summaryrefslogtreecommitdiff
path: root/old/61307-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/61307-0.txt')
-rw-r--r--old/61307-0.txt2825
1 files changed, 0 insertions, 2825 deletions
diff --git a/old/61307-0.txt b/old/61307-0.txt
deleted file mode 100644
index 1087863..0000000
--- a/old/61307-0.txt
+++ /dev/null
@@ -1,2825 +0,0 @@
-The Project Gutenberg EBook of Captain Billy's Whiz Bang, Vol. 2, No. 24,
-September, 1921, by Various
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Captain Billy's Whiz Bang, Vol. 2, No. 24, September, 1921
- America's Magazine of Wit, Humor and Filosophy
-
-Author: Various
-
-Editor: W. H. Fawcett
-
-Release Date: February 2, 2020 [EBook #61307]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CAPTAIN BILLY'S WHIZ BANG, SEPT 1921 ***
-
-
-
-
-Produced by David Edwards and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-
-
-
-
-Captain Billy’s Whiz Bang, Vol. II. No. 24, September, 1921
-
-
-
-
-Going Back to Paris, Soldier?
-
-Would you like to take another trip to France, visit the old fighting
-sectors and spend a few weeks in Paris? You can keep in touch with the
-overseas days and with your comrades everywhere through The Stars and
-Stripes, the weekly publication for all ex-service men. Gives you a joy
-ride every week through the land of memories.
-
-HAVE THE BOOK OF WALLY’S CARTOONS! Send Two Dollars and we will enter
-your subscription for The Stars and Stripes for six months and send you a
-complete collection, well bound, of all the overseas cartoons of Wally,
-the famous Stars and Stripes cartoonist. The greatest memory book of the
-World War. Just Two Dollars for The Stars and Stripes and the Book of
-Wally’s Overseas Cartoons Complete! Send today!
-
- The Stars and Stripes Publishing Co.
- 205 Bond Building WASHINGTON, D. C.
-
- * * * * *
-
-BATHING BEAUTIES!
-
-Real Photographs of the famous California Bathing Girls. Just the thing
-for your den! Sizes. 3½ × 5½ Positively the best on the market.
-
-ASSORTMENT OF 6 for 25c or 25 for $1.00
-
-Send Money Order or Stamps. Foreign money not accepted unless exchange is
-included.
-
-EGBERT BROTHERS
-
- Dept. W. B. 303 Buena Vista St., LOS ANGELES, CAL.
-
-_Wholesale agents wanted everywhere in U.S. Write for wholesale terms._
-
- * * * * *
-
-_Subscribe Now_
-
- +-------------------------------
- If you like our Farmyard / Capt. Billy’s Whiz Bang,
- Filosophy and Foolishness, / R.R.2, Robbinsdale, Minn.
- fill in this coupon. / Enclosed is money order (or
- / check) for subscription commencing
- $2.50 per / with .................. issue
- year. / MONTH
- /
- / Name ............................
- / Street ...........................
- / City & State ......................
-
-
-
-
- _Captain Billy’s
- Whiz Bang_
-
- [Illustration]
-
- _America’s Magazine of
- Wit, Humor and
- Filosophy_
-
- SEPTEMBER, 1921 Vol. II. No. 24
-
- Published Monthly
- W. H. Fawcett, Rural Route No. 2
- at Robbinsdale, Minnesota
-
- Entered as second-class matter May, 1, 1920, at the postoffice
- at Robbinsdale, Minnesota, under the Act of March 3, 1879.
-
- Price 25 cents $2.50 per year
-
- Contents of this magazine are copyrighted. Republication of any
- part permitted when properly credited to Capt. Billy’s Whiz
- Bang.
-
- “We have room for but one soul loyalty and that is loyalty to
- the American people.”—Theodore Roosevelt.
-
- Copyright 1921
- By W. H. Fawcett
-
- Captain Billy’s Whiz Bang employs no solicitors. Subscriptions
- may be received only at authorized news stands or by direct
- mail to Robbinsdale. We join in no clubbing offers, nor do we
- give premiums. Two-fifty a year in advance.
-
- Edited by a Spanish and World War Veteran and dedicated to the
- fighting forces of the United States
-
-
-
-
-_Drippings From the Fawcett_
-
-
-The modern city can be likened to that grim monster of old dreams to whom
-a tribute of maidens was offered. The main difference between them lies
-in the fact that his appetite for girl-flesh had its limitations, but the
-appetite of the city had none. From this vast charnel house of hopes,
-beliefs and ideals files upward a steady stream of damned souls that once
-belonged to women-children, pure in thought and deed. The crushing of one
-or a thousand of these “wee modest crimson-tipped flowers” beneath the
-ploughshares of city life and temptation excites only passing remark.
-
-The girl of the city has much more actual animation than her sister
-of the country. This is due to the food that is eaten and the social
-conditions of excitement that surround her. The country girl lives upon
-plain food and has normal hours of rest and relaxation. She does not
-encounter the sights or sounds that would tend to divert her attention
-from high thoughts to matters forbidden.
-
-Such sights and sounds are never absent from the city girl. She cannot
-go into the business part of the city and walk two blocks without
-being reminded of her sex. Men eye her with glances of suggestion and
-invitation.
-
- * * * * *
-
-You don’t have to go to West Point for strategy. A negro preacher in his
-pulpit one Sunday said he had a few remarks to make before the collection
-basket made its peregrination.
-
-“Now, brethren and sisters,” he began, “there is just one brethren here
-that is untrue to his church, untrue to his Lord—and worst of all, untrue
-to his wife. Unless he puts a five dollar bill into the contribution box
-I will be compelled to call his name out.”
-
-When the basket had returned and a recount had been made, the books
-showed forty-two five dollar bills and a two dollar bill with a note
-pinned to it saying, “I will hand you the other three in the morning.
-Please don’t give me away.”
-
- * * * * *
-
-“Only a Mother Could Love a Prohibitionist’s Face.” That is the
-inscription which appeared on one of the banners in the Anti-Dry parade
-which I had the pleasure of witnessing in New York City while en-route
-back from the big fight which ye editor attended.
-
- * * * * *
-
-Around Robbinsdale they get up early. Two farmers, jealous of their
-rising records, became boastful and one allowed as how he got up before
-three o’clock. The other rose at two the next morning and called at his
-neighbor’s house, hoping to find him in bed. The farmer’s wife came to
-the door.
-
-“Where is your husband?” inquired the sleuth.
-
-“Why, he was around here early this morning, but I don’t know where he is
-now.”
-
- * * * * *
-
-Gus, our hired man, insists that Deacon Kingdon is a good shot.
-
-“He is so good with his gun that he hit the bull’s-eye the first time,”
-Gus exclaimed.
-
-“Very good,” exclaimed Maggie, our cook.
-
-“Yes, but he had to pay for the bull.”
-
- * * * * *
-
-Pinkham’s Home Broo
-
-Pursue a wild bull frog thirteen miles, carefully gathering the hops.
-Then add:
-
-Ten gallons pickle brine
-
-Two quarts shellac
-
-One bar home-made soap
-
-One pint sweet spirits of nitre.
-
-Boil mixture three weeks, then strain through an I. W. W. sock to prevent
-mixture from working. Bottle and add one jackass to each pint to give it
-the proper kick.
-
- * * * * *
-
-This Is For Railroaders
-
-Casey, a section boss on the Great Northern railway, in making his report
-to the superintendent, used considerable profanity, so the superintendent
-said: “Casey, I have lady stenographers here and if you must use that
-profanity, after this you must write your own reports.” “A train from
-Duluth came lickety skoot and passed me hand car by. Some son of a gun
-left open a switch and it piled them ten cars high.”
-
- * * * * *
-
-Georges Carpenter lost a battle last July, but he won a greater prize
-than the golden purse and the coveted belt offered at Jersey City. The
-handsome Frenchman showed America the smile of Napoleon; the stoical
-smile of defeat.
-
-As one of the multitude witnessing the brief clash of France and America
-at Boyle’s Thirty Acres, permit me to remark that Carpentier =_did not_=
-live up to his reputation as great pugilistic champion, but he more than
-met his reputation as a great red-blooded gentleman.
-
-The American won, but the applause usually due the winner was lost in the
-outburst of surprise of the multitude. Carpentier, instead of hanging his
-head at the defeat of his hopes and aspirations for the title, hid his
-sorrow behind a great big boyish smile. He wore that smile through the
-blood-stained rounds, and it radiated as the gong clanged.
-
-The soul of fighting France was behind that smile; the same as the smile
-of Napoleon as he handed over his army to Wellington at Waterloo, and
-the likeness of Joffre at the first battle of the Marne. It puzzled
-his primitive opponent. Dempsey was bewildered—his face revealed his
-knowledge that behind that smile was a superior intellectual being.
-
- * * * * *
-
-=_What good is alimony on a cold night?_=
-
- * * * * *
-
-Many who “kiss and make up” don’t like the taste of the “make-up.”
-
-
-
-
-_Doug’s Peacock Walk_
-
-BY RICHMOND
-
-
-What are the personal peculiarities of film people? In view of the fact
-that it is our bounden duty to torment, dilate and comment upon ye people
-of the screen, it behooves us to stop now and then to observe what they
-are and how they become that way, aside from being good looking, drawing
-big money and getting divorced.
-
-Let’s get right down to business. Take Allan Dwan, a well known director.
-Dwan doesn’t hate himself any more than the law provides for. In fact,
-there is no reason Dwan should despise himself. He was a good electrical
-engineer; became interested in pictures and makes various flurries of
-coin according to the Angels who can be dug up to back his ventures.
-
-Dwan formerly was a good athlete. He is powerfully constructed but
-noticeably short. About the studios it is well understood that one of the
-few faults Dwan finds with himself is that he isn’t just up to his own
-personal idea of tallness. If he has a tender spot, it hinges upon this
-item of feet up and down. Someone conceived the idea that in order to tab
-him “Napoleon.” But that line of bull has been overdone and so another
-gag had to be hatched up. “The Big Little Man,” that is what those in
-close touch with Dwan call him when they desire to make a favorable
-impression. “The Big Little Man,” that’s a good title—better than some of
-the ones that appear on Dwan’s pictures and a lot of other pictures.
-
-Thus we dispose of Mr. Dwan, a cocky, brainy, peppy little fellow whose
-only regret is that he should be a little longer. Next we will consider
-Mr. Fairbanks, Mary’s present husband, barring every state in the Union
-but Nevada—and Nevada isn’t quite certain that Mary is still married to
-Owen Moore. Doug likes to tread about with his gang of retainers at his
-heels. Fairbanks cottons to the custom, styles and bequeathments of the
-English sporting gentlemen who stalked abroad with a company of idol
-worshippers.
