summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:27:27 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:27:27 -0700
commit9f4986e4926c52cddec197a3d03c4fad24ab7b3e (patch)
treed12b8bb0fbf4f42fe64f1aefe8178545a1e8f797
initial commit of ebook 6399HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--6399.txt1181
-rw-r--r--6399.zipbin0 -> 23647 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/st14w10.txt1145
-rw-r--r--old/st14w10.zipbin0 -> 23215 bytes
7 files changed, 2342 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/6399.txt b/6399.txt
new file mode 100644
index 0000000..01d88f7
--- /dev/null
+++ b/6399.txt
@@ -0,0 +1,1181 @@
+Project Gutenberg's Lives Of The Poets, by C. Suetonius Tranquillus
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Lives Of The Poets
+ The Lives Of The Twelve Caesars, Volume 14.
+
+Author: C. Suetonius Tranquillus
+
+Release Date: December 14, 2004 [EBook #6399]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LIVES OF THE POETS ***
+
+
+
+
+Produced by Tapio Riikonen and David Widger
+
+
+
+
+
+ THE LIVES
+ OF
+ THE TWELVE CAESARS
+
+ By
+ C. Suetonius Tranquillus;
+
+ To which are added,
+
+ HIS LIVES OF THE GRAMMARIANS, RHETORICIANS, AND POETS.
+
+
+ The Translation of
+ Alexander Thomson, M.D.
+
+ revised and corrected by
+ T.Forester, Esq., A.M.
+
+
+
+
+LIVES OF THE POETS.
+
+(531)
+
+
+CONTENTS:
+
+ Terence
+ Juvenal
+ Persius
+ Horace
+ Lucan
+ Pliny
+
+
+
+
+THE LIFE OF TERENCE.
+
+
+Publius Terentius Afer, a native of Carthage, was a slave, at Rome, of
+the senator Terentius Lucanus, who, struck by his abilities and handsome
+person, gave him not only a liberal education in his youth, but his
+freedom when he arrived at years of maturity. Some say that he was a
+captive taken in war, but this, as Fenestella [925] informs us, could by
+no means have been the case, since both his birth and death took place in
+the interval between the termination of the second Punic war and the
+commencement of the third [926]; nor, even supposing that he had been
+taken prisoner by the Numidian or Getulian tribes, could he have fallen
+into the hands of a Roman general, as there was no commercial intercourse
+between the Italians and Africans until after the fall of Carthage [927].
+Terence lived in great familiarity with many persons of high station, and
+especially with Scipio Africanus, and Caius Delius, whose favour he is
+even supposed to have purchased by the foulest means. But Fenestella
+reverses the charge, contending that Terence was older than either of
+them. Cornelius Nepos, however, (532) informs us that they were all of
+nearly equal age; and Porcias intimates a suspicion of this criminal
+commerce in the following passage:--
+
+"While Terence plays the wanton with the great, and recommends himself to
+them by the meretricious ornaments of his person; while, with greedy
+ears, he drinks in the divine melody of Africanus's voice; while he
+thinks of being a constant guest at the table of Furius, and the handsome
+Laelius; while he thinks that he is fondly loved by them, and often
+invited to Albanum for his youthful beauty, he finds himself stripped of
+his property, and reduced to the lowest state of indigence. Then,
+withdrawing from the world, he betook himself to Greece, where he met his
+end, dying at Strymphalos, a town in Arcadia. What availed him the
+friendship of Scipio, of Laelius, or of Furius, three of the most
+affluent nobles of that age? They did not even minister to his
+necessities so much as to provide him a hired house, to which his slave
+might return with the intelligence of his master's death."
+
+He wrote comedies, the earliest of which, The Andria, having to be
+performed at the public spectacles given by the aediles [928], he was
+commanded to read it first before Caecilius [929]. Having been
+introduced while Caecilius was at supper, and being meanly dressed, he is
+reported to have read the beginning of the play seated on a low stool
+near the great man's couch. But after reciting a few verses, he was
+invited to take his place at table, and, having supped with his host,
+went through the rest to his great delight. This play and five others
+were received by the public with similar applause, although Volcatius, in
+his enumeration of them, says that "The Hecyra [930] must not be reckoned
+among these."
+
+The Eunuch was even acted twice the same day [931], and earned more money
+than any comedy, whoever was the writer, had (533) ever done before,
+namely, eight thousand sesterces [932]; besides which, a certain sum
+accrued to the author for the title. But Varro prefers the opening of
+The Adelphi [933] to that of Menander. It is very commonly reported that
+Terence was assisted in his works by Laelius and Scipio [934], with whom
+he lived in such great intimacy. He gave some currency to this report
+himself, nor did he ever attempt to defend himself against it, except in
+a light way; as in the prologue to The Adelphi:
+
+ Nam quod isti dicunt malevoli, homines nohiles
+ Hunc adjutare, assidueque una scribere;
+ Quod illi maledictun vehemens existimant,
+ Eam laudem hic ducit maximam: cum illis placet,
+ Qui vobis universis et populo placent;
+ Quorum opera in bello, in otio, in negotio,
+ Suo quisque tempore usus est sine superbia.
+
+ --------For this,
+ Which malice tells that certain noble persons
+ Assist the bard, and write in concert with him,
+ That which they deem a heavy slander, he
+ Esteems his greatest praise: that he can please
+ Those who in war, in peace, as counsellors,
+ Have rendered you the dearest services,
+ And ever borne their faculties so meekly.
+ Colman.
+
+He appears to have protested against this imputation with less
+earnestness, because the notion was far from being disagreeable to
+Laelius and Scipio. It therefore gained ground, and prevailed in
+after-times.
+
+Quintus Memmius, in his speech in his own defence, says "Publius
+Africanus, who borrowed from Terence a character which he had acted in
+private, brought it on the stage in his name." Nepos tells us he found
+in some book that C. Laelius, when he was on some occasion at Puteoli, on
+the calends [the first] of March, [935] being requested by his wife to
+rise early, (534) begged her not to suffer him to be disturbed, as he had
+gone to bed late, having been engaged in writing with more than usual
+success. On her asking him to tell her what he had been writing, he
+repeated the verses which are found in the Heautontimoroumenos:
+
+ Satis pol proterve me Syri promessa--Heauton. IV. iv. 1.
+ I'faith! the rogue Syrus's impudent pretences--
+
+Santra [936] is of opinion that if Terence required any assistance in his
+compositions [937], he would not have had recourse to Scipio and Laelius,
+who were then very young men, but rather to Sulpicius Gallus [938], an
+accomplished scholar, who had been the first to introduce his plays at
+the games given by the consuls; or to Q. Fabius Labeo, or Marcus Popilius
+[939], both men of consular rank, as well as poets. It was for this
+reason that, in alluding to the assistance he had received, he did not
+speak of his coadjutors as very young men, but as persons of whose
+services the people had full experience in peace, in war, and in the
+administration of affairs.
+
+After he had given his comedies to the world, at a time when he had not
+passed his thirty-fifth year, in order to avoid suspicion, as he found
+others publishing their works under his name, or else to make himself
+acquainted with the modes of life and habits of the Greeks, for the
+purpose of exhibiting them in his plays, he withdrew from home, to which
+he never returned. Volcatius gives this account of his death:
+
+ Sed ut Afer sei populo dedit comoedias,
+ Iter hic in Asiam fecit. Navem cum semel
+ Conscendit, visus nunquam est. Sic vita vacat.
+
+ (535) When Afer had produced six plays for the entertainment of the
+ people,
+ He embarked for Asia; but from the time he went on board ship
+ He was never seen again. Thus he ended his life.
+
+Q. Consentius reports that he perished at sea on his voyage back from
+Greece, and that one hundred and eight plays, of which he had made a
+version from Menander [940], were lost with him. Others say that he died
+at Stymphalos, in Arcadia, or in Leucadia, during the consulship of Cn.
+Cornelius Dolabella and Marcus Fulvius Nobilior [941], worn out with a
+severe illness, and with grief and regret for the loss of his baggage,
+which he had sent forward in a ship that was wrecked, and contained the
+last new plays he had written.
+
+In person, Terence is reported to have been rather short and slender,
+with a dark complexion. He had an only daughter, who was afterwards
+married to a Roman knight; and he left also twenty acres of garden ground
+[942], on the Appian Way, at the Villa of Mars. I, therefore, wonder the
+more how Porcius could have written the verses,
+
+ --------nihil Publius
+ Scipio profuit, nihil et Laelius, nihil Furius,
+ Tres per idem tempus qui agitabant nobiles facillime.
+ Eorum ille opera ne domum quidem habuit conductitiam
+ Saltem ut esset, quo referret obitum domini servulus. [943]
+
+Afranius places him at the head of all the comic writers, declaring, in
+his Compitalia,
+
+ Terentio non similem dices quempiam.
+ Terence's equal cannot soon be found.
+
+On the other hand, Volcatius reckons him inferior not only (536) to
+Naevius, Plautus, and Caecilius, but also to Licinius. Cicero pays him
+this high compliment, in his Limo--
+
+ Tu quoque, qui solus lecto sermone, Terenti,
+ Conversum expressumque Latina voce Menandrum
+ In medio populi sedatis vocibus offers,
+ Quidquid come loquens, ac omnia dulcia dicens.
