summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-30 22:38:24 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-30 22:38:24 -0800
commit323c0fc715ff8655a5c7e58e53a5882fd662e0d3 (patch)
treeb6dcbe0f8731c3e3419f4e746015e76568562407
parent82a5820a100ebf64b2a7df56c53d2b16ed331908 (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/62472-0.txt970
-rw-r--r--old/62472-0.zipbin18335 -> 0 bytes
-rw-r--r--old/62472-h.zipbin3468275 -> 0 bytes
-rw-r--r--old/62472-h/62472-h.htm1490
-rw-r--r--old/62472-h/images/cover.jpgbin253738 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_001.jpgbin64756 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_002.jpgbin58301 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_003.jpgbin109927 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_004.jpgbin48612 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_005a.jpgbin107521 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_005b.jpgbin106090 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_006.jpgbin88115 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_007.jpgbin79776 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_008.jpgbin117933 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_009.jpgbin108249 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_010.jpgbin115130 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_011.jpgbin113010 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_012.jpgbin83995 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_013.jpgbin68655 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_014.jpgbin89960 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_015.jpgbin54655 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_016.jpgbin82295 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_017.jpgbin78650 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_018.jpgbin54010 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_020.jpgbin102479 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_021.jpgbin130665 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_022.jpgbin58942 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_023.jpgbin91370 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_024.jpgbin88657 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_025.jpgbin90506 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_026.jpgbin44470 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_027.jpgbin98712 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_028.jpgbin77614 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_029.jpgbin76915 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_030a.jpgbin66692 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_030b.jpgbin110887 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_031.jpgbin40026 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_032.jpgbin74222 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_033.jpgbin84078 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_034.jpgbin93522 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_035.jpgbin88561 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_036.jpgbin93390 -> 0 bytes
-rw-r--r--old/62472-h/images/illus_back.jpgbin86929 -> 0 bytes
46 files changed, 17 insertions, 2460 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..b8ffdab
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #62472 (https://www.gutenberg.org/ebooks/62472)
diff --git a/old/62472-0.txt b/old/62472-0.txt
deleted file mode 100644
index dbb7374..0000000
--- a/old/62472-0.txt
+++ /dev/null
@@ -1,970 +0,0 @@
-The Project Gutenberg eBook, Aviation Book, by Haywood Leslie Davis
-
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-
-Title: Aviation Book
-
-
-Author: Haywood Leslie Davis
-
-
-
-Release Date: June 25, 2020 [eBook #62472]
-
-Language: English
-
-Character set encoding: UTF-8
-
-
-***START OF THE PROJECT GUTENBERG EBOOK AVIATION BOOK***
-
-
-E-text prepared by Richard Tonsing, Nick Wall, and the Online Distributed
-Proofreading Team (http://www.pgdp.net) from page images generously made
-available by Internet Archive (https://archive.org)
-
-
-
-Note: Project Gutenberg also has an HTML version of this
- file which includes the original illustrations.
- See 62472-h.htm or 62472-h.zip:
- (http://www.gutenberg.org/files/62472/62472-h/62472-h.htm)
- or
- (http://www.gutenberg.org/files/62472/62472-h.zip)
-
-
- Images of the original pages are available through
- Internet Archive. See
- https://archive.org/details/aviationbook00davi
-
-
-Transcriber’s note:
-
- Text enclosed by underscores is in italics (_italics_).
-
-
-
-
-
-AVIATION BOOK
-
-
-[Illustration]
-
-
-Copyright, 1918, by
-McLoughlin Brothers. Inc.
-New York
-
-------------------------------------------------------------------------
-
-[Illustration: ORIGINAL WRIGHT BIPLANE. INVENTED AND FLOWN BY WRIGHT
-BROTHERS IN 1905 AT KITTY HAWK, N. C.]
-
-
-
-
- AVIATION BOOK
-
-
-[Illustration: UNCLE SAM STARTS HIS AVIATION STORY]
-
-Tom and Jack are brothers and chums. They are Boy Scouts. Jack is first
-class, but Tom is only a tenderfoot. Like all bright, manly boys they
-are interested in airships and are anxious for the time to come when
-they can fly too.
-
-Tom and Jack’s uncle is a famous aviator, and he knows all about flying.
-His name being Samuel the boys always call him Uncle Sam, and they
-sometimes jokingly pretend to think that he is the great Uncle Sam who
-represents the United States.
-
-Tom and Jack knew that the best way to find out about airships was to
-ask their Uncle Sam. So, as soon as they saw him, they made him consent
-to tell his wonderful story of aviation.
-
-Tom and Jack were all ears as their uncle started his aviation story.
-
-“First,” he began, “I shall tell you the thrilling tale of Man’s long
-striving to learn how to rival the birds. In myths and fairy tales there
-were men and goblins who had wings or who owned winged chariots and
-animals. But real, everyday people never learned how to go up in the air
-until 1783.”
-
-“The very year England and the United States made peace after the
-Revolutionary War!” exclaimed Tom.
-
-[Illustration: THE ASCENSION OF MONTGOLFIER’S BALLOON]
-
-“Don’t interrupt Uncle Sam; it is not polite,” advised Jack.
-
-“Well,” continued Uncle Sam, “it was on June 5, 1783 that Stephen and
-Joseph Montgolfier, two French brothers, sent up the first balloon. You
-can just imagine the amazement it caused when it arose from the ground.
-
-“Many successful experiments were made with balloons; but they were
-harder to run than old-time sailboats. A balloon could not fly against
-the wind. In a storm or a heavy gale it would be wrecked and the
-passengers killed. A machine was needed that could speed against the
-wind and not upset in a heavy blow.
-
-“A few inventors tried to solve the flying problem with motor-driven
-balloons such as the German Zeppelin. But most attention was given to
-heavier-than-air machines known as aeroplanes. Aeroplanes are called
-heavier-than-air to distinguish them from balloons, which, being
-inflated with gas, are lighter than air. There were many discouraging
-years of hard thought and labor before success came. Finally, in 1905,
-two American brothers, Wilbur and Orville Wright, invented the first
-successful flying machine; and in a series of marvelous flights showed
-that Man had, at last, rivaled the birds.
-
-[Illustration]
-
-“Numerous inventions have made man almost the equal of the birds in the
-air. Flying has been made nearly as safe as riding on horseback or in an
-automobile. The aeroplane is now a necessity in times of war and peace.
-Its startling deeds will be the subject of the story I’m about to tell.
-
-“Of course, you want to know something about the man who runs an
-aeroplane,” said Uncle Sam.
-
-“Indeed, we do,” replied both boys at the same time.
-
-[Illustration: THE AEROPLANE IS A NECESSITY IN TIMES OF WAR AND PEACE]
-
-[Illustration: SOME TYPES OF AMERICAN AND FOREIGN AEROPLANES]
-
-[Illustration]
-
-[Illustration: GROUP OF FRENCH AVIATORS]
-
-“Now,” continued Uncle Sam, “to become a military aviator a man must,
-first of all, have a strong, healthy body, a quick, active mind, and
-iron nerves. There are many good aviators that wouldn’t be good
-_military_ aviators, because the strain of war would prove too much for
-them. If a man is just right in body and mind, they send him to an
-aviation training camp where he is taught to fly.
-
-[Illustration: LEARNING TO FLY BY WATCHING THE EXPERT AVIATOR]
-
-“At the training camp he is instructed in the care of an aeroplane and
-its powerful motor. He goes up in the air a number of times with an
-expert aviator. By constantly watching the expert, he learns to fly.
-Then he learns many dazzling stunts—to loop-the-loop, make figure
-eights, fly upside down, and other dangerous maneuvers.
-
-“After the new aviator knows how to care for an aeroplane and fly
-perfectly, he is taught wireless telegraphy, and shown how to take
-aerial photographs, fire machine guns and drop bombs. As soon as he
-learns all these things, he’s a full-fledged aviator, and ready to go
-into active service for his country.”
-
-Tom and Jack had their eyes wide open in wonder as Uncle Sam continued:
-
-“Ordinary flying, as I told you boys before, is now almost as safe as
-riding on horseback or in an auto. But, in time of war, running a
-military aeroplane is the riskiest work in the world. When I tell you of
-the marvelous, death-defying deeds military aviators have done, I doubt
-if you will believe me. Yet everything is absolutely true.
-
-[Illustration: AEROPLANE DIRECTING ARTILLERY FIRE]
-
-[Illustration: AVIATORS TAKING PHOTOGRAPHS]
-
-“An aviator’s most important duties are to take photographs of the
-enemy’s location and direct artillery fire. The aviator must seek out
-the enemy and learn their exact position. He must discover, if he can,
-about how many men and guns they have; how well they are fortified; how
-hard or easy it is to attack them. He makes many photographs and
-sketches which are valuable to his officers in planning an attack.”
-
-“You haven’t told us how the brave aviator directs artillery fire,”
-broke in Tom.
-
-“I’m getting to that now,” said Uncle Sam. “You know that there was a
-time when a man who fired a cannon could see his target. But now, a
-cannon, or the artillery, fires at a range of from six to thirty miles.
-No matter how big the target, it is impossible to see it from such a
-distance, especially when trees, mountains or fogs are in the way.
-Firing artillery is now a matter of calculation. Just where to shoot has
-to be figured out by means of maps, instruments, and mathematics. Quite
-often the figuring is not exactly right. The aviator must go up—bombs
-and shells bursting all around him—and discover if the guns are hitting
-the mark. When a shot doesn’t strike in the right place, the aviator
-sends directions by wireless for firing the next shell so that it will
-hit the enemy’s position and destroy it.
-
-[Illustration: SCOUTING OVER THE RUINED REGION BETWEEN THE LINES (NO
-MAN’S LAND)]
-
-[Illustration: BATTLEPLANES CONVOYING PHOTOGRAPHING AEROPLANES]
-
-“Not all the excitement is over the battle lines. One of the most
-thrilling experiences an aviator can have is to fight off enemy
-aeroplanes and Zeppelins when they come to drop bombs on a city or town.
