summaryrefslogtreecommitdiff
path: root/old/54590-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/54590-0.txt')
-rw-r--r--old/54590-0.txt1191
1 files changed, 0 insertions, 1191 deletions
diff --git a/old/54590-0.txt b/old/54590-0.txt
deleted file mode 100644
index 3840f8b..0000000
--- a/old/54590-0.txt
+++ /dev/null
@@ -1,1191 +0,0 @@
-The Project Gutenberg EBook of Talk of Uncle George to his Nephew about
-Draw Poker, by Uncle George
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Talk of Uncle George to his Nephew about Draw Poker
-
-Author: Uncle George
-
-Release Date: April 23, 2017 [EBook #54590]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK TALK OF UNCLE GEORGE ***
-
-
-
-
-Produced by deaurider, David Wilson and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-
-
-
-
-
-
-
-Uncle George on Draw Poker
-
-[Illustration: Uncle George and his nephew at breakfast]
-
-NEW YORK:
-Dick & Fitzgerald, Publishers.
-
-
-
-
-[Illustration: Uncle George and his nephew at breakfast.
-SEE PAGE 7.]
-
-
-
-
- TALK
-
- OF
-
- UNCLE GEORGE TO HIS NEPHEW
-
- ABOUT
-
- DRAW POKER.
-
- CONTAINING
-
- VALUABLE SUGGESTIONS IN CONNECTION WITH THIS
-
- GREAT AMERICAN GAME.
-
- ALSO,
-
- INSTRUCTION AND DIRECTIONS TO CLUBS AND SOCIAL
- CARD PARTIES, WHOSE MEMBERS PLAY ONLY FOR
- RECREATION AND PASTIME,
-
- WITH
-
- TIMELY WARNINGS TO YOUNG PLAYERS.
-
-
- _ILLUSTRATED._
-
-
- NEW YORK:
- DICK & FITZGERALD, PUBLISHERS.
-
-
-
-
- COPYRIGHT, 1883, BY
- DICK & FITZGERALD.
-
-
-
-
-PREFACE.
-
-
-This pamphlet is issued for the purpose of inducing those who engage
-in this Great American Game of “Draw Poker,” to play only for
-amusement and pastime; and to expose those in our clubs and social
-card parties who are tricky, or disposed to cheat. Also to show to the
-American youth the dangers that beset their path when playing this
-fascinating game.
-
-While we have treatises on this subject, by Blackbridge, “American
-Hoyle,” “Schenck,” and others,--all of whom teach the game, _with the
-rules and laws that govern it_,--it has been left for “Uncle George,”
-in a familiar, conversational manner, to “lay open” and expose this
-game _as it is_ too often played--with its “lights and shadows,” its
-bright parts, and “ways that are dark.”
-
-
-
-
-UNCLE GEORGE ON DRAW POKER.
-
-
-“Rather late, my boy, when I heard your footsteps upon the stairs last
-evening,” said Uncle George to his nephew, while sitting at the
-breakfast-table on the morning of the 22d of February last.
-
-“Yes, dear uncle, I acknowledge the corn. ‘I can not tell a lie,’ you
-know, on this the anniversary of the birth of our Great Uncle George,
-the Father of his Country, and especially while his portrait on the
-wall is now looking down upon me. The fact is, I accepted an
-invitation to dine with a few friends at Delmonico’s last evening, and
-after dinner a proposition was made to have ‘a little game of draw’
-for an hour or two; but the time passed so rapidly, that I confess it
-was among the ‘wee sma’ hours’ when we broke up. It was much later
-than I intended to have played, I assure you; but there seemed to be
-no time when all were ready to quit.”
-
-“I know! I know! my boy. It’s the same ‘old story.’ Those who are
-losers are playing for ‘hunk,’ as they call it, and those who are
-winners are too gentlemanly to quit and break up the party. It was the
-same with your Uncle George fifty years ago. I suppose you mean ‘Draw
-Poker,’ my boy?”
-
-“Yes.”
-
-“Well, now; you know your Uncle George is an old man, and, as the
-saying is, ‘has travelled’; and having been a man of the world, has
-seen much of the world’s _unwritten doings_. Though you consider
-yourself _smart_--and I admit you are fully up to the average of those
-of your age,--yet you would be surprised at what I can tell you, of
-what is going on all about you of which you know nothing. But as you
-remind me that this is the 22d of February, and a holiday, and as you
-have no business downtown this morning, if you are willing to listen
-to your uncle, he will gladly spend an hour in talking to you about
-this game of ‘Draw Poker,’ this ‘Great American Game,’ so called on
-account of its origin and its devotees; for at the present time it is
-indulged in by _all classes in our country_--old and young, male and
-female, rich and poor, church-goers and professional gamblers; all
-classes, with ‘_antes_’ varying from a penny to a hundred dollars or
-more. Now, as a game for _recreation_ and _pastime_, I do not object
-to it; it is said to possess qualities as an intellectual game,
-superior even to whist. But when engaged in for the purpose of
-gambling, I class it with other games in which professional gamblers
-live and thrive, by cheating and robbing those with whom they play. It
-has been said there is no such thing as a ‘_Square Gambler_’; and a
-well-known Wall Street banker has said: ‘Whoever plays poker will
-cheat.’ I can not agree with the latter, but, with my definition of a
-gambler, I fully agree with the former. I define a gambler to be ‘one
-who cheats in games of skill and hazard.’ I know this definition is
-not in accordance with that given by our lexicographers, but I know it
-will be accepted by all who play at games for amusement, and object to
-being called gamblers.
