stung +him for the first time. +</p> + +<p> +“What others?” I asked. +</p> + +<p> +“Damn them!” said he. +</p> + +<p> +“But what others?” +</p> + +<p> +“All those damned stick-in-the-mud-and-die-slowly tradespeople: Ruck, the +butcher, Marbel, the grocer. Snape! Gord! George, <i>how</i> they’ll +grin!” +</p> + +<p> +I thought him over in the next few weeks, and I remember now in great detail +the last talk we had together before he handed over the shop and me to his +successor. For he had the good luck to sell his business, “lock, stock, +and barrel”—in which expression I found myself and my indentures +included. The horrors of a sale by auction of the furniture even were avoided. +</p> + +<p> +I remember that either coming or going on that occasion, Ruck, the butcher, +stood in his doorway and regarded us with a grin that showed his long teeth. +</p> + +<p> +“You half-witted hog!” said my uncle. “You grinning +hyaena”; and then, “Pleasant day, Mr. Ruck.” +</p> + +<p> +“Goin’ to make your fortun’ in London, then?” said Mr. +Ruck, with slow enjoyment. +</p> + +<p> +That last excursion took us along the causeway to Beeching, and so up the downs +and round almost as far as Steadhurst, home. My moods, as we went, made a +mingled web. By this time I had really grasped the fact that my uncle had, in +plain English, robbed me; the little accumulations of my mother, six hundred +pounds and more, that would have educated me and started me in business, had +been eaten into and was mostly gone into the unexpected hollow that ought to +have been a crest of the Union Pacific curve, and of the remainder he still +gave no account. I was too young and inexperienced to insist on this or know +how to get it, but the thought of it all made streaks of decidedly black anger +in that scheme of interwoven feelings. And you know, I was also acutely sorry +for him—almost as sorry as I was for my aunt Susan. Even then I had quite +found him out. I knew him to be weaker than myself; his incurable, +irresponsible childishness was as clear to me then as it was on his deathbed, +his redeeming and excusing imaginative silliness. Through some odd mental twist +perhaps I was disposed to exonerate him even at the cost of blaming my poor old +mother who had left things in his untrustworthy hands. +</p> + +<p> +I should have forgiven him altogether, I believe, if he had been in any manner +apologetic to me; but he wasn’t that. He kept reassuring me in a way I +found irritating. Mostly, however, his solicitude was for Aunt Susan and +himself. +</p> + +<p> +“It’s these Crises, George,” he said, “try Character. +Your aunt’s come out well, my boy.” +</p> + +<p> +He made meditative noises for a space. +</p> + +<p> +“Had her cry of course,”—the thing had been only too +painfully evident to me in her eyes and swollen face—“who +wouldn’t? But now—buoyant again!... She’s a Corker. +</p> + +<p> +“We’ll be sorry to leave the little house of course. It’s a +bit like Adam and Eve, you know. Lord! what a chap old Milton was! +</p> + +<p class="poem"> +“‘The world was all before them, where to choose<br /> +Their place of rest, and Providence their guide.’ +</p> + +<p class="noindent"> +“It sounds, George.... Providence their guide!... Well—thank +goodness there’s no imeedgit prospect of either Cain or Abel!” +</p> + +<p> +“After all, it won’t be so bad up there. Not the scenery, perhaps, +or the air we get here, but—<i>Life!</i> We’ve got very comfortable +little rooms, very comfortable considering, and I shall rise. We’re not +done yet, we’re not beaten; don’t think that, George. I shall pay +twenty shillings in the pound before I’ve done—you mark my words, +George,—twenty—five to you.... I got this situation within +twenty-four hours—others offered. It’s an important firm—one +of the best in London. I looked to that. I might have got four or five +shillings a week more—elsewhere. Quarters I could name. But I said to +them plainly, wages to go on with, but opportunity’s my +game—development. We understood each other.” +</p> + +<p> +He threw out his chest, and the little round eyes behind his glasses rested +valiantly on imaginary employers. +</p> + +<p> +We would go on in silence for a space while he revised and restated that +encounter. Then he would break out abruptly with some banal phrase. +</p> + +<p> +“The Battle of Life, George, my boy,” he would cry, or “Ups +and Downs!” +</p> + +<p> +He ignored or waived the poor little attempts I made to ascertain my own +position. “That’s all right,” he would say; or, “Leave +all that to me. <i>I’ll</i> look after them.” And he would drift +away towards the philosophy and moral of the situation. What was I to do? +</p> + +<p> +“Never put all your resources into one chance, George; that’s the +lesson I draw from this. Have forces in reserve. It was a hundred to one, +George, that I was right—a hundred to one. I worked it out afterwards. +And here we are spiked on the off-chance. If I’d have only kept back a +little, I’d have had it on U.P. next day, like a shot, and come out on +the rise. There you are!” +</p> + +<p> +His thoughts took a graver turn. +</p> + +<p> +“It’s where you’ll bump up against Chance like this, George, +that you feel the need of religion. Your hard-and-fast scientific +men—your Spencers and Huxleys—they don’t understand that. I +do. I’ve thought of it a lot lately—in bed and about. I was +thinking of it this morning while I shaved. It’s not irreverent for me to +say it, I hope—but God comes in on the off-chance, George. See? +Don’t you be too cocksure of anything, good or bad. That’s what I +make out of it. I could have sworn. Well, do you think I—particular as I +am—would have touched those Union Pacifics with trust money at all, if I +hadn’t thought it a thoroughly good thing—good without spot or +blemish?... And it was bad! +</p> + +<p> +“It’s a lesson to me. You start in to get a hundred percent. and +you come out with that. It means, in a way, a reproof for Pride. I’ve +thought of that, George—in the Night Watches. I was thinking this morning +when I was shaving, that that’s where the good of it all comes in. At the +bottom I’m a mystic in these affairs. You calculate you’re going to +do this or that, but at bottom who knows at all <i>what</i> he’s doing? +When you most think you’re doing things, they’re being done right +over your head. <i>You’re</i> being done—in a sense. Take a +hundred-to one chance, or one to a hundred—what does it matter? +You’re being Led.” +</p> + +<p> +It’s odd that I heard this at the time with unutterable contempt, and now +that I recall it—well, I ask myself, what have I got better? +</p> + +<p> +“I wish,” said I, becoming for a moment outrageous, +“<i>you</i> were being Led to give me some account of my money, +uncle.” +</p> + +<p> +“Not without a bit of paper to figure on, George, I can’t. But you +trust me about that never fear. You trust me.” +</p> + +<p> +And in the end I had to. +</p> + +<p> +I think the bankruptcy hit my aunt pretty hard. There was, so far as I can +remember now, a complete cessation of all those cheerful outbreaks of +elasticity, no more skylarking in the shop nor scampering about the house. But +there was no fuss that I saw, and only little signs in her complexion of the +fits of weeping that must have taken her. She didn’t cry at the end, +though to me her face with its strain of self-possession was more pathetic than +any weeping. “Well” she said to me as she came through the shop to +the cab, “Here’s old orf, George! Orf to Mome number two! +Good-bye!” And she took me in her arms and kissed me and pressed me to +her. Then she dived straight for the cab before I could answer her. +</p> + +<p> +My uncle followed, and he seemed to me a trifle too valiant and confident in +his bearing for reality. He was unusually white in the face. He spoke to his +successor at the counter. “Here we go!” he said. “One down, +the other up. You’ll find it a quiet little business so long as you run +it on quiet lines—a nice quiet little business. There’s nothing +more? No? Well, if you want to know anything write to me. I’ll always +explain fully. Anything—business, place or people. You’ll find Pil +Antibil. a little overstocked by-the-by, I found it soothed my mind the day +before yesterday making ’em, and I made ’em all day. Thousands! And +where’s George? Ah! there you are! I’ll write to you, George, +<i>fully</i>, about all that affair. Fully!” +</p> + +<p> +It became clear to me as if for the first time, that I was really parting from +my aunt Susan. I went out on to the pavement and saw her head craned forward, +her wide-open blue eyes and her little face intent on the shop that had +combined for her all the charms of a big doll’s house and a little home +of her very own. “Good-bye!” she said to it and to me. Our eyes met +for a moment—perplexed. My uncle bustled out and gave a few totally +unnecessary directions to the cabman and got in beside her. “All +right?” asked the driver. “Right,” said I; and he woke up the +horse with a flick of his whip. My aunt’s eyes surveyed me again. +“Stick to your old science and things, George, and write and tell me when +they make you a Professor,” she said cheerfully. +</p> + +<p> +She stared at me for a second longer with eyes growing wider and brighter and a +smile that had become fixed, glanced again at the bright little shop still +saying “Ponderevo” with all the emphasis of its fascia, and then +flopped back hastily out of sight of me into the recesses of the cab. Then it +had gone from before me and I beheld Mr. Snape, the hairdresser, inside his +store regarding its departure with a quiet satisfaction and exchanging smiles +and significant headshakes with Mr. Marbel. +</p> + +<h4>IV</h4> + +<p> +I was left, I say, as part of the lock, stock, and barrel, at Wimblehurst with +my new master, a Mr. Mantell; who plays no part in the progress of this story +except in so far as he effaced my uncle’s traces. So soon as the +freshness of this new personality faded, I began to find Wimblehurst not only a +dull but a lonely place, and to miss my aunt Susan immensely. The +advertisements of the summer terms for Cough Linctus were removed; the bottles +of coloured water—red, green, and yellow—restored to their places; +the horse announcing veterinary medicine, which my uncle, sizzling all the +while, had coloured in careful portraiture of a Goodwood favourite, rewhitened; +and I turned myself even more resolutely than before to Latin (until the +passing of my preliminary examination enabled me to drop that), and then to +mathematics and science. +</p> + +<p> +There were classes in Electricity and Magnetism at the Grammar School. I took a +little “elementary” prize in that in my first year and a medal in +my third; and in Chemistry and Human Physiology and Sound, Light and Heat, I +did well. There was also a lighter, more discursive subject called +Physiography, in which one ranged among the sciences and encountered Geology as +a process of evolution from Eozoon to Eastry House, and Astronomy as a record +of celestial movements of the most austere and invariable integrity. I learnt +out of badly-written, condensed little text-books, and with the minimum of +experiment, but still I learnt. Only thirty years ago it was, and I remember I +learnt of the electric light as an expensive, impracticable toy, the telephone +as a curiosity, electric traction as a practical absurdity. There was no argon, +no radium, no phagocytes—at least to my knowledge, and aluminium was a +dear, infrequent metal. The fastest ships in the world went then at nineteen +knots, and no one but a lunatic here and there ever thought it possible that +men might fly. +</p> + +<p> +Many things have happened since then, but the last glance I had of Wimblehurst +two years ago remarked no change whatever in its pleasant tranquillity. They +had not even built any fresh houses—at least not actually in the town, +though about the station there had been some building. But it was a good place +to do work in, for all its quiescence. I was soon beyond the small requirements +of the Pharmaceutical Society’s examination, and as they do not permit +candidates to sit for that until one and twenty, I was presently filling up my +time and preventing my studies becoming too desultory by making an attack upon +the London University degree of Bachelor of Science, which impressed me then as +a very splendid but almost impossible achievement. The degree in mathematics +and chemistry appealed to me as particularly congenial—albeit giddily +inaccessible. I set to work. I had presently to arrange a holiday and go to +London to matriculate, and so it was I came upon my aunt and uncle again. In +many ways that visit marked an epoch. It was my first impression of London at +all. I was then nineteen, and by a conspiracy of chances my nearest approach to +that human wilderness had been my brief visit to Chatham. Chatham too had been +my largest town. So that I got London at last with an exceptional freshness of +effect, as the sudden revelation of a whole unsuspected other side to life. +</p> + +<p> +I came to it on a dull and smoky day by the South Eastern Railway, and our +train was half an hour late, stopping and going on and stopping again. I marked +beyond Chiselhurst the growing multitude of villas, and so came stage by stage +through multiplying houses and diminishing interspaces of market garden and +dingy grass to regions of interlacing railway lines, big factories, gasometers +and wide reeking swamps of dingy little homes, more of them and more and more. +The number of these and their dinginess and poverty increased, and here rose a +great public house and here a Board School and there a gaunt factory; and away +to the east there loomed for a time a queer, incongruous forest of masts and +spars. The congestion of houses intensified and piled up presently into +tenements; I marveled more and more at this boundless world of dingy people; +whiffs of industrial smell, of leather, of brewing, drifted into the carriage; +the sky darkened, I rumbled thunderously over bridges, van-crowded streets, +peered down on and crossed the Thames with an abrupt eclat of sound. I got an +effect of tall warehouses, of grey water, barge crowded, of broad banks of +indescribable mud, and then I was in Cannon Street Station—a monstrous +dirty cavern with trains packed across its vast floor and more porters standing +along the platform than I had ever been in my life before. I alighted with my +portmanteau and struggled along, realising for the first time just how small +and weak I could still upon occasion feel. In this world, I felt, an Honours +medal in Electricity and magnetism counted for nothing at all. +</p> + +<p> +Afterwards I drove in a cab down a canon of rushing street between high +warehouses, and peeped up astonished at the blackened greys of Saint +Paul’s. The traffic of Cheapside—it was mostly in horse omnibuses +in those days—seemed stupendous, its roar was stupendous; I wondered +where the money came from to employ so many cabs, what industry could support +the endless jostling stream of silk-hatted, frock-coated, hurrying men. Down a +turning I found the Temperance Hotel Mr. Mantell had recommended to me. The +porter in a green uniform who took over my portmanteau, seemed, I thought, to +despise me a good deal. +</p> + +<h4>V</h4> + +<p> +Matriculation kept me for four full days and then came an afternoon to spare, +and I sought out Tottenham Court Road through a perplexing network of various +and crowded streets. But this London was vast! it was endless! it seemed the +whole world had changed into packed frontages and hoardings and street spaces. +I got there at last and made inquiries, and I found my uncle behind the counter +of the pharmacy he managed, an establishment that did not impress me as doing a +particularly high-class trade. “Lord!” he said at the sight of me, +“I was wanting something to happen!” +</p> + +<p> +He greeted me warmly. I had grown taller, and he, I thought, had grown shorter +and smaller and rounder but otherwise he was unchanged. He struck me as being +rather shabby, and the silk hat he produced and put on, when, after mysterious +negotiations in the back premises he achieved his freedom to accompany me, was +past its first youth; but he was as buoyant and confident as ever. +</p> + +<p> +“Come to ask me about all <i>that</i>,” he cried. “I’ve +never written yet.” +</p> + +<p> +“Oh, among other things,” said I, with a sudden regrettable +politeness, and waived the topic of his trusteeship to ask after my aunt Susan. +</p> + +<p> +“We’ll have her out of it,” he said suddenly; +“we’ll go somewhere. We don’t get you in London every +day.” +</p> + +<p> +“It’s my first visit,” I said, “I’ve never seen +London before”; and that made him ask me what I thought of it, and the +rest of the talk was London, London, to the exclusion of all smaller topics. He +took me up the Hampstead Road almost to the Cobden statue, plunged into some +back streets to the left, and came at last to a blistered front door that +responded to his latch-key, one of a long series of blistered front doors with +fanlights and apartment cards above. We found ourselves in a drab-coloured +passage that was not only narrow and dirty but desolatingly empty, and then he +opened a door and revealed my aunt sitting at the window with a little +sewing-machine on a bamboo occasional table before her, and +“work”—a plum-coloured walking dress I judged at its most +analytical stage—scattered over the rest of the apartment. +</p> + +<p> +At the first glance I judged my aunt was plumper than she had been, but her +complexion was just as fresh and her China blue eye as bright as in the old +days. +</p> + +<p> +“London,” she said, didn’t “get blacks” on her. +</p> + +<p> +She still “cheeked” my uncle, I was pleased to find. “What +are you old Poking in for at <i>this</i> time—<i>Gubbitt?</i>” she +said when he appeared, and she still looked with a practised eye for the +facetious side of things. When she saw me behind him, she gave a little cry and +stood up radiant. Then she became grave. +</p> + +<p> +I was surprised at my own emotion in seeing her. She held me at arm’s +length for a moment, a hand on each shoulder, and looked at me with a sort of +glad scrutiny. She seemed to hesitate, and then pecked little kiss off my +cheek. +</p> + +<p> +“You’re a man, George,” she said, as she released me, and +continued to look at me for a while. +</p> + +<p> +Their <i>ménage</i> was one of a very common type in London. They occupied what +is called the dining-room floor of a small house, and they had the use of a +little inconvenient kitchen in the basement that had once been scullery. The +two rooms, bedroom behind and living room in front, were separated by +folding-doors that were never now thrown back, and indeed, in the presence of a +visitor, not used at all. There was of course no bathroom or anything of that +sort available, and there was no water supply except to the kitchen below. My +aunt did all the domestic work, though she could have afforded to pay for help +if the build of the place had not rendered that inconvenient to the pitch of +impossibility. There was no sort of help available except that of indoor +servants, for whom she had no accommodation. The furniture was their own; it +was partly secondhand, but on the whole it seemed cheerful to my eye, and my +aunt’s bias for cheap, gay-figured muslin had found ample score. In many +ways I should think it must have been an extremely inconvenient and cramped +sort of home, but at the time I took it, as I was taking everything, as being +there and in the nature of things. I did not see the oddness of solvent decent +people living in a habitation so clearly neither designed nor adapted for their +needs, so wasteful of labour and so devoid of beauty as this was, and it is +only now as I describe this that I find myself thinking of the essential +absurdity of an intelligent community living in such makeshift homes. It +strikes me now as the next thing to wearing second-hand clothes. +</p> + +<p> +You see it was a natural growth, part of that system to which Bladesover, I +hold, is the key. There are wide regions of London, miles of streets of houses, +that appear to have been originally designed for prosperous-middle-class homes +of the early Victorian type. There must have been a perfect fury of such +building in the thirties, forties, and fifties. Street after street must have +been rushed into being, Campden Town way, Pentonville way, Brompton way, West +Kensington way in the Victoria region and all over the minor suburbs of the +south side. +</p> + +<p> +I am doubtful if many of these houses had any long use as the residences of +single families if from the very first almost their tenants did not makeshift +and take lodgers and sublet. They were built with basements, in which their +servants worked and lived—servants of a more submissive and troglodytic +generation who did not mind stairs. The dining-room (with folding doors) was a +little above the ground level, and in that the wholesome boiled and roast with +damp boiled potatoes and then pie to follow, was consumed and the numerous +family read and worked in the evening, and above was the drawing-room (also +with folding doors), where the infrequent callers were received. That was the +vision at which those industrious builders aimed. Even while these houses were +being run up, the threads upon the loom of fate were shaping to abolish +altogether the type of household that would have fitted them. Means of transit +were developing to carry the moderately prosperous middle-class families out of +London, education and factory employment were whittling away at the supply of +rough, hardworking, obedient girls who would stand the subterranean drudgery of +these places, new classes of hard-up middle-class people such as my uncle, +employees of various types, were coming into existence, for whom no homes were +provided. None of these classes have ideas of what they ought to be, or fit in +any legitimate way into the Bladesover theory that dominates our minds. It was +nobody’s concern to see them housed under civilised conditions, and the +beautiful laws of supply and demand had free play. They had to squeeze in. The +landlords came out financially intact from their blundering enterprise. More +and more these houses fell into the hands of married artisans, or struggling +widows or old servants with savings, who became responsible for the quarterly +rent and tried to sweat a living by sub-letting furnished or unfurnished +apartments. +</p> + +<p> +I remember now that a poor grey-haired old woman who had an air of having been +roused from a nap in the dust bin, came out into the area and looked up at us +as we three went out from the front door to “see London” under my +uncle’s direction. She was the sub-letting occupier; she squeezed out a +precarious living by taking the house whole and sub-letting it in detail and +she made her food and got the shelter of an attic above and a basement below by +the transaction. And if she didn’t chance to “let” steadily, +out she went to pauperdom and some other poor, sordid old adventurer tried in +her place.... +</p> + +<p> +It is a foolish community that can house whole classes, useful and helpful, +honest and loyal classes, in such squalidly unsuitable dwellings. It is by no +means the social economy it seems, to use up old women, savings and +inexperience in order to meet the landlord’s demands. But any one who +doubts this thing is going on right up to to-day need only spend an afternoon +in hunting for lodgings in any of the regions of London I have named. +</p> + +<p> +But where has my story got to? My uncle, I say, decided I must be shown London, +and out we three went as soon as my aunt had got her hat on, to catch all that +was left of the day. +</p> + +<h4>VI</h4> + +<p> +It pleased my uncle extremely to find I had never seen London before. He took +possession of the metropolis forthwith. “London, George,” he said, +“takes a lot of understanding. It’s a great place. Immense. The +richest town in the world, the biggest port, the greatest manufacturing town, +the Imperial city—the centre of civilisation, the heart of the world! See +those sandwich men down there! That third one’s hat! Fair treat! You +don’t see poverty like that in Wimblehurst George! And many of them high +Oxford honour men too. Brought down by drink! It’s a wonderful place, +George—a whirlpool, a maelstrom! whirls you up and whirls you +down.” +</p> + +<p> +I have a very confused memory of that afternoon’s inspection of London. +My uncle took us to and fro showing us over his London, talking erratically, +following a route of his own. Sometimes we were walking, sometimes we were on +the tops of great staggering horse omnibuses in a heaving jumble of traffic, +and at one point we had tea in an Aerated Bread Shop. But I remember very +distinctly how we passed down Park Lane under an overcast sky, and how my uncle +pointed out the house of this child of good fortune and that with succulent +appreciation. +</p> + +<p> +I remember, too, that as he talked I would find my aunt watching my face as if +to check the soundness of his talk by my expression. +</p> + +<p> +“Been in love yet, George?” she asked suddenly, over a bun in the +tea-shop. +</p> + +<p> +“Too busy, aunt,” I told her. +</p> + +<p> +She bit her bun extensively, and gesticulated with the remnant to indicate that +she had more to say. +</p> + +<p> +“How are <i>you</i> going to make your fortune?” she said so soon +as she could speak again. “You haven’t told us that.” +</p> + +<p> +“’Lectricity,” said my uncle, taking breath after a deep +draught of tea. +</p> + +<p> +“If I make it at all,” I said. “For my part I think shall be +satisfied with something less than a fortune.” +</p> + +<p> +“We’re going to make ours—suddenly,” she said. +</p> + +<p> +“So <i>he</i> old says.” She jerked her head at my uncle. +</p> + +<p> +“He won’t tell me when—so I can’t get anything ready. +But it’s coming. Going to ride in our carriage and have a garden. +Garden—like a bishop’s.” +</p> + +<p> +She finished her bun and twiddled crumbs from her fingers. “I shall be +glad of the garden,” she said. “It’s going to be a real big +one with rosaries and things. Fountains in it. Pampas grass. Hothouses.” +</p> + +<p> +“You’ll get it all right,” said my uncle, who had reddened a +little. +</p> + +<p> +“Grey horses in the carriage, George,” she said. “It’s +nice to think about when one’s dull. And dinners in restaurants often and +often. And theatres—in the stalls. And money and money and money.” +</p> + +<p> +“You may joke,” said my uncle, and hummed for a moment. +</p> + +<p> +“Just as though an old Porpoise like him would ever make money,” +she said, turning her eyes upon his profile with a sudden lapse to affection. +“He’ll just porpoise about.” +</p> + +<p> +“I’ll do something,” said my uncle, “you bet! +Zzzz!” and rapped with a shilling on the marble table. +</p> + +<p> +“When you do you’ll have to buy me a new pair of gloves,” she +said, “anyhow. That finger’s past mending. Look! you +Cabbage—you.” And she held the split under his nose, and pulled a +face of comical fierceness. +</p> + +<p> +My uncle smiled at these sallies at the time, but afterwards, when I went back +with him to the Pharmacy—the low-class business grew brisker in the +evening and they kept open late—he reverted to it in a low expository +tone. “Your aunt’s a bit impatient, George. She gets at me. +It’s only natural.... A woman doesn’t understand how long it takes +to build up a position. No.... In certain directions now—I +am—quietly—building up a position. Now here.... I get this room. I +have my three assistants. Zzzz. It’s a position that, judged by the +criterion of imeedjit income, isn’t perhaps so good as I deserve, but +strategically—yes. It’s what I want. I make my plans. I rally my +attack.” +</p> + +<p> +“What plans,” I said, “are you making?” +</p> + +<p> +“Well, George, there’s one thing you can rely upon, I’m doing +nothing in a hurry. I turn over this one and that, and I don’t +talk—indiscreetly. There’s—No! I don’t think I can tell +you that. And yet, why NOT?” +</p> + +<p> +He got up and closed the door into the shop. “I’ve told no +one,” he remarked, as he sat down again. “I owe you +something.” +</p> + +<p> +His face flushed slightly, he leant forward over the little table towards me. +</p> + +<p> +“Listen!” he said. +</p> + +<p> +I listened. +</p> + +<p> +“Tono-Bungay,” said my uncle very slowly and distinctly. +</p> + +<p> +I thought he was asking me to hear some remote, strange noise. “I +don’t hear anything,” I said reluctantly to his expectant face. He +smiled undefeated. “Try again,” he said, and repeated, +“Tono-Bungay.” +</p> + +<p> +“Oh, <i>that!</i>” I said. +</p> + +<p> +“Eh?” said he. +</p> + +<p> +“But what is it?” +</p> + +<p> +“Ah!” said my uncle, rejoicing and expanding. “What <i>is</i> +it? That’s what you got to ask? What <i>won’t</i> it be?” He +dug me violently in what he supposed to be my ribs. “George,” he +cried—“George, watch this place! There’s more to +follow.” +</p> + +<p> +And that was all I could get from him. +</p> + +<p> +That, I believe, was the very first time that the words Tono-Bungay ever heard +on earth—unless my uncle indulged in monologues in his chamber—a +highly probable thing. Its utterance certainly did not seem to me at the time +to mark any sort of epoch, and had I been told this word was the Open Sesame to +whatever pride and pleasure the grimy front of London hid from us that evening, +I should have laughed aloud. +</p> + +<p> +“Coming now to business,” I said after a pause, and with a chill +sense of effort; and I opened the question of his trust. +</p> + +<p> +My uncle sighed, and leant back in his chair. “I wish I could make all +this business as clear to you as it is to me,” he said. +“However—Go on! Say what you have to say.” +</p> + +<h4>VII</h4> + +<p> +After I left my uncle that evening I gave way to a feeling of profound +depression. My uncle and aunt seemed to me to be leading—I have already +used the word too often, but I must use it again—<i>dingy</i> lives. They +seemed to be adrift in a limitless crowd of dingy people, wearing shabby +clothes, living uncomfortably in shabby second-hand houses, going to and fro on +pavements that had always a thin veneer of greasy, slippery mud, under grey +skies that showed no gleam of hope of anything for them but dinginess until +they died. It seemed absolutely clear to me that my mother’s little +savings had been swallowed up and that my own prospect was all too certainly to +drop into and be swallowed up myself sooner or later by this dingy London +ocean. The London that was to be an adventurous escape from the slumber of +Wimblehurst, had vanished from my dreams. I saw my uncle pointing to the houses +in Park Lane and showing a frayed shirt-cuff as he did so. I heard my aunt: +“I’m to ride in my carriage then. So he old says.” +</p> + +<p> +My feelings towards my uncle were extraordinarily mixed. I was intensely sorry +not only for my aunt Susan but for him—for it seemed indisputable that as +they were living then so they must go on—and at the same time I was angry +with the garrulous vanity and illness that had elipped all my chance of +independent study, and imprisoned her in those grey apartments. When I got back +to Wimblehurst I allowed myself to write him a boyishly sarcastic and sincerely +bitter letter. He never replied. Then, believing it to be the only way of +escape for me, I set myself far more grimly and resolutely to my studies than I +had ever done before. After a time I wrote to him in more moderate terms, and +he answered me evasively. And then I tried to dismiss him from my mind and went +on working. +</p> + +<p> +Yes, that first raid upon London under the moist and chilly depression of +January had an immense effect upon me. It was for me an epoch-making +disappointment. I had thought of London as a large, free, welcoming, +adventurous place, and I saw it slovenly and harsh and irresponsive. +</p> + +<p> +I did not realise at all what human things might be found behind those grey +frontages, what weakness that whole forbidding façade might presently confess. +It is the constant error of youth to over-estimate the Will in things. I did +not see that the dirt, the discouragement, the discomfort of London could be +due simply to the fact that London was a witless old giantess of a town, too +slack and stupid to keep herself clean and maintain a brave face to the word. +No! I suffered from the sort of illusion that burnt witches in the seventeenth +century. I endued her grubby disorder with a sinister and magnificent quality +of intention. +</p> + +<p> +And my uncle’s gestures and promises filled me with doubt and a sort of +fear for him. He seemed to me a lost little creature, too silly to be silent, +in a vast implacable condemnation. I was full of pity and a sort of tenderness +for my aunt Susan, who was doomed to follow his erratic fortunes mocked by his +grandiloquent promises. +</p> + +<p> +I was to learn better. But I worked with the terror of the grim underside of +London in my soul during all my last year at Wimblehurst. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h2><a name="book02"></a>BOOK THE SECOND<br /> +THE RISE OF TONO-BUNGAY</h2> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap04"></a>CHAPTER THE FIRST<br /> +HOW I BECAME A LONDON STUDENT AND WENT ASTRAY</h3> + +<h4>I</h4> + +<p> +I came to live in London, as I shall tell you, when I was nearly twenty-two. +Wimblehurst dwindles in perspective, is now in this book a little place far +off, Bladesover no more than a small pinkish speck of frontage among the +distant Kentish hills; the scene broadens out, becomes multitudinous and +limitless, full of the sense of vast irrelevant movement. I do not remember my +second coming to London as I do my first, for my early impressions, save that +an October memory of softened amber sunshine stands out, amber sunshine falling +on grey house fronts I know not where. That, and a sense of a large +tranquillity. +</p> + +<p> +I could fill a book, I think, with a more or less imaginary account of how I +came to apprehend London, how first in one aspect and then in another it grew +in my mind. Each day my accumulating impressions were added to and qualified +and brought into relationship with new ones; they fused inseparably with others +that were purely personal and accidental. I find myself with a certain +comprehensive perception of London, complete indeed, incurably indistinct in +places and yet in some way a whole that began with my first visit and is still +being mellowed and enriched. +</p> + +<p> +London! +</p> + +<p> +At first, no doubt, it was a chaos of streets and people and buildings and +reasonless going to and fro. I do not remember that I ever struggled very +steadily to understand it, or explored it with any but a personal and +adventurous intention. Yet in time there has grown up in me a kind of theory of +London; I do think I see lines of an ordered structure out of which it has +grown, detected a process that is something more than a confusion of casual +accidents though indeed it may be no more than a process of disease. +</p> + +<p> +I said at the outset of my first book that I find in Bladesover the clue to all +England. Well, I certainly imagine it is the clue to the structure of London. +There have been no revolutions no deliberate restatements or abandonments of +opinion in England since the days of the fine gentry, since 1688 or +thereabouts, the days when Bladesover was built; there have been changes, +dissolving forest replacing forest, if you will; but then it was that the broad +lines of the English system set firmly. And as I have gone to and fro in London +in certain regions constantly the thought has recurred this is Bladesover +House, this answers to Bladesover House. The fine gentry may have gone; they +have indeed largely gone, I think; rich merchants may have replaced them, +financial adventurers or what not. That does not matter; the shape is still +Bladesover. +</p> + +<p> +I am most reminded of Bladesover and Eastry by all those regions round about +the West End parks; for example, estate parks, each more or less in relation to +a palace or group of great houses. The roads and back ways of Mayfair and all +about St. James’s again, albeit perhaps of a later growth in point of +time, were of the very spirit and architectural texture of the Bladesover +passages and yards; they had the same smells, the space, the large cleanest and +always going to and fro where one met unmistakable Olympians and even more +unmistakable valets, butlers, footmen in mufti. There were moments when I +seemed to glimpse down areas the white panelling, the very chintz of my +mother’s room again. +</p> + +<p> +I could trace out now on a map what I would call the Great-House region; +passing south-westward into Belgravia, becoming diffused and sporadic westward, +finding its last systematic outbreak round and about Regent’s Park. The +Duke of Devonshire’s place in Piccadilly, in all its insolent ugliness, +pleases me particularly; it is the quintessence of the thing; Apsley House is +all in the manner of my theory, Park Lane has its quite typical mansions, and +they run along the border of the Green Park and St. James’s. And I struck +out a truth one day in Cromwell Road quite suddenly, as I looked over the +Natural History Museum “By Jove,” said I “but this is the +little assemblage of cases of stuffed birds and animals upon the Bladesover +staircase grown enormous, and yonder as the corresponding thing to the +Bladesover curios and porcelain is the Art Museume and there in the little +observatories in Exhibition Road is old Sir Cuthbert’s Gregorian +telescope that I hunted out in the storeroom and put together.” And +diving into the Art Museum under this inspiration, I came to a little +reading-room and found as I had inferred, old brown books! +</p> + +<p> +It was really a good piece of social comparative anatomy I did that day; all +these museums and libraries that are dotted over London between Piccadilly and +West Kensington, and indeed the museum and library movement throughout the +world, sprang from the elegant leisure of the gentlemen of taste. Theirs were +the first libraries, the first houses of culture; by my rat-like raids into the +Bladesover saloon I became, as it were, the last dwindled representative of +such a man of letters as Swift. But now these things have escaped out of the +Great House altogether, and taken on a strange independent life of their own. +</p> + +<p> +It is this idea of escaping parts from the seventeenth century system of +Bladesover, of proliferating and overgrowing elements from the Estates, that to +this day seems to me the best explanation, not simply of London, but of all +England. England is a country of great Renascence landed gentlefolk who have +been unconsciously outgrown and overgrown. The proper shops for Bladesover +custom were still to be found in Regent Street and Bond Street in my early +London days in those days they had been but lightly touched by the +American’s profaning hand—and in Piccadilly. I found the +doctor’s house of the country village or country town up and down Harley +Street, multiplied but not otherwise different, and the family solicitor (by +the hundred) further eastward in the abandoned houses of a previous generation +of gentlepeople, and down in Westminster, behind Palladian fronts, the public +offices sheltered in large Bladesoverish rooms and looked out on St. +James’s Park. The Parliament Houses of lords and gentlemen, the +parliament house that was horrified when merchants and brewers came thrusting +into it a hundred years ago, stood out upon its terrace gathering the whole +system together into a head. +</p> + +<p> +And the more I have paralleled these things with my Bladesover-Eastry model, +the more evident it has become to me that the balance is not the same, and the +more evident is the presence of great new forces, blind forces of invasion, of +growth. The railway termini on the north side of London have been kept as +remote as Eastry had kept the railway-station from Wimblehurst, they stop on +the very outskirts of the estates, but from the south, the South Eastern +railway had butted its great stupid rusty iron head of Charing Cross station, +that great head that came smashing down in 1905—clean across the river, +between Somerset House and Whitehall. The south side had no protecting estate. +Factory chimneys smoke right over against Westminster with an air of carelessly +not having permission, and the whole effect of industrial London and of all +London east of Temple Bar and of the huge dingy immensity of London port is to +me of something disproportionately large, something morbidly expanded, without +plan or intention, dark and sinister toward the clean clear social assurance of +the West End. And south of this central London, south-east, south-west, far +west, north-west, all round the northern hills, are similar disproportionate +growths, endless streets of undistinguished houses, undistinguished industries, +shabby families, second-rate shops, inexplicable people who in a once +fashionable phrase do not “exist.” All these aspects have suggested +to my mind at times, do suggest to this day, the unorganised, abundant +substance of some tumorous growth-process, a process which indeed bursts all +the outlines of the affected carcass and protrudes such masses as ignoble +comfortable Croydon, as tragic impoverished West Ham. To this day I ask myself +will those masses ever become structural, will they indeed shape into anything +new whatever, or is that cancerous image their true and ultimate diagnosis?... +</p> + +<p> +Moreover, together with this hypertrophy there is an immigration of elements +that have never understood and never will understand the great tradition, +wedges of foreign settlement embedded in the heart of this yeasty English +expansion. One day I remember wandering eastward out of pure curiosity—it +must have been in my early student days—and discovering a shabbily bright +foreign quarter, shops displaying Hebrew placards and weird, unfamiliar +commodities and a concourse of bright-eyed, eagle-nosed people talking some +incomprehensible gibberish between the shops and the barrows. And soon I became +quite familiar with the devious, vicious, dirtily-pleasant eroticism of Soho. I +found those crowded streets a vast relief from the dull grey exterior of +Brompton where I lodged and lived my daily life. In Soho, indeed, I got my +first inkling of the factor of replacement that is so important in both the +English and the American process. +</p> + +<p> +Even in the West End, in Mayfair and the square, about Pall Mall, Ewart was +presently to remind me the face of the old aristocratic dignity was fairer than +its substance; here were actors and actresses, here money lenders and Jews, +here bold financial adventurers, and I thought of my uncle’s frayed cuff +as he pointed out this house in Park Lane and that. That was so and so’s +who made a corner in borax, and that palace belonged to that hero among modern +adventurers, Barmentrude, who used to be an I.D.B.,—an illicit diamond +buyer that is to say. A city of Bladesovers, the capital of a kingdom of +Bladesovers, all much shaken and many altogether in decay, parasitically +occupied, insidiously replaced by alien, unsympathetic and irresponsible +elements; and with a ruling an adventitious and miscellaneous empire of a +quarter of this daedal earth complex laws, intricate social necessities, +disturbing insatiable suggestions, followed from this. Such was the world into +which I had come, into which I had in some way to thrust myself and fit my +problem, my temptations, my efforts, my patriotic instinct, all my moral +instincts, my physical appetites, my dreams and my sanity. +</p> + +<p> +London! I came up to it, young and without advisers, rather priggish, rather +dangerously open-minded and very open-eyed, and with something—it is, I +think, the common gift of imaginative youth, and I claim it +unblushingly—fine in me, finer than the world and seeking fine responses. +I did not want simply to live or simply to live happily or well; I wanted to +serve and do and make—with some nobility. It was in me. It is in half the +youth of the world. +</p> + +<h4>II</h4> + +<p> +I had come to London as a scholar. I had taken the Vincent Bradley scholarship +of the Pharmaceutical Society, but I threw this up when I found that my work of +the Science and Art Department in mathematics, physics and chemistry had given +me one of the minor Technical Board Scholarships at the Consolidated Technical +Schools at South Kensington. This latter was in mechanics and metallurgy; and I +hesitated between the two. The Vincent Bradley gave me £70 a year and quite the +best start-off a pharmaceutical chemist could have; the South Kensington thing +was worth about twenty-two shillings a week, and the prospects it opened were +vague. But it meant far more scientific work than the former, and I was still +under the impulse of that great intellectual appetite that is part of the +adolescence of men of my type. Moreover it seemed to lead towards engineering, +in which I imagined—I imagine to this day—my particular use is to +be found. I took its greater uncertainty as a fair risk. I came up very keen, +not doubting that the really hard and steady industry that had carried me +through Wimblehurst would go on still in the new surroundings. +</p> + +<p> +Only from the very first it didn’t.... +</p> + +<p> +When I look back now at my Wimblehurst days, I still find myself surprised at +the amount of steady grinding study, of strenuous self-discipline that I +maintained throughout my apprenticeship. In many ways I think that time was the +most honourable period in my life. I wish I could say with a certain mind that +my motives in working so well were large and honourable too. To a certain +extent they were so; there was a fine sincere curiosity, a desire for the +strength and power of scientific knowledge and a passion for intellectual +exercise; but I do not think those forces alone would have kept me at it so +grimly and closely if Wimblehurst had not been so dull, so limited and so +observant. Directly I came into the London atmosphere, tasting freedom, tasting +irresponsibility and the pull of new forces altogether, my discipline fell from +me like a garment. Wimblehurst to a youngster in my position offered no +temptations worth counting, no interests to conflict with study, no +vices—such vices as it offered were coarsely stripped of any imaginative +glamourfull drunkenness, clumsy leering shameful lust, no social intercourse +even to waste one’s time, and on the other hand it would minister greatly +to the self-esteem of a conspicuously industrious student. One was marked as +“clever,” one played up to the part, and one’s little +accomplishment stood out finely in one’s private reckoning against the +sunlit small ignorance of that agreeable place. One went with an intent rush +across the market square, one took one’s exercise with as dramatic a +sense of an ordered day as an Oxford don, one burnt the midnight oil quite +consciously at the rare respectful, benighted passer-by. And one stood out +finely in the local paper with one’s unapproachable yearly harvest of +certificates. Thus I was not only a genuinely keen student, but also a little +of a prig and poseur in those days—and the latter kept the former at it, +as London made clear. +</p> + +<p> +Moreover Wimblehurst had given me no outlet in any other direction. +</p> + +<p> +But I did not realise all this when I came to London, did not perceive how the +change of atmosphere began at once to warp and distribute my energies. In the +first place I became invisible. If I idled for a day, no one except my +fellow-students (who evidently had no awe for me) remarked it. No one saw my +midnight taper; no one pointed me out as I crossed the street as an astonishing +intellectual phenomenon. In the next place I became inconsiderable. In +Wimblehurst I felt I stood for Science; nobody there seemed to have so much as +I and to have it so fully and completely. In London I walked ignorant in an +immensity, and it was clear that among my fellow-students from the midlands and +the north I was ill-equipped and under-trained. With the utmost exertion I +should only take a secondary position among them. And finally, in the third +place, I was distracted by voluminous new interests; London took hold of me, +and Science, which had been the universe, shrank back to the dimensions of +tiresome little formulae compacted in a book. I came to London in late +September, and it was a very different London from that great greyly-overcast, +smoke-stained house-wilderness of my first impressions. I reached it by +Victoria and not by Cannon Street, and its centre was now in Exhibition Road. +It shone, pale amber, blue-grey and tenderly spacious and fine under clear +autumnal skies, a London of hugely handsome buildings and vistas and distances, +a London of gardens and labyrinthine tall museums, of old trees and remote +palaces and artificial waters. I lodged near by in West Brompton at a house in +a little square. +</p> + +<p> +So London faced me the second time, making me forget altogether for a while the +grey, drizzling city visage that had first looked upon me. I settled down and +went to and fro to my lectures and laboratory; in the beginning I worked hard, +and only slowly did the curiosity that presently possessed me to know more of +this huge urban province arise, the desire to find something beyond mechanism +that I could serve, some use other than learning. With this was a growing sense +of loneliness, a desire for adventure and intercourse. I found myself in the +evenings poring over a map of London I had bought, instead of copying out +lecture notes—and on Sundays I made explorations, taking omnibus rides +east and west and north and south, and to enlarging and broadening the sense of +great swarming hinterlands of humanity with whom I had no dealings, of whom I +knew nothing.... +</p> + +<p> +The whole illimitable place teemed with suggestions of indefinite and sometimes +outrageous possibility, of hidden but magnificent meanings. +</p> + +<p> +It wasn’t simply that I received a vast impression of space and multitude +and opportunity; intimate things also were suddenly dragged from neglected, +veiled and darkened corners into an acute vividness of perception. Close at +hand in the big art museum I came for the first time upon the beauty of nudity, +which I had hitherto held to be a shameful secret, flaunted and gloried in; I +was made aware of beauty as not only permissible, but desirable and frequent +and of a thousand hitherto unsuspected rich aspects of life. One night in a +real rapture, I walked round the upper gallery of the Albert Hall and listened +for the first time to great music; I believe now that it was a rendering of +Beethoven’s Ninth Symphony.... +</p> + +<p> +My apprehension of spaces and places was reinforced by a quickened apprehension +of persons. A constant stream of people passed by me, eyes met and challenged +mine and passed—more and more I wanted then to stay—if I went +eastward towards Piccadilly, women who seemed then to my boyish inexperience +softly splendid and alluring, murmured to me as they passed. Extraordinarily +life unveiled. The very hoardings clamoured strangely at one’s senses and +curiosities. One bought pamphlets and papers full of strange and daring ideas +transcending one’s boldest; in the parks one heard men discussing the +very existence of God, denying the rights of property, debating a hundred +things that one dared not think about in Wimblehurst. And after the ordinary +overcast day, after dull mornings, came twilight, and London lit up and became +a thing of white and yellow and red jewels of light and wonderful floods of +golden illumination and stupendous and unfathomable shadows—and there +were no longer any mean or shabby people—but a great mysterious movement +of unaccountable beings.... +</p> + +<p> +Always I was coming on the queerest new aspects. Late one Saturday night I +found myself one of a great slow-moving crowd between the blazing shops and the +flaring barrows in the Harrow Road; I got into conversation with two bold-eyed +girls, bought them boxes of chocolate, made the acquaintance of father and +mother and various younger brothers and sisters, sat in a public-house +hilariously with them all, standing and being stood drinks, and left them in +the small hours at the door of “home,” never to see them again. And +once I was accosted on the outskirts of a Salvation Army meeting in one of the +parks by a silk-hatted young man of eager and serious discourse, who argued +against scepticism with me, invited me home to tea into a clean and cheerful +family of brothers and sisters and friends, and there I spent the evening +singing hymns to the harmonium (which reminded me of half-forgotten Chatham), +and wishing all the sisters were not so obviously engaged.... +</p> + +<p> +Then on the remote hill of this boundless city-world I found Ewart. +</p> + +<h4>III</h4> + +<p> +How well I remember the first morning, a bright Sunday morning in early +October, when I raided in upon Ewart! I found my old schoolfellow in bed in a +room over an oil-shop in a back street at the foot of Highgate Hill. His +landlady, a pleasant, dirty young woman with soft-brown eyes, brought down his +message for me to come up; and up I went. The room presented itself as ample +and interesting in detail and shabby with a quite commendable shabbiness. I had +an impression of brown walls—they were papered with brown paper—of +a long shelf along one side of the room, with dusty plaster casts and a small +cheap lay figure of a horse, of a table and something of grey wax partially +covered with a cloth, and of scattered drawings. There was a gas stove in one +corner, and some enameled ware that had been used for overnight cooking. The +oilcloth on the floor was streaked with a peculiar white dust. Ewart himself +was not in the first instance visible, but only a fourfold canvas screen at the +end of the room from which shouts proceeded of “Come on!” then his +wiry black hair, very much rumpled, and a staring red-brown eye and his stump +of a nose came round the edge of this at a height of about three feet from the +ground “It’s old Ponderevo!” he said, “the Early bird! +And he’s caught the worm! By Jove, but it’s cold this morning! Come +round here and sit on the bed!” +</p> + +<p> +I walked round, wrung his hand, and we surveyed one another. +</p> + +<p> +He was lying on a small wooden fold-up bed, the scanty covering of which was +supplemented by an overcoat and an elderly but still cheerful pair of check +trousers, and he was wearing pajamas of a virulent pink and green. His neck +seemed longer and more stringy than it had been even in our schooldays, and his +upper lip had a wiry black moustache. The rest of his ruddy, knobby +countenance, his erratic hair and his general hairy leanness had not +even—to my perceptions grown. +</p> + +<p> +“By Jove!” he said, “you’ve got quite decent-looking, +Ponderevo! What do you think of me?” +</p> + +<p> +“You’re all right. What are you doing here?” +</p> + +<p> +“Art, my son—sculpture! And incidentally—” He +hesitated. “I ply a trade. Will you hand me that pipe and those smoking +things? So! You can’t make coffee, eh? Well, try your hand. Cast down +this screen—no—fold it up and so we’ll go into the other +room. I’ll keep in bed all the same. The fire’s a gas stove. Yes. +Don’t make it bang. too loud as you light it—I can’t stand it +this morning. You won’t smoke ... Well, it does me good to see you again, +Ponderevo. Tell me what you’re doing, and how you’re getting +on.” +</p> + +<p> +He directed me in the service of his simple hospitality, and presently I came +back to his bed and sat down and smiled at him there, smoking comfortably, with +his hands under his head, surveying me. +</p> + +<p> +“How’s Life’s Morning, Ponderevo? By Jove, it must be nearly +six years since we met! They’ve got moustaches. We’ve fleshed +ourselves a bit, eh? And you?” +</p> + +<p> +I felt a pipe was becoming after all, and that lit, I gave him a favourable +sketch of my career. +</p> + +<p> +“Science! And you’ve worked like that! While I’ve been +potting round doing odd jobs for stone-masons and people, and trying to get to +sculpture. I’ve a sort of feeling that the chisel—I began with +painting, Ponderevo, and found I was colour-blind, colour-blind enough to stop +it. I’ve drawn about and thought about—thought more particularly. I +give myself three days a week as an art student, and the rest of the time +I’ve a sort of trade that keeps me. And we’re still in the +beginning of things, young men starting. Do you remember the old times at +Goudhurst, our doll’s-house island, the Retreat of the Ten Thousand Young +Holmes and the rabbits, eh? It’s surprising, if you think of it, to find +we are still young. And we used to talk of what we would be, and we used to +talk of love! I suppose you know all about that now, Ponderevo?” +</p> + +<p> +I finished and hesitated on some vague foolish lie, “No,” I said, a +little ashamed of the truth. “Do you? I’ve been too busy.” +</p> + +<p> +“I’m just beginning—just as we were then. Things +happen.” +</p> + +<p> +He sucked at his pipe for a space and stared at the plaster cast of a flayed +hand that hung on the wall. +</p> + +<p> +“The fact is, Ponderevo, I’m beginning to find life a most +extraordinary queer set-out; the things that pull one, the things that +don’t. The wants—This business of sex. It’s a net. No end to +it, no way out of it, no sense in it. There are times when women take +possession of me, when my mind is like a painted ceiling at Hampton Court with +the pride of the flesh sprawling all over it. <i>Why>?</i>... And then again +sometimes when I have to encounter a woman, I am overwhelmed by a terror of +tantalising boredom—I fly, I hide, I do anything. You’ve got your +scientific explanations perhaps; what’s Nature and the universe up to in +that matter?” +</p> + +<p> +“It’s her way, I gather, of securing the continuity of the +species.” +</p> + +<p> +“But it doesn’t,” said Ewart. “That’s just it! +No. I have succumbed to—dissipation—down the hill there. Euston +Road way. And it was damned ugly and mean, and I hate having done it. And the +continuity of the species—Lord!... And why does Nature make a man so +infernally ready for drinks? There’s no sense in that anyhow.” He +sat up in bed, to put this question with the greater earnestness. “And +why has she given me a most violent desire towards sculpture and an equally +violent desire to leave off work directly I begin it, eh?... Let’s have +some more coffee. I put it to you, these things puzzle me, Ponderevo. They +dishearten me. They keep me in bed.” +</p> + +<p> +He had an air of having saved up these difficulties for me for some time. He +sat with his chin almost touching his knees, sucking at his pipe. +</p> + +<p> +“That’s what I mean,” he went on, “when I say life is +getting on to me as extraordinarily queer, I don’t see my game, nor why I +was invited. And I don’t make anything of the world outside either. What +do <i>you</i> make of it?” +</p> + +<p> +“London,” I began. “It’s—so enormous!” +</p> + +<p> +“Isn’t it! And it’s all up to nothing. You find chaps keeping +grocers’ shops—why the <i>devil</i>, Ponderevo, do they keep +grocers’ shops? They all do it very carefully, very steadily, very +meanly. You find people running about and doing the most remarkable things +being policemen, for example, and burglars. They go about these businesses +quite gravely and earnestly. I somehow—can’t go about mine. Is +there any sense in it at all—anywhere?” +</p> + +<p> +“There must be sense in it,” I said. “We’re +young.” +</p> + +<p> +“We’re young—yes. But one must inquire. The grocer’s a +grocer because, I suppose, he sees he comes in there. Feels that on the whole +it amounts to a call.... But the bother is I don’t see where I come in at +all. Do you?” +</p> + +<p> +“Where <i>you</i> come in?” +</p> + +<p> +“No, where <i>you </i>come in.” +</p> + +<p> +“Not exactly, yet,” I said. “I want to do some good in the +world—something—something effectual, before I die. I have a sort of +idea my scientific work—I don’t know.” +</p> + +<p> +“Yes,” he mused. “And I’ve got a sort of idea my +sculpture,—but <i>how</i> it is to come in and +<i>why</i>,—I’ve no idea at all.” He hugged his knees for a +space. “That’s what puzzles me, Ponderevo, no end.” +</p> + +<p> +He became animated. “If you will look in that cupboard,” he said, +“you will find an old respectable looking roll on a plate and a knife +somewhere and a gallipot containing butter. You give them me and I’ll +make my breakfast, and then if you don’t mind watching me paddle about at +my simple toilet I’ll get up. Then we’ll go for a walk and talk +about this affair of life further. And about Art and Literature and anything +else that crops up on the way.... Yes, that’s the gallipot. Cockroach got +in it? Chuck him out—damned interloper....” +</p> + +<p> +So in the first five minutes of our talk, as I seem to remember it now, old +Ewart struck the note that ran through all that morning’s intercourse.... +</p> + +<p> +To me it was a most memorable talk because it opened out quite new horizons of +thought. I’d been working rather close and out of touch with +Ewart’s free gesticulating way. He was pessimistic that day and sceptical +to the very root of things. He made me feel clearly, what I had not felt at all +before, the general adventurousness of life, particularly of life at the stage +we had reached, and also the absence of definite objects, of any concerted +purpose in the lives that were going on all round us. He made me feel, too, how +ready I was to take up commonplace assumptions. Just as I had always imagined +that somewhere in social arrangements there was certainly a Head-Master who +would intervene if one went too far, so I had always had a sort of implicit +belief that in our England there were somewhere people who understood what we +were all, as a nation, about. That crumpled into his pit of doubt and vanished. +</p> + +<p> +He brought out, sharply cut and certain, the immense effect of purposelessness +in London that I was already indistinctly feeling. We found ourselves at last +returning through Highgate Cemetery and Waterlow Park—and Ewart was +talking. +</p> + +<p> +“Look at it there,” he said, stopping and pointing to the great +vale of London spreading wide and far. “It’s like a sea—and +we swim in it. And at last down we go, and then up we come—washed up +here.” He swung his arms to the long slopes about us, tombs and +headstones in long perspectives, in limitless rows. +</p> + +<p> +“We’re young, Ponderevo, but sooner or later our whitened memories +will wash up on one of these beaches, on some such beach as this. George +Ponderevo, F.R.S., Sidney Ewart, R.I.P. Look at the rows of ’em!” +</p> + +<p> +He paused. “Do you see that hand? The hand, I mean, pointing upward, on +the top of a blunted obelisk. Yes. Well, that’s what I do for a +living—when I’m not thinking, or drinking, or prowling, or making +love, or pretending I’m trying to be a sculptor without either the money +or the morals for a model. See? And I do those hearts afire and those pensive +angel guardians with the palm of peace. Damned well I do ’em and damned +cheap! I’m a sweated victim, Ponderevo...” +</p> + +<p> +That was the way of it, anyhow. I drank deep of talk that day; we went into +theology, into philosophy; I had my first glimpse of socialism. I felt as +though I had been silent in a silence since I and he had parted. At the thought +of socialism Ewart’s moods changed for a time to a sort of energy. +“After all, all this confounded vagueness <i>might</i> be altered. If you +could get men to work together...” +</p> + +<p> +It was a good talk that rambled through all the universe. I thought I was +giving my mind refreshment, but indeed it was dissipation. All sorts of ideas, +even now, carry me back as it were to a fountain-head, to Waterlow Park and my +resuscitated Ewart. There stretches away south of us long garden slopes and +white gravestones and the wide expanse of London, and somewhere in the picture +is a red old wall, sun-warmed, and a great blaze of Michaelmas daisies set off +with late golden sunflowers and a drift of mottled, blood-red, fallen leaves. +It was with me that day as though I had lifted my head suddenly out of dull and +immediate things and looked at life altogether.... But it played the very devil +with the copying up of my arrears of notes to which I had vowed the latter half +of that day. +</p> + +<p> +After that reunion Ewart and I met much and talked much, and in our subsequent +encounters his monologue was interrupted and I took my share. He had exercised +me so greatly that I lay awake at nights thinking him over, and discoursed and +answered him in my head as I went in the morning to the College. I am by nature +a doer and only by the way a critic; his philosophical assertion of the +incalculable vagueness of life which fitted his natural indolence roused my +more irritable and energetic nature to active protests. “It’s all +so pointless,” I said, “because people are slack and because +it’s in the ebb of an age. But you’re a socialist. Well, +let’s bring that about! And there’s a purpose. There you +are!” +</p> + +<p> +Ewart gave me all my first conceptions of socialism; in a little while I was an +enthusiastic socialist and he was a passive resister to the practical +exposition of the theories he had taught me. “We must join some +organisation,” I said. “We ought to do things.... We ought to go +and speak at street corners. People don’t know.” +</p> + +<p> +You must figure me a rather ill-dressed young man in a state of great +earnestness, standing up in that shabby studio of his and saying these things, +perhaps with some gesticulations, and Ewart with a clay-smudged face, dressed +perhaps in a flannel shirt and trousers, with a pipe in his mouth, squatting +philosophically at a table, working at some chunk of clay that never got beyond +suggestion. +</p> + +<p> +“I wonder why one doesn’t want to,” he said. +</p> + +<p> +It was only very slowly I came to gauge Ewart’s real position in the +scheme of things, to understand how deliberate and complete was this detachment +of his from the moral condemnation and responsibilities that played so fine a +part in his talk. His was essentially the nature of an artistic appreciator; he +could find interest and beauty in endless aspects of things that I marked as +evil, or at least as not negotiable; and the impulse I had towards +self-deception, to sustained and consistent self-devotion, disturbed and +detached and pointless as it was at that time, he had indeed a sort of +admiration for but no sympathy. Like many fantastic and ample talkers he was at +bottom secretive, and he gave me a series of little shocks of discovery +throughout our intercourse. +</p> + +<p> +The first of these came in the realisation that he quite seriously meant to do +nothing in the world at all towards reforming the evils he laid bare in so easy +and dexterous a manner. The next came in the sudden appearance of a person +called “Milly”—I’ve forgotten her surname—whom I +found in his room one evening, simply attired in a blue wrap—the rest of +her costume behind the screen—smoking cigarettes and sharing a flagon of +an amazingly cheap and self-assertive grocer’s wine Ewart affected, +called “Canary Sack.” “Hullo!” said Ewart, as I came +in. “This is Milly, you know. She’s been being a model—she IS +a model really.... (keep calm, Ponderevo!) Have some sack?” +</p> + +<p> +Milly was a woman of thirty, perhaps, with a broad, rather pretty face, a +placid disposition, a bad accent and delightful blond hair that waved off her +head with an irrepressible variety of charm; and whenever Ewart spoke she +beamed at him. Ewart was always sketching this hair of hers and embarking upon +clay statuettes of her that were never finished. She was, I know now, a woman +of the streets, whom Ewart had picked up in the most casual manner, and who had +fallen in love with him, but my inexperience in those days was too great for me +to place her then, and Ewart offered no elucidations. She came to him, he went +to her, they took holidays together in the country when certainly she sustained +her fair share of their expenditure. I suspect him now even of taking money +from her. Odd old Ewart! It was a relationship so alien to my orderly +conceptions of honour, to what I could imagine any friend of mine doing, that I +really hardly saw it with it there under my nose. But I see it and I think I +understand it now.... +</p> + +<p> +Before I fully grasped the discursive manner in which Ewart was committed to +his particular way in life, I did, I say, as the broad constructive ideas of +socialism took hold of me, try to get him to work with me in some definite +fashion as a socialist. +</p> + +<p> +“We ought to join on to other socialists,” I said. +</p> + +<p> +“They’ve got something.” +</p> + +<p> +“Let’s go and look at some first.” +</p> + +<p> +After some pains we discovered the office of the Fabian Society, lurking in a +cellar in Clement’s Inn; and we went and interviewed a rather +discouraging secretary who stood astraddle in front of a fire and questioned us +severely and seemed to doubt the integrity of our intentions profoundly. He +advised us to attend the next open meeting in Clifford’s Inn and gave us +the necessary data. We both contrived to get to the affair, and heard a +discursive gritty paper on Trusts and one of the most inconclusive discussions +you can imagine. Three-quarters of the speakers seemed under some jocular +obsession which took the form of pretending to be conceited. It was a sort of +family joke, and as strangers to the family we did not like it.... As we came +out through the narrow passage from Clifford’s Inn to the Strand, Ewart +suddenly pitched upon a wizened, spectacled little man in a vast felt hat and a +large orange tie. +</p> + +<p> +“How many members are there in this Fabian Society of yours?” he +asked. +</p> + +<p> +The little man became at once defensive in his manner. +</p> + +<p> +“About seven hundred,” he said; “perhaps eight.” +</p> + +<p> +“Like—like the ones here?” +</p> + +<p> +The little man gave a nervous self-satisfied laugh. “I suppose +they’re up to sample,” he said. +</p> + +<p> +The little man dropped out of existence and we emerged upon the Strand. Ewart +twisted his arm into a queerly eloquent gesture that gathered up all the tall +façades of the banks, the business places, the projecting clock and towers of +the Law Courts, the advertisements, the luminous signs, into one social +immensity, into a capitalistic system gigantic and invincible. +</p> + +<p> +“These socialists have no sense of proportion,” he said. +“What can you expect of them?” +</p> + +<h4>IV</h4> + +<p> +Ewart, as the embodiment of talk, was certainly a leading factor in my +conspicuous failure to go on studying. Social theory in its first crude form of +Democratic Socialism gripped my intelligence more and more powerfully. I argued +in the laboratory with the man who shared my bench until we quarreled and did +not speak and also I fell in love. +</p> + +<p> +The ferment of sex had been creeping into my being like a slowly advancing tide +through all my Wimblehurst days, the stimulus of London was like the rising of +a wind out of the sea that brings the waves in fast and high. Ewart had his +share in that. More and more acutely and unmistakably did my perception of +beauty, form and sound, my desire for adventure, my desire for intercourse, +converge on this central and commanding business of the individual life. I had +to get me a mate. +</p> + +<p> +I began to fall in love faintly with girls I passed in the street, with women +who sat before me in trains, with girl fellow-students, with ladies in passing +carriages, with loiterers at the corners, with neat-handed waitresses in shops +and tea-rooms, with pictures even of girls and women. On my rare visits to the +theatre I always became exalted, and found the actresses and even the +spectators about me mysterious, attractive, creatures of deep interest and +desire. I had a stronger and stronger sense that among these glancing, passing +multitudes there was somewhere one who was for me. And in spite of every +antagonistic force in the world, there was something in my very marrow that +insisted: “Stop! Look at this one! Think of her! Won’t she do? This +signifies—this before all things signifies! Stop! Why are you hurrying +by? This may be the predestined person—before all others.” +</p> + +<p> +It is odd that I can’t remember when first I saw Marion, who became my +wife—whom I was to make wretched, who was to make me wretched, who was to +pluck that fine generalised possibility of love out of my early manhood and +make it a personal conflict. I became aware of her as one of a number of +interesting attractive figures that moved about in my world, that glanced back +at my eyes, that flitted by with a kind of averted watchfulness. I would meet +her coming through the Art Museum, which was my short cut to the Brompton Road, +or see her sitting, reading as I thought, in one of the bays of the Education +Library. But really, as I found out afterwards, she never read. She used to +come there to eat a bun in quiet. She was a very gracefully-moving figure of a +girl then, very plainly dressed, with dark brown hair I remember, in a knot low +on her neck behind that confessed the pretty roundness of her head and +harmonised with the admirable lines of ears and cheek, the grave serenity of +mouth and brow. +</p> + +<p> +She stood out among the other girls very distinctly because they dressed more +than she did, struck emphatic notes of colour, startled one by novelties in +hats and bows and things. I’ve always hated the rustle, the disconcerting +colour boundaries, the smart unnatural angles of women’s clothes. Her +plain black dress gave her a starkness.... +</p> + +<p> +I do remember, though, how one afternoon I discovered the peculiar appeal of +her form for me. I had been restless with my work and had finally slipped out +of the Laboratory and come over to the Art Museum to lounge among the pictures. +I came upon her in an odd corner of the Sheepshanks gallery, intently copying +something from a picture that hung high. I had just been in the gallery of +casts from the antique, my mind was all alive with my newly awakened sense of +line, and there she stood with face upturned, her body drooping forward from +the hips just a little—memorably graceful—feminine. +</p> + +<p> +After that I know I sought to see her, felt a distinctive emotion at her +presence, began to imagine things about her. I no longer thought of generalised +womanhood or of this casual person or that. I thought of her. +</p> + +<p> +An accident brought us together. I found myself one Monday morning in an +omnibus staggering westward from Victoria—I was returning from a Sunday +I’d spent at Wimblehurst in response to a unique freak of hospitality on +the part of Mr. Mantell. She was the sole other inside passenger. And when the +time came to pay her fare, she became an extremely scared, disconcerted and +fumbling young woman; she had left her purse at home. +</p> + +<p> +Luckily I had some money. +</p> + +<p> +She looked at me with startled, troubled brown eyes; she permitted my proffered +payment to the conductor with a certain ungraciousness that seemed a part of +her shyness, and then as she rose to go, she thanked me with an obvious +affectation of ease. +</p> + +<p> +“Thank you so much,” she said in a pleasant soft voice; and then +less gracefully, “Awfully kind of you, you know.” +</p> + +<p> +I fancy I made polite noises. But just then I wasn’t disposed to be +critical. I was full of the sense of her presence; her arm was stretched out +over me as she moved past me, the gracious slenderness of her body was near me. +The words we used didn’t seem very greatly to matter. I had vague ideas +of getting out with her—and I didn’t. +</p> + +<p> +That encounter, I have no doubt, exercised me enormously. I lay awake at night +rehearsing it, and wondering about the next phase of our relationship. That +took the form of the return of my twopence. I was in the Science Library, +digging something out of the <i>Encyclopædia Britannica</i>, when she appeared +beside me and placed on the open page an evidently premeditated thin envelope, +bulgingly confessing the coins within. +</p> + +<p> +“It was so very kind of you,” she said, “the other day. I +don’t know what I should have done, Mr.—” +</p> + +<p> +I supplied my name. “I knew,” I said, “you were a student +here.” +</p> + +<p> +“Not exactly a student. I—” +</p> + +<p> +“Well, anyhow, I knew you were here frequently. And I’m a student +myself at the Consolidated Technical Schools.” +</p> + +<p> +I plunged into autobiography and questionings, and so entangled her in a +conversation that got a quality of intimacy through the fact that, out of +deference to our fellow-readers, we were obliged to speak in undertones. And I +have no doubt that in substance it was singularly banal. Indeed I have an +impression that all our early conversations were incredibly banal. We met +several times in a manner half-accidental, half furtive and wholly awkward. +Mentally I didn’t take hold of her. I never did take hold of her +mentally. Her talk, I now know all too clearly, was shallow, pretentious, +evasive. Only—even to this day—I don’t remember it as in any +way vulgar. She was, I could see quite clearly, anxious to overstate or conceal +her real social status, a little desirous to be taken for a student in the art +school and a little ashamed that she wasn’t. She came to the museum to +“copy things,” and this, I gathered, had something to do with some +way of partially earning her living that I wasn’t to inquire into. I told +her things about myself, vain things that I felt might appeal to her, but that +I learnt long afterwards made her think me “conceited.” We talked +of books, but there she was very much on her guard and secretive, and rather +more freely of pictures. She “liked” pictures. I think from the +outset I appreciated and did not for a moment resent that hers was a +commonplace mind, that she was the unconscious custodian of something that had +gripped my most intimate instinct, that she embodied the hope of a possibility, +was the careless proprietor of a physical quality that had turned my head like +strong wine. I felt I had to stick to our acquaintance, flat as it was. +Presently we should get through these irrelevant exterior things, and come to +the reality of love beneath. +</p> + +<p> +I saw her in dreams released, as it were, from herself, beautiful, worshipful, +glowing. And sometimes when we were together, we would come on silences through +sheer lack of matter, and then my eyes would feast on her, and the silence +seemed like the drawing back of a curtain—her superficial self. Odd, I +confess. Odd, particularly, the enormous hold of certain things about her upon +me, a certain slight rounded duskiness of skin, a certain perfection of +modelling in her lips, her brow, a certain fine flow about the shoulders. She +wasn’t indeed beautiful to many people—these things are beyond +explaining. She had manifest defects of form and feature, and they didn’t +matter at all. Her complexion was bad, but I don’t think it would have +mattered if it had been positively unwholesome. I had extraordinarily limited, +extraordinarily painful, desires. I longed intolerably to kiss her lips. +</p> + +<h4>V</h4> + +<p> +The affair was immensely serious and commanding to me. I don’t remember +that in these earlier phases I had any thought of turning back at all. It was +clear to me that she regarded me with an eye entirely more critical than I had +for her, that she didn’t like my scholarly untidiness, my want of even +the most commonplace style. “Why do you wear collars like that?” +she said, and sent me in pursuit of gentlemanly neckwear. I remember when she +invited me a little abruptly one day to come to tea at her home on the +following Sunday and meet her father and mother and aunt, that I immediately +doubted whether my hitherto unsuspected best clothes would create the +impression she desired me to make on her belongings. I put off the encounter +until the Sunday after, to get myself in order. I had a morning coat made and I +bought a silk hat, and had my reward in the first glance of admiration she ever +gave me. I wonder how many of my sex are as preposterous. I was, you see, +abandoning all my beliefs, my conventions unasked. I was forgetting myself +immensely. And there was a conscious shame in it all. Never a word—did I +breathe to Ewart—to any living soul of what was going on. +</p> + +<p> +Her father and mother and aunt struck me as the dismalest of people, and her +home in Walham Green was chiefly notable for its black and amber tapestry +carpets and curtains and table-cloths, and the age and irrelevance of its +books, mostly books with faded gilt on the covers. The windows were fortified +against the intrusive eye by cheap lace curtains and an “art pot” +upon an unstable octagonal table. Several framed Art School drawings of +Marion’s, bearing official South Kensington marks of approval, adorned +the room, and there was a black and gilt piano with a hymn-book on the top of +it. There were draped mirrors over all the mantels, and above the sideboard in +the dining-room in which we sat at tea was a portrait of her father, +villainously truthful after the manner of such works. I couldn’t see a +trace of the beauty I found in her in either parent, yet she somehow contrived +to be like them both. +</p> + +<p> +These people pretended in a way that reminded me of the Three Great Women in my +mother’s room, but they had not nearly so much social knowledge and did +not do it nearly so well. Also, I remarked, they did it with an eye on Marion. +They had wanted to thank me, they said, for the kindness to their daughter in +the matter of the ‘bus fare, and so accounted for anything unusual in +their invitation. They posed as simple gentlefolk, a little hostile to the rush +and gadding-about of London, preferring a secluded and unpretentious quiet. +</p> + +<p> +When Marion got out the white table-cloth from the sideboard-drawer for tea, a +card bearing the word “A<small>PARTMENTS</small>” fell to the +floor. I picked it up and gave it to her before I realised from her quickened +colour that I should not have seen it; that probably had been removed from the +window in honour of my coming. +</p> + +<p> +Her father spoke once in a large remote way of he claims of business +engagements, and it was only long afterwards I realised that he was a +supernumerary clerk in the Walham Green Gas Works and otherwise a useful man at +home. He was a large, loose, fattish man with unintelligent brown eyes +magnified by spectacles; he wore an ill-fitting frock-coat and a paper collar, +and he showed me, as his great treasure and interest, a large Bible which he +had grangerised with photographs of pictures. Also he cultivated the little +garden-yard behind the house, and he had a small greenhouse with tomatoes. +“I wish I ’ad ’eat,” he said. “One can do such a +lot with ’eat. But I suppose you can’t ’ave everything you +want in this world.” +</p> + +<p> +Both he and Marion’s mother treated her with a deference that struck me +as the most natural thing in the world. Her own manner changed, became more +authoritative and watchful, her shyness disappeared. She had taken a line of +her own I gathered, draped the mirror, got the second-hand piano, and broken +her parents in. +</p> + +<p> +Her mother must once have been a pretty woman; she had regular features and +Marion’s hair without its lustre, but she was thin and careworn. The +aunt, Miss Ramboat, was a large, abnormally shy person very like her brother, +and I don’t recall anything she said on this occasion. +</p> + +<p> +To begin with there was a good deal of tension, Marion was frightfully nervous +and every one was under the necessity of behaving in a mysteriously unreal +fashion until I plunged, became talkative and made a certain ease and interest. +I told them of the schools, of my lodgings, of Wimblehurst and my +apprenticeship days. “There’s a lot of this Science about +nowadays,” Mr. Ramboat reflected; “but I sometimes wonder a bit +what good it is?” +</p> + +<p> +I was young enough to be led into what he called “a bit of a +discussion,” which Marion truncated before our voices became unduly +raised. “I dare say,” she said, “there’s much to be +said on both sides.” +</p> + +<p> +I remember Marion’s mother asked me what church I attended, and that I +replied evasively. After tea there was music and we sang hymns. I doubted if I +had a voice when this was proposed, but that was held to be a trivial +objection, and I found sitting close beside the sweep of hair from +Marion’s brow had many compensations. I discovered her mother sitting in +the horsehair armchair and regarding us sentimentally. I went for a walk with +Marion towards Putney Bridge, and then there was more singing and a supper of +cold bacon and pie, after which Mr. Ramboat and I smoked. During that walk, I +remember, she told me the import of her sketchings and copyings in the museum. +A cousin of a friend of hers whom she spoke of as Smithie, had developed an +original business in a sort of tea-gown garment which she called a Persian +Robe, a plain sort of wrap with a gaily embroidered yoke, and Marion went there +and worked in the busy times. In the times that weren’t busy she designed +novelties in yokes by an assiduous use of eyes and note-book in the museum, and +went home and traced out the captured forms on the foundation material. +“I don’t get much,” said Marion, “but it’s +interesting, and in the busy times we work all day. Of course the workgirls are +dreadfully common, but we don’t say much to them. And Smithie talks +enough for ten.” +</p> + +<p> +I quite understood the workgirls were dreadfully common. +</p> + +<p> +I don’t remember that the Walham Green <i>ménage</i> and the quality of +these people, nor the light they threw on Marion, detracted in the slightest +degree at that time from the intent resolve that held me to make her mine. I +didn’t like them. But I took them as part of the affair. Indeed, on the +whole, I think they threw her up by an effect of contrast; she was so obviously +controlling them, so consciously superior to them. +</p> + +<p> +More and more of my time did I give to this passion that possessed me. I began +to think chiefly of ways of pleasing Marion, of acts of devotion, of treats, of +sumptuous presents for her, of appeals she would understand. If at times she +was manifestly unintelligent, in her ignorance became indisputable, I told +myself her simple instincts were worth all the education and intelligence in +the world. And to this day I think I wasn’t really wrong about her. There +was something extraordinarily fine about her, something simple and high, that +flickered in and out of her ignorance and commonness and limitations like the +tongue from the mouth of a snake.... +</p> + +<p> +One night I was privileged to meet her and bring her home from an entertainment +at the Birkbeck Institute. We came back on the underground railway and we +travelled first-class—that being the highest class available. We were +alone in the carriage, and for the first time I ventured to put my arm about +her. +</p> + +<p> +“You mustn’t,” she said feebly. +</p> + +<p> +“I love you,” I whispered suddenly with my heart beating wildly, +drew her to me, drew all her beauty to me and kissed her cool and unresisting +lips. +</p> + +<p> +“Love me?” she said, struggling away from me, +“Don’t!” and then, as the train ran into a station, +“You must tell no one.... I don’t know.... You shouldn’t have +done that....” +</p> + +<p> +Then two other people got in with us and terminated my wooing for a time. +</p> + +<p> +When we found ourselves alone together, walking towards Battersea, she had +decided to be offended. I parted from her unforgiven and terribly distressed. +</p> + +<p> +When we met again, she told me I must never say “that” again. +</p> + +<p> +I had dreamt that to kiss her lips was ultimate satisfaction. But it was indeed +only the beginning of desires. I told her my one ambition was to marry her. +</p> + +<p> +“But,” she said, “you’re not in a +position—What’s the good of talking like that?” +</p> + +<p> +I stared at her. “I mean to,” I said. +</p> + +<p> +“You can’t,” she answered. “It will be years” +</p> + +<p> +“But I love you,” I insisted. +</p> + +<p> +I stood not a yard from the sweet lips I had kissed; I stood within arm’s +length of the inanimate beauty I desired to quicken, and I saw opening between +us a gulf of years, toil, waiting, disappointments and an immense uncertainty. +</p> + +<p> +“I love you,” I said. “Don’t you love me?” +</p> + +<p> +She looked me in the face with grave irresponsive eyes. +</p> + +<p> +“I don’t know,” she said. “I <i>like</i> you, of +course.... One has to be sensibl...” +</p> + +<p> +I can remember now my sense of frustration by her unresilient reply. I should +have perceived then that for her my ardour had no quickening fire. But how was +I to know? I had let myself come to want her, my imagination endowed her with +infinite possibilities. I wanted her and wanted her, stupidly and +instinctively.... +</p> + +<p> +“But,” I said “Love—!” +</p> + +<p> +“One has to be sensible,” she replied. “I like going about +with you. Can’t we keep as we are?’” +</p> + +<h4>VI</h4> + +<p> +Well, you begin to understand my breakdown now, I have been copious enough with +these apologia. My work got more and more spiritless, my behaviour degenerated, +my punctuality declined; I was more and more outclassed in the steady grind by +my fellow-students. Such supplies of moral energy as I still had at command +shaped now in the direction of serving Marion rather than science. +</p> + +<p> +I fell away dreadfully, more and more I shirked and skulked; the humped men +from the north, the pale men with thin, clenched minds, the intent, +hard-breathing students I found against me, fell at last from keen rivalry to +moral contempt. Even a girl got above me upon one of the lists. Then indeed I +made it a point of honour to show by my public disregard of every rule that I +really did not even pretend to try. +</p> + +<p> +So one day I found myself sitting in a mood of considerable astonishment in +Kensington Gardens, reacting on a recent heated interview with the school +Registrar in which I had displayed more spirit than sense. I was astonished +chiefly at my stupendous falling away from all the militant ideals of +unflinching study I had brought up from Wimblehurst. I had displayed myself, as +the Registrar put it, “an unmitigated rotter.” My failure to get +marks in the written examination had only been equalled by the insufficiency of +my practical work. +</p> + +<p> +“I ask you,” the Registrar had said, “what will become of you +when your scholarship runs out?” +</p> + +<p> +It certainly was an interesting question. What <i>was</i> going to become of +me? +</p> + +<p> +It was clear there would be nothing for me in the schools as I had once dared +to hope; there seemed, indeed, scarcely anything in the world except an illpaid +assistantship in some provincial organized Science School or grammar school. I +knew that for that sort of work, without a degree or any qualification, one +earned hardly a bare living and had little leisure to struggle up to anything +better. If only I had even as little as fifty pounds I might hold out in London +and take my B.Sc. degree, and quadruple my chances! My bitterness against my +uncle returned at the thought. After all, he had some of my money still, or +ought to have. Why shouldn’t I act within my rights, threaten to +‘take proceedings’? I meditated for a space on the idea, and then +returned to the Science Library and wrote him a very considerable and +occasionally pungent letter. +</p> + +<p> +That letter to my uncle was the nadir of my failure. Its remarkable +consequences, which ended my student days altogether, I will tell in the next +chapter. +</p> + +<p> +I say “my failure.” Yet there are times when I can even doubt +whether that period was a failure at all, when I become defensively critical of +those exacting courses I did not follow, the encyclopaedic process of +scientific exhaustion from which I was distracted. My mind was not inactive, +even if it fed on forbidden food. I did not learn what my professors and +demonstrators had resolved I should learn, but I learnt many things. My mind +learnt to swing wide and to swing by itself. +</p> + +<p> +After all, those other fellows who took high places in the College examinations +and were the professor’s model boys haven’t done so amazingly. Some +are professors themselves, some technical experts; not one can show things done +such as I, following my own interest, have achieved. For I have built boats +that smack across the water like whiplashes; no one ever dreamt of such boats +until I built them; and I have surprised three secrets that are more than +technical discoveries, in the unexpected hiding-places of Nature. I have come +nearer flying than any man has done. Could I have done as much if I had had a +turn for obeying those rather mediocre professors at the college who proposed +to train my mind? If I had been <i>trained</i> in research—that +ridiculous contradiction in terms—should I have done more than produce +additions to the existing store of little papers with blunted conclusions, of +which there are already too many? I see no sense in mock modesty upon this +matter. Even by the standards of worldly success I am, by the side of my +fellow-students, no failure. I had my F.R.S. by the time I was thirty-seven, +and if I am not very wealthy poverty is as far from me as the Spanish +Inquisition. Suppose I had stamped down on the head of my wandering curiosity, +locked my imagination in a box just when it wanted to grow out to things, +worked by so-and-so’s excellent method and so-and-so’s indications, +where should I be now? +</p> + +<p> +I may be all wrong in this. It may be I should be a far more efficient man than +I am if I had cut off all those divergent expenditures of energy, plugged up my +curiosity about society with more currently acceptable rubbish or other, +abandoned Ewart, evaded Marion instead of pursuing her, concentrated. But I +don’t believe it! +</p> + +<p> +However, I certainly believed it completely and was filled with remorse on that +afternoon when I sat dejectedly in Kensington Gardens and reviewed, in the +light of the Registrar’s pertinent questions my first two years in +London. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap05"></a>CHAPTER THE SECOND<br /> +THE DAWN COMES, AND MY UNCLE APPEARS IN A NEW SILK HAT</h3> + +<h4>I</h4> + +<p> +Throughout my student days I had not seen my uncle. I refrained from going to +him in spite of an occasional regret that in this way I estranged myself from +my aunt Susan, and I maintained a sulky attitude of mind towards him. And I +don’t think that once in all that time I gave a thought to that mystic +word of his that was to alter all the world for us. Yet I had not altogether +forgotten it. It was with a touch of memory, dim transient perplexity if no +more—why did this thing seem in some way personal?—that I read a +new inscription upon the hoardings: +</p> + +<div class="center"> +<table summary="" style="margin-left: auto; margin-right: auto; margin-top: +2em; margin-bottom: 2em;" border="1" > + +<tr> +<td>THE SECRET OF VIGOUR,<br /> +TONO-BUNGAY.</td> +</tr> + +</table> +</div> + +<p> +That was all. It was simple and yet in some way arresting. I found myself +repeating the word after I had passed; it roused one’s attention like the +sound of distant guns. “Tono”—what’s that? and deep, +rich, unhurrying;—“<i>bun</i>—gay!” +</p> + +<p> +Then came my uncle’s amazing telegram, his answer to my hostile note: +“<i>Come to me at once you are wanted three hundred a year certain +tono-bungay.</i>” +</p> + +<p> +“By Jove!” I cried, “of course! +</p> + +<p> +“It’s something—. A patent-medicine! I wonder what he wants +with me.” +</p> + +<p> +In his Napoleonic way my uncle had omitted to give an address. His telegram had +been handed in at Farringdon Road, and after complex meditations I replied to +Ponderevo, Farringdon Road, trusting to the rarity of our surname to reach him. +</p> + +<p> +“Where are you?” I asked. +</p> + +<p> +His reply came promptly: +</p> + +<p> +“192A, Raggett Street, E.C.” +</p> + +<p> +The next day I took an unsanctioned holiday after the morning’s lecture. +I discovered my uncle in a wonderfully new silk hat—oh, a splendid hat! +with a rolling brim that went beyond the common fashion. It was decidedly too +big for him—that was its only fault. It was stuck on the back of his +head, and he was in a white waistcoat and shirt sleeves. He welcomed me with a +forgetfulness of my bitter satire and my hostile abstinence that was almost +divine. His glasses fell off at the sight of me. His round inexpressive eyes +shone brightly. He held out his plump short hand. +</p> + +<p> +“Here we are, George! What did I tell you? Needn’t whisper it now, +my boy. Shout it—<i>loud!</i> spread it about! Tell every one! +Tono—T<small>ONO</small>—, TONO-BUNGAY!” +</p> + +<p> +Raggett Street, you must understand, was a thoroughfare over which some one had +distributed large quantities of cabbage stumps and leaves. It opened out of the +upper end of Farringdon Street, and 192A was a shop with the plate-glass front +coloured chocolate, on which several of the same bills I had read upon the +hoardings had been stuck. The floor was covered by street mud that had been +brought in on dirty boots, and three energetic young men of the hooligan type, +in neck-wraps and caps, were packing wooden cases with papered-up bottles, +amidst much straw and confusion. The counter was littered with these same +swathed bottles, of a pattern then novel but now amazingly familiar in the +world, the blue paper with the coruscating figure of a genially nude giant, and +the printed directions of how under practically all circumstances to take +Tono-Bungay. Beyond the counter on one side opened a staircase down which I +seem to remember a girl descending with a further consignment of bottles, and +the rest of the background was a high partition, also chocolate, with +“Temporary Laboratory” inscribed upon it in white letters, and over +a door that pierced it, “Office.” Here I rapped, inaudible amid +much hammering, and then entered unanswered to find my uncle, dressed as I have +described, one hand gripping a sheath of letters, and the other scratching his +head as he dictated to one of three toiling typewriter girls. Behind him was a +further partition and a door inscribed “ABSOLUTELY PRIVATE—NO +ADMISSION,” thereon. This partition was of wood painted the universal +chocolate, up to about eight feet from the ground, and then of glass. Through +the glass I saw dimly a crowded suggestion of crucibles and glass retorts, +and—by Jove!—yes!—the dear old Wimblehurst air-pump still! It +gave me quite a little thrill—that air-pump! And beside it was the +electrical machine—but something—some serious trouble—had +happened to that. All these were evidently placed on a shelf just at the level +to show. +</p> + +<p> +“Come right into the sanctum,” said my uncle, after he had finished +something about “esteemed consideration,” and whisked me through +the door into a room that quite amazingly failed to verify the promise of that +apparatus. It was papered with dingy wall-paper that had peeled in places; it +contained a fireplace, an easy-chair with a cushion, a table on which stood two +or three big bottles, a number of cigar-boxes on the mantel, whisky Tantalus +and a row of soda syphons. He shut the door after me carefully. +</p> + +<p> +“Well, here we are!” he said. “Going strong! Have a whisky, +George? No!—Wise man! Neither will I! You see me at it! At +it—hard!” +</p> + +<p> +“Hard at what?” +</p> + +<p> +“Read it,” and he thrust into my hand a label—that label that +has now become one of the most familiar objects of the chemist’s shop, +the greenish-blue rather old-fashioned bordering, the legend, the name in good +black type, very clear, and the strong man all set about with lightning flashes +above the double column of skilful lies in red—the label of Tono-Bungay. +“It’s afloat,” he said, as I stood puzzling at this. +“It’s afloat. I’m afloat!” And suddenly he burst out +singing in that throaty tenor of his— +</p> + +<p class="poem"> +“I’m afloat, I’m afloat on the fierce flowing tide,<br /> +The ocean’s my home and my bark is my bride! +</p> + +<p> +“Ripping song that is, George. Not so much a bark as a solution, but +still—it does! Here we are at it! By-the-by! Half a mo’! I’ve +thought of a thing.” He whisked out, leaving me to examine this nuclear +spot at leisure while his voice became dictatorial without. The den struck me +as in its large grey dirty way quite unprecedented and extraordinary. The +bottles were all labelled simply A, B, C, and so forth, and that dear old +apparatus above, seen from this side, was even more patiently “on the +shelf” than when it had been used to impress Wimblehurst. I saw nothing +for it but to sit down in the chair and await my uncle’s explanations. I +remarked a frock-coat with satin lapels behind the door; there was a dignified +umbrella in the corner and a clothes-brush and a hat-brush stood on a +side-table. My uncle returned in five minutes looking at his watch—a gold +watch—“Gettin’ lunch-time, George,” he said. +“You’d better come and have lunch with me!” +</p> + +<p> +“How’s Aunt Susan?” I asked. +</p> + +<p> +“Exuberant. Never saw her so larky. This has bucked her up something +wonderful—all this.” +</p> + +<p> +“All what?” +</p> + +<p> +“Tono-Bungay.” +</p> + +<p> +“What is Tono-Bungay?” I asked. +</p> + +<p> +My uncle hesitated. “Tell you after lunch, George,” he said. +“Come along!” and having locked up the sanctum after himself, led +the way along a narrow dirty pavement, lined with barrows and swept at times by +avalanche-like porters bearing burthens to vans, to Farringdon Street. He +hailed a passing cab superbly, and the cabman was infinitely respectful. +“Schäfer’s,” he said, and off we went side by side—and +with me more and more amazed at all these things—to Schäfer’s +Hotel, the second of the two big places with huge lace curtain-covered windows, +near the corner of Blackfriars Bridge. +</p> + +<p> +I will confess I felt a magic charm in our relative proportions as the two +colossal, pale-blue-and-red liveried porters of Schäfers’ held open the +inner doors for us with a respectful salutation that in some manner they seemed +to confine wholly to my uncle. Instead of being about four inches taller, I +felt at least the same size as he, and very much slenderer. Still more +respectful—waiters relieved him of the new hat and the dignified +umbrella, and took his orders for our lunch. He gave them with a fine +assurance. +</p> + +<p> +He nodded to several of the waiters. +</p> + +<p> +“They know me, George, already,” he said. “Point me out. Live +place! Eye for coming men!” +</p> + +<p> +The detailed business of the lunch engaged our attention for a while, and then +I leant across my plate. “And NOW?” said I. +</p> + +<p> +“It’s the secret of vigour. Didn’t you read that +label?” +</p> + +<p> +“Yes, but—” +</p> + +<p> +“It’s selling like hot cakes.” +</p> + +<p> +“And what is it?” I pressed. +</p> + +<p> +“Well,” said my uncle, and then leant forward and spoke softly +under cover of his hand, “It’s nothing more or less than...” +</p> + +<p> +(But here an unfortunate scruple intervenes. After all, Tono-Bungay is still a +marketable commodity and in the hands of purchasers, who bought it +from—among other vendors—me. No! I am afraid I cannot give it +away—) +</p> + +<p> +“You see,” said my uncle in a slow confidential whisper, with eyes +very wide and a creased forehead, “it’s nice because of the” +(here he mentioned a flavouring matter and an aromatic spirit), +“it’s stimulating because of” (here he mentioned two very +vivid tonics, one with a marked action on the kidney.) “And the” +(here he mentioned two other ingredients) “makes it pretty intoxicating. +Cocks their tails. Then there’s” (but I touch on the essential +secret.) “And there you are. I got it out of an old book of +recipes—all except the” (here he mentioned the more virulent +substance, the one that assails the kidneys), “which is my idea! Modern +touch! There you are!” +</p> + +<p> +He reverted to the direction of our lunch. +</p> + +<p> +Presently he was leading the way to the lounge—sumptuous piece in red +morocco and yellow glazed crockery, with incredible vistas of settees and sofas +and things, and there I found myself grouped with him in two excessively +upholstered chairs with an earthenware Moorish table between us bearing coffee +and Benedictine, and I was tasting the delights of a tenpenny cigar. My uncle +smoked a similar cigar in an habituated manner, and he looked energetic and +knowing and luxurious and most unexpectedly a little bounder, round the end of +it. It was just a trivial flaw upon our swagger, perhaps that we both were +clear our cigars had to be “mild.” He got obliquely across the +spaces of his great armchair so as to incline confidentially to my ear, he +curled up his little legs, and I, in my longer way, adopted a corresponding +receptive obliquity. I felt that we should strike an unbiased observer as a +couple of very deep and wily and developing and repulsive persons. +</p> + +<p> +“I want to let you into +this”—puff—“George,” said my uncle round the end +of his cigar. “For many reasons.” +</p> + +<p> +His voice grew lower and more cunning. He made explanations that to my +inexperience did not completely explain. I retain an impression of a long +credit and a share with a firm of wholesale chemists, of a credit and a +prospective share with some pirate printers, of a third share for a leading +magazine and newspaper proprietor. +</p> + +<p> +“I played ’em off one against the other,” said my uncle. I +took his point in an instant. He had gone to each of them in turn and said the +others had come in. +</p> + +<p> +“I put up four hundred pounds,” said my uncle, “myself and my +all. And you know—” +</p> + +<p> +He assumed a brisk confidence. “I hadn’t five hundred pence. At +least—” +</p> + +<p> +For a moment he really was just a little embarrassed. “I +<i>did</i>” he said, “produce capital. You see, there was that +trust affair of yours—I ought, I suppose—in strict +legality—to have put that straight first. Zzzz.... +</p> + +<p> +“It was a bold thing to do,” said my uncle, shifting the venue from +the region of honour to the region of courage. And then with a characteristic +outburst of piety, “Thank God it’s all come right! +</p> + +<p> +“And now, I suppose, you ask where do YOU come in? Well, fact is +I’ve always believed in you, George. You’ve got—it’s a +sort of dismal grit. Bark your shins, rouse you, and you’ll go! +You’d rush any position you had a mind to rush. I know a bit about +character, George—trust me. You’ve got—” He clenched +his hands and thrust them out suddenly, and at the same time said, with +explosive violence, “Wooosh! Yes. You have! The way you put away that +Latin at Wimblehurst; I’ve never forgotten it. +</p> + +<p> +“Wo-oo-oo-osh! Your science and all that! Wo-oo-oo-osh! I know my +limitations. There’s things I can do, and” (he spoke in a whisper, +as though this was the first hint of his life’s secret) +“there’s things I can’t. Well, I can create this business, +but I can’t make it go. I’m too voluminous—I’m a +boiler-over, not a simmering stick-at-it.<i>You</i> keep on <i>hotting up and +hotting up</i>. Papin’s digester. That’s you, steady and long and +piling up,—then, wo-oo-oo-oo-osh. Come in and stiffen these niggers. +Teach them that wo-oo-oo-oo-osh. There you are! That’s what I’m +after. You! Nobody else believes you’re more than a boy. Come right in +with me and be a man. Eh, George? Think of the fun of it—a thing on the +go—a Real Live Thing! Wooshing it up! Making it buzz and spin! +Whoo-oo-oo.”—He made alluring expanding circles in the air with his +hand. “Eh?” +</p> + +<p> +His proposal, sinking to confidential undertones again, took more definite +shape. I was to give all my time and energy to developing and organising. +“You shan’t write a single advertisement, or give a single +assurance” he declared. “I can do all that.” And the telegram +was no flourish; I was to have three hundred a year. Three hundred a year. +(“That’s nothing,” said my uncle, “the thing to freeze +on to, when the time comes, is your tenth of the vendor’s share.”) +</p> + +<p> +Three hundred a year certain, anyhow! It was an enormous income to me. For a +moment I was altogether staggered. Could there be that much money in the whole +concern? I looked about me at the sumptuous furniture of Schäfer’s Hotel. +No doubt there were many such incomes. +</p> + +<p> +My head was spinning with unwonted Benedictine and Burgundy. +</p> + +<p> +“Let me go back and look at the game again,” I said. “Let me +see upstairs and round about.” +</p> + +<p> +I did. +</p> + +<p> +“What do you think of it all?” my uncle asked at last. +</p> + +<p> +“Well, for one thing,” I said, “why don’t you have +those girls working in a decently ventilated room? Apart from any other +consideration, they’d work twice as briskly. And they ought to cover the +corks before labelling round the bottle.” +</p> + +<p> +“Why?” said my uncle. +</p> + +<p> +“Because—they sometimes make a mucker of the cork job, and then the +label’s wasted.” +</p> + +<p> +“Come and change it, George,” said my uncle, with sudden fervour +“Come here and make a machine of it. You can. Make it all slick, and then +make it woosh. I know you can. Oh! I know you can.” +</p> + +<h4>II</h4> + +<p> +I seem to remember very quick changes of mind after that lunch. The muzzy +exaltation of the unaccustomed stimulants gave way very rapidly to a model of +pellucid and impartial clairvoyance which is one of my habitual mental states. +It is intermittent; it leaves me for weeks together, I know, but back it comes +at last like justice on circuit, and calls up all my impression, all my +illusions, all my willful and passionate proceedings. We came downstairs again +into that inner room which pretended to be a scientific laboratory through its +high glass lights, and indeed was a lurking place. My uncle pressed a cigarette +on me, and I took it and stood before the empty fireplace while he propped his +umbrella in the corner, deposited the new silk hat that was a little too big +for him on the table, blew copiously and produced a second cigar. +</p> + +<p> +It came into my head that he had shrunken very much in size since the +Wimblehurst days, that the cannon ball he had swallowed was rather more evident +and shameless than it had been, his skin less fresh and the nose between his +glasses, which still didn’t quite fit, much redder. And just then he +seemed much laxer in his muscles and not quite as alertly quick in his +movements. But he evidently wasn’t aware of the degenerative nature of +his changes as he sat there, looking suddenly quite little under my eyes. +</p> + +<p> +“Well, George!” he said, quite happily unconscious of my silent +criticism, “what do you think of it all?” +</p> + +<p> +“Well,” I said, “in the first place—it’s a damned +swindle!” +</p> + +<p> +“Tut! tut!” said my uncle. “It’s as straight +as—It’s fair trading!” +</p> + +<p> +“So much the worse for trading,” I said. +</p> + +<p> +“It’s the sort of thing everybody does. After all, there’s no +harm in the stuff—and it may do good. It might do a lot of +good—giving people confidence, f’rinstance, against an epidemic. +See? Why not? don’t see where your swindle comes in.” +</p> + +<p> +“H’m,” I said. “It’s a thing you either see or +don’t see.” +</p> + +<p> +“I’d like to know what sort of trading isn’t a swindle in its +way. Everybody who does a large advertised trade is selling something common on +the strength of saying it’s uncommon. Look at Chickson—they made +him a baronet. Look at Lord Radmore, who did it on lying about the alkali in +soap! Rippin’ ads those were of his too!” +</p> + +<p> +“You don’t mean to say you think doing this stuff up in bottles and +swearing it’s the quintessence of strength and making poor devils buy it +at that, is straight?” +</p> + +<p> +“Why not, George? How do we know it mayn’t be the quintessence to +them so far as they’re concerned?” +</p> + +<p> +“Oh!” I said, and shrugged my shoulders. +</p> + +<p> +“There’s Faith. You put Faith in ’em.... I grant our labels +are a bit emphatic. Christian Science, really. No good setting people against +the medicine. Tell me a solitary trade nowadays that hasn’t to +be—emphatic. It’s the modern way! Everybody understands +it—everybody allows for it.” +</p> + +<p> +“But the world would be no worse and rather better, if all this stuff of +yours was run down a conduit into the Thames.” +</p> + +<p> +“Don’t see that, George, at all. ’Mong other things, all our +people would be out of work. Unemployed! I grant you Tono-Bungay <i>may</i> +be—not <i>quite</i> so good a find for the world as Peruvian bark, but +the point is, George—it <i>makes trade!</i> And the world lives on trade. +Commerce! A romantic exchange of commodities and property. Romance. +’Magination. See? You must look at these things in a broad light. Look at +the wood—and forget the trees! And hang it, George! we got to do these +things! There’s no way unless you do. What do <i>you</i> mean to +do—anyhow?” +</p> + +<p> +“There’s ways of living,” I said, “Without either fraud +or lying.” +</p> + +<p> +“You’re a bit stiff, George. There’s no fraud in this affair, +I’ll bet my hat. But what do you propose to do? Go as chemist to some one +who <i>is</i> running a business, and draw a salary without a share like I +offer you. Much sense in that! It comes out of the swindle as you call +it—just the same.” +</p> + +<p> +“Some businesses are straight and quiet, anyhow; supply a sound article +that is really needed, don’t shout advertisements.” +</p> + +<p> +“No, George. There you’re behind the times. The last of that sort +was sold up ‘bout five years ago.” +</p> + +<p> +“Well, there’s scientific research.” +</p> + +<p> +“And who pays for that? Who put up that big City and Guilds place at +South Kensington? Enterprising business men! They fancy they’ll have a +bit of science going on, they want a handy Expert ever and again, and there you +are! And what do you get for research when you’ve done it? Just a bare +living and no outlook. They just keep you to make discoveries, and if they +fancy they’ll use ’em they do.” +</p> + +<p> +“One can teach.” +</p> + +<p> +“How much a year, George? How much a year? I suppose you must respect +Carlyle! Well, you take Carlyle’s test—solvency. (Lord! what a book +that French Revolution of his is!) See what the world pays teachers and +discoverers and what it pays business men! That shows the ones it really wants. +There’s a justice in these big things, George, over and above the +apparent injustice. I tell you it wants trade. It’s Trade that makes the +world go round! Argosies! Venice! Empire!” +</p> + +<p> +My uncle suddenly rose to his feet. +</p> + +<p> +“You think it over, George. You think it over! And come up on Sunday to +the new place—we got rooms in Gower Street now—and see your aunt. +She’s often asked for you, George often and often, and thrown it up at me +about that bit of property—though I’ve always said and always will, +that twenty-five shillings in the pound is what I’ll pay you and interest +up to the nail. And think it over. It isn’t me I ask you to help. +It’s yourself. It’s your aunt Susan. It’s the whole concern. +It’s the commerce of your country. And we want you badly. I tell you +straight, I know my limitations. You could take this place, you could make it +go! I can see you at it—looking rather sour. Woosh is the word, +George.” +</p> + +<p> +And he smiled endearingly. +</p> + +<p> +“I got to dictate a letter,” he said, ending the smile, and +vanished into the outer room. +</p> + +<h4>III</h4> + +<p> +I didn’t succumb without a struggle to my uncle’s allurements. +Indeed, I held out for a week while I contemplated life and my prospects. It +was a crowded and muddled contemplation. It invaded even my sleep. +</p> + +<p> +My interview with the Registrar, my talk with my uncle, my abrupt discovery of +the hopeless futility of my passion for Marion, had combined to bring me to +sense of crisis. What was I going to do with life? +</p> + +<p> +I remember certain phases of my indecisions very well. +</p> + +<p> +I remember going home from our talk. I went down Farringdon Street to the +Embankment because I thought to go home by Holborn and Oxford Street would be +too crowded for thinking.... That piece of Embankment from Blackfriars to +Westminster still reminds me of that momentous hesitation. +</p> + +<p> +You know, from first to last, I saw the business with my eyes open, I saw its +ethical and moral values quite clearly. Never for a moment do I remember myself +faltering from my persuasion that the sale of Tono-Bungay was a thoroughly +dishonest proceeding. The stuff was, I perceived, a mischievous trash, slightly +stimulating, aromatic and attractive, likely to become a bad habit and train +people in the habitual use of stronger tonics and insidiously dangerous to +people with defective kidneys. It would cost about sevenpence the large bottle +to make, including bottling, and we were to sell it at half a crown plus the +cost of the patent medicine stamp. A thing that I will confess deterred me from +the outset far more than the sense of dishonesty in this affair, was the +supreme silliness of the whole concern. I still clung to the idea that the +world of men was or should be a sane and just organisation, and the idea that I +should set myself gravely, just at the fine springtime of my life, to +developing a monstrous bottling and packing warehouse, bottling rubbish for the +consumption of foolish, credulous and depressed people, had in it a touch of +insanity. My early beliefs still clung to me. I felt assured that somewhere +there must be a hitch in the fine prospect of ease and wealth under such +conditions; that somewhere, a little overgrown, perhaps, but still traceable, +lay a neglected, wasted path of use and honour for me. +</p> + +<p> +My inclination to refuse the whole thing increased rather than diminished at +first as I went along the Embankment. In my uncle’s presence there had +been a sort of glamour that had prevented an outright refusal. It was a revival +of affection for him I felt in his presence, I think, in part, and in part an +instinctive feeling that I must consider him as my host. But much more was it a +curious persuasion he had the knack of inspiring—a persuasion not so much +of his integrity and capacity as of the reciprocal and yielding foolishness of +the world. One felt that he was silly and wild, but in some way silly and wild +after the fashion of the universe. After all, one must live somehow. I +astonished him and myself by temporising. +</p> + +<p> +“No,” said I, “I’ll think it over!” +</p> + +<p> +And as I went along the embankment the first effect was all against my uncle. +He shrank—for a little while he continued to shrink—in perspective +until he was only a very small shabby little man in a dirty back street, +sending off a few hundred bottles of rubbish to foolish buyers. The great +buildings on the right of us, the Inns and the School Board place—as it +was then—Somerset House, the big hotels, the great bridges, +Westminster’s outlines ahead, had an effect of grey largeness that +reduced him to the proportions of a busy black beetle in a crack in the floor. +</p> + +<p> +And then my eye caught the advertisements on the south side of +“Sorber’s Food,” of “Cracknell’s Ferric +Wine,” very bright and prosperous signs, illuminated at night, and I +realised how astonishingly they looked at home there, how evidently part they +were in the whole thing. +</p> + +<p> +I saw a man come charging out of Palace Yard—the policeman touched his +helmet to him—with a hat and a bearing astonishingly like my +uncle’s. After all,—didn’t Cracknell himself sit in the +House? +</p> + +<p> +Tono-Bungay shouted at me from a hoarding near Adelphi Terrace; I saw it afar +off near Carfax Street; it cried out again upon me in Kensington High Street, +and burst into a perfect clamour; six or seven times I saw it as I drew near my +diggings. It certainly had an air of being something more than a dream. +</p> + +<p> +Yes, I thought it over—thoroughly enough.... Trade rules the world. +Wealth rather than trade! The thing was true, and true too was my uncle’s +proposition that the quickest way to get wealth is to sell the cheapest thing +possible in the dearest bottle. He was frightfully right after all. <i>Pecunia +non olet</i>,—a Roman emperor said that. Perhaps my great heroes in +Plutarch were no more than such men, fine now only because they are distant; +perhaps after all this Socialism to which I had been drawn was only a foolish +dream, only the more foolish because all its promises were conditionally true. +Morris and these others played with it wittingly; it gave a zest, a touch of +substance, to their aesthetic pleasures. Never would there be good faith enough +to bring such things about. They knew it; every one, except a few young fools, +knew it. As I crossed the corner of St. James’s Park wrapped in thought, +I dodged back just in time to escape a prancing pair of greys. A stout, +common-looking woman, very magnificently dressed, regarded me from the carriage +with a scornful eye. “No doubt,” thought I, “a +pill-vendor’s wife....” +</p> + +<p> +Running through all my thoughts, surging out like a refrain, was my +uncle’s master-stroke, his admirable touch of praise: “Make it all +slick—and then make it go Woosh. I know you can! Oh! I <i>know</i> you +can!” +</p> + +<h4>IV</h4> + +<p> +Ewart as a moral influence was unsatisfactory. I had made up my mind to put the +whole thing before him, partly to see how he took it, and partly to hear how it +sounded when it was said. I asked him to come and eat with me in an Italian +place near Panton Street where one could get a curious, interesting, glutting +sort of dinner for eighteen-pence. He came with a disconcerting black-eye that +he wouldn’t explain. “Not so much a black-eye,” he said, +“as the aftermath of a purple patch.... What’s your +difficulty?” +</p> + +<p> +“I’ll tell you with the salad,” I said. +</p> + +<p> +But as a matter of fact I didn’t tell him. I threw out that I was +doubtful whether I ought to go into trade, or stick to teaching in view of my +deepening socialist proclivities; and he, warming with the unaccustomed +generosity of a sixteen-penny Chianti, ran on from that without any further +inquiry as to my trouble. +</p> + +<p> +His utterances roved wide and loose. +</p> + +<p> +“The reality of life, my dear Ponderevo,” I remember him saying +very impressively and punctuating with the nut-crackers as he spoke, “is +Chromatic Conflict ... and Form. Get hold of that and let all these other +questions go. The Socialist will tell you one sort of colour and shape is +right, the Individualist another. What does it all amount to? What <i>does</i> +it all amount to? <i>Nothing!</i> I have no advice to give anyone,—except +to avoid regrets. Be yourself, seek after such beautiful things as your own +sense determines to be beautiful. And don’t mind the headache in the +morning.... For what, after all, is a morning, Ponderevo? It isn’t like +the upper part of a day!” +</p> + +<p> +He paused impressively. +</p> + +<p> +“What Rot!” I cried, after a confused attempt to apprehend him. +</p> + +<p> +“Isn’t it! And it’s my bedrock wisdom in the matter! Take it +or leave it, my dear George; take it or leave it.”... He put down the +nut-crackers out of my reach and lugged a greasy-looking note-book from his +pocket. “I’m going to steal this mustard pot,” he said. +</p> + +<p> +I made noises of remonstrance. +</p> + +<p> +“Only as a matter of design. I’ve got to do an old beast’s +tomb. +</p> + +<p> +“Wholesale grocer. I’ll put it on his corners,—four mustard +pots. I dare say he’d be glad of a mustard plaster now to cool him, poor +devil, where he is. But anyhow,—here goes!” +</p> + +<h4>V</h4> + +<p> +It came to me in the small hours that the real moral touchstone for this great +doubting of mind was Marion. I lay composing statements of my problem and +imagined myself delivering them to her—and she, goddess-like and +beautiful; giving her fine, simply-worded judgment. +</p> + +<p> +“You see, it’s just to give one’s self over to the +Capitalistic System,” I imagined myself saying in good Socialist jargon; +“it’s surrendering all one’s beliefs. We <i>may</i> succeed, +we <i>may</i> grow rich, but where would the satisfaction be?” +</p> + +<p> +Then she would say, “No! That wouldn’t be right.” +</p> + +<p> +“But the alternative is to wait!” +</p> + +<p> +Then suddenly she would become a goddess. She would turn upon me frankly and +nobly, with shining eyes, with arms held out. “No,” she would say, +“we love one another. Nothing ignoble shall ever touch us. We love one +another. Why wait to tell each other that, dear? What does it matter that we +are poor and may keep poor?” +</p> + +<p> +But indeed the conversation didn’t go at all in that direction. At the +sight of her my nocturnal eloquence became preposterous and all the moral +values altered altogether. I had waited for her outside the door of the +Parsian-robe establishment in Kensington High Street and walked home with her +thence. I remember how she emerged into the warm evening light and that she +wore a brown straw hat that made her, for once not only beautiful but pretty. +</p> + +<p> +“I like that hat,” I said by way of opening; and she smiled her +rare delightful smile at me. +</p> + +<p> +“I love you,” I said in an undertone, as we jostled closer on the +pavement. +</p> + +<p> +She shook her head forbiddingly, but she still smiled. Then—“Be +sensible!” +</p> + +<p> +The High Street pavement is too narrow and crowded for conversation and we were +some way westward before we spoke again. +</p> + +<p> +“Look here,” I said; “I want you, Marion. Don’t you +understand? I want you.” +</p> + +<p> +“Now!” she cried warningly. +</p> + +<p> +I do not know if the reader will understand how a passionate lover, an immense +admiration and desire, can be shot with a gleam of positive hatred. Such a +gleam there was in me at the serene self-complacency of that +“<i>Now!</i>” It vanished almost before I felt it. I found no +warning in it of the antagonisms latent between us. +</p> + +<p> +“Marion,” I said, “this isn’t a trifling matter to me. +I love you; I would die to get you.... Don’t you care?” +</p> + +<p> +“But what is the good?” +</p> + +<p> +“You don’t care,” I cried. “You don’t care a +rap!” +</p> + +<p> +“You know I care,” she answered. “If I didn’t—If +I didn’t like you very much, should I let you come and meet me—go +about with you?” +</p> + +<p> +“Well then,” I said, “promise to marry me!” +</p> + +<p> +“If I do, what difference will it make?” +</p> + +<p> +We were separated by two men carrying a ladder who drove between us unawares. +</p> + +<p> +“Marion,” I asked when we got together again, “I tell you I +want you to marry me.” +</p> + +<p> +“We can’t.” +</p> + +<p> +“Why not?” +</p> + +<p> +“We can’t marry—in the street.” +</p> + +<p> +“We could take our chance!” +</p> + +<p> +“I wish you wouldn’t go on talking like this. What is the +good?” +</p> + +<p> +She suddenly gave way to gloom. “It’s no good marrying” she +said. “One’s only miserable. I’ve seen other girls. When +one’s alone one has a little pocket-money anyhow, one can go about a +little. But think of being married and no money, and perhaps children—you +can’t be sure....” +</p> + +<p> +She poured out this concentrated philosophy of her class and type in jerky +uncompleted sentences, with knitted brows, with discontented eyes towards the +westward glow—forgetful, it seemed, for a moment even of me. +</p> + +<p> +“Look here, Marion,” I said abruptly, “what would you marry +on?” +</p> + +<p> +“What <i>is</i> the good?” she began. +</p> + +<p> +“Would you marry on three hundred a year?” +</p> + +<p> +She looked at me for a moment. “That’s six pounds a week,” +she said. “One could manage on that, easily. Smithie’s +brother—No, he only gets two hundred and fifty. He married a typewriting +girl.” +</p> + +<p> +“Will you marry me if I get three hundred a year?” +</p> + +<p> +She looked at me again, with a curious gleam of hope. +</p> + +<p> +“<i>If!</i>” she said. +</p> + +<p> +I held out my hand and looked her in the eyes. “It’s a +bargain,” I said. +</p> + +<p> +She hesitated and touched my hand for an instant. “It’s +silly,” she remarked as she did so. “It means really +we’re—” She paused. +</p> + +<p> +“Yes?” said I. +</p> + +<p> +“Engaged. You’ll have to wait years. What good can it do +you?” +</p> + +<p> +“Not so many years.” I answered. +</p> + +<p> +For a moment she brooded. +</p> + +<p> +Then she glanced at me with a smile, half-sweet, half-wistful, that has stuck +in my memory for ever. +</p> + +<p> +“I like you!” she said. “I shall like to be engaged to +you.” +</p> + +<p> +And, faint on the threshold of hearing, I caught her ventured +“dear!” It’s odd that in writing this down my memory passed +over all that intervened and I feel it all again, and once again I’m +Marion’s boyish lover taking great joy in such rare and little things. +</p> + +<h4>VI</h4> + +<p> +At last I went to the address my uncle had given me in Gower Street, and found +my aunt Susan waiting tea for him. +</p> + +<p> +Directly I came into the room I appreciated the change in outlook that the +achievement of Tono-Bungay had made almost as vividly as when I saw my +uncle’s new hat. The furniture of the room struck upon my eye as almost +stately. The chairs and sofa were covered with chintz which gave it a dim, +remote flavour of Bladesover; the mantel, the cornice, the gas pendant were +larger and finer than the sort of thing I had grown accustomed to in London. +And I was shown in by a real housemaid with real tails to her cap, and great +quantities of reddish hair. There was my aunt too looking bright and pretty, in +a blue-patterned tea-wrap with bows that seemed to me the quintessence of +fashion. She was sitting in a chair by the open window with quite a pile of +yellow-labelled books on the occasional table beside her. Before the large, +paper-decorated fireplace stood a three-tiered cake-stand displaying assorted +cakes, and a tray with all the tea equipage except the teapot, was on the large +centre-table. The carpet was thick, and a spice of adventure was given it by a +number of dyed sheep-skin mats. +</p> + +<p> +“Hel-<i>lo!</i>” said my aunt as I appeared. “It’s +George!” +</p> + +<p> +“Shall I serve the tea now, Mem?” said the real housemaid, +surveying our greeting coldly. +</p> + +<p> +“Not till Mr. Ponderevo comes, Meggie,” said my aunt, and grimaced +with extraordinary swiftness and virulence as the housemaid turned her back. +</p> + +<p> +“Meggie she calls herself,” said my aunt as the door closed, and +left me to infer a certain want of sympathy. +</p> + +<p> +“You’re looking very jolly, aunt,” said I. +</p> + +<p> +“What do you think of all this old Business he’s got?” asked +my aunt. +</p> + +<p> +“Seems a promising thing,” I said. +</p> + +<p> +“I suppose there is a business somewhere?” +</p> + +<p> +“Haven’t you seen it?” +</p> + +<p> +“‘Fraid I’d say something AT it George, if I did. So he +won’t let me. It came on quite suddenly. Brooding he was and writing +letters and sizzling something awful—like a chestnut going to pop. Then +he came home one day saying Tono-Bungay till I thought he was clean off his +onion, and singing—what was it?” +</p> + +<p> +“‘I’m afloat, I’m afloat,’” I guessed. +</p> + +<p> +“The very thing. You’ve heard him. And saying our fortunes were +made. Took me out to the Ho’burm Restaurant, George,—dinner, and we +had champagne, stuff that blows up the back of your nose and makes you go +<i>So</i>, and he said at last he’d got things worthy of me—and we +moved here next day. It’s a swell house, George. Three pounds a week for +the rooms. And he says the Business’ll stand it.” +</p> + +<p> +She looked at me doubtfully. +</p> + +<p> +“Either do that or smash,” I said profoundly. +</p> + +<p> +We discussed the question for a moment mutely with our eyes. My aunt slapped +the pile of books from Mudie’s. +</p> + +<p> +“I’ve been having such a Go of reading, George. You never +did!” +</p> + +<p> +“What do you think of the business?” I asked. +</p> + +<p> +“Well, they’ve let him have money,” she said, and thought and +raised her eyebrows. +</p> + +<p> +“It’s been a time,” she went on. “The flapping about! +Me sitting doing nothing and him on the go like a rocket. He’s done +wonders. But he wants you, George—he wants you. Sometimes he’s full +of hope—talks of when we’re going to have a carriage and be in +society—makes it seem so natural and topsy-turvy, I hardly know whether +my old heels aren’t up here listening to him, and my old head on the +floor.... Then he gets depressed. Says he wants restraint. Says he can make a +splash but can’t keep on. Says if you don’t come in everything will +smash—But you are coming in?” +</p> + +<p> +She paused and looked at me. +</p> + +<p> +“Well—” +</p> + +<p> +“You don’t say you won’t come in!” +</p> + +<p> +“But look here, aunt,” I said, “do you understand quite?... +It’s a quack medicine. It’s trash.” +</p> + +<p> +“There’s no law against selling quack medicine that I know +of,” said my aunt. She thought for a minute and became unusually grave. +“It’s our only chance, George,” she said. “If it +doesn’t go...” +</p> + +<p> +There came the slamming of a door, and a loud bellowing from the next apartment +through the folding doors. “Here-er Shee <i>Rulk</i> lies <i>Poo</i> Tom +Bo—oling.” +</p> + +<p> +“Silly old Concertina! Hark at him, George!” She raised her voice. +“Don’t sing that, you old Walrus, you! Sing ‘I’m +afloat!’” +</p> + +<p> +One leaf of the folding doors opened and my uncle appeared. +</p> + +<p> +“Hullo, George! Come along at last? Gossome tea-cake, Susan?” +</p> + +<p> +“Thought it over George?” he said abruptly. +</p> + +<p> +“Yes,” said I. +</p> + +<p> +“Coming in?” +</p> + +<p> +I paused for a last moment and nodded yes. +</p> + +<p> +“Ah!” he cried. “Why couldn’t you say that a week +ago?” +</p> + +<p> +“I’ve had false ideas about the world,” I said. “Oh! +they don’t matter now! Yes, I’ll come, I’ll take my chance +with you, I won’t hesitate again.” +</p> + +<p> +And I didn’t. I stuck to that resolution for seven long years. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap06"></a>CHAPTER THE THIRD<br /> +HOW WE MADE TONO-BUNGAY HUM</h3> + +<h4>I</h4> + +<p> +So I made my peace with my uncle, and we set out upon this bright enterprise of +selling slightly injurious rubbish at one-and-three-halfpence and two-and-nine +a bottle, including the Government stamp. We made Tono-Bungay hum! It brought +us wealth, influence, respect, the confidence of endless people. All that my +uncle promised me proved truth and understatement; Tono-Bungay carried me to +freedoms and powers that no life of scientific research, no passionate service +of humanity could ever have given me.... +</p> + +<p> +It was my uncle’s genius that did it. No doubt he needed me,—I was, +I will admit, his indispensable right hand; but his was the brain to conceive. +He wrote every advertisement; some of them even he sketched. You must remember +that his were the days before the Time took to enterprise and the vociferous +hawking of that antiquated <i>Encyclopædia</i>. That alluring, button-holing, +let-me-just-tell-you-quite-soberly-something-you-ought-to-know style of +newspaper advertisement, with every now and then a convulsive jump of some +attractive phrase into capitals, was then almost a novelty. “Many people +who are <small>MODERATELY</small> well think they are <small>QUITE</small> +well,” was one of his early efforts. The jerks in capitals were, +“<small>DO NOT NEED DRUGS OR MEDICINE</small>,” and +“<small>SIMPLY A PROPER REGIMEN TO GET YOU IN TONE</small>.” One +was warned against the chemist or druggist who pushed “much-advertised +nostrums” on one’s attention. That trash did more harm than good. +The thing needed was regimen—and Tono-Bungay! +</p> + +<p> +Very early, too, was that bright little quarter column, at least it was usually +a quarter column in the evening papers: “HILARITY—Tono-Bungay. Like +Mountain Air in the Veins.” The penetrating trio of questions: “Are +you bored with your Business? Are you bored with your Dinner. Are you bored +with your Wife?”—that, too, was in our Gower Street days. Both +these we had in our first campaign when we worked London south central, and +west; and then, too, we had our first poster—the <small>HEALTH, BEAUTY, +AND STRENGTH</small> one. That was his design; I happen still to have got by me +the first sketch he made for it. I have reproduced it here with one or two +others to enable the reader to understand the mental quality that initiated +these familiar ornaments of London. +</p> + +<p> +(The second one is about eighteen months later, the germ of the well-known +“Fog” poster; the third was designed for an influenza epidemic, but +never issued.) +</p> + +<p> +These things were only incidental in my department. I had to polish them up for +the artist and arrange the business of printing and distribution, and after my +uncle had had a violent and needless quarrel with the advertising manager of +the <i>Daily Regulator</i> about the amount of display given to one of his +happy thoughts, I also took up the negotiations of advertisements for the +press. +</p> + +<p> +We discussed and worked out distribution together first in the drawing-room +floor in Gower Street with my aunt sometimes helping very shrewdly, and then, +with a steadily improving type of cigar and older and older whisky, in his +smuggery at their first house, the one in Beckenham. Often we worked far into +the night sometimes until dawn. +</p> + +<p> +We really worked infernally hard, and, I recall, we worked with a very decided +enthusiasm, not simply on my uncle’s part but mine, It was a game, an +absurd but absurdly interesting game, and the points were scored in cases of +bottles. People think a happy notion is enough to make a man rich, that +fortunes can be made without toil. It’s a dream, as every millionaire +(except one or two lucky gamblers) can testify; I doubt if J.D. Rockefeller in +the early days of Standard Oil, worked harder than we did. We worked far into +the night—and we also worked all day. We made a rule to be always +dropping in at the factory unannounced to keep things right—for at first +we could afford no properly responsible underlings—and we traveled +London, pretending to be our own representatives and making all sorts of +special arrangements. +</p> + +<p> +But none of this was my special work, and as soon as we could get other men in, +I dropped the traveling, though my uncle found it particularly interesting and +kept it up for years. “Does me good, George, to see the chaps behind +their counters like I was once,” he explained. My special and distinctive +duty was to give Tono-Bungay substance and an outward and visible bottle, to +translate my uncle’s great imaginings into the creation of case after +case of labelled bottles of nonsense, and the punctual discharge of them by +railway, road and steamer towards their ultimate goal in the Great Stomach of +the People. By all modern standards the business was, as my uncle would say, +“absolutely <i>bonâ fide</i>.” We sold our stuff and got the money, +and spent the money honestly in lies and clamour to sell more stuff. Section by +section we spread it over the whole of the British Isles; first working the +middle-class London suburbs, then the outer suburbs, then the home counties, +then going (with new bills and a more pious style of “ad”) into +Wales, a great field always for a new patent-medicine, and then into +Lancashire. +</p> + +<p> +My uncle had in his inner office a big map of England, and as we took up fresh +sections of the local press and our consignments invaded new areas, flags for +advertisements and pink underlines for orders showed our progress. +</p> + +<p> +“The romance of modern commerce, George!” my uncle would say, +rubbing his hands together and drawing in air through his teeth. “The +romance of modern commerce, eh? Conquest. Province by province. Like +sogers.” +</p> + +<p> +We subjugated England and Wales; we rolled over the Cheviots with a special +adaptation containing eleven per cent. of absolute alcohol; “Tono-Bungay: +Thistle Brand.” We also had the Fog poster adapted to a kilted Briton in +a misty Highland scene. +</p> + +<p> +Under the shadow of our great leading line we were presently taking subsidiary +specialties into action; “Tono-Bungay Hair Stimulant” was our first +supplement. Then came “Concentrated Tono-Bungay” for the eyes. That +didn’t go, but we had a considerable success with the Hair Stimulant. We +broached the subject, I remember, in a little catechism beginning: “Why +does the hair fall out? Because the follicles are fagged. What are the +follicles?...” So it went on to the climax that the Hair Stimulant +contained all “The essential principles of that most reviving tonic, +Tono-Bungay, together with an emollient and nutritious oil derived from crude +Neat’s Foot Oil by a process of refinement, separation and +deodorization.... It will be manifest to any one of scientific attainments that +in Neat’s Foot Oil derived from the hoofs and horns of beasts, we must +necessarily have a natural skin and hair lubricant.” +</p> + +<p> +And we also did admirable things with our next subsidiaries, “Tono-Bungay +Lozenges,” and “Tono-Bungay Chocolate.” These we urged upon +the public for their extraordinary nutritive and recuperative value in cases of +fatigue and strain. We gave them posters and illustrated advertisements showing +climbers hanging from marvelously vertical cliffs, cyclist champions upon the +track, mounted messengers engaged in Aix-to-Ghent rides, soldiers lying out in +action under a hot sun. “You can GO for twenty-four hours,” we +declared, “on Tono-Bungay Chocolate.” We didn’t say whether +you could return on the same commodity. We also showed a dreadfully +barristerish barrister, wig, side-whiskers, teeth, a horribly life-like +portrait of all existing barristers, talking at a table, and beneath, this +legend: “A Four Hours’ Speech on Tono-Bungay Lozenges, and as fresh +as when he began.” Then brought in regiments of school-teachers, +revivalist ministers, politicians and the like. I really do believe there was +an element of “kick” in the strychnine in these lozenges, +especially in those made according to our earlier formula. For we altered all +our formulae—invariably weakening them enormously as sales got ahead. +</p> + +<p> +In a little while—so it seems to me now—we were employing travelers +and opening up Great Britain at the rate of a hundred square miles a day. All +the organisation throughout was sketched in a crude, entangled, half-inspired +fashion by my uncle, and all of it had to be worked out into a practicable +scheme of quantities and expenditure by me. We had a lot of trouble finding our +travelers; in the end at least half of them were Irish-Americans, a wonderful +breed for selling medicine. We had still more trouble over our factory manager, +because of the secrets of the inner room, and in the end we got a very capable +woman, Mrs. Hampton Diggs, who had formerly managed a large millinery workroom, +whom we could trust to keep everything in good working order without finding +out anything that wasn’t put exactly under her loyal and energetic nose. +She conceived a high opinion of Tono-Bungay and took it in all forms and large +quantities so long as I knew her. It didn’t seem to do her any harm. And +she kept the girls going quite wonderfully. +</p> + +<p> +My uncle’s last addition to the Tono-Bungay group was the Tono-Bungay +Mouthwash. The reader has probably read a hundred times that inspiring inquiry +of his, “You are Young Yet, but are you Sure Nothing has Aged your +Gums?” +</p> + +<p> +And after that we took over the agency for three or four good American lines +that worked in with our own, and could be handled with it; Texan Embrocation, +and “23—to clear the system” were the chief.... +</p> + +<p> +I set down these bare facts. To me they are all linked with the figure of my +uncle. In some of the old seventeenth and early eighteenth century prayerbooks +at Bladesover there used to be illustrations with long scrolls coming out of +the mouths of the wood-cut figures. I wish I could write all this last chapter +on a scroll coming out of the head of my uncle, show it all the time as +unfolding and pouring out from a short, fattening, small-legged man with stiff +cropped hair, disobedient glasses on a perky little nose, and a round stare +behind them. I wish I could show you him breathing hard and a little through +his nose as his pen scrabbled out some absurd inspiration for a poster or a +picture page, and make you hear his voice, charged with solemn import like the +voice of a squeaky prophet, saying, “George! list’n! I got an +ideer. I got a notion! George!” +</p> + +<p> +I should put myself into the same picture. Best setting for us, I think, would +be the Beckenham snuggery, because there we worked hardest. It would be the +lamplit room of the early nineties, and the clock upon the mantel would +indicate midnight or later. We would be sitting on either side of the fire, I +with a pipe, my uncle with a cigar or cigarette. There would be glasses +standing inside the brass fender. Our expressions would be very grave. My uncle +used to sit right back in his armchair; his toes always turned in when he was +sitting down and his legs had a way of looking curved, as though they +hadn’t bones or joints but were stuffed with sawdust. +</p> + +<p> +“George, whad’yer think of T.B. for sea-sickness?” he would +say. +</p> + +<p> +“No good that I can imagine.” +</p> + +<p> +“Oom! No harm <i>trying</i>, George. We can but try.” +</p> + +<p> +I would suck my pipe. “Hard to get at. Unless we sold our stuff specially +at the docks. Might do a special at Cook’s office, or in the Continental +Bradshaw.” +</p> + +<p> +“It ’ud give ’em confidence, George.” +</p> + +<p> +He would Zzzz, with his glasses reflecting the red of the glowing coals. +</p> + +<p> +“No good hiding our light under a Bushel,” he would remark. +</p> + +<p> +I never really determined whether my uncle regarded Tono-Bungay as a fraud, or +whether he didn’t come to believe in it in a kind of way by the mere +reiteration of his own assertions. I think that his average attitude was one of +kindly, almost parental, toleration. I remember saying on one occasion, +“But you don’t suppose this stuff ever did a human being the +slightest good all?” and how his face assumed a look of protest, as of +one reproving harshness and dogmatism. +</p> + +<p> +“You’ve a hard nature, George,” he said. “You’re +too ready to run things down. How can one <i>tell?</i> How can one venture to +<i>tell?</i>...” +</p> + +<p> +I suppose any creative and developing game would have interested me in those +years. At any rate, I know I put as much zeal into this Tono-Bungay as any +young lieutenant could have done who suddenly found himself in command of a +ship. It was extraordinarily interesting to me to figure out the advantage +accruing from this shortening of the process or that, and to weigh it against +the capital cost of the alteration. I made a sort of machine for sticking on +the labels, that I patented; to this day there is a little trickle of royalties +to me from that. I also contrived to have our mixture made concentrated, got +the bottles, which all came sliding down a guarded slant-way, nearly filled +with distilled water at one tap, and dripped our magic ingredients in at the +next. This was an immense economy of space for the inner sanctum. For the +bottling we needed special taps, and these, too, I invented and patented. +</p> + +<p> +We had a sort of endless band of bottles sliding along an inclined glass trough +made slippery with running water. At one end a girl held them up to the light, +put aside any that were imperfect and placed the others in the trough; the +filling was automatic; at the other end a girl slipped in the cork and drove it +home with a little mallet. Each tank, the little one for the vivifying +ingredients and the big one for distilled water, had a level indicator, and +inside I had a float arrangement that stopped the slide whenever either had +sunk too low. Another girl stood ready with my machine to label the corked +bottles and hand them to the three packers, who slipped them into their outer +papers and put them, with a pad of corrugated paper between each pair, into a +little groove from which they could be made to slide neatly into position in +our standard packing-case. It sounds wild, I know, but I believe I was the +first man in the city of London to pack patent medicines through the side of +the packing-case, to discover there was a better way in than by the lid. Our +cases packed themselves, practically; had only to be put into position on a +little wheeled tray and when full pulled to the lift that dropped them to the +men downstairs, who padded up the free space and nailed on top and side. Our +girls, moreover, packed with corrugated paper and matchbook-wood box partitions +when everybody else was using expensive young men to pack through the top of +the box with straw, many breakages and much waste and confusion. +</p> + +<h4>II</h4> + +<p> +As I look back at them now, those energetic years seem all compacted to a year +or so; from the days of our first hazardous beginning in Farringdon Street with +barely a thousand pounds’ worth of stuff or credit all told—and +that got by something perilously like snatching—to the days when my uncle +went to the public on behalf of himself and me (one-tenth share) and our silent +partners, the drug wholesalers and the printing people and the owner of that +group of magazines and newspapers, to ask with honest confidence for £150,000. +Those silent partners were remarkably sorry, I know, that they had not taken +larger shares and given us longer credit when the subscriptions came pouring +in. My uncle had a clear half to play with (including the one-tenth understood +to be mine). +</p> + +<p> +£150,000—think of it!—for the goodwill in a string of lies and a +trade in bottles of mitigated water! Do you realise the madness of the world +that sanctions such a thing? Perhaps you don’t. At times use and wont +certainly blinded me. If it had not been for Ewart, I don’t think I +should have had an inkling of the wonderfulness of this development of my +fortunes; I should have grown accustomed to it, fallen in with all its +delusions as completely as my uncle presently did. He was immensely proud of +the flotation. “They’ve never been given such value,” he +said, “for a dozen years.” But Ewart, with his gesticulating hairy +hands and bony wrists, his single-handed chorus to all this as it played itself +over again in my memory, and he kept my fundamental absurdity illuminated for +me during all this astonishing time. +</p> + +<p> +“It’s just on all fours with the rest of things,” he +remarked; “only more so. You needn’t think you’re anything +out of the way.” +</p> + +<p> +I remember one disquisition very distinctly. It was just after Ewart had been +to Paris on a mysterious expedition to “rough in” some work for a +rising American sculptor. This young man had a commission for an allegorical +figure of Truth (draped, of course) for his State Capitol, and he needed help. +Ewart had returned with his hair cut <i>en brosse</i> and with his costume +completely translated into French. He wore, I remember, a bicycling suit of +purplish-brown, baggy beyond ageing—the only creditable thing about it +was that it had evidently not been made for him—a voluminous black tie, a +decadent soft felt hat and several French expletives of a sinister description. +“Silly clothes, aren’t they?” he said at the sight of my +startled eye. “I don’t know why I got’m. They seemed all +right over there.” +</p> + +<p> +He had come down to our Raggett Street place to discuss a benevolent project of +mine for a poster by him, and he scattered remarkable discourse over the heads +(I hope it was over the heads) of our bottlers. +</p> + +<p> +“What I like about it all, Ponderevo, is its poetry.... That’s +where we get the pull of the animals. No animal would ever run a factory like +this. Think!... One remembers the Beaver, of course. He might very possibly +bottle things, but would he stick a label round ’em and sell ’em? +The Beaver is a dreamy fool, I’ll admit, him and his dams, but after all +there’s a sort of protection about ’em, a kind of muddy +practicality! They prevent things getting at him. And it’s not your +poetry only. It’s the poetry of the customer too. Poet answering to +poet—soul to soul. Health, Strength and Beauty—in a +bottle—the magic philtre! Like a fairy tale.... +</p> + +<p> +“Think of the people to whom your bottles of footle go! (I’m +calling it footle, Ponderevo, out of praise,” he said in parenthesis.) +</p> + +<p> +“Think of the little clerks and jaded women and overworked people. People +overstrained with wanting to do, people overstrained with wanting to be.... +People, in fact, overstrained.... The real trouble of life, Ponderevo, +isn’t that we exist—that’s a vulgar error; the real trouble +is that we <i>don’t</i> really exist and we want to. That’s what +this—in the highest sense—just stands for! The hunger to +be—for once—really alive—to the finger tips!... +</p> + +<p> +“Nobody wants to do and be the things people are—nobody. YOU +don’t want to preside over this—this bottling; I don’t want +to wear these beastly clothes and be led about by you; nobody wants to keep on +sticking labels on silly bottles at so many farthings a gross. That isn’t +existing! That’s—sus—<i>substratum</i>. None of us want to be +what we are, or to do what we do. Except as a sort of basis. What do we want? +<i>You</i> know. <i>I</i> know. Nobody confesses. What we all want to be is +something perpetually young and beautiful—young Joves—young Joves, +Ponderevo”—his voice became loud, harsh and +declamatory—“pursuing coy half-willing nymphs through everlasting +forests.”... +</p> + +<p> +There was a just-perceptible listening hang in the work about us. +</p> + +<p> +“Come downstairs,” I interrupted, “we can talk better +there.” +</p> + +<p> +“I can talk better here,” he answered. +</p> + +<p> +He was just going on, but fortunately the implacable face of Mrs. Hampton Diggs +appeared down the aisle of bottling machines. +</p> + +<p> +“All right,” he said, “I’ll come.” +</p> + +<p> +In the little sanctum below, my uncle was taking a digestive pause after his +lunch and by no means alert. His presence sent Ewart back to the theme of +modern commerce, over the excellent cigar my uncle gave him. He behaved with +the elaborate deference due to a business magnate from an unknown man. +</p> + +<p> +“What I was pointing out to your nephew, sir,” said Ewart, putting +both elbows on the table, “was the poetry of commerce. He doesn’t, +you know, seem to see it at all.” +</p> + +<p> +My uncle nodded brightly. “Whad I tell ’im,” he said round +his cigar. +</p> + +<p> +“We are artists. You and I, sir, can talk, if you will permit me, as one +artist to another. It’s advertisement has—done it. Advertisement +has revolutionised trade and industry; it is going to revolutionise the world. +The old merchant used to tote about commodities; the new one creates values. +Doesn’t need to tote. He takes something that isn’t worth +anything—or something that isn’t particularly worth +anything—and he makes it worth something. He takes mustard that is just +like anybody else’s mustard, and he goes about saying, shouting, singing, +chalking on walls, writing inside people’s books, putting it everywhere, +‘Smith’s Mustard is the Best.’ And behold it is the +best!” +</p> + +<p> +“True,” said my uncle, chubbily and with a dreamy sense of +mysticism; “true!” +</p> + +<p> +“It’s just like an artist; he takes a lump of white marble on the +verge of a lime-kiln, he chips it about, he makes—he makes a monument to +himself—and others—a monument the world will not willingly let die. +Talking of mustard, sir, I was at Clapham Junction the other day, and all the +banks are overgrown with horse radish that’s got loose from a garden +somewhere. You know what horseradish is—grows like +wildfire—spreads—spreads. I stood at the end of the platform +looking at the stuff and thinking about it. ‘Like fame,’ I thought, +‘rank and wild where it isn’t wanted. Why don’t the really +good things in life grow like horseradish?’ I thought. My mind went off +in a peculiar way it does from that to the idea that mustard costs a penny a +tin—I bought some the other day for a ham I had. It came into my head +that it would be ripping good business to use horseradish to adulterate +mustard. I had a sort of idea that I could plunge into business on that, get +rich and come back to my own proper monumental art again. And then I said, +‘But <i>why</i> adulterate? I don’t like the idea of +adulteration.’” +</p> + +<p> +“Shabby,” said my uncle, nodding his head. “Bound to get +found out!” +</p> + +<p> +“And totally unnecessary, too! Why not do up a +mixture—three-quarters pounded horseradish and a quarter +mustard—give it a fancy name—and sell it at twice the mustard +price. See? I very nearly started the business straight away, only something +happened. My train came along.” +</p> + +<p> +“Jolly good ideer,” said my uncle. He looked at me. “That +really is an ideer, George,” he said. +</p> + +<p> +“Take shavin’s, again! You know that poem of Longfellow’s, +sir, that sounds exactly like the first declension. What is +it?—‘Marr’s a maker, men say!’” +</p> + +<p> +My uncle nodded and gurgled some quotation that died away. +</p> + +<p> +“Jolly good poem, George,” he said in an aside to me. +</p> + +<p> +“Well, it’s about a carpenter and a poetic Victorian child, you +know, and some shavin’s. The child made no end out of the shavin’s. +So might you. Powder ’em. They might be anything. Soak ’em in +jipper,—Xylo-tobacco! Powder’em and get a little tar and +turpentinous smell in,—wood-packing for hot baths—a Certain Cure +for the scourge of Influenza! There’s all these patent grain +foods,—what Americans call cereals. I believe I’m right, sir, in +saying they’re sawdust.” +</p> + +<p> +“No!” said my uncle, removing his cigar; “as far as I can +find out it’s really grain,—spoilt grain.... I’ve been going +into that.” +</p> + +<p> +“Well, there you are!” said Ewart. “Say it’s spoilt +grain. It carried out my case just as well. Your modern commerce is no more +buying and selling than sculpture. It’s mercy—it’s salvation. +It’s rescue work! It takes all sorts of fallen commodities by the hand +and raises them. Cana isn’t in it. You turn water—into +Tono-Bungay.” +</p> + +<p> +“Tono-Bungay’s all right,” said my uncle, suddenly grave. +“We aren’t talking of Tono-Bungay.” +</p> + +<p> +“Your nephew, sir, is hard; he wants everything to go to a sort of +predestinated end; he’s a Calvinist of Commerce. Offer him a dustbin full +of stuff; he calls it refuse—passes by on the other side. Now <i>you</i>, +sir you’d make cinders respect themselves.” +</p> + +<p> +My uncle regarded him dubiously for a moment. But there was a touch of +appreciation in his eye. +</p> + +<p> +“Might make ’em into a sort of sanitary brick,” he reflected +over his cigar end. +</p> + +<p> +“Or a friable biscuit. Why <i>not?</i> You might advertise: ‘Why +are Birds so Bright? Because they digest their food perfectly! Why do they +digest their food so perfectly? Because they have a gizzard! Why hasn’t +man a gizzard? Because he can buy Ponderevo’s Asphalt Triturating, +Friable Biscuit—Which is Better.’” +</p> + +<p> +He delivered the last words in a shout, with his hairy hand flourished in the +air.... +</p> + +<p> +“Damn clever fellow,” said my uncle, after he had one. “I +know a man when I see one. He’d do. But drunk, I should say. But that +only makes some chap brighter. If he WANTS to do that poster, he can. Zzzz. +That ideer of his about the horseradish. There’s something in that, +George. I’m going to think over that....” +</p> + +<p> +I may say at once that my poster project came to nothing in the end, though +Ewart devoted an interesting week to the matter. He let his unfortunate +disposition to irony run away with him. He produced a picture of two beavers +with a subtle likeness, he said, to myself and my uncle—the likeness to +my uncle certainly wasn’t half bad—and they were bottling rows and +rows of Tono-Bungay, with the legend “Modern commerce.” It +certainly wouldn’t have sold a case, though he urged it on me one +cheerful evening on the ground that it would “arouse curiosity.” In +addition he produced a quite shocking study of my uncle, excessively and +needlessly nude, but, so far as I was able to judge, an admirable likeness, +engaged in feats of strength of a Gargantuan type before an audience of +deboshed and shattered ladies. The legend, “Health, Beauty, +Strength,” below, gave a needed point to his parody. This he hung up in +the studio over the oil shop, with a flap of brown paper; by way of a curtain +over it to accentuate its libellous offence. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap07"></a>CHAPTER THE FOURTH<br /> +MARION</h3> + +<h4>I</h4> + +<p> +As I look back on those days in which we built up the great Tono-Bungay +property out of human hope and credit for bottles and rent and printing, I see +my life as it were arranged in two parallel columns of unequal width, a wider, +more diffused, eventful and various one which continually broadens out, the +business side of my life, and a narrow, darker and darkling one shot ever and +again with a gleam of happiness, my home-life with Marion. For, of course, I +married Marion. +</p> + +<p> +I didn’t, as a matter of fact, marry her until a year after Tono-Bungay +was thoroughly afloat, and then only after conflicts and discussions of a quite +strenuous sort. By that time I was twenty-four. It seems the next thing to +childhood now. We were both in certain directions unusually ignorant and +simple; we were temperamentally antagonistic, and we hadn’t—I +don’t think we were capable of—an idea in common. She was young and +extraordinarily conventional—she seemed never to have an idea of her own +but always the idea of her class—and I was young and sceptical, +enterprising and passionate; the two links that held us together were the +intense appeal her physical beauty had for me, and her appreciation of her +importance in my thoughts. There can be no doubt of my passion for her. In her +I had discovered woman desired. The nights I have lain awake on account of her, +writhing, biting my wrists in a fever of longing! ... +</p> + +<p> +I have told how I got myself a silk hat and black coat to please her on +Sunday—to the derision of some of my fellow-students who charged to meet +me, and how we became engaged. But that was only the beginning of our +difference. To her that meant the beginning of a not unpleasant little secrecy, +an occasional use of verbal endearments, perhaps even kisses. It was something +to go on indefinitely, interfering in no way with her gossiping spells of work +at Smithie’s. To me it was a pledge to come together into the utmost +intimacy of soul and body so soon as we could contrive it.... +</p> + +<p> +I don’t know if it will strike the reader that I am setting out to +discuss the queer, unwise love relationship and my bungle of a marriage with +excessive solemnity. But to me it seems to reach out to vastly wider issues +than our little personal affair. I’ve thought over my life. In these last +few years I’ve tried to get at least a little wisdom out of it. And in +particular I’ve thought over this part of my life. I’m enormously +impressed by the ignorant, unguided way in which we two entangled ourselves +with each other. It seems to me the queerest thing in all this network of +misunderstandings and misstatements and faulty and ramshackle conventions which +makes up our social order as the individual meets it, that we should have come +together so accidentally and so blindly. Because we were no more than samples +of the common fate. Love is not only the cardinal fact in the individual life, +but the most important concern of the community; after all, the way in which +the young people of this generation pair off determines the fate of the nation; +all the other affairs of the State are subsidiary to that. And we leave it to +flushed and blundering youth to stumble on its own significance, with nothing +to guide in but shocked looks and sentimental twaddle and base whisperings and +cant-smeared examples. +</p> + +<p> +I have tried to indicate something of my own sexual development in the +preceding chapter. Nobody was ever frank and decent with me in this relation; +nobody, no book, ever came and said to me thus and thus is the world made, and +so and so is necessary. Everything came obscurely, indefinitely, perplexingly; +and all I knew of law or convention in the matter had the form of threatenings +and prohibitions. Except through the furtive, shameful talk of my coevals at +Goudhurst and Wimblehurst, I was not even warned against quite horrible +dangers. My ideas were made partly of instinct, partly of a romantic +imagination, partly woven out of a medley of scraps of suggestion that came to +me haphazard. I had read widely and confusedly “Vathek,” Shelley, +Tom Paine, Plutarch, Carlyle, Haeckel, William Morris, the Bible, the +<i>Freethinker</i>, the <i>Clarion</i>, “The Woman Who +Did,”—I mention the ingredients that come first to mind. All sorts +of ideas were jumbled up in me and never a lucid explanation. But it was +evident to me that the world regarded Shelley, for example, as a very heroic as +well as beautiful person; and that to defy convention and succumb magnificently +to passion was the proper thing to do to gain the respect and affection of all +decent people. +</p> + +<p> +And the make-up of Marion’s mind in the matter was an equally irrational +affair. Her training had been one, not simply of silences, but suppressions. An +enormous force of suggestion had so shaped her that the intense natural +fastidiousness of girlhood had developed into an absolute perversion of +instinct. For all that is cardinal in this essential business of life she had +one inseparable epithet—“horrid.” Without any such training +she would have been a shy lover, but now she was an impossible one. For the +rest she had derived, I suppose, partly from the sort of fiction she got from +the Public Library, and partly from the workroom talk at Smithie’s. So +far as the former origin went, she had an idea of love as a state of worship +and service on the part of the man and of condescension on the part of the +woman. There was nothing “horrid” about it in any fiction she had +read. The man gave presents, did services, sought to be in every way +delightful. The woman “went out” with him, smiled at him, was +kissed by him in decorous secrecy, and if he chanced to offend, denied her +countenance and presence. Usually she did something “for his good” +to him, made him go to church, made him give up smoking or gambling, smartened +him up. Quite at the end of the story came a marriage, and after that the +interest ceased. +</p> + +<p> +That was the tenor of Marion’s fiction; but I think the work-table +conversation at Smithie’s did something to modify that. At +Smithie’s it was recognised, I think, that a “fellow” was a +possession to be desired; that it was better to be engaged to a fellow than +not; that fellows had to be kept—they might be mislaid, they might even +be stolen. There was a case of stealing at Smithie’s, and many tears. +</p> + +<p> +Smithie I met before we were married, and afterwards she became a frequent +visitor to our house at Ealing. She was a thin, bright-eyed, hawk-nosed girl of +thirtyodd, with prominent teeth, a high-pitched, eager voice and a disposition +to be urgently smart in her dress. Her hats were startling and various, but +invariably disconcerting, and she talked in a rapid, nervous flow that was +hilarious rather than witty, and broken by little screams of “Oh, my +<i>dear!</i>” and “you never did!” She was the first woman I +ever met who used scent. Poor old Smithie! What a harmless, kindly soul she +really was, and how heartily I detested her! Out of the profits on the Persian +robes she supported a sister’s family of three children, she +“helped” a worthless brother, and overflowed in help even to her +workgirls, but that didn’t weigh with me in those youthfully-narrow +times. It was one of the intense minor irritations of my married life that +Smithie’s whirlwind chatter seemed to me to have far more influence with +Marion than anything I had to say. Before all things I coveted her grip upon +Marion’s inaccessible mind. +</p> + +<p> +In the workroom at Smithie’s, I gathered, they always spoke of me +demurely as “A Certain Person.” I was rumoured to be dreadfully +“clever,” and there were doubts—not altogether without +justification—of the sweetness of my temper. +</p> + +<h4>II</h4> + +<p> +Well, these general explanations will enable the reader to understand the +distressful times we two had together when presently I began to feel on a +footing with Marion and to fumble conversationally for the mind and the +wonderful passion I felt, obstinately and stupidity, must be in her. I think +she thought me the maddest of sane men; “clever,” in fact, which at +Smithie’s was, I suppose, the next thing to insanity, a word intimating +incomprehensible and incalculable motives.... She could be shocked at anything, +she misunderstood everything, and her weapon was a sulky silence that knitted +her brows, spoilt her mouth and robbed her face of beauty. “Well, if we +can’t agree, I don’t see why you should go on talking,” she +used to say. That would always enrage me beyond measure. Or, “I’m +afraid I’m not clever enough to understand that.” +</p> + +<p> +Silly little people! I see it all now, but then I was no older than she and I +couldn’t see anything but that Marion, for some inexplicable reason, +wouldn’t come alive. +</p> + +<p> +We would contrive semi-surreptitious walks on Sunday, and part speechless with +the anger of indefinable offences. Poor Marion! The things I tried to put +before her, my fermenting ideas about theology, about Socialism, about +aesthetics—the very words appalled her, gave her the faint chill of +approaching impropriety, the terror of a very present intellectual +impossibility. Then by an enormous effort I would suppress myself for a time +and continue a talk that made her happy, about Smithie’s brother, about +the new girl who had come to the workroom, about the house we would presently +live in. But there we differed a little. I wanted to be accessible to St. +Paul’s or Cannon Street Station, and she had set her mind quite +resolutely upon Ealing.... It wasn’t by any means quarreling all the +time, you understand. She liked me to play the lover “nicely”; she +liked the effect of going about—we had lunches, we went to Earl’s +Court, to Kew, to theatres and concerts, but not often to concerts, because, +though Marion “liked” music, she didn’t like “too much +of it,” to picture shows—and there was a nonsensical sort of +babytalk I picked up—I forget where now—that became a mighty +peacemaker. +</p> + +<p> +Her worst offence for me was an occasional excursion into the Smithie style of +dressing, debased West Kensington. For she had no sense at all of her own +beauty. She had no comprehension whatever of beauty of the body, and she could +slash her beautiful lines to rags with hat-brims and trimmings. Thank Heaven! a +natural refinement, a natural timidity, and her extremely slender purse kept +her from the real Smithie efflorescence! Poor, simple, beautiful, kindly +limited Marion! Now that I am forty-five, I can look back at her with all my +old admiration and none of my old bitterness with a new affection and not a +scrap of passion, and take her part against the equally stupid, +drivingly-energetic, sensuous, intellectual sprawl I used to be. I was a young +beast for her to have married—a hound beast. With her it was my business +to understand and control—and I exacted fellowship, passion.... +</p> + +<p> +We became engaged, as I have told; we broke it off and joined again. We went +through a succession of such phases. We had no sort of idea what was wrong with +us. Presently we were formally engaged. I had a wonderful interview with her +father, in which he was stupendously grave and <i>h</i>—less, wanted to +know about my origins and was tolerant (exasperatingly tolerant) because my +mother was a servant, and afterwards her mother took to kissing me, and I +bought a ring. But the speechless aunt, I gathered, didn’t +approve—having doubts of my religiosity. Whenever we were estranged we +could keep apart for days; and to begin with, every such separation was a +relief. And then I would want her; a restless longing would come upon me. I +would think of the flow of her arms, of the soft, gracious bend of her body. I +would lie awake or dream of a transfigured Marion of light and fire. It was +indeed Dame Nature driving me on to womankind in her stupid, inexorable way; +but I thought it was the need of Marion that troubled me. So I always went back +to Marion at last and made it up and more or less conceded or ignored whatever +thing had parted us, and more and more I urged her to marry me.... +</p> + +<p> +In the long run that became a fixed idea. It entangled my will and my pride; I +told myself I was not going to be beaten. I hardened to the business. I think, +as a matter of fact, my real passion for Marion had waned enormously long +before we were married, that she had lived it down by sheer irresponsiveness. +When I felt sure of my three hundred a year she stipulated for delay, twelve +months’ delay, “to see how things would turn out.” There were +times when she seemed simply an antagonist holding out irritatingly against +something I had to settle. Moreover, I began to be greatly distracted by the +interest and excitement of Tono-Bungay’s success, by the change and +movement in things, the going to and fro. I would forget her for days together, +and then desire her with an irritating intensity at last, one Saturday +afternoon, after a brooding morning, I determined almost savagely that these +delays must end. +</p> + +<p> +I went off to the little home at Walham Green, and made Marion come with me to +Putney Common. Marion wasn’t at home when I got there and I had to fret +for a time and talk to her father, who was just back from his office, he +explained, and enjoying himself in his own way in the greenhouse. +</p> + +<p> +“I’m going to ask your daughter to marry me!” I said. +“I think we’ve been waiting long enough.” +</p> + +<p> +“I don’t approve of long engagements either,” said her +father. “But Marion will have her own way about it, anyhow. Seen this new +powdered fertiliser?” +</p> + +<p> +I went in to talk to Mrs. Ramboat. “She’ll want time to get her +things,” said Mrs. Ramboat.... +</p> + +<p> +I and Marion sat down together on a little seat under some trees at the top of +Putney Hill, and I came to my point abruptly. +</p> + +<p> +“Look here, Marion,” I said, “are you going to marry me or +are you not?” +</p> + +<p> +She smiled at me. “Well,” she said, “we’re +engaged—aren’t we?” +</p> + +<p> +“That can’t go on for ever. Will you marry me next week?” +</p> + +<p> +She looked me in the face. “We can’t,” she said. +</p> + +<p> +“You promised to marry me when I had three hundred a year.” +</p> + +<p> +She was silent for a space. “Can’t we go on for a time as we are? +We <i>could</i> marry on three hundred a year. But it means a very little +house. There’s Smithie’s brother. They manage on two hundred and +fifty, but that’s very little. She says they have a semi-detached house +almost on the road, and hardly a bit of garden. And the wall to next-door is so +thin they hear everything. When her baby cries—they rap. And people stand +against the railings and talk.... Can’t we wait? You’re doing so +well.” +</p> + +<p> +An extraordinary bitterness possessed me at this invasion of the stupendous +beautiful business of love by sordid necessity. I answered her with immense +restraint. +</p> + +<p> +“If,” I said, “we could have a double-fronted, detached +house—at Ealing, say—with a square patch of lawn in front and a +garden behind—and—and a tiled bathroom.” +</p> + +<p> +“That would be sixty pounds a year at least.” +</p> + +<p> +“Which means five hundred a year.... Yes, well, you see, I told my uncle +I wanted that, and I’ve got it.” +</p> + +<p> +“Got what?” +</p> + +<p> +“Five hundred pounds a year.” +</p> + +<p> +“Five hundred pounds!” +</p> + +<p> +I burst into laughter that had more than a taste of bitterness. +</p> + +<p> +“Yes,” I said, “really! and <i>now</i> what do you +think?” +</p> + +<p> +“Yes,” she said, a little flushed; “but be sensible! Do you +really mean you’ve got a Rise, all at once, of two hundred a year?” +</p> + +<p> +“To marry on—yes.” +</p> + +<p> +She scrutinised me a moment. “You’ve done this as a +surprise!” she said, and laughed at my laughter. She had become radiant, +and that made me radiant, too. +</p> + +<p> +“Yes,” I said, “yes,” and laughed no longer bitterly. +</p> + +<p> +She clasped her hands and looked me in the eyes. +</p> + +<p> +She was so pleased that I forgot absolutely my disgust of a moment before. I +forgot that she had raised her price two hundred pounds a year and that I had +bought her at that. +</p> + +<p> +“Come!” I said, standing up; “let’s go towards the +sunset, dear, and talk about it all. Do you know—this is a most beautiful +world, an amazingly beautiful world, and when the sunset falls upon you it +makes you into shining gold. No, not gold—into golden glass.... Into +something better that either glass or gold.”... +</p> + +<p> +And for all that evening I wooed her and kept her glad. She made me repeat my +assurances over again and still doubted a little. +</p> + +<p> +We furnished that double-fronted house from attic—it ran to an +attic—to cellar, and created a garden. +</p> + +<p> +“Do you know Pampas Grass?” said Marion. “I love Pampas +Grass... if there is room.” +</p> + +<p> +“You shall have Pampas Grass,” I declared. And there were moments +as we went in imagination about that house together, when my whole being cried +out to take her in my arms—now. But I refrained. On that aspect of life I +touched very lightly in that talk, very lightly because I had had my lessons. +She promised to marry me within two months’ time. Shyly, reluctantly, she +named a day, and next afternoon, in heat and wrath, we “broke it +off” again for the last time. We split upon procedure. I refused flatly +to have a normal wedding with wedding cake, in white favours, carriages and the +rest of it. It dawned upon me suddenly in conversation with her and her mother, +that this was implied. I blurted out my objection forthwith, and this time it +wasn’t any ordinary difference of opinion; it was a “row.” I +don’t remember a quarter of the things we flung out in that dispute. I +remember her mother reiterating in tones of gentle remonstrance: “But, +George dear, you <i>must</i> have a cake—to send home.” I think we +all reiterated things. I seem to remember a refrain of my own: “A +marriage is too sacred a thing, too private a thing, for this display. Her +father came in and stood behind me against the wall, and her aunt appeared +beside the sideboard and stood with arms, looking from speaker to speaker, a +sternly gratified prophetess. It didn’t occur to me then! How painful it +was to Marion for these people to witness my rebellion. +</p> + +<p> +“But, George,” said her father, “what sort of marriage do you +want? You don’t want to go to one of those there registry offices?” +</p> + +<p> +“That’s exactly what I’d like to do. Marriage is too private +a thing—” +</p> + +<p> +“I shouldn’t feel married,” said Mrs. Ramboat. +</p> + +<p> +“Look here, Marion,” I said; “we are going to be married at a +registry office. I don’t believe in all these fripperies and +superstitions, and I won’t submit to them. I’ve agreed to all sorts +of things to please you.” +</p> + +<p> +“What’s he agreed to?” said her father—unheeded. +</p> + +<p> +“I can’t marry at a registry office,” said Marion, +sallow-white. +</p> + +<p> +“Very well,” I said. “I’ll marry nowhere else.” +</p> + +<p> +“I can’t marry at a registry office.” +</p> + +<p> +“Very well,” I said, standing up, white and tense and it amazed me, +but I was also exultant; “then we won’t marry at all.” +</p> + +<p> +She leant forward over the table, staring blankly. But presently her +half-averted face began to haunt me as she had sat at the table, and her arm +and the long droop of her shoulder. +</p> + +<h4>III</h4> + +<p> +The next day I did an unexampled thing. I sent a telegram to my uncle, +“<i>Bad temper not coming to business</i>,” and set off for +Highgate and Ewart. He was actually at work—on a bust of Millie, and +seemed very glad for any interruption. +</p> + +<p> +“Ewart, you old Fool,” I said, “knock off and come for a +day’s gossip. I’m rotten. There’s a sympathetic sort of +lunacy about you. Let’s go to Staines and paddle up to Windsor.” +</p> + +<p> +“Girl?” said Ewart, putting down a chisel. +</p> + +<p> +“Yes.” +</p> + +<p> +That was all I told him of my affair. +</p> + +<p> +“I’ve got no money,” he remarked, to clear up ambiguity in my +invitation. +</p> + +<p> +We got a jar of shandy-gaff, some food, and, on Ewart’s suggestion, two +Japanese sunshades in Staines; we demanded extra cushions at the boathouse and +we spent an enormously soothing day in discourse and meditation, our boat +moored in a shady place this side of Windsor. I seem to remember Ewart with a +cushion forward, only his heels and sunshade and some black ends of hair +showing, a voice and no more, against the shining, smoothly-streaming mirror of +the trees and bushes. +</p> + +<p> +“It’s not worth it,” was the burthen of the voice. +“You’d better get yourself a Millie, Ponderevo, and then you +wouldn’t feel so upset.” +</p> + +<p> +“No,” I said decidedly, “that’s not my way.” +</p> + +<p> +A thread of smoke ascended from Ewart for a while, like smoke from an altar. +</p> + +<p> +“Everything’s a muddle, and you think it isn’t. Nobody knows +where we are—because, as a matter of fact we aren’t anywhere. Are +women property—or are they fellow-creatures? Or a sort of proprietary +goddesses? They’re so obviously fellow-creatures. You believe in the +goddess?” +</p> + +<p> +“No,” I said, “that’s not my idea.” +</p> + +<p> +“What is your idea?” +</p> + +<p> +“Well” +</p> + +<p> +“H’m,” said Ewart, in my pause. +</p> + +<p> +“My idea,” I said, “is to meet one person who will belong to +me—to whom I shall belong—body and soul. No half-gods! Wait till +she comes. If she comes at all.... We must come to each other young and +pure.” +</p> + +<p> +“There’s no such thing as a pure person or an impure person.... +Mixed to begin with.” +</p> + +<p> +This was so manifestly true that it silenced me altogether. +</p> + +<p> +“And if you belong to her and she to you, Ponderevo—which +end’s the head?” +</p> + +<p> +I made no answer except an impatient “oh!” +</p> + +<p> +For a time we smoked in silence.... +</p> + +<p> +“Did I tell you, Ponderevo, of a wonderful discovery I’ve +made?” Ewart began presently. +</p> + +<p> +“No,” I said, “what is it?” +</p> + +<p> +“There’s no Mrs. Grundy.” +</p> + +<p> +“No?” +</p> + +<p> +“No! Practically not. I’ve just thought all that business out. +She’s merely an instrument, Ponderevo. She’s borne the blame. +Grundy’s a man. Grundy unmasked. Rather lean and out of sorts. Early +middle age. With bunchy black whiskers and a worried eye. Been good so far, and +it’s fretting him! Moods! There’s Grundy in a state of sexual +panic, for example,—‘For God’s sake cover it up! They get +together—they get together! It’s too exciting! The most dreadful +things are happening!’ Rushing about—long arms going like a +windmill. ‘They must be kept apart!’ Starts out for an absolute +obliteration of everything absolute separations. One side of the road for men, +and the other for women, and a hoarding—without posters between them. +Every boy and girl to be sewed up in a sack and sealed, just the head and hands +and feet out until twenty-one. Music abolished, calico garments for the lower +animals! Sparrows to be suppressed—ab-so-lutely.” +</p> + +<p> +I laughed abruptly. +</p> + +<p> +“Well, that’s Mr. Grundy in one mood—and it puts Mrs. +Grundy—She’s a much-maligned person, Ponderevo—a rake at +heart—and it puts her in a most painful state of fluster—most +painful! She’s an amenable creature. When Grundy tells her things are +shocking, she’s shocked—pink and breathless. She goes about trying +to conceal her profound sense of guilt behind a haughty expression.... +</p> + +<p> +“Grundy, meanwhile, is in a state of complete whirlabout. Long lean +knuckly hands pointing and gesticulating! ‘They’re still thinking +of things—thinking of things! It’s dreadful. They get it out of +books. I can’t imagine where they get it! I must watch! There’re +people over there whispering! Nobody ought to whisper!—There’s +something suggestive in the mere act! Then, pictures! In the +museum—things too dreadful for words. Why can’t we have pure +art—with the anatomy all wrong and pure and nice—and pure fiction +pure poetry, instead of all this stuff with allusions—allusions?... +Excuse me! There’s something up behind that locked door! The keyhole! In +the interests of public morality—yes, Sir, as a pure good man—I +insist—<i>I’ll</i> look—it won’t hurt me—I insist +on looking my duty—M’m’m—the keyhole!’” +</p> + +<p> +He kicked his legs about extravagantly, and I laughed again. +</p> + +<p> +“That’s Grundy in one mood, Ponderevo. It isn’t Mrs. Grundy. +That’s one of the lies we tell about women. They’re too simple. +Simple! Woman ARE simple! They take on just what men tell ’em.” +</p> + +<p> +Ewart meditated for a space. “Just exactly as it’s put to +them,” he said, and resumed the moods of Mr. Grundy. +</p> + +<p> +“Then you get old Grundy in another mood. Ever caught him nosing, +Ponderevo? Mad with the idea of mysterious, unknown, wicked, delicious things. +Things that aren’t respectable. Wow! Things he mustn’t do!... Any +one who knows about these things, knows there’s just as much mystery and +deliciousness about Grundy’s forbidden things as there is about eating +ham. Jolly nice if it’s a bright morning and you’re well and hungry +and having breakfast in the open air. Jolly unattractive if you’re off +colour. But Grundy’s covered it all up and hidden it and put mucky shades +and covers over it until he’s forgotten it. Begins to fester round it in +his mind. Has dreadful struggles—with himself about impure thoughts.... +Then you set Grundy with hot ears,—curious in undertones. Grundy on the +loose, Grundy in a hoarse whisper and with furtive eyes and convulsive +movements—making things indecent. Evolving—in dense +vapours—indecency! +</p> + +<p> +“Grundy sins. Oh, yes, he’s a hypocrite. Sneaks round a corner and +sins ugly. It’s Grundy and his dark corners that make vice, vice! We +artists—we have no vices. +</p> + +<p> +“And then he’s frantic with repentance. And wants to be cruel to +fallen women and decent harmless sculptors of the simple nude—like +me—and so back to his panic again.” +</p> + +<p> +“Mrs. Grundy, I suppose, doesn’t know he sins,” I remarked. +</p> + +<p> +“No? I’m not so sure.... But, bless her heart she’s a +woman.... She’s a woman. Then again you get Grundy with a large greasy +smile—like an accident to a butter tub—all over his face, being +Liberal Minded—Grundy in his Anti-Puritan moments, ‘trying not to +see Harm in it’—Grundy the friend of innocent pleasure. He makes +you sick with the Harm he’s trying not to see in it... +</p> + +<p> +“And that’s why everything’s wrong, Ponderevo. Grundy, damn +him! stands in the light, and we young people can’t see. His moods affect +us. We catch his gusts of panic, his disease of nosing, his greasiness. We +don’t know what we may think, what we may say, he does his silly utmost +to prevent our reading and seeing the one thing, the one sort of discussion we +find—quite naturally and properly—supremely interesting. So we +don’t adolescence; we blunder up to sex. Dare—dare to +look—and he may dirt you for ever! The girls are terror-stricken to +silence by his significant whiskers, by the bleary something in his +eyes.” +</p> + +<p> +Suddenly Ewart, with an almost Jack-in-the-box effect, sat up. +</p> + +<p> +“He’s about us everywhere, Ponderevo,” he said, very +solemnly. “Sometimes—sometimes I think he is—in our blood. In +<i>mine</i>.” +</p> + +<p> +He regarded me for my opinion very earnestly, with his pipe in the corner of +his mouth. +</p> + +<p> +“You’re the remotest cousin he ever had,” I said. +</p> + +<p> +I reflected. “Look here, Ewart,” I asked, “how would you have +things different?” +</p> + +<p> +He wrinkled up his queer face, regarded the wait and made his pipe gurgle for a +space, thinking deeply. +</p> + +<p> +“There are complications, I admit. We’ve grown up under the terror +of Grundy and that innocent but docile and—yes—formidable lady, his +wife. I don’t know how far the complications aren’t a disease, a +sort of bleaching under the Grundy shadow.... It is possible there are things I +have still to learn about women.... Man has eaten of the Tree of Knowledge. His +innocence is gone. You can’t have your cake and eat it. We’re in +for knowledge; let’s have it plain and straight. I should begin, I think, +by abolishing the ideas of decency and indecency....” +</p> + +<p> +“Grundy would have fits!” I injected. +</p> + +<p> +“Grundy, Ponderevo, would have cold douches—publicly—if the +sight was not too painful—three times a day.... But I don’t think, +mind you, that I should let the sexes run about together. No. The fact behind +the sexes—is sex. It’s no good humbugging. It trails +about—even in the best mixed company. Tugs at your ankle. The men get +showing off and quarrelling—and the women. Or they’re bored. I +suppose the ancestral males have competed for the ancestral females ever since +they were both some sort of grubby little reptile. You aren’t going to +alter that in a thousand years or so.... Never should you have a mixed company, +never—except with only one man or only one woman. How would that be?... +</p> + +<p> +“Or duets only?... +</p> + +<p> +“How to manage it? Some rule of etiquette, perhaps.”... He became +portentously grave. +</p> + +<p> +Then his long hand went out in weird gestures. +</p> + +<p> +“I seem to see—I seem to see—a sort of City of Women, +Ponderevo. Yes.... A walled enclosure—good stone-mason’s +work—a city wall, high as the walls of Rome, going about a garden. Dozens +of square miles of +garden—trees—fountains—arbours—lakes. Lawns on which +the women play, avenues in which they gossip, boats.... Women like that sort of +thing. Any woman who’s been to a good eventful girls’ school lives +on the memory of it for the rest of her life. It’s one of the pathetic +things about women—the superiority of school and college—to +anything they get afterwards. And this city-garden of women will have beautiful +places for music, places for beautiful dresses, places for beautiful work. +Everything a woman can want. Nurseries. Kindergartens. Schools. And no +man—except to do rough work, perhaps—ever comes in. The men live in +a world where they can hunt and engineer, invent and mine and manufacture, sail +ships, drink deep and practice the arts, and fight—” +</p> + +<p> +“Yes,” I said, “but—” +</p> + +<p> +He stilled me with a gesture. +</p> + +<p> +“I’m coming to that. The homes of the women, Ponderevo, will be set +in the wall of their city; each woman will have her own particular house and +home, furnished after her own heart in her own manner—with a little +balcony on the outside wall. Built into the wall—and a little balcony. +And there she will go and look out, when the mood takes her, and all round the +city there will be a broad road and seats and great shady trees. And men will +stroll up and down there when they feel the need of feminine company; when, for +instance, they want to talk about their souls or their characters or any of the +things that only women will stand.... The women will lean over and look at the +men and smile and talk to them as they fancy. And each woman will have this; +she will have a little silken ladder she can let down if she chooses—if +she wants to talk closer...” +</p> + +<p> +“The men would still be competing.” +</p> + +<p> +“There perhaps—yes. But they’d have to abide by the +women’s decisions.” +</p> + +<p> +I raised one or two difficulties, and for a while we played with this idea. +</p> + +<p> +“Ewart,” I said, “this is like Doll’s Island. +</p> + +<p> +“Suppose,” I reflected, “an unsuccessful man laid siege to a +balcony and wouldn’t let his rival come near it?” +</p> + +<p> +“Move him on,” said Ewart, “by a special regulation. As one +does organ-grinders. No difficulty about that. And you could forbid +it—make it against the etiquette. No life is decent without etiquette.... +And people obey etiquette sooner than laws...” +</p> + +<p> +“H’m,” I said, and was struck by an idea that is remote in +the world of a young man. “How about children?” I asked; “in +the City? Girls are all very well. But boys, for example—grow up.” +</p> + +<p> +“Ah!” said Ewart. “Yes. I forgot. They mustn’t grow up +inside.... They’d turn out the boys when they were seven. The father must +come with a little pony and a little gun and manly wear, and take the boy away. +Then one could come afterwards to one’s mother’s balcony.... It +must be fine to have a mother. The father and the son...” +</p> + +<p> +“This is all very pretty in its way,” I said at last, “but +it’s a dream. Let’s come back to reality. What I want to know is, +what are you going to do in Brompton, let us say, or Walham Green +<i>now?</i>” +</p> + +<p> +“Oh! damn it!” he remarked, “Walham Green! What a chap you +are, Ponderevo!” and he made an abrupt end to his discourse. He +wouldn’t even reply to my tentatives for a time. +</p> + +<p> +“While I was talking just now,” he remarked presently, +</p> + +<p> +“I had a quite different idea.” +</p> + +<p> +“What?” +</p> + +<p> +“For a masterpiece. A series. Like the busts of the Cæsars. Only not +heads, you know. We don’t see the people who do things to us +nowadays...” +</p> + +<p> +“How will you do it, then?” +</p> + +<p> +“Hands—a series of hands! The hands of the Twentieth Century. +I’ll do it. Some day some one will discover it—go there—see +what I have done, and what is meant by it.” +</p> + +<p> +“See it where?” +</p> + +<p> +“On the tombs. Why not? The Unknown Master of the Highgate Slope! All the +little, soft feminine hands, the nervous ugly males, the hands of the flops, +and the hands of the snatchers! And Grundy’s loose, lean, knuckly +affair—Grundy the terror!—the little wrinkles and the thumb! Only +it ought to hold all the others together—in a slightly disturbing +squeeze....Like Rodin’s great Hand—you know the thing!” +</p> + +<h4>IV</h4> + +<p> +I forget how many days intervened between that last breaking off of our +engagement and Marion’s surrender. But I recall now the sharpness of my +emotion, the concentrated spirit of tears and laughter in my throat as I read +the words of her unexpected letter—“I have thought over everything, +and I was selfish....” I rushed off to Walham Green that evening to give +back all she had given me, to beat her altogether at giving. She was +extraordinarily gentle and generous that time, I remember, and when at last I +left her, she kissed me very sweetly. +</p> + +<p> +So we were married. +</p> + +<p> +We were married with all the customary incongruity. I gave—perhaps after +a while not altogether ungrudgingly—and what I gave, Marion took, with a +manifest satisfaction. After all, I was being sensible. So that we had three +livery carriages to the church (one of the pairs of horses matched) and +coachmen—with improvised flavour and very shabby silk hats—bearing +white favours on their whips, and my uncle intervened with splendour and +insisted upon having a wedding breakfast sent in from a caterer’s in +Hammersmith. The table had a great display of chrysanthemums, and there was +orange blossom in the significant place and a wonderful cake. We also +circulated upwards of a score of wedges of that accompanied by silver-printed +cards in which Marion’s name of Ramboat was stricken out by an arrow in +favour of Ponderevo. We had a little rally of Marion’s relations, and +several friends and friends’ friends from Smithie’s appeared in the +church and drifted vestry-ward. I produced my aunt and uncle a select group of +two. The effect in that shabby little house was one of exhilarating congestion. +The side-board, in which lived the table-cloth and the “Apartments” +card, was used for a display of the presents, eked out by the unused balance of +the silver-printed cards. +</p> + +<p> +Marion wore the white raiment of a bride, white silk and satin, that did not +suit her, that made her seem large and strange to me; she obtruded bows and +unfamiliar contours. She went through all this strange ritual of an English +wedding with a sacramental gravity that I was altogether too young and +egotistical to comprehend. It was all extraordinarily central and important to +her; it was no more than an offensive, complicated, and disconcerting intrusion +of a world I was already beginning to criticise very bitterly, to me. What was +all this fuss for? The mere indecent advertisement that I had been passionately +in love with Marion! I think, however, that Marion was only very remotely aware +of my smouldering exasperation at having in the end behaved +“nicely.” I had played—up to the extent of dressing my part; +I had an admirably cut frock—coat, a new silk hat, trousers as light as I +could endure them—lighter, in fact—a white waistcoat, night tie, +light gloves. Marion, seeing me despondent had the unusual enterprise to +whisper to me that I looked lovely; I knew too well I didn’t look myself. +I looked like a special coloured supplement to <i>Men’s Wear</i>, or +<i>The Tailor and Cutter</i>, Full Dress For Ceremonial Occasions. I had even +the disconcerting sensations of an unfamiliar collar. I felt lost—in a +strange body, and when I glanced down myself for reassurance, the straight +white abdomen, the alien legs confirmed that impression. +</p> + +<p> +My uncle was my best man, and looked like a banker—a little +banker—in flower. He wore a white rose in his buttonhole. He +wasn’t, I think, particularly talkative. At least I recall very little +from him. +</p> + +<p> +“George” he said once or twice, “this is a great occasion for +you—a very great occasion.” He spoke a little doubtfully. +</p> + +<p> +You see I had told him nothing about Marion until about a week before the +wedding; both he and my aunt had been taken altogether by surprise. They +couldn’t, as people say, “make it out.” My aunt was intensely +interested, much more than my uncle; it was then, I think, for the first time +that I really saw that she cared for me. She got me alone, I remember, after I +had made my announcement. “Now, George,” she said, “tell me +everything about her. Why didn’t you tell—ME at +least—before?” +</p> + +<p> +I was surprised to find how difficult it was to tell her about Marion. I +perplexed her. +</p> + +<p> +“Then is she beautiful?” she asked at last. +</p> + +<p> +“I don’t know what you’ll think of her,” I parried. +“I think—” +</p> + +<p> +“Yes?” +</p> + +<p> +“I think she might be the most beautiful person in the world.” +</p> + +<p> +“And isn’t she? To you?” +</p> + +<p> +“Of course,” I said, nodding my head. “Yes. She IS...” +</p> + +<p> +And while I don’t remember anything my uncle said or did at the wedding, +I do remember very distinctly certain little things, scrutiny, solicitude, a +curious rare flash of intimacy in my aunt’s eyes. It dawned on me that I +wasn’t hiding anything from her at all. She was dressed very smartly, +wearing a big-plumed hat that made her neck seem longer and slenderer than +ever, and when she walked up the aisle with that rolling stride of hers and her +eye all on Marion, perplexed into self-forgetfulness, it wasn’t somehow +funny. She was, I do believe, giving my marriage more thought than I had done, +she was concerned beyond measure at my black rage and Marion’s blindness, +she was looking with eyes that knew what loving is—for love. +</p> + +<p> +In the vestry she turned away as we signed, and I verily believe she was +crying, though to this day I can’t say why she should have cried, and she +was near crying too when she squeezed my hand at parting—and she never +said a word or looked at me, but just squeezed my hand.... +</p> + +<p> +If I had not been so grim in spirit, I think I should have found much of my +wedding amusing. I remember a lot of ridiculous detail that still declines to +be funny in my memory. The officiating clergyman had a cold, and turned his +“n’s” to “d’s,” and he made the most +mechanical compliment conceivable about the bride’s age when the register +was signed. Every bride he had ever married had had it, one knew. And two +middle-aged spinsters, cousins of Marion’s and dressmakers at Barking, +stand out. They wore marvellously bright and gay blouses and dim old skirts, +and had an immense respect for Mr. Ramboat. They threw rice; they brought a +whole bag with them and gave handfuls away to unknown little boys at the church +door and so created a Lilliputian riot; and one had meant to throw a slipper. +It was a very warm old silk slipper, I know, because she dropped it out of a +pocket in the aisle—there was a sort of jumble in the aisle—and I +picked it up for her. I don’t think she actually threw it, for as we +drove away from the church I saw her in a dreadful, and, it seemed to me, +hopeless, struggle with her pocket; and afterwards my eye caught the missile of +good fortune lying, it or its fellow, most obviously mislaid, behind the +umbrella-stand in the hall.... +</p> + +<p> +The whole business was much more absurd, more incoherent, more human than I had +anticipated, but I was far too young and serious to let the latter quality +atone for its shortcomings. I am so remote from this phase of my youth that I +can look back at it all as dispassionately as one looks at a picture—at +some wonderful, perfect sort of picture that is inexhaustible; but at the time +these things filled me with unspeakable resentment. Now I go round it all, look +into its details, generalise about its aspects. I’m interested, for +example, to square it with my Bladesover theory of the British social scheme. +Under stress of tradition we were all of us trying in the fermenting chaos of +London to carry out the marriage ceremonies of a Bladesover tenant or one of +the chubby middling sort of people in some dependent country town. There a +marriage is a public function with a public significance. There the church is +to a large extent the gathering-place of the community, and your going to be +married a thing of importance to every one you pass on the road. It is a change +of status that quite legitimately interests the whole neighbourhood. But in +London there are no neighbours, nobody knows, nobody cares. An absolute +stranger in an office took my notice, and our banns were proclaimed to ears +that had never previously heard our names. The clergyman, even, who married us +had never seen us before, and didn’t in any degree intimate that he +wanted to see us again. +</p> + +<p> +Neighbours in London! The Ramboats did not know the names of the people on +either side of them. As I waited for Marion before we started off upon our +honeymoon flight, Mr. Ramboat, I remember, came and stood beside me and stared +out of the window. +</p> + +<p> +“There was a funeral over there yesterday,” he said, by way of +making conversation, and moved his head at the house opposite. “Quite a +smart affair it was with a glass ’earse....” +</p> + +<p> +And our little procession of three carriages with white-favour-adorned horses +and drivers, went through all the huge, noisy, indifferent traffic like a lost +china image in the coal-chute of an ironclad. Nobody made way for us, nobody +cared for us; the driver of an omnibus jeered; for a long time we crawled +behind an unamiable dust-cart. The irrelevant clatter and tumult gave a queer +flavour of indecency to this public coming together of lovers. We seemed to +have obtruded ourselves shamelessly. The crowd that gathered outside the church +would have gathered in the same spirit and with greater alacrity for a street +accident.... +</p> + +<p> +At Charing Cross—we were going to Hastings—the experienced eye of +the guard detected the significance of our unusual costume and he secured us a +compartment. +</p> + +<p> +“Well,” said I, as the train moved out of the station, +“<i>That’s</i> all over!” And I turned to Marion—a +little unfamiliar still, in her unfamiliar clothes—and smiled. +</p> + +<p> +She regarded me gravely, timidly. +</p> + +<p> +“You’re not cross?” she asked. +</p> + +<p> +“Cross! Why?” +</p> + +<p> +“At having it all proper.” +</p> + +<p> +“My dear Marion!” said I, and by way of answer took and kissed her +white-gloved, leather-scented hand.... +</p> + +<p> +I don’t remember much else about the journey, an hour or so it was of +undistinguished time—for we were both confused and a little fatigued and +Marion had a slight headache and did not want caresses. I fell into a reverie +about my aunt, and realised as if it were a new discovery, that I cared for her +very greatly. I was acutely sorry I had not told her earlier of my marriage. +</p> + +<p class="p2"> +But you will not want to hear the history of my honeymoon. I have told all that +was needed to serve my present purpose. Thus and thus it was the Will in things +had its way with me. Driven by forces I did not understand, diverted altogether +from the science, the curiosities and work to which I had once given myself, I +fought my way through a tangle of traditions, customs, obstacles and +absurdities, enraged myself, limited myself, gave myself to occupations I saw +with the clearest vision were dishonourable and vain, and at last achieved the +end of purblind Nature, the relentless immediacy of her desire, and held, far +short of happiness, Marion weeping and reluctant in my arms. +</p> + +<h4>V</h4> + +<p> +Who can tell the story of the slow estrangement of two married people, the +weakening of first this bond and then that of that complex contact? Least of +all can one of the two participants. Even now, with an interval of fifteen +years to clear it up for me, I still find a mass of impressions of Marion as +confused, as discordant, as unsystematic and self-contradictory as life. I +think of this thing and love her, of that and hate her—of a hundred +aspects in which I can now see her with an unimpassioned sympathy. As I sit +here trying to render some vision of this infinitely confused process, I recall +moments of hard and fierce estrangement, moments of clouded intimacy, the +passage of transition all forgotten. We talked a little language together +whence were “friends,” and I was “Mutney” and she was +“Ming,” and we kept up such an outward show that till the very end +Smithie thought our household the most amiable in the world. +</p> + +<p> +I cannot tell to the full how Marion thwarted me and failed in that life of +intimate emotions which is the kernel of love. That life of intimate emotions +is made up of little things. A beautiful face differs from an ugly one by a +difference of surfaces and proportions that are sometimes almost +infinitesimally small. I find myself setting down little things and little +things; none of them do more than demonstrate those essential temperamental +discords I have already sought to make clear. Some readers will +understand—to others I shall seem no more than an unfeeling brute who +couldn’t make allowances.... It’s easy to make allowances now; but +to be young and ardent and to make allowances, to see one’s married life +open before one, the life that seemed in its dawn a glory, a garden of roses, a +place of deep sweet mysteries and heart throbs and wonderful silences, and to +see it a vista of tolerations and baby-talk; a compromise, the least effectual +thing in all one’s life. +</p> + +<p> +Every love romance I read seemed to mock our dull intercourse, every poem, +every beautiful picture reflected upon the uneventful succession of grey hours +we had together. I think our real difference was one of aesthetic sensibility. +</p> + +<p> +I do still recall as the worst and most disastrous aspect of all that time, her +absolute disregard of her own beauty. It’s the pettiest thing to record, +I know, but she could wear curl-papers in my presence. It was her idea, too, to +“wear out” her old clothes and her failures at home when “no +one was likely to see her”—“no one” being myself. She +allowed me to accumulate a store of ungracious and slovenly memories.... +</p> + +<p> +All our conceptions of life differed. I remember how we differed about +furniture. We spent three or four days in Tottenham Court Road, and she chose +the things she fancied with an inexorable resolution,—sweeping aside my +suggestions with—“Oh, <i>you</i> want such queer things.” She +pursued some limited, clearly seen and experienced ideal—that excluded +all other possibilities. Over every mantel was a mirror that was draped, our +sideboard was wonderfully good and splendid with beveled glass, we had lamps on +long metal stalks and cozy corners and plants in grog-tubs. Smithie approved it +all. There wasn’t a place where one could sit and read in the whole +house. My books went upon shelves in the dining-room recess. And we had a piano +though Marion’s playing was at an elementary level. +</p> + +<p> +You know, it was the cruelest luck for Marion that I, with my restlessness, my +scepticism, my constantly developing ideas, had insisted on marriage with her. +She had no faculty of growth or change; she had taken her mould, she had set in +the limited ideas of her peculiar class. She preserved her conception of what +was right in drawing-room chairs and in marriage ceremonial and in every +relation of life with a simple and luminous honesty and conviction, with an +immense unimaginative inflexibility—as a tailor-bird builds its nest or a +beaver makes its dam. +</p> + +<p> +Let me hasten over this history of disappointments and separation. I might tell +of waxings and waning of love between us, but the whole was waning. Sometimes +she would do things for me, make me a tie or a pair of slippers, and fill me +with none the less gratitude because the things were absurd. She ran our home +and our one servant with a hard, bright efficiency. She was inordinately proud +of house and garden. Always, by her lights, she did her duty by me. +</p> + +<p> +Presently the rapid development of Tono-Bungay began to take me into the +provinces, and I would be away sometimes for a week together. This she did not +like; it left her “dull,” she said, but after a time she began to +go to Smithie’s again and to develop an independence of me. At +Smithie’s she was now a woman with a position; she had money to spend. +She would take Smithie to theatres and out to lunch and talk interminably of +the business, and Smithie became a sort of permanent weekender with us. Also +Marion got a spaniel and began to dabble with the minor arts, with poker-work +and a Kodak and hyacinths in glasses. She called once on a neighbour. Her +parents left Walham Green—her father severed his connection with the +gas-works—and came to live in a small house I took for them near us, and +they were much with us. +</p> + +<p> +Odd the littleness of the things that exasperate when the fountains of life are +embittered! My father-in-law was perpetually catching me in moody moments and +urging me to take to gardening. He irritated me beyond measure. +</p> + +<p> +“You think too much,” he would say. “If you was to let in a +bit with a spade, you might soon ’ave that garden of yours a Vision of +Flowers. That’s better than thinking, George.” +</p> + +<p> +Or in a torrent of exasperation, “I CARN’T think, George, why you +don’t get a bit of glass ’ere. This sunny corner you c’d do +wonders with a bit of glass.” +</p> + +<p> +And in the summer time he never came in without performing a sort of conjuring +trick in the hall, and taking cucumbers and tomatoes from unexpected points of +his person. “All out o’ MY little bit,” he’d say in +exemplary tones. He left a trail of vegetable produce in the most unusual +places, on mantel boards, sideboards, the tops of pictures. Heavens! how the +sudden unexpected tomato could annoy me!... +</p> + +<p> +It did much to widen our estrangement that Marion and my aunt failed to make +friends, became, by a sort of instinct, antagonistic. +</p> + +<p> +My aunt, to begin with, called rather frequently, for she was really anxious to +know Marion. At first she would arrive like a whirlwind and pervade the house +with an atmosphere of hello! She dressed already with that cheerfully +extravagant abandon that signalised her accession to fortune, and dressed her +best for these visits. +</p> + +<p> +She wanted to play the mother to me, I fancy, to tell Marion occult secrets +about the way I wore out my boots and how I never could think to put on thicker +things in cold weather. But Marion received her with that defensive +suspiciousness of the shy person, thinking only of the possible criticism of +herself; and my aunt, perceiving this, became nervous and slangy... +</p> + +<p> +“She says such queer things,” said Marion once, discussing her. +“But I suppose it’s witty.” +</p> + +<p> +“Yes,” I said; “it <i>is</i> witty.” +</p> + +<p> +“If I said things like she does—” +</p> + +<p> +The queer things my aunt said were nothing to the queer things she didn’t +say. I remember her in our drawing-room one day, and how she cocked her +eye—it’s the only expression—at the India-rubber plant in a +Doulton-ware pot which Marion had placed on the corner of the piano. +</p> + +<p> +She was on the very verge of speech. Then suddenly she caught my expression, +and shrank up like a cat that has been discovered looking at the milk. +</p> + +<p> +Then a wicked impulse took her. +</p> + +<p> +“Didn’t say an old word, George,” she insisted, looking me +full in the eye. +</p> + +<p> +I smiled. “You’re a dear,” I said, “not to,” as +Marion came lowering into the room to welcome her. But I felt extraordinarily +like a traitor—to the India-rubber plant, I suppose—for all that +nothing had been said... +</p> + +<p> +“Your aunt makes Game of people,” was Marion’s verdict, and, +open-mindedly: “I suppose it’s all right... for her.” +</p> + +<p> +Several times we went to the house in Beckenham for lunch, and once or twice to +dinner. My aunt did her peculiar best to be friends, but Marion was implacable. +She was also, I know, intensely uncomfortable, and she adopted as her social +method, an exhausting silence, replying compactly and without giving openings +to anything that was said to her. +</p> + +<p> +The gaps between my aunt’s visits grew wider and wider. +</p> + +<p> +My married existence became at last like a narrow deep groove in the broad +expanse of interests in which I was living. I went about the world; I met a +great number of varied personalities; I read endless books in trains as I went +to and fro. I developed social relationships at my uncle’s house that +Marion did not share. The seeds of new ideas poured in upon me and grew in me. +Those early and middle years of one’s third decade are, I suppose, for a +man the years of greatest mental growth. They are restless years and full of +vague enterprise. +</p> + +<p> +Each time I returned to Ealing, life there seemed more alien, narrow, and +unattractive—and Marion less beautiful and more limited and +difficult—until at last she was robbed of every particle of her magic. +She gave me always a cooler welcome, I think, until she seemed entirely +apathetic. I never asked myself then what heartaches she might hide or what her +discontents might be. +</p> + +<p> +I would come home hoping nothing, expecting nothing. +</p> + +<p> +This was my fated life, and I had chosen it. I became more sensitive to the +defects I had once disregarded altogether; I began to associate her sallow +complexion with her temperamental insufficiency, and the heavier lines of her +mouth and nostril with her moods of discontent. We drifted apart; wider and +wider the gap opened. I tired of baby-talk and stereotyped little fondlings; I +tired of the latest intelligence from those wonderful workrooms, and showed it +all too plainly; we hardly spoke when we were alone together. The mere +unreciprocated physical residue of my passion remained—an exasperation +between us. +</p> + +<p> +No children came to save us. Marion had acquired at Smithie’s a disgust +and dread of maternity. All that was the fruition and quintessence of the +“horrid” elements in life, a disgusting thing, a last indignity +that overtook unwary women. I doubt indeed a little if children would have +saved us; we should have differed so fatally about their upbringing. +</p> + +<p> +Altogether, I remember my life with Marion as a long distress, now hard, now +tender. It was in those days that I first became critical of my life and +burdened with a sense of error and maladjustment. I would lie awake in the +night, asking myself the purpose of things, reviewing my unsatisfying, ungainly +home-life, my days spent in rascal enterprise and rubbish-selling, contrasting +all I was being and doing with my adolescent ambitions, my Wimblehurst dreams. +My circumstances had an air of finality, and I asked myself in vain why I had +forced myself into them. +</p> + +<h4>VI</h4> + +<p> +The end of our intolerable situation came suddenly and unexpectedly, but in a +way that I suppose was almost inevitable. +</p> + +<p> +My alienated affections wandered, and I was unfaithful to Marion. +</p> + +<p> +I won’t pretend to extenuate the quality of my conduct. I was a young and +fairly vigorous male; all my appetite for love had been roused and whetted and +none of it had been satisfied by my love affair and my marriage. I had pursued +an elusive gleam of beauty to the disregard of all else, and it had failed me. +It had faded when I had hoped it would grow brighter. I despaired of life and +was embittered. And things happened as I am telling. I don’t draw any +moral at all in the matter, and as for social remedies, I leave them to the +social reformer. I’ve got to a time of life when the only theories that +interest me are generalisations about realities. +</p> + +<p> +To go to our inner office in Raggett Street I had to walk through a room in +which the typists worked. They were the correspondence typists; our books and +invoicing had long since overflowed into the premises we had had the luck to +secure on either side of us. I was, I must confess, always in a faintly +cloudily-emotional way aware of that collection of for the most part +round-shouldered femininity, but presently one of the girls detached herself +from the others and got a real hold upon my attention. I appreciated her at +first as a straight little back, a neater back than any of the others; as a +softly rounded neck with a smiling necklace of sham pearls; as chestnut hair +very neatly done—and as a side-long glance; presently as a quickly turned +face that looked for me. +</p> + +<p> +My eye would seek her as I went through on business things—I dictated +some letters to her and so discovered she had pretty, soft-looking hands with +pink nails. Once or twice, meeting casually, we looked one another for the +flash of a second in the eyes. +</p> + +<p> +That was all. But it was enough in the mysterious free-masonry of sex to say +essential things. We had a secret between us. +</p> + +<p> +One day I came into Raggett Street at lunch time and she was alone, sitting at +her desk. She glanced up as I entered, and then became very still, with a +downcast face and her hands clenched on the table. I walked right by her to the +door of the inner office, stopped, came back and stood over her. +</p> + +<p> +We neither of us spoke for quite a perceptible time. I was trembling violently. +</p> + +<p> +“Is that one of the new typewriters?” I asked at last for the sake +of speaking. +</p> + +<p> +She looked up at me without a word, with her face flushed and her eyes alight, +and I bent down and kissed her lips. She leant back to put an arm about me, +drew my face to her and kissed me again and again. I lifted her and held her in +my arms. She gave a little smothered cry to feel herself so held. +</p> + +<p> +Never before had I known the quality of passionate kisses. +</p> + +<p> +Somebody became audible in the shop outside. +</p> + +<p> +We started back from one another with flushed faces and bright and burning +eyes. +</p> + +<p> +“We can’t talk here,” I whispered with a confident intimacy. +“Where do you go at five?” +</p> + +<p> +“Along the Embankment to Charing Cross,” she answered as +intimately. “None of the others go that way...” +</p> + +<p> +“About half-past five?” +</p> + +<p> +“Yes, half-past five...” +</p> + +<p> +The door from the shop opened, and she sat down very quickly. +</p> + +<p> +“I’m glad,” I said in a commonplace voice, “that these +new typewriters are all right.” +</p> + +<p> +I went into the inner office and routed out the paysheet in order to find her +name—Effie Rink. And did no work at all that afternoon. I fretted about +that dingy little den like a beast in a cage. +</p> + +<p> +When presently I went out, Effie was working with an extraordinary appearance +of calm—and there was no look for me at all.... +</p> + +<p> +We met and had our talk that evening, a talk in whispers when there was none to +overhear; we came to an understanding. It was strangely unlike any dream of +romance I had ever entertained. +</p> + +<h4>VII</h4> + +<p> +I came back after a week’s absence to my home again—a changed man. +I had lived out my first rush of passion for Effie, had come to a contemplation +of my position. I had gauged Effie’s place in the scheme of things, and +parted from her for a time. She was back in her place at Raggett Street after a +temporary indisposition. I did not feel in any way penitent or ashamed, I know, +as I opened the little cast-iron gate that kept Marion’s front grader and +Pampas Grass from the wandering dog. Indeed, if anything, I felt as if I had +vindicated some right that had been in question. I came back to Marion with no +sense of wrong-doing at all with, indeed, a new friendliness towards her. I +don’t know how it may be proper to feel on such occasions; that is how I +felt. +</p> + +<p> +I followed her in our drawing-room, standing beside the tall lamp-stand that +half filled the bay as though she had just turned from watching for me at the +window. There was something in her pale face that arrested me. She looked as if +she had not been sleeping. She did not come forward to greet me. +</p> + +<p> +“You’ve come home,” she said. +</p> + +<p> +“As I wrote to you.” +</p> + +<p> +She stood very still, a dusky figure against the bright window. +</p> + +<p> +“Where have you been?” she asked. +</p> + +<p> +“East Coast,” I said easily. +</p> + +<p> +She paused for a moment. “I <i>know</i>,” she said. +</p> + +<p> +I stared at her. It was the most amazing moment in any life.... +</p> + +<p> +“By Jove!” I said at last, “I believe you do!” +</p> + +<p> +“And then you come home to me!” +</p> + +<p> +I walked to the hearthrug and stood quite still there regarding this new +situation. +</p> + +<p> +“I didn’t dream,” she began. “How could you do such a +thing?” +</p> + +<p> +It seemed a long interval before either of us spoke another word. +</p> + +<p> +“Who knows about it?” I asked at last. +</p> + +<p> +“Smithie’s brother. They were at Cromer.” +</p> + +<p> +“Confound Cromer! Yes!” +</p> + +<p> +“How could you bring yourself” +</p> + +<p> +I felt a spasm of petulant annoyance at this unexpected catastrophe. +</p> + +<p> +“I should like to wring Smithie’s brother’s neck,” I +said.... +</p> + +<p> +Marion spoke in dry, broken fragments of sentences. “You... I’d +always thought that anyhow you couldn’t deceive me... I suppose all men +are horrid—about this.” +</p> + +<p> +“It doesn’t strike me as horrid. It seems to me the most necessary +consequence—and natural thing in the world.” +</p> + +<p> +I became aware of some one moving about in the passage, and went and shut the +door of the room, then I walked back to the hearthrug and turned. +</p> + +<p> +“It’s rough on you,” I said. “But I didn’t mean +you to know. You’ve never cared for me. I’ve had the devil of a +time. Why should you mind?” +</p> + +<p> +She sat down in a draped armchair. “I <i>have</i> cared for you,” +she said. +</p> + +<p> +I shrugged my shoulders. +</p> + +<p> +“I suppose,” she said, “<i>she</i> cares for you?” +</p> + +<p> +I had no answer. +</p> + +<p> +“Where is she now?” +</p> + +<p> +“Oh! does it matter to you?... Look here, Marion! This—this I +didn’t anticipate. I didn’t mean this thing to smash down on you +like this. But, you know, something had to happen. I’m sorry—sorry +to the bottom of my heart that things have come to this between us. But indeed, +I’m taken by surprise. I don’t know where I am—I don’t +know how we got here. Things took me by surprise. I found myself alone with her +one day. I kissed her. I went on. It seemed stupid to go back. And +besides—why should I have gone back? Why should I? From first to last, +I’ve hardly thought of it as touching you.... Damn!” +</p> + +<p> +She scrutinised my face, and pulled at the ball-fringe of the little table +beside her. +</p> + +<p> +“To think of it,” she said. “I don’t believe I can ever +touch you again.” +</p> + +<p> +We kept a long silence. I was only beginning to realise in the most superficial +way the immense catastrophe that had happened between us. Enormous issues had +rushed upon us. I felt unprepared and altogether inadequate. I was unreasonably +angry. There came a rush of stupid expressions to my mind that my rising sense +of the supreme importance of the moment saved me from saying. The gap of +silence widened until it threatened to become the vast memorable margin of some +one among a thousand trivial possibilities of speech that would vex our +relations for ever. +</p> + +<p> +Our little general servant tapped at the door—Marion always liked the +servant to tap—and appeared. +</p> + +<p> +“Tea, M’m,” she said—and vanished, leaving the door +open. +</p> + +<p> +“I will go upstairs,” said I, and stopped. “I will go +upstairs” I repeated, “and put my bag in the spare room.” +</p> + +<p> +We remained motionless and silent for a few seconds. +</p> + +<p> +“Mother is having tea with us to-day,” Marion remarked at last, and +dropped the worried end of ball-fringe and stood up slowly.... +</p> + +<p> +And so, with this immense discussion of our changed relations hanging over us, +we presently had tea with the unsuspecting Mrs. Ramboat and the spaniel. Mrs. +Ramboat was too well trained in her position to remark upon our somber +preoccupation. She kept a thin trickle of talk going, and told us, I remember, +that Mr. Ramboat was “troubled” about his cannas. +</p> + +<p> +“They don’t come up and they won’t come up. He’s been +round and had an explanation with the man who sold him the bulbs—and +he’s very heated and upset.” +</p> + +<p> +The spaniel was a great bore, begging and doing small tricks first at one and +then at the other of us. Neither of us used his name. You see we had called him +Miggles, and made a sort of trio in the baby-talk of Mutney and Miggles and +Ming. +</p> + +<h4>VIII</h4> + +<p> +Then presently we resumed our monstrous, momentous dialogue. I can’t now +make out how long that dialogue went on. It spread itself, I know, in heavy +fragments over either three days or four. I remember myself grouped with +Marion, talking sitting on our bed in her room, talking standing in our +dining-room, saving this thing or that. Twice we went for long walks. And we +had a long evening alone together, with jaded nerves and hearts that fluctuated +between a hard and dreary recognition of facts and, on my part at least, a +strange unwonted tenderness; because in some extraordinary way this crisis had +destroyed our mutual apathy and made us feel one another again. +</p> + +<p> +It was a dialogue that had discrepant parts that fell into lumps of talk that +failed to join on to their predecessors, that began again at a different level, +higher or lower, that assumed new aspects in the intervals and assimilated new +considerations. We discussed the fact that we two were no longer lovers; never +before had we faced that. It seems a strange thing to write, but as I look +back, I see clearly that those several days were the time when Marion and I +were closest together, looked for the first and last time faithfully and +steadfastly into each other’s soul. For those days only, there were no +pretences, I made no concessions to her nor she to me; we concealed nothing, +exaggerated nothing. We had done with pretending. We had it out plainly and +soberly with each other. Mood followed mood and got its stark expression. +</p> + +<p> +Of course there was quarreling between us, bitter quarreling, and we said +things to one another—long pent-up things that bruised and crushed and +cut. But over it all in my memory now is an effect of deliberate confrontation, +and the figure of Marion stands up, pale, melancholy, tear-stained, injured, +implacable and dignified. +</p> + +<p> +“You love her?” she asked once, and jerked that doubt into my mind. +</p> + +<p> +I struggled with tangled ideas and emotions. “I don’t know what +love is. It’s all sorts of things—it’s made of a dozen +strands twisted in a thousand ways.” +</p> + +<p> +“But you want her? You want her now—when you think of her?” +</p> + +<p> +“Yes,” I reflected. “I want her—right enough.” +</p> + +<p> +“And me? Where do I come in?” +</p> + +<p> +“I suppose you come in here.” +</p> + +<p> +“Well, but what are you going to do?” +</p> + +<p> +“Do!” I said with the exasperation of the situation growing upon +me. “What do you want me to do?” +</p> + +<p> +As I look back upon all that time—across a gulf of fifteen active +years—I find I see it with an understanding judgment. I see it as if it +were the business of some one else—indeed of two other +people—intimately known yet judged without passion. I see now that this +shock, this sudden immense disillusionment, did in real fact bring out a mind +and soul in Marion; that for the first time she emerged from habits, +timidities, imitations, phrases and a certain narrow will-impulse, and became a +personality. +</p> + +<p> +Her ruling motive at first was, I think, an indignant and outraged pride. This +situation must end. She asked me categorically to give up Effie, and I, full of +fresh and glowing memories, absolutely refused. +</p> + +<p> +“It’s too late, Marion,” I said. “It can’t be +done like that.” +</p> + +<p> +“Then we can’t very well go on living together,” she said. +“Can we?” +</p> + +<p> +“Very well,” I deliberated “if you must have it so.” +</p> + +<p> +“Well, can we?” +</p> + +<p> +“Can you stay in this house? I mean—if I go away?” +</p> + +<p> +“I don’t know.... I don’t think I could.” +</p> + +<p> +“Then—what do you want?” +</p> + +<p> +Slowly we worked our way from point to point, until at last the word +“divorce” was before us. +</p> + +<p> +“If we can’t live together we ought to be free,” said Marion. +</p> + +<p> +“I don’t know anything of divorce,” I said—“if +you mean that. I don’t know how it is done. I shall have to ask +somebody—or look it up.... Perhaps, after all, it is the thing to do. We +may as well face it.” +</p> + +<p> +We began to talk ourselves into a realisation of what our divergent futures +might be. I came back on the evening of that day with my questions answered by +a solicitor. +</p> + +<p> +“We can’t as a matter of fact,” I said, “get divorced +as things are. Apparently, so far as the law goes you’ve got to stand +this sort of thing. It’s silly but that is the law. However, it’s +easy to arrange a divorce. In addition to adultery there must be desertion or +cruelty. To establish cruelty I should have to strike you, or something of that +sort, before witnesses. That’s impossible—but it’s simple to +desert you legally. I have to go away from you; that’s all. I can go on +sending you money—and you bring a suit, what is it?—for Restitution +of Conjugal Rights. The Court orders me to return. I disobey. Then you can go +on to divorce me. You get a Decree Nisi, and once more the Court tries to make +me come back. If we don’t make it up within six months and if you +don’t behave scandalously the Decree is made absolute. That’s the +end of the fuss. That’s how one gets unmarried. It’s easier, you +see, to marry than unmarry.” +</p> + +<p> +“And then—how do I live? What becomes of me?” +</p> + +<p> +“You’ll have an income. They call it alimony. From a third to a +half of my present income—more if you like—I don’t +mind—three hundred a year, say. You’ve got your old people to keep +and you’ll need all that.” +</p> + +<p> +“And then—then you’ll be free?” +</p> + +<p> +“Both of us.” +</p> + +<p> +“And all this life you’ve hated” +</p> + +<p> +I looked up at her wrung and bitter face. “I haven’t hated +it,” I lied, my voice near breaking with the pain of it all. “Have +you?” +</p> + +<h4>IX</h4> + +<p> +The perplexing thing about life is the irresolvable complexity of reality, of +things and relations alike. Nothing is simple. Every wrong done has a certain +justice in it, and every good deed has dregs of evil. As for us, young still, +and still without self-knowledge, resounded a hundred discordant notes in the +harsh angle of that shock. We were furiously angry with each other, tender with +each other, callously selfish, generously self-sacrificing. +</p> + +<p> +I remember Marion saying innumerable detached things that didn’t hang +together one with another, that contradicted one another, that were, +nevertheless, all in their places profoundly true and sincere. I see them now +as so many vain experiments in her effort to apprehend the crumpled confusions +of our complex moral landslide. Some I found irritating beyond measure. I +answered her—sometimes quite abominably. +</p> + +<p> +“Of course,” she would say again and again, “my life has been +a failure.” +</p> + +<p> +“I’ve besieged you for three years,” I would retort +“asking it not to be. You’ve done as you pleased. If I’ve +turned away at last—” +</p> + +<p> +Or again she would revive all the stresses before our marriage. +</p> + +<p> +“How you must hate me! I made you wait. Well now—I suppose you have +your revenge.” +</p> + +<p> +“<i>Revenge!</i>” I echoed. +</p> + +<p> +Then she would try over the aspects of our new separated lives. +</p> + +<p> +“I ought to earn my own living,” she would insist. +</p> + +<p> +“I want to be quite independent. I’ve always hated London. Perhaps +I shall try a poultry farm and bees. You won’t mind at first my being a +burden. Afterwards—” +</p> + +<p> +“We’ve settled all that,” I said. +</p> + +<p> +“I suppose you will hate me anyhow...” +</p> + +<p> +There were times when she seemed to regard our separation with absolute +complacency, when she would plan all sorts of freedoms and characteristic +interests. +</p> + +<p> +“I shall go out a lot with Smithie,” she said. +</p> + +<p> +And once she said an ugly thing that I did indeed hate her for that I cannot +even now quite forgive her. +</p> + +<p> +“Your aunt will rejoice at all this. She never cared for me...” +</p> + +<p> +Into my memory of these pains and stresses comes the figure of Smithie, +full-charged with emotion, so breathless in the presence of the horrid villain +of the piece that she could make no articulate sounds. She had long tearful +confidences with Marion, I know, sympathetic close clingings. There were +moments when only absolute speechlessness prevented her giving me a stupendous +“talking-to”—I could see it in her eye. The wrong things she +would have said! And I recall, too, Mrs. Ramboat’s slow awakening to +something in, the air, the growing expression of solicitude in her eye, only +her well-trained fear of Marion keeping her from speech. +</p> + +<p> +And at last through all this welter, like a thing fated and altogether beyond +our control, parting came to Marion and me. +</p> + +<p> +I hardened my heart, or I could not have gone. For at the last it came to +Marion that she was parting from me for ever. That overbore all other things, +had turned our last hour to anguish. She forgot for a time the prospect of +moving into a new house, she forgot the outrage on her proprietorship and +pride. For the first time in her life she really showed strong emotions in +regard to me, for the first time, perhaps, they really came to her. She began +to weep slow, reluctant tears. I came into her room, and found her asprawl on +the bed, weeping. +</p> + +<p> +“I didn’t know,” she cried. “Oh! I didn’t +understand!” +</p> + +<p> +“I’ve been a fool. All my life is a wreck! +</p> + +<p> +“I shall be alone!...<i>Mutney!</i> Mutney, don’t leave me! Oh! +Mutney! I didn’t understand.” +</p> + +<p> +I had to harden my heart indeed, for it seemed to me at moments in those last +hours together that at last, too late, the longed-for thing had happened and +Marion had come alive. A new-born hunger for me lit her eyes. +</p> + +<p> +“Don’t leave me!” she said, “don’t leave +me!” She clung to me; she kissed me with tear-salt lips. +</p> + +<p> +I was promised now and pledged, and I hardened my heart against this impossible +dawn. Yet it seems to me that there were moments when it needed but a cry, but +one word to have united us again for all our lives. Could we have united again? +Would that passage have enlightened us for ever or should we have fallen back +in a week or so into the old estrangement, the old temperamental opposition? +</p> + +<p> +Of that there is now no telling. Our own resolve carried us on our predestined +way. We behaved more and more like separating lovers, parting inexorably, but +all the preparations we had set going worked on like a machine, and we made no +attempt to stop them. My trunks and boxes went to the station. I packed my bag +with Marion standing before me. We were like children who had hurt each other +horribly in sheer stupidity, who didn’t know now how to remedy it. We +belonged to each other immensely—immensely. The cab came to the little +iron gate. +</p> + +<p> +“Good-bye!” I said. +</p> + +<p> +“Good-bye.” +</p> + +<p> +For a moment we held one another in each other’s arms and +kissed—incredibly without malice. We heard our little servant in the +passage going to open the door. For the last time we pressed ourselves to one +another. We were not lovers nor enemies, but two human souls in a frank +community of pain. I tore myself from her. +</p> + +<p> +“Go away,” I said to the servant, seeing that Marion had followed +me down. +</p> + +<p> +I felt her standing behind me as I spoke to the cab man. +</p> + +<p> +I got into the cab, resolutely not looking back, and then as it started jumped +up, craned out and looked at the door. +</p> + +<p> +It was wide open, but she had disappeared.... +</p> + +<p> +I wonder—I suppose she ran upstairs. +</p> + +<h4>X</h4> + +<p> +So I parted from Marion at an extremity of perturbation and regret, and went, +as I had promised and arranged, to Effie, who was waiting for me in apartments +near Orpington. I remember her upon the station platform, a bright, flitting +figure looking along the train for me, and our walk over the fields in the +twilight. I had expected an immense sense of relief where at last the stresses +of separation were over, but now I found I was beyond measure wretched and +perplexed, full of the profoundest persuasion of irreparable error. The dusk +and somber Marion were so alike, her sorrow seemed to be all about me. I had to +hold myself to my own plans, to remember that I must keep faith with Effie, +with Effie who had made no terms, exacted no guarantees, but flung herself into +my hands. +</p> + +<p> +We went across the evening fields in silence, towards a sky of deepening gold +and purple, and Effie was close beside me always, very close, glancing up ever +and again at my face. +</p> + +<p> +Certainly she knew I grieved for Marion, that ours was now no joyful reunion. +But she showed no resentment and no jealousy. Extraordinarily, she did not +compete against Marion. Never once in all our time together did she say an +adverse word of Marion.... +</p> + +<p> +She set herself presently to dispel the shadow that brooded over me with the +same instinctive skill that some women will show with the trouble of a child. +She made herself my glad and pretty slave and handmaid; she forced me at last +to rejoice in her. Yet at the back of it all Marion remained, stupid and +tearful and infinitely distressful, so that I was almost intolerably unhappy +for her—for her and the dead body of my married love. +</p> + +<p> +It is all, as I tell it now, unaccountable to me. I go back into these remote +parts, these rarely visited uplands and lonely tares of memory, and it seems to +me still a strange country. I had thought I might be going to some sensuous +paradise with Effie, but desire which fills the universe before its +satisfaction, vanishes utterly like the going of daylight—with +achievement. All the facts and forms of life remain darkling and cold. It was +an upland of melancholy questionings, a region from which I saw all the world +at new angles and in new aspects; I had outflanked passion and romance. +</p> + +<p> +I had come into a condition of vast perplexities. For the first time in my +life, at least so it seems to me now in this retrospect, I looked at my +existence as a whole. +</p> + +<p> +Since this was nothing, what was I doing? What was I for? +</p> + +<p> +I was going to and fro about Tono-Bungay—the business I had taken up to +secure Marion and which held me now in spite of our intimate +separation—and snatching odd week-ends and nights for Orpington, and all +the while I struggled with these obstinate interrogations. I used to fall into +musing in the trains, I became even a little inaccurate and forgetful about +business things. I have the clearest memory of myself sitting thoughtful in the +evening sunlight on a grassy hillside that looked toward Seven Oaks and +commanded a wide sweep of country, and that I was thinking out my destiny. I +could almost write my thought down now, I believe, as they came to me that +afternoon. Effie, restless little cockney that she was, rustled and struggled +in a hedgerow below, gathering flowers, discovering flowers she had never seen +before. I had. I remember, a letter from Marion in my pocket. I had even made +some tentatives for return, for a reconciliation; Heaven knows now how I had +put it! but her cold, ill-written letter repelled me. I perceived I could never +face that old inconclusive dullness of life again, that stagnant +disappointment. That, anyhow, wasn’t possible. But what was possible? I +could see no way of honour or fine living before me at all. +</p> + +<p> +“What am I to do with life?” that was the question that besieged +me. +</p> + +<p> +I wondered if all the world was even as I, urged to this by one motive and to +that by another, creatures of chance and impulse and unmeaning traditions. Had +I indeed to abide by what I had said and done and chosen? Was there nothing for +me in honour but to provide for Effie, go back penitent to Marion and keep to +my trade in rubbish—or find some fresh one—and so work out the +residue of my days? I didn’t accept that for a moment. But what else was +I to do? I wondered if my case was the case of many men, whether in former +ages, too, men had been so guideless, so uncharted, so haphazard in their +journey into life. In the Middle Ages, in the old Catholic days, one went to a +priest, and he said with all the finality of natural law, this you are and this +you must do. I wondered whether even in the Middle Ages I should have accepted +that ruling without question. +</p> + +<p> +I remember too very distinctly how Effie came and sat beside me on a little +box: that was before the casement window of our room. +</p> + +<p> +“Gloomkins,” said she. +</p> + +<p> +I smiled and remained head on hand, looking out of the window forgetful of her. +</p> + +<p> +“Did you love your wife so well?” she whispered softly. +</p> + +<p> +“Oh!” I cried, recalled again; “I don’t know. I +don’t understand these things. Life is a thing that hurts, my dear! It +hurts without logic or reason. I’ve blundered! I didn’t understand. +Anyhow—there is no need to go hurting you, is there?” +</p> + +<p> +And I turned about and drew her to me, and kissed her ear.... +</p> + +<p> +Yes, I had a very bad time—I still recall. I suffered, I suppose, from a +sort of <i>ennui</i> of the imagination. I found myself without an object to +hold my will together. I sought. I read restlessly and discursively. I tried +Ewart and got no help from him. As I regard it all now in this retrospect, it +seems to me as if in those days of disgust and abandoned aims I discovered +myself for the first time. Before that I had seen only the world and things in +it, had sought them self-forgetful of all but my impulse. Now I found myself +<i>grouped</i> with a system of appetites and satisfactions, with much work to +do—and no desire, it seemed, left in me. +</p> + +<p> +There were moments when I thought of suicide. At times my life appeared before +me in bleak, relentless light, a series of ignorances, crude blunderings, +degradation and cruelty. I had what the old theologians call a +“conviction of sin.” I sought salvation—not perhaps in the +formula a Methodist preacher would recognise but salvation nevertheless. +</p> + +<p> +Men find their salvation nowadays in many ways. Names and forms don’t, I +think, matter very much; the real need is something that we can hold and that +holds one. I have known a man find that determining factor in a dry-plate +factory, and another in writing a history of the Manor. So long as it holds +one, it does not matter. Many men and women nowadays take up some concrete +aspect of Socialism or social reform. But Socialism for me has always been a +little bit too human, too set about with personalities and foolishness. It +isn’t my line. I don’t like things so human. I don’t think +I’m blind to the fun, the surprises, the jolly little coarsenesses and +insufficiency of life, to the “humour of it,” as people say, and to +adventure, but that isn’t the root of the matter with me. There’s +no humour in my blood. I’m in earnest in warp and woof. I stumble and +flounder, but I know that over all these merry immediate things, there are +other things that are great and serene, very high, beautiful things—the +reality. I haven’t got it, but it’s there nevertheless. I’m a +spiritual guttersnipe in love with unimaginable goddesses. I’ve never +seen the goddesses nor ever shall—but it takes all the fun out of the +mud—and at times I fear it takes all the kindliness, too. +</p> + +<p> +But I’m talking of things I can’t expect the reader to understand, +because I don’t half understand them myself. There is something links +things for me, a sunset or so, a mood or so, the high air, something there was +in Marion’s form and colour, something I find and lose in +Mantegna’s pictures, something in the lines of these boats I make. (You +should see X2, my last and best!) +</p> + +<p> +I can’t explain myself, I perceive. Perhaps it all comes to this, that I +am a hard and morally limited cad with a mind beyond my merits. Naturally I +resist that as a complete solution. Anyhow, I had a sense of inexorable need, +of distress and insufficiency that was unendurable, and for a time this +aeronautical engineering allayed it.... +</p> + +<p> +In the end of this particular crisis of which I tell so badly, I idealised +Science. I decided that in power and knowledge lay the salvation of my life, +the secret that would fill my need; that to these things I would give myself. +</p> + +<p> +I emerged at last like a man who has been diving in darkness, clutching at a +new resolve for which he had groped desperately and long. +</p> + +<p> +I came into the inner office suddenly one day—it must have been just +before the time of Marion’s suit for restitution—and sat down +before my uncle. +</p> + +<p> +“Look here,” I said, “I’m sick of this.” +</p> + +<p> +“Hul<i>lo!</i>” he answered, and put some papers aside. +</p> + +<p> +“What’s up, George?” +</p> + +<p> +“Things are wrong.” +</p> + +<p> +“As how?” +</p> + +<p> +“My life,” I said, “it’s a mess, an infinite +mess.” +</p> + +<p> +“She’s been a stupid girl, George,” he said; “I partly +understand. But you’re quit of her now, practically, and there’s +just as good fish in the sea—” +</p> + +<p> +“Oh! it’s not that!” I cried. “That’s only the +part that shows. I’m sick—I’m sick of all this damned +rascality.” +</p> + +<p> +“Eh? Eh?” said my uncle. “<i>What</i>—rascality?” +</p> + +<p> +“Oh, <i>you</i> know. I want some <i>stuff</i>, man. I want something to +hold on to. I shall go amok if I don’t get it. I’m a different sort +of beast from you. You float in all this bunkum. <i>I</i> feel like a man +floundering in a universe of soapsuds, up and downs, east and west. I +can’t stand it. I must get my foot on something solid or—I +don’t know what.” +</p> + +<p> +I laughed at the consternation in his face. +</p> + +<p> +“I mean it,” I said. “I’ve been thinking it over. +I’ve made up my mind. It’s no good arguing. I shall go in for +work—real work. No! this isn’t work; it’s only laborious +cheating. But I’ve got an idea! It’s an old idea—I thought of +years ago, but it came back to me. Look here! Why should I fence about with +you? I believe the time has come for flying to be possible. Real flying!” +</p> + +<p> +“Flying!” +</p> + +<p> +I stuck to that, and it helped me through the worst time in my life. My uncle, +after some half-hearted resistance and a talk with my aunt, behaved like the +father of a spoilt son. He fixed up an arrangement that gave me capital to play +with, released me from too constant a solicitude for the newer business +developments—this was in what I may call the later Moggs period of our +enterprises—and I went to work at once with grim intensity. +</p> + +<p> +But I will tell of my soaring and flying machines in the proper place. +I’ve been leaving the story of my uncle altogether too long. I wanted +merely to tell how it was I took to this work. I took to these experiments +after I had sought something that Marion in some indefinable way had seemed to +promise. I toiled and forgot myself for a time, and did many things. Science +too has been something of an irresponsive mistress since, though I’ve +served her better than I served Marion. But at the time Science, with her +order, her inhuman distance, yet steely certainties, saved me from despair. +</p> + +<p> +Well, I have still to fly; but incidentally I have invented the lightest +engines in the world. +</p> + +<p> +I am trying to tell of all the things that happened to me. It’s hard +enough simply to get it put down in the remotest degree right. But this is a +novel, not a treatise. Don’t imagine that I am coming presently to any +sort of solution of my difficulties. Here among my drawings and hammerings +<i>now</i>, I still question unanswering problems. All my life has been at +bottom, <i>seeking</i>, disbelieving always, dissatisfied always with the thing +seen and the thing believed, seeking something in toil, in force, in danger, +something whose name and nature I do not clearly understand, something +beautiful, worshipful, enduring, mine profoundly and fundamentally, and the +utter redemption of myself; I don’t know—all I can tell is that it +is something I have ever failed to find. +</p> + +<h4>XI</h4> + +<p> +But before I finish this chapter and book altogether and go on with the great +adventure of my uncle’s career. I may perhaps tell what else remains to +tell of Marion and Effie, and then for a time set my private life behind me. +</p> + +<p> +For a time Marion and I corresponded with some regularity, writing friendly but +rather uninforming letters about small business things. The clumsy process of +divorce completed itself. +</p> + +<p> +She left the house at Ealing and went into the country with her aunt and +parents, taking a small farm near Lewes in Sussex. She put up glass, she put in +heat for her father, happy man! and spoke of figs and peaches. The thing seemed +to promise well throughout a spring and summer, but the Sussex winter after +London was too much for the Ramboats. They got very muddy and dull; Mr. Ramboat +killed a cow by improper feeding, and that disheartened them all. A twelvemonth +saw the enterprise in difficulties. I had to help her out of this, and then +they returned to London and she went into partnership with Smithie at +Streatham, and ran a business that was intimated on the firm’s stationery +as “Robes.” The parents and aunt were stowed away in a cottage +somewhere. After that the letters became infrequent. But in one I remember a +postscript that had a little stab of our old intimacy: “Poor old Miggles +is dead.” +</p> + +<p> +Nearly eight years slipped by. I grew up. I grew in experience, in capacity, +until I was fully a man, but with many new interests, living on a larger scale +in a wider world than I could have dreamt of in my Marion days. Her letters +become rare and insignificant. At last came a gap of silence that made me +curious. For eighteen months or more I had nothing from Marion save her +quarterly receipts through the bank. Then I damned at Smithie, and wrote a card +to Marion. +</p> + +<p> +“Dear Marion,” I said, “how goes it?” +</p> + +<p> +She astonished me tremendously by telling me she had married +again—“a Mr. Wachorn, a leading agent in the paper-pattern +trade.” But she still wrote on the Ponderevo and Smith (Robes) notepaper, +from the Ponderevo and Smith address. +</p> + +<p> +And that, except for a little difference of opinion about the continuance of +alimony which gave me some passages of anger, and the use of my name by the +firm, which also annoyed me, is the end of Marion’s history for me, and +she vanishes out of this story. I do not know where she is or what she is +doing. I do not know whether she is alive or dead. It seems to me utterly +grotesque that two people who have stood so close to one another as she and I +should be so separated, but so it is between us. +</p> + +<p> +Effie, too, I have parted from, though I still see her at times. Between us +there was never any intention of marriage nor intimacy of soul. She had a +sudden, fierce, hot-blooded passion for me and I for her, but I was not her +first lover nor her last. She was in another world from Marion. She had a +queer, delightful nature; I’ve no memory of ever seeing her sullen or +malicious. She was—indeed she was magnificently—eupeptic. That, I +think, was the central secret of her agreeableness, and, moreover, that she was +infinitely kind-hearted. I helped her at last into an opening she coveted, and +she amazed me by a sudden display of business capacity. She has now a +typewriting bureau in Riffle’s Inn, and she runs it with a brisk vigour +and considerable success, albeit a certain plumpness has overtaken her. And she +still loves her kind. She married a year or so ago a boy half her age—a +wretch of a poet, a wretched poet, and given to drugs, a thing with lank fair +hair always getting into his blue eyes, and limp legs. She did it, she said, +because he needed nursing.... +</p> + +<p> +But enough of this disaster of my marriage and of my early love affairs; I have +told all that is needed for my picture to explain how I came to take up +aeroplane experiments and engineering science; let me get back to my essential +story, to Tono-Bungay and my uncle’s promotions and to the vision of the +world these things have given me. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h2><a name="book03"></a>BOOK THE THIRD<br /> +THE GREAT DAYS OF TONO-BUNGAY</h2> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap08"></a>CHAPTER THE FIRST<br /> +THE HARDINGHAM HOTEL, AND HOW WE BECAME BIG PEOPLE</h3> + +<h4>I</h4> + +<p> +But now that I resume the main line of my story it may be well to describe the +personal appearance of my uncle as I remember him during those magnificent +years that followed his passage from trade to finance. The little man plumped +up very considerably during the creation of the Tono-Bungay property, but with +the increasing excitements that followed that first flotation came dyspepsia +and a certain flabbiness and falling away. His abdomen—if the reader will +pardon my taking his features in the order of their value—had at first a +nice full roundness, but afterwards it lost tone without, however, losing size. +He always went as though he was proud of it and would make as much of it as +possible. To the last his movements remained quick and sudden, his short firm +legs, as he walked, seemed to twinkle rather than display the scissors-stride +of common humanity, and he never seemed to have knees, but instead, a dispersed +flexibility of limb. +</p> + +<p> +There was, I seem to remember, a secular intensification of his features; his +nose developed character, became aggressive, stuck out at the world more and +more; the obliquity of his mouth, I think, increased. From the face that +returns to my memory projects a long cigar that is sometimes cocked jauntily up +from the higher corner, that sometimes droops from the lower;—it was as +eloquent as a dog’s tail, and he removed it only for the more emphatic +modes of speech. He assumed a broad black ribbon for his glasses, and wore them +more and more askew as time went on. His hair seemed to stiffen with success, +but towards the climax it thinned greatly over the crown, and he brushed it +hard back over his ears where, however, it stuck out fiercely. It always stuck +out fiercely over his forehead, up and forward. +</p> + +<p> +He adopted an urban style of dressing with the onset of Tono-Bungay and rarely +abandoned it. He preferred silk hats with ample rich brims, often a trifle +large for him by modern ideas, and he wore them at various angles to his axis; +his taste in trouserings was towards fairly emphatic stripes and his trouser +cut was neat; he liked his frock-coat long and full, although that seemed to +shorten him. He displayed a number of valuable rings, and I remember one upon +his left little finger with a large red stone bearing Gnostic symbols. +“Clever chaps, those Gnostics, George,” he told me. “Means a +lot. Lucky!” He never had any but a black mohair watch-chair. In the +country he affected grey and a large grey cloth top-hat, except when motoring; +then he would have a brown deer-stalker cap and a fur suit of esquimaux cut +with a sort of boot-end to the trousers. Of an evening he would wear white +waistcoats and plain gold studs. He hated diamonds. “Flashy,” he +said they were. “Might as well wear—an income tax-receipt. All very +well for Park Lane. Unsold stock. Not my style. Sober financier, George.” +</p> + +<p> +So much for his visible presence. For a time it was very familiar to the world, +for at the crest of the boom he allowed quite a number of photographs and at +least one pencil sketch to be published in the sixpenny papers. +</p> + +<p> +His voice declined during those years from his early tenor to a flat rich +quality of sound that my knowledge of music is inadequate to describe. His +Zzz-ing inrush of air became less frequent as he ripened, but returned in +moments of excitement. Throughout his career, in spite of his increasing and at +last astounding opulence, his more intimate habits remained as simple as they +had been at Wimblehurst. He would never avail himself of the services of a +valet; at the very climax of his greatness his trousers were folded by a +housemaid and his shoulders brushed as he left his house or hotel. He became +wary about breakfast as life advanced, and at one time talked much of Dr. Haig +and uric acid. But for other meals he remained reasonably omnivorous. He was +something of a gastronome, and would eat anything he particularly liked in an +audible manner, and perspire upon his forehead. He was a studiously moderate +drinker—except when the spirit of some public banquet or some great +occasion caught him and bore him beyond his wariness—there he would, as +it were, drink inadvertently and become flushed and talkative—about +everything but his business projects. +</p> + +<p> +To make the portrait complete one wants to convey an effect of sudden, quick +bursts of movement like the jumps of a Chinese-cracker to indicate that his +pose whatever it is, has been preceded and will be followed by a rush. If I +were painting him, I should certainly give him for a background that +distressed, uneasy sky that was popular in the eighteenth century, and at a +convenient distance a throbbing motor-car, very big and contemporary, a +secretary hurrying with papers, and an alert chauffeur. +</p> + +<p> +Such was the figure that created and directed the great property of +Tono-Bungay, and from the successful reconstruction of that company passed on +to a slow crescendo of magnificent creations and promotions until the whole +world of investors marveled. I have already I think, mentioned how, long before +we offered Tono Bungay to the public, we took over the English agency of +certain American specialties. To this was presently added our exploitation of +Moggs’ Domestic Soap, and so he took up the Domestic Convenience Campaign +that, coupled with his equatorial rotundity and a certain resolute convexity in +his bearings won my uncle his Napoleonic title. +</p> + +<h4>II</h4> + +<p> +It illustrates the romantic element in modern commerce that my uncle met young +Moggs at a city dinner—I think it was the Bottle-makers’ +Company—when both were some way advanced beyond the initial sobriety of +the occasion. This was the grandson of the original Moggs, and a very typical +instance of an educated, cultivated, degenerate plutocrat. His people had taken +him about in his youth as the Ruskins took their John and fostered a passion +for history in him, and the actual management of the Moggs’ industry had +devolved upon a cousin and a junior partner. +</p> + +<p> +Mr. Moggs, being of a studious and refined disposition, had just +decided—after a careful search for a congenial subject in which he would +not be constantly reminded of soap—to devote himself to the History of +the Thebaid, when this cousin died suddenly and precipitated responsibilities +upon him. In the frankness of conviviality, Moggs bewailed the uncongenial task +thus thrust into his hands, and my uncle offered to lighten his burden by a +partnership then and there. They even got to terms—extremely muzzy terms, +but terms nevertheless. +</p> + +<p> +Each gentleman wrote the name and address of the other on his cuff, and they +separated in a mood of brotherly carelessness, and next morning neither seems +to have thought to rescue his shirt from the wash until it was too late. My +uncle made a painful struggle—it was one of my business mornings—to +recall name and particulars. +</p> + +<p> +“He was an aquarium-faced, long, blond sort of chap, George, with glasses +and a genteel accent,” he said. +</p> + +<p> +I was puzzled. “Aquarium-faced?” +</p> + +<p> +“You know how they look at you. His stuff was soap, I’m pretty +nearly certain. And he had a name—And the thing was the straightest +Bit-of-All-right you ever. I was clear enough to spot that...” +</p> + +<p> +We went out at last with knitted brows, and wandered up into Finsbury seeking a +good, well-stocked looking grocer. We called first on a chemist for a +pick-me-up for my uncle, and then we found the shop we needed. +</p> + +<p> +“I want,” said my uncle, “half a pound of every sort of soap +you got. Yes, I want to take them now. Wait a moment, George.... Now what sort +of soap d’you call <i>that?</i>” +</p> + +<p> +At the third repetition of that question the young man said, +“Moggs’ Domestic.” +</p> + +<p> +“Right,” said my uncle. “You needn’t guess again. Come +along, George, let’s go to a telephone and get on to Moggs. Oh—the +order? Certainly. I confirm it. Send it all—send it all to the Bishop of +London; he’ll have some good use for it—(First-rate man, George, he +is—charities and all that)—and put it down to me, here’s a +card—Ponderevo—Tono-Bungay.” +</p> + +<p> +Then we went on to Moggs and found him in a camel-hair dressing-jacket in a +luxurious bed, drinking China tea, and got the shape of everything but the +figures fixed by lunch time. +</p> + +<p> +Young Moggs enlarged my mind considerably; he was a sort of thing I +hadn’t met before; he seemed quite clean and well-informed and he assured +me to never read newspapers nor used soap in any form at all, “Delicate +skin,” he said. +</p> + +<p> +“No objection to our advertising you wide and free?” said my uncle. +</p> + +<p> +“I draw the line at railway stations,” said Moggs, +“south-coast cliffs, theatre programmes, books by me and poetry +generally—scenery—oh!—and the <i>Mercure de +France</i>.” +</p> + +<p> +“We’ll get along,” said my uncle. +</p> + +<p> +“So long as you don’t annoy me,” said Moggs, lighting a +cigarette, “you can make me as rich as you like.” +</p> + +<p> +We certainly made him no poorer. His was the first firm that was advertised by +a circumstantial history; we even got to illustrated magazine articles telling +of the quaint past of Moggs. We concocted Moggsiana. Trusting to our +partner’s preoccupation with the uncommercial aspects of life, we gave +graceful history—of Moggs the First, Moggs the Second, Moggs the Third, +and Moggs the Fourth. You must, unless you are very young, remember some of +them and our admirable block of a Georgian shop window. My uncle brought early +nineteenth-century memoirs, soaked himself in the style, and devised stories +about old Moggs the First and the Duke of Wellington, George the Third and the +soap dealer (“almost certainly old Moggs”). Very soon we had added +to the original Moggs’ Primrose several varieties of scented and +superfatted, a “special nurseries used in the household of the Duke of +Kent and for the old Queen in Infancy,” a plate powder, “the +Paragon,” and a knife powder. We roped in a good little second-rate +black-lead firm, and carried their origins back into the mists of antiquity. It +was my uncle’s own unaided idea that we should associate that commodity +with the Black Prince. He became industriously curious about the past of +black-lead. I remember his button-holing the president of the Pepys Society. +</p> + +<p> +“I say, is there any black-lead in Pepys? You +know—black-lead—for grates! <i>Or does he pass it over as a matter +of course?</i>” +</p> + +<p> +He became in those days the terror of eminent historians. “Don’t +want your drum and trumpet history—no fear,” he used to say. +“Don’t want to know who was who’s mistress, and why so-and-so +devastated such a province; that’s bound to be all lies and upsy-down +anyhow. Not my affair. Nobody’s affair now. Chaps who did it didn’t +clearly know.... What I want to know is, in the Middle Ages, did they do +anything for Housemaid’s Knee? What did they put in their hot baths after +jousting, and was the Black Prince—you know the Black Prince—was he +enameled or painted, or what? I think myself, black-leaded—very +likely—like pipe-clay—but <i>did</i> they use blacking so +early?” +</p> + +<p> +So it came about that in designing and writing those Moggs’ Soap +Advertisements, that wrought a revolution in that department of literature, my +uncle was brought to realise not only the lost history, but also the enormous +field for invention and enterprise that lurked among the little articles, the +dustpans and mincers, the mousetraps and carpet-sweepers that fringe the shops +of the oilman and domestic ironmonger. He was recalled to one of the dreams of +his youth, to his conception of the Ponderevo Patent Flat that had been in his +mind so early as the days before I went to serve him at Wimblehurst. “The +Home, George,” he said, “wants straightening up. Silly muddle! +Things that get in the way. Got to organise it.” +</p> + +<p> +For a time he displayed something like the zeal of a genuine social reformer in +relation to these matters. +</p> + +<p> +“We’ve got to bring the Home Up to Date? That’s my idee, +George. We got to make a civilised domestic machine out of these relics of +barbarism. I’m going to hunt up inventors, make a corner in +d’mestic ideas. Everything. Balls of string that won’t dissolve +into a tangle, and gum that won’t dry into horn. See? Then after +conveniences—beauty. Beauty, George! All these few things ought to be +made fit to look at; it’s your aunt’s idea, that. Beautiful +jam-pots! Get one of those new art chaps to design all the things they make +ugly now. Patent carpet-sweepers by these greenwood chaps, housemaid’s +boxes it’ll be a pleasure to fall over—rich coloured +house-flannels. Zzzz. Pails, f’rinstance. Hang ’em up on the walls +like warming-pans. All the polishes and things in such tins—you’ll +want to cuddle ’em, George! See the notion? ‘Sted of all the silly +ugly things we got.”