-Cities liable to be raided by hostile machines are protected by lookout
-towers. As soon as the Zeppelins are sighted, the men in the towers toot
-shrill blasts on loud siren horns. At the signal of the horns every
-light in the attacked city is put out, and all the people rush into
-houses and cellars for safety. Big anti-Zeppelin guns are pointed
-skyward to fire destruction-dealing shells at the enemy overhead.
-
-“The brave aviators, who protect the city, start their machines and go
-up in the air to drive off the foe—amid the reek of fire and the scream
-of shot and shell. The battle is usually short. The swift defending
-aeroplanes, with their machine guns constantly spitting bullets, fight
-rings around the Zeppelins. The big guns on the ground send deadly
-missiles through many of the enemy airships. All of a sudden one bursts
-into flames. With a roar and a bang it hurtles to the earth. In the next
-moment, still another is hit. One of the doomed men saves himself by
-dropping off in a huge floating parachute. He is made prisoner the
-minute he touches ground.
-
-[Illustration: FIGHTING ZEPPELIN RAIDERS]
-
-[Illustration: TOOTING THE SIRENS OF WARNING]
-
-“In a little while the remnant of the once-proud enemy air fleet flees
-in mortal terror. The day is saved. The heroic aviators, who
-successfully defended the city, return to earth amid the cheers of the
-grateful people.
-
-“Usually the damage done is unimportant from a military point of view.
-Several non-combatants are killed and a few houses and an occasional
-church are damaged.
-
-“Now, we will go back to the firing line, and see how the aeroplane is
-used in connection with the land fighting.
-
-“Many German aeroplanes come to grief by trying to battle British
-tanks.”
-
-“What’s a British tank?” put in Jack.
-
-“I thought everyone was familiar with the tank, but as you evidently are
-not, I shall explain what it is. A tank is a great big battle car,
-protected with heavy shot-proof steel and armed with guns. It can travel
-anywhere—over hills, walls, trenches, through mud, bushes, and trees.
-Many people call a tank a land-battleship.
-
-[Illustration: DROPPING OFF IN PARACHUTE FROM FLAMING BALLOON]
-
-[Illustration: BATTLE BETWEEN AEROPLANE AND BRITISH TANK]
-
-“Now that you know what a tank is, I will go on with my story. When the
-British attack the Germans, they often use tanks, which rumble along,
-crushing everything before them. The enemy forces are driven back in
-terror. In reckless despair they try to save the day by pitting their
-aeroplanes against these unbeatable steel monsters.
-
-“Aeroplanes fighting British tanks are practically helpless and seldom
-attack them. ‘Zip! Zip! Bang!’ go the machine guns of the hostile
-aeroplanes. But the rain of shot and shell rattles harmlessly against
-the huge armored tanks. ‘Boom! Bang!’ roar the tanks’ heavy guns. Down
-drops one enemy aeroplane, in a horrible wake of flames and exploding
-gasoline. It strikes the earth—a shattered tangle of wire and wood. The
-aviator, of course, is dashed to death. Another of the foe’s machines is
-struck; and still another. All meet the same fate. Nothing can resist
-the tanks.”
-
-“Such battles must be more exciting than fairy tales and novels,”
-exclaimed Tom and Jack in breathless wonder.
-
-“There’s one thing our aviators do sometimes that is seldom excelled for
-courage and daring,” said Uncle Sam, pleased with the way his nephews
-were enjoying his story. “The enemy soldiers are very strongly
-entrenched behind earthworks and barbed wire fences. When our infantry
-find it impossible to make them flee, our bold aviators are assigned to
-the task.
-
-[Illustration: THE AGE OF FLYING]
-
-[Illustration: THEY SWOOP DOWN OVER THE TRENCHES]
-
-“With dash and bravery they go up in the air and hover near the hostile
-positions. Suddenly, like eagles they swoop down over the trenches
-shooting at the frightened enemy. ‘Zip! Crack! Bang!’ rattle their
-machine guns. Those who are not killed or seriously wounded flee in
-terror into the dugouts for safety.
-
-“Then, quick as a flash, our men rush in and capture the trench before
-enemy reinforcements come up. The courageous aviators are wildly cheered
-but haven’t time now to listen to the praise; they must go up in the air
-again to protect their comrades from enemy aeroplanes, which lurk
-everywhere waiting for a chance to drop bombs.”
-
-“By the way, Uncle Sam,” asked Jack, “why do aviators wear such heavy
-clothing?”
-
-[Illustration: JUST BEFORE THE BATTLE]
-
-“It must be very cold up in the air,” thought Tom to himself, not saying
-anything for the first time.
-
-“It’s frightfully cold up above the clouds,” said Uncle Sam. “The higher
-you fly the colder it becomes. Up in the sky, I have often felt a
-temperature below zero, while down on the earth it was comfortable and
-warm. Later on in school, you boys will learn that the sun’s rays give
-very little heat until they reach the earth. I would explain the reason
-myself, but I want to go on with the story.
-
-“Our aviators are flying around in the sky about three miles above the
-earth when, all at once, the enemy’s machines dash into view. The two
-hostile air fleets see each other almost at the same time, and quickly
-prepare for action. A thrilling battle in the air is at hand.
-
-“Our machines are outnumbered, but that does not deter us.
-‘Rat-a-tat-tat,’ shrieks one of our machine guns. One of the foe is put
-out of action. His machine in flames, he falls dizzily to earth.
-Marvelous flying is now going on. One of our men loops-the-loop to get
-into position. An enemy aviator backs up his machine in mid-air: then
-dives down headlong a thousand feet. Swiftly he rights himself and
-speeds up firing right, left, and straight ahead. We have a hard time
-dodging that dangerous fellow.
-
-[Illustration: WE POUNCE ON THE BIG ENEMY BATTLEPLANE]
-
-“A big enemy battleplane gets separated from the group. In just two
-seconds two of our force pounce upon it. The huge machine battles
-skillfully for a while. Then we force it into a bad position, and rain
-upon it a terrible storm of bullets from our machine guns. The big
-battleplane goes down, but fighting to the last.
-
-“Night approaches and envelops the earth with a blanket of darkness.
-Powerful searchlights from below, each of which is a wonderful
-instrument, scan the heavens with beams of ghostly white and yellow. The
-aeroplanes still struggle. The constant flashes from the bursting shells
-are even more terrible than in the day time. The scene is still more
-hideous when an unfortunate aviator takes the fatal plunge, his machine
-ablaze. One of our fine biplanes makes a mistake and gets right in line
-with an enemy’s gun. The foe’s machine-gun bullets penetrate its
-gasoline tank. It explodes in mid-air, and the biplane rushes to earth
-in a roaring blaze.”
-
-“Who wins this great battle?” broke in Tom.
-
-“Well, I’m getting to that now,” said Uncle Sam.
-
-“Tom, you ought to be ashamed of yourself. You have done nothing but
-interrupt during the whole story,” declared Jack.
-
-[Illustration: THE BATTLEPLANES STRUGGLE IN THE NIGHT]
-
-“Now, don’t you boys start quarreling. You might get in a worse scrape
-than the aeroplanes I’m telling about.
-
-“Now I’ll get back to my story again:
-
-[Illustration: A SAFE LANDING SPOT]
-
-“Between nine and ten o’clock, the two rival air fleets are equally
-tired of the strife. Almost at the same time, both decide to stop
-fighting, and withdraw to their own sides of the battleline. The
-struggle itself might be called a tie. But since we kept the enemy from
-dropping bombs on our men in the trenches, the victory is really ours.
-
-“It is dangerous for our airmen to land their machines in the dark. They
-might land on bad ground or in a tree, or possibly collide with some
-building. To make landing at night safe and avoid being seen by the
-enemy, was a problem we had to solve. We placed powerful electric lights
-deep in the ground and covered them with heavy glasses to prevent their
-breaking. When the lights are sunk in this manner they can be seen only
-from above. Wherever our aviators see one of these lights, they know it
-marks a safe landing spot.
-
-“Now,” said Uncle Sam, “so far as our story is concerned we shall leave
-the bloody battlefront, and I will tell you about the aeroplane of the
-sea. The flying machine of the sea is called the hydroaeroplane. That is
-a rather long name. Seaplane is an easier word to pronounce, and is more
-commonly used. The seaplane can float like a boat and fly like an
-aeroplane.
-
-[Illustration: THE SEAPLANE CAN SAIL ON THE WATER LIKE A BOAT AND FLY IN
-THE AIR LIKE AN AEROPLANE]
-
-“I suppose you boys have the same opinion of seaplanes as most people.
-You think the seaplane is not half as important as the land battleplanes
-I’ve been telling you about.”
-
-[Illustration: THE BLIMP DIRIGIBLE BALLOON]
-
-“That’s right,” agreed Tom and Jack.
-
-“Well,” continued Uncle Sam with an air of superior wisdom, “the
-aviation service of the sea is just as important as that of the land. As
-the land aeroplanes are the ‘eyes’ of the army, so the seaplanes are the
-‘eyes’ of the navy. If it weren’t for these marvelous flying boats, the
-German submarines might have succeeded in sinking nearly all of our
-merchant ships—the boats that carry food, clothing, guns, and ammunition
-to the Allies of Democracy. Sometimes, too, our seaplanes have helped
-the battleships to destroy the enemy fleet.
-
-“Just after the World War started, Germany launched her U-Boat
-submarines and undertook a campaign which eventually brought this
-country into the war. England was in a dreadful fix. Very little food,
-clothing, and munitions could get in from America; many of her fine
-ships were being sent to the bottom of the sea. There was no way to stop
-the U-Boats. What could we do?
-
-“In these hours of trial, a smart Englishman invented a motor-driven
-balloon called a Blimp. It’s a mystery to me why they named it a Blimp.
