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+The Project Gutenberg eBook of Tono-Bungay, by H.G. Wells
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: Tono-Bungay
+
+Author: H.G. Wells
+
+Release Date: November, 1996 [eBook #718]
+[Most recently updated: March 23, 2021]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: John Bean; Diane Bean and David Widger
+
+*** START OF THE PROJECT GUTENBERG EBOOK TONO-BUNGAY ***
+
+[Illustration]
+
+
+
+
+Tono-Bungay
+
+by H.G. Wells
+
+
+Contents
+
+ BOOK THE FIRST
+ CHAPTER THE FIRST
+ CHAPTER THE SECOND
+ CHAPTER THE THIRD
+
+ BOOK THE SECOND
+ CHAPTER THE FIRST
+ CHAPTER THE SECOND
+ CHAPTER THE THIRD
+ CHAPTER THE FOURTH
+
+ BOOK THE THIRD
+ CHAPTER THE FIRST
+ CHAPTER THE SECOND
+ CHAPTER THE THIRD
+ CHAPTER THE FOURTH
+
+ BOOK THE FOURTH
+ CHAPTER THE FIRST
+ CHAPTER THE SECOND
+ CHAPTER THE THIRD
+
+
+
+
+BOOK THE FIRST
+THE DAYS BEFORE TONO-BUNGAY WAS INVENTED
+
+
+
+
+CHAPTER THE FIRST
+OF BLADESOVER HOUSE, AND MY MOTHER; AND THE CONSTITUTION OF SOCIETY
+
+
+I
+
+Most people in this world seem to live “in character”; they have a
+beginning, a middle and an end, and the three are congruous one with
+another and true to the rules of their type. You can speak of them as
+being of this sort of people or that. They are, as theatrical people
+say, no more (and no less) than “character actors.” They have a class,
+they have a place, they know what is becoming in them and what is due
+to them, and their proper size of tombstone tells at last how properly
+they have played the part. But there is also another kind of life that
+is not so much living as a miscellaneous tasting of life. One gets hit
+by some unusual transverse force, one is jerked out of one’s stratum
+and lives crosswise for the rest of the time, and, as it were, in a
+succession of samples. That has been my lot, and that is what has set
+me at last writing something in the nature of a novel. I have got an
+unusual series of impressions that I want very urgently to tell. I have
+seen life at very different levels, and at all these levels I have seen
+it with a sort of intimacy and in good faith. I have been a native in
+many social countries. I have been the unwelcome guest of a working
+baker, my cousin, who has since died in the Chatham infirmary; I have
+eaten illegal snacks—the unjustifiable gifts of footmen—in pantries,
+and been despised for my want of style (and subsequently married and
+divorced) by the daughter of a gasworks clerk; and—to go to my other
+extreme—I was once—oh, glittering days!—an item in the house-party of a
+countess. She was, I admit, a countess with a financial aspect, but
+still, you know, a countess. I’ve seen these people at various angles.
+At the dinner-table I’ve met not simply the titled but the great. On
+one occasion—it is my brightest memory—I upset my champagne over the
+trousers of the greatest statesman in the empire—Heaven forbid I should
+be so invidious as to name him!—in the warmth of our mutual admiration.
+
+And once (though it is the most incidental thing in my life) I murdered
+a man....
+
+Yes, I’ve seen a curious variety of people and ways of living
+altogether. Odd people they all are great and small, very much alike at
+bottom and curiously different on their surfaces. I wish I had ranged
+just a little further both up and down, seeing I have ranged so far.
+Royalty must be worth knowing and very great fun. But my contacts with
+princes have been limited to quite public occasions, nor at the other
+end of the scale have I had what I should call an inside acquaintance
+with that dusty but attractive class of people who go about on the
+high-roads drunk but _en famille_ (so redeeming the minor lapse), in
+the summertime, with a perambulator, lavender to sell, sun-brown
+children, a smell, and ambiguous bundles that fire the imagination.
+Navvies, farm-labourers, sailormen and stokers, all such as sit in 1834
+beer-houses, are beyond me also, and I suppose must remain so now for
+ever. My intercourse with the ducal rank too has been negligible; I
+once went shooting with a duke, and in an outburst of what was no doubt
+snobbishness, did my best to get him in the legs. But that failed.
+
+I’m sorry I haven’t done the whole lot though....
+
+You will ask by what merit I achieved this remarkable social range,
+this extensive cross-section of the British social organism. It was the
+Accident of Birth. It always is in England. Indeed, if I may make the
+remark so cosmic, everything is. But that is by the way. I was my
+uncle’s nephew, and my uncle was no less a person than Edward
+Ponderevo, whose comet-like transit of the financial heavens
+happened—it is now ten years ago! Do you remember the days of
+Ponderevo, the _great_ days, I mean, of Ponderevo? Perhaps you had a
+trifle in some world-shaking enterprise! Then you know him only too
+well. Astraddle on Tono-Bungay, he flashed athwart the empty
+heavens—like a comet—rather, like a stupendous rocket!—and overawed
+investors spoke of his star. At his zenith he burst into a cloud of the
+most magnificent promotions. What a time that was! The Napoleon of
+domestic conveniences!
+
+I was his nephew, his peculiar and intimate nephew. I was hanging on to
+his coat-tails all the way through. I made pills with him in the
+chemist’s shop at Wimblehurst before he began. I was, you might say,
+the stick of his rocket; and after our tremendous soar, after he had
+played with millions, a golden rain in the sky, after my bird’s-eye
+view of the modern world, I fell again, a little scarred and blistered
+perhaps, two and twenty years older, with my youth gone, my manhood
+eaten in upon, but greatly edified, into this Thames-side yard, into
+these white heats and hammerings, amidst the fine realites of steel—to
+think it all over in my leisure and jot down the notes and
+inconsecutive observations that make this book. It was more, you know,
+than a figurative soar. The zenith of that career was surely our flight
+across the channel in the Lord Roberts _B_....
+
+I warn you this book is going to be something of an agglomeration. I
+want to trace my social trajectory (and my uncle’s) as the main line of
+my story, but as this is my first novel and almost certainly my last, I
+want to get in, too, all sorts of things that struck me, things that
+amused me and impressions I got—even although they don’t minister
+directly to my narrative at all. I want to set out my own queer love
+experiences too, such as they are, for they troubled and distressed and
+swayed me hugely, and they still seem to me to contain all sorts of
+irrational and debatable elements that I shall be the clearer-headed
+for getting on paper. And possibly I may even flow into descriptions of
+people who are really no more than people seen in transit, just because
+it amuses me to recall what they said and did to us, and more
+particularly how they behaved in the brief but splendid glare of
+Tono-Bungay and its still more glaring offspring. It lit some of them
+up, I can assure you! Indeed, I want to get in all sorts of things. My
+ideas of a novel all through are comprehensive rather than austere....
+
+Tono-Bungay still figures on the hoardings, it stands in rows in every
+chemist’s storeroom, it still assuages the coughs of age and brightens
+the elderly eye and loosens the elderly tongue; but its social glory,
+its financial illumination, have faded from the world for ever. And I,
+sole scorched survivor from the blaze, sit writing of it here in an air
+that is never still for the clang and thunder of machines, on a table
+littered with working drawings, and amid fragments of models and notes
+about velocities and air and water pressures and trajectories—of an
+altogether different sort from that of Tono-Bungay.
+
+II
+
+I write that much and look at it, and wonder whether, after all, this
+is any fair statement of what I am attempting in this book. I’ve given,
+I see, an impression that I want to make simply a hotch-potch of
+anecdotes and experiences with my uncle swimming in the middle as the
+largest lump of victual. I’ll own that here, with the pen already
+started, I realise what a fermenting mass of things learnt and emotions
+experienced and theories formed I’ve got to deal with, and how, in a
+sense, hopeless my book must be from the very outset. I suppose what
+I’m really trying to render is nothing more nor less than Life—as one
+man has found it. I want to tell—_myself_, and my impressions of the
+thing as a whole, to say things I have come to feel intensely of the
+laws, traditions, usages, and ideas we call society, and how we poor
+individuals get driven and lured and stranded among these windy,
+perplexing shoals and channels. I’ve got, I suppose, to a time of life
+when things begin to take on shapes that have an air of reality, and
+become no longer material for dreaming, but interesting in themselves.
+I’ve reached the criticising, novel-writing age, and here I am writing
+mine—my one novel—without having any of the discipline to refrain and
+omit that I suppose the regular novel-writer acquires.
+
+I’ve read an average share of novels and made some starts before this
+beginning, and I’ve found the restraints and rules of the art (as I
+made them out) impossible for me. I like to write, I am keenly
+interested in writing, but it is not my technique. I’m an engineer with
+a patent or two and a set of ideas; most of whatever artist there is in
+me has been given to turbine machines and boat building and the problem
+of flying, and do what I will I fail to see how I can be other than a
+lax, undisciplined story-teller. I must sprawl and flounder, comment
+and theorise, if I am to get the thing out I have in mind. And it isn’t
+a constructed tale I have to tell, but unmanageable realities. My
+love-story—and if only I can keep up the spirit of truth-telling all
+through as strongly as I have now, you shall have it all—falls into no
+sort of neat scheme of telling. It involves three separate feminine
+persons. It’s all mixed up with the other things....
+
+But I’ve said enough, I hope, to excuse myself for the method or want
+of method in what follows, and I think I had better tell without
+further delay of my boyhood and my early impressions in the shadow of
+Bladesover House.
+
+III
+
+There came a time when I realised that Bladesover House was not all it
+seemed, but when I was a little boy I took the place with the entirest
+faith as a complete authentic microcosm. I believed that the Bladesover
+system was a little working-model—and not so very little either—of the
+whole world.
+
+Let me try and give you the effect of it.
+
+Bladesover lies up on the Kentish Downs, eight miles perhaps from
+Ashborough; and its old pavilion, a little wooden parody of the temple
+of Vesta at Tibur, upon the hill crest behind the house, commands in
+theory at least a view of either sea, of the Channel southward and the
+Thames to the northeast. The park is the second largest in Kent, finely
+wooded with well-placed beeches, many elms and some sweet chestnuts,
+abounding in little valleys and hollows of bracken, with springs and a
+stream and three fine ponds and multitudes of fallow deer. The house
+was built in the eighteenth century, it is of pale red brick in the
+style of a French chateau, and save for one pass among the crests which
+opens to blue distances, to minute, remote, oast-set farm-houses and
+copses and wheat fields and the occasional gleam of water, its hundred
+and seventeen windows look on nothing but its own wide and handsome
+territories. A semi-circular screen of great beeches masks the church
+and village, which cluster picturesquely about the high road along the
+skirts of the great park. Northward, at the remotest corner of that
+enclosure, is a second dependent village, Ropedean, less fortunate in
+its greater distance and also on account of a rector. This divine was
+indeed rich, but he was vindictively economical because of some
+shrinkage of his tithes; and by reason of his use of the word Eucharist
+for the Lord’s Supper he had become altogether estranged from the great
+ladies of Bladesover. So that Ropedean was in the shadows through all
+that youthful time.
+
+Now the unavoidable suggestion of that wide park and that fair large
+house, dominating church, village and the country side, was that they
+represented the thing that mattered supremely in the world, and that
+all other things had significance only in relation to them. They
+represented the Gentry, the Quality, by and through and for whom the
+rest of the world, the farming folk and the labouring folk, the
+trades-people of Ashborough, and the upper servants and the lower
+servants and the servants of the estate, breathed and lived and were
+permitted. And the Quality did it so quietly and thoroughly, the great
+house mingled so solidly and effectually earth and sky, the contrast of
+its spacious hall and saloon and galleries, its airy housekeeper’s room
+and warren of offices with the meagre dignities of the vicar, and the
+pinched and stuffy rooms of even the post-office people and the grocer,
+so enforced these suggestions, that it was only when I was a boy of
+thirteen or fourteen and some queer inherited strain of scepticism had
+set me doubting whether Mr. Bartlett, the vicar, did really know with
+certainty all about God, that as a further and deeper step in doubting
+I began to question the final rightness of the gentlefolks, their
+primary necessity in the scheme of things. But once that scepticism had
+awakened it took me fast and far. By fourteen I had achieved terrible
+blasphemies and sacrilege; I had resolved to marry a viscount’s
+daughter, and I had blacked the left eye—I think it was the left—of her
+half-brother, in open and declared rebellion.
+
+But of that in its place.
+
+The great house, the church, the village, and the labourers and the
+servants in their stations and degrees, seemed to me, I say, to be a
+closed and complete social system. About us were other villages and
+great estates, and from house to house, interlacing, correlated, the
+Gentry, the fine Olympians, came and went. The country towns seemed
+mere collections of ships, marketing places for the tenantry, centres
+for such education as they needed, as entirely dependent on the gentry
+as the village and scarcely less directly so. I thought this was the
+order of the whole world. I thought London was only a greater country
+town where the gentle-folk kept town-houses and did their greater
+shopping under the magnificent shadow of the greatest of all fine
+gentlewomen, the Queen. It seemed to be in the divine order. That all
+this fine appearance was already sapped, that there were forces at work
+that might presently carry all this elaborate social system in which my
+mother instructed me so carefully that I might understand my “place,”
+to Limbo, had scarcely dawned upon me even by the time that Tono-Bungay
+was fairly launched upon the world.
+
+There are many people in England to-day upon whom it has not yet
+dawned. There are times when I doubt whether any but a very
+inconsiderable minority of English people realise how extensively this
+ostensible order has even now passed away. The great houses stand in
+the parks still, the cottages cluster respectfully on their borders,
+touching their eaves with their creepers, the English countryside—you
+can range through Kent from Bladesover northward and see persists
+obstinately in looking what it was. It is like an early day in a fine
+October. The hand of change rests on it all, unfelt, unseen; resting
+for awhile, as it were half reluctantly, before it grips and ends the
+thing for ever. One frost and the whole face of things will be bare,
+links snap, patience end, our fine foliage of pretences lie glowing in
+the mire.
+
+For that we have still to wait a little while. The new order may have
+gone far towards shaping itself, but just as in that sort of lantern
+show that used to be known in the village as the “Dissolving Views,”
+the scene that is going remains upon the mind, traceable and evident,
+and the newer picture is yet enigmatical long after the lines that are
+to replace those former ones have grown bright and strong, so that the
+new England of our children’s children is still a riddle to me. The
+ideas of democracy, of equality, and above all of promiscuous
+fraternity have certainly never really entered into the English mind.
+But what _is_ coming into it? All this book, I hope, will bear a little
+on that. Our people never formulates; it keeps words for jests and
+ironies. In the meanwhile the old shapes, the old attitudes remain,
+subtly changed and changing still, sheltering strange tenants.
+Bladesover House is now let furnished to Sir Reuben Lichtenstein, and
+has been since old Lady Drew died; it was my odd experience to visit
+there, in the house of which my mother had been housekeeper, when my
+uncle was at the climax of Tono-Bungay. It was curious to notice then
+the little differences that had come to things with this substitution.
+To borrow an image from my mineralogical days, these Jews were not so
+much a new British gentry as “pseudomorphous” after the gentry. They
+are a very clever people, the Jews, but not clever enough to suppress
+their cleverness. I wished I could have gone downstairs to savour the
+tone of the pantry. It would have been very different I know.
+Hawksnest, over beyond, I noted, had its pseudomorph too; a newspaper
+proprietor of the type that hustles along with stolen ideas from one
+loud sink-or-swim enterprise to another, had bought the place outright;
+Redgrave was in the hands of brewers.
+
+But the people in the villages, so far as I could detect, saw no
+difference in their world. Two little girls bobbed and an old labourer
+touched his hat convulsively as I walked through the village. He still
+thought he knew his place—and mine. I did not know him, but I would
+have liked dearly to have asked him if he remembered my mother, if
+either my uncle or old Lichtenstein had been man enough to stand being
+given away like that.
+
+In that English countryside of my boyhood every human being had a
+“place.” It belonged to you from your birth like the colour of your
+eyes, it was inextricably your destiny. Above you were your betters,
+below you were your inferiors, and there were even an unstable
+questionable few, cases so disputable that you might for the rough
+purposes of every day at least, regard them as your equals. Head and
+centre of our system was Lady Drew, her “leddyship,” shrivelled,
+garrulous, with a wonderful memory for genealogies and very, very old,
+and beside her and nearly as old, Miss Somerville, her cousin and
+companion. These two old souls lived like dried-up kernels in the great
+shell of Bladesover House, the shell that had once been gaily full of
+fops, of fine ladies in powder and patches and courtly gentlemen with
+swords; and when there was no company they spent whole days in the
+corner parlour just over the housekeeper’s room, between reading and
+slumber and caressing their two pet dogs. When I was a boy I used
+always to think of these two poor old creatures as superior beings
+living, like God, somewhere through the ceiling. Occasionally they
+bumped about a bit and one even heard them overhead, which gave them a
+greater effect of reality without mitigating their vertical
+predominance. Sometimes too I saw them. Of course if I came upon them
+in the park or in the shrubbery (where I was a trespasser) I hid or
+fled in pious horror, but I was upon due occasion taken into the
+Presence by request. I remember her “leddyship” then as a thing of
+black silks and a golden chain, a quavering injunction to me to be a
+good boy, a very shrunken loose-skinned face and neck, and a ropy hand
+that trembled a halfcrown into mine. Miss Somerville hovered behind, a
+paler thing of broken lavender and white and black, with screwed up,
+sandy-lashed eyes. Her hair was yellow and her colour bright, and when
+we sat in the housekeeper’s room of a winter’s night warming our toes
+and sipping elder wine, her maid would tell us the simple secrets of
+that belated flush.... After my fight with young Garvell I was of
+course banished, and I never saw those poor old painted goddesses
+again.
+
+Then there came and went on these floors over our respectful heads, the
+Company; people I rarely saw, but whose tricks and manners were
+imitated and discussed by their maids and valets in the housekeeper’s
+room and the steward’s room—so that I had them through a medium at
+second hand. I gathered that none of the company were really Lady
+Drew’s equals, they were greater and lesser after the manner of all
+things in our world. Once I remember there was a Prince, with a real
+live gentleman in attendance, and that was a little above our customary
+levels and excited us all, and perhaps raised our expectations unduly.
+Afterwards, Rabbits, the butler, came into my mother’s room downstairs,
+red with indignation and with tears in his eyes. “Look at _that!_”
+gasped Rabbits. My mother was speechless with horror. _That_ was a
+sovereign, a mere sovereign, such as you might get from any commoner!
+
+After Company, I remember, came anxious days, for the poor old women
+upstairs were left tired and cross and vindictive, and in a state of
+physical and emotional indigestion after their social efforts....
+
+On the lowest fringe of these real Olympians hung the vicarage people,
+and next to them came those ambiguous beings who are neither quality
+nor subjects. The vicarage people certainly hold a place by themselves
+in the typical English scheme; nothing is more remarkable than the
+progress the Church has made—socially—in the last two hundred years. In
+the early eighteenth century the vicar was rather under than over the
+house-steward, and was deemed a fitting match for the housekeeper or
+any not too morally discredited discard. The eighteenth century
+literature is full of his complaints that he might not remain at table
+to share the pie. He rose above these indignities because of the
+abundance of younger sons. When I meet the large assumptions of the
+contemporary cleric, I am apt to think of these things. It is curious
+to note that to-day that down-trodden, organ-playing creature, the
+Church of England village Schoolmaster, holds much the same position as
+the seventeenth century parson. The doctor in Bladesover ranked below
+the vicar but above the “vet,” artists and summer visitors squeezed in
+above or below this point according to their appearance and
+expenditure, and then in a carefully arranged scale came the tenantry,
+the butler and housekeeper, the village shopkeeper, the head keeper,
+the cook, the publican, the second keeper, the blacksmith (whose status
+was complicated by his daughter keeping the post-office—and a fine hash
+she used to make of telegrams too!) the village shopkeeper’s eldest
+son, the first footman, younger sons of the village shopkeeper, his
+first assistant, and so forth.
+
+All these conceptions and applications of a universal precedence and
+much else I drank in at Bladesover, as I listened to the talk of
+valets, ladies’-maids, Rabbits the butler and my mother in the
+much-cupboarded, white-painted, chintz-brightened housekeeper’s room
+where the upper servants assembled, or of footmen and Rabbits and
+estate men of all sorts among the green baize and Windsor chairs of the
+pantry—where Rabbits, being above the law, sold beer without a license
+or any compunction—or of housemaids and still-room maids in the bleak,
+matting-carpeted still-room or of the cook and her kitchen maids and
+casual friends among the bright copper and hot glow of the kitchens.
+
+Of course their own ranks and places came by implication to these
+people, and it was with the ranks and places of the Olympians that the
+talk mainly concerned itself. There was an old peerage and a Crockford
+together with the books of recipes, the Whitaker’s Almanack, the Old
+Moore’s Almanack, and the eighteenth century dictionary, on the little
+dresser that broke the cupboards on one side of my mother’s room; there
+was another peerage, with the covers off, in the pantry; there was a
+new peerage in the billiard-room, and I seem to remember another in the
+anomalous apartment that held the upper servants’ bagatelle board and
+in which, after the Hall dinner, they partook of the luxury of sweets.
+And if you had asked any of those upper servants how such and such a
+Prince of Battenberg was related to, let us say, Mr. Cunninghame Graham
+or the Duke of Argyle, you would have been told upon the nail. As a
+boy, I heard a great deal of that sort of thing, and if to this day I
+am still a little vague about courtesy titles and the exact application
+of honorifics, it is, I can assure you, because I hardened my heart,
+and not from any lack of adequate opportunity of mastering these
+succulent particulars.
+
+Dominating all these memories is the figure of my mother—my mother who
+did not love me because I grew liker my father every day—and who knew
+with inflexible decision her place and the place of every one in the
+world—except the place that concealed my father—and in some details
+mine. Subtle points were put to her. I can see and hear her saying now,
+“No, Miss Fison, peers of England go in before peers of the United
+Kingdom, and he is merely a peer of the United Kingdom.” She had much
+exercise in placing people’s servants about her tea-table, where the
+etiquette was very strict. I wonder sometimes if the etiquette of
+housekeepers’ rooms is as strict to-day, and what my mother would have
+made of a _chauffeur_....
+
+On the whole I am glad that I saw so much as I did of Bladesover—if for
+no other reason than because seeing it when I did, quite naively,
+believing in it thoroughly, and then coming to analyse it, has enabled
+me to understand much that would be absolutely incomprehensible in the
+structure of English society. Bladesover is, I am convinced, the clue
+to almost all that is distinctively British and perplexing to the
+foreign inquirer in England and the English-speaking peoples. Grasp
+firmly that England was all Bladesover two hundred years ago; that it
+has had Reform Acts indeed, and such—like changes of formula, but no
+essential revolution since then; that all that is modern and different
+has come in as a thing intruded or as a gloss upon this predominant
+formula, either impertinently or apologetically; and you will perceive
+at once the reasonableness, the necessity, of that snobbishness which
+is the distinctive quality of English thought. Everybody who is not
+actually in the shadow of a Bladesover is as it were perpetually
+seeking after lost orientations. We have never broken with our
+tradition, never even symbolically hewed it to pieces, as the French
+did in quivering fact in the Terror. But all the organizing ideas have
+slackened, the old habitual bonds have relaxed or altogether come
+undone. And America too, is, as it were, a detached, outlying part of
+that estate which has expanded in queer ways. George Washington,
+Esquire, was of the gentlefolk, and he came near being a King. It was
+Plutarch, you know, and nothing intrinsically American that prevented
+George Washington being a King....
+
+IV
+
+I hated teatime in the housekeeper’s room more than anything else at
+Bladesover. And more particularly I hated it when Mrs. Mackridge and
+Mrs. Booch and Mrs. Latude-Fernay were staying in the house. They were,
+all three of them, pensioned-off servants.
+
+Old friends of Lady Drew’s had rewarded them posthumously for a
+prolonged devotion to their minor comforts, and Mrs. Booch was also
+trustee for a favourite Skye terrier. Every year Lady Drew gave them an
+invitation—a reward and encouragement of virtue with especial reference
+to my mother and Miss Fison, the maid. They sat about in black and
+shiny and flouncey clothing adorned with gimp and beads, eating great
+quantities of cake, drinking much tea in a stately manner and
+reverberating remarks.
+
+I remember these women as immense. No doubt they were of negotiable
+size, but I was only a very little chap and they have assumed nightmare
+proportions in my mind. They loomed, they bulged, they impended. Mrs.
+Mackridge was large and dark; there was a marvel about her head,
+inasmuch as she was bald. She wore a dignified cap, and in front of
+that upon her brow, hair was _painted_. I have never seen the like
+since. She had been maid to the widow of Sir Roderick Blenderhasset
+Impey, some sort of governor or such-like portent in the East Indies,
+and from her remains—in Mrs. Mackridge—I judge Lady Impey was a very
+stupendous and crushing creature indeed. Lady Impey had been of the
+Juno type, haughty, unapproachable, given to irony and a caustic wit.
+Mrs. Mackridge had no wit, but she had acquired the caustic voice and
+gestures along with the old satins and trimmings of the great lady.
+When she told you it was a fine morning, she seemed also to be telling
+you you were a fool and a low fool to boot; when she was spoken to, she
+had a way of acknowledging your poor tinkle of utterance with a
+voluminous, scornful “Haw!” that made you want to burn her alive. She
+also had a way of saying “Indade!” with a droop of the eyelids.
+
+Mrs. Booch was a smaller woman, brown haired, with queer little curls
+on either side of her face, large blue eyes and a small set of
+stereotyped remarks that constituted her entire mental range. Mrs.
+Latude-Fernay has left, oddly enough, no memory at all except her name
+and the effect of a green-grey silk dress, all set with gold and blue
+buttons. I fancy she was a large blonde. Then there was Miss Fison, the
+maid who served both Lady Drew and Miss Somerville, and at the end of
+the table opposite my mother, sat Rabbits the butler. Rabbits, for a
+butler, was an unassuming man, and at tea he was not as you know
+butlers, but in a morning coat and a black tie with blue spots. Still,
+he was large, with side whiskers, even if his clean-shaven mouth was
+weak and little. I sat among these people on a high, hard, early
+Gregorian chair, trying to exist, like a feeble seedling amidst great
+rocks, and my mother sat with an eye upon me, resolute to suppress the
+slightest manifestation of vitality. It was hard on me, but perhaps it
+was also hard upon these rather over-fed, ageing, pretending people,
+that my youthful restlessness and rebellious unbelieving eyes should be
+thrust in among their dignities.
+
+Tea lasted for nearly three-quarters of an hour, and I sat it out
+perforce; and day after day the talk was exactly the same.
+
+“Sugar, Mrs. Mackridge?” my mother used to ask.
+
+“Sugar, Mrs. Latude-Fernay?”
+
+The word sugar would stir the mind of Mrs. Mackridge. “They say,” she
+would begin, issuing her proclamation—at least half her sentences began
+“they say”—“sugar is fatt-an-ing, nowadays. Many of the best people do
+not take it at all.”
+
+“Not with their tea, ma’am,” said Rabbits intelligently.
+
+“Not with anything,” said Mrs. Mackridge, with an air of crushing
+repartee, and drank.
+
+“What won’t they say next?” said Miss Fison.
+
+“They do say such things!” said Mrs. Booch.
+
+“They say,” said Mrs. Mackridge, inflexibly, “the doctors are not
+recomm-an-ding it now.”
+
+My Mother: “No, ma’am?”
+
+Mrs. Mackridge: “No, ma’am.”
+
+Then, to the table at large: “Poor Sir Roderick, before he died,
+consumed great quan-ta-ties of sugar. I have sometimes fancied it may
+have hastened his end.”
+
+This ended the first skirmish. A certain gloom of manner and a pause
+was considered due to the sacred memory of Sir Roderick.
+
+“George,” said my mother, “don’t kick the chair!”
+
+Then, perhaps, Mrs. Booch would produce a favourite piece from her
+repertoire. “The evenings are drawing out nicely,” she would say, or if
+the season was decadent, “How the evenings draw in!” It was an
+invaluable remark to her; I do not know how she would have got along
+without it.
+
+My mother, who sat with her back to the window, would always consider
+it due to Mrs. Booch to turn about and regard the evening in the act of
+elongation or contraction, whichever phase it might be.
+
+A brisk discussion of how long we were to the longest or shortest day
+would ensue, and die away at last exhausted.
+
+Mrs. Mackridge, perhaps, would reopen. She had many intelligent habits;
+among others she read the paper—_The Morning Post_. The other ladies
+would at times tackle that sheet, but only to read the births,
+marriages, and deaths on the front page. It was, of course, the old
+_Morning Post_ that cost threepence, not the brisk coruscating young
+thing of to-day. “They say,” she would open, “that Lord Tweedums is to
+go to Canada.”
+
+“Ah!” said Mr. Rabbits; “dew they?”
+
+“Isn’t he,” said my mother, “the Earl of Slumgold’s cousin?” She knew
+he was; it was an entirely irrelevant and unnecessary remark, but
+still, something to say.
+
+“The same, ma’am,” said Mrs. Mackridge. “They say he was extremelay
+popular in New South Wales. They looked up to him greatlay. I knew him,
+ma’am, as a young man. A very nice pleasant young fella.”
+
+Interlude of respect.
+
+“’Is predecessor,” said Rabbits, who had acquired from some clerical
+model a precise emphatic articulation without acquiring at the same
+time the aspirates that would have graced it, “got into trouble at
+Sydney.”
+
+“Haw!” said Mrs. Mackridge, scornfully, “so am tawled.”
+
+“’E came to Templemorton after ’e came back, and I remember them
+talking ’im over after ’e’d gone again.”
+
+“Haw?” said Mrs. Mackridge, interrogatively.
+
+“’_Is_ fuss was quotin’ poetry, ma’am. ’E said—what was it ’e
+said—‘They lef’ their country for their country’s good,’—which in some
+way was took to remind them of their being originally convic’s, though
+now reformed. Every one I ’eard speak, agreed it was takless of ’im.”
+
+“Sir Roderick used to say,” said Mrs. Mackridge, “that the First
+Thing,”—here Mrs. Mackridge paused and looked dreadfully at me—“and the
+Second Thing”—here she fixed me again—“and the Third Thing”—now I was
+released—“needed in a colonial governor is Tact.” She became aware of
+my doubts again, and added predominantly, “It has always struck me that
+that was a Singularly True Remark.”
+
+I resolved that if ever I found this polypus of Tact growing up in my
+soul, I would tear it out by the roots, throw it forth and stamp on it.
+
+“They’re queer people—colonials,” said Rabbits, “very queer. When I was
+at Templemorton I see something of ’em. Queer fellows, some of ’em.
+Very respectful of course, free with their money in a spasammy sort of
+way, but—Some of ’em, I must confess, make me nervous. They have an eye
+on you. They watch you—as you wait. They let themselves appear to be
+lookin’ at you...”
+
+My mother said nothing in that discussion. The word colonies always
+upset her. She was afraid, I think, that if she turned her mind in that
+direction my errant father might suddenly and shockingly be discovered,
+no doubt conspicuously bigamic and altogether offensive and
+revolutionary. She did not want to rediscover my father at all.
+
+It is curious that when I was a little listening boy I had such an idea
+of our colonies that I jeered in my heart at Mrs. Mackridge’s colonial
+ascendancy. These brave emancipated sunburnt English of the open, I
+thought, suffer these aristocratic invaders as a quaint anachronism,
+but as for being gratified—!
+
+I don’t jeer now. I’m not so sure.
+
+V
+
+It is a little difficult to explain why I did not come to do what was
+the natural thing for any one in my circumstances to do, and take my
+world for granted. A certain innate scepticism, I think, explains it
+and a certain inaptitude for sympathetic assimilation. My father, I
+believe, was a sceptic; my mother was certainly a hard woman.
+
+I was an only child, and to this day I do not know whether my father is
+living or dead. He fled my mother’s virtues before my distincter
+memories began. He left no traces in his flight, and she, in her
+indignation, destroyed every vestige that she could of him. Never a
+photograph nor a scrap of his handwriting have I seen; and it was, I
+know, only the accepted code of virtue and discretion that prevented
+her destroying her marriage certificate and me, and so making a clean
+sweep of her matrimonial humiliation. I suppose I must inherit
+something of the moral stupidity that would enable her to make a
+holocaust of every little personal thing she had of him. There must
+have been presents made by him as a lover, for example—books with
+kindly inscriptions, letters perhaps, a flattened flower, a ring, or
+such-like gage. She kept her wedding-ring, of course, but all the
+others she destroyed. She never told me his christian name or indeed
+spoke a word to me of him; though at times I came near daring to ask
+her: add what I have of him—it isn’t much—I got from his brother, my
+hero, my uncle Ponderevo. She wore her ring; her marriage certificate
+she kept in a sealed envelope in the very bottom of her largest trunk,
+and me she sustained at a private school among the Kentish hills. You
+must not think I was always at Bladesover—even in my holidays. If at
+the time these came round, Lady Drew was vexed by recent Company, or
+for any other reason wished to take it out of my mother, then she used
+to ignore the customary reminder my mother gave her, and I “stayed on”
+at the school.
+
+But such occasions were rare, and I suppose that between ten and
+fourteen I averaged fifty days a year at Bladesover.
+
+Don’t imagine I deny that was a fine thing for me. Bladesover, in
+absorbing the whole countryside, had not altogether missed greatness.
+The Bladesover system has at least done one good thing for England, it
+has abolished the peasant habit of mind. If many of us still live and
+breathe pantry and housekeeper’s room, we are quit of the dream of
+living by economising parasitically on hens and pigs.... About that
+park there were some elements of a liberal education; there was a great
+space of greensward not given over to manure and food grubbing; there
+was mystery, there was matter for the imagination. It was still a park
+of deer. I saw something of the life of these dappled creatures, heard
+the belling of stags, came upon young fawns among the bracken, found
+bones, skulls, and antlers in lonely places. There were corners that
+gave a gleam of meaning to the word forest, glimpses of unstudied
+natural splendour. There was a slope of bluebells in the broken
+sunlight under the newly green beeches in the west wood that is now
+precious sapphire in my memory; it was the first time that I knowingly
+met Beauty.
+
+And in the house there were books. The rubbish old Lady Drew read I
+never saw; stuff of the Maria Monk type, I have since gathered, had a
+fascination for her; but back in the past there had been a Drew of
+intellectual enterprise, Sir Cuthbert, the son of Sir Matthew who built
+the house; and thrust away, neglected and despised, in an old room
+upstairs, were books and treasures of his that my mother let me rout
+among during a spell of wintry wet. Sitting under a dormer window on a
+shelf above great stores of tea and spices, I became familiar with much
+of Hogarth in a big portfolio, with Raphael, there was a great book of
+engravings from the stanzas of Raphael in the Vatican—and with most of
+the capitals of Europe as they had looked about 1780, by means of
+several pig iron-moulded books of views. There was also a broad
+eighteenth century atlas with huge wandering maps that instructed me
+mightily. It had splendid adornments about each map title; Holland
+showed a fisherman and his boat; Russia a Cossack; Japan, remarkable
+people attired in pagodas—I say it deliberately, “pagodas.” There were
+Terrae Incognitae in every continent then, Poland, Sarmatia, lands
+since lost; and many a voyage I made with a blunted pin about that
+large, incorrect and dignified world. The books in that little old
+closet had been banished, I suppose, from the saloon during the
+Victorian revival of good taste and emasculated orthodoxy, but my
+mother had no suspicion of their character. So I read and understood
+the good sound rhetoric of Tom Paine’s “Rights of Man,” and his “Common
+Sense,” excellent books, once praised by bishops and since sedulously
+lied about. Gulliver was there unexpurgated, strong meat for a boy
+perhaps but not too strong I hold—I have never regretted that I escaped
+niceness in these affairs. The satire of Traldragdubh made my blood
+boil as it was meant to do, but I hated Swift for the Houyhnhnms and
+never quite liked a horse afterwards. Then I remember also a
+translation of Voltaire’s “Candide,” and “Rasselas;” and, vast book
+though it was, I really believe I read, in a muzzy sort of way of
+course, from end to end, and even with some reference now and then to
+the Atlas, Gibbon—in twelve volumes.
+
+These readings whetted my taste for more, and surreptitiously I raided
+the bookcases in the big saloon. I got through quite a number of books
+before my sacrilegious temerity was discovered by Ann, the old
+head-housemaid. I remember that among others I tried a translation of
+Plato’s “Republic” then, and found extraordinarily little interest in
+it; I was much too young for that; but “Vathek”—“Vathek” was glorious
+stuff. That kicking affair! When everybody _had_ to kick!
+
+The thought of “Vathek” always brings back with it my boyish memory of
+the big saloon at Bladesover.
+
+It was a huge long room with many windows opening upon the park, and
+each window—there were a dozen or more reaching from the floor up—had
+its elaborate silk or satin curtains, heavily fringed, a canopy (is
+it?) above, its completely white shutters folding into the deep
+thickness of the wall. At either end of that great still place was an
+immense marble chimney-piece; the end by the bookcase showed the wolf
+and Romulus and Remus, with Homer and Virgil for supporters; the design
+of the other end I have forgotten. Frederick, Prince of Wales,
+swaggered flatly over the one, twice life-size, but mellowed by the
+surface gleam of oil; and over the other was an equally colossal group
+of departed Drews as sylvan deities, scantily clad, against a
+storm-rent sky. Down the centre of the elaborate ceiling were three
+chandeliers, each bearing some hundreds of dangling glass lustres, and
+over the interminable carpet—it impressed me as about as big as
+Sarmatia in the store-room Atlas—were islands and archipelagoes of
+chintz-covered chairs and couches, tables, great Sevres vases on
+pedestals, a bronze man and horse. Somewhere in this wilderness one
+came, I remember, upon—a big harp beside a lyre-shaped music stand, and
+a grand piano....
+
+The book-borrowing raid was one of extraordinary dash and danger.
+
+One came down the main service stairs—that was legal, and illegality
+began in a little landing when, very cautiously, one went through a red
+baize door. A little passage led to the hall, and here one
+reconnoitered for Ann, the old head-housemaid—the younger housemaids
+were friendly and did not count. Ann located, came a dash across the
+open space at the foot of that great staircase that has never been
+properly descended since powder went out of fashion, and so to the
+saloon door. A beast of an oscillating Chinaman in china, as large as
+life, grimaced and quivered to one’s lightest steps. That door was the
+perilous place; it was double with the thickness of the wall between,
+so that one could not listen beforehand for the whisk of the
+feather-brush on the other side. Oddly rat-like, is it not, this
+darting into enormous places in pursuit of the abandoned crumbs of
+thought?
+
+And I found Langhorne’s “Plutarch” too, I remember, on those shelves.
+It seems queer to me now to think that I acquired pride and
+self-respect, the idea of a state and the germ of public spirit, in
+such a furtive fashion; queer, too, that it should rest with an old
+Greek, dead these eighteen hundred years to teach that.
+
+VI
+
+The school I went to was the sort of school the Bladesover system
+permitted. The public schools that add comic into existence in the
+brief glow of the Renascence had been taken possession of by the ruling
+class; the lower classes were not supposed to stand in need of schools,
+and our middle stratum got the schools it deserved, private schools,
+schools any unqualified pretender was free to establish. Mine was kept
+by a man who had had the energy to get himself a College of Preceptors
+diploma, and considering how cheap his charges were, I will readily
+admit the place might have been worse. The building was a dingy
+yellow-brick residence outside the village, with the schoolroom as an
+outbuilding of lath and plaster.
+
+I do not remember that my school-days were unhappy—indeed I recall a
+good lot of fine mixed fun in them—but I cannot without grave risk of
+misinterpretation declare that we were at all nice and refined. We
+fought much, not sound formal fighting, but “scrapping” of a sincere
+and murderous kind, into which one might bring one’s boots—it made us
+tough at any rate—and several of us were the sons of London publicans,
+who distinguished “scraps” where one meant to hurt from ordered
+pugilism, practising both arts, and having, moreover, precocious
+linguistic gifts. Our cricket-field was bald about the wickets, and we
+played without style and disputed with the umpire; and the teaching was
+chiefly in the hands of a lout of nineteen, who wore ready-made clothes
+and taught despicably. The head-master and proprietor taught us
+arithmetic, algebra, and Euclid, and to the older boys even
+trigonometry, himself; he had a strong mathematical bias, and I think
+now that by the standard of a British public school he did rather well
+by us.
+
+We had one inestimable privilege at that school, and that was spiritual
+neglect. We dealt with one another with the forcible simplicity of
+natural boys, we “cheeked,” and “punched” and “clouted”; we thought
+ourselves Red Indians and cowboys and such-like honourable things, and
+not young English gentlemen; we never felt the strain of “Onward
+Christian soldiers,” nor were swayed by any premature piety in the cold
+oak pew of our Sunday devotions. All that was good. We spent our rare
+pennies in the uncensored reading matter of the village dame’s shop, on
+the _Boys of England_, and honest penny dreadfuls—ripping stuff, stuff
+that anticipated Haggard and Stevenson, badly printed and queerly
+illustrated, and very very good for us. On our half-holidays we were
+allowed the unusual freedom of rambling in twos and threes wide and far
+about the land, talking experimentally, dreaming wildly. There was much
+in those walks! To this day the landscape of the Kentish world, with
+its low broad distances, its hop gardens and golden stretches of wheat,
+its oasts and square church towers, its background of downland and
+hangers, has for me a faint sense of adventure added to the pleasure of
+its beauty. We smoked on occasion, but nobody put us up to the proper
+“boyish” things to do; we never “robbed an orchard” for example, though
+there were orchards all about us, we thought stealing was sinful, we
+stole incidental apples and turnips and strawberries from the fields
+indeed, but in a criminal inglorious fashion, and afterwards we were
+ashamed. We had our days of adventure, but they were natural accidents,
+our own adventures. There was one hot day when several of us, walking
+out towards Maidstone, were incited by the devil to despise ginger
+beer, and we fuddled ourselves dreadfully with ale; and a time when our
+young minds were infected to the pitch of buying pistols, by the legend
+of the Wild West. Young Roots from Highbury came back with a revolver
+and cartridges, and we went off six strong to live a free wild life one
+holiday afternoon. We fired our first shot deep in the old flint mine
+at Chiselstead, and nearly burst our ear drums; then we fired in a
+primrose studded wood by Pickthorn Green, and I gave a false alarm of
+“keeper,” and we fled in disorder for a mile. After which Roots
+suddenly shot at a pheasant in the high road by Chiselstead, and then
+young Barker told lies about the severity of the game laws and made
+Roots sore afraid, and we hid the pistol in a dry ditch outside the
+school field. A day or so after we got in again, and ignoring a certain
+fouling and rusting of the barrel, tried for a rabbit at three hundred
+yards. Young Roots blew a molehill at twenty paces into a dust cloud,
+burnt his fingers, and scorched his face; and the weapon having once
+displayed this strange disposition to flame back upon the shooter, was
+not subsequently fired.
+
+One main source of excitement for us was “cheeking” people in vans and
+carts upon the Goudhurst road; and getting myself into a monstrous
+white mess in the chalk pits beyond the village, and catching yellow
+jaundice as a sequel to bathing stark naked with three other Adamites,
+old Ewart leading that function, in the rivulet across Hickson’s
+meadows, are among my _memorabilia_. Those free imaginative afternoons!
+how much they were for us! how much they did for us! All streams came
+from the then undiscovered “sources of the Nile” in those days, all
+thickets were Indian jungles, and our best game, I say it with pride, I
+invented. I got it out of the Bladesover saloon. We found a wood where
+“Trespassing” was forbidden, and did the “Retreat of the Ten Thousand”
+through it from end to end, cutting our way bravely through a host of
+nettle beds that barred our path, and not forgetting to weep and kneel
+when at last we emerged within sight of the High Road Sea. So we have
+burst at times, weeping and rejoicing, upon startled wayfarers. Usually
+I took the part of that distinguished general Xenōphen—and please note
+the quantity of the ō. I have all my classical names like
+that,—Socrates rhymes with Bates for me, and except when the bleak eye
+of some scholar warns me of his standards of judgment, I use those dear
+old mispronunciations still. The little splash into Latin made during
+my days as a chemist washed off nothing of the habit. Well,—if I met
+those great gentlemen of the past with their accents carelessly
+adjusted I did at least meet them alive, as an equal, and in a living
+tongue. Altogether my school might easily have been worse for me, and
+among other good things it gave me a friend who has lasted my life out.
+
+This was Ewart, who is now a monumental artist at Woking, after many
+vicissitudes. Dear chap, how he did stick out of his clothes to be
+sure! He was a longlimbed lout, ridiculously tall beside my more youth
+full compactness, and, except that there was no black moustache under
+his nose blob, he had the same round knobby face as he has to-day, the
+same bright and active hazel brown eyes, the stare, the meditative
+moment, the insinuating reply. Surely no boy ever played the fool as
+Bob Ewart used to play it, no boy had a readier knack of mantling the
+world with wonder. Commonness vanished before Ewart, at his expository
+touch all things became memorable and rare. From him I first heard tell
+of love, but only after its barbs were already sticking in my heart. He
+was, I know now the bastard of that great improvident artist, Rickmann
+Ewart; he brought the light of a lax world that at least had not turned
+its back upon beauty, into the growing fermentation of my mind.
+
+I won his heart by a version of Vathek, and after that we were
+inseparable yarning friends. We merged our intellectual stock so
+completely that I wonder sometimes how much I did not become Ewart, how
+much Ewart is not vicariously and derivatively me.
+
+VII
+
+And then when I had newly passed my fourteenth birthday, came my tragic
+disgrace.
+
+It was in my midsummer holidays that the thing happened, and it was
+through the Honourable Beatrice Normandy. She had “come into my life,”
+as they say, before I was twelve.
+
+She descended unexpectedly into a peaceful interlude that followed the
+annual going of those Three Great Women. She came into the old nursery
+upstairs, and every day she had tea with us in the housekeeper’s room.
+She was eight, and she came with a nurse called Nannie; and to begin
+with, I did not like her at all.
+
+Nobody liked this irruption into the downstairs rooms; the two “gave
+trouble,”—a dire offence; Nannie’s sense of duty to her charge led to
+requests and demands that took my mother’s breath away. Eggs at unusual
+times, the reboiling of milk, the rejection of an excellent milk
+pudding—not negotiated respectfully but dictated as of right. Nannie
+was a dark, longfeatured, taciturn woman in a grey dress; she had a
+furtive inflexibility of manner that finally dismayed and crushed and
+overcame. She conveyed she was “under orders”—like a Greek tragedy. She
+was that strange product of the old time, a devoted, trusted servant;
+she had, as it were, banked all her pride and will with the greater,
+more powerful people who employed her, in return for a life-long
+security of servitude—the bargain was nonetheless binding for being
+implicit. Finally they were to pension her, and she would die the hated
+treasure of a boarding-house. She had built up in herself an enormous
+habit of reference to these upstairs people, she had curbed down all
+discordant murmurings of her soul, her very instincts were perverted or
+surrendered. She was sexless, her personal pride was all transferred,
+she mothered another woman’s child with a hard, joyless devotion that
+was at least entirely compatible with a stoical separation. She treated
+us all as things that counted for nothing save to fetch and carry for
+her charge. But the Honourable Beatrice could condescend.
+
+The queer chances of later years come between me and a distinctly
+separated memory of that childish face. When I think of Beatrice, I
+think of her as I came to know her at a later time, when at last I came
+to know her so well that indeed now I could draw her, and show a
+hundred little delicate things you would miss in looking at her. But
+even then I remember how I noted the infinite delicacy of her childish
+skin and the fine eyebrow, finer than the finest feather that ever one
+felt on the breast of a bird. She was one of those elfin, rather
+precocious little girls, quick coloured, with dark hair, naturally
+curling dusky hair that was sometimes astray over her eyes, and eyes
+that were sometimes impishly dark, and sometimes a clear brown yellow.
+And from the very outset, after a most cursory attention to Rabbits,
+she decided that the only really interesting thing at the tea-table was
+myself.
+
+The elders talked in their formal dull way—telling Nannie the trite old
+things about the park and the village that they told every one, and
+Beatrice watched me across the table with a pitiless little curiosity
+that made me uncomfortable.
+
+“Nannie,” she said, pointing, and Nannie left a question of my mother’s
+disregarded to attend to her; “is he a servant boy?”
+
+“S-s-sh,” said Nannie. “He’s Master Ponderevo.”
+
+“Is he a servant boy?” repeated Beatrice.
+
+“He’s a schoolboy,” said my mother.
+
+“Then may I talk to him, Nannie?”
+
+Nannie surveyed me with brutal inhumanity. “You mustn’t talk too much,”
+she said to her charge, and cut cake into fingers for her.
+
+“No,” she added decisively, as Beatrice made to speak.
+
+Beatrice became malignant. Her eyes explored me with unjustifiable
+hostility. “He’s got dirty hands,” she said, stabbing at the forbidden
+fruit. “And there’s a fray to his collar.”
+
+Then she gave herself up to cake with an appearance of entire
+forgetfulness of me that filled me with hate and a passionate desire to
+compel her to admire me.... And the next day before tea, I did for the
+first time in my life, freely, without command or any compulsion, wash
+my hands.
+
+So our acquaintance began, and presently was deepened by a whim of
+hers. She had a cold and was kept indoors, and confronted Nannie
+suddenly with the alternative of being hopelessly naughty, which in her
+case involved a generous amount of screaming unsuitable for the ears of
+an elderly, shaky, rich aunt, or having me up to the nursery to play
+with her all the afternoon. Nannie came downstairs and borrowed me in a
+careworn manner; and I was handed over to the little creature as if I
+was some large variety of kitten. I had never had anything to do with a
+little girl before, I thought she was more beautiful and wonderful and
+bright than anything else could possibly be in life, and she found me
+the gentlest of slaves—though at the same time, as I made evident,
+fairly strong. And Nannie was amazed to find the afternoon slip
+cheerfully and rapidly away. She praised my manners to Lady Drew and to
+my mother, who said she was glad to hear well of me, and after that I
+played with Beatrice several times. The toys she had remain in my
+memory still as great splendid things, gigantic to all my previous
+experience of toys, and we even went to the great doll’s house on the
+nursery landing to play discreetly with that, the great doll’s house
+that the Prince Regent had given Sir Harry Drew’s first-born (who died
+at five), that was a not ineffectual model of Bladesover itself, and
+contained eighty-five dolls and had cost hundreds of pounds. I played
+under imperious direction with that toy of glory.
+
+I went back to school when that holiday was over, dreaming of beautiful
+things, and got Ewart to talk to me of love; and I made a great story
+out of the doll’s house, a story that, taken over into Ewart’s hands,
+speedily grew to an island doll’s city all our own.
+
+One of the dolls, I privately decided, was like Beatrice.
+
+One other holiday there was when I saw something of her—oddly enough my
+memory of that second holiday in which she played a part is vague—and
+then came a gap of a year, and then my disgrace.
+
+VIII
+
+Now I sit down to write my story and tell over again things in their
+order, I find for the first time how inconsecutive and irrational a
+thing the memory can be. One recalls acts and cannot recall motives;
+one recalls quite vividly moments that stand out inexplicably—things
+adrift, joining on to nothing, leading nowhere. I think I must have
+seen Beatrice and her half-brother quite a number of times in my last
+holiday at Bladesover, but I really cannot recall more than a little of
+the quality of the circumstances. That great crisis of my boyhood
+stands out very vividly as an effect, as a sort of cardinal thing for
+me, but when I look for details, particularly details that led up to
+the crisis—I cannot find them in any developing order at all. This
+halfbrother, Archie Garvell, was a new factor in the affair. I remember
+him clearly as a fair-haired, supercilious looking, weedily-lank boy,
+much taller than I, but I should imagine very little heavier, and that
+we hated each other by a sort of instinct from the beginning; and yet I
+cannot remember my first meeting with him at all.
+
+Looking back into these past things—it is like rummaging in a neglected
+attic that has experienced the attentions of some whimsical robber—I
+cannot even account for the presence of these children at Bladesover.
+They were, I know, among the innumerable cousins of Lady Drew, and
+according to the theories of downstairs candidates for the ultimate
+possession of Bladesover. If they were, their candidature was
+unsuccessful. But that great place, with all its faded splendour, its
+fine furniture, its large traditions, was entirely at the old lady’s
+disposition; and I am inclined to think it is true that she used this
+fact to torment and dominate a number of eligible people. Lord Osprey
+was among the number of these, and she showed these hospitalities to
+his motherless child and step-child, partly, no doubt, because he was
+poor, but quite as much, I nowadays imagine, in the dim hope of finding
+some affectionate or imaginative outcome of contact with them. Nannie
+had dropped out of the world this second time, and Beatrice was in the
+charge of an extremely amiable and ineffectual poor army-class young
+woman whose name I never knew. They were, I think, two remarkably
+illmanaged and enterprising children. I seem to remember too, that it
+was understood that I was not a fit companion for them, and that our
+meetings had to be as unostentatious as possible. It was Beatrice who
+insisted upon our meeting.
+
+I am certain I knew quite a lot about love at fourteen and that I was
+quite as much in love with Beatrice then as any impassioned adult could
+be, and that Beatrice was, in her way, in love with me. It is part of
+the decent and useful pretences of our world that children of the age
+at which we were, think nothing, feel nothing, know nothing of love. It
+is wonderful what people the English are for keeping up pretences. But
+indeed I cannot avoid telling that Beatrice and I talked of love and
+kissed and embraced one another.
+
+I recall something of one talk under the overhanging bushes of the
+shrubbery—I on the park side of the stone wall, and the lady of my
+worship a little inelegantly astride thereon. Inelegantly do I say? you
+should have seen the sweet imp as I remember her. Just her poise on the
+wall comes suddenly clear before me, and behind her the light various
+branches of the bushes of the shrubbery that my feet might not profane,
+and far away and high behind her, dim and stately, the cornice of the
+great façade of Bladesover rose against the dappled sky. Our talk must
+have been serious and business-like, for we were discussing my social
+position.
+
+“I don’t love Archie,” she had said, _apropos_ of nothing; and then in
+a whisper, leaning forward with the hair about her face, “I love
+_you!_”
+
+But she had been a little pressing to have it clear that I was not and
+could not be a servant.
+
+“You’ll never be a servant—ever!”
+
+I swore that very readily, and it is a vow I have kept by nature.
+
+“What will you be?” said she.
+
+I ran my mind hastily over the professions.
+
+“Will you be a soldier?” she asked.
+
+“And be bawled at by duffers? No fear!” said I. “Leave that to the
+plough-boys.”
+
+“But an officer?”
+
+“I don’t know,” I said, evading a shameful difficulty.
+
+“I’d rather go into the navy.”
+
+“Wouldn’t you like to fight?”
+
+“I’d like to fight,” I said. “But a common soldier it’s no honour to
+have to be told to fight and to be looked down upon while you do it,
+and how could I be an officer?”
+
+“Couldn’t you be?” she said, and looked at me doubtfully; and the
+spaces of the social system opened between us.
+
+Then, as became a male of spirit, I took upon myself to brag and lie my
+way through this trouble. I said I was a poor man, and poor men went
+into the navy; that I “knew” mathematics, which no army officer did;
+and I claimed Nelson for an exemplar, and spoke very highly of my
+outlook upon blue water. “He loved Lady Hamilton,” I said, “although
+she _was_ a lady—and I will love you.”
+
+We were somewhere near that when the egregious governess became
+audible, calling “Beeee-âtrice! Beeee-e-âtrice!”
+
+“Snifty beast!” said my lady, and tried to get on with the
+conversation; but that governess made things impossible.
+
+“Come here!” said my lady suddenly, holding out a grubby hand; and I
+went very close to her, and she put her little head down upon the wall
+until her black fog of hair tickled my cheek.
+
+“You are my humble, faithful lover,” she demanded in a whisper, her
+warm flushed face near touching mine, and her eyes very dark and
+lustrous.
+
+“I am your humble, faithful lover,” I whispered back.
+
+And she put her arm about my head and put out her lips and we kissed,
+and boy though I was, I was all atremble. So we two kissed for the
+first time.
+
+“_Beeee-e-e_-â-trice!” fearfully close.
+
+My lady had vanished, with one wild kick of her black-stocking leg. A
+moment after, I heard her sustaining the reproaches of her governess,
+and explaining her failure to answer with an admirable lucidity and
+disingenuousness.
+
+I felt it was unnecessary for me to be seen just then, and I vanished
+guiltily round the corner into the West Wood, and so to love-dreams and
+single-handed play, wandering along one of those meandering bracken
+valleys that varied Bladesover park. And that day and for many days
+that kiss upon my lips was a seal, and by night the seed of dreams.
+
+Then I remember an expedition we made—she, I, and her half-brother—into
+those West Woods—they two were supposed to be playing in the
+shrubbery—and how we were Indians there, and made a wigwam out of a
+pile of beech logs, and how we stalked deer, crept near and watched
+rabbits feeding in a glade, and almost got a squirrel. It was play
+seasoned with plentiful disputing between me and young Garvell, for
+each firmly insisted upon the leading _rôles_, and only my wider
+reading—I had read ten stories to his one—gave me the ascendency over
+him. Also I scored over him by knowing how to find the eagle in a
+bracken stem. And somehow—I don’t remember what led to it at all—I and
+Beatrice, two hot and ruffled creatures, crept in among the tall
+bracken and hid from him. The great fronds rose above us, five feet or
+more, and as I had learnt how to wriggle through that undergrowth with
+the minimum of betrayal by tossing greenery above, I led the way. The
+ground under bracken is beautifully clear and faintly scented in warm
+weather; the stems come up black and then green; if you crawl flat, it
+is a tropical forest in miniature. I led the way and Beatrice crawled
+behind, and then as the green of the further glade opened before us,
+stopped. She crawled up to me, her hot little face came close to mine;
+once more she looked and breathed close to me, and suddenly she flung
+her arm about my neck and dragged me to earth beside her, and kissed me
+and kissed me again. We kissed, we embraced and kissed again, all
+without a word; we desisted, we stared and hesitated—then in a suddenly
+damped mood and a little perplexed at ourselves, crawled out, to be
+presently run down and caught in the tamest way by Archie.
+
+That comes back very clearly to me, and other vague memories—I know old
+Hall and his gun, out shooting at jackdaws, came into our common
+experiences, but I don’t remember how; and then at last, abruptly, our
+fight in the Warren stands out. The Warren, like most places in England
+that have that name, was not particularly a warren, it was a long slope
+of thorns and beeches through which a path ran, and made an alternative
+route to the downhill carriage road between Bladesover and Ropedean. I
+don’t know how we three got there, but I have an uncertain fancy it was
+connected with a visit paid by the governess to the Ropedean vicarage
+people. But suddenly Archie and I, in discussing a game, fell into a
+dispute for Beatrice. I had made him the fairest offer: I was to be a
+Spanish nobleman, she was to be my wife, and he was to be a tribe of
+Indians trying to carry her off. It seems to me a fairly attractive
+offer to a boy to be a whole tribe of Indians with a chance of such a
+booty. But Archie suddenly took offence.
+
+“No,” he said; “we can’t have that!”
+
+“Can’t have what?”
+
+“You can’t be a gentleman, because you aren’t. And you can’t play
+Beatrice is your wife. It’s—it’s impertinent.”
+
+“But” I said, and looked at her.
+
+Some earlier grudge in the day’s affairs must have been in Archie’s
+mind. “We let you play with us,” said Archie; “but we can’t have things
+like that.”
+
+“What rot!” said Beatrice. “He can if he likes.”
+
+But he carried his point. I let him carry it, and only began to grow
+angry three or four minutes later. Then we were still discussing play
+and disputing about another game. Nothing seemed right for all of us.
+
+“We don’t want you to play with us at all,” said Archie.
+
+“Yes, we do,” said Beatrice.
+
+“He drops his aitches like anything.”
+
+“No, ’e doesn’t,” said I, in the heat of the moment.
+
+“There you go!” he cried. “E, he says. E! E! E!”
+
+He pointed a finger at me. He had struck to the heart of my shame. I
+made the only possible reply by a rush at him. “Hello!” he cried, at my
+blackavised attack. He dropped back into an attitude that had some
+style in it, parried my blow, got back at my cheek, and laughed with
+surprise and relief at his own success. Whereupon I became a thing of
+murderous rage. He could box as well or better than I—he had yet to
+realise I knew anything of that at all—but I had fought once or twice
+to a finish with bare fists. I was used to inflicting and enduring
+savage hurting, and I doubt if he had ever fought. I hadn’t fought ten
+seconds before I felt this softness in him, realised all that quality
+of modern upper-class England that never goes to the quick, that hedges
+about rules and those petty points of honour that are the ultimate
+comminution of honour, that claims credit for things demonstrably half
+done. He seemed to think that first hit of his and one or two others
+were going to matter, that I ought to give in when presently my lip
+bled and dripped blood upon my clothes. So before we had been at it a
+minute he had ceased to be aggressive except in momentary spurts, and I
+was knocking him about almost as I wanted to do; and demanding
+breathlessly and fiercely, after our school manner, whether he had had
+enough, not knowing that by his high code and his soft training it was
+equally impossible for him to either buck-up and beat me, or give in.
+
+I have a very distinct impression of Beatrice dancing about us during
+the affair in a state of unladylike appreciation, but I was too
+preoccupied to hear much of what she was saying. But she certainly
+backed us both, and I am inclined to think now—it may be the
+disillusionment of my ripened years—whichever she thought was winning.
+
+Then young Garvell, giving way before my slogging, stumbled and fell
+over a big flint, and I, still following the tradition of my class and
+school, promptly flung myself on him to finish him. We were busy with
+each other on the ground when we became aware of a dreadful
+interruption.
+
+“Shut up, you _fool!_” said Archie.
+
+“Oh, Lady Drew!” I heard Beatrice cry. “They’re fighting! They’re
+fighting something awful!”
+
+I looked over my shoulder. Archie’s wish to get up became irresistible,
+and my resolve to go on with him vanished altogether.
+
+I became aware of the two old ladies, presences of black and purple
+silk and fur and shining dark things; they had walked up through the
+Warren, while the horses took the hill easily, and so had come upon us.
+Beatrice had gone to them at once with an air of taking refuge, and
+stood beside and a little behind them. We both rose dejectedly. The two
+old ladies were evidently quite dreadfully shocked, and peering at us
+with their poor old eyes; and never had I seen such a tremblement in
+Lady Drew’s lorgnettes.
+
+“You’ve never been fighting?” said Lady Drew.
+
+“You have been fighting.”
+
+“It wasn’t proper fighting,” snapped Archie, with accusing eyes on me.
+
+“It’s Mrs. Ponderevo’s George!” said Miss Somerville, so adding a
+conviction for ingratitude to my evident sacrilege.
+
+“How could he _dare?_” cried Lady Drew, becoming very awful.
+
+“He broke the rules” said Archie, sobbing for breath. “I slipped,
+and—he hit me while I was down. He knelt on me.”
+
+“How could you _dare?_” said Lady Drew.
+
+I produced an experienced handkerchief rolled up into a tight ball, and
+wiped the blood from my chin, but I offered no explanation of my
+daring. Among other things that prevented that, I was too short of
+breath.
+
+“He didn’t fight fair,” sobbed Archie.
+
+Beatrice, from behind the old ladies, regarded me intently and without
+hostility. I am inclined to think the modification of my face through
+the damage to my lip interested her. It became dimly apparent to my
+confused intelligence that I must not say these two had been playing
+with me. That would not be after the rules of their game. I resolved in
+this difficult situation upon a sulky silence, and to take whatever
+consequences might follow.
+
+IX
+
+The powers of justice in Bladesover made an extraordinary mess of my
+case.
+
+I have regretfully to admit that the Honourable Beatrice Normandy did,
+at the age of ten, betray me, abandon me, and lie most abominably about
+me. She was, as a matter of fact, panic-stricken about me, conscience
+stricken too; she bolted from the very thought of my being her
+affianced lover and so forth, from the faintest memory of kissing; she
+was indeed altogether disgraceful and human in her betrayal. She and
+her half-brother lied in perfect concord, and I was presented as a
+wanton assailant of my social betters. They were waiting about in the
+Warren, when I came up and spoke to them, etc.
+
+On the whole, I now perceive Lady Drew’s decisions were, in the light
+of the evidence, reasonable and merciful.
+
+They were conveyed to me by my mother, who was, I really believe, even
+more shocked by the grossness of my social insubordination than Lady
+Drew. She dilated on her ladyship’s kindnesses to me, on the effrontery
+and wickedness of my procedure, and so came at last to the terms of my
+penance. “You must go up to young Mr. Garvell, and beg his pardon.”
+
+“I won’t beg his pardon,” I said, speaking for the first time.
+
+My mother paused, incredulous.
+
+I folded my arms on her table-cloth, and delivered my wicked little
+ultimatum. “I won’t beg his pardon nohow,” I said. “See?”
+
+“Then you will have to go off to your uncle Frapp at Chatham.”
+
+“I don’t care where I have to go or what I have to do, I won’t beg his
+pardon,” I said.
+
+And I didn’t.
+
+After that I was one against the world. Perhaps in my mother’s heart
+there lurked some pity for me, but she did not show it. She took the
+side of the young gentleman; she tried hard, she tried very hard, to
+make me say I was sorry I had struck him. Sorry!
+
+I couldn’t explain.
+
+So I went into exile in the dog-cart to Redwood station, with Jukes the
+coachman, coldly silent, driving me, and all my personal belongings in
+a small American cloth portmanteau behind.
+
+I felt I had much to embitter me; the game had and the beginnings of
+fairness by any standards I knew.... But the thing that embittered me
+most was that the Honourable Beatrice Normandy should have repudiated
+and fled from me as though I was some sort of leper, and not even have
+taken a chance or so, to give me a good-bye. She might have done that
+anyhow! Supposing I had told on her! But the son of a servant counts as
+a servant. She had forgotten and now remembered.
+
+I solaced myself with some extraordinary dream of coming back to
+Bladesover, stern, powerful, after the fashion of Coriolanus. I do not
+recall the details, but I have no doubt I displayed great
+magnanimity...
+
+Well, anyhow I never said I was sorry for pounding young Garvell, and I
+am not sorry to this day.
+
+
+
+
+CHAPTER THE SECOND
+OF MY LAUNCH INTO THE WORLD AND THE LAST I SAW OF BLADESOVER
+
+
+I
+
+When I was thus banished from Bladesover House, as it was then thought
+for good and all, I was sent by my mother in a vindictive spirit, first
+to her cousin Nicodemus Frapp, and then, as a fully indentured
+apprentice, to my uncle Ponderevo.
+
+I ran away from the care of my cousin Nicodemus back to Bladesover
+House.
+
+My cousin Nicodemus Frapp was a baker in a back street—a slum
+rather—just off that miserable narrow mean high road that threads those
+exquisite beads, Rochester and Chatham. He was, I must admit, a shock
+to me, much dominated by a young, plump, prolific, malingering wife; a
+bent, slow-moving, unwilling dark man with flour in his hair and
+eyelashes, in the lines of his face and the seams of his coat. I’ve
+never had a chance to correct my early impression of him, and he still
+remains an almost dreadful memory, a sort of caricature of incompetent
+simplicity. As I remember him, indeed, he presented the servile
+tradition perfected. He had no pride in his person; fine clothes and
+dressing up wasn’t “for the likes of” him, so that he got his wife, who
+was no artist at it, to cut his black hair at irregular intervals, and
+let his nails become disagreeable to the fastidious eye; he had no
+pride in his business nor any initiative; his only virtues were not
+doing certain things and hard work. “Your uncle,” said my mother—all
+grown-up cousins were uncles by courtesy among the Victorian
+middle-class—“isn’t much to look at or talk to, but he’s a Good
+Hard-Working Man.” There was a sort of base honourableness about toil,
+however needless, in that system of inversion. Another point of honour
+was to rise at or before dawn, and then laboriously muddle about.
+
+It was very distinctly impressed on my mind that the Good Hard-Working
+Man would have thought it “fal-lallish” to own a pocket handkerchief.
+Poor old Frapp—dirty and crushed by, product of, Bladesover’s
+magnificence! He made no fight against the world at all, he was
+floundering in small debts that were not so small but that finally they
+overwhelmed him, whenever there was occasion for any exertion his wife
+fell back upon pains and her “condition,” and God sent them many
+children, most of whom died, and so, by their coming and going, gave a
+double exercise in the virtues of submission.
+
+Resignation to God’s will was the common device of these people in the
+face of every duty and every emergency. There were no books in the
+house; I doubt if either of them had retained the capacity for reading
+consecutively for more than a minute or so, and it was with amazement
+that day after day, over and above stale bread, one beheld food and
+again more food amidst the litter that held permanent session on the
+living-room table.
+
+One might have doubted if either of them felt discomfort in this dusty
+darkness of existence, if it was not that they did visibly seek
+consolation. They sought this and found it of a Sunday, not in strong
+drink and raving, but in imaginary draughts of blood. They met with
+twenty or thirty other darkened and unclean people, all dressed in
+dingy colours that would not show the dirt, in a little brick-built
+chapel equipped with a spavined roarer of a harmonium, and there
+solaced their minds on the thought that all that was fair and free in
+life, all that struggled, all that planned and made, all pride and
+beauty and honour, all fine and enjoyable things, were irrevocably
+damned to everlasting torments. They were the self-appointed confidants
+of God’s mockery of his own creation. So at any rate they stick in my
+mind. Vaguer, and yet hardly less agreeable than this cosmic jest, this
+coming “Yah, clever!” and general serving out and “showing up” of the
+lucky, the bold, and the cheerful, was their own predestination to
+Glory.
+
+“There is a Fountain, filled with Blood
+Drawn from Emmanuel’s Veins,”
+
+
+so they sang. I hear the drone and wheeze of that hymn now. I hated
+them with the bitter uncharitable condemnation of boyhood, and a twinge
+of that hate comes back to me. As I write the words, the sounds and
+then the scene return, these obscure, undignified people, a fat woman
+with asthma, an old Welsh milk-seller with a tumour on his bald head,
+who was the intellectual leader of the sect, a huge-voiced haberdasher
+with a big black beard, a white-faced, extraordinarily pregnant woman,
+his wife, a spectacled rate collector with a bent back.... I hear the
+talk about souls, the strange battered old phrases that were coined
+ages ago in the seaports of the sun-dry Levant, of balm of Gilead and
+manna in the desert, of gourds that give shade and water in a thirsty
+land; I recall again the way in which at the conclusion of the service
+the talk remained pious in form but became medical in substance, and
+how the women got together for obstetric whisperings. I, as a boy, did
+not matter, and might overhear.
+
+If Bladesover is my key for the explanation of England, I think my
+invincible persuasion that I understand Russia was engendered by the
+circle of Uncle Frapp.
+
+I slept in a dingy sheeted bed with the two elder survivors of Frapp
+fecundity, and spent my week days in helping in the laborious disorder
+of the shop and bakehouse, in incidental deliveries of bread and so
+forth, and in parrying the probings of my uncle into my relations with
+the Blood, and his confidential explanations that ten shillings a
+week—which was what my mother paid him—was not enough to cover my
+accommodation. He was very anxious to keep that, but also he wanted
+more. There were neither books nor any seat nor corner in that house
+where reading was possible, no newspaper ever brought the clash of
+worldly things into its heavenward seclusion; horror of it all grew in
+me daily, and whenever I could I escaped into the streets and tramped
+about Chatham. The news shops appealed to me particularly. One saw
+there smudgy illustrated sheets, the _Police News_ in particular, in
+which vilely drawn pictures brought home to the dullest intelligence an
+interminable succession of squalid crimes, women murdered and put into
+boxes, buried under floors, old men bludgeoned at midnight by robbers,
+people thrust suddenly out of trains, happy lovers shot, vitrioled and
+so forth by rivals. I got my first glimpse of the life of pleasure in
+foully drawn pictures of “police raids” on this and that. Interspersed
+with these sheets were others in which Sloper, the urban John Bull, had
+his fling with gin bottle and obese umbrella, or the kindly empty faces
+of the Royal Family appeared and reappeared, visiting this, opening
+that, getting married, getting offspring, lying in state, doing
+everything but anything, a wonderful, good-meaning, impenetrable race
+apart.
+
+I have never revisited Chatham; the impression it has left on my mind
+is one of squalid compression, unlit by any gleam of a maturer charity.
+All its effects arranged themselves as antithetical to the Bladesover
+effects. They confirmed and intensified all that Bladesover suggested.
+Bladesover declared itself to be the land, to be essentially England; I
+have already told how its airy spaciousness, its wide dignity, seemed
+to thrust village, church, and vicarage into corners, into a secondary
+and conditional significance. Here one gathered the corollary of that.
+Since the whole wide country of Kent was made up of contiguous
+Bladesovers and for the gentlefolk, the surplus of population, all who
+were not good tenants nor good labourers, Church of England, submissive
+and respectful, were necessarily thrust together, jostled out of sight,
+to fester as they might in this place that had the colours and even the
+smells of a well-packed dustbin. They should be grateful even for that;
+that, one felt, was the theory of it all.
+
+And I loafed about this wilderness of crowded dinginess, with young,
+receptive, wide-open eyes, and through the blessing (or curse) of some
+fairy godmother of mine, asking and asking again: “But after all,
+_why_—”
+
+I wandered up through Rochester once, and had a glimpse of the Stour
+valley above the town, all horrible with cement works and foully
+smoking chimneys and rows of workmen’s cottages, minute, ugly,
+uncomfortable, and grimy. So I had my first intimation of how
+industrialism must live in a landlord’s land. I spent some hours, too,
+in the streets that give upon the river, drawn by the spell of the sea.
+But I saw barges and ships stripped of magic and mostly devoted to
+cement, ice, timber, and coal. The sailors looked to me gross and
+slovenly men, and the shipping struck me as clumsy, ugly, old, and
+dirty. I discovered that most sails don’t fit the ships that hoist
+them, and that there may be as pitiful and squalid a display of poverty
+with a vessel as with a man. When I saw colliers unloading, watched the
+workers in the hold filling up silly little sacks and the succession of
+blackened, half-naked men that ran to and fro with these along a plank
+over a thirty-foot drop into filth and mud, I was first seized with
+admiration of their courage and toughness and then, “But after all,
+_why_—?” and the stupid ugliness of all this waste of muscle and
+endurance came home to me. Among other things it obviously wasted and
+deteriorated the coal.... And I had imagined great things of the sea!
+
+Well, anyhow, for a time that vocation was stilled.
+
+But such impressions came into my leisure, and of that I had no excess.
+Most of my time was spent doing things for Uncle Frapp, and my evenings
+and nights perforce in the company of the two eldest of my cousins. He
+was errand boy at an oil shop and fervently pious, and of him I saw
+nothing until the evening except at meals; the other was enjoying the
+midsummer holidays without any great elation; a singularly thin and
+abject, stunted creature he was, whose chief liveliness was to pretend
+to be a monkey, and who I am now convinced had some secret disease that
+drained his vitality away. If I met him now I should think him a
+pitiful little creature and be extremely sorry for him. Then I felt
+only a wondering aversion. He sniffed horribly, he was tired out by a
+couple of miles of loafing, he never started any conversation, and he
+seemed to prefer his own company to mine. His mother, poor woman, said
+he was the “thoughtful one.”
+
+Serious trouble came suddenly out of a conversation we held in bed one
+night. Some particularly pious phrase of my elder cousin’s irritated me
+extremely, and I avowed outright my entire disbelief in the whole
+scheme of revealed religion. I had never said a word about my doubts to
+any one before, except to Ewart who had first evolved them. I had never
+settled my doubts until at this moment when I spoke. But it came to me
+then that the whole scheme of salvation of the Frappes was not simply
+doubtful, but impossible. I fired this discovery out into the darkness
+with the greatest promptitude.
+
+My abrupt denials certainly scared my cousin amazingly.
+
+At first they could not understand what I was saying, and when they did
+I fully believe they expected an instant answer in thunderbolts and
+flames. They gave me more room in the bed forthwith, and then the elder
+sat up and expressed his sense of my awfulness. I was already a little
+frightened at my temerity, but when he asked me categorically to unsay
+what I had said, what could I do but confirm my repudiation?
+
+“There’s no hell,” I said, “and no eternal punishment. No God would be
+such a fool as that.”
+
+My elder cousin cried aloud in horror, and the younger lay scared, but
+listening. “Then you mean,” said my elder cousin, when at last he could
+bring himself to argue, “you might do just as you liked?”
+
+“If you were cad enough,” said I.
+
+Our little voices went on interminably, and at one stage my cousin got
+out of bed and made his brother do likewise, and knelt in the night
+dimness and prayed at me. That I found trying, but I held out
+valiantly. “Forgive him,” said my cousin, “he knows not what he
+sayeth.”
+
+“You can pray if you like,” I said, “but if you’re going to cheek me in
+your prayers I draw the line.”
+
+The last I remember of that great discussion was my cousin deploring
+the fact that he “should ever sleep in the same bed with an Infidel!”
+
+The next day he astonished me by telling the whole business to his
+father. This was quite outside all my codes. Uncle Nicodemus sprang it
+upon me at the midday meal.
+
+“You been sayin’ queer things, George,” he said abruptly. “You better
+mind what you’re saying.”
+
+“What did he say, father?” said Mrs. Frapp.
+
+“Things I couldn’t’ repeat,” said he.
+
+“What things?” I asked hotly.
+
+“Ask ’_im_,” said my uncle, pointing with his knife to his informant,
+and making me realise the nature of my offence. My aunt looked at the
+witness. “Not—?” she framed a question.
+
+“Wuss,” said my uncle. “Blarsphemy.”
+
+My aunt couldn’t touch another mouthful. I was already a little
+troubled in my conscience by my daring, and now I began to feel the
+black enormity of the course upon which I had embarked.
+
+“I was only talking sense,” I said.
+
+I had a still more dreadful moment when presently I met my cousin in
+the brick alley behind the yard, that led back to his grocer’s shop.
+
+“You sneak!” I said, and smacked his face hard forthwith. “Now then,”
+said I.
+
+He started back, astonished and alarmed. His eyes met mine, and I saw a
+sudden gleam of resolution. He turned his other cheek to me.
+
+“’It it,” he said. “’It it. _I’ll_ forgive you.”
+
+I felt I had never encountered a more detestable way of evading a
+licking. I shoved him against the wall and left him there, forgiving
+me, and went back into the house.
+
+“You better not speak to your cousins, George,” said my aunt, “till
+you’re in a better state of mind.”
+
+I became an outcast forthwith. At supper that night a gloomy silence
+was broken by my cousin saying,
+
+“’E ’it me for telling you, and I turned the other cheek, muvver.”
+
+“’E’s got the evil one be’ind ’im now, a ridin’ on ’is back,” said my
+aunt, to the grave discomfort of the eldest girl, who sat beside me.
+
+After supper my uncle, in a few ill-chosen words, prayed me to repent
+before I slept.
+
+“Suppose you was took in your sleep, George,” he said; “where’d you be
+then? You jest think of that me boy.” By this time I was thoroughly
+miserable and frightened, and this suggestion unnerved me dreadfully
+but I kept up an impenitent front. “To wake in ’ell,” said Uncle
+Nicodemus, in gentle tones. “You don’t want to wake in ’ell, George,
+burnin’ and screamin’ for ever, do you? You wouldn’t like that?”
+
+He tried very hard to get me to “jest ’ave a look at the bake’ouse
+fire” before I retired. “It might move you,” he said.
+
+I was awake longest that night. My cousins slept, the sleep of faith on
+either side of me. I decided I would whisper my prayers, and stopped
+midway because I was ashamed, and perhaps also because I had an idea
+one didn’t square God like that.
+
+“No,” I said, with a sudden confidence, “damn me if you’re coward
+enough.... But you’re not. No! You couldn’t be!”
+
+I woke my cousins up with emphatic digs, and told them as much,
+triumphantly, and went very peacefully to sleep with my act of faith
+accomplished.
+
+I slept not only through that night, but for all my nights since then.
+So far as any fear of Divine injustice goes, I sleep soundly, and
+shall, I know, to the end of things. That declaration was an epoch in
+my spiritual life.
+
+II
+
+But I didn’t expect to have the whole meeting on Sunday turned on to
+me.
+
+It was. It all comes back to me, that convergence of attention, even
+the faint leathery smell of its atmosphere returns, and the coarse feel
+of my aunt’s black dress beside me in contact with my hand. I see again
+the old Welsh milkman “wrestling” with me, they all wrestled with me,
+by prayer or exhortation. And I was holding out stoutly, though
+convinced now by the contagion of their universal conviction that by
+doing so I was certainly and hopelessly damned. I felt that they were
+right, that God was probably like them, and that on the whole it didn’t
+matter. And to simplify the business thoroughly I had declared I didn’t
+believe anything at all. They confuted me by texts from Scripture which
+I now perceive was an illegitimate method of reply. When I got home,
+still impenitent and eternally lost and secretly very lonely and
+miserable and alarmed, Uncle Nicodemus docked my Sunday pudding.
+
+One person only spoke to me like a human being on that day of wrath,
+and that was the younger Frapp. He came up to me in the afternoon while
+I was confined upstairs with a Bible and my own thoughts.
+
+“’Ello,” he said, and fretted about.
+
+“D’you mean to say there isn’t—no one,” he said, funking the word.
+
+“No one?”
+
+“No one watching yer—always.”
+
+“Why should there be?” I asked.
+
+“You can’t ’elp thoughts,” said my cousin, “anyhow. You mean—” He
+stopped hovering. “I s’pose I oughtn’t to be talking to you.”
+
+He hesitated and flitted away with a guilty back glance over his
+shoulder....
+
+The following week made life quite intolerable for me; these people
+forced me at last into an Atheism that terrified me. When I learnt that
+next Sunday the wrestling was to be resumed, my courage failed me
+altogether.
+
+I happened upon a map of Kent in a stationer’s window on Saturday, and
+that set me thinking of one form of release. I studied it intently for
+half an hour perhaps, on Saturday night, got a route list of villages
+well fixed in my memory, and got up and started for Bladesover about
+five on Sunday morning while my two bed mates were still fast asleep.
+
+III
+
+I remember something, but not so much of it as I should like to recall,
+of my long tramp to Bladesover House. The distance from Chatham is
+almost exactly seventeen miles, and it took me until nearly one. It was
+very interesting and I do not think I was very fatigued, though I got
+rather pinched by one boot.
+
+The morning must have been very clear, because I remember that near
+Itchinstow Hall I looked back and saw the estuary of the Thames, that
+river that has since played so large a part in my life. But at the time
+I did not know it was the Thames, I thought this great expanse of mud
+flats and water was the sea, which I had never yet seen nearly. And out
+upon it stood ships, sailing ships and a steamer or so, going up to
+London or down out into the great seas of the world. I stood for a long
+time watching these and thinking whether after all I should not have
+done better to have run away to sea.
+
+The nearer I drew to Bladesover, the more doubtful I grew of the
+duality of my reception, and the more I regretted that alternative. I
+suppose it was the dirty clumsiness of the shipping I had seen nearly,
+that put me out of mind of that. I took a short cut through the Warren
+across the corner of the main park to intercept the people from the
+church. I wanted to avoid meeting any one before I met my mother, and
+so I went to a place where the path passed between banks, and without
+exactly hiding, stood up among the bushes. This place among other
+advantages eliminated any chance of seeing Lady Drew, who would drive
+round by the carriage road.
+
+Standing up to waylay in this fashion I had a queer feeling of
+brigandage, as though I was some intrusive sort of bandit among these
+orderly things. It is the first time I remember having that outlaw
+feeling distinctly, a feeling that has played a large part in my
+subsequent life. I felt there existed no place for me that I had to
+drive myself in.
+
+Presently, down the hill, the servants appeared, straggling by twos and
+threes, first some of the garden people and the butler’s wife with
+them, then the two laundry maids, odd inseparable old creatures, then
+the first footman talking to the butler’s little girl, and at last,
+walking grave and breathless beside old Ann and Miss Fison, the black
+figure of my mother.
+
+My boyish mind suggested the adoption of a playful form of appearance.
+“Coo-ee, mother” said I, coming out against the sky, “Coo-ee!”
+
+My mother looked up, went very white, and put her hand to her bosom.
+
+I suppose there was a fearful fuss about me. And of course I was quite
+unable to explain my reappearance. But I held out stoutly, “I won’t go
+back to Chatham; I’ll drown myself first.” The next day my mother
+carried me off to Wimblehurst, took me fiercely and aggressively to an
+uncle I had never heard of before, near though the place was to us. She
+gave me no word as to what was to happen, and I was too subdued by her
+manifest wrath and humiliation at my last misdemeanour to demand
+information. I don’t for one moment think Lady Drew was “nice” about
+me. The finality of my banishment was endorsed and underlined and
+stamped home. I wished very much now that I had run away to sea, in
+spite of the coal dust and squalour Rochester had revealed to me.
+Perhaps over seas one came to different lands.
+
+IV
+
+I do not remember much of my journey to Wimblehurst with my mother
+except the image of her as sitting bolt upright, as rather disdaining
+the third-class carriage in which we traveled, and how she looked away
+from me out of the window when she spoke of my uncle. “I have not seen
+your uncle,” she said, “since he was a boy....” She added grudgingly,
+“Then he was supposed to be clever.”