... +</p> + +<p> +We had some magnificent visions; they so affected me that when I passed +ironmongers and oil-shops they seemed to me as full of promise as trees in late +winter, flushed with the effort to burst into leaf and flower.... And really we +did do much towards that very brightness these shops display. They were dingy +things in the eighties compared to what our efforts have made them now, grey +quiet displays. +</p> + +<p> +Well, I don’t intend to write down here the tortuous financial history of +Moggs’ Limited, which was our first development of Moggs and Sons; nor +will I tell very much of how from that we spread ourselves with a larger and +larger conception throughout the chandlery and minor ironmongery, how we became +agents for this little commodity, partners in that, got a tentacle round the +neck of a specialised manufacturer or so, secured a pull upon this or that +supply of raw material, and so prepared the way for our second flotation, +Domestic Utilities; “Do it,” they reordered it in the city. And +then came the reconstruction of Tono-Bungay, and then “Household +services” and the Boom! +</p> + +<p> +That sort of development is not to be told in detail in a novel. I have, +indeed, told much of it elsewhere. It is to be found set out at length, +painfully at length, in my uncle’s examination and mine in the bankruptcy +proceedings, and in my own various statements after his death. Some people know +everything in that story, some know it all too well, most do not want the +details, it is the story of a man of imagination among figures, and unless you +are prepared to collate columns of pounds, shillings and pence, compare dates +and check additions, you will find it very unmeaning and perplexing. And after +all, you wouldn’t find the early figures so much wrong as +<i>strained</i>. In the matter of Moggs and Do Ut, as in the first Tono-Bungay +promotion and in its reconstruction, we left the court by city standards +without a stain on our characters. The great amalgamation of Household Services +was my uncle’s first really big-scale enterprise and his first display of +bolder methods: for this we bought back Do Ut, Moggs (going strong with a seven +per cent. dividend) and acquired Skinnerton’s polishes, the Riffleshaw +properties and the Runcorn’s mincer and coffee-mill business. To that +Amalgamation I was really not a party; I left it to my uncle because I was then +beginning to get keen upon the soaring experiments I had taken on from the +results then to hand of Lilienthal, Pilcher and the Wright brothers. I was +developing a glider into a flyer. I meant to apply power to this glider as soon +as I could work out one or two residual problems affecting the longitudinal +stability. I knew that I had a sufficiently light motor in my own modification +of Bridger’s light turbine, but I knew too that until I had cured my +aeroplane of a tendency demanding constant alertness from me, a tendency to +jerk up its nose at unexpected moments and slide back upon me, the application +of an engine would be little short of suicide. +</p> + +<p> +But that I will tell about later. The point I was coming to was that I did not +realise until after the crash how recklessly my uncle had kept his promise of +paying a dividend of over eight per cent. on the ordinary shares of that hugely +over-capitalised enterprise, Household Services. +</p> + +<p> +I drifted out of business affairs into my research much more than either I or +my uncle had contemplated. Finance was much less to my taste than the +organisation of the Tono-Bungay factory. In the new field of enterprise there +was a great deal of bluffing and gambling, of taking chances and concealing +material facts—and these are hateful things to the scientific type of +mind. It wasn’t fear I felt so much as an uneasy inaccuracy. I +didn’t realise dangers, I simply disliked the sloppy, relaxing quality of +this new sort of work. I was at last constantly making excuses not to come up +to him in London. The latter part of his business career recedes therefore +beyond the circle of any particular life. I lived more or less with him; I +talked, I advised, I helped him at times to fight his Sunday crowd at Crest +Hill, but I did not follow nor guide him. From the Do Ut time onward he rushed +up the financial world like a bubble in water and left me like some busy +water-thing down below in the deeps. +</p> + +<p> +Anyhow, he was an immense success. The public was, I think, particularly +attracted by the homely familiarity of his field of work—you never lost +sight of your investment they felt, with the name on the house-flannel and +shaving-strop—and its allegiance was secured by the Egyptian solidity of +his apparent results. Tono-Bungay, after its reconstruction, paid thirteen, +Moggs seven, Domestic Utilities had been a safe-looking nine; here was +Household Services with eight; on such a showing he had merely to buy and sell +Roeburn’s Antiseptic fluid, Razor soaks and Bath crystals in three weeks +to clear twenty thousand pounds. +</p> + +<p> +I do think that as a matter of fact Roeburn’s was good value at the price +at which he gave it to the public, at least until it was strained by +ill-conserved advertisement. It was a period of expansion and confidence; much +money was seeking investment and “Industrials” were the fashion. +Prices were rising all round. There remained little more for my uncle to do +therefore, in his climb to the high unstable crest of Financial Greatness but, +as he said, to “grasp the cosmic oyster, George, while it gaped,” +which, being translated, meant for him to buy respectable businesses +confidently and courageously at the vendor’s estimate, add thirty or +forty thousand to the price and sell them again. His sole difficulty indeed was +the tactful management of the load of shares that each of these transactions +left upon his hands. But I thought so little of these later things that I never +fully appreciated the peculiar inconveniences of that until it was too late to +help him. +</p> + +<h4>III</h4> + +<p> +When I think of my uncle near the days of his Great Boom and in connection with +the actualities of his enterprises, I think of him as I used to see him in the +suite of rooms he occupied in the Hardingham Hotel, seated at a great old oak +writing-table, smoking, drinking, and incoherently busy; that was his typical +financial aspect—our evenings, our mornings, our holidays, our motor-car +expeditions, Lady Grove and Crest Hill belong to an altogether different set of +memories. +</p> + +<p> +These rooms in the Hardingham were a string of apartments along one handsome +thick-carpeted corridor. All the doors upon the corridor were locked except the +first; and my uncle’s bedroom, breakfast-room and private sanctum were +the least accessible and served by an entrance from the adjacent passage, which +he also used at times as a means of escape from importunate callers. The most +eternal room was a general waiting-room and very business-like in quality; it +had one or two uneasy sofas, a number of chairs, a green baize table, and a +collection of the very best Moggs and Tone posters: and the plush carpets +normal to the Hardingham had been replaced by a grey-green cork linoleum; Here +I would always find a remarkable miscellany of people presided over by a +peculiarly faithful and ferocious looking commissioner, Ropper, who guarded the +door that led a step nearer my uncle. Usually there would be a parson or so, +and one or two widows; hairy, eyeglassy, middle-aged gentlemen, some of them +looking singularly like Edward Ponderevos who hadn’t come off, a variety +of young and youngish men more or less attractively dressed, some with papers +protruding from their pockets, others with their papers decently concealed. And +wonderful, incidental, frowsy people. +</p> + +<p> +All these persons maintained a practically hopeless siege—sometimes for +weeks together; they had better have stayed at home. Next came a room full of +people who had some sort of appointment, and here one would find smart-looking +people, brilliantly dressed, nervous women hiding behind magazines, +nonconformist divines, clergy in gaiters, real business men, these latter for +the most part gentlemen in admirable morning dress who stood up and scrutinised +my uncle’s taste in water colours manfully and sometimes by the hour +together. Young men again were here of various social origins, young Americans, +treasonable clerks from other concerns, university young men, keen-looking, +most of them, resolute, reserved, but on a sort of hair trigger, ready at any +moment to be most voluble, most persuasive. +</p> + +<p> +This room had a window, too, looking out into the hotel courtyard with its +fern-set fountains and mosaic pavement, and the young men would stand against +this and sometimes even mutter. One day I heard one repeating in all urgent +whisper as I passed “But you don’t quite see, Mr. Ponderevo, the +full advantages, the <i>full</i> advantages—” I met his eye and he +was embarrassed. +</p> + +<p> +Then came a room with a couple of secretaries—no typewriters, because my +uncle hated the clatter—and a casual person or two sitting about, +projectors whose projects were being entertained. Here and in a further room +nearer the private apartments, my uncle’s correspondence underwent an +exhaustive process of pruning and digestion before it reached him. Then the two +little rooms in which my uncle talked; my magic uncle who had got the investing +public—to whom all things were possible. As one came in we would find him +squatting with his cigar up and an expression of dubious beatitude upon his +face, while some one urged him to grow still richer by this or that. +</p> + +<p> +“That’ju, George?” he used to say. “Come in. +Here’s a thing. Tell him—Mister—over again. Have a drink, +George? No! Wise man! Liss’n.” +</p> + +<p> +I was always ready to listen. All sorts of financial marvels came out of the +Hardingham, more particularly during my uncle’s last great flurry, but +they were nothing to the projects that passed in. It was the little brown and +gold room he sat in usually. He had had it redecorated by Bordingly and half a +dozen Sussex pictures by Webster hung about it. Latterly he wore a velveteen +jacket of a golden-brown colour in this apartment that I think over-emphasised +its esthetic intention, and he also added some gross Chinese bronzes. +</p> + +<p> +He was, on the whole, a very happy man throughout all that wildly enterprising +time. He made and, as I shall tell in its place, spent great sums of money. He +was constantly in violent motion, constantly stimulated mentally and physically +and rarely tired. About him was an atmosphere of immense deference much of his +waking life was triumphal and all his dreams. I doubt if he had any +dissatisfaction with himself at all until the crash bore him down. Things must +have gone very rapidly with him.... I think he must have been very happy. +</p> + +<p> +As I sit here writing about all these things, jerking down notes and throwing +them aside in my attempt to give some literary form to the tale of our +promotions, the marvel of it all comes to me as if it came for the first time +the supreme unreason of it. At the climax of his Boom, my uncle at the most +sparing estimate must have possessed in substance and credit about two million +pounds’-worth of property to set off against his vague colossal +liabilities, and from first to last he must have had a controlling influence in +the direction of nearly thirty millions. +</p> + +<p> +This irrational muddle of a community in which we live gave him that, paid him +at that rate for sitting in a room and scheming and telling it lies. For he +created nothing, he invented nothing, he economised nothing. I cannot claim +that a single one of the great businesses we organised added any real value to +human life at all. Several like Tono-Bungay were unmitigated frauds by any +honest standard, the giving of nothing coated in advertisements for money. And +the things the Hardingham gave out, I repeat, were nothing to the things that +came in. I think of the long procession of people who sat down before us and +propounded this and that. Now it was a device for selling bread under a fancy +name and so escaping the laws as to weight—this was afterwards floated as +the Decorticated Health-Bread Company and bumped against the law—now it +was a new scheme for still more strident advertisement, now it was a story of +unsuspected deposits of minerals, now a cheap and nasty substitute for this or +that common necessity, now the treachery of a too well-informed employee, +anxious to become our partner. It was all put to us tentatively, persuasively. +Sometimes one had a large pink blusterous person trying to carry us off our +feet by his pseudo-boyish frankness, now some dyspeptically yellow whisperer, +now some earnest, specially dressed youth with an eye-glass and a buttonhole, +now some homely-speaking, shrewd Manchester man or some Scotchman eager to be +very clear and full. +</p> + +<p> +Many came in couples or trios, often in tow of an explanatory solicitor. Some +were white and earnest, some flustered beyond measure at their opportunity. +Some of them begged and prayed to be taken up. My uncle chose what he wanted +and left the rest. He became very autocratic to these applicants. +</p> + +<p> +He felt he could make them, and they felt so too. He had but to say +“No!” and they faded out of existence.... He had become a sort of +vortex to which wealth flowed of its own accord. His possessions increased by +heaps; his shares, his leaseholds and mortgages and debentures. +</p> + +<p> +Behind his first-line things he found it necessary at last, and sanctioned by +all the precincts, to set up three general trading companies, the London and +African Investment Company, the British Traders’ Loan Company, and +Business Organisations Limited. This was in the culminating time when I had +least to do with affairs. I don’t say that with any desire to exculpate +myself; I admit I was a director of all three, and I will confess I was +willfully incurious in that capacity. Each of these companies ended its +financial year solvent by selling great holdings of shares to one or other of +its sisters, and paying a dividend out of the proceeds. I sat at the table and +agreed. That was our method of equilibrium at the iridescent climax of the +bubble. +</p> + +<p> +You perceive now, however, the nature of the services for which this fantastic +community have him unmanageable wealth and power and real respect. It was all a +monstrous payment for courageous fiction, a gratuity in return for the one +reality of human life—illusion. We gave them a feeling of hope and +profit; we sent a tidal wave of water and confidence into their stranded +affairs. “We mint Faith, George,” said my uncle one day. +“That’s what we do. And by Jove we got to keep minting! We been +making human confidence ever since I drove the first cork of +Tono-Bungay.” +</p> + +<p> +“Coining” would have been a better word than minting! And yet, you +know, in a sense he was right. Civilisation is possible only through +confidence, so that we can bank our money and go unarmed about the streets. The +bank reserve or a policeman keeping order in a jostling multitude of people, +are only slightly less impudent bluffs than my uncle’s prospectuses. They +couldn’t for a moment “make good” if the quarter of what they +guarantee was demanded of them. The whole of this modern mercantile investing +civilisation is indeed such stuff as dreams are made of. A mass of people +swelters and toils, great railway systems grow, cities arise to the skies and +spread wide and far, mines are opened, factories hum, foundries roar, ships +plough the seas, countries are settled; about this busy striving world the rich +owners go, controlling all, enjoying all, confident and creating the confidence +that draws us all together into a reluctant, nearly unconscious brotherhood. I +wonder and plan my engines. The flags flutter, the crowds cheer, the +legislatures meet. Yet it seems to me indeed at times that all this present +commercial civilisation is no more than my poor uncle’s career writ +large, a swelling, thinning bubble of assurances; that its arithmetic is just +as unsound, its dividends as ill-advised, its ultimate aim as vague and +forgotten; that it all drifts on perhaps to some tremendous parallel to his +individual disaster... +</p> + +<p> +Well, so it was we Boomed, and for four years and a half we lived a life of +mingled substance and moonshine. Until our particular unsoundness overtook us +we went about in the most magnificent of motor-cars upon tangible high roads, +made ourselves conspicuous and stately in splendid houses, ate sumptuously and +had a perpetual stream of notes and money trickling into our pockets; hundreds +of thousands of men and women respected us, saluted us and gave us toil and +honour; I asked, and my worksheets rose, my aeroplanes swooped out of +nothingness to scare the downland pe-wits; my uncle waved his hand and Lady +Grove and all its associations of chivalry and ancient peace were his; waved +again, and architects were busy planning the great palace he never finished at +Crest Hill and an army of folkmen gathered to do his bidding, blue marble came +from Canada, and timber from New Zealand; and beneath it all, you know, there +was nothing but fictitious values as evanescent as rainbow gold. +</p> + +<h4>IV</h4> + +<p> +I pass the Hardingham ever and again and glance aside through the great archway +at the fountain and the ferns, and think of those receding days when I was so +near the centre of our eddy of greed and enterprise. I see again my +uncle’s face, white and intent, and hear him discourse, hear him make +consciously Napoleonic decisions, “grip” his nettles, put his +“finger on the spot,” “bluff,” say “snap.” +He became particularly addicted to the last idiom. Towards the end every +conceivable act took the form of saying “snap!” +</p> + +<p> +The odd fish that came to us! And among others came Gordon-Nasmyth, that queer +blend of romance and illegality who was destined to drag me into the most +irrelevant adventure in my life the Mordet Island affair; and leave me, as they +say, with blood upon my hands. It is remarkable how little it troubles my +conscience and how much it stirs my imagination, that particular memory of the +life I took. The story of Mordet Island has been told in a government report +and told all wrong; there are still excellent reasons for leaving it wrong in +places, but the liveliest appeals of discretion forbid my leaving it out +altogether. +</p> + +<p> +I’ve still the vividest memory of Gordon-Nasmyth’s appearance in +the inner sanctum, a lank, sunburnt person in tweeds with a yellow-brown +hatchet face and one faded blue eye—the other was a closed and sunken +lid—and how he told us with a stiff affectation of ease his incredible +story of this great heap of quap that lay abandoned or undiscovered on the +beach behind Mordet’s Island among white dead mangroves and the black +ooze of brackish water. +</p> + +<p> +“What’s quap?” said my uncle on the fourth repetition of the +word. +</p> + +<p> +“They call it quap, or quab, or quabb,” said Gordon-Nasmyth; +“but our relations weren’t friendly enough to get the accent +right.... +</p> + +<p> +“But there the stuff is for the taking. They don’t know about it. +Nobody knows about it. I got down to the damned place in a canoe alone. The +boys wouldn’t come. I pretended to be botanising.” ... +</p> + +<p> +To begin with, Gordon-Nasmyth was inclined to be dramatic. +</p> + +<p> +“Look here,” he said when he first came in, shutting the door +rather carefully behind him as he spoke, “do you two men—yes or +no—want to put up six thousand—for—a clear good chance of +fifteen hundred per cent. on your money in a year?” +</p> + +<p> +“We’re always getting chances like that,” said my uncle, +cocking his cigar offensively, wiping his glasses and tilting his chair back. +“We stick to a safe twenty.” +</p> + +<p> +Gordon-Nasmyth’s quick temper showed in a slight stiffening of his +attitude. +</p> + +<p> +“Don’t you believe him,” said I, getting up before he could +reply. “You’re different, and I know your books. We’re very +glad you’ve come to us. Confound it, uncle! Its Gordon-Nasmyth! Sit down. +What is it? Minerals?” +</p> + +<p> +“Quap,” said Gordon-Nasmyth, fixing his eye on me, “in +heaps.” +</p> + +<p> +“In heaps,” said my uncle softly, with his glasses very oblique. +</p> + +<p> +“You’re only fit for the grocery,” said Gordon-Nasmyth +scornfully, sitting down and helping himself to one of my uncle’s cigars. +“I’m sorry I came. But, still, now I’m here.... And first as +to quap; quap, sir, is the most radio-active stuff in the world. That’s +quap! It’s a festering mass of earths and heavy metals, polonium, radium, +ythorium, thorium, carium, and new things, too. There’s a stuff called +Xk—provisionally. There they are, mucked up together in a sort of rotting +sand. What it is, how it got made, I don’t know. It’s like as if +some young creator had been playing about there. There it lies in two heaps, +one small, one great, and the world for miles about it is blasted and scorched +and dead. You can have it for the getting. You’ve got to take +it—that’s all!” +</p> + +<p> +“That sounds all right,” said I. “Have you samples?” +</p> + +<p> +“Well—<i>should</i> I? You can have anything—up to two +ounces.” +</p> + +<p> +“Where is it?”... +</p> + +<p> +His blue eye smiled at me and scrutinised me. He smoked and was fragmentary for +a time, fending off my questions; then his story began to piece itself +together. He conjured up a vision of this strange forgotten kink in the +world’s littoral, of the long meandering channels that spread and +divaricate and spend their burden of mud and silt within the thunderbelt of +Atlantic surf, of the dense tangled vegetation that creeps into the shimmering +water with root and sucker. He gave a sense of heat and a perpetual reek of +vegetable decay, and told how at last comes a break among these things, an +arena fringed with bone-white dead trees, a sight of the hard-blue sea line +beyond the dazzling surf and a wide desolation of dirty shingle and mud, +bleached and scarred.... A little way off among charred dead weeds stands the +abandoned station,—abandoned because every man who stayed two months at +that station stayed to die, eaten up mysteriously like a leper with its +dismantled sheds and its decaying pier of wormrotten and oblique piles and +planks, still insecurely possible. +</p> + +<p> +And in the midst, two clumsy heaps shaped like the backs of hogs, one small, +one great, sticking out under a rib of rock that cuts the space +across,—quap! +</p> + +<p> +“There it is,” said Gordon-Nasmyth, “worth three pounds an +ounce, if it’s worth a penny; two great heaps of it, rotten stuff and +soft, ready to shovel and wheel, and you may get it by the ton!” +</p> + +<p> +“How did it get there?” +</p> + +<p> +“God knows! ... There it is—for the taking! In a country where you +mustn’t trade. In a country where the company waits for good kind men to +find it riches and then take ’em away from ’em. There you have +it—derelict.” +</p> + +<p> +“Can’t you do any sort of deal?” +</p> + +<p> +“They’re too damned stupid. You’ve got to go and take it. +That’s all.” +</p> + +<p> +“They might catch you.” +</p> + +<p> +“They might, of course. But they’re not great at catching.” +</p> + +<p> +We went into the particulars of that difficulty. “They wouldn’t +catch me, because I’d sink first. Give me a yacht,” said +Gordon-Nasmyth; “that’s all I need.” +</p> + +<p> +“But if you get caught,” said my uncle. +</p> + +<p> +I am inclined to think Gordon-Nasmyth imagined we would give him a cheque for +six thousand pounds on the strength of his talk. It was very good talk, but we +didn’t do that. I stipulated for samples of his stuff for analysis, and +he consented—reluctantly. +</p> + +<p> +I think, on the whole, he would rather I didn’t examine samples. He made +a motion pocketwards, that gave us an invincible persuasion that he had a +sample upon him, and that at the last instant he decided not to produce it +prematurely. +</p> + +<p> +There was evidently a curious strain of secretiveness in him. He didn’t +like to give us samples, and he wouldn’t indicate within three hundred +miles the position of this Mordet Island of his. He had it clear in his mind +that he had a secret of immense value, and he had no idea at all of just how +far he ought to go with business people. And so presently, to gain time for +these hesitations of his, he began to talk of other things. He talked very +well. He talked of the Dutch East Indies and of the Congo, of Portuguese East +Africa and Paraguay, of Malays and rich Chinese merchants, Dyaks and negroes +and the spread of the Mahometan world in Africa to-day. And all this time he +was trying to judge if we were good enough to trust with his adventure. Our +cosy inner office became a little place, and all our business cold and lifeless +exploits beside his glimpses of strange minglings of men, of slayings unavenged +and curious customs, of trade where no writs run, and the dark treacheries of +eastern ports and uncharted channels. +</p> + +<p> +We had neither of us gone abroad except for a few vulgar raids on Paris; our +world was England, are the places of origin of half the raw material of the +goods we sold had seemed to us as remote as fairyland or the forest of Arden. +But Gordon-Nasmyth made it so real and intimate for us that afternoon—for +me, at any rate—that it seemed like something seen and forgotten and now +again remembered. +</p> + +<p> +And in the end he produced his sample, a little lump of muddy clay speckled +with brownish grains, in a glass bottle wrapped about with lead and +flannel—red flannel it was, I remember—a hue which is, I know, +popularly supposed to double all the mystical efficacies of flannel. +</p> + +<p> +“Don’t carry it about on you,” said Gordon-Nasmyth. “It +makes a sore.” +</p> + +<p> +I took the stuff to Thorold, and Thorold had the exquisite agony of discovering +two new elements in what was then a confidential analysis. He has christened +them and published since, but at the time Gordon-Nasmyth wouldn’t hear +for a moment of our publication of any facts at all; indeed, he flew into a +violent passion and abused me mercilessly even for showing the stuff to +Thorold. “I thought you were going to analyse it yourself,” he said +with the touching persuasion of the layman that a scientific man knows and +practises at the sciences. +</p> + +<p> +I made some commercial inquiries, and there seemed even then much truth in +Gordon-Nasmyth’s estimate of the value of the stuff. It was before the +days of Capern’s discovery of the value of canadium and his use of it in +the Capern filament, but the cerium and thorium alone were worth the money he +extracted for the gas-mantles then in vogue. There were, however, doubts. +Indeed, there were numerous doubts. What were the limits of the gas-mantle +trade? How much thorium, not to speak of cerium, could they take at a maximum. +Suppose that quantity was high enough to justify our shipload, came doubts in +another quarter. Were the heaps up to sample? Were they as big as he said? Was +Gordon-Nasmyth—imaginative? And if these values held, could we after all +get the stuff? It wasn’t ours. It was on forbidden ground. You see, there +were doubts of every grade and class in the way of this adventure. +</p> + +<p> +We went some way, nevertheless, in the discussion of his project, though I +think we tried his patience. Then suddenly he vanished from London, and I saw +no more of him for a year and a half. +</p> + +<p> +My uncle said that was what he had expected, and when at last Gordon-Nasmyth +reappeared and mentioned in an incidental way that he had been to Paraguay on +private (and we guessed passionate) affairs, the business of the +“quap” expedition had to be begun again at the beginning. My uncle +was disposed to be altogether sceptical, but I wasn’t so decided. I think +I was drawn by its picturesque aspects. But we neither of us dreamt of touching +it seriously until Capern’s discovery. +</p> + +<p> +Nasmyth’s story had laid hold of my imagination like one small, intense +picture of tropical sunshine hung on a wall of grey business affairs. I kept it +going during Gordon-Nasmyth’s intermittent appearances in England. Every +now and then he and I would meet and reinforce its effect. We would lunch in +London, or he would cone to see my gliders at Crest Hill, and make new projects +for getting at those heaps again now with me, now alone. +</p> + +<p> +At times they became a sort of fairy-story with us, an imaginative exercise. +And there came Capern’s discovery of what he called the ideal filament +and with it an altogether less problematical quality about the business side of +quap. For the ideal filament needed five per cent. of canadium, and canadium +was known to the world only as a newly separated constituent of a variety of +the rare mineral rutile. But to Thorold it was better known as an element in a +mysterious sample brought to him by me, and to me it was known as one of the +elements in quap. I told my uncle, and we jumped on to the process at once. We +found that Gordon-Nasmyth, still unaware of the altered value of the stuff, and +still thinking of the experimental prices of radium and the rarity value of +cerium, had got hold of a cousin named Pollack, made some extraordinary +transaction about his life insurance policy, and was buying a brig. We put in, +put down three thousand pounds, and forthwith the life insurance transaction +and the Pollack side of this finance vanished into thin air, leaving Pollack, I +regret to say, in the brig and in the secret—except so far as canadium +and the filament went—as residuum. We discussed earnestly whether we +should charter a steamer or go on with the brig, but we decided on the brig as +a less conspicuous instrument for an enterprise that was after all, to put it +plainly, stealing. +</p> + +<p> +But that was one of our last enterprises before our great crisis, and I will +tell of it in its place. +</p> + +<p> +So it was quap came into our affairs, came in as a fairy-tale and became real. +More and more real it grew until at last it was real, until at last I saw with +my eyes the heaps my imagination had seen for so long, and felt between my +fingers again that half-gritty, half soft texture of quap, like sanded +moist-sugar mixed with clay in which there stirs something— +</p> + +<p> +One must feel it to understand. +</p> + +<h4>V</h4> + +<p> +All sorts of things came to the Hardingham and offered themselves to my uncle. +Gordon-Nasmyth stands but only because he played a part at last in the crisis +of our fortunes. So much came to us that it seemed to me at times as though the +whole world of human affairs was ready to prostitute itself to our real and +imaginary millions. As I look back, I am still dazzled and incredulous to think +of the quality of our opportunities. +</p> + +<p> +We did the most extraordinary things; things that it seems absurd to me to +leave to any casual man of wealth and enterprise who cares to do them. I had +some amazing perceptions of just how modern thought and the supply of fact to +the general mind may be controlled by money. Among other things that my uncle +offered for, he tried very hard to buy the <i>British Medical Journal</i> and +the <i>Lancet</i>, and run them on what he called modern lines, and when they +resisted him he talked very vigorously for a time of organising a rival +enterprise. That was a very magnificent idea indeed in its way; it would have +given a tremendous advantage in the handling of innumerable specialties and +indeed I scarcely know how far it would not have put the medical profession in +our grip. It still amazes me—I shall die amazed—that such a thing +can be possible in the modern state. If my uncle failed to bring the thing off, +some one else may succeed. But I doubt, even if he had got both these weeklies, +whether his peculiar style would have suited them. The change of purpose would +have shown. He would have found it difficult to keep up their dignity. +</p> + +<p> +He certainly did not keep up the dignity of the <i>Sacred Grove</i>, an +important critical organ which he acquired one day—by saying +“snap”—for eight hundred pounds. He got it “lock, stock +and barrel”—under one or other of which three aspects the editor +was included. Even at that price it didn’t pay. If you are a literary +person you will remember the bright new cover he gave that representative organ +of British intellectual culture, and how his sound business instincts jarred +with the exalted pretensions of a vanishing age. One old wrapper I discovered +the other day runs:— +</p> + +<p class="center"> +“THE SACRED GROVE.” +</p> + +<p class="center"> +<i>A Weekly Magazine of Art, Philosophy, Science and Belles Lettres.</i> +</p> + +<hr /> + +<p class="center"> +H<small>AVE YOU A</small> N<small>ASTY</small> T<small>ASTE IN YOUR</small> +M<small>OUTH</small>?<br /> +I<small>T IS</small> L<small>IVER</small>. +</p> + +<p class="center"> +Y<small>OU NEED</small> ONE T<small>WENTY</small>-T<small>HREE</small> +P<small>ILL</small>.<br /> +(J<small>UST ONE</small>.)<br /> +N<small>OT A</small> D<small>RUG BUT A</small> L<small>IVE</small> +A<small>MERICAN</small> R<small>EMEDY</small>. +</p> + +<hr /> + +<p class="center"> +CONTENTS. +</p> + +<p class="letter"> +A Hitherto Unpublished Letter from Walter Pater.<br /> +Charlotte Brontë’s Maternal Great Aunt.<br /> +A New Catholic History of England.<br /> +The Genius of Shakespeare.<br /> +Correspondence:—The Mendelian Hypothesis; The Split Infinitive; +“Commence,” or “Begin;” Claverhouse; Socialism and the +Individual; The Dignity of Letters.<br /> +Folk-lore Gossip.<br /> +The Stage; the Paradox of Acting.<br /> +Travel Biography, Verse, Fiction, etc. +</p> + +<p class="center"> +T<small>HE</small> B<small>EST</small> P<small>ILL IN THE</small> W<small>ORLD +FOR AN</small> I<small>RREGULAR</small> L<small>IVER</small> +</p> + +<p> +I suppose it is some lingering traces of the Bladesover tradition to me that +makes this combination of letters and pills seem so incongruous, just as I +suppose it is a lingering trace of Plutarch and my ineradicable boyish +imagination that at bottom our State should be wise, sane and dignified, that +makes me think a country which leaves its medical and literary criticism, or +indeed any such vitally important criticism, entirely to private enterprise and +open to the advances of any purchaser must be in a frankly hopeless condition. +These are ideal conceptions of mine. +</p> + +<p> +As a matter of fact, nothing would be more entirely natural and representative +of the relations of learning, thought and the economic situation in the world +at the present time than this cover of the <i>Sacred Grove</i>—the quiet +conservatism of the one element embedded in the aggressive brilliance of the +other; the contrasted notes of bold physiological experiment and extreme mental +immobility. +</p> + +<h4>VI</h4> + +<p> +There comes back, too, among these Hardingham memories, an impression of a +drizzling November day, and how we looked out of the windows upon a procession +of the London unemployed. +</p> + +<p> +It was like looking down a well into some momentarily revealed nether world. +Some thousands of needy ineffectual men had been raked together to trail their +spiritless misery through the West Eire with an appeal that was also in its way +a weak and insubstantial threat: “It is Work we need, not Charity.” +</p> + +<p> +There they were, half-phantom through the fog, a silent, foot-dragging, +interminable, grey procession. They carried wet, dirty banners, they rattled +boxes for pence; these men who had not said “snap” in the right +place, the men who had “snapped” too eagerly, the men who had never +said “snap,” the men who had never had a chance of saying +“snap.” A shambling, shameful stream they made, oozing along the +street, the gutter waste of competitive civilisation. And we stood high out of +it all, as high as if we looked godlike from another world, standing in a room +beautifully lit and furnished, skillfully warmed, filled with costly things. +</p> + +<p> +“There,” thought I, “but for the grace of God, go George and +Edward Ponderevo.” +</p> + +<p> +But my uncle’s thoughts ran in a different channel, and he made that +vision the test of a spirited but inconclusive harangue upon Tariff Reform. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap09"></a>CHAPTER THE SECOND<br /> +OUR PROGRESS FROM CAMDEN TOWN TO CREST HILL</h3> + +<h4>I</h4> + +<p> +So far my history of my aunt and uncle has dealt chiefly with his industrial +and financial exploits. But side by side with that history of inflation from +the infinitesimal to the immense is another development, the change year by +year from the shabby impecuniosity of the Camden Town lodging to the lavish +munificence of the Crest Hill marble staircase and my aunt’s golden bed, +the bed that was facsimiled from Fontainebleau. And the odd thing is that as I +come to this nearer part of my story I find it much more difficult to tell than +the clear little perspective memories of the earlier days. Impressions crowd +upon one another and overlap one another; I was presently to fall in love +again, to be seized by a passion to which I still faintly respond, a passion +that still clouds my mind. I came and went between Ealing and my aunt and +uncle, and presently between Effie and clubland, and then between business and +a life of research that became far more continuous, infinitely more consecutive +and memorable than any of these other sets of experiences. I didn’t +witness a regular social progress therefore; my aunt and uncle went up in the +world, so far as I was concerned, as if they were displayed by an early +cinematograph, with little jumps and flickers. +</p> + +<p> +As I recall this side of our life, the figure of my round-eyes, button-nosed, +pink-and-white Aunt Susan tends always to the central position. We drove the +car and sustained the car, she sat in it with a magnificent variety of headgear +poised upon her delicate neck, and always with that faint ghost of a lisp no +misspelling can render—commented on and illuminated the new aspects. +</p> + +<p> +I’ve already sketched the little home behind the Wimblehurst +chemist’s shop, the lodging near the Cobden statue, and the apartments in +Gower Street. Thence my aunt and uncle went into a flat in Redgauntlet +Mansions. There they lived when I married. It was a compact flat, with very +little for a woman to do in it In those days my aunt, I think, used to find the +time heavy upon her hands, and so she took to books and reading, and after a +time even to going to lectures in the afternoon. I began to find unexpected +books upon her table: sociological books, travels, Shaw’s plays. +“Hullo!” I said, at the sight of some volume of the latter. +</p> + +<p> +“I’m keeping a mind, George,” she explained. +</p> + +<p> +“Eh?” +</p> + +<p> +“Keeping a mind. Dogs I never cared for. It’s been a toss-up +between setting up a mind and setting up a soul. It’s jolly lucky for Him +and you it’s a mind. I’ve joined the London Library, and I’m +going in for the Royal Institution and every blessed lecture that comes along +next winter. You’d better look out.”... +</p> + +<p> +And I remember her coming in late one evening with a note-book in her hand. +</p> + +<p> +“Where ya been, Susan?” said my uncle. +</p> + +<p> +“Birkbeck—Physiology. I’m getting on.” She sat down and +took off her gloves. “You’re just glass to me,” she sighed, +and then in a note of grave reproach: “You old <i>Package!</i> I had no +idea! The Things you’ve kept from me!” +</p> + +<p> +Presently they were setting; up the house at Beckengham, and my aunt +intermitted her intellectual activities. The house at Beckengham was something +of an enterprise for them at that time, a reasonably large place by the +standards of the early years of Tono-Bungay. It was a big, rather gaunt villa, +with a conservatory and a shrubbery, a tennis-lawn, a quite considerable +vegetable garden, and a small disused coach-house. I had some glimpses of the +excitements of its inauguration, but not many because of the estrangement +between my aunt and Marion. +</p> + +<p> +My aunt went into that house with considerable zest, and my uncle distinguished +himself by the thoroughness with which he did the repainting and replumbing. He +had all the drains up and most of the garden with them, and stood +administrative on heaps—administrating whisky to the workmen. I found him +there one day, most Napoleonic, on a little Elba of dirt, in an atmosphere that +defies print. He also, I remember, chose what he considered cheerful contrasts +of colours for the painting of the woodwork. This exasperated my aunt +extremely—she called him a “Pestilential old Splosher” with +an unusual note of earnestness—and he also enraged her into novelties of +abuse by giving each bedroom the name of some favourite hero—Cliff, +Napoleon, Cæsar, and so forth—and having it painted on the door in gilt +letters on a black label. “Martin Luther” was kept for me. Only her +respect for domestic discipline, she said, prevented her retaliating with +“Old Pondo” on the housemaid’s cupboard. +</p> + +<p> +Also he went and ordered one of the completest sets of garden requisites I have +ever seen—and had them all painted a hard clear blue. My aunt got herself +large tins of a kindlier hued enamel and had everything secretly recoated, and +this done, she found great joy in the garden and became an ardent rose grower +and herbaceous borderer, leaving her Mind, indeed, to damp evenings and the +winter months. When I think of her at Beckenham, I always think first of her as +dressed in that blue cotton stuff she affected, with her arms in huge +gauntleted gardening gloves, a trowel in one hand and a small but no doubt +hardy and promising annual, limp and very young-looking and sheepish, in the +other. +</p> + +<p> +Beckenham, in the persons of a vicar, a doctor’s wife, and a large proud +lady called Hogberry, “called” on my uncle and aunt almost at once, +so soon in fact as the lawn was down again, and afterwards my aunt made friends +with a quiet gentlewoman next door, a propos of an overhanging cherry tree and +the need of repairing the party fence. So she resumed her place in society from +which she had fallen with the disaster of Wimblehurst. She made a partially +facetious study of the etiquette of her position, had cards engraved and +retaliated calls. And then she received a card for one of Mrs. Hogberry’s +At Homes, gave an old garden party herself, participated in a bazaar and sale +of work, and was really becoming quite cheerfully entangled in Beckenham +society when she was suddenly taken up by the roots again by my uncle and +transplanted to Chiselhurst. +</p> + +<p> +“Old Trek, George,” she said compactly, “Onward and +Up,” when I found her superintending the loading of two big furniture +vans. “Go up and say good-bye to ‘Martin Luther,’ and then +I’ll see what you can do to help me.” +</p> + +<h4>II</h4> + +<p> +I look into the jumbled stores of the middle distance of memory, and Beckenham +seems to me a quite transitory phase. But really they were there several years; +through nearly all my married life, in fact, and far longer than the year and +odd months we lived together at Wimblehurst. But the Wimblehurst time with them +is fuller in my memory by far then the Beckenham period. There comes back to me +with a quite considerable amount of detail the effect of that garden party of +my aunt’s and of a little social misbehaviour of which I was guilty on +that occasion. It’s like a scrap from another life. It’s all set in +what is for me a kind of cutaneous feeling, the feeling of rather ill-cut city +clothes, frock coat and grey trousers, and of a high collar and tie worn in +sunshine among flowers. I have still a quite vivid memory of the little +trapezoidal lawn, of the gathering, and particularly of the hats and feathers +of the gathering, of the parlour-maid and the blue tea-cups, and of the +magnificent presence of Mrs. Hogberry and of her clear, resonant voice. It was +a voice that would have gone with a garden party on a larger scale; it went +into adjacent premises; it included the gardener who was far up the vegetable +patch and technically out of play. The only other men were my aunt’s +doctor, two of the clergy, amiable contrasted men, and Mrs. Hogberry’s +imperfectly grown-up son, a youth just bursting into collar. The rest were +women, except for a young girl or so in a state of speechless good behaviour. +Marion also was there. +</p> + +<p> +Marion and I had arrived a little estranged, and I remember her as a silent +presence, a shadow across all that sunlit emptiness of intercourse. We had +embittered each other with one of those miserable little disputes that seemed +so unavoidable between us. She had, with the help of Smithie, dressed rather +elaborately for the occasion, and when she saw me prepared to accompany her in, +I think it was a grey suit, she protested that silk hat and frock coat were +imperative. I was recalcitrant, she quoted an illustrated paper showing a +garden party with the King present, and finally I capitulated—but after +my evil habit, resentfully.... Eh, dear! those old quarrels, how pitiful they +were, how trivial! And how sorrowful they are to recall! I think they grow more +sorrowful as I grow older, and all the small passionate reasons for our mutual +anger fade and fade out of memory. +</p> + +<p> +The impression that Beckenham company has left on my mind is one of a modest +unreality; they were all maintaining a front of unspecified social pretension, +and evading the display of the economic facts of the case. Most of the husbands +were “in business” off stage, it would have been outrageous to ask +what the business was—and the wives were giving their energies to +produce, with the assistance of novels and the illustrated magazines, a +moralised version of the afternoon life of the aristocratic class. They +hadn’t the intellectual or moral enterprise of the upper-class woman, +they had no political interests, they had no views about anything, and +consequently they were, I remember, extremely difficult to talk to. They all +sat about in the summer-house and in garden-chairs, and were very hatty and +ruffley and sunshady. Three ladies and the curate played croquet with a general +immense gravity, broken by occasional loud cries of feigned distress from the +curate. “Oh! Whacking me about again! Augh!” +</p> + +<p> +The dominant social fact that afternoon was Mrs. Hogberry; she took up a +certain position commanding the croquet and went on, as my aunt said to me in +an incidental aside, “like an old Roundabout.” She talked of the +way in which Beckenham society was getting mixed, and turned on to a touching +letter she had recently received from her former nurse at Little Gossdean. +Followed a loud account of Little Gossdean and how much she and her eight +sisters had been looked up to there. “My poor mother was quite a little +Queen there,” she said. “And such <i>nice</i> Common people! People +say the country labourers are getting disrespectful nowadays. It isn’t +so—not if they’re properly treated. Here of course in Beckenham +it’s different. I won’t call the people we get here a +Poor—they’re certainly not a proper Poor. They’re Masses. I +always tell Mr. Bugshoot they’re Masses, and ought to be treated as +such.”... +</p> + +<p> +Dim memories of Mrs. Mackridge floated through my mind as I listened to her.... +</p> + +<p> +I was whirled on this roundabout for a bit, and then had the fortune to fall +off into a <i>tête-à-tête</i> with a lady whom my aunt introduced as Mrs. +Mumble—but then she introduced everybody to me as Mumble that afternoon, +either by way of humour or necessity. +</p> + +<p> +That must have been one of my earliest essays in the art of polite +conversation, and I remember that I began by criticising the local railway +service, and that at the third sentence or thereabouts Mrs. Mumble said in a +distinctly bright and encouraging way that she feared I was a very +“frivolous” person. +</p> + +<p> +I wonder now what it was I said that was “frivolous.” +</p> + +<p> +I don’t know what happened to end that conversation, or if it had an end. +I remember talking to one of the clergy for a time rather awkwardly, and being +given a sort of topographical history of Beckenham, which he assured me time +after time was “Quite an old place. <i>Quite</i> an old place.” As +though I had treated it as new and he meant to be very patient but very +convincing. Then we hung up in a distinct pause, and my aunt rescued me. +“George,” she said in a confidential undertone, “keep the pot +a-boiling.” And then audibly, “I say, will you both old trot about +with tea a bit?” +</p> + +<p> +“Only too delighted to <i>trot</i> for you, Mrs. Ponderevo,” said +the clergyman, becoming fearfully expert and in his elements; “only too +delighted.” +</p> + +<p> +I found we were near a rustic table, and that the housemaid was behind us in a +suitable position to catch us on the rebound with the tea things. +</p> + +<p> +“Trot!” repeated the clergyman to me, much amused; “excellent +expression!” And I just saved him from the tray as he turned about. +</p> + +<p> +We handed tea for a while.... +</p> + +<p> +“Give ’em cakes,” said my aunt, flushed, but well in hand. +“Helps ’em to talk, George. Always talk best after a little +nourishment. Like throwing a bit of turf down an old geyser.” +</p> + +<p> +She surveyed the gathering with a predominant blue eye and helped herself to +tea. +</p> + +<p> +“They keep on going stiff,” she said in an undertone.... +“I’ve done my best.” +</p> + +<p> +“It’s been a huge success,” I said encouragingly. +</p> + +<p> +“That boy has had his legs crossed in that position and hasn’t +spoken for ten minutes. Stiffer and stiffer. Brittle. He’s beginning a +dry cough—always a bad sign, George.... Walk ’em about, shall +I?—rub their noses with snow?” +</p> + +<p> +Happily she didn’t. I got myself involved with the gentlewoman from next +door, a pensive, languid-looking little woman with a low voice, and fell +talking; our topic, Cats and Dogs, and which it was we liked best. +</p> + +<p> +“I always feel,” said the pensive little woman, “that +there’s something about a dog—A cat hasn’t got it.” +</p> + +<p> +“Yes,” I found myself admitting with great enthusiasm, “there +is something. And yet again—” +</p> + +<p> +“Oh! I know there’s something about a cat, too. But it isn’t +the same.” +</p> + +<p> +“Not quite the same,” I admitted; “but still it’s +something.” +</p> + +<p> +“Ah! But such a different something!” +</p> + +<p> +“More sinuous.” +</p> + +<p> +“Much more.” +</p> + +<p> +“Ever so much more.” +</p> + +<p> +“It makes all the difference, don’t you think?” +</p> + +<p> +“Yes,” I said, “<i>all</i>.” +</p> + +<p> +She glanced at me gravely and sighed a long, deeply felt +“<i>Yes</i>.” +</p> + +<p> +A long pause. +</p> + +<p> +The thing seemed to me to amount to a stale-mate. Fear came into my heart and +much perplexity. +</p> + +<p> +“The—er—Roses,” I said. I felt like a drowning man. +“Those roses—don’t you think they are—very beautiful +flowers?” +</p> + +<p> +“Aren’t they!” she agreed gently. “There seems to be +something in roses—something—I don’t know how to express +it.” +</p> + +<p> +“Something,” I said helpfully. +</p> + +<p> +“Yes,” she said, “something. Isn’t there?” +</p> + +<p> +“So few people see it,” I said; “more’s the +pity!” +</p> + +<p> +She sighed and said again very softly, “<i>Yes</i>.”... +</p> + +<p> +There was another long pause. I looked at her and she was thinking dreamily. +The drowning sensation returned, the fear and enfeeblement. I perceived by a +sort of inspiration that her tea-cup was empty. +</p> + +<p> +“Let me take your cup,” I said abruptly, and, that secured, made +for the table by the summer-house. I had no intention then of deserting my +aunt. But close at hand the big French window of the drawing-room yawned +inviting and suggestive. I can feel all that temptation now, and particularly +the provocation of my collar. In an instant I was lost. I would—Just for +a moment! +</p> + +<p> +I dashed in, put down the cup on the keys of the grand piano and fled upstairs, +softly, swiftly, three steps at a time, to the sanctuary of my uncle’s +study, his snuggery. I arrived there breathless, convinced there was no return +for me. I was very glad and ashamed of myself, and desperate. By means of a +penknife I contrived to break open his cabinet of cigars, drew a chair to the +window, took off my coat, collar and tie, and remained smoking guiltily and +rebelliously, and peeping through the blind at the assembly on the lawn until +it was altogether gone.... +</p> + +<p> +The clergymen, I thought, were wonderful. +</p> + +<h4>III</h4> + +<p> +A few such pictures of those early days at Beckenham stand out, and then I find +myself among the Chiselhurst memories. The Chiselhurst mansion had +“grounds” rather than a mere garden, and there was a +gardener’s cottage and a little lodge at the gate. The ascendant movement +was always far more in evidence there than at Beckenham. The velocity was +increasing. +</p> + +<p> +One night picks itself out as typical, as, in its way, marking an epoch. I was +there, I think, about some advertisement stuff, on some sort of business +anyhow, and my uncle and aunt had come back in a fly from a dinner at the +Runcorns. (Even there he was nibbling at Runcorn with the idea of our great +Amalgamation budding in his mind.) I got down there, I suppose, about eleven. I +found the two of them sitting in the study, my aunt on a chair-arm with a +whimsical pensiveness on her face, regarding my uncle, and he, much extended +and very rotund, in the low arm-chair drawn up to the fender. +</p> + +<p> +“Look here, George,” said my uncle, after my first greetings. +“I just been saying: We aren’t Oh Fay!” +</p> + +<p> +“Eh?” +</p> + +<p> +“Not Oh Fay! Socially!” +</p> + +<p> +“Old <i>Fly</i>, he means, George—French!” +</p> + +<p> +“Oh! Didn’t think of French. One never knows where to have him. +What’s gone wrong to-night?” +</p> + +<p> +“I been thinking. It isn’t any particular thing. I ate too much of +that fishy stuff at first, like salt frog spawn, and was a bit confused by +olives; and—well, I didn’t know which wine was which. Had to say +<i>that</i> each time. It puts your talk all wrong. And she wasn’t in +evening dress, not like the others. We can’t go on in that style, +George—not a proper ad.” +</p> + +<p> +“I’m not sure you were right,” I said, “in having a +fly.” +</p> + +<p> +“We got to do it all better,” said my uncle, “we got to do it +in Style. Smart business, smart men. She tries to pass it off as +humorous”—my aunt pulled a grimace—“it isn’t +humorous! See! We’re on the up-grade now, fair and square. We’re +going to be big. We aren’t going to be laughed at as Poovenoos, +see!” +</p> + +<p> +“Nobody laughed at you,” said my aunt. “Old Bladder!” +</p> + +<p> +“Nobody isn’t going to laugh at me,” said my uncle, glancing +at his contours and suddenly sitting up. +</p> + +<p> +My aunt raised her eyebrows slightly, swung her foot, and said nothing. +</p> + +<p> +“We aren’t keeping pace with our own progress, George. We got to. +We’re bumping against new people, and they set up to be +gentlefolks—etiquette dinners and all the rest of it. They give +themselves airs and expect us to be fish-out-of-water. We aren’t going to +be. They think we’ve no Style. Well, we give them Style for our +advertisements, and we’re going to give ’em Style all through.... +You needn’t be born to it to dance well on the wires of the Bond Street +tradesmen. See?” +</p> + +<p> +I handed him the cigar-box. +</p> + +<p> +“Runcorn hadn’t cigars like these,” he said, truncating one +lovingly. “We beat him at cigars. We’ll beat him all round.” +</p> + +<p> +My aunt and I regarded him, full of apprehensions. +</p> + +<p> +“I got idees,” he said darkly to the cigar, deepening our dread. +</p> + +<p> +He pocketed his cigar-cutter and spoke again. +</p> + +<p> +“We got to learn all the rotten little game first. See, +F’rinstance, we got to get samples of all the blessed wines there +are—and learn ’em up. Stern, Smoor, Burgundy, all of ’em! She +took Stern to-night—and when she tasted it first—you pulled a face, +Susan, you did. I saw you. It surprised you. You bunched your nose. We got to +get used to wine and not do that. We got to get used to wearing evening +dress—<i>you</i>, Susan, too.” +</p> + +<p> +“Always have had a tendency to stick out of my clothes,” said my +aunt. “However—Who cares?” She shrugged her shoulders. +</p> + +<p> +I had never seen my uncle so immensely serious. +</p> + +<p> +“Got to get the hang of etiquette,” he went on to the fire. +“Horses even. Practise everything. Dine every night in evening dress.... +Get a brougham or something. Learn up golf and tennis and things. Country +gentleman. Oh Fay. It isn’t only freedom from Goochery.” +</p> + +<p> +“Eh?” I said. +</p> + +<p> +“Oh!—Gawshery, if you like!” +</p> + +<p> +“French, George,” said my aunt. “But <i>I’m</i> not +ol’ Gooch. I made that face for fun.” +</p> + +<p> +“It isn’t only freedom from Gawshery. We got to have Style. See! +Style! Just all right and one better. That’s what I call Style. We can do +it, and we will.” +</p> + +<p> +He mumbled his cigar and smoked for a space, leaning forward and looking into +the fire. +</p> + +<p> +“What is it,” he asked, “after all? What is it? Tips about +eating; tips about drinking. Clothes. How to hold yourself, and not say +jes’ the few little things they know for certain are +wrong—jes’ the shibboleth things.” +</p> + +<p> +He was silent again, and the cigar crept up from the horizontal towards the +zenith as the confidence of his mouth increased. +</p> + +<p> +“Learn the whole bag of tricks in six months.” he said, becoming +more cheerful. “Ah, Susan? Beat it out! George, you in particular ought +to get hold of it. Ought to get into a good club, and all that.” +</p> + +<p> +“Always ready to learn!” I said. “Ever since you gave me the +chance of Latin. So far we don’t seem to have hit upon any Latin-speaking +stratum in the population.” +</p> + +<p> +“We’ve come to French,” said my aunt, “anyhow.” +</p> + +<p> +“It’s a very useful language,” said my uncle. “Put a +point on things. Zzzz. As for accent, no Englishman has an accent. No +Englishman pronounces French properly. Don’t you tell <i>me</i>. +It’s a Bluff.—It’s all a Bluff. Life’s a +Bluff—practically. That’s why it’s so important, Susan, for +us to attend to Style. Le Steel Say Lum. The Style it’s the man. Whad you +laughing at, Susan? George, you’re not smoking. These cigars are good for +the mind.... What do <i>you</i> think of it all? We got to adapt ourselves. We +have—so far.... Not going to be beat by these silly things.” +</p> + +<h4>IV</h4> + +<p> +“What do you think of it, George?” he insisted. +</p> + +<p> +What I said I thought of it I don’t now recall. Only I have very +distinctly the impression of meeting for a moment my aunt’s impenetrable +eye. And anyhow he started in with his accustomed energy to rape the mysteries +of the Costly Life, and become the calmest of its lords. On the whole, I think +he did it—thoroughly. I have crowded memories, a little difficult to +disentangle, of his experimental stages, his experimental proceedings. +It’s hard at times to say which memory comes in front of which. I recall +him as presenting on the whole a series of small surprises, as being again and +again, unexpectedly, a little more self-confident, a little more polished, a +little richer and finer, a little more aware of the positions and values of +things and men. +</p> + +<p> +There was a time—it must have been very early—when I saw him deeply +impressed by the splendours of the dining-room of the National Liberal Club. +Heaven knows who our host was or what that particular little “feed” +was about now!—all that sticks is the impression of our straggling entry, +a string of six or seven guests, and my uncle looking about him at the numerous +bright red-shaded tables, at the exotics in great Majolica jars, at the shining +ceramic columns and pilasters, at the impressive portraits of Liberal statesmen +and heroes, and all that contributes to the ensemble of that palatial +spectacle. He was betrayed into a whisper to me, “This is all Right, +George!” he said. That artless comment seems almost incredible as I set +it down; there came a time so speedily when not even the clubs of New York +could have overawed my uncle, and when he could walk through the bowing +magnificence of the Royal Grand Hotel to his chosen table in that aggressively +exquisite gallery upon the river, with all the easy calm of one of +earth’s legitimate kings. +</p> + +<p> +The two of them learnt the new game rapidly and well; they experimented abroad, +they experimented at home. At Chiselhurst, with the aid of a new, very costly, +but highly instructive cook, they tried over everything they heard of that +roused their curiosity and had any reputation for difficulty, from asparagus to +plover’s eggs. They afterwards got a gardener who could wait at +table—and he brought the soil home to one. Then there came a butler. +</p> + +<p> +I remember my aunt’s first dinner-gown very brightly, and how she stood +before the fire in the drawing-room confessing once unsuspected pretty arms +with all the courage she possessed, and looking over her shoulder at herself in +a mirror. +</p> + +<p> +“A ham,” she remarked reflectively, “must feel like this. +Just a necklace.”... +</p> + +<p> +I attempted, I think, some commonplace compliment. +</p> + +<p> +My uncle appeared at the door in a white waistcoat and with his hands in his +trouser pockets; he halted and surveyed her critically. +</p> + +<p> +“Couldn’t tell you from a duchess, Susan,” he remarked. +“I’d like to have you painted, standin’ at the fire like +that. Sargent! You look—spirited, somehow. Lord!—I wish some of +those damned tradesmen at Wimblehurst could see you.”... +</p> + +<p> +They did a lot of week-ending at hotels, and sometimes I went down with them. +We seemed to fall into a vast drifting crowd of social learners. I don’t +know whether it is due simply to my changed circumstances, but it seems to me +there have been immensely disproportionate developments of the +hotel-frequenting and restaurant-using population during the last twenty years. +It is not only, I think, that there are crowds of people who, like we were, are +in the economically ascendant phase, but whole masses of the prosperous section +of the population must be altering its habits, giving up high-tea for dinner +and taking to evening dress, using the week-end hotels as a practise-ground for +these new social arts. A swift and systematic conversion to gentility has been +going on, I am convinced, throughout the whole commercial upper-middle class +since I was twenty-one. Curiously mixed was the personal quality of the people +one saw in these raids. There were conscientiously refined and low-voiced +people reeking with proud bashfulness; there were aggressively smart people +using pet diminutives for each other loudly and seeking fresh occasions for +brilliant rudeness; there were awkward husbands and wives quarrelling furtively +about their manners and ill at ease under the eye of the winter; cheerfully +amiable and often discrepant couples with a disposition to inconspicuous +corners, and the jolly sort, affecting an unaffected ease; plump happy ladies +who laughed too loud, and gentlemen in evening dress who subsequently +“got their pipes.” And nobody, you knew, was anybody, however +expensively they dressed and whatever rooms they took. +</p> + +<p> +I look back now with a curious remoteness of spirit to those crowded +dining-rooms with their dispersed tables and their inevitable red-shaded lights +and the unsympathetic, unskillful waiters, and the choice of “Thig or +Glear, Sir?” I’ve not dined in that way, in that sort of place, now +for five years—it must be quite five years, so specialised and narrow is +my life becoming. +</p> + +<p> +My uncle’s earlier motor-car phases work in with these associations, and +there stands out a little bright vignette of the hall of the Magnificent, +Bexhill-on-Sea, and people dressed for dinner and sitting about amidst the +scarlet furniture—satin and white-enameled woodwork until the gong should +gather them; and my aunt is there, very marvelously wrapped about in a dust +cloak and a cage-like veil, and there are hotel porters and under-porters very +alert, and an obsequious manager; and the tall young lady in black from the +office is surprised into admiration, and in the middle of the picture is my +uncle, making his first appearance in that Esquimaux costume I have already +mentioned, a short figure, compactly immense, hugely goggled, wearing a sort of +brown rubber proboscis, and surmounted by a table-land of motoring cap. +</p> + +<h4>V</h4> + +<p> +So it was we recognised our new needs as fresh invaders of the upper levels of +the social system, and set ourselves quite consciously to the acquisition of +Style and <i>Savoir Faire</i>. We became part of what is nowadays quite an +important element in the confusion of our world, that multitude of economically +ascendant people who are learning how to spend money. It is made up of +financial people, the owners of the businesses that are eating up their +competitors, inventors of new sources of wealth, such as ourselves; it includes +nearly all America as one sees it on the European stage. It is a various +multitude having only this in common: they are all moving, and particularly +their womankind are moving, from conditions in which means were insistently +finite, things were few, and customs simple, towards a limitless expenditure +and the sphere of attraction of Bond Street, Fifth Avenue, and Paris. Their +general effect is one of progressive revolution, of limitless rope. +</p> + +<p> +They discover suddenly indulgences their moral code never foresaw and has no +provision for, elaborations, ornaments, possessions beyond their wildest +dreams. With an immense astonished zest they begin <i>shopping</i>, begin a +systematic adaptation to a new life crowded and brilliant with things shopped, +with jewels, maids, butlers, coachmen, electric broughams, hired town and +country houses. They plunge into it as one plunges into a career; as a class, +they talk, think, and dream possessions. Their literature, their Press, turns +all on that; immense illustrated weeklies of unsurpassed magnificence guide +them in domestic architecture, in the art of owning a garden, in the +achievement of the sumptuous in motor-cars, in an elaborate sporting equipment, +in the purchase and control of their estates, in travel and stupendous hotels. +Once they begin to move they go far and fast. Acquisition becomes the substance +of their lives. They find a world organised to gratify that passion. In a brief +year or so they are connoisseurs. They join in the plunder of the eighteenth +century, buy rare old books, fine old pictures, good old furniture. Their first +crude conception of dazzling suites of the newly perfect is replaced almost +from the outset by a jackdaw dream of accumulating costly discrepant old +things. +</p> + +<p> +I seem to remember my uncle taking to shopping quite suddenly. In the Beckenham +days and in the early Chiselhurst days he was chiefly interested in getting +money, and except for his onslaught on the Beckenham house, bothered very +little about his personal surroundings and possessions. I forget now when the +change came and he began to spend. Some accident must have revealed to him this +new source of power, or some subtle shifting occurred in the tissues of his +brain. He began to spend and “shop.” So soon as he began to shop, +he began to shop violently. He began buying pictures, and then, oddly enough, +old clocks. For the Chiselhurst house he bought nearly a dozen grandfather +clocks and three copper warming pans. After that he bought much furniture. Then +he plunged into art patronage, and began to commission pictures and to make +presents to churches and institutions. His buying increased with a regular +acceleration. Its development was a part of the mental changes that came to him +in the wild excitements of the last four years of his ascent. Towards the +climax he was a furious spender; he shopped with large unexpected purchases, he +shopped like a mind seeking expression, he shopped to astonish and dismay; +shopped <i>crescendo</i>, shopped <i>fortissimo, con molto espressione</i> +until the magnificent smash of Crest Hill eroded his shopping for ever. Always +it was he who shopped. My aunt did not shine as a purchaser. It is a curious +thing, due to I know not what fine strain in her composition, that my aunt +never set any great store upon possessions. She plunged through that crowded +bazaar of Vanity Fair during those feverish years, spending no doubt freely and +largely, but spending with detachment and a touch of humorous contempt for the +things, even the “old” things, that money can buy. It came to me +suddenly one afternoon just how detached she was, as I saw her going towards +the Hardingham, sitting up, as she always did, rather stiffly in her electric +brougham, regarding the glittering world with interested and ironically +innocent blue eyes from under the brim of a hat that defied comment. “No +one,” I thought, “would sit so apart if she hadn’t +dreams—and what are her dreams?” +</p> + +<p> +I’d never thought. +</p> + +<p> +And I remember, too, an outburst of scornful description after she had lunched +with a party of women at the Imperial Cosmic Club. She came round to my rooms +on the chance of finding me there, and I gave her tea. She professed herself +tired and cross, and flung herself into my chair.... +</p> + +<p> +“George,” she cried, “the Things women are! Do <i>I</i> stink +of money?” +</p> + +<p> +“Lunching?” I asked. +</p> + +<p> +She nodded. +</p> + +<p> +“Plutocratic ladies?” +</p> + +<p> +“Yes.” +</p> + +<p> +“Oriental type?” +</p> + +<p> +“Oh! Like a burst hareem!... Bragging of possessions.... They feel you. +They feel your clothes, George, to see if they are good!” +</p> + +<p> +I soothed her as well as I could. “They <i>are</i> Good aren’t +they?” I said. +</p> + +<p> +“It’s the old pawnshop in their blood,” she said, drinking +tea; and then in infinite disgust, “They run their hands over your +clothes—they paw you.” +</p> + +<p> +I had a moment of doubt whether perhaps she had not been discovered in +possession of unsuspected forgeries. I don’t know. After that my eyes +were quickened, and I began to see for myself women running their hands over +other women’s furs, scrutinising their lace, even demanding to handle +jewelry, appraising, envying, testing. They have a kind of etiquette. The woman +who feels says, “What beautiful sables?” “What lovely +lace?” The woman felt admits proudly: “It’s Real, you +know,” or disavows pretension modestly and hastily, “It’s Rot +Good.” In each other’s houses they peer at the pictures, handle the +selvage of hangings, look at the bottoms of china.... +</p> + +<p> +I wonder if it IS the old pawnshop in the blood. +</p> + +<p> +I doubt if Lady Drew and the Olympians did that sort of thing, but here I may +be only clinging to another of my former illusions about aristocracy and the +State. Perhaps always possessions have been Booty, and never anywhere has there +been such a thing as house and furnishings native and natural to the women and +men who made use of them.... +</p> + +<h4>VI</h4> + +<p> +For me, at least, it marked an epoch in my uncle’s career when I learnt +one day that he had “shopped” Lady Grove. I realised a fresh, wide, +unpreluded step. He took me by surprise with the sudden change of scale from +such portable possessions as jewels and motor-cars to a stretch of countryside. +The transaction was Napoleonic; he was told of the place; he said +“snap”; there were no preliminary desirings or searchings. Then he +came home and said what he had done. Even my aunt was for a day or so +measurably awestricken by this exploit in purchase, and we both went down with +him to see the house in a mood near consternation. It struck us then as a very +lordly place indeed. I remember the three of us standing on the terrace that +looked westward, surveying the sky-reflecting windows of the house, and a +feeling of unwarrantable intrusion comes back to me. +</p> + +<p> +Lady Grove, you know, is a very beautiful house indeed, a still and gracious +place, whose age-long seclusion was only effectively broken with the toot of +the coming of the motor-car. An old Catholic family had died out in it, century +by century, and was now altogether dead. Portions of the fabric are thirteenth +century, and its last architectural revision was Tudor; within, it is for the +most part dark and chilly, save for two or three favoured rooms and its +tall-windowed, oak-galleried hall. Its terrace is its noblest feature; a very +wide, broad lawn it is, bordered by a low stone battlement, and there is a +great cedar in one corner under whose level branches one looks out across the +blue distances of the Weald, blue distances that are made extraordinarily +Italian in quality by virtue of the dark masses of that single tree. It is a +very high terrace; southward one looks down upon the tops of wayfaring trees +and spruces, and westward on a steep slope of beechwood, through which the road +comes. One turns back to the still old house, and sees a grey and lichenous +façade with a very finely arched entrance. It was warmed by the afternoon light +and touched with the colour of a few neglected roses and a pyracanthus. It +seemed to me that the most modern owner conceivable in this serene fine place +was some bearded scholarly man in a black cassock, gentle-voiced and +white-handed, or some very soft-robed, grey gentlewoman. And there was my uncle +holding his goggles in a sealskin glove, wiping the glass with a +pocket-handkerchief, and asking my aunt if Lady Grove wasn’t a “Bit +of all Right.” +</p> + +<p> +My aunt made him no answer. +</p> + +<p> +“The man who built this,” I speculated, “wore armour and +carried a sword.” +</p> + +<p> +“There’s some of it inside still,” said my uncle. +</p> + +<p> +We went inside. An old woman with very white hair was in charge of the place +and cringed rather obviously to the new master. She evidently found him a very +strange and frightful apparition indeed, and was dreadfully afraid of him. But +if the surviving present bowed down to us, the past did not. We stood up to the +dark, long portraits of the extinguished race—one was a Holbein—and +looked them in their sidelong eyes. They looked back at us. We all, I know, +felt the enigmatical quality in them. Even my uncle was momentarily +embarrassed, I think, by that invincibly self-complacent expression. It was +just as though, after all, he had <i>not</i> bought them up and replaced them +altogether; as though that, secretly, they knew better and could smile at him. +</p> + +<p> +The spirit of the place was akin to Bladesover, but touched with something +older and remoter. That armour that stood about had once served in tilt-yards, +if indeed it had not served in battle, and this family had sent its blood and +treasure, time after time, upon the most romantic quest in history, to +Palestine. Dreams, loyalties, place and honour, how utterly had it all +evaporated, leaving, at last, the final expression of its spirit, these quaint +painted smiles, these smiles of triumphant completion! It had evaporated, +indeed, long before the ultimate Durgan had died, and in his old age he had +cumbered the place with Early Victorian cushions and carpets and tapestry +table-cloths and invalid appliances of a type even more extinct, it seemed to +us, than the crusades.... Yes, it was different from Bladesover. +</p> + +<p> +“Bit stuffy, George,” said my uncle. “They hadn’t much +idea of ventilation when this was built.” +</p> + +<p> +One of the panelled rooms was half-filled with presses and a four-poster bed. +“Might be the ghost room,” said my uncle; but it did not seem to me +that so retiring a family as the Durgans, so old and completely exhausted a +family as the Durgans, was likely to haunt anybody. What living thing now had +any concern with their honour and judgments and good and evil deeds? Ghosts and +witchcraft were a later innovation—that fashion came from Scotland with +the Stuarts. +</p> + +<p> +Afterwards, prying for epitaphs, we found a marble crusader with a broken nose, +under a battered canopy of fretted stone, outside the restricted limits of the +present Duffield church, and half buried in nettles. “Ichabod,” +said my uncle. “Eh? We shall be like that, Susan, some day.... I’m +going to clean him up a bit and put a railing to keep off the children.” +</p> + +<p> +“Old saved at the eleventh hour,” said my aunt, quoting one of the +less successful advertisements of Tono-Bungay. +</p> + +<p> +But I don’t think my uncle heard her. +</p> + +<p> +It was by our captured crusader that the vicar found us. He came round the +corner at us briskly, a little out of breath. He had an air of having been +running after us since the first toot of our horn had warned the village of our +presence. He was an Oxford man, clean-shaven, with a cadaverous complexion and +a guardedly respectful manner, a cultivated intonation, and a general air of +accommodation to the new order of things. These Oxford men are the Greeks of +our plutocratic empire. He was a Tory in spirit, and what one may call an +adapted Tory by stress of circumstances; that is to say, he was no longer a +legitimist; he was prepared for the substitution of new lords for old. We were +pill vendors he knew, and no doubt horribly vulgar in soul; but then it might +have been some polygamous Indian rajah, a great strain on a good man’s +tact, or some Jew with an inherited expression of contempt. Anyhow, we were +English, and neither Dissenters nor Socialists, and he was cheerfully prepared +to do what he could to make gentlemen of both of us. He might have preferred +Americans for some reasons; they are not so obviously taken from one part of +the social system and dumped down in another, and they are more teachable; but +in this world we cannot always be choosers. So he was very bright and pleasant +with us, showed us the church, gossiped informingly about our neighbours on the +countryside—Tux, the banker; Lord Boom, the magazine and newspaper +proprietor; Lord Carnaby, that great sportsman, and old Lady Osprey. And +finally he took us by way of a village lane—three children bobbed +convulsively with eyes of terror for my uncle—through a meticulous garden +to a big, slovenly Vicarage with faded Victorian furniture and a faded +Victorian wife, who gave us tea and introduced us to a confusing family +dispersed among a lot of disintegrating basket chairs upon the edge of a +well-used tennis lawn. +</p> + +<p> +These people interested me. They were a common type, no doubt, but they were +new to me. There were two lank sons who had been playing singles at tennis, +red-eared youths growing black moustaches, and dressed in conscientiously +untidy tweeds and unbuttoned and ungirt Norfolk jackets. There were a number of +ill-nourished-looking daughters, sensible and economical in their costume, the +younger still with long, brown-stockinged legs, and the eldest +present—there were, we discovered, one or two hidden +away—displaying a large gold cross and other aggressive ecclesiastical +symbols; there were two or three fox-terriers, a retrieverish mongrel, and an +old, bloody-eyed and very evil-smelling St. Bernard. There was a jackdaw. There +was, moreover, an ambiguous, silent lady that my aunt subsequently decided must +be a very deaf paying guest. Two or three other people had concealed themselves +at our coming and left unfinished teas behind them. Rugs and cushions lay among +the chairs, and two of the latter were, I noted, covered with Union Jacks. +</p> + +<p> +The vicar introduced us sketchily, and the faded Victorian wife regarded my +aunt with a mixture of conventional scorn and abject respect, and talked to her +in a languid, persistent voice about people in the neighbourhood whom my aunt +could not possibly know. +</p> + +<p> +My aunt received these personalia cheerfully, with her blue eyes flitting from +point to point, and coming back again and again to the pinched faces of the +daughters and the cross upon the eldest’s breast. Encouraged by my +aunt’s manner, the vicar’s wife grew patronising and kindly, and +made it evident that she could do much to bridge the social gulf between +ourselves and the people of family about us. +</p> + +<p> +I had just snatches of that conversation. “Mrs. Merridew brought him +quite a lot of money. Her father, I believe, had been in the Spanish wine +trade—quite a lady though. And after that he fell off his horse and +cracked his brain pan and took to fishing and farming. I’m sure +you’ll like to know them. He’s <i>most</i> amusing.... The daughter +had a disappointment and went to China as a missionary and got mixed up in a +massacre.”... +</p> + +<p> +“The most beautiful silks and things she brought back, you’d hardly +believe!” +</p> + +<p> +“Yes, they gave them to propitiate her. You see, they didn’t +understand the difference, and they thought that as they’d been +massacring people, <i>they’d</i> be massacred. They didn’t +understand the difference Christianity makes.”... +</p> + +<p> +“Seven bishops they’ve had in the family!” +</p> + +<p> +“Married a Papist and was quite lost to them.”... +</p> + +<p> +“He failed some dreadful examination and had to go into the +militia.”... +</p> + +<p> +“So she bit his leg as hard as ever she could and he let go.”... +</p> + +<p> +“Had four of his ribs amputated.”... +</p> + +<p> +“Caught meningitis and was carried off in a week.” +</p> + +<p> +“Had to have a large piece of silver tube let into his throat, and if he +wants to talk he puts his finger on it. It makes him so interesting, I think. +You feel he’s sincere somehow. A most charming man in every way.” +</p> + +<p> +“Preserved them both in spirits very luckily, and there they are in his +study, though of course he doesn’t show them to everybody.” +</p> + +<p> +The silent lady, unperturbed by these apparently exciting topics, scrutinised +my aunt’s costume with a singular intensity, and was visibly moved when +she unbuttoned her dust cloak and flung it wide. Meanwhile we men conversed, +one of the more spirited daughters listened brightly, and the youths lay on the +grass at our feet. My uncle offered them cigars, but they both +declined,—out of bashfulness, it seemed to me, whereas the vicar, I +think, accepted out of tact. When we were not looking at them directly, these +young men would kick each other furtively. +</p> + +<p> +Under the influence of my uncle’s cigar, the vicar’s mind had +soared beyond the limits of the district. “This Socialism,” he +said, “seems making great headway.” +</p> + +<p> +My uncle shook his head. “We’re too individualistic in this country +for that sort of nonsense,” he said “Everybody’s business is +nobody’s business. That’s where they go wrong.” +</p> + +<p> +“They have some intelligent people in their ranks, I am told,” said +the vicar, “writers and so forth. Quite a distinguished playwright, my +eldest daughter was telling me—I forget his name. +</p> + +<p> +“Milly, dear! Oh! she’s not here. Painters, too, they have. This +Socialist, it seems to me, is part of the Unrest of the Age.... But, as you +say, the spirit of the people is against it. In the country, at any rate. The +people down here are too sturdily independent in their small way—and too +sensible altogether.”... +</p> + +<p> +“It’s a great thing for Duffield to have Lady Grove occupied +again,” he was saying when my wandering attention came back from some +attractive casualty in his wife’s discourse. “People have always +looked up to the house and considering all things, old Mr. Durgan really was +extraordinarily good—extraordinarily good. You intend to give us a good +deal of your time here, I hope.” +</p> + +<p> +“I mean to do my duty by the Parish,” said my uncle. +</p> + +<p> +“I’m sincerely glad to hear it—sincerely. We’ve +missed—the house influence. An English village isn’t +complete—People get out of hand. Life grows dull. The young people drift +away to London.” +</p> + +<p> +He enjoyed his cigar gingerly for a moment. +</p> + +<p> +“We shall look to you to liven things up,” he said, poor man! +</p> + +<p> +My uncle cocked his cigar and removed it from his mouth. +</p> + +<p> +“What you think the place wants?” he asked. +</p> + +<p> +He did not wait for an answer. “I been thinking while you been +talking—things one might do. Cricket—a good English +game—sports. Build the chaps a pavilion perhaps. Then every village ought +to have a miniature rifle range.” +</p> + +<p> +“Ye-ees,” said the vicar. “Provided, of course, there +isn’t a constant popping.”... +</p> + +<p> +“Manage <i>that</i> all right,” said my uncle. “Thing’d +be a sort of long shed. Paint it red. British colour. Then there’s a +Union Jack for the church and the village school. Paint the school red, too, +p’raps. Not enough colour about now. Too grey. Then a maypole.” +</p> + +<p> +“How far our people would take up that sort of thing—” began +the vicar. +</p> + +<p> +“I’m all for getting that good old English spirit back +again,” said my uncle. “Merrymakings. Lads and lasses dancing on +the village green. Harvest home. Fairings. Yule Log—all the rest of +it.” +</p> + +<p> +“How would old Sally Glue do for a May Queen?” asked one of the +sons in the slight pause that followed. +</p> + +<p> +“Or Annie Glassbound?” said the other, with the huge virile guffaw +of a young man whose voice has only recently broken. +</p> + +<p> +“Sally Glue is eighty-five,” explained the vicar, “and Annie +Glassbound is well—a young lady of extremely generous proportions. And +not quite right, you know. Not quite right—here.” He tapped his +brow. +</p> + +<p> +“Generous proportions!” said the eldest son, and the guffaws were +renewed. +</p> + +<p> +“You see,” said the vicar, “all the brisker girls go into +service in or near London. The life of excitement attracts them. And no doubt +the higher wages have something to do with it. And the liberty to wear finery. +And generally—freedom from restraint. So that there might be a little +difficulty perhaps to find a May Queen here just at present who was really +young and er—pretty.... Of course I couldn’t think of any of my +girls—or anything of that sort.” +</p> + +<p> +“We got to attract ’em back,” said my uncle. +“That’s what I feel about it. We got to Buck-Up the country. The +English country is a going concern still; just as the Established +Church—if you’ll excuse me saying it, is a going concern. Just as +Oxford is—or Cambridge. Or any of those old, fine old things. Only it +wants fresh capital, fresh idees and fresh methods. Light railways, +f’rinstance—scientific use of drainage. Wire fencing +machinery—all that.” +</p> + +<p> +The vicar’s face for one moment betrayed dismay. Perhaps he was thinking +of his country walks amids the hawthorns and honeysuckle. +</p> + +<p> +“There’s great things,” said my uncle, “to be done on +Mod’un lines with Village Jam and Pickles—boiled in the +country.” +</p> + +<p> +It was the reverberation of this last sentence in my mind, I think, that +sharpened my sentimental sympathy as we went through the straggling village +street and across the trim green on our way back to London. It seemed that +afternoon the most tranquil and idyllic collection of creeper-sheltered homes +you can imagine; thatch still lingered on a whitewashed cottage or two, +pyracanthus, wall-flowers, and daffodils abounded, and an unsystematic orchard +or so was white with blossom above and gay with bulbs below. I noted a row of +straw beehives, beehive-shaped, beehives of the type long since condemned as +inefficient by all progressive minds, and in the doctor’s acre of grass a +flock of two whole sheep was grazing,—no doubt he’d taken them on +account. Two men and one old woman made gestures of abject vassalage, and my +uncle replied with a lordly gesture of his great motoring glove.... +</p> + +<p> +“England’s full of Bits like this,” said my uncle, leaning +over the front seat and looking back with great satisfaction. The black glare +of his goggles rested for a time on the receding turrets of Lady Grove just +peeping over the trees. +</p> + +<p> +“I shall have a flagstaff, I think,” he considered. “Then one +could show when one is in residence. The villagers will like to know.”... +</p> + +<p> +I reflected. “They will” I said. “They’re used to +liking to know.”... +</p> + +<p> +My aunt had been unusually silent. Suddenly she spoke. “He says +Snap,” she remarked; “he buys that place. And a nice old job of +Housekeeping he gives me! He sails through the village swelling like an old +turkey. And who’ll have to scoot the butler? Me! Who’s got to +forget all she ever knew and start again? Me! Who’s got to trek from +Chiselhurst and be a great lady? Me! ... You old Bother! Just when I was +settling down and beginning to feel at home.” +</p> + +<p> +My uncle turned his goggles to her. “Ah! <i>this</i> time it is home, +Susan.... We got there.” +</p> + +<h4>VII</h4> + +<p> +It seems to me now but a step from the buying of Lady Grove to the beginning of +Crest Hill, from the days when the former was a stupendous achievement to the +days when it was too small and dark and inconvenient altogether for a great +financier’s use. For me that was a period of increasing detachment from +our business and the great world of London; I saw it more and more in broken +glimpses, and sometimes I was working in my little pavilion above Lady Grove +for a fortnight together; even when I came up it was often solely for a meeting +of the aeronautical society or for one of the learned societies or to consult +literature or employ searchers or some such special business. For my uncle it +was a period of stupendous inflation. Each time I met him I found him more +confident, more comprehensive, more consciously a factor in great affairs. Soon +he was no longer an associate of merely business men; he was big enough for the +attentions of greater powers. +</p> + +<p> +I grew used to discovering some item of personal news about him in my evening +paper, or to the sight of a full-page portrait of him in a sixpenny magazine. +Usually the news was of some munificent act, some romantic piece of buying or +giving or some fresh rumour of reconstruction. He saved, you will remember, the +Parbury Reynolds for the country. Or at times, it would be an interview or my +uncle’s contribution to some symposium on the “Secret of +Success,” or such-like topic. Or wonderful tales of his power of work, of +his wonderful organisation to get things done, of his instant decisions and +remarkable power of judging his fellow-men. They repeated his great <i>mot:</i> +“Eight hour working day—I want eighty hours!” +</p> + +<p> +He became modestly but resolutely “public.” They cartooned him in +<i>Vanity Fair</i>. One year my aunt, looking indeed a very gracious, slender +lady, faced the portrait of the King in the great room at Burlington House, and +the next year saw a medallion of my uncle by Ewart, looking out upon the world, +proud and imperial, but on the whole a trifle too prominently convex, from the +walls of the New Gallery. +</p> + +<p> +I shared only intermittently in his social experiences. People knew of me, it +is true, and many of them sought to make through me a sort of flank attack upon +him, and there was a legend, owing, very unreasonably, partly to my growing +scientific reputation and partly to an element of reserve in my manner, that I +played a much larger share in planning his operations than was actually the +case. This led to one or two very intimate private dinners, to my inclusion in +one or two house parties and various odd offers of introductions and services +that I didn’t for the most part accept. Among other people who sought me +in this way was Archie Garvell, now a smart, impecunious soldier of no +particular distinction, who would, I think, have been quite prepared to develop +any sporting instincts I possessed, and who was beautifully unaware of our +former contact. He was always offering me winners; no doubt in a spirit of +anticipatory exchange for some really good thing in our more scientific and +certain method of getting something for nothing.... +</p> + +<p> +In spite of my preoccupation with my experiments, work, I did, I find now that +I come to ransack my impressions, see a great deal of the great world during +those eventful years; I had a near view of the machinery by which an astounding +Empire is run, rubbed shoulders and exchanged experiences with bishops and +statesmen, political women and women who were not political, physicians and +soldiers, artists and authors, the directors of great journals, philanthropists +and all sorts of eminent, significant people. I saw the statesmen without their +orders and the bishops with but a little purple silk left over from their +canonicals, inhaling, not incensen but cigar smoke. I could look at them all +the better because, for the most part, they were not looking at me but at my +uncle, and calculating consciously or unconsciously how they might use him and +assimilate him to their system, the most unpremeditated, subtle, successful and +aimless plutocracy that ever encumbered the destinies of mankind. Not one of +them, so far as I could see, until disaster overtook him, resented his lies, +his almost naked dishonesty of method, the disorderly disturbance of this trade +and that, caused by his spasmodic operations. I can see them now about him, see +them polite, watchful, various; his stiff compact little figure always a centre +of attention, his wiry hair, his brief nose, his under-lip, electric with +self-confidence. Wandering marginally through distinguished gatherings, I would +catch the whispers: “That’s Mr. Ponderevo!” +</p> + +<p> +“The little man?” +</p> + +<p> +“Yes, the little bounder with the glasses.” +</p> + +<p> +“They say he’s made—“... +</p> + +<p> +Or I would see him on some parterre of a platform beside my aunt’s +hurraying hat, amidst titles and costumes, “holding his end up,” as +he would say, subscribing heavily to obvious charities, even at times making +brief convulsive speeches in some good cause before the most exalted audiences. +“Mr. Chairman, your Royal Highness, my Lords, Ladies and +Gentlemen,” he would begin amidst subsiding applause and adjust those +obstinate glasses and thrust back the wings of his frock-coat and rest his +hands upon his hips and speak his fragment with ever and again an incidental +Zzzz. His hands would fret about him as he spoke, fiddle his glasses, feel in +his waistcoat pockets; ever and again he would rise slowly to his toes as a +sentence unwound jerkily like a clockwork snake, and drop back on his heels at +the end. They were the very gestures of our first encounter when he had stood +before the empty fireplace in his minute draped parlour and talked of my future +to my mother. +</p> + +<p> +In those measurelessly long hot afternoons in the little shop at Wimblehurst he +had talked and dreamt of the Romance of Modern Commerce. Here, surely, was his +romance come true. +</p> + +<h4>VIII</h4> + +<p> +People say that my uncle lost his head at the crest of his fortunes, but if one +may tell so much truth of a man one has in a manner loved, he never had very +much head to lose. He was always imaginative, erratic, inconsistent, recklessly +inexact, and his inundation of wealth merely gave him scope for these +qualities. It is true, indeed, that towards the climax he became intensely +irritable at times and impatient of contradiction, but that, I think, was +rather the gnawing uneasiness of sanity than any mental disturbance. But I find +it hard either to judge him or convey the full development of him to the +reader. I saw too much of him; my memory is choked with disarranged moods and +aspects. Now he is distended with megalomania, now he is deflated, now he is +quarrelsome, now impenetrably self-satisfied, but always he is sudden, jerky, +fragmentary, energetic, and—in some subtle fundamental way that I find +difficult to define—absurd. +</p> + +<p> +There stands out—because of the tranquil beauty of its setting +perhaps—a talk we had in the veranda of the little pavilion near my +worksheds behind Crest Hill in which my aeroplanes and navigable balloons were +housed. It was one of many similar conversations, and I do not know why it in +particular should survive its fellows. It happens so. He had come up to me +after his coffee to consult me about a certain chalice which in a moment of +splendour and under the importunity of a countess he had determined to give to +a deserving church in the east-end. I, in a moment of even rasher generosity, +had suggested Ewart as a possible artist. Ewart had produced at once an +admirable sketch for the sacred vessel surrounded by a sort of wreath of +Millies with open arms and wings and had drawn fifty pounds on the strength of +it. After that came a series of vexatious delays. The chalice became less and +less of a commercial man’s chalice, acquired more and more the elusive +quality of the Holy Grail, and at last even the drawing receded. +</p> + +<p> +My uncle grew restive.... “You see, George, they’ll begin to want +the blasted thing!” +</p> + +<p> +“What blasted thing?” +</p> + +<p> +“That chalice, damn it! They’re beginning to ask questions. It +isn’t Business, George.” +</p> + +<p> +“It’s art,” I protested, “and religion.” +</p> + +<p> +“That’s all very well. But it’s not a good ad for us, George, +to make a promise and not deliver the goods.... I’ll have to write off +your friend Ewart as a bad debt, that’s what it comes to, and go to a +decent firm.”... +</p> + +<p> +We sat outside on deck chairs in the veranda of the pavilion, smoked, drank +whisky, and, the chalice disposed of, meditated. His temporary annoyance +passed. It was an altogether splendid summer night, following a blazing, +indolent day. Full moonlight brought out dimly the lines of the receding hills, +one wave beyond another; far beyond were the pin-point lights of Leatherhead, +and in the foreground the little stage from which I used to start upon my +gliders gleamed like wet steel. The season must have been high June, for down +in the woods that hid the lights of the Lady Grove windows, I remember the +nightingales thrilled and gurgled.... +</p> + +<p> +“We got here, George,” said my uncle, ending a long pause. +“Didn’t I say?” +</p> + +<p> +“Say!—when?” I asked. +</p> + +<p> +“In that hole in the To’nem Court Road, eh? It’s been a +Straight Square Fight, and here we are!” +</p> + +<p> +I nodded. +</p> + +<p> +“’Member me telling you—Tono-Bungay?.... Well.... I’d +just that afternoon thought of it!” +</p> + +<p> +“I’ve fancied at times;” I admitted. +</p> + +<p> +“It’s a great world, George, nowadays, with a fair chance for every +one who lays hold of things. The career ouvert to the Talons—eh? +Tono-Bungay. Think of it! It’s a great world and a growing world, and +I’m glad we’re in it—and getting a pull. We’re getting +big people, George. Things come to us. Eh? This Palestine thing.”... +</p> + +<p> +He meditated for a time and Zzzzed softly. Then he became still. +</p> + +<p> +His theme was taken up by a cricket in the grass until he himself was ready to +resume it. The cricket too seemed to fancy that in some scheme of its own it +had got there. “Chirrrrrrup” it said; “chirrrrrrup.” +</p> + +<p> +“Lord, what a place that was at Wimblehurst!” he broke out. +“If ever I get a day off we’ll motor there, George, and run over +that dog that sleeps in the High Street. Always was a dog asleep +there—always. Always... I’d like to see the old shop again. I +daresay old Ruck still stands between the sheep at his door, grinning with all +his teeth, and Marbel, silly beggar! comes out with his white apron on and a +pencil stuck behind his ear, trying to look awake... Wonder if they know +it’s me? I’d like ’em somehow to know it’s me.” +</p> + +<p> +“They’ll have had the International Tea Company and all sorts of +people cutting them up,” I said. “And that dog’s been on the +pavement this six years—can’t sleep even there, poor dear, because +of the motor-horns and its shattered nerves.” +</p> + +<p> +“Movin’ everywhere,” said my uncle. “I expect +you’re right.... It’s a big time we’re in, George. It’s +a big Progressive On-coming Imperial Time. This Palestine business—the +daring of it.... It’s, it’s a Process, George. And we got our hands +on it. Here we sit—with our hands on it, George. Entrusted. +</p> + +<p> +“It seems quiet to—night. But if we could see and hear.” He +waved his cigar towards Leatherhead and London. +</p> + +<p> +“There they are, millions, George. Jes’ think of what they’ve +been up to to-day—those ten millions—each one doing his own +particular job. You can’t grasp it. It’s like old Whitman +says—what is it he says? Well, anyway it’s like old Whitman. Fine +chap, Whitman! Fine old chap! Queer, you can’t quote him. ... And these +millions aren’t anything. There’s the millions over seas, hundreds +of millions, Chinese, M’rocco, Africa generally, ’Merica.... Well, +here we are, with power, with leisure, picked out—because we’ve +been energetic, because we’ve seized opportunities, because we’ve +made things hum when other people have waited for them to hum. See? Here we +are—with our hands on it. Big people. Big growing people. In a sort of +way,—Forces.” +</p> + +<p> +He paused. “It’s wonderful, George,” he said. +</p> + +<p> +“Anglo-Saxon energy,” I said softly to the night. +</p> + +<p> +“That’s it, George—energy. It’s put things in our +grip—threads, wires, stretching out and out, George, from that little +office of ours, out to West Africa, out to Egypt, out to Inja, out east, west, +north and south. Running the world practically. Running it faster and faster. +Creative. There’s that Palestine canal affair. Marvellous idee! Suppose +we take that up, suppose we let ourselves in for it, us and the others, and run +that water sluice from the Mediterranean into the Dead Sea Valley—think +of the difference it will make! All the desert blooming like a rose, Jericho +lost for ever, all the Holy Places under water.... Very likely destroy +Christianity.”... +</p> + +<p> +He mused for a space. “Cuttin’ canals,” murmured my uncle. +“Making tunnels.... New countries.... New centres.... Zzzz.... +Finance.... Not only Palestine. +</p> + +<p> +“I wonder where we shall get before we done, George? We got a lot of big +things going. We got the investing public sound and sure. I don’t see why +in the end we shouldn’t be very big. There’s difficulties but +I’m equal to them. We’re still a bit soft in our bones, but +they’ll harden all right.... I suppose, after all, I’m worth +something like a million, George, cleared up and settled. If I got out of +things now. It’s a great time, George, a wonderful time!”... +</p> + +<p> +I glanced through the twilight at his convexity and I must confess it struck me +that on the whole he wasn’t particularly good value. +</p> + +<p> +“We got our hands on things, George, us big people. We got to hang +together, George run the show. Join up with the old order like that mill-wheel +of Kipling’s. (Finest thing he ever wrote, George; I jes’ been +reading it again. Made me buy Lady Grove.) Well, we got to run the country, +George. It’s ours. Make it a Scientific Organised Business Enterprise. +Put idees into it. ’Lectrify it. Run the Press. Run all sorts of +developments. All sorts of developments. I been talking to Lord Boom. I been +talking to all sorts of people. Great things. Progress. The world on business +lines. Only jes’ beginning.”... +</p> + +<p> +He fell into a deep meditation. +</p> + +<p> +He Zzzzed for a time and ceased. +</p> + +<p> +“<i>Yes</i>,” he said at last in the tone of a man who has at last +emerged with ultimate solutions to the profoundest problems. +</p> + +<p> +“What?” I said after a seemly pause. +</p> + +<p> +My uncle hung fire for a moment and it seemed to me the fate of nations +trembled in the balance. Then he spoke as one who speaks from the very bottom +of his heart—and I think it was the very bottom of his heart. +</p> + +<p> +“I’d jes’ like to drop into the Eastry Arms, jes’ when +all those beggars in the parlour are sittin’ down to whist, Ruck and +Marbel and all, and give ’em ten minutes of my mind, George. Straight +from the shoulder. Jes’ exactly what I think of them. It’s a little +thing, but I’d like to do it jes’ once before I die.”... +</p> + +<p> +He rested on that for some time Zzzz-ing. +</p> + +<p> +Then he broke out at a new place in a tone of detached criticism. +</p> + +<p> +“There’s Boom,” he reflected. +</p> + +<p> +“It’s a wonderful system this old British system, George. +It’s staid and stable and yet it has a place for new men. We come up and +take our places. It’s almost expected. We take a hand. That’s where +our Democracy differs from America. Over there a man succeeds; all he gets is +money. Here there’s a system open to every one—practically.... +Chaps like Boom—come from nowhere.” +</p> + +<p> +His voice ceased. I reflected upon the spirit of his words. Suddenly I kicked +my feet in the air, rolled on my side and sat up suddenly on my deck chair with +my legs down. +</p> + +<p> +“You don’t mean it!” I said. +</p> + +<p> +“Mean what, George?” +</p> + +<p> +“Subscription to the party funds. Reciprocal advantage. Have we got to +that?” +</p> + +<p> +“Whad you driving at, George?” +</p> + +<p> +“You know. They’d never do it, man!” +</p> + +<p> +“Do what?” he said feebly; and, “Why shouldn’t +they?” +</p> + +<p> +“They’d not even go to a baronetcy. <i>No!</i>.... And yet, of +course, there’s Boom! And Collingshead and Gorver. They’ve done +beer, they’ve done snippets! After all Tono-Bungay—it’s not +like a turf commission agent or anything like that!... There have of course +been some very gentlemanly commission agents. It isn’t like a fool of a +scientific man who can’t make money!” +</p> + +<p> +My uncle grunted; we’d differed on that issue before. +</p> + +<p> +A malignant humour took possession of me. “What would they call +you?” I speculated. “The vicar would like Duffield. Too much like +Duffer! Difficult thing, a title.” I ran my mind over various +possibilities. “Why not take a leaf from a socialist tract I came upon +yesterday. Chap says we’re all getting delocalised. Beautiful +word—delocalised! Why not be the first delocalised peer? That gives +you—Tono-Bungay! There is a Bungay, you know. Lord Tono of +Bungay—in bottles everywhere. Eh?” +</p> + +<p> +My uncle astonished me by losing his temper. +</p> + +<p> +“Damn it. George, you don’t seem to see I’m serious! +You’re always sneering at Tono-Bungay! As though it was some sort of +swindle. It was perfec’ly legitimate trade, perfec’ly legitimate. +Good value and a good article.... When I come up here and tell you plans and +exchange idees—you sneer at me. You <i>do</i>. You don’t +see—it’s a big thing. It’s a big thing. You got to get used +to new circumstances. You got to face what lies before us. You got to drop that +tone.” +</p> + +<h4>IX</h4> + +<p> +My uncle was not altogether swallowed up in business and ambition. He kept in +touch with modern thought. For example, he was, I know, greatly swayed by what +he called “This Overman idee, Nietzsche—all that stuff.” +</p> + +<p> +He mingled those comforting suggestions of a potent and exceptional human being +emancipated from the pettier limitations of integrity with the Napoleonic +legend. It gave his imagination a considerable outlet. That Napoleonic legend! +The real mischief of Napoleon’s immensely disastrous and accidental +career began only when he was dead and the romantic type of mind was free to +elaborate his character. I do believe that my uncle would have made a far less +egregious smash if there had been no Napoleonic legend to misguide him. He was +in many ways better and infinitely kinder than his career. But when in doubt +between decent conduct and a base advantage, that cult came in more and more +influentially: “think of Napoleon; think what the inflexibly-wilful +Napoleon would have done with such scruples as yours;” that was the rule, +and the end was invariably a new step in dishonour. +</p> + +<p> +My uncle was in an unsystematic way a collector of Napoleonic relics; the +bigger the book about his hero the more readily he bought it; he purchased +letters and tinsel and weapons that bore however remotely upon the Man of +Destiny, and he even secured in Geneva, though he never brought home, an old +coach in which Buonaparte might have ridden; he crowded the quiet walls of Lady +Grove with engravings and figures of him, preferring, my aunt remarked, the +more convex portraits with the white vest and those statuettes with the hands +behind the back which threw forward the figure. The Durgans watched him through +it all, sardonically. +</p> + +<p> +And he would stand after breakfast at times in the light of the window at Lady +Grove, a little apart, with two fingers of one hand stuck between his +waistcoat-buttons and his chin sunken, thinking,—the most preposterous +little fat man in the world. It made my aunt feel, she said, “like an old +Field Marshal—knocks me into a cocked hat, George!” +</p> + +<p> +Perhaps this Napoleonic bias made him a little less frequent with his cigars +than he would otherwise have been, but of that I cannot be sure, and it +certainly caused my aunt a considerable amount of vexation after he had read +<i>Napoleon and the Fair Sex</i>, because for a time that roused him to a sense +of a side of life he had in his commercial preoccupations very largely +forgotten. Suggestion plays so great a part in this field. My uncle took the +next opportunity and had an “affair”! +</p> + +<p> +It was not a very impassioned affair, and the exact particulars never of course +reached me. It is quite by chance I know anything of it at all. One evening I +was surprised to come upon my uncle in a mixture of Bohemia and smart people at +an At Home in the flat of Robbert, the R.A. who painted my aunt, and he was +standing a little apart in a recess, talking or rather being talked to in +undertones by a plump, blond little woman in pale blue, a Helen Scrymgeour who +wrote novels and was organising a weekly magazine. I elbowed a large lady who +was saying something about them, but I didn’t need to hear the thing she +said to perceive the relationship of the two. It hit me like a placard on a +hoarding. I was amazed the whole gathering did not see it. Perhaps they did. +She was wearing a remarkably fine diamond necklace, much too fine for +journalism, and regarding him with that quality of questionable proprietorship, +of leashed but straining intimacy, that seems inseparable from this sort of +affair. It is so much more palpable than matrimony. If anything was wanted to +complete my conviction it was my uncles’s eyes when presently he became +aware of mine, a certain embarrassment and a certain pride and defiance. And +the next day he made an opportunity to praise the lady’s intelligence to +me concisely, lest I should miss the point of it all. +</p> + +<p> +After that I heard some gossip—from a friend of the lady’s. I was +much too curious to do anything but listen. I had never in all my life imagined +my uncle in an amorous attitude. It would appear that she called him her +“God in the Car”—after the hero in a novel of Anthony +Hope’s. It was essential to the convention of their relations that he +should go relentlessly whenever business called, and it was generally arranged +that it did call. To him women were an incident, it was understood between +them; Ambition was the master-passion. A great world called him and the noble +hunger for Power. I have never been able to discover just how honest Mrs. +Scrymgeour was in all this, but it is quite possible the immense glamour of his +financial largeness prevailed with her and that she did bring a really romantic +feeling to their encounters. There must have been some extraordinary +moments.... +</p> + +<p> +I was a good deal exercised and distressed about my aunt when I realised what +was afoot. I thought it would prove a terrible humiliation to her. I suspected +her of keeping up a brave front with the loss of my uncle’s affections +fretting at her heart, but there I simply underestimated her. She didn’t +hear for some time and when she did hear she was extremely angry and energetic. +The sentimental situation didn’t trouble her for a moment. She decided +that my uncle “wanted smacking.” She accentuated herself with an +unexpected new hat, went and gave him an inconceivable talking-to at the +Hardingham, and then came round to “blow-up” me for not telling her +what was going on before.... +</p> + +<p> +I tried to bring her to a proper sense of the accepted values in this affair, +but my aunt’s originality of outlook was never so invincible. “Men +don’t tell on one another in affairs of passion,” I protested, and +such-like worldly excuses. +</p> + +<p> +“Women!” she said in high indignation, “and men! It +isn’t women and men—it’s him and me, George! Why don’t +you talk sense? +</p> + +<p> +“Old passion’s all very well, George, in its way, and I’m the +last person to be jealous. But this is old nonsense.... I’m not going to +let him show off what a silly old lobster he is to other women.... I’ll +mark every scrap of his underclothes with red letters, +‘Ponderevo-Private’—every scrap. +</p> + +<p> +“Going about making love indeed,—in abdominal belts!—at his +time of life!” +</p> + +<p> +I cannot imagine what passed between her and my uncle. But I have no doubt that +for once her customary badinage was laid aside. How they talked then I do not +know, for I who knew them so well had never heard that much of intimacy between +them. At any rate it was a concerned and preoccupied “God in the +Car” I had to deal with in the next few days, unusually Zzzz-y and given +to slight impatient gestures that had nothing to do with the current +conversation. And it was evident that in all directions he was finding things +unusually difficult to explain. +</p> + +<p> +All the intimate moments in this affair were hidden from me, but in the end my +aunt triumphed. He did not so much throw as jerk over Mrs. Scrymgeour, and she +did not so much make a novel of it as upset a huge pailful of attenuated and +adulterated female soul upon this occasion. My aunt did not appear in that, +even remotely. So that it is doubtful if the lady knew the real causes of her +abandonment. The Napoleonic hero was practically unmarried, and he threw over +his lady as Napoleon threw over Josephine for a great alliance. +</p> + +<p> +It was a triumph for my aunt, but it had its price. For some time it was +evident things were strained between them. He gave up the lady, but he resented +having to do so, deeply. She had meant more to his imagination than one could +have supposed. He wouldn’t for a long time “come round.” He +became touchy and impatient and secretive towards my aunt, and she, I noted, +after an amazing check or so, stopped that stream of kindly abuse that had +flowed for so long and had been so great a refreshment in their lives. They +were both the poorer for its cessation, both less happy. She devoted herself +more and more to Lady Grove and the humours and complications of its +management. The servants took to her—as they say—she god-mothered +three Susans during her rule, the coachman’s, the gardener’s, and +the Up Hill gamekeeper’s. She got together a library of old household +books that were in the vein of the place. She revived the still-room, and +became a great artist in jellies and elder and cowslip wine. +</p> + +<h4>X</h4> + +<p> +And while I neglected the development of my uncle’s finances—and my +own, in my scientific work and my absorbing conflict with the difficulties of +flying,—his schemes grew more and more expansive and hazardous, and his +spending wilder and laxer. I believe that a haunting sense of the intensifying +unsoundness of his position accounts largely for his increasing irritability +and his increasing secretiveness with my aunt and myself during these crowning +years. He dreaded, I think, having to explain, he feared our jests might pierce +unwittingly to the truth. Even in the privacy of his mind he would not face the +truth. He was accumulating unrealisable securities in his safes until they hung +a potential avalanche over the economic world. But his buying became a fever, +and his restless desire to keep it up with himself that he was making a +triumphant progress to limitless wealth gnawed deeper and deeper. A curious +feature of this time with him was his buying over and over again of similar +things. His ideas seemed to run in series. Within a twelve-month he bought five +new motor-cars, each more swift and powerful than its predecessor, and only the +repeated prompt resignation of his chief chauffeur at each moment of danger, +prevented his driving them himself. He used them more and more. He developed a +passion for locomotion for its own sake. +</p> + +<p> +Then he began to chafe at Lady Grove, fretted by a chance jest he had overheard +at a dinner. “This house, George,” he said. “It’s a +misfit. There’s no elbow-room in it; it’s choked with old memories. +And I can’t stand all these damned Durgans! +</p> + +<p> +“That chap in the corner, George. No! the other corner! The man in a +cherry-coloured coat. He watched you! He’d look silly if I stuck a poker +through his Gizzard!” +</p> + +<p> +“He’d look,” I reflected, “much as he does now. As +though he was amused.” +</p> + +<p> +He replaced his glasses, which had fallen at his emotion, and glared at his +antagonists. “What are they? What are they all, the lot of ’em? +Dead as Mutton! They just stuck in the mud. They didn’t even rise to the +Reformation. The old out-of-date Reformation! Move with the times!—they +moved against the times. +</p> + +<p> +“Just a Family of Failure,—they never even tried! +</p> + +<p> +“They’re jes’, George, exactly what I’m not. Exactly. +It isn’t suitable.... All this living in the Past. +</p> + +<p> +“And I want a bigger place too, George. I want air and sunlight and room +to move about and more service. A house where you can get a Move on things! +Zzzz. Why! it’s like a discord—it jars—even to have the +telephone.... There’s nothing, nothing except the terrace, that’s +worth a Rap. It’s all dark and old and dried up and full of old-fashioned +things—musty old idees—fitter for a silver-fish than a modern +man.... I don’t know how I got here.” +</p> + +<p> +He broke out into a new grievance. “That damned vicar,” he +complained, “thinks I ought to think myself lucky to get this place! +Every time I meet him I can see him think it.... One of these days, George +I’ll show him what a Mod’un house is like!” +</p> + +<p> +And he did. +</p> + +<p> +I remember the day when he declared, as Americans say, for Crest Hill. He had +come up to see my new gas plant, for I was then only just beginning to +experiment with auxiliary collapsible balloons, and all the time the shine of +his glasses was wandering away to the open down beyond. “Let’s go +back to Lady Grove over the hill,” he said. “Something I want to +show you. Something fine!” +</p> + +<p> +It was an empty sunlit place that summer evening, sky and earth warm with +sundown, and a pe-wit or so just accentuating the pleasant stillness that ends +a long clear day. A beautiful peace, it was, to wreck for ever. And there was +my uncle, the modern man of power, in his grey top-hat and his grey suit and +his black-ribboned glasses, short, thin-legged, large-stomached, pointing and +gesticulating, threatening this calm. +</p> + +<p> +He began with a wave of his arm. “That’s the place, George,” +he said. “See?” +</p> + +<p> +“Eh!” I cried—for I had been thinking of remote things. +</p> + +<p> +“I got it.” +</p> + +<p> +“Got what?” +</p> + +<p> +“For a house!—a Twentieth Century house! That’s the place for +it!” +</p> + +<p> +One of his characteristic phrases was begotten in him. +</p> + +<p> +“Four-square to the winds of heaven, George!” he said. “Eh? +Four-square to the winds of heaven!” +</p> + +<p> +“You’ll get the winds up here,” I said. +</p> + +<p> +“A mammoth house it ought to be, George—to suit these hills.” +</p> + +<p> +“Quite,” I said. +</p> + +<p> +“Great galleries and things—running out there and there—See? +I been thinking of it, George! Looking out all this way—across the Weald. +With its back to Lady Grove.” +</p> + +<p> +“And the morning sun in its eye.” +</p> + +<p> +“Like an eagle, George,—like an eagle!” +</p> + +<p> +So he broached to me what speedily became the leading occupation of his +culminating years, Crest Hill. But all the world has heard of that extravagant +place which grew and changed its plans as it grew, and bubbled like a salted +snail, and burgeoned and bulged and evermore grew. I know not what delirium of +pinnacles and terraces and arcades and corridors glittered at last upon the +uplands of his mind; the place, for all that its expansion was terminated +abruptly by our collapse, is wonderful enough as it stands,—that empty +instinctive building of a childless man. His chief architect was a young man +named Westminster, whose work he had picked out in the architecture room of the +Royal Academy on account of a certain grandiose courage in it, but with him he +associated from time to time a number of fellow professionals, stonemasons, +sanitary engineers, painters, sculptors, scribes, metal workers, wood carvers, +furniture designers, ceramic specialists, landscape gardeners, and the man who +designs the arrangement and ventilation of the various new houses in the London +Zoological Gardens. In addition he had his own ideas. The thing occupied his +mind at all times, but it held it completely from Friday night to Monday +morning. He would come down to Lady Grove on Friday night in a crowded +motor-car that almost dripped architects. He didn’t, however, confine +himself to architects; every one was liable to an invitation to week-end and +view Crest Hill, and many an eager promoter, unaware of how Napoleonically and +completely my uncle had departmentalised his mind, tried to creep up to him by +way of tiles and ventilators and new electric fittings. Always on Sunday +mornings, unless the weather was vile, he would, so soon as breakfast and his +secretaries were disposed of, visit the site with a considerable retinue, and +alter and develop plans, making modifications, Zzzz-ing, giving immense new +orders verbally—an unsatisfactory way, as Westminster and the contractors +ultimately found. +</p> + +<p> +There he stands in my memory, the symbol of this age for me, the man of luck +and advertisement, the current master of the world. There he stands upon the +great outward sweep of the terrace before the huge main entrance, a little +figure, ridiculously disproportionate to that forty-foot arch, with the granite +ball behind him—the astronomical ball, brass coopered, that represented +the world, with a little adjustable tube of lenses on a gun-metal arm that +focussed the sun upon just that point of the earth on which it chanced to be +shining vertically. There he stands, Napoleonically grouped with his retinue +men in tweeds and golfing-suits, a little solicitor, whose name I forget, in +grey trousers and a black jacket, and Westminster in Jaeger underclothing, a +floriferous tie, and peculiar brown cloth of his own. +</p> + +<p> +The downland breeze flutters my uncle’s coat-tails, disarranges his stiff +hair, and insists on the evidence of undisciplined appetites in face and form, +as he points out this or that feature in the prospect to his attentive +collaborator. +</p> + +<p> +Below are hundreds of feet of wheeling-planks, ditches, excavations, heaps of +earth, piles of garden stone from the Wealden ridges. On either hand the walls +of his irrelevant unmeaning palace rise at one time he had working in that +place—disturbing the economic balance of the whole countryside by their +presence—upwards of three thousand men.... +</p> + +<p> +So he poses for my picture amidst the raw beginnings that were never to be +completed. He did the strangest things about that place, things more and more +detached from any conception of financial scale, things more and more apart +from sober humanity. He seemed to think himself, at last, released from any +such limitations. He moved a quite considerable hill, and nearly sixty mature +trees were moved with it to open his prospect eastward, moved it about two +hundred feet to the south. At another time he caught a suggestion from some +city restaurant and made a billiard-room roofed with plate glass beneath the +waters of his ornamental lake. He furnished one wing while its roof still +awaited completion. He had a swimming bath thirty feet square next to his +bedroom upstairs, and to crown it all he commenced a great wall to hold all his +dominions together, free from the invasion of common men. It was a ten-foot +wall, glass surmounted, and had it been completed as he intended it, it would +have had a total length of nearly eleven miles. Some of it towards the last was +so dishonestly built that it collapsed within a year upon its foundations, but +some miles of it still stand. I never think of it now but what I think of the +hundreds of eager little investors who followed his “star,” whose +hopes and lives, whose wives’ security and children’s prospects are +all mixed up beyond redemption with that flaking mortar.... +</p> + +<p> +It is curious how many of these modern financiers of chance and bluff have +ended their careers by building. It was not merely my uncle. Sooner or later +they all seem to bring their luck to the test of realisation, try to make their +fluid opulence coagulate out as bricks and mortar, bring moonshine into +relations with a weekly wages-sheet. Then the whole fabric of confidence and +imagination totters—and down they come.... +</p> + +<p> +When I think of that despoiled hillside, that colossal litter of bricks and +mortar, and crude roads and paths, the scaffolding and sheds, the general +quality of unforeseeing outrage upon the peace of nature, I am reminded of a +chat I had with the vicar one bleak day after he had witnessed a glide. He +talked to me of aeronautics as I stood in jersey and shorts beside my machine, +fresh from alighting, and his cadaverous face failed to conceal a peculiar +desolation that possessed him. +</p> + +<p> +“Almost you convince me,” he said, coming up to me, “against +my will.... A marvellous invention! But it will take you a long time, sir, +before you can emulate that perfect mechanism—the wing of a bird.” +</p> + +<p> +He looked at my sheds. +</p> + +<p> +“You’ve changed the look of this valley, too,” he said. +</p> + +<p> +“Temporary defilements,” I remarked, guessing what was in his mind. +</p> + +<p> +“Of course. Things come and go. Things come and go. But—H’m. +I’ve just been up over the hill to look at Mr. Edward Ponderevo’s +new house. That—that is something more permanent. A magnificent +place!—in many ways. Imposing. I’ve never somehow brought myself to +go that way before. Things are greatly advanced.... We find—the great +number of strangers introduced into the villages about here by these +operations, working-men chiefly, a little embarrassing. It put us out. They +bring a new spirit into the place; betting—ideas—all sorts of queer +notions. Our publicans like it, of course. And they come and sleep in +one’s outhouses—and make the place a little unsafe at nights. The +other morning I couldn’t sleep—a slight dyspepsia—and I +looked out of the window. I was amazed to see people going by on bicycles. A +silent procession. I counted ninety-seven—in the dawn. All going up to +the new road for Crest Hill. Remarkable I thought it. And so I’ve been up +to see what they were doing.” +</p> + +<p> +“They would have been more than remarkable thirty years ago,” I +said. +</p> + +<p> +“Yes, indeed. Things change. We think nothing of it now at +all—comparatively. And that big house—” +</p> + +<p> +He raised his eyebrows. “Really stupendous! Stupendous. +</p> + +<p> +“All the hillside—the old turf—cut to ribbons!” +</p> + +<p> +His eye searched my face. “We’ve grown so accustomed to look up to +Lady Grove,” he said, and smiled in search of sympathy. “It shifts +our centre of gravity.” +</p> + +<p> +“Things will readjust themselves,” I lied. +</p> + +<p> +He snatched at the phrase. “Of course,” he said. +</p> + +<p> +“They’ll readjust themselves—settle down again. Must. In the +old way. It’s bound to come right again—a comforting thought. Yes. +After all, Lady Grove itself had to be built once upon a +time—was—to begin with—artificial.” +</p> + +<p> +His eye returned to my aeroplane. He sought to dismiss his graver +preoccupations. “I should think twice,” he remarked, “before +I trusted myself to that concern.... But I suppose one grows accustomed to the +motion.” +</p> + +<p> +He bade me good morning and went his way, bowed and thoughtful.... +</p> + +<p> +He had kept the truth from his mind a long time, but that morning it had forced +its way to him with an aspect that brooked no denial that this time it was not +just changes that were coming in his world, but that all his world lay open and +defenceless, conquered and surrendered, doomed so far as he could see, root and +branch, scale and form alike, to change. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap10"></a>CHAPTER THE THIRD<br /> +SOARING</h3> + +<h4>I</h4> + +<p> +For nearly all the time that my uncle was incubating and hatching Crest Hill I +was busy in a little transverse valley between that great beginning and Lady +Grove with more and more costly and ambitious experiments in aerial navigation. +This work was indeed the main substance of my life through all the great time +of the Tono-Bungay symphony. +</p> + +<p> +I have told already how I came to devote myself to this system of inquiries, +how in a sort of disgust with the common adventure of life I took up the +dropped ends of my college studies, taking them up again with a man’s +resolution instead of a boy’s ambition. From the first I did well at this +work. It—was, I think, largely a case of special aptitude, of a peculiar +irrelevant vein of faculty running through my mind. It is one of those things +men seem to have by chance, that has little or nothing to do with their general +merit, and which it is ridiculous to be either conceited or modest about. I did +get through a very big mass of work in those years, working for a time with a +concentrated fierceness that left little of such energy or capacity as I +possess unused. I worked out a series of problems connected with the stability +of bodies pitching in the air and the internal movements of the wind, and I +also revolutionised one leading part at last of the theory of explosive +engines. These things are to be found in the <i>Philosophical Transactions</i>, +the <i>Mathematical Journal</i>, and less frequently in one or two other such +publications, and they needn’t detain us here. Indeed, I doubt if I could +write about them here. One acquires a sort of shorthand for one’s notes +and mind in relation to such special work. I have never taught; nor lectured, +that is to say, I have never had to express my thoughts about mechanical things +in ordinary everyday language, and I doubt very much if I could do so now +without extreme tedium. +</p> + +<p> +My work was, to begin with, very largely theoretical. I was able to attack such +early necessities of verification as arose with quite little models, using a +turntable to get the motion through the air, and cane, whalebone and silk as +building material. But a time came when incalculable factors crept in, factors +of human capacity and factors of insufficient experimental knowledge, when one +must needs guess and try. Then I had to enlarge the scale of my operations, and +soon I had enlarged them very greatly. I set to work almost concurrently on the +balance and stability of gliders and upon the steering of inflated bags, the +latter a particularly expensive branch of work. I was no doubt moved by +something of the same spirit of lavish expenditure that was running away with +my uncle in these developments. Presently my establishment above Lady Grove had +grown to a painted wood chalet big enough to accommodate six men, and in which +I would sometimes live for three weeks together; to a gasometer, to a +motor-house, to three big corrugated-roofed sheds and lock-up houses, to a +stage from which to start gliders, to a workshop and so forth. A rough road was +made. We brought up gas from Cheaping and electricity from Woking, which place +I found also afforded a friendly workshop for larger operations than I could +manage. I had the luck also to find a man who seemed my heaven-sent +second-in-command—Cothope his name was. He was a self-educated-man; he +had formerly been a sapper and he was one of the best and handiest working +engineers alive. Without him I do not think I could have achieved half what I +have done. At times he has been not so much my assistant as my collaborator, +and has followed my fortunes to this day. Other men came and went as I needed +them. +</p> + +<p> +I do not know how far it is possible to convey to any one who has not +experienced it, the peculiar interest, the peculiar satisfaction that lies in a +sustained research when one is not hampered by want of money. It is a different +thing from any other sort of human effort. You are free from the exasperating +conflict with your fellow-creatures altogether—at least so far as the +essential work goes; that for me is its peculiar merit. Scientific truth is the +remotest of mistresses; she hides in strange places, she is attained by +tortuous and laborious roads, but <i>she is always there!</i> Win to her and +she will not fail you; she is yours and mankind’s for ever. She is +reality, the one reality I have found in this strange disorder of existence. +She will not sulk with you nor misunderstand you nor cheat you of your reward +upon some petty doubt. You cannot change her by advertisement or clamour, nor +stifle her in vulgarities. Things grow under your hands when you serve her, +things that are permanent as nothing else is permanent in the whole life of +man. That, I think, is the peculiar satisfaction of science and its enduring +reward.... +</p> + +<p> +The taking up of experimental work produced a great change in my personal +habits. I have told how already once in my life at Wimblehurst I had a period +of discipline and continuous effort, and how, when I came to South Kensington, +I became demoralised by the immense effect of London, by its innumerable +imperative demands upon my attention and curiosity. And I parted with much of +my personal pride when I gave up science for the development of Tono-Bungay. +But my poverty kept me abstinent and my youthful romanticism kept me chaste +until my married life was well under way. Then in all directions I relaxed. I +did a large amount of work, but I never troubled to think whether it was my +maximum nor whether the moods and indolences that came to me at times were +avoidable things. With the coming of plenty I ate abundantly and foolishly, +drank freely and followed my impulses more and more carelessly. I felt no +reason why I should do anything else. Never at any point did I use myself to +the edge of my capacity. The emotional crisis of my divorce did not produce any +immediate change in these matters of personal discipline. I found some +difficulty at first in concentrating my mind upon scientific work, it was so +much more exacting than business, but I got over that difficulty by smoking. I +became an inordinate cigar smoker; it gave me moods of profound depression, but +I treated these usually by the homeopathic method,—by lighting another +cigar. I didn’t realise at all how loose my moral and nervous fibre had +become until I reached the practical side of my investigations and was face to +face with the necessity of finding out just how it felt to use a glider and +just what a man could do with one. +</p> + +<p> +I got into this relaxed habit of living in spite of very real tendencies in my +nature towards discipline. I’ve never been in love with self-indulgence. +That philosophy of the loose lip and the lax paunch is one for which I’ve +always had an instinctive distrust. I like bare things, stripped things, plain, +austere and continent things, fine lines and cold colours. But in these +plethoric times when there is too much coarse stuff for everybody and the +struggle for life takes the form of competitive advertisement and the effort to +fill your neighbour’s eye, when there is no urgent demand either for +personal courage, sound nerves or stark beauty, we find ourselves by accident. +Always before these times the bulk of the people did not over-eat themselves, +because they couldn’t, whether they wanted to do so or not, and all but a +very few were kept “fit” by unavoidable exercise and personal +danger. Now, if only he pitch his standard low enough and keep free from pride, +almost any one can achieve a sort of excess. You can go through contemporary +life fudging and evading, indulging and slacking, never really hungry nor +frightened nor passionately stirred, your highest moment a mere sentimental +orgasm, and your first real contact with primary and elemental necessities, the +sweat of your death-bed. So I think it was with my uncle; so, very nearly, it +was with me. +</p> + +<p> +But the glider brought me up smartly. I had to find out how these things went +down the air, and the only way to find out is to go down with one. And for a +time I wouldn’t face it. +</p> + +<p> +There is something impersonal about a book, I suppose. At any rate I find +myself able to write down here just the confession I’ve never been able +to make to any one face to face, the frightful trouble it was to me to bring +myself to do what I suppose every other coloured boy in the West Indies could +do without turning a hair, and that is to fling myself off for my first soar +down the wind. The first trial was bound to be the worst; it was an experiment +I made with life, and the chance of death or injury was, I supposed, about +equal to the chance of success. I believed that with a dawn-like lucidity. I +had begun with a glider that I imagined was on the lines of the Wright +brothers’ aeroplane, but I could not be sure. It might turn over. I might +upset it. It might burrow its nose at the end and smash itself and me. The +conditions of the flight necessitated alert attention; it wasn’t a thing +to be done by jumping off and shutting one’s eyes or getting angry or +drunk to do it. One had to use one’s weight to balance. And when at last +I did it it was horrible—for ten seconds. For ten seconds or so, as I +swept down the air flattened on my infernal framework and with the wind in my +eyes, the rush of the ground beneath me filled me with sick and helpless +terror; I felt as though some violent oscillatory current was throbbing in +brain and back bone, and I groaned aloud. I set my teeth and groaned. It was a +groan wrung out of me in spite of myself. My sensations of terror swooped to a +climax. And then, you know, they ended! +</p> + +<p> +Suddenly my terror was over and done with. I was soaring through the air right +way up, steadily, and no mischance had happened. I felt intensely alive and my +nerves were strung like a bow. I shifted a limb, swerved and shouted between +fear and triumph as I recovered from the swerve and heeled the other way and +steadied myself. +</p> + +<p> +I thought I was going to hit a rook that was flying athwart me,—it was +queer with what projectile silence that jumped upon me out of nothingness, and +I yelled helplessly, “Get out of the way!” The bird doubled itself +up like a partly inverted V, flapped, went up to the right abruptly and +vanished from my circle of interest. Then I saw the shadow of my aeroplane +keeping a fixed distance before me and very steady, and the turf as it seemed +streaming out behind it. The turf!—it wasn’t after all streaming so +impossibly fast. +</p> + +<p> +When I came gliding down to the safe spread of level green I had chosen, I was +as cool and ready as a city clerk who drops off an omnibus in motion, and I had +learnt much more than soaring. I tilted up her nose at the right moment, +levelled again and grounded like a snowflake on a windless day. I lay flat for +an instant and then knelt up and got on my feet atremble, but very satisfied +with myself. Cothope was running down the hill to me. ... +</p> + +<p> +But from that day I went into training, and I kept myself in training for many +months. I had delayed my experiments for very nearly six weeks on various +excuses because of my dread of this first flight, because of the slackness of +body and spirit that had come to me with the business life. The shame of that +cowardice spurred me none the less because it was probably altogether my own +secret. I felt that Cothope at any rate might suspect. Well,—he +shouldn’t suspect again. +</p> + +<p> +It is curious that I remember that shame and self accusation and its +consequences far more distinctly than I recall the weeks of vacillation before +I soared. For a time I went altogether without alcohol, I stopped smoking +altogether and ate very sparingly, and every day I did something that called a +little upon my nerves and muscles. I soared as frequently as I could. I +substituted a motor-bicycle for the London train and took my chances in the +southward traffic, and I even tried what thrills were to be got upon a horse. +But they put me on made horses, and I conceived a perhaps unworthy contempt for +the certitudes of equestrian exercise in comparison with the adventures of +mechanism. Also I walked along the high wall at the back of Lady Grove garden, +and at last brought myself to stride the gap where the gate comes. If I +didn’t altogether get rid of a certain giddy instinct by such exercises, +at least I trained my will until it didn’t matter. And soon I no longer +dreaded flight, but was eager to go higher into the air, and I came to esteem +soaring upon a glider, that even over the deepest dip in the ground had barely +forty feet of fall beneath it, a mere mockery of what flight might be. I began +to dream of the keener freshness in the air high above the beechwoods, and it +was rather to satisfy that desire than as any legitimate development of my +proper work that presently I turned a part of my energies and the bulk of my +private income to the problem of the navigable balloon. +</p> + +<h4>II</h4> + +<p> +I had gone far beyond that initial stage; I had had two smashes and a broken +rib which my aunt nursed with great energy, and was getting some reputation in +the aeronautic world when, suddenly, as though she had never really left it, +the Honourable Beatrice Normandy, dark-eyed, and with the old disorderly wave +of the hair from her brow, came back into my life. She came riding down a grass +path in the thickets below Lady Grove, perched up on a huge black horse, and +the old Earl of Carnaby and Archie Garvell, her half-brother, were with her. My +uncle had been bothering me about the Crest Hill hot-water pipes, and we were +returning by a path transverse to theirs and came out upon them suddenly. Old +Carnaby was trespassing on our ground, and so he hailed us in a friendly +fashion and pulled up to talk to us. +</p> + +<p> +I didn’t note Beatrice at all at first. I was interested in Lord Carnaby, +that remarkable vestige of his own brilliant youth. I had heard of him, but +never seen him. For a man of sixty-five who had sinned all the sins, so they +said, and laid waste the most magnificent political debut of any man of his +generation, he seemed to me to be looking remarkably fit and fresh. He was a +lean little man with grey-blue eyes in his brown face, and his cracked voice +was the worst thing in his effect. +</p> + +<p> +“Hope you don’t mind us coming this way, Ponderevo,” he +cried; and my uncle, who was sometimes a little too general and generous with +titles, answered, “Not at all, my lord, not at all! Glad you make use of +it!” +</p> + +<p> +“You’re building a great place over the hill,” said Carnaby. +</p> + +<p> +“Thought I’d make a show for once,” said my uncle. “It +looks big because it’s spread out for the sun.” +</p> + +<p> +“Air and sunlight,” said the earl. “You can’t have too +much of them. But before our time they used to build for shelter and water and +the high road.” +</p> + +<p> +Then I discovered that the silent figure behind the earl was Beatrice. +</p> + +<p> +I’d forgotten her sufficiently to think for a moment that she +hadn’t changed at all since she had watched me from behind the skirts of +Lady Drew. She was looking at me, and her dainty brow under her broad brimmed +hat—she was wearing a grey hat and loose unbuttoned coat—was knit +with perplexity, trying, I suppose, to remember where she had seen me before. +Her shaded eyes met mine with that mute question.... +</p> + +<p> +It seemed incredible to me she didn’t remember. +</p> + +<p> +“Well,” said the earl and touched his horse. +</p> + +<p> +Garvell was patting the neck of his horse, which was inclined to fidget, and +disregarding me. He nodded over his shoulder and followed. His movement seemed +to release a train of memories in her. She glanced suddenly at him and then +back at me with a flash of recognition that warmed instantly to a faint smile. +She hesitated as if to speak to me, smiled broadly and understandingly and +turned to follow the others. All three broke into a canter and she did not look +back. I stood for a second or so at the crossing of the lanes, watching her +recede, and then became aware that my uncle was already some paces off and +talking over his shoulder in the belief that I was close behind. I turned about +and strode to overtake him. My mind was full of Beatrice and this surprise. I +remembered her simply as a Normandy. I’d clean forgotten that Garvell was +the son and she the step-daughter of our neighbour, Lady Osprey. Indeed, +I’d probably forgotten at that time that we had Lady Osprey as a +neighbour. There was no reason at all for remembering it. It was amazing to +find her in this Surrey countryside, when I’d never thought of her as +living anywhere in the world but at Bladesover Park, near forty miles and +twenty years away. She was so alive—so unchanged! The same quick warm +blood was in her cheeks. It seemed only yesterday that we had kissed among the +bracken stems.... +</p> + +<p> +“Eh?” I said. +</p> + +<p> +“I say he’s good stuff,” said my uncle. “You can say +what you like against the aristocracy, George; Lord Carnaby’s rattling +good stuff. There’s a sort of <i>Savoir Faire</i>, +something—it’s an old-fashioned phrase, George, but a good one +there’s a Bong-Tong.... It’s like the Oxford turf, George, you +can’t grow it in a year. I wonder how they do it. It’s living +always on a Scale, George. It’s being there from the beginning.”... +</p> + +<p> +“She might,” I said to myself, “be a picture by Romney come +alive!” +</p> + +<p> +“They tell all these stories about him,” said my uncle, “but +what do they all amount to?” +</p> + +<p> +“Gods!” I said to myself; “but why have I forgotten for so +long? Those queer little brows of hers, the touch of mischief in her +eyes—the way she breaks into a smile!” +</p> + +<p> +“I don’t blame him,” said my uncle. “Mostly it’s +imagination. That and leisure, George. When I was a young man I was kept pretty +busy. So were you. Even then—!” +</p> + +<p> +What puzzled me more particularly was the queer trick of my memory that had +never recalled anything vital of Beatrice whatever when I met Garvell again +that had, indeed, recalled nothing except a boyish antagonism and our fight. +Now when my senses were full of her, it seemed incredible that I could ever +have forgotten.... +</p> + +<h4>III</h4> + +<p> +“Oh, Crikey!” said my aunt, reading a letter behind her +coffee-machine. “<i>Here’s</i> a young woman, George!” +</p> + +<p> +We were breakfasting together in the big window bay at Lady Grove that looks +upon the iris beds; my uncle was in London. +</p> + +<p> +I sounded an interrogative note and decapitated an egg. +</p> + +<p> +“Who’s Beatrice Normandy?” asked my aunt. “I’ve +not heard of her before.” +</p> + +<p> +“She the young woman?” +</p> + +<p> +“Yes. Says she knows you. I’m no hand at old etiquette, George, but +her line is a bit unusual. Practically she says she’s going to make her +mother—” +</p> + +<p> +“Eh? Step-mother, isn’t it?” +</p> + +<p> +“You seem to know a lot about her. She says +‘mother’—Lady Osprey. They’re to call on me, anyhow, +next Wednesday week at four, and there’s got to be you for tea.” +</p> + +<p> +“Eh?” +</p> + +<p> +“You—for tea. +</p> + +<p> +“H’m. She had rather—force of character. When I knew her +before.” +</p> + +<p> +I became aware of my aunt’s head sticking out obliquely from behind the +coffee-machine and regarding me with wide blue curiosity. I met her gaze for a +moment, flinched, coloured, and laughed. +</p> + +<p> +“I’ve known her longer than I’ve known you,” I said, +and explained at length. +</p> + +<p> +My aunt kept her eye on me over and round the coffee-machine as I did so. She +was greatly interested, and asked several elucidatory questions. +</p> + +<p> +“Why didn’t you tell me the day you saw her? You’ve had her +on your mind for a week,” she said. +</p> + +<p> +“It IS odd I didn’t tell you,” I admitted. +</p> + +<p> +“You thought I’d get a Down on her,” said my aunt +conclusively. “That’s what you thought” and opened the rest +of her letters. +</p> + +<p> +The two ladies came in a pony-carriage with conspicuous punctuality, and I had +the unusual experience of seeing my aunt entertaining callers. We had tea upon +the terrace under the cedar, but old Lady Osprey, being an embittered +Protestant, had never before seen the inside of the house, and we made a sort +of tour of inspection that reminded me of my first visit to the place. In spite +of my preoccupation with Beatrice, I stored a queer little memory of the +contrast between the two other women; my aunt, tall, slender and awkward, in a +simple blue homekeeping dress, an omnivorous reader and a very authentic wit, +and the lady of pedigree, short and plump, dressed with Victorian fussiness, +living at the intellectual level of palmistry and genteel fiction, pink in the +face and generally flustered by a sense of my aunt’s social strangeness +and disposed under the circumstances to behave rather like an imitation of the +more queenly moments of her own cook. The one seemed made of whalebone, the +other of dough. My aunt was nervous, partly through the intrinsic difficulty of +handling the lady and partly because of her passionate desire to watch Beatrice +and me, and her nervousness took a common form with her, a wider clumsiness of +gesture and an exacerbation of her habitual oddity of phrase which did much to +deepen the pink perplexity of the lady of title. For instance, I heard my aunt +admit that one of the Stuart Durgan ladies did look a bit “balmy on the +crumpet”; she described the knights of the age of chivalry as +“korvorting about on the off-chance of a dragon”; she explained she +was “always old mucking about the garden,” and instead of offering +me a Garibaldi biscuit, she asked me with that faint lisp of hers, to +“have some squashed flies, George.” I felt convinced Lady Osprey +would describe her as “a most eccentric person” on the very first +opportunity;—“a most eccentric person.” One could see her, as +people say, “shaping” for that. +</p> + +<p> +Beatrice was dressed very quietly in brown, with a simple but courageous +broad-brimmed hat, and an unexpected quality of being grown-up and responsible. +She guided her step-mother through the first encounter, scrutinised my aunt, +and got us all well in movement through the house, and then she turned her +attention to me with a quick and half-confident smile. +</p> + +<p> +“We haven’t met,” she said, “since—” +</p> + +<p> +“It was in the Warren.” +</p> + +<p> +“Of course,” she said, “the Warren! I remembered it all +except just the name.... I was eight.” +</p> + +<p> +Her smiling eyes insisted on my memories being thorough. I looked up and met +them squarely, a little at a loss for what I should say. +</p> + +<p> +“I gave you away pretty completely,” she said, meditating upon my +face. “And afterwards I gave way Archie.” +</p> + +<p> +She turned her face away from the others, and her voice fell ever so little. +</p> + +<p> +“They gave him a licking for telling lies!” she said, as though +that was a pleasant memory. “And when it was all over I went to our +wigwam. You remember the wigwam?” +</p> + +<p> +“Out in the West Wood?” +</p> + +<p> +“Yes—and cried—for all the evil I had done you, I suppose.... +I’ve often thought of it since.”... +</p> + +<p> +Lady Osprey stopped for us to overtake her. “My dear!” she said to +Beatrice. “Such a beautiful gallery!” Then she stared very hard at +me, puzzled in the most naked fashion to understand who I might be. +</p> + +<p> +“People say the oak staircase is rather good,” said my aunt, and +led the way. +</p> + +<p> +Lady Osprey, with her skirts gathered for the ascent to the gallery and her +hand on the newel, turned and addressed a look full of meaning overflowing +indeed with meanings—at her charge. The chief meaning no doubt was +caution about myself, but much of it was just meaning at large. I chanced to +catch the response in a mirror and detected Beatrice with her nose wrinkled +into a swift and entirely diabolical grimace. Lady Osprey became a deeper shade +of pink and speechless with indignation—it was evident she disavowed all +further responsibility, as she followed my aunt upstairs. +</p> + +<p> +“It’s dark, but there’s a sort of dignity,” said +Beatrice very distinctly, regarding the hall with serene tranquillity, and +allowing the unwilling feet on the stairs to widen their distance from us. She +stood a step up, so that she looked down a little upon me and over me at the +old hall. +</p> + +<p> +She turned upon me abruptly when she thought her step-mother was beyond +ear-shot. +</p> + +<p> +“But how did you get here?” she asked. +</p> + +<p> +“Here?” +</p> + +<p> +“All this.” She indicated space and leisure by a wave of the hand +at hall and tall windows and sunlit terrace. “Weren’t you the +housekeeper’s son?” +</p> + +<p> +“I’ve adventured. My uncle has become—a great financier. He +used to be a little chemist about twenty miles from Bladesover. We’re +promoters now, amalgamators, big people on the new model.” +</p> + +<p> +“I understand.” She regarded me with interested eyes, visibly +thinking me out. +</p> + +<p> +“And you recognised me?” I asked. +</p> + +<p> +“After a second or so. I saw you recognised me. I couldn’t place +you, but I knew I knew you. Then Archie being there helped me to +remember.” +</p> + +<p> +“I’m glad to meet again,” I ventured. “I’d never +forgotten you.” +</p> + +<p> +“One doesn’t forget those childish things.” +</p> + +<p> +We regarded one another for a moment with a curiously easy and confident +satisfaction in coming together again. I can’t explain our ready zest in +one another. The thing was so. We pleased each other, we had no doubt in our +minds that we pleased each other. From the first we were at our ease with one +another. “So picturesque, so very picturesque,” came a voice from +above, and then: “Bee-atrice!” +</p> + +<p> +“I’ve a hundred things I want to know about you,” she said +with an easy intimacy, as we went up the winding steps.... +</p> + +<p> +As the four of us sat at tea together under the cedar on the terrace she asked +questions about my aeronautics. My aunt helped with a word or so about my +broken ribs. Lady Osprey evidently regarded flying as a most indesirable and +improper topic—a blasphemous intrusion upon the angels. “It +isn’t flying,” I explained. “We don’t fly yet.” +</p> + +<p> +“You never will,” she said compactly. “You never will.” +</p> + +<p> +“Well,” I said, “we do what we can.” +</p> + +<p> +The little lady lifted a small gloved hand and indicated a height of about four +feet from the ground. “Thus far,” she said, “thus +far—<i>and no farther!</i> No!” +</p> + +<p> +She became emphatically pink. “<i>No</i>,” she said again quite +conclusively, and coughed shortly. “Thank you,” she said to her +ninth or tenth cake. Beatrice burst into cheerful laughter with her eye on me. +I was lying on the turf, and this perhaps caused a slight confusion about the +primordial curse in Lady Osprey’s mind. +</p> + +<p> +“Upon his belly shall he go,” she said with quiet distinctness, +“all the days of his life.” +</p> + +<p> +After which we talked no more of aeronautics. +</p> + +<p> +Beatrice sat bunched together in a chair and regarded me with exactly the same +scrutiny, I thought, the same adventurous aggression, that I had faced long ago +at the tea-table in my mother’s room. She was amazingly like that little +Princess of my Bladesover memories, the wilful misbehaviours of her hair seemed +the same—her voice; things one would have expected to be changed +altogether. She formed her plans in the same quick way, and acted with the same +irresponsible decision. +</p> + +<p> +She stood up abruptly. +</p> + +<p> +“What is there beyond the terrace?” she said, and found me promptly +beside her. +</p> + +<p> +I invented a view for her. +</p> + +<p> +At the further corner from the cedar she perched herself up upon the parapet +and achieved an air of comfort among the lichenous stones. “Now tell +me,” she said, “all about yourself. Tell me about yourself; I know +such duffers of men! They all do the same things. How did you get—here? +All my men <i>were</i> here. They couldn’t have got here if they +hadn’t been here always. They wouldn’t have thought it right. +You’ve climbed.” +</p> + +<p> +“If it’s climbing,” I said. +</p> + +<p> +She went off at a tangent. “It’s—I don’t know if +you’ll understand—interesting to meet you again. I’ve +remembered you. I don’t know why, but I have. I’ve used you as a +sort of lay figure—when I’ve told myself stories. But you’ve +always been rather stiff and difficult in my stories—in ready-made +clothes—a Labour Member or a Bradlaugh, or something like that. +You’re not like that a bit. And yet you <i>are!</i>” +</p> + +<p> +She looked at me. “Was it much of a fight? They make out it is.” +</p> + +<p> +“I don’t know why.” +</p> + +<p> +“I was shot up here by an accident,” I said. “There was no +fight at all. Except to keep honest, perhaps and I made no great figure in +that. I and my uncle mixed a medicine and it blew us up. No merit in that! But +you’ve been here all the time. Tell me what you have done first.” +</p> + +<p> +“One thing we didn’t do.” She meditated for a moment. +</p> + +<p> +“What?” said I. +</p> + +<p> +“Produce a little half-brother for Bladesover. So it went to the +Phillbrick gang. And they let it! And I and my step-mother—we let, too. +And live in a little house.” +</p> + +<p> +She nodded her head vaguely over her shoulder and turned to me again. +“Well, suppose it was an accident. Here you are! Now you’re here, +what are you going to do? You’re young. Is it to be Parliament? heard +some men the other day talking about you. Before I knew you were you. They said +that was what you ought to do.”... +</p> + +<p> +She put me through my intentions with a close and vital curiosity. It was just +as she had tried to imagine me a soldier and place me years ago. She made me +feel more planless and incidental than ever. “You want to make a +flying-machine,” she pursued, “and when you fly? What then? Would +it be for fighting?” +</p> + +<p> +I told her something of my experimental work. She had never heard of the +soaring aeroplane, and was excited by the thought, and keen to hear about it. +She had thought all the work so far had been a mere projecting of impossible +machines. For her Pilcher and Lilienthal had died in vain. She did not know +such men had lived in the world. +</p> + +<p> +“But that’s dangerous!” she said, with a note of discovery. +</p> + +<p> +“Oh!—it’s dangerous.” +</p> + +<p> +“Bee-atrice!” Lady Osprey called. +</p> + +<p> +Beatrice dropped from the wall to her feet. +</p> + +<p> +“Where do you do this soaring?” +</p> + +<p> +“Beyond the high Barrows. East of Crest Hill and the wood.” +</p> + +<p> +“Do you mind people coming to see?” +</p> + +<p> +“Whenever you please. Only let me know” +</p> + +<p> +“I’ll take my chance some day. Some day soon.” She looked at +me thoughtfully, smiled, and our talk was at an end. +</p> + +<h4>IV</h4> + +<p> +All my later work in aeronautics is associated in my memory with the quality of +Beatrice, with her incidental presence, with things she said and did and things +I thought of that had reference to her. +</p> + +<p> +In the spring of that year I had got to a flying machine that lacked nothing +but longitudinal stability. My model flew like a bird for fifty or a hundred +yards or so, and then either dived and broke its nose or, what was commoner, +reared up, slid back and smashed its propeller. The rhythm of the pitching +puzzled me. I felt it must obey some laws not yet quite clearly stated. I +became therefore a student of theory and literature for a time; I hit upon the +string of considerations that led me to what is called Ponderevo’s +Principle and my F.R.S., and I worked this out in three long papers. Meanwhile +I made a lot of turn-table and glider models and started in upon an idea of +combining gas-bags and gliders. Balloon work was new to me. I had made one or +two ascents in the balloons of the Aëro Club before I started my gasometer and +the balloon shed and gave Cothope a couple of months with Sir Peter Rumchase. +My uncle found part of the money for these developments; he was growing +interested and competitive in this business because of Lord Boom’s prize +and the amount of <i>réclame</i> involved, and it was at his request that I +named my first navigable balloon Lord Roberts Alpha. +</p> + +<p> +Lord Roberts A very nearly terminated all my investigations. My idea both in +this and its more successful and famous younger brother, Lord Roberts β, +was to utilise the idea of a contractile balloon with a rigid flat base, a +balloon shaped rather like an inverted boat that should almost support the +apparatus, but not quite. The gas-bag was of the chambered sort used for these +long forms, and not with an internal balloonette. The trouble was to make the +thing contractile. This I sought to do by fixing a long, fine-meshed silk net +over it that was fastened to be rolled up on two longitudinal rods. Practically +I contracted my sausage gas-bag by netting it down. The ends were too complex +for me to describe here, but I thought them out elaborately and they were very +carefully planned. Lord Roberts A was furnished with a single big screw +forward, and there was a rudder aft. The engine was the first one to be, so to +speak, right in the plane of the gas-bag. I lay immediately under the balloon +on a sort of glider framework, far away from either engine or rudder, +controlling them by wire-pulls constructed on the principle of the well-known +Bowden brake of the cyclist. +</p> + +<p> +But Lord Roberts A has been pretty exhaustively figured and described in +various aeronautical publications. The unforeseen defect was the badness of the +work in the silk netting. It tore aft as soon as I began to contract the +balloon, and the last two segments immediately bulged through the hole, exactly +as an inner tube will bulge through the ruptured outer cover of a pneumatic +tire, and then the sharp edge of the torn net cut the oiled-silk of the +distended last segment along a weak seam and burst it with a loud report. +</p> + +<p> +Up to that point the whole thing had been going on extremely well. As a +navigable balloon and before I contracted it, the Lord Roberts A was an +unqualified success. It had run out of the shed admirably at nine or ten miles +an hour or more, and although there was a gentle southwester blowing, it had +gone up and turned and faced it as well as any craft of the sort I have ever +seen. +</p> + +<p> +I lay in my customary glider position, horizontal and face downward, and the +invisibility of all the machinery gave an extraordinary effect of independent +levitation. Only by looking up, as it were, and turning my head back could I +see the flat aeroplane bottom of the balloon and the rapid successive passages, +swish, swish, swish of the vans of the propeller. I made a wide circle over +Lady Grove and Duffield and out towards Effingham and came back quite +successfully to the starting-point. +</p> + +<p> +Down below in the October sunlight were my sheds and the little group that had +been summoned to witness the start, their faces craned upward and most of them +scrutinising my expression through field-glasses. I could see Carnaby and +Beatrice on horseback, and two girls I did not know with them; Cothope and +three or four workmen I employed; my aunt and Mrs. Levinstein, who was staying +with her, on foot, and Dimmock, the veterinary surgeon, and one or two others. +My shadow moved a little to the north of them like the shadow of a fish. At +Lady Grove the servants were out on the lawn, and the Duffield school +playground swarmed with children too indifferent to aeronautics to cease their +playing. But in the Crest Hill direction—the place looked extraordinarily +squat and ugly from above—there were knots and strings of staring workmen +everywhere—not one of them working, but all agape. (But now I write it, +it occurs to me that perhaps it was their dinner hour; it was certainly near +twelve.) I hung for a moment or so enjoying the soar, then turned about to face +a clear stretch of open down, let the engine out to full speed and set my +rollers at work rolling in the net, and so tightening the gas-bags. Instantly +the pace quickened with the diminished resistance... +</p> + +<p> +In that moment before the bang I think I must have been really flying. Before +the net ripped, just in the instant when my balloon was at its systole, the +whole apparatus was, I am convinced, heavier than air. That, however, is a +claim that has been disputed, and in any case this sort of priority is a very +trivial thing. +</p> + +<p> +Then came a sudden retardation, instantly followed by an inexpressibly +disconcerting tilt downward of the machine. That I still recall with horror. I +couldn’t see what was happening at all and I couldn’t imagine. It +was a mysterious, inexplicable dive. The thing, it seemed, without rhyme or +reason, was kicking up its heels in the air. The bang followed immediately, and +I perceived I was falling rapidly. +</p> + +<p> +I was too much taken by surprise to think of the proper cause of the report. I +don’t even know what I made of it. I was obsessed, I suppose, by that +perpetual dread of the modern aeronaut, a flash between engine and balloon. Yet +obviously I wasn’t wrapped in flames. I ought to have realised instantly +it wasn’t that. I did, at any rate, whatever other impressions there +were, release the winding of the outer net and let the balloon expand again, +and that no doubt did something to break my fall. I don’t remember doing +that. Indeed, all I do remember is the giddy effect upon the landscape of +falling swiftly upon it down a flat spiral, the hurried rush of fields and +trees and cottages on my left shoulder and the overhung feeling as if the whole +apparatus was pressing down the top of my head. I didn’t stop or attempt +to stop the screw. That was going on, swish, swish, swish all the time. +</p> + +<p> +Cothope really knows more about the fall than I do. He describes the easterly +start, the tilt, and the appearance and bursting of a sort of bladder aft. Then +down I swooped, very swiftly, but not nearly so steeply as I imagined I was +doing. “Fifteen or twenty degrees,” said Cothope, “to be +exact.” From him it was that I learnt that I let the nets loose again, +and so arrested my fall. He thinks I was more in control of myself than I +remember. +</p> + +<p> +But I do not see why I should have forgotten so excellent a resolution. His +impression is that I was really steering and trying to drop into the Farthing +Down beeches. “You hit the trees,” he said, “and the whole +affair stood on its nose among them, and then very slowly crumpled up. I saw +you’d been jerked out, as I thought, and I didn’t stay for more. I +rushed for my bicycle.” +</p> + +<p> +As a matter of fact, it was purely accidental that I came down in the woods. I +am reasonably certain that I had no more control then than a thing in a parcel. +I remember I felt a sort of wincing, “Now it comes!” as the trees +rushed up to me. If I remember that, I should remember steering. Then the +propeller smashed, everything stopped with a jerk, and I was falling into a +mass of yellowing leaves, and Lord Roberts A, so it seemed to me, was going +back into the sky. +</p> + +<p> +I felt twigs and things hit me in the face, but I didn’t feel injured at +the time; I clutched at things that broke, tumbled through a froth of green and +yellow into a shadowy world of great bark-covered arms, and there, snatching +wildly, got a grip on a fair round branch, and hung. +</p> + +<p> +I became intensely alert and clear-headed. I held by that branch for a moment +and then looked about me, and caught at another, and then found myself holding +to a practicable fork. I swung forward to that and got a leg around it below +its junction, and so was able presently to clamber down, climbing very coolly +and deliberately. I dropped ten feet or so from the lowest branch and fell on +my feet. “That’s all right,” I said, and stared up through +the tree to see what I could of the deflated and crumpled remains that had once +been Lord Roberts A festooned on the branches it had broken. +“Gods!” I said, “what a tumble!” +</p> + +<p> +I wiped something that trickled from my face and was shocked to see my hand +covered with blood. I looked at myself and saw what seemed to me an astonishing +quantity of blood running down my arm and shoulder. I perceived my mouth was +full of blood. It’s a queer moment when one realises one is hurt, and +perhaps badly hurt, and has still to discover just how far one is hurt. I +explored my face carefully and found unfamiliar contours on the left side. The +broken end of a branch had driven right through my cheek, damaging my cheek and +teeth and gums, and left a splinter of itself stuck, like an explorer’s +fartherest-point flag, in the upper maxillary. That and a sprained wrist were +all my damage. But I bled as though I had been chopped to pieces, and it seemed +to me that my face had been driven in. I can’t describe just the horrible +disgust I felt at that. +</p> + +<p> +“This blood must be stopped, anyhow,” I said, thickheadedly. +</p> + +<p> +“I wonder where there’s a spider’s web”—an odd +twist for my mind to take. But it was the only treatment that occurred to me. +</p> + +<p> +I must have conceived some idea of going home unaided, because I was thirty +yards from the tree before I dropped. +</p> + +<p> +Then a kind of black disc appeared in the middle of the world and rushed out to +the edge of things and blotted them out. I don’t remember falling down. I +fainted from excitement, disgust at my injury and loss of blood, and lay there +until Cothope found me. +</p> + +<p> +He was the first to find me, scorching as he did over the downland turf, and +making a wide course to get the Carnaby plantations at their narrowest. Then +presently, while he was trying to apply the methodical teachings of the St. +John’s Ambulance classes to a rather abnormal case, Beatrice came +galloping through the trees full-tilt, with Lord Carnaby hard behind her, and +she was hatless, muddy from a fall, and white as death. “And cool as a +cucumber, too,” said Cothope, turning it over in his mind as he told me. +</p> + +<p> +(“They never seem quite to have their heads, and never seem quite to lose +’em,” said Cothope, generalising about the sex.) +</p> + +<p> +Also he witnessed she acted with remarkable decision. The question was whether +I should be taken to the house her step-mother occupied at Bedley Corner, the +Carnaby dower house, or down to Carnaby’s place at Easting. Beatrice had +no doubt in the matter, for she meant to nurse me. Carnaby didn’t seem to +want that to happen. “She <i>would</i> have it wasn’t half so +far,” said Cothope. “She faced us out.... +</p> + +<p> +“I hate to be faced out of my opinion, so I’ve taken a pedometer +over it since. It’s exactly forty-three yards further. +</p> + +<p> +“Lord Carnaby looked at her pretty straight,” said Cothope, +finishing the picture; “and then he give in.” +</p> + +<h4>V</h4> + +<p> +But my story has made a jump from June to October, and during that time my +relations with Beatrice and the countryside that was her setting had developed +in many directions. She came and went, moving in an orbit for which I had no +data, going to London and Paris, into Wales and Northampton, while her +stepmother, on some independent system of her own, also vanished and recurred +intermittently. At home they obeyed the rule of an inflexible old maid, +Charlotte, and Beatrice exercised all the rights of proprietorship in +Carnaby’s extensive stables. Her interest in me was from the first +undisguised. She found her way to my worksheds and developed rapidly, in spite +of the sincere discouragement of Cothope, into a keen amateur of aeronautics. +She would come sometimes in the morning, sometimes in the afternoon, sometimes +afoot with an Irish terrier, sometimes riding. She would come for three or four +days every day, vanish for a fortnight or three weeks, return. +</p> + +<p> +It was not long before I came to look for her. From the first I found her +immensely interesting. To me she was a new feminine type altogether—I +have made it plain, I think, how limited was my knowledge of women. But she +made me not simply interested in her, but in myself. She became for me +something that greatly changes a man’s world. How shall I put it? She +became an audience. Since I’ve emerged from the emotional developments of +the affair I have thought it out in a hundred aspects, and it does seem to me +that this way in which men and women make audiences for one another is a +curiously influential force in their lives. For some it seems an audience is a +vital necessity, they seek audiences as creatures seek food; others again, my +uncle among them, can play to an imaginary audience. I, I think, have lived and +can live without one. In my adolescence I was my own audience and my own court +of honour. And to have an audience in one’s mind is to play a part, to +become self-conscious and dramatic. For many years I had been self-forgetful +and scientific. I had lived for work and impersonal interests until I found +scrutiny, applause and expectation in Beatrice’s eyes. Then I began to +live for the effect I imagined I made upon her, to make that very soon the +principal value in my life. I played to her. I did things for the look of them. +I began to dream more and more of beautiful situations and fine poses and +groupings with her and for her. +</p> + +<p> +I put these things down because they puzzle me. I think I was in love with +Beatrice, as being in love is usually understood; but it was quite a different +state altogether from my passionate hunger for Marion, or my keen, sensuous +desire for and pleasure in Effie. These were selfish, sincere things, +fundamental and instinctive, as sincere as the leap of a tiger. But until +matters drew to a crisis with Beatrice, there was an immense imaginative +insurgence of a quite different quality. I am setting down here very gravely, +and perhaps absurdly, what are no doubt elementary commonplaces for innumerable +people. This love that grew up between Beatrice and myself was, I think—I +put it quite tentatively and rather curiously—romantic love. That +unfortunate and truncated affair of my uncle and the Scrymgeour lady was really +of the same stuff, if a little different in quality. I have to admit that. The +factor of audience was of primary importance in either else. +</p> + +<p> +Its effect upon me was to make me in many respects adolescent again. It made me +keener upon the point of honour, and anxious and eager to do high and splendid +things, and in particular, brave things. So far it ennobled and upheld me. But +it did also push me towards vulgar and showy things. At bottom it was +disingenuous; it gave my life the quality of stage scenery, with one side to +the audience, another side that wasn’t meant to show, and an economy of +substance. It certainly robbed my work of high patience and quality. I cut down +the toil of research in my eagerness and her eagerness for fine flourishes in +the air, flights that would tell. I shirked the longer road. +</p> + +<p> +And it robbed me, too, of any fine perception of absurdity. +</p> + +<p> +Yet that was not everything in our relationship. The elemental thing was there +also. It came in very suddenly. +</p> + +<p> +It was one day in the summer, though I do not now recall without reference to +my experimental memoranda whether it was in July or August. I was working with +a new and more bird-like aeroplane with wing curvatures studied from +Lilienthal, Pilcher and Phillips, that I thought would give a different rhythm +for the pitching oscillations than anything I’d had before. I was soaring +my long course from the framework on the old barrow by my sheds down to +Tinker’s Corner. It is a clear stretch of downland, except for two or +three thickets of box and thorn to the right of my course; one transverse +trough, in which there is bush and a small rabbit warren, comes in from the +east. I had started, and was very intent on the peculiar long swoop with which +any new arrangement flew. Then, without any sort of notice, right ahead of me +appeared Beatrice, riding towards Tinker’s Corner to waylay and talk to +me. She looked round over her shoulder, saw me coming, touched her horse to a +gallop, and then the brute bolted right into the path of my machine. +</p> + +<p> +There was a queer moment of doubt whether we shouldn’t all smash +together. I had to make up my mind very quickly whether I would pitch-up and +drop backward at once and take my chance of falling undamaged—a poor +chance it would have been—in order to avoid any risk to her, or whether I +would lift against the wind and soar right over her. This latter I did. She had +already got her horse in hand when I came up to her. Her woman’s body lay +along his neck, and she glanced up as I, with wings aspread, and every nerve in +a state of tension, swept over her. +</p> + +<p> +Then I had landed, and was going back to where her horse stood still and +trembling. +</p> + +<p> +We exchanged no greetings. She slid from her saddle into my arms, and for one +instant I held her. +</p> + +<p> +“Those great wings,” she said, and that was all. +</p> + +<p> +She lay in my arms, and I thought for a moment she had fainted. +</p> + +<p> +“Very near a nasty accident,” said Cothope, coming up and regarding +our grouping with disfavour. He took her horse by the bridle. “Very +dangerous thing coming across us like that.” +</p> + +<p> +Beatrice disengaged herself from me, stood for a moment trembling, and then sat +down on the turf “I’ll just sit down for a moment,” she said. +</p> + +<p> +“Oh!” she said. +</p> + +<p> +She covered her face with her hands, while Cothope looked at her with an +expression between suspicion and impatience. +</p> + +<p> +For some moments nobody moved. Then Cothope remarked that perhaps he’d +better get her water. +</p> + +<p> +As for me, I was filled with a new outrageous idea, begotten I scarcely know +how from this incident, with its instant contacts and swift emotions, and that +was that I must make love to and possess Beatrice. I see no particular reason +why that thought should have come to me in that moment, but it did. I do not +believe that before then I had thought of our relations in such terms at all. +Suddenly, as I remember it, the factor of passion came. She crouched there, and +I stood over her, and neither of us said a word. But it was just as though +something had been shouted from the sky. +</p> + +<p> +Cothope had gone twenty paces perhaps when she uncovered her face. “I +shan’t want any water,” she said. “Call him back.” +</p> + +<h4>VI</h4> + +<p> +After that the spirit of our relations changed. The old ease had gone. She came +to me less frequently, and when she came she would have some one with her, +usually old Carnaby, and he would do the bulk of the talking. All through +September she was away. When we were alone together there was a curious +constraint. We became clouds of inexpressible feeling towards one another; we +could think of nothing that was not too momentous for words. +</p> + +<p> +Then came the smash of Lord Roberts A, and I found myself with a bandaged face +in a bedroom in the Bedley Corner dower-house with Beatrice presiding over an +inefficient nurse, Lady Osprey very pink and shocked in the background, and my +aunt jealously intervening. +</p> + +<p> +My injuries were much more showy than serious, and I could have been taken to +Lady Grove next day, but Beatrice would not permit that, and kept me at Bedley +Corner three clear days. In the afternoon of the second day she became +extremely solicitous for the proper aeration of the nurse, packed her off for +an hour in a brisk rain, and sat by me alone. +</p> + +<p> +I asked her to marry me. +</p> + +<p> +All the whole I must admit it was not a situation that lent itself to +eloquence. I lay on my back and talked through bandages, and with some little +difficulty, for my tongue and mouth had swollen. But I was feverish and in +pain, and the emotional suspense I had been in so long with regard to her +became now an unendurable impatience. +</p> + +<p> +“Comfortable?” she asked. +</p> + +<p> +“Yes.” +</p> + +<p> +“Shall I read to you?” +</p> + +<p> +“No. I want to talk.” +</p> + +<p> +“You can’t. I’d better talk to you.” +</p> + +<p> +“No,” I said, “I want to talk to you.” +</p> + +<p> +She came and stood by my bedside and looked me in the eyes. “I +don’t—I don’t want you to talk to me,” she said. +“I thought you couldn’t talk.” +</p> + +<p> +“I get few chances—of you.” +</p> + +<p> +“You’d better not talk. Don’t talk now. Let me chatter +instead. You ought not to talk.” +</p> + +<p> +“It isn’t much,” I said. +</p> + +<p> +“I’d rather you didn’t.” +</p> + +<p> +“I’m not going to be disfigured,” I said. “Only a +scar.” +</p> + +<p> +“Oh!” she said, as if she had expected something quite different. +“Did you think you’d become a sort of gargoyle?” +</p> + +<p> +“L’Homme qui Rit!—I didn’t know. But that’s all +right. Jolly flowers those are!” +</p> + +<p> +“Michaelmas daisies,” she said. “I’m glad you’r +not disfigured, and those are perennial sunflowers. Do you know no flowers at +all? When I saw you on the ground I certainly thought you were dead. You ought +to have been, by all the rules of the game.” +</p> + +<p> +She said some other things, but I was thinking of my next move. +</p> + +<p> +“Are we social equals?” I said abruptly. +</p> + +<p> +She stared at me. “Queer question,” she said. +</p> + +<p> +“But are we?” +</p> + +<p> +“H’m. Difficult to say. But why do you ask? Is the daughter of a +courtesy Baron who died—of general disreputableness, I +believe—before his father—? I give it up. Does it matter?” +</p> + +<p> +“No. My mind is confused. I want to know if you will marry me.” +</p> + +<p> +She whitened and said nothing. I suddenly felt I must plead with her. +“Damn these bandages!” I said, breaking into ineffectual febrile +rage. +</p> + +<p> +She roused herself to her duties as nurse. “What are you doing? Why are +you trying to sit up? Sit down! Don’t touch your bandages. I told you not +to talk.” +</p> + +<p> +She stood helpless for a moment, then took me firmly by the shoulders and +pushed me back upon the pillow. She gripped the wrist of the hand I had raised +to my face. +</p> + +<p> +“I told you not to talk,” she whispered close to my face. “I +asked you not to talk. Why couldn’t you do as I asked you?” +</p> + +<p> +“You’ve been avoiding me for a month,” I said. +</p> + +<p> +“I know. You might have known. Put your hand back—down by your +side.” +</p> + +<p> +I obeyed. She sat on the edge of the bed. A flush had come to her cheeks, and +her eyes were very bright. “I asked you,” she repeated, “not +to talk.” +</p> + +<p> +My eyes questioned her mutely. +</p> + +<p> +She put her hand on my chest. Her eyes were tormented. +</p> + +<p> +“How can I answer you now?” she said. +</p> + +<p> +“How can I say anything now?” +</p> + +<p> +“What do you mean?” I asked. +</p> + +<p> +She made no answer. +</p> + +<p> +“Do you mean it must be ‘No’?” +</p> + +<p> +She nodded. +</p> + +<p> +“But” I said, and my whole soul was full of accusations. +</p> + +<p> +“I know,” she said. “I can’t explain. I can’t. +But it has to be ‘No!’ It can’t be. It’s utterly, +finally, for ever impossible.... Keep your hands still!” +</p> + +<p> +“But,” I said, “when we met again—” +</p> + +<p> +“I can’t marry. I can’t and won’t.” +</p> + +<p> +She stood up. “Why did you talk?” she cried, “couldn’t +you <i>see?</i>” +</p> + +<p> +She seemed to have something it was impossible to say. +</p> + +<p> +She came to the table beside my bed and pulled the Michaelmas daisies awry. +“Why did you talk like that?” she said in a tone of infinite +bitterness. “To begin like that!” +</p> + +<p> +“But what is it?” I said. “Is it some circumstance—my +social position?” +</p> + +<p> +“Oh, <i>damn</i> your social position!” she cried. +</p> + +<p> +She went and stood at the further window, staring out at the rain. For a long +time we were absolutely still. The wind and rain came in little gusts upon the +pane. She turned to me abruptly. +</p> + +<p> +“You didn’t ask me if I loved you,” she said. +</p> + +<p> +“Oh, if it’s <i>that!</i>” said I. +</p> + +<p> +“It’s not that,” she said. “But if you want to +know—” She paused. +</p> + +<p> +“I do,” she said. +</p> + +<p> +We stared at one another. +</p> + +<p> +“I do—with all my heart, if you want to know.” +</p> + +<p> +“Then, why the devil—?” I asked. +</p> + +<p> +She made no answer. She walked across the room to the piano and began to play, +rather noisily and rapidly, with odd gusts of emphasis, the shepherd’s +pipe music from the last act in “Tristan and Isolde.” Presently she +missed a note, failed again, ran her finger heavily up the scale, struck the +piano passionately with her fist, making a feeble jar in the treble, jumped up, +and went out of the room.... +</p> + +<p> +The nurse found me still wearing my helmet of bandages, partially dressed, and +pottering round the room to find the rest of my clothes. I was in a state of +exasperated hunger for Beatrice, and I was too inflamed and weakened to conceal +the state of my mind. I was feebly angry because of the irritation of dressing, +and particularly of the struggle to put on my trousers without being able to +see my legs. I was staggering about, and once I had fallen over a chair and I +had upset the jar of Michaelmas daisies. +</p> + +<p> +I must have been a detestable spectacle. “I’ll go back to +bed,” said I, “if I may have a word with Miss Beatrice. I’ve +got something to say to her. That’s why I’m dressing.” +</p> + +<p> +My point was conceded, but there were long delays. Whether the household had my +ultimatum or whether she told Beatrice directly I do not know, and what Lady +Osprey can have made of it in the former case I don’t imagine. +</p> + +<p> +At last Beatrice came and stood by my bedside. “Well?” she said. +</p> + +<p> +“All I want to say,” I said with the querulous note of a +misunderstood child, “is that I can’t take this as final. I want to +see you and talk when I’m better, and write. I can’t do anything +now. I can’t argue.” +</p> + +<p> +I was overtaken with self-pity and began to snivel, “I can’t rest. +You see? I can’t do anything.” +</p> + +<p> +She sat down beside me again and spoke softly. “I promise I will talk it +all over with you again. When you are well. I promise I will meet you somewhere +so that we can talk. You can’t talk now. +</p> + +<p> +“I asked you not to talk now. All you want to know you shall know... Will +that do?” +</p> + +<p> +“I’d like to know” +</p> + +<p> +She looked round to see the door was closed, stood up and went to it. +</p> + +<p> +Then she crouched beside me and began whispering very softly and rapidly with +her face close to me. +</p> + +<p> +“Dear,” she said, “I love you. If it will make you happy to +marry me, I will marry you. I was in a mood just now—a stupid, +inconsiderate mood. Of course I will marry you. You are my prince, my king. +Women are such things of mood—or I would have behaved differently. We say +‘No’ when we mean ‘Yes’—and fly into crises. So +now, Yes—yes—yes. I will. I can’t even kiss you. Give me your +hand to kiss that. Understand, I am yours. Do you understand? I am yours just +as if we had been married fifty years. Your wife—Beatrice. Is that +enough? Now—now will you rest?” +</p> + +<p> +“Yes,” I said, “but why?” +</p> + +<p> +“There are complications. There are difficulties. When you are better you +will be able to—understand them. But now they don’t matter. Only +you know this must be secret—for a time. Absolutely secret between us. +Will you promise that?” +</p> + +<p> +“Yes,” I said, “I understand. I wish I could kiss you.” +</p> + +<p> +She laid her head down beside mine for a moment and then she kissed my hand. +</p> + +<p> +“I don’t care what difficulties there are,” I said, and I +shut my eyes. +</p> + +<h4>VII</h4> + +<p> +But I was only beginning to gauge the unaccountable elements in Beatrice. For a +week after my return to Lady Grove I had no sign of her, and then she called +with Lady Osprey and brought a huge bunch of perennial sunflowers and +Michaelmas daisies, “just the old flowers there were in your room,” +said my aunt, with a relentless eye on me. I didn’t get any talk alone +with Beatrice then, and she took occasion to tell us she was going to London +for some indefinite number of weeks. I couldn’t even pledge her to write +to me, and when she did it was a brief, enigmatical, friendly letter with not a +word of the reality between us. +</p> + +<p> +I wrote back a love letter—my first love letter—and she made no +reply for eight days. Then came a scrawl: “I can’t write letters. +Wait till we can talk. Are you better?” +</p> + +<p> +I think the reader would be amused if he could see the papers on my desk as I +write all this, the mangled and disfigured pages, the experimental arrangements +of notes, the sheets of suggestions balanced in constellations, the blottesque +intellectual battlegrounds over which I have been fighting. I find this account +of my relations to Beatrice quite the most difficult part of my story to write. +I happen to be a very objective-minded person, I forget my moods, and this was +so much an affair of moods. And even such moods and emotions as I recall are +very difficult to convey. To me it is about as difficult as describing a taste +or a scent. +</p> + +<p> +Then the objective story is made up of little things that are difficult to set +in a proper order. And love in an hysterical passion, now high, now low, now +exalted, and now intensely physical. No one has ever yet dared to tell a love +story completely, its alternations, its comings and goings, its debased +moments, its hate. The love stories we tell, tell only the net consequence, the +ruling effect.... +</p> + +<p> +How can I rescue from the past now the mystical quality of Beatrice; my intense +longing for her; the overwhelming, irrational, formless desire? How can I +explain how intimately that worship mingled with a high, impatient resolve to +make her mine, to take her by strength and courage, to do my loving in a +violent heroic manner? And then the doubts, the puzzled arrest at the fact of +her fluctuations, at her refusal to marry me, at the fact that even when at +last she returned to Bedley Corner she seemed to evade me? +</p> + +<p> +That exasperated me and perplexed me beyond measure. +</p> + +<p> +I felt that it was treachery. I thought of every conceivable explanation, and +the most exalted and romantic confidence in her did not simply alternate, but +mingled with the basest misgivings. +</p> + +<p> +And into the tangle of memories comes the figure of Carnaby, coming out slowly +from the background to a position of significance, as an influence, as a +predominant strand in the nets that kept us apart, as a rival. What were the +forces that pulled her away from me when it was so clearly manifest she loved +me? Did she think of marrying him? Had I invaded some long-planned scheme? It +was evident he did not like me, that in some way I spoilt the world for him. +She returned to Bedley Corner, and for some weeks she was flitting about me, +and never once could I have talk with her alone. When she came to my sheds +Carnaby was always with her, jealously observant. (Why the devil couldn’t +she send him about his business?) The days slipped by and my anger gathered. +</p> + +<p> +All this mingles with the making of Lord Roberts β. I had resolved upon +that one night as I lay awake at Bedley Corner; I got it planned out before the +bandages were off my face. I conceived this second navigable balloon in a +grandiose manner. It was to be a second Lord Roberts α, only more so; it +was to be three times as big, large enough to carry three men, and it was to be +an altogether triumphant vindication of my claims upon the air. The framework +was to be hollow like a bird’s bones, airtight, and the air pumped in or +out, and the weight of fuel I carried changed. I talked much and boasted to +Cothope—whom I suspected of scepticisms about this new type—of what +it would do, and it progressed—slowly. It progressed slowly because I was +restless and uncertain. At times I would go away to London to snatch some +chance of seeing Beatrice there, at times nothing but a day of gliding and hard +and dangerous exercise would satisfy me. And now in the newspapers, in +conversation, in everything about me, arose a new invader of my mental states. +Something was happening to the great schemes of my uncle’s affairs; +people were beginning to doubt, to question. It was the first quiver of his +tremendous insecurity, the first wobble of that gigantic credit top he had kept +spinning so long. +</p> + +<p> +There were comings and goings, November and December slipped by. I had two +unsatisfactory meetings with Beatrice, meetings that had no privacy—in +which we said things of the sort that need atmosphere, baldly and furtively. I +wrote to her several times and she wrote back notes that I would sometimes +respond to altogether, sometimes condemn as insincere evasions. “You +don’t understand. I can’t just now explain. Be patient with me. +Leave things a little while to me.” She wrote. +</p> + +<p> +I would talk aloud to these notes and wrangle over them in my +workroom—while the plans of Lord Roberts β waited. +</p> + +<p> +“You don’t give me a chance!” I would say. “Why +don’t you let me know the secret? That’s what I’m +for—to settle difficulties! to tell difficulties to!” +</p> + +<p> +And at last I could hold out no longer against these accumulating pressures. +</p> + +<p> +I took an arrogant, outrageous line that left her no loopholes; I behaved as +though we were living in a melodrama. +</p> + +<p> +“You must come and talk to me,” I wrote, “or I will come and +take you. I want you—and the time runs away.” +</p> + +<p> +We met in a ride in the upper plantations. It must have been early in January, +for there was snow on the ground and on the branches of the trees. We walked to +and fro for an hour or more, and from the first I pitched the key high in +romance and made understandings impossible. It was our worst time together. I +boasted like an actor, and she, I know not why, was tired and spiritless. +</p> + +<p> +Now I think over that talk in the light of all that has happened since, I can +imagine how she came to me full of a human appeal I was too foolish to let her +make. I don’t know. I confess I have never completely understood +Beatrice. I confess I am still perplexed at many things she said and did. That +afternoon, anyhow, I was impossible. I posed and scolded. I was—I said +it—for “taking the Universe by the throat!” +</p> + +<p> +“If it was only that,” she said, but though I heard, I did not heed +her. +</p> + +<p> +At last she gave way to me and talked no more. Instead she looked at +me—as a thing beyond her controlling, but none the less +interesting—much as she had looked at me from behind the skirts of Lady +Drew in the Warren when we were children together. +</p> + +<p> +Once even I thought she smiled faintly. +</p> + +<p> +“What are the difficulties” I cried, “there’s no +difficulty I will not overcome for you! Do your people think I’m no equal +for you? Who says it? My dear, tell me to win a title! I’ll do it in five +years!... +</p> + +<p> +“Here am I just grown a man at the sight of you. I have wanted something +to fight for. Let me fight for you!... +</p> + +<p> +“I’m rich without intending it. Let me mean it, give me an +honourable excuse for it, and I’ll put all this rotten old Warren of +England at your feet!” +</p> + +<p> +I said such things as that. I write them down here in all their resounding base +pride. I said these empty and foolish things, and they are part of me. Why +should I still cling to pride and be ashamed? I shouted her down. +</p> + +<p> +I passed from such megalomania to petty accusations. +</p> + +<p> +“You think Carnaby is a better man than I?” I said. +</p> + +<p> +“No!” she cried, stung to speech. “No!” +</p> + +<p> +“You think we’re unsubstantial. You’ve listened to all these +rumours Boom has started because we talked of a newspaper of our own. When you +are with me you know I’m a man; when you get away from me you think +I’m a cheat and a cad.... There’s not a word of truth in the things +they say about us. I’ve been slack. I’ve left things. But we have +only to exert ourselves. You do not know how wide and far we have spread our +nets. Even now we have a coup—an expedition—in hand. It will put us +on a footing.”... +</p> + +<p> +Her eyes asked mutely and asked in vain that I would cease to boast of the very +qualities she admired in me. +</p> + +<p> +In the night I could not sleep for thinking of that talk and the vulgar things +I had said in it. I could not understand the drift my mind had taken. I was +acutely disgusted. And my unwonted doubts about myself spread from a merely +personal discontent to our financial position. It was all very well to talk as +I had done of wealth and power and peerages, but what did I know nowadays of my +uncle’s position? Suppose in the midst of such boasting and confidence +there came some turn I did not suspect, some rottenness he had concealed from +me? I resolved I had been playing with aeronautics long enough; that next +morning I would go to him and have things clear between us. +</p> + +<p> +I caught an early train and went up to the Hardingham. +</p> + +<p> +I went up to the Hardingham through a dense London fog to see how things really +stood. Before I had talked to my uncle for ten minutes I felt like a man who +has just awakened in a bleak, inhospitable room out of a grandiose dream. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap11"></a>CHAPTER THE FOURTH<br /> +HOW I STOLE THE HEAPS OF QUAP FROM MORDET ISLAND</h3> + +<h4>I</h4> + +<p> +“We got to make a fight for it,” said my uncle. “We got to +face the music!” +</p> + +<p> +I remember that even at the sight of him I had a sense of impending calamity. +He sat under the electric light with the shadow of his hair making bars down +his face. He looked shrunken, and as though his skin had suddenly got loose and +yellow. The decorations of the room seemed to have lost freshness, and outside +the blinds were up—there was not so much fog as a dun darkness. One saw +the dingy outlines of the chimneys opposite quite distinctly, and then a sky of +such brown as only London can display. +</p> + +<p> +“I saw a placard,” I said: “‘More +Ponderevity.’” +</p> + +<p> +“That’s Boom,” he said. “Boom and his damned +newspapers. He’s trying to fight me down. Ever since I offered to buy the +<i>Daily Decorator</i> he’s been at me. And he thinks consolidating Do Ut +cut down the ads. He wants everything, damn him! He’s got no sense of +dealing. I’d like to bash his face!” +</p> + +<p> +“Well,” I said, “what’s to be done?” +</p> + +<p> +“Keep going,” said my uncle. +</p> + +<p> +“I’ll smash Boom yet,” he said, with sudden savagery. +</p> + +<p> +“Nothing else?” I asked. +</p> + +<p> +“We got to keep going. There’s a scare on. Did you notice the +rooms? Half the people out there this morning are reporters. And if I talk they +touch it up!... They didn’t used to touch things up! Now they put in +character touches—insulting you. Don’t know what journalism’s +coming to. It’s all Boom’s doing.” +</p> + +<p> +He cursed Lord Boom with considerable imaginative vigour. +</p> + +<p> +“Well,” said I, “what can he do?” +</p> + +<p> +“Shove us up against time, George; make money tight for us. We been +handling a lot of money—and he tightens us up.” +</p> + +<p> +“We’re sound?” +</p> + +<p> +“Oh, we’re sound, George. Trust me for that! But all the +same—There’s such a lot of imagination in these things.... +We’re sound enough. That’s not it.” +</p> + +<p> +He blew. “Damn Boom!” he said, and his eyes over his glasses met +mine defiantly. +</p> + +<p> +“We can’t, I suppose, run close hauled for a bitstop +expenditure?” +</p> + +<p> +“Where?” +</p> + +<p> +“Well,—Crest Hill” +</p> + +<p> +“What!” he shouted. “Me stop Crest Hill for Boom!” He +waved a fist as if to hit his inkpot, and controlled himself with difficulty. +He spoke at last in a reasonable voice. “If I did,” he said, +“he’d kick up a fuss. It’s no good, even if I wanted to. +Everybody’s watching the place. If I was to stop building we’d be +down in a week.” +</p> + +<p> +He had an idea. “I wish I could do something to start a strike or +something. No such luck. Treat those workmen a sight too well. No, sink or +swim, Crest Hill goes on until we’re under water.” +</p> + +<p> +I began to ask questions and irritated him instantly. +</p> + +<p> +“Oh, dash these explanations, George!” he cried; “You only +make things look rottener than they are. It’s your way. It isn’t a +case of figures. We’re all right—there’s only one thing we +got to do.” +</p> + +<p> +“Yes?” +</p> + +<p> +“Show value, George. That’s where this quap comes in; that’s +why I fell in so readily with what you brought to me week before last. Here we +are, we got our option on the perfect filament, and all we want’s +canadium. Nobody knows there’s more canadium in the world than will go on +the edge of a sixpence except me and you. Nobody has an idee the perfect +filament’s more than just a bit of theorising. Fifty tons of quap and +we’d turn that bit of theorising into something. We’d make the lamp +trade sit on its tail and howl. We’d put Ediswan and all of ’em +into a parcel without last year’s trousers and a hat, and swap ’em +off for a pot of geraniums. See? We’d do it through Business +Organisations, and there you are! See? Capern’s Patent Filament! +</p> + +<p> +“The Ideal and the Real! George, we’ll do it! We’ll bring it +off! And then we’ll give such a facer to Boom, he’ll think for +fifty years. He’s laying up for our London and African meeting. Let him. +He can turn the whole paper on to us. He says the Business Organisations shares +aren’t worth fifty-two and we quote ’em at eighty-four. Well, here +we are gettin’ ready for him—loading our gun.” +</p> + +<p> +His pose was triumphant. +</p> + +<p> +“Yes,” I said, “that’s all right. But I can’t +help thinking where should we be if we hadn’t just by accident got +Capern’s Perfect Filament. Because, you know it was an accident—my +buying up that.” +</p> + +<p> +He crumpled up his nose into an expression of impatient distaste at my +unreasonableness. +</p> + +<p> +“And after all, the meeting’s in June, and you haven’t begun +to get the quap! After all, we’ve still got to load our gun.” +</p> + +<p> +“They start on Toosday.” +</p> + +<p> +“Have they got the brig?” +</p> + +<p> +“They’ve got a brig.” +</p> + +<p> +“Gordon-Nasmyth!” I doubted. +</p> + +<p> +“Safe as a bank,” he said. “More I see of that man the more I +like him. All I wish is we’d got a steamer instead of a sailing +ship.” +</p> + +<p> +“And,” I went on, “you seem to overlook what used to weigh +with us a bit. This canadium side of the business and the Capern chance has +rushed you off your legs. After all—it’s stealing, and in its way +an international outrage. They’ve got two gunboats on the coast.” +</p> + +<p> +I jumped up and went and stared out at the fog. +</p> + +<p> +“And, by Jove, it’s about our only chance! I didn’t +dream.” +</p> + +<p> +I turned on him. “I’ve been up in the air,” I said. +</p> + +<p> +“Heaven knows where I haven’t been. And here’s our only +chance—and you give it to that adventurous lunatic to play in his own +way—in a brig!” +</p> + +<p> +“Well, you had a voice—” +</p> + +<p> +“I wish I’d been in this before. We ought to have run out a steamer +to Lagos or one of those West Coast places and done it from there. Fancy a brig +in the channel at this time of year, if it blows southwest!” +</p> + +<p> +“I dessay you’d have shoved it, George. Still you know, George.... +I believe in him.” +</p> + +<p> +“Yes,” I said. “Yes, I believe in him, too. In a way. +Still—” +</p> + +<p> +We took up a telegram that was lying on his desk and opened it. His face became +a livid yellow. He put the flimsy paper down with a slow, reluctant movement +and took off his glasses. +</p> + +<p> +“George,” he said, “the luck’s against us.” +</p> + +<p> +“What?” +</p> + +<p> +He grimaced with his mouth—in the queerest way at the telegram. +</p> + +<p> +“That.” +</p> + +<p> +I took it up and read: +</p> + +<p> +“Motor smash compound fracture of the leg gordon nasmyth what price +mordet now” +</p> + +<p> +For a moment neither of us spoke. +</p> + +<p> +“That’s all right,” I said at last. +</p> + +<p> +“Eh?” said my uncle. +</p> + +<p> +“<i>I’m</i> going. I’ll get that quap or bust.” +</p> + +<h4>II</h4> + +<p> +I had a ridiculous persuasion that I was “saving the situation.” +</p> + +<p> +“I’m going,” I said quite consciously and dramatically. I saw +the whole affair—how shall I put it?—in American colours. +</p> + +<p> +I sat down beside him. “Give me all the data you’ve got,” I +said, “and I’ll pull this thing off.” +</p> + +<p> +“But nobody knows exactly where—” +</p> + +<p> +“Nasmyth does, and he’ll tell me.” +</p> + +<p> +“He’s been very close,” said my uncle, and regarded me. +</p> + +<p> +“He’ll tell me all right, now he’s smashed.” +</p> + +<p> +He thought. “I believe he will.” +</p> + +<p> +“George,” he said, “if you pull this thing off—Once or +twice before you’ve stepped in—with that sort of Woosh of +yours—” +</p> + +<p> +He left the sentence unfinished. +</p> + +<p> +“Give me that note-book,” I said, “and tell me all you know. +Where’s the ship? Where’s Pollack? And where’s that telegram +from? If that quap’s to be got, I’ll get it or bust. If +you’ll hold on here until I get back with it.”... +</p> + +<p> +And so it was I jumped into the wildest adventure of my life. +</p> + +<p> +I requisitioned my uncle’s best car forthwith. I went down that night to +the place of despatch named on Nasmyth’s telegram, Bampton S.O. Oxon, +routed him out with a little trouble from that centre, made things right with +him and got his explicit directions; and I was inspecting the <i>Maud Mary</i> +with young Pollack, his cousin and aide, the following afternoon. She was +rather a shock to me and not at all in my style, a beast of a brig inured to +the potato trade, and she reeked from end to end with the faint, subtle smell +of raw potatoes so that it prevailed even over the temporary smell of new +paint. She was a beast of a brig, all hold and dirty framework, and they had +ballasted her with old iron and old rails and iron sleepers, and got a +miscellaneous lot of spades and iron wheelbarrows against the loading of the +quap. I thought her over with Pollack, one of those tall blond young men who +smoke pipes and don’t help much, and then by myself, and as a result I +did my best to sweep Gravesend clean of wheeling planks, and got in as much +cord and small rope as I could for lashing. I had an idea we might need to run +up a jetty. In addition to much ballast she held, remotely hidden in a sort of +inadvertent way a certain number of ambiguous cases which I didn’t +examine, but which I gathered were a provision against the need of a trade. +</p> + +<p> +The captain was a most extraordinary creature, under the impression we were +after copper ore; he was a Roumanian Jew, with twitching, excitable features, +who had made his way to a certificate after some preliminary naval experiences +in the Black Sea. The mate was an Essex man of impenetrable reserve. The crew +were astoundingly ill-clad and destitute and dirty; most of them youths, +unwashed, out of colliers. One, the cook was a mulatto; and one, the best-built +fellow of them all, was a Breton. There was some subterfuge about our position +on board—I forget the particulars now—I was called the supercargo +and Pollack was the steward. This added to the piratical flavour that +insufficient funds and Gordon-Nasmyth’s original genius had already given +the enterprise. +</p> + +<p> +Those two days of bustle at Gravesend, under dingy skies, in narrow, dirty +streets, were a new experience for me. It is like nothing else in my life. I +realised that I was a modern and a civilised man. I found the food filthy and +the coffee horrible; the whole town stank in my nostrils, the landlord of the +Good Intent on the quay had a stand-up quarrel with us before I could get even +a hot bath, and the bedroom I slept in was infested by a quantity of exotic but +voracious flat parasites called locally “bugs,” in the walls, in +the woodwork, everywhere. I fought them with insect powder, and found them +comatose in the morning. I was dipping down into the dingy underworld of the +contemporary state, and I liked it no better than I did my first dip into it +when I stayed with my Uncle Nicodemus Frapp at the bakery at +Chatham—where, by-the-by, we had to deal with cockroaches of a smaller, +darker variety, and also with bugs of sorts. +</p> + +<p> +Let me confess that through all this time before we started I was immensely +self-conscious, and that Beatrice played the part of audience in my imagination +throughout. I was, as I say, “saving the situation,” and I was +acutely aware of that. The evening before we sailed, instead of revising our +medicine-chest as I had intended, I took the car and ran across country to Lady +Grove to tell my aunt of the journey I was making, dress, and astonish Lady +Osprey by an after dinner call. +</p> + +<p> +The two ladies were at home and alone beside a big fire that seemed wonderfully +cheerful after the winter night. I remember the effect of the little parlour in +which they sat as very bright and domestic. Lady Osprey, in a costume of mauve +and lace, sat on a chintz sofa and played an elaborately spread-out patience by +the light of a tall shaded lamp; Beatrice, in a whiteness that showed her +throat, smoked a cigarette in an armchair and read with a lamp at her elbow. +The room was white-panelled and chintz-curtained. About those two bright +centres of light were warm dark shadow, in which a circular mirror shone like a +pool of brown water. I carried off my raid by behaving like a slave of +etiquette. There were moments when I think I really made Lady Osprey believe +that my call was an unavoidable necessity, that it would have been negligent of +me not to call just how and when I did. But at the best those were transitory +moments. +</p> + +<p> +They received me with disciplined amazement. Lady Osprey was interested in my +face and scrutinised the scar. Beatrice stood behind her solicitude. Our eyes +met, and in hers I could see startled interrogations. +</p> + +<p> +“I’m going,” I said, “to the west coast of +Africa.” +</p> + +<p> +They asked questions, but it suited my mood to be vague. +</p> + +<p> +“We’ve interests there. It is urgent I should go. I don’t +know when I may return.” +</p> + +<p> +After that I perceived Beatrice surveyed me steadily. +</p> + +<p> +The conversation was rather difficult. I embarked upon lengthy thanks for their +kindness to me after my accident. I tried to understand Lady Osprey’s +game of patience, but it didn’t appear that Lady Osprey was anxious for +me to understand her patience. I came to the verge of taking my leave. +</p> + +<p> +“You needn’t go yet,” said Beatrice, abruptly. +</p> + +<p> +She walked across to the piano, took a pile of music from the cabinet near, +surveyed Lady Osprey’s back, and with a gesture to me dropped it all +deliberately on to the floor. +</p> + +<p> +“Must talk,” she said, kneeling close to me as I helped her to pick +it up. “Turn my pages. At the piano.” +</p> + +<p> +“I can’t read music.” +</p> + +<p> +“Turn my pages.” +</p> + +<p> +Presently we were at the piano, and Beatrice was playing with noisy inaccuracy. +She glanced over her shoulder and Lady Osprey had resumed her patience. The old +lady was very pink, and appeared to be absorbed in some attempt to cheat +herself without our observing it. +</p> + +<p> +“Isn’t West Africa a vile climate?” “Are you going to +live there?” “Why are you going?” +</p> + +<p> +Beatrice asked these questions in a low voice and gave me no chance to answer. +Then taking a rhythm from the music before her, she said— +</p> + +<p> +“At the back of the house is a garden—a door in the wall—on +the lane. Understand?” +</p> + +<p> +I turned over the pages without any effect on her playing. +</p> + +<p> +“When?” I asked. +</p> + +<p> +She dealt in chords. “I wish I <i>could</i> play this!” she said. +“Midnight.” +</p> + +<p> +She gave her attention to the music for a time. +</p> + +<p> +“You may have to wait.” +</p> + +<p> +“I’ll wait.” +</p> + +<p> +She brought her playing to an end by—as school boys +say—“stashing it up.” +</p> + +<p> +“I can’t play to-night,” she said, standing up and meeting my +eyes. “I wanted to give you a parting voluntary.” +</p> + +<p> +“Was that Wagner, Beatrice?” asked Lady Osprey looking up from her +cards. “It sounded very confused.” +</p> + +<p> +I took my leave. I had a curious twinge of conscience as I parted from Lady +Osprey. Either a first intimation of middle-age or my inexperience in romantic +affairs was to blame, but I felt a very distinct objection to the prospect of +invading this good lady’s premises from the garden door. I motored up to +the pavilion, found Cothope reading in bed, told him for the first time of West +Africa, spent an hour with him in settling all the outstanding details of Lord +Roberts β, and left that in his hands to finish against my return. I sent +the motor back to Lady Grove, and still wearing my fur coat—for the +January night was damp and bitterly cold—walked to Bedley Corner. I found +the lane to the back of the Dower House without any difficulty, and was at the +door in the wall with ten minutes to spare. I lit a cigar and fell to walking +up and down. This queer flavour of intrigue, this nocturnal garden-door +business, had taken me by surprise and changed my mental altitudes. I was +startled out of my egotistical pose and thinking intently of Beatrice, of that +elfin quality in her that always pleased me, that always took me by surprise, +that had made her for example so instantly conceive this meeting. +</p> + +<p> +She came within a minute of midnight; the door opened softly and she appeared, +a short, grey figure in a motor-coat of sheepskin, bareheaded to the cold +drizzle. She flitted up to me, and her eyes were shadows in her dusky face. +</p> + +<p> +“Why are you going to West Africa?” she asked at once. +</p> + +<p> +“Business crisis. I have to go.” +</p> + +<p> +“You’re not going—? You’re coming back?” +</p> + +<p> +“Three or four months,” I said, “at most.” +</p> + +<p> +“Then, it’s nothing to do with me?” +</p> + +<p> +“Nothing,” I said. “Why should it have?” +</p> + +<p> +“Oh, that’s all right. One never knows what people think or what +people fancy.” She took me by the arm, “Let’s go for a +walk,” she said. +</p> + +<p> +I looked about me at darkness and rain. +</p> + +<p> +“That’s all right,” she laughed. “We can go along the +lane and into the Old Woking Road. Do you mind? Of course you don’t. My +head. It doesn’t matter. One never meets anybody.” +</p> + +<p> +“How do you know?” +</p> + +<p> +“I’ve wandered like this before.... Of course. Did you +think”—she nodded her head back at her +home—“that’s all?” +</p> + +<p> +“No, by Jove!” I cried; “it’s manifest it +isn’t.” +</p> + +<p> +She took my arm and turned me down the lane. “Night’s my +time,” she said by my side. “There’s a touch of the werewolf +in my blood. One never knows in these old families.... I’ve wondered +often.... Here we are, anyhow, alone in the world. Just darkness and cold and a +sky of clouds and wet. And we—together. +</p> + +<p> +“I like the wet on my face and hair, don’t you? When do you +sail?” +</p> + +<p> +I told her to-morrow. +</p> + +<p> +“Oh, well, there’s no to-morrow now. You and I!” She stopped +and confronted me. +</p> + +<p> +“You don’t say a word except to answer!” +</p> + +<p> +“No,” I said. +</p> + +<p> +“Last time you did all the talking.” +</p> + +<p> +“Like a fool. Now—” +</p> + +<p> +We looked at each other’s two dim faces. “You’re glad to be +here?” +</p> + +<p> +“I’m glad—I’m beginning to be—it’s more +than glad.” +</p> + +<p> +She put her hands on my shoulders and drew me down to kiss her. +</p> + +<p> +“Ah!” she said, and for a moment or so we just clung to one +another. +</p> + +<p> +“That’s all,” she said, releasing herself. “What +bundles of clothes we are to-night. I felt we should kiss some day again. +Always. The last time was ages ago.” +</p> + +<p> +“Among the fern stalks.” +</p> + +<p> +“Among the bracken. You remember. And your lips were cold. Were mine? The +same lips—after so long—after so much!... And now let’s +trudge through this blotted-out world together for a time. Yes, let me take +your arm. Just trudge. See? Hold tight to me because I know the way—and +don’t talk—don’t talk. Unless you want to talk.... Let me +tell you things! You see, dear, the whole world is blotted out—it’s +dead and gone, and we’re in this place. This dark wild place.... +We’re dead. Or all the world is dead. No! We’re dead. No one can +see us. We’re shadows. We’ve got out of our positions, out of our +bodies—and together. That’s the good thing of it—together. +But that’s why the world can’t see us and why we hardly see the +world. Sssh! Is it all right?” +</p> + +<p> +“It’s all right,” I said. +</p> + +<p> +We stumbled along for a time in a close silence. We passed a dim-lit, +rain-veiled window. +</p> + +<p> +“The silly world,” she said, “the silly world! It eats and +sleeps. If the wet didn’t patter so from the trees we’d hear it +snoring. It’s dreaming such stupid things—stupid judgments. It +doesn’t know we are passing, we two—free of it—clear of it. +You and I!” +</p> + +<p> +We pressed against each other reassuringly. +</p> + +<p> +“I’m glad we’re dead,” she whispered. “I’m +glad we’re dead. I was tired of it, dear. I was so tired of it, dear, and +so entangled.” +</p> + +<p> +She stopped abruptly. +</p> + +<p> +We splashed through a string of puddles. I began to remember things I had meant +to say. +</p> + +<p> +“Look here!” I cried. “I want to help you beyond measure. You +are entangled. What is the trouble? I asked you to marry me. You said you +would. But there’s something.” +</p> + +<p> +My thoughts sounded clumsy as I said them. +</p> + +<p> +“Is it something about my position?... Or is it +something—perhaps—about some other man?” +</p> + +<p> +There was an immense assenting silence. +</p> + +<p> +“You’ve puzzled me so. At first—I mean quite early—I +thought you meant to make me marry you.” +</p> + +<p> +“I did.” +</p> + +<p> +“And then?” +</p> + +<p> +“To-night,” she said after a long pause, “I can’t +explain. No! I can’t explain. I love you! But—explanations! +To-night my dear, here we are in the world alone—and the world +doesn’t matter. Nothing matters. Here I am in the cold with you and my +bed away there deserted. I’d tell you—I <i>will</i> tell you when +things enable me to tell you, and soon enough they will. But to-night—I +won’t—I won’t.” +</p> + +<p> +She left my side and went in front of me. +</p> + +<p> +She turned upon me. “Look here,” she said, “I insist upon +your being dead. Do you understand? I’m not joking. To-night you and I +are out of life. It’s our time together. There may be other times, but +this we won’t spoil. We’re—in Hades if you like. Where +there’s nothing to hide and nothing to tell. No bodies even. No bothers. +We loved each other—down there—and were kept apart, but now it +doesn’t matter. It’s over.... If you won’t agree to +that—I will go home.” +</p> + +<p> +“I wanted,” I began. +</p> + +<p> +“I know. Oh! my dear, if you’d only understand I understand. If +you’d only not care—and love me to-night.” +</p> + +<p> +“I do love you,” I said. +</p> + +<p> +“Then <i>love</i> me,” she answered, “and leave all the +things that bother you. Love me! Here I am!” +</p> + +<p> +“But!—” +</p> + +<p> +“No!” she said. +</p> + +<p> +“Well, have your way.” +</p> + +<p> +So she carried her point, and we wandered into the night together and Beatrice +talked to me of love.... +</p> + +<p> +I’d never heard a woman before in all my life who could talk of love, who +could lay bare and develop and touch with imagination all that mass of fine +emotion every woman, it may be, hides. She had read of love, she had thought of +love, a thousand sweet lyrics had sounded through her brain and left fine +fragments in her memory; she poured it out, all of it, shamelessly, skilfully, +for me. I cannot give any sense of that talk, I cannot even tell how much of +the delight of it was the magic of her voice, the glow of her near presence. +And always we walked swathed warmly through a chilly air, along dim, +interminable greasy roads—with never a soul abroad it seemed to us, never +a beast in the fields. +</p> + +<p> +“Why do people love each other?” I said. +</p> + +<p> +“Why not?” +</p> + +<p> +“But why do I love you? Why is your voice better than any voice, your +face sweeter than any face?” +</p> + +<p> +“And why do I love you?” she asked; “not only what is fine in +you, but what isn’t? Why do I love your dullness, your arrogance? For I +do. To—night I love the very raindrops on the fur of your coat!”... +</p> + +<p> +So we talked; and at last very wet, still glowing but a little tired, we parted +at the garden door. We had been wandering for two hours in our strange +irrational community of happiness, and all the world about us, and particularly +Lady Osprey and her household, had been asleep—and dreaming of anything +rather than Beatrice in the night and rain. +</p> + +<p> +She stood in the doorway, a muffled figure with eyes that glowed. +</p> + +<p> +“Come back,” she whispered. “I shall wait for you.” +</p> + +<p> +She hesitated. +</p> + +<p> +She touched the lapel of my coat. “I love you NOW,” she said, and +lifted her face to mine. +</p> + +<p> +I held her to me and was atremble from top to toe. “O God!” I +cried. “And I must go!” +</p> + +<p> +She slipped from my arms and paused, regarding me. For an instant the world +seemed full of fantastic possibilities. +</p> + +<p> +“Yes, <i>Go!</i>” she said, and vanished and slammed the door upon +me, leaving me alone like a man new fallen from fairyland in the black darkness +of the night. +</p> + +<h4>III</h4> + +<p> +That expedition to Mordet Island stands apart from all the rest of my life, +detached, a piece by itself with an atmosphere of its own. It would, I suppose, +make a book by itself—it has made a fairly voluminous official +report—but so far as this novel of mine goes it is merely an episode, a +contributory experience, and I mean to keep it at that. +</p> + +<p> +Vile weather, an impatient fretting against unbearable slowness and delay, +sea—sickness, general discomfort and humiliating self—revelation +are the master values of these memories. +</p> + +<p> +I was sick all through the journey out. I don’t know why. It was the only +time I was ever sea-sick, and I have seen some pretty bad weather since I +became a boat-builder. But that phantom smell of potatoes was peculiarly vile +to me. Coming back on the brig we were all ill, every one of us, so soon as we +got to sea, poisoned, I firmly believe, by quap. On the way out most of the +others recovered in a few days, but the stuffiness below, the coarse food, the +cramped dirty accommodation kept me, if not actually sea-sick, in a state of +acute physical wretchedness the whole time. The ship abounded in cockroaches +and more intimate vermin. I was cold all the time until after we passed Cape +Verde, then I became steamily hot; I had been too preoccupied with Beatrice and +my keen desire to get the <i>Maud Mary</i> under way at once, to consider a +proper wardrobe for myself, and in particular I lacked a coat. Heavens! how I +lacked that coat! And, moreover, I was cooped up with two of the worst bores in +Christendom, Pollack and the captain. Pollack, after conducting his illness in +a style better adapted to the capacity of an opera house than a small +compartment, suddenly got insupportably well and breezy, and produced a manly +pipe in which he smoked a tobacco as blond as himself, and divided his time +almost equally between smoking it and trying to clean it. “There’s +only three things you can clean a pipe with,” he used to remark with a +twist of paper in hand. “The best’s a feather, the second’s a +straw, and the third’s a girl’s hairpin. I never see such a ship. +You can’t find any of ’em. Last time I came this way I did find +hairpins anyway, and found ’em on the floor of the captain’s cabin. +Regular deposit. Eh?... Feelin’ better?” +</p> + +<p> +At which I usually swore. +</p> + +<p> +“Oh, you’ll be all right soon. Don’t mind my puffin’ a +bit? Eh?” +</p> + +<p> +He never tired of asking me to “have a hand at Nap. Good game. Makes you +forget it, and that’s half the battle.” +</p> + +<p> +He would sit swaying with the rolling of the ship and suck at his pipe of blond +tobacco and look with an inexpressibly sage but somnolent blue eye at the +captain by the hour together. “Captain’s a Card,” he would +say over and over again as the outcome of these meditations. “He’d +like to know what we’re up to. He’d like to know—no +end.” +</p> + +<p> +That did seem to be the captain’s ruling idea. But he also wanted to +impress me with the notion that he was a gentleman of good family and to air a +number of views adverse to the English, to English literature, to the English +constitution, and the like. +</p> + +<p> +He had learnt the sea in the Roumanian navy, and English out of a book; he +would still at times pronounce the e’s at the end of “there” +and “here”; he was a naturalised Englishman, and he drove me into a +reluctant and uncongenial patriotism by his everlasting carping at things +English. Pollack would set himself to “draw him out.” Heaven alone +can tell how near I came to murder. +</p> + +<p> +Fifty-three days I had outward, cooped up with these two and a shy and +profoundly depressed mate who read the Bible on Sundays and spent the rest of +his leisure in lethargy, three and fifty days of life cooped up in a perpetual +smell, in a persistent sick hunger that turned from the sight of food, in +darkness, cold and wet, in a lightly ballasted ship that rolled and pitched and +swayed. And all the time the sands in the hour-glass of my uncle’s +fortunes were streaming out. Misery! Amidst it all I remember only one thing +brightly, one morning of sunshine in the Bay of Biscay and a vision of frothing +waves, sapphire green, a bird following our wake and our masts rolling about +the sky. Then wind and rain close in on us again. +</p> + +<p> +You must not imagine they were ordinary days, days, I mean, of an average +length; they were not so much days as long damp slabs of time that stretched +each one to the horizon, and much of that length was night. One paraded the +staggering deck in a borrowed sou’-wester hour after hour in the chilly, +windy, splashing and spitting darkness, or sat in the cabin, bored and ill, and +looked at the faces of those inseparable companions by the help of a lamp that +gave smell rather than light. Then one would see going up, up, up, and then +sinking down, down, down, Pollack, extinct pipe in mouth, humorously observant, +bringing his mind slowly to the seventy-seventh decision that the captain was a +Card, while the words flowed from the latter in a nimble incessant good. +“Dis England eet is not a country aristocratic, no! Eet is a glorified +bourgeoisie! Eet is plutocratic. In England dere is no aristocracy since de +Wars of Roses. In the rest of Europe east of the Latins, yes; in England, no. +</p> + +<p> +“Eet is all middle-class, youra England. Everything you look at, +middle-class. Respectable! Everything good—eet is, you say, shocking. +Madame Grundy! Eet is all limited and computing and self-seeking. Dat is why +your art is so limited, youra fiction, your philosophin, why you are all so +inartistic. You want nothing but profit! What will pay! What would +you?”... +</p> + +<p> +He had all those violent adjuncts to speech we Western Europeans have +abandoned, shruggings of the shoulders, waving of the arms, thrusting out of +the face, wonderful grimaces and twiddlings of the hands under your nose until +you wanted to hit them away. Day after day it went on, and I had to keep any +anger to myself, to reserve myself for the time ahead when it would be +necessary to see the quap was got aboard and stowed—knee deep in this +man’s astonishment. I knew he would make a thousand objections to all we +had before us. He talked like a drugged man. It ran glibly over his tongue. And +all the time one could see his seamanship fretting him, he was gnawed by +responsibility, perpetually uneasy about the ship’s position, perpetually +imagining dangers. If a sea hit us exceptionally hard he’d be out of the +cabin in an instant making an outcry of inquiries, and he was pursued by a +dread of the hold, of ballast shifting, of insidious wicked leaks. As we drew +near the African coast his fear of rocks and shoals became infectious. +</p> + +<p> +“I do not know dis coast,” he used to say. “I cama hera +because Gordon-Nasmyth was coming too. Den he does not come!” +</p> + +<p> +“Fortunes of war,” I said, and tried to think in vain if any motive +but sheer haphazard could have guided Gordon-Nasmyth in the choice of these two +men. I think perhaps Gordon-Nasmyth had the artistic temperament and wanted +contrasts, and also that the captain helped him to express his own malignant +Anti-Britishism. +</p> + +<p> +He was indeed an exceptionally inefficient captain. On the whole I was glad I +had come even at the eleventh hour to see to things. +</p> + +<p> +(The captain, by-the-by, did at last, out of sheer nervousness, get aground at +the end of Mordet’s Island, but we got off in an hour or so with a swell +and a little hard work in the boat.) +</p> + +<p> +I suspected the mate of his opinion of the captain long before he expressed it. +He was, I say, a taciturn man, but one day speech broke through him. He had +been sitting at the table with his arms folded on it, musing drearily, pipe in +mouth, and the voice of the captain drifted down from above. +</p> + +<p> +The mate lifted his heavy eyes to me and regarded me for a moment. Then he +began to heave with the beginnings of speech. He disembarrassed himself of his +pipe. I cowered with expectation. Speech was coming at last. Before he spoke he +nodded reassuringly once or twice. +</p> + +<p> +“E—” +</p> + +<p> +He moved his head strangely and mysteriously, but a child might have known he +spoke of the captain. +</p> + +<p> +“E’s a foreigner.” +</p> + +<p> +He regarded me doubtfully for a time, and at last decided for the sake of +lucidity to clench the matter. +</p> + +<p> +“That’s what E is—a <i>Dago!</i>” +</p> + +<p> +He nodded like a man who gives a last tap to a nail, and I could see he +considered his remark well and truly laid. His face, though still resolute, +became as tranquil and uneventful as a huge hall after a public meeting has +dispersed out of it, and finally he closed and locked it with his pipe. +</p> + +<p> +“Roumanian Jew, isn’t he?” I said. +</p> + +<p> +He nodded darkly and almost forbiddingly. +</p> + +<p> +More would have been too much. The thing was said. But from that time forth I +knew I could depend upon him and that he and I were friends. It happens I never +did have to depend upon him, but that does not affect our relationship. +</p> + +<p> +Forward the crew lived lives very much after the fashion of ours, more crowded, +more cramped and dirty, wetter, steamier, more verminous. The coarse food they +had was still not so coarse but that they did not think they were living +“like fighting cocks.” So far as I could make out they were all +nearly destitute men; hardly any of them had a proper sea outfit, and what +small possessions they had were a source of mutual distrust. And as we pitched +and floundered southward they gambled and fought, were brutal to one another, +argued and wrangled loudly, until we protested at the uproar. +</p> + +<p> +There’s no romance about the sea in a small sailing ship as I saw it. The +romance is in the mind of the landsman dreamer. These brigs and schooners and +brigantines that still stand out from every little port are relics from an age +of petty trade, as rotten and obsolescent as a Georgian house that has sunken +into a slum. They are indeed just floating fragments of slum, much as icebergs +are floating fragments of glacier. The civilised man who has learnt to wash, +who has developed a sense of physical honour, of cleanly temperate feeding, of +time, can endure them no more. They pass, and the clanking coal-wasting +steamers will follow them, giving place to cleaner, finer things.... +</p> + +<p> +But so it was I made my voyage to Africa, and came at last into a world of +steamy fogs and a hot smell of vegetable decay, and into sound and sight of +surf and distant intermittent glimpses of the coast. I lived a strange +concentrated life through all that time, such a life as a creature must do that +has fallen in a well. All my former ways ceased, all my old vistas became +memories. +</p> + +<p> +The situation I was saving was very small and distant now; I felt its urgency +no more. Beatrice and Lady Grove, my uncle and the Hardingham, my soaring in +the air and my habitual wide vision of swift effectual things, became as remote +as if they were in some world I had left for ever.... +</p> + +<h4>IV</h4> + +<p> +All these African memories stand by themselves. It was for me an expedition +into the realms of undisciplined nature out of the world that is ruled by men, +my first bout with that hot side of our mother that gives you the +jungle—that cold side that gives you the air-eddy I was beginning to know +passing well. They are memories woven upon a fabric of sunshine and heat and a +constant warm smell of decay. They end in rain—such rain as I had never +seen before, a vehement, a frantic downpouring of water, but our first slow +passage through the channels behind Mordet’s Island was in incandescent +sunshine. +</p> + +<p> +There we go in my memory still, a blistered dirty ship with patched sails and a +battered mermaid to present <i>Maud Mary</i>, sounding and taking thought +between high ranks of forest whose trees come out knee-deep at last in the +water. There we go with a little breeze on our quarter, Mordet Island rounded +and the quap, it might be within a day of us. +</p> + +<p> +Here and there strange blossoms woke the dank intensities of green with a +trumpet call of colour. Things crept among the jungle and peeped and dashed +back rustling into stillness. Always in the sluggishly drifting, opaque water +were eddyings and stirrings; little rushes of bubbles came chuckling up +light-heartedly from this or that submerged conflict and tragedy; now and again +were crocodiles like a stranded fleet of logs basking in the sun. Still it was +by day, a dreary stillness broken only by insect sounds and the creaking and +flapping of our progress, by the calling of the soundings and the +captain’s confused shouts; but in the night as we lay moored to a clump +of trees the darkness brought a thousand swampy things to life and out of the +forest came screaming and howlings, screaming and yells that made us glad to be +afloat. And once we saw between the tree stems long blazing fires. We passed +two or three villages landward, and brown-black women and children came and +stared at us and gesticulated, and once a man came out in a boat from a creek +and hailed us in an unknown tongue; and so at last we came to a great open +place, a broad lake rimmed with a desolation of mud and bleached refuse and +dead trees, free from crocodiles or water birds or sight or sound of any living +thing, and saw far off, even as Nasmyth had described, the ruins of the +deserted station, and hard by two little heaps of buff-hued rubbish under a +great rib of rock, the quap! The forest receded. The land to the right of us +fell away and became barren, and far on across notch in its backbone was surf +and the sea. +</p> + +<p> +We took the ship in towards those heaps and the ruined jetty slowly and +carefully. The captain came and talked. +</p> + +<p> +“This is eet?” he said. +</p> + +<p> +“Yes,” said I. +</p> + +<p> +“Is eet for trade we have come?” +</p> + +<p> +This was ironical. +</p> + +<p> +“No,” said I. +</p> + +<p> +“Gordon-Nasmyth would haf told me long ago what it ees for we haf +come.” +</p> + +<p> +“I’ll tell you now,” I said. “We are going to lay in as +close as we can to those two heaps of stuff—you see them?—under the +rock. Then we are going to chuck all our ballast overboard and take those in. +Then we’re going home.” +</p> + +<p> +“May I presume to ask—is eet gold?” +</p> + +<p> +“No,” I said incivilly, “it isn’t.” +</p> + +<p> +“Then what is it?” +</p> + +<p> +“It’s stuff—of some commercial value.” +</p> + +<p> +“We can’t do eet,” he said. +</p> + +<p> +“We can,” I answered reassuringly. +</p> + +<p> +“We can’t,” he said as confidently. “I don’t mean +what you mean. You know so liddle—But—dis is forbidden +country.” +</p> + +<p> +I turned on him suddenly angry and met bright excited eyes. For a minute we +scrutinised one another. Then I said, “That’s our risk. Trade is +forbidden. But this isn’t trade.... This thing’s got to be +done.” +</p> + +<p> +His eyes glittered and he shook his head.... +</p> + +<p> +The brig stood in slowly through the twilight toward this strange scorched and +blistered stretch of beach, and the man at the wheel strained his ears to +listening the low-voiced angry argument that began between myself and the +captain, that was presently joined by Pollack. We moored at last within a +hundred yards of our goal, and all through our dinner and far into the night we +argued intermittently and fiercely with the captain about our right to load +just what we pleased. “I will haf nothing to do with eet,” he +persisted. “I wash my hands.” It seemed that night as though we +argued in vain. “If it is not trade,” he said, “it is +prospecting and mining. That is worse. Any one who knows anything—outside +England—knows that is worse.” +</p> + +<p> +We argued and I lost my temper and swore at him. Pollack kept cooler and chewed +his pipe watchfully with that blue eye of his upon the captain’s +gestures. Finally I went on deck to cool. The sky was overcast I discovered all +the men were in a knot forward, staring at the faint quivering luminosity that +had spread over the heaps of quap, a phosphorescence such as one sees at times +on rotting wood. And about the beach east and west there were patches and +streaks of something like diluted moonshine.... +</p> + +<p> +In the small hours I was still awake and turning over scheme after scheme in my +mind whereby I might circumvent the captain’s opposition. I meant to get +that quap aboard if I had to kill some one to do it. Never in my life had I +been so thwarted! After this intolerable voyage! There came a rap at my cabin +door and then it opened and I made out a bearded face. “Come in,” I +said, and a black voluble figure I could just see obscurely came in to talk in +my private ear and fill my cabin with its whisperings and gestures. It was the +captain. He, too, had been awake and thinking things over. He had come to +explain—enormously. I lay there hating him and wondering if I and Pollack +could lock him in his cabin and run the ship without him. “I do not want +to spoil dis expedition,” emerged from a cloud of protestations, and then +I was able to disentangle “a commission—shush a small +commission—for special risks!” “Special risks” became +frequent. I let him explain himself out. It appeared he was also demanding an +apology for something I had said. No doubt I had insulted him generously. At +last came definite offers. I broke my silence and bargained. +</p> + +<p> +“Pollack!” I cried and hammered the partition. +</p> + +<p> +“What’s up?” asked Pollack. +</p> + +<p> +I stated the case concisely. +</p> + +<p> +There came a silence. +</p> + +<p> +“He’s a Card,” said Pollack. “Let’s give him his +commission. I don’t mind.” +</p> + +<p> +“Eh?” I cried. +</p> + +<p> +“I said he was a Card, that’s all,” said Pollack. +“I’m coming.” +</p> + +<p> +He appeared in my doorway a faint white figure joined our vehement whisperings. +</p> + +<p> +We had to buy the captain off; we had to promise him ten per cent. of our +problematical profits. We were to give him ten per cent. on what we sold the +cargo for over and above his legitimate pay, and I found in my out-bargained +and disordered state small consolation in the thought that I, as the +Gordon-Nasmyth expedition, was to sell the stuff to myself as Business +Organisations. And he further exasperated me by insisting on having our bargain +in writing. “In the form of a letter,” he insisted. +</p> + +<p> +“All right,” I acquiesced, “in the form of a letter. Here +goes! Get a light!” +</p> + +<p> +“And the apology,” he said, folding up the letter. +</p> + +<p> +“All right,” I said; “Apology.” +</p> + +<p> +My hand shook with anger as I wrote, and afterwards I could not sleep for hate +of him. At last I got up. I suffered, I found, from an unusual clumsiness. I +struck my toe against my cabin door, and cut myself as I shaved. I found myself +at last pacing the deck under the dawn in a mood of extreme exasperation. The +sun rose abruptly and splashed light blindingly into my eyes and I swore at the +sun. I found myself imagining fresh obstacles with the men and talking aloud in +anticipatory rehearsal of the consequent row. +</p> + +<p> +The malaria of the quap was already in my blood. +</p> + +<h4>V</h4> + +<p> +Sooner or later the ridiculous embargo that now lies upon all the coast +eastward of Mordet Island will be lifted and the reality of the deposits of +quap ascertained. I am sure that we were merely taking the outcrop of a stratum +of nodulated deposits that dip steeply seaward. Those heaps were merely the +crumbled out contents of two irregular cavities in the rock; they are as +natural as any talus or heap of that kind, and the mud along the edge of the +water for miles is mixed with quap, and is radio-active and lifeless and +faintly phosphorescent at night. But the reader will find the full particulars +of my impression of all this in the <i>Geological Magazine</i> for October, +1905, and to that I must refer him. There, too, he will find my unconfirmed +theories of its nature. If I am right it is something far more significant from +the scientific point of view than those incidental constituents of various rare +metals, pitchblende, rutile, and the like, upon which the revolutionary +discoveries of the last decade are based. Those are just little molecular +centres of disintegration, of that mysterious decay and rotting of those +elements, elements once regarded as the most stable things in nature. But there +is something—the only word that comes near it is +<i>cancerous</i>—and that is not very near, about the whole of quap, +something that creeps and lives as a disease lives by destroying; an elemental +stirring and disarrangement, incalculably maleficent and strange. +</p> + +<p> +This is no imaginative comparison of mine. To my mind radio-activity is a real +disease of matter. Moreover, it is a contagious disease. It spreads. You bring +those debased and crumbling atoms near others and those too presently catch the +trick of swinging themselves out of coherent existence. It is in matter exactly +what the decay of our old culture is in society, a loss of traditions and +distinctions and assured reactions. When I think of these inexplicable +dissolvent centres that have come into being in our globe—these quap +heaps are surely by far the largest that have yet been found in the world; the +rest as yet mere specks in grains and crystals—I am haunted by a +grotesque fancy of the ultimate eating away and dry-rotting and dispersal of +all our world. So that while man still struggles and dreams his very substance +will change and crumble from beneath him. I mention this here as a queer +persistent fancy. Suppose, indeed, that is to be the end of our planet; no +splendid climax and finale, no towering accumulation of achievements, but +just—atomic decay! I add that to the ideas of the suffocating comet, the +dark body out of space, the burning out of the sun, the distorted orbit, as a +new and far more possible end—as Science can see ends—to this +strange by-play of matter that we call human life. I do not believe this can be +the end; no human soul can believe in such an end and go on living, but to it +science points as a possible thing, science and reason alike. If single human +beings—if one single ricketty infant—can be born as it were by +accident and die futile, why not the whole race? These are questions I have +never answered, that now I never attempt to answer, but the thought of quap and +its mysteries brings them back to me. +</p> + +<p> +I can witness that the beach and mud for two miles or more either way was a +lifeless beach—lifeless as I could have imagined no tropical mud could +ever be, and all the dead branches and leaves and rotting dead fish and so +forth that drifted ashore became presently shrivelled and white. Sometimes +crocodiles would come up out of the water and bask, and now and then water +birds would explore the mud and rocky ribs that rose out of it, in a mood of +transitory speculation. That was its utmost admiration. And the air felt at +once hot and austere, dry and blistering, and altogether different the warm +moist embrace that had met us at our first African landfall and to which we had +grown accustomed. +</p> + +<p> +I believe that the primary influence of the quap upon us was to increase the +conductivity of our nerves, but that is a mere unjustifiable speculation on my +part. At any rate it gave a sort of east wind effect to life. We all became +irritable, clumsy, languid and disposed to be impatient with our languor. We +moored the brig to the rocks with difficulty, and got aground on mud and +decided to stick there and tow off when we had done—the bottom was as +greasy as butter. Our efforts to fix up planks and sleepers in order to wheel +the quap aboard were as ill-conceived as that sort of work can be—and +that sort of work can at times be very ill-conceived. The captain had a +superstitious fear of his hold: he became wildly gesticulatory and expository +and incompetent at the bare thought of it. His shouts still echo in my memory, +becoming as each crisis approached less and less like any known tongue. +</p> + +<p> +But I cannot now write the history of those days of blundering and toil: of how +Milton, one of the boys, fell from a plank to the beach, thirty feet perhaps, +with his barrow and broke his arm and I believe a rib, of how I and Pollack set +the limb and nursed him through the fever that followed, of how one man after +another succumbed to a feverish malaria, and how I—by virtue of my +scientific reputation—was obliged to play the part of doctor and dose +them with quinine, and then finding that worse than nothing, with rum and small +doses of Easton’s Syrup, of which there chanced to be a case of bottles +aboard—Heaven and Gordon-Nasmyth know why. For three long days we lay in +misery and never shipped a barrow-load. Then, when they resumed, the +men’s hands broke out into sores. There were no gloves available; and I +tried to get them, while they shovelled and wheeled, to cover their hands with +stockings or greased rags. They would not do this on account of the heat and +discomfort. This attempt of mine did, however, direct their attention to the +quap as the source of their illness and precipitated what in the end finished +our lading, an informal strike. “We’ve had enough of this,” +they said, and they meant it. They came aft to say as much. They cowed the +captain. +</p> + +<p> +Through all these days the weather was variously vile, first a furnace heat +under a sky of a scowling intensity of blue, then a hot fog that stuck in +one’s throat like wool and turned the men on the planks into colourless +figures of giants, then a wild burst of thunderstorms, mad elemental uproar and +rain. Through it all, against illness, heat, confusion of mind, one master +impetus prevailed with me, to keep the shipping going, to maintain one motif at +least, whatever else arose or ceased, the chuff of the spades, the squeaking +and shriek of the barrows, the pluppa, pluppa, pluppa, as the men came trotting +along the swinging high planks, and then at last, the dollop, dollop, as the +stuff shot into the hold. “Another barrow-load, thank God! Another +fifteen hundred, or it may be two thousand pounds, for the saving of +Ponderevo!...” +</p> + +<p> +I found out many things about myself and humanity in those weeks of effort +behind Mordet Island. I understand now the heart of the sweater, of the harsh +employer, of the nigger-driver. I had brought these men into a danger they +didn’t understand, I was fiercely resolved to overcome their opposition +and bend and use them for my purpose, and I hated the men. But I hated all +humanity during the time that the quap was near me. +</p> + +<p> +And my mind was pervaded, too, by a sense of urgency and by the fear that we +should be discovered and our proceedings stopped. I wanted to get out to sea +again—to be beating up northward with our plunder. I was afraid our masts +showed to seaward and might betray us to some curious passer on the high sea. +And one evening near the end I saw a canoe with three natives far off down the +lake; I got field-glasses from the captain and scrutinised them, and I could +see them staring at us. One man might have been a half-breed and was dressed in +white. They watched us for some time very quietly and then paddled off into +some channel in the forest shadows. +</p> + +<p> +And for three nights running, so that it took a painful grip upon my inflamed +imagination, I dreamt of my uncle’s face, only that it was ghastly white +like a clown’s, and the throat was cut from ear to ear—a long +ochreous cut. “Too late,” he said; “Too late!...” +</p> + +<h4>VI</h4> + +<p> +A day or so after we had got to work upon the quap I found myself so sleepless +and miserable that the ship became unendurable. Just before the rush of sunrise +I borrowed Pollack’s gun, walked down the planks, clambered over the quap +heaps and prowled along the beach. I went perhaps a mile and a half that day +and some distance beyond the ruins of the old station. I became interested in +the desolation about me, and found when I returned that I was able to sleep for +nearly an hour. It was delightful to have been alone for so long,—no +captain, no Pollack, no one. Accordingly I repeated this expedition the next +morning and the next until it became a custom with me. There was little for me +to do once the digging and wheeling was organised, and so these prowlings of +mine grew longer and longer, and presently I began to take food with me. +</p> + +<p> +I pushed these walks far beyond the area desolated by the quap. On the edges of +that was first a zone of stunted vegetation, then a sort of swampy jungle that +was difficult to penetrate, and then the beginnings of the forest, a scene of +huge tree stems and tangled creeper ropes and roots mingled with oozy mud. Here +I used to loaf in a state between botanising and reverie—always very +anxious to know what was up above in the sunlight—and here it was I +murdered a man. +</p> + +<p> +It was the most unmeaning and purposeless murder imaginable. Even as I write +down its well-remembered particulars there comes again the sense of its +strangeness, its pointlessness, its incompatibility with any of the neat and +definite theories people hold about life and the meaning of the world. I did +this thing and I want to tell of my doing it, but why I did it and particularly +why I should be held responsible for it I cannot explain. +</p> + +<p> +That morning I had come upon a track in the forest, and it had occurred to me +as a disagreeable idea that this was a human pathway. I didn’t want to +come upon any human beings. The less our expedition saw of the African +population the better for its prospects. Thus far we had been singularly free +from native pestering. So I turned back and was making my way over mud and +roots and dead fronds and petals scattered from the green world above when +abruptly I saw my victim. +</p> + +<p> +I became aware of him perhaps forty feet off standing quite still and regarding +me. +</p> + +<p> +He wasn’t by any means a pretty figure. He was very black and naked +except for a dirty loin-cloth, his legs were ill-shaped and his toes spread +wide and the upper edge of his cloth and a girdle of string cut his clumsy +abdomen into folds. His forehead was low, his nose very flat and his lower lip +swollen and purplish-red. His hair was short and fuzzy, and about his neck was +a string and a little purse of skin. He carried a musket, and a powder-flask +was stuck in his girdle. It was a curious confrontation. There opposed to him +stood I, a little soiled, perhaps, but still a rather elaborately civilised +human being, born, bred and trained in a vague tradition. In my hand was an +unaccustomed gun. And each of us was essentially a teeming, vivid brain, +tensely excited by the encounter, quite unaware of the other’s mental +content or what to do with him. +</p> + +<p> +He stepped back a pace or so, stumbled and turned to run. +</p> + +<p> +“Stop,” I cried; “stop, you fool!” and started to run +after him, shouting such things in English. But I was no match for him over the +roots and mud. +</p> + +<p> +I had a preposterous idea. “He mustn’t get away and tell +them!” +</p> + +<p> +And with that instantly I brought both feet together, raised my gun, aimed +quite coolly, drew the trigger carefully and shot him neatly in the back. +</p> + +<p> +I saw, and saw with a leap of pure exaltation, the smash of my bullet between +his shoulder blades. “Got him,” said I, dropping my gun and down he +flopped and died without a groan. “By Jove!” I cried with note of +surprise, “I’ve killed him!” I looked about me and then went +forward cautiously, in a mood between curiosity and astonishment, to look at +this man whose soul I had flung so unceremoniously out of our common world. I +went to him, not as one goes to something one has made or done, but as one +approaches something found. +</p> + +<p> +He was frightfully smashed out in front; he must have died in the instant. I +stooped and raised him by his shoulder and realised that. I dropped him, and +stood about and peered about me through the trees. “My word!” I +said. He was the second dead human being—apart, I mean, from surgical +properties and mummies and common shows of that sort—that I have ever +seen. I stood over him wondering, wondering beyond measure. +</p> + +<p> +A practical idea came into that confusion. Had any one heard the gun? +</p> + +<p> +I reloaded. +</p> + +<p> +After a time I felt securer, and gave my mind again to the dead I had killed. +What must I do? +</p> + +<p> +It occurred to me that perhaps I ought to bury him. At any rate, I ought to +hide him. I reflected coolly, and then put my gun within easy reach and dragged +him by the arm towards a place where the mud seemed soft, and thrust him in. +His powder-flask slipped from his loin-cloth, and I went back to get it. Then I +pressed him down with the butt of my rifle. +</p> + +<p> +Afterwards this all seemed to me most horrible, but at the time it was entirely +a matter-of-fact transaction. I looked round for any other visible evidence of +his fate, looked round as one does when one packs one’s portmanteau in an +hotel bedroom. +</p> + +<p> +When I got my bearings, and carefully returned towards the ship. I had the mood +of grave concentration of a boy who has lapsed into poaching. And the business +only began to assume proper proportions for me as I got near the ship, to seem +any other kind of thing than the killing of a bird or rabbit. +</p> + +<p> +In the night, however, it took on enormous and portentous forms. “By +God!” I cried suddenly, starting wide awake; “but it was +murder!” +</p> + +<p> +I lay after that wide awake, staring at my memories. In some odd way these +visions mixed up with my dream of in my uncle in his despair. The black body +which saw now damaged and partly buried, but which, nevertheless, I no longer +felt was dead but acutely alive and perceiving, I mixed up with the ochreous +slash under my uncle’s face. I tried to dismiss this horrible obsession +from my mind, but it prevailed over all my efforts. +</p> + +<p> +The next day was utterly black with my sense of that ugly creature’s +body. I am the least superstitious of men, but it drew me. It drew me back into +those thickets to the very place where I had hidden him. +</p> + +<p> +Some evil and detestable beast had been at him, and he lay disinterred. +</p> + +<p> +Methodically I buried his swollen and mangled carcass again, and returned to +the ship for another night of dreams. Next day for all the morning I resisted +the impulse to go to him, and played nap with Pollack with my secret gnawing at +me, and in the evening started to go and was near benighted. I never told a +soul of them of this thing I had done. +</p> + +<p> +Next day I went early, and he had gone, and there were human footmarks and ugly +stains round the muddy hole from which he had been dragged. +</p> + +<p> +I returned to the ship, disconcerted and perplexed. That day it was the men +came aft, with blistered hands and faces, and sullen eyes. When they +proclaimed, through Edwards, their spokesman, “We’ve had enough of +this, and we mean it,” I answered very readily, “So have I. +Let’s go.” +</p> + +<h4>VII</h4> + +<p> +We were none too soon. People had been reconnoitring us, the telegraph had been +at work, and we were not four hours at sea before we ran against the gunboat +that had been sent down the coast to look for us and that would have caught us +behind the island like a beast in a trap. It was a night of driving cloud that +gave intermittent gleams of moonlight; the wind and sea were strong and we were +rolling along through a drift of rails and mist. Suddenly the world was white +with moonshine. The gunboat came out as a long dark shape wallowing on the +water to the east. +</p> + +<p> +She sighted the <i>Maud Mary</i> at once, and fired some sort of popgun to +arrest us. +</p> + +<p> +The mate turned to me. +</p> + +<p> +“Shall I tell the captain?” +</p> + +<p> +“The captain be damned” said I, and we let him sleep through two +hours of chase till a rainstorm swallowed us up. Then we changed our course and +sailed right across them, and by morning only her smoke was showing. +</p> + +<p> +We were clear of Africa—and with the booty aboard I did not see what +stood between us and home. +</p> + +<p> +For the first time since I had fallen sick in the Thames my spirits rose. I was +sea-sick and physically disgusted, of course, but I felt kindly in spite of my +qualms. So far as I could calculate then the situation was saved. I saw myself +returning triumphantly into the Thames, and nothing on earth to prevent old +Capern’s Perfect Filament going on the market in fortnight. I had the +monopoly of electric lamps beneath my feet. +</p> + +<p> +I was released from the spell of that bloodstained black body all mixed up with +grey-black mud. I was going back to baths and decent food and aeronautics and +Beatrice. I was going back to Beatrice and my real life again—out of this +well into which I had fallen. It would have needed something more than +sea-sickness and quap fever to prevent my spirits rising. +</p> + +<p> +I told the captain that I agreed with him that the British were the scum of +Europe, the westward drift of all the people, a disgusting rabble, and I lost +three pounds by attenuated retail to Pollack at ha’penny nap and euchre. +</p> + +<p> +And then you know, as we got out into the Atlantic this side of Cape Verde, the +ship began to go to pieces. I don’t pretend for one moment to understand +what happened. But I think Greiffenhagen’s recent work on the effects of +radium upon ligneous tissue does rather carry out my idea that emanations from +quap have rapid rotting effect upon woody fibre. +</p> + +<p> +From the first there had been a different feel about the ship, and as the big +winds and waves began to strain her she commenced leaking. Soon she was +leaking—not at any particular point, but everywhere. She did not spring a +leak, I mean, but water came in first of all near the decaying edges of her +planks, and then through them. +</p> + +<p> +I firmly believe the water came through the wood. First it began to ooze, then +to trickle. It was like trying to carry moist sugar in a thin paper bag. Soon +we were taking in water as though we had opened a door in her bottom. +</p> + +<p> +Once it began, the thing went ahead beyond all fighting. For a day or so we did +our best, and I can still remember in my limbs and back the pumping—the +fatigue in my arms and the memory of a clear little dribble of water that +jerked as one pumped, and of knocking off and the being awakened to go on +again, and of fatigue piling up upon fatigue. At last we ceased to think of +anything but pumping; one became a thing of torment enchanted, doomed to pump +for ever. I still remember it as pure relief when at last Pollack came to me +pipe in mouth. +</p> + +<p> +“The captain says the damned thing’s going down right now;” +he remarked, chewing his mouthpiece. “Eh?” +</p> + +<p> +“Good idea!” I said. “One can’t go on pumping for +ever.” +</p> + +<p> +And without hurry or alacrity, sullenly and wearily we got into the boats and +pulled away from the <i>Maud Mary</i> until we were clear of her, and then we +stayed resting on our oars, motionless upon a glassy sea, waiting for her to +sink. We were all silent, even the captain was silent until she went down. And +then he spoke quite mildly in an undertone. +</p> + +<p> +“Dat is the first ship I haf ever lost.... And it was not a fair game! It +wass not a cargo any man should take. No!” +</p> + +<p> +I stared at the slow eddies that circled above the departed <i>Maud Mary</i>, +and the last chance of Business Organisations. I felt weary beyond emotion. I +thought of my heroics to Beatrice and my uncle, of my prompt +“<i>I’ll</i> go,” and of all the ineffectual months I had +spent after this headlong decision. I was moved to laughter at myself and fate. +</p> + +<p> +But the captain and the men did not laugh. The men scowled at me and rubbed +their sore and blistered hands, and set themselves to row.... +</p> + +<p> +As all the world knows we were picked up by the Union Castle liner, <i>Portland +Castle</i>. +</p> + +<p> +The hairdresser aboard was a wonderful man, and he even improvised me a dress +suit, and produced a clean shirt and warm underclothing. I had a hot bath, and +dressed and dined and drank a bottle of Burgundy. +</p> + +<p> +“Now,” I said, “are there any newspapers? I want to know +what’s been happening in the world.” +</p> + +<p> +My steward gave me what he had, but I landed at Plymouth still largely ignorant +of the course of events. I shook off Pollack, and left the captain and mate in +an hotel, and the men in a Sailor’s Home until I could send to pay them +off, and I made my way to the station. +</p> + +<p> +The newspapers I bought, the placards I saw, all England indeed resounded to my +uncle’s bankruptcy. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h2><a name="book04"></a>BOOK THE FOURTH<br /> +THE AFTERMATH OF TONO-BUNGAY</h2> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap12"></a>CHAPTER THE FIRST<br /> +THE STICK OF THE ROCKET</h3> + +<h4>I</h4> + +<p> +That evening I talked with my uncle in the Hardingham for the last time. The +atmosphere of the place had altered quite shockingly. Instead of the crowd of +importunate courtiers there were just half a dozen uninviting men, journalists +waiting for an interview. Ropper the big commissionaire was still there, but +now indeed he was defending my uncle from something more than time-wasting +intrusions. I found the little man alone in the inner office pretending to +work, but really brooding. He was looking yellow and deflated. +</p> + +<p> +“Lord!” he said at the sight of me. “You’re lean, +George. It makes that scar of yours show up.” +</p> + +<p> +We regarded each other gravely for a time. +</p> + +<p> +“Quap,” I said, “is at the bottom of the Atlantic. +There’s some bills—We’ve got to pay the men.” +</p> + +<p> +“Seen the papers?” +</p> + +<p> +“Read ’em all in the train.” +</p> + +<p> +“At bay,” he said. “I been at bay for a week.... Yelping +round me.... And me facing the music. I’m feelin’ a bit +tired.” +</p> + +<p> +He blew and wiped his glasses. +</p> + +<p> +“My stomack isn’t what it was,” he explained. “One +finds it—these times. How did it all happen, George? Your +Marconigram—it took me in the wind a bit.” +</p> + +<p> +I told him concisely. He nodded to the paragraphs of my narrative and at the +end he poured something from a medicine bottle into a sticky little wineglass +and drank it. I became aware of the presence of drugs, of three or four small +bottles before him among his disorder of papers, of a faint elusively familiar +odour in the room. +</p> + +<p> +“Yes,” he said, wiping his lips and recorking the bottle. +“You’ve done your best, George. The luck’s been against +us.” +</p> + +<p> +He reflected, bottle in hand. “Sometimes the luck goes with you and +sometimes it doesn’t. Sometimes it doesn’t. And then where are you? +Grass in the oven! Fight or no fight.” +</p> + +<p> +He asked a few questions and then his thoughts came back to his own urgent +affairs. I tried to get some comprehensive account of the situation from him, +but he would not give it. +</p> + +<p> +“Oh, I wish I’d had you. I wish I’d had you, George. +I’ve had a lot on my hands. You’re clear headed at times.” +</p> + +<p> +“What has happened?” +</p> + +<p> +“Oh! Boom!