summaryrefslogtreecommitdiff
path: root/old/62658-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/62658-0.txt')
-rw-r--r--old/62658-0.txt1029
1 files changed, 0 insertions, 1029 deletions
diff --git a/old/62658-0.txt b/old/62658-0.txt
deleted file mode 100644
index 0a77da6..0000000
--- a/old/62658-0.txt
+++ /dev/null
@@ -1,1029 +0,0 @@
-The Project Gutenberg EBook of Big Bend National Park, by W. Ray Scott
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Big Bend National Park
- Land of Dramatic Contrasts and Scenic Grandeur
-
-Author: W. Ray Scott
-
-Release Date: July 15, 2020 [EBook #62658]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK BIG BEND NATIONAL PARK ***
-
-
-
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at https://www.pgdp.net
-
-
-
-
-
-
-
-
-
- Big Bend
- National Park
- Land of
- Dramatic Contrasts
- and
- Scenic Grandeur
-
-
- Story and Photography
- by
- W. RAY SCOTT
-
- Published by
- NATIONAL PARK CONCESSIONS, INC.
-
- Copyrighted 1950 by National Park Concessions, Inc.
-
- _National Parks_
-
- ACADIA MAINE
- BIG BEND TEXAS
- BRYCE CANYON UTAH
- CARLSBAD CAVERNS NEW MEXICO
- CRATER LAKE OREGON
- EVERGLADES FLORIDA
- GLACIER MONTANA
- GRAND CANYON ARIZONA
- GRAND TETON WYOMING
- GREAT SMOKY MOUNTAINS NORTH CAROLINA & TENNESSEE
- HAWAII HAWAII
- HOT SPRINGS ARKANSAS
- ISLE ROYALE MICHIGAN
- KINGS CANYON CALIFORNIA
- LASSEN VOLCANIC CALIFORNIA
- MAMMOTH CAVE KENTUCKY
- MESA VERDE COLORADO
- MOUNT McKINLEY ALASKA
- MOUNT RAINIER WASHINGTON
- OLYMPIC WASHINGTON
- PLATT OKLAHOMA
- ROCKY MOUNTAIN COLORADO
- SEQUOIA CALIFORNIA
- SHENANDOAH VIRGINIA
- VIRGIN ISLANDS VIRGIN ISLANDS
- WIND CAVE SOUTH DAKOTA
- YELLOWSTONE WYOMING-MONTANA-IDAHO
- YOSEMITE CALIFORNIA
- ZION UTAH
-
- [Illustration: Decorated capital]
-
-Southwestern Texas, along the Big Bend of the Rio Grande, one of the
-last scenic frontiers of America is located in a remote and unspoiled
-setting. Vast stretches of plains and range land, interspersed with
-numerous outcroppings of buttresses and ridges, end abruptly against a
-mass of mountains near the Mexican border. Etched and carved by the
-master hand of “Erosion” giant arroyos and imposing gorges are spread
-through the area in wild abandon. Towering, jagged peaks of the Chisos
-Mountains merge with the desert, plains and valleys in Big Bend National
-Park to create a kaleidoscopic pattern of dramatic contrasts and
-striking grandeur.
-
-The northern approach to Big Bend is through Marathon. Leaving U. S.
-Highway 90 from this point, the Park boundary at Persimmon Gap is about
-forty miles over State Road 51. The Big Bend area is about 330 miles
-west of San Antonio and 220 miles southeast of El Paso. Alpine, the
-western gateway to Big Bend is 118 miles from the Basin of the Chisos
-Mountains, in the center of the Park.
-
-Embraced in the gigantic curve of the Rio Grande, the Park lies just
-across the river from Old Mexico, where many geological features have a
-profound influence on the scenic aspects of this area. On the east,
-majestically rising above the Boquillas Canyon, the Sierra del Carmen
-Range provides a picturesque backdrop for the mesquite and cactus
-covered plains. Two other canyons complete the international features on
-the south and west. At the southernmost boundary of the Park, and almost
-inaccessible, is the rugged Mariscal Canyon, where the Rio Grande has
-carved its tortuous channel through more than seven miles of limestone
-rock. Precipitous walls of this abyss are almost sixteen hundred and
-fifty feet in height. The most imposing and the most easily accessible
-of the three canyons is the Santa Elena, along the western boundary of
-Big Bend.