-
-Doug is not always the most distinguished looking of his company. At any
-event, he frequently is not the most noticeable. It was Fairbanks that
-discovered the now famous Bull Montana, who doubles for monkeys when one
-is required in the cast and whose ability to take punishment one time
-resulted in nine fire hoses being turned on him at once as he was swept
-down the gutter.
-
-When Doug Fairbanks and Bull Montana walk down the street together
-the Bull “takes it away from him,” as they say in the pictures when a
-subservient character grabs the best of the scene from the star. Bull
-has a face, at once fearsome and fascinating. He is so ugly that crowds
-follow him around. It is a frequent spectacle in Los Angeles to see
-Fairbanks, Bull Montana, Spike Robinson, Crooked Nosed Murphy, Benny
-Zeidmann, the press agent de luxe, and Mark Larkin, Fairbanks’ special
-representative, beating it down the broad. Of course, Doug always struts
-in front, while the others in platoon formation tread proudly in the
-rear. The only place where Doug falls down is that some of his gang look
-funnier than Doug acts on the screen and the big star stands a chance of
-being overlooked in the “what the h—is coming here” attitude that rends
-the atmosphere as the Fairbanks battalion bears down upon the multitude.
-Yes, Doug likes to lead his gang into the big hotel corridors, where his
-cohorts then fade gracefully into the oblivion necessary to leave Doug
-alone in his solitude for the yokels to admire and wonder at. You gotta
-hand it to Doug for rushing in with his gang and then giving them the
-fade away sign at the psychological moment.
-
-Lottie Pickford—we have thought out loud a time or two before in these
-columns about Lottie. Unlike the demure Mary, Lottie likes the jazz
-stuff, the bright lights and some good looking young dude hanging around
-her. We never saw Lottie chew tobacco, but she can stow away a lot of the
-“grape.”
-
-If we had our decision to make as regards Lottie’s chief peculiarity we
-would say that her idea is to be thoroughly known as Mary’s sister by
-doing things that Mary doesn’t. Lottie isn’t the first contrary girl,
-though, who can claim to be of famous family. There was Miss Roosevelt
-and later Mrs. Longworth. Didn’t the colonel himself call long and loudly
-for commodious families? And did you ever read that his daughter attained
-any particular fame aside from smoking cigarettes and not rearing
-children?
-
-If you are a sort of a junior member of a family and fear that you will
-be overshadowed by some relative, cast for a famous mold, one way to
-attract attention is to copy the other one—backwards.
-
-We come to Fatty—Roscoe Arbuckle. Roscoe’s peculiarity just now is to
-have people try and forget that his name is Fatty. Roscoe is getting
-dignified. He has half a dozen cars, just because people came to know him
-as “Fatty Arbuckle” and paid a lot of dough to see him. Just where Fatty
-expects to promote himself by being Roscoe passeth understanding. Surely
-he doesn’t think that he could act seriously without being thought funny.
-Perhaps Fatty is subtle. He may have tired of drawing laughs as a result
-of acting natural and figures he may get as many more by trying not to
-appear natural.
-
-Now we are down to Mr. Griffith. Mr. Griffith, to our notion, is a
-great director. But Mr. Griffith is more or less deftly endeavoring
-to implant the idea in the public mind that he is a poet. That is Mr.
-Griffith’s peculiarity. He would not be seen much in public; rather he
-seeks to attract attention by remaining in seclusion. His well organized
-staff and his actors and actresses, who like him much, never pass up an
-opportunity to breathe it about that “Mr. Griffith is a poet.”
-
-We never read any of David’s verses, but if he is a poet, it devoutly is
-to be desired that there were more poets and fewer directors operating in
-pictures.
-
-After all, these little peculiarities or hobbies of the picture people
-are not harmful to any one in particular. We all like to strut and fluff
-and show our fine feathers. It’s human nature.
-
- * * * * *
-
-We’ll Say So!
-
-While Al. Jolson, the black-face comedian, was touring the Pacific Coast
-with his latest starring vehicle, “Sinbad,” he visited the California
-insane asylum, at Napa. Passing through one of the wards he noticed a
-rather neat chap and asked the attendant the nature of the fellow’s
-trouble.
-
-The attendant told the comedian that it was a new case. Had only arrived
-the previous day.
-
-Jolson approached the patient and inquired “If you had only one wish in
-the world, and it would be granted, what would you wish for?”
-
-The patient looked at Jolson and said, “I’d wish that Volstead was born
-with a thirst!”
-
-With a smile Jolson replied, “You might have been crazy when they brought
-you here yesterday, brother, but you’re talking good sense today!”
-
- * * * * *
-
-Our Traffic Cop
-
-Thomas Patrick Gallagher, typical Irish traffic copper, was stationed on
-Madison street in Chicago at the point intersected by the River.
-
-One bustling Saturday afternoon, Gallagher held up his hand to halt
-traffic for the draw bridge. In front of him was a new handsome limousine
-motor car.
-
-While waiting for the bridge to close, a runabout flivver crashed into
-the rear end of the handsome car.
-
-Gallagher was on the job promptly and hustled over to the driver of the
-flivver.
-
-“Phwat in hal does yez mane by smashing into this handsome car? Haven’t
-you got any eyes?” he bellowed at the meek and humble driver, “Are
-you crazy? I’ve a good mind to take you down to the headquarters, you
-blithering idiot. What’s your name?” continued Gallagher, as he extracted
-a pencil and notebook from his pocket, “What is the number of your car?”
-
-The answer came back in typical Gaelic, “Me name is Clancy.”
-
-“Clancy,” replied Gallagher. “Clancy, what part of Ireland are you from,
-what county?”
-
-“I am from County Mayo.”
-
-“County Mayo,” continued the traffic officer, “County Mayo, say Clancy,
-stay here just a minute till I go ahead to that big car and see why in
-the devil he backed into you.”
-
- * * * * *
-
-Ikey’s Recklessness
-
-Ikey, eleven years of age and of unmistakable Hebrew persuasion, was
-taken out of school and put to work in a nearby store, where he was
-rewarded with the princely honorarium of a dollar and a half per week.
-For the first three weeks, Ikey brought home the pay envelope on Saturday
-night and turned it over to his mother. On the fourth Saturday, however,
-he was five cents short.
-
-“Ikey,” said his mother, “where is that other nickel?”
-
-“I need that nickel, ma,” replied Ikey.
-
-For the next three weeks this dialogue was repeated when the week’s
-pay was turned in. The following Saturday Rachel had further cause for
-suspicion, for there was only $1.40 in the pay envelope.
-
-“Ikey,” she said, “what have you done with that dime?”
-
-“Ma,” said Ikey, “I had to have that dime myself.”
-
-“Now, Ikey, tell your mother the truth; are you going with a woman?”
-
- * * * * *
-
-Overwhelmingly
-
-A member of Congress recently became a parent. On announcing the news the
-doctor exclaimed gleefully: “I congratulate you, sir; you are the father
-of triplets.”
-
-The congressman was astonished.
-
-“No, no, no,” he replied, with more than parliamentary emphasis, “there
-must be some mistake in the returns. I demand a recount!”
-
- * * * * *
-
-Cassidy’s Routing
-
-Employed in the Great Northern yards in Minneapolis is a switchman whom
-we will call Cassidy.
-
-One day Cassidy entered the superintendent’s office without removing his
-cap or pipe.
-
-“I want a pass to Duluth,” he said.
-
-His evident show of disrespect peeved the superintendent. “Well, Mr.
-Cassidy, you haven’t approached me in quite the proper manner,” he
-answered gruffly. “Here you have your cap on your head and your clay pipe
-stuck in your mouth. Do you believe this is showing proper respect for
-your superior officer? If you desire a pass to Duluth, you must leave
-this office at once, walk around for an hour or two, and come back. As
-you step in my office, you will ask for the superintendent of the Great
-Northern; I will reply, ‘I am the superintendent of the Great Northern,
-what can I do for you?’”
-
-Cassidy promptly departed. He had been gone about an hour, when he came
-back, pipe in his pocket and cap in his hand. He walked briskly into the
-superintendent’s office and inquired in a rather superior manner, “Are
-you the superintendent of the Great Northern?”
-
-“I am, what can I do for you?” was the reply.
-
-“You can go to hell, I’ve got a pass over the Northern Pacific.”
-
- * * * * *
-
-It is always good to be nice, but not always nice to be good.
-
-
-
-
-_Limber Kicks_
-
-
-Bow Wow
-
- This is so the entire world through,
- You imagine a maiden loves yough—
- Like the wind bends the bough,
- You are bent by the rough,
- Then left and forsaken—bough-wough.
-
- * * * * *
-
- Before marriage,
- With wondrous care,
- She seeks the mirror
- And bangs her hair.
-
- After marriage,
- With angry glare,
- She grabs her slipper
- And bangs her heir.
-
- * * * * *
-
-Ask Bob He Knows
-
- A miss is as good as a mile,
- A kiss is as good as a smile,
- But four painted kings
- Are the beautiful things
- That are good for the other man’s pile.
-
- * * * * *
-
- The ballet’s not the drawing card
- That once it used to be.
- Ah! when it dies, may some good bard
- Indite its L. E. G.
-
- * * * * *
-
- “How do you like codfish balls?”
- I said to sister Jenny.
- “Well, really May, I couldn’t say,
- I have never been to any.”
-
- * * * * *
-
- Poor Lot’s wife turned to salt, alas!
- Her fate was most unkind.
- No doubt she only wished to see
- How hung her skirt behind.
-
- * * * * *
-
-The Power of the “Press”
-
-“Now, girls,” warned the Sunday School teacher, “I want to caution you
-against making friends with the new barber who has just opened a shop
-in the village. A friend of mine who knew him in the town where he was
-reared tells me he tries to make love to every girl he calls on.”
-
-“The girls in this burg are sure friendly,” confided the new barber to
-one of his patrons two days later. “Last night I took a stroll around the
-town and every girl I met smiled at me.”
-
- * * * * *
-
- The lightning flashed, the lightning crashed,
- The skies were rent asunder,
- With shriek and wail loud blew the gale,
- And then it rained like thunder.
-
- * * * * *
-
-Wall, I Calc’late!
-
-“Well, Si,” asked the justice of the peace of the lone constable, “what
-is this man charged with?”
-
-“Bigotry,” answered Si. “He’s got three wives.”
-
-“By gosh, Si,” exclaimed his honor, “where’s your education? That ain’t
-bigotry, that’s trigonometry!”