—infernal things.” +</p> + +<p> +“Yes, but—how? I’m just off the sea, remember.” +</p> + +<p> +“It’d worry me too much to tell you now. It’s tied up in a +skein.” +</p> + +<p> +He muttered something to himself and mused darkly, and roused himself to +say— +</p> + +<p> +“Besides—you’d better keep out of it. It’s getting +tight. Get ’em talking. Go down to Crest Hill and fly. That’s +<i>your</i> affair.” +</p> + +<p> +For a time his manner set free queer anxieties in my brain again. +</p> + +<p> +I will confess that that Mordet Island nightmare of mine returned, and as I +looked at him his hand went out for the drug again. “Stomach, +George,” he said. +</p> + +<p> +“I been fightin’ on that. Every man fights on some +thing—gives way somewheres—head, heart, liver—something. +Zzzz. Gives way somewhere. Napoleon did at last. All through the Waterloo +campaign, his stomach—it wasn’t a stomach! Worse than mine, no +end.” +</p> + +<p> +The mood of depression passed as the drug worked within him. His eyes +brightened. He began to talk big. He began to dress up the situation for my +eyes, to recover what he had admitted to me. He put it as a retreat from +Russia. There were still the chances of Leipzig. +</p> + +<p> +“It’s a battle, George—a big fight. We’re fighting for +millions. I’ve still chances. There’s still a card or so. I +can’t tell all my plans—like speaking on the stroke.” +</p> + +<p> +“You might,” I began. +</p> + +<p> +“I can’t, George. It’s like asking to look at some embryo. +You got to wait. I know. In a sort of way, I know. But to tell it—No! You +been away so long. And everything’s got complicated.” +</p> + +<p> +My perception of disastrous entanglements deepened with the rise of his +spirits. It was evident that I could only help to tie him up in whatever net +was weaving round his mind by forcing questions and explanations upon him. My +thoughts flew off at another angle. “How’s Aunt Susan?” said +I. +</p> + +<p> +I had to repeat the question. His busy whispering lips stopped for a moment, +and he answered in the note of one who repeats a formula. +</p> + +<p> +“She’d like to be in the battle with me. She’d like to be +here in London. But there’s corners I got to turn alone.” His eye +rested for a moment on the little bottle beside him. “And things have +happened. +</p> + +<p> +“You might go down now and talk to her,” he said, in a directer +voice. “I shall be down to-morrow night, I think.” +</p> + +<p> +He looked up as though he hoped that would end our talk. +</p> + +<p> +“For the week-end?” I asked. +</p> + +<p> +“For the week-end. Thank God for week-ends, George!” +</p> + +<h4>II</h4> + +<p> +My return home to Lady Grove was a very different thing from what I had +anticipated when I had got out to sea with my load of quap and fancied the +Perfect-Filament was safe within my grasp. As I walked through the evening +light along the downs, the summer stillness seemed like the stillness of +something newly dead. There were no lurking workmen any more, no cyclists on +the high road. +</p> + +<p> +Cessation was manifest everywhere. There had been, I learnt from my aunt, a +touching and quite voluntary demonstration when the Crest Hill work had come to +an end and the men had drawn their last pay; they had cheered my uncle and +hooted the contractors and Lord Boom. +</p> + +<p> +I cannot now recall the manner in which my aunt and I greeted one another. I +must have been very tired there, but whatever impression was made has gone out +of my memory. But I recall very clearly how we sat at the little round table +near the big window that gave on the terrace, and dined and talked. I remember +her talking of my uncle. +</p> + +<p> +She asked after him, and whether he seemed well. “I wish I could +help,” she said. “But I’ve never helped him much, never. His +way of doing things was never mine. And since—since—. Since he +began to get so rich, he’s kept things from me. In the old days—it +was different.... +</p> + +<p> +“There he is—I don’t know what he’s doing. He +won’t have me near him.... +</p> + +<p> +“More’s kept from me than anyone. The very servants won’t let +me know. They try and stop the worst of the papers—Boom’s +things—from coming upstairs.... I suppose they’ve got him in a +corner, George. Poor old Teddy! Poor old Adam and Eve we are! Ficial Receivers +with flaming swords to drive us out of our garden! I’d hoped we’d +never have another Trek. Well—anyway, it won’t be Crest Hill.... +But it’s hard on Teddy. He must be in such a mess up there. Poor old +chap. I suppose we can’t help him. I suppose we’d only worry him. +Have some more soup George—while there is some?...” +</p> + +<p> +The next day was one of those days of strong perception that stand out clear in +one’s memory when the common course of days is blurred. I can recall now +the awakening in the large familiar room that was always kept for me, and how I +lay staring at its chintz-covered chairs, its spaced fine furniture, its +glimpse of the cedars without, and thought that all this had to end. +</p> + +<p> +I have never been greedy for money, I have never wanted to be rich, but I felt +now an immense sense of impending deprivation. I read the newspapers after +breakfast—I and my aunt together—and then I walked up to see what +Cothope had done in the matter of Lord Roberts β. Never before had I +appreciated so acutely the ample brightness of the Lady Grove gardens, the +dignity and wide peace of all about me. It was one of those warm mornings in +late May that have won all the glory of summer without losing the gay delicacy +of spring. The shrubbery was bright with laburnum and lilac, the beds swarmed +with daffodils and narcissi and with lilies of the valley in the shade. +</p> + +<p> +I went along the well-kept paths among the rhododendra and through the private +gate into the woods where the bluebells and common orchid were in profusion. +Never before had I tasted so completely the fine sense of privilege and +ownership. And all this has to end, I told myself, all this has to end. +</p> + +<p> +Neither my uncle nor I had made any provision for disaster; all we had was in +the game, and I had little doubt now of the completeness of our ruin. For the +first time in my life since he had sent me that wonderful telegram of his I had +to consider that common anxiety of mankind,—Employment. I had to come off +my magic carpet and walk once more in the world. +</p> + +<p> +And suddenly I found myself at the cross drives where I had seen Beatrice for +the first time after so many years. It is strange, but so far as I can +recollect I had not thought of her once since I had landed at Plymouth. No +doubt she had filled the background of my mind, but I do not remember one +definite, clear thought. I had been intent on my uncle and the financial +collapse. +</p> + +<p> +It came like a blow in the face now; all that, too, had to end! +</p> + +<p> +Suddenly I was filled with the thought of her and a great longing for her. What +would she do when she realised our immense disaster? What would she do? How +would she take it? It filled me with astonishment to realise how little I could +tell.... +</p> + +<p> +Should I perhaps presently happen upon her? +</p> + +<p> +I went on through the plantations and out upon the downs, and thence I saw +Cothope with a new glider of his own design soaring down wind to my old +familiar “grounding” place. To judge by its long rhythm it was a +very good glider. “Like Cothope’s cheek,” thought I, +“to go on with the research. I wonder if he’s keeping notes.... But +all this will have to stop.” +</p> + +<p> +He was sincerely glad to see me. “It’s been a rum go,” he +said. +</p> + +<p> +He had been there without wages for a month, a man forgotten in the rush of +events. +</p> + +<p> +“I just stuck on and did what I could with the stuff. I got a bit of +money of my own—and I said to myself, ‘Well, here you are with the +gear and no one to look after you. You won’t get such a chance again, my +boy, not in all your born days. Why not make what you can with it? +‘” +</p> + +<p> +“How’s Lord Roberts β?” +</p> + +<p> +Cothope lifted his eyebrows. “I’ve had to refrain,” he said. +“But he’s looking very handsome.” +</p> + +<p> +“Gods!” I said, “I’d like to get him up just once +before we smash. You read the papers? You know we’re going to +smash?” +</p> + +<p> +“Oh! I read the papers. It’s scandalous, sir, such work as ours +should depend on things like that. You and I ought to be under the State, sir, +if you’ll excuse me.” +</p> + +<p> +“Nothing to excuse,” I said. “I’ve always been a +Socialist—of a sort—in theory. Let’s go and have a look at +him. How is he? Deflated?” +</p> + +<p> +“Just about quarter full. That last oil glaze of yours holds the gas +something beautiful. He’s not lost a cubic metre a week.”... +</p> + +<p> +Cothope returned to Socialism as we went toward the sheds. +</p> + +<p> +“Glad to think you’re a Socialist, sir,” he said, +“it’s the only civilised state. I been a Socialist some +years—off the <i>Clarion</i>. It’s a rotten scramble, this world. +It takes the things we make and invent and it plays the silly fool with +’em. We scientific people, we’ll have to take things over and stop +all this financing and advertisement and that. It’s too silly. It’s +a noosance. Look at us!” +</p> + +<p> +Lord Roberts <i>B</i>, even in his partially deflated condition in his shed, +was a fine thing to stare up at. I stood side by side with Cothope regarding +him, and it was borne in upon me more acutely than ever that all this had to +end. I had a feeling just like the feeling of a boy who wants to do wrong, that +I would use up the stuff while I had it before the creditors descended. I had a +queer fancy, too, I remember, that if I could get into the air it would +advertise my return to Beatrice. +</p> + +<p> +“We’ll fill her,” I said concisely. +</p> + +<p> +“It’s all ready,” said Cothope, and added as an afterthought, +“unless they cut off the gas.”... +</p> + +<p> +I worked and interested myself with Cothope all the morning and for a time +forgot my other troubles. But the thought of Beatrice flooded me slowly and +steadily. It became an unintelligent sick longing to see her. I felt that I +could not wait for the filling of Lord Roberts β, that I must hunt her up +and see her soon. I got everything forward and lunched with Cothope, and then +with the feeblest excuses left him in order to prowl down through the woods +towards Bedley Corner. I became a prey to wretched hesitations and diffidence. +Ought I to go near her now? I asked myself, reviewing all the social abasements +of my early years. At last, about five, I called at the Dower House. I was +greeted by their Charlotte—with a forbidding eye and a cold astonishment. +</p> + +<p> +Both Beatrice and Lady Osprey were out. +</p> + +<p> +There came into my head some prowling dream of meeting her. I went along the +lane towards Woking, the lane down which we had walked five months ago in the +wind and rain. +</p> + +<p> +I mooned for a time in our former footsteps, then swore and turned back across +the fields, and then conceived a distaste for Cothope and went Downward. At +last I found myself looking down on the huge abandoned masses of the Crest Hill +house. +</p> + +<p> +That gave my mind a twist into a new channel. My uncle came uppermost again. +What a strange, melancholy emptiness of intention that stricken enterprise +seemed in the even evening sunlight, what vulgar magnificence and crudity and +utter absurdity! It was as idiotic as the pyramids. I sat down on the stile, +staring at it as though I had never seen that forest of scaffold poles, that +waste of walls and bricks and plaster and shaped stones, that wilderness of +broken soil and wheeling tracks and dumps before. It struck me suddenly as the +compactest image and sample of all that passes for Progress, of all the +advertisement-inflated spending, the aimless building up and pulling down, the +enterprise and promise of my age. This was our fruit, this was what he had +done, I and my uncle, in the fashion of our time. We were its leaders and +exponents, we were the thing it most flourishingly produced. For this futility +in its end, for an epoch of such futility, the solemn scroll of history had +unfolded.... +</p> + +<p> +“Great God!” I cried, “but is this Life?” +</p> + +<p> +For this the armies drilled, for this the Law was administered and the prisons +did their duty, for this the millions toiled and perished in suffering, in +order that a few of us should build palaces we never finished, make +billiard-rooms under ponds, run imbecile walls round irrational estates, scorch +about the world in motor-cars, devise flying-machines, play golf and a dozen +such foolish games of ball, crowd into chattering dinner parties, gamble and +make our lives one vast, dismal spectacle of witless waste! So it struck me +then, and for a time I could think of no other interpretation. This was Life! +It came to me like a revelation, a revelation at once incredible and +indisputable of the abysmal folly of our being. +</p> + +<h4>III</h4> + +<p> +I was roused from such thoughts by the sound of footsteps behind me. +</p> + +<p> +I turned half hopeful—so foolish is a lover’s imagination, and +stopped amazed. It was my uncle. His face was white—white as I had seen +it in my dream. +</p> + +<p> +“Hullo!” I said, and stared. “Why aren’t you in +London?” +</p> + +<p> +“It’s all up,” he said.... +</p> + +<p> +“Adjudicated?” +</p> + +<p> +“No!” +</p> + +<p> +I stared at him for a moment, and then got off the stile. +</p> + +<p> +We stood swaying and then came forward with a weak motion of his arms like a +man who cannot see distinctly, and caught at and leant upon the stile. For a +moment we were absolutely still. He made a clumsy gesture towards the great +futility below and choked. I discovered that his face was wet with tears, that +his wet glasses blinded him. He put up his little fat hand and clawed them off +clumsily, felt inefficiently for his pocket-handkerchief, and then, to my +horror, as he clung to me, he began to weep aloud, this little, old worldworn +swindler. It wasn’t just sobbing or shedding tears, it was crying as a +child cries. It was oh! terrible! +</p> + +<p> +“It’s cruel,” he blubbered at last. “They asked me +questions. They <i>kep</i>’ asking me questions, George.” +</p> + +<p> +He sought for utterance, and spluttered. +</p> + +<p> +“The Bloody bullies!” he shouted. “The Bloody Bullies.” +</p> + +<p> +He ceased to weep. He became suddenly rapid and explanatory. +</p> + +<p> +“It’s not a fair game, George. They tire you out. And I’m not +well. My stomach’s all wrong. And I been and got a cold. I always been +li’ble to cold, and this one’s on my chest. And then they tell you +to speak up. They bait you—and bait you, and bait you. It’s +torture. The strain of it. You can’t remember what you said. You’re +bound to contradict yourself. It’s like Russia, George.... It isn’t +fair play.... Prominent man. I’ve been next at dinners with that chap, +Neal; I’ve told him stories—and he’s bitter! Sets out to ruin +me. Don’t ask a civil question—bellows.” He broke down again. +“I’ve been bellowed at, I been bullied, I been treated like a dog. +Dirty cads they are! Dirty cads! I’d rather be a Three-Card Sharper than +a barrister; I’d rather sell cat’s-meat in the streets. +</p> + +<p> +“They sprung things on me this morning, things I didn’t expect. +They rushed me! I’d got it all in my hands and then I was jumped. By +Neal! Neal I’ve given city tips to! Neal! I’ve helped Neal.... +</p> + +<p> +“I couldn’t swallow a mouthful—not in the lunch hour. I +couldn’t face it. It’s true, George—I couldn’t face it. +I said I’d get a bit of air and slipped out and down to the Embankment, +and there I took a boat to Richmond. Some idee. I took a rowing boat when I got +there and I rowed about on the river for a bit. A lot of chaps and girls there +was on the bank laughed at my shirt-sleeves and top hat. Dessay they thought it +was a pleasure trip. Fat lot of pleasure! I rowed round for a bit and came in. +Then I came on here. Windsor way. And there they are in London doing what they +like with me.... I don’t care!” +</p> + +<p> +“But” I said, looking down at him, perplexed. +</p> + +<p> +“It’s abscondin’. They’ll have a warrant.” +</p> + +<p> +“I don’t understand,” I said. +</p> + +<p> +“It’s all up, George—all up and over. +</p> + +<p> +“And I thought I’d live in that place, George and die a lord! +It’s a great place, reely, an imperial—if anyone has the sense to +buy it and finish it. That terrace—” +</p> + +<p> +I stood thinking him over. +</p> + +<p> +“Look here!” I said. “What’s that about—a +warrant? Are you sure they’ll get a warrant? I’m sorry uncle; but +what have you done?” +</p> + +<p> +“Haven’t I told you?” +</p> + +<p> +“Yes, but they won’t do very much to you for that. They’ll +only bring you up for the rest of your examination.” +</p> + +<p> +He remained silent for a time. At last he spoke—speaking with difficulty. +</p> + +<p> +“It’s worse than that. I’ve done something. They’re +bound to get it out. Practically they <i>have</i> got it out.” +</p> + +<p> +“What?” +</p> + +<p> +“Writin’ things down—I done something.” +</p> + +<p> +For the first time in his life, I believe, he felt and looked ashamed. It +filled me with remorse to see him suffer so. +</p> + +<p> +“We’ve all done things,” I said. “It’s part of +the game the world makes us play. If they want to arrest you—and +you’ve got no cards in your hand—! They mustn’t arrest +you.” +</p> + +<p> +“No. That’s partly why I went to Richmond. But I never +thought—” +</p> + +<p> +His little bloodshot eyes stared at Crest Hill. +</p> + +<p> +“That chap Wittaker Wright,” he said, “he had his stuff +ready. I haven’t. Now you got it, George. That’s the sort of hole +I’m in.” +</p> + +<h4>IV</h4> + +<p> +That memory of my uncle at the gate is very clear and full. I am able to recall +even the undertow of my thoughts while he was speaking. I remember my pity and +affection for him in his misery growing and stirring within me, my realisation +that at any risk I must help him. But then comes indistinctness again. I was +beginning to act. I know I persuaded him to put himself in my hands, and began +at once to plan and do. I think that when we act most we remember least, that +just in the measure that the impulse of our impressions translates itself into +schemes and movements, it ceases to record itself in memories. I know I +resolved to get him away at once, and to use the Lord Roberts β in +effecting that. It was clear he was soon to be a hunted man, and it seemed to +me already unsafe for him to try the ordinary Continental routes in his flight. +I had to evolve some scheme, and evolve it rapidly, how we might drop most +inconspicuously into the world across the water. My resolve to have one flight +at least in my airship fitted with this like hand to glove. It seemed to me we +might be able to cross over the water in the night, set our airship adrift, and +turn up as pedestrian tourists in Normandy or Brittany, and so get away. That, +at any rate, was my ruling idea. +</p> + +<p> +I sent off Cothope with a dummy note to Woking, because I did not want to +implicate him, and took my uncle to the pavilion. I went down to my aunt, and +made a clean breast of the situation. She became admirably competent. We went +into his dressing-room and ruthlessly broke his locks. I got a pair of brown +boots, a tweed suit and a cap of his, and indeed a plausible walking outfit, +and a little game bag for his pedestrian gear; and, in addition, a big motoring +overcoat and a supply of rugs to add to those I had at the pavilion. I also got +a flask of brandy, and she made sandwiches. I don’t remember any servants +appearing, and I forget where she got those sandwiches. Meanwhile we talked. +Afterwards I thought with what a sure confidence we talked to each other. +</p> + +<p> +“What’s he done?” she said. +</p> + +<p> +“D’you mind knowing?” +</p> + +<p> +“No conscience left, thank God!” +</p> + +<p> +“I think—forgery!” +</p> + +<p> +There was just a little pause. “Can you carry this bundle?” she +asked. +</p> + +<p> +I lifted it. +</p> + +<p> +“No woman ever has respected the law—ever,” she said. +“It’s too silly.... The things it lets you do! And then pulls you +up—like a mad nurse minding a child.” +</p> + +<p> +She carried some rugs for me through the shrubbery in the darkling. +</p> + +<p> +“They’ll think we’re going mooning,” she said, jerking +her head at the household. “I wonder what they make of +us—criminals.” ... An immense droning note came as if in answer to +that. It startled us both for a moment. “The dears!” she said. +“It’s the gong for dinner!... But I wish I could help little Teddy, +George. It’s awful to think of him there with hot eyes, red and dry. And +I know—the sight of me makes him feel sore. Things I said, George. If I +could have seen, I’d have let him have an omnibusful of Scrymgeours. I +cut him up. He’d never thought I meant it before.... I’ll help all +I can, anyhow.” +</p> + +<p> +I turned at something in her voice, and got a moon light gleam of tears upon +her face. +</p> + +<p> +“Could <i>she</i> have helped?” she asked abruptly. +</p> + +<p> +“<i>She?</i>” +</p> + +<p> +“That woman.” +</p> + +<p> +“My God!” I cried, “<i>helped!</i> Those—things +don’t help!” +</p> + +<p> +“Tell me again what I ought to do,” she said after a silence. +</p> + +<p> +I went over the plans I had made for communicating, and the things I thought +she might do. I had given her the address of a solicitor she might put some +trust in. +</p> + +<p> +“But you must act for yourself,” I insisted. +</p> + +<p> +“Roughly,” I said, “it’s a scramble. You must get what +you can for us, and follow as you can.” +</p> + +<p> +She nodded. +</p> + +<p> +She came right up to the pavilion and hovered for a time shyly, and then went +away. +</p> + +<p> +I found my uncle in my sitting-room in an arm-chair, with his feet upon the +fender of the gas stove, which he had lit, and now he was feebly drunken with +my whisky, and very weary in body and spirit, and inclined to be cowardly. +</p> + +<p> +“I lef’ my drops,” he said. +</p> + +<p> +He changed his clothes slowly and unwillingly. I had to bully him, I had almost +to shove him to the airship and tuck him up upon its wicker flat. Single-handed +I made but a clumsy start; we scraped along the roof of the shed and bent a van +of the propeller, and for a time I hung underneath without his offering a hand +to help me to clamber up. If it hadn’t been for a sort of anchoring +trolley device of Cothope’s, a sort of slip anchor running on a rail, we +should never have got clear at all. +</p> + +<h4>V</h4> + +<p> +The incidents of our flight in Lord Roberts β do not arrange themselves in +any consecutive order. To think of that adventure is like dipping haphazard +into an album of views. One is reminded first of this and then of that. We were +both lying down on a horizontal plate of basketwork; for Lord Roberts β +had none of the elegant accommodation of a balloon. I lay forward, and my uncle +behind me in such a position that he could see hardly anything of our flight. +We were protected from rolling over simply by netting between the steel stays. +It was impossible for us to stand up at all; we had either to lie or crawl on +all fours over the basket work. Amidships were lockers made of Watson’s +Aulite material,—and between these it was that I had put my uncle, +wrapped in rugs. I wore sealskin motoring boots and gloves, and a motoring fur +coat over my tweeds, and I controlled the engine by Bowden wires and levers +forward. +</p> + +<p> +The early part of that night’s experience was made up of warmth, of +moonlit Surrey and Sussex landscape, and of a rapid and successful flight, +ascending and swooping, and then ascending again southward. I could not watch +the clouds because the airship overhung me; I could not see the stars nor gauge +the meteorological happening, but it was fairly clear to me that a wind +shifting between north and northeast was gathering strength, and after I had +satisfied myself by a series of entirely successful expansions and contractions +of the real air-worthiness of Lord Roberts β, I stopped the engine to save +my petrol, and let the monster drift, checking its progress by the dim +landscape below. My uncle lay quite still behind me, saying little and staring +in front of him, and I was left to my own thoughts and sensations. +</p> + +<p> +My thoughts, whatever they were, have long since faded out of memory, and my +sensations have merged into one continuous memory of an countryside lying, as +it seemed, under snow, with square patches of dimness, white phantoms of roads, +rents and pools of velvety blackness, and lamp-jewelled houses. I remember a +train boring its way like a hastening caterpillar of fire across the landscape, +and how distinctly I heard its clatter. Every town and street was buttoned with +street lamps. I came quite close to the South Downs near Lewes, and all the +lights were out in the houses, and the people gone to bed. We left the land a +little to the east of Brighton, and by that time Brighton was well abed. and +the brightly lit sea-front deserted. Then I let out the gas chamber to its +fullest extent and rose. I like to be high above water. +</p> + +<p> +I do not clearly know what happened in the night. I think I must have dozed, +and probably my uncle slept. I remember that once or twice I heard him talking +in an eager, muffled voice to himself, or to an imaginary court. But there can +be no doubt the wind changed right round into the east, and that we were +carried far down the Channel without any suspicion of the immense leeway we +were making. I remember the kind of stupid perplexity with which I saw the dawn +breaking over a grey waste of water, below, and realised that something was +wrong. I was so stupid that it was only after the sunrise I really noticed the +trend of the foam caps below, and perceived we were in a severe easterly gale. +Even then, instead of heading southeasterly, I set the engine going, headed +south, and so continued a course that must needs have either just hit Ushant, +or carry us over the Bay of Biscay. I thought I was east of Cherbourg, when I +was far to the west and stopped my engine in that belief, and then set it going +again. I did actually sight the coast of Brittany to the southeast in the late +afternoon, and that it was woke me up to the gravity of our position. I +discovered it by accident in the southeast, when I was looking for it in the +southwest. I turned about east and faced the wind for some time, and finding I +had no chance in its teeth, went high, where it seemed less violent, and tried +to make a course southeast. It was only then that I realised what a gale I was +in. I had been going westward, and perhaps even in gusts north of west, at a +pace of fifty or sixty miles an hour. +</p> + +<p> +Then I began what I suppose would be called a Fight against the east wind. One +calls it a Fight, but it was really almost as unlike a fight as plain sewing. +The wind tried to drive me westwardly, and I tried to get as much as I could +eastwardly, with the wind beating and rocking us irregularly, but by no means +unbearably, for about twelve hours. My hope lay in the wind abating, and our +keeping in the air and eastward of Finisterre until it did, and the chief +danger was the exhaustion of our petrol. It was a long and anxious and almost +meditative time; we were fairly warm, and only slowly getting hungry, and +except that my uncle grumbled a little and produced some philosophical +reflections, and began to fuss about having a temperature, we talked very +little. I was tired and sulky, and chiefly worried about the engine. I had to +resist a tendency to crawl back and look at it. I did not care to risk +contracting our gas chamber for fear of losing gas. Nothing was less like a +fight. I know that in popular magazines, and so forth, all such occasions as +this are depicted in terms of hysteria. Captains save their ships engineers +complete their bridges, generals conduct their battles, in a state of dancing +excitement, foaming recondite technicalities at the lips. I suppose that sort +of thing works up the reader, but so far as it professes to represent reality, +I am convinced it is all childish nonsense, schoolboys of fifteen, girls of +eighteen, and literary men all their lives, may have these squealing fits, but +my own experience is that most exciting scenes are not exciting, and most of +the urgent moments in life are met by steady-headed men. +</p> + +<p> +Neither I nor my uncle spent the night in ejaculations, nor in humorous +allusions, nor any of these things. We remained lumpish. +</p> + +<p> +My uncle stuck in his place and grumbled about his stomach, and occasionally +rambled off into expositions of his financial position and denunciations of +Neal—he certainly struck out one or two good phrases for Neal—and I +crawled about at rare intervals in a vague sort of way and grunted, and our +basketwork creaked continually, and the wind on our quarter made a sort of +ruffled flapping in the wall of the gas chamber. For all our wraps we got +frightfully cold as the night wore on. +</p> + +<p> +I must have dozed, and it was still dark when I realised with a start that we +were nearly due south of, and a long way from, a regularly-flashing lighthouse, +standing out before the glow of some great town, and then that the thing that +had awakened me was the cessation of our engine, and that we were driving back +to the west. +</p> + +<p> +Then, indeed, for a time I felt the grim thrill of life. I crawled forward to +the cords of the release valves, made my uncle crawl forward too, and let out +the gas until we were falling down through the air like a clumsy glider towards +the vague greyness that was land. +</p> + +<p> +Something must have intervened here that I have forgotten. +</p> + +<p> +I saw the lights of Bordeaux when it was quite dark, a nebulous haze against +black; of that I am reasonably sure. But certainly our fall took place in the +cold, uncertain light of early dawn. I am, at least, equally sure of that. And +Mimizan, near where we dropped, is fifty miles from Bordeaux, whose harbour +lights I must have seen. +</p> + +<p> +I remember coming down at last with a curious indifference, and actually +rousing myself to steer. But the actual coming to earth was exciting enough. I +remember our prolonged dragging landfall, and the difficulty I had to get +clear, and how a gust of wind caught Lord Roberts B as my uncle stumbled away +from the ropes and litter, and dropped me heavily, and threw me on to my knees. +Then came the realisation that the monster was almost consciously disentangling +itself for escape, and then the light leap of its rebound. The rope slipped out +of reach of my hand. I remember running knee-deep in a salt pool in hopeless +pursuit of the airship. +</p> + +<p> +As it dragged and rose seaward, and how only after it had escaped my uttermost +effort to recapture it, did I realise that this was quite the best thing that +could have happened. It drove swiftly over the sandy dunes, lifting and +falling, and was hidden by a clump of windbitten trees. Then it reappeared much +further off, and still receding. It soared for a time, and sank slowly, and +after that I saw it no more. I suppose it fell into the sea and got wetted with +salt water and heavy, and so became deflated and sank. +</p> + +<p> +It was never found, and there was never a report of anyone seeing it after it +escaped from me. +</p> + +<h4>VI</h4> + +<p> +But if I find it hard to tell the story of our long flight through the air +overseas, at least that dawn in France stands cold and clear and full. I see +again almost as if I saw once more with my bodily eyes the ridges of sand +rising behind ridges of sand, grey and cold and black-browed, with an +insufficient grass. I feel again the clear, cold chill of dawn, and hear the +distant barking of a dog. I find myself asking again, “What shall we do +now?” and trying to scheme with brain tired beyond measure. +</p> + +<p> +At first my uncle occupied my attention. He was shivering a good deal, and it +was all I could do to resist my desire to get him into a comfortable bed at +once. But I wanted to appear plausibly in this part of the world. I felt it +would not do to turn up anywhere at dawn and rest, it would be altogether too +conspicuous; we must rest until the day was well advanced, and then appear as +road-stained pedestrians seeking a meal. I gave him most of what was left of +the biscuits, emptied our flasks, and advised him to sleep, but at first it was +too cold, albeit I wrapped the big fur rug around him. +</p> + +<p> +I was struck now by the flushed weariness of his face, and the look of age the +grey stubble on his unshaved chin gave him. He sat crumpled up, shivering and +coughing, munching reluctantly, but drinking eagerly, and whimpering a little, +a dreadfully pitiful figure to me. But we had to go through with it; there was +no way out for us. +</p> + +<p> +Presently the sun rose over the pines, and the sand grew rapidly warm. My uncle +had done eating, and sat with his wrists resting on his knees, the most +hopeless looking of lost souls. +</p> + +<p> +“I’m ill,” he said, “I’m damnably ill! I can feel +it in my skin!” +</p> + +<p> +Then—it was horrible to me—he cried, “I ought to be in bed; I +ought to be in bed... instead of flying about,” and suddenly he burst +into tears. +</p> + +<p> +I stood up. “Go to sleep, man!” I said, and took the rug from him, +and spread it out and rolled him up in it. +</p> + +<p> +“It’s all very well,” he protested; “I’m not +young enough—” +</p> + +<p> +“Lift up your head,” I interrupted, and put his knapsack under it. +</p> + +<p> +“They’ll catch us here, just as much as in an inn,” he +grumbled and then lay still. +</p> + +<p> +Presently, after a long time, I perceived he was asleep. His breath came with +peculiar wheezings, and every now and again he would cough. I was very stiff +and tired myself, and perhaps I dozed. I don’t remember. I remember only +sitting, as it seemed, nigh interminably, beside him, too weary even to think +in that sandy desolation. +</p> + +<p> +No one came near us; no creature, not even a dog. I roused myself at last, +feeling that it was vain to seek to seem other than abnormal, and with an +effort that was like lifting a sky of lead, we made our way through the +wearisome sand to a farmhouse. There I feigned even a more insufficient French +than I possess naturally, and let it appear that we were pedestrians from +Biarritz who had lost our way along the shore and got benighted. +</p> + +<p> +This explained us pretty well, I thought, and we got most heartening coffee and +a cart to a little roadside station. My uncle grew more and more manifestly ill +with every stage of our journey. I got him to Bayonne, where he refused at +first to eat, and was afterwards very sick, and then took him shivering and +collapsed up a little branch line to a frontier place called Luzon Gare. +</p> + +<p> +We found one homely inn with two small bedrooms, kept by a kindly Basque woman. +I got him to bed, and that night shared his room, and after an hour or so of +sleep he woke up in a raging fever and with a wandering mind, cursing Neal and +repeating long, inaccurate lists of figures. He was manifestly a case for a +doctor, and in the morning we got one in. He was a young man from Montpelier, +just beginning to practise, and very mysterious and technical and modern and +unhelpful. He spoke of cold and exposure, and <i>la grippe</i> and pneumonia. +He gave many explicit and difficult directions.... I perceived it devolved upon +me to organise nursing and a sick-room. I installed a <i>religieuse</i> in the +second bedroom of the inn, and took a room for myself in the inn of Port de +Luzon, a quarter of a mile away. +</p> + +<h4>VII</h4> + +<p> +And now my story converges on what, in that queer corner of refuge out of the +world, was destined to be my uncle’s deathbed. There is a background of +the Pyrenees, of blue hills and sunlit houses, of the old castle of Luzon and a +noisy cascading river, and for a foreground the dim, stuffy room whose windows +both the <i>religieuse</i> and hostess conspired to shut, with its waxed floor, +its four-poster bed, its characteristically French chairs and fireplace, its +champagne bottles and dirty basins and used towels and packets of +<i>Somatosé</i> on the table. And in the sickly air of the confined space in +behind the curtains of the bed lay my little uncle, with an effect of being +enthroned and secluded, or sat up, or writhed and tossed in his last dealings +of life. One went and drew back the edge of the curtains if one wanted to speak +to him or look at him. +</p> + +<p> +Usually he was propped up against pillows, because so he breathed more easily. +He slept hardly at all. +</p> + +<p> +I have a confused memory of vigils and mornings and afternoons spent by that +bedside, and how the <i>religieuse</i> hovered about me, and how meek and good +and inefficient she was, and how horribly black were her nails. Other figures +come and go, and particularly the doctor, a young man plumply rococo, in +bicycling dress, with fine waxen features, a little pointed beard, and the long +black frizzy hair and huge tie of a minor poet. Bright and clear-cut and +irrelevant are memories of the Basque hostess of my uncle’s inn and of +the family of Spanish people who entertained me and prepared the most amazingly +elaborate meals for me, with soup and salad and chicken and remarkable sweets. +They were all very kind and sympathetic people, systematically so. And +constantly, without attracting attention, I was trying to get newspapers from +home. +</p> + +<p> +My uncle is central to all these impressions. +</p> + +<p> +I have tried to make you picture him, time after time, as the young man of the +Wimblehurst chemist’s shop, as the shabby assistant in Tottenham Court +Road, as the adventurer of the early days of Tono-Bungay, as the confident, +preposterous plutocrat. And now I have to tell of him strangely changed under +the shadow of oncoming death, with his skin lax and yellow and glistening with +sweat, his eyes large and glassy, his countenance unfamiliar through the growth +of a beard, his nose pinched and thin. Never had he looked so small as now. And +he talked to me in a whispering, strained voice of great issues, of why his +life had been, and whither he was going. Poor little man! that last phase is, +as it were, disconnected from all the other phases. It was as if he crawled out +from the ruins of his career, and looked about him before he died. For he had +quite clear-minded states in the intervals of his delirium. +</p> + +<p> +He knew he was almost certainly dying. In a way that took the burthen of his +cares off his mind. There was no more Neal to face, no more flights or +evasions, no punishments. +</p> + +<p> +“It has been a great career, George,” he said, “but I shall +be glad to rest. Glad to rest!... Glad to rest.” +</p> + +<p> +His mind ran rather upon his career, and usually, I am glad to recall, with a +note of satisfaction and approval. In his delirious phases he would most often +exaggerate this self-satisfaction, and talk of his splendours. He would pluck +at the sheet and stare before him, and whisper half-audible fragments of +sentences. +</p> + +<p> +“What is this great place, these cloud-capped towers, these any +pinnacles?... Ilion. Sky-pointing.... Ilion House, the residence of one of our +great merchant princes.... Terrace above terrace. Reaching to the heavens.... +Kingdoms Cæsar never knew.... A great poet, George. Zzzz. Kingdoms Cæsar never +knew.... Under entirely new management. +</p> + +<p> +“Greatness....Millions... Universities.... He stands on the +terrace—on the upper terrace—directing—directing—by the +globe—directing—the trade.” +</p> + +<p> +It was hard at times to tell when his sane talk ceased and his delirium began. +The secret springs of his life, the vain imaginations were revealed. I +sometimes think that all the life of man sprawls abed, careless and unkempt, +until it must needs clothe and wash itself and come forth seemly in act and +speech for the encounter with one’s fellow-men. I suspect that all things +unspoken in our souls partake somewhat of the laxity of delirium and dementia. +Certainly from those slimy, tormented lips above the bristling grey beard came +nothing but dreams and disconnected fancies.... +</p> + +<p> +Sometimes he raved about Neal, threatened Neal. “What has he got +invested?” he said. “Does he think he can escape me?... If I +followed him up.... Ruin. Ruin.... One would think <i>I</i> had taken his +money.” +</p> + +<p> +And sometimes he reverted to our airship flight. “It’s too long, +George, too long and too cold. I’m too old a man—too old—for +this sort of thing.... You know you’re not saving—you’re +killing me.” +</p> + +<p> +Towards the end it became evident our identity was discovered. I found the +press, and especially Boom’s section of it, had made a sort of hue and +cry for us, sent special commissioners to hunt for us, and though none of these +emissaries reached us until my uncle was dead, one felt the forewash of that +storm of energy. The thing got into the popular French press. People became +curious in their manner towards us, and a number of fresh faces appeared about +the weak little struggle that went on in the closeness behind the curtains of +the bed. The young doctor insisted on consultations, and a motor-car came up +from Biarritz, and suddenly odd people with questioning eyes began to poke in +with inquiries and help. Though nothing was said, I could feel that we were no +longer regarded as simple middle-class tourists; about me, as I went, I +perceived almost as though it trailed visibly, the prestige of Finance and a +criminal notoriety. Local personages of a plump and prosperous quality appeared +in the inn making inquiries, the Luzon priest became helpful, people watched +our window, and stared at me as I went to and fro; and then we had a raid from +a little English clergyman and his amiable, capable wife in severely Anglican +blacks, who swooped down upon us like virtuous but resolute vultures from the +adjacent village of Saint Jean de Pollack. +</p> + +<p> +The clergyman was one of those odd types that oscillate between remote country +towns in England and the conduct of English Church services on mutual terms in +enterprising hotels abroad, a tremulous, obstinate little being with sporadic +hairs upon his face, spectacles, a red button nose, and aged black raiment. He +was evidently enormously impressed by my uncle’s monetary greatness, and +by his own inkling of our identity, and he shone and brimmed over with tact and +fussy helpfulness. He was eager to share the watching of the bedside with me, +he proffered services with both hands, and as I was now getting into touch with +affairs in London again, and trying to disentangle the gigantic details of the +smash from the papers I had succeeded in getting from Biarritz, I accepted his +offers pretty generously, and began the studies in modern finance that lay +before me. I had got so out of touch with the old traditions of religion that I +overlooked the manifest possibility of his attacking my poor, sinking vestiges +of an uncle with theological solicitudes. My attention was called to that, +however, very speedily by a polite but urgent quarrel between himself and the +Basque landlady as to the necessity of her hanging a cheap crucifix in the +shadow over the bed, where it might catch my uncle’s eye, where, indeed, +I found it had caught his eye. +</p> + +<p> +“Good Lord!” I cried; “is <i>that</i> still going on!” +</p> + +<p> +That night the little clergyman watched, and in the small hours he raised a +false alarm that my uncle was dying, and made an extraordinary fuss. He raised +the house. I shall never forget that scene, I think, which began with a tapping +at my bedroom door just after I had fallen asleep, and his voice— +</p> + +<p> +“If you want to see your uncle before he goes, you must come now.” +</p> + +<p> +The stuffy little room was crowded when I reached it, and lit by three +flickering candles. I felt I was back in the eighteenth century. There lay my +poor uncle amidst indescribably tumbled bedclothes, weary of life beyond +measure, weary and rambling, and the little clergyman trying to hold his hand +and his attention, and repeating over and over again: +</p> + +<p> +“Mr. Ponderevo, Mr. Ponderevo, it is all right. It is all right. +</p> + +<p> +“Only Believe! ‘Believe on me, and ye shall be saved’!” +</p> + +<p> +Close at hand was the doctor with one of those cruel and idiotic injection +needles modern science puts in the hands of these half-educated young men, +keeping my uncle flickeringly alive for no reason whatever. The +<i>religieuse</i> hovered sleepily in the background with an overdue and +neglected dose. In addition, the landlady had not only got up herself, but +roused an aged crone of a mother and a partially imbecile husband, and there +was also a fattish, stolid man in grey alpaca, with an air of +importance—who he was and how he got there, I don’t know. I rather +fancy the doctor explained him to me in French I did not understand. And they +were all there, wearily nocturnal, hastily and carelessly dressed, intent upon +the life that flickered and sank, making a public and curious show of its +going, queer shapes of human beings lit by three uncertain candles, and every +soul of them keenly and avidly resolved to be in at the death. The doctor +stood, the others were all sitting on chairs the landlady had brought in and +arranged for them. +</p> + +<p> +And my uncle spoilt the climax, and did not die. +</p> + +<p> +I replaced the little clergyman on the chair by the bedside, and he hovered +about the room. +</p> + +<p> +“I think,” he whispered to me mysteriously, as he gave place to me, +“I believe—it is well with him.” +</p> + +<p> +I heard him trying to render the stock phrases of Low Church piety into French +for the benefit of the stolid man in grey alpaca. Then he knocked a glass off +the table, and scrabbled for the fragments. From the first I doubted the theory +of an immediate death. I consulted the doctor in urgent whispers. I turned +round to get champagne, and nearly fell over the clergyman’s legs. He was +on his knees at the additional chair the Basque landlady had got on my arrival, +and he was praying aloud, “Oh, Heavenly Father, have mercy on this thy +Child....” I hustled him up and out of the way, and in another minute he +was down at another chair praying again, and barring the path of the +<i>religieuse</i>, who had found me the corkscrew. Something put into my head +that tremendous blasphemy of Carlyle’s about “the last mew of a +drowning kitten.” He found a third chair vacant presently; it was as if +he was playing a game. +</p> + +<p> +“Good Heavens!” I said, “we must clear these people +out,” and with a certain urgency I did. +</p> + +<p> +I had a temporary lapse of memory, and forgot all my French. I drove them out +mainly by gesture, and opened the window, to the universal horror. I intimated +the death scene was postponed, and, as a matter of fact, my uncle did not die +until the next night. +</p> + +<p> +I did not let the little clergyman come near him again, and I was watchful for +any sign that his mind had been troubled. But he made none. He talked once +about “that parson chap.” +</p> + +<p> +“Didn’t bother you?” I asked. +</p> + +<p> +“Wanted something,” he said. +</p> + +<p> +I kept silence, listening keenly to his mutterings. I understood him to say, +“They wanted too much.” His face puckered like a child’s +going to cry. “You can’t get a safe six per cent.,” he said. +I had for a moment a wild suspicion that those urgent talks had not been +altogether spiritual, but that, I think, was a quite unworthy and unjust +suspicion. The little clergyman was as simple and honest as the day. My uncle +was simply generalising about his class. +</p> + +<p> +But it may have been these talks that set loose some long dormant string of +ideas in my uncle’s brain, ideas the things of this world had long +suppressed and hidden altogether. Near the end he suddenly became clearminded +and lucid, albeit very weak, and his voice was little, but clear. +</p> + +<p> +“George,” he said. +</p> + +<p> +“I’m here,” I said, “close beside you.” +</p> + +<p> +“George. You have always been responsible for the science. George. You +know better than I do. Is—Is it proved?” +</p> + +<p> +“What proved?” +</p> + +<p> +“Either way?” +</p> + +<p> +“I don’t understand.” +</p> + +<p> +“Death ends all. After so much—Such splendid beginnin’s. +Somewhere. Something.” +</p> + +<p> +I stared at him amazed. His sunken eyes were very grave. +</p> + +<p> +“What do you expect?” I said in wonder. +</p> + +<p> +He would not answer. “Aspirations,” he whispered. He fell into a +broken monologue, regardless of me. “Trailing clouds of glory,” he +said, and “first-rate poet, first-rate....George was always hard. +Always.” +</p> + +<p> +For a long time there was silence. +</p> + +<p> +Then he made a gesture that he wished to speak. +</p> + +<p> +“Seems to me, George” +</p> + +<p> +I bent my head down, and he tried to lift his hand to my shoulder. I raised him +a little on his pillows, and listened. +</p> + +<p> +“It seems to me, George, always—there must be something in +me—that won’t die.” +</p> + +<p> +He looked at me as though the decision rested with me. +</p> + +<p> +“I think,” he said; “—something.” +</p> + +<p> +Then, for a moment, his mind wandered. “Just a little link,” he +whispered almost pleadingly, and lay quite still, but presently he was uneasy +again. +</p> + +<p> +“Some other world” +</p> + +<p> +“Perhaps,” I said. “Who knows?” +</p> + +<p> +“Some other world.” +</p> + +<p> +“Not the same scope for enterprise,” I said. +</p> + +<p> +“No.” +</p> + +<p> +He became silent. I sat leaning down to him, and following out my own thoughts, +and presently the <i>religieuse</i> resumed her periodic conflict with the +window fastening. For a time he struggled for breath.... It seemed such +nonsense that he should have to suffer so—poor silly little man! +</p> + +<p> +“George,” he whispered, and his weak little hand came out. +“<i>Perhaps</i>—” +</p> + +<p> +He said no more, but I perceived from the expression of his eyes that he +thought the question had been put. +</p> + +<p> +“Yes, I think so;” I said stoutly. +</p> + +<p> +“Aren’t you sure?” +</p> + +<p> +“Oh—practically sure,” said I, and I think he tried to +squeeze my hand. And there I sat, holding his hand tight, and trying to think +what seeds of immortality could be found in all his being, what sort of ghost +there was in <i>him</i> to wander out into the bleak immensities. Queer fancies +came to me.... He lay still for a long time, save for a brief struggle or so +for breath and ever and again I wiped his mouth and lips. +</p> + +<p> +I fell into a pit of thought. I did not remark at first the change that was +creeping over his face. He lay back on his pillow, made a faint zzzing sound +that ceased, and presently and quite quietly he died—greatly comforted by +my assurance. I do not know when he died. His hand relaxed insensibly. +Suddenly, with a start, with a shock, I found that his mouth had fallen open, +and that he was dead.... +</p> + +<h4>VIII</h4> + +<p> +It was dark night when I left his deathbed and went back to my own inn down the +straggling street of Luzon. +</p> + +<p> +That return to my inn sticks in my memory also as a thing apart, as an +experience apart. Within was a subdued bustle of women, a flitting of lights, +and the doing of petty offices to that queer, exhausted thing that had once +been my active and urgent little uncle. For me those offices were irksome and +impertinent. I slammed the door, and went out into the warm, foggy drizzle of +the village street lit by blurred specks of light in great voids of darkness, +and never a soul abroad. That warm veil of fog produced an effect of vast +seclusion. The very houses by the roadside peered through it as if from another +world. The stillness of the night was marked by an occasional remote baying of +dogs; all these people kept dogs because of the near neighbourhood of the +frontier. +</p> + +<p> +Death! +</p> + +<p> +It was one of those rare seasons of relief, when for a little time one walks a +little outside of and beside life. I felt as I sometimes feel after the end of +a play. I saw the whole business of my uncle’s life as something familiar +and completed. It was done, like a play one leaves, like a book one closes. I +thought of the push and the promotions, the noise of London, the crowded, +various company of people through which our lives had gone, the public +meetings, the excitements, the dinners and disputations, and suddenly it +appeared to me that none of these things existed. +</p> + +<p> +It came to me like a discovery that none of these things existed. +</p> + +<p> +Before and after I have thought and called life a phantasmagoria, but never +have I felt its truth as I did that night.... We had parted; we two who had +kept company so long had parted. But there was, I knew, no end to him or me. He +had died a dream death, and ended a dream; his pain dream was over. It seemed +to me almost as though I had died, too. What did it matter, since it was +unreality, all of it, the pain and desire, the beginning and the end? There was +no reality except this solitary road, this quite solitary road, along which one +went rather puzzled, rather tired.... +</p> + +<p> +Part of the fog became a big mastiff that came towards me and stopped and slunk +round me, growling, barked gruffly, and shortly and presently became fog again. +</p> + +<p> +My mind swayed back to the ancient beliefs and fears of our race. My doubts and +disbeliefs slipped from me like a loosely fitting garment. I wondered quite +simply what dogs bayed about the path of that other walker in the darkness, +what shapes, what lights, it might be, loomed about him as he went his way from +our last encounter on earth—along the paths that are real, and the way +that endures for ever? +</p> + +<h4>IX</h4> + +<p> +Last belated figure in that grouping round my uncle’s deathbed is my +aunt. When it was beyond all hope that my uncle could live I threw aside +whatever concealment remained to us and telegraphed directly to her. But she +came too late to see him living. She saw him calm and still, strangely unlike +his habitual garrulous animation, an unfamiliar inflexibility. +</p> + +<p> +“It isn’t like him,” she whispered, awed by this alien +dignity. +</p> + +<p> +I remember her chiefly as she talked and wept upon the bridge below the old +castle. We had got rid of some amateurish reporters from Biarritz, and had +walked together in the hot morning sunshine down through Port Luzon. There, for +a time, we stood leaning on the parapet of the bridge and surveying the distant +peeks, the rich blue masses of the Pyrenees. For a long time we said nothing, +and then she began talking. +</p> + +<p> +“Life’s a rum Go, George!” she began. “Who would have +thought, when I used to darn your stockings at old Wimblehurst, that this would +be the end of the story? It seems far away now—that little shop, his and +my first home. The glow of the bottles, the big coloured bottles! Do you +remember how the light shone on the mahogany drawers? The little gilt letters! +<i>Ol Amjig</i>, and <i>S’nap!</i> I can remember it all—bright and +shining—like a Dutch picture. Real! And yesterday. And here we are in a +dream. You a man—and me an old woman, George. And poor little Teddy, who +used to rush about and talk—making that noise he did—Oh!” +</p> + +<p> +She choked, and the tears flowed unrestrained. She wept, and I was glad to see +her weeping. +</p> + +<p> +She stood leaning over the bridge; her tear-wet handkerchief gripped in her +clenched hand. +</p> + +<p> +“Just an hour in the old shop again—and him talking. Before things +got done. Before they got hold of him. And fooled him. +</p> + +<p> +“Men oughtn’t to be so tempted with business and things.... +</p> + +<p> +“They didn’t hurt him, George?” she asked suddenly. +</p> + +<p> +For a moment I was puzzled. +</p> + +<p> +“Here, I mean,” she said. +</p> + +<p> +“No,” I lied stoutly, suppressing the memory of that foolish +injection needle I had caught the young doctor using. +</p> + +<p> +“I wonder, George, if they’ll let him talk in Heaven....” +</p> + +<p> +She faced me. “Oh! George, dear, my heart aches, and I don’t know +what I say and do. Give me your arm to lean on—it’s good to have +you, dear, and lean upon you.... Yes, I know you care for me. That’s why +I’m talking. We’ve always loved one another, and never said +anything about it, and you understand, and I understand. But my heart’s +torn to pieces by this, torn to rags, and things drop out I’ve kept in +it. It’s true he wasn’t a husband much for me at the last. But he +was my child, George, he was my child and all my children, my silly child, and +life has knocked him about for me, and I’ve never had a say in the +matter; never a say; it’s puffed him up and smashed him—like an old +bag—under my eyes. I was clever enough to see it, and not clever enough +to prevent it, and all I could do was to jeer. I’ve had to make what I +could of it. Like most people. Like most of us.... But it wasn’t fair, +George. It wasn’t fair. Life and Death—great serious +things—why couldn’t they leave him alone, and his lies and ways? If +<i>we</i> could see the lightness of it— +</p> + +<p> +“Why couldn’t they leave him alone?” she repeated in a +whisper as we went towards the inn. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap13"></a>CHAPTER THE SECOND<br /> +LOVE AMONG THE WRECKAGE</h3> + +<h4>I</h4> + +<p> +When I came back I found that my share in the escape and death of my uncle had +made me for a time a notorious and even popular character. For two weeks I was +kept in London “facing the music,” as he would have said, and +making things easy for my aunt, and I still marvel at the consideration with +which the world treated me. For now it was open and manifest that I and my +uncle were no more than specimens of a modern species of brigand, wasting the +savings of the public out of the sheer wantonness of enterprise. I think that +in a way, his death produced a reaction in my favour and my flight, of which +some particulars now appeared stuck in the popular imagination. It seemed a +more daring and difficult feat than it was, and I couldn’t very well +write to the papers to sustain my private estimate. There can be little doubt +that men infinitely prefer the appearance of dash and enterprise to simple +honesty. No one believed I was not an arch plotter in his financing. Yet they +favoured me. I even got permission from the trustee to occupy my chalet for a +fortnight while I cleared up the mass of papers, calculations, notes of work, +drawings and the like, that I left in disorder when I started on that impulsive +raid upon the Mordet quap heaps. +</p> + +<p> +I was there alone. I got work for Cothope with the Ilchesters, for whom I now +build these destroyers. They wanted him at once, and he was short of money, so +I let him go and managed very philosophically by myself. +</p> + +<p> +But I found it hard to fix my attention on aeronautics, I had been away from +the work for a full half-year and more, a half-year crowded with intense +disconcerting things. For a time my brain refused these fine problems of +balance and adjustment altogether; it wanted to think about my uncle’s +dropping jaw, my aunt’s reluctant tears, about dead negroes and +pestilential swamps, about the evident realities of cruelty and pain, about +life and death. Moreover, it was weary with the frightful pile of figures and +documents at the Hardingham, a task to which this raid to Lady Grove was simply +an interlude. And there was Beatrice. +</p> + +<p> +On the second morning, as I sat out upon the veranda recalling memories and +striving in vain to attend to some too succinct pencil notes of +Cothope’s, Beatrice rode up suddenly from behind the pavilion, and pulled +rein and became still; Beatrice, a little flushed from riding and sitting on a +big black horse. +</p> + +<p> +I did not instantly rise. I stared at her. “<i>You!</i>” I said. +</p> + +<p> +She looked at me steadily. “Me,” she said +</p> + +<p> +I did not trouble about any civilities. I stood up and asked point blank a +question that came into my head. +</p> + +<p> +“Whose horse is that?” I said. +</p> + +<p> +She looked me in the eyes. “Carnaby’s,” she answered. +</p> + +<p> +“How did you get here—this way?” +</p> + +<p> +“The wall’s down.” +</p> + +<p> +“Down? Already?” +</p> + +<p> +“A great bit of it between the plantations.” +</p> + +<p> +“And you rode through, and got here by chance?” +</p> + +<p> +“I saw you yesterday. And I rode over to see you.” I had now come +close to her, and stood looking up into her face. +</p> + +<p> +“I’m a mere vestige,” I said. +</p> + +<p> +She made no answer, but remained regarding me steadfastly with a curious air of +proprietorship. +</p> + +<p> +“You know I’m the living survivor now of the great smash. I’m +rolling and dropping down through all the scaffolding of the social system.... +It’s all a chance whether I roll out free at the bottom, or go down a +crack into the darkness out of sight for a year or two.” +</p> + +<p> +“The sun,” she remarked irrelevantly, “has burnt you.... +I’m getting down.” +</p> + +<p> +She swung herself down into my arms, and stood beside me face to face. +</p> + +<p> +“Where’s Cothope?” she asked. +</p> + +<p> +“Gone.” +</p> + +<p> +Her eyes flitted to the pavilion and back to me. We stood close together, +extraordinarily intimate, and extraordinarily apart. +</p> + +<p> +“I’ve never seen this cottage of yours,” she said, “and +I want to.” +</p> + +<p> +She flung the bridle of her horse round the veranda post, and I helped her tie +it. +</p> + +<p> +“Did you get what you went for to Africa?” she asked. +</p> + +<p> +“No,” I said, “I lost my ship.” +</p> + +<p> +“And that lost everything?” +</p> + +<p> +“Everything.” +</p> + +<p> +She walked before me into the living-room of the chalet, and I saw that she +gripped her riding-whip very tightly in her hand. She looked about her for a +moment,—and then at me. +</p> + +<p> +“It’s comfortable,” she remarked. +</p> + +<p> +Our eyes met in a conversation very different from the one upon our lips. A +sombre glow surrounded us, drew us together; an unwonted shyness kept us apart. +She roused herself, after an instant’s pause, to examine my furniture. +</p> + +<p> +“You have chintz curtains. I thought men were too feckless to have +curtains without a woman. But, of course, your aunt did that! And a couch and a +brass fender, and—is that a pianola? That is your desk. I thought +men’s desks were always untidy, and covered with dust and tobacco +ash.” +</p> + +<p> +She flitted to my colour prints and my little case of books. Then she went to +the pianola. I watched her intently. +</p> + +<p> +“Does this thing play?” she said. +</p> + +<p> +“What?” I asked. +</p> + +<p> +“Does this thing play?” +</p> + +<p> +I roused myself from my preoccupation. +</p> + +<p> +“Like a musical gorilla with fingers all of one length. And a sort of +soul.... It’s all the world of music to me.” +</p> + +<p> +“What do you play?” +</p> + +<p> +“Beethoven, when I want to clear up my head while I’m working. He +is—how one would always like to work. Sometimes Chopin and those others, +but Beethoven. Beethoven mainly. Yes.” +</p> + +<p> +Silence again between us. She spoke with an effort. +</p> + +<p> +“Play me something.” She turned from me and explored the rack of +music rolls, became interested and took a piece, the first part of the Kreutzer +Sonata, hesitated. “No,” she said, “that!” +</p> + +<p> +She gave me Brahms’ Second Concerto, Op. 58, and curled up on the sofa +watching me as I set myself slowly to play.... +</p> + +<p> +“I say,” he said when I had done, “that’s fine. I +didn’t know those things could play like that. I’m all +astir...” +</p> + +<p> +She came and stood over me, looking at me. “I’m going to have a +concert,” she said abruptly, and laughed uneasily and hovered at the +pigeon-holes. “Now—now what shall I have?” She chose more of +Brahms. Then we came to the Kreutzer Sonata. It is queer how Tolstoy has loaded +that with suggestions, debauched it, made it a scandalous and intimate symbol. +When I had played the first part of that, she came up to the pianola and +hesitated over me. I sat stiffly—waiting. +</p> + +<p> +Suddenly she seized my downcast head and kissed my hair. She caught at my face +between her hands and kissed my lips. I put my arms about her and we kissed +together. I sprang to my feet and clasped her. +</p> + +<p> +“Beatrice!” I said. “Beatrice!” +</p> + +<p> +“My dear,” she whispered, nearly breathless, with her arms about +me. “Oh! my dear!” +</p> + +<h4>II</h4> + +<p> +Love, like everything else in this immense process of social disorganisation in +which we live, is a thing adrift, a fruitless thing broken away from its +connexions. I tell of this love affair here because of its irrelevance, because +it is so remarkable that it should mean nothing, and be nothing except itself. +It glows in my memory like some bright casual flower starting up amidst the +<i>débris</i> of a catastrophe. For nearly a fortnight we two met and made love +together. Once more this mighty passion, that our aimless civilisation has +fettered and maimed and sterilised and debased, gripped me and filled me with +passionate delights and solemn joys—that were all, you know, futile and +purposeless. Once more I had the persuasion “This matters. Nothing else +matters so much as this.” We were both infinitely grave in such happiness +as we had. I do not remember any laughter at all between us. +</p> + +<p> +Twelve days it lasted from that encounter in my chalet until our parting. +</p> + +<p> +Except at the end, they were days of supreme summer, and there was a waxing +moon. We met recklessly day by day. We were so intent upon each other at first +so intent upon expressing ourselves to each other, and getting at each other, +that we troubled very little about the appearance of our relationship. We met +almost openly.... We talked of ten thousand things, and of ourselves. We loved. +We made love. There is no prose of mine that can tell of hours transfigured. +The facts are nothing. Everything we touched, the meanest things, became +glorious. How can I render bare tenderness and delight and mutual possession? I +sit here at my desk thinking of untellable things. +</p> + +<p> +I have come to know so much of love that I know now what love might be. We +loved, scarred and stained; we parted—basely and inevitably, but at least +I met love. +</p> + +<p> +I remember as we sat in a Canadian canoe, in a reedy, bush-masked shallow we +had discovered operating out of that pine-shaded Woking canal, how she fell +talking of the things that happened to her before she met me again.... +</p> + +<p> +She told me things, and they so joined and welded together other things that +lay disconnected in my memory, that it seemed to me I had always known what she +told me. And yet indeed I had not known nor suspected it, save perhaps for a +luminous, transitory suspicion ever and again. +</p> + +<p> +She made me see how life had shaped her. She told me of her girlhood after I +had known her. “We were poor and pretending and managing. We hacked about +on visits and things. I ought to have married. The chances I had weren’t +particularly good chances. I didn’t like ’em.” +</p> + +<p> +She paused. “Then Carnaby came along.” +</p> + +<p> +I remained quite still. She spoke now with downcast eyes, and one finger just +touching the water. +</p> + +<p> +“One gets bored, bored beyond redemption. One does about to these huge +expensive houses I suppose—the scale’s immense. One makes +one’s self useful to the other women, and agreeable to the men. One has +to dress.... One has food and exercise and leisure, It’s the leisure, and +the space, and the blank opportunity it seems a sin not to fill. Carnaby +isn’t like the other men. He’s bigger.... They go about making +love. Everybody’s making love. I did.... And I don’t do things by +halves.” +</p> + +<p> +She stopped. +</p> + +<p> +“You knew?”—she asked, looking up, quite steadily. I nodded. +</p> + +<p> +“Since when?” +</p> + +<p> +“Those last days.... It hasn’t seemed to matter really. I was a +little surprised.” +</p> + +<p> +She looked at me quietly. “Cothope knew,” she said. “By +instinct. I could feel it.” +</p> + +<p> +“I suppose,” I began, “once, this would have mattered +immensely. Now—” +</p> + +<p> +“Nothing matters,” she said, completing me. “I felt I had to +tell you. I wanted you to understand why I didn’t marry you—with +both hands. I have loved you”—she paused—“have loved +you ever since the day I kissed you in the bracken. Only—I forgot.” +</p> + +<p> +And suddenly she dropped her face upon her hands, and sobbed +passionately— +</p> + +<p> +“I forgot—I forgot,” she cried, and became still.... +</p> + +<p> +I dabbled my paddle in the water. “Look here!” I said; +“forget again! Here am I—a ruined man. Marry me.” +</p> + +<p> +She shook her head without looking up. +</p> + +<p> +We were still for a long time. “Marry me!” I whispered. +</p> + +<p> +She looked up, twined back a whisp of hair, and answered dispassionately— +</p> + +<p> +“I wish I could. Anyhow, we have had this time. It has been a fine +time—has it been—for you also? I haven’t nudged you all I had +to give. It’s a poor gift—except for what it means and might have +been. But we are near the end of it now.” +</p> + +<p> +“Why?” I asked. “Marry me! Why should we two—” +</p> + +<p> +“You think,” she said, “I could take courage and come to you +and be your everyday wife—while you work and are poor?” +</p> + +<p> +“Why not?” said I. +</p> + +<p> +She looked at me gravely, with extended finger. “Do you really think +that—of me? Haven’t you seen me—all?” +</p> + +<p> +I hesitated. +</p> + +<p> +“Never once have I really meant marrying you,” she insisted. +“Never once. I fell in love with you from the first. But when you seemed +a successful man, I told myself I wouldn’t. I was love-sick for you, and +you were so stupid, I came near it then. But I knew I wasn’t good enough. +What could I have been to you? A woman with bad habits and bad associations, a +woman smirched. And what could I do for you or be to you? If I wasn’t +good enough to be a rich man’s wife, I’m certainly not good enough +to be a poor one’s. Forgive me for talking sense to you now, but I wanted +to tell you this somehow.” +</p> + +<p> +She stopped at my gesture. I sat up, and the canoe rocked with my movement. +</p> + +<p> +“I don’t care,” I said. “I want to marry you and make +you my wife!” +</p> + +<p> +“No,” she said, “don’t spoil things. That is +impossible!” +</p> + +<p> +“Impossible!” +</p> + +<p> +“Think! I can’t do my own hair! Do you mean you will get me a +maid?” +</p> + +<p> +“Good God!” I cried, disconcerted beyond measure, +“won’t you learn to do your own hair for me? Do you mean to say you +can love a man—” +</p> + +<p> +She flung out her hands at me. “Don’t spoil it,” she cried. +“I have given you all I have, I have given you all I can. If I could do +it, if I was good enough to do it, I would. But I am a woman spoilt and ruined, +dear, and you are a ruined man. When we are making love we’re +lovers—but think of the gulf between us in habits and ways of thought, in +will and training, when we are not making love. Think of it—and +don’t think of it! Don’t think of it yet. We have snatched some +hours. We still may have some hours!” +</p> + +<p> +She suddenly knelt forward toward me, with a glowing darkness in her eyes. +“Who cares if it upsets?” she cried. “If you say another word +I will kiss you. And go to the bottom clutching you. +</p> + +<p> +“I’m not afraid of that. I’m not a bit afraid of that. +I’ll die with you. Choose a death, and I’ll die with +you—readily. Do listen to me! I love you. I shall always love you. +It’s because I love you that I won’t go down to become a dirty +familiar thing with you amidst the grime. I’ve given all I can. +I’ve had all I can.... Tell me,” and she crept nearer, “have +I been like the dusk to you, like the warm dusk? Is there magic still? Listen +to the ripple of water from your paddle. Look at the warm evening light in the +sky. Who cares if the canoe upsets? Come nearer to me. Oh, my love! come near! +So.” +</p> + +<p> +She drew me to her and our lips met. +</p> + +<h4>III</h4> + +<p> +I asked her to marry me once again. +</p> + +<p> +It was our last morning together, and we had met very early, about sunrise, +knowing that we were to part. No sun shone that day. The sky was overcast, the +morning chilly and lit by a clear, cold, spiritless light. A heavy dampness in +the air verged close on rain. When I think of that morning, it has always the +quality of greying ashes wet with rain. +</p> + +<p> +Beatrice too had changed. The spring had gone out of her movement; it came to +me, for the first time, that some day she might grow old. She had become one +flesh with the rest of common humanity; the softness had gone from her voice +and manner, the dusky magic of her presence had gone. I saw these things with +perfect clearness, and they made me sorry for them and for her. But they +altered my love not a whit, abated it nothing. And when we had talked awkwardly +for half a dozen sentences, I came dully to my point. +</p> + +<p> +“And now,” I cried, “will you marry me?” +</p> + +<p> +“No,” she said, “I shall keep to my life here.” +</p> + +<p> +I asked her to marry me in a year’s time. She shook her head. +</p> + +<p> +“This world is a soft world,” I said, “in spite of my present +disasters. I know now how to do things. If I had you to work for—in a +year I could be a prosperous man.” +</p> + +<p> +“No,” she said, “I will put it brutally, I shall go back to +Carnaby.” +</p> + +<p> +“But—!” I did not feel angry. I had no sort of jealousy, no +wounded pride, no sense of injury. I had only a sense of grey desolation, of +hopeless cross-purposes. +</p> + +<p> +“Look here,” she said. “I have been awake all night and every +night. I have been thinking of this—every moment when we have not been +together. I’m not answering you on an impulse. I love you. I love you. +I’ll say that over ten thousand times. But here we are—” +</p> + +<p> +“The rest of life together,” I said. +</p> + +<p> +“It wouldn’t be together. Now we are together. Now we have been +together. We are full of memories I do not feel I can ever forget a single +one.” +</p> + +<p> +“Nor I.” +</p> + +<p> +“And I want to close it and leave it at that. You see, dear, what else is +there to do?” +</p> + +<p> +She turned her white face to me. “All I know of love, all I have ever +dreamt or learnt of love I have packed into these days for you. You think we +might live together and go on loving. No! For you I will have no vain +repetitions. You have had the best and all of me. Would you have us, after +this, meet again in London or Paris or somewhere, scuffle to some wretched +dressmaker’s, meet in a <i>cabinet particulier?</i>” +</p> + +<p> +“No,” I said. “I want you to marry me. I want you to play the +game of life with me as an honest woman should. Come and live with me. Be my +wife and squaw. Bear me children.” +</p> + +<p> +I looked at her white, drawn face, and it seemed to me I might carry her yet. I +spluttered for words. +</p> + +<p> +“My God! Beatrice!” I cried; “but this is cowardice and +folly! Are <i>you</i> afraid of life? You of all people! What does it matter +what has been or what we were? Here we are with the world before us! Start +clean and new with me. We’ll fight it through! I’m not such a +simple lover that I’ll not tell you plainly when you go wrong, and fight +our difference out with you. It’s the one thing I want, the one thing I +need—to have you, and more of you and more! This +love-making—it’s love-making. It’s just a part of us, an +incident—” +</p> + +<p> +She shook her head and stopped me abruptly. “It’s all,” she +said. +</p> + +<p> +“All!” I protested. +</p> + +<p> +“I’m wiser than you. Wiser beyond words.” She turned her eyes +to me and they shone with tears. +</p> + +<p> +“I wouldn’t have you say anything—but what you’re +saying,” she said. “But it’s nonsense, dear. You know +it’s nonsense as you say it.” +</p> + +<p> +I tried to keep up the heroic note, but she would not listen to it. +</p> + +<p> +“It’s no good,” she cried almost petulantly. “This +little world has made us what we are. Don’t you see—don’t you +see what I am? I can make love. I can make love and be loved, prettily. Dear, +don’t blame me. I have given you all I have. If I had anything +more—I have gone through it all over and over again—thought it out. +This morning my head aches, my eyes ache. +</p> + +<p> +“The light has gone out of me and I am a sick and tired woman. But +I’m talking wisdom—bitter wisdom. I couldn’t be any sort of +helper to you, any sort of wife, any sort of mother. I’m spoilt. +</p> + +<p> +“I’m spoilt by this rich idle way of living, until every habit is +wrong, every taste wrong. The world is wrong. People can be ruined by wealth +just as much as by poverty. Do you think I wouldn’t face life with you if +I could, if I wasn’t absolutely certain I should be down and dragging in +the first half-mile of the journey? Here I am—damned! Damned! But I +won’t damn you. You know what I am! You know. You are too clear and +simple not to know the truth. You try to romance and hector, but you know the +truth. I am a little cad—sold and done. I’m—. My dear, you +think I’ve been misbehaving, but all these days I’ve been on my +best behaviour.... You don’t understand, because you’re a man. +</p> + +<p> +“A woman, when she’s spoilt, is <i>spoilt</i>. She’s dirty in +grain. She’s done.” +</p> + +<p> +She walked on weeping. +</p> + +<p> +“You’re a fool to want me,” she said. “You’re a +fool to want me—for my sake just as much as yours. We’ve done all +we can. It’s just romancing—” +</p> + +<p> +She dashed the tears from her eyes and turned upon me. “Don’t you +understand?” she challenged. “Don’t you know?” +</p> + +<p> +We faced one another in silence for a moment. +</p> + +<p> +“Yes,” I said, “I know.” +</p> + +<p> +For a long time we spoke never a word, but walked on together, slowly and +sorrowfully, reluctant to turn about towards our parting. When at last we did, +she broke silence again. +</p> + +<p> +“I’ve had you,” she said. +</p> + +<p> +“Heaven and hell,” I said, “can’t alter that.” +</p> + +<p> +“I’ve wanted—” she went on. “I’ve talked to +you in the nights and made up speeches. Now when I want to make them I’m +tongue-tied. But to me it’s just as if the moments we have had lasted for +ever. Moods and states come and go. To-day my light is out...” +</p> + +<p> +To this day I cannot determine whether she said or whether I imagined she said +“chloral.” Perhaps a half-conscious diagnosis flashed it on my +brain. Perhaps I am the victim of some perverse imaginative freak of memory, +some hinted possibility that scratched and seared. There the word stands in my +memory, as if it were written in fire. +</p> + +<p> +We came to the door of Lady Osprey’s garden at last, and it was beginning +to drizzle. +</p> + +<p> +She held out her hands and I took them. +</p> + +<p> +“Yours,” she said, in a weary unimpassioned voice; “all that +I had—such as it was. Will you forget?” +</p> + +<p> +“Never,” I answered. +</p> + +<p> +“Never a touch or a word of it?” +</p> + +<p> +“No.” +</p> + +<p> +“You will,” she said. +</p> + +<p> +We looked at one another in silence, and her face full of fatigue and misery. +</p> + +<p> +What could I do? What was there to do? +</p> + +<p> +“I wish—” I said, and stopped. +</p> + +<p> +“Good-bye.” +</p> + +<h4>IV</h4> + +<p> +That should have been the last I saw of her, but, indeed, I was destined to see +her once again. Two days after I was at Lady Grove, I forget altogether upon +what errand, and as I walked back to the station believing her to be gone away +she came upon me, and she was riding with Carnaby, just as I had seen them +first. The encounter jumped upon us unprepared. She rode by, her eyes dark in +her white face, and scarcely noticed me. She winced and grew stiff at the sight +of me and bowed her head. But Carnaby, because he thought I was a broken and +discomfited man, saluted me with an easy friendliness, and shouted some genial +commonplace to me. +</p> + +<p> +They passed out of sight and left me by the roadside.... +</p> + +<p> +And then, indeed, I tasted the ultimate bitterness of life. For the first time +I felt utter futility, and was wrung by emotion that begot no action, by shame +and pity beyond words. I had parted from her dully and I had seen my uncle +break and die with dry eyes and a steady mind, but this chance sight of my lost +Beatrice brought me to tears. My face was wrung, and tears came pouring down my +cheeks. All the magic she had for me had changed to wild sorrow. “Oh +God!” I cried, “this is too much,” and turned my face after +her and made appealing gestures to the beech trees and cursed at fate. I wanted +to do preposterous things, to pursue her, to save her, to turn life back so +that she might begin again. I wonder what would have happened had I overtaken +them in pursuit, breathless with running, uttering incoherent words, weeping, +expostulatory. I came near to doing that. +</p> + +<p> +There was nothing in earth or heaven to respect my curses or weeping. In the +midst of it a man who had been trimming the opposite hedge appeared and stared +at me. +</p> + +<p> +Abruptly, ridiculously, I dissembled before him and went on and caught my +train.... +</p> + +<p> +But the pain I felt then I have felt a hundred times; it is with me as I write. +It haunts this book, I see, that is what haunts this book, from end to end. +</p> + +</div><!--end chapter--> + +<div class="chapter"> + +<h3><a name="chap14"></a>CHAPTER THE THIRD<br /> +NIGHT AND THE OPEN SEA</h3> + +<h4>I</h4> + +<p> +I have tried throughout all this story to tell things as they happened to me. +In the beginning—the sheets are still here on the table, grimy and +dogs-eared and old-looking—I said I wanted to tell <i>myself</i> and the +world in which I found myself, and I have done my best. But whether I have +succeeded I cannot imagine. All this writing is grey now and dead and trite and +unmeaning to me; some of it I know by heart. I am the last person to judge it. +</p> + +<p> +As I turn over the big pile of manuscript before me certain things become +clearer to me, and particularly the immense inconsequences of my experiences. +It is, I see now that I have it all before me, a story of activity and urgency +and sterility. I have called it <i>Tono-Bungay</i>, but I had far better have +called it <i>Waste</i>. I have told of childless Marion, of my childless aunt, +of Beatrice wasted and wasteful and futile. What hope is there for a people +whose women become fruitless? I think of all the energy I have given to vain +things. I think of my industrious scheming with my uncle, of Crest Hill’s +vast cessation, of his resonant strenuous career. Ten thousand men have envied +him and wished to live as he lived. It is all one spectacle of forces running +to waste, of people who use and do not replace, the story of a country hectic +with a wasting aimless fever of trade and money-making and pleasure-seeking. +And now I build destroyers! +</p> + +<p> +Other people may see this country in other terms; this is how I have seen it. +In some early chapter in this heap I compared all our present colour and +abundance to October foliage before the frosts nip down the leaves. That I +still feel was a good image. Perhaps I see wrongly. It may be I see decay all +about me because I am, in a sense, decay. To others it may be a scene of +achievement and construction radiant with hope. I, too, have a sort of hope, +but it is a remote hope, a hope that finds no promise in this Empire or in any +of the great things of our time. +</p> + +<p> +How they will look in history I do not know, how time and chance will prove +them I cannot guess; that is how they have mirrored themselves on one +contemporary mind. +</p> + +<h4>II</h4> + +<p> +Concurrently with writing the last chapter of this book I have been much +engaged by the affairs of a new destroyer we have completed. It has been an +oddly complementary alternation of occupations. Three weeks or so ago this +novel had to be put aside in order that I might give all my time day and night +to the fitting and finishing of the engines. Last Thursday X 2, for so we call +her, was done and I took her down the Thames and went out nearly to Texel for a +trial of speed. +</p> + +<p> +It is curious how at times one’s impressions will all fuse and run +together into a sort of unity and become continuous with things that have +hitherto been utterly alien and remote. That rush down the river became +mysteriously connected with this book. +</p> + +<p> +As I passed down the Thames I seemed in a new and parallel manner to be passing +all England in review. I saw it then as I had wanted my readers to see it. The +thought came to me slowly as I picked my way through the Pool; it stood out +clear as I went dreaming into the night out upon the wide North Sea. +</p> + +<p> +It wasn’t so much thinking at the time as a sort of photographic thought +that came and grew clear. X2 went ripping through the dirty oily water as +scissors rip through canvas, and the front of my mind was all intent with +getting her through under the bridges and in and out among the steam-boats and +barges and rowing-boats and piers. I lived with my hands and eyes hard ahead. I +thought nothing then of any appearances but obstacles, but for all that the +back of my mind took the photographic memory of it complete and vivid.... +</p> + +<p> +“This,” it came to me, “is England. That is what I wanted to +give in my book. This!” +</p> + +<p> +We started in the late afternoon. We throbbed out of our yard above Hammersmith +Bridge, fussed about for a moment, and headed down stream. We came at an easy +rush down Craven Reach, past Fulham and Hurlingham, past the long stretches of +muddy meadow And muddy suburb to Battersea and Chelsea, round the cape of tidy +frontage that is Grosvenor Road and under Vauxhall Bridge, and Westminster +opened before us. We cleared a string of coal barges and there on the left in +the October sunshine stood the Parliament houses, and the flag was flying and +Parliament was sitting. +</p> + +<p> +I saw it at the time unseeingly; afterwards it came into my mind as the centre +of the whole broad panoramic effect of that afternoon. The stiff square lace of +Victorian Gothic with its Dutch clock of a tower came upon me suddenly and +stared and whirled past in a slow half pirouette and became still, I know, +behind me as if watching me recede. “Aren’t you going to respect +me, then?” it seemed to say. +</p> + +<p> +Not I! There in that great pile of Victorian architecture the landlords and the +lawyers, the bishops, the railway men and the magnates of commerce go to and +fro—in their incurable tradition of commercialised Bladesovery, of +meretricious gentry and nobility sold for riches. I have been near enough to +know. The Irish and the Labour-men run about among their feet, making a fuss, +effecting little, they’ve got no better plans that I can see. Respect it +indeed! There’s a certain paraphernalia of dignity, but whom does it +deceive? The King comes down in a gilt coach to open the show and wears long +robes and a crown; and there’s a display of stout and slender legs in +white stockings and stout and slender legs in black stockings and artful old +gentlemen in ermine. I was reminded of one congested afternoon I had spent with +my aunt amidst a cluster of agitated women’s hats in the Royal Gallery of +the House of Lords and how I saw the King going to open Parliament, and the +Duke of Devonshire looking like a gorgeous pedlar and terribly bored with the +cap of maintenance on a tray before him hung by slings from his shoulder. A +wonderful spectacle! +</p> + +<p> +It is quaint, no doubt, this England—it is even dignified in +places—and full of mellow associations. That does not alter the quality +of the realities these robes conceal. The realities are greedy trade, base +profit—seeking, bold advertisement; and kingship and chivalry, spite of +this wearing of treasured robes, are as dead among it all as that crusader my +uncle championed against the nettles outside the Duffield church. +</p> + +<p> +I have thought much of that bright afternoon’s panorama. +</p> + +<p> +To run down the Thames so is to run one’s hand over the pages in the book +of England from end to end. One begins in Craven Reach and it is as if one were +in the heart of old England. Behind us are Kew and Hampton Court with their +memories of Kings and Cardinals, and one runs at first between Fulham’s +episcopal garden parties and Hurlingham’s playground for the sporting +instinct of our race. The whole effect is English. There is space, there are +old trees and all the best qualities of the home-land in that upper reach. +Putney, too, looks Anglican on a dwindling scale. And then for a stretch the +newer developments slop over, one misses Bladesover and there come first +squalid stretches of mean homes right and left and then the dingy industrialism +of the south side, and on the north bank the polite long front of nice houses, +artistic, literary, administrative people’s residences, that stretches +from Cheyne Walk nearly to Westminster and hides a wilderness of slums. What a +long slow crescendo that is, mile after mile, with the houses crowding +closelier, the multiplying succession of church towers, the architectural +moments, the successive bridges, until you come out into the second movement of +the piece with Lambeth’s old palace under your quarter and the houses of +Parliament on your bow! Westminster Bridge is ahead of you then, and through it +you flash, and in a moment the round-faced clock tower cranes up to peer at you +again and New Scotland Yard squares at you, a fat beef-eater of a policeman +disguised miraculously as a Bastille. +</p> + +<p> +For a stretch you have the essential London; you have Charing Cross railway +station, heart of the world, and the Embankment on the north side with its new +hotels overshadowing its Georgian and Victorian architecture, and mud and great +warehouses and factories, chimneys, shot towers, advertisements on the south. +The northward skyline grows more intricate and pleasing, and more and more does +one thank God for Wren. Somerset House is as picturesque as the civil war, one +is reminded again of the original England, one feels in the fretted sky the +quality of Restoration Lace. +</p> + +<p> +And then comes Astor’s strong box and the lawyers’ Inns. +</p> + +<p> +(I had a passing memory of myself there, how once I had trudged along the +Embankment westward, weighing my uncle’s offer of three hundred pounds a +year....) +</p> + +<p> +Through that central essential London reach I drove, and X2 bored her nose +under the foam regardless of it all like a black hound going through +reeds—on what trail even I who made her cannot tell. +</p> + +<p> +And in this reach, too, one first meets the seagulls and is reminded of the +sea. Blackfriars one takes—just under these two bridges and just between +them is the finest bridge moment in the world—and behold, soaring up, +hanging in the sky over a rude tumult of warehouses, over a jostling +competition of traders, irrelevantly beautiful and altogether remote, Saint +Paul’s! “Of course!” one says, “Saint +Paul’s!” It is the very figure of whatever fineness the old +Anglican culture achieved, detached, a more dignified and chastened Saint +Peter’s, colder, greyer, but still ornate; it has never been over thrown, +never disavowed, only the tall warehouses and all the roar of traffic have +forgotten it, every one has forgotten it; the steamships, the barges, go +heedlessly by regardless of it, intricacies of telephone wires and poles cut +blackly into its thin mysteries, and presently, when in a moment the traffic +permits you and you look round for it, it has dissolved like a cloud into the +grey blues of the London sky. +</p> + +<p> +And then the traditional and ostensible England falls from you altogether. The +third movement begins, the last great movement in the London symphony, in which +the trim scheme of the old order is altogether dwarfed and swallowed up. Comes +London Bridge, and the great warehouses tower up about you, waving stupendous +cranes, the gulls circle and scream in your ears, large ships lie among their +lighters, and one is in the port of the world. Again and again in this book I +have written of England as a feudal scheme overtaken by fatty degeneration and +stupendous accidents of hypertrophy. +</p> + +<p> +For the last time I must strike that note as the memory of the dear neat little +sunlit ancient Tower of London lying away in a gap among the warehouses comes +back to me, that little accumulation of buildings so provincially pleasant and +dignified, overshadowed by the vulgarest, most typical exploit of modern +England, the sham Gothic casings to the ironwork of the Tower Bridge. That +Tower Bridge is the very balance and confirmation of Westminster’s dull +pinnacles and tower. That sham Gothic bridge; in the very gates of our mother +of change, the Sea! +</p> + +<p> +But after that one is in a world of accident and nature. For the third part of +the panorama of London is beyond all law, order, and precedence; it is the +seaport and the sea. One goes down the widening reaches through a monstrous +variety of shipping, great steamers, great sailing-ships, trailing the flags of +all the world, a monstrous confusion of lighters, witches’ conferences of +brown-sailed barges, wallowing tugs, a tumultuous crowding and jostling of +cranes and spars, and wharves and stores, and assertive inscriptions. Huge +vistas of dock open right and left of one, and here and there beyond and amidst +it all are church towers, little patches of indescribably old-fashioned and +worn-out houses, riverside pubs and the like, vestiges of townships that were +long since torn to fragments and submerged in these new growths. And amidst it +all no plan appears, no intention, no comprehensive desire. That is the very +key of it all. Each day one feels that the pressure of commerce and traffic +grew, grew insensibly monstrous, and first this man made a wharf and that +erected a crane, and then this company set to work and then that, and so they +jostled together to make this unassimilable enormity of traffic. Through it we +dodged and drove eager for the high seas. +</p> + +<p> +I remember how I laughed aloud at the glimpse of the name of a London County +Council steamboat that ran across me. <i>Caxton</i> it was called, and another +was <i>Pepys</i>, and another was <i>Shakespeare</i>. They seemed so wildly out +of place, splashing about in that confusion. One wanted to take them out and +wipe them and put them back in some English gentleman’s library. +Everything was alive about them, flash ing, splashing, and passing, ships +moving, tugs panting, hawsers taut, barges going down with men toiling at the +sweeps, the water all a-swirl with the wash of shipping, scaling into millions +of little wavelets, curling and frothing under the whip of the unceasing wind. +Past it all we drove. And at Greenwich to the south, you know, there stands a +fine stone frontage where all the victories are recorded in a Painted Hall, and +beside it is the “Ship” where once upon a time those gentlemen of +Westminster used to have an annual dinner—before the port of London got +too much for them altogether. The old façade of the Hospital was just warming +to the sunset as we went by, and after that, right and left, the river opened, +the sense of the sea increased and prevailed, reach after reach from Northfleet +to the Nore. +</p> + +<p> +And out you come at last with the sun behind you into the eastern sea. You +speed up and tear the oily water louder and faster, siroo, siroo-swish-siroo, +and the hills of Kent—over which I once fled from the Christian teachings +of Nicodemus Frapp—fall away on the right hand and Essex on the left. +They fall away and vanish into blue haze, and the tall slow ships behind the +tugs, scarce moving ships and wallowing sturdy tugs, are all wrought of wet +gold as one goes frothing by. They stand out, bound on strange missions of life +and death, to the killing of men in unfamiliar lands. And now behind us is blue +mystery and the phantom flash of unseen lights, and presently even these are +gone, and I and my destroyer tear out to the unknown across a great grey space. +We tear into the great spaces of the future and the turbines fall to talking in +unfamiliar tongues. Out to the open we go, to windy freedom and trackless ways. +Light after light goes down. England and the Kingdom, Britain and the Empire, +the old prides and the old devotions, glide abeam, astern, sink down upon the +horizon, pass—pass. The river passes—London passes, England +passes... +</p> + +<h4>III</h4> + +<p> +This is the note I have tried to emphasise, the note that sounds clear in my +mind when I think of anything beyond the purely personal aspects of my story. +</p> + +<p> +It is a note of crumbling and confusion, of change and seemingly aimless +swelling, of a bubbling up and medley of futile loves and sorrows. But through +the confusion sounds another note. Through the confusion something drives, +something that is at once human achievement and the most inhuman of all +existing things. Something comes out of it.... How can I express the values of +a thing at once so essential and so immaterial. It is something that calls upon +such men as I with an irresistible appeal. +</p> + +<p> +I have figured it in my last section by the symbol of my destroyer, stark and +swift, irrelevant to most human interests. Sometimes I call this reality +Science, sometimes I call it Truth. But it is something we draw by pain and +effort ont of the heart of life, that we disentangle and make clear. Other men +serve it, I know, in art, in literature, in social invention, and see it in a +thousand different figures, under a hundred names. I see it always as +austerity, as beauty. This thing we make clear is the heart of life. It is the +one enduring thing. Men and nations, epochs and civilisation pass each making +its contribution I do not know what it is, this something, except that it is +supreme. It is, a something, a quality, an element, one may find now in +colours, now in norms, now in sounds, now in thoughts. It emerges from life +with each year one lives and feels, and generation by generation and age by +age, but the how and why of it are all beyond the compass of my mind.... +</p> + +<p> +Yet the full sense of it was with me all that night as I drove, lonely above +the rush and murmur of my engines, out upon the weltering circle of the sea. +</p> + +<p> +Far out to the northeast there came the flicker of a squadron of warships +waving white swords of light about the sky. I kept them hull-down, and +presently they were mere summer lightning over the watery edge of the globe.... +I fell into thought that was nearly formless, into doubts and dreams that have +no words, and it seemed good to me to drive ahead and on and or through the +windy starlight, over the long black waves. +</p> + +<h4>IV</h4> + +<p> +It was morning and day before I returned with the four sick and starving +journalists who had got permission to come with me, up the shining river, and +past the old grey Tower.... +</p> + +<p> +I recall the back views of those journalists very distinctly, going with a +certain damp weariness of movement, along a side street away from the river. +They were good men and bore me no malice, and they served me up to the public +in turgid degenerate Kiplingese, as a modest button on the complacent stomach +of the Empire. Though as a matter of fact, X2 isn’t intended for the +empire, or indeed for the hands of any European power. We offered it to our own +people first, but they would have nothing to do with me, and I have long since +ceased to trouble much about such questions. I have come to see myself from the +outside, my country from the outside—without illusions. We make and pass. +</p> + +<p> +We are all things that make and pass striving upon a hidden mission, out to the +open sea. +</p> + +</div><!--end chapter--> + +<div style='display:block;margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK TONO-BUNGAY ***</div> +<div style='display:block;margin:1em 0;'>This file should be named 718-h.htm or 718-h.zip</div> +<div style='display:block;margin:1em 0;'>This and all associated files of various formats will be found in https://www.gutenberg.org/7/1/718/</div> +<div style='display:block; margin:1em 0'> +Updated editions will replace the previous one—the old editions will +be renamed. +</div> + +<div style='display:block; margin:1em 0'> +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. 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Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..24bdbb3 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #718 (https://www.gutenberg.org/ebooks/718) diff --git a/old/718.txt b/old/718.txt new file mode 100644 index 0000000..cc89269 --- /dev/null +++ b/old/718.txt @@ -0,0 +1,15289 @@ +The Project Gutenberg EBook of Tono Bungay, by H. G. Wells + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Tono Bungay + +Author: H. G. Wells + +Release Date: March 18, 2006 [EBook #718] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK TONO BUNGAY *** + + + + +Produced by John Bean; Diane Bean and David Widger + + + + + +TONO-BUNGAY + +by H.G Wells + + + + +BOOK THE FIRST + +THE DAYS BEFORE TONO-BUNGAY WAS INVENTED + + + + +CHAPTER THE FIRST + +OF BLADESOVER HOUSE, AND MY MOTHER; AND THE CONSTITUTION OF SOCIETY + + +I + +Most people in this world seem to live "in character"; they have a +beginning, a middle and an end, and the three are congruous one with +another and true to the rules of their type. You can speak of them as +being of this sort of people or that. They are, as theatrical people +say, no more (and no less) than "character actors." They have a class, +they have a place, they know what is becoming in them and what is due to +them, and their proper size of tombstone tells at last how properly they +have played the part. But there is also another kind of life that is not +so much living as a miscellaneous tasting of life. One gets hit by some +unusual transverse force, one is jerked out of one's stratum and lives +crosswise for the rest of the time, and, as it were, in a succession +of samples. That has been my lot, and that is what has set me at last +writing something in the nature of a novel. I have got an unusual series +of impressions that I want very urgently to tell. I have seen life at +very different levels, and at all these levels I have seen it with a +sort of intimacy and in good faith. I have been a native in many social +countries. I have been the unwelcome guest of a working baker, my +cousin, who has since died in the Chatham infirmary; I have eaten +illegal snacks--the unjustifiable gifts of footmen--in pantries, +and been despised for my want of style (and subsequently married and +divorced) by the daughter of a gasworks clerk; and--to go to my other +extreme--I was once--oh, glittering days!--an item in the house-party +of a countess. She was, I admit, a countess with a financial aspect, but +still, you know, a countess. I've seen these people at various angles. +At the dinner-table I've met not simply the titled but the great. On +one occasion--it is my brightest memory--I upset my champagne over the +trousers of the greatest statesman in the empire--Heaven forbid I should +be so invidious as to name him!--in the warmth of our mutual admiration. + +And once (though it is the most incidental thing in my life) I murdered +a man.... + +Yes, I've seen a curious variety of people and ways of living +altogether. Odd people they all are great and small, very much alike at +bottom and curiously different on their surfaces. I wish I had ranged +just a little further both up and down, seeing I have ranged so far. +Royalty must be worth knowing and very great fun. But my contacts with +princes have been limited to quite public occasions, nor at the other +end of the scale have I had what I should call an inside acquaintance +with that dusty but attractive class of people who go about on the +high-roads drunk but enfamille (so redeeming the minor lapse), in the +summertime, with a perambulator, lavender to sell, sun-brown children, +a smell, and ambiguous bundles that fire the imagination. Navvies, +farm-labourers, sailormen and stokers, all such as sit in 1834 +beer-houses, are beyond me also, and I suppose must remain so now for +ever. My intercourse with the ducal rank too has been negligible; I +once went shooting with a duke, and in an outburst of what was no doubt +snobbishness, did my best to get him in the legs. But that failed. + +I'm sorry I haven't done the whole lot though.... + +You will ask by what merit I achieved this remarkable social range, +this extensive cross-section of the British social organism. It was the +Accident of Birth. It always is in England. + +Indeed, if I may make the remark so cosmic, everything is. But that is +by the way. I was my uncle's nephew, and my uncle was no less a person +than Edward Ponderevo, whose comet-like transit of the financial +heavens happened--it is now ten years ago! Do you remember the days +of Ponderevo, the great days, I mean, of Ponderevo? Perhaps you had +a trifle in some world-shaking enterprise! Then you know him only +too well. Astraddle on Tono-Bungay, he flashed athwart the empty +heavens--like a comet--rather, like a stupendous rocket!--and overawed +investors spoke of his star. At his zenith he burst into a cloud of +the most magnificent promotions. What a time that was! The Napoleon of +domestic conveniences! + +I was his nephew, his peculiar and intimate nephew. I was hanging on +to his coat-tails all the way through. I made pills with him in the +chemist's shop at Wimblehurst before he began. I was, you might say, the +stick of his rocket; and after our tremendous soar, after he had played +with millions, a golden rain in the sky, after my bird's-eye view of the +modern world, I fell again, a little scarred and blistered perhaps, two +and twenty years older, with my youth gone, my manhood eaten in upon, +but greatly edified, into this Thames-side yard, into these white heats +and hammerings, amidst the fine realites of steel--to think it all over +in my leisure and jot down the notes and inconsecutive observations +that make this book. It was more, you know, than a figurative soar. The +zenith of that career was surely our flight across the channel in the +Lord Roberts B.... + +I warn you this book is going to be something of an agglomeration. I +want to trace my social trajectory (and my uncle's) as the main line of +my story, but as this is my first novel and almost certainly my last, +I want to get in, too, all sorts of things that struck me, things that +amused me and impressions I got--even although they don't minister +directly to my narrative at all. I want to set out my own queer love +experiences too, such as they are, for they troubled and distressed +and swayed me hugely, and they still seem to me to contain all sorts of +irrational and debatable elements that I shall be the clearer-headed +for getting on paper. And possibly I may even flow into descriptions of +people who are really no more than people seen in transit, just +because it amuses me to recall what they said and did to us, and +more particularly how they behaved in the brief but splendid glare of +Tono-Bungay and its still more glaring offspring. It lit some of them +up, I can assure you! Indeed, I want to get in all sorts of things. My +ideas of a novel all through are comprehensive rather than austere.... + +Tono-Bungay still figures on the hoardings, it stands in rows in every +chemist's storeroom, it still assuages the coughs of age and brightens +the elderly eye and loosens the elderly tongue; but its social glory, +its financial illumination, have faded from the world for ever. And I, +sole scorched survivor from the blaze, sit writing of it here in an air +that is never still for the clang and thunder of machines, on a table +littered with working drawings, and amid fragments of models and notes +about velocities and air and water pressures and trajectories--of an +altogether different sort from that of Tono-Bungay. + +II + +I write that much and look at it, and wonder whether, after all, this is +any fair statement of what I am attempting in this book. I've given, I +see, an impression that I want to make simply a hotch-potch of anecdotes +and experiences with my uncle swimming in the middle as the largest lump +of victual. I'll own that here, with the pen already started, I realise +what a fermenting mass of things learnt and emotions experienced and +theories formed I've got to deal with, and how, in a sense, hopeless my +book must be from the very outset. I suppose what I'm really trying to +render is nothing more nor less than Life--as one man has found it. I +want to tell--MYSELF, and my impressions of the thing as a whole, to say +things I have come to feel intensely of the laws, traditions, usages, +and ideas we call society, and how we poor individuals get driven and +lured and stranded among these windy, perplexing shoals and channels. +I've got, I suppose, to a time of life when things begin to take on +shapes that have an air of reality, and become no longer material for +dreaming, but interesting in themselves. I've reached the criticising, +novel-writing age, and here I am writing mine--my one novel--without +having any of the discipline to refrain and omit that I suppose the +regular novel-writer acquires. + +I've read an average share of novels and made some starts before this +beginning, and I've found the restraints and rules of the art (as I made +them out) impossible for me. I like to write, I am keenly interested in +writing, but it is not my technique. I'm an engineer with a patent or +two and a set of ideas; most of whatever artist there is in me has been +given to turbine machines and boat building and the problem of flying, +and do what I will I fail to see how I can be other than a lax, +undisciplined story-teller. I must sprawl and flounder, comment and +theorise, if I am to get the thing out I have in mind. And it isn't +a constructed tale I have to tell, but unmanageable realities. My +love-story--and if only I can keep up the spirit of truth-telling all +through as strongly as I have now, you shall have it all--falls into +no sort of neat scheme of telling. It involves three separate feminine +persons. It's all mixed up with the other things.... + +But I've said enough, I hope, to excuse myself for the method or want +of method in what follows, and I think I had better tell without further +delay of my boyhood and my early impressions in the shadow of Bladesover +House. + +III + +There came a time when I realised that Bladesover House was not all it +seemed, but when I was a little boy I took the place with the entirest +faith as a complete authentic microcosm. I believed that the Bladesover +system was a little working-model--and not so very little either--of the +whole world. + +Let me try and give you the effect of it. + +Bladesover lies up on the Kentish Downs, eight miles perhaps from +Ashborough; and its old pavilion, a little wooden parody of the temple +of Vesta at Tibur, upon the hill crest behind the house, commands in +theory at least a view of either sea, of the Channel southward and the +Thames to the northeast. The park is the second largest in Kent, finely +wooded with well-placed beeches, many elms and some sweet chestnuts, +abounding in little valleys and hollows of bracken, with springs and a +stream and three fine ponds and multitudes of fallow deer. The house was +built in the eighteenth century, it is of pale red brick in the style of +a French chateau, and save for one pass among the crests which opens to +blue distances, to minute, remote, oast-set farm-houses and copses +and wheat fields and the occasional gleam of water, its hundred +and seventeen windows look on nothing but its own wide and handsome +territories. A semi-circular screen of great beeches masks the church +and village, which cluster picturesquely about the high road along the +skirts of the great park. Northward, at the remotest corner of that +enclosure, is a second dependent village, Ropedean, less fortunate in +its greater distance and also on account of a rector. This divine +was indeed rich, but he was vindictively economical because of some +shrinkage of his tithes; and by reason of his use of the word Eucharist +for the Lord's Supper he had become altogether estranged from the great +ladies of Bladesover. So that Ropedean was in the shadows through all +that youthful time. + +Now the unavoidable suggestion of that wide park and that fair large +house, dominating church, village and the country side, was that they +represented the thing that mattered supremely in the world, and that all +other things had significance only in relation to them. They represented +the Gentry, the Quality, by and through and for whom the rest of the +world, the farming folk and the labouring folk, the trades-people +of Ashborough, and the upper servants and the lower servants and the +servants of the estate, breathed and lived and were permitted. And the +Quality did it so quietly and thoroughly, the great house mingled so +solidly and effectually earth and sky, the contrast of its spacious +hall and saloon and galleries, its airy housekeeper's room and warren +of offices with the meagre dignities of the vicar, and the pinched and +stuffy rooms of even the post-office people and the grocer, so enforced +these suggestions, that it was only when I was a boy of thirteen or +fourteen and some queer inherited strain of scepticism had set me +doubting whether Mr. Bartlett, the vicar, did really know with certainty +all about God, that as a further and deeper step in doubting I began to +question the final rightness of the gentlefolks, their primary necessity +in the scheme of things. But once that scepticism had awakened it took +me fast and far. By fourteen I had achieved terrible blasphemies and +sacrilege; I had resolved to marry a viscount's daughter, and I had +blacked the left eye--I think it was the left--of her half-brother, in +open and declared rebellion. + +But of that in its place. + +The great house, the church, the village, and the labourers and the +servants in their stations and degrees, seemed to me, I say, to be a +closed and complete social system. About us were other villages and +great estates, and from house to house, interlacing, correlated, the +Gentry, the fine Olympians, came and went. The country towns seemed mere +collections of ships, marketing places for the tenantry, centres for +such education as they needed, as entirely dependent on the gentry as +the village and scarcely less directly so. I thought this was the order +of the whole world. I thought London was only a greater country town +where the gentle-folk kept town-houses and did their greater shopping +under the magnificent shadow of the greatest of all fine gentlewomen, +the Queen. It seemed to be in the divine order. That all this fine +appearance was already sapped, that there were forces at work that might +presently carry all this elaborate social system in which my mother +instructed me so carefully that I might understand my "place," to Limbo, +had scarcely dawned upon me even by the time that Tono-Bungay was fairly +launched upon the world. + +There are many people in England to-day upon whom it has not yet dawned. +There are times when I doubt whether any but a very inconsiderable +minority of English people realise how extensively this ostensible order +has even now passed away. The great houses stand in the parks still, +the cottages cluster respectfully on their borders, touching their eaves +with their creepers, the English countryside--you can range through Kent +from Bladesover northward and see persists obstinately in looking what +it was. It is like an early day in a fine October. The hand of change +rests on it all, unfelt, unseen; resting for awhile, as it were half +reluctantly, before it grips and ends the thing for ever. One frost and +the whole face of things will be bare, links snap, patience end, our +fine foliage of pretences lie glowing in the mire. + +For that we have still to wait a little while. The new order may have +gone far towards shaping itself, but just as in that sort of lantern +show that used to be known in the village as the "Dissolving Views," the +scene that is going remains upon the mind, traceable and evident, and +the newer picture is yet enigmatical long after the lines that are to +replace those former ones have grown bright and strong, so that the new +England of our children's children is still a riddle to me. The ideas +of democracy, of equality, and above all of promiscuous fraternity have +certainly never really entered into the English mind. But what IS coming +into it? All this book, I hope, will bear a little on that. Our people +never formulates; it keeps words for jests and ironies. In the meanwhile +the old shapes, the old attitudes remain, subtly changed and changing +still, sheltering strange tenants. Bladesover House is now let furnished +to Sir Reuben Lichtenstein, and has been since old Lady Drew died; it +was my odd experience to visit there, in the house of which my mother +had been housekeeper, when my uncle was at the climax of Tono-Bungay. +It was curious to notice then the little differences that had come to +things with this substitution. To borrow an image from my +mineralogical days, these Jews were not so much a new British gentry as +"pseudomorphous" after the gentry. They are a very clever people, the +Jews, but not clever enough to suppress their cleverness. I wished I +could have gone downstairs to savour the tone of the pantry. It would +have been very different I know. Hawksnest, over beyond, I noted, had +its pseudomorph too; a newspaper proprietor of the type that hustles +along with stolen ideas from one loud sink-or-swim enterprise to +another, had bought the place outright; Redgrave was in the hands of +brewers. + +But the people in the villages, so far as I could detect, saw no +difference in their world. Two little girls bobbed and an old labourer +touched his hat convulsively as I walked through the village. He still +thought he knew his place--and mine. I did not know him, but I would +have liked dearly to have asked him if he remembered my mother, if +either my uncle or old Lichtenstein had been man enough to stand being +given away like that. + +In that English countryside of my boyhood every human being had a +"place." It belonged to you from your birth like the colour of your +eyes, it was inextricably your destiny. Above you were your betters, +below you were your inferiors, and there were even an unstable +questionable few, cases so disputable that you might for the rough +purposes of every day at least, regard them as your equals. Head +and centre of our system was Lady Drew, her "leddyship," shrivelled, +garrulous, with a wonderful memory for genealogies and very, very +old, and beside her and nearly as old, Miss Somerville, her cousin and +companion. These two old souls lived like dried-up kernels in the great +shell of Bladesover House, the shell that had once been gaily full of +fops, of fine ladies in powder and patches and courtly gentlemen with +swords; and when there was no company they spent whole days in the +corner parlour just over the housekeeper's room, between reading and +slumber and caressing their two pet dogs. When I was a boy I used always +to think of these two poor old creatures as superior beings living, like +God, somewhere through the ceiling. Occasionally they bumped about a bit +and one even heard them overhead, which gave them a greater effect of +reality without mitigating their vertical predominance. Sometimes too I +saw them. Of course if I came upon them in the park or in the shrubbery +(where I was a trespasser) I hid or fled in pious horror, but I was +upon due occasion taken into the Presence by request. I remember +her "leddyship" then as a thing of black silks and a golden chain, +a quavering injunction to me to be a good boy, a very shrunken +loose-skinned face and neck, and a ropy hand that trembled a halfcrown +into mine. Miss Somerville hovered behind, a paler thing of broken +lavender and white and black, with screwed up, sandy-lashed eyes. +Her hair was yellow and her colour bright, and when we sat in the +housekeeper's room of a winter's night warming our toes and sipping +elder wine, her maid would tell us the simple secrets of that belated +flush.... After my fight with young Garvell I was of course banished, +and I never saw those poor old painted goddesses again. + +Then there came and went on these floors over our respectful heads, the +Company; people I rarely saw, but whose tricks and manners were imitated +and discussed by their maids and valets in the housekeeper's room and +the steward's room--so that I had them through a medium at second hand. +I gathered that none of the company were really Lady Drew's equals, they +were greater and lesser after the manner of all things in our world. +Once I remember there was a Prince, with a real live gentleman in +attendance, and that was a little above our customary levels and excited +us all, and perhaps raised our expectations unduly. Afterwards, Rabbits, +the butler, came into my mother's room downstairs, red with indignation +and with tears in his eyes. "Look at that!" gasped Rabbits. My mother +was speechless with horror. That was a sovereign, a mere sovereign, such +as you might get from any commoner! + +After Company, I remember, came anxious days, for the poor old women +upstairs were left tired and cross and vindictive, and in a state of +physical and emotional indigestion after their social efforts.... + +On the lowest fringe of these real Olympians hung the vicarage people, +and next to them came those ambiguous beings who are neither quality nor +subjects. The vicarage people certainly hold a place by themselves in +the typical English scheme; nothing is more remarkable than the progress +the Church has made--socially--in the last two hundred years. In the +early eighteenth century the vicar was rather under than over the +house-steward, and was deemed a fitting match for the housekeeper or any +not too morally discredited discard. The eighteenth century literature +is full of his complaints that he might not remain at table to share the +pie. He rose above these indignities because of the abundance of younger +sons. When I meet the large assumptions of the contemporary cleric, I +am apt to think of these things. It is curious to note that to-day that +down-trodden, organ-playing creature, the Church of England village +Schoolmaster, holds much the same position as the seventeenth century +parson. The doctor in Bladesover ranked below the vicar but above the +"vet," artists and summer visitors squeezed in above or below this point +according to their appearance and expenditure, and then in a carefully +arranged scale came the tenantry, the butler and housekeeper, the +village shopkeeper, the head keeper, the cook, the publican, the second +keeper, the blacksmith (whose status was complicated by his daughter +keeping the post-office--and a fine hash she used to make of telegrams +too!) the village shopkeeper's eldest son, the first footman, younger +sons of the village shopkeeper, his first assistant, and so forth. + +All these conceptions and applications of a universal precedence and +much else I drank in at Bladesover, as I listened to the talk of valets, +ladies'-maids, Rabbits the butler and my mother in the much-cupboarded, +white-painted, chintz-brightened housekeeper's room where the upper +servants assembled, or of footmen and Rabbits and estate men of all +sorts among the green baize and Windsor chairs of the pantry--where +Rabbits, being above the law, sold beer without a license or any +compunction--or of housemaids and still-room maids in the bleak, +matting-carpeted still-room or of the cook and her kitchen maids and +casual friends among the bright copper and hot glow of the kitchens. + +Of course their own ranks and places came by implication to these +people, and it was with the ranks and places of the Olympians that the +talk mainly concerned itself. There was an old peerage and a Crockford +together with the books of recipes, the Whitaker's Almanack, the Old +Moore's Almanack, and the eighteenth century dictionary, on the little +dresser that broke the cupboards on one side of my mother's room; there +was another peerage, with the covers off, in the pantry; there was a +new peerage in the billiard-room, and I seem to remember another in the +anomalous apartment that held the upper servants' bagatelle board and in +which, after the Hall dinner, they partook of the luxury of sweets. And +if you had asked any of those upper servants how such and such a Prince +of Battenberg was related to, let us say, Mr. Cunninghame Graham or +the Duke of Argyle, you would have been told upon the nail. As a boy, I +heard a great deal of that sort of thing, and if to this day I am +still a little vague about courtesy titles and the exact application of +honorifics, it is, I can assure you, because I hardened my heart, and +not from any lack of adequate opportunity of mastering these succulent +particulars. + +Dominating all these memories is the figure of my mother--my mother who +did not love me because I grew liker my father every day--and who knew +with inflexible decision her place and the place of every one in the +world--except the place that concealed my father--and in some details +mine. Subtle points were put to her. I can see and hear her saying +now, "No, Miss Fison, peers of England go in before peers of the United +Kingdom, and he is merely a peer of the United Kingdom." She had much +exercise in placing people's servants about her tea-table, where the +etiquette was very strict. I wonder sometimes if the etiquette of +housekeepers' rooms is as strict to-day, and what my mother would have +made of a chauffeur.... + +On the whole I am glad that I saw so much as I did of Bladesover--if +for no other reason than because seeing it when I did, quite naively, +believing in it thoroughly, and then coming to analyse it, has enabled +me to understand much that would be absolutely incomprehensible in the +structure of English society. Bladesover is, I am convinced, the clue to +almost all that is distinctively British and perplexing to the foreign +inquirer in England and the English-speaking peoples. Grasp firmly that +England was all Bladesover two hundred years ago; that it has had +Reform Acts indeed, and such--like changes of formula, but no essential +revolution since then; that all that is modern and different has come in +as a thing intruded or as a gloss upon this predominant formula, either +impertinently or apologetically; and you will perceive at once the +reasonableness, the necessity, of that snobbishness which is the +distinctive quality of English thought. Everybody who is not actually in +the shadow of a Bladesover is as it were perpetually seeking after +lost orientations. We have never broken with our tradition, never even +symbolically hewed it to pieces, as the French did in quivering fact +in the Terror. But all the organizing ideas have slackened, the old +habitual bonds have relaxed or altogether come undone. And America +too, is, as it were, a detached, outlying part of that estate which +has expanded in queer ways. George Washington, Esquire, was of the +gentlefolk, and he came near being a King. It was Plutarch, you know, +and nothing intrinsically American that prevented George Washington +being a King.... + +IV + +I hated teatime in the housekeeper's room more than anything else at +Bladesover. And more particularly I hated it when Mrs. Mackridge and +Mrs. Booch and Mrs. Latude-Fernay were staying in the house. They were, +all three of them, pensioned-off servants. + +Old friends of Lady Drew's had rewarded them posthumously for a +prolonged devotion to their minor comforts, and Mrs. Booch was also +trustee for a favourite Skye terrier. Every year Lady Drew gave them an +invitation--a reward and encouragement of virtue with especial reference +to my mother and Miss Fison, the maid. They sat about in black and +shiny and flouncey clothing adorned with gimp and beads, eating +great quantities of cake, drinking much tea in a stately manner and +reverberating remarks. + +I remember these women as immense. No doubt they were of negotiable +size, but I was only a very little chap and they have assumed nightmare +proportions in my mind. They loomed, they bulged, they impended. +Mrs. Mackridge was large and dark; there was a marvel about her head, +inasmuch as she was bald. She wore a dignified cap, and in front of that +upon her brow, hair was PAINTED. I have never seen the like since. She +had been maid to the widow of Sir Roderick Blenderhasset Impey, some +sort of governor or such-like portent in the East Indies, and from her +remains--in Mrs. Mackridge--I judge Lady Impey was a very stupendous and +crushing creature indeed. Lady Impey had been of the Juno type, haughty, +unapproachable, given to irony and a caustic wit. Mrs. Mackridge had no +wit, but she had acquired the caustic voice and gestures along with the +old satins and trimmings of the great lady. When she told you it was a +fine morning, she seemed also to be telling you you were a fool and a +low fool to boot; when she was spoken to, she had a way of acknowledging +your poor tinkle of utterance with a voluminous, scornful "Haw!" that +made you want to burn her alive. She also had a way of saying "Indade!" +with a droop of the eyelids. + +Mrs. Booch was a smaller woman, brown haired, with queer little curls on +either side of her face, large blue eyes and a small set of stereotyped +remarks that constituted her entire mental range. Mrs. Latude-Fernay has +left, oddly enough, no memory at all except her name and the effect of +a green-grey silk dress, all set with gold and blue buttons. I fancy she +was a large blonde. Then there was Miss Fison, the maid who served both +Lady Drew and Miss Somerville, and at the end of the table opposite my +mother, sat Rabbits the butler. Rabbits, for a butler, was an unassuming +man, and at tea he was not as you know butlers, but in a morning +coat and a black tie with blue spots. Still, he was large, with side +whiskers, even if his clean-shaven mouth was weak and little. I sat +among these people on a high, hard, early Gregorian chair, trying to +exist, like a feeble seedling amidst great rocks, and my mother sat +with an eye upon me, resolute to suppress the slightest manifestation +of vitality. It was hard on me, but perhaps it was also hard upon +these rather over-fed, ageing, pretending people, that my youthful +restlessness and rebellious unbelieving eyes should be thrust in among +their dignities. + +Tea lasted for nearly three-quarters of an hour, and I sat it out +perforce; and day after day the talk was exactly the same. + +"Sugar, Mrs. Mackridge?" my mother used to ask. + +"Sugar, Mrs. Latude-Fernay?" + +The word sugar would stir the mind of Mrs. Mackridge. "They say," she +would begin, issuing her proclamation--at least half her sentences began +"they say"--"sugar is fatt-an-ing, nowadays. Many of the best people do +not take it at all." + +"Not with their tea, ma'am," said Rabbits intelligently. + +"Not with anything," said Mrs. Mackridge, with an air of crushing +repartee, and drank. + +"What won't they say next?" said Miss Fison. + +"They do say such things!" said Mrs. Booch. + +"They say," said Mrs. Mackridge, inflexibly, "the doctors are not +recomm-an-ding it now." + +My Mother: "No, ma'am?" + +Mrs. Mackridge: "No, ma'am." + +Then, to the table at large: "Poor Sir Roderick, before he died, +consumed great quan-ta-ties of sugar. I have sometimes fancied it may +have hastened his end." + +This ended the first skirmish. A certain gloom of manner and a pause was +considered due to the sacred memory of Sir Roderick. + +"George," said my mother, "don't kick the chair!" + +Then, perhaps, Mrs. Booch would produce a favourite piece from her +repertoire. "The evenings are drawing out nicely," she would say, or +if the season was decadent, "How the evenings draw in!" It was an +invaluable remark to her; I do not know how she would have got along +without it. + +My mother, who sat with her back to the window, would always consider +it due to Mrs. Booch to turn about and regard the evening in the act of +elongation or contraction, whichever phase it might be. + +A brisk discussion of how long we were to the longest or shortest day +would ensue, and die away at last exhausted. + +Mrs. Mackridge, perhaps, would reopen. She had many intelligent habits; +among others she read the paper--The Morning Post. The other ladies +would at times tackle that sheet, but only to read the births, +marriages, and deaths on the front page. It was, of course, the old +Morning Post that cost threepence, not the brisk coruscating young thing +of to-day. "They say," she would open, "that Lord Tweedums is to go to +Canada." + +"Ah!" said Mr. Rabbits; "dew they?" + +"Isn't he," said my mother, "the Earl of Slumgold's cousin?" She knew +he was; it was an entirely irrelevant and unnecessary remark, but still, +something to say. + +"The same, ma'am," said Mrs. Mackridge. "They say he was extremelay +popular in New South Wales. They looked up to him greatlay. I knew him, +ma'am, as a young man. A very nice pleasant young fella." + +Interlude of respect. + +"'Is predecessor," said Rabbits, who had acquired from some clerical +model a precise emphatic articulation without acquiring at the same time +the aspirates that would have graced it, "got into trouble at Sydney." + +"Haw!" said Mrs. Mackridge, scornfully, "so am tawled." + +"'E came to Templemorton after 'e came back, and I remember them talking +'im over after 'e'd gone again." + +"Haw?" said Mrs. Mackridge, interrogatively. + +"'Is fuss was quotin' poetry, ma'am. 'E said--what was it 'e said--'They +lef' their country for their country's good,'--which in some way was +took to remind them of their being originally convic's, though now +reformed. Every one I 'eard speak, agreed it was takless of 'im." + +"Sir Roderick used to say," said Mrs. Mackridge, "that the First +Thing,"--here Mrs. Mackridge paused and looked dreadfully at me--"and +the Second Thing"--here she fixed me again--"and the Third Thing"--now I +was released--"needed in a colonial governor is Tact." She became aware +of my doubts again, and added predominantly, "It has always struck me +that that was a Singularly True Remark." + +I resolved that if ever I found this polypus of Tact growing up in my +soul, I would tear it out by the roots, throw it forth and stamp on it. + +"They're queer people--colonials," said Rabbits, "very queer. When I was +at Templemorton I see something of 'em. Queer fellows, some of 'em. Very +respectful of course, free with their money in a spasammy sort of way, +but--Some of 'em, I must confess, make me nervous. They have an eye +on you. They watch you--as you wait. They let themselves appear to be +lookin' at you..." + +My mother said nothing in that discussion. The word colonies always +upset her. She was afraid, I think, that if she turned her mind in that +direction my errant father might suddenly and shockingly be +discovered, no doubt conspicuously bigamic and altogether offensive and +revolutionary. She did not want to rediscover my father at all. + +It is curious that when I was a little listening boy I had such an idea +of our colonies that I jeered in my heart at Mrs. Mackridge's colonial +ascendancy. These brave emancipated sunburnt English of the open, I +thought, suffer these aristocratic invaders as a quaint anachronism, but +as for being gratified--! + +I don't jeer now. I'm not so sure. + +V + +It is a little difficult to explain why I did not come to do what was +the natural thing for any one in my circumstances to do, and take my +world for granted. A certain innate scepticism, I think, explains it and +a certain inaptitude for sympathetic assimilation. My father, I believe, +was a sceptic; my mother was certainly a hard woman. + +I was an only child, and to this day I do not know whether my father +is living or dead. He fled my mother's virtues before my distincter +memories began. He left no traces in his flight, and she, in her +indignation, destroyed every vestige that she could of him. Never a +photograph nor a scrap of his handwriting have I seen; and it was, I +know, only the accepted code of virtue and discretion that prevented her +destroying her marriage certificate and me, and so making a clean sweep +of her matrimonial humiliation. I suppose I must inherit something of +the moral stupidity that would enable her to make a holocaust of every +little personal thing she had of him. There must have been presents made +by him as a lover, for example--books with kindly inscriptions, letters +perhaps, a flattened flower, a ring, or such-like gage. She kept her +wedding-ring, of course, but all the others she destroyed. She never +told me his christian name or indeed spoke a word to me of him; though +at times I came near daring to ask her: add what I have of him--it isn't +much--I got from his brother, my hero, my uncle Ponderevo. She wore her +ring; her marriage certificate she kept in a sealed envelope in the very +bottom of her largest trunk, and me she sustained at a private +school among the Kentish hills. You must not think I was always at +Bladesover--even in my holidays. If at the time these came round, Lady +Drew was vexed by recent Company, or for any other reason wished to take +it out of my mother, then she used to ignore the customary reminder my +mother gave her, and I "stayed on" at the school. + +But such occasions were rare, and I suppose that between ten and +fourteen I averaged fifty days a year at Bladesover. + +Don't imagine I deny that was a fine thing for me. Bladesover, in +absorbing the whole countryside, had not altogether missed greatness. +The Bladesover system has at least done one good thing for England, it +has abolished the peasant habit of mind. If many of us still live and +breathe pantry and housekeeper's room, we are quit of the dream of +living by economising parasitically on hens and pigs.... About that park +there were some elements of a liberal education; there was a great space +of greensward not given over to manure and food grubbing; there was +mystery, there was matter for the imagination. It was still a park of +deer. I saw something of the life of these dappled creatures, heard the +belling of stags, came upon young fawns among the bracken, found bones, +skulls, and antlers in lonely places. There were corners that gave +a gleam of meaning to the word forest, glimpses of unstudied natural +splendour. There was a slope of bluebells in the broken sunlight under +the newly green beeches in the west wood that is now precious sapphire +in my memory; it was the first time that I knowingly met Beauty. + +And in the house there were books. The rubbish old Lady Drew read I +never saw; stuff of the Maria Monk type, I have since gathered, had +a fascination for her; but back in the past there had been a Drew of +intellectual enterprise, Sir Cuthbert, the son of Sir Matthew who built +the house; and thrust away, neglected and despised, in an old room +upstairs, were books and treasures of his that my mother let me rout +among during a spell of wintry wet. Sitting under a dormer window on a +shelf above great stores of tea and spices, I became familiar with much +of Hogarth in a big portfolio, with Raphael, there was a great book of +engravings from the stanzas of Raphael in the Vatican--and with most +of the capitals of Europe as they had looked about 1780, by means +of several pig iron-moulded books of views. There was also a broad +eighteenth century atlas with huge wandering maps that instructed me +mightily. It had splendid adornments about each map title; Holland +showed a fisherman and his boat; Russia a Cossack; Japan, remarkable +people attired in pagodas--I say it deliberately, "pagodas." There were +Terrae Incognitae in every continent then, Poland, Sarmatia, lands since +lost; and many a voyage I made with a blunted pin about that large, +incorrect and dignified world. The books in that little old closet had +been banished, I suppose, from the saloon during the Victorian revival +of good taste and emasculated orthodoxy, but my mother had no suspicion +of their character. So I read and understood the good sound rhetoric of +Tom Paine's "Rights of Man," and his "Common Sense," excellent books, +once praised by bishops and since sedulously lied about. Gulliver was +there unexpurgated, strong meat for a boy perhaps but not too strong I +hold--I have never regretted that I escaped niceness in these affairs. +The satire of Traldragdubh made my blood boil as it was meant to do, +but I hated Swift for the Houyhnhnms and never quite liked a horse +afterwards. Then I remember also a translation of Voltaire's "Candide," +and "Rasselas;" and, vast book though it was, I really believe I read, +in a muzzy sort of way of course, from end to end, and even with some +reference now and then to the Atlas, Gibbon--in twelve volumes. + +These readings whetted my taste for more, and surreptitiously I raided +the bookcases in the big saloon. I got through quite a number of +books before my sacrilegious temerity was discovered by Ann, the old +head-housemaid. I remember that among others I tried a translation of +Plato's "Republic" then, and found extraordinarily little interest in +it; I was much too young for that; but "Vathek"--"Vathek" was glorious +stuff. That kicking affair! When everybody HAD to kick! + +The thought of "Vathek" always brings back with it my boyish memory of +the big saloon at Bladesover. + +It was a huge long room with many windows opening upon the park, and +each window--there were a dozen or more reaching from the floor up--had +its elaborate silk or satin curtains, heavily fringed, a canopy (is it?) +above, its completely white shutters folding into the deep thickness of +the wall. At either end of that great still place was an immense marble +chimney-piece; the end by the bookcase showed the wolf and Romulus and +Remus, with Homer and Virgil for supporters; the design of the other end +I have forgotten. Frederick, Prince of Wales, swaggered flatly over the +one, twice life-size, but mellowed by the surface gleam of oil; and +over the other was an equally colossal group of departed Drews as sylvan +deities, scantily clad, against a storm-rent sky. Down the centre of the +elaborate ceiling were three chandeliers, each bearing some hundreds of +dangling glass lustres, and over the interminable carpet--it impressed +me as about as big as Sarmatia in the store-room Atlas--were islands and +archipelagoes of chintz-covered chairs and couches, tables, great Sevres +vases on pedestals, a bronze man and horse. Somewhere in this wilderness +one came, I remember, upon--a big harp beside a lyre-shaped music stand, +and a grand piano.... + +The book-borrowing raid was one of extraordinary dash and danger. + +One came down the main service stairs--that was legal, and illegality +began in a little landing when, very cautiously, one went through a red +baize door. A little passage led to the hall, and here one reconnoitered +for Ann, the old head-housemaid--the younger housemaids were friendly +and did not count. Ann located, came a dash across the open space at +the foot of that great staircase that has never been properly descended +since powder went out of fashion, and so to the saloon door. A beast +of an oscillating Chinaman in china, as large as life, grimaced and +quivered to one's lightest steps. That door was the perilous place; it +was double with the thickness of the wall between, so that one could not +listen beforehand for the whisk of the feather-brush on the other side. +Oddly rat-like, is it not, this darting into enormous places in pursuit +of the abandoned crumbs of thought? + +And I found Langhorne's "Plutarch" too, I remember, on those shelves. It +seems queer to me now to think that I acquired pride and self-respect, +the idea of a state and the germ of public spirit, in such a furtive +fashion; queer, too, that it should rest with an old Greek, dead these +eighteen hundred years to teach that. + +VI + +The school I went to was the sort of school the Bladesover system +permitted. The public schools that add comic into existence in the brief +glow of the Renascence had been taken possession of by the ruling class; +the lower classes were not supposed to stand in need of schools, and our +middle stratum got the schools it deserved, private schools, schools any +unqualified pretender was free to establish. Mine was kept by a man who +had had the energy to get himself a College of Preceptors diploma, and +considering how cheap his charges were, I will readily admit the place +might have been worse. The building was a dingy yellow-brick residence +outside the village, with the schoolroom as an outbuilding of lath and +plaster. + +I do not remember that my school-days were unhappy--indeed I recall a +good lot of fine mixed fun in them--but I cannot without grave risk +of misinterpretation declare that we were at all nice and refined. We +fought much, not sound formal fighting, but "scrapping" of a sincere and +murderous kind, into which one might bring one's boots--it made us tough +at any rate--and several of us were the sons of London publicans, who +distinguished "scraps" where one meant to hurt from ordered pugilism, +practising both arts, and having, moreover, precocious linguistic gifts. +Our cricket-field was bald about the wickets, and we played without +style and disputed with the umpire; and the teaching was chiefly in +the hands of a lout of nineteen, who wore ready-made clothes and +taught despicably. The head-master and proprietor taught us arithmetic, +algebra, and Euclid, and to the older boys even trigonometry, himself; +he had a strong mathematical bias, and I think now that by the standard +of a British public school he did rather well by us. + +We had one inestimable privilege at that school, and that was spiritual +neglect. We dealt with one another with the forcible simplicity of +natural boys, we "cheeked," and "punched" and "clouted"; we thought +ourselves Red Indians and cowboys and such-like honourable things, +and not young English gentlemen; we never felt the strain of "Onward +Christian soldiers," nor were swayed by any premature piety in the cold +oak pew of our Sunday devotions. All that was good. We spent our rare +pennies in the uncensored reading matter of the village dame's shop, on +the Boys of England, and honest penny dreadfuls--ripping stuff, stuff +that anticipated Haggard and Stevenson, badly printed and queerly +illustrated, and very very good for us. On our half-holidays we were +allowed the unusual freedom of rambling in twos and threes wide and far +about the land, talking experimentally, dreaming wildly. There was much +in those walks! To this day the landscape of the Kentish world, with its +low broad distances, its hop gardens and golden stretches of wheat, its +oasts and square church towers, its background of downland and hangers, +has for me a faint sense of adventure added to the pleasure of its +beauty. We smoked on occasion, but nobody put us up to the proper +"boyish" things to do; we never "robbed an orchard" for example, though +there were orchards all about us, we thought stealing was sinful, we +stole incidental apples and turnips and strawberries from the fields +indeed, but in a criminal inglorious fashion, and afterwards we were +ashamed. We had our days of adventure, but they were natural accidents, +our own adventures. There was one hot day when several of us, walking +out towards Maidstone, were incited by the devil to despise ginger beer, +and we fuddled ourselves dreadfully with ale; and a time when our young +minds were infected to the pitch of buying pistols, by the legend of +the Wild West. Young Roots from Highbury came back with a revolver and +cartridges, and we went off six strong to live a free wild life one +holiday afternoon. We fired our first shot deep in the old flint mine at +Chiselstead, and nearly burst our ear drums; then we fired in a primrose +studded wood by Pickthorn Green, and I gave a false alarm of "keeper," +and we fled in disorder for a mile. After which Roots suddenly shot at +a pheasant in the high road by Chiselstead, and then young Barker told +lies about the severity of the game laws and made Roots sore afraid, and +we hid the pistol in a dry ditch outside the school field. A day or so +after we got in again, and ignoring a certain fouling and rusting of the +barrel, tried for a rabbit at three hundred yards. Young Roots blew +a molehill at twenty paces into a dust cloud, burnt his fingers, and +scorched his face; and the weapon having once displayed this strange +disposition to flame back upon the shooter, was not subsequently fired. + +One main source of excitement for us was "cheeking" people in vans and +carts upon the Goudhurst road; and getting myself into a monstrous white +mess in the chalk pits beyond the village, and catching yellow jaundice +as a sequel to bathing stark naked with three other Adamites, old Ewart +leading that function, in the rivulet across Hickson's meadows, are +among my memorabilia. Those free imaginative afternoons! how much they +were for us! how much they did for us! All streams came from the then +undiscovered "sources of the Nile" in those days, all thickets were +Indian jungles, and our best game, I say it with pride, I invented. I +got it out of the Bladesover saloon. We found a wood where "Trespassing" +was forbidden, and did the "Retreat of the Ten Thousand" through it from +end to end, cutting our way bravely through a host of nettle beds that +barred our path, and not forgetting to weep and kneel when at last we +emerged within sight of the High Road Sea. So we have burst at times, +weeping and rejoicing, upon startled wayfarers. Usually I took the part +of that distinguished general Xenophen--and please note the quantity of +the o. I have all my classical names like that,--Socrates rhymes with +Bates for me, and except when the bleak eye of some scholar warns me of +his standards of judgment, I use those dear old mispronunciations still. +The little splash into Latin made during my days as a chemist washed off +nothing of the habit. Well,--if I met those great gentlemen of the past +with their accents carelessly adjusted I did at least meet them alive, +as an equal, and in a living tongue. Altogether my school might easily +have been worse for me, and among other good things it gave me a friend +who has lasted my life out. + +This was Ewart, who is now a monumental artist at Woking, after many +vicissitudes. Dear chap, how he did stick out of his clothes to be sure! +He was a longlimbed lout, ridiculously tall beside my more youth full +compactness, and, except that there was no black moustache under his +nose blob, he had the same round knobby face as he has to-day, the same +bright and active hazel brown eyes, the stare, the meditative moment, +the insinuating reply. Surely no boy ever played the fool as Bob Ewart +used to play it, no boy had a readier knack of mantling the world with +wonder. Commonness vanished before Ewart, at his expository touch all +things became memorable and rare. From him I first heard tell of love, +but only after its barbs were already sticking in my heart. He was, I +know now the bastard of that great improvident artist, Rickmann Ewart; +he brought the light of a lax world that at least had not turned its +back upon beauty, into the growing fermentation of my mind. + +I won his heart by a version of Vathek, and after that we were +inseparable yarning friends. We merged our intellectual stock so +completely that I wonder sometimes how much I did not become Ewart, how +much Ewart is not vicariously and derivatively me. + +VII + +And then when I had newly passed my fourteenth birthday, came my tragic +disgrace. + +It was in my midsummer holidays that the thing happened, and it was +through the Honourable Beatrice Normandy. She had "come into my life," +as they say, before I was twelve. + +She descended unexpectedly into a peaceful interlude that followed the +annual going of those Three Great Women. She came into the old nursery +upstairs, and every day she had tea with us in the housekeeper's room. +She was eight, and she came with a nurse called Nannie; and to begin +with, I did not like her at all. + +Nobody liked this irruption into the downstairs rooms; the two "gave +trouble,"--a dire offence; Nannie's sense of duty to her charge led to +requests and demands that took my mother's breath away. Eggs at unusual +times, the reboiling of milk, the rejection of an excellent milk +pudding--not negotiated respectfully but dictated as of right. Nannie +was a dark, longfeatured, taciturn woman in a grey dress; she had a +furtive inflexibility of manner that finally dismayed and crushed and +overcame. She conveyed she was "under orders"--like a Greek tragedy. She +was that strange product of the old time, a devoted, trusted servant; +she had, as it were, banked all her pride and will with the greater, +more powerful people who employed her, in return for a life-long +security of servitude--the bargain was nonetheless binding for being +implicit. Finally they were to pension her, and she would die the hated +treasure of a boarding-house. She had built up in herself an enormous +habit of reference to these upstairs people, she had curbed down all +discordant murmurings of her soul, her very instincts were perverted or +surrendered. She was sexless, her personal pride was all transferred, +she mothered another woman's child with a hard, joyless devotion that +was at least entirely compatible with a stoical separation. She treated +us all as things that counted for nothing save to fetch and carry for +her charge. But the Honourable Beatrice could condescend. + +The queer chances of later years come between me and a distinctly +separated memory of that childish face. When I think of Beatrice, I +think of her as I came to know her at a later time, when at last I came +to know her so well that indeed now I could draw her, and show a hundred +little delicate things you would miss in looking at her. But even then I +remember how I noted the infinite delicacy of her childish skin and the +fine eyebrow, finer than the finest feather that ever one felt on the +breast of a bird. She was one of those elfin, rather precocious little +girls, quick coloured, with dark hair, naturally curling dusky hair +that was sometimes astray over her eyes, and eyes that were sometimes +impishly dark, and sometimes a clear brown yellow. And from the very +outset, after a most cursory attention to Rabbits, she decided that the +only really interesting thing at the tea-table was myself. + +The elders talked in their formal dull way--telling Nannie the trite +old things about the park and the village that they told every one, and +Beatrice watched me across the table with a pitiless little curiosity +that made me uncomfortable. + +"Nannie," she said, pointing, and Nannie left a question of my mother's +disregarded to attend to her; "is he a servant boy?" + +"S-s-sh," said Nannie. "He's Master Ponderevo." + +"Is he a servant boy?" repeated Beatrice. + +"He's a schoolboy," said my mother. + +"Then may I talk to him, Nannie?" + +Nannie surveyed me with brutal inhumanity. "You mustn't talk too much," +she said to her charge, and cut cake into fingers for her. + +"No," she added decisively, as Beatrice made to speak. + +Beatrice became malignant. Her eyes explored me with unjustifiable +hostility. "He's got dirty hands," she said, stabbing at the forbidden +fruit. "And there's a fray to his collar." + +Then she gave herself up to cake with an appearance of entire +forgetfulness of me that filled me with hate and a passionate desire to +compel her to admire me.... And the next day before tea, I did for the +first time in my life, freely, without command or any compulsion, wash +my hands. + +So our acquaintance began, and presently was deepened by a whim of hers. +She had a cold and was kept indoors, and confronted Nannie suddenly with +the alternative of being hopelessly naughty, which in her case involved +a generous amount of screaming unsuitable for the ears of an elderly, +shaky, rich aunt, or having me up to the nursery to play with her all +the afternoon. Nannie came downstairs and borrowed me in a careworn +manner; and I was handed over to the little creature as if I was some +large variety of kitten. I had never had anything to do with a little +girl before, I thought she was more beautiful and wonderful and bright +than anything else could possibly be in life, and she found me the +gentlest of slaves--though at the same time, as I made evident, fairly +strong. And Nannie was amazed to find the afternoon slip cheerfully and +rapidly away. She praised my manners to Lady Drew and to my mother, +who said she was glad to hear well of me, and after that I played with +Beatrice several times. The toys she had remain in my memory still as +great splendid things, gigantic to all my previous experience of toys, +and we even went to the great doll's house on the nursery landing to +play discreetly with that, the great doll's house that the Prince Regent +had given Sir Harry Drew's first-born (who died at five), that was a not +ineffectual model of Bladesover itself, and contained eighty-five dolls +and had cost hundreds of pounds. I played under imperious direction with +that toy of glory. + +I went back to school when that holiday was over, dreaming of beautiful +things, and got Ewart to talk to me of love; and I made a great story +out of the doll's house, a story that, taken over into Ewart's hands, +speedily grew to an island doll's city all our own. + +One of the dolls, I privately decided, was like Beatrice. + +One other holiday there was when I saw something of her--oddly enough my +memory of that second holiday in which she played a part is vague--and +then came a gap of a year, and then my disgrace. + +VIII + +Now I sit down to write my story and tell over again things in their +order, I find for the first time how inconsecutive and irrational a +thing the memory can be. One recalls acts and cannot recall motives; +one recalls quite vividly moments that stand out inexplicably--things +adrift, joining on to nothing, leading nowhere. I think I must have seen +Beatrice and her half-brother quite a number of times in my last holiday +at Bladesover, but I really cannot recall more than a little of the +quality of the circumstances. That great crisis of my boyhood stands out +very vividly as an effect, as a sort of cardinal thing for me, but when +I look for details, particularly details that led up to the crisis--I +cannot find them in any developing order at all. This halfbrother, +Archie Garvell, was a new factor in the affair. I remember him clearly +as a fair-haired, supercilious looking, weedily-lank boy, much taller +than I, but I should imagine very little heavier, and that we hated +each other by a sort of instinct from the beginning; and yet I cannot +remember my first meeting with him at all. + +Looking back into these past things--it is like rummaging in a neglected +attic that has experienced the attentions of some whimsical robber--I +cannot even account for the presence of these children at Bladesover. +They were, I know, among the innumerable cousins of Lady Drew, and +according to the theories of downstairs candidates for the ultimate +possession of Bladesover. If they were, their candidature was +unsuccessful. But that great place, with all its faded splendour, its +fine furniture, its large traditions, was entirely at the old lady's +disposition; and I am inclined to think it is true that she used this +fact to torment and dominate a number of eligible people. Lord Osprey +was among the number of these, and she showed these hospitalities to his +motherless child and step-child, partly, no doubt, because he was poor, +but quite as much, I nowadays imagine, in the dim hope of finding some +affectionate or imaginative outcome of contact with them. Nannie had +dropped out of the world this second time, and Beatrice was in the +charge of an extremely amiable and ineffectual poor army-class young +woman whose name I never knew. They were, I think, two remarkably +illmanaged and enterprising children. I seem to remember too, that it +was understood that I was not a fit companion for them, and that our +meetings had to be as unostentatious as possible. It was Beatrice who +insisted upon our meeting. + +I am certain I knew quite a lot about love at fourteen and that I was +quite as much in love with Beatrice then as any impassioned adult could +be, and that Beatrice was, in her way, in love with me. It is part of +the decent and useful pretences of our world that children of the age at +which we were, think nothing, feel nothing, know nothing of love. It +is wonderful what people the English are for keeping up pretences. But +indeed I cannot avoid telling that Beatrice and I talked of love and +kissed and embraced one another. + +I recall something of one talk under the overhanging bushes of the +shrubbery--I on the park side of the stone wall, and the lady of my +worship a little inelegantly astride thereon. Inelegantly do I say? you +should have seen the sweet imp as I remember her. Just her poise on the +wall comes suddenly clear before me, and behind her the light various +branches of the bushes of the shrubbery that my feet might not profane, +and far away and high behind her, dim and stately, the cornice of the +great facade of Bladesover rose against the dappled sky. Our talk must +have been serious and business-like, for we were discussing my social +position. + +"I don't love Archie," she had said, apropos of nothing; and then in a +whisper, leaning forward with the hair about her face, "I love YOU!" + +But she had been a little pressing to have it clear that I was not and +could not be a servant. + +"You'll never be a servant--ever!" + +I swore that very readily, and it is a vow I have kept by nature. + +"What will you be?" said she. + +I ran my mind hastily over the professions. + +"Will you be a soldier?" she asked. + +"And be bawled at by duffers? No fear!" said I. "Leave that to the +plough-boys." + +"But an officer?" + +"I don't know," I said, evading a shameful difficulty. + +"I'd rather go into the navy." + +"Wouldn't you like to fight?" + +"I'd like to fight," I said. "But a common soldier it's no honour to +have to be told to fight and to be looked down upon while you do it, and +how could I be an officer?" + +"Couldn't you be?" she said, and looked at me doubtfully; and the spaces +of the social system opened between us. + +Then, as became a male of spirit, I took upon myself to brag and lie +my way through this trouble. I said I was a poor man, and poor men went +into the navy; that I "knew" mathematics, which no army officer did; and +I claimed Nelson for an exemplar, and spoke very highly of my outlook +upon blue water. "He loved Lady Hamilton," I said, "although she was a +lady--and I will love you." + +We were somewhere near that when the egregious governess became audible, +calling "Beeee-atrice! Beeee-e-atrice!" + +"Snifty beast!" said my lady, and tried to get on with the conversation; +but that governess made things impossible. + +"Come here!" said my lady suddenly, holding out a grubby hand; and I +went very close to her, and she put her little head down upon the wall +until her black fog of hair tickled my cheek. + +"You are my humble, faithful lover," she demanded in a whisper, her warm +flushed face near touching mine, and her eyes very dark and lustrous. + +"I am your humble, faithful lover," I whispered back. + +And she put her arm about my head and put out her lips and we kissed, +and boy though I was, I was all atremble. So we two kissed for the first +time. + +"Beeee-e-e-a-trice!" fearfully close. + +My lady had vanished, with one wild kick of her black-stocking leg. A +moment after, I heard her sustaining the reproaches of her governess, +and explaining her failure to answer with an admirable lucidity and +disingenuousness. + +I felt it was unnecessary for me to be seen just then, and I vanished +guiltily round the corner into the West Wood, and so to love-dreams +and single-handed play, wandering along one of those meandering bracken +valleys that varied Bladesover park. And that day and for many days that +kiss upon my lips was a seal, and by night the seed of dreams. + +Then I remember an expedition we made--she, I, and her +half-brother--into those West Woods--they two were supposed to be +playing in the shrubbery--and how we were Indians there, and made a +wigwam out of a pile of beech logs, and how we stalked deer, crept near +and watched rabbits feeding in a glade, and almost got a squirrel. It +was play seasoned with plentiful disputing between me and young Garvell, +for each firmly insisted upon the leading roles, and only my wider +reading--I had read ten stories to his one--gave me the ascendency +over him. Also I scored over him by knowing how to find the eagle in a +bracken stem. And somehow--I don't remember what led to it at all--I and +Beatrice, two hot and ruffled creatures, crept in among the tall bracken +and hid from him. The great fronds rose above us, five feet or more, and +as I had learnt how to wriggle through that undergrowth with the minimum +of betrayal by tossing greenery above, I led the way. The ground under +bracken is beautifully clear and faintly scented in warm weather; the +stems come up black and then green; if you crawl flat, it is a tropical +forest in miniature. I led the way and Beatrice crawled behind, and then +as the green of the further glade opened before us, stopped. She crawled +up to me, her hot little face came close to mine; once more she looked +and breathed close to me, and suddenly she flung her arm about my neck +and dragged me to earth beside her, and kissed me and kissed me +again. We kissed, we embraced and kissed again, all without a word; we +desisted, we stared and hesitated--then in a suddenly damped mood and a +little perplexed at ourselves, crawled out, to be presently run down and +caught in the tamest way by Archie. + +That comes back very clearly to me, and other vague memories--I know +old Hall and his gun, out shooting at jackdaws, came into our common +experiences, but I don't remember how; and then at last, abruptly, our +fight in the Warren stands out. The Warren, like most places in England +that have that name, was not particularly a warren, it was a long slope +of thorns and beeches through which a path ran, and made an alternative +route to the downhill carriage road between Bladesover and Ropedean. I +don't know how we three got there, but I have an uncertain fancy it was +connected with a visit paid by the governess to the Ropedean vicarage +people. But suddenly Archie and I, in discussing a game, fell into a +dispute for Beatrice. I had made him the fairest offer: I was to be a +Spanish nobleman, she was to be my wife, and he was to be a tribe of +Indians trying to carry her off. It seems to me a fairly attractive +offer to a boy to be a whole tribe of Indians with a chance of such a +booty. But Archie suddenly took offence. + +"No," he said; "we can't have that!" + +"Can't have what?" + +"You can't be a gentleman, because you aren't. And you can't play +Beatrice is your wife. It's--it's impertinent." + +"But" I said, and looked at her. + +Some earlier grudge in the day's affairs must have been in Archie's +mind. "We let you play with us," said Archie; "but we can't have things +like that." + +"What rot!" said Beatrice. "He can if he likes." + +But he carried his point. I let him carry it, and only began to grow +angry three or four minutes later. Then we were still discussing play +and disputing about another game. Nothing seemed right for all of us. + +"We don't want you to play with us at all," said Archie. + +"Yes, we do," said Beatrice. + +"He drops his aitches like anything." + +"No, 'e doesn't," said I, in the heat of the moment. + +"There you go!" he cried. "E, he says. E! E! E!" + +He pointed a finger at me. He had struck to the heart of my shame. I +made the only possible reply by a rush at him. "Hello!" he cried, at my +blackavised attack. He dropped back into an attitude that had some style +in it, parried my blow, got back at my cheek, and laughed with surprise +and relief at his own success. Whereupon I became a thing of murderous +rage. He could box as well or better than I--he had yet to realise I +knew anything of that at all--but I had fought once or twice to a finish +with bare fists. I was used to inflicting and enduring savage hurting, +and I doubt if he had ever fought. I hadn't fought ten seconds before +I felt this softness in him, realised all that quality of modern +upper-class England that never goes to the quick, that hedges about +rules and those petty points of honour that are the ultimate comminution +of honour, that claims credit for things demonstrably half done. He +seemed to think that first hit of his and one or two others were going +to matter, that I ought to give in when presently my lip bled and +dripped blood upon my clothes. So before we had been at it a minute +he had ceased to be aggressive except in momentary spurts, and I was +knocking him about almost as I wanted to do; and demanding breathlessly +and fiercely, after our school manner, whether he had had enough, not +knowing that by his high code and his soft training it was equally +impossible for him to either buck-up and beat me, or give in. + +I have a very distinct impression of Beatrice dancing about us during +the affair in a state of unladylike appreciation, but I was too +preoccupied to hear much of what she was saying. But she certainly +backed us both, and I am inclined to think now--it may be the +disillusionment of my ripened years--whichever she thought was winning. + +Then young Garvell, giving way before my slogging, stumbled and fell +over a big flint, and I, still following the tradition of my class and +school, promptly flung myself on him to finish him. We were busy +with each other on the ground when we became aware of a dreadful +interruption. + +"Shut up, you FOOL!" said Archie. + +"Oh, Lady Drew!" I heard Beatrice cry. "They're fighting! They're +fighting something awful!" + +I looked over my shoulder. Archie's wish to get up became irresistible, +and my resolve to go on with him vanished altogether. + +I became aware of the two old ladies, presences of black and purple silk +and fur and shining dark things; they had walked up through the Warren, +while the horses took the hill easily, and so had come upon us. Beatrice +had gone to them at once with an air of taking refuge, and stood beside +and a little behind them. We both rose dejectedly. The two old ladies +were evidently quite dreadfully shocked, and peering at us with their +poor old eyes; and never had I seen such a tremblement in Lady Drew's +lorgnettes. + +"You've never been fighting?" said Lady Drew. + +"You have been fighting." + +"It wasn't proper fighting," snapped Archie, with accusing eyes on me. + +"It's Mrs. Ponderevo's George!" said Miss Somerville, so adding a +conviction for ingratitude to my evident sacrilege. + +"How could he DARE?" cried Lady Drew, becoming very awful. + +"He broke the rules" said Archie, sobbing for breath. "I slipped, +and--he hit me while I was down. He knelt on me." + +"How could you DARE?" said Lady Drew. + +I produced an experienced handkerchief rolled up into a tight ball, and +wiped the blood from my chin, but I offered no explanation of my daring. +Among other things that prevented that, I was too short of breath. + +"He didn't fight fair," sobbed Archie. + +Beatrice, from behind the old ladies, regarded me intently and without +hostility. I am inclined to think the modification of my face through +the damage to my lip interested her. It became dimly apparent to my +confused intelligence that I must not say these two had been playing +with me. That would not be after the rules of their game. I resolved +in this difficult situation upon a sulky silence, and to take whatever +consequences might follow. + +IX + +The powers of justice in Bladesover made an extraordinary mess of my +case. + +I have regretfully to admit that the Honourable Beatrice Normandy did, +at the age of ten, betray me, abandon me, and lie most abominably about +me. She was, as a matter of fact, panic-stricken about me, conscience +stricken too; she bolted from the very thought of my being her affianced +lover and so forth, from the faintest memory of kissing; she was +indeed altogether disgraceful and human in her betrayal. She and her +half-brother lied in perfect concord, and I was presented as a wanton +assailant of my social betters. They were waiting about in the Warren, +when I came up and spoke to them, etc. + +On the whole, I now perceive Lady Drew's decisions were, in the light of +the evidence, reasonable and merciful. + +They were conveyed to me by my mother, who was, I really believe, even +more shocked by the grossness of my social insubordination than Lady +Drew. She dilated on her ladyship's kindnesses to me, on the effrontery +and wickedness of my procedure, and so came at last to the terms of my +penance. "You must go up to young Mr. Garvell, and beg his pardon." + +"I won't beg his pardon," I said, speaking for the first time. + +My mother paused, incredulous. + +I folded my arms on her table-cloth, and delivered my wicked little +ultimatum. "I won't beg his pardon nohow," I said. "See?" + +"Then you will have to go off to your uncle Frapp at Chatham." + +"I don't care where I have to go or what I have to do, I won't beg his +pardon," I said. + +And I didn't. + +After that I was one against the world. Perhaps in my mother's heart +there lurked some pity for me, but she did not show it. She took the +side of the young gentleman; she tried hard, she tried very hard, to +make me say I was sorry I had struck him. Sorry! + +I couldn't explain. + +So I went into exile in the dog-cart to Redwood station, with Jukes the +coachman, coldly silent, driving me, and all my personal belongings in a +small American cloth portmanteau behind. + +I felt I had much to embitter me; the game had and the beginnings of +fairness by any standards I knew.... But the thing that embittered me +most was that the Honourable Beatrice Normandy should have repudiated +and fled from me as though I was some sort of leper, and not even have +taken a chance or so, to give me a good-bye. She might have done that +anyhow! Supposing I had told on her! But the son of a servant counts as +a servant. She had forgotten and now remembered. + +I solaced myself with some extraordinary dream of coming back to +Bladesover, stern, powerful, after the fashion of Coriolanus. I do not +recall the details, but I have no doubt I displayed great magnanimity... + +Well, anyhow I never said I was sorry for pounding young Garvell, and I +am not sorry to this day. + + +CHAPTER THE SECOND + +OF MY LAUNCH INTO THE WORLD AND THE LAST I SAW OF BLADESOVER + +I + +When I was thus banished from Bladesover House, as it was then thought +for good and all, I was sent by my mother in a vindictive spirit, +first to her cousin Nicodemus Frapp, and then, as a fully indentured +apprentice, to my uncle Ponderevo. + +I ran away from the care of my cousin Nicodemus back to Bladesover +House. + +My cousin Nicodemus Frapp was a baker in a back street--a slum +rather--just off that miserable narrow mean high road that threads those +exquisite beads, Rochester and Chatham. He was, I must admit, a shock +to me, much dominated by a young, plump, prolific, malingering wife; +a bent, slow-moving, unwilling dark man with flour in his hair and +eyelashes, in the lines of his face and the seams of his coat. I've +never had a chance to correct my early impression of him, and he still +remains an almost dreadful memory, a sort of caricature of incompetent +simplicity. As I remember him, indeed, he presented the servile +tradition perfected. He had no pride in his person; fine clothes and +dressing up wasn't "for the likes of" him, so that he got his wife, who +was no artist at it, to cut his black hair at irregular intervals, and +let his nails become disagreeable to the fastidious eye; he had no pride +in his business nor any initiative; his only virtues were not doing +certain things and hard work. "Your uncle," said my mother--all grown-up +cousins were uncles by courtesy among the Victorian middle-class--"isn't +much to look at or talk to, but he's a Good Hard-Working Man." There +was a sort of base honourableness about toil, however needless, in that +system of inversion. Another point of honour was to rise at or before +dawn, and then laboriously muddle about. + +It was very distinctly impressed on my mind that the Good Hard-Working +Man would have thought it "fal-lallish" to own a pocket handkerchief. +Poor old Frapp--dirty and crushed by, product of, Bladesover's +magnificence! He made no fight against the world at all, he was +floundering in small debts that were not so small but that finally they +overwhelmed him, whenever there was occasion for any exertion his +wife fell back upon pains and her "condition," and God sent them many +children, most of whom died, and so, by their coming and going, gave a +double exercise in the virtues of submission. + +Resignation to God's will was the common device of these people in +the face of every duty and every emergency. There were no books in the +house; I doubt if either of them had retained the capacity for reading +consecutively for more than a minute or so, and it was with amazement +that day after day, over and above stale bread, one beheld food and +again more food amidst the litter that held permanent session on the +living-room table. + +One might have doubted if either of them felt discomfort in this +dusty darkness of existence, if it was not that they did visibly seek +consolation. They sought this and found it of a Sunday, not in strong +drink and raving, but in imaginary draughts of blood. They met with +twenty or thirty other darkened and unclean people, all dressed in dingy +colours that would not show the dirt, in a little brick-built chapel +equipped with a spavined roarer of a harmonium, and there solaced their +minds on the thought that all that was fair and free in life, all that +struggled, all that planned and made, all pride and beauty and honour, +all fine and enjoyable things, were irrevocably damned to everlasting +torments. They were the self-appointed confidants of God's mockery of +his own creation. So at any rate they stick in my mind. Vaguer, and yet +hardly less agreeable than this cosmic jest, this coming "Yah, clever!" +and general serving out and "showing up" of the lucky, the bold, and the +cheerful, was their own predestination to Glory. + + "There is a Fountain, filled with Blood + Drawn from Emmanuel's Veins," + +so they sang. I hear the drone and wheeze of that hymn now. I hated them +with the bitter uncharitable condemnation of boyhood, and a twinge of +that hate comes back to me. As I write the words, the sounds and then +the scene return, these obscure, undignified people, a fat woman with +asthma, an old Welsh milk-seller with a tumour on his bald head, who was +the intellectual leader of the sect, a huge-voiced haberdasher with +a big black beard, a white-faced, extraordinarily pregnant woman, his +wife, a spectacled rate collector with a bent back.... I hear the talk +about souls, the strange battered old phrases that were coined ages ago +in the seaports of the sun-dry Levant, of balm of Gilead and manna in +the desert, of gourds that give shade and water in a thirsty land; I +recall again the way in which at the conclusion of the service the talk +remained pious in form but became medical in substance, and how the +women got together for obstetric whisperings. I, as a boy, did not +matter, and might overhear. + +If Bladesover is my key for the explanation of England, I think my +invincible persuasion that I understand Russia was engendered by the +circle of Uncle Frapp. + +I slept in a dingy sheeted bed with the two elder survivors of Frapp +fecundity, and spent my week days in helping in the laborious disorder +of the shop and bakehouse, in incidental deliveries of bread and so +forth, and in parrying the probings of my uncle into my relations +with the Blood, and his confidential explanations that ten shillings +a week--which was what my mother paid him--was not enough to cover my +accommodation. He was very anxious to keep that, but also he wanted +more. There were neither books nor any seat nor corner in that house +where reading was possible, no newspaper ever brought the clash of +worldly things into its heavenward seclusion; horror of it all grew in +me daily, and whenever I could I escaped into the streets and tramped +about Chatham. The news shops appealed to me particularly. One saw +there smudgy illustrated sheets, the Police News in particular, in +which vilely drawn pictures brought home to the dullest intelligence an +interminable succession of squalid crimes, women murdered and put into +boxes, buried under floors, old men bludgeoned at midnight by robbers, +people thrust suddenly out of trains, happy lovers shot, vitrioled and +so forth by rivals. I got my first glimpse of the life of pleasure in +foully drawn pictures of "police raids" on this and that. Interspersed +with these sheets were others in which Sloper, the urban John Bull, had +his fling with gin bottle and obese umbrella, or the kindly empty faces +of the Royal Family appeared and reappeared, visiting this, opening +that, getting married, getting offspring, lying in state, doing +everything but anything, a wonderful, good-meaning, impenetrable race +apart. + +I have never revisited Chatham; the impression it has left on my mind is +one of squalid compression, unlit by any gleam of a maturer charity. +All its effects arranged themselves as antithetical to the Bladesover +effects. They confirmed and intensified all that Bladesover suggested. +Bladesover declared itself to be the land, to be essentially England; I +have already told how its airy spaciousness, its wide dignity, seemed to +thrust village, church, and vicarage into corners, into a secondary and +conditional significance. Here one gathered the corollary of that. Since +the whole wide country of Kent was made up of contiguous Bladesovers +and for the gentlefolk, the surplus of population, all who were not +good tenants nor good labourers, Church of England, submissive and +respectful, were necessarily thrust together, jostled out of sight, to +fester as they might in this place that had the colours and even the +smells of a well-packed dustbin. They should be grateful even for that; +that, one felt, was the theory of it all. + +And I loafed about this wilderness of crowded dinginess, with young, +receptive, wide-open eyes, and through the blessing (or curse) of some +fairy godmother of mine, asking and asking again: "But after all, WHY--" + +I wandered up through Rochester once, and had a glimpse of the Stour +valley above the town, all horrible with cement works and foully smoking +chimneys and rows of workmen's cottages, minute, ugly, uncomfortable, +and grimy. So I had my first intimation of how industrialism must live +in a landlord's land. I spent some hours, too, in the streets that give +upon the river, drawn by the spell of the sea. But I saw barges and +ships stripped of magic and mostly devoted to cement, ice, timber, and +coal. The sailors looked to me gross and slovenly men, and the shipping +struck me as clumsy, ugly, old, and dirty. I discovered that most sails +don't fit the ships that hoist them, and that there may be as pitiful +and squalid a display of poverty with a vessel as with a man. When I +saw colliers unloading, watched the workers in the hold filling up silly +little sacks and the succession of blackened, half-naked men that ran to +and fro with these along a plank over a thirty-foot drop into filth and +mud, I was first seized with admiration of their courage and toughness +and then, "But after all, WHY--?" and the stupid ugliness of all this +waste of muscle and endurance came home to me. Among other things it +obviously wasted and deteriorated the coal.... And I had imagined great +things of the sea! + +Well, anyhow, for a time that vocation was stilled. + +But such impressions came into my leisure, and of that I had no excess. +Most of my time was spent doing things for Uncle Frapp, and my evenings +and nights perforce in the company of the two eldest of my cousins. +He was errand boy at an oil shop and fervently pious, and of him I saw +nothing until the evening except at meals; the other was enjoying the +midsummer holidays without any great elation; a singularly thin and +abject, stunted creature he was, whose chief liveliness was to pretend +to be a monkey, and who I am now convinced had some secret disease that +drained his vitality away. If I met him now I should think him a pitiful +little creature and be extremely sorry for him. Then I felt only a +wondering aversion. He sniffed horribly, he was tired out by a couple +of miles of loafing, he never started any conversation, and he seemed to +prefer his own company to mine. His mother, poor woman, said he was the +"thoughtful one." + +Serious trouble came suddenly out of a conversation we held in bed one +night. Some particularly pious phrase of my elder cousin's irritated me +extremely, and I avowed outright my entire disbelief in the whole scheme +of revealed religion. I had never said a word about my doubts to any one +before, except to Ewart who had first evolved them. I had never settled +my doubts until at this moment when I spoke. But it came to me then that +the whole scheme of salvation of the Frappes was not simply doubtful, +but impossible. I fired this discovery out into the darkness with the +greatest promptitude. + +My abrupt denials certainly scared my cousin amazingly. + +At first they could not understand what I was saying, and when they +did I fully believe they expected an instant answer in thunderbolts and +flames. They gave me more room in the bed forthwith, and then the elder +sat up and expressed his sense of my awfulness. I was already a little +frightened at my temerity, but when he asked me categorically to unsay +what I had said, what could I do but confirm my repudiation? + +"There's no hell," I said, "and no eternal punishment. No God would be +such a fool as that." + +My elder cousin cried aloud in horror, and the younger lay scared, but +listening. "Then you mean," said my elder cousin, when at last he could +bring himself to argue, "you might do just as you liked?" + +"If you were cad enough," said I. + +Our little voices went on interminably, and at one stage my cousin got +out of bed and made his brother do likewise, and knelt in the night +dimness and prayed at me. That I found trying, but I held out valiantly. +"Forgive him," said my cousin, "he knows not what he sayeth." + +"You can pray if you like," I said, "but if you're going to cheek me in +your prayers I draw the line." + +The last I remember of that great discussion was my cousin deploring the +fact that he "should ever sleep in the same bed with an Infidel!" + +The next day he astonished me by telling the whole business to his +father. This was quite outside all my codes. Uncle Nicodemus sprang it +upon me at the midday meal. + +"You been sayin' queer things, George," he said abruptly. "You better +mind what you're saying." + +"What did he say, father?" said Mrs. Frapp. + +"Things I couldn't' repeat," said he. + +"What things?" I asked hotly. + +"Ask 'IM," said my uncle, pointing with his knife to his informant, +and making me realise the nature of my offence. My aunt looked at the +witness. "Not--?" she framed a question. + +"Wuss," said my uncle. "Blarsphemy." + +My aunt couldn't touch another mouthful. I was already a little troubled +in my conscience by my daring, and now I began to feel the black +enormity of the course upon which I had embarked. + +"I was only talking sense," I said. + +I had a still more dreadful moment when presently I met my cousin in the +brick alley behind the yard, that led back to his grocer's shop. + +"You sneak!" I said, and smacked his face hard forthwith. "Now then," +said I. + +He started back, astonished and alarmed. His eyes met mine, and I saw a +sudden gleam of resolution. He turned his other cheek to me. + +"'It 'it," he said."'It 'it. I'LL forgive you." + +I felt I had never encountered a more detestable way of evading a +licking. I shoved him against the wall and left him there, forgiving me, +and went back into the house. + +"You better not speak to your cousins, George," said my aunt, "till +you're in a better state of mind." + +I became an outcast forthwith. At supper that night a gloomy silence was +broken by my cousin saying, + +"'E 'it me for telling you, and I turned the other cheek, muvver." + +"'E's got the evil one be'ind 'im now, a ridin' on 'is back," said my +aunt, to the grave discomfort of the eldest girl, who sat beside me. + +After supper my uncle, in a few ill-chosen words, prayed me to repent +before I slept. + +"Suppose you was took in your sleep, George," he said; "where'd you +be then? You jest think of that me boy." By this time I was thoroughly +miserable and frightened, and this suggestion unnerved me dreadfully but +I kept up an impenitent front. "To wake in 'ell," said Uncle Nicodemus, +in gentle tones. "You don't want to wake in 'ell, George, burnin' and +screamin' for ever, do you? You wouldn't like that?" + +He tried very hard to get me to "jest 'ave a look at the bake'ouse fire" +before I retired. "It might move you," he said. + +I was awake longest that night. My cousins slept, the sleep of faith +on either side of me. I decided I would whisper my prayers, and stopped +midway because I was ashamed, and perhaps also because I had an idea one +didn't square God like that. + +"No," I said, with a sudden confidence, "damn me if you're coward +enough.... But you're not. No! You couldn't be!" + +I woke my cousins up with emphatic digs, and told them as much, +triumphantly, and went very peacefully to sleep with my act of faith +accomplished. + +I slept not only through that night, but for all my nights since then. +So far as any fear of Divine injustice goes, I sleep soundly, and +shall, I know, to the end of things. That declaration was an epoch in my +spiritual life. + +II + +But I didn't expect to have the whole meeting on Sunday turned on to me. + +It was. It all comes back to me, that convergence of attention, even the +faint leathery smell of its atmosphere returns, and the coarse feel of +my aunt's black dress beside me in contact with my hand. I see again +the old Welsh milkman "wrestling" with me, they all wrestled with me, by +prayer or exhortation. And I was holding out stoutly, though convinced +now by the contagion of their universal conviction that by doing so I +was certainly and hopelessly damned. I felt that they were right, that +God was probably like them, and that on the whole it didn't matter. +And to simplify the business thoroughly I had declared I didn't believe +anything at all. They confuted me by texts from Scripture which I now +perceive was an illegitimate method of reply. When I got home, still +impenitent and eternally lost and secretly very lonely and miserable and +alarmed, Uncle Nicodemus docked my Sunday pudding. + +One person only spoke to me like a human being on that day of wrath, and +that was the younger Frapp. He came up to me in the afternoon while I +was confined upstairs with a Bible and my own thoughts. + +"'Ello," he said, and fretted about. + +"D'you mean to say there isn't--no one," he said, funking the word. + +"No one?" + +"No one watching yer--always." + +"Why should there be?" I asked. + +"You can't 'elp thoughts," said my cousin, "anyhow. You mean--" He +stopped hovering. "I s'pose I oughtn't to be talking to you." + +He hesitated and flitted away with a guilty back glance over his +shoulder.... + +The following week made life quite intolerable for me; these people +forced me at last into an Atheism that terrified me. When I learnt +that next Sunday the wrestling was to be resumed, my courage failed me +altogether. + +I happened upon a map of Kent in a stationer's window on Saturday, and +that set me thinking of one form of release. I studied it intently for +half an hour perhaps, on Saturday night, got a route list of villages +well fixed in my memory, and got up and started for Bladesover about +five on Sunday morning while my two bed mates were still fast asleep. + +III + +I remember something, but not so much of it as I should like to recall, +of my long tramp to Bladesover House. The distance from Chatham is +almost exactly seventeen miles, and it took me until nearly one. It was +very interesting and I do not think I was very fatigued, though I got +rather pinched by one boot. + +The morning must have been very clear, because I remember that near +Itchinstow Hall I looked back and saw the estuary of the Thames, that +river that has since played so large a part in my life. But at the time +I did not know it was the Thames, I thought this great expanse of mud +flats and water was the sea, which I had never yet seen nearly. And +out upon it stood ships, sailing ships and a steamer or so, going up to +London or down out into the great seas of the world. I stood for a long +time watching these and thinking whether after all I should not have +done better to have run away to sea. + +The nearer I drew to Bladesover, the more doubtful I grew of the duality +of my reception, and the more I regretted that alternative. I suppose it +was the dirty clumsiness of the shipping I had seen nearly, that put me +out of mind of that. I took a short cut through the Warren across the +corner of the main park to intercept the people from the church. I +wanted to avoid meeting any one before I met my mother, and so I went to +a place where the path passed between banks, and without exactly hiding, +stood up among the bushes. This place among other advantages eliminated +any chance of seeing Lady Drew, who would drive round by the carriage +road. + +Standing up to waylay in this fashion I had a queer feeling of +brigandage, as though I was some intrusive sort of bandit among these +orderly things. It is the first time I remember having that outlaw +feeling distinctly, a feeling that has played a large part in my +subsequent life. I felt there existed no place for me that I had to +drive myself in. + +Presently, down the hill, the servants appeared, straggling by twos and +threes, first some of the garden people and the butler's wife with them, +then the two laundry maids, odd inseparable old creatures, then the +first footman talking to the butler's little girl, and at last, walking +grave and breathless beside old Ann and Miss Fison, the black figure of +my mother. + +My boyish mind suggested the adoption of a playful form of appearance. +"Coo-ee, mother" said I, coming out against the sky, "Coo-ee!" + +My mother looked up, went very white, and put her hand to her bosom. + +I suppose there was a fearful fuss about me. And of course I was quite +unable to explain my reappearance. But I held out stoutly, "I won't +go back to Chatham; I'll drown myself first." The next day my mother +carried me off to Wimblehurst, took me fiercely and aggressively to an +uncle I had never heard of before, near though the place was to us. She +gave me no word as to what was to happen, and I was too subdued by +her manifest wrath and humiliation at my last misdemeanour to demand +information. I don't for one moment think Lady Drew was "nice" about me. +The finality of my banishment was endorsed and underlined and stamped +home. I wished very much now that I had run away to sea, in spite of the +coal dust and squalour Rochester had revealed to me. Perhaps over seas +one came to different lands. + + +IV + +I do not remember much of my journey to Wimblehurst with my mother +except the image of her as sitting bolt upright, as rather disdaining +the third-class carriage in which we traveled, and how she looked away +from me out of the window when she spoke of my uncle. "I have not seen +your uncle," she said, "since he was a boy...." She added grudgingly, +"Then he was supposed to be clever." + +She took little interest in such qualities as cleverness. + +"He married about three years ago, and set up for himself in +Wimblehurst.... So I suppose she had some money." + +She mused on scenes she had long dismissed from her mind. "Teddy," she +said at last in the tone of one who has been feeling in the dark +and finds. "He was called Teddy... about your age.... Now he must be +twenty-six or seven." + +I thought of my uncle as Teddy directly I saw him; there was something +in his personal appearance that in the light of that memory phrased +itself at once as Teddiness--a certain Teddidity. To describe it in +and other terms is more difficult. It is nimbleness without grace, and +alertness without intelligence. He whisked out of his shop upon the +pavement, a short figure in grey and wearing grey carpet slippers; one +had a sense of a young fattish face behind gilt glasses, wiry hair that +stuck up and forward over the forehead, an irregular nose that had its +aquiline moments, and that the body betrayed an equatorial laxity, an +incipient "bow window" as the image goes. He jerked out of the shop, +came to a stand on the pavement outside, regarded something in the +window with infinite appreciation, stroked his chin, and, as abruptly, +shot sideways into the door again, charging through it as it were behind +an extended hand. + +"That must be him," said my mother, catching at her breath. + +We came past the window whose contents I was presently to know by heart, +a very ordinary chemist's window except that there was a frictional +electrical machine, an air pump and two or three tripods and retorts +replacing the customary blue, yellow, and red bottles above. There was +a plaster of Paris horse to indicate veterinary medicines among these +breakables, and below were scent packets and diffusers and sponges and +soda-water syphons and such-like things. Only in the middle there was a +rubricated card, very neatly painted by hand, with these words-- + + + Buy Ponderevo's Cough Linctus NOW. + NOW! + WHY? + Twopence Cheaper than in Winter. + You Store apples! why not the Medicine + You are Bound to Need? + +in which appeal I was to recognise presently my uncle's distinctive +note. + +My uncle's face appeared above a card of infant's comforters in the +glass pane of the door. I perceived his eyes were brown, and that his +glasses creased his nose. It was manifest he did not know us from Adam. +A stare of scrutiny allowed an expression of commercial deference to +appear in front of it, and my uncle flung open the door. + +"You don't know me?" panted my mother. + +My uncle would not own he did not, but his curiosity was manifest. My +mother sat down on one of the little chairs before the soap and patent +medicine-piled counter, and her lips opened and closed. + +"A glass of water, madam," said my uncle, waved his hand in a sort of +curve and shot away. + +My mother drank the water and spoke. "That boy," she said, "takes after +his father. He grows more like him every day.... And so I have brought +him to you." + +"His father, madam?" + +"George." + +For a moment the chemist was still at a loss. He stood behind the +counter with the glass my mother had returned to him in his hand. Then +comprehension grew. + +"By Gosh!" he said. "Lord!" he cried. His glasses fell off. He +disappeared replacing them, behind a pile of boxed-up bottles of blood +mixture. "Eleven thousand virgins!" I heard him cry. The glass was +banged down. "O-ri-ental Gums!" + +He shot away out of the shop through some masked door. One heard his +voice. "Susan! Susan!" + +Then he reappeared with an extended hand. "Well, how are you?" he said. +"I was never so surprised in my life. Fancy!... You!" + +He shook my mother's impassive hand and then mine very warmly holding +his glasses on with his left forefinger. + +"Come right in!" he cried--"come right in! Better late than never!" and +led the way into the parlour behind the shop. + +After Bladesover that apartment struck me as stuffy and petty, but it +was very comfortable in comparison with the Frapp living-room. It had +a faint, disintegrating smell of meals about it, and my most immediate +impression was of the remarkable fact that something was hung about +or wrapped round or draped over everything. There was bright-patterned +muslin round the gas-bracket in the middle of the room, round the mirror +over the mantel, stuff with ball-fringe along the mantel and casing in +the fireplace,--I first saw ball-fringe here--and even the lamp on the +little bureau wore a shade like a large muslin hat. The table-cloth had +ball-fringe and so had the window curtains, and the carpet was a bed of +roses. There were little cupboards on either side of the fireplace, and +in the recesses, ill-made shelves packed with books, and enriched with +pinked American cloth. There was a dictionary lying face downward on +the table, and the open bureau was littered with foolscap paper and +the evidences of recently abandoned toil. My eye caught "The Ponderevo +Patent Flat, a Machine you can Live in," written in large firm letters. +My uncle opened a little door like a cupboard door in the corner of this +room, and revealed the narrowest twist of staircase I had ever set +eyes upon. "Susan!" he bawled again. "Wantje. Some one to see you. +Surprisin'." + +There came an inaudible reply, and a sudden loud bump over our heads +as of some article of domestic utility pettishly flung aside, then +the cautious steps of someone descending the twist, and then my aunt +appeared in the doorway with her hand upon the jamb. + +"It's Aunt Ponderevo," cried my uncle. "George's wife--and she's brought +over her son!" His eye roamed about the room. He darted to the bureau +with a sudden impulse, and turned the sheet about the patent flat +face down. Then he waved his glasses at us, "You know, Susan, my elder +brother George. I told you about 'im lots of times." + +He fretted across to the hearthrug and took up a position there, +replaced his glasses and coughed. + +My aunt Susan seemed to be taking it in. She was then rather a pretty +slender woman of twenty-three or four, I suppose, and I remember being +struck by the blueness of her eyes and the clear freshness of her +complexion. She had little features, a button nose, a pretty chin and a +long graceful neck that stuck out of her pale blue cotton morning +dress. There was a look of half-assumed perplexity on her face, a little +quizzical wrinkle of the brow that suggested a faintly amused attempt +to follow my uncle's mental operations, a vain attempt and a certain +hopelessness that had in succession become habitual. She seemed to be +saying, "Oh Lord! What's he giving me THIS time?" And as came to know +her better I detected, as a complication of her effort of apprehension, +a subsidiary riddle to "What's he giving me?" and that was--to borrow a +phrase from my schoolboy language "Is it keeps?" She looked at my mother +and me, and back to her husband again. + +"You know," he said. "George." + +"Well," she said to my mother, descending the last three steps of the +staircase and holding out her hand! "you're welcome. Though it's a +surprise.... I can't ask you to HAVE anything, I'm afraid, for there +isn't anything in the house." She smiled, and looked at her husband +banteringly. "Unless he makes up something with his old chemicals, which +he's quite equal to doing." + +My mother shook hands stiffly, and told me to kiss my aunt.... + +"Well, let's all sit down," said my uncle, suddenly whistling through +his clenched teeth, and briskly rubbing his hands together. He put up a +chair for my mother, raised the blind of the little window, lowered it +again, and returned to his hearthrug. "I'm sure," he said, as one who +decides, "I'm very glad to see you." + +V + +As they talked I gave my attention pretty exclusively to my uncle. + +I noted him in great detail. I remember now his partially unbuttoned +waistcoat, as though something had occurred to distract him as he did +it up, and a little cut upon his chin. I liked a certain humour in +his eyes. I watched, too, with the fascination that things have for an +observant boy, the play of his lips--they were a little oblique, and +there was something "slipshod," if one may strain a word so far, about +his mouth, so that he lisped and sibilated ever and again and the coming +and going of a curious expression, triumphant in quality it was, upon +his face as he talked. He fingered his glasses, which did not seem to +fit his nose, fretted with things in his waistcoat pockets or put his +hands behind him, looked over our heads, and ever and again rose to his +toes and dropped back on his heels. He had a way of drawing air in at +times through his teeth that gave a whispering zest to his speech It's a +sound I can only represent as a soft Zzzz. + +He did most of the talking. My mother repeated what she had already said +in the shop, "I have brought George over to you," and then desisted +for a time from the real business in hand. "You find this a +comfortable house?" she asked; and this being affirmed: "It looks--very +convenient.... Not too big to be a trouble--no. You like Wimblehurst, I +suppose?" + +My uncle retorted with some inquiries about the great people of +Bladesover, and my mother answered in the character of a personal friend +of Lady Drew's. The talk hung for a time, and then my uncle embarked +upon a dissertation upon Wimblehurst. + +"This place," he began, "isn't of course quite the place I ought to be +in." + +My mother nodded as though she had expected that. + +"It gives me no Scope," he went on. "It's dead-and-alive. Nothing +happens." + +"He's always wanting something to happen," said my aunt Susan. "Some day +he'll get a shower of things and they'll be too much for him." + +"Not they," said my uncle, buoyantly. + +"Do you find business--slack?" asked my mother. + +"Oh! one rubs along. But there's no Development--no growth. They just +come along here and buy pills when they want 'em--and a horseball or +such. They've got to be ill before there's a prescription. That sort +they are. You can't get 'em to launch out, you can't get 'em to take up +anything new. For instance, I've been trying lately--induce them to buy +their medicines in advance, and in larger quantities. But they won't +look for it! Then I tried to float a little notion of mine, sort of an +insurance scheme for colds; you pay so much a week, and when you've got +a cold you get a bottle of Cough Linctus so long as you can produce a +substantial sniff. See? But Lord! they've no capacity for ideas, they +don't catch on; no Jump about the place, no Life. Live!--they trickle, +and what one has to do here is to trickle too--Zzzz." + +"Ah!" said my mother. + +"It doesn't suit me," said my uncle. "I'm the cascading sort." + +"George was that," said my mother after a pondering moment. + +My aunt Susan took up the parable with an affectionate glance at her +husband. + +"He's always trying to make his old business jump," she said. "Always +putting fresh cards in the window, or getting up to something. You'd +hardly believe. It makes ME jump sometimes." + +"But it does no good," said my uncle. + +"It does no good," said his wife. "It's not his miloo..." + +Presently they came upon a wide pause. + +From the beginning of their conversation there had been the promise of +this pause, and I pricked my ears. I knew perfectly what was bound +to come; they were going to talk of my father. I was enormously +strengthened in my persuasion when I found my mother's eyes resting +thoughtfully upon me in the silence, and than my uncle looked at me and +then my aunt. I struggled unavailingly to produce an expression of meek +stupidity. + +"I think," said my uncle, "that George will find it more amusing to have +a turn in the market-place than to sit here talking with us. There's a +pair of stocks there, George--very interesting. Old-fashioned stocks." + +"I don't mind sitting here," I said. + +My uncle rose and in the most friendly way led me through the shop. He +stood on his doorstep and jerked amiable directions to me. + +"Ain't it sleepy, George, eh? There's the butcher's dog over there, +asleep in the road-half an hour from midday! If the last Trump sounded +I don't believe it would wake. Nobody would wake! The chaps up there in +the churchyard--they'd just turn over and say: 'Naar--you don't catch +us, you don't! See?'.... Well, you'll find the stocks just round that +corner." + +He watched me out of sight. + +So I never heard what they said about my father after all. + +VI + +When I returned, my uncle had in some remarkable way become larger and +central. "Tha'chu, George?" he cried, when the shop-door bell sounded. +"Come right through"; and I found him, as it were, in the chairman's +place before the draped grate. + +The three of them regarded me. + +"We have been talking of making you a chemist, George," said my uncle. + +My mother looked at me. "I had hoped," she said, "that Lady Drew would +have done something for him--" She stopped. + +"In what way?" said my uncle. + +"She might have spoken to some one, got him into something perhaps...." +She had the servant's invincible persuasion that all good things are +done by patronage. + +"He is not the sort of boy for whom things are done," she added, +dismissing these dreams. "He doesn't accommodate himself. When he thinks +Lady Drew wishes a thing, he seems not to wish it. Towards Mr. Redgrave, +too, he has been--disrespectful--he is like his father." + +"Who's Mr. Redgrave?" + +"The Vicar." + +"A bit independent?" said my uncle, briskly. + +"Disobedient," said my mother. "He has no idea of his place. He seems to +think he can get on by slighting people and flouting them. He'll learn +perhaps before it is too late." + +My uncle stroked his cut chin and me. "Have you learnt any Latin?" he +asked abruptly. + +I said I had not. + +"He'll have to learn a little Latin," he explained to my mother, +"to qualify. H'm. He could go down to the chap at the grammar school +here--it's just been routed into existence again by the Charity +Commissioners and have lessons." + +"What, me learn Latin!" I cried, with emotion. + +"A little," he said. + +"I've always wanted" I said and; "LATIN!" + +I had long been obsessed by the idea that having no Latin was a +disadvantage in the world, and Archie Garvell had driven the point of +this pretty earnestly home. The literature I had read at Bladesover had +all tended that way. Latin had had a quality of emancipation for me that +I find it difficult to convey. And suddenly, when I had supposed all +learning was at an end for me, I heard this! + +"It's no good to you, of course," said my uncle, "except to pass exams +with, but there you are!" + +"You'll have to learn Latin because you have to learn Latin," said my +mother, "not because you want to. And afterwards you will have to learn +all sorts of other things...." + +The idea that I was to go on learning, that to read and master the +contents of books was still to be justifiable as a duty, overwhelmed all +other facts. I had had it rather clear in my mind for some weeks that +all that kind of opportunity might close to me for ever. I began to take +a lively interest in this new project. + +"Then shall I live here?" I asked, "with you, and study... as well as +work in the shop?" + +"That's the way of it," said my uncle. + +I parted from my mother that day in a dream, so sudden and important +was this new aspect of things to me. I was to learn Latin! Now that the +humiliation of my failure at Bladesover was past for her, now that she +had a little got over her first intense repugnance at this resort to my +uncle and contrived something that seemed like a possible provision for +my future, the tenderness natural to a parting far more significant than +any of our previous partings crept into her manner. + +She sat in the train to return, I remember, and I stood at the open door +of her compartment, and neither of us knew how soon we should cease for +ever to be a trouble to one another. + +"You must be a good boy, George," she said. "You must learn.... And you +mustn't set yourself up against those who are above you and better than +you.... Or envy them." + +"No, mother," I said. + +I promised carelessly. Her eyes were fixed upon me. I was wondering +whether I could by any means begin Latin that night. + +Something touched her heart then, some thought, some memory; perhaps +some premonition.... The solitary porter began slamming carriage doors. + +"George" she said hastily, almost shamefully, "kiss me!" + +I stepped up into her compartment as she bent downward. + +She caught me in her arms quite eagerly, she pressed me to her--a +strange thing for her to do. I perceived her eyes were extraordinarily +bright, and then this brightness burst along the lower lids and rolled +down her cheeks. + +For the first and last time in my life I saw my mother's tears. Then she +had gone, leaving me discomforted and perplexed, forgetting for a time +even that I was to learn Latin, thinking of my mother as of something +new and strange. + +The thing recurred though I sought to dismiss it, it stuck itself +into my memory against the day of fuller understanding. Poor, proud, +habitual, sternly narrow soul! poor difficult and misunderstanding son! +it was the first time that ever it dawned upon me that my mother also +might perhaps feel. + +VII + +My mother died suddenly and, it was thought by Lady Drew, +inconsiderately, the following spring. Her ladyship instantly fled to +Folkestone with Miss Somerville and Fison, until the funeral should be +over and my mother's successor installed. + +My uncle took me over to the funeral. I remember there was a sort of +prolonged crisis in the days preceding this because, directly he heard +of my loss, he had sent a pair of check trousers to the Judkins people +in London to be dyed black, and they did not come back in time. He +became very excited on the third day, and sent a number of increasingly +fiery telegrams without any result whatever, and succumbed next morning +with a very ill grace to my aunt Susan's insistence upon the resources +of his dress-suit. In my memory those black legs of his, in a +particularly thin and shiny black cloth--for evidently his dress-suit +dated from adolescent and slenderer days--straddle like the Colossus +of Rhodes over my approach to my mother's funeral. Moreover, I was +inconvenienced and distracted by a silk hat he had bought me, my first +silk hat, much ennobled, as his was also, by a deep mourning band. + +I remember, but rather indistinctly, my mother's white paneled +housekeeper's room and the touch of oddness about it that she was not +there, and the various familiar faces made strange by black, and I seem +to recall the exaggerated self-consciousness that arose out of their +focussed attention. No doubt the sense of the new silk hat came and went +and came again in my emotional chaos. Then something comes out clear and +sorrowful, rises out clear and sheer from among all these rather base +and inconsequent things, and once again I walk before all the other +mourners close behind her coffin as it is carried along the churchyard +path to her grave, with the old vicar's slow voice saying regretfully +and unconvincingly above me, triumphant solemn things. + +"I am the resurrection and the life, saith the Lord; he that believeth +in me, though he were dead, yet shall he live: and whosoever liveth and +believeth in me shall never die." + +Never die! The day was a high and glorious morning in spring, and all +the trees were budding and bursting into green. Everywhere there were +blossoms and flowers; the pear trees and cherry trees in the sexton's +garden were sunlit snow, there were nodding daffodils and early tulips +in the graveyard beds, great multitudes of daisies, and everywhere +the birds seemed singing. And in the middle was the brown coffin end, +tilting on men's shoulders and half occluded by the vicar's Oxford hood. + +And so we came to my mother's waiting grave. + +For a time I was very observant, watching the coffin lowered, hearing +the words of the ritual. It seemed a very curious business altogether. + +Suddenly as the service drew to its end, I felt something had still +to be said which had not been said, realised that she had withdrawn +in silence, neither forgiving me nor hearing from me--those now lost +assurances. Suddenly I knew I had not understood. Suddenly I saw her +tenderly; remembered not so much tender or kindly things of her as her +crossed wishes and the ways in which I had thwarted her. Surprisingly +I realised that behind all her hardness and severity she had loved me, +that I was the only thing she had ever loved and that until this moment +I had never loved her. And now she was there and deaf and blind to me, +pitifully defeated in her designs for me, covered from me so that she +could not know.... + +I dug my nails into the palms of my hands, I set my teeth, but tears +blinded me, sobs would have choked me had speech been required of me. +The old vicar read on, there came a mumbled response--and so on to the +end. I wept as it were internally, and only when we had come out of the +churchyard could I think and speak calmly again. + +Stamped across this memory are the little black figures of my uncle and +Rabbits, telling Avebury, the sexton and undertaker, that "it had all +passed off very well--very well indeed." + +VIII + +That is the last I shall tell of Bladesover. The dropscene falls on +that, and it comes no more as an actual presence into this novel. I +did indeed go back there once again, but under circumstances quite +immaterial to my story. But in a sense Bladesover has never left me; +it is, as I said at the outset, one of those dominant explanatory +impressions that make the framework of my mind. Bladesover illuminates +England; it has become all that is spacious, dignified pretentious, and +truly conservative in English life. It is my social datum. That is why I +have drawn it here on so large a scale. + +When I came back at last to the real Bladesover on an inconsequent +visit, everything was far smaller than I could have supposed possible. +It was as though everything had shivered and shrivelled a little at the +Lichtenstein touch. The harp was still in the saloon, but there was a +different grand piano with a painted lid and a metrostyle pianola, and +an extraordinary quantity of artistic litter and bric-a-brac scattered +about. There was the trail of the Bond Street showroom over it all. The +furniture was still under chintz, but it wasn't the same sort of chintz +although it pretended to be, and the lustre-dangling chandeliers had +passed away. Lady Lichtenstein's books replaced the brown volumes I +had browsed among--they were mostly presentation copies of contemporary +novels and the National Review and the Empire Review, and the Nineteenth +Century and after jostled current books on the tables--English new books +in gaudy catchpenny "artistic" covers, French and Italian novels in +yellow, German art handbooks of almost incredible ugliness. There +were abundant evidences that her ladyship was playing with the +Keltic renascence, and a great number of ugly cats made of china--she +"collected" china and stoneware cats--stood about everywhere--in all +colours, in all kinds of deliberately comic, highly glazed distortion. + +It is nonsense to pretend that finance makes any better aristocrats than +rent. Nothing can make an aristocrat but pride, knowledge, training, and +the sword. These people were no improvement on the Drews, none whatever. +There was no effect of a beneficial replacement of passive unintelligent +people by active intelligent ones. One felt that a smaller but more +enterprising and intensely undignified variety of stupidity had replaced +the large dullness of the old gentry, and that was all. Bladesover, I +thought, had undergone just the same change between the seventies and +the new century that had overtaken the dear old Times, and heaven knows +how much more of the decorous British fabric. These Lichtensteins and +their like seem to have no promise in them at all of any fresh vitality +for the kingdom. I do not believe in their intelligence or their +power--they have nothing new about them at all, nothing creative nor +rejuvenescent, no more than a disorderly instinct of acquisition; and +the prevalence of them and their kind is but a phase in the broad slow +decay of the great social organism of England. They could not have made +Bladesover they cannot replace it; they just happen to break out over +it--saprophytically. + +Well--that was my last impression of Bladesover. + + +CHAPTER THE THIRD + +THE WIMBLEHURST APPRENTICESHIP + +I + +So far as I can remember now, except for that one emotional phase by the +graveside, I passed through all these experiences rather callously. I +had already, with the facility of youth, changed my world, ceased to +think at all of the old school routine and put Bladesover aside for +digestion at a latter stage. I took up my new world in Wimblehurst with +the chemist's shop as its hub, set to work at Latin and materia medica, +and concentrated upon the present with all my heart. Wimblehurst is an +exceptionally quiet and grey Sussex town rare among south of England +towns in being largely built of stone. I found something very agreeable +and picturesque in its clean cobbled streets, its odd turnings and +abrupt corners; and in the pleasant park that crowds up one side of the +town. The whole place is under the Eastry dominion and it was the +Eastry influence and dignity that kept its railway station a mile and +three-quarters away. Eastry House is so close that it dominates the +whole; one goes across the marketplace (with its old lock-up and +stocks), past the great pre-reformation church, a fine grey shell, like +some empty skull from which the life has fled, and there at once are the +huge wrought-iron gates, and one peeps through them to see the facade of +this place, very white and large and fine, down a long avenue of yews. +Eastry was far greater than Bladesover and an altogether completer +example of the eighteenth century system. It ruled not two villages, but +a borough, that had sent its sons and cousins to parliament almost as a +matter of right so long as its franchise endured. Every one was in the +system, every one--except my uncle. He stood out and complained. + +My uncle was the first real breach I found in the great front of +Bladesover the world had presented me, for Chatham was not so much a +breach as a confirmation. But my uncle had no respect for Bladesover and +Eastry--none whatever. He did not believe in them. He was blind even to +what they were. He propounded strange phrases about them, he exfoliated +and wagged about novel and incredible ideas. + +"This place," said my uncle, surveying it from his open doorway in the +dignified stillness of a summer afternoon, "wants Waking Up!" + +I was sorting up patent medicines in the corner. + +"I'd like to let a dozen young Americans loose into it," said my uncle. +"Then we'd see." + +I made a tick against Mother Shipton's Sleeping Syrup. We had cleared +our forward stock. + +"Things must be happening SOMEWHERE, George," he broke out in a +querulously rising note as he came back into the little shop. He fiddled +with the piled dummy boxes of fancy soap and scent and so forth that +adorned the end of the counter, then turned about petulantly, stuck his +hands deeply into his pockets and withdrew one to scratch his head. "I +must do SOMETHING," he said. "I can't stand it. + +"I must invent something. And shove it.... I could. + +"Or a play. There's a deal of money in a play, George. What would you +think of me writing a play eh?... There's all sorts of things to be +done. + +"Or the stog-igschange." + +He fell into that meditative whistling of his. + +"Sac-ramental wine!" he swore, "this isn't the world--it's Cold Mutton +Fat! That's what Wimblehurst is! Cold Mutton Fat!--dead and stiff! And +I'm buried in it up to the arm pits. Nothing ever happens, nobody +wants things to happen 'scept me! Up in London, George, things happen. +America! I wish to Heaven, George, I'd been born American--where things +hum. + +"What can one do here? How can one grow? While we're sleepin' here with +our Capital oozing away into Lord Eastry's pockets for rent-men are +up there...." He indicated London as remotely over the top of the +dispensing counter, and then as a scene of great activity by a whirl of +the hand and a wink and a meaning smile at me. + +"What sort of things do they do?" I asked. + +"Rush about," he said. "Do things! Somethin' glorious. There's cover +gambling. Ever heard of that, George?" He drew the air in through his +teeth. "You put down a hundred say, and buy ten thousand pounds worth. +See? That's a cover of one per cent. Things go up one, you sell, realise +cent per cent; down, whiff, it's gone! Try again! Cent per cent, George, +every day. Men are made or done for in an hour. And the shoutin'! +Zzzz.... Well, that's one way, George. Then another way--there's +Corners!" + +"They're rather big things, aren't they?" I ventured. + +"Oh, if you go in for wheat or steel--yes. But suppose you tackled a +little thing, George. Just some little thing that only needed a few +thousands. Drugs for example. Shoved all you had into it--staked your +liver on it, so to speak. Take a drug--take ipecac, for example. Take +a lot of ipecac. Take all there is! See? There you are! There aren't +unlimited supplies of ipecacuanha--can't be!--and it's a thing people +must have. Then quinine again! You watch your chance, wait for a +tropical war breaking out, let's say, and collar all the quinine. Where +ARE they? Must have quinine, you know. Eh? Zzzz. + +"Lord! there's no end of things--no end of little things. +Dill-water--all the suffering babes yowling for it. Eucalyptus +again--cascara--witch hazel--menthol--all the toothache things. Then +there's antiseptics, and curare, cocaine...." + +"Rather a nuisance to the doctors," I reflected. + +"They got to look out for themselves. By Jove, yes. They'll do you if +they can, and you do them. Like brigands. That makes it romantic. That's +the Romance of Commerce, George. You're in the mountains there! Think +of having all the quinine in the world, and some millionaire's pampered +wife gone ill with malaria, eh? That's a squeeze, George, eh? Eh? +Millionaire on his motor car outside, offering you any price you liked. +That 'ud wake up Wimblehurst.... Lord! You haven't an Idea down here. +Not an idea. Zzzz." + +He passed into a rapt dream, from which escaped such fragments as: +"Fifty per cent. advance sir; security--to-morrow. Zzzz." + +The idea of cornering a drug struck upon my mind then as a sort of +irresponsible monkey trick that no one would ever be permitted to do in +reality. It was the sort of nonsense one would talk to make Ewart laugh +and set him going on to still odder possibilities. I thought it was part +of my uncle's way of talking. But I've learnt differently since. The +whole trend of modern money-making is to foresee something that will +presently be needed and put it out of reach, and then to haggle yourself +wealthy. You buy up land upon which people will presently want to build +houses, you secure rights that will bar vitally important developments, +and so on, and so on. Of course the naive intelligence of a boy does not +grasp the subtler developments of human inadequacy. He begins life with +a disposition to believe in the wisdom of grown-up people, he does not +realise how casual and disingenuous has been the development of law and +custom, and he thinks that somewhere in the state there is a power +as irresistible as a head master's to check mischievous and foolish +enterprises of every sort. I will confess that when my uncle talked of +cornering quinine, I had a clear impression that any one who contrived +to do that would pretty certainly go to jail. Now I know that any one +who could really bring it off would be much more likely to go to the +House of Lords! + +My uncle ranged over the gilt labels of his bottles and drawers for a +while, dreaming of corners in this and that. But at last he reverted to +Wimblehurst again. + +"You got to be in London when these things are in hand. Down here--! + +"Jee-rusalem!" he cried. "Why did I plant myself here? Everything's +done. The game's over. Here's Lord Eastry, and he's got everything, +except what his lawyers get, and before you get any more change this way +you'll have to dynamite him--and them. HE doesn't want anything more +to happen. Why should he? Any chance 'ud be a loss to him. He wants +everything to burble along and burble along and go on as it's going +for the next ten thousand years, Eastry after Eastry, one parson down +another come, one grocer dead, get another! Any one with any ideas +better go away. They HAVE gone away! Look at all these blessed people +in this place! Look at 'em! All fast asleep, doing their business out +of habit--in a sort of dream, Stuffed men would do just as well--just. +They've all shook down into their places. THEY don't want anything to +happen either. They're all broken in. There you are! Only what are they +all alive for?... + +"Why can't they get a clockwork chemist?" + +He concluded as he often concluded these talks. "I must invent +something,--that's about what I must do. Zzzz. Some convenience. +Something people want.... Strike out.... You can't think, George, of +anything everybody wants and hasn't got? I mean something you could turn +out retail under a shilling, say? Well, YOU think, whenever you haven't +got anything better to do. See?" + +II + +So I remember my uncle in that first phase, young, but already a little +fat, restless, fretful, garrulous, putting in my fermenting head all +sorts of discrepant ideas. Certainly he was educational.... + +For me the years at Wimblehurst were years of pretty active growth. +Most of my leisure and much of my time in the shop I spent in study. +I speedily mastered the modicum of Latin necessary for my qualifying +examinations, and--a little assisted by the Government Science and Art +Department classes that were held in the Grammar School--went on with my +mathematics. There were classes in physics, in chemistry, in mathematics +and machine drawing, and I took up these subjects with considerable +avidity. Exercise I got chiefly in the form of walks. There was some +cricket in the summer and football in the winter sustained by young +men's clubs that levied a parasitic blackmail of the big people and the +sitting member, but I was never very keen at these games. I didn't find +any very close companions among the youths of Wimblehurst. They struck +me, after my cockney schoolmates, as loutish and slow, servile and +furtive, spiteful and mean. WE used to swagger, but these countrymen +dragged their feet and hated an equal who didn't; we talked loud, but +you only got the real thoughts of Wimblehurst in a knowing undertone +behind its hand. And even then they weren't much in the way of thoughts. + +No, I didn't like those young countrymen, and I'm no believer in the +English countryside under the Bladesover system as a breeding ground for +honourable men. One hears a frightful lot of nonsense about the Rural +Exodus and the degeneration wrought by town life upon our population. To +my mind, the English townsman, even in the slums, is infinitely better +spiritually, more courageous, more imaginative and cleaner, than his +agricultural cousin. I've seen them both when they didn't think +they were being observed, and I know. There was something about my +Wimblehurst companions that disgusted me. It's hard to define. Heaven +knows that at that cockney boarding-school at Goudhurst we were coarse +enough; the Wimblehurst youngsters had neither words nor courage for the +sort of thing we used to do--for our bad language, for example; but, +on the other hand, they displayed a sort of sluggish, real lewdness, +lewdness is the word--a baseness of attitude. Whatever we exiled urbans +did at Goudhurst was touched with something, however coarse, of romantic +imagination. We had read the Boys of England, and told each other +stories. In the English countryside there are no books at all, no songs, +no drama, no valiant sin even; all these things have never come or they +were taken away and hidden generations ago, and the imagination aborts +and bestialises. That, I think, is where the real difference against the +English rural man lies. It is because I know this that I do not share +in the common repinings because our countryside is being depopulated, +because our population is passing through the furnace of the towns. They +starve, they suffer, no doubt, but they come out of it hardened, they +come out of it with souls. + +Of an evening the Wimblehurst blade, shiny-faced from a wash and with +some loud finery, a coloured waistcoat or a vivid tie, would betake +himself to the Eastry Arms billiard-room, or to the bar parlour of +some minor pub where nap could be played. One soon sickened of his slow +knowingness, the cunning observation of his deadened eyes, his idea of +a "good story," always, always told in undertones, poor dirty worm! his +shrewd, elaborate maneuvers for some petty advantage, a drink to the +good or such-like deal. There rises before my eyes as I write, young +Hopley Dodd, the son of the Wimblehurst auctioneer, the pride of +Wimblehurst, its finest flower, with his fur waistcoat and his bulldog +pipe, his riding breeches--he had no horse--and his gaiters, as he used +to sit, leaning forward and watching the billiard-table from under the +brim of his artfully tilted hat. A half-dozen phrases constituted his +conversation: "hard lines!" he used to say, and "Good baazness," in a +bass bleat. Moreover, he had a long slow whistle that was esteemed the +very cream of humorous comment. Night after night he was there. + +Also you knew he would not understand that _I_ could play billiards, and +regarded every stroke I made as a fluke. For a beginner I didn't play so +badly, I thought. I'm not so sure now; that was my opinion at the time. +But young Dodd's scepticism and the "good baazness" finally cured me +of my disposition to frequent the Eastry Arms, and so these noises had +their value in my world. + +I made no friends among the young men of the place at all, and though I +was entering upon adolescence I have no love-affair to tell of here. +Not that I was not waking up to that aspect of life in my middle teens I +did, indeed, in various slightly informal ways scrape acquaintance with +casual Wimblehurst girls; with a little dressmaker's apprentice I got +upon shyly speaking terms, and a pupil teacher in the National School +went further and was "talked about" in connection with me but I was not +by any means touched by any reality of passion for either of these young +people; love--love as yet came to me only in my dreams. I only kissed +these girls once or twice. They rather disconcerted than developed those +dreams. They were so clearly not "it." I shall have much to say of love +in this story, but I may break it to the reader now that it is my role +to be a rather ineffectual lover. Desire I knew well enough--indeed, too +well; but love I have been shy of. In all my early enterprises in the +war of the sexes, I was torn between the urgency of the body and a +habit of romantic fantasy that wanted every phase of the adventure to +be generous and beautiful. And I had a curiously haunting memory of +Beatrice, of her kisses in the bracken and her kiss upon the wall, that +somehow pitched the standard too high for Wimblehurst's opportunities. I +will not deny I did in a boyish way attempt a shy, rude adventure or so +in love-making at Wimblehurst; but through these various influences, +I didn't bring things off to any extent at all. I left behind me no +devastating memories, no splendid reputation. I came away at last, +still inexperienced and a little thwarted, with only a natural growth of +interest and desire in sexual things. + +If I fell in love with any one in Wimblehurst it was with my aunt. She +treated me with a kindliness that was only half maternal--she petted my +books, she knew about my certificates, she made fun of me in a way that +stirred my heart to her. Quite unconsciously I grew fond of her.... + +My adolescent years at Wimblehurst were on the whole laborious, +uneventful years that began in short jackets and left me in many ways +nearly a man, years so uneventful that the Calculus of Variations is +associated with one winter, and an examination in Physics for Science +and Art department Honours marks an epoch. Many divergent impulses +stirred within me, but the master impulse was a grave young disposition +to work and learn and thereby in some not very clearly defined way get +out of the Wimblehurst world into which I had fallen. I wrote with +some frequency to Ewart, self-conscious, but, as I remember them, not +intelligent letters, dated in Latin and with lapses into Latin quotation +that roused Ewart to parody. There was something about me in those days +more than a little priggish. But it was, to do myself justice, something +more than the petty pride of learning. I had a very grave sense of +discipline and preparation that I am not ashamed at all to remember. I +was serious. More serious than I am at the present time. More serious, +indeed, than any adult seems to be. I was capable then of efforts--of +nobilities.... They are beyond me now. I don't see why, at forty, I +shouldn't confess I respect my own youth. I had dropped being a boy +quite abruptly. I thought I was presently to go out into a larger and +quite important world and do significant things there. I thought I +was destined to do something definite to a world that had a definite +purpose. I did not understand then, as I do now, that life was to +consist largely in the world's doing things to me. Young people never +do seem to understand that aspect of things. And, as I say, among my +educational influences my uncle, all unsuspected, played a leading part, +and perhaps among other things gave my discontent with Wimblehurst, my +desire to get away from that clean and picturesque emptiness, a form and +expression that helped to emphasise it. In a way that definition made me +patient. "Presently I shall get to London," I said, echoing him. + +I remember him now as talking, always talking, in those days. He talked +to me of theology, he talked of politics, of the wonders of science +and the marvels of art, of the passions and the affections, of +the immortality of the soul and the peculiar actions of drugs; but +predominantly and constantly he talked of getting on, of enterprises, +of inventions and great fortunes, of Rothschilds, silver kings, +Vanderbilts, Goulds, flotations, realisations and the marvelous ways +of Chance with men--in all localities, that is to say, that are not +absolutely sunken to the level of Cold Mutton Fat. + +When I think of those early talks, I figure him always in one of three +positions. Either we were in the dispensing lair behind a high barrier, +he pounding up things in a mortar perhaps, and I rolling pill-stuff into +long rolls and cutting it up with a sort of broad, fluted knife, or +he stood looking out of the shop door against the case of sponges and +spray-diffusers, while I surveyed him from behind the counter, or he +leant against the little drawers behind the counter, and I hovered +dusting in front. The thought of those early days brings back to my +nostrils the faint smell of scent that was always in the air, marbled +now with streaks of this drug and now of that, and to my eyes the rows +of jejune glass bottles with gold labels, mirror-reflected, that stood +behind him. My aunt, I remember, used sometimes to come into the shop +in a state of aggressive sprightliness, a sort of connubial ragging +expedition, and get much fun over the abbreviated Latinity of those gilt +inscriptions. "Ol Amjig, George," she would read derisively, "and he +pretends it's almond oil! Snap!--and that's mustard. Did you ever, +George? + +"Look at him, George, looking dignified. I'd like to put an old label +on to him round the middle like his bottles are, with Ol Pondo on it. +That's Latin for Impostor, George MUST be. He'd look lovely with a +stopper." + +"YOU want a stopper," said my uncle, projecting his face.... + +My aunt, dear soul, was in those days quite thin and slender, with a +delicate rosebud completion and a disposition to connubial badinage, to +a sort of gentle skylarking. There was a silvery ghost of lisping in her +speech. She was a great humourist, and as the constraint of my presence +at meals wore off, I became more and more aware of a filmy but extensive +net of nonsense she had woven about her domestic relations until it had +become the reality of her life. She affected a derisive attitude to the +world at large and applied the epithet "old" to more things than I have +ever heard linked to it before or since. "Here's the old news-paper," +she used to say--to my uncle. "Now don't go and get it in the butter, +you silly old Sardine!" + +"What's the day of the week, Susan?" my uncle would ask. + +"Old Monday, Sossidge," she would say, and add, "I got all my Old +Washing to do. Don't I KNOW it!"... + +She had evidently been the wit and joy of a large circle of +schoolfellows, and this style had become a second nature with her. It +made her very delightful to me in that quiet place. Her customary walk +even had a sort of hello! in it. Her chief preoccupation in life was, I +believe, to make my uncle laugh, and when by some new nickname, some new +quaintness or absurdity, she achieved that end, she was, behind a mask +of sober amazement, the happiest woman on earth. My uncle's laugh when +it did come, I must admit was, as Baedeker says, "rewarding." It began +with gusty blowings and snortings, and opened into a clear "Ha ha!" +but in fullest development it included, in those youthful days, falling +about anyhow and doubling up tightly, and whackings of the stomach, and +tears and cries of anguish. I never in my life heard my uncle laugh to +his maximum except at her; he was commonly too much in earnest for that, +and he didn't laugh much at all, to my knowledge, after those early +years. Also she threw things at him to an enormous extent in her resolve +to keep things lively in spite of Wimblehurst; sponges out of stock she +threw, cushions, balls of paper, clean washing, bread; and once up the +yard when they thought that I and the errand boy and the diminutive +maid of all work were safely out of the way, she smashed a boxful of +eight-ounce bottles I had left to drain, assaulting my uncle with a new +soft broom. Sometimes she would shy things at me--but not often. There +seemed always laughter round and about her--all three of us would share +hysterics at times--and on one occasion the two of them came home from +church shockingly ashamed of themselves, because of a storm of mirth +during the sermon. The vicar, it seems, had tried to blow his nose +with a black glove as well as the customary pocket-handkerchief. And +afterwards she had picked up her own glove by the finger, and looking +innocently but intently sideways, had suddenly by this simple expedient +exploded my uncle altogether. We had it all over again at dinner. + +"But it shows you," cried my uncle, suddenly becoming grave, "what +Wimblehurst is, to have us all laughing at a little thing like that! We +weren't the only ones that giggled. Not by any means! And, Lord! it was +funny!" + +Socially, my uncle and aunt were almost completely isolated. In places +like Wimblehurst the tradesmen's lives always are isolated socially, +all of them, unless they have a sister or a bosom friend among the +other wives, but the husbands met in various bar-parlours or in the +billiard-room of the Eastry Arms. But my uncle, for the most part, spent +his evenings at home. When first he arrived in Wimblehurst I think +he had spread his effect of abounding ideas and enterprise rather +too aggressively; and Wimblehurst, after a temporary subjugation, had +rebelled and done its best to make a butt of him. His appearance in a +public-house led to a pause in any conversation that was going on. + +"Come to tell us about everything, Mr. Pond'revo?" some one would say +politely. + +"You wait," my uncle used to answer, disconcerted, and sulk for the rest +of his visit. + +Or some one with an immense air of innocence would remark to the world +generally, "They're talkin' of rebuildin' Wimblehurst all over again, +I'm told. Anybody heard anything of it? Going to make it a reg'lar +smartgoin', enterprisin' place--kind of Crystal Pallas." + +"Earthquake and a pestilence before you get that," my uncle would +mutter, to the infinite delight of every one, and add something +inaudible about "Cold Mutton Fat."... + +III + +We were torn apart by a financial accident to my uncle of which I did +not at first grasp the full bearings. He had developed what I regarded +as an innocent intellectual recreation which he called stock-market +meteorology. I think he got the idea from one use of curves in the +graphic presentation of associated variations that he saw me plotting. +He secured some of my squared paper and, having cast about for a time, +decided to trace the rise and fall of certain lines and railways. +"There's something in this, George," he said, and I little dreamt that +among other things that were in it, was the whole of his spare money and +most of what my mother had left to him in trust for me. + +"It's as plain as can be," he said. "See, here's one system of waves and +here's another! These are prices for Union Pacifics--extending over a +month. Now next week, mark my words, they'll be down one whole point. +We're getting near the steep part of the curve again. See? It's +absolutely scientific. It's verifiable. Well, and apply it! You buy in +the hollow and sell on the crest, and there you are!" + +I was so convinced of the triviality of this amusement that to find at +last that he had taken it in the most disastrous earnest overwhelmed me. + +He took me for a long walk to break it to me, over the hills towards +Yare and across the great gorse commons by Hazelbrow. + +"There are ups and downs in life, George," he said--halfway across that +great open space, and paused against the sky.... "I left out one factor +in the Union Pacific analysis." + +"DID you?" I said, struck by the sudden chance in his voice. "But you +don't mean?" + +I stopped and turned on him in the narrow sandy rut of pathway and he +stopped likewise. + +"I do, George. I DO mean. It's bust me! I'm a bankrupt here and now." + +"Then--?" + +"The shop's bust too. I shall have to get out of that." + +"And me?" + +"Oh, you!--YOU'RE all right. You can transfer your apprenticeship, +and--er--well, I'm not the sort of man to be careless with trust funds, +you can be sure. I kept that aspect in mind. There's some of it left +George--trust me!