-
- [Illustration: SANTA ELENA CANYON—The majestic grandeur of the Big
- Bend area is emphasized by the towering walls of the Santa Elena
- Canyon. Here, where the Rio Grande emerges from the winding gorge,
- Mexico appears at the left, the United States on the right.]
-
-Here, a deep gash in the mesa de Anguila and Sierra Ponce marks the
-course of the river for eighteen miles. Through millions of years, the
-silt and gravel laden waters have continued their endless task of
-grinding away the limestone bit by bit until now the walls of the canyon
-rise perpendicularly more than fifteen hundred feet above the waters of
-the river.
-
- [Illustration: BOQUILLAS, MEXICO AND SIERRA DEL CARMEN RANGE—The
- Village of Boquillas is located in a picturesque setting along the
- Rio Grande and at the base of the Sierra del Carmen Range.]
-
- [Illustration: SIERRA DEL CARMEN RANGE—One of the outstanding scenic
- features of the eastern section of Big Bend National Park is
- Mexico’s picturesque Sierra del Carmen Range, which exceeds 8,000
- feet in elevation.]
-
- [Illustration: SPIRES AND PINNACLES IN THE GRAPEVINE HILLS—Erosion,
- like a master sculptor, has carved many weird and grotesque forms
- throughout the Big Bend area.]
-
-The geological story of Big Bend is vividly revealed in the rock strata,
-the spires, buttresses, erosive remnants, arroyos and canyons. The
-entire Big Bend area was submerged by an ocean millions of years ago.
-Sediments of sand, mud and lime deposited on the floor of the sea later
-hardened into rock. Common to all oceans, various types of aquatic life
-abounded in these waters, many of which were fossilized in the forming
-of the rock. Igneous action within the earth’s interior caused an
-uplifting of the surface and receding of the ocean waters. It was during
-this period that giant trees grew and later became petrified. (Evidence
-may be noted on the Tornillo Flats.) Swamp and shoreline vegetation
-provided food for the dinosaurs during this period. As the igneous
-action increased, molten rock was deposited in some sections and
-mountains were formed along the lines of greatest pressure. This newly
-formed rock was soft and highly susceptible to the processes of erosion,
-which gradually broke down the softer portions of the mountains, making
-deposits in the valleys and lowlands.
-
- [Illustration: ROCK FORMATIONS IN THE GRAPEVINE HILLS—Fantastic
- shapes have been created by erosive action in the Big Bend National
- Park. Here, the massive boulders form a frame for the mountains in
- the distance.]
-
-Evidence of the tremendous force of erosion is very pronounced
-throughout the Big Bend National Park. Here nature has carved a cross
-section out of the earth leaving the rocks of various geological eras
-etched in bold relief. The Big Bend country reveals to the novice a
-greater understanding of the geological evolution through which the
-earth has passed. Scientists, who have searched the arroyos, buttresses
-and canyons, have obtained vital information and substantiating facts
-which have contributed to the knowledge and advancement of the science
-of geology.
-
-Climatic conditions throughout the Big Bend region are mild and arid.
-Here again, in this land of contrasts, it is possible to experience a
-variation of temperatures and weather conditions. During the hottest
-part of the summer the high altitudes of the Chisos Mountains remain
-moderate and cool, while the temperatures are much higher along the
-lower plains, the desert and river valleys. The annual rainfall is
-light, varying from 8 to 20 inches. Although there is some snow and
-freezing weather in the mountains during the winter months, extreme
-temperatures normally are of short duration. In other sections of the
-Park the temperatures rarely drop below freezing. Throughout the winter
-the temperatures are mild along the Rio Grande.