-But, even with such a modern name, the Blimp could certainly scout for
-German submarines—the U-Boats. Whenever a Blimp found a U-Boat it would
-send a wireless message to a ship called a Submarine Destroyer which
-would chase the submarine and sink it.”
-
-[Illustration: A GREAT BATTLE IN WHICH THE AMAZING AIR FLEETS OF THE SEA
-TAKE PART]
-
-[Illustration: BOMB SPLITS ZEPPELIN IN HALF]
-
-“What I can’t understand,” said Tom thoughtfully, “is why they need a
-Blimp or an aeroplane to find U-Boats? Why can’t the Submarine
-Destroyers seek out the U-Boats for themselves?”
-
-“Yes, Uncle Sam, please explain that,” said Jack.
-
-“I’ll gladly tell you the reason,” said Uncle Sam. “You know that you
-can’t see through a window from the outside when the sun shines on it.
-It is the same on the sea. When the light shines on the water, it is
-impossible to see beneath the waves. But when an aviator is high
-overhead the light is not reflected in his eyes. Therefore, he is able
-to see twenty, thirty, and, sometimes, a hundred feet under the surface
-of the water. Furthermore, a man high in the air can look around and see
-more than the man below.
-
-“Now, I’ll start where I left off. I shall have to hurry along, as it is
-getting late. Since the early days of the great World War, many new
-inventions have made sea flying the marvel of the age. Suppose I tell
-you boys of a great battle in which the amazing air fleets of the sea
-take part.
-
-“Two hostile fleets of warships steam defiantly toward each other. How
-proudly their banners flaunt gay colors in the breeze! How boldly their
-stately bows plough through the sea! How grim, how stern their gray
-sides reflect the sunlight! Ere the day is over, many, many ships of
-these grand fleets will lie on the ocean floor. Many others will stagger
-to home ports—battered wrecks.
-
-“High over the enemy fleet are their Zeppelins, floating lazily with the
-clouds. Over our warships, darting here and there, are the ‘eyes’ of the
-fleet—our seaplanes. It won’t be long before the Zeppelins, the hostile
-aeroplanes, and our seaplanes are clinched in a struggle to death.
-
-[Illustration: THE DEPTH BOMB DESTROYS A U-BOAT]
-
-[Illustration]
-
-[Illustration: A MASS OF WRECKAGE THAT STRIKES THE DECK OF ONE OF OUR
-WARSHIPS]
-
-“Let us look at the battleships again. Many of them carry small elevated
-railways on which run tiny cars. These are called seaplane catapults.
-The word catapult means, ‘To throw heavy stones.’ So we conclude that
-these little railways throw seaplanes. Well, they _do_ throw seaplanes.
-Let’s inspect one and see how it is done. The little car, bearing a big
-seaplane, with its propeller spinning, shoots along the railway track at
-lightning speed. At the very end, it strikes a bumper. Off shoots the
-seaplane. The car darts back to the starting point. When a battleship
-clears for action, the catapult is taken down.
-
-“The monster warships have now begun to fight. Their big guns are
-banging and booming—hundreds of times louder than thunder. On the decks,
-behind the guns, in the engine rooms and wireless cabins—everywhere, men
-are striving, straining every nerve, risking their lives for the land
-they love.
-
-“It’s aviation we are talking about, so let’s look high overhead. Our
-marvelous seaplanes are spying on the hostile battleships, fighting the
-Zeppelins and enemy aeroplanes, and dropping bombs on the foe below—all
-at the same time. ‘Rat-a-tat-tat,’ shrieks a seaplane’s deadly machine
-gun. With a sickening plunge, an enemy aeroplane darts down—a streak of
-flaming wood and tangled metal. Down goes another—a mass of wreckage
-that strikes the deck of one of our warships. A daring aviator dashes
-up, up, away up in the air; and drops a bomb on a Zeppelin. Right in the
-middle strikes the missile of destruction. The enemy’s cigar-shaped
-airship makes a headlong dive for the ocean—split in half. It strikes
-the bosom of the sea; and disappears in one final, deafening explosion,
-which throws the salt spray high into the air.
-
-[Illustration: THE SEAPLANE SHOOTS OFF THE CATAPULT]
-
-“Let’s get a glimpse of another part of the battle scene. One of our
-seaplanes is flying along at a moderate rate of speed, when the
-tell-tale periscope is sighted. A U-Boat is near the surface of the
-water. Our aviator drops a remarkable, a terrific bomb. When this bomb
-sinks deep enough, the pressure of the water makes it explode. The force
-of the underwater explosion causes anything near it to be crushed like
-an egg shell. You can imagine what happens to the unfortunate submarine.
-
-[Illustration: SENDING UP A “HUMMING” SHOT A LITTLE TOO CLOSE FOR
-COMFORT]
-
-“All of a sudden, three enemy aeroplanes dash into view, determined to
-attack our seaplane—to avenge the sunken U-Boat. But when one of the big
-guns on our warship sends up a ‘humming’ shot, a little too close to the
-foe for comfort, they withdraw at once.
-
-“We finally won this dreadful sea battle, and the seaplanes certainly
-deserve a great deal of credit.
-
-“If you boys have followed my story, you know the value of land and sea
-aviation service in time of war.”
-
-“Indeed, I have followed it,” said Tom warmly.
-
-“It’s the most interesting tale I ever heard or read,” exclaimed Jack.
-
-“Listen to me, boys,” said their Uncle Sam. He was a bit annoyed and
-impatient; for he now had little time to spare for interruptions.
-
-[Illustration: FAST MAIL-CARRYING AEROPLANES WILL MAKE POSTAL DELIVERIES
-EVERYWHERE]
-
-“The greatest benefit from the ‘Conquest of the Air’ will come in times
-of peace. Before I go, I shall tell you boys a few of the peace-time
-uses of the land aeroplane, the hydroaeroplane or seaplane, the
-Zeppelin, the Blimp, the ordinary balloon—all the mechanical birds of
-Man’s inventive genius. Some of these uses you are already familiar
-with; some you and I will live to see; some won’t come to pass until we
-are in our graves.
-
-“The greatest aviation service will likely be transportation, both for
-business and pleasure. Aeroplanes and motor-driven balloons will rival
-steamships, trains, and automobiles as carriers of passengers, freight,
-and mail. There will be big aerial ocean liners plying over the Atlantic
-and, possibly, the wide Pacific. Fast mail-carrying aeroplanes, capable
-of a speed of two or more miles a minute, will make postal deliveries
-everywhere. Letters from New York will reach Chicago in a few hours.
-Private aeroplanes, darting here and there among the clouds, will be as
-numerous as the birds. Thousands of seaplanes will sail on and glide
-over our lakes, rivers, bays, and oceans.
-
-[Illustration: CAPRONI TRIPLANE CROSSING THE ALPS]
-
-“Aerial transportation is not just a thing of the future. It is already
-here. In May, 1918, regular aeroplane mail service was begun between New
-York City and Washington, D. C. Many men now have their own aeroplanes
-or seaplanes, and travel around in them as commonly as in an automobile.
-Two brave Italians flew, in a trifle over seven hours, from Turin,
-Italy, across the Alps and then to London—a distance of 650 miles. A
-gigantic aeroplane has been invented in Italy. It is called the Caproni
-Triplane, because a man named Caproni invented it, and because it bears
-three sets of planes or wings. It is able to travel a long distance and
-carry heavy loads.
-
-[Illustration: SHIP SAVED BY LIFE LINE THROWN FROM A RESCUE AIRSHIP]
-
-“Outside of transportation, there are and will be numerous other
-peace-time uses for aeroplanes and balloons. But I have time to tell
-about only two more—ship saving and aerial weather observation. Many a
-ship stranded on the rocks in a storm can be reached by a life line
-thrown from a rescue airship. An aviator high in the sky can find out
-weather conditions not known on the earth below. From his reports, we
-shall be able to make more accurate weather forecasts.
-
-“Well, boys,” said Uncle Sam, “my aviation story is over, and I must be
-on my way.”
-
-He gives each boy a warm handshake, and bids good-bye. He jumps into his
-aeroplane, and starts the motor. The propellers whirl. The noise of the
-motor is deafening. Finally, the big bird skims the ground and
-gracefully ascends.
-
-[Illustration]
-
-A beautiful landscape closes the scene. The sun, in a halo of golden
-glory, sinks in the west. Uncle Sam in his aeroplane is a mere speck in
-the lonely twilight sky. The boys watch him float out of sight, and then
-start for home with their minds full of aeroplanes, balloons, aviators,
-aviation.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
-
-
-Transcriber’s note:
-
- 1. Silently corrected typographical errors and variations in spelling.
-
- 2. Archaic, non-standard, and uncertain spellings retained as printed.
