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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..3cb4045 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #51902 (https://www.gutenberg.org/ebooks/51902) diff --git a/old/51902-8.txt b/old/51902-8.txt deleted file mode 100644 index b6c73ac..0000000 --- a/old/51902-8.txt +++ /dev/null @@ -1,2488 +0,0 @@ -Project Gutenberg's Catalogue of Works Literary Art and Music, by W. Reeves - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: Catalogue of Works Literary Art and Music - -Author: W. Reeves - -Release Date: May 1, 2016 [EBook #51902] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK CATALOGUE OF WORKS LITERARY *** - - - - -Produced by Judith Wirawan, deaurider and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive) - - - - - - - - - -TRANSCRIBER NOTES - - -Words surrounded by / are italicized. - -Words surrounded by = are bold. - -Words surrounded by _ are underlined. - -Small capitals are presented as all capitals in this e-text. - -Inconsistent spelling and apparent printer errors have been retained -as printed in original book, except obvious punctuation errors have -been repaired. - -Asterism (a symbol consisting of three asterisks arranged in a -triangle) is presented as *** in this e-text. - - - - - W. REEVES - - AND - - REEVES & TURNER'S - - Publications - - * * * * * - - CATALOGUE - - OF WORKS - - Literary - Art and - Music. - - ALSO ... - Books on ... - Freemasonry. - - [Illustration: Logo] - - London: - 83, Charing Cross Rd. - W.C. - - * * * * * - -HOW TO MEMORIZE MUSIC: With numerous Musical Examples. By C. F. -Kenyon, cr. 8vo, 1s. - - * * * * * - -TREATISE ON THE TRAINING OF BOY'S VOICES: With Examples and Exercises -and Chapters on Choir-Organization. Compiled for the Use of -Choirmasters. By George T. Fleming, cr. 8vo, cloth, 2s. - - * * * * * - -GRADUATED COURSE OF EXERCISES FOR BOY CHORISTERS: With Pianoforte -Accompaniment. For Use inconjunction with above. By G. T. Fleming, 1s. - - * * * * * - -INTERLUDES. Seven Lectures by H. C. Banister. Collected and Edited by -Stewart Macpherson, with Portrait, cr. 8vo, cloth, 2s. (pub. at 5s.) - - * * * * * - - ORGAN MUSIC. - (All with ped. obb.) (Prices Music-net). - - Chopin's Nocturne (Op. 9, No. 2) 1s. 6d. /E. H. Lemare/. - Forward! Grand March 1s. 6d. /E. H. Sugg/. - Lebanon March (Smallwood) 2s. /Dr. Westbrook/. - Grand Festival March, "Illogan" 2s. /H. C. Tonking/. - (also arr. for Piano solo; and Vn. & Pi.) - Overture to William Tell (Rossini) 2s. 6d. /A. Whittingham/. - Overture to Oberon (Weber) 2s. /A. Whittingham/. - Overture to Freischütz (Weber) 2s. /A. Whittingham/. - Six Pieces for Church Use (arr.) 1s. /W. Smallwood/. - - * * * * * - - 8vo cloth, 300 pp., 3s. 6d. - -=HONE (William), Ancient Mysteries described=, especially the English -Miracle Plays founded on the Apocryphal New Testament Story, extant -among the unpublished MSS. in the British Museum, including notices of -Ecclesiastical Shows and Festivals of Fools and Asses, the English Boy -Bishop, Descent into Hell, the Lord Mayor's Show, the Guildhall -Giants, Christmas Carols, etc., with Engravings and Index. - - * * * * * - - 8vo, cloth, 3s. 6d. - -=HONE (William), The Apocryphal New Testament=, being all the Gospels, -Epistles and other pieces now extant attributed in the first four -centuries to Jesus Christ, his Apostles and their Companions and not -included in the New Testament by its compilers. - - * * * * * - - In 4 Volumes, 8vo. Price £2 2s. - Handsomely bound in designed buckram cloth. - -*** /_One Hundred Copies specially printed on hand-made paper supplied -By Spalding & Hodge. Price £4 4s. net, bound in Vellum._/ - - - Essays & Letters of MONTAIGNE. - - Edited by WILLIAM CAREW HAZLITT. - _NEW AND ENLARGED INDEX_ - -AN ENTIRELY NEW EDITION formed from a Collation of the Foreign -Quotations; a fresh English rendering and a careful revision of the -text throughout. Some account of the Life of Montaigne, Notes to which -are added, a Translation of all the Letters known to be extant. - - -MR. HAZLITT'S MONTAIGNE,--An entirely new Edition text of Montaigne's -Essays and Letters (founded on the now extremely scarce one published -in 1877 in three volumes octavo) has now been brought to completion -(Publisher, Messrs. Reeves and Turner) and will, partly by reason of -enlarged introductory matter and partly by additional notes, extend to -four volumes. The Edition of 1877 was superintended by Mr. Hazlitt's -father, though bearing his own name on the title, and he merely -contributed the Preface. The book has now at length been adapted to -the last French /Variorum/ so far as possible, and innumerable errors -of the former English versions have been rectified. The Biographical -account of the essayist has been considerably amplified and =instead -of the sixteen Letters= given in 1877 =there are thirty-five=, many of -which are of interest and importance towards understanding the Life of -the Author. A salient feature in the present undertaking is to have -substituted for the English colloquial equivalents, or rather supposed -equivalents of the great Frenchman's language, the words which he -actually uses or the sense, which he actually intends to convey; and -the difference is often curious and sometimes immense between him and -his English renderers.--/The Athenæum./ - - * * * * * - -In the Press. - - - Modern Orchestral Instruments - - Their Origin, Construction, and Use. - - /BEING A PRACTICAL ILLUSTRATED HANDBOOK/ - /For the use of/ - /AMATEURS OR STUDENTS./ - -With many additional Illustrations, Tables, an Appendix, and an -Explanatory Index. - - BY - K. SCHLESINGER. - - * * * * * - - - Classical Works. - - Edited by Prof. Anthon. - -ANTHON'S HORACE, Edited by Rev. James Boyd, LL.D., thick post 8vo, 5s. -6d. - -ANTHON'S HOMER'S ILIAD, First Three Books, Edited by B. Davies, LL.D., -thick post 8vo, 5s. 6d. - -ANTHON'S CÆSAR'S COMMENTARIES, Edited by Rev. G. B. Wheeler, thick -post 8vo, 4s. 6d. - -ANTHON'S ECLOGUES AND GEORGICS OF VIRGIL, with English Notes, Critical -and Explanatory, and a Metrical Index, post 8vo, price 4s. 6d. - -ANTHON'S SALLUST, Edited by Rev. J. Boyd, LL.D., post 8vo, 4s. 6d. - -ANTHON'S JUVENAL AND PERSIUS' SATIRES, Edited by J. T. Wheeler, post -8vo, 4s. 6d. - -ANTHON'S CICERO'S ORATIONS, with English Commentary and Historical, -Geographical and Legal Indexes, Revised and Edited by Rev. G. B. -Wheeler, post 8vo, 4s. 6d. - - * * * * * - - =Crown 8vo, Special Designed Cover. 5/-= - - - MASTERSINGERS APPRECIATIONS OF MUSIC AND - MUSICIANS WITH AN ESSAY ON - By FILSON YOUNG HECTOR BERLIOZ.... - -CONTENTS.--The Pastoral Symphony--Tristan and Isolda--Bach's Organ -Fugues--Mozart's Requiem--Tschiakowsky's Sixth Symphony--The Composer -in England--Charles Hallé--Camille Saint-Saëns--An Irish -Musician--Hector Berlioz. - - * * * * * - -/=Ready.=/ =roy. 8vo, boards, 1/6= - - - "THUS SPAKE ZARATHUSTRA" - - BY F. NIETZSCHE, /A BOOK FOR ALL AND NONE/. - -TRANSLATED BY THOMAS COMMON, containing Zarathustra's Prefatory -Discourse, with Critical and Bibliographical Notices, Part I. - -/"Nietzsche's Ethics, however are not the Ethics for boys, nor for old -women, nor for dreamers either; _they are the Ethics for full grown -men_, the noble, strong, wide-awake men, who shape the world's -destiny."/ - --EDITOR. - - * * * * * - - =crown 8vo, Limp Cloth, 2/-= - - - THE ART OF MODULATING. - -/A SERIES OF PAPERS ON MODULATING AT THE PIANOFORTE. WITH 62 MUSICAL -EXAMPLES./ BY HENRY C. BANISTER. - -/Not only at Examinations--viva voce--but in Actual Experience, is -ability required to pass rapidly, with very little "process" from one -key to another./ - - * * * * * - -/2nd Edition./ Thick Crown 8vo. Cloth, Price =7/6=. - - - THE LIFE OF HENRY GEORGE. - - Author of "Progress and Poverty," - /With Portraits./ By his Son, HENRY GEORGE, JUN. - - * * * * * - - =Thick Crown 8vo., Cloth 10s.= - /Important Critical Contribution./ - - - CHOPIN: THE MAN AND HIS MUSIC. - - BY JAMES HUNEKER, - Author of "Mezzotints in Modern Music." - -"Mr Huneker is a Chopin enthusiast. He accords admiration to Brahms, -to Wagner, to Tchaïkovsky: his worship is reserved for Chopin. Being -gifted with clear insight and imagination which grasp many and diverse -moods Mr. Huneker is a sane critic and a manly.... There is no -pretence at new material in the book. Mr. Huneker has garnered all -that has been written about the composer and he has threshed out the -grain from the chaff. The result is, therefore, of value."--/Musical -Standard./ - - * * * * * - - THE LARGE EDITION, over 1,000 pp., imp. 8vo. - -=CHAFFERS (Wm.), MARKS AND MONOGRAMS ON EUROPEAN AND ORIENTAL POTTERY -AND PORCELAIN=, with Historical Notices of each Manufactory, preceded -by an Introductory Essay on Ancient Pottery and on the Vasa Fictilia -of England and Mediæval Earthenware Vessels, with over 3,500 Potters -Marks and Illustrations, revised and edited by F. Litchfield, -ornamental cloth, Ninth Edition, with Additional Information and -Marks, 42s. - - * * * * * - -/New Edition/ (1904.) Entirely Revised and Enlarged by C. A. 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HANDBOOK TO HALL MARKS ON GOLD AND SILVER PLATE=, with -Revised Tables of Annual Date Letters Employed in the Assay Offices of -England, Scotland and Ireland, Extended by C. A. Markham, /F.S.A./, -cr. 8vo, cloth, 5s. 1902 - - * * * * * - -=MARKHAM (Chr. A.=, /F.S.A./) =HANDBOOK TO FOREIGN HALL MARKS ON GOLD -AND SILVER PLATE= (except those on French Plate), containing 163 -stamps, cr. 8vo, cloth, 5s. - - * * * * * - -=MARKHAM (C.), HANDBOOK TO FRENCH HALL MARKS ON GOLD AND SILVER -PLATE.= Illustrated. Crown, 8vo, cloth, 5s. 1900 - - * * * * * - -=COBBETT (W.), RURAL RIDES= in the Counties of Surrey, Kent, Sussex, -Hants., Wilts., Gloucestershire, etc., edited with Life, New Notes, -and the addition of a copious Index, New Edition by PITT COBBETT, /map -and portrait/, 2 vols, cr. 8vo (xlviii. and 806 pp.), cloth gilt, 12s. -6d. - -Cobbett's "Rural Rides" is to us a delightful book, but it is one -which few people know. We are not sure that up to the present time it -was impossible to get a nice edition of it. We are therefore glad to -see that Messrs. Reeves & Turner's recently published edition -is a very creditable production--two handy well-filled -volumes.--/Gardening./ - - * * * * * - -=KEATS= (John), =THE POETICAL WORKS OF JOHN KEATS= (large type), given -from his own Editions and other Authentic Sources, and collated with -many Manuscripts, edited by H. Buxton Forman, /portrait/, SEVENTH -EDITION, 8 pp., cr. 8vo, buckram, 7s. 6d. - - * * * * * - -=THE LETTERS OF JOHN KEATS= (Large type), Complete Revised Edition, -with a Portrait not published in previous Editions and 24 Contemporary -Views of Places visited by Keats, Edited by H. Duxton Forman, 519 -pages, cr. 8vo. buckram. 8s. - - * * * * * - -=LORD CHESTERFIELD'S LETTERS TO HIS SON.=--Edited with Occasional -Elucidatory Notes, Translations of all the Latin, French and Italian -Quotations, and a Biographical Notice of the Author. By Chas. Stokes -Carey, 2 vols, cr. 8vo, bevelled cloth, 10s. 6d. - - * * * * * - -=FLAGELLATION AND THE FLAGELLANTS=, A History of the Rod, in all -Countries by the Rev. W. M. Cooper. /Plates and Cuts/, thick cr. 8vo, -cloth, 7s. 6d. (pub. 12s. 6d.) - - * * * * * - -=THE AWAKENING OF WOMEN=: or Woman's Part in Evolution, by Frances -Swiney, crown 8vo, cloth, 5s. /net/. - -"Strong and soul-stirring.... The Book of the age on the woman -question."--/The Woman's Tribune./ - -It is most carefully thought out.... The authorities quoted all seem -to point to the fact that woman is more highly evolved than -man.--/Mrs. Ada Ballin, Editor of/ "WOMANHOOD." - - * * * * * - -=SHELLEY'S PRINCIPLES= has time refuted or confirmed them, a -Retrospect and Forecast, by H. S. Salt, post 8vo, 1s. - - * * * * * - -=PERCY BYSSHE SHELLEY=, Poet and Pioneer, a Biographical Study by H. -S. Salt, etched portrait, cr. 8vo, cloth, 3s. 6d. - - * * * * * - -=SHELLEY LIBRARY (The)=, An Essay in Bibliography, by H. 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Land o' the Rocky Dell, for S.A.T.B., by Churchill - Sibley, 3d. - - * * * * * - - =_TO ALL MUSICIANS._= --Here is something worth - reading and when you - =[Special price see below.]= have read it send for - a copy without delay. - -The Publisher of The Musical Standard has secured the whole of the -copies left unsold at =14=/-net by Messrs. S. Low, Marston and -Company, Ltd., of the work entitled - - - THE - NATIONAL PORTRAIT GALLERY - OF - BRITISH MUSICIANS. - - BY JOHN WARRINER, MUS.D., - TRINITY COLLEGE, DUBLIN. - - INTRODUCTION BY JOSEPH BENNETT. - - =Over 500 Photo Portraits= - -Of well-known and eminent living Musicians of Great Britain and -Ireland, with short Biographical notice of each. - -The Whole Bound in One Handsome oblong folio Volume, cloth lettered. -Offered for 7/6 post free (or 8/-post free abroad). - - * * * * * - - - KING'S ROYAL ALBUMS, Nos. 1 and 2. - - NATIONAL AND PATRIOTIC SONG ALBUM. - -With Pianoforte Accompaniment. In 2 Bks., 1s. each. - - BOOK 1. 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Morning. - - * * * * * - - King's Royal Album, No. 12. - - GRIEG'S LYRISCHE STUCKE AND NORWEGIAN BRIDAL PROCESSION. - 1. Arietta. 5. Popular Melody. - 2. Waltzer. 6. Norwegian Melody. - 3. Watchman's Song. 7. National Song. - 4. Fairy Dance. 