-
- * * * * *
-
-We’d Say So
-
-When a young man with his arm around a girl lets a lighted cigarette fall
-inside his sport shirt and it feels like a drop of ice water, it is time
-either to propose or go home.
-
- * * * * *
-
-Female detectives should be good lookers.
-
-
-
-
-_Naughty New York!_
-
-
-It looks like a pretty dreadful affair all the way ’round to me; here’s
-Mrs. Lydig Hoyt says that skirts gotta come down because the girls are
-wearing them to the ankles in Paris; but here’s little Betty Compson, the
-movie princess, says they are not to come down—not even to the ankles.
-
-“It’s the movie girls and not Parisian professional models nor New York
-society women who make the fashions for America,” says Betty. Which,
-when you come to think about it, is a terrible slam for Mrs. Hoyt—an
-intimation that she is not considered a regular movie queen, in spite of
-the fact that she shook the pink teas of the Four Hundred for a part in
-Norma Talmadge’s company, and is now about to burst into the world of art
-with a company of her own.
-
-The truth is, New York society women have apparently gone dippy over
-getting into the movies.
-
-The other day I was out at the Griffith studio at Marmaroneck watching a
-starving mob in rags crying for bread in the streets of ancient Paris.
-Among the actors there was one who stood out. She was a shriveled old
-woman with thin hands and haggard eyes. Her clothes were torn half off,
-showing her shrunken breasts and bony shoulders. When “D. W.” gave the
-signal for the action to begin, she fairly made you feel the agony of her
-hunger.
-
-When there came, at last, an interval in the work, she beckoned to a maid
-who stood near the set. “Go out to the yacht and get me my cigarette
-case,” she said.
-
-It turned out that the old lady was a very rich woman with a garage
-filled with imported automobiles and a steam yacht. She just had the
-“itch” to act in the movies.
-
-It’s a little secret that is giggled up and down Fifth avenue that one of
-the “extra girls” in the ball room scene in “Way Down East” was Evelyn
-Walsh, who is considered to be the richest unmarried woman in the world.
-Mrs. Morgan Belmont was also in the same picture.
-
-Perhaps it was the movies that did it; but anyhow, times have changed
-in the old Four Hundred in New York. It is only the Texas oil
-millionairesses who continue to elevate the haughty nose in mid-air and
-give you a far-away stare.
-
-Mrs. Belmont, when I saw her in a picture studio, was sitting on the edge
-of a piece of scenery, smoking a cigarette that she had borrowed from
-a stage hand. She was excitedly debating an exciting question. She was
-contending that Jack Dempsey could have licked Jack Johnson when the big
-dinge was at his very best.
-
-It happened that I sat in a business conference with Anne Morgan the
-other day. She was the most simple and democratic person present. She
-sat still and listened until every one else had expressed his opinion.
-Finally she threw away the butt of her cigarette and said abruptly, “Look
-here. We are all talking around in circles and getting nowhere.” Then she
-stated the case with the directness and clarity of a corporation lawyer.
-“You know,” she said in explanation, “My father was a banker.” I wonder
-if she thought she was telling anybody any news! J. Pierpont Morgan was
-the said father.
-
-Mrs. Morgan Belmont isn’t likely to squeeze Mary Pickford out of her
-job. She was just in pictures on account of her name. In the case of
-Mrs. Lydig Hoyt, however, it is different. She is really a marvelously
-beautiful woman and may go far in the cinema.
-
-Like most of the women in society, she is sick of gadding around tea
-parties. This stuff may be all right in F. Scott Fitzgerald flapper
-novels, but gets wearisome in real life.
-
-Speaking of F. Scott Fitzgerald, I understand that Princeton University
-is so vexed with this youthful prodigy that he discreetly omits the
-usual dutiful visits to his alma mater. What’s ailing Princeton is Mr.
-Fitzgerald’s book, “This Side of Paradise,” in which he told some painful
-truths about college life. I couldn’t see anything so terrible about it;
-but Princeton was touchy.
-
-In fact, I don’t see how anybody could “stay mad” at this child of
-genius. He is really a charming boy. He looks about seventeen, with
-those he-vamp blue eyes. I understand that “This Side of Paradise” was
-practically his own life, except that he really married the young society
-flapper who “trun him down” in the book. She is a very beautiful girl and
-the boy genius is obviously crazy about her.
-
-Another “best seller” who is looking at the tall buildings of New York
-is Harold Bell Wright, the sales of whose books have now amounted to
-something over 9,000,000 copies.
-
-The first time I ever saw the illustrious Harold was in Chicago, where he
-had come to sell his first books. He was a green little country preacher
-from a “riding” circuit in the Ozark mountains in Arkansas. He was so
-green that a sure-thing man would have been ashamed to sell him gold
-bricks. He looked pained when you spoke of writing for money; he said he
-only wrote to give a message to the world. I saw him again at the Waldorf
-the other day. He has made a couple of million dollars; got a divorce and
-a Rolls-Royce and other modern equipment.
-
-In spite of his enormous success as a best seller, I am told that Harold
-has a canker eating at his heart. He grieves because the literary critics
-will not take his work seriously, but “kid” him as a “he” Laura Jean
-Libbey.
-
-The other day, New York was electrified by a story that Hearst had
-quarreled with Marion Davies and that that attractive young lady was to
-cease to be a film star in the Hearst studios. But if there was a row,
-Marion must have won the bout. She is not only still the queen at the
-studio at One Hundred and Twenty-fifth street, but her brother-in-law has
-just been placed in supreme command. I am told that everything is getting
-on with peace and harmony—the kind of peace and harmony where nobody
-dares to be the first to leave a group and always walks out of the room
-sideways with his back to the wall.
-
-And now that we are speaking about Hearst—Like all men of brilliant mind,
-he has his little eccentricities. His is that he never can find his
-automobile. He owns some twenty cars, but never can find one. He brings
-his car downtown; forgets it and walks away to the nearest taxicab.
-The chauffeur waits around until he knows that W. R. is lost again and
-goes home. Wherefore you invariably encounter Hearst riding around New
-York in sad and disreputable looking taxicabs. Occasionally, he asks
-his subordinates if “anybody knows where I left my automobile.” Hearst,
-however, is a man of penetrating intellect. Don’t let anybody tell you
-the old yarn about his success being due to his brilliant subordinates.
-He has a mind that cuts like a slashing knife.
-
-To meet him personally, you would think him the newest and meekest
-reporter in the Hearst service. He comes into the offices of his hired
-men with a shy bashful air and usually says, “I hope I am not in the
-way.” But just let them try to disobey his orders and see how meek he is.
-Wow!
-
-Our old friend, Wilbur F. Crafts, the reformer, has spent a busy summer
-in New York. He has been horrified in turn over the Dempsey-Carpentier
-fight, over the frightful case of some girls who wore one-piece bathing
-suits at Atlantic City; over some good respectable families who wanted
-to walk down to the beach in their regular clothes, with their bathing
-suits underneath and slip off the top layer, thus foiling the bath house
-robbers. Wilbur also had a spasm of excitement because Tex Rickard had
-some children from Panama giving some exhibitions of swimming in his big
-pool in Madison Square Garden.
-
-Some time ago, in a censorship hearing, I actually heard the Rev. Wilbur
-admit that he was wrong. He had presented a bill he wanted passed,
-creating a national censorship. One of his friends on the congressional
-committee raised his eyes humbly to the chandeliers and said he wanted to
-offer a criticism. Rev. Crafts said he always welcomes honest criticism;
-he tried to do his humble best, but if wrong, wanted to be corrected;
-hence he would yield to the congressional gentleman and accept his
-amendment. The amendment was to boost the salary of the job Rev. Crafts
-was after from $4,000 to $8,000 a year. He certainly yielded like a
-Christian martyr.
-
-But about these girls and their one-piece suits that shocked Atlantic
-City almost beyond human endurance.
-
-Near Atlantic City is a little strip of beach called Somer’s Point. When
-the police chased the Annette Kellermanns off the beach at Atlantic
-City, the mayor of Somer’s Point said they could come to his beach, b’
-gosh. And so they went—and so the road around Somer’s Point has been
-blocked all summer—and so Mayor Robert Crissey, who is seventy-two, but
-has young ideas, is famous. A discreet man is Mayor Crissey, nevertheless.
-
-After the first Sunday of the girl show, he issued a statement in which
-he said he thought one-piece suits were all right. “And,” he added with a
-burst of real inspiration, “I am going to buy my wife one just like ’em.”
-
-Some one has lifted up his voice and wept because, among the other famous
-New York gin palaces to go with incoming prohibition, is the far-famed
-one formerly run by Tom Sharkey, the old sailor heavy weight fighter.
-
-Tom was a funny old fellow with not much more than a distant acquaintance
-with English grammar and such.
-
-When he completed his fine saloon, one of his first visitors was his
-former manager, Tim McGrath. They looked over the place together. At
-length Tim said to him, “Tom, you have a fine place, but there is one
-thing more you should do to it.”
-
-“And what’s that?” said Tom suspiciously.
-
-“Right here above the entrance you should have a fine big chandelier.”
-
-“Yeh, I know,” replied Tom, yawning, “But who would I get to play it?”
-
-That “Garden-of-Eden” party with naked young ladies dancing, outside
-of Boston, which cost Adolph Zukor and Hi Abrams, the movie magnates,
-$100,000 to quiet, and which may cost the Massachusetts district attorney
-his job, was the second time this year the aforesaid magnates have burst
-into fame.
-
-They—at least one of them—is said to have been in the big stud poker
-party in which a slick gent with marked cards took in a circle of movie
-men for a cool $500,000. They had him arrested, but dropped the case
-because the department of public charities of New York set up a claim
-for five times the amount of the money lost as a penalty for playing
-poker—which is the New York law.
-
-I can tell you a little secret about that game. That slicker would have
-been trimming them yet except for the quick wittedness of Norma Talmadge.
-
-It was at their home—of herself and her husband, Mr. Schenk—that the game
-had been taking place once a week for months. Coming suddenly into the
-hall, Norma saw the slick guest slip a pack of cards into his overcoat
-pocket and take another pack. She told her husband and the slicker was
-caught red-handed.
-
-Even New York, the town of spenders, gave a little gasp when the “Spanish
-Jade” stepped out of Greenwich Village and went shopping on the Avenue.
-
-The lady’s real name is Elizabeth Darrow. She was the belle of the
-village, when a young naval officer named Frederick Linde Ryan blew
-in with his new uniform and innocent illusions. He was married to the
-“Spanish Jade” and they began housekeeping on Riverside Drive.
