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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..04a187b --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #53472 (https://www.gutenberg.org/ebooks/53472) diff --git a/old/53472-0.txt b/old/53472-0.txt deleted file mode 100644 index e6d9bd3..0000000 --- a/old/53472-0.txt +++ /dev/null @@ -1,1147 +0,0 @@ -The Project Gutenberg EBook of Myers' Grand Hippodrome, by Anonymous - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: Myers' Grand Hippodrome - -Author: Anonymous - -Release Date: November 7, 2016 [EBook #53472] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK MYERS' GRAND HIPPODROME *** - - - - -Produced by deaurider and the Online Distributed -Proofreading Team at http://www.pgdp.net (This file was -produced from images generously made available by The -Internet Archive) - - - - - - - THE - Holborn Restaurant, - 218, HIGH HOLBORN, - ONE OF THE SIGHTS AND ONE OF THE COMFORTS OF LONDON - - Attractions of the Chief Parisian Establishments, with the - quiet and order essential to English Customs. - - _Dinners and Luncheons from Daily Bill of Fare._ - - A TABLE D’HOTE, AT SEPARATE TABLES, - Every Evening, from 6 to 8.30, - 3s. 6d., - _Including Two Soups, Two Kinds of Fish, Two Entrées, Joints, - Sweets, Cheese (in variety), Salad, &c., with Ices and Dessert._ - - This favourite Dinner is accompanied by a Selection of - high-class Instrumental Music. - - COFFEE, TEA, CHESS, AND SMOKING ROOMS. - - * * * * * - - Crystal Palace Skating Rink. - - PLIMPTON’S PATENT ROLLER SKATES. - - THE RINK, open and covered, has an area of 14,000 square feet, - the surface is laid with Plimpton’s patent Pitch Pine Floor, - and the Skates are in perfect condition. - - ENTRANCE FROM PALACE. - - _By Aquarium Staircase; and from Upper Terrace by Monkey House._ - - Admission One Shilling. - Hire of Skates Sixpence. - Spectators Sixpence. - - OPEN DAILY (MAY to OCTOBER), - - From 10 till 1, 2 till close of Palace, excepting on Tuesdays, - Thursdays, and on all Firework and Fête Days, when the hours - are 10 till 1, 2 till 6, and 7 till 9.30, with a Band in - attendance. - - As a fashionable and invigorating exercise, Skating stands - unrivalled. With Ladies and Children the delightful art of - Skating is more easily acquired on roller than on ice Skates, - and the newly-laid patented floor is universally considered a - superior medium to asphalte or Portland cement. The amusement - afforded to onlookers rivals any of the numerous attractions of - the Crystal Palace. - - =N.B.--The New OPEN-AIR RINK, which is in shade after 2 - o’clock, commands a fine view of the unrivalled Gardens and the - Kentish Hills, and affords, perhaps, the pleasantest lounge - (combined with the amusement of the Rink) within the precincts - of the Palace.= - - - - - CRYSTAL PALACE. - - Myers’ Grand Hippodrome. - - ACCOUNT OF THE STABLES - - GREAT COURSE FOR CHARIOT RACES, STEEPLE-CHASES, - HURDLE RACES, ETC., - _All other Arrangements at the Crystal Palace_, - WITH PLAN. - - ANECDOTES OF JOHN COOPER’S FEATS - OF - Lion Taming & Elephant Training, - DESCRIPTION OF - ELEPHANT SWIMMING AND BATHING, - GREAT EQUESTRIAN PANTOMIME, - LITTLE RED RIDING HOOD, - SCENES IN THE CIRCLE, - AND - _Parades and Processions of Gorgeous Chariots_. - - - - -[Illustration] - - - - -Myers’ Grand Hippodrome. - - -At the Crystal Palace. - -It is but natural that the greatest Hippodrome of the world -should be quartered at the greatest pleasure-resort of the world, -and the arrangements made at the Crystal Palace for the reception -and performances of Mr. Myers’ Company will fittingly occupy the -first place in this brief account of his establishment, and of the -entertainments which will be offered to the public during his visit -to England. The stables (marked D on plan), whose dimensions are -given elsewhere, occupy the basement at the north end of the building -adjoining the Skating Rink, and will be open to the inspection of -visitors, affording what is really tantamount to a daily show of horses -and ponies of the highest breed, training, and mettle. The arrangements -for ventilation and the preservation of cleanliness are perfect. The -horses each occupy separate stalls; the floor is of concrete, and the -whole is lighted with gas whenever necessary. The elephants and camels -are housed in specially-erected stables (E on plan) at the north end of -the Second Terrace, near the bear-pit; and the lions are caged on the -north lawns, being transported daily with their cages to the various -places of exhibition. - -The performances take place in various _locales_--in fact it may safely -be affirmed that no arena in England could be found better adapted -than the Crystal Palace for the display of Mr. Myers’ resources. The -great course of three-quarters of a mile in length (C on plan) has -been formed by connecting the First and Second Terraces, on which will -take place the steeple-chases, hurdle-races, parades of richly-mounted -carriages lavishly plated and decorated, and revivals of classic -sports. This transformation has been effected by the construction of -two inclined planes, 120 yards in length, built of timber, supported -on piles, and overlaid with a thick stratum of earth or tan to form a -suitable roadway. - -The conformation of the Greek hippodrome was not unlike that of the -great course formed in the Crystal Palace grounds, the sides being -parallel, and one end semicircular. The site for the hippodrome of old -was also chosen, as a rule, on the side of a hill. The circuit of the -Olympic hippodrome was about 2,500 feet, or a little less than half -a mile; that of the course on the first and second terraces of the -Crystal Palace is 3,760 feet, or half as long again. The width of the -Greek hippodrome was about 400 feet; that of the Crystal Palace also -400 feet. The Circus Maximus of Rome was three stadia, or about 1,800 -feet, in length; and about 600 feet across. - -If we picture to ourselves the whole frontage of the Crystal Palace, -1,584 feet in length, tier upon tier affording accommodation to -thousands of spectators, and overlooking a combination of natural and -artificial scenery such as is hardly to be matched in England, we may -justly claim that the Coliseum of Rome in all its glory did not afford -a spectacle so picturesque, and with the additional advantage that the -performances at the Crystal Palace will be entirely free from debasing -elements. - -The equestrian performances, entertainments of Oriental jugglery and -acrobats, feats of lion-taming, by John Cooper, and other exhibitions, -are divided between the great centre transept (A on plan) and the -great waterproof tent (B on plan) erected at the north end, occupying -21,600 square feet, and capable of holding 4,000 persons. An ingenious -plan has been devised by which the centre transept can be at will -transformed into an enormous circus, or revert to its normal use as a -promenade, a theatre, or colossal concert-hall. A ring of 44 feet outer -and 30 feet inner dimensions, has been formed by constructing a sunken -circle about 12 inches below the level of the original floor, which is -rendered capable of removal to just such an extent as will disclose the -ring, the boarding being replaced to form the ordinary promenade, at -such times as the circus performances are not going on. The elephants -and other animals will be brought from their stables in the basement -and park to the centre transept along an inclined plane of about 250 -feet in length, and of ample width to allow both human and quadrupedal -performers to pass or repass. - - -Magnitude of Mr. Myers’ Establishment. - -The magnitude of Mr. Myers’ establishment may be, in some degree, -estimated when we state that its performances employ no less than -200 persons--as equestrians, acrobats, clowns, musicians, children, -&c., and 200 performing animals, comprising 132 horses, 18 ponies, 9 -elephants, 7 lions, 6 camels, besides monkeys, dogs, and mules. The -estimated value of _matériel_ alone is £150,000, and the daily expenses -are over £250. Another idea of its extent may be gained from a few -facts as to its transport to England, which required a train of no less -than 46 waggons, besides passenger carriages, for the conveyance from -Paris to Boulogne, where it was transferred to the two steam-vessels -_Leo_ and _Rhine_, which were specially detached from the General Steam -Navigation Company’s Continental service, for the voyage to London. -The area of the stabling and harness-rooms at the Crystal Palace is no -less than 27,456 square feet; and the dressing-rooms alone occupy 3,472 -square feet. The elephants, horses, and camels require about 10,000 -pounds of corn, 8,000 pounds of hay, 8,000 pounds of straw, 2,000 -pounds of bran, and 3,000 pounds of potatoes per week; while the lions -consume 400 pounds of beef per week. - - -Career of Mr. Myers. - -Mr. J. W. Myers, the proprietor of the largest Hippodrome in the -world, was born in New York in 1828. Though still in the prime of life, -he is a veteran in his profession, having commenced his public career -at the early age of nine by apprenticing himself as an equestrian to -Aaron Turner and Sons, partners of the celebrated Barnum. _Ex nihilo -nihil fit_, and Mr. Myers thus early recognised the truth of the -proverb by taking care to be provided with the small though substantial -capital of one halfpenny, with which, as the nucleus of fortune, -he fled from his home. He made rapid progress in his calling, and -soon distinguished himself as being the first who ever did a double -somersault over horses. A few years’ experience placed him foremost -among equestrians, and at the age of twenty-one he started a Circus and -Menagerie of his own, with which he travelled over the United States -for seven years. He then sold his property to Mr. John Wilson (whose -establishment was at the time the largest of its kind in America) and -came to England, having, shortly after his arrival, the distinguished -honour of performing before Her Majesty the Queen and the late Prince -Consort, at Windsor Castle. - -Mr. Myers was for seventeen months engaged with Messrs. Howes and -Cushing, and at the expiration of that time he again formed a company -of his own, and performed with great success at Birmingham and other -English towns. Leaving England for the Continent he