-
-
-
-***END OF THE PROJECT GUTENBERG EBOOK AVIATION BOOK***
-
-
-******* This file should be named 62472-0.txt or 62472-0.zip *******
-
-
-This and all associated files of various formats will be found in:
-http://www.gutenberg.org/dirs/6/2/4/7/62472
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/62472-0.zip b/old/62472-0.zip
deleted file mode 100644
index 8956e5c..0000000
--- a/old/62472-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/62472-h.zip b/old/62472-h.zip
deleted file mode 100644
index 780feed..0000000
--- a/old/62472-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/62472-h.htm b/old/62472-h/62472-h.htm
deleted file mode 100644
index 07df56a..0000000
--- a/old/62472-h/62472-h.htm
+++ /dev/null
@@ -1,1490 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml">
-<head>
-<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" />
-<title>The Project Gutenberg eBook of Aviation Book, by Haywood Leslie Davis</title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
- body { margin-left: 8%; margin-right: 8%; }
- h1 { text-align: center; font-weight: bold; font-size: xx-large; }
- h2 { text-align: center; font-weight: bold; font-size: x-large; }
- p { text-indent: 0; margin-top: 0.5em; margin-bottom: 0.5em; text-align: justify; }
- .sc { font-variant: small-caps; }
- .large { font-size: large; }
- .xlarge { font-size: x-large; }
- .small { font-size: small; }
- .ol_1 li {padding-left: 1em; text-indent: -1em; }
- ol.ol_1 {padding-left: 0; margin-left: 2.78%; margin-top: .5em;
- margin-bottom: .5em; list-style-type: decimal; }
- div.pbb { page-break-before: always; }
- hr.pb { border: none; border-bottom: thin solid; margin-bottom: 1em; }
- @media handheld { hr.pb { display: none; } }
- .chapter { clear: both; page-break-before: always; }
- .figcenter { clear: both; max-width: 100%; margin: 2em auto; text-align: center; }
- .figleft { clear: left; float: left; max-width: 100%; margin: 0.5em 1em 1em 0;
- text-align: left; }
- .figright { clear: right; float: right; max-width: 100%; margin: 0.5em 0 1em 1em;
- text-align: right; }
- div.figcenter p { text-align: center; text-indent: 0; }
- div.figleft p { text-align: center; text-indent: 0; }
- div.figright p { text-align: center; text-indent: 0; }
- @media handheld { .figleft { float: left; } }
- @media handheld { .figright { float: right; } }
- .figcenter img { max-width: 100%; height: auto; }
- .figleft img { max-width: 100%; height: auto; }
- .figright img { max-width: 100%; height: auto; }
- .id001 { width:30%; }
- .id003 { width:30%; }
- .id004 { width:60%; }
- .id005 { width:90%; }
- @media handheld { .id001 { margin-left:35%; width:30%; } }
- @media handheld { .id003 { width:30%; } }
- @media handheld { .id004 { margin-left:20%; width:60%; } }
- @media handheld { .id005 { margin-left:5%; width:90%; } }
- .ic002 { width:100%; }
- .ig001 { width:100%; }
- .nf-center { text-align: center; }
- .nf-center-c0 { text-align: left; margin: 0.5em 0; }
- p.drop-capa0_0_6 { text-indent: -0em; }
- p.drop-capa0_0_6:first-letter { float: left; margin: 0.100em 0.100em 0em 0em;
- font-size: 250%; line-height: 0.6em; text-indent: 0; }
- @media handheld {
- p.drop-capa0_0_6 { text-indent: 0; }
- p.drop-capa0_0_6:first-letter { float: none; margin: 0; font-size: 100%; }
- }
- .c000 { margin-top: 0.5em; margin-bottom: 0.5em; }
- .c001 { page-break-before: always; margin-top: 4em; }
- .c002 { margin-top: 1em; }
- .c003 { page-break-before:auto; margin-top: 4em; }
- .c004 { margin-top: 2em; margin-bottom: 0.25em; }
- .c005 { text-indent: 1em; margin-top: 0.25em; margin-bottom: 0.25em; }
- .c006 { margin-top: 2em; }
- .c007 { margin-top: 4em; }
- div.tnotes { padding-left:1em;padding-right:1em;background-color:#E3E4FA;
- border:1px solid silver; margin:2em 10% 0 10%; font-family: Georgia, serif;
- }
- .covernote { visibility: hidden; display: none; }
- div.tnotes p { text-align:left; }
- @media handheld { .covernote { visibility: visible; display: block;} }
- .section { clear: both; page-break-before: always; }
- .ol_1 li {font-size: .9em; }
- @media handheld {.ol_1 li {padding-left: 1em; text-indent: 0em; } }
- body {font-family: serif, 'DejaVu Sans'; text-align: justify; }
- div.titlepage {text-align: center; page-break-before: always;
- page-break-after: always; }
- div.titlepage p {text-align: center; text-indent: 0em; font-weight: bold;
- line-height: 1.5; margin-top: 3em; }
- .figcenter,.figleft,.figright {font-size: .9em; page-break-inside: avoid;
- max-height: 100%; max-width: 100%; }
- .ph2 { text-indent: 0em; font-weight: bold; font-size: x-large; margin: .75em auto;
- page-break-before: always; }
-
-
- h1.pgx { text-align: center;
- clear: both;
- font-weight: bold;
- font-size: 190%;
- margin-top: 0em;
- margin-bottom: 1em;
- word-spacing: 0em;
- letter-spacing: 0em;
- line-height: 1; }
- h2.pgx { text-align: center;
- clear: both;
- font-weight: bold;
- font-size: 135%;
- margin-top: 2em;
- margin-bottom: 1em;
- word-spacing: 0em;
- letter-spacing: 0em;
- page-break-before: avoid;
- line-height: 1; }
- h3.pgx { text-align: center;
- clear: both;
- font-weight: bold;
- font-size: 110%;
- margin-top: 2em;
- margin-bottom: 1em;
- word-spacing: 0em;
- letter-spacing: 0em;
- line-height: 1; }
- h4.pgx { text-align: center;
- clear: both;
- font-weight: bold;
- font-size: 100%;
- margin-top: 2em;
- margin-bottom: 1em;
- word-spacing: 0em;
- letter-spacing: 0em;
- line-height: 1; }
- hr.pgx { width: 100%;
- margin-top: 3em;
- margin-bottom: 0em;
- margin-left: auto;
- margin-right: auto;
- height: 4px;
- border-width: 4px 0 0 0; /* remove all borders except the top one */
- border-style: solid;
- border-color: #000000;
- clear: both; }
- </style>
-</head>
-<body>
-<h1 class="pgx" title="">The Project Gutenberg eBook, Aviation Book, by Haywood Leslie Davis</h1>
-<p>This eBook is for the use of anyone anywhere in the United States
-and most other parts of the world at no cost and with almost no
-restrictions whatsoever. You may copy it, give it away or re-use it
-under the terms of the Project Gutenberg License included with this
-eBook or online at <a
-href="http://www.gutenberg.org">www.gutenberg.org</a>. If you are not
-located in the United States, you'll have to check the laws of the
-country where you are located before using this ebook.</p>
-<p>Title: Aviation Book</p>
-<p>Author: Haywood Leslie Davis</p>
-<p>Release Date: June 25, 2020 [eBook #62472]</p>
-<p>Language: English</p>
-<p>Character set encoding: UTF-8</p>
-<p>***START OF THE PROJECT GUTENBERG EBOOK AVIATION BOOK***</p>
-<h4 class="pgx" title="">E-text prepared by Richard Tonsing, Nick Wall,<br />
- and the Online Distributed Proofreading Team<br />
- (<a href="http://www.pgdp.net">http://www.pgdp.net</a>)<br />
- from page images generously made available by<br />
- Internet Archive<br />
- (<a href="https://archive.org">https://archive.org</a>)</h4>
-<p>&nbsp;</p>
-<p>&nbsp;</p>
-<table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10">
- <tr>
- <td valign="top">
- Note:
- </td>
- <td>
- Images of the original pages are available through
- Internet Archive. See
- <a href="https://archive.org/details/aviationbook00davi">
- https://archive.org/details/aviationbook00davi</a>
- </td>
- </tr>
-</table>
-<p>&nbsp;</p>
-<hr class="pgx" />
-
-<div class='titlepage'>
-
-<div>
- <h1 class='c001'><span class='sc'>Aviation book</span></h1>
-</div>
-
-<div class='figcenter id001'>
-<img src='images/illus_001.jpg' alt='' class='ig001' />
-</div>
-
-<div class='nf-center-c0'>
-<div class='nf-center c002'>
- <div>COPYRIGHT, 1918, BY</div>
- <div><span class='xlarge'>McLOUGHLIN BROTHERS. Inc.</span></div>
- <div><span class='large'>NEW YORK</span></div>
- </div>
-</div>
-
-</div>
-<div class='pbb'>
- <hr class='pb c002' />
-</div>
-<div class='figcenter id001'>
-<img src='images/illus_002.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>ORIGINAL WRIGHT BIPLANE. INVENTED AND FLOWN BY WRIGHT BROTHERS IN 1905 AT KITTY HAWK, N. C.</p>
-</div>
-</div>
-
-<div class='chapter'>
- <h2 class='c003'>AVIATION BOOK</h2>
-</div>
-
-<div class='figleft id003'>
-<img src='images/illus_003.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>UNCLE SAM STARTS HIS AVIATION STORY</p>
-</div>
-</div>
-
-<p class='drop-capa0_0_6 c004'>Tom and Jack are
-brothers and chums.
-They are Boy Scouts. Jack
-is first class, but Tom is
-only a tenderfoot. Like all
-bright, manly boys they are
-interested in airships and
-are anxious for the time to
-come when they can fly too.</p>
-
-<p class='c005'>Tom and Jack’s uncle is
-a famous aviator, and he
-knows all about flying. His
-name being Samuel the
-boys always call him Uncle
-Sam, and they sometimes
-jokingly pretend to think
-that he is the great Uncle
-Sam who represents the
-United States.</p>
-
-<p class='c005'>Tom and Jack knew that the best way to find out about airships
-was to ask their Uncle Sam. So, as soon as they saw him, they made
-him consent to tell his wonderful story of aviation.</p>
-
-<p class='c005'>Tom and Jack were all ears as their uncle started his aviation story.</p>
-
-<p class='c005'>“First,” he began, “I shall tell you the thrilling tale of Man’s long
-striving to learn how to rival the birds. In myths and fairy tales
-there were men and goblins who had wings or who owned winged
-chariots and animals. But real, everyday people never learned how to
-go up in the air until 1783.”</p>
-
-<p class='c005'>“The very year England and the United States made peace after the
-Revolutionary War!” exclaimed Tom.</p>
-
-<div class='figright id003'>
-<img src='images/illus_004.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>THE ASCENSION OF MONTGOLFIER’S BALLOON</p>
-</div>
-</div>
-
-<p class='c005'>“Don’t interrupt Uncle Sam;
-it is not polite,” advised Jack.</p>
-
-<p class='c005'>“Well,” continued Uncle
-Sam, “it was on June 5, 1783
-that Stephen and Joseph Montgolfier,
-two French brothers,
-sent up the first balloon. You
-can just imagine the amazement
-it caused when it arose
-from the ground.</p>
-
-<p class='c005'>“Many successful experiments
-were made with balloons;
-but they were harder to run
-than old-time sailboats. A
-balloon could not fly against
-the wind. In a storm or a
-heavy gale it would be wrecked
-and the passengers killed. A
-machine was needed that
-could speed against the wind
-and not upset in a heavy blow.</p>
-
-<p class='c005'>“A few inventors tried to
-solve the flying problem with
-motor-driven balloons such as the German Zeppelin. But most
-attention was given to heavier-than-air machines known as aeroplanes.