-
-The boy, struggling along on his naval pay, tried patiently and loyally
-and uncomplainingly to pay; but his debts soon amounted to $20,000, with
-cigarettes at a dollar a pack and chocolates at $5.00 a pound. The other
-day the case was brought into court at the instance of one of the boy’s
-friends and the court ruled that the boy need not continue further to pay
-the bills.
-
-As a sort of free circus the “Village” does well enough for a little
-while; but it would seem a dubious place to find a wife.
-
- * * * * *
-
-Thus It Was
-
-He was young, good looking and had plenty of money. She was also young
-and good looking, but lacked the money. Consequently she anxiously
-awaited for manifestations of affection.
-
-“What have you named your new island home?” she inquired one evening,
-following his description of the wonderful island he had purchased in a
-neighboring lake.
-
-“Isle of View,” he answered, and has since been wondering what happened
-to the young lady to make her throw herself in his arms.
-
- * * * * *
-
-There was a cross-eyed judge in Chicago who had three cross-eyed
-prisoners brought before him. Turning to the first, he said, “What is
-your name?” and the second replied, “James Smith.” Turning to the second,
-he said, rather severely, “I wasn’t talking to you.” The third one said,
-“I didn’t say anything.”
-
- * * * * *
-
-Wife—Mistress—Lady
-
-_The following is translated from the German, and published in the
-Gazette of the Union, February, 1856_:
-
-Who marries from love takes a wife; who marries for the sake of
-convenience takes a mistress; who marries from consideration takes a
-lady. You are loved by your wife, regarded by your mistress, tolerated by
-your lady. You have a wife for yourself, a mistress for your house and
-its friends, a lady for the world. Your wife will agree with you, your
-mistress will accommodate you, your lady will manage you. Your wife will
-take care of your household, your mistress of your house, your lady of
-appearances. If you are sick your wife will nurse you, your mistress will
-visit you, and your lady inquire after your health. You take a walk with
-your wife, a ride with your mistress, and join parties with your lady.
-Your wife will share your grief, your mistress your money, your lady your
-debt. If you are dead, your wife will shed tears, your mistress lament,
-and your lady wear mourning. A year after death your wife marries again,
-in six months your mistress, and in six weeks, or sooner, when mourning
-is over, your lady.
-
- * * * * *
-
-Wifey’s Lament
-
-Clarence—“Do you think it will rain?”
-
-Doris—“What?”
-
-Clarence—“Say yes.”
-
-Doris—“I said yes the other day and got myself in grief.”
-
-Clarence—“When?”
-
-Doris—“The other day.”
-
-
-
-
-_Questions and Answers_
-
-
-=_Dear Cap_=—Are we not all descendants of the monkey?
-
-No, we are not. My folks came from Wales.
-
- * * * * *
-
-=_Dear Skipper_=—Can you tell me why a black cow gives white milk that
-makes yellow butter?—=_Helen Bach._=
-
-For the same reason that blackberries are red when they are green.
-
- * * * * *
-
-=_Dear Captain Bill_=—What do you think of a man who throws a girl a
-kiss?—=_Ima Blower._=
-
-I think he’s the laziest man in the world.
-
- * * * * *
-
-=_Dear Farmer Bill_=—How do you keep milk from souring?—=_Reggie._=
-
-Leave it in the cow.
-
- * * * * *
-
-=_Dear Cap_=—Why is it that professors claim touch to be the most
-delicate of all the senses?—=_Hook M. Cowe._=
-
-Well, here’s why: when you sit on a pin you can’t see it, you can’t hear
-it, you can’t taste it—but it is there.
-
- * * * * *
-
-=_Dear Captain_=—What is a button?—=_Holly Woode._=
-
-A small event that always comes off.
-
- * * * * *
-
-=_Dear Capt. Billy_=—The waiters in our city of Brainerd have just
-organized a union and wish you would kindly suggest some sort of a yell
-to hand the cooks when they raise the dickens with us.—=_Tillie Olson._=
-
-My feeble effort:
-
- Grape nut, Grape nut,
- Malta vita force.
- Keep your trap closed.
- Well, of course.
- We want oysters,
- Rah! Rah! Rah!
- Nabisco wafers
- Bah!!
-
- * * * * *
-
-=_Dear Capt. Billy_=—I am about to organize a nice little club for
-thirsty people. What motto should our organization adopt?—=_Sipper Jin._=
-
-How about this one: “If you don’t see what you want, ask for it.”
-
- * * * * *
-
-=_Dear Captain Billy_=—What were the two most popular ballads of the
-American doughboy in France?—=_Mona Long._=
-
-Before the armistice it was “I Want to Go Home.” Afterwards it was “If
-You Want to Go Home, Just Let Them Alone.”
-
- * * * * *
-
-=_Dear Captain Billy_=—My father is a motor-man, and my mother is a
-conductorette. What am I?—=_Enter Tainem._=
-
-A transfer.
-
- * * * * *
-
-=_Dear Cap’n_=—What is a Pomeranian Whiff Sniff?—=_Willack Fulish._=
-
-A Pomeranian Whiff Sniff is a species of small wooly dog with the curious
-habit of trying to climb telegraph poles, hind feet first.
-
- * * * * *
-
-=_Dear Captain_=—Being as you are an etiquette expert, I would like to
-ask if it is a gentleman’s duty to approach a young lady and tell her
-that her eyebrow is on crooked and that she has a speck of soot on her
-right ankle?—=_Inquisitive Andy._=
-
-A gentleman is not supposed to notice the details of a lady’s attire. He
-is supposed to be in a state of rapturous admiration of the tout ensemble.
-
- * * * * *
-
-=_Captain Billy_=—Is a sallow, pale skin always affected by weak
-people?—=_I. M. Payle._=
-
-Dear Payle—Not always! I know a chap that was very dark, but he found a
-pair of dice and right from then he began to fade, and fade and fade.
-
- * * * * *
-
-=_Dear Skipper Bill_=—Why is a ship always called “She”?—=_M. T. Beane._=
-
-Probably because the rigging costs more than the hull.
-
- * * * * *
-
-=_Dear Farmer Bill_=—What is the best way to make both ends meet?—=_Lady
-de Barbour._=
-
-Learn to be a contortionist.
-
- * * * * *
-
-=_Dear Captain Billy_=—What, in your opinion, does love most
-resemble?—=_Georgette._=
-
-A roast beef sandwich. Two thin slices of sentiment and the rest filled
-in with bull.
-
- * * * * *
-
-=_Dear Captain Billiam_=—What kind of hand does a card sharper win
-with?—=_Pokker Feene._=
-
-An I-deal hand.
-
- * * * * *
-
-=_Dear Cap_=—Why are eggs much smaller now than in the past?—=_Lee Way._=
-
-I suppose it’s because they’re taken out of the nest too soon.
-
- * * * * *
-
-=_Dear Capt. Billy_=—A story in a New York paper says a dancer has
-insured her legs for $125,000. What’s the idea?—=_Lew D. Fiske._=
-
-We don’t know definitely, Lew.
-
- * * * * *
-
-=_Dear Skipper Bill_=—What war material did Chili export to the Allies
-during the war?—=_Clara Voyant._=
-
-Beans.
-
- * * * * *
-
-=_Dear Bill_=—If you’re a good little astronomer I know you’ll tell me
-what star was recently measured, and found to be of enormous size?—=_May
-Triatit._=
-
-Fatty Arbuckle, I guess.
-
- * * * * *
-
-=_Dear Captain Willy_=—A waiter in the Waldorf Flaskoria spilled hot soup
-down my neck, and when I remonstrated with him, the horrid old thing
-only snapped his fingers at me. Have you any words to describe such
-creature?—=_Ferdie Nann._=
-
-I would say that he is too soupercillious.
-
- * * * * *
-
-=_Dear Farmer Bill_=—Why is it you farmers always dress your scarecrows
-in men’s clothing?—=_Sack Kitt._=
-
-Well, if we dressed them in women’s clothes there’d be sure to be some
-old birds hanging around.
-
- * * * * *
-
-A friend of the Whiz Bang who served with the British forces during the
-World War sends us the following, which he claims was a favorite song
-among the “Limies.”
-
- When this bloody war is over
- Oh, how happy we will be;
- No more hiking, no more drilling,
- No retreat or reville.
- No more shining up brass buttons,
- No more asking for a “leave,”
- For we’ll tell the sergeant-major
- To shove his passes in his sleeve.
-
- * * * * *
-
- _I know a young woman called Kitty._
- _In the dance-hall she looks very pretty._
- _But the next day at ten,_
- _If you saw her then—_
- _Oh, my gawd! What a pity!_
-
- * * * * *
-
-Their Specialty
-
-Written by a dealer in electric washing machines:
-
-“Don’t kill your wife. Get one of our machines to do the dirty work.”
-
- * * * * *
-
-Friend tells us that the way Clinton’s in New Haven advertises the record
-is: “Come Where My Love Lies Dreaming with Male Chorus, $1.25.” This ad
-was evidently written by the gent who said: “I stand back of every bed I
-sell.”
-
- * * * * *
-
-With a girl of twenty, marriage is an adventure; at twenty-five, a
-career; at thirty, a goal; and at forty, a haven of rest.
-
-
-
-
-_Whiz Bang Editorials_
-
-“_The Bull is Mightier Than the Bullet._”
-
-
-In the old days, to the women fell the task of making gentlemen of the
-men, but not now-a-days, according to our friend, Bob Toole, who claims
-that the boys keep the girls in line during this grand and glorious age
-of jazz.
-
-In dancing, conversing, playing, courting and “spooning,” the standards
-of young boys and girls were fixed in the good old colonial days, by the
-girls. Their natural feminine modesty erected sensible social barriers
-and the chivalry of men made them sacred and preserved them.
-
-This order has been changed. Men now fix the standards. Naturally,
-they are not as high as they “used to be.” A man is not as particular
-in things moral and esthetic as the average girl. The modern man makes
-a jazz hound of his lady. The modern girl endures a lot of things she
-inherently dislikes. She puts up with annoying behavior just to be a good
-fellow. She really doesn’t like this cheek-to-cheek and wiggly dancing;
-but she stands for it, for she is too good a scout to be a kill-joy. And
-just because she is such a good fellow about it, the men—good-hearted
-fools!—become less lax in their behavior until they unconsciously impose
-on good nature.
-
-Fellows, we’re going back again to the standards set by the natural
-modesty and sweet reserve of the girls! And we’re going to like it, too!