commenced the -career which has culminated in the formation of an establishment of -unprecedented magnitude. - -The Mecca of Mr. Myers’ long pilgrimage was, of course, Paris; and -a Paris journal gives a characteristic account of the interview in -which the _entrepreneur_ acquired possession of the Magasins Réunis, -which he has transformed into the vast establishment which has been the -sensation of the capital of the world of pleasure during the last six -months. The Paris _Figaro_ states that on a certain day in last autumn -the proprietor of the Magasins Réunis, Baron E----, was visited by a -stranger who expressed his desire to hire the structure, till then a -drug in the market. Baron E---- was startled for a moment, but, soon -recovering his self-possession, replied that he was willing to let, -but only on a twenty years’ lease. “Be it so,” answered the applicant. -The owner believed himself the sport of a dream, and could only feebly -articulate “75,000 francs (£3,000) a year.” “I’ll give you 75,000 -francs a year,” answered the visitor, “and here’s a year’s rent in -advance.” The bargain was struck, and the applicant announced himself -as Mr. J. W. Myers, the proprietor of a peripatetic hippodrome. Mr. -Myers set himself with all possible speed to adapt his new acquisition -to his purposes, and the great range of warehouses at the Château d’Eau -was in a very few weeks transformed, at an outlay of not less than a -million of francs, into a place of entertainment which has been one -of the wonders of Paris since December 19, 1875, when it was first -opened to the public. The great circus into which the central court -was converted accommodates an audience of more than 8,000 persons, and -the establishment is described by _La France_ as a complete world in -itself. In fact, the Paris press is singularly unanimous in pronouncing -it to be not only the greatest hippodrome which has ever visited -Paris, but (what is perhaps synonymous) the greatest in the world, -unparalleled in grandeur and magnificence. - -For the Hippodrome of Mr. Myers has attained its present unequalled -proportions by gradual and steady growth. There is an eclecticism -even in Circus business, and Mr. Myers has excelled the doings of his -predecessors and contemporaries, not merely by employing nine elephants -where they used to employ _one_ performer and three or four “dummies”; -by doubling the usual number of the band, of the horses, and other -component parts of such an establishment: but he has taken care that -his horses shall be the best bred; that his elephants shall be the most -highly trained; that his equestrians shall be the most finished and -daring; that his clowns shall be the most amusing; that his acrobats -shall be the most graceful that have ever been seen in public. If the -patronage of the great ones of the earth be a test of merit, Mr. Myers -may claim to possess that merit in a supereminent degree. The Emperor -William of Germany, the Empress Augusta, the Emperor Francis Joseph and -the Empress of Austria, King Victor Emmanuel of Italy, King Alfonso -of Spain, the King and Queen of the Belgians, the King and Queen of -the Netherlands, the King and Queen of Saxony, the Queen of Greece, -the Khedive of Egypt, the President of Switzerland, the late Emperor -Napoleon III., the Empress Eugenie, the ex-Queen Isabella of Spain, the -King and Queen of Hanover, and the unfortunate Abdul Aziz of Turkey, -have all, at various times and places, honoured Mr. Myers with their -presence at his performances. Lyons, Bordeaux, Toulon, Dijon, Nimes, -St. Étienne, Nice, Grenoble, Avignon, Toulouse, and all the great towns -in France; Berlin, Hamburg, Frankfort, Breslau, Dresden, Königsberg, -Leipsic, Cologne, Mayence, Vienna, Nuremberg, Munich, Bremen, Dantzic, -Stettin, Regensburg, Strasburg, Metz, in Germany; Rome, Turin, Milan, -Florence, Genoa, Verona, Venice, Padua, in Italy; Amsterdam, Rotterdam, -the Hague, Utrecht, in Holland; Brussels, and other towns in Belgium; -Berne, Aarau, Schaffhausen, Zurich, Lausanne, Geneva, Zug, Basle, St. -Gallen, in Switzerland, have all been visited by Mr. Myers; and the -press of these places has been unanimous in its laudatory notices of -his establishment and its performances. - - -Animal Performances in Ancient Times. - -The love for spectacles in which animals take part is inherent in -human nature, and directed the current of popular amusements at a -very early period of the world’s history. There is a natural pleasure -in witnessing performances which illustrate the sovereignty which -man’s intellect enables him to obtain over the largest and fiercest -of the brutes. Some of the most beautiful of the classic myths are -based on this dominion of man over the animal creation. The Centaurs -were but early trainers and riders of horses, the vulgar imagination -amalgamating the horse and its rider into one strange creature whose -beneficent deeds rendered him worthy of deification. The chariot race -is described by Homer as the most important item in the series of -funeral games in honour of Patroclus. Chariot-racing was introduced -at the 25th Olympiad (about B.C. 680), and racing by single horses in -the 33rd Olympiad (about B.C. 648). Elephants were first introduced in -the Roman circus in the year B.C. 251, when Lucius Metellus exhibited -them as part of the spoil of his victory over the Carthaginians. Lions -and panthers were first exhibited in B.C. 186 by M. Fulvius, after the -Ætolian war. After this date wild beasts became a regular feature of -the Roman entertainments. Scaurus, in B.C. 58, exhibited a hippopotamus -and five crocodiles. Julius Cæsar introduced giraffes into Italy for -the first time in B.C. 45; Augustus, a rhinoceros in B.C. 29. But these -animals were used mainly for the _venatio_, or exhibition in which they -fought against each other, or against man--the contrast between the old -Circensian games and the modern performances being all in favour of our -own times as regards humanity. - - -The Performing Elephants. - -Elephants have, from a very early period in the history of circus -entertainments, played a leading part in the performances. They were, -in fact, the first animals (except, of course, horses) introduced into -the ancient amphitheatre, Lucius Metellus having (as stated above) -paraded them as part of the spoils of the Carthaginian war. In the -time of Pompey’s rule at Rome there was an attempt on the part of the -elephants to break down the barriers which separated them from the -public, an act of insubordination which led Cæsar to alter the form -of the circus. We hear of elephants as rope-walkers in the time of -Galba and Nero, and, in the reign of the latter emperor, an elephant -mounted an arch and thence walked on a rope with a man on his back. -Pliny, in his “Natural History,” has an account of an exhibition given -by Germanicus, in which elephants walked the tight-rope, fought with -javelins, and executed the Pyrrhic dance; and Seneca, Suetonius, Dion -Cassius, and Œlian bear testimony to their talents and high training. -Pliny says that the elephant is able to walk up the rope backwards, -and down it head foremost. Elephants are peculiarly susceptible to -the influence of music, and the Romans took full advantage of this -susceptibility. They were trained to march into the amphitheatre to -the rhythm of musical instruments; and we have in Arrian an account -of an elephant who, with cymbals fastened to his knees and trunk, -beat time to which his comrades danced. They also took part in mimic -representations of a banquet, reclining at which, in suitable costume -of ladies and gentlemen of the period, they behaved very much like -those they represented, eating and drinking with due decorum. Elephant -performances have been a feature of modern hippodromes, but it was -reserved for Mr. Myers’ coadjutor, John Cooper, to rediscover the -lost art of elephant training and performing, as understood by the -ancients. Music has played an important part in the education of Mr. -Myers’ _troupe_ of elephants. They waltz with pachydermatous grace, and -in perfect time; they execute complete ballets with an accuracy and -confident knowledge of their respective _rôles_, which many a human -performer might envy. They perform dramatic scenes with a perfect -appreciation of the situation. An anecdote or two will illustrate their -intelligence. It is recorded that, while performing in a certain town, -the _troupe_ had each evening, while on the road from the stables to -the place of representation, to pass in front of the tap of a brewery. -One day, as they were _en route_, one of the drinkers held out his -glass of beer to an elephant. The elephant gracefully accepted the -compliment, took with the utmost delicacy the glass from the hand of -the donor, poured the contents down its throat, and politely returned -the empty vessel to its owner. The bystanders were so amused, that in -an instant a crowd of glasses was tendered to the crowd of trunks, -and the same ceremony was performed by all the elephants present. -The proprietor of the establishment, in an excess of generosity, -brought out a barrel of beer, which was soon emptied by the combined -efforts of the trunks, and the _troupe_ went on its way rejoicing to -its duties. But the next evening the elephants, to the surprise of -their keepers, unanimously refused the ordinary beverage which was -provided before starting to their tasks. They were not pressed, and -the _cortége_ took its way to the theatre; but, on arriving in front -of the brewery, the elephants, to the consternation of their guides, -refused to budge a step until the performance of the preceding day -had been repeated. The brewer, with less satisfaction than on the -preceding evening, provided a second barrel of beer, and begged the -superintendent of the procession to take another road for the future. -But he had reckoned without his host. In spite of all the efforts of -the keepers, at the same hour the next evening an array of trunks was -again extended in front of the brewery, and a third barrel went the -way of its predecessors. In despair the brewer related his sad case -to Mr. Myers, who indemnified him, ordered a barrel of beer to be -delivered at each passage of the _troupe_, and, it is said, has ever -since, when travelling, taken care that his elephants shall avoid all -streets in which stands temptation in the shape of a brewery. Another -story is told of one of the sagacious animals whose keeper, returning -fatigued at night, fell asleep on a truss of straw, and was uplifted by -the trunk of his faithful four-footed valet, and placed in a manger; -the elephant not contenting himself with this delicate attention, -but proceeding to take off the boots of the sleeper, and cover him -carefully with two or three trusses of straw! - -One of the most interesting of Mr. Myers’ exhibitions, is the bathing -and swimming of the elephants, which takes place in the lakes of the -Crystal Palace. The sight is a most amusing one; in fact, one day’s -casual bathe of the elephants in the Rhine, when Mr. Myers was at -Cologne, so excited the curiosity of the townspeople, that a guarantee -of some thousands of thalers was raised to ensure its repetition on -successive days. The great beasts play hide-and-seek with each other, -and, with their keepers, they turn somersaults in the water; they are -as uncontrollable and spontaneous in their mirth as a pack of boys -turned loose into a playground after school hours with _carte blanche_ -to amuse themselves. Indeed the only drawback to their being allowed -to enter the water is the difficulty of getting them back for their -more serious duties. Pursuit with boats is attendant with the risk -of the sudden elevation of the vessel and its occupants some ten or -twenty feet into the air; and even when one is captured and seemingly -brought to a sense of its duties, the temptation to rejoin its sporting -comrades is too strong for it, and if unwatched for an instant, it -takes the opportunity of plunging in again. Nothing but the firm though -mild rule of John Cooper then avails to bring them up to the time and -place for their other performances. - - -John Cooper and Lion Taming. - -With the lions of Mr. Myers’ Hippodrome the name of John Cooper is -inseparably associated. This foremost animal trainer in the world, was -born at Birmingham in 1838, and entered upon his present career under -the auspices of George Batty (brother of the Batty of hippodromatic -fame of 1851), who was then travelling on the Continent with his -circus and menagerie. Cooper commenced lion-taming at the early age -of twelve, and has followed the profession of trainer of wild animals -without cessation till the present time. He remained with George Batty -about fifteen years, and at the expiration of that time bought some -lions, and started on his own account. In 1866-67 he met Mr. Myers, -who ultimately bought Cooper’s lions, and engaged the services of -their owner at a salary unprecedented in the profession. The secret of -Cooper’s success is his love of animals, allied with a temperament in -which fear is no element, and a calm sense of superiority which is felt -by his brute servants no less than by himself. - -Some remarkable instances of his immediate ascendency over the -fiercest animals are on record. When Lucas, the lion-tamer, was killed -by his own lions, he left a wife and child with no other resource -than the ownership of the fierce brutes. M. Arnauld, manager of the -hippodrome where the tragedy took place, gave a benefit performance -for the widow, and Cooper volunteered to enter the cage of the lions, -whom he had never before seen, and who had never before seen him, and -to perform with them, a task which he accomplished to the astonishment -of all beholders. Victor Emmanuel of Italy--one who, like Cooper, never -quailed before danger--found a kindred spirit in the lion-tamer, and -has honoured him with special marks of approbation; one of his presents -being two splendid lions, which form part of the _troupe_ with which -Cooper performs. Four camels and an elephant are also gifts of the -soldier-king. John Cooper has trained, while with Mr. Myers, 42 lions, -16 elephants, 25 camels, besides monkeys, bears, hyænas, and other -animals. It is a popular fallacy that trainers of such animals begin -their task while their pupils are in infancy. Cooper does not commence -with lions till they are five years old; only in one case, that of the -King of Italy’s lions, did he begin at four-and-a-half years. Whatever -and however fierce the animals presented, he enters their cage without -hesitation and without emotion, at the first interview. In the presence -of his ferocious _protégés_ a remarkable change takes place in the -demeanour of Cooper, and it is difficult to realise that the quiet, -mild, and gentle individual with whom one has been recently conversing -is the same person with the stern, energetic, and commanding figure, -with the bright and penetrating eyes, before which quail the fiercest -of the beasts, and whose iron will renders them compliant with his -every nod and beck. - -We have before alluded to Cooper’s fondness for animals. One -incident is worth recording, as illustrating both that trait and his -dauntless intrepidity. While the lions were one day engaged in their -performances, springing over the head of their master, bounding from -one side of the cage to the other, a favourite lioness failed to clear -the movable barrier which the trainer uses to separate the animals -when necessary, or, as in the present instance, as a kind of hurdle -over which they are to leap in traversing the cage. The impulse of -the spring forced apart the iron bars of the barrier, and the head -and fore-part of the poor lioness were fixed as in a vice, at the -height of some feet from the floor of the cage. The situation was -somewhat critical, as Cooper had around him the other lions, which -were evidently excited by the fix of their companion; but, nothing -daunted, he attempted to release the prisoner by manual force. She -was, however, too firmly fixed; and Cooper called for a mallet, a -lever, and other tools, with which, unheeding his ferocious and excited -attendants--against whom he for the time had no defence--he separated -or broke the bars, and released the lioness from her painful position. - -Mr. Myers relates an account of a desperate fight between a Senegal and -Nubian lion, which, in the absence of Cooper, he and his people vainly -tried to stop by red-hot iron bars, by throwing several pounds of snuff -into their eyes, and other unsuccessful means. The fight resulted in -the death of the larger lion before Cooper could arrive to separate -the furious beasts; but, on his arrival, he at once entered the cage, -severely chastised the victor, and attaching ropes to the body of the -dead lion, dragged it out of the cage without molestation. - -Mr. Myers’ experience of a quarter of a century with lions tells -him that, contrary to popular belief, lions born in captivity are -less intelligent and much more fierce and nimble than those born in a -state of liberty. The victor in the above-related fight was born in -captivity. But whether born in the great forests of the tropics or the -narrow cages of the travelling menagerie, all fierce animals are alike -cowed by the magnetic power of John Cooper, and Mr. Myers’ longstanding -challenge of £100,000 to be awarded to any lion-tamer in the world who -will perform the same feats as John Cooper is still unaccepted. - - -Equestrian Scenes. - -With such an unrivalled stud as that of Mr. Myers, and with such a -company of equestrians, it is, of course, inevitable that the scenes of -the circle will be on a commensurate scale. Mr. Myers has enlisted the -services of almost all the best-known riders, and his horses fulfil all -the requirements of the circle, both for high breed, for docility, and -for training. There is not a more accomplished and graceful horsewoman -in the world than Mrs. Myers; and her performance on her thoroughbred -steed “Cromwell” will form one of the most pleasing features of -the exhibition. Madame Nyegaard’s feats, performed while riding a -barebacked steed, are also unique; while the Madigans are unsurpassed -in those daring gymnastic feats which would almost lead one to the -belief that the rider was born and brought up on horseback, that he -lives, takes his meals, and sleeps on horseback, and that a visit to -_terra firma_ is an abnormal occurrence which occasionally breaks the -monotony of his ordinary life. - -James Madigan’s double somersaults, performed while the horse is at -full speed, and Charles Madigan’s riding of four trained horses at -once, are feats which have excited the admiration of all the towns -on the Continent which Mr. Myers’ Hippodrome has visited. Special -attention must also be drawn to the quadrille of eight thoroughbreds -ridden by four ladies and four gentlemen, all accomplished performers, -who guide their intelligent steeds with the utmost grace and dexterity -through the most intricate figures of the dance. - -Amongst the most notable of Mr. Myers’ horses are the thoroughbred -“Cromwell,” mentioned above; the horse “Mexican,” presented to Mr. -Myers by the ill-fated Emperor Maximilian; and the seven coal-black -horses from the Imperial stables of Trakhene, in Prussia. - - -Parades and Processions, Sports, &c. - -One of the features of the performances in the Roman Circus Maximus was -the grand procession which preceded the sports, and in which all who -were about to exhibit took part. These will be reproduced during the -stay of Mr. Myers’ establishment at the Crystal Palace; the chariots, -constructed on the classic model, gorgeously decorated and lavishly -plated, and drawn by horses of the highest breed and mettle, being -daily paraded on the great course constructed on the First and Second -Terraces, as before described. There also will take place from time to -time the hurdle-races, steeple-chases, and other entertainments, in -which the great resources of Mr. Myers will be utilised. The classical -character of this portion of the entertainment will be maintained -by the decorations, which have been entrusted to Mr. Fenton, and in -which, amongst other items, the fasces and ova, which formed important -features in a Roman circus, will be reproduced. - - -Acrobatic and other Entertainments. - -The miscellaneous entertainments given by Mr. Myers are of great -variety; in fact, he is able with perfect ease to change his programme -daily, such are his resources. An attractive item is the performance -of the Japanese _troupe_, brought from Japan expressly for Mr. Myers, -and in which the brothers