-
-“In my talk with you this morning, I shall take it for granted that
-you are acquainted with the manner of playing the game, as it is
-played at the present time; for you must know, it’s not the game of
-poker your Uncle George played, years ago, upon our Western waters. It
-was then called ‘Bluff,’ and we knew nothing of ‘Straights,’ ‘Straight
-Flushes,’ ‘Blazes,’ or ‘Jack Pots.’ The game was known simply as
-‘Bluff’ or ‘Straight Poker.’ The value of the hands in order was ‘One
-Pair,’ ‘Two Pair,’ ‘Triplets,’ ‘Flushes,’ ‘Fulls,’ and ‘Four of a
-kind.’ Your hand was made on the first deal; no discarding and drawing
-to fill afterwards. I suppose, my boy, you are familiar with the
-present game, with all its innovations. All this you have learned from
-your experience at the clubs and social card parties, and from works
-of instruction. But what I desire to impress upon your mind this
-morning is:
-
-“_First._--The fact that gamblers, according to your Uncle George’s
-definition, are found in the clubs and private card parties, all over
-our city and country; respected as gentlemen, with ‘Honorable’ and
-high-sounding titles attached to their names. And yet these men are
-cheating you every time you play with them. A case in point: I read in
-the _Century_ a few days ago, where a game was being played between
-Col. Randolph Snaughter and Major-General Brown, a brief extract of
-which I will give you, in order to show you how even a Major-General
-could stoop to employ the crookedest kind of aid to gain his ends. As
-far as my memory serves me, it was in this wise:
-
- “‘The Major-General was a man of smooth and courtly phrase,
- Who had most charming manners, and winning little ways.
- The hands he held were wonderful,--beyond all sane belief,--
- As Colonel Randolph Snaughter found, to his exceeding grief:
- For, though he play’d a dashing game, and did not want for pluck,
- He stood no ‘kinder sorter’ chance against such awful luck.
- He lost the money in his purse, he lost his watch and chain;
- And then the cause of Brown’s good luck to Snaughter was made plain,
- For while he held _three_ aces, the General he held _four_,
- And could, had he deemed proper, have held as many more.’”
-
-[Illustration: Colonel Snaughter and Major-General Brown playing poker.
-SEE PAGE 11.]
-
-“I want to impress strongly upon you _the fact_ also, that the game of
-Draw Poker is an _expensive recreation_. It’s only a question of time,
-and means at your command, as to the amount of money you will lose.
-The longer you play, and the more means under your control, the
-more you will be out of pocket in the end. Like the ‘Outside
-Public,’ in Wall Street, it is only a question of time. At some other
-time, my boy, I will talk to you about Wall Street, but not now. With
-many, the loss of money at Draw Poker is the smallest item. There are
-those who become _infatuated_, and the result is not only loss of
-money, but loss of time, character, business, position in society, and
-often ends in dissipation and crime. Let me warn you, therefore, my
-boy, of the danger of becoming too much attached to this game. When
-you find you have neglected to perform some duty, or to keep some
-business engagement, in order to play; when you find yourself playing
-into late hours, as you confess you did last night, or when you find
-you are losing more than you can well afford, with your salary, quit
-it!! quit it!!! I say, don’t wait for all three of these warnings, but
-quit it on the first show of either; for you are then on dangerous
-ground. The charm of the gaming snake is beginning to produce its
-effect, and your only safety is in throwing off the influence of the
-charmer. Any delay or procrastination _now is almost sure
-destruction_. There is no game of chance or skill that brings out
-one’s real nature, one’s ownself, as much as Draw Poker. Where players
-all stand well in a community, the game is expected to be fair and
-honorable; hence a good opportunity is offered for those who are
-_disposed to cheat_, to do so. I would rather play a few games of
-poker with one whose character and disposition I would like to learn,
-than to receive a basketful of recommendations. I admit there are
-games played in which all are gentlemen, and no one under any
-circumstance could be induced to take any advantage of another. But,
-my boy, such cases are rare. Want of opportunity, and fear of the eyes
-of others, are what keep many players honest. Now, with these
-introductory remarks, I will say, that it is to guard you against the
-acts of such players that I shall talk to you for a short time,
-feeling sure that, if you remember well what I say, it will be to
-your eventual great gain.