+
+"You, only, Terence, translated into Latin, and clothed in choice
+language the plays of Menander, and brought them before the public, who,
+in crowded audiences, hung upon hushed applause--
+
+ Grace marked each line, and every period charmed."
+
+So also Caius Caesar:
+
+ Tu quoque tu in summis, O dimidiate Menander,
+ Poneris, et merito, puri sermonis amator,
+ Lenibus atque utinam scriptis adjuncta foret vis
+ Comica, ut aequato virtus polleret honore
+ Cum Graecis, neque in hoc despectus parte jaceres!
+ Unum hoc maceror, et doleo tibi deesse, Terenti.
+
+"You, too, who divide your honours with Menander, will take your place
+among poets of the highest order, and justly too, such is the purity of
+your style. Would only that to your graceful diction was added more
+comic force, that your works might equal in merit the Greek masterpieces,
+and your inferiority in this particular should not expose you to censure.
+This is my only regret; in this, Terence, I grieve to say you are
+wanting."
+
+
+
+
+
+THE LIFE OF JUVENAL.
+
+
+D. JUNIUS JUVENALIS, who was either the son [944] of a wealthy freedman,
+or brought up by him, it is not known which, declaimed till the middle of
+life [945], more from the bent of his inclination, than from any desire
+to prepare himself either for the schools or the forum. But having
+composed a short satire [946], which was clever enough, on Paris [947],
+the actor of pantomimes, (537) and also on the poet of Claudius Nero, who
+was puffed up by having held some inferior military rank for six months
+only; he afterwards devoted himself with much zeal to that style of
+writing. For a while indeed, he had not the courage to read them even to
+a small circle of auditors, but it was not long before he recited his
+satires to crowded audiences, and with entire success; and this he did
+twice or thrice, inserting new lines among those which he had originally
+composed.
+
+ Quod non dant proceres, dabit histrio, tu Camerinos,
+ Et Bareas, tu nobilium magna atria curas.
+ Praefectos Pelopea facit, Philomela tribunos.
+
+ Behold an actor's patronage affords
+ A surer means of rising than a lord's!
+ And wilt thou still the Camerino's [948] court,
+ Or to the halls of Bareas resort,
+ When tribunes Pelopea can create
+ And Philomela praefects, who shall rule the state? [949]
+
+At that time the player was in high favour at court, and many of those
+who fawned upon him were daily raised to posts of honour. Juvenal
+therefore incurred the suspicion of having covertly satirized occurrences
+which were then passing, and, although eighty years old at that time
+[950], he was immediately removed from the city, being sent into
+honourable banishment as praefect of a cohort, which was under orders to
+proceed to a station at the extreme frontier of Egypt [951]. That (538)
+sort of punishment was selected, as it appeared severe enough for an
+offence which was venial, and a mere piece of drollery. However, he died
+very soon afterwards, worn down by grief, and weary of his life.
+
+
+
+
+
+THE LIFE OF PERSIUS.
+
+
+AULUS PERSIUS FLACCUS was born the day before the Nones of December [4th
+Dec.] [952], in the consulship of Fabius Persicus and L. Vitellius. He
+died on the eighth of the calends of December [24th Nov.] [953] in the
+consulship of Rubrius Marius and Asinius Gallus. Though born at
+Volterra, in Etruria, he was a Roman knight, allied both by blood and
+marriage to persons of the highest rank [954]. He ended his days at an
+estate he had at the eighth milestone on the Appian Way. His father,
+Flaccus, who died when he was barely six years old, left him under the
+care of guardians, and his mother, Fulvia Silenna, who afterwards married
+Fusius, a Roman knight, buried him also in a very few years. Persius
+Flaccus pursued his studies at Volterra till he was twelve years old, and
+then continued them at Rome, under Remmius Palaemon, the grammarian, and
+Verginius Flaccus, the rhetorician. Arriving at the age of twenty-one,
+he formed a friendship with Annaeus Cornutus [955], which lasted through
+life; and from him he learned the rudiments of philosophy. Among his
+earliest friends were Caesius Bassus [956], and Calpurnius Statura; the
+latter of whom died while Persius himself was yet in his youth.
+Servilius (539) Numanus [957], he reverenced as a father. Through
+Cornutus he was introduced to Annaeus, as well as to Lucan, who was of
+his own age, and also a disciple of Cornutus. At that time Cornutus was
+a tragic writer; he belonged to the sect of the Stoics, and left behind
+him some philosophical works. Lucan was so delighted with the writings
+of Persius Flaccus, that he could scarcely refrain from giving loud
+tokens of applause while the author was reciting them, and declared that
+they had the true spirit of poetry. It was late before Persius made the
+acquaintance of Seneca, and then he was not much struck with his natural
+endowments. At the house of Cornutus he enjoyed the society of two very
+learned and excellent men, who were then zealously devoting themselves to
+philosophical enquiries, namely, Claudius Agaternus, a physician from
+Lacedaemon, and Petronius Aristocrates, of Magnesia, men whom he held in
+the highest esteem, and with whom he vied in their studies, as they were
+of his own age, being younger than Cornutus. During nearly the last ten
+years of his life he was much beloved by Thraseas, so that he sometimes
+travelled abroad in his company; and his cousin Arria was married to him.
+
+Persius was remarkable for gentle manners, for a modesty amounting to
+bashfulness, a handsome form, and an attachment to his mother, sister,
+and aunt, which was most exemplary. He was frugal and chaste. He left
+his mother and sister twenty thousand sesterces, requesting his mother,
+in a written codicil, to present to Cornutus, as some say, one hundred
+sesterces, or as others, twenty pounds of wrought silver [958], besides
+about seven hundred books, which, indeed, included his whole library.
+Cornutus, however, would only take the books, and gave up the legacy to
+the sisters, whom his brother had constituted his heirs.
+
+He wrote [959] seldom, and not very fast; even the work we possess he
+left incomplete. Some verses are wanting at the end of the book [960],
+but Cornutus thoughtlessly recited it, as if (540) it was finished; and
+on Caesius Bassus requesting to be allowed to publish it, he delivered it
+to him for that purpose., In his younger days, Persius had written a
+play, as well as an Itinerary, with several copies of verses on Thraseas'
+father-in-law, and Arria's [961] mother, who had made away with herself
+before her husband. But Cornutus used his whole influence with the
+mother of Persius to prevail upon her to destroy these compositions. As
+soon as his book of Satires was published, all the world began to admire
+it, and were eager to buy it up. He died of a disease in the stomach, in
+the thirtieth year of his age [962]. But no sooner had he left school
+and his masters, than he set to work with great vehemence to compose
+satires, from having read the tenth book of Lucilius; and made the
+beginning of that book his model; presently launching his invectives all
+around with so little scruple, that he did not spare cotemporary poets
+and orators, and even lashed Nero himself, who was then the reigning
+prince. The verse ran as follows:
+
+ Auriculas asini Mida rex habet;
+ King Midas has an ass's ears;
+
+but Cornutus altered it thus;
+
+ Auriculas asini quis non hahet?
+ Who has not an ass's ears?
+
+in order that it might not be supposed that it was meant to apply to
+Nero.
+
+
+
+
+
+THE LIFE OF HORACE.
+
+
+HORATIUS FLACCUS was a native of Venusium [963], his father having been,
+by his own account [964], a freedman and collector of taxes, but, as it
+is generally believed, a dealer in salted (541) provisions; for some one
+with whom Horace had a quarrel, jeered him, by saying; "How often have I
+seen your father wiping his nose with his fist?" In the battle of
+Philippi, he served as a military tribune [965], which post he filled at
+the instance of Marcus Brutus [966], the general; and having obtained a
+pardon, on the overthrow of his party, he purchased the office of scribe
+to a quaestor. Afterwards insinuating himself first, into the good
+graces of Mecaenas, and then of Augustus, he secured no small share in
+the regard of both. And first, how much Mecaenas loved him may be seen
+by the epigram in which he says:
+
+ Ni te visceribus meis, Horati,
+ Plus jam diligo, Titium sodalem,
+ Ginno tu videas strigosiorem. [967]
+
+But it was more strongly exhibited by Augustus, in a short sentence
+uttered in his last moments: "Be as mindful of Horatius Flaccus as you
+are of me!" Augustus offered to appoint him his secretary, signifying
+his wishes to Mecaenas in a letter to the following effect: "Hitherto I
+have been able to write my own epistles to friends; but now I am too much
+occupied, and in an infirm state of health. I wish, therefore, to
+deprive you of our Horace: let him leave, therefore, your luxurious table
+and come to the palace, and he shall assist me in writing my letters."
+And upon his refusing to accept the office, he neither exhibited the
+smallest displeasure, nor ceased to heap upon him tokens of his regard.
+Letters of his are extant, from which I will make some short extracts to
+establish this: "Use your influence over me with the same freedom as you
+would do if we were living together as friends. In so doing you will be
+perfectly right, and guilty of no impropriety; for I could wish that our
+intercourse should be on that footing, if your health admitted of it."