Moto and Assa exhibit a flexibility which -implies the possession of spines of abnormal elasticity; while Gingero -and Como-Ketchy go through a series of balancing feats which cast into -the shade all contemporary performances of a like nature. Especially -wonderful is the business with the bamboo ladder, up and down which, -while it is supported on the chest of one of the performers, the other -runs with the greatest rapidity, standing on his head on the top, -creeping in and out between the rounds; and which at last, at a given -signal, falls to pieces, leaving only one side-piece, with the acrobat -standing on the top. A band of Bedouin Arabs also appears in those -bounding feats which seem the speciality of the sons of the Desert. -Miss Charlotte Felix’s _troupe_ of performing dogs go through a series -of interesting tricks, which illustrate to what a pitch of perfection -of training these sagacious animals can be brought; and a number of -clowns, headed by the well-known Hulines, add zest to the interludes by -their quaint sayings and grotesque tricks. - - -The Equestrian Pantomime, Little Red Riding Hood. - -The latest addition to the varied attractions of Mr. Myers’ -establishment has been a gorgeous spectacular pantomime on the subject -of Little Red Riding Hood (Le Petit Chaperon Rouge), which was -produced in Paris in April last, at a preliminary outlay of 120,000 -francs, and which forms one of the most striking features of the -Crystal Palace performances. The charming little story of Perrault has -been ingeniously adapted to the equestrian resources of Mr. Myers’ -hippodrome. The pantomime opens with a pretty ballet, in which the -fairy Good Heart and her attendant fays take part. Little Red Riding -Hood next appears, with her basket, and is surprised by the wolf, but -is for the time being saved from danger by the appearance of a host of -little hunters, whose horns terrify the savage beast, and who chase -him on their tiny ponies till they unfortunately lose his track. The -wolf then slays and devours the grandmother, and disguises himself in -her dress to deceive more effectually his intended victim; but she is -saved, of course, by the entrance of the young prince, who captures -the wolf, and encloses him with some trouble in a great cage. A grand -_bal champêtre_ follows, given by the fairy Good Heart in honour of -Little Red Riding Hood. The circus is transformed into a garden, with -copses, alleys, flowers, tended by little gardeners. Little Red Riding -Hood, transformed by the fairy into a princess, appears; guests of all -nations, and all classes of society, arrive, in appropriate dresses. - -Distinguished Orientals, comprising the Shah of Persia and Chinese -and Japanese ambassadors, are intermingled with dukes and duchesses, -marquises and marchionesses, of the Western world. Waltzes, quadrilles, -and galops are the order of the day. A skipping-rope dance by Little -Red Riding Hood succeeds, in which time is kept to the music with -wonderful precision and exquisite grace. Now appear the gala chariots, -to convey away the prince and princess. A procession of miniature -chariots, richly gilded, each bearing two footmen, sumptuously dressed -and heavily powdered, are drawn in, each by six Lilliputian horses with -lavishly plated harness, and conducted by little coachmen. The arrival -of the great allegorical chariot, drawn by six magnificent horses, all -arrayed in dazzling silver-plated harness, and bearing the colours of -various nations, forms a suitable finale to a spectacle which consists -of a series of tableaux of more than an hour’s duration, which have -never been surpassed in originality and richness, and which will surely -be more effective in the Crystal Palace than it was in the great court -of the Magasins Réunis. - - W. G. - -NOTE.--This little book aims merely at giving a short account of the -rise, progress, and magnitude of Mr. Myers’ Great Hippodrome, and a -brief abstract of the entertainments which will _at various times_ be -offered to the public during his visit. It will be readily understood -from its contents, that his resources are so vast, that it would be -utterly impracticable to use more than a portion on one day, and that -the programme will from time to time be selected from the items of -which the foregoing is but a _résumé_. - - CHARLES DICKENS AND EVANS, CRYSTAL PALACE PRESS. - - * * * * * - - FURNISH - THROUGHOUT - - OETZMANN & Co. - - _Descriptive_ - CATALOGUE - _post-free_. - - 67, 69, 71, 73, 77 & 79, - HAMPSTEAD ROAD, - NEAR TOTTENHAM COURT ROAD, LONDON. - - * * * * * - - INDIGESTION! - - INDIGESTION!! - - MORSON’S PREPARATIONS OF PEPSINE. - - SEE NAME ON LABEL. - - Highly recommended by the Medical Profession. - - Sold in Bottles as WINE, at 3/-, 5/-, and 9/-; LOZENGES, 2/6 - and 4/6; GLOBULES, 2/-, 3/6, and 6/6; and POWDER, in 1 oz. - Bottles, at 5/- each, - - _BY ALL CHEMISTS AND THE MANUFACTURERS_, - =T. MORSON & SON=, - SOUTHAMPTON ROW, RUSSELL SQUARE, LONDON. - - * * * * * - - OLDRIDGE’S - BALM OF COLUMBIA - - (_Established 60 Years_) - - Is the best and only certain remedy ever discovered for - Preserving, Strengthening, Beautifying, or Restoring the HAIR, - WHISKERS, or MOUSTACHES, and preventing them turning grey. - Price 3s. 6d., 6s., and 11s. - - =C. & A. OLDRIDGE=, - _22, Wellington Street, Strand, London, W.C._, - And all Chemists and Perfumers. - - For Children it is invaluable, as it forms the basis of a - magnificent head of hair, and prevents baldness in mature age. - - * * * * * - - THE PUBLIC SUPPLY STORES. - - SHARES £1 EACH. NO ANNUAL TICKET TO PAY FOR. - - _SPECIAL FEATURES._ - - _THE DISTRIBUTION_ of all Household Requirements from the - Stores. - - _FAMILIES_ will be able to obtain the whole of their - Requirements as from any first-class trader; always, and - excepting the difference in profit, from the most inexpensive - to the most costly. - - _CONSTANT AND AVERAGE_ supplies at first cost price, direct - from Manufacturer to Consumer. - - _FREE DELIVERY_ to Shareholders to any Railway Station in the - Kingdom. - - _THE ANNOYANCE_ of producing Membership Tickets entirely - dispensed with. - - _SHAREHOLDERS AND THE PUBLIC_ not required to write out their - own Lists or Invoice Notes. - - _PROMPT ATTENTION_, as in the best Retail Establishments. - - _NO ANNUAL TICKET_ to pay for. - - _SHARES £1 EACH_, no further payment for the London district. - - _FOR ECONOMY_ of time Order Clerks will be appointed in each - Department. - - _EVERY CLASS_ of Household Requirements will be Represented at - the Stores, and all Articles Guaranteed of the Best Quality, at - a fixed Trading Profit. - - ADVANTAGES TO SHAREHOLDERS. - - =FREE DELIVERY OF GOODS= within the postal district of London - to Shareholders holding =One= fully paid-up =Share=, and no - further liability or payment. - - =FREE DELIVERY OF GOODS= to any Railway Station within 25 miles - of London to Shareholders holding =Two= fully paid-up =Shares=, - and no further liability or payment. - - =FREE DELIVERY OF GOODS= to any Railway Station within 50 - miles of London to Shareholders holding =Four= fully paid-up - =Shares=, and no further liability or payment. - - =FREE DELIVERY OF GOODS= to any Railway Station within 100 - miles of London to Shareholders holding =Five= fully paid-up - =Shares=, and no further liability or payment. - - =FREE DELIVERY OF GOODS= to any Railway Station in the United - Kingdom to Shareholders holding =Ten= fully paid-up =Shares=, - and no further liability or payment. - - THE PUBLIC SUPPLY ASSOCIATION LIMITED. - - CHARLES DICKENS AND EVANS, CRYSTAL PALACE PRESS. - - - - - -End of the Project Gutenberg EBook of Myers' Grand Hippodrome, by Anonymous - -*** END OF THIS PROJECT GUTENBERG EBOOK MYERS' GRAND HIPPODROME *** - -***** This file should be named 53472-0.txt or 53472-0.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/3/4/7/53472/ - -Produced by deaurider and the Online Distributed -Proofreading Team at http://www.pgdp.net (This file was -produced from images generously made available by The -Internet Archive) - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: Myers' Grand Hippodrome - -Author: Anonymous - -Release Date: November 7, 2016 [EBook #53472] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK MYERS' GRAND HIPPODROME *** - - - - -Produced by deaurider and the Online Distributed -Proofreading Team at http://www.pgdp.net (This file was -produced from images generously made available by The -Internet Archive) - - - - - - -</pre> - - -<div class="blockquote"> - -<p class="center">THE<br /> -<span class="larger">Holborn Restaurant,</span><br /> -218, HIGH HOLBORN,<br /> -ONE OF THE SIGHTS AND ONE OF THE COMFORTS OF LONDON</p> - -<p class="center">Attractions of the Chief Parisian Establishments, with the quiet and order -essential to English Customs.</p> - -<p class="center"><i>Dinners and Luncheons from Daily Bill of Fare.</i></p> - -<p class="center">A TABLE D’HOTE, AT SEPARATE TABLES,<br /> -Every Evening, from 6 to 8.30,<br /> -3s. 6d.,</p> - -<p class="center"><i>Including Two Soups, Two Kinds of Fish, Two Entrées, Joints, Sweets, -Cheese (in variety), Salad, &c., with Ices and Dessert.</i></p> - -<p class="center">This favourite Dinner is accompanied by a Selection of high-class Instrumental -Music.</p> - -<p class="center">COFFEE, TEA, CHESS, AND SMOKING ROOMS.</p> - -</div> - -<div class="blockquote"> - -<p class="center larger">Crystal Palace Skating Rink.</p> - -<p class="center">PLIMPTON’S PATENT ROLLER SKATES.</p> - -<p><span class="smcap">The RINK</span>, open and covered, has an area of 14,000 square feet, -the surface is laid with Plimpton’s patent Pitch Pine Floor, and the -Skates are in perfect condition.</p> - -<p class="center">ENTRANCE FROM PALACE.</p> - -<p class="center"><i>By Aquarium Staircase; and from Upper Terrace by Monkey House.</i></p> - -<table summary="Prices"> - <tr> - <td>Admission</td> - <td>One Shilling.</td> - </tr> - <tr> - <td>Hire of Skates</td> - <td>Sixpence.</td> - </tr> - <tr> - <td>Spectators</td> - <td>Sixpence.</td> - </tr> -</table> - -<p class="center">OPEN DAILY (MAY to OCTOBER),</p> - -<p>From 10 till 1, 2 till close of Palace, excepting on Tuesdays, Thursdays, -and on all Firework and Fête Days, when the hours are 10 till 1, -2 till 6, and 7 till 9.30, with a Band in attendance.