--quite a decent little sum." + +"But you and aunt?" + +"It isn't QUITE the way we meant to leave Wimblehurst, George; but we +shall have to go. Sale; all the things shoved about and ticketed--lot +a hundred and one. Ugh!... It's been a larky little house in some ways. +The first we had. Furnishing--a spree in its way.... Very happy..." His +face winced at some memory. "Let's go on, George," he said shortly, near +choking, I could see. + +I turned my back on him, and did not look round again for a little +while. + +"That's how it is, you see, George." I heard him after a time. + +When we were back in the high road again he came alongside, and for a +time we walked in silence. + +"Don't say anything home yet," he said presently. "Fortunes of War. I +got to pick the proper time with Susan--else she'll get depressed. Not +that she isn't a first-rate brick whatever comes along." + +"All right," I said, "I'll be careful"; and it seemed to me for the time +altogether too selfish to bother him with any further inquiries about +his responsibility as my trustee. He gave a little sigh of relief at +my note of assent, and was presently talking quite cheerfully of his +plans.... But he had, I remember, one lapse into moodiness that came and +went suddenly. "Those others!" he said, as though the thought had stung +him for the first time. + +"What others?" I asked. + +"Damn them!" said he. + +"But what others?" + +"All those damned stick-in-the-mud-and-die-slowly tradespeople: Ruck, +the butcher, Marbel, the grocer. Snape! Gord! George, HOW they'll grin!" + +I thought him over in the next few weeks, and I remember now in great +detail the last talk we had together before he handed over the shop +and me to his successor. For he had the good luck to sell his business, +"lock, stock, and barrel"--in which expression I found myself and my +indentures included. The horrors of a sale by auction of the furniture +even were avoided. + +I remember that either coming or going on that occasion, Ruck, the +butcher, stood in his doorway and regarded us with a grin that showed +his long teeth. + +"You half-witted hog!" said my uncle. "You grinning hyaena"; and then, +"Pleasant day, Mr. Ruck." + +"Goin' to make your fortun' in London, then?" said Mr. Ruck, with slow +enjoyment. + +That last excursion took us along the causeway to Beeching, and so up +the downs and round almost as far as Steadhurst, home. My moods, as we +went, made a mingled web. By this time I had really grasped the fact +that my uncle had, in plain English, robbed me; the little accumulations +of my mother, six hundred pounds and more, that would have educated me +and started me in business, had been eaten into and was mostly gone +into the unexpected hollow that ought to have been a crest of the Union +Pacific curve, and of the remainder he still gave no account. I was too +young and inexperienced to insist on this or know how to get it, but the +thought of it all made streaks of decidedly black anger in that scheme +of interwoven feelings. And you know, I was also acutely sorry for +him--almost as sorry as I was for my aunt Susan. Even then I had quite +found him out. I knew him to be weaker than myself; his incurable, +irresponsible childishness was as clear to me then as it was on his +deathbed, his redeeming and excusing imaginative silliness. Through some +odd mental twist perhaps I was disposed to exonerate him even at +the cost of blaming my poor old mother who had left things in his +untrustworthy hands. + +I should have forgiven him altogether, I believe, if he had been in any +manner apologetic to me; but he wasn't that. He kept reassuring me in +a way I found irritating. Mostly, however, his solicitude was for Aunt +Susan and himself. + +"It's these Crises, George," he said, "try Character. Your aunt's come +out well, my boy." + +He made meditative noises for a space. + +"Had her cry of course,"--the thing had been only too painfully evident +to me in her eyes and swollen face--"who wouldn't? But now--buoyant +again!... She's a Corker. + +"We'll be sorry to leave the little house of course. It's a bit like +Adam and Eve, you know. Lord! what a chap old Milton was! + + "'The world was all before them, where to choose + Their place of rest, and Providence their guide.' + +"It sounds, George.... Providence their guide!... Well--thank goodness +there's no imeedgit prospect of either Cain or Abel!" + +"After all, it won't be so bad up there. Not the scenery, perhaps, or +the air we get here, but--LIFE! We've got very comfortable little rooms, +very comfortable considering, and I shall rise. We're not done yet, +we're not beaten; don't think that, George. I shall pay twenty shillings +in the pound before I've done--you mark my words, George,--twenty--five +to you.... I got this situation within twenty-four hours--others +offered. It's an important firm--one of the best in London. I looked to +that. I might have got four or five shillings a week more--elsewhere. +Quarters I could name. But I said to them plainly, wages to go on with, +but opportunity's my game--development. We understood each other." + +He threw out his chest, and the little round eyes behind his glasses +rested valiantly on imaginary employers. + +We would go on in silence for a space while he revised and restated that +encounter. Then he would break out abruptly with some banal phrase. + +"The Battle of Life, George, my boy," he would cry, or "Ups and Downs!" + +He ignored or waived the poor little attempts I made to ascertain my own +position. "That's all right," he would say; or, "Leave all that to me. +I'LL look after them." And he would drift away towards the philosophy +and moral of the situation. What was I to do? + +"Never put all your resources into one chance, George; that's the lesson +I draw from this. Have forces in reserve. It was a hundred to one, +George, that I was right--a hundred to one. I worked it out afterwards. +And here we are spiked on the off-chance. If I'd have only kept back a +little, I'd have had it on U.P. next day, like a shot, and come out on +the rise. There you are!" + +His thoughts took a graver turn. + +"It's where you'll bump up against Chance like this, George, that you +feel the need of religion. Your hard-and-fast scientific men--your +Spencers and Huxleys--they don't understand that. I do. I've thought +of it a lot lately--in bed and about. I was thinking of it this morning +while I shaved. It's not irreverent for me to say it, I hope--but God +comes in on the off-chance, George. See? Don't you be too cocksure of +anything, good or bad. That's what I make out of it. I could have sworn. +Well, do you think I--particular as I am--would have touched those Union +Pacifics with trust money at all, if I hadn't thought it a thoroughly +good thing--good without spot or blemish?... And it was bad! + +"It's a lesson to me. You start in to get a hundred percent. and you +come out with that. It means, in a way, a reproof for Pride. I've +thought of that, George--in the Night Watches. I was thinking this +morning when I was shaving, that that's where the good of it all comes +in. At the bottom I'm a mystic in these affairs. You calculate you're +going to do this or that, but at bottom who knows at all WHAT he's +doing? When you most think you're doing things, they're being done right +over your head. YOU'RE being done--in a sense. Take a hundred-to one +chance, or one to a hundred--what does it matter? You're being Led." + +It's odd that I heard this at the time with unutterable contempt, and +now that I recall it--well, I ask myself, what have I got better? + +"I wish," said I, becoming for a moment outrageous, "YOU were being Led +to give me some account of my money, uncle." + +"Not without a bit of paper to figure on, George, I can't. But you trust +me about that never fear. You trust me." + +And in the end I had to. + +I think the bankruptcy hit my aunt pretty hard. There was, so far as I +can remember now, a complete cessation of all those cheerful outbreaks +of elasticity, no more skylarking in the shop nor scampering about the +house. But there was no fuss that I saw, and only little signs in her +complexion of the fits of weeping that must have taken her. She didn't +cry at the end, though to me her face with its strain of self-possession +was more pathetic than any weeping. "Well" she said to me as she came +through the shop to the cab, "Here's old orf, George! Orf to Mome number +two! Good-bye!" And she took me in her arms and kissed me and pressed me +to her. Then she dived straight for the cab before I could answer her. + +My uncle followed, and he seemed to me a trifle too valiant and +confident in his bearing for reality. He was unusually white in the +face. He spoke to his successor at the counter. "Here we go!" he said. +"One down, the other up. You'll find it a quiet little business so long +as you run it on quiet lines--a nice quiet little business. There's +nothing more? No? Well, if you want to know anything write to me. I'll +always explain fully. Anything--business, place or people. You'll find +Pil Antibil. a little overstocked by-the-by, I found it soothed my mind +the day before yesterday making 'em, and I made 'em all day. Thousands! +And where's George? Ah! there you are! I'll write to you, George, FULLY, +about all that affair. Fully!" + +It became clear to me as if for the first time, that I was really +parting from my aunt Susan. I went out on to the pavement and saw her +head craned forward, her wide-open blue eyes and her little face intent +on the shop that had combined for her all the charms of a big doll's +house and a little home of her very own. "Good-bye!" she said to it and +to me. Our eyes met for a moment--perplexed. My uncle bustled out and +gave a few totally unnecessary directions to the cabman and got in +beside her. "All right?" asked the driver. "Right," said I; and he woke +up the horse with a flick of his whip. My aunt's eyes surveyed me again. +"Stick to your old science and things, George, and write and tell me +when they make you a Professor," she said cheerfully. + +She stared at me for a second longer with eyes growing wider and +brighter and a smile that had become fixed, glanced again at the bright +little shop still saying "Ponderevo" with all the emphasis of its +fascia, and then flopped back hastily out of sight of me into the +recesses of the cab. Then it had gone from before me and I beheld Mr. +Snape, the hairdresser, inside his store regarding its departure with a +quiet satisfaction and exchanging smiles and significant headshakes with +Mr. Marbel. + +IV + +I was left, I say, as part of the lock, stock, and barrel, at +Wimblehurst with my new master, a Mr. Mantell; who plays no part in the +progress of this story except in so far as he effaced my uncle's traces. +So soon as the freshness of this new personality faded, I began to find +Wimblehurst not only a dull but a lonely place, and to miss my aunt +Susan immensely. The advertisements of the summer terms for Cough +Linctus were removed; the bottles of coloured water--red, green, and +yellow--restored to their places; the horse announcing veterinary +medicine, which my uncle, sizzling all the while, had coloured in +careful portraiture of a Goodwood favourite, rewhitened; and I turned +myself even more resolutely than before to Latin (until the passing +of my preliminary examination enabled me to drop that), and then to +mathematics and science. + +There were classes in Electricity and Magnetism at the Grammar School. I +took a little "elementary" prize in that in my first year and a medal +in my third; and in Chemistry and Human Physiology and Sound, Light +and Heat, I did well. There was also a lighter, more discursive +subject called Physiography, in which one ranged among the sciences +and encountered Geology as a process of evolution from Eozoon to Eastry +House, and Astronomy as a record of celestial movements of the most +austere and invariable integrity. I learnt out of badly-written, +condensed little text-books, and with the minimum of experiment, but +still I learnt. Only thirty years ago it was, and I remember I learnt of +the electric light as an expensive, impracticable toy, the telephone as +a curiosity, electric traction as a practical absurdity. There was no +argon, no radium, no phagocytes--at least to my knowledge, and aluminium +was a dear, infrequent metal. The fastest ships in the world went then +at nineteen knots, and no one but a lunatic here and there ever thought +it possible that men might fly. + +Many things have happened since then, but the last glance I had of +Wimblehurst two years ago remarked no change whatever in its pleasant +tranquillity. They had not even built any fresh houses--at least not +actually in the town, though about the station there had been some +building. But it was a good place to do work in, for all its quiescence. +I was soon beyond the small requirements of the Pharmaceutical Society's +examination, and as they do not permit candidates to sit for that until +one and twenty, I was presently filling up my time and preventing my +studies becoming too desultory by making an attack upon the London +University degree of Bachelor of Science, which impressed me then as +a very splendid but almost impossible achievement. The degree +in mathematics and chemistry appealed to me as particularly +congenial--albeit giddily inaccessible. I set to work. I had presently +to arrange a holiday and go to London to matriculate, and so it was I +came upon my aunt and uncle again. In many ways that visit marked an +epoch. It was my first impression of London at all. I was then nineteen, +and by a conspiracy of chances my nearest approach to that human +wilderness had been my brief visit to Chatham. Chatham too had been my +largest town. So that I got London at last with an exceptional freshness +of effect, as the sudden revelation of a whole unsuspected other side to +life. + +I came to it on a dull and smoky day by the South Eastern Railway, and +our train was half an hour late, stopping and going on and stopping +again. I marked beyond Chiselhurst the growing multitude of villas, +and so came stage by stage through multiplying houses and diminishing +interspaces of market garden and dingy grass to regions of interlacing +railway lines, big factories, gasometers and wide reeking swamps of +dingy little homes, more of them and more and more. The number of these +and their dinginess and poverty increased, and here rose a great public +house and here a Board School and there a gaunt factory; and away to the +east there loomed for a time a queer, incongruous forest of masts and +spars. The congestion of houses intensified and piled up presently into +tenements; I marveled more and more at this boundless world of dingy +people; whiffs of industrial smell, of leather, of brewing, drifted into +the carriage; the sky darkened, I rumbled thunderously over bridges, +van-crowded streets, peered down on and crossed the Thames with an +abrupt eclat of sound. I got an effect of tall warehouses, of grey +water, barge crowded, of broad banks of indescribable mud, and then +I was in Cannon Street Station--a monstrous dirty cavern with trains +packed across its vast floor and more porters standing along the +platform than I had ever been in my life before. I alighted with my +portmanteau and struggled along, realising for the first time just how +small and weak I could still upon occasion feel. In this world, I felt, +an Honours medal in Electricity and magnetism counted for nothing at +all. + +Afterwards I drove in a cab down a canon of rushing street between high +warehouses, and peeped up astonished at the blackened greys of Saint +Paul's. The traffic of Cheapside--it was mostly in horse omnibuses in +those days--seemed stupendous, its roar was stupendous; I wondered where +the money came from to employ so many cabs, what industry could support +the endless jostling stream of silk-hatted, frock-coated, hurrying men. +Down a turning I found the Temperance Hotel Mr. Mantell had recommended +to me. The porter in a green uniform who took over my portmanteau, +seemed, I thought, to despise me a good deal. + +V + +Matriculation kept me for four full days and then came an afternoon +to spare, and I sought out Tottenham Court Road through a perplexing +network of various and crowded streets. But this London was vast! it was +endless! it seemed the whole world had changed into packed frontages and +hoardings and street spaces. I got there at last and made inquiries, +and I found my uncle behind the counter of the pharmacy he managed, an +establishment that did not impress me as doing a particularly high-class +trade. "Lord!" he said at the sight of me, "I was wanting something to +happen!" + +He greeted me warmly. I had grown taller, and he, I thought, had grown +shorter and smaller and rounder but otherwise he was unchanged. He +struck me as being rather shabby, and the silk hat he produced and put +on, when, after mysterious negotiations in the back premises he achieved +his freedom to accompany me, was past its first youth; but he was as +buoyant and confident as ever. + +"Come to ask me about all THAT," he cried. "I've never written yet." + +"Oh, among other things," said I, with a sudden regrettable politeness, +and waived the topic of his trusteeship to ask after my aunt Susan. + +"We'll have her out of it," he said suddenly; "we'll go somewhere. We +don't get you in London every day." + +"It's my first visit," I said, "I've never seen London before"; and +that made him ask me what I thought of it, and the rest of the talk was +London, London, to the exclusion of all smaller topics. He took me up +the Hampstead Road almost to the Cobden statue, plunged into some back +streets to the left, and came at last to a blistered front door that +responded to his latch-key, one of a long series of blistered front +doors with fanlights and apartment cards above. We found ourselves in +a drab-coloured passage that was not only narrow and dirty but +desolatingly empty, and then he opened a door and revealed my aunt +sitting at the window with a little sewing-machine on a bamboo +occasional table before her, and "work"--a plum-coloured walking dress +I judged at its most analytical stage--scattered over the rest of the +apartment. + +At the first glance I judged my aunt was plumper than she had been, but +her complexion was just as fresh and her China blue eye as bright as in +the old days. + +"London," she said, didn't "get blacks" on her. + +She still "cheeked" my uncle, I was pleased to find. "What are you old +Poking in for at THIS time--Gubbitt?" she said when he appeared, and +she still looked with a practised eye for the facetious side of things. +When she saw me behind him, she gave a little cry and stood up radiant. +Then she became grave. + +I was surprised at my own emotion in seeing her. She held me at arm's +length for a moment, a hand on each shoulder, and looked at me with a +sort of glad scrutiny. She seemed to hesitate, and then pecked little +kiss off my cheek. + +"You're a man, George," she said, as she released me, and continued to +look at me for a while. + +Their menage was one of a very common type in London. They occupied what +is called the dining-room floor of a small house, and they had the use +of a little inconvenient kitchen in the basement that had once been +scullery. The two rooms, bedroom behind and living room in front, were +separated by folding-doors that were never now thrown back, and indeed, +in the presence of a visitor, not used at all. There was of course no +bathroom or anything of that sort available, and there was no water +supply except to the kitchen below. My aunt did all the domestic work, +though she could have afforded to pay for help if the build of the place +had not rendered that inconvenient to the pitch of impossibility. There +was no sort of help available except that of indoor servants, for whom +she had no accommodation. The furniture was their own; it was partly +secondhand, but on the whole it seemed cheerful to my eye, and my aunt's +bias for cheap, gay-figured muslin had found ample score. In many ways +I should think it must have been an extremely inconvenient and cramped +sort of home, but at the time I took it, as I was taking everything, as +being there and in the nature of things. I did not see the oddness of +solvent decent people living in a habitation so clearly neither designed +nor adapted for their needs, so wasteful of labour and so devoid of +beauty as this was, and it is only now as I describe this that I find +myself thinking of the essential absurdity of an intelligent community +living in such makeshift homes. It strikes me now as the next thing to +wearing second-hand clothes. + +You see it was a natural growth, part of that system to which +Bladesover, I hold, is the key. There are wide regions of London, miles +of streets of houses, that appear to have been originally designed for +prosperous-middle-class homes of the early Victorian type. There must +have been a perfect fury of such building in the thirties, forties, and +fifties. Street after street must have been rushed into being, Campden +Town way, Pentonville way, Brompton way, West Kensington way in the +Victoria region and all over the minor suburbs of the south side. + +I am doubtful if many of these houses had any long use as the residences +of single families if from the very first almost their tenants did not +makeshift and take lodgers and sublet. They were built with basements, +in which their servants worked and lived--servants of a more submissive +and troglodytic generation who did not mind stairs. The dining-room +(with folding doors) was a little above the ground level, and in that +the wholesome boiled and roast with damp boiled potatoes and then pie +to follow, was consumed and the numerous family read and worked in the +evening, and above was the drawing-room (also with folding doors), where +the infrequent callers were received. That was the vision at which those +industrious builders aimed. Even while these houses were being run up, +the threads upon the loom of fate were shaping to abolish altogether +the type of household that would have fitted them. Means of transit were +developing to carry the moderately prosperous middle-class families out +of London, education and factory employment were whittling away at +the supply of rough, hardworking, obedient girls who would stand +the subterranean drudgery of these places, new classes of hard-up +middle-class people such as my uncle, employees of various types, were +coming into existence, for whom no homes were provided. None of these +classes have ideas of what they ought to be, or fit in any legitimate +way into the Bladesover theory that dominates our minds. It was nobody's +concern to see them housed under civilised conditions, and the beautiful +laws of supply and demand had free play. They had to squeeze in. The +landlords came out financially intact from their blundering enterprise. +More and more these houses fell into the hands of married artisans, or +struggling widows or old servants with savings, who became responsible +for the quarterly rent and tried to sweat a living by sub-letting +furnished or unfurnished apartments. + +I remember now that a poor grey-haired old woman who had an air of +having been roused from a nap in the dust bin, came out into the area +and looked up at us as we three went out from the front door to "see +London" under my uncle's direction. She was the sub-letting occupier; +she squeezed out a precarious living by taking the house whole and +sub-letting it in detail and she made her food and got the shelter of an +attic above and a basement below by the transaction. And if she didn't +chance to "let" steadily, out she went to pauperdom and some other poor, +sordid old adventurer tried in her place.... + +It is a foolish community that can house whole classes, useful and +helpful, honest and loyal classes, in such squalidly unsuitable +dwellings. It is by no means the social economy it seems, to use up old +women, savings and inexperience in order to meet the landlord's demands. +But any one who doubts this thing is going on right up to to-day need +only spend an afternoon in hunting for lodgings in any of the regions of +London I have named. + +But where has my story got to? My uncle, I say, decided I must be shown +London, and out we three went as soon as my aunt had got her hat on, to +catch all that was left of the day. + +VI + +It pleased my uncle extremely to find I had never seen London before. He +took possession of the metropolis forthwith. "London, George," he said, +"takes a lot of understanding. It's a great place. Immense. The richest +town in the world, the biggest port, the greatest manufacturing town, +the Imperial city--the centre of civilisation, the heart of the world! +See those sandwich men down there! That third one's hat! Fair treat! You +don't see poverty like that in Wimblehurst George! And many of them high +Oxford honour men too. Brought down by drink! It's a wonderful place, +George--a whirlpool, a maelstrom! whirls you up and whirls you down." + +I have a very confused memory of that afternoon's inspection of +London. My uncle took us to and fro showing us over his London, talking +erratically, following a route of his own. Sometimes we were walking, +sometimes we were on the tops of great staggering horse omnibuses in +a heaving jumble of traffic, and at one point we had tea in an Aerated +Bread Shop. But I remember very distinctly how we passed down Park Lane +under an overcast sky, and how my uncle pointed out the house of this +child of good fortune and that with succulent appreciation. + +I remember, too, that as he talked I would find my aunt watching my face +as if to check the soundness of his talk by my expression. + +"Been in love yet, George?" she asked suddenly, over a bun in the +tea-shop. + +"Too busy, aunt," I told her. + +She bit her bun extensively, and gesticulated with the remnant to +indicate that she had more to say. + +"How are YOU going to make your fortune?" she said so soon as she could +speak again. "You haven't told us that." + +"'Lectricity," said my uncle, taking breath after a deep draught of tea. + +"If I make it at all," I said. "For my part I think shall be satisfied +with something less than a fortune." + +"We're going to make ours--suddenly," she said. + +"So HE old says." She jerked her head at my uncle. + +"He won't tell me when--so I can't get anything ready. But it's +coming. Going to ride in our carriage and have a garden. Garden--like a +bishop's." + +She finished her bun and twiddled crumbs from her fingers. "I shall be +glad of the garden," she said. "It's going to be a real big one with +rosaries and things. Fountains in it. Pampas grass. Hothouses." + +"You'll get it all right," said my uncle, who had reddened a little. + +"Grey horses in the carriage, George," she said. "It's nice to think +about when one's dull. And dinners in restaurants often and often. And +theatres--in the stalls. And money and money and money." + +"You may joke," said my uncle, and hummed for a moment. + +"Just as though an old Porpoise like him would ever make money," +she said, turning her eyes upon his profile with a sudden lapse to +affection. "He'll just porpoise about." + +"I'll do something," said my uncle, "you bet! Zzzz!" and rapped with a +shilling on the marble table. + +"When you do you'll have to buy me a new pair of gloves," she said, +"anyhow. That finger's past mending. Look! you Cabbage--you." And she +held the split under his nose, and pulled a face of comical fierceness. + +My uncle smiled at these sallies at the time, but afterwards, when I +went back with him to the Pharmacy--the low-class business grew brisker +in the evening and they kept open late--he reverted to it in a low +expository tone. "Your aunt's a bit impatient, George. She gets at me. +It's only natural.... A woman doesn't understand how long it takes +to build up a position. No.... In certain directions now--I +am--quietly--building up a position. Now here.... I get this room. I +have my three assistants. Zzzz. It's a position that, judged by the +criterion of imeedjit income, isn't perhaps so good as I deserve, +but strategically--yes. It's what I want. I make my plans. I rally my +attack." + +"What plans," I said, "are you making?" + +"Well, George, there's one thing you can rely upon, I'm doing nothing in +a hurry. I turn over this one and that, and I don't talk--indiscreetly. +There's--No! I don't think I can tell you that. And yet, why NOT?" + +He got up and closed the door into the shop. "I've told no one," he +remarked, as he sat down again. "I owe you something." + +His face flushed slightly, he leant forward over the little table +towards me. + +"Listen!" he said. + +I listened. + +"Tono-Bungay," said my uncle very slowly and distinctly. + +I thought he was asking me to hear some remote, strange noise. "I don't +hear anything," I said reluctantly to his expectant face. He smiled +undefeated. "Try again," he said, and repeated, "Tono-Bungay." + +"Oh, THAT!" I said. + +"Eh?" said he. + +"But what is it?" + +"Ah!" said my uncle, rejoicing and expanding. "What IS it? That's +what you got to ask? What won't it be?" He dug me violently in what he +supposed to be my ribs. "George," he cried--"George, watch this place! +There's more to follow." + +And that was all I could get from him. + +That, I believe, was the very first time that the words Tono-Bungay ever +heard on earth--unless my uncle indulged in monologues in his chamber--a +highly probable thing. Its utterance certainly did not seem to me at the +time to mark any sort of epoch, and had I been told this word was the +Open Sesame to whatever pride and pleasure the grimy front of London hid +from us that evening, I should have laughed aloud. + +"Coming now to business," I said after a pause, and with a chill sense +of effort; and I opened the question of his trust. + +My uncle sighed, and leant back in his chair. "I wish I could make all +this business as clear to you as it is to me," he said. "However--Go on! +Say what you have to say." + +VII + +After I left my uncle that evening I gave way to a feeling of profound +depression. My uncle and aunt seemed to me to be leading--I have already +used the word too often, but I must use it again--DINGY lives. They +seemed to be adrift in a limitless crowd of dingy people, wearing shabby +clothes, living uncomfortably in shabby second-hand houses, going to and +fro on pavements that had always a thin veneer of greasy, slippery mud, +under grey skies that showed no gleam of hope of anything for them but +dinginess until they died. It seemed absolutely clear to me that my +mother's little savings had been swallowed up and that my own prospect +was all too certainly to drop into and be swallowed up myself sooner +or later by this dingy London ocean. The London that was to be an +adventurous escape from the slumber of Wimblehurst, had vanished from my +dreams. I saw my uncle pointing to the houses in Park Lane and showing +a frayed shirt-cuff as he did so. I heard my aunt: "I'm to ride in my +carriage then. So he old says." + +My feelings towards my uncle were extraordinarily mixed. I was intensely +sorry not only for my aunt Susan but for him--for it seemed indisputable +that as they were living then so they must go on--and at the same time I +was angry with the garrulous vanity and illness that had elipped all +my chance of independent study, and imprisoned her in those grey +apartments. When I got back to Wimblehurst I allowed myself to write +him a boyishly sarcastic and sincerely bitter letter. He never replied. +Then, believing it to be the only way of escape for me, I set myself far +more grimly and resolutely to my studies than I had ever done before. +After a time I wrote to him in more moderate terms, and he answered +me evasively. And then I tried to dismiss him from my mind and went on +working. + +Yes, that first raid upon London under the moist and chilly depression +of January had an immense effect upon me. It was for me an epoch-making +disappointment. I had thought of London as a large, free, welcoming, +adventurous place, and I saw it slovenly and harsh and irresponsive. + +I did not realise at all what human things might be found behind +those grey frontages, what weakness that whole forbidding facade might +presently confess. It is the constant error of youth to over-estimate +the Will in things. I did not see that the dirt, the discouragement, the +discomfort of London could be due simply to the fact that London was +a witless old giantess of a town, too slack and stupid to keep herself +clean and maintain a brave face to the word. No! I suffered from the +sort of illusion that burnt witches in the seventeenth century. I +endued her grubby disorder with a sinister and magnificent quality of +intention. + +And my uncle's gestures and promises filled me with doubt and a sort of +fear for him. He seemed to me a lost little creature, too silly to be +silent, in a vast implacable condemnation. I was full of pity and a sort +of tenderness for my aunt Susan, who was doomed to follow his erratic +fortunes mocked by his grandiloquent promises. + +I was to learn better. But I worked with the terror of the grim +underside of London in my soul during all my last year at Wimblehurst. + + + + + +BOOK THE SECOND + +THE RISE OF TONO-BUNGAY + + + +CHAPTER THE FIRST + +HOW I BECAME A LONDON STUDENT AND WENT ASTRAY + +I came to live in London, as I shall tell you, when I was nearly +twenty-two. Wimblehurst dwindles in perspective, is now in this book a +little place far off, Bladesover no more than a small pinkish speck +of frontage among the distant Kentish hills; the scene broadens +out, becomes multitudinous and limitless, full of the sense of vast +irrelevant movement. I do not remember my second coming to London as I +do my first, for my early impressions, save that an October memory of +softened amber sunshine stands out, amber sunshine falling on grey house +fronts I know not where. That, and a sense of a large tranquillity. + +I could fill a book, I think, with a more or less imaginary account +of how I came to apprehend London, how first in one aspect and then in +another it grew in my mind. Each day my accumulating impressions were +added to and qualified and brought into relationship with new ones; they +fused inseparably with others that were purely personal and accidental. +I find myself with a certain comprehensive perception of London, +complete indeed, incurably indistinct in places and yet in some way a +whole that began with my first visit and is still being mellowed and +enriched. + +London! + +At first, no doubt, it was a chaos of streets and people and buildings +and reasonless going to and fro. I do not remember that I ever struggled +very steadily to understand it, or explored it with any but a personal +and adventurous intention. Yet in time there has grown up in me a kind +of theory of London; I do think I see lines of an ordered structure out +of which it has grown, detected a process that is something more than +a confusion of casual accidents though indeed it may be no more than a +process of disease. + +I said at the outset of my first book that I find in Bladesover the +clue to all England. Well, I certainly imagine it is the clue to the +structure of London. There have been no revolutions no deliberate +restatements or abandonments of opinion in England since the days of +the fine gentry, since 1688 or thereabouts, the days when Bladesover was +built; there have been changes, dissolving forest replacing forest, if +you will; but then it was that the broad lines of the English system +set firmly. And as I have gone to and fro in London in certain regions +constantly the thought has recurred this is Bladesover House, this +answers to Bladesover House. The fine gentry may have gone; they have +indeed largely gone, I think; rich merchants may have replaced them, +financial adventurers or what not. That does not matter; the shape is +still Bladesover. + +I am most reminded of Bladesover and Eastry by all those regions round +about the West End parks; for example, estate parks, each more or less +in relation to a palace or group of great houses. The roads and back +ways of Mayfair and all about St. James's again, albeit perhaps of a +later growth in point of time, were of the very spirit and architectural +texture of the Bladesover passages and yards; they had the same smells, +the space, the large cleanest and always going to and fro where one +met unmistakable Olympians and even more unmistakable valets, butlers, +footmen in mufti. There were moments when I seemed to glimpse down areas +the white panelling, the very chintz of my mother's room again. + +I could trace out now on a map what I would call the Great-House region; +passing south-westward into Belgravia, becoming diffused and sporadic +westward, finding its last systematic outbreak round and about Regent's +Park. The Duke of Devonshire's place in Piccadilly, in all its insolent +ugliness, pleases me particularly; it is the quintessence of the thing; +Apsley House is all in the manner of my theory, Park Lane has its quite +typical mansions, and they run along the border of the Green Park and +St. James's. And I struck out a truth one day in Cromwell Road quite +suddenly, as I looked over the Natural History Museum "By Jove," said I +"but this is the little assemblage of cases of stuffed birds and +animals upon the Bladesover staircase grown enormous, and yonder as the +corresponding thing to the Bladesover curios and porcelain is the Art +Museume and there in the little observatories in Exhibition Road is old +Sir Cuthbert's Gregorian telescope that I hunted out in the storeroom +and put together." And diving into the Art Museum under this +inspiration, I came to a little reading-room and found as I had +inferred, old brown books! + +It was really a good piece of social comparative anatomy I did that +day; all these museums and libraries that are dotted over London between +Piccadilly and West Kensington, and indeed the museum and library +movement throughout the world, sprang from the elegant leisure of the +gentlemen of taste. Theirs were the first libraries, the first houses +of culture; by my rat-like raids into the Bladesover saloon I became, +as it were, the last dwindled representative of such a man of letters +as Swift. But now these things have escaped out of the Great House +altogether, and taken on a strange independent life of their own. + +It is this idea of escaping parts from the seventeenth century system of +Bladesover, of proliferating and overgrowing elements from the Estates, +that to this day seems to me the best explanation, not simply of London, +but of all England. England is a country of great Renascence landed +gentlefolk who have been unconsciously outgrown and overgrown. The +proper shops for Bladesover custom were still to be found in Regent +Street and Bond Street in my early London days in those days they +had been but lightly touched by the American's profaning hand--and in +Piccadilly. I found the doctor's house of the country village or country +town up and down Harley Street, multiplied but not otherwise different, +and the family solicitor (by the hundred) further eastward in the +abandoned houses of a previous generation of gentlepeople, and down in +Westminster, behind Palladian fronts, the public offices sheltered +in large Bladesoverish rooms and looked out on St. James's Park. The +Parliament Houses of lords and gentlemen, the parliament house that was +horrified when merchants and brewers came thrusting into it a hundred +years ago, stood out upon its terrace gathering the whole system +together into a head. + +And the more I have paralleled these things with my Bladesover-Eastry +model, the more evident it has become to me that the balance is not the +same, and the more evident is the presence of great new forces, blind +forces of invasion, of growth. The railway termini on the north side of +London have been kept as remote as Eastry had kept the railway-station +from Wimblehurst, they stop on the very outskirts of the estates, but +from the south, the South Eastern railway had butted its great stupid +rusty iron head of Charing Cross station, that great head that came +smashing down in 1905--clean across the river, between Somerset House +and Whitehall. The south side had no protecting estate. Factory chimneys +smoke right over against Westminster with an air of carelessly not +having permission, and the whole effect of industrial London and of all +London east of Temple Bar and of the huge dingy immensity of London +port is to me of something disproportionately large, something morbidly +expanded, without plan or intention, dark and sinister toward the +clean clear social assurance of the West End. And south of this central +London, south-east, south-west, far west, north-west, all round the +northern hills, are similar disproportionate growths, endless streets +of undistinguished houses, undistinguished industries, shabby families, +second-rate shops, inexplicable people who in a once fashionable phrase +do not "exist." All these aspects have suggested to my mind at times, +do suggest to this day, the unorganised, abundant substance of some +tumorous growth-process, a process which indeed bursts all the outlines +of the affected carcass and protrudes such masses as ignoble comfortable +Croydon, as tragic impoverished West Ham. To this day I ask myself +will those masses ever become structural, will they indeed shape +into anything new whatever, or is that cancerous image their true and +ultimate diagnosis?... + +Moreover, together with this hypertrophy there is an immigration of +elements that have never understood and never will understand the great +tradition, wedges of foreign settlement embedded in the heart of this +yeasty English expansion. One day I remember wandering eastward out +of pure curiosity--it must have been in my early student days--and +discovering a shabbily bright foreign quarter, shops displaying +Hebrew placards and weird, unfamiliar commodities and a concourse of +bright-eyed, eagle-nosed people talking some incomprehensible gibberish +between the shops and the barrows. And soon I became quite familiar with +the devious, vicious, dirtily-pleasant eroticism of Soho. I found those +crowded streets a vast relief from the dull grey exterior of Brompton +where I lodged and lived my daily life. In Soho, indeed, I got my first +inkling of the factor of replacement that is so important in both the +English and the American process. + +Even in the West End, in Mayfair and the square, about Pall Mall, Ewart +was presently to remind me the face of the old aristocratic dignity was +fairer than its substance; here were actors and actresses, here money +lenders and Jews, here bold financial adventurers, and I thought of my +uncle's frayed cuff as he pointed out this house in Park Lane and +that. That was so and so's who made a corner in borax, and that palace +belonged to that hero among modern adventurers, Barmentrude, who used +to be an I.D.B.,--an illicit diamond buyer that is to say. A city of +Bladesovers, the capital of a kingdom of Bladesovers, all much shaken +and many altogether in decay, parasitically occupied, insidiously +replaced by alien, unsympathetic and irresponsible elements; and with +a ruling an adventitious and miscellaneous empire of a quarter of this +daedal earth complex laws, intricate social necessities, disturbing +insatiable suggestions, followed from this. Such was the world into +which I had come, into which I had in some way to thrust myself and fit +my problem, my temptations, my efforts, my patriotic instinct, all my +moral instincts, my physical appetites, my dreams and my sanity. + +London! I came up to it, young and without advisers, rather +priggish, rather dangerously open-minded and very open-eyed, and with +something--it is, I think, the common gift of imaginative youth, and I +claim it unblushingly--fine in me, finer than the world and seeking fine +responses. I did not want simply to live or simply to live happily or +well; I wanted to serve and do and make--with some nobility. It was in +me. It is in half the youth of the world. + +II + +I had come to London as a scholar. I had taken the Vincent Bradley +scholarship of the Pharmaceutical Society, but I threw this up when I +found that my work of the Science and Art Department in mathematics, +physics and chemistry had given me one of the minor Technical Board +Scholarships at the Consolidated Technical Schools at South Kensington. +This latter was in mechanics and metallurgy; and I hesitated between the +two. The Vincent Bradley gave me L70 a year and quite the best start-off +a pharmaceutical chemist could have; the South Kensington thing was +worth about twenty-two shillings a week, and the prospects it opened +were vague. But it meant far more scientific work than the former, and I +was still under the impulse of that great intellectual appetite that is +part of the adolescence of men of my type. Moreover it seemed to lead +towards engineering, in which I imagined--I imagine to this day--my +particular use is to be found. I took its greater uncertainty as a fair +risk. I came up very keen, not doubting that the really hard and steady +industry that had carried me through Wimblehurst would go on still in +the new surroundings. + +Only from the very first it didn't.... + +When I look back now at my Wimblehurst days, I still find myself +surprised at the amount of steady grinding study, of strenuous +self-discipline that I maintained throughout my apprenticeship. In many +ways I think that time was the most honourable period in my life. I wish +I could say with a certain mind that my motives in working so well were +large and honourable too. To a certain extent they were so; there was +a fine sincere curiosity, a desire for the strength and power of +scientific knowledge and a passion for intellectual exercise; but I +do not think those forces alone would have kept me at it so grimly +and closely if Wimblehurst had not been so dull, so limited and so +observant. Directly I came into the London atmosphere, tasting freedom, +tasting irresponsibility and the pull of new forces altogether, my +discipline fell from me like a garment. Wimblehurst to a youngster in my +position offered no temptations worth counting, no interests to conflict +with study, no vices--such vices as it offered were coarsely stripped of +any imaginative glamourfull drunkenness, clumsy leering shameful lust, +no social intercourse even to waste one's time, and on the other hand it +would minister greatly to the self-esteem of a conspicuously industrious +student. One was marked as "clever," one played up to the part, and +one's little accomplishment stood out finely in one's private reckoning +against the sunlit small ignorance of that agreeable place. One went +with an intent rush across the market square, one took one's exercise +with as dramatic a sense of an ordered day as an Oxford don, one burnt +the midnight oil quite consciously at the rare respectful, benighted +passer-by. And one stood out finely in the local paper with one's +unapproachable yearly harvest of certificates. Thus I was not only a +genuinely keen student, but also a little of a prig and poseur in those +days--and the latter kept the former at it, as London made clear. + +Moreover Wimblehurst had given me no outlet in any other direction. + +But I did not realise all this when I came to London, did not perceive +how the change of atmosphere began at once to warp and distribute my +energies. In the first place I became invisible. If I idled for a day, +no one except my fellow-students (who evidently had no awe for me) +remarked it. No one saw my midnight taper; no one pointed me out as I +crossed the street as an astonishing intellectual phenomenon. In the +next place I became inconsiderable. In Wimblehurst I felt I stood for +Science; nobody there seemed to have so much as I and to have it so +fully and completely. In London I walked ignorant in an immensity, and +it was clear that among my fellow-students from the midlands and the +north I was ill-equipped and under-trained. With the utmost exertion I +should only take a secondary position among them. And finally, in the +third place, I was distracted by voluminous new interests; London took +hold of me, and Science, which had been the universe, shrank back to the +dimensions of tiresome little formulae compacted in a book. I came to +London in late September, and it was a very different London from +that great greyly-overcast, smoke-stained house-wilderness of my first +impressions. I reached it by Victoria and not by Cannon Street, and its +centre was now in Exhibition Road. It shone, pale amber, blue-grey +and tenderly spacious and fine under clear autumnal skies, a London of +hugely handsome buildings and vistas and distances, a London of gardens +and labyrinthine tall museums, of old trees and remote palaces and +artificial waters. I lodged near by in West Brompton at a house in a +little square. + +So London faced me the second time, making me forget altogether for a +while the grey, drizzling city visage that had first looked upon me. I +settled down and went to and fro to my lectures and laboratory; in +the beginning I worked hard, and only slowly did the curiosity that +presently possessed me to know more of this huge urban province arise, +the desire to find something beyond mechanism that I could serve, some +use other than learning. With this was a growing sense of loneliness, +a desire for adventure and intercourse. I found myself in the evenings +poring over a map of London I had bought, instead of copying out lecture +notes--and on Sundays I made explorations, taking omnibus rides east and +west and north and south, and to enlarging and broadening the sense of +great swarming hinterlands of humanity with whom I had no dealings, of +whom I knew nothing.... + +The whole illimitable place teemed with suggestions of indefinite and +sometimes outrageous possibility, of hidden but magnificent meanings. + +It wasn't simply that I received a vast impression of space and +multitude and opportunity; intimate things also were suddenly dragged +from neglected, veiled and darkened corners into an acute vividness of +perception. Close at hand in the big art museum I came for the first +time upon the beauty of nudity, which I had hitherto held to be a +shameful secret, flaunted and gloried in; I was made aware of beauty +as not only permissible, but desirable and frequent and of a thousand +hitherto unsuspected rich aspects of life. One night in a real rapture, +I walked round the upper gallery of the Albert Hall and listened for +the first time to great music; I believe now that it was a rendering of +Beethoven's Ninth Symphony.... + +My apprehension of spaces and places was reinforced by a quickened +apprehension of persons. A constant stream of people passed by me, +eyes met and challenged mine and passed--more and more I wanted then to +stay--if I went eastward towards Piccadilly, women who seemed then to my +boyish inexperience softly splendid and alluring, murmured to me as +they passed. Extraordinarily life unveiled. The very hoardings clamoured +strangely at one's senses and curiosities. One bought pamphlets and +papers full of strange and daring ideas transcending one's boldest; in +the parks one heard men discussing the very existence of God, denying +the rights of property, debating a hundred things that one dared not +think about in Wimblehurst. And after the ordinary overcast day, after +dull mornings, came twilight, and London lit up and became a thing of +white and yellow and red jewels of light and wonderful floods of golden +illumination and stupendous and unfathomable shadows--and there were +no longer any mean or shabby people--but a great mysterious movement of +unaccountable beings.... + +Always I was coming on the queerest new aspects. Late one Saturday night +I found myself one of a great slow-moving crowd between the blazing +shops and the flaring barrows in the Harrow Road; I got into +conversation with two bold-eyed girls, bought them boxes of chocolate, +made the acquaintance of father and mother and various younger brothers +and sisters, sat in a public-house hilariously with them all, standing +and being stood drinks, and left them in the small hours at the door +of "home," never to see them again. And once I was accosted on +the outskirts of a Salvation Army meeting in one of the parks by a +silk-hatted young man of eager and serious discourse, who argued against +scepticism with me, invited me home to tea into a clean and cheerful +family of brothers and sisters and friends, and there I spent +the evening singing hymns to the harmonium (which reminded me of +half-forgotten Chatham), and wishing all the sisters were not so +obviously engaged.... + +Then on the remote hill of this boundless city-world I found Ewart. + +III + +How well I remember the first morning, a bright Sunday morning in early +October, when I raided in upon Ewart! I found my old schoolfellow in +bed in a room over an oil-shop in a back street at the foot of Highgate +Hill. His landlady, a pleasant, dirty young woman with soft-brown eyes, +brought down his message for me to come up; and up I went. The room +presented itself as ample and interesting in detail and shabby with a +quite commendable shabbiness. I had an impression of brown walls--they +were papered with brown paper--of a long shelf along one side of the +room, with dusty plaster casts and a small cheap lay figure of a horse, +of a table and something of grey wax partially covered with a cloth, +and of scattered drawings. There was a gas stove in one corner, and some +enameled ware that had been used for overnight cooking. The oilcloth on +the floor was streaked with a peculiar white dust. Ewart himself was not +in the first instance visible, but only a fourfold canvas screen at the +end of the room from which shouts proceeded of "Come on!" then his wiry +black hair, very much rumpled, and a staring red-brown eye and his stump +of a nose came round the edge of this at a height of about three feet +from the ground "It's old Ponderevo!" he said, "the Early bird! And he's +caught the worm! By Jove, but it's cold this morning! Come round here +and sit on the bed!" + +I walked round, wrung his hand, and we surveyed one another. + +He was lying on a small wooden fold-up bed, the scanty covering of which +was supplemented by an overcoat and an elderly but still cheerful pair +of check trousers, and he was wearing pajamas of a virulent pink and +green. His neck seemed longer and more stringy than it had been even in +our schooldays, and his upper lip had a wiry black moustache. The rest +of his ruddy, knobby countenance, his erratic hair and his general hairy +leanness had not even--to my perceptions grown. + +"By Jove!" he said, "you've got quite decent-looking, Ponderevo! What do +you think of me?" + +"You're all right. What are you doing here?" + +"Art, my son--sculpture! And incidentally--" He hesitated. "I ply a +trade. Will you hand me that pipe and those smoking things? So! +You can't make coffee, eh? Well, try your hand. Cast down this +screen--no--fold it up and so we'll go into the other room. I'll keep +in bed all the same. The fire's a gas stove. Yes. Don't make it bang. +too loud as you light it--I can't stand it this morning. You won't smoke +... Well, it does me good to see you again, Ponderevo. Tell me what +you're doing, and how you're getting on." + +He directed me in the service of his simple hospitality, and presently +I came back to his bed and sat down and smiled at him there, smoking +comfortably, with his hands under his head, surveying me. + +"How's Life's Morning, Ponderevo? By Jove, it must be nearly six years +since we met! They've got moustaches. We've fleshed ourselves a bit, eh? +And you?" + +I felt a pipe was becoming after all, and that lit, I gave him a +favourable sketch of my career. + +"Science! And you've worked like that! While I've been potting round +doing odd jobs for stone-masons and people, and trying to get to +sculpture. I've a sort of feeling that the chisel--I began with +painting, Ponderevo, and found I was colour-blind, colour-blind +enough to stop it. I've drawn about and thought about--thought more +particularly. I give myself three days a week as an art student, and the +rest of the time I've a sort of trade that keeps me. And we're still +in the beginning of things, young men starting. Do you remember the +old times at Goudhurst, our doll's-house island, the Retreat of the Ten +Thousand Young Holmes and the rabbits, eh? It's surprising, if you think +of it, to find we are still young. And we used to talk of what we would +be, and we used to talk of love! I suppose you know all about that now, +Ponderevo?" + +I finished and hesitated on some vague foolish lie, "No," I said, a +little ashamed of the truth. "Do you? I've been too busy." + +"I'm just beginning--just as we were then. Things happen." + +He sucked at his pipe for a space and stared at the plaster cast of a +flayed hand that hung on the wall. + +"The fact is, Ponderevo, I'm beginning to find life a most extraordinary +queer set-out; the things that pull one, the things that don't. The +wants--This business of sex. It's a net. No end to it, no way out of it, +no sense in it. There are times when women take possession of me, when +my mind is like a painted ceiling at Hampton Court with the pride of +the flesh sprawling all over it. WHY?... And then again sometimes when +I have to encounter a woman, I am overwhelmed by a terror of tantalising +boredom--I fly, I hide, I do anything. You've got your scientific +explanations perhaps; what's Nature and the universe up to in that +matter?" + +"It's her way, I gather, of securing the continuity of the species." + +"But it doesn't," said Ewart. "That's just it! No. I have succumbed +to--dissipation--down the hill there. Euston Road way. And it was damned +ugly and mean, and I hate having done it. And the continuity of the +species--Lord!... And why does Nature make a man so infernally ready for +drinks? There's no sense in that anyhow." He sat up in bed, to put this +question with the greater earnestness. "And why has she given me a most +violent desire towards sculpture and an equally violent desire to leave +off work directly I begin it, eh?... Let's have some more coffee. I put +it to you, these things puzzle me, Ponderevo. They dishearten me. They +keep me in bed." + +He had an air of having saved up these difficulties for me for some +time. He sat with his chin almost touching his knees, sucking at his +pipe. + +"That's what I mean," he went on, "when I say life is getting on to me +as extraordinarily queer, I don't see my game, nor why I was invited. +And I don't make anything of the world outside either. What do you make +of it?" + +"London," I began. "It's--so enormous!" + +"Isn't it! And it's all up to nothing. You find chaps keeping grocers' +shops--why the DEVIL, Ponderevo, do they keep grocers' shops? They +all do it very carefully, very steadily, very meanly. You find people +running about and doing the most remarkable things being policemen, for +example, and burglars. They go about these businesses quite gravely and +earnestly. I somehow--can't go about mine. Is there any sense in it at +all--anywhere?" + +"There must be sense in it," I said. "We're young." + +"We're young--yes. But one must inquire. The grocer's a grocer because, +I suppose, he sees he comes in there. Feels that on the whole it amounts +to a call.... But the bother is I don't see where I come in at all. Do +you?" + +"Where you come in?" + +"No, where you come in." + +"Not exactly, yet," I said. "I want to do some good in the +world--something--something effectual, before I die. I have a sort of +idea my scientific work--I don't know." + +"Yes," he mused. "And I've got a sort of idea my sculpture,--but now it +is to come in and WHY,--I've no idea at all." He hugged his knees for a +space. "That's what puzzles me, Ponderevo, no end." + +He became animated. "If you will look in that cupboard," he said, +"you will find an old respectable looking roll on a plate and a knife +somewhere and a gallipot containing butter. You give them me and I'll +make my breakfast, and then if you don't mind watching me paddle about +at my simple toilet I'll get up. Then we'll go for a walk and talk about +this affair of life further. And about Art and Literature and anything +else that crops up on the way.... Yes, that's the gallipot. Cockroach +got in it? Chuck him out--damned interloper...." + +So in the first five minutes of our talk, as I seem to remember it +now, old Ewart struck the note that ran through all that morning's +intercourse.... + +To me it was a most memorable talk because it opened out quite new +horizons of thought. I'd been working rather close and out of touch +with Ewart's free gesticulating way. He was pessimistic that day and +sceptical to the very root of things. He made me feel clearly, what +I had not felt at all before, the general adventurousness of life, +particularly of life at the stage we had reached, and also the absence +of definite objects, of any concerted purpose in the lives that were +going on all round us. He made me feel, too, how ready I was to take up +commonplace assumptions. Just as I had always imagined that somewhere +in social arrangements there was certainly a Head-Master who would +intervene if one went too far, so I had always had a sort of implicit +belief that in our England there were somewhere people who understood +what we were all, as a nation, about. That crumpled into his pit of +doubt and vanished. + +He brought out, sharply cut and certain, the immense effect of +purposelessness in London that I was already indistinctly feeling. We +found ourselves at last returning through Highgate Cemetery and Waterlow +Park--and Ewart was talking. + +"Look at it there," he said, stopping and pointing to the great vale of +London spreading wide and far. "It's like a sea--and we swim in it. And +at last down we go, and then up we come--washed up here." He swung +his arms to the long slopes about us, tombs and headstones in long +perspectives, in limitless rows. + +"We're young, Ponderevo, but sooner or later our whitened memories will +wash up on one of these beaches, on some such beach as this. George +Ponderevo, F.R.S., Sidney Ewart, R.I.P. Look at the rows of 'em!" + +He paused. "Do you see that hand? The hand, I mean, pointing upward, +on the top of a blunted obelisk. Yes. Well, that's what I do for a +living--when I'm not thinking, or drinking, or prowling, or making love, +or pretending I'm trying to be a sculptor without either the money +or the morals for a model. See? And I do those hearts afire and those +pensive angel guardians with the palm of peace. Damned well I do 'em and +damned cheap! I'm a sweated victim, Ponderevo..." + +That was the way of it, anyhow. I drank deep of talk that day; we went +into theology, into philosophy; I had my first glimpse of socialism. I +felt as though I had been silent in a silence since I and he had parted. +At the thought of socialism Ewart's moods changed for a time to a sort +of energy. "After all, all this confounded vagueness might be altered. +If you could get men to work together..." + +It was a good talk that rambled through all the universe. I thought I +was giving my mind refreshment, but indeed it was dissipation. All sorts +of ideas, even now, carry me back as it were to a fountain-head, to +Waterlow Park and my resuscitated Ewart. There stretches away south +of us long garden slopes and white gravestones and the wide expanse of +London, and somewhere in the picture is a red old wall, sun-warmed, and +a great blaze of Michaelmas daisies set off with late golden sunflowers +and a drift of mottled, blood-red, fallen leaves. It was with me that +day as though I had lifted my head suddenly out of dull and immediate +things and looked at life altogether.... But it played the very devil +with the copying up of my arrears of notes to which I had vowed the +latter half of that day. + +After that reunion Ewart and I met much and talked much, and in our +subsequent encounters his monologue was interrupted and I took my share. +He had exercised me so greatly that I lay awake at nights thinking +him over, and discoursed and answered him in my head as I went in the +morning to the College. I am by nature a doer and only by the way a +critic; his philosophical assertion of the incalculable vagueness of +life which fitted his natural indolence roused my more irritable and +energetic nature to active protests. "It's all so pointless," I said, +"because people are slack and because it's in the ebb of an age. But +you're a socialist. Well, let's bring that about! And there's a purpose. +There you are!" + +Ewart gave me all my first conceptions of socialism; in a little while +I was an enthusiastic socialist and he was a passive resister to the +practical exposition of the theories he had taught me. "We must join +some organisation," I said. "We ought to do things.... We ought to go +and speak at street corners. People don't know." + +You must figure me a rather ill-dressed young man in a state of great +earnestness, standing up in that shabby studio of his and saying these +things, perhaps with some gesticulations, and Ewart with a clay-smudged +face, dressed perhaps in a flannel shirt and trousers, with a pipe in +his mouth, squatting philosophically at a table, working at some chunk +of clay that never got beyond suggestion. + +"I wonder why one doesn't want to," he said. + +It was only very slowly I came to gauge Ewart's real position in the +scheme of things, to understand how deliberate and complete was this +detachment of his from the moral condemnation and responsibilities that +played so fine a part in his talk. His was essentially the nature of +an artistic appreciator; he could find interest and beauty in endless +aspects of things that I marked as evil, or at least as not negotiable; +and the impulse I had towards self-deception, to sustained and +consistent self-devotion, disturbed and detached and pointless as it was +at that time, he had indeed a sort of admiration for but no sympathy. +Like many fantastic and ample talkers he was at bottom secretive, and +he gave me a series of little shocks of discovery throughout our +intercourse. + +The first of these came in the realisation that he quite seriously meant +to do nothing in the world at all towards reforming the evils he laid +bare in so easy and dexterous a manner. The next came in the sudden +appearance of a person called "Milly"--I've forgotten her surname--whom +I found in his room one evening, simply attired in a blue wrap--the +rest of her costume behind the screen--smoking cigarettes and sharing +a flagon of an amazingly cheap and self-assertive grocer's wine Ewart +affected, called "Canary Sack." "Hullo!" said Ewart, as I came in. "This +is Milly, you know. She's been being a model--she IS a model really.... +(keep calm, Ponderevo!) Have some sack?" + +Milly was a woman of thirty, perhaps, with a broad, rather pretty face, +a placid disposition, a bad accent and delightful blond hair that waved +off her head with an irrepressible variety of charm; and whenever Ewart +spoke she beamed at him. Ewart was always sketching this hair of hers +and embarking upon clay statuettes of her that were never finished. She +was, I know now, a woman of the streets, whom Ewart had picked up in +the most casual manner, and who had fallen in love with him, but my +inexperience in those days was too great for me to place her then, and +Ewart offered no elucidations. She came to him, he went to her, they +took holidays together in the country when certainly she sustained her +fair share of their expenditure. I suspect him now even of taking money +from her. Odd old Ewart! It was a relationship so alien to my orderly +conceptions of honour, to what I could imagine any friend of mine doing, +that I really hardly saw it with it there under my nose. But I see it +and I think I understand it now.... + +Before I fully grasped the discursive manner in which Ewart was +committed to his particular way in life, I did, I say, as the broad +constructive ideas of socialism took hold of me, try to get him to work +with me in some definite fashion as a socialist. + +"We ought to join on to other socialists," I said. + +"They've got something." + +"Let's go and look at some first." + +After some pains we discovered the office of the Fabian Society, lurking +in a cellar in Clement's Inn; and we went and interviewed a rather +discouraging secretary who stood astraddle in front of a fire and +questioned us severely and seemed to doubt the integrity of our +intentions profoundly. He advised us to attend the next open meeting in +Clifford's Inn and gave us the necessary data. We both contrived to get +to the affair, and heard a discursive gritty paper on Trusts and one of +the most inconclusive discussions you can imagine. Three-quarters of +the speakers seemed under some jocular obsession which took the form +of pretending to be conceited. It was a sort of family joke, and as +strangers to the family we did not like it.... As we came out through +the narrow passage from Clifford's Inn to the Strand, Ewart suddenly +pitched upon a wizened, spectacled little man in a vast felt hat and a +large orange tie. + +"How many members are there in this Fabian Society of yours?" he asked. + +The little man became at once defensive in his manner. + +"About seven hundred," he said; "perhaps eight." + +"Like--like the ones here?" + +The little man gave a nervous self-satisfied laugh. "I suppose they're +up to sample," he said. + +The little man dropped out of existence and we emerged upon the Strand. +Ewart twisted his arm into a queerly eloquent gesture that gathered up +all the tall facades of the banks, the business places, the projecting +clock and towers of the Law Courts, the advertisements, the luminous +signs, into one social immensity, into a capitalistic system gigantic +and invincible. + +"These socialists have no sense of proportion," he said. "What can you +expect of them?" + +IV + +Ewart, as the embodiment of talk, was certainly a leading factor in my +conspicuous failure to go on studying. Social theory in its first crude +form of Democratic Socialism gripped my intelligence more and more +powerfully. I argued in the laboratory with the man who shared my bench +until we quarreled and did not speak and also I fell in love. + +The ferment of sex had been creeping into my being like a slowly +advancing tide through all my Wimblehurst days, the stimulus of London +was like the rising of a wind out of the sea that brings the waves in +fast and high. Ewart had his share in that. More and more acutely and +unmistakably did my perception of beauty, form and sound, my desire +for adventure, my desire for intercourse, converge on this central and +commanding business of the individual life. I had to get me a mate. + +I began to fall in love faintly with girls I passed in the street, +with women who sat before me in trains, with girl fellow-students, +with ladies in passing carriages, with loiterers at the corners, with +neat-handed waitresses in shops and tea-rooms, with pictures even +of girls and women. On my rare visits to the theatre I always became +exalted, and found the actresses and even the spectators about me +mysterious, attractive, creatures of deep interest and desire. I had +a stronger and stronger sense that among these glancing, passing +multitudes there was somewhere one who was for me. And in spite of every +antagonistic force in the world, there was something in my very marrow +that insisted: "Stop! Look at this one! Think of her! Won't she do? +This signifies--this before all things signifies! Stop! Why are you +hurrying by? This may be the predestined person--before all others." + +It is odd that I can't remember when first I saw Marion, who became my +wife--whom I was to make wretched, who was to make me wretched, who +was to pluck that fine generalised possibility of love out of my early +manhood and make it a personal conflict. I became aware of her as one of +a number of interesting attractive figures that moved about in my world, +that glanced back at my eyes, that flitted by with a kind of averted +watchfulness. I would meet her coming through the Art Museum, which +was my short cut to the Brompton Road, or see her sitting, reading as I +thought, in one of the bays of the Education Library. But really, as I +found out afterwards, she never read. She used to come there to eat a +bun in quiet. She was a very gracefully-moving figure of a girl then, +very plainly dressed, with dark brown hair I remember, in a knot low +on her neck behind that confessed the pretty roundness of her head +and harmonised with the admirable lines of ears and cheek, the grave +serenity of mouth and brow. + +She stood out among the other girls very distinctly because they dressed +more than she did, struck emphatic notes of colour, startled one by +novelties in hats and bows and things. I've always hated the rustle, the +disconcerting colour boundaries, the smart unnatural angles of women's +clothes. Her plain black dress gave her a starkness.... + +I do remember, though, how one afternoon I discovered the peculiar +appeal of her form for me. I had been restless with my work and had +finally slipped out of the Laboratory and come over to the Art Museum +to lounge among the pictures. I came upon her in an odd corner of the +Sheepshanks gallery, intently copying something from a picture that hung +high. I had just been in the gallery of casts from the antique, my mind +was all alive with my newly awakened sense of line, and there she stood +with face upturned, her body drooping forward from the hips just a +little--memorably graceful--feminine. + +After that I know I sought to see her, felt a distinctive emotion at +her presence, began to imagine things about her. I no longer thought +of generalised womanhood or of this casual person or that. I thought of +her. + +An accident brought us together. I found myself one Monday morning in an +omnibus staggering westward from Victoria--I was returning from a Sunday +I'd spent at Wimblehurst in response to a unique freak of hospitality +on the part of Mr. Mantell. She was the sole other inside passenger. +And when the time came to pay her fare, she became an extremely scared, +disconcerted and fumbling young woman; she had left her purse at home. + +Luckily I had some money. + +She looked at me with startled, troubled brown eyes; she permitted my +proffered payment to the conductor with a certain ungraciousness that +seemed a part of her shyness, and then as she rose to go, she thanked me +with an obvious affectation of ease. + +"Thank you so much," she said in a pleasant soft voice; and then less +gracefully, "Awfully kind of you, you know." + +I fancy I made polite noises. But just then I wasn't disposed to be +critical. I was full of the sense of her presence; her arm was stretched +out over me as she moved past me, the gracious slenderness of her body +was near me. The words we used didn't seem very greatly to matter. I had +vague ideas of getting out with her--and I didn't. + +That encounter, I have no doubt, exercised me enormously. I lay awake +at night rehearsing it, and wondering about the next phase of our +relationship. That took the form of the return of my twopence. I was +in the Science Library, digging something out of the Encyclopedia +Britannica, when she appeared beside me and placed on the open page an +evidently premeditated thin envelope, bulgingly confessing the coins +within. + +"It was so very kind of you," she said, "the other day. I don't know +what I should have done, Mr.--" + +I supplied my name. "I knew," I said, "you were a student here." + +"Not exactly a student. I--" + +"Well, anyhow, I knew you were here frequently. And I'm a student myself +at the Consolidated Technical Schools." + +I plunged into autobiography and questionings, and so entangled her in +a conversation that got a quality of intimacy through the fact that, +out of deference to our fellow-readers, we were obliged to speak in +undertones. And I have no doubt that in substance it was singularly +banal. Indeed I have an impression that all our early conversations were +incredibly banal. We met several times in a manner half-accidental, half +furtive and wholly awkward. Mentally I didn't take hold of her. I never +did take hold of her mentally. Her talk, I now know all too clearly, was +shallow, pretentious, evasive. Only--even to this day--I don't remember +it as in any way vulgar. She was, I could see quite clearly, anxious +to overstate or conceal her real social status, a little desirous to +be taken for a student in the art school and a little ashamed that she +wasn't. She came to the museum to "copy things," and this, I gathered, +had something to do with some way of partially earning her living that I +wasn't to inquire into. I told her things about myself, vain things that +I felt might appeal to her, but that I learnt long afterwards made her +think me "conceited." We talked of books, but there she was very much on +her guard and secretive, and rather more freely of pictures. She "liked" +pictures. I think from the outset I appreciated and did not for a moment +resent that hers was a commonplace mind, that she was the unconscious +custodian of something that had gripped my most intimate instinct, that +she embodied the hope of a possibility, was the careless proprietor of a +physical quality that had turned my head like strong wine. I felt I had +to stick to our acquaintance, flat as it was. Presently we should get +through these irrelevant exterior things, and come to the reality of +love beneath. + +I saw her in dreams released, as it were, from herself, beautiful, +worshipful, glowing. And sometimes when we were together, we would come +on silences through sheer lack of matter, and then my eyes would feast +on her, and the silence seemed like the drawing back of a curtain--her +superficial self. Odd, I confess. Odd, particularly, the enormous hold +of certain things about her upon me, a certain slight rounded duskiness +of skin, a certain perfection of modelling in her lips, her brow, a +certain fine flow about the shoulders. She wasn't indeed beautiful +to many people--these things are beyond explaining. She had manifest +defects of form and feature, and they didn't matter at all. Her +complexion was bad, but I don't think it would have mattered if it +had been positively unwholesome. I had extraordinarily limited, +extraordinarily painful, desires. I longed intolerably to kiss her lips. + +V + +The affair was immensely serious and commanding to me. I don't remember +that in these earlier phases I had any thought of turning back at +all. It was clear to me that she regarded me with an eye entirely +more critical than I had for her, that she didn't like my scholarly +untidiness, my want of even the most commonplace style. "Why do you +wear collars like that?" she said, and sent me in pursuit of gentlemanly +neckwear. I remember when she invited me a little abruptly one day to +come to tea at her home on the following Sunday and meet her father +and mother and aunt, that I immediately doubted whether my hitherto +unsuspected best clothes would create the impression she desired me to +make on her belongings. I put off the encounter until the Sunday after, +to get myself in order. I had a morning coat made and I bought a silk +hat, and had my reward in the first glance of admiration she ever gave +me. I wonder how many of my sex are as preposterous. I was, you see, +abandoning all my beliefs, my conventions unasked. I was forgetting +myself immensely. And there was a conscious shame in it all. Never a +word--did I breathe to Ewart--to any living soul of what was going on. + +Her father and mother and aunt struck me as the dismalest of people, +and her home in Walham Green was chiefly notable for its black and +amber tapestry carpets and curtains and table-cloths, and the age and +irrelevance of its books, mostly books with faded gilt on the covers. +The windows were fortified against the intrusive eye by cheap lace +curtains and an "art pot" upon an unstable octagonal table. Several +framed Art School drawings of Marion's, bearing official South +Kensington marks of approval, adorned the room, and there was a black +and gilt piano with a hymn-book on the top of it. There were draped +mirrors over all the mantels, and above the sideboard in the dining-room +in which we sat at tea was a portrait of her father, villainously +truthful after the manner of such works. I couldn't see a trace of the +beauty I found in her in either parent, yet she somehow contrived to be +like them both. + +These people pretended in a way that reminded me of the Three Great +Women in my mother's room, but they had not nearly so much social +knowledge and did not do it nearly so well. Also, I remarked, they did +it with an eye on Marion. They had wanted to thank me, they said, for +the kindness to their daughter in the matter of the 'bus fare, and so +accounted for anything unusual in their invitation. They posed as simple +gentlefolk, a little hostile to the rush and gadding-about of London, +preferring a secluded and unpretentious quiet. + +When Marion got out the white table-cloth from the sideboard-drawer for +tea, a card bearing the word "APARTMENTS" fell to the floor. I picked it +up and gave it to her before I realised from her quickened colour that I +should not have seen it; that probably had been removed from the window +in honour of my coming. + +Her father spoke once in a large remote way of he claims of business +engagements, and it was only long afterwards I realised that he was a +supernumerary clerk in the Walham Green Gas Works and otherwise a useful +man at home. He was a large, loose, fattish man with unintelligent brown +eyes magnified by spectacles; he wore an ill-fitting frock-coat and a +paper collar, and he showed me, as his great treasure and interest, a +large Bible which he had grangerised with photographs of pictures. Also +he cultivated the little garden-yard behind the house, and he had a +small greenhouse with tomatoes. "I wish I 'ad 'eat," he said. "One can +do such a lot with 'eat. But I suppose you can't 'ave everything you +want in this world." + +Both he and Marion's mother treated her with a deference that struck me +as the most natural thing in the world. Her own manner changed, became +more authoritative and watchful, her shyness disappeared. She had taken +a line of her own I gathered, draped the mirror, got the second-hand +piano, and broken her parents in. + +Her mother must once have been a pretty woman; she had regular features +and Marion's hair without its lustre, but she was thin and careworn. +The aunt, Miss Ramboat, was a large, abnormally shy person very like her +brother, and I don't recall anything she said on this occasion. + +To begin with there was a good deal of tension, Marion was frightfully +nervous and every one was under the necessity of behaving in a +mysteriously unreal fashion until I plunged, became talkative and made +a certain ease and interest. I told them of the schools, of my lodgings, +of Wimblehurst and my apprenticeship days. "There's a lot of this +Science about nowadays," Mr. Ramboat reflected; "but I sometimes wonder +a bit what good it is?" + +I was young enough to be led into what he called "a bit of a +discussion," which Marion truncated before our voices became unduly +raised. "I dare say," she said, "there's much to be said on both sides." + +I remember Marion's mother asked me what church I attended, and that +I replied evasively. After tea there was music and we sang hymns. I +doubted if I had a voice when this was proposed, but that was held to be +a trivial objection, and I found sitting close beside the sweep of +hair from Marion's brow had many compensations. I discovered her mother +sitting in the horsehair armchair and regarding us sentimentally. I went +for a walk with Marion towards Putney Bridge, and then there was more +singing and a supper of cold bacon and pie, after which Mr. Ramboat and +I smoked. During that walk, I remember, she told me the import of her +sketchings and copyings in the museum. A cousin of a friend of hers whom +she spoke of as Smithie, had developed an original business in a sort of +tea-gown garment which she called a Persian Robe, a plain sort of wrap +with a gaily embroidered yoke, and Marion went there and worked in the +busy times. In the times that weren't busy she designed novelties in +yokes by an assiduous use of eyes and note-book in the museum, and went +home and traced out the captured forms on the foundation material. "I +don't get much," said Marion, "but it's interesting, and in the busy +times we work all day. Of course the workgirls are dreadfully common, +but we don't say much to them. And Smithie talks enough for ten." + +I quite understood the workgirls were dreadfully common. + +I don't remember that the Walham Green menage and the quality of these +people, nor the light they threw on Marion, detracted in the slightest +degree at that time from the intent resolve that held me to make her +mine. I didn't like them. But I took them as part of the affair. Indeed, +on the whole, I think they threw her up by an effect of contrast; she +was so obviously controlling them, so consciously superior to them. + +More and more of my time did I give to this passion that possessed me. I +began to think chiefly of ways of pleasing Marion, of acts of devotion, +of treats, of sumptuous presents for her, of appeals she would +understand. If at times she was manifestly unintelligent, in her +ignorance became indisputable, I told myself her simple instincts were +worth all the education and intelligence in the world. And to this day +I think I wasn't really wrong about her. There was something +extraordinarily fine about her, something simple and high, that +flickered in and out of her ignorance and commonness and limitations +like the tongue from the mouth of a snake.... + +One night I was privileged to meet her and bring her home from an +entertainment at the Birkbeck Institute. We came back on the underground +railway and we travelled first-class--that being the highest class +available. We were alone in the carriage, and for the first time I +ventured to put my arm about her. + +"You mustn't," she said feebly. + +"I love you," I whispered suddenly with my heart beating wildly, drew +her to me, drew all her beauty to me and kissed her cool and unresisting +lips. + +"Love me?" she said, struggling away from me, "Don't!" and then, as the +train ran into a station, "You must tell no one.... I don't know.... You +shouldn't have done that...." + +Then two other people got in with us and terminated my wooing for a +time. + +When we found ourselves alone together, walking towards Battersea, she +had decided to be offended. I parted from her unforgiven and terribly +distressed. + +When we met again, she told me I must never say "that" again. + +I had dreamt that to kiss her lips was ultimate satisfaction. But it was +indeed only the beginning of desires. I told her my one ambition was to +marry her. + +"But," she said, "you're not in a position--What's the good of talking +like that?" + +I stared at her. "I mean to," I said. + +"You can't," she answered. "It will be years" + +"But I love you," I insisted. + +I stood not a yard from the sweet lips I had kissed; I stood within +arm's length of the inanimate beauty I desired to quicken, and I saw +opening between us a gulf of years, toil, waiting, disappointments and +an immense uncertainty. + +"I love you," I said. "Don't you love me?" + +She looked me in the face with grave irresponsive eyes. + +"I don't know," she said. "I LIKE you, of course.... One has to be +sensibl..." + +I can remember now my sense of frustration by her unresilient reply. +I should have perceived then that for her my ardour had no quickening +fire. But how was I to know? I had let myself come to want her, my +imagination endowed her with infinite possibilities. I wanted her and +wanted her, stupidly and instinctively.... + +"But," I said "Love--!" + +"One has to be sensible," she replied. "I like going about with you. +Can't we keep as we are?'" + +VI + +Well, you begin to understand my breakdown now, I have been copious +enough with these apologia. My work got more and more spiritless, my +behaviour degenerated, my punctuality declined; I was more and more +outclassed in the steady grind by my fellow-students. Such supplies of +moral energy as I still had at command shaped now in the direction of +serving Marion rather than science. + +I fell away dreadfully, more and more I shirked and skulked; the humped +men from the north, the pale men with thin, clenched minds, the intent, +hard-breathing students I found against me, fell at last from keen +rivalry to moral contempt. Even a girl got above me upon one of the +lists. Then indeed I made it a point of honour to show by my public +disregard of every rule that I really did not even pretend to try. + +So one day I found myself sitting in a mood of considerable astonishment +in Kensington Gardens, reacting on a recent heated interview with the +school Registrar in which I had displayed more spirit than sense. I was +astonished chiefly at my stupendous falling away from all the militant +ideals of unflinching study I had brought up from Wimblehurst. I had +displayed myself, as the Registrar put it, "an unmitigated rotter." My +failure to get marks in the written examination had only been equalled +by the insufficiency of my practical work. + +"I ask you," the Registrar had said, "what will become of you when your +scholarship runs out?" + +It certainly was an interesting question. What was going to become of +me? + +It was clear there would be nothing for me in the schools as I had once +dared to hope; there seemed, indeed, scarcely anything in the world +except an illpaid assistantship in some provincial organized Science +School or grammar school. I knew that for that sort of work, without +a degree or any qualification, one earned hardly a bare living and had +little leisure to struggle up to anything better. If only I had even +as little as fifty pounds I might hold out in London and take my +B.Sc. degree, and quadruple my chances! My bitterness against my uncle +returned at the thought. After all, he had some of my money still, or +ought to have. Why shouldn't I act within my rights, threaten to 'take +proceedings'? I meditated for a space on the idea, and then returned to +the Science Library and wrote him a very considerable and occasionally +pungent letter. + +That letter to my uncle was the nadir of my failure. Its remarkable +consequences, which ended my student days altogether, I will tell in the +next chapter. + +I say "my failure." Yet there are times when I can even doubt whether +that period was a failure at all, when I become defensively critical of +those exacting courses I did not follow, the encyclopaedic process +of scientific exhaustion from which I was distracted. My mind was not +inactive, even if it fed on forbidden food. I did not learn what my +professors and demonstrators had resolved I should learn, but I learnt +many things. My mind learnt to swing wide and to swing by itself. + +After all, those other fellows who took high places in the College +examinations and were the professor's model boys haven't done so +amazingly. Some are professors themselves, some technical experts; not +one can show things done such as I, following my own interest, have +achieved. For I have built boats that smack across the water like +whiplashes; no one ever dreamt of such boats until I built them; and I +have surprised three secrets that are more than technical discoveries, +in the unexpected hiding-places of Nature. I have come nearer flying +than any man has done. Could I have done as much if I had had a turn for +obeying those rather mediocre professors at the college who proposed +to train my mind? If I had been trained in research--that ridiculous +contradiction in terms--should I have done more than produce additions +to the existing store of little papers with blunted conclusions, of +which there are already too many? I see no sense in mock modesty upon +this matter. Even by the standards of worldly success I am, by the side +of my fellow-students, no failure. I had my F.R.S. by the time I was +thirty-seven, and if I am not very wealthy poverty is as far from me as +the Spanish Inquisition. Suppose I had stamped down on the head of my +wandering curiosity, locked my imagination in a box just when it wanted +to grow out to things, worked by so-and-so's excellent method and +so-and-so's indications, where should I be now? + +I may be all wrong in this. It may be I should be a far more efficient +man than I am if I had cut off all those divergent expenditures of +energy, plugged up my curiosity about society with more currently +acceptable rubbish or other, abandoned Ewart, evaded Marion instead of +pursuing her, concentrated. But I don't believe it! + +However, I certainly believed it completely and was filled with remorse +on that afternoon when I sat dejectedly in Kensington Gardens and +reviewed, in the light of the Registrar's pertinent questions my first +two years in London. + + + +CHAPTER THE SECOND + +THE DAWN COMES, AND MY UNCLE APPEARS IN A NEW SILK HAT + +I + +Throughout my student days I had not seen my uncle. I refrained from +going to him in spite of an occasional regret that in this way I +estranged myself from my aunt Susan, and I maintained a sulky attitude +of mind towards him. And I don't think that once in all that time I gave +a thought to that mystic word of his that was to alter all the world +for us. Yet I had not altogether forgotten it. It was with a touch of +memory, dim transient perplexity if no more--why did this thing seem in +some way personal?--that I read a new inscription upon the hoardings: + + THE SECRET OF VIGOUR, + TONO-BUNGAY. + +That was all. It was simple and yet in some way arresting. I found +myself repeating the word after I had passed; it roused one's attention +like the sound of distant guns. "Tono"--what's that? and deep, rich, +unhurrying;--"BUN--gay!" + +Then came my uncle's amazing telegram, his answer to my hostile +note: "Come to me at once you are wanted three hundred a year certain +tono-bungay." + +"By Jove!" I cried, "of course! + +"It's something--. A patent-medicine! I wonder what he wants with me." + +In his Napoleonic way my uncle had omitted to give an address. His +telegram had been handed in at Farringdon Road, and after complex +meditations I replied to Ponderevo, Farringdon Road, trusting to the +rarity of our surname to reach him. + +"Where are you?" I asked. + +His reply came promptly: + +"192A, Raggett Street, E.C." + +The next day I took an unsanctioned holiday after the morning's lecture. +I discovered my uncle in a wonderfully new silk hat--oh, a splendid +hat! with a rolling brim that went beyond the common fashion. It was +decidedly too big for him--that was its only fault. It was stuck on the +back of his head, and he was in a white waistcoat and shirt sleeves. +He welcomed me with a forgetfulness of my bitter satire and my hostile +abstinence that was almost divine. His glasses fell off at the sight of +me. His round inexpressive eyes shone brightly. He held out his plump +short hand. + +"Here we are, George! What did I tell you? Needn't whisper it now, my +boy. Shout it--LOUD! spread it about! Tell every one! Tono--TONO--, +TONO-BUNGAY!" + +Raggett Street, you must understand, was a thoroughfare over which some +one had distributed large quantities of cabbage stumps and leaves. It +opened out of the upper end of Farringdon Street, and 192A was a shop +with the plate-glass front coloured chocolate, on which several of the +same bills I had read upon the hoardings had been stuck. The floor was +covered by street mud that had been brought in on dirty boots, and three +energetic young men of the hooligan type, in neck-wraps and caps, were +packing wooden cases with papered-up bottles, amidst much straw and +confusion. The counter was littered with these same swathed bottles, of +a pattern then novel but now amazingly familiar in the world, the blue +paper with the coruscating figure of a genially nude giant, and the +printed directions of how under practically all circumstances to take +Tono-Bungay. Beyond the counter on one side opened a staircase down +which I seem to remember a girl descending with a further consignment +of bottles, and the rest of the background was a high partition, also +chocolate, with "Temporary Laboratory" inscribed upon it in white +letters, and over a door that pierced it, "Office." Here I rapped, +inaudible amid much hammering, and then entered unanswered to find +my uncle, dressed as I have described, one hand gripping a sheath of +letters, and the other scratching his head as he dictated to one of +three toiling typewriter girls. Behind him was a further partition and +a door inscribed "ABSOLUTELY PRIVATE--NO ADMISSION," thereon. This +partition was of wood painted the universal chocolate, up to about eight +feet from the ground, and then of glass. Through the glass I saw dimly +a crowded suggestion of crucibles and glass retorts, and--by +Jove!--yes!--the dear old Wimblehurst air-pump still! It gave me quite +a little thrill--that air-pump! And beside it was the electrical +machine--but something--some serious trouble--had happened to that. All +these were evidently placed on a shelf just at the level to show. + +"Come right into the sanctum," said my uncle, after he had finished +something about "esteemed consideration," and whisked me through the +door into a room that quite amazingly failed to verify the promise of +that apparatus. It was papered with dingy wall-paper that had peeled in +places; it contained a fireplace, an easy-chair with a cushion, a table +on which stood two or three big bottles, a number of cigar-boxes on +the mantel, whisky Tantalus and a row of soda syphons. He shut the door +after me carefully. + +"Well, here we are!" he said. "Going strong! Have a whisky, George? +No!--Wise man! Neither will I! You see me at it! At it--hard!" + +"Hard at what?" + +"Read it," and he thrust into my hand a label--that label that has +now become one of the most familiar objects of the chemist's shop, the +greenish-blue rather old-fashioned bordering, the legend, the name +in good black type, very clear, and the strong man all set about with +lightning flashes above the double column of skilful lies in red--the +label of Tono-Bungay. "It's afloat," he said, as I stood puzzling at +this. "It's afloat. I'm afloat!" And suddenly he burst out singing in +that throaty tenor of his-- + +"I'm afloat, I'm afloat on the fierce flowing tide, The ocean's my home +and my bark is my bride! + +"Ripping song that is, George. Not so much a bark as a solution, but +still--it does! Here we are at it! By-the-by! Half a mo'! I've thought +of a thing." He whisked out, leaving me to examine this nuclear spot at +leisure while his voice became dictatorial without. The den struck me as +in its large grey dirty way quite unprecedented and extraordinary. The +bottles were all labelled simply A, B, C, and so forth, and that dear +old apparatus above, seen from this side, was even more patiently "on +the shelf" than when it had been used to impress Wimblehurst. I saw +nothing for it but to sit down in the chair and await my uncle's +explanations. I remarked a frock-coat with satin lapels behind the door; +there was a dignified umbrella in the corner and a clothes-brush and +a hat-brush stood on a side-table. My uncle returned in five minutes +looking at his watch--a gold watch--"Gettin' lunch-time, George," he +said. "You'd better come and have lunch with me!" + +"How's Aunt Susan?" I asked. + +"Exuberant. Never saw her so larky. This has bucked her up something +wonderful--all this." + +"All what?" + +"Tono-Bungay." + +"What is Tono-Bungay?" I asked. + +My uncle hesitated. "Tell you after lunch, George," he said. "Come +along!" and having locked up the sanctum after himself, led the way +along a narrow dirty pavement, lined with barrows and swept at times by +avalanche-like porters bearing burthens to vans, to Farringdon Street. +He hailed a passing cab superbly, and the cabman was infinitely +respectful. "Schafer's," he said, and off we went side by side--and with +me more and more amazed at all these things--to Schafer's Hotel, the +second of the two big places with huge lace curtain-covered windows, +near the corner of Blackfriars Bridge. + +I will confess I felt a magic charm in our relative proportions as the +two colossal, pale-blue-and-red liveried porters of Schafers' held open +the inner doors for us with a respectful salutation that in some manner +they seemed to confine wholly to my uncle. Instead of being about +four inches taller, I felt at least the same size as he, and very much +slenderer. Still more respectful--waiters relieved him of the new hat +and the dignified umbrella, and took his orders for our lunch. He gave +them with a fine assurance. + +He nodded to several of the waiters. + +"They know me, George, already," he said. "Point me out. Live place! Eye +for coming men!" + +The detailed business of the lunch engaged our attention for a while, +and then I leant across my plate. "And NOW?" said I. + +"It's the secret of vigour. Didn't you read that label?" + +"Yes, but--" + +"It's selling like hot cakes." + +"And what is it?" I pressed. + +"Well," said my uncle, and then leant forward and spoke softly under +cover of his hand, "It's nothing more or less than..." + +(But here an unfortunate scruple intervenes. After all, Tono-Bungay is +still a marketable commodity and in the hands of purchasers, who bought +it from--among other vendors--me. No! I am afraid I cannot give it +away--) + +"You see," said my uncle in a slow confidential whisper, with eyes +very wide and a creased forehead, "it's nice because of the" (here he +mentioned a flavouring matter and an aromatic spirit), "it's stimulating +because of" (here he mentioned two very vivid tonics, one with a +marked action on the kidney.) "And the" (here he mentioned two other +ingredients) "makes it pretty intoxicating. Cocks their tails. Then +there's" (but I touch on the essential secret.) "And there you are. I +got it out of an old book of recipes--all except the" (here he mentioned +the more virulent substance, the one that assails the kidneys), "which +is my idea! Modern touch! There you are!" + +He reverted to the direction of our lunch. + +Presently he was leading the way to the lounge--sumptuous piece in red +morocco and yellow glazed crockery, with incredible vistas of settees +and sofas and things, and there I found myself grouped with him in two +excessively upholstered chairs with an earthenware Moorish table between +us bearing coffee and Benedictine, and I was tasting the delights of a +tenpenny cigar. My uncle smoked a similar cigar in an habituated manner, +and he looked energetic and knowing and luxurious and most unexpectedly +a little bounder, round the end of it. It was just a trivial flaw +upon our swagger, perhaps that we both were clear our cigars had to be +"mild." He got obliquely across the spaces of his great armchair so as +to incline confidentially to my ear, he curled up his little legs, and +I, in my longer way, adopted a corresponding receptive obliquity. I felt +that we should strike an unbiased observer as a couple of very deep and +wily and developing and repulsive persons. + +"I want to let you into this"--puff--"George," said my uncle round the +end of his cigar. "For many reasons." + +His voice grew lower and more cunning. He made explanations that to my +inexperience did not completely explain. I retain an impression of a +long credit and a share with a firm of wholesale chemists, of a credit +and a prospective share with some pirate printers, of a third share for +a leading magazine and newspaper proprietor. + +"I played 'em off one against the other," said my uncle. I took his +point in an instant. He had gone to each of them in turn and said the +others had come in. + +"I put up four hundred pounds," said my uncle, "myself and my all. And +you know--" + +He assumed a brisk confidence. "I hadn't five hundred pence. At least--" + +For a moment he really was just a little embarrassed. "I DID" he said, +"produce capital. You see, there was that trust affair of yours--I +ought, I suppose--in strict legality--to have put that straight first. +Zzzz.... + +"It was a bold thing to do," said my uncle, shifting the venue from +the region of honour to the region of courage. And then with a +characteristic outburst of piety, "Thank God it's all come right! + +"And now, I suppose, you ask where do YOU come in? Well, fact is I've +always believed in you, George. You've got--it's a sort of dismal grit. +Bark your shins, rouse you, and you'll go! You'd rush any position you +had a mind to rush. I know a bit about character, George--trust me. +You've got--" He clenched his hands and thrust them out suddenly, and at +the same time said, with explosive violence, "Wooosh! Yes. You have! The +way you put away that Latin at Wimblehurst; I've never forgotten it. + +"Wo-oo-oo-osh! Your science and all that! Wo-oo-oo-osh! I know my +limitations. There's things I can do, and" (he spoke in a whisper, as +though this was the first hint of his life's secret) "there's things I +can't. Well, I can create this business, but I can't make it go. I'm too +voluminous--I'm a boiler-over, not a simmering stick-at-it. You keep on +HOTTING UP AND HOTTING UP. Papin's digester. That's you, steady and +long and piling up,--then, wo-oo-oo-oo-osh. Come in and stiffen these +niggers. Teach them that wo-oo-oo-oo-osh. There you are! That's what I'm +after. You! Nobody else believes you're more than a boy. Come right in +with me and be a man. Eh, George? Think of the fun of it--a thing on +the go--a Real Live Thing! Wooshing it up! Making it buzz and spin! +Whoo-oo-oo."--He made alluring expanding circles in the air with his +hand. "Eh?" + +His proposal, sinking to confidential undertones again, took more +definite shape. I was to give all my time and energy to developing and +organising. "You shan't write a single advertisement, or give a single +assurance" he declared. "I can do all that." And the telegram was no +flourish; I was to have three hundred a year. Three hundred a year. +("That's nothing," said my uncle, "the thing to freeze on to, when the +time comes, is your tenth of the vendor's share.") + +Three hundred a year certain, anyhow! It was an enormous income to me. +For a moment I was altogether staggered. Could there be that much money +in the whole concern? I looked about me at the sumptuous furniture of +Schafer's Hotel. No doubt there were many such incomes. + +My head was spinning with unwonted Benedictine and Burgundy. + +"Let me go back and look at the game again," I said. "Let me see +upstairs and round about." + +I did. + +"What do you think of it all?" my uncle asked at last. + +"Well, for one thing," I said, "why don't you have those girls working +in a decently ventilated room? Apart from any other consideration, +they'd work twice as briskly. And they ought to cover the corks before +labelling round the bottle." + +"Why?" said my uncle. + +"Because--they sometimes make a mucker of the cork job, and then the +label's wasted." + +"Come and change it, George," said my uncle, with sudden fervour "Come +here and make a machine of it. You can. Make it all slick, and then make +it woosh. I know you can. Oh! I know you can." + +II + +I seem to remember very quick changes of mind after that lunch. The +muzzy exaltation of the unaccustomed stimulants gave way very rapidly +to a model of pellucid and impartial clairvoyance which is one of my +habitual mental states. It is intermittent; it leaves me for weeks +together, I know, but back it comes at last like justice on circuit, +and calls up all my impression, all my illusions, all my willful and +passionate proceedings. We came downstairs again into that inner room +which pretended to be a scientific laboratory through its high glass +lights, and indeed was a lurking place. My uncle pressed a cigarette on +me, and I took it and stood before the empty fireplace while he propped +his umbrella in the corner, deposited the new silk hat that was a little +too big for him on the table, blew copiously and produced a second +cigar. + +It came into my head that he had shrunken very much in size since the +Wimblehurst days, that the cannon ball he had swallowed was rather more +evident and shameless than it had been, his skin less fresh and the nose +between his glasses, which still didn't quite fit, much redder. And just +then he seemed much laxer in his muscles and not quite as alertly quick +in his movements. But he evidently wasn't aware of the degenerative +nature of his changes as he sat there, looking suddenly quite little +under my eyes. + +"Well, George!" he said, quite happily unconscious of my silent +criticism, "what do you think of it all?" + +"Well," I said, "in the first place--it's a damned swindle!" + +"Tut! tut!" said my uncle. "It's as straight as--It's fair trading!" + +"So much the worse for trading," I said. + +"It's the sort of thing everybody does. After all, there's no harm in +the stuff--and it may do good. It might do a lot of good--giving people +confidence, f'rinstance, against an epidemic. See? Why not? don't see +where your swindle comes in." + +"H'm," I said. "It's a thing you either see or don't see." + +"I'd like to know what sort of trading isn't a swindle in its way. +Everybody who does a large advertised trade is selling something common +on the strength of saying it's uncommon. Look at Chickson--they made him +a baronet. Look at Lord Radmore, who did it on lying about the alkali in +soap! Rippin' ads those were of his too!" + +"You don't mean to say you think doing this stuff up in bottles and +swearing it's the quintessence of strength and making poor devils buy it +at that, is straight?" + +"Why not, George? How do we know it mayn't be the quintessence to them +so far as they're concerned?" + +"Oh!" I said, and shrugged my shoulders. + +"There's Faith. You put Faith in 'em.... I grant our labels are a bit +emphatic. Christian Science, really. No good setting people against the +medicine. Tell me a solitary trade nowadays that hasn't to be--emphatic. +It's the modern way! Everybody understands it--everybody allows for it." + +"But the world would be no worse and rather better, if all this stuff of +yours was run down a conduit into the Thames." + +"Don't see that, George, at all. 'Mong other things, all our people +would be out of work. Unemployed! I grant you Tono-Bungay MAY be--not +QUITE so good a find for the world as Peruvian bark, but the point +is, George--it MAKES TRADE! And the world lives on trade. Commerce! A +romantic exchange of commodities and property. Romance. 'Magination. +See? You must look at these things in a broad light. Look at the +wood--and forget the trees! And hang it, George! we got to do these +things! There's no way unless you do. What do YOU mean to do--anyhow?" + +"There's ways of living," I said, "Without either fraud or lying." + +"You're a bit stiff, George. There's no fraud in this affair, I'll bet +my hat. But what do you propose to do? Go as chemist to some one who IS +running a business, and draw a salary without a share like I offer you. +Much sense in that! It comes out of the swindle as you call it--just the +same." + +"Some businesses are straight and quiet, anyhow; supply a sound article +that is really needed, don't shout advertisements." + +"No, George. There you're behind the times. The last of that sort was +sold up 'bout five years ago." + +"Well, there's scientific research." + +"And who pays for that? Who put up that big City and Guilds place at +South Kensington? Enterprising business men! They fancy they'll have a +bit of science going on, they want a handy Expert ever and again, and +there you are! And what do you get for research when you've done +it? Just a bare living and no outlook. They just keep you to make +discoveries, and if they fancy they'll use 'em they do." + +"One can teach." + +"How much a year, George? How much a year? I suppose you must respect +Carlyle! Well, you take Carlyle's test--solvency. (Lord! what a book +that French Revolution of his is!) See what the world pays teachers and +discoverers and what it pays business men! That shows the ones it really +wants. There's a justice in these big things, George, over and above the +apparent injustice. I tell you it wants trade. It's Trade that makes the +world go round! Argosies! Venice! Empire!" + +My uncle suddenly rose to his feet. + +"You think it over, George. You think it over! And come up on Sunday +to the new place--we got rooms in Gower Street now--and see your aunt. +She's often asked for you, George often and often, and thrown it up at +me about that bit of property--though I've always said and always +will, that twenty-five shillings in the pound is what I'll pay you and +interest up to the nail. And think it over. It isn't me I ask you to +help. It's yourself. It's your aunt Susan. It's the whole concern. +It's the commerce of your country. And we want you badly. I tell you +straight, I know my limitations. You could take this place, you could +make it go! I can see you at it--looking rather sour. Woosh is the word, +George." + +And he smiled endearingly. + +"I got to dictate a letter," he said, ending the smile, and vanished +into the outer room. + +III + +I didn't succumb without a struggle to my uncle's allurements. Indeed, I +held out for a week while I contemplated life and my prospects. It was a +crowded and muddled contemplation. It invaded even my sleep. + +My interview with the Registrar, my talk with my uncle, my abrupt +discovery of the hopeless futility of my passion for Marion, had +combined to bring me to sense of crisis. What was I going to do with +life? + +I remember certain phases of my indecisions very well. + +I remember going home from our talk. I went down Farringdon Street to +the Embankment because I thought to go home by Holborn and Oxford Street +would be too crowded for thinking.... That piece of Embankment +from Blackfriars to Westminster still reminds me of that momentous +hesitation. + +You know, from first to last, I saw the business with my eyes open, I +saw its ethical and moral values quite clearly. Never for a moment do +I remember myself faltering from my persuasion that the sale of +Tono-Bungay was a thoroughly dishonest proceeding. The stuff was, I +perceived, a mischievous trash, slightly stimulating, aromatic and +attractive, likely to become a bad habit and train people in the +habitual use of stronger tonics and insidiously dangerous to people with +defective kidneys. It would cost about sevenpence the large bottle to +make, including bottling, and we were to sell it at half a crown plus +the cost of the patent medicine stamp. A thing that I will confess +deterred me from the outset far more than the sense of dishonesty in +this affair, was the supreme silliness of the whole concern. I still +clung to the idea that the world of men was or should be a sane and just +organisation, and the idea that I should set myself gravely, just at +the fine springtime of my life, to developing a monstrous bottling and +packing warehouse, bottling rubbish for the consumption of foolish, +credulous and depressed people, had in it a touch of insanity. My early +beliefs still clung to me. I felt assured that somewhere there must be +a hitch in the fine prospect of ease and wealth under such conditions; +that somewhere, a little overgrown, perhaps, but still traceable, lay a +neglected, wasted path of use and honour for me. + +My inclination to refuse the whole thing increased rather than +diminished at first as I went along the Embankment. In my uncle's +presence there had been a sort of glamour that had prevented an outright +refusal. It was a revival of affection for him I felt in his presence, I +think, in part, and in part an instinctive feeling that I must consider +him as my host. But much more was it a curious persuasion he had the +knack of inspiring--a persuasion not so much of his integrity and +capacity as of the reciprocal and yielding foolishness of the world. One +felt that he was silly and wild, but in some way silly and wild after +the fashion of the universe. After all, one must live somehow. I +astonished him and myself by temporising. + +"No," said I, "I'll think it over!" + +And as I went along the embankment the first effect was all against +my uncle. He shrank--for a little while he continued to shrink--in +perspective until he was only a very small shabby little man in a dirty +back street, sending off a few hundred bottles of rubbish to foolish +buyers. The great buildings on the right of us, the Inns and the School +Board place--as it was then--Somerset House, the big hotels, the great +bridges, Westminster's outlines ahead, had an effect of grey largeness +that reduced him to the proportions of a busy black beetle in a crack in +the floor. + +And then my eye caught the advertisements on the south side of "Sorber's +Food," of "Cracknell's Ferric Wine," very bright and prosperous signs, +illuminated at night, and I realised how astonishingly they looked at +home there, how evidently part they were in the whole thing. + +I saw a man come charging out of Palace Yard--the policeman touched his +helmet to him--with a hat and a bearing astonishingly like my uncle's. +After all,--didn't Cracknell himself sit in the House? + +Tono-Bungay shouted at me from a hoarding near Adelphi Terrace; I saw +it afar off near Carfax Street; it cried out again upon me in Kensington +High Street, and burst into a perfect clamour; six or seven times I +saw it as I drew near my diggings. It certainly had an air of being +something more than a dream. + +Yes, I thought it over--thoroughly enough.... Trade rules the world. +Wealth rather than trade! The thing was true, and true too was my +uncle's proposition that the quickest way to get wealth is to sell the +cheapest thing possible in the dearest bottle. He was frightfully right +after all. Pecunnia non olet,--a Roman emperor said that. Perhaps my +great heroes in Plutarch were no more than such men, fine now only +because they are distant; perhaps after all this Socialism to which I +had been drawn was only a foolish dream, only the more foolish because +all its promises were conditionally true. Morris and these others +played with it wittingly; it gave a zest, a touch of substance, to their +aesthetic pleasures. Never would there be good faith enough to bring +such things about. They knew it; every one, except a few young fools, +knew it. As I crossed the corner of St. James's Park wrapped in thought, +I dodged back just in time to escape a prancing pair of greys. A stout, +common-looking woman, very magnificently dressed, regarded me from the +carriage with a scornful eye. "No doubt," thought I, "a pill-vendor's +wife...." + +Running through all my thoughts, surging out like a refrain, was my +uncle's master-stroke, his admirable touch of praise: "Make it all +slick--and then make it go Woosh. I know you can! Oh! I KNOW you can!" + +IV + +Ewart as a moral influence was unsatisfactory. I had made up my mind to +put the whole thing before him, partly to see how he took it, and partly +to hear how it sounded when it was said. I asked him to come and eat +with me in an Italian place near Panton Street where one could get a +curious, interesting, glutting sort of dinner for eighteen-pence. He +came with a disconcerting black-eye that he wouldn't explain. "Not so +much a black-eye," he said, "as the aftermath of a purple patch.... +What's your difficulty?" + +"I'll tell you with the salad," I said. + +But as a matter of fact I didn't tell him. I threw out that I was +doubtful whether I ought to go into trade, or stick to teaching in +view of my deepening socialist proclivities; and he, warming with the +unaccustomed generosity of a sixteen-penny Chianti, ran on from that +without any further inquiry as to my trouble. + +His utterances roved wide and loose. + +"The reality of life, my dear Ponderevo," I remember him saying very +impressively and punctuating with the nut-crackers as he spoke, "is +Chromatic Conflict ... and Form. Get hold of that and let all these +other questions go. The Socialist will tell you one sort of colour and +shape is right, the Individualist another. What does it all amount +to? What DOES it all amount to? NOTHING! I have no advice to give +anyone,--except to avoid regrets. Be yourself, seek after such beautiful +things as your own sense determines to be beautiful. And don't mind +the headache in the morning.... For what, after all, is a morning, +Ponderevo? It isn't like the upper part of a day!" + +He paused impressively. + +"What Rot!" I cried, after a confused attempt to apprehend him. + +"Isn't it! And it's my bedrock wisdom in the matter! Take it or +leave it, my dear George; take it or leave it."... He put down the +nut-crackers out of my reach and lugged a greasy-looking note-book from +his pocket. "I'm going to steal this mustard pot," he said. + +I made noises of remonstrance. + +"Only as a matter of design. I've got to do an old beast's tomb. + +"Wholesale grocer. I'll put it on his corners,--four mustard pots. I dare +say he'd be glad of a mustard plaster now to cool him, poor devil, where +he is. But anyhow,--here goes!" + +V + +It came to me in the small hours that the real moral touchstone for +this great doubting of mind was Marion. I lay composing statements of +my problem and imagined myself delivering them to her--and she, +goddess-like and beautiful; giving her fine, simply-worded judgment. + +"You see, it's just to give one's self over to the Capitalistic System," +I imagined myself saying in good Socialist jargon; "it's surrendering +all one's beliefs. We MAY succeed, we MAY grow rich, but where would the +satisfaction be?" + +Then she would say, "No! That wouldn't be right." + +"But the alternative is to wait!" + +Then suddenly she would become a goddess. She would turn upon me frankly +and nobly, with shining eyes, with arms held out. "No," she would say, +"we love one another. Nothing ignoble shall ever touch us. We love one +another. Why wait to tell each other that, dear? What does it matter +that we are poor and may keep poor?" + +But indeed the conversation didn't go at all in that direction. At the +sight of her my nocturnal eloquence became preposterous and all the +moral values altered altogether. I had waited for her outside the door +of the Parsian-robe establishment in Kensington High Street and walked +home with her thence. I remember how she emerged into the warm evening +light and that she wore a brown straw hat that made her, for once not +only beautiful but pretty. + +"I like that hat," I said by way of opening; and she smiled her rare +delightful smile at me. + +"I love you," I said in an undertone, as we jostled closer on the +pavement. + +She shook her head forbiddingly, but she still smiled. Then--"Be +sensible!" + +The High Street pavement is too narrow and crowded for conversation and +we were some way westward before we spoke again. + +"Look here," I said; "I want you, Marion. Don't you understand? I want +you." + +"Now!" she cried warningly. + +I do not know if the reader will understand how a passionate lover, +an immense admiration and desire, can be shot with a gleam of positive +hatred. Such a gleam there was in me at the serene self-complacency of +that "NOW!" It vanished almost before I felt it. I found no warning in +it of the antagonisms latent between us. + +"Marion," I said, "this isn't a trifling matter to me. I love you; I +would die to get you.... Don't you care?" + +"But what is the good?" + +"You don't care," I cried. "You don't care a rap!" + +"You know I care," she answered. "If I didn't--If I didn't like you very +much, should I let you come and meet me--go about with you?" + +"Well then," I said, "promise to marry me!" + +"If I do, what difference will it make?" + +We were separated by two men carrying a ladder who drove between us +unawares. + +"Marion," I asked when we got together again, "I tell you I want you to +marry me." + +"We can't." + +"Why not?" + +"We can't marry--in the street." + +"We could take our chance!" + +"I wish you wouldn't go on talking like this. What is the good?" + +She suddenly gave way to gloom. "It's no good marrying" she said. "One's +only miserable. I've seen other girls. When one's alone one has a little +pocket-money anyhow, one can go about a little. But think of being +married and no money, and perhaps children--you can't be sure...." + +She poured out this concentrated philosophy of her class and type in +jerky uncompleted sentences, with knitted brows, with discontented eyes +towards the westward glow--forgetful, it seemed, for a moment even of +me. + +"Look here, Marion," I said abruptly, "what would you marry on?" + +"What IS the good?" she began. + +"Would you marry on three hundred a year?" + +She looked at me for a moment. "That's six pounds a week," she said. +"One could manage on that, easily. Smithie's brother--No, he only gets +two hundred and fifty. He married a typewriting girl." + +"Will you marry me if I get three hundred a year?" + +She looked at me again, with a curious gleam of hope. + +"IF!" she said. + +I held out my hand and looked her in the eyes. "It's a bargain," I said. + +She hesitated and touched my hand for an instant. "It's silly," she +remarked as she did so. "It means really we're--" She paused. + +"Yes?" said I. + +"Engaged. You'll have to wait years. What good can it do you?" + +"Not so many years." I answered. + +For a moment she brooded. + +Then she glanced at me with a smile, half-sweet, half-wistful, that has +stuck in my memory for ever. + +"I like you!" she said. "I shall like to be engaged to you." + +And, faint on the threshold of hearing, I caught her ventured "dear!" +It's odd that in writing this down my memory passed over all that +intervened and I feel it all again, and once again I'm Marion's boyish +lover taking great joy in such rare and little things. + +VI + +At last I went to the address my uncle had given me in Gower Street, and +found my aunt Susan waiting tea for him. + +Directly I came into the room I appreciated the change in outlook that +the achievement of Tono-Bungay had made almost as vividly as when I +saw my uncle's new hat. The furniture of the room struck upon my eye as +almost stately. The chairs and sofa were covered with chintz which gave +it a dim, remote flavour of Bladesover; the mantel, the cornice, the +gas pendant were larger and finer than the sort of thing I had grown +accustomed to in London. And I was shown in by a real housemaid with +real tails to her cap, and great quantities of reddish hair. There was +my aunt too looking bright and pretty, in a blue-patterned tea-wrap with +bows that seemed to me the quintessence of fashion. She was sitting in +a chair by the open window with quite a pile of yellow-labelled books +on the occasional table beside her. Before the large, paper-decorated +fireplace stood a three-tiered cake-stand displaying assorted cakes, +and a tray with all the tea equipage except the teapot, was on the large +centre-table. The carpet was thick, and a spice of adventure was given +it by a number of dyed sheep-skin mats. + +"Hello!" said my aunt as I appeared. "It's George!" + +"Shall I serve the tea now, Mem?" said the real housemaid, surveying our +greeting coldly. + +"Not till Mr. Ponderevo comes, Meggie," said my aunt, and grimaced with +extraordinary swiftness and virulence as the housemaid turned her back. + +"Meggie she calls herself," said my aunt as the door closed, and left me +to infer a certain want of sympathy. + +"You're looking very jolly, aunt," said I. + +"What do you think of all this old Business he's got?" asked my aunt. + +"Seems a promising thing," I said. + +"I suppose there is a business somewhere?" + +"Haven't you seen it?" + +"'Fraid I'd say something AT it George, if I did. So he won't let me. It +came on quite suddenly. Brooding he was and writing letters and sizzling +something awful--like a chestnut going to pop. Then he came home one +day saying Tono-Bungay till I thought he was clean off his onion, and +singing--what was it?" + +"'I'm afloat, I'm afloat,'" I guessed. + +"The very thing. You've heard him. And saying our fortunes were made. +Took me out to the Ho'burm Restaurant, George,--dinner, and we had +champagne, stuff that blows up the back of your nose and makes you go +SO, and he said at last he'd got things worthy of me--and we moved here +next day. It's a swell house, George. Three pounds a week for the rooms. +And he says the Business'll stand it." + +She looked at me doubtfully. + +"Either do that or smash," I said profoundly. + +We discussed the question for a moment mutely with our eyes. My aunt +slapped the pile of books from Mudie's. + +"I've been having such a Go of reading, George. You never did!" + +"What do you think of the business?" I asked. + +"Well, they've let him have money," she said, and thought and raised her +eyebrows. + +"It's been a time," she went on. "The flapping about! Me sitting doing +nothing and him on the go like a rocket. He's done wonders. But he wants +you, George--he wants you. Sometimes he's full of hope--talks of when +we're going to have a carriage and be in society--makes it seem so +natural and topsy-turvy, I hardly know whether my old heels aren't up +here listening to him, and my old head on the floor.... Then he gets +depressed. Says he wants restraint. Says he can make a splash but can't +keep on. Says if you don't come in everything will smash--But you are +coming in?" + +She paused and looked at me. + +"Well--" + +"You don't say you won't come in!" + +"But look here, aunt," I said, "do you understand quite?... It's a quack +medicine. It's trash." + +"There's no law against selling quack medicine that I know of," said +my aunt. She thought for a minute and became unusually grave. "It's our +only chance, George," she said. "If it doesn't go..." + +There came the slamming of a door, and a loud bellowing from the next +apartment through the folding doors. "Here-er Shee Rulk lies Poo Tom +Bo--oling." + +"Silly old Concertina! Hark at him, George!" She raised her voice. +"Don't sing that, you old Walrus, you! Sing 'I'm afloat!'" + +One leaf of the folding doors opened and my uncle appeared. + +"Hullo, George! Come along at last? Gossome tea-cake, Susan?" + +"Thought it over George?" he said abruptly. + +"Yes," said I. + +"Coming in?" + +I paused for a last moment and nodded yes. + +"Ah!" he cried. "Why couldn't you say that a week ago?" + +"I've had false ideas about the world," I said. "Oh! they don't matter +now! Yes, I'll come, I'll take my chance with you, I won't hesitate +again." + +And I didn't. I stuck to that resolution for seven long years. + + +CHAPTER THE THIRD + +HOW WE MADE TONO-BUNGAY HUM + +I + +So I made my peace with my uncle, and we set out upon this +bright enterprise of selling slightly injurious rubbish at +one-and-three-halfpence and two-and-nine a bottle, including the +Government stamp. We made Tono-Bungay hum! It brought us wealth, +influence, respect, the confidence of endless people. All that my uncle +promised me proved truth and understatement; Tono-Bungay carried me to +freedoms and powers that no life of scientific research, no passionate +service of humanity could ever have given me.... + +It was my uncle's genius that did it. No doubt he needed me,--I was, +I will admit, his indispensable right hand; but his was the brain to +conceive. He wrote every advertisement; some of them even he sketched. +You must remember that his were the days before the Time took to +enterprise and the vociferous hawking of that antiquated +Encyclopedia. That alluring, button-holing, let-me +-just-tell-you-quite-soberly-something-you-ought-to-know style of +newspaper advertisement, with every now and then a convulsive jump of +some attractive phrase into capitals, was then almost a novelty. "Many +people who are MODERATELY well think they are QUITE well," was one of +his early efforts. The jerks in capitals were, "DO NOT NEED DRUGS OR +MEDICINE," and "SIMPLY A PROPER REGIMEN TO GET YOU IN TONE." One was +warned against the chemist or druggist who pushed "much-advertised +nostrums" on one's attention. That trash did more harm than good. The +thing needed was regimen--and Tono-Bungay! + +Very early, too, was that bright little quarter column, at least it was +usually a quarter column in the evening papers: "HILARITY--Tono-Bungay. +Like Mountain Air in the Veins." The penetrating trio of questions: "Are +you bored with your Business? Are you bored with your Dinner. Are you +bored with your Wife?"--that, too, was in our Gower Street days. Both +these we had in our first campaign when we worked London south central, +and west; and then, too, we had our first poster--the HEALTH, BEAUTY, +AND STRENGTH one. That was his design; I happen still to have got by me +the first sketch he made for it. I have reproduced it here with one or +two others to enable the reader to understand the mental quality that +initiated these familiar ornaments of London. + +(The second one is about eighteen months later, the germ of the +well-known "Fog" poster; the third was designed for an influenza +epidemic, but never issued.) + +These things were only incidental in my department. + +I had to polish them up for the artist and arrange the business of +printing and distribution, and after my uncle had had a violent and +needless quarrel with the advertising manager of the Daily Regulator +about the amount of display given to one of his happy thoughts, I also +took up the negotiations of advertisements for the press. + +We discussed and worked out distribution together first in the +drawing-room floor in Gower Street with my aunt sometimes helping very +shrewdly, and then, with a steadily improving type of cigar and older +and older whisky, in his smuggery at their first house, the one in +Beckenham. Often we worked far into the night sometimes until dawn. + +We really worked infernally hard, and, I recall, we worked with a very +decided enthusiasm, not simply on my uncle's part but mine, It was +a game, an absurd but absurdly interesting game, and the points were +scored in cases of bottles. People think a happy notion is enough to +make a man rich, that fortunes can be made without toil. It's a dream, +as every millionaire (except one or two lucky gamblers) can testify; +I doubt if J.D. Rockefeller in the early days of Standard Oil, worked +harder than we did. We worked far into the night--and we also worked all +day. We made a rule to be always dropping in at the factory unannounced +to keep things right--for at first we could afford no properly +responsible underlings--and we traveled London, pretending to be our own +representatives and making all sorts of special arrangements. + +But none of this was my special work, and as soon as we could get other +men in, I dropped the traveling, though my uncle found it particularly +interesting and kept it up for years. "Does me good, George, to see the +chaps behind their counters like I was once," he explained. My special +and distinctive duty was to give Tono-Bungay substance and an outward +and visible bottle, to translate my uncle's great imaginings into the +creation of case after case of labelled bottles of nonsense, and the +punctual discharge of them by railway, road and steamer towards +their ultimate goal in the Great Stomach of the People. By all modern +standards the business was, as my uncle would say, "absolutely bona +fide." We sold our stuff and got the money, and spent the money honestly +in lies and clamour to sell more stuff. Section by section we spread +it over the whole of the British Isles; first working the middle-class +London suburbs, then the outer suburbs, then the home counties, then +going (with new bills and a more pious style of "ad") into Wales, a +great field always for a new patent-medicine, and then into Lancashire. + +My uncle had in his inner office a big map of England, and as we took +up fresh sections of the local press and our consignments invaded new +areas, flags for advertisements and pink underlines for orders showed +our progress. + +"The romance of modern commerce, George!" my uncle would say, rubbing +his hands together and drawing in air through his teeth. "The romance of +modern commerce, eh? Conquest. Province by province. Like sogers." + +We subjugated England and Wales; we rolled over the Cheviots with a +special adaptation containing eleven per cent. of absolute alcohol; +"Tono-Bungay: Thistle Brand." We also had the Fog poster adapted to a +kilted Briton in a misty Highland scene. + +Under the shadow of our great leading line we were presently taking +subsidiary specialties into action; "Tono-Bungay Hair Stimulant" was +our first supplement. Then came "Concentrated Tono-Bungay" for the +eyes. That didn't go, but we had a considerable success with the Hair +Stimulant. We broached the subject, I remember, in a little catechism +beginning: "Why does the hair fall out? Because the follicles are +fagged. What are the follicles?..." So it went on to the climax that +the Hair Stimulant contained all "The essential principles of that most +reviving tonic, Tono-Bungay, together with an emollient and nutritious +oil derived from crude Neat's Foot Oil by a process of refinement, +separation and deodorization.... It will be manifest to any one of +scientific attainments that in Neat's Foot Oil derived from the hoofs +and horns of beasts, we must necessarily have a natural skin and hair +lubricant." + +And we also did admirable things with our next subsidiaries, +"Tono-Bungay Lozenges," and "Tono-Bungay Chocolate." These we urged upon +the public for their extraordinary nutritive and recuperative value +in cases of fatigue and strain. We gave them posters and illustrated +advertisements showing climbers hanging from marvelously vertical +cliffs, cyclist champions upon the track, mounted messengers engaged in +Aix-to-Ghent rides, soldiers lying out in action under a hot sun. "You +can GO for twenty-four hours," we declared, "on Tono-Bungay Chocolate." +We didn't say whether you could return on the same commodity. We also +showed a dreadfully barristerish barrister, wig, side-whiskers, teeth, +a horribly life-like portrait of all existing barristers, talking at a +table, and beneath, this legend: "A Four Hours' Speech on Tono-Bungay +Lozenges, and as fresh as when he began." Then brought in regiments +of school-teachers, revivalist ministers, politicians and the like. I +really do believe there was an element of "kick" in the strychnine +in these lozenges, especially in those made according to our earlier +formula. For we altered all our formulae--invariably weakening them +enormously as sales got ahead. + +In a little while--so it seems to me now--we were employing travelers +and opening up Great Britain at the rate of a hundred square miles a +day. All the organisation throughout was sketched in a crude, entangled, +half-inspired fashion by my uncle, and all of it had to be worked out +into a practicable scheme of quantities and expenditure by me. We had a +lot of trouble finding our travelers; in the end at least half of them +were Irish-Americans, a wonderful breed for selling medicine. We had +still more trouble over our factory manager, because of the secrets of +the inner room, and in the end we got a very capable woman, Mrs. Hampton +Diggs, who had formerly managed a large millinery workroom, whom we +could trust to keep everything in good working order without finding out +anything that wasn't put exactly under her loyal and energetic nose. +She conceived a high opinion of Tono-Bungay and took it in all forms +and large quantities so long as I knew her. It didn't seem to do her any +harm. And she kept the girls going quite wonderfully. + +My uncle's last addition to the Tono-Bungay group was the Tono-Bungay +Mouthwash. The reader has probably read a hundred times that inspiring +inquiry of his, "You are Young Yet, but are you Sure Nothing has Aged +your Gums?" + +And after that we took over the agency for three or four good American +lines that worked in with our own, and could be handled with it; Texan +Embrocation, and "23--to clear the system" were the chief.... + +I set down these bare facts. To me they are all linked with the figure +of my uncle. In some of the old seventeenth and early eighteenth century +prayerbooks at Bladesover there used to be illustrations with long +scrolls coming out of the mouths of the wood-cut figures. I wish I could +write all this last chapter on a scroll coming out of the head of my +uncle, show it all the time as unfolding and pouring out from a short, +fattening, small-legged man with stiff cropped hair, disobedient glasses +on a perky little nose, and a round stare behind them. I wish I could +show you him breathing hard and a little through his nose as his pen +scrabbled out some absurd inspiration for a poster or a picture page, +and make you hear his voice, charged with solemn import like the voice +of a squeaky prophet, saying, "George! list'n! I got an ideer. I got a +notion! George!" + +I should put myself into the same picture. Best setting for us, I think, +would be the Beckenham snuggery, because there we worked hardest. It +would be the lamplit room of the early nineties, and the clock upon the +mantel would indicate midnight or later. We would be sitting on either +side of the fire, I with a pipe, my uncle with a cigar or cigarette. +There would be glasses standing inside the brass fender. Our expressions +would be very grave. My uncle used to sit right back in his armchair; +his toes always turned in when he was sitting down and his legs had a +way of looking curved, as though they hadn't bones or joints but were +stuffed with sawdust. + +"George, whad'yer think of T.B. for sea-sickness?" he would say. + +"No good that I can imagine." + +"Oom! No harm TRYING, George. We can but try." + +I would suck my pipe. "Hard to get at. Unless we sold our stuff +specially at the docks. Might do a special at Cook's office, or in the +Continental Bradshaw." + +"It 'ud give 'em confidence, George." + +He would Zzzz, with his glasses reflecting the red of the glowing coals. + +"No good hiding our light under a Bushel," he would remark. + +I never really determined whether my uncle regarded Tono-Bungay as a +fraud, or whether he didn't come to believe in it in a kind of way by +the mere reiteration of his own assertions. I think that his average +attitude was one of kindly, almost parental, toleration. I remember +saying on one occasion, "But you don't suppose this stuff ever did a +human being the slightest good all?" and how his face assumed a look of +protest, as of one reproving harshness and dogmatism. + +"You've a hard nature, George," he said. "You're too ready to run things +down. How can one TELL? How can one venture to TELL!..." + +I suppose any creative and developing game would have interested me +in those years. At any rate, I know I put as much zeal into this +Tono-Bungay as any young lieutenant could have done who suddenly found +himself in command of a ship. It was extraordinarily interesting to me +to figure out the advantage accruing from this shortening of the process +or that, and to weigh it against the capital cost of the alteration. I +made a sort of machine for sticking on the labels, that I patented; to +this day there is a little trickle of royalties to me from that. I also +contrived to have our mixture made concentrated, got the bottles, which +all came sliding down a guarded slant-way, nearly filled with distilled +water at one tap, and dripped our magic ingredients in at the next. This +was an immense economy of space for the inner sanctum. For the bottling +we needed special taps, and these, too, I invented and patented. + +We had a sort of endless band of bottles sliding along an inclined glass +trough made slippery with running water. At one end a girl held them up +to the light, put aside any that were imperfect and placed the others in +the trough; the filling was automatic; at the other end a girl slipped +in the cork and drove it home with a little mallet. Each tank, the +little one for the vivifying ingredients and the big one for distilled +water, had a level indicator, and inside I had a float arrangement that +stopped the slide whenever either had sunk too low. Another girl stood +ready with my machine to label the corked bottles and hand them to the +three packers, who slipped them into their outer papers and put them, +with a pad of corrugated paper between each pair, into a little groove +from which they could be made to slide neatly into position in our +standard packing-case. It sounds wild, I know, but I believe I was the +first man in the city of London to pack patent medicines through the +side of the packing-case, to discover there was a better way in than by +the lid. Our cases packed themselves, practically; had only to be put +into position on a little wheeled tray and when full pulled to the lift +that dropped them to the men downstairs, who padded up the free space +and nailed on top and side. Our girls, moreover, packed with corrugated +paper and matchbook-wood box partitions when everybody else was using +expensive young men to pack through the top of the box with straw, many +breakages and much waste and confusion. + +II + +As I look back at them now, those energetic years seem all compacted +to a year or so; from the days of our first hazardous beginning in +Farringdon Street with barely a thousand pounds' worth of stuff or +credit all told--and that got by something perilously like snatching--to +the days when my uncle went to the public on behalf of himself and me +(one-tenth share) and our silent partners, the drug wholesalers and the +printing people and the owner of that group of magazines and newspapers, +to ask with honest confidence for L150,000. Those silent partners were +remarkably sorry, I know, that they had not taken larger shares and +given us longer credit when the subscriptions came pouring in. My uncle +had a clear half to play with (including the one-tenth understood to be +mine). + +L150,000--think of it!--for the goodwill in a string of lies and a trade +in bottles of mitigated water! Do you realise the madness of the world +that sanctions such a thing? Perhaps you don't. At times use and wont +certainly blinded me. If it had not been for Ewart, I don't think I +should have had an inkling of the wonderfulness of this development of +my fortunes; I should have grown accustomed to it, fallen in with all +its delusions as completely as my uncle presently did. He was immensely +proud of the flotation. "They've never been given such value," he said, +"for a dozen years." But Ewart, with his gesticulating hairy hands and +bony wrists, his single-handed chorus to all this as it played +itself over again in my memory, and he kept my fundamental absurdity +illuminated for me during all this astonishing time. + +"It's just on all fours with the rest of things," he remarked; "only +more so. You needn't think you're anything out of the way." + +I remember one disquisition very distinctly. It was just after Ewart had +been to Paris on a mysterious expedition to "rough in" some work for +a rising American sculptor. This young man had a commission for an +allegorical figure of Truth (draped, of course) for his State Capitol, +and he needed help. Ewart had returned with his hair cut en brosse and +with his costume completely translated into French. He wore, I remember, +a bicycling suit of purplish-brown, baggy beyond ageing--the only +creditable thing about it was that it had evidently not been made for +him--a voluminous black tie, a decadent soft felt hat and several French +expletives of a sinister description. "Silly clothes, aren't they?" he +said at the sight of my startled eye. "I don't know why I got'm. They +seemed all right over there." + +He had come down to our Raggett Street place to discuss a benevolent +project of mine for a poster by him, and he scattered remarkable +discourse over the heads (I hope it was over the heads) of our bottlers. + +"What I like about it all, Ponderevo, is its poetry.... That's where +we get the pull of the animals. No animal would ever run a factory +like this. Think!... One remembers the Beaver, of course. He might very +possibly bottle things, but would he stick a label round 'em and sell +'em? The Beaver is a dreamy fool, I'll admit, him and his dams, but +after all there's a sort of protection about 'em, a kind of muddy +practicality! They prevent things getting at him. And it's not your +poetry only. It's the poetry of the customer too. Poet answering to +poet--soul to soul. Health, Strength and Beauty--in a bottle--the magic +philtre! Like a fairy tale.... + +"Think of the people to whom your bottles of footle go! (I'm calling it +footle, Ponderevo, out of praise," he said in parenthesis.) + +"Think of the little clerks and jaded women and overworked people. +People overstrained with wanting to do, people overstrained with wanting +to be.... People, in fact, overstrained.... The real trouble of life, +Ponderevo, isn't that we exist--that's a vulgar error; the real trouble +is that we DON'T really exist and we want to. That's what this--in +the highest sense--just stands for! The hunger to be--for once--really +alive--to the finger tips!... + +"Nobody wants to do and be the things people are--nobody. YOU don't want +to preside over this--this bottling; I don't want to wear these beastly +clothes and be led about by you; nobody wants to keep on sticking labels +on silly bottles at so many farthings a gross. That isn't existing! +That's--sus--substratum. None of us want to be what we are, or to do +what we do. Except as a sort of basis. What do we want? You know. I +know. Nobody confesses. What we all want to be is something perpetually +young and beautiful--young Joves--young Joves, Ponderevo"--his voice +became loud, harsh and declamatory--"pursuing coy half-willing nymphs +through everlasting forests."... + +There was a just-perceptible listening hang in the work about us. + +"Come downstairs," I interrupted, "we can talk better there." + +"I can talk better here," he answered. + +He was just going on, but fortunately the implacable face of Mrs. +Hampton Diggs appeared down the aisle of bottling machines. + +"All right," he said, "I'll come." + +In the little sanctum below, my uncle was taking a digestive pause after +his lunch and by no means alert. His presence sent Ewart back to the +theme of modern commerce, over the excellent cigar my uncle gave him. He +behaved with the elaborate deference due to a business magnate from an +unknown man. + +"What I was pointing out to your nephew, sir," said Ewart, putting both +elbows on the table, "was the poetry of commerce. He doesn't, you know, +seem to see it at all." + +My uncle nodded brightly. "Whad I tell 'im," he said round his cigar. + +"We are artists. You and I, sir, can talk, if you will permit me, as one +artist to another. It's advertisement has--done it. Advertisement has +revolutionised trade and industry; it is going to revolutionise the +world. The old merchant used to tote about commodities; the new one +creates values. Doesn't need to tote. He takes something that isn't +worth anything--or something that isn't particularly worth anything--and +he makes it worth something. He takes mustard that is just like anybody +else's mustard, and he goes about saying, shouting, singing, chalking +on walls, writing inside people's books, putting it everywhere, 'Smith's +Mustard is the Best.' And behold it is the best!" + +"True," said my uncle, chubbily and with a dreamy sense of mysticism; +"true!" + +"It's just like an artist; he takes a lump of white marble on the verge +of a lime-kiln, he chips it about, he makes--he makes a monument to +himself--and others--a monument the world will not willingly let die. +Talking of mustard, sir, I was at Clapham Junction the other day, and +all the banks are overgrown with horse radish that's got loose from +a garden somewhere. You know what horseradish is--grows like +wildfire--spreads--spreads. I stood at the end of the platform looking +at the stuff and thinking about it. 'Like fame,' I thought, 'rank and +wild where it isn't wanted. Why don't the really good things in life +grow like horseradish?' I thought. My mind went off in a peculiar way +it does from that to the idea that mustard costs a penny a tin--I bought +some the other day for a ham I had. It came into my head that it would +be ripping good business to use horseradish to adulterate mustard. I had +a sort of idea that I could plunge into business on that, get rich and +come back to my own proper monumental art again. And then I said, 'But +why adulterate? I don't like the idea of adulteration.'" + +"Shabby," said my uncle, nodding his head. "Bound to get found out!" + +"And totally unnecessary, too! Why not do up a mixture--three-quarters +pounded horseradish and a quarter mustard--give it a fancy name--and +sell it at twice the mustard price. See? I very nearly started the +business straight away, only something happened. My train came along." + +"Jolly good ideer," said my uncle. He looked at me. "That really is an +ideer, George," he said. + +"Take shavin's, again! You know that poem of Longfellow's, sir, that +sounds exactly like the first declension. What is it?--'Marr's a maker, +men say!'" + +My uncle nodded and gurgled some quotation that died away. + +"Jolly good poem, George," he said in an aside to me. + +"Well, it's about a carpenter and a poetic Victorian child, you know, +and some shavin's. The child made no end out of the shavin's. So +might you. Powder 'em. They might be anything. Soak 'em in +jipper,--Xylo-tobacco! Powder'em and get a little tar and turpentinous +smell in,--wood-packing for hot baths--a Certain Cure for the scourge +of Influenza! There's all these patent grain foods,--what Americans call +cereals. I believe I'm right, sir, in saying they're sawdust." + +"No!" said my uncle, removing his cigar; "as far as I can find out it's +really grain,--spoilt grain.... I've been going into that." + +"Well, there you are!" said Ewart. "Say it's spoilt grain. It carried +out my case just as well. Your modern commerce is no more buying and +selling than sculpture. It's mercy--it's salvation. It's rescue work! It +takes all sorts of fallen commodities by the hand and raises them. Cana +isn't in it. You turn water--into Tono-Bungay." + +"Tono-Bungay's all right," said my uncle, suddenly grave. "We aren't +talking of Tono-Bungay." + +"Your nephew, sir, is hard; he wants everything to go to a sort of +predestinated end; he's a Calvinist of Commerce. Offer him a dustbin +full of stuff; he calls it refuse--passes by on the other side. Now YOU, +sir you'd make cinders respect themselves." + +My uncle regarded him dubiously for a moment. But there was a touch of +appreciation in his eye. + +"Might make 'em into a sort of sanitary brick," he reflected over his +cigar end. + +"Or a friable biscuit. Why NOT? You might advertise: 'Why are Birds so +Bright? Because they digest their food perfectly! Why do they digest +their food so perfectly? Because they have a gizzard! Why hasn't man +a gizzard? Because he can buy Ponderevo's Asphalt Triturating, Friable +Biscuit--Which is Better.'" + +He delivered the last words in a shout, with his hairy hand flourished +in the air.... + +"Damn clever fellow," said my uncle, after he had one. "I know a man +when I see one. He'd do. But drunk, I should say. But that only makes +some chap brighter. If he WANTS to do that poster, he can. Zzzz. That +ideer of his about the horseradish. There's something in that, George. +I'm going to think over that...." + +I may say at once that my poster project came to nothing in the end, +though Ewart devoted an interesting week to the matter. He let his +unfortunate disposition to irony run away with him. He produced a +picture of two beavers with a subtle likeness, he said, to myself and my +uncle--the likeness to my uncle certainly wasn't half bad--and they +were bottling rows and rows of Tono-Bungay, with the legend "Modern +commerce." It certainly wouldn't have sold a case, though he urged it on +me one cheerful evening on the ground that it would "arouse curiosity." +In addition he produced a quite shocking study of my uncle, excessively +and needlessly nude, but, so far as I was able to judge, an admirable +likeness, engaged in feats of strength of a Gargantuan type before an +audience of deboshed and shattered ladies. The legend, "Health, Beauty, +Strength," below, gave a needed point to his parody. This he hung up in +the studio over the oil shop, with a flap of brown paper; by way of a +curtain over it to accentuate its libellous offence. + + +CHAPTER THE FOURTH + +MARION I + +As I look back on those days in which we built up the great Tono-Bungay +property out of human hope and credit for bottles and rent and printing, +I see my life as it were arranged in two parallel columns of unequal +width, a wider, more diffused, eventful and various one which +continually broadens out, the business side of my life, and a narrow, +darker and darkling one shot ever and again with a gleam of happiness, +my home-life with Marion. For, of course, I married Marion. + +I didn't, as a matter of fact, marry her until a year after Tono-Bungay +was thoroughly afloat, and then only after conflicts and discussions +of a quite strenuous sort. By that time I was twenty-four. It seems +the next thing to childhood now. We were both in certain directions +unusually ignorant and simple; we were temperamentally antagonistic, and +we hadn't--I don't think we were capable of--an idea in common. She was +young and extraordinarily conventional--she seemed never to have an +idea of her own but always the idea of her class--and I was young and +sceptical, enterprising and passionate; the two links that held us +together were the intense appeal her physical beauty had for me, and her +appreciation of her importance in my thoughts. There can be no doubt of +my passion for her. In her I had discovered woman desired. The nights I +have lain awake on account of her, writhing, biting my wrists in a fever +of longing! ... + +I have told how I got myself a silk hat and black coat to please her +on Sunday--to the derision of some of my fellow-students who charged to +meet me, and how we became engaged. But that was only the beginning +of our difference. To her that meant the beginning of a not unpleasant +little secrecy, an occasional use of verbal endearments, perhaps even +kisses. It was something to go on indefinitely, interfering in no way +with her gossiping spells of work at Smithie's. To me it was a pledge +to come together into the utmost intimacy of soul and body so soon as we +could contrive it.... + +I don't know if it will strike the reader that I am setting out to +discuss the queer, unwise love relationship and my bungle of a marriage +with excessive solemnity. But to me it seems to reach out to vastly +wider issues than our little personal affair. I've thought over my life. +In these last few years I've tried to get at least a little wisdom out +of it. And in particular I've thought over this part of my life. I'm +enormously impressed by the ignorant, unguided way in which we two +entangled ourselves with each other. It seems to me the queerest thing +in all this network of misunderstandings and misstatements and faulty +and ramshackle conventions which makes up our social order as the +individual meets it, that we should have come together so accidentally +and so blindly. Because we were no more than samples of the common fate. +Love is not only the cardinal fact in the individual life, but the most +important concern of the community; after all, the way in which the +young people of this generation pair off determines the fate of the +nation; all the other affairs of the State are subsidiary to that. +And we leave it to flushed and blundering youth to stumble on its own +significance, with nothing to guide in but shocked looks and sentimental +twaddle and base whisperings and cant-smeared examples. + +I have tried to indicate something of my own sexual development in the +preceding chapter. Nobody was ever frank and decent with me in this +relation; nobody, no book, ever came and said to me thus and thus is +the world made, and so and so is necessary. Everything came obscurely, +indefinitely, perplexingly; and all I knew of law or convention in the +matter had the form of threatenings and prohibitions. Except through the +furtive, shameful talk of my coevals at Goudhurst and Wimblehurst, I +was not even warned against quite horrible dangers. My ideas were made +partly of instinct, partly of a romantic imagination, partly woven out +of a medley of scraps of suggestion that came to me haphazard. I had +read widely and confusedly "Vathek," Shelley, Tom Paine, Plutarch, +Carlyle, Haeckel, William Morris, the Bible, the Freethinker, the +Clarion, "The Woman Who Did,"--I mention the ingredients that come first +to mind. All sorts of ideas were jumbled up in me and never a lucid +explanation. But it was evident to me that the world regarded Shelley, +for example, as a very heroic as well as beautiful person; and that +to defy convention and succumb magnificently to passion was the proper +thing to do to gain the respect and affection of all decent people. + +And the make-up of Marion's mind in the matter was an equally irrational +affair. Her training had been one, not simply of silences, but +suppressions. An enormous force of suggestion had so shaped her that +the intense natural fastidiousness of girlhood had developed into +an absolute perversion of instinct. For all that is cardinal in this +essential business of life she had one inseparable epithet--"horrid." +Without any such training she would have been a shy lover, but now she +was an impossible one. For the rest she had derived, I suppose, partly +from the sort of fiction she got from the Public Library, and partly +from the workroom talk at Smithie's. So far as the former origin went, +she had an idea of love as a state of worship and service on the part of +the man and of condescension on the part of the woman. There was nothing +"horrid" about it in any fiction she had read. The man gave presents, +did services, sought to be in every way delightful. The woman "went out" +with him, smiled at him, was kissed by him in decorous secrecy, and if +he chanced to offend, denied her countenance and presence. Usually she +did something "for his good" to him, made him go to church, made him +give up smoking or gambling, smartened him up. Quite at the end of the +story came a marriage, and after that the interest ceased. + +That was the tenor of Marion's fiction; but I think the work-table +conversation at Smithie's did something to modify that. At Smithie's it +was recognised, I think, that a "fellow" was a possession to be desired; +that it was better to be engaged to a fellow than not; that fellows had +to be kept--they might be mislaid, they might even be stolen. There was +a case of stealing at Smithie's, and many tears. + +Smithie I met before we were married, and afterwards she became a +frequent visitor to our house at Ealing. She was a thin, bright-eyed, +hawk-nosed girl of thirtyodd, with prominent teeth, a high-pitched, +eager voice and a disposition to be urgently smart in her dress. Her +hats were startling and various, but invariably disconcerting, and she +talked in a rapid, nervous flow that was hilarious rather than witty, +and broken by little screams of "Oh, my dear!" and "you never did!" She +was the first woman I ever met who used scent. Poor old Smithie! What a +harmless, kindly soul she really was, and how heartily I detested her! +Out of the profits on the Persian robes she supported a sister's family +of three children, she "helped" a worthless brother, and overflowed +in help even to her workgirls, but that didn't weigh with me in those +youthfully-narrow times. It was one of the intense minor irritations of +my married life that Smithie's whirlwind chatter seemed to me to have +far more influence with Marion than anything I had to say. Before all +things I coveted her grip upon Marion's inaccessible mind. + +In the workroom at Smithie's, I gathered, they always spoke of me +demurely as "A Certain Person." I was rumoured to be dreadfully +"clever," and there were doubts--not altogether without +justification--of the sweetness of my temper. + +II + +Well, these general explanations will enable the reader to understand +the distressful times we two had together when presently I began to feel +on a footing with Marion and to fumble conversationally for the mind and +the wonderful passion I felt, obstinately and stupidity, must be in her. +I think she thought me the maddest of sane men; "clever," in fact, +which at Smithie's was, I suppose, the next thing to insanity, a word +intimating incomprehensible and incalculable motives.... She could be +shocked at anything, she misunderstood everything, and her weapon was +a sulky silence that knitted her brows, spoilt her mouth and robbed her +face of beauty. "Well, if we can't agree, I don't see why you should +go on talking," she used to say. That would always enrage me beyond +measure. Or, "I'm afraid I'm not clever enough to understand that." + +Silly little people! I see it all now, but then I was no older than +she and I couldn't see anything but that Marion, for some inexplicable +reason, wouldn't come alive. + +We would contrive semi-surreptitious walks on Sunday, and part +speechless with the anger of indefinable offences. Poor Marion! The +things I tried to put before her, my fermenting ideas about theology, +about Socialism, about aesthetics--the very words appalled her, gave her +the faint chill of approaching impropriety, the terror of a very present +intellectual impossibility. Then by an enormous effort I would suppress +myself for a time and continue a talk that made her happy, about +Smithie's brother, about the new girl who had come to the workroom, +about the house we would presently live in. But there we differed +a little. I wanted to be accessible to St. Paul's or Cannon Street +Station, and she had set her mind quite resolutely upon Eating.... It +wasn't by any means quarreling all the time, you understand. She liked +me to play the lover "nicely"; she liked the effect of going about--we +had lunches, we went to Earl's Court, to Kew, to theatres and concerts, +but not often to concerts, because, though Marion "liked" music, +she didn't like "too much of it," to picture shows--and there was a +nonsensical sort of babytalk I picked up--I forget where now--that +became a mighty peacemaker. + +Her worst offence for me was an occasional excursion into the Smithie +style of dressing, debased West Kensington. For she had no sense at all +of her own beauty. She had no comprehension whatever of beauty of the +body, and she could slash her beautiful lines to rags with hat-brims and +trimmings. Thank Heaven! a natural refinement, a natural timidity, +and her extremely slender purse kept her from the real Smithie +efflorescence! Poor, simple, beautiful, kindly limited Marion! Now that +I am forty-five, I can look back at her with all my old admiration +and none of my old bitterness with a new affection and not a scrap +of passion, and take her part against the equally stupid, +drivingly-energetic, sensuous, intellectual sprawl I used to be. I was +a young beast for her to have married--a hound beast. With her it was +my business to understand and control--and I exacted fellowship, +passion.... + +We became engaged, as I have told; we broke it off and joined again. We +went through a succession of such phases. We had no sort of idea what +was wrong with us. Presently we were formally engaged. I had a wonderful +interview with her father, in which he was stupendously grave +and H--less, wanted to know about my origins and was tolerant +(exasperatingly tolerant) because my mother was a servant, and +afterwards her mother took to kissing me, and I bought a ring. But +the speechless aunt, I gathered, didn't approve--having doubts of my +religiosity. Whenever we were estranged we could keep apart for days; +and to begin with, every such separation was a relief. And then I would +want her; a restless longing would come upon me. I would think of the +flow of her arms, of the soft, gracious bend of her body. I would lie +awake or dream of a transfigured Marion of light and fire. It was indeed +Dame Nature driving me on to womankind in her stupid, inexorable way; +but I thought it was the need of Marion that troubled me. So I always +went back to Marion at last and made it up and more or less conceded or +ignored whatever thing had parted us, and more and more I urged her to +marry me.... + +In the long run that became a fixed idea. It entangled my will and my +pride; I told myself I was not going to be beaten. I hardened to the +business. I think, as a matter of fact, my real passion for Marion had +waned enormously long before we were married, that she had lived it down +by sheer irresponsiveness. When I felt sure of my three hundred a year +she stipulated for delay, twelve months' delay, "to see how things would +turn out." There were times when she seemed simply an antagonist holding +out irritatingly against something I had to settle. Moreover, I began +to be greatly distracted by the interest and excitement of Tono-Bungay's +success, by the change and movement in things, the going to and fro. +I would forget her for days together, and then desire her with an +irritating intensity at last, one Saturday afternoon, after a brooding +morning, I determined almost savagely that these delays must end. + +I went off to the little home at Walham Green, and made Marion come with +me to Putney Common. Marion wasn't at home when I got there and I had +to fret for a time and talk to her father, who was just back from +his office, he explained, and enjoying himself in his own way in the +greenhouse. + +"I'm going to ask your daughter to marry me!" I said. "I think we've +been waiting long enough." + +"I don't approve of long engagements either," said her father. "But +Marion will have her own way about it, anyhow. Seen this new powdered +fertiliser?" + +I went in to talk to Mrs. Ramboat. "She'll want time to get her things," +said Mrs. Ramboat.... + +I and Marion sat down together on a little seat under some trees at the +top of Putney Hill, and I came to my point abruptly. + +"Look here, Marion," I said, "are you going to marry me or are you not?" + +She smiled at me. "Well," she said, "we're engaged--aren't we?" + +"That can't go on for ever. Will you marry me next week?" + +She looked me in the face. "We can't," she said. + +"You promised to marry me when I had three hundred a year." + +She was silent for a space. "Can't we go on for a time as we are? We +COULD marry on three hundred a year. But it means a very little house. +There's Smithie's brother. They manage on two hundred and fifty, but +that's very little. She says they have a semi-detached house almost on +the road, and hardly a bit of garden. And the wall to next-door is so +thin they hear everything. When her baby cries--they rap. And people +stand against the railings and talk.... Can't we wait? You're doing so +well." + +An extraordinary bitterness possessed me at this invasion of the +stupendous beautiful business of love by sordid necessity. I answered +her with immense restraint. + +"If," I said, "we could have a double-fronted, detached house--at +Ealing, say--with a square patch of lawn in front and a garden +behind--and--and a tiled bathroom." + +"That would be sixty pounds a year at least." + +"Which means five hundred a year.... Yes, well, you see, I told my uncle +I wanted that, and I've got it." + +"Got what?" + +"Five hundred pounds a year." + +"Five hundred pounds!" + +I burst into laughter that had more than a taste of bitterness. + +"Yes," I said, "really! and NOW what do you think?" + +"Yes," she said, a little flushed; "but be sensible! Do you really mean +you've got a Rise, all at once, of two hundred a year?" + +"To marry on--yes." + +She scrutinised me a moment. "You've done this as a surprise!" she said, +and laughed at my laughter. She had become radiant, and that made me +radiant, too. + +"Yes," I said, "yes," and laughed no longer bitterly. + +She clasped her hands and looked me in the eyes. + +She was so pleased that I forgot absolutely my disgust of a moment +before. I forgot that she had raised her price two hundred pounds a year +and that I had bought her at that. + +"Come!" I said, standing up; "let's go towards the sunset, dear, and +talk about it all. Do you know--this is a most beautiful world, an +amazingly beautiful world, and when the sunset falls upon you it +makes you into shining gold. No, not gold--into golden glass.... Into +something better that either glass or gold."... + +And for all that evening I wooed her and kept her glad. She made me +repeat my assurances over again and still doubted a little. + +We furnished that double-fronted house from attic--it ran to an +attic--to cellar, and created a garden. + +"Do you know Pampas Grass?" said Marion. "I love Pampas Grass... if +there is room." + +"You shall have Pampas Grass," I declared. And there were moments as we +went in imagination about that house together, when my whole being cried +out to take her in my arms--now. But I refrained. On that aspect of life +I touched very lightly in that talk, very lightly because I had had +my lessons. She promised to marry me within two months' time. Shyly, +reluctantly, she named a day, and next afternoon, in heat and wrath, +we "broke it off" again for the last time. We split upon procedure. +I refused flatly to have a normal wedding with wedding cake, in white +favours, carriages and the rest of it. It dawned upon me suddenly in +conversation with her and her mother, that this was implied. I blurted +out my objection forthwith, and this time it wasn't any ordinary +difference of opinion; it was a "row." I don't remember a quarter of the +things we flung out in that dispute. I remember her mother reiterating +in tones of gentle remonstrance: "But, George dear, you must have +a cake--to send home." I think we all reiterated things. I seem to +remember a refrain of my own: "A marriage is too sacred a thing, too +private a thing, for this display. Her father came in and stood behind +me against the wall, and her aunt appeared beside the sideboard and +stood with arms, looking from speaker to speaker, a sternly gratified +prophetess. It didn't occur to me then! How painful it was to Marion for +these people to witness my rebellion. + +"But, George," said her father, "what sort of marriage do you want? You +don't want to go to one of those there registry offices?" + +"That's exactly what I'd like to do. Marriage is too private a thing--" + +"I shouldn't feel married," said Mrs. Ramboat. + +"Look here, Marion," I said; "we are going to be married at a registry +office. I don't believe in all these fripperies and superstitions, and I +won't submit to them. I've agreed to all sorts of things to please you." + +"What's he agreed to?" said her father--unheeded. + +"I can't marry at a registry office," said Marion, sallow-white. + +"Very well," I said. "I'll marry nowhere else." + +"I can't marry at a registry office." + +"Very well," I said, standing up, white and tense and it amazed me, but +I was also exultant; "then we won't marry at all." + +She leant forward over the table, staring blankly. But presently her +half-averted face began to haunt me as she had sat at the table, and her +arm and the long droop of her shoulder. + +III + +The next day I did an unexampled thing. I sent a telegram to my uncle, +"Bad temper not coming to business," and set off for Highgate and Ewart. +He was actually at work--on a bust of Millie, and seemed very glad for +any interruption. + +"Ewart, you old Fool," I said, "knock off and come for a day's gossip. +I'm rotten. There's a sympathetic sort of lunacy about you. Let's go to +Staines and paddle up to Windsor." + +"Girl?" said Ewart, putting down a chisel. + +"Yes." + +That was all I told him of my affair. + +"I've got no money," he remarked, to clear up ambiguity in my +invitation. + +We got a jar of shandy-gaff, some food, and, on Ewart's suggestion, +two Japanese sunshades in Staines; we demanded extra cushions at the +boathouse and we spent an enormously soothing day in discourse and +meditation, our boat moored in a shady place this side of Windsor. +I seem to remember Ewart with a cushion forward, only his heels and +sunshade and some black ends of hair showing, a voice and no more, +against the shining, smoothly-streaming mirror of the trees and bushes. + +"It's not worth it," was the burthen of the voice. "You'd better get +yourself a Millie, Ponderevo, and then you wouldn't feel so upset." + +"No," I said decidedly, "that's not my way." + +A thread of smoke ascended from Ewart for a while, like smoke from an +altar. + +"Everything's a muddle, and you think it isn't. Nobody knows where +we are--because, as a matter of fact we aren't anywhere. Are women +property--or are they fellow-creatures? Or a sort of proprietary +goddesses? They're so obviously fellow-creatures. You believe in the +goddess?" + +"No," I said, "that's not my idea." + +"What is your idea?" + +"Well" + +"H'm," said Ewart, in my pause. + +"My idea," I said, "is to meet one person who will belong to me--to whom +I shall belong--body and soul. No half-gods! Wait till she comes. If she +comes at all.... We must come to each other young and pure." + +"There's no such thing as a pure person or an impure person.... Mixed to +begin with." + +This was so manifestly true that it silenced me altogether. + +"And if you belong to her and she to you, Ponderevo--which end's the +head?" + +I made no answer except an impatient "oh!" + +For a time we smoked in silence.... + +"Did I tell you, Ponderevo, of a wonderful discovery I've made?" Ewart +began presently. + +"No," I said, "what is it?" + +"There's no Mrs. Grundy." + +"No?" + +"No! Practically not. I've just thought all that business out. She's +merely an instrument, Ponderevo. She's borne the blame. Grundy's a man. +Grundy unmasked. Rather lean and out of sorts. Early middle age. With +bunchy black whiskers and a worried eye. Been good so far, and it's +fretting him! Moods! There's Grundy in a state of sexual panic, for +example,--'For God's sake cover it up! They get together--they get +together! It's too exciting! The most dreadful things are happening!' +Rushing about--long arms going like a windmill. 'They must be kept +apart!' Starts out for an absolute obliteration of everything absolute +separations. One side of the road for men, and the other for women, and +a hoarding--without posters between them. Every boy and girl to be sewed +up in a sack and sealed, just the head and hands and feet out until +twenty-one. Music abolished, calico garments for the lower animals! +Sparrows to be suppressed--ab-so-lutely." + +I laughed abruptly. + +"Well, that's Mr. Grundy in one mood--and it puts Mrs. Grundy--She's a +much-maligned person, Ponderevo--a rake at heart--and it puts her in a +most painful state of fluster--most painful! She's an amenable creature. +When Grundy tells her things are shocking, she's shocked--pink and +breathless. She goes about trying to conceal her profound sense of guilt +behind a haughty expression.... + +"Grundy, meanwhile, is in a state of complete whirlabout. Long lean +knuckly hands pointing and gesticulating! 'They're still thinking of +things--thinking of things! It's dreadful. They get it out of books. +I can't imagine where they get it! I must watch! There're people over +there whispering! Nobody ought to whisper!--There's something suggestive +in the mere act! Then, pictures! In the museum--things too dreadful for +words. Why can't we have pure art--with the anatomy all wrong and pure +and nice--and pure fiction pure poetry, instead of all this stuff with +allusions--allusions?... Excuse me! There's something up behind that +locked door! The keyhole! In the interests of public morality--yes, Sir, +as a pure good man--I insist--I'LL look--it won't hurt me--I insist on +looking my duty--M'm'm--the keyhole!'" + +He kicked his legs about extravagantly, and I laughed again. + +"That's Grundy in one mood, Ponderevo. It isn't Mrs. Grundy. That's one +of the lies we tell about women. They're too simple. Simple! Woman ARE +simple! They take on just what men tell 'em." + +Ewart meditated for a space. "Just exactly as it's put to them," he +said, and resumed the moods of Mr. Grundy. + +"Then you get old Grundy in another mood. Ever caught him nosing, +Ponderevo? Mad with the idea of mysterious, unknown, wicked, delicious +things. Things that aren't respectable. Wow! Things he mustn't do!... +Any one who knows about these things, knows there's just as much mystery +and deliciousness about Grundy's forbidden things as there is about +eating ham. Jolly nice if it's a bright morning and you're well and +hungry and having breakfast in the open air. Jolly unattractive if +you're off colour. But Grundy's covered it all up and hidden it and +put mucky shades and covers over it until he's forgotten it. Begins to +fester round it in his mind. Has dreadful struggles--with himself about +impure thoughts.... Then you set Grundy with hot ears,--curious in +undertones. Grundy on the loose, Grundy in a hoarse whisper and +with furtive eyes and convulsive movements--making things indecent. +Evolving--in dense vapours--indecency! + +"Grundy sins. Oh, yes, he's a hypocrite. Sneaks round a corner and +sins ugly. It's Grundy and his dark corners that make vice, vice! We +artists--we have no vices. + +"And then he's frantic with repentance. And wants to be cruel to fallen +women and decent harmless sculptors of the simple nude--like me--and so +back to his panic again." + +"Mrs. Grundy, I suppose, doesn't know he sins," I remarked. + +"No? I'm not so sure.... But, bless her heart she's a woman.... She's +a woman. Then again you get Grundy with a large greasy smile--like +an accident to a butter tub--all over his face, being Liberal +Minded--Grundy in his Anti-Puritan moments, 'trying not to see Harm in +it'--Grundy the friend of innocent pleasure. He makes you sick with the +Harm he's trying not to see in it... + +"And that's why everything's wrong, Ponderevo. Grundy, damn him! stands +in the light, and we young people can't see. His moods affect us. We +catch his gusts of panic, his disease of nosing, his greasiness. We +don't know what we may think, what we may say, he does his silly +utmost to prevent our reading and seeing the one thing, the one sort of +discussion we find--quite naturally and properly--supremely interesting. +So we don't adolescence; we blunder up to sex. Dare--dare to look--and +he may dirt you for ever! The girls are terror-stricken to silence by +his significant whiskers, by the bleary something in his eyes." + +Suddenly Ewart, with an almost Jack-in-the-box effect, sat up. + +"He's about us everywhere, Ponderevo," he said, very solemnly. +"Sometimes--sometimes I think he is--in our blood. In MINE." + +He regarded me for my opinion very earnestly, with his pipe in the +corner of his mouth. + +"You're the remotest cousin he ever had," I said. + +I reflected. "Look here, Ewart," I asked, "how would you have things +different?" + +He wrinkled up his queer face, regarded the wait and made his pipe +gurgle for a space, thinking deeply. + +"There are complications, I admit. We've grown up under the terror of +Grundy and that innocent but docile and--yes--formidable lady, his +wife. I don't know how far the complications aren't a disease, a sort of +bleaching under the Grundy shadow.... It is possible there are things +I have still to learn about women.... Man has eaten of the Tree of +Knowledge. His innocence is gone. You can't have your cake and eat +it. We're in for knowledge; let's have it plain and straight. I should +begin, I think, by abolishing the ideas of decency and indecency...." + +"Grundy would have fits!" I injected. + +"Grundy, Ponderevo, would have cold douches--publicly--if the sight was +not too painful--three times a day.... But I don't think, mind you, +that I should let the sexes run about together. No. The fact behind the +sexes--is sex. It's no good humbugging. It trails about--even in the +best mixed company. Tugs at your ankle. The men get showing off and +quarrelling--and the women. Or they're bored. I suppose the ancestral +males have competed for the ancestral females ever since they were both +some sort of grubby little reptile. You aren't going to alter that in +a thousand years or so.... Never should you have a mixed company, +never--except with only one man or only one woman. How would that be?... + +"Or duets only?... + +"How to manage it? Some rule of etiquette, perhaps."... He became +portentously grave. + +Then his long hand went out in weird gestures. + +"I seem to see--I seem to see--a sort of City of Women, Ponderevo. +Yes.... A walled enclosure--good stone-mason's work--a city wall, high +as the walls of Rome, going about a garden. Dozens of square miles of +garden--trees--fountains--arbours--lakes. Lawns on which the women play, +avenues in which they gossip, boats.... Women like that sort of thing. +Any woman who's been to a good eventful girls' school lives on the +memory of it for the rest of her life. It's one of the pathetic things +about women--the superiority of school and college--to anything they get +afterwards. And this city-garden of women will have beautiful places +for music, places for beautiful dresses, places for beautiful work. +Everything a woman can want. Nurseries. Kindergartens. Schools. And no +man--except to do rough work, perhaps--ever comes in. The men live in a +world where they can hunt and engineer, invent and mine and manufacture, +sail ships, drink deep and practice the arts, and fight--" + +"Yes," I said, "but--" + +He stilled me with a gesture. + +"I'm coming to that. The homes of the women, Ponderevo, will be set in +the wall of their city; each woman will have her own particular house +and home, furnished after her own heart in her own manner--with a little +balcony on the outside wall. Built into the wall--and a little balcony. +And there she will go and look out, when the mood takes her, and all +round the city there will be a broad road and seats and great shady +trees. And men will stroll up and down there when they feel the need +of feminine company; when, for instance, they want to talk about their +souls or their characters or any of the things that only women will +stand.... The women will lean over and look at the men and smile and +talk to them as they fancy. And each woman will have this; she will have +a little silken ladder she can let down if she chooses--if she wants to +talk closer..." + +"The men would still be competing." + +"There perhaps--yes. But they'd have to abide by the women's decisions." + +I raised one or two difficulties, and for a while we played with this +idea. + +"Ewart," I said, "this is like Doll's Island. + +"Suppose," I reflected, "an unsuccessful man laid siege to a balcony and +wouldn't let his rival come near it?" + +"Move him on," said Ewart, "by a special regulation. As one does +organ-grinders. No difficulty about that. And you could forbid it--make +it against the etiquette. No life is decent without etiquette.... And +people obey etiquette sooner than laws..." + +"H'm," I said, and was struck by an idea that is remote in the world of +a young man. "How about children?" I asked; "in the City? Girls are all +very well. But boys, for example--grow up." + +"Ah!" said Ewart. "Yes. I forgot. They mustn't grow up inside.... They'd +turn out the boys when they were seven. The father must come with a +little pony and a little gun and manly wear, and take the boy away. Then +one could come afterwards to one's mother's balcony.... It must be fine +to have a mother. The father and the son..." + +"This is all very pretty in its way," I said at last, "but it's a dream. +Let's come back to reality. What I want to know is, what are you going +to do in Brompton, let us say, or Walham Green NOW?" + +"Oh! damn it!" he remarked, "Walham Green! What a chap you are, +Ponderevo!" and he made an abrupt end to his discourse. He wouldn't even +reply to my tentatives for a time. + +"While I was talking just now," he remarked presently, + +"I had a quite different idea." + +"What?" + +"For a masterpiece. A series. Like the busts of the Caesars. Only +not heads, you know. We don't see the people who do things to us +nowadays..." + +"How will you do it, then?" + +"Hands--a series of hands! The hands of the Twentieth Century. I'll do +it. Some day some one will discover it--go there--see what I have done, +and what is meant by it." + +"See it where?" + +"On the tombs. Why not? The Unknown Master of the Highgate Slope! All +the little, soft feminine hands, the nervous ugly males, the hands of +the flops, and the hands of the snatchers! And Grundy's loose, lean, +knuckly affair--Grundy the terror!--the little wrinkles and the thumb! +Only it ought to hold all the others together--in a slightly disturbing +squeeze....Like Rodin's great Hand--you know the thing!" + +IV + +I forget how many days intervened between that last breaking off of our +engagement and Marion's surrender. But I recall now the sharpness of my +emotion, the concentrated spirit of tears and laughter in my throat as +I read the words of her unexpected letter--"I have thought over +everything, and I was selfish...." I rushed off to Walham Green that +evening to give back all she had given me, to beat her altogether +at giving. She was extraordinarily gentle and generous that time, I +remember, and when at last I left her, she kissed me very sweetly. + +So we were married. + +We were married with all the customary incongruity. I gave--perhaps +after a while not altogether ungrudgingly--and what I gave, Marion took, +with a manifest satisfaction. After all, I was being sensible. So that +we had three livery carriages to the church (one of the pairs of horses +matched) and coachmen--with improvised flavour and very shabby silk +hats--bearing white favours on their whips, and my uncle intervened with +splendour and insisted upon having a wedding breakfast sent in from +a caterer's in Hammersmith. The table had a great display of +chrysanthemums, and there was orange blossom in the significant place +and a wonderful cake. We also circulated upwards of a score of wedges +of that accompanied by silver-printed cards in which Marion's name of +Ramboat was stricken out by an arrow in favour of Ponderevo. We had a +little rally of Marion's relations, and several friends and friends' +friends from Smithie's appeared in the church and drifted vestry-ward. +I produced my aunt and uncle a select group of two. The effect in that +shabby little house was one of exhilarating congestion. The side-board, +in which lived the table-cloth and the "Apartments" card, was used for +a display of the presents, eked out by the unused balance of the +silver-printed cards. + +Marion wore the white raiment of a bride, white silk and satin, that did +not suit her, that made her seem large and strange to me; she obtruded +bows and unfamiliar contours. She went through all this strange ritual +of an English wedding with a sacramental gravity that I was altogether +too young and egotistical to comprehend. It was all extraordinarily +central and important to her; it was no more than an offensive, +complicated, and disconcerting intrusion of a world I was already +beginning to criticise very bitterly, to me. What was all this fuss for? +The mere indecent advertisement that I had been passionately in love +with Marion! I think, however, that Marion was only very remotely aware +of my smouldering exasperation at having in the end behaved "nicely." I +had played--up to the extent of dressing my part; I had an admirably +cut frock--coat, a new silk hat, trousers as light as I could endure +them--lighter, in fact--a white waistcoat, night tie, light gloves. +Marion, seeing me despondent had the unusual enterprise to whisper to +me that I looked lovely; I knew too well I didn't look myself. I looked +like a special coloured supplement to Men's Wear, or The Tailor +and Cutter, Full Dress For Ceremonial Occasions. I had even the +disconcerting sensations of an unfamiliar collar. I felt lost--in +a strange body, and when I glanced down myself for reassurance, the +straight white abdomen, the alien legs confirmed that impression. + +My uncle was my best man, and looked like a banker--a little banker--in +flower. He wore a white rose in his buttonhole. He wasn't, I think, +particularly talkative. At least I recall very little from him. + +"George" he said once or twice, "this is a great occasion for you--a +very great occasion." He spoke a little doubtfully. + +You see I had told him nothing about Marion until about a week before +the wedding; both he and my aunt had been taken altogether by surprise. +They couldn't, as people say, "make it out." My aunt was intensely +interested, much more than my uncle; it was then, I think, for the +first time that I really saw that she cared for me. She got me alone, +I remember, after I had made my announcement. "Now, George," she +said, "tell me everything about her. Why didn't you tell--ME at +least--before?" + +I was surprised to find how difficult it was to tell her about Marion. I +perplexed her. + +"Then is she beautiful?" she asked at last. + +"I don't know what you'll think of her," I parried. "I think--" + +"Yes?" + +"I think she might be the most beautiful person in the world." + +"And isn't she? To you?" + +"Of course," I said, nodding my head. "Yes. She IS..." + +And while I don't remember anything my uncle said or did at the +wedding, I do remember very distinctly certain little things, scrutiny, +solicitude, a curious rare flash of intimacy in my aunt's eyes. It +dawned on me that I wasn't hiding anything from her at all. She was +dressed very smartly, wearing a big-plumed hat that made her neck seem +longer and slenderer than ever, and when she walked up the aisle with +that rolling stride of hers and her eye all on Marion, perplexed into +self-forgetfulness, it wasn't somehow funny. She was, I do believe, +giving my marriage more thought than I had done, she was concerned +beyond measure at my black rage and Marion's blindness, she was looking +with eyes that knew what loving is--for love. + +In the vestry she turned away as we signed, and I verily believe she was +crying, though to this day I can't say why she should have cried, and +she was near crying too when she squeezed my hand at parting--and she +never said a word or looked at me, but just squeezed my hand.... + +If I had not been so grim in spirit, I think I should have found much +of my wedding amusing. I remember a lot of ridiculous detail that still +declines to be funny in my memory. The officiating clergyman had a +cold, and turned his "n's" to "d's," and he made the most mechanical +compliment conceivable about the bride's age when the register was +signed. Every bride he had ever married had had it, one knew. And two +middle-aged spinsters, cousins of Marion's and dressmakers at Barking, +stand out. They wore marvellously bright and gay blouses and dim old +skirts, and had an immense respect for Mr. Ramboat. They threw rice; +they brought a whole bag with them and gave handfuls away to unknown +little boys at the church door and so created a Lilliputian riot; and +one had meant to throw a slipper. It was a very warm old silk slipper, +I know, because she dropped it out of a pocket in the aisle--there was +a sort of jumble in the aisle--and I picked it up for her. I don't think +she actually threw it, for as we drove away from the church I saw her +in a dreadful, and, it seemed to me, hopeless, struggle with her pocket; +and afterwards my eye caught the missile of good fortune lying, it or +its fellow, most obviously mislaid, behind the umbrella-stand in the +hall.... + +The whole business was much more absurd, more incoherent, more human +than I had anticipated, but I was far too young and serious to let the +latter quality atone for its shortcomings. I am so remote from this +phase of my youth that I can look back at it all as dispassionately as +one looks at a picture--at some wonderful, perfect sort of picture +that is inexhaustible; but at the time these things filled me with +unspeakable resentment. Now I go round it all, look into its details, +generalise about its aspects. I'm interested, for example, to square it +with my Bladesover theory of the British social scheme. Under stress of +tradition we were all of us trying in the fermenting chaos of London to +carry out the marriage ceremonies of a Bladesover tenant or one of the +chubby middling sort of people in some dependent country town. There +a marriage is a public function with a public significance. There the +church is to a large extent the gathering-place of the community, and +your going to be married a thing of importance to every one you pass on +the road. It is a change of status that quite legitimately interests +the whole neighbourhood. But in London there are no neighbours, nobody +knows, nobody cares. An absolute stranger in an office took my notice, +and our banns were proclaimed to ears that had never previously heard +our names. The clergyman, even, who married us had never seen us before, +and didn't in any degree intimate that he wanted to see us again. + +Neighbours in London! The Ramboats did not know the names of the people +on either side of them. As I waited for Marion before we started off +upon our honeymoon flight, Mr. Ramboat, I remember, came and stood +beside me and stared out of the window. + +"There was a funeral over there yesterday," he said, by way of making +conversation, and moved his head at the house opposite. "Quite a smart +affair it was with a glass 'earse...." + +And our little procession of three carriages with white-favour-adorned +horses and drivers, went through all the huge, noisy, indifferent +traffic like a lost china image in the coal-chute of an ironclad. Nobody +made way for us, nobody cared for us; the driver of an omnibus jeered; +for a long time we crawled behind an unamiable dust-cart. The irrelevant +clatter and tumult gave a queer flavour of indecency to this public +coming together of lovers. We seemed to have obtruded ourselves +shamelessly. The crowd that gathered outside the church would have +gathered in the same spirit and with greater alacrity for a street +accident.... + +At Charing Cross--we were going to Hastings--the experienced eye of the +guard detected the significance of our unusual costume and he secured us +a compartment. + +"Well," said I, as the train moved out of the station, "That's all +over!" And I turned to Marion--a little unfamiliar still, in her +unfamiliar clothes--and smiled. + +She regarded me gravely, timidly. + +"You're not cross?" she asked. + +"Cross! Why?" + +"At having it all proper." + +"My dear Marion!" said I, and by way of answer took and kissed her +white-gloved, leather-scented hand.... + +I don't remember much else about the journey, an hour or so it was of +undistinguished time--for we were both confused and a little fatigued +and Marion had a slight headache and did not want caresses. I fell into +a reverie about my aunt, and realised as if it were a new discovery, +that I cared for her very greatly. I was acutely sorry I had not told +her earlier of my marriage. + +But you will not want to hear the history of my honeymoon. I have told +all that was needed to serve my present purpose. Thus and thus it was +the Will in things had its way with me. Driven by forces I did not +understand, diverted altogether from the science, the curiosities and +work to which I had once given myself, I fought my way through a tangle +of traditions, customs, obstacles and absurdities, enraged myself, +limited myself, gave myself to occupations I saw with the clearest +vision were dishonourable and vain, and at last achieved the end of +purblind Nature, the relentless immediacy of her desire, and held, far +short of happiness, Marion weeping and reluctant in my arms. + +V + +Who can tell the story of the slow estrangement of two married people, +the weakening of first this bond and then that of that complex contact? +Least of all can one of the two participants. Even now, with an +interval of fifteen years to clear it up for me, I still find a mass of +impressions of Marion as confused, as discordant, as unsystematic and +self-contradictory as life. I think of this thing and love her, of that +and hate her--of a hundred aspects in which I can now see her with an +unimpassioned sympathy. As I sit here trying to render some vision of +this infinitely confused process, I recall moments of hard and fierce +estrangement, moments of clouded intimacy, the passage of transition all +forgotten. We talked a little language together whence were "friends," +and I was "Mutney" and she was "Ming," and we kept up such an outward +show that till the very end Smithie thought our household the most +amiable in the world. + +I cannot tell to the full how Marion thwarted me and failed in that life +of intimate emotions which is the kernel of love. That life of intimate +emotions is made up of little things. A beautiful face differs from an +ugly one by a difference of surfaces and proportions that are sometimes +almost infinitesimally small. I find myself setting down little things +and little things; none of them do more than demonstrate those essential +temperamental discords I have already sought to make clear. Some readers +will understand--to others I shall seem no more than an unfeeling brute +who couldn't make allowances.... It's easy to make allowances now; but +to be young and ardent and to make allowances, to see one's married life +open before one, the life that seemed in its dawn a glory, a garden of +roses, a place of deep sweet mysteries and heart throbs and wonderful +silences, and to see it a vista of tolerations and baby-talk; a +compromise, the least effectual thing in all one's life. + +Every love romance I read seemed to mock our dull intercourse, every +poem, every beautiful picture reflected upon the uneventful succession +of grey hours we had together. I think our real difference was one of +aesthetic sensibility. + +I do still recall as the worst and most disastrous aspect of all that +time, her absolute disregard of her own beauty. It's the pettiest thing +to record, I know, but she could wear curl-papers in my presence. It was +her idea, too, to "wear out" her old clothes and her failures at home +when "no one was likely to see her"--"no one" being myself. She allowed +me to accumulate a store of ungracious and slovenly memories.... + +All our conceptions of life differed. I remember how we differed about +furniture. We spent three or four days in Tottenham Court Road, and she +chose the things she fancied with an inexorable resolution,--sweeping +aside my suggestions with--"Oh, YOU want such queer things." She pursued +some limited, clearly seen and experienced ideal--that excluded all +other possibilities. Over every mantel was a mirror that was draped, our +sideboard was wonderfully good and splendid with beveled glass, we had +lamps on long metal stalks and cozy corners and plants in grog-tubs. +Smithie approved it all. There wasn't a place where one could sit and +read in the whole house. My books went upon shelves in the dining-room +recess. And we had a piano though Marion's playing was at an elementary +level. + +You know, it was the cruelest luck for Marion that I, with my +restlessness, my scepticism, my constantly developing ideas, had +insisted on marriage with her. She had no faculty of growth or change; +she had taken her mould, she had set in the limited ideas of her +peculiar class. She preserved her conception of what was right in +drawing-room chairs and in marriage ceremonial and in every relation of +life with a simple and luminous honesty and conviction, with an immense +unimaginative inflexibility--as a tailor-bird builds its nest or a +beaver makes its dam. + +Let me hasten over this history of disappointments and separation. I +might tell of waxings and waning of love between us, but the whole was +waning. Sometimes she would do things for me, make me a tie or a pair +of slippers, and fill me with none the less gratitude because the things +were absurd. She ran our home and our one servant with a hard, bright +efficiency. She was inordinately proud of house and garden. Always, by +her lights, she did her duty by me. + +Presently the rapid development of Tono-Bungay began to take me into the +provinces, and I would be away sometimes for a week together. This she +did not like; it left her "dull," she said, but after a time she began +to go to Smithie's again and to develop an independence of me. At +Smithie's she was now a woman with a position; she had money to +spend. She would take Smithie to theatres and out to lunch and talk +interminably of the business, and Smithie became a sort of permanent +weekender with us. Also Marion got a spaniel and began to dabble with +the minor arts, with poker-work and a Kodak and hyacinths in glasses. +She called once on a neighbour. Her parents left Walham Green--her +father severed his connection with the gas-works--and came to live in a +small house I took for them near us, and they were much with us. + +Odd the littleness of the things that exasperate when the fountains of +life are embittered! My father-in-law was perpetually catching me in +moody moments and urging me to take to gardening. He irritated me beyond +measure. + +"You think too much," he would say. "If you was to let in a bit with +a spade, you might soon 'ave that garden of yours a Vision of Flowers. +That's better than thinking, George." + +Or in a torrent of exasperation, "I CARN'T think, George, why you don't +get a bit of glass 'ere. This sunny corner you c'd do wonders with a bit +of glass." + +And in the summer time he never came in without performing a sort of +conjuring trick in the hall, and taking cucumbers and tomatoes from +unexpected points of his person. "All out o' MY little bit," he'd say +in exemplary tones. He left a trail of vegetable produce in the most +unusual places, on mantel boards, sideboards, the tops of pictures. +Heavens! how the sudden unexpected tomato could annoy me!... + +It did much to widen our estrangement that Marion and my aunt failed to +make friends, became, by a sort of instinct, antagonistic. + +My aunt, to begin with, called rather frequently, for she was really +anxious to know Marion. At first she would arrive like a whirlwind and +pervade the house with an atmosphere of hello! She dressed already with +that cheerfully extravagant abandon that signalised her accession to +fortune, and dressed her best for these visits. + +She wanted to play the mother to me, I fancy, to tell Marion occult +secrets about the way I wore out my boots and how I never could think to +put on thicker things in cold weather. But Marion received her with +that defensive suspiciousness of the shy person, thinking only of the +possible criticism of herself; and my aunt, perceiving this, became +nervous and slangy... + +"She says such queer things," said Marion once, discussing her. "But I +suppose it's witty." + +"Yes," I said; "it IS witty." + +"If I said things like she does--" + +The queer things my aunt said were nothing to the queer things she +didn't say. I remember her in our drawing-room one day, and how she +cocked her eye--it's the only expression--at the India-rubber plant in a +Doulton-ware pot which Marion had placed on the corner of the piano. + +She was on the very verge of speech. Then suddenly she caught my +expression, and shrank up like a cat that has been discovered looking at +the milk. + +Then a wicked impulse took her. + +"Didn't say an old word, George," she insisted, looking me full in the +eye. + +I smiled. "You're a dear," I said, "not to," as Marion came lowering +into the room to welcome her. But I felt extraordinarily like a +traitor--to the India-rubber plant, I suppose--for all that nothing had +been said... + +"Your aunt makes Game of people," was Marion's verdict, and, +open-mindedly: "I suppose it's all right... for her." + +Several times we went to the house in Beckenham for lunch, and once or +twice to dinner. My aunt did her peculiar best to be friends, but Marion +was implacable. She was also, I know, intensely uncomfortable, and she +adopted as her social method, an exhausting silence, replying compactly +and without giving openings to anything that was said to her. + +The gaps between my aunt's visits grew wider and wider. + +My married existence became at last like a narrow deep groove in the +broad expanse of interests in which I was living. I went about the +world; I met a great number of varied personalities; I read endless +books in trains as I went to and fro. I developed social relationships +at my uncle's house that Marion did not share. The seeds of new ideas +poured in upon me and grew in me. Those early and middle years of one's +third decade are, I suppose, for a man the years of greatest mental +growth. They are restless years and full of vague enterprise. + +Each time I returned to Ealing, life there seemed more alien, narrow, +and unattractive--and Marion less beautiful and more limited and +difficult--until at last she was robbed of every particle of her magic. +She gave me always a cooler welcome, I think, until she seemed entirely +apathetic. I never asked myself then what heartaches she might hide or +what her discontents might be. + +I would come home hoping nothing, expecting nothing. + +This was my fated life, and I had chosen it. I became more sensitive to +the defects I had once disregarded altogether; I began to associate her +sallow complexion with her temperamental insufficiency, and the heavier +lines of her mouth and nostril with her moods of discontent. We +drifted apart; wider and wider the gap opened. I tired of baby-talk and +stereotyped little fondlings; I tired of the latest intelligence from +those wonderful workrooms, and showed it all too plainly; we hardly +spoke when we were alone together. The mere unreciprocated physical +residue of my passion remained--an exasperation between us. + +No children came to save us. Marion had acquired at Smithie's a disgust +and dread of maternity. All that was the fruition and quintessence of +the "horrid" elements in life, a disgusting thing, a last indignity that +overtook unwary women. I doubt indeed a little if children would have +saved us; we should have differed so fatally about their upbringing. + +Altogether, I remember my life with Marion as a long distress, now hard, +now tender. It was in those days that I first became critical of my life +and burdened with a sense of error and maladjustment. I would lie +awake in the night, asking myself the purpose of things, reviewing my +unsatisfying, ungainly home-life, my days spent in rascal enterprise +and rubbish-selling, contrasting all I was being and doing with my +adolescent ambitions, my Wimblehurst dreams. My circumstances had an +air of finality, and I asked myself in vain why I had forced myself into +them. + +VI + +The end of our intolerable situation came suddenly and unexpectedly, but +in a way that I suppose was almost inevitable. + +My alienated affections wandered, and I was unfaithful to Marion. + +I won't pretend to extenuate the quality of my conduct. I was a young +and fairly vigorous male; all my appetite for love had been roused +and whetted and none of it had been satisfied by my love affair and my +marriage. I had pursued an elusive gleam of beauty to the disregard of +all else, and it had failed me. It had faded when I had hoped it would +grow brighter. I despaired of life and was embittered. And things +happened as I am telling. I don't draw any moral at all in the matter, +and as for social remedies, I leave them to the social reformer. I've +got to a time of life when the only theories that interest me are +generalisations about realities. + +To go to our inner office in Raggett Street I had to walk through a room +in which the typists worked. They were the correspondence typists; our +books and invoicing had long since overflowed into the premises we had +had the luck to secure on either side of us. I was, I must confess, +always in a faintly cloudily-emotional way aware of that collection of +for the most part round-shouldered femininity, but presently one of +the girls detached herself from the others and got a real hold upon +my attention. I appreciated her at first as a straight little back, +a neater back than any of the others; as a softly rounded neck with a +smiling necklace of sham pearls; as chestnut hair very neatly done--and +as a side-long glance; presently as a quickly turned face that looked +for me. + +My eye would seek her as I went through on business things--I dictated +some letters to her and so discovered she had pretty, soft-looking hands +with pink nails. Once or twice, meeting casually, we looked one another +for the flash of a second in the eyes. + +That was all. But it was enough in the mysterious free-masonry of sex to +say essential things. We had a secret between us. + +One day I came into Raggett Street at lunch time and she was alone, +sitting at her desk. She glanced up as I entered, and then became very +still, with a downcast face and her hands clenched on the table. I +walked right by her to the door of the inner office, stopped, came back +and stood over her. + +We neither of us spoke for quite a perceptible time. I was trembling +violently. + +"Is that one of the new typewriters?" I asked at last for the sake of +speaking. + +She looked up at me without a word, with her face flushed and her eyes +alight, and I bent down and kissed her lips. She leant back to put +an arm about me, drew my face to her and kissed me again and again. I +lifted her and held her in my arms. She gave a little smothered cry to +feel herself so held. + +Never before had I known the quality of passionate kisses. + +Somebody became audible in the shop outside. + +We started back from one another with flushed faces and bright and +burning eyes. + +"We can't talk here," I whispered with a confident intimacy. "Where do +you go at five?" + +"Along the Embankment to Charing Cross," she answered as intimately. +"None of the others go that way..." + +"About half-past five?" + +"Yes, half-past five..." + +The door from the shop opened, and she sat down very quickly. + +"I'm glad," I said in a commonplace voice, "that these new typewriters +are all right." + +I went into the inner office and routed out the paysheet in order to +find her name--Effie Rink. And did no work at all that afternoon. I +fretted about that dingy little den like a beast in a cage. + +When presently I went out, Effie was working with an extraordinary +appearance of calm--and there was no look for me at all.... + +We met and had our talk that evening, a talk in whispers when there was +none to overhear; we came to an understanding. It was strangely unlike +any dream of romance I had ever entertained. + +VII + +I came back after a week's absence to my home again--a changed man. +I had lived out my first rush of passion for Effie, had come to a +contemplation of my position. I had gauged Effie's place in the scheme +of things, and parted from her for a time. She was back in her place at +Raggett Street after a temporary indisposition. I did not feel in any +way penitent or ashamed, I know, as I opened the little cast-iron gate +that kept Marion's front grader and Pampas Grass from the wandering dog. +Indeed, if anything, I felt as if I had vindicated some right that had +been in question. I came back to Marion with no sense of wrong-doing at +all with, indeed, a new friendliness towards her. I don't know how it +may be proper to feel on such occasions; that is how I felt. + +I followed her in our drawing-room, standing beside the tall lamp-stand +that half filled the bay as though she had just turned from watching for +me at the window. There was something in her pale face that arrested me. +She looked as if she had not been sleeping. She did not come forward to +greet me. + +"You've come home," she said. + +"As I wrote to you." + +She stood very still, a dusky figure against the bright window. + +"Where have you been?" she asked. + +"East Coast," I said easily. + +She paused for a moment. "I KNOW," she said. + +I stared at her. It was the most amazing moment in any life.... + +"By Jove!" I said at last, "I believe you do!" + +"And then you come home to me!" + +I walked to the hearthrug and stood quite still there regarding this new +situation. + +"I didn't dream," she began. "How could you do such a thing?" + +It seemed a long interval before either of us spoke another word. + +"Who knows about it?" I asked at last. + +"Smithie's brother. They were at Cromer." + +"Confound Cromer! Yes!" + +"How could you bring yourself" + +I felt a spasm of petulant annoyance at this unexpected catastrophe. + +"I should like to wring Smithie's brother's neck," I said.... + +Marion spoke in dry, broken fragments of sentences. "You... I'd always +thought that anyhow you couldn't deceive me... I suppose all men are +horrid--about this." + +"It doesn't strike me as horrid. It seems to me the most necessary +consequence--and natural thing in the world." + +I became aware of some one moving about in the passage, and went and +shut the door of the room, then I walked back to the hearthrug and +turned. + +"It's rough on you," I said. "But I didn't mean you to know. You've +never cared for me. I've had the devil of a time. Why should you mind?" + +She sat down in a draped armchair. "I HAVE cared for you," she said. + +I shrugged my shoulders. + +"I suppose," she said, "SHE cares for you?" + +I had no answer. + +"Where is she now?" + +"Oh! does it matter to you?... Look here, Marion! This--this I didn't +anticipate. I didn't mean this thing to smash down on you like this. +But, you know, something had to happen. I'm sorry--sorry to the bottom +of my heart that things have come to this between us. But indeed, I'm +taken by surprise. I don't know where I am--I don't know how we got +here. Things took me by surprise. I found myself alone with her one day. +I kissed her. I went on. It seemed stupid to go back. And besides--why +should I have gone back? Why should I? From first to last, I've hardly +thought of it as touching you.... Damn!" + +She scrutinised my face, and pulled at the ball-fringe of the little +table beside her. + +"To think of it," she said. "I don't believe I can ever touch you +again." + +We kept a long silence. I was only beginning to realise in the most +superficial way the immense catastrophe that had happened between us. +Enormous issues had rushed upon us. I felt unprepared and altogether +inadequate. I was unreasonably angry. There came a rush of stupid +expressions to my mind that my rising sense of the supreme importance +of the moment saved me from saying. The gap of silence widened until +it threatened to become the vast memorable margin of some one among a +thousand trivial possibilities of speech that would vex our relations +for ever. + +Our little general servant tapped at the door--Marion always liked the +servant to tap--and appeared. + +"Tea, M'm," she said--and vanished, leaving the door open. + +"I will go upstairs," said I, and stopped. "I will go upstairs" I +repeated, "and put my bag in the spare room." + +We remained motionless and silent for a few seconds. + +"Mother is having tea with us to-day," Marion remarked at last, and +dropped the worried end of ball-fringe and stood up slowly.... + +And so, with this immense discussion of our changed relations hanging +over us, we presently had tea with the unsuspecting Mrs. Ramboat and +the spaniel. Mrs. Ramboat was too well trained in her position to remark +upon our somber preoccupation. She kept a thin trickle of talk going, +and told us, I remember, that Mr. Ramboat was "troubled" about his +cannas. + +"They don't come up and they won't come up. He's been round and had an +explanation with the man who sold him the bulbs--and he's very heated +and upset." + +The spaniel was a great bore, begging and doing small tricks first at +one and then at the other of us. Neither of us used his name. You see +we had called him Miggles, and made a sort of trio in the baby-talk of +Mutney and Miggles and Ming. + +VIII + + +Then presently we resumed our monstrous, momentous dialogue. I can't now +make out how long that dialogue went on. It spread itself, I know, +in heavy fragments over either three days or four. I remember myself +grouped with Marion, talking sitting on our bed in her room, talking +standing in our dining-room, saving this thing or that. Twice we went +for long walks. And we had a long evening alone together, with jaded +nerves and hearts that fluctuated between a hard and dreary recognition +of facts and, on my part at least, a strange unwonted tenderness; +because in some extraordinary way this crisis had destroyed our mutual +apathy and made us feel one another again. + +It was a dialogue that had discrepant parts that fell into lumps of +talk that failed to join on to their predecessors, that began again at +a different level, higher or lower, that assumed new aspects in the +intervals and assimilated new considerations. We discussed the fact that +we two were no longer lovers; never before had we faced that. It seems +a strange thing to write, but as I look back, I see clearly that those +several days were the time when Marion and I were closest together, +looked for the first and last time faithfully and steadfastly into each +other's soul. For those days only, there were no pretences, I made no +concessions to her nor she to me; we concealed nothing, exaggerated +nothing. We had done with pretending. We had it out plainly and soberly +with each other. Mood followed mood and got its stark expression. + +Of course there was quarreling between us, bitter quarreling, and we +said things to one another--long pent-up things that bruised and crushed +and cut. But over it all in my memory now is an effect of deliberate +confrontation, and the figure of Marion stands up, pale, melancholy, +tear-stained, injured, implacable and dignified. + +"You love her?" she asked once, and jerked that doubt into my mind. + +I struggled with tangled ideas and emotions. "I don't know what love +is. It's all sorts of things--it's made of a dozen strands twisted in a +thousand ways." + +"But you want her? You want her now--when you think of her?" + +"Yes," I reflected. "I want her--right enough." + +"And me? Where do I come in?" + +"I suppose you come in here." + +"Well, but what are you going to do?" + +"Do!" I said with the exasperation of the situation growing upon me. +"What do you want me to do?" + +As I look back upon all that time--across a gulf of fifteen active +years--I find I see it with an understanding judgment. I see it as if +it were the business of some one else--indeed of two other +people--intimately known yet judged without passion. I see now that this +shock, this sudden immense disillusionment, did in real fact bring out +a mind and soul in Marion; that for the first time she emerged +from habits, timidities, imitations, phrases and a certain narrow +will-impulse, and became a personality. + +Her ruling motive at first was, I think, an indignant and outraged +pride. This situation must end. She asked me categorically to give up +Effie, and I, full of fresh and glowing memories, absolutely refused. + +"It's too late, Marion," I said. "It can't be done like that." + +"Then we can't very well go on living together," she said. "Can we?" + +"Very well," I deliberated "if you must have it so." + +"Well, can we?" + +"Can you stay in this house? I mean--if I go away?" + +"I don't know.... I don't think I could." + +"Then--what do you want?" + +Slowly we worked our way from point to point, until at last the word +"divorce" was before us. + +"If we can't live together we ought to be free," said Marion. + +"I don't know anything of divorce," I said--"if you mean that. I don't +know how it is done. I shall have to ask somebody--or look it up.... +Perhaps, after all, it is the thing to do. We may as well face it." + +We began to talk ourselves into a realisation of what our divergent +futures might be. I came back on the evening of that day with my +questions answered by a solicitor. + +"We can't as a matter of fact," I said, "get divorced as things are. +Apparently, so far as the law goes you've got to stand this sort of +thing. It's silly but that is the law. However, it's easy to arrange a +divorce. In addition to adultery there must be desertion or cruelty. +To establish cruelty I should have to strike you, or something of that +sort, before witnesses. That's impossible--but it's simple to desert you +legally. I have to go away from you; that's all. I can go on sending you +money--and you bring a suit, what is it?--for Restitution of Conjugal +Rights. The Court orders me to return. I disobey. Then you can go on to +divorce me. You get a Decree Nisi, and once more the Court tries to make +me come back. If we don't make it up within six months and if you don't +behave scandalously the Decree is made absolute. That's the end of the +fuss. That's how one gets unmarried. It's easier, you see, to marry than +unmarry." + +"And then--how do I live? What becomes of me?" + +"You'll have an income. They call it alimony. From a third to a half of +my present income--more if you like--I don't mind--three hundred a year, +say. You've got your old people to keep and you'll need all that." + +"And then--then you'll be free?" + +"Both of us." + +"And all this life you've hated" + +I looked up at her wrung and bitter face. "I haven't hated it," I lied, +my voice near breaking with the pain of it all. "Have you?" + +IX + +The perplexing thing about life is the irresolvable complexity of +reality, of things and relations alike. Nothing is simple. Every wrong +done has a certain justice in it, and every good deed has dregs of evil. +As for us, young still, and still without self-knowledge, resounded +a hundred discordant notes in the harsh angle of that shock. We were +furiously angry with each other, tender with each other, callously +selfish, generously self-sacrificing. + +I remember Marion saying innumerable detached things that didn't hang +together one with another, that contradicted one another, that were, +nevertheless, all in their places profoundly true and sincere. I see +them now as so many vain experiments in her effort to apprehend the +crumpled confusions of our complex moral landslide. Some I found +irritating beyond measure. I answered her--sometimes quite abominably. + +"Of course," she would say again and again, "my life has been a +failure." + +"I've besieged you for three years," I would retort "asking it not to +be. You've done as you pleased. If I've turned away at last--" + +Or again she would revive all the stresses before our marriage. + +"How you must hate me! I made you wait. Well now--I suppose you have +your revenge." + +"REVENGE!" I echoed. + +Then she would try over the aspects of our new separated lives. + +"I ought to earn my own living," she would insist. + +"I want to be quite independent. I've always hated London. Perhaps I +shall try a poultry farm and bees. You won't mind at first my being a +burden. Afterwards--" + +"We've settled all that," I said. + +"I suppose you will hate me anyhow..." + +There were times when she seemed to regard our separation with +absolute complacency, when she would plan all sorts of freedoms and +characteristic interests. + +"I shall go out a lot with Smithie," she said. + +And once she said an ugly thing that I did indeed hate her for that I +cannot even now quite forgive her. + +"Your aunt will rejoice at all this. She never cared for me..." + +Into my memory of these pains and stresses comes the figure of Smithie, +full-charged with emotion, so breathless in the presence of the horrid +villain of the piece that she could make no articulate sounds. She +had long tearful confidences with Marion, I know, sympathetic close +clingings. There were moments when only absolute speechlessness +prevented her giving me a stupendous "talking-to"--I could see it in +her eye. The wrong things she would have said! And I recall, too, +Mrs. Ramboat's slow awakening to something in, the air, the growing +expression of solicitude in her eye, only her well-trained fear of +Marion keeping her from speech. + +And at last through all this welter, like a thing fated and altogether +beyond our control, parting came to Marion and me. + +I hardened my heart, or I could not have gone. For at the last it came +to Marion that she was parting from me for ever. That overbore all other +things, had turned our last hour to anguish. She forgot for a time +the prospect of moving into a new house, she forgot the outrage on her +proprietorship and pride. For the first time in her life she really +showed strong emotions in regard to me, for the first time, perhaps, +they really came to her. She began to weep slow, reluctant tears. I came +into her room, and found her asprawl on the bed, weeping. + +"I didn't know," she cried. "Oh! I didn't understand!" + +"I've been a fool. All my life is a wreck! + +"I shall be alone!...MUTNEY! Mutney, don't leave me! Oh! Mutney! I +didn't understand." + +I had to harden my heart indeed, for it seemed to me at moments in those +last hours together that at last, too late, the longed-for thing had +happened and Marion had come alive. A new-born hunger for me lit her +eyes. + +"Don't leave me!" she said, "don't leave me!" She clung to me; she +kissed me with tear-salt lips. + +I was promised now and pledged, and I hardened my heart against this +impossible dawn. Yet it seems to me that there were moments when it +needed but a cry, but one word to have united us again for all our +lives. Could we have united again? Would that passage have enlightened +us for ever or should we have fallen back in a week or so into the old +estrangement, the old temperamental opposition? + +Of that there is now no telling. Our own resolve carried us on our +predestined way. We behaved more and more like separating lovers, +parting inexorably, but all the preparations we had set going worked on +like a machine, and we made no attempt to stop them. My trunks and boxes +went to the station. I packed my bag with Marion standing before me. We +were like children who had hurt each other horribly in sheer stupidity, +who didn't know now how to remedy it. We belonged to each other +immensely--immensely. The cab came to the little iron gate. + +"Good-bye!" I said. + +"Good-bye." + +For a moment we held one another in each other's arms and +kissed--incredibly without malice. We heard our little servant in the +passage going to open the door. For the last time we pressed ourselves +to one another. We were not lovers nor enemies, but two human souls in a +frank community of pain. I tore myself from her. + +"Go away," I said to the servant, seeing that Marion had followed me +down. + +I felt her standing behind me as I spoke to the cab man. + +I got into the cab, resolutely not looking back, and then as it started +jumped up, craned out and looked at the door. + +It was wide open, but she had disappeared.... + +I wonder--I suppose she ran upstairs. + +X + +So I parted from Marion at an extremity of perturbation and regret, and +went, as I had promised and arranged, to Effie, who was waiting for me +in apartments near Orpington. I remember her upon the station platform, +a bright, flitting figure looking along the train for me, and our walk +over the fields in the twilight. I had expected an immense sense of +relief where at last the stresses of separation were over, but now +I found I was beyond measure wretched and perplexed, full of the +profoundest persuasion of irreparable error. The dusk and somber Marion +were so alike, her sorrow seemed to be all about me. I had to hold +myself to my own plans, to remember that I must keep faith with Effie, +with Effie who had made no terms, exacted no guarantees, but flung +herself into my hands. + +We went across the evening fields in silence, towards a sky of deepening +gold and purple, and Effie was close beside me always, very close, +glancing up ever and again at my face. + +Certainly she knew I grieved for Marion, that ours was now no joyful +reunion. But she showed no resentment and no jealousy. Extraordinarily, +she did not compete against Marion. Never once in all our time together +did she say an adverse word of Marion.... + +She set herself presently to dispel the shadow that brooded over me with +the same instinctive skill that some women will show with the trouble +of a child. She made herself my glad and pretty slave and handmaid; she +forced me at last to rejoice in her. Yet at the back of it all Marion +remained, stupid and tearful and infinitely distressful, so that I was +almost intolerably unhappy for her--for her and the dead body of my +married love. + +It is all, as I tell it now, unaccountable to me. I go back into these +remote parts, these rarely visited uplands and lonely tares of memory, +and it seems to me still a strange country. I had thought I might be +going to some sensuous paradise with Effie, but desire which fills the +universe before its satisfaction, vanishes utterly like the going of +daylight--with achievement. All the facts and forms of life remain +darkling and cold. It was an upland of melancholy questionings, a region +from which I saw all the world at new angles and in new aspects; I had +outflanked passion and romance. + +I had come into a condition of vast perplexities. For the first time in +my life, at least so it seems to me now in this retrospect, I looked at +my existence as a whole. + +Since this was nothing, what was I doing? What was I for? + +I was going to and fro about Tono-Bungay--the business I had taken up +to secure Marion and which held me now in spite of our intimate +separation--and snatching odd week-ends and nights for Orpington, and +all the while I struggled with these obstinate interrogations. I used +to fall into musing in the trains, I became even a little inaccurate and +forgetful about business things. I have the clearest memory of myself +sitting thoughtful in the evening sunlight on a grassy hillside that +looked toward Seven Oaks and commanded a wide sweep of country, and that +I was thinking out my destiny. I could almost write my thought down now, +I believe, as they came to me that afternoon. Effie, restless little +cockney that she was, rustled and struggled in a hedgerow below, +gathering flowers, discovering flowers she had never seen before. I +had. I remember, a letter from Marion in my pocket. I had even made some +tentatives for return, for a reconciliation; Heaven knows now how I +had put it! but her cold, ill-written letter repelled me. I perceived +I could never face that old inconclusive dullness of life again, that +stagnant disappointment. That, anyhow, wasn't possible. But what was +possible? I could see no way of honour or fine living before me at all. + +"What am I to do with life?" that was the question that besieged me. + +I wondered if all the world was even as I, urged to this by one motive +and to that by another, creatures of chance and impulse and unmeaning +traditions. Had I indeed to abide by what I had said and done and +chosen? Was there nothing for me in honour but to provide for Effie, go +back penitent to Marion and keep to my trade in rubbish--or find some +fresh one--and so work out the residue of my days? I didn't accept that +for a moment. But what else was I to do? I wondered if my case was +the case of many men, whether in former ages, too, men had been so +guideless, so uncharted, so haphazard in their journey into life. In the +Middle Ages, in the old Catholic days, one went to a priest, and he said +with all the finality of natural law, this you are and this you must do. +I wondered whether even in the Middle Ages I should have accepted that +ruling without question. + +I remember too very distinctly how Effie came and sat beside me on a +little box: that was before the casement window of our room. + +"Gloomkins," said she. + +I smiled and remained head on hand, looking out of the window forgetful +of her. + +"Did you love your wife so well?" she whispered softly. + +"Oh!" I cried, recalled again; "I don't know. I don't understand these +things. Life is a thing that hurts, my dear! It hurts without logic or +reason. I've blundered! I didn't understand. Anyhow--there is no need to +go hurting you, is there?" + +And I turned about and drew her to me, and kissed her ear.... + +Yes, I had a very bad time--I still recall. I suffered, I suppose, from +a sort of ennui of the imagination. I found myself without an object to +hold my will together. I sought. I read restlessly and discursively. +I tried Ewart and got no help from him. As I regard it all now in this +retrospect, it seems to me as if in those days of disgust and abandoned +aims I discovered myself for the first time. Before that I had seen only +the world and things in it, had sought them self-forgetful of all but +my impulse. Now I found myself GROUPED with a system of appetites and +satisfactions, with much work to do--and no desire, it seemed, left in +me. + +There were moments when I thought of suicide. At times my life appeared +before me in bleak, relentless light, a series of ignorances, crude +blunderings, degradation and cruelty. I had what the old theologians +call a "conviction of sin." I sought salvation--not perhaps in the +formula a Methodist preacher would recognise but salvation nevertheless. + +Men find their salvation nowadays in many ways. Names and forms don't, I +think, matter very much; the real need is something that we can hold +and that holds one. I have known a man find that determining factor in +a dry-plate factory, and another in writing a history of the Manor. So +long as it holds one, it does not matter. Many men and women nowadays +take up some concrete aspect of Socialism or social reform. But +Socialism for me has always been a little bit too human, too set about +with personalities and foolishness. It isn't my line. I don't like +things so human. I don't think I'm blind to the fun, the surprises, the +jolly little coarsenesses and insufficiency of life, to the "humour of +it," as people say, and to adventure, but that isn't the root of the +matter with me. There's no humour in my blood. I'm in earnest in warp +and woof. I stumble and flounder, but I know that over all these merry +immediate things, there are other things that are great and serene, very +high, beautiful things--the reality. I haven't got it, but it's there +nevertheless. I'm a spiritual guttersnipe in love with unimaginable +goddesses. I've never seen the goddesses nor ever shall--but it takes +all the fun out of the mud--and at times I fear it takes all the +kindliness, too. + +But I'm talking of things I can't expect the reader to understand, +because I don't half understand them myself. There is something links +things for me, a sunset or so, a mood or so, the high air, something +there was in Marion's form and colour, something I find and lose in +Mantegna's pictures, something in the lines of these boats I make. (You +should see X2, my last and best!) + +I can't explain myself, I perceive. Perhaps it all comes to this, that +I am a hard and morally limited cad with a mind beyond my merits. +Naturally I resist that as a complete solution. Anyhow, I had a sense of +inexorable need, of distress and insufficiency that was unendurable, and +for a time this aeronautical engineering allayed it.... + +In the end of this particular crisis of which I tell so badly, I +idealised Science. I decided that in power and knowledge lay the +salvation of my life, the secret that would fill my need; that to these +things I would give myself. + +I emerged at last like a man who has been diving in darkness, clutching +at a new resolve for which he had groped desperately and long. + +I came into the inner office suddenly one day--it must have been just +before the time of Marion's suit for restitution--and sat down before my +uncle. + +"Look here," I said, "I'm sick of this." + +"HulLO!" he answered, and put some papers aside. + +"What's up, George?" + +"Things are wrong." + +"As how?" + +"My life," I said, "it's a mess, an infinite mess." + +"She's been a stupid girl, George," he said; "I partly understand. But +you're quit of her now, practically, and there's just as good fish in +the sea--" + +"Oh! it's not that!" I cried. "That's only the part that shows. I'm +sick--I'm sick of all this damned rascality." + +"Eh? Eh?" said my uncle. "WHAT--rascality?" + +"Oh, YOU know. I want some STUFF, man. I want something to hold on to. I +shall go amok if I don't get it. I'm a different sort of beast from +you. You float in all this bunkum. _I_ feel like a man floundering in a +universe of soapsuds, up and downs, east and west. I can't stand it. I +must get my foot on something solid or--I don't know what." + +I laughed at the consternation in his face. + +"I mean it," I said. "I've been thinking it over. I've made up my mind. +It's no good arguing. I shall go in for work--real work. No! this isn't +work; it's only laborious cheating. But I've got an idea! It's an old +idea--I thought of years ago, but it came back to me. Look here! Why +should I fence about with you? I believe the time has come for flying to +be possible. Real flying!" + +"Flying!" + +I stuck to that, and it helped me through the worst time in my life. +My uncle, after some half-hearted resistance and a talk with my aunt, +behaved like the father of a spoilt son. He fixed up an arrangement that +gave me capital to play with, released me from too constant a solicitude +for the newer business developments--this was in what I may call the +later Moggs period of our enterprises--and I went to work at once with +grim intensity. + +But I will tell of my soaring and flying machines in the proper place. +I've been leaving the story of my uncle altogether too long. I +wanted merely to tell how it was I took to this work. I took to these +experiments after I had sought something that Marion in some indefinable +way had seemed to promise. I toiled and forgot myself for a time, and +did many things. Science too has been something of an irresponsive +mistress since, though I've served her better than I served Marion. But +at the time Science, with her order, her inhuman distance, yet steely +certainties, saved me from despair. + +Well, I have still to fly; but incidentally I have invented the lightest +engines in the world. + +I am trying to tell of all the things that happened to me. It's hard +enough simply to get it put down in the remotest degree right. But this +is a novel, not a treatise. Don't imagine that I am coming presently +to any sort of solution of my difficulties. Here among my drawings and +hammerings NOW, I still question unanswering problems. All my life has +been at bottom, SEEKING, disbelieving always, dissatisfied always with +the thing seen and the thing believed, seeking something in toil, in +force, in danger, something whose name and nature I do not clearly +understand, something beautiful, worshipful, enduring, mine profoundly +and fundamentally, and the utter redemption of myself; I don't know--all +I can tell is that it is something I have ever failed to find. + +XI + +But before I finish this chapter and book altogether and go on with +the great adventure of my uncle's career. I may perhaps tell what else +remains to tell of Marion and Effie, and then for a time set my private +life behind me. + +For a time Marion and I corresponded with some regularity, writing +friendly but rather uninforming letters about small business things. The +clumsy process of divorce completed itself. + +She left the house at Ealing and went into the country with her aunt and +parents, taking a small farm near Lewes in Sussex. She put up glass, she +put in heat for her father, happy man! and spoke of figs and peaches. +The thing seemed to promise well throughout a spring and summer, but the +Sussex winter after London was too much for the Ramboats. They got very +muddy and dull; Mr. Ramboat killed a cow by improper feeding, and that +disheartened them all. A twelvemonth saw the enterprise in difficulties. +I had to help her out of this, and then they returned to London and she +went into partnership with Smithie at Streatham, and ran a business that +was intimated on the firm's stationery as "Robes." The parents and aunt +were stowed away in a cottage somewhere. After that the letters became +infrequent. But in one I remember a postscript that had a little stab of +our old intimacy: "Poor old Miggles is dead." + +Nearly eight years slipped by. I grew up. I grew in experience, in +capacity, until I was fully a man, but with many new interests, living +on a larger scale in a wider world than I could have dreamt of in my +Marion days. Her letters become rare and insignificant. At last came a +gap of silence that made me curious. For eighteen months or more I had +nothing from Marion save her quarterly receipts through the bank. Then I +damned at Smithie, and wrote a card to Marion. + +"Dear Marion," I said, "how goes it?" + +She astonished me tremendously by telling me she had married again--"a +Mr. Wachorn, a leading agent in the paper-pattern trade." But she still +wrote on the Ponderevo and Smith (Robes) notepaper, from the Ponderevo +and Smith address. + +And that, except for a little difference of opinion about the +continuance of alimony which gave me some passages of anger, and the use +of my name by the firm, which also annoyed me, is the end of Marion's +history for me, and she vanishes out of this story. I do not know where +she is or what she is doing. I do not know whether she is alive or dead. +It seems to me utterly grotesque that two people who have stood so close +to one another as she and I should be so separated, but so it is between +us. + +Effie, too, I have parted from, though I still see her at times. Between +us there was never any intention of marriage nor intimacy of soul. She +had a sudden, fierce, hot-blooded passion for me and I for her, but +I was not her first lover nor her last. She was in another world from +Marion. She had a queer, delightful nature; I've no memory of +ever seeing her sullen or malicious. She was--indeed she was +magnificently--eupeptic. That, I think, was the central secret of her +agreeableness, and, moreover, that she was infinitely kind-hearted. I +helped her at last into an opening she coveted, and she amazed me by a +sudden display of business capacity. She has now a typewriting bureau +in Riffle's Inn, and she runs it with a brisk vigour and considerable +success, albeit a certain plumpness has overtaken her. And she still +loves her kind. She married a year or so ago a boy half her age--a +wretch of a poet, a wretched poet, and given to drugs, a thing with lank +fair hair always getting into his blue eyes, and limp legs. She did it, +she said, because he needed nursing.... + +But enough of this disaster of my marriage and of my early love affairs; +I have told all that is needed for my picture to explain how I came to +take up aeroplane experiments and engineering science; let me get back +to my essential story, to Tono-Bungay and my uncle's promotions and to +the vision of the world these things have given me. + + + + + +BOOK THE THIRD + +THE GREAT DAYS OF TONO-BUNGAY + + + +CHAPTER THE FIRST + +THE HARDINGHAM HOTEL, AND HOW WE BECAME BIG PEOPLE + +I + +But now that I resume the main line of my story it may be well to +describe the personal appearance of my uncle as I remember him during +those magnificent years that followed his passage from trade to finance. +The little man plumped up very considerably during the creation of the +Tono-Bungay property, but with the increasing excitements that followed +that first flotation came dyspepsia and a certain flabbiness and falling +away. His abdomen--if the reader will pardon my taking his features +in the order of their value--had at first a nice full roundness, but +afterwards it lost tone without, however, losing size. He always went as +though he was proud of it and would make as much of it as possible. To +the last his movements remained quick and sudden, his short firm legs, +as he walked, seemed to twinkle rather than display the scissors-stride +of common humanity, and he never seemed to have knees, but instead, a +dispersed flexibility of limb. + +There was, I seem to remember, a secular intensification of his +features; his nose developed character, became aggressive, stuck out at +the world more and more; the obliquity of his mouth, I think, increased. +From the face that returns to my memory projects a long cigar that is +sometimes cocked jauntily up from the higher corner, that sometimes +droops from the lower;--it was as eloquent as a dog's tail, and he +removed it only for the more emphatic modes of speech. He assumed a +broad black ribbon for his glasses, and wore them more and more askew as +time went on. His hair seemed to stiffen with success, but towards the +climax it thinned greatly over the crown, and he brushed it hard back +over his ears where, however, it stuck out fiercely. It always stuck out +fiercely over his forehead, up and forward. + +He adopted an urban style of dressing with the onset of Tono-Bungay and +rarely abandoned it. He preferred silk hats with ample rich brims, often +a trifle large for him by modern ideas, and he wore them at various +angles to his axis; his taste in trouserings was towards fairly emphatic +stripes and his trouser cut was neat; he liked his frock-coat long and +full, although that seemed to shorten him. He displayed a number of +valuable rings, and I remember one upon his left little finger with a +large red stone bearing Gnostic symbols. "Clever chaps, those Gnostics, +George," he told me. "Means a lot. Lucky!" He never had any but a black +mohair watch-chair. In the country he affected grey and a large +grey cloth top-hat, except when motoring; then he would have a brown +deer-stalker cap and a fur suit of esquimaux cut with a sort of boot-end +to the trousers. Of an evening he would wear white waistcoats and plain +gold studs. He hated diamonds. "Flashy," he said they were. "Might as +well wear--an income tax-receipt. All very well for Park Lane. Unsold +stock. Not my style. Sober financier, George." + +So much for his visible presence. For a time it was very familiar to +the world, for at the crest of the boom he allowed quite a number +of photographs and at least one pencil sketch to be published in the +sixpenny papers. + +His voice declined during those years from his early tenor to a flat +rich quality of sound that my knowledge of music is inadequate to +describe. His Zzz-ing inrush of air became less frequent as he ripened, +but returned in moments of excitement. Throughout his career, in spite +of his increasing and at last astounding opulence, his more intimate +habits remained as simple as they had been at Wimblehurst. He would +never avail himself of the services of a valet; at the very climax of +his greatness his trousers were folded by a housemaid and his shoulders +brushed as he left his house or hotel. He became wary about breakfast +as life advanced, and at one time talked much of Dr. Haig and uric acid. +But for other meals he remained reasonably omnivorous. He was something +of a gastronome, and would eat anything he particularly liked in an +audible manner, and perspire upon his forehead. He was a studiously +moderate drinker--except when the spirit of some public banquet or some +great occasion caught him and bore him beyond his wariness--there +he would, as it were, drink inadvertently and become flushed and +talkative--about everything but his business projects. + +To make the portrait complete one wants to convey an effect of sudden, +quick bursts of movement like the jumps of a Chinese-cracker to indicate +that his pose whatever it is, has been preceded and will be followed +by a rush. If I were painting him, I should certainly give him for +a background that distressed, uneasy sky that was popular in the +eighteenth century, and at a convenient distance a throbbing motor-car, +very big and contemporary, a secretary hurrying with papers, and an +alert chauffeur. + +Such was the figure that created and directed the great property of +Tono-Bungay, and from the successful reconstruction of that company +passed on to a slow crescendo of magnificent creations and promotions +until the whole world of investors marveled. I have already I think, +mentioned how, long before we offered Tono Bungay to the public, we took +over the English agency of certain American specialties. To this was +presently added our exploitation of Moggs' Domestic Soap, and so he took +up the Domestic Convenience Campaign that, coupled with his equatorial +rotundity and a certain resolute convexity in his bearings won my uncle +his Napoleonic title. + +II + +It illustrates the romantic element in modern commerce that my uncle +met young Moggs at a city dinner--I think it was the Bottle-makers' +Company--when both were some way advanced beyond the initial sobriety +of the occasion. This was the grandson of the original Moggs, and a very +typical instance of an educated, cultivated, degenerate plutocrat. His +people had taken him about in his youth as the Ruskins took their John +and fostered a passion for history in him, and the actual management of +the Moggs' industry had devolved upon a cousin and a junior partner. + +Mr. Moggs, being of a studious and refined disposition, had just +decided--after a careful search for a congenial subject in which he +would not be constantly reminded of soap--to devote himself to the +History of the Thebaid, when this cousin died suddenly and precipitated +responsibilities upon him. In the frankness of conviviality, Moggs +bewailed the uncongenial task thus thrust into his hands, and my uncle +offered to lighten his burden by a partnership then and there. They even +got to terms--extremely muzzy terms, but terms nevertheless. + +Each gentleman wrote the name and address of the other on his cuff, and +they separated in a mood of brotherly carelessness, and next morning +neither seems to have thought to rescue his shirt from the wash until +it was too late. My uncle made a painful struggle--it was one of my +business mornings--to recall name and particulars. + +"He was an aquarium-faced, long, blond sort of chap, George, with +glasses and a genteel accent," he said. + +I was puzzled. "Aquarium-faced?" + +"You know how they look at you. His stuff was soap, I'm pretty +nearly certain. And he had a name--And the thing was the straightest +Bit-of-All-right you ever. I was clear enough to spot that..." + +We went out at last with knitted brows, and wandered up into Finsbury +seeking a good, well-stocked looking grocer. We called first on a +chemist for a pick-me-up for my uncle, and then we found the shop we +needed. + +"I want," said my uncle, "half a pound of every sort of soap you got. +Yes, I want to take them now. Wait a moment, George.... Now what sort of +soap d'you call THAT?" + +At the third repetition of that question the young man said, "Moggs' +Domestic." + +"Right," said my uncle. "You needn't guess again. Come along, George, +let's go to a telephone and get on to Moggs. Oh--the order? Certainly. I +confirm it. Send it all--send it all to the Bishop of London; he'll have +some good use for it--(First-rate man, George, he is--charities and all +that)--and put it down to me, here's a card--Ponderevo--Tono-Bungay." + +Then we went on to Moggs and found him in a camel-hair dressing-jacket +in a luxurious bed, drinking China tea, and got the shape of everything +but the figures fixed by lunch time. + +Young Moggs enlarged my mind considerably; he was a sort of thing +I hadn't met before; he seemed quite clean and well-informed and he +assured me to never read newspapers nor used soap in any form at all, +"Delicate skin," he said. + +"No objection to our advertising you wide and free?" said my uncle. + +"I draw the line at railway stations," said Moggs, "south-coast cliffs, +theatre programmes, books by me and poetry generally--scenery--oh!--and +the Mercure de France." + +"We'll get along," said my uncle. + +"So long as you don't annoy me," said Moggs, lighting a cigarette, "you +can make me as rich as you like." + +We certainly made him no poorer. His was the first firm that was +advertised by a circumstantial history; we even got to illustrated +magazine articles telling of the quaint past of Moggs. We concocted +Moggsiana. Trusting to our partner's preoccupation with the uncommercial +aspects of life, we gave graceful history--of Moggs the First, Moggs the +Second, Moggs the Third, and Moggs the Fourth. You must, unless you are +very young, remember some of them and our admirable block of a Georgian +shop window. My uncle brought early nineteenth-century memoirs, soaked +himself in the style, and devised stories about old Moggs the First and +the Duke of Wellington, George the Third and the soap dealer ("almost +certainly old Moggs"). Very soon we had added to the original Moggs' +Primrose several varieties of scented and superfatted, a "special +nurseries used in the household of the Duke of Kent and for the old +Queen in Infancy," a plate powder, "the Paragon," and a knife powder. +We roped in a good little second-rate black-lead firm, and carried their +origins back into the mists of antiquity. It was my uncle's own unaided +idea that we should associate that commodity with the Black Prince. He +became industriously curious about the past of black-lead. I remember +his button-holing the president of the Pepys Society. + +"I say, is there any black-lead in Pepys? You know--black-lead--for +grates! OR DOES HE PASS IT OVER AS A MATTER OF COURSE?" + +He became in those days the terror of eminent historians. "Don't want +your drum and trumpet history--no fear," he used to say. "Don't want +to know who was who's mistress, and why so-and-so devastated such a +province; that's bound to be all lies and upsy-down anyhow. Not my +affair. Nobody's affair now. Chaps who did it didn't clearly know.... +What I want to know is, in the Middle Ages, did they do anything for +Housemaid's Knee? What did they put in their hot baths after jousting, +and was the Black Prince--you know the Black Prince--was he enameled +or painted, or what? I think myself, black-leaded--very likely--like +pipe-clay--but DID they use blacking so early?" + +So it came about that in designing and writing those Moggs' Soap +Advertisements, that wrought a revolution in that department of +literature, my uncle was brought to realise not only the lost history, +but also the enormous field for invention and enterprise that lurked +among the little articles, the dustpans and mincers, the mousetraps +and carpet-sweepers that fringe the shops of the oilman and domestic +ironmonger. He was recalled to one of the dreams of his youth, to his +conception of the Ponderevo Patent Flat that had been in his mind so +early as the days before I went to serve him at Wimblehurst. "The Home, +George," he said, "wants straightening up. Silly muddle! Things that get +in the way. Got to organise it." + +For a time he displayed something like the zeal of a genuine social +reformer in relation to these matters. + +"We've got to bring the Home Up to Date? That's my idee, George. We got +to make a civilised domestic machine out of these relics of barbarism. +I'm going to hunt up inventors, make a corner in d'mestic ideas. +Everything. Balls of string that won't dissolve into a tangle, and gum +that won't dry into horn. See? Then after conveniences--beauty. Beauty, +George! All these few things ought to be made fit to look at; it's your +aunt's idea, that. Beautiful jam-pots! Get one of those new art chaps +to design all the things they make ugly now. Patent carpet-sweepers by +these greenwood chaps, housemaid's boxes it'll be a pleasure to fall +over--rich coloured house-flannels. Zzzz. Pails, f'rinstance. Hang 'em +up on the walls like warming-pans. All the polishes and things in such +tins--you'll want to cuddle 'em, George! See the notion? 'Sted of all +the silly ugly things we got."... + +We had some magnificent visions; they so affected me that when I passed +ironmongers and oil-shops they seemed to me as full of promise as +trees in late winter, flushed with the effort to burst into leaf and +flower.... And really we did do much towards that very brightness these +shops display. They were dingy things in the eighties compared to what +our efforts have made them now, grey quiet displays. + +Well, I don't intend to write down here the tortuous financial history +of Moggs' Limited, which was our first development of Moggs and Sons; +nor will I tell very much of how from that we spread ourselves with +a larger and larger conception throughout the chandlery and minor +ironmongery, how we became agents for this little commodity, partners in +that, got a tentacle round the neck of a specialised manufacturer or so, +secured a pull upon this or that supply of raw material, and so prepared +the way for our second flotation, Domestic Utilities; "Do it," +they reordered it in the city. And then came the reconstruction of +Tono-Bungay, and then "Household services" and the Boom! + +That sort of development is not to be told in detail in a novel. I have, +indeed, told much of it elsewhere. It is to be found set out at +length, painfully at length, in my uncle's examination and mine in +the bankruptcy proceedings, and in my own various statements after his +death. Some people know everything in that story, some know it all +too well, most do not want the details, it is the story of a man of +imagination among figures, and unless you are prepared to collate +columns of pounds, shillings and pence, compare dates and check +additions, you will find it very unmeaning and perplexing. And after +all, you wouldn't find the early figures so much wrong as STRAINED. In +the matter of Moggs and Do Ut, as in the first Tono-Bungay promotion +and in its reconstruction, we left the court by city standards without +a stain on our characters. The great amalgamation of Household Services +was my uncle's first really big-scale enterprise and his first display +of bolder methods: for this we bought back Do Ut, Moggs (going strong +with a seven per cent. dividend) and acquired Skinnerton's polishes, the +Riffleshaw properties and the Runcorn's mincer and coffee-mill business. +To that Amalgamation I was really not a party; I left it to my uncle +because I was then beginning to get keen upon the soaring experiments +I had taken on from the results then to hand of Lilienthal, Pilcher and +the Wright brothers. I was developing a glider into a flyer. I meant +to apply power to this glider as soon as I could work out one or two +residual problems affecting the longitudinal stability. I knew that I +had a sufficiently light motor in my own modification of Bridger's +light turbine, but I knew too that until I had cured my aeroplane of a +tendency demanding constant alertness from me, a tendency to jerk up its +nose at unexpected moments and slide back upon me, the application of an +engine would be little short of suicide. + +But that I will tell about later. The point I was coming to was that I +did not realise until after the crash how recklessly my uncle had kept +his promise of paying a dividend of over eight per cent. on the ordinary +shares of that hugely over-capitalised enterprise, Household Services. + +I drifted out of business affairs into my research much more than either +I or my uncle had contemplated. Finance was much less to my taste +than the organisation of the Tono-Bungay factory. In the new field of +enterprise there was a great deal of bluffing and gambling, of taking +chances and concealing material facts--and these are hateful things to +the scientific type of mind. It wasn't fear I felt so much as an uneasy +inaccuracy. I didn't realise dangers, I simply disliked the sloppy, +relaxing quality of this new sort of work. I was at last constantly +making excuses not to come up to him in London. The latter part of his +business career recedes therefore beyond the circle of any particular +life. I lived more or less with him; I talked, I advised, I helped him +at times to fight his Sunday crowd at Crest Hill, but I did not follow +nor guide him. From the Do Ut time onward he rushed up the financial +world like a bubble in water and left me like some busy water-thing down +below in the deeps. + +Anyhow, he was an immense success. The public was, I think, particularly +attracted by the homely familiarity of his field of work--you never lost +sight of your investment they felt, with the name on the house-flannel +and shaving-strop--and its allegiance was secured by the Egyptian +solidity of his apparent results. Tono-Bungay, after its reconstruction, +paid thirteen, Moggs seven, Domestic Utilities had been a safe-looking +nine; here was Household Services with eight; on such a showing he had +merely to buy and sell Roeburn's Antiseptic fluid, Razor soaks and Bath +crystals in three weeks to clear twenty thousand pounds. + +I do think that as a matter of fact Roeburn's was good value at the +price at which he gave it to the public, at least until it was strained +by ill-conserved advertisement. It was a period of expansion and +confidence; much money was seeking investment and "Industrials" were the +fashion. Prices were rising all round. There remained little more for +my uncle to do therefore, in his climb to the high unstable crest +of Financial Greatness but, as he said, to "grasp the cosmic oyster, +George, while it gaped," which, being translated, meant for him to buy +respectable businesses confidently and courageously at the vendor's +estimate, add thirty or forty thousand to the price and sell them again. +His sole difficulty indeed was the tactful management of the load +of shares that each of these transactions left upon his hands. But I +thought so little of these later things that I never fully appreciated +the peculiar inconveniences of that until it was too late to help him. + +III + +When I think of my uncle near the days of his Great Boom and in +connection with the actualities of his enterprises, I think of him as +I used to see him in the suite of rooms he occupied in the Hardingham +Hotel, seated at a great old oak writing-table, smoking, drinking, and +incoherently busy; that was his typical financial aspect--our evenings, +our mornings, our holidays, our motor-car expeditions, Lady Grove and +Crest Hill belong to an altogether different set of memories. + +These rooms in the Hardingham were a string of apartments along one +handsome thick-carpeted corridor. All the doors upon the corridor were +locked except the first; and my uncle's bedroom, breakfast-room and +private sanctum were the least accessible and served by an entrance from +the adjacent passage, which he also used at times as a means of +escape from importunate callers. The most eternal room was a general +waiting-room and very business-like in quality; it had one or two uneasy +sofas, a number of chairs, a green baize table, and a collection of the +very best Moggs and Tone posters: and the plush carpets normal to the +Hardingham had been replaced by a grey-green cork linoleum; Here I +would always find a remarkable miscellany of people presided over by +a peculiarly faithful and ferocious looking commissioner, Ropper, who +guarded the door that led a step nearer my uncle. Usually there would +be a parson or so, and one or two widows; hairy, eyeglassy, middle-aged +gentlemen, some of them looking singularly like Edward Ponderevos +who hadn't come off, a variety of young and youngish men more or less +attractively dressed, some with papers protruding from their pockets, +others with their papers decently concealed. And wonderful, incidental, +frowsy people. + +All these persons maintained a practically hopeless siege--sometimes for +weeks together; they had better have stayed at home. Next came a room +full of people who had some sort of appointment, and here one would find +smart-looking people, brilliantly dressed, nervous women hiding behind +magazines, nonconformist divines, clergy in gaiters, real business men, +these latter for the most part gentlemen in admirable morning dress who +stood up and scrutinised my uncle's taste in water colours manfully and +sometimes by the hour together. Young men again were here of various +social origins, young Americans, treasonable clerks from other concerns, +university young men, keen-looking, most of them, resolute, reserved, +but on a sort of hair trigger, ready at any moment to be most voluble, +most persuasive. + +This room had a window, too, looking out into the hotel courtyard with +its fern-set fountains and mosaic pavement, and the young men would +stand against this and sometimes even mutter. One day I heard one +repeating in all urgent whisper as I passed "But you don't quite see, +Mr. Ponderevo, the full advantages, the FULL advantages--" I met his eye +and he was embarrassed. + +Then came a room with a couple of secretaries--no typewriters, because +my uncle hated the clatter--and a casual person or two sitting about, +projectors whose projects were being entertained. Here and in a further +room nearer the private apartments, my uncle's correspondence underwent +an exhaustive process of pruning and digestion before it reached him. +Then the two little rooms in which my uncle talked; my magic uncle who +had got the investing public--to whom all things were possible. As one +came in we would find him squatting with his cigar up and an expression +of dubious beatitude upon his face, while some one urged him to grow +still richer by this or that. + +"That'ju, George?" he used to say. "Come in. Here's a thing. Tell +him--Mister--over again. Have a drink, George? No! Wise man! Liss'n." + +I was always ready to listen. All sorts of financial marvels came out of +the Hardingham, more particularly during my uncle's last great flurry, +but they were nothing to the projects that passed in. It was the little +brown and gold room he sat in usually. He had had it redecorated by +Bordingly and half a dozen Sussex pictures by Webster hung about it. +Latterly he wore a velveteen jacket of a golden-brown colour in this +apartment that I think over-emphasised its esthetic intention, and he +also added some gross Chinese bronzes. + +He was, on the whole, a very happy man throughout all that wildly +enterprising time. He made and, as I shall tell in its place, spent +great sums of money. He was constantly in violent motion, constantly +stimulated mentally and physically and rarely tired. About him was an +atmosphere of immense deference much of his waking life was triumphal +and all his dreams. I doubt if he had any dissatisfaction with himself +at all until the crash bore him down. Things must have gone very rapidly +with him.... I think he must have been very happy. + +As I sit here writing about all these things, jerking down notes and +throwing them aside in my attempt to give some literary form to the tale +of our promotions, the marvel of it all comes to me as if it came for +the first time the supreme unreason of it. At the climax of his Boom, my +uncle at the most sparing estimate must have possessed in substance and +credit about two million pounds'-worth of property to set off against +his vague colossal liabilities, and from first to last he must have had +a controlling influence in the direction of nearly thirty millions. + +This irrational muddle of a community in which we live gave him that, +paid him at that rate for sitting in a room and scheming and telling +it lies. For he created nothing, he invented nothing, he economised +nothing. I cannot claim that a single one of the great businesses +we organised added any real value to human life at all. Several like +Tono-Bungay were unmitigated frauds by any honest standard, the giving +of nothing coated in advertisements for money. And the things the +Hardingham gave out, I repeat, were nothing to the things that came +in. I think of the long procession of people who sat down before us and +propounded this and that. Now it was a device for selling bread under +a fancy name and so escaping the laws as to weight--this was afterwards +floated as the Decorticated Health-Bread Company and bumped against the +law--now it was a new scheme for still more strident advertisement, +now it was a story of unsuspected deposits of minerals, now a cheap and +nasty substitute for this or that common necessity, now the treachery of +a too well-informed employee, anxious to become our partner. It was +all put to us tentatively, persuasively. Sometimes one had a large pink +blusterous person trying to carry us off our feet by his pseudo-boyish +frankness, now some dyspeptically yellow whisperer, now some earnest, +specially dressed youth with an eye-glass and a buttonhole, now some +homely-speaking, shrewd Manchester man or some Scotchman eager to be +very clear and full. + +Many came in couples or trios, often in tow of an explanatory solicitor. +Some were white and earnest, some flustered beyond measure at their +opportunity. Some of them begged and prayed to be taken up. My uncle +chose what he wanted and left the rest. He became very autocratic to +these applicants. + +He felt he could make them, and they felt so too. He had but to say +"No!" and they faded out of existence.... He had become a sort of vortex +to which wealth flowed of its own accord. His possessions increased by +heaps; his shares, his leaseholds and mortgages and debentures. + +Behind his first-line things he found it necessary at last, and +sanctioned by all the precincts, to set up three general trading +companies, the London and African Investment Company, the British +Traders' Loan Company, and Business Organisations Limited. This was in +the culminating time when I had least to do with affairs. I don't say +that with any desire to exculpate myself; I admit I was a director +of all three, and I will confess I was willfully incurious in that +capacity. Each of these companies ended its financial year solvent by +selling great holdings of shares to one or other of its sisters, and +paying a dividend out of the proceeds. I sat at the table and agreed. +That was our method of equilibrium at the iridescent climax of the +bubble. + +You perceive now, however, the nature of the services for which this +fantastic community have him unmanageable wealth and power and real +respect. It was all a monstrous payment for courageous fiction, a +gratuity in return for the one reality of human life--illusion. We gave +them a feeling of hope and profit; we sent a tidal wave of water and +confidence into their stranded affairs. "We mint Faith, George," said my +uncle one day. "That's what we do. And by Jove we got to keep minting! +We been making human confidence ever since I drove the first cork of +Tono-Bungay." + +"Coining" would have been a better word than minting! And yet, you +know, in a sense he was right. Civilisation is possible only through +confidence, so that we can bank our money and go unarmed about the +streets. The bank reserve or a policeman keeping order in a jostling +multitude of people, are only slightly less impudent bluffs than my +uncle's prospectuses. They couldn't for a moment "make good" if the +quarter of what they guarantee was demanded of them. The whole of this +modern mercantile investing civilisation is indeed such stuff as dreams +are made of. A mass of people swelters and toils, great railway systems +grow, cities arise to the skies and spread wide and far, mines are +opened, factories hum, foundries roar, ships plough the seas, countries +are settled; about this busy striving world the rich owners go, +controlling all, enjoying all, confident and creating the confidence +that draws us all together into a reluctant, nearly unconscious +brotherhood. I wonder and plan my engines. The flags flutter, the crowds +cheer, the legislatures meet. Yet it seems to me indeed at times that +all this present commercial civilisation is no more than my poor uncle's +career writ large, a swelling, thinning bubble of assurances; that +its arithmetic is just as unsound, its dividends as ill-advised, its +ultimate aim as vague and forgotten; that it all drifts on perhaps to +some tremendous parallel to his individual disaster... + +Well, so it was we Boomed, and for four years and a half we lived a life +of mingled substance and moonshine. Until our particular unsoundness +overtook us we went about in the most magnificent of motor-cars upon +tangible high roads, made ourselves conspicuous and stately in splendid +houses, ate sumptuously and had a perpetual stream of notes and money +trickling into our pockets; hundreds of thousands of men and women +respected us, saluted us and gave us toil and honour; I asked, and my +worksheets rose, my aeroplanes swooped out of nothingness to scare the +downland pe-wits; my uncle waved his hand and Lady Grove and all its +associations of chivalry and ancient peace were his; waved again, and +architects were busy planning the great palace he never finished at +Crest Hill and an army of folkmen gathered to do his bidding, blue +marble came from Canada, and timber from New Zealand; and beneath it +all, you know, there was nothing but fictitious values as evanescent as +rainbow gold. + +IV + +I pass the Hardingham ever and again and glance aside through the great +archway at the fountain and the ferns, and think of those receding days +when I was so near the centre of our eddy of greed and enterprise. I see +again my uncle's face, white and intent, and hear him discourse, hear +him make consciously Napoleonic decisions, "grip" his nettles, put +his "finger on the spot," "bluff," say "snap." He became particularly +addicted to the last idiom. Towards the end every conceivable act took +the form of saying "snap!" + +The odd fish that came to us! And among others came Gordon-Nasmyth, that +queer blend of romance and illegality who was destined to drag me into +the most irrelevant adventure in my life the Mordet Island affair; and +leave me, as they say, with blood upon my hands. It is remarkable how +little it troubles my conscience and how much it stirs my imagination, +that particular memory of the life I took. The story of Mordet Island +has been told in a government report and told all wrong; there are still +excellent reasons for leaving it wrong in places, but the liveliest +appeals of discretion forbid my leaving it out altogether. + +I've still the vividest memory of Gordon-Nasmyth's appearance in the +inner sanctum, a lank, sunburnt person in tweeds with a yellow-brown +hatchet face and one faded blue eye--the other was a closed and sunken +lid--and how he told us with a stiff affectation of ease his incredible +story of this great heap of quap that lay abandoned or undiscovered +on the beach behind Mordet's Island among white dead mangroves and the +black ooze of brackish water. + +"What's quap?" said my uncle on the fourth repetition of the word. + +"They call it quap, or quab, or quabb," said Gordon-Nasmyth; "but our +relations weren't friendly enough to get the accent right.... + +"But there the stuff is for the taking. They don't know about it. +Nobody knows about it. I got down to the damned place in a canoe alone. +The boys wouldn't come. I pretended to be botanising." ... + +To begin with, Gordon-Nasmyth was inclined to be dramatic. + +"Look here," he said when he first came in, shutting the door rather +carefully behind him as he spoke, "do you two men--yes or no--want to +put up six thousand--for--a clear good chance of fifteen hundred per +cent. on your money in a year?" + +"We're always getting chances like that," said my uncle, cocking his +cigar offensively, wiping his glasses and tilting his chair back. "We +stick to a safe twenty." + +Gordon-Nasmyth's quick temper showed in a slight stiffening of his +attitude. + +"Don't you believe him," said I, getting up before he could reply. +"You're different, and I know your books. We're very glad you've come +to us. Confound it, uncle! Its Gordon-Nasmyth! Sit down. What is it? +Minerals?" + +"Quap," said Gordon-Nasmyth, fixing his eye on me, "in heaps." + +"In heaps," said my uncle softly, with his glasses very oblique. + +"You're only fit for the grocery," said Gordon-Nasmyth scornfully, +sitting down and helping himself to one of my uncle's cigars. "I'm sorry +I came. But, still, now I'm here.... And first as to quap; quap, sir, is +the most radio-active stuff in the world. That's quap! It's a festering +mass of earths and heavy metals, polonium, radium, ythorium, thorium, +carium, and new things, too. There's a stuff called Xk--provisionally. +There they are, mucked up together in a sort of rotting sand. What it +is, how it got made, I don't know. It's like as if some young creator +had been playing about there. There it lies in two heaps, one small, +one great, and the world for miles about it is blasted and scorched and +dead. You can have it for the getting. You've got to take it--that's +all!" + +"That sounds all right," said I. "Have you samples?" + +"Well--should I? You can have anything--up to two ounces." + +"Where is it?"... + +His blue eye smiled at me and scrutinised me. He smoked and was +fragmentary for a time, fending off my questions; then his story began +to piece itself together. He conjured up a vision of this strange +forgotten kink in the world's littoral, of the long meandering channels +that spread and divaricate and spend their burden of mud and silt within +the thunderbelt of Atlantic surf, of the dense tangled vegetation that +creeps into the shimmering water with root and sucker. He gave a sense +of heat and a perpetual reek of vegetable decay, and told how at last +comes a break among these things, an arena fringed with bone-white dead +trees, a sight of the hard-blue sea line beyond the dazzling surf and +a wide desolation of dirty shingle and mud, bleached and scarred.... +A little way off among charred dead weeds stands the abandoned +station,--abandoned because every man who stayed two months at that +station stayed to die, eaten up mysteriously like a leper with its +dismantled sheds and its decaying pier of wormrotten and oblique piles +and planks, still insecurely possible. + +And in the midst, two clumsy heaps shaped like the backs of hogs, one +small, one great, sticking out under a rib of rock that cuts the space +across,--quap! + +"There it is," said Gordon-Nasmyth, "worth three pounds an ounce, if +it's worth a penny; two great heaps of it, rotten stuff and soft, ready +to shovel and wheel, and you may get it by the ton!" + +"How did it get there?" + +"God knows! ... There it is--for the taking! In a country where you +mustn't trade. In a country where the company waits for good kind men +to find it riches and then take 'em away from 'em. There you have +it--derelict." + +"Can't you do any sort of deal?" + +"They're too damned stupid. You've got to go and take it. That's all." + +"They might catch you." + +"They might, of course. But they're not great at catching." + +We went into the particulars of that difficulty. "They wouldn't catch +me, because I'd sink first. Give me a yacht," said Gordon-Nasmyth; +"that's all I need." + +"But if you get caught," said my uncle. + +I am inclined to think Gordon-Nasmyth imagined we would give him a +cheque for six thousand pounds on the strength of his talk. It was very +good talk, but we didn't do that. I stipulated for samples of his stuff +for analysis, and he consented--reluctantly. + +I think, on the whole, he would rather I didn't examine samples. He made +a motion pocketwards, that gave us an invincible persuasion that he +had a sample upon him, and that at the last instant he decided not to +produce it prematurely. + +There was evidently a curious strain of secretiveness in him. He didn't +like to give us samples, and he wouldn't indicate within three hundred +miles the position of this Mordet Island of his. He had it clear in his +mind that he had a secret of immense value, and he had no idea at all of +just how far he ought to go with business people. And so presently, +to gain time for these hesitations of his, he began to talk of other +things. He talked very well. He talked of the Dutch East Indies and of +the Congo, of Portuguese East Africa and Paraguay, of Malays and rich +Chinese merchants, Dyaks and negroes and the spread of the Mahometan +world in Africa to-day. And all this time he was trying to judge if +we were good enough to trust with his adventure. Our cosy inner office +became a little place, and all our business cold and lifeless exploits +beside his glimpses of strange minglings of men, of slayings unavenged +and curious customs, of trade where no writs run, and the dark +treacheries of eastern ports and uncharted channels. + +We had neither of us gone abroad except for a few vulgar raids on Paris; +our world was England, are the places of origin of half the raw material +of the goods we sold had seemed to us as remote as fairyland or the +forest of Arden. But Gordon-Nasmyth made it so real and intimate for us +that afternoon--for me, at any rate--that it seemed like something seen +and forgotten and now again remembered. + +And in the end he produced his sample, a little lump of muddy clay +speckled with brownish grains, in a glass bottle wrapped about with lead +and flannel--red flannel it was, I remember--a hue which is, I know, +popularly supposed to double all the mystical efficacies of flannel. + +"Don't carry it about on you," said Gordon-Nasmyth. "It makes a sore." + +I took the stuff to Thorold, and Thorold had the exquisite agony of +discovering two new elements in what was then a confidential +analysis. He has christened them and published since, but at the time +Gordon-Nasmyth wouldn't hear for a moment of our publication of any +facts at all; indeed, he flew into a violent passion and abused me +mercilessly even for showing the stuff to Thorold. "I thought you were +going to analyse it yourself," he said with the touching persuasion of +the layman that a scientific man knows and practises at the sciences. + +I made some commercial inquiries, and there seemed even then much truth +in Gordon-Nasmyth's estimate of the value of the stuff. It was before +the days of Capern's discovery of the value of canadium and his use of +it in the Capern filament, but the cerium and thorium alone were worth +the money he extracted for the gas-mantles then in vogue. There were, +however, doubts. Indeed, there were numerous doubts. What were the +limits of the gas-mantle trade? How much thorium, not to speak of +cerium, could they take at a maximum. Suppose that quantity was high +enough to justify our shipload, came doubts in another quarter. Were +the heaps up to sample? Were they as big as he said? Was +Gordon-Nasmyth--imaginative? And if these values held, could we after +all get the stuff? It wasn't ours. It was on forbidden ground. You see, +there were doubts of every grade and class in the way of this adventure. + +We went some way, nevertheless, in the discussion of his project, though +I think we tried his patience. Then suddenly he vanished from London, +and I saw no more of him for a year and a half. + +My uncle said that was what he had expected, and when at last +Gordon-Nasmyth reappeared and mentioned in an incidental way that he +had been to Paraguay on private (and we guessed passionate) affairs, +the business of the "quap" expedition had to be begun again at the +beginning. My uncle was disposed to be altogether sceptical, but I +wasn't so decided. I think I was drawn by its picturesque aspects. +But we neither of us dreamt of touching it seriously until Capern's +discovery. + +Nasmyth's story had laid hold of my imagination like one small, intense +picture of tropical sunshine hung on a wall of grey business affairs. +I kept it going during Gordon-Nasmyth's intermittent appearances in +England. Every now and then he and I would meet and reinforce its +effect. We would lunch in London, or he would cone to see my gliders at +Crest Hill, and make new projects for getting at those heaps again now +with me, now alone. + +At times they became a sort of fairy-story with us, an imaginative +exercise. And there came Capern's discovery of what he called the ideal +filament and with it an altogether less problematical quality about the +business side of quap. For the ideal filament needed five per cent. of +canadium, and canadium was known to the world only as a newly separated +constituent of a variety of the rare mineral rutile. But to Thorold it +was better known as an element in a mysterious sample brought to him +by me, and to me it was known as one of the elements in quap. I told +my uncle, and we jumped on to the process at once. We found that +Gordon-Nasmyth, still unaware of the altered value of the stuff, and +still thinking of the experimental prices of radium and the rarity +value of cerium, had got hold of a cousin named Pollack, made some +extraordinary transaction about his life insurance policy, and was +buying a brig. We put in, put down three thousand pounds, and forthwith +the life insurance transaction and the Pollack side of this finance +vanished into thin air, leaving Pollack, I regret to say, in the brig +and in the secret--except so far as canadium and the filament went--as +residuum. We discussed earnestly whether we should charter a steamer or +go on with the brig, but we decided on the brig as a less conspicuous +instrument for an enterprise that was after all, to put it plainly, +stealing. + +But that was one of our last enterprises before our great crisis, and I +will tell of it in its place. + +So it was quap came into our affairs, came in as a fairy-tale and became +real. More and more real it grew until at last it was real, until at +last I saw with my eyes the heaps my imagination had seen for so long, +and felt between my fingers again that half-gritty, half soft texture +of quap, like sanded moist-sugar mixed with clay in which there stirs +something-- + +One must feel it to understand. + +V + +All sorts of things came to the Hardingham and offered themselves to my +uncle. Gordon-Nasmyth stands but only because he played a part at last +in the crisis of our fortunes. So much came to us that it seemed to +me at times as though the whole world of human affairs was ready to +prostitute itself to our real and imaginary millions. As I look back, +I am still dazzled and incredulous to think of the quality of our +opportunities. + +We did the most extraordinary things; things that it seems absurd to +me to leave to any casual man of wealth and enterprise who cares to do +them. I had some amazing perceptions of just how modern thought and the +supply of fact to the general mind may be controlled by money. Among +other things that my uncle offered for, he tried very hard to buy the +British Medical Journal and the Lancet, and run them on what he called +modern lines, and when they resisted him he talked very vigorously for a +time of organising a rival enterprise. That was a very magnificent idea +indeed in its way; it would have given a tremendous advantage in the +handling of innumerable specialties and indeed I scarcely know how +far it would not have put the medical profession in our grip. It still +amazes me--I shall die amazed--that such a thing can be possible in the +modern state. If my uncle failed to bring the thing off, some one +else may succeed. But I doubt, even if he had got both these weeklies, +whether his peculiar style would have suited them. The change of purpose +would have shown. He would have found it difficult to keep up their +dignity. + +He certainly did not keep up the dignity of the Sacred Grove, +an important critical organ which he acquired one day--by saying +"snap"--for eight hundred pounds. He got it "lock, stock and +barrel"--under one or other of which three aspects the editor was +included. Even at that price it didn't pay. If you are a literary person +you will remember the bright new cover he gave that representative organ +of British intellectual culture, and how his sound business instincts +jarred with the exalted pretensions of a vanishing age. One old wrapper +I discovered the other day runs:-- + + "THE SACRED GROVE." + + Weekly Magazine of Art, Philosophy, Science and + Belles Lettres. + ---------------------------------------------- + + HAVE YOU A NASTY TASTE IN YOUR MOUTH? + IT IS LIVER. + + YOU NEED ONE TWENTY-THREE PILL. + + (JUST ONE.) + + NOT A DRUG BUT A LIVE AMERICAN REMEDY. + ----------------------------------------------- + + CONTENTS. + + A Hitherto Unpublished Letter from Walter Pater. + Charlotte Bronte's Maternal Great Aunt. + A New Catholic History of England. + The Genius of Shakespeare. + Correspondence:--The Mendelian Hypothesis; The Split Infinitive; + + "Commence," or "Begin;" Claverhouse; Socialism and the + + Individual; The Dignity of Letters. + Folk-lore Gossip. + The Stage; the Paradox of Acting. + Travel Biography, Verse, Fiction, etc. + ---------------------------------------------------- + THE BEST PILL IN THE WORLD FOR AN IRREGULAR LIVER + +I suppose it is some lingering traces of the Bladesover tradition to me +that makes this combination of letters and pills seem so incongruous, +just as I suppose it is a lingering trace of Plutarch and my +ineradicable boyish imagination that at bottom our State should be +wise, sane and dignified, that makes me think a country which leaves +its medical and literary criticism, or indeed any such vitally important +criticism, entirely to private enterprise and open to the advances of +any purchaser must be in a frankly hopeless condition. These are ideal +conceptions of mine. + +As a matter of fact, nothing would be more entirely natural and +representative of the relations of learning, thought and the economic +situation in the world at the present time than this cover of the +Sacred Grove--the quiet conservatism of the one element embedded in +the aggressive brilliance of the other; the contrasted notes of bold +physiological experiment and extreme mental immobility. + +VI + +There comes back, too, among these Hardingham memories, an impression +of a drizzling November day, and how we looked out of the windows upon a +procession of the London unemployed. + +It was like looking down a well into some momentarily revealed nether +world. Some thousands of needy ineffectual men had been raked together +to trail their spiritless misery through the West Eire with an appeal +that was also in its way a weak and insubstantial threat: "It is Work we +need, not Charity." + +There they were, half-phantom through the fog, a silent, foot-dragging, +interminable, grey procession. They carried wet, dirty banners, they +rattled boxes for pence; these men who had not said "snap" in the right +place, the men who had "snapped" too eagerly, the men who had never +said "snap," the men who had never had a chance of saying "snap." A +shambling, shameful stream they made, oozing along the street, the +gutter waste of competitive civilisation. And we stood high out of it +all, as high as if we looked godlike from another world, standing in +a room beautifully lit and furnished, skillfully warmed, filled with +costly things. + +"There," thought I, "but for the grace of God, go George and Edward +Ponderevo." + +But my uncle's thoughts ran in a different channel, and he made that +vision the test of a spirited but inconclusive harangue upon Tariff +Reform. + + +CHAPTER THE SECOND + +OUR PROGRESS FROM CAMDEN TOWN TO CREST HILL + +I + +So far my history of my aunt and uncle has dealt chiefly with his +industrial and financial exploits. But side by side with that history of +inflation from the infinitesimal to the immense is another development, +the change year by year from the shabby impecuniosity of the Camden Town +lodging to the lavish munificence of the Crest Hill marble staircase and +my aunt's golden bed, the bed that was facsimiled from Fontainebleau. +And the odd thing is that as I come to this nearer part of my story I +find it much more difficult to tell than the clear little perspective +memories of the earlier days. Impressions crowd upon one another and +overlap one another; I was presently to fall in love again, to be seized +by a passion to which I still faintly respond, a passion that still +clouds my mind. I came and went between Ealing and my aunt and uncle, +and presently between Effie and clubland, and then between business +and a life of research that became far more continuous, infinitely more +consecutive and memorable than any of these other sets of experiences. +I didn't witness a regular social progress therefore; my aunt and +uncle went up in the world, so far as I was concerned, as if they were +displayed by an early cinematograph, with little jumps and flickers. + +As I recall this side of our life, the figure of my round-eyes, +button-nosed, pink-and-white Aunt Susan tends always to the central +position. We drove the car and sustained the car, she sat in it with +a magnificent variety of headgear poised upon her delicate neck, +and always with that faint ghost of a lisp no misspelling can +render--commented on and illuminated the new aspects. + +I've already sketched the little home behind the Wimblehurst chemist's +shop, the lodging near the Cobden statue, and the apartments in Gower +Street. Thence my aunt and uncle went into a flat in Redgauntlet +Mansions. There they lived when I married. It was a compact flat, with +very little for a woman to do in it In those days my aunt, I think, +used to find the time heavy upon her hands, and so she took to books and +reading, and after a time even to going to lectures in the afternoon. +I began to find unexpected books upon her table: sociological books, +travels, Shaw's plays. "Hullo!" I said, at the sight of some volume of +the latter. + +"I'm keeping a mind, George," she explained. + +"Eh?" + +"Keeping a mind. Dogs I never cared for. It's been a toss-up between +setting up a mind and setting up a soul. It's jolly lucky for Him and +you it's a mind. I've joined the London Library, and I'm going in for +the Royal Institution and every blessed lecture that comes along next +winter. You'd better look out."