+
+She took little interest in such qualities as cleverness.
+
+“He married about three years ago, and set up for himself in
+Wimblehurst.... So I suppose she had some money.”
+
+She mused on scenes she had long dismissed from her mind. “Teddy,” she
+said at last in the tone of one who has been feeling in the dark and
+finds. “He was called Teddy... about your age.... Now he must be
+twenty-six or seven.”
+
+I thought of my uncle as Teddy directly I saw him; there was something
+in his personal appearance that in the light of that memory phrased
+itself at once as Teddiness—a certain Teddidity. To describe it in and
+other terms is more difficult. It is nimbleness without grace, and
+alertness without intelligence. He whisked out of his shop upon the
+pavement, a short figure in grey and wearing grey carpet slippers; one
+had a sense of a young fattish face behind gilt glasses, wiry hair that
+stuck up and forward over the forehead, an irregular nose that had its
+aquiline moments, and that the body betrayed an equatorial laxity, an
+incipient “bow window” as the image goes. He jerked out of the shop,
+came to a stand on the pavement outside, regarded something in the
+window with infinite appreciation, stroked his chin, and, as abruptly,
+shot sideways into the door again, charging through it as it were
+behind an extended hand.
+
+“That must be him,” said my mother, catching at her breath.
+
+We came past the window whose contents I was presently to know by
+heart, a very ordinary chemist’s window except that there was a
+frictional electrical machine, an air pump and two or three tripods and
+retorts replacing the customary blue, yellow, and red bottles above.
+There was a plaster of Paris horse to indicate veterinary medicines
+among these breakables, and below were scent packets and diffusers and
+sponges and soda-water syphons and such-like things. Only in the middle
+there was a rubricated card, very neatly painted by hand, with these
+words—
+
+Buy Ponderevo’s Cough Linctus _now_.
+NOW!
+WHY?
+Twopence Cheaper than in Winter.
+You Store Apples! why not the Medicine
+You are Bound to Need?
+
+
+in which appeal I was to recognise presently my uncle’s distinctive
+note.
+
+My uncle’s face appeared above a card of infant’s comforters in the
+glass pane of the door. I perceived his eyes were brown, and that his
+glasses creased his nose. It was manifest he did not know us from Adam.
+A stare of scrutiny allowed an expression of commercial deference to
+appear in front of it, and my uncle flung open the door.
+
+“You don’t know me?” panted my mother.
+
+My uncle would not own he did not, but his curiosity was manifest. My
+mother sat down on one of the little chairs before the soap and patent
+medicine-piled counter, and her lips opened and closed.
+
+“A glass of water, madam,” said my uncle, waved his hand in a sort of
+curve and shot away.
+
+My mother drank the water and spoke. “That boy,” she said, “takes after
+his father. He grows more like him every day.... And so I have brought
+him to you.”
+
+“His father, madam?”
+
+“George.”
+
+For a moment the chemist was still at a loss. He stood behind the
+counter with the glass my mother had returned to him in his hand. Then
+comprehension grew.
+
+“By Gosh!” he said. “Lord!” he cried. His glasses fell off. He
+disappeared replacing them, behind a pile of boxed-up bottles of blood
+mixture. “Eleven thousand virgins!” I heard him cry. The glass was
+banged down. “O-ri-ental Gums!”
+
+He shot away out of the shop through some masked door. One heard his
+voice. “Susan! Susan!”
+
+Then he reappeared with an extended hand. “Well, how are you?” he said.
+“I was never so surprised in my life. Fancy!... _You!_”
+
+He shook my mother’s impassive hand and then mine very warmly holding
+his glasses on with his left forefinger.
+
+“Come right in!” he cried—“come right in! Better late than never!” and
+led the way into the parlour behind the shop.
+
+After Bladesover that apartment struck me as stuffy and petty, but it
+was very comfortable in comparison with the Frapp living-room. It had a
+faint, disintegrating smell of meals about it, and my most immediate
+impression was of the remarkable fact that something was hung about or
+wrapped round or draped over everything. There was bright-patterned
+muslin round the gas-bracket in the middle of the room, round the
+mirror over the mantel, stuff with ball-fringe along the mantel and
+casing in the fireplace,—I first saw ball-fringe here—and even the lamp
+on the little bureau wore a shade like a large muslin hat. The
+table-cloth had ball-fringe and so had the window curtains, and the
+carpet was a bed of roses. There were little cupboards on either side
+of the fireplace, and in the recesses, ill-made shelves packed with
+books, and enriched with pinked American cloth. There was a dictionary
+lying face downward on the table, and the open bureau was littered with
+foolscap paper and the evidences of recently abandoned toil. My eye
+caught “The Ponderevo Patent Flat, a Machine you can Live in,” written
+in large firm letters. My uncle opened a little door like a cupboard
+door in the corner of this room, and revealed the narrowest twist of
+staircase I had ever set eyes upon. “Susan!” he bawled again. “Wantje.
+Some one to see you. Surprisin’.”
+
+There came an inaudible reply, and a sudden loud bump over our heads as
+of some article of domestic utility pettishly flung aside, then the
+cautious steps of someone descending the twist, and then my aunt
+appeared in the doorway with her hand upon the jamb.
+
+“It’s Aunt Ponderevo,” cried my uncle. “George’s wife—and she’s brought
+over her son!” His eye roamed about the room. He darted to the bureau
+with a sudden impulse, and turned the sheet about the patent flat face
+down. Then he waved his glasses at us, “You know, Susan, my elder
+brother George. I told you about ’im lots of times.”
+
+He fretted across to the hearthrug and took up a position there,
+replaced his glasses and coughed.
+
+My aunt Susan seemed to be taking it in. She was then rather a pretty
+slender woman of twenty-three or four, I suppose, and I remember being
+struck by the blueness of her eyes and the clear freshness of her
+complexion. She had little features, a button nose, a pretty chin and a
+long graceful neck that stuck out of her pale blue cotton morning
+dress. There was a look of half-assumed perplexity on her face, a
+little quizzical wrinkle of the brow that suggested a faintly amused
+attempt to follow my uncle’s mental operations, a vain attempt and a
+certain hopelessness that had in succession become habitual. She seemed
+to be saying, “Oh Lord! What’s he giving me _this_ time?” And as came
+to know her better I detected, as a complication of her effort of
+apprehension, a subsidiary riddle to “What’s he giving me?” and that
+was—to borrow a phrase from my schoolboy language “Is it keeps?” She
+looked at my mother and me, and back to her husband again.
+
+“You know,” he said. “George.”
+
+“Well,” she said to my mother, descending the last three steps of the
+staircase and holding out her hand! “you’re welcome. Though it’s a
+surprise.... I can’t ask you to _have_ anything, I’m afraid, for there
+isn’t anything in the house.” She smiled, and looked at her husband
+banteringly. “Unless he makes up something with his old chemicals,
+which he’s quite equal to doing.”
+
+My mother shook hands stiffly, and told me to kiss my aunt....
+
+“Well, let’s all sit down,” said my uncle, suddenly whistling through
+his clenched teeth, and briskly rubbing his hands together. He put up a
+chair for my mother, raised the blind of the little window, lowered it
+again, and returned to his hearthrug. “I’m sure,” he said, as one who
+decides, “I’m very glad to see you.”
+
+V
+
+As they talked I gave my attention pretty exclusively to my uncle.
+
+I noted him in great detail. I remember now his partially unbuttoned
+waistcoat, as though something had occurred to distract him as he did
+it up, and a little cut upon his chin. I liked a certain humour in his
+eyes. I watched, too, with the fascination that things have for an
+observant boy, the play of his lips—they were a little oblique, and
+there was something “slipshod,” if one may strain a word so far, about
+his mouth, so that he lisped and sibilated ever and again and the
+coming and going of a curious expression, triumphant in quality it was,
+upon his face as he talked. He fingered his glasses, which did not seem
+to fit his nose, fretted with things in his waistcoat pockets or put
+his hands behind him, looked over our heads, and ever and again rose to
+his toes and dropped back on his heels. He had a way of drawing air in
+at times through his teeth that gave a whispering zest to his speech
+It’s a sound I can only represent as a soft Zzzz.
+
+He did most of the talking. My mother repeated what she had already
+said in the shop, “I have brought George over to you,” and then
+desisted for a time from the real business in hand. “You find this a
+comfortable house?” she asked; and this being affirmed: “It looks—very
+convenient.... Not too big to be a trouble—no. You like Wimblehurst, I
+suppose?”
+
+My uncle retorted with some inquiries about the great people of
+Bladesover, and my mother answered in the character of a personal
+friend of Lady Drew’s. The talk hung for a time, and then my uncle
+embarked upon a dissertation upon Wimblehurst.
+
+“This place,” he began, “isn’t of course quite the place I ought to be
+in.”
+
+My mother nodded as though she had expected that.
+
+“It gives me no Scope,” he went on. “It’s dead-and-alive. Nothing
+happens.”
+
+“He’s always wanting something to happen,” said my aunt Susan. “Some
+day he’ll get a shower of things and they’ll be too much for him.”
+
+“Not they,” said my uncle, buoyantly.
+
+“Do you find business—slack?” asked my mother.
+
+“Oh! one rubs along. But there’s no Development—no growth. They just
+come along here and buy pills when they want ’em—and a horseball or
+such. They’ve got to be ill before there’s a prescription. That sort
+they are. You can’t get ’em to launch out, you can’t get ’em to take up
+anything new. For instance, I’ve been trying lately—induce them to buy
+their medicines in advance, and in larger quantities. But they won’t
+look for it! Then I tried to float a little notion of mine, sort of an
+insurance scheme for colds; you pay so much a week, and when you’ve got
+a cold you get a bottle of Cough Linctus so long as you can produce a
+substantial sniff. See? But Lord! they’ve no capacity for ideas, they
+don’t catch on; no Jump about the place, no Life. Live!—they trickle,
+and what one has to do here is to trickle too—Zzzz.”
+
+“Ah!” said my mother.
+
+“It doesn’t suit me,” said my uncle. “I’m the cascading sort.”
+
+“George was that,” said my mother after a pondering moment.
+
+My aunt Susan took up the parable with an affectionate glance at her
+husband.
+
+“He’s always trying to make his old business jump,” she said. “Always
+putting fresh cards in the window, or getting up to something. You’d
+hardly believe. It makes ME jump sometimes.”
+
+“But it does no good,” said my uncle.
+
+“It does no good,” said his wife. “It’s not his miloo...”
+
+Presently they came upon a wide pause.
+
+From the beginning of their conversation there had been the promise of
+this pause, and I pricked my ears. I knew perfectly what was bound to
+come; they were going to talk of my father. I was enormously
+strengthened in my persuasion when I found my mother’s eyes resting
+thoughtfully upon me in the silence, and than my uncle looked at me and
+then my aunt. I struggled unavailingly to produce an expression of meek
+stupidity.
+
+“I think,” said my uncle, “that George will find it more amusing to
+have a turn in the market-place than to sit here talking with us.
+There’s a pair of stocks there, George—very interesting. Old-fashioned
+stocks.”
+
+“I don’t mind sitting here,” I said.
+
+My uncle rose and in the most friendly way led me through the shop. He
+stood on his doorstep and jerked amiable directions to me.
+
+“Ain’t it sleepy, George, eh? There’s the butcher’s dog over there,
+asleep in the road-half an hour from midday! If the last Trump sounded
+I don’t believe it would wake. Nobody would wake! The chaps up there in
+the churchyard—they’d just turn over and say: ‘Naar—you don’t catch us,
+you don’t! See?’.... Well, you’ll find the stocks just round that
+corner.”
+
+He watched me out of sight.
+
+So I never heard what they said about my father after all.
+
+VI
+
+When I returned, my uncle had in some remarkable way become larger and
+central. “Tha’chu, George?” he cried, when the shop-door bell sounded.
+“Come right through”; and I found him, as it were, in the chairman’s
+place before the draped grate.
+
+The three of them regarded me.
+
+“We have been talking of making you a chemist, George,” said my uncle.
+
+My mother looked at me. “I had hoped,” she said, “that Lady Drew would
+have done something for him—” She stopped.
+
+“In what way?” said my uncle.
+
+“She might have spoken to some one, got him into something perhaps....”
+She had the servant’s invincible persuasion that all good things are
+done by patronage.
+
+“He is not the sort of boy for whom things are done,” she added,
+dismissing these dreams. “He doesn’t accommodate himself. When he
+thinks Lady Drew wishes a thing, he seems not to wish it. Towards Mr.
+Redgrave, too, he has been—disrespectful—he is like his father.”
+
+“Who’s Mr. Redgrave?”
+
+“The Vicar.”
+
+“A bit independent?” said my uncle, briskly.
+
+“Disobedient,” said my mother. “He has no idea of his place. He seems
+to think he can get on by slighting people and flouting them. He’ll
+learn perhaps before it is too late.”
+
+My uncle stroked his cut chin and me. “Have you learnt any Latin?” he
+asked abruptly.
+
+I said I had not.
+
+“He’ll have to learn a little Latin,” he explained to my mother, “to
+qualify. H’m. He could go down to the chap at the grammar school
+here—it’s just been routed into existence again by the Charity
+Commissioners and have lessons.”
+
+“What, me learn Latin!” I cried, with emotion.
+
+“A little,” he said.
+
+“I’ve always wanted” I said and; “_Latin!_”
+
+I had long been obsessed by the idea that having no Latin was a
+disadvantage in the world, and Archie Garvell had driven the point of
+this pretty earnestly home. The literature I had read at Bladesover had
+all tended that way. Latin had had a quality of emancipation for me
+that I find it difficult to convey. And suddenly, when I had supposed
+all learning was at an end for me, I heard this!
+
+“It’s no good to you, of course,” said my uncle, “except to pass exams
+with, but there you are!”
+
+“You’ll have to learn Latin because you have to learn Latin,” said my
+mother, “not because you want to. And afterwards you will have to learn
+all sorts of other things....”
+
+The idea that I was to go on learning, that to read and master the
+contents of books was still to be justifiable as a duty, overwhelmed
+all other facts. I had had it rather clear in my mind for some weeks
+that all that kind of opportunity might close to me for ever. I began
+to take a lively interest in this new project.
+
+“Then shall I live here?” I asked, “with you, and study... as well as
+work in the shop?”
+
+“That’s the way of it,” said my uncle.
+
+I parted from my mother that day in a dream, so sudden and important
+was this new aspect of things to me. I was to learn Latin! Now that the
+humiliation of my failure at Bladesover was past for her, now that she
+had a little got over her first intense repugnance at this resort to my
+uncle and contrived something that seemed like a possible provision for
+my future, the tenderness natural to a parting far more significant
+than any of our previous partings crept into her manner.
+
+She sat in the train to return, I remember, and I stood at the open
+door of her compartment, and neither of us knew how soon we should
+cease for ever to be a trouble to one another.
+
+“You must be a good boy, George,” she said. “You must learn.... And you
+mustn’t set yourself up against those who are above you and better than
+you.... Or envy them.”
+
+“No, mother,” I said.
+
+I promised carelessly. Her eyes were fixed upon me. I was wondering
+whether I could by any means begin Latin that night.
+
+Something touched her heart then, some thought, some memory; perhaps
+some premonition.... The solitary porter began slamming carriage doors.
+
+“George” she said hastily, almost shamefully, “kiss me!”
+
+I stepped up into her compartment as she bent downward.
+
+She caught me in her arms quite eagerly, she pressed me to her—a
+strange thing for her to do. I perceived her eyes were extraordinarily
+bright, and then this brightness burst along the lower lids and rolled
+down her cheeks.
+
+For the first and last time in my life I saw my mother’s tears. Then
+she had gone, leaving me discomforted and perplexed, forgetting for a
+time even that I was to learn Latin, thinking of my mother as of
+something new and strange.
+
+The thing recurred though I sought to dismiss it, it stuck itself into
+my memory against the day of fuller understanding. Poor, proud,
+habitual, sternly narrow soul! poor difficult and misunderstanding son!
+it was the first time that ever it dawned upon me that my mother also
+might perhaps feel.
+
+VII
+
+My mother died suddenly and, it was thought by Lady Drew,
+inconsiderately, the following spring. Her ladyship instantly fled to
+Folkestone with Miss Somerville and Fison, until the funeral should be
+over and my mother’s successor installed.
+
+My uncle took me over to the funeral. I remember there was a sort of
+prolonged crisis in the days preceding this because, directly he heard
+of my loss, he had sent a pair of check trousers to the Judkins people
+in London to be dyed black, and they did not come back in time. He
+became very excited on the third day, and sent a number of increasingly
+fiery telegrams without any result whatever, and succumbed next morning
+with a very ill grace to my aunt Susan’s insistence upon the resources
+of his dress-suit. In my memory those black legs of his, in a
+particularly thin and shiny black cloth—for evidently his dress-suit
+dated from adolescent and slenderer days—straddle like the Colossus of
+Rhodes over my approach to my mother’s funeral. Moreover, I was
+inconvenienced and distracted by a silk hat he had bought me, my first
+silk hat, much ennobled, as his was also, by a deep mourning band.
+
+I remember, but rather indistinctly, my mother’s white paneled
+housekeeper’s room and the touch of oddness about it that she was not
+there, and the various familiar faces made strange by black, and I seem
+to recall the exaggerated self-consciousness that arose out of their
+focussed attention. No doubt the sense of the new silk hat came and
+went and came again in my emotional chaos. Then something comes out
+clear and sorrowful, rises out clear and sheer from among all these
+rather base and inconsequent things, and once again I walk before all
+the other mourners close behind her coffin as it is carried along the
+churchyard path to her grave, with the old vicar’s slow voice saying
+regretfully and unconvincingly above me, triumphant solemn things.
+
+“I am the resurrection and the life, saith the Lord; he that believeth
+in me, though he were dead, yet shall he live: and whosoever liveth and
+believeth in me shall never die.”
+
+Never die! The day was a high and glorious morning in spring, and all
+the trees were budding and bursting into green. Everywhere there were
+blossoms and flowers; the pear trees and cherry trees in the sexton’s
+garden were sunlit snow, there were nodding daffodils and early tulips
+in the graveyard beds, great multitudes of daisies, and everywhere the
+birds seemed singing. And in the middle was the brown coffin end,
+tilting on men’s shoulders and half occluded by the vicar’s Oxford
+hood.
+
+And so we came to my mother’s waiting grave.
+
+For a time I was very observant, watching the coffin lowered, hearing
+the words of the ritual. It seemed a very curious business altogether.
+
+Suddenly as the service drew to its end, I felt something had still to
+be said which had not been said, realised that she had withdrawn in
+silence, neither forgiving me nor hearing from me—those now lost
+assurances. Suddenly I knew I had not understood. Suddenly I saw her
+tenderly; remembered not so much tender or kindly things of her as her
+crossed wishes and the ways in which I had thwarted her. Surprisingly I
+realised that behind all her hardness and severity she had loved me,
+that I was the only thing she had ever loved and that until this moment
+I had never loved her. And now she was there and deaf and blind to me,
+pitifully defeated in her designs for me, covered from me so that she
+could not know....
+
+I dug my nails into the palms of my hands, I set my teeth, but tears
+blinded me, sobs would have choked me had speech been required of me.
+The old vicar read on, there came a mumbled response—and so on to the
+end. I wept as it were internally, and only when we had come out of the
+churchyard could I think and speak calmly again.
+
+Stamped across this memory are the little black figures of my uncle and
+Rabbits, telling Avebury, the sexton and undertaker, that “it had all
+passed off very well—very well indeed.”
+
+VIII
+
+That is the last I shall tell of Bladesover. The dropscene falls on
+that, and it comes no more as an actual presence into this novel. I did
+indeed go back there once again, but under circumstances quite
+immaterial to my story. But in a sense Bladesover has never left me; it
+is, as I said at the outset, one of those dominant explanatory
+impressions that make the framework of my mind. Bladesover illuminates
+England; it has become all that is spacious, dignified pretentious, and
+truly conservative in English life. It is my social datum. That is why
+I have drawn it here on so large a scale.
+
+When I came back at last to the real Bladesover on an inconsequent
+visit, everything was far smaller than I could have supposed possible.
+It was as though everything had shivered and shrivelled a little at the
+Lichtenstein touch. The harp was still in the saloon, but there was a
+different grand piano with a painted lid and a metrostyle pianola, and
+an extraordinary quantity of artistic litter and _bric-à-brac_
+scattered about. There was the trail of the Bond Street showroom over
+it all. The furniture was still under chintz, but it wasn’t the same
+sort of chintz although it pretended to be, and the lustre-dangling
+chandeliers had passed away. Lady Lichtenstein’s books replaced the
+brown volumes I had browsed among—they were mostly presentation copies
+of contemporary novels and the _National Review_ and the _Empire
+Review_, and the _Nineteenth Century and After_ jostled current books
+on the tables—English new books in gaudy catchpenny “artistic” covers,
+French and Italian novels in yellow, German art handbooks of almost
+incredible ugliness. There were abundant evidences that her ladyship
+was playing with the Keltic renascence, and a great number of ugly cats
+made of china—she “collected” china and stoneware cats—stood about
+everywhere—in all colours, in all kinds of deliberately comic, highly
+glazed distortion.
+
+It is nonsense to pretend that finance makes any better aristocrats
+than rent. Nothing can make an aristocrat but pride, knowledge,
+training, and the sword. These people were no improvement on the Drews,
+none whatever. There was no effect of a beneficial replacement of
+passive unintelligent people by active intelligent ones. One felt that
+a smaller but more enterprising and intensely undignified variety of
+stupidity had replaced the large dullness of the old gentry, and that
+was all. Bladesover, I thought, had undergone just the same change
+between the seventies and the new century that had overtaken the dear
+old _Times_, and heaven knows how much more of the decorous British
+fabric. These Lichtensteins and their like seem to have no promise in
+them at all of any fresh vitality for the kingdom. I do not believe in
+their intelligence or their power—they have nothing new about them at
+all, nothing creative nor rejuvenescent, no more than a disorderly
+instinct of acquisition; and the prevalence of them and their kind is
+but a phase in the broad slow decay of the great social organism of
+England. They could not have made Bladesover they cannot replace it;
+they just happen to break out over it—saprophytically.
+
+Well—that was my last impression of Bladesover.
+
+
+
+
+CHAPTER THE THIRD
+THE WIMBLEHURST APPRENTICESHIP
+
+
+I
+
+So far as I can remember now, except for that one emotional phase by
+the graveside, I passed through all these experiences rather callously.
+I had already, with the facility of youth, changed my world, ceased to
+think at all of the old school routine and put Bladesover aside for
+digestion at a latter stage. I took up my new world in Wimblehurst with
+the chemist’s shop as its hub, set to work at Latin and materia medica,
+and concentrated upon the present with all my heart. Wimblehurst is an
+exceptionally quiet and grey Sussex town rare among south of England
+towns in being largely built of stone. I found something very agreeable
+and picturesque in its clean cobbled streets, its odd turnings and
+abrupt corners; and in the pleasant park that crowds up one side of the
+town. The whole place is under the Eastry dominion and it was the
+Eastry influence and dignity that kept its railway station a mile and
+three-quarters away. Eastry House is so close that it dominates the
+whole; one goes across the marketplace (with its old lock-up and
+stocks), past the great pre-reformation church, a fine grey shell, like
+some empty skull from which the life has fled, and there at once are
+the huge wrought-iron gates, and one peeps through them to see the
+façade of this place, very white and large and fine, down a long avenue
+of yews. Eastry was far greater than Bladesover and an altogether
+completer example of the eighteenth century system. It ruled not two
+villages, but a borough, that had sent its sons and cousins to
+parliament almost as a matter of right so long as its franchise
+endured. Every one was in the system, every one—except my uncle. He
+stood out and complained.
+
+My uncle was the first real breach I found in the great front of
+Bladesover the world had presented me, for Chatham was not so much a
+breach as a confirmation. But my uncle had no respect for Bladesover
+and Eastry—none whatever. He did not believe in them. He was blind even
+to what they were. He propounded strange phrases about them, he
+exfoliated and wagged about novel and incredible ideas.
+
+“This place,” said my uncle, surveying it from his open doorway in the
+dignified stillness of a summer afternoon, “wants Waking Up!”
+
+I was sorting up patent medicines in the corner.
+
+“I’d like to let a dozen young Americans loose into it,” said my uncle.
+“Then we’d see.”
+
+I made a tick against Mother Shipton’s Sleeping Syrup. We had cleared
+our forward stock.
+
+“Things must be happening _somewhere_, George,” he broke out in a
+querulously rising note as he came back into the little shop. He
+fiddled with the piled dummy boxes of fancy soap and scent and so forth
+that adorned the end of the counter, then turned about petulantly,
+stuck his hands deeply into his pockets and withdrew one to scratch his
+head. “I must do _something_,” he said. “I can’t stand it.
+
+“I must invent something. And shove it.... I could.
+
+“Or a play. There’s a deal of money in a play, George. What would you
+think of me writing a play eh?... There’s all sorts of things to be
+done.
+
+“Or the stog-igschange.”
+
+He fell into that meditative whistling of his.
+
+“Sac-ramental wine!” he swore, “this isn’t the world—it’s Cold Mutton
+Fat! That’s what Wimblehurst is! Cold Mutton Fat!—dead and stiff! And
+I’m buried in it up to the arm pits. Nothing ever happens, nobody wants
+things to happen ‘scept me! Up in London, George, things happen.
+America! I wish to Heaven, George, I’d been born American—where things
+hum.
+
+“What can one do here? How can one grow? While we’re sleepin’ here with
+our Capital oozing away into Lord Eastry’s pockets for rent-men are up
+there....” He indicated London as remotely over the top of the
+dispensing counter, and then as a scene of great activity by a whirl of
+the hand and a wink and a meaning smile at me.
+
+“What sort of things do they do?” I asked.
+
+“Rush about,” he said. “Do things! Somethin’ glorious. There’s cover
+gambling. Ever heard of that, George?” He drew the air in through his
+teeth. “You put down a hundred say, and buy ten thousand pounds worth.
+See? That’s a cover of one per cent. Things go up one, you sell,
+realise cent per cent; down, whiff, it’s gone! Try again! Cent per
+cent, George, every day. Men are made or done for in an hour. And the
+shoutin’! Zzzz.... Well, that’s one way, George. Then another
+way—there’s Corners!”
+
+“They’re rather big things, aren’t they?” I ventured.
+
+“Oh, if you go in for wheat or steel—yes. But suppose you tackled a
+little thing, George. Just some little thing that only needed a few
+thousands. Drugs for example. Shoved all you had into it—staked your
+liver on it, so to speak. Take a drug—take ipecac, for example. Take a
+lot of ipecac. Take all there is! See? There you are! There aren’t
+unlimited supplies of ipecacuanha—can’t be!—and it’s a thing people
+must have. Then quinine again! You watch your chance, wait for a
+tropical war breaking out, let’s say, and collar all the quinine. Where
+ARE they? Must have quinine, you know. Eh? Zzzz.
+
+“Lord! there’s no end of things—no end of _little_ things.
+Dill-water—all the suffering babes yowling for it. Eucalyptus
+again—cascara—witch hazel—menthol—all the toothache things. Then
+there’s antiseptics, and curare, cocaine....”
+
+“Rather a nuisance to the doctors,” I reflected.
+
+“They got to look out for themselves. By Jove, yes. They’ll do you if
+they can, and you do them. Like brigands. That makes it romantic.
+That’s the Romance of Commerce, George. You’re in the mountains there!
+Think of having all the quinine in the world, and some millionaire’s
+pampered wife gone ill with malaria, eh? That’s a squeeze, George, eh?
+Eh? Millionaire on his motor car outside, offering you any price you
+liked. That ’ud wake up Wimblehurst.... Lord! You haven’t an Idea down
+here. Not an idea. Zzzz.”
+
+He passed into a rapt dream, from which escaped such fragments as:
+“Fifty per cent. advance sir; security—to-morrow. Zzzz.”
+
+The idea of cornering a drug struck upon my mind then as a sort of
+irresponsible monkey trick that no one would ever be permitted to do in
+reality. It was the sort of nonsense one would talk to make Ewart laugh
+and set him going on to still odder possibilities. I thought it was
+part of my uncle’s way of talking. But I’ve learnt differently since.
+The whole trend of modern money-making is to foresee something that
+will presently be needed and put it out of reach, and then to haggle
+yourself wealthy. You buy up land upon which people will presently want
+to build houses, you secure rights that will bar vitally important
+developments, and so on, and so on. Of course the naïve intelligence of
+a boy does not grasp the subtler developments of human inadequacy. He
+begins life with a disposition to believe in the wisdom of grown-up
+people, he does not realise how casual and disingenuous has been the
+development of law and custom, and he thinks that somewhere in the
+state there is a power as irresistible as a head master’s to check
+mischievous and foolish enterprises of every sort. I will confess that
+when my uncle talked of cornering quinine, I had a clear impression
+that any one who contrived to do that would pretty certainly go to
+jail. Now I know that any one who could really bring it off would be
+much more likely to go to the House of Lords!
+
+My uncle ranged over the gilt labels of his bottles and drawers for a
+while, dreaming of corners in this and that. But at last he reverted to
+Wimblehurst again.
+
+“You got to be in London when these things are in hand. Down here—!
+
+“Jee-rusalem!” he cried. “Why did I plant myself here? Everything’s
+done. The game’s over. Here’s Lord Eastry, and he’s got everything,
+except what his lawyers get, and before you get any more change this
+way you’ll have to dynamite him—and them. _He_ doesn’t want anything
+more to happen. Why should he? Any chance ’ud be a loss to him. He
+wants everything to burble along and burble along and go on as it’s
+going for the next ten thousand years, Eastry after Eastry, one parson
+down another come, one grocer dead, get another! Any one with any ideas
+better go away. They _have_ gone away! Look at all these blessed people
+in this place! Look at ’em! All fast asleep, doing their business out
+of habit—in a sort of dream, Stuffed men would do just as well—just.
+They’ve all shook down into their places. _They_ don’t want anything to
+happen either. They’re all broken in. There you are! Only what are they
+all alive for?...
+
+“Why can’t they get a clockwork chemist?”
+
+He concluded as he often concluded these talks. “I must invent
+something,—that’s about what I must do. Zzzz. Some convenience.
+Something people want.... Strike out.... You can’t think, George, of
+anything everybody wants and hasn’t got? I mean something you could
+turn out retail under a shilling, say? Well, _you_ think, whenever you
+haven’t got anything better to do. See?”
+
+II
+
+So I remember my uncle in that first phase, young, but already a little
+fat, restless, fretful, garrulous, putting in my fermenting head all
+sorts of discrepant ideas. Certainly he was educational....
+
+For me the years at Wimblehurst were years of pretty active growth.
+Most of my leisure and much of my time in the shop I spent in study. I
+speedily mastered the modicum of Latin necessary for my qualifying
+examinations, and—a little assisted by the Government Science and Art
+Department classes that were held in the Grammar School—went on with my
+mathematics. There were classes in physics, in chemistry, in
+mathematics and machine drawing, and I took up these subjects with
+considerable avidity. Exercise I got chiefly in the form of walks.
+There was some cricket in the summer and football in the winter
+sustained by young men’s clubs that levied a parasitic blackmail of the
+big people and the sitting member, but I was never very keen at these
+games. I didn’t find any very close companions among the youths of
+Wimblehurst. They struck me, after my cockney schoolmates, as loutish
+and slow, servile and furtive, spiteful and mean. _We_ used to swagger,
+but these countrymen dragged their feet and hated an equal who didn’t;
+we talked loud, but you only got the real thoughts of Wimblehurst in a
+knowing undertone behind its hand. And even then they weren’t much in
+the way of thoughts.
+
+No, I didn’t like those young countrymen, and I’m no believer in the
+English countryside under the Bladesover system as a breeding ground
+for honourable men. One hears a frightful lot of nonsense about the
+Rural Exodus and the degeneration wrought by town life upon our
+population. To my mind, the English townsman, even in the slums, is
+infinitely better spiritually, more courageous, more imaginative and
+cleaner, than his agricultural cousin. I’ve seen them both when they
+didn’t think they were being observed, and I know. There was something
+about my Wimblehurst companions that disgusted me. It’s hard to define.
+Heaven knows that at that cockney boarding-school at Goudhurst we were
+coarse enough; the Wimblehurst youngsters had neither words nor courage
+for the sort of thing we used to do—for our bad language, for example;
+but, on the other hand, they displayed a sort of sluggish, real
+lewdness, lewdness is the word—a baseness of attitude. Whatever we
+exiled urbans did at Goudhurst was touched with something, however
+coarse, of romantic imagination. We had read the _Boys of England_, and
+told each other stories. In the English countryside there are no books
+at all, no songs, no drama, no valiant sin even; all these things have
+never come or they were taken away and hidden generations ago, and the
+imagination aborts and bestialises. That, I think, is where the real
+difference against the English rural man lies. It is because I know
+this that I do not share in the common repinings because our
+countryside is being depopulated, because our population is passing
+through the furnace of the towns. They starve, they suffer, no doubt,
+but they come out of it hardened, they come out of it with souls.
+
+Of an evening the Wimblehurst blade, shiny-faced from a wash and with
+some loud finery, a coloured waistcoat or a vivid tie, would betake
+himself to the Eastry Arms billiard-room, or to the bar parlour of some
+minor pub where nap could be played. One soon sickened of his slow
+knowingness, the cunning observation of his deadened eyes, his idea of
+a “good story,” always, always told in undertones, poor dirty worm! his
+shrewd, elaborate maneuvers for some petty advantage, a drink to the
+good or such-like deal. There rises before my eyes as I write, young
+Hopley Dodd, the son of the Wimblehurst auctioneer, the pride of
+Wimblehurst, its finest flower, with his fur waistcoat and his bulldog
+pipe, his riding breeches—he had no horse—and his gaiters, as he used
+to sit, leaning forward and watching the billiard-table from under the
+brim of his artfully tilted hat. A half-dozen phrases constituted his
+conversation: “hard lines!” he used to say, and “Good baazness,” in a
+bass bleat. Moreover, he had a long slow whistle that was esteemed the
+very cream of humorous comment. Night after night he was there.
+
+Also you knew he would not understand that _I_ could play billiards,
+and regarded every stroke I made as a fluke. For a beginner I didn’t
+play so badly, I thought. I’m not so sure now; that was my opinion at
+the time. But young Dodd’s scepticism and the “good baazness” finally
+cured me of my disposition to frequent the Eastry Arms, and so these
+noises had their value in my world.
+
+I made no friends among the young men of the place at all, and though I
+was entering upon adolescence I have no love-affair to tell of here.
+Not that I was not waking up to that aspect of life in my middle teens
+I did, indeed, in various slightly informal ways scrape acquaintance
+with casual Wimblehurst girls; with a little dressmaker’s apprentice I
+got upon shyly speaking terms, and a pupil teacher in the National
+School went further and was “talked about” in connection with me but I
+was not by any means touched by any reality of passion for either of
+these young people; love—love as yet came to me only in my dreams. I
+only kissed these girls once or twice. They rather disconcerted than
+developed those dreams. They were so clearly not “it.” I shall have
+much to say of love in this story, but I may break it to the reader now
+that it is my role to be a rather ineffectual lover. Desire I knew well
+enough—indeed, too well; but love I have been shy of. In all my early
+enterprises in the war of the sexes, I was torn between the urgency of
+the body and a habit of romantic fantasy that wanted every phase of the
+adventure to be generous and beautiful. And I had a curiously haunting
+memory of Beatrice, of her kisses in the bracken and her kiss upon the
+wall, that somehow pitched the standard too high for Wimblehurst’s
+opportunities. I will not deny I did in a boyish way attempt a shy,
+rude adventure or so in love-making at Wimblehurst; but through these
+various influences, I didn’t bring things off to any extent at all. I
+left behind me no devastating memories, no splendid reputation. I came
+away at last, still inexperienced and a little thwarted, with only a
+natural growth of interest and desire in sexual things.
+
+If I fell in love with any one in Wimblehurst it was with my aunt. She
+treated me with a kindliness that was only half maternal—she petted my
+books, she knew about my certificates, she made fun of me in a way that
+stirred my heart to her. Quite unconsciously I grew fond of her....
+
+My adolescent years at Wimblehurst were on the whole laborious,
+uneventful years that began in short jackets and left me in many ways
+nearly a man, years so uneventful that the Calculus of Variations is
+associated with one winter, and an examination in Physics for Science
+and Art department Honours marks an epoch. Many divergent impulses
+stirred within me, but the master impulse was a grave young disposition
+to work and learn and thereby in some not very clearly defined way get
+out of the Wimblehurst world into which I had fallen. I wrote with some
+frequency to Ewart, self-conscious, but, as I remember them, not
+intelligent letters, dated in Latin and with lapses into Latin
+quotation that roused Ewart to parody. There was something about me in
+those days more than a little priggish. But it was, to do myself
+justice, something more than the petty pride of learning. I had a very
+grave sense of discipline and preparation that I am not ashamed at all
+to remember. I was serious. More serious than I am at the present time.
+More serious, indeed, than any adult seems to be. I was capable then of
+efforts—of nobilities.... They are beyond me now. I don’t see why, at
+forty, I shouldn’t confess I respect my own youth. I had dropped being
+a boy quite abruptly. I thought I was presently to go out into a larger
+and quite important world and do significant things there. I thought I
+was destined to do something definite to a world that had a definite
+purpose. I did not understand then, as I do now, that life was to
+consist largely in the world’s doing things to me. Young people never
+do seem to understand that aspect of things. And, as I say, among my
+educational influences my uncle, all unsuspected, played a leading
+part, and perhaps among other things gave my discontent with
+Wimblehurst, my desire to get away from that clean and picturesque
+emptiness, a form and expression that helped to emphasise it. In a way
+that definition made me patient. “Presently I shall get to London,” I
+said, echoing him.
+
+I remember him now as talking, always talking, in those days. He talked
+to me of theology, he talked of politics, of the wonders of science and
+the marvels of art, of the passions and the affections, of the
+immortality of the soul and the peculiar actions of drugs; but
+predominantly and constantly he talked of getting on, of enterprises,
+of inventions and great fortunes, of Rothschilds, silver kings,
+Vanderbilts, Goulds, flotations, realisations and the marvelous ways of
+Chance with men—in all localities, that is to say, that are not
+absolutely sunken to the level of Cold Mutton Fat.
+
+When I think of those early talks, I figure him always in one of three
+positions. Either we were in the dispensing lair behind a high barrier,
+he pounding up things in a mortar perhaps, and I rolling pill-stuff
+into long rolls and cutting it up with a sort of broad, fluted knife,
+or he stood looking out of the shop door against the case of sponges
+and spray-diffusers, while I surveyed him from behind the counter, or
+he leant against the little drawers behind the counter, and I hovered
+dusting in front. The thought of those early days brings back to my
+nostrils the faint smell of scent that was always in the air, marbled
+now with streaks of this drug and now of that, and to my eyes the rows
+of jejune glass bottles with gold labels, mirror-reflected, that stood
+behind him. My aunt, I remember, used sometimes to come into the shop
+in a state of aggressive sprightliness, a sort of connubial ragging
+expedition, and get much fun over the abbreviated Latinity of those
+gilt inscriptions. “Ol Amjig, George,” she would read derisively, “and
+he pretends it’s almond oil! Snap!—and that’s mustard. Did you _ever_,
+George?
+
+“Look at him, George, looking dignified. I’d like to put an old label
+on to _him_ round the middle like his bottles are, with Ol Pondo on it.
+That’s Latin for Impostor, George _must_ be. He’d look lovely with a
+stopper.”
+
+“_You_ want a stopper,” said my uncle, projecting his face....
+
+My aunt, dear soul, was in those days quite thin and slender, with a
+delicate rosebud completion and a disposition to connubial badinage, to
+a sort of gentle skylarking. There was a silvery ghost of lisping in
+her speech. She was a great humourist, and as the constraint of my
+presence at meals wore off, I became more and more aware of a filmy but
+extensive net of nonsense she had woven about her domestic relations
+until it had become the reality of her life. She affected a derisive
+attitude to the world at large and applied the epithet “old” to more
+things than I have ever heard linked to it before or since. “Here’s the
+old news-paper,” she used to say—to my uncle. “Now don’t go and get it
+in the butter, you silly old Sardine!”
+
+“What’s the day of the week, Susan?” my uncle would ask.
+
+“Old Monday, Sossidge,” she would say, and add, “I got all my Old
+Washing to do. Don’t I _know_ it!”...
+
+She had evidently been the wit and joy of a large circle of
+schoolfellows, and this style had become a second nature with her. It
+made her very delightful to me in that quiet place. Her customary walk
+even had a sort of hello! in it. Her chief preoccupation in life was, I
+believe, to make my uncle laugh, and when by some new nickname, some
+new quaintness or absurdity, she achieved that end, she was, behind a
+mask of sober amazement, the happiest woman on earth. My uncle’s laugh
+when it did come, I must admit was, as Baedeker says, “rewarding.” It
+began with gusty blowings and snortings, and opened into a clear “Ha
+ha!” but in fullest development it included, in those youthful days,
+falling about anyhow and doubling up tightly, and whackings of the
+stomach, and tears and cries of anguish. I never in my life heard my
+uncle laugh to his maximum except at her; he was commonly too much in
+earnest for that, and he didn’t laugh much at all, to my knowledge,
+after those early years. Also she threw things at him to an enormous
+extent in her resolve to keep things lively in spite of Wimblehurst;
+sponges out of stock she threw, cushions, balls of paper, clean
+washing, bread; and once up the yard when they thought that I and the
+errand boy and the diminutive maid of all work were safely out of the
+way, she smashed a boxful of eight-ounce bottles I had left to drain,
+assaulting my uncle with a new soft broom. Sometimes she would shy
+things at me—but not often. There seemed always laughter round and
+about her—all three of us would share hysterics at times—and on one
+occasion the two of them came home from church shockingly ashamed of
+themselves, because of a storm of mirth during the sermon. The vicar,
+it seems, had tried to blow his nose with a black glove as well as the
+customary pocket-handkerchief. And afterwards she had picked up her own
+glove by the finger, and looking innocently but intently sideways, had
+suddenly by this simple expedient exploded my uncle altogether. We had
+it all over again at dinner.
+
+“But it shows you,” cried my uncle, suddenly becoming grave, “what
+Wimblehurst is, to have us all laughing at a little thing like that! We
+weren’t the only ones that giggled. Not by any means! And, Lord! it
+_was_ funny!”
+
+Socially, my uncle and aunt were almost completely isolated. In places
+like Wimblehurst the tradesmen’s lives always are isolated socially,
+all of them, unless they have a sister or a bosom friend among the
+other wives, but the husbands met in various bar-parlours or in the
+billiard-room of the Eastry Arms. But my uncle, for the most part,
+spent his evenings at home. When first he arrived in Wimblehurst I
+think he had spread his effect of abounding ideas and enterprise rather
+too aggressively; and Wimblehurst, after a temporary subjugation, had
+rebelled and done its best to make a butt of him. His appearance in a
+public-house led to a pause in any conversation that was going on.
+
+“Come to tell us about everything, Mr. Pond’revo?” some one would say
+politely.
+
+“You wait,” my uncle used to answer, disconcerted, and sulk for the
+rest of his visit.
+
+Or some one with an immense air of innocence would remark to the world
+generally, “They’re talkin’ of rebuildin’ Wimblehurst all over again,
+I’m told. Anybody heard anything of it? Going to make it a reg’lar
+smartgoin’, enterprisin’ place—kind of Crystal Pallas.”
+
+“Earthquake and a pestilence before you get _that_,” my uncle would
+mutter, to the infinite delight of every one, and add something
+inaudible about “Cold Mutton Fat.”...
+
+III
+
+We were torn apart by a financial accident to my uncle of which I did
+not at first grasp the full bearings. He had developed what I regarded
+as an innocent intellectual recreation which he called stock-market
+meteorology. I think he got the idea from one use of curves in the
+graphic presentation of associated variations that he saw me plotting.
+He secured some of my squared paper and, having cast about for a time,
+decided to trace the rise and fall of certain lines and railways.
+“There’s something in this, George,” he said, and I little dreamt that
+among other things that were in it, was the whole of his spare money
+and most of what my mother had left to him in trust for me.
+
+“It’s as plain as can be,” he said. “See, here’s one system of waves
+and here’s another! These are prices for Union Pacifics—extending over
+a month. Now next week, mark my words, they’ll be down one whole point.
+We’re getting near the steep part of the curve again. See? It’s
+absolutely scientific. It’s verifiable. Well, and apply it! You buy in
+the hollow and sell on the crest, and there you are!”
+
+I was so convinced of the triviality of this amusement that to find at
+last that he had taken it in the most disastrous earnest overwhelmed
+me.
+
+He took me for a long walk to break it to me, over the hills towards
+Yare and across the great gorse commons by Hazelbrow.
+
+“There are ups and downs in life, George,” he said—halfway across that
+great open space, and paused against the sky.... “I left out one factor
+in the Union Pacific analysis.”
+
+“_Did_ you?” I said, struck by the sudden chance in his voice. “But you
+don’t mean?”
+
+I stopped and turned on him in the narrow sandy rut of pathway and he
+stopped likewise.
+
+“I do, George. I _do_ mean. It’s bust me! I’m a bankrupt here and now.”
+
+“Then—?”
+
+“The shop’s bust too. I shall have to get out of that.”
+
+“And me?”
+
+“Oh, you!—_you’re_ all right. You can transfer your apprenticeship,
+and—er—well, I’m not the sort of man to be careless with trust funds,
+you can be sure. I kept that aspect in mind. There’s some of it left
+George—trust me!—quite a decent little sum.”
+
+“But you and aunt?”
+
+“It isn’t _quite_ the way we meant to leave Wimblehurst, George; but we
+shall have to go. Sale; all the things shoved about and ticketed—lot a
+hundred and one. Ugh!... It’s been a larky little house in some ways.
+The first we had. Furnishing—a spree in its way.... Very happy...” His
+face winced at some memory. “Let’s go on, George,” he said shortly,
+near choking, I could see.
+
+I turned my back on him, and did not look round again for a little
+while.
+
+“That’s how it is, you see, George.” I heard him after a time.
+
+When we were back in the high road again he came alongside, and for a
+time we walked in silence.
+
+“Don’t say anything home yet,” he said presently. “Fortunes of War. I
+got to pick the proper time with Susan—else she’ll get depressed. Not
+that she isn’t a first-rate brick whatever comes along.”
+
+“All right,” I said, “I’ll be careful”; and it seemed to me for the
+time altogether too selfish to bother him with any further inquiries
+about his responsibility as my trustee. He gave a little sigh of relief
+at my note of assent, and was presently talking quite cheerfully of his
+plans.... But he had, I remember, one lapse into moodiness that came
+and went suddenly. “Those others!” he said, as though the thought had
+stung him for the first time.
+
+“What others?” I asked.
+
+“Damn them!” said he.
+
+“But what others?”
+
+“All those damned stick-in-the-mud-and-die-slowly tradespeople: Ruck,
+the butcher, Marbel, the grocer. Snape! Gord! George, _how_ they’ll
+grin!”
+
+I thought him over in the next few weeks, and I remember now in great
+detail the last talk we had together before he handed over the shop and
+me to his successor. For he had the good luck to sell his business,
+“lock, stock, and barrel”—in which expression I found myself and my
+indentures included. The horrors of a sale by auction of the furniture
+even were avoided.
+
+I remember that either coming or going on that occasion, Ruck, the
+butcher, stood in his doorway and regarded us with a grin that showed
+his long teeth.
+
+“You half-witted hog!” said my uncle. “You grinning hyaena”; and then,
+“Pleasant day, Mr. Ruck.”
+
+“Goin’ to make your fortun’ in London, then?” said Mr. Ruck, with slow
+enjoyment.
+
+That last excursion took us along the causeway to Beeching, and so up
+the downs and round almost as far as Steadhurst, home. My moods, as we
+went, made a mingled web. By this time I had really grasped the fact
+that my uncle had, in plain English, robbed me; the little
+accumulations of my mother, six hundred pounds and more, that would
+have educated me and started me in business, had been eaten into and
+was mostly gone into the unexpected hollow that ought to have been a
+crest of the Union Pacific curve, and of the remainder he still gave no
+account. I was too young and inexperienced to insist on this or know
+how to get it, but the thought of it all made streaks of decidedly
+black anger in that scheme of interwoven feelings. And you know, I was
+also acutely sorry for him—almost as sorry as I was for my aunt Susan.
+Even then I had quite found him out. I knew him to be weaker than
+myself; his incurable, irresponsible childishness was as clear to me
+then as it was on his deathbed, his redeeming and excusing imaginative
+silliness. Through some odd mental twist perhaps I was disposed to
+exonerate him even at the cost of blaming my poor old mother who had
+left things in his untrustworthy hands.
+
+I should have forgiven him altogether, I believe, if he had been in any
+manner apologetic to me; but he wasn’t that. He kept reassuring me in a
+way I found irritating. Mostly, however, his solicitude was for Aunt
+Susan and himself.
+
+“It’s these Crises, George,” he said, “try Character. Your aunt’s come
+out well, my boy.”
+
+He made meditative noises for a space.
+
+“Had her cry of course,”—the thing had been only too painfully evident
+to me in her eyes and swollen face—“who wouldn’t? But now—buoyant
+again!... She’s a Corker.
+
+“We’ll be sorry to leave the little house of course. It’s a bit like
+Adam and Eve, you know. Lord! what a chap old Milton was!
+
+“‘The world was all before them, where to choose
+Their place of rest, and Providence their guide.’
+
+
+“It sounds, George.... Providence their guide!... Well—thank goodness
+there’s no imeedgit prospect of either Cain or Abel!”
+
+“After all, it won’t be so bad up there. Not the scenery, perhaps, or
+the air we get here, but—_Life!_ We’ve got very comfortable little
+rooms, very comfortable considering, and I shall rise. We’re not done
+yet, we’re not beaten; don’t think that, George. I shall pay twenty
+shillings in the pound before I’ve done—you mark my words,
+George,—twenty—five to you.... I got this situation within twenty-four
+hours—others offered. It’s an important firm—one of the best in London.
+I looked to that. I might have got four or five shillings a week
+more—elsewhere. Quarters I could name. But I said to them plainly,
+wages to go on with, but opportunity’s my game—development. We
+understood each other.”
+
+He threw out his chest, and the little round eyes behind his glasses
+rested valiantly on imaginary employers.
+
+We would go on in silence for a space while he revised and restated
+that encounter. Then he would break out abruptly with some banal
+phrase.
+
+“The Battle of Life, George, my boy,” he would cry, or “Ups and Downs!”
+
+He ignored or waived the poor little attempts I made to ascertain my
+own position. “That’s all right,” he would say; or, “Leave all that to
+me. _I’ll_ look after them.” And he would drift away towards the
+philosophy and moral of the situation. What was I to do?
+
+“Never put all your resources into one chance, George; that’s the
+lesson I draw from this. Have forces in reserve. It was a hundred to
+one, George, that I was right—a hundred to one. I worked it out
+afterwards. And here we are spiked on the off-chance. If I’d have only
+kept back a little, I’d have had it on U.P. next day, like a shot, and
+come out on the rise. There you are!”
+
+His thoughts took a graver turn.
+
+“It’s where you’ll bump up against Chance like this, George, that you
+feel the need of religion. Your hard-and-fast scientific men—your
+Spencers and Huxleys—they don’t understand that. I do. I’ve thought of
+it a lot lately—in bed and about. I was thinking of it this morning
+while I shaved. It’s not irreverent for me to say it, I hope—but God
+comes in on the off-chance, George. See? Don’t you be too cocksure of
+anything, good or bad. That’s what I make out of it. I could have
+sworn. Well, do you think I—particular as I am—would have touched those
+Union Pacifics with trust money at all, if I hadn’t thought it a
+thoroughly good thing—good without spot or blemish?... And it was bad!
+
+“It’s a lesson to me. You start in to get a hundred percent. and you
+come out with that. It means, in a way, a reproof for Pride. I’ve
+thought of that, George—in the Night Watches. I was thinking this
+morning when I was shaving, that that’s where the good of it all comes
+in. At the bottom I’m a mystic in these affairs. You calculate you’re
+going to do this or that, but at bottom who knows at all _what_ he’s
+doing? When you most think you’re doing things, they’re being done
+right over your head. _You’re_ being done—in a sense. Take a hundred-to
+one chance, or one to a hundred—what does it matter? You’re being Led.”
+
+It’s odd that I heard this at the time with unutterable contempt, and
+now that I recall it—well, I ask myself, what have I got better?
+
+“I wish,” said I, becoming for a moment outrageous, “_you_ were being
+Led to give me some account of my money, uncle.”
+
+“Not without a bit of paper to figure on, George, I can’t. But you
+trust me about that never fear. You trust me.”
+
+And in the end I had to.
+
+I think the bankruptcy hit my aunt pretty hard. There was, so far as I
+can remember now, a complete cessation of all those cheerful outbreaks
+of elasticity, no more skylarking in the shop nor scampering about the
+house. But there was no fuss that I saw, and only little signs in her
+complexion of the fits of weeping that must have taken her. She didn’t
+cry at the end, though to me her face with its strain of
+self-possession was more pathetic than any weeping. “Well” she said to
+me as she came through the shop to the cab, “Here’s old orf, George!
+Orf to Mome number two! Good-bye!” And she took me in her arms and
+kissed me and pressed me to her. Then she dived straight for the cab
+before I could answer her.
+
+My uncle followed, and he seemed to me a trifle too valiant and
+confident in his bearing for reality. He was unusually white in the
+face. He spoke to his successor at the counter. “Here we go!” he said.
+“One down, the other up. You’ll find it a quiet little business so long
+as you run it on quiet lines—a nice quiet little business. There’s
+nothing more? No? Well, if you want to know anything write to me. I’ll
+always explain fully. Anything—business, place or people. You’ll find
+Pil Antibil. a little overstocked by-the-by, I found it soothed my mind
+the day before yesterday making ’em, and I made ’em all day. Thousands!
+And where’s George? Ah! there you are! I’ll write to you, George,
+_fully_, about all that affair. Fully!”
+
+It became clear to me as if for the first time, that I was really
+parting from my aunt Susan. I went out on to the pavement and saw her
+head craned forward, her wide-open blue eyes and her little face intent
+on the shop that had combined for her all the charms of a big doll’s
+house and a little home of her very own. “Good-bye!” she said to it and
+to me. Our eyes met for a moment—perplexed. My uncle bustled out and
+gave a few totally unnecessary directions to the cabman and got in
+beside her. “All right?” asked the driver. “Right,” said I; and he woke
+up the horse with a flick of his whip. My aunt’s eyes surveyed me
+again. “Stick to your old science and things, George, and write and
+tell me when they make you a Professor,” she said cheerfully.
+
+She stared at me for a second longer with eyes growing wider and
+brighter and a smile that had become fixed, glanced again at the bright
+little shop still saying “Ponderevo” with all the emphasis of its
+fascia, and then flopped back hastily out of sight of me into the
+recesses of the cab. Then it had gone from before me and I beheld Mr.
+Snape, the hairdresser, inside his store regarding its departure with a
+quiet satisfaction and exchanging smiles and significant headshakes
+with Mr. Marbel.
+
+IV
+
+I was left, I say, as part of the lock, stock, and barrel, at
+Wimblehurst with my new master, a Mr. Mantell; who plays no part in the
+progress of this story except in so far as he effaced my uncle’s
+traces. So soon as the freshness of this new personality faded, I began
+to find Wimblehurst not only a dull but a lonely place, and to miss my
+aunt Susan immensely. The advertisements of the summer terms for Cough
+Linctus were removed; the bottles of coloured water—red, green, and
+yellow—restored to their places; the horse announcing veterinary
+medicine, which my uncle, sizzling all the while, had coloured in
+careful portraiture of a Goodwood favourite, rewhitened; and I turned
+myself even more resolutely than before to Latin (until the passing of
+my preliminary examination enabled me to drop that), and then to
+mathematics and science.
+
+There were classes in Electricity and Magnetism at the Grammar School.
+I took a little “elementary” prize in that in my first year and a medal
+in my third; and in Chemistry and Human Physiology and Sound, Light and
+Heat, I did well. There was also a lighter, more discursive subject
+called Physiography, in which one ranged among the sciences and
+encountered Geology as a process of evolution from Eozoon to Eastry
+House, and Astronomy as a record of celestial movements of the most
+austere and invariable integrity. I learnt out of badly-written,
+condensed little text-books, and with the minimum of experiment, but
+still I learnt. Only thirty years ago it was, and I remember I learnt
+of the electric light as an expensive, impracticable toy, the telephone
+as a curiosity, electric traction as a practical absurdity. There was
+no argon, no radium, no phagocytes—at least to my knowledge, and
+aluminium was a dear, infrequent metal. The fastest ships in the world
+went then at nineteen knots, and no one but a lunatic here and there
+ever thought it possible that men might fly.
+
+Many things have happened since then, but the last glance I had of
+Wimblehurst two years ago remarked no change whatever in its pleasant
+tranquillity. They had not even built any fresh houses—at least not
+actually in the town, though about the station there had been some
+building. But it was a good place to do work in, for all its
+quiescence. I was soon beyond the small requirements of the
+Pharmaceutical Society’s examination, and as they do not permit
+candidates to sit for that until one and twenty, I was presently
+filling up my time and preventing my studies becoming too desultory by
+making an attack upon the London University degree of Bachelor of
+Science, which impressed me then as a very splendid but almost
+impossible achievement. The degree in mathematics and chemistry
+appealed to me as particularly congenial—albeit giddily inaccessible. I
+set to work. I had presently to arrange a holiday and go to London to
+matriculate, and so it was I came upon my aunt and uncle again. In many
+ways that visit marked an epoch. It was my first impression of London
+at all. I was then nineteen, and by a conspiracy of chances my nearest
+approach to that human wilderness had been my brief visit to Chatham.
+Chatham too had been my largest town. So that I got London at last with
+an exceptional freshness of effect, as the sudden revelation of a whole
+unsuspected other side to life.
+
+I came to it on a dull and smoky day by the South Eastern Railway, and
+our train was half an hour late, stopping and going on and stopping
+again. I marked beyond Chiselhurst the growing multitude of villas, and
+so came stage by stage through multiplying houses and diminishing
+interspaces of market garden and dingy grass to regions of interlacing
+railway lines, big factories, gasometers and wide reeking swamps of
+dingy little homes, more of them and more and more. The number of these
+and their dinginess and poverty increased, and here rose a great public
+house and here a Board School and there a gaunt factory; and away to
+the east there loomed for a time a queer, incongruous forest of masts
+and spars. The congestion of houses intensified and piled up presently
+into tenements; I marveled more and more at this boundless world of
+dingy people; whiffs of industrial smell, of leather, of brewing,
+drifted into the carriage; the sky darkened, I rumbled thunderously
+over bridges, van-crowded streets, peered down on and crossed the
+Thames with an abrupt eclat of sound. I got an effect of tall
+warehouses, of grey water, barge crowded, of broad banks of
+indescribable mud, and then I was in Cannon Street Station—a monstrous
+dirty cavern with trains packed across its vast floor and more porters
+standing along the platform than I had ever been in my life before. I
+alighted with my portmanteau and struggled along, realising for the
+first time just how small and weak I could still upon occasion feel. In
+this world, I felt, an Honours medal in Electricity and magnetism
+counted for nothing at all.
+
+Afterwards I drove in a cab down a canon of rushing street between high
+warehouses, and peeped up astonished at the blackened greys of Saint
+Paul’s. The traffic of Cheapside—it was mostly in horse omnibuses in
+those days—seemed stupendous, its roar was stupendous; I wondered where
+the money came from to employ so many cabs, what industry could support
+the endless jostling stream of silk-hatted, frock-coated, hurrying men.
+Down a turning I found the Temperance Hotel Mr. Mantell had recommended
+to me. The porter in a green uniform who took over my portmanteau,
+seemed, I thought, to despise me a good deal.
+
+V
+
+Matriculation kept me for four full days and then came an afternoon to
+spare, and I sought out Tottenham Court Road through a perplexing
+network of various and crowded streets. But this London was vast! it
+was endless! it seemed the whole world had changed into packed
+frontages and hoardings and street spaces. I got there at last and made
+inquiries, and I found my uncle behind the counter of the pharmacy he
+managed, an establishment that did not impress me as doing a
+particularly high-class trade. “Lord!” he said at the sight of me, “I
+was wanting something to happen!”
+
+He greeted me warmly. I had grown taller, and he, I thought, had grown
+shorter and smaller and rounder but otherwise he was unchanged. He
+struck me as being rather shabby, and the silk hat he produced and put
+on, when, after mysterious negotiations in the back premises he
+achieved his freedom to accompany me, was past its first youth; but he
+was as buoyant and confident as ever.
+
+“Come to ask me about all _that_,” he cried. “I’ve never written yet.”
+
+“Oh, among other things,” said I, with a sudden regrettable politeness,
+and waived the topic of his trusteeship to ask after my aunt Susan.
+
+“We’ll have her out of it,” he said suddenly; “we’ll go somewhere. We
+don’t get you in London every day.”
+
+“It’s my first visit,” I said, “I’ve never seen London before”; and
+that made him ask me what I thought of it, and the rest of the talk was
+London, London, to the exclusion of all smaller topics. He took me up
+the Hampstead Road almost to the Cobden statue, plunged into some back
+streets to the left, and came at last to a blistered front door that
+responded to his latch-key, one of a long series of blistered front
+doors with fanlights and apartment cards above. We found ourselves in a
+drab-coloured passage that was not only narrow and dirty but
+desolatingly empty, and then he opened a door and revealed my aunt
+sitting at the window with a little sewing-machine on a bamboo
+occasional table before her, and “work”—a plum-coloured walking dress I
+judged at its most analytical stage—scattered over the rest of the
+apartment.
+
+At the first glance I judged my aunt was plumper than she had been, but
+her complexion was just as fresh and her China blue eye as bright as in
+the old days.
+
+“London,” she said, didn’t “get blacks” on her.
+
+She still “cheeked” my uncle, I was pleased to find. “What are you old
+Poking in for at _this_ time—_Gubbitt?_” she said when he appeared, and
+she still looked with a practised eye for the facetious side of things.
+When she saw me behind him, she gave a little cry and stood up radiant.
+Then she became grave.
+
+I was surprised at my own emotion in seeing her. She held me at arm’s
+length for a moment, a hand on each shoulder, and looked at me with a
+sort of glad scrutiny. She seemed to hesitate, and then pecked little
+kiss off my cheek.
+
+“You’re a man, George,” she said, as she released me, and continued to
+look at me for a while.
+
+Their _ménage_ was one of a very common type in London. They occupied
+what is called the dining-room floor of a small house, and they had the
+use of a little inconvenient kitchen in the basement that had once been
+scullery. The two rooms, bedroom behind and living room in front, were
+separated by folding-doors that were never now thrown back, and indeed,
+in the presence of a visitor, not used at all. There was of course no
+bathroom or anything of that sort available, and there was no water
+supply except to the kitchen below. My aunt did all the domestic work,
+though she could have afforded to pay for help if the build of the
+place had not rendered that inconvenient to the pitch of impossibility.
+There was no sort of help available except that of indoor servants, for
+whom she had no accommodation. The furniture was their own; it was
+partly secondhand, but on the whole it seemed cheerful to my eye, and
+my aunt’s bias for cheap, gay-figured muslin had found ample score. In
+many ways I should think it must have been an extremely inconvenient
+and cramped sort of home, but at the time I took it, as I was taking
+everything, as being there and in the nature of things. I did not see
+the oddness of solvent decent people living in a habitation so clearly
+neither designed nor adapted for their needs, so wasteful of labour and
+so devoid of beauty as this was, and it is only now as I describe this
+that I find myself thinking of the essential absurdity of an
+intelligent community living in such makeshift homes. It strikes me now
+as the next thing to wearing second-hand clothes.
+
+You see it was a natural growth, part of that system to which
+Bladesover, I hold, is the key. There are wide regions of London, miles
+of streets of houses, that appear to have been originally designed for
+prosperous-middle-class homes of the early Victorian type. There must
+have been a perfect fury of such building in the thirties, forties, and
+fifties. Street after street must have been rushed into being, Campden
+Town way, Pentonville way, Brompton way, West Kensington way in the
+Victoria region and all over the minor suburbs of the south side.
+
+I am doubtful if many of these houses had any long use as the
+residences of single families if from the very first almost their
+tenants did not makeshift and take lodgers and sublet. They were built
+with basements, in which their servants worked and lived—servants of a
+more submissive and troglodytic generation who did not mind stairs. The
+dining-room (with folding doors) was a little above the ground level,
+and in that the wholesome boiled and roast with damp boiled potatoes
+and then pie to follow, was consumed and the numerous family read and
+worked in the evening, and above was the drawing-room (also with
+folding doors), where the infrequent callers were received. That was
+the vision at which those industrious builders aimed. Even while these
+houses were being run up, the threads upon the loom of fate were
+shaping to abolish altogether the type of household that would have
+fitted them. Means of transit were developing to carry the moderately
+prosperous middle-class families out of London, education and factory
+employment were whittling away at the supply of rough, hardworking,
+obedient girls who would stand the subterranean drudgery of these
+places, new classes of hard-up middle-class people such as my uncle,
+employees of various types, were coming into existence, for whom no
+homes were provided. None of these classes have ideas of what they
+ought to be, or fit in any legitimate way into the Bladesover theory
+that dominates our minds. It was nobody’s concern to see them housed
+under civilised conditions, and the beautiful laws of supply and demand
+had free play. They had to squeeze in. The landlords came out
+financially intact from their blundering enterprise. More and more
+these houses fell into the hands of married artisans, or struggling
+widows or old servants with savings, who became responsible for the
+quarterly rent and tried to sweat a living by sub-letting furnished or
+unfurnished apartments.
+
+I remember now that a poor grey-haired old woman who had an air of
+having been roused from a nap in the dust bin, came out into the area
+and looked up at us as we three went out from the front door to “see
+London” under my uncle’s direction. She was the sub-letting occupier;
+she squeezed out a precarious living by taking the house whole and
+sub-letting it in detail and she made her food and got the shelter of
+an attic above and a basement below by the transaction. And if she
+didn’t chance to “let” steadily, out she went to pauperdom and some
+other poor, sordid old adventurer tried in her place....
+
+It is a foolish community that can house whole classes, useful and
+helpful, honest and loyal classes, in such squalidly unsuitable
+dwellings. It is by no means the social economy it seems, to use up old
+women, savings and inexperience in order to meet the landlord’s
+demands. But any one who doubts this thing is going on right up to
+to-day need only spend an afternoon in hunting for lodgings in any of
+the regions of London I have named.
+
+But where has my story got to? My uncle, I say, decided I must be shown
+London, and out we three went as soon as my aunt had got her hat on, to
+catch all that was left of the day.
+
+VI
+
+It pleased my uncle extremely to find I had never seen London before.
+He took possession of the metropolis forthwith. “London, George,” he
+said, “takes a lot of understanding. It’s a great place. Immense. The
+richest town in the world, the biggest port, the greatest manufacturing
+town, the Imperial city—the centre of civilisation, the heart of the
+world! See those sandwich men down there! That third one’s hat! Fair
+treat! You don’t see poverty like that in Wimblehurst George! And many
+of them high Oxford honour men too. Brought down by drink! It’s a
+wonderful place, George—a whirlpool, a maelstrom! whirls you up and
+whirls you down.”
+
+I have a very confused memory of that afternoon’s inspection of London.
+My uncle took us to and fro showing us over his London, talking
+erratically, following a route of his own. Sometimes we were walking,
+sometimes we were on the tops of great staggering horse omnibuses in a
+heaving jumble of traffic, and at one point we had tea in an Aerated
+Bread Shop. But I remember very distinctly how we passed down Park Lane
+under an overcast sky, and how my uncle pointed out the house of this
+child of good fortune and that with succulent appreciation.
+
+I remember, too, that as he talked I would find my aunt watching my
+face as if to check the soundness of his talk by my expression.
+
+“Been in love yet, George?” she asked suddenly, over a bun in the
+tea-shop.
+
+“Too busy, aunt,” I told her.
+
+She bit her bun extensively, and gesticulated with the remnant to
+indicate that she had more to say.
+
+“How are _you_ going to make your fortune?” she said so soon as she
+could speak again. “You haven’t told us that.”
+
+“’Lectricity,” said my uncle, taking breath after a deep draught of
+tea.
+
+“If I make it at all,” I said. “For my part I think shall be satisfied
+with something less than a fortune.”
+
+“We’re going to make ours—suddenly,” she said.
+
+“So _he_ old says.” She jerked her head at my uncle.
+
+“He won’t tell me when—so I can’t get anything ready. But it’s coming.
+Going to ride in our carriage and have a garden. Garden—like a
+bishop’s.”
+
+She finished her bun and twiddled crumbs from her fingers. “I shall be
+glad of the garden,” she said. “It’s going to be a real big one with
+rosaries and things. Fountains in it. Pampas grass. Hothouses.”
+
+“You’ll get it all right,” said my uncle, who had reddened a little.
+
+“Grey horses in the carriage, George,” she said. “It’s nice to think
+about when one’s dull. And dinners in restaurants often and often. And
+theatres—in the stalls. And money and money and money.”
+
+“You may joke,” said my uncle, and hummed for a moment.
+
+“Just as though an old Porpoise like him would ever make money,” she
+said, turning her eyes upon his profile with a sudden lapse to
+affection. “He’ll just porpoise about.”
+
+“I’ll do something,” said my uncle, “you bet! Zzzz!” and rapped with a
+shilling on the marble table.
+
+“When you do you’ll have to buy me a new pair of gloves,” she said,
+“anyhow. That finger’s past mending. Look! you Cabbage—you.” And she
+held the split under his nose, and pulled a face of comical fierceness.
+
+My uncle smiled at these sallies at the time, but afterwards, when I
+went back with him to the Pharmacy—the low-class business grew brisker
+in the evening and they kept open late—he reverted to it in a low
+expository tone. “Your aunt’s a bit impatient, George. She gets at me.
+It’s only natural.... A woman doesn’t understand how long it takes to
+build up a position. No.... In certain directions now—I
+am—quietly—building up a position. Now here.... I get this room. I have
+my three assistants. Zzzz. It’s a position that, judged by the
+criterion of imeedjit income, isn’t perhaps so good as I deserve, but
+strategically—yes. It’s what I want. I make my plans. I rally my
+attack.”
+
+“What plans,” I said, “are you making?”
+
+“Well, George, there’s one thing you can rely upon, I’m doing nothing
+in a hurry. I turn over this one and that, and I don’t
+talk—indiscreetly. There’s—No! I don’t think I can tell you that. And
+yet, why NOT?”
+
+He got up and closed the door into the shop. “I’ve told no one,” he
+remarked, as he sat down again. “I owe you something.”
+
+His face flushed slightly, he leant forward over the little table
+towards me.
+
+“Listen!” he said.
+
+I listened.
+
+“Tono-Bungay,” said my uncle very slowly and distinctly.
+
+I thought he was asking me to hear some remote, strange noise. “I don’t
+hear anything,” I said reluctantly to his expectant face. He smiled
+undefeated. “Try again,” he said, and repeated, “Tono-Bungay.”
+
+“Oh, _that!_” I said.
+
+“Eh?” said he.
+
+“But what is it?”
+
+“Ah!” said my uncle, rejoicing and expanding. “What _is_ it? That’s
+what you got to ask? What _won’t_ it be?” He dug me violently in what
+he supposed to be my ribs. “George,” he cried—“George, watch this
+place! There’s more to follow.”
+
+And that was all I could get from him.
+
+That, I believe, was the very first time that the words Tono-Bungay
+ever heard on earth—unless my uncle indulged in monologues in his
+chamber—a highly probable thing. Its utterance certainly did not seem
+to me at the time to mark any sort of epoch, and had I been told this
+word was the Open Sesame to whatever pride and pleasure the grimy front
+of London hid from us that evening, I should have laughed aloud.
+
+“Coming now to business,” I said after a pause, and with a chill sense
+of effort; and I opened the question of his trust.
+
+My uncle sighed, and leant back in his chair. “I wish I could make all
+this business as clear to you as it is to me,” he said. “However—Go on!
+Say what you have to say.”
+
+VII
+
+After I left my uncle that evening I gave way to a feeling of profound
+depression. My uncle and aunt seemed to me to be leading—I have already
+used the word too often, but I must use it again—_dingy_ lives. They
+seemed to be adrift in a limitless crowd of dingy people, wearing
+shabby clothes, living uncomfortably in shabby second-hand houses,
+going to and fro on pavements that had always a thin veneer of greasy,
+slippery mud, under grey skies that showed no gleam of hope of anything
+for them but dinginess until they died. It seemed absolutely clear to
+me that my mother’s little savings had been swallowed up and that my
+own prospect was all too certainly to drop into and be swallowed up
+myself sooner or later by this dingy London ocean. The London that was
+to be an adventurous escape from the slumber of Wimblehurst, had
+vanished from my dreams. I saw my uncle pointing to the houses in Park
+Lane and showing a frayed shirt-cuff as he did so. I heard my aunt:
+“I’m to ride in my carriage then. So he old says.”
+
+My feelings towards my uncle were extraordinarily mixed. I was
+intensely sorry not only for my aunt Susan but for him—for it seemed
+indisputable that as they were living then so they must go on—and at
+the same time I was angry with the garrulous vanity and illness that
+had elipped all my chance of independent study, and imprisoned her in
+those grey apartments. When I got back to Wimblehurst I allowed myself
+to write him a boyishly sarcastic and sincerely bitter letter. He never
+replied. Then, believing it to be the only way of escape for me, I set
+myself far more grimly and resolutely to my studies than I had ever
+done before. After a time I wrote to him in more moderate terms, and he
+answered me evasively. And then I tried to dismiss him from my mind and
+went on working.
+
+Yes, that first raid upon London under the moist and chilly depression
+of January had an immense effect upon me. It was for me an epoch-making
+disappointment. I had thought of London as a large, free, welcoming,
+adventurous place, and I saw it slovenly and harsh and irresponsive.
+
+I did not realise at all what human things might be found behind those
+grey frontages, what weakness that whole forbidding façade might
+presently confess. It is the constant error of youth to over-estimate
+the Will in things. I did not see that the dirt, the discouragement,
+the discomfort of London could be due simply to the fact that London
+was a witless old giantess of a town, too slack and stupid to keep
+herself clean and maintain a brave face to the word. No! I suffered
+from the sort of illusion that burnt witches in the seventeenth
+century. I endued her grubby disorder with a sinister and magnificent
+quality of intention.
+
+And my uncle’s gestures and promises filled me with doubt and a sort of
+fear for him. He seemed to me a lost little creature, too silly to be
+silent, in a vast implacable condemnation. I was full of pity and a
+sort of tenderness for my aunt Susan, who was doomed to follow his
+erratic fortunes mocked by his grandiloquent promises.
+
+I was to learn better. But I worked with the terror of the grim
+underside of London in my soul during all my last year at Wimblehurst.
+
+
+
+
+BOOK THE SECOND
+THE RISE OF TONO-BUNGAY
+
+
+
+
+CHAPTER THE FIRST
+HOW I BECAME A LONDON STUDENT AND WENT ASTRAY
+
+
+I
+
+I came to live in London, as I shall tell you, when I was nearly
+twenty-two. Wimblehurst dwindles in perspective, is now in this book a
+little place far off, Bladesover no more than a small pinkish speck of
+frontage among the distant Kentish hills; the scene broadens out,
+becomes multitudinous and limitless, full of the sense of vast
+irrelevant movement. I do not remember my second coming to London as I
+do my first, for my early impressions, save that an October memory of
+softened amber sunshine stands out, amber sunshine falling on grey
+house fronts I know not where. That, and a sense of a large
+tranquillity.
+
+I could fill a book, I think, with a more or less imaginary account of
+how I came to apprehend London, how first in one aspect and then in
+another it grew in my mind. Each day my accumulating impressions were
+added to and qualified and brought into relationship with new ones;
+they fused inseparably with others that were purely personal and
+accidental. I find myself with a certain comprehensive perception of
+London, complete indeed, incurably indistinct in places and yet in some
+way a whole that began with my first visit and is still being mellowed
+and enriched.
+
+London!
+
+At first, no doubt, it was a chaos of streets and people and buildings
+and reasonless going to and fro. I do not remember that I ever
+struggled very steadily to understand it, or explored it with any but a
+personal and adventurous intention. Yet in time there has grown up in
+me a kind of theory of London; I do think I see lines of an ordered
+structure out of which it has grown, detected a process that is
+something more than a confusion of casual accidents though indeed it
+may be no more than a process of disease.
+
+I said at the outset of my first book that I find in Bladesover the
+clue to all England. Well, I certainly imagine it is the clue to the
+structure of London. There have been no revolutions no deliberate
+restatements or abandonments of opinion in England since the days of
+the fine gentry, since 1688 or thereabouts, the days when Bladesover
+was built; there have been changes, dissolving forest replacing forest,
+if you will; but then it was that the broad lines of the English system
+set firmly. And as I have gone to and fro in London in certain regions
+constantly the thought has recurred this is Bladesover House, this
+answers to Bladesover House. The fine gentry may have gone; they have
+indeed largely gone, I think; rich merchants may have replaced them,
+financial adventurers or what not. That does not matter; the shape is
+still Bladesover.
+
+I am most reminded of Bladesover and Eastry by all those regions round
+about the West End parks; for example, estate parks, each more or less
+in relation to a palace or group of great houses. The roads and back
+ways of Mayfair and all about St. James’s again, albeit perhaps of a
+later growth in point of time, were of the very spirit and
+architectural texture of the Bladesover passages and yards; they had
+the same smells, the space, the large cleanest and always going to and
+fro where one met unmistakable Olympians and even more unmistakable
+valets, butlers, footmen in mufti. There were moments when I seemed to
+glimpse down areas the white panelling, the very chintz of my mother’s
+room again.
+
+I could trace out now on a map what I would call the Great-House
+region; passing south-westward into Belgravia, becoming diffused and
+sporadic westward, finding its last systematic outbreak round and about
+Regent’s Park. The Duke of Devonshire’s place in Piccadilly, in all its
+insolent ugliness, pleases me particularly; it is the quintessence of
+the thing; Apsley House is all in the manner of my theory, Park Lane
+has its quite typical mansions, and they run along the border of the
+Green Park and St. James’s. And I struck out a truth one day in
+Cromwell Road quite suddenly, as I looked over the Natural History
+Museum “By Jove,” said I “but this is the little assemblage of cases of
+stuffed birds and animals upon the Bladesover staircase grown enormous,
+and yonder as the corresponding thing to the Bladesover curios and
+porcelain is the Art Museume and there in the little observatories in
+Exhibition Road is old Sir Cuthbert’s Gregorian telescope that I hunted
+out in the storeroom and put together.” And diving into the Art Museum
+under this inspiration, I came to a little reading-room and found as I
+had inferred, old brown books!
+
+It was really a good piece of social comparative anatomy I did that
+day; all these museums and libraries that are dotted over London
+between Piccadilly and West Kensington, and indeed the museum and
+library movement throughout the world, sprang from the elegant leisure
+of the gentlemen of taste. Theirs were the first libraries, the first
+houses of culture; by my rat-like raids into the Bladesover saloon I
+became, as it were, the last dwindled representative of such a man of
+letters as Swift. But now these things have escaped out of the Great
+House altogether, and taken on a strange independent life of their own.
+
+It is this idea of escaping parts from the seventeenth century system
+of Bladesover, of proliferating and overgrowing elements from the
+Estates, that to this day seems to me the best explanation, not simply
+of London, but of all England. England is a country of great Renascence
+landed gentlefolk who have been unconsciously outgrown and overgrown.
+The proper shops for Bladesover custom were still to be found in Regent
+Street and Bond Street in my early London days in those days they had
+been but lightly touched by the American’s profaning hand—and in
+Piccadilly. I found the doctor’s house of the country village or
+country town up and down Harley Street, multiplied but not otherwise
+different, and the family solicitor (by the hundred) further eastward
+in the abandoned houses of a previous generation of gentlepeople, and
+down in Westminster, behind Palladian fronts, the public offices
+sheltered in large Bladesoverish rooms and looked out on St. James’s
+Park. The Parliament Houses of lords and gentlemen, the parliament
+house that was horrified when merchants and brewers came thrusting into
+it a hundred years ago, stood out upon its terrace gathering the whole
+system together into a head.
+
+And the more I have paralleled these things with my Bladesover-Eastry
+model, the more evident it has become to me that the balance is not the
+same, and the more evident is the presence of great new forces, blind
+forces of invasion, of growth. The railway termini on the north side of
+London have been kept as remote as Eastry had kept the railway-station
+from Wimblehurst, they stop on the very outskirts of the estates, but
+from the south, the South Eastern railway had butted its great stupid
+rusty iron head of Charing Cross station, that great head that came
+smashing down in 1905—clean across the river, between Somerset House
+and Whitehall. The south side had no protecting estate. Factory
+chimneys smoke right over against Westminster with an air of carelessly
+not having permission, and the whole effect of industrial London and of
+all London east of Temple Bar and of the huge dingy immensity of London
+port is to me of something disproportionately large, something morbidly
+expanded, without plan or intention, dark and sinister toward the clean
+clear social assurance of the West End. And south of this central
+London, south-east, south-west, far west, north-west, all round the
+northern hills, are similar disproportionate growths, endless streets
+of undistinguished houses, undistinguished industries, shabby families,
+second-rate shops, inexplicable people who in a once fashionable phrase
+do not “exist.” All these aspects have suggested to my mind at times,
+do suggest to this day, the unorganised, abundant substance of some
+tumorous growth-process, a process which indeed bursts all the outlines
+of the affected carcass and protrudes such masses as ignoble
+comfortable Croydon, as tragic impoverished West Ham. To this day I ask
+myself will those masses ever become structural, will they indeed shape
+into anything new whatever, or is that cancerous image their true and
+ultimate diagnosis?...
+
+Moreover, together with this hypertrophy there is an immigration of
+elements that have never understood and never will understand the great
+tradition, wedges of foreign settlement embedded in the heart of this
+yeasty English expansion. One day I remember wandering eastward out of
+pure curiosity—it must have been in my early student days—and
+discovering a shabbily bright foreign quarter, shops displaying Hebrew
+placards and weird, unfamiliar commodities and a concourse of
+bright-eyed, eagle-nosed people talking some incomprehensible gibberish
+between the shops and the barrows. And soon I became quite familiar
+with the devious, vicious, dirtily-pleasant eroticism of Soho. I found
+those crowded streets a vast relief from the dull grey exterior of
+Brompton where I lodged and lived my daily life. In Soho, indeed, I got
+my first inkling of the factor of replacement that is so important in
+both the English and the American process.
+
+Even in the West End, in Mayfair and the square, about Pall Mall, Ewart
+was presently to remind me the face of the old aristocratic dignity was
+fairer than its substance; here were actors and actresses, here money
+lenders and Jews, here bold financial adventurers, and I thought of my
+uncle’s frayed cuff as he pointed out this house in Park Lane and that.
+That was so and so’s who made a corner in borax, and that palace
+belonged to that hero among modern adventurers, Barmentrude, who used
+to be an I.D.B.,—an illicit diamond buyer that is to say. A city of
+Bladesovers, the capital of a kingdom of Bladesovers, all much shaken
+and many altogether in decay, parasitically occupied, insidiously
+replaced by alien, unsympathetic and irresponsible elements; and with a
+ruling an adventitious and miscellaneous empire of a quarter of this
+daedal earth complex laws, intricate social necessities, disturbing
+insatiable suggestions, followed from this. Such was the world into
+which I had come, into which I had in some way to thrust myself and fit
+my problem, my temptations, my efforts, my patriotic instinct, all my
+moral instincts, my physical appetites, my dreams and my sanity.
+
+London! I came up to it, young and without advisers, rather priggish,
+rather dangerously open-minded and very open-eyed, and with
+something—it is, I think, the common gift of imaginative youth, and I
+claim it unblushingly—fine in me, finer than the world and seeking fine
+responses. I did not want simply to live or simply to live happily or
+well; I wanted to serve and do and make—with some nobility. It was in
+me. It is in half the youth of the world.
+
+II
+
+I had come to London as a scholar. I had taken the Vincent Bradley
+scholarship of the Pharmaceutical Society, but I threw this up when I
+found that my work of the Science and Art Department in mathematics,
+physics and chemistry had given me one of the minor Technical Board
+Scholarships at the Consolidated Technical Schools at South Kensington.