+And again: "How I hold you in memory you may learn (542) from our friend
+Septimius [968], for I happened to mention you when he was present. And
+if you are so proud as to scorn my friendship, that is no reason why I
+should lightly esteem yours, in return." Besides this, among other
+drolleries, he often called him, "his most immaculate penis," and "his
+charming little man," and loaded him from time to time with proofs of his
+munificence. He admired his works so much, and was so convinced of their
+enduring fame, that he directed him to compose the Secular Poem, as well
+as that on the victory of his stepsons Tiberius and Drusus over the
+Vindelici [969]; and for this purpose urged him to add, after a long
+interval, a fourth book of Odes to the former three. After reading his
+"Sermones," in which he found no mention of himself, he complained in
+these terms: "You must know that I am very angry with you, because in
+most of your works of this description you do not choose to address
+yourself to me. Are you afraid that, in times to come, your reputation
+will suffer; in case it should appear that you lived on terms of intimate
+friendship with me?" And he wrung from him the eulogy which begins with,
+
+ Cum tot sustineas, et tanta negotia solus:
+ Res Italas armis tuteris, moribus ornes,
+ Legibus emendes: in publica commoda peccem,
+ Si longo sermone morer tua tempora, Caesar.--Epist. ii. i.
+
+ While you alone sustain the important weight
+ Of Rome's affairs, so various and so great;
+ While you the public weal with arms defend,
+ Adorn with morals, and with laws amend;
+ Shall not the tedious letter prove a crime,
+ That steals one moment of our Caesar's time.--Francis.
+
+In person, Horace was short and fat, as he is described by himself in his
+Satires [970], and by Augustus in the following letter: "Dionysius has
+brought me your small volume, which, little as it is, not to blame you
+for that, I shall judge favourably. You seem to me, however, to be
+afraid lest your volumes should be bigger than yourself. But if you are
+short in stature, you are corpulent enough. You may, therefore, (543) if
+you will, write in a quart, when the size of your volume is as large
+round as your paunch."
+
+It is reported that he was immoderately addicted to venery. [For he is
+said to have had obscene pictures so disposed in a bedchamber lined with
+mirrors, that, whichever way he looked, lascivious images might present
+themselves to his view.] [971] He lived for the most part in the
+retirement of his farm [972], on the confines of the Sabine and Tiburtine
+territories, and his house is shewn in the neighbourhood of a little wood
+not far from Tibur. Some Elegies ascribed to him, and a prose Epistle
+apparently written to commend himself to Mecaenas, have been handed down
+to us; but I believe that neither of them are genuine works of his; for
+the Elegies are commonplace, and the Epistle is wanting in perspicuity, a
+fault which cannot be imputed to his style. He was born on the sixth of
+the ides of December [27th December], in the consulship of Lucius Cotta
+[973] and Lucius Torquatus; and died on the fifth of the calends of
+December [27th November], in the consulship of Caius Marcius Censorinus
+and Caius Asinius Gallus [974]; having completed his fifty-ninth year.
+He made a nuncupatory will, declaring Augustus his heir, not being able,
+from the violence of his disorder, to sign one in due form. He was
+interred and lies buried on the skirts of the Esquiline Hill, near the
+tomb of Mecaenas. [975]
+
+(544) M. ANNAEUS LUCANUS, a native of Corduba [976], first tried the
+powers of his genius in an encomium on Nero, at the Quinquennial games.
+He afterwards recited his poem on the Civil War carried on between Pompey
+and Caesar. His vanity was so immense, and he gave such liberty to his
+tongue, that in some preface, comparing his age and his first efforts
+with those of Virgil, he had the assurance to say: "And what now remains
+for me is to deal with a gnat." In his early youth, after being long
+informed of the sort of life his father led in the country, in
+consequence of an unhappy marriage [977], he was recalled from Athens by
+Nero, who admitted him into the circle of his friends, and even gave him
+the honour of the quaestorship; but he did not long remain in favour.
+Smarting at this, and having publicly stated that Nero had withdrawn, all
+of a sudden, without communicating with the senate, and without any other
+motive than his own recreation, after this he did not cease to assail the
+emperor both with foul words and with acts which are still notorious. So
+that on one occasion, when easing his bowels in the common privy, there
+being a louder explosion than usual, he gave vent to the nemistych of
+Nero: "One would suppose it was thundering under ground," in the hearing
+of those who were sitting there for the same purpose, and who took to
+their heels in much consternation [978]. In a poem also, which was in
+every one's hands, he severely lashed both the emperor and his most
+powerful adherents.
+
+At length, he became nearly the most active leader in Piso's conspiracy
+[979]; and while he dwelt without reserve in many quarters on the glory
+of those who dipped their hands in the (545) blood of tyrants, he
+launched out into open threats of violence, and carried them so far as to
+boast that he would cast the emperor's head at the feet of his
+neighbours. When, however, the plot was discovered, he did not exhibit
+any firmness of mind. A confession was wrung from him without much
+difficulty; and, humbling himself to the most abject entreaties, he even
+named his innocent mother as one of the conspirators [980]; hoping that
+his want of natural affection would give him favour in the eyes of a
+parricidal prince. Having obtained permission to choose his mode of
+death [981], he wrote notes to his father, containing corrections of some
+of his verses, and, having made a full meal, allowed a physician to open
+the veins in his arm [982]. I have also heard it said that his poems
+were offered for sale, and commented upon, not only with care and
+diligence, but also in a trifling way. [983]
+
+
+
+
+
+THE LIFE OF PLINY.
+
+[984]
+
+
+PLINIUS SECUNDUS, a native of New Como [985], having served in (546)
+the wars with strict attention to his duties, in the rank of a knight,
+distinguished himself, also, by the great integrity with which he
+administered the high functions of procurator for a long period in the
+several provinces intrusted to his charge. But still he devoted so much
+attention to literary pursuits, that it would not have been an easy
+matter for a person who enjoyed entire leisure to have written more than
+he did. He comprised, in twenty volumes, an account of all the various
+wars carried on in successive periods with the German tribes. Besides
+this, he wrote a Natural History, which extended to seven books. He fell
+a victim to the calamitous event which occurred in Campania. For, having
+the command of the fleet at Misenum, when Vesuvius was throwing up a
+fiery eruption, he put to sea with his gallies for the purpose of
+exploring the causes of the phenomenon close on the spot [986]. But
+being prevented by contrary winds from sailing back, he was suffocated in
+the dense cloud of dust and ashes. Some, however, think that he was
+killed by his slave, having implored him to put an end to his sufferings,
+when he was reduced to the last extremity by the fervent heat. [987]
+
+THE END OF LIVES OF THE POETS.
+
+
+
+
+FOOTNOTES:
+
+
+
+[925] Lucius Fenestella, an historical writer, is mentioned by
+Lactantius, Seneca, and Pliny, who says, that he died towards the close
+of the reign of Tiberius.
+
+[926] The second Punic war ended A.U.C. 552, and the third began A.U.C.
+605. Terence was probably born about 560.
+
+[927] Carthage was laid in ruins A.U.C. 606 or 607, six hundred and
+sixty seven years after its foundation.
+
+[928] These entertainments were given by the aediles M. Fulvius Nobilior
+and M. Acilius Glabrio, A.U.C. 587.
+
+[929] St. Jerom also states that Terence read the "Andria" to Caecilius
+who was a comic poet at Rome; but it is clearly an anachronism, as he
+died two years before this period. It is proposed, therefore, to amend
+the text by substituting Acilius, the aedile; a correction recommended by
+all the circumstances, and approved by Pitiscus and Ernesti.
+
+[930] The "Hecyra," The Mother-in-law, is one of Terence's plays.
+
+[931] The "Eunuch" was not brought out till five years after the Andria,
+A.U.C. 592.
+
+[932] About 80 pounds sterling; the price paid for the two performances.
+What further right of authorship is meant by the words following, is not
+very clear.
+
+[933] The "Adelphi" was first acted A.U.C. 593.
+
+[934] This report is mentioned by Cicero (Ad Attic, vii. 3), who applies
+it to the younger Laelius. The Scipio here mentioned is Scipio
+Africanus, who was at this time about twenty-one years of age.
+
+[935] The calends of March was the festival of married women. See
+before, VESPASIAN, c. xix.
+
+[936] Santra, who wrote biographies of celebrated characters, is
+mentioned as "a man of learning," by St. Jerom, in his preface to the
+book on the Ecclesiastical Writers.
+
+[937] The idea seems to have prevailed that Terence, originally an
+African slave, could not have attained that purity of style in Latin
+composition which is found in his plays, without some assistance. The
+style of Phaedrus, however; who was a slave from Thrace, and lived in the
+reign of Tiberius, is equally pure, although no such suspicion attaches
+to his work.
+
+[938] Cicero (de Clar. Orat. c. 207) gives Sulpicius Gallus a high
+character as a finished orator and elegant scholar. He was consul when
+the Andria was first produced.
+
+[939] Labeo and Popilius are also spoken of by Cicero in high terms, Ib.
+cc. 21 and 24. Q. Fabius Labeo was consul with M. Claudius Marcellus,
+A.U.C. 570 and Popilius with L. Postumius Albinus, A.U.C. 580.
+
+[940] The story of Terence's having converted into Latin plays this
+large number of Menander's Greek comedies, is beyond all probability,
+considering the age at which he died, and other circumstances. Indeed,
+Menander never wrote so many as are here stated.
+
+[941] They were consuls A.U.C. 594. Terence was, therefore, thirty-four
+years old at the time of his death.
+
+[942] Hortulorum, in the plural number. This term, often found in Roman
+authors, not inaptly describes the vast number of little inclosures,
+consisting of vineyards, orchards of fig-trees, peaches, etc., with
+patches of tillage, in which maize, legumes, melons, pumpkins, and other
+vegetables are cultivated for sale, still found on small properties, in
+the south of Europe, particularly in the neighbourhood of towns.
