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diff --git a/old/51902-h/51902-h.htm b/old/51902-h/51902-h.htm deleted file mode 100644 index 37b47d1..0000000 --- a/old/51902-h/51902-h.htm +++ /dev/null @@ -1,3072 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ --> - -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> - <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> - <meta http-equiv="Content-Style-Type" content="text/css" /> - <title> - The Project Gutenberg eBook of Catalogue of Works Literary Art and Music, by W. Reeves. - </title> - <link rel="coverpage" href="images/cover.jpg"/> - <style type="text/css"> - -body {margin-left: 10%; margin-right: 10%;} -h1 {text-align: center; clear: both;} -p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} - -hr {width: 33%; margin-top: 1em; margin-bottom: 1em; margin-left: 33.5%; margin-right: 33.5%; clear: both;} -hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%} - -table {margin-left: auto; margin-right: auto;} -.bor_left {border-left-style: solid; border-width: 3px;} - -.pagenum {position: absolute; left: 92%; font-size: smaller; text-align: right;} - -small {font-size:70%;} -big {font-size:130%;} - -.close-above {line-height: 0.5;} -.center {text-align: center;} -.right {text-align: right;} -.smcap {font-variant: small-caps;} - -/* Images */ -.figcenter {margin: auto; text-align: center;} - -/* Transcriber's notes */ -.transnote {background-color: #E6E6FA; color: black; font-size:smaller; padding:0.5em; margin-bottom:5em; font-family:sans-serif, serif; } - - </style> - </head> -<body> - - -<pre> - -Project Gutenberg's Catalogue of Works Literary Art and Music, by W. Reeves - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: Catalogue of Works Literary Art and Music - -Author: W. Reeves - -Release Date: May 1, 2016 [EBook #51902] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK CATALOGUE OF WORKS LITERARY *** - - - - -Produced by Judith Wirawan, deaurider and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive) - - - - - - -</pre> - - -<p class="center"><b>W. REEVES</b><br /> - -<small>AND</small><br /> - -REEVES & TURNER'S<br /> - -<big>Publications</big></p> - -<hr /> - -<hr /> - - -<h1>CATALOGUE<br /> - -<small>OF WORKS</small><br /> - -Literary . . .<br /> -<span style="margin-left:2em;">Art and . . .</span><br /> -<span style="margin-left:4em;">Music.</span></h1> - -<p class="center"><small>ALSO . . . .</small></p> - -<p class="center"><b>Books on</b> . . .<br /> -<b>Freemasonry.</b></p> - -<div class="figcenter" style="width: 88px;"> -<img src="images/device.jpg" width="88" height="77" alt="" /> -</div> - -<p class="center"><span style="margin-right:7em;"><b>London:</b></span><br /> -<b>83, Charing Cross Rd.</b><br /> -<span style="margin-left:7em;">W.C.</span></p> - -<p><span class="pagenum"><a name="Page_2" id="Page_2">[Pg 2]</a></span></p> - -<hr class="chap" /> - -<p><span class="smcap">How to Memorize Music</span>: With numerous Musical -Examples. By C. F. Kenyon, cr. 8vo, 1s.</p> - -<hr class="chap" /> - -<p><span class="smcap">Treatise on the Training of Boy's Voices</span>: -With Examples and Exercises and Chapters on Choir-Organization. -Compiled for the Use of Choirmasters. -By George T. Fleming, cr. 8vo, cloth, 2s.</p> - -<hr class="chap" /> - -<p><span class="smcap">Graduated Course of Exercises for Boy Choristers</span>: -With Pianoforte Accompaniment. For Use inconjunction -with above. By G. T. Fleming, 1s.</p> - -<hr class="chap" /> - -<p><span class="smcap">Interludes.</span> Seven Lectures by H. C. Banister. -Collected and Edited by Stewart Macpherson, with Portrait, -cr. 8vo, cloth, 2s. (pub. at 5s.)</p> - -<hr class="chap" /> - -<p class="center"><b>ORGAN MUSIC.</b></p> - -<p class="center">(All with ped. obb.)<span style="margin-left:2em;">(Prices Music-net).</span></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="4" summary="Organ Music"> -<tr><td align="left">Chopin's Nocturne (Op. 9, No. 2)</td><td align="left">1s. 6d.</td><td align="left"><i>E. H. Lemare</i>.</td></tr> -<tr><td align="left">Forward! Grand March</td><td align="left">1s. 6d.</td><td align="left"><i>E. H. Sugg</i>.</td></tr> -<tr><td align="left">Lebanon March (Smallwood)</td><td align="left">2s.