-Aeroplanes are called heavier-than-air to distinguish them from
-balloons, which, being inflated with gas, are lighter than air. There
-were many discouraging years of hard thought and labor before
-success came. Finally, in 1905, two American brothers, Wilbur
-and Orville Wright, invented the first successful flying machine;
-and in a series of marvelous flights showed that Man had, at last,
-rivaled the birds.</p>
-
-<div class='figleft id003'>
-<img src='images/illus_005a.jpg' alt='' class='ig001' />
-</div>
-
-<p class='c005'>“Numerous inventions have made
-man almost the equal of the birds in the
-air. Flying has been made nearly as safe
-as riding on horseback or in an automobile.
-The aeroplane is now a necessity
-in times of war and peace.
-Its startling deeds will be
-the subject of the story I’m
-about to tell.</p>
-
-<p class='c005'>“Of course, you want to know something about the man who runs
-an aeroplane,” said Uncle Sam.</p>
-
-<p class='c005'>“Indeed, we do,” replied both
-boys at the same time.</p>
-
-<div class='figcenter id004'>
-<img src='images/illus_005b.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>THE AEROPLANE IS A NECESSITY IN TIMES OF WAR AND PEACE</p>
-</div>
-</div>
-
-<div class='figcenter id001'>
-<img src='images/illus_006.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>SOME TYPES OF AMERICAN AND FOREIGN AEROPLANES</p>
-</div>
-</div>
-
-<div class='figcenter id001'>
-<img src='images/illus_007.jpg' alt='' class='ig001' />
-</div>
-
-<div class='figcenter id001'>
-<img src='images/illus_008.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>GROUP OF FRENCH AVIATORS</p>
-</div>
-</div>
-
-<p class='c005'>“Now,” continued
-Uncle Sam, “to become
-a military aviator a
-man must, first of
-all, have a strong,
-healthy body, a
-quick, active mind, and iron
-nerves. There are many
-good aviators that wouldn’t
-be good <i>military</i> aviators,
-because the strain of war
-would prove too much for
-them. If a man is just
-right in body and mind,
-they send him to an aviation
-training camp where
-he is taught to fly.</p>
-
-<div class='figright id003'>
-<img src='images/illus_009.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>LEARNING TO FLY BY WATCHING THE EXPERT AVIATOR</p>
-</div>
-</div>
-
-<p class='c005'>“At the training camp
-he is instructed in the care
-of an aeroplane and its
-powerful motor. He goes
-up in the air a number of
-times with an expert
-aviator. By constantly
-watching the expert, he
-learns to fly. Then he learns many dazzling stunts—to loop-the-loop,
-make figure eights, fly upside down, and other dangerous maneuvers.</p>
-
-<p class='c005'>“After the new aviator knows how to care for an aeroplane and fly
-perfectly, he is taught wireless telegraphy, and shown how to take
-aerial photographs, fire machine guns and drop bombs. As soon as he
-learns all these things, he’s a full-fledged aviator, and ready to go into
-active service for his country.”</p>
-
-<p class='c005'>Tom and Jack had their eyes wide open in wonder as Uncle Sam
-continued:</p>
-
-<p class='c005'>“Ordinary flying, as I told you boys before, is now almost as safe as
-riding on horseback or in an auto. But, in time of war, running a
-military aeroplane is the riskiest work in the world. When I tell
-you of the marvelous, death-defying deeds military aviators have
-done, I doubt if you will
-believe me. Yet everything
-is absolutely true.</p>
-
-<div class='figcenter id001'>
-<img src='images/illus_010.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>AEROPLANE DIRECTING ARTILLERY FIRE</p>
-</div>
-</div>
-
-<div class='figright id003'>
-<img src='images/illus_011.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>AVIATORS TAKING PHOTOGRAPHS</p>
-</div>
-</div>
-
-<p class='c005'>“An aviator’s most important
-duties are to take
-photographs of the enemy’s
-location and direct artillery
-fire. The aviator must
-seek out the enemy and
-learn their exact position.
-He must discover, if he
-can, about how many men
-and guns they have; how
-well they are fortified; how
-hard or easy it is to attack
-them. He makes many
-photographs and sketches
-which are valuable to his
-officers in planning an
-attack.”</p>
-
-<p class='c005'>“You haven’t told us how the brave aviator directs artillery fire,”
-broke in Tom.</p>
-
-<p class='c005'>“I’m getting to that now,” said Uncle Sam. “You know that there
-was a time when a man who fired a cannon could see his target. But
-now, a cannon, or the artillery, fires at a range of from six to thirty
-miles. No matter how big the target, it is impossible to see it from
-such a distance, especially when trees, mountains or fogs are in the
-way. Firing artillery is now a matter of calculation. Just where to
-shoot has to be figured out by means of maps, instruments, and mathematics.
-Quite often the figuring is not exactly right. The aviator
-must go up—bombs and shells bursting all around him—and discover
-if the guns are hitting the mark. When a shot doesn’t strike in the
-right place, the aviator
-sends directions by wireless
-for firing the next
-shell so that it will hit
-the enemy’s position and
-destroy it.</p>
-
-<div class='figcenter id001'>
-<img src='images/illus_012.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>SCOUTING OVER THE RUINED REGION BETWEEN THE LINES (NO MAN’S LAND)</p>
-</div>
-</div>
-
-<div class='figright id003'>
-<img src='images/illus_013.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>BATTLEPLANES CONVOYING PHOTOGRAPHING AEROPLANES</p>
-</div>
-</div>
-
-<p class='c005'>“Not all the excitement
-is over the battle
-lines. One of the most
-thrilling experiences an
-aviator can have is to
-fight off enemy aeroplanes
-and Zeppelins
-when they come to
-drop bombs on a city
-or town. Cities liable
-to be raided by hostile
-machines are protected
-by lookout towers. As
-soon as the Zeppelins are
-sighted, the men in the towers toot shrill blasts on loud siren horns.
-At the signal of the horns every light in the attacked city is put out,
-and all the people rush into houses and cellars for safety. Big anti-Zeppelin
-guns are pointed skyward to fire destruction-dealing shells at
-the enemy overhead.</p>
-
-<p class='c005'>“The brave aviators, who protect the city, start their machines and
-go up in the air to drive off the foe—amid the reek of fire and the
-scream of shot and shell. The battle is usually short. The swift defending
-aeroplanes, with their machine guns constantly spitting bullets,
-fight rings around the Zeppelins. The big guns on the ground send
-deadly missiles through many of the enemy airships. All of a sudden
-one bursts into flames. With a roar and a bang it hurtles to the earth.
-In the next moment, still
-another is hit. One of the
-doomed men saves himself
-by dropping off in a huge
-floating parachute. He is
-made prisoner the minute he
-touches ground.</p>
-
-<div class='figcenter id001'>
-<img src='images/illus_014.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>FIGHTING ZEPPELIN RAIDERS</p>
-</div>
-</div>
-
-<div class='figright id003'>
-<img src='images/illus_015.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>TOOTING THE SIRENS OF WARNING</p>
-</div>
-</div>
-
-<p class='c005'>“In a little while the
-remnant of the once-proud
-enemy air fleet flees in mortal
-terror. The day is saved. The
-heroic aviators, who successfully
-defended the city, return
-to earth amid the cheers of
-the grateful people.</p>
-
-<p class='c005'>“Usually the damage done
-is unimportant from a military
-point of view. Several
-non-combatants are killed
-and a few houses and an occasional
-church are damaged.</p>
-
-<p class='c005'>“Now, we will go back to
-the firing line, and see how the aeroplane is used in connection with
-the land fighting.</p>
-
-<p class='c005'>“Many German aeroplanes come to grief by trying to battle British
-tanks.”</p>
-
-<p class='c005'>“What’s a British tank?” put in Jack.</p>
-
-<p class='c005'>“I thought everyone was familiar with the tank, but as you
-evidently are not, I shall explain what it is. A tank is a great big battle
-car, protected with heavy shot-proof steel and armed with guns. It
-can travel anywhere—over hills, walls, trenches, through mud, bushes,
-and trees. Many people call a tank a land-battleship.</p>
-
-<div class='figcenter id001'>
-<img src='images/illus_016.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>DROPPING OFF IN PARACHUTE FROM FLAMING BALLOON</p>
-</div>
-</div>
-
-<div class='figright id003'>
-<img src='images/illus_017.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>BATTLE BETWEEN AEROPLANE AND BRITISH TANK</p>
-</div>
-</div>
-
-<p class='c005'>“Now that you know
-what a tank is, I will go on
-with my story. When the
-British attack the Germans,
-they often use tanks, which
-rumble along, crushing everything
-before them. The
-enemy forces are driven
-back in terror. In reckless
-despair they try to save the
-day by pitting their aeroplanes
-against these unbeatable
-steel monsters.</p>
-
-<p class='c005'>“Aeroplanes fighting
-British tanks are practically
-helpless and seldom attack
-them. ‘Zip! Zip! Bang!’