-
- [Illustration: ARROYO—Arroyos dip below the plains in appalling
- vistas of sand and desert wasteland revealing the continuous
- processes of erosion. The foothills of the Chisos Mountains are in
- the distance.]
-
-Outstanding in natural phenomena the scenic features of Big Bend
-National Park comprise a variety of spectacular attractions. In addition
-to the canyons of the Rio Grande, numerous colorful arroyos dip below
-the plains in appalling vistas of sand, rock and scrub vegetation of the
-desert. Buttresses push their towering masses into the azure sky,
-revealing a graphic account of endless battles with the elements. The
-uncovered strata opens the book of geologic history. High in the Chisos
-Mountains, majestically reigning over the Basin, Casa Grande, an erosive
-remnant of rhyolite, rises 7,300 feet above sea level. This massive
-monolith is a conspicuous landmark, photogenic in its moods of shifting
-lights and shadows. Climaxing the mountain scenery are the outstanding
-vistas that unfold from the South Rim of the Chisos Mountains. From this
-lofty plateau, more than 7,000 feet above sea level and a mile above the
-sprawling valley of the Rio Grande, the extensive awe-inspiring view
-reaches far into Old Mexico. To the east, blue and purple in the
-distance, ranges of the Sierra del Carmen and Sierra Fronterisa pose in
-their grandeur. More than a hundred miles to the south the distant
-Sierra Madres form the horizon line in Mexico and the Mesa de Anguila
-forms a sharp outline to the west. Dropping sheer from the South Rim,
-precipitous cliffs slope into the Lower Chisos, more than 1,000 feet
-below the rim.
-
- [Illustration: TULE MOUNTAIN—Erosion has carved innumerable spires
- and buttresses out of Big Bend’s igneous rock.]
-
- [Illustration: WEST FACE OF THE SOUTH RIM—Dynamic and spectacular,
- the view from the South Rim of the Chisos Mountains reaches across
- the Rio Grande and far into Old Mexico.]
-
- [Illustration: THE SOUTH RIM OF THE CHISOS MOUNTAINS—Looking west
- along the face of the South Rim where perpendicular cliffs drop more
- than 1,000 feet to the lower Chisos. The Rio Grande valley is in the
- middle distance.]
-
- [Illustration: SOUTH RIM VISTA—One of the most spectacular views in
- Big Bend National Park is the amazing expanse that unfolds from the
- South Rim of the Chisos Mountains. In the middle distance is the Rio
- Grande—and Mexico beyond.]
-
-Among the lesser peaks of the Chisos Mountains, many of the names are
-closely related to resemblance or legendary origin. Crown Mountain,
-Pummel Peak and Mule Ear Peaks are formed in the image of their
-namesakes. Legends of a lost silver mine center around Lost Mine Peak,
-supposed to be the scene of mining operations by the early Spanish
-explorers. Historical episodes of the Spanish Conquistadors, legendary
-stories of the Apache Indians and the drama of bandits, rustlers and
-Texas rangers of the Wild West, have all made a definite contribution
-toward the fascination of the Big Bend country.
-
- [Illustration: PUMMEL PEAK—From the plains, Pummel Peak in the
- Chisos Mountains, rises to form the replica of a massive saddle.]
-
- [Illustration: ANTELOPE—The natural habitat of the antelope is along
- the grassy slopes of Big Bend’s foothills, while mule deer roam the
- plains and the flag tail deer live in the higher elevations of the
- mountains.]
-
-The Chisos Mountains have been classed as a biological island due to
-their isolation from other mountain groups or ranges. While the Chisos
-are erroneously considered as the southern extremity of the Rocky
-Mountains they are widely separated by a vast expanse of desert and
-plains. This factor has influenced the types of wildlife that are
-prevalent in this area and many species are more closely related to the
-Sierra Madres in Mexico than to the environs of the Rockies. The
-flagtail deer, mountain lion and black bear are found at the higher
-elevations in the Chisos Mountains, while mule deer, antelope and
-javalina frequent the foothills and plains. Due to excessive hunting
-before Big Bend was established as a National Park, antelope and big
-horn sheep had completely disappeared from the area. Antelope have been
-restocked in recent years and are gradually on the increase. Along the
-Rio Grande beaver and badger comprise the principal types of wildlife.