</p> - -<p>As a fashionable and invigorating exercise, Skating stands unrivalled. With -Ladies and Children the delightful art of Skating is more easily acquired on roller -than on ice Skates, and the newly-laid patented floor is universally considered a -superior medium to asphalte or Portland cement. The amusement afforded to onlookers -rivals any of the numerous attractions of the Crystal Palace.</p> - -<p><b>N.B.—The New OPEN-AIR RINK, which is in shade after 2 o’clock, commands -a fine view of the unrivalled Gardens and the Kentish Hills, and affords, -perhaps, the pleasantest lounge (combined with the amusement of the Rink) within -the precincts of the Palace.</b></p> - -</div> - -<hr /> - -<p><span class="pagenum"><a name="Page_1" id="Page_1">[1]</a></span></p> - -<p class="titlepage">CRYSTAL PALACE.</p> - -<p class="titlepage larger">Myers’ Grand Hippodrome.</p> - -<p class="titlepage">ACCOUNT OF THE STABLES<br /> -GREAT COURSE FOR CHARIOT RACES, STEEPLE-CHASES,<br /> -HURDLE RACES, ETC.,<br /> -<i>All other Arrangements at the Crystal Palace</i>,<br /> -<span class="larger">WITH PLAN.</span></p> - -<p class="titlepage">ANECDOTES OF JOHN COOPER’S FEATS<br /> -<span class="smaller">OF</span><br /> -<span class="larger">Lion Taming & Elephant Training,</span><br /> -DESCRIPTION OF<br /> -<span class="larger">ELEPHANT SWIMMING AND BATHING,</span><br /> -GREAT EQUESTRIAN PANTOMIME,<br /> -<span class="larger">LITTLE RED RIDING HOOD,</span><br /> -SCENES IN THE CIRCLE,<br /> -<span class="smaller">AND</span><br /> -<i>Parades and Processions of Gorgeous Chariots</i>.</p> - -<hr /> - -<p><span class="pagenum"><a name="Page_2" id="Page_2">[2]</a></span></p> - -<div class="figcenter" style="width: 700px;"> -<img src="images/plan.jpg" width="700" height="400" alt="Plan of the Hippodrome and its attractions" /> -</div> - -<hr /> - -<p><span class="pagenum"><a name="Page_3" id="Page_3">[3]</a></span></p> - -<h1>Myers’ Grand Hippodrome.</h1> - -<h2>At the Crystal Palace.</h2> - -<p>It is but natural that the greatest Hippodrome of -the world should be quartered at the greatest pleasure-resort -of the world, and the arrangements made at -the Crystal Palace for the reception and performances -of Mr. Myers’ Company will fittingly occupy the first -place in this brief account of his establishment, and -of the entertainments which will be offered to the -public during his visit to England. The stables -(marked D on plan), whose dimensions are given elsewhere, -occupy the basement at the north end of the -building adjoining the Skating Rink, and will be -open to the inspection of visitors, affording what is -really tantamount to a daily show of horses and ponies -of the highest breed, training, and mettle. The -arrangements for ventilation and the preservation of -cleanliness are perfect. The horses each occupy separate -stalls; the floor is of concrete, and the whole -is lighted with gas whenever necessary. The elephants -and camels are housed in specially-erected stables -(E on plan) at the north end of the Second Terrace,<span class="pagenum"><a name="Page_4" id="Page_4">[4]</a></span> -near the bear-pit; and the lions are caged on the -north lawns, being transported daily with their cages -to the various places of exhibition.</p> - -<p>The performances take place in various <i lang="fr">locales</i>—in -fact it may safely be affirmed that no arena in -England could be found better adapted than the Crystal -Palace for the display of Mr. Myers’ resources. The -great course of three-quarters of a mile in length -(C on plan) has been formed by connecting the First -and Second Terraces, on which will take place the -steeple-chases, hurdle-races, parades of richly-mounted -carriages lavishly plated and decorated, and revivals -of classic sports. This transformation has been -effected by the construction of two inclined planes, -120 yards in length, built of timber, supported on -piles, and overlaid with a thick stratum of earth or -tan to form a suitable roadway.</p> - -<p>The conformation of the Greek hippodrome was -not unlike that of the great course formed in the -Crystal Palace grounds, the sides being parallel, and -one end semicircular. The site for the hippodrome -of old was also chosen, as a rule, on the side of a hill. -The circuit of the Olympic hippodrome was about 2,500 -feet, or a little less than half a mile; that of the course -on the first and second terraces of the Crystal Palace is -3,760 feet, or half as long again. The width of the -Greek hippodrome was about 400 feet; that of the -Crystal Palace also 400 feet. The Circus Maximus of -Rome was three stadia, or about 1,800 feet, in length; -and about 600 feet across.</p> - -<p>If we picture to ourselves the whole frontage<span class="pagenum"><a name="Page_5" id="Page_5">[5]</a></span> -of the Crystal Palace, 1,584 feet in length, tier -upon tier affording accommodation to thousands of -spectators, and overlooking a combination of natural -and artificial scenery such as is hardly to be matched -in England, we may justly claim that the Coliseum -of Rome in all its glory did not afford a spectacle -so picturesque, and with the additional advantage that -the performances at the Crystal Palace will be entirely -free from debasing elements.</p> - -<p>The equestrian performances, entertainments of -Oriental jugglery and acrobats, feats of lion-taming, -by John Cooper, and other exhibitions, are divided -between the great centre transept (A on plan) and the -great waterproof tent (B on plan) erected at the -north end, occupying 21,600 square feet, and capable -of holding 4,000 persons. An ingenious plan has been -devised by which the centre transept can be at will -transformed into an enormous circus, or revert to its -normal use as a promenade, a theatre, or colossal -concert-hall. A ring of 44 feet outer and 30 feet inner -dimensions, has been formed by constructing a sunken -circle about 12 inches below the level of the original -floor, which is rendered capable of removal to just -such an extent as will disclose the ring, the boarding -being replaced to form the ordinary promenade, at -such times as the circus performances are not going -on. The elephants and other animals will be brought -from their stables in the basement and park to the -centre transept along an inclined plane of about 250 -feet in length, and of ample width to allow both human -and quadrupedal performers to pass or repass.</p> - -<p><span class="pagenum"><a name="Page_6" id="Page_6">[6]</a></span></p> - -<h2>Magnitude of Mr. Myers’ Establishment.</h2> - -<p>The magnitude of Mr. Myers’ establishment may -be, in some degree, estimated when we state that its -performances employ no less than 200 persons—as equestrians, -acrobats, clowns, musicians, children, &c., and -200 performing animals, comprising 132 horses, 18 -ponies, 9 elephants, 7 lions, 6 camels, besides monkeys, -dogs, and mules. The estimated value of <i lang="fr">matériel</i> -alone is £150,000, and the daily expenses are over -£250. Another idea of its extent may be gained -from a few facts as to its transport to England, which -required a train of no less than 46 waggons, besides -passenger carriages, for the conveyance from Paris -to Boulogne, where it was transferred to the two -steam-vessels <i>Leo</i> and <i>Rhine</i>, which were specially -detached from the General Steam Navigation Company’s -Continental service, for the voyage to -London. The area of the stabling and harness-rooms -at the Crystal Palace is no less than 27,456 square -feet; and the dressing-rooms alone occupy 3,472 -square feet. The elephants, horses, and camels require -about 10,000 pounds of corn, 8,000 pounds of hay, -8,000 pounds of straw, 2,000 pounds of bran, and -3,000 pounds of potatoes per week; while the lions -consume 400 pounds of beef per week.</p> - -<h2>Career of Mr. Myers.</h2> - -<p>Mr. J. W. Myers, the proprietor of the largest Hippodrome -in the world, was born in New York in 1828. -Though still in the prime of life, he is a veteran in his<span class="pagenum"><a name="Page_7" id="Page_7">[7]</a></span> -profession, having commenced his public career at the -early age of nine by apprenticing himself as an equestrian -to Aaron Turner and Sons, partners of the celebrated -Barnum. <i lang="la">Ex nihilo nihil fit</i>, and Mr. Myers thus early -recognised the truth of the proverb by taking care to -be provided with the small though substantial capital -of one halfpenny, with which, as the nucleus of fortune, -he fled from his home. He made rapid progress in his -calling, and soon distinguished himself as being the first -who ever did a double somersault over horses. A -few years’ experience placed him foremost among -equestrians, and at the age of twenty-one he started -a Circus and Menagerie of his own, with which he -travelled over the United States for seven years. He -then sold his property to Mr. John Wilson (whose -establishment was at the time the largest of its kind in -America) and came to England, having, shortly after -his arrival, the distinguished honour of performing -before Her Majesty the Queen and the late Prince -Consort, at Windsor Castle.</p> - -<p>Mr. Myers was for seventeen months engaged with -Messrs. Howes and Cushing, and at the expiration of -that time he again formed a company of his own, and -performed with great success at Birmingham and other -English towns. Leaving England for the Continent -he commenced the career which has culminated in -the formation of an establishment of unprecedented -magnitude.