8. Norwegian Bridal March. - - * * * * * - - King's Royal Album, No. 13. - -GRIEG'S FOUR HUMOURESKES, MINUETS AND FUNERAL MARCH. - - * * * * * - - King's Royal Album, No. 14. - - HIAWATHA MANDOLINE ALBUM. - - ARRANGED BY SYDNEY OSBORNE. - - 1. Hiawatha Cake Walk 5. Over the Waves Waltz - 2. Minnehaha Cake Walk 6. Donau Wellen Waltz - 3. Alice Where Art Thou 7. Blue Danube Waltz - 4. Kathleen Mavourneen - - * * * * * - - King's Royal Album, No. 15. - -ORIGINAL VOLUNTARIES FOR AMERICAN ORGAN OR HARMONIUM. - - BY EDWIN M. FLAVELL. - - 1. Andante con Moto 6. Prayer - 2. Evensong 7. Canzonetta - 3. March in F 8. A Call to Battle - 4. Chorale 9. Souvenir - 5. A Plaintive Song 10. Allegro - - * * * * * - - King's Royal Album, No. 16. - -12 VOLUNTARIES FOR THE AMERICAN ORGAN OR HARMONIUM. - - BY J. E. NEWELL. - - 1. Postludium 7. Offertoire - 2. Communion 8. Andante Piacevole - 3. Andante con Moto 9. Morning Prayer - 4. Prelude 10. Loud Voluntary - 5. Diapason Movement 11. Sketch - 6. Faith "Melody" 12. Recessional March - - * * * * * - -MODERN CHURCH MUSIC. - - 1. Easter Anthem, "Jesus Lives!" by Rev. T. Herbert Spinney, price - 2d. - 2. Anthem for Whitsuntide and General Use, "Come Holy Ghost our - Souls Inspire," by Thomas Adams, F.R.C.O., price 2d. - 3. Story of the Ascension, by Rev. John Napleton, price 1-1/2d. - 4. Anthem, "God so Loved the World," by J. Jamouneau, price 2d. - 5. Magnificat in B flat, by Thomas Adams, F.R.C.O., Price 3d. - 6. Nunc Dimittis in B flat, by Thomas Adams, F.R.C.O., Price 2d. - 7. Four Kyries, by Charles Steggall, Berthold Tours, E. J. Hopkins, - J. M. W. Young, price 1-1/2d. - 8. Te Deum, by T. E. Spinney, 1-1/2d. - 9. Anthem, "I am the Good Shepherd," by G. Rayleigh Vicars, 2d. - 10. Story of the Cross, Music by H. Clifton Bowker, 2d. - 12. Story of the Cross, Music by Dr. Geo. Prior, 2d. - 13. The Lord's Prayer, Music by Ernest Austin, 2d. - - * * * * * - -AMERICAN ORGAN, Folio, Edited by Alfred Whittingham, in Six Books, 1s. -each, complete paper covers, 3s., cloth bound, 5s. - - * * * * * - -PIANOFORTE (SOLO). - -Coon Band Contest, Cake Walk, by Arthur Pryor, 2s. - -Lefebure-Wely's St. Sulpice. Reminiscence by W. SMALLWOOD, 1s. 6d. - -Album Leaves: Pianoforte Sketches, without Octaves, by F. W. -Davenport, 1s. 6d. each Number. - - No. 1. Waltz in F - Dance in G - No. 2. A Little Fugue in F minor - Caprice in C - No. 3. Prelude in G - Melody in G - No. 4. Sonatina in C - -Tschaikowsky's 1812 Overture, arr. by E. Evans, 2s. - -Amarylliss, Morceaux de Salon, by Leonard Gautier, 1s. 6d. - -Tschaikowsky's Casse Noisette Suite, arr. by E. Evans, 2s. - -Grand Festival March, "Illogan," by H. C. Tonking, 2s. - - * * * * * - -PIANOFORTE (4 HANDS.) - -Tschaikowsky's 1812 Overture, arr. from the Full Score by E. Evans, -3s. - -Tschaikovsky's Casse Noisette Suite, arr. by E. Evans, 3s. - - * * * * * - -VIOLIN. - -A Selection of Favourite Airs arranged for the Violin by Henry Farmer, -complete 1s. 6d., Piano Acc. /ad lib./ 2s. 6d. - - CONTENTS. - 1. Theme. Variations (Mozart). - 2. With Verdure Clad (Haydn). - 3. German Shepherd's Song and Rataplain (Figlia del Reggimento). - 4. Da Qual di (Anna Bolena), Souave Immagine (Mercadante). - 5. Mecco tu Vieni (La Straniera). - - * * * * * - -VIOLIN AND PIANO. - -Grand Festival March, "Illogan," by H. C. Tonking, 2s. - - * * * * * - - MANUSCRIPT MUSIC PAPER. - - /(a)/ 12 Staves, roy. 8vo (10 by 6-1/2) ruled plain in quires (120 - sheets), the lot 2/6. - -This is pre-eminently the Musical Students' Paper, as it is light, -portable, smooth and easy to write upon; each sheet, too, will hold a -large quantity of matter. There is no paper better suited for -Exercises on Counterpoint and Harmony. - - /(b)/ 12 Staves, oblong, folio (14 by 10), ruled in groups of 3 - staves or Organ Music, 5 quires (120 sheets), the lot, 5/- - -The paper is of the same size as ordianry oblong folio, Organ Music, -/e.g./, English Organ Music, Best's Arrangements, etc. - - /(c)/ 12 Staves, folio, music size (10 by 14), 5 quires (120 - sheets), the lot 5/- - -Exactly the same in size as ordinary folio printed music so that upon -it Songs of Organ Pieces may be written just as they are to be -printed. It is a very useful paper, as Manuscript music written on it -can be bound with Printed Music. - - /(d)/ 12 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 - sheets), the lot 3/6. - - /(e)/ 12 Staves, oblong quarto (9-1/4 by 11-3/4), 5 quires (120 - sheets), the lot 3/6. - - /(f)/ 12 Staves, folio music size (10 by 14), 5 quires (120 - sheets), the lot 5/- - - /(g)/ 12 Staves, folio music size (ruled even), 10 by 14, 5 quires - (120 sheets), the lot 5/- - - /(h)/ 14 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 - sheets), the lot 3/6. - - * * * * * - - - THE ORGANIST'S QUARTERLY JOURNAL. - Of Original Compositions. - -Founded by DR. Wm. SPARK, Late Organist, Town Hall, Leeds. - -Price 5/-each, or Subscription, 10/6 for 4 issues. - -New Series, Volume, containing 160 large pages, all with /ped. obb./, -bound in cloth, 18/s./ - - - =Part 12, New Series.= - - 1. IN MEMORIAM REV. GEOF. C. RYLY, M.A., Mus. Bac. Oxon. - 2. TOCCATA G. B. POLLERI. - 3. OVERTURE from Epiphany ALFRED KING, M.D. - - - =Part XI., New Series.= - - 1. PRELUDE AND FUGUE WITH POSTLUDE E. A. CHAMBERLAYNE. - 2. PRELUDE AND FUGUE F. YOUNG. - 3. FUGUE ARCHIBALD DONALD. - 4. FUGUE WILLIAM HOPE. - - - =Part 10, New Series.= - - 1. FUGUE ARCHIBALD DONALD. - 2. PRELUDE AND FUGUE WITH POSTLUDE E. A. CHAMBERLAYNE. - 3. PRELUDE AND FUGUE F. YOUNG. - - - =Part 9, New Series.= - - 1. ANDANTE CON MOTO W. A. MONTGOMERY, L.T.C.L. - 2. FANTASIA in E minor CUTHBERT HARRIS, Mus. B. - 3. POSTLUDE at Ephes. V. v. 19. Si tibi placeat, Mihi con displicet - W. CONRADI,(Y. of B. 1816), Paul's Org. St. Church, Schwerin i/m - Germany. - 4. HARVEST MARCH HENRY J. POOLE. - - - =Part 8, New Series.= - - 1. SCHERZO MINUET W. MULLINEUX, Organist of the Town Hall, Bolton. - 2. INTRODUCTION to the Hymn on the Passion, "O Haupt Voll Blut und - Wunden" W. CONRADI. Organist Paul's Church, Schwerin, Germany. - 3. THESIS AND ANTITHESIS, or DISPUTE, APPEASEMENT, CONCILIATION. - W. CONRADI, Organist Paul's Church, Schwerin, Germany. - 4. CARILLON in E CUTHBERT HARRIS, Mus.B., F.R.C.O., &c. - 5. ANDANTE "Hope" INGLIS BERVON. - 6. ORCHESTRAL MARCH in C - JAMES CRAPPER, L.Mus., Organist of the Parish Ch., Kirkcudbright. - - - =Part 7, New Series.= - - 1. ANDANTE GRAZIOSO in G CHAS. E. MELVILLE, F.R.C.O. - 2. POLISH SONG, Arranged for the organ by PERCIVAL GARRETT. CHOPIN. - 3. INTRODUCTION, VARIATIONS, AND FINALE on the Hymn Tune - "Rockingham." CH. R. FISHER, Mus. B. - 4. TWO SOFT MOVEMENTS W. C. FILEY, I.S.M. - 1. "Espérance." 2. "Tendrerse." - 5. ANDANTE in A flat - W. GRIFFITHS, Mus. B., Org. of St. Sepulchre Church, Northampton. - 6. FUGUE, 4 Voice, 3 Subjects DR. J. C. TILLY. - - - =Part 6, New Series.= - - 1. CON MOTO MODERATO IN C ORLANDO A. MANSFIELD, Mus.B., F.R.C.O. - 2. TEMPO DI MENUETTO GEO. H. ELY. - 3. DIRGE IN MEMORIAM, REGINALD ADKINS J. E. ADKINS, F.R.C.O. - 4. ANDANTE in F R. H. HEATH. - 5. ABERYSTWYTH OFFERTOIRE J. G. MOUNTFORD. - 6. ANDANTE in D (Prière) E. Evelyn BARRON, M.A. - - - =Part 5, New Series.= - - 1. ALLEGRETTO SCHERZANDO in A flat W. E. ASHMALL. - 2. ANDANTE RELIGIOSO in G DR. J. BRADFORD. - 3. MARCH POMPOSO in E flat CHARLES DARNTON. - 4. ANDANTE CON MOTO "Twilight" CH. R. FISHER, Mus.B. - 5. MINUET In F W. E. BELCHER, F.R.C.O. - - - =Part 4, New Series.= - - 1. ANDANTE MODERATO F. READ. - 2. PRELUDE AND FUGUE in D minor E. A. CHAMBERLAYNE. - 3. SKETCH ARTHUR GEO. COLBORN. - 4. FUGUE JAMES TURPIN. - 5. ALLEGRO CHARLES H. FISHER. - 6. MARCHE MYSTIQUE - THEME BY ROLAND, DE LASSUS.--A Relic of Ancient Times. - - - =Part 3, New Series.= - - 1. MINUET AND TRIO in F ED. J. BELLERBY, Mus. B., Oxon. - 2. "DUNDEE" ("or French") JOHN P. ATTWATER. - 3. ADAGIO. An Elegy in G minor CHAS. R. FISHER, Mus. B. - 4. ANDANTE, A major F. HONE. - 5. ALLEGRO, D minor GEO. MINNS (Ely). - - - =Part 2, New Series.= - - 1. TOCCATA FANTASIA (/Study in C minor/) E. T. DRIFFIEL. - 2. ANDANTE GRAZIOSO W. FAULKES. - 3. MARCHE FUNEBRE ARTHUR WANDERER. - 4. ANDANTE SEMPLICE E. A. CHAMBERLAYNE. - 5. FESTAL MARCH A. W. KETELBEY. - - - =Part 1, New Series.= - - 1. OFFERTOIRE in A minor FRED. W. DAL (Leipzig). - 2. SECOND FANTASIA on SCOTCH AIRS WILLIAM SPARK. - 3. ADESTE FIDELES (with Variations and Fugue) CHARLES HUNT. - 4. INTERMEZZO G. TOWNSHEND DRIFFIELD. - - - =Part 103 (Old Series).= - - 1. POSTLUDE in G FREDERICK W. HOLLOWAY, F.C.O. - 2. SUITE: NO. 1, PRELUDE; NO. 2, BERCEUSE; NO. 3, TOCCATA - LAURENT PARODI (Genoa). - 3. NOCTURNE WILLIAM LOCKETT. - 4. ANDANTE PASTORALE in B minor JACOB BRADFORD, Mus. D., Oxon. - 5. INTRODUCTORY VOLUNTARY ALBERT W. KETELBEY. - 6. FUGUE R. J. ROWE, L.R.A.M. - - -LONDON: WILLIAM REEVES, 83, CHARING CROSS ROAD, W. - - * * * * * - - Note the Price, PENCE not SHILLINGS. - - - POPULAR AND COPYRIGHT MUSIC. - -Full Music Size, Well Printed and Critically Correct. - - ISSUED BY - WILLIAM REEVES. - - 2^D (Postage 1/2d. each.) (Postage 1/2d. each.) 2^D - - - VOCAL. - - 273. Alice where art thou? /J. Ascher/ - 396. Always do as I do /Tinney/ - 174. Angels at the Casement, A flat /W. M. Hutchison/ - 105. Banner of the King /H. Fortesque/ - 172. Barney O'Hea /S. Lover/ - 224. Bay of Biscay /J. Davey/ - 181. Border Lands (Sacred) /Miss Lindsay/ - 180. Borderer's Challenge /H. J. Stark/ - 390. Cat in the Chimney /L. Kingsmill/ - 392. Child's Good Morning /O. Barri/ - 391. Child's Good Night /O. Barri/ - 383. Come into the Garden Maud /Balfe/ - 184. Crossing the Brook /Edith Cooke/ - 389. Dawn of Heaven /Buonetti/ - 188. Diver, The /E. J. Loder/ - 384. God Save the King /Dr. Jno. Bull/ - 226. Hearts of Oak /Dr. W. Boyce/ - 100. Honey Are You True to Me (Coon Song) /Lindsay Lennox/ - 266. Kathleen Mavourneen /Crouch/ - 213. Lady Clara Vere de Vere /Miss Lindsay/ - 404. Last Good Bye to Mother /C. Dargan/ - 227. Last Rose of Summer /Thos. Moore/ - 215. Listen /A. H. Behrend/ - 249. Maggie's Promise /W. Gordon/ - 115. Sharing the Burden /J. E. Webster/ - 225. Tom Bowling /C. Dibdin/ - 236. When other Lips (Then you'll remember me) /Balfe/ - - - VOCAL DUETS. - - 190. Flow on thou Shining River /Sir J. Stevenson/ - 116. Gipsy Countess /Glover/ - - - PIANOFORTE. - - 118. A la Valse /Roeckel/ - 275. Alice where art thou? (easily arr. by) /Percy E. Douglas/ - 278. Army and Navy March /Henzell/ - 457. Au Village /Tschaikowsky/ - 268. Battle March (Delhi) /Pridham/ - 373. Belgium Galop /Smallwood/ - 437. Belle of Chicago March /J. P. Sousa/ - 122. Berceuse /Roeckel/ - 376. Blumenlied /Gustav Lange/ - 379. Bridal Chorus and Wedding March /Wagner/ - 453. Cadet Two Step (easily arranged) /Alard/ - 142. Charming Mazurka /Gungl/ - 456. Chanson Triste /Tschaikowsky/ - 456. Chant sans Paroles /Tschaikowsky/ - 393. Chinese Patrol March /D. Pecorini/ - 243. Cloches du Monastere /Lefebure-Wely/ - 458. Coon Band Contest /A. Pryor/ - 438. Corcoran Cadets March /J. P. Sousa/ - 125. Corricolo Galop (Easily arranged) /L. Mullen/ - 377. Edelweiss /Gustav Lange/ - 374. Emmeline Galop /Smallwood/ - 308. Fille du Regiment /Oesten/ - 167. Flying Dutchman (La Vaisseau Fantome) /Wagner/ - 244. Forward March /E. H. Sugg/ - Four Humoresques: - 206. Valse in D, No. 1 /Grieg/ - 207. Minuetto in A minor, No. 2 /Grieg/ - 208. Allegretto, No. 3 /Grieg/ - 209. Allegro Alla Burla, No. 4 /Grieg/ - 210. Funeral March /Grieg/ - 305. French Air (Marseillaise) /Eric Stapleton/ - 306. German Air (Watch on Rhine) /Eric Stapleton/ - 264. Gipsies' March /C. Heins/ - 252. Grand March (arr. by P. E. Douglas) /Blake/ - 151. Grand March of the Warriors /H. V. Lewis/ - 276. Hiawatha Cake Walk, (arr. by P. E. Douglas) /Moret/ - 436. High School Cadets March /J. P. Sousa/ - 304. Irish Air (Last Rose of Summer) /Eric Stapleton/ - 303. Italian Air (Ah che la Morte) /Eric Stapleton/ - 288. Japanese National Hymn, Harmonized by Sydney Osborne. - 133. Kassala Gavotte /H. Wilcock/ - 270. Kathleen Mavourneen /P. E. Douglas/ - 171. Khartoum Quick March /F. P. Rabottini/ - 286. King's Own March /Warwick Williams/ - 246. Liberty Bell March /Sousa/ - 135. Little Dear Gavotte /F. Astrella/ - 162. Lohengrin /Wagner/ - 136. Maiden's Prayer /Badarazewska/ - 435. Manhattan Beach March /J. P. Sousa/ - 137. March in E flat /J. B. Mallett/ - 441. March Past of the National Fencibles /J. P. Sousa/ - 440. March Past of the Rifle Regiment /J. P. Sousa/ - 140. May-Day Galopade /J. Gungl/ - 141. Mazurka /Badarazewska/ - 143. Melodie /Roeckel/ - 247. Melody in F /Rubinstein/ - 211. Minuetto (from E minor Sonata) /Grieg/ - 163. Mountain Echo March /G. Gariboldi/ - 385. Narcissus /Nevin/ - 439. Our Flirtation March /J. P. Sousa/ - 147. Placid Stream /Smallwood/ - 103. Queenie (Intermezzo) /P. D'Orsay/ - 165. Rienzi /Wagner/ - 253. Robin's Return (arr. by P. E. Douglas) /Fischer/ - 148. Scherzino /Roeckel/ - 301. Scotch Air (Blue Bells of Scotland) /Eric Stapleton/ - 375. Seasons Galop /Smallwood/ - 442. Semper Fidelis /J. P. Sousa/ - 196. Silvery Echoes /Blake/ - 394. Soldiers' Chorus (Faust) /Gounod/ - 381. Sonatina in F /Beethoven/ - 380. Sonatina in G /Beethoven/ - 302. Spanish Air (Dance) /Eric Stapleton/ - 378. Stephanie Gavotte /A. Czibulka/ - 166. Tannhauser /Wagner/ - 150. Tarantella /L. B. Mallett/ - 290. Washington Post March (easy) /J. P. Sousa/ - 454. White Wings (Transcription) /Smallwood/ - 291. Woodland Echoes /Wyman/ - - - PIANO DUETS. - - 367. Come o'er the Stream Charlie /A. Mullen/ - 371. From Greenland's Icy Mountains /A. Mullen/ - 372. I'd Choose to be a Daisy /A. Mullen/ - 154. Maiden's Prayer /Badarazewka/ - 156. March of the Cameron Men /A. Mullen/ - 155. Marche des Croates /A. Mullen/ - 159. Minnie, or Lilly