-
-“I begin by repeating the advice of the father to his son. Said he,
-‘My son, if you play cards for gain, you will surely lose in the end;
-but if you will see that the _cards are cut_ immediately before
-dealing every time, your money will last you longer.’ This was good
-advice, and just as good now as when first given. There are card
-players, or ‘card sharps,’ as they are called, who can shuffle cards
-so adroitly as to ‘_put up a hand_’ right before your eyes, and you
-not know it. Even a ‘bungler’ can shuffle so as to give himself a
-‘pair,’ or at least to have knowledge of what cards are left on the
-top or bottom of the pack, which knowledge he can make useful in many
-ways. For instance, after the deal, he finds in looking at his hand
-that he has a pair that match the card he knows is on the bottom of
-the pack. In helping himself, he takes this bottom card; he ‘does his
-work so fine’ you can not discover the cheat. And if he has a ‘four
-straight,’ a ‘four flush’ or ‘two pairs,’ and the bottom card will
-fill his hand, he takes it, as I have said, making his ‘straight,’ or
-‘flush,’ or ‘full.’ Many other points under this head could be given
-you, my boy, why the cards should be cut the last thing before being
-dealt. Strictly, the _blank card_ of the pack should always be the
-bottom card of the pack being dealt.
-
-“_Second._--Whenever the cards are cut, be sure and have the _two
-separated parts of the pack put together_ before dealing. An old
-gentleman once said to a young man, ironically, who was dealing from a
-part of the pack, ‘Young man, you ought never to play cards until your
-hands have grown sufficiently large to hold the whole pack at one and
-the same time.’ The reason is this: The party shuffling has a chance
-to know what cards are on the top of the pack, and by holding only the
-cut portion in his hand while dealing, knows into whose hand these
-cards fall, or if they should fall to himself, he would know how to
-discard, so as to have his hand helped by drawing. You see this gives
-the dealer an advantage over the other players.
-
-“_Third._--The pack, or any undealt portions of it, should at all
-times remain in sight of the players, and _upon the table_, and held
-by the dealer only _while actually engaged in dealing or in helping
-hands_. This is to prevent the dealer from obtaining knowledge while
-holding the cards on or below the surface of the table.
-
-“_Fourth._--In gathering up the discarded cards for the purpose of
-shuffling, be sure that the faces of the cards are turned from the
-shuffler; for otherwise the party shuffling gains an advantage, by
-knowing the position of some of the higher cards, and besides, it
-gives him an opportunity of ‘putting up the cards’ while shuffling. In
-no instance, however, should the discarded cards be gathered up while
-some are still engaged in playing their hands.
-
-“_Fifth._--In helping the players after discarding, always give the
-number called for, _together_, as they come from the pack, and not
-_singly_, one by one; for this reason: There are persons who can with
-their finger-nails, or ring, or by a slight bend, so mark the cards,
-as to know them whenever these marks are seen; and in dealing they can
-only see the marks by dealing the cards off one at a time, and not
-together. And besides, if the dealer deals them off _singly_, and
-knows the bottom card, he can, as I have said, help himself to that
-card, which he could not so well do by dealing them off together.
-Again, some dealers are so expert, that they can deal continually the
-_second card_ from the top of the pack; they can give you any number
-called for, _one at a time_, without disturbing the top card, which
-top card the dealer, of course, wants himself, to help his hand. This
-could not be done, if the number called for were dealt off together,
-and not one at a time. This is called, ‘_Dealing Seconds_.’
-
-[Illustration: A broken man holds a gun to his temple.
-SEE PAGE 15.]
-
-“_Sixth._--_Discarded cards should be left upon the table, and never
-touched until all have been helped; they should be discarded to the
-person whose duty is to gather them up for shuffling._ By observing
-this direction, it will be found difficult for a player to discard a
-different number from the number he draws, without detection. Any
-dealer who is ‘_Playing in_’ with another, and helping his ‘Pard’ to
-extra cards, and receiving the same number in discard, can avoid
-detection by immediately gathering up the discarded ones, and putting
-them on the bottom of the pack from which he is dealing. I repeat,
-therefore, that _discarded cards should be left on the table, until
-all are helped_.
-
-“_Seventh._--Always look with suspicion upon one who wears eye-glasses
-while playing, and who wears them at no other time; or upon the player
-who habitually calls for more light--who wants the gas turned on, or
-the window-shades raised, when there is sufficient light already. Our
-playing cards are large print. A man nearly blind can distinguish the
-cards, and ordinary eyes can read them distinctly at twilight. In
-such cases the probabilities are, that the one desiring more light is
-dealing with _marked cards_; the marks are so fine that strong light
-and magnifying-glasses are necessary to see the marks. I say, my boy,
-you must keep a sharp look-out for all such players.
-
-“_Eighth._--Look out for that player who is continually fussing with
-the pack. I think it is called ‘Monkeying with the cards.’ The
-probabilities are that he is ‘putting them up.’