+This latter was in mechanics and metallurgy; and I hesitated between
+the two. The Vincent Bradley gave me £70 a year and quite the best
+start-off a pharmaceutical chemist could have; the South Kensington
+thing was worth about twenty-two shillings a week, and the prospects it
+opened were vague. But it meant far more scientific work than the
+former, and I was still under the impulse of that great intellectual
+appetite that is part of the adolescence of men of my type. Moreover it
+seemed to lead towards engineering, in which I imagined—I imagine to
+this day—my particular use is to be found. I took its greater
+uncertainty as a fair risk. I came up very keen, not doubting that the
+really hard and steady industry that had carried me through Wimblehurst
+would go on still in the new surroundings.
+
+Only from the very first it didn’t....
+
+When I look back now at my Wimblehurst days, I still find myself
+surprised at the amount of steady grinding study, of strenuous
+self-discipline that I maintained throughout my apprenticeship. In many
+ways I think that time was the most honourable period in my life. I
+wish I could say with a certain mind that my motives in working so well
+were large and honourable too. To a certain extent they were so; there
+was a fine sincere curiosity, a desire for the strength and power of
+scientific knowledge and a passion for intellectual exercise; but I do
+not think those forces alone would have kept me at it so grimly and
+closely if Wimblehurst had not been so dull, so limited and so
+observant. Directly I came into the London atmosphere, tasting freedom,
+tasting irresponsibility and the pull of new forces altogether, my
+discipline fell from me like a garment. Wimblehurst to a youngster in
+my position offered no temptations worth counting, no interests to
+conflict with study, no vices—such vices as it offered were coarsely
+stripped of any imaginative glamourfull drunkenness, clumsy leering
+shameful lust, no social intercourse even to waste one’s time, and on
+the other hand it would minister greatly to the self-esteem of a
+conspicuously industrious student. One was marked as “clever,” one
+played up to the part, and one’s little accomplishment stood out finely
+in one’s private reckoning against the sunlit small ignorance of that
+agreeable place. One went with an intent rush across the market square,
+one took one’s exercise with as dramatic a sense of an ordered day as
+an Oxford don, one burnt the midnight oil quite consciously at the rare
+respectful, benighted passer-by. And one stood out finely in the local
+paper with one’s unapproachable yearly harvest of certificates. Thus I
+was not only a genuinely keen student, but also a little of a prig and
+poseur in those days—and the latter kept the former at it, as London
+made clear.
+
+Moreover Wimblehurst had given me no outlet in any other direction.
+
+But I did not realise all this when I came to London, did not perceive
+how the change of atmosphere began at once to warp and distribute my
+energies. In the first place I became invisible. If I idled for a day,
+no one except my fellow-students (who evidently had no awe for me)
+remarked it. No one saw my midnight taper; no one pointed me out as I
+crossed the street as an astonishing intellectual phenomenon. In the
+next place I became inconsiderable. In Wimblehurst I felt I stood for
+Science; nobody there seemed to have so much as I and to have it so
+fully and completely. In London I walked ignorant in an immensity, and
+it was clear that among my fellow-students from the midlands and the
+north I was ill-equipped and under-trained. With the utmost exertion I
+should only take a secondary position among them. And finally, in the
+third place, I was distracted by voluminous new interests; London took
+hold of me, and Science, which had been the universe, shrank back to
+the dimensions of tiresome little formulae compacted in a book. I came
+to London in late September, and it was a very different London from
+that great greyly-overcast, smoke-stained house-wilderness of my first
+impressions. I reached it by Victoria and not by Cannon Street, and its
+centre was now in Exhibition Road. It shone, pale amber, blue-grey and
+tenderly spacious and fine under clear autumnal skies, a London of
+hugely handsome buildings and vistas and distances, a London of gardens
+and labyrinthine tall museums, of old trees and remote palaces and
+artificial waters. I lodged near by in West Brompton at a house in a
+little square.
+
+So London faced me the second time, making me forget altogether for a
+while the grey, drizzling city visage that had first looked upon me. I
+settled down and went to and fro to my lectures and laboratory; in the
+beginning I worked hard, and only slowly did the curiosity that
+presently possessed me to know more of this huge urban province arise,
+the desire to find something beyond mechanism that I could serve, some
+use other than learning. With this was a growing sense of loneliness, a
+desire for adventure and intercourse. I found myself in the evenings
+poring over a map of London I had bought, instead of copying out
+lecture notes—and on Sundays I made explorations, taking omnibus rides
+east and west and north and south, and to enlarging and broadening the
+sense of great swarming hinterlands of humanity with whom I had no
+dealings, of whom I knew nothing....
+
+The whole illimitable place teemed with suggestions of indefinite and
+sometimes outrageous possibility, of hidden but magnificent meanings.
+
+It wasn’t simply that I received a vast impression of space and
+multitude and opportunity; intimate things also were suddenly dragged
+from neglected, veiled and darkened corners into an acute vividness of
+perception. Close at hand in the big art museum I came for the first
+time upon the beauty of nudity, which I had hitherto held to be a
+shameful secret, flaunted and gloried in; I was made aware of beauty as
+not only permissible, but desirable and frequent and of a thousand
+hitherto unsuspected rich aspects of life. One night in a real rapture,
+I walked round the upper gallery of the Albert Hall and listened for
+the first time to great music; I believe now that it was a rendering of
+Beethoven’s Ninth Symphony....
+
+My apprehension of spaces and places was reinforced by a quickened
+apprehension of persons. A constant stream of people passed by me, eyes
+met and challenged mine and passed—more and more I wanted then to
+stay—if I went eastward towards Piccadilly, women who seemed then to my
+boyish inexperience softly splendid and alluring, murmured to me as
+they passed. Extraordinarily life unveiled. The very hoardings
+clamoured strangely at one’s senses and curiosities. One bought
+pamphlets and papers full of strange and daring ideas transcending
+one’s boldest; in the parks one heard men discussing the very existence
+of God, denying the rights of property, debating a hundred things that
+one dared not think about in Wimblehurst. And after the ordinary
+overcast day, after dull mornings, came twilight, and London lit up and
+became a thing of white and yellow and red jewels of light and
+wonderful floods of golden illumination and stupendous and unfathomable
+shadows—and there were no longer any mean or shabby people—but a great
+mysterious movement of unaccountable beings....
+
+Always I was coming on the queerest new aspects. Late one Saturday
+night I found myself one of a great slow-moving crowd between the
+blazing shops and the flaring barrows in the Harrow Road; I got into
+conversation with two bold-eyed girls, bought them boxes of chocolate,
+made the acquaintance of father and mother and various younger brothers
+and sisters, sat in a public-house hilariously with them all, standing
+and being stood drinks, and left them in the small hours at the door of
+“home,” never to see them again. And once I was accosted on the
+outskirts of a Salvation Army meeting in one of the parks by a
+silk-hatted young man of eager and serious discourse, who argued
+against scepticism with me, invited me home to tea into a clean and
+cheerful family of brothers and sisters and friends, and there I spent
+the evening singing hymns to the harmonium (which reminded me of
+half-forgotten Chatham), and wishing all the sisters were not so
+obviously engaged....
+
+Then on the remote hill of this boundless city-world I found Ewart.
+
+III
+
+How well I remember the first morning, a bright Sunday morning in early
+October, when I raided in upon Ewart! I found my old schoolfellow in
+bed in a room over an oil-shop in a back street at the foot of Highgate
+Hill. His landlady, a pleasant, dirty young woman with soft-brown eyes,
+brought down his message for me to come up; and up I went. The room
+presented itself as ample and interesting in detail and shabby with a
+quite commendable shabbiness. I had an impression of brown walls—they
+were papered with brown paper—of a long shelf along one side of the
+room, with dusty plaster casts and a small cheap lay figure of a horse,
+of a table and something of grey wax partially covered with a cloth,
+and of scattered drawings. There was a gas stove in one corner, and
+some enameled ware that had been used for overnight cooking. The
+oilcloth on the floor was streaked with a peculiar white dust. Ewart
+himself was not in the first instance visible, but only a fourfold
+canvas screen at the end of the room from which shouts proceeded of
+“Come on!” then his wiry black hair, very much rumpled, and a staring
+red-brown eye and his stump of a nose came round the edge of this at a
+height of about three feet from the ground “It’s old Ponderevo!” he
+said, “the Early bird! And he’s caught the worm! By Jove, but it’s cold
+this morning! Come round here and sit on the bed!”
+
+I walked round, wrung his hand, and we surveyed one another.
+
+He was lying on a small wooden fold-up bed, the scanty covering of
+which was supplemented by an overcoat and an elderly but still cheerful
+pair of check trousers, and he was wearing pajamas of a virulent pink
+and green. His neck seemed longer and more stringy than it had been
+even in our schooldays, and his upper lip had a wiry black moustache.
+The rest of his ruddy, knobby countenance, his erratic hair and his
+general hairy leanness had not even—to my perceptions grown.
+
+“By Jove!” he said, “you’ve got quite decent-looking, Ponderevo! What
+do you think of me?”
+
+“You’re all right. What are you doing here?”
+
+“Art, my son—sculpture! And incidentally—” He hesitated. “I ply a
+trade. Will you hand me that pipe and those smoking things? So! You
+can’t make coffee, eh? Well, try your hand. Cast down this
+screen—no—fold it up and so we’ll go into the other room. I’ll keep in
+bed all the same. The fire’s a gas stove. Yes. Don’t make it bang. too
+loud as you light it—I can’t stand it this morning. You won’t smoke ...
+Well, it does me good to see you again, Ponderevo. Tell me what you’re
+doing, and how you’re getting on.”
+
+He directed me in the service of his simple hospitality, and presently
+I came back to his bed and sat down and smiled at him there, smoking
+comfortably, with his hands under his head, surveying me.
+
+“How’s Life’s Morning, Ponderevo? By Jove, it must be nearly six years
+since we met! They’ve got moustaches. We’ve fleshed ourselves a bit,
+eh? And you?”
+
+I felt a pipe was becoming after all, and that lit, I gave him a
+favourable sketch of my career.
+
+“Science! And you’ve worked like that! While I’ve been potting round
+doing odd jobs for stone-masons and people, and trying to get to
+sculpture. I’ve a sort of feeling that the chisel—I began with
+painting, Ponderevo, and found I was colour-blind, colour-blind enough
+to stop it. I’ve drawn about and thought about—thought more
+particularly. I give myself three days a week as an art student, and
+the rest of the time I’ve a sort of trade that keeps me. And we’re
+still in the beginning of things, young men starting. Do you remember
+the old times at Goudhurst, our doll’s-house island, the Retreat of the
+Ten Thousand Young Holmes and the rabbits, eh? It’s surprising, if you
+think of it, to find we are still young. And we used to talk of what we
+would be, and we used to talk of love! I suppose you know all about
+that now, Ponderevo?”
+
+I finished and hesitated on some vague foolish lie, “No,” I said, a
+little ashamed of the truth. “Do you? I’ve been too busy.”
+
+“I’m just beginning—just as we were then. Things happen.”
+
+He sucked at his pipe for a space and stared at the plaster cast of a
+flayed hand that hung on the wall.
+
+“The fact is, Ponderevo, I’m beginning to find life a most
+extraordinary queer set-out; the things that pull one, the things that
+don’t. The wants—This business of sex. It’s a net. No end to it, no way
+out of it, no sense in it. There are times when women take possession
+of me, when my mind is like a painted ceiling at Hampton Court with the
+pride of the flesh sprawling all over it. _Why>?_... And then again
+sometimes when I have to encounter a woman, I am overwhelmed by a
+terror of tantalising boredom—I fly, I hide, I do anything. You’ve got
+your scientific explanations perhaps; what’s Nature and the universe up
+to in that matter?”
+
+“It’s her way, I gather, of securing the continuity of the species.”
+
+“But it doesn’t,” said Ewart. “That’s just it! No. I have succumbed
+to—dissipation—down the hill there. Euston Road way. And it was damned
+ugly and mean, and I hate having done it. And the continuity of the
+species—Lord!... And why does Nature make a man so infernally ready for
+drinks? There’s no sense in that anyhow.” He sat up in bed, to put this
+question with the greater earnestness. “And why has she given me a most
+violent desire towards sculpture and an equally violent desire to leave
+off work directly I begin it, eh?... Let’s have some more coffee. I put
+it to you, these things puzzle me, Ponderevo. They dishearten me. They
+keep me in bed.”
+
+He had an air of having saved up these difficulties for me for some
+time. He sat with his chin almost touching his knees, sucking at his
+pipe.
+
+“That’s what I mean,” he went on, “when I say life is getting on to me
+as extraordinarily queer, I don’t see my game, nor why I was invited.
+And I don’t make anything of the world outside either. What do _you_
+make of it?”
+
+“London,” I began. “It’s—so enormous!”
+
+“Isn’t it! And it’s all up to nothing. You find chaps keeping grocers’
+shops—why the _devil_, Ponderevo, do they keep grocers’ shops? They all
+do it very carefully, very steadily, very meanly. You find people
+running about and doing the most remarkable things being policemen, for
+example, and burglars. They go about these businesses quite gravely and
+earnestly. I somehow—can’t go about mine. Is there any sense in it at
+all—anywhere?”
+
+“There must be sense in it,” I said. “We’re young.”
+
+“We’re young—yes. But one must inquire. The grocer’s a grocer because,
+I suppose, he sees he comes in there. Feels that on the whole it
+amounts to a call.... But the bother is I don’t see where I come in at
+all. Do you?”
+
+“Where _you_ come in?”
+
+“No, where _you _come in.”
+
+“Not exactly, yet,” I said. “I want to do some good in the
+world—something—something effectual, before I die. I have a sort of
+idea my scientific work—I don’t know.”
+
+“Yes,” he mused. “And I’ve got a sort of idea my sculpture,—but _how_
+it is to come in and _why_,—I’ve no idea at all.” He hugged his knees
+for a space. “That’s what puzzles me, Ponderevo, no end.”
+
+He became animated. “If you will look in that cupboard,” he said, “you
+will find an old respectable looking roll on a plate and a knife
+somewhere and a gallipot containing butter. You give them me and I’ll
+make my breakfast, and then if you don’t mind watching me paddle about
+at my simple toilet I’ll get up. Then we’ll go for a walk and talk
+about this affair of life further. And about Art and Literature and
+anything else that crops up on the way.... Yes, that’s the gallipot.
+Cockroach got in it? Chuck him out—damned interloper....”
+
+So in the first five minutes of our talk, as I seem to remember it now,
+old Ewart struck the note that ran through all that morning’s
+intercourse....
+
+To me it was a most memorable talk because it opened out quite new
+horizons of thought. I’d been working rather close and out of touch
+with Ewart’s free gesticulating way. He was pessimistic that day and
+sceptical to the very root of things. He made me feel clearly, what I
+had not felt at all before, the general adventurousness of life,
+particularly of life at the stage we had reached, and also the absence
+of definite objects, of any concerted purpose in the lives that were
+going on all round us. He made me feel, too, how ready I was to take up
+commonplace assumptions. Just as I had always imagined that somewhere
+in social arrangements there was certainly a Head-Master who would
+intervene if one went too far, so I had always had a sort of implicit
+belief that in our England there were somewhere people who understood
+what we were all, as a nation, about. That crumpled into his pit of
+doubt and vanished.
+
+He brought out, sharply cut and certain, the immense effect of
+purposelessness in London that I was already indistinctly feeling. We
+found ourselves at last returning through Highgate Cemetery and
+Waterlow Park—and Ewart was talking.
+
+“Look at it there,” he said, stopping and pointing to the great vale of
+London spreading wide and far. “It’s like a sea—and we swim in it. And
+at last down we go, and then up we come—washed up here.” He swung his
+arms to the long slopes about us, tombs and headstones in long
+perspectives, in limitless rows.
+
+“We’re young, Ponderevo, but sooner or later our whitened memories will
+wash up on one of these beaches, on some such beach as this. George
+Ponderevo, F.R.S., Sidney Ewart, R.I.P. Look at the rows of ’em!”
+
+He paused. “Do you see that hand? The hand, I mean, pointing upward, on
+the top of a blunted obelisk. Yes. Well, that’s what I do for a
+living—when I’m not thinking, or drinking, or prowling, or making love,
+or pretending I’m trying to be a sculptor without either the money or
+the morals for a model. See? And I do those hearts afire and those
+pensive angel guardians with the palm of peace. Damned well I do ’em
+and damned cheap! I’m a sweated victim, Ponderevo...”
+
+That was the way of it, anyhow. I drank deep of talk that day; we went
+into theology, into philosophy; I had my first glimpse of socialism. I
+felt as though I had been silent in a silence since I and he had
+parted. At the thought of socialism Ewart’s moods changed for a time to
+a sort of energy. “After all, all this confounded vagueness _might_ be
+altered. If you could get men to work together...”
+
+It was a good talk that rambled through all the universe. I thought I
+was giving my mind refreshment, but indeed it was dissipation. All
+sorts of ideas, even now, carry me back as it were to a fountain-head,
+to Waterlow Park and my resuscitated Ewart. There stretches away south
+of us long garden slopes and white gravestones and the wide expanse of
+London, and somewhere in the picture is a red old wall, sun-warmed, and
+a great blaze of Michaelmas daisies set off with late golden sunflowers
+and a drift of mottled, blood-red, fallen leaves. It was with me that
+day as though I had lifted my head suddenly out of dull and immediate
+things and looked at life altogether.... But it played the very devil
+with the copying up of my arrears of notes to which I had vowed the
+latter half of that day.
+
+After that reunion Ewart and I met much and talked much, and in our
+subsequent encounters his monologue was interrupted and I took my
+share. He had exercised me so greatly that I lay awake at nights
+thinking him over, and discoursed and answered him in my head as I went
+in the morning to the College. I am by nature a doer and only by the
+way a critic; his philosophical assertion of the incalculable vagueness
+of life which fitted his natural indolence roused my more irritable and
+energetic nature to active protests. “It’s all so pointless,” I said,
+“because people are slack and because it’s in the ebb of an age. But
+you’re a socialist. Well, let’s bring that about! And there’s a
+purpose. There you are!”
+
+Ewart gave me all my first conceptions of socialism; in a little while
+I was an enthusiastic socialist and he was a passive resister to the
+practical exposition of the theories he had taught me. “We must join
+some organisation,” I said. “We ought to do things.... We ought to go
+and speak at street corners. People don’t know.”
+
+You must figure me a rather ill-dressed young man in a state of great
+earnestness, standing up in that shabby studio of his and saying these
+things, perhaps with some gesticulations, and Ewart with a clay-smudged
+face, dressed perhaps in a flannel shirt and trousers, with a pipe in
+his mouth, squatting philosophically at a table, working at some chunk
+of clay that never got beyond suggestion.
+
+“I wonder why one doesn’t want to,” he said.
+
+It was only very slowly I came to gauge Ewart’s real position in the
+scheme of things, to understand how deliberate and complete was this
+detachment of his from the moral condemnation and responsibilities that
+played so fine a part in his talk. His was essentially the nature of an
+artistic appreciator; he could find interest and beauty in endless
+aspects of things that I marked as evil, or at least as not negotiable;
+and the impulse I had towards self-deception, to sustained and
+consistent self-devotion, disturbed and detached and pointless as it
+was at that time, he had indeed a sort of admiration for but no
+sympathy. Like many fantastic and ample talkers he was at bottom
+secretive, and he gave me a series of little shocks of discovery
+throughout our intercourse.
+
+The first of these came in the realisation that he quite seriously
+meant to do nothing in the world at all towards reforming the evils he
+laid bare in so easy and dexterous a manner. The next came in the
+sudden appearance of a person called “Milly”—I’ve forgotten her
+surname—whom I found in his room one evening, simply attired in a blue
+wrap—the rest of her costume behind the screen—smoking cigarettes and
+sharing a flagon of an amazingly cheap and self-assertive grocer’s wine
+Ewart affected, called “Canary Sack.” “Hullo!” said Ewart, as I came
+in. “This is Milly, you know. She’s been being a model—she IS a model
+really.... (keep calm, Ponderevo!) Have some sack?”
+
+Milly was a woman of thirty, perhaps, with a broad, rather pretty face,
+a placid disposition, a bad accent and delightful blond hair that waved
+off her head with an irrepressible variety of charm; and whenever Ewart
+spoke she beamed at him. Ewart was always sketching this hair of hers
+and embarking upon clay statuettes of her that were never finished. She
+was, I know now, a woman of the streets, whom Ewart had picked up in
+the most casual manner, and who had fallen in love with him, but my
+inexperience in those days was too great for me to place her then, and
+Ewart offered no elucidations. She came to him, he went to her, they
+took holidays together in the country when certainly she sustained her
+fair share of their expenditure. I suspect him now even of taking money
+from her. Odd old Ewart! It was a relationship so alien to my orderly
+conceptions of honour, to what I could imagine any friend of mine
+doing, that I really hardly saw it with it there under my nose. But I
+see it and I think I understand it now....
+
+Before I fully grasped the discursive manner in which Ewart was
+committed to his particular way in life, I did, I say, as the broad
+constructive ideas of socialism took hold of me, try to get him to work
+with me in some definite fashion as a socialist.
+
+“We ought to join on to other socialists,” I said.
+
+“They’ve got something.”
+
+“Let’s go and look at some first.”
+
+After some pains we discovered the office of the Fabian Society,
+lurking in a cellar in Clement’s Inn; and we went and interviewed a
+rather discouraging secretary who stood astraddle in front of a fire
+and questioned us severely and seemed to doubt the integrity of our
+intentions profoundly. He advised us to attend the next open meeting in
+Clifford’s Inn and gave us the necessary data. We both contrived to get
+to the affair, and heard a discursive gritty paper on Trusts and one of
+the most inconclusive discussions you can imagine. Three-quarters of
+the speakers seemed under some jocular obsession which took the form of
+pretending to be conceited. It was a sort of family joke, and as
+strangers to the family we did not like it.... As we came out through
+the narrow passage from Clifford’s Inn to the Strand, Ewart suddenly
+pitched upon a wizened, spectacled little man in a vast felt hat and a
+large orange tie.
+
+“How many members are there in this Fabian Society of yours?” he asked.
+
+The little man became at once defensive in his manner.
+
+“About seven hundred,” he said; “perhaps eight.”
+
+“Like—like the ones here?”
+
+The little man gave a nervous self-satisfied laugh. “I suppose they’re
+up to sample,” he said.
+
+The little man dropped out of existence and we emerged upon the Strand.
+Ewart twisted his arm into a queerly eloquent gesture that gathered up
+all the tall façades of the banks, the business places, the projecting
+clock and towers of the Law Courts, the advertisements, the luminous
+signs, into one social immensity, into a capitalistic system gigantic
+and invincible.
+
+“These socialists have no sense of proportion,” he said. “What can you
+expect of them?”
+
+IV
+
+Ewart, as the embodiment of talk, was certainly a leading factor in my
+conspicuous failure to go on studying. Social theory in its first crude
+form of Democratic Socialism gripped my intelligence more and more
+powerfully. I argued in the laboratory with the man who shared my bench
+until we quarreled and did not speak and also I fell in love.
+
+The ferment of sex had been creeping into my being like a slowly
+advancing tide through all my Wimblehurst days, the stimulus of London
+was like the rising of a wind out of the sea that brings the waves in
+fast and high. Ewart had his share in that. More and more acutely and
+unmistakably did my perception of beauty, form and sound, my desire for
+adventure, my desire for intercourse, converge on this central and
+commanding business of the individual life. I had to get me a mate.
+
+I began to fall in love faintly with girls I passed in the street, with
+women who sat before me in trains, with girl fellow-students, with
+ladies in passing carriages, with loiterers at the corners, with
+neat-handed waitresses in shops and tea-rooms, with pictures even of
+girls and women. On my rare visits to the theatre I always became
+exalted, and found the actresses and even the spectators about me
+mysterious, attractive, creatures of deep interest and desire. I had a
+stronger and stronger sense that among these glancing, passing
+multitudes there was somewhere one who was for me. And in spite of
+every antagonistic force in the world, there was something in my very
+marrow that insisted: “Stop! Look at this one! Think of her! Won’t she
+do? This signifies—this before all things signifies! Stop! Why are you
+hurrying by? This may be the predestined person—before all others.”
+
+It is odd that I can’t remember when first I saw Marion, who became my
+wife—whom I was to make wretched, who was to make me wretched, who was
+to pluck that fine generalised possibility of love out of my early
+manhood and make it a personal conflict. I became aware of her as one
+of a number of interesting attractive figures that moved about in my
+world, that glanced back at my eyes, that flitted by with a kind of
+averted watchfulness. I would meet her coming through the Art Museum,
+which was my short cut to the Brompton Road, or see her sitting,
+reading as I thought, in one of the bays of the Education Library. But
+really, as I found out afterwards, she never read. She used to come
+there to eat a bun in quiet. She was a very gracefully-moving figure of
+a girl then, very plainly dressed, with dark brown hair I remember, in
+a knot low on her neck behind that confessed the pretty roundness of
+her head and harmonised with the admirable lines of ears and cheek, the
+grave serenity of mouth and brow.
+
+She stood out among the other girls very distinctly because they
+dressed more than she did, struck emphatic notes of colour, startled
+one by novelties in hats and bows and things. I’ve always hated the
+rustle, the disconcerting colour boundaries, the smart unnatural angles
+of women’s clothes. Her plain black dress gave her a starkness....
+
+I do remember, though, how one afternoon I discovered the peculiar
+appeal of her form for me. I had been restless with my work and had
+finally slipped out of the Laboratory and come over to the Art Museum
+to lounge among the pictures. I came upon her in an odd corner of the
+Sheepshanks gallery, intently copying something from a picture that
+hung high. I had just been in the gallery of casts from the antique, my
+mind was all alive with my newly awakened sense of line, and there she
+stood with face upturned, her body drooping forward from the hips just
+a little—memorably graceful—feminine.
+
+After that I know I sought to see her, felt a distinctive emotion at
+her presence, began to imagine things about her. I no longer thought of
+generalised womanhood or of this casual person or that. I thought of
+her.
+
+An accident brought us together. I found myself one Monday morning in
+an omnibus staggering westward from Victoria—I was returning from a
+Sunday I’d spent at Wimblehurst in response to a unique freak of
+hospitality on the part of Mr. Mantell. She was the sole other inside
+passenger. And when the time came to pay her fare, she became an
+extremely scared, disconcerted and fumbling young woman; she had left
+her purse at home.
+
+Luckily I had some money.
+
+She looked at me with startled, troubled brown eyes; she permitted my
+proffered payment to the conductor with a certain ungraciousness that
+seemed a part of her shyness, and then as she rose to go, she thanked
+me with an obvious affectation of ease.
+
+“Thank you so much,” she said in a pleasant soft voice; and then less
+gracefully, “Awfully kind of you, you know.”
+
+I fancy I made polite noises. But just then I wasn’t disposed to be
+critical. I was full of the sense of her presence; her arm was
+stretched out over me as she moved past me, the gracious slenderness of
+her body was near me. The words we used didn’t seem very greatly to
+matter. I had vague ideas of getting out with her—and I didn’t.
+
+That encounter, I have no doubt, exercised me enormously. I lay awake
+at night rehearsing it, and wondering about the next phase of our
+relationship. That took the form of the return of my twopence. I was in
+the Science Library, digging something out of the _Encyclopædia
+Britannica_, when she appeared beside me and placed on the open page an
+evidently premeditated thin envelope, bulgingly confessing the coins
+within.
+
+“It was so very kind of you,” she said, “the other day. I don’t know
+what I should have done, Mr.—”
+
+I supplied my name. “I knew,” I said, “you were a student here.”
+
+“Not exactly a student. I—”
+
+“Well, anyhow, I knew you were here frequently. And I’m a student
+myself at the Consolidated Technical Schools.”
+
+I plunged into autobiography and questionings, and so entangled her in
+a conversation that got a quality of intimacy through the fact that,
+out of deference to our fellow-readers, we were obliged to speak in
+undertones. And I have no doubt that in substance it was singularly
+banal. Indeed I have an impression that all our early conversations
+were incredibly banal. We met several times in a manner
+half-accidental, half furtive and wholly awkward. Mentally I didn’t
+take hold of her. I never did take hold of her mentally. Her talk, I
+now know all too clearly, was shallow, pretentious, evasive. Only—even
+to this day—I don’t remember it as in any way vulgar. She was, I could
+see quite clearly, anxious to overstate or conceal her real social
+status, a little desirous to be taken for a student in the art school
+and a little ashamed that she wasn’t. She came to the museum to “copy
+things,” and this, I gathered, had something to do with some way of
+partially earning her living that I wasn’t to inquire into. I told her
+things about myself, vain things that I felt might appeal to her, but
+that I learnt long afterwards made her think me “conceited.” We talked
+of books, but there she was very much on her guard and secretive, and
+rather more freely of pictures. She “liked” pictures. I think from the
+outset I appreciated and did not for a moment resent that hers was a
+commonplace mind, that she was the unconscious custodian of something
+that had gripped my most intimate instinct, that she embodied the hope
+of a possibility, was the careless proprietor of a physical quality
+that had turned my head like strong wine. I felt I had to stick to our
+acquaintance, flat as it was. Presently we should get through these
+irrelevant exterior things, and come to the reality of love beneath.
+
+I saw her in dreams released, as it were, from herself, beautiful,
+worshipful, glowing. And sometimes when we were together, we would come
+on silences through sheer lack of matter, and then my eyes would feast
+on her, and the silence seemed like the drawing back of a curtain—her
+superficial self. Odd, I confess. Odd, particularly, the enormous hold
+of certain things about her upon me, a certain slight rounded duskiness
+of skin, a certain perfection of modelling in her lips, her brow, a
+certain fine flow about the shoulders. She wasn’t indeed beautiful to
+many people—these things are beyond explaining. She had manifest
+defects of form and feature, and they didn’t matter at all. Her
+complexion was bad, but I don’t think it would have mattered if it had
+been positively unwholesome. I had extraordinarily limited,
+extraordinarily painful, desires. I longed intolerably to kiss her
+lips.
+
+V
+
+The affair was immensely serious and commanding to me. I don’t remember
+that in these earlier phases I had any thought of turning back at all.
+It was clear to me that she regarded me with an eye entirely more
+critical than I had for her, that she didn’t like my scholarly
+untidiness, my want of even the most commonplace style. “Why do you
+wear collars like that?” she said, and sent me in pursuit of
+gentlemanly neckwear. I remember when she invited me a little abruptly
+one day to come to tea at her home on the following Sunday and meet her
+father and mother and aunt, that I immediately doubted whether my
+hitherto unsuspected best clothes would create the impression she
+desired me to make on her belongings. I put off the encounter until the
+Sunday after, to get myself in order. I had a morning coat made and I
+bought a silk hat, and had my reward in the first glance of admiration
+she ever gave me. I wonder how many of my sex are as preposterous. I
+was, you see, abandoning all my beliefs, my conventions unasked. I was
+forgetting myself immensely. And there was a conscious shame in it all.
+Never a word—did I breathe to Ewart—to any living soul of what was
+going on.
+
+Her father and mother and aunt struck me as the dismalest of people,
+and her home in Walham Green was chiefly notable for its black and
+amber tapestry carpets and curtains and table-cloths, and the age and
+irrelevance of its books, mostly books with faded gilt on the covers.
+The windows were fortified against the intrusive eye by cheap lace
+curtains and an “art pot” upon an unstable octagonal table. Several
+framed Art School drawings of Marion’s, bearing official South
+Kensington marks of approval, adorned the room, and there was a black
+and gilt piano with a hymn-book on the top of it. There were draped
+mirrors over all the mantels, and above the sideboard in the
+dining-room in which we sat at tea was a portrait of her father,
+villainously truthful after the manner of such works. I couldn’t see a
+trace of the beauty I found in her in either parent, yet she somehow
+contrived to be like them both.
+
+These people pretended in a way that reminded me of the Three Great
+Women in my mother’s room, but they had not nearly so much social
+knowledge and did not do it nearly so well. Also, I remarked, they did
+it with an eye on Marion. They had wanted to thank me, they said, for
+the kindness to their daughter in the matter of the ‘bus fare, and so
+accounted for anything unusual in their invitation. They posed as
+simple gentlefolk, a little hostile to the rush and gadding-about of
+London, preferring a secluded and unpretentious quiet.
+
+When Marion got out the white table-cloth from the sideboard-drawer for
+tea, a card bearing the word “APARTMENTS” fell to the floor. I picked
+it up and gave it to her before I realised from her quickened colour
+that I should not have seen it; that probably had been removed from the
+window in honour of my coming.
+
+Her father spoke once in a large remote way of he claims of business
+engagements, and it was only long afterwards I realised that he was a
+supernumerary clerk in the Walham Green Gas Works and otherwise a
+useful man at home. He was a large, loose, fattish man with
+unintelligent brown eyes magnified by spectacles; he wore an
+ill-fitting frock-coat and a paper collar, and he showed me, as his
+great treasure and interest, a large Bible which he had grangerised
+with photographs of pictures. Also he cultivated the little garden-yard
+behind the house, and he had a small greenhouse with tomatoes. “I wish
+I ’ad ’eat,” he said. “One can do such a lot with ’eat. But I suppose
+you can’t ’ave everything you want in this world.”
+
+Both he and Marion’s mother treated her with a deference that struck me
+as the most natural thing in the world. Her own manner changed, became
+more authoritative and watchful, her shyness disappeared. She had taken
+a line of her own I gathered, draped the mirror, got the second-hand
+piano, and broken her parents in.
+
+Her mother must once have been a pretty woman; she had regular features
+and Marion’s hair without its lustre, but she was thin and careworn.
+The aunt, Miss Ramboat, was a large, abnormally shy person very like
+her brother, and I don’t recall anything she said on this occasion.
+
+To begin with there was a good deal of tension, Marion was frightfully
+nervous and every one was under the necessity of behaving in a
+mysteriously unreal fashion until I plunged, became talkative and made
+a certain ease and interest. I told them of the schools, of my
+lodgings, of Wimblehurst and my apprenticeship days. “There’s a lot of
+this Science about nowadays,” Mr. Ramboat reflected; “but I sometimes
+wonder a bit what good it is?”
+
+I was young enough to be led into what he called “a bit of a
+discussion,” which Marion truncated before our voices became unduly
+raised. “I dare say,” she said, “there’s much to be said on both
+sides.”
+
+I remember Marion’s mother asked me what church I attended, and that I
+replied evasively. After tea there was music and we sang hymns. I
+doubted if I had a voice when this was proposed, but that was held to
+be a trivial objection, and I found sitting close beside the sweep of
+hair from Marion’s brow had many compensations. I discovered her mother
+sitting in the horsehair armchair and regarding us sentimentally. I
+went for a walk with Marion towards Putney Bridge, and then there was
+more singing and a supper of cold bacon and pie, after which Mr.
+Ramboat and I smoked. During that walk, I remember, she told me the
+import of her sketchings and copyings in the museum. A cousin of a
+friend of hers whom she spoke of as Smithie, had developed an original
+business in a sort of tea-gown garment which she called a Persian Robe,
+a plain sort of wrap with a gaily embroidered yoke, and Marion went
+there and worked in the busy times. In the times that weren’t busy she
+designed novelties in yokes by an assiduous use of eyes and note-book
+in the museum, and went home and traced out the captured forms on the
+foundation material. “I don’t get much,” said Marion, “but it’s
+interesting, and in the busy times we work all day. Of course the
+workgirls are dreadfully common, but we don’t say much to them. And
+Smithie talks enough for ten.”
+
+I quite understood the workgirls were dreadfully common.
+
+I don’t remember that the Walham Green _ménage_ and the quality of
+these people, nor the light they threw on Marion, detracted in the
+slightest degree at that time from the intent resolve that held me to
+make her mine. I didn’t like them. But I took them as part of the
+affair. Indeed, on the whole, I think they threw her up by an effect of
+contrast; she was so obviously controlling them, so consciously
+superior to them.
+
+More and more of my time did I give to this passion that possessed me.
+I began to think chiefly of ways of pleasing Marion, of acts of
+devotion, of treats, of sumptuous presents for her, of appeals she
+would understand. If at times she was manifestly unintelligent, in her
+ignorance became indisputable, I told myself her simple instincts were
+worth all the education and intelligence in the world. And to this day
+I think I wasn’t really wrong about her. There was something
+extraordinarily fine about her, something simple and high, that
+flickered in and out of her ignorance and commonness and limitations
+like the tongue from the mouth of a snake....
+
+One night I was privileged to meet her and bring her home from an
+entertainment at the Birkbeck Institute. We came back on the
+underground railway and we travelled first-class—that being the highest
+class available. We were alone in the carriage, and for the first time
+I ventured to put my arm about her.
+
+“You mustn’t,” she said feebly.
+
+“I love you,” I whispered suddenly with my heart beating wildly, drew
+her to me, drew all her beauty to me and kissed her cool and
+unresisting lips.
+
+“Love me?” she said, struggling away from me, “Don’t!” and then, as the
+train ran into a station, “You must tell no one.... I don’t know....
+You shouldn’t have done that....”
+
+Then two other people got in with us and terminated my wooing for a
+time.
+
+When we found ourselves alone together, walking towards Battersea, she
+had decided to be offended. I parted from her unforgiven and terribly
+distressed.
+
+When we met again, she told me I must never say “that” again.
+
+I had dreamt that to kiss her lips was ultimate satisfaction. But it
+was indeed only the beginning of desires. I told her my one ambition
+was to marry her.
+
+“But,” she said, “you’re not in a position—What’s the good of talking
+like that?”
+
+I stared at her. “I mean to,” I said.
+
+“You can’t,” she answered. “It will be years”
+
+“But I love you,” I insisted.
+
+I stood not a yard from the sweet lips I had kissed; I stood within
+arm’s length of the inanimate beauty I desired to quicken, and I saw
+opening between us a gulf of years, toil, waiting, disappointments and
+an immense uncertainty.
+
+“I love you,” I said. “Don’t you love me?”
+
+She looked me in the face with grave irresponsive eyes.
+
+“I don’t know,” she said. “I _like_ you, of course.... One has to be
+sensibl...”
+
+I can remember now my sense of frustration by her unresilient reply. I
+should have perceived then that for her my ardour had no quickening
+fire. But how was I to know? I had let myself come to want her, my
+imagination endowed her with infinite possibilities. I wanted her and
+wanted her, stupidly and instinctively....
+
+“But,” I said “Love—!”
+
+“One has to be sensible,” she replied. “I like going about with you.
+Can’t we keep as we are?’”
+
+VI
+
+Well, you begin to understand my breakdown now, I have been copious
+enough with these apologia. My work got more and more spiritless, my
+behaviour degenerated, my punctuality declined; I was more and more
+outclassed in the steady grind by my fellow-students. Such supplies of
+moral energy as I still had at command shaped now in the direction of
+serving Marion rather than science.
+
+I fell away dreadfully, more and more I shirked and skulked; the humped
+men from the north, the pale men with thin, clenched minds, the intent,
+hard-breathing students I found against me, fell at last from keen
+rivalry to moral contempt. Even a girl got above me upon one of the
+lists. Then indeed I made it a point of honour to show by my public
+disregard of every rule that I really did not even pretend to try.
+
+So one day I found myself sitting in a mood of considerable
+astonishment in Kensington Gardens, reacting on a recent heated
+interview with the school Registrar in which I had displayed more
+spirit than sense. I was astonished chiefly at my stupendous falling
+away from all the militant ideals of unflinching study I had brought up
+from Wimblehurst. I had displayed myself, as the Registrar put it, “an
+unmitigated rotter.” My failure to get marks in the written examination
+had only been equalled by the insufficiency of my practical work.
+
+“I ask you,” the Registrar had said, “what will become of you when your
+scholarship runs out?”
+
+It certainly was an interesting question. What _was_ going to become of
+me?
+
+It was clear there would be nothing for me in the schools as I had once
+dared to hope; there seemed, indeed, scarcely anything in the world
+except an illpaid assistantship in some provincial organized Science
+School or grammar school. I knew that for that sort of work, without a
+degree or any qualification, one earned hardly a bare living and had
+little leisure to struggle up to anything better. If only I had even as
+little as fifty pounds I might hold out in London and take my B.Sc.
+degree, and quadruple my chances! My bitterness against my uncle
+returned at the thought. After all, he had some of my money still, or
+ought to have. Why shouldn’t I act within my rights, threaten to ‘take
+proceedings’? I meditated for a space on the idea, and then returned to
+the Science Library and wrote him a very considerable and occasionally
+pungent letter.
+
+That letter to my uncle was the nadir of my failure. Its remarkable
+consequences, which ended my student days altogether, I will tell in
+the next chapter.
+
+I say “my failure.” Yet there are times when I can even doubt whether
+that period was a failure at all, when I become defensively critical of
+those exacting courses I did not follow, the encyclopaedic process of
+scientific exhaustion from which I was distracted. My mind was not
+inactive, even if it fed on forbidden food. I did not learn what my
+professors and demonstrators had resolved I should learn, but I learnt
+many things. My mind learnt to swing wide and to swing by itself.
+
+After all, those other fellows who took high places in the College
+examinations and were the professor’s model boys haven’t done so
+amazingly. Some are professors themselves, some technical experts; not
+one can show things done such as I, following my own interest, have
+achieved. For I have built boats that smack across the water like
+whiplashes; no one ever dreamt of such boats until I built them; and I
+have surprised three secrets that are more than technical discoveries,
+in the unexpected hiding-places of Nature. I have come nearer flying
+than any man has done. Could I have done as much if I had had a turn
+for obeying those rather mediocre professors at the college who
+proposed to train my mind? If I had been _trained_ in research—that
+ridiculous contradiction in terms—should I have done more than produce
+additions to the existing store of little papers with blunted
+conclusions, of which there are already too many? I see no sense in
+mock modesty upon this matter. Even by the standards of worldly success
+I am, by the side of my fellow-students, no failure. I had my F.R.S. by
+the time I was thirty-seven, and if I am not very wealthy poverty is as
+far from me as the Spanish Inquisition. Suppose I had stamped down on
+the head of my wandering curiosity, locked my imagination in a box just
+when it wanted to grow out to things, worked by so-and-so’s excellent
+method and so-and-so’s indications, where should I be now?
+
+I may be all wrong in this. It may be I should be a far more efficient
+man than I am if I had cut off all those divergent expenditures of
+energy, plugged up my curiosity about society with more currently
+acceptable rubbish or other, abandoned Ewart, evaded Marion instead of
+pursuing her, concentrated. But I don’t believe it!
+
+However, I certainly believed it completely and was filled with remorse
+on that afternoon when I sat dejectedly in Kensington Gardens and
+reviewed, in the light of the Registrar’s pertinent questions my first
+two years in London.
+
+
+
+
+CHAPTER THE SECOND
+THE DAWN COMES, AND MY UNCLE APPEARS IN A NEW SILK HAT
+
+
+I
+
+Throughout my student days I had not seen my uncle. I refrained from
+going to him in spite of an occasional regret that in this way I
+estranged myself from my aunt Susan, and I maintained a sulky attitude
+of mind towards him. And I don’t think that once in all that time I
+gave a thought to that mystic word of his that was to alter all the
+world for us. Yet I had not altogether forgotten it. It was with a
+touch of memory, dim transient perplexity if no more—why did this thing
+seem in some way personal?—that I read a new inscription upon the
+hoardings:
+
+THE SECRET OF VIGOUR,
+TONO-BUNGAY.
+
+
+That was all. It was simple and yet in some way arresting. I found
+myself repeating the word after I had passed; it roused one’s attention
+like the sound of distant guns. “Tono”—what’s that? and deep, rich,
+unhurrying;—“_bun_—gay!”
+
+Then came my uncle’s amazing telegram, his answer to my hostile note:
+“_Come to me at once you are wanted three hundred a year certain
+tono-bungay._”
+
+“By Jove!” I cried, “of course!
+
+“It’s something—. A patent-medicine! I wonder what he wants with me.”
+
+In his Napoleonic way my uncle had omitted to give an address. His
+telegram had been handed in at Farringdon Road, and after complex
+meditations I replied to Ponderevo, Farringdon Road, trusting to the
+rarity of our surname to reach him.
+
+“Where are you?” I asked.
+
+His reply came promptly:
+
+“192A, Raggett Street, E.C.”
+
+The next day I took an unsanctioned holiday after the morning’s
+lecture. I discovered my uncle in a wonderfully new silk hat—oh, a
+splendid hat! with a rolling brim that went beyond the common fashion.
+It was decidedly too big for him—that was its only fault. It was stuck
+on the back of his head, and he was in a white waistcoat and shirt
+sleeves. He welcomed me with a forgetfulness of my bitter satire and my
+hostile abstinence that was almost divine. His glasses fell off at the
+sight of me. His round inexpressive eyes shone brightly. He held out
+his plump short hand.
+
+“Here we are, George! What did I tell you? Needn’t whisper it now, my
+boy. Shout it—_loud!_ spread it about! Tell every one! Tono—TONO—,
+TONO-BUNGAY!”
+
+Raggett Street, you must understand, was a thoroughfare over which some
+one had distributed large quantities of cabbage stumps and leaves. It
+opened out of the upper end of Farringdon Street, and 192A was a shop
+with the plate-glass front coloured chocolate, on which several of the
+same bills I had read upon the hoardings had been stuck. The floor was
+covered by street mud that had been brought in on dirty boots, and
+three energetic young men of the hooligan type, in neck-wraps and caps,
+were packing wooden cases with papered-up bottles, amidst much straw
+and confusion. The counter was littered with these same swathed
+bottles, of a pattern then novel but now amazingly familiar in the
+world, the blue paper with the coruscating figure of a genially nude
+giant, and the printed directions of how under practically all
+circumstances to take Tono-Bungay. Beyond the counter on one side
+opened a staircase down which I seem to remember a girl descending with
+a further consignment of bottles, and the rest of the background was a
+high partition, also chocolate, with “Temporary Laboratory” inscribed
+upon it in white letters, and over a door that pierced it, “Office.”
+Here I rapped, inaudible amid much hammering, and then entered
+unanswered to find my uncle, dressed as I have described, one hand
+gripping a sheath of letters, and the other scratching his head as he
+dictated to one of three toiling typewriter girls. Behind him was a
+further partition and a door inscribed “ABSOLUTELY PRIVATE—NO
+ADMISSION,” thereon. This partition was of wood painted the universal
+chocolate, up to about eight feet from the ground, and then of glass.
+Through the glass I saw dimly a crowded suggestion of crucibles and
+glass retorts, and—by Jove!—yes!—the dear old Wimblehurst air-pump
+still! It gave me quite a little thrill—that air-pump! And beside it
+was the electrical machine—but something—some serious trouble—had
+happened to that. All these were evidently placed on a shelf just at
+the level to show.
+
+“Come right into the sanctum,” said my uncle, after he had finished
+something about “esteemed consideration,” and whisked me through the
+door into a room that quite amazingly failed to verify the promise of
+that apparatus. It was papered with dingy wall-paper that had peeled in
+places; it contained a fireplace, an easy-chair with a cushion, a table
+on which stood two or three big bottles, a number of cigar-boxes on the
+mantel, whisky Tantalus and a row of soda syphons. He shut the door
+after me carefully.
+
+“Well, here we are!” he said. “Going strong! Have a whisky, George?
+No!—Wise man! Neither will I! You see me at it! At it—hard!”
+
+“Hard at what?”
+
+“Read it,” and he thrust into my hand a label—that label that has now
+become one of the most familiar objects of the chemist’s shop, the
+greenish-blue rather old-fashioned bordering, the legend, the name in
+good black type, very clear, and the strong man all set about with
+lightning flashes above the double column of skilful lies in red—the
+label of Tono-Bungay. “It’s afloat,” he said, as I stood puzzling at
+this. “It’s afloat. I’m afloat!” And suddenly he burst out singing in
+that throaty tenor of his—
+
+“I’m afloat, I’m afloat on the fierce flowing tide,
+The ocean’s my home and my bark is my bride!
+
+
+“Ripping song that is, George. Not so much a bark as a solution, but
+still—it does! Here we are at it! By-the-by! Half a mo’! I’ve thought
+of a thing.” He whisked out, leaving me to examine this nuclear spot at
+leisure while his voice became dictatorial without. The den struck me
+as in its large grey dirty way quite unprecedented and extraordinary.
+The bottles were all labelled simply A, B, C, and so forth, and that
+dear old apparatus above, seen from this side, was even more patiently
+“on the shelf” than when it had been used to impress Wimblehurst. I saw
+nothing for it but to sit down in the chair and await my uncle’s
+explanations. I remarked a frock-coat with satin lapels behind the
+door; there was a dignified umbrella in the corner and a clothes-brush
+and a hat-brush stood on a side-table. My uncle returned in five
+minutes looking at his watch—a gold watch—“Gettin’ lunch-time, George,”
+he said. “You’d better come and have lunch with me!”
+
+“How’s Aunt Susan?” I asked.
+
+“Exuberant. Never saw her so larky. This has bucked her up something
+wonderful—all this.”
+
+“All what?”
+
+“Tono-Bungay.”
+
+“What is Tono-Bungay?” I asked.
+
+My uncle hesitated. “Tell you after lunch, George,” he said. “Come
+along!” and having locked up the sanctum after himself, led the way
+along a narrow dirty pavement, lined with barrows and swept at times by
+avalanche-like porters bearing burthens to vans, to Farringdon Street.
+He hailed a passing cab superbly, and the cabman was infinitely
+respectful. “Schäfer’s,” he said, and off we went side by side—and with
+me more and more amazed at all these things—to Schäfer’s Hotel, the
+second of the two big places with huge lace curtain-covered windows,
+near the corner of Blackfriars Bridge.
+
+I will confess I felt a magic charm in our relative proportions as the
+two colossal, pale-blue-and-red liveried porters of Schäfers’ held open
+the inner doors for us with a respectful salutation that in some manner
+they seemed to confine wholly to my uncle. Instead of being about four
+inches taller, I felt at least the same size as he, and very much
+slenderer. Still more respectful—waiters relieved him of the new hat
+and the dignified umbrella, and took his orders for our lunch. He gave
+them with a fine assurance.
+
+He nodded to several of the waiters.
+
+“They know me, George, already,” he said. “Point me out. Live place!
+Eye for coming men!”
+
+The detailed business of the lunch engaged our attention for a while,
+and then I leant across my plate. “And NOW?” said I.
+
+“It’s the secret of vigour. Didn’t you read that label?”
+
+“Yes, but—”
+
+“It’s selling like hot cakes.”
+
+“And what is it?” I pressed.
+
+“Well,” said my uncle, and then leant forward and spoke softly under
+cover of his hand, “It’s nothing more or less than...”
+
+(But here an unfortunate scruple intervenes. After all, Tono-Bungay is
+still a marketable commodity and in the hands of purchasers, who bought
+it from—among other vendors—me. No! I am afraid I cannot give it away—)
+
+“You see,” said my uncle in a slow confidential whisper, with eyes very
+wide and a creased forehead, “it’s nice because of the” (here he
+mentioned a flavouring matter and an aromatic spirit), “it’s
+stimulating because of” (here he mentioned two very vivid tonics, one
+with a marked action on the kidney.) “And the” (here he mentioned two
+other ingredients) “makes it pretty intoxicating. Cocks their tails.
+Then there’s” (but I touch on the essential secret.) “And there you
+are. I got it out of an old book of recipes—all except the” (here he
+mentioned the more virulent substance, the one that assails the
+kidneys), “which is my idea! Modern touch! There you are!”
+
+He reverted to the direction of our lunch.
+
+Presently he was leading the way to the lounge—sumptuous piece in red
+morocco and yellow glazed crockery, with incredible vistas of settees
+and sofas and things, and there I found myself grouped with him in two
+excessively upholstered chairs with an earthenware Moorish table
+between us bearing coffee and Benedictine, and I was tasting the
+delights of a tenpenny cigar. My uncle smoked a similar cigar in an
+habituated manner, and he looked energetic and knowing and luxurious
+and most unexpectedly a little bounder, round the end of it. It was
+just a trivial flaw upon our swagger, perhaps that we both were clear
+our cigars had to be “mild.” He got obliquely across the spaces of his
+great armchair so as to incline confidentially to my ear, he curled up
+his little legs, and I, in my longer way, adopted a corresponding
+receptive obliquity. I felt that we should strike an unbiased observer
+as a couple of very deep and wily and developing and repulsive persons.
+
+“I want to let you into this”—puff—“George,” said my uncle round the
+end of his cigar. “For many reasons.”
+
+His voice grew lower and more cunning. He made explanations that to my
+inexperience did not completely explain. I retain an impression of a
+long credit and a share with a firm of wholesale chemists, of a credit
+and a prospective share with some pirate printers, of a third share for
+a leading magazine and newspaper proprietor.
+
+“I played ’em off one against the other,” said my uncle. I took his
+point in an instant. He had gone to each of them in turn and said the
+others had come in.
+
+“I put up four hundred pounds,” said my uncle, “myself and my all. And
+you know—”
+
+He assumed a brisk confidence. “I hadn’t five hundred pence. At least—”
+
+For a moment he really was just a little embarrassed. “I _did_” he
+said, “produce capital. You see, there was that trust affair of yours—I
+ought, I suppose—in strict legality—to have put that straight first.
+Zzzz....
+
+“It was a bold thing to do,” said my uncle, shifting the venue from the
+region of honour to the region of courage. And then with a
+characteristic outburst of piety, “Thank God it’s all come right!
+
+“And now, I suppose, you ask where do YOU come in? Well, fact is I’ve
+always believed in you, George. You’ve got—it’s a sort of dismal grit.
+Bark your shins, rouse you, and you’ll go! You’d rush any position you
+had a mind to rush. I know a bit about character, George—trust me.
+You’ve got—” He clenched his hands and thrust them out suddenly, and at
+the same time said, with explosive violence, “Wooosh! Yes. You have!
+The way you put away that Latin at Wimblehurst; I’ve never forgotten
+it.
+
+“Wo-oo-oo-osh! Your science and all that! Wo-oo-oo-osh! I know my
+limitations. There’s things I can do, and” (he spoke in a whisper, as
+though this was the first hint of his life’s secret) “there’s things I
+can’t. Well, I can create this business, but I can’t make it go. I’m
+too voluminous—I’m a boiler-over, not a simmering stick-at-it._You_
+keep on _hotting up and hotting up_. Papin’s digester. That’s you,
+steady and long and piling up,—then, wo-oo-oo-oo-osh. Come in and
+stiffen these niggers. Teach them that wo-oo-oo-oo-osh. There you are!
+That’s what I’m after. You! Nobody else believes you’re more than a
+boy. Come right in with me and be a man. Eh, George? Think of the fun
+of it—a thing on the go—a Real Live Thing! Wooshing it up! Making it
+buzz and spin! Whoo-oo-oo.”—He made alluring expanding circles in the
+air with his hand. “Eh?”
+
+His proposal, sinking to confidential undertones again, took more
+definite shape. I was to give all my time and energy to developing and
+organising. “You shan’t write a single advertisement, or give a single
+assurance” he declared. “I can do all that.” And the telegram was no
+flourish; I was to have three hundred a year. Three hundred a year.
+(“That’s nothing,” said my uncle, “the thing to freeze on to, when the
+time comes, is your tenth of the vendor’s share.”)
+
+Three hundred a year certain, anyhow! It was an enormous income to me.
+For a moment I was altogether staggered. Could there be that much money
+in the whole concern? I looked about me at the sumptuous furniture of
+Schäfer’s Hotel. No doubt there were many such incomes.
+
+My head was spinning with unwonted Benedictine and Burgundy.
+
+“Let me go back and look at the game again,” I said. “Let me see
+upstairs and round about.”
+
+I did.
+
+“What do you think of it all?” my uncle asked at last.
+
+“Well, for one thing,” I said, “why don’t you have those girls working
+in a decently ventilated room? Apart from any other consideration,
+they’d work twice as briskly. And they ought to cover the corks before
+labelling round the bottle.”
+
+“Why?” said my uncle.
+
+“Because—they sometimes make a mucker of the cork job, and then the
+label’s wasted.”
+
+“Come and change it, George,” said my uncle, with sudden fervour “Come
+here and make a machine of it. You can. Make it all slick, and then
+make it woosh. I know you can. Oh! I know you can.”
+
+II
+
+I seem to remember very quick changes of mind after that lunch. The
+muzzy exaltation of the unaccustomed stimulants gave way very rapidly
+to a model of pellucid and impartial clairvoyance which is one of my
+habitual mental states. It is intermittent; it leaves me for weeks
+together, I know, but back it comes at last like justice on circuit,
+and calls up all my impression, all my illusions, all my willful and
+passionate proceedings. We came downstairs again into that inner room
+which pretended to be a scientific laboratory through its high glass
+lights, and indeed was a lurking place. My uncle pressed a cigarette on
+me, and I took it and stood before the empty fireplace while he propped
+his umbrella in the corner, deposited the new silk hat that was a
+little too big for him on the table, blew copiously and produced a
+second cigar.
+
+It came into my head that he had shrunken very much in size since the
+Wimblehurst days, that the cannon ball he had swallowed was rather more
+evident and shameless than it had been, his skin less fresh and the
+nose between his glasses, which still didn’t quite fit, much redder.
+And just then he seemed much laxer in his muscles and not quite as
+alertly quick in his movements. But he evidently wasn’t aware of the
+degenerative nature of his changes as he sat there, looking suddenly
+quite little under my eyes.
+
+“Well, George!” he said, quite happily unconscious of my silent
+criticism, “what do you think of it all?”
+
+“Well,” I said, “in the first place—it’s a damned swindle!”
+
+“Tut! tut!” said my uncle. “It’s as straight as—It’s fair trading!”
+
+“So much the worse for trading,” I said.
+
+“It’s the sort of thing everybody does. After all, there’s no harm in
+the stuff—and it may do good. It might do a lot of good—giving people
+confidence, f’rinstance, against an epidemic. See? Why not? don’t see
+where your swindle comes in.”
+
+“H’m,” I said. “It’s a thing you either see or don’t see.”
+
+“I’d like to know what sort of trading isn’t a swindle in its way.
+Everybody who does a large advertised trade is selling something common
+on the strength of saying it’s uncommon. Look at Chickson—they made him
+a baronet. Look at Lord Radmore, who did it on lying about the alkali
+in soap! Rippin’ ads those were of his too!”
+
+“You don’t mean to say you think doing this stuff up in bottles and
+swearing it’s the quintessence of strength and making poor devils buy
+it at that, is straight?”
+
+“Why not, George? How do we know it mayn’t be the quintessence to them
+so far as they’re concerned?”
+
+“Oh!” I said, and shrugged my shoulders.
+
+“There’s Faith. You put Faith in ’em.... I grant our labels are a bit
+emphatic. Christian Science, really. No good setting people against the
+medicine. Tell me a solitary trade nowadays that hasn’t to be—emphatic.
+It’s the modern way! Everybody understands it—everybody allows for it.”
+
+“But the world would be no worse and rather better, if all this stuff
+of yours was run down a conduit into the Thames.”
+
+“Don’t see that, George, at all. ’Mong other things, all our people
+would be out of work. Unemployed! I grant you Tono-Bungay _may_ be—not
+_quite_ so good a find for the world as Peruvian bark, but the point
+is, George—it _makes trade!_ And the world lives on trade. Commerce! A
+romantic exchange of commodities and property. Romance. ’Magination.
+See? You must look at these things in a broad light. Look at the
+wood—and forget the trees! And hang it, George! we got to do these
+things! There’s no way unless you do. What do _you_ mean to do—anyhow?”
+
+“There’s ways of living,” I said, “Without either fraud or lying.”
+
+“You’re a bit stiff, George. There’s no fraud in this affair, I’ll bet
+my hat. But what do you propose to do? Go as chemist to some one who
+_is_ running a business, and draw a salary without a share like I offer
+you. Much sense in that! It comes out of the swindle as you call
+it—just the same.”
+
+“Some businesses are straight and quiet, anyhow; supply a sound article
+that is really needed, don’t shout advertisements.”
+
+“No, George. There you’re behind the times. The last of that sort was
+sold up ‘bout five years ago.”
+
+“Well, there’s scientific research.”
+
+“And who pays for that? Who put up that big City and Guilds place at
+South Kensington? Enterprising business men! They fancy they’ll have a
+bit of science going on, they want a handy Expert ever and again, and
+there you are! And what do you get for research when you’ve done it?
+Just a bare living and no outlook. They just keep you to make
+discoveries, and if they fancy they’ll use ’em they do.”
+
+“One can teach.”
+
+“How much a year, George? How much a year? I suppose you must respect
+Carlyle! Well, you take Carlyle’s test—solvency. (Lord! what a book
+that French Revolution of his is!) See what the world pays teachers and
+discoverers and what it pays business men! That shows the ones it
+really wants. There’s a justice in these big things, George, over and
+above the apparent injustice. I tell you it wants trade. It’s Trade
+that makes the world go round! Argosies! Venice! Empire!”
+
+My uncle suddenly rose to his feet.
+
+“You think it over, George. You think it over! And come up on Sunday to
+the new place—we got rooms in Gower Street now—and see your aunt. She’s
+often asked for you, George often and often, and thrown it up at me
+about that bit of property—though I’ve always said and always will,
+that twenty-five shillings in the pound is what I’ll pay you and
+interest up to the nail. And think it over. It isn’t me I ask you to
+help. It’s yourself. It’s your aunt Susan. It’s the whole concern. It’s
+the commerce of your country. And we want you badly. I tell you
+straight, I know my limitations. You could take this place, you could
+make it go! I can see you at it—looking rather sour. Woosh is the word,
+George.”
+
+And he smiled endearingly.
+
+“I got to dictate a letter,” he said, ending the smile, and vanished
+into the outer room.
+
+III
+
+I didn’t succumb without a struggle to my uncle’s allurements. Indeed,
+I held out for a week while I contemplated life and my prospects. It
+was a crowded and muddled contemplation. It invaded even my sleep.
+
+My interview with the Registrar, my talk with my uncle, my abrupt
+discovery of the hopeless futility of my passion for Marion, had
+combined to bring me to sense of crisis. What was I going to do with
+life?
+
+I remember certain phases of my indecisions very well.
+
+I remember going home from our talk. I went down Farringdon Street to
+the Embankment because I thought to go home by Holborn and Oxford
+Street would be too crowded for thinking.... That piece of Embankment
+from Blackfriars to Westminster still reminds me of that momentous
+hesitation.
+
+You know, from first to last, I saw the business with my eyes open, I
+saw its ethical and moral values quite clearly. Never for a moment do I
+remember myself faltering from my persuasion that the sale of
+Tono-Bungay was a thoroughly dishonest proceeding. The stuff was, I
+perceived, a mischievous trash, slightly stimulating, aromatic and
+attractive, likely to become a bad habit and train people in the
+habitual use of stronger tonics and insidiously dangerous to people
+with defective kidneys. It would cost about sevenpence the large bottle
+to make, including bottling, and we were to sell it at half a crown
+plus the cost of the patent medicine stamp. A thing that I will confess
+deterred me from the outset far more than the sense of dishonesty in
+this affair, was the supreme silliness of the whole concern. I still
+clung to the idea that the world of men was or should be a sane and
+just organisation, and the idea that I should set myself gravely, just
+at the fine springtime of my life, to developing a monstrous bottling
+and packing warehouse, bottling rubbish for the consumption of foolish,
+credulous and depressed people, had in it a touch of insanity. My early
+beliefs still clung to me. I felt assured that somewhere there must be
+a hitch in the fine prospect of ease and wealth under such conditions;
+that somewhere, a little overgrown, perhaps, but still traceable, lay a
+neglected, wasted path of use and honour for me.
+
+My inclination to refuse the whole thing increased rather than
+diminished at first as I went along the Embankment. In my uncle’s
+presence there had been a sort of glamour that had prevented an
+outright refusal. It was a revival of affection for him I felt in his
+presence, I think, in part, and in part an instinctive feeling that I
+must consider him as my host. But much more was it a curious persuasion
+he had the knack of inspiring—a persuasion not so much of his integrity
+and capacity as of the reciprocal and yielding foolishness of the
+world. One felt that he was silly and wild, but in some way silly and
+wild after the fashion of the universe. After all, one must live
+somehow. I astonished him and myself by temporising.
+
+“No,” said I, “I’ll think it over!”
+
+And as I went along the embankment the first effect was all against my
+uncle. He shrank—for a little while he continued to shrink—in
+perspective until he was only a very small shabby little man in a dirty
+back street, sending off a few hundred bottles of rubbish to foolish
+buyers. The great buildings on the right of us, the Inns and the School
+Board place—as it was then—Somerset House, the big hotels, the great
+bridges, Westminster’s outlines ahead, had an effect of grey largeness
+that reduced him to the proportions of a busy black beetle in a crack
+in the floor.
+
+And then my eye caught the advertisements on the south side of
+“Sorber’s Food,” of “Cracknell’s Ferric Wine,” very bright and
+prosperous signs, illuminated at night, and I realised how
+astonishingly they looked at home there, how evidently part they were
+in the whole thing.
+
+I saw a man come charging out of Palace Yard—the policeman touched his
+helmet to him—with a hat and a bearing astonishingly like my uncle’s.
+After all,—didn’t Cracknell himself sit in the House?
+
+Tono-Bungay shouted at me from a hoarding near Adelphi Terrace; I saw
+it afar off near Carfax Street; it cried out again upon me in
+Kensington High Street, and burst into a perfect clamour; six or seven
+times I saw it as I drew near my diggings. It certainly had an air of
+being something more than a dream.
+
+Yes, I thought it over—thoroughly enough.... Trade rules the world.
+Wealth rather than trade! The thing was true, and true too was my
+uncle’s proposition that the quickest way to get wealth is to sell the
+cheapest thing possible in the dearest bottle. He was frightfully right
+after all. _Pecunia non olet_,—a Roman emperor said that. Perhaps my
+great heroes in Plutarch were no more than such men, fine now only
+because they are distant; perhaps after all this Socialism to which I
+had been drawn was only a foolish dream, only the more foolish because
+all its promises were conditionally true. Morris and these others
+played with it wittingly; it gave a zest, a touch of substance, to
+their aesthetic pleasures. Never would there be good faith enough to
+bring such things about. They knew it; every one, except a few young
+fools, knew it. As I crossed the corner of St. James’s Park wrapped in
+thought, I dodged back just in time to escape a prancing pair of greys.
+A stout, common-looking woman, very magnificently dressed, regarded me
+from the carriage with a scornful eye. “No doubt,” thought I, “a
+pill-vendor’s wife....”
+
+Running through all my thoughts, surging out like a refrain, was my
+uncle’s master-stroke, his admirable touch of praise: “Make it all
+slick—and then make it go Woosh. I know you can! Oh! I _know_ you can!”
+
+IV
+
+Ewart as a moral influence was unsatisfactory. I had made up my mind to
+put the whole thing before him, partly to see how he took it, and
+partly to hear how it sounded when it was said. I asked him to come and
+eat with me in an Italian place near Panton Street where one could get
+a curious, interesting, glutting sort of dinner for eighteen-pence. He
+came with a disconcerting black-eye that he wouldn’t explain. “Not so
+much a black-eye,” he said, “as the aftermath of a purple patch....
+What’s your difficulty?”
+
+“I’ll tell you with the salad,” I said.
+
+But as a matter of fact I didn’t tell him. I threw out that I was
+doubtful whether I ought to go into trade, or stick to teaching in view
+of my deepening socialist proclivities; and he, warming with the
+unaccustomed generosity of a sixteen-penny Chianti, ran on from that
+without any further inquiry as to my trouble.
+
+His utterances roved wide and loose.
+
+“The reality of life, my dear Ponderevo,” I remember him saying very
+impressively and punctuating with the nut-crackers as he spoke, “is
+Chromatic Conflict ... and Form. Get hold of that and let all these
+other questions go. The Socialist will tell you one sort of colour and
+shape is right, the Individualist another. What does it all amount to?
+What _does_ it all amount to? _Nothing!_ I have no advice to give
+anyone,—except to avoid regrets. Be yourself, seek after such beautiful
+things as your own sense determines to be beautiful. And don’t mind the
+headache in the morning.... For what, after all, is a morning,
+Ponderevo? It isn’t like the upper part of a day!”
+
+He paused impressively.
+
+“What Rot!” I cried, after a confused attempt to apprehend him.
+
+“Isn’t it! And it’s my bedrock wisdom in the matter! Take it or leave
+it, my dear George; take it or leave it.”... He put down the
+nut-crackers out of my reach and lugged a greasy-looking note-book from
+his pocket. “I’m going to steal this mustard pot,” he said.
+
+I made noises of remonstrance.
+
+“Only as a matter of design. I’ve got to do an old beast’s tomb.
+
+“Wholesale grocer. I’ll put it on his corners,—four mustard pots. I
+dare say he’d be glad of a mustard plaster now to cool him, poor devil,
+where he is. But anyhow,—here goes!”
+
+V
+
+It came to me in the small hours that the real moral touchstone for
+this great doubting of mind was Marion. I lay composing statements of
+my problem and imagined myself delivering them to her—and she,
+goddess-like and beautiful; giving her fine, simply-worded judgment.
+
+“You see, it’s just to give one’s self over to the Capitalistic
+System,” I imagined myself saying in good Socialist jargon; “it’s
+surrendering all one’s beliefs. We _may_ succeed, we _may_ grow rich,
+but where would the satisfaction be?”
+
+Then she would say, “No! That wouldn’t be right.”
+
+“But the alternative is to wait!”
+
+Then suddenly she would become a goddess. She would turn upon me
+frankly and nobly, with shining eyes, with arms held out. “No,” she
+would say, “we love one another. Nothing ignoble shall ever touch us.
+We love one another. Why wait to tell each other that, dear? What does
+it matter that we are poor and may keep poor?”
+
+But indeed the conversation didn’t go at all in that direction. At the
+sight of her my nocturnal eloquence became preposterous and all the
+moral values altered altogether. I had waited for her outside the door
+of the Parsian-robe establishment in Kensington High Street and walked
+home with her thence. I remember how she emerged into the warm evening
+light and that she wore a brown straw hat that made her, for once not
+only beautiful but pretty.
+
+“I like that hat,” I said by way of opening; and she smiled her rare
+delightful smile at me.
+
+“I love you,” I said in an undertone, as we jostled closer on the
+pavement.
+
+She shook her head forbiddingly, but she still smiled. Then—“Be
+sensible!”
+
+The High Street pavement is too narrow and crowded for conversation and
+we were some way westward before we spoke again.
+
+“Look here,” I said; “I want you, Marion. Don’t you understand? I want
+you.”
+
+“Now!” she cried warningly.
+
+I do not know if the reader will understand how a passionate lover, an
+immense admiration and desire, can be shot with a gleam of positive
+hatred. Such a gleam there was in me at the serene self-complacency of
+that “_Now!_” It vanished almost before I felt it. I found no warning
+in it of the antagonisms latent between us.
+
+“Marion,” I said, “this isn’t a trifling matter to me. I love you; I
+would die to get you.... Don’t you care?”
+
+“But what is the good?”
+
+“You don’t care,” I cried. “You don’t care a rap!”
+
+“You know I care,” she answered. “If I didn’t—If I didn’t like you very
+much, should I let you come and meet me—go about with you?”
+
+“Well then,” I said, “promise to marry me!”
+
+“If I do, what difference will it make?”
+
+We were separated by two men carrying a ladder who drove between us
+unawares.
+
+“Marion,” I asked when we got together again, “I tell you I want you to
+marry me.”
+
+“We can’t.”
+
+“Why not?”
+
+“We can’t marry—in the street.”
+
+“We could take our chance!”
+
+“I wish you wouldn’t go on talking like this. What is the good?”
+
+She suddenly gave way to gloom. “It’s no good marrying” she said.
+“One’s only miserable. I’ve seen other girls. When one’s alone one has
+a little pocket-money anyhow, one can go about a little. But think of
+being married and no money, and perhaps children—you can’t be sure....”
+
+She poured out this concentrated philosophy of her class and type in
+jerky uncompleted sentences, with knitted brows, with discontented eyes
+towards the westward glow—forgetful, it seemed, for a moment even of
+me.
+
+“Look here, Marion,” I said abruptly, “what would you marry on?”
+
+“What _is_ the good?” she began.
+
+“Would you marry on three hundred a year?”
+
+She looked at me for a moment. “That’s six pounds a week,” she said.
+“One could manage on that, easily. Smithie’s brother—No, he only gets
+two hundred and fifty. He married a typewriting girl.”
+
+“Will you marry me if I get three hundred a year?”
+
+She looked at me again, with a curious gleam of hope.
+
+“_If!_” she said.
+
+I held out my hand and looked her in the eyes. “It’s a bargain,” I
+said.
+
+She hesitated and touched my hand for an instant. “It’s silly,” she
+remarked as she did so. “It means really we’re—” She paused.
+
+“Yes?” said I.
+
+“Engaged. You’ll have to wait years. What good can it do you?”
+
+“Not so many years.” I answered.
+
+For a moment she brooded.
+
+Then she glanced at me with a smile, half-sweet, half-wistful, that has
+stuck in my memory for ever.
+
+“I like you!” she said. “I shall like to be engaged to you.”
+
+And, faint on the threshold of hearing, I caught her ventured “dear!”
+It’s odd that in writing this down my memory passed over all that
+intervened and I feel it all again, and once again I’m Marion’s boyish
+lover taking great joy in such rare and little things.
+
+VI
+
+At last I went to the address my uncle had given me in Gower Street,
+and found my aunt Susan waiting tea for him.
+
+Directly I came into the room I appreciated the change in outlook that
+the achievement of Tono-Bungay had made almost as vividly as when I saw
+my uncle’s new hat. The furniture of the room struck upon my eye as
+almost stately. The chairs and sofa were covered with chintz which gave
+it a dim, remote flavour of Bladesover; the mantel, the cornice, the
+gas pendant were larger and finer than the sort of thing I had grown
+accustomed to in London. And I was shown in by a real housemaid with
+real tails to her cap, and great quantities of reddish hair. There was
+my aunt too looking bright and pretty, in a blue-patterned tea-wrap
+with bows that seemed to me the quintessence of fashion. She was
+sitting in a chair by the open window with quite a pile of
+yellow-labelled books on the occasional table beside her. Before the
+large, paper-decorated fireplace stood a three-tiered cake-stand
+displaying assorted cakes, and a tray with all the tea equipage except
+the teapot, was on the large centre-table. The carpet was thick, and a
+spice of adventure was given it by a number of dyed sheep-skin mats.
+
+“Hel-_lo!_” said my aunt as I appeared. “It’s George!”
+
+“Shall I serve the tea now, Mem?” said the real housemaid, surveying
+our greeting coldly.
+
+“Not till Mr. Ponderevo comes, Meggie,” said my aunt, and grimaced with
+extraordinary swiftness and virulence as the housemaid turned her back.
+
+“Meggie she calls herself,” said my aunt as the door closed, and left
+me to infer a certain want of sympathy.
+
+“You’re looking very jolly, aunt,” said I.
+
+“What do you think of all this old Business he’s got?” asked my aunt.
+
+“Seems a promising thing,” I said.
+
+“I suppose there is a business somewhere?”
+
+“Haven’t you seen it?”
+
+“‘Fraid I’d say something AT it George, if I did. So he won’t let me.
+It came on quite suddenly. Brooding he was and writing letters and
+sizzling something awful—like a chestnut going to pop. Then he came
+home one day saying Tono-Bungay till I thought he was clean off his
+onion, and singing—what was it?”
+
+“‘I’m afloat, I’m afloat,’” I guessed.
+
+“The very thing. You’ve heard him. And saying our fortunes were made.
+Took me out to the Ho’burm Restaurant, George,—dinner, and we had
+champagne, stuff that blows up the back of your nose and makes you go
+_So_, and he said at last he’d got things worthy of me—and we moved
+here next day. It’s a swell house, George. Three pounds a week for the
+rooms. And he says the Business’ll stand it.”
+
+She looked at me doubtfully.
+
+“Either do that or smash,” I said profoundly.
+
+We discussed the question for a moment mutely with our eyes. My aunt
+slapped the pile of books from Mudie’s.
+
+“I’ve been having such a Go of reading, George. You never did!”
+
+“What do you think of the business?” I asked.
+
+“Well, they’ve let him have money,” she said, and thought and raised
+her eyebrows.
+
+“It’s been a time,” she went on. “The flapping about! Me sitting doing
+nothing and him on the go like a rocket. He’s done wonders. But he
+wants you, George—he wants you. Sometimes he’s full of hope—talks of
+when we’re going to have a carriage and be in society—makes it seem so
+natural and topsy-turvy, I hardly know whether my old heels aren’t up
+here listening to him, and my old head on the floor.... Then he gets
+depressed. Says he wants restraint. Says he can make a splash but can’t
+keep on. Says if you don’t come in everything will smash—But you are
+coming in?”
+
+She paused and looked at me.
+
+“Well—”
+
+“You don’t say you won’t come in!”
+
+“But look here, aunt,” I said, “do you understand quite?... It’s a
+quack medicine. It’s trash.”
+
+“There’s no law against selling quack medicine that I know of,” said my
+aunt. She thought for a minute and became unusually grave. “It’s our
+only chance, George,” she said. “If it doesn’t go...”
+
+There came the slamming of a door, and a loud bellowing from the next
+apartment through the folding doors. “Here-er Shee _Rulk_ lies _Poo_
+Tom Bo—oling.”
+
+“Silly old Concertina! Hark at him, George!” She raised her voice.
+“Don’t sing that, you old Walrus, you! Sing ‘I’m afloat!’”
+
+One leaf of the folding doors opened and my uncle appeared.
+
+“Hullo, George! Come along at last? Gossome tea-cake, Susan?”
+
+“Thought it over George?” he said abruptly.
+
+“Yes,” said I.
+
+“Coming in?”
+
+I paused for a last moment and nodded yes.
+
+“Ah!” he cried. “Why couldn’t you say that a week ago?”
+
+“I’ve had false ideas about the world,” I said. “Oh! they don’t matter
+now! Yes, I’ll come, I’ll take my chance with you, I won’t hesitate
+again.”
+
+And I didn’t. I stuck to that resolution for seven long years.
+
+
+
+
+CHAPTER THE THIRD
+HOW WE MADE TONO-BUNGAY HUM
+
+
+I
+
+So I made my peace with my uncle, and we set out upon this bright
+enterprise of selling slightly injurious rubbish at
+one-and-three-halfpence and two-and-nine a bottle, including the
+Government stamp. We made Tono-Bungay hum! It brought us wealth,
+influence, respect, the confidence of endless people. All that my uncle
+promised me proved truth and understatement; Tono-Bungay carried me to
+freedoms and powers that no life of scientific research, no passionate
+service of humanity could ever have given me....
+
+It was my uncle’s genius that did it. No doubt he needed me,—I was, I
+will admit, his indispensable right hand; but his was the brain to
+conceive. He wrote every advertisement; some of them even he sketched.
+You must remember that his were the days before the Time took to
+enterprise and the vociferous hawking of that antiquated
+_Encyclopædia_. That alluring, button-holing,
+let-me-just-tell-you-quite-soberly-something-you-ought-to-know style of
+newspaper advertisement, with every now and then a convulsive jump of
+some attractive phrase into capitals, was then almost a novelty. “Many
+people who are MODERATELY well think they are QUITE well,” was one of
+his early efforts. The jerks in capitals were, “DO NOT NEED DRUGS OR
+MEDICINE,” and “SIMPLY A PROPER REGIMEN TO GET YOU IN TONE.” One was
+warned against the chemist or druggist who pushed “much-advertised
+nostrums” on one’s attention. That trash did more harm than good. The
+thing needed was regimen—and Tono-Bungay!
+
+Very early, too, was that bright little quarter column, at least it was
+usually a quarter column in the evening papers: “HILARITY—Tono-Bungay.
+Like Mountain Air in the Veins.” The penetrating trio of questions:
+“Are you bored with your Business? Are you bored with your Dinner. Are
+you bored with your Wife?”—that, too, was in our Gower Street days.
+Both these we had in our first campaign when we worked London south
+central, and west; and then, too, we had our first poster—the HEALTH,
+BEAUTY, AND STRENGTH one. That was his design; I happen still to have
+got by me the first sketch he made for it. I have reproduced it here
+with one or two others to enable the reader to understand the mental
+quality that initiated these familiar ornaments of London.
+
+(The second one is about eighteen months later, the germ of the
+well-known “Fog” poster; the third was designed for an influenza
+epidemic, but never issued.)
+
+These things were only incidental in my department. I had to polish
+them up for the artist and arrange the business of printing and
+distribution, and after my uncle had had a violent and needless quarrel
+with the advertising manager of the _Daily Regulator_ about the amount
+of display given to one of his happy thoughts, I also took up the
+negotiations of advertisements for the press.
+
+We discussed and worked out distribution together first in the
+drawing-room floor in Gower Street with my aunt sometimes helping very
+shrewdly, and then, with a steadily improving type of cigar and older
+and older whisky, in his smuggery at their first house, the one in
+Beckenham. Often we worked far into the night sometimes until dawn.
+
+We really worked infernally hard, and, I recall, we worked with a very
+decided enthusiasm, not simply on my uncle’s part but mine, It was a
+game, an absurd but absurdly interesting game, and the points were
+scored in cases of bottles. People think a happy notion is enough to
+make a man rich, that fortunes can be made without toil. It’s a dream,
+as every millionaire (except one or two lucky gamblers) can testify; I
+doubt if J.D. Rockefeller in the early days of Standard Oil, worked
+harder than we did. We worked far into the night—and we also worked all
+day. We made a rule to be always dropping in at the factory unannounced
+to keep things right—for at first we could afford no properly
+responsible underlings—and we traveled London, pretending to be our own
+representatives and making all sorts of special arrangements.
+
+But none of this was my special work, and as soon as we could get other
+men in, I dropped the traveling, though my uncle found it particularly
+interesting and kept it up for years. “Does me good, George, to see the
+chaps behind their counters like I was once,” he explained. My special
+and distinctive duty was to give Tono-Bungay substance and an outward
+and visible bottle, to translate my uncle’s great imaginings into the
+creation of case after case of labelled bottles of nonsense, and the
+punctual discharge of them by railway, road and steamer towards their
+ultimate goal in the Great Stomach of the People. By all modern
+standards the business was, as my uncle would say, “absolutely _bonâ
+fide_.” We sold our stuff and got the money, and spent the money
+honestly in lies and clamour to sell more stuff. Section by section we
+spread it over the whole of the British Isles; first working the
+middle-class London suburbs, then the outer suburbs, then the home
+counties, then going (with new bills and a more pious style of “ad”)
+into Wales, a great field always for a new patent-medicine, and then
+into Lancashire.
+
+My uncle had in his inner office a big map of England, and as we took
+up fresh sections of the local press and our consignments invaded new
+areas, flags for advertisements and pink underlines for orders showed
+our progress.
+
+“The romance of modern commerce, George!” my uncle would say, rubbing
+his hands together and drawing in air through his teeth. “The romance
+of modern commerce, eh? Conquest. Province by province. Like sogers.”
+
+We subjugated England and Wales; we rolled over the Cheviots with a
+special adaptation containing eleven per cent. of absolute alcohol;
+“Tono-Bungay: Thistle Brand.” We also had the Fog poster adapted to a
+kilted Briton in a misty Highland scene.
+
+Under the shadow of our great leading line we were presently taking
+subsidiary specialties into action; “Tono-Bungay Hair Stimulant” was
+our first supplement. Then came “Concentrated Tono-Bungay” for the
+eyes. That didn’t go, but we had a considerable success with the Hair
+Stimulant. We broached the subject, I remember, in a little catechism
+beginning: “Why does the hair fall out? Because the follicles are
+fagged. What are the follicles?...” So it went on to the climax that
+the Hair Stimulant contained all “The essential principles of that most
+reviving tonic, Tono-Bungay, together with an emollient and nutritious
+oil derived from crude Neat’s Foot Oil by a process of refinement,
+separation and deodorization.... It will be manifest to any one of
+scientific attainments that in Neat’s Foot Oil derived from the hoofs
+and horns of beasts, we must necessarily have a natural skin and hair
+lubricant.”
+
+And we also did admirable things with our next subsidiaries,
+“Tono-Bungay Lozenges,” and “Tono-Bungay Chocolate.” These we urged
+upon the public for their extraordinary nutritive and recuperative
+value in cases of fatigue and strain. We gave them posters and
+illustrated advertisements showing climbers hanging from marvelously
+vertical cliffs, cyclist champions upon the track, mounted messengers
+engaged in Aix-to-Ghent rides, soldiers lying out in action under a hot
+sun. “You can GO for twenty-four hours,” we declared, “on Tono-Bungay
+Chocolate.” We didn’t say whether you could return on the same
+commodity. We also showed a dreadfully barristerish barrister, wig,
+side-whiskers, teeth, a horribly life-like portrait of all existing
+barristers, talking at a table, and beneath, this legend: “A Four
+Hours’ Speech on Tono-Bungay Lozenges, and as fresh as when he began.”
+Then brought in regiments of school-teachers, revivalist ministers,
+politicians and the like. I really do believe there was an element of
+“kick” in the strychnine in these lozenges, especially in those made
+according to our earlier formula. For we altered all our
+formulae—invariably weakening them enormously as sales got ahead.
+
+In a little while—so it seems to me now—we were employing travelers and
+opening up Great Britain at the rate of a hundred square miles a day.