</p> - -<p>The Mecca of Mr. Myers’ long pilgrimage was, of -course, Paris; and a Paris journal gives a characteristic -account of the interview in which the <i lang="fr">entrepreneur</i><span class="pagenum"><a name="Page_8" id="Page_8">[8]</a></span> -acquired possession of the Magasins Réunis, which he -has transformed into the vast establishment which has -been the sensation of the capital of the world of pleasure -during the last six months. The Paris <cite>Figaro</cite> states -that on a certain day in last autumn the proprietor of -the Magasins Réunis, Baron E——, was visited by a -stranger who expressed his desire to hire the structure, -till then a drug in the market. Baron E—— was -startled for a moment, but, soon recovering his self-possession, -replied that he was willing to let, but only -on a twenty years’ lease. “Be it so,” answered the -applicant. The owner believed himself the sport of a -dream, and could only feebly articulate “75,000 francs -(£3,000) a year.” “I’ll give you 75,000 francs a year,” -answered the visitor, “and here’s a year’s rent in -advance.” The bargain was struck, and the applicant -announced himself as Mr. J. W. Myers, the proprietor -of a peripatetic hippodrome. Mr. Myers set himself -with all possible speed to adapt his new acquisition to -his purposes, and the great range of warehouses at the -Château d’Eau was in a very few weeks transformed, at -an outlay of not less than a million of francs, into a place -of entertainment which has been one of the wonders of -Paris since December 19, 1875, when it was first opened -to the public. The great circus into which the central -court was converted accommodates an audience of more -than 8,000 persons, and the establishment is described -by <cite>La France</cite> as a complete world in itself. In fact, -the Paris press is singularly unanimous in pronouncing -it to be not only the greatest hippodrome which has -ever visited Paris, but (what is perhaps synonymous)<span class="pagenum"><a name="Page_9" id="Page_9">[9]</a></span> -the greatest in the world, unparalleled in grandeur -and magnificence.</p> - -<p>For the Hippodrome of Mr. Myers has attained -its present unequalled proportions by gradual and steady -growth. There is an eclecticism even in Circus business, -and Mr. Myers has excelled the doings of his predecessors -and contemporaries, not merely by employing nine -elephants where they used to employ <em>one</em> performer and -three or four “dummies”; by doubling the usual number -of the band, of the horses, and other component parts of -such an establishment: but he has taken care that his -horses shall be the best bred; that his elephants shall -be the most highly trained; that his equestrians shall be -the most finished and daring; that his clowns shall be -the most amusing; that his acrobats shall be the most -graceful that have ever been seen in public. If the patronage -of the great ones of the earth be a test of merit, -Mr. Myers may claim to possess that merit in a supereminent -degree. The Emperor William of Germany, -the Empress Augusta, the Emperor Francis Joseph -and the Empress of Austria, King Victor Emmanuel -of Italy, King Alfonso of Spain, the King and Queen -of the Belgians, the King and Queen of the Netherlands, -the King and Queen of Saxony, the Queen of Greece, -the Khedive of Egypt, the President of Switzerland, -the late Emperor Napoleon III., the Empress Eugenie, -the ex-Queen Isabella of Spain, the King and Queen -of Hanover, and the unfortunate Abdul Aziz of Turkey, -have all, at various times and places, honoured Mr. -Myers with their presence at his performances. Lyons, -Bordeaux, Toulon, Dijon, Nimes, St. Étienne, Nice,<span class="pagenum"><a name="Page_10" id="Page_10">[10]</a></span> -Grenoble, Avignon, Toulouse, and all the great towns -in France; Berlin, Hamburg, Frankfort, Breslau, -Dresden, Königsberg, Leipsic, Cologne, Mayence, -Vienna, Nuremberg, Munich, Bremen, Dantzic, Stettin, -Regensburg, Strasburg, Metz, in Germany; Rome, -Turin, Milan, Florence, Genoa, Verona, Venice, Padua, -in Italy; Amsterdam, Rotterdam, the Hague, Utrecht, -in Holland; Brussels, and other towns in Belgium; -Berne, Aarau, Schaffhausen, Zurich, Lausanne, Geneva, -Zug, Basle, St. Gallen, in Switzerland, have all been -visited by Mr. Myers; and the press of these places -has been unanimous in its laudatory notices of his -establishment and its performances.</p> - -<h2>Animal Performances in Ancient Times.</h2> - -<p>The love for spectacles in which animals take part is -inherent in human nature, and directed the current of -popular amusements at a very early period of the world’s -history. There is a natural pleasure in witnessing performances -which illustrate the sovereignty which man’s -intellect enables him to obtain over the largest and -fiercest of the brutes. Some of the most beautiful of -the classic myths are based on this dominion of man -over the animal creation. The Centaurs were but -early trainers and riders of horses, the vulgar imagination -amalgamating the horse and its rider into one -strange creature whose beneficent deeds rendered him -worthy of deification. The chariot race is described by -Homer as the most important item in the series of<span class="pagenum"><a name="Page_11" id="Page_11">[11]</a></span> -funeral games in honour of Patroclus. Chariot-racing -was introduced at the 25th Olympiad (about <span class="smcapuc">B.C.</span> 680), -and racing by single horses in the 33rd Olympiad -(about <span class="smcapuc">B.C.</span> 648). Elephants were first introduced -in the Roman circus in the year <span class="smcapuc">B.C.</span> 251, when Lucius -Metellus exhibited them as part of the spoil of his -victory over the Carthaginians. Lions and panthers -were first exhibited in <span class="smcapuc">B.C.</span> 186 by M. Fulvius, after -the Ætolian war. After this date wild beasts became -a regular feature of the Roman entertainments. -Scaurus, in <span class="smcapuc">B.C.</span> 58, exhibited a hippopotamus and five -crocodiles. Julius Cæsar introduced giraffes into Italy -for the first time in <span class="smcapuc">B.C.</span> 45; Augustus, a rhinoceros in -<span class="smcapuc">B.C.</span> 29. But these animals were used mainly for the -<i lang="la">venatio</i>, or exhibition in which they fought against each -other, or against man—the contrast between the old -Circensian games and the modern performances being -all in favour of our own times as regards humanity.</p> - -<h2>The Performing Elephants.</h2> - -<p>Elephants have, from a very early period in the history -of circus entertainments, played a leading part in -the performances. They were, in fact, the first animals -(except, of course, horses) introduced into the ancient -amphitheatre, Lucius Metellus having (as stated -above) paraded them as part of the spoils of the -Carthaginian war. In the time of Pompey’s rule at -Rome there was an attempt on the part of the elephants -to break down the barriers which separated them from<span class="pagenum"><a name="Page_12" id="Page_12">[12]</a></span> -the public, an act of insubordination which led Cæsar to -alter the form of the circus. We hear of elephants as -rope-walkers in the time of Galba and Nero, and, in the -reign of the latter emperor, an elephant mounted an -arch and thence walked on a rope with a man on his -back. Pliny, in his “Natural History,” has an account -of an exhibition given by Germanicus, in which elephants -walked the tight-rope, fought with javelins, and -executed the Pyrrhic dance; and Seneca, Suetonius, -Dion Cassius, and Œlian bear testimony to their talents -and high training. Pliny says that the elephant is able -to walk up the rope backwards, and down it head foremost. -Elephants are peculiarly susceptible to the influence -of music, and the Romans took full advantage of -this susceptibility. They were trained to march into -the amphitheatre to the rhythm of musical instruments; -and we have in Arrian an account of an elephant who, -with cymbals fastened to his knees and trunk, beat time -to which his comrades danced. They also took part in -mimic representations of a banquet, reclining at which, -in suitable costume of ladies and gentlemen of the -period, they behaved very much like those they represented, -eating and drinking with due decorum. -Elephant performances have been a feature of modern -hippodromes, but it was reserved for Mr. Myers’ -coadjutor, John Cooper, to rediscover the lost art -of elephant training and performing, as understood -by the ancients. Music has played an important -part in the education of Mr. Myers’ <i lang="fr">troupe</i> of -elephants. They waltz with pachydermatous grace, -and in perfect time; they execute complete ballets with<span class="pagenum"><a name="Page_13" id="Page_13">[13]</a></span> -an accuracy and confident knowledge of their respective -<i lang="fr">rôles</i>, which many a human performer might envy. -They perform dramatic scenes with a perfect appreciation -of the situation. An anecdote or two will illustrate -their intelligence. It is recorded that, while performing -in a certain town, the <i lang="fr">troupe</i> had each evening, while -on the road from the stables to the place of representation, -to pass in front of the tap of a brewery. One day, -as they were <i lang="fr">en route</i>, one of the drinkers held out his -glass of beer to an elephant. The elephant gracefully -accepted the compliment, took with the utmost delicacy -the glass from the hand of the donor, poured the -contents down its throat, and politely returned the -empty vessel to its owner. The bystanders were so -amused, that in an instant a crowd of glasses was tendered -to the crowd of trunks, and the same ceremony -was performed by all the elephants present. The proprietor -of the establishment, in an excess of generosity, -brought out a barrel of beer, which was soon emptied -by the combined efforts of the trunks, and the <i lang="fr">troupe</i> -went on its way rejoicing to its duties. But the -next evening the elephants, to the surprise of their -keepers, unanimously refused the ordinary beverage -which was provided before starting to their tasks. -They were not pressed, and the <i lang="fr">cortége</i> took its -way to the theatre; but, on arriving in front of the -brewery, the elephants, to the consternation of their -guides, refused to budge a step until the performance -of the preceding day had been repeated. The -brewer, with less satisfaction than on the preceding -evening, provided a second barrel of beer, and begged<span class="pagenum"><a name="Page_14" id="Page_14">[14]</a></span> -the superintendent of the procession to take another -road for the future. But he had reckoned without his -host. In spite of all the efforts of the keepers, at the -same hour the next evening an array of trunks was -again extended in front of the brewery, and a third -barrel went the way of its predecessors. In despair the -brewer related his sad case to Mr. Myers, who indemnified -him, ordered a barrel of beer to be delivered at each -passage of the <i lang="fr">troupe</i>, and, it is said, has ever since, -when travelling, taken care that his elephants shall -avoid all streets in which stands temptation in the -shape of a brewery. Another story is told of one of the -sagacious animals whose keeper, returning fatigued at -night, fell asleep on a truss of straw, and was uplifted -by the trunk of his faithful four-footed valet, and placed -in a manger; the elephant not contenting himself with -this delicate attention, but proceeding to take off the -boots of the sleeper, and cover him carefully with two -or three trusses of straw!