... + +And I remember her coming in late one evening with a note-book in her +hand. + +"Where ya been, Susan?" said my uncle. + +"Birkbeck--Physiology. I'm getting on." She sat down and took off her +gloves. "You're just glass to me," she sighed, and then in a note of +grave reproach: "You old PACKAGE! I had no idea! The Things you've kept +from me!" + +Presently they were setting; up the house at Beckengham, and my aunt +intermitted her intellectual activities. The house at Beckengham was +something of an enterprise for them at that time, a reasonably large +place by the standards of the early years of Tono-Bungay. It was a big, +rather gaunt villa, with a conservatory and a shrubbery, a tennis-lawn, +a quite considerable vegetable garden, and a small disused coach-house. +I had some glimpses of the excitements of its inauguration, but not many +because of the estrangement between my aunt and Marion. + +My aunt went into that house with considerable zest, and my uncle +distinguished himself by the thoroughness with which he did the +repainting and replumbing. He had all the drains up and most of the +garden with them, and stood administrative on heaps--administrating +whisky to the workmen. I found him there one day, most Napoleonic, on +a little Elba of dirt, in an atmosphere that defies print. He also, I +remember, chose what he considered cheerful contrasts of colours for the +painting of the woodwork. This exasperated my aunt extremely--she +called him a "Pestilential old Splosher" with an unusual note of +earnestness--and he also enraged her into novelties of abuse by giving +each bedroom the name of some favourite hero--Cliff, Napoleon, Caesar, +and so forth--and having it painted on the door in gilt letters on +a black label. "Martin Luther" was kept for me. Only her respect for +domestic discipline, she said, prevented her retaliating with "Old +Pondo" on the housemaid's cupboard. + +Also he went and ordered one of the completest sets of garden requisites +I have ever seen--and had them all painted a hard clear blue. My aunt +got herself large tins of a kindlier hued enamel and had everything +secretly recoated, and this done, she found great joy in the garden and +became an ardent rose grower and herbaceous borderer, leaving her Mind, +indeed, to damp evenings and the winter months. When I think of her at +Beckenham, I always think first of her as dressed in that blue cotton +stuff she affected, with her arms in huge gauntleted gardening gloves, a +trowel in one hand and a small but no doubt hardy and promising annual, +limp and very young-looking and sheepish, in the other. + +Beckenham, in the persons of a vicar, a doctor's wife, and a large proud +lady called Hogberry, "called" on my uncle and aunt almost at once, so +soon in fact as the lawn was down again, and afterwards my aunt made +friends with a quiet gentlewoman next door, a propos of an overhanging +cherry tree and the need of repairing the party fence. So she resumed +her place in society from which she had fallen with the disaster of +Wimblehurst. She made a partially facetious study of the etiquette of +her position, had cards engraved and retaliated calls. And then she +received a card for one of Mrs. Hogberry's At Homes, gave an old garden +party herself, participated in a bazaar and sale of work, and was really +becoming quite cheerfully entangled in Beckenham society when she was +suddenly taken up by the roots again by my uncle and transplanted to +Chiselhurst. + +"Old Trek, George," she said compactly, "Onward and Up," when I found +her superintending the loading of two big furniture vans. "Go up and say +good-bye to 'Martin Luther,' and then I'll see what you can do to help +me." + +II + +I look into the jumbled stores of the middle distance of memory, and +Beckenham seems to me a quite transitory phase. But really they were +there several years; through nearly all my married life, in fact, +and far longer than the year and odd months we lived together at +Wimblehurst. But the Wimblehurst time with them is fuller in my memory +by far then the Beckenham period. There comes back to me with a quite +considerable amount of detail the effect of that garden party of my +aunt's and of a little social misbehaviour of which I was guilty on that +occasion. It's like a scrap from another life. It's all set in what is +for me a kind of cutaneous feeling, the feeling of rather ill-cut city +clothes, frock coat and grey trousers, and of a high collar and tie +worn in sunshine among flowers. I have still a quite vivid memory of the +little trapezoidal lawn, of the gathering, and particularly of the +hats and feathers of the gathering, of the parlour-maid and the blue +tea-cups, and of the magnificent presence of Mrs. Hogberry and of her +clear, resonant voice. It was a voice that would have gone with a garden +party on a larger scale; it went into adjacent premises; it included the +gardener who was far up the vegetable patch and technically out of play. +The only other men were my aunt's doctor, two of the clergy, amiable +contrasted men, and Mrs. Hogberry's imperfectly grown-up son, a youth +just bursting into collar. The rest were women, except for a young girl +or so in a state of speechless good behaviour. Marion also was there. + +Marion and I had arrived a little estranged, and I remember her as +a silent presence, a shadow across all that sunlit emptiness of +intercourse. We had embittered each other with one of those miserable +little disputes that seemed so unavoidable between us. She had, with the +help of Smithie, dressed rather elaborately for the occasion, and when +she saw me prepared to accompany her in, I think it was a grey suit, +she protested that silk hat and frock coat were imperative. I was +recalcitrant, she quoted an illustrated paper showing a garden party +with the King present, and finally I capitulated--but after my evil +habit, resentfully.... Eh, dear! those old quarrels, how pitiful they +were, how trivial! And how sorrowful they are to recall! I think they +grow more sorrowful as I grow older, and all the small passionate +reasons for our mutual anger fade and fade out of memory. + +The impression that Beckenham company has left on my mind is one of +a modest unreality; they were all maintaining a front of unspecified +social pretension, and evading the display of the economic facts of the +case. Most of the husbands were "in business" off stage, it would have +been outrageous to ask what the business was--and the wives were +giving their energies to produce, with the assistance of novels and the +illustrated magazines, a moralised version of the afternoon life of the +aristocratic class. They hadn't the intellectual or moral enterprise +of the upper-class woman, they had no political interests, they had no +views about anything, and consequently they were, I remember, extremely +difficult to talk to. They all sat about in the summer-house and in +garden-chairs, and were very hatty and ruffley and sunshady. Three +ladies and the curate played croquet with a general immense gravity, +broken by occasional loud cries of feigned distress from the curate. +"Oh! Whacking me about again! Augh!" + +The dominant social fact that afternoon was Mrs. Hogberry; she took up a +certain position commanding the croquet and went on, as my aunt said to +me in an incidental aside, "like an old Roundabout." She talked of the +way in which Beckenham society was getting mixed, and turned on to +a touching letter she had recently received from her former nurse at +Little Gossdean. Followed a loud account of Little Gossdean and how much +she and her eight sisters had been looked up to there. "My poor mother +was quite a little Queen there," she said. "And such NICE Common people! +People say the country labourers are getting disrespectful nowadays. It +isn't so--not if they're properly treated. Here of course in Beckenham +it's different. I won't call the people we get here a Poor--they're +certainly not a proper Poor. They're Masses. I always tell Mr. Bugshoot +they're Masses, and ought to be treated as such."... + +Dim memories of Mrs. Mackridge floated through my mind as I listened to +her.... + +I was whirled on this roundabout for a bit, and then had the fortune to +fall off into a tete-a-tete with a lady whom my aunt introduced as +Mrs. Mumble--but then she introduced everybody to me as Mumble that +afternoon, either by way of humour or necessity. + +That must have been one of my earliest essays in the art of polite +conversation, and I remember that I began by criticising the local +railway service, and that at the third sentence or thereabouts Mrs. +Mumble said in a distinctly bright and encouraging way that she feared I +was a very "frivolous" person. + +I wonder now what it was I said that was "frivolous." + +I don't know what happened to end that conversation, or if it had +an end. I remember talking to one of the clergy for a time rather +awkwardly, and being given a sort of topographical history of Beckenham, +which he assured me time after time was "Quite an old place. Quite an +old place." As though I had treated it as new and he meant to be very +patient but very convincing. Then we hung up in a distinct pause, and my +aunt rescued me. "George," she said in a confidential undertone, "keep +the pot a-boiling." And then audibly, "I say, will you both old trot +about with tea a bit?" + +"Only too delighted to TROT for you, Mrs. Ponderevo," said the +clergyman, becoming fearfully expert and in his elements; "only too +delighted." + +I found we were near a rustic table, and that the housemaid was behind +us in a suitable position to catch us on the rebound with the tea +things. + +"Trot!" repeated the clergyman to me, much amused; "excellent +expression!" And I just saved him from the tray as he turned about. + +We handed tea for a while.... + +"Give 'em cakes," said my aunt, flushed, but well in hand. "Helps 'em to +talk, George. Always talk best after a little nourishment. Like throwing +a bit of turf down an old geyser." + +She surveyed the gathering with a predominant blue eye and helped +herself to tea. + +"They keep on going stiff," she said in an undertone.... "I've done my +best." + +"It's been a huge success," I said encouragingly. + +"That boy has had his legs crossed in that position and hasn't spoken +for ten minutes. Stiffer and stiffer. Brittle. He's beginning a dry +cough--always a bad sign, George.... Walk 'em about, shall I?--rub their +noses with snow?" + +Happily she didn't. I got myself involved with the gentlewoman from next +door, a pensive, languid-looking little woman with a low voice, and fell +talking; our topic, Cats and Dogs, and which it was we liked best. + +"I always feel," said the pensive little woman, "that there's something +about a dog--A cat hasn't got it." + +"Yes," I found myself admitting with great enthusiasm, "there is +something. And yet again--" + +"Oh! I know there's something about a cat, too. But it isn't the same." + +"Not quite the same," I admitted; "but still it's something." + +"Ah! But such a different something!" + +"More sinuous." + +"Much more." + +"Ever so much more." + +"It makes all the difference, don't you think?" + +"Yes," I said, "ALL." + +She glanced at me gravely and sighed a long, deeply felt "Yes." A long +pause. + +The thing seemed to me to amount to a stale-mate. Fear came into my +heart and much perplexity. + +"The--er--Roses," I said. I felt like a drowning man. "Those +roses--don't you think they are--very beautiful flowers?" + +"Aren't they!" she agreed gently. "There seems to be something in +roses--something--I don't know how to express it." + +"Something," I said helpfully. + +"Yes," she said, "something. Isn't there?" + +"So few people see it," I said; "more's the pity!" + +She sighed and said again very softly, "Yes."... + +There was another long pause. I looked at her and she was thinking +dreamily. The drowning sensation returned, the fear and enfeeblement. I +perceived by a sort of inspiration that her tea-cup was empty. + +"Let me take your cup," I said abruptly, and, that secured, made for the +table by the summer-house. I had no intention then of deserting my +aunt. But close at hand the big French window of the drawing-room +yawned inviting and suggestive. I can feel all that temptation now, and +particularly the provocation of my collar. In an instant I was lost. I +would--Just for a moment! + +I dashed in, put down the cup on the keys of the grand piano and fled +upstairs, softly, swiftly, three steps at a time, to the sanctuary of my +uncle's study, his snuggery. I arrived there breathless, convinced +there was no return for me. I was very glad and ashamed of myself, and +desperate. By means of a penknife I contrived to break open his cabinet +of cigars, drew a chair to the window, took off my coat, collar and tie, +and remained smoking guiltily and rebelliously, and peeping through the +blind at the assembly on the lawn until it was altogether gone.... + +The clergymen, I thought, were wonderful. + +III + +A few such pictures of those early days at Beckenham stand out, and then +I find myself among the Chiselhurst memories. The Chiselhurst mansion +had "grounds" rather than a mere garden, and there was a gardener's +cottage and a little lodge at the gate. The ascendant movement was +always far more in evidence there than at Beckenham. The velocity was +increasing. + +One night picks itself out as typical, as, in its way, marking an epoch. +I was there, I think, about some advertisement stuff, on some sort of +business anyhow, and my uncle and aunt had come back in a fly from a +dinner at the Runcorns. (Even there he was nibbling at Runcorn with the +idea of our great Amalgamation budding in his mind.) I got down there, I +suppose, about eleven. I found the two of them sitting in the study, my +aunt on a chair-arm with a whimsical pensiveness on her face, regarding +my uncle, and he, much extended and very rotund, in the low arm-chair +drawn up to the fender. + +"Look here, George," said my uncle, after my first greetings. "I just +been saying: We aren't Oh Fay!" + +"Eh?" + +"Not Oh Fay! Socially!" + +"Old FLY, he means, George--French!" + +"Oh! Didn't think of French. One never knows where to have him. What's +gone wrong to-night?" + +"I been thinking. It isn't any particular thing. I ate too much of that +fishy stuff at first, like salt frog spawn, and was a bit confused by +olives; and--well, I didn't know which wine was which. Had to say THAT +each time. It puts your talk all wrong. And she wasn't in evening dress, +not like the others. We can't go on in that style, George--not a proper +ad." + +"I'm not sure you were right," I said, "in having a fly." + +"We got to do it all better," said my uncle, "we got to do it in Style. +Smart business, smart men. She tries to pass it off as humorous"--my +aunt pulled a grimace--"it isn't humorous! See! We're on the up-grade +now, fair and square. We're going to be big. We aren't going to be +laughed at as Poovenoos, see!" + +"Nobody laughed at you," said my aunt. "Old Bladder!" + +"Nobody isn't going to laugh at me," said my uncle, glancing at his +contours and suddenly sitting up. + +My aunt raised her eyebrows slightly, swung her foot, and said nothing. + +"We aren't keeping pace with our own progress, George. We got to. We're +bumping against new people, and they set up to be gentlefolks--etiquette +dinners and all the rest of it. They give themselves airs and expect +us to be fish-out-of-water. We aren't going to be. They think we've no +Style. Well, we give them Style for our advertisements, and we're going +to give 'em Style all through.... You needn't be born to it to dance +well on the wires of the Bond Street tradesmen. See?" + +I handed him the cigar-box. + +"Runcorn hadn't cigars like these," he said, truncating one lovingly. +"We beat him at cigars. We'll beat him all round." + +My aunt and I regarded him, full of apprehensions. + +"I got idees," he said darkly to the cigar, deepening our dread. + +He pocketed his cigar-cutter and spoke again. + +"We got to learn all the rotten little game first. See, F'rinstance, we +got to get samples of all the blessed wines there are--and learn 'em up. +Stern, Smoor, Burgundy, all of 'em! She took Stern to-night--and when +she tasted it first--you pulled a face, Susan, you did. I saw you. It +surprised you. You bunched your nose. We got to get used to wine and not +do that. We got to get used to wearing evening dress--YOU, Susan, too." + +"Always have had a tendency to stick out of my clothes," said my aunt. +"However--Who cares?" She shrugged her shoulders. + +I had never seen my uncle so immensely serious. + +"Got to get the hang of etiquette," he went on to the fire. "Horses +even. Practise everything. Dine every night in evening dress.... Get +a brougham or something. Learn up golf and tennis and things. Country +gentleman. Oh Fay. It isn't only freedom from Goochery." + +"Eh?" I said. + +"Oh!--Gawshery, if you like!" + +"French, George," said my aunt. "But I'M not ol' Gooch. I made that face +for fun." + +"It isn't only freedom from Gawshery. We got to have Style. See! Style! +Just all right and one better. That's what I call Style. We can do it, +and we will." + +He mumbled his cigar and smoked for a space, leaning forward and looking +into the fire. + +"What is it," he asked, "after all? What is it? Tips about eating; tips +about drinking. Clothes. How to hold yourself, and not say jes' the +few little things they know for certain are wrong--jes' the shibboleth +things." + +He was silent again, and the cigar crept up from the horizontal towards +the zenith as the confidence of his mouth increased. + +"Learn the whole bag of tricks in six months." he said, becoming more +cheerful. "Ah, Susan? Beat it out! George, you in particular ought to +get hold of it. Ought to get into a good club, and all that." + +"Always ready to learn!" I said. "Ever since you gave me the chance of +Latin. So far we don't seem to have hit upon any Latin-speaking stratum +in the population." + +"We've come to French," said my aunt, "anyhow." + +"It's a very useful language," said my uncle. "Put a point on things. +Zzzz. As for accent, no Englishman has an accent. No Englishman +pronounces French properly. Don't you tell ME. It's a Bluff.--It's all a +Bluff. Life's a Bluff--practically. That's why it's so important, Susan, +for us to attend to Style. Le Steel Say Lum. The Style it's the man. +Whad you laughing at, Susan? George, you're not smoking. These cigars +are good for the mind.... What do YOU think of it all? We got to adapt +ourselves. We have--so far.... Not going to be beat by these silly +things." + +IV + +"What do you think of it, George?" he insisted. + +What I said I thought of it I don't now recall. Only I have very +distinctly the impression of meeting for a moment my aunt's impenetrable +eye. And anyhow he started in with his accustomed energy to rape the +mysteries of the Costly Life, and become the calmest of its lords. On +the whole, I think he did it--thoroughly. I have crowded memories, +a little difficult to disentangle, of his experimental stages, his +experimental proceedings. It's hard at times to say which memory comes +in front of which. I recall him as presenting on the whole a series of +small surprises, as being again and again, unexpectedly, a little more +self-confident, a little more polished, a little richer and finer, a +little more aware of the positions and values of things and men. + +There was a time--it must have been very early--when I saw him deeply +impressed by the splendours of the dining-room of the National Liberal +Club. Heaven knows who our host was or what that particular little +"feed" was about now!--all that sticks is the impression of our +straggling entry, a string of six or seven guests, and my uncle looking +about him at the numerous bright red-shaded tables, at the exotics in +great Majolica jars, at the shining ceramic columns and pilasters, at +the impressive portraits of Liberal statesmen and heroes, and all that +contributes to the ensemble of that palatial spectacle. He was betrayed +into a whisper to me, "This is all Right, George!" he said. That artless +comment seems almost incredible as I set it down; there came a time +so speedily when not even the clubs of New York could have overawed my +uncle, and when he could walk through the bowing magnificence of the +Royal Grand Hotel to his chosen table in that aggressively exquisite +gallery upon the river, with all the easy calm of one of earth's +legitimate kings. + +The two of them learnt the new game rapidly and well; they experimented +abroad, they experimented at home. At Chiselhurst, with the aid of +a new, very costly, but highly instructive cook, they tried over +everything they heard of that roused their curiosity and had any +reputation for difficulty, from asparagus to plover's eggs. They +afterwards got a gardener who could wait at table--and he brought the +soil home to one. Then there came a butler. + +I remember my aunt's first dinner-gown very brightly, and how she stood +before the fire in the drawing-room confessing once unsuspected pretty +arms with all the courage she possessed, and looking over her shoulder +at herself in a mirror. + +"A ham," she remarked reflectively, "must feel like this. Just a +necklace."... + +I attempted, I think, some commonplace compliment. + +My uncle appeared at the door in a white waistcoat and with his hands in +his trouser pockets; he halted and surveyed her critically. + +"Couldn't tell you from a duchess, Susan," he remarked. "I'd like +to have you painted, standin' at the fire like that. Sargent! You +look--spirited, somehow. Lord!--I wish some of those damned tradesmen at +Wimblehurst could see you."... + +They did a lot of week-ending at hotels, and sometimes I went down with +them. We seemed to fall into a vast drifting crowd of social learners. I +don't know whether it is due simply to my changed circumstances, but it +seems to me there have been immensely disproportionate developments of +the hotel-frequenting and restaurant-using population during the last +twenty years. It is not only, I think, that there are crowds of people +who, like we were, are in the economically ascendant phase, but whole +masses of the prosperous section of the population must be altering its +habits, giving up high-tea for dinner and taking to evening dress, using +the week-end hotels as a practise-ground for these new social arts. A +swift and systematic conversion to gentility has been going on, I am +convinced, throughout the whole commercial upper-middle class since I +was twenty-one. Curiously mixed was the personal quality of the +people one saw in these raids. There were conscientiously refined +and low-voiced people reeking with proud bashfulness; there were +aggressively smart people using pet diminutives for each other loudly +and seeking fresh occasions for brilliant rudeness; there were awkward +husbands and wives quarrelling furtively about their manners and ill +at ease under the eye of the winter; cheerfully amiable and often +discrepant couples with a disposition to inconspicuous corners, and the +jolly sort, affecting an unaffected ease; plump happy ladies who laughed +too loud, and gentlemen in evening dress who subsequently "got their +pipes." And nobody, you knew, was anybody, however expensively they +dressed and whatever rooms they took. + +I look back now with a curious remoteness of spirit to those crowded +dining-rooms with their dispersed tables and their inevitable red-shaded +lights and the unsympathetic, unskillful waiters, and the choice of +"Thig or Glear, Sir?" I've not dined in that way, in that sort of place, +now for five years--it must be quite five years, so specialised and +narrow is my life becoming. + +My uncle's earlier motor-car phases work in with these associations, +and there stands out a little bright vignette of the hall of the +Magnificent, Bexhill-on-Sea, and people dressed for dinner and sitting +about amidst the scarlet furniture--satin and white-enameled woodwork +until the gong should gather them; and my aunt is there, very +marvelously wrapped about in a dust cloak and a cage-like veil, and +there are hotel porters and under-porters very alert, and an obsequious +manager; and the tall young lady in black from the office is surprised +into admiration, and in the middle of the picture is my uncle, making +his first appearance in that Esquimaux costume I have already mentioned, +a short figure, compactly immense, hugely goggled, wearing a sort of +brown rubber proboscis, and surmounted by a table-land of motoring cap. + +V + +So it was we recognised our new needs as fresh invaders of the upper +levels of the social system, and set ourselves quite consciously to +the acquisition of Style and Savoir Faire. We became part of what is +nowadays quite an important element in the confusion of our world, that +multitude of economically ascendant people who are learning how to spend +money. It is made up of financial people, the owners of the businesses +that are eating up their competitors, inventors of new sources of +wealth, such as ourselves; it includes nearly all America as one sees +it on the European stage. It is a various multitude having only this +in common: they are all moving, and particularly their womankind are +moving, from conditions in which means were insistently finite, things +were few, and customs simple, towards a limitless expenditure and the +sphere of attraction of Bond Street, Fifth Avenue, and Paris. Their +general effect is one of progressive revolution, of limitless rope. + +They discover suddenly indulgences their moral code never foresaw and +has no provision for, elaborations, ornaments, possessions beyond their +wildest dreams. With an immense astonished zest they begin shopping +begin a systematic adaptation to a new life crowded and brilliant +with things shopped, with jewels, maids, butlers, coachmen, electric +broughams, hired town and country houses. They plunge into it as +one plunges into a career; as a class, they talk, think, and dream +possessions. Their literature, their Press, turns all on that; immense +illustrated weeklies of unsurpassed magnificence guide them in domestic +architecture, in the art of owning a garden, in the achievement of the +sumptuous in motor-cars, in an elaborate sporting equipment, in the +purchase and control of their estates, in travel and stupendous hotels. +Once they begin to move they go far and fast. Acquisition becomes the +substance of their lives. They find a world organised to gratify that +passion. In a brief year or so they are connoisseurs. They join in +the plunder of the eighteenth century, buy rare old books, fine old +pictures, good old furniture. Their first crude conception of dazzling +suites of the newly perfect is replaced almost from the outset by a +jackdaw dream of accumulating costly discrepant old things. + +I seem to remember my uncle taking to shopping quite suddenly. In +the Beckenham days and in the early Chiselhurst days he was chiefly +interested in getting money, and except for his onslaught on the +Beckenham house, bothered very little about his personal surroundings +and possessions. I forget now when the change came and he began to +spend. Some accident must have revealed to him this new source of power, +or some subtle shifting occurred in the tissues of his brain. He began +to spend and "shop." So soon as he began to shop, he began to shop +violently. He began buying pictures, and then, oddly enough, old clocks. +For the Chiselhurst house he bought nearly a dozen grandfather clocks +and three copper warming pans. After that he bought much furniture. Then +he plunged into art patronage, and began to commission pictures and to +make presents to churches and institutions. His buying increased with a +regular acceleration. Its development was a part of the mental changes +that came to him in the wild excitements of the last four years of his +ascent. Towards the climax he was a furious spender; he shopped with +large unexpected purchases, he shopped like a mind seeking expression, +he shopped to astonish and dismay; shopped crescendo, shopped +fortissimo, con molto espressione until the magnificent smash of Crest +Hill eroded his shopping for ever. Always it was he who shopped. My aunt +did not shine as a purchaser. It is a curious thing, due to I know not +what fine strain in her composition, that my aunt never set any great +store upon possessions. She plunged through that crowded bazaar of +Vanity Fair during those feverish years, spending no doubt freely and +largely, but spending with detachment and a touch of humorous contempt +for the things, even the "old" things, that money can buy. It came to +me suddenly one afternoon just how detached she was, as I saw her going +towards the Hardingham, sitting up, as she always did, rather stiffly +in her electric brougham, regarding the glittering world with interested +and ironically innocent blue eyes from under the brim of a hat that +defied comment. "No one," I thought, "would sit so apart if she hadn't +dreams--and what are her dreams?" + +I'd never thought. + +And I remember, too, an outburst of scornful description after she had +lunched with a party of women at the Imperial Cosmic Club. She came +round to my rooms on the chance of finding me there, and I gave her +tea. She professed herself tired and cross, and flung herself into my +chair.... + +"George," she cried, "the Things women are! Do _I_ stink of money?" + +"Lunching?" I asked. + +She nodded. + +"Plutocratic ladies?" + +"Yes." + +"Oriental type?" + +"Oh! Like a burst hareem!... Bragging of possessions.... They feel you. +They feel your clothes, George, to see if they are good!" + +I soothed her as well as I could. "They ARE Good aren't they?" I said. + +"It's the old pawnshop in their blood," she said, drinking tea; and then +in infinite disgust, "They run their hands over your clothes--they paw +you." + +I had a moment of doubt whether perhaps she had not been discovered in +possession of unsuspected forgeries. I don't know. After that my eyes +were quickened, and I began to see for myself women running their hands +over other women's furs, scrutinising their lace, even demanding to +handle jewelry, appraising, envying, testing. They have a kind of +etiquette. The woman who feels says, "What beautiful sables?" "What +lovely lace?" The woman felt admits proudly: "It's Real, you know," +or disavows pretension modestly and hastily, "It's Rot Good." In +each other's houses they peer at the pictures, handle the selvage of +hangings, look at the bottoms of china.... + +I wonder if it IS the old pawnshop in the blood. + +I doubt if Lady Drew and the Olympians did that sort of thing, but +here I may be only clinging to another of my former illusions about +aristocracy and the State. Perhaps always possessions have been Booty, +and never anywhere has there been such a thing as house and furnishings +native and natural to the women and men who made use of them.... + +VI + +For me, at least, it marked an epoch in my uncle's career when I learnt +one day that he had "shopped" Lady Grove. I realised a fresh, wide, +unpreluded step. He took me by surprise with the sudden change of scale +from such portable possessions as jewels and motor-cars to a stretch of +countryside. The transaction was Napoleonic; he was told of the place; +he said "snap"; there were no preliminary desirings or searchings. Then +he came home and said what he had done. Even my aunt was for a day or +so measurably awestricken by this exploit in purchase, and we both went +down with him to see the house in a mood near consternation. It struck +us then as a very lordly place indeed. I remember the three of +us standing on the terrace that looked westward, surveying the +sky-reflecting windows of the house, and a feeling of unwarrantable +intrusion comes back to me. + +Lady Grove, you know, is a very beautiful house indeed, a still and +gracious place, whose age-long seclusion was only effectively broken +with the toot of the coming of the motor-car. An old Catholic family +had died out in it, century by century, and was now altogether +dead. Portions of the fabric are thirteenth century, and its last +architectural revision was Tudor; within, it is for the most part dark +and chilly, save for two or three favoured rooms and its tall-windowed, +oak-galleried hall. Its terrace is its noblest feature; a very wide, +broad lawn it is, bordered by a low stone battlement, and there is +a great cedar in one corner under whose level branches one looks out +across the blue distances of the Weald, blue distances that are made +extraordinarily Italian in quality by virtue of the dark masses of that +single tree. It is a very high terrace; southward one looks down upon +the tops of wayfaring trees and spruces, and westward on a steep slope +of beechwood, through which the road comes. One turns back to the still +old house, and sees a grey and lichenous facade with a very finely +arched entrance. It was warmed by the afternoon light and touched with +the colour of a few neglected roses and a pyracanthus. It seemed to me +that the most modern owner conceivable in this serene fine place +was some bearded scholarly man in a black cassock, gentle-voiced and +white-handed, or some very soft-robed, grey gentlewoman. And there was +my uncle holding his goggles in a sealskin glove, wiping the glass with +a pocket-handkerchief, and asking my aunt if Lady Grove wasn't a "Bit of +all Right." + +My aunt made him no answer. + +"The man who built this," I speculated, "wore armour and carried a +sword." + +"There's some of it inside still," said my uncle. + +We went inside. An old woman with very white hair was in charge of the +place and cringed rather obviously to the new master. She evidently +found him a very strange and frightful apparition indeed, and was +dreadfully afraid of him. But if the surviving present bowed down to +us, the past did not. We stood up to the dark, long portraits of the +extinguished race--one was a Holbein--and looked them in their sidelong +eyes. They looked back at us. We all, I know, felt the enigmatical +quality in them. Even my uncle was momentarily embarrassed, I think, by +that invincibly self-complacent expression. It was just as though, after +all, he had not bought them up and replaced them altogether; as though +that, secretly, they knew better and could smile at him. + +The spirit of the place was akin to Bladesover, but touched with +something older and remoter. That armour that stood about had once +served in tilt-yards, if indeed it had not served in battle, and this +family had sent its blood and treasure, time after time, upon the most +romantic quest in history, to Palestine. Dreams, loyalties, place and +honour, how utterly had it all evaporated, leaving, at last, the final +expression of its spirit, these quaint painted smiles, these smiles +of triumphant completion! It had evaporated, indeed, long before the +ultimate Durgan had died, and in his old age he had cumbered the place +with Early Victorian cushions and carpets and tapestry table-cloths and +invalid appliances of a type even more extinct, it seemed to us, than +the crusades.... Yes, it was different from Bladesover. + +"Bit stuffy, George," said my uncle. "They hadn't much idea of +ventilation when this was built." + +One of the panelled rooms was half-filled with presses and a four-poster +bed. "Might be the ghost room," said my uncle; but it did not seem to +me that so retiring a family as the Durgans, so old and completely +exhausted a family as the Durgans, was likely to haunt anybody. What +living thing now had any concern with their honour and judgments and +good and evil deeds? Ghosts and witchcraft were a later innovation--that +fashion came from Scotland with the Stuarts. + +Afterwards, prying for epitaphs, we found a marble crusader with a +broken nose, under a battered canopy of fretted stone, outside the +restricted limits of the present Duffield church, and half buried in +nettles. "Ichabod," said my uncle. "Eh? We shall be like that, Susan, +some day.... I'm going to clean him up a bit and put a railing to keep +off the children." + +"Old saved at the eleventh hour," said my aunt, quoting one of the less +successful advertisements of Tono-Bungay. + +But I don't think my uncle heard her. + +It was by our captured crusader that the vicar found us. He came round +the corner at us briskly, a little out of breath. He had an air of +having been running after us since the first toot of our horn had warned +the village of our presence. He was an Oxford man, clean-shaven, with +a cadaverous complexion and a guardedly respectful manner, a cultivated +intonation, and a general air of accommodation to the new order of +things. These Oxford men are the Greeks of our plutocratic empire. He +was a Tory in spirit, and what one may call an adapted Tory by stress +of circumstances; that is to say, he was no longer a legitimist; he was +prepared for the substitution of new lords for old. We were pill vendors +he knew, and no doubt horribly vulgar in soul; but then it might have +been some polygamous Indian rajah, a great strain on a good man's tact, +or some Jew with an inherited expression of contempt. Anyhow, we were +English, and neither Dissenters nor Socialists, and he was cheerfully +prepared to do what he could to make gentlemen of both of us. He might +have preferred Americans for some reasons; they are not so obviously +taken from one part of the social system and dumped down in another, and +they are more teachable; but in this world we cannot always be choosers. +So he was very bright and pleasant with us, showed us the church, +gossiped informingly about our neighbours on the countryside--Tux, the +banker; Lord Boom, the magazine and newspaper proprietor; Lord Carnaby, +that great sportsman, and old Lady Osprey. And finally he took us by +way of a village lane--three children bobbed convulsively with eyes +of terror for my uncle--through a meticulous garden to a big, slovenly +Vicarage with faded Victorian furniture and a faded Victorian wife, who +gave us tea and introduced us to a confusing family dispersed among a +lot of disintegrating basket chairs upon the edge of a well-used tennis +lawn. + +These people interested me. They were a common type, no doubt, but they +were new to me. There were two lank sons who had been playing singles +at tennis, red-eared youths growing black moustaches, and dressed in +conscientiously untidy tweeds and unbuttoned and ungirt Norfolk jackets. +There were a number of ill-nourished-looking daughters, sensible +and economical in their costume, the younger still with long, +brown-stockinged legs, and the eldest present--there were, we +discovered, one or two hidden away--displaying a large gold cross +and other aggressive ecclesiastical symbols; there were two or three +fox-terriers, a retrieverish mongrel, and an old, bloody-eyed and very +evil-smelling St. Bernard. There was a jackdaw. There was, moreover, an +ambiguous, silent lady that my aunt subsequently decided must be a very +deaf paying guest. Two or three other people had concealed themselves at +our coming and left unfinished teas behind them. Rugs and cushions lay +among the chairs, and two of the latter were, I noted, covered with +Union Jacks. + +The vicar introduced us sketchily, and the faded Victorian wife regarded +my aunt with a mixture of conventional scorn and abject respect, +and talked to her in a languid, persistent voice about people in the +neighbourhood whom my aunt could not possibly know. + +My aunt received these personalia cheerfully, with her blue eyes +flitting from point to point, and coming back again and again to the +pinched faces of the daughters and the cross upon the eldest's breast. +Encouraged by my aunt's manner, the vicar's wife grew patronising and +kindly, and made it evident that she could do much to bridge the social +gulf between ourselves and the people of family about us. + +I had just snatches of that conversation. "Mrs. Merridew brought him +quite a lot of money. Her father, I believe, had been in the Spanish +wine trade--quite a lady though. And after that he fell off his horse +and cracked his brain pan and took to fishing and farming. I'm sure +you'll like to know them. He's most amusing.... The daughter had a +disappointment and went to China as a missionary and got mixed up in a +massacre."... + +"The most beautiful silks and things she brought back, you'd hardly +believe!" + +"Yes, they gave them to propitiate her. You see, they didn't understand +the difference, and they thought that as they'd been massacring people, +THEY'D be massacred. They didn't understand the difference Christianity +makes."... + +"Seven bishops they've had in the family!" + +"Married a Papist and was quite lost to them."... + +"He failed some dreadful examination and had to go into the militia."... + +"So she bit his leg as hard as ever she could and he let go."... + +"Had four of his ribs amputated."... + +"Caught meningitis and was carried off in a week." + +"Had to have a large piece of silver tube let into his throat, and if he +wants to talk he puts his finger on it. It makes him so interesting, I +think. You feel he's sincere somehow. A most charming man in every way." + +"Preserved them both in spirits very luckily, and there they are in his +study, though of course he doesn't show them to everybody." + +The silent lady, unperturbed by these apparently exciting topics, +scrutinised my aunt's costume with a singular intensity, and was visibly +moved when she unbuttoned her dust cloak and flung it wide. Meanwhile we +men conversed, one of the more spirited daughters listened brightly, and +the youths lay on the grass at our feet. My uncle offered them cigars, +but they both declined,--out of bashfulness, it seemed to me, whereas +the vicar, I think, accepted out of tact. When we were not looking at +them directly, these young men would kick each other furtively. + +Under the influence of my uncle's cigar, the vicar's mind had soared +beyond the limits of the district. "This Socialism," he said, "seems +making great headway." + +My uncle shook his head. "We're too individualistic in this country +for that sort of nonsense," he said "Everybody's business is nobody's +business. That's where they go wrong." + +"They have some intelligent people in their ranks, I am told," said +the vicar, "writers and so forth. Quite a distinguished playwright, my +eldest daughter was telling me--I forget his name. + +"Milly, dear! Oh! she's not here. Painters, too, they have. This +Socialist, it seems to me, is part of the Unrest of the Age.... But, as +you say, the spirit of the people is against it. In the country, at any +rate. The people down here are too sturdily independent in their small +way--and too sensible altogether."... + +"It's a great thing for Duffield to have Lady Grove occupied again," he +was saying when my wandering attention came back from some attractive +casualty in his wife's discourse. "People have always looked up to +the house and considering all things, old Mr. Durgan really was +extraordinarily good--extraordinarily good. You intend to give us a good +deal of your time here, I hope." + +"I mean to do my duty by the Parish," said my uncle. + +"I'm sincerely glad to hear it--sincerely. We've missed--the house +influence. An English village isn't complete--People get out of hand. +Life grows dull. The young people drift away to London." + +He enjoyed his cigar gingerly for a moment. + +"We shall look to you to liven things up," he said, poor man! + +My uncle cocked his cigar and removed it from his mouth. + +"What you think the place wants?" he asked. + +He did not wait for an answer. "I been thinking while you been +talking--things one might do. Cricket--a good English game--sports. +Build the chaps a pavilion perhaps. Then every village ought to have a +miniature rifle range." + +"Ye-ees," said the vicar. "Provided, of course, there isn't a constant +popping."... + +"Manage that all right," said my uncle. "Thing'd be a sort of long shed. +Paint it red. British colour. Then there's a Union Jack for the church +and the village school. Paint the school red, too, p'raps. Not enough +colour about now. Too grey. Then a maypole." + +"How far our people would take up that sort of thing--" began the vicar. + +"I'm all for getting that good old English spirit back again," said +my uncle. "Merrymakings. Lads and lasses dancing on the village green. +Harvest home. Fairings. Yule Log--all the rest of it." + +"How would old Sally Glue do for a May Queen?" asked one of the sons in +the slight pause that followed. + +"Or Annie Glassbound?" said the other, with the huge virile guffaw of a +young man whose voice has only recently broken. + +"Sally Glue is eighty-five," explained the vicar, "and Annie Glassbound +is well--a young lady of extremely generous proportions. And not quite +right, you know. Not quite right--here." He tapped his brow. + +"Generous proportions!" said the eldest son, and the guffaws were +renewed. + +"You see," said the vicar, "all the brisker girls go into service in +or near London. The life of excitement attracts them. And no doubt +the higher wages have something to do with it. And the liberty to wear +finery. And generally--freedom from restraint. So that there might be +a little difficulty perhaps to find a May Queen here just at present who +was really young and er--pretty.... Of course I couldn't think of any of +my girls--or anything of that sort." + +"We got to attract 'em back," said my uncle. "That's what I feel about +it. We got to Buck-Up the country. The English country is a going +concern still; just as the Established Church--if you'll excuse me +saying it, is a going concern. Just as Oxford is--or Cambridge. Or any +of those old, fine old things. Only it wants fresh capital, fresh +idees and fresh methods. Light railways, f'rinstance--scientific use of +drainage. Wire fencing machinery--all that." + +The vicar's face for one moment betrayed dismay. Perhaps he was thinking +of his country walks amids the hawthorns and honeysuckle. + +"There's great things," said my uncle, "to be done on Mod'un lines with +Village Jam and Pickles--boiled in the country." + +It was the reverberation of this last sentence in my mind, I think, +that sharpened my sentimental sympathy as we went through the straggling +village street and across the trim green on our way back to London. +It seemed that afternoon the most tranquil and idyllic collection of +creeper-sheltered homes you can imagine; thatch still lingered on a +whitewashed cottage or two, pyracanthus, wall-flowers, and daffodils +abounded, and an unsystematic orchard or so was white with blossom +above and gay with bulbs below. I noted a row of straw beehives, +beehive-shaped, beehives of the type long since condemned as inefficient +by all progressive minds, and in the doctor's acre of grass a flock of +two whole sheep was grazing,--no doubt he'd taken them on account. Two +men and one old woman made gestures of abject vassalage, and my uncle +replied with a lordly gesture of his great motoring glove.... + +"England's full of Bits like this," said my uncle, leaning over the +front seat and looking back with great satisfaction. The black glare of +his goggles rested for a time on the receding turrets of Lady Grove just +peeping over the trees. + +"I shall have a flagstaff, I think," he considered. "Then one could show +when one is in residence. The villagers will like to know."... + +I reflected. "They will" I said. "They're used to liking to know."... + +My aunt had been unusually silent. Suddenly she spoke. "He says Snap," +she remarked; "he buys that place. And a nice old job of Housekeeping he +gives me! He sails through the village swelling like an old turkey. And +who'll have to scoot the butler? Me! Who's got to forget all she ever +knew and start again? Me! Who's got to trek from Chiselhurst and be a +great lady? Me! ... You old Bother! Just when I was settling down and +beginning to feel at home." + +My uncle turned his goggles to her. "Ah! THIS time it is home, Susan.... +We got there." + +VII + +It seems to me now but a step from the buying of Lady Grove to the +beginning of Crest Hill, from the days when the former was a stupendous +achievement to the days when it was too small and dark and inconvenient +altogether for a great financier's use. For me that was a period of +increasing detachment from our business and the great world of London; I +saw it more and more in broken glimpses, and sometimes I was working in +my little pavilion above Lady Grove for a fortnight together; even when +I came up it was often solely for a meeting of the aeronautical society +or for one of the learned societies or to consult literature or employ +searchers or some such special business. For my uncle it was a period +of stupendous inflation. Each time I met him I found him more confident, +more comprehensive, more consciously a factor in great affairs. Soon he +was no longer an associate of merely business men; he was big enough for +the attentions of greater powers. + +I grew used to discovering some item of personal news about him in +my evening paper, or to the sight of a full-page portrait of him in a +sixpenny magazine. Usually the news was of some munificent act, +some romantic piece of buying or giving or some fresh rumour of +reconstruction. He saved, you will remember, the Parbury Reynolds +for the country. Or at times, it would be an interview or my uncle's +contribution to some symposium on the "Secret of Success," or such-like +topic. Or wonderful tales of his power of work, of his wonderful +organisation to get things done, of his instant decisions and remarkable +power of judging his fellow-men. They repeated his great mot: "Eight +hour working day--I want eighty hours!" + +He became modestly but resolutely "public." They cartooned him in Vanity +Fair. One year my aunt, looking indeed a very gracious, slender lady, +faced the portrait of the King in the great room at Burlington House, +and the next year saw a medallion of my uncle by Ewart, looking out upon +the world, proud and imperial, but on the whole a trifle too prominently +convex, from the walls of the New Gallery. + +I shared only intermittently in his social experiences. People knew of +me, it is true, and many of them sought to make through me a sort of +flank attack upon him, and there was a legend, owing, very unreasonably, +partly to my growing scientific reputation and partly to an element of +reserve in my manner, that I played a much larger share in planning +his operations than was actually the case. This led to one or two very +intimate private dinners, to my inclusion in one or two house parties +and various odd offers of introductions and services that I didn't for +the most part accept. Among other people who sought me in this way +was Archie Garvell, now a smart, impecunious soldier of no particular +distinction, who would, I think, have been quite prepared to develop any +sporting instincts I possessed, and who was beautifully unaware of our +former contact. He was always offering me winners; no doubt in a +spirit of anticipatory exchange for some really good thing in our more +scientific and certain method of getting something for nothing.... + +In spite of my preoccupation with my experiments, work, I did, I find +now that I come to ransack my impressions, see a great deal of the great +world during those eventful years; I had a near view of the machinery +by which an astounding Empire is run, rubbed shoulders and exchanged +experiences with bishops and statesmen, political women and women who +were not political, physicians and soldiers, artists and authors, the +directors of great journals, philanthropists and all sorts of eminent, +significant people. I saw the statesmen without their orders and the +bishops with but a little purple silk left over from their canonicals, +inhaling, not incensen but cigar smoke. I could look at them all the +better because, for the most part, they were not looking at me but at my +uncle, and calculating consciously or unconsciously how they might use +him and assimilate him to their system, the most unpremeditated, subtle, +successful and aimless plutocracy that ever encumbered the destinies of +mankind. Not one of them, so far as I could see, until disaster overtook +him, resented his lies, his almost naked dishonesty of method, the +disorderly disturbance of this trade and that, caused by his spasmodic +operations. I can see them now about him, see them polite, watchful, +various; his stiff compact little figure always a centre of +attention, his wiry hair, his brief nose, his under-lip, electric with +self-confidence. Wandering marginally through distinguished gatherings, +I would catch the whispers: "That's Mr. Ponderevo!" + +"The little man?" + +"Yes, the little bounder with the glasses." + +"They say he's made--"... + +Or I would see him on some parterre of a platform beside my aunt's +hurraying hat, amidst titles and costumes, "holding his end up," as +he would say, subscribing heavily to obvious charities, even at times +making brief convulsive speeches in some good cause before the most +exalted audiences. "Mr. Chairman, your Royal Highness, my Lords, Ladies +and Gentlemen,"`he would begin amidst subsiding applause and adjust +those obstinate glasses and thrust back the wings of his frock-coat and +rest his hands upon his hips and speak his fragment with ever and again +an incidental Zzzz. His hands would fret about him as he spoke, fiddle +his glasses, feel in his waistcoat pockets; ever and again he would rise +slowly to his toes as a sentence unwound jerkily like a clockwork snake, +and drop back on his heels at the end. They were the very gestures of +our first encounter when he had stood before the empty fireplace in his +minute draped parlour and talked of my future to my mother. + +In those measurelessly long hot afternoons in the little shop at +Wimblehurst he had talked and dreamt of the Romance of Modern Commerce. +Here, surely, was his romance come true. + +VIII + +People say that my uncle lost his head at the crest of his fortunes, +but if one may tell so much truth of a man one has in a manner loved, +he never had very much head to lose. He was always imaginative, erratic, +inconsistent, recklessly inexact, and his inundation of wealth merely +gave him scope for these qualities. It is true, indeed, that towards +the climax he became intensely irritable at times and impatient of +contradiction, but that, I think, was rather the gnawing uneasiness of +sanity than any mental disturbance. But I find it hard either to judge +him or convey the full development of him to the reader. I saw too much +of him; my memory is choked with disarranged moods and aspects. Now +he is distended with megalomania, now he is deflated, now he is +quarrelsome, now impenetrably self-satisfied, but always he is sudden, +jerky, fragmentary, energetic, and--in some subtle fundamental way that +I find difficult to define--absurd. + +There stands out--because of the tranquil beauty of its setting +perhaps--a talk we had in the veranda of the little pavilion near +my worksheds behind Crest Hill in which my aeroplanes and navigable +balloons were housed. It was one of many similar conversations, and I do +not know why it in particular should survive its fellows. It happens +so. He had come up to me after his coffee to consult me about a certain +chalice which in a moment of splendour and under the importunity of +a countess he had determined to give to a deserving church in the +east-end. I, in a moment of even rasher generosity, had suggested Ewart +as a possible artist. Ewart had produced at once an admirable sketch for +the sacred vessel surrounded by a sort of wreath of Millies with open +arms and wings and had drawn fifty pounds on the strength of it. After +that came a series of vexatious delays. The chalice became less and +less of a commercial man's chalice, acquired more and more the elusive +quality of the Holy Grail, and at last even the drawing receded. + +My uncle grew restive.... "You see, George, they'll begin to want the +blasted thing!" + +"What blasted thing?" + +"That chalice, damn it! They're beginning to ask questions. It isn't +Business, George." + +"It's art," I protested, "and religion." + +"That's all very well. But it's not a good ad for us, George, to make a +promise and not deliver the goods.... I'll have to write off your +friend Ewart as a bad debt, that's what it comes to, and go to a decent +firm."... + +We sat outside on deck chairs in the veranda of the pavilion, smoked, +drank whisky, and, the chalice disposed of, meditated. His temporary +annoyance passed. It was an altogether splendid summer night, following +a blazing, indolent day. Full moonlight brought out dimly the lines +of the receding hills, one wave beyond another; far beyond were the +pin-point lights of Leatherhead, and in the foreground the little stage +from which I used to start upon my gliders gleamed like wet steel. The +season must have been high June, for down in the woods that hid the +lights of the Lady Grove windows, I remember the nightingales thrilled +and gurgled.... + +"We got here, George," said my uncle, ending a long pause. "Didn't I +say?" + +"Say!--when?" I asked. + +"In that hole in the To'nem Court Road, eh? It's been a Straight Square +Fight, and here we are!" + +I nodded. + +"'Member me telling you--Tono-Bungay?.... Well.... I'd just that +afternoon thought of it!" + +"I've fancied at times;" I admitted. + +"It's a great world, George, nowadays, with a fair chance for every +one who lays hold of things. The career ouvert to the Talons--eh? +Tono-Bungay. Think of it! It's a great world and a growing world, and +I'm glad we're in it--and getting a pull. We're getting big people, +George. Things come to us. Eh? This Palestine thing."... + +He meditated for a time and Zzzzed softly. Then he became still. + +His theme was taken up by a cricket in the grass until he himself was +ready to resume it. The cricket too seemed to fancy that in some scheme +of its own it had got there. "Chirrrrrrup" it said; "chirrrrrrup." + +"Lord, what a place that was at Wimblehurst!" he broke out. "If ever +I get a day off we'll motor there, George, and run over that dog that +sleeps in the High Street. Always was a dog asleep there--always. +Always... I'd like to see the old shop again. I daresay old Ruck still +stands between the sheep at his door, grinning with all his teeth, and +Marbel, silly beggar! comes out with his white apron on and a pencil +stuck behind his ear, trying to look awake... Wonder if they know it's +me? I'd like 'em somehow to know it's me." + +"They'll have had the International Tea Company and all sorts of people +cutting them up," I said. "And that dog's been on the pavement this six +years--can't sleep even there, poor dear, because of the motor-horns and +its shattered nerves." + +"Movin' everywhere," said my uncle. "I expect you're right.... It's a +big time we're in, George. It's a big Progressive On-coming Imperial +Time. This Palestine business--the daring of it.... It's, it's a +Process, George. And we got our hands on it. Here we sit--with our hands +on it, George. Entrusted. + +"It seems quiet to--night. But if we could see and hear." He waved his +cigar towards Leatherhead and London. + +"There they are, millions, George. Jes' think of what they've been up to +to-day--those ten millions--each one doing his own particular job. You +can't grasp it. It's like old Whitman says--what is it he says? Well, +anyway it's like old Whitman. Fine chap, Whitman! Fine old chap! Queer, +you can't quote him. ... And these millions aren't anything. There's +the millions over seas, hundreds of millions, Chinese, M'rocco, Africa +generally, 'Merica.... Well, here we are, with power, with leisure, +picked out--because we've been energetic, because we've seized +opportunities, because we've made things hum when other people have +waited for them to hum. See? Here we are--with our hands on it. Big +people. Big growing people. In a sort of way,--Forces." + +He paused. "It's wonderful, George," he said. + +"Anglo-Saxon energy," I said softly to the night. + +"That's it, George--energy. It's put things in our grip--threads, wires, +stretching out and out, George, from that little office of ours, out to +West Africa, out to Egypt, out to Inja, out east, west, north and south. +Running the world practically. Running it faster and faster. Creative. +There's that Palestine canal affair. Marvellous idee! Suppose we take +that up, suppose we let ourselves in for it, us and the others, and run +that water sluice from the Mediterranean into the Dead Sea Valley--think +of the difference it will make! All the desert blooming like a rose, +Jericho lost for ever, all the Holy Places under water.... Very likely +destroy Christianity."... + +He mused for a space. "Cuttin' canals," murmured my uncle. "Making +tunnels.... New countries.... New centres.... Zzzz.... Finance.... Not +only Palestine. + +"I wonder where we shall get before we done, George? We got a lot of big +things going. We got the investing public sound and sure. I don't see +why in the end we shouldn't be very big. There's difficulties but I'm +equal to them. We're still a bit soft in our bones, but they'll harden +all right.... I suppose, after all, I'm worth something like a million, +George, cleared up and settled. If I got out of things now. It's a great +time, George, a wonderful time!"... + +I glanced through the twilight at his convexity and I must confess it +struck me that on the whole he wasn't particularly good value. + +"We got our hands on things, George, us big people. We got to hang +together, George run the show. Join up with the old order like that +mill-wheel of Kipling's. (Finest thing he ever wrote, George; I jes' +been reading it again. Made me buy Lady Grove.) Well, we got to run +the country, George. It's ours. Make it a Scientific Organised Business +Enterprise. Put idees into it. 'Lectrify it. Run the Press. Run all +sorts of developments. All sorts of developments. I been talking to Lord +Boom. I been talking to all sorts of people. Great things. Progress. The +world on business lines. Only jes' beginning."... + +He fell into a deep meditation. + +He Zzzzed for a time and ceased. + +"YES," he said at last in the tone of a man who has at last emerged with +ultimate solutions to the profoundest problems. + +"What?" I said after a seemly pause. + +My uncle hung fire for a moment and it seemed to me the fate of nations +trembled in the balance. Then he spoke as one who speaks from the very +bottom of his heart--and I think it was the very bottom of his heart. + +"I'd jes' like to drop into the Eastry Arms, jes' when all those beggars +in the parlour are sittin' down to whist, Ruck and Marbel and all, and +give 'em ten minutes of my mind, George. Straight from the shoulder. +Jes' exactly what I think of them. It's a little thing, but I'd like to +do it jes' once before I die."... + +He rested on that for some time Zzzz-ing. + +Then he broke out at a new place in a tone of detached criticism. + +"There's Boom," he reflected. + +"It's a wonderful system this old British system, George. It's staid +and stable and yet it has a place for new men. We come up and take our +places. It's almost expected. We take a hand. That's where our Democracy +differs from America. Over there a man succeeds; all he gets is money. +Here there's a system open to every one--practically.... Chaps like +Boom--come from nowhere." + +His voice ceased. I reflected upon the spirit of his words. Suddenly I +kicked my feet in the air, rolled on my side and sat up suddenly on my +deck chair with my legs down. + +"You don't mean it!" I said. + +"Mean what, George?" + +"Subscription to the party funds. Reciprocal advantage. Have we got to +that?" + +"Whad you driving at, George?" + +"You know. They'd never do it, man!" + +"Do what?" he said feebly; and, "Why shouldn't they?" + +"They'd not even go to a baronetcy. NO!.... And yet, of course, there's +Boom! And Collingshead and Gorver. They've done beer, they've done +snippets! After all Tono-Bungay--it's not like a turf commission +agent or anything like that!... There have of course been some very +gentlemanly commission agents. It isn't like a fool of a scientific man +who can't make money!" + +My uncle grunted; we'd differed on that issue before. + +A malignant humour took possession of me. "What would they call you?" +I speculated. "The vicar would like Duffield. Too much like Duffer! +Difficult thing, a title." I ran my mind over various possibilities. +"Why not take a leaf from a socialist tract I came upon yesterday. Chap +says we're all getting delocalised. Beautiful word--delocalised! Why not +be the first delocalised peer? That gives you--Tono-Bungay! There is a +Bungay, you know. Lord Tono of Bungay--in bottles everywhere. Eh?" + +My uncle astonished me by losing his temper. + +"Damn it. George, you don't seem to see I'm serious! You're always +sneering at Tono-Bungay! As though it was some sort of swindle. It was +perfec'ly legitimate trade, perfec'ly legitimate. Good value and a +good article.... When I come up here and tell you plans and exchange +idees--you sneer at me. You do. You don't see--it's a big thing. It's +a big thing. You got to get used to new circumstances. You got to face +what lies before us. You got to drop that tone." + +IX + +My uncle was not altogether swallowed up in business and ambition. He +kept in touch with modern thought. For example, he was, I know, greatly +swayed by what he called "This Overman idee, Nietzsche--all that stuff." + +He mingled those comforting suggestions of a potent and exceptional +human being emancipated from the pettier limitations of integrity with +the Napoleonic legend. It gave his imagination a considerable outlet. +That Napoleonic legend! The real mischief of Napoleon's immensely +disastrous and accidental career began only when he was dead and the +romantic type of mind was free to elaborate his character. I do believe +that my uncle would have made a far less egregious smash if there had +been no Napoleonic legend to misguide him. He was in many ways better +and infinitely kinder than his career. But when in doubt between +decent conduct and a base advantage, that cult came in more and more +influentially: "think of Napoleon; think what the inflexibly-wilful +Napoleon would have done with such scruples as yours;" that was the +rule, and the end was invariably a new step in dishonour. + +My uncle was in an unsystematic way a collector of Napoleonic relics; +the bigger the book about his hero the more readily he bought it; he +purchased letters and tinsel and weapons that bore however remotely +upon the Man of Destiny, and he even secured in Geneva, though he never +brought home, an old coach in which Buonaparte might have ridden; he +crowded the quiet walls of Lady Grove with engravings and figures of +him, preferring, my aunt remarked, the more convex portraits with the +white vest and those statuettes with the hands behind the back which +threw forward the figure. The Durgans watched him through it all, +sardonically. + +And he would stand after breakfast at times in the light of the window +at Lady Grove, a little apart, with two fingers of one hand stuck +between his waistcoat-buttons and his chin sunken, thinking,--the most +preposterous little fat man in the world. It made my aunt feel, she +said, "like an old Field Marshal--knocks me into a cocked hat, George!" + +Perhaps this Napoleonic bias made him a little less frequent with his +cigars than he would otherwise have been, but of that I cannot be sure, +and it certainly caused my aunt a considerable amount of vexation after +he had read Napoleon and the Fair Sex, because for a time that roused +him to a sense of a side of life he had in his commercial preoccupations +very largely forgotten. Suggestion plays so great a part in this field. +My uncle took the next opportunity and had an "affair"! + +It was not a very impassioned affair, and the exact particulars never of +course reached me. It is quite by chance I know anything of it at +all. One evening I was surprised to come upon my uncle in a mixture of +Bohemia and smart people at an At Home in the flat of Robbert, the R.A. +who painted my aunt, and he was standing a little apart in a recess, +talking or rather being talked to in undertones by a plump, blond +little woman in pale blue, a Helen Scrymgeour who wrote novels and was +organising a weekly magazine. I elbowed a large lady who was saying +something about them, but I didn't need to hear the thing she said to +perceive the relationship of the two. It hit me like a placard on a +hoarding. I was amazed the whole gathering did not see it. Perhaps they +did. She was wearing a remarkably fine diamond necklace, much too fine +for journalism, and regarding him with that quality of questionable +proprietorship, of leashed but straining intimacy, that seems +inseparable from this sort of affair. It is so much more palpable than +matrimony. If anything was wanted to complete my conviction it was +my uncles's eyes when presently he became aware of mine, a certain +embarrassment and a certain pride and defiance. And the next day he made +an opportunity to praise the lady's intelligence to me concisely, lest I +should miss the point of it all. + +After that I heard some gossip--from a friend of the lady's. I was +much too curious to do anything but listen. I had never in all my life +imagined my uncle in an amorous attitude. It would appear that she +called him her "God in the Car"--after the hero in a novel of Anthony +Hope's. It was essential to the convention of their relations that he +should go relentlessly whenever business called, and it was generally +arranged that it did call. To him women were an incident, it was +understood between them; Ambition was the master-passion. A great world +called him and the noble hunger for Power. I have never been able to +discover just how honest Mrs. Scrymgeour was in all this, but it is +quite possible the immense glamour of his financial largeness prevailed +with her and that she did bring a really romantic feeling to their +encounters. There must have been some extraordinary moments.... + +I was a good deal exercised and distressed about my aunt when I realised +what was afoot. I thought it would prove a terrible humiliation to her. +I suspected her of keeping up a brave front with the loss of my uncle's +affections fretting at her heart, but there I simply underestimated her. +She didn't hear for some time and when she did hear she was extremely +angry and energetic. The sentimental situation didn't trouble her for +a moment. She decided that my uncle "wanted smacking." She accentuated +herself with an unexpected new hat, went and gave him an inconceivable +talking-to at the Hardingham, and then came round to "blow-up" me for +not telling her what was going on before.... + +I tried to bring her to a proper sense of the accepted values in this +affair, but my aunt's originality of outlook was never so invincible. +"Men don't tell on one another in affairs of passion," I protested, and +such-like worldly excuses. + +"Women!" she said in high indignation, "and men! It isn't women and +men--it's him and me, George! Why don't you talk sense? + +"Old passion's all very well, George, in its way, and I'm the last +person to be jealous. But this is old nonsense.... I'm not going to let +him show off what a silly old lobster he is to other women.... +I'll mark every scrap of his underclothes with red letters, +'Ponderevo-Private'--every scrap. + +"Going about making love indeed,--in abdominal belts!--at his time of +life!" + +I cannot imagine what passed between her and my uncle. But I have no +doubt that for once her customary badinage was laid aside. How they +talked then I do not know, for I who knew them so well had never heard +that much of intimacy between them. At any rate it was a concerned and +preoccupied "God in the Car" I had to deal with in the next few days, +unusually Zzzz-y and given to slight impatient gestures that had nothing +to do with the current conversation. And it was evident that in all +directions he was finding things unusually difficult to explain. + +All the intimate moments in this affair were hidden from me, but in +the end my aunt triumphed. He did not so much throw as jerk over Mrs. +Scrymgeour, and she did not so much make a novel of it as upset a huge +pailful of attenuated and adulterated female soul upon this occasion. +My aunt did not appear in that, even remotely. So that it is doubtful +if the lady knew the real causes of her abandonment. The Napoleonic hero +was practically unmarried, and he threw over his lady as Napoleon threw +over Josephine for a great alliance. + +It was a triumph for my aunt, but it had its price. For some time it was +evident things were strained between them. He gave up the lady, but he +resented having to do so, deeply. She had meant more to his imagination +than one could have supposed. He wouldn't for a long time "come round." +He became touchy and impatient and secretive towards my aunt, and she, I +noted, after an amazing check or so, stopped that stream of kindly abuse +that had flowed for so long and had been so great a refreshment in their +lives. They were both the poorer for its cessation, both less happy. +She devoted herself more and more to Lady Grove and the humours and +complications of its management. The servants took to her--as they +say--she god-mothered three Susans during her rule, the coachman's, the +gardener's, and the Up Hill gamekeeper's. She got together a library of +old household books that were in the vein of the place. She revived the +still-room, and became a great artist in jellies and elder and cowslip +wine. + +X + +And while I neglected the development of my uncle's finances--and +my own, in my scientific work and my absorbing conflict with the +difficulties of flying,--his schemes grew more and more expansive and +hazardous, and his spending wilder and laxer. I believe that a haunting +sense of the intensifying unsoundness of his position accounts largely +for his increasing irritability and his increasing secretiveness with my +aunt and myself during these crowning years. He dreaded, I think, having +to explain, he feared our jests might pierce unwittingly to the truth. +Even in the privacy of his mind he would not face the truth. He was +accumulating unrealisable securities in his safes until they hung a +potential avalanche over the economic world. But his buying became a +fever, and his restless desire to keep it up with himself that he was +making a triumphant progress to limitless wealth gnawed deeper and +deeper. A curious feature of this time with him was his buying over and +over again of similar things. His ideas seemed to run in series. Within +a twelve-month he bought five new motor-cars, each more swift and +powerful than its predecessor, and only the repeated prompt resignation +of his chief chauffeur at each moment of danger, prevented his driving +them himself. He used them more and more. He developed a passion for +locomotion for its own sake. + +Then he began to chafe at Lady Grove, fretted by a chance jest he had +overheard at a dinner. "This house, George," he said. "It's a misfit. +There's no elbow-room in it; it's choked with old memories. And I can't +stand all these damned Durgans! + +"That chap in the corner, George. No! the other corner! The man in a +cherry-coloured coat. He watched you! He'd look silly if I stuck a poker +through his Gizzard!" + +"He'd look," I reflected, "much as he does now. As though he was +amused." + +He replaced his glasses, which had fallen at his emotion, and glared at +his antagonists. "What are they? What are they all, the lot of 'em? +Dead as Mutton! They just stuck in the mud. They didn't even rise to the +Reformation. The old out-of-date Reformation! Move with the times!--they +moved against the times. + +"Just a Family of Failure,--they never even tried! + +"They're jes', George, exactly what I'm not. Exactly. It isn't +suitable.... All this living in the Past. + +"And I want a bigger place too, George. I want air and sunlight and +room to move about and more service. A house where you can get a Move +on things! Zzzz. Why! it's like a discord--it jars--even to have the +telephone.... There's nothing, nothing except the terrace, that's worth +a Rap. It's all dark and old and dried up and full of old-fashioned +things--musty old idees--fitter for a silver-fish than a modern man.... +I don't know how I got here." + +He broke out into a new grievance. "That damned vicar," he complained, +"thinks I ought to think myself lucky to get this place! Every time I +meet him I can see him think it.... One of these days, George I'll show +him what a Mod'un house is like!" + +And he did. + +I remember the day when he declared, as Americans say, for Crest +Hill. He had come up to see my new gas plant, for I was then only just +beginning to experiment with auxiliary collapsible balloons, and all +the time the shine of his glasses was wandering away to the open down +beyond. "Let's go back to Lady Grove over the hill," he said. "Something +I want to show you. Something fine!" + +It was an empty sunlit place that summer evening, sky and earth +warm with sundown, and a pe-wit or so just accentuating the pleasant +stillness that ends a long clear day. A beautiful peace, it was, to +wreck for ever. And there was my uncle, the modern man of power, in his +grey top-hat and his grey suit and his black-ribboned glasses, short, +thin-legged, large-stomached, pointing and gesticulating, threatening +this calm. + +He began with a wave of his arm. "That's the place, George," he said. +"See?" + +"Eh!" I cried--for I had been thinking of remote things. + +"I got it." + +"Got what?" + +"For a house!--a Twentieth Century house! That's the place for it!" + +One of his characteristic phrases was begotten in him. + +"Four-square to the winds of heaven, George!" he said. "Eh? Four-square +to the winds of heaven!" + +"You'll get the winds up here," I said. + +"A mammoth house it ought to be, George--to suit these hills." + +"Quite," I said. + +"Great galleries and things--running out there and there--See? I been +thinking of it, George! Looking out all this way--across the Weald. With +its back to Lady Grove." + +"And the morning sun in its eye." + +"Like an eagle, George,--like an eagle!" + +So he broached to me what speedily became the leading occupation of +his culminating years, Crest Hill. But all the world has heard of that +extravagant place which grew and changed its plans as it grew, and +bubbled like a salted snail, and burgeoned and bulged and evermore +grew. I know not what delirium of pinnacles and terraces and arcades and +corridors glittered at last upon the uplands of his mind; the place, +for all that its expansion was terminated abruptly by our collapse, is +wonderful enough as it stands,--that empty instinctive building of a +childless man. His chief architect was a young man named Westminster, +whose work he had picked out in the architecture room of the Royal +Academy on account of a certain grandiose courage in it, but with him +he associated from time to time a number of fellow professionals, +stonemasons, sanitary engineers, painters, sculptors, scribes, metal +workers, wood carvers, furniture designers, ceramic specialists, +landscape gardeners, and the man who designs the arrangement and +ventilation of the various new houses in the London Zoological Gardens. +In addition he had his own ideas. The thing occupied his mind at all +times, but it held it completely from Friday night to Monday morning. +He would come down to Lady Grove on Friday night in a crowded motor-car +that almost dripped architects. He didn't, however, confine himself to +architects; every one was liable to an invitation to week-end and view +Crest Hill, and many an eager promoter, unaware of how Napoleonically +and completely my uncle had departmentalised his mind, tried to creep up +to him by way of tiles and ventilators and new electric fittings. Always +on Sunday mornings, unless the weather was vile, he would, so soon as +breakfast and his secretaries were disposed of, visit the site with a +considerable retinue, and alter and develop plans, making modifications, +Zzzz-ing, giving immense new orders verbally--an unsatisfactory way, as +Westminster and the contractors ultimately found. + +There he stands in my memory, the symbol of this age for me, the man of +luck and advertisement, the current master of the world. There he +stands upon the great outward sweep of the terrace before the huge +main entrance, a little figure, ridiculously disproportionate to that +forty-foot arch, with the granite ball behind him--the astronomical +ball, brass coopered, that represented the world, with a little +adjustable tube of lenses on a gun-metal arm that focussed the sun +upon just that point of the earth on which it chanced to be shining +vertically. There he stands, Napoleonically grouped with his retinue men +in tweeds and golfing-suits, a little solicitor, whose name I forget, +in grey trousers and a black jacket, and Westminster in Jaeger +underclothing, a floriferous tie, and peculiar brown cloth of his own. + +The downland breeze flutters my uncle's coat-tails, disarranges his +stiff hair, and insists on the evidence of undisciplined appetites in +face and form, as he points out this or that feature in the prospect to +his attentive collaborator. + +Below are hundreds of feet of wheeling-planks, ditches, excavations, +heaps of earth, piles of garden stone from the Wealden ridges. On either +hand the walls of his irrelevant unmeaning palace rise at one time he +had working in that place--disturbing the economic balance of the whole +countryside by their presence--upwards of three thousand men.... + +So he poses for my picture amidst the raw beginnings that were never to +be completed. He did the strangest things about that place, things more +and more detached from any conception of financial scale, things more +and more apart from sober humanity. He seemed to think himself, at last, +released from any such limitations. He moved a quite considerable hill, +and nearly sixty mature trees were moved with it to open his prospect +eastward, moved it about two hundred feet to the south. At another +time he caught a suggestion from some city restaurant and made a +billiard-room roofed with plate glass beneath the waters of his +ornamental lake. He furnished one wing while its roof still awaited +completion. He had a swimming bath thirty feet square next to his +bedroom upstairs, and to crown it all he commenced a great wall to hold +all his dominions together, free from the invasion of common men. It +was a ten-foot wall, glass surmounted, and had it been completed as he +intended it, it would have had a total length of nearly eleven miles. +Some of it towards the last was so dishonestly built that it collapsed +within a year upon its foundations, but some miles of it still stand. I +never think of it now but what I think of the hundreds of eager little +investors who followed his "star," whose hopes and lives, whose wives' +security and children's prospects are all mixed up beyond redemption +with that flaking mortar.... + +It is curious how many of these modern financiers of chance and bluff +have ended their careers by building. It was not merely my uncle. Sooner +or later they all seem to bring their luck to the test of realisation, +try to make their fluid opulence coagulate out as bricks and mortar, +bring moonshine into relations with a weekly wages-sheet. Then the whole +fabric of confidence and imagination totters--and down they come.... + +When I think of that despoiled hillside, that colossal litter of bricks +and mortar, and crude roads and paths, the scaffolding and sheds, the +general quality of unforeseeing outrage upon the peace of nature, I +am reminded of a chat I had with the vicar one bleak day after he had +witnessed a glide. He talked to me of aeronautics as I stood in jersey +and shorts beside my machine, fresh from alighting, and his cadaverous +face failed to conceal a peculiar desolation that possessed him. + +"Almost you convince me," he said, coming up to me, "against my will.... +A marvellous invention! But it will take you a long time, sir, before +you can emulate that perfect mechanism--the wing of a bird." + +He looked at my sheds. + +"You've changed the look of this valley, too," he said. + +"Temporary defilements," I remarked, guessing what was in his mind. + +"Of course. Things come and go. Things come and go. But--H'm. I've +just been up over the hill to look at Mr. Edward Ponderevo's new house. +That--that is something more permanent. A magnificent place!--in many +ways. Imposing. I've never somehow brought myself to go that way before. +Things are greatly advanced.... We find--the great number of strangers +introduced into the villages about here by these operations, working-men +chiefly, a little embarrassing. It put us out. They bring a new +spirit into the place; betting--ideas--all sorts of queer notions. +Our publicans like it, of course. And they come and sleep in one's +outhouses--and make the place a little unsafe at nights. The other +morning I couldn't sleep--a slight dyspepsia--and I looked out of +the window. I was amazed to see people going by on bicycles. A silent +procession. I counted ninety-seven--in the dawn. All going up to the new +road for Crest Hill. Remarkable I thought it. And so I've been up to see +what they were doing." + +"They would have been more than remarkable thirty years ago," I said. + +"Yes, indeed. Things change. We think nothing of it now at +all--comparatively. And that big house--" + +He raised his eyebrows. "Really stupendous! Stupendous. + +"All the hillside--the old turf--cut to ribbons!" + +His eye searched my face. "We've grown so accustomed to look up to Lady +Grove," he said, and smiled in search of sympathy. "It shifts our centre +of gravity." + +"Things will readjust themselves," I lied. + +He snatched at the phrase. "Of course," he said. + +"They'll readjust themselves--settle down again. Must. In the old way. +It's bound to come right again--a comforting thought. Yes. After all, +Lady Grove itself had to be built once upon a time--was--to begin +with--artificial." + +His eye returned to my aeroplane. He sought to dismiss his graver +preoccupations. "I should think twice," he remarked, "before I trusted +myself to that concern.... But I suppose one grows accustomed to the +motion." + +He bade me good morning and went his way, bowed and thoughtful.... + +He had kept the truth from his mind a long time, but that morning it had +forced its way to him with an aspect that brooked no denial that this +time it was not just changes that were coming in his world, but that all +his world lay open and defenceless, conquered and surrendered, doomed so +far as he could see, root and branch, scale and form alike, to change. + + +CHAPTER THE THIRD + +SOARING + +I + +For nearly all the time that my uncle was incubating and hatching +Crest Hill I was busy in a little transverse valley between that +great beginning and Lady Grove with more and more costly and ambitious +experiments in aerial navigation. This work was indeed the main +substance of my life through all the great time of the Tono-Bungay +symphony. + +I have told already how I came to devote myself to this system of +inquiries, how in a sort of disgust with the common adventure of life +I took up the dropped ends of my college studies, taking them up again +with a man's resolution instead of a boy's ambition. From the first +I did well at this work. It--was, I think, largely a case of special +aptitude, of a peculiar irrelevant vein of faculty running through my +mind. It is one of those things men seem to have by chance, that has +little or nothing to do with their general merit, and which it is +ridiculous to be either conceited or modest about. I did get through +a very big mass of work in those years, working for a time with a +concentrated fierceness that left little of such energy or capacity as +I possess unused. I worked out a series of problems connected with the +stability of bodies pitching in the air and the internal movements of +the wind, and I also revolutionised one leading part at last of the +theory of explosive engines. These things are to be found in the +Philosophical Transactions, the Mathematical Journal, and less +frequently in one or two other such publications, and they needn't +detain us here. Indeed, I doubt if I could write about them here. One +acquires a sort of shorthand for one's notes and mind in relation to +such special work. I have never taught; nor lectured, that is to say, +I have never had to express my thoughts about mechanical things in +ordinary everyday language, and I doubt very much if I could do so now +without extreme tedium. + +My work was, to begin with, very largely theoretical. I was able to +attack such early necessities of verification as arose with quite little +models, using a turntable to get the motion through the air, and +cane, whalebone and silk as building material. But a time came when +incalculable factors crept in, factors of human capacity and factors of +insufficient experimental knowledge, when one must needs guess and +try. Then I had to enlarge the scale of my operations, and soon I had +enlarged them very greatly. I set to work almost concurrently on the +balance and stability of gliders and upon the steering of inflated bags, +the latter a particularly expensive branch of work. I was no doubt moved +by something of the same spirit of lavish expenditure that was running +away with my uncle in these developments. Presently my establishment +above Lady Grove had grown to a painted wood chalet big enough to +accommodate six men, and in which I would sometimes live for three +weeks together; to a gasometer, to a motor-house, to three big +corrugated-roofed sheds and lock-up houses, to a stage from which to +start gliders, to a workshop and so forth. A rough road was made. We +brought up gas from Cheaping and electricity from Woking, which place +I found also afforded a friendly workshop for larger operations than +I could manage. I had the luck also to find a man who seemed my +heaven-sent second-in-command--Cothope his name was. He was a +self-educated-man; he had formerly been a sapper and he was one of the +best and handiest working engineers alive. Without him I do not think I +could have achieved half what I have done. At times he has been not so +much my assistant as my collaborator, and has followed my fortunes to +this day. Other men came and went as I needed them. + +I do not know how far it is possible to convey to any one who has not +experienced it, the peculiar interest, the peculiar satisfaction that +lies in a sustained research when one is not hampered by want of money. +It is a different thing from any other sort of human effort. You +are free from the exasperating conflict with your fellow-creatures +altogether--at least so far as the essential work goes; that for me is +its peculiar merit. Scientific truth is the remotest of mistresses; +she hides in strange places, she is attained by tortuous and laborious +roads, but SHE IS ALWAYS THERE! Win to her and she will not fail you; +she is yours and mankind's for ever. She is reality, the one reality I +have found in this strange disorder of existence. She will not sulk with +you nor misunderstand you nor cheat you of your reward upon some petty +doubt. You cannot change her by advertisement or clamour, nor stifle her +in vulgarities. Things grow under your hands when you serve her, things +that are permanent as nothing else is permanent in the whole life of +man. That, I think, is the peculiar satisfaction of science and its +enduring reward.... + +The taking up of experimental work produced a great change in my +personal habits. I have told how already once in my life at Wimblehurst +I had a period of discipline and continuous effort, and how, when I +came to South Kensington, I became demoralised by the immense effect +of London, by its innumerable imperative demands upon my attention and +curiosity. And I parted with much of my personal pride when I gave +up science for the development of Tono-Bungay. But my poverty kept me +abstinent and my youthful romanticism kept me chaste until my married +life was well under way. Then in all directions I relaxed. I did a large +amount of work, but I never troubled to think whether it was my maximum +nor whether the moods and indolences that came to me at times were +avoidable things. With the coming of plenty I ate abundantly and +foolishly, drank freely and followed my impulses more and more +carelessly. I felt no reason why I should do anything else. Never at any +point did I use myself to the edge of my capacity. The emotional crisis +of my divorce did not produce any immediate change in these matters of +personal discipline. I found some difficulty at first in concentrating +my mind upon scientific work, it was so much more exacting than +business, but I got over that difficulty by smoking. I became an +inordinate cigar smoker; it gave me moods of profound depression, but +I treated these usually by the homeopathic method,--by lighting another +cigar. I didn't realise at all how loose my moral and nervous fibre had +become until I reached the practical side of my investigations and was +face to face with the necessity of finding out just how it felt to use a +glider and just what a man could do with one. + +I got into this relaxed habit of living in spite of very real +tendencies in my nature towards discipline. I've never been in love with +self-indulgence. That philosophy of the loose lip and the lax paunch +is one for which I've always had an instinctive distrust. I like bare +things, stripped things, plain, austere and continent things, fine lines +and cold colours. But in these plethoric times when there is too much +coarse stuff for everybody and the struggle for life takes the form of +competitive advertisement and the effort to fill your neighbour's eye, +when there is no urgent demand either for personal courage, sound nerves +or stark beauty, we find ourselves by accident. Always before these +times the bulk of the people did not over-eat themselves, because they +couldn't, whether they wanted to do so or not, and all but a very few +were kept "fit" by unavoidable exercise and personal danger. Now, if +only he pitch his standard low enough and keep free from pride, almost +any one can achieve a sort of excess. You can go through contemporary +life fudging and evading, indulging and slacking, never really hungry +nor frightened nor passionately stirred, your highest moment a mere +sentimental orgasm, and your first real contact with primary and +elemental necessities, the sweat of your death-bed. So I think it was +with my uncle; so, very nearly, it was with me. + +But the glider brought me up smartly. I had to find out how these things +went down the air, and the only way to find out is to go down with one. +And for a time I wouldn't face it. + +There is something impersonal about a book, I suppose. At any rate I +find myself able to write down here just the confession I've never been +able to make to any one face to face, the frightful trouble it was to +me to bring myself to do what I suppose every other coloured boy in the +West Indies could do without turning a hair, and that is to fling myself +off for my first soar down the wind. The first trial was bound to be the +worst; it was an experiment I made with life, and the chance of death or +injury was, I supposed, about equal to the chance of success. I believed +that with a dawn-like lucidity. I had begun with a glider that I +imagined was on the lines of the Wright brothers' aeroplane, but I could +not be sure. It might turn over. I might upset it. It might burrow its +nose at the end and smash itself and me. The conditions of the flight +necessitated alert attention; it wasn't a thing to be done by jumping +off and shutting one's eyes or getting angry or drunk to do it. One +had to use one's weight to balance. And when at last I did it it was +horrible--for ten seconds. For ten seconds or so, as I swept down the +air flattened on my infernal framework and with the wind in my eyes, the +rush of the ground beneath me filled me with sick and helpless terror; +I felt as though some violent oscillatory current was throbbing in brain +and back bone, and I groaned aloud. I set my teeth and groaned. It was +a groan wrung out of me in spite of myself. My sensations of terror +swooped to a climax. And then, you know, they ended! + +Suddenly my terror was over and done with. I was soaring through the air +right way up, steadily, and no mischance had happened. I felt intensely +alive and my nerves were strung like a bow. I shifted a limb, swerved +and shouted between fear and triumph as I recovered from the swerve and +heeled the other way and steadied myself. + +I thought I was going to hit a rook that was flying athwart me,--it +was queer with what projectile silence that jumped upon me out of +nothingness, and I yelled helplessly, "Get out of the way!" The bird +doubled itself up like a partly inverted V, flapped, went up to the +right abruptly and vanished from my circle of interest. Then I saw +the shadow of my aeroplane keeping a fixed distance before me and very +steady, and the turf as it seemed streaming out behind it. The turf!--it +wasn't after all streaming so impossibly fast. + +When I came gliding down to the safe spread of level green I had chosen, +I was as cool and ready as a city clerk who drops off an omnibus in +motion, and I had learnt much more than soaring. I tilted up her nose +at the right moment, levelled again and grounded like a snowflake on a +windless day. I lay flat for an instant and then knelt up and got on my +feet atremble, but very satisfied with myself. Cothope was running down +the hill to me. ... + +But from that day I went into training, and I kept myself in training +for many months. I had delayed my experiments for very nearly six weeks +on various excuses because of my dread of this first flight, because of +the slackness of body and spirit that had come to me with the business +life. The shame of that cowardice spurred me none the less because it +was probably altogether my own secret. I felt that Cothope at any rate +might suspect. Well,--he shouldn't suspect again. + +It is curious that I remember that shame and self accusation and its +consequences far more distinctly than I recall the weeks of vacillation +before I soared. For a time I went altogether without alcohol, I stopped +smoking altogether and ate very sparingly, and every day I did something +that called a little upon my nerves and muscles. I soared as frequently +as I could. I substituted a motor-bicycle for the London train and took +my chances in the southward traffic, and I even tried what thrills were +to be got upon a horse. But they put me on made horses, and I conceived +a perhaps unworthy contempt for the certitudes of equestrian exercise +in comparison with the adventures of mechanism. Also I walked along the +high wall at the back of Lady Grove garden, and at last brought myself +to stride the gap where the gate comes. If I didn't altogether get rid +of a certain giddy instinct by such exercises, at least I trained my +will until it didn't matter. And soon I no longer dreaded flight, but +was eager to go higher into the air, and I came to esteem soaring upon +a glider, that even over the deepest dip in the ground had barely forty +feet of fall beneath it, a mere mockery of what flight might be. I began +to dream of the keener freshness in the air high above the beechwoods, +and it was rather to satisfy that desire than as any legitimate +development of my proper work that presently I turned a part of my +energies and the bulk of my private income to the problem of the +navigable balloon. + +II + +I had gone far beyond that initial stage; I had had two smashes and a +broken rib which my aunt nursed with great energy, and was getting some +reputation in the aeronautic world when, suddenly, as though she had +never really left it, the Honourable Beatrice Normandy, dark-eyed, and +with the old disorderly wave of the hair from her brow, came back into +my life. She came riding down a grass path in the thickets below Lady +Grove, perched up on a huge black horse, and the old Earl of Carnaby +and Archie Garvell, her half-brother, were with her. My uncle had been +bothering me about the Crest Hill hot-water pipes, and we were returning +by a path transverse to theirs and came out upon them suddenly. Old +Carnaby was trespassing on our ground, and so he hailed us in a friendly +fashion and pulled up to talk to us. + +I didn't note Beatrice at all at first. I was interested in Lord +Carnaby, that remarkable vestige of his own brilliant youth. I had heard +of him, but never seen him. For a man of sixty-five who had sinned all +the sins, so they said, and laid waste the most magnificent political +debut of any man of his generation, he seemed to me to be looking +remarkably fit and fresh. He was a lean little man with grey-blue eyes +in his brown face, and his cracked voice was the worst thing in his +effect. + +"Hope you don't mind us coming this way, Ponderevo," he cried; and my +uncle, who was sometimes a little too general and generous with titles, +answered, "Not at all, my lord, not at all! Glad you make use of it!" + +"You're building a great place over the hill," said Carnaby. + +"Thought I'd make a show for once," said my uncle. "It looks big because +it's spread out for the sun." + +"Air and sunlight," said the earl. "You can't have too much of them. But +before our time they used to build for shelter and water and the high +road." + +Then I discovered that the silent figure behind the earl was Beatrice. + +I'd forgotten her sufficiently to think for a moment that she hadn't +changed at all since she had watched me from behind the skirts of Lady +Drew. She was looking at me, and her dainty brow under her broad brimmed +hat--she was wearing a grey hat and loose unbuttoned coat--was knit with +perplexity, trying, I suppose, to remember where she had seen me before. +Her shaded eyes met mine with that mute question.... + +It seemed incredible to me she didn't remember. + +"Well," said the earl and touched his horse. + +Garvell was patting the neck of his horse, which was inclined to fidget, +and disregarding me. He nodded over his shoulder and followed. His +movement seemed to release a train of memories in her. She glanced +suddenly at him and then back at me with a flash of recognition that +warmed instantly to a faint smile. She hesitated as if to speak to me, +smiled broadly and understandingly and turned to follow the others. +All three broke into a canter and she did not look back. I stood for a +second or so at the crossing of the lanes, watching her recede, and then +became aware that my uncle was already some paces off and talking over +his shoulder in the belief that I was close behind. I turned about and +strode to overtake him. My mind was full of Beatrice and this surprise. +I remembered her simply as a Normandy. I'd clean forgotten that Garvell +was the son and she the step-daughter of our neighbour, Lady Osprey. +Indeed, I'd probably forgotten at that time that we had Lady Osprey as a +neighbour. There was no reason at all for remembering it. It was amazing +to find her in this Surrey countryside, when I'd never thought of her +as living anywhere in the world but at Bladesover Park, near forty miles +and twenty years away. She was so alive--so unchanged! The same quick +warm blood was in her cheeks. It seemed only yesterday that we had +kissed among the bracken stems.... + +"Eh?" I said. + +"I say he's good stuff," said my uncle. "You can say what you like +against the aristocracy, George; Lord Carnaby's rattling good stuff. +There's a sort of Savoir Faire, something--it's an old-fashioned phrase, +George, but a good one there's a Bong-Tong.... It's like the Oxford +turf, George, you can't grow it in a year. I wonder how they do it. +It's living always on a Scale, George. It's being there from the +beginning."... + +"She might," I said to myself, "be a picture by Romney come alive!" + +"They tell all these stories about him," said my uncle, "but what do +they all amount to?" + +"Gods!" I said to myself; "but why have I forgotten for so long? Those +queer little brows of hers, the touch of mischief in her eyes--the way +she breaks into a smile!" + +"I don't blame him," said my uncle. "Mostly it's imagination. That and +leisure, George. When I was a young man I was kept pretty busy. So were +you. Even then--!" + +What puzzled me more particularly was the queer trick of my memory +that had never recalled anything vital of Beatrice whatever when I +met Garvell again that had, indeed, recalled nothing except a boyish +antagonism and our fight. Now when my senses were full of her, it seemed +incredible that I could ever have forgotten.... + +III + +"Oh, Crikey!" said my aunt, reading a letter behind her coffee-machine. +"HERE'S a young woman, George!" + +We were breakfasting together in the big window bay at Lady Grove that +looks upon the iris beds; my uncle was in London. + +I sounded an interrogative note and decapitated an egg. + +"Who's Beatrice Normandy?" asked my aunt. "I've not heard of her +before." + +"She the young woman?" + +"Yes. Says she knows you. I'm no hand at old etiquette, George, but +her line is a bit unusual. Practically she says she's going to make her +mother--" + +"Eh? Step-mother, isn't it?" + +"You seem to know a lot about her. She says 'mother'--Lady Osprey. +They're to call on me, anyhow, next Wednesday week at four, and there's +got to be you for tea." + +"Eh?" + +"You--for tea. + +"H'm. She had rather--force of character. When I knew her before." + +I became aware of my aunt's head sticking out obliquely from behind the +coffee-machine and regarding me with wide blue curiosity. I met her gaze +for a moment, flinched, coloured, and laughed. + +"I've known her longer than I've known you," I said, and explained at +length. + +My aunt kept her eye on me over and round the coffee-machine as I did +so. She was greatly interested, and asked several elucidatory questions. + +"Why didn't you tell me the day you saw her? You've had her on your mind +for a week," she said. + +"It IS odd I didn't tell you," I admitted. + +"You thought I'd get a Down on her," said my aunt conclusively. "That's +what you thought" and opened the rest of her letters. + +The two ladies came in a pony-carriage with conspicuous punctuality, and +I had the unusual experience of seeing my aunt entertaining callers. We +had tea upon the terrace under the cedar, but old Lady Osprey, being an +embittered Protestant, had never before seen the inside of the house, +and we made a sort of tour of inspection that reminded me of my first +visit to the place. In spite of my preoccupation with Beatrice, I stored +a queer little memory of the contrast between the two other women; my +aunt, tall, slender and awkward, in a simple blue homekeeping dress, an +omnivorous reader and a very authentic wit, and the lady of pedigree, +short and plump, dressed with Victorian fussiness, living at the +intellectual level of palmistry and genteel fiction, pink in the face +and generally flustered by a sense of my aunt's social strangeness and +disposed under the circumstances to behave rather like an imitation +of the more queenly moments of her own cook. The one seemed made of +whalebone, the other of dough. My aunt was nervous, partly through the +intrinsic difficulty of handling the lady and partly because of her +passionate desire to watch Beatrice and me, and her nervousness took a +common form with her, a wider clumsiness of gesture and an exacerbation +of her habitual oddity of phrase which did much to deepen the pink +perplexity of the lady of title. For instance, I heard my aunt admit +that one of the Stuart Durgan ladies did look a bit "balmy on +the crumpet"; she described the knights of the age of chivalry as +"korvorting about on the off-chance of a dragon"; she explained she +was "always old mucking about the garden," and instead of offering me a +Garibaldi biscuit, she asked me with that faint lisp of hers, to +"have some squashed flies, George." I felt convinced Lady Osprey +would describe her as "a most eccentric person" on the very first +opportunity;--"a most eccentric person." One could see her, as people +say, "shaping" for that. + +Beatrice was dressed very quietly in brown, with a simple but courageous +broad-brimmed hat, and an unexpected quality of being grown-up and +responsible. She guided her step-mother through the first encounter, +scrutinised my aunt, and got us all well in movement through the house, +and then she turned her attention to me with a quick and half-confident +smile. + +"We haven't met," she said, "since--" + +"It was in the Warren." + +"Of course," she said, "the Warren! I remembered it all except just the +name.... I was eight." + +Her smiling eyes insisted on my memories being thorough. I looked up and +met them squarely, a little at a loss for what I should say. + +"I gave you away pretty completely," she said, meditating upon my face. +"And afterwards I gave way Archie." + +She turned her face away from the others, and her voice fell ever so +little. + +"They gave him a licking for telling lies!" she said, as though that was +a pleasant memory. "And when it was all over I went to our wigwam. You +remember the wigwam?" + +"Out in the West Wood?" + +"Yes--and cried--for all the evil I had done you, I suppose.... I've +often thought of it since."... + +Lady Osprey stopped for us to overtake her. "My dear!" she said to +Beatrice. "Such a beautiful gallery!" Then she stared very hard at me, +puzzled in the most naked fashion to understand who I might be. + +"People say the oak staircase is rather good," said my aunt, and led the +way. + +Lady Osprey, with her skirts gathered for the ascent to the gallery +and her hand on the newel, turned and addressed a look full of meaning +overflowing indeed with meanings--at her charge. The chief meaning +no doubt was caution about myself, but much of it was just meaning at +large. I chanced to catch the response in a mirror and detected Beatrice +with her nose wrinkled into a swift and entirely diabolical grimace. +Lady Osprey became a deeper shade of pink and speechless with +indignation--it was evident she disavowed all further responsibility, as +she followed my aunt upstairs. + +"It's dark, but there's a sort of dignity," said Beatrice very +distinctly, regarding the hall with serene tranquillity, and allowing +the unwilling feet on the stairs to widen their distance from us. She +stood a step up, so that she looked down a little upon me and over me at +the old hall. + +She turned upon me abruptly when she thought her step-mother was beyond +ear-shot. + +"But how did you get here?" she asked. + +"Here?" + +"All this." She indicated space and leisure by a wave of the hand at +hall and tall windows and sunlit terrace. "Weren't you the housekeeper's +son?" + +"I've adventured. My uncle has become--a great financier. He used to +be a little chemist about twenty miles from Bladesover. We're promoters +now, amalgamators, big people on the new model." + +"I understand." She regarded me with interested eyes, visibly thinking +me out. + +"And you recognised me?" I asked. + +"After a second or so. I saw you recognised me. I couldn't place you, +but I knew I knew you. Then Archie being there helped me to remember." + +"I'm glad to meet again," I ventured. "I'd never forgotten you." + +"One doesn't forget those childish things." + +We regarded one another for a moment with a curiously easy and confident +satisfaction in coming together again. I can't explain our ready zest in +one another. The thing was so. We pleased each other, we had no doubt in +our minds that we pleased each other. From the first we were at our ease +with one another. "So picturesque, so very picturesque," came a voice +from above, and then: "Bee-atrice!" + +"I've a hundred things I want to know about you," she said with an easy +intimacy, as we went up the winding steps.... + +As the four of us sat at tea together under the cedar on the terrace she +asked questions about my aeronautics. My aunt helped with a word or so +about my broken ribs. Lady Osprey evidently regarded flying as a most +indesirable and improper topic--a blasphemous intrusion upon the angels. +"It isn't flying," I explained. "We don't fly yet." + +"You never will," she said compactly. "You never will." + +"Well," I said, "we do what we can." + +The little lady lifted a small gloved hand and indicated a height of +about four feet from the ground. "Thus far," she said, "thus far--AND NO +FARTHER! No!" + +She became emphatically pink. "NO," she said again quite conclusively, +and coughed shortly. "Thank you," she said to her ninth or tenth cake. +Beatrice burst into cheerful laughter with her eye on me. I was lying +on the turf, and this perhaps caused a slight confusion about the +primordial curse in Lady Osprey's mind. + +"Upon his belly shall he go," she said with quiet distinctness, "all the +days of his life." + +After which we talked no more of aeronautics. + +Beatrice sat bunched together in a chair and regarded me with exactly +the same scrutiny, I thought, the same adventurous aggression, that +I had faced long ago at the tea-table in my mother's room. She was +amazingly like that little Princess of my Bladesover memories, the +wilful misbehaviours of her hair seemed the same--her voice; things one +would have expected to be changed altogether. She formed her plans in +the same quick way, and acted with the same irresponsible decision. + +She stood up abruptly. + +"What is there beyond the terrace?" she said, and found me promptly +beside her. + +I invented a view for her. + +At the further corner from the cedar she perched herself up upon the +parapet and achieved an air of comfort among the lichenous stones. "Now +tell me," she said, "all about yourself. Tell me about yourself; I know +such duffers of men! They all do the same things. How did you get--here? +All my men WERE here. They couldn't have got here if they hadn't been +here always. They wouldn't have thought it right. You've climbed." + +"If it's climbing," I said. + +She went off at a tangent. "It's--I don't know if you'll +understand--interesting to meet you again. I've remembered you. I don't +know why, but I have. I've used you as a sort of lay figure--when I've +told myself stories. But you've always been rather stiff and difficult +in my stories--in ready-made clothes--a Labour Member or a Bradlaugh, or +something like that. You're not like that a bit. And yet you ARE!" + +She looked at me. "Was it much of a fight? They make out it is." + +"I don't know why." + +"I was shot up here by an accident," I said. "There was no fight at all. +Except to keep honest, perhaps and I made no great figure in that. I +and my uncle mixed a medicine and it blew us up. No merit in that! But +you've been here all the time. Tell me what you have done first." + +"One thing we didn't do." She meditated for a moment. + +"What?" said I. + +"Produce a little half-brother for Bladesover. So it went to the +Phillbrick gang. And they let it! And I and my step-mother--we let, too. +And live in a little house." + +She nodded her head vaguely over her shoulder and turned to me again. +"Well, suppose it was an accident. Here you are! Now you're here, what +are you going to do? You're young. Is it to be Parliament? heard some +men the other day talking about you. Before I knew you were you. They +said that was what you ought to do."... + +She put me through my intentions with a close and vital curiosity. It +was just as she had tried to imagine me a soldier and place me years +ago. She made me feel more planless and incidental than ever. "You want +to make a flying-machine," she pursued, "and when you fly? What then? +Would it be for fighting?" + +I told her something of my experimental work. She had never heard of +the soaring aeroplane, and was excited by the thought, and keen to hear +about it. She had thought all the work so far had been a mere projecting +of impossible machines. For her Pilcher and Lilienthal had died in vain. +She did not know such men had lived in the world. + +"But that's dangerous!" she said, with a note of discovery. + +"Oh!--it's dangerous." + +"Bee-atrice!" Lady Osprey called. + +Beatrice dropped from the wall to her feet. + +"Where do you do this soaring?" + +"Beyond the high Barrows. East of Crest Hill and the wood." + +"Do you mind people coming to see?" + +"Whenever you please. Only let me know" + +"I'll take my chance some day. Some day soon." She looked at me +thoughtfully, smiled, and our talk was at an end. + +IV + +All my later work in aeronautics is associated in my memory with the +quality of Beatrice, with her incidental presence, with things she said +and did and things I thought of that had reference to her. + +In the spring of that year I had got to a flying machine that lacked +nothing but longitudinal stability. My model flew like a bird for fifty +or a hundred yards or so, and then either dived and broke its nose or, +what was commoner, reared up, slid back and smashed its propeller. The +rhythm of the pitching puzzled me. I felt it must obey some laws not +yet quite clearly stated. I became therefore a student of theory and +literature for a time; I hit upon the string of considerations that led +me to what is called Ponderevo's Principle and my F.R.S., and I worked +this out in three long papers. Meanwhile I made a lot of turn-table +and glider models and started in upon an idea of combining gas-bags and +gliders. Balloon work was new to me. I had made one or two ascents in +the balloons of the Aero Club before I started my gasometer and +the balloon shed and gave Cothope a couple of months with Sir Peter +Rumchase. My uncle found part of the money for these developments; he +was growing interested and competitive in this business because of +Lord Boom's prize and the amount of reclame involved, and it was at his +request that I named my first navigable balloon Lord Roberts Alpha. + +Lord Roberts A very nearly terminated all my investigations. My idea +both in this and its more successful and famous younger brother, Lord +Roberts B, was to utilise the idea of a contractile balloon with a rigid +flat base, a balloon shaped rather like an inverted boat that should +almost support the apparatus, but not quite. The gas-bag was of the +chambered sort used for these long forms, and not with an internal +balloonette. The trouble was to make the thing contractile. This I +sought to do by fixing a long, fine-meshed silk net over it that +was fastened to be rolled up on two longitudinal rods. Practically I +contracted my sausage gas-bag by netting it down. The ends were too +complex for me to describe here, but I thought them out elaborately and +they were very carefully planned. Lord Roberts A was furnished with a +single big screw forward, and there was a rudder aft. The engine was the +first one to be, so to speak, right in the plane of the gas-bag. I lay +immediately under the balloon on a sort of glider framework, far away +from either engine or rudder, controlling them by wire-pulls constructed +on the principle of the well-known Bowden brake of the cyclist. + +But Lord Roberts A has been pretty exhaustively figured and described in +various aeronautical publications. The unforeseen defect was the badness +of the work in the silk netting. It tore aft as soon as I began to +contract the balloon, and the last two segments immediately bulged +through the hole, exactly as an inner tube will bulge through the +ruptured outer cover of a pneumatic tire, and then the sharp edge of the +torn net cut the oiled-silk of the distended last segment along a weak +seam and burst it with a loud report. + +Up to that point the whole thing had been going on extremely well. As a +navigable balloon and before I contracted it, the Lord Roberts A was an +unqualified success. It had run out of the shed admirably at nine or +ten miles an hour or more, and although there was a gentle southwester +blowing, it had gone up and turned and faced it as well as any craft of +the sort I have ever seen. + +I lay in my customary glider position, horizontal and face downward, and +the invisibility of all the machinery gave an extraordinary effect of +independent levitation. Only by looking up, as it were, and turning my +head back could I see the flat aeroplane bottom of the balloon and +the rapid successive passages, swish, swish, swish of the vans of the +propeller. I made a wide circle over Lady Grove and Duffield and +out towards Effingham and came back quite successfully to the +starting-point. + +Down below in the October sunlight were my sheds and the little group +that had been summoned to witness the start, their faces craned upward +and most of them scrutinising my expression through field-glasses. I +could see Carnaby and Beatrice on horseback, and two girls I did not +know with them; Cothope and three or four workmen I employed; my aunt +and Mrs. Levinstein, who was staying with her, on foot, and Dimmock, the +veterinary surgeon, and one or two others. My shadow moved a little to +the north of them like the shadow of a fish. At Lady Grove the servants +were out on the lawn, and the Duffield school playground swarmed with +children too indifferent to aeronautics to cease their playing. But in +the Crest Hill direction--the place looked extraordinarily squat +and ugly from above--there were knots and strings of staring workmen +everywhere--not one of them working, but all agape. (But now I write it, +it occurs to me that perhaps it was their dinner hour; it was certainly +near twelve.) I hung for a moment or so enjoying the soar, then turned +about to face a clear stretch of open down, let the engine out to full +speed and set my rollers at work rolling in the net, and so tightening +the gas-bags. Instantly the pace quickened with the diminished +resistance... + +In that moment before the bang I think I must have been really flying. +Before the net ripped, just in the instant when my balloon was at its +systole, the whole apparatus was, I am convinced, heavier than air. +That, however, is a claim that has been disputed, and in any case this +sort of priority is a very trivial thing. + +Then came a sudden retardation, instantly followed by an inexpressibly +disconcerting tilt downward of the machine. That I still recall with +horror. I couldn't see what was happening at all and I couldn't imagine. +It was a mysterious, inexplicable dive. The thing, it seemed, without +rhyme or reason, was kicking up its heels in the air. The bang followed +immediately, and I perceived I was falling rapidly. + +I was too much taken by surprise to think of the proper cause of the +report. I don't even know what I made of it. I was obsessed, I suppose, +by that perpetual dread of the modern aeronaut, a flash between engine +and balloon. Yet obviously I wasn't wrapped in flames. I ought to have +realised instantly it wasn't that. I did, at any rate, whatever other +impressions there were, release the winding of the outer net and let the +balloon expand again, and that no doubt did something to break my fall. +I don't remember doing that. Indeed, all I do remember is the giddy +effect upon the landscape of falling swiftly upon it down a flat spiral, +the hurried rush of fields and trees and cottages on my left shoulder +and the overhung feeling as if the whole apparatus was pressing down +the top of my head. I didn't stop or attempt to stop the screw. That was +going on, swish, swish, swish all the time. + +Cothope really knows more about the fall than I do. He describes the +easterly start, the tilt, and the appearance and bursting of a sort +of bladder aft. Then down I swooped, very swiftly, but not nearly so +steeply as I imagined I was doing. "Fifteen or twenty degrees," said +Cothope, "to be exact." From him it was that I learnt that I let the +nets loose again, and so arrested my fall. He thinks I was more in +control of myself than I remember. + +But I do not see why I should have forgotten so excellent a resolution. +His impression is that I was really steering and trying to drop into +the Farthing Down beeches. "You hit the trees," he said, "and the whole +affair stood on its nose among them, and then very slowly crumpled up. +I saw you'd been jerked out, as I thought, and I didn't stay for more. I +rushed for my bicycle." + +As a matter of fact, it was purely accidental that I came down in the +woods. I am reasonably certain that I had no more control then than a +thing in a parcel. I remember I felt a sort of wincing, "Now it comes!" +as the trees rushed up to me. If I remember that, I should remember +steering. Then the propeller smashed, everything stopped with a jerk, +and I was falling into a mass of yellowing leaves, and Lord Roberts A, +so it seemed to me, was going back into the sky. + +I felt twigs and things hit me in the face, but I didn't feel injured +at the time; I clutched at things that broke, tumbled through a froth +of green and yellow into a shadowy world of great bark-covered arms, and +there, snatching wildly, got a grip on a fair round branch, and hung. + +I became intensely alert and clear-headed. I held by that branch for a +moment and then looked about me, and caught at another, and then found +myself holding to a practicable fork. I swung forward to that and got a +leg around it below its junction, and so was able presently to clamber +down, climbing very coolly and deliberately. I dropped ten feet or so +from the lowest branch and fell on my feet. "That's all right," I said, +and stared up through the tree to see what I could of the deflated and +crumpled remains that had once been Lord Roberts A festooned on the +branches it had broken. "Gods!" I said, "what a tumble!" + +I wiped something that trickled from my face and was shocked to see my +hand covered with blood. I looked at myself and saw what seemed to me +an astonishing quantity of blood running down my arm and shoulder. +I perceived my mouth was full of blood. It's a queer moment when one +realises one is hurt, and perhaps badly hurt, and has still to discover +just how far one is hurt. I explored my face carefully and found +unfamiliar contours on the left side. The broken end of a branch had +driven right through my cheek, damaging my cheek and teeth and gums, +and left a splinter of itself stuck, like an explorer's fartherest-point +flag, in the upper maxillary. That and a sprained wrist were all my +damage. But I bled as though I had been chopped to pieces, and it +seemed to me that my face had been driven in. I can't describe just the +horrible disgust I felt at that. + +"This blood must be stopped, anyhow," I said, thickheadedly. + +"I wonder where there's a spider's web"--an odd twist for my mind to +take. But it was the only treatment that occurred to me. + +I must have conceived some idea of going home unaided, because I was +thirty yards from the tree before I dropped. + +Then a kind of black disc appeared in the middle of the world and rushed +out to the edge of things and blotted them out. I don't remember falling +down. I fainted from excitement, disgust at my injury and loss of blood, +and lay there until Cothope found me. + +He was the first to find me, scorching as he did over the downland +turf, and making a wide course to get the Carnaby plantations at their +narrowest. Then presently, while he was trying to apply the methodical +teachings of the St. John's Ambulance classes to a rather abnormal case, +Beatrice came galloping through the trees full-tilt, with Lord Carnaby +hard behind her, and she was hatless, muddy from a fall, and white as +death. "And cool as a cucumber, too," said Cothope, turning it over in +his mind as he told me. + +("They never seem quite to have their heads, and never seem quite to +lose 'em," said Cothope, generalising about the sex.) + +Also he witnessed she acted with remarkable decision. The question +was whether I should be taken to the house her step-mother occupied at +Bedley Corner, the Carnaby dower house, or down to Carnaby's place at +Easting. Beatrice had no doubt in the matter, for she meant to nurse me. +Carnaby didn't seem to want that to happen. "She WOULD have it wasn't +half so far," said Cothope. "She faced us out.... + +"I hate to be faced out of my opinion, so I've taken a pedometer over it +since. It's exactly forty-three yards further. + +"Lord Carnaby looked at her pretty straight," said Cothope, finishing +the picture; "and then he give in." + +V + +But my story has made a jump from June to October, and during that time +my relations with Beatrice and the countryside that was her setting had +developed in many directions. She came and went, moving in an orbit +for which I had no data, going to London and Paris, into Wales and +Northampton, while her stepmother, on some independent system of her +own, also vanished and recurred intermittently. At home they obeyed the +rule of an inflexible old maid, Charlotte, and Beatrice exercised +all the rights of proprietorship in Carnaby's extensive stables. Her +interest in me was from the first undisguised. She found her way to my +worksheds and developed rapidly, in spite of the sincere discouragement +of Cothope, into a keen amateur of aeronautics. She would come sometimes +in the morning, sometimes in the afternoon, sometimes afoot with an +Irish terrier, sometimes riding. She would come for three or four days +every day, vanish for a fortnight or three weeks, return. + +It was not long before I came to look for her. From the first I +found her immensely interesting. To me she was a new feminine type +altogether--I have made it plain, I think, how limited was my knowledge +of women. But she made me not simply interested in her, but in myself. +She became for me something that greatly changes a man's world. How +shall I put it? She became an audience. Since I've emerged from the +emotional developments of the affair I have thought it out in a hundred +aspects, and it does seem to me that this way in which men and women +make audiences for one another is a curiously influential force in their +lives. For some it seems an audience is a vital necessity, they seek +audiences as creatures seek food; others again, my uncle among them, +can play to an imaginary audience. I, I think, have lived and can live +without one. In my adolescence I was my own audience and my own court +of honour. And to have an audience in one's mind is to play a part, +to become self-conscious and dramatic. For many years I had been +self-forgetful and scientific. I had lived for work and impersonal +interests until I found scrutiny, applause and expectation in Beatrice's +eyes. Then I began to live for the effect I imagined I made upon her, to +make that very soon the principal value in my life. I played to her. +I did things for the look of them. I began to dream more and more of +beautiful situations and fine poses and groupings with her and for her. + +I put these things down because they puzzle me. I think I was in love +with Beatrice, as being in love is usually understood; but it was quite +a different state altogether from my passionate hunger for Marion, or +my keen, sensuous desire for and pleasure in Effie. These were selfish, +sincere things, fundamental and instinctive, as sincere as the leap of +a tiger. But until matters drew to a crisis with Beatrice, there was +an immense imaginative insurgence of a quite different quality. I am +setting down here very gravely, and perhaps absurdly, what are no doubt +elementary commonplaces for innumerable people. This love that grew up +between Beatrice and myself was, I think--I put it quite tentatively and +rather curiously--romantic love. That unfortunate and truncated affair +of my uncle and the Scrymgeour lady was really of the same stuff, if +a little different in quality. I have to admit that. The factor of +audience was of primary importance in either else. + +Its effect upon me was to make me in many respects adolescent again. +It made me keener upon the point of honour, and anxious and eager to +do high and splendid things, and in particular, brave things. So far it +ennobled and upheld me. But it did also push me towards vulgar and showy +things. At bottom it was disingenuous; it gave my life the quality of +stage scenery, with one side to the audience, another side that wasn't +meant to show, and an economy of substance. It certainly robbed my work +of high patience and quality. I cut down the toil of research in my +eagerness and her eagerness for fine flourishes in the air, flights that +would tell. I shirked the longer road. + +And it robbed me, too, of any fine perception of absurdity. + +Yet that was not everything in our relationship. The elemental thing was +there also. It came in very suddenly. + +It was one day in the summer, though I do not now recall without +reference to my experimental memoranda whether it was in July or +August. I was working with a new and more bird-like aeroplane with wing +curvatures studied from Lilienthal, Pilcher and Phillips, that I +thought would give a different rhythm for the pitching oscillations than +anything I'd had before. I was soaring my long course from the framework +on the old barrow by my sheds down to Tinker's Corner. It is a clear +stretch of downland, except for two or three thickets of box and thorn +to the right of my course; one transverse trough, in which there is bush +and a small rabbit warren, comes in from the east. I had started, +and was very intent on the peculiar long swoop with which any new +arrangement flew. Then, without any sort of notice, right ahead of me +appeared Beatrice, riding towards Tinker's Corner to waylay and talk to +me. She looked round over her shoulder, saw me coming, touched her +horse to a gallop, and then the brute bolted right into the path of my +machine. + +There was a queer moment of doubt whether we shouldn't all smash +together. I had to make up my mind very quickly whether I would pitch-up +and drop backward at once and take my chance of falling undamaged--a +poor chance it would have been--in order to avoid any risk to her, or +whether I would lift against the wind and soar right over her. This +latter I did. She had already got her horse in hand when I came up to +her. Her woman's body lay along his neck, and she glanced up as I, with +wings aspread, and every nerve in a state of tension, swept over her. + +Then I had landed, and was going back to where her horse stood still and +trembling. + +We exchanged no greetings. She slid from her saddle into my arms, and +for one instant I held her. + +"Those great wings," she said, and that was all. + +She lay in my arms, and I thought for a moment she had fainted. + +"Very near a nasty accident," said Cothope, coming up and regarding +our grouping with disfavour. He took her horse by the bridle. "Very +dangerous thing coming across us like that." + +Beatrice disengaged herself from me, stood for a moment trembling, and +then sat down on the turf "I'll just sit down for a moment," she said. + +"Oh!" she said. + +She covered her face with her hands, while Cothope looked at her with an +expression between suspicion and impatience. + +For some moments nobody moved. Then Cothope remarked that perhaps he'd +better get her water. + +As for me, I was filled with a new outrageous idea, begotten I scarcely +know how from this incident, with its instant contacts and swift +emotions, and that was that I must make love to and possess Beatrice. I +see no particular reason why that thought should have come to me in that +moment, but it did. I do not believe that before then I had thought +of our relations in such terms at all. Suddenly, as I remember it, the +factor of passion came. She crouched there, and I stood over her, and +neither of us said a word. But it was just as though something had been +shouted from the sky. + +Cothope had gone twenty paces perhaps when she uncovered her face. "I +shan't want any water," she said. "Call him back." + +VI + +After that the spirit of our relations changed. The old ease had gone. +She came to me less frequently, and when she came she would have some +one with her, usually old Carnaby, and he would do the bulk of the +talking. All through September she was away. When we were alone together +there was a curious constraint. We became clouds of inexpressible +feeling towards one another; we could think of nothing that was not too +momentous for words. + +Then came the smash of Lord Roberts A, and I found myself with a +bandaged face in a bedroom in the Bedley Corner dower-house with +Beatrice presiding over an inefficient nurse, Lady Osprey very pink and +shocked in the background, and my aunt jealously intervening. + +My injuries were much more showy than serious, and I could have been +taken to Lady Grove next day, but Beatrice would not permit that, and +kept me at Bedley Corner three clear days. In the afternoon of the +second day she became extremely solicitous for the proper aeration of +the nurse, packed her off for an hour in a brisk rain, and sat by me +alone. + +I asked her to marry me. + +All the whole I must admit it was not a situation that lent itself to +eloquence. I lay on my back and talked through bandages, and with +some little difficulty, for my tongue and mouth had swollen. But I was +feverish and in pain, and the emotional suspense I had been in so long +with regard to her became now an unendurable impatience. + +"Comfortable?" she asked. + +"Yes." + +"Shall I read to you?" + +"No. I want to talk." + +"You can't. I'd better talk to you." + +"No," I said, "I want to talk to you." + +She came and stood by my bedside and looked me in the eyes. "I don't--I +don't want you to talk to me," she said. "I thought you couldn't talk." + +"I get few chances--of you." + +"You'd better not talk. Don't talk now. Let me chatter instead. You +ought not to talk." + +"It isn't much," I said. + +"I'd rather you didn't." + +"I'm not going to be disfigured," I said. "Only a scar." + +"Oh!" she said, as if she had expected something quite different. "Did +you think you'd become a sort of gargoyle?" + +"L'Homme qui Rit!--I didn't know. But that's all right. Jolly flowers +those are!" + +"Michaelmas daisies," she said. "I'm glad you'r not disfigured, and +those are perennial sunflowers. Do you know no flowers at all? When I +saw you on the ground I certainly thought you were dead. You ought to +have been, by all the rules of the game." + +She said some other things, but I was thinking of my next move. + +"Are we social equals?" I said abruptly. + +She stared at me. "Queer question," she said. + +"But are we?" + +"H'm. Difficult to say. But why do you ask? Is the daughter of a +courtesy Baron who died--of general disreputableness, I believe--before +his father--? I give it up. Does it matter?" + +"No. My mind is confused. I want to know if you will marry me." + +She whitened and said nothing. I suddenly felt I must plead with her. +"Damn these bandages!" I said, breaking into ineffectual febrile rage. + +She roused herself to her duties as nurse. "What are you doing? Why are +you trying to sit up? Sit down! Don't touch your bandages. I told you +not to talk." + +She stood helpless for a moment, then took me firmly by the shoulders +and pushed me back upon the pillow. She gripped the wrist of the hand I +had raised to my face. + +"I told you not to talk," she whispered close to my face. "I asked you +not to talk. Why couldn't you do as I asked you?" + +"You've been avoiding me for a month," I said. + +"I know. You might have known. Put your hand back--down by your side." + +I obeyed. She sat on the edge of the bed. A flush had come to her +cheeks, and her eyes were very bright. "I asked you," she repeated, "not +to talk." + +My eyes questioned her mutely. + +She put her hand on my chest. Her eyes were tormented. + +"How can I answer you now?" she said. + +"How can I say anything now?" + +"What do you mean?" I asked. + +She made no answer. + +"Do you mean it must be 'No'?" + +She nodded. + +"But" I said, and my whole soul was full of accusations. + +"I know," she said. "I can't explain. I can't. But it has to be 'No!' It +can't be. It's utterly, finally, for ever impossible.... Keep your hands +still!" + +"But," I said, "when we met again--" + +"I can't marry. I can't and won't." + +She stood up. "Why did you talk?" she cried, "couldn't you SEE?" + +She seemed to have something it was impossible to say. + +She came to the table beside my bed and pulled the Michaelmas daisies +awry. "Why did you talk like that?" she said in a tone of infinite +bitterness. "To begin like that!" + +"But what is it?" I said. "Is it some circumstance--my social position?" + +"Oh, DAMN your social position!" she cried. + +She went and stood at the further window, staring out at the rain. For +a long time we were absolutely still. The wind and rain came in little +gusts upon the pane. She turned to me abruptly. + +"You didn't ask me if I loved you," she said. + +"Oh, if it's THAT!" said I. + +"It's not that," she said. "But if you want to know--" She paused. + +"I do," she said. + +We stared at one another. + +"I do--with all my heart, if you want to know." + +"Then, why the devil--?" I asked. + +She made no answer. She walked across the room to the piano and began +to play, rather noisily and rapidly, with odd gusts of emphasis, +the shepherd's pipe music from the last act in "Tristan and Isolde." +Presently she missed a note, failed again, ran her finger heavily up the +scale, struck the piano passionately with her fist, making a feeble jar +in the treble, jumped up, and went out of the room.... + +The nurse found me still wearing my helmet of bandages, partially +dressed, and pottering round the room to find the rest of my clothes. +I was in a state of exasperated hunger for Beatrice, and I was too +inflamed and weakened to conceal the state of my mind. I was feebly +angry because of the irritation of dressing, and particularly of the +struggle to put on my trousers without being able to see my legs. I was +staggering about, and once I had fallen over a chair and I had upset the +jar of Michaelmas daisies. + +I must have been a detestable spectacle. "I'll go back to bed," said I, +"if I may have a word with Miss Beatrice. I've got something to say to +her. That's why I'm dressing." + +My point was conceded, but there were long delays. Whether the household +had my ultimatum or whether she told Beatrice directly I do not know, +and what Lady Osprey can have made of it in the former case I don't +imagine. + +At last Beatrice came and stood by my bedside. "Well?" she said. + +"All I want to say," I said with the querulous note of a misunderstood +child, "is that I can't take this as final. I want to see you and talk +when I'm better, and write. I can't do anything now. I can't argue." + +I was overtaken with self-pity and began to snivel, "I can't rest. You +see? I can't do anything." + +She sat down beside me again and spoke softly. "I promise I will talk +it all over with you again. When you are well. I promise I will meet you +somewhere so that we can talk. You can't talk now. + +"I asked you not to talk now. All you want to know you shall know... Will +that do?" + +"I'd like to know" + +She looked round to see the door was closed, stood up and went to it. + +Then she crouched beside me and began whispering very softly and rapidly +with her face close to me. + +"Dear," she said, "I love you. If it will make you happy to marry me, I +will marry you. I was in a mood just now--a stupid, inconsiderate mood. +Of course I will marry you. You are my prince, my king. Women are such +things of mood--or I would have behaved differently. We say 'No' when we +mean 'Yes'--and fly into crises. So now, Yes--yes--yes. I will. I can't +even kiss you. Give me your hand to kiss that. Understand, I am yours. +Do you understand? I am yours just as if we had been married fifty +years. Your wife--Beatrice. Is that enough? Now--now will you rest?" + +"Yes," I said, "but why?" + +"There are complications. There are difficulties. When you are better +you will be able to--understand them. But now they don't matter. Only +you know this must be secret--for a time. Absolutely secret between us. +Will you promise that?" + +"Yes," I said, "I understand. I wish I could kiss you." + +She laid her head down beside mine for a moment and then she kissed my +hand. + +"I don't care what difficulties there are," I said, and I shut my eyes. + +VII + +But I was only beginning to gauge the unaccountable elements in +Beatrice. For a week after my return to Lady Grove I had no sign of +her, and then she called with Lady Osprey and brought a huge bunch of +perennial sunflowers and Michaelmas daisies, "just the old flowers there +were in your room," said my aunt, with a relentless eye on me. I didn't +get any talk alone with Beatrice then, and she took occasion to tell us +she was going to London for some indefinite number of weeks. I couldn't +even pledge her to write to me, and when she did it was a brief, +enigmatical, friendly letter with not a word of the reality between us. + +I wrote back a love letter--my first love letter--and she made no reply +for eight days. Then came a scrawl: "I can't write letters. Wait till we +can talk. Are you better?" + +I think the reader would be amused if he could see the papers on my desk +as I write all this, the mangled and disfigured pages, the experimental +arrangements of notes, the sheets of suggestions balanced in +constellations, the blottesque intellectual battlegrounds over which +I have been fighting. I find this account of my relations to Beatrice +quite the most difficult part of my story to write. I happen to be a +very objective-minded person, I forget my moods, and this was so much an +affair of moods. And even such moods and emotions as I recall are very +difficult to convey. To me it is about as difficult as describing a +taste or a scent. + +Then the objective story is made up of little things that are difficult +to set in a proper order. And love in an hysterical passion, now high, +now low, now exalted, and now intensely physical. No one has ever yet +dared to tell a love story completely, its alternations, its comings and +goings, its debased moments, its hate. The love stories we tell, tell +only the net consequence, the ruling effect.... + +How can I rescue from the past now the mystical quality of Beatrice; my +intense longing for her; the overwhelming, irrational, formless desire? +How can I explain how intimately that worship mingled with a high, +impatient resolve to make her mine, to take her by strength and courage, +to do my loving in a violent heroic manner? And then the doubts, the +puzzled arrest at the fact of her fluctuations, at her refusal to marry +me, at the fact that even when at last she returned to Bedley Corner she +seemed to evade me? + +That exasperated me and perplexed me beyond measure. + +I felt that it was treachery. I thought of every conceivable +explanation, and the most exalted and romantic confidence in her did not +simply alternate, but mingled with the basest misgivings. + +And into the tangle of memories comes the figure of Carnaby, coming +out slowly from the background to a position of significance, as an +influence, as a predominant strand in the nets that kept us apart, as a +rival. What were the forces that pulled her away from me when it was +so clearly manifest she loved me? Did she think of marrying him? Had +I invaded some long-planned scheme? It was evident he did not like me, +that in some way I spoilt the world for him. She returned to Bedley +Corner, and for some weeks she was flitting about me, and never once +could I have talk with her alone. When she came to my sheds Carnaby was +always with her, jealously observant. (Why the devil couldn't she send +him about his business?) The days slipped by and my anger gathered. + +All this mingles with the making of Lord Roberts B. I had resolved upon +that one night as I lay awake at Bedley Corner; I got it planned out +before the bandages were off my face. I conceived this second navigable +balloon in a grandiose manner. It was to be a second Lord Roberts A, +only more so; it was to be three times as big, large enough to carry +three men, and it was to be an altogether triumphant vindication of my +claims upon the air. The framework was to be hollow like a bird's bones, +airtight, and the air pumped in or out, and the weight of fuel I carried +changed. I talked much and boasted to Cothope--whom I suspected +of scepticisms about this new type--of what it would do, and it +progressed--slowly. It progressed slowly because I was restless and +uncertain. At times I would go away to London to snatch some chance of +seeing Beatrice there, at times nothing but a day of gliding and hard +and dangerous exercise would satisfy me. And now in the newspapers, in +conversation, in everything about me, arose a new invader of my mental +states. Something was happening to the great schemes of my uncle's +affairs; people were beginning to doubt, to question. It was the first +quiver of his tremendous insecurity, the first wobble of that gigantic +credit top he had kept spinning so long. + +There were comings and goings, November and December slipped by. I +had two unsatisfactory meetings with Beatrice, meetings that had no +privacy--in which we said things of the sort that need atmosphere, +baldly and furtively. I wrote to her several times and she wrote back +notes that I would sometimes respond to altogether, sometimes condemn as +insincere evasions. "You don't understand. I can't just now explain. Be +patient with me. Leave things a little while to me." She wrote. + +I would talk aloud to these notes and wrangle over them in my +workroom--while the plans of Lord Roberts B waited. + +"You don't give me a chance!" I would say. "Why don't you let me +know the secret? That's what I'm for--to settle difficulties! to tell +difficulties to!" + +And at last I could hold out no longer against these accumulating +pressures. + +I took an arrogant, outrageous line that left her no loopholes; I +behaved as though we were living in a melodrama. + +"You must come and talk to me," I wrote, "or I will come and take you. I +want you--and the time runs away." + +We met in a ride in the upper plantations. It must have been early in +January, for there was snow on the ground and on the branches of the +trees. We walked to and fro for an hour or more, and from the first I +pitched the key high in romance and made understandings impossible. It +was our worst time together. I boasted like an actor, and she, I know +not why, was tired and spiritless. + +Now I think over that talk in the light of all that has happened since, +I can imagine how she came to me full of a human appeal I was too +foolish to let her make. I don't know. I confess I have never completely +understood Beatrice. I confess I am still perplexed at many things she +said and did. That afternoon, anyhow, I was impossible. I posed and +scolded. I was--I said it--for "taking the Universe by the throat!" + +"If it was only that," she said, but though I heard, I did not heed her. + +At last she gave way to me and talked no more. Instead she looked +at me--as a thing beyond her controlling, but none the less +interesting--much as she had looked at me from behind the skirts of Lady +Drew in the Warren when we were children together. + +Once even I thought she smiled faintly. + +"What are the difficulties" I cried, "there's no difficulty I will not +overcome for you! Do your people think I'm no equal for you? Who says +it? My dear, tell me to win a title! I'll do it in five years!... + +"Here am I just grown a man at the sight of you. I have wanted something +to fight for. Let me fight for you!... + +"I'm rich without intending it. Let me mean it, give me an honourable +excuse for it, and I'll put all this rotten old Warren of England at +your feet!" + +I said such things as that. I write them down here in all their +resounding base pride. I said these empty and foolish things, and they +are part of me. Why should I still cling to pride and be ashamed? I +shouted her down. + +I passed from such megalomania to petty accusations. + +"You think Carnaby is a better man than I?" I said. + +"No!" she cried, stung to speech. "No!" + +"You think we're unsubstantial. You've listened to all these rumours +Boom has started because we talked of a newspaper of our own. When you +are with me you know I'm a man; when you get away from me you think I'm +a cheat and a cad.... There's not a word of truth in the things they say +about us. I've been slack. I've left things. But we have only to exert +ourselves. You do not know how wide and far we have spread our nets. +Even now we have a coup--an expedition--in hand. It will put us on a +footing."... + +Her eyes asked mutely and asked in vain that I would cease to boast of +the very qualities she admired in me. + +In the night I could not sleep for thinking of that talk and the vulgar +things I had said in it. I could not understand the drift my mind had +taken. I was acutely disgusted. And my unwonted doubts about myself +spread from a merely personal discontent to our financial position. +It was all very well to talk as I had done of wealth and power and +peerages, but what did I know nowadays of my uncle's position? Suppose +in the midst of such boasting and confidence there came some turn I did +not suspect, some rottenness he had concealed from me? I resolved I had +been playing with aeronautics long enough; that next morning I would go +to him and have things clear between us. + +I caught an early train and went up to the Hardingham. + +I went up to the Hardingham through a dense London fog to see how things +really stood. Before I had talked to my uncle for ten minutes I felt +like a man who has just awakened in a bleak, inhospitable room out of a +grandiose dream. + + +CHAPTER THE FOURTH + +HOW I STOLE THE HEAPS OF QUAP FROM MORDET ISLAND + +I + +"We got to make a fight for it," said my uncle. "We got to face the +music!" + +I remember that even at the sight of him I had a sense of impending +calamity. He sat under the electric light with the shadow of his hair +making bars down his face. He looked shrunken, and as though his skin +had suddenly got loose and yellow. The decorations of the room seemed +to have lost freshness, and outside the blinds were up--there was not so +much fog as a dun darkness. One saw the dingy outlines of the chimneys +opposite quite distinctly, and then a sky of such brown as only London +can display. + +"I saw a placard," I said: "'More Ponderevity.'" + +"That's Boom," he said. "Boom and his damned newspapers. He's trying to +fight me down. Ever since I offered to buy the Daily Decorator he's +been at me. And he thinks consolidating Do Ut cut down the ads. He wants +everything, damn him! He's got no sense of dealing. I'd like to bash his +face!" + +"Well," I said, "what's to be done?" + +"Keep going," said my uncle. + +"I'll smash Boom yet," he said, with sudden savagery. + +"Nothing else?" I asked. + +"We got to keep going. There's a scare on. Did you notice the rooms? +Half the people out there this morning are reporters. And if I talk they +touch it up!... They didn't used to touch things up! Now they put in +character touches--insulting you. Don't know what journalism's coming +to. It's all Boom's doing." + +He cursed Lord Boom with considerable imaginative vigour. + +"Well," said I, "what can he do?" + +"Shove us up against time, George; make money tight for us. We been +handling a lot of money--and he tightens us up." + +"We're sound?" + +"Oh, we're sound, George. Trust me for that! But all the same--There's +such a lot of imagination in these things.... We're sound enough. That's +not it." + +He blew. "Damn Boom!" he said, and his eyes over his glasses met mine +defiantly. + +"We can't, I suppose, run close hauled for a bitstop expenditure?" + +"Where?" + +"Well,--Crest Hill" + +"What!" he shouted. "Me stop Crest Hill for Boom!" He waved a fist as if +to hit his inkpot, and controlled himself with difficulty. He spoke at +last in a reasonable voice. "If I did," he said, "he'd kick up a fuss. +It's no good, even if I wanted to. Everybody's watching the place. If I +was to stop building we'd be down in a week." + +He had an idea. "I wish I could do something to start a strike or +something. No such luck. Treat those workmen a sight too well. No, sink +or swim, Crest Hill goes on until we're under water." + +I began to ask questions and irritated him instantly. + +"Oh, dash these explanations, George!" he cried; "You only make things +look rottener than they are. It's your way. It isn't a case of figures. +We're all right--there's only one thing we got to do." + +"Yes?" + +"Show value, George. That's where this quap comes in; that's why I fell +in so readily with what you brought to me week before last. Here we are, +we got our option on the perfect filament, and all we want's canadium. +Nobody knows there's more canadium in the world than will go on the +edge of a sixpence except me and you. Nobody has an idee the perfect +filament's more than just a bit of theorising. Fifty tons of quap and +we'd turn that bit of theorising into something. We'd make the lamp +trade sit on its tail and howl. We'd put Ediswan and all of 'em into a +parcel without last year's trousers and a hat, and swap 'em off for a +pot of geraniums. See? We'd do it through Business Organisations, and +there you are! See? Capern's Patent Filament! + +"The Ideal and the Real! George, we'll do it! We'll bring it off! And +then we'll give such a facer to Boom, he'll think for fifty years. He's +laying up for our London and African meeting. Let him. He can turn the +whole paper on to us. He says the Business Organisations shares aren't +worth fifty-two and we quote 'em at eighty-four. Well, here we are +gettin' ready for him--loading our gun." + +His pose was triumphant. + +"Yes," I said, "that's all right. But I can't help thinking where should +we be if we hadn't just by accident got Capern's Perfect Filament. +Because, you know it was an accident--my buying up that." + +He crumpled up his nose into an expression of impatient distaste at my +unreasonableness. + +"And after all, the meeting's in June, and you haven't begun to get the +quap! After all, we've still got to load our gun." + +"They start on Toosday." + +"Have they got the brig?" + +"They've got a brig." + +"Gordon-Nasmyth!" I doubted. + +"Safe as a bank," he said. "More I see of that man the more I like him. +All I wish is we'd got a steamer instead of a sailing ship." + +"And," I went on, "you seem to overlook what used to weigh with us a +bit. This canadium side of the business and the Capern chance has +rushed you off your legs. After all--it's stealing, and in its way an +international outrage. They've got two gunboats on the coast." + +I jumped up and went and stared out at the fog. + +"And, by Jove, it's about our only chance! I didn't dream." + +I turned on him. "I've been up in the air," I said. + +"Heaven knows where I haven't been. And here's our only chance--and you +give it to that adventurous lunatic to play in his own way--in a brig!" + +"Well, you had a voice--" + +"I wish I'd been in this before. We ought to have run out a steamer to +Lagos or one of those West Coast places and done it from there. Fancy a +brig in the channel at this time of year, if it blows southwest!" + +"I dessay you'd have shoved it, George. Still you know, George.... I +believe in him." + +"Yes," I said. "Yes, I believe in him, too. In a way. Still--" + +We took up a telegram that was lying on his desk and opened it. His +face became a livid yellow. He put the flimsy paper down with a slow, +reluctant movement and took off his glasses. + +"George," he said, "the luck's against us." + +"What?" + +He grimaced with his mouth--in the queerest way at the telegram. + +"That." + +I took it up and read: + +"Motor smash compound fracture of the leg gordon nasmyth what price +mordet now" + +For a moment neither of us spoke. + +"That's all right," I said at last. + +"Eh?" said my uncle. + +"I'M going. I'll get that quap or bust." + +II + +I had a ridiculous persuasion that I was "saving the situation." + +"I'm going," I said quite consciously and dramatically. I saw the whole +affair--how shall I put it?--in American colours. + +I sat down beside him. "Give me all the data you've got," I said, "and +I'll pull this thing off." + +"But nobody knows exactly where--" + +"Nasmyth does, and he'll tell me." + +"He's been very close," said my uncle, and regarded me. + +"He'll tell me all right, now he's smashed." + +He thought. "I believe he will." + +"George," he said, "if you pull this thing off--Once or twice before +you've stepped in--with that sort of Woosh of yours--" + +He left the sentence unfinished. + +"Give me that note-book," I said, "and tell me all you know. Where's the +ship? Where's Pollack? And where's that telegram from? If that quap's +to be got, I'll get it or bust. If you'll hold on here until I get back +with it."... + +And so it was I jumped into the wildest adventure of my life. + +I requisitioned my uncle's best car forthwith. I went down that night +to the place of despatch named on Nasmyth's telegram, Bampton S.O. Oxon, +routed him out with a little trouble from that centre, made things right +with him and got his explicit directions; and I was inspecting the Maud +Mary with young Pollack, his cousin and aide, the following afternoon. +She was rather a shock to me and not at all in my style, a beast of a +brig inured to the potato trade, and she reeked from end to end with the +faint, subtle smell of raw potatoes so that it prevailed even over the +temporary smell of new paint. She was a beast of a brig, all hold and +dirty framework, and they had ballasted her with old iron and old +rails and iron sleepers, and got a miscellaneous lot of spades and iron +wheelbarrows against the loading of the quap. I thought her over with +Pollack, one of those tall blond young men who smoke pipes and don't +help much, and then by myself, and as a result I did my best to sweep +Gravesend clean of wheeling planks, and got in as much cord and small +rope as I could for lashing. I had an idea we might need to run up a +jetty. In addition to much ballast she held, remotely hidden in a sort +of inadvertent way a certain number of ambiguous cases which I didn't +examine, but which I gathered were a provision against the need of a +trade. + +The captain was a most extraordinary creature, under the impression we +were after copper ore; he was a Roumanian Jew, with twitching, excitable +features, who had made his way to a certificate after some preliminary +naval experiences in the Black Sea. The mate was an Essex man of +impenetrable reserve. The crew were astoundingly ill-clad and destitute +and dirty; most of them youths, unwashed, out of colliers. One, the cook +was a mulatto; and one, the best-built fellow of them all, was a Breton. +There was some subterfuge about our position on board--I forget the +particulars now--I was called the supercargo and Pollack was the +steward. This added to the piratical flavour that insufficient funds and +Gordon-Nasmyth's original genius had already given the enterprise. + +Those two days of bustle at Gravesend, under dingy skies, in narrow, +dirty streets, were a new experience for me. It is like nothing else in +my life. I realised that I was a modern and a civilised man. I found +the food filthy and the coffee horrible; the whole town stank in my +nostrils, the landlord of the Good Intent on the quay had a stand-up +quarrel with us before I could get even a hot bath, and the bedroom +I slept in was infested by a quantity of exotic but voracious flat +parasites called locally "bugs," in the walls, in the woodwork, +everywhere. I fought them with insect powder, and found them comatose +in the morning. I was dipping down into the dingy underworld of the +contemporary state, and I liked it no better than I did my first dip +into it when I stayed with my Uncle Nicodemus Frapp at the bakery at +Chatham--where, by-the-by, we had to deal with cockroaches of a smaller, +darker variety, and also with bugs of sorts. + +Let me confess that through all this time before we started I was +immensely self-conscious, and that Beatrice played the part of audience +in my imagination throughout. I was, as I say, "saving the situation," +and I was acutely aware of that. The evening before we sailed, instead +of revising our medicine-chest as I had intended, I took the car and +ran across country to Lady Grove to tell my aunt of the journey I was +making, dress, and astonish Lady Osprey by an after dinner call. + +The two ladies were at home and alone beside a big fire that seemed +wonderfully cheerful after the winter night. I remember the effect of +the little parlour in which they sat as very bright and domestic. Lady +Osprey, in a costume of mauve and lace, sat on a chintz sofa and played +an elaborately spread-out patience by the light of a tall shaded lamp; +Beatrice, in a whiteness that showed her throat, smoked a cigarette +in an armchair and read with a lamp at her elbow. The room was +white-panelled and chintz-curtained. About those two bright centres of +light were warm dark shadow, in which a circular mirror shone like a +pool of brown water. I carried off my raid by behaving like a slave of +etiquette. There were moments when I think I really made Lady Osprey +believe that my call was an unavoidable necessity, that it would have +been negligent of me not to call just how and when I did. But at the +best those were transitory moments. + +They received me with disciplined amazement. Lady Osprey was interested +in my face and scrutinised the scar. Beatrice stood behind +her solicitude. Our eyes met, and in hers I could see startled +interrogations. + +"I'm going," I said, "to the west coast of Africa." + +They asked questions, but it suited my mood to be vague. + +"We've interests there. It is urgent I should go. I don't know when I +may return." + +After that I perceived Beatrice surveyed me steadily. + +The conversation was rather difficult. I embarked upon lengthy thanks +for their kindness to me after my accident. I tried to understand Lady +Osprey's game of patience, but it didn't appear that Lady Osprey was +anxious for me to understand her patience. I came to the verge of taking +my leave. + +"You needn't go yet," said Beatrice, abruptly. + +She walked across to the piano, took a pile of music from the cabinet +near, surveyed Lady Osprey's back, and with a gesture to me dropped it +all deliberately on to the floor. + +"Must talk," she said, kneeling close to me as I helped her to pick it +up. "Turn my pages. At the piano." + +"I can't read music." + +"Turn my pages." + +Presently we were at the piano, and Beatrice was playing with noisy +inaccuracy. She glanced over her shoulder and Lady Osprey had resumed +her patience. The old lady was very pink, and appeared to be absorbed in +some attempt to cheat herself without our observing it. + +"Isn't West Africa a vile climate?" "Are you going to live there?" "Why +are you going?" + +Beatrice asked these questions in a low voice and gave me no chance to +answer. Then taking a rhythm from the music before her, she said-- + +"At the back of the house is a garden--a door in the wall--on the lane. +Understand?" + +I turned over the pages without any effect on her playing. + +"When?" I asked. + +She dealt in chords. "I wish I COULD play this!" she said. "Midnight." + +She gave her attention to the music for a time. + +"You may have to wait." + +"I'll wait." + +She brought her playing to an end by--as school boys say--"stashing it +up." + +"I can't play to-night," she said, standing up and meeting my eyes. "I +wanted to give you a parting voluntary." + +"Was that Wagner, Beatrice?" asked Lady Osprey looking up from her +cards. "It sounded very confused." + +I took my leave. I had a curious twinge of conscience as I parted from +Lady Osprey. Either a first intimation of middle-age or my inexperience +in romantic affairs was to blame, but I felt a very distinct objection +to the prospect of invading this good lady's premises from the garden +door. I motored up to the pavilion, found Cothope reading in bed, +told him for the first time of West Africa, spent an hour with him in +settling all the outstanding details of Lord Roberts B, and left that +in his hands to finish against my return. I sent the motor back to Lady +Grove, and still wearing my fur coat--for the January night was damp and +bitterly cold--walked to Bedley Corner. I found the lane to the back of +the Dower House without any difficulty, and was at the door in the wall +with ten minutes to spare. I lit a cigar and fell to walking up and +down. This queer flavour of intrigue, this nocturnal garden-door +business, had taken me by surprise and changed my mental altitudes. +I was startled out of my egotistical pose and thinking intently of +Beatrice, of that elfin quality in her that always pleased me, that +always took me by surprise, that had made her for example so instantly +conceive this meeting. + +She came within a minute of midnight; the door opened softly and she +appeared, a short, grey figure in a motor-coat of sheepskin, bareheaded +to the cold drizzle. She flitted up to me, and her eyes were shadows in +her dusky face. + +"Why are you going to West Africa?" she asked at once. + +"Business crisis. I have to go." + +"You're not going--? You're coming back?" + +"Three or four months," I said, "at most." + +"Then, it's nothing to do with me?" + +"Nothing," I said. "Why should it have?" + +"Oh, that's all right. One never knows what people think or what people +fancy." She took me by the arm, "Let's go for a walk," she said. + +I looked about me at darkness and rain. + +"That's all right," she laughed. "We can go along the lane and into the +Old Woking Road. Do you mind? Of course you don't. My head. It doesn't +matter. One never meets anybody." + +"How do you know?" + +"I've wandered like this before.... Of course. Did you think"--she +nodded her head back at her home--"that's all?" + +"No, by Jove!" I cried; "it's manifest it isn't." + +She took my arm and turned me down the lane. "Night's my time," she +said by my side. "There's a touch of the werewolf in my blood. One never +knows in these old families.... I've wondered often.... Here we are, +anyhow, alone in the world. Just darkness and cold and a sky of clouds +and wet. And we--together. + +"I like the wet on my face and hair, don't you? When do you sail?" + +I told her to-morrow. + +"Oh, well, there's no to-morrow now. You and I!" She stopped and +confronted me. + +"You don't say a word except to answer!" + +"No," I said. + +"Last time you did all the talking." + +"Like a fool. Now--" + +We looked at each other's two dim faces. "You're glad to be here?" + +"I'm glad--I'm beginning to be--it's more than glad." + +She put her hands on my shoulders and drew me down to kiss her. + +"Ah!" she said, and for a moment or so we just clung to one another. + +"That's all," she said, releasing herself. "What bundles of clothes we +are to-night. I felt we should kiss some day again. Always. The last +time was ages ago." + +"Among the fern stalks." + +"Among the bracken. You remember. And your lips were cold. Were mine? +The same lips--after so long--after so much!... And now let's trudge +through this blotted-out world together for a time. Yes, let me take +your arm. Just trudge. See? Hold tight to me because I know the way--and +don't talk--don't talk. Unless you want to talk.... Let me tell you +things! You see, dear, the whole world is blotted out--it's dead and +gone, and we're in this place. This dark wild place.... We're dead. Or +all the world is dead. No! We're dead. No one can see us. We're shadows. +We've got out of our positions, out of our bodies--and together. That's +the good thing of it--together. But that's why the world can't see us +and why we hardly see the world. Sssh! Is it all right?" + +"It's all right," I said. + +We stumbled along for a time in a close silence. We passed a dim-lit, +rain-veiled window. + +"The silly world," she said, "the silly world! It eats and sleeps. +If the wet didn't patter so from the trees we'd hear it snoring. It's +dreaming such stupid things--stupid judgments. It doesn't know we are +passing, we two--free of it--clear of it. You and I!" + +We pressed against each other reassuringly. + +"I'm glad we're dead," she whispered. "I'm glad we're dead. I was tired +of it, dear. I was so tired of it, dear, and so entangled." + +She stopped abruptly. + +We splashed through a string of puddles. I began to remember things I +had meant to say. + +"Look here!" I cried. "I want to help you beyond measure. You are +entangled. What is the trouble? I asked you to marry me. You said you +would. But there's something." + +My thoughts sounded clumsy as I said them. + +"Is it something about my position?... Or is it +something--perhaps--about some other man?" + +There was an immense assenting silence. + +"You've puzzled me so. At first--I mean quite early--I thought you meant +to make me marry you." + +"I did." + +"And then?" + +"To-night," she said after a long pause, "I can't explain. No! I can't +explain. I love you! But--explanations! To-night my dear, here we are in +the world alone--and the world doesn't matter. Nothing matters. Here I +am in the cold with you and my bed away there deserted. I'd tell you--I +will tell you when things enable me to tell you, and soon enough they +will. But to-night--I won't--I won't." + +She left my side and went in front of me. + +She turned upon me. "Look here," she said, "I insist upon your being +dead. Do you understand? I'm not joking. To-night you and I are out +of life. It's our time together. There may be other times, but this we +won't spoil. We're--in Hades if you like. Where there's nothing to +hide and nothing to tell. No bodies even. No bothers. We loved each +other--down there--and were kept apart, but now it doesn't matter. It's +over.... If you won't agree to that--I will go home." + +"I wanted," I began. + +"I know. Oh! my dear, if you'd only understand I understand. If you'd +only not care--and love me to-night." + +"I do love you," I said. + +"Then LOVE me," she answered, "and leave all the things that bother you. +Love me! Here I am!" + +"But!--" + +"No!" she said. + +"Well, have your way." + +So she carried her point, and we wandered into the night together and +Beatrice talked to me of love.... + +I'd never heard a woman before in all my life who could talk of love, +who could lay bare and develop and touch with imagination all that mass +of fine emotion every woman, it may be, hides. She had read of love, +she had thought of love, a thousand sweet lyrics had sounded through her +brain and left fine fragments in her memory; she poured it out, all +of it, shamelessly, skilfully, for me. I cannot give any sense of that +talk, I cannot even tell how much of the delight of it was the magic of +her voice, the glow of her near presence. And always we walked swathed +warmly through a chilly air, along dim, interminable greasy roads--with +never a soul abroad it seemed to us, never a beast in the fields. + +"Why do people love each other?" I said. + +"Why not?" + +"But why do I love you? Why is your voice better than any voice, your +face sweeter than any face?" + +"And why do I love you?" she asked; "not only what is fine in you, +but what isn't? Why do I love your dullness, your arrogance? For I do. +To--night I love the very raindrops on the fur of your coat!"... + +So we talked; and at last very wet, still glowing but a little tired, +we parted at the garden door. We had been wandering for two hours in our +strange irrational community of happiness, and all the world about us, +and particularly Lady Osprey and her household, had been asleep--and +dreaming of anything rather than Beatrice in the night and rain. + +She stood in the doorway, a muffled figure with eyes that glowed. + +"Come back," she whispered. "I shall wait for you." + +She hesitated. + +She touched the lapel of my coat. "I love you NOW," she said, and lifted +her face to mine. + +I held her to me and was atremble from top to toe. "O God!" I cried. +"And I must go!" + +She slipped from my arms and paused, regarding me. For an instant the +world seemed full of fantastic possibilities. + +"Yes, GO!" she said, and vanished and slammed the door upon me, leaving +me alone like a man new fallen from fairyland in the black darkness of +the night. + +III + +That expedition to Mordet Island stands apart from all the rest of my +life, detached, a piece by itself with an atmosphere of its own. It +would, I suppose, make a book by itself--it has made a fairly voluminous +official report--but so far as this novel of mine goes it is merely an +episode, a contributory experience, and I mean to keep it at that. + +Vile weather, an impatient fretting against unbearable slowness +and delay, sea--sickness, general discomfort and humiliating +self--revelation are the master values of these memories. + +I was sick all through the journey out. I don't know why. It was the +only time I was ever sea-sick, and I have seen some pretty bad weather +since I became a boat-builder. But that phantom smell of potatoes was +peculiarly vile to me. Coming back on the brig we were all ill, every +one of us, so soon as we got to sea, poisoned, I firmly believe, by +quap. On the way out most of the others recovered in a few days, but the +stuffiness below, the coarse food, the cramped dirty accommodation kept +me, if not actually sea-sick, in a state of acute physical wretchedness +the whole time. The ship abounded in cockroaches and more intimate +vermin. I was cold all the time until after we passed Cape Verde, then +I became steamily hot; I had been too preoccupied with Beatrice and my +keen desire to get the Maud Mary under way at once, to consider a proper +wardrobe for myself, and in particular I lacked a coat. Heavens! how I +lacked that coat! And, moreover, I was cooped up with two of the worst +bores in Christendom, Pollack and the captain. Pollack, after conducting +his illness in a style better adapted to the capacity of an opera house +than a small compartment, suddenly got insupportably well and breezy, +and produced a manly pipe in which he smoked a tobacco as blond as +himself, and divided his time almost equally between smoking it and +trying to clean it. "There's only three things you can clean a pipe +with," he used to remark with a twist of paper in hand. "The best's a +feather, the second's a straw, and the third's a girl's hairpin. I never +see such a ship. You can't find any of 'em. Last time I came this way +I did find hairpins anyway, and found 'em on the floor of the captain's +cabin. Regular deposit. Eh?... Feelin' better?" + +At which I usually swore. + +"Oh, you'll be all right soon. Don't mind my puffin' a bit? Eh?" + +He never tired of asking me to "have a hand at Nap. Good game. Makes you +forget it, and that's half the battle." + +He would sit swaying with the rolling of the ship and suck at his pipe +of blond tobacco and look with an inexpressibly sage but somnolent blue +eye at the captain by the hour together. "Captain's a Card," he would +say over and over again as the outcome of these meditations. "He'd like +to know what we're up to. He'd like to know--no end." + +That did seem to be the captain's ruling idea. But he also wanted to +impress me with the notion that he was a gentleman of good family and to +air a number of views adverse to the English, to English literature, to +the English constitution, and the like. + +He had learnt the sea in the Roumanian navy, and English out of a book; +he would still at times pronounce the e's at the end of "there" +and "here"; he was a naturalised Englishman, and he drove me into a +reluctant and uncongenial patriotism by his everlasting carping at +things English. Pollack would set himself to "draw him out." Heaven +alone can tell how near I came to murder. + +Fifty-three days I had outward, cooped up with these two and a shy and +profoundly depressed mate who read the Bible on Sundays and spent the +rest of his leisure in lethargy, three and fifty days of life cooped up +in a perpetual smell, in a persistent sick hunger that turned from the +sight of food, in darkness, cold and wet, in a lightly ballasted ship +that rolled and pitched and swayed. And all the time the sands in the +hour-glass of my uncle's fortunes were streaming out. Misery! Amidst it +all I remember only one thing brightly, one morning of sunshine in the +Bay of Biscay and a vision of frothing waves, sapphire green, a bird +following our wake and our masts rolling about the sky. Then wind and +rain close in on us again. + +You must not imagine they were ordinary days, days, I mean, of an +average length; they were not so much days as long damp slabs of time +that stretched each one to the horizon, and much of that length was +night. One paraded the staggering deck in a borrowed sou'-wester hour +after hour in the chilly, windy, splashing and spitting darkness, or +sat in the cabin, bored and ill, and looked at the faces of those +inseparable companions by the help of a lamp that gave smell rather than +light. Then one would see going up, up, up, and then sinking down, down, +down, Pollack, extinct pipe in mouth, humorously observant, bringing his +mind slowly to the seventy-seventh decision that the captain was a Card, +while the words flowed from the latter in a nimble incessant good. +"Dis England eet is not a country aristocratic, no! Eet is a glorified +bourgeoisie! Eet is plutocratic. In England dere is no aristocracy since +de Wars of Roses. In the rest of Europe east of the Latins, yes; in +England, no. + +"Eet is all middle-class, youra England. Everything you look at, +middle-class. Respectable! Everything good--eet is, you say, shocking. +Madame Grundy! Eet is all limited and computing and self-seeking. Dat is +why your art is so limited, youra fiction, your philosophin, why you +are all so inartistic. You want nothing but profit! What will pay! What +would you?"... + +He had all those violent adjuncts to speech we Western Europeans have +abandoned, shruggings of the shoulders, waving of the arms, thrusting +out of the face, wonderful grimaces and twiddlings of the hands under +your nose until you wanted to hit them away. Day after day it went on, +and I had to keep any anger to myself, to reserve myself for the time +ahead when it would be necessary to see the quap was got aboard and +stowed--knee deep in this man's astonishment. I knew he would make a +thousand objections to all we had before us. He talked like a drugged +man. It ran glibly over his tongue. And all the time one could see his +seamanship fretting him, he was gnawed by responsibility, perpetually +uneasy about the ship's position, perpetually imagining dangers. If a +sea hit us exceptionally hard he'd be out of the cabin in an instant +making an outcry of inquiries, and he was pursued by a dread of the +hold, of ballast shifting, of insidious wicked leaks. As we drew near +the African coast his fear of rocks and shoals became infectious. + +"I do not know dis coast," he used to say. "I cama hera because +Gordon-Nasmyth was coming too. Den he does not come!" + +"Fortunes of war," I said, and tried to think in vain if any motive but +sheer haphazard could have guided Gordon-Nasmyth in the choice of these +two men. I think perhaps Gordon-Nasmyth had the artistic temperament and +wanted contrasts, and also that the captain helped him to express his +own malignant Anti-Britishism. + +He was indeed an exceptionally inefficient captain. On the whole I was +glad I had come even at the eleventh hour to see to things. + +(The captain, by-the-by, did at last, out of sheer nervousness, get +aground at the end of Mordet's Island, but we got off in an hour or so +with a swell and a little hard work in the boat.) + +I suspected the mate of his opinion of the captain long before he +expressed it. He was, I say, a taciturn man, but one day speech broke +through him. He had been sitting at the table with his arms folded on +it, musing drearily, pipe in mouth, and the voice of the captain drifted +down from above. + +The mate lifted his heavy eyes to me and regarded me for a moment. +Then he began to heave with the beginnings of speech. He disembarrassed +himself of his pipe. I cowered with expectation. Speech was coming at +last. Before he spoke he nodded reassuringly once or twice. + +"E--" + +He moved his head strangely and mysteriously, but a child might have +known he spoke of the captain. + +"E's a foreigner." + +He regarded me doubtfully for a time, and at last decided for the sake +of lucidity to clench the matter. + +"That's what E is--a DAGO!" + +He nodded like a man who gives a last tap to a nail, and I could see +he considered his remark well and truly laid. His face, though still +resolute, became as tranquil and uneventful as a huge hall after a +public meeting has dispersed out of it, and finally he closed and locked +it with his pipe. + +"Roumanian Jew, isn't he?" I said. + +He nodded darkly and almost forbiddingly. + +More would have been too much. The thing was said. But from that time +forth I knew I could depend upon him and that he and I were friends. It +happens I never did have to depend upon him, but that does not affect +our relationship. + +Forward the crew lived lives very much after the fashion of ours, more +crowded, more cramped and dirty, wetter, steamier, more verminous. The +coarse food they had was still not so coarse but that they did not think +they were living "like fighting cocks." So far as I could make out +they were all nearly destitute men; hardly any of them had a proper +sea outfit, and what small possessions they had were a source of mutual +distrust. And as we pitched and floundered southward they gambled and +fought, were brutal to one another, argued and wrangled loudly, until we +protested at the uproar. + +There's no romance about the sea in a small sailing ship as I saw it. +The romance is in the mind of the landsman dreamer. These brigs and +schooners and brigantines that still stand out from every little port +are relics from an age of petty trade, as rotten and obsolescent as +a Georgian house that has sunken into a slum. They are indeed just +floating fragments of slum, much as icebergs are floating fragments of +glacier. The civilised man who has learnt to wash, who has developed +a sense of physical honour, of cleanly temperate feeding, of time, can +endure them no more. They pass, and the clanking coal-wasting steamers +will follow them, giving place to cleaner, finer things.... + +But so it was I made my voyage to Africa, and came at last into a world +of steamy fogs and a hot smell of vegetable decay, and into sound and +sight of surf and distant intermittent glimpses of the coast. I lived +a strange concentrated life through all that time, such a life as a +creature must do that has fallen in a well. All my former ways ceased, +all my old vistas became memories. + +The situation I was saving was very small and distant now; I felt its +urgency no more. Beatrice and Lady Grove, my uncle and the Hardingham, +my soaring in the air and my habitual wide vision of swift effectual +things, became as remote as if they were in some world I had left for +ever.... + +IV + +All these African memories stand by themselves. It was for me an +expedition into the realms of undisciplined nature out of the world that +is ruled by men, my first bout with that hot side of our mother that +gives you the jungle--that cold side that gives you the air-eddy I was +beginning to know passing well. They are memories woven upon a fabric +of sunshine and heat and a constant warm smell of decay. They end +in rain--such rain as I had never seen before, a vehement, a frantic +downpouring of water, but our first slow passage through the channels +behind Mordet's Island was in incandescent sunshine. + +There we go in my memory still, a blistered dirty ship with patched +sails and a battered mermaid to present Maud Mary, sounding and taking +thought between high ranks of forest whose trees come out knee-deep +at last in the water. There we go with a little breeze on our quarter, +Mordet Island rounded and the quap, it might be within a day of us. + +Here and there strange blossoms woke the dank intensities of green with +a trumpet call of colour. Things crept among the jungle and peeped and +dashed back rustling into stillness. Always in the sluggishly drifting, +opaque water were eddyings and stirrings; little rushes of bubbles came +chuckling up light-heartedly from this or that submerged conflict and +tragedy; now and again were crocodiles like a stranded fleet of logs +basking in the sun. Still it was by day, a dreary stillness broken only +by insect sounds and the creaking and flapping of our progress, by the +calling of the soundings and the captain's confused shouts; but in +the night as we lay moored to a clump of trees the darkness brought a +thousand swampy things to life and out of the forest came screaming and +howlings, screaming and yells that made us glad to be afloat. And once +we saw between the tree stems long blazing fires. We passed two or three +villages landward, and brown-black women and children came and stared at +us and gesticulated, and once a man came out in a boat from a creek and +hailed us in an unknown tongue; and so at last we came to a great open +place, a broad lake rimmed with a desolation of mud and bleached refuse +and dead trees, free from crocodiles or water birds or sight or sound +of any living thing, and saw far off, even as Nasmyth had described, the +ruins of the deserted station, and hard by two little heaps of buff-hued +rubbish under a great rib of rock, the quap! The forest receded. The +land to the right of us fell away and became barren, and far on across +notch in its backbone was surf and the sea. + +We took the ship in towards those heaps and the ruined jetty slowly and +carefully. The captain came and talked. + +"This is eet?" he said. + +"Yes," said I. + +"Is eet for trade we have come?" + +This was ironical. + +"No," said I. + +"Gordon-Nasmyth would haf told me long ago what it ees for we haf come." + +"I'll tell you now," I said. "We are going to lay in as close as we can +to those two heaps of stuff--you see them?--under the rock. Then we are +going to chuck all our ballast overboard and take those in. Then we're +going home." + +"May I presume to ask--is eet gold?" + +"No," I said incivilly, "it isn't." + +"Then what is it?" + +"It's stuff--of some commercial value." + +"We can't do eet," he said. + +"We can," I answered reassuringly. + +"We can't," he said as confidently. "I don't mean what you mean. You +know so liddle--But--dis is forbidden country." + +I turned on him suddenly angry and met bright excited eyes. For a minute +we scrutinised one another. Then I said, "That's our risk. Trade is +forbidden. But this isn't trade.... This thing's got to be done." + +His eyes glittered and he shook his head.... + +The brig stood in slowly through the twilight toward this strange +scorched and blistered stretch of beach, and the man at the wheel +strained his ears to listening the low-voiced angry argument that began +between myself and the captain, that was presently joined by Pollack. We +moored at last within a hundred yards of our goal, and all through our +dinner and far into the night we argued intermittently and fiercely with +the captain about our right to load just what we pleased. "I will haf +nothing to do with eet," he persisted. "I wash my hands." It seemed that +night as though we argued in vain. "If it is not trade," he said, "it +is prospecting and mining. That is worse. Any one who knows +anything--outside England--knows that is worse." + +We argued and I lost my temper and swore at him. Pollack kept cooler and +chewed his pipe watchfully with that blue eye of his upon the captain's +gestures. Finally I went on deck to cool. The sky was overcast I +discovered all the men were in a knot forward, staring at the faint +quivering luminosity that had spread over the heaps of quap, a +phosphorescence such as one sees at times on rotting wood. And about +the beach east and west there were patches and streaks of something like +diluted moonshine.... + +In the small hours I was still awake and turning over scheme after +scheme in my mind whereby I might circumvent the captain's opposition. I +meant to get that quap aboard if I had to kill some one to do it. Never +in my life had I been so thwarted! After this intolerable voyage! There +came a rap at my cabin door and then it opened and I made out a bearded +face. "Come in," I said, and a black voluble figure I could just see +obscurely came in to talk in my private ear and fill my cabin with its +whisperings and gestures. It was the captain. He, too, had been awake +and thinking things over. He had come to explain--enormously. I lay +there hating him and wondering if I and Pollack could lock him in +his cabin and run the ship without him. "I do not want to spoil dis +expedition," emerged from a cloud of protestations, and then I was able +to disentangle "a commission--shush a small commission--for special +risks!" "Special risks" became frequent. I let him explain himself out. +It appeared he was also demanding an apology for something I had said. +No doubt I had insulted him generously. At last came definite offers. I +broke my silence and bargained. + +"Pollack!" I cried and hammered the partition. + +"What's up?" asked Pollack. + +I stated the case concisely. + +There came a silence. + +"He's a Card," said Pollack. "Let's give him his commission. I don't +mind." + +"Eh?" I cried. + +"I said he was a Card, that's all," said Pollack. "I'm coming." + +He appeared in my doorway a faint white figure joined our vehement +whisperings. + +We had to buy the captain off; we had to promise him ten per cent. of +our problematical profits. We were to give him ten per cent. on what we +sold the cargo for over and above his legitimate pay, and I found in my +out-bargained and disordered state small consolation in the thought that +I, as the Gordon-Nasmyth expedition, was to sell the stuff to myself as +Business Organisations. And he further exasperated me by insisting on +having our bargain in writing. "In the form of a letter," he insisted. + +"All right," I acquiesced, "in the form of a letter. Here goes! Get a +light!" + +"And the apology," he said, folding up the letter. + +"All right," I said; "Apology." + +My hand shook with anger as I wrote, and afterwards I could not sleep +for hate of him. At last I got up. I suffered, I found, from an unusual +clumsiness. I struck my toe against my cabin door, and cut myself as I +shaved. I found myself at last pacing the deck under the dawn in a +mood of extreme exasperation. The sun rose abruptly and splashed light +blindingly into my eyes and I swore at the sun. I found myself imagining +fresh obstacles with the men and talking aloud in anticipatory rehearsal +of the consequent row. + +The malaria of the quap was already in my blood. + +V + +Sooner or later the ridiculous embargo that now lies upon all the coast +eastward of Mordet Island will be lifted and the reality of the deposits +of quap ascertained. I am sure that we were merely taking the outcrop +of a stratum of nodulated deposits that dip steeply seaward. Those heaps +were merely the crumbled out contents of two irregular cavities in the +rock; they are as natural as any talus or heap of that kind, and the +mud along the edge of the water for miles is mixed with quap, and is +radio-active and lifeless and faintly phosphorescent at night. But the +reader will find the full particulars of my impression of all this in +the Geological Magazine for October, 1905, and to that I must refer him. +There, too, he will find my unconfirmed theories of its nature. If I am +right it is something far more significant from the scientific point +of view than those incidental constituents of various rare metals, +pitchblende, rutile, and the like, upon which the revolutionary +discoveries of the last decade are based. Those are just little +molecular centres of disintegration, of that mysterious decay and +rotting of those elements, elements once regarded as the most stable +things in nature. But there is something--the only word that comes near +it is CANCEROUS--and that is not very near, about the whole of quap, +something that creeps and lives as a disease lives by destroying; an +elemental stirring and disarrangement, incalculably maleficent and +strange. + +This is no imaginative comparison of mine. To my mind radio-activity +is a real disease of matter. Moreover, it is a contagious disease. It +spreads. You bring those debased and crumbling atoms near others and +those too presently catch the trick of swinging themselves out of +coherent existence. It is in matter exactly what the decay of our old +culture is in society, a loss of traditions and distinctions and assured +reactions. When I think of these inexplicable dissolvent centres that +have come into being in our globe--these quap heaps are surely by far +the largest that have yet been found in the world; the rest as yet mere +specks in grains and crystals--I am haunted by a grotesque fancy of the +ultimate eating away and dry-rotting and dispersal of all our world. So +that while man still struggles and dreams his very substance will change +and crumble from beneath him. I mention this here as a queer persistent +fancy. Suppose, indeed, that is to be the end of our planet; no splendid +climax and finale, no towering accumulation of achievements, but +just--atomic decay! I add that to the ideas of the suffocating comet, +the dark body out of space, the burning out of the sun, the distorted +orbit, as a new and far more possible end--as Science can see ends--to +this strange by-play of matter that we call human life. I do not believe +this can be the end; no human soul can believe in such an end and go on +living, but to it science points as a possible thing, science and reason +alike. If single human beings--if one single ricketty infant--can be +born as it were by accident and die futile, why not the whole race? +These are questions I have never answered, that now I never attempt to +answer, but the thought of quap and its mysteries brings them back to +me. + +I can witness that the beach and mud for two miles or more either way +was a lifeless beach--lifeless as I could have imagined no tropical mud +could ever be, and all the dead branches and leaves and rotting dead +fish and so forth that drifted ashore became presently shrivelled and +white. Sometimes crocodiles would come up out of the water and bask, and +now and then water birds would explore the mud and rocky ribs that rose +out of it, in a mood of transitory speculation. That was its utmost +admiration. And the air felt at once hot and austere, dry and +blistering, and altogether different the warm moist embrace that had met +us at our first African landfall and to which we had grown accustomed. + +I believe that the primary influence of the quap upon us was to increase +the conductivity of our nerves, but that is a mere unjustifiable +speculation on my part. At any rate it gave a sort of east wind effect +to life. We all became irritable, clumsy, languid and disposed to +be impatient with our languor. We moored the brig to the rocks with +difficulty, and got aground on mud and decided to stick there and tow +off when we had done--the bottom was as greasy as butter. Our efforts +to fix up planks and sleepers in order to wheel the quap aboard were as +ill-conceived as that sort of work can be--and that sort of work can at +times be very ill-conceived. The captain had a superstitious fear of his +hold: he became wildly gesticulatory and expository and incompetent at +the bare thought of it. His shouts still echo in my memory, becoming as +each crisis approached less and less like any known tongue. + +But I cannot now write the history of those days of blundering and toil: +of how Milton, one of the boys, fell from a plank to the beach, thirty +feet perhaps, with his barrow and broke his arm and I believe a rib, +of how I and Pollack set the limb and nursed him through the fever that +followed, of how one man after another succumbed to a feverish malaria, +and how I--by virtue of my scientific reputation--was obliged to play +the part of doctor and dose them with quinine, and then finding that +worse than nothing, with rum and small doses of Easton's Syrup, of which +there chanced to be a case of bottles aboard--Heaven and Gordon-Nasmyth +know why. For three long days we lay in misery and never shipped a +barrow-load. Then, when they resumed, the men's hands broke out into +sores. There were no gloves available; and I tried to get them, while +they shovelled and wheeled, to cover their hands with stockings +or greased rags. They would not do this on account of the heat and +discomfort. This attempt of mine did, however, direct their attention to +the quap as the source of their illness and precipitated what in the +end finished our lading, an informal strike. "We've had enough of this," +they said, and they meant it. They came aft to say as much. They cowed +the captain. + +Through all these days the weather was variously vile, first a furnace +heat under a sky of a scowling intensity of blue, then a hot fog that +stuck in one's throat like wool and turned the men on the planks into +colourless figures of giants, then a wild burst of thunderstorms, +mad elemental uproar and rain. Through it all, against illness, heat, +confusion of mind, one master impetus prevailed with me, to keep the +shipping going, to maintain one motif at least, whatever else arose +or ceased, the chuff of the spades, the squeaking and shriek of the +barrows, the pluppa, pluppa, pluppa, as the men came trotting along the +swinging high planks, and then at last, the dollop, dollop, as the stuff +shot into the hold. "Another barrow-load, thank God! Another +fifteen hundred, or it may be two thousand pounds, for the saving of +Ponderevo!..." + +I found out many things about myself and humanity in those weeks of +effort behind Mordet Island. I understand now the heart of the sweater, +of the harsh employer, of the nigger-driver. I had brought these +men into a danger they didn't understand, I was fiercely resolved to +overcome their opposition and bend and use them for my purpose, and I +hated the men. But I hated all humanity during the time that the quap +was near me. + +And my mind was pervaded, too, by a sense of urgency and by the fear +that we should be discovered and our proceedings stopped. I wanted to +get out to sea again--to be beating up northward with our plunder. I was +afraid our masts showed to seaward and might betray us to some curious +passer on the high sea. And one evening near the end I saw a canoe +with three natives far off down the lake; I got field-glasses from the +captain and scrutinised them, and I could see them staring at us. One +man might have been a half-breed and was dressed in white. They watched +us for some time very quietly and then paddled off into some channel in +the forest shadows. + +And for three nights running, so that it took a painful grip upon my +inflamed imagination, I dreamt of my uncle's face, only that it was +ghastly white like a clown's, and the throat was cut from ear to ear--a +long ochreous cut. "Too late," he said; "Too late!..." + +VI + +A day or so after we had got to work upon the quap I found myself so +sleepless and miserable that the ship became unendurable. Just before +the rush of sunrise I borrowed Pollack's gun, walked down the planks, +clambered over the quap heaps and prowled along the beach. I went +perhaps a mile and a half that day and some distance beyond the ruins +of the old station. I became interested in the desolation about me, and +found when I returned that I was able to sleep for nearly an hour. It +was delightful to have been alone for so long,--no captain, no Pollack, +no one. Accordingly I repeated this expedition the next morning and the +next until it became a custom with me. There was little for me to do +once the digging and wheeling was organised, and so these prowlings of +mine grew longer and longer, and presently I began to take food with me. + +I pushed these walks far beyond the area desolated by the quap. On the +edges of that was first a zone of stunted vegetation, then a sort of +swampy jungle that was difficult to penetrate, and then the beginnings +of the forest, a scene of huge tree stems and tangled creeper ropes +and roots mingled with oozy mud. Here I used to loaf in a state between +botanising and reverie--always very anxious to know what was up above in +the sunlight--and here it was I murdered a man. + +It was the most unmeaning and purposeless murder imaginable. Even as I +write down its well-remembered particulars there comes again the sense +of its strangeness, its pointlessness, its incompatibility with any of +the neat and definite theories people hold about life and the meaning of +the world. I did this thing and I want to tell of my doing it, but why I +did it and particularly why I should be held responsible for it I cannot +explain. + +That morning I had come upon a track in the forest, and it had occurred +to me as a disagreeable idea that this was a human pathway. I didn't +want to come upon any human beings. The less our expedition saw of the +African population the better for its prospects. Thus far we had been +singularly free from native pestering. So I turned back and was making +my way over mud and roots and dead fronds and petals scattered from the +green world above when abruptly I saw my victim. + +I became aware of him perhaps forty feet off standing quite still and +regarding me. + +He wasn't by any means a pretty figure. He was very black and naked +except for a dirty loin-cloth, his legs were ill-shaped and his toes +spread wide and the upper edge of his cloth and a girdle of string cut +his clumsy abdomen into folds. His forehead was low, his nose very +flat and his lower lip swollen and purplish-red. His hair was short and +fuzzy, and about his neck was a string and a little purse of skin. He +carried a musket, and a powder-flask was stuck in his girdle. It was a +curious confrontation. There opposed to him stood I, a little soiled, +perhaps, but still a rather elaborately civilised human being, born, +bred and trained in a vague tradition. In my hand was an unaccustomed +gun. And each of us was essentially a teeming, vivid brain, tensely +excited by the encounter, quite unaware of the other's mental content or +what to do with him. + +He stepped back a pace or so, stumbled and turned to run. + +"Stop," I cried; "stop, you fool!" and started to run after him, +shouting such things in English. But I was no match for him over the +roots and mud. + +I had a preposterous idea. "He mustn't get away and tell them!" + +And with that instantly I brought both feet together, raised my gun, +aimed quite coolly, drew the trigger carefully and shot him neatly in +the back. + +I saw, and saw with a leap of pure exaltation, the smash of my bullet +between his shoulder blades. "Got him," said I, dropping my gun and down +he flopped and died without a groan. "By Jove!" I cried with note of +surprise, "I've killed him!" I looked about me and then went forward +cautiously, in a mood between curiosity and astonishment, to look at +this man whose soul I had flung so unceremoniously out of our common +world. I went to him, not as one goes to something one has made or done, +but as one approaches something found. + +He was frightfully smashed out in front; he must have died in the +instant. I stooped and raised him by his shoulder and realised that. I +dropped him, and stood about and peered about me through the trees. "My +word!" I said. He was the second dead human being--apart, I mean, from +surgical properties and mummies and common shows of that sort--that I +have ever seen. I stood over him wondering, wondering beyond measure. + +A practical idea came into that confusion. Had any one heard the gun? + +I reloaded. + +After a time I felt securer, and gave my mind again to the dead I had +killed. What must I do? + +It occurred to me that perhaps I ought to bury him. At any rate, I ought +to hide him. I reflected coolly, and then put my gun within easy reach +and dragged him by the arm towards a place where the mud seemed soft, +and thrust him in. His powder-flask slipped from his loin-cloth, and I +went back to get it. Then I pressed him down with the butt of my rifle. + +Afterwards this all seemed to me most horrible, but at the time it was +entirely a matter-of-fact transaction. I looked round for any other +visible evidence of his fate, looked round as one does when one packs +one's portmanteau in an hotel bedroom. + +When I got my bearings, and carefully returned towards the ship. I had +the mood of grave concentration of a boy who has lapsed into poaching. +And the business only began to assume proper proportions for me as I +got near the ship, to seem any other kind of thing than the killing of a +bird or rabbit. + +In the night, however, it took on enormous and portentous forms. "By +God!" I cried suddenly, starting wide awake; "but it was murder!" + +I lay after that wide awake, staring at my memories. In some odd way +these visions mixed up with my dream of in my uncle in his despair. +The black body which saw now damaged and partly buried, but which, +nevertheless, I no longer felt was dead but acutely alive and +perceiving, I mixed up with the ochreous slash under my uncle's face. I +tried to dismiss this horrible obsession from my mind, but it prevailed +over all my efforts. + +The next day was utterly black with my sense of that ugly creature's +body. I am the least superstitious of men, but it drew me. It drew me +back into those thickets to the very place where I had hidden him. + +Some evil and detestable beast had been at him, and he lay disinterred. + +Methodically I buried his swollen and mangled carcass again, and +returned to the ship for another night of dreams. Next day for all the +morning I resisted the impulse to go to him, and played nap with Pollack +with my secret gnawing at me, and in the evening started to go and was +near benighted. I never told a soul of them of this thing I had done. + +Next day I went early, and he had gone, and there were human footmarks +and ugly stains round the muddy hole from which he had been dragged. + +I returned to the ship, disconcerted and perplexed. That day it was the +men came aft, with blistered hands and faces, and sullen eyes. When they +proclaimed, through Edwards, their spokesman, "We've had enough of this, +and we mean it," I answered very readily, "So have I. Let's go." + +VII + +We were none too soon. People had been reconnoitring us, the telegraph +had been at work, and we were not four hours at sea before we ran +against the gunboat that had been sent down the coast to look for us and +that would have caught us behind the island like a beast in a trap. It +was a night of driving cloud that gave intermittent gleams of moonlight; +the wind and sea were strong and we were rolling along through a drift +of rails and mist. Suddenly the world was white with moonshine. The +gunboat came out as a long dark shape wallowing on the water to the +east. + +She sighted the Maud Mary at once, and fired some sort of popgun to +arrest us. + +The mate turned to me. + +"Shall I tell the captain?" + +"The captain be damned" said I, and we let him sleep through two hours +of chase till a rainstorm swallowed us up. Then we changed our course +and sailed right across them, and by morning only her smoke was showing. + +We were clear of Africa--and with the booty aboard I did not see what +stood between us and home. + +For the first time since I had fallen sick in the Thames my spirits +rose. I was sea-sick and physically disgusted, of course, but I felt +kindly in spite of my qualms. So far as I could calculate then the +situation was saved. I saw myself returning triumphantly into the +Thames, and nothing on earth to prevent old Capern's Perfect Filament +going on the market in fortnight. I had the monopoly of electric lamps +beneath my feet. + +I was released from the spell of that bloodstained black body all mixed +up with grey-black mud. I was going back to baths and decent food and +aeronautics and Beatrice. I was going back to Beatrice and my real life +again--out of this well into which I had fallen. It would have needed +something more than sea-sickness and quap fever to prevent my spirits +rising. + +I told the captain that I agreed with him that the British were the scum +of Europe, the westward drift of all the people, a disgusting rabble, +and I lost three pounds by attenuated retail to Pollack at ha'penny nap +and euchre. + +And then you know, as we got out into the Atlantic this side of Cape +Verde, the ship began to go to pieces. I don't pretend for one moment to +understand what happened. But I think Greiffenhagen's recent work on +the effects of radium upon ligneous tissue does rather carry out my idea +that emanations from quap have rapid rotting effect upon woody fibre. + +From the first there had been a different feel about the ship, and as +the big winds and waves began to strain her she commenced leaking. Soon +she was leaking--not at any particular point, but everywhere. She did +not spring a leak, I mean, but water came in first of all near the +decaying edges of her planks, and then through them. + +I firmly believe the water came through the wood. First it began to +ooze, then to trickle. It was like trying to carry moist sugar in a thin +paper bag. Soon we were taking in water as though we had opened a door +in her bottom. + +Once it began, the thing went ahead beyond all fighting. For a day or +so we did our best, and I can still remember in my limbs and back the +pumping--the fatigue in my arms and the memory of a clear little dribble +of water that jerked as one pumped, and of knocking off and the being +awakened to go on again, and of fatigue piling up upon fatigue. At +last we ceased to think of anything but pumping; one became a thing of +torment enchanted, doomed to pump for ever. I still remember it as pure +relief when at last Pollack came to me pipe in mouth. + +"The captain says the damned thing's going down right now;" he remarked, +chewing his mouthpiece. "Eh?" + +"Good idea!" I said. "One can't go on pumping for ever." + +And without hurry or alacrity, sullenly and wearily we got into the +boats and pulled away from the Maud Mary until we were clear of her, +and then we stayed resting on our oars, motionless upon a glassy sea, +waiting for her to sink. We were all silent, even the captain was silent +until she went down. And then he spoke quite mildly in an undertone. + +"Dat is the first ship I haf ever lost.... And it was not a fair game! +It wass not a cargo any man should take. No!" + +I stared at the slow eddies that circled above the departed Maud Mary, +and the last chance of Business Organisations. I felt weary beyond +emotion. I thought of my heroics to Beatrice and my uncle, of my prompt +"I'LL go," and of all the ineffectual months I had spent after this +headlong decision. I was moved to laughter at myself and fate. + +But the captain and the men did not laugh. The men scowled at me and +rubbed their sore and blistered hands, and set themselves to row.... + +As all the world knows we were picked up by the Union Castle liner, +Portland Castle. + +The hairdresser aboard was a wonderful man, and he even improvised me a +dress suit, and produced a clean shirt and warm underclothing. I had a +hot bath, and dressed and dined and drank a bottle of Burgundy. + +"Now," I said, "are there any newspapers? I want to know what's been +happening in the world." + +My steward gave me what he had, but I landed at Plymouth still largely +ignorant of the course of events. I shook off Pollack, and left the +captain and mate in an hotel, and the men in a Sailor's Home until I +could send to pay them off, and I made my way to the station. + +The newspapers I bought, the placards I saw, all England indeed +resounded to my uncle's bankruptcy. + + + + + +BOOK THE FOURTH + +THE AFTERMATH OF TONO-BUNGAY + + + +CHAPTER THE FIRST + +THE STICK OF THE ROCKET + +I + +That evening I talked with my uncle in the Hardingham for the last time. +The atmosphere of the place had altered quite shockingly. Instead of the +crowd of importunate courtiers there were just half a dozen uninviting +men, journalists waiting for an interview. Ropper the big commissionaire +was still there, but now indeed he was defending my uncle from something +more than time-wasting intrusions. I found the little man alone in the +inner office pretending to work, but really brooding. He was looking +yellow and deflated. + +"Lord!" he said at the sight of me. "You're lean, George. It makes that +scar of yours show up." + +We regarded each other gravely for a time. + +"Quap," I said, "is at the bottom of the Atlantic. There's some +bills--We've got to pay the men." + +"Seen the papers?" + +"Read 'em all in the train." + +"At bay," he said. "I been at bay for a week.... Yelping round me.... +And me facing the music. I'm feelin' a bit tired." + +He blew and wiped his glasses. + +"My stomack isn't what it was," he explained. "One finds it--these +times. How did it all happen, George? Your Marconigram--it took me in +the wind a bit." + +I told him concisely. He nodded to the paragraphs of my narrative and at +the end he poured something from a medicine bottle into a sticky little +wineglass and drank it. I became aware of the presence of drugs, of +three or four small bottles before him among his disorder of papers, of +a faint elusively familiar odour in the room. + +"Yes," he said, wiping his lips and recorking the bottle. "You've done +your best, George. The luck's been against us." + +He reflected, bottle in hand. "Sometimes the luck goes with you and +sometimes it doesn't. Sometimes it doesn't. And then where are you? +Grass in the oven! Fight or no fight." + +He asked a few questions and then his thoughts came back to his own +urgent affairs. I tried to get some comprehensive account of the +situation from him, but he would not give it. + +"Oh, I wish I'd had you. I wish I'd had you, George. I've had a lot on +my hands. You're clear headed at times." + +"What has happened?" + +"Oh! Boom!--infernal things." + +"Yes, but--how? I'm just off the sea, remember." + +"It'd worry me too much to tell you now. It's tied up in a skein." + +He muttered something to himself and mused darkly, and roused himself to +say-- + +"Besides--you'd better keep out of it. It's getting tight. Get 'em +talking. Go down to Crest Hill and fly. That's YOUR affair." + +For a time his manner set free queer anxieties in my brain again. + +I will confess that that Mordet Island nightmare of mine returned, +and as I looked at him his hand went out for the drug again. "Stomach, +George," he said. + +"I been fightin' on that. Every man fights on some thing--gives way +somewheres--head, heart, liver--something. Zzzz. Gives way somewhere. +Napoleon did at last. All through the Waterloo campaign, his stomach--it +wasn't a stomach! Worse than mine, no end." + +The mood of depression passed as the drug worked within him. His eyes +brightened. He began to talk big. He began to dress up the situation for +my eyes, to recover what he had admitted to me. He put it as a retreat +from Russia. There were still the chances of Leipzig. + +"It's a battle, George--a big fight. We're fighting for millions. +I've still chances. There's still a card or so. I can't tell all my +plans--like speaking on the stroke." + +"You might," I began. + +"I can't, George. It's like asking to look at some embryo. You got to +wait. I know. In a sort of way, I know. But to tell it--No! You been +away so long. And everything's got complicated." + +My perception of disastrous entanglements deepened with the rise of his +spirits. It was evident that I could only help to tie him up in whatever +net was weaving round his mind by forcing questions and explanations +upon him. My thoughts flew off at another angle. "How's Aunt Susan?" +said I. + +I had to repeat the question. His busy whispering lips stopped for a +moment, and he answered in the note of one who repeats a formula. + +"She'd like to be in the battle with me. She'd like to be here in +London. But there's corners I got to turn alone." His eye rested for a +moment on the little bottle beside him. "And things have happened. + +"You might go down now and talk to her," he said, in a directer voice. +"I shall be down to-morrow night, I think." + +He looked up as though he hoped that would end our talk. + +"For the week-end?" I asked. + +"For the week-end. Thank God for week-ends, George!" + +II + +My return home to Lady Grove was a very different thing from what I had +anticipated when I had got out to sea with my load of quap and fancied +the Perfect-Filament was safe within my grasp. As I walked through the +evening light along the downs, the summer stillness seemed like the +stillness of something newly dead. There were no lurking workmen any +more, no cyclists on the high road. + +Cessation was manifest everywhere. There had been, I learnt from my +aunt, a touching and quite voluntary demonstration when the Crest Hill +work had come to an end and the men had drawn their last pay; they had +cheered my uncle and hooted the contractors and Lord Boom. + +I cannot now recall the manner in which my aunt and I greeted one +another. I must have been very tired there, but whatever impression was +made has gone out of my memory. But I recall very clearly how we sat at +the little round table near the big window that gave on the terrace, and +dined and talked. I remember her talking of my uncle. + +She asked after him, and whether he seemed well. "I wish I could help," +she said. "But I've never helped him much, never. His way of doing +things was never mine. And since--since--. Since he began to get so +rich, he's kept things from me. In the old days--it was different.... + +"There he is--I don't know what he's doing. He won't have me near +him.... + +"More's kept from me than anyone. The very servants won't let me know. +They try and stop the worst of the papers--Boom's things--from coming +upstairs.... I suppose they've got him in a corner, George. Poor old +Teddy! Poor old Adam and Eve we are! Ficial Receivers with flaming +swords to drive us out of our garden! I'd hoped we'd never have another +Trek. Well--anyway, it won't be Crest Hill.... But it's hard on Teddy. +He must be in such a mess up there. Poor old chap. I suppose we +can't help him. I suppose we'd only worry him. Have some more soup +George--while there is some?..." + +The next day was one of those days of strong perception that stand out +clear in one's memory when the common course of days is blurred. I can +recall now the awakening in the large familiar room that was always kept +for me, and how I lay staring at its chintz-covered chairs, its spaced +fine furniture, its glimpse of the cedars without, and thought that all +this had to end. + +I have never been greedy for money, I have never wanted to be rich, +but I felt now an immense sense of impending deprivation. I read the +newspapers after breakfast--I and my aunt together--and then I walked +up to see what Cothope had done in the matter of Lord Roberts B. Never +before had I appreciated so acutely the ample brightness of the Lady +Grove gardens, the dignity and wide peace of all about me. It was one +of those warm mornings in late May that have won all the glory of summer +without losing the gay delicacy of spring. The shrubbery was bright with +laburnum and lilac, the beds swarmed with daffodils and narcissi and +with lilies of the valley in the shade. + +I went along the well-kept paths among the rhododendra and through the +private gate into the woods where the bluebells and common orchid were +in profusion. Never before had I tasted so completely the fine sense +of privilege and ownership. And all this has to end, I told myself, all +this has to end. + +Neither my uncle nor I had made any provision for disaster; all we had +was in the game, and I had little doubt now of the completeness of our +ruin. For the first time in my life since he had sent me that +wonderful telegram of his I had to consider that common anxiety of +mankind,--Employment. I had to come off my magic carpet and walk once +more in the world. + +And suddenly I found myself at the cross drives where I had seen +Beatrice for the first time after so many years. It is strange, but so +far as I can recollect I had not thought of her once since I had landed +at Plymouth. No doubt she had filled the background of my mind, but I do +not remember one definite, clear thought. I had been intent on my uncle +and the financial collapse. + +It came like a blow in the face now; all that, too, had to end! + +Suddenly I was filled with the thought of her and a great longing for +her. What would she do when she realised our immense disaster? What +would she do? How would she take it? It filled me with astonishment to +realise how little I could tell.... + +Should I perhaps presently happen upon her? + +I went on through the plantations and out upon the downs, and thence I +saw Cothope with a new glider of his own design soaring down wind to +my old familiar "grounding" place. To judge by its long rhythm it was a +very good glider. "Like Cothope's cheek," thought I, "to go on with the +research. I wonder if he's keeping notes.... But all this will have to +stop." + +He was sincerely glad to see me. "It's been a rum go," he said. + +He had been there without wages for a month, a man forgotten in the rush +of events. + +"I just stuck on and did what I could with the stuff. I got a bit of +money of my own--and I said to myself, 'Well, here you are with the gear +and no one to look after you. You won't get such a chance again, my boy, +not in all your born days. Why not make what you can with it? '" + +"How's Lord Roberts B?" + +Cothope lifted his eyebrows. "I've had to refrain," he said. "But he's +looking very handsome." + +"Gods!" I said, "I'd like to get him up just once before we smash. You +read the papers? You know we're going to smash?" + +"Oh! I read the papers. It's scandalous, sir, such work as ours should +depend on things like that. You and I ought to be under the State, sir, +if you'll excuse me." + +"Nothing to excuse," I said. "I've always been a Socialist--of a +sort--in theory. Let's go and have a look at him. How is he? Deflated?" + +"Just about quarter full. That last oil glaze of yours holds the gas +something beautiful. He's not lost a cubic metre a week."... + +Cothope returned to Socialism as we went toward the sheds. + +"Glad to think you're a Socialist, sir," he said, "it's the only +civilised state. I been a Socialist some years--off the Clarion. It's a +rotten scramble, this world. It takes the things we make and invent and +it plays the silly fool with 'em. We scientific people, we'll have to +take things over and stop all this financing and advertisement and that. +It's too silly. It's a noosance. Look at us!" + +Lord Roberts B, even in his partially deflated condition in his shed, +was a fine thing to stare up at. I stood side by side with Cothope +regarding him, and it was borne in upon me more acutely than ever that +all this had to end. I had a feeling just like the feeling of a boy who +wants to do wrong, that I would use up the stuff while I had it before +the creditors descended. I had a queer fancy, too, I remember, that if I +could get into the air it would advertise my return to Beatrice. + +"We'll fill her," I said concisely. + +"It's all ready," said Cothope, and added as an afterthought, "unless +they cut off the gas."... + +I worked and interested myself with Cothope all the morning and for a +time forgot my other troubles. But the thought of Beatrice flooded me +slowly and steadily. It became an unintelligent sick longing to see her. +I felt that I could not wait for the filling of Lord Roberts B, that I +must hunt her up and see her soon. I got everything forward and lunched +with Cothope, and then with the feeblest excuses left him in order to +prowl down through the woods towards Bedley Corner. I became a prey to +wretched hesitations and diffidence. Ought I to go near her now? I asked +myself, reviewing all the social abasements of my early years. At +last, about five, I called at the Dower House. I was greeted by their +Charlotte--with a forbidding eye and a cold astonishment. + +Both Beatrice and Lady Osprey were out. + +There came into my head some prowling dream of meeting her. I went along +the lane towards Woking, the lane down which we had walked five months +ago in the wind and rain. + +I mooned for a time in our former footsteps, then swore and turned back +across the fields, and then conceived a distaste for Cothope and went +Downward. At last I found myself looking down on the huge abandoned +masses of the Crest Hill house. + +That gave my mind a twist into a new channel. My uncle came uppermost +again. What a strange, melancholy emptiness of intention that stricken +enterprise seemed in the even evening sunlight, what vulgar magnificence +and crudity and utter absurdity! It was as idiotic as the pyramids. I +sat down on the stile, staring at it as though I had never seen that +forest of scaffold poles, that waste of walls and bricks and plaster and +shaped stones, that wilderness of broken soil and wheeling tracks and +dumps before. It struck me suddenly as the compactest image and sample +of all that passes for Progress, of all the advertisement-inflated +spending, the aimless building up and pulling down, the enterprise and +promise of my age. This was our fruit, this was what he had done, I and +my uncle, in the fashion of our time. We were its leaders and exponents, +we were the thing it most flourishingly produced. For this futility in +its end, for an epoch of such futility, the solemn scroll of history had +unfolded.... + +"Great God!" I cried, "but is this Life?" + +For this the armies drilled, for this the Law was administered and the +prisons did their duty, for this the millions toiled and perished in +suffering, in order that a few of us should build palaces we never +finished, make billiard-rooms under ponds, run imbecile walls round +irrational estates, scorch about the world in motor-cars, devise +flying-machines, play golf and a dozen such foolish games of ball, crowd +into chattering dinner parties, gamble and make our lives one vast, +dismal spectacle of witless waste! So it struck me then, and for a time +I could think of no other interpretation. This was Life! It came to me +like a revelation, a revelation at once incredible and indisputable of +the abysmal folly of our being. + +III + +I was roused from such thoughts by the sound of footsteps behind me. + +I turned half hopeful--so foolish is a lover's imagination, and stopped +amazed. It was my uncle. His face was white--white as I had seen it in +my dream. + +"Hullo!" I said, and stared. "Why aren't you in London?" + +"It's all up," he said.... + +"Adjudicated?" + +"No!" + +I stared at him for a moment, and then got off the stile. + +We stood swaying and then came forward with a weak motion of his arms +like a man who cannot see distinctly, and caught at and leant upon the +stile. For a moment we were absolutely still. He made a clumsy gesture +towards the great futility below and choked. I discovered that his face +was wet with tears, that his wet glasses blinded him. He put up his +little fat hand and clawed them off clumsily, felt inefficiently for his +pocket-handkerchief, and then, to my horror, as he clung to me, he +began to weep aloud, this little, old worldworn swindler. It wasn't just +sobbing or shedding tears, it was crying as a child cries. It was oh! +terrible! + +"It's cruel," he blubbered at last. "They asked me questions. They KEP' +asking me questions, George." + +He sought for utterance, and spluttered. + +"The Bloody bullies!" he shouted. "The Bloody Bullies." + +He ceased to weep. He became suddenly rapid and explanatory. + +"It's not a fair game, George. They tire you out. And I'm not well. My +stomach's all wrong. And I been and got a cold. I always been li'ble to +cold, and this one's on my chest. And then they tell you to speak up. +They bait you--and bait you, and bait you. It's torture. The strain +of it. You can't remember what you said. You're bound to contradict +yourself. It's like Russia, George.... It isn't fair play.... Prominent +man. I've been next at dinners with that chap, Neal; I've told him +stories--and he's bitter! Sets out to ruin me. Don't ask a civil +question--bellows." He broke down again. "I've been bellowed at, I been +bullied, I been treated like a dog. Dirty cads they are! Dirty cads! +I'd rather be a Three-Card Sharper than a barrister; I'd rather sell +cat's-meat in the streets. + +"They sprung things on me this morning, things I didn't expect. They +rushed me! I'd got it all in my hands and then I was jumped. By Neal! +Neal I've given city tips to! Neal! I've helped Neal.... + +"I couldn't swallow a mouthful--not in the lunch hour. I couldn't face +it. It's true, George--I couldn't face it. I said I'd get a bit of air +and slipped out and down to the Embankment, and there I took a boat to +Richmond. Some idee. I took a rowing boat when I got there and I rowed +about on the river for a bit. A lot of chaps and girls there was on the +bank laughed at my shirt-sleeves and top hat. Dessay they thought it was +a pleasure trip. Fat lot of pleasure! I rowed round for a bit and came +in. Then I came on here. Windsor way. And there they are in London doing +what they like with me.... I don't care!" + +"But" I said, looking down at him, perplexed. + +"It's abscondin'. They'll have a warrant." + +"I don't understand," I said. + +"It's all up, George--all up and over. + +"And I thought I'd live in that place, George and die a lord! It's a +great place, reely, an imperial--if anyone has the sense to buy it and +finish it. That terrace--" + +I stood thinking him over. + +"Look here!" I said. "What's that about--a warrant? Are you sure they'll +get a warrant? I'm sorry uncle; but what have you done?" + +"Haven't I told you?" + +"Yes, but they won't do very much to you for that. They'll only bring +you up for the rest of your examination." + +He remained silent for a time. At last he spoke--speaking with +difficulty. + +"It's worse than that. I've done something. They're bound to get it out. +Practically they HAVE got it out." + +"What?" + +"Writin' things down--I done something." + +For the first time in his life, I believe, he felt and looked ashamed. +It filled me with remorse to see him suffer so. + +"We've all done things," I said. "It's part of the game the world makes +us play. If they want to arrest you--and you've got no cards in your +hand--! They mustn't arrest you." + +"No. That's partly why I went to Richmond. But I never thought--" + +His little bloodshot eyes stared at Crest Hill. + +"That chap Wittaker Wright," he said, "he had his stuff ready. I +haven't. Now you got it, George. That's the sort of hole I'm in." + +IV + +That memory of my uncle at the gate is very clear and full. I am able +to recall even the undertow of my thoughts while he was speaking. +I remember my pity and affection for him in his misery growing and +stirring within me, my realisation that at any risk I must help him. +But then comes indistinctness again. I was beginning to act. I know I +persuaded him to put himself in my hands, and began at once to plan and +do. I think that when we act most we remember least, that just in the +measure that the impulse of our impressions translates itself into +schemes and movements, it ceases to record itself in memories. I know +I resolved to get him away at once, and to use the Lord Roberts B in +effecting that. It was clear he was soon to be a hunted man, and it +seemed to me already unsafe for him to try the ordinary Continental +routes in his flight. I had to evolve some scheme, and evolve it +rapidly, how we might drop most inconspicuously into the world across +the water. My resolve to have one flight at least in my airship fitted +with this like hand to glove. It seemed to me we might be able to cross +over the water in the night, set our airship adrift, and turn up as +pedestrian tourists in Normandy or Brittany, and so get away. That, at +any rate, was my ruling idea. + +I sent off Cothope with a dummy note to Woking, because I did not want +to implicate him, and took my uncle to the pavilion. I went down to my +aunt, and made a clean breast of the situation. She became admirably +competent. We went into his dressing-room and ruthlessly broke his +locks. I got a pair of brown boots, a tweed suit and a cap of his, +and indeed a plausible walking outfit, and a little game bag for his +pedestrian gear; and, in addition, a big motoring overcoat and a supply +of rugs to add to those I had at the pavilion. I also got a flask +of brandy, and she made sandwiches. I don't remember any servants +appearing, and I forget where she got those sandwiches. Meanwhile we +talked. Afterwards I thought with what a sure confidence we talked to +each other. + +"What's he done?" she said. + +"D'you mind knowing?" + +"No conscience left, thank God!" + +"I think--forgery!" + +There was just a little pause. "Can you carry this bundle?" she asked. + +I lifted it. + +"No woman ever has respected the law--ever," she said. "It's too +silly.... The things it lets you do! And then pulls you up--like a mad +nurse minding a child." + +She carried some rugs for me through the shrubbery in the darkling. + +"They'll think we're going mooning," she said, jerking her head at the +household. "I wonder what they make of us--criminals." ... An immense +droning note came as if in answer to that. It startled us both for a +moment. "The dears!" she said. "It's the gong for dinner!... But I wish +I could help little Teddy, George. It's awful to think of him there with +hot eyes, red and dry. And I know--the sight of me makes him feel sore. +Things I said, George. If I could have seen, I'd have let him have an +omnibusful of Scrymgeours. I cut him up. He'd never thought I meant it +before.... I'll help all I can, anyhow." + +I turned at something in her voice, and got a moon light gleam of tears +upon her face. + +"Could SHE have helped?" she asked abruptly. + +"SHE?" + +"That woman." + +"My God!" I cried, "HELPED! Those--things don't help!" + +"Tell me again what I ought to do," she said after a silence. + +I went over the plans I had made for communicating, and the things I +thought she might do. I had given her the address of a solicitor she +might put some trust in. + +"But you must act for yourself," I insisted. + +"Roughly," I said, "it's a scramble. You must get what you can for us, +and follow as you can." + +She nodded. + +She came right up to the pavilion and hovered for a time shyly, and then +went away. + +I found my uncle in my sitting-room in an arm-chair, with his feet upon +the fender of the gas stove, which he had lit, and now he was feebly +drunken with my whisky, and very weary in body and spirit, and inclined +to be cowardly. + +"I lef' my drops," he said. + +He changed his clothes slowly and unwillingly. I had to bully him, I had +almost to shove him to the airship and tuck him up upon its wicker flat. +Single-handed I made but a clumsy start; we scraped along the roof +of the shed and bent a van of the propeller, and for a time I hung +underneath without his offering a hand to help me to clamber up. If it +hadn't been for a sort of anchoring trolley device of Cothope's, a sort +of slip anchor running on a rail, we should never have got clear at all. + +V + +The incidents of our flight in Lord Roberts B do not arrange themselves +in any consecutive order. To think of that adventure is like dipping +haphazard into an album of views. One is reminded first of this and then +of that. We were both lying down on a horizontal plate of basketwork; +for Lord Roberts B had none of the elegant accommodation of a balloon. I +lay forward, and my uncle behind me in such a position that he could +see hardly anything of our flight. We were protected from rolling over +simply by netting between the steel stays. It was impossible for us to +stand up at all; we had either to lie or crawl on all fours over +the basket work. Amidships were lockers made of Watson's Aulite +material,--and between these it was that I had put my uncle, wrapped in +rugs. I wore sealskin motoring boots and gloves, and a motoring fur coat +over my tweeds, and I controlled the engine by Bowden wires and levers +forward. + +The early part of that night's experience was made up of warmth, of +moonlit Surrey and Sussex landscape, and of a rapid and successful +flight, ascending and swooping, and then ascending again southward. I +could not watch the clouds because the airship overhung me; I could not +see the stars nor gauge the meteorological happening, but it was +fairly clear to me that a wind shifting between north and northeast +was gathering strength, and after I had satisfied myself by a series +of entirely successful expansions and contractions of the real +air-worthiness of Lord Roberts B, I stopped the engine to save my +petrol, and let the monster drift, checking its progress by the dim +landscape below. My uncle lay quite still behind me, saying little +and staring in front of him, and I was left to my own thoughts and +sensations. + +My thoughts, whatever they were, have long since faded out of memory, +and my sensations have merged into one continuous memory of an +countryside lying, as it seemed, under snow, with square patches of +dimness, white phantoms of roads, rents and pools of velvety blackness, +and lamp-jewelled houses. I remember a train boring its way like a +hastening caterpillar of fire across the landscape, and how distinctly I +heard its clatter. Every town and street was buttoned with street lamps. +I came quite close to the South Downs near Lewes, and all the lights +were out in the houses, and the people gone to bed. We left the land a +little to the east of Brighton, and by that time Brighton was well abed. +and the brightly lit sea-front deserted. Then I let out the gas chamber +to its fullest extent and rose. I like to be high above water. + +I do not clearly know what happened in the night. I think I must have +dozed, and probably my uncle slept. I remember that once or twice +I heard him talking in an eager, muffled voice to himself, or to an +imaginary court. But there can be no doubt the wind changed right round +into the east, and that we were carried far down the Channel without any +suspicion of the immense leeway we were making. I remember the kind of +stupid perplexity with which I saw the dawn breaking over a grey waste +of water, below, and realised that something was wrong. I was so stupid +that it was only after the sunrise I really noticed the trend of the +foam caps below, and perceived we were in a severe easterly gale. Even +then, instead of heading southeasterly, I set the engine going, headed +south, and so continued a course that must needs have either just hit +Ushant, or carry us over the Bay of Biscay. I thought I was east of +Cherbourg, when I was far to the west and stopped my engine in that +belief, and then set it going again. I did actually sight the coast of +Brittany to the southeast in the late afternoon, and that it was woke +me up to the gravity of our position. I discovered it by accident in the +southeast, when I was looking for it in the southwest. I turned about +east and faced the wind for some time, and finding I had no chance in +its teeth, went high, where it seemed less violent, and tried to make a +course southeast. It was only then that I realised what a gale I was in. +I had been going westward, and perhaps even in gusts north of west, at a +pace of fifty or sixty miles an hour. + +Then I began what I suppose would be called a Fight against the east +wind. One calls it a Fight, but it was really almost as unlike a fight +as plain sewing. The wind tried to drive me westwardly, and I tried to +get as much as I could eastwardly, with the wind beating and rocking us +irregularly, but by no means unbearably, for about twelve hours. My +hope lay in the wind abating, and our keeping in the air and eastward of +Finisterre until it did, and the chief danger was the exhaustion of our +petrol. It was a long and anxious and almost meditative time; we were +fairly warm, and only slowly getting hungry, and except that my uncle +grumbled a little and produced some philosophical reflections, and began +to fuss about having a temperature, we talked very little. I was tired +and sulky, and chiefly worried about the engine. I had to resist +a tendency to crawl back and look at it. I did not care to risk +contracting our gas chamber for fear of losing gas. Nothing was less +like a fight. I know that in popular magazines, and so forth, all such +occasions as this are depicted in terms of hysteria. Captains save their +ships engineers complete their bridges, generals conduct their battles, +in a state of dancing excitement, foaming recondite technicalities at +the lips. I suppose that sort of thing works up the reader, but so far +as it professes to represent reality, I am convinced it is all childish +nonsense, schoolboys of fifteen, girls of eighteen, and literary men +all their lives, may have these squealing fits, but my own experience +is that most exciting scenes are not exciting, and most of the urgent +moments in life are met by steady-headed men. + +Neither I nor my uncle spent the night in ejaculations, nor in humorous +allusions, nor any of these things. We remained lumpish. + +My uncle stuck in his place and grumbled about his stomach, and +occasionally rambled off into expositions of his financial position and +denunciations of Neal--he certainly struck out one or two good phrases +for Neal--and I crawled about at rare intervals in a vague sort of way +and grunted, and our basketwork creaked continually, and the wind on our +quarter made a sort of ruffled flapping in the wall of the gas chamber. +For all our wraps we got frightfully cold as the night wore on. + +I must have dozed, and it was still dark when I realised with a +start that we were nearly due south of, and a long way from, a +regularly-flashing lighthouse, standing out before the glow of some +great town, and then that the thing that had awakened me was the +cessation of our engine, and that we were driving back to the west. + +Then, indeed, for a time I felt the grim thrill of life. I crawled +forward to the cords of the release valves, made my uncle crawl forward +too, and let out the gas until we were falling down through the air like +a clumsy glider towards the vague greyness that was land. + +Something must have intervened here that I have forgotten. + +I saw the lights of Bordeaux when it was quite dark, a nebulous haze +against black; of that I am reasonably sure. But certainly our fall +took place in the cold, uncertain light of early dawn. I am, at least, +equally sure of that. And Mimizan, near where we dropped, is fifty miles +from Bordeaux, whose harbour lights I must have seen. + +I remember coming down at last with a curious indifference, and actually +rousing myself to steer. But the actual coming to earth was exciting +enough. I remember our prolonged dragging landfall, and the difficulty +I had to get clear, and how a gust of wind caught Lord Roberts B as my +uncle stumbled away from the ropes and litter, and dropped me heavily, +and threw me on to my knees. Then came the realisation that the monster +was almost consciously disentangling itself for escape, and then the +light leap of its rebound. The rope slipped out of reach of my hand. +I remember running knee-deep in a salt pool in hopeless pursuit of the +airship. + +As it dragged and rose seaward, and how only after it had escaped my +uttermost effort to recapture it, did I realise that this was quite the +best thing that could have happened. It drove swiftly over the sandy +dunes, lifting and falling, and was hidden by a clump of windbitten +trees. Then it reappeared much further off, and still receding. It +soared for a time, and sank slowly, and after that I saw it no more. I +suppose it fell into the sea and got wetted with salt water and heavy, +and so became deflated and sank. + +It was never found, and there was never a report of anyone seeing it +after it escaped from me. + +VI + +But if I find it hard to tell the story of our long flight through the +air overseas, at least that dawn in France stands cold and clear and +full. I see again almost as if I saw once more with my bodily eyes +the ridges of sand rising behind ridges of sand, grey and cold and +black-browed, with an insufficient grass. I feel again the clear, cold +chill of dawn, and hear the distant barking of a dog. I find myself +asking again, "What shall we do now?" and trying to scheme with brain +tired beyond measure. + +At first my uncle occupied my attention. He was shivering a good +deal, and it was all I could do to resist my desire to get him into a +comfortable bed at once. But I wanted to appear plausibly in this part +of the world. I felt it would not do to turn up anywhere at dawn and +rest, it would be altogether too conspicuous; we must rest until the day +was well advanced, and then appear as road-stained pedestrians seeking +a meal. I gave him most of what was left of the biscuits, emptied our +flasks, and advised him to sleep, but at first it was too cold, albeit I +wrapped the big fur rug around him. + +I was struck now by the flushed weariness of his face, and the look of +age the grey stubble on his unshaved chin gave him. He sat crumpled up, +shivering and coughing, munching reluctantly, but drinking eagerly, and +whimpering a little, a dreadfully pitiful figure to me. But we had to go +through with it; there was no way out for us. + +Presently the sun rose over the pines, and the sand grew rapidly warm. +My uncle had done eating, and sat with his wrists resting on his knees, +the most hopeless looking of lost souls. + +"I'm ill," he said, "I'm damnably ill! I can feel it in my skin!" + +Then--it was horrible to me--he cried, "I ought to be in bed; I ought to +be in bed... instead of flying about," and suddenly he burst into tears. + +I stood up. "Go to sleep, man!" I said, and took the rug from him, and +spread it out and rolled him up in it. + +"It's all very well," he protested; "I'm not young enough--" + +"Lift up your head," I interrupted, and put his knapsack under it. + +"They'll catch us here, just as much as in an inn," he grumbled and then +lay still. + +Presently, after a long time, I perceived he was asleep. His breath came +with peculiar wheezings, and every now and again he would cough. I was +very stiff and tired myself, and perhaps I dozed. I don't remember. I +remember only sitting, as it seemed, nigh interminably, beside him, too +weary even to think in that sandy desolation. + +No one came near us; no creature, not even a dog. I roused myself at +last, feeling that it was vain to seek to seem other than abnormal, +and with an effort that was like lifting a sky of lead, we made our way +through the wearisome sand to a farmhouse. There I feigned even a more +insufficient French than I possess naturally, and let it appear that we +were pedestrians from Biarritz who had lost our way along the shore and +got benighted. + +This explained us pretty well, I thought, and we got most heartening +coffee and a cart to a little roadside station. My uncle grew more +and more manifestly ill with every stage of our journey. I got him to +Bayonne, where he refused at first to eat, and was afterwards very sick, +and then took him shivering and collapsed up a little branch line to a +frontier place called Luzon Gare. + +We found one homely inn with two small bedrooms, kept by a kindly Basque +woman. I got him to bed, and that night shared his room, and after an +hour or so of sleep he woke up in a raging fever and with a wandering +mind, cursing Neal and repeating long, inaccurate lists of figures. He +was manifestly a case for a doctor, and in the morning we got one in. +He was a young man from Montpelier, just beginning to practise, and very +mysterious and technical and modern and unhelpful. He spoke of cold +and exposure, and la grippe and pneumonia. He gave many explicit and +difficult directions.... I perceived it devolved upon me to organise +nursing and a sick-room. I installed a religieuse in the second bedroom +of the inn, and took a room for myself in the inn of Port de Luzon, a +quarter of a mile away. + +VII + +And now my story converges on what, in that queer corner of refuge +out of the world, was destined to be my uncle's deathbed. There is a +background of the Pyrenees, of blue hills and sunlit houses, of the old +castle of Luzon and a noisy cascading river, and for a foreground the +dim, stuffy room whose windows both the religieuse and hostess +conspired to shut, with its waxed floor, its four-poster bed, its +characteristically French chairs and fireplace, its champagne bottles +and dirty basins and used towels and packets of Somatose on the table. +And in the sickly air of the confined space in behind the curtains +of the bed lay my little uncle, with an effect of being enthroned and +secluded, or sat up, or writhed and tossed in his last dealings of life. +One went and drew back the edge of the curtains if one wanted to speak +to him or look at him. + +Usually he was propped up against pillows, because so he breathed more +easily. He slept hardly at all. + +I have a confused memory of vigils and mornings and afternoons spent by +that bedside, and how the religieuse hovered about me, and how meek and +good and inefficient she was, and how horribly black were her nails. +Other figures come and go, and particularly the doctor, a young man +plumply rococo, in bicycling dress, with fine waxen features, a little +pointed beard, and the long black frizzy hair and huge tie of a minor +poet. Bright and clear-cut and irrelevant are memories of the Basque +hostess of my uncle's inn and of the family of Spanish people who +entertained me and prepared the most amazingly elaborate meals for me, +with soup and salad and chicken and remarkable sweets. They were all +very kind and sympathetic people, systematically so. And constantly, +without attracting attention, I was trying to get newspapers from home. + +My uncle is central to all these impressions. + +I have tried to make you picture him, time after time, as the young man +of the Wimblehurst chemist's shop, as the shabby assistant in Tottenham +Court Road, as the adventurer of the early days of Tono-Bungay, as +the confident, preposterous plutocrat. And now I have to tell of him +strangely changed under the shadow of oncoming death, with his skin lax +and yellow and glistening with sweat, his eyes large and glassy, his +countenance unfamiliar through the growth of a beard, his nose pinched +and thin. Never had he looked so small as now. And he talked to me in +a whispering, strained voice of great issues, of why his life had been, +and whither he was going. Poor little man! that last phase is, as it +were, disconnected from all the other phases. It was as if he crawled +out from the ruins of his career, and looked about him before he died. +For he had quite clear-minded states in the intervals of his delirium. + +He knew he was almost certainly dying. In a way that took the burthen of +his cares off his mind. There was no more Neal to face, no more flights +or evasions, no punishments. + +"It has been a great career, George," he said, "but I shall be glad to +rest. Glad to rest!... Glad to rest." + +His mind ran rather upon his career, and usually, I am glad to recall, +with a note of satisfaction and approval. In his delirious phases he +would most often exaggerate this self-satisfaction, and talk of his +splendours. He would pluck at the sheet and stare before him, and +whisper half-audible fragments of sentences. + +"What is this great place, these cloud-capped towers, these any +pinnacles?... Ilion. Sky-pointing.... Ilion House, the residence of one +of our great merchant princes.... Terrace above terrace. Reaching to the +heavens.... Kingdoms Caesar never knew.... A great poet, George. Zzzz. +Kingdoms Caesar never knew.... Under entirely new management. + +"Greatness....Millions... Universities.... He stands on the terrace--on +the upper terrace--directing--directing--by the globe--directing--the +trade." + +It was hard at times to tell when his sane talk ceased and his delirium +began. The secret springs of his life, the vain imaginations were +revealed. I sometimes think that all the life of man sprawls abed, +careless and unkempt, until it must needs clothe and wash itself +and come forth seemly in act and speech for the encounter with one's +fellow-men. I suspect that all things unspoken in our souls partake +somewhat of the laxity of delirium and dementia. Certainly from those +slimy, tormented lips above the bristling grey beard came nothing but +dreams and disconnected fancies.... + +Sometimes he raved about Neal, threatened Neal. "What has he got +invested?" he said. "Does he think he can escape me?... If I followed +him up.... Ruin. Ruin.... One would think _I_ had taken his money." + +And sometimes he reverted to our airship flight. "It's too long, George, +too long and too cold. I'm too old a man--too old--for this sort of +thing.... You know you're not saving--you're killing me." + +Towards the end it became evident our identity was discovered. I found +the press, and especially Boom's section of it, had made a sort of hue +and cry for us, sent special commissioners to hunt for us, and though +none of these emissaries reached us until my uncle was dead, one felt +the forewash of that storm of energy. The thing got into the popular +French press. People became curious in their manner towards us, and a +number of fresh faces appeared about the weak little struggle that went +on in the closeness behind the curtains of the bed. The young doctor +insisted on consultations, and a motor-car came up from Biarritz, +and suddenly odd people with questioning eyes began to poke in with +inquiries and help. Though nothing was said, I could feel that we were +no longer regarded as simple middle-class tourists; about me, as I went, +I perceived almost as though it trailed visibly, the prestige of Finance +and a criminal notoriety. Local personages of a plump and prosperous +quality appeared in the inn making inquiries, the Luzon priest became +helpful, people watched our window, and stared at me as I went to and +fro; and then we had a raid from a little English clergyman and his +amiable, capable wife in severely Anglican blacks, who swooped down +upon us like virtuous but resolute vultures from the adjacent village of +Saint Jean de Pollack. + +The clergyman was one of those odd types that oscillate between remote +country towns in England and the conduct of English Church services +on mutual terms in enterprising hotels abroad, a tremulous, obstinate +little being with sporadic hairs upon his face, spectacles, a red button +nose, and aged black raiment. He was evidently enormously impressed by +my uncle's monetary greatness, and by his own inkling of our identity, +and he shone and brimmed over with tact and fussy helpfulness. He +was eager to share the watching of the bedside with me, he proffered +services with both hands, and as I was now getting into touch with +affairs in London again, and trying to disentangle the gigantic details +of the smash from the papers I had succeeded in getting from Biarritz, +I accepted his offers pretty generously, and began the studies in modern +finance that lay before me. I had got so out of touch with the old +traditions of religion that I overlooked the manifest possibility of +his attacking my poor, sinking vestiges of an uncle with theological +solicitudes. My attention was called to that, however, very speedily by +a polite but urgent quarrel between himself and the Basque landlady as +to the necessity of her hanging a cheap crucifix in the shadow over the +bed, where it might catch my uncle's eye, where, indeed, I found it had +caught his eye. + +"Good Lord!" I cried; "is THAT still going on!" + +That night the little clergyman watched, and in the small hours he +raised a false alarm that my uncle was dying, and made an extraordinary +fuss. He raised the house. I shall never forget that scene, I think, +which began with a tapping at my bedroom door just after I had fallen +asleep, and his voice-- + +"If you want to see your uncle before he goes, you must come now." + +The stuffy little room was crowded when I reached it, and lit by three +flickering candles. I felt I was back in the eighteenth century. There +lay my poor uncle amidst indescribably tumbled bedclothes, weary of life +beyond measure, weary and rambling, and the little clergyman trying to +hold his hand and his attention, and repeating over and over again: + +"Mr. Ponderevo, Mr. Ponderevo, it is all right. It is all right. + +"Only Believe! 