-
-With wine gone, a “powerful” incentive to excessive “good fellowship”
-has been removed. With equal suffrage a fact, girls will unconsciously
-resent extreme impositions on their fine comradeship. There is certain
-to be a good natured reaction on a part of the ladies. They are going
-to set new standards. Not by law; by sweet common sense. Femininity
-will never revert to prudery, but girls are going to amend sensibly
-that “go-as-far-as-you-like” policy of good fellowship so that men will
-realize girls are less common and more wonderful than ever before.
-
-And, we repeat, we’ll like it.
-
-Go to it, girls! Make us be good!
-
- * * * * *
-
-An Ohio editor allows that a man in Columbus got himself into a ton of
-trouble by marrying two women without the formality of divorce from the
-first. A Western observer points out that a good many men in that section
-had gotten that way by marrying just one. A Southern editor has retorted
-by alleging that quite a few of his friends found trouble enough by
-merely promising to marry without going any further. And an old doughboy
-friend of ours collected a goodly surplussage of grief when he was simply
-found in company with another man’s wife.
-
- * * * * *
-
-If two souls are happily mated, there is no reason why either should live
-in or refer to the past. Their Eden is in the present and the future of
-what may be and not what has been. The man or woman should be sacredly
-silent about the dead past, unless there is some person or something
-which sooner or later may rise to bring darkness or death. The Bible
-basis of marriage is a love which takes for better or worse the heart
-which it calls its own. People ought not to marry unless they are so
-devoted to each other that any later knowledge of what either may have
-been or done would make no difference.
-
-Man’s inhumanity to woman is often earthly, selfish and devilish. Women
-are naturally and generally better than men. If they err, it is usually
-the man’s fault. The average young man is fortunate to secure any girl to
-live with him as his wife. Keep still and ask no questions is the wise
-way. There is no double moral standard for speech or silence for man or
-woman. At the marriage altar, heaven demands no more of the woman than of
-the man. That a woman should tell the past to a man who insists, though
-it is none of his business, or that she should persist in confessing to
-him when he does not care to hear it, is a piece of folly of which some
-women are guilty. Where ignorance is bliss “’tis folly to be wise.” After
-marriage it will do no good to tell what you said and did before. There
-are many homes now happy, as if made under the wings of the angels, whose
-members at one time left the paradise of innocence and wandered beneath
-a roofless world.
-
-Love is blind. A true and genuine lover does not want to hear a girl’s
-past; and if he did hear it from her own or another’s lips, it would
-make no difference to him. If any one is to tell let it be the man, for
-usually it is the woman and not he who runs the risk of a past. Let the
-man confess who places the material above the mental and moral and thinks
-of a wife as a cheap luxury, and of home as a dry-dock of repairs. No
-matter how greatly discrowned, a woman may be recrowned. With her, heaven
-is in the future and not in any past, she may serve, give, work and pray
-with the love that is the crown jewel in her diadem.
-
-The sweetheart who is willing to be a wife is not man’s inferior or
-superior, but equal in personal equivalent. The mere accident or
-providence of sex does not entitle a man to any special privileged of
-conduct before or after he is husband. Man’s character is judged by his
-estimate of women. Such a poem as Hood’s “Bridge of Sighs” or Goldsmith’s
-“Folly” would be impossible if men remembered not to act the part of
-Faust to Margaret.
-
-“Go in peace and sin no more,” was the command to the fallen woman.
-Confess to the one you have wronged, but don’t make a boastful show
-before others. There are converted sinners in the pulpit and prayer
-meeting who make a glory of their shame, unmindful of the advice, “See
-thou tell no man.” It is the unpardonable sin of society that it would
-cast and keep in deeper hell the woman with a past, though she be
-willing to purify herself in the fire of remorse and baptize herself with
-tears of repentance.
-
-Many a girl who once glittered in Folly’s and Fashion’s court has later
-met and learned a true love. She was silent and devoted and today shines
-a holy flame in the home as wife and mother. A woman may tell what she
-is and hopes to be—not what she has been. The man who is fool and fiend
-enough to insist that the Sphinx speak is unworthy of her. Let a man
-remember to forgive and forget a woman’s past, as he hopes to have a
-happy home here and hereafter.
-
- * * * * *
-
-Hello! or Ohell!
-
-Did you ever stop to think that there isn’t much difference between hello
-and ohell—that ohell is just hello turned around? There’s nothing finer
-in the English language it seems to me than a good old American “Hello!”
-But give her the reverse English and you get a cussword—and when you say
-“hello” to some people that is what you get.
-
- * * * * *
-
-How About This?
-
-The following want advertisement appeared in one of our well known
-newspapers the other day:
-
-“Two sisters want washing. Will go anywhere.”
-
- * * * * *
-
-My girl shakes the shimmy so much, that she’s shaken herself out of
-shape.
-
-
-
-
-Smokehouse Poetry
-
-
-_Smokehouse Poetry for October will feature three poems: one, the plea
-of a prisoner; the second, a thrilling story of the squared ring by the
-author of “The Kid’s Last Fight,” and the third, a comic jazz verse after
-Langdon Smith’s “Evolution.”_
-
-_“The Prisoner’s Prayer,” which is to be Number One on the poetry
-billboard for October, was written on the stone wall of the Federal
-penitentiary at McNeil Island, Washington, in September, 1909. It was
-later memorized by another prisoner and just recently forwarded to the
-Whiz Bang upon his release._
-
- _“So hear ye the prayers from the prison,_
- _Where fever and famine are rife;_
- _Where never one soul has arisen,_
- _Where many go down in the strife.”_
-
-_In response to inquiries from many readers we have obtained another copy
-of “The Gila Monster Route” to replace the one which Maggie, the hired
-girl, lost during our last farm house cleaning bee. It will be published
-in the Winter Annual._
-
- * * * * *
-
-Betrayed
-
-By Angela Morgan
-
- Bad, hopelessly bad!
- I yielded to love that sways mankind,
- Not the mere measure of bodily pleasure,
- But love that wakes in the soul and the mind,
- Born of the spirit at God’s behest:
- And I bartered all I had.
-
- I, with the warmth of a child at my breast—
- Am bad, hopelessly bad!
-
- Yet the power that molded my little son,
- Is the same that moved for the wedded one;
- Creation’s woes were just the same;
- Had he only borne a father’s name.
- Did love, that old fashioned universe
- Fashion alike my curse?
-
- Listen, you who are true and good,
- White and strong in your motherhood;
- You with your wedding ring safe on your finger,
- You who can linger, righteous and clean in love’s embrace:
- Tell me the reason that I am base!
- Are you so different after all?
-
- I answered the same high golden call
- I yielded to love that is proud of pain—
- Love, that reckoned not for gain;
- And nature has made my child so fair,
- As the child on your very shoulder there.
- The same great impulse, deep and glad,
- That hurls the suns and drives the earth
- Brought both our children to this earth.
-
- Yet ... you are good and I am bad,
- Vicious and evil and low, they say—
- “A girl who has gone astray”;
-
- Yet the milk of my life is warm and white
- That runs to his hungry mouth at night;
- My words are soft, my arms are sweet,
- My hands are kind to his little feet.
- Can I, who live for my baby’s smile,
- Be vile, hopelessly vile?
-
- O, great, broad, beautiful judgment day,
- When dogmas of man are rent asunder,
- And superstition is wiped away,
- Will you plead for me, will you gently speak
- For us who are voiceless and weak?
- Plead for us, who must ever wonder?
- Why we are hounded and held at bay—
- We who can love, we who can pray:
-
- We, the mothers, who might be glad,
- But are broken at heart and bitter and sad;
- O, Future Day, will you write in flame,
- The reason for sin and the reason for shame?
-
- That in all the city there seemed no room
- No sweet clean place for my heart to bloom!
- Oh, will you terribly tell the truth;
- That the world which offers no worthy place,
- For the light that shines in my baby’s face,
- Offered no shelter for love and youth,
- No guarding presence who understood,
- My blossoming womanhood?
-
- So I sought his arms as a bird to nest
- And I ... with the warmth of a child on my breast
- I ... who bartered all that I had
- Am bad ... hopelessly bad!
-
- * * * * *
-
-The Unwritten Law
-
-By Budd L. McKillips
-
- “Don’t kid me, I know that I’m dyin’,
- The song of my life has been sung;
- I’m done and there’s no use in tryin’
- To patch up a bullet torn lung.
-
- “I’ll bet, Doc, you think I’m a tough one
- Who’d fight at the stroke of the bell—
- You’re right, Doc, my life’s been a rough one,
- And now I am headed for hell.
-
- “I used to be decent as any
- Young man in that little mill town;
- My friends in the village were many,
- Until I commenced to go down.
-
- “’T’aint long when a fellow starts hittin’
- The booze till he’s gone the whole way;
- And then when he thinks about quittin’,
- He’s found that the devil’s to pay.
-
- “A woman—they’re always the reason
- In my case the girl was my wife;
- We married—were happy a season
- And then trouble entered my life.
-
- “The man—we’d been palin’ together
- Since both of us started to school;
- I thought that he’d stick through all weather,
- I trusted him—just like a fool.
-
- “He lived in my home like a brother,
- For months our life went like a song,
- And then I began to discover,
- That somethin’ in life had gone wrong.
-
- “I watched till I thought I detected
- My wife was wrapped up in his charms,
- Then dropped into home unexpected,
- And found her clasped tight in his arms.
-
- “I came in the room as she kissed him,
- He saw me and begged for his life;
- I shot at the cur, but I missed him—
- He ran and left me with my wife.
-
- “My—wife—God! I’d found her no better
- Than women who live on the street,
- So diff’rent than when I first met her—
- She screamed and fell dead at my feet.
-
- “Then somethin’ inside my brain parted
- Like strings on a harp stretched too tight—
- Doc, that was the time I got started;
- I changed in a minute that night.
-
- “A few of my friends have stuck by me,
- And assisted in lightening my load,
- But the way most of them would eye me;
- Soon caused me to hit for the road.
-
- “From city to city I’ve wandered,
- And month after month rolled around;
- What money I had I soon squandered,
- But nowhere was peace to be found.
-
- “Sometimes for a day I’d be cheerful,
- The thoughts of revenge would be still;
- And then my poor brain would be clear full
- Of him I had sworn I would kill.
-
- “Well, yesterday evenin’ I met him,
- He begged and he pleaded and cried
- For help, but I’d promised to get him—
- I choked the dang cur till he died.
-
- “To make the job certain I drilled him
- With five or six shots from my gun—
- I’d killed him, yes dang him, I’d killed him!—
- A cop came my way on the run.
-
- “I started to run to the river,
- Then felt a sharp pain in my breast;
- And fell in the street all aquiver—
- A bullet had gone through my chest.