</p> - -<p>One of the most interesting of Mr. Myers’ exhibitions, -is the bathing and swimming of the elephants, which -takes place in the lakes of the Crystal Palace. The -sight is a most amusing one; in fact, one day’s casual -bathe of the elephants in the Rhine, when Mr. Myers -was at Cologne, so excited the curiosity of the townspeople, -that a guarantee of some thousands of thalers -was raised to ensure its repetition on successive days. -The great beasts play hide-and-seek with each other, -and, with their keepers, they turn somersaults in the -water; they are as uncontrollable and spontaneous in -their mirth as a pack of boys turned loose into a playground<span class="pagenum"><a name="Page_15" id="Page_15">[15]</a></span> -after school hours with <i lang="fr">carte blanche</i> to amuse -themselves. Indeed the only drawback to their being -allowed to enter the water is the difficulty of getting them -back for their more serious duties. Pursuit with boats -is attendant with the risk of the sudden elevation of the -vessel and its occupants some ten or twenty feet into -the air; and even when one is captured and seemingly -brought to a sense of its duties, the temptation to rejoin -its sporting comrades is too strong for it, and if unwatched -for an instant, it takes the opportunity of -plunging in again. Nothing but the firm though mild -rule of John Cooper then avails to bring them up to the -time and place for their other performances.</p> - -<h2>John Cooper and Lion Taming.</h2> - -<p>With the lions of Mr. Myers’ Hippodrome the name -of John Cooper is inseparably associated. This foremost -animal trainer in the world, was born at Birmingham -in 1838, and entered upon his present career under -the auspices of George Batty (brother of the Batty of -hippodromatic fame of 1851), who was then travelling -on the Continent with his circus and menagerie. -Cooper commenced lion-taming at the early age of -twelve, and has followed the profession of trainer of -wild animals without cessation till the present time. -He remained with George Batty about fifteen years, -and at the expiration of that time bought some lions, -and started on his own account. In 1866-67 he met<span class="pagenum"><a name="Page_16" id="Page_16">[16]</a></span> -Mr. Myers, who ultimately bought Cooper’s lions, and -engaged the services of their owner at a salary unprecedented -in the profession. The secret of Cooper’s -success is his love of animals, allied with a temperament -in which fear is no element, and a calm sense of -superiority which is felt by his brute servants no less -than by himself.</p> - -<p>Some remarkable instances of his immediate ascendency -over the fiercest animals are on record. When -Lucas, the lion-tamer, was killed by his own lions, he -left a wife and child with no other resource than the -ownership of the fierce brutes. M. Arnauld, manager -of the hippodrome where the tragedy took place, gave -a benefit performance for the widow, and Cooper volunteered -to enter the cage of the lions, whom he had never -before seen, and who had never before seen him, and to -perform with them, a task which he accomplished to -the astonishment of all beholders. Victor Emmanuel of -Italy—one who, like Cooper, never quailed before danger—found -a kindred spirit in the lion-tamer, and has -honoured him with special marks of approbation; one -of his presents being two splendid lions, which form -part of the <i lang="fr">troupe</i> with which Cooper performs. Four -camels and an elephant are also gifts of the soldier-king. -John Cooper has trained, while with Mr. Myers, -42 lions, 16 elephants, 25 camels, besides monkeys, -bears, hyænas, and other animals. It is a popular fallacy -that trainers of such animals begin their task while -their pupils are in infancy. Cooper does not commence -with lions till they are five years old; only in one case, -that of the King of Italy’s lions, did he begin at<span class="pagenum"><a name="Page_17" id="Page_17">[17]</a></span> -four-and-a-half years. Whatever and however fierce -the animals presented, he enters their cage without -hesitation and without emotion, at the first interview. -In the presence of his ferocious <i lang="fr">protégés</i> a remarkable -change takes place in the demeanour of Cooper, and it -is difficult to realise that the quiet, mild, and gentle -individual with whom one has been recently conversing -is the same person with the stern, energetic, and commanding -figure, with the bright and penetrating eyes, -before which quail the fiercest of the beasts, and whose -iron will renders them compliant with his every nod -and beck.</p> - -<p>We have before alluded to Cooper’s fondness for -animals. One incident is worth recording, as illustrating -both that trait and his dauntless intrepidity. -While the lions were one day engaged in their performances, -springing over the head of their master, -bounding from one side of the cage to the other, a -favourite lioness failed to clear the movable barrier -which the trainer uses to separate the animals when -necessary, or, as in the present instance, as a kind of -hurdle over which they are to leap in traversing the -cage. The impulse of the spring forced apart the iron -bars of the barrier, and the head and fore-part of the -poor lioness were fixed as in a vice, at the height of -some feet from the floor of the cage. The situation -was somewhat critical, as Cooper had around him the -other lions, which were evidently excited by the fix -of their companion; but, nothing daunted, he attempted -to release the prisoner by manual force. She was, -however, too firmly fixed; and Cooper called for a<span class="pagenum"><a name="Page_18" id="Page_18">[18]</a></span> -mallet, a lever, and other tools, with which, unheeding -his ferocious and excited attendants—against whom -he for the time had no defence—he separated or -broke the bars, and released the lioness from her -painful position.</p> - -<p>Mr. Myers relates an account of a desperate fight -between a Senegal and Nubian lion, which, in the -absence of Cooper, he and his people vainly tried to -stop by red-hot iron bars, by throwing several pounds -of snuff into their eyes, and other unsuccessful means. -The fight resulted in the death of the larger lion before -Cooper could arrive to separate the furious beasts; -but, on his arrival, he at once entered the cage, severely -chastised the victor, and attaching ropes to the body -of the dead lion, dragged it out of the cage without -molestation.</p> - -<p>Mr. Myers’ experience of a quarter of a century -with lions tells him that, contrary to popular belief, -lions born in captivity are less intelligent and much -more fierce and nimble than those born in a state of -liberty. The victor in the above-related fight was born -in captivity. But whether born in the great forests of -the tropics or the narrow cages of the travelling -menagerie, all fierce animals are alike cowed by the -magnetic power of John Cooper, and Mr. Myers’ longstanding -challenge of £100,000 to be awarded to any -lion-tamer in the world who will perform the same feats -as John Cooper is still unaccepted.</p> - -<p><span class="pagenum"><a name="Page_19" id="Page_19">[19]</a></span></p> - -<h2>Equestrian Scenes.</h2> - -<p>With such an unrivalled stud as that of Mr. Myers, -and with such a company of equestrians, it is, of -course, inevitable that the scenes of the circle will be -on a commensurate scale. Mr. Myers has enlisted the -services of almost all the best-known riders, and his -horses fulfil all the requirements of the circle, both -for high breed, for docility, and for training. There -is not a more accomplished and graceful horsewoman -in the world than Mrs. Myers; and her performance -on her thoroughbred steed “Cromwell” will form one -of the most pleasing features of the exhibition. -Madame Nyegaard’s feats, performed while riding a -barebacked steed, are also unique; while the Madigans -are unsurpassed in those daring gymnastic feats which -would almost lead one to the belief that the rider -was born and brought up on horseback, that he lives, -takes his meals, and sleeps on horseback, and that a -visit to <i lang="la">terra firma</i> is an abnormal occurrence which -occasionally breaks the monotony of his ordinary life.</p> - -<p>James Madigan’s double somersaults, performed -while the horse is at full speed, and Charles Madigan’s -riding of four trained horses at once, are feats which -have excited the admiration of all the towns on the -Continent which Mr. Myers’ Hippodrome has visited. -Special attention must also be drawn to the quadrille of -eight thoroughbreds ridden by four ladies and four -gentlemen, all accomplished performers, who guide -their intelligent steeds with the utmost grace and -dexterity through the most intricate figures of the dance.</p> - -<p><span class="pagenum"><a name="Page_20" id="Page_20">[20]</a></span></p> - -<p>Amongst the most notable of Mr. Myers’ horses are -the thoroughbred “Cromwell,” mentioned above; the -horse “Mexican,” presented to Mr. Myers by the ill-fated -Emperor Maximilian; and the seven coal-black -horses from the Imperial stables of Trakhene, in -Prussia.</p> - -<h2>Parades and Processions, Sports, &c.</h2> - -<p>One of the features of the performances in the -Roman Circus Maximus was the grand procession -which preceded the sports, and in which all who were -about to exhibit took part. These will be reproduced -during the stay of Mr. Myers’ establishment at the -Crystal Palace; the chariots, constructed on the classic -model, gorgeously decorated and lavishly plated, and -drawn by horses of the highest breed and mettle, being -daily paraded on the great course constructed on the -First and Second Terraces, as before described. There -also will take place from time to time the hurdle-races, -steeple-chases, and other entertainments, in which the -great resources of Mr. Myers will be utilised. The -classical character of this portion of the entertainment -will be maintained by the decorations, which have -been entrusted to Mr. Fenton, and in which, amongst -other items, the fasces and ova, which formed important -features in a Roman circus, will be reproduced.