'Believe on me, and ye shall be saved'!" + +Close at hand was the doctor with one of those cruel and idiotic +injection needles modern science puts in the hands of these +half-educated young men, keeping my uncle flickeringly alive for no +reason whatever. The religieuse hovered sleepily in the background with +an overdue and neglected dose. In addition, the landlady had not only +got up herself, but roused an aged crone of a mother and a partially +imbecile husband, and there was also a fattish, stolid man in grey +alpaca, with an air of importance--who he was and how he got there, I +don't know. I rather fancy the doctor explained him to me in French I +did not understand. And they were all there, wearily nocturnal, hastily +and carelessly dressed, intent upon the life that flickered and sank, +making a public and curious show of its going, queer shapes of human +beings lit by three uncertain candles, and every soul of them keenly and +avidly resolved to be in at the death. The doctor stood, the others were +all sitting on chairs the landlady had brought in and arranged for them. + +And my uncle spoilt the climax, and did not die. + +I replaced the little clergyman on the chair by the bedside, and he +hovered about the room. + +"I think," he whispered to me mysteriously, as he gave place to me, "I +believe--it is well with him." + +I heard him trying to render the stock phrases of Low Church piety into +French for the benefit of the stolid man in grey alpaca. Then he knocked +a glass off the table, and scrabbled for the fragments. From the first +I doubted the theory of an immediate death. I consulted the doctor in +urgent whispers. I turned round to get champagne, and nearly fell over +the clergyman's legs. He was on his knees at the additional chair the +Basque landlady had got on my arrival, and he was praying aloud, "Oh, +Heavenly Father, have mercy on this thy Child...." I hustled him up +and out of the way, and in another minute he was down at another chair +praying again, and barring the path of the religieuse, who had found me +the corkscrew. Something put into my head that tremendous blasphemy of +Carlyle's about "the last mew of a drowning kitten." He found a third +chair vacant presently; it was as if he was playing a game. + +"Good Heavens!" I said, "we must clear these people out," and with a +certain urgency I did. + +I had a temporary lapse of memory, and forgot all my French. I drove +them out mainly by gesture, and opened the window, to the universal +horror. I intimated the death scene was postponed, and, as a matter of +fact, my uncle did not die until the next night. + +I did not let the little clergyman come near him again, and I was +watchful for any sign that his mind had been troubled. But he made none. +He talked once about "that parson chap." + +"Didn't bother you?" I asked. + +"Wanted something," he said. + +I kept silence, listening keenly to his mutterings. I understood him to +say, "They wanted too much." His face puckered like a child's going to +cry. "You can't get a safe six per cent.," he said. I had for a moment +a wild suspicion that those urgent talks had not been altogether +spiritual, but that, I think, was a quite unworthy and unjust suspicion. +The little clergyman was as simple and honest as the day. My uncle was +simply generalising about his class. + +But it may have been these talks that set loose some long dormant string +of ideas in my uncle's brain, ideas the things of this world had long +suppressed and hidden altogether. Near the end he suddenly became +clearminded and lucid, albeit very weak, and his voice was little, but +clear. + +"George," he said. + +"I'm here," I said, "close beside you." + +"George. You have always been responsible for the science. George. You +know better than I do. Is--Is it proved?" + +"What proved?" + +"Either way?" + +"I don't understand." + +"Death ends all. After so much--Such splendid beginnin's. Somewhere. +Something." + +I stared at him amazed. His sunken eyes were very grave. + +"What do you expect?" I said in wonder. + +He would not answer. "Aspirations," he whispered. He fell into a broken +monologue, regardless of me. "Trailing clouds of glory," he said, and +"first-rate poet, first-rate....George was always hard. Always." + +For a long time there was silence. + +Then he made a gesture that he wished to speak. + +"Seems to me, George" + +I bent my head down, and he tried to lift his hand to my shoulder. I +raised him a little on his pillows, and listened. + +"It seems to me, George, always--there must be something in me--that +won't die." + +He looked at me as though the decision rested with me. + +"I think," he said; "--something." + +Then, for a moment, his mind wandered. "Just a little link," he +whispered almost pleadingly, and lay quite still, but presently he was +uneasy again. + +"Some other world" + +"Perhaps," I said. "Who knows?" + +"Some other world." + +"Not the same scope for enterprise," I said. + +"No." + +He became silent. I sat leaning down to him, and following out my own +thoughts, and presently the religieuse resumed her periodic conflict +with the window fastening. For a time he struggled for breath.... It +seemed such nonsense that he should have to suffer so--poor silly little +man! + +"George," he whispered, and his weak little hand came out. "PERHAPS--" + +He said no more, but I perceived from the expression of his eyes that he +thought the question had been put. + +"Yes, I think so;" I said stoutly. + +"Aren't you sure?" + +"Oh--practically sure," said I, and I think he tried to squeeze my hand. +And there I sat, holding his hand tight, and trying to think what seeds +of immortality could be found in all his being, what sort of ghost there +was in him to wander out into the bleak immensities. Queer fancies came +to me.... He lay still for a long time, save for a brief struggle or so +for breath and ever and again I wiped his mouth and lips. + +I fell into a pit of thought. I did not remark at first the change that +was creeping over his face. He lay back on his pillow, made a +faint zzzing sound that ceased, and presently and quite quietly he +died--greatly comforted by my assurance. I do not know when he died. His +hand relaxed insensibly. Suddenly, with a start, with a shock, I found +that his mouth had fallen open, and that he was dead.... + +VIII + +It was dark night when I left his deathbed and went back to my own inn +down the straggling street of Luzon. + +That return to my inn sticks in my memory also as a thing apart, as an +experience apart. Within was a subdued bustle of women, a flitting of +lights, and the doing of petty offices to that queer, exhausted thing +that had once been my active and urgent little uncle. For me those +offices were irksome and impertinent. I slammed the door, and went out +into the warm, foggy drizzle of the village street lit by blurred specks +of light in great voids of darkness, and never a soul abroad. That warm +veil of fog produced an effect of vast seclusion. The very houses by the +roadside peered through it as if from another world. The stillness of +the night was marked by an occasional remote baying of dogs; all these +people kept dogs because of the near neighbourhood of the frontier. + +Death! + +It was one of those rare seasons of relief, when for a little time one +walks a little outside of and beside life. I felt as I sometimes feel +after the end of a play. I saw the whole business of my uncle's life as +something familiar and completed. It was done, like a play one leaves, +like a book one closes. I thought of the push and the promotions, the +noise of London, the crowded, various company of people through which +our lives had gone, the public meetings, the excitements, the dinners +and disputations, and suddenly it appeared to me that none of these +things existed. + +It came to me like a discovery that none of these things existed. + +Before and after I have thought and called life a phantasmagoria, but +never have I felt its truth as I did that night.... We had parted; we +two who had kept company so long had parted. But there was, I knew, no +end to him or me. He had died a dream death, and ended a dream; his pain +dream was over. It seemed to me almost as though I had died, too. What +did it matter, since it was unreality, all of it, the pain and desire, +the beginning and the end? There was no reality except this solitary +road, this quite solitary road, along which one went rather puzzled, +rather tired.... + +Part of the fog became a big mastiff that came towards me and stopped +and slunk round me, growling, barked gruffly, and shortly and presently +became fog again. + +My mind swayed back to the ancient beliefs and fears of our race. + +My doubts and disbeliefs slipped from me like a loosely fitting garment. +I wondered quite simply what dogs bayed about the path of that other +walker in the darkness, what shapes, what lights, it might be, loomed +about him as he went his way from our last encounter on earth--along the +paths that are real, and the way that endures for ever? + +IX + +Last belated figure in that grouping round my uncle's deathbed is my +aunt. When it was beyond all hope that my uncle could live I threw aside +whatever concealment remained to us and telegraphed directly to her. +But she came too late to see him living. She saw him calm and still, +strangely unlike his habitual garrulous animation, an unfamiliar +inflexibility. + +"It isn't like him," she whispered, awed by this alien dignity. + +I remember her chiefly as she talked and wept upon the bridge below the +old castle. We had got rid of some amateurish reporters from Biarritz, +and had walked together in the hot morning sunshine down through Port +Luzon. There, for a time, we stood leaning on the parapet of the bridge +and surveying the distant peeks, the rich blue masses of the Pyrenees. +For a long time we said nothing, and then she began talking. + +"Life's a rum Go, George!" she began. "Who would have thought, when I +used to darn your stockings at old Wimblehurst, that this would be the +end of the story? It seems far away now--that little shop, his and my +first home. The glow of the bottles, the big coloured bottles! Do you +remember how the light shone on the mahogany drawers? The little +gilt letters! Ol Amjig, and Snap! I can remember it all--bright and +shining--like a Dutch picture. Real! And yesterday. And here we are in +a dream. You a man--and me an old woman, George. And poor little Teddy, +who used to rush about and talk--making that noise he did--Oh!" + +She choked, and the tears flowed unrestrained. She wept, and I was glad +to see her weeping. + +She stood leaning over the bridge; her tear-wet handkerchief gripped in +her clenched hand. + +"Just an hour in the old shop again--and him talking. Before things got +done. Before they got hold of him. And fooled him. + +"Men oughtn't to be so tempted with business and things.... + +"They didn't hurt him, George?" she asked suddenly. + +For a moment I was puzzled. + +"Here, I mean," she said. + +"No," I lied stoutly, suppressing the memory of that foolish injection +needle I had caught the young doctor using. + +"I wonder, George, if they'll let him talk in Heaven...." + +She faced me. "Oh! George, dear, my heart aches, and I don't know what +I say and do. Give me your arm to lean on--it's good to have you, +dear, and lean upon you.... Yes, I know you care for me. That's why I'm +talking. We've always loved one another, and never said anything about +it, and you understand, and I understand. But my heart's torn to pieces +by this, torn to rags, and things drop out I've kept in it. It's true he +wasn't a husband much for me at the last. But he was my child, George, +he was my child and all my children, my silly child, and life has +knocked him about for me, and I've never had a say in the matter; never +a say; it's puffed him up and smashed him--like an old bag--under my +eyes. I was clever enough to see it, and not clever enough to prevent +it, and all I could do was to jeer. I've had to make what I could of +it. Like most people. Like most of us.... But it wasn't fair, George. +It wasn't fair. Life and Death--great serious things--why couldn't they +leave him alone, and his lies and ways? If WE could see the lightness of +it-- + +"Why couldn't they leave him alone?" she repeated in a whisper as we +went towards the inn. + + +CHAPTER THE SECOND + +LOVE AMONG THE WRECKAGE + +I + +When I came back I found that my share in the escape and death of my +uncle had made me for a time a notorious and even popular character. +For two weeks I was kept in London "facing the music," as he would have +said, and making things easy for my aunt, and I still marvel at the +consideration with which the world treated me. For now it was open and +manifest that I and my uncle were no more than specimens of a modern +species of brigand, wasting the savings of the public out of the sheer +wantonness of enterprise. I think that in a way, his death produced +a reaction in my favour and my flight, of which some particulars now +appeared stuck in the popular imagination. It seemed a more daring and +difficult feat than it was, and I couldn't very well write to the papers +to sustain my private estimate. There can be little doubt that men +infinitely prefer the appearance of dash and enterprise to simple +honesty. No one believed I was not an arch plotter in his financing. Yet +they favoured me. I even got permission from the trustee to occupy +my chalet for a fortnight while I cleared up the mass of papers, +calculations, notes of work, drawings and the like, that I left in +disorder when I started on that impulsive raid upon the Mordet quap +heaps. + +I was there alone. I got work for Cothope with the Ilchesters, for whom +I now build these destroyers. They wanted him at once, and he was short +of money, so I let him go and managed very philosophically by myself. + +But I found it hard to fix my attention on aeronautics, I had been away +from the work for a full half-year and more, a half-year crowded with +intense disconcerting things. For a time my brain refused these fine +problems of balance and adjustment altogether; it wanted to think about +my uncle's dropping jaw, my aunt's reluctant tears, about dead negroes +and pestilential swamps, about the evident realities of cruelty and +pain, about life and death. Moreover, it was weary with the frightful +pile of figures and documents at the Hardingham, a task to which this +raid to Lady Grove was simply an interlude. And there was Beatrice. + +On the second morning, as I sat out upon the veranda recalling memories +and striving in vain to attend to some too succinct pencil notes of +Cothope's, Beatrice rode up suddenly from behind the pavilion, and +pulled rein and became still; Beatrice, a little flushed from riding and +sitting on a big black horse. + +I did not instantly rise. I stared at her. "YOU!" I said. + +She looked at me steadily. "Me," she said + +I did not trouble about any civilities. I stood up and asked point blank +a question that came into my head. + +"Whose horse is that?" I said. + +She looked me in the eyes. "Carnaby's," she answered. + +"How did you get here--this way?" + +"The wall's down." + +"Down? Already?" + +"A great bit of it between the plantations." + +"And you rode through, and got here by chance?" + +"I saw you yesterday. And I rode over to see you." I had now come close +to her, and stood looking up into her face. + +"I'm a mere vestige," I said. + +She made no answer, but remained regarding me steadfastly with a curious +air of proprietorship. + +"You know I'm the living survivor now of the great smash. I'm rolling +and dropping down through all the scaffolding of the social system.... +It's all a chance whether I roll out free at the bottom, or go down a +crack into the darkness out of sight for a year or two." + +"The sun," she remarked irrelevantly, "has burnt you.... I'm getting +down." + +She swung herself down into my arms, and stood beside me face to face. + +"Where's Cothope?" she asked. + +"Gone." + +Her eyes flitted to the pavilion and back to me. We stood close +together, extraordinarily intimate, and extraordinarily apart. + +"I've never seen this cottage of yours," she said, "and I want to." + +She flung the bridle of her horse round the veranda post, and I helped +her tie it. + +"Did you get what you went for to Africa?" she asked. + +"No," I said, "I lost my ship." + +"And that lost everything?" + +"Everything." + +She walked before me into the living-room of the chalet, and I saw that +she gripped her riding-whip very tightly in her hand. She looked about +her for a moment,--and then at me. + +"It's comfortable," she remarked. + +Our eyes met in a conversation very different from the one upon our +lips. A sombre glow surrounded us, drew us together; an unwonted shyness +kept us apart. She roused herself, after an instant's pause, to examine +my furniture. + +"You have chintz curtains. I thought men were too feckless to have +curtains without a woman. But, of course, your aunt did that! And a +couch and a brass fender, and--is that a pianola? That is your desk. +I thought men's desks were always untidy, and covered with dust and +tobacco ash." + +She flitted to my colour prints and my little case of books. Then she +went to the pianola. I watched her intently. + +"Does this thing play?" she said. + +"What?" I asked. + +"Does this thing play?" + +I roused myself from my preoccupation. + +"Like a musical gorilla with fingers all of one length. And a sort of +soul.... It's all the world of music to me." + +"What do you play?" + +"Beethoven, when I want to clear up my head while I'm working. He +is--how one would always like to work. Sometimes Chopin and those +others, but Beethoven. Beethoven mainly. Yes." + +Silence again between us. She spoke with an effort. + +"Play me something." She turned from me and explored the rack of +music rolls, became interested and took a piece, the first part of the +Kreutzer Sonata, hesitated. "No," she said, "that!" + +She gave me Brahms' Second Concerto, Op. 58, and curled up on the sofa +watching me as I set myself slowly to play.... + +"I say," he said when I had done, "that's fine. I didn't know those +things could play like that. I'm all astir..." + +She came and stood over me, looking at me. "I'm going to have a +concert," she said abruptly, and laughed uneasily and hovered at the +pigeon-holes. "Now--now what shall I have?" She chose more of Brahms. +Then we came to the Kreutzer Sonata. It is queer how Tolstoy has loaded +that with suggestions, debauched it, made it a scandalous and intimate +symbol. When I had played the first part of that, she came up to the +pianola and hesitated over me. I sat stiffly--waiting. + +Suddenly she seized my downcast head and kissed my hair. She caught at +my face between her hands and kissed my lips. I put my arms about her +and we kissed together. I sprang to my feet and clasped her. + +"Beatrice!" I said. "Beatrice!" + +"My dear," she whispered, nearly breathless, with her arms about me. +"Oh! my dear!" + +II + +Love, like everything else in this immense process of social +disorganisation in which we live, is a thing adrift, a fruitless thing +broken away from its connexions. I tell of this love affair here because +of its irrelevance, because it is so remarkable that it should mean +nothing, and be nothing except itself. It glows in my memory like some +bright casual flower starting up amidst the debris of a catastrophe. +For nearly a fortnight we two met and made love together. Once more this +mighty passion, that our aimless civilisation has fettered and maimed +and sterilised and debased, gripped me and filled me with passionate +delights and solemn joys--that were all, you know, futile and +purposeless. Once more I had the persuasion "This matters. Nothing +else matters so much as this." We were both infinitely grave in such +happiness as we had. I do not remember any laughter at all between us. + +Twelve days it lasted from that encounter in my chalet until our +parting. + +Except at the end, they were days of supreme summer, and there was a +waxing moon. We met recklessly day by day. We were so intent upon each +other at first so intent upon expressing ourselves to each other, and +getting at each other, that we troubled very little about the appearance +of our relationship. We met almost openly.... We talked of ten thousand +things, and of ourselves. We loved. We made love. There is no prose +of mine that can tell of hours transfigured. The facts are nothing. +Everything we touched, the meanest things, became glorious. How can I +render bare tenderness and delight and mutual possession? I sit here at +my desk thinking of untellable things. + +I have come to know so much of love that I know now what love might be. +We loved, scarred and stained; we parted--basely and inevitably, but at +least I met love. + +I remember as we sat in a Canadian canoe, in a reedy, bush-masked +shallow we had discovered operating out of that pine-shaded Woking +canal, how she fell talking of the things that happened to her before +she met me again.... + +She told me things, and they so joined and welded together other things +that lay disconnected in my memory, that it seemed to me I had always +known what she told me. And yet indeed I had not known nor suspected it, +save perhaps for a luminous, transitory suspicion ever and again. + +She made me see how life had shaped her. She told me of her girlhood +after I had known her. "We were poor and pretending and managing. We +hacked about on visits and things. I ought to have married. The chances +I had weren't particularly good chances. I didn't like 'em." + +She paused. "Then Carnaby came along." + +I remained quite still. She spoke now with downcast eyes, and one finger +just touching the water. + +"One gets bored, bored beyond redemption. One does about to these huge +expensive houses I suppose--the scale's immense. One makes one's +self useful to the other women, and agreeable to the men. One has to +dress.... One has food and exercise and leisure, It's the leisure, and +the space, and the blank opportunity it seems a sin not to fill. Carnaby +isn't like the other men. He's bigger.... They go about making love. +Everybody's making love. I did.... And I don't do things by halves." + +She stopped. + +"You knew?"--she asked, looking up, quite steadily. I nodded. + +"Since when?" + +"Those last days.... It hasn't seemed to matter really. I was a little +surprised." + +She looked at me quietly. "Cothope knew," she said. "By instinct. I +could feel it." + +"I suppose," I began, "once, this would have mattered immensely. Now--" + +"Nothing matters," she said, completing me. "I felt I had to tell you. I +wanted you to understand why I didn't marry you--with both hands. I have +loved you"--she paused--"have loved you ever since the day I kissed you +in the bracken. Only--I forgot." + +And suddenly she dropped her face upon her hands, and sobbed +passionately-- + +"I forgot--I forgot," she cried, and became still.... + +I dabbled my paddle in the water. "Look here!" I said; "forget again! +Here am I--a ruined man. Marry me." + +She shook her head without looking up. + +We were still for a long time. "Marry me!" I whispered. + +She looked up, twined back a whisp of hair, and answered +dispassionately-- + +"I wish I could. Anyhow, we have had this time. It has been a fine +time--has it been--for you also? I haven't nudged you all I had to give. +It's a poor gift--except for what it means and might have been. But we +are near the end of it now." + +"Why?" I asked. "Marry me! Why should we two--" + +"You think," she said, "I could take courage and come to you and be your +everyday wife--while you work and are poor?" + +"Why not?" said I. + +She looked at me gravely, with extended finger. "Do you really think +that--of me? Haven't you seen me--all?" + +I hesitated. + +"Never once have I really meant marrying you," she insisted. "Never +once. I fell in love with you from the first. But when you seemed a +successful man, I told myself I wouldn't. I was love-sick for you, +and you were so stupid, I came near it then. But I knew I wasn't good +enough. What could I have been to you? A woman with bad habits and bad +associations, a woman smirched. And what could I do for you or be to +you? If I wasn't good enough to be a rich man's wife, I'm certainly not +good enough to be a poor one's. Forgive me for talking sense to you now, +but I wanted to tell you this somehow." + +She stopped at my gesture. I sat up, and the canoe rocked with my +movement. + +"I don't care," I said. "I want to marry you and make you my wife!" + +"No," she said, "don't spoil things. That is impossible!" + +"Impossible!" + +"Think! I can't do my own hair! Do you mean you will get me a maid?" + +"Good God!" I cried, disconcerted beyond measure, "won't you learn to do +your own hair for me? Do you mean to say you can love a man--" + +She flung out her hands at me. "Don't spoil it," she cried. "I have +given you all I have, I have given you all I can. If I could do it, if +I was good enough to do it, I would. But I am a woman spoilt and +ruined, dear, and you are a ruined man. When we are making love we're +lovers--but think of the gulf between us in habits and ways of thought, +in will and training, when we are not making love. Think of it--and +don't think of it! Don't think of it yet. We have snatched some hours. +We still may have some hours!" + +She suddenly knelt forward toward me, with a glowing darkness in her +eyes. "Who cares if it upsets?" she cried. "If you say another word I +will kiss you. And go to the bottom clutching you. + +"I'm not afraid of that. I'm not a bit afraid of that. I'll die with you. +Choose a death, and I'll die with you--readily. Do listen to me! I love +you. I shall always love you. It's because I love you that I won't go +down to become a dirty familiar thing with you amidst the grime. I've +given all I can. I've had all I can.... Tell me," and she crept nearer, +"have I been like the dusk to you, like the warm dusk? Is there magic +still? Listen to the ripple of water from your paddle. Look at the warm +evening light in the sky. Who cares if the canoe upsets? Come nearer to +me. Oh, my love! come near! So." + +She drew me to her and our lips met. + +III + +I asked her to marry me once again. + +It was our last morning together, and we had met very early, about +sunrise, knowing that we were to part. No sun shone that day. The sky +was overcast, the morning chilly and lit by a clear, cold, spiritless +light. A heavy dampness in the air verged close on rain. When I think of +that morning, it has always the quality of greying ashes wet with rain. + +Beatrice too had changed. The spring had gone out of her movement; it +came to me, for the first time, that some day she might grow old. She +had become one flesh with the rest of common humanity; the softness +had gone from her voice and manner, the dusky magic of her presence had +gone. I saw these things with perfect clearness, and they made me sorry +for them and for her. But they altered my love not a whit, abated it +nothing. And when we had talked awkwardly for half a dozen sentences, I +came dully to my point. + +"And now," I cried, "will you marry me?" + +"No," she said, "I shall keep to my life here." + +I asked her to marry me in a year's time. She shook her head. + +"This world is a soft world," I said, "in spite of my present disasters. +I know now how to do things. If I had you to work for--in a year I could +be a prosperous man." + +"No," she said, "I will put it brutally, I shall go back to Carnaby." + +"But--!" I did not feel angry. I had no sort of jealousy, no wounded +pride, no sense of injury. I had only a sense of grey desolation, of +hopeless cross-purposes. + +"Look here," she said. "I have been awake all night and every night. I +have been thinking of this--every moment when we have not been together. +I'm not answering you on an impulse. I love you. I love you. I'll say +that over ten thousand times. But here we are--" + +"The rest of life together," I said. + +"It wouldn't be together. Now we are together. Now we have been +together. We are full of memories I do not feel I can ever forget a +single one." + +"Nor I." + +"And I want to close it and leave it at that. You see, dear, what else +is there to do?" + +She turned her white face to me. "All I know of love, all I have ever +dreamt or learnt of love I have packed into these days for you. You +think we might live together and go on loving. No! For you I will have +no vain repetitions. You have had the best and all of me. Would you have +us, after this, meet again in London or Paris or somewhere, scuffle to +some wretched dressmaker's, meet in a cabinet particulier?" + +"No," I said. "I want you to marry me. I want you to play the game of +life with me as an honest woman should. Come and live with me. Be my +wife and squaw. Bear me children." + +I looked at her white, drawn face, and it seemed to me I might carry her +yet. I spluttered for words. + +"My God! Beatrice!" I cried; "but this is cowardice and folly! Are you +afraid of life? You of all people! What does it matter what has been or +what we were? Here we are with the world before us! Start clean and new +with me. We'll fight it through! I'm not such a simple lover that I'll +not tell you plainly when you go wrong, and fight our difference out +with you. It's the one thing I want, the one thing I need--to have you, +and more of you and more! This love-making--it's love-making. It's just +a part of us, an incident--" + +She shook her head and stopped me abruptly. "It's all," she said. + +"All!" I protested. + +"I'm wiser than you. Wiser beyond words." She turned her eyes to me and +they shone with tears. + +"I wouldn't have you say anything--but what you're saying," she said. +"But it's nonsense, dear. You know it's nonsense as you say it." + +I tried to keep up the heroic note, but she would not listen to it. + +"It's no good," she cried almost petulantly. "This little world has made +us what we are. Don't you see--don't you see what I am? I can make love. +I can make love and be loved, prettily. Dear, don't blame me. I have +given you all I have. If I had anything more--I have gone through it +all over and over again--thought it out. This morning my head aches, my +eyes ache. + +"The light has gone out of me and I am a sick and tired woman. But I'm +talking wisdom--bitter wisdom. I couldn't be any sort of helper to you, +any sort of wife, any sort of mother. I'm spoilt. + +"I'm spoilt by this rich idle way of living, until every habit is wrong, +every taste wrong. The world is wrong. People can be ruined by wealth +just as much as by poverty. Do you think I wouldn't face life with you +if I could, if I wasn't absolutely certain I should be down and dragging +in the first half-mile of the journey? Here I am--damned! Damned! But +I won't damn you. You know what I am! You know. You are too clear and +simple not to know the truth. You try to romance and hector, but you +know the truth. I am a little cad--sold and done. I'm--. My dear, you +think I've been misbehaving, but all these days I've been on my best +behaviour.... You don't understand, because you're a man. + +"A woman, when she's spoilt, is SPOILT. She's dirty in grain. She's +done." + +She walked on weeping. + +"You're a fool to want me," she said. "You're a fool to want me--for +my sake just as much as yours. We've done all we can. It's just +romancing--" + +She dashed the tears from her eyes and turned upon me. "Don't you +understand?" she challenged. "Don't you know?" + +We faced one another in silence for a moment. + +"Yes," I said, "I know." + +For a long time we spoke never a word, but walked on together, slowly +and sorrowfully, reluctant to turn about towards our parting. When at +last we did, she broke silence again. + +"I've had you," she said. + +"Heaven and hell," I said, "can't alter that." + +"I've wanted--" she went on. "I've talked to you in the nights and made +up speeches. Now when I want to make them I'm tongue-tied. But to me +it's just as if the moments we have had lasted for ever. Moods and +states come and go. To-day my light is out..." + +To this day I cannot determine whether she said or whether I imagined +she said "chloral." Perhaps a half-conscious diagnosis flashed it on +my brain. Perhaps I am the victim of some perverse imaginative freak +of memory, some hinted possibility that scratched and seared. There the +word stands in my memory, as if it were written in fire. + +We came to the door of Lady Osprey's garden at last, and it was +beginning to drizzle. + +She held out her hands and I took them. + +"Yours," she said, in a weary unimpassioned voice; "all that I had--such +as it was. Will you forget?" + +"Never," I answered. + +"Never a touch or a word of it?" + +"No." + +"You will," she said. + +We looked at one another in silence, and her face full of fatigue and +misery. + +What could I do? What was there to do? + +"I wish--" I said, and stopped. + +"Good-bye." + +IV + +That should have been the last I saw of her, but, indeed, I was destined +to see her once again. Two days after I was at Lady Grove, I forget +altogether upon what errand, and as I walked back to the station +believing her to be gone away she came upon me, and she was riding with +Carnaby, just as I had seen them first. The encounter jumped upon us +unprepared. She rode by, her eyes dark in her white face, and scarcely +noticed me. She winced and grew stiff at the sight of me and bowed her +head. But Carnaby, because he thought I was a broken and discomfited +man, saluted me with an easy friendliness, and shouted some genial +commonplace to me. + +They passed out of sight and left me by the roadside.... + +And then, indeed, I tasted the ultimate bitterness of life. For the +first time I felt utter futility, and was wrung by emotion that begot no +action, by shame and pity beyond words. I had parted from her dully and +I had seen my uncle break and die with dry eyes and a steady mind, but +this chance sight of my lost Beatrice brought me to tears. My face was +wrung, and tears came pouring down my cheeks. All the magic she had for +me had changed to wild sorrow. "Oh God!" I cried, "this is too much," +and turned my face after her and made appealing gestures to the beech +trees and cursed at fate. I wanted to do preposterous things, to pursue +her, to save her, to turn life back so that she might begin again. +I wonder what would have happened had I overtaken them in pursuit, +breathless with running, uttering incoherent words, weeping, +expostulatory. I came near to doing that. + +There was nothing in earth or heaven to respect my curses or weeping. In +the midst of it a man who had been trimming the opposite hedge appeared +and stared at me. + +Abruptly, ridiculously, I dissembled before him and went on and caught +my train.... + +But the pain I felt then I have felt a hundred times; it is with me as +I write. It haunts this book, I see, that is what haunts this book, from +end to end. + + +CHAPTER THE THIRD + +NIGHT AND THE OPEN SEA + +I + +I have tried throughout all this story to tell things as they happened +to me. In the beginning--the sheets are still here on the table, grimy +and dogs-eared and old-looking--I said I wanted to tell MYSELF and the +world in which I found myself, and I have done my best. But whether I +have succeeded I cannot imagine. All this writing is grey now and dead +and trite and unmeaning to me; some of it I know by heart. I am the last +person to judge it. + +As I turn over the big pile of manuscript before me certain things +become clearer to me, and particularly the immense inconsequences of my +experiences. It is, I see now that I have it all before me, a story of +activity and urgency and sterility. I have called it Tono-Bungay, but I +had far better have called it Waste. I have told of childless Marion, of +my childless aunt, of Beatrice wasted and wasteful and futile. What hope +is there for a people whose women become fruitless? I think of all the +energy I have given to vain things. I think of my industrious scheming +with my uncle, of Crest Hill's vast cessation, of his resonant strenuous +career. Ten thousand men have envied him and wished to live as he lived. +It is all one spectacle of forces running to waste, of people who use +and do not replace, the story of a country hectic with a wasting aimless +fever of trade and money-making and pleasure-seeking. And now I build +destroyers! + +Other people may see this country in other terms; this is how I have +seen it. In some early chapter in this heap I compared all our present +colour and abundance to October foliage before the frosts nip down the +leaves. That I still feel was a good image. Perhaps I see wrongly. It +may be I see decay all about me because I am, in a sense, decay. To +others it may be a scene of achievement and construction radiant with +hope. I, too, have a sort of hope, but it is a remote hope, a hope that +finds no promise in this Empire or in any of the great things of our +time. + +How they will look in history I do not know, how time and chance will +prove them I cannot guess; that is how they have mirrored themselves on +one contemporary mind. + +II + +Concurrently with writing the last chapter of this book I have been much +engaged by the affairs of a new destroyer we have completed. It has been +an oddly complementary alternation of occupations. Three weeks or so ago +this novel had to be put aside in order that I might give all my time +day and night to the fitting and finishing of the engines. Last Thursday +X 2, for so we call her, was done and I took her down the Thames and +went out nearly to Texel for a trial of speed. + +It is curious how at times one's impressions will all fuse and run +together into a sort of unity and become continuous with things that +have hitherto been utterly alien and remote. That rush down the river +became mysteriously connected with this book. + +As I passed down the Thames I seemed in a new and parallel manner to be +passing all England in review. I saw it then as I had wanted my readers +to see it. The thought came to me slowly as I picked my way through the +Pool; it stood out clear as I went dreaming into the night out upon the +wide North Sea. + +It wasn't so much thinking at the time as a sort of photographic thought +that came and grew clear. X2 went ripping through the dirty oily water +as scissors rip through canvas, and the front of my mind was all intent +with getting her through under the bridges and in and out among the +steam-boats and barges and rowing-boats and piers. I lived with my +hands and eyes hard ahead. I thought nothing then of any appearances but +obstacles, but for all that the back of my mind took the photographic +memory of it complete and vivid.... + +"This," it came to me, "is England. That is what I wanted to give in my +book. This!" + +We started in the late afternoon. We throbbed out of our yard above +Hammersmith Bridge, fussed about for a moment, and headed down stream. +We came at an easy rush down Craven Reach, past Fulham and Hurlingham, +past the long stretches of muddy meadow And muddy suburb to Battersea +and Chelsea, round the cape of tidy frontage that is Grosvenor Road and +under Vauxhall Bridge, and Westminster opened before us. We cleared +a string of coal barges and there on the left in the October sunshine +stood the Parliament houses, and the flag was flying and Parliament was +sitting. + +I saw it at the time unseeingly; afterwards it came into my mind as the +centre of the whole broad panoramic effect of that afternoon. The stiff +square lace of Victorian Gothic with its Dutch clock of a tower came +upon me suddenly and stared and whirled past in a slow half pirouette +and became still, I know, behind me as if watching me recede. "Aren't +you going to respect me, then?" it seemed to say. + +Not I! There in that great pile of Victorian architecture the landlords +and the lawyers, the bishops, the railway men and the magnates of +commerce go to and fro--in their incurable tradition of commercialised +Bladesovery, of meretricious gentry and nobility sold for riches. I have +been near enough to know. The Irish and the Labour-men run about among +their feet, making a fuss, effecting little, they've got no better plans +that I can see. Respect it indeed! There's a certain paraphernalia of +dignity, but whom does it deceive? The King comes down in a gilt coach +to open the show and wears long robes and a crown; and there's a display +of stout and slender legs in white stockings and stout and slender legs +in black stockings and artful old gentlemen in ermine. I was reminded +of one congested afternoon I had spent with my aunt amidst a cluster of +agitated women's hats in the Royal Gallery of the House of Lords and +how I saw the King going to open Parliament, and the Duke of Devonshire +looking like a gorgeous pedlar and terribly bored with the cap of +maintenance on a tray before him hung by slings from his shoulder. A +wonderful spectacle! + +It is quaint, no doubt, this England--it is even dignified in +places--and full of mellow associations. That does not alter the quality +of the realities these robes conceal. The realities are greedy trade, +base profit--seeking, bold advertisement; and kingship and chivalry, +spite of this wearing of treasured robes, are as dead among it all +as that crusader my uncle championed against the nettles outside the +Duffield church. + +I have thought much of that bright afternoon's panorama. + +To run down the Thames so is to run one's hand over the pages in the +book of England from end to end. One begins in Craven Reach and it is as +if one were in the heart of old England. Behind us are Kew and Hampton +Court with their memories of Kings and Cardinals, and one runs at first +between Fulham's episcopal garden parties and Hurlingham's playground +for the sporting instinct of our race. The whole effect is English. +There is space, there are old trees and all the best qualities of +the home-land in that upper reach. Putney, too, looks Anglican on a +dwindling scale. And then for a stretch the newer developments slop +over, one misses Bladesover and there come first squalid stretches of +mean homes right and left and then the dingy industrialism of the +south side, and on the north bank the polite long front of nice houses, +artistic, literary, administrative people's residences, that stretches +from Cheyne Walk nearly to Westminster and hides a wilderness of slums. +What a long slow crescendo that is, mile after mile, with the houses +crowding closelier, the multiplying succession of church towers, the +architectural moments, the successive bridges, until you come out into +the second movement of the piece with Lambeth's old palace under your +quarter and the houses of Parliament on your bow! Westminster Bridge +is ahead of you then, and through it you flash, and in a moment the +round-faced clock tower cranes up to peer at you again and New +Scotland Yard squares at you, a fat beef-eater of a policeman disguised +miraculously as a Bastille. + +For a stretch you have the essential London; you have Charing Cross +railway station, heart of the world, and the Embankment on the north +side with its new hotels overshadowing its Georgian and Victorian +architecture, and mud and great warehouses and factories, chimneys, shot +towers, advertisements on the south. The northward skyline grows more +intricate and pleasing, and more and more does one thank God for Wren. +Somerset House is as picturesque as the civil war, one is reminded again +of the original England, one feels in the fretted sky the quality of +Restoration Lace. + +And then comes Astor's strong box and the lawyers' Inns. + +(I had a passing memory of myself there, how once I had trudged along +the Embankment westward, weighing my uncle's offer of three hundred +pounds a year....) + +Through that central essential London reach I drove, and X2 bored +her nose under the foam regardless of it all like a black hound going +through reeds--on what trail even I who made her cannot tell. + +And in this reach, too, one first meets the seagulls and is reminded of +the sea. Blackfriars one takes--just under these two bridges and just +between them is the finest bridge moment in the world--and behold, +soaring up, hanging in the sky over a rude tumult of warehouses, over a +jostling competition of traders, irrelevantly beautiful and altogether +remote, Saint Paul's! "Of course!" one says, "Saint Paul's!" It is the +very figure of whatever fineness the old Anglican culture achieved, +detached, a more dignified and chastened Saint Peter's, colder, greyer, +but still ornate; it has never been over thrown, never disavowed, only +the tall warehouses and all the roar of traffic have forgotten it, +every one has forgotten it; the steamships, the barges, go heedlessly by +regardless of it, intricacies of telephone wires and poles cut blackly +into its thin mysteries, and presently, when in a moment the traffic +permits you and you look round for it, it has dissolved like a cloud +into the grey blues of the London sky. + +And then the traditional and ostensible England falls from you +altogether. The third movement begins, the last great movement in the +London symphony, in which the trim scheme of the old order is altogether +dwarfed and swallowed up. Comes London Bridge, and the great warehouses +tower up about you, waving stupendous cranes, the gulls circle and +scream in your ears, large ships lie among their lighters, and one is +in the port of the world. Again and again in this book I have written +of England as a feudal scheme overtaken by fatty degeneration and +stupendous accidents of hypertrophy. + +For the last time I must strike that note as the memory of the dear +neat little sunlit ancient Tower of London lying away in a gap among the +warehouses comes back to me, that little accumulation of buildings so +provincially pleasant and dignified, overshadowed by the vulgarest, +most typical exploit of modern England, the sham Gothic casings to the +ironwork of the Tower Bridge. That Tower Bridge is the very balance and +confirmation of Westminster's dull pinnacles and tower. That sham Gothic +bridge; in the very gates of our mother of change, the Sea! + +But after that one is in a world of accident and nature. For the third +part of the panorama of London is beyond all law, order, and precedence; +it is the seaport and the sea. One goes down the widening reaches +through a monstrous variety of shipping, great steamers, great +sailing-ships, trailing the flags of all the world, a monstrous +confusion of lighters, witches' conferences of brown-sailed barges, +wallowing tugs, a tumultuous crowding and jostling of cranes and spars, +and wharves and stores, and assertive inscriptions. Huge vistas of dock +open right and left of one, and here and there beyond and amidst it all +are church towers, little patches of indescribably old-fashioned and +worn-out houses, riverside pubs and the like, vestiges of townships that +were long since torn to fragments and submerged in these new growths. +And amidst it all no plan appears, no intention, no comprehensive +desire. That is the very key of it all. Each day one feels that the +pressure of commerce and traffic grew, grew insensibly monstrous, and +first this man made a wharf and that erected a crane, and then this +company set to work and then that, and so they jostled together to make +this unassimilable enormity of traffic. Through it we dodged and drove +eager for the high seas. + +I remember how I laughed aloud at the glimpse of the name of a London +County Council steamboat that ran across me. Caxton it was called, and +another was Pepys, and another was Shakespeare. They seemed so wildly +out of place, splashing about in that confusion. One wanted to take them +out and wipe them and put them back in some English gentleman's library. +Everything was alive about them, flash ing, splashing, and passing, +ships moving, tugs panting, hawsers taut, barges going down with men +toiling at the sweeps, the water all a-swirl with the wash of shipping, +scaling into millions of little wavelets, curling and frothing under the +whip of the unceasing wind. Past it all we drove. And at Greenwich to +the south, you know, there stands a fine stone frontage where all the +victories are recorded in a Painted Hall, and beside it is the "Ship" +where once upon a time those gentlemen of Westminster used to have +an annual dinner--before the port of London got too much for them +altogether. The old facade of the Hospital was just warming to the +sunset as we went by, and after that, right and left, the river opened, +the sense of the sea increased and prevailed, reach after reach from +Northfleet to the Nore. + +And out you come at last with the sun behind you into the eastern +sea. You speed up and tear the oily water louder and faster, siroo, +siroo-swish-siroo, and the hills of Kent--over which I once fled from +the Christian teachings of Nicodemus Frapp--fall away on the right hand +and Essex on the left. They fall away and vanish into blue haze, and +the tall slow ships behind the tugs, scarce moving ships and wallowing +sturdy tugs, are all wrought of wet gold as one goes frothing by. They +stand out, bound on strange missions of life and death, to the killing +of men in unfamiliar lands. And now behind us is blue mystery and the +phantom flash of unseen lights, and presently even these are gone, and +I and my destroyer tear out to the unknown across a great grey space. +We tear into the great spaces of the future and the turbines fall to +talking in unfamiliar tongues. Out to the open we go, to windy freedom +and trackless ways. Light after light goes down. England and the +Kingdom, Britain and the Empire, the old prides and the old devotions, +glide abeam, astern, sink down upon the horizon, pass--pass. The river +passes--London passes, England passes... + +III + +This is the note I have tried to emphasise, the note that sounds clear +in my mind when I think of anything beyond the purely personal aspects +of my story. + +It is a note of crumbling and confusion, of change and seemingly aimless +swelling, of a bubbling up and medley of futile loves and sorrows. +But through the confusion sounds another note. Through the confusion +something drives, something that is at once human achievement and the +most inhuman of all existing things. Something comes out of it.... +How can I express the values of a thing at once so essential and so +immaterial. It is something that calls upon such men as I with an +irresistible appeal. + +I have figured it in my last section by the symbol of my destroyer, +stark and swift, irrelevant to most human interests. Sometimes I call +this reality Science, sometimes I call it Truth. But it is something we +draw by pain and effort ont of the heart of life, that we disentangle +and make clear. Other men serve it, I know, in art, in literature, in +social invention, and see it in a thousand different figures, under a +hundred names. I see it always as austerity, as beauty. This thing we +make clear is the heart of life. It is the one enduring thing. Men and +nations, epochs and civilisation pass each making its contribution I do +not know what it is, this something, except that it is supreme. It is, +a something, a quality, an element, one may find now in colours, now in +norms, now in sounds, now in thoughts. It emerges from life with each +year one lives and feels, and generation by generation and age by age, +but the how and why of it are all beyond the compass of my mind.... + +Yet the full sense of it was with me all that night as I drove, lonely +above the rush and murmur of my engines, out upon the weltering circle +of the sea. + +Far out to the northeast there came the flicker of a squadron of +warships waving white swords of light about the sky. I kept them +hull-down, and presently they were mere summer lightning over the watery +edge of the globe.... I fell into thought that was nearly formless, into +doubts and dreams that have no words, and it seemed good to me to drive +ahead and on and or through the windy starlight, over the long black +waves. + +IV + +It was morning and day before I returned with the four sick and starving +journalists who had got permission to come with me, up the shining +river, and past the old grey Tower.... + +I recall the back views of those journalists very distinctly, going with +a certain damp weariness of movement, along a side street away from the +river. They were good men and bore me no malice, and they served me up +to the public in turgid degenerate Kiplingese, as a modest button on the +complacent stomach of the Empire. Though as a matter of fact, X2 isn't +intended for the empire, or indeed for the hands of any European power. +We offered it to our own people first, but they would have nothing to +do with me, and I have long since ceased to trouble much about such +questions. I have come to see myself from the outside, my country from +the outside--without illusions. We make and pass. + +We are all things that make and pass striving upon a hidden mission, out +to the open sea. + + + + + +End of the Project Gutenberg EBook of Tono Bungay, by H. G. Wells + +*** END OF THIS PROJECT GUTENBERG EBOOK TONO BUNGAY *** + +***** This file should be named 718.txt or 718.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/7/1/718/ + +Produced by John Bean; Diane Bean and David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END* + + + + + +John Bean did this. +Proofed against hardcopy, Dianne Bean +Not related. + + + + + +TONO-BUNGAY + +by H.G Wells + + + + +BOOK THE FIRST + +THE DAYS BEFORE TONO-BUNGAY WAS INVENTED + + + + +CHAPTER THE FIRST + +OF BLADESOVER HOUSE, AND MY MOTHER; AND THE CONSTITUTION OF SOCIETY + + +I + +Most people in this world seem to live "in character"; they have +a beginning, a middle and an end, and the three are congruous one +with another and true to the rules of their type. You can speak +of them as being of this sort of people or that. They are, as +theatrical people say, no more (and no less) than "character +actors." They have a class, they have a place, they know what is +becoming in them and what is due to them, and their proper size +of tombstone tells at last how properly they have played the +part. But there is also another kind of life that is not so much +living as a miscellaneous tasting of life. One gets hit by some +unusual transverse force, one is jerked out of one's stratum and +lives crosswise for the rest of the time, and, as it were, in a +succession of samples. That has been my lot, and that is what +has set me at last writing something in the nature of a novel. I +have got an unusual series of impressions that I want very +urgently to tell. I have seen life at very different levels, and +at all these levels I have seen it with a sort of intimacy and in +good faith. I have been a native in many social countries. I +have been the unwelcome guest of a working baker, my cousin, who +has since died in the Chatham infirmary; I have eaten illegal +snacks--the unjustifiable gifts of footmen--in pantries, and been +despised for my want of style (and subsequently married and +divorced) by the daughter of a gasworks clerk; and--to go to my +other extreme--I was once--oh, glittering days!--an item in the +house-party of a countess. She was, I admit, a countess with a +financial aspect, but still, you know, a countess. I've seen +these people at various angles. At the dinner-table I've met not +simply the titled but the great. On one occasion--it is my +brightest memory--I upset my champagne over the trousers of the +greatest statesman in the empire--Heaven forbid I should be so +invidious as to name him!--in the warmth of our mutual +admiration. + +And once (though it is the most incidental thing in my life) I +murdered a man.... + +Yes, I've seen a curious variety of people and ways of living +altogether. Odd people they all are great and small, very much +alike at bottom and curiously different on their surfaces. I +wish I had ranged just a little further both up and down, seeing +I have ranged so far. Royalty must be worth knowing and very +great fun. But my contacts with princes have been limited to +quite public occasions, nor at the other end of the scale have I +had what I should call an inside acquaintance with that dusty but +attractive class of people who go about on the high-roads drunk +but enfamille (so redeeming the minor lapse), in the summertime, +with a perambulator, lavender to sell, sun-brown children, a +smell, and ambiguous bundles that fire the imagination. Navvies, +farm-labourers, sailormen and stokers, all such as sit in 1834 +beer-houses, are beyond me also, and I suppose must remain so now +for ever. My intercourse with the ducal rank too has been +negligible; I once went shooting with a duke, and in an outburst +of what was no doubt snobbishness, did my best to get him in the +legs. But that failed. + +I'm sorry I haven't done the whole lot though.... + +You will ask by what merit I achieved this remarkable social +range, this extensive cross-section of the British social +organism. It was the Accident of Birth. It always is in +England. + +Indeed, if I may make the remark so cosmic, everything is. But +that is by the way. I was my uncle's nephew, and my uncle was no +less a person than Edward Ponderevo, whose comet-like transit of +the financial heavens happened--it is now ten years ago! Do you +remember the days of Ponderevo, the great days, I mean, of +Ponderevo? Perhaps you had a trifle in some world-shaking +enterprise! Then you know him only too well. Astraddle on +Tono-Bungay, he flashed athwart the empty heavens--like a +comet--rather, like a stupendous rocket!--and overawed investors +spoke of his star. At his zenith he burst into a cloud of the +most magnificent promotions. What a time that was! The Napoleon +of domestic conveniences! + +I was his nephew, his peculiar and intimate nephew. I was hanging +on to his coat-tails all the way through. I made pills with him +in the chemist's shop at Wimblehurst before he began. I was, +you might say, the stick of his rocket; and after our tremendous +soar, after he had played with millions, a golden rain in the +sky, after my bird's-eye view of the modern world, I fell again, +a little scarred and blistered perhaps, two and twenty years +older, with my youth gone, my manhood eaten in upon, but greatly +edified, into this Thames-side yard, into these white heats and +hammerings, amidst the fine realites of steel--to think it all +over in my leisure and jot down the notes and inconsecutive +observations that make this book. It was more, you know, than a +figurative soar. The zenith of that career was surely our flight +across the channel in the Lord Roberts B.... + +I warn you this book is going to be something of an +agglomeration. I want to trace my social trajectory (and my +uncle's) as the main line of my story, but as this is my first +novel and almost certainly my last, I want to get in, too, all +sorts of things that struck me, things that amused me and +impressions I got--even although they don't minister directly to +my narrative at all. I want to set out my own queer love +experiences too, such as they are, for they troubled and +distressed and swayed me hugely, and they still seem to me to +contain all sorts of irrational and debatable elements that I +shall be the clearer-headed for getting on paper. And possibly I +may even flow into descriptions of people who are really no more +than people seen in transit, just because it amuses me to recall +what they said and did to us, and more particularly how they +behaved in the brief but splendid glare of Tono-Bungay and its +still more glaring offspring. It lit some of them up, I can +assure you! Indeed, I want to get in all sorts of things. My +ideas of a novel all through are comprehensive rather than +austere.... + +Tono-Bungay still figures on the hoardings, it stands in rows in +every chemist's storeroom, it still assuages the coughs of age +and brightens the elderly eye and loosens the elderly tongue; but +its social glory, its financial illumination, have faded from the +world for ever. And I, sole scorched survivor from the blaze, +sit writing of it here in an air that is never still for the +clang and thunder of machines, on a table littered with working +drawings, and amid fragments of models and notes about velocities +and air and water pressures and trajectories--of an altogether +different sort from that of Tono-Bungay. + +II + +I write that much and look at it, and wonder whether, after all, +this is any fair statement of what I am attempting in this book. +I've given, I see, an impression that I want to make simply a +hotch-potch of anecdotes and experiences with my uncle swimming +in the middle as the largest lump of victual. I'll own that +here, with the pen already started, I realise what a fermenting +mass of things learnt and emotions experienced and theories +formed I've got to deal with, and how, in a sense, hopeless my +book must be from the very outset. I suppose what I'm really +trying to render is nothing more nor less than Life--as one man +has found it. I want to tell--MYSELF, and my impressions of the +thing as a whole, to say things I have come to feel intensely of +the laws, traditions, usages, and ideas we call society, and how +we poor individuals get driven and lured and stranded among these +windy, perplexing shoals and channels. I've got, I suppose, to a +time of life when things begin to take on shapes that have an air +of reality, and become no longer material for dreaming, but +interesting in themselves. I've reached the criticising, +novel-writing age, and here I am writing mine--my one +novel--without having any of the discipline to refrain and omit +that I suppose the regular novel-writer acquires. + +I've read an average share of novels and made some starts before +this beginning, and I've found the restraints and rules of the +art (as I made them out) impossible for me. I like to write, I +am keenly interested in writing, but it is not my technique. +I'm an engineer with a patent or two and a set of ideas; most of +whatever artist there is in me has been given to turbine machines +and boat building and the problem of flying, and do what I will I +fail to see how I can be other than a lax, undisciplined +story-teller. I must sprawl and flounder, comment and theorise, +if I am to get the thing out I have in mind. And it isn't a +constructed tale I have to tell, but unmanageable realities. My +love-story--and if only I can keep up the spirit of truth-telling +all through as strongly as I have now, you shall have it +all--falls into no sort of neat scheme of telling. It involves +three separate feminine persons. It's all mixed up with the +other things.... + +But I've said enough, I hope, to excuse myself for the method or +want of method in what follows, and I think I had better tell +without further delay of my boyhood and my early impressions in +the shadow of Bladesover House. + +III + +There came a time when I realised that Bladesover House was not +all it seemed, but when I was a little boy I took the place with +the entirest faith as a complete authentic microcosm. I +believed that the Bladesover system was a little +working-model--and not so very little either--of the whole world. + +Let me try and give you the effect of it. + +Bladesover lies up on the Kentish Downs, eight miles perhaps from +Ashborough; and its old pavilion, a little wooden parody of the +temple of Vesta at Tibur, upon the hill crest behind the house, +commands in theory at least a view of either sea, of the Channel +southward and the Thames to the northeast. The park is the +second largest in Kent, finely wooded with well-placed beeches, +many elms and some sweet chestnuts, abounding in little valleys +and hollows of bracken, with springs and a stream and three fine +ponds and multitudes of fallow deer. The house was built in the +eighteenth century, it is of pale red brick in the style of a +French chateau, and save for one pass among the crests which +opens to blue distances, to minute, remote, oast-set farm-houses +and copses and wheat fields and the occasional gleam of water, +its hundred and seventeen windows look on nothing but its own +wide and handsome territories. A semi-circular screen of great +beeches masks the church and village, which cluster picturesquely +about the high road along the skirts of the great park. +Northward, at the remotest corner of that enclosure, is a second +dependent village, Ropedean, less fortunate in its greater +distance and also on account of a rector. This divine was indeed +rich, but he was vindictively economical because of some +shrinkage of his tithes; and by reason of his use of the word +Eucharist for the Lord's Supper he had become altogether +estranged from the great ladies of Bladesover. So that Ropedean +was in the shadows through all that youthful time. + +Now the unavoidable suggestion of that wide park and that fair +large house, dominating church, village and the country side, was +that they represented the thing that mattered supremely in the +world, and that all other things had significance only in +relation to them. They represented the Gentry, the Quality, by +and through and for whom the rest of the world, the farming folk +and the labouring folk, the trades-people of Ashborough, and the +upper servants and the lower servants and the servants of the +estate, breathed and lived and were permitted. And the Quality +did it so quietly and thoroughly, the great house mingled so +solidly and effectually earth and sky, the contrast of its +spacious hall and saloon and galleries, its airy housekeeper's +room and warren of offices with the meagre dignities of the +vicar, and the pinched and stuffy rooms of even the post-office +people and the grocer, so enforced these suggestions, that it was +only when I was a boy of thirteen or fourteen and some queer +inherited strain of scepticism had set me doubting whether Mr. +Bartlett, the vicar, did really know with certainty all about +God, that as a further and deeper step in doubting I began to +question the final rightness of the gentlefolks, their primary +necessity in the scheme of things. But once that scepticism had +awakened it took me fast and far. By fourteen I had achieved +terrible blasphemies and sacrilege; I had resolved to marry a +viscount's daughter, and I had blacked the left eye--I think it +was the left--of her half-brother, in open and declared +rebellion. + +But of that in its place. + +The great house, the church, the village, and the labourers and +the servants in their stations and degrees, seemed to me, I say, +to be a closed and complete social system. About us were other +villages and great estates, and from house to house, interlacing, +correlated, the Gentry, the fine Olympians, came and went. The +country towns seemed mere collections of ships, marketing places +for the tenantry, centres for such education as they needed, as +entirely dependent on the gentry as the village and scarcely less +directly so. I thought this was the order of the whole world. I +thought London was only a greater country town where the +gentle-folk kept town-houses and did their greater shopping under +the magnificent shadow of the greatest of all fine gentlewomen, +the Queen. It seemed to be in the divine order. That all this +fine appearance was already sapped, that there were forces at +work that might presently carry all this elaborate social system +in which my mother instructed me so carefully that I might +understand my "place," to Limbo, had scarcely dawned upon me even +by the time that Tono-Bungay was fairly launched upon the world. + +There are many people in England to-day upon whom it has not yet +dawned. There are times when I doubt whether any but a very +inconsiderable minority of English people realise how extensively +this ostensible order has even now passed away. The great houses +stand in the parks still, the cottages cluster respectfully on +their borders, touching their eaves with their creepers, the +English countryside--you can range through Kent from Bladesover +northward and see persists obstinately in looking what it was. +It is like an early day in a fine October. The hand of change +rests on it all, unfelt, unseen; resting for awhile, as it were +half reluctantly, before it grips and ends the thing for ever. +One frost and the whole face of things will be bare, links snap, +patience end, our fine foliage of pretences lie glowing in the +mire. + +For that we have still to wait a little while. The new order may +have gone far towards shaping itself, but just as in that sort of +lantern show that used to be known in the village as the +"Dissolving Views," the scene that is going remains upon the +mind, traceable and evident, and the newer picture is yet +enigmatical long after the lines that are to replace those former +ones have grown bright and strong, so that the new England of our +children's children is still a riddle to me. The ideas of +democracy, of equality, and above all of promiscuous fraternity +have certainly never really entered into the English mind. But +what IS coming into it? All this book, I hope, will bear a +little on that. Our people never formulates; it keeps words for +jests and ironies. In the meanwhile the old shapes, the old +attitudes remain, subtly changed and changing still, sheltering +strange tenants. Bladesover House is now let furnished to Sir +Reuben Lichtenstein, and has been since old Lady Drew died; it +was my odd experience to visit there, in the house of which my +mother had been housekeeper, when my uncle was at the climax of +Tono-Bungay. It was curious to notice then the little +differences that had come to things with this substitution. To +borrow an image from my mineralogical days, these Jews were not +so much a new British gentry as "pseudomorphous" after the +gentry. They are a very clever people, the Jews, but not clever +enough to suppress their cleverness. I wished I could have gone +downstairs to savour the tone of the pantry. It would have been +very different I know. Hawksnest, over beyond, I noted, had its +pseudomorph too; a newspaper proprietor of the type that hustles +along with stolen ideas from one loud sink-or-swim enterprise to +another, had bought the place outright; Redgrave was in the hands +of brewers. + +But the people in the villages, so far as I could detect, saw no +difference in their world. Two little girls bobbed and an old +labourer touched his hat convulsively as I walked through the +village. He still thought he knew his place--and mine. I did +not know him, but I would have liked dearly to have asked him if +he remembered my mother, if either my uncle or old Lichtenstein +had been man enough to stand being given away like that. + +In that English countryside of my boyhood every human being had a +"place." It belonged to you from your birth like the colour of +your eyes, it was inextricably your destiny. Above you were +your betters, below you were your inferiors, and there were even +an unstable questionable few, cases so disputable that you might +for the rough purposes of every day at least, regard them as your +equals. Head and centre of our system was Lady Drew, her +"leddyship," shrivelled, garrulous, with a wonderful memory for +genealogies and very, very old, and beside her and nearly as old, +Miss Somerville, her cousin and companion. These two old souls +lived like dried-up kernels in the great shell of Bladesover +House, the shell that had once been gaily full of fops, of fine +ladies in powder and patches and courtly gentlemen with swords; +and when there was no company they spent whole days in the corner +parlour just over the housekeeper's room, between reading and +slumber and caressing their two pet dogs. When I was a boy I +used always to think of these two poor old creatures as superior +beings living, like God, somewhere through the ceiling. +Occasionally they bumped about a bit and one even heard them +overhead, which gave them a greater effect of reality without +mitigating their vertical predominance. Sometimes too I saw +them. Of course if I came upon them in the park or in the +shrubbery (where I was a trespasser) I hid or fled in pious +horror, but I was upon due occasion taken into the Presence by +request. I remember her "leddyship" then as a thing of black +silks and a golden chain, a quavering injunction to me to be a +good boy, a very shrunken loose-skinned face and neck, and a ropy +hand that trembled a halfcrown into mine. Miss Somerville +hovered behind, a paler thing of broken lavender and white and +black, with screwed up, sandy-lashed eyes. Her hair was yellow +and her colour bright, and when we sat in the housekeeper's room +of a winter's night warming our toes and sipping elder wine, her +maid would tell us the simple secrets of that belated flush.... +After my fight with young Garvell I was of course banished, and I +never saw those poor old painted goddesses again. + +Then there came and went on these floors over our respectful +heads, the Company; people I rarely saw, but whose tricks and +manners were imitated and discussed by their maids and valets in +the housekeeper's room and the steward's room--so that I had them +through a medium at second hand. I gathered that none of the +company were really Lady Drew's equals, they were greater and +lesser after the manner of all things in our world. Once I +remember there was a Prince, with a real live gentleman in +attendance, and that was a little above our customary levels and +excited us all, and perhaps raised our expectations unduly. +Afterwards, Rabbits, the butler, came into my mother's room +downstairs, red with indignation and with tears in his eyes. +"Look at that!" gasped Rabbits. My mother was speechless with +horror. That was a sovereign, a mere sovereign, such as you +might get from any commoner! + +After Company, I remember, came anxious days, for the poor old +women upstairs were left tired and cross and vindictive, and in a +state of physical and emotional indigestion after their social +efforts.... + +On the lowest fringe of these real Olympians hung the vicarage +people, and next to them came those ambiguous beings who are +neither quality nor subjects. The vicarage people certainly hold +a place by themselves in the typical English scheme; nothing is +more remarkable than the progress the Church has +made--socially--in the last two hundred years. In the early +eighteenth century the vicar was rather under than over the +house-steward, and was deemed a fitting match for the housekeeper +or any not too morally discredited discard. The eighteenth +century literature is full of his complaints that he might not +remain at table to share the pie. He rose above these +indignities because of the abundance of younger sons. When I +meet the large assumptions of the contemporary cleric, I am apt +to think of these things. It is curious to note that to-day that +down-trodden, organ-playing creature, the Church of England +village Schoolmaster, holds much the same position as the +seventeenth century parson. The doctor in Bladesover ranked +below the vicar but above the "vet," artists and summer visitors +squeezed in above or below this point according to their +appearance and expenditure, and then in a carefully arranged +scale came the tenantry, the butler and housekeeper, the village +shopkeeper, the head keeper, the cook, the publican, the second +keeper, the blacksmith (whose status was complicated by his +daughter keeping the post-office--and a fine hash she used to +make of telegrams too!) the village shopkeeper's eldest son, the +first footman, younger sons of the village shopkeeper, his first +assistant, and so forth. + +All these conceptions and applications of a universal precedence +and much else I drank in at Bladesover, as I listened to the talk +of valets, ladies'-maids, Rabbits the butler and my mother in the +much-cupboarded, white-painted, chintz-brightened housekeeper's +room where the upper servants assembled, or of footmen and +Rabbits and estate men of all sorts among the green baize and +Windsor chairs of the pantry--where Rabbits, being above the law, +sold beer without a license or any compunction--or of housemaids +and still-room maids in the bleak, matting-carpeted still-room or +of the cook and her kitchen maids and casual friends among the +bright copper and hot glow of the kitchens. + +Of course their own ranks and places came by implication to +these people, and it was with the ranks and places of the +Olympians that the talk mainly concerned itself. There was an +old peerage and a Crockford together with the books of recipes, +the Whitaker's Almanack, the Old Moore's Almanack, and the +eighteenth century dictionary, on the little dresser that broke +the cupboards on one side of my mother's room; there was another +peerage, with the covers off, in the pantry; there was a new +peerage in the billiard-room, and I seem to remember another in +the anomalous apartment that held the upper servants' bagatelle +board and in which, after the Hall dinner, they partook of the +luxury of sweets. And if you had asked any of those upper +servants how such and such a Prince of Battenberg was related +to, let us say, Mr. Cunninghame Graham or the Duke of Argyle, you +would have been told upon the nail. As a boy, I heard a great +deal of that sort of thing, and if to this day I am still a +little vague about courtesy titles and the exact application of +honorifics, it is, I can assure you, because I hardened my heart, +and not from any lack of adequate opportunity of mastering these +succulent particulars. + +Dominating all these memories is the figure of my mother--my +mother who did not love me because I grew liker my father every +day--and who knew with inflexible decision her place and the +place of every one in the world--except the place that concealed +my father--and in some details mine. Subtle points were put to +her. I can see and hear her saying now, "No, Miss Fison, peers +of England go in before peers of the United Kingdom, and he is +merely a peer of the United Kingdom." She had much exercise in +placing people's servants about her tea-table, where the +etiquette was very strict. I wonder sometimes if the etiquette +of housekeepers' rooms is as strict to-day, and what my mother +would have made of a chauffeur.... + +On the whole I am glad that I saw so much as I did of +Bladesover--if for no other reason than because seeing it when I +did, quite naively, believing in it thoroughly, and then coming +to analyse it, has enabled me to understand much that would be +absolutely incomprehensible in the structure of English society. +Bladesover is, I am convinced, the clue to almost all that is +distinctively British and perplexing to the foreign inquirer in +England and the English-speaking peoples. Grasp firmly that +England was all Bladesover two hundred years ago; that it has had +Reform Acts indeed, and such--like changes of formula, but no +essential revolution since then; that all that is modern and +different has come in as a thing intruded or as a gloss upon +this predominant formula, either impertinently or apologetically; +and you will perceive at once the reasonableness, the necessity, +of that snobbishness which is the distinctive quality of English +thought. Everybody who is not actually in the shadow of a +Bladesover is as it were perpetually seeking after lost +orientations. We have never broken with our tradition, never +even symbolically hewed it to pieces, as the French did in +quivering fact in the Terror. But all the organizing ideas have +slackened, the old habitual bonds have relaxed or altogether +come undone. And America too, is, as it were, a detached, +outlying part of that estate which has expanded in queer ways. +George Washington, Esquire, was of the gentlefolk, and he came +near being a King. It was Plutarch, you know, and nothing +intrinsically American that prevented George Washington being a +King.... + +IV + +I hated teatime in the housekeeper's room more than anything else +at Bladesover. And more particularly I hated it when Mrs. +Mackridge and Mrs. Booch and Mrs. Latude-Fernay were staying in +the house. They were, all three of them, pensioned-off servants. + +Old friends of Lady Drew's had rewarded them posthumously for a +prolonged devotion to their minor comforts, and Mrs. Booch was +also trustee for a favourite Skye terrier. Every year Lady Drew +gave them an invitation--a reward and encouragement of virtue +with especial reference to my mother and Miss Fison, the maid. +They sat about in black and shiny and flouncey clothing adorned +with gimp and beads, eating great quantities of cake, drinking +much tea in a stately manner and reverberating remarks. + +I remember these women as immense. No doubt they were of +negotiable size, but I was only a very little chap and they have +assumed nightmare proportions in my mind. They loomed, they +bulged, they impended. Mrs. Mackridge was large and dark; there +was a marvel about her head, inasmuch as she was bald. She wore +a dignified cap, and in front of that upon her brow, hair was +PAINTED. I have never seen the like since. She had been maid to +the widow of Sir Roderick Blenderhasset Impey, some sort of +governor or such-like portent in the East Indies, and from her +remains--in Mrs. Mackridge--I judge Lady Impey was a very +stupendous and crushing creature indeed. Lady Impey had been of +the Juno type, haughty, unapproachable, given to irony and a +caustic wit. Mrs. Mackridge had no wit, but she had acquired the +caustic voice and gestures along with the old satins and +trimmings of the great lady. When she told you it was a fine +morning, she seemed also to be telling you you were a fool and +a low fool to boot; when she was spoken to, she had a way of +acknowledging your poor tinkle of utterance with a voluminous, +scornful "Haw!" that made you want to burn her alive. She also +had a way of saying "Indade!" with a droop of the eyelids. + +Mrs. Booch was a smaller woman, brown haired, with queer little +curls on either side of her face, large blue eyes and a small set +of stereotyped remarks that constituted her entire mental range. +Mrs. Latude-Fernay has left, oddly enough, no memory at all +except her name and the effect of a green-grey silk dress, all +set with gold and blue buttons. I fancy she was a large blonde. +Then there was Miss Fison, the maid who served both Lady Drew and +Miss Somerville, and at the end of the table opposite my mother, +sat Rabbits the butler. Rabbits, for a butler, was an unassuming +man, and at tea he was not as you know butlers, but in a morning +coat and a black tie with blue spots. Still, he was large, with +side whiskers, even if his clean-shaven mouth was weak and +little. I sat among these people on a high, hard, early +Gregorian chair, trying to exist, like a feeble seedling amidst +great rocks, and my mother sat with an eye upon me, resolute to +suppress the slightest manifestation of vitality. It was hard on +me, but perhaps it was also hard upon these rather over-fed, +ageing, pretending people, that my youthful restlessness and +rebellious unbelieving eyes should be thrust in among their +dignities. + +Tea lasted for nearly three-quarters of an hour, and I sat it out +perforce; and day after day the talk was exactly the same. + +"Sugar, Mrs. Mackridge?" my mother used to ask. + +"Sugar, Mrs. Latude-Fernay?" + +The word sugar would stir the mind of Mrs. Mackridge. "They +say," she would begin, issuing her proclamation--at least half +her sentences began "they say"--"sugar is fatt-an-ing, nowadays. +Many of the best people do not take it at all." + +"Not with their tea, ma'am," said Rabbits intelligently. + +"Not with anything," said Mrs. Mackridge, with an air of crushing +repartee, and drank. + +"What won't they say next?" said Miss Fison. + +"They do say such things!" said Mrs. Booch. + +"They say," said Mrs. Mackridge, inflexibly, "the doctors are not +recomm-an-ding it now." + +My Mother: "No, ma'am?" + +Mrs. Mackridge: "No, ma'am." + +Then, to the table at large: "Poor Sir Roderick, before he died, +consumed great quan-ta-ties of sugar. I have sometimes fancied +it may have hastened his end." + +This ended the first skirmish. A certain gloom of manner and a +pause was considered due to the sacred memory of Sir Roderick. + +"George," said my mother, "don't kick the chair!" + +Then, perhaps, Mrs. Booch would produce a favourite piece from +her repertoire. "The evenings are drawing out nicely," she would +say, or if the season was decadent, "How the evenings draw in!" +It was an invaluable remark to her; I do not know how she would +have got along without it. + +My mother, who sat with her back to the window, would always +consider it due to Mrs. Booch to turn about and regard the +evening in the act of elongation or contraction, whichever phase +it might be. + +A brisk discussion of how long we were to the longest or shortest +day would ensue, and die away at last exhausted. + +Mrs. Mackridge, perhaps, would reopen. She had many intelligent +habits; among others she read the paper--The Morning Post. The +other ladies would at times tackle that sheet, but only to read +the births, marriages, and deaths on the front page. It was, of +course, the old Morning Post that cost threepence, not the brisk +coruscating young thing of to-day. "They say," she would open, +"that Lord Tweedums is to go to Canada." + +"Ah!" said Mr. Rabbits; "dew they?" + +"Isn't he," said my mother, "the Earl of Slumgold's cousin?" She +knew he was; it was an entirely irrelevant and unnecessary +remark, but still, something to say. + +"The same, ma'am," said Mrs. Mackridge. "They say he was +extremelay popular in New South Wales. They looked up to him +greatlay. I knew him, ma'am, as a young man. A very nice +pleasant young fella." + +Interlude of respect. + +"'Is predecessor," said Rabbits, who had acquired from some +clerical model a precise emphatic articulation without acquiring +at the same time the aspirates that would have graced it, "got +into trouble at Sydney." + +"Haw!" said Mrs. Mackridge, scornfully, "so am tawled." + +"'E came to Templemorton after 'e came back, and I remember them +talking 'im over after 'e'd gone again." + +"Haw?" said Mrs. Mackridge, interrogatively. + +"'Is fuss was quotin' poetry, ma'am. 'E said--what was it 'e +said--'They lef' their country for their country's good,'--which +in some way was took to remind them of their being originally +convic's, though now reformed. Every one I 'eard speak, agreed +it was takless of 'im." + +"Sir Roderick used to say," said Mrs. Mackridge, "that the First +Thing,"--here Mrs. Mackridge paused and looked dreadfully at +me--"and the Second Thing"--here she fixed me again--"and the +Third Thing"--now I was released--"needed in a colonial governor +is Tact." She became aware of my doubts again, and added +predominantly, "It has always struck me that that was a +Singularly True Remark." + +I resolved that if ever I found this polypus of Tact growing up +in my soul, I would tear it out by the roots, throw it forth and +stamp on it. + +"They're queer people--colonials," said Rabbits, "very queer. +When I was at Templemorton I see something of 'em. Queer +fellows, some of 'em. Very respectful of course, free with their +money in a spasammy sort of way, but-- Some of 'em, I must +confess, make me nervous. They have an eye on you. They watch +you--as you wait. They let themselves appear to be lookin' at +you..." + +My mother said nothing in that discussion. The word colonies +always upset her. She was afraid, I think, that if she turned +her mind in that direction my errant father might suddenly and +shockingly be discovered, no doubt conspicuously bigamic and +altogether offensive and revolutionary. She did not want to +rediscover my father at all. + +It is curious that when I was a little listening boy I had such +an idea of our colonies that I jeered in my heart at Mrs. +Mackridge's colonial ascendancy. These brave emancipated +sunburnt English of the open, I thought, suffer these +aristocratic invaders as a quaint anachronism, but as for being +gratified--! + +I don't jeer now. I'm not so sure. + +V + +It is a little difficult to explain why I did not come to do what +was the natural thing for any one in my circumstances to do, and +take my world for granted. A certain innate scepticism, I think, +explains it and a certain inaptitude for sympathetic +assimilation. My father, I believe, was a sceptic; my mother was +certainly a hard woman. + +I was an only child, and to this day I do not know whether my +father is living or dead. He fled my mother's virtues before my +distincter memories began. He left no traces in his flight, and +she, in her indignation, destroyed every vestige that she could +of him. Never a photograph nor a scrap of his handwriting have I +seen; and it was, I know, only the accepted code of virtue and +discretion that prevented her destroying her marriage +certificate and me, and so making a clean sweep of her +matrimonial humiliation. I suppose I must inherit something of +the moral stupidity that would enable her to make a holocaust of +every little personal thing she had of him. There must have been +presents made by him as a lover, for example--books with kindly +inscriptions, letters perhaps, a flattened flower, a ring, or +such-like gage. She kept her wedding-ring, of course, but all +the others she destroyed. She never told me his christian name +or indeed spoke a word to me of him; though at times I came near +daring to ask her: add what I have of him--it isn't much--I got +from his brother, my hero, my uncle Ponderevo. She wore her +ring; her marriage certificate she kept in a sealed envelope in +the very bottom of her largest trunk, and me she sustained at a +private school among the Kentish hills. You must not think I was +always at Bladesover--even in my holidays. If at the time these +came round, Lady Drew was vexed by recent Company, or for any +other reason wished to take it out of my mother, then she used to +ignore the customary reminder my mother gave her, and I "stayed +on" at the school. + +But such occasions were rare, and I suppose that between ten and +fourteen I averaged fifty days a year at Bladesover. + +Don't imagine I deny that was a fine thing for me. Bladesover, in +absorbing the whole countryside, had not altogether missed +greatness. The Bladesover system has at least done one good +thing for England, it has abolished the peasant habit of mind. +If many of us still live and breathe pantry and housekeeper's +room, we are quit of the dream of living by economising +parasitically on hens and pigs.... About that park there were +some elements of a liberal education; there was a great space of +greensward not given over to manure and food grubbing; there was +mystery, there was matter for the imagination. It was still a +park of deer. I saw something of the life of these dappled +creatures, heard the belling of stags, came upon young fawns +among the bracken, found bones, skulls, and antlers in lonely +places. There were corners that gave a gleam of meaning to the +word forest, glimpses of unstudied natural splendour. There was +a slope of bluebells in the broken sunlight under the newly green +beeches in the west wood that is now precious sapphire in my +memory; it was the first time that I knowingly met Beauty. + +And in the house there were books. The rubbish old Lady Drew +read I never saw; stuff of the Maria Monk type, I have since +gathered, had a fascination for her; but back in the past there +had been a Drew of intellectual enterprise, Sir Cuthbert, the son +of Sir Matthew who built the house; and thrust away, neglected +and despised, in an old room upstairs, were books and treasures +of his that my mother let me rout among during a spell of wintry +wet. Sitting under a dormer window on a shelf above great stores +of tea and spices, I became familiar with much of Hogarth in a +big portfolio, with Raphael, there was a great book of +engravings from the stanzas of Raphael in the Vatican--and with +most of the capitals of Europe as they had looked about 1780, by +means of several pig iron-moulded books of views. There was also +a broad eighteenth century atlas with huge wandering maps that +instructed me mightily. It had splendid adornments about each +map title; Holland showed a fisherman and his boat; Russia a +Cossack; Japan, remarkable people attired in pagodas--I say it +deliberately, "pagodas." There were Terrae Incognitae in every +continent then, Poland, Sarmatia, lands since lost; and many a +voyage I made with a blunted pin about that large, incorrect and +dignified world. The books in that little old closet had been +banished, I suppose, from the saloon during the Victorian revival +of good taste and emasculated orthodoxy, but my mother had no +suspicion of their character. So I read and understood the good +sound rhetoric of Tom Paine's "Rights of Man," and his "Common +Sense," excellent books, once praised by bishops and since +sedulously lied about. Gulliver was there unexpurgated, strong +meat for a boy perhaps but not too strong I hold--I have never +regretted that I escaped niceness in these affairs. The satire +of Traldragdubh made my blood boil as it was meant to do, but I +hated Swift for the Houyhnhnms and never quite liked a horse +afterwards. Then I remember also a translation of Voltaire's +"Candide," and "Rasselas;" and, vast book though it was, I really +believe I read, in a muzzy sort of way of course, from end to +end, and even with some reference now and then to the Atlas, +Gibbon--in twelve volumes. + +These readings whetted my taste for more, and surreptitiously I +raided the bookcases in the big saloon. I got through quite a +number of books before my sacrilegious temerity was discovered by +Ann, the old head-housemaid. I remember that among others I +tried a translation of Plato's "Republic" then, and found +extraordinarily little interest in it; I was much too young for +that; but "Vathek"--"Vathek" was glorious stuff. That kicking +affair! When everybody HAD to kick! + +The thought of "Vathek" always brings back with it my boyish +memory of the big saloon at Bladesover. + +It was a huge long room with many windows opening upon the park, +and each window--there were a dozen or more reaching from the +floor up--had its elaborate silk or satin curtains, heavily +fringed, a canopy (is it?) above, its completely white shutters +folding into the deep thickness of the wall. At either end of +that great still place was an immense marble chimney-piece; the +end by the bookcase showed the wolf and Romulus and Remus, with +Homer and Virgil for supporters; the design of the other end I +have forgotten. Frederick, Prince of Wales, swaggered flatly +over the one, twice life-size, but mellowed by the surface gleam +of oil; and over the other was an equally colossal group of +departed Drews as sylvan deities, scantily clad, against a +storm-rent sky. Down the centre of the elaborate ceiling were +three chandeliers, each bearing some hundreds of dangling glass +lustres, and over the interminable carpet--it impressed me as +about as big as Sarmatia in the store-room Atlas--were islands +and archipelagoes of chintz-covered chairs and couches, tables, +great Sevres vases on pedestals, a bronze man and horse. +Somewhere in this wilderness one came, I remember, upon--a big +harp beside a lyre-shaped music stand, and a grand piano.... + +The book-borrowing raid was one of extraordinary dash and danger. + +One came down the main service stairs--that was legal, and +illegality began in a little landing when, very cautiously, one +went through a red baize door. A little passage led to the hall, +and here one reconnoitered for Ann, the old head-housemaid--the +younger housemaids were friendly and did not count. Ann located, +came a dash across the open space at the foot of that great +staircase that has never been properly descended since powder +went out of fashion, and so to the saloon door. A beast of an +oscillating Chinaman in china, as large as life, grimaced and +quivered to one's lightest steps. That door was the perilous +place; it was double with the thickness of the wall between, so +that one could not listen beforehand for the whisk of the +feather-brush on the other side. Oddly rat-like, is it not, this +darting into enormous places in pursuit of the abandoned crumbs +of thought? + +And I found Langhorne's "Plutarch" too, I remember, on those +shelves. It seems queer to me now to think that I acquired pride +and self-respect, the idea of a state and the germ of public +spirit, in such a furtive fashion; queer, too, that it should +rest with an old Greek, dead these eighteen hundred years to +teach that. + +VI + +The school I went to was the sort of school the Bladesover system +permitted. The public schools that add comic into existence in +the brief glow of the Renascence had been taken possession of by +the ruling class; the lower classes were not supposed to stand in +need of schools, and our middle stratum got the schools it +deserved, private schools, schools any unqualified pretender was +free to establish. Mine was kept by a man who had had the energy +to get himself a College of Preceptors diploma, and considering +how cheap his charges were, I will readily admit the place might +have been worse. The building was a dingy yellow-brick residence +outside the village, with the schoolroom as an outbuilding of +lath and plaster. + +I do not remember that my school-days were unhappy--indeed I +recall a good lot of fine mixed fun in them--but I cannot without +grave risk of misinterpretation declare that we were at all nice +and refined. We fought much, not sound formal fighting, but +"scrapping" of a sincere and murderous kind, into which one might +bring one's boots--it made us tough at any rate--and several of +us were the sons of London publicans, who distinguished "scraps" +where one meant to hurt from ordered pugilism, practising both +arts, and having, moreover, precocious linguistic gifts. Our +cricket-field was bald about the wickets, and we played without +style and disputed with the umpire; and the teaching was chiefly +in the hands of a lout of nineteen, who wore ready-made clothes +and taught despicably. The head-master and proprietor taught us +arithmetic, algebra, and Euclid, and to the older boys even +trigonometry, himself; he had a strong mathematical bias, and I +think now that by the standard of a British public school he did +rather well by us. + +We had one inestimable privilege at that school, and that was +spiritual neglect. We dealt with one another with the forcible +simplicity of natural boys, we "cheeked," and "punched" and +"clouted"; we thought ourselves Red Indians and cowboys and +such-like honourable things, and not young English gentlemen; we +never felt the strain of "Onward Christian soldiers," nor were +swayed by any premature piety in the cold oak pew of our Sunday +devotions. All that was good. We spent our rare pennies in the +uncensored reading matter of the village dame's shop, on the Boys +of England, and honest penny dreadfuls--ripping stuff, stuff +that anticipated Haggard and Stevenson, badly printed and queerly +illustrated, and very very good for us. On our half-holidays we +were allowed the unusual freedom of rambling in twos and threes +wide and far about the land, talking experimentally, dreaming +wildly. There was much in those walks! To this day the +landscape of the Kentish world, with its low broad distances, its +hop gardens and golden stretches of wheat, its oasts and square +church towers, its background of downland and hangers, has for me +a faint sense of adventure added to the pleasure of its beauty. +We smoked on occasion, but nobody put us up to the proper +"boyish" things to do; we never "robbed an orchard" for example, +though there were orchards all about us, we thought stealing was +sinful, we stole incidental apples and turnips and strawberries +from the fields indeed, but in a criminal inglorious fashion, and +afterwards we were ashamed. We had our days of adventure, but +they were natural accidents, our own adventures. There was one +hot day when several of us, walking out towards Maidstone, were +incited by the devil to despise ginger beer, and we fuddled +ourselves dreadfully with ale; and a time when our young minds +were infected to the pitch of buying pistols, by the legend of +the Wild West. Young Roots from Highbury came back with a +revolver and cartridges, and we went off six strong to live a +free wild life one holiday afternoon. We fired our first shot +deep in the old flint mine at Chiselstead, and nearly burst our +ear drums; then we fired in a primrose studded wood by Pickthorn +Green, and I gave a false alarm of "keeper," and we fled in +disorder for a mile. After which Roots suddenly shot at a +pheasant in the high road by Chiselstead, and then young Barker +told lies about the severity of the game laws and made Roots sore +afraid, and we hid the pistol in a dry ditch outside the school +field. A day or so after we got in again, and ignoring a certain +fouling and rusting of the barrel, tried for a rabbit at three +hundred yards. Young Roots blew a molehill at twenty paces into +a dust cloud, burnt his fingers, and scorched his face; and the +weapon having once displayed this strange disposition to flame +back upon the shooter, was not subsequently fired. + +One main source of excitement for us was "cheeking" people in +vans and carts upon the Goudhurst road; and getting myself into a +monstrous white mess in the chalk pits beyond the village, and +catching yellow jaundice as a sequel to bathing stark naked with +three other Adamites, old Ewart leading that function, in the +rivulet across Hickson's meadows, are among my memorabilia. +Those free imaginative afternoons! how much they were for us! how +much they did for us! All streams came from the then +undiscovered "sources of the Nile" in those days, all thickets +were Indian jungles, and our best game, I say it with pride, I +invented. I got it out of the Bladesover saloon. We found a +wood where "Trespassing" was forbidden, and did the "Retreat of +the Ten Thousand" through it from end to end, cutting our way +bravely through a host of nettle beds that barred our path, and +not forgetting to weep and kneel when at last we emerged within +sight of the High Road Sea. So we have burst at times, weeping +and rejoicing, upon startled wayfarers. Usually I took the part +of that distinguished general Xenophen--and please note the +quantity of the o. I have all my classical names like +that,--Socrates rhymes with Bates for me, and except when the +bleak eye of some scholar warns me of his standards of judgment, +I use those dear old mispronunciations still. The little splash +into Latin made during my days as a chemist washed off nothing of +the habit. Well,--if I met those great gentlemen of the past +with their accents carelessly adjusted I did at least meet them +alive, as an equal, and in a living tongue. Altogether my school +might easily have been worse for me, and among other good things +it gave me a friend who has lasted my life out. + +This was Ewart, who is now a monumental artist at Woking, after +many vicissitudes. Dear chap, how he did stick out of his +clothes to be sure! He was a longlimbed lout, ridiculously tall +beside my more youth full compactness, and, except that there was +no black moustache under his nose blob, he had the same round +knobby face as he has to-day, the same bright and active hazel +brown eyes, the stare, the meditative moment, the insinuating +reply. Surely no boy ever played the fool as Bob Ewart used to +play it, no boy had a readier knack of mantling the world with +wonder. Commonness vanished before Ewart, at his expository +touch all things became memorable and rare. From him I first +heard tell of love, but only after its barbs were already +sticking in my heart. He was, I know now the bastard of that +great improvident artist, Rickmann Ewart; he brought the light of +a lax world that at least had not turned its back upon beauty, +into the growing fermentation of my mind. + +I won his heart by a version of Vathek, and after that we were +inseparable yarning friends. We merged our intellectual stock so +completely that I wonder sometimes how much I did not become +Ewart, how much Ewart is not vicariously and derivatively me. + +VII + +And then when I had newly passed my fourteenth birthday, came my +tragic disgrace. + +It was in my midsummer holidays that the thing happened, and it +was through the Honourable Beatrice Normandy. She had "come into +my life," as they say, before I was twelve. + +She descended unexpectedly into a peaceful interlude that +followed the annual going of those Three Great Women. She came +into the old nursery upstairs, and every day she had tea with us +in the housekeeper's room. She was eight, and she came with a +nurse called Nannie; and to begin with, I did not like her at +all. + +Nobody liked this irruption into the downstairs rooms; the two +"gave trouble,"--a dire offence; Nannie's sense of duty to her +charge led to requests and demands that took my mother's breath +away. Eggs at unusual times, the reboiling of milk, the +rejection of an excellent milk pudding--not negotiated +respectfully but dictated as of right. Nannie was a dark, +longfeatured, taciturn woman in a grey dress; she had a furtive +inflexibility of manner that finally dismayed and crushed and +overcame. She conveyed she was "under orders"--like a Greek +tragedy. She was that strange product of the old time, a +devoted, trusted servant; she had, as it were, banked all her +pride and will with the greater, more powerful people who +employed her, in return for a life-long security of +servitude--the bargain was nonetheless binding for being +implicit. Finally they were to pension her, and she would die +the hated treasure of a boarding-house. She had built up in +herself an enormous habit of reference to these upstairs people, +she had curbed down all discordant murmurings of her soul, her +very instincts were perverted or surrendered. She was sexless, +her personal pride was all transferred, she mothered another +woman's child with a hard, joyless devotion that was at least +entirely compatible with a stoical separation. She treated us +all as things that counted for nothing save to fetch and carry +for her charge. But the Honourable Beatrice could condescend. + +The queer chances of later years come between me and a distinctly +separated memory of that childish face. When I think of Beatrice, +I think of her as I came to know her at a later time, when at +last I came to know her so well that indeed now I could draw her, +and show a hundred little delicate things you would miss in +looking at her. But even then I remember how I noted the +infinite delicacy of her childish skin and the fine eyebrow, +finer than the finest feather that ever one felt on the breast of +a bird. She was one of those elfin, rather precocious little +girls, quick coloured, with dark hair, naturally curling dusky +hair that was sometimes astray over her eyes, and eyes that were +sometimes impishly dark, and sometimes a clear brown yellow. And +from the very outset, after a most cursory attention to Rabbits, +she decided that the only really interesting thing at the +tea-table was myself. + +The elders talked in their formal dull way--telling Nannie the +trite old things about the park and the village that they told +every one, and Beatrice watched me across the table with a +pitiless little curiosity that made me uncomfortable. + +"Nannie," she said, pointing, and Nannie left a question of my +mother's disregarded to attend to her; "is he a servant boy? " + +"S-s-sh," said Nannie. "He's Master Ponderevo." + +"Is he a servant boy?" repeated Beatrice. + +"He's a schoolboy," said my mother. + +"Then may I talk to him, Nannie?" + +Nannie surveyed me with brutal inhumanity. "You mustn't talk too +much," she said to her charge, and cut cake into fingers for her. + +"No," she added decisively, as Beatrice made to speak. + +Beatrice became malignant. Her eyes explored me with +unjustifiable hostility. "He's got dirty hands," she said, +stabbing at the forbidden fruit. "And there's a fray to his +collar." + +Then she gave herself up to cake with an appearance of entire +forgetfulness of me that filled me with hate and a passionate +desire to compel her to admire me.... And the next day before +tea, I did for the first time in my life, freely, without command +or any compulsion, wash my hands. + +So our acquaintance began, and presently was deepened by a whim +of hers. She had a cold and was kept indoors, and confronted +Nannie suddenly with the alternative of being hopelessly naughty, +which in her case involved a generous amount of screaming +unsuitable for the ears of an elderly, shaky, rich aunt, or +having me up to the nursery to play with her all the afternoon. +Nannie came downstairs and borrowed me in a careworn manner; and +I was handed over to the little creature as if I was some large +variety of kitten. I had never had anything to do with a little +girl before, I thought she was more beautiful and wonderful and +bright than anything else could possibly be in life, and she +found me the gentlest of slaves--though at the same time, as I +made evident, fairly strong. And Nannie was amazed to find the +afternoon slip cheerfully and rapidly away. She praised my +manners to Lady Drew and to my mother, who said she was glad to +hear well of me, and after that I played with Beatrice several +times. The toys she had remain in my memory still as great +splendid things, gigantic to all my previous experience of toys, +and we even went to the great doll's house on the nursery landing +to play discreetly with that, the great doll's house that the +Prince Regent had given Sir Harry Drew's first-born (who died at +five, that was a not ineffectual model of Bladesover itself, and +contained eighty-five dolls and had cost hundreds of pounds. I +played under imperious direction with that toy of glory. + +I went back to school when that holiday was over, dreaming of +beautiful things, and got Ewart to talk to me of love; and I made +a great story out of the doll's house, a story that, taken over +into Ewart's hands, speedily grew to an island doll's city all +our own. + +One of the dolls, I privately decided, was like Beatrice. + +One other holiday there was when I saw something of her--oddly +enough my memory of that second holiday in which she played a +part is vague--and then came a gap of a year, and then my +disgrace. + +VIII + +Now I sit down to write my story and tell over again things in +their order, I find for the first time how inconsecutive and +irrational a thing the memory can be. One recalls acts and cannot +recall motives; one recalls quite vividly moments that stand out +inexplicably-- things adrift, joining on to nothing, leading +nowhere. I think I must have seen Beatrice and her half-brother +quite a number of times in my last holiday at Bladesover, but I +really cannot recall more than a little of the quality of the +circumstances. That great crisis of my boyhood stands out very +vividly as an effect, as a sort of cardinal thing for me, but +when I look for details, particularly details that led up to the +crisis--I cannot find them in any developing order at all. This +halfbrother, Archie Garvell, was a new factor in the affair. I +remember him clearly as a fair-haired, supercilious looking, +weedily-lank boy, much taller than I, but I should imagine very +little heavier, and that we hated each other by a sort of +instinct from the beginning; and yet I cannot remember my first +meeting with him at all. + +Looking back into these past things--it is like rummaging in a +neglected attic that has experienced the attentions of some +whimsical robber--I cannot even account for the presence of +these children at Bladesover. They were, I know, among the +innumerable cousins of Lady Drew, and according to the theories +of downstairs candidates for the ultimate possession of +Bladesover. If they were, their candidature was unsuccessful. +But that great place, with all its faded splendour, its fine +furniture, its large traditions, was entirely at the old lady's +disposition; and I am inclined to think it is true that she used +this fact to torment and dominate a number of eligible people. +Lord Osprey was among the number of these, and she showed these +hospitalities to his motherless child and step-child, partly, no +doubt, because he was poor, but quite as much, I nowadays +imagine, in the dim hope of finding some affectionate or +imaginative outcome of contact with them. Nannie had dropped out +of the world this second time, and Beatrice was in the charge of +an extremely amiable and ineffectual poor army-class young woman +whose name I never knew. They were, I think, two remarkably +illmanaged and enterprising children. I seem to remember too, +that it was understood that I was not a fit companion for them, +and that our meetings had to be as unostentatious as possible. +It was Beatrice who insisted upon our meeting. + +I am certain I knew quite a lot about love at fourteen and that I +was quite as much in love with Beatrice then as any impassioned +adult could be, and that Beatrice was, in her way, in love with +me. It is part of the decent and useful pretences of our world +that children of the age at which we were, think nothing, feel +nothing, know nothing of love. It is wonderful what people the +English are for keeping up pretences. But indeed I cannot avoid +telling that Beatrice and I talked of love and kissed and +embraced one another. + +I recall something of one talk under the overhanging bushes of +the shrubbery--I on the park side of the stone wall, and the lady +of my worship a little inelegantly astride thereon. Inelegantly +do I say? you should have seen the sweet imp as I remember her. +Just her poise on the wall comes suddenly clear before me, and +behind her the light various branches of the bushes of the +shrubbery that my feet might not profane, and far away and high +behind her, dim and stately, the cornice of the great facade of +Bladesover rose against the dappled sky. Our talk must have been +serious and business-like, for we were discussing my social +position. + +"I don't love Archie," she had said, apropos of nothing; and then +in a whisper, leaning forward with the hair about her face, "I +love YOU!" + +But she had been a little pressing to have it clear that I was +not and could not be a servant. + +"You'll never be a servant--ever!" + +I swore that very readily, and it is a vow I have kept by nature. + +"What will you be?" said she. + +I ran my mind hastily over the professions. + +"Will you be a soldier?" she asked. + +"And be bawled at by duffers? No fear!" said I. "Leave that to +the plough-boys." + +"But an officer? " + +"I don't know," I said, evading a shameful difficulty. + +"I'd rather go into the navy." + +"Wouldn't you like to fight?" + +"I'd like to fight," I said. "But a common soldier it's no +honour to have to be told to fight and to be looked down upon +while you do it, and how could I be an officer?" + +"Couldn't you be?" she said, and looked at me doubtfully; and the +spaces of the social system opened between us. + +Then, as became a male of spirit, I took upon myself to brag and +lie my way through this trouble. I said I was a poor man, and +poor men went into the navy; that I "knew" mathematics, which no +army officer did; and I claimed Nelson for an exemplar, and spoke +very highly of my outlook upon blue water. "He loved Lady +Hamilton," I said, "although she was a lady--and I will love +you." + +We were somewhere near that when the egregious governess became +audible, calling "Beeee-atrice! Beeee-e-atrice!" + +"Snifty beast!" said my lady, and tried to get on with the +conversation; but that governess made things impossible. + +"Come here!" said my lady suddenly, holding out a grubby hand; +and I went very close to her, and she put her little head down +upon the wall until her black fog of hair tickled my cheek. + +"You are my humble, faithful lover," she demanded in a whisper, +her warm flushed face near touching mine, and her eyes very dark +and lustrous. + +"I am your humble, faithful lover," I whispered back. + +And she put her arm about my head and put out her lips and we +kissed, and boy though I was, I was all atremble. So we two +kissed for the first time. + +"Beeee-e-e-a-trice!" fearfully close. + +My lady had vanished, with one wild kick of her black-stocking +leg. A moment after, I heard her sustaining the reproaches of +her governess, and explaining her failure to answer with an +admirable lucidity and disingenuousness. + +I felt it was unnecessary for me to be seen just then, and I +vanished guiltily round the corner into the West Wood, and so to +love-dreams and single-handed play, wandering along one of those +meandering bracken valleys that varied Bladesover park. And +that day and for many days that kiss upon my lips was a seal, and +by night the seed of dreams. + +Then I remember an expedition we made--she, I, and her +half-brother--into those West Woods--they two were supposed to be +playing in the shrubbery--and how we were Indians there, and made +a wigwam out of a pile of beech logs, and how we stalked deer, +crept near and watched rabbits feeding in a glade, and almost got +a squirrel. It was play seasoned with plentiful disputing +between me and young Garvell, for each firmly insisted upon the +leading roles, and only my wider reading--I had read ten stories +to his one--gave me the ascendency over him. Also I scored over +him by knowing how to find the eagle in a bracken stem. And +somehow--I don't remember what led to it at all--I and Beatrice, +two hot and ruffled creatures, crept in among the tall bracken +and hid from him. The great fronds rose above us, five feet or +more, and as I had learnt how to wriggle through that undergrowth +with the minimum of betrayal by tossing greenery above, I led the +way. The ground under bracken is beautifully clear and faintly +scented in warm weather; the stems come up black and then green; +if you crawl flat, it is a tropical forest in miniature. I led +the way and Beatrice crawled behind, and then as the green of the +further glade opened before us, stopped. She crawled up to me, +her hot little face came close to mine; once more she looked and +breathed close to me, and suddenly she flung her arm about my +neck and dragged me to earth beside her, and kissed me and kissed +me again. We kissed, we embraced and kissed again, all without a +word; we desisted, we stared and hesitated--then in a suddenly +damped mood and a little perplexed at ourselves, crawled out, to +be presently run down and caught in the tamest way by Archie. + +That comes back very clearly to me, and other vague memories--I +know old Hall and his gun, out shooting at jackdaws, came into +our common experiences, but I don't remember how; and then at +last, abruptly, our fight in the Warren stands out. The Warren, +like most places in England that have that name, was not +particularly a warren, it was a long slope of thorns and beeches +through which a path ran, and made an alternative route to the +downhill carriage road between Bladesover and Ropedean. I don't +know how we three got there, but I have an uncertain fancy it was +connected with a visit paid by the governess to the Ropedean +vicarage people. But suddenly Archie and I, in discussing a +game, fell into a dispute for Beatrice. I had made him the +fairest offer: I was to be a Spanish nobleman, she was to be my +wife, and he was to be a tribe of Indians trying to carry her +off. It seems to me a fairly attractive offer to a boy to be a +whole tribe of Indians with a chance of such a booty. But Archie +suddenly took offence. + +"No," he said; "we can't have that!" + +"Can't have what?" + +"You can't be a gentleman, because you aren't. And you can't +play Beatrice is your wife. It's--it's impertinent." + +"But" I said, and looked at her. + +Some earlier grudge in the day's affairs must have been in +Archie's mind. "We let you play with us," said Archie; "but we +can't have things like that." + +"What rot!" said Beatrice. "He can if he likes." + +But he carried his point. I let him carry it, and only began to +grow angry three or four minutes later. Then we were still +discussing play and disputing about another game. Nothing seemed +right for all of us. + +"We don't want you to play with us at all," said Archie. + +"Yes, we do," said Beatrice. + +"He drops his aitches like anything." + +"No, 'e doesn't," said I, in the heat of the moment. + +"There you go!" he cried. "E, he says. E! E! E!" + +He pointed a finger at me. He had struck to the heart of my +shame. I made the only possible reply by a rush at him. +"Hello!" he cried, at my blackavised attack. He dropped back +into an attitude that had some style in it, parried my blow, got +back at my cheek, and laughed with surprise and relief at his own +success. Whereupon I became a thing of murderous rage. He could +box as well or better than I--he had yet to realise I knew +anything of that at all--but I had fought once or twice to a +finish with bare fists. I was used to inflicting and enduring +savage hurting, and I doubt if he had ever fought. I hadn't +fought ten seconds before I felt this softness in him, realised +all that quality of modern upper-class England that never goes to +the quick, that hedges about rules and those petty points of +honour that are the ultimate comminution of honour, that claims +credit for things demonstrably half done. He seemed to think +that first hit of his and one or two others were going to matter, +that I ought to give in when presently my lip bled and dripped +blood upon my clothes. So before we had been at it a minute he +had ceased to be aggressive except in momentary spurts, and I was +knocking him about almost as I wanted to do; and demanding +breathlessly and fiercely, after our school manner, whether he +had had enough, not knowing that by his high code and his soft +training it was equally impossible for him to either buck-up and +beat me, or give in. + +I have a very distinct impression of Beatrice dancing about us +during the affair in a state of unladylike appreciation, but I +was too preoccupied to hear much of what she was saying. But she +certainly backed us both, and I am inclined to think now--it may +be the disillusionment of my ripened years--whichever she +thought was winning. + +Then young Garvell, giving way before my slogging, stumbled and +fell over a big flint, and I, still following the tradition of my +class and school, promptly flung myself on him to finish him. We +were busy with each other on the ground when we became aware of a +dreadful interruption. + +"Shut up, you FOOL!" said Archie. + +"Oh, Lady Drew!" I heard Beatrice cry. "They're fighting! +They're fighting something awful!" + +I looked over my shoulder. Archie's wish to get up became +irresistible, and my resolve to go on with him vanished +altogether. + +I became aware of the two old ladies, presences of black and +purple silk and fur and shining dark things; they had walked up +through the Warren, while the horses took the hill easily, and so +had come upon us. Beatrice had gone to them at once with an air +of taking refuge, and stood beside and a little behind them. We +both rose dejectedly. The two old ladies were evidently quite +dreadfully shocked, and peering at us with their poor old eyes; +and never had I seen such a tremblement in Lady Drew's +lorgnettes. + +"You've never been fighting? " said Lady Drew. + +"You have been fighting." + +"It wasn't proper fighting," snapped Archie, with accusing eyes +on me. + +"It's Mrs. Ponderevo's George!" said Miss Somerville, so adding +a conviction for ingratitude to my evident sacrilege. + +"How could he DARE?" cried Lady Drew, becoming very awful. + +"He broke the rules" said Archie, sobbing for breath. "I +slipped, and--he hit me while I was down. He knelt on me." + +"How could you DARE?" said Lady Drew. + +I produced an experienced handkerchief rolled up into a tight +ball, and wiped the blood from my chin, but I offered no +explanation of my daring. Among other things that prevented +that, I was too short of breath. + +"He didn't fight fair," sobbed Archie. + +Beatrice, from behind the old ladies, regarded me intently and +without hostility. I am inclined to think the modification of my +face through the damage to my lip interested her. It became +dimly apparent to my confused intelligence that I must not say +these two had been playing with me. That would not be after the +rules of their game. I resolved in this difficult situation upon +a sulky silence, and to take whatever consequences might follow. + +IX + +The powers of justice in Bladesover made an extraordinary mess +of my case. + +I have regretfully to admit that the Honourable Beatrice Normandy +did, at the age of ten, betray me, abandon me, and lie most +abominably about me. She was, as a matter of fact, +panic-stricken about me, conscience stricken too; she bolted from +the very thought of my being her affianced lover and so forth, +from the faintest memory of kissing; she was indeed altogether +disgraceful and human in her betrayal. She and her half-brother +lied in perfect concord, and I was presented as a wanton +assailant of my social betters. They were waiting about in the +Warren, when I came up and spoke to them, etc. + +On the whole, I now perceive Lady Drew's decisions were, in the +light of the evidence, reasonable and merciful. + +They were conveyed to me by my mother, who was, I really believe, +even more shocked by the grossness of my social insubordination +than Lady Drew. She dilated on her ladyship's kindnesses to me, +on the effrontery and wickedness of my procedure, and so came at +last to the terms of my penance. "You must go up to young Mr. +Garvell, and beg his pardon." + +"I won't beg his pardon," I said, speaking for the first time. + +My mother paused, incredulous. + +I folded my arms on her table-cloth, and delivered my wicked +little ultimatum. "I won't beg his pardon nohow," I said. +"See?" + +"Then you will have to go off to your uncle Frapp at Chatham." + +"I don't care where I have to go or what I have to do, I won't +beg his pardon," I said. + +And I didn't. + +After that I was one against the world. Perhaps in my mother's +heart there lurked some pity for me, but she did not show it. +She took the side of the young gentleman; she tried hard, she +tried very hard, to make me say I was sorry I had struck him. +Sorry! + +I couldn't explain. + +So I went into exile in the dog-cart to Redwood station, with +Jukes the coachman, coldly silent, driving me, and all my +personal belongings in a small American cloth portmanteau behind. + +I felt I had much to embitter me; the game had and the beginnings +of fairness by any standards I knew.... But the thing that +embittered me most was that the Honourable Beatrice Normandy +should have repudiated and fled from me as though I was some +sort of leper, and not even have taken a chance or so, to give me +a good-bye. She might have done that anyhow! Supposing I had +told on her! But the son of a servant counts as a servant. She +had forgotten and now remembered. + +I solaced myself with some extraordinary dream of coming back to +Bladesover, stern, powerful, after the fashion of Coriolanus. I +do not recall the details, but I have no doubt I displayed great +magnanimity... + +Well, anyhow I never said I was sorry for pounding young Garvell, +and I am not sorry to this day. + + +CHAPTER THE SECOND + +OF MY LAUNCH INTO THE WORLD AND THE LAST I SAW OF BLADESOVER + +I + +When I was thus banished from Bladesover House, as it was then +thought for good and all, I was sent by my mother in a vindictive +spirit, first to her cousin Nicodemus Frapp, and then, as a +fully indentured apprentice, to my uncle Ponderevo. + +I ran away from the care of my cousin Nicodemus back to +Bladesover House. + +My cousin Nicodemus Frapp was a baker in a back street--a slum +rather--just off that miserable narrow mean high road that +threads those exquisite beads, Rochester and Chatham. He was, I +must admit, a shock to me, much dominated by a young, plump, +prolific, malingering wife; a bent, slow-moving, unwilling dark +man with flour in his hair and eyelashes, in the lines of his +face and the seams of his coat. I've never had a chance to +correct my early impression of him, and he still remains an +almost dreadful memory, a sort of caricature of incompetent +simplicity. As I remember him, indeed, he presented the servile +tradition perfected. He had no pride in his person; fine clothes +and dressing up wasn't "for the likes of" him, so that he got his +wife, who was no artist at it, to cut his black hair at irregular +intervals, and let his nails become disagreeable to the +fastidious eye; he had no pride in his business nor any +initiative; his only virtues were not doing certain things and +hard work. "Your uncle," said my mother--all grown-up cousins +were uncles by courtesy among the Victorian middle-class-- "isn't +much to look at or talk to, but he's a Good Hard-Working Man." +There was a sort of base honourableness about toil, however +needless, in that system of inversion. Another point of honour +was to rise at or before dawn, and then laboriously muddle about. + +It was very distinctly impressed on my mind that the Good +Hard-Working Man would have thought it "fal-lallish" to own a +pocket handkerchief. Poor old Frapp--dirty and crushed by, +product of, Bladesover's magnificence! He made no fight against +the world at all, he was floundering in small debts that were not +so small but that finally they overwhelmed him, whenever there +was occasion for any exertion his wife fell back upon pains and +her "condition," and God sent them many children, most of whom +died, and so, by their coming and going, gave a double exercise +in the virtues of submission. + +Resignation to God's will was the common device of these people +in the face of every duty and every emergency. There were no +books in the house; I doubt if either of them had retained the +capacity for reading consecutively for more than a minute or so, +and it was with amazement that day after day, over and above +stale bread, one beheld food and again more food amidst the +litter that held permanent session on the living-room table. + +One might have doubted if either of them felt discomfort in this +dusty darkness of existence, if it was not that they did visibly +seek consolation. They sought this and found it of a Sunday, not +in strong drink and raving, but in imaginary draughts of blood. +They met with twenty or thirty other darkened and unclean people, +all dressed in dingy colours that would not show the dirt, in a +little brick-built chapel equipped with a spavined roarer of a +harmonium, and there solaced their minds on the thought that all +that was fair and free in life, all that struggled, all that +planned and made, all pride and beauty and honour, all fine and +enjoyable things, were irrevocably damned to everlasting +torments. They were the self-appointed confidants of God's +mockery of his own creation. So at any rate they stick in my +mind. Vaguer, and yet hardly less agreeable than this cosmic +jest, this coming "Yah, clever!" and general serving out and +"showing up" of the lucky, the bold, and the cheerful, was their +own predestination to Glory. + + "There is a Fountain, filled with Blood + Drawn from Emmanuel's Veins," + +so they sang. I hear the drone and wheeze of that hymn now. I +hated them with the bitter uncharitable condemnation of boyhood, +and a twinge of that hate comes back to me. As I write the +words, the sounds and then the scene return, these obscure, +undignified people, a fat woman with asthma, an old Welsh +milk-seller with a tumour on his bald head, who was the +intellectual leader of the sect, a huge-voiced haberdasher with a +big black beard, a white-faced, extraordinarily pregnant woman, +his wife, a spectacled rate collector with a bent back.... I +hear the talk about souls, the strange battered old phrases that +were coined ages ago in the seaports of the sun-dry Levant, of +balm of Gilead and manna in the desert, of gourds that give shade +and water in a thirsty land; I recall again the way in which at +the conclusion of the service the talk remained pious in form but +became medical in substance, and how the women got together for +obstetric whisperings. I, as a boy, did not matter, and might +overhear. + +If Bladesover is my key for the explanation of England, I think +my invincible persuasion that I understand Russia was engendered +by the circle of Uncle Frapp. + +I slept in a dingy sheeted bed with the two elder survivors of +Frapp fecundity, and spent my week days in helping in the +laborious disorder of the shop and bakehouse, in incidental +deliveries of bread and so forth, and in parrying the probings of +my uncle into my relations with the Blood, and his confidential +explanations that ten shillings a week--which was what my mother +paid him--was not enough to cover my accommodation. He was very +anxious to keep that, but also he wanted more. There were +neither books nor any seat nor corner in that house where reading +was possible, no newspaper ever brought the clash of worldly +things into its heavenward seclusion; horror of it all grew in me +daily, and whenever I could I escaped into the streets and +tramped about Chatham. The news shops appealed to me +particularly. One saw there smudgy illustrated sheets, the +Police News in particular, in which vilely drawn pictures brought +home to the dullest intelligence an interminable succession of +squalid crimes, women murdered and put into boxes, buried under +floors, old men bludgeoned at midnight by robbers, people thrust +suddenly out of trains, happy lovers shot, vitrioled and so forth +by rivals. I got my first glimpse of the life of pleasure in +foully drawn pictures of "police raids" on this and that. +Interspersed with these sheets were others in which Sloper, the +urban John Bull, had his fling with gin bottle and obese +umbrella, or the kindly empty faces of the Royal Family appeared +and reappeared, visiting this, opening that, getting married, +getting offspring, lying in state, doing everything but anything, +a wonderful, good-meaning, impenetrable race apart. + +I have never revisited Chatham; the impression it has left on my +mind is one of squalid compression, unlit by any gleam of a +maturer charity. All its effects arranged themselves as +antithetical to the Bladesover effects. They confirmed and +intensified all that Bladesover suggested. Bladesover declared +itself to be the land, to be essentially England; I have already +told how its airy spaciousness, its wide dignity, seemed to +thrust village, church, and vicarage into corners, into a +secondary and conditional significance. Here one gathered the +corollary of that. Since the whole wide country of Kent was +made up of contiguous Bladesovers and for the gentlefolk, the +surplus of population, all who were not good tenants nor good +labourers, Church of England, submissive and respectful, were +necessarily thrust together, jostled out of sight, to fester as +they might in this place that had the colours and even the smells +of a well-packed dustbin. They should be grateful even for +that; that, one felt, was the theory of it all. + +And I loafed about this wilderness of crowded dinginess, with +young, receptive, wide-open eyes, and through the blessing (or +curse) of some fairy godmother of mine, asking and asking again: +"But after all, WHY--" + +I wandered up through Rochester once, and had a glimpse of the +Stour valley above the town, all horrible with cement works and +foully smoking chimneys and rows of workmen's cottages, minute, +ugly, uncomfortable, and grimy. So I had my first intimation of +how industrialism must live in a landlord's land. I spent some +hours, too, in the streets that give upon the river, drawn by the +spell of the sea. But I saw barges and ships stripped of magic +and mostly devoted to cement, ice, timber, and coal. The sailors +looked to me gross and slovenly men, and the shipping struck me +as clumsy, ugly, old, and dirty. I discovered that most sails +don't fit the ships that hoist them, and that there may be as +pitiful and squalid a display of poverty with a vessel as with a +man. When I saw colliers unloading, watched the workers in the +hold filling up silly little sacks and the succession of +blackened, half-naked men that ran to and fro with these along a +plank over a thirty-foot drop into filth and mud, I was first +seized with admiration of their courage and toughness and then, +"But after all, WHY--?" and the stupid ugliness of all this waste +of muscle and endurance came home to me. Among other things it +obviously wasted and deteriorated the coal.... And I had +imagined great things of the sea! + +Well, anyhow, for a time that vocation was stilled. + +But such impressions came into my leisure, and of that I had no +excess. Most of my time was spent doing things for Uncle Frapp, +and my evenings and nights perforce in the company of the two +eldest of my cousins. He was errand boy at an oil shop and +fervently pious, and of him I saw nothing until the evening +except at meals; the other was enjoying the midsummer holidays +without any great elation; a singularly thin and abject, stunted +creature he was, whose chief liveliness was to pretend to be a +monkey, and who I am now convinced had some secret disease that +drained his vitality away. If I met him now I should think him a +pitiful little creature and be extremely sorry for him. Then I +felt only a wondering aversion. He sniffed horribly, he was +tired out by a couple of miles of loafing, he never started any +conversation, and he seemed to prefer his own company to mine. +His mother, poor woman, said he was the "thoughtful one." + +Serious trouble came suddenly out of a conversation we held in +bed one night. Some particularly pious phrase of my elder +cousin's irritated me extremely, and I avowed outright my entire +disbelief in the whole scheme of revealed religion. I had never +said a word about my doubts to any one before, except to Ewart +who had first evolved them. I had never settled my doubts until +at this moment when I spoke. But it came to me then that the +whole scheme of salvation of the Frappes was not simply doubtful, +but impossible. I fired this discovery out into the darkness +with the greatest promptitude. + +My abrupt denials certainly scared my cousin amazingly. + +At first they could not understand what I was saying, and when +they did I fully believe they expected an instant answer in +thunderbolts and flames. They gave me more room in the bed +forthwith, and then the elder sat up and expressed his sense of +my awfulness. I was already a little frightened at my temerity, +but when he asked me categorically to unsay what I had said, what +could I do but confirm my repudiation? + +"There's no hell," I said, "and no eternal punishment. No God +would be such a fool as that." + +My elder cousin cried aloud in horror, and the younger lay +scared, but listening. "Then you mean," said my elder cousin, +when at last he could bring himself to argue, "you might do just +as you liked?" + +"If you were cad enough," said I. + +Our little voices went on interminably, and at one stage my +cousin got out of bed and made his brother do likewise, and knelt +in the night dimness and prayed at me. That I found trying, but +I held out valiantly. "Forgive him, "said my cousin, "he knows +not what he sayeth." + +"You can pray if you like," I said, "but if you're going to cheek +me in your prayers I draw the line." + +The last I remember of that great discussion was my cousin +deploring the fact that he "should ever sleep in the same bed +with an Infidel!" + +The next day he astonished me by telling the whole business to +his father. This was quite outside all my codes. Uncle +Nicodemus sprang it upon me at the midday meal. + +"You been sayin' queer things, George," he said abruptly. "You +better mind what you're saying." + +"What did he say, father?" said Mrs. Frapp. + +"Things I couldn't' repeat," said he. + +"What things?" I asked hotly. + +"Ask 'IM," said my uncle, pointing with his knife to his +informant, and making me realise the nature of my offence. My +aunt looked at the witness. "Not--?" she framed a question. + +"Wuss," said my uncle. "Blarsphemy." + +My aunt couldn't touch another mouthful. I was already a little +troubled in my conscience by my daring, and now I began to feel +the black enormity of the course upon which I had embarked. + +"I was only talking sense," I said. + +I had a still more dreadful moment when presently I met my cousin +in the brick alley behind the yard, that led back to his grocer's +shop. + +"You sneak!" I said, and smacked his face hard forthwith. "Now +then," said I. + +He started back, astonished and alarmed. His eyes met mine, and +I saw a sudden gleam of resolution. He turned his other cheek to +me. + +"'It 'it," he said."'It 'it. I'LL forgive you." + +I felt I had never encountered a more detestable way of evading a +licking. I shoved him against the wall and left him there, +forgiving me, and went back into the house. + +"You better not speak to your cousins, George," said my aunt, +"till you're in a better state of mind." + +I became an outcast forthwith. At supper that night a gloomy +silence was broken by my cousin saying + +"'E 'it me for telling you, and I turned the other cheek, +muvver." + +"'E's got the evil one be'ind 'im now, a ridin' on 'is back," +said my aunt, to the grave discomfort of the eldest girl, who sat +beside me. + +After supper my uncle, in a few ill-chosen words, prayed me to +repent before I slept. + +"Suppose you was took in your sleep, George," he said; "where'd +you be then? You jest think of that me boy." By this time I was +thoroughly miserable and frightened, and this suggestion unnerved +me dreadfully but I kept up an impenitent front. "To wake in +'ell," said Uncle Nicodemus, in gentle tones. "You don't want to +wake in 'ell, George, burnin' and screamin' for ever, do you? +You wouldn't like that?" + +He tried very hard to get me to "jest 'ave a look at the +bake'ouse fire" before I retired. "It might move you," he said. + +I was awake longest that night. My cousins slept, the sleep of +faith on either side of me. I decided I would whisper my +prayers, and stopped midway because I was ashamed, and perhaps +also because I had an idea one didn't square God like that. + +"No," I said, with a sudden confidence, "damn me if you're coward +enough.... But you're not. No! You couldn't be!" + +I woke my cousins up with emphatic digs, and told them as much, +triumphantly, and went very peacefully to sleep with my act of +faith accomplished. + +I slept not only through that night, but for all my nights since +then. So far as any fear of Divine injustice goes, I sleep +soundly, and shall, I know, to the end of things. That +declaration was an epoch in my spiritual life. + +II + +But I didn't expect to have the whole meeting on Sunday turned on +to me. + +It was. It all comes back to me, that convergence of attention, +even the faint leathery smell of its atmosphere returns, and the +coarse feel of my aunt's black dress beside me in contact with my +hand. I see again the old Welsh milkman "wrestling" with me, +they all wrestled with me, by prayer or exhortation. And I was +holding out stoutly, though convinced now by the contagion of +their universal conviction that by doing so I was certainly and +hopelessly damned. I felt that they were right, that God was +probably like them, and that on the whole it didn't matter. And +to simplify the business thoroughly I had declared I didn't +believe anything at all. They confuted me by texts from +Scripture which I now perceive was an illegitimate method of +reply. When I got home, still impenitent and eternally lost and +secretly very lonely and miserable and alarmed, Uncle Nicodemus +docked my Sunday pudding. + +One person only spoke to me like a human being on that day of +wrath, and that was the younger Frapp. He came up to me in the +afternoon while I was confined upstairs with a Bible and my own +thoughts. + +"'Ello," he said, and fretted about. + +"D'you mean to say there isn't--no one," he said, funking the +word. + +"No one?" + +"No one watching yer--always." + +"Why should there be?" I asked. + +"You can't 'elp thoughts," said my cousin, "anyhow. You mean--" +He stopped hovering. "I s'pose I oughtn't to be talking to you." + +He hesitated and flitted away with a guilty back glance over his +shoulder.... + +The following week made life quite intolerable for me; these +people forced me at last into an Atheism that terrified me. When +I learnt that next Sunday the wrestling was to be resumed, my +courage failed me altogether. + +I happened upon a map of Kent in a stationer's window on +Saturday, and that set me thinking of one form of release. I +studied it intently for half an hour perhaps, on Saturday night, +got a route list of villages well fixed in my memory, and got up +and started for Bladesover about five on Sunday morning while my +two bed mates were still fast asleep. + +III + +I remember something, but not so much of it as I should like to +recall, of my long tramp to Bladesover House. The distance from +Chatham is almost exactly seventeen miles, and it took me until +nearly one. It was very interesting and I do not think I was +very fatigued, though I got rather pinched by one boot. + +The morning must have been very clear, because I remember that +near Itchinstow Hall I looked back and saw the estuary of the +Thames, that river that has since played so large a part in my +life. But at the time I did not know it was the Thames, I +thought this great expanse of mud flats and water was the sea, +which I had never yet seen nearly. And out upon it stood ships, +sailing ships and a steamer or so, going up to London or down out +into the great seas of the world. I stood for a long time +watching these and thinking whether after all I should not have +done better to have run away to sea. + +The nearer I drew to Bladesover, the more doubtful I grew of the +duality of my reception, and the more I regretted that +alternative. I suppose it was the dirty clumsiness of the +shipping I had seen nearly, that put me out of mind of that. I +took a short cut through the Warren across the corner of the main +park to intercept the people from the church. I wanted to avoid +meeting any one before I met my mother, and so I went to a place +where the path passed between banks, and without exactly hiding, +stood up among the bushes. This place among other advantages +eliminated any chance of seeing Lady Drew, who would drive round +by the carriage road. + +Standing up to waylay in this fashion I had a queer feeling of +brigandage, as though I was some intrusive sort of bandit among +these orderly things. It is the first time I remember having +that outlaw feeling distinctly, a feeling that has played a +large part in my subsequent life. I felt there existed no place +for me that I had to drive myself in. + +Presently, down the hill, the servants appeared, straggling by +twos and threes, first some of the garden people and the butler's +wife with them, then the two laundry maids, odd inseparable old +creatures, then the first footman talking to the butler's little +girl, and at last, walking grave and breathless beside old Ann +and Miss Fison, the black figure of my mother. + +My boyish mind suggested the adoption of a playful form of +appearance. "Coo-ee, mother" said I, coming out against the +sky,"Coo-ee!" + +My mother looked up, went very white, and put her hand to her +bosom. + +I suppose there was a fearful fuss about me. And of course I was +quite unable to explain my reappearance. But I held out +stoutly, "I won't go back to Chatham; I'll drown myself first." +The next day my mother carried me off to Wimblehurst, took me +fiercely and aggressively to an uncle I had never heard of +before, near though the place was to us. She gave me no word +as to what was to happen, and I was too subdued by her manifest +wrath and humiliation at my last misdemeanour to demand +information. I don't for one moment think Lady Drew was "nice" +about me. The finality of my banishment was endorsed and +underlined and stamped home. I wished very much now that I had +run away to sea, in spite of the coal dust and squalour Rochester +had revealed to me. Perhaps over seas one came to different +lands. + + +IV + +I do not remember much of my journey to Wimblehurst with my +mother except the image of her as sitting bolt upright, as rather +disdaining the third-class carriage in which we traveled, and +how she looked away from me out of the window when she spoke of +my uncle. "I have not seen your uncle," she said, "since he was +a boy...." She added grudgingly, "Then he was supposed to be +clever." + +She took little interest in such qualities as cleverness. + +"He married about three years ago, and set up for himself in +Wimblehurst.... So I suppose she had some money." + +She mused on scenes she had long dismissed from her mind. +"Teddy," she said at last in the tone of one who has been feeling +in the dark and finds. "He was called Teddy... about your +age.... Now he must be twenty-six or seven." + +I thought of my uncle as Teddy directly I saw him; there was +something in his personal appearance that in the light of that +memory phrased itself at once as Teddiness--a certain Teddidity. +To describe it in and other terms is more difficult. It is +nimbleness without grace, and alertness without intelligence. He +whisked out of his shop upon the pavement, a short figure in grey +and wearing grey carpet slippers; one had a sense of a young +fattish face behind gilt glasses, wiry hair that stuck up and +forward over the forehead, an irregular nose that had its +aquiline moments, and that the body betrayed an equatorial +laxity, an incipient "bow window" as the image goes. He jerked +out of the shop, came to a stand on the pavement outside, +regarded something in the window with infinite appreciation, +stroked his chin, and, as abruptly, shot sideways into the door +again, charging through it as it were behind an extended hand. + +"That must be him," said my mother, catching at her breath. + +We came past the window whose contents I was presently to know by +heart, a very ordinary chemist's window except that there was a +frictional electrical machine, an air pump and two or three +tripods and retorts replacing the customary blue, yellow, and red +bottles above. There was a plaster of Paris horse to indicate +veterinary medicines among these breakables, and below were scent +packets and diffusers and sponges and soda-water syphons and +such-like things. Only in the middle there was a rubricated +card, very neatly painted by hand, with these words-- + + Buy Ponderevo's Cough Linctus NOW. + NOW! + WHY? + Twopence Cheaper than in Winter. + You Store apples! why not the Medicine + You are Bound to Need? + +in which appeal I was to recognise presently my uncle's +distinctive note. + +My uncle's face appeared above a card of infant's comforters in +the glass pane of the door. I perceived his eyes were brown, and +that his glasses creased his nose. It was manifest he did not +know us from Adam. A stare of scrutiny allowed an expression of +commercial deference to appear in front of it, and my uncle flung +open the door. + +"You don't know me?" panted my mother. + +My uncle would not own he did not, but his curiosity was +manifest. My mother sat down on one of the little chairs before +the soap and patent medicine-piled counter, and her lips opened +and closed. + +"A glass of water, madam," said my uncle, waved his hand in a +sort of curve and shot away. + +My mother drank the water and spoke. "That boy," she said, +"takes after his father. He grows more like him every day.... +And so I have brought him to you." + +"His father, madam?" + +"George." + +For a moment the chemist was still at a loss. He stood behind +the counter with the glass my mother had returned to him in his +hand. Then comprehension grew. + +"By Gosh!" he said. "Lord!" he cried. His glasses fell off. He +disappeared replacing them, behind a pile of boxed-up bottles of +blood mixture. "Eleven thousand virgins!" I heard him cry. The +glass was banged down. "O-ri-ental Gums!" + +He shot away out of the shop through some masked door. One heard +his voice. "Susan! Susan!" + +Then he reappeared with an extended hand. "Well, how are you?" +he said. "I was never so surprised in my life. Fancy!... You!" + +He shook my mother's impassive hand and then mine very warmly +holding his glasses on with his left forefinger. + +"Come right in!" he cried--"come right in! Better late than +never!" and led the way into the parlour behind the shop. + +After Bladesover that apartment struck me as stuffy and petty, +but it was very comfortable in comparison with the Frapp +living-room. It had a faint, disintegrating smell of meals +about it, and my most immediate impression was of the remarkable +fact that something was hung about or wrapped round or draped +over everything. There was bright-patterned muslin round the +gas-bracket in the middle of the room, round the mirror over the +mantel, stuff with ball-fringe along the mantel and casing in the +fireplace,--I first saw ball-fringe here--and even the lamp on +the little bureau wore a shade like a large muslin hat. The +table-cloth had ball-fringe and so had the window curtains, and +the carpet was a bed of roses. There were little cupboards on +either side of the fireplace, and in the recesses, ill-made +shelves packed with books, and enriched with pinked American +cloth. There was a dictionary lying face downward on the table, +and the open bureau was littered with foolscap paper and the +evidences of recently abandoned toil. My eye caught "The +Ponderevo Patent Flat, a Machine you can Live in," written in +large firm letters. My uncle opened a little door like a +cupboard door in the corner of this room, and revealed the +narrowest twist of staircase I had ever set eyes upon. "Susan!" +he bawled again. "Wantje. Some one to see you. Surprisin'." + +There came an inaudible reply, and a sudden loud bump over our +heads as of some article of domestic utility pettishly flung +aside, then the cautious steps of someone descending the twist, +and then my aunt appeared in the doorway with her hand upon the +jamb. + +"It's Aunt Ponderevo," cried my uncle. "George's wife--and she's +brought over her son!" His eye roamed about the room. He darted +to the bureau with a sudden impulse, and turned the sheet about +the patent flat face down. Then he waved his glasses at us, "You +know, Susan, my elder brother George. I told you about 'im lots +of times." + +He fretted across to the hearthrug and took up a position there, +replaced his glasses and coughed. + +My aunt Susan seemed to be taking it in. She was then rather a +pretty slender woman of twenty-three or four, I suppose, and I +remember being struck by the blueness of her eyes and the clear +freshness of her complexion. She had little features, a button +nose, a pretty chin and a long graceful neck that stuck out of +her pale blue cotton morning dress. There was a look of +half-assumed perplexity on her face, a little quizzical wrinkle +of the brow that suggested a faintly amused attempt to follow my +uncle's mental operations, a vain attempt and a certain +hopelessness that had in succession become habitual. She seemed +to be saying, "Oh Lord! What's he giving me THIS time?" And as +came to know her better I detected, as a complication of her +effort of apprehension, a subsidiary riddle to "What's he giving +me?" and that was--to borrow a phrase from my schoolboy language +"Is it keeps?" She looked at my mother and me, and back to her +husband again. + +"You know," he said. "George." + +"Well," she said to my mother, descending the last three steps of +the staircase and holding out her hand! "you're welcome. Though +it's a surprise.... I can't ask you to HAVE anything, I'm +afraid, for there isn't anything in the house." She smiled, and +looked at her husband banteringly. "Unless he makes up something +with his old chemicals, which he's quite equal to doing." + +My mother shook hands stiffly, and told me to kiss my aunt.... + +"Well, let's all sit down," said my uncle, suddenly whistling +through his clenched teeth, and briskly rubbing his hands +together. He put up a chair for my mother, raised the blind of +the little window, lowered it again, and returned to his +hearthrug. "I'm sure," he said, as one who decides, "I'm very +glad to see you." + +V + +As they talked I gave my attention pretty exclusively to my +uncle. + +I noted him in great detail. I remember now his partially +unbuttoned waistcoat, as though something had occurred to +distract him as he did it up, and a little cut upon his chin. I +liked a certain humour in his eyes. I watched, too, with the +fascination that things have for an observant boy, the play of +his lips--they were a little oblique, and there was something +"slipshod," if one may strain a word so far, about his mouth, so +that he lisped and sibilated ever and again and the coming and +going of a curious expression, triumphant in quality it was, upon +his face as he talked. He fingered his glasses, which did not +seem to fit his nose, fretted with things in his waistcoat +pockets or put his hands behind him, looked over our heads, and +ever and again rose to his toes and dropped back on his heels. +He had a way of drawing air in at times through his teeth that +gave a whispering zest to his speech It's a sound I can only +represent as a soft Zzzz. + +He did most of the talking. My mother repeated what she had +already said in the shop, "I have brought George over to you," +and then desisted for a time from the real business in hand. +"You find this a comfortable house?" she asked; and this being +affirmed: "It looks--very convenient.... Not too big to be a +trouble--no. You like Wimblehurst, I suppose?" + +My uncle retorted with some inquiries about the great people of +Bladesover, and my mother answered in the character of a personal +friend of Lady Drew's. The talk hung for a time, and then my +uncle embarked upon a dissertation upon Wimblehurst. + +"This place," he began, "isn't of course quite the place I ought +to be in." + +My mother nodded as though she had expected that. + +"It gives me no Scope," he went on. "It's dead-and-alive. +Nothing happens." + +"He's always wanting something to happen," said my aunt Susan. +"Some day he'll get a shower of things and they'll be too much +for him." + +"Not they," said my uncle, buoyantly. + +"Do you find business--slack?" asked my mother. + +"Oh! one rubs along. But there's no Development--no growth. +They just come along here and buy pills when they want 'em--and a +horseball or such. They've got to be ill before there's a +prescription. That sort they are. You can't get 'em to launch +out, you can't get 'em to take up anything new. For instance, +I've been trying lately--induce them to buy their medicines in +advance, and in larger quantities. But they won't look for it! +Then I tried to float a little notion of mine, sort of an +insurance scheme for colds; you pay so much a week, and when +you've got a cold you get a bottle of Cough Linctus so long as +you can produce a substantial sniff. See? But Lord! they've no +capacity for ideas, they don't catch on; no Jump about the place, +no Life. Live!--they trickle, and what one has to do here is to +trickle too-- Zzzz." + +"Ah!" said my mother. + +"It doesn't suit me," said my uncle. "I'm the cascading sort." + +"George was that," said my mother after a pondering moment. + +My aunt Susan took up the parable with an affectionate glance at +her husband. + +"He's always trying to make his old business jump," she said. +"Always putting fresh cards in the window, or getting up to +something. You'd hardly believe. It makes ME jump sometimes." + +"But it does no good," said my uncle. + +"It does no good," said his wife. "It's not his miloo..." + +Presently they came upon a wide pause. + +From the beginning of their conversation there had been the +promise of this pause, and I pricked my ears. I knew perfectly +what was bound to come; they were going to talk of my father. I +was enormously strengthened in my persuasion when I found my +mother's eyes resting thoughtfully upon me in the silence, and +than my uncle looked at me and then my aunt. I struggled +unavailingly to produce an expression of meek stupidity. + +"I think," said my uncle, "that George will find it more amusing +to have a turn in the market-place than to sit here talking with +us. There's a pair of stocks there, George--very interesting. +Old-fashioned stocks." + +"I don't mind sitting here," I said. + +My uncle rose and in the most friendly way led me through the +shop. He stood on his doorstep and jerked amiable directions to +me. + +"Ain't it sleepy, George, eh? There's the butcher's dog over +there, asleep in the road-half an hour from midday! If the last +Trump sounded I don't believe it would wake. Nobody would wake! +The chaps up there in the churchyard--they'd just turn over and +say: 'Naar--you don't catch us, you don't! See?'.... Well, +you'll find the stocks just round that corner." + +He watched me out of sight. + +So I never heard what they said about my father after all. + +VI + +When I returned, my uncle had in some remarkable way become +larger and central. "Tha'chu, George?" he cried, when the +shop-door bell sounded. "Come right through"; and I found him, +as it were, in the chairman's place before the draped grate. + +The three of them regarded me. + +"We have been talking of making you a chemist, George," said my +uncle. + +My mother looked at me. "I had hoped," she said, "that Lady Drew +would have done something for him--" She stopped. + +"In what way?" said my uncle. + +"She might have spoken to some one, got him into something +perhaps...." She had the servant's invincible persuasion that +all good things are done by patronage. + +"He is not the sort of boy for whom things are done," she added, +dismissing these dreams. "He doesn't accommodate himself. When +he thinks Lady Drew wishes a thing, he seems not to wish it. +Towards Mr. Redgrave, too, he has been--disrespectful--he is like +his father." + +"Who's Mr. Redgrave?" + +"The Vicar." + +"A bit independent?" said my uncle, briskly. + +"Disobedient," said my mother. "He has no idea of his place. He +seems to think he can get on by slighting people and flouting +them. He'll learn perhaps before it is too late." + +My uncle stroked his cut chin and me. "Have you learnt any +Latin?" he asked abruptly. + +I said I had not. + +"He'll have to learn a little Latin," he explained to my mother, +"to qualify. H'm. He could go down to the chap at the grammar +school here--it's just been routed into existence again by the +Charity Commissioners and have lessons." + +"What, me learn Latin!" I cried, with emotion. + +"A little," he said. + +"I've always wanted" I said and; "LATIN!" + +I had long been obsessed by the idea that having no Latin was a +disadvantage in the world, and Archie Garvell had driven the +point of this pretty earnestly home. The literature I had read +at Bladesover had all tended that way. Latin had had a quality +of emancipation for me that I find it difficult to convey. And +suddenly, when I had supposed all learning was at an end for me, +I heard this! + +"It's no good to you, of course," said my uncle, "except to pass +exams with, but there you are!" + +"You'll have to learn Latin because you have to learn Latin," +said my mother, "not because you want to. And afterwards you +will have to learn all sorts of other things...." + +The idea that I was to go on learning, that to read and master +the contents of books was still to be justifiable as a duty, +overwhelmed all other facts. I had had it rather clear in my +mind for some weeks that all that kind of opportunity might close +to me for ever. I began to take a lively interest in this new +project. + +"Then shall I live here?" I asked, "with you, and study... as +well as work in the shop?" + +"That's the way of it," said my uncle. + +I parted from my mother that day in a dream, so sudden and +important was this new aspect of things to me. I was to learn +Latin! Now that the humiliation of my failure at Bladesover was +past for her, now that she had a little got over her first +intense repugnance at this resort to my uncle and contrived +something that seemed like a possible provision for my future, +the tenderness natural to a parting far more significant than any +of our previous partings crept into her manner. + +She sat in the train to return, I remember, and I stood at the +open door of her compartment, and neither of us knew how soon we +should cease for ever to be a trouble to one another. + +"You must be a good boy, George," she said. "You must learn.... +And you mustn't set yourself up against those who are above you +and better than you.... Or envy them." + +"No, mother," I said. + +I promised carelessly. Her eyes were fixed upon me. I was +wondering whether I could by any means begin Latin that night. + +Something touched her heart then, some thought, some memory; +perhaps some premonition.... The solitary porter began slamming +carriage doors. + +"George" she said hastily, almost shamefully, "kiss me!" + +I stepped up into her compartment as she bent downward. + +She caught me in her arms quite eagerly, she pressed me to her--a +strange thing for her to do. I perceived her eyes were +extraordinarily bright, and then this brightness burst along the +lower lids and rolled down her cheeks. + +For the first and last time in my life I saw my mother's tears. +Then she had gone, leaving me discomforted and perplexed, +forgetting for a time even that I was to learn Latin, thinking of +my mother as of something new and strange. + +The thing recurred though I sought to dismiss it, it stuck itself +into my memory against the day of fuller understanding. Poor, +proud, habitual, sternly narrow soul! poor difficult and +misunderstanding son! it was the first time that ever it dawned +upon me that my mother also might perhaps feel. + +VII + +My mother died suddenly and, it was thought by Lady Drew, +inconsiderately, the following spring. Her ladyship instantly +fled to Folkestone with Miss Somerville and Fison, until the +funeral should be over and my mother's successor installed. + +My uncle took me over to the funeral. I remember there was a +sort of prolonged crisis in the days preceding this because, +directly he heard of my loss, he had sent a pair of check +trousers to the Judkins people in London to be dyed black, and +they did not come back in time. He became very excited on the +third day, and sent a number of increasingly fiery telegrams +without any result whatever, and succumbed next morning with a +very ill grace to my aunt Susan's insistence upon the resources +of his dress-suit. In my memory those black legs of his, in a +particularly thin and shiny black cloth--for evidently his +dress-suit dated from adolescent and slenderer days--straddle +like the Colossus of Rhodes over my approach to my mother's +funeral. Moreover, I was inconvenienced and distracted by a silk +hat he had bought me, my first silk hat, much ennobled, as his +was also, by a deep mourning band. + +I remember, but rather indistinctly, my mother's white paneled +housekeeper's room and the touch of oddness about it that she was +not there, and the various familiar faces made strange by black, +and I seem to recall the exaggerated self-consciousness that +arose out of their focussed attention. No doubt the sense of the +new silk hat came and went and came again in my emotional chaos. +Then something comes out clear and sorrowful, rises out clear and +sheer from among all these rather base and inconsequent things, +and once again I walk before all the other mourners close behind +her coffin as it is carried along the churchyard path to her +grave, with the old vicar's slow voice saying regretfully and +unconvincingly above me, triumphant solemn things. + +"I am the resurrection and the life, saith the Lord; he that +believeth in me, though he were dead, yet shall he live: and +whosoever liveth and believeth in me shall never die." + +Never die! The day was a high and glorious morning in spring, +and all the trees were budding and bursting into green. +Everywhere there were blossoms and flowers; the pear trees and +cherry trees in the sexton's garden were sunlit snow, there were +nodding daffodils and early tulips in the graveyard beds, great +multitudes of daisies, and everywhere the birds seemed singing. +And in the middle was the brown coffin end, tilting on men's +shoulders and half occluded by the vicar's Oxford hood. + +And so we came to my mother's waiting grave. + +For a time I was very observant, watching the coffin lowered, +hearing the words of the ritual. It seemed a very curious +business altogether. + +Suddenly as the service drew to its end, I felt something had +still to be said which had not been said, realised that she had +withdrawn in silence, neither forgiving me nor hearing from +me--those now lost assurances. Suddenly I knew I had not +understood. Suddenly I saw her tenderly; remembered not so much +tender or kindly things of her as her crossed wishes and the ways +in which I had thwarted her. Surprisingly I realised that +behind all her hardness and severity she had loved me, that I was +the only thing she had ever loved and that until this moment I +had never loved her. And now she was there and deaf and blind to +me, pitifully defeated in her designs for me, covered from me so +that she could not know.... + +I dug my nails into the palms of my hands, I set my teeth, but +tears blinded me, sobs would have choked me had speech been +required of me. The old vicar read on, there came a mumbled +response--and so on to the end. I wept as it were internally, +and only when we had come out of the churchyard could I think and +speak calmly again. + +Stamped across this memory are the little black figures of my +uncle and Rabbits, telling Avebury, the sexton and undertaker, +that "it had all passed off very well--very well indeed." + +VIII + +That is the last I shall tell of Bladesover. The dropscene +falls on that, and it comes no more as an actual presence into +this novel. I did indeed go back there once again, but under +circumstances quite immaterial to my story. But in a sense +Bladesover has never left me; it is, as I said at the outset, one +of those dominant explanatory impressions that make the framework +of my mind. Bladesover illuminates England; it has become all +that is spacious, dignified pretentious, and truly conservative +in English life. It is my social datum. That is why I have +drawn it here on so large a scale. + +When I came back at last to the real Bladesover on an +inconsequent visit, everything was far smaller than I could have +supposed possible. It was as though everything had shivered and +shrivelled a little at the Lichtenstein touch. The harp was +still in the saloon, but there was a different grand piano with a +painted lid and a metrostyle pianola, and an extraordinary +quantity of artistic litter and bric-a-brac scattered about. +There was the trail of the Bond Street showroom over it all. The +furniture was still under chintz, but it wasn't the same sort of +chintz although it pretended to be, and the lustre-dangling +chandeliers had passed away. Lady Lichtenstein's books replaced +the brown volumes I had browsed among--they were mostly +presentation copies of contemporary novels and the National +Review and the Empire Review, and the Nineteenth Century and +after jostled current books on the tables--English new books in +gaudy catchpenny "artistic" covers, French and Italian novels in +yellow, German art handbooks of almost incredible ugliness. +There were abundant evidences that her ladyship was playing with +the Keltic renascence, and a great number of ugly cats made of +china--she "collected" china and stoneware cats--stood about +everywhere--in all colours, in all kinds of deliberately comic, +highly glazed distortion. + +It is nonsense to pretend that finance makes any better +aristocrats than rent. Nothing can make an aristocrat but pride, +knowledge, training, and the sword. These people were no +improvement on the Drews, none whatever. There was no effect of +a beneficial replacement of passive unintelligent people by +active intelligent ones. One felt that a smaller but more +enterprising and intensely undignified variety of stupidity had +replaced the large dullness of the old gentry, and that was all. +Bladesover, I thought, had undergone just the same change between +the seventies and the new century that had overtaken the dear old +Times, and heaven knows how much more of the decorous British +fabric. These Lichtensteins and their like seem to have no +promise in them at all of any fresh vitality for the kingdom. I +do not believe in their intelligence or their power--they have +nothing new about them at all, nothing creative nor +rejuvenescent, no more than a disorderly instinct of acquisition; +and the prevalence of them and their kind is but a phase in the +broad slow decay of the great social organism of England. They +could not have made Bladesover they cannot replace it; they just +happen to break out over it--saprophytically. + +Well--that was my last impression of Bladesover. + + +CHAPTER THE THIRD + +THE WIMBLEHURST APPRENTICESHIP + +I + +So far as I can remember now, except for that one emotional phase +by the graveside, I passed through all these experiences rather +callously. I had already, with the facility of youth, changed my +world, ceased to think at all of the old school routine and put +Bladesover aside for digestion at a latter stage. I took up my +new world in Wimblehurst with the chemist's shop as its hub, set +to work at Latin and materia medica, and concentrated upon the +present with all my heart. Wimblehurst is an exceptionally +quiet and grey Sussex town rare among south of England towns in +being largely built of stone. I found something very agreeable +and picturesque in its clean cobbled streets, its odd turnings +and abrupt corners; and in the pleasant park that crowds up one +side of the town. The whole place is under the Eastry dominion +and it was the Eastry influence and dignity that kept its +railway station a mile and three-quarters away. Eastry House is +so close that it dominates the whole; one goes across the +marketplace (with its old lock-up and stocks), past the great +pre-reformation church, a fine grey shell, like some empty skull +from which the life has fled, and there at once are the huge +wrought-iron gates, and one peeps through them to see the facade +of this place, very white and large and fine, down a long avenue +of yews. Eastry was far greater than Bladesover and an +altogether completer example of the eighteenth century system. +It ruled not two villages, but a borough, that had sent its sons +and cousins to parliament almost as a matter of right so long as +its franchise endured. Every one was in the system, every +one--except my uncle. He stood out and complained. + +My uncle was the first real breach I found in the great front of +Bladesover the world had presented me, for Chatham was not so +much a breach as a confirmation. But my uncle had no respect +for Bladesover and Eastry--none whatever. He did not believe in +them. He was blind even to what they were. He propounded +strange phrases about them, he exfoliated and wagged about novel +and incredible ideas. + +"This place," said my uncle, surveying it from his open doorway +in the dignified stillness of a summer afternoon, "wants Waking +Up!" + +I was sorting up patent medicines in the corner. + +"I'd like to let a dozen young Americans loose into it," said my +uncle. "Then we'd see." + +I made a tick against Mother Shipton's Sleeping Syrup. We had +cleared our forward stock. + +"Things must be happening SOMEWHERE, George," he broke out in a +querulously rising note as he came back into the little shop. He +fiddled with the piled dummy boxes of fancy soap and scent and so +forth that adorned the end of the counter, then turned about +petulantly, stuck his hands deeply into his pockets and withdrew +one to scratch his head. "I must do SOMETHING," he said. "I +can't stand it. + +"I must invent something. And shove it.... I could. + +"Or a play. There's a deal of money in a play, George. What +would you think of me writing a play eh?... There's all sorts of +things to be done. + +"Or the stog-igschange." + +He fell into that meditative whistling of his. + +"Sac-ramental wine!" he swore, "this isn't the world--it's Cold +Mutton Fat! That's what Wimblehurst is! Cold Mutton Fat!--dead +and stiff! And I'm buried in it up to the arm pits. Nothing +ever happens, nobody wants things to happen 'scept me! Up in +London, George, things happen. America! I wish to Heaven, +George, I'd been born American--where things hum. + +"What can one do here? How can one grow? While we're sleepin' +here with our Capital oozing away into Lord Eastry's pockets for +rent-men are up there...." He indicated London as remotely over +the top of the dispensing counter, and then as a scene of great +activity by a whirl of the hand and a wink and a meaning smile at +me. + +"What sort of things do they do?" I asked. + +"Rush about," he said. "Do things! Somethin' glorious. There's +cover gambling. Ever heard of that, George?" He drew the air in +through his teeth. "You put down a hundred say, and buy ten +thousand pounds worth. See? That's a cover of one per cent. +Things go up one, you sell, realise cent per cent; down, whiff, +it's gone! Try again! Cent per cent, George, every day. Men are +made or done for in an hour. And the shoutin'! Zzzz.... Well, +that's one way, George. Then another way--there's Corners!" + +"They're rather big things, aren't they?" I ventured. + +"Oh, if you go in for wheat or steel--yes. But suppose you +tackled a little thing, George. Just some little thing that only +needed a few thousands. Drugs for example. Shoved all you had +into it--staked your liver on it, so to speak. Take a drug--take +ipecac, for example. Take a lot of ipecac. Take all there is! +See? There you are! There aren't unlimited supplies of +ipecacuanha--can't be!--and it's a thing people must have. Then +quinine again! You watch your chance, wait for a tropical war +breaking out, let's say, and collar all the quinine. Where ARE +they? Must have quinine, you know. Eh? Zzzz. + +"Lord! there's no end of things--no end of little things. +Dill-water--all the suffering babes yowling for it. Eucalyptus +again--cascara--witch hazel--menthol--all the toothache things. +Then there's antiseptics, and curare, cocaine...." + +"Rather a nuisance to the doctors," I reflected. + +"They got to look out for themselves. By Jove, yes. They'll do +you if they can, and you do them. Like brigands. That makes it +romantic. That's the Romance of Commerce, George. You're in the +mountains there! Think of having all the quinine in the world, +and some millionaire's pampered wife gone ill with malaria, eh? +That's a squeeze, George, eh? Eh? Millionaire on his motor car +outside, offering you any price you liked. That 'ud wake up +Wimblehurst.... Lord! You haven't an Idea down here. Not an +idea. Zzzz." + +He passed into a rapt dream, from which escaped such fragments +as: "Fifty per cent. advance sir; security--to-morrow. Zzzz." + +The idea of cornering a drug struck upon my mind then as a sort +of irresponsible monkey trick that no one would ever be +permitted to do in reality. It was the sort of nonsense one +would talk to make Ewart laugh and set him going on to still +odder possibilities. I thought it was part of my uncle's way of +talking. But I've learnt differently since. The whole trend of +modern money-making is to foresee something that will presently +be needed and put it out of reach, and then to haggle yourself +wealthy. You buy up land upon which people will presently want +to build houses, you secure rights that will bar vitally +important developments, and so on, and so on. Of course the +naive intelligence of a boy does not grasp the subtler +developments of human inadequacy. He begins life with a +disposition to believe in the wisdom of grown-up people, he does +not realise how casual and disingenuous has been the development +of law and custom, and he thinks that somewhere in the state +there is a power as irresistible as a head master's to check +mischievous and foolish enterprises of every sort. I will +confess that when my uncle talked of cornering quinine, I had a +clear impression that any one who contrived to do that would +pretty certainly go to jail. Now I know that any one who could +really bring it off would be much more likely to go to the House +of Lords! + +My uncle ranged over the gilt labels of his bottles and drawers +for a while, dreaming of corners in this and that. But at last +he reverted to Wimblehurst again. + +"You got to be in London when these things are in hand. Down +here--! + +"Jee-rusalem!" he cried. "Why did I plant myself here? +Everything's done. The game's over. Here's Lord Eastry, and +he's got everything, except what his lawyers get, and before you +get any more change this way you'll have to dynamite him--and +them. HE doesn't want anything more to happen. Why should he? +Any chance 'ud be a loss to him. He wants everything to burble +along and burble along and go on as it's going for the next ten +thousand years, Eastry after Eastry, one parson down another +come, one grocer dead, get another! Any one with any ideas +better go away. They HAVE gone away! Look at all these blessed +people in this place! Look at 'em! All fast asleep, doing their +business out of habit--in a sort of dream, Stuffed men would do +just as well--just. They've all shook down into their places. +THEY don't want anything to happen either. They're all broken +in. There you are! Only what are they all alive for?... + +"Why can't they get a clockwork chemist?" + +He concluded as he often concluded these talks. "I must invent +something,--that's about what I must do. Zzzz. Some convenience. + +Something people want.... Strike out.... You can't think, George, +of anything everybody wants and hasn't got? I mean something you +could turn out retail under a shilling, say? Well, YOU think, +whenever you haven't got anything better to do. See?" + +II + +So I remember my uncle in that first phase, young, but already a +little fat, restless, fretful, garrulous, putting in my +fermenting head all sorts of discrepant ideas. Certainly he was +educational.... + +For me the years at Wimblehurst were years of pretty active +growth. Most of my leisure and much of my time in the shop I +spent in study. I speedily mastered the modicum of Latin +necessary for my qualifying examinations, and--a little assisted +by the Government Science and Art Department classes that were +held in the Grammar School--went on with my mathematics. There +were classes in physics, in chemistry, in mathematics and machine +drawing, and I took up these subjects with considerable +avidity. Exercise I got chiefly in the form of walks. There was +some cricket in the summer and football in the winter sustained +by young men's clubs that levied a parasitic blackmail of the big +people and the sitting member, but I was never very keen at these +games. I didn't find any very close companions among the youths +of Wimblehurst. They struck me, after my cockney schoolmates, as +loutish and slow, servile and furtive, spiteful and mean. WE +used to swagger, but these countrymen dragged their feet and +hated an equal who didn't; we talked loud, but you only got the +real thoughts of Wimblehurst in a knowing undertone behind its +hand. And even then they weren't much in the way of thoughts. + +No, I didn't like those young countrymen, and I'm no believer in +the English countryside under the Bladesover system as a +breeding ground for honourable men. One hears a frightful lot of +nonsense about the Rural Exodus and the degeneration wrought by +town life upon our population. To my mind, the English townsman, +even in the slums, is infinitely better spiritually, more +courageous, more imaginative and cleaner, than his agricultural +cousin. I've seen them both when they didn't think they were +being observed, and I know. There was something about my +Wimblehurst companions that disgusted me. It's hard to define. +Heaven knows that at that cockney boarding-school at Goudhurst we +were coarse enough; the Wimblehurst youngsters had neither words +nor courage for the sort of thing we used to do--for our bad +language, for example; but, on the other hand, they displayed a +sort of sluggish, real lewdness, lewdness is the word--a baseness +of attitude. Whatever we exiled urbans did at Goudhurst was +touched with something, however coarse, of romantic imagination. +We had read the Boys of England, and told each other stories. In +the English countryside there are no books at all, no songs, no +drama, no valiant sin even; all these things have never come or +they were taken away and hidden generations ago, and the +imagination aborts and bestialises. That, I think, is where the +real difference against the English rural man lies. It is +because I know this that I do not share in the common repinings +because our countryside is being depopulated, because our +population is passing through the furnace of the towns. They +starve, they suffer, no doubt, but they come out of it hardened, +they come out of it with souls. + +Of an evening the Wimblehurst blade, shiny-faced from a wash and +with some loud finery, a coloured waistcoat or a vivid tie, would +betake himself to the Eastry Arms billiard-room, or to the bar +parlour of some minor pub where nap could be played. One soon +sickened of his slow knowingness, the cunning observation of his +deadened eyes, his idea of a "good story," always, always told in +undertones, poor dirty worm! his shrewd, elaborate maneuvers for +some petty advantage, a drink to the good or such-like deal. +There rises before my eyes as I write, young Hopley Dodd, the son +of the Wimblehurst auctioneer, the pride of Wimblehurst, its +finest flower, with his fur waistcoat and his bulldog pipe, his +riding breeches--he had no horse--and his gaiters, as he used to +sit, leaning forward and watching the billiard-table from under +the brim of his artfully tilted hat. A half-dozen phrases +constituted his conversation: "hard lines!" he used to say, and +"Good baazness," in a bass bleat. Moreover, he had a long slow +whistle that was esteemed the very cream of humorous comment. +Night after night he was there. + +Also you knew he would not understand that _I_ could play +billiards, and regarded every stroke I made as a fluke. For a +beginner I didn't play so badly, I thought. I'm not so sure now; +that was my opinion at the time. But young Dodd's scepticism and +the "good baazness" finally cured me of my disposition to +frequent the Eastry Arms, and so these noises had their value in +my world. + +I made no friends among the young men of the place at all, and +though I was entering upon adolescence I have no love-affair to +tell of here. Not that I was not waking up to that aspect of +life in my middle teens I did, indeed, in various slightly +informal ways scrape acquaintance with casual Wimblehurst girls; +with a little dressmaker's apprentice I got upon shyly speaking +terms, and a pupil teacher in the National School went further +and was "talked about" in connection with me but I was not by any +means touched by any reality of passion for either of these young +people; love--love as yet came to me only in my dreams. I only +kissed these girls once or twice. They rather disconcerted than +developed those dreams. They were so clearly not "it." I shall +have much to say of love in this story, but I may break it to the +reader now that it is my role to be a rather ineffectual lover. +Desire I knew well enough--indeed, too well; but love I have been +shy of. In all my early enterprises in the war of the sexes, I +was torn between the urgency of the body and a habit of romantic +fantasy that wanted every phase of the adventure to be generous +and beautiful. And I had a curiously haunting memory of +Beatrice, of her kisses in the bracken and her kiss upon the +wall, that somehow pitched the standard too high for +Wimblehurst's opportunities. I will not deny I did in a boyish +way attempt a shy, rude adventure or so in love-making at +Wimblehurst; but through these various influences, I didn't +bring things off to any extent at all. I left behind me no +devastating memories, no splendid reputation. I came away at +last, still inexperienced and a little thwarted, with only a +natural growth of interest and desire in sexual things. + +If I fell in love with any one in Wimblehurst it was with my +aunt. She treated me with a kindliness that was only half +maternal--she petted my books, she knew about my certificates, +she made fun of me in a way that stirred my heart to her. Quite +unconsciously I grew fond of her.... + +My adolescent years at Wimblehurst were on the whole laborious, +uneventful years that began in short jackets and left me in many +ways nearly a man, years so uneventful that the Calculus of +Variations is associated with one winter, and an examination in +Physics for Science and Art department Honours marks an epoch. +Many divergent impulses stirred within me, but the master impulse +was a grave young disposition to work and learn and thereby in +some not very clearly defined way get out of the Wimblehurst +world into which I had fallen. I wrote with some frequency to +Ewart, self-conscious, but, as I remember them, not intelligent +letters, dated in Latin and with lapses into Latin quotation that +roused Ewart to parody. There was something about me in those +days more than a little priggish. But it was, to do myself +justice, something more than the petty pride of learning. I had +a very grave sense of discipline and preparation that I am not +ashamed at all to remember. I was serious. More serious than I +am at the present time. More serious, indeed, than any adult +seems to be. I was capable then of efforts--of nobilities.... +They are beyond me now. I don't see why, at forty, I shouldn't +confess I respect my own youth. I had dropped being a boy quite +abruptly. I thought I was presently to go out into a larger and +quite important world and do significant things there. I thought +I was destined to do something definite to a world that had a +definite purpose. I did not understand then, as I do now, that +life was to consist largely in the world's doing things to me. +Young people never do seem to understand that aspect of things. +And, as I say, among my educational influences my uncle, all +unsuspected, played a leading part, and perhaps among other +things gave my discontent with Wimblehurst, my desire to get away +from that clean and picturesque emptiness, a form and expression +that helped to emphasise it. In a way that definition made me +patient. "Presently I shall get to London," I said, echoing him. + +I remember him now as talking, always talking, in those days. He +talked to me of theology, he talked of politics, of the wonders +of science and the marvels of art, of the passions and the +affections, of the immortality of the soul and the peculiar +actions of drugs; but predominantly and constantly he talked of +getting on, of enterprises, of inventions and great fortunes, of +Rothschilds, silver kings, Vanderbilts, Goulds, flotations, +realisations and the marvelous ways of Chance with men--in all +localities, that is to say, that are not absolutely sunken to the +level of Cold Mutton Fat. + +When I think of those early talks, I figure him always in one of +three positions. Either we were in the dispensing lair behind a +high barrier, he pounding up things in a mortar perhaps, and I +rolling pill-stuff into long rolls and cutting it up with a sort +of broad, fluted knife, or he stood looking out of the shop door +against the case of sponges and spray-diffusers, while I surveyed +him from behind the counter, or he leant against the little +drawers behind the counter, and I hovered dusting in front. The +thought of those early days brings back to my nostrils the faint +smell of scent that was always in the air, marbled now with +streaks of this drug and now of that, and to my eyes the rows of +jejune glass bottles with gold labels, mirror-reflected, that +stood behind him. My aunt, I remember, used sometimes to come +into the shop in a state of aggressive sprightliness, a sort of +connubial ragging expedition, and get much fun over the +abbreviated Latinity of those gilt inscriptions. "Ol Amjig, +George," she would read derisively, "and he pretends it's almond +oil! Snap!--and that's mustard. Did you ever, George? + +"Look at him, George, looking dignified. I'd like to put an old +label on to him round the middle like his bottles are, with Ol +Pondo on it. That's Latin for Impostor, George MUST be. He'd +look lovely with a stopper." + +"YOU want a stopper," said my uncle, projecting his face.... + +My aunt, dear soul, was in those days quite thin and slender, +with a delicate rosebud completion and a disposition to connubial +badinage, to a sort of gentle skylarking. There was a silvery +ghost of lisping in her speech. She was a great humourist, and +as the constraint of my presence at meals wore off, I became more +and more aware of a filmy but extensive net of nonsense she had +woven about her domestic relations until it had become the +reality of her life. She affected a derisive attitude to the +world at large and applied the epithet "old" to more things than +I have ever heard linked to it before or since. "Here's the old +news-paper," she used to say--to my uncle. "Now don't go and get +it in the butter, you silly old Sardine!" + +"What's the day of the week, Susan?" my uncle would ask. + +"Old Monday, Sossidge," she would say, and add, "I got all my Old +Washing to do. Don't I KNOW it!"... + +She had evidently been the wit and joy of a large circle of +schoolfellows, and this style had become a second nature with +her. It made her very delightful to me in that quiet place. Her +customary walk even had a sort of hello! in it. Her chief +preoccupation in life was, I believe, to make my uncle laugh, and +when by some new nickname, some new quaintness or absurdity, she +achieved that end, she was, behind a mask of sober amazement, the +happiest woman on earth. My uncle's laugh when it did come, I +must admit was, as Baedeker says, "rewarding." It began with +gusty blowings and snortings, and opened into a clear "Ha ha!" +but in fullest development it included, in those youthful +days, falling about anyhow and doubling up tightly, and whackings +of the stomach, and tears and cries of anguish. I never in my +life heard my uncle laugh to his maximum except at her; he was +commonly too much in earnest for that, and he didn't laugh much +at all, to my knowledge, after those early years. Also she threw +things at him to an enormous extent in her resolve to keep things +lively in spite of Wimblehurst; sponges out of stock she threw, +cushions, balls of paper, clean washing, bread; and once up the +yard when they thought that I and the errand boy and the +diminutive maid of all work were safely out of the way, she +smashed a boxful of eight-ounce bottles I had left to drain, +assaulting my uncle with a new soft broom. Sometimes she would +shy things at me--but not often. There seemed always laughter +round and about her--all three of us would share hysterics at +times--and on one occasion the two of them came home from church +shockingly ashamed of themselves, because of a storm of mirth +during the sermon. The vicar, it seems, had tried to blow his +nose with a black glove as well as the customary +pocket-handkerchief. And afterwards she had picked up her own +glove by the finger, and looking innocently but intently +sideways, had suddenly by this simple expedient exploded my uncle +altogether. We had it all over again at dinner. + +"But it shows you," cried my uncle, suddenly becoming grave, +"what Wimblehurst is, to have us all laughing at a little thing +like that! We weren't the only ones that giggled. Not by any +means! And, Lord! it was funny!" + +Socially, my uncle and aunt were almost completely isolated. In +places like Wimblehurst the tradesmen's lives always are isolated +socially, all of them, unless they have a sister or a bosom +friend among the other wives, but the husbands met in various +bar-parlours or in the billiard-room of the Eastry Arms. But my +uncle, for the most part, spent his evenings at home. When first +he arrived in Wimblehurst I think he had spread his effect of +abounding ideas and enterprise rather too aggressively; and +Wimblehurst, after a temporary subjugation, had rebelled and +done its best to make a butt of him. His appearance in a +public-house led to a pause in any conversation that was going +on. + +"Come to tell us about everything, Mr. Pond'revo?" some one would +say politely. + +"You wait," my uncle used to answer, disconcerted, and sulk for +the rest of his visit. + +Or some one with an immense air of innocence would remark to the +world generally, "They're talkin' of rebuildin' Wimblehurst all +over again, I'm told. Anybody heard anything of it? Going to +make it a reg'lar smartgoin', enterprisin' place--kind of +Crystal Pallas." + +"Earthquake and a pestilence before you get that," my uncle would +mutter, to the infinite delight of every one, and add something +inaudible about "Cold Mutton Fat."... + +III + +We were torn apart by a financial accident to my uncle of which I +did not at first grasp the full bearings. He had developed what +I regarded as an innocent intellectual recreation which he called +stock-market meteorology. I think he got the idea from one use +of curves in the graphic presentation of associated variations +that he saw me plotting. He secured some of my squared paper +and, having cast about for a time, decided to trace the rise and +fall of certain lines and railways. "There's something in this, +George," he said, and I little dreamt that among other things +that were in it, was the whole of his spare money and most of +what my mother had left to him in trust for me. + +"It's as plain as can be," he said. "See, here's one system of +waves and here's another! These are prices for Union +Pacifics--extending over a month. Now next week, mark my words, +they'll be down one whole point. We're getting near the steep +part of the curve again. See? It's absolutely scientific. It's +verifiable. Well, and apply it! You buy in the hollow and sell +on the crest, and there you are!" + +I was so convinced of the triviality of this amusement that to +find at last that he had taken it in the most disastrous earnest +overwhelmed me. + +He took me for a long walk to break it to me, over the hills +towards Yare and across the great gorse commons by Hazelbrow. + +"There are ups and downs in life, George," he said--halfway +across that great open space, and paused against the sky...."I +left out one factor in the Union Pacific analysis." + +"DID you?" I said, struck by the sudden chance in his voice. +"But you don't mean?" + +I stopped and turned on him in the narrow sandy rut of pathway +and he stopped likewise. + +"I do, George. I DO mean. It's bust me! I'm a bankrupt here +and now." + +"Then--?" + +"The shop's bust too. I shall have to get out of that." + +"And me?" + +"Oh, you!--YOU'RE all right. You can transfer your +apprenticeship, and--er--well, I'm not the sort of man to be +careless with trust funds, you can be sure. I kept that aspect +in mind. There's some of it left George--trust me!--quite a +decent little sum." + +"But you and aunt?" + +"It isn't QUITE the way we meant to leave Wimblehurst, George; +but we shall have to go. Sale; all the things shoved about and +ticketed--lot a hundred and one. Ugh!... It's been a larky +little house in some ways. The first we had. Furnishing--a +spree in its way.... Very happy..." His face winced at some +memory. "Let's go on, George," he said shortly, near choking, I +could see. + +I turned my back on him, and did not look round again for a +little while. + +"That's how it is, you see, George." I heard him after a time. + +When we were back in the high road again he came alongside, and +for a time we walked in silence. + +"Don't say anything home yet," he said presently. "Fortunes of +War. I got to pick the proper time with Susan--else she'll get +depressed. Not that she isn't a first-rate brick whatever comes +along." + +"All right," I said, "I'll be careful"; and it seemed to me for +the time altogether too selfish to bother him with any further +inquiries about his responsibility as my trustee. He gave a +little sigh of relief at my note of assent, and was presently +talking quite cheerfully of his plans.... But he had, I +remember, one lapse into moodiness that came and went suddenly. +"Those others!" he said, as though the thought had stung him for +the first time. + +"What others?" I asked. + +"Damn them!" said he. + +"But what others?" + +"All those damned stick-in-the-mud-and-die-slowly tradespeople: +Ruck, the butcher, Marbel, the grocer. Snape! Gord! George, +HOW they'll grin!" + +I thought him over in the next few weeks, and I remember now in +great detail the last talk we had together before he handed over +the shop and me to his successor. For he had the good luck to +sell his business, "lock, stock, and barrel"--in which expression +I found myself and my indentures included. The horrors of a sale +by auction of the furniture even were avoided. + +I remember that either coming or going on that occasion, Ruck, +the butcher, stood in his doorway and regarded us with a grin +that showed his long teeth. + +"You half-witted hog!" said my uncle. "You grinning hyaena"; and +then, "Pleasant day, Mr. Ruck." + +"Goin' to make your fortun' in London, then?" said Mr. Ruck, with +slow enjoyment. + +That last excursion took us along the causeway to Beeching, and +so up the downs and round almost as far as Steadhurst, home. My +moods, as we went, made a mingled web. By this time I had really +grasped the fact that my uncle had, in plain English, robbed me; +the little accumulations of my mother, six hundred pounds and +more, that would have educated me and started me in business, had +been eaten into and was mostly gone into the unexpected hollow +that ought to have been a crest of the Union Pacific curve, and +of the remainder he still gave no account. I was too young and +inexperienced to insist on this or know how to get it, but the +thought of it all made streaks of decidedly black anger in that +scheme of interwoven feelings. And you know, I was also acutely +sorry for him--almost as sorry as I was for my aunt Susan. Even +then I had quite found him out. I knew him to be weaker than +myself; his incurable, irresponsible childishness was as clear +to me then as it was on his deathbed, his redeeming and excusing +imaginative silliness. Through some odd mental twist perhaps I +was disposed to exonerate him even at the cost of blaming my poor +old mother who had left things in his untrustworthy hands. + +I should have forgiven him altogether, I believe, if he had been +in any manner apologetic to me; but he wasn't that. He kept +reassuring me in a way I found irritating. Mostly, however, his +solicitude was for Aunt Susan and himself. + +"It's these Crises, George," he said, "try Character. Your aunt's +come out well, my boy." + +He made meditative noises for a space. + +"Had her cry of course,"--the thing had been only too painfully +evident to me in her eyes and swollen face--"who wouldn't? But +now--buoyant again!... She's a Corker. + +"We'll be sorry to leave the little house of course. It's a bit +like Adam and Eve, you know. Lord! what a chap old Milton was! + + "'The world was all before them, where to choose + Their place of rest, and Providence their guide.' + +It sounds, George.... Providence their guide!... Well--thank +goodness there's no imeedgit prospect of either Cain or Abel! + +"After all, it won't be so bad up there. Not the scenery, +perhaps, or the air we get here, but--LIFE! We've got very +comfortable little rooms, very comfortable considering, and I +shall rise. We're not done yet, we're not beaten; don't think +that, George. I shall pay twenty shillings in the pound before +I've done--you mark my words, George,--twenty--five to you.... I +got this situation within twenty-four hours--others offered. +It's an important firm--one of the best in London. I looked to +that. I might have got four or five shillings a week +more--elsewhere. Quarters I could name. But I said to them +plainly, wages to go on with, but opportunity's my +game--development. We understood each other." + +He threw out his chest, and the little round eyes behind his +glasses rested valiantly on imaginary employers. + +We would go on in silence for a space while he revised and +restated that encounter. Then he would break out abruptly with +some banal phrase. + +"The Battle of Life, George, my boy," he would cry, or "Ups and +Downs!" + +He ignored or waived the poor little attempts I made to ascertain +my own position. "That's all right," he would say; or, "Leave +all that to me. I'LL look after them." And he would drift away +towards the philosophy and moral of the situation. What was I to +do? + +"Never put all your resources into one chance, George; that's the +lesson I draw from this. Have forces in reserve. It was a +hundred to one, George, that I was right--a hundred to one. I +worked it out afterwards. And here we are spiked on the +off-chance. If I'd have only kept back a little, I'd have had it +on U.P. next day, like a shot, and come out on the rise. There +you are!" + +His thoughts took a graver turn. + +"It's where you'll bump up against Chance like this, George, that +you feel the need of religion. Your hard-and-fast scientific +men--your Spencers and Huxleys--they don't understand that. I +do. I've thought of it a lot lately--in bed and about. I was +thinking of it this morning while I shaved. It's not irreverent +for me to say it, I hope--but God comes in on the off-chance, +George. See? Don't you be too cocksure of anything, good or +bad. That's what I make out of it. I could have sworn. Well, +do you think I--particular as I am--would have touched those +Union Pacifics with trust money at all, if I hadn't thought it a +thoroughly good thing--good without spot or blemish?... And it +was bad! + +"It's a lesson to me. You start in to get a hundred percent. +and you come out with that. It means, in a way, a reproof for +Pride. I've thought of that, George--in the Night Watches. I +was thinking this morning when I was shaving, that that's where +the good of it all comes in. At the bottom I'm a mystic in these +affairs. You calculate you're going to do this or that, but at +bottom who knows at all WHAT he's doing? When you most think +you're doing things, they're being done right over your head. +YOU'RE being done--in a sense. Take a hundred-to one chance, or +one to a hundred--what does it matter? You're being Led." + +It's odd that I heard this at the time with unutterable contempt, +and now that I recall it--well, I ask myself, what have I got +better? + +"I wish," said I, becoming for a moment outrageous, "YOU were +being Led to give me some account of my money, uncle." + +"Not without a bit of paper to figure on, George, I can't. But +you trust me about that never fear. You trust me." + +And in the end I had to. + +I think the bankruptcy hit my aunt pretty hard. There was, so +far as I can remember now, a complete cessation of all those +cheerful outbreaks of elasticity, no more skylarking in the shop +nor scampering about the house. But there was no fuss that I +saw, and only little signs in her complexion of the fits of +weeping that must have taken her. She didn't cry at the end, +though to me her face with its strain of self-possession was more +pathetic than any weeping. "Well" she said to me as she came +through the shop to the cab, "Here's old orf, George! Orf to +Mome number two! Good-bye!" And she took me in her arms and +kissed me and pressed me to her. Then she dived straight for the +cab before I could answer her. + +My uncle followed, and he seemed to me a trifle too valiant and +confident in his bearing for reality. He was unusually white in +the face. He spoke to his successor at the counter. "Here we +go!" he said. "One down, the other up. You'll find it a quiet +little business so long as you run it on quiet lines--a nice +quiet little business. There's nothing more? No? Well, if you +want to know anything write to me. I'll always explain fully. +Anything--business, place or people. You'll find Pil Antibil. a +little overstocked by-the-by, I found it soothed my mind the day +before yesterday making 'em, and I made 'em all day. Thousands! +And where's George? Ah! there you are! I'll write to you, +George, FULLY, about all that affair. Fully!" + +It became clear to me as if for the first time, that I was really +parting from my aunt Susan. I went out on to the pavement and +saw her head craned forward, her wide-open blue eyes and her +little face intent on the shop that had combined for her all the +charms of a big doll's house and a little home of her very own. +"Good-bye!" she said to it and to me. Our eyes met for a +moment--perplexed. My uncle bustled out and gave a few totally +unnecessary directions to the cabman and got in beside her. "All +right?" asked the driver. "Right," said I; and he woke up the +horse with a flick of his whip. My aunt's eyes surveyed me +again. "Stick to your old science and things, George, and write +and tell me when they make you a Professor," she said cheerfully. + +She stared at me for a second longer with eyes growing wider and +brighter and a smile that had become fixed, glanced again at the +bright little shop still saying "Ponderevo" with all the emphasis +of its fascia, and then flopped back hastily out of sight of me +into the recesses of the cab. Then it had gone from before me +and I beheld Mr. Snape, the hairdresser, inside his store +regarding its departure with a quiet satisfaction and exchanging +smiles and significant headshakes with Mr. Marbel. + +IV + +I was left, I say, as part of the lock, stock, and barrel, at +Wimblehurst with my new master, a Mr. Mantell; who plays no part +in the progress of this story except in so far as he effaced my +uncle's traces. So soon as the freshness of this new personality +faded, I began to find Wimblehurst not only a dull but a lonely +place, and to miss my aunt Susan immensely. The advertisements +of the summer terms for Cough Linctus were removed; the bottles +of coloured water--red, green, and yellow--restored to their +places; the horse announcing veterinary medicine, which my uncle, +sizzling all the while, had coloured in careful portraiture of a +Goodwood favourite, rewhitened; and I turned myself even more +resolutely than before to Latin (until the passing of my +preliminary examination enabled me to drop that), and then to +mathematics and science. + +There were classes in Electricity and Magnetism at the Grammar +School. I took a little "elementary" prize in that in my first +year and a medal in my third; and in Chemistry and Human +Physiology and Sound, Light and Heat, I did well. There was also +a lighter, more discursive subject called Physiography, in which +one ranged among the sciences and encountered Geology as a +process of evolution from Eozoon to Eastry House, and Astronomy +as a record of celestial movements of the most austere and +invariable integrity. I learnt out of badly-written, condensed +little text-books, and with the minimum of experiment, but still +I learnt. Only thirty years ago it was, and I remember I learnt +of the electric light as an expensive, impracticable toy, the +telephone as a curiosity, electric traction as a practical +absurdity. There was no argon, no radium, no phagocytes--at +least to my knowledge, and aluminium was a dear, infrequent +metal. The fastest ships in the world went then at nineteen +knots, and no one but a lunatic here and there ever thought it +possible that men might fly. + +Many things have happened since then, but the last glance I had +of Wimblehurst two years ago remarked no change whatever in its +pleasant tranquillity. They had not even built any fresh +houses--at least not actually in the town, though about the +station there had been some building. But it was a good place to +do work in, for all its quiescence. I was soon beyond the small +requirements of the Pharmaceutical Society's examination, and as +they do not permit candidates to sit for that until one and +twenty, I was presently filling up my time and preventing my +studies becoming too desultory by making an attack upon the +London University degree of Bachelor of Science, which impressed +me then as a very splendid but almost impossible achievement. +The degree in mathematics and chemistry appealed to me as +particularly congenial--albeit giddily inaccessible. I set to +work. I had presently to arrange a holiday and go to London to +matriculate, and so it was I came upon my aunt and uncle again. +In many ways that visit marked an epoch. It was my first +impression of London at all. I was then nineteen, and by a +conspiracy of chances my nearest approach to that human +wilderness had been my brief visit to Chatham. Chatham too had +been my largest town. So that I got London at last with an +exceptional freshness of effect, as the sudden revelation of a +whole unsuspected other side to life. + +I came to it on a dull and smoky day by the South Eastern +Railway, and our train was half an hour late, stopping and going +on and stopping again. I marked beyond Chiselhurst the growing +multitude of villas, and so came stage by stage through +multiplying houses and diminishing interspaces of market garden +and dingy grass to regions of interlacing railway lines, big +factories, gasometers and wide reeking swamps of dingy little +homes, more of them and more and more. The number of these and +their dinginess and poverty increased, and here rose a great +public house and here a Board School and there a gaunt factory; +and away to the east there loomed for a time a queer, incongruous +forest of masts and spars. The congestion of houses intensified +and piled up presently into tenements; I marveled more and more +at this boundless world of dingy people; whiffs of industrial +smell, of leather, of brewing, drifted into the carriage; the sky +darkened, I rumbled thunderously over bridges, van-crowded +streets, peered down on and crossed the Thames with an abrupt +eclat of sound. I got an effect of tall warehouses, of grey +water, barge crowded, of broad banks of indescribable mud, and +then I was in Cannon Street Station--a monstrous dirty cavern +with trains packed across its vast floor and more porters +standing along the platform than I had ever been in my life +before. I alighted with my portmanteau and struggled along, +realising for the first time just how small and weak I could +still upon occasion feel. In this world, I felt, an Honours medal +in Electricity and magnetism counted for nothing at all. + +Afterwards I drove in a cab down a canon of rushing street +between high warehouses, and peeped up astonished at the +blackened greys of Saint Paul's. The traffic of Cheapside--it +was mostly in horse omnibuses in those days--seemed stupendous, +its roar was stupendous; I wondered where the money came from to +employ so many cabs, what industry could support the endless +jostling stream of silk-hatted, frock-coated, hurrying men. Down +a turning I found the Temperance Hotel Mr. Mantell had +recommended to me. The porter in a green uniform who took over +my portmanteau, seemed, I thought, to despise me a good deal. + +V + +Matriculation kept me for four full days and then came an +afternoon to spare, and I sought out Tottenham Court Road +through a perplexing network of various and crowded streets. But +this London was vast! it was endless! it seemed the whole world +had changed into packed frontages and hoardings and street +spaces. I got there at last and made inquiries, and I found my +uncle behind the counter of the pharmacy he managed, an +establishment that did not impress me as doing a particularly +high-class trade. "Lord!" he said at the sight of me, "I was +wanting something to happen!" + +He greeted me warmly. I had grown taller, and he, I thought, had +grown shorter and smaller and rounder but otherwise he was +unchanged. He struck me as being rather shabby, and the silk hat +he produced and put on, when, after mysterious negotiations in +the back premises he achieved his freedom to accompany me, was +past its first youth; but he was as buoyant and confident as +ever. + +"Come to ask me about all THAT," he cried. "I've never written +yet." + +"Oh, among other things," said I, with a sudden regrettable +politeness, and waived the topic of his trusteeship to ask after +my aunt Susan. + +"We'll have her out of it," he said suddenly; "we'll go +somewhere. We don't get you in London every day." + +"It's my first visit," I said, "I've never seen London before"; +and that made him ask me what I thought of it, and the rest of +the talk was London, London, to the exclusion of all smaller +topics. He took me up the Hampstead Road almost to the Cobden +statue, plunged into some back streets to the left, and came at +last to a blistered front door that responded to his latch-key, +one of a long series of blistered front doors with fanlights and +apartment cards above. We found ourselves in a drab-coloured +passage that was not only narrow and dirty but desolatingly +empty, and then he opened a door and revealed my aunt sitting at +the window with a little sewing-machine on a bamboo occasional +table before her, and "work"--a plum-coloured walking dress I +judged at its most analytical stage--scattered over the rest of +the apartment. + +At the first glance I judged my aunt was plumper than she had +been, but her complexion was just as fresh and her China blue eye +as bright as in the old days. + +"London," she said, didn't "get blacks" on her. + +She still "cheeked" my uncle, I was pleased to find. "What are +you old Poking in for at THIS time--Gubbitt?," she said when he +appeared, and she still looked with a practised eye for the +facetious side of things. When she saw me behind him, she gave a +little cry and stood up radiant. Then she became grave. + +I was surprised at my own emotion in seeing her. She held me at +arm's length for a moment, a hand on each shoulder, and looked at +me with a sort of glad scrutiny. She seemed to hesitate, and +then pecked little kiss off my cheek. + +"You're a man, George," she said, as she released me, and +continued to look at me for a while. + +Their menage was one of a very common type in London. They +occupied what is called the dining-room floor of a small house, +and they had the use of a little inconvenient kitchen in the +basement that had once been scullery. The two rooms, bedroom +behind and living room in front, were separated by folding-doors +that were never now thrown back, and indeed, in the presence of a +visitor, not used at all. There was of course no bathroom or +anything of that sort available, and there was no water supply +except to the kitchen below. My aunt did all the domestic work, +though she could have afforded to pay for help if the build of +the place had not rendered that inconvenient to the pitch of +impossibility. There was no sort of help available except that +of indoor servants, for whom she had no accommodation. The +furniture was their own; it was partly secondhand, but on the +whole it seemed cheerful to my eye, and my aunt's bias for cheap, +gay-figured muslin had found ample score. In many ways I should +think it must have been an extremely inconvenient and cramped +sort of home, but at the time I took it, as I was taking +everything, as being there and in the nature of things. I did +not see the oddness of solvent decent people living in a +habitation so clearly neither designed nor adapted for their +needs, so wasteful of labour and so devoid of beauty as this was, +and it is only now as I describe this that I find myself thinking +of the essential absurdity of an intelligent community living in +such makeshift homes. It strikes me now as the next thing to +wearing second-hand clothes. + +You see it was a natural growth, part of that system to which +Bladesover, I hold, is the key. There are wide regions of +London, miles of streets of houses, that appear to have been +originally designed for prosperous-middle-class homes of the +early Victorian type. There must have been a perfect fury of +such building in the thirties, forties, and fifties. Street +after street must have been rushed into being, Campden Town way, +Pentonville way, Brompton way, West Kensington way in the +Victoria region and all over the minor suburbs of the south side. + +I am doubtful if many of these houses had any long use as the +residences of single families if from the very first almost their +tenants did not makeshift and take lodgers and sublet. They were +built with basements, in which their servants worked and +lived--servants of a more submissive and troglodytic generation +who did not mind stairs. The dining-room (with folding doors) +was a little above the ground level, and in that the wholesome +boiled and roast with damp boiled potatoes and then pie to +follow, was consumed and the numerous family read and worked in +the evening, and above was the drawing-room (also with folding +doors), where the infrequent callers were received. That was +the vision at which those industrious builders aimed. Even while +these houses were being run up, the threads upon the loom of fate +were shaping to abolish altogether the type of household that +would have fitted them. Means of transit were developing to +carry the moderately prosperous middle-class families out of +London, education and factory employment were whittling away at +the supply of rough, hardworking, obedient girls who would stand +the subterranean drudgery of these places, new classes of +hard-up middle-class people such as my uncle, employees of +various types, were coming into existence, for whom no homes were +provided. None of these classes have ideas of what they ought to +be, or fit in any legitimate way into the Bladesover theory that +dominates our minds. It was nobody's concern to see them housed +under civilised conditions, and the beautiful laws of supply and +demand had free play. They had to squeeze in. The landlords +came out financially intact from their blundering enterprise. +More and more these houses fell into the hands of married +artisans, or struggling widows or old servants with savings, who +became responsible for the quarterly rent and tried to sweat a +living by sub-letting furnished or unfurnished apartments. + +I remember now that a poor grey-haired old woman who had an air +of having been roused from a nap in the dust bin, came out into +the area and looked up at us as we three went out from the front +door to "see London" under my uncle's direction. She was the +sub-letting occupier; she squeezed out a precarious living by +taking the house whole and sub-letting it in detail and she made +her food and got the shelter of an attic above and a basement +below by the transaction. And if she didn't chance to "let" +steadily, out she went to pauperdom and some other poor, sordid +old adventurer tried in her place.... + +It is a foolish community that can house whole classes, useful +and helpful, honest and loyal classes, in such squalidly +unsuitable dwellings. It is by no means the social economy it +seems, to use up old women, savings and inexperience in order to +meet the landlord's demands. But any one who doubts this thing +is going on right up to to-day need only spend an afternoon in +hunting for lodgings in any of the regions of London I have +named. + +But where has my story got to? My uncle, I say, decided I must +be shown London, and out we three went as soon as my aunt had got +her hat on, to catch all that was left of the day. + +VI + +It pleased my uncle extremely to find I had never seen London +before. He took possession of the metropolis forthwith. +"London, George," he said, "takes a lot of understanding. It's a +great place. Immense. The richest town in the world, the biggest +port, the greatest manufacturing town, the Imperial city--the +centre of civilisation, the heart of the world! See those +sandwich men down there! That third one's hat! Fair treat! You +don't see poverty like that in Wimblehurst George! And many of +them high Oxford honour men too. Brought down by drink! It's a +wonderful place, George--a whirlpool, a maelstrom! whirls you up +and whirls you down." + +I have a very confused memory of that afternoon's inspection of +London. My uncle took us to and fro showing us over his London, +talking erratically, following a route of his own. Sometimes we +were walking, sometimes we were on the tops of great staggering +horse omnibuses in a heaving jumble of traffic, and at one point +we had tea in an Aerated Bread Shop. But I remember very +distinctly how we passed down Park Lane under an overcast sky, +and how my uncle pointed out the house of this child of good +fortune and that with succulent appreciation. + +I remember, too, that as he talked I would find my aunt watching +my face as if to check the soundness of his talk by my +expression. + +"Been in love yet, George?" she asked suddenly, over a bun in the +tea-shop. + +"Too busy, aunt," I told her. + +She bit her bun extensively, and gesticulated with the remnant to +indicate that she had more to say. + +"How are YOU going to make your fortune?" she said so soon as +she could speak again. "You haven't told us that." + +"'Lectricity," said my uncle, taking breath after a deep draught +of tea. + +"If I make it at all," I said. "For my part I think shall be +satisfied with something less than a fortune." + +"We're going to make ours--suddenly," she said. + +"So HE old says." She jerked her head at my uncle. + +"He won't tell me when--so I can't get anything ready. But it's +coming. Going to ride in our carriage and have a garden. +Garden--like a bishop's." + +She finished her bun and twiddled crumbs from her fingers. "I +shall be glad of the garden," she said. "It's going to be a real +big one with rosaries and things. Fountains in it. Pampas +grass. Hothouses." + +"You'll get it all right," said my uncle, who had reddened a +little. + +"Grey horses in the carriage, George," she said. "It's nice to +think about when one's dull. And dinners in restaurants often +and often. And theatres--in the stalls. And money and money and +money." + +"You may joke," said my uncle, and hummed for a moment. + +"Just as though an old Porpoise like him would ever make money," +she said, turning her eyes upon his profile with a sudden lapse +to affection. "He'll just porpoise about." + +"I'll do something," said my uncle, "you bet! Zzzz!" and rapped +with a shilling on the marble table. + +"When you do you'll have to buy me a new pair of gloves," she +said, "anyhow. That finger's past mending. Look! you +Cabbage--you." And she held the split under his nose, and pulled +a face of comical fierceness. + +My uncle smiled at these sallies at the time, but afterwards, +when I went back with him to the Pharmacy--the low-class business +grew brisker in the evening and they kept open late--he reverted +to it in a low expository tone. "Your aunt's a bit impatient, +George. She gets at me. It's only natural.... A woman doesn't +understand how long it takes to build up a position. No.... In +certain directions now--I am--quietly--building up a position. +Now here.... I get this room. I have my three assistants. Zzzz. +It's a position that, judged by the criterion of imeedjit +income, isn't perhaps so good as I deserve, but +strategically--yes. It's what I want. I make my plans. I rally +my attack." + +"What plans," I said, "are you making?" + +"Well, George, there's one thing you can rely upon, I'm doing +nothing in a hurry. I turn over this one and that, and I don't +talk--indiscreetly. There's-- No! I don't think I can tell you +that. And yet, why NOT?" + +He got up and closed the door into the shop. "I've told no one," +he remarked, as he sat down again. "I owe you something." + +His face flushed slightly, he leant forward over the little table +towards me. + +"Listen!" he said. + +I listened. + +"Tono-Bungay," said my uncle very slowly and distinctly. + +I thought he was asking me to hear some remote, strange noise. +"I don't hear anything," I said reluctantly to his expectant +face. He smiled undefeated. "Try again," he said, and +repeated, "Tono-Bungay." + +"Oh, THAT!" I said. + +"Eh?" said he. + +"But what is it?" + +"Ah!" said my uncle, rejoicing and expanding. "What IS it? +That's what you got to ask? What won't it be?" He dug me +violently in what he supposed to be my ribs. "George," he +cried--"George, watch this place! There's more to follow." + +And that was all I could get from him. + +That, I believe, was the very first time that the words +Tono-Bungay ever heard on earth--unless my uncle indulged in +monologues in his chamber--a highly probable thing. Its +utterance certainly did not seem to me at the time to mark any +sort of epoch, and had I been told this word was the Open Sesame +to whatever pride and pleasure the grimy front of London hid from +us that evening, I should have laughed aloud. + +"Coming now to business," I said after a pause, and with a chill +sense of effort; and I opened the question of his trust. + +My uncle sighed, and leant back in his chair. "I wish I could +make all this business as clear to you as it is to me," he said. +"However--Go on! Say what you have to say." + +VII + +After I left my uncle that evening I gave way to a feeling of +profound depression. My uncle and aunt seemed to me to be +leading--I have already used the word too often, but I must use +it again--DINGY lives. They seemed to be adrift in a limitless +crowd of dingy people, wearing shabby clothes, living +uncomfortably in shabby second-hand houses, going to and fro on +pavements that had always a thin veneer of greasy, slippery mud, +under grey skies that showed no gleam of hope of anything for +them but dinginess until they died. It seemed absolutely clear +to me that my mother's little savings had been swallowed up and +that my own prospect was all too certainly to drop into and be +swallowed up myself sooner or later by this dingy London ocean. +The London that was to be an adventurous escape from the slumber +of Wimblehurst, had vanished from my dreams. I saw my uncle +pointing to the houses in Park Lane and showing a frayed +shirt-cuff as he did so. I heard my aunt: "I'm to ride in my +carriage then. So he old says." + +My feelings towards my uncle were extraordinarily mixed. I was +intensely sorry not only for my aunt Susan but for him--for it +seemed indisputable that as they were living then so they must go +on--and at the same time I was angry with the garrulous vanity +and illness that had elipped all my chance of independent study, +and imprisoned her in those grey apartments. When I got back to +Wimblehurst I allowed myself to write him a boyishly sarcastic +and sincerely bitter letter. He never replied. Then, believing +it to be the only way of escape for me, I set myself far more +grimly and resolutely to my studies than I had ever done before. +After a time I wrote to him in more moderate terms, and he +answered me evasively. And then I tried to dismiss him from my +mind and went on working. + +Yes, that first raid upon London under the moist and chilly +depression of January had an immense effect upon me. It was for +me an epoch-making disappointment. I had thought of London as a +large, free, welcoming, adventurous place, and I saw it slovenly +and harsh and irresponsive. + +I did not realise at all what human things might be found behind +those grey frontages, what weakness that whole forbidding facade +might presently confess. It is the constant error of youth to +over-estimate the Will in things. I did not see that the dirt, +the discouragement, the discomfort of London could be due simply +to the fact that London was a witless old giantess of a town, too +slack and stupid to keep herself clean and maintain a brave face +to the word. No! I suffered from the sort of illusion that burnt +witches in the seventeenth century. I endued her grubby disorder +with a sinister and magnificent quality of intention. + +And my uncle's gestures and promises filled me with doubt and a +sort of fear for him. He seemed to me a lost little creature, +too silly to be silent, in a vast implacable condemnation. I was +full of pity and a sort of tenderness for my aunt Susan, who was +doomed to follow his erratic fortunes mocked by his grandiloquent +promises. + +I was to learn better. But I worked with the terror of the grim +underside of London in my soul during all my last year at +Wimblehurst. + + + +BOOK THE SECOND + +THE RISE OF TONO-BUNGAY + +CHAPTER THE FIRST + +HOW I BECAME A LONDON STUDENT AND WENT ASTRAY + +I came to live in London, as I shall tell you, when I was nearly +twenty-two. Wimblehurst dwindles in perspective, is now in this +book a little place far off, Bladesover no more than a small +pinkish speck of frontage among the distant Kentish hills; the +scene broadens out, becomes multitudinous and limitless, full of +the sense of vast irrelevant movement. I do not remember my +second coming to London as I do my first, for my early +impressions, save that an October memory of softened amber +sunshine stands out, amber sunshine falling on grey house fronts +I know not where. That, and a sense of a large tranquillity. + +I could fill a book, I think, with a more or less imaginary +account of how I came to apprehend London, how first in one +aspect and then in another it grew in my mind. Each day my +accumulating impressions were added to and qualified and brought +into relationship with new ones; they fused inseparably with +others that were purely personal and accidental. I find myself +with a certain comprehensive perception of London, complete +indeed, incurably indistinct in places and yet in some way a +whole that began with my first visit and is still being mellowed +and enriched. + +London! + +At first, no doubt, it was a chaos of streets and people and +buildings and reasonless going to and fro. I do not remember +that I ever struggled very steadily to understand it, or explored +it with any but a personal and adventurous intention. Yet in +time there has grown up in me a kind of theory of London; I do +think I see lines of an ordered structure out of which it has +grown, detected a process that is something more than a confusion +of casual accidents though indeed it may be no more than a +process of disease. + +I said at the outset of my first book that I find in Bladesover +the clue to all England. Well, I certainly imagine it is the +clue to the structure of London. There have been no revolutions +no deliberate restatements or abandonments of opinion in England +since the days of the fine gentry, since 1688 or thereabouts, the +days when Bladesover was built; there have been changes, +dissolving forest replacing forest, if you will; but then it was +that the broad lines of the English system set firmly. And as I +have gone to and fro in London in certain regions constantly the +thought has recurred this is Bladesover House, this answers to +Bladesover House. The fine gentry may have gone; they have +indeed largely gone, I think; rich merchants may have replaced +them, financial adventurers or what not. That does not matter; +the shape is still Bladesover. + +I am most reminded of Bladesover and Eastry by all those regions +round about the West End parks; for example, estate parks, each +more or less in relation to a palace or group of great houses. +The roads and back ways of Mayfair and all about St. James's +again, albeit perhaps of a later growth in point of time, were of +the very spirit and architectural texture of the Bladesover +passages and yards; they had the same smells, the space, the +large cleanest and always going to and fro where one met +unmistakable Olympians and even more unmistakable valets, +butlers, footmen in mufti. There were moments when I seemed to +glimpse down areas the white panelling, the very chintz of my +mother's room again. + +I could trace out now on a map what I would call the Great-House +region; passing south-westward into Belgravia, becoming diffused +and sporadic westward, finding its last systematic outbreak round +and about Regent's Park. The Duke of Devonshire's place in +Piccadilly, in all its insolent ugliness, pleases me +particularly; it is the quintessence of the thing; Apsley House +is all in the manner of my theory, Park Lane has its quite +typical mansions, and they run along the border of the Green Park +and St. James's. And I struck out a truth one day in Cromwell +Road quite suddenly, as I looked over the Natural History Museum +"By Jove," said I "but this is the little assemblage of cases of +stuffed birds and animals upon the Bladesover staircase grown +enormous, and yonder as the corresponding thing to the +Bladesover curios and porcelain is the Art Museume and there in +the little observatories in Exhibition Road is old Sir Cuthbert's +Gregorian telescope that I hunted out in the storeroom and put +together." And diving into the Art Museum under this +inspiration, I came to a little reading-room and found as I had +inferred, old brown books! + +It was really a good piece of social comparative anatomy I did +that day; all these museums and libraries that are dotted over +London between Piccadilly and West Kensington, and indeed the +museum and library movement throughout the world, sprang from the +elegant leisure of the gentlemen of taste. Theirs were the. +first libraries, the first houses of culture; by my rat-like +raids into the Bladesover saloon I became, as it were, the last +dwindled representative of such a man of letters as Swift. But +now these things have escaped out of the Great House altogether, +and taken on a strange independent life of their own. + +It is this idea of escaping parts from the seventeenth century +system of Bladesover, of proliferating and overgrowing elements +from the Estates, that to this day seems to me the best +explanation, not simply of London, but of all England. England +is a country of great Renascence landed gentlefolk who have been +unconsciously outgrown and overgrown. The proper shops for +Bladesover custom were still to be found in Regent Street and +Bond Street in my early London days in those days they had been +but lightly touched by the American's profaning hand--and in +Piccadilly. I found the doctor's house of the country village or +country town up and down Harley Street, multiplied but not +otherwise different, and the family solicitor (by the hundred) +further eastward in the abandoned houses of a previous generation +of gentlepeople, and down in Westminster, behind Palladian +fronts, the public offices sheltered in large Bladesoverish rooms +and looked out on St. James's Park. The Parliament Houses of +lords and gentlemen, the parliament house that was horrified when +merchants and brewers came thrusting into it a hundred years ago, +stood out upon its terrace gathering the whole system together +into a head. + +And the more I have paralleled these things with my +Bladesover-Eastry model, the more evident it has become to me +that the balance is not the same, and the more evident is the +presence of great new forces, blind forces of invasion, of +growth. The railway termini on the north side of London have +been kept as remote as Eastry had kept the railway-station from +Wimblehurst, they stop on the very outskirts of the estates, but +from the south, the South Eastern railway had butted its great +stupid rusty iron head of Charing Cross station, that great head +that came smashing down in 1905--clean across the river, between +Somerset House and Whitehall. The south side had no protecting +estate. Factory chimneys smoke right over against Westminster +with an air of carelessly not having permission, and the whole +effect of industrial London and of all London east of Temple Bar +and of the huge dingy immensity of London port is to me of +something disproportionately large, something morbidly expanded, +without plan or intention, dark and sinister toward the clean +clear social assurance of the West End. And south of this +central London, south-east, south-west, far west, north-west, all +round the northern hills, are similar disproportionate growths, +endless streets of undistinguished houses, undistinguished +industries, shabby families, second-rate shops, inexplicable +people who in a once fashionable phrase do not "exist." All +these aspects have suggested to my mind at times, do suggest to +this day, the unorganised, abundant substance of some tumorous +growth-process, a process which indeed bursts all the outlines of +the affected carcass and protrudes such masses as ignoble +comfortable Croydon, as tragic impoverished West Ham. To this +day I ask myself will those masses ever become structural, will +they indeed shape into anything new whatever, or is that +cancerous image their true and ultimate diagnosis?... + +Moreover, together with this hypertrophy there is an immigration +of elements that have never understood and never will understand +the great tradition, wedges of foreign settlement embedded in the +heart of this yeasty English expansion. One day I remember +wandering eastward out of pure curiosity--it must have been in +my early student days--and discovering a shabbily bright foreign +quarter, shops displaying Hebrew placards and weird, unfamiliar +commodities and a concourse of bright-eyed, eagle-nosed people +talking some incomprehensible gibberish between the shops and +the barrows. And soon I became quite familiar with the devious. +vicious, dirtily-pleasant eroticism of Soho. I found those +crowded streets a vast relief from the dull grey exterior of +Brompton where I lodged and lived my daily life. In Soho, +indeed, I got my first inkling of the factor of replacement that +is so important in both the English and the American process. + +Even in the West End, in Mayfair and the square, about Pall Mall, +Ewart was presently to remind me the face of the old aristocratic +dignity was fairer than its substance; here were actors and +actresses, here money lenders and Jews, here bold financial +adventurers, and I thought of my uncle's frayed cuff as he +pointed out this house in Park Lane and that. That was so and +so's who made a corner in borax, and that palace belonged to that +hero among modern adventurers, Barmentrude, who used to be an +I.D.B.,--an illicit diamond buyer that is to say. A city of +Bladesovers, the capital of a kingdom of Bladesovers, all much +shaken and many altogether in decay, parasitically occupied, +insidiously replaced by alien, unsympathetic and irresponsible +elements; and with a ruling an adventitious and miscellaneous +empire of a quarter of this daedal earth complex laws, +intricate social necessities, disturbing insatiable suggestions, +followed from this. Such was the world into which I had come, +into which I had in some way to thrust myself and fit my problem, +my temptations, my efforts, my patriotic instinct, all my moral +instincts, my physical appetites, my dreams and my sanity. + +London! I came up to it, young and without advisers, rather +priggish, rather dangerously open-minded and very open-eyed, and +with something--it is, I think, the common gift of imaginative +youth, and I claim it unblushingly--fine in me, finer than the +world and seeking fine responses. I did not want simply to live +or simply to live happily or well; I wanted to serve and do and +make--with some nobility. It was in me. It is in half the youth +of the world. + +II + +I had come to London as a scholar. I had taken the Vincent +Bradley scholarship of the Pharmaceutical Society, but I threw +this up when I found that my work of the Science and Art +Department in mathematics, physics and chemistry had given me one +of the minor Technical Board Scholarships at the Consolidated +Technical Schools at South Kensington. This latter was in +mechanics and metallurgy; and I hesitated between the two. The +Vincent Bradley gave me L70 a year and quite the best start-off a +pharmaceutical chemist could have; the South Kensington thing was +worth about twenty-two shillings a week, and the prospects it +opened were vague. But it meant far more scientific work than +the former, and I was still under the impulse of that great +intellectual appetite that is part of the adolescence of men of +my type. Moreover it seemed to lead towards engineering, in +which I imagined--I imagine to this day--my particular use is to +be found. I took its greater uncertainty as a fair risk. I came +up very keen, not doubting that the really hard and steady +industry that had carried me through Wimblehurst would go on +still in the new surroundings. + +Only from the very first it didn't.... + +When I look back now at my Wimblehurst days, I still find myself +surprised at the amount of steady grinding study, of strenuous +self-discipline that I maintained throughout my apprenticeship. +In many ways I think that time was the most honourable period in +my life. I wish I could say with a certain mind that my motives +in working so well were large and honourable too. To a certain +extent they were so; there was a fine sincere curiosity, a desire +for the strength and power of scientific knowledge and a passion +for intellectual exercise; but I do not think those forces alone +would have kept me at it so grimly and closely if Wimblehurst +had not been so dull, so limited and so observant. Directly I +came into the London atmosphere, tasting freedom, tasting +irresponsibility and the pull of new forces altogether, my +discipline fell from me like a garment. Wimblehurst to a +youngster in my position offered no temptations worth counting, +no interests to conflict with study, no vices--such vices as it +offered were coarsely stripped of any imaginative glamourfull +drunkenness, clumsy leering shameful lust, no social intercourse +even to waste one's time, and on the other hand it would minister +greatly to the self-esteem of a conspicuously industrious +student. One was marked as "clever," one played up to the part, +and one's little accomplishment stood out finely in one's private +reckoning against the sunlit small ignorance of that agreeable +place. One went with an intent rush across the market square, +one took one's exercise with as dramatic a sense of an ordered +day as an Oxford don, one burnt the midnight oil quite +consciously at the rare respectful, benighted passer-by. And +one stood out finely in the local paper with one's unapproachable +yearly harvest of certificates. Thus I was not only a genuinely +keen student, but also a little of a prig and poseur in those +days--and the latter kept the former at it, as London made clear. + +Moreover Wimblehurst had given me no outlet in any other +direction. + +But I did not realise all this when I came to London, did not +perceive how the change of atmosphere began at once to warp and +distribute my energies. In the first place I became invisible. +If I idled for a day, no one except my fellow-students (who +evidently had no awe for me) remarked it. No one saw my midnight +taper; no one pointed me out as I crossed the street as an +astonishing intellectual phenomenon. In the next place I became +inconsiderable. In Wimblehurst I felt I stood for Science; +nobody there seemed to have so much as I and to have it so fully +and completely. In London I walked ignorant in an immensity, and +it was clear that among my fellow-students from the midlands and +the north I was ill-equipped and under-trained. With the utmost +exertion I should only take a secondary position among them. And +finally, in the third place, I was distracted by voluminous new +interests; London took hold of me, and Science, which had been +the universe, shrank back to the dimensions of tiresome little +formulae compacted in a book. I came to London in late +September, and it was a very different London from that great +greyly-overcast, smoke-stained house-wilderness of my first +impressions. I reached it by Victoria and not by Cannon Street, +and its centre was now in Exhibition Road. It shone, pale amber, +blue-grey and tenderly spacious and fine under clear autumnal +skies. a London of hugely handsome buildings and vistas and +distances, a London of gardens and labyrinthine tall museums, of +old trees and remote palaces and artificial waters. I lodged +near by in West Brompton at a house in a little square. + +So London faced me the second time, making me forget altogether +for a while the grey, drizzling city visage that had first looked +upon me. I settled down and went to and fro to my lectures and +laboratory; in the beginning I worked hard, and only slowly did +the curiosity that presently possessed me to know more of this +huge urban province arise, the desire to find something beyond +mechanism that I could serve, some use other than learning. With +this was a growing sense of loneliness, a desire for adventure +and intercourse. I found myself in the evenings poring over a +map of London I had bought, instead of copying out lecture +notes--and on Sundays I made explorations, taking omnibus rides +east and west and north and south, and to enlarging and +broadening the sense of great swarming hinterlands of humanity +with whom I had no dealings, of whom I knew nothing.... + +The whole illimitable place teemed with suggestions of indefinite +and sometimes outrageous possibility, of hidden but magnificent +meanings. + +It wasn't simply that I received a vast impression of space and +multitude and opportunity; intimate things also were suddenly +dragged from neglected, veiled and darkened corners into an acute +vividness of perception. Close at hand in the big art museum I +came for the first time upon the beauty of nudity, which I had +hitherto held to be a shameful secret, flaunted and gloried in; I +was made aware of beauty as not only permissible, but desirable +and frequent and of a thousand hitherto unsuspected rich aspects +of life. One night in a real rapture, I walked round the upper +gallery of the Albert Hall and listened for the first time to +great music; I believe now that it was a rendering of Beethoven's +Ninth Symphony.... + +My apprehension of spaces and places was reinforced by a +quickened apprehension of persons. A constant stream of people +passed by me, eyes met and challenged mine and passed--more and +more I wanted then to stay--if I went eastward towards +Piccadilly, women who seemed then to my boyish inexperience +softly splendid and alluring, murmured to me as they passed. +Extraordinarily life unveiled. The very hoardings clamoured +strangely at one's senses and curiosities. One bought pamphlets +and papers full of strange and daring ideas transcending one's +boldest; in the parks one heard men discussing the very existence +of God, denying the rights of property, debating a hundred things +that one dared not think about in Wimblehurst. And after the +ordinary overcast day, after dull mornings, came twilight, and +London lit up and became a thing of white and yellow and red +jewels of light and wonderful floods of golden illumination and +stupendous and unfathomable shadows--and there were no longer +any mean or shabby people--but a great mysterious movement of +unaccountable beings.... + +Always I was coming on the queerest new aspects. Late one +Saturday night I found myself one of a great slow-moving crowd +between the blazing shops and the flaring barrows in the Harrow +Road; I got into conversation with two bold-eyed girls, bought +them boxes of chocolate, made the acquaintance of father and +mother and various younger brothers and sisters, sat in a +public-house hilariously with them all, standing and being stood +drinks, and left them in the small hours at the door of "home," +never to see them again. And once I was accosted on the +outskirts of a Salvation Army meeting in one of the parks by a +silk-hatted young man of eager and serious discourse, who argued +against scepticism with me, invited me home to tea into a clean +and cheerful family of brothers and sisters and friends, and +there I spent the evening singing hymns to the harmonium (which +reminded me of half-forgotten Chatham), and wishing all the +sisters were not so obviously engaged.... + +Then on the remote hill of this boundless city-world I found +Ewart. + +III + +How well I remember the first morning, a bright Sunday morning in +early October, when I raided in upon Ewart! I found my old +schoolfellow in bed in a room over an oil-shop in a back street +at the foot of Highgate Hill. His landlady, a pleasant, dirty +young woman with soft-brown eyes, brought down his message for me +to come up; and up I went. The room presented itself as ample +and interesting in detail and shabby with a quite commendable +shabbiness. I had an impression of brown walls--they were +papered with brown paper-- of a long shelf along one side of the +room, with dusty plaster casts and a small cheap lay figure of a +horse, of a table and something of grey wax partially covered +with a cloth, and of scattered drawings. There was a gas stove +in one corner, and some enameled ware that had been used for +overnight cooking. The oilcloth on the floor was streaked with a +peculiar white dust. Ewart himself was not in the first instance +visible, but only a fourfold canvas screen at the end of the room +from which shouts proceeded of "Come on!" then his wiry black +hair, very much rumpled, and a staring red-brown eye and his +stump of a nose came round the edge of this at a height of about +three feet from the ground "It's old Ponderevo!" he said, "the +Early bird! And he's caught the worm! By Jove, but it's cold this +morning! Come round here and sit on the bed!" + +I walked round, wrung his hand, and we surveyed one another. + +He was lying on a small wooden fold-up bed, the scanty covering +of which was supplemented by an overcoat and an elderly but still +cheerful pair of check trousers, and he was wearing pajamas of a +virulent pink and green. His neck seemed longer and more stringy +than it had been even in our schooldays, and his upper lip had a +wiry black moustache. The rest of his ruddy, knobby countenance, +his erratic hair and his general hairy leanness had not even--to +my perceptions grown. + +"By Jove!" he said, "you've got quite decent-looking, Ponderevo! +What do you think of me?" + +"You're all right. What are you doing here?" + +"Art, my son--sculpture! And incidentally--" He hesitated. "I +ply a trade. Will you hand me that pipe and those smoking +things? So! You can't make coffee, eh? Well, try your hand. +Cast down this screen--no--fold it up and so we'll go into the +other room. I'll keep in bed all the same. The fire's a gas +stove. Yes. Don't make it bang too loud as you light it--I +can't stand it this morning. You won't smoke ?... Well, it does +me good to see you again, Ponderevo. Tell me what you're doing, +and how you're getting on." + +He directed me in the service of his simple hospitality, and +presently I came back to his bed and sat down and smiled at him +there, smoking comfortably, with his hands under his head, +surveying me. + +"How's Life's Morning, Ponderevo? By Jove, it must be nearly six +years since we met! They've got moustaches. We've fleshed +ourselves a bit, eh? And you?" + +I felt a pipe was becoming after all, and that lit, I gave him a +favourable sketch of my career. + +"Science! And you've worked like that! While I've been potting +round doing odd jobs for stone-masons and people, and trying to +get to sculpture. I've a sort of feeling that the chisel--I +began with painting, Ponderevo, and found I was colour-blind, +colour-blind enough to stop it. I've drawn about and thought +about--thought more particularly. I give myself three days a +week as an art student, and the rest of the time I've a sort of +trade that keeps me. And we're still in the beginning of things, +young men starting. Do you remember the old times at Goudhurst, +our doll's-house island, the Retreat of the Ten Thousand Young +Holmes and the rabbits, eh? It's surprising, if you think of it, +to find we are still young. And we used to talk of what we would +be, and we used to talk of love! I suppose you know all about +that now, Ponderevo?" + +I finished and hesitated on some vague foolish lie, "No," I said, +a little ashamed of the truth. "Do you? I've been too busy." + +"I'm just beginning--just as we were then. Things happen." + +He sucked at his pipe for a space and stared at the plaster cast +of a flayed hand that hung on the wall. + +"The fact is, Ponderevo, I'm beginning to find life a most +extraordinary queer set-out; the things that pull one, the things +that don't. The wants--This business of sex. It's a net. No +end to it, no way out of it, no sense in it. There are times +when women take possession of me, when my mind is like a painted +ceiling at Hampton Court with the pride of the flesh sprawling +all over it. WHY?... And then again sometimes when I have to +encounter a woman, I am overwhelmed by a terror of tantalising +boredom--I fly, I hide, I do anything. You've got your +scientific explanations perhaps; what's Nature and the universe +up to in that matter?" + +"It's her way, I gather, of securing the continuity of the +species." + +"But it doesn't," said Ewart. "That's just it! No. I have +succumbed to--dissipation--down the hill there. Euston Road way. + +And it was damned ugly and mean, and I hate having done it. And +the continuity of the species--Lord!... And why does Nature make +a man so infernally ready for drinks? There's no sense in that +anyhow." He sat up in bed, to put this question with the greater +earnestness. "And why has she given me a most violent desire +towards sculpture and an equally violent desire to leave off work +directly I begin it, eh?... Let's have some more coffee. I put +it to you, these things puzzle me, Ponderevo. They dishearten +me. They keep me in bed." + +He had an air of having saved up these difficulties for me for +some time. He sat with his chin almost touching his knees, +sucking at his pipe. + +"That's what I mean," he went on, "when I say life is getting on +to me as extraordinarily queer, I don't see my game, nor why I +was invited. And I don't make anything of the world outside +either. What do you make of it?" + +"London," I began. "It's--so enormous!" + +"Isn't it! And it's all up to nothing. You find chaps keeping +grocers' shops--why the DEVIL, Ponderevo, do they keep grocers' +shops? They all do it very carefully, very steadily, very +meanly. You find people running about and doing the most +remarkable things being policemen, for example, and burglars. +They go about these businesses quite gravely and earnestly. I +somehow--can't go about mine. Is there any sense in it at +all--anywhere?" + +"There must be sense in it," I said. "We're young." + +"We're young--yes. But one must inquire. The grocer's a grocer +because, I suppose, he sees he comes in there. Feels that on the +whole it amounts to a call.... But the bother is I don't see +where I come in at all. Do you?" + +"Where you come in?" + +"No, where you come in." + +"Not exactly, yet," I said. "I want to do some good in the +world--something--something effectual, before I die. I have a +sort of idea my scientific work-- I don't know." + +"Yes," he mused." And I've got a sort of idea my sculpture,--but +now it is to come in and WHY,--I've no idea at all." He hugged +his knees for a space. "That's what puzzles me, Ponderevo, no +end." + +He became animated. "If you will look in that cupboard," he +said, "you will find an old respectable looking roll on a plate +and a knife somewhere and a gallipot containing butter. You give +them me and I'll make my breakfast, and then if you don't mind +watching me paddle about at my simple toilet I'll get up. Then +we'll go for a walk and talk about this affair of life further. +And about Art and Literature and anything else that crops up on +the way.... Yes, that's the gallipot. Cockroach got in it? +Chuck him out--damned interloper...." + +So in the first five minutes of our talk, as I seem to remember +it now, old Ewart struck the note that ran through all that +morning's intercourse.... + +To me it was a most memorable talk because it opened out quite +new horizons of thought. I'd been working rather close and out +of touch with Ewart's free gesticulating way. He was +pessimistic that day and sceptical to the very root of things. +He made me feel clearly, what I had not felt at all before, the +general adventurousness of life, particularly of life at the +stage we had reached, and also the absence of definite objects, +of any concerted purpose in the lives that were going on all +round us. He made me feel, too, how ready I was to take up +commonplace assumptions. Just as I had always imagined that +somewhere in social arrangements there was certainly a +Head-Master who would intervene if one went too far, so I had +always had a sort of implicit belief that in our England there +were somewhere people who understood what we were all, as a +nation, about. That crumpled into his pit of doubt and vanished. + +He brought out, sharply cut and certain, the immense effect of +purposelessness in London that I was already indistinctly +feeling. We found ourselves at last returning through Highgate +Cemetery and Waterlow Park--and Ewart was talking. + +"Look at it there," he said, stopping and pointing to the great +vale of London spreading wide and far. "It's like a sea--and we +swim in it. And at last down we go, and then up we come--washed +up here." He swung his arms to the long slopes about us, tombs +and headstones in long perspectives, in limitless rows. + +"We're young, Ponderevo, but sooner or later our whitened +memories will wash up on one of these beaches, on some such beach +as this. George Ponderevo, F.R.S., Sidney Ewart, R.I.P. Look at +the rows of 'em!" + +He paused. "Do you see that hand? The hand, I mean, pointing +upward, on the top of a blunted obelisk. Yes. Well, that's what +I do for a living--when I'm not thinking, or drinking, or +prowling, or making love, or pretending I'm trying to be a +sculptor without either the money or the morals for a model. +See? And I do those hearts afire and those pensive angel +guardians with the palm of peace. Damned well I do 'em and +damned cheap! I'm a sweated victim, Ponderevo..." + +That was the way of it, anyhow. I drank deep of talk that day; +we went into theology, into philosophy; I had my first glimpse of +socialism. I felt as though I had been silent in a silence since +I and he had parted. At the thought of socialism Ewart's moods +changed for a time to a sort of energy. "After all, all this +confounded vagueness might be altered. If you could get men to +work together..." + +It was a good talk that rambled through all the universe. I +thought I was giving my mind refreshment, but indeed it was +dissipation. All sorts of ideas, even now, carry me back as it +were to a fountain-head, to Waterlow Park and my resuscitated +Ewart. There stretches away south of us long garden slopes and +white gravestones and the wide expanse of London, and somewhere +in the picture is a red old wall, sun-warmed, and a great blaze +of Michaelmas daisies set off with late golden sunflowers and a +drift of mottled, blood-red, fallen leaves. It was with me that +day as though I had lifted my head suddenly out of dull and +immediate things and looked at life altogether.... But it played +the very devil with the copying up of my arrears of notes to +which I had vowed the latter half of that day. + +After that reunion Ewart and I met much and talked much, and in +our subsequent encounters his monologue was interrupted and I +took my share. He had exercised me so greatly that I lay awake +at nights thinking him over, and discoursed and answered him in +my head as I went in the morning to the College. I am by nature +a doer and only by the way a critic; his philosophical assertion +of the incalculable vagueness of life which fitted his natural +indolence roused my more irritable and energetic nature to +active protests. "It's all so pointless," I said, "because +people are slack and because it's in the ebb of an age. But +you're a socialist. Well, let's bring that about! And there's a +purpose. There you are!" + +Ewart gave me all my first conceptions of socialism; in a little +while I was an enthusiastic socialist and he was a passive +resister to the practical exposition of the theories he had +taught me. "We must join some organisation," I said. "We ought +to do things.... We ought to go and speak at street corners. +People don't know." + +You must figure me a rather ill-dressed young man in a state of +great earnestness, standing up in that shabby studio of his and +saying these things, perhaps with some gesticulations, and Ewart +with a clay-smudged face, dressed perhaps in a flannel shirt and +trousers, with a pipe in his mouth, squatting philosophically at +a table, working at some chunk of clay that never got beyond +suggestion. + +"I wonder why one doesn't want to," he said. + +It was only very slowly I came to gauge Ewart's real position in +the scheme of things, to understand how deliberate and complete +was this detachment of his from the moral condemnation and +responsibilities that played so fine a part in his talk. His was +essentially the nature of an artistic appreciator; he could find +interest and beauty in endless aspects of things that I marked as +evil, or at least as not negotiable; and the impulse I had +towards self-deception, to sustained and consistent +self-devotion, disturbed and detached and pointless as it was at +that time, he had indeed a sort of admiration for but no +sympathy. Like many fantastic and ample talkers he was at bottom +secretive, and he gave me a series of little shocks of discovery +throughout our intercourse. + +The first of these came in the realisation that he quite +seriously meant to do nothing in the world at all towards +reforming the evils he laid bare in so easy and dexterous a +manner. The next came in the sudden appearance of a person +called "Milly"--I've forgotten her surname--whom I found in his +room one evening, simply attired in a blue wrap--the rest of her +costume behind the screen--smoking cigarettes and sharing a +flagon of an amazingly cheap and self-assertive grocer's wine +Ewart affected, called "Canary Sack." "Hullo!" said Ewart, as I +came in. "This is Milly, you know. She's been being a +model--she IS a model really.... (keep calm, Ponderevo!) Have +some sack?" + +Milly was a woman of thirty, perhaps, with a broad, rather pretty +face, a placid disposition, a bad accent and delightful blond +hair that waved off her head with an irrepressible variety of +charm; and whenever Ewart spoke she beamed at him. Ewart was +always sketching this hair of hers and embarking upon clay +statuettes of her that were never finished. She was, I know now, +a woman of the streets, whom Ewart had picked up in the most +casual manner, and who had fallen in love with him, but my +inexperience in those days was too great for me to place her +then, and Ewart offered no elucidations. She came to him, he +went to her, they took holidays together in the country when +certainly she sustained her fair share of their expenditure. I +suspect him now even of taking money from her. Odd old Ewart! +It was a relationship so alien to my orderly conceptions of +honour, to what I could imagine any friend of mine doing, that I +really hardly saw it with it there under my nose. But I see it +and I think I understand it now.... + +Before I fully grasped the discursive manner in which Ewart was +committed to his particular way in life, I did, I say, as the +broad constructive ideas of socialism took hold of me, try to get +him to work with me in some definite fashion as a socialist. + +"We ought to join on to other socialists," I said. + +"They've got something." + +"Let's go and look at some first." + +After some pains we discovered the office of the Fabian Society, +lurking in a cellar in Clement's Inn; and we went and interviewed +a rather discouraging secretary who stood astraddle in front of a +fire and questioned us severely and seemed to doubt the integrity +of our intentions profoundly. He advised us to attend the next +open meeting in Clifford's Inn and gave us the necessary data. +We both contrived to get to the affair, and heard a discursive +gritty paper on Trusts and one of the most inconclusive +discussions you can imagine. Three-quarters of the speakers +seemed under some jocular obsession which took the form of +pretending to be conceited. It was a sort of family joke, and as +strangers to the family we did not like it.... As we came out +through the narrow passage from Clifford's Inn to the Strand, +Ewart suddenly pitched upon a wizened, spectacled little man in a +vast felt hat and a large orange tie. + +"How many members are there in this Fabian Society of yours?" he +asked. + +The little man became at once defensive in his manner. + +"About seven hundred," he said; "perhaps eight." + +"Like--like the ones here?" + +The little man gave a nervous self-satisfied laugh. "I suppose +they're up to sample," he said. + +The little man dropped out of existence and we emerged upon the +Strand. Ewart twisted his arm into a queerly eloquent gesture +that gathered up all the tall facades of the banks, the business +places, the projecting clock and towers of the Law Courts, the +advertisements, the luminous signs, into one social immensity, +into a capitalistic system gigantic and invincible. + +"These socialists have no sense of proportion," he said. "What +can you expect of them?" + +IV + +Ewart, as the embodiment of talk, was certainly a leading factor +in my conspicuous failure to go on studying. Social theory in +its first crude form of Democratic Socialism gripped my +intelligence more and more powerfully. I argued in the +laboratory with the man who shared my bench until we quarreled +and did not speak and also I fell in love. + +The ferment of sex had been creeping into my being like a slowly +advancing tide through all my Wimblehurst days, the stimulus of +London was like the rising of a wind out of the sea that brings +the waves in fast and high. Ewart had his share in that. More +and more acutely and unmistakably did my perception of beauty, +form and sound, my desire for adventure, my desire for +intercourse, converge on this central and commanding business of +the individual life. I had to get me a mate. + +I began to fall in love faintly with girls I passed in the +street, with women who sat before me in trains, with girl +fellow-students, with ladies in passing carriages, with +loiterers at the corners, with neat-handed waitresses in shops +and tea-rooms, with pictures even of girls and women. On my rare +visits to the theatre I always became exalted, and found the +actresses and even the spectators about me mysterious, +attractive, creatures of deep interest and desire. I had a +stronger and stronger sense that among these glancing, passing +multitudes there was somewhere one who was for me. And in spite +of every antagonistic force in the world, there was something in +my very marrow that insisted: "Stop! Look at this one! Think of +her! Won't she do ? This signifies--this before all things +signifies! Stop! Why are you hurrying by? This may be the +predestined person--before all others." + +It is odd that I can't remember when first I saw Marion, who +became my wife--whom I was to make wretched, who was to make me +wretched, who was to pluck that fine generalised possibility of +love out of my early manhood and make it a personal conflict. I +became aware of her as one of a number of interesting attractive +figures that moved about in my world, that glanced back at my +eyes, that flitted by with a kind of averted watchfulness. I +would meet her coming through the Art Museum, which was my short +cut to the Brompton Road, or see her sitting, reading as I +thought, in one of the bays of the Education Library. But +really, as I found out afterwards, she never read. She used to +come there to eat a bun in quiet. She was a very +gracefully-moving figure of a girl then, very plainly dressed, +with dark brown hair I remember, in a knot low on her neck behind +that confessed the pretty roundness of her head and harmonised +with the admirable lines of ears and cheek, the grave serenity of +mouth and brow. + +She stood out among the other girls very distinctly because they +dressed more than she did, struck emphatic notes of colour, +startled one by novelties in hats and bows and things. I've +always hated the rustle, the disconcerting colour boundaries, the +smart unnatural angles of women's clothes. Her plain black dress +gave her a starkness.... + +I do remember, though, how one afternoon I discovered the +peculiar appeal of her form for me. I had been restless with my +work and had finally slipped out of the Laboratory and come over +to the Art Museum to lounge among the pictures. I came upon her +in an odd corner of the Sheepshanks gallery, intently copying +something from a picture that hung high. I had just been in the +gallery of casts from the antique, my mind was all alive with my +newly awakened sense of line, and there she stood with face +upturned, her body drooping forward from the hips just a +little--memorably graceful--feminine. + +After that I know I sought to see her, felt a distinctive +emotion at her presence, began to imagine things about her. I no +longer thought of generalised womanhood or of this casual person +or that. I thought of her. + +An accident brought us together. I found myself one Monday +morning in an omnibus staggering westward from Victoria--I was +returning from a Sunday I'd spent at Wimblehurst in response to a +unique freak of hospitality on the part of Mr. Mantell. She was +the sole other inside passenger. And when the time came to pay +her fare, she became an extremely scared, disconcerted and +fumbling young woman; she had left her purse at home. + +Luckily I had some money. + +She looked at me with startled, troubled brown eyes; she +permitted my proffered payment to the conductor with a certain +ungraciousness that seemed a part of her shyness, and then as she +rose to go, she thanked me with an obvious affectation of ease. + +"Thank you so much," she said in a pleasant soft voice; and then +less gracefully, "Awfully kind of you, you know." + +I fancy I made polite noises. But just then I wasn't disposed to +be critical. I was full of the sense of her presence; her arm +was stretched out over me as she moved past me, the gracious +slenderness of her body was near me. The words we used didn't +seem very greatly to matter. I had vague ideas of getting out +with her--and I didn't. + +That encounter, I have no doubt, exercised me enormously. I lay +awake at night rehearsing it, and wondering about the next phase +of our relationship. That took the form of the return of my +twopence. I was in the Science Library, digging something out of +the Encyclopedia Britannica, when she appeared beside me and +placed on the open page an evidently premeditated thin envelope, +bulgingly confessing the coins within. + +"It was so very kind of you," she said, "the other day. I don't +know what I should have done, Mr.