-
-“_Ninth._--Look out for that player who invariably, when he picks up
-the pack to deal, looks at the bottom card, or shows it to the player
-at his left. Also for the one who is always precise in cutting the
-cards at some particular place in the pack. These are all indications
-of the party’s trying to take advantage, and must be looked upon with
-suspicion. The last is called ‘_Cutting to a break_.’
-
-“_Tenth._--Watch very closely an _uneasy_ player, one who is almost
-constantly on the move; using the cuspidor often, though neither
-chewing nor smoking; his hands and arms continually on the move,
-while they ought to be quiet on, or above the table. The probabilities
-are that such a player is taking cards from the pack, and secreting
-them in some place on his person--inside of his neck collar, under his
-handkerchief, in his lap, up his coat-sleeve, or holding them in the
-bend of his knee, and using them whenever the hand dealt him can be
-benefited thereby. At other times, two or three cards of like
-denomination are held in the palm of the hand, to be used with the
-next hand given, in helping to make a very large hand. This is done by
-many so cleverly that it is impossible to see the cards so held. This
-is called ‘_Holding out cards_.’
-
-“_Eleventh._--You have undoubtedly noticed, my boy, hanging in the
-saloons of our River and Sound steamers, a card on which is printed
-these words: ‘Beware of well-dressed persons who invite you to play
-euchre.’ Now these well-dressed persons are known as travelling ‘Card
-Sharps.’ They are always well dressed when travelling, for their dress
-is their card of introduction to their fellow-travellers. If you
-should accept an invitation of one from these, and sit down with two
-others to a game of ‘Euchre,’ or ‘All Fours,’ it will _always result_
-in the cards being ‘put up’ at some stage of the game, so as to have
-you receive a very large _poker_ hand, and one of the others a
-_larger_ one. Although professing to be entire strangers to each
-other, the fact is, they belong to a gang, who travel for the purpose
-of playing and robbing others, as a business. The whole plan now is to
-induce you to bet on your hand as a ‘_poker_ hand,’ which, in your
-verdancy, you would be tempted to do, _but surely to lose if you did_.
-Parties have often been taken in, in this way, and been known to lose
-all the money they had with them, together with their watches, and
-other valuables about their persons. These fellows, and their game,
-are becoming so well known that they find it difficult to pick up a
-‘Greeny,’ or ‘Flat,’ or ‘Sucker,’ as they call their victims. Your
-Uncle George was attacked by one of these gangs once, while on the
-cars, coming from Albany to this city. Knowing their game, he allowed
-them to go on, until he got the _large poker hand_, and their offering
-to bet on theirs being a better one. Thinking it had gone far enough,
-he looked at them all squarely for a moment, and then said: ‘You think
-you have got the best _poker hand_, do you? Well, now; I give you just
-one minute to “_git_,” all of you’; and they did ‘git,’ too. While
-leaving, one grumbled out to another, in an angry tone, ‘You must be a
-d----d fool to take that man for a “Flat.”’ They all left the train at
-the next station. I would have informed the conductor, but it is said
-that some conductors are afraid of these fellows, or, worse yet, are
-‘in with them,’ so I said nothing.”
-
-“Well! well! uncle, I should think you _had_ travelled. And now, as I
-have been a good deal puzzled over an incident that occurred only
-last week, the thought strikes me that you can explain it; so, if you
-will allow me, I will relate it.
-
-“A friend of mine said to me one day: ‘Charlie, I have an intimate
-acquaintance in Pine Street, who has a small back office, and does a
-commission business on foreign account. Though his commissions are
-heavy, yet he has much spare time, and is very fond of playing poker,
-although he knows nothing of the game.’ Said he, ‘This person thinks
-no more of losing a thousand dollars than a dollar; and I have a plan
-by which I know we can beat him sure, without taking any risk.’ I’ll
-give you his plan, uncle, in his own words. Said he to me, ‘I will
-stand _behind_, and so as to see my friend’s hand, and will telegraph
-you with my fingers, whether he has one or two pair, triplets or
-better; and with this knowledge of course you can beat him, _sure_.’
-His proposition and plan seemed somewhat mixed to me, and besides, I
-didn’t like it; so I excused myself, saying I had but little time for
-playing the game, and when I did play it was only for recreation,
-with a made-up party of friends, or at the club. But I have thought of
-the proposition of my friend many times since, and have wondered what
-it meant.”
-
-[Illustration: Man shuffling cards.
-SEE PAGE 19.]
-
-“Well! my boy, I am delighted to know that you had moral courage
-enough to refuse. It was a gilt-edged temptation, and the thousands
-who have taken in the bait will die with the secret of their losses,
-and the way it was done, remaining in their own breasts untold. A
-friend, was he? May God deliver you, my boy, from all such friends!