Dale /A. Mullen/ - 353. Silvery Waves (Wyman) /Andre/ - - - DANCE. - - 388. Amorosa Mazurka /A. H. Oswald/ - 387. Blue Bells Schottische /S. Leslie/ - 262. Blue Danube Waltz /Strauss/ - 382. British Army Polka /Alec Carlton/ - 285. City Polka /J. D. Wimpenny/ - 161. Cosmopolitan Quadrille /L. Gautier/ - 127. Cyprus Polka /Scotson Clark/ - 402. Donau Wellen Waltz (Easily arr. by) /Percy E. Douglas/ - 101. Electric Waltz /H. Klein/ - 397. Esmeralda Waltz (easily arranged) /S. Osborne/ - 395. Fancy Dress Ball Quadrille /Rosenberg/ - 413. Faust Waltz (arr. by P. E. Douglas) /Gouno/ - 250. Flora Waltz /W. Gordon/ - 386. Horse Guards Schottische /S. Leslie/ - 102. Lucifer Polka /H. Klein/ - 251. Niagara Waltz /Vorzanger/ - 144. Munich Polka /Jos. Gungl/ - 403. Olympia Schottische /Sydney J. Smith/ - 254. Over the Waves (Sobra las Olas) /Rosas/ - 366. Roseland Waltz /Marietta Lena/ - 415. Sweetheart Polka /Gounod/ - 265. Vinolia Schottische /P. Lester/ - 268. Woodland Whispers Waltz /Stanley/ - - - VIOLIN AND PIANO. - - 256. Campbells are Coming /A. Mullen/ - 257. British Grenadiers /A. Mullen/ - 258. A Life on the Ocean Wave /A. Mullen/ - 259. Hearts of Oak /A. Mullen/ - 260. Ivy Green /A. Mullen/ - 261. Red, White and Blue /A. Mullen/ - 317. Ben Bolt /A. Mullen/ - 312. Low Back'd Car /A. Mullen/ - 313. Sprig of Shillelagh /A. Mullen/ - 314. March from Norma /A. Mullen/ - 315. March, Guillaume Tell /A. Mullen/ - 316. Lass O'Gowrie /A. Mullen/ - 284. Réverie (E min.) /W. Vinnicombe/ - - - VIOLIN. - - 170. March St. Olave /F. James/ - - - MANDOLINE AND PIANO. - - 274. Alice where art Thou? - 407. Belle of Chicago March /J. P. Sousa/ - 406. Blue Danube Waltz /Strauss/ - 416. Cadet Two Step (arranged) /Alard/ - 408. Corcoran Cadets March /J. P. Sousa/ - 272. Donau Wellen Waltz /Ivanovici/ - 414. Faust Waltz and Flower Song /Gounod/ - 277. Hiawatha Popular Cake Walk /Neil Moret/ - 401. High School Cadets March /J. P. Sousa/ - 289. Honey are you true /Sydney Osborne/ - 267. Kathleen Mavourneen /Crouch/ - 399. Liberty Bell March /J. P. Sousa/ - 400. Manhattan Beach March /J. P. Sousa/ - 411. March Past of the National Fencibles /J. P. Sousa/ - 410. March Past of the Rifle Regiment /J. P. Sousa/ - 255. Oceana Schottische /W. H. Stevens/ - 279. Over the Waves /Rosas/ - 409. Our Flirtation March /J. P. Sousa/ - 412. Semper Fidelis March /J. P. Sousa/ - 398. Washington Post March /J. P. Sousa/ - - - BANJO AND PIANO. - - 429. Belle of Chicago March /J. P. Sousa/ - 406. Cadet Two Step (arranged) /Alard/ - 430. Corcoran Cadets March /J. P. Sousa/ - 428. High School Cadets March /J. P. Sousa/ - 419. Liberty Belle March /J. P. Sousa/ - 418. Manhattan Beach March /J. P. Sousa/ - 433. March Past of the National Fencibles /J. P. Sousa/ - 432. March Past of the Rifle Regiment /J. P. Sousa/ - 431. Our Flirtation March /J. P. Sousa/ - 434. Semper Fidelis March /J. P. Sousa/ - 417. Washington Post March /J. P. Sousa/ - - * * * * * - - - THE VIOLIN TIMES, Monthly, 2d., - (by post 2-1/2d,) - /Edited by E. POLONASKI/. /=Abroad, 3s.=/ - - /=Subscription, 2s, 6d., per Year=/ Covers for binding - 2s. each. - VOLS. 1 TO 8, BOUND, PRICE 6/-EACH. Index 2d. each. - -/Illustrated Supplements have appeared Including the following/ -(/2-1/2d. each./) - - PORTRAITS. - - VOL. 8. - Prof. and Mrs. Holloway and Family - Eugene Polonaski - Hugo Kupferschmidt - Dr. Joachim - Anton Schumacher - William Christ Basle - M. Coward-Klee - Dettmar Dressel - The Joachim Quartet - Kubelik - C. M. Hawcroft - - VOL. 7. - W. A. Mozart - Miss Kate Lee - R. Peckotsch - Gordon Tanner - Eugene Meier - W. V. Fisher - Paganini - T. B. Parsons - Joseph Guarnerius del Gesu Violin, 1733 - - VOL. 6. - Pierre Baillot - C. A. de Beriot - J. R. Bingley - Ole Bull - Arcangelo Corelli - Ferdinand David - Elderhorst Quartette - H. Wilhelm Ernst - Miss Muriel Handley - Miska Hauser - M. Paganini - Louis Spohr - A. Stradivarius - H. Vieuxtemps - G. Viotti - - VOL. 5. - T. G. Briggs - Cologne Gurzenich Quartette - Wm. Henley - Miss Leonora Jackson - J. Koh-Alblas - A. Oppenheim (violinist) - A. Oppenheim (pianist) - Mdlle. Jeanette Orloff - Dr. H. Pudor - C. L. Walger - W. E. Whitehouse - Miss Gladys May Hooley - J. Harold Henry - Adolphe Pollitzer - Mdlle. Edith Smith - John Dunn - Heinrich Maria Hain - Edina Bligh - I. B. Poznanski - Rene Ortmans - A. Simonetti - W. Ten Have - Mdlle. Wietrowitz - Miss Hildegard Werner - Fred Furnace - Miss Kathleen Thomas - M. Césare Thomson - F. Whiteley - H. Lyell Tayler - Stanley W. G. Barfoot - G. de Angelis - Marcello Rossi - - FACSIMILES AND PICTURES. - - Paganini on his Death-bed - Letter of Ch. de Bériot - Letter of Camillo Sivori - Defeasance of a bond by Roger Wade Crowder - Viola di Gamba by Carlo Bergonzi, 1713 - Facsimile Labels in Nos. 32, 34, 35, 37, 505, 58 - Lira da Gamba, by Linarolo, reproduction of Painting by Tintoretto - David Techler's Viola - Stradivari's Scroll - Jacob Stainer's House - - * * * * * - - - Books on Freemasonry Published by W. REEVES, - 83, Charing Cross Road, W.C. - - - 12mo, red cloth, gilt, 323 pp., 3/6. - -=Carlile (R.), Manual of Freemasonry=, containing the First Three -Degrees, The Royal Arch and Knights' Templar Druids, The Degrees of -Mark Man, Mark Master, Architect, Grand Architect., etc., etc. - - * * * * * - - 12mo, blue cloth, gilt, 374 pp., 3/6. - -=Fellows (J.), Mysteries of Freemasonry=; or, An Exposition of the -Religious Dogmas and Customs of the Ancient Egyptians; showing, from -the origin, nature and objects of the rites and ceremonies of remote -antiquity, their identity with the Order of Modern Masonry, with some -remarks on the Metamorphosis of Apuleius, /with numerous woodcuts/. - - * * * * * - - 12mo, green cloth, gilt, 254 pp., 3/6. - -=Ritual and Illustrations of Freemasonry=, /accompanied by very -numerous engravings/, and a Key to the Phi Beta Kappa. - - * * * * * - - 8vo, sewed, 26 pp., 1/- - -=Investigation into the Cause of the Hostility of the Church of Rome -to Freemasonry=, and an Inquiry into Freemasonry as it Was, and Is: -with Criticism as to how far the Order fulfils its Functions, by -Author of "Text Book of Freemasonry." - - * * * * * - - Post 8vo, sewed, 48 pp., 1/- - -=Joachin and Boaz=; or, an Authentic Key to the Door of Freemasonry, -both Ancient and Modern. - - * * * * * - - Post 8vo, sewed, 50 pp., 1/- - -=Three Distinct Knocks at the Door of the Most Ancient Freemasonry.= - - * * * * * - - 8vo, sewed, 1/- - -=The Origin of Freemasonry=, or the 1717 Theory Exploded by C. J. -Paton. - - * * * * * - - 8vo, paper, 2/6 (post free 3/-) - -=Weisse (John A.), The Obelisk of Freemasonry=, according to the -Discoveries of Belzoni and Commander Gorringe: also Egyptian Symbols -compared with those discovered in American Mounds. - - * * * * * - - Fifth thousand, 12mo, cloth 1/-/net/. - -=Pocket Lexicon of Freemasonry=, by W. J. Morris 18^o P.D.D.G.M., St. -Lawrence, District and Past Inspector Gen. Royal and Select Masters. - - * * * * * - - 12mo, cloth, 62 pp., 2/- - -=Fox (T. L.), Freemasonry=; An Account of the Early History of -Freemasonry in England, with Illustrations of the Principles and -Precepts advocated by that Institution. - -/The above/ POST FREE /on receipt of remittance for price named/. - - * * * * * - - 12mo, blue cloth, red edges, 270 pp., 5/- - -=Text Book of Freemasonry=; a Complete Handbook of Instruction to all -the Workings in the Various Mysteries and Ceremonies of CRAFT MASONRY, -containing the Entered Apprentice, Fellow-craft, and Master Mason's -degrees; the Ceremony of Installation of the W. Master and Officers of -the Lodge, together with the whole of the Three Lectures; also the -Ceremony of Exhaltation in the Supreme Order of the Holy Royal Arch, a -Selection of Masonic Songs, etc., /illustrated with four engravings of -the/ =TRACING BOARDS=, by "A Member of the Craft," new and revised -edition. - -=Ditto, Ditto=, on thin paper, bound in leather pocket-book style, 5s. - -=The Three Tracing Boards=, in 12mo, cloth line, 1s. 6d. - - * * * * * - -Post 8vo, cloth, 10/-(or crimson calf limp, gilt edges, 15/-net.) - -=Text Book of Advanced Freemasonry=, containing for the -self-Instruction of Candidates, the COMPLETE RITUALS of the HIGHER -DEGREES, viz., Royal Ark Mariners, Mark Master, Royal Arch, Red Cross -of Rome and Constantinople, Knights' Templar and Rose Croix de -Heredom; also Monitorial Instructions on the 30th to the 33rd and last -degree of Freemasonry, to which are added Historical Introductions and -Explanatory remarks by the Author of the "Text Book." - - * * * * * - - - MASONIC SONGS AND POEMS - - BY BARDS CHIEFLY OF THE - 19th AND 20th CENTURIES - - COMPILED BY - A. C. STEPHEN. - - * * * * * - -Third Edition, 8vo. boards, cloth back, =6/-net= (by post 6/4.) - - - THE INTERNATIONAL - DIRECTORY OF PATENT AGENTS. - - NEW AND ENLARGED EDITION (/the third/), - -Contains over =4000= Patent Agents, practising in all parts of the -world. Arranged Alphabetically, and, also Geographically. - - -London: W. Reeves, 83, Charing Cross Road, W.C. - - * * * * * - -The Set of 15 Numbers 2/6 post free. Or 2d. each (Post free 2-1/2) - - - PARISH CHURCH MUSIC. - -A Collection of Original, Practical, Modern Compositions--Tunes, -Canticles, Chants, etc., for use in "Choirs and Places where they -Sing.":-- - -No. 1.--Ten Tunes to the Hymn, "=ABIDE WITH ME=," including Three -Prize Tunes. - -No. 2.--Ferial Confession, "=STORY OF THE CROSS=," Choir Prayers with -Antiphon, by G. E. Lake. - -No. 3.--Five Tunes to the Hymn, "=ROCK OF AGES=," including Three -Prize Tunes. - -No. 4.--Six Quadruple Chants for the "=TE DEUM=," including the Three -Prize Tunes. - -No. 5.--Ten Tunes to the Hymn, "=SUN OF MY SOUL=," including Three -Prize Tunes. - -No. 6.--Ten Tunes to "=JERUSALEM THE GOLDEN=," including Three Prize -Tunes. - -No. 7.--Six Tunes to the Hymn "=NEARER MY GOD TO THEE=," including the -Three Prize Tunes. - -No. 8.--Eleven Tunes to the Hymn, "=HARK, HARK, MY SOUL=," including -Three Prize Tunes. - -No. 9.--Six Tunes to the Hymn "=LEAD KINDLY LIGHT=," including the -Three Prize Tunes. - -No. 10.--Four Tunes to the Hymn, "=JESUS, LOVER OF MY SOUL=," -including the Three Prize Tunes. - -No. 11.--Five Tunes to the Hymn, "=LO! HE COMES WITH CLOUDS -DESCENDING=," including the Three Prize Tunes. - -No. 12.--Five Tunes to the Hymn, "=I HEARD THE VOICE OF JESUS SAY=," -including the Three Prize Tunes. - -No. 13.--Six Tunes to the Hymn, "=FOR THEE, O DEAR, DEAR COUNTRY=," -including the Three Prize Tunes. - -No. 14.--Four Tunes to the Hymn, "=O LOVE WHO FORMEDST ME TO WEAR=." - -No. 15.--Six Tunes to the Hymn, "=THE KING OF LOVE=," including Three -Prize Tunes. - - * * * * * - - /Price _One Shilling_./ (/Cloth 1/6/) - - /Notes/ /on/ _CONDUCTORS_ - AND _CONDUCTING._ - /New and Enlarged - Edition/ - - BY T. R. CROGER, F.R.G.S., F.Z.S., - -/With three Full-page Illustrations of the various "Beats," and Plan -of an Orchestra/. - - "A mine of good things."--/Musical Opinion./ - - "One of the best guides to conducting."--/P. and M. T. Review./ - - * * * * * - - Weekly, with Supplement, 2d. - - - THE - "MUSICAL STANDARD," - - A NEWSPAPER FOR MUSICIANS, ... - PROFESSIONAL AND AMATEUR. - -Gives Supplements of Illustrations of British and Foreign Organs, -Portraits of Eminent Musicians, Organ Music, Violin Music, Anthems, -Part Songs, Songs, Piano Pieces, - -SUBSCRIPTION, one year, 10s. 10d., six months, 5s. 5d. Abroad, one -year, 13s., six months, 6s. 6d. - -/Illustrated Series/, Vols. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 & onward, -bound in brown cloth, 5s. each. - -Handsome Covers for Binding, 1s. 6d. each, (by post 1s. 9d). - - Publishing and Advertising Offices: - 83, CHARING CROSS ROAD, LONDON, W.C. - - * * * * * - -1902-3 Edition. Paper, 2s. net: or Cloth, 3s. 6d. net. - - - MUSICAL DIRECTORY - - /FOR GREAT BRITAIN AND IRELAND/. - -THE TRADES, PROFESSORS AND OTHERS CONNECTED WITH MUSIC, CHORAL -SOCIETIES, STAFF OF CATHEDRALS, COLLEGES AND ABBEY CHURCHES, ETC. - - -W. 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Reeves. - </title> - <link rel="coverpage" href="images/cover.jpg"/> - <style type="text/css"> - -body {margin-left: 10%; margin-right: 10%;} -h1 {text-align: center; clear: both;} -p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} - -hr {width: 33%; margin-top: 1em; margin-bottom: 1em; margin-left: 33.5%; margin-right: 33.5%; clear: both;} -hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%} - -table {margin-left: auto; margin-right: auto;} -.bor_left {border-left-style: solid; border-width: 3px;} - -.pagenum {position: absolute; left: 92%; font-size: smaller; text-align: right;} - -small {font-size:70%;} -big {font-size:130%;} - -.close-above {line-height: 0.5;} -.center {text-align: center;} -.right {text-align: right;} -.smcap {font-variant: small-caps;} - -/* Images */ -.figcenter {margin: auto; text-align: center;} - -/* Transcriber's notes */ -.transnote {background-color: #E6E6FA; color: black; font-size:smaller; padding:0.5em; margin-bottom:5em; font-family:sans-serif, serif; } - - </style> - </head> -<body> - - -<pre> - -Project Gutenberg's Catalogue of Works Literary Art and Music, by W. Reeves - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: Catalogue of Works Literary Art and Music - -Author: W. Reeves - -Release Date: May 1, 2016 [EBook #51902] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK CATALOGUE OF WORKS LITERARY *** - - - - -Produced by Judith Wirawan, deaurider and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive) - - - - - - -</pre> - - -<p class="center"><b>W. REEVES</b><br /> - -<small>AND</small><br /> - -REEVES & TURNER'S<br /> - -<big>Publications</big></p> - -<hr /> - -<hr /> - - -<h1>CATALOGUE<br /> - -<small>OF WORKS</small><br /> - -Literary . . .