-Many rare species of birds found in Big Bend include the Colima warbler,
-aplomade falcon, Inca dove, white-necked raven and golden eagle. More
-common types are the orioles, tanagers, cardinals, hummingbirds,
-thrashers and wrens.
-
- [Illustration: THE GOLDEN EAGLE—Rocky spires and crags in the high
- elevations of the Chisos Mountains provide an ideal setting for the
- Golden Eagle.]
-
-Vegetation in Big Bend National Park has been influenced by climatic
-conditions as well as the various elevations above sea level. These
-factors, contributing to species and types of plant communities, have
-provided for four separate groups—desert, foothills, mountains and river
-valley types. Many of the desert plants are typical of the vegetation of
-the desert and plains throughout the southwest. Some of the more common
-varieties include mesquite, petaya (or strawberry cactus), sotol, yucca,
-lechiguilla, prickly pear and cholla cactus. In the foothills and along
-the mountain slopes, pinion and juniper trees as well as maguey and
-lesser plants, comprise the principal vegetation. Ponderosa pine and
-Douglas fir are the dominant types of forest trees found in the ravines
-and canyons of the higher mountains. Near the South Rim trees are sparse
-and many are dwarfed and twisted as a result of the continuous battle
-for survival. The trees and plants along the Rio Grande reflect the
-influence of moisture—cottonwoods, willows and cane reeds being common
-to this area.
-
- [Illustration: BIG BEND VEGETATION—Typical vegetation of the Big
- Bend area includes ocotillo, yucca, cactus, and mesquite.]
-
-The early history of the Big Bend country is linked with Indian legends
-and stories of the Spanish Conquistadors. In 1530 Cabeza de Vaca
-traveled through Big Bend during his expedition and exploration of the
-southwest. In his report on the area near the Rio Grande he mentioned
-the beans and melons that grew along the river valleys.
-
- [Illustration: YUCCA OR SPANISH DAGGER—The yucca grows throughout
- the lower elevations of Big Bend National Park. During the spring
- blossoming season, the yucca exhibits a rare floral display in
- Dagger Flats.]
-
- [Illustration: MAGUEY OR CENTURY PLANT—The golden yellow blossoms of
- the Century Plant make their appearance during late spring and early
- summer. This is one of the typical plants of the Big Bend area.]
-
- [Illustration: LOST MINE PEAK—As the road to the Basin winds up
- through Green Gulch, colorful peaks rise majestically on all sides.
- The summit of Lost Mine Peak, which is 7,000 feet in elevation, is
- reached by a trail from the Basin.]
-
-For many years Indians of the Apache and Comanche tribes lived and
-traveled through the Big Bend. They sought the seclusion and protection
-of the Chisos Mountains after raids in the United States and Mexico. The
-fighting Comanches of the Great Plains traveled through what is now a
-part of the National Park, enroute to Mexico where they raided and
-pillaged the ranches. The park entrance road now follows closely the
-route of the historic “Comanche Trail” through Big Bend.
-
- [Illustration: EMORY PEAK—With an elevation of 7,835 feet above sea
- level, Emory Peak is the highest mountain in Big Bend National Park.
- One of the dominating features of the Basin, Emory Peak was named
- for Major Emory.]
-
- [Illustration: THE WINDOW—From the Basin of the Chisos Mountains,
- the “Window” provides the only vista of the lower plains. Unique and
- colorful rock formations may be observed along the trail to the
- “Window.”]
-
- [Illustration: SANTA ELENA CANYON—The Rio Grande has carved its
- channel for eighteen miles through the Mesa de Anguila and Sierra
- Ponce. Here at the river’s exit, the walls of the canyon rise 1,500
- feet above the Rio Grande.]