</p> - -<h2>Acrobatic and other Entertainments.</h2> - -<p>The miscellaneous entertainments given by Mr. -Myers are of great variety; in fact, he is able with<span class="pagenum"><a name="Page_21" id="Page_21">[21]</a></span> -perfect ease to change his programme daily, such are -his resources. An attractive item is the performance -of the Japanese <i lang="fr">troupe</i>, brought from Japan expressly -for Mr. Myers, and in which the brothers Moto and -Assa exhibit a flexibility which implies the possession -of spines of abnormal elasticity; while Gingero and -Como-Ketchy go through a series of balancing feats -which cast into the shade all contemporary performances -of a like nature. Especially wonderful is the business -with the bamboo ladder, up and down which, while it -is supported on the chest of one of the performers, the -other runs with the greatest rapidity, standing on his -head on the top, creeping in and out between the -rounds; and which at last, at a given signal, falls to -pieces, leaving only one side-piece, with the acrobat -standing on the top. A band of Bedouin Arabs also -appears in those bounding feats which seem the -speciality of the sons of the Desert. Miss Charlotte -Felix’s <i lang="fr">troupe</i> of performing dogs go through a series of -interesting tricks, which illustrate to what a pitch of -perfection of training these sagacious animals can be -brought; and a number of clowns, headed by the well-known -Hulines, add zest to the interludes by their -quaint sayings and grotesque tricks.</p> - -<h2>The Equestrian Pantomime, Little Red Riding -Hood.</h2> - -<p>The latest addition to the varied attractions of Mr. -Myers’ establishment has been a gorgeous spectacular -pantomime on the subject of Little Red Riding Hood<span class="pagenum"><a name="Page_22" id="Page_22">[22]</a></span> -(Le Petit Chaperon Rouge), which was produced in -Paris in April last, at a preliminary outlay of 120,000 -francs, and which forms one of the most striking -features of the Crystal Palace performances. The -charming little story of Perrault has been ingeniously -adapted to the equestrian resources of Mr. Myers’ -hippodrome. The pantomime opens with a pretty -ballet, in which the fairy Good Heart and her attendant -fays take part. Little Red Riding Hood next -appears, with her basket, and is surprised by the wolf, -but is for the time being saved from danger by the -appearance of a host of little hunters, whose horns -terrify the savage beast, and who chase him on their -tiny ponies till they unfortunately lose his track. The -wolf then slays and devours the grandmother, and disguises -himself in her dress to deceive more effectually -his intended victim; but she is saved, of course, by the -entrance of the young prince, who captures the wolf, -and encloses him with some trouble in a great cage. A -grand <i lang="fr">bal champêtre</i> follows, given by the fairy Good -Heart in honour of Little Red Riding Hood. The circus -is transformed into a garden, with copses, alleys, flowers, -tended by little gardeners. Little Red Riding Hood, -transformed by the fairy into a princess, appears; -guests of all nations, and all classes of society, arrive, -in appropriate dresses.</p> - -<p>Distinguished Orientals, comprising the Shah of -Persia and Chinese and Japanese ambassadors, are -intermingled with dukes and duchesses, marquises -and marchionesses, of the Western world. Waltzes, -quadrilles, and galops are the order of the day. A<span class="pagenum"><a name="Page_23" id="Page_23">[23]</a></span> -skipping-rope dance by Little Red Riding Hood succeeds, in -which time is kept to the music with wonderful precision -and exquisite grace. Now appear the gala -chariots, to convey away the prince and princess. -A procession of miniature chariots, richly gilded, each -bearing two footmen, sumptuously dressed and heavily -powdered, are drawn in, each by six Lilliputian horses -with lavishly plated harness, and conducted by little -coachmen. The arrival of the great allegorical chariot, -drawn by six magnificent horses, all arrayed in dazzling -silver-plated harness, and bearing the colours of various -nations, forms a suitable finale to a spectacle which -consists of a series of tableaux of more than an hour’s -duration, which have never been surpassed in originality -and richness, and which will surely be more effective in -the Crystal Palace than it was in the great court of the -Magasins Réunis.</p> - -<p class="right">W. G.</p> - -<p><span class="smcap">Note.</span>—This little book aims merely at giving a -short account of the rise, progress, and magnitude of -Mr. Myers’ Great Hippodrome, and a brief abstract of -the entertainments which will <em>at various times</em> be offered -to the public during his visit. It will be readily understood -from its contents, that his resources are so vast, -that it would be utterly impracticable to use more than -a portion on one day, and that the programme will from -time to time be selected from the items of which the -foregoing is but a <i lang="fr">résumé</i>.</p> - -<p class="center">CHARLES DICKENS AND EVANS, CRYSTAL PALACE PRESS.</p> - -<div class="blockquote"> - -<p class="center larger">FURNISH<br /> -THROUGHOUT</p> - -<p class="center larger">OETZMANN & Co.</p> - -<p class="center smaller"><i>Descriptive</i><br /> -CATALOGUE<br /> -<i>post-free</i>.</p> - -<p class="center">67, 69, 71, 73, 77 & 79,<br /> -HAMPSTEAD ROAD,<br /> -<span class="smcap">Near</span> TOTTENHAM COURT ROAD, <span class="smcap">London</span>.</p> - -</div> - -<div class="blockquote"> - -<p class="noindent">INDIGESTION!</p> - -<p class="right">INDIGESTION!!</p> - -<p class="center larger">MORSON’S PREPARATIONS OF PEPSINE.</p> - -<p class="center smaller">SEE NAME ON LABEL.</p> - -<p class="center">Highly recommended by the Medical Profession.</p> - -<p class="center">Sold in Bottles as <span class="smcap">Wine</span>, at 3/-, 5/-, and 9/-; <span class="smcap">Lozenges</span>, 2/6 and 4/6; <span class="smcap">Globules</span>, -2/-, 3/6, and 6/6; and <span class="smcap">Powder</span>, in 1 oz. Bottles, at 5/- each,</p> - -<p class="center"><i>BY ALL CHEMISTS AND THE MANUFACTURERS</i>,<br /> -<b>T. MORSON & SON</b>,<br /> -SOUTHAMPTON ROW, RUSSELL SQUARE, LONDON.</p> - -</div> - -<div class="blockquote"> - -<p class="center">OLDRIDGE’S<br /> -<span class="larger">BALM OF COLUMBIA</span></p> - -<p class="center">(<i>Established 60 Years</i>)</p> - -<p class="noindent">Is the best and only certain remedy ever discovered for Preserving, -Strengthening, Beautifying, or Restoring the HAIR, WHISKERS, -or MOUSTACHES, and preventing them turning grey. Price -3s. 6d., 6s., and 11s.</p> - -<p class="center"><b>C. & A. OLDRIDGE</b>,<br /> -<i>22, Wellington Street, Strand, London, W.C.</i>,<br /> -And all Chemists and Perfumers.</p> - -<p class="center">For Children it is invaluable, as it forms the basis of a magnificent -head of hair, and prevents baldness in mature age.</p> - -</div> - -<div class="blockquote"> - -<p class="center larger">THE PUBLIC SUPPLY STORES.</p> - -<p class="center">SHARES £1 EACH. NO ANNUAL TICKET TO PAY FOR.</p> - -<p class="center"><span class="u">SPECIAL FEATURES.</span></p> - -<p><span class="u">THE DISTRIBUTION</span> of all Household Requirements -from the Stores.</p> - -<p><span class="u">FAMILIES</span> will be able to obtain the whole of their -Requirements as from any first-class trader; always, and excepting -the difference in profit, from the most inexpensive to the most -costly.</p> - -<p><span class="u">CONSTANT AND AVERAGE</span> supplies at first cost -price, direct from Manufacturer to Consumer.</p> - -<p><span class="u">FREE DELIVERY</span> to Shareholders to any Railway -Station in the Kingdom.</p> - -<p><span class="u">THE ANNOYANCE</span> of producing Membership Tickets -entirely dispensed with.</p> - -<p><span class="u">SHAREHOLDERS AND THE PUBLIC</span> not required -to write out their own Lists or Invoice Notes.</p> - -<p><span class="u">PROMPT ATTENTION</span>, as in the best Retail Establishments.</p> - -<p><span class="u">NO ANNUAL TICKET</span> to pay for.</p> - -<p><span class="u">SHARES £1 EACH</span>, no further payment for the London -district.</p> - -<p><span class="u">FOR ECONOMY</span> of time Order Clerks will be appointed -in each Department.</p> - -<p><span class="u">EVERY CLASS</span> of Household Requirements will be -Represented at the Stores, and all Articles Guaranteed of the -Best Quality, at a fixed Trading Profit.</p> - -<p class="center">ADVANTAGES TO SHAREHOLDERS.</p> - -<p><b>FREE DELIVERY OF GOODS</b> within the postal -district of London to Shareholders holding <b>One</b> fully paid-up -<b>Share</b>, and no further liability or payment.</p> - -<p><b>FREE DELIVERY OF GOODS</b> to any Railway -Station within 25 miles of London to Shareholders holding <b>Two</b> -fully paid-up <b>Shares</b>, and no further liability or payment.</p> - -<p><b>FREE DELIVERY OF GOODS</b> to any Railway -Station within 50 miles of London to Shareholders holding <b>Four</b> -fully paid-up <b>Shares</b>, and no further liability or payment.</p> - -<p><b>FREE DELIVERY OF GOODS</b> to any Railway -Station within 100 miles of London to Shareholders holding <b>Five</b> -fully paid-up <b>Shares</b>, and no further liability or payment.</p> - -<p><b>FREE DELIVERY OF GOODS</b> to any Railway Station in the United Kingdom to Shareholders holding -<b>Ten</b> fully paid-up <b>Shares</b>, and no further liability or payment.</p> - -<p class="center">THE PUBLIC SUPPLY ASSOCIATION LIMITED.</p> - -</div> - -<p class="center">CHARLES DICKENS AND EVANS, CRYSTAL PALACE PRESS.</p> - - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Myers' Grand Hippodrome, by Anonymous - -*** END OF THIS PROJECT GUTENBERG EBOOK MYERS' GRAND HIPPODROME *** - -***** This file should be named 53472-h.htm or 53472-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/3/4/7/53472/ - -Produced by deaurider and the Online Distributed -Proofreading Team at http://www.pgdp.net (This file was -produced from images generously made available by The -Internet Archive) - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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