<br /> -<span style="margin-left:2em;">Art and . . .</span><br /> -<span style="margin-left:4em;">Music.</span></h1> - -<p class="center"><small>ALSO . . . .</small></p> - -<p class="center"><b>Books on</b> . . .<br /> -<b>Freemasonry.</b></p> - -<div class="figcenter" style="width: 88px;"> -<img src="images/device.jpg" width="88" height="77" alt="" /> -</div> - -<p class="center"><span style="margin-right:7em;"><b>London:</b></span><br /> -<b>83, Charing Cross Rd.</b><br /> -<span style="margin-left:7em;">W.C.</span></p> - -<p><span class="pagenum"><a name="Page_2" id="Page_2">[Pg 2]</a></span></p> - -<hr class="chap" /> - -<p><span class="smcap">How to Memorize Music</span>: With numerous Musical -Examples. By C. F. Kenyon, cr. 8vo, 1s.</p> - -<hr class="chap" /> - -<p><span class="smcap">Treatise on the Training of Boy's Voices</span>: -With Examples and Exercises and Chapters on Choir-Organization. -Compiled for the Use of Choirmasters. -By George T. Fleming, cr. 8vo, cloth, 2s.</p> - -<hr class="chap" /> - -<p><span class="smcap">Graduated Course of Exercises for Boy Choristers</span>: -With Pianoforte Accompaniment. For Use inconjunction -with above. By G. T. Fleming, 1s.</p> - -<hr class="chap" /> - -<p><span class="smcap">Interludes.</span> Seven Lectures by H. C. Banister. -Collected and Edited by Stewart Macpherson, with Portrait, -cr. 8vo, cloth, 2s. 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Myer, cr. 8vo, -4s. 6d.</p> - -<p><span class="smcap">National School of Opera in England</span>; being The -Substance of a Paper read before the Licentiates of -Trinity College, March, 1882, by Frank Austin, post 8vo, -sewed, 6d.</p> - -<p><span class="pagenum"><a name="Page_19" id="Page_19">[Pg 19]</a></span></p> - -<p><span class="smcap">How to Understand Wagner's "Ring of the -Nibelung</span>," being the Story and a Descriptive Analysis -of the "Rheingold," the "Valkyr," "Siegfried" and -the "Dusk of the Gods," with a number of Musical -Examples by Gustave Kobbé, Sixth Edition, post 8vo, -cloth, 3s. 6d.</p> - -<p><small>"To be appreciated in the smallest way Wagner must be studied in -advance."—<i>Illustrated London News.</i></small></p> - -<p><span class="smcap">Rational Accompaniment to the Psalms</span> by F. Gilbert -Webb, post 8vo, 6d.</p> - -<p><span class="smcap">How to Play from Score.</span>—Treatise on Accompaniment -from Score on the Organ or Pianoforte by -F. Fetis, trans. by A. Whittingham, cr. 8vo, cloth, 3s. 6d.</p> - -<hr class="chap" /> - -<p><span class="smcap">Choir Lists for Sunday Services.</span></p> - -<blockquote><p>No. 1. Morning and Evening, printed in red, 1s. 4d. -per 100.</p> - -<p>No. 2. Morning, Afternoon, and Evening, printed in -red, 1s. 6d. per 100.</p> - -<p>No. 3. Morning and Evening, printed in red and -black, 1s. 8d. per 100.</p> - -<p>No. 4. Morning and Even., printed in red, 1s. 6d. -per 100.</p> - -<p>No. 5. Quarto Size, Matins, Litany, Holy Communion, -First Evensong, Second Evensong, Gothic -Letter, printed in red, 6d. per dozen, 3s. per 100.</p> -</blockquote> - -<hr class="chap" /> - -<p><span class="smcap">Choir Attendance Register</span>, 8vo, cloth.</p> - -<blockquote><p>No. 1. Ruled for a Choir of 20 or less, for one year, -beginning at any date, 1s. 6d.</p> - -<p>No. 2. Ruled for a Choir of 40 or less, for one year, -beginning at any date, 2s.</p> - -<p>No. 3. Ruled for a choir of 60 or less, for one year, -beginning at any date, 2s. 6d.</p> -</blockquote> - -<hr class="chap" /> - -<p class="center"><i>Performing Edition.</i></p> - -<p><span class="smcap">The Creation</span>, A Sacred Oratorio composed by -Joseph Haydn, Vocal Score, The Pianoforte Accompaniment -arranged and the whole edited by G. A. -Macfarren, 8vo, paper covers, 2s., boards, 2s. 6d., scarlet -cloth, 4s.</p> - -<hr class="chap" /> - -<p><span class="smcap">From Lyre to Muse</span>, A History of the Aboriginal -Union of Music and Poetry, By J. Donovan, cr. 8vo, -cloth, 2s. 6d.</p> - -<p><span class="pagenum"><a name="Page_20" id="Page_20">[Pg 20]</a></span></p> - -<hr class="chap" /> - -<p><span class="smcap">Popular Part Songs.</span></p> - -<blockquote><p>1. Merrily goes the Mill, by T. B. Southgate, 1d.</p> - -<p>2. Take, O Take those Lips away, Part Song for -S.A.T.B. by Claude E. Cover, A.R.C.O., 1-1/2d.</p> - -<p>3. Pack Clouds Away, for S.A.T.B., by Claude E. -Cover, A.R.C.O., 2d.</p> - -<p>4. Summer Roses, for S.A.T.B., by G. Rayleigh -Vicars, 2d.</p> - -<p>5. Erin, Dear Erin, for T.A.T.B., by Churchill -Sibley, 2d.</p> - -<p>6. Caledonia! Land o' the Rocky Dell, for S.A.T.B., -by Churchill Sibley, 3d.</p> -</blockquote> -<hr class="chap" /> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="To All Musicians"> -<tr><td><span style="text-decoration: underline;"><big><b>TO ALL MUSICIANS.</b></big></span>—<br /> -<div class="figcenter" style="width: 55px;"> -<img src="images/i_p20.jpg" width="55" height="24" alt="" /> -</div></td> - <td align="left" rowspan="2">Here is something worth<br /> -reading and when you<br /> -have read it send for<br /> -a copy without delay.</td></tr> -<tr><td><big><b>[Special price see below.]</b></big></td></tr> -</table></div> - -<p>The Publisher of The Musical Standard has secured the -whole of the copies left unsold at <b>14</b>/-net by Messrs. S. Low, -Marston and Company, Ltd., of the work entitled</p> - -<p class="center">THE<br /> -<big><b>NATIONAL PORTRAIT GALLERY</b></big><br /> -OF<br /> -<big><b>BRITISH MUSICIANS.</b></big></p> - -<p class="center">BY JOHN WARRINER, <span class="smcap">Mus.D.</span>,<br /> -<span class="smcap">Trinity College, Dublin</span>.</p> - -<p class="center"><b>INTRODUCTION BY JOSEPH BENNETT.</b></p> - -<p class="center"><b>Over 500 Photo Portraits</b><br /> -Of well-known and eminent living Musicians of Great Britain -and Ireland, with short Biographical notice of each.</p> - -<hr /> - -<p class="center"><b>The Whole Bound in One Handsome oblong folio -Volume, cloth lettered. Offered for 7/6 post free -(or 8/-post free abroad).</b></p> - -<p><span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span></p> - -<hr class="chap" /> - -<p class="center"><b>KING'S ROYAL ALBUMS, Nos. 1 and 2.</b></p> - -<p>NATIONAL AND PATRIOTIC SONG ALBUM.</p> - -<p>With Pianoforte Accompaniment. In 2 Bks., 1s. each.</p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Albums No. 1 and 2"> -<tr><td><span class="smcap">Book 1.</span></td><td><span class="smcap">Book 2.</span></td></tr> -<tr><td align="left">God Save the King</td><td align="left">Hearts of Oak</td></tr> -<tr><td align="left">God Bless the Prince of Wales</td><td align="left">Stand United</td></tr> -<tr><td align="left">There's a Land (Dear England)</td><td align="left">The Cause of England's Greatness</td></tr> -<tr><td align="left">Victoria</td><td align="left">The Last Rose of Summer</td></tr> -<tr><td align="left">God Bless our Sailor Prince</td><td align="left">The Leather Bottle</td></tr> -<tr><td align="left">Here's a Health unto His Majesty</td><td align="left">Home, Sweet Home</td></tr> -<tr><td align="left">Lord of the Sea</td><td align="left">Three Cheers for the Red, White and Blue</td></tr> -<tr><td align="left">Roast Beef of Old England</td><td align="left">The Minstrel Boy</td></tr> -<tr><td align="left">The Blue Bells of Scotland</td><td align="left">The British Grenadiers</td></tr> -<tr><td align="left">Tom Bowling</td><td align="left">Auld Lang Syne</td></tr> -<tr><td align="left">Come Lassies and Lads</td><td align="left">Rule Britannia</td></tr> -<tr><td align="left">Ye Mariners of England</td></tr> -<tr><td align="left">The Bay of Biscay</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Albums, No. 3. Price 1/-</b></p> - -<p>10 MARCHES FOR THE PIANO. BY J. P. SOUSA.</p> - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Albums No. 3"> -<tr><td align="left">1. The Washington Post.</td><td align="left">6. The Corcoran Cadets.</td></tr> -<tr><td align="left">2. Manhatton Beach.</td><td align="left">7. Our Flirtation.</td></tr> -<tr><td align="left">3. The Liberty Bell.</td><td align="left">8. March past of the Rifle Regiment.</td></tr> -<tr><td align="left">4. High School Cadets.</td><td align="left">9. March past of the National Fencibles.</td></tr> -<tr><td align="left">5. The Belle of Chicago.</td><td align="left">10. Semper Fidelis.</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 4. Price 1/-</b></p> - -<p>SIX ORGAN PIECES FOR CHURCH USE.</p> - -<p class="center"><span class="smcap">Edited by William Smallwood.</span></p> - -<p>With Ped. Obb., Selections from rarely known works.</p> - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album No. 4"> -<tr><td align="left">1. Moderato con moto</td><td align="left">4. Andante Religioso</td></tr> -<tr><td align="left">2. Adagio Expressivo</td><td align="left">5. Andante con moto</td></tr> -<tr><td align="left">3. Andante Moderato</td><td align="left">6. Lento Cantabile</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 5. Price 1/-</b></p> - -<p>SMALLWOOD'S ESMERALDA ALBUM FOR PIANO.</p> - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album No. 5"> -<tr><td align="left">Belgium (Galop).</td><td align="left">Esmeralda (Transcription on Levey's Popular Song).</td></tr> -<tr><td align="left">Belle of Madrid (Tempi di Polka).</td><td align="left">Placid Stream (Morceau).</td></tr> -<tr><td align="left">Emmeline (Galop).</td><td align="left">The Seasons (Galop).</td></tr> -</table></div> - -<p><span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span></p> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 6. Price 6d.</b></p> - -<p>BALFE'S ROSE OF CASTILLE, 6 <span class="smcap">Favourite Melodies</span>, -easily arranged for the Pianoforte by E. F. Rimbault.</p> - -<blockquote><p>1. Convent Cell (The).<br /> -2. 'Twas Rank and Fame.<br /> -3. Tho' fortune darkly o'er me frown.<br /> -4. I am a simple Muleteer.<br /> -5. I'm not the Queen.<br /> -6. List to the Gay Castanet.</p> -</blockquote> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 7. Price 1s.</b></p> - -<p>10 MARCHES. By J. P. SOUSA.</p> - -<p class="center">Arranged for Mandoline and Piano.</p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album No. 7"> -<tr><td align="left">1. The Washington Post.</td><td align="left">6. The Corcoran Cadets.</td></tr> -<tr><td align="left">2. Manhatton Beach.</td><td align="left">7. Our Flirtation.</td></tr> -<tr><td align="left">3. The Liberty Bell.</td><td align="left">8. March past of the Rifle Regiment.</td></tr> -<tr><td align="left">4. High School Cadets.</td><td align="left">9. March past of the National Fencibles.</td></tr> -<tr><td align="left">5. The Bell of Chicago.</td><td align="left">10. Semper Fidelis.</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 8. Price 1s.</b></p> - -<p>10 MARCHES. By J. P. SOUSA.</p> - -<blockquote><p>Arranged for Banjo and Piano. (Contents as No. 7.)</p> -</blockquote> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 9. Price 1s.</b></p> - -<p>10 MARCHES. By J. P. SOUSA.</p> - -<blockquote><p>Arranged for Violin and Piano. (Contents as No. 7.)</p></blockquote> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 10. Price 1s.</b></p> - -<p>10 MARCHES. By J. P. SOUSA.</p> - -<blockquote><p>Arranged for American Organ. (Contents as No. 7.)</p></blockquote> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. XI.</b></p> - -<p>GRIEG'S "PEER GYNT" SUITE.</p> - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album No. XI"> -<tr><td align="left">1. Dance of the Gnomes.</td><td align="left">4. Amitrass' Dance.</td></tr> -<tr><td align="left">2. Ases Death.</td><td align="left">5. Solvejags Song.</td></tr> -<tr><td align="left">3. Morning.</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 12.</b></p> - -<p>GRIEG'S LYRISCHE STUCKE AND NORWEGIAN -BRIDAL PROCESSION.</p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album No. 12"> -<tr><td align="left">1. Arietta.</td><td align="left">5. Popular Melody.</td></tr> -<tr><td align="left">2. Waltzer.</td><td align="left">6. Norwegian Melody.</td></tr> -<tr><td align="left">3. Watchman's Song.</td><td align="left">7. National Song.</td></tr> -<tr><td align="left">4. Fairy Dance.</td><td align="left">8. Norwegian Bridal March.</td></tr> -</table></div> - -<p><span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span></p> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 13.</b></p> - -<p>GRIEG'S FOUR HUMOURESKES, MINUETS AND -FUNERAL MARCH.</p> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 14.</b></p> - -<p>HIAWATHA MANDOLINE ALBUM.</p> - -<p class="center"><span class="smcap">Arranged by Sydney Osborne.</span></p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album, No. 14."> -<tr><td align="left">1. Hiawatha Cake Walk</td><td align="left">5. Over the Waves Waltz</td></tr> -<tr><td align="left">2. Minnehaha Cake Walk</td><td align="left">6. Donau Wellen Waltz</td></tr> -<tr><td align="left">3. Alice Where Art Thou</td><td align="left">7. Blue Danube Waltz</td></tr> -<tr><td align="left">4. Kathleen Mavourneen</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 15.</b></p> - -<p>ORIGINAL VOLUNTARIES FOR AMERICAN ORGAN -OR HARMONIUM.</p> - -<p class="center"><span class="smcap">By Edwin M. Flavell.</span></p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album, No. 15."