-This is an old trick. This friend is your worst enemy. He is ‘in with’
-this ‘Pine Street commission merchant,’ as he calls him, and the plan
-is to _rob you_. This is the way they do it. Back of where you sit at
-the table, and so as to enable a confederate to look through from an
-adjoining room and see your hand of cards, is a small aperture in the
-wall or ceiling, and by this means your hand is seen and telegraphed,
-under the table, to your opponent, _so perfectly_, that this ‘merchant
-on foreign account’ knows the exact value of your hand, from one
-pair, up, and _down_, to any _card high_.
-
-“Now, this advantage will invariably beat you; for your friend, as you
-call him, telegraphs you as to _one_, or _two pair_, _triplets_, etc.,
-held by your adversary; while his confederate in the adjoining room
-telegraphs him the exact _size_ of your hand; even, as I have said, to
-the highest card, when you held no pair. This robbery is carried on
-quite largely in this and other cities; and large amounts lost,
-without the fact ever being told of; for the reason that the one who
-has been taken in, and lost, must, if he attempts to expose,
-acknowledge that he himself yielded to the temptation to do wrong.
-Your friend’s friendship is like that of the spider to the fly. The
-Pine Street office is the parlor, and your money is the fly, which
-walks in, but goes out as yours, no more. I am very glad you have
-mentioned this incident, and I know you will not forget my explanation
-of it.
-
-“_Twelfth._--I will now speak of the ‘Jack Pot.’ This is an
-innovation of a late date, and is very much against the interests of a
-poor player, or one who, for the time being, is in bad luck; for it
-compels all alike to put into the pot the amount of the ‘_ante_.’ Yet
-in a square game it has its advantages; for if your bad luck should
-turn to good, two or three hands would bring back all of your losing,
-and make you ‘hunk.’ While playing ‘Jack Pots,’ you must watch:
-_First_, those who are behind-time, and have to be reminded that they
-have not ‘_put up_’; and, _Second_, those who throw their chips into
-the pot _indiscriminately_, or who occasionally make the wrong change,
-or who are habitually changing the chips in the pot with their
-own--large ones for smaller, or _vice versa_--or who are accustomed to
-say: ‘Well, I am in. I owe so much to the pot.’ These are all wrong,
-and done in many cases,--not in all, I am glad to say,--for the
-purpose of _saving or making wrongfully_, and deserve to be called
-‘petty thefts.’ The only right way, my boy, is for all who have an
-interest in the pot, to promptly ‘put up’ the full amount required in
-the centre of the table, in front of themselves, and separate from the
-pot; and under no circumstances allow the chips in the pot to be
-handled. The dealer should never commence to deal the cards until the
-bets made are all in for the _full amount_ and _no more_,--having
-nothing due _from_, or _to_, the pot. This regularity will save
-misunderstandings, disputes, and oftentimes animosities between the
-players.
-
-“A quarter of a century or more ago, your Uncle George cut a slip from
-_The Spirit of the Times_, headed ‘Hints to Poker Players,’ an extract
-from which I will read, as it bears so strongly upon what I have said
-to you:
-
-“‘... Never “pip” up in the pool when you can avoid it--it is a
-useless drain upon one’s money, and can always be avoided, thus: When
-all are in but yourself, place your fore-finger firmly upon a chip of
-the pool and exclaim, “Somebody ain’t up!” “Pip up!” etc. This will
-of course compel any one who may be undecided whether he “pipped up”
-to do so again; in case he swears to it, or has proof, that he has put
-up, then give in like a “lamb,” and put up a chip--like a martyr.
-
-“‘If you can manage to conceal four aces of another pack in one of
-your boots or about your person, and dexterously draw your hands
-thence of course, do it; if caught, make it appear a joke.
-
-“‘If you have a bad hand quickly mingle it with the pack, swear you
-had six cards and draw your “ante,” or rather some one’s else, as you
-did not put up. In this way you win one.
-
-“‘If you have a good hand get mad, slam down your cards, swear luck is
-against you, but you’ll “go in a V, if you lose it,” just by way of a
-“flyer.” Your opponent takes the bait, and, thinking you are bluffing,
-goes a V better. Now you’ve _got_ him, go the V and an X better; if he
-has a tolerable good hand he’ll see you and “call.” Say at first, “a
-small pair.” If they are good take the pool without discovering what
-else you may have; but if he has more than you first, show your
-triplets or two pair, as the case may be, and let all see it, that
-they may know that you did not cheat them, at least.
-
-“‘If you “go in one” and are called, say in a very desponding tone
-while shuffling your cards, with the pack, “Only a pair of aces,” as
-if you had not the remotest idea of their being good,--but it’s a
-pretty safe hand, and if your opponent says they are good, take the
-pool; if not, then examine his hand to see if he outholds you.
-
-“‘Having had a pretty good run of luck and finding it changing, draw
-your watch, swear that you have an engagement at such a time, which of
-course is now past; you are sorry, but will have revenge another time,
-change in your “chips,” pocket the “ready money,” and go on a
-“bender.”’
-
-“This bit of sarcasm well delineates the methods of some players at
-this day.
-
-[Illustration: Four men playing poker.
-SEE PAGE 33.]