+
+[943] Suetonius has quoted these lines in the earlier part of his Life
+of Terence. See before p. 532, where they are translated.
+
+[944] Juvenal was born at Aquinum, a town of the Volscians, as appears
+by an ancient MS., and is intimated by himself. Sat. iii. 319.
+
+[945] He must have been therefore nearly forty years old at this time,
+as he lived to be eighty.
+
+[946] The seventh of Juvenal's Satires.
+
+[947] This Paris does not appear to have been the favourite of Nero, who
+was put to death by that prince [see NERO, c. liv.], but another person
+of the same name, who was patronised by the emperor Domitian. The name
+of the poet joined with him is not known. Salmatius thinks it was
+Statius Pompilius, who sold to Paris, the actor, the play of Agave;
+
+ Esurit, intactam Paridi nisi vendat Agaven.--Juv. Sat. vii. 87.
+
+[948] Sulpicius Camerinus had been proconsul in Africa; Bareas Soranus
+in Asia. Tacit. Annal. xiii. 52; xvi. 23. Both of them are said to have
+been corrupt in their administration; and the satirist introduces their
+names as examples of the rich and noble, whose influence was less than
+that of favourite actors, or whose avarice prevented them from becoming
+the patrons of poets.
+
+[949] The "Pelopea," was a tragedy founded on the story of the daughter
+of Thyestes; the "Philomela," a tragedy on the fate of Itys, whose
+remains were served to his father at a banquet by Philomela and her
+sister Progne.
+
+[950] This was in the time of Adrian. Juvenal, who wrote first in the
+reigns of Domitian and Trajan, composed his last Satire but one in the
+third year of Adrian, A.U.C. 872.
+
+[951] Syene is meant, the frontier station of the imperial troops in
+that quarter of the world.
+
+[952] A.U.C. 786, A.D. 34.
+
+[953] A.U.C. 814, A.D. 62.
+
+[954] Persius was one of the few men of rank and affluence among the
+Romans, who acquired distinction as writers; the greater part of them
+having been freedmen, as appears not only from these lives of the poets,
+but from our author's notices of the grammarians and rhetoricians. A
+Caius Persius is mentioned with distinction by Livy in the second Punic
+war, Hist. xxvi. 39; and another of the same name by Cicero, de Orat. ii.
+6, and by Pliny; but whether the poet was descended from either of them,
+we have no means of ascertaining.
+
+[955] Persius addressed his fifth satire to Annaeus Cornutus. He was a
+native of Leptis, in Africa, and lived at Rome in the time of Nero, by
+whom he was banished.
+
+[956] Caesius Bassus, a lyric poet, flourished during the reigns of Nero
+and Galba. Persius dedicated his sixth Satire to him.
+
+[957] "Numanus." It should be Servilius Nonianus, who is mentioned by
+Pliny, xxviii. 2, and xxxvii. 6.
+
+[958] Commentators are not agreed about these sums, the text varying
+both in the manuscripts and editions.
+
+[959] See Dr. Thomson's remarks on Persius, before, p. 398.
+
+[960] There is no appearance of any want of finish in the sixth Satire of
+Persius, as it has come down to us; but it has been conjectured that it
+was followed by another, which was left imperfect.
+
+[961] There were two Arrias, mother and daughter, Tacit. Annal. xvi.
+34. 3.
+
+[962] Persius died about nine days before he completed his twenty-ninth
+year.
+
+[963] Venusium stood on the confines of the Apulian, Lucanian, and
+Samnite territories.
+
+ Sequor hunc, Lucanus an Appulus anceps;
+ Nam Venusinus arat finem sub utrumque colonus.
+ Hor Sat. xi. 1. 34.
+[964] Sat. i. 6. 45.
+
+[965] Horace mentions his being in this battle, and does not scruple to
+admit that he made rather a precipitate retreat, "relicta non bene
+parmula."--Ode xi. 7-9.
+
+[966] See Ode xi. 7. 1.
+
+[967] The editors of Suetonius give different versions of this epigram.
+It seems to allude to some passing occurrence, and in its present form
+the sense is to this effect: "If I love you not, Horace, to my very
+heart's core, may you see the priest of the college of Titus leaner than
+his mule."
+
+[968] Probably the Septimius to whom Horace addressed the ode beginning
+
+ Septimi, Gades aditure mecum.--Ode xl. b. i.
+
+[969] See AUGUSTUS, c. xxi.; and Horace, Ode iv, 4.
+
+[970] See Epist. i. iv. xv.
+
+ Me pinguem et nitidum bene curata cute vises.
+
+[971] It is satisfactory to find that the best commentators consider the
+words between brackets as an interpolation in the work of Suetonius.
+Some, including Bentley, reject the preceding sentence also.
+
+[972] The works of Horace abound with references to his Sabine farm
+which must be familiar to many readers. Some remains are still shewn,
+consisting of a ruined wall and a tesselated pavement in a vineyard,
+about eight miles from Tivoli, which are supposed, with reason, to mark
+its site. At least, the features of the neighbouring country, as often
+sketched by the poet--and they are very beautiful--cannot be mistaken.
+
+[973] Aurelius Cotta and L. Manlius Torquatus were consuls A.U.C. 688.
+The genial Horace, in speaking of his old wine, agrees with Suetonius in
+fixing the date of his own birth:
+
+ O nata mecum consule Manlio
+ Testa.--Ode iii. 21.
+And again,
+
+ Tu vina, Torquato, move
+ Consule pressa meo.--Epod. xiii. 8.
+
+[974] A.U.C. 745. So that Horace was in his fifty-seventh, not his
+fifty-ninth year, at the time of his death.
+
+[975] It may be concluded that Horace died at Rome, under the hospitable
+roof of his patron Mecaenas, whose villa and gardens stood on the
+Esquiline hill; which had formerly been the burial ground of the lower
+classes; but, as he tells us,
+
+ Nunc licet Esquiliis habitare salubribus, atque
+ Aggere in aprico spatiare.--Sat. i. 8.
+
+[976] Cordova. Lucan was the son of Annaeus Mella, Seneca's brother.
+
+[977] This sentence is very obscure, and Ernesti considers the text to
+be imperfect.
+
+[978] They had good reason to know that, ridiculous as the tyrant made
+himself, it was not safe to incur even the suspicion of being parties to
+a jest upon him.
+
+[979] See NERO, c. xxxvi.
+
+[980] St. Jerom (Chron. Euseb.) places Lucan's death in the tenth year
+of Nero's reign, corresponding with A.U.C. 817. This opportunity is
+taken of correcting an error in the press, p. 342, respecting the date of
+Nero's accession. It should be A.U.C. 807, A.D. 55.
+
+[981] These circumstances are not mentioned by some other writers. See
+Dr. Thomson's account of Lucan, before, p. 347, where it is said that he
+died with philosophical firmness.
+
+[982] We find it stated ib. p. 396, that Lucan expired while pronouncing
+some verses from his own Pharsalia: for which we have the authority of
+Tacitus, Annal. xv. 20. 1. Lucan, it appears, employed his last hours in
+revising his poems; on the contrary, Virgil, we are told, when his death
+was imminent, renewed his directions that the Aeneid should be committed
+to the flames.
+
+[983] The text of the concluding sentence of Lucan's life is corrupt,
+and neither of the modes proposed for correcting it make the sense
+intended very clear.
+
+[984] Although this brief memoir of Pliny is inserted in all the
+editions of Suetonius, it was unquestionably not written by him. The
+author, whoever he was, has confounded the two Plinys, the uncle and
+nephew, into which error Suetonius could not have fallen, as he lived on
+intimate terms with the younger Pliny; nor can it be supposed that he
+would have composed the memoir of his illustrious friend in so cursory a
+manner. Scaliger and other learned men consider that the life of Pliny,
+attributed to Suetonius, was composed more than four centuries after that
+historian's death.
+
+[985] See JULIUS, c. xxviii. Caius Plinius Caecilius Secundus (the
+younger Pliny) was born at Como, A.U.C. 814; A.D. 62. His father's name
+was Lucius Caecilius, also of Como, who married Plinia, the sister of
+Caius Plinius Secundus, supposed to have been a native of Verona, the
+author of the Natural History, and by this marriage the uncle of Pliny
+the Younger. It was the nephew who enjoyed the confidence of the
+emperors Nerva and Trajan, and was the author of the celebrated Letters.
+
+[986] The first eruption of Mount Vesuvius occurred A.U.C. 831, A.D. 79.
+See TITUS, c. viii. The younger Pliny was with his uncle at Misenum at
+the time, and has left an account of his disastrous enterprise in one of
+his letters, Epist. vi. xvi.
+
+[987] For further accounts of the elder Pliny, see the Epistles of
+his nephew, B. iii. 5; vi. 16. 20; and Dr. Thomson's remarks before,
+pp. 475-478.