> -<tr><td align="left">1. Andante con Moto</td><td align="left">6. Prayer</td></tr> -<tr><td align="left">2. Evensong</td><td align="left">7. Canzonetta</td></tr> -<tr><td align="left">3. March in F</td><td align="left">8. A Call to Battle</td></tr> -<tr><td align="left">4. Chorale</td><td align="left">9. Souvenir</td></tr> -<tr><td align="left">5. A Plaintive Song</td><td align="left">10. Allegro</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 16.</b></p> - -<p>12 VOLUNTARIES FOR THE AMERICAN ORGAN -OR HARMONIUM.</p> - -<p class="center"><span class="smcap">By J. E. Newell.</span></p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album, No. 16."> -<tr><td align="left">1. Postludium</td><td align="left">7. Offertoire</td></tr> -<tr><td align="left">2. Communion</td><td align="left">8. Andante Piacevole</td></tr> -<tr><td align="left">3. Andante con Moto</td><td align="left">9. Morning Prayer</td></tr> -<tr><td align="left">4. Prelude</td><td align="left">10. Loud Voluntary</td></tr> -<tr><td align="left">5. Diapason Movement</td><td align="left">11. Sketch</td></tr> -<tr><td align="left">6. Faith "Melody"</td><td align="left">12. Recessional March</td></tr> -</table></div> - -<hr class="chap" /> - -<p><span class="smcap">Modern Church Music.</span></p> - -<blockquote><p>1. Easter Anthem, "Jesus Lives!" by Rev. T. -Herbert Spinney, price 2d.</p> - -<p>2. Anthem for Whitsuntide and General Use, "Come -Holy Ghost our Souls Inspire," by Thomas -Adams, F.R.C.O., price 2d.</p> - -<p>3. Story of the Ascension, by Rev. John Napleton, -price 1-1/2d.</p> - -<p>4. Anthem, "God so Loved the World," by J. Jamouneau, -price 2d.</p> - -<p><span class="pagenum"><a name="Page_24" id="Page_24">[Pg 24]</a></span></p> - -<p>5. Magnificat in B flat, by Thomas Adams, F.R.C.O., -Price 3d.</p> - -<p>6. Nunc Dimittis in B flat, by Thomas Adams, -F.R.C.O., Price 2d.</p> - -<p>7. Four Kyries, by Charles Steggall, Berthold Tours, -E. J. Hopkins, J. M. W. Young, price 1-1/2d.</p> - -<p>8. Te Deum, by T. E. Spinney, 1-1/2d.</p> - -<p>9. Anthem, "I am the Good Shepherd," by G. -Rayleigh Vicars, 2d.</p> - -<p>10. Story of the Cross, Music by H. Clifton Bowker, 2d.</p> - -<p>12. Story of the Cross, Music by Dr. Geo. Prior, 2d.</p> - -<p>13. The Lord's Prayer, Music by Ernest Austin, 2d.</p> -</blockquote> - -<hr class="chap" /> - -<p><span class="smcap">American Organ</span>, Folio, Edited by Alfred Whittingham, -in Six Books, 1s. each, complete paper covers, 3s., -cloth bound, 5s.</p> - -<hr class="chap" /> - -<p><span class="smcap">Pianoforte (Solo).</span></p> - -<p>Coon Band Contest, Cake Walk, by Arthur Pryor, 2s.</p> - -<p>Lefebure-Wely's St. Sulpice. Reminiscence by <span class="smcap">W. -Smallwood</span>, 1s. 6d.</p> - -<p>Album Leaves: Pianoforte Sketches, without Octaves, -by F. W. Davenport, 1s. 6d. each Number.</p> - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" summary="Pianoforte (Solo)"> -<tr><td align="left">No. 1.</td><td align="left">Waltz in F</td></tr> -<tr><td></td><td align="left">Dance in G</td></tr> -<tr><td align="left">No. 2.</td><td align="left">A Little Fugue in F minor</td></tr> -<tr><td></td><td align="left">Caprice in C</td></tr> -<tr><td align="left">No. 3.</td><td align="left">Prelude in G</td></tr> -<tr><td></td><td align="left">Melody in G</td></tr> -<tr><td align="left">No. 4.</td><td align="left">Sonatina in C</td></tr> -</table></div> -<p>Tschaikowsky's 1812 Overture, arr. by E. Evans, 2s.</p> - -<p>Amarylliss, Morceaux de Salon, by Leonard Gautier, -1s. 6d.</p> - -<p>Tschaikowsky's Casse Noisette Suite, arr. by E. Evans, -2s.</p> - -<p>Grand Festival March, "Illogan," by H. C. Tonking, 2s.</p> - -<hr class="chap" /> - -<p><span class="smcap">Pianoforte (4 Hands.)</span></p> - -<p>Tschaikowsky's 1812 Overture, arr. from the Full Score -by E. Evans, 3s.</p> - -<p>Tschaikovsky's Casse Noisette Suite, arr. by E. Evans, -3s.</p> - -<p><span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span></p> - -<hr class="chap" /> - -<p><span class="smcap">Violin.</span></p> - -<p>A Selection of Favourite Airs arranged for the Violin by -Henry Farmer, complete 1s. 6d., Piano Acc. <i>ad lib.</i> -2s. 6d.</p> - -<p class="center"><span class="smcap">Contents.</span></p> - -<blockquote><p>1. Theme. Variations (Mozart).</p> -<p>2. With Verdure Clad (Haydn).</p> -<p>3. German Shepherd's Song and Rataplain (Figlia -del Reggimento).</p> -<p>4. Da Qual di (Anna Bolena), Souave Immagine -(Mercadante).</p> -<p>5. Mecco tu Vieni (La Straniera).</p> -</blockquote> - -<hr class="chap" /> - -<p><span class="smcap">Violin and piano.</span></p> - -<p>Grand Festival March, "Illogan," by H. C. Tonking, 2s.</p> - -<hr class="chap" /> - -<p class="center"><b>MANUSCRIPT MUSIC PAPER.</b></p> - -<p>(<i>a</i>) 12 Staves, roy. 8vo (10 by 6-1/2) ruled plain in quires (120 -sheets), the lot 2/6.</p> - -<blockquote> - -<p>This is pre-eminently the Musical Students' Paper, as it is light, portable, -smooth and easy to write upon; each sheet, too, will hold a large quantity of -matter. There is no paper better suited for Exercises on Counterpoint and -Harmony.</p></blockquote> - -<p>(<i>b</i>) 12 Staves, oblong, folio (14 by 10), ruled in groups of 3 -staves or Organ Music, 5 quires (120 sheets), the lot, -5/-</p> - -<blockquote> - -<p>The paper is of the same size as ordianry oblong folio, Organ Music, -<i>e.g.</i>, English Organ Music, Best's Arrangements, etc.</p></blockquote> - -<p>(<i>c</i>) 12 Staves, folio, music size (10 by 14), 5 quires (120 sheets), -the lot 5/-</p> - -<blockquote> - -<p>Exactly the same in size as ordinary folio printed music so that upon it -Songs of Organ Pieces may be written just as they are to be printed. It -is a very useful paper, as Manuscript music written on it can be bound with -Printed Music.</p></blockquote> - -<p>(<i>d</i>) 12 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), -the lot 3/6.</p> - -<p>(<i>e</i>) 12 Staves, oblong quarto (9-1/4 by 11-3/4), 5 quires (120 sheets), -the lot 3/6.</p> - -<p>(<i>f</i>) 12 Staves, folio music size (10 by 14), 5 quires (120 sheets), -the lot 5/-</p> - -<p>(<i>g</i>) 12 Staves, folio music size (ruled even), 10 by 14, 5 quires -(120 sheets), the lot 5/-</p> - -<p>(<i>h</i>) 14 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), -the lot 3/6.</p> - -<p><span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span></p> - -<hr class="chap" /> - -<p class="center"><span style="text-decoration: underline;"><big><b><span class="smcap">The Organist's Quarterly Journal.</span></b></big></span></p> - - -<div class="center"> -<table border="0" cellpadding="0" cellspacing="0" summary="Of Original Composition"> -<tr><td align="center"><div class="figcenter" style="width: 55px;"> -<img src="images/i_p26.jpg" width="55" height="29" alt="" /> -</div></td> - <td><span style="margin-left:3em;"><b>Of Original Compositions.</b></span></td></tr> -</table></div> - -<p class="center">Founded by DR. Wm. SPARK, Late Organist, Town Hall, Leeds.<br /> -<small>Price 5/-each, or Subscription, 10/6 for 4 issues.</small></p> - -<hr /> - -<p class="center">New Series, Volume, containing 160 large pages, all with -<i>ped. obb.</i>, bound in cloth, 18<i>s.</i></p> - -<hr /> - -<p class="center"><b>Part 12, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 12"> -<tr><td align="left">1. <span class="smcap">In Memoriam</span></td> - <td align="right"><span class="smcap">Rev. Geof. C. Ryly</span>, M.A., Mus. Bac. Oxon.</td></tr> -<tr><td align="left">2. <span class="smcap">Toccata</span></td> - <td align="right"><span class="smcap">G. B. Polleri</span>.</td></tr> -<tr><td align="left">3. <span class="smcap">Overture</span> from Epiphany</td> - <td align="right"><span class="smcap">Alfred King</span>, M.D.</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part XI., New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part XI"> -<tr><td align="left">1. <span class="smcap">Prelude and Fugue with Postlude</span></td> - <td align="right"><span class="smcap">E. A. Chamberlayne.</span></td></tr> -<tr><td align="left">2. <span class="smcap">Prelude and Fugue</span></td> - <td align="right"><span class="smcap">F. Young.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Fugue</span></td> - <td align="right"><span class="smcap">Archibald Donald.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Fugue</span></td> - <td align="right"><span class="smcap">William Hope.</span></td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 10, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 10"> -<tr><td align="left">1. <span class="smcap">Fugue</span></td> - <td align="right"><span class="smcap">Archibald Donald.</span></td></tr> -<tr><td align="left">2. <span class="smcap">Prelude and Fugue with Postlude</span></td> - <td align="right"><span class="smcap">E. A. Chamberlayne.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Prelude and Fugue</span></td> - <td align="right"><span class="smcap">F. Young.</span></td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 9, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 9"> -<tr><td align="left">1. <span class="smcap">Andante con Moto</span></td> - <td align="right"><span class="smcap">W. A. Montgomery</span>, L.T.C.L.</td></tr> -<tr><td align="left">2. <span class="smcap">Fantasia</span> in E minor</td> - <td align="right"><span class="smcap">Cuthbert Harris</span>, Mus. B.</td></tr> -<tr><td align="left" colspan="2">3. <span class="smcap">Postlude</span> at Ephes. V. v. 19. Si tibi placeat, Mihi con displicet <span class="smcap">W. Conradi</span>,(Y. of B. 1816), Paul's Org. St. Church, Schwerin i/m Germany.</td></tr> -<tr><td align="left">4. <span class="smcap">Harvest March</span></td> - <td align="right"><span class="smcap">Henry J. Poole.</span></td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 8, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 8"> -<tr><td align="left">1. <span class="smcap">Scherzo Minuet</span></td> - <td align="right"><span class="smcap">W. Mullineux</span>, Organist of the Town Hall, Bolton.</td></tr> -<tr><td align="left">2. <span class="smcap">Introduction</span> to the Hymn on the Passion, "O Haupt Voll Blut und Wunden"</td> - <td align="right"><span class="smcap">W. Conradi.</span> Organist Paul's Church, Schwerin, Germany.</td></tr> -<tr><td align="left">3. <span class="smcap">Thesis and Antithesis</span>, or <span class="smcap">Dispute, Appeasement, Conciliation</span>.</td> - <td align="right"><span class="smcap">W. Conradi</span>, Organist Paul's Church, Schwerin, Germany.</td></tr> -<tr><td align="left">4. <span class="smcap">Carillon</span> in E</td> - <td align="right"><span class="smcap">Cuthbert Harris</span>, Mus.B., F.R.C.O., &c.</td></tr> -<tr><td align="left">5. <span class="smcap">Andante</span> "Hope"</td> - <td align="right"><span class="smcap">Inglis Bervon.</span></td></tr> -<tr><td align="left">6. <span class="smcap">Orchestral March</span> in C</td> - <td align="right"><span class="smcap">James Crapper</span>, L. Mus., Organist of the Parish Ch., Kirkcudbright.</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 7, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 7"> -<tr><td align="left">1. <span class="smcap">Andante Grazioso</span> in G</td> - <td align="right"><span class="smcap">Chas. E. Melville</span>, F.R.C.O.</td></tr> -<tr><td align="left">2. <span class="smcap">Polish Song</span>, Arranged for the organ by <span class="smcap">Percival Garrett</span>.</td> - <td align="right"><span class="smcap">Chopin.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Introduction, Variations, and Finale</span> on the Hymn Tune "Rockingham."</td> - <td align="right"><span class="smcap">Ch. R. Fisher</span>, Mus. B.</td></tr> -<tr><td align="left">4. <span class="smcap">Two Soft Movements</span></td> - <td align="right"><span class="smcap">W. C. Filey</span>, I.S.M.</td></tr> -<tr><td>1. "Espérance."</td> - <td>2. "Tendrerse."</td></tr> -<tr><td align="left">5. <span class="smcap">Andante</span> in A flat</td> - <td align="right"><span class="smcap">W. Griffiths</span>, Mus. B., Org. of St. Sepulchre Church, Northampton.</td></tr> -<tr><td align="left">6. <span class="smcap">Fugue</span>, 4 Voice, 3 Subjects</td> - <td align="right"><span class="smcap">Dr. J. C. Tilly.</span></td></tr> -</table></div> - -<p><span class="pagenum"><a name="Page_27" id="Page_27">[Pg 27]</a></span></p> - -<hr /> - -<p class="center"><b>Part 6, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 6"> -<tr><td align="left">1. <span class="smcap">Con Moto Moderato in C</span></td> - <td align="right"><span class="smcap">Orlando A. Mansfield</span>, Mus.B., F.R.C.O.</td></tr> -<tr><td align="left">2. <span class="smcap">Tempo Di Menuetto</span></td> - <td align="right"><span class="smcap">Geo. H. Ely.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Dirge In Memoriam, Reginald Adkins</span></td> - <td align="right"><span class="smcap">J. E. Adkins</span>, F.R.C.O.</td></tr> -<tr><td align="left">4. <span class="smcap">Andante</span> in F</td> - <td align="right"><span class="smcap">R. H. Heath.</span></td></tr> -<tr><td align="left">5. <span class="smcap">Aberystwyth Offertoire</span></td> - <td align="right"><span class="smcap">J. G. Mountford.</span></td></tr> -<tr><td align="left">6. <span class="smcap">Andante</span> in D (Prière)</td> - <td align="right">E. Evelyn <span class="smcap">Barron</span>, M.A.</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 5, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 5"> -<tr><td align="left">1. <span class="smcap">Allegretto Scherzando</span> in A flat</td> - <td align="right"><span class="smcap">W. E. Ashmall.