-
-Legendary stories of the Apache Indians and of lost silver mines are
-prevalent in the Big Bend region. A popular legend of Spanish and
-Mexican origin is related to Lost Mine Peak. More than one hundred years
-ago, when Texas was a part of Mexico, a prison was located at San
-Vincente, on the south side of the Rio Grande. On many occasions the
-prisoners were assigned to work in a mine located in the Chisos
-Mountains. None of the prisoners ever returned to San Vincente as those
-persons in command did not intend to divulge the location of the mine.
-To this day Mexicans like to relate that on Easter Sunday morning, if a
-person will stand in the doorway of the San Vicente Mission and wait for
-the sun to rise, the first rays of the sun will strike a cave in the
-side of Lost Mine Peak, indicating the location of the mine. Many
-investigations and diligent searches for the mine have been
-unsuccessful, and Lost Mine Peak retains the secret of this legend in
-mute repose. Another phase of the lost mine story is that the miners
-were about to be attacked by a hostile band of Indians and blasted the
-opening of the mine, which was covered by an avalanche of igneous rock.
-The group of miners were pursued and killed by the Indians, carrying
-with them the secret of the mine’s location.
-
-Following the early explorations of Cabeza de Vaca, the history of the
-Big Bend region is linked with Spanish Missionaries and the settlers and
-ranchers who began to push westward in the 1800’s. The Big Bend area was
-surveyed by Major W. H. Emory of the International Boundary Survey
-Commission of the United States and Mexico in 1852. Emory Peak, with an
-elevation of 7,835 feet, the highest in the Park, was named for Major
-Emory.
-
-A later episode of historical significance is associated with the
-expedition of Lt. Echols in 1859-1860. Lt. Echols was sent from Fort
-Stockton to locate a site for an Army post in the Big Bend area, near
-the Comanche War Trail. During this expedition, in which camels were
-used to test their value in the desert southwest, Lt. Echols traveled
-along the Comanche Trail through an extensive section of the Park. In
-his report, which was published in Messages and Documents, Lt. Echols
-described his visit to the Santa Elena Canyon. He selected a site for a
-post near Castolon and reported favorably on the use of camels in the
-southwest.
-
-After the Civil War settlers moved farther into the southwest and
-ranching became the principal industry throughout western Texas. The
-Southern Pacific Railroad, in keeping apace with this western movement,
-reached the present site of Alpine in 1882. Alpine was settled in 1883
-and Marathon in 1886.
-
- [Illustration: GREEN GULCH—Visitors entering the basin, follow the
- road up Green Gulch. Rock outcroppings include Casa Grande of upper
- left and erosive spires of Pulliam Mountain on the upper right.]
-
-Following this period, southwestern Texas passed through an era of
-cattle rustling, bandits and outlaws, with much of the activity
-centering around the Big Bend country. Texas rangers wrote vivid pages
-in this phase of Texas history, which was truly the “Wild West.” Graphic
-accounts of the daring and bravery which these men portrayed in
-establishing law and order has been dramatized in hundreds of stories
-and motion pictures.
-
-The epic events of the “Old West” have contributed extensively to the
-popularity of the western cowboy, who might well be placed in the Hall
-of Fame with other American immortals.
-
- [Illustration: THE CHISOS MOUNTAINS—At a distance of ten miles
- across the plains, the Chisos Mountains form a bold outline against
- the sky. This mountain group reaches an elevation of 7,835 feet
- above sea level.]
-
-The story of Big Bend’s development into a National Park reflects the
-interest and enthusiasm of the people of Texas. It was through the
-diligent effort and unselfish action of these people that this new Park
-has been set aside by the Congress of the United States for the
-preservation of its many natural features and the enjoyment of the
-people.
-
-In 1933, through legislative action by the state of Texas, parts of the
-Big Bend area became Texas Canyons State Park. Later the same year
-another bill was passed which created Big Bend State Park.