+
+
+
+
+
+End of Project Gutenberg's Lives Of The Poets, by C. Suetonius Tranquillus
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LIVES OF THE POETS ***
+
+***** This file should be named 6399.txt or 6399.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/6/3/9/6399/
+
+Produced by Tapio Riikonen and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/6399.zip b/6399.zip
new file mode 100644
index 0000000..eaa5edc
--- /dev/null
+++ b/6399.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..cf3ba48
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #6399 (https://www.gutenberg.org/ebooks/6399)
diff --git a/old/st14w10.txt b/old/st14w10.txt
new file mode 100644
index 0000000..4a70575
--- /dev/null
+++ b/old/st14w10.txt
@@ -0,0 +1,1145 @@
+The Project Gutenberg EBook The Lives Of The Caesars, by Suetonius, V14
+#14 in our series by C. Suetonious Tranquillus
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**EBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These EBooks Were Prepared By Thousands of Volunteers*****
+
+
+Title: The Lives Of The Twelve Caesars, Volume 14.
+ [LIVES OF THE POETS]
+
+Author: C. Suetonius Tranquillus
+
+Release Date: August, 2004 [EBook #6399]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on December 3, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+
+
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK LIVES OF THE CAESARS, SUETONIUS, V14 ***
+
+
+
+This eBook was produced by Tapio Riikonen
+and David Widger <widger@cecomet.net>
+
+
+
+
+
+ THE LIVES
+ OF
+ THE TWELVE CAESARS
+
+ By
+ C. Suetonius Tranquillus;
+
+ To which are added,
+
+ HIS LIVES OF THE GRAMMARIANS, RHETORICIANS, AND POETS.
+
+
+ The Translation of
+ Alexander Thomson, M.D.
+
+ revised and corrected by
+ T.Forester, Esq., A.M.
+
+
+
+(531)
+
+
+ LIVES OF THE POETS.
+
+
+
+
+THE LIFE OF TERENCE.
+
+
+Publius Terentius Afer, a native of Carthage, was a slave, at Rome, of
+the senator Terentius Lucanus, who, struck by his abilities and handsome
+person, gave him not only a liberal education in his youth, but his
+freedom when he arrived at years of maturity. Some say that he was a
+captive taken in war, but this, as Fenestella [925] informs us, could by
+no means have been the case, since both his birth and death took place in
+the interval between the termination of the second Punic war and the
+commencement of the third [926]; nor, even supposing that he had been
+taken prisoner by the Numidian or Getulian tribes, could he have fallen
+into the hands of a Roman general, as there was no commercial intercourse
+between the Italians and Africans until after the fall of Carthage [927].
+Terence lived in great familiarity with many persons of high station, and
+especially with Scipio Africanus, and Caius Delius, whose favour he is
+even supposed to have purchased by the foulest means. But Fenestella
+reverses the charge, contending that Terence was older than either of
+them. Cornelius Nepos, however, (532) informs us that they were all of
+nearly equal age; and Porcias intimates a suspicion of this criminal
+commerce in the following passage:--
+
+"While Terence plays the wanton with the great, and recommends himself to
+them by the meretricious ornaments of his person; while, with greedy
+ears, he drinks in the divine melody of Africanus's voice; while he
+thinks of being a constant guest at the table of Furius, and the handsome
+Laelius; while he thinks that he is fondly loved by them, and often
+invited to Albanum for his youthful beauty, he finds himself stripped of
+his property, and reduced to the lowest state of indigence. Then,
+withdrawing from the world, he betook himself to Greece, where he met his
+end, dying at Strymphalos, a town in Arcadia. What availed him the
+friendship of Scipio, of Laelius, or of Furius, three of the most
+affluent nobles of that age? They did not even minister to his
+necessities so much as to provide him a hired house, to which his slave
+might return with the intelligence of his master's death."
+
+He wrote comedies, the earliest of which, The Andria, having to be
+performed at the public spectacles given by the aediles [928], he was
+commanded to read it first before Caecilius [929]. Having been
+introduced while Caecilius was at supper, and being meanly dressed, he is
+reported to have read the beginning of the play seated on a low stool
+near the great man's couch. But after reciting a few verses, he was
+invited to take his place at table, and, having supped with his host,
+went through the rest to his great delight. This play and five others
+were received by the public with similar applause, although Volcatius, in
+his enumeration of them, says that "The Hecyra [930] must not be reckoned
+among these."
+
+The Eunuch was even acted twice the same day [931], and earned more money
+than any comedy, whoever was the writer, had (533) ever done before,
+namely, eight thousand sesterces [932]; besides which, a certain sum
+accrued to the author for the title. But Varro prefers the opening of
+The Adelphi [933] to that of Menander. It is very commonly reported that
+Terence was assisted in his works by Laelius and Scipio [934], with whom
+he lived in such great intimacy. He gave some currency to this report
+himself, nor did he ever attempt to defend himself against it, except in
+a light way; as in the prologue to The Adelphi:
+
+ Nam quod isti dicunt malevoli, homines nohiles
+ Hunc adjutare, assidueque una scribere;
+ Quod illi maledictun vehemens existimant,
+ Eam laudem hic ducit maximam: cum illis placet,
+ Qui vobis universis et populo placent;
+ Quorum opera in bello, in otio, in negotio,
+ Suo quisque tempore usus est sine superbia.
+
+ --------For this,
+ Which malice tells that certain noble persons
+ Assist the bard, and write in concert with him,
+ That which they deem a heavy slander, he
+ Esteems his greatest praise: that he can please
+ Those who in war, in peace, as counsellors,
+ Have rendered you the dearest services,
+ And ever borne their faculties so meekly.
+ Colman.
+
+He appears to have protested against this imputation with less
+earnestness, because the notion was far from being disagreeable to
+Laelius and Scipio. It therefore gained ground, and prevailed in after-
+times.
+
+Quintus Memmius, in his speech in his own defence, says "Publius
+Africanus, who borrowed from Terence a character which he had acted in
+private, brought it on the stage in his name." Nepos tells us he found
+in some book that C. Laelius, when he was on some occasion at Puteoli, on
+the calends [the first] of March, [935] being requested by his wife to
+rise early, (534) begged her not to suffer him to be disturbed, as he had
+gone to bed late, having been engaged in writing with more than usual
+success. On her asking him to tell her what he had been writing, he
+repeated the verses which are found in the Heautontimoroumenos:
+
+ Satis pol proterve me Syri promessa--Heauton. IV. iv. 1.
+ I'faith! the rogue Syrus's impudent pretences--
+
+Santra [936] is of opinion that if Terence required any assistance in his
+compositions [937], he would not have had recourse to Scipio and Laelius,
+who were then very young men, but rather to Sulpicius Gallus [938], an
+accomplished scholar, who had been the first to introduce his plays at
+the games given by the consuls; or to Q. Fabius Labeo, or Marcus Popilius
+[939], both men of consular rank, as well as poets. It was for this
+reason that, in alluding to the assistance he had received, he did not
+speak of his coadjutors as very young men, but as persons of whose
+services the people had full experience in peace, in war, and in the
+administration of affairs.
+
+After he had given his comedies to the world, at a time when he had not
+passed his thirty-fifth year, in order to avoid suspicion, as he found
+others publishing their works under his name, or else to make himself
+acquainted with the modes of life and habits of the Greeks, for the
+purpose of exhibiting them in his plays, he withdrew from home, to which
+he never returned. Volcatius gives this account of his death:
+
+ Sed ut Afer sei populo dedit comoedias,
+ Iter hic in Asiam fecit. Navem cum semel
+ Conscendit, visus nunquam est. Sic vita vacat.
+
+ (535) When Afer had produced six plays for the entertainment of the
+ people,
+ He embarked for Asia; but from the time he went on board ship
+ He was never seen again. Thus he ended his life.
+
+Q. Consentius reports that he perished at sea on his voyage back from
+Greece, and that one hundred and eight plays, of which he had made a
+version from Menander [940], were lost with him. Others say that he died
+at Stymphalos, in Arcadia, or in Leucadia, during the consulship of Cn.
+Cornelius Dolabella and Marcus Fulvius Nobilior [941], worn out with a
+severe illness, and with grief and regret for the loss of his baggage,
+which he had sent forward in a ship that was wrecked, and contained the
+last new plays he had written.
+
+In person, Terence is reported to have been rather short and slender,
+with a dark complexion. He had an only daughter, who was afterwards
+married to a Roman knight; and he left also twenty acres of garden ground
+[942], on the Appian Way, at the Villa of Mars. I, therefore, wonder the
+more how Porcius could have written the verses,
+
+ --------nihil Publius
+ Scipio profuit, nihil et Laelius, nihil Furius,
+ Tres per idem tempus qui agitabant nobiles facillime.
+ Eorum ille opera ne domum quidem habuit conductitiam
+ Saltem ut esset, quo referret obitum domini servulus. [943]
+
+Afranius places him at the head of all the comic writers, declaring, in
+his Compitalia,
+
+ Terentio non similem dices quempiam.
+ Terence's equal cannot soon be found.
+
+On the other hand, Volcatius reckons him inferior not only (536) to
+Naevius, Plautus, and Caecilius, but also to Licinius. Cicero pays him
+this high compliment, in his Limo--
+
+ Tu quoque, qui solus lecto sermone, Terenti,
+ Conversum expressumque Latina voce Menandrum
+ In medio populi sedatis vocibus offers,
+ Quidquid come loquens, ac omnia dulcia dicens.
+
+"You, only, Terence, translated into Latin, and clothed in choice
+language the plays of Menander, and brought them before the public, who,
+in crowded audiences, hung upon hushed applause--
+
+ Grace marked each line, and every period charmed."