</span></td></tr> -<tr><td align="left">2. <span class="smcap">Andante Religioso</span> in G</td> - <td align="right"><span class="smcap">Dr. J. Bradford.</span></td></tr> -<tr><td align="left">3. <span class="smcap">March Pomposo</span> in E flat</td> - <td align="right"><span class="smcap">Charles Darnton.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Andante Con Moto</span> "Twilight"</td> - <td align="right"><span class="smcap">Ch. R. Fisher</span>, Mus.B.</td></tr> -<tr><td align="left">5. <span class="smcap">Minuet</span> In F</td> - <td align="right"><span class="smcap">W. E. Belcher</span>, F.R.C.O.</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 4, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 4"> -<tr><td align="left">1. <span class="smcap">Andante Moderato</span></td> - <td align="right"><span class="smcap">F. Read.</span></td></tr> -<tr><td align="left">2. <span class="smcap">Prelude and Fugue</span> in D minor</td> - <td align="right"><span class="smcap">E. A. Chamberlayne.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Sketch</span></td> - <td align="right"><span class="smcap">Arthur Geo. Colborn.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Fugue</span></td> - <td align="right"><span class="smcap">James Turpin.</span></td></tr> -<tr><td align="left">5. <span class="smcap">Allegro</span></td> - <td align="right"><span class="smcap">Charles H. Fisher.</span></td></tr> -<tr><td align="left">6. <span class="smcap">Marche Mystique</span></td> - <td align="right"><span class="smcap">Theme by Roland, de Lassus.</span>—A Relic of Ancient Times.</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 3, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 3"> -<tr><td align="left">1. <span class="smcap">Minuet And Trio</span> in F</td> - <td align="right"><span class="smcap">Ed. J. Bellerby</span>, Mus. B., Oxon.</td></tr> -<tr><td align="left">2. "<span class="smcap">Dundee</span>" ("or French")</td> - <td align="right"><span class="smcap">John P. Attwater.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Adagio.</span> An Elegy in G minor</td> - <td align="right"><span class="smcap">Chas. R. Fisher</span>, Mus. B.</td></tr> -<tr><td align="left">4. <span class="smcap">Andante,</span> A major</td> - <td align="right"><span class="smcap">F. Hone.</span></td></tr> -<tr><td align="left">5. <span class="smcap">Allegro</span>, D minor</td> - <td align="right"><span class="smcap">Geo. Minns</span> (Ely).</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 2, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 2"> -<tr><td align="left">1. <span class="smcap">Toccata Fantasia</span> (<i>Study in C minor</i>)</td> - <td align="right"><span class="smcap">E. T. Driffiel.</span></td></tr> -<tr><td align="left">2. <span class="smcap">Andante Grazioso</span></td> - <td align="right"><span class="smcap">W. Faulkes.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Marche Funebre</span></td> - <td align="right"><span class="smcap">Arthur Wanderer.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Andante Semplice</span></td> - <td align="right"><span class="smcap">E. A. Chamberlayne.</span></td></tr> -<tr><td align="left">5. <span class="smcap">Festal March</span></td> - <td align="right"><span class="smcap">A. W. Ketelbey.</span></td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 1, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 1"> -<tr><td align="left">1. <span class="smcap">Offertoire</span> in A minor</td> - <td align="right"><span class="smcap">Fred. W. Dal</span> (Leipzig).</td></tr> -<tr><td align="left">2. <span class="smcap">Second Fantasia</span> on <span class="smcap">Scotch Airs</span></td> - <td align="right"><span class="smcap">William Spark.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Adeste Fideles</span> (with Variations and Fugue)</td> - <td align="right"><span class="smcap">Charles Hunt.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Intermezzo</span></td> - <td align="right"><span class="smcap">G. Townshend Driffield.</span></td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 103 (Old Series).</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 103"> -<tr><td align="left">1. <span class="smcap">Postlude</span> in G</td> - <td align="right"><span class="smcap">Frederick W. Holloway</span>, F.C.O.</td></tr> -<tr><td align="left">2. <span class="smcap">Suite</span>: <span class="smcap">No. 1, Prelude</span>; <span class="smcap">No. 2, Berceuse</span>; <span class="smcap">No. 3, Toccata</span></td> - <td align="right"><span class="smcap">Laurent Parodi</span> (Genoa).</td></tr> -<tr><td align="left">3. <span class="smcap">Nocturne</span></td> - <td align="right"><span class="smcap">William Lockett.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Andante Pastorale</span> in B minor</td> - <td align="right"><span class="smcap">Jacob Bradford</span>, Mus. D., Oxon.</td></tr> -<tr><td align="left">5. <span class="smcap">Introductory Voluntary</span></td> - <td align="right"><span class="smcap">Albert W. Ketelbey.</span></td></tr> -<tr><td align="left">6. <span class="smcap">Fugue</span></td> - <td align="right"><span class="smcap">R. J. Rowe</span>, L.R.A.M.</td></tr> -</table></div> - -<hr /> - -<p class="center">LONDON: WILLIAM REEVES, 83, CHARING CROSS ROAD, W.</p> - -<p><span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span></p> - -<hr class="chap" /> - -<p class="center">Note the Price, PENCE not SHILLINGS.</p> - -<p class="center"><b><big>POPULAR AND COPYRIGHT MUSIC.</big></b></p> - -<p class="center">Full Music Size, Well Printed and Critically Correct.</p> - -<p class="center">ISSUED BY</p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" width="90%" summary="William Reeves"> -<tr><td align="left" rowspan="2"><b><big>2<sup>D</sup></big></b></td> - <td colspan="2"><b>WILLIAM REEVES.</b></td> - <td align="left" rowspan="2"><b><big>2<sup>D</sup></big></b></td></tr> -<tr><td align="left">(Postage ½d. each.)</td> - <td align="right">(Postage ½d. each.)</td></tr> -</table></div> - - -<p class="center">VOCAL.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Vocal"> -<tr><td align="left">273. Alice where art thou?</td><td align="left"><i>J. Ascher</i></td></tr> -<tr><td align="left">396. Always do as I do</td><td align="left"><i>Tinney</i></td></tr> -<tr><td align="left">174. Angels at the Casement, A flat</td><td align="left"><i>W. M. Hutchison</i></td></tr> -<tr><td align="left">105. Banner of the King</td><td align="left"><i>H. Fortesque</i></td></tr> -<tr><td align="left">172. Barney O'Hea</td><td align="left"><i>S. Lover</i></td></tr> -<tr><td align="left">224. Bay of Biscay</td><td align="left"><i>J. Davey</i></td></tr> -<tr><td align="left">181. Border Lands (Sacred)</td><td align="left"><i>Miss Lindsay</i></td></tr> -<tr><td align="left">180. Borderer's Challenge</td><td align="left"><i>H. J. Stark</i></td></tr> -<tr><td align="left">390. Cat in the Chimney</td><td align="left"><i>L. Kingsmill</i></td></tr> -<tr><td align="left">392. Child's Good Morning</td><td align="left"><i>O. Barri</i></td></tr> -<tr><td align="left">391. Child's Good Night</td><td align="left"><i>O. Barri</i></td></tr> -<tr><td align="left">383. Come into the Garden Maud</td><td align="left"><i>Balfe</i></td></tr> -<tr><td align="left">184. Crossing the Brook</td><td align="left"><i>Edith Cooke</i></td></tr> -<tr><td align="left">389. Dawn of Heaven</td><td align="left"><i>Buonetti</i></td></tr> -<tr><td align="left">188. Diver, The</td><td align="left"><i>E. J. Loder</i></td></tr> -<tr><td align="left">384. God Save the King</td><td align="left"><i>Dr. Jno. Bull</i></td></tr> -<tr><td align="left">226. Hearts of Oak</td><td align="left"><i>Dr. W. Boyce</i></td></tr> -<tr><td align="left">100. Honey Are You True to Me (Coon Song)</td><td align="left"><i>Lindsay Lennox</i></td></tr> -<tr><td align="left">266. Kathleen Mavourneen</td><td align="left"><i>Crouch</i></td></tr> -<tr><td align="left">213. Lady Clara Vere de Vere</td><td align="left"><i>Miss Lindsay</i></td></tr> -<tr><td align="left">404. Last Good Bye to Mother</td><td align="left"><i>C. Dargan</i></td></tr> -<tr><td align="left">227. Last Rose of Summer</td><td align="left"><i>Thos. Moore</i></td></tr> -<tr><td align="left">215. Listen</td><td align="left"><i>A. H. Behrend</i></td></tr> -<tr><td align="left">249. Maggie's Promise</td><td align="left"><i>W. Gordon</i></td></tr> -<tr><td align="left">115. Sharing the Burden</td><td align="left"><i>J. E. Webster</i></td></tr> -<tr><td align="left">225. Tom Bowling</td><td align="left"><i>C. Dibdin</i></td></tr> -<tr><td align="left">236. When other Lips (Then you'll remember me)</td><td align="left"><i>Balfe</i></td></tr> -</table></div> - -<p class="center">VOCAL DUETS.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Vocal Duets"> -<tr><td align="left">190. Flow on thou Shining River</td><td align="left"><i>Sir J. Stevenson</i></td></tr> -<tr><td align="left">116. Gipsy Countess</td><td align="left"><i>Glover</i></td></tr> -</table></div> - -<p class="center">PIANOFORTE.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Pianoforte"> -<tr><td align="left">118. A la Valse</td><td align="left"><i>Roeckel</i></td></tr> -<tr><td align="left">275. Alice where art thou? (easily arr. by)</td><td align="left"><i>Percy E. Douglas</i></td></tr> -<tr><td align="left">278. Army and Navy March</td><td align="left"><i>Henzell</i></td></tr> -<tr><td align="left">457. Au Village</td><td align="left"><i>Tschaikowsky</i></td></tr> -<tr><td align="left">268. Battle March (Delhi)</td><td align="left"><i>Pridham</i></td></tr> -<tr><td align="left">373. Belgium Galop</td><td align="left"><i>Smallwood</i></td></tr> -<tr><td align="left"><span class="pagenum"><a name="Page_29" id="Page_29">[Pg 29]</a></span>437. Belle of Chicago March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">122. Berceuse</td><td align="left"><i>Roeckel</i></td></tr> -<tr><td align="left">376. Blumenlied</td><td align="left"><i>Gustav Lange</i></td></tr> -<tr><td align="left">379. Bridal Chorus and Wedding March</td><td align="left"><i>Wagner</i></td></tr> -<tr><td align="left">453. Cadet Two Step (easily arranged)</td><td align="left"><i>Alard</i></td></tr> -<tr><td align="left">142. Charming Mazurka</td><td align="left"><i>Gungl</i></td></tr> -<tr><td align="left">456. Chanson Triste</td><td align="left"><i>Tschaikowsky</i></td></tr> -<tr><td align="left">456. Chant sans Paroles</td><td align="left"><i>Tschaikowsky</i></td></tr> -<tr><td align="left">393. Chinese Patrol March</td><td align="left"><i>D. Pecorini</i></td></tr> -<tr><td align="left">243. Cloches du Monastere</td><td align="left"><i>Lefebure-Wely</i></td></tr> -<tr><td align="left">458. Coon Band Contest</td><td align="left"><i>A. Pryor</i></td></tr> -<tr><td align="left">438. Corcoran Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">125. Corricolo Galop (Easily arranged)</td><td align="left"><i>L. Mullen</i></td></tr> -<tr><td align="left">377. Edelweiss</td><td align="left"><i>Gustav Lange</i></td></tr> -<tr><td align="left">374. Emmeline Galop</td><td align="left"><i>Smallwood</i></td></tr> -<tr><td align="left">308. Fille du Regiment</td><td align="left"><i>Oesten</i></td></tr> -<tr><td align="left">167. Flying Dutchman (La Vaisseau Fantome)</td><td align="left"><i>Wagner</i></td></tr> -<tr><td align="left">244. Forward March</td><td align="left"><i>E. H. Sugg</i></td></tr> -<tr><td align="left"><span style="margin-left: 2em;">Four Humoresques:</span></td></tr> -<tr><td align="left">206.<span style="margin-left: 3em;">Valse in D, No. 1</span></td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">207.<span style="margin-left: 3em;">Minuetto in A minor, No. 2</span></td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">208.<span style="margin-left: 3em;">Allegretto, No. 3</span></td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">209.<span style="margin-left: 3em;">Allegro Alla Burla, No. 4</span></td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">210. Funeral March</td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">305. French Air (Marseillaise)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">306. German Air (Watch on Rhine)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">264. Gipsies' March</td><td align="left"><i>C. Heins</i></td></tr> -<tr><td align="left">252. Grand March (arr. by P. E. Douglas)</td><td align="left"><i>Blake</i></td></tr> -<tr><td align="left">151. Grand March of the Warriors</td><td align="left"><i>H. V. Lewis</i></td></tr> -<tr><td align="left">276. Hiawatha Cake Walk, (arr. by P. E. Douglas)</td><td align="left"><i>Moret</i></td></tr> -<tr><td align="left">436. High School Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">304. Irish Air (Last Rose of Summer)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">303. Italian Air (Ah che la Morte)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">288. Japanese National Hymn, Harmonized by Sydney Osborne.