--" + +I supplied my name. "I knew," I said, "you were a student here." + +"Not exactly a student. I--" + +"Well, anyhow, I knew you were here frequently. And I'm a +student myself at the Consolidated Technical Schools." + +I plunged into autobiography and questionings, and so entangled +her in a conversation that got a quality of intimacy through the +fact that, out of deference to our fellow-readers, we were +obliged to speak in undertones. And I have no doubt that in +substance it was singularly banal. Indeed I have an impression +that all our early conversations were incredibly banal. We met +several times in a manner half-accidental, half furtive and +wholly awkward. Mentally I didn't take hold of her. I never did +take hold of her mentally. Her talk, I now know all too clearly, +was shallow, pretentious, evasive. Only--even to this day--I +don't remember it as in any way vulgar. She was, I could see +quite clearly, anxious to overstate or conceal her real social +status, a little desirous to be taken for a student in the art +school and a little ashamed that she wasn't. She came to the +museum to "copy things," and this, I gathered, had something to +do with some way of partially earning her living that I wasn't to +inquire into. I told her things about myself, vain things that I +felt might appeal to her, but that I learnt long afterwards made +her think me "conceited." We talked of books, but there she was +very much on her guard and secretive, and rather more freely of +pictures. She "liked" pictures. I think from the outset I +appreciated and did not for a moment resent that hers was a +commonplace mind, that she was the unconscious custodian of +something that had gripped my most intimate instinct, that she +embodied the hope of a possibility, was the careless proprietor +of a physical quality that had turned my head like strong wine. +I felt I had to stick to our acquaintance, flat as it was. +Presently we should get through these irrelevant exterior things, +and come to the reality of love beneath. + +I saw her in dreams released, as it were, from herself, +beautiful, worshipful, glowing. And sometimes when we were +together, we would come on silences through sheer lack of matter, +and then my eyes would feast on her, and the silence seemed like +the drawing back of a curtain--her superficial self. Odd, I +confess. Odd, particularly, the enormous hold of certain things +about her upon me, a certain slight rounded duskiness of skin, a +certain perfection of modelling in her lips, her brow, a certain +fine flow about the shoulders. She wasn't indeed beautiful to +many people--these things are beyond explaining. She had +manifest defects of form and feature, and they didn't matter at +all. Her complexion was bad, but I don't think it would have +mattered if it had been positively unwholesome. I had +extraordinarily limited, extraordinarily painful, desires. I +longed intolerably to kiss her lips. + +V + +The affair was immensely serious and commanding to me. I don't +remember that in these earlier phases I had any thought of +turning back at all. It was clear to me that she regarded me +with an eye entirely more critical than I had for her, that she +didn't like my scholarly untidiness, my want of even the most +commonplace style. "Why do you wear collars like that?" she +said, and sent me in pursuit of gentlemanly neckwear. I remember +when she invited me a little abruptly one day to come to tea at +her home on the following Sunday and meet her father and mother +and aunt, that I immediately doubted whether my hitherto +unsuspected best clothes would create the impression she desired +me to make on her belongings. I put off the encounter until the +Sunday after, to get myself in order. I had a morning coat made +and I bought a silk hat, and had my reward in the first glance of +admiration she ever gave me. I wonder how many of my sex are as +preposterous. I was, you see, abandoning all my beliefs, my +conventions unasked. I was forgetting myself immensely. And +there was a conscious shame in it all. Never a word--did I +breathe to Ewart--to any living soul of what was going on. + +Her father and mother and aunt struck me as the dismalest of +people, and her home in Walham Green was chiefly notable for its +black and amber tapestry carpets and curtains and table-cloths, +and the age and irrelevance of its books, mostly books with faded +gilt on the covers. The windows were fortified against the +intrusive eye by cheap lace curtains and an "art pot" upon an +unstable octagonal table. Several framed Art School drawings of +Marion's, bearing official South Kensington marks of approval, +adorned the room, and there was a black and gilt piano with a +hymn-book on the top of it. There were draped mirrors over all +the mantels, and above the sideboard in the dining-room in which +we sat at tea was a portrait of her father, villainously truthful +after the manner of such works. I couldn't see a trace of the +beauty I found in her in either parent, yet she somehow contrived +to be like them both. + +These people pretended in a way that reminded me of the Three +Great Women in my mother's room, but they had not nearly so much +social knowledge and did not do it nearly so well. Also, I +remarked, they did it with an eye on Marion. They had wanted to +thank me, they said, for the kindness to their daughter in the +matter of the 'bus fare, and so accounted for anything unusual in +their invitation. They posed as simple gentlefolk, a little +hostile to the rush and gadding-about of London, preferring a +secluded and unpretentious quiet. + +When Marion got out the white table-cloth from the +sideboard-drawer for tea, a card bearing the word "APARTMENTS" +fell to the floor. I picked it up and gave it to her before I +realised from her quickened colour that I should not have seen +it; that probably had been removed from the window in honour of +my coming. + +Her father spoke once in a large remote way of he claims of +business engagements, and it was only long afterwards I realised +that he was a supernumerary clerk in the Walham Green Gas Works +and otherwise a useful man at home. He was a large, loose, +fattish man with unintelligent brown eyes magnified by +spectacles; he wore an ill-fitting frock-coat and a paper collar, +and he showed me, as his great treasure and interest, a large +Bible which he had grangerised with photographs of pictures. +Also he cultivated the little garden-yard behind the house, and +he had a small greenhouse with tomatoes. "I wish I 'ad 'eat," he +said. "One can do such a lot with 'eat. But I suppose you can't +'ave everything you want in this world." + +Both he and Marion's mother treated her with a deference that +struck me as the most natural thing in the world. Her own manner +changed, became more authoritative and watchful, her shyness +disappeared. She had taken a line of her own I gathered, draped +the mirror, got the second-hand piano, and broken her parents in. + +Her mother must once have been a pretty woman; she had regular +features and Marion's hair without its lustre, but she was thin +and careworn. The aunt, Miss Ramboat, was a large, abnormally +shy person very like her brother, and I don't recall anything she +said on this occasion. + +To begin with there was a good deal of tension, Marion was +frightfully nervous and every one was under the necessity of +behaving in a mysteriously unreal fashion until I plunged, became +talkative and made a certain ease and interest. I told them of +the schools, of my lodgings, of Wimblehurst and my apprenticeship +days. "There's a lot of this Science about nowadays," Mr. +Ramboat reflected; "but I sometimes wonder a bit what good it +is?" + +I was young enough to be led into what he called "a bit of a +discussion," which Marion truncated before our voices became +unduly raised. "I dare say, "she said, "there's much to be said +on both sides." + +I remember Marion's mother asked me what church I attended, and +that I replied evasively. After tea there was music and we sang +hymns. I doubted if I had a voice when this was proposed, but +that was held to be a trivial objection, and I found sitting +close beside the sweep of hair from Marion's brow had many +compensations. I discovered her mother sitting in the horsehair +armchair and regarding us sentimentally. I went for a walk with +Marion towards Putney Bridge, and then there was more singing and +a supper of cold bacon and pie, after which Mr. Ramboat and I +smoked. During that walk, I remember, she told me the import of +her sketchings and copyings in the museum. A cousin of a friend +of hers whom she spoke of as Smithie, had developed an original +business in a sort of tea-gown garment which she called a Persian +Robe, a plain sort of wrap with a gaily embroidered yoke, and +Marion went there and worked in the busy times. In the times +that weren't busy she designed novelties in yokes by an assiduous +use of eyes and note-book in the museum, and went home and traced +out the captured forms on the foundation material. "I don't get +much," said Marion, "but it's interesting, and in the busy times +we work all day. Of course the workgirls are dreadfully common, +but we don't say much to them. And Smithie talks enough for +ten." + +I quite understood the workgirls were dreadfully common. + +I don't remember that the Walham Green menage and the quality +of these people, nor the light they threw on Marion, detracted in +the slightest degree at that time from the intent resolve that +held me to make her mine. I didn't like them. But I took them +as part of the affair. Indeed, on the whole, I think they threw +her up by an effect of contrast; she was so obviously controlling +them, so consciously superior to them. + +More and more of my time did I give to this passion that +possessed me. I began to think chiefly of ways of pleasing +Marion, of acts of devotion, of treats, of sumptuous presents for +her, of appeals she would understand. If at times she was +manifestly unintelligent, in her ignorance became indisputable, I +told myself her simple instincts were worth all the education and +intelligence in the world. And to this day I think I wasn't +really wrong about her. There was something extraordinarily +fine about her, something simple and high, that flickered in and +out of her ignorance and commonness and limitations like the +tongue from the mouth of a snake.... + +One night I was privileged to meet her and bring her home from an +entertainment at the Birkbeck Institute. We came back on the +underground railway and we travelled first-class--that being the +highest class available. We were alone in the carriage, and for +the first time I ventured to put my arm about her. + +"You mustn't," she said feebly. + +"I love you," I whispered suddenly with my heart beating wildly, +drew her to me, drew all her beauty to me and kissed her cool and +unresisting lips. + +"Love me?" she said, struggling away from me, "Don't!" and then, +as the train ran into a station, "You must tell no one.... I +don't know.... You shouldn't have done that...." + +Then two other people got in with us and terminated my wooing for +a time. + +When we found ourselves alone together, walking towards +Battersea, she had decided to be offended. I parted from her +unforgiven and terribly distressed. + +When we met again, she told me I must never say "that" again. + +I had dreamt that to kiss her lips was ultimate satisfaction. +But it was indeed only the beginning of desires. I told her my +one ambition was to marry her. + +"But," she said, "you're not in a position-- What's the good of +talking like that?" + +I stared at her. "I mean to," I said. + +"You can't," she answered. "It will be years" + +"But I love you," I insisted. + +I stood not a yard from the sweet lips I had kissed; I stood +within arm's length of the inanimate beauty I desired to quicken, +and I saw opening between us a gulf of years, toil, waiting, +disappointments and an immense uncertainty. + +"I love you," I said. "Don't you love me?" + +She looked me in the face with grave irresponsive eyes. + +"I don't know," she said. "I LIKE you, of course.... One has to +be sensibl..." + +I can remember now my sense of frustration by her unresilient +reply. I should have perceived then that for her my ardour had +no quickening fire. But how was I to know? I had let myself +come to want her, my imagination endowed her with infinite +possibilities. I wanted her and wanted her, stupidly and +instinctively.... + +"But," I said "Love--!" + +"One has to be sensible," she replied. "I like going about with +you. Can't we keep as we are?'" + +VI + +Well, you begin to understand my breakdown now, I have been +copious enough with these apologia. My work got more and more +spiritless, my behaviour degenerated, my punctuality declined; I +was more and more outclassed in the steady grind by my +fellow-students. Such supplies of moral energy as I still had at +command shaped now in the direction of serving Marion rather than +science. + +I fell away dreadfully, more and more I shirked and skulked; the +humped men from the north, the pale men with thin, clenched +minds, the intent, hard-breathing students I found against me, +fell at last from keen rivalry to moral contempt. Even a girl +got above me upon one of the lists. Then indeed I made it a +point of honour to show by my public disregard of every rule that +I really did not even pretend to try. + +So one day I found myself sitting in a mood of considerable +astonishment in Kensington Gardens, reacting on a recent heated +interview with the school Registrar in which I had displayed more +spirit than sense. I was astonished chiefly at my stupendous +falling away from all the militant ideals of unflinching study I +had brought up from Wimblehurst. I had displayed myself, as the +Registrar put it, "an unmitigated rotter." My failure to get +marks in the written examination had only been equalled by the +insufficiency of my practical work. + +"I ask you," the Registrar had said, "what will become of you +when your scholarship runs out?" + +It certainly was an interesting question. What was going to +become of me? + +It was clear there would be nothing for me in the schools as I +had once dared to hope; there seemed, indeed, scarcely anything +in the world except an illpaid assistantship in some provincial +organized Science School or grammar school. I knew that for that +sort of work, without a degree or any qualification, one earned +hardly a bare living and had little leisure to struggle up to +anything better. If only I had even as little as fifty pounds I +might hold out in London and take my B.Sc. degree, and quadruple +my chances! My bitterness against my uncle returned at the +thought. After all, he had some of my money still, or ought to +have. Why shouldn't I act within my rights, threaten to 'take +proceedings'? I meditated for a space on the idea, and then +returned to the Science Library and wrote him a very considerable +and occasionally pungent letter. + +That letter to my uncle was the nadir of my failure. Its +remarkable consequences, which ended my student days altogether, +I will tell in the next chapter. + +I say "my failure." Yet there are times when I can even doubt +whether that period was a failure at all, when I become +defensively critical of those exacting courses I did not follow, +the encyclopaedic process of scientific exhaustion from which I +was distracted. My mind was not inactive, even if it fed on +forbidden food. I did not learn what my professors and +demonstrators had resolved I should learn, but I learnt many +things. My mind learnt to swing wide and to swing by itself. + +After all, those other fellows who took high places in the +College examinations and were the professor's model boys haven't +done so amazingly. Some are professors themselves, some +technical experts; not one can show things done such as I, +following my own interest, have achieved. For I have built boats +that smack across the water like whiplashes; no one ever dreamt +of such boats until I built them; and I have surprised three +secrets that are more than technical discoveries, in the +unexpected hiding-places of Nature. I have come nearer flying +than any man has done. Could I have done as much if I had had a +turn for obeying those rather mediocre professors at the college +who proposed to train my mind? If I had been trained in +research--that ridiculous contradiction in terms--should I have +done more than produce additions to the existing store of little +papers with blunted conclusions, of which there are already too +many? I see no sense in mock modesty upon this matter. Even by +the standards of worldly success I am, by the side of my +fellow-students, no failure. I had my F.R.S. by the time I was +thirty-seven, and if I am not very wealthy poverty is as far from +me as the Spanish Inquisition. Suppose I had stamped down on the +head of my wandering curiosity, locked my imagination in a box +just when it wanted to grow out to things, worked by so-and-so's +excellent method and so-and-so's indications, where should I be +now? + +I may be all wrong in this. It may be I should be a far more +efficient man than I am if I had cut off all those divergent +expenditures of energy, plugged up my curiosity about society +with more currently acceptable rubbish or other, abandoned +Ewart, evaded Marion instead of pursuing her, concentrated. But +I don't believe it! + +However, I certainly believed it completely and was filled with +remorse on that afternoon when I sat dejectedly in Kensington +Gardens and reviewed, in the light of the Registrar's pertinent +questions my first two years in London. + + +CHAPTER THE SECOND + +THE DAWN COMES, AND MY UNCLE APPEARS IN A NEW SILK HAT + +I + +Throughout my student days I had not seen my uncle. I refrained +from going to him in spite of an occasional regret that in this +way I estranged myself from my aunt Susan, and I maintained a +sulky attitude of mind towards him. And I don't think that once +in all that time I gave a thought to that mystic word of his that +was to alter all the world for us. Yet I had not altogether +forgotten it. It was with a touch of memory, dim transient +perplexity if no more--why did this thing seem in some way +personal?--that I read a new inscription upon the hoardings: + + THE SECRET OF VIGOUR, + TONO-BUNGAY. + +That was all. It was simple and yet in some way arresting. I +found myself repeating the word after I had passed; it roused +one's attention like the sound of distant guns. "Tono"--what's +that? and deep, rich, unhurrying;--"BUN--gay!" + +Then came my uncle's amazing telegram, his answer to my hostile +note: "Come to me at once you are wanted three hundred a year +certain tono-bungay." + +"By Jove!" I cried, "of course! + +"It's something--. A patent-medicine! I wonder what he wants +with me." + +In his Napoleonic way my uncle had omitted to give an address. +His telegram had been handed in at Farringdon Road, and after +complex meditations I replied to Ponderevo, Farringdon Road, +trusting to the rarity of our surname to reach him. + +"Where are you?" I asked. + +His reply came promptly: + +"192A, Raggett Street, E.C." + +The next day I took an unsanctioned holiday after the morning's +lecture. I discovered my uncle in a wonderfully new silk +hat--oh, a splendid hat! with a rolling brim that went beyond +the common fashion. It was decidedly too big for him--that was +its only fault. It was stuck on the back of his head, and he was +in a white waistcoat and shirt sleeves. He welcomed me with a +forgetfulness of my bitter satire and my hostile abstinence that +was almost divine. His glasses fell off at the sight of me. His +round inexpressive eyes shone brightly. He held out his plump +short hand. + +"Here we are, George! What did I tell you? Needn't whisper it +now, my boy. Shout it--LOUD! spread it about! Tell every one! +Tono--TONO--, TONO-BUNGAY!" + +Raggett Street, you must understand, was a thoroughfare over +which some one had distributed large quantities of cabbage +stumps and leaves. It opened out of the upper end of Farringdon +Street, and 192A was a shop with the plate-glass front coloured +chocolate, on which several of the same bills I had read upon the +hoardings had been stuck. The floor was covered by street mud +that had been brought in on dirty boots, and three energetic +young men of the hooligan type, in neck-wraps and caps, were +packing wooden cases with papered-up bottles, amidst much straw +and confusion. The counter was littered with these same swathed +bottles, of a pattern then novel but now amazingly familiar in +the world, the blue paper with the coruscating figure of a +genially nude giant, and the printed directions of how under +practically all circumstances to take Tono-Bungay. Beyond the +counter on one side opened a staircase down which I seem to +remember a girl descending with a further consignment of +bottles, and the rest of the background was a high partition, +also chocolate, with "Temporary Laboratory" inscribed upon it in +white letters, and over a door that pierced it, "Office." Here +I rapped, inaudible amid much hammering, and then entered +unanswered to find my uncle, dressed as I have described, one +hand gripping a sheath of letters, and the other scratching his +head as he dictated to one of three toiling typewriter girls. +Behind him was a further partition and a door inscribed +"ABSOLUTELY PRIVATE--NO ADMISSION," thereon. This partition was +of wood painted the universal chocolate, up to about eight feet +from the ground, and then of glass. Through the glass I saw dimly +a crowded suggestion of crucibles and glass retorts, and--by +Jove!--yes!--the dear old Wimblehurst air-pump still! It gave me +quite a little thrill--that air-pump! And beside it was the +electrical machine--but something--some serious trouble--had +happened to that. All these were evidently placed on a shelf +just at the level to show. + +"Come right into the sanctum," said my uncle, after he had +finished something about "esteemed consideration," and whisked +me through the door into a room that quite amazingly failed to +verify the promise of that apparatus. It was papered with dingy +wall-paper that had peeled in places; it contained a fireplace, +an easy-chair with a cushion, a table on which stood two or three +big bottles, a number of cigar-boxes on the mantel, whisky +Tantalus and a row of soda syphons. He shut the door after me +carefully. + +"Well, here we are!" he said. "Going strong! Have a whisky, +George? No!--Wise man! Neither will I! You see me at it! At +it--hard!" + +"Hard at what?" + +"Read it," and he thrust into my hand a label--that label that +has now become one of the most familiar objects of the chemist's +shop, the greenish-blue rather old-fashioned bordering, the +legend, the name in good black type, very clear, and the strong +man all set about with lightning flashes above the double column +of skilful lies in red--the label of Tono-Bungay. "It's +afloat," he said, as I stood puzzling at this. "It's afloat. +I'm afloat!" And suddenly he burst out singing in that throaty +tenor of his-- + + "I'm afloat, I'm afloat on the fierce flowing tide, + The ocean's my home and my bark is my bride! + +"Ripping song that is, George. Not so much a bark as a solution, +but still--it does! Here we are at it! By-the-by! Half a mo'! +I've thought of a thing." He whisked out, leaving me to examine +this nuclear spot at leisure while his voice became dictatorial +without. The den struck me as in its large grey dirty way quite +unprecedented and extraordinary. The bottles were all labelled +simply A, B, C, and so forth, and that dear old apparatus above, +seen from this side, was even more patiently "on the shelf" than +when it had been used to impress Wimblehurst. I saw nothing for +it but to sit down in the chair and await my uncle's +explanations. I remarked a frock-coat with satin lapels behind +the door; there was a dignified umbrella in the corner and a +clothes-brush and a hat-brush stood on a side-table. My uncle +returned in five minutes looking at his watch--a gold watch-- +"Gettin' lunch-time, George," he said. "You'd better come and +have lunch with me!" + +"How's Aunt Susan?" I asked. + +"Exuberant. Never saw her so larky. This has bucked her up +something wonderful--all this." + +"All what?" + +"Tono-Bungay." + +"What is Tono-Bungay?" I asked. + +My uncle hesitated. "Tell you after lunch, George," he said. +"Come along!" and having locked up the sanctum after himself, led +the way along a narrow dirty pavement, lined with barrows and +swept at times by avalanche-like porters bearing burthens to +vans, to Farringdon Street. He hailed a passing cab superbly, +and the cabman was infinitely respectful. "Schafer's," he said, +and off we went side by side--and with me more and more amazed at +all these things--to Schafer's Hotel, the second of the two big +places with huge lace curtain-covered windows, near the corner of +Blackfriars Bridge. + +I will confess I felt a magic charm in our relative proportions +as the two colossal, pale-blue-and-red liveried porters of +Schafers' held open the inner doors for us with a respectful +salutation that in some manner they seemed to confine wholly to +my uncle. Instead of being about four inches taller, I felt at +least the same size as he, and very much slenderer. Still more +respectful--waiters relieved him of the new hat and the dignified +umbrella, and took his orders for our lunch. He gave them with a +fine assurance. + +He nodded to several of the waiters. + +"They know me, George, already," he said. "Point me out. Live +place! Eye for coming men!" + +The detailed business of the lunch engaged our attention for a +while, and then I leant across my plate. "And NOW?" said I. + +"It's the secret of vigour. Didn't you read that label?" + +"Yes, but--" + +"It's selling like hot cakes." + +"And what is it?" I pressed. + +"Well," said my uncle, and then leant forward and spoke softly +under cover of his hand, "It's nothing more or less than..." + +(But here an unfortunate scruple intervenes. After all, +Tono-Bungay is still a marketable commodity and in the hands of +purchasers, who bought it from--among other vendors--me. No! I +am afraid I cannot give it away--) + +"You see," said my uncle in a slow confidential whisper, with +eyes very wide and a creased forehead, "it's nice because of the" +(here he mentioned a flavouring matter and an aromatic spirit), +"it's stimulating because of" (here he mentioned two very vivid +tonics, one with a marked action on the kidney.) "And the" (here +he mentioned two other ingredients) "makes it pretty +intoxicating. Cocks their tails. Then there's" (but I touch on +the essential secret.) "And there you are. I got it out of an +old book of recipes--all except the" (here he mentioned the more +virulent substance, the one that assails the kidneys), "which is +my idea! Modern touch! There you are!" + +He reverted to the direction of our lunch. + +Presently he was leading the way to the lounge--sumptuous piece +in red morocco and yellow glazed crockery, with incredible vistas +of settees and sofas and things, and there I found myself grouped +with him in two excessively upholstered chairs with an +earthenware Moorish table between us bearing coffee and +Benedictine, and I was tasting the delights of a tenpenny cigar. +My uncle smoked a similar cigar in an habituated manner, and he +looked energetic and knowing and luxurious and most unexpectedly +a little bounder, round the end of it. It was just a trivial +flaw upon our swagger, perhaps that we both were clear our cigars +had to be "mild." He got obliquely across the spaces of his +great armchair so as to incline confidentially to my ear, he +curled up his little legs, and I, in my longer way, adopted a +corresponding receptive obliquity. I felt that we should strike +an unbiased observer as a couple of very deep and wily and +developing and repulsive persons. + +"I want to let you into this"--puff--"George," said my uncle +round the end of his cigar. "For many reasons." + +His voice grew lower and more cunning. He made explanations that +to my inexperience did not completely explain. I retain an +impression of a long credit and a share with a firm of wholesale +chemists, of a credit and a prospective share with some pirate +printers, of a third share for a leading magazine and newspaper +proprietor. + +"I played 'em off one against the other," said my uncle. I took +his point in an instant. He had gone to each of them in turn and +said the others had come in. + +"I put up four hundred pounds," said my uncle, "myself and my +all. And you know--" + +He assumed a brisk confidence. "I hadn't five hundred pence. At +least--" + +For a moment he really was just a little embarrassed. "I DID" he +said, "produce capital. You see, there was that trust affair of +yours--I ought, I suppose--in strict legality--to have put that +straight first. Zzzz.... + +"It was a bold thing to do," said my uncle, shifting the venue +from the region of honour to the region of courage. And then +with a characteristic outburst of piety, "Thank God it's all come +right! + +"And now, I suppose, you ask where do YOU come in? Well, fact +is I've always believed in you, George. You've got--it's a sort +of dismal grit. Bark your shins, rouse you, and you'll go! +You'd rush any position you had a mind to rush. I know a bit +about character, George--trust me. You've got--" He clenched +his hands and thrust them out suddenly, and at the same time +said, with explosive violence, "Wooosh! Yes. You have! The way +you put away that Latin at Wimblehurst; I've never forgotten it. + +Wo-oo-oo-osh! Your science and all that! Wo-oo-oo-osh! I know +my limitations. There's things I can do, and" (he spoke in a +whisper, as though this was the first hint of his life's secret) +"there's things I can't. Well, I can create this business, but I +can't make it go. I'm too voluminous--I'm a boiler-over, not a +simmering stick-at-it. You keep on HOTTING UP AND HOTTING UP. +Papin's digester. That's you, steady and long and piling +up,--then, wo-oo-oo-oo-osh. Come in and stiffen these niggers. +Teach them that wo-oo-oo-oo-osh. There you are! That's what I'm +after. You! Nobody else believes you're more than a boy. Come +right in with me and be a man. Eh, George? Think of the fun of +it--a thing on the go--a Real Live Thing! Wooshing it up! +Making it buzz and spin! Whoo-oo-oo." --He made alluring +expanding circles in the air with his hand. "Eh?" + +His proposal, sinking to confidential undertones again, took more +definite shape. I was to give all my time and energy to +developing and organising. "You shan't write a single +advertisement, or give a single assurance" he declared. "I can +do all that." And the telegram vas no flourish; I was to have +three hundred a year. Three hundred a year. ("That's nothing," +said my uncle, "the thing to freeze on to, when the time comes, +is your tenth of the vendor's share.") + +Three hundred a year certain, anyhow! It was an enormous income +to me. For a moment I was altogether staggered. Could there be +that much money in the whole concern? I looked about me at the +sumptuous furniture of Schafer's Hotel. No doubt there were many +such incomes. + +My head was spinning with unwonted Benedictine and Burgundy. + +"Let me go back and look at the game again," I said. "Let me see +upstairs and round about." + +I did. + +"What do you think of it all?" my uncle asked at last. + +"Well, for one thing," I said, "why don't you have those girls +working in a decently ventilated room? Apart from any other +consideration, they'd work twice as briskly. And they ought to +cover the corks before labelling round the bottle" + +"Why?" said my uncle. + +"Because--they sometimes make a mucker of the cork job, and then +the label's wasted." + +"Come and change it, George," said my uncle, with sudden fervour +"Come here and make a machine of it. You can. Make it all +slick, and then make it woosh. I know you can. Oh! I know you +can." + +II + +I seem to remember very quick changes of mind after that lunch. +The muzzy exaltation of the unaccustomed stimulants gave way very +rapidly to a model of pellucid and impartial clairvoyance which +is one of my habitual mental states. It is intermittent; it +leaves me for weeks together, I know, but back it comes at last +like justice on circuit, and calls up all my impression, all my +illusions, all my willful and passionate proceedings. We came +downstairs again into that inner room which pretended to be a +scientific laboratory through its high glass lights, and indeed +was a lurking place. My uncle pressed a cigarette on me, and I +took it and stood before the empty fireplace while he propped his +umbrella in the corner, deposited the new silk hat that was a +little too big for him on the table, blew copiously and produced +a second cigar. + +It came into my head that he had shrunken very much in size since +the Wimblehurst days, that the cannon ball he had swallowed was +rather more evident and shameless than it had been, his skin less +fresh and the nose between his glasses, which still didn't quite +fit, much redder. And just then he seemed much laxer in his +muscles and not quite as alertly quick in his movements. But he +evidently wasn't aware of the degenerative nature of his changes +as he sat there, looking suddenly quite little under my eyes. + +"Well, George!" he said, quite happily unconscious of my silent +criticism, "what do you think of it all?" + +"Well," I said, "in the first place--it's a damned swindle!" + +"Tut! tut!" said my uncle. "It's as straight as-- It's fair +trading!" + +"So much the worse for trading," I said. + +"It's the sort of thing everybody does. After all, there's no +harm in the stuff--and it may do good. It might do a lot of +good--giving people confidence, f'rinstance, against an epidemic. + +See? Why not? don't see where your swindle comes in." + +"H'm," I said. "It's a thing you either see or don't see." + +"I'd like to know what sort of trading isn't a swindle in its +way. Everybody who does a large advertised trade is selling +something common on the strength of saying it's uncommon. Look +at Chickson--they made him a baronet. Look at Lord Radmore, who +did it on lying about the alkali in soap! Rippin' ads those were +of his too!" + +"You don't mean to say you think doing this stuff up in bottles +and swearing it's the quintessence of strength and making poor +devils buy it at that, is straight?" + +"Why not, George? How do we know it mayn't be the quintessence +to them so far as they're concerned?" + +"Oh!" I said, and shrugged my shoulders. + +"There's Faith. You put Faith in 'em.... I grant our labels are +a bit emphatic. Christian Science, really. No good setting +people against the medicine. Tell me a solitary trade nowadays +that hasn't to be--emphatic. It's the modern way! Everybody +understands it--everybody allows for it." + +"But the world would be no worse and rather better, if all this +stuff of yours was run down a conduit into the Thames." + +"Don't see that, George, at all. 'Mong other things, all our +people would be out of work. Unemployed! I grant you +Tono-Bungay MAY be--not QUITE so good a find for the world as +Peruvian bark, but the point is, George--it MAKES TRADE! And the +world lives on trade. Commerce! A romantic exchange of +commodities and property. Romance. 'Magination. See? You must +look at these things in a broad light. Look at the wood--and +forget the trees! And hang it, George! we got to do these +things! There's no way unless you do. What do YOU mean to +do--anyhow?" + +"There's ways of living," I said, "Without either fraud or +lying." + +"You're a bit stiff, George. There's no fraud in this affair, +I'll bet my hat. But what do you propose to do? Go as chemist +to some one who IS running a business, and draw a salary without +a share like I offer you. Much sense in that! It comes out of +the swindle as you call it--just the same." + +"Some businesses are straight and quiet, anyhow; supply a sound +article that is really needed, don't shout advertisements." + +"No, George. There you're behind the times. The last of that +sort was sold up 'bout five years ago." + +"Well, there's scientific research." + +"And who pays for that? Who put up that big City and Guilds +place at South Kensington? Enterprising business men! They +fancy they'll have a bit of science going on, they want a handy +Expert ever and again, and there you are! And what do you get +for research when you've done it? Just a bare living and no +outlook. They just keep you to make discoveries, and if they +fancy they'll use 'em they do." + +"One can teach." + +"How much a year, George? How much a year? I suppose you must +respect Carlyle! Well, you take Carlyle's test--solvency. +(Lord! what a book that French Revolution of his is!) See what +the world pays teachers and discoverers and what it pays business +men! That shows the ones it really wants. There's a justice in +these big things, George, over and above the apparent injustice. +I tell you it wants trade. It's Trade that makes the world go +round! Argosies! Venice! Empire!" + +My uncle suddenly rose to his feet. + +"You think it over, George. You think it over! And come up on +Sunday to the new place--we got rooms in Gower Street now--and +see your aunt. She's often asked for you, George often and +often, and thrown it up at me about that bit of property--though +I've always said and always will, that twenty-five shillings in +the pound is what I'll pay you and interest up to the nail. And +think it over. It isn't me I ask you to help. It's yourself. +It's your aunt Susan. It's the whole concern. It's the commerce +of your country. And we want you badly. I tell you straight, I +know my limitations. You could take this place, you could make +it go! I can see you at it--looking rather sour. Woosh is the +word, George." + +And he smiled endearingly. + +"I got to dictate a letter," he said, ending the smile, and +vanished into the outer room. + +III + +I didn't succumb without a struggle to my uncle's allurements. +Indeed, I held out for a week while I contemplated life and my +prospects. It was a crowded and muddled contemplation. It +invaded even my sleep. + +My interview with the Registrar, my talk with my uncle, my abrupt +discovery of the hopeless futility of my passion for Marion, had +combined to bring me to sense of crisis. What was I going to do +with life? + +I remember certain phases of my indecisions very well. + +I remember going home from our talk. I went down Farringdon +Street to the Embankment because I thought to go home by Holborn +and Oxford Street would be too crowded for thinking.... That +piece of Embankment from Blackfriars to Westminster still +reminds me of that momentous hesitation. + +You know, from first to last, I saw the business with my eyes +open, I saw its ethical and moral values quite clearly. Never +for a moment do I remember myself faltering from my persuasion +that the sale of Tono-Bungay was a thoroughly dishonest +proceeding. The stuff was, I perceived, a mischievous trash, +slightly stimulating, aromatic and attractive, likely to become a +bad habit and train people in the habitual use of stronger tonics +and insidiously dangerous to people with defective kidneys. It +would cost about sevenpence the large bottle to make, including +bottling, and we were to sell it at half a crown plus the cost of +the patent medicine stamp. A thing that I will confess deterred +me from the outset far more than the sense of dishonesty in this +affair, was the supreme silliness of the whole concern. I still +clung to the idea that the world of men was or should be a sane +and just organisation, and the idea that I should set myself +gravely, just at the fine springtime of my life, to developing a +monstrous bottling and packing warehouse, bottling rubbish for +the consumption of foolish, credulous and depressed people, had +in it a touch of insanity. My early beliefs still clung to me. +I felt assured that somewhere there must be a hitch in the fine +prospect of ease and wealth under such conditions; that +somewhere, a little overgrown, perhaps, but still traceable, lay +a neglected, wasted path of use and honour for me. + +My inclination to refuse the whole thing increased rather than +diminished at first as I went along the Embankment. In my +uncle's presence there had been a sort of glamour that had +prevented an outright refusal. It was a revival of affection +for him I felt in his presence, I think, in part, and in part an +instinctive feeling that I must consider him as my host. But +much more was it a curious persuasion he had the knack of +inspiring--a persuasion not so much of his integrity and capacity +as of the reciprocal and yielding foolishness of the world. One +felt that he was silly and wild, but in some way silly and wild +after the fashion of the universe. After all, one must live +somehow. I astonished him and myself by temporising. + +"No," said I, "I'll think it over!" + +And as I went along the embankment the first effect was all +against my uncle. He shrank--for a little while he continued to +shrink--in perspective until he was only a very small shabby +little man in a dirty back street, sending off a few hundred +bottles of rubbish to foolish buyers. The great buildings on +the right of us, the Inns and the School Board place--as it was +then--Somerset House, the big hotels, the great bridges, +Westminster's outlines ahead, had an effect of grey largeness +that reduced him to the proportions of a busy black beetle in a +crack in the floor. + +And then my eye caught the advertisements on the south side of +"Sorber's Food," of "Cracknell's Ferric Wine," very bright and +prosperous signs, illuminated at night, and I realised how +astonishingly they looked at home there, how evidently part they +were in the whole thing. + +I saw a man come charging out of Palace Yard--the policeman +touched his helmet to him--with a hat and a bearing astonishingly +like my uncle's. After all,--didn't Cracknell himself sit in the +House? + +Tono-Bungay shouted at me from a hoarding near Adelphi Terrace; I +saw it afar off near Carfax Street; it cried out again upon me in +Kensington High Street, and burst into a perfect clamour; six or +seven times I saw it as I drew near my diggings. It certainly +had an air of being something more than a dream. + +Yes, I thought it over--thoroughly enough.... Trade rules the +world. Wealth rather than trade! The thing was true, and true +too was my uncle's proposition that the quickest way to get +wealth is to sell the cheapest thing possible in the dearest +bottle. He was frightfully right after all. Pecunnia non +olet,--a Roman emperor said that. Perhaps my great heroes in +Plutarch were no more than such men, fine now only because they +are distant; perhaps after all this Socialism to which I had been +drawn was only a foolish dream, only the more foolish because all +its promises were conditionally true. Morris and these others +played with it wittingly; it gave a zest, a touch of substance, +to their aesthetic pleasures. Never would there be good faith +enough to bring such things about. They knew it; every one, +except a few young fools, knew it. As I crossed the corner of +St. James's Park wrapped in thought, I dodged back just in time +to escape a prancing pair of greys. A stout, common-looking +woman, very magnificently dressed, regarded me from the carriage +with a scornful eye. "No doubt," thought I, "a pill-vendor's +wife...." + +Running through all my thoughts, surging out like a refrain, was +my uncle's master-stroke, his admirable touch of praise: "Make it +all slick--and then make it go Woosh. I know you can! Oh! I +KNOW you can!" + +IV + +Ewart as a moral influence was unsatisfactory. I had made up my +mind to put the whole thing before him, partly to see how he took +it, and partly to hear how it sounded when it was said. I asked +him to come and eat with me in an Italian place near Panton +Street where one could get a curious, interesting, glutting sort +of dinner for eighteen-pence. He came with a disconcerting +black-eye that he wouldn't explain. "Not so much a black-eye," +he said, "as the aftermath of a purple patch.... What's your +difficulty?" + +"I'll tell you with the salad," I said. + +But as a matter of fact I didn't tell him. I threw out that I +was doubtful whether I ought to go into trade, or stick to +teaching in view of my deepening socialist proclivities; and he, +warming with the unaccustomed generosity of a sixteen-penny +Chianti, ran on from that without any further inquiry as to my +trouble. + +His utterances roved wide and loose. + +"The reality of life, my dear Ponderevo," I remember him saying +very impressively and punctuating with the nut-crackers as he +spoke, "is Chromatic Conflict ... and Form. Get hold of that and +let all these other questions go. The Socialist will tell you +one sort of colour and shape is right, the Individualist another. +What does it all amount to? What DOES it all amount to? +NOTHING! I have no advice to give anyone,--except to avoid +regrets. Be yourself, seek after such beautiful things as your +own sense determines to be beautiful. And don't mind the +headache in the morning.... For what, after all, is a morning, +Ponderevo? It isn't like the upper part of a day!" + +He paused impressively. + +"What Rot!" I cried, after a confused attempt to apprehend him. + +"Isn't it! And it's my bedrock wisdom in the matter! Take it or +leave it, my dear George; take it or leave it."... He put down +the nut-crackers out of my reach and lugged a greasy-looking +note-book from his pocket. "I'm going to steal this mustard +pot," he said. + +I made noises of remonstrance. + +"Only as a matter of design. I've got to do an old beast's tomb. + +Wholesale grocer. I'll put it on his corners,--four mustard +pots. I dare say he'd be glad of a mustard plaster now to cool +him, poor devil, where he is. But anyhow,--here goes!" + +V + +It came to me in the small hours that the real moral touchstone +for this great doubting of mind was Marion. I lay composing +statements of my problem and imagined myself delivering them to +her--and she, goddess-like and beautiful; giving her fine, +simply-worded judgment. + +"You see, it's just to give one's self over to the Capitalistic +System," I imagined myself saying in good Socialist jargon; "it's +surrendering all one's beliefs. We MAY succeed, we MAY grow +rich, but where would the satisfaction be?" + +Then she would say, "No! That wouldn't be right." + +"But the alternative is to wait!" + +Then suddenly she would become a goddess. She would turn upon me +frankly and nobly, with shining eyes, with arms held out. "No," +she would say, "we love one another. Nothing ignoble shall ever +touch us. We love one another. Why wait to tell each other +that, dear? What does it matter that we are poor and may keep +poor?" + +But indeed the conversation didn't go at all in that direction. +At the sight of her my nocturnal eloquence became preposterous +and all the moral values altered altogether. I had waited for +her outside the door of the Parsian-robe establishment in +Kensington High Street and walked home with her thence. I +remember how she emerged into the warm evening light and that she +wore a brown straw hat that made her, for once not only beautiful +but pretty. + +"I like that hat," I said by way of opening; and she smiled her +rare delightful smile at me. + +"I love you," I said in an undertone, as we jostled closer on the +pavement. + +She shook her head forbiddingly, but she still smiled. Then-- +"Be sensible!" + +The High Street pavement is too narrow and crowded for +conversation and we were some way westward before we spoke +again. + +"Look here," I said; "I want you, Marion. Don't you understand? +I want you." + +"Now!" she cried warningly. + +I do not know if the reader will understand how a passionate +lover, an immense admiration and desire, can be shot with a gleam +of positive hatred. Such a gleam there was in me at the serene +self-complacency of that "NOW!" It vanished almost before I +felt it. I found no warning in it of the antagonisms latent +between us. + +"Marion," I said, "this isn't a trifling matter to me. I love +you; I would die to get you.... Don't you care?" + +"But what is the good?" + +"You don't care," I cried. "You don't care a rap!" + +"You know I care," she answered. "If I didn't-- If I didn't like +you very much, should I let you come and meet me-- go about with +you?" + +"Well then," I said, "promise to marry me!" + +"If I do, what difference will it make?" + +We were separated by two men carrying a ladder who drove between +us unawares. + +"Marion," I asked when we got together again, "I tell you I want +you to marry me." + +"We can't." + +"Why not?" + +"We can't marry--in the street." + +"We could take our chance!" + +"I wish you wouldn't go on talking like this. What is the good?" + +She suddenly gave way to gloom. "It's no good marrying" she +said. "One's only miserable. I've seen other girls. When one's +alone one has a little pocket-money anyhow, one can go about a +little. But think of being married and no money, and perhaps +children--you can't be sure...." + +She poured out this concentrated philosophy of her class and type +in jerky uncompleted sentences, with knitted brows, with +discontented eyes towards the westward glow--forgetful, it +seemed, for a moment even of me. + +"Look here, Marion," I said abruptly, "what would you marry on?" + +"What IS the good?" she began. + +"Would you marry on three hundred a year?" + +She looked at me for a moment. "That's six pounds a week," she +said. "One could manage on that, easily. Smithie's brother--No, +he only gets two hundred and fifty. He married a typewriting +girl." + +"Will you marry me if I get three hundred a year?" + +She looked at me again, with a curious gleam of hope. + +"IF!" she said. + +I held out my hand and looked her in the eyes. "It's a bargain," +I said. + +She hesitated and touched my hand for an instant. "It's silly," +she remarked as she did so. "It means really we're--" She +paused. + +"Yes?" said I. + +"Engaged. You'll have to wait years. What good can it do you?" + +"Not so many years." I answered. + +For a moment she brooded. + +Then she glanced at me with a smile, half-sweet, half-wistful, +that has stuck in my memory for ever. + +"I like you!" she said. "I shall like to be engaged to you." + +And, faint on the threshold of hearing, I caught her ventured +"dear!" It's odd that in writing this down my memory passed over +all that intervened and I feel it all again, and once again I'm +Marion's boyish lover taking great joy in such rare and little +things. + +VI + +At last I went to the address my uncle had given me in Gower +Street, and found my aunt Susan waiting tea for him. + +Directly I came into the room I appreciated the change in outlook +that the achievement of Tono-Bungay had made almost as vividly as +when I saw my uncle's new hat. The furniture of the room struck +upon my eye as almost stately. The chairs and sofa were covered +with chintz which gave it a dim, remote flavour of Bladesover; +the mantel, the cornice, the gas pendant were larger and finer +than the sort of thing I had grown accustomed to in London. And +I was shown in by a real housemaid with real tails to her cap, +and great quantities of reddish hair. There was my aunt too +looking bright and pretty, in a blue-patterned tea-wrap with bows +that seemed to me the quintessence of fashion. She was sitting +in a chair by the open window with quite a pile of +yellow-labelled books on the occasional table beside her. Before +the large, paper-decorated fireplace stood a three-tiered +cake-stand displaying assorted cakes, and a tray with all the +tea equipage except the teapot, was on the large centre-table. +The carpet was thick, and a spice of adventure was given it by a +number of dyed sheep-skin mats. + +"Hello!" said my aunt as I appeared. "It's George!" + +"Shall I serve the tea now, Mem?" said the real housemaid, +surveying our greeting coldly. + +"Not till Mr. Ponderevo comes, Meggie," said my aunt, and +grimaced with extraordinary swiftness and virulence as the +housemaid turned her back. + +"Meggie she calls herself," said my aunt as the door closed, and +left me to infer a certain want of sympathy. + +"You're looking very jolly, aunt," said I. + +"What do you think of all this old Business he's got?" asked my +aunt. + +"Seems a promising thing," I said. + +"I suppose there is a business somewhere?" + +"Haven't you seen it ?" + +"'Fraid I'd say something AT it George, if I did. So he won't +let me. It came on quite suddenly. Brooding he was and writing +letters and sizzling something awful--like a chestnut going to +pop. Then he came home one day saying Tono-Bungay till I thought +he was clean off his onion, and singing--what was it?" + +"'I'm afloat, I'm afloat,'" I guessed. + +"The very thing. You've heard him. And saying our fortunes were +made. Took me out to the Ho'burm Restaurant, George,--dinner, +and we had champagne, stuff that blows up the back of your nose +and makes you go SO, and he said at last he'd got things worthy +of me--and we moved here next day. It's a swell house, George. +Three pounds a week for the rooms. And he says the Business'll +stand it." + +She looked at me doubtfully. + +"Either do that or smash," I said profoundly. + +We discussed the question for a moment mutely with our eyes. My +aunt slapped the pile of books from Mudie's. + +"I've been having such a Go of reading, George. You never did!" + +"What do you think of the business?" I asked. + +"Well, they've let him have money," she said, and thought and +raised her eyebrows. + +"It's been a time," she went on. "The flapping about! Me +sitting doing nothing and him on the go like a rocket. He's done +wonders. But he wants you, George--he wants you. Sometimes he's +full of hope--talks of when we're going to have a carriage and be +in society--makes it seem so natural and topsy-turvy, I hardly +know whether my old heels aren't up here listening to him, and +my old head on the floor.... Then he gets depressed. Says he +wants restraint. Says he can make a splash but can't keep on. +Says if you don't come in everything will smash--But you are +coming in?" + +She paused and looked at me. + +"Well--" + +"You don't say you won't come in!" + +"But look here, aunt," I said, "do you understand quite?... It's +a quack medicine. It's trash." + +"There's no law against selling quack medicine that I know of," +said my aunt. She thought for a minute and became unusually +grave. "It's our only chance, George," she said. "If it doesn't +go..." + +There came the slamming of a door, and a loud bellowing from the +next apartment through the folding doors. "Here-er Shee Rulk +lies Poo Tom Bo--oling." + +"Silly old Concertina! Hark at him, George!" She raised her +voice. "Don't sing that, you old Walrus, you! Sing 'I'm +afloat!'" + +One leaf of the folding doors opened and my uncle appeared. + +"Hullo, George! Come along at last? Gossome tea-cake, Susan?" + +"Thought it over George?" he said abruptly. + +"Yes," said I. + +"Coming in?" + +I paused for a last moment and nodded yes. + +"Ah!" he cried. "Why couldn't you say that a week ago?" + +"I've had false ideas about the world," I said. "Oh! they don't +matter now! Yes, I'll come, I'll take my chance with you, I +won't hesitate again." + +And I didn't. I stuck to that resolution for seven long years. + + +CHAPTER THE THIRD + +HOW WE MADE TONO-BUNGAY HUM + +I + +So I made my peace with my uncle, and we set out upon this bright +enterprise of selling slightly injurious rubbish at +one-and-three-halfpence and two-and-nine a bottle, including the +Government stamp. We made Tono-Bungay hum! It brought us +wealth, influence, respect, the confidence of endless people. +All that my uncle promised me proved truth and understatement; +Tono-Bungay carried me to freedoms and powers that no life of +scientific research, no passionate service of humanity could ever +have given me.... + +It was my uncle's genius that did it. No doubt he needed me,--I +was, I will admit, his indispensable right hand; but his was the +brain to conceive. He wrote every advertisement; some of them +even he sketched. You must remember that his were the days before +the Time took to enterprise and the vociferous hawking of that +antiquated Encyclopedia. That alluring, button-holing, let-me +-just-tell-you-quite-soberly-something-you-ought-to-know style of +newspaper advertisement, with every now and then a convulsive +jump of some attractive phrase into capitals, was then almost a +novelty. "Many people who are MODERATELY well think they are +QUITE well," was one of his early efforts. The jerks in capitals +were, "DO NOT NEED DRUGS OR MEDICINE," and "SIMPLY A PROPER +REGIMEN TO GET YOU IN TONE." One was warned against the chemist +or druggist who pushed "much-advertised nostrums" on one's +attention. That trash did more harm than good. The thing needed +was regimen--and Tono-Bungay! + +Very early, too, was that bright little quarter column, at least +it was usually a quarter column in the evening papers: +"HILARITY--Tono-Bungay. Like Mountain Air in the Veins." The +penetrating trio of questions: "Are you bored with your Business? +Are you bored with your Dinner. Are you bored with your Wife?" +--that, too, was in our Gower Street days. Both these we had in +our first campaign when we worked London south central, and west; +and then, too, we had our first poster--the HEALTH, BEAUTY, AND +STRENGTH one. That was his design; I happen still to have got by +me the first sketch he made for it. I have reproduced it here +with one or two others to enable the reader to understand the +mental quality that initiated these familiar ornaments of London. + +(The second one is about eighteen months later, the germ of the +well-known "Fog" poster; the third was designed for an influenza +epidemic, but never issued.) + +These things were only incidental in my department. + +I had to polish them up for the artist and arrange the business +of printing and distribution, and after my uncle had had a +violent and needless quarrel with the advertising manager of the +Daily Regulator about the amount of display given to one of +his happy thoughts, I also took up the negotiations of +advertisements for the press. + +We discussed and worked out distribution together first in the +drawing-room floor in Gower Street with my aunt sometimes helping +very shrewdly, and then, with a steadily improving type of cigar +and older and older whisky, in his smuggery at their first house, +the one in Beckenham. Often we worked far into the night +sometimes until dawn. + +We really worked infernally hard, and, I recall, we worked with a +very decided enthusiasm, not simply on my uncle's part but mine, +It was a game, an absurd but absurdly interesting game, and the +points were scored in cases of bottles. People think a happy +notion is enough to make a man rich, that fortunes can be made +without toil. It's a dream, as every millionaire (except one or +two lucky gamblers) can testify; I doubt if J.D. Rockefeller in +the early days of Standard Oil, worked harder than we did. We +worked far into the night--and we also worked all day. We made a +rule to be always dropping in at the factory unannounced to keep +things right--for at first we could afford no properly +responsible underlings--and we traveled London, pretending to be +our own representatives and making all sorts of special +arrangements. + +But none of this was my special work, and as soon as we could get +other men in, I dropped the traveling, though my uncle found it +particularly interesting and kept it up for years. "Does me +good, George, to see the chaps behind their counters like I was +once," he explained. My special and distinctive duty was to +give Tono-Bungay substance and an outward and visible bottle, to +translate my uncle's great imaginings into the creation of case +after case of labelled bottles of nonsense, and the punctual +discharge of them by railway, road and steamer towards their +ultimate goal in the Great Stomach of the People. By all modern +standards the business was, as my uncle would say, "absolutely +bona fide." We sold our stuff and got the money, and spent the +money honestly in lies and clamour to sell more stuff. Section +by section we spread it over the whole of the British Isles; +first working the middle-class London suburbs, then the outer +suburbs, then the home counties, then going (with new bills and a +more pious style of "ad") into Wales, a great field always for a +new patent-medicine, and then into Lancashire. + +My uncle had in his inner office a big map of England, and as we +took up fresh sections of the local press and our consignments +invaded new areas, flags for advertisements and pink underlines +for orders showed our progress. + +"The romance of modern commerce, George!" my uncle would say, +rubbing his hands together and drawing in air through his +teeth. "The romance of modern commerce, eh? Conquest. Province +by province. Like sogers." + +We subjugated England and Wales; we rolled over the Cheviots with +a special adaptation containing eleven per cent. of absolute +alcohol; "Tono-Bungay: Thistle Brand." We also had the Fog +poster adapted to a kilted Briton in a misty Highland scene. + +Under the shadow of our great leading line we were presently +taking subsidiary specialties into action; "Tono-Bungay Hair +Stimulant" was our first supplement. Then came "Concentrated +Tono-Bungay" for the eyes. That didn't go, but we had a +considerable success with the Hair Stimulant. We broached the +subject, I remember, in a little catechism beginning: "Why does +the hair fall out? Because the follicles are fagged. What are +the follicles?..." So it went on to the climax that the Hair +Stimulant contained all "The essential principles of that most +reviving tonic, Tono-Bungay, together with an emollient and +nutritious oil derived from crude Neat's Foot Oil by a process of +refinement, separation and deodorization.... It will be manifest +to any one of scientific attainments that in Neat's Foot Oil +derived from the hoofs and horns of beasts, we must necessarily +have a natural skin and hair lubricant." + +And we also did admirable things with our next subsidiaries, +"Tono-Bungay Lozenges," and "Tono-Bungay Chocolate." These we +urged upon the public for their extraordinary nutritive and +recuperative value in cases of fatigue and strain. We gave them +posters and illustrated advertisements showing climbers hanging +from marvelously vertical cliffs, cyclist champions upon the +track, mounted messengers engaged in Aix-to-Ghent rides, soldiers +lying out in action under a hot sun. "You can GO for twenty-four +hours," we declared, "on Tono-Bungay Chocolate." We didn't say +whether you could return on the same commodity. We also showed a +dreadfully barristerish barrister, wig, side-whiskers, teeth, a +horribly life-like portrait of all existing barristers, talking +at a table, and beneath, this legend: "A Four Hours' Speech on +Tono-Bungay Lozenges, and as fresh as when he began." Then +brought in regiments of school-teachers, revivalist ministers, +politicians and the like. I really do believe there was an +element of "kick" in the strychnine in these lozenges, especially +in those made according to our earlier formula. For we altered +all our formulae--invariably weakening them enormously as sales +got ahead. + +In a little while--so it seems to me now--we were employing +travelers and opening up Great Britain at the rate of a hundred +square miles a day. All the organisation throughout was sketched +in a crude, entangled, half-inspired fashion by my uncle, and +all of it had to be worked out into a practicable scheme of +quantities and expenditure by me. We had a lot of trouble +finding our travelers; in the end at least half of them were +Irish-Americans, a wonderful breed for selling medicine. We had +still more trouble over our factory manager, because of the +secrets of the inner room, and in the end we got a very capable +woman, Mrs. Hampton Diggs, who had formerly managed a large +millinery workroom, whom we could trust to keep everything in +good working order without finding out anything that wasn't put +exactly under her loyal and energetic nose. She conceived a high +opinion of Tono-Bungay and took it in all forms and large +quantities so long as I knew her. It didn't seem to do her any +harm. And she kept the girls going quite wonderfully. + +My uncle's last addition to the Tono-Bungay group was the +Tono-Bungay Mouthwash. The reader has probably read a hundred +times that inspiring inquiry of his, "You are Young Yet, but are +you Sure Nothing has Aged your Gums?" + +And after that we took over the agency for three or four good +American lines that worked in with our own, and could be handled +with it; Texan Embrocation, and "23--to clear the system" were +the chief.... + +I set down these bare facts. To me they are all linked with the +figure of my uncle. In some of the old seventeenth and early +eighteenth century prayerbooks at Bladesover there used to be +illustrations with long scrolls coming out of the mouths of the +wood-cut figures. I wish I could write all this last chapter on +a scroll coming out of the head of my uncle, show it all the time +as unfolding and pouring out from a short, fattening, +small-legged man with stiff cropped hair, disobedient glasses on +a perky little nose, and a round stare behind them. I wish I +could show you him breathing hard and a little through his nose +as his pen scrabbled out some absurd inspiration for a poster or +a picture page, and make you hear his voice, charged with solemn +import like the voice of a squeaky prophet, saying, "George! +list'n! I got an ideer. I got a notion! George!" + +I should put myself into the same picture. Best setting for us, +I think, would be the Beckenham snuggery, because there we +worked hardest. It would be the lamplit room of the early +nineties, and the clock upon the mantel would indicate midnight +or later. We would be sitting on either side of the fire, I with +a pipe, my uncle with a cigar or cigarette. There would be +glasses standing inside the brass fender. Our expressions would +be very grave. My uncle used to sit right back in his armchair; +his toes always turned in when he was sitting down and his legs +had a way of looking curved, as though they hadn't bones or +joints but were stuffed with sawdust. + +"George, whad'yer think of T.B. for sea-sickness?" he would +say. + +"No good that I can imagine." + +"Oom! No harm TRYING, George. We can but try." + +I would suck my pipe. "Hard to get at. Unless we sold our stuff +specially at the docks. Might do a special at Cook's office, or +in the Continental Bradshaw." + +"It 'ud give 'em confidence, George." + +He would Zzzz, with his glasses reflecting the red of the glowing +coals. + +"No good hiding our light under a Bushel," he would remark. + +I never really determined whether my uncle regarded Tono-Bungay +as a fraud, or whether he didn't come to believe in it in a kind +of way by the mere reiteration of his own assertions. I think +that his average attitude was one of kindly, almost parental, +toleration. I remember saying on one occasion, "But you don't +suppose this stuff ever did a human being the slightest good +all?" and how his face assumed a look of protest, as of one +reproving harshness and dogmatism. + +"You've a hard nature, George," he said. "You're too ready to +run things down. How can one TELL? How can one venture to +TELL!..." + +I suppose any creative and developing game would have interested +me in those years. At any rate, I know I put as much zeal into +this Tono-Bungay as any young lieutenant could have done who +suddenly found himself in command of a ship. It was +extraordinarily interesting to me to figure out the advantage +accruing from this shortening of the process or that, and to +weigh it against the capital cost of the alteration. I made a +sort of machine for sticking on the labels, that I patented; to +this day there is a little trickle of royalties to me from that. +I also contrived to have our mixture made concentrated, got the +bottles, which all came sliding down a guarded slant-way, nearly +filled with distilled water at one tap, and dripped our magic +ingredients in at the next. This was an immense economy of space +for the inner sanctum. For the bottling we needed special taps, +and these, too, I invented and patented. + +We had a sort of endless band of bottles sliding along an +inclined glass trough made slippery with running water. At one +end a girl held them up to the light, put aside any that were +imperfect and placed the others in the trough; the filling was +automatic; at the other end a girl slipped in the cork and drove +it home with a little mallet. Each tank, the little one for the +vivifying ingredients and the big one for distilled water, had a +level indicator, and inside I had a float arrangement that +stopped the slide whenever either had sunk too low. Another girl +stood ready with my machine to label the corked bottles and hand +them to the three packers, who slipped them into their outer +papers and put them, with a pad of corrugated paper between each +pair, into a little groove from which they could be made to slide +neatly into position in our standard packing-case. It sounds +wild, I know, but I believe I was the first man in the city of +London to pack patent medicines through the side of the +packing-case, to discover there was a better way in than by the +lid. Our cases packed themselves, practically; had only to be +put into position on a little wheeled tray and when full pulled +to the lift that dropped them to the men downstairs, who padded +up the free space and nailed on top and side. Our girls, +moreover, packed with corrugated paper and matchbook-wood box +partitions when everybody else was using expensive young men to +pack through the top of the box with straw, many breakages and +much waste and confusion. + +II + +As I look back at them now, those energetic years seem all +compacted to a year or so; from the days of our first hazardous +beginning in Farringdon Street with barely a thousand pounds' +worth of stuff or credit all told--and that got by something +perilously like snatching--to the days when my uncle went to the +public on behalf of himself and me (one-tenth share) and our +silent partners, the drug wholesalers and the printing people and +the owner of that group of magazines and newspapers, to ask with +honest confidence for L150,000. Those silent partners were +remarkably sorry, I know, that they had not taken larger shares +and given us longer credit when the subscriptions came pouring +in. My uncle had a clear half to play with (including the +one-tenth understood to be mine). + +L150,000--think of it!--for the goodwill in a string of lies and +a trade in bottles of mitigated water! Do you realise the +madness of the world that sanctions such a thing? Perhaps you +don't. At times use and wont certainly blinded me. If it had +not been for Ewart, I don't think I should have had an inkling of +the wonderfulness of this development of my fortunes; I should +have grown accustomed to it, fallen in with all its delusions as +completely as my uncle presently did. He was immensely proud of +the flotation. "They've never been given such value," he said, +"for a dozen years." But Ewart, with his gesticulating hairy +hands and bony wrists, his single-handed chorus to all this as it +played itself over again in my memory, and he kept my fundamental +absurdity illuminated for me during all this astonishing time. + +"It's just on all fours with the rest of things," he remarked; +"only more so. You needn't think you're anything out of the +way." + +I remember one disquisition very distinctly. It was just after +Ewart had been to Paris on a mysterious expedition to "rough in" +some work for a rising American sculptor. This young man had +a commission for an allegorical figure of Truth (draped, of +course) for his State Capitol, and he needed help. Ewart had +returned with his hair cut en brosse and with his costume +completely translated into French. He wore, I remember, a +bicycling suit of purplish-brown, baggy beyond ageing--the only +creditable thing about it was that it had evidently not been made +for him--a voluminous black tie, a decadent soft felt hat and +several French expletives of a sinister description. "Silly +clothes, aren't they?" he said at the sight of my startled eye. +"I don't know why I got'm. They seemed all right over there." + +He had come down to our Raggett Street place to discuss a +benevolent project of mine for a poster by him, and he scattered +remarkable discourse over the heads (I hope it was over the +heads) of our bottlers. + +"What I like about it all, Ponderevo, is its poetry.... That's +where we get the pull of the animals. No animal would ever run a +factory like this. Think!... One remembers the Beaver, of +course. He might very possibly bottle things, but would he stick +a label round 'em and sell 'em? The Beaver is a dreamy fool, +I'll admit, him and his dams, but after all there's a sort of +protection about 'em, a kind of muddy practicality! They prevent +things getting at him. And it's not your poetry only. It's the +poetry of the customer too. Poet answering to poet--soul to +soul. Health, Strength and Beauty--in a bottle--the magic +philtre! Like a fairy tale.... + +"Think of the people to whom your bottles of footle go! (I'm +calling it footle, Ponderevo, out of praise," he said in +parenthesis.) + +"Think of the little clerks and jaded women and overworked +people. People overstrained with wanting to do, people +overstrained with wanting to be.... People, in fact, +overstrained.... The real trouble of life, Ponderevo, isn't that +we exist--that's a vulgar error; the real trouble is that we +DON'T really exist and we want to. That's what this--in the +highest sense--just stands for! The hunger to be--for +once--really alive--to the finger tips!... + +"Nobody wants to do and be the things people are--nobody. YOU +don't want to preside over this--this bottling; I don't want to +wear these beastly clothes and be led about by you; nobody wants +to keep on sticking labels on silly bottles at so many farthings +a gross. That isn't existing! That's--sus--substratum. None of +us want to be what we are, or to do what we do. Except as a sort +of basis. What do we want? You know. I know. Nobody +confesses. What we all want to be is something perpetually young +and beautiful--young Joves--young Joves, Ponderevo" --his voice +became loud, harsh and declamatory--"pursuing coy half-willing +nymphs through everlasting forests."... + +There was a just-perceptible listening hang in the work about us. + +"Come downstairs," I interrupted, "we can talk better there." + +"I can talk better here," he answered. + +He was just going on, but fortunately the implacable face of Mrs. +Hampton Diggs appeared down the aisle of bottling machines. + +"All right," he said, "I'll come." + +In the little sanctum below, my uncle was taking a digestive +pause after his lunch and by no means alert. His presence sent +Ewart back to the theme of modern commerce, over the excellent +cigar my uncle gave him. He behaved with the elaborate deference +due to a business magnate from an unknown man. + +"What I was pointing out to your nephew, sir," said Ewart, +putting both elbows on the table, "was the poetry of commerce. +He doesn't, you know, seem to see it at all." + +My uncle nodded brightly. "Whad I tell 'im," he said round his +cigar. + +"We are artists. You and I, sir, can talk, if you will permit +me, as one artist to another. It's advertisement has--done it. +Advertisement has revolutionised trade and industry; it is going +to revolutionise the world. The old merchant used to tote about +commodities; the new one creates values. Doesn't need to tote. +He takes something that isn't worth anything--or something that +isn't particularly worth anything--and he makes it worth +something. He takes mustard that is just like anybody else's +mustard, and he goes about saying, shouting, singing, chalking on +walls, writing inside people's books, putting it everywhere, +'Smith's Mustard is the Best.' And behold it is the best!" + +"True," said my uncle, chubbily and with a dreamy sense of +mysticism; "true!" + +"It's just like an artist; he takes a lump of white marble on the +verge of a lime-kiln, he chips it about, he makes--he makes a +monument to himself--and others--a monument the world will not +willingly let die. Talking of mustard, sir, I was at Clapham +Junction the other day, and all the banks are overgrown with +horse radish that's got loose from a garden somewhere. You know +what horseradish is--grows like wildfire--spreads --spreads. I +stood at the end of the platform looking at the stuff and +thinking about it. 'Like fame,' I thought, 'rank and wild where +it isn't wanted. Why don't the really good things in life grow +like horseradish?' I thought. My mind went off in a peculiar way +it does from that to the idea that mustard costs a penny a tin--I +bought some the other day for a ham I had. It came into my head +that it would be ripping good business to use horseradish to +adulterate mustard. I had a sort of idea that I could plunge +into business on that, get rich and come back to my own proper +monumental art again. And then I said, 'But why adulterate? I +don't like the idea of adulteration.'" + +"Shabby," said my uncle, nodding his head. "Bound to get found +out!" + +"And totally unnecessary, too! Why not do up a +mixture--three-quarters pounded horseradish and a quarter +mustard--give it a fancy name--and sell it at twice the mustard +price. See? I very nearly started the business straight away, +only something happened. My train came along." + +"Jolly good ideer," said my uncle. He looked at me. "That really +is an ideer, George," he said. + +"Take shavin's, again! You know that poem of Longfellow's, sir, +that sounds exactly like the first declension. What is +it?--'Marr's a maker, men say!'" + +My uncle nodded and gurgled some quotation that died away. + +'Jolly good poem, George," he said in an aside to me. + +"Well, it's about a carpenter and a poetic Victorian child, you +know, and some shavin's. The child made no end out of the +shavin's. So might you. Powder 'em. They might be anything. +Soak 'em in jipper,--Xylo-tobacco! Powder'em and get a little +tar and turpentinous smell in,--wood-packing for hot baths--a +Certain Cure for the scourge of Influenza! There's all these +patent grain foods,--what Americans call cereals. I believe I'm +right, sir, in saying they're sawdust." + +"No!" said my uncle, removing his cigar; "as far as I can find +out it's really grain,--spoilt grain.... I've been going into +that." + +"Well, there you are!" said Ewart. "Say it's spoilt grain. It +carried out my case just as well. Your modern commerce is no +more buying and selling than sculpture. It's mercy--it's +salvation. It's rescue work! It takes all sorts of fallen +commodities by the hand and raises them. Cana isn't in it. You +turn water--into Tono-Bungay." + +"Tono-Bungay's all right," said my uncle, suddenly grave. "We +aren't talking of Tono-Bungay." + +"Your nephew, sir, is hard; he wants everything to go to a sort +of predestinated end; he's a Calvinist of Commerce. Offer him a +dustbin full of stuff; he calls it refuse--passes by on the other +side. Now YOU, sir you'd make cinders respect themselves." + +My uncle regarded him dubiously for a moment. But there was a +touch of appreciation in his eye. + +"Might make 'em into a sort of sanitary brick," he reflected over +his cigar end. + +"Or a friable biscuit. Why NOT? You might advertise: 'Why are +Birds so Bright? Because they digest their food perfectly! Why +do they digest their food so perfectly? Because they have a +gizzard! Why hasn't man a gizzard? Because he can buy +Ponderevo's Asphalt Triturating, Friable Biscuit--Which is +Better.'" + +He delivered the last words in a shout, with his hairy hand +flourished in the air.... + +"Damn clever fellow," said my uncle, after he had one. "I know a +man when I see one. He'd do. But drunk, I should say. But that +only makes some chap brighter . If he WANTS to do that poster, +he can. Zzzz. That ideer of his about the horseradish. There's +something in that, George. I'm going to think over that...." + +I may say at once that my poster project came to nothing in the +end, though Ewart devoted an interesting week to the matter. He +let his unfortunate disposition to irony run away with him. He +produced a picture of two beavers with a subtle likeness, he +said, to myself and my uncle--the likeness to my uncle certainly +wasn't half bad--and they were bottling rows and rows of +Tono-Bungay, with the legend "Modern commerce." It certainly +wouldn't have sold a case, though he urged it on me one cheerful +evening on the ground that it would "arouse curiosity." In +addition he produced a quite shocking study of my uncle, +excessively and needlessly nude, but, so far as I was able to +judge, an admirable likeness, engaged in feats of strength of a +Gargantuan type before an audience of deboshed and shattered +ladies. The legend, "Health, Beauty, Strength," below, gave a +needed point to his parody. This he hung up in the studio over +the oil shop, with a flap of brown paper; by way of a curtain +over it to accentuate its libellous offence. + + +CHAPTER THE FOURTH + +MARION I + +As I look back on those days in which we built up the great +Tono-Bungay property out of human hope and credit for bottles and +rent and printing, I see my life as it were arranged in two +parallel columns of unequal width, a wider, more diffused, +eventful and various one which continually broadens out, the +business side of my life, and a narrow, darker and darkling one +shot ever and again with a gleam of happiness, my home-life with +Marion. For, of course, I married Marion. + +I didn't, as a matter of fact, marry her until a year after +Tono-Bungay was thoroughly afloat, and then only after conflicts +and discussions of a quite strenuous sort. By that time I was +twenty-four. It seems the next thing to childhood now. We were +both in certain directions unusually ignorant and simple; we +were temperamentally antagonistic, and we hadn't--I don't think +we were capable of--an idea in common. She was young and +extraordinarily conventional--she seemed never to have an idea of +her own but always the idea of her class--and I was young and +sceptical, enterprising and passionate; the two links that held +us together were the intense appeal her physical beauty had for +me, and her appreciation of her importance in my thoughts. +There can be no doubt of my passion for her. In her I had +discovered woman desired. The nights I have lain awake on +account of her, writhing, biting my wrists in a fever of longing! +... + +I have told how I got myself a silk hat and black coat to please +her on Sunday--to the derision of some of my fellow-students who +charged to meet me, and how we became engaged. But that was only +the beginning of our difference. To her that meant the beginning +of a not unpleasant little secrecy, an occasional use of verbal +endearments, perhaps even kisses. It was something to go on +indefinitely, interfering in no way with her gossiping spells of +work at Smithie's. To me it was a pledge to come together into +the utmost intimacy of soul and body so soon as we could contrive +it.... + +I don't know if it will strike the reader that I am setting out +to discuss the queer, unwise love relationship and my bungle of a +marriage with excessive solemnity. But to me it seems to reach +out to vastly wider issues than our little personal affair. I've +thought over my life. In these last few years I've tried to get +at least a little wisdom out of it. And in particular I've +thought over this part of my life. I'm enormously impressed by +the ignorant, unguided way in which we two entangled ourselves +with each other. It seems to me the queerest thing in all this +network of misunderstandings and misstatements and faulty and +ramshackle conventions which makes up our social order as the +individual meets it, that we should have come together so +accidentally and so blindly. Because we were no more than +samples of the common fate. Love is not only the cardinal fact +in the individual life, but the most important concern of the +community; after all, the way in which the young people of this +generation pair off determines the fate of the nation; all the +other affairs of the State are subsidiary to that. And we leave +it to flushed and blundering youth to stumble on its own +significance, with nothing to guide in but shocked looks and +sentimental twaddle and base whisperings and cant-smeared +examples. + +I have tried to indicate something of my own sexual development +in the preceding chapter. Nobody was ever frank and decent with +me in this relation; nobody, no book, ever came and said to me +thus and thus is the world made, and so and so is necessary. +Everything came obscurely, indefinitely, perplexingly; and all I +knew of law or convention in the matter had the form of +threatenings and prohibitions. Except through the furtive, +shameful talk of my coevals at Goudhurst and Wimblehurst, I was +not even warned against quite horrible dangers. My ideas were +made partly of instinct, partly of a romantic imagination, partly +woven out of a medley of scraps of suggestion that came to me +haphazard. I had read widely and confusedly "Vathek," Shelley, +Tom Paine, Plutarch, Carlyle, Haeckel, William Morris, the Bible, +the Freethinker, the Clarion, "The Woman Who Did,"--I +mention the ingredients that come first to mind. All sorts of +ideas were jumbled up in me and never a lucid explanation. But +it was evident to me that the world regarded Shelley, for +example, as a very heroic as well as beautiful person; and that +to defy convention and succumb magnificently to passion was the +proper thing to do to gain the respect and affection of all +decent people. + +And the make-up of Marion's mind in the matter was an equally +irrational affair. Her training had been one, not simply of +silences, but suppressions. An enormous force of suggestion had +so shaped her that the intense natural fastidiousness of girlhood +had developed into an absolute perversion of instinct. For all +that is cardinal in this essential business of life she had one +inseparable epithet--"horrid." Without any such training she +would have been a shy lover, but now she was an impossible one. +For the rest she had derived, I suppose, partly from the sort of +fiction she got from the Public Library, and partly from the +workroom talk at Smithie's. So far as the former origin went, +she had an idea of love as a state of worship and service on the +part of the man and of condescension on the part of the woman. +There was nothing "horrid" about it in any fiction she had read. +The man gave presents, did services, sought to be in every way +delightful. The woman "went out" with him, smiled at him, was +kissed by him in decorous secrecy, and if he chanced to offend, +denied her countenance and presence. Usually she did something +"for his good" to him, made him go to church, made him give up +smoking or gambling, smartened him up. Quite at the end of the +story came a marriage, and after that the interest ceased. + +That was the tenor of Marion's fiction; but I think the +work-table conversation at Smithie's did something to modify +that. At Smithie's it was recognised, I think, that a "fellow" +was a possession to be desired; that it was better to be engaged +to a fellow than not; that fellows had to be kept--they might be +mislaid, they might even be stolen. There was a case of stealing +at Smithie's, and many tears. + +Smithie I met before we were married, and afterwards she became a +frequent visitor to our house at Ealing. She was a thin, +bright-eyed, hawk-nosed girl of thirtyodd, with prominent +teeth, a high-pitched, eager voice and a disposition to be +urgently smart in her dress. Her hats were startling and +various, but invariably disconcerting, and she talked in a +rapid, nervous flow that was hilarious rather than witty, and +broken by little screams of "Oh, my dear!" and "you never did!" +She was the first woman I ever met who used scent. Poor old +Smithie! What a harmless, kindly soul she really was, and how +heartily I detested her! Out of the profits on the Persian robes +she supported a sister's family of three children, she "helped" a +worthless brother, and overflowed in help even to her workgirls, +but that didn't weigh with me in those youthfully-narrow times. +It was one of the intense minor irritations of my married life +that Smithie's whirlwind chatter seemed to me to have far more +influence with Marion than anything I had to say. Before all +things I coveted her grip upon Marion's inaccessible mind. + +In the workroom at Smithie's, I gathered, they always spoke of me +demurely as "A Certain Person." I was rumoured to be dreadfully +"clever," and there were doubts--not altogether without +justification--of the sweetness of my temper. + +II + +Well, these general explanations will enable the reader to +understand the distressful times we two had together when +presently I began to feel on a footing with Marion and to fumble +conversationally for the mind and the wonderful passion I felt, +obstinately and stupidity, must be in her. I think she thought +me the maddest of sane men; "clever," in fact, which at Smithie's +was, I suppose, the next thing to insanity, a word intimating +incomprehensible and incalculable motives.... She could be +shocked at anything, she misunderstood everything, and her weapon +was a sulky silence that knitted her brows, spoilt her mouth and +robbed her face of beauty. "Well, if we can't agree, I don't see +why you should go on talking," she used to say. That would +always enrage me beyond measure. Or, "I'm afraid I'm not clever +enough to understand that." + +Silly little people! I see it all now, but then I was no older +than she and I couldn't see anything but that Marion, for some +inexplicable reason, wouldn't come alive. + +We would contrive semi-surreptitious walks on Sunday, and part +speechless with the anger of indefinable offences. Poor Marion! +The things I tried to put before her, my fermenting ideas about +theology, about Socialism, about aesthetics--the very words +appalled her, gave her the faint chill of approaching +impropriety, the terror of a very present intellectual +impossibility. Then by an enormous effort I would suppress +myself for a time and continue a talk that made her happy, about +Smithie's brother, about the new girl who had come to the +workroom, about the house we would presently live in. But +there we differed a little. I wanted to be accessible to St. +Paul's or Cannon Street Station, and she had set her mind quite +resolutely upon Eating.... It wasn't by any means quarreling all +the time, you understand. She liked me to play the lover +"nicely"; she liked the effect of going about--we had lunches, we +went to Earl's Court, to Kew, to theatres and concerts, but not +often to concerts, because, though Marion "liked" music, she +didn't like "too much of it," to picture shows--and there was a +nonsensical sort of babytalk I picked up--I forget where +now--that became a mighty peacemaker. + +Her worst offence for me was an occasional excursion into the +Smithie style of dressing, debased West Kensington. For she had +no sense at all of her own beauty. She had no comprehension +whatever of beauty of the body, and she could slash her beautiful +lines to rags with hat-brims and trimmings. Thank Heaven! a +natural refinement, a natural timidity, and her extremely +slender purse kept her from the real Smithie efflorescence! +Poor, simple, beautiful, kindly limited Marion! Now that I am +forty-five, I can look back at her with all my old admiration +and none of my old bitterness with a new affection and not a +scrap of passion, and take her part against the equally stupid, +drivingly-energetic, sensuous, intellectual sprawl I used to be. +I was a young beast for her to have married--a hound beast. With +her it was my business to understand and control--and I exacted +fellowship, passion.... + +We became engaged, as I have told; we broke it off and joined +again. We went through a succession of such phases. We had no +sort of idea what was wrong with us. Presently we were formally +engaged. I had a wonderful interview with her father, in which +he was stupendously grave and H--less, wanted to know about my +origins and was tolerant (exasperatingly tolerant) because my +mother was a servant, and afterwards her mother took to kissing +me, and I bought a ring. But the speechless aunt, I gathered, +didn't approve--having doubts of my religiosity. Whenever we +were estranged we could keep apart for days; and to begin with, +every such separation was a relief. And then I would want her; a +restless longing would come upon me. I would think of the flow +of her arms, of the soft, gracious bend of her body. I would lie +awake or dream of a transfigured Marion of light and fire. It +was indeed Dame Nature driving me on to womankind in her stupid, +inexorable way; but I thought it was the need of Marion that +troubled me. So I always went back to Marion at last and made it +up and more or less conceded or ignored whatever thing had parted +us, and more and more I urged her to marry me.... + +In the long run that became a fixed idea. It entangled my will +and my pride; I told myself I was not going to be beaten. I +hardened to the business. I think, as a matter of fact, my real +passion for Marion had waned enormously long before we were +married, that she had lived it down by sheer irresponsiveness. +When I felt sure of my three hundred a year she stipulated for +delay, twelve months' delay, "to see how things would turn out." +There were times when she seemed simply an antagonist holding out +irritatingly against something I had to settle. Moreover, I +began to be greatly distracted by the interest and excitement of +Tono-Bungay's success, by the change and movement in things, the +going to and fro. I would forget her for days together, and then +desire her with an irritating intensity at last, one Saturday +afternoon, after a brooding morning, I determined almost savagely +that these delays must end. + +I went off to the little home at Walham Green, and made Marion +come with me to Putney Common. Marion wasn't at home when I got +there and I had to fret for a time and talk to her father, who +was just back from his office, he explained, and enjoying himself +in his own way in the greenhouse. + +"I'm going to ask your daughter to marry me!" I said. "I think +we've been waiting long enough." + +"I don't approve of long engagements either," said her father. +"But Marion will have her own way about it, anyhow. Seen this +new powdered fertiliser?" + +I went in to talk to Mrs. Ramboat. "She'll want time to get her +things," said Mrs. Ramboat.... + +I and Marion sat down together on a little seat under some trees +at the top of Putney Hill, and I came to my point abruptly. + +"Look here, Marion," I said, "are you going to marry me or are +you not?" + +She smiled at me. "Well," she said, "we're engaged--aren't we?" + +"That can't go on for ever. Will you marry me next week?" + +She looked me in the face. "We can't," she said. + +"You promised to marry me when I had three hundred a year." + +She was silent for a space. "Can't we go on for a time as we +are? We COULD marry on three hundred a year. But it means a +very little house. There's Smithie's brother. They manage on +two hundred and fifty, but that's very little. She says they +have a semi-detached house almost on the road, and hardly a bit +of garden. And the wall to next-door is so thin they hear +everything. When her baby cries--they rap. And people stand +against the railings and talk.... Can't we wait? You're doing so +well." + +An extraordinary bitterness possessed me at this invasion of the +stupendous beautiful business of love by sordid necessity. I +answered her with immense restraint. + +"If," I said, "we could have a double-fronted, detached +house--at Ealing, say--with a square patch of lawn in front and a +garden behind--and--and a tiled bathroom" + +"That would be sixty pounds a year at least." + +"Which means five hundred a year.... Yes, well, you see, I told +my uncle I wanted that, and I've got it." + +"Got what?" + +"Five hundred pounds a year." + +"Five hundred pounds!" + +I burst into laughter that had more than a taste of bitterness. + +"Yes," I said, "really! and NOW what do you think?" + +"Yes," she said, a little flushed; "but be sensible! Do you +really mean you've got a Rise, all at once, of two hundred a +year?" + +"To marry on--yes." + +She scrutinised me a moment. "You've done this as a surprise!" +she said, and laughed at my laughter. She had become radiant, +and that made me radiant, too. + +"Yes," I said, "yes," and laughed no longer bitterly. + +She clasped her hands and looked me in the eyes. + +She was so pleased that I forgot absolutely my disgust of a +moment before. I forgot that she had raised her price two +hundred pounds a year and that I had bought her at that. + +"Come!" I said, standing up; "let's go towards the sunset, dear, +and talk about it all. Do you know--this is a most beautiful +world, an amazingly beautiful world, and when the sunset falls +upon you it makes you into shining gold. No, not gold--into +golden glass.... Into something better that either glass or +gold."... + +And for all that evening I wooed her and kept her glad. She made +me repeat my assurances over again and still doubted a little. + +We furnished that double-fronted house from attic--it ran to an +attic--to cellar, and created a garden. + +"Do you know Pampas Grass?" said Marion. "I love Pampas Grass... +if there is room." + +"You shall have Pampas Grass," I declared. And there were +moments as we went in imagination about that house together, when +my whole being cried out to take her in my arms--now. But I +refrained. On that aspect of life I touched very lightly in that +talk, very lightly because I had had my lessons. She promised to +marry me within two months' time. Shyly, reluctantly, she named +a day, and next afternoon, in heat and wrath, we "broke it off" +again for the last time. We split upon procedure. I refused +flatly to have a normal wedding with wedding cake, in white +favours, carriages and the rest of it. It dawned upon me +suddenly in conversation with her and her mother, that this was +implied. I blurted out my objection forthwith, and this time it +wasn't any ordinary difference of opinion; it was a "row." I +don't remember a quarter of the things we flung out in that +dispute. I remember her mother reiterating in tones of gentle +remonstrance: "But, George dear, you must have a cake--to send +home." I think we all reiterated things. I seem to remember a +refrain of my own: "A marriage is too sacred a thing, too private +a thing, for this display. Her father came in and stood behind +me against the wall, and her aunt appeared beside the sideboard +and stood with arms, looking from speaker to speaker, a sternly +gratified prophetess. It didn't occur to me then! How painful +it was to Marion for these people to witness my rebellion. + +"But, George," said her father, "what sort of marriage do you +want? You don't want to go to one of those there registry +offices?" + +"That's exactly what I'd like to do. Marriage is too private a +thing--" + +"I shouldn't feel married," said Mrs. Ramboat. + +"Look here, Marion," I said; "we are going to be married at a +registry office. I don't believe in all these fripperies and +superstitions, and I won't submit to them. I've agreed to all +sorts of things to please you." + +"What's he agreed to?" said her father--unheeded. + +"I can't marry at a registry office," said Marion, sallow-white. + +"Very well," I said. "I'll marry nowhere else." + +"I can't marry at a registry office." + +"Very well," I said, standing up, white and tense and it amazed +me, but I was also exultant; "then we won't marry at all." + +She leant forward over the table, staring blankly. But presently +her half-averted face began to haunt me as she had sat at the +table, and her arm and the long droop of her shoulder. + +III + +The next day I did an unexampled thing. I sent a telegram to my +uncle, "Bad temper not coming to business," and set off for +Highgate and Ewart. He was actually at work--on a bust of +Millie, and seemed very glad for any interruption. + +"Ewart, you old Fool," I said, "knock off and come for a day's +gossip. I'm rotten. There's a sympathetic sort of lunacy about +you. Let's go to Staines and paddle up to Windsor." + +"Girl?" said Ewart, putting down a chisel. + +"Yes." + +That was all I told him of my affair. + +"I've got no money," he remarked, to clear up ambiguity in my +invitation. + +We got a jar of shandy-gaff, some food, and, on Ewart's +suggestion, two Japanese sunshades in Staines; we demanded extra +cushions at the boathouse and we spent an enormously soothing day +in discourse and meditation, our boat moored in a shady place +this side of Windsor. I seem to remember Ewart with a cushion +forward, only his heels and sunshade and some black ends of hair +showing, a voice and no more, against the shining, +smoothly-streaming mirror of the trees and bushes. + +"It's not worth it," was the burthen of the voice. "You'd better +get yourself a Millie, Ponderevo, and then you wouldn't feel so +upset." + +"No," I said decidedly, "that's not my way." + +A thread of smoke ascended from Ewart for a while, like smoke +from an altar. + +"Everything's a muddle, and you think it isn't. Nobody knows +where we are--because, as a matter of fact we aren't anywhere. +Are women property--or are they fellow-creatures? Or a sort of +proprietary goddesses? They're so obviously fellow-creatures. +You believe in the goddess?" + +"No," I said, "that's not my idea." + +"What is your idea?" + +"Well" + +"H'm," said Ewart, in my pause. + +"My idea," I said, "is to meet one person who will belong to +me--to whom I shall belong--body and soul. No half-gods! Wait +till she comes. If she comes at all.... We must come to each +other young and pure." + +"There's no such thing as a pure person or an impure person.... +Mixed to begin with." + +This was so manifestly true that it silenced me altogether. + +"And if you belong to her and she to you, Ponderevo--which end's +the head?" + +I made no answer except an impatient "oh!" + +For a time we smoked in silence.... + +"Did I tell you, Ponderevo, of a wonderful discovery I've made?" +Ewart began presently. + +"No," I said, "what is it?" + +"There's no Mrs. Grundy." + +"No?" + +"No! Practically not. I've just thought all that business out. +She's merely an instrument, Ponderevo. She's borne the blame. +Grundy's a man. Grundy unmasked. Rather lean and out of sorts. +Early middle age. With bunchy black whiskers and a worried eye. +Been good so far, and it's fretting him! Moods! There's Grundy +in a state of sexual panic, for example,--'For God's sake cover +it up! They get together--they get together! It's too exciting! +The most dreadful things are happening!' Rushing about--long +arms going like a windmill. 'They must be kept apart!' Starts +out for an absolute obliteration of everything absolute +separations. One side of the road for men, and the other for +women, and a hoarding--without posters between them. Every boy +and girl to be sewed up in a sack and sealed, just the head and +hands and feet out until twenty-one. Music abolished, calico +garments for the lower animals! Sparrows to be +suppressed--ab-so-lutely." + +I laughed abruptly. + +"Well, that's Mr. Grundy in one mood--and it puts Mrs. +Grundy--She's a much-maligned person, Ponderevo--a rake at +heart--and it puts her in a most painful state of fluster--most +painful! She's an amenable creature. When Grundy tells her +things are shocking, she's shocked--pink and breathless. She +goes about trying to conceal her profound sense of guilt behind a +haughty expression.... + +"Grundy, meanwhile, is in a state of complete whirlabout. Long +lean knuckly hands pointing and gesticulating! 'They're still +thinking of things--thinking of things! It's dreadful. They get +it out of books. I can't imagine where they get it! I must +watch! There're people over there whispering! Nobody ought to +whisper!--There's something suggestive in the mere act! Then, +pictures! In the museum--things too dreadful for words. Why +can't we have pure art--with the anatomy all wrong and pure and +nice--and pure fiction pure poetry, instead of all this stuff +with allusions--allusions?... Excuse me! There's something up +behind that locked door! The keyhole! In the interests of +public morality--yes, Sir, as a pure good man--I insist--I'LL +look--it won't hurt me--I insist on looking my duty--M'm'm--the +keyhole!'" + +He kicked his legs about extravagantly, and I laughed again. + +"That's Grundy in one mood, Ponderevo. It isn't Mrs. Grundy. +That's one of the lies we tell about women. They're too simple. +Simple! Woman ARE simple! They take on just what men tell 'em." + +Ewart meditated for a space. "Just exactly as it's put to them," +he said, and resumed the moods of Mr. Grundy. + +"Then you get old Grundy in another mood. Ever caught him +nosing, Ponderevo? Mad with the idea of mysterious, unknown, +wicked, delicious things. Things that aren't respectable. Wow! +Things he mustn't do!... Any one who knows about these things, +knows there's just as much mystery and deliciousness about +Grundy's forbidden things as there is about eating ham. Jolly +nice if it's a bright morning and you're well and hungry and +having breakfast in the open air. Jolly unattractive if you're +off colour. But Grundy's covered it all up and hidden it and put +mucky shades and covers over it until he's forgotten it. Begins +to fester round it in his mind. Has dreadful struggles--with +himself about impure thoughts.... Then you set Grundy with hot +ears,--curious in undertones. Grundy on the loose, Grundy in a +hoarse whisper and with furtive eyes and convulsive +movements--making things indecent. Evolving--in dense +vapours--indecency! + +"Grundy sins. Oh, yes, he's a hypocrite. Sneaks round a corner +and sins ugly. It's Grundy and his dark corners that make vice, +vice! We artists--we have no vices. + +"And then he's frantic with repentance. And wants to be cruel to +fallen women and decent harmless sculptors of the simple +nude--like me--and so back to his panic again." + +"Mrs. Grundy, I suppose, doesn't know he sins," I remarked. + +"No? I'm not so sure.... But, bless her heart she's a woman.... +She's a woman. Then again you get Grundy with a large greasy +smile--like an accident to a butter tub--all over his face, being +Liberal Minded--Grundy in his Anti-Puritan moments, 'trying not +to see Harm in it'--Grundy the friend of innocent pleasure. He +makes you sick with the Harm he's trying not to see in it... + +"And that's why everything's wrong, Ponderevo. Grundy, damn him! +stands in the light, and we young people can't see. His moods +affect us. We catch his gusts of panic, his disease of nosing, +his greasiness. We don't know what we may think, what we may +say, he does his silly utmost to prevent our reading and seeing +the one thing, the one sort of discussion we find--quite +naturally and properly--supremely interesting. So we don't +adolescence; we blunder up to sex. Dare--dare to look--and he +may dirt you for ever! The girls are terror-stricken to silence +by his significant whiskers, by the bleary something in his +eyes." + +Suddenly Ewart, with an almost Jack-in-the-box effect, sat up. + +"He's about us everywhere, Ponderevo," he said, very solemnly. +"Sometimes--sometimes I think he is--in our blood. In MINE." + +He regarded me for my opinion very earnestly, with his pipe in +the corner of his mouth. + +"You're the remotest cousin he ever had," I said. + +I reflected. "Look here, Ewart," I asked, "how would you have +things different?" + +He wrinkled up his queer face, regarded the wait and made his +pipe gurgle for a space, thinking deeply. + +"There are complications, I admit. We've grown up under the +terror of Grundy and that innocent but docile +and--yes--formidable lady, his wife. I don't know how far the +complications aren't a disease, a sort of bleaching under the +Grundy shadow.... It is possible there are things I have still +to learn about women.... Man has eaten of the Tree of Knowledge. +His innocence is gone. You can't have your cake and eat it. +We're in for knowledge; let's have it plain and straight. I +should begin, I think, by abolishing the ideas of decency and +indecency...." + +"Grundy would have fits!" I injected. + +"Grundy, Ponderevo, would have cold douches--publicly--if the +sight was not too painful--three times a day.... But I don't +think, mind you, that I should let the sexes run about together. +No. The fact behind the sexes--is sex. It's no good humbugging. +It trails about--even in the best mixed company. Tugs at your +ankle. The men get showing off and quarrelling--and the women. +Or they're bored. I suppose the ancestral males have competed +for the ancestral females ever since they were both some sort of +grubby little reptile. You aren't going to alter that in a +thousand years or so.... Never should you have a mixed company, +never--except with only one man or only one woman. How would +that be?... + +"Or duets only?... + +"How to manage it? Some rule of etiquette, perhaps."... He +became portentously grave. + +Then his long hand went out in weird gestures. + +"I seem to see--I seem to see--a sort of City of Women, +Ponderevo. Yes.... A walled enclosure--good stone-mason's +work--a city wall, high as the walls of Rome, going about a +garden. Dozens of square miles of garden--trees--fountains-- +arbours--lakes. Lawns on which the women play, avenues in which +they gossip, boats.... Women like that sort of thing. Any woman +who's been to a good eventful girls' school lives on the memory +of it for the rest of her life. It's one of the pathetic things +about women--the superiority of school and college--to anything +they get afterwards. And this city-garden of women will have +beautiful places for music, places for beautiful dresses, places +for beautiful work. Everything a woman can want. Nurseries. +Kindergartens. Schools. And no man--except to do rough work, +perhaps--ever comes in. The men live in a world where they can +hunt and engineer, invent and mine and manufacture, sail ships, +drink deep and practice the arts, and fight--" + +"Yes," I said, "but--" + +He stilled me with a gesture. + +"I'm coming to that. The homes of the women, Ponderevo, will be +set in the wall of their city; each woman will have her own +particular house and home, furnished after her own heart in her +own manner--with a little balcony on the outside wall. Built +into the wall--and a little balcony. And there she will go and +look out, when the mood takes her, and all round the city there +will be a broad road and seats and great shady trees. And men +will stroll up and down there when they feel the need of feminine +company; when, for instance, they want to talk about their souls +or their characters or any of the things that only women will +stand.... The women will lean over and look at the men and smile +and talk to them as they fancy. And each woman will have this; +she will have a little silken ladder she can let down if she +chooses--if she "wants to talk closer..." + +"The men would still be competing." + +"There perhaps--yes. But they'd have to abide by the women's +decisions." + +I raised one or two difficulties, and for a while we played with +this idea. + +"Ewart," I said, "this is like Doll's Island. + +"Suppose," I reflected, "an unsuccessful man laid siege to a +balcony and wouldn't let his rival come near it?" + +"Move him on," said Ewart, "by a special regulation. As one does +organ-grinders. No difficulty about that. And you could forbid +it--make it against the etiquette. No life is decent without +etiquette.... And people obey etiquette sooner than laws..." + +"H'm," I said, and was struck by an idea that is remote in the +world of a young man. "How about children?" I asked; "in the +City? Girls are all very well. But boys, for example--grow up." + +"Ah!" said Ewart. "Yes. I forgot. They mustn't grow up +inside.... They'd turn out the boys when they were seven. The +father must come with a little pony and a little gun and manly +wear, and take the boy away. Then one could come afterwards to +one's mother's balcony.... It must be fine to have a mother. +The father and the son..." + +"This is all very pretty in its way," I said at last, "but it's a +dream. Let's come back to reality. What I want to know is, what +are you going to do in Brompton, let us say, or Walham Green +NOW?" + +"Oh! damn it!" he remarked, "Walham Green! What a chap you are, +Ponderevo!" and he made an abrupt end to his discourse. He +wouldn't even reply to my tentatives for a time. + +"While I was talking just now," he remarked presently, + +"I had a quite different idea." + +"What?" + +"For a masterpiece. A series. Like the busts of the Caesars. +Only not heads, you know. We don't see the people who do things +to us nowadays..." + +"How will you do it, then?" + +"Hands--a series of hands! The hands of the Twentieth Century. +I'll do it. Some day some one will discover it--go there--see +what I have done, and what is meant by it." + +"See it where?" + +"On the tombs. Why not? The Unknown Master of the Highgate +Slope! All the little, soft feminine hands, the nervous ugly +males, the hands of the flops, and the hands of the snatchers! +And Grundy's loose, lean, knuckly affair--Grundy the terror!--the +little wrinkles and the thumb! Only it ought to hold all the +others together--in a slightly disturbing squeeze....Like +Rodin's great Hand--you know the thing!" + +IV + +I forget how many days intervened between that last breaking off +of our engagement and Marion's surrender. But I recall now the +sharpness of my emotion, the concentrated spirit of tears and +laughter in my throat as I read the words of her unexpected +letter--"I have thought over everything, and I was selfish...." +I rushed off to Walham Green that evening to give back all she +had given me, to beat her altogether at giving. She was +extraordinarily gentle and generous that time, I remember, and +when at last I left her, she kissed me very sweetly. + +So we were married. + +We were married with all the customary incongruity. I +gave--perhaps after a while not altogether ungrudgingly--and +what I gave, Marion took, with a manifest satisfaction. After +all, I was being sensible. So that we had three livery carriages +to the church (one of the pairs of horses matched) and +coachmen--with improvised flavour and very shabby silk +hats--bearing white favours on their whips, and my uncle +intervened with splendour and insisted upon having a wedding +breakfast sent in from a caterer's in Hammersmith. The table had +a great display of chrysanthemums, and there was orange blossom +in the significant place and a wonderful cake. We also +circulated upwards of a score of wedges of that accompanied by +silver-printed cards in which Marion's name of Ramboat was +stricken out by an arrow in favour of Ponderevo. We had a little +rally of Marion's relations, and several friends and friends' +friends from Smithie's appeared in the church and drifted +vestry-ward. I produced my aunt and uncle a select group of +two. The effect in that shabby little house was one of +exhilarating congestion. The side-board, in which lived the +table-cloth and the "Apartments" card, was used for a display of +the presents, eked out by the unused balance of the +silver-printed cards. + +Marion wore the white raiment of a bride, white silk and satin, +that did not suit her, that made her seem large and strange to +me; she obtruded bows and unfamiliar contours. She went through +all this strange ritual of an English wedding with a sacramental +gravity that I was altogether too young and egotistical to +comprehend. It was all extraordinarily central and important to +her; it was no more than an offensive, complicated, and +disconcerting intrusion of a world I was already beginning to +criticise very bitterly, to me. What was all this fuss for? The +mere indecent advertisement that I had been passionately in love +with Marion! I think, however, that Marion was only very +remotely aware of my smouldering exasperation at having in the +end behaved "nicely." I had played--up to the extent of dressing +my part; I had an admirably cut frock--coat, a new silk hat, +trousers as light as I could endure them--lighter, in fact--a +white waistcoat, night tie, light gloves. Marion, seeing me +despondent had the unusual enterprise to whisper to me that I +looked lovely; I knew too well I didn't look myself. I looked +like a special coloured supplement to Men's Wear, or The Tailor +and Cutter, Full Dress For Ceremonial Occasions. I had even the +disconcerting sensations of an unfamiliar collar. I felt +lost--in a strange body, and when I glanced down myself for +reassurance, the straight white abdomen, the alien legs confirmed +that impression. + +My uncle was my best man, and looked like a banker--a little +banker--in flower. He wore a white rose in his buttonhole. He +wasn't, I think, particularly talkative. At least I recall very +little from him. + +"George" he said once or twice, "this is a great occasion for +you--a very great occasion." He spoke a little doubtfully. + +You see I had told him nothing about Marion until about a week +before the wedding; both he and my aunt had been taken altogether +by surprise. They couldn't, as people say, "make it out." My +aunt was intensely interested, much more than my uncle; it was +then, I think, for the first time that I really saw that she +cared for me. She got me alone, I remember, after I had made my +announcement. "Now, George," she said, "tell me everything about +her. Why didn't you tell--ME at least--before?" + +I was surprised to find how difficult it was to tell her about +Marion. I perplexed her. + +"Then is she beautiful?" she asked at last. + +"I don't know what you'll think of her," I parried. "I think--" + +"Yes?" + +"I think she might be the most beautiful person in the world." + +"And isn't she? To you?" + +"Of course," I said, nodding my head. "Yes. She IS..." + +And while I don't remember anything my uncle said or did at the +wedding, I do remember very distinctly certain little things, +scrutiny, solicitude, a curious rare flash of intimacy in my +aunt's eyes. It dawned on me that I wasn't hiding anything from +her at all. She was dressed very smartly, wearing a big-plumed +hat that made her neck seem longer and slenderer than ever, and +when she walked up the aisle with that rolling stride of hers and +her eye all on Marion, perplexed into self-forgetfulness, it +wasn't somehow funny. She was, I do believe, giving my marriage +more thought than I had done, she was concerned beyond measure at +my black rage and Marion's blindness, she was looking with eyes +that knew what loving is--for love. + +In the vestry she turned away as we signed, and I verily believe +she was crying, though to this day I can't say why she should +have cried, and she was near crying too when she squeezed my hand +at parting--and she never said a word or looked at me, but just +squeezed my hand.... + +If I had not been so grim in spirit, I think I should have found +much of my wedding amusing. I remember a lot of ridiculous +detail that still declines to be funny in my memory. The +officiating clergyman had a cold, and turned his "n's" to "d's," +and he made the most mechanical compliment conceivable about the +bride's age when the register was signed. Every bride he had +ever married had had it, one knew. And two middle-aged +spinsters, cousins of Marion's and dressmakers at Barking, stand +out. They wore marvellously bright and gay blouses and dim old +skirts, and had an immense respect for Mr. Ramboat. They threw +rice; they brought a whole bag with them and gave handfuls away +to unknown little boys at the church door and so created a +Lilliputian riot; and one had meant to throw a slipper. It was a +very warm old silk slipper, I know, because she dropped it out of +a pocket in the aisle--there was a sort of jumble in the +aisle--and I picked it up for her. I don't think she actually +threw it, for as we drove away from the church I saw her in a +dreadful, and, it seemed to me, hopeless, struggle with her +pocket; and afterwards my eye caught the missile of good fortune +lying, it or its fellow, most obviously mislaid, behind the +umbrella-stand in the hall.... + +The whole business was much more absurd, more incoherent, more +human than I had anticipated, but I was far too young and serious +to let the latter quality atone for its shortcomings. I am so +remote from this phase of my youth that I can look back at it all +as dispassionately as one looks at a picture--at some wonderful, +perfect sort of picture that is inexhaustible; but at the time +these things filled me with unspeakable resentment. Now I go +round it all, look into its details, generalise about its +aspects. I'm interested, for example, to square it with my +Bladesover theory of the British social scheme. Under stress of +tradition we were all of us trying in the fermenting chaos of +London to carry out the marriage ceremonies of a Bladesover +tenant or one of the chubby middling sort of people in some +dependent country town. There a marriage is a public function +with a public significance. There the church is to a large +extent the gathering-place of the community, and your going to +be married a thing of importance to every one you pass on the +road. It is a change of status that quite legitimately interests +the whole neighbourhood. But in London there are no neighbours, +nobody knows, nobody cares. An absolute stranger in an office +took my notice, and our banns were proclaimed to ears that had +never previously heard our names. The clergyman, even, who +married us had never seen us before, and didn't in any degree +intimate that he wanted to see us again. + +Neighbours in London! The Ramboats did not know the names of the +people on either side of them. As I waited for Marion before we +started off upon our honeymoon flight, Mr. Ramboat, I remember, +came and stood beside me and stared out of the window. + +"There was a funeral over there yesterday," he said, by way of +making conversation, and moved his head at the house opposite. +"Quite a smart affair it was with a glass 'earse...." + +And our little procession of three carriages with +white-favour-adorned horses and drivers, went through all the +huge, noisy, indifferent traffic like a lost china image in the +coal-chute of an ironclad. Nobody made way for us, nobody cared +for us; the driver of an omnibus jeered; for a long time we +crawled behind an unamiable dust-cart. The irrelevant clatter +and tumult gave a queer flavour of indecency to this public +coming together of lovers. We seemed to have obtruded ourselves + +shamelessly. The crowd that gathered outside the church would +have gathered in the same spirit and with greater alacrity for a +street accident.... + +At Charing Cross--we were going to Hastings--the experienced eye +of the guard detected the significance of our unusual costume +and he secured us a compartment. + +"Well," said I, as the train moved out of the station, "That's +all over!" And I turned to Marion--a little unfamiliar still, in +her unfamiliar clothes--and smiled. + +She regarded me gravely, timidly. + +"You're not cross?" she asked. + +"Cross! Why?" + +"At having it all proper." + +"My dear Marion!" said I, and by way of answer took and kissed +her white-gloved, leather-scented hand.... + +I don't remember much else about the journey, an hour or so it +was of undistinguished time--for we were both confused and a +little fatigued and Marion had a slight headache and did not want +caresses. I fell into a reverie about my aunt, and realised as +if it were a new discovery, that I cared for her very greatly. I +was acutely sorry I had not told her earlier of my marriage. + +But you will not want to hear the history of my honeymoon. I +have told all that was needed to serve my present purpose. Thus +and thus it was the Will in things had its way with me. Driven +by forces I did not understand, diverted altogether from the +science, the curiosities and work to which I had once given +myself, I fought my way through a tangle of traditions, customs, +obstacles and absurdities, enraged myself, limited myself, gave +myself to occupations I saw with the clearest vision were +dishonourable and vain, and at last achieved the end of purblind +Nature, the relentless immediacy of her desire, and held, far +short of happiness, Marion weeping and reluctant in my arms. + +V + +Who can tell the story of the slow estrangement of two married +people, the weakening of first this bond and then that of that +complex contact? Least of all can one of the two participants. +Even now, with an interval of fifteen years to clear it up for +me, I still find a mass of impressions of Marion as confused, as +discordant, as unsystematic and self-contradictory as life. I +think of this thing and love her, of that and hate her--of a +hundred aspects in which I can now see her with an unimpassioned +sympathy. As I sit here trying to render some vision of this +infinitely confused process, I recall moments of hard and fierce +estrangement, moments of clouded intimacy, the passage of +transition all forgotten. We talked a little language together +whence were "friends," and I was "Mutney" and she was "Ming," and +we kept up such an outward show that till the very end Smithie +thought our household the most amiable in the world. + +I cannot tell to the full how Marion thwarted me and failed in +that life of intimate emotions which is the kernel of love. That +life of intimate emotions is made up of little things. A +beautiful face differs from an ugly one by a difference of +surfaces and proportions that are sometimes almost +infinitesimally small. I find myself setting down little things +and little things; none of them do more than demonstrate those +essential temperamental discords I have already sought to make +clear. Some readers will understand--to others I shall seem no +more than an unfeeling brute who couldn't make allowances.... +It's easy to make allowances now; but to be young and ardent and +to make allowances, to see one's married life open before one, +the life that seemed in its dawn a glory, a garden of roses, a +place of deep sweet mysteries and heart throbs and wonderful +silences, and to see it a vista of tolerations and baby-talk; a +compromise, the least effectual thing in all one's life. + +Every love romance I read seemed to mock our dull intercourse, +every poem, every beautiful picture reflected upon the uneventful +succession of grey hours we had together. I think our real +difference was one of aesthetic sensibility. + +I do still recall as the worst and most disastrous aspect of all +that time, her absolute disregard of her own beauty. It's the +pettiest thing to record, I know, but she could wear curl-papers +in my presence. It was her idea, too, to "wear out" her old +clothes and her failures at home when "no one was likely to see +her"--"no one" being myself. She allowed me to accumulate +a store of ungracious and slovenly memories.... + +All our conceptions of life differed. I remember how we differed +about furniture. We spent three or four days in Tottenham Court +Road, and she chose the things she fancied with an inexorable +resolution,--sweeping aside my suggestions with--"Oh, YOU want +such queer things." She pursued some limited, clearly seen and +experienced ideal--that excluded all other possibilities. Over +every mantel was a mirror that was draped, our sideboard was +wonderfully good and splendid with beveled glass, we had lamps on +long metal stalks and cozy corners and plants in grog-tubs. +Smithie approved it all. There wasn't a place where one could +sit and read in the whole house. My books went upon shelves in +the dining-room recess. And we had a piano though Marion's +playing was at an elementary level. + +You know, it was the cruelest luck for Marion that I, with my +restlessness, my scepticism, my constantly developing ideas, had +insisted on marriage with her. She had no faculty of growth or +change; she had taken her mould, she had set in the limited ideas +of her peculiar class. She preserved her conception of what was +right in drawing-room chairs and in marriage ceremonial and in +every relation of life with a simple and luminous honesty and +conviction, with an immense unimaginative inflexibility--as a +tailor-bird builds its nest or a beaver makes its dam. + +Let me hasten over this history of disappointments and +separation. I might tell of waxings and waning of love between +us, but the whole was waning. Sometimes she would do things for +me, make me a tie or a pair of slippers, and fill me with none +the less gratitude because the things were absurd. She ran our +home and our one servant with a hard, bright efficiency. She was +inordinately proud of house and garden. Always, by her lights, +she did her duty by me. + +Presently the rapid development of Tono-Bungay began to take me +into the provinces, and I would be away sometimes for a week +together. This she did not like; it left her "dull," she said, +but after a time she began to go to Smithie's again and to +develop an independence of me. At Smithie's she was now a woman +with a position; she had money to spend. She would take Smithie +to theatres and out to lunch and talk interminably of the +business, and Smithie became a sort of permanent weekender with +us. Also Marion got a spaniel and began to dabble with the minor +arts, with poker-work and a Kodak and hyacinths in glasses. She +called once on a neighbour. Her parents left Walham Green--her +father severed his connection with the gas-works--and came to +live in a small house I took for them near us, and they were much +with us. + +Odd the littleness of the things that exasperate when the +fountains of life are embittered! My father-in-law was +perpetually catching me in moody moments and urging me to take to +gardening. He irritated me beyond measure. + +"You think too much," he would say. "If you was to let in a bit +with a spade, you might soon 'ave that garden of yours a Vision +of Flowers. That's better than thinking, George." + +Or in a torrent of exasperation, "I CARN'T think, George, why you +don't get a bit of glass 'ere. This sunny corner you c'd do +wonders with a bit of glass." + +And in the summer time he never came in without performing a sort +of conjuring trick in the hall, and taking cucumbers and tomatoes +from unexpected points of his person. "All out o' MY little +bit," he'd say in exemplary tones. He left a trail of vegetable +produce in the most unusual places, on mantel boards, sideboards, +the tops of pictures. Heavens! how the sudden unexpected tomato +could annoy me!... + +It did much to widen our estrangement that Marion and my aunt +failed to make friends, became, by a sort of instinct, +antagonistic. + +My aunt, to begin with, called rather frequently, for she was +really anxious to know Marion. At first she would arrive like a +whirlwind and pervade the house with an atmosphere of hello! She +dressed already with that cheerfully extravagant abandon that +signalised her accession to fortune, and dressed her best for +these visits. + +She wanted to play the mother to me, I fancy, to tell Marion +occult secrets about the way I wore out my boots and how I never +could think to put on thicker things in cold weather. But Marion +received her with that defensive suspiciousness of the shy +person, thinking only of the possible criticism of herself; and +my aunt, perceiving this, became nervous and slangy... + +"She says such queer things," said Marion once, discussing her. +"But I suppose it's witty." + +"Yes," I said; "it IS witty." + +"If I said things like she does--" + +The queer things my aunt said were nothing to the queer things +she didn't say. I remember her in our drawing-room one day, and +how she cocked her eye--it's the only expression--at the +India-rubber plant in a Doulton-ware pot which Marion had +placed on the corner of the piano. + +She was on the very verge of speech. Then suddenly she caught my +expression, and shrank up like a cat that has been discovered +looking at the milk. + +Then a wicked impulse took her. + +"Didn't say an old word, George," she insisted, looking me full +in the eye. + +I smiled. "You're a dear," I said, "not to," as Marion came +lowering into the room to welcome her. But I felt extraordinarily +like a traitor--to the India-rubber plant, I suppose--for all +that nothing had been said... + +"Your aunt makes Game of people," was Marion's verdict, and, +open-mindedly: "I suppose it's all right... for her." + +Several times we went to the house in Beckenham for lunch, and +once or twice to dinner. My aunt did her peculiar best to be +friends, but Marion was implacable. She was also, I know, +intensely uncomfortable, and she adopted as her social method, an +exhausting silence, replying compactly and without giving +openings to anything that was said to her. + +The gaps between my aunt's visits grew wider and wider. + +My married existence became at last like a narrow deep groove in +the broad expanse of interests in which I was living. I went +about the world; I met a great number of varied personalities; I +read endless books in trains as I went to and fro. I developed +social relationships at my uncle's house that Marion did not +share. The seeds of new ideas poured in upon me and grew in me. +Those early and middle years of one's third decade are, I +suppose, for a man the years of greatest mental growth. They are +restless years and full of vague enterprise. + +Each time I returned to Ealing, life there seemed more alien, +narrow, and unattractive--and Marion less beautiful and more +limited and difficult--until at last she was robbed of every +particle of her magic. She gave me always a cooler welcome, I +think, until she seemed entirely apathetic. I never asked myself +then what heartaches she might hide or what her discontents might +be. + +I would come home hoping nothing, expecting nothing. + +This was my fated life, and I had chosen it. I became more +sensitive to the defects I had once disregarded altogether; I +began to associate her sallow complexion with her temperamental +insufficiency, and the heavier lines of her mouth and nostril +with her moods of discontent. We drifted apart; wider and wider +the gap opened. I tired of baby-talk and stereotyped little +fondlings; I tired of the latest intelligence from those +wonderful workrooms, and showed it all too plainly; we hardly +spoke when we were alone together. The mere unreciprocated +physical residue of my passion remained--an exasperation between +us. + +No children came to save us. Marion had acquired at Smithie's a +disgust and dread of maternity. All that was the fruition and +quintessence of the "horrid" elements in life, a disgusting +thing, a last indignity that overtook unwary women. I doubt +indeed a little if children would have saved us; we should have +differed so fatally about their upbringing. + +Altogether, I remember my life with Marion as a long distress, +now hard, now tender. It was in those days that I first became +critical of my life and burdened with a sense of error and +maladjustment. I would lie awake in the night, asking myself the +purpose of things, reviewing my unsatisfying, ungainly home-life, +my days spent in rascal enterprise and rubbish-selling, +contrasting all I was being and doing with my adolescent +ambitions, my Wimblehurst dreams. My circumstances had an air +of finality, and I asked myself in vain why I had forced myself +into them. + +VI + +The end of our intolerable situation came suddenly and +unexpectedly, but in a way that I suppose was almost inevitable. + +My alienated affections wandered, and I was unfaithful to Marion. + +I won't pretend to extenuate the quality of my conduct. I was a +young and fairly vigorous male; all my appetite for love had been +roused and whetted and none of it had been satisfied by my love +affair and my marriage. I had pursued an elusive gleam of beauty +to the disregard of all else, and it had failed me. It had faded +when I had hoped it would grow brighter. I despaired of life and +was embittered. And things happened as I am telling. I don't +draw any moral at all in the matter, and as for social remedies, +I leave them to the social reformer. I've got to a time of life +when the only theories that interest me are generalisations about +realities. + +To go to our inner office in Raggett Street I had to walk through +a room in which the typists worked. They were the correspondence +typists; our books and invoicing had long since overflowed into +the premises we had had the luck to secure on either side of us. +I was, I must confess, always in a faintly cloudily-emotional +way aware of that collection of for the most part +round-shouldered femininity, but presently one of the girls +detached herself from the others and got a real hold upon my +attention. I appreciated her at first as a straight little back, +a neater back than any of the others; as a softly rounded neck +with a smiling necklace of sham pearls; as chestnut hair very +neatly done--and as a side-long glance; presently as a quickly +turned face that looked for me. + +My eye would seek her as I went through on business things--I +dictated some letters to her and so discovered she had pretty, +soft-looking hands with pink nails. Once or twice, meeting +casually, we looked one another for the flash of a second in the +eyes. + +That was all. But it was enough in the mysterious free-masonry +of sex to say essential things. We had a secret between us. + +One day I came into Raggett Street at lunch time and she was +alone, sitting at her desk. She glanced up as I entered, and +then became very still, with a downcast face and her hands +clenched on the table. I walked right by her to the door of the +inner office, stopped, came back and stood over her. + +We neither of us spoke for quite a perceptible time. I was +trembling violently. + +"Is that one of the new typewriters?" I asked at last for the +sake of speaking. + +She looked up at me without a word, with her face flushed and her +eyes alight, and I bent down and kissed her lips. She leant back +to put an arm about me, drew my face to her and kissed me +again and again. I lifted her and held her in my arms. She gave +a little smothered cry to feel herself so held. + +Never before had I known the quality of passionate kisses. + +Somebody became audible in the shop outside. + +We started back from one another with flushed faces and bright +and burning eyes. + +"We can't talk here," I whispered with a confident intimacy. +"Where do you go at five?" + +"Along the Embankment to Charing Cross," she answered as +intimately. "None of the others go that way..." + +"About half-past five?" + +"Yes, half-past five..." + +The door from the shop opened, and she sat down very quickly. + +"I'm glad," I said in a commonplace voice, "that these new +typewriters are all right." + +I went into the inner office and routed out the paysheet in +order to find her name--Effie Rink. And did no work at all that +afternoon. I fretted about that dingy little den like a beast in +a cage. + +When presently I went out, Effie was working with an +extraordinary appearance of calm--and there was no look for me at +all.... + +We met and had our talk that evening, a talk in whispers when +there was none to overhear; we came to an understanding. It was +strangely unlike any dream of romance I had ever entertained. + +VII + +I came back after a week's absence to my home again--a changed +man. I had lived out my first rush of passion for Effie, had +come to a contemplation of my position. I had gauged Effie's +place in the scheme of things, and parted from her for a time. +She was back in her place at Raggett Street after a temporary +indisposition. I did not feel in any way penitent or ashamed, I +know, as I opened the little cast-iron gate that kept Marion's +front grader and Pampas Grass from the wandering dog. Indeed, if +anything, I felt as if I had vindicated some right that had been +in question. I came back to Marion with no sense of wrong-doing +at all with, indeed, a new friendliness towards her. I don't +know how it may be proper to feel on such occasions; that is how +I felt. + +I followed her in our drawing-room, standing beside the tall +lamp-stand that half filled the bay as though she had just +turned from watching for me at the window. There was something +in her pale face that arrested me. She looked as if she had not +been sleeping. She did not come forward to greet me. + +"You've come home," she said. + +"As I wrote to you." + +She stood very still, a dusky figure against the bright window. + +"Where have you been?" she asked. + +"East Coast," I said easily. + +She paused for a moment. "I KNOW," she said. + +I stared at her. It was the most amazing moment in any life.... + +"By Jove!" I said at last, "I believe you do!" + +"And then you come home to me!" + +I walked to the hearthrug and stood quite still there regarding +this new situation. + +"I didn't dream," she began. "How could you do such a thing?" + +It seemed a long interval before either of us spoke another word. + +"Who knows about it?" I asked at last. + +"Smithie's brother. They were at Cromer." + +"Confound Cromer! Yes!" + +"How could you bring yourself" + +I felt a spasm of petulant annoyance at this unexpected +catastrophe. + +"I should like to wring Smithie's brother's neck," I said.... + +Marion spoke in dry, broken fragments of sentences. "You... I'd +always thought that anyhow you couldn't deceive me... I suppose +all men are horrid--about this." + +"It doesn't strike me as horrid. It seems to me the most +necessary consequence--and natural thing in the world." + +I became aware of some one moving about in the passage, and went +and shut the door of the room, then I walked back to the +hearthrug and turned. + +"It's rough on you," I said. "But I didn't mean you to know. +You've never cared for me. I've had the devil of a time. Why +should you mind?" + +She sat down in a draped armchair. "I HAVE cared for you," she +said. + +I shrugged my shoulders. + +"I suppose," she said, "SHE cares for you?" + +I had no answer. + +"Where is she now?" + +"Oh! does it matter to you?... Look here, Marion! This--this I +didn't anticipate. I didn't mean this thing to smash down on you +like this. But, you know, something had to happen. I'm +sorry--sorry to the bottom of my heart that things have come to +this between us. But indeed, I'm taken by surprise. I don't +know where I am--I don't know how we got here. Things took me by +surprise. I found myself alone with her one day. I kissed her. +I went on. It seemed stupid to go back. And besides--why should +I have gone back? Why should I? From first to last, I've hardly +thought of it as touching you.... Damn!" + +She scrutinised my face, and pulled at the ball-fringe of the +little table beside her. + +"To think of it," she said. "I don't believe I can ever touch +you again." + +We kept a long silence. I was only beginning to realise in the +most superficial way the immense catastrophe that had happened +between us. Enormous issues had rushed upon us. I felt +unprepared and altogether inadequate. I was unreasonably angry. +There came a rush of stupid expressions to my mind that my rising +sense of the supreme importance of the moment saved me from +saying. The gap of silence widened until it threatened to become +the vast memorable margin of some one among a thousand trivial +possibilities of speech that would vex our relations for ever. + +Our little general servant tapped at the door--Marion always +liked the servant to tap--and appeared. + +"Tea, M'm," she said--and vanished, leaving the door open. + +"I will go upstairs," said I, and stopped. "I will go upstairs" +I repeated, "and put my bag in the spare room." + +We remained motionless and silent for a few seconds. + +"Mother is having tea with us to-day," Marion remarked at last, +and dropped the worried end of ball-fringe and stood up +slowly.... + +And so, with this immense discussion of our changed relations +hanging over us, we presently had tea with the unsuspecting Mrs. +Ramboat and the spaniel. Mrs. Ramboat was too well trained in +her position to remark upon our somber preoccupation. She kept a +thin trickle of talk going, and told us, I remember, that Mr. +Ramboat was "troubled" about his cannas. + +"They don't come up and they won't come up. He's been round and +had an explanation with the man who sold him the bulbs--and he's +very heated and upset." + +The spaniel was a great bore, begging and doing small tricks +first at one and then at the other of us. Neither of us used his +name. You see we had called him Miggles, and made a sort of trio +in the baby-talk of Mutney and Miggles and Ming. + +VIII + + +Then presently we resumed our monstrous, momentous dialogue. I +can't now make out how long that dialogue went on. It spread +itself, I know, in heavy fragments over either three days or +four. I remember myself grouped with Marion, talking sitting on +our bed in her room, talking standing in our dining-room, saving +this thing or that. Twice we went for long walks. And we had a +long evening alone together, with jaded nerves and hearts that +fluctuated between a hard and dreary recognition of facts and, on +my part at least, a strange unwonted tenderness; because in some +extraordinary way this crisis had destroyed our mutual apathy and +made us feel one another again. + +It was a dialogue that had discrepant parts that fell into lumps +of talk that failed to join on to their predecessors, that began +again at a different level, higher or lower, that assumed new +aspects in the intervals and assimilated new considerations. We +discussed the fact that we two were no longer lovers; never +before had we faced that. It seems a strange thing to write, but +as I look back, I see clearly that those several days were the +time when Marion and I were closest together, looked for the +first and last time faithfully and steadfastly into each other's +soul. For those days only, there were no pretences, I made no +concessions to her nor she to me; we concealed nothing, +exaggerated nothing. We had done with pretending. We had it out +plainly and soberly with each other. Mood followed mood and got +its stark expression. + +Of course there was quarreling between us, bitter quarreling, and +we said things to one another--long pent-up things that bruised +and crushed and cut. But over it all in my memory now is an +effect of deliberate confrontation, and the figure of Marion +stands up, pale, melancholy, tear-stained, injured, implacable +and dignified. + +"You love her?" she asked once, and jerked that doubt into my +mind. + +I struggled with tangled ideas and emotions. "I don't know what +love is. It's all sorts of things--it's made of a dozen strands +twisted in a thousand ways." + +"But you want her? You want her now--when you think of her?" + +"Yes," I reflected. "I want her--right enough." + +"And me? Where do I come in?" + +"I suppose you come in here." + +"Well, but what are you going to do?" + +"Do!" I said with the exasperation of the situation growing upon +me. "What do you want me to do?" + +As I look back upon all that time--across a gulf of fifteen +active years--I find I see it with an understanding judgment. I +see it as if it were the business of some one else--indeed of two +other people--intimately known yet judged without passion. I see +now that this shock, this sudden immense disillusionment, did in +real fact bring out a mind and soul in Marion; that for the first +time she emerged from habits, timidities, imitations, phrases and +a certain narrow will-impulse, and became a personality. + +Her ruling motive at first was, I think, an indignant and +outraged pride. This situation must end. She asked me +categorically to give up Effie, and I, full of fresh and glowing +memories, absolutely refused. + +"It's too late, Marion," I said. "It can't be done like that." + +"Then we can't very well go on living together," she said. "Can +we?" + +"Very well," I deliberated "if you must have it so." + +"Well, can we?" + +"Can you stay in this house? I mean--if I go away?" + +"I don't know.... I don't think I could." + +"Then--what do you want?" + +Slowly we worked our way from point to point, until at last the +word "divorce" was before us. + +"If we can't live together we ought to be free," said Marion. + +"I don't know anything of divorce," I said--"if you mean that. +I don't know how it is done. I shall have to ask somebody--or +look it up.... Perhaps, after all, it is the thing to do. We +may as well face it." + +We began to talk ourselves into a realisation of what our +divergent futures might be. I came back on the evening of that +day with my questions answered by a solicitor. + +"We can't as a matter of fact," I said, "get divorced as things +are. Apparently, so far as the law goes you've got to stand this +sort of thing. It's silly but that is the law. However, it's +easy to arrange a divorce. In addition to adultery there must be +desertion or cruelty. To establish cruelty I should have to +strike you, or something of that sort, before witnesses. That's +impossible--but it's simple to desert you legally. I have to go +away from you; that's all. I can go on sending you money--and +you bring a suit, what is it?--for Restitution of Conjugal +Rights. The Court orders me to return. I disobey. Then you can +go on to divorce me. You get a Decree Nisi, and once more the +Court tries to make me come back. If we don't make it up within +six months and if you don't behave scandalously the Decree is +made absolute. That's the end of the fuss. That's how one gets +unmarried. It's easier, you see, to marry than unmarry." + +"And then--how do I live? What becomes of me?" + +"You'll have an income. They call it alimony. From a third to a +half of my present income--more if you like--I don't mind--three +hundred a year, say. You've got your old people to keep and +you'll need all that." + +"And then--then you'll be free?" + +"Both of us." + +"And all this life you've hated" + +I looked up at her wrung and bitter face. "I haven't hated it," +I lied, my voice near breaking with the pain of it all. "Have +you?" + +IX + +The perplexing thing about life is the irresolvable complexity of +reality, of things and relations alike. Nothing is simple. +Every wrong done has a certain justice in it, and every good deed +has dregs of evil. As for us, young still, and still without +self-knowledge, resounded a hundred discordant notes in the +harsh angle of that shock. We were furiously angry with each +other, tender with each other, callously selfish, generously +self-sacrificing. + +I remember Marion saying innumerable detached things that didn't +hang together one with another, that contradicted one another, +that were, nevertheless, all in their places profoundly true and +sincere. I see them now as so many vain experiments in her +effort to apprehend the crumpled confusions of our complex moral +landslide. Some I found irritating beyond measure. I answered +her--sometimes quite abominably. + +"Of course," she would say again and again, "my life has been a +failure." + +"I've besieged you for three years," I would retort "asking it +not to be. You've done as you pleased. If I've turned away at +last--" + +Or again she would revive all the stresses before our marriage. + +"How you must hate me! I made you wait. Well now--I suppose you +have your revenge." + +"REVENGE!" I echoed. + +Then she would try over the aspects of our new separated lives. + +"I ought to earn my own living," she would insist. + +"I want to be quite independent. I've always hated London. +Perhaps I shall try a poultry farm and bees. You won't mind at +first my being a burden. Afterwards--" + +"We've settled all that," I said. + +"I suppose you will hate me anyhow..." + +There were times when she seemed to regard our separation with +absolute complacency, when she would plan all sorts of freedoms +and characteristic interests. + +"I shall go out a lot with Smithie," she said. + +And once she said an ugly thing that I did indeed hate her for. +that I cannot even now quite forgive her. + +"Your aunt will rejoice at all this. She never cared for me..." + +Into my memory of these pains and stresses comes the figure of +Smithie, full-charged with emotion, so breathless in the +presence of the horrid villain of the piece that she could make +no articulate sounds. She had long tearful confidences with +Marion, I know, sympathetic close clingings. There were moments +when only absolute speechlessness prevented her giving me a +stupendous "talking-to"--I could see it in her eye. The wrong +things she would have said! And I recall, too, Mrs. Ramboat's +slow awakening to something in, the air, the growing expression +of solicitude in her eye, only her well-trained fear of Marion +keeping her from speech. + +And at last through all this welter, like a thing fated and +altogether beyond our control, parting came to Marion and me. + +I hardened my heart, or I could not have gone. For at the last +it came to Marion that she was parting from me for ever. That +overbore all other things, had turned our last hour to anguish. +She forgot for a time the prospect of moving into a new house, +she forgot the outrage on her proprietorship and pride. For +the first time in her life she really showed strong emotions in +regard to me, for the first time, perhaps, they really came to +her. She began to weep slow, reluctant tears. I came into her +room, and found her asprawl on the bed, weeping. + +"I didn't know," she cried. "Oh! I didn't understand!" + +"I've been a fool. All my life is a wreck! + +"I shall be alone!...MUTNEY! Mutney, don't leave me! Oh! +Mutney! I didn't understand." + +I had to harden my heart indeed, for it seemed to me at moments +in those last hours together that at last, too late, the +longed-for thing had happened and Marion had come alive. A +new-born hunger for me lit her eyes. + +"Don't leave me!" she said, "don't leave me!" She clung to me; +she kissed me with tear-salt lips. + +I was promised now and pledged, and I hardened my heart against +this impossible dawn. Yet it seems to me that there were moments +when it needed but a cry, but one word to have united us again +for all our lives. Could we have united again? Would that +passage have enlightened us for ever or should we have fallen +back in a week or so into the old estrangement, the old +temperamental opposition? + +Of that there is now no telling. Our own resolve carried us on +our predestined way. We behaved more and more like separating +lovers, parting inexorably, but all the preparations we had set +going worked on like a machine, and we made no attempt to stop +them. My trunks and boxes went to the station. I packed my bag +with Marion standing before me. We were like children who had +hurt each other horribly in sheer stupidity, who didn't know now +how to remedy it. We belonged to each other +immensely--immensely. The cab came to the little iron gate. + +"Good-bye!" I said. + +"Good-bye." + +For a moment we held one another in each other's arms and +kissed--incredibly without malice. We heard our little servant +in the passage going to open the door. For the last time we +pressed ourselves to one another. We were not lovers nor +enemies, but two human souls in a frank community of pain. I +tore myself from her. + +"Go away," I said to the servant, seeing that Marion had followed +me down. + +I felt her standing behind me as I spoke to the cab man. + +I got into the cab, resolutely not looking back, and then as it +started jumped up, craned out and looked at the door. + +It was wide open, but she had disappeared.... + +I wonder--I suppose she ran upstairs. + +X + +So I parted from Marion at an extremity of perturbation and +regret, and went, as I had promised and arranged, to Effie, who +was waiting for me in apartments near Orpington. I remember her +upon the station platform, a bright, flitting figure looking +along the train for me, and our walk over the fields in the +twilight. I had expected an immense sense of relief where at +last the stresses of separation were over, but now I found I was +beyond measure wretched and perplexed, full of the profoundest +persuasion of irreparable error. The dusk and somber Marion were +so alike, her sorrow seemed to be all about me. I had to hold +myself to my own plans, to remember that I must keep faith with +Effie, with Effie who had made no terms, exacted no guarantees, +but flung herself into my hands. + +We went across the evening fields in silence, towards a sky of +deepening gold and purple, and Effie was close beside me always, +very close, glancing up ever and again at my face. + +Certainly she knew I grieved for Marion, that ours was now no +joyful reunion. But she showed no resentment and no jealousy. +Extraordinarily, she did not compete against Marion. Never once +in all our time together did she say an adverse word of +Marion.... + +She set herself presently to dispel the shadow that brooded over +me with the same instinctive skill that some women will show with +the trouble of a child. She made herself my glad and pretty +slave and handmaid; she forced me at last to rejoice in her. Yet +at the back of it all Marion remained, stupid and tearful and +infinitely distressful, so that I was almost intolerably unhappy +for her--for her and the dead body of my married love. + +It is all, as I tell it now, unaccountable to me. I go back into +these remote parts, these rarely visited uplands and lonely tares +of memory, and it seems to me still a strange country. I had +thought I might be going to some sensuous paradise with Effie, +but desire which fills the universe before its satisfaction, +vanishes utterly like the going of daylight--with achievement. +All the facts and forms of life remain darkling and cold. It was +an upland of melancholy questionings, a region from which I saw +all the world at new angles and in new aspects; I had outflanked +passion and romance. + +I had come into a condition of vast perplexities. For the first +time in my life, at least so it seems to me now in this +retrospect, I looked at my existence as a whole. + +Since this was nothing, what was I doing? What was I for? + +I was going to and fro about Tono-Bungay--the business I had +taken up to secure Marion and which held me now in spite of our +intimate separation--and snatching odd week-ends and nights for +Orpington, and all the while I struggled with these obstinate +interrogations. I used to fall into musing in the trains, I +became even a little inaccurate and forgetful about business +things. I have the clearest memory of myself sitting thoughtful +in the evening sunlight on a grassy hillside that looked toward +Seven Oaks and commanded a wide sweep of country, and that I was +thinking out my destiny. I could almost write my thought down +now, I believe, as they came to me that afternoon. Effie, +restless little cockney that she was, rustled and struggled in a +hedgerow below, gathering flowers, discovering flowers she had +never seen before. I had. I remember, a letter from Marion in +my pocket. I had even made some tentatives for return, for a +reconciliation; Heaven knows now how I had put it! but her cold, +ill-written letter repelled me. I perceived I could never face +that old inconclusive dullness of life again, that stagnant +disappointment. That, anyhow, wasn't possible. But what was +possible? I could see no way of honour or fine living before me +at all. + +"What am I to do with life?" that was the question that besieged +me. + +I wondered if all the world was even as I, urged to this by one +motive and to that by another, creatures of chance and impulse +and unmeaning traditions. Had I indeed to abide by what I had +said and done and chosen? Was there nothing for me in honour but +to provide for Effie, go back penitent to Marion and keep to my +trade in rubbish--or find some fresh one--and so work out the +residue of my days? I didn't accept that for a moment. But what +else was I to do? I wondered if my case was the case of many +men, whether in former ages, too, men had been so guideless, so +uncharted, so haphazard in their journey into life. In the +Middle Ages, in the old Catholic days, one went to a priest, and +he said with all the finality of natural law, this you are and +this you must do. I wondered whether even in the Middle Ages I +should have accepted that ruling without question. + +I remember too very distinctly how Effie came and sat beside me +on a little box: that was before the casement window of our room. + +"Gloomkins," said she. + +I smiled and remained head on hand, looking out of the window +forgetful of her. + +"Did you love your wife so well?" she whispered softly. + +"Oh!" I cried, recalled again; "I don't know. I don't understand +these things. Life is a thing that hurts, my dear! It hurts +without logic or reason. I've blundered! I didn't understand. +Anyhow--there is no need to go hurting you, is there?" + +And I turned about and drew her to me, and kissed her ear.... + +Yes, I had a very bad time--I still recall. I suffered, I +suppose, from a sort of ennui of the imagination. I found +myself without an object to hold my will together. I sought. I +read restlessly and discursively. I tried Ewart and got no help +from him. As I regard it all now in this retrospect, it seems to +me as if in those days of disgust and abandoned aims I discovered +myself for the first time. Before that I had seen only the world +and things in it, had sought them self-forgetful of all but my +impulse. Now I found myself GROUPED with a system of +appetites and satisfactions, with much work to do--and no desire, +it seemed, left in me. + +There were moments when I thought of suicide. At times my life +appeared before me in bleak, relentless light, a series of +ignorances, crude blunderings, degradation and cruelty. I had +what the old theologians call a "conviction of sin." I sought +salvation--not perhaps in the formula a Methodist preacher would +recognise but salvation nevertheless. + +Men find their salvation nowadays in many ways. Names and forms +don't, I think, matter very much; the real need is something that +we can hold and that holds one. I have known a man find that +determining factor in a dry-plate factory, and another in +writing a history of the Manor. So long as it holds one, it does +not matter. Many men and women nowadays take up some concrete +aspect of Socialism or social reform. But Socialism for me has +always been a little bit too human, too set about with +personalities and foolishness. It isn't my line. I don't like +things so human. I don't think I'm blind to the fun, the +surprises, the jolly little coarsenesses and insufficiency of +life, to the "humour of it," as people say, and to adventure, but +that isn't the root of the matter with me. There's no humour in +my blood. I'm in earnest in warp and woof. I stumble and +flounder, but I know that over all these merry immediate things, +there are other things that are great and serene, very high, +beautiful things--the reality. I haven't got it, but it's there +nevertheless. I'm a spiritual guttersnipe in love with +unimaginable goddesses. I've never seen the goddesses nor ever +shall--but it takes all the fun out of the mud--and at times I +fear it takes all the kindliness, too. + +But I'm talking of things I can't expect the reader to +understand, because I don't half understand them myself. There is +something links things for me, a sunset or so, a mood or so, the +high air, something there was in Marion's form and colour, +something I find and lose in Mantegna's pictures, something in +the lines of these boats I make. (You should see X2, my last and +best!) + +I can't explain myself, I perceive. Perhaps it all comes to +this, that I am a hard and morally limited cad with a mind beyond +my merits. Naturally I resist that as a complete solution. +Anyhow, I had a sense of inexorable need, of distress and +insufficiency that was unendurable, and for a time this +aeronautical engineering allayed it.... + +In the end of this particular crisis of which I tell so badly, I +idealised Science. I decided that in power and knowledge lay the +salvation of my life, the secret that would fill my need; that to +these things I would give myself. + +I emerged at last like a man who has been diving in darkness, +clutching at a new resolve for which he had groped desperately +and long. + +I came into the inner office suddenly one day--it must have been +just before the time of Marion's suit for restitution--and sat +down before my uncle. + +"Look here," I said, "I'm sick of this." + +"HulLO!" he answered, and put some papers aside. + +"What's up, George?" + +"Things are wrong." + +"As how?" + +"My life," I said, "it's a mess, an infinite mess." + +"She's been a stupid girl, George," he said; "I partly +understand. But you're quit of her now, practically, and there's +just as good fish in the sea--" + +"Oh! it's not that!" I cried. "That's only the part that shows. +I'm sick--I'm sick of all this damned rascality." + +"Eh? Eh?" said my uncle. "WHAT--rascality?" + +"Oh, YOU know. I want some STUFF, man. I want something to +hold on to. I shall go amok if I don't get it. I'm a different +sort of beast from you. You float in all this bunkum. _I_ feel +like a man floundering in a universe of soapsuds, up and downs, +east and west. I can't stand it. I must get my foot on +something solid or--I don't know what." + +I laughed at the consternation in his face. + +"I mean it," I said. "I've been thinking it over. I've made up +my mind. It's no good arguing. I shall go in for work--real +work. No! this isn't work; it's only laborious cheating. But +I've got an idea! It's an old idea--I thought of years ago, but +it came back to me. Look here! Why should I fence about with +you? I believe the time has come for flying to be possible. +Real flying!" + +"Flying!" + +I stuck to that, and it helped me through the worst time in my +life. My uncle, after some half-hearted resistance and a talk +with my aunt, behaved like the father of a spoilt son. He fixed +up an arrangement that gave me capital to play with, released me +from too constant a solicitude for the newer business +developments--this was in what I may call the later Moggs period +of our enterprises--and I went to work at once with grim +intensity. + +But I will tell of my soaring and flying machines in the proper +place. I've been leaving the story of my uncle altogether too +long. I wanted merely to tell how it was I took to this work. I +took to these experiments after I had sought something that +Marion in some indefinable way had seemed to promise. I toiled +and forgot myself for a time, and did many things. Science too +has been something of an irresponsive mistress since, though I've +served her better than I served Marion. But at the time Science, +with her order, her inhuman distance, yet steely certainties, +saved me from despair. + +Well, I have still to fly; but incidentally I have invented the +lightest engines in the world. + +I am trying to tell of all the things that happened to me. It's +hard enough simply to get it put down in the remotest degree +right. But this is a novel, not a treatise. Don't imagine that I +am coming presently to any sort of solution of my difficulties. +Here among my drawings and hammerings NOW, I still question +unanswering problems. All my life has been at bottom, SEEKING, +disbelieving always, dissatisfied always with the thing seen and +the thing believed, seeking something in toil, in force, in +danger, something whose name and nature I do not clearly +understand, something beautiful, worshipful, enduring, mine +profoundly and fundamentally, and the utter redemption of myself; +I don't know--all I can tell is that it is something I have ever +failed to find. + +XI + +But before I finish this chapter and book altogether and go on +with the great adventure of my uncle's career. I may perhaps tell +what else remains to tell of Marion and Effie, and then for a +time set my private life behind me. + +For a time Marion and I corresponded with some regularity, +writing friendly but rather uninforming letters about small +business things. The clumsy process of divorce completed itself. + +She left the house at Ealing and went into the country with her +aunt and parents, taking a small farm near Lewes in Sussex. She +put up glass, she put in heat for her father, happy man! and +spoke of figs and peaches. The thing seemed to promise well +throughout a spring and summer, but the Sussex winter after +London was too much for the Ramboats. They got very muddy and +dull; Mr. Ramboat killed a cow by improper feeding, and that +disheartened them all. A twelvemonth saw the enterprise in +difficulties. I had to help her out of this, and then they +returned to London and she went into partnership with Smithie at +Streatham, and ran a business that was intimated on the firm's +stationery as "Robes." The parents and aunt were stowed away in +a cottage somewhere. After that the letters became infrequent. +But in one I remember a postscript that had a little stab of our +old intimacy: "Poor old Miggles is dead." + +Nearly eight years slipped by. I grew up. I grew in experience, +in capacity, until I was fully a man, but with many new +interests, living on a larger scale in a wider world than I could +have dreamt of in my Marion days. Her letters become rare and +insignificant. At last came a gap of silence that made me +curious. For eighteen months or more I had nothing from Marion +save her quarterly receipts through the bank. Then I damned at +Smithie, and wrote a card to Marion. + +"Dear Marion," I said, "how goes it?" + +She astonished me tremendously by telling me she had married +again--"a Mr. Wachorn, a leading agent in the paper-pattern +trade." But she still wrote on the Ponderevo and Smith (Robes) +notepaper, from the Ponderevo and Smith address. + +And that, except for a little difference of opinion about the +continuance of alimony which gave me some passages of anger, and +the use of my name by the firm, which also annoyed me, is the end +of Marion's history for me, and she vanishes out of this story. +I do not know where she is or what she is doing. I do not know +whether she is alive or dead. It seems to me utterly grotesque +that two people who have stood so close to one another as she and +I should be so separated, but so it is between us. + +Effie, too, I have parted from, though I still see her at times. +Between us there was never any intention of marriage nor intimacy +of soul. She had a sudden, fierce, hot-blooded passion for me +and I for her, but I was not her first lover nor her last. She +was in another world from Marion. She had a queer, delightful +nature; I've no memory of ever seeing her sullen or malicious. +She was--indeed she was magnificently--eupeptic. That, I think, +was the central secret of her agreeableness, and, moreover, that +she was infinitely kind-hearted. I helped her at last into an +opening she coveted, and she amazed me by a sudden display of +business capacity. She has now a typewriting bureau in Riffle's +Inn, and she runs it with a brisk vigour and considerable +success, albeit a certain plumpness has overtaken her. And she +still loves her kind. She married a year or so ago a boy half +her age--a wretch of a poet, a wretched poet, and given to drugs, +a thing with lank fair hair always getting into his blue eyes, +and limp legs. She did it, she said, because he needed +nursing.... + +But enough of this disaster of my marriage and of my early love +affairs; I have told all that is needed for my picture to explain +how I came to take up aeroplane experiments and engineering +science; let me get back to my essential story, to Tono-Bungay +and my uncle's promotions and to the vision of the world these +things have given me. + + +BOOK THE THIRD + +THE GREAT DAYS OF TONO-BUNGAY + +CHAPTER THE FIRST + +THE HARDINGHAM HOTEL, AND HOW WE BECAME BIG PEOPLE + +I + +But now that I resume the main line of my story it may be well to +describe the personal appearance of my uncle as I remember him +during those magnificent years that followed his passage from +trade to finance. The little man plumped up very considerably +during the creation of the Tono-Bungay property, but with the +increasing excitements that followed that first flotation came +dyspepsia and a certain flabbiness and falling away. His +abdomen--if the reader will pardon my taking his features in the +order of their value--had at first a nice full roundness, but +afterwards it lost tone without, however, losing size. He always +went as though he was proud of it and would make as much of it as +possible. To the last his movements remained quick and sudden, +his short firm legs, as he walked, seemed to twinkle rather than +display the scissors-stride of common humanity, and he never +seemed to have knees, but instead, a dispersed flexibility of +limb. + +There was, I seem to remember, a secular intensification of his +features; his nose developed character, became aggressive, stuck +out at the world more and more; the obliquity of his mouth, I +think, increased. From the face that returns to my memory +projects a long cigar that is sometimes cocked jauntily up from +the higher corner, that sometimes droops from the lower;--it was +as eloquent as a dog's tail, and he removed it only for the more +emphatic modes of speech. He assumed a broad black ribbon for +his glasses, and wore them more and more askew as time went on. +His hair seemed to stiffen with success, but towards the climax +it thinned greatly over the crown, and he brushed it hard back +over his ears where, however, it stuck out fiercely. It always +stuck out fiercely over his forehead, up and forward. + +He adopted an urban style of dressing with the onset of +Tono-Bungay and rarely abandoned it. He preferred silk hats with +ample rich brims, often a trifle large for him by modern ideas, +and he wore them at various angles to his axis; his taste in +trouserings was towards fairly emphatic stripes and his trouser +cut was neat; he liked his frock-coat long and full, although +that seemed to shorten him. He displayed a number of valuable +rings, and I remember one upon his left little finger with a +large red stone bearing Gnostic symbols. "Clever chaps, those +Gnostics, George," he told me. "Means a lot. Lucky!" He never +had any but a black mohair watch-chair. In the country he +affected grey and a large grey cloth top-hat, except when +motoring; then he would have a brown deer-stalker cap and a fur +suit of esquimaux cut with a sort of boot-end to the trousers. +Of an evening he would wear white waistcoats and plain gold +studs. He hated diamonds. "Flashy," he said they were. "Might +as well wear--an income tax-receipt. All very well for Park +Lane. Unsold stock. Not my style. Sober financier, George." + +So much for his visible presence. For a time it was very +familiar to the world, for at the crest of the boom he allowed +quite a number of photographs and at least one pencil sketch to +be published in the sixpenny papers. + +His voice declined during those years from his early tenor to a +flat rich quality of sound that my knowledge of music is +inadequate to describe. His Zzz-ing inrush of air became less +frequent as he ripened, but returned in moments of excitement. +Throughout his career, in spite of his increasing and at last +astounding opulence, his more intimate habits remained as simple +as they had been at Wimblehurst. He would never avail himself of +the services of a valet; at the very climax of his greatness his +trousers were folded by a housemaid and his shoulders brushed as +he left his house or hotel. He became wary about breakfast as +life advanced, and at one time talked much of Dr. Haig and uric +acid. But for other meals he remained reasonably omnivorous. He +was something of a gastronome, and would eat anything he +particularly liked in an audible manner, and perspire upon his +forehead. He was a studiously moderate drinker--except when the +spirit of some public banquet or some great occasion caught him +and bore him beyond his wariness--there he would, as it were, +drink inadvertently and become flushed and talkative--about +everything but his business projects. + +To make the portrait complete one wants to convey an effect of +sudden, quick bursts of movement like the jumps of a +Chinese-cracker to indicate that his pose whatever it is, has +been preceded and will be followed by a rush. If I were painting +him, I should certainly give him for a background that +distressed, uneasy sky that was popular in the eighteenth +century, and at a convenient distance a throbbing motor-car, +very big and contemporary, a secretary hurrying with papers, and +an alert chauffeur. + +Such was the figure that created and directed the great property +of Tono-Bungay, and from the successful reconstruction of that +company passed on to a slow crescendo of magnificent creations +and promotions until the whole world of investors marveled. I +have already I think, mentioned how, long before we offered Tono +Bungay to the public, we took over the English agency of certain +American specialties. To this was presently added our +exploitation of Moggs' Domestic Soap, and so he took up the +Domestic Convenience Campaign that, coupled with his equatorial +rotundity and a certain resolute convexity in his bearings won my +uncle his Napoleonic title. + +II + +It illustrates the romantic element in modern commerce that my +uncle met young Moggs at a city dinner--I think it was the +Bottle-makers' Company--when both were some way advanced beyond +the initial sobriety of the occasion. This was the grandson of +the original Moggs, and a very typical instance of an educated, +cultivated, degenerate plutocrat. His people had taken him about +in his youth as the Ruskins took their John and fostered a +passion for history in him, and the actual management of the +Moggs' industry had devolved upon a cousin and a junior partner. + +Mr. Moggs, being of a studious and refined disposition, had just +decided--after a careful search for a congenial subject in which +he would not be constant]y reminded of soap--to devote himself +to the History of the Thebaid, when this cousin died suddenly and +precipitated responsibilities upon him. In the frankness of +conviviality, Moggs bewailed the uncongenial task thus thrust +into his hands, and my uncle offered to lighten his burden by a +partnership then and there. They even got to terms--extremely +muzzy terms, but terms nevertheless. + +Each gentleman wrote the name and address of the other on his +cuff, and they separated in a mood of brotherly carelessness, and +next morning neither seems to have thought to rescue his shirt +from the wash until it was too late. My uncle made a painful +struggle--it was one of my business mornings--to recall name and +particulars. + +"He was an aquarium-faced, long, blond sort of chap, George, with +glasses and a genteel accent," he said. + +I was puzzled. "Aquarium-faced?" + +"You know how they look at you. His stuff was soap, I'm pretty +nearly certain. And he had a name--And the thing was the +straightest Bit-of-All-right you ever. I was clear enough to +spot that..." + +We went out at last with knitted brows, and wandered up into +Finsbury seeking a good, well-stocked looking grocer. We called +first on a chemist for a pick-me-up for my uncle, and then we +found the shop we needed. + +"I want," said my uncle, "half a pound of every sort of soap you +got. Yes, I want to take them now. Wait a moment, George.... +Now what sort of soap d'you call THAT?" + +At the third repetition of that question the young man said, +"Moggs' Domestic." + +"Right," said my uncle. "You needn't guess again. Come along, +George, let's go to a telephone and get on to Moggs. Oh--the +order? Certainly. I confirm it. Send it all--send it all to +the Bishop of London; he'll have some good use for +it--(First-rate man, George, he is--charities and all that)--and +put it down to me, here's a card--Ponderevo--Tono-Bungay." + +Then we went on to Moggs and found him in a camel-hair +dressing-jacket in a luxurious bed, drinking China tea, and got +the shape of everything but the figures fixed by lunch time. + +Young Moggs enlarged my mind considerably; he was a sort of thing +I hadn't met before; he seemed quite clean and well-informed and +he assured me to never read newspapers nor used soap in any form +at all, "Delicate skin," he said. + +"No objection to our advertising you wide and free?" said my +uncle. + +"I draw the line at railway stations," said Moggs, "south-coast +cliffs, theatre programmes, books by me and poetry +generally--scenery--oh!--and the Mercure de France." + +"We'll get along," said my uncle. + +"So long as you don't annoy me," said Moggs, lighting a +cigarette, "you can make me as rich as you like." + +We certainly made him no poorer. His was the first firm that was +advertised by a circumstantial history; we even got to +illustrated magazine articles telling of the quaint past of +Moggs. We concocted Moggsiana. Trusting to our partner's +preoccupation with the uncommercial aspects of life, we gave +graceful history--of Moggs the First, Moggs the Second, Moggs +the Third, and Moggs the Fourth. You must, unless you are very +young, remember some of them and our admirable block of a +Georgian shop window. My uncle brought early nineteenth-century +memoirs, soaked himself in the style, and devised stories about +old Moggs the First and the Duke of Wellington, George the Third +and the soap dealer ("almost certainly old Moggs"). Very soon we +had added to the original Moggs' Primrose several varieties of +scented and superfatted, a "special nurseries used in the +household of the Duke of Kent and for the old Queen in Infancy," +a plate powder, "the Paragon," and a knife powder. We roped in +a good little second-rate black-lead firm, and carried their +origins back into the mists of antiquity. It was my uncle's own +unaided idea that we should associate that commodity with the +Black Prince. He became industriously curious about the past of +black-lead. I remember his button-holing the president of the +Pepys Society. + +"I say, is there any black-lead in Pepys? You know +--black-lead--for grates! OR DOES HE PASS IT OVER AS A MATTER +OF COURSE?" + +He became in those days the terror of eminent historians. +"Don't want your drum and trumpet history--no fear," he used to +say. "Don't want to know who was who's mistress, and why +so-and-so devastated such a province; that's bound to be all +lies and upsy-down anyhow. Not my affair. Nobody's affair now. +Chaps who did it didn't clearly know.... What I want to know is, +in the Middle Ages, did they do anything for Housemaid's Knee? +What did they put in their hot baths after jousting, and was the +Black Prince--you know the Black Prince--was he enameled or +painted, or what? I think myself, black-leaded--very +likely--like pipe-clay--but DID they use blacking so early?" + +So it came about that in designing and writing those Moggs' Soap +Advertisements, that wrought a revolution in that department of +literature, my uncle was brought to realise not only the lost +history, but also the enormous field for invention and enterprise +that lurked among the little articles, the dustpans and mincers, +the mousetraps and carpet-sweepers that fringe the shops of the +oilman and domestic ironmonger. He was recalled to one of the +dreams of his youth, to his conception of the Ponderevo Patent +Flat that had been in his mind so early as the days before I went +to serve him at Wimblehurst. "The Home, George," he said, +"wants straightening up. Silly muddle! Things that get in the +way. Got to organise it." + +For a time he displayed something like the zeal of a genuine +social reformer in relation to these matters. + +"We've got to bring the Home Up to Date? That's my idee, George. +We got to make a civilised domestic machine out of these relics +of barbarism. I'm going to hunt up inventors, make a corner in +d'mestic ideas. Everything. Balls of string that won't dissolve +into a tangle, and gum that won't dry into horn. See? Then +after conveniences--beauty. Beauty, George! All these few +things ought to be made fit to look at; it's your aunt's idea, +that. Beautiful jam-pots! Get one of those new art chaps to +design all the things they make ugly now. Patent carpet-sweepers +by these greenwood chaps, housemaid's boxes it'll be a pleasure +to fall over--rich coloured house-flannels. Zzzz. Pails, +f'rinstance. Hang 'em up on the walls like warming-pans. All +the polishes and things in such tins--you'll want to cuddle 'em, +George! See the notion? 'Sted of all the silly ugly things we +got."... + +We had some magnificent visions; they so affected me that when I +passed ironmongers and oil-shops they seemed to me as full of +promise as trees in late winter, flushed with the effort to burst +into leaf and flower.... And really we did do much towards that +very brightness these shops display. They were dingy things in +the eighties compared to what our efforts have made them now, +grey quiet displays. + +Well, I don't intend to write down here the tortuous financial +history of Moggs' Limited, which was our first development of +Moggs and Sons; nor will I tell very much of how from that we +spread ourselves with a larger and larger conception throughout +the chandlery and minor ironmongery, how we became agents for +this little commodity, partners in that, got a tentacle round the +neck of a specialised manufacturer or so, secured a pull upon +this or that supply of raw material, and so prepared the way for +our second flotation, Domestic Utilities; "Do it," they reordered +it in the city. And then came the reconstruction of Tono-Bungay, +and then "Household services" and the Boom! + +That sort of development is not to he told in detail in a novel. +I have, indeed, told much of it elsewhere. It is to be found set +out at length, painfully at length, in my uncle's examination and +mine in the bankruptcy proceedings, and in my own various +statements after his death. Some people know everything in that +story, some know it all too well, most do not want the details. +it is the story of a man of imagination among figures, and unless +you are prepared to collate columns of pounds, shillings and +pence, compare dates and check additions, you will find it very +unmeaning and perplexing. And after all, you wouldn't find the +early figures so much wrong as STRAINED. In the matter of +Moggs and Do Ut, as in the first Tono-Bungay promotion and in its +reconstruction, we left the court by city standards without a +stain on our characters. The great amalgamation of Household +Services was my uncle's first really big-scale enterprise and +his first display of bolder methods: for this we bought back Do +Ut, Moggs (going strong with a seven per cent. dividend) and +acquired Skinnerton's polishes, the Riffleshaw properties and the +Runcorn's mincer and coffee-mill business. To that Amalgamation +I was really not a party; I left it to my uncle because I was +then beginning to get keen upon the soaring experiments I had +taken on from the results then to hand of Lilienthal, Pilcher and +the Wright brothers. I was developing a glider into a flyer. I +meant to apply power to this glider as soon as I could work out +one or two residual problems affecting the longitudinal +stability. I knew that I had a sufficiently light motor in my +own modification of Bridger's light turbine, but I knew too that +until I had cured my aeroplane of a tendency demanding constant +alertness from me, a tendency to jerk up its nose at unexpected +moments and slide back upon me, the application of an engine +would be little short of suicide. + +But that I will tell about later. The point I was coming to was +that I did not realise until after the crash how recklessly my +uncle had kept his promise of paying a dividend of over eight per +cent. on the ordinary shares of that hugely over-capitalised +enterprise, Household Services. + +I drifted out of business affairs into my research much more than +either I or my uncle had contemplated. Finance was much less to +my taste than the organisation of the Tono-Bungay factory. In +the new field of enterprise there was a great deal of bluffing +and gambling, of taking chances and concealing material +facts--and these are hateful things to the scientific type of +mind. It wasn't fear I felt so much as an uneasy inaccuracy. I +didn't realise dangers, I simply disliked the sloppy, relaxing +quality of this new sort of work. I was at last constantly +making excuses not to come up to him in London. The latter part +of his business career recedes therefore beyond the circle of any +particular life. I lived more or less with him; I talked, I +advised, I helped him at times to fight his Sunday crowd at Crest +Hill, but I did not follow nor guide him. From the Do Ut time +onward he rushed up the financial world like a bubble in water +and left me like some busy water-thing down below in the deeps. + +Anyhow, he was an immense success. The public was, I think, +particularly attracted by the homely familiarity of his field of +work--you never lost sight of your investment they felt, with +the name on the house-flannel and shaving-strop--and its +allegiance was secured by the Egyptian solidity of his apparent +results. Tono-Bungay, after its reconstruction, paid thirteen, +Moggs seven, Domestic Utilities had been a safe-looking nine; +here was Household Services with eight; on such a showing he had +merely to buy and sell Roeburn's Antiseptic fluid, Razor soaks +and Bath crystals in three weeks to clear twenty thousand pounds. + +I do think that as a matter of fact Roeburn's was good value at +the price at which he gave it to the public, at least until it +was strained by ill-conserved advertisement. It was a period of +expansion and confidence; much money was seeking investment and +"Industrials" were the fashion. Prices were rising all round. +There remained little more for my uncle to do therefore, in his +climb to the high unstable crest of Financial Greatness but, as +he said, to "grasp the cosmic oyster, George, while it gaped," +which, being translated, meant for him to buy respectable +businesses confidently and courageously at the vendor's +estimate, add thirty or forty thousand to the price and sell them +again. His sole difficulty indeed was the tactful management of +the load of shares that each of these transactions left upon his +hands. But I thought so little of these later things that I +never fully appreciated the peculiar inconveniences of that until +it was too late to help him. + +III + +When I think of my uncle near the days of his Great Boom and in +connection with the actualities of his enterprises, I think of +him as I used to see him in the suite of rooms he occupied in the +Hardingham Hotel, seated at a great old oak writing-table, +smoking, drinking, and incoherently busy; that was his typical +financial aspect--our evenings, our mornings, our holidays, our +motor-car expeditions, Lady Grove and Crest Hill belong to an +altogether different set of memories. + +These rooms in the Hardingham were a string of apartments along +one handsome thick-carpeted corridor. All the doors upon the +corridor were locked except the first; and my uncle's bedroom, +breakfast-room and private sanctum were the least accessible +and served by an entrance from the adjacent passage, which he +also used at times as a means of escape from importunate callers. +The most eternal room was a general waiting-room and very +business-like in quality; it had one or two uneasy sofas, a +number of chairs, a green baize table, and a collection of the +very best Moggs and Tone posters: and the plush carpets normal to +the Hardingham had been replaced by a grey-green cork linoleum; +Here I would always find a remarkable miscellany of people +presided over by a peculiarly faithful and ferocious looking +commissioner, Ropper, who guarded the door that led a step nearer +my uncle. Usually there would be a parson or so, and one or two +widows; hairy, eyeglassy, middle-aged gentlemen, some of them +looking singularly like Edward Ponderevos who hadn't come off, a +variety of young and youngish men more or less attractively +dressed, some with papers protruding from their pockets, others +with their papers decently concealed. And wonderful, incidental, +frowsy people. + +All these persons maintained a practically hopeless +siege--sometimes for weeks together; they had better have stayed +at home. Next came a room full of people who had some sort of +appointment, and here one would find smart-looking people, +brilliantly dressed, nervous women hiding behind magazines, +nonconformist divines, clergy in gaiters, real business men, +these latter for the most part gentlemen in admirable morning +dress who stood up and scrutinised my uncle's taste in water +colours manfully and sometimes by the hour together. Young men +again were here of various social origins, young Americans, +treasonable clerks from other concerns, university young men, +keen-looking, most of them, resolute, reserved, but on a sort of +hair trigger, ready at any moment to be most voluble, most +persuasive. + +This room had a window, too, looking out into the hotel courtyard +with its fern-set fountains and mosaic pavement, and the young +men would stand against this and sometimes even mutter. One day +I heard one repeating in all urgent whisper as I passed "But you +don't quite see, Mr. Ponderevo, the full advantages, the FULL +advantages--" I met his eye and he was embarrassed. + +Then came a room with a couple of secretaries--no typewriters, +because my uncle hated the clatter--and a casual person or two +sitting about, projectors whose projects were being entertained. +Here and in a further room nearer the private apartments, my +uncle's correspondence underwent an exhaustive process of pruning +and digestion before it reached him. Then the two little rooms +in which my uncle talked; my magic uncle who had got the +investing public--to whom all things were possible. As one came +in we would find him squatting with his cigar up and an +expression of dubious beatitude upon his face, while some one +urged him to grow still richer by this or that. + +"That'ju, George?" he used to say. "Come in. Here's a thing. +Tell him--Mister--over again. Have a drink, George? No! Wise +man! Liss'n." + +I was always ready to listen. All sorts of financial marvels +came out of the Hardingham, more particularly during my uncle's +last great flurry, but they were nothing to the projects that +passed in. It was the little brown and gold room he sat in +usually. He had had it redecorated by Bordingly and half a dozen +Sussex pictures by Webster hung about it. Latterly he wore a +velveteen jacket of a golden-brown colour in this apartment that +I think over-emphasised its esthetic intention, and he also +added some gross Chinese bronzes. + +He was, on the whole, a very happy man throughout all that wildly +enterprising time. He made and, as I shall tell in its place, +spent great sums of money. He was constantly in violent motion, +constantly stimulated mentally and physically and rarely tired. +About him was an atmosphere of immense deference much of his +waking life was triumphal and all his dreams. I doubt if he had +any dissatisfaction with himself at all until the crash bore him +down. Things must have gone very rapidly with him.... I think +he must have been very happy. + +As I sit here writing about all these things, jerking down notes +and throwing them aside in my attempt to give some literary form +to the tale of our promotions, the marvel of it all comes to me +as if it came for the first time the supreme unreason of it. At +the climax of his Boom, my uncle at the most sparing estimate +must have possessed in substance and credit about two million +pounds'-worth of property to set off against his vague colossal +liabilities, and from first to last he must have had a +controlling influence in the direction of nearly thirty millions. + +This irrational muddle of a community in which we live gave him +that, paid him at that rate for sitting in a room and scheming +and telling it lies. For he created nothing, he invented +nothing, he economised nothing. I cannot claim that a single one +of the great businesses we organised added any real value to +human life at all. Several like Tono-Bungay were unmitigated +frauds by any honest standard, the giving of nothing coated in +advertisements for money. And the things the Hardingham gave +out, I repeat, were nothing to the things that came in. I think +of the long procession of people who sat down before us and +propounded this and that. Now it was a device for selling bread +under a fancy name and so escaping the laws as to weight--this +was afterwards floated as the Decorticated Health-Bread Company +and bumped against the law--now it was a new scheme for still +more strident advertisement, now it was a story of unsuspected +deposits of minerals, now a cheap and nasty substitute for this +or that common necessity, now the treachery of a too +well-informed employee, anxious to become our partner. It was +all put to us tentatively, persuasively. Sometimes one had a +large pink blusterous person trying to carry us off our feet by +his pseudo-boyish frankness, now some dyspeptically yellow +whisperer, now some earnest, specially dressed youth with an +eye-glass and a buttonhole, now some homely-speaking, shrewd +Manchester man or some Scotchman eager to be very clear and full. + +Many came in couples or trios, often in tow of an explanatory +solicitor. Some were white and earnest, some flustered beyond +measure at their opportunity. Some of them begged and prayed to +be taken up. My uncle chose what he wanted and left the rest. +He became very autocratic to these applicants. + +He felt he could make them, and they felt so too. He had but to +say "No!" and they faded out of existence.... He had become a +sort of vortex to which wealth flowed of its own accord. His +possessions increased by heaps; his shares, his leaseholds and +mortgages and debentures. + +Behind his first-line things he found it necessary at last, and +sanctioned by all the precincts, to set up three general trading +companies, the London and African Investment Company, the British +Traders' Loan Company, and Business Organisations Limited. This +was in the culminating time when I had least to do with affairs. +I don't say that with any desire to exculpate myself; I admit I +was a director of all three, and I will confess I was willfully +incurious in that capacity. Each of these companies ended its +financial year solvent by selling great holdings of shares to one +or other of its sisters, and paying a dividend out of the +proceeds. I sat at the table and agreed. That was our method of +equilibrium at the iridescent climax of the bubble. + +You perceive now, however, the nature of the services for which +this fantastic community have him unmanageable wealth and power +and real respect. It was all a monstrous payment for courageous +fiction, a gratuity in return for the one reality of human +life--illusion. We gave them a feeling of hope and profit; we +sent a tidal wave of water and confidence into their stranded +affairs. "We mint Faith, George," said my uncle one day. +"That's what we do. And by Jove we got to keep minting! We been +making human confidence ever since I drove the first cork of +Tono-Bungay." + +"Coining" would have been a better word than minting! And yet, +you know, in a sense he was right. Civilisation is possible only +through confidence, so that we can bank our money and go unarmed +about the streets. The bank reserve or a policeman keeping order +in a jostling multitude of people, are only slightly less +impudent bluffs than my uncle's prospectuses. They couldn't for +a moment "make good" if the quarter of what they guarantee was +demanded of them. The whole of this modern mercantile investing +civilisation is indeed such stuff as dreams are made of. A +mass of people swelters and toils, great railway systems grow, +cities arise to the skies and spread wide and far, mines are +opened, factories hum, foundries roar, ships plough the seas, +countries are settled; about this busy striving world the rich +owners go, controlling all, enjoying all, confident and creating +the confidence that draws us all together into a reluctant, +nearly unconscious brotherhood. I wonder and plan my engines. +The flags flutter, the crowds cheer, the legislatures meet. Yet +it seems to me indeed at times that all this present commercial +civilisation is no more than my poor uncle's career writ large, a +swelling, thinning bubble of assurances; that its arithmetic is +just as unsound, its dividends as ill-advised, its ultimate aim +as vague and forgotten; that it all drifts on perhaps to some +tremendous parallel to his individual disaster... + +Well, so it was we Boomed, and for four years and a half we lived +a life of mingled substance and moonshine. Until our particular +unsoundness overtook us we went about in the most magnificent of +motor-cars upon tangible high roads, made ourselves conspicuous +and stately in splendid houses, ate sumptuously and had a +perpetual stream of notes and money trickling into our pockets; +hundreds of thousands of men and women respected us, saluted us +and gave us toil and honour; I asked, and my worksheets rose, my +aeroplanes swooped out of nothingness to scare the downland +pe-wits; my uncle waved his hand and Lady Grove and all its +associations of chivalry and ancient peace were his; waved +again, and architects were busy planning the great palace he +never finished at Crest Hill and an army of folkmen gathered to +do his bidding, blue marble came from Canada, and timber from New +Zealand; and beneath it all, you know, there was nothing but +fictitious values as evanescent as rainbow gold. + +IV + +I pass the Hardingham ever and again and glance aside through the +great archway at the fountain and the ferns, and think of those +receding days when I was so near the centre of our eddy of greed +and enterprise. I see again my uncle's face, white and intent, +and hear him discourse, hear him make consciously Napoleonic +decisions, "grip" his nettles, put his "finger on the spot," +"bluff," say "snap." He became particularly addicted to the last +idiom. Towards the end every conceivable act took the form of +saying "snap!" + +The odd fish that came to us! And among others came +Gordon-Nasmyth, that queer blend of romance and illegality who +was destined to drag me into the most irrelevant adventure in my +life the Mordet Island affair; and leave me, as they say, with +blood upon my hands. It is remarkable how little it troubles my +conscience and how much it stirs my imagination, that particular +memory of the life I took. The story of Mordet Island has been +told in a government report and told all wrong; there are still +excellent reasons for leaving it wrong in places, but the +liveliest appeals of discretion forbid my leaving it out +altogether. + +I've still the vividest memory of Gordon-Nasmyth's appearance in +the inner sanctum, a lank, sunburnt person in tweeds with a +yellow-brown hatchet face and one faded blue eye--the other was +a closed and sunken lid--and how he told us with a stiff +affectation of ease his incredible story of this great heap of +quap that lay abandoned or undiscovered on the beach behind +Mordet's Island among white dead mangroves and the black ooze of +brackish water. + +"What's quap?" said my uncle on the fourth repetition of the +word. + +"They call it quap, or quab, or quabb," said Gordon-Nasmyth; "but +our relations weren't friendly enough to get the accent right.... + +But there the stuff is for the taking. They don't know about it. + +Nobody knows about it. I got down to the damned place in a canoe +alone. The boys wouldn't come. I pretended to be botanising." +... + +To begin with, Gordon-Nasmyth was inclined to be dramatic. + +"Look here," he said when he first came in, shutting the door +rather carefully behind him as he spoke, "do you two men--yes +or no--want to put up six thousand--for--a clear good chance of +fifteen hundred per cent. on your money in a year?" + +"We're always getting chances like that," said my uncle, cocking +his cigar offensively, wiping his glasses and tilting his chair +back. "We stick to a safe twenty." + +Gordon-Nasmyth's quick temper showed in a slight stiffening of +his attitude. + +"Don't you believe him," said I, getting up before he could +reply. "You're different, and I know your books. We're very +glad you've come to us. Confound it, uncle! Its Gordon-Nasmyth! +Sit down. What is it? Minerals?" + +"Quap," said Gordon-Nasmyth, fixing his eye on me, "in heaps." + +"In heaps," said my uncle softly, with his glasses very oblique. + +"You're only fit for the grocery," said Gordon-Nasmyth +scornfully, sitting down and helping himself to one of my uncle's +cigars. "I'm sorry I came. But, still, now I'm here.... And +first as to quap; quap, sir, is the most radio-active stuff in +the world. That's quap! It's a festering mass of earths and +heavy metals, polonium, radium, ythorium, thorium, carium, and +new things, too. There's a stuff called Xk--provisionally. +There they are, mucked up together in a sort of rotting sand. +What it is, how it got made, I don't know. It's like as if some +young creator had been playing about there. There it lies in two +heaps, one small, one great, and the world for miles about it is +blasted and scorched and dead. You can have it for the getting. +You've got to take it--that's all!" + +"That sounds all right," said I. "Have you samples?" + +"Well--should I? You can have anything--up to two ounces." + +"Where is it?"... + +His blue eye smiled at me and scrutinised me. He smoked and was +fragmentary for a time, fending off my questions; then his story +began to piece itself together. He conjured up a vision of this +strange forgotten kink in the world's littoral, of the long +meandering channels that spread and divaricate and spend their +burden of mud and silt within the thunderbelt of Atlantic surf, +of the dense tangled vegetation that creeps into the shimmering +water with root and sucker. He gave a sense of heat and a +perpetual reek of vegetable decay, and told how at last comes a +break among these things, an arena fringed with bone-white dead +trees, a sight of the hard-blue sea line beyond the dazzling +surf and a wide desolation of dirty shingle and mud, bleached and +scarred.... A little way off among charred dead weeds stands the +abandoned station,--abandoned because every man who stayed two +months at that station stayed to die, eaten up mysteriously like +a leper with its dismantled sheds and its decaying pier of +wormrotten and oblique piles and planks, still insecurely +possible. + +And in the midst, two clumsy heaps shaped like the backs of hogs, +one small, one great, sticking out under a rib of rock that cuts +the space across,--quap! + +"There it is," said Gordon-Nasmyth, "worth three pounds an +ounce, if it's worth a penny; two great heaps of it, rotten stuff +and soft, ready to shovel and wheel, and you may get it by the +ton!" + +"How did it get there?" + +"God knows! ... There it is--for the taking! In a country where +you mustn't trade. In a country where the company waits for good +kind men to find it riches and then take 'em away from 'em. +There you have it--derelict." + +"Can't you do any sort of deal?" + +"They're too damned stupid. You've got to go and take it. +That's all." + +"They might catch you." + +"They might, of course. But they're not great at catching." + +We went into the particulars of that difficulty. "They wouldn't +catch me, because I'd sink first. Give me a yacht," said +Gordon-Nasmyth; "that's all I need." + +"But if you get caught," said my uncle. + +I am inclined to think Gordon-Nasmyth imagined we would give him +a cheque for six thousand pounds on the strength of his talk. It +was very good talk, but we didn't do that. I stipulated for +samples of his stuff for analysis, and he consented--reluctantly. + +I think, on the whole, he would rather I didn't examine samples. +He made a motion pocketwards, that gave us an invincible +persuasion that he had a sample upon him, and that at the last +instant he decided not to produce it prematurely. + +There was evidently a curious strain of secretiveness in him. He +didn't like to give us samples, and he wouldn't indicate within +three hundred miles the position of this Mordet Island of his. +He had it clear in his mind that he had a secret of immense +value, and he had no idea at all of just how far he ought to go +with business people. And so presently, to gain time for these +hesitations of his, he began to talk of other things. He talked +very well. He talked of the Dutch East Indies and of the Congo, +of Portuguese East Africa and Paraguay, of Malays and rich +Chinese merchants, Dyaks and negroes and the spread of the +Mahometan world in Africa to-day. And all this time he was +trying to judge if we were good enough to trust with his +adventure. Our cosy inner office became a little place, and all +our business cold and lifeless exploits beside his glimpses of +strange minglings of men, of slayings unavenged and curious +customs, of trade where no writs run, and the dark treacheries of +eastern ports and uncharted channels. + +We had neither of us gone abroad except for a few vulgar raids on +Paris; our world was England, are the places of origin of half +the raw material of the goods we sold had seemed to us as remote +as fairyland or the forest of Arden. But Gordon-Nasmyth made it +so real and intimate for us that afternoon--for me, at any +rate--that it seemed like something seen and forgotten and now +again remembered. + +And in the end he produced his sample, a little lump of muddy +clay speckled with brownish grains, in a glass bottle wrapped +about with lead and flannel--red flannel it was, I remember--a +hue which is, I know, popularly supposed to double all the +mystical efficacies of flannel. + +"Don't carry it about on you," said Gordon-Nasmyth. "It makes +a sore." + +I took the stuff to Thorold, and Thorold had the exquisite agony +of discovering two new elements in what was then a confidential +analysis. He has christened them and published since, but at the +time Gordon-Nasmyth wouldn't hear for a moment of our publication +of any facts at all; indeed, he flew into a violent passion and +abused me mercilessly even for showing the stuff to Thorold. "I +thought you were going to analyse it yourself," he said with the +touching persuasion of the layman that a scientific man knows and +practises at the sciences. + +I made some commercial inquiries, and there seemed even then much +truth in Gordon-Nasmyth's estimate of the value of the stuff. +It was before the days of Capern's discovery of the value of +canadium and his use of it in the Capern filament, but the cerium +and thorium alone were worth the money he extracted for the +gas-mantles then in vogue. There were, however, doubts. Indeed, +there were numerous doubts. What were the limits of the +gas-mantle trade? How much thorium, not to speak of cerium, +could they take at a maximum. Suppose that quantity was high +enough to justify our shipload, came doubts in another quarter. +Were the heaps up to sample? Were they as big as he said? Was +Gordon-Nasmyth--imaginative? And if these values held, could we +after all get the stuff? It wasn't ours. It was on forbidden +ground. You see, there were doubts of every grade and class in +the way of this adventure. + +We went some way, nevertheless, in the discussion of his project, +though I think we tried his patience. Then suddenly he vanished +from London, and I saw no more of him for a year and a half. + +My uncle said that was what he had expected, and when at last +Gordon-Nasmyth reappeared and mentioned in an incidental way +that he had been to Paraguay on private (and we guessed +passionate) affairs, the business of the "quap" expedition had to +be begun again at the beginning. My uncle was disposed to be +altogether sceptical, but I wasn't so decided. I think I was +drawn by its picturesque aspects. But we neither of us dreamt of +touching it seriously until Capern's discovery. + +Nasmyth's story had laid hold of my imagination like one small, +intense picture of tropical sunshine hung on a wall of grey +business affairs. I kept it going during Gordon-Nasmyth's +intermittent appearances in England. Every now and then he and I +would meet and reinforce its effect. We would lunch in London, +or he would cone to see my gliders at Crest Hill, and make new +projects for getting at those heaps again now with me, now alone. + +At times they became a sort of fairy-story with us, an +imaginative exercise. And there came Capern's discovery of what +he called the ideal filament and with it an altogether less +problematical quality about the business side of quap. For the +ideal filament needed five per cent. of canadium, and canadium +was known to the world only as a newly separated constituent of a +variety of the rare mineral rutile. But to Thorold it was better +known as an element in a mysterious sample brought to him by me, +and to me it was known as one of the elements in quap. I told my +uncle, and we jumped on to the process at once. We found that +Gordon-Nasmyth, still unaware of the altered value of the stuff, +and still thinking of the experimental prices of radium and the +rarity value of cerium, had got hold of a cousin named Pollack, +made some extraordinary transaction about his life insurance +policy, and was buying a brig. We put in, put down three +thousand pounds, and forthwith the life insurance transaction and +the Pollack side of this finance vanished into thin air, leaving +Pollack, I regret to say, in the brig and in the secret--except +so far as canadium and the filament went--as residuum. We +discussed earnestly whether we should charter a steamer or go on +with the brig, but we decided on the brig as a less conspicuous +instrument for an enterprise that was after all, to put it +plainly, stealing. + +But that was one of our last enterprises before our great crisis, +and I will tell of it in its place. + +So it was quap came into our affairs, came in as a fairy-tale +and became real. More and more real it grew until at last it was +real, until at last I saw with my eyes the heaps my imagination +had seen for so long, and felt between my fingers again that +half-gritty, half soft texture of quap, like sanded moist-sugar +mixed with clay in which there stirs something-- + +One must feel it to understand. + +V + +All sorts of things came to the Hardingham and offered themselves +to my uncle. Gordon-Nasmyth stands but only because he played a +part at last in the crisis of our fortunes. So much came to us +that it seemed to me at times as though the whole world of human +affairs was ready to prostitute itself to our real and imaginary +millions. As I look back, I am still dazzled and incredulous to +think of the quality of our opportunities. + +We did the most extraordinary things; things that it seems absurd +to me to leave to any casual man of wealth and enterprise who +cares to do them. I had some amazing perceptions of just how +modern thought and the supply of fact to the general mind may be +controlled by money. Among other things that my uncle offered +for, he tried very hard to buy the British Medical Journal and +the Lancet, and run them on what he called modern lines, and +when they resisted him he talked very vigorously for a time of +organising a rival enterprise. That was a very magnificent idea +indeed in its way; it would have given a tremendous advantage in +the handling of innumerable specialties and indeed I scarcely +know how far it would not have put the medical profession in our +grip. It still amazes me--I shall die amazed--that such a thing +can be possible in the modern state. If my uncle failed to bring +the thing off, some one else may succeed. But I doubt, even if +he had got both these weeklies, whether his peculiar style would +have suited them. The change of purpose would have shown. He +would have found it difficult to keep up their dignity. + +He certainly did not keep up the dignity of the Sacred Grove, +an important critical organ which he acquired one day--by saying +"snap"--for eight hundred pounds. He got it "lock, stock and +barrel"--under one or other of which three aspects the editor was +included. Even at that price it didn't pay. If you are a +literary person you will remember the bright new cover he gave +that representative organ of British intellectual culture, and +how his sound business instincts jarred with the exalted +pretensions of a vanishing age. One old wrapper I discovered the +other day runs:-- + + "THE SACRED GROVE." + +Weekly Magazine of Art, Philosophy, Science and + Belles Lettres. +---------------------------------------------- + + HAVE YOU A NASTY TASTE IN YOUR MOUTH? + IT IS LIVER. + + YOU NEED ONE TWENTY-THREE PILL. + + (JUST ONE.) + + NOT A DRUG BUT A LIVE AMERICAN REMEDY. +----------------------------------------------- + + CONTENTS. + +A Hitherto Unpublished Letter from Walter Pater. +Charlotte Bronte's Maternal Great Aunt. +A New Catholic History of England. +The Genius of Shakespeare. +Correspondence:--The Mendelian Hypothesis; The Split Infinitive; + + "Commence," or "Begin;" Claverhouse; Socialism and the + + Individual; The Dignity of Letters. +Folk-lore Gossip. +The Stage; the Paradox of Acting. +Travel Biography, Verse, Fiction, etc. +---------------------------------------------------- + THE BEST PILL IN THE WORLD FOR AN IRREGULAR LIVER + + +I suppose it is some lingering traces of the Bladesover tradition +to me that makes this combination of letters and pills seem so +incongruous, just as I suppose it is a lingering trace of +Plutarch and my ineradicable boyish imagination that at bottom +our State should be wise, sane and dignified, that makes me think +a country which leaves its medical and literary criticism, or +indeed any such vitally important criticism, entirely to private +enterprise and open to the advances of any purchaser must be in a +frankly hopeless condition. These are ideal conceptions of mine. + +As a matter of fact, nothing would be more entirely natural and +representative of the relations of learning, thought and the +economic situation in the world at the present time than this +cover of the Sacred Grove--the quiet conservatism of the one +element embedded in the aggressive brilliance of the other; the +contrasted notes of bold physiological experiment and extreme +mental immobility. + +VI + +There comes back, too, among these Hardingham memories, an +impression of a drizzling November day, and how we looked out of +the windows upon a procession of the London unemployed. + +It was like looking down a well into some momentarily revealed +nether world. Some thousands of needy ineffectual men had been +raked together to trail their spiritless misery through the West +Eire with an appeal that was also in its way a weak and +insubstantial threat: "It is Work we need, not Charity." + +There they were, half-phantom through the fog, a silent, +foot-dragging, interminable, grey procession. They carried wet, +dirty banners, they rattled boxes for pence; these men who had +not said "snap" in the right place, the men who had "snapped" too +eagerly, the men who had never said "snap," the men who had never +had a chance of saying "snap." A shambling, shameful stream they +made, oozing along the street, the gutter waste of competitive +civilisation. And we stood high out of it all, as high as if we +looked godlike from another world, standing in a room beautifully +lit and furnished, skillfully warmed, filled with costly things. + +"There," thought I, "but for the grace of God, go George and +Edward Ponderevo." + +But my uncle's thoughts ran in a different channel, and he made +that vision the test of a spirited but inconclusive harangue upon +Tariff Reform. + + +CHAPTER THE SECOND + +OUR PROGRESS FROM CAMDEN TOWN TO CREST HILL + +I + +So far my history of my aunt and uncle has dealt chiefly with his +industrial and financial exploits. But side by side with that +history of inflation from the infinitesimal to the immense is +another development, the change year by year from the shabby +impecuniosity of the Camden Town lodging to the lavish +munificence of the Crest Hill marble staircase and my aunt's +golden bed, the bed that was facsimiled from Fontainebleau. And +the odd thing is that as I come to this nearer part of my story I +find it much more difficult to tell than the clear little +perspective memories of the earlier days. Impressions crowd upon +one another and overlap one another; I was presently to fall in +love again, to be seized by a passion to which I still faintly +respond, a passion that still clouds my mind. I came and went +between Ealing and my aunt and uncle, and presently between Effie +and clubland, and then between business and a life of research +that became far more continuous, infinitely more consecutive and +memorable than any of these other sets of experiences. I didn't +witness a regular social progress therefore; my aunt and uncle +went up in the world, so far as I was concerned, as if they were +displayed by an early cinematograph, with little jumps and +flickers. + +As I recall this side of our life, the figure of my round-eyes, +button-nosed, pink-and-white Aunt Susan tends always to the +central position. We drove the car and sustained the car, she +sat in it with a magnificent variety of headgear poised upon her +delicate neck, and always with that faint ghost of a lisp no +misspelling can render--commented on and illuminated the new +aspects. + +I've already sketched the little home behind the Wimblehurst +chemist's shop, the lodging near the Cobden statue, and the +apartments in Gower Street. Thence my aunt and uncle went into a +flat in Redgauntlet Mansions. There they lived when I married. +It was a compact flat, with very little for a woman to do in it +In those days my aunt, I think, used to find the time heavy upon +her hands, and so she took to books and reading, and after a time +even to going to lectures in the afternoon. I began to find +unexpected books upon her table: sociological books, travels, +Shaw's plays. "Hullo!" I said, at the sight of some volume of +the latter. + +"I'm keeping a mind, George," she explained. + +"Eh?" + +"Keeping a mind. Dogs I never cared for. It's been a toss-up +between setting up a mind and setting up a soul. It's jolly +lucky for Him and you it's a mind. I've joined the London +Library, and I'm going in for the Royal Institution and every +blessed lecture that comes along next winter. You'd better look +out."... + +And I remember her coming in late one evening with a note-book +in her hand. + +"Where ya been, Susan?" said my uncle. + +"Birkbeck--Physiology. I'm getting on." She sat down and took +off her gloves. "You're just glass to me," she sighed, and then +in a note of grave reproach: "You old PACKAGE! I had no idea! +The Things you've kept from me!" + +Presently they were setting; up the house at Beckengham, and my +aunt intermitted her intellectual activities. The house at +Beckengham was something of an enterprise for them at that time, +a reasonably large place by the standards of the early years of +Tono-Bungay. It was a big, rather gaunt villa, with a +conservatory and a shrubbery, a tennis-lawn, a quite +considerable vegetable garden, and a small disused coach-house. +I had some glimpses of the excitements of its inauguration, but +not many because of the estrangement between my aunt and Marion. + +My aunt went into that house with considerable zest, and my uncle +distinguished himself by the thoroughness with which he did the +repainting and replumbing. He had all the drains up and most of +the garden with them, and stood administrative on +heaps--administrating whisky to the workmen. I found him there +one day, most Napoleonic, on a little Elba of dirt, in an +atmosphere that defies print. He also, I remember, chose what he +considered cheerful contrasts of colours for the painting of the +woodwork. This exasperated my aunt extremely--she called him a +"Pestilential old Splosher" with an unusual note of +earnestness--and he also enraged her into novelties of abuse by +giving each bedroom the name of some favourite hero--Cliff, +Napoleon, Caesar, and so forth--and having it painted on the +door in gilt letters on a black label. "Martin Luther" was kept +for me. Only her respect for domestic discipline, she said, +prevented her retaliating with "Old Pondo" on the housemaid's +cupboard. + +Also he went and ordered one of the completest sets of garden +requisites I have ever seen--and had them all painted a hard +clear blue. My aunt got herself large tins of a kindlier hued +enamel and had everything secretly recoated, and this done, she +found great joy in the garden and became an ardent rose grower +and herbaceous borderer, leaving her Mind, indeed, to damp +evenings and the winter months. When I think of her at +Beckenham, I always think first of her as dressed in that blue +cotton stuff she affected, with her arms in huge gauntleted +gardening gloves, a trowel in one hand and a small but no doubt +hardy and promising annual, limp and very young-looking and +sheepish, in the other. + +Beckenham, in the persons of a vicar, a doctor's wife, and a +large proud lady called Hogberry, "called" on my uncle and aunt +almost at once, so soon in fact as the lawn was down again, and +afterwards my aunt made friends with a quiet gentlewoman next +door, a propos of an overhanging cherry tree and the need of +repairing the party fence. So she resumed her place in society +from which she had fallen with the disaster of Wimblehurst. She +made a partially facetious study of the etiquette of her +position, had cards engraved and retaliated calls. And then she +received a card for one of Mrs. Hogberry's At Homes, gave an old +garden party herself, participated in a bazaar and sale of work, +and was really becoming quite cheerfully entangled in Beckenham +society when she was suddenly taken up by the roots again by my +uncle and transplanted to Chiselhurst. + +"Old Trek, George," she said compactly, "Onward and Up," when I +found her superintending the loading of two big furniture vans. +"Go up and say good-bye to 'Martin Luther,' and then I'll see +what you can do to help me." + +II + +I look into the jumbled stores of the middle distance of memory, +and Beckenham seems to me a quite transitory phase. But really +they were there several years; through nearly all my married +life, in fact, and far longer than the year and odd months we +lived together at Wimblehurst. But the Wimblehurst time with +them is fuller in my memory by far then the Beckenham period. +There comes back to me with a quite considerable amount of +detail the effect of that garden party of my aunt's and of a +little social misbehaviour of which I was guilty on that +occasion. It's like a scrap from another life. It's all set in +what is for me a kind of cutaneous feeling, the feeling of rather +ill-cut city clothes, frock coat and grey trousers, and of a +high collar and tie worn in sunshine among flowers. I have still +a quite vivid memory of the little trapezoidal lawn, of the +gathering, and particularly of the hats and feathers of the +gathering, of the parlour-maid and the blue tea-cups, and of +the magnificent presence of Mrs. Hogberry and of her clear, +resonant voice. It was a voice that would have gone with a +garden party on a larger scale; it went into adjacent premises; +it included the gardener who was far up the vegetable patch and +technically out of play. The only other men were my aunt's +doctor, two of the clergy, amiable contrasted men, and Mrs. +Hogberry's imperfectly grown-up son, a youth just bursting into +collar. The rest were women, except for a young girl or so in a +state of speechless good behaviour. Marion also was there. + +Marion and I had arrived a little estranged, and I remember her +as a silent presence, a shadow across all that sunlit emptiness +of intercourse. We had embittered each other with one of those +miserable little disputes that seemed so unavoidable between us. +She had, with the help of Smithie, dressed rather elaborately for +the occasion, and when she saw me prepared to accompany her in, I +think it was a grey suit, she protested that silk hat and frock +coat were imperative. I was recalcitrant, she quoted an +illustrated paper showing a garden party with the King present, +and finally I capitulated--but after my evil habit, +resentfully.... Eh, dear! those old quarrels, how pitiful they +were, how trivial! And how sorrowful they are to recall! I +think they grow more sorrowful as I grow older, and all the small +passionate reasons for our mutual anger fade and fade out of +memory. + +The impression that Beckenham company has left on my mind is one +of a modest unreality; they were all maintaining a front of +unspecified social pretension, and evading the display of the +economic facts of the case. Most of the husbands were "in +business" off stage, it would have been outrageous to ask what +the business was--and the wives were giving their energies to +produce, with the assistance of novels and the illustrated +magazines, a moralised version of the afternoon life of the +aristocratic class. They hadn't the intellectual or moral +enterprise of the upper-class woman, they had no political +interests, they had no views about anything, and consequently +they were, I remember, extremely difficult to talk to. They all +sat about in the summer-house and in garden-chairs, and were +very hatty and ruffley and sunshady. Three ladies and the curate +played croquet with a general immense gravity, broken by +occasional loud cries of feigned distress from the curate. "Oh! +Whacking me about again! Augh!" + +The dominant social fact that afternoon was Mrs. Hogberry; she +took up a certain position commanding the croquet and went on, as +my aunt said to me in an incidental aside, "like an old +Roundabout." She talked of the way in which Beckenham society +was getting mixed, and turned on to a touching letter she had +recently received from her former nurse at Little Gossdean. +Followed a loud account of Little Gossdean and how much she and +her eight sisters had been looked up to there. "My poor mother +was quite a little Queen there, "she said. "And such NICE +Common people! People say the country labourers are getting +disrespectful nowadays. It isn't so--not if they're properly +treated. Here of course in Beckenham it's different. I won't +call the people we get here a Poor--they're certainly not a +proper Poor. They're Masses. I always tell Mr. Bugshoot they're +Masses, and ought to be treated as such."... + +Dim memories of Mrs. Mackridge floated through my mind as I +listened to her.... + +I was whirled on this roundabout for a bit, and then had the +fortune to fall off into a tete-a-tete with a lady whom my +aunt introduced as Mrs. Mumble--but then she introduced everybody +to me as Mumble that afternoon, either by way of humour or +necessity. + +That must have been one of my earliest essays in the art of +polite conversation, and I remember that I began by criticising +the local railway service, and that at the third sentence or +thereabouts Mrs. Mumble said in a distinctly bright and +encouraging way that she feared I was a very "frivolous" person. + +I wonder now what it was I said that was "frivolous." + +I don't know what happened to end that conversation, or if it had +an end. I remember talking to one of the clergy for a time +rather awkwardly, and being given a sort of topographical history +of Beckenham, which he assured me time after time was "Quite an +old place. Quite an old place." As though I had treated it as +new and he meant to be very patient but very convincing. Then +we hung up in a distinct pause, and my aunt rescued me. +"George," she said in a confidential undertone, "keep the pot +a-boiling." And then audibly, "I say, will you both old trot +about with tea a bit?" + +"Only too delighted to TROT for you, Mrs. Ponderevo," said the +clergyman, becoming fearfully expert and in his elements; "only +too delighted." + +I found we were near a rustic table, and that the housemaid was +behind us in a suitable position to catch us on the rebound with +the tea things. + +"Trot!" repeated the clergyman to me, much amused; "excellent +expression!" And I just saved him from the tray as he turned +about. + +We handed tea for a while.... + +"Give 'em cakes," said my aunt, flushed, but well in hand. +"Helps 'em to talk, George. Always talk best after a little +nourishment. Like throwing a bit of turf down an old geyser." + +She surveyed the gathering with a predominant blue eye and helped +herself to tea. + +"They keep on going stiff," she said in an undertone.... "I've +done my best." + +"It's been a huge success," I said encouragingly. + +"That boy has had his legs crossed in that position and hasn't +spoken for ten minutes. Stiffer and stiffer. Brittle. He's +beginning a dry cough--always a bad sign, George.... Walk 'em +about, shall I?--rub their noses with snow?" + +Happily she didn't. I got myself involved with the gentlewoman +from next door, a pensive, languid-looking little woman with a +low voice, and fell talking; our topic, Cats and Dogs, and which +it was we liked best. + +"I always feel," said the pensive little woman, "that there's +something about a dog-- A cat hasn't got it." + +"Yes," I found myself admitting with great enthusiasm, "there is +something. And yet again--" + +"Oh! I know there's something about a cat, too. But it isn't the +same." + +"Not quite the same," I admitted; "but still it's something." + +"Ah! But such a different something!" + +"More sinuous." + +"Much more." + +"Ever so much more." + +"It makes all the difference, don't you think?" + +"Yes," I said, "ALL." + +She glanced at me gravely and sighed a long, deeply felt "Yes." +A long pause. + +The thing seemed to me to amount to a stale-mate. Fear came into +my heart and much perplexity. + +"The--er--Roses," I said. I felt like a drowning man. "Those +roses--don't you think they are--very beautiful flowers?" + +"Aren't they!" she agreed gently. "There seems to be something +in roses--something--I don't know how to express it." + +"Something," I said helpfully. + +"Yes," she said, "something. Isn't there?" + +"So few people see it," I said; "more's the pity!" + +She sighed and said again very softly, "Yes."... + +There was another long pause. I looked at her and she was +thinking dreamily. The drowning sensation returned, the fear and +enfeeblement. I perceived by a sort of inspiration that her +tea-cup was empty. + +"Let me take your cup," I said abruptly, and, that secured, made +for the table by the summer-house. I had no intention then of +deserting my aunt. But close at hand the big French window of +the drawing-room yawned inviting and suggestive. I can feel all +that temptation now, and particularly the provocation of my +collar. In an instant I was lost. I would--Just for a moment! + +I dashed in, put down the cup on the keys of the grand piano and +fled upstairs, softly, swiftly, three steps at a time, to the +sanctuary of my uncle's study, his snuggery. I arrived there +breathless, convinced there was no return for me. I was very +glad and ashamed of myself, and desperate. By means of a +penknife I contrived to break open his cabinet of cigars, drew a +chair to the window, took off my coat, collar and tie, and +remained smoking guiltily and rebelliously, and peeping through +the blind at the assembly on the lawn until it was altogether +gone.... + +The clergymen, I thought, were wonderful. + +III + +A few such pictures of those early days at Beckenham stand out, +and then I find myself among the Chiselhurst memories. The +Chiselhurst mansion had "grounds" rather than a mere garden, and +there was a gardener's cottage and a little lodge at the gate. +The ascendant movement was always far more in evidence there than +at Beckenham. The velocity was increasing + +One night picks itself out as typical, as, in its way, marking an +epoch. I was there, I think, about some advertisement stuff, on +some sort of business anyhow, and my uncle and aunt had come back +in a fly from a dinner at the Runcorns. (Even there he was +nibbling at Runcorn with the idea of our great Amalgamation +budding in his mind.) I got down there, I suppose, about eleven. +I found the two of them sitting in the study, my aunt on a +chair-arm with a whimsical pensiveness on her face, regarding +my uncle, and he, much extended and very rotund, in the low +arm-chair drawn up to the fender. + +"Look here, George," said my uncle, after my first greetings. "I +just been saying: We aren't Oh Fay!" + +"Eh?" + +"Not Oh Fay! Socially!" + +"Old FLY, he means, George--French!" + +"Oh! Didn't think of French. One never knows where to have him. +What's gone wrong to-night?" + +"I been thinking. It isn't any particular thing. I ate too much +of that fishy stuff at first, like salt frog spawn, and was a bit +confused by olives; and--well, I didn't know which wine was +which. Had to say THAT each time. It puts your talk all +wrong. And she wasn't in evening dress, not like the others. We +can't go on in that style, George--not a proper ad." + +"I'm not sure you were right," I said, "in having a fly." + +"We got to do it all better," said my uncle, "we got to do it in +Style. Smart business, smart men. She tries to pass it off as +humorous"--my aunt pulled a grimace-- "it isn't humorous! See! +We're on the up-grade now, fair and square. We're going to be +big. We aren't going to be laughed at as Poovenoos, see!" + +"Nobody laughed at you," said my aunt. "Old Bladder!" + +"Nobody isn't going to laugh at me," said my uncle, glancing at +his contours and suddenly sitting up. + +My aunt raised her eyebrows slightly, swung her foot, and said +nothing. + +"We aren't keeping pace with our own progress, George. We got +to. We're bumping against new people, and they set up to be +gentlefolks--etiquette dinners and all the rest of it. They give +themselves airs and expect us to be fish-out-of-water. We +aren't going to be. They think we've no Style. Well, we give +them Style for our advertisements, and we're going to give 'em +Style all through.... You needn't be born to it to dance well on +the wires of the Bond Street tradesmen. See?" + +I handed him the cigar-box. + +"Runcorn hadn't cigars like these," he said, truncating one +lovingly. "We beat him at cigars. We'll beat him all round." + +My aunt and I regarded him, full of apprehensions. + +"I got idees," he said darkly to the cigar, deepening our dread. + +He pocketed his cigar-cutter and spoke again. + +"We got to learn all the rotten little game first. See, +F'rinstance, we got to get samples of all the blessed wines there +are--and learn 'em up. Stern, Smoor, Burgundy, all of 'em! She +took Stern to-night--and when she tasted it first--you pulled a +face, Susan, you did. I saw you. It surprised you. You bunched +your nose. We got to get used to wine and not do that. We got +to get used to wearing evening dress--YOU, Susan, too." + +"Always have had a tendency to stick out of my clothes," said my +aunt. "However--Who cares?" She shrugged her shoulders. + +I had never seen my uncle so immensely serious. + +"Got to get the hang of etiquette," he went on to the fire. +"Horses even. Practise everything. Dine every night in evening +dress.... Get a brougham or something. Learn up golf and tennis +and things. Country gentleman. Oh Fay. It isn't only freedom +from Goochery." + +"Eh?" I said. + +"Oh!--Gawshery, if you like!" + +"French, George," said my aunt. "But I'M not ol' Gooch. I made +that face for fun." + +"It isn't only freedom from Gawshery. We got to have Style. +See! Style! Just all right and one better. That's what I call +Style. We can do it, and we will." + +He mumbled his cigar and smoked for a space, leaning forward and +looking into the fire. + +"What is it," he asked, "after all? What is it? Tips about +eating; tips about drinking. Clothes. How to hold yourself, and +not say jes' the few little things they know for certain are +wrong--jes' the shibboleth things." + +He was silent again, and the cigar crept up from the horizontal +towards the zenith as the confidence of his mouth increased. + +"Learn the whole bag of tricks in six months." he said, +becoming more cheerful. "Ah, Susan? Beat it out! George, you +in particular ought to get hold of it. Ought to get into a good +club, and all that." + +"Always ready to learn!" I said. "Ever since you gave me the +chance of Latin. So far we don't seem to have hit upon any +Latin-speaking stratum in the population." + +"We've come to French," said my aunt, "anyhow." + +"It's a very useful language," said my uncle. "Put a point on +things. Zzzz. As for accent, no Englishman has an accent. No +Englishman pronounces French properly. Don't you tell ME. +It's a Bluff.--It's all a Bluff. Life's a Bluff--practically. +That's why it's so important, Susan, for us to attend to Style. +Le Steel Say Lum. The Style it's the man. Whad you laughing at, +Susan? George, you're not smoking. These cigars are good for +the mind.... What do YOU think of it all? We got to adapt +ourselves. We have--so far.... Not going to be beat by these +silly things." + +IV + +"What do you think of it, George?" he insisted. + +What I said I thought of it I don't now recall. Only I have very +distinctly the impression of meeting for a moment my aunt's +impenetrable eye. And anyhow he started in with his accustomed +energy to rape the mysteries of the Costly Life, and become the +calmest of its lords. On the whole, I think he did +it--thoroughly. I have crowded memories, a little difficult to +disentangle, of his experimental stages, his experimental +proceedings. It's hard at times to say which memory comes in +front of which. I recall him as presenting on the whole a series +of small surprises, as being again and again, unexpectedly, a +little more self-confident, a little more polished, a little +richer and finer, a little more aware of the positions and values +of things and men. + +There was a time--it must have been very early--when I saw him +deeply impressed by the splendours of the dining-room of the +National Liberal Club. Heaven knows who our host was or what +that particular little "feed" was about now!--all that sticks is +the impression of our straggling entry, a string of six or seven +guests, and my uncle looking about him at the numerous bright +red-shaded tables, at the exotics in great Majolica jars, at the +shining ceramic columns and pilasters, at the impressive +portraits of Liberal statesmen and heroes, and all that +contributes to the ensemble of that palatial spectacle. He was +betrayed into a whisper to me, "This is all Right, George!" he +said. That artless comment seems almost incredible as I set it +down; there came a time so speedily when not even the clubs of +New York could have overawed my uncle, and when he could walk +through the bowing magnificence of the Royal Grand Hotel to his +chosen table in that aggressively exquisite gallery upon the +river, with all the easy calm of one of earth's legitimate kings. + +The two of them learnt the new game rapidly and well; they +experimented abroad, they experimented at home. At Chiselhurst, +with the aid of a new, very costly, but highly instructive cook, +they tried over everything they heard of that roused their +curiosity and had any reputation for difficulty, from asparagus +to plover's eggs. They afterwards got a gardener who could wait +at table--and he brought the soil home to one. Then there came a +butler. + +I remember my aunt's first dinner-gown very brightly, and how +she stood before the fire in the drawing-room confessing once +unsuspected pretty arms with all the courage she possessed, and +looking over her shoulder at herself in a mirror. + +"A ham," she remarked reflectively, "must feel like this. Just a +necklace."... + +I attempted, I think, some commonplace compliment. + +My uncle appeared at the door in a white waistcoat and with his +hands in his trouser pockets; he halted and surveyed her +critically. + +"Couldn't tell you from a duchess, Susan," he remarked. "I'd +like to have you painted, standin' at the fire like that. +Sargent! You look--spirited, somehow. Lord!--I wish some of +those damned tradesmen at Wimblehurst could see you."... + +They did a lot of week-ending at hotels, and sometimes I went +down with them. We seemed to fall into a vast drifting +crowd of social learners. I don't know whether it is due simply +to my changed circumstances, but it seems to me there have been +immensely disproportionate developments of the hotel-frequenting +and restaurant-using population during the last twenty years. +It is not only, I think, that there are crowds of people who, +like we were, are in the economically ascendant phase, but whole +masses of the prosperous section of the population must be +altering its habits, giving up high-tea for dinner and taking to +evening dress, using the week-end hotels as a practise-ground +for these new social arts. A swift and systematic conversion to +gentility has been going on, I am convinced, throughout the whole +commercial upper-middle class since I was twenty-one. Curiously +mixed was the personal quality of the people one saw in these +raids. There were conscientiously refined and low-voiced people +reeking with proud bashfulness; there were aggressively smart +people using pet diminutives for each other loudly and seeking +fresh occasions for brilliant rudeness; there were awkward +husbands and wives quarrelling furtively about their manners and +ill at ease under the eye of the winter; cheerfully amiable and +often discrepant couples with a disposition to inconspicuous +corners, and the jolly sort, affecting an unaffected ease; plump +happy ladies who laughed too loud, and gentlemen in evening +dress who subsequently "got their pipes." And nobody, you knew, +was anybody, however expensively they dressed and whatever rooms +they took. + +I look back now with a curious remoteness of spirit to those +crowded dining-rooms with their dispersed tables and their +inevitable red-shaded lights and the unsympathetic, unskillful +waiters, and the choice of "Thig or Glear, Sir?" I've not dined +in that way, in that sort of place, now for five years--it must +be quite five years, so specialised and narrow is my life +becoming. + +My uncle's earlier motor-car phases work in with these +associations, and there stands out a little bright vignette of +the hall of the Magnificent, Bexhill-on-Sea, and people dressed +for dinner and sitting about amidst the scarlet furniture--satin +and white-enameled woodwork until the gong should gather them; +and my aunt is there, very marvelously wrapped about in a dust +cloak and a cage-like veil, and there are hotel porters and +under-porters very alert, and an obsequious manager; and the +tall young lady in black from the office is surprised into +admiration, and in the middle of the picture is my uncle, making +his first appearance in that Esquimaux costume I have already +mentioned, a short figure, compactly immense, hugely goggled, +wearing a sort of brown rubber proboscis, and surmounted by a +table-land of motoring cap. + +V + +So it was we recognised our new needs as fresh invaders of the +upper levels of the social system, and set ourselves quite +consciously to the acquisition of Style and Savoir Faire. We +became part of what is nowadays quite an important element in the +confusion of our world, that multitude of economically ascendant +people who are learning how to spend money. It is made up of +financial people, the owners of the businesses that are eating up +their competitors, inventors of new sources of wealth, such as +ourselves; it includes nearly all America as one sees it on the +European stage. It is a various multitude having only this in +common: they are all moving, and particularly their womankind are +moving, from conditions in which means were insistently finite, +things were few, and customs simple, towards a limitless +expenditure and the sphere of attraction of Bond Street, Fifth +Avenue, and Paris. Their general effect is one of progressive +revolution, of limitless rope. + +They discover suddenly indulgences their moral code never foresaw +and has no provision for, elaborations, ornaments, possessions +beyond their wildest dreams. With an immense astonished zest +they begin shopping begin a systematic adaptation to a new life +crowded and brilliant with things shopped, with jewels, maids, +butlers, coachmen, electric broughams, hired town and country +houses. They plunge into it as one plunges into a career; as a +class, they talk, think, and dream possessions. Their +literature, their Press, turns all on that; immense illustrated +weeklies of unsurpassed magnificence guide them in domestic +architecture, in the art of owning a garden, in the achievement +of the sumptuous in motor-cars, in an elaborate sporting +equipment, in the purchase and control of their estates, in +travel and stupendous hotels. Once they begin to move they go +far and fast. Acquisition becomes the substance of their lives. +They find a world organised to gratify that passion. In a brief +year or so they are connoisseurs. They join in the plunder of +the eighteenth century, buy rare old books, fine old pictures, +good old furniture. Their first crude conception of dazzling +suites of the newly perfect is replaced almost from the outset by +a jackdaw dream of accumulating costly discrepant old things. + +I seem to remember my uncle taking to shopping quite suddenly. +In the Beckenham days and in the early Chiselhurst days he was +chiefly interested in getting money, and except for his onslaught +on the Beckenham house, bothered very little about his personal +surroundings and possessions. I forget now when the change came +and he began to spend. Some accident must have revealed to him +this new source of power, or some subtle shifting occurred in the +tissues of his brain. He began to spend and "shop." So soon as +he began to shop, he began to shop violently. He began buying +pictures, and then, oddly enough, old clocks. For the +Chiselhurst house he bought nearly a dozen grandfather clocks and +three copper warming pans. After that he bought much furniture. +Then he plunged into art patronage, and began to commission +pictures and to make presents to churches and institutions. His +buying increased with a regular acceleration. Its development +was a part of the mental changes that came to him in the wild +excitements of the last four years of his ascent. Towards the +climax he was a furious spender; he shopped with large unexpected +purchases, he shopped like a mind seeking expression, he shopped +to astonish and dismay; shopped crescendo, shopped fortissimo, +con molto espressione until the magnificent smash of Crest Hill +eroded his shopping for ever. Always it was he who shopped. My +aunt did not shine as a purchaser. It is a curious thing, due to +I know not what fine strain in her composition, that my aunt +never set any great store upon possessions. She plunged through +that crowded bazaar of Vanity Fair during those feverish years, +spending no doubt freely and largely, but spending with +detachment and a touch of humorous contempt for the things, even +the "old" things, that money can buy. It came to me suddenly one +afternoon just how detached she was, as I saw her going towards +the Hardingham, sitting up, as she always did, rather stiffly in +her electric brougham, regarding the glittering world with +interested and ironically innocent blue eyes from under the brim +of a hat that defied comment. "No one," I thought, "would sit so +apart if she hadn't dreams--and what are her dreams?" + +I'd never thought. + +And I remember, too, an outburst of scornful description after +she had lunched with a party of women at the Imperial Cosmic +Club. She came round to my rooms on the chance of finding me +there, and I gave her tea. She professed herself tired and +cross, and flung herself into my chair.... + +"George," she cried, " the Things women are! Do _I_ stink of +money?" + +"Lunching?" I asked. + +She nodded. + +"Plutocratic ladies?" + +"Yes." + +"Oriental type?" + +"Oh! Like a burst hareem!... Bragging of possessions.... They +feel you. They feel your clothes, George, to see if they are +good!" + +I soothed her as well as I could. "They ARE Good aren't they?" +I said. + +"It's the old pawnshop in their blood," she said, drinking tea; +and then in infinite disgust, "They run their hands over your +clothes--they paw you." + +I had a moment of doubt whether perhaps she had not been +discovered in possession of unsuspected forgeries. I don't +know. After that my eyes were quickened, and I began to see for +myself women running their hands over other women's furs, +scrutinising their lace, even demanding to handle jewelry, +appraising, envying, testing. They have a kind of etiquette. +The woman who feels says, "What beautiful sables?" "What lovely +lace?" The woman felt admits proudly: "It's Real, you know," or +disavows pretension modestly and hastily, "It's Rot Good." In +each other's houses they peer at the pictures, handle the selvage +of hangings, look at the bottoms of china.... + +I wonder if it IS the old pawnshop in the blood. + +I doubt if Lady Drew and the Olympians did that sort of thing, +but here I may be only clinging to another of my former +illusions about aristocracy and the State. Perhaps always +possessions have been Booty, and never anywhere has there been +such a thing as house and furnishings native and natural to the +women and men who made use of them.... + +VI + +For me, at least, it marked an epoch in my uncle's career when I +learnt one day that he had "shopped" Lady Grove. I realised a +fresh, wide, unpreluded step. He took me by surprise with the +sudden change of scale from such portable possessions as jewels +and motor-cars to a stretch of countryside. The transaction was +Napoleonic; he was told of the place; he said "snap"; there were +no preliminary desirings or searchings. Then he came home and +said what he had done. Even my aunt was for a day or so +measurably awestricken by this exploit in purchase, and we both +went down with him to see the house in a mood near consternation. +It struck us then as a very lordly place indeed. I remember the +three of us standing on the terrace that looked westward, +surveying the sky-reflecting windows of the house, and a feeling +of unwarrantable intrusion comes back to me. + +Lady Grove, you know, is a very beautiful house indeed, a still +and gracious place, whose age-long seclusion was only +effectively broken with the toot of the coming of the motor-car. +An old Catholic family had died out in it, century by century, +and was now altogether dead. Portions of the fabric are +thirteenth century, and its last architectural revision was +Tudor; within, it is for the most part dark and chilly, save for +two or three favoured rooms and its tall-windowed, oak-galleried +hall. Its terrace is its noblest feature; a very wide, broad +lawn it is, bordered by a low stone battlement, and there is a +great cedar in one corner under whose level branches one looks +out across the blue distances of the Weald, blue distances that +are made extraordinarily Italian in quality by virtue of the +dark masses of that single tree. It is a very high terrace; +southward one looks down upon the tops of wayfaring trees and +spruces, and westward on a steep slope of beechwood, through +which the road comes. One turns back to the still old house, and +sees a grey and lichenous facade with a very finely arched +entrance. It was warmed by the afternoon light and touched with +the colour of a few neglected roses and a pyracanthus. It seemed +to me that the most modern owner conceivable in this serene fine +place was some bearded scholarly man in a black cassock, +gentle-voiced and white-handed, or some very soft-robed, grey +gentlewoman. And there was my uncle holding his goggles in a +sealskin glove, wiping the glass with a pocket-handkerchief, and +asking my aunt if Lady Grove wasn't a "Bit of all Right." + +My aunt made him no answer. + +"The man who built this," I speculated, "wore armour and carried +a sword." + +"There's some of it inside still," said my uncle. + +We went inside. An old woman with very white hair was in charge +of the place and cringed rather obviously to the new master. She +evidently found him a very strange and frightful apparition +indeed, and was dreadfully afraid of him. But if the surviving +present bowed down to us, the past did not. We stood up to the +dark, long portraits of the extinguished race--one was a +Holbein--and looked them in their sidelong eyes. They looked +back at us. We all, I know, felt the enigmatical quality in +them. Even my uncle was momentarily embarrassed, I think, by +that invincibly self-complacent expression. It was just as +though, after all, he had not bought them up and replaced them +altogether; as though that, secretly, they knew better and could +smile at him. + +The spirit of the place was akin to Bladesover, but touched with +something older and remoter. That armour that stood about had +once served in tilt-yards, if indeed it had not served in +battle, and this family had sent its blood and treasure, time +after time, upon the most romantic quest in history, to +Palestine. Dreams, loyalties, place and honour, how utterly had +it all evaporated, leaving, at last, the final expression of its +spirit, these quaint painted smiles, these smiles of triumphant +completion! It had evaporated, indeed, long before the ultimate +Durgan had died, and in his old age he had cumbered the place +with Early Victorian cushions and carpets and tapestry +table-cloths and invalid appliances of a type even more extinct, +it seemed to us, than the crusades.... Yes, it was different +from Bladesover. + +"Bit stuffy, George," said my uncle. "They hadn't much idea of +ventilation when this was built." + +One of the panelled rooms was half-filled with presses and a +four-poster bed. "Might be the ghost room," said my uncle; but +it did not seem to me that so retiring a family as the Durgans, +so old and completely exhausted a family as the Durgans, was +likely to haunt anybody. What living thing now had any concern +with their honour and judgments and good and evil deeds? Ghosts +and witchcraft were a later innovation--that fashion came from +Scotland with the Stuarts. + +Afterwards, prying for epitaphs, we found a marble crusader with +a broken nose, under a battered canopy of fretted stone, outside +the restricted limits of the present Duffield church, and half +buried in nettles. "Ichabod," said my uncle. "Eh? We shall be +like that, Susan, some day.... I'm going to clean him up a bit +and put a railing to keep off the children." + +"Old saved at the eleventh hour," said my aunt, quoting one of +the less successful advertisements of Tono-Bungay. + +But I don't think my uncle heard her. + +It was by our captured crusader that the vicar found us. He came +round the corner at us briskly, a little out of breath. He had +an air of having been running after us since the first toot of +our horn had warned the village of our presence. He was an +Oxford man, clean-shaven, with a cadaverous complexion and a +guardedly respectful manner, a cultivated intonation, and a +general air of accommodation to the new order of things. These +Oxford men are the Greeks of our plutocratic empire. He was a +Tory in spirit, and what one may call an adapted Tory by stress +of circumstances; that is to say, he was no longer a legitimist; +he was prepared for the substitution of new lords for old. We +were pill vendors he knew, and no doubt horribly vulgar in soul; +but then it might have been some polygamous Indian rajah, a +great strain on a good man's tact, or some Jew with an inherited +expression of contempt. Anyhow, we were English, and neither +Dissenters nor Socialists, and he was cheerfully prepared to do +what he could to make gentlemen of both of us. He might have +preferred Americans for some reasons; they are not so obviously +taken from one part of the social system and dumped down in +another, and they are more teachable; but in this world we cannot +always be choosers. So he was very bright and pleasant with us, +showed us the church, gossiped informingly about our neighbours +on the countryside--Tux, the banker; Lord Boom, the magazine and +newspaper proprietor; Lord Carnaby, that great sportsman, and old +Lady Osprey. And finally he took us by way of a village +lane--three children bobbed convulsively with eyes of terror for +my uncle--through a meticulous garden to a big, slovenly Vicarage +with faded Victorian furniture and a faded Victorian wife, who +gave us tea and introduced us to a confusing family dispersed +among a lot of disintegrating basket chairs upon the edge of a +well-used tennis lawn. + +These people interested me. They were a common type, no doubt, +but they were new to me. There were two lank sons who had been +playing singles at tennis, red-eared youths growing black +moustaches, and dressed in conscientiously untidy tweeds and +unbuttoned and ungirt Norfolk jackets. There were a number of +ill-nourished-looking daughters, sensible and economical in their +costume, the younger still with long, brown-stockinged legs, and +the eldest present--there were, we discovered, one or two hidden +away--displaying a large gold cross and other aggressive +ecclesiastical symbols; there were two or three fox-terriers, a +retrieverish mongrel, and an old, bloody-eyed and very +evil-smelling St. Bernard. There was a jackdaw. There was, +moreover, an ambiguous, silent lady that my aunt subsequently +decided must be a very deaf paying guest. Two or three other +people had concealed themselves at our coming and left unfinished +teas behind them. Rugs and cushions lay among the chairs, and +two of the latter were, I noted, covered with Union Jacks. + +The vicar introduced us sketchily, and the faded Victorian wife +regarded my aunt with a mixture of conventional scorn and abject +respect, and talked to her in a languid, persistent voice about +people in the neighbourhood whom my aunt could not possibly know. + +My aunt received these personalia cheerfully, with her blue eyes +flitting from point to point, and coming back again and again to +the pinched faces of the daughters and the cross upon the +eldest's breast. Encouraged by my aunt's manner, the vicar's +wife grew patronising and kindly, and made it evident that she +could do much to bridge the social gulf between ourselves and the +people of family about us. + +I had just snatches of that conversation. "Mrs. Merridew brought +him quite a lot of money. Her father, I believe, had been in the +Spanish wine trade--quite a lady though. And after that he fell +off his horse and cracked his brain pan and took to fishing and +farming. I'm sure you'll like to know them. He's most +amusing.... The daughter had a disappointment and went to China +as a missionary and got mixed up in a massacre."... + +"The most beautiful silks and things she brought back, you'd +hardly believe!" + +"Yes, they gave them to propitiate her. You see, they didn't +understand the difference, and they thought that as they'd been +massacring people, THEY'D be massacred. They didn't understand +the difference Christianity makes."... + +"Seven bishops they've had in the family!" + +"Married a Papist and was quite lost to them."... + +"He failed some dreadful examination and had to go into the +militia."... + +"So she bit his leg as hard as ever she could and he let go."... + +"Had four of his ribs amputated."... + +"Caught meningitis and was carried off in a week." + +"Had to have a large piece of silver tube let into his throat, +and if he wants to talk he puts his finger on it. It makes him +so interesting, I think. You feel he's sincere somehow. A most +charming man in every way." + +"Preserved them both in spirits very luckily, and there they are +in his study, though of course he doesn't show them to +everybody." + +The silent lady, unperturbed by these apparently exciting +topics, scrutinised my aunt's costume with a singular intensity, +and was visibly moved when she unbuttoned her dust cloak and +flung it wide. Meanwhile we men conversed, one of the more +spirited daughters listened brightly, and the youths lay on the +grass at our feet. My uncle offered them cigars, but they both +declined,--out of bashfulness, it seemed to me, whereas the +vicar, I think, accepted out of tact. When we were not looking +at them directly, these young men would kick each other +furtively. + +Under the influence of my uncle's cigar, the vicar's mind had +soared beyond the limits of the district. "This Socialism," he +said, "seems making great headway." + +My uncle shook his head. "We're too individualistic in this +country for that sort of nonsense," he said "Everybody's business +is nobody's business. That's where they go wrong." + +"They have some intelligent people in their ranks, I am told," +said the vicar, "writers and so forth. Quite a distinguished +playwright, my eldest daughter was telling me--I forget his name. + +Milly, dear! Oh! she's not here. Painters, too, they have. +This Socialist, it seems to me, is part of the Unrest of the +Age.... But, as you say, the spirit of the people is against it. +In the country, at any rate. The people down here are too +sturdily independent in their small way--and too sensible +altogether."... + +"It's a great thing for Duffield to have Lady Grove occupied +again," he was saying when my wandering attention came back from +some attractive casualty in his wife's discourse. "People have +always looked up to the house and considering all things, old Mr. +Durgan really was extraordinarily good--extraordinarily good. +You intend to give us a good deal of your time here, I hope." + +"I mean to do my duty by the Parish," said my uncle. + +"I'm sincerely glad to hear it--sincerely. We've missed--the +house influence. An English village isn't complete--People get +out of hand. Life grows dull. The young people drift away to +London." + +He enjoyed his cigar gingerly for a moment. + +"We shall look to you to liven things up," he said, poor man! + +My uncle cocked his cigar and removed it from his mouth. + +"What you think the place wants?" he asked. + +He did not wait for an answer. "I been thinking while you been +talking--things one might do. Cricket--a good English +game--sports. Build the chaps a pavilion perhaps. Then every +village ought to have a miniature rifle range." + +"Ye-ees," said the vicar. "Provided, of course, there isn't a +constant popping."