-
-“_Thirteenth._--Whenever you find yourself between two parties who
-‘raise’ each other while you ‘_call along_,’ until this ‘see-sawing’
-process finally drives you out, and the other two come to ‘a call,’ be
-sure and have the _defeated hand exhibited on the table_. The
-probabilities are they are ‘playing in together,’ and that there is
-but one _good_ hand, if even that.
-
-“_Fourteenth._--A good poker player never indulges in strong drink,
-and especially to excess; neither does he talk much, or pay attention
-to the conversation of others while playing. A deaf player has the
-advantage of others, for he watches and sees all that is going on, and
-is not distracted by talkative players, or those who talk _for a
-purpose_, which many sharp players do. Your Uncle George decides that
-too much loquacity is indicative of ignorance of the game, inebriety,
-or sharpness.
-
-“Let me here speak of what I would call _petty wrongs_ that annoy good
-players. Such as habitually discarding to the wrong place, throwing up
-hands out of time, looking over a neighbor’s hand, or asking such
-questions as: Well, what’s the ante? Who’s in? Any one straddled? What
-does it take now? How many cards did you draw? etc., etc., etc.
-
-“These are annoyances that no gentleman should inflict upon his
-friends.
-
-“_Fifteenth._--Whenever a new pack of cards is introduced for use, and
-the first deal shows an unusual number of good hands, or even at any
-time during the game, whenever an _unusual number_ of good hands are
-out at the same time, or _two unusually large hands_ are out against
-each other, it is well not to bet all one has on his hand, though he
-holds four aces; for the cards may have been ‘put up,’ and he to his
-sorrow, but too late, might find a straight flush against him. This is
-called ‘_Ringing in a Cold Deck_.’
-
-“I have in my pocket a slip taken from one of our daily papers giving
-a description of a game where a ‘cold deck’ was ‘rung in’ for the
-purpose of robbing one of the party; but, as it resulted, without
-success, for the gentleman upon whom the attempt was made evidently
-was an experienced player. I’ll read it to you:
-
-“‘Mr. Guggenheimer, Mr. Rosenbaum, Mr. Levi, Mr. Cohen, and
-Mr. Einstein were engaged in a little after-dinner game of “draw,” at
-the residence of the former gentleman. The host had occasion to leave
-the room for a short time, and when he returned the cards had been
-dealt for a new hand, and he was included, his approaching footsteps
-being heard. Mr. Guggenheimer raised the five cards allotted to him,
-and could scarcely believe his eyes when four kings were revealed. He
-inspected them carefully, but the entire quartette of monarchs were
-there.
-
-“‘“Who doled these cards?” inquired Mr. Guggenheimer. “Jakey
-Einstein,” replied Mr. Rosenbaum.
-
-“‘Once more Mr. Guggenheimer gazed at the tempting array, and not one
-of the kings had got away. It was his turn to bet; he took a last,
-long, lingering look--heaved a deep sigh, and gently murmured, “I
-pass.”’
-
-“_Sixteenth._--Finally, my boy, your Uncle George must say that you
-stand a very poor chance of holding your own, and no chance of
-winning, if, in your party, there should be two or three playing, who
-are ‘in together’; for you play one hand against the best one of two
-or three others, as the case may be. There are many and ingenious ways
-in such cases of giving each other information as to the value of each
-other’s hands. From toe and knee knocking, position of the fingers in
-holding the cards, position of the cards when laid upon the table, the
-use of a letter, syllable, word, or sentence; the question you ask,
-and manner of asking; the position of your segar or toothpick in
-your mouth, etc., etc., etc. These parties have a sort of a
-_telephono-graphosto_ kind of information, which, many times, it is
-impossible to detect.
-
-“I will now try to picture to you a successful, and yet _strictly
-honest, and liberal poker player_; one with whom many would rather
-play and _lose_, than to play with others and _win_. You have
-undoubtedly often heard this remark in your club: ‘Well, there is no
-use in playing with “Smithy,” for he always wins. I know he is a
-square, nice man, a liberal player, and one of the best fellows,
-socially, in the club; but we can’t beat him, and yet we have to play
-with him.’ Now, my boy; I will explain why this is so; and I may say,
-the language of the Old Roman will apply here very well:
-
- “The fault, dear Brutus, is not in our stars,
- But in ourselves, that we are underlings.’
-
-“The fault is not in ‘Smithy,’ as you call him, but in you yourselves,
-in not giving that attention to the game that your friend ‘Smithy’
-does. A good, honest, and successful poker player is one who not only
-follows the rules of the game--with such variation as circumstances
-seem to require--but always has his eyes open, his head clear, and
-knows all that is going on in the party with whom he is playing. He
-sees and _remembers_ their bets before they discard; he never forgets
-the number of cards discarded, and he soon learns their general style
-of playing; the probabilities of their bluffing, etc., etc. This gives
-him an advantage over all others who are not so observing, and causes
-him many times to ‘throw up’ a _very large hand_, instead of
-‘calling.’ He who says, ‘I know I am beaten, but I will call on
-principle,’ as a rule will be the loser. Therefore, by closely
-watching the game, and remembering what takes place, you will acquire
-that knowledge necessary for success. Remember, my boy, in giving this
-picture of a good poker player, your uncle does not advise you to
-continue to play the game. He only wishes to give you such
-instruction, should you play, as will enable you not only to protect
-yourself, but make you a stronger player--remembering the old adage,
-that ‘Whatever is worth doing at all, is worth doing well.’