+All the organisation throughout was sketched in a crude, entangled,
+half-inspired fashion by my uncle, and all of it had to be worked out
+into a practicable scheme of quantities and expenditure by me. We had a
+lot of trouble finding our travelers; in the end at least half of them
+were Irish-Americans, a wonderful breed for selling medicine. We had
+still more trouble over our factory manager, because of the secrets of
+the inner room, and in the end we got a very capable woman, Mrs.
+Hampton Diggs, who had formerly managed a large millinery workroom,
+whom we could trust to keep everything in good working order without
+finding out anything that wasn’t put exactly under her loyal and
+energetic nose. She conceived a high opinion of Tono-Bungay and took it
+in all forms and large quantities so long as I knew her. It didn’t seem
+to do her any harm. And she kept the girls going quite wonderfully.
+
+My uncle’s last addition to the Tono-Bungay group was the Tono-Bungay
+Mouthwash. The reader has probably read a hundred times that inspiring
+inquiry of his, “You are Young Yet, but are you Sure Nothing has Aged
+your Gums?”
+
+And after that we took over the agency for three or four good American
+lines that worked in with our own, and could be handled with it; Texan
+Embrocation, and “23—to clear the system” were the chief....
+
+I set down these bare facts. To me they are all linked with the figure
+of my uncle. In some of the old seventeenth and early eighteenth
+century prayerbooks at Bladesover there used to be illustrations with
+long scrolls coming out of the mouths of the wood-cut figures. I wish I
+could write all this last chapter on a scroll coming out of the head of
+my uncle, show it all the time as unfolding and pouring out from a
+short, fattening, small-legged man with stiff cropped hair, disobedient
+glasses on a perky little nose, and a round stare behind them. I wish I
+could show you him breathing hard and a little through his nose as his
+pen scrabbled out some absurd inspiration for a poster or a picture
+page, and make you hear his voice, charged with solemn import like the
+voice of a squeaky prophet, saying, “George! list’n! I got an ideer. I
+got a notion! George!”
+
+I should put myself into the same picture. Best setting for us, I
+think, would be the Beckenham snuggery, because there we worked
+hardest. It would be the lamplit room of the early nineties, and the
+clock upon the mantel would indicate midnight or later. We would be
+sitting on either side of the fire, I with a pipe, my uncle with a
+cigar or cigarette. There would be glasses standing inside the brass
+fender. Our expressions would be very grave. My uncle used to sit right
+back in his armchair; his toes always turned in when he was sitting
+down and his legs had a way of looking curved, as though they hadn’t
+bones or joints but were stuffed with sawdust.
+
+“George, whad’yer think of T.B. for sea-sickness?” he would say.
+
+“No good that I can imagine.”
+
+“Oom! No harm _trying_, George. We can but try.”
+
+I would suck my pipe. “Hard to get at. Unless we sold our stuff
+specially at the docks. Might do a special at Cook’s office, or in the
+Continental Bradshaw.”
+
+“It ’ud give ’em confidence, George.”
+
+He would Zzzz, with his glasses reflecting the red of the glowing
+coals.
+
+“No good hiding our light under a Bushel,” he would remark.
+
+I never really determined whether my uncle regarded Tono-Bungay as a
+fraud, or whether he didn’t come to believe in it in a kind of way by
+the mere reiteration of his own assertions. I think that his average
+attitude was one of kindly, almost parental, toleration. I remember
+saying on one occasion, “But you don’t suppose this stuff ever did a
+human being the slightest good all?” and how his face assumed a look of
+protest, as of one reproving harshness and dogmatism.
+
+“You’ve a hard nature, George,” he said. “You’re too ready to run
+things down. How can one _tell?_ How can one venture to _tell?_...”
+
+I suppose any creative and developing game would have interested me in
+those years. At any rate, I know I put as much zeal into this
+Tono-Bungay as any young lieutenant could have done who suddenly found
+himself in command of a ship. It was extraordinarily interesting to me
+to figure out the advantage accruing from this shortening of the
+process or that, and to weigh it against the capital cost of the
+alteration. I made a sort of machine for sticking on the labels, that I
+patented; to this day there is a little trickle of royalties to me from
+that. I also contrived to have our mixture made concentrated, got the
+bottles, which all came sliding down a guarded slant-way, nearly filled
+with distilled water at one tap, and dripped our magic ingredients in
+at the next. This was an immense economy of space for the inner
+sanctum. For the bottling we needed special taps, and these, too, I
+invented and patented.
+
+We had a sort of endless band of bottles sliding along an inclined
+glass trough made slippery with running water. At one end a girl held
+them up to the light, put aside any that were imperfect and placed the
+others in the trough; the filling was automatic; at the other end a
+girl slipped in the cork and drove it home with a little mallet. Each
+tank, the little one for the vivifying ingredients and the big one for
+distilled water, had a level indicator, and inside I had a float
+arrangement that stopped the slide whenever either had sunk too low.
+Another girl stood ready with my machine to label the corked bottles
+and hand them to the three packers, who slipped them into their outer
+papers and put them, with a pad of corrugated paper between each pair,
+into a little groove from which they could be made to slide neatly into
+position in our standard packing-case. It sounds wild, I know, but I
+believe I was the first man in the city of London to pack patent
+medicines through the side of the packing-case, to discover there was a
+better way in than by the lid. Our cases packed themselves,
+practically; had only to be put into position on a little wheeled tray
+and when full pulled to the lift that dropped them to the men
+downstairs, who padded up the free space and nailed on top and side.
+Our girls, moreover, packed with corrugated paper and matchbook-wood
+box partitions when everybody else was using expensive young men to
+pack through the top of the box with straw, many breakages and much
+waste and confusion.
+
+II
+
+As I look back at them now, those energetic years seem all compacted to
+a year or so; from the days of our first hazardous beginning in
+Farringdon Street with barely a thousand pounds’ worth of stuff or
+credit all told—and that got by something perilously like snatching—to
+the days when my uncle went to the public on behalf of himself and me
+(one-tenth share) and our silent partners, the drug wholesalers and the
+printing people and the owner of that group of magazines and
+newspapers, to ask with honest confidence for £150,000. Those silent
+partners were remarkably sorry, I know, that they had not taken larger
+shares and given us longer credit when the subscriptions came pouring
+in. My uncle had a clear half to play with (including the one-tenth
+understood to be mine).
+
+£150,000—think of it!—for the goodwill in a string of lies and a trade
+in bottles of mitigated water! Do you realise the madness of the world
+that sanctions such a thing? Perhaps you don’t. At times use and wont
+certainly blinded me. If it had not been for Ewart, I don’t think I
+should have had an inkling of the wonderfulness of this development of
+my fortunes; I should have grown accustomed to it, fallen in with all
+its delusions as completely as my uncle presently did. He was immensely
+proud of the flotation. “They’ve never been given such value,” he said,
+“for a dozen years.” But Ewart, with his gesticulating hairy hands and
+bony wrists, his single-handed chorus to all this as it played itself
+over again in my memory, and he kept my fundamental absurdity
+illuminated for me during all this astonishing time.
+
+“It’s just on all fours with the rest of things,” he remarked; “only
+more so. You needn’t think you’re anything out of the way.”
+
+I remember one disquisition very distinctly. It was just after Ewart
+had been to Paris on a mysterious expedition to “rough in” some work
+for a rising American sculptor. This young man had a commission for an
+allegorical figure of Truth (draped, of course) for his State Capitol,
+and he needed help. Ewart had returned with his hair cut _en brosse_
+and with his costume completely translated into French. He wore, I
+remember, a bicycling suit of purplish-brown, baggy beyond ageing—the
+only creditable thing about it was that it had evidently not been made
+for him—a voluminous black tie, a decadent soft felt hat and several
+French expletives of a sinister description. “Silly clothes, aren’t
+they?” he said at the sight of my startled eye. “I don’t know why I
+got’m. They seemed all right over there.”
+
+He had come down to our Raggett Street place to discuss a benevolent
+project of mine for a poster by him, and he scattered remarkable
+discourse over the heads (I hope it was over the heads) of our
+bottlers.
+
+“What I like about it all, Ponderevo, is its poetry.... That’s where we
+get the pull of the animals. No animal would ever run a factory like
+this. Think!... One remembers the Beaver, of course. He might very
+possibly bottle things, but would he stick a label round ’em and sell
+’em? The Beaver is a dreamy fool, I’ll admit, him and his dams, but
+after all there’s a sort of protection about ’em, a kind of muddy
+practicality! They prevent things getting at him. And it’s not your
+poetry only. It’s the poetry of the customer too. Poet answering to
+poet—soul to soul. Health, Strength and Beauty—in a bottle—the magic
+philtre! Like a fairy tale....
+
+“Think of the people to whom your bottles of footle go! (I’m calling it
+footle, Ponderevo, out of praise,” he said in parenthesis.)
+
+“Think of the little clerks and jaded women and overworked people.
+People overstrained with wanting to do, people overstrained with
+wanting to be.... People, in fact, overstrained.... The real trouble of
+life, Ponderevo, isn’t that we exist—that’s a vulgar error; the real
+trouble is that we _don’t_ really exist and we want to. That’s what
+this—in the highest sense—just stands for! The hunger to be—for
+once—really alive—to the finger tips!...
+
+“Nobody wants to do and be the things people are—nobody. YOU don’t want
+to preside over this—this bottling; I don’t want to wear these beastly
+clothes and be led about by you; nobody wants to keep on sticking
+labels on silly bottles at so many farthings a gross. That isn’t
+existing! That’s—sus—_substratum_. None of us want to be what we are,
+or to do what we do. Except as a sort of basis. What do we want? _You_
+know. _I_ know. Nobody confesses. What we all want to be is something
+perpetually young and beautiful—young Joves—young Joves, Ponderevo”—his
+voice became loud, harsh and declamatory—“pursuing coy half-willing
+nymphs through everlasting forests.”...
+
+There was a just-perceptible listening hang in the work about us.
+
+“Come downstairs,” I interrupted, “we can talk better there.”
+
+“I can talk better here,” he answered.
+
+He was just going on, but fortunately the implacable face of Mrs.
+Hampton Diggs appeared down the aisle of bottling machines.
+
+“All right,” he said, “I’ll come.”
+
+In the little sanctum below, my uncle was taking a digestive pause
+after his lunch and by no means alert. His presence sent Ewart back to
+the theme of modern commerce, over the excellent cigar my uncle gave
+him. He behaved with the elaborate deference due to a business magnate
+from an unknown man.
+
+“What I was pointing out to your nephew, sir,” said Ewart, putting both
+elbows on the table, “was the poetry of commerce. He doesn’t, you know,
+seem to see it at all.”
+
+My uncle nodded brightly. “Whad I tell ’im,” he said round his cigar.
+
+“We are artists. You and I, sir, can talk, if you will permit me, as
+one artist to another. It’s advertisement has—done it. Advertisement
+has revolutionised trade and industry; it is going to revolutionise the
+world. The old merchant used to tote about commodities; the new one
+creates values. Doesn’t need to tote. He takes something that isn’t
+worth anything—or something that isn’t particularly worth anything—and
+he makes it worth something. He takes mustard that is just like anybody
+else’s mustard, and he goes about saying, shouting, singing, chalking
+on walls, writing inside people’s books, putting it everywhere,
+‘Smith’s Mustard is the Best.’ And behold it is the best!”
+
+“True,” said my uncle, chubbily and with a dreamy sense of mysticism;
+“true!”
+
+“It’s just like an artist; he takes a lump of white marble on the verge
+of a lime-kiln, he chips it about, he makes—he makes a monument to
+himself—and others—a monument the world will not willingly let die.
+Talking of mustard, sir, I was at Clapham Junction the other day, and
+all the banks are overgrown with horse radish that’s got loose from a
+garden somewhere. You know what horseradish is—grows like
+wildfire—spreads—spreads. I stood at the end of the platform looking at
+the stuff and thinking about it. ‘Like fame,’ I thought, ‘rank and wild
+where it isn’t wanted. Why don’t the really good things in life grow
+like horseradish?’ I thought. My mind went off in a peculiar way it
+does from that to the idea that mustard costs a penny a tin—I bought
+some the other day for a ham I had. It came into my head that it would
+be ripping good business to use horseradish to adulterate mustard. I
+had a sort of idea that I could plunge into business on that, get rich
+and come back to my own proper monumental art again. And then I said,
+‘But _why_ adulterate? I don’t like the idea of adulteration.’”
+
+“Shabby,” said my uncle, nodding his head. “Bound to get found out!”
+
+“And totally unnecessary, too! Why not do up a mixture—three-quarters
+pounded horseradish and a quarter mustard—give it a fancy name—and sell
+it at twice the mustard price. See? I very nearly started the business
+straight away, only something happened. My train came along.”
+
+“Jolly good ideer,” said my uncle. He looked at me. “That really is an
+ideer, George,” he said.
+
+“Take shavin’s, again! You know that poem of Longfellow’s, sir, that
+sounds exactly like the first declension. What is it?—‘Marr’s a maker,
+men say!’”
+
+My uncle nodded and gurgled some quotation that died away.
+
+“Jolly good poem, George,” he said in an aside to me.
+
+“Well, it’s about a carpenter and a poetic Victorian child, you know,
+and some shavin’s. The child made no end out of the shavin’s. So might
+you. Powder ’em. They might be anything. Soak ’em in
+jipper,—Xylo-tobacco! Powder’em and get a little tar and turpentinous
+smell in,—wood-packing for hot baths—a Certain Cure for the scourge of
+Influenza! There’s all these patent grain foods,—what Americans call
+cereals. I believe I’m right, sir, in saying they’re sawdust.”
+
+“No!” said my uncle, removing his cigar; “as far as I can find out it’s
+really grain,—spoilt grain.... I’ve been going into that.”
+
+“Well, there you are!” said Ewart. “Say it’s spoilt grain. It carried
+out my case just as well. Your modern commerce is no more buying and
+selling than sculpture. It’s mercy—it’s salvation. It’s rescue work! It
+takes all sorts of fallen commodities by the hand and raises them. Cana
+isn’t in it. You turn water—into Tono-Bungay.”
+
+“Tono-Bungay’s all right,” said my uncle, suddenly grave. “We aren’t
+talking of Tono-Bungay.”
+
+“Your nephew, sir, is hard; he wants everything to go to a sort of
+predestinated end; he’s a Calvinist of Commerce. Offer him a dustbin
+full of stuff; he calls it refuse—passes by on the other side. Now
+_you_, sir you’d make cinders respect themselves.”
+
+My uncle regarded him dubiously for a moment. But there was a touch of
+appreciation in his eye.
+
+“Might make ’em into a sort of sanitary brick,” he reflected over his
+cigar end.
+
+“Or a friable biscuit. Why _not?_ You might advertise: ‘Why are Birds
+so Bright? Because they digest their food perfectly! Why do they digest
+their food so perfectly? Because they have a gizzard! Why hasn’t man a
+gizzard? Because he can buy Ponderevo’s Asphalt Triturating, Friable
+Biscuit—Which is Better.’”
+
+He delivered the last words in a shout, with his hairy hand flourished
+in the air....
+
+“Damn clever fellow,” said my uncle, after he had one. “I know a man
+when I see one. He’d do. But drunk, I should say. But that only makes
+some chap brighter. If he WANTS to do that poster, he can. Zzzz. That
+ideer of his about the horseradish. There’s something in that, George.
+I’m going to think over that....”
+
+I may say at once that my poster project came to nothing in the end,
+though Ewart devoted an interesting week to the matter. He let his
+unfortunate disposition to irony run away with him. He produced a
+picture of two beavers with a subtle likeness, he said, to myself and
+my uncle—the likeness to my uncle certainly wasn’t half bad—and they
+were bottling rows and rows of Tono-Bungay, with the legend “Modern
+commerce.” It certainly wouldn’t have sold a case, though he urged it
+on me one cheerful evening on the ground that it would “arouse
+curiosity.” In addition he produced a quite shocking study of my uncle,
+excessively and needlessly nude, but, so far as I was able to judge, an
+admirable likeness, engaged in feats of strength of a Gargantuan type
+before an audience of deboshed and shattered ladies. The legend,
+“Health, Beauty, Strength,” below, gave a needed point to his parody.
+This he hung up in the studio over the oil shop, with a flap of brown
+paper; by way of a curtain over it to accentuate its libellous offence.
+
+
+
+
+CHAPTER THE FOURTH
+MARION
+
+
+I
+
+As I look back on those days in which we built up the great Tono-Bungay
+property out of human hope and credit for bottles and rent and
+printing, I see my life as it were arranged in two parallel columns of
+unequal width, a wider, more diffused, eventful and various one which
+continually broadens out, the business side of my life, and a narrow,
+darker and darkling one shot ever and again with a gleam of happiness,
+my home-life with Marion. For, of course, I married Marion.
+
+I didn’t, as a matter of fact, marry her until a year after Tono-Bungay
+was thoroughly afloat, and then only after conflicts and discussions of
+a quite strenuous sort. By that time I was twenty-four. It seems the
+next thing to childhood now. We were both in certain directions
+unusually ignorant and simple; we were temperamentally antagonistic,
+and we hadn’t—I don’t think we were capable of—an idea in common. She
+was young and extraordinarily conventional—she seemed never to have an
+idea of her own but always the idea of her class—and I was young and
+sceptical, enterprising and passionate; the two links that held us
+together were the intense appeal her physical beauty had for me, and
+her appreciation of her importance in my thoughts. There can be no
+doubt of my passion for her. In her I had discovered woman desired. The
+nights I have lain awake on account of her, writhing, biting my wrists
+in a fever of longing! ...
+
+I have told how I got myself a silk hat and black coat to please her on
+Sunday—to the derision of some of my fellow-students who charged to
+meet me, and how we became engaged. But that was only the beginning of
+our difference. To her that meant the beginning of a not unpleasant
+little secrecy, an occasional use of verbal endearments, perhaps even
+kisses. It was something to go on indefinitely, interfering in no way
+with her gossiping spells of work at Smithie’s. To me it was a pledge
+to come together into the utmost intimacy of soul and body so soon as
+we could contrive it....
+
+I don’t know if it will strike the reader that I am setting out to
+discuss the queer, unwise love relationship and my bungle of a marriage
+with excessive solemnity. But to me it seems to reach out to vastly
+wider issues than our little personal affair. I’ve thought over my
+life. In these last few years I’ve tried to get at least a little
+wisdom out of it. And in particular I’ve thought over this part of my
+life. I’m enormously impressed by the ignorant, unguided way in which
+we two entangled ourselves with each other. It seems to me the queerest
+thing in all this network of misunderstandings and misstatements and
+faulty and ramshackle conventions which makes up our social order as
+the individual meets it, that we should have come together so
+accidentally and so blindly. Because we were no more than samples of
+the common fate. Love is not only the cardinal fact in the individual
+life, but the most important concern of the community; after all, the
+way in which the young people of this generation pair off determines
+the fate of the nation; all the other affairs of the State are
+subsidiary to that. And we leave it to flushed and blundering youth to
+stumble on its own significance, with nothing to guide in but shocked
+looks and sentimental twaddle and base whisperings and cant-smeared
+examples.
+
+I have tried to indicate something of my own sexual development in the
+preceding chapter. Nobody was ever frank and decent with me in this
+relation; nobody, no book, ever came and said to me thus and thus is
+the world made, and so and so is necessary. Everything came obscurely,
+indefinitely, perplexingly; and all I knew of law or convention in the
+matter had the form of threatenings and prohibitions. Except through
+the furtive, shameful talk of my coevals at Goudhurst and Wimblehurst,
+I was not even warned against quite horrible dangers. My ideas were
+made partly of instinct, partly of a romantic imagination, partly woven
+out of a medley of scraps of suggestion that came to me haphazard. I
+had read widely and confusedly “Vathek,” Shelley, Tom Paine, Plutarch,
+Carlyle, Haeckel, William Morris, the Bible, the _Freethinker_, the
+_Clarion_, “The Woman Who Did,”—I mention the ingredients that come
+first to mind. All sorts of ideas were jumbled up in me and never a
+lucid explanation. But it was evident to me that the world regarded
+Shelley, for example, as a very heroic as well as beautiful person; and
+that to defy convention and succumb magnificently to passion was the
+proper thing to do to gain the respect and affection of all decent
+people.
+
+And the make-up of Marion’s mind in the matter was an equally
+irrational affair. Her training had been one, not simply of silences,
+but suppressions. An enormous force of suggestion had so shaped her
+that the intense natural fastidiousness of girlhood had developed into
+an absolute perversion of instinct. For all that is cardinal in this
+essential business of life she had one inseparable epithet—“horrid.”
+Without any such training she would have been a shy lover, but now she
+was an impossible one. For the rest she had derived, I suppose, partly
+from the sort of fiction she got from the Public Library, and partly
+from the workroom talk at Smithie’s. So far as the former origin went,
+she had an idea of love as a state of worship and service on the part
+of the man and of condescension on the part of the woman. There was
+nothing “horrid” about it in any fiction she had read. The man gave
+presents, did services, sought to be in every way delightful. The woman
+“went out” with him, smiled at him, was kissed by him in decorous
+secrecy, and if he chanced to offend, denied her countenance and
+presence. Usually she did something “for his good” to him, made him go
+to church, made him give up smoking or gambling, smartened him up.
+Quite at the end of the story came a marriage, and after that the
+interest ceased.
+
+That was the tenor of Marion’s fiction; but I think the work-table
+conversation at Smithie’s did something to modify that. At Smithie’s it
+was recognised, I think, that a “fellow” was a possession to be
+desired; that it was better to be engaged to a fellow than not; that
+fellows had to be kept—they might be mislaid, they might even be
+stolen. There was a case of stealing at Smithie’s, and many tears.
+
+Smithie I met before we were married, and afterwards she became a
+frequent visitor to our house at Ealing. She was a thin, bright-eyed,
+hawk-nosed girl of thirtyodd, with prominent teeth, a high-pitched,
+eager voice and a disposition to be urgently smart in her dress. Her
+hats were startling and various, but invariably disconcerting, and she
+talked in a rapid, nervous flow that was hilarious rather than witty,
+and broken by little screams of “Oh, my _dear!_” and “you never did!”
+She was the first woman I ever met who used scent. Poor old Smithie!
+What a harmless, kindly soul she really was, and how heartily I
+detested her! Out of the profits on the Persian robes she supported a
+sister’s family of three children, she “helped” a worthless brother,
+and overflowed in help even to her workgirls, but that didn’t weigh
+with me in those youthfully-narrow times. It was one of the intense
+minor irritations of my married life that Smithie’s whirlwind chatter
+seemed to me to have far more influence with Marion than anything I had
+to say. Before all things I coveted her grip upon Marion’s inaccessible
+mind.
+
+In the workroom at Smithie’s, I gathered, they always spoke of me
+demurely as “A Certain Person.” I was rumoured to be dreadfully
+“clever,” and there were doubts—not altogether without justification—of
+the sweetness of my temper.
+
+II
+
+Well, these general explanations will enable the reader to understand
+the distressful times we two had together when presently I began to
+feel on a footing with Marion and to fumble conversationally for the
+mind and the wonderful passion I felt, obstinately and stupidity, must
+be in her. I think she thought me the maddest of sane men; “clever,” in
+fact, which at Smithie’s was, I suppose, the next thing to insanity, a
+word intimating incomprehensible and incalculable motives.... She could
+be shocked at anything, she misunderstood everything, and her weapon
+was a sulky silence that knitted her brows, spoilt her mouth and robbed
+her face of beauty. “Well, if we can’t agree, I don’t see why you
+should go on talking,” she used to say. That would always enrage me
+beyond measure. Or, “I’m afraid I’m not clever enough to understand
+that.”
+
+Silly little people! I see it all now, but then I was no older than she
+and I couldn’t see anything but that Marion, for some inexplicable
+reason, wouldn’t come alive.
+
+We would contrive semi-surreptitious walks on Sunday, and part
+speechless with the anger of indefinable offences. Poor Marion! The
+things I tried to put before her, my fermenting ideas about theology,
+about Socialism, about aesthetics—the very words appalled her, gave her
+the faint chill of approaching impropriety, the terror of a very
+present intellectual impossibility. Then by an enormous effort I would
+suppress myself for a time and continue a talk that made her happy,
+about Smithie’s brother, about the new girl who had come to the
+workroom, about the house we would presently live in. But there we
+differed a little. I wanted to be accessible to St. Paul’s or Cannon
+Street Station, and she had set her mind quite resolutely upon
+Ealing.... It wasn’t by any means quarreling all the time, you
+understand. She liked me to play the lover “nicely”; she liked the
+effect of going about—we had lunches, we went to Earl’s Court, to Kew,
+to theatres and concerts, but not often to concerts, because, though
+Marion “liked” music, she didn’t like “too much of it,” to picture
+shows—and there was a nonsensical sort of babytalk I picked up—I forget
+where now—that became a mighty peacemaker.
+
+Her worst offence for me was an occasional excursion into the Smithie
+style of dressing, debased West Kensington. For she had no sense at all
+of her own beauty. She had no comprehension whatever of beauty of the
+body, and she could slash her beautiful lines to rags with hat-brims
+and trimmings. Thank Heaven! a natural refinement, a natural timidity,
+and her extremely slender purse kept her from the real Smithie
+efflorescence! Poor, simple, beautiful, kindly limited Marion! Now that
+I am forty-five, I can look back at her with all my old admiration and
+none of my old bitterness with a new affection and not a scrap of
+passion, and take her part against the equally stupid,
+drivingly-energetic, sensuous, intellectual sprawl I used to be. I was
+a young beast for her to have married—a hound beast. With her it was my
+business to understand and control—and I exacted fellowship,
+passion....
+
+We became engaged, as I have told; we broke it off and joined again. We
+went through a succession of such phases. We had no sort of idea what
+was wrong with us. Presently we were formally engaged. I had a
+wonderful interview with her father, in which he was stupendously grave
+and _h_—less, wanted to know about my origins and was tolerant
+(exasperatingly tolerant) because my mother was a servant, and
+afterwards her mother took to kissing me, and I bought a ring. But the
+speechless aunt, I gathered, didn’t approve—having doubts of my
+religiosity. Whenever we were estranged we could keep apart for days;
+and to begin with, every such separation was a relief. And then I would
+want her; a restless longing would come upon me. I would think of the
+flow of her arms, of the soft, gracious bend of her body. I would lie
+awake or dream of a transfigured Marion of light and fire. It was
+indeed Dame Nature driving me on to womankind in her stupid, inexorable
+way; but I thought it was the need of Marion that troubled me. So I
+always went back to Marion at last and made it up and more or less
+conceded or ignored whatever thing had parted us, and more and more I
+urged her to marry me....
+
+In the long run that became a fixed idea. It entangled my will and my
+pride; I told myself I was not going to be beaten. I hardened to the
+business. I think, as a matter of fact, my real passion for Marion had
+waned enormously long before we were married, that she had lived it
+down by sheer irresponsiveness. When I felt sure of my three hundred a
+year she stipulated for delay, twelve months’ delay, “to see how things
+would turn out.” There were times when she seemed simply an antagonist
+holding out irritatingly against something I had to settle. Moreover, I
+began to be greatly distracted by the interest and excitement of
+Tono-Bungay’s success, by the change and movement in things, the going
+to and fro. I would forget her for days together, and then desire her
+with an irritating intensity at last, one Saturday afternoon, after a
+brooding morning, I determined almost savagely that these delays must
+end.
+
+I went off to the little home at Walham Green, and made Marion come
+with me to Putney Common. Marion wasn’t at home when I got there and I
+had to fret for a time and talk to her father, who was just back from
+his office, he explained, and enjoying himself in his own way in the
+greenhouse.
+
+“I’m going to ask your daughter to marry me!” I said. “I think we’ve
+been waiting long enough.”
+
+“I don’t approve of long engagements either,” said her father. “But
+Marion will have her own way about it, anyhow. Seen this new powdered
+fertiliser?”
+
+I went in to talk to Mrs. Ramboat. “She’ll want time to get her
+things,” said Mrs. Ramboat....
+
+I and Marion sat down together on a little seat under some trees at the
+top of Putney Hill, and I came to my point abruptly.
+
+“Look here, Marion,” I said, “are you going to marry me or are you
+not?”
+
+She smiled at me. “Well,” she said, “we’re engaged—aren’t we?”
+
+“That can’t go on for ever. Will you marry me next week?”
+
+She looked me in the face. “We can’t,” she said.
+
+“You promised to marry me when I had three hundred a year.”
+
+She was silent for a space. “Can’t we go on for a time as we are? We
+_could_ marry on three hundred a year. But it means a very little
+house. There’s Smithie’s brother. They manage on two hundred and fifty,
+but that’s very little. She says they have a semi-detached house almost
+on the road, and hardly a bit of garden. And the wall to next-door is
+so thin they hear everything. When her baby cries—they rap. And people
+stand against the railings and talk.... Can’t we wait? You’re doing so
+well.”
+
+An extraordinary bitterness possessed me at this invasion of the
+stupendous beautiful business of love by sordid necessity. I answered
+her with immense restraint.
+
+“If,” I said, “we could have a double-fronted, detached house—at
+Ealing, say—with a square patch of lawn in front and a garden
+behind—and—and a tiled bathroom.”
+
+“That would be sixty pounds a year at least.”
+
+“Which means five hundred a year.... Yes, well, you see, I told my
+uncle I wanted that, and I’ve got it.”
+
+“Got what?”
+
+“Five hundred pounds a year.”
+
+“Five hundred pounds!”
+
+I burst into laughter that had more than a taste of bitterness.
+
+“Yes,” I said, “really! and _now_ what do you think?”
+
+“Yes,” she said, a little flushed; “but be sensible! Do you really mean
+you’ve got a Rise, all at once, of two hundred a year?”
+
+“To marry on—yes.”
+
+She scrutinised me a moment. “You’ve done this as a surprise!” she
+said, and laughed at my laughter. She had become radiant, and that made
+me radiant, too.
+
+“Yes,” I said, “yes,” and laughed no longer bitterly.
+
+She clasped her hands and looked me in the eyes.
+
+She was so pleased that I forgot absolutely my disgust of a moment
+before. I forgot that she had raised her price two hundred pounds a
+year and that I had bought her at that.
+
+“Come!” I said, standing up; “let’s go towards the sunset, dear, and
+talk about it all. Do you know—this is a most beautiful world, an
+amazingly beautiful world, and when the sunset falls upon you it makes
+you into shining gold. No, not gold—into golden glass.... Into
+something better that either glass or gold.”...
+
+And for all that evening I wooed her and kept her glad. She made me
+repeat my assurances over again and still doubted a little.
+
+We furnished that double-fronted house from attic—it ran to an attic—to
+cellar, and created a garden.
+
+“Do you know Pampas Grass?” said Marion. “I love Pampas Grass... if
+there is room.”
+
+“You shall have Pampas Grass,” I declared. And there were moments as we
+went in imagination about that house together, when my whole being
+cried out to take her in my arms—now. But I refrained. On that aspect
+of life I touched very lightly in that talk, very lightly because I had
+had my lessons. She promised to marry me within two months’ time.
+Shyly, reluctantly, she named a day, and next afternoon, in heat and
+wrath, we “broke it off” again for the last time. We split upon
+procedure. I refused flatly to have a normal wedding with wedding cake,
+in white favours, carriages and the rest of it. It dawned upon me
+suddenly in conversation with her and her mother, that this was
+implied. I blurted out my objection forthwith, and this time it wasn’t
+any ordinary difference of opinion; it was a “row.” I don’t remember a
+quarter of the things we flung out in that dispute. I remember her
+mother reiterating in tones of gentle remonstrance: “But, George dear,
+you _must_ have a cake—to send home.” I think we all reiterated things.
+I seem to remember a refrain of my own: “A marriage is too sacred a
+thing, too private a thing, for this display. Her father came in and
+stood behind me against the wall, and her aunt appeared beside the
+sideboard and stood with arms, looking from speaker to speaker, a
+sternly gratified prophetess. It didn’t occur to me then! How painful
+it was to Marion for these people to witness my rebellion.
+
+“But, George,” said her father, “what sort of marriage do you want? You
+don’t want to go to one of those there registry offices?”
+
+“That’s exactly what I’d like to do. Marriage is too private a thing—”
+
+“I shouldn’t feel married,” said Mrs. Ramboat.
+
+“Look here, Marion,” I said; “we are going to be married at a registry
+office. I don’t believe in all these fripperies and superstitions, and
+I won’t submit to them. I’ve agreed to all sorts of things to please
+you.”
+
+“What’s he agreed to?” said her father—unheeded.
+
+“I can’t marry at a registry office,” said Marion, sallow-white.
+
+“Very well,” I said. “I’ll marry nowhere else.”
+
+“I can’t marry at a registry office.”
+
+“Very well,” I said, standing up, white and tense and it amazed me, but
+I was also exultant; “then we won’t marry at all.”
+
+She leant forward over the table, staring blankly. But presently her
+half-averted face began to haunt me as she had sat at the table, and
+her arm and the long droop of her shoulder.
+
+III
+
+The next day I did an unexampled thing. I sent a telegram to my uncle,
+“_Bad temper not coming to business_,” and set off for Highgate and
+Ewart. He was actually at work—on a bust of Millie, and seemed very
+glad for any interruption.
+
+“Ewart, you old Fool,” I said, “knock off and come for a day’s gossip.
+I’m rotten. There’s a sympathetic sort of lunacy about you. Let’s go to
+Staines and paddle up to Windsor.”
+
+“Girl?” said Ewart, putting down a chisel.
+
+“Yes.”
+
+That was all I told him of my affair.
+
+“I’ve got no money,” he remarked, to clear up ambiguity in my
+invitation.
+
+We got a jar of shandy-gaff, some food, and, on Ewart’s suggestion, two
+Japanese sunshades in Staines; we demanded extra cushions at the
+boathouse and we spent an enormously soothing day in discourse and
+meditation, our boat moored in a shady place this side of Windsor. I
+seem to remember Ewart with a cushion forward, only his heels and
+sunshade and some black ends of hair showing, a voice and no more,
+against the shining, smoothly-streaming mirror of the trees and bushes.
+
+“It’s not worth it,” was the burthen of the voice. “You’d better get
+yourself a Millie, Ponderevo, and then you wouldn’t feel so upset.”
+
+“No,” I said decidedly, “that’s not my way.”
+
+A thread of smoke ascended from Ewart for a while, like smoke from an
+altar.
+
+“Everything’s a muddle, and you think it isn’t. Nobody knows where we
+are—because, as a matter of fact we aren’t anywhere. Are women
+property—or are they fellow-creatures? Or a sort of proprietary
+goddesses? They’re so obviously fellow-creatures. You believe in the
+goddess?”
+
+“No,” I said, “that’s not my idea.”
+
+“What is your idea?”
+
+“Well”
+
+“H’m,” said Ewart, in my pause.
+
+“My idea,” I said, “is to meet one person who will belong to me—to whom
+I shall belong—body and soul. No half-gods! Wait till she comes. If she
+comes at all.... We must come to each other young and pure.”
+
+“There’s no such thing as a pure person or an impure person.... Mixed
+to begin with.”
+
+This was so manifestly true that it silenced me altogether.
+
+“And if you belong to her and she to you, Ponderevo—which end’s the
+head?”
+
+I made no answer except an impatient “oh!”
+
+For a time we smoked in silence....
+
+“Did I tell you, Ponderevo, of a wonderful discovery I’ve made?” Ewart
+began presently.
+
+“No,” I said, “what is it?”
+
+“There’s no Mrs. Grundy.”
+
+“No?”
+
+“No! Practically not. I’ve just thought all that business out. She’s
+merely an instrument, Ponderevo. She’s borne the blame. Grundy’s a man.
+Grundy unmasked. Rather lean and out of sorts. Early middle age. With
+bunchy black whiskers and a worried eye. Been good so far, and it’s
+fretting him! Moods! There’s Grundy in a state of sexual panic, for
+example,—‘For God’s sake cover it up! They get together—they get
+together! It’s too exciting! The most dreadful things are happening!’
+Rushing about—long arms going like a windmill. ‘They must be kept
+apart!’ Starts out for an absolute obliteration of everything absolute
+separations. One side of the road for men, and the other for women, and
+a hoarding—without posters between them. Every boy and girl to be sewed
+up in a sack and sealed, just the head and hands and feet out until
+twenty-one. Music abolished, calico garments for the lower animals!
+Sparrows to be suppressed—ab-so-lutely.”
+
+I laughed abruptly.
+
+“Well, that’s Mr. Grundy in one mood—and it puts Mrs. Grundy—She’s a
+much-maligned person, Ponderevo—a rake at heart—and it puts her in a
+most painful state of fluster—most painful! She’s an amenable creature.
+When Grundy tells her things are shocking, she’s shocked—pink and
+breathless. She goes about trying to conceal her profound sense of
+guilt behind a haughty expression....
+
+“Grundy, meanwhile, is in a state of complete whirlabout. Long lean
+knuckly hands pointing and gesticulating! ‘They’re still thinking of
+things—thinking of things! It’s dreadful. They get it out of books. I
+can’t imagine where they get it! I must watch! There’re people over
+there whispering! Nobody ought to whisper!—There’s something suggestive
+in the mere act! Then, pictures! In the museum—things too dreadful for
+words. Why can’t we have pure art—with the anatomy all wrong and pure
+and nice—and pure fiction pure poetry, instead of all this stuff with
+allusions—allusions?... Excuse me! There’s something up behind that
+locked door! The keyhole! In the interests of public morality—yes, Sir,
+as a pure good man—I insist—_I’ll_ look—it won’t hurt me—I insist on
+looking my duty—M’m’m—the keyhole!’”
+
+He kicked his legs about extravagantly, and I laughed again.
+
+“That’s Grundy in one mood, Ponderevo. It isn’t Mrs. Grundy. That’s one
+of the lies we tell about women. They’re too simple. Simple! Woman ARE
+simple! They take on just what men tell ’em.”
+
+Ewart meditated for a space. “Just exactly as it’s put to them,” he
+said, and resumed the moods of Mr. Grundy.
+
+“Then you get old Grundy in another mood. Ever caught him nosing,
+Ponderevo? Mad with the idea of mysterious, unknown, wicked, delicious
+things. Things that aren’t respectable. Wow! Things he mustn’t do!...
+Any one who knows about these things, knows there’s just as much
+mystery and deliciousness about Grundy’s forbidden things as there is
+about eating ham. Jolly nice if it’s a bright morning and you’re well
+and hungry and having breakfast in the open air. Jolly unattractive if
+you’re off colour. But Grundy’s covered it all up and hidden it and put
+mucky shades and covers over it until he’s forgotten it. Begins to
+fester round it in his mind. Has dreadful struggles—with himself about
+impure thoughts.... Then you set Grundy with hot ears,—curious in
+undertones. Grundy on the loose, Grundy in a hoarse whisper and with
+furtive eyes and convulsive movements—making things indecent.
+Evolving—in dense vapours—indecency!
+
+“Grundy sins. Oh, yes, he’s a hypocrite. Sneaks round a corner and sins
+ugly. It’s Grundy and his dark corners that make vice, vice! We
+artists—we have no vices.
+
+“And then he’s frantic with repentance. And wants to be cruel to fallen
+women and decent harmless sculptors of the simple nude—like me—and so
+back to his panic again.”
+
+“Mrs. Grundy, I suppose, doesn’t know he sins,” I remarked.
+
+“No? I’m not so sure.... But, bless her heart she’s a woman.... She’s a
+woman. Then again you get Grundy with a large greasy smile—like an
+accident to a butter tub—all over his face, being Liberal Minded—Grundy
+in his Anti-Puritan moments, ‘trying not to see Harm in it’—Grundy the
+friend of innocent pleasure. He makes you sick with the Harm he’s
+trying not to see in it...
+
+“And that’s why everything’s wrong, Ponderevo. Grundy, damn him! stands
+in the light, and we young people can’t see. His moods affect us. We
+catch his gusts of panic, his disease of nosing, his greasiness. We
+don’t know what we may think, what we may say, he does his silly utmost
+to prevent our reading and seeing the one thing, the one sort of
+discussion we find—quite naturally and properly—supremely interesting.
+So we don’t adolescence; we blunder up to sex. Dare—dare to look—and he
+may dirt you for ever! The girls are terror-stricken to silence by his
+significant whiskers, by the bleary something in his eyes.”
+
+Suddenly Ewart, with an almost Jack-in-the-box effect, sat up.
+
+“He’s about us everywhere, Ponderevo,” he said, very solemnly.
+“Sometimes—sometimes I think he is—in our blood. In _mine_.”
+
+He regarded me for my opinion very earnestly, with his pipe in the
+corner of his mouth.
+
+“You’re the remotest cousin he ever had,” I said.
+
+I reflected. “Look here, Ewart,” I asked, “how would you have things
+different?”
+
+He wrinkled up his queer face, regarded the wait and made his pipe
+gurgle for a space, thinking deeply.
+
+“There are complications, I admit. We’ve grown up under the terror of
+Grundy and that innocent but docile and—yes—formidable lady, his wife.
+I don’t know how far the complications aren’t a disease, a sort of
+bleaching under the Grundy shadow.... It is possible there are things I
+have still to learn about women.... Man has eaten of the Tree of
+Knowledge. His innocence is gone. You can’t have your cake and eat it.
+We’re in for knowledge; let’s have it plain and straight. I should
+begin, I think, by abolishing the ideas of decency and indecency....”
+
+“Grundy would have fits!” I injected.
+
+“Grundy, Ponderevo, would have cold douches—publicly—if the sight was
+not too painful—three times a day.... But I don’t think, mind you, that
+I should let the sexes run about together. No. The fact behind the
+sexes—is sex. It’s no good humbugging. It trails about—even in the best
+mixed company. Tugs at your ankle. The men get showing off and
+quarrelling—and the women. Or they’re bored. I suppose the ancestral
+males have competed for the ancestral females ever since they were both
+some sort of grubby little reptile. You aren’t going to alter that in a
+thousand years or so.... Never should you have a mixed company,
+never—except with only one man or only one woman. How would that be?...
+
+“Or duets only?...
+
+“How to manage it? Some rule of etiquette, perhaps.”... He became
+portentously grave.
+
+Then his long hand went out in weird gestures.
+
+“I seem to see—I seem to see—a sort of City of Women, Ponderevo.
+Yes.... A walled enclosure—good stone-mason’s work—a city wall, high as
+the walls of Rome, going about a garden. Dozens of square miles of
+garden—trees—fountains—arbours—lakes. Lawns on which the women play,
+avenues in which they gossip, boats.... Women like that sort of thing.
+Any woman who’s been to a good eventful girls’ school lives on the
+memory of it for the rest of her life. It’s one of the pathetic things
+about women—the superiority of school and college—to anything they get
+afterwards. And this city-garden of women will have beautiful places
+for music, places for beautiful dresses, places for beautiful work.
+Everything a woman can want. Nurseries. Kindergartens. Schools. And no
+man—except to do rough work, perhaps—ever comes in. The men live in a
+world where they can hunt and engineer, invent and mine and
+manufacture, sail ships, drink deep and practice the arts, and fight—”
+
+“Yes,” I said, “but—”
+
+He stilled me with a gesture.
+
+“I’m coming to that. The homes of the women, Ponderevo, will be set in
+the wall of their city; each woman will have her own particular house
+and home, furnished after her own heart in her own manner—with a little
+balcony on the outside wall. Built into the wall—and a little balcony.
+And there she will go and look out, when the mood takes her, and all
+round the city there will be a broad road and seats and great shady
+trees. And men will stroll up and down there when they feel the need of
+feminine company; when, for instance, they want to talk about their
+souls or their characters or any of the things that only women will
+stand.... The women will lean over and look at the men and smile and
+talk to them as they fancy. And each woman will have this; she will
+have a little silken ladder she can let down if she chooses—if she
+wants to talk closer...”
+
+“The men would still be competing.”
+
+“There perhaps—yes. But they’d have to abide by the women’s decisions.”
+
+I raised one or two difficulties, and for a while we played with this
+idea.
+
+“Ewart,” I said, “this is like Doll’s Island.
+
+“Suppose,” I reflected, “an unsuccessful man laid siege to a balcony
+and wouldn’t let his rival come near it?”
+
+“Move him on,” said Ewart, “by a special regulation. As one does
+organ-grinders. No difficulty about that. And you could forbid it—make
+it against the etiquette. No life is decent without etiquette.... And
+people obey etiquette sooner than laws...”
+
+“H’m,” I said, and was struck by an idea that is remote in the world of
+a young man. “How about children?” I asked; “in the City? Girls are all
+very well. But boys, for example—grow up.”
+
+“Ah!” said Ewart. “Yes. I forgot. They mustn’t grow up inside....
+They’d turn out the boys when they were seven. The father must come
+with a little pony and a little gun and manly wear, and take the boy
+away. Then one could come afterwards to one’s mother’s balcony.... It
+must be fine to have a mother. The father and the son...”
+
+“This is all very pretty in its way,” I said at last, “but it’s a
+dream. Let’s come back to reality. What I want to know is, what are you
+going to do in Brompton, let us say, or Walham Green _now?_”
+
+“Oh! damn it!” he remarked, “Walham Green! What a chap you are,
+Ponderevo!” and he made an abrupt end to his discourse. He wouldn’t
+even reply to my tentatives for a time.
+
+“While I was talking just now,” he remarked presently,
+
+“I had a quite different idea.”
+
+“What?”
+
+“For a masterpiece. A series. Like the busts of the Cæsars. Only not
+heads, you know. We don’t see the people who do things to us
+nowadays...”
+
+“How will you do it, then?”
+
+“Hands—a series of hands! The hands of the Twentieth Century. I’ll do
+it. Some day some one will discover it—go there—see what I have done,
+and what is meant by it.”
+
+“See it where?”
+
+“On the tombs. Why not? The Unknown Master of the Highgate Slope! All
+the little, soft feminine hands, the nervous ugly males, the hands of
+the flops, and the hands of the snatchers! And Grundy’s loose, lean,
+knuckly affair—Grundy the terror!—the little wrinkles and the thumb!
+Only it ought to hold all the others together—in a slightly disturbing
+squeeze....Like Rodin’s great Hand—you know the thing!”
+
+IV
+
+I forget how many days intervened between that last breaking off of our
+engagement and Marion’s surrender. But I recall now the sharpness of my
+emotion, the concentrated spirit of tears and laughter in my throat as
+I read the words of her unexpected letter—“I have thought over
+everything, and I was selfish....” I rushed off to Walham Green that
+evening to give back all she had given me, to beat her altogether at
+giving. She was extraordinarily gentle and generous that time, I
+remember, and when at last I left her, she kissed me very sweetly.
+
+So we were married.
+
+We were married with all the customary incongruity. I gave—perhaps
+after a while not altogether ungrudgingly—and what I gave, Marion took,
+with a manifest satisfaction. After all, I was being sensible. So that
+we had three livery carriages to the church (one of the pairs of horses
+matched) and coachmen—with improvised flavour and very shabby silk
+hats—bearing white favours on their whips, and my uncle intervened with
+splendour and insisted upon having a wedding breakfast sent in from a
+caterer’s in Hammersmith. The table had a great display of
+chrysanthemums, and there was orange blossom in the significant place
+and a wonderful cake. We also circulated upwards of a score of wedges
+of that accompanied by silver-printed cards in which Marion’s name of
+Ramboat was stricken out by an arrow in favour of Ponderevo. We had a
+little rally of Marion’s relations, and several friends and friends’
+friends from Smithie’s appeared in the church and drifted vestry-ward.
+I produced my aunt and uncle a select group of two. The effect in that
+shabby little house was one of exhilarating congestion. The side-board,
+in which lived the table-cloth and the “Apartments” card, was used for
+a display of the presents, eked out by the unused balance of the
+silver-printed cards.
+
+Marion wore the white raiment of a bride, white silk and satin, that
+did not suit her, that made her seem large and strange to me; she
+obtruded bows and unfamiliar contours. She went through all this
+strange ritual of an English wedding with a sacramental gravity that I
+was altogether too young and egotistical to comprehend. It was all
+extraordinarily central and important to her; it was no more than an
+offensive, complicated, and disconcerting intrusion of a world I was
+already beginning to criticise very bitterly, to me. What was all this
+fuss for? The mere indecent advertisement that I had been passionately
+in love with Marion! I think, however, that Marion was only very
+remotely aware of my smouldering exasperation at having in the end
+behaved “nicely.” I had played—up to the extent of dressing my part; I
+had an admirably cut frock—coat, a new silk hat, trousers as light as I
+could endure them—lighter, in fact—a white waistcoat, night tie, light
+gloves. Marion, seeing me despondent had the unusual enterprise to
+whisper to me that I looked lovely; I knew too well I didn’t look
+myself. I looked like a special coloured supplement to _Men’s Wear_, or
+_The Tailor and Cutter_, Full Dress For Ceremonial Occasions. I had
+even the disconcerting sensations of an unfamiliar collar. I felt
+lost—in a strange body, and when I glanced down myself for reassurance,
+the straight white abdomen, the alien legs confirmed that impression.
+
+My uncle was my best man, and looked like a banker—a little banker—in
+flower. He wore a white rose in his buttonhole. He wasn’t, I think,
+particularly talkative. At least I recall very little from him.
+
+“George” he said once or twice, “this is a great occasion for you—a
+very great occasion.” He spoke a little doubtfully.
+
+You see I had told him nothing about Marion until about a week before
+the wedding; both he and my aunt had been taken altogether by surprise.
+They couldn’t, as people say, “make it out.” My aunt was intensely
+interested, much more than my uncle; it was then, I think, for the
+first time that I really saw that she cared for me. She got me alone, I
+remember, after I had made my announcement. “Now, George,” she said,
+“tell me everything about her. Why didn’t you tell—ME at least—before?”
+
+I was surprised to find how difficult it was to tell her about Marion.
+I perplexed her.
+
+“Then is she beautiful?” she asked at last.
+
+“I don’t know what you’ll think of her,” I parried. “I think—”
+
+“Yes?”
+
+“I think she might be the most beautiful person in the world.”
+
+“And isn’t she? To you?”
+
+“Of course,” I said, nodding my head. “Yes. She IS...”
+
+And while I don’t remember anything my uncle said or did at the
+wedding, I do remember very distinctly certain little things, scrutiny,
+solicitude, a curious rare flash of intimacy in my aunt’s eyes. It
+dawned on me that I wasn’t hiding anything from her at all. She was
+dressed very smartly, wearing a big-plumed hat that made her neck seem
+longer and slenderer than ever, and when she walked up the aisle with
+that rolling stride of hers and her eye all on Marion, perplexed into
+self-forgetfulness, it wasn’t somehow funny. She was, I do believe,
+giving my marriage more thought than I had done, she was concerned
+beyond measure at my black rage and Marion’s blindness, she was looking
+with eyes that knew what loving is—for love.
+
+In the vestry she turned away as we signed, and I verily believe she
+was crying, though to this day I can’t say why she should have cried,
+and she was near crying too when she squeezed my hand at parting—and
+she never said a word or looked at me, but just squeezed my hand....
+
+If I had not been so grim in spirit, I think I should have found much
+of my wedding amusing. I remember a lot of ridiculous detail that still
+declines to be funny in my memory. The officiating clergyman had a
+cold, and turned his “n’s” to “d’s,” and he made the most mechanical
+compliment conceivable about the bride’s age when the register was
+signed. Every bride he had ever married had had it, one knew. And two
+middle-aged spinsters, cousins of Marion’s and dressmakers at Barking,
+stand out. They wore marvellously bright and gay blouses and dim old
+skirts, and had an immense respect for Mr. Ramboat. They threw rice;
+they brought a whole bag with them and gave handfuls away to unknown
+little boys at the church door and so created a Lilliputian riot; and
+one had meant to throw a slipper. It was a very warm old silk slipper,
+I know, because she dropped it out of a pocket in the aisle—there was a
+sort of jumble in the aisle—and I picked it up for her. I don’t think
+she actually threw it, for as we drove away from the church I saw her
+in a dreadful, and, it seemed to me, hopeless, struggle with her
+pocket; and afterwards my eye caught the missile of good fortune lying,
+it or its fellow, most obviously mislaid, behind the umbrella-stand in
+the hall....
+
+The whole business was much more absurd, more incoherent, more human
+than I had anticipated, but I was far too young and serious to let the
+latter quality atone for its shortcomings. I am so remote from this
+phase of my youth that I can look back at it all as dispassionately as
+one looks at a picture—at some wonderful, perfect sort of picture that
+is inexhaustible; but at the time these things filled me with
+unspeakable resentment. Now I go round it all, look into its details,
+generalise about its aspects. I’m interested, for example, to square it
+with my Bladesover theory of the British social scheme. Under stress of
+tradition we were all of us trying in the fermenting chaos of London to
+carry out the marriage ceremonies of a Bladesover tenant or one of the
+chubby middling sort of people in some dependent country town. There a
+marriage is a public function with a public significance. There the
+church is to a large extent the gathering-place of the community, and
+your going to be married a thing of importance to every one you pass on
+the road. It is a change of status that quite legitimately interests
+the whole neighbourhood. But in London there are no neighbours, nobody
+knows, nobody cares. An absolute stranger in an office took my notice,
+and our banns were proclaimed to ears that had never previously heard
+our names. The clergyman, even, who married us had never seen us
+before, and didn’t in any degree intimate that he wanted to see us
+again.
+
+Neighbours in London! The Ramboats did not know the names of the people
+on either side of them. As I waited for Marion before we started off
+upon our honeymoon flight, Mr. Ramboat, I remember, came and stood
+beside me and stared out of the window.
+
+“There was a funeral over there yesterday,” he said, by way of making
+conversation, and moved his head at the house opposite. “Quite a smart
+affair it was with a glass ’earse....”
+
+And our little procession of three carriages with white-favour-adorned
+horses and drivers, went through all the huge, noisy, indifferent
+traffic like a lost china image in the coal-chute of an ironclad.
+Nobody made way for us, nobody cared for us; the driver of an omnibus
+jeered; for a long time we crawled behind an unamiable dust-cart. The
+irrelevant clatter and tumult gave a queer flavour of indecency to this
+public coming together of lovers. We seemed to have obtruded ourselves
+shamelessly. The crowd that gathered outside the church would have
+gathered in the same spirit and with greater alacrity for a street
+accident....
+
+At Charing Cross—we were going to Hastings—the experienced eye of the
+guard detected the significance of our unusual costume and he secured
+us a compartment.
+
+“Well,” said I, as the train moved out of the station, “_That’s_ all
+over!” And I turned to Marion—a little unfamiliar still, in her
+unfamiliar clothes—and smiled.
+
+She regarded me gravely, timidly.
+
+“You’re not cross?” she asked.
+
+“Cross! Why?”
+
+“At having it all proper.”
+
+“My dear Marion!” said I, and by way of answer took and kissed her
+white-gloved, leather-scented hand....
+
+I don’t remember much else about the journey, an hour or so it was of
+undistinguished time—for we were both confused and a little fatigued
+and Marion had a slight headache and did not want caresses. I fell into
+a reverie about my aunt, and realised as if it were a new discovery,
+that I cared for her very greatly. I was acutely sorry I had not told
+her earlier of my marriage.
+
+But you will not want to hear the history of my honeymoon. I have told
+all that was needed to serve my present purpose. Thus and thus it was
+the Will in things had its way with me. Driven by forces I did not
+understand, diverted altogether from the science, the curiosities and
+work to which I had once given myself, I fought my way through a tangle
+of traditions, customs, obstacles and absurdities, enraged myself,
+limited myself, gave myself to occupations I saw with the clearest
+vision were dishonourable and vain, and at last achieved the end of
+purblind Nature, the relentless immediacy of her desire, and held, far
+short of happiness, Marion weeping and reluctant in my arms.
+
+V
+
+Who can tell the story of the slow estrangement of two married people,
+the weakening of first this bond and then that of that complex contact?
+Least of all can one of the two participants. Even now, with an
+interval of fifteen years to clear it up for me, I still find a mass of
+impressions of Marion as confused, as discordant, as unsystematic and
+self-contradictory as life. I think of this thing and love her, of that
+and hate her—of a hundred aspects in which I can now see her with an
+unimpassioned sympathy. As I sit here trying to render some vision of
+this infinitely confused process, I recall moments of hard and fierce
+estrangement, moments of clouded intimacy, the passage of transition
+all forgotten. We talked a little language together whence were
+“friends,” and I was “Mutney” and she was “Ming,” and we kept up such
+an outward show that till the very end Smithie thought our household
+the most amiable in the world.
+
+I cannot tell to the full how Marion thwarted me and failed in that
+life of intimate emotions which is the kernel of love. That life of
+intimate emotions is made up of little things. A beautiful face differs
+from an ugly one by a difference of surfaces and proportions that are
+sometimes almost infinitesimally small. I find myself setting down
+little things and little things; none of them do more than demonstrate
+those essential temperamental discords I have already sought to make
+clear. Some readers will understand—to others I shall seem no more than
+an unfeeling brute who couldn’t make allowances.... It’s easy to make
+allowances now; but to be young and ardent and to make allowances, to
+see one’s married life open before one, the life that seemed in its
+dawn a glory, a garden of roses, a place of deep sweet mysteries and
+heart throbs and wonderful silences, and to see it a vista of
+tolerations and baby-talk; a compromise, the least effectual thing in
+all one’s life.
+
+Every love romance I read seemed to mock our dull intercourse, every
+poem, every beautiful picture reflected upon the uneventful succession
+of grey hours we had together. I think our real difference was one of
+aesthetic sensibility.
+
+I do still recall as the worst and most disastrous aspect of all that
+time, her absolute disregard of her own beauty. It’s the pettiest thing
+to record, I know, but she could wear curl-papers in my presence. It
+was her idea, too, to “wear out” her old clothes and her failures at
+home when “no one was likely to see her”—“no one” being myself. She
+allowed me to accumulate a store of ungracious and slovenly
+memories....
+
+All our conceptions of life differed. I remember how we differed about
+furniture. We spent three or four days in Tottenham Court Road, and she
+chose the things she fancied with an inexorable resolution,—sweeping
+aside my suggestions with—“Oh, _you_ want such queer things.” She
+pursued some limited, clearly seen and experienced ideal—that excluded
+all other possibilities. Over every mantel was a mirror that was
+draped, our sideboard was wonderfully good and splendid with beveled
+glass, we had lamps on long metal stalks and cozy corners and plants in
+grog-tubs. Smithie approved it all. There wasn’t a place where one
+could sit and read in the whole house. My books went upon shelves in
+the dining-room recess. And we had a piano though Marion’s playing was
+at an elementary level.
+
+You know, it was the cruelest luck for Marion that I, with my
+restlessness, my scepticism, my constantly developing ideas, had
+insisted on marriage with her. She had no faculty of growth or change;
+she had taken her mould, she had set in the limited ideas of her
+peculiar class. She preserved her conception of what was right in
+drawing-room chairs and in marriage ceremonial and in every relation of
+life with a simple and luminous honesty and conviction, with an immense
+unimaginative inflexibility—as a tailor-bird builds its nest or a
+beaver makes its dam.
+
+Let me hasten over this history of disappointments and separation. I
+might tell of waxings and waning of love between us, but the whole was
+waning. Sometimes she would do things for me, make me a tie or a pair
+of slippers, and fill me with none the less gratitude because the
+things were absurd. She ran our home and our one servant with a hard,
+bright efficiency. She was inordinately proud of house and garden.
+Always, by her lights, she did her duty by me.
+
+Presently the rapid development of Tono-Bungay began to take me into
+the provinces, and I would be away sometimes for a week together. This
+she did not like; it left her “dull,” she said, but after a time she
+began to go to Smithie’s again and to develop an independence of me. At
+Smithie’s she was now a woman with a position; she had money to spend.
+She would take Smithie to theatres and out to lunch and talk
+interminably of the business, and Smithie became a sort of permanent
+weekender with us. Also Marion got a spaniel and began to dabble with
+the minor arts, with poker-work and a Kodak and hyacinths in glasses.
+She called once on a neighbour. Her parents left Walham Green—her
+father severed his connection with the gas-works—and came to live in a
+small house I took for them near us, and they were much with us.
+
+Odd the littleness of the things that exasperate when the fountains of
+life are embittered! My father-in-law was perpetually catching me in
+moody moments and urging me to take to gardening. He irritated me
+beyond measure.
+
+“You think too much,” he would say. “If you was to let in a bit with a
+spade, you might soon ’ave that garden of yours a Vision of Flowers.
+That’s better than thinking, George.”
+
+Or in a torrent of exasperation, “I CARN’T think, George, why you don’t
+get a bit of glass ’ere. This sunny corner you c’d do wonders with a
+bit of glass.”
+
+And in the summer time he never came in without performing a sort of
+conjuring trick in the hall, and taking cucumbers and tomatoes from
+unexpected points of his person. “All out o’ MY little bit,” he’d say
+in exemplary tones. He left a trail of vegetable produce in the most
+unusual places, on mantel boards, sideboards, the tops of pictures.
+Heavens! how the sudden unexpected tomato could annoy me!...
+
+It did much to widen our estrangement that Marion and my aunt failed to
+make friends, became, by a sort of instinct, antagonistic.
+
+My aunt, to begin with, called rather frequently, for she was really
+anxious to know Marion. At first she would arrive like a whirlwind and
+pervade the house with an atmosphere of hello! She dressed already with
+that cheerfully extravagant abandon that signalised her accession to
+fortune, and dressed her best for these visits.
+
+She wanted to play the mother to me, I fancy, to tell Marion occult
+secrets about the way I wore out my boots and how I never could think
+to put on thicker things in cold weather. But Marion received her with
+that defensive suspiciousness of the shy person, thinking only of the
+possible criticism of herself; and my aunt, perceiving this, became
+nervous and slangy...
+
+“She says such queer things,” said Marion once, discussing her. “But I
+suppose it’s witty.”
+
+“Yes,” I said; “it _is_ witty.”
+
+“If I said things like she does—”
+
+The queer things my aunt said were nothing to the queer things she
+didn’t say. I remember her in our drawing-room one day, and how she
+cocked her eye—it’s the only expression—at the India-rubber plant in a
+Doulton-ware pot which Marion had placed on the corner of the piano.
+
+She was on the very verge of speech. Then suddenly she caught my
+expression, and shrank up like a cat that has been discovered looking
+at the milk.
+
+Then a wicked impulse took her.
+
+“Didn’t say an old word, George,” she insisted, looking me full in the
+eye.
+
+I smiled. “You’re a dear,” I said, “not to,” as Marion came lowering
+into the room to welcome her. But I felt extraordinarily like a
+traitor—to the India-rubber plant, I suppose—for all that nothing had
+been said...
+
+“Your aunt makes Game of people,” was Marion’s verdict, and,
+open-mindedly: “I suppose it’s all right... for her.”
+
+Several times we went to the house in Beckenham for lunch, and once or
+twice to dinner. My aunt did her peculiar best to be friends, but
+Marion was implacable. She was also, I know, intensely uncomfortable,
+and she adopted as her social method, an exhausting silence, replying
+compactly and without giving openings to anything that was said to her.
+
+The gaps between my aunt’s visits grew wider and wider.
+
+My married existence became at last like a narrow deep groove in the
+broad expanse of interests in which I was living. I went about the
+world; I met a great number of varied personalities; I read endless
+books in trains as I went to and fro. I developed social relationships
+at my uncle’s house that Marion did not share. The seeds of new ideas
+poured in upon me and grew in me. Those early and middle years of one’s
+third decade are, I suppose, for a man the years of greatest mental
+growth. They are restless years and full of vague enterprise.
+
+Each time I returned to Ealing, life there seemed more alien, narrow,
+and unattractive—and Marion less beautiful and more limited and
+difficult—until at last she was robbed of every particle of her magic.
+She gave me always a cooler welcome, I think, until she seemed entirely
+apathetic. I never asked myself then what heartaches she might hide or
+what her discontents might be.
+
+I would come home hoping nothing, expecting nothing.
+
+This was my fated life, and I had chosen it. I became more sensitive to
+the defects I had once disregarded altogether; I began to associate her
+sallow complexion with her temperamental insufficiency, and the heavier
+lines of her mouth and nostril with her moods of discontent. We drifted
+apart; wider and wider the gap opened. I tired of baby-talk and
+stereotyped little fondlings; I tired of the latest intelligence from
+those wonderful workrooms, and showed it all too plainly; we hardly
+spoke when we were alone together. The mere unreciprocated physical
+residue of my passion remained—an exasperation between us.
+
+No children came to save us. Marion had acquired at Smithie’s a disgust
+and dread of maternity. All that was the fruition and quintessence of
+the “horrid” elements in life, a disgusting thing, a last indignity
+that overtook unwary women. I doubt indeed a little if children would
+have saved us; we should have differed so fatally about their
+upbringing.
+
+Altogether, I remember my life with Marion as a long distress, now
+hard, now tender. It was in those days that I first became critical of
+my life and burdened with a sense of error and maladjustment. I would
+lie awake in the night, asking myself the purpose of things, reviewing
+my unsatisfying, ungainly home-life, my days spent in rascal enterprise
+and rubbish-selling, contrasting all I was being and doing with my
+adolescent ambitions, my Wimblehurst dreams. My circumstances had an
+air of finality, and I asked myself in vain why I had forced myself
+into them.
+
+VI
+
+The end of our intolerable situation came suddenly and unexpectedly,
+but in a way that I suppose was almost inevitable.
+
+My alienated affections wandered, and I was unfaithful to Marion.
+
+I won’t pretend to extenuate the quality of my conduct. I was a young
+and fairly vigorous male; all my appetite for love had been roused and
+whetted and none of it had been satisfied by my love affair and my
+marriage. I had pursued an elusive gleam of beauty to the disregard of
+all else, and it had failed me. It had faded when I had hoped it would
+grow brighter. I despaired of life and was embittered. And things
+happened as I am telling. I don’t draw any moral at all in the matter,
+and as for social remedies, I leave them to the social reformer. I’ve
+got to a time of life when the only theories that interest me are
+generalisations about realities.
+
+To go to our inner office in Raggett Street I had to walk through a
+room in which the typists worked. They were the correspondence typists;
+our books and invoicing had long since overflowed into the premises we
+had had the luck to secure on either side of us. I was, I must confess,
+always in a faintly cloudily-emotional way aware of that collection of
+for the most part round-shouldered femininity, but presently one of the
+girls detached herself from the others and got a real hold upon my
+attention. I appreciated her at first as a straight little back, a
+neater back than any of the others; as a softly rounded neck with a
+smiling necklace of sham pearls; as chestnut hair very neatly done—and
+as a side-long glance; presently as a quickly turned face that looked
+for me.
+
+My eye would seek her as I went through on business things—I dictated
+some letters to her and so discovered she had pretty, soft-looking
+hands with pink nails. Once or twice, meeting casually, we looked one
+another for the flash of a second in the eyes.
+
+That was all. But it was enough in the mysterious free-masonry of sex
+to say essential things. We had a secret between us.
+
+One day I came into Raggett Street at lunch time and she was alone,
+sitting at her desk. She glanced up as I entered, and then became very
+still, with a downcast face and her hands clenched on the table. I
+walked right by her to the door of the inner office, stopped, came back
+and stood over her.
+
+We neither of us spoke for quite a perceptible time. I was trembling
+violently.
+
+“Is that one of the new typewriters?” I asked at last for the sake of
+speaking.
+
+She looked up at me without a word, with her face flushed and her eyes
+alight, and I bent down and kissed her lips. She leant back to put an
+arm about me, drew my face to her and kissed me again and again. I
+lifted her and held her in my arms. She gave a little smothered cry to
+feel herself so held.
+
+Never before had I known the quality of passionate kisses.
+
+Somebody became audible in the shop outside.
+
+We started back from one another with flushed faces and bright and
+burning eyes.
+
+“We can’t talk here,” I whispered with a confident intimacy. “Where do
+you go at five?”
+
+“Along the Embankment to Charing Cross,” she answered as intimately.
+“None of the others go that way...”
+
+“About half-past five?”
+
+“Yes, half-past five...”
+
+The door from the shop opened, and she sat down very quickly.
+
+“I’m glad,” I said in a commonplace voice, “that these new typewriters
+are all right.”
+
+I went into the inner office and routed out the paysheet in order to
+find her name—Effie Rink. And did no work at all that afternoon. I
+fretted about that dingy little den like a beast in a cage.
+
+When presently I went out, Effie was working with an extraordinary
+appearance of calm—and there was no look for me at all....
+
+We met and had our talk that evening, a talk in whispers when there was
+none to overhear; we came to an understanding. It was strangely unlike
+any dream of romance I had ever entertained.
+
+VII
+
+I came back after a week’s absence to my home again—a changed man. I
+had lived out my first rush of passion for Effie, had come to a
+contemplation of my position. I had gauged Effie’s place in the scheme
+of things, and parted from her for a time. She was back in her place at
+Raggett Street after a temporary indisposition. I did not feel in any
+way penitent or ashamed, I know, as I opened the little cast-iron gate
+that kept Marion’s front grader and Pampas Grass from the wandering
+dog. Indeed, if anything, I felt as if I had vindicated some right that
+had been in question. I came back to Marion with no sense of
+wrong-doing at all with, indeed, a new friendliness towards her. I
+don’t know how it may be proper to feel on such occasions; that is how
+I felt.
+
+I followed her in our drawing-room, standing beside the tall lamp-stand
+that half filled the bay as though she had just turned from watching
+for me at the window. There was something in her pale face that
+arrested me. She looked as if she had not been sleeping. She did not
+come forward to greet me.
+
+“You’ve come home,” she said.
+
+“As I wrote to you.”
+
+She stood very still, a dusky figure against the bright window.
+
+“Where have you been?” she asked.
+
+“East Coast,” I said easily.
+
+She paused for a moment. “I _know_,” she said.
+
+I stared at her. It was the most amazing moment in any life....
+
+“By Jove!” I said at last, “I believe you do!”
+
+“And then you come home to me!”
+
+I walked to the hearthrug and stood quite still there regarding this
+new situation.
+
+“I didn’t dream,” she began. “How could you do such a thing?”
+
+It seemed a long interval before either of us spoke another word.
+
+“Who knows about it?” I asked at last.
+
+“Smithie’s brother. They were at Cromer.”
+
+“Confound Cromer! Yes!”
+
+“How could you bring yourself”
+
+I felt a spasm of petulant annoyance at this unexpected catastrophe.
+
+“I should like to wring Smithie’s brother’s neck,” I said....
+
+Marion spoke in dry, broken fragments of sentences. “You... I’d always
+thought that anyhow you couldn’t deceive me... I suppose all men are
+horrid—about this.”
+
+“It doesn’t strike me as horrid. It seems to me the most necessary
+consequence—and natural thing in the world.”
+
+I became aware of some one moving about in the passage, and went and
+shut the door of the room, then I walked back to the hearthrug and
+turned.
+
+“It’s rough on you,” I said. “But I didn’t mean you to know. You’ve
+never cared for me. I’ve had the devil of a time. Why should you mind?”
+
+She sat down in a draped armchair. “I _have_ cared for you,” she said.
+
+I shrugged my shoulders.
+
+“I suppose,” she said, “_she_ cares for you?”
+
+I had no answer.
+
+“Where is she now?”
+
+“Oh! does it matter to you?... Look here, Marion! This—this I didn’t
+anticipate. I didn’t mean this thing to smash down on you like this.
+But, you know, something had to happen. I’m sorry—sorry to the bottom
+of my heart that things have come to this between us. But indeed, I’m
+taken by surprise. I don’t know where I am—I don’t know how we got
+here. Things took me by surprise. I found myself alone with her one
+day. I kissed her. I went on. It seemed stupid to go back. And
+besides—why should I have gone back? Why should I? From first to last,
+I’ve hardly thought of it as touching you.... Damn!”
+
+She scrutinised my face, and pulled at the ball-fringe of the little
+table beside her.
+
+“To think of it,” she said. “I don’t believe I can ever touch you
+again.”
+
+We kept a long silence. I was only beginning to realise in the most
+superficial way the immense catastrophe that had happened between us.
+Enormous issues had rushed upon us. I felt unprepared and altogether
+inadequate. I was unreasonably angry. There came a rush of stupid
+expressions to my mind that my rising sense of the supreme importance
+of the moment saved me from saying. The gap of silence widened until it
+threatened to become the vast memorable margin of some one among a
+thousand trivial possibilities of speech that would vex our relations
+for ever.
+
+Our little general servant tapped at the door—Marion always liked the
+servant to tap—and appeared.
+
+“Tea, M’m,” she said—and vanished, leaving the door open.
+
+“I will go upstairs,” said I, and stopped. “I will go upstairs” I
+repeated, “and put my bag in the spare room.”
+
+We remained motionless and silent for a few seconds.
+
+“Mother is having tea with us to-day,” Marion remarked at last, and
+dropped the worried end of ball-fringe and stood up slowly....
+
+And so, with this immense discussion of our changed relations hanging
+over us, we presently had tea with the unsuspecting Mrs. Ramboat and
+the spaniel. Mrs. Ramboat was too well trained in her position to
+remark upon our somber preoccupation. She kept a thin trickle of talk
+going, and told us, I remember, that Mr. Ramboat was “troubled” about
+his cannas.
+
+“They don’t come up and they won’t come up. He’s been round and had an
+explanation with the man who sold him the bulbs—and he’s very heated
+and upset.”
+
+The spaniel was a great bore, begging and doing small tricks first at
+one and then at the other of us. Neither of us used his name. You see
+we had called him Miggles, and made a sort of trio in the baby-talk of
+Mutney and Miggles and Ming.
+
+VIII
+
+Then presently we resumed our monstrous, momentous dialogue. I can’t
+now make out how long that dialogue went on. It spread itself, I know,
+in heavy fragments over either three days or four. I remember myself
+grouped with Marion, talking sitting on our bed in her room, talking
+standing in our dining-room, saving this thing or that. Twice we went
+for long walks. And we had a long evening alone together, with jaded
+nerves and hearts that fluctuated between a hard and dreary recognition
+of facts and, on my part at least, a strange unwonted tenderness;
+because in some extraordinary way this crisis had destroyed our mutual
+apathy and made us feel one another again.
+
+It was a dialogue that had discrepant parts that fell into lumps of
+talk that failed to join on to their predecessors, that began again at
+a different level, higher or lower, that assumed new aspects in the
+intervals and assimilated new considerations. We discussed the fact
+that we two were no longer lovers; never before had we faced that. It
+seems a strange thing to write, but as I look back, I see clearly that
+those several days were the time when Marion and I were closest
+together, looked for the first and last time faithfully and steadfastly
+into each other’s soul. For those days only, there were no pretences, I
+made no concessions to her nor she to me; we concealed nothing,
+exaggerated nothing. We had done with pretending. We had it out plainly
+and soberly with each other. Mood followed mood and got its stark
+expression.
+
+Of course there was quarreling between us, bitter quarreling, and we
+said things to one another—long pent-up things that bruised and crushed
+and cut. But over it all in my memory now is an effect of deliberate
+confrontation, and the figure of Marion stands up, pale, melancholy,
+tear-stained, injured, implacable and dignified.
+
+“You love her?” she asked once, and jerked that doubt into my mind.
+
+I struggled with tangled ideas and emotions. “I don’t know what love
+is. It’s all sorts of things—it’s made of a dozen strands twisted in a
+thousand ways.”
+
+“But you want her? You want her now—when you think of her?”
+
+“Yes,” I reflected. “I want her—right enough.”
+
+“And me? Where do I come in?”
+
+“I suppose you come in here.”
+
+“Well, but what are you going to do?”
+
+“Do!” I said with the exasperation of the situation growing upon me.
+“What do you want me to do?”
+
+As I look back upon all that time—across a gulf of fifteen active
+years—I find I see it with an understanding judgment. I see it as if it
+were the business of some one else—indeed of two other
+people—intimately known yet judged without passion. I see now that this
+shock, this sudden immense disillusionment, did in real fact bring out
+a mind and soul in Marion; that for the first time she emerged from
+habits, timidities, imitations, phrases and a certain narrow
+will-impulse, and became a personality.
+
+Her ruling motive at first was, I think, an indignant and outraged
+pride. This situation must end. She asked me categorically to give up
+Effie, and I, full of fresh and glowing memories, absolutely refused.
+
+“It’s too late, Marion,” I said. “It can’t be done like that.”
+
+“Then we can’t very well go on living together,” she said. “Can we?”
+
+“Very well,” I deliberated “if you must have it so.”
+
+“Well, can we?”
+
+“Can you stay in this house? I mean—if I go away?”
+
+“I don’t know.... I don’t think I could.”
+
+“Then—what do you want?”
+
+Slowly we worked our way from point to point, until at last the word
+“divorce” was before us.
+
+“If we can’t live together we ought to be free,” said Marion.
+
+“I don’t know anything of divorce,” I said—“if you mean that. I don’t
+know how it is done. I shall have to ask somebody—or look it up....
+Perhaps, after all, it is the thing to do. We may as well face it.”
+
+We began to talk ourselves into a realisation of what our divergent
+futures might be. I came back on the evening of that day with my
+questions answered by a solicitor.
+
+“We can’t as a matter of fact,” I said, “get divorced as things are.
+Apparently, so far as the law goes you’ve got to stand this sort of
+thing. It’s silly but that is the law. However, it’s easy to arrange a
+divorce. In addition to adultery there must be desertion or cruelty. To
+establish cruelty I should have to strike you, or something of that
+sort, before witnesses. That’s impossible—but it’s simple to desert you
+legally. I have to go away from you; that’s all. I can go on sending
+you money—and you bring a suit, what is it?—for Restitution of Conjugal
+Rights. The Court orders me to return. I disobey. Then you can go on to
+divorce me. You get a Decree Nisi, and once more the Court tries to
+make me come back. If we don’t make it up within six months and if you
+don’t behave scandalously the Decree is made absolute. That’s the end
+of the fuss. That’s how one gets unmarried. It’s easier, you see, to
+marry than unmarry.”
+
+“And then—how do I live? What becomes of me?”
+
+“You’ll have an income. They call it alimony. From a third to a half of
+my present income—more if you like—I don’t mind—three hundred a year,
+say. You’ve got your old people to keep and you’ll need all that.”
+
+“And then—then you’ll be free?”
+
+“Both of us.”
+
+“And all this life you’ve hated”
+
+I looked up at her wrung and bitter face. “I haven’t hated it,” I lied,
+my voice near breaking with the pain of it all. “Have you?”
+
+IX
+
+The perplexing thing about life is the irresolvable complexity of
+reality, of things and relations alike. Nothing is simple. Every wrong
+done has a certain justice in it, and every good deed has dregs of
+evil. As for us, young still, and still without self-knowledge,
+resounded a hundred discordant notes in the harsh angle of that shock.
+We were furiously angry with each other, tender with each other,
+callously selfish, generously self-sacrificing.
+
+I remember Marion saying innumerable detached things that didn’t hang
+together one with another, that contradicted one another, that were,
+nevertheless, all in their places profoundly true and sincere. I see
+them now as so many vain experiments in her effort to apprehend the
+crumpled confusions of our complex moral landslide. Some I found
+irritating beyond measure. I answered her—sometimes quite abominably.
+
+“Of course,” she would say again and again, “my life has been a
+failure.”
+
+“I’ve besieged you for three years,” I would retort “asking it not to
+be. You’ve done as you pleased. If I’ve turned away at last—”
+
+Or again she would revive all the stresses before our marriage.
+
+“How you must hate me! I made you wait. Well now—I suppose you have
+your revenge.”
+
+“_Revenge!_” I echoed.
+
+Then she would try over the aspects of our new separated lives.
+
+“I ought to earn my own living,” she would insist.
+
+“I want to be quite independent. I’ve always hated London. Perhaps I
+shall try a poultry farm and bees. You won’t mind at first my being a
+burden. Afterwards—”
+
+“We’ve settled all that,” I said.
+
+“I suppose you will hate me anyhow...”
+
+There were times when she seemed to regard our separation with absolute
+complacency, when she would plan all sorts of freedoms and
+characteristic interests.
+
+“I shall go out a lot with Smithie,” she said.
+
+And once she said an ugly thing that I did indeed hate her for that I
+cannot even now quite forgive her.
+
+“Your aunt will rejoice at all this. She never cared for me...”
+
+Into my memory of these pains and stresses comes the figure of Smithie,
+full-charged with emotion, so breathless in the presence of the horrid
+villain of the piece that she could make no articulate sounds. She had
+long tearful confidences with Marion, I know, sympathetic close
+clingings. There were moments when only absolute speechlessness
+prevented her giving me a stupendous “talking-to”—I could see it in her
+eye. The wrong things she would have said! And I recall, too, Mrs.
+Ramboat’s slow awakening to something in, the air, the growing
+expression of solicitude in her eye, only her well-trained fear of
+Marion keeping her from speech.
+
+And at last through all this welter, like a thing fated and altogether
+beyond our control, parting came to Marion and me.
+
+I hardened my heart, or I could not have gone. For at the last it came
+to Marion that she was parting from me for ever. That overbore all
+other things, had turned our last hour to anguish. She forgot for a
+time the prospect of moving into a new house, she forgot the outrage on
+her proprietorship and pride. For the first time in her life she really
+showed strong emotions in regard to me, for the first time, perhaps,
+they really came to her. She began to weep slow, reluctant tears. I
+came into her room, and found her asprawl on the bed, weeping.
+
+“I didn’t know,” she cried. “Oh! I didn’t understand!”
+
+“I’ve been a fool. All my life is a wreck!
+
+“I shall be alone!..._Mutney!_ Mutney, don’t leave me! Oh! Mutney! I
+didn’t understand.”
+
+I had to harden my heart indeed, for it seemed to me at moments in
+those last hours together that at last, too late, the longed-for thing
+had happened and Marion had come alive. A new-born hunger for me lit
+her eyes.
+
+“Don’t leave me!” she said, “don’t leave me!” She clung to me; she
+kissed me with tear-salt lips.
+
+I was promised now and pledged, and I hardened my heart against this
+impossible dawn. Yet it seems to me that there were moments when it
+needed but a cry, but one word to have united us again for all our
+lives. Could we have united again? Would that passage have enlightened
+us for ever or should we have fallen back in a week or so into the old
+estrangement, the old temperamental opposition?
+
+Of that there is now no telling. Our own resolve carried us on our
+predestined way. We behaved more and more like separating lovers,
+parting inexorably, but all the preparations we had set going worked on
+like a machine, and we made no attempt to stop them. My trunks and
+boxes went to the station. I packed my bag with Marion standing before
+me. We were like children who had hurt each other horribly in sheer
+stupidity, who didn’t know now how to remedy it. We belonged to each
+other immensely—immensely. The cab came to the little iron gate.
+
+“Good-bye!” I said.
+
+“Good-bye.”
+
+For a moment we held one another in each other’s arms and
+kissed—incredibly without malice. We heard our little servant in the
+passage going to open the door. For the last time we pressed ourselves
+to one another. We were not lovers nor enemies, but two human souls in
+a frank community of pain. I tore myself from her.
+
+“Go away,” I said to the servant, seeing that Marion had followed me
+down.
+
+I felt her standing behind me as I spoke to the cab man.
+
+I got into the cab, resolutely not looking back, and then as it started
+jumped up, craned out and looked at the door.
+
+It was wide open, but she had disappeared....
+
+I wonder—I suppose she ran upstairs.
+
+X
+
+So I parted from Marion at an extremity of perturbation and regret, and
+went, as I had promised and arranged, to Effie, who was waiting for me
+in apartments near Orpington. I remember her upon the station platform,
+a bright, flitting figure looking along the train for me, and our walk
+over the fields in the twilight. I had expected an immense sense of
+relief where at last the stresses of separation were over, but now I
+found I was beyond measure wretched and perplexed, full of the
+profoundest persuasion of irreparable error. The dusk and somber Marion
+were so alike, her sorrow seemed to be all about me. I had to hold
+myself to my own plans, to remember that I must keep faith with Effie,
+with Effie who had made no terms, exacted no guarantees, but flung
+herself into my hands.
+
+We went across the evening fields in silence, towards a sky of
+deepening gold and purple, and Effie was close beside me always, very
+close, glancing up ever and again at my face.
+
+Certainly she knew I grieved for Marion, that ours was now no joyful
+reunion. But she showed no resentment and no jealousy. Extraordinarily,
+she did not compete against Marion. Never once in all our time together
+did she say an adverse word of Marion....
+
+She set herself presently to dispel the shadow that brooded over me
+with the same instinctive skill that some women will show with the
+trouble of a child. She made herself my glad and pretty slave and
+handmaid; she forced me at last to rejoice in her. Yet at the back of
+it all Marion remained, stupid and tearful and infinitely distressful,
+so that I was almost intolerably unhappy for her—for her and the dead
+body of my married love.
+
+It is all, as I tell it now, unaccountable to me. I go back into these
+remote parts, these rarely visited uplands and lonely tares of memory,
+and it seems to me still a strange country. I had thought I might be
+going to some sensuous paradise with Effie, but desire which fills the
+universe before its satisfaction, vanishes utterly like the going of
+daylight—with achievement. All the facts and forms of life remain
+darkling and cold. It was an upland of melancholy questionings, a
+region from which I saw all the world at new angles and in new aspects;
+I had outflanked passion and romance.