+
+So also Caius Caesar:
+
+ Tu quoque tu in summis, O dimidiate Menander,
+ Poneris, et merito, puri sermonis amator,
+ Lenibus atque utinam scriptis adjuncta foret vis
+ Comica, ut aequato virtus polleret honore
+ Cum Graecis, neque in hoc despectus parte jaceres!
+ Unum hoc maceror, et doleo tibi deesse, Terenti.
+
+"You, too, who divide your honours with Menander, will take your place
+among poets of the highest order, and justly too, such is the purity of
+your style. Would only that to your graceful diction was added more
+comic force, that your works might equal in merit the Greek masterpieces,
+and your inferiority in this particular should not expose you to censure.
+This is my only regret; in this, Terence, I grieve to say you are
+wanting."
+
+
+
+
+THE LIFE OF JUVENAL.
+
+
+D. JUNIUS JUVENALIS, who was either the son [944] of a wealthy freedman,
+or brought up by him, it is not known which, declaimed till the middle of
+life [945], more from the bent of his inclination, than from any desire
+to prepare himself either for the schools or the forum. But having
+composed a short satire [946], which was clever enough, on Paris [947],
+the actor of pantomimes, (537) and also on the poet of Claudius Nero, who
+was puffed up by having held some inferior military rank for six months
+only; he afterwards devoted himself with much zeal to that style of
+writing. For a while indeed, he had not the courage to read them even to
+a small circle of auditors, but it was not long before he recited his
+satires to crowded audiences, and with entire success; and this he did
+twice or thrice, inserting new lines among those which he had originally
+composed.
+
+ Quod non dant proceres, dabit histrio, tu Camerinos,
+ Et Bareas, tu nobilium magna atria curas.
+ Praefectos Pelopea facit, Philomela tribunos.
+
+ Behold an actor's patronage affords
+ A surer means of rising than a lord's!
+ And wilt thou still the Camerino's [948] court,
+ Or to the halls of Bareas resort,
+ When tribunes Pelopea can create
+ And Philomela praefects, who shall rule the state? [949]
+
+At that time the player was in high favour at court, and many of those
+who fawned upon him were daily raised to posts of honour. Juvenal
+therefore incurred the suspicion of having covertly satirized occurrences
+which were then passing, and, although eighty years old at that time
+[950], he was immediately removed from the city, being sent into
+honourable banishment as praefect of a cohort, which was under orders to
+proceed to a station at the extreme frontier of Egypt [951]. That (538)
+sort of punishment was selected, as it appeared severe enough for an
+offence which was venial, and a mere piece of drollery. However, he died
+very soon afterwards, worn down by grief, and weary of his life.
+
+
+
+
+THE LIFE OF PERSIUS.
+
+
+AULUS PERSIUS FLACCUS was born the day before the Nones of December [4th
+Dec.] [952], in the consulship of Fabius Persicus and L. Vitellius. He
+died on the eighth of the calends of December [24th Nov.] [953] in the
+consulship of Rubrius Marius and Asinius Gallus. Though born at
+Volterra, in Etruria, he was a Roman knight, allied both by blood and
+marriage to persons of the highest rank [954]. He ended his days at an
+estate he had at the eighth milestone on the Appian Way. His father,
+Flaccus, who died when he was barely six years old, left him under the
+care of guardians, and his mother, Fulvia Silenna, who afterwards married
+Fusius, a Roman knight, buried him also in a very few years. Persius
+Flaccus pursued his studies at Volterra till he was twelve years old, and
+then continued them at Rome, under Remmius Palaemon, the grammarian, and
+Verginius Flaccus, the rhetorician. Arriving at the age of twenty-one,
+he formed a friendship with Annaeus Cornutus [955], which lasted through
+life; and from him he learned the rudiments of philosophy. Among his
+earliest friends were Caesius Bassus [956], and Calpurnius Statura; the
+latter of whom died while Persius himself was yet in his youth.
+Servilius (539) Numanus [957], he reverenced as a father. Through
+Cornutus he was introduced to Annaeus, as well as to Lucan, who was of
+his own age, and also a disciple of Cornutus. At that time Cornutus was
+a tragic writer; he belonged to the sect of the Stoics, and left behind
+him some philosophical works. Lucan was so delighted with the writings
+of Persius Flaccus, that he could scarcely refrain from giving loud
+tokens of applause while the author was reciting them, and declared that
+they had the true spirit of poetry. It was late before Persius made the
+acquaintance of Seneca, and then he was not much struck with his natural
+endowments. At the house of Cornutus he enjoyed the society of two very
+learned and excellent men, who were then zealously devoting themselves to
+philosophical enquiries, namely, Claudius Agaternus, a physician from
+Lacedaemon, and Petronius Aristocrates, of Magnesia, men whom he held in
+the highest esteem, and with whom he vied in their studies, as they were
+of his own age, being younger than Cornutus. During nearly the last ten
+years of his life he was much beloved by Thraseas, so that he sometimes
+travelled abroad in his company; and his cousin Arria was married to him.
+
+Persius was remarkable for gentle manners, for a modesty amounting to
+bashfulness, a handsome form, and an attachment to his mother, sister,
+and aunt, which was most exemplary. He was frugal and chaste. He left
+his mother and sister twenty thousand sesterces, requesting his mother,
+in a written codicil, to present to Cornutus, as some say, one hundred
+sesterces, or as others, twenty pounds of wrought silver [958], besides
+about seven hundred books, which, indeed, included his whole library.
+Cornutus, however, would only take the books, and gave up the legacy to
+the sisters, whom his brother had constituted his heirs.
+
+He wrote [959] seldom, and not very fast; even the work we possess he
+left incomplete. Some verses are wanting at the end of the book [960],
+but Cornutus thoughtlessly recited it, as if (540) it was finished; and
+on Caesius Bassus requesting to be allowed to publish it, he delivered it
+to him for that purpose., In his younger days, Persius had written a
+play, as well as an Itinerary, with several copies of verses on Thraseas'
+father-in-law, and Arria's [961] mother, who had made away with herself
+before her husband. But Cornutus used his whole influence with the
+mother of Persius to prevail upon her to destroy these compositions. As
+soon as his book of Satires was published, all the world began to admire
+it, and were eager to buy it up. He died of a disease in the stomach, in
+the thirtieth year of his age [962]. But no sooner had he left school
+and his masters, than he set to work with great vehemence to compose
+satires, from having read the tenth book of Lucilius; and made the
+beginning of that book his model; presently launching his invectives all
+around with so little scruple, that he did not spare cotemporary poets
+and orators, and even lashed Nero himself, who was then the reigning
+prince. The verse ran as follows:
+
+ Auriculas asini Mida rex habet;
+ King Midas has an ass's ears;
+
+but Cornutus altered it thus;
+
+ Auriculas asini quis non hahet?
+ Who has not an ass's ears?
+
+in order that it might not be supposed that it was meant to apply to
+Nero.
+
+
+
+
+THE LIFE OF HOR ACE.
+
+
+HORATIUS FLACCUS was a native of Venusium [963], his father having been,
+by his own account [964], a freedman and collector of taxes, but, as it
+is generally believed, a dealer in salted (541) provisions; for some one
+with whom Horace had a quarrel, jeered him, by saying; "How often have I
+seen your father wiping his nose with his fist?" In the battle of
+Philippi, he served as a military tribune [965], which post he filled at
+the instance of Marcus Brutus [966], the general; and having obtained a
+pardon, on the overthrow of his party, he purchased the office of scribe
+to a quaestor. Afterwards insinuating himself first, into the good
+graces of Mecaenas, and then of Augustus, he secured no small share in
+the regard of both. And first, how much Mecaenas loved him may be seen
+by the epigram in which he says:
+
+ Ni te visceribus meis, Horati,
+ Plus jam diligo, Titium sodalem,
+ Ginno tu videas strigosiorem. [967]
+
+But it was more strongly exhibited by Augustus, in a short sentence
+uttered in his last moments: "Be as mindful of Horatius Flaccus as you
+are of me!" Augustus offered to appoint him his secretary, signifying
+his wishes to Mecaenas in a letter to the following effect: "Hitherto I
+have been able to write my own epistles to friends; but now I am too much
+occupied, and in an infirm state of health. I wish, therefore, to
+deprive you of our Horace: let him leave, therefore, your luxurious table
+and come to the palace, and he shall assist me in writing my letters."
+And upon his refusing to accept the office, he neither exhibited the
+smallest displeasure, nor ceased to heap upon him tokens of his regard.
+Letters of his are extant, from which I will make some short extracts to
+establish this: "Use your influence over me with the same freedom as you
+would do if we were living together as friends. In so doing you will be
+perfectly right, and guilty of no impropriety; for I could wish that our
+intercourse should be on that footing, if your health admitted of it."