-
-[Illustration: One player cheating by concealing extra cards.
-SEE PAGE 35.]
-
-“A very common error of an inexperienced player, is to ‘start off’ in
-the game very rashly, ‘going in’ on ‘ace high,’ or even drawing
-five cards; and also of _crowding his bad luck_ during the game, and
-especially just before the time for closing, in trying to ‘get hunk.’
-This is all wrong, and will surely bring losses and defeat. Play every
-hand, whether first or last, as though it was your only hand, and with
-all the care and coolness that I have mentioned of a good player--or
-of your friend Smithy.”
-
-“Thanks, dear uncle! I have been delighted while listening to you. Of
-course I was aware of some of the points you have given me; still, the
-most are entirely new, instructive, and amusing, and explain many
-things that until now have been dark to me. They also prove to me that
-there has been cheating in games in which I have played, and explain
-how some wonderfully large hands have been made--some of which I did
-not feel satisfied with at the time. Now, while your conversation is
-fresh in my mind, if you will excuse me I will go to my room and write
-out a set of rules for directing and governing the playing in our
-club, which I know all the members will be pleased with.”
-
-“Well, I think no objection will be raised, unless by those of the
-class I have named; who, as I have said, are found in nearly every
-club.
-
-“Now having given you so much advice about looking out for the wrongs
-and irregularities of other players, I can not have you leave without
-impressing something very important upon your mind, namely: ‘_Above
-all, watch yourself_.’ It is an old saying that ‘one’s greatest enemy
-is one’s own self.’ Under no circumstances, therefore, remain in the
-game after midnight. All players have a right, in accordance with the
-rules of gaming, to leave off playing at midnight; and no gentleman
-can object to it. Whether you are ahead, therefore, or behind, QUIT
-WHEN THE CLOCK STRIKES TWELVE. By so doing, your head will be clear
-and all right for business on the morrow--remembering that there is
-another evening coming, for its share of recreation and rational
-amusement.
-
-“_Finally._--I would advise you to quit the game entirely. From what I
-have said, you must see clearly that it has a great many more
-drawbacks than advantages. It has cost your Uncle George much money
-and time,--more than he ought to have given it,--especially during his
-younger years in the West and South. Nearly every day’s paper has
-reports of ruined characters, caused by enjoying ‘a little quiet
-game,’ or ‘a little game of draw.’ It is impossible to keep those who
-have a _predisposition to cheat_ out of the games, even of the most
-fashionable and respectable class of players. Therefore, I say, it
-would be better for you to quit it entirely.
-
-“As I began by saying you must be sure and _have the cards cut before
-the deal_, so I close by saying you must be sure and see that _the
-dealer gives no one more than his complement of cards_. Some dealers
-are too much in the habit of giving themselves six or more cards; this
-alone, where all else is square, is a big per cent. ‘in favor of the
-dealer.’
-
-“If what your Uncle George has said to you will be the means of saving
-you from becoming the victim of those who ‘cheat at cards,’ or save
-you from the sufferings and torments of those others I have mentioned,
-growing out of an undue attachment to the game of ‘Draw Poker,’ or
-induce you to give it up entirely, he will feel satisfied and happy.”
-
-[Decoration: ten, jack, queen, king and ace of spades]
-
-
-
-
-Popular Books sent Free of Postage at the Prices annexed.
-
-
-=Talk of Uncle George to his Nephew About Draw Poker.= Containing
- valuable suggestions in connection with this Great American Game;
- also instructions and directions to Clubs and Social Card Parties,
- whose members play only for recreation and pastime, with timely
- warnings to young players. Illustrated. In which Uncle George
- narrates to his nephew the experience he has gathered in the course
- of his travels West and East; showing him, in a chatty and familiar
- style, the devices, tricks, appliances, and advantages by which
- gentlemanly gamblers fleece the unsophisticated and unwary in the
- popular game of Draw Poker, and offering him plain and fatherly
- advice as to the best means for frustrating their efforts and
- avoiding their traps. Every one who takes a hand at “Draw” will be
- a gainer by perusing what Uncle George says about it, and become a
- wiser as well as a richer man.
- Small quarto. Paper. Price 25 cts.