+
+I had come into a condition of vast perplexities. For the first time in
+my life, at least so it seems to me now in this retrospect, I looked at
+my existence as a whole.
+
+Since this was nothing, what was I doing? What was I for?
+
+I was going to and fro about Tono-Bungay—the business I had taken up to
+secure Marion and which held me now in spite of our intimate
+separation—and snatching odd week-ends and nights for Orpington, and
+all the while I struggled with these obstinate interrogations. I used
+to fall into musing in the trains, I became even a little inaccurate
+and forgetful about business things. I have the clearest memory of
+myself sitting thoughtful in the evening sunlight on a grassy hillside
+that looked toward Seven Oaks and commanded a wide sweep of country,
+and that I was thinking out my destiny. I could almost write my thought
+down now, I believe, as they came to me that afternoon. Effie, restless
+little cockney that she was, rustled and struggled in a hedgerow below,
+gathering flowers, discovering flowers she had never seen before. I
+had. I remember, a letter from Marion in my pocket. I had even made
+some tentatives for return, for a reconciliation; Heaven knows now how
+I had put it! but her cold, ill-written letter repelled me. I perceived
+I could never face that old inconclusive dullness of life again, that
+stagnant disappointment. That, anyhow, wasn’t possible. But what was
+possible? I could see no way of honour or fine living before me at all.
+
+“What am I to do with life?” that was the question that besieged me.
+
+I wondered if all the world was even as I, urged to this by one motive
+and to that by another, creatures of chance and impulse and unmeaning
+traditions. Had I indeed to abide by what I had said and done and
+chosen? Was there nothing for me in honour but to provide for Effie, go
+back penitent to Marion and keep to my trade in rubbish—or find some
+fresh one—and so work out the residue of my days? I didn’t accept that
+for a moment. But what else was I to do? I wondered if my case was the
+case of many men, whether in former ages, too, men had been so
+guideless, so uncharted, so haphazard in their journey into life. In
+the Middle Ages, in the old Catholic days, one went to a priest, and he
+said with all the finality of natural law, this you are and this you
+must do. I wondered whether even in the Middle Ages I should have
+accepted that ruling without question.
+
+I remember too very distinctly how Effie came and sat beside me on a
+little box: that was before the casement window of our room.
+
+“Gloomkins,” said she.
+
+I smiled and remained head on hand, looking out of the window forgetful
+of her.
+
+“Did you love your wife so well?” she whispered softly.
+
+“Oh!” I cried, recalled again; “I don’t know. I don’t understand these
+things. Life is a thing that hurts, my dear! It hurts without logic or
+reason. I’ve blundered! I didn’t understand. Anyhow—there is no need to
+go hurting you, is there?”
+
+And I turned about and drew her to me, and kissed her ear....
+
+Yes, I had a very bad time—I still recall. I suffered, I suppose, from
+a sort of _ennui_ of the imagination. I found myself without an object
+to hold my will together. I sought. I read restlessly and discursively.
+I tried Ewart and got no help from him. As I regard it all now in this
+retrospect, it seems to me as if in those days of disgust and abandoned
+aims I discovered myself for the first time. Before that I had seen
+only the world and things in it, had sought them self-forgetful of all
+but my impulse. Now I found myself _grouped_ with a system of appetites
+and satisfactions, with much work to do—and no desire, it seemed, left
+in me.
+
+There were moments when I thought of suicide. At times my life appeared
+before me in bleak, relentless light, a series of ignorances, crude
+blunderings, degradation and cruelty. I had what the old theologians
+call a “conviction of sin.” I sought salvation—not perhaps in the
+formula a Methodist preacher would recognise but salvation
+nevertheless.
+
+Men find their salvation nowadays in many ways. Names and forms don’t,
+I think, matter very much; the real need is something that we can hold
+and that holds one. I have known a man find that determining factor in
+a dry-plate factory, and another in writing a history of the Manor. So
+long as it holds one, it does not matter. Many men and women nowadays
+take up some concrete aspect of Socialism or social reform. But
+Socialism for me has always been a little bit too human, too set about
+with personalities and foolishness. It isn’t my line. I don’t like
+things so human. I don’t think I’m blind to the fun, the surprises, the
+jolly little coarsenesses and insufficiency of life, to the “humour of
+it,” as people say, and to adventure, but that isn’t the root of the
+matter with me. There’s no humour in my blood. I’m in earnest in warp
+and woof. I stumble and flounder, but I know that over all these merry
+immediate things, there are other things that are great and serene,
+very high, beautiful things—the reality. I haven’t got it, but it’s
+there nevertheless. I’m a spiritual guttersnipe in love with
+unimaginable goddesses. I’ve never seen the goddesses nor ever
+shall—but it takes all the fun out of the mud—and at times I fear it
+takes all the kindliness, too.
+
+But I’m talking of things I can’t expect the reader to understand,
+because I don’t half understand them myself. There is something links
+things for me, a sunset or so, a mood or so, the high air, something
+there was in Marion’s form and colour, something I find and lose in
+Mantegna’s pictures, something in the lines of these boats I make. (You
+should see X2, my last and best!)
+
+I can’t explain myself, I perceive. Perhaps it all comes to this, that
+I am a hard and morally limited cad with a mind beyond my merits.
+Naturally I resist that as a complete solution. Anyhow, I had a sense
+of inexorable need, of distress and insufficiency that was unendurable,
+and for a time this aeronautical engineering allayed it....
+
+In the end of this particular crisis of which I tell so badly, I
+idealised Science. I decided that in power and knowledge lay the
+salvation of my life, the secret that would fill my need; that to these
+things I would give myself.
+
+I emerged at last like a man who has been diving in darkness, clutching
+at a new resolve for which he had groped desperately and long.
+
+I came into the inner office suddenly one day—it must have been just
+before the time of Marion’s suit for restitution—and sat down before my
+uncle.
+
+“Look here,” I said, “I’m sick of this.”
+
+“Hul_lo!_” he answered, and put some papers aside.
+
+“What’s up, George?”
+
+“Things are wrong.”
+
+“As how?”
+
+“My life,” I said, “it’s a mess, an infinite mess.”
+
+“She’s been a stupid girl, George,” he said; “I partly understand. But
+you’re quit of her now, practically, and there’s just as good fish in
+the sea—”
+
+“Oh! it’s not that!” I cried. “That’s only the part that shows. I’m
+sick—I’m sick of all this damned rascality.”
+
+“Eh? Eh?” said my uncle. “_What_—rascality?”
+
+“Oh, _you_ know. I want some _stuff_, man. I want something to hold on
+to. I shall go amok if I don’t get it. I’m a different sort of beast
+from you. You float in all this bunkum. _I_ feel like a man floundering
+in a universe of soapsuds, up and downs, east and west. I can’t stand
+it. I must get my foot on something solid or—I don’t know what.”
+
+I laughed at the consternation in his face.
+
+“I mean it,” I said. “I’ve been thinking it over. I’ve made up my mind.
+It’s no good arguing. I shall go in for work—real work. No! this isn’t
+work; it’s only laborious cheating. But I’ve got an idea! It’s an old
+idea—I thought of years ago, but it came back to me. Look here! Why
+should I fence about with you? I believe the time has come for flying
+to be possible. Real flying!”
+
+“Flying!”
+
+I stuck to that, and it helped me through the worst time in my life. My
+uncle, after some half-hearted resistance and a talk with my aunt,
+behaved like the father of a spoilt son. He fixed up an arrangement
+that gave me capital to play with, released me from too constant a
+solicitude for the newer business developments—this was in what I may
+call the later Moggs period of our enterprises—and I went to work at
+once with grim intensity.
+
+But I will tell of my soaring and flying machines in the proper place.
+I’ve been leaving the story of my uncle altogether too long. I wanted
+merely to tell how it was I took to this work. I took to these
+experiments after I had sought something that Marion in some
+indefinable way had seemed to promise. I toiled and forgot myself for a
+time, and did many things. Science too has been something of an
+irresponsive mistress since, though I’ve served her better than I
+served Marion. But at the time Science, with her order, her inhuman
+distance, yet steely certainties, saved me from despair.
+
+Well, I have still to fly; but incidentally I have invented the
+lightest engines in the world.
+
+I am trying to tell of all the things that happened to me. It’s hard
+enough simply to get it put down in the remotest degree right. But this
+is a novel, not a treatise. Don’t imagine that I am coming presently to
+any sort of solution of my difficulties. Here among my drawings and
+hammerings _now_, I still question unanswering problems. All my life
+has been at bottom, _seeking_, disbelieving always, dissatisfied always
+with the thing seen and the thing believed, seeking something in toil,
+in force, in danger, something whose name and nature I do not clearly
+understand, something beautiful, worshipful, enduring, mine profoundly
+and fundamentally, and the utter redemption of myself; I don’t know—all
+I can tell is that it is something I have ever failed to find.
+
+XI
+
+But before I finish this chapter and book altogether and go on with the
+great adventure of my uncle’s career. I may perhaps tell what else
+remains to tell of Marion and Effie, and then for a time set my private
+life behind me.
+
+For a time Marion and I corresponded with some regularity, writing
+friendly but rather uninforming letters about small business things.
+The clumsy process of divorce completed itself.
+
+She left the house at Ealing and went into the country with her aunt
+and parents, taking a small farm near Lewes in Sussex. She put up
+glass, she put in heat for her father, happy man! and spoke of figs and
+peaches. The thing seemed to promise well throughout a spring and
+summer, but the Sussex winter after London was too much for the
+Ramboats. They got very muddy and dull; Mr. Ramboat killed a cow by
+improper feeding, and that disheartened them all. A twelvemonth saw the
+enterprise in difficulties. I had to help her out of this, and then
+they returned to London and she went into partnership with Smithie at
+Streatham, and ran a business that was intimated on the firm’s
+stationery as “Robes.” The parents and aunt were stowed away in a
+cottage somewhere. After that the letters became infrequent. But in one
+I remember a postscript that had a little stab of our old intimacy:
+“Poor old Miggles is dead.”
+
+Nearly eight years slipped by. I grew up. I grew in experience, in
+capacity, until I was fully a man, but with many new interests, living
+on a larger scale in a wider world than I could have dreamt of in my
+Marion days. Her letters become rare and insignificant. At last came a
+gap of silence that made me curious. For eighteen months or more I had
+nothing from Marion save her quarterly receipts through the bank. Then
+I damned at Smithie, and wrote a card to Marion.
+
+“Dear Marion,” I said, “how goes it?”
+
+She astonished me tremendously by telling me she had married again—“a
+Mr. Wachorn, a leading agent in the paper-pattern trade.” But she still
+wrote on the Ponderevo and Smith (Robes) notepaper, from the Ponderevo
+and Smith address.
+
+And that, except for a little difference of opinion about the
+continuance of alimony which gave me some passages of anger, and the
+use of my name by the firm, which also annoyed me, is the end of
+Marion’s history for me, and she vanishes out of this story. I do not
+know where she is or what she is doing. I do not know whether she is
+alive or dead. It seems to me utterly grotesque that two people who
+have stood so close to one another as she and I should be so separated,
+but so it is between us.
+
+Effie, too, I have parted from, though I still see her at times.
+Between us there was never any intention of marriage nor intimacy of
+soul. She had a sudden, fierce, hot-blooded passion for me and I for
+her, but I was not her first lover nor her last. She was in another
+world from Marion. She had a queer, delightful nature; I’ve no memory
+of ever seeing her sullen or malicious. She was—indeed she was
+magnificently—eupeptic. That, I think, was the central secret of her
+agreeableness, and, moreover, that she was infinitely kind-hearted. I
+helped her at last into an opening she coveted, and she amazed me by a
+sudden display of business capacity. She has now a typewriting bureau
+in Riffle’s Inn, and she runs it with a brisk vigour and considerable
+success, albeit a certain plumpness has overtaken her. And she still
+loves her kind. She married a year or so ago a boy half her age—a
+wretch of a poet, a wretched poet, and given to drugs, a thing with
+lank fair hair always getting into his blue eyes, and limp legs. She
+did it, she said, because he needed nursing....
+
+But enough of this disaster of my marriage and of my early love
+affairs; I have told all that is needed for my picture to explain how I
+came to take up aeroplane experiments and engineering science; let me
+get back to my essential story, to Tono-Bungay and my uncle’s
+promotions and to the vision of the world these things have given me.
+
+
+
+
+BOOK THE THIRD
+THE GREAT DAYS OF TONO-BUNGAY
+
+
+
+
+CHAPTER THE FIRST
+THE HARDINGHAM HOTEL, AND HOW WE BECAME BIG PEOPLE
+
+
+I
+
+But now that I resume the main line of my story it may be well to
+describe the personal appearance of my uncle as I remember him during
+those magnificent years that followed his passage from trade to
+finance. The little man plumped up very considerably during the
+creation of the Tono-Bungay property, but with the increasing
+excitements that followed that first flotation came dyspepsia and a
+certain flabbiness and falling away. His abdomen—if the reader will
+pardon my taking his features in the order of their value—had at first
+a nice full roundness, but afterwards it lost tone without, however,
+losing size. He always went as though he was proud of it and would make
+as much of it as possible. To the last his movements remained quick and
+sudden, his short firm legs, as he walked, seemed to twinkle rather
+than display the scissors-stride of common humanity, and he never
+seemed to have knees, but instead, a dispersed flexibility of limb.
+
+There was, I seem to remember, a secular intensification of his
+features; his nose developed character, became aggressive, stuck out at
+the world more and more; the obliquity of his mouth, I think,
+increased. From the face that returns to my memory projects a long
+cigar that is sometimes cocked jauntily up from the higher corner, that
+sometimes droops from the lower;—it was as eloquent as a dog’s tail,
+and he removed it only for the more emphatic modes of speech. He
+assumed a broad black ribbon for his glasses, and wore them more and
+more askew as time went on. His hair seemed to stiffen with success,
+but towards the climax it thinned greatly over the crown, and he
+brushed it hard back over his ears where, however, it stuck out
+fiercely. It always stuck out fiercely over his forehead, up and
+forward.
+
+He adopted an urban style of dressing with the onset of Tono-Bungay and
+rarely abandoned it. He preferred silk hats with ample rich brims,
+often a trifle large for him by modern ideas, and he wore them at
+various angles to his axis; his taste in trouserings was towards fairly
+emphatic stripes and his trouser cut was neat; he liked his frock-coat
+long and full, although that seemed to shorten him. He displayed a
+number of valuable rings, and I remember one upon his left little
+finger with a large red stone bearing Gnostic symbols. “Clever chaps,
+those Gnostics, George,” he told me. “Means a lot. Lucky!” He never had
+any but a black mohair watch-chair. In the country he affected grey and
+a large grey cloth top-hat, except when motoring; then he would have a
+brown deer-stalker cap and a fur suit of esquimaux cut with a sort of
+boot-end to the trousers. Of an evening he would wear white waistcoats
+and plain gold studs. He hated diamonds. “Flashy,” he said they were.
+“Might as well wear—an income tax-receipt. All very well for Park Lane.
+Unsold stock. Not my style. Sober financier, George.”
+
+So much for his visible presence. For a time it was very familiar to
+the world, for at the crest of the boom he allowed quite a number of
+photographs and at least one pencil sketch to be published in the
+sixpenny papers.
+
+His voice declined during those years from his early tenor to a flat
+rich quality of sound that my knowledge of music is inadequate to
+describe. His Zzz-ing inrush of air became less frequent as he ripened,
+but returned in moments of excitement. Throughout his career, in spite
+of his increasing and at last astounding opulence, his more intimate
+habits remained as simple as they had been at Wimblehurst. He would
+never avail himself of the services of a valet; at the very climax of
+his greatness his trousers were folded by a housemaid and his shoulders
+brushed as he left his house or hotel. He became wary about breakfast
+as life advanced, and at one time talked much of Dr. Haig and uric
+acid. But for other meals he remained reasonably omnivorous. He was
+something of a gastronome, and would eat anything he particularly liked
+in an audible manner, and perspire upon his forehead. He was a
+studiously moderate drinker—except when the spirit of some public
+banquet or some great occasion caught him and bore him beyond his
+wariness—there he would, as it were, drink inadvertently and become
+flushed and talkative—about everything but his business projects.
+
+To make the portrait complete one wants to convey an effect of sudden,
+quick bursts of movement like the jumps of a Chinese-cracker to
+indicate that his pose whatever it is, has been preceded and will be
+followed by a rush. If I were painting him, I should certainly give him
+for a background that distressed, uneasy sky that was popular in the
+eighteenth century, and at a convenient distance a throbbing motor-car,
+very big and contemporary, a secretary hurrying with papers, and an
+alert chauffeur.
+
+Such was the figure that created and directed the great property of
+Tono-Bungay, and from the successful reconstruction of that company
+passed on to a slow crescendo of magnificent creations and promotions
+until the whole world of investors marveled. I have already I think,
+mentioned how, long before we offered Tono Bungay to the public, we
+took over the English agency of certain American specialties. To this
+was presently added our exploitation of Moggs’ Domestic Soap, and so he
+took up the Domestic Convenience Campaign that, coupled with his
+equatorial rotundity and a certain resolute convexity in his bearings
+won my uncle his Napoleonic title.
+
+II
+
+It illustrates the romantic element in modern commerce that my uncle
+met young Moggs at a city dinner—I think it was the Bottle-makers’
+Company—when both were some way advanced beyond the initial sobriety of
+the occasion. This was the grandson of the original Moggs, and a very
+typical instance of an educated, cultivated, degenerate plutocrat. His
+people had taken him about in his youth as the Ruskins took their John
+and fostered a passion for history in him, and the actual management of
+the Moggs’ industry had devolved upon a cousin and a junior partner.
+
+Mr. Moggs, being of a studious and refined disposition, had just
+decided—after a careful search for a congenial subject in which he
+would not be constantly reminded of soap—to devote himself to the
+History of the Thebaid, when this cousin died suddenly and precipitated
+responsibilities upon him. In the frankness of conviviality, Moggs
+bewailed the uncongenial task thus thrust into his hands, and my uncle
+offered to lighten his burden by a partnership then and there. They
+even got to terms—extremely muzzy terms, but terms nevertheless.
+
+Each gentleman wrote the name and address of the other on his cuff, and
+they separated in a mood of brotherly carelessness, and next morning
+neither seems to have thought to rescue his shirt from the wash until
+it was too late. My uncle made a painful struggle—it was one of my
+business mornings—to recall name and particulars.
+
+“He was an aquarium-faced, long, blond sort of chap, George, with
+glasses and a genteel accent,” he said.
+
+I was puzzled. “Aquarium-faced?”
+
+“You know how they look at you. His stuff was soap, I’m pretty nearly
+certain. And he had a name—And the thing was the straightest
+Bit-of-All-right you ever. I was clear enough to spot that...”
+
+We went out at last with knitted brows, and wandered up into Finsbury
+seeking a good, well-stocked looking grocer. We called first on a
+chemist for a pick-me-up for my uncle, and then we found the shop we
+needed.
+
+“I want,” said my uncle, “half a pound of every sort of soap you got.
+Yes, I want to take them now. Wait a moment, George.... Now what sort
+of soap d’you call _that?_”
+
+At the third repetition of that question the young man said, “Moggs’
+Domestic.”
+
+“Right,” said my uncle. “You needn’t guess again. Come along, George,
+let’s go to a telephone and get on to Moggs. Oh—the order? Certainly. I
+confirm it. Send it all—send it all to the Bishop of London; he’ll have
+some good use for it—(First-rate man, George, he is—charities and all
+that)—and put it down to me, here’s a card—Ponderevo—Tono-Bungay.”
+
+Then we went on to Moggs and found him in a camel-hair dressing-jacket
+in a luxurious bed, drinking China tea, and got the shape of everything
+but the figures fixed by lunch time.
+
+Young Moggs enlarged my mind considerably; he was a sort of thing I
+hadn’t met before; he seemed quite clean and well-informed and he
+assured me to never read newspapers nor used soap in any form at all,
+“Delicate skin,” he said.
+
+“No objection to our advertising you wide and free?” said my uncle.
+
+“I draw the line at railway stations,” said Moggs, “south-coast cliffs,
+theatre programmes, books by me and poetry generally—scenery—oh!—and
+the _Mercure de France_.”
+
+“We’ll get along,” said my uncle.
+
+“So long as you don’t annoy me,” said Moggs, lighting a cigarette, “you
+can make me as rich as you like.”
+
+We certainly made him no poorer. His was the first firm that was
+advertised by a circumstantial history; we even got to illustrated
+magazine articles telling of the quaint past of Moggs. We concocted
+Moggsiana. Trusting to our partner’s preoccupation with the
+uncommercial aspects of life, we gave graceful history—of Moggs the
+First, Moggs the Second, Moggs the Third, and Moggs the Fourth. You
+must, unless you are very young, remember some of them and our
+admirable block of a Georgian shop window. My uncle brought early
+nineteenth-century memoirs, soaked himself in the style, and devised
+stories about old Moggs the First and the Duke of Wellington, George
+the Third and the soap dealer (“almost certainly old Moggs”). Very soon
+we had added to the original Moggs’ Primrose several varieties of
+scented and superfatted, a “special nurseries used in the household of
+the Duke of Kent and for the old Queen in Infancy,” a plate powder,
+“the Paragon,” and a knife powder. We roped in a good little
+second-rate black-lead firm, and carried their origins back into the
+mists of antiquity. It was my uncle’s own unaided idea that we should
+associate that commodity with the Black Prince. He became industriously
+curious about the past of black-lead. I remember his button-holing the
+president of the Pepys Society.
+
+“I say, is there any black-lead in Pepys? You know—black-lead—for
+grates! _Or does he pass it over as a matter of course?_”
+
+He became in those days the terror of eminent historians. “Don’t want
+your drum and trumpet history—no fear,” he used to say. “Don’t want to
+know who was who’s mistress, and why so-and-so devastated such a
+province; that’s bound to be all lies and upsy-down anyhow. Not my
+affair. Nobody’s affair now. Chaps who did it didn’t clearly know....
+What I want to know is, in the Middle Ages, did they do anything for
+Housemaid’s Knee? What did they put in their hot baths after jousting,
+and was the Black Prince—you know the Black Prince—was he enameled or
+painted, or what? I think myself, black-leaded—very likely—like
+pipe-clay—but _did_ they use blacking so early?”
+
+So it came about that in designing and writing those Moggs’ Soap
+Advertisements, that wrought a revolution in that department of
+literature, my uncle was brought to realise not only the lost history,
+but also the enormous field for invention and enterprise that lurked
+among the little articles, the dustpans and mincers, the mousetraps and
+carpet-sweepers that fringe the shops of the oilman and domestic
+ironmonger. He was recalled to one of the dreams of his youth, to his
+conception of the Ponderevo Patent Flat that had been in his mind so
+early as the days before I went to serve him at Wimblehurst. “The Home,
+George,” he said, “wants straightening up. Silly muddle! Things that
+get in the way. Got to organise it.”
+
+For a time he displayed something like the zeal of a genuine social
+reformer in relation to these matters.
+
+“We’ve got to bring the Home Up to Date? That’s my idee, George. We got
+to make a civilised domestic machine out of these relics of barbarism.
+I’m going to hunt up inventors, make a corner in d’mestic ideas.
+Everything. Balls of string that won’t dissolve into a tangle, and gum
+that won’t dry into horn. See? Then after conveniences—beauty. Beauty,
+George! All these few things ought to be made fit to look at; it’s your
+aunt’s idea, that. Beautiful jam-pots! Get one of those new art chaps
+to design all the things they make ugly now. Patent carpet-sweepers by
+these greenwood chaps, housemaid’s boxes it’ll be a pleasure to fall
+over—rich coloured house-flannels. Zzzz. Pails, f’rinstance. Hang ’em
+up on the walls like warming-pans. All the polishes and things in such
+tins—you’ll want to cuddle ’em, George! See the notion? ‘Sted of all
+the silly ugly things we got.”...
+
+We had some magnificent visions; they so affected me that when I passed
+ironmongers and oil-shops they seemed to me as full of promise as trees
+in late winter, flushed with the effort to burst into leaf and
+flower.... And really we did do much towards that very brightness these
+shops display. They were dingy things in the eighties compared to what
+our efforts have made them now, grey quiet displays.
+
+Well, I don’t intend to write down here the tortuous financial history
+of Moggs’ Limited, which was our first development of Moggs and Sons;
+nor will I tell very much of how from that we spread ourselves with a
+larger and larger conception throughout the chandlery and minor
+ironmongery, how we became agents for this little commodity, partners
+in that, got a tentacle round the neck of a specialised manufacturer or
+so, secured a pull upon this or that supply of raw material, and so
+prepared the way for our second flotation, Domestic Utilities; “Do it,”
+they reordered it in the city. And then came the reconstruction of
+Tono-Bungay, and then “Household services” and the Boom!
+
+That sort of development is not to be told in detail in a novel. I
+have, indeed, told much of it elsewhere. It is to be found set out at
+length, painfully at length, in my uncle’s examination and mine in the
+bankruptcy proceedings, and in my own various statements after his
+death. Some people know everything in that story, some know it all too
+well, most do not want the details, it is the story of a man of
+imagination among figures, and unless you are prepared to collate
+columns of pounds, shillings and pence, compare dates and check
+additions, you will find it very unmeaning and perplexing. And after
+all, you wouldn’t find the early figures so much wrong as _strained_.
+In the matter of Moggs and Do Ut, as in the first Tono-Bungay promotion
+and in its reconstruction, we left the court by city standards without
+a stain on our characters. The great amalgamation of Household Services
+was my uncle’s first really big-scale enterprise and his first display
+of bolder methods: for this we bought back Do Ut, Moggs (going strong
+with a seven per cent. dividend) and acquired Skinnerton’s polishes,
+the Riffleshaw properties and the Runcorn’s mincer and coffee-mill
+business. To that Amalgamation I was really not a party; I left it to
+my uncle because I was then beginning to get keen upon the soaring
+experiments I had taken on from the results then to hand of Lilienthal,
+Pilcher and the Wright brothers. I was developing a glider into a
+flyer. I meant to apply power to this glider as soon as I could work
+out one or two residual problems affecting the longitudinal stability.
+I knew that I had a sufficiently light motor in my own modification of
+Bridger’s light turbine, but I knew too that until I had cured my
+aeroplane of a tendency demanding constant alertness from me, a
+tendency to jerk up its nose at unexpected moments and slide back upon
+me, the application of an engine would be little short of suicide.
+
+But that I will tell about later. The point I was coming to was that I
+did not realise until after the crash how recklessly my uncle had kept
+his promise of paying a dividend of over eight per cent. on the
+ordinary shares of that hugely over-capitalised enterprise, Household
+Services.
+
+I drifted out of business affairs into my research much more than
+either I or my uncle had contemplated. Finance was much less to my
+taste than the organisation of the Tono-Bungay factory. In the new
+field of enterprise there was a great deal of bluffing and gambling, of
+taking chances and concealing material facts—and these are hateful
+things to the scientific type of mind. It wasn’t fear I felt so much as
+an uneasy inaccuracy. I didn’t realise dangers, I simply disliked the
+sloppy, relaxing quality of this new sort of work. I was at last
+constantly making excuses not to come up to him in London. The latter
+part of his business career recedes therefore beyond the circle of any
+particular life. I lived more or less with him; I talked, I advised, I
+helped him at times to fight his Sunday crowd at Crest Hill, but I did
+not follow nor guide him. From the Do Ut time onward he rushed up the
+financial world like a bubble in water and left me like some busy
+water-thing down below in the deeps.
+
+Anyhow, he was an immense success. The public was, I think,
+particularly attracted by the homely familiarity of his field of
+work—you never lost sight of your investment they felt, with the name
+on the house-flannel and shaving-strop—and its allegiance was secured
+by the Egyptian solidity of his apparent results. Tono-Bungay, after
+its reconstruction, paid thirteen, Moggs seven, Domestic Utilities had
+been a safe-looking nine; here was Household Services with eight; on
+such a showing he had merely to buy and sell Roeburn’s Antiseptic
+fluid, Razor soaks and Bath crystals in three weeks to clear twenty
+thousand pounds.
+
+I do think that as a matter of fact Roeburn’s was good value at the
+price at which he gave it to the public, at least until it was strained
+by ill-conserved advertisement. It was a period of expansion and
+confidence; much money was seeking investment and “Industrials” were
+the fashion. Prices were rising all round. There remained little more
+for my uncle to do therefore, in his climb to the high unstable crest
+of Financial Greatness but, as he said, to “grasp the cosmic oyster,
+George, while it gaped,” which, being translated, meant for him to buy
+respectable businesses confidently and courageously at the vendor’s
+estimate, add thirty or forty thousand to the price and sell them
+again. His sole difficulty indeed was the tactful management of the
+load of shares that each of these transactions left upon his hands. But
+I thought so little of these later things that I never fully
+appreciated the peculiar inconveniences of that until it was too late
+to help him.
+
+III
+
+When I think of my uncle near the days of his Great Boom and in
+connection with the actualities of his enterprises, I think of him as I
+used to see him in the suite of rooms he occupied in the Hardingham
+Hotel, seated at a great old oak writing-table, smoking, drinking, and
+incoherently busy; that was his typical financial aspect—our evenings,
+our mornings, our holidays, our motor-car expeditions, Lady Grove and
+Crest Hill belong to an altogether different set of memories.
+
+These rooms in the Hardingham were a string of apartments along one
+handsome thick-carpeted corridor. All the doors upon the corridor were
+locked except the first; and my uncle’s bedroom, breakfast-room and
+private sanctum were the least accessible and served by an entrance
+from the adjacent passage, which he also used at times as a means of
+escape from importunate callers. The most eternal room was a general
+waiting-room and very business-like in quality; it had one or two
+uneasy sofas, a number of chairs, a green baize table, and a collection
+of the very best Moggs and Tone posters: and the plush carpets normal
+to the Hardingham had been replaced by a grey-green cork linoleum; Here
+I would always find a remarkable miscellany of people presided over by
+a peculiarly faithful and ferocious looking commissioner, Ropper, who
+guarded the door that led a step nearer my uncle. Usually there would
+be a parson or so, and one or two widows; hairy, eyeglassy, middle-aged
+gentlemen, some of them looking singularly like Edward Ponderevos who
+hadn’t come off, a variety of young and youngish men more or less
+attractively dressed, some with papers protruding from their pockets,
+others with their papers decently concealed. And wonderful, incidental,
+frowsy people.
+
+All these persons maintained a practically hopeless siege—sometimes for
+weeks together; they had better have stayed at home. Next came a room
+full of people who had some sort of appointment, and here one would
+find smart-looking people, brilliantly dressed, nervous women hiding
+behind magazines, nonconformist divines, clergy in gaiters, real
+business men, these latter for the most part gentlemen in admirable
+morning dress who stood up and scrutinised my uncle’s taste in water
+colours manfully and sometimes by the hour together. Young men again
+were here of various social origins, young Americans, treasonable
+clerks from other concerns, university young men, keen-looking, most of
+them, resolute, reserved, but on a sort of hair trigger, ready at any
+moment to be most voluble, most persuasive.
+
+This room had a window, too, looking out into the hotel courtyard with
+its fern-set fountains and mosaic pavement, and the young men would
+stand against this and sometimes even mutter. One day I heard one
+repeating in all urgent whisper as I passed “But you don’t quite see,
+Mr. Ponderevo, the full advantages, the _full_ advantages—” I met his
+eye and he was embarrassed.
+
+Then came a room with a couple of secretaries—no typewriters, because
+my uncle hated the clatter—and a casual person or two sitting about,
+projectors whose projects were being entertained. Here and in a further
+room nearer the private apartments, my uncle’s correspondence underwent
+an exhaustive process of pruning and digestion before it reached him.
+Then the two little rooms in which my uncle talked; my magic uncle who
+had got the investing public—to whom all things were possible. As one
+came in we would find him squatting with his cigar up and an expression
+of dubious beatitude upon his face, while some one urged him to grow
+still richer by this or that.
+
+“That’ju, George?” he used to say. “Come in. Here’s a thing. Tell
+him—Mister—over again. Have a drink, George? No! Wise man! Liss’n.”
+
+I was always ready to listen. All sorts of financial marvels came out
+of the Hardingham, more particularly during my uncle’s last great
+flurry, but they were nothing to the projects that passed in. It was
+the little brown and gold room he sat in usually. He had had it
+redecorated by Bordingly and half a dozen Sussex pictures by Webster
+hung about it. Latterly he wore a velveteen jacket of a golden-brown
+colour in this apartment that I think over-emphasised its esthetic
+intention, and he also added some gross Chinese bronzes.
+
+He was, on the whole, a very happy man throughout all that wildly
+enterprising time. He made and, as I shall tell in its place, spent
+great sums of money. He was constantly in violent motion, constantly
+stimulated mentally and physically and rarely tired. About him was an
+atmosphere of immense deference much of his waking life was triumphal
+and all his dreams. I doubt if he had any dissatisfaction with himself
+at all until the crash bore him down. Things must have gone very
+rapidly with him.... I think he must have been very happy.
+
+As I sit here writing about all these things, jerking down notes and
+throwing them aside in my attempt to give some literary form to the
+tale of our promotions, the marvel of it all comes to me as if it came
+for the first time the supreme unreason of it. At the climax of his
+Boom, my uncle at the most sparing estimate must have possessed in
+substance and credit about two million pounds’-worth of property to set
+off against his vague colossal liabilities, and from first to last he
+must have had a controlling influence in the direction of nearly thirty
+millions.
+
+This irrational muddle of a community in which we live gave him that,
+paid him at that rate for sitting in a room and scheming and telling it
+lies. For he created nothing, he invented nothing, he economised
+nothing. I cannot claim that a single one of the great businesses we
+organised added any real value to human life at all. Several like
+Tono-Bungay were unmitigated frauds by any honest standard, the giving
+of nothing coated in advertisements for money. And the things the
+Hardingham gave out, I repeat, were nothing to the things that came in.
+I think of the long procession of people who sat down before us and
+propounded this and that. Now it was a device for selling bread under a
+fancy name and so escaping the laws as to weight—this was afterwards
+floated as the Decorticated Health-Bread Company and bumped against the
+law—now it was a new scheme for still more strident advertisement, now
+it was a story of unsuspected deposits of minerals, now a cheap and
+nasty substitute for this or that common necessity, now the treachery
+of a too well-informed employee, anxious to become our partner. It was
+all put to us tentatively, persuasively. Sometimes one had a large pink
+blusterous person trying to carry us off our feet by his pseudo-boyish
+frankness, now some dyspeptically yellow whisperer, now some earnest,
+specially dressed youth with an eye-glass and a buttonhole, now some
+homely-speaking, shrewd Manchester man or some Scotchman eager to be
+very clear and full.
+
+Many came in couples or trios, often in tow of an explanatory
+solicitor. Some were white and earnest, some flustered beyond measure
+at their opportunity. Some of them begged and prayed to be taken up. My
+uncle chose what he wanted and left the rest. He became very autocratic
+to these applicants.
+
+He felt he could make them, and they felt so too. He had but to say
+“No!” and they faded out of existence.... He had become a sort of
+vortex to which wealth flowed of its own accord. His possessions
+increased by heaps; his shares, his leaseholds and mortgages and
+debentures.
+
+Behind his first-line things he found it necessary at last, and
+sanctioned by all the precincts, to set up three general trading
+companies, the London and African Investment Company, the British
+Traders’ Loan Company, and Business Organisations Limited. This was in
+the culminating time when I had least to do with affairs. I don’t say
+that with any desire to exculpate myself; I admit I was a director of
+all three, and I will confess I was willfully incurious in that
+capacity. Each of these companies ended its financial year solvent by
+selling great holdings of shares to one or other of its sisters, and
+paying a dividend out of the proceeds. I sat at the table and agreed.
+That was our method of equilibrium at the iridescent climax of the
+bubble.
+
+You perceive now, however, the nature of the services for which this
+fantastic community have him unmanageable wealth and power and real
+respect. It was all a monstrous payment for courageous fiction, a
+gratuity in return for the one reality of human life—illusion. We gave
+them a feeling of hope and profit; we sent a tidal wave of water and
+confidence into their stranded affairs. “We mint Faith, George,” said
+my uncle one day. “That’s what we do. And by Jove we got to keep
+minting! We been making human confidence ever since I drove the first
+cork of Tono-Bungay.”
+
+“Coining” would have been a better word than minting! And yet, you
+know, in a sense he was right. Civilisation is possible only through
+confidence, so that we can bank our money and go unarmed about the
+streets. The bank reserve or a policeman keeping order in a jostling
+multitude of people, are only slightly less impudent bluffs than my
+uncle’s prospectuses. They couldn’t for a moment “make good” if the
+quarter of what they guarantee was demanded of them. The whole of this
+modern mercantile investing civilisation is indeed such stuff as dreams
+are made of. A mass of people swelters and toils, great railway systems
+grow, cities arise to the skies and spread wide and far, mines are
+opened, factories hum, foundries roar, ships plough the seas, countries
+are settled; about this busy striving world the rich owners go,
+controlling all, enjoying all, confident and creating the confidence
+that draws us all together into a reluctant, nearly unconscious
+brotherhood. I wonder and plan my engines. The flags flutter, the
+crowds cheer, the legislatures meet. Yet it seems to me indeed at times
+that all this present commercial civilisation is no more than my poor
+uncle’s career writ large, a swelling, thinning bubble of assurances;
+that its arithmetic is just as unsound, its dividends as ill-advised,
+its ultimate aim as vague and forgotten; that it all drifts on perhaps
+to some tremendous parallel to his individual disaster...
+
+Well, so it was we Boomed, and for four years and a half we lived a
+life of mingled substance and moonshine. Until our particular
+unsoundness overtook us we went about in the most magnificent of
+motor-cars upon tangible high roads, made ourselves conspicuous and
+stately in splendid houses, ate sumptuously and had a perpetual stream
+of notes and money trickling into our pockets; hundreds of thousands of
+men and women respected us, saluted us and gave us toil and honour; I
+asked, and my worksheets rose, my aeroplanes swooped out of nothingness
+to scare the downland pe-wits; my uncle waved his hand and Lady Grove
+and all its associations of chivalry and ancient peace were his; waved
+again, and architects were busy planning the great palace he never
+finished at Crest Hill and an army of folkmen gathered to do his
+bidding, blue marble came from Canada, and timber from New Zealand; and
+beneath it all, you know, there was nothing but fictitious values as
+evanescent as rainbow gold.
+
+IV
+
+I pass the Hardingham ever and again and glance aside through the great
+archway at the fountain and the ferns, and think of those receding days
+when I was so near the centre of our eddy of greed and enterprise. I
+see again my uncle’s face, white and intent, and hear him discourse,
+hear him make consciously Napoleonic decisions, “grip” his nettles, put
+his “finger on the spot,” “bluff,” say “snap.” He became particularly
+addicted to the last idiom. Towards the end every conceivable act took
+the form of saying “snap!”
+
+The odd fish that came to us! And among others came Gordon-Nasmyth,
+that queer blend of romance and illegality who was destined to drag me
+into the most irrelevant adventure in my life the Mordet Island affair;
+and leave me, as they say, with blood upon my hands. It is remarkable
+how little it troubles my conscience and how much it stirs my
+imagination, that particular memory of the life I took. The story of
+Mordet Island has been told in a government report and told all wrong;
+there are still excellent reasons for leaving it wrong in places, but
+the liveliest appeals of discretion forbid my leaving it out
+altogether.
+
+I’ve still the vividest memory of Gordon-Nasmyth’s appearance in the
+inner sanctum, a lank, sunburnt person in tweeds with a yellow-brown
+hatchet face and one faded blue eye—the other was a closed and sunken
+lid—and how he told us with a stiff affectation of ease his incredible
+story of this great heap of quap that lay abandoned or undiscovered on
+the beach behind Mordet’s Island among white dead mangroves and the
+black ooze of brackish water.
+
+“What’s quap?” said my uncle on the fourth repetition of the word.
+
+“They call it quap, or quab, or quabb,” said Gordon-Nasmyth; “but our
+relations weren’t friendly enough to get the accent right....
+
+“But there the stuff is for the taking. They don’t know about it.
+Nobody knows about it. I got down to the damned place in a canoe alone.
+The boys wouldn’t come. I pretended to be botanising.” ...
+
+To begin with, Gordon-Nasmyth was inclined to be dramatic.
+
+“Look here,” he said when he first came in, shutting the door rather
+carefully behind him as he spoke, “do you two men—yes or no—want to put
+up six thousand—for—a clear good chance of fifteen hundred per cent. on
+your money in a year?”
+
+“We’re always getting chances like that,” said my uncle, cocking his
+cigar offensively, wiping his glasses and tilting his chair back. “We
+stick to a safe twenty.”
+
+Gordon-Nasmyth’s quick temper showed in a slight stiffening of his
+attitude.
+
+“Don’t you believe him,” said I, getting up before he could reply.
+“You’re different, and I know your books. We’re very glad you’ve come
+to us. Confound it, uncle! Its Gordon-Nasmyth! Sit down. What is it?
+Minerals?”
+
+“Quap,” said Gordon-Nasmyth, fixing his eye on me, “in heaps.”
+
+“In heaps,” said my uncle softly, with his glasses very oblique.
+
+“You’re only fit for the grocery,” said Gordon-Nasmyth scornfully,
+sitting down and helping himself to one of my uncle’s cigars. “I’m
+sorry I came. But, still, now I’m here.... And first as to quap; quap,
+sir, is the most radio-active stuff in the world. That’s quap! It’s a
+festering mass of earths and heavy metals, polonium, radium, ythorium,
+thorium, carium, and new things, too. There’s a stuff called
+Xk—provisionally. There they are, mucked up together in a sort of
+rotting sand. What it is, how it got made, I don’t know. It’s like as
+if some young creator had been playing about there. There it lies in
+two heaps, one small, one great, and the world for miles about it is
+blasted and scorched and dead. You can have it for the getting. You’ve
+got to take it—that’s all!”
+
+“That sounds all right,” said I. “Have you samples?”
+
+“Well—_should_ I? You can have anything—up to two ounces.”
+
+“Where is it?”...
+
+His blue eye smiled at me and scrutinised me. He smoked and was
+fragmentary for a time, fending off my questions; then his story began
+to piece itself together. He conjured up a vision of this strange
+forgotten kink in the world’s littoral, of the long meandering channels
+that spread and divaricate and spend their burden of mud and silt
+within the thunderbelt of Atlantic surf, of the dense tangled
+vegetation that creeps into the shimmering water with root and sucker.
+He gave a sense of heat and a perpetual reek of vegetable decay, and
+told how at last comes a break among these things, an arena fringed
+with bone-white dead trees, a sight of the hard-blue sea line beyond
+the dazzling surf and a wide desolation of dirty shingle and mud,
+bleached and scarred.... A little way off among charred dead weeds
+stands the abandoned station,—abandoned because every man who stayed
+two months at that station stayed to die, eaten up mysteriously like a
+leper with its dismantled sheds and its decaying pier of wormrotten and
+oblique piles and planks, still insecurely possible.
+
+And in the midst, two clumsy heaps shaped like the backs of hogs, one
+small, one great, sticking out under a rib of rock that cuts the space
+across,—quap!
+
+“There it is,” said Gordon-Nasmyth, “worth three pounds an ounce, if
+it’s worth a penny; two great heaps of it, rotten stuff and soft, ready
+to shovel and wheel, and you may get it by the ton!”
+
+“How did it get there?”
+
+“God knows! ... There it is—for the taking! In a country where you
+mustn’t trade. In a country where the company waits for good kind men
+to find it riches and then take ’em away from ’em. There you have
+it—derelict.”
+
+“Can’t you do any sort of deal?”
+
+“They’re too damned stupid. You’ve got to go and take it. That’s all.”
+
+“They might catch you.”
+
+“They might, of course. But they’re not great at catching.”
+
+We went into the particulars of that difficulty. “They wouldn’t catch
+me, because I’d sink first. Give me a yacht,” said Gordon-Nasmyth;
+“that’s all I need.”
+
+“But if you get caught,” said my uncle.
+
+I am inclined to think Gordon-Nasmyth imagined we would give him a
+cheque for six thousand pounds on the strength of his talk. It was very
+good talk, but we didn’t do that. I stipulated for samples of his stuff
+for analysis, and he consented—reluctantly.
+
+I think, on the whole, he would rather I didn’t examine samples. He
+made a motion pocketwards, that gave us an invincible persuasion that
+he had a sample upon him, and that at the last instant he decided not
+to produce it prematurely.
+
+There was evidently a curious strain of secretiveness in him. He didn’t
+like to give us samples, and he wouldn’t indicate within three hundred
+miles the position of this Mordet Island of his. He had it clear in his
+mind that he had a secret of immense value, and he had no idea at all
+of just how far he ought to go with business people. And so presently,
+to gain time for these hesitations of his, he began to talk of other
+things. He talked very well. He talked of the Dutch East Indies and of
+the Congo, of Portuguese East Africa and Paraguay, of Malays and rich
+Chinese merchants, Dyaks and negroes and the spread of the Mahometan
+world in Africa to-day. And all this time he was trying to judge if we
+were good enough to trust with his adventure. Our cosy inner office
+became a little place, and all our business cold and lifeless exploits
+beside his glimpses of strange minglings of men, of slayings unavenged
+and curious customs, of trade where no writs run, and the dark
+treacheries of eastern ports and uncharted channels.
+
+We had neither of us gone abroad except for a few vulgar raids on
+Paris; our world was England, are the places of origin of half the raw
+material of the goods we sold had seemed to us as remote as fairyland
+or the forest of Arden. But Gordon-Nasmyth made it so real and intimate
+for us that afternoon—for me, at any rate—that it seemed like something
+seen and forgotten and now again remembered.
+
+And in the end he produced his sample, a little lump of muddy clay
+speckled with brownish grains, in a glass bottle wrapped about with
+lead and flannel—red flannel it was, I remember—a hue which is, I know,
+popularly supposed to double all the mystical efficacies of flannel.
+
+“Don’t carry it about on you,” said Gordon-Nasmyth. “It makes a sore.”
+
+I took the stuff to Thorold, and Thorold had the exquisite agony of
+discovering two new elements in what was then a confidential analysis.
+He has christened them and published since, but at the time
+Gordon-Nasmyth wouldn’t hear for a moment of our publication of any
+facts at all; indeed, he flew into a violent passion and abused me
+mercilessly even for showing the stuff to Thorold. “I thought you were
+going to analyse it yourself,” he said with the touching persuasion of
+the layman that a scientific man knows and practises at the sciences.
+
+I made some commercial inquiries, and there seemed even then much truth
+in Gordon-Nasmyth’s estimate of the value of the stuff. It was before
+the days of Capern’s discovery of the value of canadium and his use of
+it in the Capern filament, but the cerium and thorium alone were worth
+the money he extracted for the gas-mantles then in vogue. There were,
+however, doubts. Indeed, there were numerous doubts. What were the
+limits of the gas-mantle trade? How much thorium, not to speak of
+cerium, could they take at a maximum. Suppose that quantity was high
+enough to justify our shipload, came doubts in another quarter. Were
+the heaps up to sample? Were they as big as he said? Was
+Gordon-Nasmyth—imaginative? And if these values held, could we after
+all get the stuff? It wasn’t ours. It was on forbidden ground. You see,
+there were doubts of every grade and class in the way of this
+adventure.
+
+We went some way, nevertheless, in the discussion of his project,
+though I think we tried his patience. Then suddenly he vanished from
+London, and I saw no more of him for a year and a half.
+
+My uncle said that was what he had expected, and when at last
+Gordon-Nasmyth reappeared and mentioned in an incidental way that he
+had been to Paraguay on private (and we guessed passionate) affairs,
+the business of the “quap” expedition had to be begun again at the
+beginning. My uncle was disposed to be altogether sceptical, but I
+wasn’t so decided. I think I was drawn by its picturesque aspects. But
+we neither of us dreamt of touching it seriously until Capern’s
+discovery.
+
+Nasmyth’s story had laid hold of my imagination like one small, intense
+picture of tropical sunshine hung on a wall of grey business affairs. I
+kept it going during Gordon-Nasmyth’s intermittent appearances in
+England. Every now and then he and I would meet and reinforce its
+effect. We would lunch in London, or he would cone to see my gliders at
+Crest Hill, and make new projects for getting at those heaps again now
+with me, now alone.
+
+At times they became a sort of fairy-story with us, an imaginative
+exercise. And there came Capern’s discovery of what he called the ideal
+filament and with it an altogether less problematical quality about the
+business side of quap. For the ideal filament needed five per cent. of
+canadium, and canadium was known to the world only as a newly separated
+constituent of a variety of the rare mineral rutile. But to Thorold it
+was better known as an element in a mysterious sample brought to him by
+me, and to me it was known as one of the elements in quap. I told my
+uncle, and we jumped on to the process at once. We found that
+Gordon-Nasmyth, still unaware of the altered value of the stuff, and
+still thinking of the experimental prices of radium and the rarity
+value of cerium, had got hold of a cousin named Pollack, made some
+extraordinary transaction about his life insurance policy, and was
+buying a brig. We put in, put down three thousand pounds, and forthwith
+the life insurance transaction and the Pollack side of this finance
+vanished into thin air, leaving Pollack, I regret to say, in the brig
+and in the secret—except so far as canadium and the filament went—as
+residuum. We discussed earnestly whether we should charter a steamer or
+go on with the brig, but we decided on the brig as a less conspicuous
+instrument for an enterprise that was after all, to put it plainly,
+stealing.
+
+But that was one of our last enterprises before our great crisis, and I
+will tell of it in its place.
+
+So it was quap came into our affairs, came in as a fairy-tale and
+became real. More and more real it grew until at last it was real,
+until at last I saw with my eyes the heaps my imagination had seen for
+so long, and felt between my fingers again that half-gritty, half soft
+texture of quap, like sanded moist-sugar mixed with clay in which there
+stirs something—
+
+One must feel it to understand.
+
+V
+
+All sorts of things came to the Hardingham and offered themselves to my
+uncle. Gordon-Nasmyth stands but only because he played a part at last
+in the crisis of our fortunes. So much came to us that it seemed to me
+at times as though the whole world of human affairs was ready to
+prostitute itself to our real and imaginary millions. As I look back, I
+am still dazzled and incredulous to think of the quality of our
+opportunities.
+
+We did the most extraordinary things; things that it seems absurd to me
+to leave to any casual man of wealth and enterprise who cares to do
+them. I had some amazing perceptions of just how modern thought and the
+supply of fact to the general mind may be controlled by money. Among
+other things that my uncle offered for, he tried very hard to buy the
+_British Medical Journal_ and the _Lancet_, and run them on what he
+called modern lines, and when they resisted him he talked very
+vigorously for a time of organising a rival enterprise. That was a very
+magnificent idea indeed in its way; it would have given a tremendous
+advantage in the handling of innumerable specialties and indeed I
+scarcely know how far it would not have put the medical profession in
+our grip. It still amazes me—I shall die amazed—that such a thing can
+be possible in the modern state. If my uncle failed to bring the thing
+off, some one else may succeed. But I doubt, even if he had got both
+these weeklies, whether his peculiar style would have suited them. The
+change of purpose would have shown. He would have found it difficult to
+keep up their dignity.
+
+He certainly did not keep up the dignity of the _Sacred Grove_, an
+important critical organ which he acquired one day—by saying “snap”—for
+eight hundred pounds. He got it “lock, stock and barrel”—under one or
+other of which three aspects the editor was included. Even at that
+price it didn’t pay. If you are a literary person you will remember the
+bright new cover he gave that representative organ of British
+intellectual culture, and how his sound business instincts jarred with
+the exalted pretensions of a vanishing age. One old wrapper I
+discovered the other day runs:—
+
+“THE SACRED GROVE.”
+
+_A Weekly Magazine of Art, Philosophy, Science and Belles Lettres._
+
+HAVE YOU A NASTY TASTE IN YOUR MOUTH?
+IT IS LIVER.
+
+YOU NEED ONE TWENTY-THREE PILL.
+(JUST ONE.)
+NOT A DRUG BUT A LIVE AMERICAN REMEDY.
+
+CONTENTS.
+
+A Hitherto Unpublished Letter from Walter Pater.
+Charlotte Brontë’s Maternal Great Aunt.
+A New Catholic History of England.
+The Genius of Shakespeare.
+Correspondence:—The Mendelian Hypothesis; The Split Infinitive;
+“Commence,” or “Begin;” Claverhouse; Socialism and the Individual; The
+Dignity of Letters.
+Folk-lore Gossip.
+The Stage; the Paradox of Acting.
+Travel Biography, Verse, Fiction, etc.
+
+THE BEST PILL IN THE WORLD FOR AN IRREGULAR LIVER
+
+
+I suppose it is some lingering traces of the Bladesover tradition to me
+that makes this combination of letters and pills seem so incongruous,
+just as I suppose it is a lingering trace of Plutarch and my
+ineradicable boyish imagination that at bottom our State should be
+wise, sane and dignified, that makes me think a country which leaves
+its medical and literary criticism, or indeed any such vitally
+important criticism, entirely to private enterprise and open to the
+advances of any purchaser must be in a frankly hopeless condition.
+These are ideal conceptions of mine.
+
+As a matter of fact, nothing would be more entirely natural and
+representative of the relations of learning, thought and the economic
+situation in the world at the present time than this cover of the
+_Sacred Grove_—the quiet conservatism of the one element embedded in
+the aggressive brilliance of the other; the contrasted notes of bold
+physiological experiment and extreme mental immobility.
+
+VI
+
+There comes back, too, among these Hardingham memories, an impression
+of a drizzling November day, and how we looked out of the windows upon
+a procession of the London unemployed.
+
+It was like looking down a well into some momentarily revealed nether
+world. Some thousands of needy ineffectual men had been raked together
+to trail their spiritless misery through the West Eire with an appeal
+that was also in its way a weak and insubstantial threat: “It is Work
+we need, not Charity.”
+
+There they were, half-phantom through the fog, a silent, foot-dragging,
+interminable, grey procession. They carried wet, dirty banners, they
+rattled boxes for pence; these men who had not said “snap” in the right
+place, the men who had “snapped” too eagerly, the men who had never
+said “snap,” the men who had never had a chance of saying “snap.” A
+shambling, shameful stream they made, oozing along the street, the
+gutter waste of competitive civilisation. And we stood high out of it
+all, as high as if we looked godlike from another world, standing in a
+room beautifully lit and furnished, skillfully warmed, filled with
+costly things.
+
+“There,” thought I, “but for the grace of God, go George and Edward
+Ponderevo.”
+
+But my uncle’s thoughts ran in a different channel, and he made that
+vision the test of a spirited but inconclusive harangue upon Tariff
+Reform.
+
+
+
+
+CHAPTER THE SECOND
+OUR PROGRESS FROM CAMDEN TOWN TO CREST HILL
+
+
+I
+
+So far my history of my aunt and uncle has dealt chiefly with his
+industrial and financial exploits. But side by side with that history
+of inflation from the infinitesimal to the immense is another
+development, the change year by year from the shabby impecuniosity of
+the Camden Town lodging to the lavish munificence of the Crest Hill
+marble staircase and my aunt’s golden bed, the bed that was facsimiled
+from Fontainebleau. And the odd thing is that as I come to this nearer
+part of my story I find it much more difficult to tell than the clear
+little perspective memories of the earlier days. Impressions crowd upon
+one another and overlap one another; I was presently to fall in love
+again, to be seized by a passion to which I still faintly respond, a
+passion that still clouds my mind. I came and went between Ealing and
+my aunt and uncle, and presently between Effie and clubland, and then
+between business and a life of research that became far more
+continuous, infinitely more consecutive and memorable than any of these
+other sets of experiences. I didn’t witness a regular social progress
+therefore; my aunt and uncle went up in the world, so far as I was
+concerned, as if they were displayed by an early cinematograph, with
+little jumps and flickers.
+
+As I recall this side of our life, the figure of my round-eyes,
+button-nosed, pink-and-white Aunt Susan tends always to the central
+position. We drove the car and sustained the car, she sat in it with a
+magnificent variety of headgear poised upon her delicate neck, and
+always with that faint ghost of a lisp no misspelling can
+render—commented on and illuminated the new aspects.
+
+I’ve already sketched the little home behind the Wimblehurst chemist’s
+shop, the lodging near the Cobden statue, and the apartments in Gower
+Street. Thence my aunt and uncle went into a flat in Redgauntlet
+Mansions. There they lived when I married. It was a compact flat, with
+very little for a woman to do in it In those days my aunt, I think,
+used to find the time heavy upon her hands, and so she took to books
+and reading, and after a time even to going to lectures in the
+afternoon. I began to find unexpected books upon her table:
+sociological books, travels, Shaw’s plays. “Hullo!” I said, at the
+sight of some volume of the latter.
+
+“I’m keeping a mind, George,” she explained.
+
+“Eh?”
+
+“Keeping a mind. Dogs I never cared for. It’s been a toss-up between
+setting up a mind and setting up a soul. It’s jolly lucky for Him and
+you it’s a mind. I’ve joined the London Library, and I’m going in for
+the Royal Institution and every blessed lecture that comes along next
+winter. You’d better look out.”...
+
+And I remember her coming in late one evening with a note-book in her
+hand.
+
+“Where ya been, Susan?” said my uncle.
+
+“Birkbeck—Physiology. I’m getting on.” She sat down and took off her
+gloves. “You’re just glass to me,” she sighed, and then in a note of
+grave reproach: “You old _Package!_ I had no idea! The Things you’ve
+kept from me!”
+
+Presently they were setting; up the house at Beckengham, and my aunt
+intermitted her intellectual activities. The house at Beckengham was
+something of an enterprise for them at that time, a reasonably large
+place by the standards of the early years of Tono-Bungay. It was a big,
+rather gaunt villa, with a conservatory and a shrubbery, a tennis-lawn,
+a quite considerable vegetable garden, and a small disused coach-house.
+I had some glimpses of the excitements of its inauguration, but not
+many because of the estrangement between my aunt and Marion.
+
+My aunt went into that house with considerable zest, and my uncle
+distinguished himself by the thoroughness with which he did the
+repainting and replumbing. He had all the drains up and most of the
+garden with them, and stood administrative on heaps—administrating
+whisky to the workmen. I found him there one day, most Napoleonic, on a
+little Elba of dirt, in an atmosphere that defies print. He also, I
+remember, chose what he considered cheerful contrasts of colours for
+the painting of the woodwork. This exasperated my aunt extremely—she
+called him a “Pestilential old Splosher” with an unusual note of
+earnestness—and he also enraged her into novelties of abuse by giving
+each bedroom the name of some favourite hero—Cliff, Napoleon, Cæsar,
+and so forth—and having it painted on the door in gilt letters on a
+black label. “Martin Luther” was kept for me. Only her respect for
+domestic discipline, she said, prevented her retaliating with “Old
+Pondo” on the housemaid’s cupboard.
+
+Also he went and ordered one of the completest sets of garden
+requisites I have ever seen—and had them all painted a hard clear blue.
+My aunt got herself large tins of a kindlier hued enamel and had
+everything secretly recoated, and this done, she found great joy in the
+garden and became an ardent rose grower and herbaceous borderer,
+leaving her Mind, indeed, to damp evenings and the winter months. When
+I think of her at Beckenham, I always think first of her as dressed in
+that blue cotton stuff she affected, with her arms in huge gauntleted
+gardening gloves, a trowel in one hand and a small but no doubt hardy
+and promising annual, limp and very young-looking and sheepish, in the
+other.
+
+Beckenham, in the persons of a vicar, a doctor’s wife, and a large
+proud lady called Hogberry, “called” on my uncle and aunt almost at
+once, so soon in fact as the lawn was down again, and afterwards my
+aunt made friends with a quiet gentlewoman next door, a propos of an
+overhanging cherry tree and the need of repairing the party fence. So
+she resumed her place in society from which she had fallen with the
+disaster of Wimblehurst. She made a partially facetious study of the
+etiquette of her position, had cards engraved and retaliated calls. And
+then she received a card for one of Mrs. Hogberry’s At Homes, gave an
+old garden party herself, participated in a bazaar and sale of work,
+and was really becoming quite cheerfully entangled in Beckenham society
+when she was suddenly taken up by the roots again by my uncle and
+transplanted to Chiselhurst.
+
+“Old Trek, George,” she said compactly, “Onward and Up,” when I found
+her superintending the loading of two big furniture vans. “Go up and
+say good-bye to ‘Martin Luther,’ and then I’ll see what you can do to
+help me.”
+
+II
+
+I look into the jumbled stores of the middle distance of memory, and
+Beckenham seems to me a quite transitory phase. But really they were
+there several years; through nearly all my married life, in fact, and
+far longer than the year and odd months we lived together at
+Wimblehurst. But the Wimblehurst time with them is fuller in my memory
+by far then the Beckenham period. There comes back to me with a quite
+considerable amount of detail the effect of that garden party of my
+aunt’s and of a little social misbehaviour of which I was guilty on
+that occasion. It’s like a scrap from another life. It’s all set in
+what is for me a kind of cutaneous feeling, the feeling of rather
+ill-cut city clothes, frock coat and grey trousers, and of a high
+collar and tie worn in sunshine among flowers. I have still a quite
+vivid memory of the little trapezoidal lawn, of the gathering, and
+particularly of the hats and feathers of the gathering, of the
+parlour-maid and the blue tea-cups, and of the magnificent presence of
+Mrs. Hogberry and of her clear, resonant voice. It was a voice that
+would have gone with a garden party on a larger scale; it went into
+adjacent premises; it included the gardener who was far up the
+vegetable patch and technically out of play. The only other men were my
+aunt’s doctor, two of the clergy, amiable contrasted men, and Mrs.
+Hogberry’s imperfectly grown-up son, a youth just bursting into collar.
+The rest were women, except for a young girl or so in a state of
+speechless good behaviour. Marion also was there.
+
+Marion and I had arrived a little estranged, and I remember her as a
+silent presence, a shadow across all that sunlit emptiness of
+intercourse. We had embittered each other with one of those miserable
+little disputes that seemed so unavoidable between us. She had, with
+the help of Smithie, dressed rather elaborately for the occasion, and
+when she saw me prepared to accompany her in, I think it was a grey
+suit, she protested that silk hat and frock coat were imperative. I was
+recalcitrant, she quoted an illustrated paper showing a garden party
+with the King present, and finally I capitulated—but after my evil
+habit, resentfully.... Eh, dear! those old quarrels, how pitiful they
+were, how trivial! And how sorrowful they are to recall! I think they
+grow more sorrowful as I grow older, and all the small passionate
+reasons for our mutual anger fade and fade out of memory.
+
+The impression that Beckenham company has left on my mind is one of a
+modest unreality; they were all maintaining a front of unspecified
+social pretension, and evading the display of the economic facts of the
+case. Most of the husbands were “in business” off stage, it would have
+been outrageous to ask what the business was—and the wives were giving
+their energies to produce, with the assistance of novels and the
+illustrated magazines, a moralised version of the afternoon life of the
+aristocratic class. They hadn’t the intellectual or moral enterprise of
+the upper-class woman, they had no political interests, they had no
+views about anything, and consequently they were, I remember, extremely
+difficult to talk to. They all sat about in the summer-house and in
+garden-chairs, and were very hatty and ruffley and sunshady. Three
+ladies and the curate played croquet with a general immense gravity,
+broken by occasional loud cries of feigned distress from the curate.
+“Oh! Whacking me about again! Augh!”
+
+The dominant social fact that afternoon was Mrs. Hogberry; she took up
+a certain position commanding the croquet and went on, as my aunt said
+to me in an incidental aside, “like an old Roundabout.” She talked of
+the way in which Beckenham society was getting mixed, and turned on to
+a touching letter she had recently received from her former nurse at
+Little Gossdean. Followed a loud account of Little Gossdean and how
+much she and her eight sisters had been looked up to there. “My poor
+mother was quite a little Queen there,” she said. “And such _nice_
+Common people! People say the country labourers are getting
+disrespectful nowadays. It isn’t so—not if they’re properly treated.
+Here of course in Beckenham it’s different. I won’t call the people we
+get here a Poor—they’re certainly not a proper Poor. They’re Masses. I
+always tell Mr. Bugshoot they’re Masses, and ought to be treated as
+such.”...
+
+Dim memories of Mrs. Mackridge floated through my mind as I listened to
+her....
+
+I was whirled on this roundabout for a bit, and then had the fortune to
+fall off into a _tête-à-tête_ with a lady whom my aunt introduced as
+Mrs. Mumble—but then she introduced everybody to me as Mumble that
+afternoon, either by way of humour or necessity.
+
+That must have been one of my earliest essays in the art of polite
+conversation, and I remember that I began by criticising the local
+railway service, and that at the third sentence or thereabouts Mrs.
+Mumble said in a distinctly bright and encouraging way that she feared
+I was a very “frivolous” person.
+
+I wonder now what it was I said that was “frivolous.”
+
+I don’t know what happened to end that conversation, or if it had an
+end. I remember talking to one of the clergy for a time rather
+awkwardly, and being given a sort of topographical history of
+Beckenham, which he assured me time after time was “Quite an old place.
+_Quite_ an old place.” As though I had treated it as new and he meant
+to be very patient but very convincing. Then we hung up in a distinct
+pause, and my aunt rescued me. “George,” she said in a confidential
+undertone, “keep the pot a-boiling.” And then audibly, “I say, will you
+both old trot about with tea a bit?”
+
+“Only too delighted to _trot_ for you, Mrs. Ponderevo,” said the
+clergyman, becoming fearfully expert and in his elements; “only too
+delighted.”
+
+I found we were near a rustic table, and that the housemaid was behind
+us in a suitable position to catch us on the rebound with the tea
+things.
+
+“Trot!” repeated the clergyman to me, much amused; “excellent
+expression!” And I just saved him from the tray as he turned about.
+
+We handed tea for a while....
+
+“Give ’em cakes,” said my aunt, flushed, but well in hand. “Helps ’em
+to talk, George. Always talk best after a little nourishment. Like
+throwing a bit of turf down an old geyser.”
+
+She surveyed the gathering with a predominant blue eye and helped
+herself to tea.
+
+“They keep on going stiff,” she said in an undertone.... “I’ve done my
+best.”
+
+“It’s been a huge success,” I said encouragingly.
+
+“That boy has had his legs crossed in that position and hasn’t spoken
+for ten minutes. Stiffer and stiffer. Brittle. He’s beginning a dry
+cough—always a bad sign, George.... Walk ’em about, shall I?—rub their
+noses with snow?”
+
+Happily she didn’t. I got myself involved with the gentlewoman from
+next door, a pensive, languid-looking little woman with a low voice,
+and fell talking; our topic, Cats and Dogs, and which it was we liked
+best.
+
+“I always feel,” said the pensive little woman, “that there’s something
+about a dog—A cat hasn’t got it.”
+
+“Yes,” I found myself admitting with great enthusiasm, “there is
+something. And yet again—”
+
+“Oh! I know there’s something about a cat, too. But it isn’t the same.”
+
+“Not quite the same,” I admitted; “but still it’s something.”
+
+“Ah! But such a different something!”
+
+“More sinuous.”
+
+“Much more.”
+
+“Ever so much more.”
+
+“It makes all the difference, don’t you think?”
+
+“Yes,” I said, “_all_.”
+
+She glanced at me gravely and sighed a long, deeply felt “_Yes_.”
+
+A long pause.
+
+The thing seemed to me to amount to a stale-mate. Fear came into my
+heart and much perplexity.
+
+“The—er—Roses,” I said. I felt like a drowning man. “Those roses—don’t
+you think they are—very beautiful flowers?”
+
+“Aren’t they!” she agreed gently. “There seems to be something in
+roses—something—I don’t know how to express it.”
+
+“Something,” I said helpfully.
+
+“Yes,” she said, “something. Isn’t there?”
+
+“So few people see it,” I said; “more’s the pity!”
+
+She sighed and said again very softly, “_Yes_.”...
+
+There was another long pause. I looked at her and she was thinking
+dreamily. The drowning sensation returned, the fear and enfeeblement. I
+perceived by a sort of inspiration that her tea-cup was empty.
+
+“Let me take your cup,” I said abruptly, and, that secured, made for
+the table by the summer-house. I had no intention then of deserting my
+aunt. But close at hand the big French window of the drawing-room
+yawned inviting and suggestive. I can feel all that temptation now, and
+particularly the provocation of my collar. In an instant I was lost. I
+would—Just for a moment!
+
+I dashed in, put down the cup on the keys of the grand piano and fled
+upstairs, softly, swiftly, three steps at a time, to the sanctuary of
+my uncle’s study, his snuggery. I arrived there breathless, convinced
+there was no return for me. I was very glad and ashamed of myself, and
+desperate. By means of a penknife I contrived to break open his cabinet
+of cigars, drew a chair to the window, took off my coat, collar and
+tie, and remained smoking guiltily and rebelliously, and peeping
+through the blind at the assembly on the lawn until it was altogether
+gone....
+
+The clergymen, I thought, were wonderful.
+
+III
+
+A few such pictures of those early days at Beckenham stand out, and
+then I find myself among the Chiselhurst memories. The Chiselhurst
+mansion had “grounds” rather than a mere garden, and there was a
+gardener’s cottage and a little lodge at the gate. The ascendant
+movement was always far more in evidence there than at Beckenham. The
+velocity was increasing.
+
+One night picks itself out as typical, as, in its way, marking an
+epoch. I was there, I think, about some advertisement stuff, on some
+sort of business anyhow, and my uncle and aunt had come back in a fly
+from a dinner at the Runcorns. (Even there he was nibbling at Runcorn
+with the idea of our great Amalgamation budding in his mind.) I got
+down there, I suppose, about eleven. I found the two of them sitting in
+the study, my aunt on a chair-arm with a whimsical pensiveness on her
+face, regarding my uncle, and he, much extended and very rotund, in the
+low arm-chair drawn up to the fender.
+
+“Look here, George,” said my uncle, after my first greetings. “I just
+been saying: We aren’t Oh Fay!”
+
+“Eh?”
+
+“Not Oh Fay! Socially!”
+
+“Old _Fly_, he means, George—French!”
+
+“Oh! Didn’t think of French. One never knows where to have him. What’s
+gone wrong to-night?”
+
+“I been thinking. It isn’t any particular thing. I ate too much of that
+fishy stuff at first, like salt frog spawn, and was a bit confused by
+olives; and—well, I didn’t know which wine was which. Had to say _that_
+each time. It puts your talk all wrong. And she wasn’t in evening
+dress, not like the others. We can’t go on in that style, George—not a
+proper ad.”
+
+“I’m not sure you were right,” I said, “in having a fly.”
+
+“We got to do it all better,” said my uncle, “we got to do it in Style.
+Smart business, smart men. She tries to pass it off as humorous”—my
+aunt pulled a grimace—“it isn’t humorous! See! We’re on the up-grade
+now, fair and square. We’re going to be big. We aren’t going to be
+laughed at as Poovenoos, see!”
+
+“Nobody laughed at you,” said my aunt. “Old Bladder!”
+
+“Nobody isn’t going to laugh at me,” said my uncle, glancing at his
+contours and suddenly sitting up.
+
+My aunt raised her eyebrows slightly, swung her foot, and said nothing.
+
+“We aren’t keeping pace with our own progress, George. We got to. We’re
+bumping against new people, and they set up to be gentlefolks—etiquette
+dinners and all the rest of it. They give themselves airs and expect us
+to be fish-out-of-water. We aren’t going to be. They think we’ve no
+Style. Well, we give them Style for our advertisements, and we’re going
+to give ’em Style all through.... You needn’t be born to it to dance
+well on the wires of the Bond Street tradesmen. See?”
+
+I handed him the cigar-box.
+
+“Runcorn hadn’t cigars like these,” he said, truncating one lovingly.
+“We beat him at cigars. We’ll beat him all round.”
+
+My aunt and I regarded him, full of apprehensions.
+
+“I got idees,” he said darkly to the cigar, deepening our dread.
+
+He pocketed his cigar-cutter and spoke again.
+
+“We got to learn all the rotten little game first. See, F’rinstance, we
+got to get samples of all the blessed wines there are—and learn ’em up.
+Stern, Smoor, Burgundy, all of ’em! She took Stern to-night—and when
+she tasted it first—you pulled a face, Susan, you did. I saw you. It
+surprised you. You bunched your nose. We got to get used to wine and
+not do that. We got to get used to wearing evening dress—_you_, Susan,
+too.”
+
+“Always have had a tendency to stick out of my clothes,” said my aunt.
+“However—Who cares?” She shrugged her shoulders.
+
+I had never seen my uncle so immensely serious.
+
+“Got to get the hang of etiquette,” he went on to the fire. “Horses
+even. Practise everything. Dine every night in evening dress.... Get a
+brougham or something. Learn up golf and tennis and things. Country
+gentleman. Oh Fay. It isn’t only freedom from Goochery.”
+
+“Eh?” I said.
+
+“Oh!—Gawshery, if you like!”
+
+“French, George,” said my aunt. “But _I’m_ not ol’ Gooch. I made that
+face for fun.”
+
+“It isn’t only freedom from Gawshery. We got to have Style. See! Style!
+Just all right and one better. That’s what I call Style. We can do it,
+and we will.”
+
+He mumbled his cigar and smoked for a space, leaning forward and
+looking into the fire.
+
+“What is it,” he asked, “after all? What is it? Tips about eating; tips
+about drinking. Clothes. How to hold yourself, and not say jes’ the few
+little things they know for certain are wrong—jes’ the shibboleth
+things.”
+
+He was silent again, and the cigar crept up from the horizontal towards
+the zenith as the confidence of his mouth increased.
+
+“Learn the whole bag of tricks in six months.” he said, becoming more
+cheerful. “Ah, Susan? Beat it out! George, you in particular ought to
+get hold of it. Ought to get into a good club, and all that.”
+
+“Always ready to learn!” I said. “Ever since you gave me the chance of
+Latin. So far we don’t seem to have hit upon any Latin-speaking stratum
+in the population.”
+
+“We’ve come to French,” said my aunt, “anyhow.”
+
+“It’s a very useful language,” said my uncle. “Put a point on things.
+Zzzz. As for accent, no Englishman has an accent. No Englishman
+pronounces French properly. Don’t you tell _me_. It’s a Bluff.—It’s all
+a Bluff. Life’s a Bluff—practically. That’s why it’s so important,
+Susan, for us to attend to Style. Le Steel Say Lum. The Style it’s the
+man. Whad you laughing at, Susan? George, you’re not smoking. These
+cigars are good for the mind.... What do _you_ think of it all? We got
+to adapt ourselves. We have—so far.... Not going to be beat by these
+silly things.”
+
+IV
+
+“What do you think of it, George?” he insisted.
+
+What I said I thought of it I don’t now recall. Only I have very
+distinctly the impression of meeting for a moment my aunt’s
+impenetrable eye. And anyhow he started in with his accustomed energy
+to rape the mysteries of the Costly Life, and become the calmest of its
+lords. On the whole, I think he did it—thoroughly. I have crowded
+memories, a little difficult to disentangle, of his experimental
+stages, his experimental proceedings. It’s hard at times to say which
+memory comes in front of which. I recall him as presenting on the whole
+a series of small surprises, as being again and again, unexpectedly, a
+little more self-confident, a little more polished, a little richer and
+finer, a little more aware of the positions and values of things and
+men.
+
+There was a time—it must have been very early—when I saw him deeply
+impressed by the splendours of the dining-room of the National Liberal
+Club. Heaven knows who our host was or what that particular little
+“feed” was about now!—all that sticks is the impression of our
+straggling entry, a string of six or seven guests, and my uncle looking
+about him at the numerous bright red-shaded tables, at the exotics in
+great Majolica jars, at the shining ceramic columns and pilasters, at
+the impressive portraits of Liberal statesmen and heroes, and all that
+contributes to the ensemble of that palatial spectacle. He was betrayed
+into a whisper to me, “This is all Right, George!” he said. That
+artless comment seems almost incredible as I set it down; there came a
+time so speedily when not even the clubs of New York could have
+overawed my uncle, and when he could walk through the bowing
+magnificence of the Royal Grand Hotel to his chosen table in that
+aggressively exquisite gallery upon the river, with all the easy calm
+of one of earth’s legitimate kings.
+
+The two of them learnt the new game rapidly and well; they experimented
+abroad, they experimented at home. At Chiselhurst, with the aid of a
+new, very costly, but highly instructive cook, they tried over
+everything they heard of that roused their curiosity and had any
+reputation for difficulty, from asparagus to plover’s eggs. They
+afterwards got a gardener who could wait at table—and he brought the
+soil home to one. Then there came a butler.
+
+I remember my aunt’s first dinner-gown very brightly, and how she stood
+before the fire in the drawing-room confessing once unsuspected pretty
+arms with all the courage she possessed, and looking over her shoulder
+at herself in a mirror.
+
+“A ham,” she remarked reflectively, “must feel like this. Just a
+necklace.”...
+
+I attempted, I think, some commonplace compliment.
+
+My uncle appeared at the door in a white waistcoat and with his hands
+in his trouser pockets; he halted and surveyed her critically.
+
+“Couldn’t tell you from a duchess, Susan,” he remarked. “I’d like to
+have you painted, standin’ at the fire like that. Sargent! You
+look—spirited, somehow. Lord!—I wish some of those damned tradesmen at
+Wimblehurst could see you.”...
+
+They did a lot of week-ending at hotels, and sometimes I went down with
+them. We seemed to fall into a vast drifting crowd of social learners.
+I don’t know whether it is due simply to my changed circumstances, but
+it seems to me there have been immensely disproportionate developments
+of the hotel-frequenting and restaurant-using population during the
+last twenty years. It is not only, I think, that there are crowds of
+people who, like we were, are in the economically ascendant phase, but
+whole masses of the prosperous section of the population must be
+altering its habits, giving up high-tea for dinner and taking to
+evening dress, using the week-end hotels as a practise-ground for these
+new social arts. A swift and systematic conversion to gentility has
+been going on, I am convinced, throughout the whole commercial
+upper-middle class since I was twenty-one. Curiously mixed was the
+personal quality of the people one saw in these raids. There were
+conscientiously refined and low-voiced people reeking with proud
+bashfulness; there were aggressively smart people using pet diminutives
+for each other loudly and seeking fresh occasions for brilliant
+rudeness; there were awkward husbands and wives quarrelling furtively
+about their manners and ill at ease under the eye of the winter;
+cheerfully amiable and often discrepant couples with a disposition to
+inconspicuous corners, and the jolly sort, affecting an unaffected
+ease; plump happy ladies who laughed too loud, and gentlemen in evening
+dress who subsequently “got their pipes.” And nobody, you knew, was
+anybody, however expensively they dressed and whatever rooms they took.
+
+I look back now with a curious remoteness of spirit to those crowded
+dining-rooms with their dispersed tables and their inevitable
+red-shaded lights and the unsympathetic, unskillful waiters, and the
+choice of “Thig or Glear, Sir?” I’ve not dined in that way, in that
+sort of place, now for five years—it must be quite five years, so
+specialised and narrow is my life becoming.
+
+My uncle’s earlier motor-car phases work in with these associations,
+and there stands out a little bright vignette of the hall of the
+Magnificent, Bexhill-on-Sea, and people dressed for dinner and sitting
+about amidst the scarlet furniture—satin and white-enameled woodwork
+until the gong should gather them; and my aunt is there, very
+marvelously wrapped about in a dust cloak and a cage-like veil, and
+there are hotel porters and under-porters very alert, and an obsequious
+manager; and the tall young lady in black from the office is surprised
+into admiration, and in the middle of the picture is my uncle, making
+his first appearance in that Esquimaux costume I have already
+mentioned, a short figure, compactly immense, hugely goggled, wearing a
+sort of brown rubber proboscis, and surmounted by a table-land of
+motoring cap.
+
+V
+
+So it was we recognised our new needs as fresh invaders of the upper
+levels of the social system, and set ourselves quite consciously to the
+acquisition of Style and _Savoir Faire_. We became part of what is
+nowadays quite an important element in the confusion of our world, that
+multitude of economically ascendant people who are learning how to
+spend money. It is made up of financial people, the owners of the
+businesses that are eating up their competitors, inventors of new
+sources of wealth, such as ourselves; it includes nearly all America as
+one sees it on the European stage. It is a various multitude having
+only this in common: they are all moving, and particularly their
+womankind are moving, from conditions in which means were insistently
+finite, things were few, and customs simple, towards a limitless
+expenditure and the sphere of attraction of Bond Street, Fifth Avenue,
+and Paris. Their general effect is one of progressive revolution, of
+limitless rope.
+
+They discover suddenly indulgences their moral code never foresaw and
+has no provision for, elaborations, ornaments, possessions beyond their
+wildest dreams. With an immense astonished zest they begin _shopping_,
+begin a systematic adaptation to a new life crowded and brilliant with
+things shopped, with jewels, maids, butlers, coachmen, electric
+broughams, hired town and country houses. They plunge into it as one
+plunges into a career; as a class, they talk, think, and dream
+possessions. Their literature, their Press, turns all on that; immense
+illustrated weeklies of unsurpassed magnificence guide them in domestic
+architecture, in the art of owning a garden, in the achievement of the
+sumptuous in motor-cars, in an elaborate sporting equipment, in the
+purchase and control of their estates, in travel and stupendous hotels.
+Once they begin to move they go far and fast. Acquisition becomes the
+substance of their lives. They find a world organised to gratify that
+passion. In a brief year or so they are connoisseurs. They join in the
+plunder of the eighteenth century, buy rare old books, fine old
+pictures, good old furniture. Their first crude conception of dazzling
+suites of the newly perfect is replaced almost from the outset by a
+jackdaw dream of accumulating costly discrepant old things.
+
+I seem to remember my uncle taking to shopping quite suddenly. In the
+Beckenham days and in the early Chiselhurst days he was chiefly
+interested in getting money, and except for his onslaught on the
+Beckenham house, bothered very little about his personal surroundings
+and possessions. I forget now when the change came and he began to
+spend. Some accident must have revealed to him this new source of
+power, or some subtle shifting occurred in the tissues of his brain. He
+began to spend and “shop.” So soon as he began to shop, he began to
+shop violently. He began buying pictures, and then, oddly enough, old
+clocks. For the Chiselhurst house he bought nearly a dozen grandfather
+clocks and three copper warming pans. After that he bought much
+furniture. Then he plunged into art patronage, and began to commission
+pictures and to make presents to churches and institutions. His buying
+increased with a regular acceleration. Its development was a part of
+the mental changes that came to him in the wild excitements of the last
+four years of his ascent. Towards the climax he was a furious spender;
+he shopped with large unexpected purchases, he shopped like a mind
+seeking expression, he shopped to astonish and dismay; shopped
+_crescendo_, shopped _fortissimo, con molto espressione_ until the
+magnificent smash of Crest Hill eroded his shopping for ever. Always it
+was he who shopped. My aunt did not shine as a purchaser. It is a
+curious thing, due to I know not what fine strain in her composition,
+that my aunt never set any great store upon possessions. She plunged
+through that crowded bazaar of Vanity Fair during those feverish years,
+spending no doubt freely and largely, but spending with detachment and
+a touch of humorous contempt for the things, even the “old” things,
+that money can buy. It came to me suddenly one afternoon just how
+detached she was, as I saw her going towards the Hardingham, sitting
+up, as she always did, rather stiffly in her electric brougham,
+regarding the glittering world with interested and ironically innocent
+blue eyes from under the brim of a hat that defied comment. “No one,” I
+thought, “would sit so apart if she hadn’t dreams—and what are her
+dreams?”
+
+I’d never thought.
+
+And I remember, too, an outburst of scornful description after she had
+lunched with a party of women at the Imperial Cosmic Club. She came
+round to my rooms on the chance of finding me there, and I gave her
+tea. She professed herself tired and cross, and flung herself into my
+chair....
+
+“George,” she cried, “the Things women are! Do _I_ stink of money?”
+
+“Lunching?” I asked.
+
+She nodded.
+
+“Plutocratic ladies?”
+
+“Yes.”
+
+“Oriental type?”
+
+“Oh! Like a burst hareem!... Bragging of possessions.... They feel you.
+They feel your clothes, George, to see if they are good!”
+
+I soothed her as well as I could. “They _are_ Good aren’t they?” I
+said.
+
+“It’s the old pawnshop in their blood,” she said, drinking tea; and
+then in infinite disgust, “They run their hands over your clothes—they
+paw you.”
+
+I had a moment of doubt whether perhaps she had not been discovered in
+possession of unsuspected forgeries. I don’t know. After that my eyes
+were quickened, and I began to see for myself women running their hands
+over other women’s furs, scrutinising their lace, even demanding to
+handle jewelry, appraising, envying, testing. They have a kind of
+etiquette. The woman who feels says, “What beautiful sables?” “What
+lovely lace?” The woman felt admits proudly: “It’s Real, you know,” or
+disavows pretension modestly and hastily, “It’s Rot Good.” In each
+other’s houses they peer at the pictures, handle the selvage of
+hangings, look at the bottoms of china....