... + +"Manage that all right," said my uncle. "Thing'd be a sort of +long shed. Paint it red. British colour. Then there's a Union +Jack for the church and the village school. Paint the school +red, too, p'raps. Not enough colour about now. Too grey. Then +a maypole." + +"How far our people would take up that sort of thing--" began the +vicar. + +"I'm all for getting that good old English spirit back again," +said my uncle. "Merrymakings. Lads and lasses dancing on the +village green. Harvest home. Fairings. Yule Log--all the rest +of it." + +"How would old Sally Glue do for a May Queen?" asked one of the +sons in the slight pause that followed. + +"Or Annie Glassbound?" said the other, with the huge virile +guffaw of a young man whose voice has only recently broken. + +"Sally Glue is eighty-five," explained the vicar, "and Annie +Glassbound is well--a young lady of extremely generous +proportions. And not quite right, you know. Not quite +right--here." He tapped his brow. + +"Generous proportions!" said the eldest son, and the guffaws were +renewed. + +"You see," said the vicar, "all the brisker girls go into service +in or near London. The life of excitement attracts them. And no +doubt the higher wages have something to do with it. And the +liberty to wear finery. And generally--freedom from restraint. +So that there might be a little diffculty perhaps to find a May +Queen here just at present who was really young and er-- +pretty.... Of course I couldn't think of any of my girls--or +anything of that sort." + +"We got to attract 'em back," said my uncle. "That's what I feel +about it. We got to Buck-Up the country. The English country is +a going concern still; just as the Established Church--if you'll +excuse me saying it, is a going concern. Just as Oxford is--or +Cambridge. Or any of those old, fine old things. Only it wants +fresh capital, fresh idees and fresh methods. Light railways, +f'rinstance--scientific use of drainage. Wire fencing +machinery--all that." + +The vicar's face for one moment betrayed dismay. Perhaps he was +thinking of his country walks amids the hawthorns and +honeysuckle. + +"There's great things," said my uncle, "to be done on Mod'un +lines with Village Jam and Pickles--boiled in the country." + +It was the reverberation of this last sentence in my mind, I +think, that sharpened my sentimental sympathy as we went through +the straggling village street and across the trim green on our +way back to London. It seemed that afternoon the most tranquil +and idyllic collection of creeper-sheltered homes you can +imagine; thatch still lingered on a whitewashed cottage or two, +pyracanthus, wall-flowers, and daffodils abounded, and an +unsystematic orchard or so was white with blossom above and gay +with bulbs below. I noted a row of straw beehives, +beehive-shaped, beehives of the type long since condemned as +inefficient by all progressive minds, and in the doctor's acre of +grass a flock of two whole sheep was grazing,--no doubt he'd +taken them on account. Two men and one old woman made gestures +of abject vassalage, and my uncle replied with a lordly gesture +of his great motoring glove.... + +"England's full of Bits like this," said my uncle, leaning over +the front seat and looking back with great satisfaction. The +black glare of his goggles rested for a time on the receding +turrets of Lady Grove just peeping over the trees. + +"I shall have a flagstaff, I think," he considered. "Then one +could show when one is in residence. The villagers will like to +know."... + +I reflected. "They will" I said. "They're used to liking to +know."... + +My aunt had been unusually silent. Suddenly she spoke. "He says +Snap," she remarked; "he buys that place. And a nice old job of +Housekeeping he gives me! He sails through the village swelling +like an old turkey. And who'll have to scoot the butler? Me! +Who's got to forget all she ever knew and start again? Me! +Who's got to trek from Chiselhurst and be a great lady? Me! ... +You old Bother! Just when I was settling down and beginning to +feel at home." + +My uncle turned his goggles to her. "Ah! THIS time it is home, +Susan.... We got there." + +VII + +It seems to me now but a step from the buying of Lady Grove to +the beginning of Crest Hill, from the days when the former was a +stupendous achievement to the days when it was too small and dark +and inconvenient altogether for a great financier's use. For me +that was a period of increasing detachment from our business and +the great world of London; I saw it more and more in broken +glimpses, and sometimes I was working in my little pavilion above +Lady Grove for a fortnight together; even when I came up it was +often solely for a meeting of the aeronautical society or for one +of the learned societies or to consult literature or employ +searchers or some such special business. For my uncle it was a +period of stupendous inflation. Each time I met him I found him +more confident, more comprehensive, more consciously a factor in +great affairs. Soon he was no longer an associate of merely +business men; he was big enough for the attentions of greater +powers. + +I grew used to discovering some item of personal news about him +in my evening paper, or to the sight of a full-page portrait of +him in a sixpenny magazine. Usually the news was of some +munificent act, some romantic piece of buying or giving or some +fresh rumour of reconstruction. He saved, you will remember, the +Parbury Reynolds for the country. Or at times, it would be an +interview or my uncle's contribution to some symposium on the +"Secret of Success," or such-like topic. Or wonderful tales of +his power of work, of his wonderful organisation to get things +done, of his instant decisions and remarkable power of judging +his fellow-men. They repeated his great mot: "Eight hour +working day--I want eighty hours!" + +He became modestly but resolutely "public." They cartooned him +in Vanity Fair. One year my aunt, looking indeed a very +gracious, slender lady, faced the portrait of the King in the +great room at Burlington House, and the next year saw a medallion +of my uncle by Ewart, looking out upon the world, proud and +imperial, but on the whole a trifle too prominently convex, from +the walls of the New Gallery. + +I shared only intermittently in his social experiences. People +knew of me, it is true, and many of them sought to make through +me a sort of flank attack upon him, and there was a legend, +owing, very unreasonably, partly to my growing scientific +reputation and partly to an element of reserve in my manner, that +I played a much larger share in planning his operations than was +actually the case. This led to one or two very intimate private +dinners, to my inclusion in one or two house parties and various +odd offers of introductions and services that I didn't for the +most part accept. Among other people who sought me in this way +was Archie Garvell, now a smart, impecunious soldier of no +particular distinction, who would, I think, have been quite +prepared to develop any sporting instincts I possessed, and who +was beautifully unaware of our former contact. He was always +offering me winners; no doubt in a spirit of anticipatory +exchange for some really good thing in our more scientific and +certain method of getting something for nothing.... + +In spite of my preoccupation with my experiments, work, I did, I +find now that I come to ransack my impressions, see a great deal +of the great world during those eventful years; I had a near view +of the machinery by which an astounding Empire is run, rubbed +shoulders and exchanged experiences with bishops and statesmen, +political women and women who were not political, physicians and +soldiers, artists and authors, the directors of great journals, +philanthropists and all sorts of eminent, significant people. I +saw the statesmen without their orders and the bishops with but a +little purple silk left over from their canonicals, inhaling, not +incensen but cigar smoke. I could look at them all the better +because, for the most part, they were not looking at me but at my +uncle, and calculating consciously or unconsciously how they +might use him and assimilate him to their system, the most +unpremeditated, subtle, successful and aimless plutocracy that +ever encumbered the destinies of mankind. Not one of them, so +far as I could see, until disaster overtook him, resented his +lies, his almost naked dishonesty of method, the disorderly +disturbance of this trade and that, caused by his spasmodic +operations. I can see them now about him, see them polite, +watchful, various; his stiff compact little figure always a +centre of attention, his wiry hair, his brief nose, his +under-lip, electric with self-confidence. Wandering marginally +through distinguished gatherings, I would catch the +whispers: "That's Mr. Ponderevo!" + +"The little man?" + +"Yes, the little bounder with the glasses." + +"They say he's made--"... + +Or I would see him on some parterre of a platform beside my +aunt's hurraying hat, amidst titles and costumes, "holding his +end up," as he would say, subscribing heavily to obvious +charities, even at times making brief convulsive speeches in some +good cause before the most exalted audiences. "Mr. Chairman, +your Royal Highness, my Lords, Ladies and Gentlemen,"`he would +begin amidst subsiding applause and adjust those obstinate +glasses and thrust back the wings of his frock-coat and rest his +hands upon his hips and speak his fragment with ever and again an +incidental Zzzz. His hands would fret about him as he spoke, +fiddle his glasses, feel in his waistcoat pockets; ever and again +he would rise slowly to his toes as a sentence unwound jerkily +like a clockwork snake, and drop back on his heels at the end. +They were the very gestures of our first encounter when he had +stood before the empty fireplace in his minute draped parlour and +talked of my future to my mother. + +In those measurelessly long hot afternoons in the little shop at +Wimblehurst he had talked and dreamt of the Romance of Modern +Commerce. Here, surely, was his romance come true. + +VIII + +People say that my uncle lost his head at the crest of his +fortunes, but if one may tell so much truth of a man one has in a +manner loved, he never had very much head to lose. He was always +imaginative, erratic, inconsistent, recklessly inexact, and his +inundation of wealth merely gave him scope for these qualities. +It is true, indeed, that towards the climax he became intensely +irritable at times and impatient of contradiction, but that, I +think, was rather the gnawing uneasiness of sanity than any +mental disturbance. But I find it hard either to judge him or +convey the full development of him to the reader. I saw too much +of him; my memory is choked with disarranged moods and aspects. +Now he is distended with megalomania, now he is deflated, now he +is quarrelsome, now impenetrably self-satisfied, but always he +is sudden, jerky, fragmentary, energetic, and--in some subtle +fundamental way that I find difficult to define--absurd. + +There stands out--because of the tranquil beauty of its setting +perhaps--a talk we had in the veranda of the little pavilion near +my worksheds behind Crest Hill in which my aeroplanes and +navigable balloons were housed. It was one of many similar +conversations, and I do not know why it in particular should +survive its fellows. It happens so. He had come up to me after +his coffee to consult me about a certain chalice which in a +moment of splendour and under the importunity of a countess he +had determined to give to a deserving church in the east-end. +I, in a moment of even rasher generosity, had suggested Ewart as +a possible artist. Ewart had produced at once an admirable sketch +for the sacred vessel surrounded by a sort of wreath of Millies +with open arms and wings and had drawn fifty pounds on the +strength of it. After that came a series of vexatious delays. +The chalice became less and less of a commercial man's chalice, +acquired more and more the elusive quality of the Holy Grail, and +at last even the drawing receded. + +My uncle grew restive...."You see, George, they'll begin to want +the blasted thing!" + +"What blasted thing?" + +"That chalice, damn it! They're beginning to ask questions. It +isn't Business, George." + +"It's art," I protested, "and religion." + +"That's all very well. But it's not a good ad for us, George, to +make a promise and not deliver the goods.... I'll have to write +off your friend Ewart as a bad debt, that's what it comes to, and +go to a decent firm."... + +We sat outside on deck chairs in the veranda of the pavilion, +smoked, drank whisky, and, the chalice disposed of, meditated. +His temporary annoyance passed. It was an altogether splendid +summer night, following a blazing, indolent day. Full moonlight +brought out dimly the lines of the receding hills, one wave +beyond another; far beyond were the pin-point lights of +Leatherhead, and in the foreground the little stage from which I +used to start upon my gliders gleamed like wet steel. The season +must have been high June, for down in the woods that hid the +lights of the Lady Grove windows, I remember the nightingales +thrilled and gurgled.... + +"We got here, George," said my uncle, ending a long pause. +"Didn't I say?" + +"Say!--when?" I asked. + +"In that hole in the To'nem Court Road, eh? It's been a Straight +Square Fight, and here we are!" + +I nodded. + +"'Member me telling you--Tono-Bungay?.... Well.... I'd just that +afternoon thought of it!" + +"I've fancied at times;" I admitted. + +"It's a great world, George, nowadays, with a fair chance for +every one who lays hold of things. The career ouvert to the +Talons--eh? Tono-Bungay. Think of it! It's a great world and a +growing world, and I'm glad we're in it--and getting a pull. +We're getting big people, George. Things come to us. Eh? This +Palestine thing."... + +He meditated for a time and Zzzzed softly. Then he became still. + +His theme was taken up by a cricket in the grass until he himself +was ready to resume it. The cricket too seemed to fancy that in +some scheme of its own it had got there. "Chirrrrrrup" it said; +"chirrrrrrup." + +"Lord, what a place that was at Wimblehurst!" he broke out. "If +ever I get a day off we'll motor there, George, and run over that +dog that sleeps in the High Street. Always was a dog asleep +there--always. Always... I'd like to see the old shop again. I +daresay old Ruck still stands between the sheep at his door, +grinning with all his teeth, and Marbel, silly beggar! comes out +with his white apron on and a pencil stuck behind his ear, +trying to look awake... Wonder if they know it's me? I'd like +'em somehow to know it's me." + +"They'll have had the International Tea Company and all sorts of +people cutting them up," I said. "And that dog's been on the +pavement this six years--can't sleep even there, poor dear, +because of the motor-horns and its shattered nerves." + +"Movin' everywhere," said my uncle. "I expect you're right.... +It's a big time we're in, George. It's a big Progressive +On-coming Imperial Time. This Palestine business--the daring of +it.... It's, it's a Process, George. And we got our hands on +it. Here we sit--with our hands on it, George. Entrusted. + +"It seems quiet to--night. But if we could see and hear." He +waved his cigar towards Leatherhead and London. + +"There they are, millions, George. Jes' think of what they've +been up to to-day--those ten millions--each one doing his own +particular job. You can't grasp it. It's like old Whitman +says--what is it he says? Well, anyway it's like old Whitman. +Fine chap, Whitman! Fine old chap! Queer, you can't quote him. +... And these millions aren't anything. There's the millions +over seas, hundreds of millions, Chinese, M'rocco, Africa +generally, 'Merica.... Well, here we are, with power, with +leisure, picked out--because we've been energetic, because we've +seized opportunities, because we've made things hum when other +people have waited for them to hum. See? Here we are--with our +hands on it. Big people. Big growing people. In a sort of +way,--Forces." + +He paused. "It's wonderful, George," he said. + +"Anglo-Saxon energy," I said softly to the night. + +"That's it, George--energy. It's put things in our +grip--threads, wires, stretching out and out, George, from that +little office of ours, out to West Africa, out to Egypt, out to +Inja, out east, west, north and south. Running the world +practically. Running it faster and faster. Creative. There's +that Palestine canal affair. Marvellous idee! Suppose we take +that up, suppose we let ourselves in for it, us and the others, +and run that water sluice from the Mediterranean into the Dead +Sea Valley--think of the difference it will make! All the desert +blooming like a rose, Jericho lost for ever, all the Holy Places +under water.... Very likely destroy Christianity."... + +He mused for a space. "Cuttin' canals," murmured my uncle. +"Making tunnels.... New countries.... New centres.... Zzzz.... +Finance.... Not only Palestine. + +"I wonder where we shall get before we done, George? We got a +lot of big things going. We got the investing public sound and +sure. I don't see why in the end we shouldn't be very big. +There's diffculties but I'm equal to them. We're still a bit +soft in our bones, but they'll harden all right.... I suppose, +after all, I'm worth something like a million, George, cleared up +and settled. If I got out of things now. It's a great time, +George, a wonderful time!"... + +I glanced through the twilight at his convexity and I must +confess it struck me that on the whole he wasn't particularly +good value. + +"We got our hands on things, George, us big people. We got to +hang together, George run the show. Join up with the old order +like that mill-wheel of Kipling's. (Finest thing he ever wrote, +George; I jes' been reading it again. Made me buy Lady Grove.) +Well, we got to run the country, George. It's ours. Make it a +Scientific Organised Business Enterprise. Put idees into it. +'Lectrify it. Run the Press. Run all sorts of developments. +All sorts of developments. I been talking to Lord Boom. I been +talking to all sorts of people. Great things. Progress. The +world on business lines. Only jes' beginning."... + +He fell into a deep meditation. + +He Zzzzed for a time and ceased. + +"YES," he said at last in the tone of a man who has at last +emerged with ultimate solutions to the profoundest problems. + +"What?" I said after a seemly pause. + +My uncle hung fire for a moment and it seemed to me the fate of +nations trembled in the balance. Then he spoke as one who speaks +from the very bottom of his heart--and I think it was the very +bottom of his heart. + +"I'd jes' like to drop into the Eastry Arms, jes' when all those +beggars in the parlour are sittin' down to whist, Ruck and Marbel +and all, and give 'em ten minutes of my mind, George. Straight +from the shoulder. Jes' exactly what I think of them. It's a +little thing, but I'd like to do it jes' once before I die."... + +He rested on that for some time Zzzz-ing. + +Then he broke out at a new place in a tone of detached criticism. + +"There's Boom," he reflected. + +"It's a wonderful system this old British system, George. It's +staid and stable and yet it has a place for new men. We come up +and take our places. It's almost expected. We take a hand. +That's where our Democracy differs from America. Over there a +man succeeds; all he gets is money. Here there's a system open +to every one--practically.... Chaps like Boom--come from +nowhere." + +His voice ceased. I reflected upon the spirit of his words. +Suddenly I kicked my feet in the air, rolled on my side and sat +up suddenly on my deck chair with my legs down. + +"You don't mean it!" I said. + +"Mean what, George?" + +"Subscription to the party funds. Reciprocal advantage. Have +we got to that?" + +"Whad you driving at, George?" + +"You know. They'd never do it, man!" + +"Do what?" he said feebly; and, "Why shouldn't they?" + +"They'd not even go to a baronetcy. NO!.... And yet, of course, +there's Boom! And Collingshead and Gorver. They've done beer, +they've done snippets! After all Tono-Bungay--it's not like a +turf commission agent or anything like that!... There have of +course been some very gentlemanly commission agents. It isn't +like a fool of a scientific man who can't make money!" + +My uncle grunted; we'd differed on that issue before. + +A malignant humour took possession of me. "What would they call +you?" I speculated. "The vicar would like Duffield. Too much +like Duffer! Difficult thing, a title." I ran my mind over +various possibilities. "Why not take a leaf from a socialist +tract I came upon yesterday. Chap says we're all getting +delocalised. Beautiful word--delocalised! Why not be the first +delocalised peer? That gives you--Tono-Bungay! There is a Bungay, +you know. Lord Tono of Bungay--in bottles everywhere. Eh?" + +My uncle astonished me by losing his temper. + +"Damn it. George, you don't seem to see I'm serious! You're +always sneering at Tono-Bungay! As though it was some sort of +swindle. It was perfec'ly legitimate trade, perfec'ly +legitimate. Good value and a good article.... When I come up +here and tell you plans and exchange idees--you sneer at me. You +do. You don't see--it's a big thing. It's a big thing. You got +to get used to new circumstances. You got to face what lies +before us. You got to drop that tone." + +IX + +My uncle was not altogether swallowed up in business and +ambition. He kept in touch with modern thought. For example, he +was, I know, greatly swayed by what he called "This Overman idee, +Nietzsche--all that stuff." + +He mingled those comforting suggestions of a potent and +exceptional human being emancipated from the pettier limitations +of integrity with the Napoleonic legend. It gave his imagination +a considerable outlet. That Napoleonic legend! The real +mischief of Napoleon's immensely disastrous and accidental career +began only when he was dead and the romantic type of mind was +free to elaborate his character. I do believe that my uncle +would have made a far less egregious smash if there had been no +Napoleonic legend to misguide him. He was in many ways better +and infinitely kinder than his career. But when in doubt between +decent conduct and a base advantage, that cult came in more and +more influentially: "think of Napoleon; think what the +inflexibly-wilful Napoleon would have done with such scruples as +yours;" that was the rule, and the end was invariably a new step +in dishonour. + +My uncle was in an unsystematic way a collector of Napoleonic +relics; the bigger the book about his hero the more readily he +bought it; he purchased letters and tinsel and weapons that bore +however remotely upon the Man of Destiny, and he even secured in +Geneva, though he never brought home, an old coach in which +Buonaparte might have ridden; he crowded the quiet walls of Lady +Grove with engravings and figures of him, preferring, my aunt +remarked, the more convex portraits with the white vest and those +statuettes with the hands behind the back which threw forward the +figure. The Durgans watched him through it all, sardonically. + +And he would stand after breakfast at times in the light of the +window at Lady Grove, a little apart, with two fingers of one +hand stuck between his waistcoat-buttons and his chin sunken, +thinking,--the most preposterous little fat man in the world. +It made my aunt feel, she said, "like an old Field +Marshal--knocks me into a cocked hat, George!" + +Perhaps this Napoleonic bias made him a little less frequent with +his cigars than he would otherwise have been, but of that I +cannot be sure, and it certainly caused my aunt a considerable +amount of vexation after he had read Napoleon and the Fair Sex, +because for a time that roused him to a sense of a side of life +he had in his commercial preoccupations very largely forgotten. +Suggestion plays so great a part in this field. My uncle took +the next opportunity and had an "affair"! + +It was not a very impassioned affair, and the exact particulars +never of course reached me. It is quite by chance I know +anything of it at all. One evening I was surprised to come upon +my uncle in a mixture of Bohemia and smart people at an At Home +in the flat of Robbert, the R.A. who painted my aunt, and he was +standing a little apart in a recess, talking or rather being +talked to in undertones by a plump, blond little woman in pale +blue, a Helen Scrymgeour who wrote novels and was organising a +weekly magazine. I elbowed a large lady who was saying +something about them, but I didn't need to hear the thing she +said to perceive the relationship of the two. It hit me like a +placard on a hoarding. I was amazed the whole gathering did not +see it. Perhaps they did. She was wearing a remarkably fine +diamond necklace, much too fine for journalism, and regarding him +with that quality of questionable proprietorship, of leashed but +straining intimacy, that seems inseparable from this sort of +affair. It is so much more palpable than matrimony. If anything +was wanted to complete my conviction it was my uncles's eyes when +presently he became aware of mine, a certain embarrassment and a +certain pride and defiance. And the next day he made an +opportunity to praise the lady's intelligence to me concisely, +lest I should miss the point of it all. + +After that I heard some gossip--from a friend of the lady's. I +was much too curious to do anything but listen. I had never in +all my life imagined my uncle in an amorous attitude. It would +appear that she called him her "God in the Car"--after the hero +in a novel of Anthony Hope's. It was essential to the +convention of their relations that he should go relentlessly +whenever business called, and it was generally arranged that it +did call. To him women were an incident, it was understood +between them; Ambition was the master-passion. A great world +called him and the noble hunger for Power. I have never been +able to discover just how honest Mrs. Scrymgeour was in all this, +but it is quite possible the immense glamour of his financial +largeness prevailed with her and that she did bring a really +romantic feeling to their encounters. There must have been some +extraordinary moments.... + +I was a good deal exercised and distressed about my aunt when I +realised what was afoot. I thought it would prove a terrible +humiliation to her. I suspected her of keeping up a brave front +with the loss of my uncle's affections fretting at her heart, but +there I simply underestimated her. She didn't hear for some time +and when she did hear she was extremely angry and energetic. The +sentimental situation didn't trouble her for a moment. She +decided that my uncle "wanted smacking." She accentuated herself +with an unexpected new hat, went and gave him an inconceivable +talking-to at the Hardingham, and then came round to "blow-up" +me for not telling her what was going on before.... + +I tried to bring her to a proper sense of the accepted values in +this affair, but my aunt's originality of outlook was never so +invincible. "Men don't tell on one another in affairs of +passion," I protested, and such-like worldly excuses. + +"Women!" she said in high indignation, "and men! It isn't women +and men--it's him and me, George! Why don't you talk sense? + +"Old passion's all very well, George, in its way, and I'm the +last person to be jealous. But this is old nonsense.... I'm not +going to let him show off what a silly old lobster he is to other +women.... I'll mark every scrap of his underclothes with red +letters, 'Ponderevo-Private'--every scrap. + +"Going about making love indeed,--in abdominal belts!--at his +time of life!" + +I cannot imagine what passed between her and my uncle. But I +have no doubt that for once her customary badinage was laid +aside. How they talked then I do not know, for I who knew them +so well had never heard that much of intimacy between them. At +any rate it was a concerned and preoccupied "God in the Car" I +had to deal with in the next few days, unusually Zzzz-y and given +to slight impatient gestures that had nothing to do with the +current conversation. And it was evident that in all directions +he was finding things unusually difficult to explain. + +All the intimate moments in this affair were hidden from me, but +in the end my aunt triumphed. He did not so much throw as jerk +over Mrs. Scrymgeour, and she did not so much make a novel of it +as upset a huge pailful of attenuated and adulterated female soul +upon this occasion. My aunt did not appear in that, even +remotely. So that it is doubtful if the lady knew the real +causes of her abandonment. The Napoleonic hero was practically +unmarried, and he threw over his lady as Napoleon threw over +Josephine for a great alliance. + +It was a triumph for my aunt, but it had its price. For some +time it was evident things were strained between them. He gave +up the lady, but he resented having to do so, deeply. She had +meant more to his imagination than one could have supposed. He +wouldn't for a long time "come round." He became touchy and +impatient and secretive towards my aunt, and she, I noted, after +an amazing check or so, stopped that stream of kindly abuse that +had flowed for so long and had been so great a refreshment in +their lives. They were both the poorer for its cessation, both +less happy. She devoted herself more and more to Lady Grove and +the humours and complications of its management. The servants +took to her--as they say--she god-mothered three Susans during +her rule, the coachman's, the gardener's, and the Up Hill +gamekeeper's. She got together a library of old household books +that were in the vein of the place. She revived the still-room, +and became a great artist in jellies and elder and cowslip wine. + +X + +And while I neglected the development of my uncle's finances--and +my own, in my scientific work and my absorbing conflict with the +difficulties of flying,--his schemes grew more and more expansive +and hazardous, and his spending wilder and laxer. I believe that +a haunting sense of the intensifying unsoundness of his position +accounts largely for his increasing irritability and his +increasing secretiveness with my aunt and myself during these +crowning years. He dreaded, I think, having to explain, he +feared our jests might pierce unwittingly to the truth. Even in +the privacy of his mind he would not face the truth. He was +accumulating unrealisable securities in his safes until they hung +a potential avalanche over the economic world. But his buying +became a fever, and his restless desire to keep it up with +himself that he was making a triumphant progress to limitless +wealth gnawed deeper and deeper. A curious feature of this time +with him was his buying over and over again of similar things. +His ideas seemed to run in series. Within a twelve-month he +bought five new motor-cars, each more swift and powerful than its +predecessor, and only the repeated prompt resignation of his +chief chauffeur at each moment of danger, prevented his driving +them himself. He used them more and more. He developed a +passion for locomotion for its own sake. + +Then he began to chafe at Lady Grove, fretted by a chance jest he +had overheard at a dinner. "This house, George," he said. "It's +a misfit. There's no elbow-room in it; it's choked with old +memories. And I can't stand all these damned Durgans! + +"That chap in the corner, George. No! the other corner! The man +in a cherry-coloured coat. He watched you! He'd look silly if I +stuck a poker through his Gizzard!" + +"He'd look," I reflected, "much as he does now. As though he was +amused." + +He replaced his glasses, which had fallen at his emotion, and +glared at his antagonists. "What are they? What are they all, +the lot of 'em? Dead as Mutton! They just stuck in the mud. +They didn't even rise to the Reformation. The old out-of-date +Reformation! Move with the times!--they moved against the times. + +Just a Family of Failure,--they never even tried! + +"They're jes', George, exactly what I'm not. Exactly. It isn't +suitable.... All this living in the Past. + +"And I want a bigger place too, George. I want air and sunlight +and room to move about and more service. A house where you can +get a Move on things! Zzzz. Why! it's like a discord--it +jars--even to have the telephone.... There's nothing, nothing +except the terrace, that's worth a Rap. It's all dark and old +and dried up and full of old-fashioned things--musty old +idees--fitter for a silver-fish than a modern man.... I don't +know how I got here." + +He broke out into a new grievance. "That damned vicar," he +complained, "thinks I ought to think myself lucky to get this +place! Every time I meet him I can see him think it.... One of +these days, George I'll show him what a Mod'un house is like!" + +And he did. + +I remember the day when he declared, as Americans say, for Crest +Hill. He had come up to see my new gas plant, for I was then +only just beginning to experiment with auxiliary collapsible +balloons, and all the time the shine of his glasses was wandering +away to the open down beyond. "Let's go back to Lady Grove over +the hill," he said. "Something I want to show you. Something +fine!" + +It was an empty sunlit place that summer evening, sky and earth +warm with sundown, and a pe-wit or so just accentuating the +pleasant stillness that ends a long clear day. A beautiful +peace, it was, to wreck for ever. And there was my uncle, the +modern man of power, in his grey top-hat and his grey suit and +his black-ribboned glasses, short, thin-legged, large-stomached, +pointing and gesticulating, threatening this calm. + +He began with a wave of his arm. "That's the place, George," he +said. "See?" + +"Eh!" I cried--for I had been thinking of remote things. + +"I got it." + +"Got what?" + +"For a house!--a Twentieth Century house! That's the place for +it!" + +One of his characteristic phrases was begotten in him. + +"Four-square to the winds of heaven, George!" he said. "Eh? +Four-square to the winds of heaven!" + +"You'll get the winds up here," I said. + +"A mammoth house it ought to be, George--to suit these hills." + +"Quite," I said. + +"Great galleries and things--running out there and there--See? I +been thinking of it, George! Looking out all this way--across +the +Weald. With its back to Lady Grove." + +"And the morning sun in its eye." + +"Like an eagle, George,--like an eagle!" + +So he broached to me what speedily became the leading occupation +of his culminating years, Crest Hill. But all the world has +heard of that extravagant place which grew and changed its plans +as it grew, and bubbled like a salted snail, and burgeoned and +bulged and evermore grew. I know not what delirium of pinnacles +and terraces and arcades and corridors glittered at last upon the +uplands of his mind; the place, for all that its expansion was +terminated abruptly by our collapse, is wonderful enough as it +stands,--that empty instinctive building of a childless man. His +chief architect was a young man named Westminster, whose work he +had picked out in the architecture room of the Royal Academy on +account of a certain grandiose courage in it, but with him he +associated from time to time a number of fellow professionals, +stonemasons, sanitary engineers, painters, sculptors, scribes, +metal workers, wood carvers, furniture designers, ceramic +specialists, landscape gardeners, and the man who designs the +arrangement and ventilation of the various new houses in the +London Zoological Gardens. In addition he had his own ideas. +The thing occupied his mind at all times, but it held it +completely from Friday night to Monday morning. He would come +down to Lady Grove on Friday night in a crowded motor-car that +almost dripped architects. He didn't, however, confine himself +to architects; every one was liable to an invitation to week-end +and view Crest Hill, and many an eager promoter, unaware of how +Napoleonically and completely my uncle had departmentalised his +mind, tried to creep up to him by way of tiles and ventilators +and new electric fittings. Always on Sunday mornings, unless the +weather was vile, he would, so soon as breakfast and his +secretaries were disposed of, visit the site with a considerable +retinue, and alter and develop plans, making modifications, +Zzzz-ing, giving immense new orders verbally--an unsatisfactory +way, as Westminster and the contractors ultimately found. + +There he stands in my memory, the symbol of this age for me, the +man of luck and advertisement, the current master of the world. +There he stands upon the great outward sweep of the terrace +before the huge main entrance, a little figure, ridiculously +disproportionate to that forty-foot arch, with the granite ball +behind him--the astronomical ball, brass coopered, that +represented the world, with a little adjustable tube of lenses on +a gun-metal arm that focussed the sun upon just that point of +the earth on which it chanced to be shining vertically. There he +stands, Napoleonically grouped with his retinue men in tweeds and +golfing-suits, a little solicitor, whose name I forget, in grey +trousers and a black jacket, and Westminster in Jaeger +underclothing, a floriferous tie, and peculiar brown cloth of his +own. + +The downland breeze flutters my uncle's coat-tails, disarranges +his stiff hair, and insists on the evidence of undisciplined +appetites in face and form, as he points out this or that feature +in the prospect to his attentive collaborator. + +Below are hundreds of feet of wheeling-planks, ditches, +excavations, heaps of earth, piles of garden stone from the +Wealden ridges. On either hand the walls of his irrelevant +unmeaning palace rise at one time he had working in that +place--disturbing the economic balance of the whole countryside +by their presence--upwards of three thousand men.... + +So he poses for my picture amidst the raw beginnings that were +never to be completed. He did the strangest things about that +place, things more and more detached from any conception of +financial scale, things more and more apart from sober humanity. +He seemed to think himself, at last, released from any such +limitations. He moved a quite considerable hill, and nearly +sixty mature trees were moved with it to open his prospect +eastward, moved it about two hundred feet to the south. At +another time he caught a suggestion from some city restaurant and +made a billiard-room roofed with plate glass beneath the waters +of his ornamental lake. He furnished one wing while its roof +still awaited completion. He had a swimming bath thirty feet +square next to his bedroom upstairs, and to crown it all he +commenced a great wall to hold all his dominions together, free +from the invasion of common men. It was a ten-foot wall, glass +surmounted, and had it been completed as he intended it, it +would have had a total length of nearly eleven miles. Some of it +towards the last was so dishonestly built that it collapsed +within a year upon its foundations, but some miles of it still +stand. I never think of it now but what I think of the hundreds +of eager little investors who followed his "star," whose hopes +and lives, whose wives' security and children's prospects are all +mixed up beyond redemption with that flaking mortar.... + +It is curious how many of these modern financiers of chance and +bluff have ended their careers by building. It was not merely my +uncle. Sooner or later they all seem to bring their luck to the +test of realisation, try to make their fluid opulence coagulate +out as bricks and mortar, bring moonshine into relations with a +weekly wages-sheet. Then the whole fabric of confidence and +imagination totters--and down they come.... + +When I think of that despoiled hillside, that colossal litter of +bricks and mortar, and crude roads and paths, the scaffolding and +sheds, the general quality of unforeseeing outrage upon the +peace of nature, I am reminded of a chat I had with the vicar one +bleak day after he had witnessed a glide. He talked to me of +aeronautics as I stood in jersey and shorts beside my machine, +fresh from alighting, and his cadaverous face failed to conceal +a peculiar desolation that possessed him. + +"Almost you convince me," he said, coming up to me, "against my +will.... A marvellous invention! But it will take you a long +time, sir, before you can emulate that perfect mechanism--the +wing of a bird." + +He looked at my sheds. + +"You've changed the look of this valley, too," he said. + +"Temporary defilements," I remarked, guessing what was in his +mind. + +"Of course. Things come and go. Things come and go. But--H'm. +I've just been up over the hill to look at Mr. Edward +Ponderevo's new house. That--that is something more permanent. +A magnificent place!--in many ways. Imposing. I've never +somehow brought myself to go that way before. Things are greatly +advanced.... We find--the great number of strangers introduced +into the villages about here by these operations, working-men +chiefly, a little embarrassing. It put us out. They bring a +new spirit into the place; betting--ideas--all sorts of queer +notions. Our publicans like it, of course. And they come and +sleep in one's outhouses--and make the place a little unsafe at +nights. The other morning I couldn't sleep--a slight +dyspepsia--and I looked out of the window. I was amazed to see +people going by on bicycles. A silent procession. I counted +ninety-seven--in the dawn. All going up to the new road for +Crest Hill. Remarkable I thought it. And so I've been up to see +what they were doing." + +"They would have been more than remarkable thirty years ago," I +said. + +"Yes, indeed. Things change. We think nothing of it now at +all--comparatively. And that big house--" + +He raised his eyebrows. "Really stupendous! Stupendous. + +"All the hillside--the old turf--cut to ribbons!" + +His eye searched my face. "We've grown so accustomed to look up +to Lady Grove," he said, and smiled in search of sympathy. "It +shifts our centre of gravity." + +"Things will readjust themselves," I lied. + +He snatched at the phrase. "Of course," he said. + +"They'll readjust themselves--settle down again. Must. In the +old way. It's bound to come right again--a comforting thought. +Yes. After all, Lady Grove itself had to be built once upon a +time--was--to begin with--artificial." + +His eye returned to my aeroplane. He sought to dismiss his +graver preoccupations. "I should think twice," he remarked, +"before I trusted myself to that concern.... But I suppose one +grows accustomed to the motion." + +He bade me good morning and went his way, bowed and +thoughtful.... + +He had kept the truth from his mind a long time, but that morning +it had forced its way to him with an aspect that brooked no +denial that this time it was not just changes that were coming in +his world, but that all his world lay open and defenceless, +conquered and surrendered, doomed so far as he could see, root +and branch, scale and form alike, to change. + + +CHAPTER THE THIRD + +SOARING + +I + +For nearly all the time that my uncle was incubating and hatching +Crest Hill I was busy in a little transverse valley between that +great beginning and Lady Grove with more and more costly and +ambitious experiments in aerial navigation. This work was indeed +the main substance of my life through all the great time of the +Tono-Bungay symphony. + +I have told already how I came to devote myself to this system of +inquiries, how in a sort of disgust with the common adventure of +life I took up the dropped ends of my college studies, taking +them up again with a man's resolution instead of a boy's +ambition. From the first I did well at this work. It--was, I +think, largely a case of special aptitude, of a peculiar +irrelevant vein of faculty running through my mind. It is one of +those things men seem to have by chance, that has little or +nothing to do with their general merit, and which it is +ridiculous to be either conceited or modest about. I did get +through a very big mass of work in those years, working for a +time with a concentrated fierceness that left little of such +energy or capacity as I possess unused. I worked out a series +of problems connected with the stability of bodies pitching in +the air and the internal movements of the wind, and I also +revolutionised one leading part at last of the theory of +explosive engines. These things are to be found in the +Philosophical Transactions, the Mathematical Journal, and +less frequently in one or two other such publications, and they +needn't detain us here. Indeed, I doubt if I could write about +them here. One acquires a sort of shorthand for one's notes and +mind in relation to such special work. I have never taught; nor +lectured, that is to say, I have never had to express my thoughts +about mechanical things in ordinary everyday language, and I +doubt very much if I could do so now without extreme tedium. + +My work was, to begin with, very largely theoretical. I was able +to attack such early necessities of verification as arose with +quite little models, using a turntable to get the motion through +the air, and cane, whalebone and silk as building material. But +a time came when incalculable factors crept in, factors of human +capacity and factors of insufficient experimental knowledge, when +one must needs guess and try. Then I had to enlarge the scale of +my operations, and soon I had enlarged them very greatly. I set +to work almost concurrently on the balance and stability of +gliders and upon the steering of inflated bags, the latter a +particularly expensive branch of work. I was no doubt moved by +something of the same spirit of lavish expenditure that was +running away with my uncle in these developments. Presently +my establishment above Lady Grove had grown to a painted wood +chalet big enough to accommodate six men, and in which I would +sometimes live for three weeks together; to a gasometer, to a +motor-house, to three big corrugated-roofed sheds and lock-up +houses, to a stage from which to start gliders, to a workshop and +so forth. A rough road was made. We brought up gas from +Cheaping and electricity from Woking, which place I found also +afforded a friendly workshop for larger operations than I could +manage. I had the luck also to find a man who seemed my +heaven-sent second-in-command--Cothope his name was. He was a +self-educated-man; he had formerly been a sapper and he was +one of the best and handiest working engineers alive. Without +him I do not think I could have achieved half what I have done. +At times he has been not so much my assistant as my collaborator, +and has followed my fortunes to this day. Other men came and +went as I needed them. + +I do not know how far it is possible to convey to any one who has +not experienced it, the peculiar interest, the peculiar +satisfaction that lies in a sustained research when one is not +hampered by want of money. It is a different thing from any +other sort of human effort. You are free from the exasperating +conflict with your fellow-creatures altogether--at least so far +as the essential work goes; that for me is its peculiar merit. +Scientific truth is the remotest of mistresses; she hides in +strange places, she is attained by tortuous and laborious roads, +but SHE IS ALWAYS THERE! Win to her and she will not fail you; +she is yours and mankind's for ever. She is reality, the one +reality I have found in this strange disorder of existence. She +will not sulk with you nor misunderstand you nor cheat you of +your reward upon some petty doubt. You cannot change her by +advertisement or clamour, nor stifle her in vulgarities. Things +grow under your hands when you serve her, things that are +permanent as nothing else is permanent in the whole life of man. +That, I think, is the peculiar satisfaction of science and its +enduring reward.... + +The taking up of experimental work produced a great change in +my personal habits. I have told how already once in my life at +Wimblehurst I had a period of discipline and continuous effort, +and how, when I came to South Kensington, I became demoralised by +the immense effect of London, by its innumerable imperative +demands upon my attention and curiosity. And I parted with much +of my personal pride when I gave up science for the development +of Tono-Bungay. But my poverty kept me abstinent and my youthful +romanticism kept me chaste until my married life was well under +way. Then in all directions I relaxed. I did a large amount of +work, but I never troubled to think whether it was my maximum nor +whether the moods and indolences that came to me at times were +avoidable things. With the coming of plenty I ate abundantly and +foolishly, drank freely and followed my impulses more and more +carelessly. I felt no reason why I should do anything else. +Never at any point did I use myself to the edge of my capacity. +The emotional crisis of my divorce did not produce any immediate +change in these matters of personal discipline. I found some +difficulty at first in concentrating my mind upon scientific +work, it was so much more exacting than business, but I got over +that difficulty by smoking. I became an inordinate cigar smoker; +it gave me moods of profound depression, but I treated these +usually by the homeopathic method,--by lighting another cigar. I +didn't realise at all how loose my moral and nervous fibre had +become until I reached the practical side of my investigations +and was face to face with the necessity of finding out just how +it felt to use a glider and just what a man could do with one. + +I got into this relaxed habit of living in spite of very real +tendencies in my nature towards discipline. I've never been in +love with self-indulgence. That philosophy of the loose lip and +the lax paunch is one for which I've always had an instinctive +distrust. I like bare things, stripped things, plain, austere +and continent things, fine lines and cold colours. But in these +plethoric times when there is too much coarse stuff for everybody +and the struggle for life takes the form of competitive +advertisement and the effort to fill your neighbour's eye, when +there is no urgent demand either for personal courage, sound +nerves or stark beauty, we find ourselves by accident. Always +before these times the bulk of the people did not over-eat +themselves, because they couldn't, whether they wanted to do so +or not, and all but a very few were kept "fit" by unavoidable +exercise and personal danger. Now, if only he pitch his standard +low enough and keep free from pride, almost any one can achieve a +sort of excess. You can go through contemporary life fudging and +evading, indulging and slacking, never really hungry nor +frightened nor passionately stirred, your highest moment a mere +sentimental orgasm, and your first real contact with primary and +elemental necessities, the sweat of your death-bed. So I think +it was with my uncle; so, very nearly, it was with me. + +But the glider brought me up smartly. I had to find out how +these things went down the air, and the only way to find out is +to go down with one. And for a time I wouldn't face it. + +There is something impersonal about a book, I suppose. At any +rate I find myself able to write down here just the confession +I've never been able to make to any one face to face, the +frightful trouble it was to me to bring myself to do what I +suppose every other coloured boy in the West Indies could do +without turning a hair, and that is to fling myself off for my +first soar down the wind. The first trial was bound to be the +worst; it was an experiment I made with life, and the chance of +death or injury was, I supposed, about equal to the chance of +success. I believed that with a dawn-like lucidity. I had +begun with a glider that I imagined was on the lines of the +Wright brothers' aeroplane, but I could not be sure. It might +turn over. I might upset it. It might burrow its nose at the +end and smash itself and me. The conditions of the flight +necessitated alert attention; it wasn't a thing to be done by +jumping off and shutting one's eyes or getting angry or drunk to +do it. One had to use one's weight to balance. And when at last +I did it it was horrible--for ten seconds. For ten seconds or so, +as I swept down the air flattened on my infernal framework and +with the wind in my eyes, the rush of the ground beneath me +filled me with sick and helpless terror; I felt as though some +violent oscillatory current was throbbing in brain and back bone, +and I groaned aloud. I set my teeth and groaned. It was a groan +wrung out of me in spite of myself. My sensations of terror +swooped to a climax. And then, you know, they ended! + +Suddenly my terror was over and done with. I was soaring through +the air right way up, steadily, and no mischance had happened. I +felt intensely alive and my nerves were strung like a bow. I +shifted a limb, swerved and shouted between fear and triumph as I +recovered from the swerve and heeled the other way and steadied +myself. + +I thought I was going to hit a rook that was flying athwart +me,--it was queer with what projectile silence that jumped upon +me out of nothingness, and I yelled helplessly, "Get out of the +way!" The bird doubled itself up like a partly inverted V, +flapped, went up to the right abruptly and vanished from my +circle of interest. Then I saw the shadow of my aeroplane +keeping a fixed distance before me and very steady, and the turf +as it seemed streaming out behind it. The turf!--it wasn't after +all streaming so impossibly fast. + +When I came gliding down to the safe spread of level green I had +chosen, I was as cool and ready as a city clerk who drops off an +omnibus in motion, and I had learnt much more than soaring. I +tilted up her nose at the right moment, levelled again and +grounded like a snowflake on a windless day. I lay flat for an +instant and then knelt up and got on my feet atremble, but very +satisfied with myself. Cothope was running down the hill to me. +... + +But from that day I went into training, and I kept myself in +training for many months. I had delayed my experiments for very +nearly six weeks on various excuses because of my dread of this +first flight, because of the slackness of body and spirit that +had come to me with the business life. The shame of that +cowardice spurred me none the less because it was probably +altogether my own secret. I felt that Cothope at any rate might +suspect. Well,--he shouldn't suspect again. + +It is curious that I remember that shame and self accusation and +its consequences far more distinctly than I recall the weeks of +vacillation before I soared. For a time I went altogether +without alcohol, I stopped smoking altogether and ate very +sparingly, and every day I did something that called a little +upon my nerves and muscles. I soared as frequently as I could. +I substituted a motor-bicycle for the London train and took my +chances in the southward traffic, and I even tried what thrills +were to be got upon a horse. But they put me on made horses, and +I conceived a perhaps unworthy contempt for the certitudes of +equestrian exercise in comparison with the adventures of +mechanism. Also I walked along the high wall at the back of Lady +Grove garden, and at last brought myself to stride the gap where +the gate comes. If I didn't altogether get rid of a certain +giddy instinct by such exercises, at least I trained my will +until it didn't matter. And soon I no longer dreaded flight, but +was eager to go higher into the air, and I came to esteem soaring +upon a glider, that even over the deepest dip in the ground had +barely forty feet of fall beneath it, a mere mockery of what +flight might be. I began to dream of the keener freshness in the +air high above the beechwoods, and it was rather to satisfy that +desire than as any legitimate development of my proper work that +presently I turned a part of my energies and the bulk of my +private income to the problem of the navigable balloon. + +II + +I had gone far beyond that initial stage; I had had two smashes +and a broken rib which my aunt nursed with great energy, and was +getting some reputation in the aeronautic world when, suddenly, +as though she had never really left it, the Honourable Beatrice +Normandy, dark-eyed, and with the old disorderly wave of the +hair from her brow, came back into my life. She came riding down +a grass path in the thickets below Lady Grove, perched up on a +huge black horse, and the old Earl of Carnaby and Archie Garvell, +her half-brother, were with her. My uncle had been bothering me +about the Crest Hill hot-water pipes, and we were returning by a +path transverse to theirs and came out upon them suddenly. Old +Carnaby was trespassing on our ground, and so he hailed us in a +friendly fashion and pulled up to talk to us. + +I didn't note Beatrice at all at first. I was interested in Lord +Carnaby, that remarkable vestige of his own brilliant youth. I +had heard of him, but never seen him. For a man of sixty-five +who had sinned all the sins, so they said, and laid waste the +most magnificent political debut of any man of his generation, he +seemed to me to be looking remarkably fit and fresh. He was a +lean little man with grey-blue eyes in his brown face, and his +cracked voice was the worst thing in his effect. + +"Hope you don't mind us coming this way, Ponderevo," he cried; +and my uncle, who was sometimes a little too general and generous +with titles, answered, "Not at all, my lord, not at all! Glad +you make use of it!" + +"You're building a great place over the hill," said Carnaby. + +"Thought I'd make a show for once," said my uncle. "It looks big +because it's spread out for the sun." + +"Air and sunlight," said the earl. "You can't have too much of +them. But before our time they used to build for shelter and +water and the high road." + +Then I discovered that the silent figure behind the earl was +Beatrice. + +I'd forgotten her sufficiently to think for a moment that she +hadn't changed at all since she had watched me from behind the +skirts of Lady Drew. She was looking at me, and her dainty brow +under her broad brimmed hat--she was wearing a grey hat and loose +unbuttoned coat--was knit with perplexity, trying, I suppose, to +remember where she had seen me before. Her shaded eyes met mine +with that mute question.... + +It seemed incredible to me she didn't remember. + +"Well," said the earl and touched his horse. + +Garvell was patting the neck of his horse, which was inclined to +fidget, and disregarding me. He nodded over his shoulder and +followed. His movement seemed to release a train of memories in +her. She glanced suddenly at him and then back at me with a +flash of recognition that warmed instantly to a faint smile. +She hesitated as if to speak to me, smiled broadly and +understandingly and turned to follow the others. All three broke +into a canter and she did not look back. I stood for a second or +so at the crossing of the lanes, watching her recede, and then +became aware that my uncle was already some paces off and talking +over his shoulder in the belief that I was close behind. I +turned about and strode to overtake him. My mind was full of +Beatrice and this surprise. I remembered her simply as a +Normandy. I'd clean forgotten that Garvell was the son and she +the step-daughter of our neighbour, Lady Osprey. Indeed, I'd +probably forgotten at that time that we had Lady Osprey as a +neighbour. There was no reason at all for remembering it. It +was amazing to find her in this Surrey countryside, when I'd +never thought of her as living anywhere in the world but at +Bladesover Park, near forty miles and twenty years away. She was +so alive--so unchanged! The same quick warm blood was in her +cheeks. It seemed only yesterday that we had kissed among the +bracken stems.... + +"Eh?" I said. + +"I say he's good stuff," said my uncle. "You can say what you +like against the aristocracy, George; Lord Carnaby's rattling +good stuff. There's a sort of Savoir Faire, something--it's an +old-fashioned phrase, George, but a good one there's a +Bong-Tong.... It's like the Oxford turf, George, you can't grow +it in a year. I wonder how they do it. It's living always on a +Scale, George. It's being there from the beginning."... + +"She might," I said to myself, "be a picture by Romney come +alive!" + +"They tell all these stories about him," said my uncle, "but what +do they all amount to?" + +"Gods!" I said to myself; "but why have I forgotten for so long? +Those queer little brows of hers, the touch of mischief in her +eyes--the way she breaks into a smile!" + +"I don't blame him," said my uncle. "Mostly it's imagination. +That and leisure, George. When I was a young man I was kept +pretty busy. So were you. Even then--!" + +What puzzled me more particularly was the queer trick of my +memory that had never recalled anything vital of Beatrice +whatever when I met Garvell again that had, indeed, recalled +nothing except a boyish antagonism and our fight. Now when my +senses were full of her, it seemed incredible that I could ever +have forgotten.... + +III + +"Oh, Crikey!" said my aunt, reading a letter behind her +coffee-machine. "HERE'S a young woman, George!" + +We were breakfasting together in the big window bay at Lady Grove +that looks upon the iris beds; my uncle was in London. + +I sounded an interrogative note and decapitated an egg. + +"Who's Beatrice Normandy?" asked my aunt. "I've not heard of her +before." + +"She the young woman?" + +"Yes. Says she knows you. I'm no hand at old etiquette, George, +but her line is a bit unusual. Practically she says she's going +to make her mother--" + +"Eh? Step-mother, isn't it?" + +"You seem to know a lot about her. She says 'mother'--Lady +Osprey. They're to call on me, anyhow, next Wednesday week at +four, and there's got to be you for tea." + +"Eh?" + +"You--for tea. + +"H'm. She had rather--force of character. When I knew her +before." + +I became aware of my aunt's head sticking out obliquely from +behind the coffee-machine and regarding me with wide blue +curiosity. I met her gaze for a moment, flinched, coloured, and +laughed. + +"I've known her longer than I've known you," I said, and +explained at length. + +My aunt kept her eye on me over and round the coffee-machine as +I did so. She was greatly interested, and asked several +elucidatory questions. + +"Why didn't you tell me the day you saw her? You've had her on +your mind for a week," she said. + +"It IS odd I didn't tell you," I admitted. + +"You thought I'd get a Down on her," said my aunt conclusively. +"That's what you thought" and opened the rest of her letters. + +The two ladies came in a pony-carriage with conspicuous +punctuality, and I had the unusual experience of seeing my aunt +entertaining callers. We had tea upon the terrace under the +cedar, but old Lady Osprey, being an embittered Protestant, had +never before seen the inside of the house, and we made a sort of +tour of inspection that reminded me of my first visit to the +place. In spite of my preoccupation with Beatrice, I stored a +queer little memory of the contrast between the two other women; +my aunt, tall, slender and awkward, in a simple blue homekeeping +dress, an omnivorous reader and a very authentic wit, and the +lady of pedigree, short and plump, dressed with Victorian +fussiness, living at the intellectual level of palmistry and +genteel fiction, pink in the face and generally flustered by a +sense of my aunt's social strangeness and disposed under the +circumstances to behave rather like an imitation of the more +queenly moments of her own cook. The one seemed made of +whalebone, the other of dough. My aunt was nervous, partly +through the intrinsic difficulty of handling the lady and partly +because of her passionate desire to watch Beatrice and me, and +her nervousness took a common form with her, a wider clumsiness +of gesture and an exacerbation of her habitual oddity of phrase +which did much to deepen the pink perplexity of the lady of +title. For instance, I heard my aunt admit that one of the +Stuart Durgan ladies did look a bit "balmy on the crumpet"; she +described the knights of the age of chivalry as "korvorting about +on the off-chance of a dragon"; she explained she was "always +old mucking about the garden," and instead of offering me a +Garibaldi biscuit, she asked me with that faint lisp of hers, to +"have some squashed flies, George." I felt convinced Lady Osprey +would describe her as "a most eccentric person" on the very first +opportunity;-- "a most eccentric person." One could see her, as +people say, "shaping" for that. + +Beatrice was dressed very quietly in brown, with a simple but +courageous broad-brimmed hat, and an unexpected quality of being +grown-up and responsible. She guided her step-mother through +the first encounter, scrutinised my aunt, and got us all well in +movement through the house, and then she turned her attention to +me with a quick and half-confident smile. + +"We haven't met," she said, "since--" + +"It was in the Warren." + +"Of course," she said, "the Warren! I remembered it all except +just the name.... I was eight." + +Her smiling eyes insisted on my memories being thorough. I +looked up and met them squarely, a little at a loss for what I +should say. + +"I gave you away pretty completely," she said, meditating upon my +face. "And afterwards I gave way Archie." + +She turned her face away from the others, and her voice fell ever +so little. + +"They gave him a licking for telling lies!" she said, as though +that was a pleasant memory. "And when it was all over I went to +our wigwam. You remember the wigwam?" + +"Out in the West Wood?" + +"Yes--and cried--for all the evil I had done you, I suppose.... +I've often thought of it since."... + +Lady Osprey stopped for us to overtake her. "My dear!" she said +to Beatrice. "Such a beautiful gallery!" Then she stared very +hard at me, puzzled in the most naked fashion to understand who I +might be. + +"People say the oak staircase is rather good," said my aunt, and +led the way. + +Lady Osprey, with her skirts gathered for the ascent to the +gallery and her hand on the newel, turned and addressed a look +full of meaning overflowing indeed with meanings--at her charge. +The chief meaning no doubt was caution about myself, but much of +it was just meaning at large. I chanced to catch the response in +a mirror and detected Beatrice with her nose wrinkled into a +swift and entirely diabolical grimace. Lady Osprey became a +deeper shade of pink and speechless with indignation--it was +evident she disavowed all further responsibility, as she +followed my aunt upstairs. + +"It's dark, but there's a sort of dignity," said Beatrice very +distinctly, regarding the hall with serene tranquillity, and +allowing the unwilling feet on the stairs to widen their distance +from us. She stood a step up, so that she looked down a little +upon me and over me at the old hall. + +She turned upon me abruptly when she thought her step-mother was +beyond ear-shot. + +"But how did you get here?" she asked. + +"Here?" + +"All this." She indicated space and leisure by a wave of the +hand at hall and tall windows and sunlit terrace. "Weren't you +the housekeeper's son?" + +"I've adventured. My uncle has become--a great financier. He +used to be a little chemist about twenty miles from Bladesover. +We're promoters now, amalgamators, big people on the new model." + +"I understand." She regarded me with interested eyes, visibly +thinking me out. + +"And you recognised me?" I asked. + +"After a second or so. I saw you recognised me. I couldn't +place you, but I knew I knew you. Then Archie being there helped +me to remember." + +"I'm glad to meet again," I ventured. "I'd never forgotten you." + +"One doesn't forget those childish things." + +We regarded one another for a moment with a curiously easy and +confident satisfaction in coming together again. I can't explain +our ready zest in one another. The thing was so. We pleased each +other, we had no doubt in our minds that we pleased each other. +From the first we were at our ease with one another. "So +picturesque, so very picturesque," came a voice from above, and +then: "Bee-atrice!" + +"I've a hundred things I want to know about you," she said with +an easy intimacy, as we went up the winding steps.... + +As the four of us sat at tea together under the cedar on the +terrace she asked questions about my aeronautics. My aunt helped +with a word or so about my broken ribs. Lady Osprey evidently +regarded flying as a most indesirable and improper topic--a +blasphemous intrusion upon the angels. "It isn't flying," I +explained. "We don't fly yet." + +"You never will," she said compactly. "You never will." + +"Well," I said, "we do what we can." + +The little lady lifted a small gloved hand and indicated a +height of about four feet from the ground. "Thus far," she said, +"thus far--AND NO FARTHER! No!" + +She became emphatically pink. "NO," she said again quite +conclusively, and coughed shortly. "Thank you," she said to her +ninth or tenth cake. Beatrice burst into cheerful laughter with +her eye on me. I was lying on the turf, and this perhaps caused +a slight confusion about the primordial curse in Lady Osprey's +mind. + +"Upon his belly shall he go," she said with quiet distinctness, +"all the days of his life." + +After which we talked no more of aeronautics. + +Beatrice sat bunched together in a chair and regarded me with +exactly the same scrutiny, I thought, the same adventurous +aggression, that I had faced long ago at the tea-table in my +mother's room. She was amazingly like that little Princess of my +Bladesover memories, the wilful misbehaviours of her hair seemed +the same--her voice; things one would have expected to be changed +altogether. She formed her plans in the same quick way, and +acted with the same irresponsible decision. + +She stood up abruptly. + +"What is there beyond the terrace?" she said, and found me +promptly beside her. + +I invented a view for her. + +At the further corner from the cedar she perched herself up upon +the parapet and achieved an air of comfort among the lichenous +stones. "Now tell me," she said, "all about yourself. Tell me +about yourself; I know such duffers of men! They all do the same +things. How did you get--here? All my men WERE here. They +couldn't have got here if they hadn't been here always. They +wouldn't have thought it right. You've climbed." + +"If it's climbing," I said. + +She went off at a tangent. "It's--I don't know if you'll +understand--interesting to meet you again. I've remembered you. +I don't know why, but I have. I've used you as a sort of lay +figure--when I've told myself stories. But you've always been +rather stiff and difficult in my stories--in ready-made +clothes--a Labour Member or a Bradlaugh, or something like that. +You're not like that a bit. And yet you ARE!" + +She looked at me. "Was it much of a fight? They make out it is. + +I don't know why." + +"I was shot up here by an accident," I said. "There was no fight +at all. Except to keep honest, perhaps and I made no great +figure in that. I and my uncle mixed a medicine and it blew us +up. No merit in that! But you've been here all the time. Tell +me what you have done first." + +"One thing we didn't do." She meditated for a moment. + +"What?" said I. + +"Produce a little half-brother for Bladesover. So it went to +the Phillbrick gang. And they let it! And I and my +step-mother--we let, too. And live in a little house." + +She nodded her head vaguely over her shoulder and turned to me +again. "Well, suppose it was an accident. Here you are! Now +you're here, what are you going to do? You're young. Is it to +be Parliament? heard some men the other day talking about you. +Before I knew you were you. They said that was what you ought to +do."... + +She put me through my intentions with a close and vital +curiosity. It was just as she had tried to imagine me a soldier +and place me years ago. She made me feel more planless and +incidental than ever. "You want to make a flying-machine," she +pursued, "and when you fly? What then? Would it be for +fighting? + +I told her something of my experimental work. She had never +heard of the soaring aeroplane, and was excited by the thought, +and keen to hear about it. She had thought all the work so far +had been a mere projecting of impossible machines. For her +Pilcher and Lilienthal had died in vain. She did not know such +men had lived in the world. + +"But that's dangerous!" she said, with a note of discovery. + +"Oh!--it's dangerous." + +"Bee-atrice!" Lady Osprey called. + +Beatrice dropped from the wall to her feet. + +"Where do you do this soaring?" + +"Beyond the high Barrows. East of Crest Hill and the wood." + +"Do you mind people coming to see?" + +"Whenever you please. Only let me know" + +"I'll take my chance some day. Some day soon." She looked at +me thoughtfully, smiled, and our talk was at an end. + +IV + +All my later work in aeronautics is associated in my memory with +the quality of Beatrice, with her incidenta] presence, with +things she said and did and things I thought of that had +reference to her. + +In the spring of that year I had got to a flying machine that +lacked nothing but longitudinal stability. My model flew like a +bird for fifty or a hundred yards or so, and then either dived +and broke its nose or, what was commoner, reared up, slid back +and smashed its propeller. The rhythm of the pitching puzzled +me. I felt it must obey some laws not yet quite clearly stated. +I became therefore a student of theory and literature for a time; +I hit upon the string of considerations that led me to what is +called Ponderevo's Principle and my F.R.S., and I worked this out +in three long papers. Meanwhile I made a lot of turn-table and +glider models and started in upon an idea of combining gas-bags +and gliders. Balloon work was new to me. I had made one or two +ascents in the balloons of the Aero Club before I started my +gasometer and the balloon shed and gave Cothope a couple of +months with Sir Peter Rumchase. My uncle found part of the +money for these developments; he was growing interested and +competitive in this business because of Lord Boom's prize and +the amount of reclame involved, and it was at his request that +I named my first navigable balloon Lord Roberts Alpha. + +Lord Roberts A very nearly terminated all my investigations. My +idea both in this and its more successful and famous younger +brother, Lord Roberts B, was to utilise the idea of a contractile +balloon with a rigid flat base, a balloon shaped rather like an +inverted boat that should almost support the apparatus, but not +quite. The gas-bag was of the chambered sort used for these long +forms, and not with an internal balloonette. The trouble was to +make the thing contractile. This I sought to do by fixing a +long, fine-meshed silk net over it that was fastened to be +rolled up on two longitudinal rods. Practically I contracted my +sausage gas-bag by netting it down. The ends were too complex +for me to describe here, but I thought them out elaborately and +they were very carefully planned. Lord Roberts A was furnished +with a single big screw forward, and there was a rudder aft. The +engine was the first one to be, so to speak, right in the plane +of the gas-bag. I lay immediately under the balloon on a sort +of glider framework, far away from either engine or rudder, +controlling them by wire-pulls constructed on the principle of +the well-known Bowden brake of the cyclist. + +But Lord Roberts A has been pretty exhaustively figured and +described in various aeronautical publications. The unforeseen +defect was the badness of the work in the silk netting. It tore +aft as soon as I began to contract the balloon, and the last two +segments immediately bulged through the hole, exactly as an +inner tube will bulge through the ruptured outer cover of a +pneumatic tire, and then the sharp edge of the torn net cut the +oiled-silk of the distended last segment along a weak seam and +burst it with a loud report. + +Up to that point the whole thing had been going on extremely +well. As a navigable balloon and before I contracted it, the +Lord Roberts A was an unqualified success. It had run out of the +shed admirably at nine or ten miles an hour or more, and although +there was a gentle southwester blowing, it had gone up and turned +and faced it as well as any craft of the sort I have ever seen. + +I lay in my customary glider position, horizontal and face +downward, and the invisibility of all the machinery gave an +extraordinary effect of independent levitation. Only by looking +up, as it were, and turning my head back could I see the flat +aeroplane bottom of the balloon and the rapid successive +passages, swish, swish, swish of the vans of the propeller. I +made a wide circle over Lady Grove and Duffield and out towards +Effingham and came back quite successfully to the starting-point. + +Down below in the October sunlight were my sheds and the little +group that had been summoned to witness the start, their faces +craned upward and most of them scrutinising my expression through +field-glasses. I could see Carnaby and Beatrice on horseback, +and two girls I did not know with them; Cothope and three or four +workmen I employed; my aunt and Mrs. Levinstein, who was staying +with her, on foot, and Dimmock, the veterinary surgeon, and one +or two others. My shadow moved a little to the north of them +like the shadow of a fish. At Lady Grove the servants were out +on the lawn, and the Duffield school playground swarmed with +children too indifferent to aeronautics to cease their playing. +But in the Crest Hill direction--the place looked extraordinarily +squat and ugly from above--there were knots and strings of +staring workmen everywhere--not one of them working, but all +agape. (But now I write it, it occurs to me that perhaps it was +their dinner hour; it was certainly near twelve.) I hung for a +moment or so enjoying the soar, then turned about to face a clear +stretch of open down, let the engine out to full speed and set my +rollers at work rolling in the net, and so tightening the +gas-bags. Instantly the pace quickened with the diminished +resistance... + +In that moment before the bang I think I must have been really +flying. Before the net ripped, just in the instant when my +balloon was at its systole, the whole apparatus was, I am +convinced, heavier than air. That, however, is a claim that has +been disputed, and in any case this sort of priority is a very +trivial thing. + +Then came a sudden retardation, instantly followed by an +inexpressibly disconcerting tilt downward of the machine. That I +still recall with horror. I couldn't see what was happening at +all and I couldn't imagine. It was a mysterious, inexplicable +dive. The thing, it seemed, without rhyme or reason, was kicking +up its heels in the air. The bang followed immediately, and I +perceived I was falling rapidly. + +I was too much taken by surprise to think of the proper cause of +the report. I don't even know what I made of it. I was +obsessed, I suppose, by that perpetual dread of the modern +aeronaut, a flash between engine and balloon. Yet obviously I +wasn't wrapped in flames. I ought to have realised instantly it +wasn't that. I did, at any rate, whatever other impressions +there were, release the winding of the outer net and let the +balloon expand again, and that no doubt did something to break my +fall. I don't remember doing that. Indeed, all I do remember is +the giddy effect upon the landscape of falling swiftly upon it +down a flat spiral, the hurried rush of fields and trees and +cottages on my left shoulder and the overhung feeling as if the +whole apparatus was pressing down the top of my head. I didn't +stop or attempt to stop the screw. That was going on, swish, +swish, swish all the time. + +Cothope really knows more about the fall than I do. He describes +the easterly start, the tilt, and the appearance and bursting of +a sort of bladder aft. Then down I swooped, very swiftly, but +not nearly so steeply as I imagined I was doing. "Fifteen or +twenty degrees," said Cothope, "to be exact." From him it was +that I learnt that I let the nets loose again, and so arrested my +fall. He thinks I was more in control of myself than I remember. + +But I do not see why I should have forgotten so excellent a +resolution. His impression is that I was really steering and +trying to drop into the Farthing Down beeches. "You hit the +trees," he said, "and the whole affair stood on its nose among +them, and then very slowly crumpled up. I saw you'd been jerked +out, as I thought, and I didn't stay for more. I rushed for my +bicycle." + +As a matter of fact, it was purely accidental that I came down in +the woods. I am reasonably certain that I had no more control +then than a thing in a parcel. I remember I felt a sort of +wincing, "Now it comes!" as the trees rushed up to me. If I +remember that, I should remember steering. Then the propeller +smashed, everything stopped with a jerk, and I was falling into a +mass of yellowing leaves, and Lord Roberts A, so it seemed to me, +was going back into the sky. + +I felt twigs and things hit me in the face, but I didn't feel +injured at the time; I clutched at things that broke, tumbled +through a froth of green and yellow into a shadowy world of great +bark-covered arms, and there, snatching wildly, got a grip on a +fair round branch, and hung. + +I became intensely alert and clear-headed. I held by that +branch for a moment and then looked about me, and caught at +another, and then found myself holding to a practicable fork. I +swung forward to that and got a leg around it below its junction, +and so was able presently to clamber down, climbing very coolly +and deliberately. I dropped ten feet or so from the lowest branch +and fell on my feet. "That's all right," I said, and stared up +through the tree to see what I could of the deflated and crumpled +remains that had once been Lord Roberts A festooned on the +branches it had broken. "Gods!" I said, "what a tumble!" + +I wiped something that trickled from my face and was shocked to +see my hand covered with blood. I looked at myself and saw what +seemed to me an astonishing quantity of blood running down my arm +and shoulder. I perceived my mouth was full of blood. It's a +queer moment when one realises one is hurt, and perhaps badly +hurt, and has still to discover just how far one is hurt. I +explored my face carefully and found unfamiliar contours on the +left side. The broken end of a branch had driven right through +my cheek, damaging my cheek and teeth and gums, and left a +splinter of itself stuck, like an explorer's fartherest-point +flag, in the upper maxillary. That and a sprained wrist were all +my damage. But I bled as though I had been chopped to pieces, +and it seemed to me that my face had been driven in. I can't +describe just the horrible disgust I felt at that. + +"This blood must be stopped, anyhow," I said, thickheadedly. + +"I wonder where there's a spider's web"--an odd twist for my +mind to take. But it was the only treatment that occurred to me. + +I must have conceived some idea of going home unaided, because I +was thirty yards from the tree before I dropped. + +Then a kind of black disc appeared in the middle of the world and +rushed out to the edge of things and blotted them out. I don't +remember falling down. I fainted from excitement, disgust at my +injury and loss of blood, and lay there until Cothope found me. + +He was the first to find me, scorching as he did over the +downland turf, and making a wide course to get the Carnaby +plantations at their narrowest. Then presently, while he was +trying to apply the methodical teachings of the St. John's +Ambulance classes to a rather abnormal case, Beatrice came +galloping through the trees full-tilt, with Lord Carnaby hard +behind her, and she was hatless, muddy from a fall, and white as +death. "And cool as a cucumber, too," said Cothope, turning it +over in his mind as he told me. + +("They never seem quite to have their heads, and never seem quite +to lose 'em," said Cothope, generalising about the sex.) + +Also he witnessed she acted with remarkable decision. The +question was whether I should be taken to the house her +step-mother occupied at Bedley Corner, the Carnaby dower house, +or down to Carnaby's place at Easting. Beatrice had no doubt in +the matter, for she meant to nurse me. Carnaby didn't seem to +want that to happen. "She WOULD have it wasn't half so far," +said Cothope. "She faced us out.... + +"I hate to be faced out of my opinion, so I've taken a pedometer +over it since. It's exactly forty-three yards further. + +"Lord Carnaby looked at her pretty straight," said Cothope, +finishing the picture; "and then he give in." + +V + +But my story has made a jump from June to October, and during +that time my relations with Beatrice and the countryside that was +her setting had developed in many directions. She came and went, +moving in an orbit for which I had no data, going to London and +Paris, into Wales and Northampton, while her stepmother, on some +independent system of her own, also vanished and recurred +intermittently. At home they obeyed the rule of an inflexible +old maid, Charlotte, and Beatrice exercised all the rights of +proprietorship in Carnaby's extensive stables. Her interest in +me was from the first undisguised. She found her way to my +worksheds and developed rapidly, in spite of the sincere +discouragement of Cothope, into a keen amateur of aeronautics. +She would come sometimes in the morning, sometimes in the +afternoon, sometimes afoot with an Irish terrier, sometimes +riding. She would come for three or four days every day, vanish +for a fortnight or three weeks, return. + +It was not long before I came to look for her. From the first I +found her immensely interesting. To me she was a new feminine +type altogether--I have made it plain, I think, how limited was +my knowledge of women. But she made me not simply interested in +her, but in myself. She became for me something that greatly +changes a man's world. How shall I put it? She became an +audience. Since I've emerged from the emotional developments of +the affair I have thought it out in a hundred aspects, and it +does seem to me that this way in which men and women make +audiences for one another is a curiously influential force in +their lives. For some it seems an audience is a vital necessity, +they seek audiences as creatures seek food; others again, my +uncle among them, can play to an imaginary audience. I, I think, +have lived and can live without one. In my adolescence I was my +own audience and my own court of honour. And to have an audience +in one's mind is to play a part, to become self-conscious and +dramatic. For many years I had been self-forgetful and +scientific. I had lived for work and impersonal interests until +I found scrutiny, applause and expectation in Beatrice's eyes. +Then I began to live for the effect I imagined I made upon her, +to make that very soon the principal value in my life. I played +to her. I did things for the look of them. I began to dream +more and more of beautiful situations and fine poses and +groupings with her and for her. + +I put these things down because they puzzle me. I think I was in +love with Beatrice, as being in love is usually understood; but +it was quite a different state altogether from my passionate +hunger for Marion, or my keen, sensuous desire for and pleasure +in Effie. These were selfish, sincere things, fundamental and +instinctive, as sincere as the leap of a tiger. But until +matters drew to a crisis with Beatrice, there was an immense +imaginative insurgence of a quite different quality. I am +setting down here very gravely, and perhaps absurdly, what are no +doubt elementary commonplaces for innumerable people. This love +that grew up between Beatrice and myself was, I think--I put it +quite tentatively and rather curiously--romantic love. That +unfortunate and truncated affair of my uncle and the Scrymgeour +lady was really of the same stuff, if a little different in +quality. I have to admit that. The factor of audience was of +primary importance in either else. + +Its effect upon me was to make me in many respects adolescent +again. It made me keener upon the point of honour, and anxious +and eager to do high and splendid things, and in particular, +brave things. So far it ennobled and upheld me. But it did also +push me towards vulgar and showy things. At bottom it was +disingenuous; it gave my life the quality of stage scenery, with +one side to the audience, another side that wasn't meant to show, +and an economy of substance. It certainly robbed my work of high +patience and quality. I cut down the toil of research in my +eagerness and her eagerness for fine flourishes in the air, +flights that would tell. I shirked the longer road. + +And it robbed me, too, of any fine perception of absurdity. + +Yet that was not everything in our relationship. The elemental +thing was there also. It came in very suddenly. + +It was one day in the summer, though I do not now recall without +reference to my experimental memoranda whether it was in July or +August. I was working with a new and more bird-like aeroplane +with wing curvatures studied from Lilienthal, Pilcher and +Phillips, that I thought would give a different rhythm for the +pitching oscillations than anything I'd had before. I was +soaring my long course from the framework on the old barrow by my +sheds down to Tinker's Corner. It is a clear stretch of +downland, except for two or three thickets of box and thorn to +the right of my course; one transverse trough, in which there is +bush and a small rabbit warren, comes in from the east. I had +started, and was very intent on the peculiar long swoop with +which any new arrangement flew. Then, without any sort of +notice, right ahead of me appeared Beatrice, riding towards +Tinker's Corner to waylay and talk to me. She looked round over +her shoulder, saw me coming, touched her horse to a gallop, and +then the brute bolted right into the path of my machine. + +There was a queer moment of doubt whether we shouldn't all smash +together. I had to make up my mind very quickly whether I would +pitch-up and drop backward at once and take my chance of falling +undamaged--a poor chance it would have been--in order to avoid +any risk to her, or whether I would lift against the wind and +soar right over her. This latter I did. She had already got her +horse in hand when I came up to her. Her woman's body lay along +his neck, and she glanced up as I, with wings aspread, and every +nerve in a state of tension, swept over her. + +Then I had landed, and was going back to where her horse stood +still and trembling. + +We exchanged no greetings. She slid from her saddle into my +arms, and for one instant I held her. + +"Those great wings," she said, and that was all. + +She lay in my arms, and I thought for a moment she had fainted. + +"Very near a nasty accident," said Cothope, coming up and +regarding our grouping with disfavour. He took her horse by the +bridle. "Very dangerous thing coming across us like that." + +Beatrice disengaged herself from me, stood for a moment +trembling, and then sat down on the turf "I'll just sit down for +a moment," she said. + +"Oh!" she said. + +She covered her face with her hands, while Cothope looked at her +with an expression between suspicion and impatience. + +For some moments nobody moved. Then Cothope remarked that +perhaps he'd better get her water. + +As for me, I was filled with a new outrageous idea, begotten I +scarcely know how from this incident, with its instant contacts +and swift emotions, and that was that I must make love to and +possess Beatrice. I see no particular reason why that thought +should have come to me in that moment, but it did. I do not +believe that before then I had thought of our relations in such +terms at all. Suddenly, as I remember it, the factor of passion +came. She crouched there, and I stood over her, and neither of +us said a word. But it was just as though something had been +shouted from the sky. + +Cothope had gone twenty paces perhaps when she uncovered her +face. "I shan't want any water," she said. "Call him back." + +VI + +After that the spirit of our relations changed. The old ease had +gone. She came to me less frequently, and when she came she +would have some one with her, usually old Carnaby, and he would +do the bulk of the talking. All through September she was away. +When we were alone together there was a curious constraint. We +became clouds of inexpressible feeling towards one another; we +could think of nothing that was not too momentous for words. + +Then came the smash of Lord Roberts A, and I found myself with a +bandaged face in a bedroom in the Bedley Corner dower-house +with Beatrice presiding over an inefficient nurse, Lady Osprey +very pink and shocked in the background, and my aunt jealously +intervening. + +My injuries were much more showy than serious, and I could have +been taken to Lady Grove next day, but Beatrice would not permit +that, and kept me at Bedley Corner three clear days. In the +afternoon of the second day she became extremely solicitous for +the proper aeration of the nurse, packed her off for an hour in a +brisk rain, and sat by me alone. + +I asked her to marry me. + +All the whole I must admit it was not a situation that lent +itself to eloquence. I lay on my back and talked through +bandages, and with some little difficulty, for my tongue and +mouth had swollen. But I was feverish and in pain, and the +emotional suspense I had been in so long with regard to her +became now an unendurable impatience. + +"Comfortable?" she asked. + +"Yes." + +"Shall I read to you?" + +"No. I want to talk." + +"You can't. I'd better talk to you." + +"No," I said, "I want to talk to you." + +She came and stood by my bedside and looked me in the eyes. "I +don't--I don't want you to talk to me," she said. "I thought you +couldn't talk." + +"I get few chances--of you." + +"You'd better not talk. Don't talk now. Let me chatter instead. + +You ought not to talk." + +"It isn't much" I said. + +"I'd rather you didn't." + +"I'm not going to be disfigured," I said. "Only a scar." + +"Oh!" she said, as if she had expected something quite +different. "Did you think you'd become a sort of gargoyle?" + +"L'Homme qui Rit!--I didn't know. But that's all right. Jolly +flowers those are!" + +"Michaelmas daisies," she said. "I'm glad you'r not disfigured, +and those are perennial sunflowers. Do you know no flowers at +all? When I saw you on the ground I certainly thought you were +dead. You ought to have been, by all the rules of the game." + +She said some other things, but I was thinking of my next move. + +"Are we social equals?" I said abruptly. + +She stared at me. "Queer question," she said. + +"But are we?" + +"H'm. Difficult to say. But why do you ask? Is the daughter of +a courtesy Baron who died--of general disreputableness, I +believe--before his father--? I give it up. Does it matter?" + +"No. My mind is confused. I want to know if you will marry me." + +She whitened and said nothing. I suddenly felt I must plead with +her. "Damn these bandages!" I said, breaking into ineffectual +febrile rage. + +She roused herself to her duties as nurse. "What are you doing? +Why are you trying to sit up? Sit down! Don't touch your +bandages. I told you not to talk." + +She stood helpless for a moment, then took me firmly by the +shoulders and pushed me back upon the pillow. She gripped the +wrist of the hand I had raised to my face. + +"I told you not to talk," she whispered close to my face. "I +asked you not to talk. Why couldn't you do as I asked you?" + +"You've been avoiding me for a month," I said. + +"I know. You might have known. Put your hand back--down by your +side." + +I obeyed. She sat on the edge of the bed. A flush had come to +her cheeks, and her eyes were very bright. "I asked you," she +repeated, "not to talk." + +My eyes questioned her mutely. + +She put her hand on my chest. Her eyes were tormented. + +"How can I answer you now?" she said. + +"How can I say anything now?" + +"What do you mean?" I asked. + +She made no answer. + +"Do you mean it must be 'No'?" + +She nodded. + +"But" I said, and my whole soul was full of accusations. + +"I know," she said. "I can't explain. I can't. But it has to +be 'No!' It can't be. It's utterly, finally, for ever +impossible.... Keep your hands still!" + +"But," I said, "when we met again--" + +"I can't marry. I can't and won't." + +She stood up. "Why did you talk?" she cried, "couldn't you SEE?" + +She seemed to have something it was impossible to say. + +She came to the table beside my bed and pulled the Michaelmas +daisies awry. "Why did you talk like that?" she said in a tone +of infinite bitterness. "To begin like that!" + +"But what is it?" I said. "Is it some circumstance--my social +position?" + +"Oh, DAMN your social position!" she cried. + +She went and stood at the further window, staring out at the +rain. For a long time we were absolutely still. The wind and +rain came in little gusts upon the pane. She turned to me +abruptly. + +"You didn't ask me if I loved you," she said. + +"Oh, if it's THAT!" said I. + +"It's not that," she said. "But if you want to know--" She +paused. + +"I do," she said. + +We stared at one another. + +"I do--with all my heart, if you want to know." + +"Then, why the devil--?" I asked. + +She made no answer. She walked across the room to the piano and +began to play, rather noisily and rapidly, with odd gusts of +emphasis, the shepherd's pipe music from the last act in "Tristan +and Isolde." Presently she missed a note, failed again, ran her +finger heavily up the scale, struck the piano passionately with +her fist, making a feeble jar in the treble, jumped up, and went +out of the room.... + +The nurse found me still wearing my helmet of bandages, partially +dressed, and pottering round the room to find the rest of my +clothes. I was in a state of exasperated hunger for Beatrice, +and I was too inflamed and weakened to conceal the state of my +mind. I was feebly angry because of the irritation of dressing, +and particularly of the struggle to put on my trousers without +being able to see my legs. I was staggering about, and once I +had fallen over a chair and I had upset the jar of Michaelmas +daisies. + +I must have been a detestable spectacle. "I'll go back to bed," +said I, "if I may have a word with Miss Beatrice. I've got +something to say to her. That's why I'm dressing." + +My point was conceded, but there were long delays. Whether the +household had my ultimatum or whether she told Beatrice directly +I do not know, and what Lady Osprey can have made of it in the +former case I don't imagine. + +At last Beatrice came and stood by my bedside. "Well?" she said. + +"All I want to say," I said with the querulous note of a +misunderstood child, "is that I can't take this as final. I want +to see you and talk when I'm better, and write. I can't do +anything now. I can't argue." + +I was overtaken with self-pity and began to snivel, "I can't +rest. You see? I can't do anything." + +She sat down beside me again and spoke softly. "I promise I will +talk it all over with you again. When you are well. I promise I +will meet you somewhere so that we can talk. You can't talk now. + +I asked you not to talk now. All you want to know you shall +know... Will that do?" + +"I'd like to know" + +She looked round to see the door was closed, stood up and went to +it. + +Then she crouched beside me and began whispering very softly and +rapidly with her face close to me. + +"Dear," she said, "I love you. If it will make you happy to +marry me, I will marry you. I was in a mood just now--a stupid, +inconsiderate mood. Of course I will marry you. You are my +prince, my king. Women are such things of mood--or I would have +behaved differently. We say 'No' when we mean 'Yes'--and fly +into crises. So now, Yes--yes--yes. I will. I can't even kiss +you. Give me your hand to kiss that. Understand, I am yours. +Do you understand? I am yours just as if we had been married +fifty years. Your wife--Beatrice. Is that enough? Now--now +will you rest?" + +"Yes," I said, "but why?" + +"There are complications. There are difficulties. When you are +better you will be able to--understand them. But now they don't +matter. Only you know this must be secret--for a time. +Absolutely secret between us. Will you promise that?" + +"Yes," I said, "I understand. I wish I could kiss you." + +She laid her head down beside mine for a moment and then she +kissed my hand. + +"I don't care what difficulties there are," I said, and I shut my +eyes. + +VII + +But I was only beginning to gauge the unaccountable elements in +Beatrice. For a week after my return to Lady Grove I had no sign +of her, and then she called with Lady Osprey and brought a huge +bunch of perennial sunflowers and Michaelmas daisies, "just the +old flowers there were in your room," said my aunt, with a +relentless eye on me. I didn't get any talk alone with Beatrice +then, and she took occasion to tell us she was going to London +for some indefinite number of weeks. I couldn't even pledge her +to write to me, and when she did it was a brief, enigmatical, +friendly letter with not a word of the reality between us. + +I wrote back a love letter--my first love letter--and she made no +reply for eight days. Then came a scrawl: "I can't write +letters. Wait till we can talk. Are you better?" + +I think the reader would be amused if he could see the papers on +my desk as I write all this, the mangled and disfigured pages, +the experimental arrangements of notes, the sheets of suggestions +balanced in constellations, the blottesque intellectual +battlegrounds over which I have been fighting. I find this +account of my relations to Beatrice quite the most difficult part +of my story to write. I happen to be a very objective-minded +person, I forget my moods, and this was so much an affair of +moods. And even such moods and emotions as I recall are very +difficult to convey. To me it is about as difficult as +describing a taste or a scent. + +Then the objective story is made up of little things that are +difficult to set in a proper order. And love in an hysterical +passion, now high, now low, now exalted, and now intensely +physical. No one has ever yet dared to tell a love story +completely, its alternations, its comings and goings, its +debased moments, its hate. The love stories we tell, tell only +the net consequence, the ruling effect.... + +How can I rescue from the past now the mystical quality of +Beatrice; my intense longing for her; the overwhelming, +irrational, formless desire? How can I explain how intimately +that worship mingled with a high, impatient resolve to make her +mine, to take her by strength and courage, to do my loving in a +violent heroic manner? And then the doubts, the puzzled arrest +at the fact of her fluctuations, at her refusal to marry me, at +the fact that even when at last she returned to Bedley Corner she +seemed to evade me? + +That exasperated me and perplexed me beyond measure. + +I felt that it was treachery. I thought of every conceivable +explanation, and the most exalted and romantic confidence in her +did not simply alternate, but mingled with the basest misgivings. + +And into the tangle of memories comes the figure of Carnaby, +coming out slowly from the background to a position of +significance, as an influence, as a predominant strand in the +nets that kept us apart, as a rival. What were the forces that +pulled her away from me when it was so clearly manifest she loved +me? Did she think of marrying him? Had I invaded some +long-planned scheme? It was evident he did not like me, that in +some way I spoilt the world for him. She returned to Bedley +Corner, and for some weeks she was flitting about me, and never +once could I have talk with her alone. When she came to my sheds +Carnaby was always with her, jealously observant. (Why the devil +couldn't she send him about his business?) The days slipped by +and my anger gathered. + +All this mingles with the making of Lord Roberts B. I had +resolved upon that one night as I lay awake at Bedley Corner; I +got it planned out before the bandages were off my face. I +conceived this second navigable balloon in a grandiose manner. +It was to be a second Lord Roberts A, only more so; it was to be +three times as big, large enough to carry three men, and it was +to be an altogether triumphant vindication of my claims upon the +air. The framework was to be hollow like a bird's bones, +airtight, and the air pumped in or out, and the weight of fuel I +carried changed. I talked much and boasted to Cothope--whom I +suspected of scepticisms about this new type--of what it would +do, and it progressed--slowly. It progressed slowly because I +was restless and uncertain. At times I would go away to London +to snatch some chance of seeing Beatrice there, at times nothing +but a day of gliding and hard and dangerous exercise would +satisfy me. And now in the newspapers, in conversation, in +everything about me, arose a new invader of my mental states. +Something was happening to the great schemes of my uncle's +affairs; people were beginning to doubt, to question. It was the +first quiver of his tremendous insecurity, the first wobble of +that gigantic credit top he had kept spinning so long. + +There were comings and goings, November and December slipped by. +I had two unsatisfactory meetings with Beatrice, meetings that +had no privacy--in which we said things of the sort that need +atmosphere, baldly and furtively. I wrote to her several times +and she wrote back notes that I would sometimes respond to +altogether, sometimes condemn as insincere evasions. "You don't +understand. I can't just now explain. Be patient with me. +Leave things a little while to me." She wrote. + +I would talk aloud to these notes and wrangle over them in my +workroom--while the plans of Lord Roberts B waited. + +"You don't give me a chance!" I would say. "Why don't you let me +know the secret? That's what I'm for--to settle difficulties! +to tell difficulties to!" + +And at last I could hold out no longer against these accumulating +pressures. + +I took an arrogant, outrageous line that left her no loopholes; I +behaved as though we were living in a melodrama. + +"You must come and talk to me," I wrote, "or I will come and take +you. I want you--and the time runs away." + +We met in a ride in the upper plantations. It must have been +early in January, for there was snow on the ground and on the +branches of the trees. We walked to and fro for an hour or more, +and from the first I pitched the key high in romance and made +understandings impossible. It was our worst time together. I +boasted like an actor, and she, I know not why, was tired and +spiritless. + +Now I think over that talk in the light of all that has happened +since, I can imagine how she came to me full of a human appeal I +was too foolish to let her make. I don't know. I confess I have +never completely understood Beatrice. I confess I am still +perplexed at many things she said and did. That afternoon, +anyhow, I was impossible. I posed and scolded. I was--I said +it--for "taking the Universe by the throat!" + +"If it was only that," she said, but though I heard, I did not +heed her. + +At last she gave way to me and talked no more. Instead she +looked at me--as a thing beyond her controlling, but none the +less interesting--much as she had looked at me from behind the +skirts of Lady Drew in the Warren when we were children together. + +Once even I thought she smiled faintly. + +"What are the difficulties" I cried. "there's no difficulty I +will not overcome for you! Do your people think I'm no equal for +you? Who says it? My dear, tell me to win a title! I'll do it +in five years!... + +"Here am I just grown a man at the sight of you. I have wanted +something to fight for. Let me fight for you!... + +"I'm rich without intending it. Let me mean it, give me an +honourable excuse for it, and I'll put all this rotten old Warren +of England at your feet!" + +I said such things as that. I write them down here in all their +resounding base pride. I said these empty and foolish things, +and they are part of me. Why should I still cling to pride and +be ashamed? I shouted her down. + +I passed from such megalomania to petty accusations. + +"You think Carnaby is a better man than I?" I said. + +"No!" she cried, stung to speech. "No!" + +"You think we're unsubstantial. You've listened to all these +rumours Boom has started because we talked of a newspaper of our +own. When you are with me you know I'm a man; when you get away +from me you think I'm a cheat and a cad.... There's not a word +of truth in the things they say about us. I've been slack. I've +left things. But we have only to exert ourselves. You do not +know how wide and far we have spread our nets. Even now we have +a coup--an expedition--in hand. It will put us on a footing."... + +Her eyes asked mutely and asked in vain that I would cease to +boast of the very qualities she admired in me. + +In the night I could not sleep for thinking of that talk and the +vulgar things I had said in it. I could not understand the drift +my mind had taken. I was acutely disgusted. And my unwonted +doubts about myself spread from a merely personal discontent to +our financial position. It was all very well to talk as I had +done of wealth and power and peerages, but what did I know +nowadays of my uncle's position? Suppose in the midst of such +boasting and confidence there came some turn I did not suspect, +some rottenness he had concealed from me? I resolved I had been +playing with aeronautics long enough; that next morning I would +go to him and have things clear between us. + +I caught an early train and went up to the Hardingham. + +I went up to the Hardingham through a dense London fog to see how +things really stood. Before I had talked to my uncle for ten +minutes I felt like a man who has just awakened in a bleak, +inhospitable room out of a grandiose dream. + + +CHAPTER THE FOURTH + +HOW I STOLE THE HEAPS OF QUAP FROM MORDET ISLAND + +I + +"We got to make a fight for it," said my uncle. "We got to face +the music!" + +I remember that even at the sight of him I had a sense of +impending calamity. He sat under the electric light with the +shadow of his hair making bars down his face. He looked +shrunken, and as though his skin had suddenly got loose and +yellow. The decorations of the room seemed to have lost +freshness, and outside the blinds were up--there was not so much +fog as a dun darkness. One saw the dingy outlines of the +chimneys opposite quite distinctly, and then a sky of such brown +as only London can display. + +"I saw a placard," I said: "'More Ponderevity.'" + +"That's Boom," he said. "Boom and his damned newspapers. He's +trying to fight me down. Ever since I offered to buy the Daily +Decorator he's been at me. And he thinks consolidating Do Ut cut +down the ads. He wants everything, damn him! He's got no sense +of dealing. I'd like to bash his face!" + +"Well," I said, "what's to be done?" + +"Keep going," said my uncle. + +"I'll smash Boom yet," he said, with sudden savagery. + +"Nothing else?" I asked. + +"We got to keep going. There's a scare on. Did you notice the +rooms? Half the people out there this morning are reporters. +And if I talk they touch it up!... They didn't used to touch +things up! Now they put in character touches--insulting you. +Don't know what journalism's coming to. It's all Boom's doing." + +He cursed Lord Boom with considerable imaginative vigour. + +"Well," said I, "what can he do?" + +"Shove us up against time, George; make money tight for us. We +been handling a lot of money--and he tightens us up." + +"We're sound?" + +"Oh, we're sound, George. Trust me for that! But all the same-- +There's such a lot of imagination in these things.... We're +sound enough. That's not it." + +He blew. "Damn Boom!" he said, and his eyes over his glasses met +mine defiantly. + +"We can't, I suppose, run close hauled for a bitstop +expenditure?" + +"Where?" + +"Well,--Crest Hill" + +"What!" he shouted. "Me stop Crest Hill for Boom!" He waved a +fist as if to hit his inkpot, and controlled himself with +difficulty. He spoke at last in a reasonable voice. "If I did," +he said, "he'd kick up a fuss. It's no good, even if I wanted +to. Everybody's watching the place. If I was to stop building +we'd be down in a week." + +He had an idea. "I wish I could do something to start a strike +or something. No such luck. Treat those workmen a sight too +well. No, sink or swim, Crest Hill goes on until we're under +water." + +I began to ask questions and irritated him instantly. + +"Oh, dash these explanations, George!" he cried; "You only make +things look rottener than they are. It's your way. It isn't a +case of figures. We're all right--there's only one thing we got +to do." + +"Yes?" + +"Show value, George. That's where this quap comes in; that's why +I fell in so readily with what you brought to me week before +last. Here we are, we got our option on the perfect filament, +and all we want's canadium. Nobody knows there's more canadium +in the world than will go on the edge of a sixpence except me and +you. Nobody has an idee the perfect filament's more than just a +bit of theorising. Fifty tons of quap and we'd turn that bit of +theorising into something. We'd make the lamp trade sit on its +tail and howl. We'd put Ediswan and all of 'em into a parcel +withour last year's trousers and a hat, and swap 'em off for a +pot ofgeraniums. See? We'd do it through Business +Organisations, and there you are! See? Capern's Patent Filament! + +The Ideal and the Real! George, we'll do it! We'll bring it +off! And then we'll give such a facer to Boom, he'll think for +fifty years. He's laying up for our London and African meeting. +Let him. He can turn the whole paper on to us. He says the +Business Organisations shares aren't worth fifty-two and we quote +'em at eighty-four. Well, here we are gettin' ready for +him--loading our gun." + +His pose was triumphant. + +"Yes," I said, "that's all right. But I can't help thinking +where should we be if we hadn't just by accident got Capern's +Perfect Filament. Because, you know it was an accident--my +buying up that." + +He crumpled up his nose into an expression of impatient distaste +at my unreasonableness. + +"And after all, the meeting's in June, and you haven't begun to +get the quap! After all, we've still got to load our gun." + +"They start on Toosday." + +"Have they got the brig?" + +"They've got a brig." + +"Gordon-Nasmyth!" I doubted. + +"Safe as a bank," he said. "More I see of that man the more I +like him. All I wish is we'd got a steamer instead of a sailing +ship" + +"And," I went on, "you seem to overlook what used to weigh with +us a bit. This canadium side of the business and the Capern +chance has rushed you off your legs. After all--it's stealing, +and in its way an international outrage. They've got two +gunboats on the coast." + +I jumped up and went and stared out at the fog. + +"And, by Jove, it's about our only chance! I didn't dream." + +I turned on him. "I've been up in the air," I said. + +"Heaven knows where I haven't been. And here's our only +chance--and you give it to that adventurous lunatic to play in +his own way--in a brig!" + +"Well, you had a voice--" + +"I wish I'd been in this before. We ought to have run out a +steamer to Lagos or one of those West Coast places and done it +from there. Fancy a brig in the channel at this time of year, if +it blows southwest!" + +"I dessay you'd have shoved it, George. Still you know, +George.... I believe in him." + +"Yes," I said. "Yes, I believe in him, too. In a way. Still--" + +We took up a telegram that was lying on his desk and opened it. +His face became a livid yellow. He put the flimsy paper down +with a slow, reluctant movement and took off his glasses. + +"George," he said, "the luck's against us." + +"What?" + +He grimaced with his mouth--in the queerest way at the telegram. + +"That." + +I took it up and read: + +"Motor smash compound fracture of the leg gordon nasmyth what +price mordet now" + +For a moment neither of us spoke. + +"That's all right," I said at last. + +"Eh?" said my uncle. + +"I'M going. I'll get that quap or bust." + +II + +I had a ridiculous persuasion that I was "saving the situation." + +"I'm going," I said quite consciously and dramatically. I saw +the whole affair--how shall I put it?--in American colours. + +I sat down beside him. "Give me all the data you've got," I +said, "and I'll pull this thing off." + +"But nobody knows exactly where--" + +"Nasmyth does, and he'll tell me." + +"He's been very close," said my uncle, and regarded me. + +"He'll tell me all right, now he's smashed." + +He thought. "I believe he will." + +"George," he said, "if you pull this thing off--Once or twice +before you've stepped in--with that sort of Woosh of yours--" + +He left the sentence unfinished. + +"Give me that note-book," I said, "and tell me all you know. +Where's the ship? Where's Pollack? And where's that telegram +from? If that quap's to be got, I'll get it or bust. If you'll +hold on here until I get back with it."... + +And so it was I jumped into the wildest adventure of my life. + +I requisitioned my uncle's best car forthwith. I went down that +night to the place of despatch named on Nasmyth's telegram, +Bampton S.O. Oxon, routed him out with a little trouble from +that centre, made things right with him and got his explicit +directions; and I was inspecting the Maud Mary with young +Pollack, his cousin and aide, the following afternoon. She was +rather a shock to me and not at all in my style, a beast of a +brig inured to the potato trade, and she reeked from end to end +with the faint, subtle smell of raw potatoes so that it prevailed +even over the temporary smell of new paint. She was a beast of a +brig, all hold and dirty framework, and they had ballasted her +with old iron and old rails and iron sleepers, and got a +miscellaneous lot of spades and iron wheelbarrows against the +loading of the quap. I thought her over with Pollack, one of +those tall blond young men who smoke pipes and don't help much, +and then by myself, and as a result I did my best to sweep +Gravesend clean of wheeling planks, and got in as much cord and +small rope as I could for lashing. I had an idea we might need +to run up a jetty. In addition to much ballast she held, +remotely hidden in a sort of inadvertent way a certain number of +ambiguous cases which I didn't examine, but which I gathered were +a provision against the need of a trade. + +The captain was a most extraordinary creature, under the +impression we were after copper ore; he was a Roumanian Jew, +with twitching, excitable features, who had made his way to a +certificate after some preliminary naval experiences in the Black +Sea. The mate was an Essex man of impenetrable reserve. The +crew were astoundingly ill-clad and destitute and dirty; most of +them youths, unwashed, out of colliers. One, the cook was a +mulatto; and one, the best-built fellow of them all, was a +Breton. There was some subterfuge about our position on board--I +forget the particulars now--I was called the supercargo and +Pollack was the steward. This added to the piratical flavour +that insufficient funds and Gordon-Nasmyth's original genius had +already given the enterprise. + +Those two days of bustle at Gravesend, under dingy skies, in +narrow, dirty streets, were a new experience for me. It is like +nothing else in my life. I realised that I was a modern and a +civilised man. I found the food filthy and the coffee horrible; +the whole town stank in my nostrils, the landlord of the Good +Intent on the quay had a stand-up quarrel with us before I could +get even a hot bath, and the bedroom I slept in was infested by a +quantity of exotic but voracious flat parasites called locally +"bugs," in the walls, in the woodwork, everywhere. I fought +them with insect powder, and found them comatose in the morning. +I was dipping down into the dingy underworld of the contemporary +state, and I liked it no better than I did my first dip into it +when I stayed with my Uncle Nicodemus Frapp at the bakery at +Chatham--where, by-the-by, we had to deal with cockroaches of a +smaller, darker variety, and also with bugs of sorts. + +Let me confess that through all this time before we started I was +immensely self-conscious, and that Beatrice played the part of +audience in my imagination throughout. I was, as I say, "saving +the situation," and I was acutely aware of that. The evening +before we sailed, instead of revising our medicine-chest as I +had intended, I took the car and ran across country to Lady Grove +to tell my aunt of the journey I was making, dress, and astonish +Lady Osprey by an after dinner call. + +The two ladies were at home and alone beside a big fire that +seemed wonderfully cheerful after the winter night. I remember +the effect of the little parlour in which they sat as very bright +and domestic. Lady Osprey, in a costume of mauve and lace, sat +on a chintz sofa and played an elaborately spread-out patience +by the light of a tall shaded lamp; Beatrice, in a whiteness +that showed her throat, smoked a cigarette in an armchair and +read with a lamp at her elbow. The room was white-panelled and +chintz-curtained. About those two bright centres of light were +warm dark shadow, in which a circular mirror shone like a pool of +brown water. I carried off my raid by behaving like a slave of +etiquette. There were moments when I think I really made Lady +Osprey believe that my call was an unavoidable necessity, that +it would have been negligent of me not to call just how and when +I did. But at the best those were transitory moments. + +They received me with disciplined amazement. Lady Osprey was +interested in my face and scrutinised the scar. Beatrice stood +behind her solicitude. Our eyes met, and in hers I could see +startled interrogations. + +"I'm going," I said, "to the west coast of Africa." + +They asked questions, but it suited my mood to be vague. + +"We've interests there. It is urgent I should go. I don't know +when I may return." + +After that I perceived Beatrice surveyed me steadily. + +The conversation was rather difficult. I embarked upon lengthy +thanks for their kindness to me after my accident. I tried to +understand Lady Osprey's game of patience, but it didn't appear +that Lady Osprey was anxious for me to understand her patience. +I came to the verge of taking my leave + +"You needn't go yet," said Beatrice, abruptly. + +She walked across to the piano, took a pile of music from the +cabinet near, surveyed Lady Osprey's back, and with a gesture to +me dropped it all deliberately on to the floor. + +"Must talk," she said, kneeling close to me as I helped her to +pick it up. "Turn my pages. At the piano." + +"I can't read music." + +"Turn my pages." + +Presently we were at the piano, and Beatrice was playing with +noisy inaccuracy. She glanced over her shoulder and Lady Osprey +had resumed her patience. The old lady was very pink, and +appeared to be absorbed in some attempt to cheat herself without +our observing it. + +"Isn't West Africa a vile climate?" "Are you going to live +there?" "Why are you going?" + +Beatrice asked these questions in a low voice and gave me no +chance to answer. Then taking a rhythm from the music before +her, she said-- + +"At the back of the house is a garden--a door in the wall--on the +lane. Understand?" + +I turned over the pages without any effect on her playing. + +"When?" I asked. + +She dealt in chords. "I wish I COULD play this!" she said. +"Midnight." + +She gave her attention to the music for a time. + +"You may have to wait." + +"I'll wait." + +She brought her playing to an end by--as school boys +say--"stashing it up." + +"I can't play to-night," she said, standing up and meeting my +eyes. "I wanted to give you a parting voluntary." + +"Was that Wagner, Beatrice?" asked Lady Osprey looking up from +her cards. "It sounded very confused." + +I took my leave. I had a curious twinge of conscience as I +parted from Lady Osprey. Either a first intimation of +middle-age or my inexperience in romantic affairs was to blame, +but I felt a very distinct objection to the prospect of invading +this good lady's premises from the garden door. I motored up to +the pavilion, found Cothope reading in bed, told him for the +first time of West Africa, spent an hour with him in settling all +the outstanding details of Lord Roberts B, and left that in his +hands to finish against my return. I sent the motor back to Lady +Grove, and still wearing my fur coat--for the January night was +damp and bitterly cold--walked to Bedley Corner. I found the +lane to the back of the Dower House without any difficulty, and +was at the door in the wall with ten minutes to spare. I lit a +cigar and fell to walking up and down. This queer flavour of +intrigue, this nocturnal garden-door business, had taken me by +surprise and changed my mental altitudes. I was startled out of +my egotistical pose and thinking intently of Beatrice, of that +elfin quality in her that always pleased me, that always took me +by surprise, that had made her for example so instantly conceive +this meeting. + +She came within a minute of midnight; the door opened softly and +she appeared, a short, grey figure in a motor-coat of sheepskin, +bareheaded to the cold drizzle. She flitted up to me, and her +eyes were shadows in her dusky face. + +"Why are you going to West Africa?" she asked at once. + +"Business crisis. I have to go." + +"You're not going--? You're coming back?" + +"Three or four months," I said, "at most." + +"Then, it's nothing to do with me?" + +"Nothing," I said. "Why should it have?" + +"Oh, that's all right. One never knows what people think or what +people fancy." She took me by the arm, "Let's go for a walk," +she said. + +I looked about me at darkness and rain. + +"That's all right," she laughed. "We can go along the lane and +into the Old Woking Road. Do you mind? Of course you don't. My +head. It doesn't matter. One never meets anybody." + +"How do you know?" + +"I've wandered like this before.... Of course. Did you +think"--she nodded her head back at her home--"that's all?" + +"No, by Jove!" I cried; "it's manifest it isn't." + +She took my arm and turned me down the lane. "Night's my time," +she said by my side. "There's a touch of the werewolf in my +blood. One never knows in these old families.... I've wondered +often.... Here we are, anyhow, alone in the world. Just +darkness and cold and a sky of clouds and wet. And we--together. + +I like the wet on my face and hair, don't you? When do you +sail?" + +I told her to-morrow. + +"Oh, well, there's no to-morrow now. You and I!" She stopped +and confronted me. + +"You don't say a word except to answer!" + +"No," I said. + +"Last time you did all the talking." + +"Like a fool. Now--" + +We looked at each other's two dim faces. "You're glad to be +here?" + +"I'm glad--I'm beginning to be--it's more than glad." + +She put her hands on my shoulders and drew me down to kiss her. + +"Ah!" she said, and for a moment or so we just clung to one +another. + +"That's all," she said, releasing herself. "What bundles of +clothes we are to-night. I felt we should kiss some day again. +Always. The last time was ages ago." + +"Among the fern stalks." + +"Among the bracken. You remember. And your lips were cold. +Were mine? The same lips--after so long--after so much!... And +now let's trudge through this blotted-out world together for a +time. Yes, let me take your arm. Just trudge. See? Hold tight +to me because I know the way--and don't talk--don't talk. Unless +you want to talk.... Let me tell you things! You see, dear, the +whole world is blotted out--it's dead and gone, and we're in this +place. This dark wild place.... We're dead. Or all the world +is dead. No! We're dead. No one can see us. We're shadows. +We've got out of our positions, out of our bodies--and together. +That's the good thing of it--together. But that's why the world +can't see us and why we hardly see the world. Sssh! Is it all +right?" + +"It's all right," I said. + +We stumbled along for a time in a close silence. We passed a +dim-lit, rain-veiled window. + +"The silly world," she said, "the silly world! It eats and +sleeps. If the wet didn't patter so from the trees we'd hear it +snoring. It's dreaming such stupid things--stupid judgments. It +doesn't know we are passing, we two--free of it--clear of it. +You and I!" + +We pressed against each other reassuringly. + +"I'm glad we're dead," she whispered. "I'm glad we're dead. I +was tired of it, dear. I was so tired of it, dear, and so +entangled." + +She stopped abruptly. + +We splashed through a string of puddles. I began to remember +things I had meant to say. + +"Look here!" I cried. "I want to help you beyond measure. You +are entangled. What is the trouble? I asked you to marry me. +You said you would. But there's something." + +My thoughts sounded clumsy as I said them. + +"Is it something about my position?... Or is it +something--perhaps--about some other man?" + +There was an immense assenting silence. + +"You've puzzled me so. At first--I mean quite early--I thought +you meant to make me marry you." + +"I did." + +"And then?" + +"To-night," she said after a long pause, "I can't explain. No! +I can't explain. I love you! But--explanations! To-night my +dear, here we are in the world alone--and the world doesn't +matter. Nothing matters. Here I am in the cold with you and my +bed away there deserted. I'd tell you--I will tell you when +things enable me to tell you, and soon enough they will. But +to-night--I won't--I won't." + +She left my side and went in front of me. + +She turned upon me. "Look here," she said, "I insist upon your +being dead. Do you understand? I'm not joking. To-night you +and I are out of life. It's our time together. There may be +other times, but this we won't spoil. We're--in Hades if you +like. Where there's nothing to hide and nothing to tell. No +bodies even. No bothers. We loved each other--down there--and +were kept apart, but now it doesn't matter. It's over.... If +you won't agree to that--I will go home." + +"I wanted," I began. + +"I know. Oh! my dear, if you'd only understand I understand. If +you'd only not care--and love me to-night." + +"I do love you," I said. + +"Then LOVE me," she answered, "and leave all the things that +bother you. Love me! Here I am!" + +"But!--" + +"No!" she said. + +"Well, have your way." + +So she carried her point, and we wandered into the night together +and Beatrice talked to me of love.... + +I'd never heard a woman before in all my life who could talk of +love, who could lay bare and develop and touch with imagination +all that mass of fine emotion every woman, it may be, hides. She +had read of love, she had thought of love, a thousand sweet +lyrics had sounded through her brain and left fine fragments in +her memory; she poured it out, all of it, shamelessly, skilfully, +for me. I cannot give any sense of that talk, I cannot even tell +how much of the delight of it was the magic of her voice, the +glow of her near presence. And always we walked swathed warmly +through a chilly air, along dim, interminable greasy roads--with +never a soul abroad it seemed to us, never a beast in the fields. + +"Why do people love each other?" I said. + +"Why not?" + +"But why do I love you? Why is your voice better than any voice, +your face sweeter than any face?" + +"And why do I love you?" she asked; "not only what is fine in +you, but what isn't? Why do I love your dullness, your +arrogance? For I do. To--night I love the very raindrops on the +fur of your coat!"... + +So we talked; and at last very wet, still glowing but a little +tired, we parted at the garden door. We had been wandering for +two hours in our strange irrational community of happiness, and +all the world about us, and particularly Lady Osprey and her +household, had been asleep--and dreaming of anything rather than +Beatrice in the night and rain. + +She stood in the doorway, a muffled figure with eyes that glowed. + +"Come back," she whispered. "I shall wait for you." + +She hesitated. + +She touched the lapel of my coat. "I love you NOW," she said, +and lifted her face to mine. + +I held her to me and was atremble from top to toe. "O God!" I +cried. "And I must go!" + +She slipped from my arms and paused, regarding me. For an +instant the world seemed full of fantastic possibilities. + +"Yes, GO!" she said, and vanished and slammed the door upon me, +leaving me alone like a man new fallen from fairyland in the +black darkness of the night. + +III + +That expedition to Mordet Island stands apart from all the rest +of my life, detached, a piece by itself with an atmosphere of +its own. It would, I suppose, make a book by itself--it has made +a fairly voluminous official report--but so far as this novel of +mine goes it is merely an episode, a contributory experience, and +I mean to keep it at that. + +Vile weather, an impatient fretting against unbearable slowness +and delay, sea--sickness, general discomfort and humiliating +self--revelation are the master values of these memories. + +I was sick all through the journey out. I don't know why. It +was the only time I was ever sea-sick, and I have seen some +pretty bad weather since I became a boat-builder. But that +phantom smell of potatoes was peculiarly vile to me. Coming back +on the brig we were all ill, every one of us, so soon as we got +to sea, poisoned, I firmly believe, by quap. On the way out +most of the others recovered in a few days, but the stuffiness +below, the coarse food, the cramped dirty accommodation kept me, +if not actually sea-sick, in a state of acute physical +wretchedness the whole time. The ship abounded in cockroaches +and more intimate vermin. I was cold all the time until after we +passed Cape Verde, then I became steamily hot; I had been too +preoccupied with Beatrice and my keen desire to get the Maud Mary +under way at once, to consider a proper wardrobe for myself, and +in particular I lacked a coat. Heavens! how I lacked that coat! +And, moreover, I was cooped up with two of the worst bores in +Christendom, Pollack and the captain. Pollack, after conducting +his illness in a style better adapted to the capacity of an opera +house than a small compartment, suddenly got insupportably well +and breezy, and produced a manly pipe in which he smoked a +tobacco as blond as himself, and divided his time almost equally +between smoking it and trying to clean it. "There's only three +things you can clean a pipe with," he used to remark with a twist +of paper in hand. "The best's a feather, the second's a straw, +and the third's a girl's hairpin. I never see such a ship. You +can't find any of 'em. Last time I came this way I did find +hairpins anyway, and found 'em on the floor of the captain's +cabin. Regular deposit. Eh?... Feelin' better?" + +At which I usually swore. + +"Oh, you'll be all right soon. Don't mind my puffin' a bit? +Eh?" + +He never tired of asking me to "have a hand at Nap. Good game. +Makes you forget it, and that's half the battle." + +He would sit swaying with the rolling of the ship and suck at his +pipe of blond tobacco and look with an inexpressibly sage but +somnolent blue eye at the captain by the hour together. +"Captain's a Card," he would say over and over again as the +outcome of these meditations. "He'd like to know what we're up +to. He'd like to know--no end." + +That did seem to be the captain's ruling idea. But he also +wanted to impress me with the notion that he was a gentleman of +good family and to air a number of views adverse to the English, +to English literature, to the English constitution, and the like. + +He had learnt the sea in the Roumanian navy, and English out of a +book; he would still at times pronounce the e's at the end of +"there" and "here"; he was a naturalised Englishman, and he drove +me into a reluctant and uncongenial patriotism by his everlasting +carping at things English. Pollack would set himself to "draw +him out." Heaven alone can tell how near I came to murder. + +Fifty-three days I had outward, cooped up with these two and a +shy and profoundly depressed mate who read the Bible on Sundays +and spent the rest of his leisure in lethargy, three and fifty +days of life cooped up in a perpetual smell, in a persistent sick +hunger that turned from the sight of food, in darkness, cold and +wet, in a lightly ballasted ship that rolled and pitched and +swayed. And all the time the sands in the hour-glass of my +uncle's fortunes were streaming out. Misery! Amidst it all I +remember only one thing brightly, one morning of sunshine in the +Bay of Biscay and a vision of frothing waves, sapphire green, a +bird following our wake and our masts rolling about the sky. +Then wind and rain close in on us again. + +You must not imagine they were ordinary days, days, I mean, of an +average length; they were not so much days as long damp slabs of +time that stretched each one to the horizon, and much of that +length was night. One paraded the staggering deck in a borrowed +sou'-wester hour after hour in the chilly, windy, splashing and +spitting darkness, or sat in the cabin, bored and ill, and +looked at the faces of those inseparable companions by the help +of a lamp that gave smell rather than light. Then one would see +going up, up, up, and then sinking down, down, down, Pollack, +extinct pipe in mouth, humorously observant, bringing his mind +slowly to the seventy-seventh decision that the captain was a +Card, while the words flowed from the latter in a nimble +incessant good. "Dis England eet is not a country aristocratic, +no! Eet is a glorified bourgeoisie! Eet is plutocratic. In +England dere is no aristocracy since de Wars of Roses. In the +rest of Europe east of the Latins, yes; in England, no. + +"Eet is all middle-class, youra England. Everything you look +at, middle-class. Respectable! Everything good--eet is, you +say, shocking. Madame Grundy! Eet is all limited and computing +and self-seeking. Dat is why your art is so limited, youra +fiction, your philosophin, why you are all so inartistic. You +want nothing but profit! What will pay! What would you?"... + +He had all those violent adjuncts to speech we Western Europeans +have abandoned, shruggings of the shoulders, waving of the arms, +thrusting out of the face, wonderful grimaces and twiddlings of +the hands under your nose until you wanted to hit them away. Day +after day it went on, and I had to keep any anger to myself, to +reserve myself for the time ahead when it would be necessary to +see the quap was got aboard and stowed--knee deep in this man's +astonishment. I knew he would make a thousand objections to all +we had before us. He talked like a drugged man. It ran glibly +over his tongue. And all the time one could see his seamanship +fretting him, he was gnawed by responsibility, perpetually +uneasy about the ship's position, perpetually imagining dangers. +If a sea hit us exceptionally hard he'd be out of the cabin in an +instant making an outcry of inquiries, and he was pursued by a +dread of the hold, of ballast shifting, of insidious wicked +leaks. As we drew near the African coast his fear of rocks and +shoals became infectious. + +"I do not know dis coast," he used to say. "I cama hera because +Gordon-Nasmyth was coming too. Den he does not come!" + +"Fortunes of war," I said, and tried to think in vain if any +motive but sheer haphazard could have guided Gordon-Nasmyth in +the choice of these two men. I think perhaps Gordon-Nasmyth had +the artistic temperament and wanted contrasts, and also that the +captain helped him to express his own malignant Anti-Britishism. + +He was indeed an exceptionally inefficient captain. On the whole +I was glad I had come even at the eleventh hour to see to things. + +(The captain, by-the-by, did at last, out of sheer nervousness, +get aground at the end of Mordet's Island, but we got off in an +hour or so with a swell and a little hard work in the boat.) + +I suspected the mate of his opinion of the captain long before he +expressed it. He was, I say, a taciturn man, but one day speech +broke through him. He had been sitting at the table with his +arms folded on it, musing drearily, pipe in mouth, and the voice +of the captain drifted down from above. + +The mate lifted his heavy eyes to me and regarded me for a +moment. Then he began to heave with the beginnings of speech. +He disembarrassed himself of his pipe. I cowered with +expectation. Speech was coming at last. Before he spoke he +nodded reassuringly once or twice. + +"E--" + +He moved his head strangely and mysteriously, but a child might +have known he spoke of the captain. + +"E's a foreigner." + +He regarded me doubtfully for a time, and at last decided for the +sake of lucidity to clench the matter. + +"That's what E is--a DAGO!" + +He nodded like a man who gives a last tap to a nail, and I could +see he considered his remark well and truly laid. His face, +though still resolute, became as tranquil and uneventful as a +huge hall after a public meeting has dispersed out of it, and +finally he closed and locked it with his pipe. + +"Roumanian Jew, isn't he?" I said. + +He nodded darkly and almost forbiddingly. + +More would have been too much. The thing was said. But from +that time forth I knew I could depend upon him and that he and I +were friends. It happens I never did have to depend upon him, +but that does not affect our relationship. + +Forward the crew lived lives very much after the fashion of ours, +more crowded, more cramped and dirty, wetter, steamier, more +verminous. The coarse food they had was still not so coarse but +that they did not think they were living "like fighting cocks." +So far as I could make out they were all nearly destitute men; +hardly any of them had a proper sea outfit, and what small +possessions they had were a source of mutual distrust. And as +we pitched and floundered southward they gambled and fought, were +brutal to one another, argued and wrangled loudly, until we +protested at the uproar. + +There's no romance about the sea in a small sailing ship as I saw +it. The romance is in the mind of the landsman dreamer. These +brigs and schooners and brigantines that still stand out from +every little port are relics from an age of petty trade, as +rotten and obsolescent as a Georgian house that has sunken into a +slum. They are indeed just floating fragments of slum, much as +icebergs are floating fragments of glacier. The civilised man who +has learnt to wash, who has developed a sense of physical +honour, of cleanly temperate feeding, of time, can endure them no +more. They pass, and the clanking coal-wasting steamers will +follow them, giving place to cleaner, finer things.... + +But so it was I made my voyage to Africa, and came at last into a +world of steamy fogs and a hot smell of vegetable decay, and into +sound and sight of surf and distant intermittent glimpses of the +coast. I lived a strange concentrated life through all that +time, such a life as a creature must do that has fallen in a +well. All my former ways ceased, all my old vistas became +memories. + +The situation I was saving was very small and distant now; I felt +its urgency no more. Beatrice and Lady Grove, my uncle and the +Hardingham, my soaring in the air and my habitual wide vision of +swift effectual things, became as remote as if they were in some +world I had left for ever.... + +IV + +All these African memories stand by themselves. It was for me an +expedition into the realms of undisciplined nature out of the +world that is ruled by men, my first bout with that hot side of +our mother that gives you the jungle--that cold side that gives +you the air-eddy I was beginning to know passing well. They are +memories woven upon a fabric of sunshine and heat and a constant +warm smell of decay. They end in rain--such rain as I had never +seen before, a vehement, a frantic downpouring of water, but our +first slow passage through the channels behind Mordet's Island +was in incandescent sunshine. + +There we go in my memory still, a blistered dirty ship with +patched sails and a battered mermaid to present Maud Mary, +sounding and taking thought between high ranks of forest whose +trees come out knee-deep at last in the water. There we go +with a little breeze on our quarter, Mordet Island rounded and +the quap, it might be within a day of us. + +Here and there strange blossoms woke the dank intensities of +green with a trumpet call of colour. Things crept among the +jungle and peeped and dashed back rustling into stillness. +Always in the sluggishly drifting, opaque water were eddyings +and stirrings; little rushes of bubbles came chuckling up +light-heartedly from this or that submerged conflict and +tragedy; now and again were crocodiles like a stranded fleet of +logs basking in the sun. Still it was by day, a dreary stillness +broken only by insect sounds and the creaking and flapping of our +progress, by the calling of the soundings and the captain's +confused shouts; but in the night as we lay moored to a clump of +trees the darkness brought a thousand swampy things to life and +out of the forest came screaming and howlings, screaming and +yells that made us glad to be afloat. And once we saw between +the tree stems long blazing fires. We passed two or three +villages landward, and brown-black women and children came and +stared at us and gesticulated, and once a man came out in a boat +from a creek and hailed us in an unknown tongue; and so at last +we came to a great open place, a broad lake rimmed with a +desolation of mud and bleached refuse and dead trees, free from +crocodiles or water birds or sight or sound of any living thing, +and saw far off, even as Nasmyth had described, the ruins of the +deserted station, and hard by two little heaps of buff-hued +rubbish under a great rib of rock, the quap! The forest receded. +The land to the right of us fell away and became barren, and far +on across notch in its backbone was surf and the sea. + +We took the ship in towards those heaps and the ruined jetty +slowly and carefully. The captain came and talked. + +"This is eet?" he said. + +"Yes," said I. + +"Is eet for trade we have come?" + +This was ironical. + +"No," said I. + +"Gordon-Nasmyth would haf told me long ago what it ees for we +haf come." + +"I'll tell you now," I said. "We are going to lay in as close as +we can to those two heaps of stuff--you see them?--under the +rock. Then we are going to chuck all our ballast overboard and +take those in. Then we're going home." + +"May I presume to ask--is eet gold?" + +"No," I said incivilly, "it isn't." + +"Then what is it?" + +"It's stuff--of some commercial value." + +"We can't do eet," he said. + +"We can," I answered reassuringly. + +"We can't," he said as confidently. "I don't mean what you mean. + +You know so liddle--But--dis is forbidden country." + +I turned on him suddenly angry and met bright excited eyes. For +a minute we scrutinised one another. Then I said, "That's our +risk. Trade is forbidden. But this isn't trade.... This thing's +got to be done." + +His eyes glittered and he shook his head.... + +The brig stood in slowly through the twilight toward this strange +scorched and blistered stretch of beach, and the man at the wheel +strained his ears to listening the low-voiced angry argument +that began between myself and the captain, that was presently +joined by Pollack. We moored at last within a hundred yards of +our goal, and all through our dinner and far into the night we +argued intermittently and fiercely with the captain about our +right to load just what we pleased. "I will haf nothing to do +with eet," he persisted. "I wash my hands." It seemed that +night as though we argued in vain. "If it is not trade," he +said, "it is prospecting and mining. That is worse. Any one who +knows anything--outside England--knows that is worse." + +We argued and I lost my temper and swore at him. Pollack kept +cooler and chewed his pipe watchfully with that blue eye of his +upon the captain's gestures. Finally I went on deck to cool. +The sky was overcast I discovered all the men were in a knot +forward, staring at the faint quivering luminosity that had +spread over the heaps of quap, a phosphorescence such as one sees +at times on rotting wood. And about the beach east and west +there were patches and streaks of something like diluted +moonshine.... + +In the small hours I was still awake and turning over scheme +after scheme in my mind whereby I might circumvent the captain's +opposition. I meant to get that quap aboard if I had to kill +some one to do it. Never in my life had I been so thwarted! +After this intolerable voyage! There came a rap at my cabin door +and then it opened and I made out a bearded face. "Come in," I +said, and a black voluble figure I could just see obscurely came +in to talk in my private ear and fill my cabin with its +whisperings and gestures. It was the captain. He, too, had been +awake and thinking things over. He had come to +explain--enormously. I lay there hating him and wondering if I +and Pollack could lock him in his cabin and run the ship without +him. "I do not want to spoil dis expedition," emerged from a +cloud of protestations, and then I was able to disentangle "a +commission--shush a small commission--for special risks!" +"Special risks" became frequent. I let him explain himself out. +It appeared he was also demanding an apology for something I had +said. No doubt I had insulted him generously. At last came +definite offers. I broke my silence and bargained. + +"Pollack!" I cried and hammered the partition. + +"What's up?" asked Pollack. + +I stated the case concisely. + +There came a silence. + +"He's a Card," said Pollack. "Let's give him his commission. I +don't mind." + +"Eh?" I cried. + +"I said he was a Card, that's all," said Pollack. "I'm coming." + +He appeared in my doorway a faint white figure joined our +vehement whisperings. + +We had to buy the captain off; we had to promise him ten per +cent. of our problematical profits. We were to give him ten per +cent. on what we sold the cargo for over and above his +legitimate pay, and I found in my out-bargained and disordered +state small consolation in the thought that I, as the +Gordon-Nasmyth expedition, was to sell the stuff to myself as +Business Organisations. And he further exasperated me by +insisting on having our bargain in writing. "In the form of a +letter," he insisted. + +"All right," I acquiesced, "in the form of a letter. Here goes! +Get a light!" + +"And the apology," he said, folding up the letter. + +"All right," I said; "Apology." + +My hand shook with anger as I wrote, and afterwards I could not +sleep for hate of him. At last I got up. I suffered, I found, +from an unusual clumsiness. I struck my toe against my cabin +door, and cut myself as I shaved. I found myself at last pacing +the deck under the dawn in a mood of extreme exasperation. The +sun rose abruptly and splashed light blindingly into my eyes and +I swore at the sun. I found myself imagining fresh obstacles +with the men and talking aloud in anticipatory rehearsal of the +consequent row. + +The malaria of the quap was already in my blood. + +V + +Sooner or later the ridiculous embargo that now lies upon all the +coast eastward of Mordet Island will be lifted and the reality of +the deposits of quap ascertained. I am sure that we were merely +taking the outcrop of a stratum of nodulated deposits that dip +steeply seaward. Those heaps were merely the crumbled out +contents of two irregular cavities in the rock; they are as +natural as any talus or heap of that kind, and the mud along the +edge of the water for miles is mixed with quap, and is +radio-active and lifeless and faintly phosphorescent at night. +But the reader will find the full particulars of my impression of +all this in the Geological Magazine for October, l905, and to +that I must refer him. There, too, he will find my unconfirmed +theories of its nature. If I am right it is something far more +significant from the scientific point of view than those +incidental constituents of various rare metals, pitchblende, +rutile, and the like, upon which the revolutionary discoveries of +the last decade are based. Those are just little molecular +centres of disintegration, of that mysterious decay and rotting +of those elements, elements once regarded as the most stable +things in nature. But there is something--the only word that +comes near it is CANCEROUS--and that is not very near, about +the whole of quap, something that creeps and lives as a disease +lives by destroying; an elemental stirring and disarrangement, +incalculably maleficent and strange. + +This is no imaginative comparison of mine. To my mind +radio-activity is a real disease of matter. Moreover, it is a +contagious disease. It spreads. You bring those debased and +crumbling atoms near others and those too presently catch the +trick of swinging themselves out of coherent existence. It is +in matter exactly what the decay of our old culture is in +society, a loss of traditions and distinctions and assured +reactions. When I think of these inexplicable dissolvent centres +that have come into being in our globe--these quap heaps are +surely by far the largest that have yet been found in the world; +the rest as yet mere specks in grains and crystals--I am haunted +by a grotesque fancy of the ultimate eating away and dry-rotting +and dispersal of all our world. So that while man still +struggles and dreams his very substance will change and crumble +from beneath him. I mention this here as a queer persistent +fancy. Suppose, indeed, that is to be the end of our planet; no +splendid climax and finale, no towering accumulation of +achievements, but just--atomic decay! I add that to the ideas of +the suffocating comet, the dark body out of space, the burning +out of the sun, the distorted orbit, as a new and far more +possible end--as Science can see ends--to this strange by-play +of matter that we call human life. I do not believe this can be +the end; no human soul can believe in such an end and go on +living, but to it science points as a possible thing, science and +reason alike. If single human beings--if one single ricketty +infant--can be born as it were by accident and die futile, why +not the whole race? These are questions I have never answered, +that now I never attempt to answer, but the thought of quap and +its mysteries brings them back to me. + +I can witness that the beach and mud for two miles or more either +way was a lifeless beach--lifeless as I could have imagined no +tropical mud could ever be, and all the dead branches and leaves +and rotting dead fish and so forth that drifted ashore became +presently shrivelled and white. Sometimes crocodiles would come +up out of the water and bask, and now and then water birds would +explore the mud and rocky ribs that rose out of it, in a mood of +transitory speculation. That was its utmost admiration. And +the air felt at once hot and austere, dry and blistering, and +altogether different the warm moist embrace that had met us at +our first African landfall and to which we had grown accustomed. + +I believe that the primary influence of the quap upon us was to +increase the conductivity of our nerves, but that is a mere +unjustifiable speculation on my part. At any rate it gave a sort +of east wind effect to life. We all became irritable, clumsy, +languid and disposed to be impatient with our languor. We moored +the brig to the rocks with difficulty, and got aground on mud and +decided to stick there and tow off when we had done--the bottom +was as greasy as butter. Our efforts to fix up planks and +sleepers in order to wheel the quap aboard were as ill-conceived +as that sort of work can be--and that sort of work can at times +be very ill-conceived. The captain had a superstitious fear of +his hold: he became wildly gesticulatory and expository and +incompetent at the bare thought of it. His shouts still echo in +my memory, becoming as each crisis approached less and less like +any known tongue. + +But I cannot now write the history of those days of blundering +and toil: of how Milton, one of the boys, fell from a plank to +the beach, thirty feet perhaps, with his barrow and broke his arm +and I believe a rib, of how I and Pollack set the limb and nursed +him through the fever that followed, of how one man after another +succumbed to a feverish malaria, and how I--by virtue of my +scientific reputation--was obliged to play the part of doctor and +dose them with quinine, and then finding that worse than nothing, +with rum and small doses of Easton's Syrup, of which there +chanced to be a case of bottles aboard--Heaven and +Gordon-Nasmyth know why. For three long days we lay in misery +and never shipped a barrow-load. Then, when they resumed, the +men's hands broke out into sores. There were no gloves +available; and I tried to get them, while they shovelled and +wheeled, to cover their hands with stockings or greased rags. +They would not do this on account of the heat and discomfort. +This attempt of mine did, however, direct their attention to the +quap as the source of their illness and precipitated what in the +end finished our lading, an informal strike. "We've had enough +of this," they said, and they meant it. They came aft to say as +much. They cowed the captain. + +Through all these days the weather was variously vile, first a +furnace heat under a sky of a scowling intensity of blue, then a +hot fog that stuck in one's throat like wool and turned the men +on the planks into colourless figures of giants, then a wild +burst of thunderstorms, mad elemental uproar and rain. Through +it all, against illness, heat, confusion of mind, one master +impetus prevailed with me, to keep the shipping going, to +maintain one motif at least, whatever else arose or ceased, the +chuff of the spades, the squeaking and shriek of the barrows, the +pluppa, pluppa, pluppa, as the men came trotting along the +swinging high planks, and then at last, the dollop, dollop, as +the stuff shot into the hold. "Another barrow-load, thank God! +Another fifteen hundred, or it may be two thousand pounds, for +the saving of Ponderevo!...!" + +I found out many things about myself and humanity in those weeks +of effort behind Mordet Island. I understand now the heart of +the sweater, of the harsh employer, of the nigger-driver. I had +brought these men into a danger they didn't understand, I was +fiercely resolved to overcome their opposition and bend and use +them for my purpose, and I hated the men. But I hated all +humanity during the time that the quap was near me. + +And my mind was pervaded, too, by a sense of urgency and by the +fear that we should be discovered and our proceedings stopped. I +wanted to get out to sea again--to be beating up northward with +our plunder. I was afraid our masts showed to seaward and might +betray us to some curious passer on the high sea. And one +evening near the end I saw a canoe with three natives far off +down the lake; I got field-glasses from the captain and +scrutinised them, and I could see them staring at us. One man +might have been a half-breed and was dressed in white. They +watched us for some time very quietly and then paddled off into +some channel in the forest shadows. + +And for three nights running, so that it took a painful grip +upon my inflamed imagination, I dreamt of my uncle's face, only +that it was ghastly white like a clown's, and the throat was cut +from ear to ear--a long ochreous cut. "Too late," he said; "Too +late!..." + +VI + +A day or so after we had got to work upon the quap I found myself +so sleepless and miserable that the ship became unendurable. +Just before the rush of sunrise I borrowed Pollack's gun, walked +down the planks, clambered over the quap heaps and prowled along +the beach. I went perhaps a mile and a half that day and some +distance beyond the ruins of the old station. I became +interested in the desolation about me, and found when I returned +that I was able to sleep for nearly an hour. It was delightful +to have been alone for so long,--no captain, no Pollack, no one. +Accordingly I repeated this expedition the next morning and the +next until it became a custom with me. There was little for me +to do once the digging and wheeling was organised, and so these +prowlings of mine grew longer and longer, and presently I began +to take food with me. + +I pushed these walks far beyond the area desolated by the quap. +On the edges of that was first a zone of stunted vegetation, then +a sort of swampy jungle that was difficult to penetrate, and then +the beginnings of the forest, a scene of huge tree stems and +tangled creeper ropes and roots mingled with oozy mud. Here I +used to loaf in a state between botanising and reverie--always +very anxious to know what was up above in the sunlight--and here +it was I murdered a man. + +It was the most unmeaning and purposeless murder imaginable. +Even as I write down its well-remembered particulars there comes +again the sense of its strangeness, its pointlessness, its +incompatibility with any of the neat and definite theories people +hold about life and the meaning of the world. I did this thing +and I want to tell of my doing it, but why I did it and +particularly why I should be held responsible for it I cannot +explain. + +That morning I had come upon a track in the forest, and it had +occurred to me as a disagreeable idea that this was a human +pathway. I didn't want to come upon any human beings. The less +our expedition saw of the African population the better for its +prospects. Thus far we had been singularly free from native +pestering. So I turned back and was making my way over mud and +roots and dead fronds and petals scattered from the green world +above when abruptly I saw my victim. + +I became aware of him perhaps forty feet off standing quite +still and regarding me. + +He wasn't by any means a pretty figure. He was very black and +naked except for a dirty loin-cloth, his legs were ill-shaped +and his toes spread wide and the upper edge of his cloth and a +girdle of string cut his clumsy abdomen into folds. His forehead +was low, his nose very flat and his lower lip swollen and +purplish-red. His hair was short and fuzzy, and about his neck +was a string and a little purse of skin. He carried a musket, +and a powder-flask was stuck in his girdle. It was a curious +confrontation. There opposed to him stood I, a little soiled, +perhaps, but still a rather elaborately civilised human being, +born, bred and trained in a vague tradition. In my hand was an +unaccustomed gun. And each of us was essentially a teeming, +vivid brain, tensely excited by the encounter, quite unaware of +the other's mental content or what to do with him. + +He stepped back a pace or so, stumbled and turned to run. + +"Stop," I cried; "stop, you fool!" and started to run after him, +shouting such things in English. But I was no match for him over +the roots and mud. + +I had a preposterous idea. "He mustn't get away and tell them!" + +And with that instantly I brought both feet together, raised my +gun, aimed quite coolly, drew the trigger carefully and shot him +neatly in the back. + +I saw, and saw with a leap of pure exaltation, the smash of my +bullet between his shoulder blades. "Got him," said I, dropping +my gun and down he flopped and died without a groan. "By Jove!" +I cried with note of surprise, "I've killed him!" I looked about +me and then went forward cautiously, in a mood between curiosity +and astonishment, to look at this man whose soul I had flung so +unceremoniously out of our common world. I went to him, not as +one goes to something one has made or done, but as one approaches +something found. + +He was frightfully smashed out in front; he must have died in the +instant. I stooped and raised him by his shoulder and realised +that. I dropped him, and stood about and peered about me through +the trees. "My word!" I said. He was the second dead human +being--apart, I mean, from surgical properties and mummies and +common shows of that sort--that I have ever seen. I stood over +him wondering, wondering beyond measure. + +A practical idea came into that confusion. Had any one heard the +gun? + +I reloaded. + +After a time I felt securer, and gave my mind again to the dead I +had killed. What must I do? + +It occurred to me that perhaps I ought to bury him. At any rate, +I ought to hide him. I reflected coolly, and then put my gun +within easy reach and dragged him by the arm towards a place +where the mud seemed soft, and thrust him in. His powder-flask +slipped from his loin-cloth, and I went back to get it. Then I +pressed him down with the butt of my rifle. + +Afterwards this all seemed to me most horrible, but at the time +it was entirely a matter-of-fact transaction. I looked round +for any other visible evidence of his fate, looked round as one +does when one packs one's portmanteau in an hotel bedroom. + +When I got my bearings, and carefully returned towards the ship. +I had the mood of grave concentration of a boy who has lapsed +into poaching. And the business only began to assume proper +proportions for me as I got near the ship, to seem any other kind +of thing than the killing of a bird or rabbit. + +In the night, however, it took on enormous and portentous +forms. "By God!" I cried suddenly, starting wide awake; "but it +was murder!" + +I lay after that wide awake, staring at my memories. In some odd +way these visions mixed up with my dream of in my uncle in his +despair. The black body which saw now damaged and partly buried, +but which, nevertheless, I no longer felt was dead but acutely +alive and perceiving, I mixed up with the ochreous slash under my +uncle's face. I tried to dismiss this horrible obsession from my +mind, but it prevailed over all my efforts. + +The next day was utterly black with my sense of that ugly +creature's body. I am the least superstitious of men, but it +drew me. It drew me back into those thickets to the very place +where I had hidden him. + +Some evil and detestable beast had been at him, and he lay +disinterred. + +Methodically I buried his swollen and mangled carcass again, and +returned to the ship for another night of dreams. Next day for +all the morning I resisted the impulse to go to him, and played +nap with Pollack with my secret gnawing at me, and in the evening +started to go and was near benighted. I never told a soul of +them of this thing I had done. + +Next day I went early, and he had gone, and there were human +footmarks and ugly stains round the muddy hole from which he had +been dragged. + +I returned to the ship, disconcerted and perplexed. That day it +was the men came aft, with blistered hands and faces, and sullen +eyes. When they proclaimed, through Edwards, their spokesman, +"We've had enough of this, and we mean it," I answered very +readily, "So have I. Let's go." + +VII + +We were none too soon. People had been reconnoitring us, the +telegraph had been at work, and we were not four hours at sea +before we ran against the gunboat that had been sent down the +coast to look for us and that would have caught us behind the +island like a beast in a trap. It was a night of driving cloud +that gave intermittent gleams of moonlight; the wind and sea were +strong and we were rolling along through a drift of rails and +mist. Suddenly the world was white with moonshine. The gunboat +came out as a long dark shape wallowing on the water to the east. + +She sighted the Maud Mary at once, and fired some sort of popgun +to arrest us. + +The mate turned to me. + +"Shall I tell the captain?" + +"The captain be damned" said I, and we let him sleep through two +hours of chase till a rainstorm swallowed us up. Then we +changed our course and sailed right across them, and by morning +only her smoke was showing. + +We were clear of Africa--and with the booty aboard I did not see +what stood between us and home. + +For the first time since I had fallen sick in the Thames my +spirits rose. I was sea-sick and physically disgusted, of +course, but I felt kindly in spite of my qualms. So far as I +could calculate then the situation was saved. I saw myself +returning triumphantly into the Thames, and nothing on earth to +prevent old Capern's Perfect Filament going on the market in +fortnight. I had the monopoly of electric lamps beneath my +feet. + +I was released from the spell of that bloodstained black body all +mixed up with grey-black mud. I was going back to baths and +decent food and aeronautics and Beatrice. I was going back to +Beatrice and my real life again--out of this well into which I +had fallen. It would have needed something more than +sea-sickness and quap fever to prevent my spirits rising. + +I told the captain that I agreed with him that the British were +the scum of Europe, the westward drift of all the people, a +disgusting rabble, and I lost three pounds by attenuated retail +to Pollack at ha'penny nap and euchre. + +And then you know, as we got out into the Atlantic this side of +Cape Verde, the ship began to go to pieces. I don't pretend for +one moment to understand what happened. But I think +Greiffenhagen's recent work on the effects of radium upon +ligneous tissue does rather carry out my idea that emanations +from quap have rapid rotting effect upon woody fibre. + +From the first there had been a different feel about the ship, +and as the big winds and waves began to strain her she commenced +leaking. Soon she was leaking--not at any particular point, but +everywhere. She did not spring a leak, I mean, but water came in +first of all near the decaying edges of her planks, and then +through them. + +I firmly believe the water came through the wood. First it began +to ooze, then to trickle. It was like trying to carry moist +sugar in a thin paper bag. Soon we were taking in water as +though we had opened a door in her bottom. + +Once it began, the thing went ahead beyond all fighting. For a +day or so we did our best, and I can still remember in my +limbs and back the pumping--the fatigue in my arms and the +memory of a clear little dribble of water that jerked as one +pumped, and of knocking off and the being awakened to go on +again, and of fatigue piling up upon fatigue. At last we ceased +to think of anything but pumping; one became a thing of torment +enchanted, doomed to pump for ever. I still remember it as pure +relief when at last Pollack came to me pipe in mouth. + +"The captain says the damned thing's going down right now;' he +remarked, chewing his mouthpiece. "Eh?" + +"Good idea!" I said. "One can't go on pumping for ever." + +And without hurry or alacrity, sullenly and wearily we got into +the boats and pulled away from the Maud Mary until we were +clear of her, and then we stayed resting on our oars, motionless +upon a glassy sea, waiting for her to sink. We were all silent, +even the captain was silent until she went down. And then he +spoke quite mildly in an undertone. + +"Dat is the first ship I haf ever lost.... And it was not a fair +game! It wass not a cargo any man should take. No!" + +I stared at the slow eddies that circled above the departed +Maud Mary, and the last chance of Business Organisations. I +felt weary beyond emotion. I thought of my heroics to Beatrice +and my uncle, of my prompt "I'LL go," and of all the ineffectual +months I had spent after this headlong decision. I was moved to +laughter at myself and fate. + +But the captain and the men did not laugh. The men scowled at me +and rubbed their sore and blistered hands, and set themselves to +row.... + +As all the world knows we were picked up by the Union Castle +liner, Portland Castle. + +The hairdresser aboard was a wonderful man, and he even +improvised me a dress suit, and produced a clean shirt and warm +underclothing. I had a hot bath, and dressed and dined and drank +a bottle of Burgundy. + +"Now," I said, "are there any newspapers? I want to know what's +been happening in the world." + +My steward gave me what he had, but I landed at Plymouth still +largely ignorant of the course of events. I shook off Pollack, +and left the captain and mate in an hotel, and the men in a +Sailor's Home until I could send to pay them off, and I made my +way to the station. + +The newspapers I bought, the placards I saw, all England indeed +resounded to my uncle's bankruptcy. + + +BOOK THE FOURTH + +THE AFTERMATH OF TONO-BUNGAY + +CHAPTER THE FIRST + +THE STICK OF THE ROCKET + +I + +That evening I talked with my uncle in the Hardingham for the +last time. The atmosphere of the place had altered quite +shockingly. Instead of the crowd of importunate courtiers there +were just half a dozen uninviting men, journalists waiting for +an interview. Ropper the big commissionaire was still there, but +now indeed he was defending my uncle from something more than +time-wasting intrusions. I found the little man alone in the +inner office pretending to work, but really brooding. He was +looking yellow and deflated. + +"Lord!" he said at the sight of me. "You're lean, George. It +makes that scar of yours show up." + +We regarded each other gravely for a time. + +"Quap," I said, "is at the bottom of the Atlantic. There's some +bills--We've got to pay the men." + +"Seen the papers?" + +"Read 'em all in the train." + +"At bay," he said. "I been at bay for a week.... Yelping round +me.... And me facing the music. I'm feelin' a bit tired." + +He blew and wiped his glasses. + +"My stomack isn't what it was," he explained. "One finds +it--these times. How did it all happen, George? Your +Marconigram--it took me in the wind a bit." + +I told him concisely. He nodded to the paragraphs of my +narrative and at the end he poured something from a medicine +bottle into a sticky little wineglass and drank it. I became +aware of the presence of drugs, of three or four small bottles +before him among his disorder of papers, of a faint elusively +familiar odour in the room. + +"Yes," he said, wiping his lips and recorking the bottle. +"You've done your best, George. The luck's been against us." + +He reflected, bottle in hand. "Sometimes the luck goes with you +and sometimes it doesn't. Sometimes it doesn't. And then where +are you? Grass in the oven! Fight or no fight." + +He asked a few questions and then his thoughts came back to his +own urgent affairs. I tried to get some comprehensive account of +the situation from him, but he would not give it. + +"Oh, I wish I'd had you. I wish I'd had you, George. I've had a +lot on my hands. You're clear headed at times." + +"What has happened?" + +"Oh! Boom!--infernal things." + +"Yes, but--how? I'm just off the sea, remember." + +"It'd worry me too much to tell you now. It's tied up in a +skein." + +He muttered something to himself and mused darkly, and roused +himself to say-- + +"Besides--you'd better keep out of it. It's getting tight. Get +'em talking. Go down to Crest Hill and fly. That's YOUR +affair." + +For a time his manner set free queer anxieties in my brain again. + +I will confess that that Mordet Island nightmare of mine +returned, and as I looked at him his hand went out for the drug +again. "Stomach, George," he said. + +"I been fightin' on that. Every man fights on some thing--gives +way somewheres--head, heart, liver--something. Zzzz. Gives way +somewhere. Napoleon did at last. All through the Waterloo +campaign, his stomach--it wasn't a stomach! Worse than mine, no +end." + +The mood of depression passed as the drug worked within him. His +eyes brightened. He began to talk big. He began to dress up the +situation for my eyes, to recover what he had admitted to me. +He put it as a retreat from Russia. There were still the chances +of Leipzig. + +"It's a battle, George--a big fight. We're fighting for +millions. I've still chances. There's still a card or so. I +can't tell all my plans--like speaking on the stroke." + +"You might," I began. + +"I can't, George. It's like asking to look at some embryo. You +got to wait. I know. In a sort of way, I know. But to tell +it-- No! You been away so long. And everything's got +complicated." + +My perception of disastrous entanglements deepened with the rise +of his spirits. It was evident that I could only help to tie him +up in whatever net was weaving round his mind by forcing +questions and explanations upon him. My thoughts flew off at +another angle. "How's Aunt Susan?" said I. + +I had to repeat the question. His busy whispering lips stopped +for a moment, and he answered in the note of one who repeats a +formula. + +"She'd like to be in the battle with me. She'd like to be here +in London. But there's corners I got to turn alone." His eye +rested for a moment on the little bottle beside him. "And things +have happened. + +"You might go down now and talk to her," he said, in a directer +voice. "I shall be down to-morrow night, I think." + +He looked up as though he hoped that would end our talk. + +"For the week-end?" I asked. + +"For the week-end. Thank God for week-ends, George!" + +II + +My return home to Lady Grove was a very different thing from what +I had anticipated when I had got out to sea with my load of quap +and fancied the Perfect-Filament was safe within my grasp. As I +walked through the evening light along the downs, the summer +stillness seemed like the stillness of something newly dead. +There were no lurking workmen any more, no cyclists on the high +road. + +Cessation was manifest everywhere. There had been, I learnt from +my aunt, a touching and quite voluntary demonstration when the +Crest Hill work had come to an end and the men had drawn their +last pay; they had cheered my uncle and hooted the contractors +and Lord Boom. + +I cannot now recall the manner in which my aunt and I greeted one +another. I must have been very tired there, but whatever +impression was made has gone out of my memory. But I recall very +clearly how we sat at the little round table near the big window +that gave on the terrace, and dined and talked. I remember her +talking of my uncle. + +She asked after him, and whether he seemed well. "I wish I could +help," she said. "But I've never helped him much, never. His +way of doing things was never mine. And since--since--. Since +he began to get so rich, he's kept things from me. In the old +days--it was different.... + +"There he is--I don't know what he's doing. He won't have me +near him.... + +"More's kept from me than anyone. The very servants won't let +me know. They try and stop the worst of the papers--Boom's +things--from coming upstairs.... I suppose they've got him in a +corner, George. Poor old Teddy! Poor old Adam and Eve we are! +Ficial Receivers with flaming swords to drive us out of our +garden! I'd hoped we'd never have another Trek. Well--anyway, +it won't be Crest Hill.... But it's hard on Teddy. He must be in +such a mess up there. Poor old chap. I suppose we can't help +him. I suppose we'd only worry him. Have some more soup +George--while there is some?..." + +The next day was one of those days of strong perception that +stand out clear in one's memory when the common course of days is +blurred. I can recall now the awakening in the large familiar +room that was always kept for me, and how I lay staring at its +chintz-covered chairs, its spaced fine furniture, its glimpse +of the cedars without, and thought that all this had to end. + +I have never been greedy for money, I have never wanted to be +rich, but I felt now an immense sense of impending deprivation. +I read the newspapers after breakfast--I and my aunt +together--and then I walked up to see what Cothope had done in +the matter of Lord Roberts B. Never before had I appreciated so +acutely the ample brightness of the Lady Grove gardens, the +dignity and wide peace of all about me. It was one of those warm +mornings in late May that have won all the glory of summer +without losing the gay delicacy of spring. The shrubbery was +bright with laburnum and lilac, the beds swarmed with daffodils +and narcissi and with lilies of the valley in the shade. + +I went along the well-kept paths among the rhododendra and +through the private gate into the woods where the bluebells and +common orchid were in profusion. Never before had I tasted so +completely the fine sense of privilege and ownership. And all +this has to end, I told myself, all this has to end. + +Neither my uncle nor I had made any provision for disaster; all +we had was in the game, and I had little doubt now of the +completeness of our ruin. For the first time in my life since he +had sent me that wonderful telegram of his I had to consider that +common anxiety of mankind,--Employment. I had to come off my +magic carpet and walk once more in the world. + +And suddenly I found myself at the cross drives where I had seen +Beatrice for the first time after so many years. It is strange, +but so far as I can recollect I had not thought of her once since +I had landed at Plymouth. No doubt she had filled the background +of my mind, but I do not remember one definite, clear thought. I +had been intent on my uncle and the financial collapse. + +It came like a blow in the face now; all that, too, had to end! + +Suddenly I was filled with the thought of her and a great longing +for her. What would she do when she realised our immense +disaster? What would she do? How would she take it? It filled +me with astonishment to realise how little I could tell.... + +Should I perhaps presently happen upon her? + +I went on through the plantations and out upon the downs, and +thence I saw Cothope with a new glider of his own design soaring +down wind to my old familiar "grounding" place. To judge by its +long rhythm it was a very good glider. "Like Cothope's cheek," +thought I, "to go on with the research. I wonder if he's keeping +notes.... But all this will have to stop." + +He was sincerely glad to see me. "It's been a rum go," he said. + +He had been there without wages for a month, a man forgotten in +the rush of events. + +"I just stuck on and did what I could with the stuff. I got a bit +of money of my own--and I said to myself, 'Well, here you are +with the gear and no one to look after you. You won't get such a +chance again, my boy, not in all your born days. Why not make +what you can with it? '" + +"How's Lord Roberts B?" + +Cothope lifted his eyebrows. "I've had to refrain," he said. +"But he's looking very handsome." + +"Gods!" I said, "I'd like to get him up just once before we +smash. You read the papers? You know we're going to smash?" + +"Oh! I read the papers. It's scandalous, sir, such work as ours +should depend on things like that. You and I ought to be under +the State, sir, if you'll excuse me" + +"Nothing to excuse," I said. "I've always been a Socialist--of a +sort--in theory. Let's go and have a look at him. How is he? +Deflated?" + +"Just about quarter full. That last oil glaze of yours holds the +gas something beautiful. He's not lost a cubic metre a week."... + +Cothope returned to Socialism as we went toward the sheds. + +"Glad to think you're a Socialist, sir," he said, "it's the only +civilised state. I been a Socialist some years--off the +Clarion. It's a rotten scramble, this world. It takes the +things we make and invent and it plays the silly fool with 'em. +We scientific people, we'll have to take things over and stop all +this financing and advertisement and that. It's too silly. +It's a noosance. Look at us!" + +Lord Roberts B, even in his partially deflated condition in his +shed, was a fine thing to stare up at. I stood side by side with +Cothope regarding him, and it was borne in upon me more acutely +than ever that all this had to end. I had a feeling just like +the feeling of a boy who wants to do wrong, that I would use up +the stuff while I had it before the creditors descended. I had a +queer fancy, too, I remember, that if I could get into the air it +would advertise my return to Beatrice. + +"We'll fill her," I said concisely. + +"It's all ready," said Cothope, and added as an afterthought, +"unless they cut off the gas."... + +I worked and interested myself with Cothope all the morning and +for a time forgot my other troubles. But the thought of Beatrice +flooded me slowly and steadily. It became an unintelligent sick +longing to see her. I felt that I could not wait for the filling +of Lord Roberts B, that I must hunt her up and see her soon. I +got everything forward and lunched with Cothope, and then with +the feeblest excuses left him in order to prowl down through the +woods towards Bedley Corner. I became a prey to wretched +hesitations and diffidence. Ought I to go near her now? I asked +myself, reviewing all the social abasements of my early years. +At last, about five, I called at the Dower House. I was greeted +by their Charlotte--with a forbidding eye and a cold +astonishment. + +Both Beatrice and Lady Osprey were out. + +There came into my head some prowling dream of meeting her. I +went along the lane towards Woking, the lane down which we had +walked five months ago in the wind and rain. + +I mooned for a time in our former footsteps, then swore and +turned back across the fields, and then conceived a distaste for +Cothope and went Downward. At last I found myself looking down on +the huge abandoned masses of the Crest Hill house. + +That gave my mind a twist into a new channel. My uncle came +uppermost again. What a strange, melancholy emptiness of +intention that stricken enterprise seemed in the even evening +sunlight, what vulgar magnificence and crudity and utter +absurdity! It was as idiotic as the pyramids. I sat down on the +stile, staring at it as though I had never seen that forest of +scaffold poles, that waste of walls and bricks and plaster and +shaped stones, that wilderness of broken soil and wheeling +tracks and dumps before. It struck me suddenly as the compactest +image and sample of all that passes for Progress, of all the +advertisement-inflated spending, the aimless building up and +pulling down, the enterprise and promise of my age. This was +our fruit, this was what he had done, I and my uncle, in the +fashion of our time. We were its leaders and exponents, we were +the thing it most flourishingly produced. For this futility in +its end, for an epoch of such futility, the solemn scroll of +history had unfolded.... + +"Great God!" I cried, "but is this Life?" + +For this the armies drilled, for this the Law was administered +and the prisons did their duty, for this the millions toiled and +perished in suffering, in order that a few of us should build +palaces we never finished, make billiard-rooms under ponds, run +imbecile walls round irrational estates, scorch about the world +in motor-cars, devise flying-machines, play golf and a dozen +such foolish games of ball, crowd into chattering dinner parties, +gamble and make our lives one vast, dismal spectacle of witless +waste! So it struck me then, and for a time I could think of no +other interpretation. This was Life! It came to me like a +revelation, a revelation at once incredible and indisputable of +the abysmal folly of our being. + +III + +I was roused from such thoughts by the sound of footsteps behind +me. + +I turned half hopeful--so foolish is a lover's imagination, and +stopped amazed. It was my uncle. His face was white--white as I +had seen it in my dream. + +"Hullo!" I said, and stared. "Why aren't you in London?" + +"It's all up," he said.... + +"Adjudicated?" + +"No!" + +I stared at him for a moment, and then got off the stile. + +We stood swaying and then came forward with a weak motion of his +arms like a man who cannot see distinctly, and caught at and +leant upon the stile. For a moment we were absolutely still. He +made a clumsy gesture towards the great futility below and +choked. I discovered that his face was wet with tears, that his +wet glasses blinded him. He put up his little fat hand and +clawed them off clumsily, felt inefficiently for his +pocket-handkerchief, and then, to my horror, as he clung to me, +he began to weep aloud, this little, old worldworn swindler. It +wasn't just sobbing or shedding tears, it was crying as a child +cries. It was oh! terrible! + +"It's cruel," he blubbered at last. "They asked me questions. +They KEP' asking me questions, George." + +He sought for utterance, and spluttered. + +"The Bloody bullies!" he shouted. "The Bloody Bullies." + +He ceased to weep. He became suddenly rapid and explanatory. + +"It's not a fair game, George. They tire you out. And I'm not +well. My stomach's all wrong. And I been and got a cold. I +always been li'ble to cold, and this one's on my chest. And then +they tell you to speak up. They bait you--and bait you, and bait +you. It's torture. The strain of it. You can't remember what +you said. You're bound to contradict yourself. It's like +Russia, George.... It isn't fair play.... Prominent man. I've +been next at dinners with that chap, Neal; I've told him +stories--and he's bitter! Sets out to ruin me. Don't ask a +civil question--bellows." He broke down again. "I've been +bellowed at, I been bullied, I been treated like a dog. Dirty +cads they are! Dirty cads! I'd rather be a Three-Card Sharper +than a barrister; I'd rather sell cat's-meat in the streets. + +"They sprung things on me this morning, things I didn't expect. +They rushed me! I'd got it all in my hands and then I was +jumped. By Neal! Neal I've given city tips to! Neal! I've helped +Neal.... + +"I couldn't swallow a mouthful--not in the lunch hour. I +couldn't face it. It's true, George--I couldn't face it. I said +I'd get a bit of air and slipped out and down to the Embankment, +and there I took a boat to Richmond. Some idee. I took a rowing +boat when I got there and I rowed about on the river for a bit. +A lot of chaps and girls there was on the bank laughed at my +shirt-sleeves and top hat. Dessay they thought it was a +pleasure trip. Fat lot of pleasure! I rowed round for a bit and +came in. Then I came on here. Windsor way. And there they are +in London doing what they like with me.... I don't care!" + +"But" I said, looking down at him, perplexed. + +"It's abscondin'. They'll have a warrant." + +"I don't understand," I said. + +"It's all up, George--all up and over. + +"And I thought I'd live in that place, George and die a lord! +It's a great place, reely, an imperial--if anyone has the sense +to buy it and finish it. That terrace--" + +I stood thinking him over. + +"Look here!" I said. "What's that about--a warrant? Are you +sure they'll get a warrant? I'm sorry uncle; but what have you +done?" + +"Haven't I told you?" + +"Yes, but they won't do very much to you for that. They'll only +bring you up for the rest of your examination." + +He remained silent for a time. At last he spoke--speaking with +difficulty. + +"It's worse than that. I've done something. They're bound to +get it out. Practically they HAVE got it out." + +"What?" + +"Writin' things down--I done something." + +For the first time in his life, I believe, he felt and looked +ashamed. It filled me with remorse to see him suffer so. + +"We've all done things," I said. "It's part of the game the +world makes us play. If they want to arrest you--and you've got +no cards in your hand--! They mustn't arrest you." + +"No. That's partly why I went to Richmond. But I never +thought--" + +His little bloodshot eyes stared at Crest Hill. + +"That chap Wittaker Wright," he said, "he had his stuff ready. I +haven't. Now you got it, George. That's the sort of hole I'm +in." + +IV + +That memory of my uncle at the gate is very clear and full. I am +able to recall even the undertow of my thoughts while he was +speaking. I remember my pity and affection for him in his misery +growing and stirring within me, my realisation that at any risk I +must help him. But then comes indistinctness again. I was +beginning to act. I know I persuaded him to put himself in my +hands, and began at once to plan and do. I think that when we +act most we remember least, that just in the measure that the +impulse of our impressions translates itself into schemes and +movements, it ceases to record itself in memories. I know I +resolved to get him away at once, and to use the Lord Roberts B +in effecting that. It was clear he was soon to be a hunted man, +and it seemed to me already unsafe for him to try the ordinary +Continental routes in his flight. I had to evolve some scheme, +and evolve it rapidly, how we might drop most inconspicuously +into the world across the water. My resolve to have one flight +at least in my airship fitted with this like hand to glove. It +seemed to me we might be able to cross over the water in the +night, set our airship adrift, and turn up as pedestrian tourists +in Normandy or Brittany, and so get away. That, at any rate, was +my ruling idea. + +I sent off Cothope with a dummy note to Woking, because I did +not want to implicate him, and took my uncle to the pavilion. I +went down to my aunt, and made a clean breast of the situation. +She became admirably competent. We went into his dressing-room +and ruthlessly broke his locks. I got a pair of brown boots, a +tweed suit and a cap of his, and indeed a plausible walking +outfit, and a little game bag for his pedestrian gear; and, in +addition, a big motoring overcoat and a supply of rugs to add to +those I had at the pavilion. I also got a flask of brandy, and +she made sandwiches. I don't remember any servants appearing, +and I forget where she got those sandwiches. Meanwhile we +talked. Afterwards I thought with what a sure confidence we +talked to each other + +"What's he done?" she said. + +"D'you mind knowing?" + +"No conscience left, thank God!" + +"I think--forgery!" + +There was just a little pause. "Can you carry this bundle?" she +asked. + +I lifted it. + +"No woman ever has respected the law--ever," she said. "It's too +silly.... The things it lets you do! And then pulls you up--like +a mad nurse minding a child." + +She carried some rugs for me through the shrubbery in the +darkling. + +"They'll think we're going mooning," she said, jerking her head +at the household. "I wonder what they make of us--criminals." +... An immense droning note came as if in answer to that. It +startled us both for a moment. "The dears!" she said. "It's the +gong for dinner!... But I wish I could help little Teddy, +George. It's awful to think of him there with hot eyes, red and +dry. And I know--the sight of me makes him feel sore. Things I +said, George. If I could have seen, I'd have let him have an +omnibusful of Scrymgeours. I cut him up. He'd never thought I +meant it before.... I'll help all I can, anyhow." + +I turned at something in her voice, and got a moon light gleam of +tears upon her face. + +"Could SHE have helped?" she asked abruptly. + +"SHE?" + +"That woman." + +"My God!" I cried, "HELPED! Those--things don't help!" + +"Tell me again what I ought to do," she said after a silence. + +I went over the plans I had made for communicating, and the +things I thought she might do. I had given her the address of a +solicitor she might put some trust in. + +"But you must act for yourself," I insisted. + +"Roughly," I said, "it's a scramble. You must get what you can +for us, and follow as you can." + +She nodded. + +She came right up to the pavilion and hovered for a time shyly, +and then went away. + +I found my uncle in my sitting-room in an arm-chair, with his +feet upon the fender of the gas stove, which he had lit, and now +he was feebly drunken with my whisky, and very weary in body and +spirit, and inclined to be cowardly. + +"I lef' my drops," he said. + +He changed his clothes slowly and unwillingly. I had to bully +him, I had almost to shove him to the airship and tuck him up +upon its wicker flat. Single-handed I made but a clumsy start; +we scraped along the roof of the shed and bent a van of the +propeller, and for a time I hung underneath without his offering +a hand to help me to clamber up. If it hadn't been for a sort of +anchoring trolley device of Cothope's, a sort of slip anchor +running on a rail, we should never have got clear at all. + +V + +The incidents of our flight in Lord Roberts B do not arrange +themselves in any consecutive order. To think of that adventure +is like dipping haphazard into an album of views. One is +reminded first of this and then of that. We were both lying down +on a horizontal plate of basketwork; for Lord Roberts B had none +of the elegant accommodation of a balloon. I lay forward, and my +uncle behind me in such a position that he could see hardly +anything of our flight. We were protected from rolling over +simply by netting between the steel stays. It was impossible for +us to stand up at all; we had either to lie or crawl on all fours +over the basket work. Amidships were lockers made of Watson's +Aulite material,--and between these it was that I had put my +uncle, wrapped in rugs. I wore sealskin motoring boots and +gloves, and a motoring fur coat over my tweeds, and I controlled +the engine by Bowden wires and levers forward. + +The early part of that night's experience was made up of warmth, +of moonlit Surrey and Sussex landscape, and of a rapid and +successful flight, ascending and swooping, and then ascending +again southward. I could not watch the clouds because the +airship overhung me; I could not see the stars nor gauge the +meteorological happening, but it was fairly clear to me that a +wind shifting between north and northeast was gathering strength, +and after I had satisfied myself by a series of entirely +successful expansions and contractions of the real air-worthiness +of Lord Roberts B, I stopped the engine to save my petrol, and +let the monster drift, checking its progress by the dim landscape +below. My uncle lay quite still behind me, saying little and +staring in front of him, and I was left to my own thoughts and +sensations. + +My thoughts, whatever they were, have long since faded out of +memory, and my sensations have merged into one continuous memory +of an countryside lying, as it seemed, under snow, with square +patches of dimness, white phantoms of roads, rents and pools of +velvety blackness, and lamp-jewelled houses. I remember a train +boring its way like a hastening caterpillar of fire across the +landscape, and how distinctly I heard its clatter. Every town +and street was buttoned with street lamps. I came quite close to +the South Downs near Lewes, and all the lights were out in the +houses, and the people gone to bed. We left the land a little to +the east of Brighton, and by that time Brighton was well abed. +and the brightly lit sea-front deserted. Then I let out the gas +chamber to its fullest extent and rose. I like to be high above +water. + +I do not clearly know what happened in the night. I think I must +have dozed, and probably my uncle slept. I remember that once or +twice I heard him talking in an eager, muffled voice to himself, +or to an imaginary court. But there can be no doubt the wind +changed right round into the east, and that we were carried far +down the Channel without any suspicion of the immense leeway we +were making. I remember the kind of stupid perplexity with which +I saw the dawn breaking over a grey waste of water, below, and +realised that something was wrong. I was so stupid that it was +only after the sunrise I really noticed the trend of the foam +caps below, and perceived we were in a severe easterly gale. Even +then, instead of heading southeasterly, I set the engine going, +headed south, and so continued a course that must needs have +either just hit Ushant, or carry us over the Bay of Biscay. I +thought I was east of Cherbourg, when I was far to the west and +stopped my engine in that belief, and then set it going again. I +did actually sight the coast of Brittany to the southeast in the +late afternoon, and that it was woke me up to the gravity of our +position. I discovered it by accident in the southeast, when I +was looking for it in the southwest. I turned about east and +faced the wind for some time, and finding I had no chance in its +teeth, went high, where it seemed less violent, and tried to make +a course southeast. It was only then that I realised what a gale +I was in. I had been going westward, and perhaps even in gusts +north of west, at a pace of fifty or sixty miles an hour. + +Then I began what I suppose would be called a Fight against the +east wind. One calls it a Fight, but it was really almost as +unlike a fight as plain sewing. The wind tried to drive me +westwardly, and I tried to get as much as I could eastwardly, +with the wind beating and rocking us irregularly, but by no +means unbearably, for about twelve hours. My hope lay in the +wind abating, and our keeping in the air and eastward of +Finisterre until it did, and the chief danger was the exhaustion +of our petrol. It was a long and anxious and almost meditative +time; we were fairly warm, and only slowly getting hungry, and +except that my uncle grumbled a little and produced some +philosophical reflections, and began to fuss about having a +temperature, we talked very little. I was tired and sulky, and +chiefly worried about the engine. I had to resist a tendency to +crawl back and look at it. I did not care to risk contracting +our gas chamber for fear of losing gas. Nothing was less like a +fight. I know that in popular magazines, and so forth, all such +occasions as this are depicted in terms of hysteria. Captains +save their ships engineers complete their bridges, generals +conduct their battles, in a state of dancing excitement, foaming +recondite technicalities at the lips. I suppose that sort of +thing works up the reader, but so far as it professes to +represent reality, I am convinced it is all childish nonsense. +schoolboys of fifteen, girls of eighteen, and literary men all +their lives, may have these squealing fits, but my own experience +is that most exciting scenes are not exciting, and most of the +urgent moments in life are met by steady-headed men. + +Neither I nor my uncle spent the night in ejaculations, nor in +humorous allusions, nor any of these things. We remained lumpish. + +My uncle stuck in his place and grumbled about his stomach, and +occasionally rambled off into expositions of his financial +position and denunciations of Neal--he certainly struck out one +or two good phrases for Neal--and I crawled about at rare +intervals in a vague sort of way and grunted, and our basketwork +creaked continually, and the wind on our quarter made a sort of +ruffled flapping in the wall of the gas chamber. For all our +wraps we got frightfully cold as the night wore on. + +I must have dozed, and it was still dark when I realised with a +start that we were nearly due south of, and a long way from, a +regularly-flashing lighthouse, standing out before the glow of +some great town, and then that the thing that had awakened me was +the cessation of our engine, and that we were driving back to the +west. + +Then, indeed, for a time I felt the grim thrill of life. I +crawled forward to the cords of the release valves, made my uncle +crawl forward too, and let out the gas until we were falling down +through the air like a clumsy glider towards the vague greyness +that was land. + +Something must have intervened here that I have forgotten. + +I saw the lights of Bordeaux when it was quite dark, a nebulous +haze against black; of that I am reasonably sure. But certainly +our fall took place in the cold, uncertain light of early dawn. +I am, at least, equally sure of that. And Mimizan, near where we +dropped, is fifty miles from Bordeaux, whose harbour lights I +must have seen. + +I remember coming down at last with a curious indifference, and +actually rousing myself to steer. But the actual coming to earth +was exciting enough. I remember our prolonged dragging landfall, +and the difficulty I had to get clear, and how a gust of wind +caught Lord Roberts B as my uncle stumbled away from the ropes +and litter, and dropped me heavily, and threw me on to my knees. +Then came the realisation that the monster was almost consciously +disentangling itself for escape, and then the light leap of its +rebound. The rope slipped out of reach of my hand. I remember +running knee-deep in a salt pool in hopeless pursuit of the +airship. + +As it dragged and rose seaward, and how only after it had escaped +my uttermost effort to recapture it, did I realise that this was +quite the best thing that could have happened. It drove swiftly +over the sandy dunes, lifting and falling, and was hidden by a +clump of windbitten trees. Then it reappeared much further off, +and still receding. It soared for a time, and sank slowly, and +after that I saw it no more. I suppose it fell into the sea and +got wetted with salt water and heavy, and so became deflated and +sank. + +It was never found, and there was never a report of anyone seeing +it after it escaped from me. + +VI + +But if I find it hard to tell the story of our long flight +through the air overseas, at least that dawn in France stands +cold and clear and full. I see again almost as if I saw once +more with my bodily eyes the ridges of sand rising behind ridges +of sand, grey and cold and black-browed, with an insufficient +grass. I feel again the clear, cold chill of dawn, and hear the +distant barking of a dog. I find myself asking again, "What +shall we do now?" and trying to scheme with brain tired beyond +measure. + +At first my uncle occupied my attention. He was shivering a good +deal, and it was all I could do to resist my desire to get him +into a comfortable bed at once. But I wanted to appear plausibly +in this part of the world. I felt it would not do to turn up +anywhere at dawn and rest, it would be altogether too +conspicuous; we must rest until the day was well advanced, and +then appear as road-stained pedestrians seeking a meal. I gave +him most of what was left of the biscuits, emptied our flasks, +and advised him to sleep, but at first it was too cold, albeit I +wrapped the big fur rug around him. + +I was struck now by the flushed weariness of his face, and the +look of age the grey stubble on his unshaved chin gave him. He +sat crumpled up, shivering and coughing, munching reluctantly, +but drinking eagerly, and whimpering a little, a dreadfully +pitiful figure to me. But we had to go through with it; there +was no way out for us. + +Presently the sun rose over the pines, and the sand grew rapidly +warm. My uncle had done eating, and sat with his wrists resting +on his knees, the most hopeless looking of lost souls. + +"I'm ill," he said, "I'm damnably ill! I can feel it in my skin!" + +Then--it was horrible to me--he cried, "I ought to be in bed; I +ought to be in bed... instead of flying about," and suddenly he +burst into tears. + +I stood up. "Go to sleep, man!" I said, and took the rug from +him, and spread it out and rolled him up in it. + +"It's all very well," he protested; "I'm not young enough--" + +"Lift up your head," I interrupted, and put his knapsack under +it. + +"They'll catch us here, just as much as in an inn," he grumbled +and then lay still. + +Presently, after a long time, I perceived he was asleep. His +breath came with peculiar wheezings, and every now and again he +would cough. I was very stiff and tired myself, and perhaps I +dozed. I don't remember. I remember only sitting, as it +seemed, nigh interminably, beside him, too weary even to think in +that sandy desolation. + +No one came near us; no creature, not even a dog. I roused myself +at last, feeling that it was vain to seek to seem other than +abnormal, and with an effort that was like lifting a sky of lead, +we made our way through the wearisome sand to a farmhouse. There +I feigned even a more insufficient French than I possess +naturally, and let it appear that we were pedestrians from +Biarritz who had lost our way along the shore and got benighted. + +This explained us pretty well, I thought, and we got most +heartening coffee and a cart to a little roadside station. My +uncle grew more and more manifestly ill with every stage of our +journey. I got him to Bayonne, where he refused at first to eat, +and was afterwards very sick, and then took him shivering and +collapsed up a little branch line to a frontier place called +Luzon Gare. + +We found one homely inn with two small bedrooms, kept by a kindly +Basque woman. I got him to bed, and that night shared his room, +and after an hour or so of sleep he woke up in a raging fever and +with a wandering mind, cursing Neal and repeating long, +inaccurate lists of figures. He was manifestly a case for a +doctor, and in the morning we got one in. He was a young man +from Montpelier, just beginning to practise, and very mysterious +and technical and modern and unhelpful. He spoke of cold and +exposure, and la grippe and pneumonia. He gave many explicit +and difficult directions.... I perceived it devolved upon me to +organise nursing and a sick-room. I installed a religieuse +in the second bedroom of the inn, and took a room for myself in +the inn of Port de Luzon, a quarter of a mile away. + +VII + +And now my story converges on what, in that queer corner of +refuge out of the world, was destined to be my uncle's deathbed. +There is a background of the Pyrenees, of blue hills and sunlit +houses, of the old castle of Luzon and a noisy cascading river, +and for a foreground the dim, stuffy room whose windows both the +religieuse and hostess conspired to shut, with its waxed floor, +its four-poster bed, its characteristically French chairs and +fireplace, its champagne bottles and dirty basins and used towels +and packets of Somatose on the table. And in the sickly air of +the confined space in behind the curtains of the bed lay my +little uncle, with an effect of being enthroned and secluded, or +sat up, or writhed and tossed in his last dealings of life. One +went and drew back the edge of the curtains if one wanted to +speak to him or look at him. + +Usually he was propped up against pillows, because so he breathed +more easily. He slept hardly at all. + +I have a confused memory of vigils and mornings and afternoons +spent by that bedside, and how the religieuse hovered about me, +and how meek and good and inefficient she was, and how horribly +black were her nails. Other figures come and go, and +particularly the doctor, a young man plumply rococo, in bicycling +dress, with fine waxen features, a little pointed beard, and the +long black frizzy hair and huge tie of a minor poet. Bright and +clear-cut and irrelevant are memories of the Basque hostess of +my uncle's inn and of the family of Spanish people who +entertained me and prepared the most amazingly elaborate meals +for me, with soup and salad and chicken and remarkable sweets. +They were all very kind and sympathetic people, systematically +so. And constantly, without attracting attention, I was trying +to get newspapers from home. + +My uncle is central to all these impressions. + +I have tried to make you picture him, time after time, as the +young man of the Wimblehurst chemist's shop, as the shabby +assistant in Tottenham Court Road, as the adventurer of the early +days of Tono-Bungay, as the confident, preposterous plutocrat. +And now I have to tell of him strangely changed under the shadow +of oncoming death, with his skin lax and yellow and glistening +with sweat, his eyes large and glassy, his countenance +unfamiliar through the growth of a beard, his nose pinched and +thin. Never had he looked so small as now. And he talked to me +in a whispering, strained voice of great issues, of why his life +had been, and whither he was going. Poor little man! that last +phase is, as it were, disconnected from all the other phases. It +was as if he crawled out from the ruins of his career, and looked +about him before he died. For he had quite clear-minded states +in the intervals of his delirium. + +He knew he was almost certainly dying. In a way that took the +burthen of his cares off his mind. There was no more Neal to +face, no more flights or evasions, no punishments. + +"It has been a great career, George," he said, "but I shall be +glad to rest. Glad to rest!... Glad to rest." + +His mind ran rather upon his career, and usually, I am glad to +recall, with a note of satisfaction and approval. In his +delirious phases he would most often exaggerate this +self-satisfaction, and talk of his splendours. He would pluck +at the sheet and stare before him, and whisper half-audible +fragments of sentences. + +"What is this great place, these cloud-capped towers, these any +pinnacles?... Ilion. Sky-pointing.... Ilion House, the +residence of one of our great merchant princes.... Terrace above +terrace. Reaching to the heavens.... Kingdoms Caesar never +knew.... A great poet, George. Zzzz. Kingdoms Caesar never +knew.... Under entirely new management. + +"Greatness....Millions... Universities.... He stands on the +terrace--on the upper terrace--directing--directing--by the +globe--directing--the trade." + +It was hard at times to tell when his sane talk ceased and his +delirium began. The secret springs of his life, the vain +imaginations were revealed. I sometimes think that all the life +of man sprawls abed, careless and unkempt, until it must needs +clothe and wash itself and come forth seemly in act and speech +for the encounter with one's fellow-men. I suspect that all +things unspoken in our souls partake somewhat of the laxity of +delirium and dementia. Certainly from those slimy, tormented +lips above the bristling grey beard came nothing but dreams and +disconnected fancies.... + +Sometimes he raved about Neal, threatened Neal. "What has he got +invested?" he said. "Does he think he can escape me?... If I +followed him up.... Ruin. Ruin.... One would think _I_ had taken +his money." + +And sometimes he reverted to our airship flight. "It's too long, +George, too long and too cold. I'm too old a man--too old--for +this sort of thing.... You know you're not saving--you're killing +me." + +Towards the end it became evident our identity was discovered. I +found the press, and especially Boom's section of it, had made a +sort of hue and cry for us, sent special commissioners to hunt +for us, and though none of these emissaries reached us until my +uncle was dead, one felt the forewash of that storm of energy. +The thing got into the popular French press. People became +curious in their manner towards us, and a number of fresh faces +appeared about the weak little struggle that went on in the +closeness behind the curtains of the bed. The young doctor +insisted on consultations, and a motor-car came up from Biarritz, +and suddenly odd people with questioning eyes began to poke in +with inquiries and help. Though nothing was said, I could feel +that we were no longer regarded as simple middle-class tourists; +about me, as I went, I perceived almost as though it trailed +visibly, the prestige of Finance and a criminal notoriety. Local +personages of a plump and prosperous quality appeared in the inn +making inquiries, the Luzon priest became helpful, people watched +our window, and stared at me as I went to and fro; and then we +had a raid from a little English clergyman and his amiable, +capable wife in severely Anglican blacks, who swooped down upon +us like virtuous but resolute vultures from the adjacent village +of Saint Jean de Pollack. + +The clergyman was one of those odd types that oscillate between +remote country towns in England and the conduct of English Church +services on mutual terms in enterprising hotels abroad, a +tremulous, obstinate little being with sporadic hairs upon his +face, spectacles, a red button nose, and aged black raiment. He +was evidently enormously impressed by my uncle's monetary +greatness, and by his own inkling of our identity, and he shone +and brimmed over with tact and fussy helpfulness. He was eager +to share the watching of the bedside with me, he proffered +services with both hands, and as I was now getting into touch +with affairs in London again, and trying to disentangle the +gigantic details of the smash from the papers I had succeeded in +getting from Biarritz, I accepted his offers pretty generously, +and began the studies in modern finance that lay before me. I +had got so out of touch with the old traditions of religion that +I overlooked the manifest possibility of his attacking my poor, +sinking vestiges of an uncle with theological solicitudes. My +attention was called to that, however, very speedily by a polite +but urgent quarrel between himself and the Basque landlady as to +the necessity of her hanging a cheap crucifix in the shadow over +the bed, where it might catch my uncle's eye, where, indeed, I +found it had caught his eye. + +"Good Lord!" I cried; "is THAT still going on!" + +That night the little clergyman watched, and in the small hours +he raised a false alarm that my uncle was dying, and made an +extraordinary fuss. He raised the house. I shall never forget +that scene, I think, which began with a tapping at my bedroom +door just after I had fallen asleep, and his voice-- + +"If you want to see your uncle before he goes, you must come +now." + +The stuffy little room was crowded when I reached it, and lit by +three flickering candles. I felt I was back in the eighteenth +century. There lay my poor uncle amidst indescribably tumbled +bedclothes, weary of life beyond measure, weary and rambling, and +the little clergyman trying to hold his hand and his attention, +and repeating over and over again: + +"Mr. Ponderevo, Mr. Ponderevo, it is all right. It is all right. + +Only Believe! 'Believe on me, and ye shall be saved'!" + +Close at hand was the doctor with one of those cruel and idiotic +injection needles modern science puts in the hands of these +half-educated young men, keeping my uncle flickeringly alive for +no reason whatever. The religieuse hovered sleepily in the +background with an overdue and neglected dose. In addition, the +landlady had not only got up herself, but roused an aged crone of +a mother and a partially imbecile husband, and there was also a +fattish, stolid man in grey alpaca, with an air of +importance--who he was and how he got there, I don't know. I +rather fancy the doctor explained him to me in French I did not +understand. And they were all there, wearily nocturnal, hastily +and carelessly dressed, intent upon the life that flickered and +sank, making a public and curious show of its going, queer shapes +of human beings lit by three uncertain candles, and every soul of +them keenly and avidly resolved to be in at the death. The +doctor stood, the others were all sitting on chairs the landlady +had brought in and arranged for them. + +And my uncle spoilt the climax, and did not die. + +I replaced the little clergyman on the chair by the bedside, and +he hovered about the room. + +"I think," he whispered to me mysteriously, as he gave place to +me, "I believe--it is well with him." + +I heard him trying to render the stock phrases of Low Church +piety into French for the benefit of the stolid man in grey +alpaca. Then he knocked a glass off the table, and scrabbled for +the fragments. From the first I doubted the theory of an +immediate death. I consulted the doctor in urgent whispers. I +turned round to get champagne, and nearly fell over the +clergyman's legs. He was on his knees at the additional chair +the Basque landlady had got on my arrival, and he was praying +aloud, "Oh, Heavenly Father, have mercy on this thy Child...." I +hustled him up and out of the way, and in another minute he was +down at another chair praying again, and barring the path of the +religieuse, who had found me the corkscrew. Something put into +my head that tremendous blasphemy of Carlyle's about "the last +mew of a drowning kitten." He found a third chair vacant +presently; it was as if he was playing a game. + +"Good Heavens!" I said, "we must clear these people out," and +with a certain urgency I did. + +I had a temporary lapse of memory, and forgot all my French. I +drove them out mainly by gesture, and opened the window, to the +universal horror. I intimated the death scene was postponed, +and, as a matter of fact, my uncle did not die until the next +night. + +I did not let the little clergyman come near him again, and I was +watchful for any sign that his mind had been troubled. But he +made none. He talked once about "that parson chap." + +"Didn't bother you?" I asked. + +"Wanted something," he said. + +I kept silence, listening keenly to his mutterings. I +understood him to say, "They wanted too much." His face puckered +like a child's going to cry. "You can't get a safe six +per cent.," he said. I had for a moment a wild suspicion that +those urgent talks had not been altogether spiritual, but that, I +think, was a quite unworthy and unjust suspicion. The little +clergyman was as simple and honest as the day. My uncle was +simply generalising about his class. + +But it may have been these talks that set loose some long dormant +string of ideas in my uncle's brain, ideas the things of this +world had long suppressed and hidden altogether. Near the end he +suddenly became clearminded and lucid, albeit very weak, and his +voice was little, but clear. + +"George," he said. + +"I'm here," I said, "close beside you." + +"George. You have always been responsible for the science. +George. You know better than I do. Is--Is it proved?" + +"What proved?" + +"Either way?" + +"I don't understand." + +"Death ends all. After so much--Such splendid beginnin's. +Somewhere. Something." + +I stared at him amazed. His sunken eyes were very grave. + +"What do you expect?" I said in wonder. + +He would not answer. "Aspirations," he whispered. He fell into +a broken monologue, regardless of me. "Trailing clouds of glory," +he said, and "first-rate poet, first-rate....George was always +hard. Always." + +For a long time there was silence. + +Then he made a gesture that he wished to speak. + +"Seems to me, George" + +I bent my head down, and he tried to lift his hand to my +shoulder. I raised him a little on his pillows, and listened. + +"It seems to me, George, always--there must be something in +me--that won't die." + +He looked at me as though the decision rested with me. + +"I think," he said; "--something." + +Then, for a moment, his mind wandered. "Just a little link," he +whispered almost pleadingly, and lay quite still, but presently +he was uneasy again. + +"Some other world" + +"Perhaps," I said. "Who knows?" + +"Some other world." + +"Not the same scope for enterprise," I said. + +"No." + +He became silent. I sat leaning down to him, and following out +my own thoughts, and presently the religieuse resumed her +periodic conflict with the window fastening. For a time he +struggled for breath.... It seemed such nonsense that he should +have to suffer so--poor silly little man! + +"George," he whispered, and his weak little hand came out. +"PERHAPS--" + +He said no more, but I perceived from the expression of his eyes +that he thought the question had been put. + +"Yes, I think so;" I said stoutly. + +"Aren't you sure?" + +"Oh--practically sure," said I, and I think he tried to squeeze +my hand. And there I sat, holding his hand tight, and trying to +think what seeds of immortality could be found in all his being, +what sort of ghost there was in him to wander out into the bleak +immensities. Queer fancies came to me.... He lay still for a +long time, save for a brief struggle or so for breath and ever +and again I wiped his mouth and lips. + +I fell into a pit of thought. I did not remark at first the +change that was creeping over his face. He lay back on his +pillow, made a faint zzzing sound that ceased, and presently and +quite quietly he died--greatly comforted by my assurance. I do +not know when he died. His hand relaxed insensibly. Suddenly, +with a start, with a shock, I found that his mouth had fallen +open, and that he was dead.... + +VIII + +It was dark night when I left his deathbed and went back to my +own inn down the straggling street of Luzon. + +That return to my inn sticks in my memory also as a thing apart, +as an experience apart. Within was a subdued bustle of women, a +flitting of lights, and the doing of petty offices to that queer, +exhausted thing that had once been my active and urgent little +uncle. For me those offices were irksome and impertinent. I +slammed the door, and went out into the warm, foggy drizzle of +the village street lit by blurred specks of light in great voids +of darkness, and never a soul abroad. That warm veil of fog +produced an effect of vast seclusion. The very houses by the +roadside peered through it as if from another world. The +stillness of the night was marked by an occasional remote baying +of dogs; all these people kept dogs because of the near +neighbourhood of the frontier. + +Death! + +It was one of those rare seasons of relief, when for a little +time one walks a little outside of and beside life. I felt as I +sometimes feel after the end of a play. I saw the whole business +of my uncle's life as something familiar and completed. It was +done, like a play one leaves, like a book one closes. I thought +of the push and the promotions, the noise of London, the crowded, +various company of people through which our lives had gone, the +public meetings, the excitements, the dinners and disputations, +and suddenly it appeared to me that none of these things existed. + +It came to me like a discovery that none of these things existed. + +Before and after I have thought and called life a phantasmagoria, +but never have I felt its truth as I did that night.... We had +parted; we two who had kept company so long had parted. But +there was, I knew, no end to him or me. He had died a dream +death, and ended a dream; his pain dream was over. It seemed to +me almost as though I had died, too. What did it matter, since +it was unreality, all of it, the pain and desire, the beginning +and the end? There was no reality except this solitary road, +this quite solitary road, along which one went rather puzzled, +rather tired.... + +Part of the fog became a big mastiff that came towards me and +stopped and slunk round me, growling, barked gruffly, and shortly +and presently became fog again. + +My mind swayed back to the ancient beliefs and fears of our race. + +My doubts and disbeliefs slipped from me like a loosely fitting +garment. I wondered quite simply what dogs bayed about the path +of that other walker in the darkness, what shapes, what lights, +it might be, loomed about him as he went his way from our last +encounter on earth--along the paths that are real, and the way +that endures for ever? + +IX + +Last belated figure in that grouping round my uncle's deathbed +is my aunt. When it was beyond all hope that my uncle could live +I threw aside whatever concealment remained to us and telegraphed +directly to her. But she came too late to see him living. She +saw him calm and still, strangely unlike his habitual garrulous +animation, an unfamiliar inflexibility. + +"It isn't like him," she whispered, awed by this alien dignity. + +I remember her chiefly as she talked and wept upon the bridge +below the old castle. We had got rid of some amateurish +reporters from Biarritz, and had walked together in the hot +morning sunshine down through Port Luzon. There, for a time, we +stood leaning on the parapet of the bridge and surveying the +distant peeks, the rich blue masses of the Pyrenees. For a long +time we said nothing, and then she began talking. + +"Life's a rum Go, George!" she began. "Who would have thought, +when I used to darn your stockings at old Wimblehurst, that this +would be the end of the story? It seems far away now--that +little shop, his and my first home. The glow of the bottles, the +big coloured bottles! Do you remember how the light shone on the +mahogany drawers? The little gilt letters! Ol Amjig, and +Snap! I can remember it all--bright and shining--like a Dutch +picture. Real! And yesterday. And here we are in a dream. You +a man--and me an old woman, George. And poor little Teddy, who +used to rush about and talk--making that noise he did--Oh!" + +She choked, and the tears flowed unrestrained. She wept, and I +was glad to see her weeping. + +She stood leaning over the bridge; her tear-wet handkerchief +gripped in her clenched hand. + +"Just an hour in the old shop again--and him talking. Before +things got done. Before they got hold of him. And fooled him. + +"Men oughtn't to be so tempted with business and things.... + +"They didn't hurt him, George?" she asked suddenly. + +For a moment I was puzzled. + +"Here, I mean," she said. + +"No," I lied stoutly, suppressing the memory of that foolish +injection needle I had caught the young doctor using. + +"I wonder, George, if they'll let him talk in Heaven...." + +She faced me. "Oh! George, dear, my heart aches, and I don't +know what I say and do. Give me your arm to lean on--it's good +to have you, dear, and lean upon you.... Yes, I know you care +for me. That's why I'm talking. We've always loved one another, +and never said anything about it, and you understand, and I +understand. But my heart's torn to pieces by this, torn to rags, +and things drop out I've kept in it. It's true he wasn't a +husband much for me at the last. But he was my child, George, he +was my child and all my children, my silly child, and life has +knocked him about for me, and I've never had a say in the matter; +never a say; it's puffed him up and smashed him--like an old +bag--under my eyes. I was clever enough to see it, and not +clever enough to prevent it, and all I could do was to jeer. +I've had to make what I could of it. Like most people. Like +most of us.... But it wasn't fair, George. It wasn't fair. Life +and Death--great serious things--why couldn't they leave him +alone, and his lies and ways? If WE could see the lightness of +it-- + +"Why couldn't they leave him alone?" she repeated in a whisper as +we went towards the inn. + + +CHAPTER THE SECOND + +LOVE AMONG THE WRECKAGE + +I + +When I came back I found that my share in the escape and death of +my uncle had made me for a time a notorious and even popular +character. For two weeks I was kept in London "facing the +music," as he would have said, and making things easy for my +aunt, and I still marvel at the consideration with which the +world treated me. For now it was open and manifest that I and my +uncle were no more than specimens of a modern species of brigand, +wasting the savings of the public out of the sheer wantonness of +enterprise. I think that in a way, his death produced a reaction +in my favour and my flight, of which some particulars now +appeared stuck in the popular imagination. It seemed a more +daring and difficult feat than it was, and I couldn't very well +write to the papers to sustain my private estimate. There can be +little doubt that men infinitely prefer the appearance of dash +and enterprise to simple honesty. No one believed I was not an +arch plotter in his financing. Yet they favoured me. I even +got permission from the trustee to occupy my chalet for a +fortnight while I cleared up the mass of papers, calculations, +notes of work, drawings and the like, that I left in disorder +when I started on that impulsive raid upon the Mordet quap heaps. + +I was there alone. I got work for Cothope with the Ilchesters, +for whom I now build these destroyers. They wanted him at once, +and he was short of money, so I let him go and managed very +philosophically by myself. + +But I found it hard to fix my attention on aeronautics, I had +been away from the work for a full half-year and more, a +half-year crowded with intense disconcerting things. For a time +my brain refused these fine problems of balance and adjustment +altogether; it wanted to think about my uncle's dropping jaw, my +aunt's reluctant tears, about dead negroes and pestilential +swamps, about the evident realities of cruelty and pain, about +life and death. Moreover, it was weary with the frightful pile +of figures and documents at the Hardingham, a task to which this +raid to Lady Grove was simply an interlude. And there was +Beatrice. + +On the second morning, as I sat out upon the veranda recalling +memories and striving in vain to attend to some too succinct +pencil notes of Cothope's, Beatrice rode up suddenly from behind +the pavilion, and pulled rein and became still; Beatrice, a +little flushed from riding and sitting on a big black horse. + +I did not instantly rise. I stared at her. "YOU!" I said. + +She looked at me steadily. "Me," she said + +I did not trouble about any civilities. I stood up and asked +point blank a question that came into my head. + +"Whose horse is that?" I said. + +She looked me in the eyes. "Carnaby's," she answered. + +"How did you get here--this way?" + +"The wall's down." + +"Down? Already?" + +"A great bit of it between the plantations." + +"And you rode through, and got here by chance?" + +"I saw you yesterday. And I rode over to see you." I had now +come close to her, and stood looking up into her face. + +"I'm a mere vestige," I said. + +She made no answer, but remained regarding me steadfastly with a +curious air of proprietorship. + +"You know I'm the living survivor now of the great smash. I'm +rolling and dropping down through all the scaffolding of the +social system.... It's all a chance whether I roll out free at +the bottom, or go down a crack into the darkness out of sight for +a year or two." + +"The sun," she remarked irrelevantly,"has burnt you.... I'm +getting down." + +She swung herself down into my arms, and stood beside me face to +face. + +"Where's Cothope?" she asked. + +"Gone." + +Her eyes flitted to the pavilion and back to me. We stood close +together, extraordinarily intimate, and extraordinarily apart. + +"I've never seen this cottage of yours," she said, "and I want +to." + +She flung the bridle of her horse round the veranda post, and I +helped her tie it. + +"Did you get what you went for to Africa?" she asked. + +"No," I said, "I lost my ship." + +"And that lost everything?" + +"Everything." + +She walked before me into the living-room of the chalet, and I +saw that she gripped her riding-whip very tightly in her hand. +She looked about her for a moment,--and then at me. + +"It's comfortable," she remarked. + +Our eyes met in a conversation very different from the one upon +our lips. A sombre glow surrounded us, drew us together; an +unwonted shyness kept us apart. She roused herself, after an +instant's pause, to examine my furniture. + +"You have chintz curtains. I thought men were too feckless to +have curtains without a woman. But, of course, your aunt did +that! And a couch and a brass fender, and--is that a pianola? +That is your desk. I thought men's desks were always untidy, and +covered with dust and tobacco ash." + +She flitted to my colour prints and my little case of books. +Then she went to the pianola. I watched her intently. + +"Does this thing play?" she said. + +"What?" I asked. + +"Does this thing play?" + +I roused myself from my preoccupation. + +"Like a musical gorilla with fingers all of one length. And a +sort of soul.... It's all the world of music to me." + +"What do you play?" + +"Beethoven, when I want to clear up my head while I'm working. +He is--how one would always like to work. Sometimes Chopin and +those others, but Beethoven. Beethoven mainly. Yes." + +Silence again between us. She spoke with an effort. + +"Play me something." She turned from me and explored the rack +of music rolls, became interested and took a piece, the first +part of the Kreutzer Sonata, hesitated. "No," she said, "that!" + +She gave me Brahms' Second Concerto, Op. 58, and curled up on the +sofa watching me as I set myself slowly to play.... + +"I say," he said when I had done, "that's fine. I didn't know +those things could play like that. I'm all astir..." + +She came and stood over me, looking at me. "I'm going to have a +concert," she said abruptly, and laughed uneasily and hovered at +the pigeon-holes. "Now--now what shall I have?" She chose more +of Brahms. Then we came to the Kreutzer Sonata. It is queer how +Tolstoy has loaded that with suggestions, debauched it, made it a +scandalous and intimate symbol. When I had played the first part +of that, she came up to the pianola and hesitated over me. I sat +stiffly--waiting. + +Suddenly she seized my downcast head and kissed my hair. She +caught at my face between her hands and kissed my lips. I put my +arms about her and we kissed together. I sprang to my feet and +clasped her. + +"Beatrice!" I said. "Beatrice!" + +"My dear," she whispered, nearly breathless, with her arms about +me. "Oh! my dear!" + +II + +Love, like everything else in this immense process of social +disorganisation in which we live, is a thing adrift, a fruitless +thing broken away from its connexions. I tell of this love +affair here because of its irrelevance, because it is so +remarkable that it should mean nothing, and be nothing except +itself. It glows in my memory like some bright casual flower +starting up amidst the debris of a catastrophe. For nearly a +fortnight we two met and made love together. Once more this +mighty passion, that our aimless civilisation has fettered and +maimed and sterilised and debased, gripped me and filled me with +passionate delights and solemn joys--that were all, you know, +futile and purposeless. Once more I had the persuasion "This +matters. Nothing else matters so much as this." We were both +infinitely grave in such happiness as we had. I do not remember +any laughter at all between us. + +Twelve days it lasted from that encounter in my chalet until our +parting. + +Except at the end, they were days of supreme summer, and there +was a waxing moon. We met recklessly day by day. We were so +intent upon each other at first so intent upon expressing +ourselves to each other, and getting at each other, that we +troubled very little about the appearance of our relationship. +We met almost openly.... We talked of ten thousand things, and of +ourselves. We loved. We made love. There is no prose of mine +that can tell of hours transfigured. The facts are nothing. +Everything we touched, the meanest things, became glorious. How +can I render bare tenderness and delight and mutual possession? +I sit here at my desk thinking of untellable things. + +I have come to know so much of love that I know now what love +might be. We loved, scarred and stained; we parted--basely and +inevitably, but at least I met love. + +I remember as we sat in a Canadian canoe, in a reedy, bush-masked +shallow we had discovered operating out of that pine-shaded +Woking canal, how she fell talking of the things that happened +to her before she met me again.... + +She told me things, and they so joined and welded together other +things that lay disconnected in my memory, that it seemed to me +I had always known what she told me. And yet indeed I had not +known nor suspected it, save perhaps for a luminous, transitory +suspicion ever and again. + +She made me see how life had shaped her. She told me of her +girlhood after I had known her. "We were poor and pretending and +managing. We hacked about on visits and things. I ought to have +married. The chances I had weren't particularly good chances. I +didn't like 'em." + +She paused. "Then Carnaby came along." + +I remained quite still. She spoke now with downcast eyes, and +one finger just touching the water. + +"One gets bored, bored beyond redemption. One does about to +these huge expensive houses I suppose--the scale's immense. One +makes one's self useful to the other women, and agreeable to the +men. One has to dress.... One has food and exercise and leisure, +It's the leisure, and the space, and the blank opportunity it +seems a sin not to fill. Carnaby isn't like the other men. He's +bigger.... They go about making love. Everybody's making love. +I did.... And I don't do things by halves." + +She stopped. + +"You knew?"--she asked, looking up, quite steadily. I nodded. + +"Since when?" + +"Those last days.... It hasn't seemed to matter really. I was a +little surprised" + +She looked at me quietly. "Cothope knew," she said. "By +instinct. I could feel it." + +"I suppose," I began, "once, this would have mattered immensely. +Now--" + +"Nothing matters," she said, completing me. "I felt I had to +tell you. I wanted you to understand why I didn't marry +you--with both hands. I have loved you"--she paused--"have loved +you ever since the day I kissed you in the bracken. Only--I +forgot." + +And suddenly she dropped her face upon her hands, and sobbed +passionately-- + +"I forgot--I forgot," she cried, and became still.... + +I dabbled my paddle in the water. "Look here!" I said; "forget +again! Here am I--a ruined man. Marry me." + +She shook her head without looking up. + +We were still for a long time. "Marry me!" I whispered. + +She looked up, twined back a whisp of hair, and answered +dispassionately-- + +"I wish I could. Anyhow, we have had this time. It has been a +fine time--has it been--for you also? I haven't nudged you all I +had to give. It's a poor gift--except for what it means and +might have been. But we are near the end of it now." + +"Why?" I asked. "Marry me! Why should we two--" + +"You think," she said, "I could take courage and come to you and +be your everyday wife--while you work and are poor?" + +"Why not?" said I. + +She looked at me gravely, with extended finger. "Do you really +think that--of me? Haven't you seen me--all?" + +I hesitated. + +"Never once have I really meant marrying you," she insisted. +"Never once. I fell in love with you from the first. But when +you seemed a successful man, I told myself I wouldn't. I was +love-sick for you, and you were so stupid, I came near it then. +But I knew I wasn't good enough. What could I have been to you? +A woman with bad habits and bad associations, a woman smirched. +And what could I do for you or be to you? If I wasn't good +enough to be a rich man's wife, I'm certainly not good enough to +be a poor one's. Forgive me for talking sense to you now, but I +wanted to tell you this somehow." + +She stopped at my gesture. I sat up, and the canoe rocked with +my movement. + +"I don't care," I said. "I want to marry you and make you my +wife!" + +"No," she said, "don't spoil things. That is impossible!" + +"Impossible!" + +"Think! I can't do my own hair! Do you mean you will get me a +maid?" + +"Good God!" I cried, disconcerted beyond measure, "won't you +learn to do your own hair for me? Do you mean to say you can +love a man--" + +She flung out her hands at me. "Don't spoil it," she cried. "I +have given you all I have, I have given you all I can. If I +could do it, if I was good enough to do it, I would. But I am a +woman spoilt and ruined, dear, and you are a ruined man. When we +are making love we're lovers--but think of the gulf between us in +habits and ways of thought, in will and training, when we are not +making love. Think of it--and don't think of it! Don't think of +it yet. We have snatched some hours. We still may have some +hours!" + +She suddenly knelt forward toward me, with a glowing darkness in +her eyes. "Who cares if it upsets?" she cried. "If you say +another word I will kiss you. And go to the bottom clutching you. + +I'm not afraid of that. I'm not a bit afraid of that. I'll die +with you. Choose a death, and I'll die with you--readily. Do +listen to me! I love you. I shall always love you. It's +because I love you that I won't go down to become a dirty +familiar thing with you amidst the grime. I've given all I can. +I've had all I can.... Tell me," and she crept nearer, "have I +been like the dusk to you, like the warm dusk? Is there magic +still? Listen to the ripple of water from your paddle. Look at +the warm evening light in the sky. Who cares if the canoe +upsets? Come nearer to me. Oh, my love! come near! So." + +She drew me to her and our lips met. + +III + +I asked her to marry me once again. + +It was our last morning together, and we had met very early, +about sunrise, knowing that we were to part. No sun shone that +day. The sky was overcast, the morning chilly and lit by a +clear, cold, spiritless light. A heavy dampness in the air +verged close on rain. When I think of that morning, it has +always the quality of greying ashes wet with rain. + +Beatrice too had changed. The spring had gone out of her +movement; it came to me, for the first time, that some day she +might grow old. She had become one flesh with the rest of common +humanity; the softness had gone from her voice and manner, the +dusky magic of her presence had gone. I saw these things with +perfect clearness, and they made me sorry for them and for her. +But they altered my love not a whit, abated it nothing. And when +we had talked awkwardly for half a dozen sentences, I came dully +to my point. + +"And now," I cried, "will you marry me?" + +"No," she said, "I shall keep to my life here." + +I asked her to marry me in a year's time. She shook her head. + +"This world is a soft world," I said, "in spite of my present +disasters. I know now how to do things. If I had you to work +for--in a year I could be a prosperous man" + +"No," she said, "I will put it brutally, I shall go back to +Carnaby." + +"But--!" I did not feel angry. I had no sort of jealousy, no +wounded pride, no sense of injury. I had only a sense of grey +desolation, of hopeless cross-purposes. + +"Look here," she said. "I have been awake all night and every +night. I have been thinking of this--every moment when we have +not been together. I'm not answering you on an impulse. I love +you. I love you. I'll say that over ten thousand times. But +here we are--" + +"The rest of life together," I said. + +"It wouldn't be together. Now we are together. Now we have been +together. We are full of memories I do not feel I can ever +forget a single one." + +"Nor I." + +"And I want to close it and leave it at that. You see, dear, +what else is there to do?" + +She turned her white face to me. "All I know of love, all I have +ever dreamt or learnt of love I have packed into these days for +you. You think we might live together and go on loving. No! +For you I will have no vain repetitions. You have had the best +and all of me. Would you have us, after this, meet again in +London or Paris or somewhere, scuffle to some wretched +dressmaker's, meet in a cabinet particulier?" + +"No," I said. "I want you to marry me. I want you to play the +game of life with me as an honest woman should. Come and live +with me. Be my wife and squaw. Bear me children." + +I looked at her white, drawn face, and it seemed to me I might +carry her yet. I spluttered for words. + +"My God! Beatrice!" I cried; "but this is cowardice and folly! +Are you afraid of life? You of all people! What does it matter +what has been or what we were? Here we are with the world before +us! Start clean and new with me. We'll fight it through! I'm +not such a simple lover that I'll not tell you plainly when you +go wrong, and fight our difference out with you. It's the one +thing I want, the one thing I need--to have you, and more of you +and more! This love-making--it's love-making. It's just a part +of us, an incident--" + +She shook her head and stopped me abruptly. "It's all," she +said. + +"All!" I protested. + +"I'm wiser than you. Wiser beyond words." She turned her eyes +to me and they shone with tears. + +"I wouldn't have you say anything--but what you're saying," she +said. "But it's nonsense, dear. You know it's nonsense as you +say it." + +I tried to keep up the heroic note, but she would not listen to +it. + +"It's no good," she cried almost petulantly. "This little world +has made us what we are. Don't you see--don't you see what +I am? I can make love. I can make love and be loved, prettily. +Dear, don't blame me. I have given you all I have. If I had +anything more--. I have gone through it all over and over +again--thought it out. This morning my head aches, my eyes ache. + +The light has gone out of me and I am a sick and tired woman. +But I'm talking wisdom--bitter wisdom. I couldn't be any sort of +helper to you, any sort of wife, any sort of mother. I'm spoilt. + +I'm spoilt by this rich idle way of living, until every habit is +wrong, every taste wrong. The world is wrong. People can be +ruined by wealth just as much as by poverty. Do you think I +wouldn't face life with you if I could, if I wasn't absolutely +certain I should be down and dragging in the first half-mile of +the journey? Here I am--damned! Damned! But I won't damn you. +You know what I am! You know. You are too clear and simple not +to know the truth. You try to romance and hector, but you know +the truth. I am a little cad--sold and done. I'm--. My dear, +you think I've been misbehaving, but all these days I've been on +my best behaviour.... You don't understand, because you're a man. + +A woman, when she's spoilt, is SPOILT. She's dirty in grain. +She's done." + +She walked on weeping. + +"You're a fool to want me," she said. "You're a fool to want +me--for my sake just as much as yours. We've done all we can. +It's just romancing--" + +She dashed the tears from her eyes and turned upon me. "Don't +you understand?" she challenged. "Don't you know?" + +We faced one another in silence for a moment. + +"Yes," I said, "I know." + +For a long time we spoke never a word, but walked on together, +slowly and sorrowfully, reluctant to turn about towards our +parting. When at last we did, she broke silence again. + +"I've had you," she said. + +"Heaven and hell," I said, "can't alter that." + +"I've wanted--" she went on. "I've talked to you in the nights +and made up speeches. Now when I want to make them I'm +tongue-tied. But to me it's just as if the moments we have had +lasted for ever. Moods and states come and go. To-day my light +is out..." + +To this day I cannot determine whether she said or whether I +imagined she said "chloral." Perhaps a half-conscious diagnosis +flashed it on my brain. Perhaps I am the victim of some perverse +imaginative freak of memory, some hinted possibility that +scratched and seared. There the word stands in my memory, as if +it were written in fire. + +We came to the door of Lady Osprey's garden at last, and it was +beginning to drizzle. + +She held out her hands and I took them. + +"Yours," she said, in a weary unimpassioned voice; "all that I +had--such as it was. Will you forget?" + +"Never," I answered. + +"Never a touch or a word of it?" + +"No." + +"You will," she said. + +We looked at one another in silence, and her face full of fatigue +and misery. + +What could I do? What was there to do? + +"I wish--" I said, and stopped. + +"Good-bye." + +IV + +That should have been the last I saw of her, but, indeed, I was +destined to see her once again. Two days after I was at Lady +Grove, I forget altogether upon what errand, and as I walked back +to the station believing her to be gone away she came upon me, +and she was riding with Carnaby, just as I had seen them first. +The encounter jumped upon us unprepared. She rode by, her eyes +dark in her white face, and scarcely noticed me. She winced and +grew stiff at the sight of me and bowed her head. But Carnaby, +because he thought I was a broken and discomfited man, saluted me +with an easy friendliness, and shouted some genial commonplace to +me. + +They passed out of sight and left me by the roadside.... + +And then, indeed, I tasted the ultimate bitterness of life. For +the first time I felt utter futility, and was wrung by emotion +that begot no action, by shame and pity beyond words. I had +parted from her dully and I had seen my uncle break and die with +dry eyes and a steady mind, but this chance sight of my lost +Beatrice brought me to tears. My face was wrung, and tears came +pouring down my cheeks. All the magic she had for me had changed +to wild sorrow. "Oh God!" I cried, "this is too much," and +turned my face after her and made appealing gestures to the beech +trees and cursed at fate. I wanted to do preposterous things, to +pursue her, to save her, to turn life back so that she might +begin again. I wonder what would have happened had I overtaken +them in pursuit, breathless with running, uttering incoherent +words, weeping, expostulatory. I came near to doing that. + +There was nothing in earth or heaven to respect my curses or +weeping. In the midst of it a man who had been trimming the +opposite hedge appeared and stared at me. + +Abruptly, ridiculously, I dissembled before him and went on and +caught my train.... + +But the pain I felt then I have felt a hundred times; it is with +me as I write. It haunts this book, I see, that is what haunts +this book, from end to end. + + +CHAPTER THE THIRD + +NIGHT AND THE OPEN SEA + +I + +I have tried throughout all this story to tell things as they +happened to me. In the beginning--the sheets are still here on +the table, grimy and dogs-eared and old-looking--I said I wanted +to tell MYSELF and the world in which I found myself, and I have +done my best. But whether I have succeeded I cannot imagine. All +this writing is grey now and dead and trite and unmeaning to me; +some of it I know by heart. I am the last person to judge it. + +As I turn over the big pile of manuscript before me certain +things become clearer to me, and particularly the immense +inconsequences of my experiences. It is, I see now that I have +it all before me, a story of activity and urgency and sterility. +I have called it Tono-Bungay, but I had far better have called it +Waste. I have told of childless Marion, of my childless aunt, of +Beatrice wasted and wasteful and futile. What hope is there for +a people whose women become fruitless? I think of all the energy +I have given to vain things. I think of my industrious scheming +with my uncle, of Crest Hill's vast cessation, of his resonant +strenuous career. Ten thousand men have envied him and wished to +live as he lived. It is all one spectacle of forces running to +waste, of people who use and do not replace, the story of a +country hectic with a wasting aimless fever of trade and +money-making and pleasure-seeking. And now I build destroyers! + +Other people may see this country in other terms; this is how I +have seen it. In some early chapter in this heap I compared all +our present colour and abundance to October foliage before the +frosts nip down the leaves. That I still feel was a good image. +Perhaps I see wrongly. It may be I see decay all about me +because I am, in a sense, decay. To others it may be a scene of +achievement and construction radiant with hope. I, too, have a +sort of hope, but it is a remote hope, a hope that finds no +promise in this Empire or in any of the great things of our time. + +How they will look in history I do not know, how time and chance +will prove them I cannot guess; that is how they have mirrored +themselves on one contemporary mind. + +II + +Concurrently with writing the last chapter of this book I have +been much engaged by the affairs of a new destroyer we have +completed. It has been an oddly complementary alternation of +occupations. Three weeks or so ago this novel had to be put +aside in order that I might give all my time day and night to the +fitting and finishing of the engines. Last Thursday X 2, for so +we call her, was done and I took her down the Thames and went out +nearly to Texel for a trial of speed. + +It is curious how at times one's impressions will all fuse and +run together into a sort of unity and become continuous with +things that have hitherto been utterly alien and remote. That +rush down the river became mysteriously connected with this book. + +As I passed down the Thames I seemed in a new and parallel manner +to be passing all England in review. I saw it then as I had +wanted my readers to see it. The thought came to me slowly as I +picked my way through the Pool; it stood out clear as I went +dreaming into the night out upon the wide North Sea. + +It wasn't so much thinking at the time as a sort of photographic +thought that came and grew clear. X2 went ripping through the +dirty oily water as scissors rip through canvas, and the front of +my mind was all intent with getting her through under the bridges +and in and out among the steam-boats and barges and rowing-boats +and piers. I lived with my hands and eyes hard ahead. I thought +nothing then of any appearances but obstacles, but for all that +the back of my mind took the photographic memory of it complete +and vivid.... + +"This," it came to me, "is England. That is what I wanted to +give in my book. This!" + +We started in the late afternoon. We throbbed out of our yard +above Hammersmith Bridge, fussed about for a moment, and headed +down stream. We came at an easy rush down Craven Reach, past +Fulham and Hurlingham, past the long stretches of muddy meadow +And muddy suburb to Battersea and Chelsea, round the cape of tidy +frontage that is Grosvenor Road and under Vauxhall Bridge, and +Westminster opened before us. We cleared a string of coal barges +and there on the left in the October sunshine stood the +Parliament houses, and the flag was flying and Parliament was +sitting. + +I saw it at the time unseeingly; afterwards it came into my mind +as the centre of the whole broad panoramic effect of that +afternoon. The stiff square lace of Victorian Gothic with its +Dutch clock of a tower came upon me suddenly and stared and +whirled past in a slow half pirouette and became still, I know, +behind me as if watching me recede. "Aren't you going to respect +me, then?" it seemed to say. + +Not I! There in that great pile of Victorian architecture the +landlords and the lawyers, the bishops, the railway men and the +magnates of commerce go to and fro--in their incurable tradition +of commercialised Bladesovery, of meretricious gentry and +nobility sold for riches. I have been near enough to know. The +Irish and the Labour-men run about among their feet, making a +fuss, effecting little, they've got no better plans that I can +see. Respect it indeed! There's a certain paraphernalia of +dignity, but whom does it deceive? The King comes down in a gilt +coach to open the show and wears long robes and a crown; and +there's a display of stout and slender legs in white stockings +and stout and slender legs in black stockings and artful old +gentlemen in ermine. I was reminded of one congested afternoon I +had spent with my aunt amidst a cluster of agitated women's hats +in the Royal Gallery of the House of Lords and how I saw the King +going to open Parliament, and the Duke of Devonshire looking like +a gorgeous pedlar and terribly bored with the cap of maintenance +on a tray before him hung by slings from his shoulder. A +wonderful spectacle! + +It is quaint, no doubt, this England--it is even dignified in +places--and full of mellow associations. That does not alter the +quality of the realities these robes conceal. The realities are +greedy trade, base profit-- seeking, bold advertisement; and +kingship and chivalry, spite of this wearing of treasured robes, +are as dead among it all as that crusader my uncle championed +against the nettles outside the Duffield church. + +I have thought much of that bright afternoon's panorama. + +To run down the Thames so is to run one's hand over the pages in +the book of England from end to end. One begins in Craven Reach +and it is as if one were in the heart of old England. Behind us +are Kew and Hampton Court with their memories of Kings and +Cardinals, and one runs at first between Fulham's episcopal +garden parties and Hurlingham's playground for the sporting +instinct of our race. The whole effect is English. There is +space, there are old trees and all the best qualities of the +home-land in that upper reach. Putney, too, looks Anglican on a +dwindling scale. And then for a stretch the newer developments +slop over, one misses Bladesover and there come first squalid +stretches of mean homes right and left and then the dingy +industrialism of the south side, and on the north bank the polite +long front of nice houses, artistic, literary, administrative +people's residences, that stretches from Cheyne Walk nearly to +Westminster and hides a wilderness of slums. What a long slow +crescendo that is, mile after mile, with the houses crowding +closelier, the multiplying succession of church towers, the +architectural moments, the successive bridges, until you come +out into the second movement of the piece with Lambeth's old +palace under your quarter and the houses of Parliament on your +bow! Westminster Bridge is ahead of you then, and through it you +flash, and in a moment the round-faced clock tower cranes up to +peer at you again and New Scotland Yard squares at you, a fat +beef-eater of a policeman disguised miraculously as a Bastille. + +For a stretch you have the essential London; you have Charing +Cross railway station, heart of the world, and the Embankment on +the north side with its new hotels overshadowing its Georgian and +Victorian architecture, and mud and great warehouses and +factories, chimneys, shot towers, advertisements on the south. +The northward skyline grows more intricate and pleasing, and more +and more does one thank God for Wren. Somerset House is as +picturesque as the civil war, one is reminded again of the +original England, one feels in the fretted sky the quality of +Restoration Lace. + +And then comes Astor's strong box and the lawyers' Inns. + +(I had a passing memory of myself there, how once I had trudged +along the Embankment westward, weighing my uncle's offer of +three hundred pounds a year....) + +Through that central essential London reach I drove, and X2 +bored her nose under the foam regardless of it all like a black +hound going through reeds--on what trail even I who made her +cannot tell. + +And in this reach, too, one first meets the seagulls and is +reminded of the sea. Blackfriars one takes--just under these two +bridges and just between them is the finest bridge moment in the +world--and behold, soaring up, hanging in the sky over a rude +tumult of warehouses, over a jostling competition of traders, +irrelevantly beautiful and altogether remote, Saint Paul's! "Of +course!" one says, "Saint Paul's!" It is the very figure of +whatever fineness the old Anglican culture achieved, detached, a +more dignified and chastened Saint Peter's, colder, greyer, but +still ornate; it has never been over thrown, never disavowed, +only the tall warehouses and all the roar of traffic have +forgotten it, every one has forgotten it; the steamships, the +barges, go heedlessly by regardless of it, intricacies of +telephone wires and poles cut blackly into its thin mysteries, +and presently, when in a moment the traffic permits you and you +look round for it, it has dissolved like a cloud into the grey +blues of the London sky. + +And then the traditional and ostensible England falls from you +altogether. The third movement begins, the last great movement +in the London symphony, in which the trim scheme of the old order +is altogether dwarfed and swallowed up. Comes London Bridge, and +the great warehouses tower up about you, waving stupendous +cranes, the gulls circle and scream in your ears, large ships lie +among their lighters, and one is in the port of the world. Again +and again in this book I have written of England as a feudal +scheme overtaken by fatty degeneration and stupendous accidents +of hypertrophy. + +For the last time I must strike that note as the memory of the +dear neat little sunlit ancient Tower of London lying away in a +gap among the warehouses comes back to me, that little +accumulation of buildings so provincially pleasant and +dignified, overshadowed by the vulgarest, most typical exploit +of modern England, the sham Gothic casings to the ironwork of the +Tower Bridge. That Tower Bridge is the very balance and +confirmation of Westminster's dull pinnacles and tower. That +sham Gothic bridge; in the very gates of our mother of change, +the Sea ! + +But after that one is in a world of accident and nature. For the +third part of the panorama of London is beyond all law, order, +and precedence; it is the seaport and the sea. One goes down the +widening reaches through a monstrous variety of shipping, great +steamers, great sailing-ships, trailing the flags of all the +world, a monstrous confusion of lighters, witches' conferences +of brown-sailed barges, wallowing tugs, a tumultuous crowding +and jostling of cranes and spars, and wharves and stores, and +assertive inscriptions. Huge vistas of dock open right and left +of one, and here and there beyond and amidst it all are church +towers, little patches of indescribably old-fashioned and +worn-out houses, riverside pubs and the like, vestiges of +townships that were long since torn to fragments and submerged in +these new growths. And amidst it all no plan appears, no +intention, no comprehensive desire. That is the very key of it +all. Each day one feels that the pressure of commerce and +traffic grew, grew insensibly monstrous, and first this man made +a wharf and that erected a crane, and then this company set to +work and then that, and so they jostled together to make this +unassimilable enormity of traffic. Through it we dodged and +drove eager for the high seas. + +I remember how I laughed aloud at the glimpse of the name of a +London County Council steamboat that ran across me. Caxton it +was called, and another was Pepys, and another was Shakespeare. +They seemed so wildly out of place, splashing about in that +confusion. One wanted to take them out and wipe them and put +them back in some English gentleman's library. Everything was +alive about them, flash ing, splashing, and passing, ships +moving, tugs panting, hawsers taut, barges going down with men +toiling at the sweeps, the water all a-swirl with the wash of +shipping, scaling into millions of little wavelets, curling and +frothing under the whip of the unceasing wind. Past it all we +drove. And at Greenwich to the south, you know, there stands a +fine stone frontage where all the victories are recorded in a +Painted Hall, and beside it is the "Ship" where once upon a time +those gentlemen of Westminster used to have an annual +dinner--before the port of London got too much for them +altogether. The old facade of the Hospital was just warming to +the sunset as we went by, and after that, right and left, the +river opened, the sense of the sea increased and prevailed, reach +after reach from Northfleet to the Nore. + +And out you come at last with the sun behind you into the eastern +sea. You speed up and tear the oily water louder and faster, +siroo, siroo-swish-siroo, and the hills of Kent--over which I +once fled from the Christian teachings of Nicodemus Frapp--fall +away on the right hand and Essex on the left. They fall away and +vanish into blue haze, and the tall slow ships behind the tugs, +scarce moving ships and wallowing sturdy tugs, are all wrought of +wet gold as one goes frothing by. They stand out, bound on +strange missions of life and death, to the killing of men in +unfamiliar lands. And now behind us is blue mystery and the +phantom flash of unseen lights, and presently even these are +gone, and I and my destroyer tear out to the unknown across a +great grey space. We tear into the great spaces of the future +and the turbines fall to talking in unfamiliar tongues. Out to +the open we go, to windy freedom and trackless ways. Light after +light goes down. England and the Kingdom, Britain and the +Empire, the old prides and the old devotions, glide abeam, +astern, sink down upon the horizon, pass--pass. The river +passes--London passes, England passes... + +III + +This is the note I have tried to emphasise, the note that sounds +clear in my mind when I think of anything beyond the purely +personal aspects of my story. + +It is a note of crumbling and confusion, of change and seemingly +aimless swelling, of a bubbling up and medley of futile loves and +sorrows. But through the confusion sounds another note. Through +the confusion something drives, something that is at once human +achievement and the most inhuman of all existing things. +Something comes out of it.... How can I express the values of a +thing at once so essential and so immaterial. It is something +that calls upon such men as I with an irresistible appeal. + +I have figured it in my last section by the symbol of my +destroyer, stark and swift, irrelevant to most human interests. +Sometimes I call this reality Science, sometimes I call it +Truth. But it is something we draw by pain and effort ont of the +heart of life, that we disentangle and make clear. Other men +serve it, I know, in art, in literature, in social invention, and +see it in a thousand different figures, under a hundred names. I +see it always as austerity, as beauty. This thing we make clear +is the heart of life. It is the one enduring thing. Men and +nations, epochs and civilisation pass each making its +contribution I do not know what it is, this something, except +that it is supreme. It is, a something, a quality, an element, +one may find now in colours, now in norms, now in sounds, now in +thoughts. It emerges from life with each year one lives and +feels, and generation by generation and age by age, but the how +and why of it are all beyond the compass of my mind.... + +Yet the full sense of it was with me all that night as I drove, +lonely above the rush and murmur of my engines, out upon the +weltering circle of the sea. + +Far out to the northeast there came the flicker of a squadron of +warships waving white swords of light about the sky. I kept them +hull-down, and presently they were mere summer lightning over +the watery edge of the globe.... I fell into thought that was +nearly formless, into doubts and dreams that have no words, and +it seemed good to me to drive ahead and on and or through the +windy starlight, over the long black waves. + +IV + +It was morning and day before I returned with the four sick and +starving journalists who had got permission to come with me, up +the shining river, and past the old grey Tower.... + +I recall the back views of those journalists very distinctly, +going with a certain damp weariness of movement, along a side +street away from the river. They were good men and bore me no +malice, and they served me up to the public in turgid degenerate +Kiplingese, as a modest button on the complacent stomach of the +Empire. Though as a matter of fact, X2 isn't intended for the +empire, or indeed for the hands of any European power. We +offered it to our own people first, but they would have nothing +to do with me, and I have long since ceased to trouble much about +such questions. I have come to see myself from the outside, my +country from the outside--without illusions. We make and pass. + +We are all things that make and pass striving upon a hidden +mission, out to the open sea. + + + + + +End of The Project Gutenberg Etext of Tono Bungay, by H. G. Wells diff --git a/old/tonob10.zip b/old/tonob10.zip Binary files differnew file mode 100644 index 0000000..b13a065 --- /dev/null +++ b/old/tonob10.zip |