-go the machine guns of the
-hostile aeroplanes. But the rain of shot and shell rattles harmlessly
-against the huge armored tanks. ‘Boom! Bang!’ roar the tanks’
-heavy guns. Down drops one enemy aeroplane, in a horrible wake of
-flames and exploding gasoline. It strikes the earth—a shattered tangle
-of wire and wood. The aviator, of course, is dashed to death. Another
-of the foe’s machines is struck; and still another. All meet the same
-fate. Nothing can resist the tanks.”</p>
-
-<p class='c005'>“Such battles must be more exciting than fairy tales and novels,”
-exclaimed Tom and Jack in breathless wonder.</p>
-
-<p class='c005'>“There’s one thing our aviators do sometimes that is seldom
-excelled for courage and daring,” said Uncle Sam, pleased with the way
-his nephews were enjoying his story. “The enemy soldiers are very
-strongly entrenched behind earthworks and barbed wire fences. When
-our infantry find it impossible to make them flee, our bold aviators are
-assigned to the task.</p>
-
-<div class='figcenter id005'>
-<img src='images/illus_018.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>THE AGE OF FLYING</p>
-</div>
-</div>
-
-<div class='figcenter id004'>
-<img src='images/illus_020.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>THEY SWOOP DOWN OVER THE TRENCHES</p>
-</div>
-</div>
-
-<p class='c005'>“With dash and bravery they go up in the air and hover near the
-hostile positions. Suddenly, like eagles they swoop down over the
-trenches shooting at the frightened enemy. ‘Zip! Crack! Bang!’ rattle
-their machine guns. Those who are not killed or seriously wounded
-flee in terror into the dugouts for safety.</p>
-
-<p class='c005'>“Then, quick as a flash, our men rush in and capture the trench
-before enemy reinforcements come up. The courageous aviators are
-wildly cheered but haven’t time now to listen to the praise; they must
-go up in the air again to protect their comrades from enemy aeroplanes,
-which lurk everywhere waiting for a chance to drop bombs.”</p>
-
-<p class='c005'>“By the way, Uncle Sam,” asked Jack, “why do aviators wear such
-heavy clothing?”</p>
-
-<div class='figright id003'>
-<img src='images/illus_021.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>JUST BEFORE THE BATTLE</p>
-</div>
-</div>
-
-<p class='c005'>“It must be very cold
-up in the air,” thought
-Tom to himself, not saying
-anything for the
-first time.</p>
-
-<p class='c005'>“It’s frightfully cold
-up above the clouds,”
-said Uncle Sam. “The
-higher you fly the colder
-it becomes. Up in the
-sky, I have often felt a
-temperature below zero,
-while down on the earth
-it was comfortable and
-warm. Later on in
-school, you boys will
-learn that the sun’s rays
-give very little heat
-until they reach the earth. I would explain the reason myself, but I
-want to go on with the story.</p>
-
-<p class='c005'>“Our aviators are flying around in the sky about three miles above
-the earth when, all at once, the enemy’s machines dash into view.
-The two hostile air fleets see each other almost at the same time, and
-quickly prepare for action. A thrilling battle in the air is at hand.</p>
-
-<p class='c005'>“Our machines are outnumbered, but that does not deter us. ‘Rat-a-tat-tat,’
-shrieks one of our machine guns. One of the foe is put
-out of action. His machine in flames, he falls dizzily to earth.
-Marvelous flying is now going on. One of our men loops-the-loop to
-get into position. An enemy aviator backs up his machine in mid-air:
-then dives down headlong a thousand feet. Swiftly he rights himself
-and speeds up firing right, left, and straight ahead. We have a hard
-time dodging that dangerous fellow.</p>
-
-<div class='figleft id003'>
-<img src='images/illus_022.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>WE POUNCE ON THE BIG ENEMY BATTLEPLANE</p>
-</div>
-</div>
-
-<p class='c005'>“A big enemy battleplane
-gets separated from
-the group. In just two
-seconds two of our force
-pounce upon it. The huge
-machine battles skillfully
-for a while. Then we force
-it into a bad position,
-and rain upon it a terrible
-storm of bullets from
-our machine guns. The
-big battleplane goes down,
-but fighting to the last.</p>
-
-<p class='c005'>“Night approaches and
-envelops the earth with a
-blanket of darkness. Powerful
-searchlights from
-below, each of which is
-a wonderful instrument,
-scan the heavens with
-beams of ghostly white
-and yellow. The aeroplanes
-still struggle. The
-constant flashes from the bursting shells are even more terrible than in
-the day time. The scene is still more hideous when an unfortunate
-aviator takes the fatal plunge, his machine ablaze. One of our fine
-biplanes makes a mistake and gets right in line with an enemy’s gun.
-The foe’s machine-gun bullets penetrate its gasoline tank. It explodes
-in mid-air, and the biplane rushes to earth in a roaring blaze.”</p>
-
-<p class='c005'>“Who wins this great battle?” broke in Tom.</p>
-
-<p class='c005'>“Well, I’m getting to that now,” said Uncle Sam.</p>
-
-<p class='c005'>“Tom, you ought to be ashamed of yourself. You have done nothing
-but interrupt during the whole story,”
-declared Jack.</p>
-
-<div class='figcenter id001'>
-<img src='images/illus_023.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>THE BATTLEPLANES STRUGGLE IN THE NIGHT</p>
-</div>
-</div>
-
-<p class='c005'>“Now, don’t you boys start quarreling.
-You might get in a worse scrape than
-the aeroplanes I’m telling about.</p>
-
-<p class='c005'>“Now I’ll get back to my story again:</p>
-
-<div class='figleft id003'>
-<img src='images/illus_024.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>A SAFE LANDING SPOT</p>
-</div>
-</div>
-
-<p class='c005'>“Between nine and ten o’clock, the
-two rival air fleets are equally tired of the
-strife. Almost at the same time, both
-decide to stop
-fighting, and
-withdraw to
-their own sides
-of the battleline.
-The
-struggle itself
-might be called
-a tie. But
-since we kept
-the enemy
-from dropping
-bombs on our
-men in the
-trenches, the
-victory is really
-ours.</p>
-
-<p class='c005'>“It is dangerous
-for our
-airmen to land
-their machines
-in the dark.
-They might
-land on bad
-ground or in a tree, or possibly collide with some building. To make
-landing at night safe and avoid being seen by the enemy, was a problem
-we had to solve. We placed powerful electric lights deep in the ground
-and covered them with heavy glasses to prevent their breaking. When
-the lights are sunk in this manner they can be seen only from above.
-Wherever our aviators see one of these lights, they know it marks
-a safe landing spot.</p>
-
-<p class='c005'>“Now,” said Uncle Sam, “so far as our story is concerned we shall
-leave the bloody battlefront,
-and I will tell you about the
-aeroplane of the sea. The flying
-machine of the sea is called
-the hydroaeroplane. That is a
-rather long name. Seaplane is
-an easier word to pronounce,
-and is more commonly used.
-The seaplane can float like
-a boat and fly like an aeroplane.</p>
-
-<div class='figcenter id001'>
-<img src='images/illus_025.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>THE SEAPLANE CAN SAIL ON THE WATER LIKE A BOAT AND FLY IN THE AIR LIKE AN AEROPLANE</p>
-</div>
-</div>
-
-<p class='c005'>“I suppose you boys have
-the same opinion of seaplanes
-as most people. You
-think the seaplane is
-not half as important
-as the land
-battleplanes I’ve
-been telling you
-about.”</p>
-
-<div class='figleft id003'>
-<img src='images/illus_026.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>THE BLIMP DIRIGIBLE BALLOON</p>
-</div>
-</div>
-
-<p class='c005'>“That’s right,”
-agreed Tom and
-Jack.</p>
-
-<p class='c005'>“Well,” continued
-Uncle Sam
-with an air of superior
-wisdom, “the aviation
-service of the sea is just as important as that of the land. As the
-land aeroplanes are the ‘eyes’ of the army, so the seaplanes are the
-‘eyes’ of the navy. If it weren’t for these marvelous flying boats,
-the German submarines might have succeeded in sinking nearly
-all of our merchant ships—the boats that carry food, clothing,
-guns, and ammunition to the Allies of Democracy. Sometimes,
-too, our seaplanes have helped the battleships to destroy the enemy
-fleet.</p>
-
-<p class='c005'>“Just after the World War started, Germany launched her U-Boat
-submarines and undertook a campaign which eventually brought this
-country into the war. England was in a dreadful fix. Very little
-food, clothing, and munitions could get in from America; many of her
-fine ships were being sent to the bottom of the sea. There was no way
-to stop the U-Boats. What could we do?</p>
-
-<p class='c005'>“In these hours of trial, a smart Englishman invented a motor-driven
-balloon called a Blimp. It’s a mystery to me why they named
-it a Blimp. But, even with such a modern name, the Blimp could
-certainly scout for German submarines—the U-Boats. Whenever a
-Blimp found a U-Boat it would send a wireless message to a ship called
-a Submarine Destroyer which would chase the submarine and sink it.”</p>
-
-<div class='figcenter id001'>
-<img src='images/illus_027.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>A GREAT BATTLE IN WHICH THE AMAZING AIR FLEETS OF THE SEA TAKE PART</p>
-</div>
-</div>
-
-<div class='figleft id003'>
-<img src='images/illus_028.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>BOMB SPLITS ZEPPELIN IN HALF</p>
-</div>
-</div>
-
-<p class='c005'>“What I can’t understand,” said
-Tom thoughtfully, “is why they
-need a Blimp or an aeroplane to
-find U-Boats? Why can’t the Submarine
-Destroyers seek out the U-Boats
-for themselves?”</p>
-
-<p class='c005'>“Yes, Uncle Sam, please explain
-that,” said Jack.</p>
-
-<p class='c005'>“I’ll gladly tell you the reason,”
-said Uncle Sam. “You know that
-you can’t see through a window
-from the outside when the sun shines on it. It is the same on the sea.