+
+I wonder if it IS the old pawnshop in the blood.
+
+I doubt if Lady Drew and the Olympians did that sort of thing, but here
+I may be only clinging to another of my former illusions about
+aristocracy and the State. Perhaps always possessions have been Booty,
+and never anywhere has there been such a thing as house and furnishings
+native and natural to the women and men who made use of them....
+
+VI
+
+For me, at least, it marked an epoch in my uncle’s career when I learnt
+one day that he had “shopped” Lady Grove. I realised a fresh, wide,
+unpreluded step. He took me by surprise with the sudden change of scale
+from such portable possessions as jewels and motor-cars to a stretch of
+countryside. The transaction was Napoleonic; he was told of the place;
+he said “snap”; there were no preliminary desirings or searchings. Then
+he came home and said what he had done. Even my aunt was for a day or
+so measurably awestricken by this exploit in purchase, and we both went
+down with him to see the house in a mood near consternation. It struck
+us then as a very lordly place indeed. I remember the three of us
+standing on the terrace that looked westward, surveying the
+sky-reflecting windows of the house, and a feeling of unwarrantable
+intrusion comes back to me.
+
+Lady Grove, you know, is a very beautiful house indeed, a still and
+gracious place, whose age-long seclusion was only effectively broken
+with the toot of the coming of the motor-car. An old Catholic family
+had died out in it, century by century, and was now altogether dead.
+Portions of the fabric are thirteenth century, and its last
+architectural revision was Tudor; within, it is for the most part dark
+and chilly, save for two or three favoured rooms and its tall-windowed,
+oak-galleried hall. Its terrace is its noblest feature; a very wide,
+broad lawn it is, bordered by a low stone battlement, and there is a
+great cedar in one corner under whose level branches one looks out
+across the blue distances of the Weald, blue distances that are made
+extraordinarily Italian in quality by virtue of the dark masses of that
+single tree. It is a very high terrace; southward one looks down upon
+the tops of wayfaring trees and spruces, and westward on a steep slope
+of beechwood, through which the road comes. One turns back to the still
+old house, and sees a grey and lichenous façade with a very finely
+arched entrance. It was warmed by the afternoon light and touched with
+the colour of a few neglected roses and a pyracanthus. It seemed to me
+that the most modern owner conceivable in this serene fine place was
+some bearded scholarly man in a black cassock, gentle-voiced and
+white-handed, or some very soft-robed, grey gentlewoman. And there was
+my uncle holding his goggles in a sealskin glove, wiping the glass with
+a pocket-handkerchief, and asking my aunt if Lady Grove wasn’t a “Bit
+of all Right.”
+
+My aunt made him no answer.
+
+“The man who built this,” I speculated, “wore armour and carried a
+sword.”
+
+“There’s some of it inside still,” said my uncle.
+
+We went inside. An old woman with very white hair was in charge of the
+place and cringed rather obviously to the new master. She evidently
+found him a very strange and frightful apparition indeed, and was
+dreadfully afraid of him. But if the surviving present bowed down to
+us, the past did not. We stood up to the dark, long portraits of the
+extinguished race—one was a Holbein—and looked them in their sidelong
+eyes. They looked back at us. We all, I know, felt the enigmatical
+quality in them. Even my uncle was momentarily embarrassed, I think, by
+that invincibly self-complacent expression. It was just as though,
+after all, he had _not_ bought them up and replaced them altogether; as
+though that, secretly, they knew better and could smile at him.
+
+The spirit of the place was akin to Bladesover, but touched with
+something older and remoter. That armour that stood about had once
+served in tilt-yards, if indeed it had not served in battle, and this
+family had sent its blood and treasure, time after time, upon the most
+romantic quest in history, to Palestine. Dreams, loyalties, place and
+honour, how utterly had it all evaporated, leaving, at last, the final
+expression of its spirit, these quaint painted smiles, these smiles of
+triumphant completion! It had evaporated, indeed, long before the
+ultimate Durgan had died, and in his old age he had cumbered the place
+with Early Victorian cushions and carpets and tapestry table-cloths and
+invalid appliances of a type even more extinct, it seemed to us, than
+the crusades.... Yes, it was different from Bladesover.
+
+“Bit stuffy, George,” said my uncle. “They hadn’t much idea of
+ventilation when this was built.”
+
+One of the panelled rooms was half-filled with presses and a
+four-poster bed. “Might be the ghost room,” said my uncle; but it did
+not seem to me that so retiring a family as the Durgans, so old and
+completely exhausted a family as the Durgans, was likely to haunt
+anybody. What living thing now had any concern with their honour and
+judgments and good and evil deeds? Ghosts and witchcraft were a later
+innovation—that fashion came from Scotland with the Stuarts.
+
+Afterwards, prying for epitaphs, we found a marble crusader with a
+broken nose, under a battered canopy of fretted stone, outside the
+restricted limits of the present Duffield church, and half buried in
+nettles. “Ichabod,” said my uncle. “Eh? We shall be like that, Susan,
+some day.... I’m going to clean him up a bit and put a railing to keep
+off the children.”
+
+“Old saved at the eleventh hour,” said my aunt, quoting one of the less
+successful advertisements of Tono-Bungay.
+
+But I don’t think my uncle heard her.
+
+It was by our captured crusader that the vicar found us. He came round
+the corner at us briskly, a little out of breath. He had an air of
+having been running after us since the first toot of our horn had
+warned the village of our presence. He was an Oxford man, clean-shaven,
+with a cadaverous complexion and a guardedly respectful manner, a
+cultivated intonation, and a general air of accommodation to the new
+order of things. These Oxford men are the Greeks of our plutocratic
+empire. He was a Tory in spirit, and what one may call an adapted Tory
+by stress of circumstances; that is to say, he was no longer a
+legitimist; he was prepared for the substitution of new lords for old.
+We were pill vendors he knew, and no doubt horribly vulgar in soul; but
+then it might have been some polygamous Indian rajah, a great strain on
+a good man’s tact, or some Jew with an inherited expression of
+contempt. Anyhow, we were English, and neither Dissenters nor
+Socialists, and he was cheerfully prepared to do what he could to make
+gentlemen of both of us. He might have preferred Americans for some
+reasons; they are not so obviously taken from one part of the social
+system and dumped down in another, and they are more teachable; but in
+this world we cannot always be choosers. So he was very bright and
+pleasant with us, showed us the church, gossiped informingly about our
+neighbours on the countryside—Tux, the banker; Lord Boom, the magazine
+and newspaper proprietor; Lord Carnaby, that great sportsman, and old
+Lady Osprey. And finally he took us by way of a village lane—three
+children bobbed convulsively with eyes of terror for my uncle—through a
+meticulous garden to a big, slovenly Vicarage with faded Victorian
+furniture and a faded Victorian wife, who gave us tea and introduced us
+to a confusing family dispersed among a lot of disintegrating basket
+chairs upon the edge of a well-used tennis lawn.
+
+These people interested me. They were a common type, no doubt, but they
+were new to me. There were two lank sons who had been playing singles
+at tennis, red-eared youths growing black moustaches, and dressed in
+conscientiously untidy tweeds and unbuttoned and ungirt Norfolk
+jackets. There were a number of ill-nourished-looking daughters,
+sensible and economical in their costume, the younger still with long,
+brown-stockinged legs, and the eldest present—there were, we
+discovered, one or two hidden away—displaying a large gold cross and
+other aggressive ecclesiastical symbols; there were two or three
+fox-terriers, a retrieverish mongrel, and an old, bloody-eyed and very
+evil-smelling St. Bernard. There was a jackdaw. There was, moreover, an
+ambiguous, silent lady that my aunt subsequently decided must be a very
+deaf paying guest. Two or three other people had concealed themselves
+at our coming and left unfinished teas behind them. Rugs and cushions
+lay among the chairs, and two of the latter were, I noted, covered with
+Union Jacks.
+
+The vicar introduced us sketchily, and the faded Victorian wife
+regarded my aunt with a mixture of conventional scorn and abject
+respect, and talked to her in a languid, persistent voice about people
+in the neighbourhood whom my aunt could not possibly know.
+
+My aunt received these personalia cheerfully, with her blue eyes
+flitting from point to point, and coming back again and again to the
+pinched faces of the daughters and the cross upon the eldest’s breast.
+Encouraged by my aunt’s manner, the vicar’s wife grew patronising and
+kindly, and made it evident that she could do much to bridge the social
+gulf between ourselves and the people of family about us.
+
+I had just snatches of that conversation. “Mrs. Merridew brought him
+quite a lot of money. Her father, I believe, had been in the Spanish
+wine trade—quite a lady though. And after that he fell off his horse
+and cracked his brain pan and took to fishing and farming. I’m sure
+you’ll like to know them. He’s _most_ amusing.... The daughter had a
+disappointment and went to China as a missionary and got mixed up in a
+massacre.”...
+
+“The most beautiful silks and things she brought back, you’d hardly
+believe!”
+
+“Yes, they gave them to propitiate her. You see, they didn’t understand
+the difference, and they thought that as they’d been massacring people,
+_they’d_ be massacred. They didn’t understand the difference
+Christianity makes.”...
+
+“Seven bishops they’ve had in the family!”
+
+“Married a Papist and was quite lost to them.”...
+
+“He failed some dreadful examination and had to go into the
+militia.”...
+
+“So she bit his leg as hard as ever she could and he let go.”...
+
+“Had four of his ribs amputated.”...
+
+“Caught meningitis and was carried off in a week.”
+
+“Had to have a large piece of silver tube let into his throat, and if
+he wants to talk he puts his finger on it. It makes him so interesting,
+I think. You feel he’s sincere somehow. A most charming man in every
+way.”
+
+“Preserved them both in spirits very luckily, and there they are in his
+study, though of course he doesn’t show them to everybody.”
+
+The silent lady, unperturbed by these apparently exciting topics,
+scrutinised my aunt’s costume with a singular intensity, and was
+visibly moved when she unbuttoned her dust cloak and flung it wide.
+Meanwhile we men conversed, one of the more spirited daughters listened
+brightly, and the youths lay on the grass at our feet. My uncle offered
+them cigars, but they both declined,—out of bashfulness, it seemed to
+me, whereas the vicar, I think, accepted out of tact. When we were not
+looking at them directly, these young men would kick each other
+furtively.
+
+Under the influence of my uncle’s cigar, the vicar’s mind had soared
+beyond the limits of the district. “This Socialism,” he said, “seems
+making great headway.”
+
+My uncle shook his head. “We’re too individualistic in this country for
+that sort of nonsense,” he said “Everybody’s business is nobody’s
+business. That’s where they go wrong.”
+
+“They have some intelligent people in their ranks, I am told,” said the
+vicar, “writers and so forth. Quite a distinguished playwright, my
+eldest daughter was telling me—I forget his name.
+
+“Milly, dear! Oh! she’s not here. Painters, too, they have. This
+Socialist, it seems to me, is part of the Unrest of the Age.... But, as
+you say, the spirit of the people is against it. In the country, at any
+rate. The people down here are too sturdily independent in their small
+way—and too sensible altogether.”...
+
+“It’s a great thing for Duffield to have Lady Grove occupied again,” he
+was saying when my wandering attention came back from some attractive
+casualty in his wife’s discourse. “People have always looked up to the
+house and considering all things, old Mr. Durgan really was
+extraordinarily good—extraordinarily good. You intend to give us a good
+deal of your time here, I hope.”
+
+“I mean to do my duty by the Parish,” said my uncle.
+
+“I’m sincerely glad to hear it—sincerely. We’ve missed—the house
+influence. An English village isn’t complete—People get out of hand.
+Life grows dull. The young people drift away to London.”
+
+He enjoyed his cigar gingerly for a moment.
+
+“We shall look to you to liven things up,” he said, poor man!
+
+My uncle cocked his cigar and removed it from his mouth.
+
+“What you think the place wants?” he asked.
+
+He did not wait for an answer. “I been thinking while you been
+talking—things one might do. Cricket—a good English game—sports. Build
+the chaps a pavilion perhaps. Then every village ought to have a
+miniature rifle range.”
+
+“Ye-ees,” said the vicar. “Provided, of course, there isn’t a constant
+popping.”...
+
+“Manage _that_ all right,” said my uncle. “Thing’d be a sort of long
+shed. Paint it red. British colour. Then there’s a Union Jack for the
+church and the village school. Paint the school red, too, p’raps. Not
+enough colour about now. Too grey. Then a maypole.”
+
+“How far our people would take up that sort of thing—” began the vicar.
+
+“I’m all for getting that good old English spirit back again,” said my
+uncle. “Merrymakings. Lads and lasses dancing on the village green.
+Harvest home. Fairings. Yule Log—all the rest of it.”
+
+“How would old Sally Glue do for a May Queen?” asked one of the sons in
+the slight pause that followed.
+
+“Or Annie Glassbound?” said the other, with the huge virile guffaw of a
+young man whose voice has only recently broken.
+
+“Sally Glue is eighty-five,” explained the vicar, “and Annie Glassbound
+is well—a young lady of extremely generous proportions. And not quite
+right, you know. Not quite right—here.” He tapped his brow.
+
+“Generous proportions!” said the eldest son, and the guffaws were
+renewed.
+
+“You see,” said the vicar, “all the brisker girls go into service in or
+near London. The life of excitement attracts them. And no doubt the
+higher wages have something to do with it. And the liberty to wear
+finery. And generally—freedom from restraint. So that there might be a
+little difficulty perhaps to find a May Queen here just at present who
+was really young and er—pretty.... Of course I couldn’t think of any of
+my girls—or anything of that sort.”
+
+“We got to attract ’em back,” said my uncle. “That’s what I feel about
+it. We got to Buck-Up the country. The English country is a going
+concern still; just as the Established Church—if you’ll excuse me
+saying it, is a going concern. Just as Oxford is—or Cambridge. Or any
+of those old, fine old things. Only it wants fresh capital, fresh idees
+and fresh methods. Light railways, f’rinstance—scientific use of
+drainage. Wire fencing machinery—all that.”
+
+The vicar’s face for one moment betrayed dismay. Perhaps he was
+thinking of his country walks amids the hawthorns and honeysuckle.
+
+“There’s great things,” said my uncle, “to be done on Mod’un lines with
+Village Jam and Pickles—boiled in the country.”
+
+It was the reverberation of this last sentence in my mind, I think,
+that sharpened my sentimental sympathy as we went through the
+straggling village street and across the trim green on our way back to
+London. It seemed that afternoon the most tranquil and idyllic
+collection of creeper-sheltered homes you can imagine; thatch still
+lingered on a whitewashed cottage or two, pyracanthus, wall-flowers,
+and daffodils abounded, and an unsystematic orchard or so was white
+with blossom above and gay with bulbs below. I noted a row of straw
+beehives, beehive-shaped, beehives of the type long since condemned as
+inefficient by all progressive minds, and in the doctor’s acre of grass
+a flock of two whole sheep was grazing,—no doubt he’d taken them on
+account. Two men and one old woman made gestures of abject vassalage,
+and my uncle replied with a lordly gesture of his great motoring
+glove....
+
+“England’s full of Bits like this,” said my uncle, leaning over the
+front seat and looking back with great satisfaction. The black glare of
+his goggles rested for a time on the receding turrets of Lady Grove
+just peeping over the trees.
+
+“I shall have a flagstaff, I think,” he considered. “Then one could
+show when one is in residence. The villagers will like to know.”...
+
+I reflected. “They will” I said. “They’re used to liking to know.”...
+
+My aunt had been unusually silent. Suddenly she spoke. “He says Snap,”
+she remarked; “he buys that place. And a nice old job of Housekeeping
+he gives me! He sails through the village swelling like an old turkey.
+And who’ll have to scoot the butler? Me! Who’s got to forget all she
+ever knew and start again? Me! Who’s got to trek from Chiselhurst and
+be a great lady? Me! ... You old Bother! Just when I was settling down
+and beginning to feel at home.”
+
+My uncle turned his goggles to her. “Ah! _this_ time it is home,
+Susan.... We got there.”
+
+VII
+
+It seems to me now but a step from the buying of Lady Grove to the
+beginning of Crest Hill, from the days when the former was a stupendous
+achievement to the days when it was too small and dark and inconvenient
+altogether for a great financier’s use. For me that was a period of
+increasing detachment from our business and the great world of London;
+I saw it more and more in broken glimpses, and sometimes I was working
+in my little pavilion above Lady Grove for a fortnight together; even
+when I came up it was often solely for a meeting of the aeronautical
+society or for one of the learned societies or to consult literature or
+employ searchers or some such special business. For my uncle it was a
+period of stupendous inflation. Each time I met him I found him more
+confident, more comprehensive, more consciously a factor in great
+affairs. Soon he was no longer an associate of merely business men; he
+was big enough for the attentions of greater powers.
+
+I grew used to discovering some item of personal news about him in my
+evening paper, or to the sight of a full-page portrait of him in a
+sixpenny magazine. Usually the news was of some munificent act, some
+romantic piece of buying or giving or some fresh rumour of
+reconstruction. He saved, you will remember, the Parbury Reynolds for
+the country. Or at times, it would be an interview or my uncle’s
+contribution to some symposium on the “Secret of Success,” or such-like
+topic. Or wonderful tales of his power of work, of his wonderful
+organisation to get things done, of his instant decisions and
+remarkable power of judging his fellow-men. They repeated his great
+_mot:_ “Eight hour working day—I want eighty hours!”
+
+He became modestly but resolutely “public.” They cartooned him in
+_Vanity Fair_. One year my aunt, looking indeed a very gracious,
+slender lady, faced the portrait of the King in the great room at
+Burlington House, and the next year saw a medallion of my uncle by
+Ewart, looking out upon the world, proud and imperial, but on the whole
+a trifle too prominently convex, from the walls of the New Gallery.
+
+I shared only intermittently in his social experiences. People knew of
+me, it is true, and many of them sought to make through me a sort of
+flank attack upon him, and there was a legend, owing, very
+unreasonably, partly to my growing scientific reputation and partly to
+an element of reserve in my manner, that I played a much larger share
+in planning his operations than was actually the case. This led to one
+or two very intimate private dinners, to my inclusion in one or two
+house parties and various odd offers of introductions and services that
+I didn’t for the most part accept. Among other people who sought me in
+this way was Archie Garvell, now a smart, impecunious soldier of no
+particular distinction, who would, I think, have been quite prepared to
+develop any sporting instincts I possessed, and who was beautifully
+unaware of our former contact. He was always offering me winners; no
+doubt in a spirit of anticipatory exchange for some really good thing
+in our more scientific and certain method of getting something for
+nothing....
+
+In spite of my preoccupation with my experiments, work, I did, I find
+now that I come to ransack my impressions, see a great deal of the
+great world during those eventful years; I had a near view of the
+machinery by which an astounding Empire is run, rubbed shoulders and
+exchanged experiences with bishops and statesmen, political women and
+women who were not political, physicians and soldiers, artists and
+authors, the directors of great journals, philanthropists and all sorts
+of eminent, significant people. I saw the statesmen without their
+orders and the bishops with but a little purple silk left over from
+their canonicals, inhaling, not incensen but cigar smoke. I could look
+at them all the better because, for the most part, they were not
+looking at me but at my uncle, and calculating consciously or
+unconsciously how they might use him and assimilate him to their
+system, the most unpremeditated, subtle, successful and aimless
+plutocracy that ever encumbered the destinies of mankind. Not one of
+them, so far as I could see, until disaster overtook him, resented his
+lies, his almost naked dishonesty of method, the disorderly disturbance
+of this trade and that, caused by his spasmodic operations. I can see
+them now about him, see them polite, watchful, various; his stiff
+compact little figure always a centre of attention, his wiry hair, his
+brief nose, his under-lip, electric with self-confidence. Wandering
+marginally through distinguished gatherings, I would catch the
+whispers: “That’s Mr. Ponderevo!”
+
+“The little man?”
+
+“Yes, the little bounder with the glasses.”
+
+“They say he’s made—“...
+
+Or I would see him on some parterre of a platform beside my aunt’s
+hurraying hat, amidst titles and costumes, “holding his end up,” as he
+would say, subscribing heavily to obvious charities, even at times
+making brief convulsive speeches in some good cause before the most
+exalted audiences. “Mr. Chairman, your Royal Highness, my Lords, Ladies
+and Gentlemen,” he would begin amidst subsiding applause and adjust
+those obstinate glasses and thrust back the wings of his frock-coat and
+rest his hands upon his hips and speak his fragment with ever and again
+an incidental Zzzz. His hands would fret about him as he spoke, fiddle
+his glasses, feel in his waistcoat pockets; ever and again he would
+rise slowly to his toes as a sentence unwound jerkily like a clockwork
+snake, and drop back on his heels at the end. They were the very
+gestures of our first encounter when he had stood before the empty
+fireplace in his minute draped parlour and talked of my future to my
+mother.
+
+In those measurelessly long hot afternoons in the little shop at
+Wimblehurst he had talked and dreamt of the Romance of Modern Commerce.
+Here, surely, was his romance come true.
+
+VIII
+
+People say that my uncle lost his head at the crest of his fortunes,
+but if one may tell so much truth of a man one has in a manner loved,
+he never had very much head to lose. He was always imaginative,
+erratic, inconsistent, recklessly inexact, and his inundation of wealth
+merely gave him scope for these qualities. It is true, indeed, that
+towards the climax he became intensely irritable at times and impatient
+of contradiction, but that, I think, was rather the gnawing uneasiness
+of sanity than any mental disturbance. But I find it hard either to
+judge him or convey the full development of him to the reader. I saw
+too much of him; my memory is choked with disarranged moods and
+aspects. Now he is distended with megalomania, now he is deflated, now
+he is quarrelsome, now impenetrably self-satisfied, but always he is
+sudden, jerky, fragmentary, energetic, and—in some subtle fundamental
+way that I find difficult to define—absurd.
+
+There stands out—because of the tranquil beauty of its setting
+perhaps—a talk we had in the veranda of the little pavilion near my
+worksheds behind Crest Hill in which my aeroplanes and navigable
+balloons were housed. It was one of many similar conversations, and I
+do not know why it in particular should survive its fellows. It happens
+so. He had come up to me after his coffee to consult me about a certain
+chalice which in a moment of splendour and under the importunity of a
+countess he had determined to give to a deserving church in the
+east-end. I, in a moment of even rasher generosity, had suggested Ewart
+as a possible artist. Ewart had produced at once an admirable sketch
+for the sacred vessel surrounded by a sort of wreath of Millies with
+open arms and wings and had drawn fifty pounds on the strength of it.
+After that came a series of vexatious delays. The chalice became less
+and less of a commercial man’s chalice, acquired more and more the
+elusive quality of the Holy Grail, and at last even the drawing
+receded.
+
+My uncle grew restive.... “You see, George, they’ll begin to want the
+blasted thing!”
+
+“What blasted thing?”
+
+“That chalice, damn it! They’re beginning to ask questions. It isn’t
+Business, George.”
+
+“It’s art,” I protested, “and religion.”
+
+“That’s all very well. But it’s not a good ad for us, George, to make a
+promise and not deliver the goods.... I’ll have to write off your
+friend Ewart as a bad debt, that’s what it comes to, and go to a decent
+firm.”...
+
+We sat outside on deck chairs in the veranda of the pavilion, smoked,
+drank whisky, and, the chalice disposed of, meditated. His temporary
+annoyance passed. It was an altogether splendid summer night, following
+a blazing, indolent day. Full moonlight brought out dimly the lines of
+the receding hills, one wave beyond another; far beyond were the
+pin-point lights of Leatherhead, and in the foreground the little stage
+from which I used to start upon my gliders gleamed like wet steel. The
+season must have been high June, for down in the woods that hid the
+lights of the Lady Grove windows, I remember the nightingales thrilled
+and gurgled....
+
+“We got here, George,” said my uncle, ending a long pause. “Didn’t I
+say?”
+
+“Say!—when?” I asked.
+
+“In that hole in the To’nem Court Road, eh? It’s been a Straight Square
+Fight, and here we are!”
+
+I nodded.
+
+“’Member me telling you—Tono-Bungay?.... Well.... I’d just that
+afternoon thought of it!”
+
+“I’ve fancied at times;” I admitted.
+
+“It’s a great world, George, nowadays, with a fair chance for every one
+who lays hold of things. The career ouvert to the Talons—eh?
+Tono-Bungay. Think of it! It’s a great world and a growing world, and
+I’m glad we’re in it—and getting a pull. We’re getting big people,
+George. Things come to us. Eh? This Palestine thing.”...
+
+He meditated for a time and Zzzzed softly. Then he became still.
+
+His theme was taken up by a cricket in the grass until he himself was
+ready to resume it. The cricket too seemed to fancy that in some scheme
+of its own it had got there. “Chirrrrrrup” it said; “chirrrrrrup.”
+
+“Lord, what a place that was at Wimblehurst!” he broke out. “If ever I
+get a day off we’ll motor there, George, and run over that dog that
+sleeps in the High Street. Always was a dog asleep there—always.
+Always... I’d like to see the old shop again. I daresay old Ruck still
+stands between the sheep at his door, grinning with all his teeth, and
+Marbel, silly beggar! comes out with his white apron on and a pencil
+stuck behind his ear, trying to look awake... Wonder if they know it’s
+me? I’d like ’em somehow to know it’s me.”
+
+“They’ll have had the International Tea Company and all sorts of people
+cutting them up,” I said. “And that dog’s been on the pavement this six
+years—can’t sleep even there, poor dear, because of the motor-horns and
+its shattered nerves.”
+
+“Movin’ everywhere,” said my uncle. “I expect you’re right.... It’s a
+big time we’re in, George. It’s a big Progressive On-coming Imperial
+Time. This Palestine business—the daring of it.... It’s, it’s a
+Process, George. And we got our hands on it. Here we sit—with our hands
+on it, George. Entrusted.
+
+“It seems quiet to—night. But if we could see and hear.” He waved his
+cigar towards Leatherhead and London.
+
+“There they are, millions, George. Jes’ think of what they’ve been up
+to to-day—those ten millions—each one doing his own particular job. You
+can’t grasp it. It’s like old Whitman says—what is it he says? Well,
+anyway it’s like old Whitman. Fine chap, Whitman! Fine old chap! Queer,
+you can’t quote him. ... And these millions aren’t anything. There’s
+the millions over seas, hundreds of millions, Chinese, M’rocco, Africa
+generally, ’Merica.... Well, here we are, with power, with leisure,
+picked out—because we’ve been energetic, because we’ve seized
+opportunities, because we’ve made things hum when other people have
+waited for them to hum. See? Here we are—with our hands on it. Big
+people. Big growing people. In a sort of way,—Forces.”
+
+He paused. “It’s wonderful, George,” he said.
+
+“Anglo-Saxon energy,” I said softly to the night.
+
+“That’s it, George—energy. It’s put things in our grip—threads, wires,
+stretching out and out, George, from that little office of ours, out to
+West Africa, out to Egypt, out to Inja, out east, west, north and
+south. Running the world practically. Running it faster and faster.
+Creative. There’s that Palestine canal affair. Marvellous idee! Suppose
+we take that up, suppose we let ourselves in for it, us and the others,
+and run that water sluice from the Mediterranean into the Dead Sea
+Valley—think of the difference it will make! All the desert blooming
+like a rose, Jericho lost for ever, all the Holy Places under water....
+Very likely destroy Christianity.”...
+
+He mused for a space. “Cuttin’ canals,” murmured my uncle. “Making
+tunnels.... New countries.... New centres.... Zzzz.... Finance.... Not
+only Palestine.
+
+“I wonder where we shall get before we done, George? We got a lot of
+big things going. We got the investing public sound and sure. I don’t
+see why in the end we shouldn’t be very big. There’s difficulties but
+I’m equal to them. We’re still a bit soft in our bones, but they’ll
+harden all right.... I suppose, after all, I’m worth something like a
+million, George, cleared up and settled. If I got out of things now.
+It’s a great time, George, a wonderful time!”...
+
+I glanced through the twilight at his convexity and I must confess it
+struck me that on the whole he wasn’t particularly good value.
+
+“We got our hands on things, George, us big people. We got to hang
+together, George run the show. Join up with the old order like that
+mill-wheel of Kipling’s. (Finest thing he ever wrote, George; I jes’
+been reading it again. Made me buy Lady Grove.) Well, we got to run the
+country, George. It’s ours. Make it a Scientific Organised Business
+Enterprise. Put idees into it. ’Lectrify it. Run the Press. Run all
+sorts of developments. All sorts of developments. I been talking to
+Lord Boom. I been talking to all sorts of people. Great things.
+Progress. The world on business lines. Only jes’ beginning.”...
+
+He fell into a deep meditation.
+
+He Zzzzed for a time and ceased.
+
+“_Yes_,” he said at last in the tone of a man who has at last emerged
+with ultimate solutions to the profoundest problems.
+
+“What?” I said after a seemly pause.
+
+My uncle hung fire for a moment and it seemed to me the fate of nations
+trembled in the balance. Then he spoke as one who speaks from the very
+bottom of his heart—and I think it was the very bottom of his heart.
+
+“I’d jes’ like to drop into the Eastry Arms, jes’ when all those
+beggars in the parlour are sittin’ down to whist, Ruck and Marbel and
+all, and give ’em ten minutes of my mind, George. Straight from the
+shoulder. Jes’ exactly what I think of them. It’s a little thing, but
+I’d like to do it jes’ once before I die.”...
+
+He rested on that for some time Zzzz-ing.
+
+Then he broke out at a new place in a tone of detached criticism.
+
+“There’s Boom,” he reflected.
+
+“It’s a wonderful system this old British system, George. It’s staid
+and stable and yet it has a place for new men. We come up and take our
+places. It’s almost expected. We take a hand. That’s where our
+Democracy differs from America. Over there a man succeeds; all he gets
+is money. Here there’s a system open to every one—practically.... Chaps
+like Boom—come from nowhere.”
+
+His voice ceased. I reflected upon the spirit of his words. Suddenly I
+kicked my feet in the air, rolled on my side and sat up suddenly on my
+deck chair with my legs down.
+
+“You don’t mean it!” I said.
+
+“Mean what, George?”
+
+“Subscription to the party funds. Reciprocal advantage. Have we got to
+that?”
+
+“Whad you driving at, George?”
+
+“You know. They’d never do it, man!”
+
+“Do what?” he said feebly; and, “Why shouldn’t they?”
+
+“They’d not even go to a baronetcy. _No!_.... And yet, of course,
+there’s Boom! And Collingshead and Gorver. They’ve done beer, they’ve
+done snippets! After all Tono-Bungay—it’s not like a turf commission
+agent or anything like that!... There have of course been some very
+gentlemanly commission agents. It isn’t like a fool of a scientific man
+who can’t make money!”
+
+My uncle grunted; we’d differed on that issue before.
+
+A malignant humour took possession of me. “What would they call you?” I
+speculated. “The vicar would like Duffield. Too much like Duffer!
+Difficult thing, a title.” I ran my mind over various possibilities.
+“Why not take a leaf from a socialist tract I came upon yesterday. Chap
+says we’re all getting delocalised. Beautiful word—delocalised! Why not
+be the first delocalised peer? That gives you—Tono-Bungay! There is a
+Bungay, you know. Lord Tono of Bungay—in bottles everywhere. Eh?”
+
+My uncle astonished me by losing his temper.
+
+“Damn it. George, you don’t seem to see I’m serious! You’re always
+sneering at Tono-Bungay! As though it was some sort of swindle. It was
+perfec’ly legitimate trade, perfec’ly legitimate. Good value and a good
+article.... When I come up here and tell you plans and exchange
+idees—you sneer at me. You _do_. You don’t see—it’s a big thing. It’s a
+big thing. You got to get used to new circumstances. You got to face
+what lies before us. You got to drop that tone.”
+
+IX
+
+My uncle was not altogether swallowed up in business and ambition. He
+kept in touch with modern thought. For example, he was, I know, greatly
+swayed by what he called “This Overman idee, Nietzsche—all that stuff.”
+
+He mingled those comforting suggestions of a potent and exceptional
+human being emancipated from the pettier limitations of integrity with
+the Napoleonic legend. It gave his imagination a considerable outlet.
+That Napoleonic legend! The real mischief of Napoleon’s immensely
+disastrous and accidental career began only when he was dead and the
+romantic type of mind was free to elaborate his character. I do believe
+that my uncle would have made a far less egregious smash if there had
+been no Napoleonic legend to misguide him. He was in many ways better
+and infinitely kinder than his career. But when in doubt between decent
+conduct and a base advantage, that cult came in more and more
+influentially: “think of Napoleon; think what the inflexibly-wilful
+Napoleon would have done with such scruples as yours;” that was the
+rule, and the end was invariably a new step in dishonour.
+
+My uncle was in an unsystematic way a collector of Napoleonic relics;
+the bigger the book about his hero the more readily he bought it; he
+purchased letters and tinsel and weapons that bore however remotely
+upon the Man of Destiny, and he even secured in Geneva, though he never
+brought home, an old coach in which Buonaparte might have ridden; he
+crowded the quiet walls of Lady Grove with engravings and figures of
+him, preferring, my aunt remarked, the more convex portraits with the
+white vest and those statuettes with the hands behind the back which
+threw forward the figure. The Durgans watched him through it all,
+sardonically.
+
+And he would stand after breakfast at times in the light of the window
+at Lady Grove, a little apart, with two fingers of one hand stuck
+between his waistcoat-buttons and his chin sunken, thinking,—the most
+preposterous little fat man in the world. It made my aunt feel, she
+said, “like an old Field Marshal—knocks me into a cocked hat, George!”
+
+Perhaps this Napoleonic bias made him a little less frequent with his
+cigars than he would otherwise have been, but of that I cannot be sure,
+and it certainly caused my aunt a considerable amount of vexation after
+he had read _Napoleon and the Fair Sex_, because for a time that roused
+him to a sense of a side of life he had in his commercial
+preoccupations very largely forgotten. Suggestion plays so great a part
+in this field. My uncle took the next opportunity and had an “affair”!
+
+It was not a very impassioned affair, and the exact particulars never
+of course reached me. It is quite by chance I know anything of it at
+all. One evening I was surprised to come upon my uncle in a mixture of
+Bohemia and smart people at an At Home in the flat of Robbert, the R.A.
+who painted my aunt, and he was standing a little apart in a recess,
+talking or rather being talked to in undertones by a plump, blond
+little woman in pale blue, a Helen Scrymgeour who wrote novels and was
+organising a weekly magazine. I elbowed a large lady who was saying
+something about them, but I didn’t need to hear the thing she said to
+perceive the relationship of the two. It hit me like a placard on a
+hoarding. I was amazed the whole gathering did not see it. Perhaps they
+did. She was wearing a remarkably fine diamond necklace, much too fine
+for journalism, and regarding him with that quality of questionable
+proprietorship, of leashed but straining intimacy, that seems
+inseparable from this sort of affair. It is so much more palpable than
+matrimony. If anything was wanted to complete my conviction it was my
+uncles’s eyes when presently he became aware of mine, a certain
+embarrassment and a certain pride and defiance. And the next day he
+made an opportunity to praise the lady’s intelligence to me concisely,
+lest I should miss the point of it all.
+
+After that I heard some gossip—from a friend of the lady’s. I was much
+too curious to do anything but listen. I had never in all my life
+imagined my uncle in an amorous attitude. It would appear that she
+called him her “God in the Car”—after the hero in a novel of Anthony
+Hope’s. It was essential to the convention of their relations that he
+should go relentlessly whenever business called, and it was generally
+arranged that it did call. To him women were an incident, it was
+understood between them; Ambition was the master-passion. A great world
+called him and the noble hunger for Power. I have never been able to
+discover just how honest Mrs. Scrymgeour was in all this, but it is
+quite possible the immense glamour of his financial largeness prevailed
+with her and that she did bring a really romantic feeling to their
+encounters. There must have been some extraordinary moments....
+
+I was a good deal exercised and distressed about my aunt when I
+realised what was afoot. I thought it would prove a terrible
+humiliation to her. I suspected her of keeping up a brave front with
+the loss of my uncle’s affections fretting at her heart, but there I
+simply underestimated her. She didn’t hear for some time and when she
+did hear she was extremely angry and energetic. The sentimental
+situation didn’t trouble her for a moment. She decided that my uncle
+“wanted smacking.” She accentuated herself with an unexpected new hat,
+went and gave him an inconceivable talking-to at the Hardingham, and
+then came round to “blow-up” me for not telling her what was going on
+before....
+
+I tried to bring her to a proper sense of the accepted values in this
+affair, but my aunt’s originality of outlook was never so invincible.
+“Men don’t tell on one another in affairs of passion,” I protested, and
+such-like worldly excuses.
+
+“Women!” she said in high indignation, “and men! It isn’t women and
+men—it’s him and me, George! Why don’t you talk sense?
+
+“Old passion’s all very well, George, in its way, and I’m the last
+person to be jealous. But this is old nonsense.... I’m not going to let
+him show off what a silly old lobster he is to other women.... I’ll
+mark every scrap of his underclothes with red letters,
+‘Ponderevo-Private’—every scrap.
+
+“Going about making love indeed,—in abdominal belts!—at his time of
+life!”
+
+I cannot imagine what passed between her and my uncle. But I have no
+doubt that for once her customary badinage was laid aside. How they
+talked then I do not know, for I who knew them so well had never heard
+that much of intimacy between them. At any rate it was a concerned and
+preoccupied “God in the Car” I had to deal with in the next few days,
+unusually Zzzz-y and given to slight impatient gestures that had
+nothing to do with the current conversation. And it was evident that in
+all directions he was finding things unusually difficult to explain.
+
+All the intimate moments in this affair were hidden from me, but in the
+end my aunt triumphed. He did not so much throw as jerk over Mrs.
+Scrymgeour, and she did not so much make a novel of it as upset a huge
+pailful of attenuated and adulterated female soul upon this occasion.
+My aunt did not appear in that, even remotely. So that it is doubtful
+if the lady knew the real causes of her abandonment. The Napoleonic
+hero was practically unmarried, and he threw over his lady as Napoleon
+threw over Josephine for a great alliance.
+
+It was a triumph for my aunt, but it had its price. For some time it
+was evident things were strained between them. He gave up the lady, but
+he resented having to do so, deeply. She had meant more to his
+imagination than one could have supposed. He wouldn’t for a long time
+“come round.” He became touchy and impatient and secretive towards my
+aunt, and she, I noted, after an amazing check or so, stopped that
+stream of kindly abuse that had flowed for so long and had been so
+great a refreshment in their lives. They were both the poorer for its
+cessation, both less happy. She devoted herself more and more to Lady
+Grove and the humours and complications of its management. The servants
+took to her—as they say—she god-mothered three Susans during her rule,
+the coachman’s, the gardener’s, and the Up Hill gamekeeper’s. She got
+together a library of old household books that were in the vein of the
+place. She revived the still-room, and became a great artist in jellies
+and elder and cowslip wine.
+
+X
+
+And while I neglected the development of my uncle’s finances—and my
+own, in my scientific work and my absorbing conflict with the
+difficulties of flying,—his schemes grew more and more expansive and
+hazardous, and his spending wilder and laxer. I believe that a haunting
+sense of the intensifying unsoundness of his position accounts largely
+for his increasing irritability and his increasing secretiveness with
+my aunt and myself during these crowning years. He dreaded, I think,
+having to explain, he feared our jests might pierce unwittingly to the
+truth. Even in the privacy of his mind he would not face the truth. He
+was accumulating unrealisable securities in his safes until they hung a
+potential avalanche over the economic world. But his buying became a
+fever, and his restless desire to keep it up with himself that he was
+making a triumphant progress to limitless wealth gnawed deeper and
+deeper. A curious feature of this time with him was his buying over and
+over again of similar things. His ideas seemed to run in series. Within
+a twelve-month he bought five new motor-cars, each more swift and
+powerful than its predecessor, and only the repeated prompt resignation
+of his chief chauffeur at each moment of danger, prevented his driving
+them himself. He used them more and more. He developed a passion for
+locomotion for its own sake.
+
+Then he began to chafe at Lady Grove, fretted by a chance jest he had
+overheard at a dinner. “This house, George,” he said. “It’s a misfit.
+There’s no elbow-room in it; it’s choked with old memories. And I can’t
+stand all these damned Durgans!
+
+“That chap in the corner, George. No! the other corner! The man in a
+cherry-coloured coat. He watched you! He’d look silly if I stuck a
+poker through his Gizzard!”
+
+“He’d look,” I reflected, “much as he does now. As though he was
+amused.”
+
+He replaced his glasses, which had fallen at his emotion, and glared at
+his antagonists. “What are they? What are they all, the lot of ’em?
+Dead as Mutton! They just stuck in the mud. They didn’t even rise to
+the Reformation. The old out-of-date Reformation! Move with the
+times!—they moved against the times.
+
+“Just a Family of Failure,—they never even tried!
+
+“They’re jes’, George, exactly what I’m not. Exactly. It isn’t
+suitable.... All this living in the Past.
+
+“And I want a bigger place too, George. I want air and sunlight and
+room to move about and more service. A house where you can get a Move
+on things! Zzzz. Why! it’s like a discord—it jars—even to have the
+telephone.... There’s nothing, nothing except the terrace, that’s worth
+a Rap. It’s all dark and old and dried up and full of old-fashioned
+things—musty old idees—fitter for a silver-fish than a modern man.... I
+don’t know how I got here.”
+
+He broke out into a new grievance. “That damned vicar,” he complained,
+“thinks I ought to think myself lucky to get this place! Every time I
+meet him I can see him think it.... One of these days, George I’ll show
+him what a Mod’un house is like!”
+
+And he did.
+
+I remember the day when he declared, as Americans say, for Crest Hill.
+He had come up to see my new gas plant, for I was then only just
+beginning to experiment with auxiliary collapsible balloons, and all
+the time the shine of his glasses was wandering away to the open down
+beyond. “Let’s go back to Lady Grove over the hill,” he said.
+“Something I want to show you. Something fine!”
+
+It was an empty sunlit place that summer evening, sky and earth warm
+with sundown, and a pe-wit or so just accentuating the pleasant
+stillness that ends a long clear day. A beautiful peace, it was, to
+wreck for ever. And there was my uncle, the modern man of power, in his
+grey top-hat and his grey suit and his black-ribboned glasses, short,
+thin-legged, large-stomached, pointing and gesticulating, threatening
+this calm.
+
+He began with a wave of his arm. “That’s the place, George,” he said.
+“See?”
+
+“Eh!” I cried—for I had been thinking of remote things.
+
+“I got it.”
+
+“Got what?”
+
+“For a house!—a Twentieth Century house! That’s the place for it!”
+
+One of his characteristic phrases was begotten in him.
+
+“Four-square to the winds of heaven, George!” he said. “Eh? Four-square
+to the winds of heaven!”
+
+“You’ll get the winds up here,” I said.
+
+“A mammoth house it ought to be, George—to suit these hills.”
+
+“Quite,” I said.
+
+“Great galleries and things—running out there and there—See? I been
+thinking of it, George! Looking out all this way—across the Weald. With
+its back to Lady Grove.”
+
+“And the morning sun in its eye.”
+
+“Like an eagle, George,—like an eagle!”
+
+So he broached to me what speedily became the leading occupation of his
+culminating years, Crest Hill. But all the world has heard of that
+extravagant place which grew and changed its plans as it grew, and
+bubbled like a salted snail, and burgeoned and bulged and evermore
+grew. I know not what delirium of pinnacles and terraces and arcades
+and corridors glittered at last upon the uplands of his mind; the
+place, for all that its expansion was terminated abruptly by our
+collapse, is wonderful enough as it stands,—that empty instinctive
+building of a childless man. His chief architect was a young man named
+Westminster, whose work he had picked out in the architecture room of
+the Royal Academy on account of a certain grandiose courage in it, but
+with him he associated from time to time a number of fellow
+professionals, stonemasons, sanitary engineers, painters, sculptors,
+scribes, metal workers, wood carvers, furniture designers, ceramic
+specialists, landscape gardeners, and the man who designs the
+arrangement and ventilation of the various new houses in the London
+Zoological Gardens. In addition he had his own ideas. The thing
+occupied his mind at all times, but it held it completely from Friday
+night to Monday morning. He would come down to Lady Grove on Friday
+night in a crowded motor-car that almost dripped architects. He didn’t,
+however, confine himself to architects; every one was liable to an
+invitation to week-end and view Crest Hill, and many an eager promoter,
+unaware of how Napoleonically and completely my uncle had
+departmentalised his mind, tried to creep up to him by way of tiles and
+ventilators and new electric fittings. Always on Sunday mornings,
+unless the weather was vile, he would, so soon as breakfast and his
+secretaries were disposed of, visit the site with a considerable
+retinue, and alter and develop plans, making modifications, Zzzz-ing,
+giving immense new orders verbally—an unsatisfactory way, as
+Westminster and the contractors ultimately found.
+
+There he stands in my memory, the symbol of this age for me, the man of
+luck and advertisement, the current master of the world. There he
+stands upon the great outward sweep of the terrace before the huge main
+entrance, a little figure, ridiculously disproportionate to that
+forty-foot arch, with the granite ball behind him—the astronomical
+ball, brass coopered, that represented the world, with a little
+adjustable tube of lenses on a gun-metal arm that focussed the sun upon
+just that point of the earth on which it chanced to be shining
+vertically. There he stands, Napoleonically grouped with his retinue
+men in tweeds and golfing-suits, a little solicitor, whose name I
+forget, in grey trousers and a black jacket, and Westminster in Jaeger
+underclothing, a floriferous tie, and peculiar brown cloth of his own.
+
+The downland breeze flutters my uncle’s coat-tails, disarranges his
+stiff hair, and insists on the evidence of undisciplined appetites in
+face and form, as he points out this or that feature in the prospect to
+his attentive collaborator.
+
+Below are hundreds of feet of wheeling-planks, ditches, excavations,
+heaps of earth, piles of garden stone from the Wealden ridges. On
+either hand the walls of his irrelevant unmeaning palace rise at one
+time he had working in that place—disturbing the economic balance of
+the whole countryside by their presence—upwards of three thousand
+men....
+
+So he poses for my picture amidst the raw beginnings that were never to
+be completed. He did the strangest things about that place, things more
+and more detached from any conception of financial scale, things more
+and more apart from sober humanity. He seemed to think himself, at
+last, released from any such limitations. He moved a quite considerable
+hill, and nearly sixty mature trees were moved with it to open his
+prospect eastward, moved it about two hundred feet to the south. At
+another time he caught a suggestion from some city restaurant and made
+a billiard-room roofed with plate glass beneath the waters of his
+ornamental lake. He furnished one wing while its roof still awaited
+completion. He had a swimming bath thirty feet square next to his
+bedroom upstairs, and to crown it all he commenced a great wall to hold
+all his dominions together, free from the invasion of common men. It
+was a ten-foot wall, glass surmounted, and had it been completed as he
+intended it, it would have had a total length of nearly eleven miles.
+Some of it towards the last was so dishonestly built that it collapsed
+within a year upon its foundations, but some miles of it still stand. I
+never think of it now but what I think of the hundreds of eager little
+investors who followed his “star,” whose hopes and lives, whose wives’
+security and children’s prospects are all mixed up beyond redemption
+with that flaking mortar....
+
+It is curious how many of these modern financiers of chance and bluff
+have ended their careers by building. It was not merely my uncle.
+Sooner or later they all seem to bring their luck to the test of
+realisation, try to make their fluid opulence coagulate out as bricks
+and mortar, bring moonshine into relations with a weekly wages-sheet.
+Then the whole fabric of confidence and imagination totters—and down
+they come....
+
+When I think of that despoiled hillside, that colossal litter of bricks
+and mortar, and crude roads and paths, the scaffolding and sheds, the
+general quality of unforeseeing outrage upon the peace of nature, I am
+reminded of a chat I had with the vicar one bleak day after he had
+witnessed a glide. He talked to me of aeronautics as I stood in jersey
+and shorts beside my machine, fresh from alighting, and his cadaverous
+face failed to conceal a peculiar desolation that possessed him.
+
+“Almost you convince me,” he said, coming up to me, “against my
+will.... A marvellous invention! But it will take you a long time, sir,
+before you can emulate that perfect mechanism—the wing of a bird.”
+
+He looked at my sheds.
+
+“You’ve changed the look of this valley, too,” he said.
+
+“Temporary defilements,” I remarked, guessing what was in his mind.
+
+“Of course. Things come and go. Things come and go. But—H’m. I’ve just
+been up over the hill to look at Mr. Edward Ponderevo’s new house.
+That—that is something more permanent. A magnificent place!—in many
+ways. Imposing. I’ve never somehow brought myself to go that way
+before. Things are greatly advanced.... We find—the great number of
+strangers introduced into the villages about here by these operations,
+working-men chiefly, a little embarrassing. It put us out. They bring a
+new spirit into the place; betting—ideas—all sorts of queer notions.
+Our publicans like it, of course. And they come and sleep in one’s
+outhouses—and make the place a little unsafe at nights. The other
+morning I couldn’t sleep—a slight dyspepsia—and I looked out of the
+window. I was amazed to see people going by on bicycles. A silent
+procession. I counted ninety-seven—in the dawn. All going up to the new
+road for Crest Hill. Remarkable I thought it. And so I’ve been up to
+see what they were doing.”
+
+“They would have been more than remarkable thirty years ago,” I said.
+
+“Yes, indeed. Things change. We think nothing of it now at
+all—comparatively. And that big house—”
+
+He raised his eyebrows. “Really stupendous! Stupendous.
+
+“All the hillside—the old turf—cut to ribbons!”
+
+His eye searched my face. “We’ve grown so accustomed to look up to Lady
+Grove,” he said, and smiled in search of sympathy. “It shifts our
+centre of gravity.”
+
+“Things will readjust themselves,” I lied.
+
+He snatched at the phrase. “Of course,” he said.
+
+“They’ll readjust themselves—settle down again. Must. In the old way.
+It’s bound to come right again—a comforting thought. Yes. After all,
+Lady Grove itself had to be built once upon a time—was—to begin
+with—artificial.”
+
+His eye returned to my aeroplane. He sought to dismiss his graver
+preoccupations. “I should think twice,” he remarked, “before I trusted
+myself to that concern.... But I suppose one grows accustomed to the
+motion.”
+
+He bade me good morning and went his way, bowed and thoughtful....
+
+He had kept the truth from his mind a long time, but that morning it
+had forced its way to him with an aspect that brooked no denial that
+this time it was not just changes that were coming in his world, but
+that all his world lay open and defenceless, conquered and surrendered,
+doomed so far as he could see, root and branch, scale and form alike,
+to change.
+
+
+
+
+CHAPTER THE THIRD
+SOARING
+
+
+I
+
+For nearly all the time that my uncle was incubating and hatching Crest
+Hill I was busy in a little transverse valley between that great
+beginning and Lady Grove with more and more costly and ambitious
+experiments in aerial navigation. This work was indeed the main
+substance of my life through all the great time of the Tono-Bungay
+symphony.
+
+I have told already how I came to devote myself to this system of
+inquiries, how in a sort of disgust with the common adventure of life I
+took up the dropped ends of my college studies, taking them up again
+with a man’s resolution instead of a boy’s ambition. From the first I
+did well at this work. It—was, I think, largely a case of special
+aptitude, of a peculiar irrelevant vein of faculty running through my
+mind. It is one of those things men seem to have by chance, that has
+little or nothing to do with their general merit, and which it is
+ridiculous to be either conceited or modest about. I did get through a
+very big mass of work in those years, working for a time with a
+concentrated fierceness that left little of such energy or capacity as
+I possess unused. I worked out a series of problems connected with the
+stability of bodies pitching in the air and the internal movements of
+the wind, and I also revolutionised one leading part at last of the
+theory of explosive engines. These things are to be found in the
+_Philosophical Transactions_, the _Mathematical Journal_, and less
+frequently in one or two other such publications, and they needn’t
+detain us here. Indeed, I doubt if I could write about them here. One
+acquires a sort of shorthand for one’s notes and mind in relation to
+such special work. I have never taught; nor lectured, that is to say, I
+have never had to express my thoughts about mechanical things in
+ordinary everyday language, and I doubt very much if I could do so now
+without extreme tedium.
+
+My work was, to begin with, very largely theoretical. I was able to
+attack such early necessities of verification as arose with quite
+little models, using a turntable to get the motion through the air, and
+cane, whalebone and silk as building material. But a time came when
+incalculable factors crept in, factors of human capacity and factors of
+insufficient experimental knowledge, when one must needs guess and try.
+Then I had to enlarge the scale of my operations, and soon I had
+enlarged them very greatly. I set to work almost concurrently on the
+balance and stability of gliders and upon the steering of inflated
+bags, the latter a particularly expensive branch of work. I was no
+doubt moved by something of the same spirit of lavish expenditure that
+was running away with my uncle in these developments. Presently my
+establishment above Lady Grove had grown to a painted wood chalet big
+enough to accommodate six men, and in which I would sometimes live for
+three weeks together; to a gasometer, to a motor-house, to three big
+corrugated-roofed sheds and lock-up houses, to a stage from which to
+start gliders, to a workshop and so forth. A rough road was made. We
+brought up gas from Cheaping and electricity from Woking, which place I
+found also afforded a friendly workshop for larger operations than I
+could manage. I had the luck also to find a man who seemed my
+heaven-sent second-in-command—Cothope his name was. He was a
+self-educated-man; he had formerly been a sapper and he was one of the
+best and handiest working engineers alive. Without him I do not think I
+could have achieved half what I have done. At times he has been not so
+much my assistant as my collaborator, and has followed my fortunes to
+this day. Other men came and went as I needed them.
+
+I do not know how far it is possible to convey to any one who has not
+experienced it, the peculiar interest, the peculiar satisfaction that
+lies in a sustained research when one is not hampered by want of money.
+It is a different thing from any other sort of human effort. You are
+free from the exasperating conflict with your fellow-creatures
+altogether—at least so far as the essential work goes; that for me is
+its peculiar merit. Scientific truth is the remotest of mistresses; she
+hides in strange places, she is attained by tortuous and laborious
+roads, but _she is always there!_ Win to her and she will not fail you;
+she is yours and mankind’s for ever. She is reality, the one reality I
+have found in this strange disorder of existence. She will not sulk
+with you nor misunderstand you nor cheat you of your reward upon some
+petty doubt. You cannot change her by advertisement or clamour, nor
+stifle her in vulgarities. Things grow under your hands when you serve
+her, things that are permanent as nothing else is permanent in the
+whole life of man. That, I think, is the peculiar satisfaction of
+science and its enduring reward....
+
+The taking up of experimental work produced a great change in my
+personal habits. I have told how already once in my life at Wimblehurst
+I had a period of discipline and continuous effort, and how, when I
+came to South Kensington, I became demoralised by the immense effect of
+London, by its innumerable imperative demands upon my attention and
+curiosity. And I parted with much of my personal pride when I gave up
+science for the development of Tono-Bungay. But my poverty kept me
+abstinent and my youthful romanticism kept me chaste until my married
+life was well under way. Then in all directions I relaxed. I did a
+large amount of work, but I never troubled to think whether it was my
+maximum nor whether the moods and indolences that came to me at times
+were avoidable things. With the coming of plenty I ate abundantly and
+foolishly, drank freely and followed my impulses more and more
+carelessly. I felt no reason why I should do anything else. Never at
+any point did I use myself to the edge of my capacity. The emotional
+crisis of my divorce did not produce any immediate change in these
+matters of personal discipline. I found some difficulty at first in
+concentrating my mind upon scientific work, it was so much more
+exacting than business, but I got over that difficulty by smoking. I
+became an inordinate cigar smoker; it gave me moods of profound
+depression, but I treated these usually by the homeopathic method,—by
+lighting another cigar. I didn’t realise at all how loose my moral and
+nervous fibre had become until I reached the practical side of my
+investigations and was face to face with the necessity of finding out
+just how it felt to use a glider and just what a man could do with one.
+
+I got into this relaxed habit of living in spite of very real
+tendencies in my nature towards discipline. I’ve never been in love
+with self-indulgence. That philosophy of the loose lip and the lax
+paunch is one for which I’ve always had an instinctive distrust. I like
+bare things, stripped things, plain, austere and continent things, fine
+lines and cold colours. But in these plethoric times when there is too
+much coarse stuff for everybody and the struggle for life takes the
+form of competitive advertisement and the effort to fill your
+neighbour’s eye, when there is no urgent demand either for personal
+courage, sound nerves or stark beauty, we find ourselves by accident.
+Always before these times the bulk of the people did not over-eat
+themselves, because they couldn’t, whether they wanted to do so or not,
+and all but a very few were kept “fit” by unavoidable exercise and
+personal danger. Now, if only he pitch his standard low enough and keep
+free from pride, almost any one can achieve a sort of excess. You can
+go through contemporary life fudging and evading, indulging and
+slacking, never really hungry nor frightened nor passionately stirred,
+your highest moment a mere sentimental orgasm, and your first real
+contact with primary and elemental necessities, the sweat of your
+death-bed. So I think it was with my uncle; so, very nearly, it was
+with me.
+
+But the glider brought me up smartly. I had to find out how these
+things went down the air, and the only way to find out is to go down
+with one. And for a time I wouldn’t face it.
+
+There is something impersonal about a book, I suppose. At any rate I
+find myself able to write down here just the confession I’ve never been
+able to make to any one face to face, the frightful trouble it was to
+me to bring myself to do what I suppose every other coloured boy in the
+West Indies could do without turning a hair, and that is to fling
+myself off for my first soar down the wind. The first trial was bound
+to be the worst; it was an experiment I made with life, and the chance
+of death or injury was, I supposed, about equal to the chance of
+success. I believed that with a dawn-like lucidity. I had begun with a
+glider that I imagined was on the lines of the Wright brothers’
+aeroplane, but I could not be sure. It might turn over. I might upset
+it. It might burrow its nose at the end and smash itself and me. The
+conditions of the flight necessitated alert attention; it wasn’t a
+thing to be done by jumping off and shutting one’s eyes or getting
+angry or drunk to do it. One had to use one’s weight to balance. And
+when at last I did it it was horrible—for ten seconds. For ten seconds
+or so, as I swept down the air flattened on my infernal framework and
+with the wind in my eyes, the rush of the ground beneath me filled me
+with sick and helpless terror; I felt as though some violent
+oscillatory current was throbbing in brain and back bone, and I groaned
+aloud. I set my teeth and groaned. It was a groan wrung out of me in
+spite of myself. My sensations of terror swooped to a climax. And then,
+you know, they ended!
+
+Suddenly my terror was over and done with. I was soaring through the
+air right way up, steadily, and no mischance had happened. I felt
+intensely alive and my nerves were strung like a bow. I shifted a limb,
+swerved and shouted between fear and triumph as I recovered from the
+swerve and heeled the other way and steadied myself.
+
+I thought I was going to hit a rook that was flying athwart me,—it was
+queer with what projectile silence that jumped upon me out of
+nothingness, and I yelled helplessly, “Get out of the way!” The bird
+doubled itself up like a partly inverted V, flapped, went up to the
+right abruptly and vanished from my circle of interest. Then I saw the
+shadow of my aeroplane keeping a fixed distance before me and very
+steady, and the turf as it seemed streaming out behind it. The turf!—it
+wasn’t after all streaming so impossibly fast.
+
+When I came gliding down to the safe spread of level green I had
+chosen, I was as cool and ready as a city clerk who drops off an
+omnibus in motion, and I had learnt much more than soaring. I tilted up
+her nose at the right moment, levelled again and grounded like a
+snowflake on a windless day. I lay flat for an instant and then knelt
+up and got on my feet atremble, but very satisfied with myself. Cothope
+was running down the hill to me. ...
+
+But from that day I went into training, and I kept myself in training
+for many months. I had delayed my experiments for very nearly six weeks
+on various excuses because of my dread of this first flight, because of
+the slackness of body and spirit that had come to me with the business
+life. The shame of that cowardice spurred me none the less because it
+was probably altogether my own secret. I felt that Cothope at any rate
+might suspect. Well,—he shouldn’t suspect again.
+
+It is curious that I remember that shame and self accusation and its
+consequences far more distinctly than I recall the weeks of vacillation
+before I soared. For a time I went altogether without alcohol, I
+stopped smoking altogether and ate very sparingly, and every day I did
+something that called a little upon my nerves and muscles. I soared as
+frequently as I could. I substituted a motor-bicycle for the London
+train and took my chances in the southward traffic, and I even tried
+what thrills were to be got upon a horse. But they put me on made
+horses, and I conceived a perhaps unworthy contempt for the certitudes
+of equestrian exercise in comparison with the adventures of mechanism.
+Also I walked along the high wall at the back of Lady Grove garden, and
+at last brought myself to stride the gap where the gate comes. If I
+didn’t altogether get rid of a certain giddy instinct by such
+exercises, at least I trained my will until it didn’t matter. And soon
+I no longer dreaded flight, but was eager to go higher into the air,
+and I came to esteem soaring upon a glider, that even over the deepest
+dip in the ground had barely forty feet of fall beneath it, a mere
+mockery of what flight might be. I began to dream of the keener
+freshness in the air high above the beechwoods, and it was rather to
+satisfy that desire than as any legitimate development of my proper
+work that presently I turned a part of my energies and the bulk of my
+private income to the problem of the navigable balloon.
+
+II
+
+I had gone far beyond that initial stage; I had had two smashes and a
+broken rib which my aunt nursed with great energy, and was getting some
+reputation in the aeronautic world when, suddenly, as though she had
+never really left it, the Honourable Beatrice Normandy, dark-eyed, and
+with the old disorderly wave of the hair from her brow, came back into
+my life. She came riding down a grass path in the thickets below Lady
+Grove, perched up on a huge black horse, and the old Earl of Carnaby
+and Archie Garvell, her half-brother, were with her. My uncle had been
+bothering me about the Crest Hill hot-water pipes, and we were
+returning by a path transverse to theirs and came out upon them
+suddenly. Old Carnaby was trespassing on our ground, and so he hailed
+us in a friendly fashion and pulled up to talk to us.
+
+I didn’t note Beatrice at all at first. I was interested in Lord
+Carnaby, that remarkable vestige of his own brilliant youth. I had
+heard of him, but never seen him. For a man of sixty-five who had
+sinned all the sins, so they said, and laid waste the most magnificent
+political debut of any man of his generation, he seemed to me to be
+looking remarkably fit and fresh. He was a lean little man with
+grey-blue eyes in his brown face, and his cracked voice was the worst
+thing in his effect.
+
+“Hope you don’t mind us coming this way, Ponderevo,” he cried; and my
+uncle, who was sometimes a little too general and generous with titles,
+answered, “Not at all, my lord, not at all! Glad you make use of it!”
+
+“You’re building a great place over the hill,” said Carnaby.
+
+“Thought I’d make a show for once,” said my uncle. “It looks big
+because it’s spread out for the sun.”
+
+“Air and sunlight,” said the earl. “You can’t have too much of them.
+But before our time they used to build for shelter and water and the
+high road.”
+
+Then I discovered that the silent figure behind the earl was Beatrice.
+
+I’d forgotten her sufficiently to think for a moment that she hadn’t
+changed at all since she had watched me from behind the skirts of Lady
+Drew. She was looking at me, and her dainty brow under her broad
+brimmed hat—she was wearing a grey hat and loose unbuttoned coat—was
+knit with perplexity, trying, I suppose, to remember where she had seen
+me before. Her shaded eyes met mine with that mute question....
+
+It seemed incredible to me she didn’t remember.
+
+“Well,” said the earl and touched his horse.
+
+Garvell was patting the neck of his horse, which was inclined to
+fidget, and disregarding me. He nodded over his shoulder and followed.
+His movement seemed to release a train of memories in her. She glanced
+suddenly at him and then back at me with a flash of recognition that
+warmed instantly to a faint smile. She hesitated as if to speak to me,
+smiled broadly and understandingly and turned to follow the others. All
+three broke into a canter and she did not look back. I stood for a
+second or so at the crossing of the lanes, watching her recede, and
+then became aware that my uncle was already some paces off and talking
+over his shoulder in the belief that I was close behind. I turned about
+and strode to overtake him. My mind was full of Beatrice and this
+surprise. I remembered her simply as a Normandy. I’d clean forgotten
+that Garvell was the son and she the step-daughter of our neighbour,
+Lady Osprey. Indeed, I’d probably forgotten at that time that we had
+Lady Osprey as a neighbour. There was no reason at all for remembering
+it. It was amazing to find her in this Surrey countryside, when I’d
+never thought of her as living anywhere in the world but at Bladesover
+Park, near forty miles and twenty years away. She was so alive—so
+unchanged! The same quick warm blood was in her cheeks. It seemed only
+yesterday that we had kissed among the bracken stems....
+
+“Eh?” I said.
+
+“I say he’s good stuff,” said my uncle. “You can say what you like
+against the aristocracy, George; Lord Carnaby’s rattling good stuff.
+There’s a sort of _Savoir Faire_, something—it’s an old-fashioned
+phrase, George, but a good one there’s a Bong-Tong.... It’s like the
+Oxford turf, George, you can’t grow it in a year. I wonder how they do
+it. It’s living always on a Scale, George. It’s being there from the
+beginning.”...
+
+“She might,” I said to myself, “be a picture by Romney come alive!”
+
+“They tell all these stories about him,” said my uncle, “but what do
+they all amount to?”
+
+“Gods!” I said to myself; “but why have I forgotten for so long? Those
+queer little brows of hers, the touch of mischief in her eyes—the way
+she breaks into a smile!”
+
+“I don’t blame him,” said my uncle. “Mostly it’s imagination. That and
+leisure, George. When I was a young man I was kept pretty busy. So were
+you. Even then—!”
+
+What puzzled me more particularly was the queer trick of my memory that
+had never recalled anything vital of Beatrice whatever when I met
+Garvell again that had, indeed, recalled nothing except a boyish
+antagonism and our fight. Now when my senses were full of her, it
+seemed incredible that I could ever have forgotten....
+
+III
+
+“Oh, Crikey!” said my aunt, reading a letter behind her coffee-machine.
+“_Here’s_ a young woman, George!”
+
+We were breakfasting together in the big window bay at Lady Grove that
+looks upon the iris beds; my uncle was in London.
+
+I sounded an interrogative note and decapitated an egg.
+
+“Who’s Beatrice Normandy?” asked my aunt. “I’ve not heard of her
+before.”
+
+“She the young woman?”
+
+“Yes. Says she knows you. I’m no hand at old etiquette, George, but her
+line is a bit unusual. Practically she says she’s going to make her
+mother—”
+
+“Eh? Step-mother, isn’t it?”
+
+“You seem to know a lot about her. She says ‘mother’—Lady Osprey.
+They’re to call on me, anyhow, next Wednesday week at four, and there’s
+got to be you for tea.”
+
+“Eh?”
+
+“You—for tea.
+
+“H’m. She had rather—force of character. When I knew her before.”
+
+I became aware of my aunt’s head sticking out obliquely from behind the
+coffee-machine and regarding me with wide blue curiosity. I met her
+gaze for a moment, flinched, coloured, and laughed.
+
+“I’ve known her longer than I’ve known you,” I said, and explained at
+length.
+
+My aunt kept her eye on me over and round the coffee-machine as I did
+so. She was greatly interested, and asked several elucidatory
+questions.
+
+“Why didn’t you tell me the day you saw her? You’ve had her on your
+mind for a week,” she said.
+
+“It IS odd I didn’t tell you,” I admitted.
+
+“You thought I’d get a Down on her,” said my aunt conclusively. “That’s
+what you thought” and opened the rest of her letters.
+
+The two ladies came in a pony-carriage with conspicuous punctuality,
+and I had the unusual experience of seeing my aunt entertaining
+callers. We had tea upon the terrace under the cedar, but old Lady
+Osprey, being an embittered Protestant, had never before seen the
+inside of the house, and we made a sort of tour of inspection that
+reminded me of my first visit to the place. In spite of my
+preoccupation with Beatrice, I stored a queer little memory of the
+contrast between the two other women; my aunt, tall, slender and
+awkward, in a simple blue homekeeping dress, an omnivorous reader and a
+very authentic wit, and the lady of pedigree, short and plump, dressed
+with Victorian fussiness, living at the intellectual level of palmistry
+and genteel fiction, pink in the face and generally flustered by a
+sense of my aunt’s social strangeness and disposed under the
+circumstances to behave rather like an imitation of the more queenly
+moments of her own cook. The one seemed made of whalebone, the other of
+dough. My aunt was nervous, partly through the intrinsic difficulty of
+handling the lady and partly because of her passionate desire to watch
+Beatrice and me, and her nervousness took a common form with her, a
+wider clumsiness of gesture and an exacerbation of her habitual oddity
+of phrase which did much to deepen the pink perplexity of the lady of
+title. For instance, I heard my aunt admit that one of the Stuart
+Durgan ladies did look a bit “balmy on the crumpet”; she described the
+knights of the age of chivalry as “korvorting about on the off-chance
+of a dragon”; she explained she was “always old mucking about the
+garden,” and instead of offering me a Garibaldi biscuit, she asked me
+with that faint lisp of hers, to “have some squashed flies, George.” I
+felt convinced Lady Osprey would describe her as “a most eccentric
+person” on the very first opportunity;—“a most eccentric person.” One
+could see her, as people say, “shaping” for that.
+
+Beatrice was dressed very quietly in brown, with a simple but
+courageous broad-brimmed hat, and an unexpected quality of being
+grown-up and responsible. She guided her step-mother through the first
+encounter, scrutinised my aunt, and got us all well in movement through
+the house, and then she turned her attention to me with a quick and
+half-confident smile.
+
+“We haven’t met,” she said, “since—”
+
+“It was in the Warren.”
+
+“Of course,” she said, “the Warren! I remembered it all except just the
+name.... I was eight.”
+
+Her smiling eyes insisted on my memories being thorough. I looked up
+and met them squarely, a little at a loss for what I should say.
+
+“I gave you away pretty completely,” she said, meditating upon my face.
+“And afterwards I gave way Archie.”
+
+She turned her face away from the others, and her voice fell ever so
+little.
+
+“They gave him a licking for telling lies!” she said, as though that
+was a pleasant memory. “And when it was all over I went to our wigwam.
+You remember the wigwam?”
+
+“Out in the West Wood?”
+
+“Yes—and cried—for all the evil I had done you, I suppose.... I’ve
+often thought of it since.”...
+
+Lady Osprey stopped for us to overtake her. “My dear!” she said to
+Beatrice. “Such a beautiful gallery!” Then she stared very hard at me,
+puzzled in the most naked fashion to understand who I might be.
+
+“People say the oak staircase is rather good,” said my aunt, and led
+the way.
+
+Lady Osprey, with her skirts gathered for the ascent to the gallery and
+her hand on the newel, turned and addressed a look full of meaning
+overflowing indeed with meanings—at her charge. The chief meaning no
+doubt was caution about myself, but much of it was just meaning at
+large. I chanced to catch the response in a mirror and detected
+Beatrice with her nose wrinkled into a swift and entirely diabolical
+grimace. Lady Osprey became a deeper shade of pink and speechless with
+indignation—it was evident she disavowed all further responsibility, as
+she followed my aunt upstairs.
+
+“It’s dark, but there’s a sort of dignity,” said Beatrice very
+distinctly, regarding the hall with serene tranquillity, and allowing
+the unwilling feet on the stairs to widen their distance from us. She
+stood a step up, so that she looked down a little upon me and over me
+at the old hall.
+
+She turned upon me abruptly when she thought her step-mother was beyond
+ear-shot.
+
+“But how did you get here?” she asked.
+
+“Here?”
+
+“All this.” She indicated space and leisure by a wave of the hand at
+hall and tall windows and sunlit terrace. “Weren’t you the
+housekeeper’s son?”
+
+“I’ve adventured. My uncle has become—a great financier. He used to be
+a little chemist about twenty miles from Bladesover. We’re promoters
+now, amalgamators, big people on the new model.”
+
+“I understand.” She regarded me with interested eyes, visibly thinking
+me out.
+
+“And you recognised me?” I asked.
+
+“After a second or so. I saw you recognised me. I couldn’t place you,
+but I knew I knew you. Then Archie being there helped me to remember.”
+
+“I’m glad to meet again,” I ventured. “I’d never forgotten you.”
+
+“One doesn’t forget those childish things.”
+
+We regarded one another for a moment with a curiously easy and
+confident satisfaction in coming together again. I can’t explain our
+ready zest in one another. The thing was so. We pleased each other, we
+had no doubt in our minds that we pleased each other. From the first we
+were at our ease with one another. “So picturesque, so very
+picturesque,” came a voice from above, and then: “Bee-atrice!”
+
+“I’ve a hundred things I want to know about you,” she said with an easy
+intimacy, as we went up the winding steps....
+
+As the four of us sat at tea together under the cedar on the terrace
+she asked questions about my aeronautics. My aunt helped with a word or
+so about my broken ribs. Lady Osprey evidently regarded flying as a
+most indesirable and improper topic—a blasphemous intrusion upon the
+angels. “It isn’t flying,” I explained. “We don’t fly yet.”
+
+“You never will,” she said compactly. “You never will.”
+
+“Well,” I said, “we do what we can.”
+
+The little lady lifted a small gloved hand and indicated a height of
+about four feet from the ground. “Thus far,” she said, “thus far—_and
+no farther!_ No!”
+
+She became emphatically pink. “_No_,” she said again quite
+conclusively, and coughed shortly. “Thank you,” she said to her ninth
+or tenth cake. Beatrice burst into cheerful laughter with her eye on
+me. I was lying on the turf, and this perhaps caused a slight confusion
+about the primordial curse in Lady Osprey’s mind.
+
+“Upon his belly shall he go,” she said with quiet distinctness, “all
+the days of his life.”
+
+After which we talked no more of aeronautics.
+
+Beatrice sat bunched together in a chair and regarded me with exactly
+the same scrutiny, I thought, the same adventurous aggression, that I
+had faced long ago at the tea-table in my mother’s room. She was
+amazingly like that little Princess of my Bladesover memories, the
+wilful misbehaviours of her hair seemed the same—her voice; things one
+would have expected to be changed altogether. She formed her plans in
+the same quick way, and acted with the same irresponsible decision.
+
+She stood up abruptly.
+
+“What is there beyond the terrace?” she said, and found me promptly
+beside her.
+
+I invented a view for her.
+
+At the further corner from the cedar she perched herself up upon the
+parapet and achieved an air of comfort among the lichenous stones. “Now
+tell me,” she said, “all about yourself. Tell me about yourself; I know
+such duffers of men! They all do the same things. How did you get—here?
+All my men _were_ here. They couldn’t have got here if they hadn’t been
+here always. They wouldn’t have thought it right. You’ve climbed.”
+
+“If it’s climbing,” I said.
+
+She went off at a tangent. “It’s—I don’t know if you’ll
+understand—interesting to meet you again. I’ve remembered you. I don’t
+know why, but I have. I’ve used you as a sort of lay figure—when I’ve
+told myself stories. But you’ve always been rather stiff and difficult
+in my stories—in ready-made clothes—a Labour Member or a Bradlaugh, or
+something like that. You’re not like that a bit. And yet you _are!_”
+
+She looked at me. “Was it much of a fight? They make out it is.”
+
+“I don’t know why.”
+
+“I was shot up here by an accident,” I said. “There was no fight at
+all. Except to keep honest, perhaps and I made no great figure in that.
+I and my uncle mixed a medicine and it blew us up. No merit in that!
+But you’ve been here all the time. Tell me what you have done first.”
+
+“One thing we didn’t do.” She meditated for a moment.
+
+“What?” said I.
+
+“Produce a little half-brother for Bladesover. So it went to the
+Phillbrick gang. And they let it! And I and my step-mother—we let, too.
+And live in a little house.”
+
+She nodded her head vaguely over her shoulder and turned to me again.
+“Well, suppose it was an accident. Here you are! Now you’re here, what
+are you going to do? You’re young. Is it to be Parliament? heard some
+men the other day talking about you. Before I knew you were you. They
+said that was what you ought to do.”...
+
+She put me through my intentions with a close and vital curiosity. It
+was just as she had tried to imagine me a soldier and place me years
+ago. She made me feel more planless and incidental than ever. “You want
+to make a flying-machine,” she pursued, “and when you fly? What then?
+Would it be for fighting?”
+
+I told her something of my experimental work. She had never heard of
+the soaring aeroplane, and was excited by the thought, and keen to hear
+about it. She had thought all the work so far had been a mere
+projecting of impossible machines. For her Pilcher and Lilienthal had
+died in vain. She did not know such men had lived in the world.
+
+“But that’s dangerous!” she said, with a note of discovery.
+
+“Oh!—it’s dangerous.”
+
+“Bee-atrice!” Lady Osprey called.
+
+Beatrice dropped from the wall to her feet.
+
+“Where do you do this soaring?”
+
+“Beyond the high Barrows. East of Crest Hill and the wood.”
+
+“Do you mind people coming to see?”
+
+“Whenever you please. Only let me know”
+
+“I’ll take my chance some day. Some day soon.” She looked at me
+thoughtfully, smiled, and our talk was at an end.
+
+IV
+
+All my later work in aeronautics is associated in my memory with the
+quality of Beatrice, with her incidental presence, with things she said
+and did and things I thought of that had reference to her.
+
+In the spring of that year I had got to a flying machine that lacked
+nothing but longitudinal stability. My model flew like a bird for fifty
+or a hundred yards or so, and then either dived and broke its nose or,
+what was commoner, reared up, slid back and smashed its propeller. The
+rhythm of the pitching puzzled me. I felt it must obey some laws not
+yet quite clearly stated. I became therefore a student of theory and
+literature for a time; I hit upon the string of considerations that led
+me to what is called Ponderevo’s Principle and my F.R.S., and I worked
+this out in three long papers. Meanwhile I made a lot of turn-table and
+glider models and started in upon an idea of combining gas-bags and
+gliders. Balloon work was new to me. I had made one or two ascents in
+the balloons of the Aëro Club before I started my gasometer and the
+balloon shed and gave Cothope a couple of months with Sir Peter
+Rumchase. My uncle found part of the money for these developments; he
+was growing interested and competitive in this business because of Lord
+Boom’s prize and the amount of _réclame_ involved, and it was at his
+request that I named my first navigable balloon Lord Roberts Alpha.
+
+Lord Roberts A very nearly terminated all my investigations. My idea
+both in this and its more successful and famous younger brother, Lord
+Roberts β, was to utilise the idea of a contractile balloon with a
+rigid flat base, a balloon shaped rather like an inverted boat that
+should almost support the apparatus, but not quite. The gas-bag was of
+the chambered sort used for these long forms, and not with an internal
+balloonette. The trouble was to make the thing contractile. This I
+sought to do by fixing a long, fine-meshed silk net over it that was
+fastened to be rolled up on two longitudinal rods. Practically I
+contracted my sausage gas-bag by netting it down. The ends were too
+complex for me to describe here, but I thought them out elaborately and
+they were very carefully planned. Lord Roberts A was furnished with a
+single big screw forward, and there was a rudder aft. The engine was
+the first one to be, so to speak, right in the plane of the gas-bag. I
+lay immediately under the balloon on a sort of glider framework, far
+away from either engine or rudder, controlling them by wire-pulls
+constructed on the principle of the well-known Bowden brake of the
+cyclist.
+
+But Lord Roberts A has been pretty exhaustively figured and described
+in various aeronautical publications. The unforeseen defect was the
+badness of the work in the silk netting. It tore aft as soon as I began
+to contract the balloon, and the last two segments immediately bulged
+through the hole, exactly as an inner tube will bulge through the
+ruptured outer cover of a pneumatic tire, and then the sharp edge of
+the torn net cut the oiled-silk of the distended last segment along a
+weak seam and burst it with a loud report.
+
+Up to that point the whole thing had been going on extremely well. As a
+navigable balloon and before I contracted it, the Lord Roberts A was an
+unqualified success. It had run out of the shed admirably at nine or
+ten miles an hour or more, and although there was a gentle southwester
+blowing, it had gone up and turned and faced it as well as any craft of
+the sort I have ever seen.
+
+I lay in my customary glider position, horizontal and face downward,
+and the invisibility of all the machinery gave an extraordinary effect
+of independent levitation. Only by looking up, as it were, and turning
+my head back could I see the flat aeroplane bottom of the balloon and
+the rapid successive passages, swish, swish, swish of the vans of the
+propeller. I made a wide circle over Lady Grove and Duffield and out
+towards Effingham and came back quite successfully to the
+starting-point.
+
+Down below in the October sunlight were my sheds and the little group
+that had been summoned to witness the start, their faces craned upward
+and most of them scrutinising my expression through field-glasses. I
+could see Carnaby and Beatrice on horseback, and two girls I did not
+know with them; Cothope and three or four workmen I employed; my aunt
+and Mrs. Levinstein, who was staying with her, on foot, and Dimmock,
+the veterinary surgeon, and one or two others. My shadow moved a little
+to the north of them like the shadow of a fish. At Lady Grove the
+servants were out on the lawn, and the Duffield school playground
+swarmed with children too indifferent to aeronautics to cease their
+playing. But in the Crest Hill direction—the place looked
+extraordinarily squat and ugly from above—there were knots and strings
+of staring workmen everywhere—not one of them working, but all agape.
+(But now I write it, it occurs to me that perhaps it was their dinner
+hour; it was certainly near twelve.) I hung for a moment or so enjoying
+the soar, then turned about to face a clear stretch of open down, let
+the engine out to full speed and set my rollers at work rolling in the
+net, and so tightening the gas-bags. Instantly the pace quickened with
+the diminished resistance...
+
+In that moment before the bang I think I must have been really flying.
+Before the net ripped, just in the instant when my balloon was at its
+systole, the whole apparatus was, I am convinced, heavier than air.
+That, however, is a claim that has been disputed, and in any case this
+sort of priority is a very trivial thing.
+
+Then came a sudden retardation, instantly followed by an inexpressibly
+disconcerting tilt downward of the machine. That I still recall with
+horror. I couldn’t see what was happening at all and I couldn’t
+imagine. It was a mysterious, inexplicable dive. The thing, it seemed,
+without rhyme or reason, was kicking up its heels in the air. The bang
+followed immediately, and I perceived I was falling rapidly.
+
+I was too much taken by surprise to think of the proper cause of the
+report. I don’t even know what I made of it. I was obsessed, I suppose,
+by that perpetual dread of the modern aeronaut, a flash between engine
+and balloon. Yet obviously I wasn’t wrapped in flames. I ought to have
+realised instantly it wasn’t that. I did, at any rate, whatever other
+impressions there were, release the winding of the outer net and let
+the balloon expand again, and that no doubt did something to break my
+fall. I don’t remember doing that. Indeed, all I do remember is the
+giddy effect upon the landscape of falling swiftly upon it down a flat
+spiral, the hurried rush of fields and trees and cottages on my left
+shoulder and the overhung feeling as if the whole apparatus was
+pressing down the top of my head. I didn’t stop or attempt to stop the
+screw. That was going on, swish, swish, swish all the time.
+
+Cothope really knows more about the fall than I do. He describes the
+easterly start, the tilt, and the appearance and bursting of a sort of
+bladder aft. Then down I swooped, very swiftly, but not nearly so
+steeply as I imagined I was doing. “Fifteen or twenty degrees,” said
+Cothope, “to be exact.” From him it was that I learnt that I let the
+nets loose again, and so arrested my fall. He thinks I was more in
+control of myself than I remember.
+
+But I do not see why I should have forgotten so excellent a resolution.
+His impression is that I was really steering and trying to drop into
+the Farthing Down beeches. “You hit the trees,” he said, “and the whole
+affair stood on its nose among them, and then very slowly crumpled up.
+I saw you’d been jerked out, as I thought, and I didn’t stay for more.
+I rushed for my bicycle.”
+
+As a matter of fact, it was purely accidental that I came down in the
+woods. I am reasonably certain that I had no more control then than a
+thing in a parcel. I remember I felt a sort of wincing, “Now it comes!”
+as the trees rushed up to me. If I remember that, I should remember
+steering. Then the propeller smashed, everything stopped with a jerk,
+and I was falling into a mass of yellowing leaves, and Lord Roberts A,
+so it seemed to me, was going back into the sky.
+
+I felt twigs and things hit me in the face, but I didn’t feel injured
+at the time; I clutched at things that broke, tumbled through a froth
+of green and yellow into a shadowy world of great bark-covered arms,
+and there, snatching wildly, got a grip on a fair round branch, and
+hung.
+
+I became intensely alert and clear-headed. I held by that branch for a
+moment and then looked about me, and caught at another, and then found
+myself holding to a practicable fork. I swung forward to that and got a
+leg around it below its junction, and so was able presently to clamber
+down, climbing very coolly and deliberately. I dropped ten feet or so
+from the lowest branch and fell on my feet. “That’s all right,” I said,
+and stared up through the tree to see what I could of the deflated and
+crumpled remains that had once been Lord Roberts A festooned on the
+branches it had broken. “Gods!” I said, “what a tumble!”