-
- “There’s no use to tell you the rest, Doc,
- There’s nothin’ much more I can tell;
- I’m happy, what I did was best, Doc—
- They’re waitin’ for me down in hell.
-
- “It feels like the room’s gettin’ colder;
- It’s dark and I’m startin’ to choke,
- There’s somethin’ ahold of my shoulder!
- So long Doc, I’m—goin’—to—croak.”
-
- * * * * *
-
-Going Down
-
- Man’s life is a vapour
- And full of woes;
- He cuts a caper
- And down he goes,
- And down, and down,
- And down, and down,
- And down he goes.
-
- * * * * *
-
- In my ear is the moan of the pines;
- In my heart is the song of the sea
- And I feel his wild breath on my face
- As he showers his kisses on me.
- And I hear the wild scream of the gulls
- As they answer the call of the tide;
- And I see the white sails, as they glisten
- Like gems on the breast of a bride.
-
- * * * * *
-
-Hail to the Devil Dog
-
- He’s a drinker and a driller,
- He’s a gambler and a sport;
- He’s a hard old hand at fighting,
- But at work he’s rather short,
- The devil likes his fighting,
- And the beauty way it’s done;
- He’s a cross between a Christian
- And the devil’s only son.
-
- His vice is like the most of men,
- His virtue like a few,
- But when you thump his metal,
- You’ll find it’s ring is true;
- He’s honored by the title,
- Of a soldier and a man,
- He’s Uncle Sammy’s nephew,
- And all American.
-
- * * * * *
-
-A Tip For Wifey
-
- When your husband telephones to say,
- “I won’t be home to-night
- Till after twelve, I’ve lots to do,”
- Just say, “Dear boy all right,
- I’m going out myself to-night
- And won’t be in till late.”
- Will he come home on time? You bet
- He’ll also come home straight.
-
- * * * * *
-
-Have a Drink, Boys?
-
-They were on a fast train through Arkansas (?).
-
-Every few minutes the lady across the aisle held a bottle to her lips.
-The traveling man was thirsty.
-
-“How do you do,” said he. “What have you in that bottle, home brew?”
-
-“No,” she said, “I have consumption.”
-
- * * * * *
-
-Always
-
-Face the Music
-
-Even if it is your landlady’s daughter playing “The Maiden’s Prayer” on a
-square piano. Some day you might be back on your board bill.
-
- * * * * *
-
- You need your money
- And I need mine,
- If we both get ours
- It will sure be fine,
- But if you get yours
- And hold mine, too,
- What in the divil
- Am I going to do?
-
- * * * * *
-
-In the Game of Love
-
- In her first blossom, woman loves her lover;
- In all the others, all she loves is love.
- Here’s lovers two to the maiden true,
- And four to the maid caressing,
- But the wayward girl with the lips that curl,
- Keeps twenty lovers guessing.
-
- * * * * *
-
-The dramatic triangle is caused by people not being on the square.
-
-
-
-
-Our Movie Gossip
-
-
-Los Angeles lawyers are laughing up their sleeves over the story
-whispered in connection with the divorce suit of Agnes Schucker, known
-to the screen world as Agnes Ayres, the Lasky leading lady, recently
-elevated to stardom through the kindness of Wallie Reid. Because of the
-fact that few people in California ever knew Miss Ayers under the name
-of Schucker, the divorce suit of Agnes Schucker versus Captain Frank R.
-Schucker, now with the United States Army in France, attracted little
-if any attention. Thus it was, the gossips report, when pretty Agnes
-Schucker recently entered the court room of Judge Summerfield, attired in
-a plain brown dress and inconspicuous black hat, there were few in the
-spectators’ gallery and none recognized the demure plaintiff as the Lasky
-star.
-
-Tearfully Agnes’ mother told on the witness stand how she had to care
-for her daughter, because of the alleged failure of Captain Schucker to
-support Agnes. The mother’s testimony aroused the sympathy of the court
-and the spectators, and there was a mention of a co-respondent “Lillian.”
-
-Everything was going lovely for Agnes until a cinema person from
-Hollywood recognized her in the court room and unceremoniously tipped
-off her identity to the judge. Hizzoner appeared peeved because Agnes
-put on a little cinema drama all her own in his court room, assisted by
-mamma’s weeps, and he threw the case out of court.
-
-Agnes’ lawyers then reopened the case on the grounds of desertion and
-soon she is expecting to be traveling in single bliss. According to the
-gossips, Agnes came back into court in the second trial her own real
-movie self, and attired in a champagne colored gown trimmed in green,
-and wearing a lavender hat trimmed with ostrich plumes. Mother, so it
-is reported, explained later to the judge that she “misunderstood” the
-question and that she merely meant she and Agnes lived in the same house;
-not that she had to support her “victimized” daughter.
-
-Incidentally, Agnes has Wallie Reid to thank for her rapid rise in
-filmdom, and Wallie, by the way, gives so many teas and dinners that it
-is said he has to have two homes in order to accommodate all the parties,
-the second one being somewhere in Laurel Canyon, and Agnes is rated among
-his favorite dinner guests.
-
- * * * * *
-
-We have heard a story concerning our good friend Samuel Merwin, and if
-it is true, we will have to give Samuel a gold medal. Sammie is out west
-writing for the movies, and recently attended an exclusive house party
-at Riverside. The story goes that on the homeward drive he was permitted
-to escort a beautiful English girl. About two miles had been traveled,
-so ’tis said, when the chauffeur reported the usual “blow-outs” and
-“missings” and that Merwin and the girl had to wait long weary hours
-during the “fixing” process.
-
-All of the young eligibles in California have been trying to land the
-lovely English girl, but not Merwin, according to our bevy of Whiz
-Bang Bunkers, because even the most loose-tongued gossips admit the
-probability that during the two hours of waiting, Merwin went to sleep
-and let the London beauty wait alone.
-
-Ah, romance, to where hath thou departed?
-
- * * * * *
-
-It wasn’t many months ago when J. Parker Reid, the director, with his
-star, Louise Glaum, and other members of the company, took a little trip
-to Tia Juana and San Diego. Of course, they went over to the Coronada
-Hotel for dinner and there J. Parker Reid met a bevy of society folk.
-
-Now, you haven’t any idea how the society folk at Coronada fuss over
-movie people. The Coronada crowd are an idle set with plenty of money,
-little to do and an ambition to be considered clever. By informally
-hob-nobbing with the writers and players of the movie colony from
-Hollywood, they gain a new mental punch and are able to assume some of
-the glamour, always emanating from the people who do interesting things.
-
-Louise Glaum has been conscientious in her art, you know. She is one of
-the really hard working, conscientious women of her profession, and
-we’ve heard she has some dependent relatives to support, and that she
-never had much schooling, but has studied very hard by herself, and that
-altogether her life hasn’t been an easy one.
-
-Louise’s pictures stopped making money a year or two ago, then she became
-friendly with J. Parker and the tide in her fortunes seemed to change.
-Reid perhaps fell in love with her, at least temporarily, and she perhaps
-with him, and besides he raised capital to star her again. The pictures
-were a success financially, and all the world seemed rosy for the hard
-working actress.
-
-But, that trip to Coronada. J. Parker Reid, it seems, was fussed over a
-wealthy Mrs. Piper. To her, a great motion picture director maybe was a
-new idol for adoration.
-
-We wonder how it’s all coming out. J. Parker Reid some weeks ago made
-it clear to Louise that their affair was over. In June he married Mrs.
-Piper. Life’s a funny little game after all.
-
- * * * * *
-
-We are sorry to learn that some of the scandal mongers are whispering
-derogatory rumors anent Jack Mulhall, because of the suicide of Laura
-Mulhall in Hollywood while the decorations of the seventh wedding
-anniversary party were still on the walls of their pretty home. Those who
-are well acquainted with Jack declare he always was a “square shooter”;
-that he had a splendid disposition and as a husband was as nearly right
-as he knew how. He and his wife were constantly together and as far as
-friends could see, she had been happy with him. The scandal peddlers
-fail to appreciate the damage which they are doing to the future career
-of Mulhall, not to mention the shadow placed over the three-year-old
-freckle-faced boy.
-
- * * * * *
-
-Our Local Color
-
-Our good friend Gemmell, of the Minnesota and International Railroad,
-wasn’t the railroad president who thought a gondola was a bird. In
-fact, the blame is laid to Mr. Casey for suggesting that his company
-purchase one male and one female gondola, so as to stock the city park of
-Brainerd, Minn., with a flock or herd or covey of little gondolas.
-
- * * * * *
-
-Our friend Liebst reports that since his poem, the Hoboes Convention,
-appeared in the Whiz Bang, he has received several letters from railroad
-managers requesting permission to name a few box cars after him. Oh,
-Fame, where is thy sting?
-
- * * * * *
-
-Ham Tomlin says he thinks he is growing old. He used to be able to kiss
-his wife 20 times a day but now it take him all day to get up nerve
-enough to kiss her once.
-
- * * * * *
-
-Don’t get jealous, boys, but I’ve just finished drinking some stuff that
-was strong enough to make a rabbit slap a bulldog in the face.
-
- * * * * *
-
-It’s a lean Jane that has no curves.
-
-
-
-
-Pasture Pot Pourri
-
-
-Velvet Joe Says—
-
-_Don’t fuss with hubby about droppin’ tobacco ashes on the carpet. Them
-ashes keep the moths out an’ the hubby in._
-
- * * * * *
-
- Some folks would rather
- Blow their own horns than
- Listen to Sousa’s Band.
-
- * * * * *
-
-Greatness does not depend on size. Napoleon if he were living today would
-never get a job as a cop.
-
- * * * * *
-
-And Very Nice, Too!
-
-A feller was engaged to a girl who was a twin. When asked how he told
-them apart, he said: “Well, they’re both nice girls.”
-
- * * * * *
-
-=_Our friend Deegan insists an Irishman dies only when an angel is needed
-in heaven._=
-
- * * * * *
-
-How can a man get a headache without brains?
-
- * * * * *
-
-A Family Dialogue
-
-He—I’m not coming home tonight, dearie.
-
-She—May I depend on that? (Oh, boy!)
-
- * * * * *
-
-Let’s Call It the Cockeyed Blues
-
-My girl’s eyes are so beautiful they can’t keep from looking at each
-other.
-
- * * * * *
-
-=_Remember, boys, the turtle may be slow, but he’s always there for the
-soup._=
-
- * * * * *
-
-We could love a girl as “pretty as a picture” provided she had a good
-frame.