-
-
-=Dick’s Games of Patience;= _or, Solitaire with Cards_. Containing
- Forty-three Games. Illustrated with Thirty-three explanatory
- full-page Tableaux. This treatise on Solitaire, a pastime which is
- steadily gaining in popularity, embraces a number of new and
- original Games, and all the Games of Patience at present in favor
- with the most experienced players. Each game is carefully and
- lucidly described, with the distinctive rules to be observed and
- hints as to the best means of success in play. The Tableaux furnish
- efficient aid in rendering the disposition of the cards necessary to
- each game plain and easily comprehensible. The difficulty usually
- attending descriptions of intricate games is reduced, as far as
- possible, by precision in method and terseness of expression in the
- text, and the illustrations serve to dispel any possible ambiguity
- that might be unavoidable without their aid. The work is attractive
- in style and elegant in execution, and will prove an interesting
- companion for many a solitary hour.
- Quarto. Illustrated. Paper cover 75 cts.
- Cloth $1 00.
-
-
-=The Amateur Printer;= _or, Type-Setting at Home_. A thorough and
- complete instructor for the amateur in all the details of the
- Printers’ Art, giving practical information in regard to type, ink,
- paper and all the implements requisite, with illustrated directions
- for using them in a proper manner. It teaches how to set type in the
- stick, transfer the matter to the galley and make it up in forms;
- also how to take proofs and correct them, showing all the signs used
- by practical proof-readers in correcting proofs; it illustrates the
- plan of the type-case, showing the relative positions of the
- compartments allotted to the type of each letter, etc., and the
- correct manner of replacing or distributing type in the case. The
- practical instructions given in this work are complete and so
- plainly described that any amateur can become a good printer by
- studying and applying the information it contains.
- Paper covers. Price 25 cts.
-
-
-☞Any of the above books mailed, post-paid, on receipt of price.
-
- _Send cash orders to_ =DICK & FITZGERALD, Publishers,=
- No. 18 Ann Street, New York.
-
-
-=The American Hoyle; or, Gentleman’s= Hand-Book of Games.
- Containing all the Games played in the United States, with Rules,
- Descriptions and Technicalities. Adapted to the American Methods of
- Playing. By TRUMPS. Thirteenth Edition: Illustrated with Numerous
- Diagrams and Engravings. This work is designed and acknowledged as
- an _Authority on all Games as played in America_; being a guide to
- the correct methods of playing, and an arbiter on _all disputed
- points_. In each of the previous editions the work was subjected to
- careful revision and correction; but this, the Thirteenth Edition,
- is entirely new, and rewritten from the latest reliable sources. It
- includes an Exhaustive Treatise on Whist, with all the latest essays
- on the Modern Game, by CLAY, POLE, DRAYSON, &c., &c. Also, a lucid
- description of all the Games now in vogue in America, with the Laws
- that govern them, revised and corrected to conform to present
- usages; and embraces an elaborate and practical analysis of the
- DOCTRINE OF CHANCES.
- 12mo, cloth, 536 pages =$2.00=
-
-
-=Blackbridge’s Complete Poker Player.= A practical Guide-Book to the
- American National Game; containing mathematical and experimental
- analyses of the probabilities at Draw Poker. By JOHN BLACKBRIDGE,
- Actuary and Counsellor-at-Law. This, as its title implies, is an
- exhaustive treatise on the game of Draw Poker, giving minute and
- detailed information on the various chances, expectations,
- possibilities and probabilities that can occur in all stages of the
- game; with directions and advice for successful play, deduced from
- actual practice and experience, and founded on precise mathematical
- data. New Edition, thoroughly revised.
- Small quarto, 142 pages, paper cover =50 cts.=
- Cloth =$1.00=
-
-
-=Spayth’s American Draught Player; or,= The Theory and Practice of the
- Scientific Game of Checkers. Simplified and Illustrated with
- Practical Diagrams. Containing upwards of 1700 Games and Positions.
- By Henry Spayth. Sixth edition, with over 200 Corrections and
- Improvements.
- 12mo., cloth =$3.00.=
-
-
-=Marache’s Manual of Chess.= Containing Preliminary Games for
- Beginners, fifty Openings of Games, giving all the latest
- discoveries of modern masters, with best Games and Copious Notes,
- Endings of Games, Numerous Problems, Diagrams, etc. By N. Marache.
- 16mo, cloth, gilt side =75 cts.=
- Bound in boards, cloth back =50 cts.=
-
-
-=Walker’s Cribbage Made Easy.= Being a new and complete Treatise on
- the Game in all varieties. By George Walker, Esq.
- 16mo, 142 pages, bound in boards, with cloth back =50 cts.=
- Cloth, gilt side =75 cts.=
-
-
- DICK & FITZGERALD, Publishers,
- P. O. BOX 2975. 18 Ann Street, New York.
-
-
-
-
-
-End of the Project Gutenberg EBook of Talk of Uncle George to his Nephew
-about Draw Poker, by Uncle George
-
-*** END OF THIS PROJECT GUTENBERG EBOOK TALK OF UNCLE GEORGE ***
-
-***** This file should be named 54590-0.txt or 54590-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/4/5/9/54590/
-
-Produced by deaurider, David Wilson and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-