-When the light shines on the water, it is impossible to see beneath the
-waves. But when an aviator is high overhead the light is not reflected
-in his eyes. Therefore, he is able to see twenty, thirty, and, sometimes,
-a hundred feet under the surface of the water. Furthermore, a man
-high in the air can look around and see more than the man below.</p>
-
-<p class='c005'>“Now, I’ll start where I left off. I shall have to hurry along, as it is
-getting late. Since the early days of the great World War, many new
-inventions have made sea flying the marvel of the age. Suppose I tell
-you boys of a great battle in which the amazing air fleets of the sea
-take part.</p>
-
-<p class='c005'>“Two hostile fleets of warships steam defiantly toward each other.
-How proudly their banners flaunt gay colors in the breeze! How boldly
-their stately bows plough through the sea! How grim, how stern their
-gray sides reflect the sunlight! Ere the day is over, many, many ships
-of these grand fleets will lie on the ocean floor. Many others will
-stagger to home ports—battered wrecks.</p>
-
-<p class='c005'>“High over the enemy fleet are their Zeppelins, floating lazily with
-the clouds. Over our warships, darting here and there, are the ‘eyes’
-of the fleet—our seaplanes. It won’t be long before the Zeppelins, the
-hostile aeroplanes, and our seaplanes are clinched in a struggle to death.</p>
-
-<div class='figcenter id001'>
-<img src='images/illus_029.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>THE DEPTH BOMB DESTROYS A U-BOAT</p>
-</div>
-</div>
-
-<div class='figleft id003'>
-<img src='images/illus_030a.jpg' alt='' class='ig001' />
-</div>
-
-<div class='figright id003'>
-<img src='images/illus_030b.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>A MASS OF WRECKAGE THAT STRIKES THE DECK OF ONE OF OUR WARSHIPS</p>
-</div>
-</div>
-
-<p class='c005'>“Let us look at
-the battleships
-again. Many of
-them carry small
-elevated railways
-on which run tiny
-cars. These are
-called seaplane
-catapults. The
-word catapult
-means, ‘To throw
-heavy stones.’ So
-we conclude that
-these little railways
-throw seaplanes. Well, they <i>do</i> throw seaplanes. Let’s inspect one
-and see how it is done. The
-little car, bearing a big seaplane,
-with its propeller spinning, shoots
-along the railway track at lightning
-speed. At the very end, it
-strikes a bumper. Off shoots
-the seaplane. The car darts
-back to the starting point. When
-a battleship clears for action,
-the catapult is taken down.</p>
-
-<p class='c005'>“The monster warships have
-now begun to fight. Their big
-guns are banging and booming—hundreds
-of times louder than
-thunder. On the decks, behind
-the guns, in the engine rooms
-and wireless cabins—everywhere,
-men are striving, straining every nerve, risking their lives for
-the land they love.</p>
-
-<p class='c005'>“It’s aviation we are talking about, so let’s look high overhead. Our
-marvelous seaplanes are spying on the hostile battleships, fighting the
-Zeppelins and enemy aeroplanes, and dropping bombs on the foe
-below—all at the same time. ‘Rat-a-tat-tat,’ shrieks a seaplane’s
-deadly machine gun. With a sickening plunge, an enemy aeroplane
-darts down—a streak of flaming wood and tangled metal. Down goes
-another—a mass of wreckage that strikes the deck of one of our warships.
-A daring aviator dashes up, up, away up in the air; and drops a
-bomb on a Zeppelin. Right in the middle strikes the missile of destruction.
-The enemy’s cigar-shaped airship makes a headlong dive for
-the ocean—split in half. It strikes the bosom of the sea; and disappears
-in one final, deafening explosion, which throws the salt spray high into
-the air.</p>
-
-<div class='figcenter id004'>
-<img src='images/illus_031.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>THE SEAPLANE SHOOTS OFF THE CATAPULT</p>
-</div>
-</div>
-
-<p class='c005'>“Let’s get a glimpse of another part of the battle scene. One of
-our seaplanes is flying along at a moderate rate of speed, when the
-tell-tale periscope is sighted. A U-Boat is near the surface of the
-water. Our aviator drops a remarkable, a terrific bomb. When this
-bomb sinks deep enough, the pressure of the water
-makes it explode. The force of the underwater
-explosion causes anything near it to be crushed
-like an egg shell. You can imagine what happens
-to the unfortunate submarine.</p>
-
-<div class='figcenter id001'>
-<img src='images/illus_032.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>SENDING UP A “HUMMING” SHOT A LITTLE TOO CLOSE FOR COMFORT</p>
-</div>
-</div>
-
-<p class='c005'>“All of a sudden, three enemy aeroplanes
-dash into view, determined to
-attack our seaplane—to avenge the
-sunken U-Boat. But when one
-of the big guns on our
-warship sends up a ‘humming’ shot, a little too close to the foe for
-comfort, they withdraw at once.</p>
-
-<p class='c005'>“We finally won this dreadful sea battle, and the seaplanes certainly
-deserve a great deal of credit.</p>
-
-<p class='c005'>“If you boys have followed my story, you know the value of land
-and sea aviation service in time of war.”</p>
-
-<p class='c005'>“Indeed, I have followed it,” said Tom warmly.</p>
-
-<p class='c005'>“It’s the most interesting tale I ever heard or read,” exclaimed Jack.</p>
-
-<p class='c005'>“Listen to me, boys,” said their Uncle Sam. He was a bit annoyed
-and impatient; for he now had little time to spare for interruptions.</p>
-
-<div class='figright id003'>
-<img src='images/illus_033.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>FAST MAIL-CARRYING AEROPLANES WILL MAKE POSTAL DELIVERIES EVERYWHERE</p>
-</div>
-</div>
-
-<p class='c005'>“The greatest benefit from the ‘Conquest of the Air’ will come in
-times of peace. Before I go, I shall tell you boys a few of the peace-time
-uses of the land aeroplane, the hydroaeroplane or seaplane, the
-Zeppelin, the Blimp, the ordinary balloon—all the mechanical birds of
-Man’s inventive genius. Some
-of these uses you are already
-familiar with; some you and I
-will live to see; some won’t
-come to pass until we are in
-our graves.</p>
-
-<p class='c005'>“The greatest aviation service
-will likely be transportation,
-both for business and
-pleasure. Aeroplanes and
-motor-driven balloons will
-rival steamships, trains, and
-automobiles as carriers of
-passengers, freight, and mail.
-There will be big aerial ocean
-liners plying over the Atlantic
-and, possibly, the wide Pacific.
-Fast mail-carrying aeroplanes,
-capable of a speed of two or
-more miles a minute, will make postal deliveries everywhere. Letters
-from New York will reach Chicago in a few hours. Private aeroplanes,
-darting here and there among the clouds, will be as numerous as the
-birds. Thousands of seaplanes will sail on and glide over our lakes,
-rivers, bays, and oceans.</p>
-
-<div class='figcenter id001'>
-<img src='images/illus_034.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>CAPRONI TRIPLANE CROSSING THE ALPS</p>
-</div>
-</div>
-
-<p class='c005'>“Aerial transportation is not just a thing of the future. It is
-already here. In May, 1918, regular aeroplane mail service was begun
-between New York City and Washington, D. C. Many men now have
-their own aeroplanes or seaplanes, and travel around in them as
-commonly as in an automobile. Two brave Italians flew, in a trifle over
-seven hours, from Turin, Italy, across the Alps and then to London—a
-distance of 650 miles. A gigantic aeroplane has been invented in Italy.
-It is called the Caproni Triplane, because a man named Caproni invented
-it, and because it bears three sets of planes or wings. It is
-able to travel a long distance and carry heavy loads.</p>
-
-<div class='figright id003'>
-<img src='images/illus_035.jpg' alt='' class='ig001' />
-<div class='ic002'>
-<p>SHIP SAVED BY LIFE LINE THROWN FROM A RESCUE AIRSHIP</p>
-</div>
-</div>
-
-<p class='c005'>“Outside of transportation, there are and will be numerous other
-peace-time uses for aeroplanes and balloons. But I have time to tell
-about only two more—ship saving and aerial weather observation.
-Many a ship stranded on the rocks
-in a storm can be reached by a life
-line thrown from a rescue airship.
-An aviator high in the sky can find
-out weather conditions not known
-on the earth below. From his
-reports, we shall be able to make
-more accurate weather forecasts.</p>
-
-<p class='c005'>“Well, boys,” said Uncle Sam,
-“my aviation story is over, and I
-must be on my way.”</p>
-
-<p class='c005'>He gives each boy a warm handshake,
-and bids good-bye. He
-jumps into his aeroplane, and starts
-the motor. The propellers whirl.
-The noise of the motor is deafening. Finally, the
-big bird skims the ground and gracefully ascends.</p>
-
-<div class='figcenter id001'>
-<img src='images/illus_036.jpg' alt='' class='ig001' />
-</div>
-
-<p class='c005'>A beautiful landscape closes the scene. The sun,
-in a halo of golden glory, sinks in the west. Uncle
-Sam in his aeroplane is a mere speck in the lonely
-twilight sky. The boys watch him float out of
-sight, and then start for home with their minds full
-of aeroplanes, balloons, aviators, aviation.</p>
-
-<div class='nf-center-c0'>
-<div class='nf-center c006'>
- <div><span class='small'>THE END</span></div>
- </div>
-</div>
-
-<div class='figcenter id001'>
-<img src='images/illus_back.jpg' alt='' class='ig001' />
-</div>
-
-<div class='pbb'>
-<p>&nbsp;</p>
- <hr class='pb c002' />
-<p>&nbsp;</p>
-</div>
-<div class='tnotes'>
-
-<div class='section ph2'>
-
-<div class='nf-center-c0'>
-<div class='nf-center c007'>
- <div>TRANSCRIBER’S NOTE</div>
- </div>
-</div>
-
-</div>
-
- <ol class='ol_1 c006'>
- <li>Silently corrected typographical errors and variations in spelling.
-
- </li>
- <li>Archaic, non-standard, and uncertain spellings retained as printed.