+
+I wiped something that trickled from my face and was shocked to see my
+hand covered with blood. I looked at myself and saw what seemed to me
+an astonishing quantity of blood running down my arm and shoulder. I
+perceived my mouth was full of blood. It’s a queer moment when one
+realises one is hurt, and perhaps badly hurt, and has still to discover
+just how far one is hurt. I explored my face carefully and found
+unfamiliar contours on the left side. The broken end of a branch had
+driven right through my cheek, damaging my cheek and teeth and gums,
+and left a splinter of itself stuck, like an explorer’s
+fartherest-point flag, in the upper maxillary. That and a sprained
+wrist were all my damage. But I bled as though I had been chopped to
+pieces, and it seemed to me that my face had been driven in. I can’t
+describe just the horrible disgust I felt at that.
+
+“This blood must be stopped, anyhow,” I said, thickheadedly.
+
+“I wonder where there’s a spider’s web”—an odd twist for my mind to
+take. But it was the only treatment that occurred to me.
+
+I must have conceived some idea of going home unaided, because I was
+thirty yards from the tree before I dropped.
+
+Then a kind of black disc appeared in the middle of the world and
+rushed out to the edge of things and blotted them out. I don’t remember
+falling down. I fainted from excitement, disgust at my injury and loss
+of blood, and lay there until Cothope found me.
+
+He was the first to find me, scorching as he did over the downland
+turf, and making a wide course to get the Carnaby plantations at their
+narrowest. Then presently, while he was trying to apply the methodical
+teachings of the St. John’s Ambulance classes to a rather abnormal
+case, Beatrice came galloping through the trees full-tilt, with Lord
+Carnaby hard behind her, and she was hatless, muddy from a fall, and
+white as death. “And cool as a cucumber, too,” said Cothope, turning it
+over in his mind as he told me.
+
+(“They never seem quite to have their heads, and never seem quite to
+lose ’em,” said Cothope, generalising about the sex.)
+
+Also he witnessed she acted with remarkable decision. The question was
+whether I should be taken to the house her step-mother occupied at
+Bedley Corner, the Carnaby dower house, or down to Carnaby’s place at
+Easting. Beatrice had no doubt in the matter, for she meant to nurse
+me. Carnaby didn’t seem to want that to happen. “She _would_ have it
+wasn’t half so far,” said Cothope. “She faced us out....
+
+“I hate to be faced out of my opinion, so I’ve taken a pedometer over
+it since. It’s exactly forty-three yards further.
+
+“Lord Carnaby looked at her pretty straight,” said Cothope, finishing
+the picture; “and then he give in.”
+
+V
+
+But my story has made a jump from June to October, and during that time
+my relations with Beatrice and the countryside that was her setting had
+developed in many directions. She came and went, moving in an orbit for
+which I had no data, going to London and Paris, into Wales and
+Northampton, while her stepmother, on some independent system of her
+own, also vanished and recurred intermittently. At home they obeyed the
+rule of an inflexible old maid, Charlotte, and Beatrice exercised all
+the rights of proprietorship in Carnaby’s extensive stables. Her
+interest in me was from the first undisguised. She found her way to my
+worksheds and developed rapidly, in spite of the sincere discouragement
+of Cothope, into a keen amateur of aeronautics. She would come
+sometimes in the morning, sometimes in the afternoon, sometimes afoot
+with an Irish terrier, sometimes riding. She would come for three or
+four days every day, vanish for a fortnight or three weeks, return.
+
+It was not long before I came to look for her. From the first I found
+her immensely interesting. To me she was a new feminine type
+altogether—I have made it plain, I think, how limited was my knowledge
+of women. But she made me not simply interested in her, but in myself.
+She became for me something that greatly changes a man’s world. How
+shall I put it? She became an audience. Since I’ve emerged from the
+emotional developments of the affair I have thought it out in a hundred
+aspects, and it does seem to me that this way in which men and women
+make audiences for one another is a curiously influential force in
+their lives. For some it seems an audience is a vital necessity, they
+seek audiences as creatures seek food; others again, my uncle among
+them, can play to an imaginary audience. I, I think, have lived and can
+live without one. In my adolescence I was my own audience and my own
+court of honour. And to have an audience in one’s mind is to play a
+part, to become self-conscious and dramatic. For many years I had been
+self-forgetful and scientific. I had lived for work and impersonal
+interests until I found scrutiny, applause and expectation in
+Beatrice’s eyes. Then I began to live for the effect I imagined I made
+upon her, to make that very soon the principal value in my life. I
+played to her. I did things for the look of them. I began to dream more
+and more of beautiful situations and fine poses and groupings with her
+and for her.
+
+I put these things down because they puzzle me. I think I was in love
+with Beatrice, as being in love is usually understood; but it was quite
+a different state altogether from my passionate hunger for Marion, or
+my keen, sensuous desire for and pleasure in Effie. These were selfish,
+sincere things, fundamental and instinctive, as sincere as the leap of
+a tiger. But until matters drew to a crisis with Beatrice, there was an
+immense imaginative insurgence of a quite different quality. I am
+setting down here very gravely, and perhaps absurdly, what are no doubt
+elementary commonplaces for innumerable people. This love that grew up
+between Beatrice and myself was, I think—I put it quite tentatively and
+rather curiously—romantic love. That unfortunate and truncated affair
+of my uncle and the Scrymgeour lady was really of the same stuff, if a
+little different in quality. I have to admit that. The factor of
+audience was of primary importance in either else.
+
+Its effect upon me was to make me in many respects adolescent again. It
+made me keener upon the point of honour, and anxious and eager to do
+high and splendid things, and in particular, brave things. So far it
+ennobled and upheld me. But it did also push me towards vulgar and
+showy things. At bottom it was disingenuous; it gave my life the
+quality of stage scenery, with one side to the audience, another side
+that wasn’t meant to show, and an economy of substance. It certainly
+robbed my work of high patience and quality. I cut down the toil of
+research in my eagerness and her eagerness for fine flourishes in the
+air, flights that would tell. I shirked the longer road.
+
+And it robbed me, too, of any fine perception of absurdity.
+
+Yet that was not everything in our relationship. The elemental thing
+was there also. It came in very suddenly.
+
+It was one day in the summer, though I do not now recall without
+reference to my experimental memoranda whether it was in July or
+August. I was working with a new and more bird-like aeroplane with wing
+curvatures studied from Lilienthal, Pilcher and Phillips, that I
+thought would give a different rhythm for the pitching oscillations
+than anything I’d had before. I was soaring my long course from the
+framework on the old barrow by my sheds down to Tinker’s Corner. It is
+a clear stretch of downland, except for two or three thickets of box
+and thorn to the right of my course; one transverse trough, in which
+there is bush and a small rabbit warren, comes in from the east. I had
+started, and was very intent on the peculiar long swoop with which any
+new arrangement flew. Then, without any sort of notice, right ahead of
+me appeared Beatrice, riding towards Tinker’s Corner to waylay and talk
+to me. She looked round over her shoulder, saw me coming, touched her
+horse to a gallop, and then the brute bolted right into the path of my
+machine.
+
+There was a queer moment of doubt whether we shouldn’t all smash
+together. I had to make up my mind very quickly whether I would
+pitch-up and drop backward at once and take my chance of falling
+undamaged—a poor chance it would have been—in order to avoid any risk
+to her, or whether I would lift against the wind and soar right over
+her. This latter I did. She had already got her horse in hand when I
+came up to her. Her woman’s body lay along his neck, and she glanced up
+as I, with wings aspread, and every nerve in a state of tension, swept
+over her.
+
+Then I had landed, and was going back to where her horse stood still
+and trembling.
+
+We exchanged no greetings. She slid from her saddle into my arms, and
+for one instant I held her.
+
+“Those great wings,” she said, and that was all.
+
+She lay in my arms, and I thought for a moment she had fainted.
+
+“Very near a nasty accident,” said Cothope, coming up and regarding our
+grouping with disfavour. He took her horse by the bridle. “Very
+dangerous thing coming across us like that.”
+
+Beatrice disengaged herself from me, stood for a moment trembling, and
+then sat down on the turf “I’ll just sit down for a moment,” she said.
+
+“Oh!” she said.
+
+She covered her face with her hands, while Cothope looked at her with
+an expression between suspicion and impatience.
+
+For some moments nobody moved. Then Cothope remarked that perhaps he’d
+better get her water.
+
+As for me, I was filled with a new outrageous idea, begotten I scarcely
+know how from this incident, with its instant contacts and swift
+emotions, and that was that I must make love to and possess Beatrice. I
+see no particular reason why that thought should have come to me in
+that moment, but it did. I do not believe that before then I had
+thought of our relations in such terms at all. Suddenly, as I remember
+it, the factor of passion came. She crouched there, and I stood over
+her, and neither of us said a word. But it was just as though something
+had been shouted from the sky.
+
+Cothope had gone twenty paces perhaps when she uncovered her face. “I
+shan’t want any water,” she said. “Call him back.”
+
+VI
+
+After that the spirit of our relations changed. The old ease had gone.
+She came to me less frequently, and when she came she would have some
+one with her, usually old Carnaby, and he would do the bulk of the
+talking. All through September she was away. When we were alone
+together there was a curious constraint. We became clouds of
+inexpressible feeling towards one another; we could think of nothing
+that was not too momentous for words.
+
+Then came the smash of Lord Roberts A, and I found myself with a
+bandaged face in a bedroom in the Bedley Corner dower-house with
+Beatrice presiding over an inefficient nurse, Lady Osprey very pink and
+shocked in the background, and my aunt jealously intervening.
+
+My injuries were much more showy than serious, and I could have been
+taken to Lady Grove next day, but Beatrice would not permit that, and
+kept me at Bedley Corner three clear days. In the afternoon of the
+second day she became extremely solicitous for the proper aeration of
+the nurse, packed her off for an hour in a brisk rain, and sat by me
+alone.
+
+I asked her to marry me.
+
+All the whole I must admit it was not a situation that lent itself to
+eloquence. I lay on my back and talked through bandages, and with some
+little difficulty, for my tongue and mouth had swollen. But I was
+feverish and in pain, and the emotional suspense I had been in so long
+with regard to her became now an unendurable impatience.
+
+“Comfortable?” she asked.
+
+“Yes.”
+
+“Shall I read to you?”
+
+“No. I want to talk.”
+
+“You can’t. I’d better talk to you.”
+
+“No,” I said, “I want to talk to you.”
+
+She came and stood by my bedside and looked me in the eyes. “I don’t—I
+don’t want you to talk to me,” she said. “I thought you couldn’t talk.”
+
+“I get few chances—of you.”
+
+“You’d better not talk. Don’t talk now. Let me chatter instead. You
+ought not to talk.”
+
+“It isn’t much,” I said.
+
+“I’d rather you didn’t.”
+
+“I’m not going to be disfigured,” I said. “Only a scar.”
+
+“Oh!” she said, as if she had expected something quite different. “Did
+you think you’d become a sort of gargoyle?”
+
+“L’Homme qui Rit!—I didn’t know. But that’s all right. Jolly flowers
+those are!”
+
+“Michaelmas daisies,” she said. “I’m glad you’r not disfigured, and
+those are perennial sunflowers. Do you know no flowers at all? When I
+saw you on the ground I certainly thought you were dead. You ought to
+have been, by all the rules of the game.”
+
+She said some other things, but I was thinking of my next move.
+
+“Are we social equals?” I said abruptly.
+
+She stared at me. “Queer question,” she said.
+
+“But are we?”
+
+“H’m. Difficult to say. But why do you ask? Is the daughter of a
+courtesy Baron who died—of general disreputableness, I believe—before
+his father—? I give it up. Does it matter?”
+
+“No. My mind is confused. I want to know if you will marry me.”
+
+She whitened and said nothing. I suddenly felt I must plead with her.
+“Damn these bandages!” I said, breaking into ineffectual febrile rage.
+
+She roused herself to her duties as nurse. “What are you doing? Why are
+you trying to sit up? Sit down! Don’t touch your bandages. I told you
+not to talk.”
+
+She stood helpless for a moment, then took me firmly by the shoulders
+and pushed me back upon the pillow. She gripped the wrist of the hand I
+had raised to my face.
+
+“I told you not to talk,” she whispered close to my face. “I asked you
+not to talk. Why couldn’t you do as I asked you?”
+
+“You’ve been avoiding me for a month,” I said.
+
+“I know. You might have known. Put your hand back—down by your side.”
+
+I obeyed. She sat on the edge of the bed. A flush had come to her
+cheeks, and her eyes were very bright. “I asked you,” she repeated,
+“not to talk.”
+
+My eyes questioned her mutely.
+
+She put her hand on my chest. Her eyes were tormented.
+
+“How can I answer you now?” she said.
+
+“How can I say anything now?”
+
+“What do you mean?” I asked.
+
+She made no answer.
+
+“Do you mean it must be ‘No’?”
+
+She nodded.
+
+“But” I said, and my whole soul was full of accusations.
+
+“I know,” she said. “I can’t explain. I can’t. But it has to be ‘No!’
+It can’t be. It’s utterly, finally, for ever impossible.... Keep your
+hands still!”
+
+“But,” I said, “when we met again—”
+
+“I can’t marry. I can’t and won’t.”
+
+She stood up. “Why did you talk?” she cried, “couldn’t you _see?_”
+
+She seemed to have something it was impossible to say.
+
+She came to the table beside my bed and pulled the Michaelmas daisies
+awry. “Why did you talk like that?” she said in a tone of infinite
+bitterness. “To begin like that!”
+
+“But what is it?” I said. “Is it some circumstance—my social position?”
+
+“Oh, _damn_ your social position!” she cried.
+
+She went and stood at the further window, staring out at the rain. For
+a long time we were absolutely still. The wind and rain came in little
+gusts upon the pane. She turned to me abruptly.
+
+“You didn’t ask me if I loved you,” she said.
+
+“Oh, if it’s _that!_” said I.
+
+“It’s not that,” she said. “But if you want to know—” She paused.
+
+“I do,” she said.
+
+We stared at one another.
+
+“I do—with all my heart, if you want to know.”
+
+“Then, why the devil—?” I asked.
+
+She made no answer. She walked across the room to the piano and began
+to play, rather noisily and rapidly, with odd gusts of emphasis, the
+shepherd’s pipe music from the last act in “Tristan and Isolde.”
+Presently she missed a note, failed again, ran her finger heavily up
+the scale, struck the piano passionately with her fist, making a feeble
+jar in the treble, jumped up, and went out of the room....
+
+The nurse found me still wearing my helmet of bandages, partially
+dressed, and pottering round the room to find the rest of my clothes. I
+was in a state of exasperated hunger for Beatrice, and I was too
+inflamed and weakened to conceal the state of my mind. I was feebly
+angry because of the irritation of dressing, and particularly of the
+struggle to put on my trousers without being able to see my legs. I was
+staggering about, and once I had fallen over a chair and I had upset
+the jar of Michaelmas daisies.
+
+I must have been a detestable spectacle. “I’ll go back to bed,” said I,
+“if I may have a word with Miss Beatrice. I’ve got something to say to
+her. That’s why I’m dressing.”
+
+My point was conceded, but there were long delays. Whether the
+household had my ultimatum or whether she told Beatrice directly I do
+not know, and what Lady Osprey can have made of it in the former case I
+don’t imagine.
+
+At last Beatrice came and stood by my bedside. “Well?” she said.
+
+“All I want to say,” I said with the querulous note of a misunderstood
+child, “is that I can’t take this as final. I want to see you and talk
+when I’m better, and write. I can’t do anything now. I can’t argue.”
+
+I was overtaken with self-pity and began to snivel, “I can’t rest. You
+see? I can’t do anything.”
+
+She sat down beside me again and spoke softly. “I promise I will talk
+it all over with you again. When you are well. I promise I will meet
+you somewhere so that we can talk. You can’t talk now.
+
+“I asked you not to talk now. All you want to know you shall know...
+Will that do?”
+
+“I’d like to know”
+
+She looked round to see the door was closed, stood up and went to it.
+
+Then she crouched beside me and began whispering very softly and
+rapidly with her face close to me.
+
+“Dear,” she said, “I love you. If it will make you happy to marry me, I
+will marry you. I was in a mood just now—a stupid, inconsiderate mood.
+Of course I will marry you. You are my prince, my king. Women are such
+things of mood—or I would have behaved differently. We say ‘No’ when we
+mean ‘Yes’—and fly into crises. So now, Yes—yes—yes. I will. I can’t
+even kiss you. Give me your hand to kiss that. Understand, I am yours.
+Do you understand? I am yours just as if we had been married fifty
+years. Your wife—Beatrice. Is that enough? Now—now will you rest?”
+
+“Yes,” I said, “but why?”
+
+“There are complications. There are difficulties. When you are better
+you will be able to—understand them. But now they don’t matter. Only
+you know this must be secret—for a time. Absolutely secret between us.
+Will you promise that?”
+
+“Yes,” I said, “I understand. I wish I could kiss you.”
+
+She laid her head down beside mine for a moment and then she kissed my
+hand.
+
+“I don’t care what difficulties there are,” I said, and I shut my eyes.
+
+VII
+
+But I was only beginning to gauge the unaccountable elements in
+Beatrice. For a week after my return to Lady Grove I had no sign of
+her, and then she called with Lady Osprey and brought a huge bunch of
+perennial sunflowers and Michaelmas daisies, “just the old flowers
+there were in your room,” said my aunt, with a relentless eye on me. I
+didn’t get any talk alone with Beatrice then, and she took occasion to
+tell us she was going to London for some indefinite number of weeks. I
+couldn’t even pledge her to write to me, and when she did it was a
+brief, enigmatical, friendly letter with not a word of the reality
+between us.
+
+I wrote back a love letter—my first love letter—and she made no reply
+for eight days. Then came a scrawl: “I can’t write letters. Wait till
+we can talk. Are you better?”
+
+I think the reader would be amused if he could see the papers on my
+desk as I write all this, the mangled and disfigured pages, the
+experimental arrangements of notes, the sheets of suggestions balanced
+in constellations, the blottesque intellectual battlegrounds over which
+I have been fighting. I find this account of my relations to Beatrice
+quite the most difficult part of my story to write. I happen to be a
+very objective-minded person, I forget my moods, and this was so much
+an affair of moods. And even such moods and emotions as I recall are
+very difficult to convey. To me it is about as difficult as describing
+a taste or a scent.
+
+Then the objective story is made up of little things that are difficult
+to set in a proper order. And love in an hysterical passion, now high,
+now low, now exalted, and now intensely physical. No one has ever yet
+dared to tell a love story completely, its alternations, its comings
+and goings, its debased moments, its hate. The love stories we tell,
+tell only the net consequence, the ruling effect....
+
+How can I rescue from the past now the mystical quality of Beatrice; my
+intense longing for her; the overwhelming, irrational, formless desire?
+How can I explain how intimately that worship mingled with a high,
+impatient resolve to make her mine, to take her by strength and
+courage, to do my loving in a violent heroic manner? And then the
+doubts, the puzzled arrest at the fact of her fluctuations, at her
+refusal to marry me, at the fact that even when at last she returned to
+Bedley Corner she seemed to evade me?
+
+That exasperated me and perplexed me beyond measure.
+
+I felt that it was treachery. I thought of every conceivable
+explanation, and the most exalted and romantic confidence in her did
+not simply alternate, but mingled with the basest misgivings.
+
+And into the tangle of memories comes the figure of Carnaby, coming out
+slowly from the background to a position of significance, as an
+influence, as a predominant strand in the nets that kept us apart, as a
+rival. What were the forces that pulled her away from me when it was so
+clearly manifest she loved me? Did she think of marrying him? Had I
+invaded some long-planned scheme? It was evident he did not like me,
+that in some way I spoilt the world for him. She returned to Bedley
+Corner, and for some weeks she was flitting about me, and never once
+could I have talk with her alone. When she came to my sheds Carnaby was
+always with her, jealously observant. (Why the devil couldn’t she send
+him about his business?) The days slipped by and my anger gathered.
+
+All this mingles with the making of Lord Roberts β. I had resolved upon
+that one night as I lay awake at Bedley Corner; I got it planned out
+before the bandages were off my face. I conceived this second navigable
+balloon in a grandiose manner. It was to be a second Lord Roberts α,
+only more so; it was to be three times as big, large enough to carry
+three men, and it was to be an altogether triumphant vindication of my
+claims upon the air. The framework was to be hollow like a bird’s
+bones, airtight, and the air pumped in or out, and the weight of fuel I
+carried changed. I talked much and boasted to Cothope—whom I suspected
+of scepticisms about this new type—of what it would do, and it
+progressed—slowly. It progressed slowly because I was restless and
+uncertain. At times I would go away to London to snatch some chance of
+seeing Beatrice there, at times nothing but a day of gliding and hard
+and dangerous exercise would satisfy me. And now in the newspapers, in
+conversation, in everything about me, arose a new invader of my mental
+states. Something was happening to the great schemes of my uncle’s
+affairs; people were beginning to doubt, to question. It was the first
+quiver of his tremendous insecurity, the first wobble of that gigantic
+credit top he had kept spinning so long.
+
+There were comings and goings, November and December slipped by. I had
+two unsatisfactory meetings with Beatrice, meetings that had no
+privacy—in which we said things of the sort that need atmosphere,
+baldly and furtively. I wrote to her several times and she wrote back
+notes that I would sometimes respond to altogether, sometimes condemn
+as insincere evasions. “You don’t understand. I can’t just now explain.
+Be patient with me. Leave things a little while to me.” She wrote.
+
+I would talk aloud to these notes and wrangle over them in my
+workroom—while the plans of Lord Roberts β waited.
+
+“You don’t give me a chance!” I would say. “Why don’t you let me know
+the secret? That’s what I’m for—to settle difficulties! to tell
+difficulties to!”
+
+And at last I could hold out no longer against these accumulating
+pressures.
+
+I took an arrogant, outrageous line that left her no loopholes; I
+behaved as though we were living in a melodrama.
+
+“You must come and talk to me,” I wrote, “or I will come and take you.
+I want you—and the time runs away.”
+
+We met in a ride in the upper plantations. It must have been early in
+January, for there was snow on the ground and on the branches of the
+trees. We walked to and fro for an hour or more, and from the first I
+pitched the key high in romance and made understandings impossible. It
+was our worst time together. I boasted like an actor, and she, I know
+not why, was tired and spiritless.
+
+Now I think over that talk in the light of all that has happened since,
+I can imagine how she came to me full of a human appeal I was too
+foolish to let her make. I don’t know. I confess I have never
+completely understood Beatrice. I confess I am still perplexed at many
+things she said and did. That afternoon, anyhow, I was impossible. I
+posed and scolded. I was—I said it—for “taking the Universe by the
+throat!”
+
+“If it was only that,” she said, but though I heard, I did not heed
+her.
+
+At last she gave way to me and talked no more. Instead she looked at
+me—as a thing beyond her controlling, but none the less
+interesting—much as she had looked at me from behind the skirts of Lady
+Drew in the Warren when we were children together.
+
+Once even I thought she smiled faintly.
+
+“What are the difficulties” I cried, “there’s no difficulty I will not
+overcome for you! Do your people think I’m no equal for you? Who says
+it? My dear, tell me to win a title! I’ll do it in five years!...
+
+“Here am I just grown a man at the sight of you. I have wanted
+something to fight for. Let me fight for you!...
+
+“I’m rich without intending it. Let me mean it, give me an honourable
+excuse for it, and I’ll put all this rotten old Warren of England at
+your feet!”
+
+I said such things as that. I write them down here in all their
+resounding base pride. I said these empty and foolish things, and they
+are part of me. Why should I still cling to pride and be ashamed? I
+shouted her down.
+
+I passed from such megalomania to petty accusations.
+
+“You think Carnaby is a better man than I?” I said.
+
+“No!” she cried, stung to speech. “No!”
+
+“You think we’re unsubstantial. You’ve listened to all these rumours
+Boom has started because we talked of a newspaper of our own. When you
+are with me you know I’m a man; when you get away from me you think I’m
+a cheat and a cad.... There’s not a word of truth in the things they
+say about us. I’ve been slack. I’ve left things. But we have only to
+exert ourselves. You do not know how wide and far we have spread our
+nets. Even now we have a coup—an expedition—in hand. It will put us on
+a footing.”...
+
+Her eyes asked mutely and asked in vain that I would cease to boast of
+the very qualities she admired in me.
+
+In the night I could not sleep for thinking of that talk and the vulgar
+things I had said in it. I could not understand the drift my mind had
+taken. I was acutely disgusted. And my unwonted doubts about myself
+spread from a merely personal discontent to our financial position. It
+was all very well to talk as I had done of wealth and power and
+peerages, but what did I know nowadays of my uncle’s position? Suppose
+in the midst of such boasting and confidence there came some turn I did
+not suspect, some rottenness he had concealed from me? I resolved I had
+been playing with aeronautics long enough; that next morning I would go
+to him and have things clear between us.
+
+I caught an early train and went up to the Hardingham.
+
+I went up to the Hardingham through a dense London fog to see how
+things really stood. Before I had talked to my uncle for ten minutes I
+felt like a man who has just awakened in a bleak, inhospitable room out
+of a grandiose dream.
+
+
+
+
+CHAPTER THE FOURTH
+HOW I STOLE THE HEAPS OF QUAP FROM MORDET ISLAND
+
+
+I
+
+“We got to make a fight for it,” said my uncle. “We got to face the
+music!”
+
+I remember that even at the sight of him I had a sense of impending
+calamity. He sat under the electric light with the shadow of his hair
+making bars down his face. He looked shrunken, and as though his skin
+had suddenly got loose and yellow. The decorations of the room seemed
+to have lost freshness, and outside the blinds were up—there was not so
+much fog as a dun darkness. One saw the dingy outlines of the chimneys
+opposite quite distinctly, and then a sky of such brown as only London
+can display.
+
+“I saw a placard,” I said: “‘More Ponderevity.’”
+
+“That’s Boom,” he said. “Boom and his damned newspapers. He’s trying to
+fight me down. Ever since I offered to buy the _Daily Decorator_ he’s
+been at me. And he thinks consolidating Do Ut cut down the ads. He
+wants everything, damn him! He’s got no sense of dealing. I’d like to
+bash his face!”
+
+“Well,” I said, “what’s to be done?”
+
+“Keep going,” said my uncle.
+
+“I’ll smash Boom yet,” he said, with sudden savagery.
+
+“Nothing else?” I asked.
+
+“We got to keep going. There’s a scare on. Did you notice the rooms?
+Half the people out there this morning are reporters. And if I talk
+they touch it up!... They didn’t used to touch things up! Now they put
+in character touches—insulting you. Don’t know what journalism’s coming
+to. It’s all Boom’s doing.”
+
+He cursed Lord Boom with considerable imaginative vigour.
+
+“Well,” said I, “what can he do?”
+
+“Shove us up against time, George; make money tight for us. We been
+handling a lot of money—and he tightens us up.”
+
+“We’re sound?”
+
+“Oh, we’re sound, George. Trust me for that! But all the same—There’s
+such a lot of imagination in these things.... We’re sound enough.
+That’s not it.”
+
+He blew. “Damn Boom!” he said, and his eyes over his glasses met mine
+defiantly.
+
+“We can’t, I suppose, run close hauled for a bitstop expenditure?”
+
+“Where?”
+
+“Well,—Crest Hill”
+
+“What!” he shouted. “Me stop Crest Hill for Boom!” He waved a fist as
+if to hit his inkpot, and controlled himself with difficulty. He spoke
+at last in a reasonable voice. “If I did,” he said, “he’d kick up a
+fuss. It’s no good, even if I wanted to. Everybody’s watching the
+place. If I was to stop building we’d be down in a week.”
+
+He had an idea. “I wish I could do something to start a strike or
+something. No such luck. Treat those workmen a sight too well. No, sink
+or swim, Crest Hill goes on until we’re under water.”
+
+I began to ask questions and irritated him instantly.
+
+“Oh, dash these explanations, George!” he cried; “You only make things
+look rottener than they are. It’s your way. It isn’t a case of figures.
+We’re all right—there’s only one thing we got to do.”
+
+“Yes?”
+
+“Show value, George. That’s where this quap comes in; that’s why I fell
+in so readily with what you brought to me week before last. Here we
+are, we got our option on the perfect filament, and all we want’s
+canadium. Nobody knows there’s more canadium in the world than will go
+on the edge of a sixpence except me and you. Nobody has an idee the
+perfect filament’s more than just a bit of theorising. Fifty tons of
+quap and we’d turn that bit of theorising into something. We’d make the
+lamp trade sit on its tail and howl. We’d put Ediswan and all of ’em
+into a parcel without last year’s trousers and a hat, and swap ’em off
+for a pot of geraniums. See? We’d do it through Business Organisations,
+and there you are! See? Capern’s Patent Filament!
+
+“The Ideal and the Real! George, we’ll do it! We’ll bring it off! And
+then we’ll give such a facer to Boom, he’ll think for fifty years. He’s
+laying up for our London and African meeting. Let him. He can turn the
+whole paper on to us. He says the Business Organisations shares aren’t
+worth fifty-two and we quote ’em at eighty-four. Well, here we are
+gettin’ ready for him—loading our gun.”
+
+His pose was triumphant.
+
+“Yes,” I said, “that’s all right. But I can’t help thinking where
+should we be if we hadn’t just by accident got Capern’s Perfect
+Filament. Because, you know it was an accident—my buying up that.”
+
+He crumpled up his nose into an expression of impatient distaste at my
+unreasonableness.
+
+“And after all, the meeting’s in June, and you haven’t begun to get the
+quap! After all, we’ve still got to load our gun.”
+
+“They start on Toosday.”
+
+“Have they got the brig?”
+
+“They’ve got a brig.”
+
+“Gordon-Nasmyth!” I doubted.
+
+“Safe as a bank,” he said. “More I see of that man the more I like him.
+All I wish is we’d got a steamer instead of a sailing ship.”
+
+“And,” I went on, “you seem to overlook what used to weigh with us a
+bit. This canadium side of the business and the Capern chance has
+rushed you off your legs. After all—it’s stealing, and in its way an
+international outrage. They’ve got two gunboats on the coast.”
+
+I jumped up and went and stared out at the fog.
+
+“And, by Jove, it’s about our only chance! I didn’t dream.”
+
+I turned on him. “I’ve been up in the air,” I said.
+
+“Heaven knows where I haven’t been. And here’s our only chance—and you
+give it to that adventurous lunatic to play in his own way—in a brig!”
+
+“Well, you had a voice—”
+
+“I wish I’d been in this before. We ought to have run out a steamer to
+Lagos or one of those West Coast places and done it from there. Fancy a
+brig in the channel at this time of year, if it blows southwest!”
+
+“I dessay you’d have shoved it, George. Still you know, George.... I
+believe in him.”
+
+“Yes,” I said. “Yes, I believe in him, too. In a way. Still—”
+
+We took up a telegram that was lying on his desk and opened it. His
+face became a livid yellow. He put the flimsy paper down with a slow,
+reluctant movement and took off his glasses.
+
+“George,” he said, “the luck’s against us.”
+
+“What?”
+
+He grimaced with his mouth—in the queerest way at the telegram.
+
+“That.”
+
+I took it up and read:
+
+“Motor smash compound fracture of the leg gordon nasmyth what price
+mordet now”
+
+For a moment neither of us spoke.
+
+“That’s all right,” I said at last.
+
+“Eh?” said my uncle.
+
+“_I’m_ going. I’ll get that quap or bust.”
+
+II
+
+I had a ridiculous persuasion that I was “saving the situation.”
+
+“I’m going,” I said quite consciously and dramatically. I saw the whole
+affair—how shall I put it?—in American colours.
+
+I sat down beside him. “Give me all the data you’ve got,” I said, “and
+I’ll pull this thing off.”
+
+“But nobody knows exactly where—”
+
+“Nasmyth does, and he’ll tell me.”
+
+“He’s been very close,” said my uncle, and regarded me.
+
+“He’ll tell me all right, now he’s smashed.”
+
+He thought. “I believe he will.”
+
+“George,” he said, “if you pull this thing off—Once or twice before
+you’ve stepped in—with that sort of Woosh of yours—”
+
+He left the sentence unfinished.
+
+“Give me that note-book,” I said, “and tell me all you know. Where’s
+the ship? Where’s Pollack? And where’s that telegram from? If that
+quap’s to be got, I’ll get it or bust. If you’ll hold on here until I
+get back with it.”...
+
+And so it was I jumped into the wildest adventure of my life.
+
+I requisitioned my uncle’s best car forthwith. I went down that night
+to the place of despatch named on Nasmyth’s telegram, Bampton S.O.
+Oxon, routed him out with a little trouble from that centre, made
+things right with him and got his explicit directions; and I was
+inspecting the _Maud Mary_ with young Pollack, his cousin and aide, the
+following afternoon. She was rather a shock to me and not at all in my
+style, a beast of a brig inured to the potato trade, and she reeked
+from end to end with the faint, subtle smell of raw potatoes so that it
+prevailed even over the temporary smell of new paint. She was a beast
+of a brig, all hold and dirty framework, and they had ballasted her
+with old iron and old rails and iron sleepers, and got a miscellaneous
+lot of spades and iron wheelbarrows against the loading of the quap. I
+thought her over with Pollack, one of those tall blond young men who
+smoke pipes and don’t help much, and then by myself, and as a result I
+did my best to sweep Gravesend clean of wheeling planks, and got in as
+much cord and small rope as I could for lashing. I had an idea we might
+need to run up a jetty. In addition to much ballast she held, remotely
+hidden in a sort of inadvertent way a certain number of ambiguous cases
+which I didn’t examine, but which I gathered were a provision against
+the need of a trade.
+
+The captain was a most extraordinary creature, under the impression we
+were after copper ore; he was a Roumanian Jew, with twitching,
+excitable features, who had made his way to a certificate after some
+preliminary naval experiences in the Black Sea. The mate was an Essex
+man of impenetrable reserve. The crew were astoundingly ill-clad and
+destitute and dirty; most of them youths, unwashed, out of colliers.
+One, the cook was a mulatto; and one, the best-built fellow of them
+all, was a Breton. There was some subterfuge about our position on
+board—I forget the particulars now—I was called the supercargo and
+Pollack was the steward. This added to the piratical flavour that
+insufficient funds and Gordon-Nasmyth’s original genius had already
+given the enterprise.
+
+Those two days of bustle at Gravesend, under dingy skies, in narrow,
+dirty streets, were a new experience for me. It is like nothing else in
+my life. I realised that I was a modern and a civilised man. I found
+the food filthy and the coffee horrible; the whole town stank in my
+nostrils, the landlord of the Good Intent on the quay had a stand-up
+quarrel with us before I could get even a hot bath, and the bedroom I
+slept in was infested by a quantity of exotic but voracious flat
+parasites called locally “bugs,” in the walls, in the woodwork,
+everywhere. I fought them with insect powder, and found them comatose
+in the morning. I was dipping down into the dingy underworld of the
+contemporary state, and I liked it no better than I did my first dip
+into it when I stayed with my Uncle Nicodemus Frapp at the bakery at
+Chatham—where, by-the-by, we had to deal with cockroaches of a smaller,
+darker variety, and also with bugs of sorts.
+
+Let me confess that through all this time before we started I was
+immensely self-conscious, and that Beatrice played the part of audience
+in my imagination throughout. I was, as I say, “saving the situation,”
+and I was acutely aware of that. The evening before we sailed, instead
+of revising our medicine-chest as I had intended, I took the car and
+ran across country to Lady Grove to tell my aunt of the journey I was
+making, dress, and astonish Lady Osprey by an after dinner call.
+
+The two ladies were at home and alone beside a big fire that seemed
+wonderfully cheerful after the winter night. I remember the effect of
+the little parlour in which they sat as very bright and domestic. Lady
+Osprey, in a costume of mauve and lace, sat on a chintz sofa and played
+an elaborately spread-out patience by the light of a tall shaded lamp;
+Beatrice, in a whiteness that showed her throat, smoked a cigarette in
+an armchair and read with a lamp at her elbow. The room was
+white-panelled and chintz-curtained. About those two bright centres of
+light were warm dark shadow, in which a circular mirror shone like a
+pool of brown water. I carried off my raid by behaving like a slave of
+etiquette. There were moments when I think I really made Lady Osprey
+believe that my call was an unavoidable necessity, that it would have
+been negligent of me not to call just how and when I did. But at the
+best those were transitory moments.
+
+They received me with disciplined amazement. Lady Osprey was interested
+in my face and scrutinised the scar. Beatrice stood behind her
+solicitude. Our eyes met, and in hers I could see startled
+interrogations.
+
+“I’m going,” I said, “to the west coast of Africa.”
+
+They asked questions, but it suited my mood to be vague.
+
+“We’ve interests there. It is urgent I should go. I don’t know when I
+may return.”
+
+After that I perceived Beatrice surveyed me steadily.
+
+The conversation was rather difficult. I embarked upon lengthy thanks
+for their kindness to me after my accident. I tried to understand Lady
+Osprey’s game of patience, but it didn’t appear that Lady Osprey was
+anxious for me to understand her patience. I came to the verge of
+taking my leave.
+
+“You needn’t go yet,” said Beatrice, abruptly.
+
+She walked across to the piano, took a pile of music from the cabinet
+near, surveyed Lady Osprey’s back, and with a gesture to me dropped it
+all deliberately on to the floor.
+
+“Must talk,” she said, kneeling close to me as I helped her to pick it
+up. “Turn my pages. At the piano.”
+
+“I can’t read music.”
+
+“Turn my pages.”
+
+Presently we were at the piano, and Beatrice was playing with noisy
+inaccuracy. She glanced over her shoulder and Lady Osprey had resumed
+her patience. The old lady was very pink, and appeared to be absorbed
+in some attempt to cheat herself without our observing it.
+
+“Isn’t West Africa a vile climate?” “Are you going to live there?” “Why
+are you going?”
+
+Beatrice asked these questions in a low voice and gave me no chance to
+answer. Then taking a rhythm from the music before her, she said—
+
+“At the back of the house is a garden—a door in the wall—on the lane.
+Understand?”
+
+I turned over the pages without any effect on her playing.
+
+“When?” I asked.
+
+She dealt in chords. “I wish I _could_ play this!” she said.
+“Midnight.”
+
+She gave her attention to the music for a time.
+
+“You may have to wait.”
+
+“I’ll wait.”
+
+She brought her playing to an end by—as school boys say—“stashing it
+up.”
+
+“I can’t play to-night,” she said, standing up and meeting my eyes. “I
+wanted to give you a parting voluntary.”
+
+“Was that Wagner, Beatrice?” asked Lady Osprey looking up from her
+cards. “It sounded very confused.”
+
+I took my leave. I had a curious twinge of conscience as I parted from
+Lady Osprey. Either a first intimation of middle-age or my inexperience
+in romantic affairs was to blame, but I felt a very distinct objection
+to the prospect of invading this good lady’s premises from the garden
+door. I motored up to the pavilion, found Cothope reading in bed, told
+him for the first time of West Africa, spent an hour with him in
+settling all the outstanding details of Lord Roberts β, and left that
+in his hands to finish against my return. I sent the motor back to Lady
+Grove, and still wearing my fur coat—for the January night was damp and
+bitterly cold—walked to Bedley Corner. I found the lane to the back of
+the Dower House without any difficulty, and was at the door in the wall
+with ten minutes to spare. I lit a cigar and fell to walking up and
+down. This queer flavour of intrigue, this nocturnal garden-door
+business, had taken me by surprise and changed my mental altitudes. I
+was startled out of my egotistical pose and thinking intently of
+Beatrice, of that elfin quality in her that always pleased me, that
+always took me by surprise, that had made her for example so instantly
+conceive this meeting.
+
+She came within a minute of midnight; the door opened softly and she
+appeared, a short, grey figure in a motor-coat of sheepskin, bareheaded
+to the cold drizzle. She flitted up to me, and her eyes were shadows in
+her dusky face.
+
+“Why are you going to West Africa?” she asked at once.
+
+“Business crisis. I have to go.”
+
+“You’re not going—? You’re coming back?”
+
+“Three or four months,” I said, “at most.”
+
+“Then, it’s nothing to do with me?”
+
+“Nothing,” I said. “Why should it have?”
+
+“Oh, that’s all right. One never knows what people think or what people
+fancy.” She took me by the arm, “Let’s go for a walk,” she said.
+
+I looked about me at darkness and rain.
+
+“That’s all right,” she laughed. “We can go along the lane and into the
+Old Woking Road. Do you mind? Of course you don’t. My head. It doesn’t
+matter. One never meets anybody.”
+
+“How do you know?”
+
+“I’ve wandered like this before.... Of course. Did you think”—she
+nodded her head back at her home—“that’s all?”
+
+“No, by Jove!” I cried; “it’s manifest it isn’t.”
+
+She took my arm and turned me down the lane. “Night’s my time,” she
+said by my side. “There’s a touch of the werewolf in my blood. One
+never knows in these old families.... I’ve wondered often.... Here we
+are, anyhow, alone in the world. Just darkness and cold and a sky of
+clouds and wet. And we—together.
+
+“I like the wet on my face and hair, don’t you? When do you sail?”
+
+I told her to-morrow.
+
+“Oh, well, there’s no to-morrow now. You and I!” She stopped and
+confronted me.
+
+“You don’t say a word except to answer!”
+
+“No,” I said.
+
+“Last time you did all the talking.”
+
+“Like a fool. Now—”
+
+We looked at each other’s two dim faces. “You’re glad to be here?”
+
+“I’m glad—I’m beginning to be—it’s more than glad.”
+
+She put her hands on my shoulders and drew me down to kiss her.
+
+“Ah!” she said, and for a moment or so we just clung to one another.
+
+“That’s all,” she said, releasing herself. “What bundles of clothes we
+are to-night. I felt we should kiss some day again. Always. The last
+time was ages ago.”
+
+“Among the fern stalks.”
+
+“Among the bracken. You remember. And your lips were cold. Were mine?
+The same lips—after so long—after so much!... And now let’s trudge
+through this blotted-out world together for a time. Yes, let me take
+your arm. Just trudge. See? Hold tight to me because I know the way—and
+don’t talk—don’t talk. Unless you want to talk.... Let me tell you
+things! You see, dear, the whole world is blotted out—it’s dead and
+gone, and we’re in this place. This dark wild place.... We’re dead. Or
+all the world is dead. No! We’re dead. No one can see us. We’re
+shadows. We’ve got out of our positions, out of our bodies—and
+together. That’s the good thing of it—together. But that’s why the
+world can’t see us and why we hardly see the world. Sssh! Is it all
+right?”
+
+“It’s all right,” I said.
+
+We stumbled along for a time in a close silence. We passed a dim-lit,
+rain-veiled window.
+
+“The silly world,” she said, “the silly world! It eats and sleeps. If
+the wet didn’t patter so from the trees we’d hear it snoring. It’s
+dreaming such stupid things—stupid judgments. It doesn’t know we are
+passing, we two—free of it—clear of it. You and I!”
+
+We pressed against each other reassuringly.
+
+“I’m glad we’re dead,” she whispered. “I’m glad we’re dead. I was tired
+of it, dear. I was so tired of it, dear, and so entangled.”
+
+She stopped abruptly.
+
+We splashed through a string of puddles. I began to remember things I
+had meant to say.
+
+“Look here!” I cried. “I want to help you beyond measure. You are
+entangled. What is the trouble? I asked you to marry me. You said you
+would. But there’s something.”
+
+My thoughts sounded clumsy as I said them.
+
+“Is it something about my position?... Or is it something—perhaps—about
+some other man?”
+
+There was an immense assenting silence.
+
+“You’ve puzzled me so. At first—I mean quite early—I thought you meant
+to make me marry you.”
+
+“I did.”
+
+“And then?”
+
+“To-night,” she said after a long pause, “I can’t explain. No! I can’t
+explain. I love you! But—explanations! To-night my dear, here we are in
+the world alone—and the world doesn’t matter. Nothing matters. Here I
+am in the cold with you and my bed away there deserted. I’d tell you—I
+_will_ tell you when things enable me to tell you, and soon enough they
+will. But to-night—I won’t—I won’t.”
+
+She left my side and went in front of me.
+
+She turned upon me. “Look here,” she said, “I insist upon your being
+dead. Do you understand? I’m not joking. To-night you and I are out of
+life. It’s our time together. There may be other times, but this we
+won’t spoil. We’re—in Hades if you like. Where there’s nothing to hide
+and nothing to tell. No bodies even. No bothers. We loved each
+other—down there—and were kept apart, but now it doesn’t matter. It’s
+over.... If you won’t agree to that—I will go home.”
+
+“I wanted,” I began.
+
+“I know. Oh! my dear, if you’d only understand I understand. If you’d
+only not care—and love me to-night.”
+
+“I do love you,” I said.
+
+“Then _love_ me,” she answered, “and leave all the things that bother
+you. Love me! Here I am!”
+
+“But!—”
+
+“No!” she said.
+
+“Well, have your way.”
+
+So she carried her point, and we wandered into the night together and
+Beatrice talked to me of love....
+
+I’d never heard a woman before in all my life who could talk of love,
+who could lay bare and develop and touch with imagination all that mass
+of fine emotion every woman, it may be, hides. She had read of love,
+she had thought of love, a thousand sweet lyrics had sounded through
+her brain and left fine fragments in her memory; she poured it out, all
+of it, shamelessly, skilfully, for me. I cannot give any sense of that
+talk, I cannot even tell how much of the delight of it was the magic of
+her voice, the glow of her near presence. And always we walked swathed
+warmly through a chilly air, along dim, interminable greasy roads—with
+never a soul abroad it seemed to us, never a beast in the fields.
+
+“Why do people love each other?” I said.
+
+“Why not?”
+
+“But why do I love you? Why is your voice better than any voice, your
+face sweeter than any face?”
+
+“And why do I love you?” she asked; “not only what is fine in you, but
+what isn’t? Why do I love your dullness, your arrogance? For I do.
+To—night I love the very raindrops on the fur of your coat!”...
+
+So we talked; and at last very wet, still glowing but a little tired,
+we parted at the garden door. We had been wandering for two hours in
+our strange irrational community of happiness, and all the world about
+us, and particularly Lady Osprey and her household, had been asleep—and
+dreaming of anything rather than Beatrice in the night and rain.
+
+She stood in the doorway, a muffled figure with eyes that glowed.
+
+“Come back,” she whispered. “I shall wait for you.”
+
+She hesitated.
+
+She touched the lapel of my coat. “I love you NOW,” she said, and
+lifted her face to mine.
+
+I held her to me and was atremble from top to toe. “O God!” I cried.
+“And I must go!”
+
+She slipped from my arms and paused, regarding me. For an instant the
+world seemed full of fantastic possibilities.
+
+“Yes, _Go!_” she said, and vanished and slammed the door upon me,
+leaving me alone like a man new fallen from fairyland in the black
+darkness of the night.
+
+III
+
+That expedition to Mordet Island stands apart from all the rest of my
+life, detached, a piece by itself with an atmosphere of its own. It
+would, I suppose, make a book by itself—it has made a fairly voluminous
+official report—but so far as this novel of mine goes it is merely an
+episode, a contributory experience, and I mean to keep it at that.
+
+Vile weather, an impatient fretting against unbearable slowness and
+delay, sea—sickness, general discomfort and humiliating self—revelation
+are the master values of these memories.
+
+I was sick all through the journey out. I don’t know why. It was the
+only time I was ever sea-sick, and I have seen some pretty bad weather
+since I became a boat-builder. But that phantom smell of potatoes was
+peculiarly vile to me. Coming back on the brig we were all ill, every
+one of us, so soon as we got to sea, poisoned, I firmly believe, by
+quap. On the way out most of the others recovered in a few days, but
+the stuffiness below, the coarse food, the cramped dirty accommodation
+kept me, if not actually sea-sick, in a state of acute physical
+wretchedness the whole time. The ship abounded in cockroaches and more
+intimate vermin. I was cold all the time until after we passed Cape
+Verde, then I became steamily hot; I had been too preoccupied with
+Beatrice and my keen desire to get the _Maud Mary_ under way at once,
+to consider a proper wardrobe for myself, and in particular I lacked a
+coat. Heavens! how I lacked that coat! And, moreover, I was cooped up
+with two of the worst bores in Christendom, Pollack and the captain.
+Pollack, after conducting his illness in a style better adapted to the
+capacity of an opera house than a small compartment, suddenly got
+insupportably well and breezy, and produced a manly pipe in which he
+smoked a tobacco as blond as himself, and divided his time almost
+equally between smoking it and trying to clean it. “There’s only three
+things you can clean a pipe with,” he used to remark with a twist of
+paper in hand. “The best’s a feather, the second’s a straw, and the
+third’s a girl’s hairpin. I never see such a ship. You can’t find any
+of ’em. Last time I came this way I did find hairpins anyway, and found
+’em on the floor of the captain’s cabin. Regular deposit. Eh?...
+Feelin’ better?”
+
+At which I usually swore.
+
+“Oh, you’ll be all right soon. Don’t mind my puffin’ a bit? Eh?”
+
+He never tired of asking me to “have a hand at Nap. Good game. Makes
+you forget it, and that’s half the battle.”
+
+He would sit swaying with the rolling of the ship and suck at his pipe
+of blond tobacco and look with an inexpressibly sage but somnolent blue
+eye at the captain by the hour together. “Captain’s a Card,” he would
+say over and over again as the outcome of these meditations. “He’d like
+to know what we’re up to. He’d like to know—no end.”
+
+That did seem to be the captain’s ruling idea. But he also wanted to
+impress me with the notion that he was a gentleman of good family and
+to air a number of views adverse to the English, to English literature,
+to the English constitution, and the like.
+
+He had learnt the sea in the Roumanian navy, and English out of a book;
+he would still at times pronounce the e’s at the end of “there” and
+“here”; he was a naturalised Englishman, and he drove me into a
+reluctant and uncongenial patriotism by his everlasting carping at
+things English. Pollack would set himself to “draw him out.” Heaven
+alone can tell how near I came to murder.
+
+Fifty-three days I had outward, cooped up with these two and a shy and
+profoundly depressed mate who read the Bible on Sundays and spent the
+rest of his leisure in lethargy, three and fifty days of life cooped up
+in a perpetual smell, in a persistent sick hunger that turned from the
+sight of food, in darkness, cold and wet, in a lightly ballasted ship
+that rolled and pitched and swayed. And all the time the sands in the
+hour-glass of my uncle’s fortunes were streaming out. Misery! Amidst it
+all I remember only one thing brightly, one morning of sunshine in the
+Bay of Biscay and a vision of frothing waves, sapphire green, a bird
+following our wake and our masts rolling about the sky. Then wind and
+rain close in on us again.
+
+You must not imagine they were ordinary days, days, I mean, of an
+average length; they were not so much days as long damp slabs of time
+that stretched each one to the horizon, and much of that length was
+night. One paraded the staggering deck in a borrowed sou’-wester hour
+after hour in the chilly, windy, splashing and spitting darkness, or
+sat in the cabin, bored and ill, and looked at the faces of those
+inseparable companions by the help of a lamp that gave smell rather
+than light. Then one would see going up, up, up, and then sinking down,
+down, down, Pollack, extinct pipe in mouth, humorously observant,
+bringing his mind slowly to the seventy-seventh decision that the
+captain was a Card, while the words flowed from the latter in a nimble
+incessant good. “Dis England eet is not a country aristocratic, no! Eet
+is a glorified bourgeoisie! Eet is plutocratic. In England dere is no
+aristocracy since de Wars of Roses. In the rest of Europe east of the
+Latins, yes; in England, no.
+
+“Eet is all middle-class, youra England. Everything you look at,
+middle-class. Respectable! Everything good—eet is, you say, shocking.
+Madame Grundy! Eet is all limited and computing and self-seeking. Dat
+is why your art is so limited, youra fiction, your philosophin, why you
+are all so inartistic. You want nothing but profit! What will pay! What
+would you?”...
+
+He had all those violent adjuncts to speech we Western Europeans have
+abandoned, shruggings of the shoulders, waving of the arms, thrusting
+out of the face, wonderful grimaces and twiddlings of the hands under
+your nose until you wanted to hit them away. Day after day it went on,
+and I had to keep any anger to myself, to reserve myself for the time
+ahead when it would be necessary to see the quap was got aboard and
+stowed—knee deep in this man’s astonishment. I knew he would make a
+thousand objections to all we had before us. He talked like a drugged
+man. It ran glibly over his tongue. And all the time one could see his
+seamanship fretting him, he was gnawed by responsibility, perpetually
+uneasy about the ship’s position, perpetually imagining dangers. If a
+sea hit us exceptionally hard he’d be out of the cabin in an instant
+making an outcry of inquiries, and he was pursued by a dread of the
+hold, of ballast shifting, of insidious wicked leaks. As we drew near
+the African coast his fear of rocks and shoals became infectious.
+
+“I do not know dis coast,” he used to say. “I cama hera because
+Gordon-Nasmyth was coming too. Den he does not come!”
+
+“Fortunes of war,” I said, and tried to think in vain if any motive but
+sheer haphazard could have guided Gordon-Nasmyth in the choice of these
+two men. I think perhaps Gordon-Nasmyth had the artistic temperament
+and wanted contrasts, and also that the captain helped him to express
+his own malignant Anti-Britishism.
+
+He was indeed an exceptionally inefficient captain. On the whole I was
+glad I had come even at the eleventh hour to see to things.
+
+(The captain, by-the-by, did at last, out of sheer nervousness, get
+aground at the end of Mordet’s Island, but we got off in an hour or so
+with a swell and a little hard work in the boat.)
+
+I suspected the mate of his opinion of the captain long before he
+expressed it. He was, I say, a taciturn man, but one day speech broke
+through him. He had been sitting at the table with his arms folded on
+it, musing drearily, pipe in mouth, and the voice of the captain
+drifted down from above.
+
+The mate lifted his heavy eyes to me and regarded me for a moment. Then
+he began to heave with the beginnings of speech. He disembarrassed
+himself of his pipe. I cowered with expectation. Speech was coming at
+last. Before he spoke he nodded reassuringly once or twice.
+
+“E—”
+
+He moved his head strangely and mysteriously, but a child might have
+known he spoke of the captain.
+
+“E’s a foreigner.”
+
+He regarded me doubtfully for a time, and at last decided for the sake
+of lucidity to clench the matter.
+
+“That’s what E is—a _Dago!_”
+
+He nodded like a man who gives a last tap to a nail, and I could see he
+considered his remark well and truly laid. His face, though still
+resolute, became as tranquil and uneventful as a huge hall after a
+public meeting has dispersed out of it, and finally he closed and
+locked it with his pipe.
+
+“Roumanian Jew, isn’t he?” I said.
+
+He nodded darkly and almost forbiddingly.
+
+More would have been too much. The thing was said. But from that time
+forth I knew I could depend upon him and that he and I were friends. It
+happens I never did have to depend upon him, but that does not affect
+our relationship.
+
+Forward the crew lived lives very much after the fashion of ours, more
+crowded, more cramped and dirty, wetter, steamier, more verminous. The
+coarse food they had was still not so coarse but that they did not
+think they were living “like fighting cocks.” So far as I could make
+out they were all nearly destitute men; hardly any of them had a proper
+sea outfit, and what small possessions they had were a source of mutual
+distrust. And as we pitched and floundered southward they gambled and
+fought, were brutal to one another, argued and wrangled loudly, until
+we protested at the uproar.
+
+There’s no romance about the sea in a small sailing ship as I saw it.
+The romance is in the mind of the landsman dreamer. These brigs and
+schooners and brigantines that still stand out from every little port
+are relics from an age of petty trade, as rotten and obsolescent as a
+Georgian house that has sunken into a slum. They are indeed just
+floating fragments of slum, much as icebergs are floating fragments of
+glacier. The civilised man who has learnt to wash, who has developed a
+sense of physical honour, of cleanly temperate feeding, of time, can
+endure them no more. They pass, and the clanking coal-wasting steamers
+will follow them, giving place to cleaner, finer things....
+
+But so it was I made my voyage to Africa, and came at last into a world
+of steamy fogs and a hot smell of vegetable decay, and into sound and
+sight of surf and distant intermittent glimpses of the coast. I lived a
+strange concentrated life through all that time, such a life as a
+creature must do that has fallen in a well. All my former ways ceased,
+all my old vistas became memories.
+
+The situation I was saving was very small and distant now; I felt its
+urgency no more. Beatrice and Lady Grove, my uncle and the Hardingham,
+my soaring in the air and my habitual wide vision of swift effectual
+things, became as remote as if they were in some world I had left for
+ever....
+
+IV
+
+All these African memories stand by themselves. It was for me an
+expedition into the realms of undisciplined nature out of the world
+that is ruled by men, my first bout with that hot side of our mother
+that gives you the jungle—that cold side that gives you the air-eddy I
+was beginning to know passing well. They are memories woven upon a
+fabric of sunshine and heat and a constant warm smell of decay. They
+end in rain—such rain as I had never seen before, a vehement, a frantic
+downpouring of water, but our first slow passage through the channels
+behind Mordet’s Island was in incandescent sunshine.
+
+There we go in my memory still, a blistered dirty ship with patched
+sails and a battered mermaid to present _Maud Mary_, sounding and
+taking thought between high ranks of forest whose trees come out
+knee-deep at last in the water. There we go with a little breeze on our
+quarter, Mordet Island rounded and the quap, it might be within a day
+of us.
+
+Here and there strange blossoms woke the dank intensities of green with
+a trumpet call of colour. Things crept among the jungle and peeped and
+dashed back rustling into stillness. Always in the sluggishly drifting,
+opaque water were eddyings and stirrings; little rushes of bubbles came
+chuckling up light-heartedly from this or that submerged conflict and
+tragedy; now and again were crocodiles like a stranded fleet of logs
+basking in the sun. Still it was by day, a dreary stillness broken only
+by insect sounds and the creaking and flapping of our progress, by the
+calling of the soundings and the captain’s confused shouts; but in the
+night as we lay moored to a clump of trees the darkness brought a
+thousand swampy things to life and out of the forest came screaming and
+howlings, screaming and yells that made us glad to be afloat. And once
+we saw between the tree stems long blazing fires. We passed two or
+three villages landward, and brown-black women and children came and
+stared at us and gesticulated, and once a man came out in a boat from a
+creek and hailed us in an unknown tongue; and so at last we came to a
+great open place, a broad lake rimmed with a desolation of mud and
+bleached refuse and dead trees, free from crocodiles or water birds or
+sight or sound of any living thing, and saw far off, even as Nasmyth
+had described, the ruins of the deserted station, and hard by two
+little heaps of buff-hued rubbish under a great rib of rock, the quap!
+The forest receded. The land to the right of us fell away and became
+barren, and far on across notch in its backbone was surf and the sea.
+
+We took the ship in towards those heaps and the ruined jetty slowly and
+carefully. The captain came and talked.
+
+“This is eet?” he said.
+
+“Yes,” said I.
+
+“Is eet for trade we have come?”
+
+This was ironical.
+
+“No,” said I.
+
+“Gordon-Nasmyth would haf told me long ago what it ees for we haf
+come.”
+
+“I’ll tell you now,” I said. “We are going to lay in as close as we can
+to those two heaps of stuff—you see them?—under the rock. Then we are
+going to chuck all our ballast overboard and take those in. Then we’re
+going home.”
+
+“May I presume to ask—is eet gold?”
+
+“No,” I said incivilly, “it isn’t.”
+
+“Then what is it?”
+
+“It’s stuff—of some commercial value.”
+
+“We can’t do eet,” he said.
+
+“We can,” I answered reassuringly.
+
+“We can’t,” he said as confidently. “I don’t mean what you mean. You
+know so liddle—But—dis is forbidden country.”
+
+I turned on him suddenly angry and met bright excited eyes. For a
+minute we scrutinised one another. Then I said, “That’s our risk. Trade
+is forbidden. But this isn’t trade.... This thing’s got to be done.”
+
+His eyes glittered and he shook his head....
+
+The brig stood in slowly through the twilight toward this strange
+scorched and blistered stretch of beach, and the man at the wheel
+strained his ears to listening the low-voiced angry argument that began
+between myself and the captain, that was presently joined by Pollack.
+We moored at last within a hundred yards of our goal, and all through
+our dinner and far into the night we argued intermittently and fiercely
+with the captain about our right to load just what we pleased. “I will
+haf nothing to do with eet,” he persisted. “I wash my hands.” It seemed
+that night as though we argued in vain. “If it is not trade,” he said,
+“it is prospecting and mining. That is worse. Any one who knows
+anything—outside England—knows that is worse.”
+
+We argued and I lost my temper and swore at him. Pollack kept cooler
+and chewed his pipe watchfully with that blue eye of his upon the
+captain’s gestures. Finally I went on deck to cool. The sky was
+overcast I discovered all the men were in a knot forward, staring at
+the faint quivering luminosity that had spread over the heaps of quap,
+a phosphorescence such as one sees at times on rotting wood. And about
+the beach east and west there were patches and streaks of something
+like diluted moonshine....
+
+In the small hours I was still awake and turning over scheme after
+scheme in my mind whereby I might circumvent the captain’s opposition.
+I meant to get that quap aboard if I had to kill some one to do it.
+Never in my life had I been so thwarted! After this intolerable voyage!
+There came a rap at my cabin door and then it opened and I made out a
+bearded face. “Come in,” I said, and a black voluble figure I could
+just see obscurely came in to talk in my private ear and fill my cabin
+with its whisperings and gestures. It was the captain. He, too, had
+been awake and thinking things over. He had come to explain—enormously.
+I lay there hating him and wondering if I and Pollack could lock him in
+his cabin and run the ship without him. “I do not want to spoil dis
+expedition,” emerged from a cloud of protestations, and then I was able
+to disentangle “a commission—shush a small commission—for special
+risks!” “Special risks” became frequent. I let him explain himself out.
+It appeared he was also demanding an apology for something I had said.
+No doubt I had insulted him generously. At last came definite offers. I
+broke my silence and bargained.
+
+“Pollack!” I cried and hammered the partition.
+
+“What’s up?” asked Pollack.
+
+I stated the case concisely.
+
+There came a silence.
+
+“He’s a Card,” said Pollack. “Let’s give him his commission. I don’t
+mind.”
+
+“Eh?” I cried.
+
+“I said he was a Card, that’s all,” said Pollack. “I’m coming.”
+
+He appeared in my doorway a faint white figure joined our vehement
+whisperings.
+
+We had to buy the captain off; we had to promise him ten per cent. of
+our problematical profits. We were to give him ten per cent. on what we
+sold the cargo for over and above his legitimate pay, and I found in my
+out-bargained and disordered state small consolation in the thought
+that I, as the Gordon-Nasmyth expedition, was to sell the stuff to
+myself as Business Organisations. And he further exasperated me by
+insisting on having our bargain in writing. “In the form of a letter,”
+he insisted.
+
+“All right,” I acquiesced, “in the form of a letter. Here goes! Get a
+light!”
+
+“And the apology,” he said, folding up the letter.
+
+“All right,” I said; “Apology.”
+
+My hand shook with anger as I wrote, and afterwards I could not sleep
+for hate of him. At last I got up. I suffered, I found, from an unusual
+clumsiness. I struck my toe against my cabin door, and cut myself as I
+shaved. I found myself at last pacing the deck under the dawn in a mood
+of extreme exasperation. The sun rose abruptly and splashed light
+blindingly into my eyes and I swore at the sun. I found myself
+imagining fresh obstacles with the men and talking aloud in
+anticipatory rehearsal of the consequent row.
+
+The malaria of the quap was already in my blood.
+
+V
+
+Sooner or later the ridiculous embargo that now lies upon all the coast
+eastward of Mordet Island will be lifted and the reality of the
+deposits of quap ascertained. I am sure that we were merely taking the
+outcrop of a stratum of nodulated deposits that dip steeply seaward.
+Those heaps were merely the crumbled out contents of two irregular
+cavities in the rock; they are as natural as any talus or heap of that
+kind, and the mud along the edge of the water for miles is mixed with
+quap, and is radio-active and lifeless and faintly phosphorescent at
+night. But the reader will find the full particulars of my impression
+of all this in the _Geological Magazine_ for October, 1905, and to that
+I must refer him. There, too, he will find my unconfirmed theories of
+its nature. If I am right it is something far more significant from the
+scientific point of view than those incidental constituents of various
+rare metals, pitchblende, rutile, and the like, upon which the
+revolutionary discoveries of the last decade are based. Those are just
+little molecular centres of disintegration, of that mysterious decay
+and rotting of those elements, elements once regarded as the most
+stable things in nature. But there is something—the only word that
+comes near it is _cancerous_—and that is not very near, about the whole
+of quap, something that creeps and lives as a disease lives by
+destroying; an elemental stirring and disarrangement, incalculably
+maleficent and strange.
+
+This is no imaginative comparison of mine. To my mind radio-activity is
+a real disease of matter. Moreover, it is a contagious disease. It
+spreads. You bring those debased and crumbling atoms near others and
+those too presently catch the trick of swinging themselves out of
+coherent existence. It is in matter exactly what the decay of our old
+culture is in society, a loss of traditions and distinctions and
+assured reactions. When I think of these inexplicable dissolvent
+centres that have come into being in our globe—these quap heaps are
+surely by far the largest that have yet been found in the world; the
+rest as yet mere specks in grains and crystals—I am haunted by a
+grotesque fancy of the ultimate eating away and dry-rotting and
+dispersal of all our world. So that while man still struggles and
+dreams his very substance will change and crumble from beneath him. I
+mention this here as a queer persistent fancy. Suppose, indeed, that is
+to be the end of our planet; no splendid climax and finale, no towering
+accumulation of achievements, but just—atomic decay! I add that to the
+ideas of the suffocating comet, the dark body out of space, the burning
+out of the sun, the distorted orbit, as a new and far more possible
+end—as Science can see ends—to this strange by-play of matter that we
+call human life. I do not believe this can be the end; no human soul
+can believe in such an end and go on living, but to it science points
+as a possible thing, science and reason alike. If single human
+beings—if one single ricketty infant—can be born as it were by accident
+and die futile, why not the whole race? These are questions I have
+never answered, that now I never attempt to answer, but the thought of
+quap and its mysteries brings them back to me.
+
+I can witness that the beach and mud for two miles or more either way
+was a lifeless beach—lifeless as I could have imagined no tropical mud
+could ever be, and all the dead branches and leaves and rotting dead
+fish and so forth that drifted ashore became presently shrivelled and
+white. Sometimes crocodiles would come up out of the water and bask,
+and now and then water birds would explore the mud and rocky ribs that
+rose out of it, in a mood of transitory speculation. That was its
+utmost admiration. And the air felt at once hot and austere, dry and
+blistering, and altogether different the warm moist embrace that had
+met us at our first African landfall and to which we had grown
+accustomed.
+
+I believe that the primary influence of the quap upon us was to
+increase the conductivity of our nerves, but that is a mere
+unjustifiable speculation on my part. At any rate it gave a sort of
+east wind effect to life. We all became irritable, clumsy, languid and
+disposed to be impatient with our languor. We moored the brig to the
+rocks with difficulty, and got aground on mud and decided to stick
+there and tow off when we had done—the bottom was as greasy as butter.
+Our efforts to fix up planks and sleepers in order to wheel the quap
+aboard were as ill-conceived as that sort of work can be—and that sort
+of work can at times be very ill-conceived. The captain had a
+superstitious fear of his hold: he became wildly gesticulatory and
+expository and incompetent at the bare thought of it. His shouts still
+echo in my memory, becoming as each crisis approached less and less
+like any known tongue.
+
+But I cannot now write the history of those days of blundering and
+toil: of how Milton, one of the boys, fell from a plank to the beach,
+thirty feet perhaps, with his barrow and broke his arm and I believe a
+rib, of how I and Pollack set the limb and nursed him through the fever
+that followed, of how one man after another succumbed to a feverish
+malaria, and how I—by virtue of my scientific reputation—was obliged to
+play the part of doctor and dose them with quinine, and then finding
+that worse than nothing, with rum and small doses of Easton’s Syrup, of
+which there chanced to be a case of bottles aboard—Heaven and
+Gordon-Nasmyth know why. For three long days we lay in misery and never
+shipped a barrow-load. Then, when they resumed, the men’s hands broke
+out into sores. There were no gloves available; and I tried to get
+them, while they shovelled and wheeled, to cover their hands with
+stockings or greased rags. They would not do this on account of the
+heat and discomfort. This attempt of mine did, however, direct their
+attention to the quap as the source of their illness and precipitated
+what in the end finished our lading, an informal strike. “We’ve had
+enough of this,” they said, and they meant it. They came aft to say as
+much. They cowed the captain.
+
+Through all these days the weather was variously vile, first a furnace
+heat under a sky of a scowling intensity of blue, then a hot fog that
+stuck in one’s throat like wool and turned the men on the planks into
+colourless figures of giants, then a wild burst of thunderstorms, mad
+elemental uproar and rain. Through it all, against illness, heat,
+confusion of mind, one master impetus prevailed with me, to keep the
+shipping going, to maintain one motif at least, whatever else arose or
+ceased, the chuff of the spades, the squeaking and shriek of the
+barrows, the pluppa, pluppa, pluppa, as the men came trotting along the
+swinging high planks, and then at last, the dollop, dollop, as the
+stuff shot into the hold. “Another barrow-load, thank God! Another
+fifteen hundred, or it may be two thousand pounds, for the saving of
+Ponderevo!...”
+
+I found out many things about myself and humanity in those weeks of
+effort behind Mordet Island. I understand now the heart of the sweater,
+of the harsh employer, of the nigger-driver. I had brought these men
+into a danger they didn’t understand, I was fiercely resolved to
+overcome their opposition and bend and use them for my purpose, and I
+hated the men. But I hated all humanity during the time that the quap
+was near me.
+
+And my mind was pervaded, too, by a sense of urgency and by the fear
+that we should be discovered and our proceedings stopped. I wanted to
+get out to sea again—to be beating up northward with our plunder. I was
+afraid our masts showed to seaward and might betray us to some curious
+passer on the high sea. And one evening near the end I saw a canoe with
+three natives far off down the lake; I got field-glasses from the
+captain and scrutinised them, and I could see them staring at us. One
+man might have been a half-breed and was dressed in white. They watched
+us for some time very quietly and then paddled off into some channel in
+the forest shadows.
+
+And for three nights running, so that it took a painful grip upon my
+inflamed imagination, I dreamt of my uncle’s face, only that it was
+ghastly white like a clown’s, and the throat was cut from ear to ear—a
+long ochreous cut. “Too late,” he said; “Too late!...”
+
+VI
+
+A day or so after we had got to work upon the quap I found myself so
+sleepless and miserable that the ship became unendurable. Just before
+the rush of sunrise I borrowed Pollack’s gun, walked down the planks,
+clambered over the quap heaps and prowled along the beach. I went
+perhaps a mile and a half that day and some distance beyond the ruins
+of the old station. I became interested in the desolation about me, and
+found when I returned that I was able to sleep for nearly an hour. It
+was delightful to have been alone for so long,—no captain, no Pollack,
+no one. Accordingly I repeated this expedition the next morning and the
+next until it became a custom with me. There was little for me to do
+once the digging and wheeling was organised, and so these prowlings of
+mine grew longer and longer, and presently I began to take food with
+me.
+
+I pushed these walks far beyond the area desolated by the quap. On the
+edges of that was first a zone of stunted vegetation, then a sort of
+swampy jungle that was difficult to penetrate, and then the beginnings
+of the forest, a scene of huge tree stems and tangled creeper ropes and
+roots mingled with oozy mud. Here I used to loaf in a state between
+botanising and reverie—always very anxious to know what was up above in
+the sunlight—and here it was I murdered a man.
+
+It was the most unmeaning and purposeless murder imaginable. Even as I
+write down its well-remembered particulars there comes again the sense
+of its strangeness, its pointlessness, its incompatibility with any of
+the neat and definite theories people hold about life and the meaning
+of the world. I did this thing and I want to tell of my doing it, but
+why I did it and particularly why I should be held responsible for it I
+cannot explain.
+
+That morning I had come upon a track in the forest, and it had occurred
+to me as a disagreeable idea that this was a human pathway. I didn’t
+want to come upon any human beings. The less our expedition saw of the
+African population the better for its prospects. Thus far we had been
+singularly free from native pestering. So I turned back and was making
+my way over mud and roots and dead fronds and petals scattered from the
+green world above when abruptly I saw my victim.
+
+I became aware of him perhaps forty feet off standing quite still and
+regarding me.
+
+He wasn’t by any means a pretty figure. He was very black and naked
+except for a dirty loin-cloth, his legs were ill-shaped and his toes
+spread wide and the upper edge of his cloth and a girdle of string cut
+his clumsy abdomen into folds. His forehead was low, his nose very flat
+and his lower lip swollen and purplish-red. His hair was short and
+fuzzy, and about his neck was a string and a little purse of skin. He
+carried a musket, and a powder-flask was stuck in his girdle. It was a
+curious confrontation. There opposed to him stood I, a little soiled,
+perhaps, but still a rather elaborately civilised human being, born,
+bred and trained in a vague tradition. In my hand was an unaccustomed
+gun. And each of us was essentially a teeming, vivid brain, tensely
+excited by the encounter, quite unaware of the other’s mental content
+or what to do with him.
+
+He stepped back a pace or so, stumbled and turned to run.
+
+“Stop,” I cried; “stop, you fool!” and started to run after him,
+shouting such things in English. But I was no match for him over the
+roots and mud.
+
+I had a preposterous idea. “He mustn’t get away and tell them!”
+
+And with that instantly I brought both feet together, raised my gun,
+aimed quite coolly, drew the trigger carefully and shot him neatly in
+the back.
+
+I saw, and saw with a leap of pure exaltation, the smash of my bullet
+between his shoulder blades. “Got him,” said I, dropping my gun and
+down he flopped and died without a groan. “By Jove!” I cried with note
+of surprise, “I’ve killed him!” I looked about me and then went forward
+cautiously, in a mood between curiosity and astonishment, to look at
+this man whose soul I had flung so unceremoniously out of our common
+world. I went to him, not as one goes to something one has made or
+done, but as one approaches something found.
+
+He was frightfully smashed out in front; he must have died in the
+instant. I stooped and raised him by his shoulder and realised that. I
+dropped him, and stood about and peered about me through the trees. “My
+word!” I said. He was the second dead human being—apart, I mean, from
+surgical properties and mummies and common shows of that sort—that I
+have ever seen. I stood over him wondering, wondering beyond measure.
+
+A practical idea came into that confusion. Had any one heard the gun?
+
+I reloaded.
+
+After a time I felt securer, and gave my mind again to the dead I had
+killed. What must I do?
+
+It occurred to me that perhaps I ought to bury him. At any rate, I
+ought to hide him. I reflected coolly, and then put my gun within easy
+reach and dragged him by the arm towards a place where the mud seemed
+soft, and thrust him in. His powder-flask slipped from his loin-cloth,
+and I went back to get it. Then I pressed him down with the butt of my
+rifle.
+
+Afterwards this all seemed to me most horrible, but at the time it was
+entirely a matter-of-fact transaction. I looked round for any other
+visible evidence of his fate, looked round as one does when one packs
+one’s portmanteau in an hotel bedroom.
+
+When I got my bearings, and carefully returned towards the ship. I had
+the mood of grave concentration of a boy who has lapsed into poaching.
+And the business only began to assume proper proportions for me as I
+got near the ship, to seem any other kind of thing than the killing of
+a bird or rabbit.
+
+In the night, however, it took on enormous and portentous forms. “By
+God!” I cried suddenly, starting wide awake; “but it was murder!”
+
+I lay after that wide awake, staring at my memories. In some odd way
+these visions mixed up with my dream of in my uncle in his despair. The
+black body which saw now damaged and partly buried, but which,
+nevertheless, I no longer felt was dead but acutely alive and
+perceiving, I mixed up with the ochreous slash under my uncle’s face. I
+tried to dismiss this horrible obsession from my mind, but it prevailed
+over all my efforts.
+
+The next day was utterly black with my sense of that ugly creature’s
+body. I am the least superstitious of men, but it drew me. It drew me
+back into those thickets to the very place where I had hidden him.
+
+Some evil and detestable beast had been at him, and he lay disinterred.
+
+Methodically I buried his swollen and mangled carcass again, and
+returned to the ship for another night of dreams. Next day for all the
+morning I resisted the impulse to go to him, and played nap with
+Pollack with my secret gnawing at me, and in the evening started to go
+and was near benighted. I never told a soul of them of this thing I had
+done.
+
+Next day I went early, and he had gone, and there were human footmarks
+and ugly stains round the muddy hole from which he had been dragged.
+
+I returned to the ship, disconcerted and perplexed. That day it was the
+men came aft, with blistered hands and faces, and sullen eyes. When
+they proclaimed, through Edwards, their spokesman, “We’ve had enough of
+this, and we mean it,” I answered very readily, “So have I. Let’s go.”
+
+VII
+
+We were none too soon. People had been reconnoitring us, the telegraph
+had been at work, and we were not four hours at sea before we ran
+against the gunboat that had been sent down the coast to look for us
+and that would have caught us behind the island like a beast in a trap.
+It was a night of driving cloud that gave intermittent gleams of
+moonlight; the wind and sea were strong and we were rolling along
+through a drift of rails and mist. Suddenly the world was white with
+moonshine. The gunboat came out as a long dark shape wallowing on the
+water to the east.
+
+She sighted the _Maud Mary_ at once, and fired some sort of popgun to
+arrest us.
+
+The mate turned to me.
+
+“Shall I tell the captain?”
+
+“The captain be damned” said I, and we let him sleep through two hours
+of chase till a rainstorm swallowed us up. Then we changed our course
+and sailed right across them, and by morning only her smoke was
+showing.
+
+We were clear of Africa—and with the booty aboard I did not see what
+stood between us and home.
+
+For the first time since I had fallen sick in the Thames my spirits
+rose. I was sea-sick and physically disgusted, of course, but I felt
+kindly in spite of my qualms. So far as I could calculate then the
+situation was saved. I saw myself returning triumphantly into the
+Thames, and nothing on earth to prevent old Capern’s Perfect Filament
+going on the market in fortnight. I had the monopoly of electric lamps
+beneath my feet.
+
+I was released from the spell of that bloodstained black body all mixed
+up with grey-black mud. I was going back to baths and decent food and
+aeronautics and Beatrice. I was going back to Beatrice and my real life
+again—out of this well into which I had fallen. It would have needed
+something more than sea-sickness and quap fever to prevent my spirits
+rising.
+
+I told the captain that I agreed with him that the British were the
+scum of Europe, the westward drift of all the people, a disgusting
+rabble, and I lost three pounds by attenuated retail to Pollack at
+ha’penny nap and euchre.
+
+And then you know, as we got out into the Atlantic this side of Cape
+Verde, the ship began to go to pieces. I don’t pretend for one moment
+to understand what happened. But I think Greiffenhagen’s recent work on
+the effects of radium upon ligneous tissue does rather carry out my
+idea that emanations from quap have rapid rotting effect upon woody
+fibre.
+
+From the first there had been a different feel about the ship, and as
+the big winds and waves began to strain her she commenced leaking. Soon
+she was leaking—not at any particular point, but everywhere. She did
+not spring a leak, I mean, but water came in first of all near the
+decaying edges of her planks, and then through them.
+
+I firmly believe the water came through the wood. First it began to
+ooze, then to trickle. It was like trying to carry moist sugar in a
+thin paper bag. Soon we were taking in water as though we had opened a
+door in her bottom.
+
+Once it began, the thing went ahead beyond all fighting. For a day or
+so we did our best, and I can still remember in my limbs and back the
+pumping—the fatigue in my arms and the memory of a clear little dribble
+of water that jerked as one pumped, and of knocking off and the being
+awakened to go on again, and of fatigue piling up upon fatigue. At last
+we ceased to think of anything but pumping; one became a thing of
+torment enchanted, doomed to pump for ever. I still remember it as pure
+relief when at last Pollack came to me pipe in mouth.
+
+“The captain says the damned thing’s going down right now;” he
+remarked, chewing his mouthpiece. “Eh?”
+
+“Good idea!” I said. “One can’t go on pumping for ever.”
+
+And without hurry or alacrity, sullenly and wearily we got into the
+boats and pulled away from the _Maud Mary_ until we were clear of her,
+and then we stayed resting on our oars, motionless upon a glassy sea,
+waiting for her to sink. We were all silent, even the captain was
+silent until she went down. And then he spoke quite mildly in an
+undertone.
+
+“Dat is the first ship I haf ever lost.... And it was not a fair game!
+It wass not a cargo any man should take. No!”
+
+I stared at the slow eddies that circled above the departed _Maud
+Mary_, and the last chance of Business Organisations. I felt weary
+beyond emotion. I thought of my heroics to Beatrice and my uncle, of my
+prompt “_I’ll_ go,” and of all the ineffectual months I had spent after
+this headlong decision. I was moved to laughter at myself and fate.
+
+But the captain and the men did not laugh. The men scowled at me and
+rubbed their sore and blistered hands, and set themselves to row....
+
+As all the world knows we were picked up by the Union Castle liner,
+_Portland Castle_.
+
+The hairdresser aboard was a wonderful man, and he even improvised me a
+dress suit, and produced a clean shirt and warm underclothing. I had a
+hot bath, and dressed and dined and drank a bottle of Burgundy.
+
+“Now,” I said, “are there any newspapers? I want to know what’s been
+happening in the world.”
+
+My steward gave me what he had, but I landed at Plymouth still largely
+ignorant of the course of events. I shook off Pollack, and left the
+captain and mate in an hotel, and the men in a Sailor’s Home until I
+could send to pay them off, and I made my way to the station.
+
+The newspapers I bought, the placards I saw, all England indeed
+resounded to my uncle’s bankruptcy.
+
+
+
+
+BOOK THE FOURTH
+THE AFTERMATH OF TONO-BUNGAY
+
+
+
+
+CHAPTER THE FIRST
+THE STICK OF THE ROCKET
+
+
+I
+
+That evening I talked with my uncle in the Hardingham for the last
+time. The atmosphere of the place had altered quite shockingly. Instead
+of the crowd of importunate courtiers there were just half a dozen
+uninviting men, journalists waiting for an interview. Ropper the big
+commissionaire was still there, but now indeed he was defending my
+uncle from something more than time-wasting intrusions. I found the
+little man alone in the inner office pretending to work, but really
+brooding. He was looking yellow and deflated.
+
+“Lord!” he said at the sight of me. “You’re lean, George. It makes that
+scar of yours show up.”
+
+We regarded each other gravely for a time.
+
+“Quap,” I said, “is at the bottom of the Atlantic. There’s some
+bills—We’ve got to pay the men.”
+
+“Seen the papers?”
+
+“Read ’em all in the train.”
+
+“At bay,” he said. “I been at bay for a week.... Yelping round me....
+And me facing the music. I’m feelin’ a bit tired.”
+
+He blew and wiped his glasses.
+
+“My stomack isn’t what it was,” he explained. “One finds it—these
+times. How did it all happen, George? Your Marconigram—it took me in
+the wind a bit.”
+
+I told him concisely. He nodded to the paragraphs of my narrative and
+at the end he poured something from a medicine bottle into a sticky
+little wineglass and drank it. I became aware of the presence of drugs,
+of three or four small bottles before him among his disorder of papers,
+of a faint elusively familiar odour in the room.
+
+“Yes,” he said, wiping his lips and recorking the bottle. “You’ve done
+your best, George. The luck’s been against us.”
+
+He reflected, bottle in hand. “Sometimes the luck goes with you and
+sometimes it doesn’t. Sometimes it doesn’t. And then where are you?
+Grass in the oven! Fight or no fight.”
+
+He asked a few questions and then his thoughts came back to his own
+urgent affairs. I tried to get some comprehensive account of the
+situation from him, but he would not give it.
+
+“Oh, I wish I’d had you. I wish I’d had you, George. I’ve had a lot on
+my hands. You’re clear headed at times.”
+
+“What has happened?”
+
+“Oh! Boom!—infernal things.”
+
+“Yes, but—how? I’m just off the sea, remember.”
+
+“It’d worry me too much to tell you now. It’s tied up in a skein.”
+
+He muttered something to himself and mused darkly, and roused himself
+to say—
+
+“Besides—you’d better keep out of it. It’s getting tight. Get ’em
+talking. Go down to Crest Hill and fly. That’s _your_ affair.”
+
+For a time his manner set free queer anxieties in my brain again.
+
+I will confess that that Mordet Island nightmare of mine returned, and
+as I looked at him his hand went out for the drug again. “Stomach,
+George,” he said.
+
+“I been fightin’ on that. Every man fights on some thing—gives way
+somewheres—head, heart, liver—something. Zzzz. Gives way somewhere.
+Napoleon did at last. All through the Waterloo campaign, his stomach—it
+wasn’t a stomach! Worse than mine, no end.”
+
+The mood of depression passed as the drug worked within him. His eyes
+brightened. He began to talk big. He began to dress up the situation
+for my eyes, to recover what he had admitted to me. He put it as a
+retreat from Russia. There were still the chances of Leipzig.