-
-Congressman R. E. Thomason in 1934 introduced a bill to establish a
-National Park in the Big Bend country. In 1935 Senator Morris Sheppard
-suggested in a letter to President Franklin D. Roosevelt, the
-establishment of an International Park along the Texas-Mexican border. A
-copy of this letter was sent to the Secretary of the Interior for study
-and a report which was favorable to the International Park idea. The
-establishment of Big Bend National Park was authorized by Act of
-Congress June 20, 1935.
-
- [Illustration: SPIRES OF PULLIAM MOUNTAIN—Spires and rock formations
- jut skyward, revealing unique patterns of light and shadows. Pulliam
- Mountain is one of the dominant features of the Basin.]
-
- [Illustration: THE BASIN FROM LOST MINE PEAK—A magnificent panorama
- of mountains and plains unfolds from Lost Mine Peak. At the upper
- left is Casa Grande and Bailey Mountain is at the upper-right
- center.]
-
-The Fort Worth Star-Telegram announced in July, 1937 a campaign to raise
-$1,000,000 by public subscription to purchase lands for the proposed Big
-Bend National Park. The next year, in May, 1938, Governor James V.
-Allred appointed an executive committee to work out plans for collecting
-$1,000,000 with which to acquire the lands for the Park. Later that
-year, when the Big Bend Park Association was organized, Amon G. Carter,
-of the Fort Worth Star-Telegram, was named President of the
-organization.
-
-The Texas Legislature passed a bill in 1941 which provided for
-$1,500,000 to purchase lands for the Big Bend National Park. In
-February, 1944, the Governor of Texas, Coke R. Stevenson, gave the Deed
-of Cession to Amon G. Carter with instructions to give it to the proper
-officials in Washington, D. C. In June, 1944, Amon G. Carter delivered
-the Deed of Cession to the President of the United States, and the
-Secretary of the Interior accepted the deed to Big Bend lands on June
-12, 1944, establishing Big Bend as the 27th National Park.
-
-Today, the Big Bend visitor travels through the Park near the Old
-Comanche Trail. South of Persimmon Gap the Park road dips into an
-expansive plain, which is traversed by Tornillo Creek and the Tornillo
-Flats. Many miles beyond a hazy blue ridge marks the outline of the
-Chisos Range.
-
-From the winding road across the flat, the bold profile of the mountains
-becomes more pronounced; then the serpentine roadway climbs into Green
-Gulch, where towering, craggy peaks rise to imposing heights. Ascending
-to an elevation of 6,000 feet at the pass, the road then slopes down
-into the Basin, where the Mountain Cottages, Dining Room, Store and
-Service Station provide accommodations for Big Bend visitors. The
-facilities, which are located at an elevation of 5,400 feet above sea
-level, are open throughout the year. Temperatures in the Basin are
-pleasingly comfortable during the spring, summer and fall and cold
-weather is rarely experienced during the winter. The Basin, completely
-surrounded by the rugged peaks of the Chisos Mountains, is in the center
-of the natural phenomena of the Park.
-
-Innumerable attractions beckon the Big Bend traveler to new adventures.
-The wide expanse of the plains, towering spires and monoliths of the
-mountains, erosive arroyos, canyons and valleys of the Rio Grande have
-classed Big Bend National Park as a land of rugged beauty, amazing
-contrasts and unique natural features. The shifting of the light and
-shadows paints a constantly changing picture of this scenic grandeur,
-which is accessible by automobile, horseback or hiking along the trails.
-
- [Illustration: THE CHISOS MOUNTAINS—The plains gradually slope up
- into hills that end against the Chisos Mountains. Just left of
- center is Casa Grande and the profile of Chief Alsate is at the
- upper right.]
-
-Some of the most spectacular features are accessible only by trail
-trips, either horseback or on foot. Interesting short trips may be made
-to the “Window” or juniper Flat. The trail to the “Window” leads down
-into Oak Canyon, where towering cliffs of Vernon Bailey Peak and Ward
-Mountains rise like majestic sentinels above the picturesque canyon.