- </li>
- </ol>
-
-</div>
-
-<p>&nbsp;</p>
-<p>&nbsp;</p>
-<hr class="pgx" />
-<p>***END OF THE PROJECT GUTENBERG EBOOK AVIATION BOOK***</p>
-<p>******* This file should be named 62472-h.htm or 62472-h.zip *******</p>
-<p>This and all associated files of various formats will be found in:<br />
-<a href="http://www.gutenberg.org/dirs/6/2/4/7/62472">http://www.gutenberg.org/6/2/4/7/62472</a></p>
-<p>
-Updated editions will replace the previous one--the old editions will
-be renamed.</p>
-
-<p>Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-</p>
-
-<h2 class="pgx" title="Full Project Gutenberg License">START: FULL LICENSE<br />
-<br />
-THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</h2>
-
-<p>To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.</p>
-
-<h3 class="pgx" title="Section 1. General Terms">Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works</h3>
-
-<p>1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.</p>
-
-<p>1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.</p>
-
-<p>1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.</p>
-
-<p>1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.</p>
-
-<p>1.E. Unless you have removed all references to Project Gutenberg:</p>
-
-<p>1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:</p>
-
-<blockquote><p>This eBook is for the use of anyone anywhere in the United
- States and most other parts of the world at no cost and with almost
- no restrictions whatsoever. You may copy it, give it away or re-use
- it under the terms of the Project Gutenberg License included with
- this eBook or online
- at <a href="http://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you'll have to check the laws
- of the country where you are located before using this
- ebook.</p></blockquote>
-
-<p>1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.</p>
-
-<p>1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.</p>
-
-<p>1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.</p>
-
-<p>1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.</p>
-
-<p>1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.</p>
-
-<p>1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.</p>
-
-<p>1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that</p>
-
-<ul>
-<li>You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."</li>
-
-<li>You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.</li>
-
-<li>You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.</li>
-
-<li>You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.</li>
-</ul>
-
-<p>1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.</p>
-
-<p>1.F.</p>
-
-<p>1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.</p>
-
-<p>1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.</p>
-
-<p>1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.</p>
-
-<p>1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.</p>
-
-<p>1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.</p>
-
-<p>1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause. </p>
-
-<h3 class="pgx" title="Section 2. The Mission of Project Gutenberg">Section 2. Information about the Mission of Project Gutenberg-tm</h3>
-
-<p>Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.</p>
-
-<p>Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org.</p>
-
-<h3 class="pgx" title="Section 3. The Project Gutenberg Literary">Section 3. Information about the Project Gutenberg Literary Archive Foundation</h3>
-
-<p>The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.</p>
-
-<p>The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact</p>
-
-<p>For additional contact information:</p>
-
-<p> Dr. Gregory B. Newby<br />
- Chief Executive and Director<br />
- gbnewby@pglaf.org</p>
-
-<h3 class="pgx" title="Section 4. Donations to PGLAF">Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation</h3>
-
-<p>Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.</p>
-
-<p>The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit <a href="http://www.gutenberg.org/donate">www.gutenberg.org/donate</a>.</p>
-
-<p>While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.</p>
-
-<p>International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.</p>
-
-<p>Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate</p>
-
-<h3 class="pgx" title="Section 5. Project Gutenberg Electronic Works">Section 5. General Information About Project Gutenberg-tm electronic works.</h3>
-
-<p>Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.</p>
-
-<p>Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.</p>
-
-<p>Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org</p>
-
-<p>This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.</p>
-
-</body>
-</html>
-
diff --git a/old/62472-h/images/cover.jpg b/old/62472-h/images/cover.jpg
deleted file mode 100644
index fe1a5c3..0000000
--- a/old/62472-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_001.jpg b/old/62472-h/images/illus_001.jpg
deleted file mode 100644
index 6f73c5b..0000000
--- a/old/62472-h/images/illus_001.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_002.jpg b/old/62472-h/images/illus_002.jpg
deleted file mode 100644
index 513bd84..0000000
--- a/old/62472-h/images/illus_002.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_003.jpg b/old/62472-h/images/illus_003.jpg
deleted file mode 100644
index 14229b7..0000000
--- a/old/62472-h/images/illus_003.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_004.jpg b/old/62472-h/images/illus_004.jpg
deleted file mode 100644
index 918c6cb..0000000
--- a/old/62472-h/images/illus_004.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_005a.jpg b/old/62472-h/images/illus_005a.jpg
deleted file mode 100644
index 9e01630..0000000
--- a/old/62472-h/images/illus_005a.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_005b.jpg b/old/62472-h/images/illus_005b.jpg
deleted file mode 100644
index f594106..0000000
--- a/old/62472-h/images/illus_005b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_006.jpg b/old/62472-h/images/illus_006.jpg
deleted file mode 100644
index 7669915..0000000
--- a/old/62472-h/images/illus_006.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_007.jpg b/old/62472-h/images/illus_007.jpg
deleted file mode 100644
index cd077da..0000000
--- a/old/62472-h/images/illus_007.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_008.jpg b/old/62472-h/images/illus_008.jpg
deleted file mode 100644
index 242f093..0000000
--- a/old/62472-h/images/illus_008.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_009.jpg b/old/62472-h/images/illus_009.jpg
deleted file mode 100644
index 8bbd164..0000000
--- a/old/62472-h/images/illus_009.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_010.jpg b/old/62472-h/images/illus_010.jpg
deleted file mode 100644
index 39d6159..0000000
--- a/old/62472-h/images/illus_010.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_011.jpg b/old/62472-h/images/illus_011.jpg
deleted file mode 100644
index 48f8869..0000000
--- a/old/62472-h/images/illus_011.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_012.jpg b/old/62472-h/images/illus_012.jpg
deleted file mode 100644
index 8c66ae5..0000000
--- a/old/62472-h/images/illus_012.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_013.jpg b/old/62472-h/images/illus_013.jpg
deleted file mode 100644
index a96704a..0000000
--- a/old/62472-h/images/illus_013.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_014.jpg b/old/62472-h/images/illus_014.jpg
deleted file mode 100644
index 370a338..0000000
--- a/old/62472-h/images/illus_014.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_015.jpg b/old/62472-h/images/illus_015.jpg
deleted file mode 100644
index cf07fb4..0000000
--- a/old/62472-h/images/illus_015.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_016.jpg b/old/62472-h/images/illus_016.jpg
deleted file mode 100644
index 3cadaa0..0000000
--- a/old/62472-h/images/illus_016.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_017.jpg b/old/62472-h/images/illus_017.jpg
deleted file mode 100644
index 4cf1d8c..0000000
--- a/old/62472-h/images/illus_017.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_018.jpg b/old/62472-h/images/illus_018.jpg
deleted file mode 100644
index 729d597..0000000
--- a/old/62472-h/images/illus_018.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_020.jpg b/old/62472-h/images/illus_020.jpg
deleted file mode 100644
index 2f46ef9..0000000
--- a/old/62472-h/images/illus_020.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_021.jpg b/old/62472-h/images/illus_021.jpg
deleted file mode 100644
index 9a9ab89..0000000
--- a/old/62472-h/images/illus_021.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_022.jpg b/old/62472-h/images/illus_022.jpg
deleted file mode 100644
index cdaa24f..0000000
--- a/old/62472-h/images/illus_022.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_023.jpg b/old/62472-h/images/illus_023.jpg
deleted file mode 100644
index 1640877..0000000
--- a/old/62472-h/images/illus_023.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_024.jpg b/old/62472-h/images/illus_024.jpg
deleted file mode 100644
index c648929..0000000
--- a/old/62472-h/images/illus_024.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_025.jpg b/old/62472-h/images/illus_025.jpg
deleted file mode 100644
index 346ee3c..0000000
--- a/old/62472-h/images/illus_025.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_026.jpg b/old/62472-h/images/illus_026.jpg
deleted file mode 100644
index 8c2cd84..0000000
--- a/old/62472-h/images/illus_026.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_027.jpg b/old/62472-h/images/illus_027.jpg
deleted file mode 100644
index 4f82e0b..0000000
--- a/old/62472-h/images/illus_027.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_028.jpg b/old/62472-h/images/illus_028.jpg
deleted file mode 100644
index 18b5b13..0000000
--- a/old/62472-h/images/illus_028.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_029.jpg b/old/62472-h/images/illus_029.jpg
deleted file mode 100644
index 6250318..0000000
--- a/old/62472-h/images/illus_029.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_030a.jpg b/old/62472-h/images/illus_030a.jpg
deleted file mode 100644
index 8fae752..0000000
--- a/old/62472-h/images/illus_030a.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_030b.jpg b/old/62472-h/images/illus_030b.jpg
deleted file mode 100644
index 766ef36..0000000
--- a/old/62472-h/images/illus_030b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_031.jpg b/old/62472-h/images/illus_031.jpg
deleted file mode 100644
index 8e77723..0000000
--- a/old/62472-h/images/illus_031.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_032.jpg b/old/62472-h/images/illus_032.jpg
deleted file mode 100644
index 96c7bb5..0000000
--- a/old/62472-h/images/illus_032.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_033.jpg b/old/62472-h/images/illus_033.jpg
deleted file mode 100644
index cdc06de..0000000
--- a/old/62472-h/images/illus_033.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_034.jpg b/old/62472-h/images/illus_034.jpg
deleted file mode 100644
index 6b61426..0000000
--- a/old/62472-h/images/illus_034.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_035.jpg b/old/62472-h/images/illus_035.jpg
deleted file mode 100644
index f34b098..0000000
--- a/old/62472-h/images/illus_035.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_036.jpg b/old/62472-h/images/illus_036.jpg
deleted file mode 100644
index e79188b..0000000
--- a/old/62472-h/images/illus_036.jpg
+++ /dev/null
Binary files differ
diff --git a/old/62472-h/images/illus_back.jpg b/old/62472-h/images/illus_back.jpg
deleted file mode 100644
index dc47f4f..0000000
--- a/old/62472-h/images/illus_back.jpg
+++ /dev/null
Binary files differ