+
+“It’s a battle, George—a big fight. We’re fighting for millions. I’ve
+still chances. There’s still a card or so. I can’t tell all my
+plans—like speaking on the stroke.”
+
+“You might,” I began.
+
+“I can’t, George. It’s like asking to look at some embryo. You got to
+wait. I know. In a sort of way, I know. But to tell it—No! You been
+away so long. And everything’s got complicated.”
+
+My perception of disastrous entanglements deepened with the rise of his
+spirits. It was evident that I could only help to tie him up in
+whatever net was weaving round his mind by forcing questions and
+explanations upon him. My thoughts flew off at another angle. “How’s
+Aunt Susan?” said I.
+
+I had to repeat the question. His busy whispering lips stopped for a
+moment, and he answered in the note of one who repeats a formula.
+
+“She’d like to be in the battle with me. She’d like to be here in
+London. But there’s corners I got to turn alone.” His eye rested for a
+moment on the little bottle beside him. “And things have happened.
+
+“You might go down now and talk to her,” he said, in a directer voice.
+“I shall be down to-morrow night, I think.”
+
+He looked up as though he hoped that would end our talk.
+
+“For the week-end?” I asked.
+
+“For the week-end. Thank God for week-ends, George!”
+
+II
+
+My return home to Lady Grove was a very different thing from what I had
+anticipated when I had got out to sea with my load of quap and fancied
+the Perfect-Filament was safe within my grasp. As I walked through the
+evening light along the downs, the summer stillness seemed like the
+stillness of something newly dead. There were no lurking workmen any
+more, no cyclists on the high road.
+
+Cessation was manifest everywhere. There had been, I learnt from my
+aunt, a touching and quite voluntary demonstration when the Crest Hill
+work had come to an end and the men had drawn their last pay; they had
+cheered my uncle and hooted the contractors and Lord Boom.
+
+I cannot now recall the manner in which my aunt and I greeted one
+another. I must have been very tired there, but whatever impression was
+made has gone out of my memory. But I recall very clearly how we sat at
+the little round table near the big window that gave on the terrace,
+and dined and talked. I remember her talking of my uncle.
+
+She asked after him, and whether he seemed well. “I wish I could help,”
+she said. “But I’ve never helped him much, never. His way of doing
+things was never mine. And since—since—. Since he began to get so rich,
+he’s kept things from me. In the old days—it was different....
+
+“There he is—I don’t know what he’s doing. He won’t have me near
+him....
+
+“More’s kept from me than anyone. The very servants won’t let me know.
+They try and stop the worst of the papers—Boom’s things—from coming
+upstairs.... I suppose they’ve got him in a corner, George. Poor old
+Teddy! Poor old Adam and Eve we are! Ficial Receivers with flaming
+swords to drive us out of our garden! I’d hoped we’d never have another
+Trek. Well—anyway, it won’t be Crest Hill.... But it’s hard on Teddy.
+He must be in such a mess up there. Poor old chap. I suppose we can’t
+help him. I suppose we’d only worry him. Have some more soup
+George—while there is some?...”
+
+The next day was one of those days of strong perception that stand out
+clear in one’s memory when the common course of days is blurred. I can
+recall now the awakening in the large familiar room that was always
+kept for me, and how I lay staring at its chintz-covered chairs, its
+spaced fine furniture, its glimpse of the cedars without, and thought
+that all this had to end.
+
+I have never been greedy for money, I have never wanted to be rich, but
+I felt now an immense sense of impending deprivation. I read the
+newspapers after breakfast—I and my aunt together—and then I walked up
+to see what Cothope had done in the matter of Lord Roberts β. Never
+before had I appreciated so acutely the ample brightness of the Lady
+Grove gardens, the dignity and wide peace of all about me. It was one
+of those warm mornings in late May that have won all the glory of
+summer without losing the gay delicacy of spring. The shrubbery was
+bright with laburnum and lilac, the beds swarmed with daffodils and
+narcissi and with lilies of the valley in the shade.
+
+I went along the well-kept paths among the rhododendra and through the
+private gate into the woods where the bluebells and common orchid were
+in profusion. Never before had I tasted so completely the fine sense of
+privilege and ownership. And all this has to end, I told myself, all
+this has to end.
+
+Neither my uncle nor I had made any provision for disaster; all we had
+was in the game, and I had little doubt now of the completeness of our
+ruin. For the first time in my life since he had sent me that wonderful
+telegram of his I had to consider that common anxiety of
+mankind,—Employment. I had to come off my magic carpet and walk once
+more in the world.
+
+And suddenly I found myself at the cross drives where I had seen
+Beatrice for the first time after so many years. It is strange, but so
+far as I can recollect I had not thought of her once since I had landed
+at Plymouth. No doubt she had filled the background of my mind, but I
+do not remember one definite, clear thought. I had been intent on my
+uncle and the financial collapse.
+
+It came like a blow in the face now; all that, too, had to end!
+
+Suddenly I was filled with the thought of her and a great longing for
+her. What would she do when she realised our immense disaster? What
+would she do? How would she take it? It filled me with astonishment to
+realise how little I could tell....
+
+Should I perhaps presently happen upon her?
+
+I went on through the plantations and out upon the downs, and thence I
+saw Cothope with a new glider of his own design soaring down wind to my
+old familiar “grounding” place. To judge by its long rhythm it was a
+very good glider. “Like Cothope’s cheek,” thought I, “to go on with the
+research. I wonder if he’s keeping notes.... But all this will have to
+stop.”
+
+He was sincerely glad to see me. “It’s been a rum go,” he said.
+
+He had been there without wages for a month, a man forgotten in the
+rush of events.
+
+“I just stuck on and did what I could with the stuff. I got a bit of
+money of my own—and I said to myself, ‘Well, here you are with the gear
+and no one to look after you. You won’t get such a chance again, my
+boy, not in all your born days. Why not make what you can with it? ‘”
+
+“How’s Lord Roberts β?”
+
+Cothope lifted his eyebrows. “I’ve had to refrain,” he said. “But he’s
+looking very handsome.”
+
+“Gods!” I said, “I’d like to get him up just once before we smash. You
+read the papers? You know we’re going to smash?”
+
+“Oh! I read the papers. It’s scandalous, sir, such work as ours should
+depend on things like that. You and I ought to be under the State, sir,
+if you’ll excuse me.”
+
+“Nothing to excuse,” I said. “I’ve always been a Socialist—of a sort—in
+theory. Let’s go and have a look at him. How is he? Deflated?”
+
+“Just about quarter full. That last oil glaze of yours holds the gas
+something beautiful. He’s not lost a cubic metre a week.”...
+
+Cothope returned to Socialism as we went toward the sheds.
+
+“Glad to think you’re a Socialist, sir,” he said, “it’s the only
+civilised state. I been a Socialist some years—off the _Clarion_. It’s
+a rotten scramble, this world. It takes the things we make and invent
+and it plays the silly fool with ’em. We scientific people, we’ll have
+to take things over and stop all this financing and advertisement and
+that. It’s too silly. It’s a noosance. Look at us!”
+
+Lord Roberts _B_, even in his partially deflated condition in his shed,
+was a fine thing to stare up at. I stood side by side with Cothope
+regarding him, and it was borne in upon me more acutely than ever that
+all this had to end. I had a feeling just like the feeling of a boy who
+wants to do wrong, that I would use up the stuff while I had it before
+the creditors descended. I had a queer fancy, too, I remember, that if
+I could get into the air it would advertise my return to Beatrice.
+
+“We’ll fill her,” I said concisely.
+
+“It’s all ready,” said Cothope, and added as an afterthought, “unless
+they cut off the gas.”...
+
+I worked and interested myself with Cothope all the morning and for a
+time forgot my other troubles. But the thought of Beatrice flooded me
+slowly and steadily. It became an unintelligent sick longing to see
+her. I felt that I could not wait for the filling of Lord Roberts β,
+that I must hunt her up and see her soon. I got everything forward and
+lunched with Cothope, and then with the feeblest excuses left him in
+order to prowl down through the woods towards Bedley Corner. I became a
+prey to wretched hesitations and diffidence. Ought I to go near her
+now? I asked myself, reviewing all the social abasements of my early
+years. At last, about five, I called at the Dower House. I was greeted
+by their Charlotte—with a forbidding eye and a cold astonishment.
+
+Both Beatrice and Lady Osprey were out.
+
+There came into my head some prowling dream of meeting her. I went
+along the lane towards Woking, the lane down which we had walked five
+months ago in the wind and rain.
+
+I mooned for a time in our former footsteps, then swore and turned back
+across the fields, and then conceived a distaste for Cothope and went
+Downward. At last I found myself looking down on the huge abandoned
+masses of the Crest Hill house.
+
+That gave my mind a twist into a new channel. My uncle came uppermost
+again. What a strange, melancholy emptiness of intention that stricken
+enterprise seemed in the even evening sunlight, what vulgar
+magnificence and crudity and utter absurdity! It was as idiotic as the
+pyramids. I sat down on the stile, staring at it as though I had never
+seen that forest of scaffold poles, that waste of walls and bricks and
+plaster and shaped stones, that wilderness of broken soil and wheeling
+tracks and dumps before. It struck me suddenly as the compactest image
+and sample of all that passes for Progress, of all the
+advertisement-inflated spending, the aimless building up and pulling
+down, the enterprise and promise of my age. This was our fruit, this
+was what he had done, I and my uncle, in the fashion of our time. We
+were its leaders and exponents, we were the thing it most flourishingly
+produced. For this futility in its end, for an epoch of such futility,
+the solemn scroll of history had unfolded....
+
+“Great God!” I cried, “but is this Life?”
+
+For this the armies drilled, for this the Law was administered and the
+prisons did their duty, for this the millions toiled and perished in
+suffering, in order that a few of us should build palaces we never
+finished, make billiard-rooms under ponds, run imbecile walls round
+irrational estates, scorch about the world in motor-cars, devise
+flying-machines, play golf and a dozen such foolish games of ball,
+crowd into chattering dinner parties, gamble and make our lives one
+vast, dismal spectacle of witless waste! So it struck me then, and for
+a time I could think of no other interpretation. This was Life! It came
+to me like a revelation, a revelation at once incredible and
+indisputable of the abysmal folly of our being.
+
+III
+
+I was roused from such thoughts by the sound of footsteps behind me.
+
+I turned half hopeful—so foolish is a lover’s imagination, and stopped
+amazed. It was my uncle. His face was white—white as I had seen it in
+my dream.
+
+“Hullo!” I said, and stared. “Why aren’t you in London?”
+
+“It’s all up,” he said....
+
+“Adjudicated?”
+
+“No!”
+
+I stared at him for a moment, and then got off the stile.
+
+We stood swaying and then came forward with a weak motion of his arms
+like a man who cannot see distinctly, and caught at and leant upon the
+stile. For a moment we were absolutely still. He made a clumsy gesture
+towards the great futility below and choked. I discovered that his face
+was wet with tears, that his wet glasses blinded him. He put up his
+little fat hand and clawed them off clumsily, felt inefficiently for
+his pocket-handkerchief, and then, to my horror, as he clung to me, he
+began to weep aloud, this little, old worldworn swindler. It wasn’t
+just sobbing or shedding tears, it was crying as a child cries. It was
+oh! terrible!
+
+“It’s cruel,” he blubbered at last. “They asked me questions. They
+_kep_’ asking me questions, George.”
+
+He sought for utterance, and spluttered.
+
+“The Bloody bullies!” he shouted. “The Bloody Bullies.”
+
+He ceased to weep. He became suddenly rapid and explanatory.
+
+“It’s not a fair game, George. They tire you out. And I’m not well. My
+stomach’s all wrong. And I been and got a cold. I always been li’ble to
+cold, and this one’s on my chest. And then they tell you to speak up.
+They bait you—and bait you, and bait you. It’s torture. The strain of
+it. You can’t remember what you said. You’re bound to contradict
+yourself. It’s like Russia, George.... It isn’t fair play.... Prominent
+man. I’ve been next at dinners with that chap, Neal; I’ve told him
+stories—and he’s bitter! Sets out to ruin me. Don’t ask a civil
+question—bellows.” He broke down again. “I’ve been bellowed at, I been
+bullied, I been treated like a dog. Dirty cads they are! Dirty cads!
+I’d rather be a Three-Card Sharper than a barrister; I’d rather sell
+cat’s-meat in the streets.
+
+“They sprung things on me this morning, things I didn’t expect. They
+rushed me! I’d got it all in my hands and then I was jumped. By Neal!
+Neal I’ve given city tips to! Neal! I’ve helped Neal....
+
+“I couldn’t swallow a mouthful—not in the lunch hour. I couldn’t face
+it. It’s true, George—I couldn’t face it. I said I’d get a bit of air
+and slipped out and down to the Embankment, and there I took a boat to
+Richmond. Some idee. I took a rowing boat when I got there and I rowed
+about on the river for a bit. A lot of chaps and girls there was on the
+bank laughed at my shirt-sleeves and top hat. Dessay they thought it
+was a pleasure trip. Fat lot of pleasure! I rowed round for a bit and
+came in. Then I came on here. Windsor way. And there they are in London
+doing what they like with me.... I don’t care!”
+
+“But” I said, looking down at him, perplexed.
+
+“It’s abscondin’. They’ll have a warrant.”
+
+“I don’t understand,” I said.
+
+“It’s all up, George—all up and over.
+
+“And I thought I’d live in that place, George and die a lord! It’s a
+great place, reely, an imperial—if anyone has the sense to buy it and
+finish it. That terrace—”
+
+I stood thinking him over.
+
+“Look here!” I said. “What’s that about—a warrant? Are you sure they’ll
+get a warrant? I’m sorry uncle; but what have you done?”
+
+“Haven’t I told you?”
+
+“Yes, but they won’t do very much to you for that. They’ll only bring
+you up for the rest of your examination.”
+
+He remained silent for a time. At last he spoke—speaking with
+difficulty.
+
+“It’s worse than that. I’ve done something. They’re bound to get it
+out. Practically they _have_ got it out.”
+
+“What?”
+
+“Writin’ things down—I done something.”
+
+For the first time in his life, I believe, he felt and looked ashamed.
+It filled me with remorse to see him suffer so.
+
+“We’ve all done things,” I said. “It’s part of the game the world makes
+us play. If they want to arrest you—and you’ve got no cards in your
+hand—! They mustn’t arrest you.”
+
+“No. That’s partly why I went to Richmond. But I never thought—”
+
+His little bloodshot eyes stared at Crest Hill.
+
+“That chap Wittaker Wright,” he said, “he had his stuff ready. I
+haven’t. Now you got it, George. That’s the sort of hole I’m in.”
+
+IV
+
+That memory of my uncle at the gate is very clear and full. I am able
+to recall even the undertow of my thoughts while he was speaking. I
+remember my pity and affection for him in his misery growing and
+stirring within me, my realisation that at any risk I must help him.
+But then comes indistinctness again. I was beginning to act. I know I
+persuaded him to put himself in my hands, and began at once to plan and
+do. I think that when we act most we remember least, that just in the
+measure that the impulse of our impressions translates itself into
+schemes and movements, it ceases to record itself in memories. I know I
+resolved to get him away at once, and to use the Lord Roberts β in
+effecting that. It was clear he was soon to be a hunted man, and it
+seemed to me already unsafe for him to try the ordinary Continental
+routes in his flight. I had to evolve some scheme, and evolve it
+rapidly, how we might drop most inconspicuously into the world across
+the water. My resolve to have one flight at least in my airship fitted
+with this like hand to glove. It seemed to me we might be able to cross
+over the water in the night, set our airship adrift, and turn up as
+pedestrian tourists in Normandy or Brittany, and so get away. That, at
+any rate, was my ruling idea.
+
+I sent off Cothope with a dummy note to Woking, because I did not want
+to implicate him, and took my uncle to the pavilion. I went down to my
+aunt, and made a clean breast of the situation. She became admirably
+competent. We went into his dressing-room and ruthlessly broke his
+locks. I got a pair of brown boots, a tweed suit and a cap of his, and
+indeed a plausible walking outfit, and a little game bag for his
+pedestrian gear; and, in addition, a big motoring overcoat and a supply
+of rugs to add to those I had at the pavilion. I also got a flask of
+brandy, and she made sandwiches. I don’t remember any servants
+appearing, and I forget where she got those sandwiches. Meanwhile we
+talked. Afterwards I thought with what a sure confidence we talked to
+each other.
+
+“What’s he done?” she said.
+
+“D’you mind knowing?”
+
+“No conscience left, thank God!”
+
+“I think—forgery!”
+
+There was just a little pause. “Can you carry this bundle?” she asked.
+
+I lifted it.
+
+“No woman ever has respected the law—ever,” she said. “It’s too
+silly.... The things it lets you do! And then pulls you up—like a mad
+nurse minding a child.”
+
+She carried some rugs for me through the shrubbery in the darkling.
+
+“They’ll think we’re going mooning,” she said, jerking her head at the
+household. “I wonder what they make of us—criminals.” ... An immense
+droning note came as if in answer to that. It startled us both for a
+moment. “The dears!” she said. “It’s the gong for dinner!... But I wish
+I could help little Teddy, George. It’s awful to think of him there
+with hot eyes, red and dry. And I know—the sight of me makes him feel
+sore. Things I said, George. If I could have seen, I’d have let him
+have an omnibusful of Scrymgeours. I cut him up. He’d never thought I
+meant it before.... I’ll help all I can, anyhow.”
+
+I turned at something in her voice, and got a moon light gleam of tears
+upon her face.
+
+“Could _she_ have helped?” she asked abruptly.
+
+“_She?_”
+
+“That woman.”
+
+“My God!” I cried, “_helped!_ Those—things don’t help!”
+
+“Tell me again what I ought to do,” she said after a silence.
+
+I went over the plans I had made for communicating, and the things I
+thought she might do. I had given her the address of a solicitor she
+might put some trust in.
+
+“But you must act for yourself,” I insisted.
+
+“Roughly,” I said, “it’s a scramble. You must get what you can for us,
+and follow as you can.”
+
+She nodded.
+
+She came right up to the pavilion and hovered for a time shyly, and
+then went away.
+
+I found my uncle in my sitting-room in an arm-chair, with his feet upon
+the fender of the gas stove, which he had lit, and now he was feebly
+drunken with my whisky, and very weary in body and spirit, and inclined
+to be cowardly.
+
+“I lef’ my drops,” he said.
+
+He changed his clothes slowly and unwillingly. I had to bully him, I
+had almost to shove him to the airship and tuck him up upon its wicker
+flat. Single-handed I made but a clumsy start; we scraped along the
+roof of the shed and bent a van of the propeller, and for a time I hung
+underneath without his offering a hand to help me to clamber up. If it
+hadn’t been for a sort of anchoring trolley device of Cothope’s, a sort
+of slip anchor running on a rail, we should never have got clear at
+all.
+
+V
+
+The incidents of our flight in Lord Roberts β do not arrange themselves
+in any consecutive order. To think of that adventure is like dipping
+haphazard into an album of views. One is reminded first of this and
+then of that. We were both lying down on a horizontal plate of
+basketwork; for Lord Roberts β had none of the elegant accommodation of
+a balloon. I lay forward, and my uncle behind me in such a position
+that he could see hardly anything of our flight. We were protected from
+rolling over simply by netting between the steel stays. It was
+impossible for us to stand up at all; we had either to lie or crawl on
+all fours over the basket work. Amidships were lockers made of Watson’s
+Aulite material,—and between these it was that I had put my uncle,
+wrapped in rugs. I wore sealskin motoring boots and gloves, and a
+motoring fur coat over my tweeds, and I controlled the engine by Bowden
+wires and levers forward.
+
+The early part of that night’s experience was made up of warmth, of
+moonlit Surrey and Sussex landscape, and of a rapid and successful
+flight, ascending and swooping, and then ascending again southward. I
+could not watch the clouds because the airship overhung me; I could not
+see the stars nor gauge the meteorological happening, but it was fairly
+clear to me that a wind shifting between north and northeast was
+gathering strength, and after I had satisfied myself by a series of
+entirely successful expansions and contractions of the real
+air-worthiness of Lord Roberts β, I stopped the engine to save my
+petrol, and let the monster drift, checking its progress by the dim
+landscape below. My uncle lay quite still behind me, saying little and
+staring in front of him, and I was left to my own thoughts and
+sensations.
+
+My thoughts, whatever they were, have long since faded out of memory,
+and my sensations have merged into one continuous memory of an
+countryside lying, as it seemed, under snow, with square patches of
+dimness, white phantoms of roads, rents and pools of velvety blackness,
+and lamp-jewelled houses. I remember a train boring its way like a
+hastening caterpillar of fire across the landscape, and how distinctly
+I heard its clatter. Every town and street was buttoned with street
+lamps. I came quite close to the South Downs near Lewes, and all the
+lights were out in the houses, and the people gone to bed. We left the
+land a little to the east of Brighton, and by that time Brighton was
+well abed. and the brightly lit sea-front deserted. Then I let out the
+gas chamber to its fullest extent and rose. I like to be high above
+water.
+
+I do not clearly know what happened in the night. I think I must have
+dozed, and probably my uncle slept. I remember that once or twice I
+heard him talking in an eager, muffled voice to himself, or to an
+imaginary court. But there can be no doubt the wind changed right round
+into the east, and that we were carried far down the Channel without
+any suspicion of the immense leeway we were making. I remember the kind
+of stupid perplexity with which I saw the dawn breaking over a grey
+waste of water, below, and realised that something was wrong. I was so
+stupid that it was only after the sunrise I really noticed the trend of
+the foam caps below, and perceived we were in a severe easterly gale.
+Even then, instead of heading southeasterly, I set the engine going,
+headed south, and so continued a course that must needs have either
+just hit Ushant, or carry us over the Bay of Biscay. I thought I was
+east of Cherbourg, when I was far to the west and stopped my engine in
+that belief, and then set it going again. I did actually sight the
+coast of Brittany to the southeast in the late afternoon, and that it
+was woke me up to the gravity of our position. I discovered it by
+accident in the southeast, when I was looking for it in the southwest.
+I turned about east and faced the wind for some time, and finding I had
+no chance in its teeth, went high, where it seemed less violent, and
+tried to make a course southeast. It was only then that I realised what
+a gale I was in. I had been going westward, and perhaps even in gusts
+north of west, at a pace of fifty or sixty miles an hour.
+
+Then I began what I suppose would be called a Fight against the east
+wind. One calls it a Fight, but it was really almost as unlike a fight
+as plain sewing. The wind tried to drive me westwardly, and I tried to
+get as much as I could eastwardly, with the wind beating and rocking us
+irregularly, but by no means unbearably, for about twelve hours. My
+hope lay in the wind abating, and our keeping in the air and eastward
+of Finisterre until it did, and the chief danger was the exhaustion of
+our petrol. It was a long and anxious and almost meditative time; we
+were fairly warm, and only slowly getting hungry, and except that my
+uncle grumbled a little and produced some philosophical reflections,
+and began to fuss about having a temperature, we talked very little. I
+was tired and sulky, and chiefly worried about the engine. I had to
+resist a tendency to crawl back and look at it. I did not care to risk
+contracting our gas chamber for fear of losing gas. Nothing was less
+like a fight. I know that in popular magazines, and so forth, all such
+occasions as this are depicted in terms of hysteria. Captains save
+their ships engineers complete their bridges, generals conduct their
+battles, in a state of dancing excitement, foaming recondite
+technicalities at the lips. I suppose that sort of thing works up the
+reader, but so far as it professes to represent reality, I am convinced
+it is all childish nonsense, schoolboys of fifteen, girls of eighteen,
+and literary men all their lives, may have these squealing fits, but my
+own experience is that most exciting scenes are not exciting, and most
+of the urgent moments in life are met by steady-headed men.
+
+Neither I nor my uncle spent the night in ejaculations, nor in humorous
+allusions, nor any of these things. We remained lumpish.
+
+My uncle stuck in his place and grumbled about his stomach, and
+occasionally rambled off into expositions of his financial position and
+denunciations of Neal—he certainly struck out one or two good phrases
+for Neal—and I crawled about at rare intervals in a vague sort of way
+and grunted, and our basketwork creaked continually, and the wind on
+our quarter made a sort of ruffled flapping in the wall of the gas
+chamber. For all our wraps we got frightfully cold as the night wore
+on.
+
+I must have dozed, and it was still dark when I realised with a start
+that we were nearly due south of, and a long way from, a
+regularly-flashing lighthouse, standing out before the glow of some
+great town, and then that the thing that had awakened me was the
+cessation of our engine, and that we were driving back to the west.
+
+Then, indeed, for a time I felt the grim thrill of life. I crawled
+forward to the cords of the release valves, made my uncle crawl forward
+too, and let out the gas until we were falling down through the air
+like a clumsy glider towards the vague greyness that was land.
+
+Something must have intervened here that I have forgotten.
+
+I saw the lights of Bordeaux when it was quite dark, a nebulous haze
+against black; of that I am reasonably sure. But certainly our fall
+took place in the cold, uncertain light of early dawn. I am, at least,
+equally sure of that. And Mimizan, near where we dropped, is fifty
+miles from Bordeaux, whose harbour lights I must have seen.
+
+I remember coming down at last with a curious indifference, and
+actually rousing myself to steer. But the actual coming to earth was
+exciting enough. I remember our prolonged dragging landfall, and the
+difficulty I had to get clear, and how a gust of wind caught Lord
+Roberts B as my uncle stumbled away from the ropes and litter, and
+dropped me heavily, and threw me on to my knees. Then came the
+realisation that the monster was almost consciously disentangling
+itself for escape, and then the light leap of its rebound. The rope
+slipped out of reach of my hand. I remember running knee-deep in a salt
+pool in hopeless pursuit of the airship.
+
+As it dragged and rose seaward, and how only after it had escaped my
+uttermost effort to recapture it, did I realise that this was quite the
+best thing that could have happened. It drove swiftly over the sandy
+dunes, lifting and falling, and was hidden by a clump of windbitten
+trees. Then it reappeared much further off, and still receding. It
+soared for a time, and sank slowly, and after that I saw it no more. I
+suppose it fell into the sea and got wetted with salt water and heavy,
+and so became deflated and sank.
+
+It was never found, and there was never a report of anyone seeing it
+after it escaped from me.
+
+VI
+
+But if I find it hard to tell the story of our long flight through the
+air overseas, at least that dawn in France stands cold and clear and
+full. I see again almost as if I saw once more with my bodily eyes the
+ridges of sand rising behind ridges of sand, grey and cold and
+black-browed, with an insufficient grass. I feel again the clear, cold
+chill of dawn, and hear the distant barking of a dog. I find myself
+asking again, “What shall we do now?” and trying to scheme with brain
+tired beyond measure.
+
+At first my uncle occupied my attention. He was shivering a good deal,
+and it was all I could do to resist my desire to get him into a
+comfortable bed at once. But I wanted to appear plausibly in this part
+of the world. I felt it would not do to turn up anywhere at dawn and
+rest, it would be altogether too conspicuous; we must rest until the
+day was well advanced, and then appear as road-stained pedestrians
+seeking a meal. I gave him most of what was left of the biscuits,
+emptied our flasks, and advised him to sleep, but at first it was too
+cold, albeit I wrapped the big fur rug around him.
+
+I was struck now by the flushed weariness of his face, and the look of
+age the grey stubble on his unshaved chin gave him. He sat crumpled up,
+shivering and coughing, munching reluctantly, but drinking eagerly, and
+whimpering a little, a dreadfully pitiful figure to me. But we had to
+go through with it; there was no way out for us.
+
+Presently the sun rose over the pines, and the sand grew rapidly warm.
+My uncle had done eating, and sat with his wrists resting on his knees,
+the most hopeless looking of lost souls.
+
+“I’m ill,” he said, “I’m damnably ill! I can feel it in my skin!”
+
+Then—it was horrible to me—he cried, “I ought to be in bed; I ought to
+be in bed... instead of flying about,” and suddenly he burst into
+tears.
+
+I stood up. “Go to sleep, man!” I said, and took the rug from him, and
+spread it out and rolled him up in it.
+
+“It’s all very well,” he protested; “I’m not young enough—”
+
+“Lift up your head,” I interrupted, and put his knapsack under it.
+
+“They’ll catch us here, just as much as in an inn,” he grumbled and
+then lay still.
+
+Presently, after a long time, I perceived he was asleep. His breath
+came with peculiar wheezings, and every now and again he would cough. I
+was very stiff and tired myself, and perhaps I dozed. I don’t remember.
+I remember only sitting, as it seemed, nigh interminably, beside him,
+too weary even to think in that sandy desolation.
+
+No one came near us; no creature, not even a dog. I roused myself at
+last, feeling that it was vain to seek to seem other than abnormal, and
+with an effort that was like lifting a sky of lead, we made our way
+through the wearisome sand to a farmhouse. There I feigned even a more
+insufficient French than I possess naturally, and let it appear that we
+were pedestrians from Biarritz who had lost our way along the shore and
+got benighted.
+
+This explained us pretty well, I thought, and we got most heartening
+coffee and a cart to a little roadside station. My uncle grew more and
+more manifestly ill with every stage of our journey. I got him to
+Bayonne, where he refused at first to eat, and was afterwards very
+sick, and then took him shivering and collapsed up a little branch line
+to a frontier place called Luzon Gare.
+
+We found one homely inn with two small bedrooms, kept by a kindly
+Basque woman. I got him to bed, and that night shared his room, and
+after an hour or so of sleep he woke up in a raging fever and with a
+wandering mind, cursing Neal and repeating long, inaccurate lists of
+figures. He was manifestly a case for a doctor, and in the morning we
+got one in. He was a young man from Montpelier, just beginning to
+practise, and very mysterious and technical and modern and unhelpful.
+He spoke of cold and exposure, and _la grippe_ and pneumonia. He gave
+many explicit and difficult directions.... I perceived it devolved upon
+me to organise nursing and a sick-room. I installed a _religieuse_ in
+the second bedroom of the inn, and took a room for myself in the inn of
+Port de Luzon, a quarter of a mile away.
+
+VII
+
+And now my story converges on what, in that queer corner of refuge out
+of the world, was destined to be my uncle’s deathbed. There is a
+background of the Pyrenees, of blue hills and sunlit houses, of the old
+castle of Luzon and a noisy cascading river, and for a foreground the
+dim, stuffy room whose windows both the _religieuse_ and hostess
+conspired to shut, with its waxed floor, its four-poster bed, its
+characteristically French chairs and fireplace, its champagne bottles
+and dirty basins and used towels and packets of _Somatosé_ on the
+table. And in the sickly air of the confined space in behind the
+curtains of the bed lay my little uncle, with an effect of being
+enthroned and secluded, or sat up, or writhed and tossed in his last
+dealings of life. One went and drew back the edge of the curtains if
+one wanted to speak to him or look at him.
+
+Usually he was propped up against pillows, because so he breathed more
+easily. He slept hardly at all.
+
+I have a confused memory of vigils and mornings and afternoons spent by
+that bedside, and how the _religieuse_ hovered about me, and how meek
+and good and inefficient she was, and how horribly black were her
+nails. Other figures come and go, and particularly the doctor, a young
+man plumply rococo, in bicycling dress, with fine waxen features, a
+little pointed beard, and the long black frizzy hair and huge tie of a
+minor poet. Bright and clear-cut and irrelevant are memories of the
+Basque hostess of my uncle’s inn and of the family of Spanish people
+who entertained me and prepared the most amazingly elaborate meals for
+me, with soup and salad and chicken and remarkable sweets. They were
+all very kind and sympathetic people, systematically so. And
+constantly, without attracting attention, I was trying to get
+newspapers from home.
+
+My uncle is central to all these impressions.
+
+I have tried to make you picture him, time after time, as the young man
+of the Wimblehurst chemist’s shop, as the shabby assistant in Tottenham
+Court Road, as the adventurer of the early days of Tono-Bungay, as the
+confident, preposterous plutocrat. And now I have to tell of him
+strangely changed under the shadow of oncoming death, with his skin lax
+and yellow and glistening with sweat, his eyes large and glassy, his
+countenance unfamiliar through the growth of a beard, his nose pinched
+and thin. Never had he looked so small as now. And he talked to me in a
+whispering, strained voice of great issues, of why his life had been,
+and whither he was going. Poor little man! that last phase is, as it
+were, disconnected from all the other phases. It was as if he crawled
+out from the ruins of his career, and looked about him before he died.
+For he had quite clear-minded states in the intervals of his delirium.
+
+He knew he was almost certainly dying. In a way that took the burthen
+of his cares off his mind. There was no more Neal to face, no more
+flights or evasions, no punishments.
+
+“It has been a great career, George,” he said, “but I shall be glad to
+rest. Glad to rest!... Glad to rest.”
+
+His mind ran rather upon his career, and usually, I am glad to recall,
+with a note of satisfaction and approval. In his delirious phases he
+would most often exaggerate this self-satisfaction, and talk of his
+splendours. He would pluck at the sheet and stare before him, and
+whisper half-audible fragments of sentences.
+
+“What is this great place, these cloud-capped towers, these any
+pinnacles?... Ilion. Sky-pointing.... Ilion House, the residence of one
+of our great merchant princes.... Terrace above terrace. Reaching to
+the heavens.... Kingdoms Cæsar never knew.... A great poet, George.
+Zzzz. Kingdoms Cæsar never knew.... Under entirely new management.
+
+“Greatness....Millions... Universities.... He stands on the terrace—on
+the upper terrace—directing—directing—by the globe—directing—the
+trade.”
+
+It was hard at times to tell when his sane talk ceased and his delirium
+began. The secret springs of his life, the vain imaginations were
+revealed. I sometimes think that all the life of man sprawls abed,
+careless and unkempt, until it must needs clothe and wash itself and
+come forth seemly in act and speech for the encounter with one’s
+fellow-men. I suspect that all things unspoken in our souls partake
+somewhat of the laxity of delirium and dementia. Certainly from those
+slimy, tormented lips above the bristling grey beard came nothing but
+dreams and disconnected fancies....
+
+Sometimes he raved about Neal, threatened Neal. “What has he got
+invested?” he said. “Does he think he can escape me?... If I followed
+him up.... Ruin. Ruin.... One would think _I_ had taken his money.”
+
+And sometimes he reverted to our airship flight. “It’s too long,
+George, too long and too cold. I’m too old a man—too old—for this sort
+of thing.... You know you’re not saving—you’re killing me.”
+
+Towards the end it became evident our identity was discovered. I found
+the press, and especially Boom’s section of it, had made a sort of hue
+and cry for us, sent special commissioners to hunt for us, and though
+none of these emissaries reached us until my uncle was dead, one felt
+the forewash of that storm of energy. The thing got into the popular
+French press. People became curious in their manner towards us, and a
+number of fresh faces appeared about the weak little struggle that went
+on in the closeness behind the curtains of the bed. The young doctor
+insisted on consultations, and a motor-car came up from Biarritz, and
+suddenly odd people with questioning eyes began to poke in with
+inquiries and help. Though nothing was said, I could feel that we were
+no longer regarded as simple middle-class tourists; about me, as I
+went, I perceived almost as though it trailed visibly, the prestige of
+Finance and a criminal notoriety. Local personages of a plump and
+prosperous quality appeared in the inn making inquiries, the Luzon
+priest became helpful, people watched our window, and stared at me as I
+went to and fro; and then we had a raid from a little English clergyman
+and his amiable, capable wife in severely Anglican blacks, who swooped
+down upon us like virtuous but resolute vultures from the adjacent
+village of Saint Jean de Pollack.
+
+The clergyman was one of those odd types that oscillate between remote
+country towns in England and the conduct of English Church services on
+mutual terms in enterprising hotels abroad, a tremulous, obstinate
+little being with sporadic hairs upon his face, spectacles, a red
+button nose, and aged black raiment. He was evidently enormously
+impressed by my uncle’s monetary greatness, and by his own inkling of
+our identity, and he shone and brimmed over with tact and fussy
+helpfulness. He was eager to share the watching of the bedside with me,
+he proffered services with both hands, and as I was now getting into
+touch with affairs in London again, and trying to disentangle the
+gigantic details of the smash from the papers I had succeeded in
+getting from Biarritz, I accepted his offers pretty generously, and
+began the studies in modern finance that lay before me. I had got so
+out of touch with the old traditions of religion that I overlooked the
+manifest possibility of his attacking my poor, sinking vestiges of an
+uncle with theological solicitudes. My attention was called to that,
+however, very speedily by a polite but urgent quarrel between himself
+and the Basque landlady as to the necessity of her hanging a cheap
+crucifix in the shadow over the bed, where it might catch my uncle’s
+eye, where, indeed, I found it had caught his eye.
+
+“Good Lord!” I cried; “is _that_ still going on!”
+
+That night the little clergyman watched, and in the small hours he
+raised a false alarm that my uncle was dying, and made an extraordinary
+fuss. He raised the house. I shall never forget that scene, I think,
+which began with a tapping at my bedroom door just after I had fallen
+asleep, and his voice—
+
+“If you want to see your uncle before he goes, you must come now.”
+
+The stuffy little room was crowded when I reached it, and lit by three
+flickering candles. I felt I was back in the eighteenth century. There
+lay my poor uncle amidst indescribably tumbled bedclothes, weary of
+life beyond measure, weary and rambling, and the little clergyman
+trying to hold his hand and his attention, and repeating over and over
+again:
+
+“Mr. Ponderevo, Mr. Ponderevo, it is all right. It is all right.
+
+“Only Believe! ‘Believe on me, and ye shall be saved’!”
+
+Close at hand was the doctor with one of those cruel and idiotic
+injection needles modern science puts in the hands of these
+half-educated young men, keeping my uncle flickeringly alive for no
+reason whatever. The _religieuse_ hovered sleepily in the background
+with an overdue and neglected dose. In addition, the landlady had not
+only got up herself, but roused an aged crone of a mother and a
+partially imbecile husband, and there was also a fattish, stolid man in
+grey alpaca, with an air of importance—who he was and how he got there,
+I don’t know. I rather fancy the doctor explained him to me in French I
+did not understand. And they were all there, wearily nocturnal, hastily
+and carelessly dressed, intent upon the life that flickered and sank,
+making a public and curious show of its going, queer shapes of human
+beings lit by three uncertain candles, and every soul of them keenly
+and avidly resolved to be in at the death. The doctor stood, the others
+were all sitting on chairs the landlady had brought in and arranged for
+them.
+
+And my uncle spoilt the climax, and did not die.
+
+I replaced the little clergyman on the chair by the bedside, and he
+hovered about the room.
+
+“I think,” he whispered to me mysteriously, as he gave place to me, “I
+believe—it is well with him.”
+
+I heard him trying to render the stock phrases of Low Church piety into
+French for the benefit of the stolid man in grey alpaca. Then he
+knocked a glass off the table, and scrabbled for the fragments. From
+the first I doubted the theory of an immediate death. I consulted the
+doctor in urgent whispers. I turned round to get champagne, and nearly
+fell over the clergyman’s legs. He was on his knees at the additional
+chair the Basque landlady had got on my arrival, and he was praying
+aloud, “Oh, Heavenly Father, have mercy on this thy Child....” I
+hustled him up and out of the way, and in another minute he was down at
+another chair praying again, and barring the path of the _religieuse_,
+who had found me the corkscrew. Something put into my head that
+tremendous blasphemy of Carlyle’s about “the last mew of a drowning
+kitten.” He found a third chair vacant presently; it was as if he was
+playing a game.
+
+“Good Heavens!” I said, “we must clear these people out,” and with a
+certain urgency I did.
+
+I had a temporary lapse of memory, and forgot all my French. I drove
+them out mainly by gesture, and opened the window, to the universal
+horror. I intimated the death scene was postponed, and, as a matter of
+fact, my uncle did not die until the next night.
+
+I did not let the little clergyman come near him again, and I was
+watchful for any sign that his mind had been troubled. But he made
+none. He talked once about “that parson chap.”
+
+“Didn’t bother you?” I asked.
+
+“Wanted something,” he said.
+
+I kept silence, listening keenly to his mutterings. I understood him to
+say, “They wanted too much.” His face puckered like a child’s going to
+cry. “You can’t get a safe six per cent.,” he said. I had for a moment
+a wild suspicion that those urgent talks had not been altogether
+spiritual, but that, I think, was a quite unworthy and unjust
+suspicion. The little clergyman was as simple and honest as the day. My
+uncle was simply generalising about his class.
+
+But it may have been these talks that set loose some long dormant
+string of ideas in my uncle’s brain, ideas the things of this world had
+long suppressed and hidden altogether. Near the end he suddenly became
+clearminded and lucid, albeit very weak, and his voice was little, but
+clear.
+
+“George,” he said.
+
+“I’m here,” I said, “close beside you.”
+
+“George. You have always been responsible for the science. George. You
+know better than I do. Is—Is it proved?”
+
+“What proved?”
+
+“Either way?”
+
+“I don’t understand.”
+
+“Death ends all. After so much—Such splendid beginnin’s. Somewhere.
+Something.”
+
+I stared at him amazed. His sunken eyes were very grave.
+
+“What do you expect?” I said in wonder.
+
+He would not answer. “Aspirations,” he whispered. He fell into a broken
+monologue, regardless of me. “Trailing clouds of glory,” he said, and
+“first-rate poet, first-rate....George was always hard. Always.”
+
+For a long time there was silence.
+
+Then he made a gesture that he wished to speak.
+
+“Seems to me, George”
+
+I bent my head down, and he tried to lift his hand to my shoulder. I
+raised him a little on his pillows, and listened.
+
+“It seems to me, George, always—there must be something in me—that
+won’t die.”
+
+He looked at me as though the decision rested with me.
+
+“I think,” he said; “—something.”
+
+Then, for a moment, his mind wandered. “Just a little link,” he
+whispered almost pleadingly, and lay quite still, but presently he was
+uneasy again.
+
+“Some other world”
+
+“Perhaps,” I said. “Who knows?”
+
+“Some other world.”
+
+“Not the same scope for enterprise,” I said.
+
+“No.”
+
+He became silent. I sat leaning down to him, and following out my own
+thoughts, and presently the _religieuse_ resumed her periodic conflict
+with the window fastening. For a time he struggled for breath.... It
+seemed such nonsense that he should have to suffer so—poor silly little
+man!
+
+“George,” he whispered, and his weak little hand came out. “_Perhaps_—”
+
+He said no more, but I perceived from the expression of his eyes that
+he thought the question had been put.
+
+“Yes, I think so;” I said stoutly.
+
+“Aren’t you sure?”
+
+“Oh—practically sure,” said I, and I think he tried to squeeze my hand.
+And there I sat, holding his hand tight, and trying to think what seeds
+of immortality could be found in all his being, what sort of ghost
+there was in _him_ to wander out into the bleak immensities. Queer
+fancies came to me.... He lay still for a long time, save for a brief
+struggle or so for breath and ever and again I wiped his mouth and
+lips.
+
+I fell into a pit of thought. I did not remark at first the change that
+was creeping over his face. He lay back on his pillow, made a faint
+zzzing sound that ceased, and presently and quite quietly he
+died—greatly comforted by my assurance. I do not know when he died. His
+hand relaxed insensibly. Suddenly, with a start, with a shock, I found
+that his mouth had fallen open, and that he was dead....
+
+VIII
+
+It was dark night when I left his deathbed and went back to my own inn
+down the straggling street of Luzon.
+
+That return to my inn sticks in my memory also as a thing apart, as an
+experience apart. Within was a subdued bustle of women, a flitting of
+lights, and the doing of petty offices to that queer, exhausted thing
+that had once been my active and urgent little uncle. For me those
+offices were irksome and impertinent. I slammed the door, and went out
+into the warm, foggy drizzle of the village street lit by blurred
+specks of light in great voids of darkness, and never a soul abroad.
+That warm veil of fog produced an effect of vast seclusion. The very
+houses by the roadside peered through it as if from another world. The
+stillness of the night was marked by an occasional remote baying of
+dogs; all these people kept dogs because of the near neighbourhood of
+the frontier.
+
+Death!
+
+It was one of those rare seasons of relief, when for a little time one
+walks a little outside of and beside life. I felt as I sometimes feel
+after the end of a play. I saw the whole business of my uncle’s life as
+something familiar and completed. It was done, like a play one leaves,
+like a book one closes. I thought of the push and the promotions, the
+noise of London, the crowded, various company of people through which
+our lives had gone, the public meetings, the excitements, the dinners
+and disputations, and suddenly it appeared to me that none of these
+things existed.
+
+It came to me like a discovery that none of these things existed.
+
+Before and after I have thought and called life a phantasmagoria, but
+never have I felt its truth as I did that night.... We had parted; we
+two who had kept company so long had parted. But there was, I knew, no
+end to him or me. He had died a dream death, and ended a dream; his
+pain dream was over. It seemed to me almost as though I had died, too.
+What did it matter, since it was unreality, all of it, the pain and
+desire, the beginning and the end? There was no reality except this
+solitary road, this quite solitary road, along which one went rather
+puzzled, rather tired....
+
+Part of the fog became a big mastiff that came towards me and stopped
+and slunk round me, growling, barked gruffly, and shortly and presently
+became fog again.
+
+My mind swayed back to the ancient beliefs and fears of our race. My
+doubts and disbeliefs slipped from me like a loosely fitting garment. I
+wondered quite simply what dogs bayed about the path of that other
+walker in the darkness, what shapes, what lights, it might be, loomed
+about him as he went his way from our last encounter on earth—along the
+paths that are real, and the way that endures for ever?
+
+IX
+
+Last belated figure in that grouping round my uncle’s deathbed is my
+aunt. When it was beyond all hope that my uncle could live I threw
+aside whatever concealment remained to us and telegraphed directly to
+her. But she came too late to see him living. She saw him calm and
+still, strangely unlike his habitual garrulous animation, an unfamiliar
+inflexibility.
+
+“It isn’t like him,” she whispered, awed by this alien dignity.
+
+I remember her chiefly as she talked and wept upon the bridge below the
+old castle. We had got rid of some amateurish reporters from Biarritz,
+and had walked together in the hot morning sunshine down through Port
+Luzon. There, for a time, we stood leaning on the parapet of the bridge
+and surveying the distant peeks, the rich blue masses of the Pyrenees.
+For a long time we said nothing, and then she began talking.
+
+“Life’s a rum Go, George!” she began. “Who would have thought, when I
+used to darn your stockings at old Wimblehurst, that this would be the
+end of the story? It seems far away now—that little shop, his and my
+first home. The glow of the bottles, the big coloured bottles! Do you
+remember how the light shone on the mahogany drawers? The little gilt
+letters! _Ol Amjig_, and _S’nap!_ I can remember it all—bright and
+shining—like a Dutch picture. Real! And yesterday. And here we are in a
+dream. You a man—and me an old woman, George. And poor little Teddy,
+who used to rush about and talk—making that noise he did—Oh!”
+
+She choked, and the tears flowed unrestrained. She wept, and I was glad
+to see her weeping.
+
+She stood leaning over the bridge; her tear-wet handkerchief gripped in
+her clenched hand.
+
+“Just an hour in the old shop again—and him talking. Before things got
+done. Before they got hold of him. And fooled him.
+
+“Men oughtn’t to be so tempted with business and things....
+
+“They didn’t hurt him, George?” she asked suddenly.
+
+For a moment I was puzzled.
+
+“Here, I mean,” she said.
+
+“No,” I lied stoutly, suppressing the memory of that foolish injection
+needle I had caught the young doctor using.
+
+“I wonder, George, if they’ll let him talk in Heaven....”
+
+She faced me. “Oh! George, dear, my heart aches, and I don’t know what
+I say and do. Give me your arm to lean on—it’s good to have you, dear,
+and lean upon you.... Yes, I know you care for me. That’s why I’m
+talking. We’ve always loved one another, and never said anything about
+it, and you understand, and I understand. But my heart’s torn to pieces
+by this, torn to rags, and things drop out I’ve kept in it. It’s true
+he wasn’t a husband much for me at the last. But he was my child,
+George, he was my child and all my children, my silly child, and life
+has knocked him about for me, and I’ve never had a say in the matter;
+never a say; it’s puffed him up and smashed him—like an old bag—under
+my eyes. I was clever enough to see it, and not clever enough to
+prevent it, and all I could do was to jeer. I’ve had to make what I
+could of it. Like most people. Like most of us.... But it wasn’t fair,
+George. It wasn’t fair. Life and Death—great serious things—why
+couldn’t they leave him alone, and his lies and ways? If _we_ could see
+the lightness of it—
+
+“Why couldn’t they leave him alone?” she repeated in a whisper as we
+went towards the inn.
+
+
+
+
+CHAPTER THE SECOND
+LOVE AMONG THE WRECKAGE
+
+
+I
+
+When I came back I found that my share in the escape and death of my
+uncle had made me for a time a notorious and even popular character.
+For two weeks I was kept in London “facing the music,” as he would have
+said, and making things easy for my aunt, and I still marvel at the
+consideration with which the world treated me. For now it was open and
+manifest that I and my uncle were no more than specimens of a modern
+species of brigand, wasting the savings of the public out of the sheer
+wantonness of enterprise. I think that in a way, his death produced a
+reaction in my favour and my flight, of which some particulars now
+appeared stuck in the popular imagination. It seemed a more daring and
+difficult feat than it was, and I couldn’t very well write to the
+papers to sustain my private estimate. There can be little doubt that
+men infinitely prefer the appearance of dash and enterprise to simple
+honesty. No one believed I was not an arch plotter in his financing.
+Yet they favoured me. I even got permission from the trustee to occupy
+my chalet for a fortnight while I cleared up the mass of papers,
+calculations, notes of work, drawings and the like, that I left in
+disorder when I started on that impulsive raid upon the Mordet quap
+heaps.
+
+I was there alone. I got work for Cothope with the Ilchesters, for whom
+I now build these destroyers. They wanted him at once, and he was short
+of money, so I let him go and managed very philosophically by myself.
+
+But I found it hard to fix my attention on aeronautics, I had been away
+from the work for a full half-year and more, a half-year crowded with
+intense disconcerting things. For a time my brain refused these fine
+problems of balance and adjustment altogether; it wanted to think about
+my uncle’s dropping jaw, my aunt’s reluctant tears, about dead negroes
+and pestilential swamps, about the evident realities of cruelty and
+pain, about life and death. Moreover, it was weary with the frightful
+pile of figures and documents at the Hardingham, a task to which this
+raid to Lady Grove was simply an interlude. And there was Beatrice.
+
+On the second morning, as I sat out upon the veranda recalling memories
+and striving in vain to attend to some too succinct pencil notes of
+Cothope’s, Beatrice rode up suddenly from behind the pavilion, and
+pulled rein and became still; Beatrice, a little flushed from riding
+and sitting on a big black horse.
+
+I did not instantly rise. I stared at her. “_You!_” I said.
+
+She looked at me steadily. “Me,” she said
+
+I did not trouble about any civilities. I stood up and asked point
+blank a question that came into my head.
+
+“Whose horse is that?” I said.
+
+She looked me in the eyes. “Carnaby’s,” she answered.
+
+“How did you get here—this way?”
+
+“The wall’s down.”
+
+“Down? Already?”
+
+“A great bit of it between the plantations.”
+
+“And you rode through, and got here by chance?”
+
+“I saw you yesterday. And I rode over to see you.” I had now come close
+to her, and stood looking up into her face.
+
+“I’m a mere vestige,” I said.
+
+She made no answer, but remained regarding me steadfastly with a
+curious air of proprietorship.
+
+“You know I’m the living survivor now of the great smash. I’m rolling
+and dropping down through all the scaffolding of the social system....
+It’s all a chance whether I roll out free at the bottom, or go down a
+crack into the darkness out of sight for a year or two.”
+
+“The sun,” she remarked irrelevantly, “has burnt you.... I’m getting
+down.”
+
+She swung herself down into my arms, and stood beside me face to face.
+
+“Where’s Cothope?” she asked.
+
+“Gone.”
+
+Her eyes flitted to the pavilion and back to me. We stood close
+together, extraordinarily intimate, and extraordinarily apart.
+
+“I’ve never seen this cottage of yours,” she said, “and I want to.”
+
+She flung the bridle of her horse round the veranda post, and I helped
+her tie it.
+
+“Did you get what you went for to Africa?” she asked.
+
+“No,” I said, “I lost my ship.”
+
+“And that lost everything?”
+
+“Everything.”
+
+She walked before me into the living-room of the chalet, and I saw that
+she gripped her riding-whip very tightly in her hand. She looked about
+her for a moment,—and then at me.
+
+“It’s comfortable,” she remarked.
+
+Our eyes met in a conversation very different from the one upon our
+lips. A sombre glow surrounded us, drew us together; an unwonted
+shyness kept us apart. She roused herself, after an instant’s pause, to
+examine my furniture.
+
+“You have chintz curtains. I thought men were too feckless to have
+curtains without a woman. But, of course, your aunt did that! And a
+couch and a brass fender, and—is that a pianola? That is your desk. I
+thought men’s desks were always untidy, and covered with dust and
+tobacco ash.”
+
+She flitted to my colour prints and my little case of books. Then she
+went to the pianola. I watched her intently.
+
+“Does this thing play?” she said.
+
+“What?” I asked.
+
+“Does this thing play?”
+
+I roused myself from my preoccupation.
+
+“Like a musical gorilla with fingers all of one length. And a sort of
+soul.... It’s all the world of music to me.”
+
+“What do you play?”
+
+“Beethoven, when I want to clear up my head while I’m working. He
+is—how one would always like to work. Sometimes Chopin and those
+others, but Beethoven. Beethoven mainly. Yes.”
+
+Silence again between us. She spoke with an effort.
+
+“Play me something.” She turned from me and explored the rack of music
+rolls, became interested and took a piece, the first part of the
+Kreutzer Sonata, hesitated. “No,” she said, “that!”
+
+She gave me Brahms’ Second Concerto, Op. 58, and curled up on the sofa
+watching me as I set myself slowly to play....
+
+“I say,” he said when I had done, “that’s fine. I didn’t know those
+things could play like that. I’m all astir...”
+
+She came and stood over me, looking at me. “I’m going to have a
+concert,” she said abruptly, and laughed uneasily and hovered at the
+pigeon-holes. “Now—now what shall I have?” She chose more of Brahms.
+Then we came to the Kreutzer Sonata. It is queer how Tolstoy has loaded
+that with suggestions, debauched it, made it a scandalous and intimate
+symbol. When I had played the first part of that, she came up to the
+pianola and hesitated over me. I sat stiffly—waiting.
+
+Suddenly she seized my downcast head and kissed my hair. She caught at
+my face between her hands and kissed my lips. I put my arms about her
+and we kissed together. I sprang to my feet and clasped her.
+
+“Beatrice!” I said. “Beatrice!”
+
+“My dear,” she whispered, nearly breathless, with her arms about me.
+“Oh! my dear!”
+
+II
+
+Love, like everything else in this immense process of social
+disorganisation in which we live, is a thing adrift, a fruitless thing
+broken away from its connexions. I tell of this love affair here
+because of its irrelevance, because it is so remarkable that it should
+mean nothing, and be nothing except itself. It glows in my memory like
+some bright casual flower starting up amidst the _débris_ of a
+catastrophe. For nearly a fortnight we two met and made love together.
+Once more this mighty passion, that our aimless civilisation has
+fettered and maimed and sterilised and debased, gripped me and filled
+me with passionate delights and solemn joys—that were all, you know,
+futile and purposeless. Once more I had the persuasion “This matters.
+Nothing else matters so much as this.” We were both infinitely grave in
+such happiness as we had. I do not remember any laughter at all between
+us.
+
+Twelve days it lasted from that encounter in my chalet until our
+parting.
+
+Except at the end, they were days of supreme summer, and there was a
+waxing moon. We met recklessly day by day. We were so intent upon each
+other at first so intent upon expressing ourselves to each other, and
+getting at each other, that we troubled very little about the
+appearance of our relationship. We met almost openly.... We talked of
+ten thousand things, and of ourselves. We loved. We made love. There is
+no prose of mine that can tell of hours transfigured. The facts are
+nothing. Everything we touched, the meanest things, became glorious.
+How can I render bare tenderness and delight and mutual possession? I
+sit here at my desk thinking of untellable things.
+
+I have come to know so much of love that I know now what love might be.
+We loved, scarred and stained; we parted—basely and inevitably, but at
+least I met love.
+
+I remember as we sat in a Canadian canoe, in a reedy, bush-masked
+shallow we had discovered operating out of that pine-shaded Woking
+canal, how she fell talking of the things that happened to her before
+she met me again....
+
+She told me things, and they so joined and welded together other things
+that lay disconnected in my memory, that it seemed to me I had always
+known what she told me. And yet indeed I had not known nor suspected
+it, save perhaps for a luminous, transitory suspicion ever and again.
+
+She made me see how life had shaped her. She told me of her girlhood
+after I had known her. “We were poor and pretending and managing. We
+hacked about on visits and things. I ought to have married. The chances
+I had weren’t particularly good chances. I didn’t like ’em.”
+
+She paused. “Then Carnaby came along.”
+
+I remained quite still. She spoke now with downcast eyes, and one
+finger just touching the water.
+
+“One gets bored, bored beyond redemption. One does about to these huge
+expensive houses I suppose—the scale’s immense. One makes one’s self
+useful to the other women, and agreeable to the men. One has to
+dress.... One has food and exercise and leisure, It’s the leisure, and
+the space, and the blank opportunity it seems a sin not to fill.
+Carnaby isn’t like the other men. He’s bigger.... They go about making
+love. Everybody’s making love. I did.... And I don’t do things by
+halves.”
+
+She stopped.
+
+“You knew?”—she asked, looking up, quite steadily. I nodded.
+
+“Since when?”
+
+“Those last days.... It hasn’t seemed to matter really. I was a little
+surprised.”
+
+She looked at me quietly. “Cothope knew,” she said. “By instinct. I
+could feel it.”
+
+“I suppose,” I began, “once, this would have mattered immensely. Now—”
+
+“Nothing matters,” she said, completing me. “I felt I had to tell you.
+I wanted you to understand why I didn’t marry you—with both hands. I
+have loved you”—she paused—“have loved you ever since the day I kissed
+you in the bracken. Only—I forgot.”
+
+And suddenly she dropped her face upon her hands, and sobbed
+passionately—
+
+“I forgot—I forgot,” she cried, and became still....
+
+I dabbled my paddle in the water. “Look here!” I said; “forget again!
+Here am I—a ruined man. Marry me.”
+
+She shook her head without looking up.
+
+We were still for a long time. “Marry me!” I whispered.
+
+She looked up, twined back a whisp of hair, and answered
+dispassionately—
+
+“I wish I could. Anyhow, we have had this time. It has been a fine
+time—has it been—for you also? I haven’t nudged you all I had to give.
+It’s a poor gift—except for what it means and might have been. But we
+are near the end of it now.”
+
+“Why?” I asked. “Marry me! Why should we two—”
+
+“You think,” she said, “I could take courage and come to you and be
+your everyday wife—while you work and are poor?”
+
+“Why not?” said I.
+
+She looked at me gravely, with extended finger. “Do you really think
+that—of me? Haven’t you seen me—all?”
+
+I hesitated.
+
+“Never once have I really meant marrying you,” she insisted. “Never
+once. I fell in love with you from the first. But when you seemed a
+successful man, I told myself I wouldn’t. I was love-sick for you, and
+you were so stupid, I came near it then. But I knew I wasn’t good
+enough. What could I have been to you? A woman with bad habits and bad
+associations, a woman smirched. And what could I do for you or be to
+you? If I wasn’t good enough to be a rich man’s wife, I’m certainly not
+good enough to be a poor one’s. Forgive me for talking sense to you
+now, but I wanted to tell you this somehow.”
+
+She stopped at my gesture. I sat up, and the canoe rocked with my
+movement.
+
+“I don’t care,” I said. “I want to marry you and make you my wife!”
+
+“No,” she said, “don’t spoil things. That is impossible!”
+
+“Impossible!”
+
+“Think! I can’t do my own hair! Do you mean you will get me a maid?”
+
+“Good God!” I cried, disconcerted beyond measure, “won’t you learn to
+do your own hair for me? Do you mean to say you can love a man—”
+
+She flung out her hands at me. “Don’t spoil it,” she cried. “I have
+given you all I have, I have given you all I can. If I could do it, if
+I was good enough to do it, I would. But I am a woman spoilt and
+ruined, dear, and you are a ruined man. When we are making love we’re
+lovers—but think of the gulf between us in habits and ways of thought,
+in will and training, when we are not making love. Think of it—and
+don’t think of it! Don’t think of it yet. We have snatched some hours.
+We still may have some hours!”
+
+She suddenly knelt forward toward me, with a glowing darkness in her
+eyes. “Who cares if it upsets?” she cried. “If you say another word I
+will kiss you. And go to the bottom clutching you.
+
+“I’m not afraid of that. I’m not a bit afraid of that. I’ll die with
+you. Choose a death, and I’ll die with you—readily. Do listen to me! I
+love you. I shall always love you. It’s because I love you that I won’t
+go down to become a dirty familiar thing with you amidst the grime.
+I’ve given all I can. I’ve had all I can.... Tell me,” and she crept
+nearer, “have I been like the dusk to you, like the warm dusk? Is there
+magic still? Listen to the ripple of water from your paddle. Look at
+the warm evening light in the sky. Who cares if the canoe upsets? Come
+nearer to me. Oh, my love! come near! So.”
+
+She drew me to her and our lips met.
+
+III
+
+I asked her to marry me once again.
+
+It was our last morning together, and we had met very early, about
+sunrise, knowing that we were to part. No sun shone that day. The sky
+was overcast, the morning chilly and lit by a clear, cold, spiritless
+light. A heavy dampness in the air verged close on rain. When I think
+of that morning, it has always the quality of greying ashes wet with
+rain.
+
+Beatrice too had changed. The spring had gone out of her movement; it
+came to me, for the first time, that some day she might grow old. She
+had become one flesh with the rest of common humanity; the softness had
+gone from her voice and manner, the dusky magic of her presence had
+gone. I saw these things with perfect clearness, and they made me sorry
+for them and for her. But they altered my love not a whit, abated it
+nothing. And when we had talked awkwardly for half a dozen sentences, I
+came dully to my point.
+
+“And now,” I cried, “will you marry me?”
+
+“No,” she said, “I shall keep to my life here.”
+
+I asked her to marry me in a year’s time. She shook her head.
+
+“This world is a soft world,” I said, “in spite of my present
+disasters. I know now how to do things. If I had you to work for—in a
+year I could be a prosperous man.”
+
+“No,” she said, “I will put it brutally, I shall go back to Carnaby.”
+
+“But—!” I did not feel angry. I had no sort of jealousy, no wounded
+pride, no sense of injury. I had only a sense of grey desolation, of
+hopeless cross-purposes.
+
+“Look here,” she said. “I have been awake all night and every night. I
+have been thinking of this—every moment when we have not been together.
+I’m not answering you on an impulse. I love you. I love you. I’ll say
+that over ten thousand times. But here we are—”
+
+“The rest of life together,” I said.
+
+“It wouldn’t be together. Now we are together. Now we have been
+together. We are full of memories I do not feel I can ever forget a
+single one.”
+
+“Nor I.”
+
+“And I want to close it and leave it at that. You see, dear, what else
+is there to do?”
+
+She turned her white face to me. “All I know of love, all I have ever
+dreamt or learnt of love I have packed into these days for you. You
+think we might live together and go on loving. No! For you I will have
+no vain repetitions. You have had the best and all of me. Would you
+have us, after this, meet again in London or Paris or somewhere,
+scuffle to some wretched dressmaker’s, meet in a _cabinet
+particulier?_”
+
+“No,” I said. “I want you to marry me. I want you to play the game of
+life with me as an honest woman should. Come and live with me. Be my
+wife and squaw. Bear me children.”
+
+I looked at her white, drawn face, and it seemed to me I might carry
+her yet. I spluttered for words.
+
+“My God! Beatrice!” I cried; “but this is cowardice and folly! Are
+_you_ afraid of life? You of all people! What does it matter what has
+been or what we were? Here we are with the world before us! Start clean
+and new with me. We’ll fight it through! I’m not such a simple lover
+that I’ll not tell you plainly when you go wrong, and fight our
+difference out with you. It’s the one thing I want, the one thing I
+need—to have you, and more of you and more! This love-making—it’s
+love-making. It’s just a part of us, an incident—”
+
+She shook her head and stopped me abruptly. “It’s all,” she said.
+
+“All!” I protested.
+
+“I’m wiser than you. Wiser beyond words.” She turned her eyes to me and
+they shone with tears.
+
+“I wouldn’t have you say anything—but what you’re saying,” she said.
+“But it’s nonsense, dear. You know it’s nonsense as you say it.”
+
+I tried to keep up the heroic note, but she would not listen to it.
+
+“It’s no good,” she cried almost petulantly. “This little world has
+made us what we are. Don’t you see—don’t you see what I am? I can make
+love. I can make love and be loved, prettily. Dear, don’t blame me. I
+have given you all I have. If I had anything more—I have gone through
+it all over and over again—thought it out. This morning my head aches,
+my eyes ache.
+
+“The light has gone out of me and I am a sick and tired woman. But I’m
+talking wisdom—bitter wisdom. I couldn’t be any sort of helper to you,
+any sort of wife, any sort of mother. I’m spoilt.
+
+“I’m spoilt by this rich idle way of living, until every habit is
+wrong, every taste wrong. The world is wrong. People can be ruined by
+wealth just as much as by poverty. Do you think I wouldn’t face life
+with you if I could, if I wasn’t absolutely certain I should be down
+and dragging in the first half-mile of the journey? Here I am—damned!
+Damned! But I won’t damn you. You know what I am! You know. You are too
+clear and simple not to know the truth. You try to romance and hector,
+but you know the truth. I am a little cad—sold and done. I’m—. My dear,
+you think I’ve been misbehaving, but all these days I’ve been on my
+best behaviour.... You don’t understand, because you’re a man.
+
+“A woman, when she’s spoilt, is _spoilt_. She’s dirty in grain. She’s
+done.”
+
+She walked on weeping.
+
+“You’re a fool to want me,” she said. “You’re a fool to want me—for my
+sake just as much as yours. We’ve done all we can. It’s just
+romancing—”
+
+She dashed the tears from her eyes and turned upon me. “Don’t you
+understand?” she challenged. “Don’t you know?”
+
+We faced one another in silence for a moment.
+
+“Yes,” I said, “I know.”
+
+For a long time we spoke never a word, but walked on together, slowly
+and sorrowfully, reluctant to turn about towards our parting. When at
+last we did, she broke silence again.
+
+“I’ve had you,” she said.
+
+“Heaven and hell,” I said, “can’t alter that.”
+
+“I’ve wanted—” she went on. “I’ve talked to you in the nights and made
+up speeches. Now when I want to make them I’m tongue-tied. But to me
+it’s just as if the moments we have had lasted for ever. Moods and
+states come and go. To-day my light is out...”
+
+To this day I cannot determine whether she said or whether I imagined
+she said “chloral.” Perhaps a half-conscious diagnosis flashed it on my
+brain. Perhaps I am the victim of some perverse imaginative freak of
+memory, some hinted possibility that scratched and seared. There the
+word stands in my memory, as if it were written in fire.
+
+We came to the door of Lady Osprey’s garden at last, and it was
+beginning to drizzle.
+
+She held out her hands and I took them.
+
+“Yours,” she said, in a weary unimpassioned voice; “all that I had—such
+as it was. Will you forget?”
+
+“Never,” I answered.
+
+“Never a touch or a word of it?”
+
+“No.”
+
+“You will,” she said.
+
+We looked at one another in silence, and her face full of fatigue and
+misery.
+
+What could I do? What was there to do?
+
+“I wish—” I said, and stopped.
+
+“Good-bye.”
+
+IV
+
+That should have been the last I saw of her, but, indeed, I was
+destined to see her once again. Two days after I was at Lady Grove, I
+forget altogether upon what errand, and as I walked back to the station
+believing her to be gone away she came upon me, and she was riding with
+Carnaby, just as I had seen them first. The encounter jumped upon us
+unprepared. She rode by, her eyes dark in her white face, and scarcely
+noticed me. She winced and grew stiff at the sight of me and bowed her
+head. But Carnaby, because he thought I was a broken and discomfited
+man, saluted me with an easy friendliness, and shouted some genial
+commonplace to me.
+
+They passed out of sight and left me by the roadside....
+
+And then, indeed, I tasted the ultimate bitterness of life. For the
+first time I felt utter futility, and was wrung by emotion that begot
+no action, by shame and pity beyond words. I had parted from her dully
+and I had seen my uncle break and die with dry eyes and a steady mind,
+but this chance sight of my lost Beatrice brought me to tears. My face
+was wrung, and tears came pouring down my cheeks. All the magic she had
+for me had changed to wild sorrow. “Oh God!” I cried, “this is too
+much,” and turned my face after her and made appealing gestures to the
+beech trees and cursed at fate. I wanted to do preposterous things, to
+pursue her, to save her, to turn life back so that she might begin
+again. I wonder what would have happened had I overtaken them in
+pursuit, breathless with running, uttering incoherent words, weeping,
+expostulatory. I came near to doing that.
+
+There was nothing in earth or heaven to respect my curses or weeping.
+In the midst of it a man who had been trimming the opposite hedge
+appeared and stared at me.
+
+Abruptly, ridiculously, I dissembled before him and went on and caught
+my train....
+
+But the pain I felt then I have felt a hundred times; it is with me as
+I write. It haunts this book, I see, that is what haunts this book,
+from end to end.
+
+
+
+
+CHAPTER THE THIRD
+NIGHT AND THE OPEN SEA
+
+
+I
+
+I have tried throughout all this story to tell things as they happened
+to me. In the beginning—the sheets are still here on the table, grimy
+and dogs-eared and old-looking—I said I wanted to tell _myself_ and the
+world in which I found myself, and I have done my best. But whether I
+have succeeded I cannot imagine. All this writing is grey now and dead
+and trite and unmeaning to me; some of it I know by heart. I am the
+last person to judge it.
+
+As I turn over the big pile of manuscript before me certain things
+become clearer to me, and particularly the immense inconsequences of my
+experiences. It is, I see now that I have it all before me, a story of
+activity and urgency and sterility. I have called it _Tono-Bungay_, but
+I had far better have called it _Waste_. I have told of childless
+Marion, of my childless aunt, of Beatrice wasted and wasteful and
+futile. What hope is there for a people whose women become fruitless? I
+think of all the energy I have given to vain things. I think of my
+industrious scheming with my uncle, of Crest Hill’s vast cessation, of
+his resonant strenuous career. Ten thousand men have envied him and
+wished to live as he lived. It is all one spectacle of forces running
+to waste, of people who use and do not replace, the story of a country
+hectic with a wasting aimless fever of trade and money-making and
+pleasure-seeking. And now I build destroyers!
+
+Other people may see this country in other terms; this is how I have
+seen it. In some early chapter in this heap I compared all our present
+colour and abundance to October foliage before the frosts nip down the
+leaves. That I still feel was a good image. Perhaps I see wrongly. It
+may be I see decay all about me because I am, in a sense, decay. To
+others it may be a scene of achievement and construction radiant with
+hope. I, too, have a sort of hope, but it is a remote hope, a hope that
+finds no promise in this Empire or in any of the great things of our
+time.
+
+How they will look in history I do not know, how time and chance will
+prove them I cannot guess; that is how they have mirrored themselves on
+one contemporary mind.
+
+II
+
+Concurrently with writing the last chapter of this book I have been
+much engaged by the affairs of a new destroyer we have completed. It
+has been an oddly complementary alternation of occupations. Three weeks
+or so ago this novel had to be put aside in order that I might give all
+my time day and night to the fitting and finishing of the engines. Last
+Thursday X 2, for so we call her, was done and I took her down the
+Thames and went out nearly to Texel for a trial of speed.
+
+It is curious how at times one’s impressions will all fuse and run
+together into a sort of unity and become continuous with things that
+have hitherto been utterly alien and remote. That rush down the river
+became mysteriously connected with this book.
+
+As I passed down the Thames I seemed in a new and parallel manner to be
+passing all England in review. I saw it then as I had wanted my readers
+to see it. The thought came to me slowly as I picked my way through the
+Pool; it stood out clear as I went dreaming into the night out upon the
+wide North Sea.
+
+It wasn’t so much thinking at the time as a sort of photographic
+thought that came and grew clear. X2 went ripping through the dirty
+oily water as scissors rip through canvas, and the front of my mind was
+all intent with getting her through under the bridges and in and out
+among the steam-boats and barges and rowing-boats and piers. I lived
+with my hands and eyes hard ahead. I thought nothing then of any
+appearances but obstacles, but for all that the back of my mind took
+the photographic memory of it complete and vivid....
+
+“This,” it came to me, “is England. That is what I wanted to give in my
+book. This!”
+
+We started in the late afternoon. We throbbed out of our yard above
+Hammersmith Bridge, fussed about for a moment, and headed down stream.
+We came at an easy rush down Craven Reach, past Fulham and Hurlingham,
+past the long stretches of muddy meadow And muddy suburb to Battersea
+and Chelsea, round the cape of tidy frontage that is Grosvenor Road and
+under Vauxhall Bridge, and Westminster opened before us. We cleared a
+string of coal barges and there on the left in the October sunshine
+stood the Parliament houses, and the flag was flying and Parliament was
+sitting.
+
+I saw it at the time unseeingly; afterwards it came into my mind as the
+centre of the whole broad panoramic effect of that afternoon. The stiff
+square lace of Victorian Gothic with its Dutch clock of a tower came
+upon me suddenly and stared and whirled past in a slow half pirouette
+and became still, I know, behind me as if watching me recede. “Aren’t
+you going to respect me, then?” it seemed to say.
+
+Not I! There in that great pile of Victorian architecture the landlords
+and the lawyers, the bishops, the railway men and the magnates of
+commerce go to and fro—in their incurable tradition of commercialised
+Bladesovery, of meretricious gentry and nobility sold for riches. I
+have been near enough to know. The Irish and the Labour-men run about
+among their feet, making a fuss, effecting little, they’ve got no
+better plans that I can see. Respect it indeed! There’s a certain
+paraphernalia of dignity, but whom does it deceive? The King comes down
+in a gilt coach to open the show and wears long robes and a crown; and
+there’s a display of stout and slender legs in white stockings and
+stout and slender legs in black stockings and artful old gentlemen in
+ermine. I was reminded of one congested afternoon I had spent with my
+aunt amidst a cluster of agitated women’s hats in the Royal Gallery of
+the House of Lords and how I saw the King going to open Parliament, and
+the Duke of Devonshire looking like a gorgeous pedlar and terribly
+bored with the cap of maintenance on a tray before him hung by slings
+from his shoulder. A wonderful spectacle!
+
+It is quaint, no doubt, this England—it is even dignified in places—and
+full of mellow associations. That does not alter the quality of the
+realities these robes conceal. The realities are greedy trade, base
+profit—seeking, bold advertisement; and kingship and chivalry, spite of
+this wearing of treasured robes, are as dead among it all as that
+crusader my uncle championed against the nettles outside the Duffield
+church.
+
+I have thought much of that bright afternoon’s panorama.
+
+To run down the Thames so is to run one’s hand over the pages in the
+book of England from end to end. One begins in Craven Reach and it is
+as if one were in the heart of old England. Behind us are Kew and
+Hampton Court with their memories of Kings and Cardinals, and one runs
+at first between Fulham’s episcopal garden parties and Hurlingham’s
+playground for the sporting instinct of our race. The whole effect is
+English. There is space, there are old trees and all the best qualities
+of the home-land in that upper reach. Putney, too, looks Anglican on a
+dwindling scale. And then for a stretch the newer developments slop
+over, one misses Bladesover and there come first squalid stretches of
+mean homes right and left and then the dingy industrialism of the south
+side, and on the north bank the polite long front of nice houses,
+artistic, literary, administrative people’s residences, that stretches
+from Cheyne Walk nearly to Westminster and hides a wilderness of slums.
+What a long slow crescendo that is, mile after mile, with the houses
+crowding closelier, the multiplying succession of church towers, the
+architectural moments, the successive bridges, until you come out into
+the second movement of the piece with Lambeth’s old palace under your
+quarter and the houses of Parliament on your bow! Westminster Bridge is
+ahead of you then, and through it you flash, and in a moment the
+round-faced clock tower cranes up to peer at you again and New Scotland
+Yard squares at you, a fat beef-eater of a policeman disguised
+miraculously as a Bastille.
+
+For a stretch you have the essential London; you have Charing Cross
+railway station, heart of the world, and the Embankment on the north
+side with its new hotels overshadowing its Georgian and Victorian
+architecture, and mud and great warehouses and factories, chimneys,
+shot towers, advertisements on the south. The northward skyline grows
+more intricate and pleasing, and more and more does one thank God for
+Wren. Somerset House is as picturesque as the civil war, one is
+reminded again of the original England, one feels in the fretted sky
+the quality of Restoration Lace.
+
+And then comes Astor’s strong box and the lawyers’ Inns.
+
+(I had a passing memory of myself there, how once I had trudged along
+the Embankment westward, weighing my uncle’s offer of three hundred
+pounds a year....)
+
+Through that central essential London reach I drove, and X2 bored her
+nose under the foam regardless of it all like a black hound going
+through reeds—on what trail even I who made her cannot tell.
+
+And in this reach, too, one first meets the seagulls and is reminded of
+the sea. Blackfriars one takes—just under these two bridges and just
+between them is the finest bridge moment in the world—and behold,
+soaring up, hanging in the sky over a rude tumult of warehouses, over a
+jostling competition of traders, irrelevantly beautiful and altogether
+remote, Saint Paul’s! “Of course!” one says, “Saint Paul’s!” It is the
+very figure of whatever fineness the old Anglican culture achieved,
+detached, a more dignified and chastened Saint Peter’s, colder, greyer,
+but still ornate; it has never been over thrown, never disavowed, only
+the tall warehouses and all the roar of traffic have forgotten it,
+every one has forgotten it; the steamships, the barges, go heedlessly
+by regardless of it, intricacies of telephone wires and poles cut
+blackly into its thin mysteries, and presently, when in a moment the
+traffic permits you and you look round for it, it has dissolved like a
+cloud into the grey blues of the London sky.
+
+And then the traditional and ostensible England falls from you
+altogether. The third movement begins, the last great movement in the
+London symphony, in which the trim scheme of the old order is
+altogether dwarfed and swallowed up. Comes London Bridge, and the great
+warehouses tower up about you, waving stupendous cranes, the gulls
+circle and scream in your ears, large ships lie among their lighters,
+and one is in the port of the world. Again and again in this book I
+have written of England as a feudal scheme overtaken by fatty
+degeneration and stupendous accidents of hypertrophy.
+
+For the last time I must strike that note as the memory of the dear
+neat little sunlit ancient Tower of London lying away in a gap among
+the warehouses comes back to me, that little accumulation of buildings
+so provincially pleasant and dignified, overshadowed by the vulgarest,
+most typical exploit of modern England, the sham Gothic casings to the
+ironwork of the Tower Bridge. That Tower Bridge is the very balance and
+confirmation of Westminster’s dull pinnacles and tower. That sham
+Gothic bridge; in the very gates of our mother of change, the Sea!
+
+But after that one is in a world of accident and nature. For the third
+part of the panorama of London is beyond all law, order, and
+precedence; it is the seaport and the sea. One goes down the widening
+reaches through a monstrous variety of shipping, great steamers, great
+sailing-ships, trailing the flags of all the world, a monstrous
+confusion of lighters, witches’ conferences of brown-sailed barges,
+wallowing tugs, a tumultuous crowding and jostling of cranes and spars,
+and wharves and stores, and assertive inscriptions. Huge vistas of dock
+open right and left of one, and here and there beyond and amidst it all
+are church towers, little patches of indescribably old-fashioned and
+worn-out houses, riverside pubs and the like, vestiges of townships
+that were long since torn to fragments and submerged in these new
+growths. And amidst it all no plan appears, no intention, no
+comprehensive desire. That is the very key of it all. Each day one
+feels that the pressure of commerce and traffic grew, grew insensibly
+monstrous, and first this man made a wharf and that erected a crane,
+and then this company set to work and then that, and so they jostled
+together to make this unassimilable enormity of traffic. Through it we
+dodged and drove eager for the high seas.
+
+I remember how I laughed aloud at the glimpse of the name of a London
+County Council steamboat that ran across me. _Caxton_ it was called,
+and another was _Pepys_, and another was _Shakespeare_. They seemed so
+wildly out of place, splashing about in that confusion. One wanted to
+take them out and wipe them and put them back in some English
+gentleman’s library. Everything was alive about them, flash ing,
+splashing, and passing, ships moving, tugs panting, hawsers taut,
+barges going down with men toiling at the sweeps, the water all a-swirl
+with the wash of shipping, scaling into millions of little wavelets,
+curling and frothing under the whip of the unceasing wind. Past it all
+we drove. And at Greenwich to the south, you know, there stands a fine
+stone frontage where all the victories are recorded in a Painted Hall,
+and beside it is the “Ship” where once upon a time those gentlemen of
+Westminster used to have an annual dinner—before the port of London got
+too much for them altogether. The old façade of the Hospital was just
+warming to the sunset as we went by, and after that, right and left,
+the river opened, the sense of the sea increased and prevailed, reach
+after reach from Northfleet to the Nore.
+
+And out you come at last with the sun behind you into the eastern sea.
+You speed up and tear the oily water louder and faster, siroo,
+siroo-swish-siroo, and the hills of Kent—over which I once fled from
+the Christian teachings of Nicodemus Frapp—fall away on the right hand
+and Essex on the left. They fall away and vanish into blue haze, and
+the tall slow ships behind the tugs, scarce moving ships and wallowing
+sturdy tugs, are all wrought of wet gold as one goes frothing by. They
+stand out, bound on strange missions of life and death, to the killing
+of men in unfamiliar lands. And now behind us is blue mystery and the
+phantom flash of unseen lights, and presently even these are gone, and
+I and my destroyer tear out to the unknown across a great grey space.
+We tear into the great spaces of the future and the turbines fall to
+talking in unfamiliar tongues. Out to the open we go, to windy freedom
+and trackless ways. Light after light goes down. England and the
+Kingdom, Britain and the Empire, the old prides and the old devotions,
+glide abeam, astern, sink down upon the horizon, pass—pass. The river
+passes—London passes, England passes...
+
+III
+
+This is the note I have tried to emphasise, the note that sounds clear
+in my mind when I think of anything beyond the purely personal aspects
+of my story.
+
+It is a note of crumbling and confusion, of change and seemingly
+aimless swelling, of a bubbling up and medley of futile loves and
+sorrows. But through the confusion sounds another note. Through the
+confusion something drives, something that is at once human achievement
+and the most inhuman of all existing things. Something comes out of
+it.... How can I express the values of a thing at once so essential and
+so immaterial. It is something that calls upon such men as I with an
+irresistible appeal.
+
+I have figured it in my last section by the symbol of my destroyer,
+stark and swift, irrelevant to most human interests. Sometimes I call
+this reality Science, sometimes I call it Truth. But it is something we
+draw by pain and effort ont of the heart of life, that we disentangle
+and make clear. Other men serve it, I know, in art, in literature, in
+social invention, and see it in a thousand different figures, under a
+hundred names. I see it always as austerity, as beauty. This thing we
+make clear is the heart of life. It is the one enduring thing. Men and
+nations, epochs and civilisation pass each making its contribution I do
+not know what it is, this something, except that it is supreme. It is,
+a something, a quality, an element, one may find now in colours, now in
+norms, now in sounds, now in thoughts. It emerges from life with each
+year one lives and feels, and generation by generation and age by age,
+but the how and why of it are all beyond the compass of my mind....
+
+Yet the full sense of it was with me all that night as I drove, lonely
+above the rush and murmur of my engines, out upon the weltering circle
+of the sea.
+
+Far out to the northeast there came the flicker of a squadron of
+warships waving white swords of light about the sky. I kept them
+hull-down, and presently they were mere summer lightning over the
+watery edge of the globe.... I fell into thought that was nearly
+formless, into doubts and dreams that have no words, and it seemed good
+to me to drive ahead and on and or through the windy starlight, over
+the long black waves.
+
+IV
+
+It was morning and day before I returned with the four sick and
+starving journalists who had got permission to come with me, up the
+shining river, and past the old grey Tower....
+
+I recall the back views of those journalists very distinctly, going
+with a certain damp weariness of movement, along a side street away
+from the river. They were good men and bore me no malice, and they
+served me up to the public in turgid degenerate Kiplingese, as a modest
+button on the complacent stomach of the Empire. Though as a matter of
+fact, X2 isn’t intended for the empire, or indeed for the hands of any
+European power. We offered it to our own people first, but they would
+have nothing to do with me, and I have long since ceased to trouble
+much about such questions. I have come to see myself from the outside,
+my country from the outside—without illusions. We make and pass.
+
+We are all things that make and pass striving upon a hidden mission,
+out to the open sea.
+
+
+
+
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