</td></tr> -<tr><td align="left">133. Kassala Gavotte</td><td align="left"><i>H. Wilcock</i></td></tr> -<tr><td align="left">270. Kathleen Mavourneen</td><td align="left"><i>P. E. Douglas</i></td></tr> -<tr><td align="left">171. Khartoum Quick March</td><td align="left"><i>F. P. Rabottini</i></td></tr> -<tr><td align="left">286. King's Own March</td><td align="left"><i>Warwick Williams</i></td></tr> -<tr><td align="left">246. Liberty Bell March</td><td align="left"><i>Sousa</i></td></tr> -<tr><td align="left">135. Little Dear Gavotte</td><td align="left"><i>F. Astrella</i></td></tr> -<tr><td align="left">162. Lohengrin</td><td align="left"><i>Wagner</i></td></tr> -<tr><td align="left">136. Maiden's Prayer</td><td align="left"><i>Badarazewska</i></td></tr> -<tr><td align="left">435. Manhattan Beach March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">137. March in E flat</td><td align="left"><i>J. B. Mallett</i></td></tr> -<tr><td align="left">441. March Past of the National Fencibles</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">440. March Past of the Rifle Regiment</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">140. May-Day Galopade</td><td align="left"><i>J. Gungl</i></td></tr> -<tr><td align="left"><span class="pagenum"><a name="Page_30" id="Page_30">[Pg 30]</a></span>141. Mazurka</td><td align="left"><i>Badarazewska</i></td></tr> -<tr><td align="left">143. Melodie</td><td align="left"><i>Roeckel</i></td></tr> -<tr><td align="left">247. Melody in F</td><td align="left"><i>Rubinstein</i></td></tr> -<tr><td align="left">211. Minuetto (from E minor Sonata)</td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">163. Mountain Echo March</td><td align="left"><i>G. Gariboldi</i></td></tr> -<tr><td align="left">385. Narcissus</td><td align="left"><i>Nevin</i></td></tr> -<tr><td align="left">439. Our Flirtation March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">147. Placid Stream</td><td align="left"><i>Smallwood</i></td></tr> -<tr><td align="left">103. Queenie (Intermezzo)</td><td align="left"><i>P. D'Orsay</i></td></tr> -<tr><td align="left">165. Rienzi</td><td align="left"><i>Wagner</i></td></tr> -<tr><td align="left">253. Robin's Return (arr. by P. E. Douglas)</td><td align="left"><i>Fischer</i></td></tr> -<tr><td align="left">148. Scherzino</td><td align="left"><i>Roeckel</i></td></tr> -<tr><td align="left">301. Scotch Air (Blue Bells of Scotland)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">375. Seasons Galop</td><td align="left"><i>Smallwood</i></td></tr> -<tr><td align="left">442. Semper Fidelis</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">196. Silvery Echoes</td><td align="left"><i>Blake</i></td></tr> -<tr><td align="left">394. Soldiers' Chorus (Faust)</td><td align="left"><i>Gounod</i></td></tr> -<tr><td align="left">381. Sonatina in F</td><td align="left"><i>Beethoven</i></td></tr> -<tr><td align="left">380. Sonatina in G</td><td align="left"><i>Beethoven</i></td></tr> -<tr><td align="left">302. Spanish Air (Dance)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">378. Stephanie Gavotte</td><td align="left"><i>A. Czibulka</i></td></tr> -<tr><td align="left">166. Tannhauser</td><td align="left"><i>Wagner</i></td></tr> -<tr><td align="left">150. Tarantella</td><td align="left"><i>L. B. Mallett</i></td></tr> -<tr><td align="left">290. Washington Post March (easy)</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">454. White Wings (Transcription)</td><td align="left"><i>Smallwood</i></td></tr> -<tr><td align="left">291. Woodland Echoes</td><td align="left"><i>Wyman</i></td></tr> -</table></div> - - -<p class="center">PIANO DUETS.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Piano Duets"> -<tr><td align="left">367. Come o'er the Stream Charlie</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">371. From Greenland's Icy Mountains</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">372. I'd Choose to be a Daisy</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">154. Maiden's Prayer</td><td align="left"><i>Badarazewka</i></td></tr> -<tr><td align="left">156. March of the Cameron Men</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">155. Marche des Croates</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">159. Minnie, or Lilly Dale</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">353. Silvery Waves (Wyman)</td><td align="left"><i>Andre</i></td></tr> -</table></div> - -<p class="center">DANCE.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Dance"> -<tr><td align="left">388. Amorosa Mazurka</td><td align="left"><i>A. H. Oswald</i></td></tr> -<tr><td align="left">387. Blue Bells Schottische</td><td align="left"><i>S. Leslie</i></td></tr> -<tr><td align="left">262. Blue Danube Waltz</td><td align="left"><i>Strauss</i></td></tr> -<tr><td align="left">382. British Army Polka</td><td align="left"><i>Alec Carlton</i></td></tr> -<tr><td align="left">285. City Polka</td><td align="left"><i>J. D. Wimpenny</i></td></tr> -<tr><td align="left">161. Cosmopolitan Quadrille</td><td align="left"><i>L. Gautier</i></td></tr> -<tr><td align="left">127. Cyprus Polka</td><td align="left"><i>Scotson Clark</i></td></tr> -<tr><td align="left">402. Donau Wellen Waltz (Easily arr. by)</td><td align="left"><i>Percy E. Douglas</i></td></tr> -<tr><td align="left">101. Electric Waltz</td><td align="left"><i>H. Klein</i></td></tr> -<tr><td align="left">397. Esmeralda Waltz (easily arranged)</td><td align="left"><i>S. Osborne</i></td></tr> -<tr><td align="left">395. Fancy Dress Ball Quadrille</td><td align="left"><i>Rosenberg</i></td></tr> -<tr><td align="left">413. Faust Waltz (arr. by P. E. Douglas)</td><td align="left"><i>Gouno</i></td></tr> -<tr><td align="left"><span class="pagenum"><a name="Page_31" id="Page_31">[Pg 31]</a></span>250. Flora Waltz</td><td align="left"><i>W. Gordon</i></td></tr> -<tr><td align="left">386. Horse Guards Schottische</td><td align="left"><i>S. Leslie</i></td></tr> -<tr><td align="left">102. Lucifer Polka</td><td align="left"><i>H. Klein</i></td></tr> -<tr><td align="left">251. Niagara Waltz</td><td align="left"><i>Vorzanger</i></td></tr> -<tr><td align="left">144. Munich Polka</td><td align="left"><i>Jos. Gungl</i></td></tr> -<tr><td align="left">403. Olympia Schottische</td><td align="left"><i>Sydney J. Smith</i></td></tr> -<tr><td align="left">254. Over the Waves (Sobra las Olas)</td><td align="left"><i>Rosas</i></td></tr> -<tr><td align="left">366. Roseland Waltz</td><td align="left"><i>Marietta Lena</i></td></tr> -<tr><td align="left">415. Sweetheart Polka</td><td align="left"><i>Gounod</i></td></tr> -<tr><td align="left">265. Vinolia Schottische</td><td align="left"><i>P. Lester</i></td></tr> -<tr><td align="left">268. Woodland Whispers Waltz</td><td align="left"><i>Stanley</i></td></tr> -</table></div> - -<p class="center">VIOLIN AND PIANO.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Violin and Piano"> -<tr><td align="left">256. Campbells are Coming</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">257. British Grenadiers</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">258. A Life on the Ocean Wave</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">259. Hearts of Oak</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">260. Ivy Green</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">261. Red, White and Blue</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">317. Ben Bolt</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">312. Low Back'd Car</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">313. Sprig of Shillelagh</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">314. March from Norma</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">315. March, Guillaume Tell</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">316. Lass O'Gowrie</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">284. Réverie (E min.)</td><td align="left"><i>W. Vinnicombe</i></td></tr> -</table></div> - -<p class="center">VIOLIN.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Violin"> -<tr><td align="left">170. March St. Olave</td><td align="left"><i>F. James</i></td></tr> -</table></div> - -<p class="center">MANDOLINE AND PIANO.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Mandoline and Piano"> -<tr><td align="left">274. Alice where art Thou?</td></tr> -<tr><td align="left">407. Belle of Chicago March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">406. Blue Danube Waltz</td><td align="left"><i>Strauss</i></td></tr> -<tr><td align="left">416. Cadet Two Step (arranged)</td><td align="left"><i>Alard</i></td></tr> -<tr><td align="left">408. Corcoran Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">272. Donau Wellen Waltz</td><td align="left"><i>Ivanovici</i></td></tr> -<tr><td align="left">414. Faust Waltz and Flower Song</td><td align="left"><i>Gounod</i></td></tr> -<tr><td align="left">277. Hiawatha Popular Cake Walk</td><td align="left"><i>Neil Moret</i></td></tr> -<tr><td align="left">401. High School Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">289. Honey are you true</td><td align="left"><i>Sydney Osborne</i></td></tr> -<tr><td align="left">267. Kathleen Mavourneen</td><td align="left"><i>Crouch</i></td></tr> -<tr><td align="left">399. Liberty Bell March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">400. Manhattan Beach March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">411. March Past of the National Fencibles</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">410. March Past of the Rifle Regiment</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">255. Oceana Schottische</td><td align="left"><i>W. H. Stevens</i></td></tr> -<tr><td align="left">279. Over the Waves</td><td align="left"><i>Rosas</i></td></tr> -<tr><td align="left">409. Our Flirtation March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">412. Semper Fidelis March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">398. Washington Post March</td><td align="left"><i>J. P. Sousa</i></td></tr> -</table></div> - -<p><span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span></p> - -<p class="center">BANJO AND PIANO.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Banjo and Piano"> -<tr><td align="left">429. Belle of Chicago March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">406. Cadet Two Step (arranged)</td><td align="left"><i>Alard</i></td></tr> -<tr><td align="left">430. Corcoran Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">428. High School Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">419. Liberty Belle March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">418. Manhattan Beach March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">433. March Past of the National Fencibles</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">432. March Past of the Rifle Regiment</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">431. Our Flirtation March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">434. Semper Fidelis March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">417. Washington Post March</td><td align="left"><i>J. P. Sousa</i></td></tr> -</table></div> - -<hr class="chap" /> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" width="90%" summary="The Violin Times"> -<tr><td><big><b>THE VIOLIN TIMES,</b></big></td> - <td align="left" rowspan="2">Monthly, 2d.,<br /> - <span style="margin-left:1.5em;">(by post 2-1/2d,)</span><br /> - <span style="margin-left:1.5em;"><i><b>Abroad, 3s.</b></i></span></td></tr> -<tr><td><i>Edited by E. POLONASKI</i>.<br /> - <hr /></td></tr> -<tr><td align="left"><i><b>Subscription, 2s, 6d., per Year</b></i></td> - <td rowspan="2">Covers for binding<br /> - 2s. each.<br /> - Index 2d. each.</td></tr> -<tr><td><span class="smcap">Vols. 1 to 8, bound, price 6/-Each.</span></td></tr> -</table></div> - -<p><i>Illustrated Supplements have appeared Including the following</i> (<i>2-1/2d. each.</i>)</p> - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" summary="The Violin Times"> -<tr><td><b>PORTRAITS.</b></td> - <td class="bor_left"><b>PORTRAITS (continued)</b></td> - <td class="bor_left"><b>PORTRAITS (continued)</b></td></tr> -<tr><td>VOL. 8.</td> - <td class="bor_left" align="left">Ferdinand David</td> - <td align="left" class="bor_left"></td></tr> -<tr><td align="left">Prof. and Mrs. Holloway and Family</td> - <td align="left" class="bor_left">Elderhorst Quartette</td> - <td align="left" class="bor_left">I. B. Poznanski</td></tr> -<tr><td align="left">Eugene Polonaski</td> - <td align="left" class="bor_left">H. Wilhelm Ernst</td> - <td align="left" class="bor_left">Rene Ortmans</td></tr> -<tr><td align="left">Hugo Kupferschmidt</td> - <td align="left" class="bor_left">Miss Muriel Handley</td> - <td align="left" class="bor_left">A. Simonetti</td></tr> -<tr><td align="left">Dr. Joachim</td> - <td align="left" class="bor_left">Miska Hauser</td> - <td align="left" class="bor_left">W. Ten Have</td></tr> -<tr><td align="left">Anton Schumacher</td> - <td align="left" class="bor_left">M. Paganini</td> - <td align="left" class="bor_left">Mdlle. Wietrowitz</td></tr> -<tr><td align="left">William Christ Basle</td> - <td align="left" class="bor_left">Louis Spohr</td> - <td align="left" class="bor_left">Miss Hildegard Werner</td></tr> -<tr><td align="left">M. Coward-Klee</td> - <td align="left" class="bor_left">A. Stradivarius</td> - <td align="left" class="bor_left">Fred Furnace</td></tr> -<tr><td align="left">Dettmar Dressel</td> - <td align="left" class="bor_left">H. Vieuxtemps</td> - <td align="left" class="bor_left">Miss Kathleen Thomas</td></tr> -<tr><td align="left">The Joachim Quartet</td> - <td align="left" class="bor_left">G. Viotti</td> - <td align="left" class="bor_left">M. Césare Thomson</td></tr> -<tr><td align="left">Kubelik</td> - <td class="bor_left">VOL. 5.</td> - <td align="left" class="bor_left">F. Whiteley</td></tr> -<tr><td align="left">C. M. Hawcroft</td> - <td align="left" class="bor_left">T. G. Briggs</td> - <td align="left" class="bor_left">H. Lyell Tayler</td></tr> -<tr><td>VOL. 7.