+And again: "How I hold you in memory you may learn (542) from our friend
+Septimius [968], for I happened to mention you when he was present. And
+if you are so proud as to scorn my friendship, that is no reason why I
+should lightly esteem yours, in return." Besides this, among other
+drolleries, he often called him, "his most immaculate penis," and "his
+charming little man," and loaded him from time to time with proofs of his
+munificence. He admired his works so much, and was so convinced of their
+enduring fame, that he directed him to compose the Secular Poem, as well
+as that on the victory of his stepsons Tiberius and Drusus over the
+Vindelici [969]; and for this purpose urged him to add, after a long
+interval, a fourth book of Odes to the former three. After reading his
+"Sermones," in which he found no mention of himself, he complained in
+these terms: "You must know that I am very angry with you, because in
+most of your works of this description you do not choose to address
+yourself to me. Are you afraid that, in times to come, your reputation
+will suffer; in case it should appear that you lived on terms of intimate
+friendship with me?" And he wrung from him the eulogy which begins with,
+
+ Cum tot sustineas, et tanta negotia solus:
+ Res Italas armis tuteris, moribus ornes,
+ Legibus emendes: in publica commoda peccem,
+ Si longo sermone morer tua tempora, Caesar.--Epist. ii. i.
+
+ While you alone sustain the important weight
+ Of Rome's affairs, so various and so great;
+ While you the public weal with arms defend,
+ Adorn with morals, and with laws amend;
+ Shall not the tedious letter prove a crime,
+ That steals one moment of our Caesar's time.--Francis.
+
+In person, Horace was short and fat, as he is described by himself in his
+Satires [970], and by Augustus in the following letter: "Dionysius has
+brought me your small volume, which, little as it is, not to blame you
+for that, I shall judge favourably. You seem to me, however, to be
+afraid lest your volumes should be bigger than yourself. But if you are
+short in stature, you are corpulent enough. You may, therefore, (543) if
+you will, write in a quart, when the size of your volume is as large
+round as your paunch."
+
+It is reported that he was immoderately addicted to venery. [For he is
+said to have had obscene pictures so disposed in a bedchamber lined with
+mirrors, that, whichever way he looked, lascivious images might present
+themselves to his view.] [971] He lived for the most part in the
+retirement of his farm [972], on the confines of the Sabine and Tiburtine
+territories, and his house is shewn in the neighbourhood of a little wood
+not far from Tibur. Some Elegies ascribed to him, and a prose Epistle
+apparently written to commend himself to Mecaenas, have been handed down
+to us; but I believe that neither of them are genuine works of his; for
+the Elegies are commonplace, and the Epistle is wanting in perspicuity, a
+fault which cannot be imputed to his style. He was born on the sixth of
+the ides of December [27th December], in the consulship of Lucius Cotta
+[973] and Lucius Torquatus; and died on the fifth of the calends of
+December [27th November], in the consulship of Caius Marcius Censorinus
+and Caius Asinius Gallus [974]; having completed his fifty-ninth year.
+He made a nuncupatory will, declaring Augustus his heir, not being able,
+from the violence of his disorder, to sign one in due form. He was
+interred and lies buried on the skirts of the Esquiline Hill, near the
+tomb of Mecaenas. [975]
+
+(544) M. ANNAEUS LUCANUS, a native of Corduba [976], first tried the
+powers of his genius in an encomium on Nero, at the Quinquennial games.
+He afterwards recited his poem on the Civil War carried on between Pompey
+and Caesar. His vanity was so immense, and he gave such liberty to his
+tongue, that in some preface, comparing his age and his first efforts
+with those of Virgil, he had the assurance to say: "And what now remains
+for me is to deal with a gnat." In his early youth, after being long
+informed of the sort of life his father led in the country, in
+consequence of an unhappy marriage [977], he was recalled from Athens by
+Nero, who admitted him into the circle of his friends, and even gave him
+the honour of the quaestorship; but he did not long remain in favour.
+Smarting at this, and having publicly stated that Nero had withdrawn, all
+of a sudden, without communicating with the senate, and without any other
+motive than his own recreation, after this he did not cease to assail the
+emperor both with foul words and with acts which are still notorious. So
+that on one occasion, when easing his bowels in the common privy, there
+being a louder explosion than usual, he gave vent to the nemistych of
+Nero: "One would suppose it was thundering under ground," in the hearing
+of those who were sitting there for the same purpose, and who took to
+their heels in much consternation [978]. In a poem also, which was in
+every one's hands, he severely lashed both the emperor and his most
+powerful adherents.
+
+At length, he became nearly the most active leader in Piso's conspiracy
+[979]; and while he dwelt without reserve in many quarters on the glory
+of those who dipped their hands in the (545) blood of tyrants, he
+launched out into open threats of violence, and carried them so far as to
+boast that he would cast the emperor's head at the feet of his
+neighbours. When, however, the plot was discovered, he did not exhibit
+any firmness of mind. A confession was wrung from him without much
+difficulty; and, humbling himself to the most abject entreaties, he even
+named his innocent mother as one of the conspirators [980]; hoping that
+his want of natural affection would give him favour in the eyes of a
+parricidal prince. Having obtained permission to choose his mode of
+death [981], he wrote notes to his father, containing corrections of some
+of his verses, and, having made a full meal, allowed a physician to open
+the veins in his arm [982]. I have also heard it said that his poems
+were offered for sale, and commented upon, not only with care and
+diligence, but also in a trifling way. [983]
+
+
+
+
+THE LIFE OF PLINY. [984]
+
+
+PLINIUS SECUNDUS, a native of New Como [985], having served in (546)
+the wars with strict attention to his duties, in the rank of a knight,
+distinguished himself, also, by the great integrity with which he
+administered the high functions of procurator for a long period in the
+several provinces intrusted to his charge. But still he devoted so much
+attention to literary pursuits, that it would not have been an easy
+matter for a person who enjoyed entire leisure to have written more than
+he did. He comprised, in twenty volumes, an account of all the various
+wars carried on in successive periods with the German tribes. Besides
+this, he wrote a Natural History, which extended to seven books. He fell
+a victim to the calamitous event which occurred in Campania. For, having
+the command of the fleet at Misenum, when Vesuvius was throwing up a
+fiery eruption, he put to sea with his gallies for the purpose of
+exploring the causes of the phenomenon close on the spot [986]. But
+being prevented by contrary winds from sailing back, he was suffocated in
+the dense cloud of dust and ashes. Some, however, think that he was
+killed by his slave, having implored him to put an end to his sufferings,
+when he was reduced to the last extremity by the fervent heat. [987]
+
+
+FOOTNOTES:
+
+
+
+[925] Lucius Fenestella, an historical writer, is mentioned by
+Lactantius, Seneca, and Pliny, who says, that he died towards the close
+of the reign of Tiberius.
+
+[926] The second Punic war ended A.U.C. 552, and the third began A.U.C.
+605. Terence was probably born about 560.
+
+[927] Carthage was laid in ruins A.U.C. 606 or 607, six hundred and
+sixty seven years after its foundation.
+
+[928] These entertainments were given by the aediles M. Fulvius Nobilior
+and M. Acilius Glabrio, A.U.C. 587.
+
+[929] St. Jerom also states that Terence read the "Andria" to Caecilius
+who was a comic poet at Rome; but it is clearly an anachronism, as he
+died two years before this period. It is proposed, therefore, to amend
+the text by substituting Acilius, the aedile; a correction recommended by
+all the circumstances, and approved by Pitiscus and Ernesti.
+
+[930] The "Hecyra," The Mother-in-law, is one of Terence's plays.
+
+[931] The "Eunuch" was not brought out till five years after the Andria,
+A.U.C. 592.
+
+[932] About 80 pounds sterling; the price paid for the two performances.
+What further right of authorship is meant by the words following, is not
+very clear.
+
+[933] The "Adelphi" was first acted A.U.C. 593.
+
+[934] This report is mentioned by Cicero (Ad Attic, vii. 3), who applies
+it to the younger Laelius. The Scipio here mentioned is Scipio
+Africanus, who was at this time about twenty-one years of age.
+
+[935] The calends of March was the festival of married women. See
+before, VESPASIAN, c. xix.
+
+[936] Santra, who wrote biographies of celebrated characters, is
+mentioned as "a man of learning," by St. Jerom, in his preface to the
+book on the Ecclesiastical Writers.
+
+[937] The idea seems to have prevailed that Terence, originally an
+African slave, could not have attained that purity of style in Latin
+composition which is found in his plays, without some assistance. The
+style of Phaedrus, however; who was a slave from Thrace, and lived in the
+reign of Tiberius, is equally pure, although no such suspicion attaches
+to his work.
+
+[938] Cicero (de Clar. Orat. c. 207) gives Sulpicius Gallus a high
+character as a finished orator and elegant scholar. He was consul when
+the Andria was first produced.
+
+[939] Labeo and Popilius are also spoken of by Cicero in high terms, Ib.
+cc. 21 and 24. Q. Fabius Labeo was consul with M. Claudius Marcellus,
+A.U.C. 570 and Popilius with L. Postumius Albinus, A.U.C. 580.
+
+[940] The story of Terence's having converted into Latin plays this
+large number of Menander's Greek comedies, is beyond all probability,
+considering the age at which he died, and other circumstances. Indeed,
+Menander never wrote so many as are here stated.
+
+[941] They were consuls A.U.C. 594. Terence was, therefore, thirty-four
+years old at the time of his death.
+
+[942] Hortulorum, in the plural number. This term, often found in Roman
+authors, not inaptly describes the vast number of little inclosures,
+consisting of vineyards, orchards of fig-trees, peaches, etc., with
+patches of tillage, in which maize, legumes, melons, pumpkins, and other
+vegetables are cultivated for sale, still found on small properties, in
+the south of Europe, particularly in the neighbourhood of towns.
+
+[943] Suetonius has quoted these lines in the earlier part of his Life
+of Terence. See before p. 532, where they are translated.