-From Juniper Flat, the entire Basin appears like a gigantic
-amphitheater, enclosed by mountains of the Chisos range. The Corral is
-conveniently located to the guest facilities in the Basin where saddle
-horses, under competent guides, are available for either short rides or
-for all-day trips to the South Rim of the Chisos Mountains. The South
-Rim Trail leads to the higher elevations of the Park. The Rim, itself,
-is 7,000 feet above sea level and is the climax of Big Bend’s scenic
-panoramas. The trail skirts the South Rim for a mile, then loops back
-along the West Rim. From this lofty vantage point the tremendous sweep
-of distance is spell-binding in its magnitude.
-
- [Illustration: GREEN GULCH—Interesting lights and shadows are
- created by the rock outcroppings in Green Gulch. The road to the
- Basin winds through this gap in the mountains.]
-
-Scenic trips to many of the outstanding features of the park may be made
-by automobile. One of the most popular points of interest is the Santa
-Elena Canyon, about 40 miles from the Basin. The road to the canyon
-passes through a variety of terrain, skirting the Chisos Mountains on
-the north and west. Barren desert wasteland, colorful arroyos and
-buttresses dominate the landscape in this area. Gravel covered plains,
-once the bed of an ancient sea, are dotted with cactus and other typical
-species of southwest vegetation.
-
- [Illustration: MOUNTAIN COTTAGES IN THE CHISOS BASIN—The Cottages
- and other accommodations, located at an elevation of 5,400 feet, are
- completely surrounded by towering mountains. Emory Peak, at the
- upper right, is the highest in the park.]
-
- [Illustration: CHISOS MOUNTAINS COTTAGES AND CASA GRANDE—The
- Mountain Cottages are located high in the Chisos Basin at an
- elevation of 5,400 feet above sea level. Casa Grande, towering more
- than 2,000 feet above the cottages is one of the outstanding
- mountains of the park.]
-
-From a distance of ten miles, the Santa Elena Canyon forms a purple “V”
-in the Mesa de Anguila and Sierra Ponce. The approach to the canyon
-becomes more striking with each receding mile, until the sheer cliffs of
-the yawning gorge rise majestically above the waters of the river. Since
-it is possible to drive within a few hundred feet of the canyon, this is
-an ideal trip for all-age groups. Picnic lunches are enjoyable on the
-sand bars along the Rio Grande or under the shade of the cottonwood
-trees near the canyon. This spectacular attraction provides an
-interesting all day outing and scenic trip from the Basin.
-
- [Illustration: THE RIO GRANDE—The Big Bend of the Rio Grande
- provides the Southern boundary of Big Bend National Park. Within the
- park boundary, the river courses through three spectacular canyons:
- Santa Elena, Mariscal and Boquillas.]
-
- [Illustration: OAK CREEK CANYON—The trail to the “Window” descends
- into this chasm where the towering mountain masses dwarf the figures
- of men.]
-
- [Illustration: PINNACLES AND CANYONS OF PULLIAM MOUNTAIN—Many unique
- and interesting rock formations have been created by the erosive
- action on Pulliam Mountain.]
-
- [Illustration: CORRAL—Located in the center of the Chisos Basin, the
- corral depicts a true western atmosphere. Saddle horses are
- available for short rides or all day trips into the mountains.]
-
-Boquillas, located in the eastern section of the park, is also
-accessible by automobile. The Rio Grande area retains much of the
-frontier atmosphere of Texas and Mexico. Farther east near the Boquillas
-Canyon, Mexico’s Sierra del Carmen Range stands bold and magnificent,
-one of the most beautiful and inspiring sights of the Park.
-
- [Illustration: PANORAMA FROM THE SOUTH RIM—Sheer perpendicular
- cliffs drop more than 1,000 feet from the Rim, sloping into the
- foothills of the Lower Chisos. Beyond the Rio Grande, in the middle
- distance, lies the varied terrain of Mexico.]