</td> - <td align="left" class="bor_left">Cologne Gurzenich Quartette</td> - <td align="left" class="bor_left">Stanley W. G. Barfoot</td></tr> -<tr><td align="left">W. A. Mozart</td> - <td align="left" class="bor_left">Wm. Henley</td> - <td align="left" class="bor_left">G. de Angelis</td></tr> -<tr><td align="left">Miss Kate Lee</td> - <td align="left" class="bor_left">Miss Leonora Jackson</td> - <td align="left" class="bor_left">Marcello Rossi</td></tr> -<tr><td align="left">R. Peckotsch</td> - <td align="left" class="bor_left">J. Koh-Alblas</td> - <td class="bor_left"><b>FACSIMILES AND PICTURES.</b></td></tr> -<tr><td align="left">Gordon Tanner</td> - <td align="left" class="bor_left">A. Oppenheim (violinist)</td> - <td align="left" class="bor_left">Paganini on his Death-bed</td></tr> -<tr><td align="left">Eugene Meier</td> - <td align="left" class="bor_left">A. Oppenheim (pianist)</td> - <td align="left" class="bor_left">Letter of Ch. de Bériot</td></tr> -<tr><td align="left">W. V. Fisher</td> - <td align="left" class="bor_left">Mdlle. Jeanette Orloff</td> - <td align="left" class="bor_left">Letter of Camillo Sivori</td></tr> -<tr><td align="left">Paganini</td> - <td align="left" class="bor_left">Dr. H. Pudor</td> - <td align="left" class="bor_left">Defeasance of a bond by Roger Wade Crowder</td></tr> -<tr><td align="left">T. B. Parsons</td> - <td align="left" class="bor_left">C. L. Walger</td> - <td align="left" class="bor_left">Viola di Gamba by Carlo Bergonzi, 1713</td></tr> -<tr><td align="left">Joseph Guarnerius del Gesu Violin, 1733</td> - <td align="left" class="bor_left">W. E. Whitehouse</td> - <td align="left" class="bor_left">Facsimile Labels in Nos. 32, 34, 35, 37, 505, 58</td></tr> -<tr><td>VOL. 6.</td> - <td align="left" class="bor_left">Miss Gladys May Hooley</td> - <td align="left" class="bor_left">Lira da Gamba, by Linarolo, reproduction of Painting by Tintoretto</td></tr> -<tr><td align="left">Pierre Baillot</td> - <td align="left" class="bor_left">J. Harold Henry</td> - <td align="left" class="bor_left">David Techler's Viola</td></tr> -<tr><td align="left">C. A. de Beriot</td> - <td align="left" class="bor_left">Adolphe Pollitzer</td> - <td align="left" class="bor_left">Stradivari's Scroll</td></tr> -<tr><td align="left">J. R. Bingley</td> - <td align="left" class="bor_left">Mdlle. Edith Smith</td> - <td align="left" class="bor_left">Jacob Stainer's House</td></tr> -<tr><td align="left">Ole Bull</td> - <td align="left" class="bor_left">John Dunn</td> - <td class="bor_left"></td></tr> -<tr><td align="left">Arcangelo Corelli</td> - <td align="left" class="bor_left">Heinrich Maria Hain</td> - <td class="bor_left"></td></tr> -<tr><td></td> - <td align="left" class="bor_left">Edina Bligh</td> - <td class="bor_left"></td></tr> -</table></div> - -<p><span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span></p> - -<hr class="chap" /> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="Books on Fremansory"> -<tr><td rowspan="2"><big><b>Books on Freemasonry</b></big></td> - <td align="left"><small><b>Published by W. REEVES,<br /> - 83, Charing Cross Road, W.C.</b></small></td></tr> -</table></div> - -<hr /> - -<p class="center">12mo, red cloth, gilt, 323 pp., 3/6.</p> - -<p><b>Carlile (R.), Manual of Freemasonry</b>, containing the First -Three Degrees, The Royal Arch and Knights' Templar -Druids, The Degrees of Mark Man, Mark Master, Architect, -Grand Architect., etc., etc.</p> - -<hr class="chap" /> - -<p class="center">12mo, blue cloth, gilt, 374 pp., 3/6.</p> - -<p><b>Fellows (J.), Mysteries of Freemasonry</b>; or, An Exposition -of the Religious Dogmas and Customs of the Ancient -Egyptians; showing, from the origin, nature and objects of -the rites and ceremonies of remote antiquity, their identity -with the Order of Modern Masonry, with some remarks on -the Metamorphosis of Apuleius, <i>with numerous woodcuts</i>.</p> - -<hr class="chap" /> - -<p class="center">12mo, green cloth, gilt, 254 pp., 3/6.</p> - -<p><b>Ritual and Illustrations of Freemasonry</b>, <i>accompanied by -very numerous engravings</i>, and a Key to the Phi Beta Kappa.</p> - -<hr class="chap" /> - -<p class="center">8vo, sewed, 26 pp., 1/-</p> - -<p><b>Investigation into the Cause of the Hostility of the Church -of Rome to Freemasonry</b>, and an Inquiry into Freemasonry -as it Was, and Is: with Criticism as to how far the Order fulfils -its Functions, by Author of "Text Book of Freemasonry."</p> - -<hr class="chap" /> - -<p class="center">Post 8vo, sewed, 48 pp., 1/-</p> - -<p><b>Joachin and Boaz</b>; or, an Authentic Key to the Door of -Freemasonry, both Ancient and Modern.</p> - -<hr class="chap" /> - -<p class="center">Post 8vo, sewed, 50 pp., 1/-</p> - -<p><b>Three Distinct Knocks at the Door of the Most Ancient -Freemasonry.</b></p> - -<hr class="chap" /> - -<p class="center">8vo, sewed, 1/-</p> - -<p><b>The Origin of Freemasonry</b>, or the 1717 Theory Exploded -by C. J. Paton.</p> - -<hr class="chap" /> - -<p class="center">8vo, paper, 2/6 (post free 3/-)</p> - -<p><b>Weisse (John A.), The Obelisk of Freemasonry</b>, according -to the Discoveries of Belzoni and Commander Gorringe: -also Egyptian Symbols compared with those discovered in -American Mounds.</p> - -<hr class="chap" /> - -<p class="center">Fifth thousand, 12mo, cloth 1/-<i>net</i>.</p> - -<p><b>Pocket Lexicon of Freemasonry</b>, by W. J. Morris 18<sup>o</sup> -P.D.D.G.M., St. Lawrence, District and Past Inspector -Gen. Royal and Select Masters.</p> - -<hr class="chap" /> - -<p class="center">12mo, cloth, 62 pp., 2/-</p> - -<p><b>Fox (T. L.), Freemasonry</b>; An Account of the Early History -of Freemasonry in England, with Illustrations of the -Principles and Precepts advocated by that Institution.</p> - -<hr /> - -<p class="center"><i>The above</i> <span class="smcap">Post Free</span> <i>on receipt of remittance -for price named</i>.</p> - -<p><span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span></p> - -<hr class="chap" /> - -<p class="center">12mo, blue cloth, red edges, 270 pp., 5/-</p> - -<p><b>Text Book of Freemasonry</b>; a Complete Handbook of Instruction -to all the Workings in the Various Mysteries and -Ceremonies of <span class="smcap">Craft Masonry</span>, containing the Entered -Apprentice, Fellow-craft, and Master Mason's degrees; the -Ceremony of Installation of the W. Master and Officers of the -Lodge, together with the whole of the Three Lectures; also -the Ceremony of Exhaltation in the Supreme Order of the -Holy Royal Arch, a Selection of Masonic Songs, etc., <i>illustrated -with four engravings of the</i> <b>TRACING BOARDS</b>, by -"A Member of the Craft," new and revised edition.</p> - -<p><b>Ditto, Ditto</b>, on thin paper, bound in leather pocket-book -style, 5s.</p> - -<p><b>The Three Tracing Boards</b>, in 12mo, cloth line, 1s. 6d.</p> - -<hr class="chap" /> - -<p>Post 8vo, cloth, 10/-(or crimson calf limp, gilt edges, 15/-net.)</p> - -<p><b>Text Book of Advanced Freemasonry</b>, containing for the -self-Instruction of Candidates, the <span class="smcap">Complete Rituals</span> of the -<span class="smcap">Higher Degrees</span>, viz., Royal Ark Mariners, Mark Master, -Royal Arch, Red Cross of Rome and Constantinople, Knights' -Templar and Rose Croix de Heredom; also Monitorial Instructions -on the 30th to the 33rd and last degree of Freemasonry, -to which are added Historical Introductions and -Explanatory remarks by the Author of the "Text Book."</p> - -<hr class="chap" /> - -<p class="center"><big><b>MASONIC SONGS AND POEMS</b></big></p> - -<p class="center"><big>BY BARDS CHIEFLY OF THE<br /> -19th AND 20th CENTURIES</big></p> - -<p class="center">COMPILED BY<br /> - -<big>A. C. STEPHEN.</big></p> - -<hr class="chap" /> - -<p class="center">Third Edition, 8vo. boards, cloth back, <b>6/-net</b> (by post 6/4.)</p> - -<p class="center"><span class="smcap">The International</span></p> - -<p class="center"><big><b>DIRECTORY OF PATENT AGENTS.</b></big></p> - -<p class="center"><span class="smcap">New and Enlarged Edition</span> (<i>the third</i>),</p> - -<p class="center">Contains over <b>4000</b> Patent Agents, practising in all parts of the -world. Arranged Alphabetically, and, also Geographically.</p> - -<hr /> - -<p class="center"><b>London: W. Reeves, 83, Charing Cross Road, W.C.</b></p> - -<p><span class="pagenum"><a name="Page_35" id="Page_35">[Pg 35]</a></span></p> - -<hr class="chap" /> - -<p class="center">The Set of 15 Numbers 2/6 post free. Or 2d. each (Post free 2-1/2)</p> - -<p class="center"><big><b>PARISH CHURCH MUSIC.</b></big></p> - -<p class="center">A Collection of Original, Practical, Modern Compositions—Tunes, Canticles, -Chants, etc., for use in "Choirs and Places where they Sing.":—</p> - -<p>No. 1.—Ten Tunes to the Hymn, "<b>ABIDE WITH ME</b>," -including Three Prize Tunes.</p> - -<p>No. 2.—Ferial Confession, "<b>STORY OF THE CROSS</b>," -Choir Prayers with Antiphon, by G. E. Lake.</p> - -<p>No. 3.—Five Tunes to the Hymn, "<b>ROCK OF AGES</b>," -including Three Prize Tunes.</p> - -<p>No. 4.—Six Quadruple Chants for the "<b>TE DEUM</b>," -including the Three Prize Tunes.</p> - -<p>No. 5.—Ten Tunes to the Hymn, "<b>SUN OF MY SOUL</b>," -including Three Prize Tunes.</p> - -<p>No. 6.—Ten Tunes to "<b>JERUSALEM THE GOLDEN</b>," -including Three Prize Tunes.</p> - -<p>No. 7.—Six Tunes to the Hymn "<b>NEARER MY GOD -TO THEE</b>," including the Three Prize Tunes.</p> - -<p>No. 8.—Eleven Tunes to the Hymn, "<b>HARK, HARK, -MY SOUL</b>," including Three Prize Tunes.</p> - -<p>No. 9.—Six Tunes to the Hymn "<b>LEAD KINDLY -LIGHT</b>," including the Three Prize Tunes.</p> - -<p>No. 10.—Four Tunes to the Hymn, "<b>JESUS, LOVER OF -MY SOUL</b>," including the Three Prize Tunes.</p> - -<p>No. 11.—Five Tunes to the Hymn, "<b>LO! HE COMES -WITH CLOUDS DESCENDING</b>," including the -Three Prize Tunes.</p> - -<p>No. 12.—Five Tunes to the Hymn, "<b>I HEARD THE -VOICE OF JESUS SAY</b>," including the Three -Prize Tunes.</p> - -<p>No. 13.—Six Tunes to the Hymn, "<b>FOR THEE, O DEAR, -DEAR COUNTRY</b>," including the Three Prize Tunes.</p> - -<p>No. 14.—Four Tunes to the Hymn, "<b>O LOVE WHO -FORMEDST ME TO WEAR</b>."</p> - -<p>No. 15.—Six Tunes to the Hymn, "<b>THE KING OF -LOVE</b>," including Three Prize Tunes.</p> - -<hr class="chap" /> - -<p class="center"><i>Price <span style="text-decoration: underline;">One Shilling</span>.</i> -<span style="margin-left:3em;">(<i>Cloth 1/6</i>)</span></p> - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Notes"> -<tr><td><b><big><i>Notes</i></big></b></td> - <td><i>on</i></td> - <td><big><b><span style="text-decoration: underline;">CONDUCTORS</span></b></big></td></tr> -<tr><td><small><i>New and Enlarged<br /> - Edition</i></small></td> - <td>AND</td> - <td><big><b><span style="text-decoration: underline;">CONDUCTING</span>.</b></big></td></tr> -</table></div> - -<p class="center"><span class="smcap">BY</span> T. R. CROGER, F.R.G.S., F.Z.S.,</p> - -<p><i>With three Full-page Illustrations of the various "Beats," and Plan of an Orchestra</i>.</p> - -<blockquote> - -<p>"A mine of good things."—<i>Musical Opinion.</i></p> - -<p>"One of the best guides to conducting."—<i>P. and M. T. Review.</i></p></blockquote> - -<p><span class="pagenum"><a name="Page_36" id="Page_36">[Pg 36]</a></span></p> - -<hr class="chap" /> - -<p class="center">Weekly, with Supplement, 2d.</p> - -<p>THE</p> - -<p class="center close-above"><big><b>"<span class="smcap">Musical Standard</span>,"</b></big></p> - -<p>A NEWSPAPER FOR MUSICIANS,<span style="margin-left:1em;">_</span><span style="margin-left:1em;">_</span><span style="margin-left:1em;">_</span><span style="margin-left:1em;">_</span><br /> -<span style="margin-left:5em;">PROFESSIONAL AND AMATEUR.</span></p> - -<p>Gives Supplements of Illustrations of British and Foreign -Organs, Portraits of Eminent Musicians, Organ Music, -Violin Music, Anthems, Part Songs, Songs, Piano -Pieces,</p> - -<p><span class="smcap">Subscription</span>, one year, 10s. 10d., six months, 5s. 5d. -Abroad, one year, 13s., six months, 6s. 6d.</p> - -<hr /> - -<p class="center"><small><i>Illustrated Series</i>, Vols. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 & onward, bound in -brown cloth, 5s. each.</small></p> - -<hr /> - -<p class="center"><small>Handsome Covers for Binding, 1s. 6d. each, (by post 1s. 9d).</small></p> - -<hr /> - -<p>Publishing and Advertising Offices:</p> - -<p class="right close-above">83, CHARING CROSS ROAD, LONDON, W.C.</p> - -<hr class="chap" /> - -<p class="center">1902-3 Edition. Paper, 2s. net: or Cloth, 3s. 6d. net.</p> - -<p class="center"><big><b>MUSICAL DIRECTORY</b></big></p> - -<p class="right close-above"><i>FOR GREAT BRITAIN AND IRELAND</i>.</p> - -<p class="center"><small>THE TRADES, PROFESSORS AND OTHERS CONNECTED -WITH MUSIC, CHORAL SOCIETIES, STAFF OF -CATHEDRALS, COLLEGES AND ABBEY CHURCHES, ETC.</small></p> - -<hr /> - -<p class="center"><b>W. REEVES, 83, CHARING CROSS RD., LONDON, W.C.</b></p> - - - -<hr class="chap" /> - -<div class="transnote"> -<p class="center">TRANSCRIBER NOTES</p> - - -<p>Symbol inverted asterism (three asterisks arranged as inverted triangle) is presented as ⁂ (asterism) in this e-text.</p> - -<p>Inconsistent spelling and apparent printer errors have been -retained as printed in original book, except obvious punctuation -errors have been repaired.</p> -</div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Catalogue of Works Literary Art and -Music, by W. 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