+
+[944] Juvenal was born at Aquinum, a town of the Volscians, as appears
+by an ancient MS., and is intimated by himself. Sat. iii. 319.
+
+[945] He must have been therefore nearly forty years old at this time,
+as he lived to be eighty.
+
+[946] The seventh of Juvenal's Satires.
+
+[947] This Paris does not appear to have been the favourite of Nero, who
+was put to death by that prince [see NERO, c. liv.], but another person
+of the same name, who was patronised by the emperor Domitian. The name
+of the poet joined with him is not known. Salmatius thinks it was
+Statius Pompilius, who sold to Paris, the actor, the play of Agave;
+
+ Esurit, intactam Paridi nisi vendat Agaven.--Juv. Sat. vii. 87.
+
+[948] Sulpicius Camerinus had been proconsul in Africa; Bareas Soranus
+in Asia. Tacit. Annal. xiii. 52; xvi. 23. Both of them are said to have
+been corrupt in their administration; and the satirist introduces their
+names as examples of the rich and noble, whose influence was less than
+that of favourite actors, or whose avarice prevented them from becoming
+the patrons of poets.
+
+[949] The "Pelopea," was a tragedy founded on the story of the daughter
+of Thyestes; the "Philomela," a tragedy on the fate of Itys, whose
+remains were served to his father at a banquet by Philomela and her
+sister Progne.
+
+[950] This was in the time of Adrian. Juvenal, who wrote first in the
+reigns of Domitian and Trajan, composed his last Satire but one in the
+third year of Adrian, A.U.C. 872.
+
+[951] Syene is meant, the frontier station of the imperial troops in
+that quarter of the world.
+
+[952] A.U.C. 786, A.D. 34.
+
+[953] A.U.C. 814, A.D. 62.
+
+[954] Persius was one of the few men of rank and affluence among the
+Romans, who acquired distinction as writers; the greater part of them
+having been freedmen, as appears not only from these lives of the poets,
+but from our author's notices of the grammarians and rhetoricians. A
+Caius Persius is mentioned with distinction by Livy in the second Punic
+war, Hist. xxvi. 39; and another of the same name by Cicero, de Orat. ii.
+6, and by Pliny; but whether the poet was descended from either of them,
+we have no means of ascertaining.
+
+[955] Persius addressed his fifth satire to Annaeus Cornutus. He was a
+native of Leptis, in Africa, and lived at Rome in the time of Nero, by
+whom he was banished.
+
+[956] Caesius Bassus, a lyric poet, flourished during the reigns of Nero
+and Galba. Persius dedicated his sixth Satire to him.
+
+[957] "Numanus." It should be Servilius Nonianus, who is mentioned by
+Pliny, xxviii. 2, and xxxvii. 6.
+
+[958] Commentators are not agreed about these sums, the text varying
+both in the manuscripts and editions.
+
+[959] See Dr. Thomson's remarks on Persius, before, p. 398.
+
+[960] There is no appearance of any want of finish in the sixth Satire of
+Persius, as it has come down to us; but it has been conjectured that it
+was followed by another, which was left imperfect.
+
+[961] There were two Arrias, mother and daughter, Tacit. Annal. xvi.
+34. 3.
+
+[962] Persius died about nine days before he completed his twenty-ninth
+year.
+
+[963] Venusium stood on the confines of the Apulian, Lucanian, and
+Samnite territories.
+
+ Sequor hunc, Lucanus an Appulus anceps;
+ Nam Venusinus arat finem sub utrumque colonus.
+ Hor Sat. xi. 1. 34.
+[964] Sat. i. 6. 45.
+
+[965] Horace mentions his being in this battle, and does not scruple to
+admit that he made rather a precipitate retreat, "relicta non bene
+parmula."--Ode xi. 7-9.
+
+[966] See Ode xi. 7. 1.
+
+[967] The editors of Suetonius give different versions of this epigram.
+It seems to allude to some passing occurrence, and in its present form
+the sense is to this effect: "If I love you not, Horace, to my very
+heart's core, may you see the priest of the college of Titus leaner than
+his mule."
+
+[968] Probably the Septimius to whom Horace addressed the ode beginning
+
+ Septimi, Gades aditure mecum.--Ode xl. b. i.
+
+[969] See AUGUSTUS, c. xxi.; and Horace, Ode iv, 4.
+
+[970] See Epist. i. iv. xv.
+
+ Me pinguem et nitidum bene curata cute vises.
+
+[971] It is satisfactory to find that the best commentators consider the
+words between brackets as an interpolation in the work of Suetonius.
+Some, including Bentley, reject the preceding sentence also.
+
+[972] The works of Horace abound with references to his Sabine farm
+which must be familiar to many readers. Some remains are still shewn,
+consisting of a ruined wall and a tesselated pavement in a vineyard,
+about eight miles from Tivoli, which are supposed, with reason, to mark
+its site. At least, the features of the neighbouring country, as often
+sketched by the poet--and they are very beautiful--cannot be mistaken.
+
+[973] Aurelius Cotta and L. Manlius Torquatus were consuls A.U.C. 688.
+The genial Horace, in speaking of his old wine, agrees with Suetonius in
+fixing the date of his own birth:
+
+ O nata mecum consule Manlio
+ Testa.--Ode iii. 21.
+And again,
+
+ Tu vina, Torquato, move
+ Consule pressa meo.--Epod. xiii. 8.
+
+[974] A.U.C. 745. So that Horace was in his fifty-seventh, not his
+fifty-ninth year, at the time of his death.
+
+[975] It may be concluded that Horace died at Rome, under the hospitable
+roof of his patron Mecaenas, whose villa and gardens stood on the
+Esquiline hill; which had formerly been the burial ground of the lower
+classes; but, as he tells us,
+
+ Nunc licet Esquiliis habitare salubribus, atque
+ Aggere in aprico spatiare.--Sat. i. 8.
+
+[976] Cordova. Lucan was the son of Annaeus Mella, Seneca's brother.
+
+[977] This sentence is very obscure, and Ernesti considers the text to
+be imperfect.
+
+[978] They had good reason to know that, ridiculous as the tyrant made
+himself, it was not safe to incur even the suspicion of being parties to
+a jest upon him.
+
+[979] See NERO, c. xxxvi.
+
+[980] St. Jerom (Chron. Euseb.) places Lucan's death in the tenth year
+of Nero's reign, corresponding with A.U.C. 817. This opportunity is
+taken of correcting an error in the press, p. 342, respecting the date of
+Nero's accession. It should be A.U.C. 807, A.D. 55.
+
+[981] These circumstances are not mentioned by some other writers. See
+Dr. Thomson's account of Lucan, before, p. 347, where it is said that he
+died with philosophical firmness.
+
+[982] We find it stated ib. p. 396, that Lucan expired while pronouncing
+some verses from his own Pharsalia: for which we have the authority of
+Tacitus, Annal. xv. 20. 1. Lucan, it appears, employed his last hours in
+revising his poems; on the contrary, Virgil, we are told, when his death
+was imminent, renewed his directions that the Aeneid should be committed
+to the flames.
+
+[983] The text of the concluding sentence of Lucan's life is corrupt,
+and neither of the modes proposed for correcting it make the sense
+intended very clear.
+
+[984] Although this brief memoir of Pliny is inserted in all the
+editions of Suetonius, it was unquestionably not written by him. The
+author, whoever he was, has confounded the two Plinys, the uncle and
+nephew, into which error Suetonius could not have fallen, as he lived on
+intimate terms with the younger Pliny; nor can it be supposed that he
+would have composed the memoir of his illustrious friend in so cursory a
+manner. Scaliger and other learned men consider that the life of Pliny,
+attributed to Suetonius, was composed more than four centuries after that
+historian's death.
+
+[985] See JULIUS, c. xxviii. Caius Plinius Caecilius Secundus (the
+younger Pliny) was born at Como, A.U.C. 814; A.D. 62. His father's name
+was Lucius Caecilius, also of Como, who married Plinia, the sister of
+Caius Plinius Secundus, supposed to have been a native of Verona, the
+author of the Natural History, and by this marriage the uncle of Pliny
+the Younger. It was the nephew who enjoyed the confidence of the
+emperors Nerva and Trajan, and was the author of the celebrated Letters.
+
+[986] The first eruption of Mount Vesuvius occurred A.U.C. 831, A.D. 79.
+See TITUS, c. viii. The younger Pliny was with his uncle at Misenum at
+the time, and has left an account of his disastrous enterprise in one of
+his letters, Epist. vi. xvi.
+
+[987] For further accounts of the elder Pliny, see the Epistles of
+his nephew, B. iii. 5; vi. 16. 20; and Dr. Thomson's remarks before,
+pp. 475-478.
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK LIVES OF THE CAESARS, SUETONIUS, V14 ***
+
+************* This file should be named st14w10.txt or st14w10.zip ************
+
+Corrected EDITIONS of our eBooks get a new NUMBER, st14w11.txt
+VERSIONS based on separate sources get new LETTER, st14w10a.txt
+
+This eBook was produced by Tapio Riikonen
+and David Widger <widger@cecomet.net>
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
diff --git a/old/st14w10.zip b/old/st14w10.zip
new file mode 100644
index 0000000..5732307
--- /dev/null
+++ b/old/st14w10.zip
Binary files differ