-
-Numerous evening activities provide fun and entertainment for the Park
-visitor. National Park Service Naturalist and Rangers interpret the
-natural features and historical background of Big Bend around a campfire
-circle or in the ranger station.
-
- [Illustration: SANTA ELENA CANYON—Perpendicular walls of the Canyon
- rise more than 1500 feet above the Rio Grande. Mexico is on the
- left, the United States on the right.]
-
-Far removed from the conventional world, there is a certain friendliness
-of the Big Bend country that depicts an atmosphere of the old frontier.
-Devoid of any pretentions, the community high in the Chisos Mountains
-greets the traveler with the genuine hospitality of the southwest, where
-informality is the keynote to pleasant living.
-
- [Illustration: From the Lost Mine Peak Trail ridges and valleys
- unfold in a striking panorama of mountain scenery.]
-
- [Illustration: TRAIL RIDERS AT THE SOUTH RIM—Climaxing the scenery
- along the South Rim Trail is the spectacular vista from the Rim
- itself. In the distance, the Sierra del Carmen range is visible in
- Mexico.]
-
-In Big Bend National Park nature rules supreme. Untamed mountains and
-canyons flaunt a challenge to the adventuresome traveler. Undefiled and
-unblemished by the annals of time, Big Bend retains its scenic treasures
-for those who would prospect on the “Last Frontier.”
-
- [Illustration: BOQUILLAS RANGER STATION—In the southeastern section
- of Big Bend National Park, the Boquillas Ranger Station is located
- near the Rio Grande. The Chisos Mountains form the horizon line in
- the distance.]
-
- [Illustration: CASTELLAN PEAK—Colorful strata reveals various phases
- of geology in the eroded remnants throughout the Big Bend area.]
-
- [Illustration: BIG BEND NATIONAL PARK
- TEXAS]
-
- PARK ENTRANCE
- SANTIAGO MTS
- SIERRA DEL CARMEN
- PERSIMMON GAP
- _TO MARATHON_ 19 MILES
- _TO PARK HEADQUARTERS_ 29 MILES
- ROSILLOS MTS
- DAGGER FLAT
- GRAPEVINE HILLS
- PARK ENTRANCE
- LANTAS
- TERLINGUA
- _TO ALPINE_ 81 MILES
- MAVERICK
- TO CAMPGROUND 13 MILES
- _TO BASIN ROAD_ 19 MILES
- {BASIN ROAD CUTOFF}
- _TO PARK HEADQUARTERS_ 3 MILES
- _TO THE BASIN AREA_ 7 MILES
- THE BASIN AREA
- CHISOS MOUNTAINS
- FOOD, LODGING
- CAMPGROUND
- PARK HEADQUARTERS
- _TO BOQUILLAS_ 20 MILES
- PANTHER JUNCTION
- RIO GRANDE RIVER
- MESA DE ANGUILA
- SANTA ELENA CANYON
- CASTOLON
- RIO BRAVO DEL NORTE
- TORNILLO CREEK
- BOQUILLAS
- BOQUILLAS CANYON
- MARISCAL MT
- MARISCAL CANYON
- TALLEY MT
- CHILCOTAL MT
- SAN VICENTE
- {KEY}
- Ranger Station
- Paved Road
- Improved Road
- Park Boundary
- MEXICO
- The International Boundary is at the Rio Grande
-
-
-
-
- Transcriber’s Notes
-
-
-—Silently corrected a few typos.
-
-—Retained publication information from the printed edition: this eBook
- is public-domain in the country of publication.
-
-—In the text versions only, text in italics is delimited by
- _underscores_.
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of Big Bend National Park, by W. Ray Scott
-
-*** END OF THIS PROJECT GUTENBERG EBOOK BIG BEND NATIONAL PARK ***
-
-***** This file should be named 62658-0.txt or 62658-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/2/6/5/62658/
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at https://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-