-
- * * * * *
-
-Honest, This Is True
-
- I no’a fel’la named Fawcett,
- Who went to his cel’la dee’pos’it,
- But when he got dare,
- The barrel was bare,
- And “Gus” was asleep at the Fau’cet.
-
- * * * * *
-
-Our idea of the height of vanity is to stand in front of a looking glass
-when you’re asleep.
-
- * * * * *
-
-Pathetic, Ye Gods, Too Pathetic
-
-An Irishman and a Scotchman were standing at a bar—and the Irishman had
-no money.
-
- * * * * *
-
-Glorious Daze
-
-Two drunks on a train.
-
-No. 1—“Whas sha time?”
-
-No. 2 (pulling card case out of pocket)—“Thurshday.”
-
-No. 1—“Thash our stashon. Letsh get off.”
-
- * * * * *
-
-Try This One
-
-=_The wedding cake was heavy, but the candles made it light._=
-
- * * * * *
-
-=_If your girl shakes you, don’t get rattled._=
-
- * * * * *
-
-Something to Worry About!
-
-A New Brunswick priest covered his eyes in shame as some girls passed him
-at a bathing beach.
-
- * * * * *
-
-We Dodged Two Yesterday
-
-The starving pole cat leaned against the post without a cent.
-
- * * * * *
-
- “I’ll stick to you whate’er betide,
- Though all the world may scoff.”
- Thus spoke the heavy flannel shirt,
- But the man said, “Aw, come off!”
-
- * * * * *
-
- He led her to the altar, ’twas merely tit for tat;
- He led her to the altar, she led him after that.
-
- * * * * *
-
- He stood on the bridge at midnight,
- Beneath the heaven’s great dome,
- Because he was married and the jag that he carried,
- Made him afraid to go home.
-
- * * * * *
-
-=_When I go to bed at night I snore so loud I cannot sleep. In fact, I am
-often compelled to go into the next room so that I may not hear myself
-snore._=
-
- * * * * *
-
- “How is the milk maid?”
- He said with a bow.
- “It isn’t made, Sir,
- It comes from a cow.”
-
- * * * * *
-
-Very Versatile
-
-We heard the story the other day about a sailor at a ship’s concert who
-was unable to sing as scheduled on the program, and who offered in lieu
-thereof to show the audience the pictures tattoed on his chest.
-
- * * * * *
-
-Paris Made
-
-_A world war veteran hobbled into the hardware store the other day and
-ordered some “tacks.”_
-
-_“What kind?” asked the clerk._
-
-_“I want to use them for garters,” said the lame Vet._
-
- * * * * *
-
-A New Fad
-
-(A street sign in St. Paul)
-
-“GET YOUR SHOES SHINED INSIDE.”
-
- * * * * *
-
-X-Y-Z Tragedy
-
-“Combination shot,” murmured the pool shark, as he leaned too far over
-the billiard table.
-
- * * * * *
-
-A Brief History
-
-Whiz Bang history of the world war:
-
-I want to go home!
-
-When do we eat?
-
-Who won the war? The Y.M.C.A.
-
-Don’t stand there, soldier. This is for officers only.
-
-If I hit, I don’t want any change.
-
-Was that pay day or mess call?
-
-Villa vouz promenade, M’lle?
-
-The battle of Vim Rouge.
-
-Mademoiselle fidelle, finee leguerre.
-
-Hello, Statue of Liberty!
-
- * * * * *
-
-An Autumn Song Success
-
-IF I HAVEN’T THE RENT THIS MONTH, DON’T YOU THINK THE LANDLORD OUGHT TO
-HELP ME OUT?
-
- * * * * *
-
-Our Sentimental Melody
-
-_We have received several requests for copies of our original song
-success published several months ago entitled, “You are a million miles
-from nowhere when you hold her dainty hand.”_
-
- * * * * *
-
-What a Pity
-
-Mike O’Reilly, of Butte, gazed mournfully at the corpse of his late
-friend, who had but recently become an atheist, muttering to himself,
-“You sure look fine, a clean shave, a new suit of clothes and a pair of
-white gloves on you. All dressed up—and no place to go.”
-
- * * * * *
-
-Zoology
-
- When they first met he said, “a bear.”
- He’d dog her footsteps everywhere.
- She monkeyed with him for a year,
- Although she said he was a deer.
- A little horse-play hitched the two,
- Now he’s the goat, it’s nothing gnu.
-
- * * * * *
-
-Our London Report
-
-To a young man who stood smoking a cigar the other day there approached
-the elderly and impertinent reformer of meek and mild reputation.
-
-“How many cigars do you smoke a day?” asked the meddler.
-
-“Three,” answered the youth, as patiently as he could.
-
-“How much do you pay for them?”
-
-“A shilling each,” confessed the young man.
-
-“Don’t you know, sir,” continued the sage, “that if you saved that money,
-by the time you are as old as I am you could own that big building over
-the way?”
-
-“Do you own it?” inquired the smoker.
-
-“No.”
-
-“Well, I do,” replied the young man.
-
-
-
-
-Japanese Bathing Beauties
-
-BY REV. GOLIGHTLY MORRILL
-
-Pastor People’s Church, Minneapolis, Minn.
-
-
-To the religious rambler, Japan is divided into two parts—that which is
-inhabited by the Geisha girls, and that “cohabited” by the Yoshiwara.
-
-I thought more of the Geisha dancers than the dance, and that wasn’t
-much. The word “Geisha” means accomplished one, and there are schools
-for their education in music and the arts. People visit the girls more
-for pleasure than for profit, and since they are one of the institutions
-of Japan, I went one night to a tea-house to see them. Making myself as
-comfortable as possible on the floor, a screen door was slipped aside,
-and in came a pretty Geisha girl who touched her head to the floor three
-times, sat down and looked at each one of our party. Immediately there
-fluttered in three more, and they made the room look like an Oriental
-bird cage. They sang for us in a tone that suggested an ungreased axle
-or a nail drawn across a piece of glass, played on the samisen and
-koto, which nothing but the genius of a Wagner could appreciate went
-through a fancy fan drill and proved themselves good entertainers, but
-felt embarrassed because we were not familiar and indecent. They acted
-serious and spoke to one another, and I asked what was the trouble. It
-seems they didn’t know what to make of us, as the average tourist was
-usually boisterous, drunk and rough.
-
-The Yoshiwara is the red-lantern district of Japan. One night we formed
-a stag party to visit the Tokio Yoshiwara, but we couldn’t shake the
-“dears” who were as anxious to go as we were and insisted on accompanying
-us. Our rickshaws rolled through squares and streets and miles of mud and
-misery, until we came to what was in itself a “city of dreadful night,”
-but all ablaze with electric lights. Here were squares of theatre-looking
-buildings in which women, dressed in bright and fancy garb, sat by
-little stoves, and sullen, smiling or smoking pipes, looked out at the
-spectators. The government regulates this “social” as a “necessary evil,”
-and houses, supervises and guards the girls. In Japan it is regarded as
-noble and filial for a daughter to sell herself to support the father and
-family who may have failed financially. The same thing is done in Europe
-and America for wealth and social position, but differently estimated and
-under another name.
-
-Here they squatted in butterfly regalia, with silk kimona, obi, glossy
-black hair stuck full of combs and gold pins, eyes painted and faces
-powdered, thrumming a little guitar, squeaking out a love-song, and
-making goo-goo eyes in a way that would make one smile if he could forget
-the hell-horror of the place. Some of the inmates do not leave until
-death; others return to society, which welcomes and does not disown; one
-may return to her home, loved and respected, but with none of the fine
-clothes and jewels given by her admirers during her absence. However, the
-place often becomes a matrimonial bureau, and the girl is met, courted
-and selected by some Jap as his wife. In addition to segregation, there
-is such a supervision that the inmates can’t leave for even an hour
-without the consent of the police.
-
-Hotel life is interesting. If you are curious, you have only to wet your
-thumb and thrust it through the wall paper of your bed chamber to get as
-many views as Peeping Tom had of Lady Godiva. This hole privilege is,
-however, only claimed by the traveler who has no respect for the holy of
-holies at inn or temple.
-
-Japan is the land of the Rising Sun—and daughter, who with the whole
-family will take their bath and leave the same water for you to swim in
-unless you set your alarm clock for a very early hour, or sit up all
-night to get there first. Imagine a public bath, if you can, for many
-homes have no bathroom, where the water by 10:00 A.M. is like a roily
-creek after a rain; by 3:00 P.M., yellow as the Missouri, and by bedtime
-like the mud geysers of the Yellowstone.
-
-The public bath was the one thing we wanted to see and kept asking
-about. Cleanliness is next to Godliness, and after visiting 2,738 of
-the 3,000 temples in Kobe, I wanted to get “next” to a public bath. At
-last I discovered one and sent the guide ahead to reconnoiter. He said,
-“Come.” I passed the word along and the ladies came, but wished they
-hadn’t. We entered and I became a “looker-on” at Venus in the bath, and
-not one but many, who made the painted females in the Uffizi look like
-chromos or Mrs. Jarley’s wax works. They eyed us with an indifference
-that made us blush and look through our fingers for shame. With the ease
-that only a model for the altogether possesses, they posed before the
-mirrors, arranging their black hair, or poised like maids of the mist
-by the steam tank. Their type of beauty is different. Jap beauty is in
-angles, the American in curves. Nature made one with a ruler, the other
-with a compass. As a rule, the baths for men and women are divided by a
-wooden partition at the end of which sits the proprietor or his wife on
-the lookout. Formerly there was no privacy and the fastidious foreigners
-insisted that the sexes should be separated. This was accomplished by
-placing a bamboo rod between them, but even that is discarded now in some
-sections. Everybody gets into the swim, thus beautifully illustrating the
-proverb, “Evil to him that evil thinks.” O tempora! O mores!
-
-One of the strongest impressions made upon me in my journey through Japan
-was at Mogi, a malodorous little fishing village, out from Nagasaki, with
-so large a smell that a blind man could easily find it by following his
-nose. Coleridge, the poet, whose business it was to rely on imagination
-rather than on fact, counted sixty well-defined and several stinks at
-Cologne. He would have been overpowered here and called for the help of
-a professor of higher mathematics to enumerate the volume and variety of
-odors we encountered from Nagasaki to this town.
-
-A well made road lassoes the intervening foot-hills which are covered
-with cultivated fields; the peasants were all busy, the children were
-happy and more so when we threw them peanuts instead of “pansies” for
-thoughts. Men, women and oxen were carrying various loads, but the common
-one was a bamboo bucket affair balanced on both ends of a bamboo pole.
-These buckets were not filled with milk, or cheese, or vegetables, but
-with a substance which they had assiduously collected in accordance with
-the Scripture, “Gather up the fragments that nothing be lost.” I can
-never forget the ascent or the descent to Mogi. From rocky road, through
-pretty forest, by picturesque ravine, we reached the fishermen’s huts
-with their nets by the shore and beach where bathing mermaids can only be
-caught and carried home in a camera.
-
- * * * * *
-
-The Last Chortle
-
-A magician having nearly finished his act without exciting any applause,
-gave his best stunts, expecting to get a rise out of the audience, but
-without result. He then advised that he had saved his very best trick for
-the last and asked all who wanted to see the devil to raise their hands.
-Receiving a hearty response, he told them to go to hell, leaving the
-stage in much haste.
-
- * * * * *
-
-Back to Childhood Days
-
-I visited an insane hospital at Oshkosh, Wis., and the keeper took me
-through. Up on the second floor we passed down a long hall. At the end
-there was a heavily padded and ironed cell. The keeper said to me, “The
-man in this cell is the most violent and strongest man we have here.” I
-looked at him. He was of Herculean build.
-
-As we turned away, there was an awful crash and the front of the cell
-was thrown out in the hall. I ran down the hall and the big fellow right
-after me. I jumped out of a window at the end of the hall and he jumped
-right after me. I ran around the hospital and he after me. The attendant
-stuck his head out of a window and said to me “Why don’t you run?” I
-said, “Do you think I am trying to throw this race?”
-
-I ran across a field and he was right after me. I could hear his
-footsteps behind me. I ran into a plowed field and that slowed me up.
-He was gaining on me. Finally he got near to me and he reached out and
-slapped me on the back and said, “Tag, you’re it.”
-
- * * * * *
-
-How’s This One?
-
-Jiggs fell into a big vat of turpentine over at the paint factory.
-
-Did it hurt him?
-
-Don’t know, they haven’t caught him yet.
-
- * * * * *
-
-Happiness is a perfume you cannot pour on others without getting a few
-drops on yourself.
-
-
-
-
-Our Rural Mail Box
-
-
-=_Petie L. Arsony_=—The reason why they feed convicts coarse food is to
-keep their blood pure, so that they won’t “break out.”
-
- * * * * *
-
-=_Johnnie L._=—A divorce suit should always be cleaned before being
-pressed.
-
- * * * * *
-
-=_Sweet Sixteen_=—You’re wrong. Woman is known not by the company she
-keeps, but by the company she does not keep. You did right in not keeping
-Johnnie’s company.
-
- * * * * *
-
-=_B. Good Tome_=—No, B, all chickens do not use fowl language, but I have
-met several who could swear quite fluently.
-
- * * * * *
-
-The Vanguard
-
- ’Tis weary watching wave by wave,
- But still the tide sweeps onward;
- We build like corals, grave by grave
- But pave a path that’s sunward.
-
- We’re beaten back in many a fray,
- But newer strength we borrow;
- And where the vanguard camps to-day,
- The rear shall camp tomorrow.
-
- * * * * *
-
-Ghouls, Take Note
-
-(From San Francisco Chronicle.)
-
-Wanted—Second hand Coffin or couch casket. Box 4050 Chronicle.
-
- * * * * *
-
-Drexerd Pulls This One
-
-He—Let’s go to the dance tonight.
-
-She—Why do you like to dance so much?
-
-He—Oh, for many reasons—I can put my arm around you, draw you up close,
-feel your soft cheek against mine, and—
-
-She—That will do! Let’s stay at home and make believe we went to the
-dance.
-
- * * * * *
-
-Jes’ a Jester Jest
-
-Some people say: “Get thee behind me, Satan and push me along.”
-
- * * * * *
-
-What Ho?
-
-First Lunch Hound—“Well, old strawberry, howsa boy? I just had a plate of
-oxtail soup and feel bully.”
-
-Second Counter Fiend—“Nothing to it, old watermelon. I just had a plate
-of hash and feel like everything.”
-
- * * * * *
-
- _He knew that she would thank him not,_
- _He cared not for her scorn;_
- _He offered her his street car seat,_
- _To keep her off his corn._
-
- * * * * *
-
-Our Harnessed Bulls
-
-First Cop—Say, did you get that fellow’s number?
-
-Second Cop—No, he was going too fast.
-
-Say, but wasn’t that a fine looking dame in the back seat?
-
-Yep, wasn’t she though!
-
-
-
-
-Musings of A Bachelor
-
-
-Between two women of equal beauty, always pick the one who closes her
-eyes when she kisses you. She’s not so likely to think you want to marry
-her.
-
-The proof that men do not understand women is that they love them. The
-proof that women =_do_= understand men is that they marry them.
-
-The first kiss is always stolen by the man. And the last one is always
-begged by the woman.
-
-The length of a woman’s kiss nearly always depends upon the breadth of
-her imagination.
-
-To remain a woman’s ideal a man must die a bachelor.
-
-A woman’s idea of Hell—“Nobody loves me and my clothes don’t fit.”
-
-If there were only three women left in the world, two of them would
-immediately convene a court-martial to try the other one.
-
-Men frequently marry to keep other men from getting the woman they
-desire. They are not always successful.
-
-The final definition of love is something that gives pain without hurting.
-
-Self-respect means a comfortable sense that you have not been found out.
-
-When a man commits a sin, he says, “How shall I conceal this?” When a
-woman commits a sin she says, “How can I let my friends know of this
-without bragging?”
-
-The theory that really to know two women one must introduce them is
-ridiculous. It often results in a divorce.
-
-A woman’s head is not always turned by flattery; sometimes its peroxide.
-
-When a woman starts an idle rumor, it at once ceases to be idle.
-
-One beauty of being single is that it’s a dreadfully thrilling experience
-until one’s wife finds it out.
-
-It must be dreadful to meet at dinner the man who ran away with one’s
-wife. It places one under =_such_= an obligation!
-
-If there were only one bachelor in the world, every married woman would
-still think she made a mistake when she married her husband.
-
-Experience in man is something which is brought with the tears of plain
-women and the kisses of pretty ones.
-
-Love without respect is an angel with but one wing.
-
-To make marriage perfect, the husband should be deaf and the wife blind.
-
- * * * * *
-
-Life is a river. Men are the boats. Women are the sandbars.
-
- * * * * *
-
-Fashion note: Cellar steps are worn very much this year.
-
- * * * * *
-
-Our Army Daze
-
-About 2:00 o’clock one morning while making the rounds as Officer of the
-Day, I was halted by a sentry on post. After giving the pass word and
-being duly recognized, I asked for his special orders. You may imagine my
-surprise as he stood at port arms and said:
-
- “Sir (hic), my special orders are:
- This post extends from tank to tank;
- Salute all officers according to rank;
- Take charge of all the shot and shell,
- And all the water in the (hic) well,
- And all the wood that’s in the yard,—
- In case of fire, alarm the guard.
- These are the orders I received
- From the gosh darned sentry I relieved.
- If this isn’t so, may I drop dead;
- I’ve only had two hours in bed,
- (Hic) Sir (hic).”
-
- * * * * *
-
-Blankety Blank Verse
-
-By William Sanford
-
- My wife came in very late last night,
- Explaining that she had spent the evening
- With her friend Cora.
- But she did not look me in the face
- When she said it.
- But what could I say,
- Coming in but a moment before,
- After having spent the evening
- Myself
- With Cora.
-
- * * * * *
-
-Even a fish won’t get caught—if it keeps its mouth shut.
-
-
-
-
-Larry Turn the Crank
-
-
-For the past year or so a flock of these motion picture fellows have been
-coming to see Ye Editor with propositions to put out a Motion Picture
-Edition of this little journal of wit, humor and filosophy, and now it
-looks like we would succumb to these offers.
-
-At this writing, our Hollywood representative, Mr. Morrison B. Egbert, is
-negotiating with film distributors for the putting on the screens of up
-to eight thousand theaters weekly the
-
- Screen Edition
-
- OF
-
- Captain Billy’s
-
- WHIZ BANG
-
-The film will contain gems of early issues and new material not published
-in current issues. Jokes, jests, jingles, advice to the lovelorn from
-Captain Billy, Mail Bag, Pot Pourri and other delectable offerings will
-be filmed.
-
-As this magazine reaches the hands of YOU, the Reader, the weekly film
-should be ready for booking. If your theater doesn’t show it, ask the
-manager to get busy and climb on our band wagon. In conclusion, as our
-friend K. C. B. would remark—
-
- I Thank You.
-
- Captain Billy
-
-
-
-
-_Our Winter Annual_
-
-
-In addition to republication of gems of earlier issues of Captain Billy’s
-Whiz Bang, the first complete Winter Annual of this great family journal
-will contain a large variety of brand new jokes, jests, jingles, pot
-pourri, stories, and smokehouse poetry. This book, Pedigreed Follies of
-1921-22, will contain four times as much reading matter as the regular
-issue of the Whiz Bang and will sell for one dollar per copy. It will be
-a book which will be cherished by the readers for years to come, and will
-contain the greatest collection of red-blooded poetry yet put in print.
-Included in the list will be:
-
- Johnnie and Frankie, The Face on the Barroom Floor, The
- Shooting of Dan McGrew, The Harpy, Lasca (in full), The Girl
- in the Blue Velvet Band, Langdon Smith’s “Evolution,” Advice
- to Men, Advice to Women, Our Own Fairy Queen, Stunning Percy
- LaDue, Parody on Kipling’s “The Ladies,” Toledo Slim.
-
-Advance orders are now being received and will be mailed in the order in
-which they are received. Tear off the attached blank and mail to us today
-with your check, money order or stamps.
-
- Whiz Bang,
- Robbinsdale, Minnesota.
-
- Gentlemen:
-
- Enclosed is check, money order or stamps for $1.00 for which
- please send me the Winter Annual of Captain Billy’s Whiz Bang,
- “Pedigreed Follies of 1921-22.”
-
- Name..............................................
-
- Address...........................................
-
-
-
-
-Everywhere!
-
-
-Whiz Bang is on sale at all leading hotels, news stands, 25 cents single
-copies; on trains 30 cents, or may be ordered direct from the publisher
-at 25 cents single copies; two-fifty a year.
-
-[Illustration]
-
-
-
-
-
-End of the Project Gutenberg EBook of Captain Billy's Whiz Bang, Vol. 2, No.
-24, September, 1921, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CAPTAIN BILLY'S WHIZ BANG, SEPT 1921 ***
-
-***** This file should be named 61307-0.txt or 61307-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/1/3/0/61307/
-
-Produced by David Edwards and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-