</td><td align="left"><i>Dr. Westbrook</i>.</td></tr> -<tr><td align="left">Grand Festival March, "Illogan"</td><td align="right">2s.</td><td align="left"><i>H. C. Tonking</i>.</td></tr> -<tr><td colspan="2">(also arr. for Piano solo; and Vn. & Pi.)</td></tr> -<tr><td align="left">Overture to William Tell (Rossini)</td><td align="left">2s. 6d.</td><td align="left"><i>A. Whittingham</i>.</td></tr> -<tr><td align="left">Overture to Oberon (Weber)</td><td align="right">2s.</td><td align="left"><i>A. Whittingham</i>.</td></tr> -<tr><td align="left">Overture to Freischütz (Weber)</td><td align="right">2s.</td><td align="left"><i>A. Whittingham</i>.</td></tr> -<tr><td align="left">Six Pieces for Church Use (arr.)</td><td align="right">1s.</td><td align="left"><i>W. Smallwood</i>.</td></tr> -</table></div> -<hr class="chap" /> - -<p class="center">8vo cloth, 300 pp., 3s. 6d.</p> - -<p><b>HONE (William), Ancient Mysteries described</b>, especially -the English Miracle Plays founded on the Apocryphal -New Testament Story, extant among the unpublished -MSS. in the British Museum, including notices of Ecclesiastical -Shows and Festivals of Fools and Asses, the -English Boy Bishop, Descent into Hell, the Lord Mayor's -Show, the Guildhall Giants, Christmas Carols, etc., with -Engravings and Index.</p> - -<hr class="chap" /> - -<p class="center">8vo, cloth, 3s. 6d.</p> - -<p><b>HONE (William), The Apocryphal New Testament</b>, being -all the Gospels, Epistles and other pieces now extant -attributed in the first four centuries to Jesus Christ, his -Apostles and their Companions and not included in the -New Testament by its compilers.</p> - -<p><span class="pagenum"><a name="Page_3" id="Page_3">[Pg 3]</a></span></p> - -<hr class="chap" /> - -<p class="center">In 4 Volumes, 8vo. Price £2 2s.</p> - -<p class="center">Handsomely bound in designed buckram cloth.</p> - - -<p class="center"><span style="text-decoration: underline;">⁂ <i>One Hundred Copies specially printed on hand-made paper supplied</i></span><br /> -<span style="text-decoration: underline;"><i>By Spalding & Hodge. Price £4 4s. net, bound in Vellum</i></span>,</p> - -<p class="center"><big><b>Essays & Letters of MONTAIGNE.</b></big></p> - -<p class="center"><b>Edited by</b> WILLIAM CAREW HAZLITT.<br /> -<small><span style="text-decoration: underline;">NEW AND ENLARGED INDEX</span></small></p> - -<p class="center"><span class="smcap">An Entirely New Edition</span> formed from a Collation of<br /> -the Foreign Quotations; a fresh English rendering and<br /> -a careful revision of the text throughout. Some<br /> -account of the Life of Montaigne, Notes to<br /> -which are added, a Translation of all<br /> -the Letters known to be extant.</p> - -<p class="center"><i>Portraits, Facsimile Letter, and other Illustrations.</i></p> - -<hr /> - -<p><span class="smcap">Mr. Hazlitt's Montaigne</span>,—An entirely new Edition text -of Montaigne's Essays and Letters (founded on the now extremely -scarce one published in 1877 in three volumes octavo) -has now been brought to completion (Publisher, Messrs. Reeves -and Turner) and will, partly by reason of enlarged introductory -matter and partly by additional notes, extend to four volumes. -The Edition of 1877 was superintended by Mr. Hazlitt's father, -though bearing his own name on the title, and he merely contributed -the Preface. The book has now at length been adapted -to the last French <i>Variorum</i> so far as possible, and innumerable -errors of the former English versions have been rectified. The -Biographical account of the essayist has been considerably amplified -and <b>instead of the sixteen Letters</b> given in 1877 <b>there -are thirty-five</b>, many of which are of interest and importance -towards understanding the Life of the Author. A salient feature -in the present undertaking is to have substituted for the English -colloquial equivalents, or rather supposed equivalents of the -great Frenchman's language, the words which he actually uses -or the sense, which he actually intends to convey; and the -difference is often curious and sometimes immense between him -and his English renderers.—<i>The Athenæum.</i></p> - -<p><span class="pagenum"><a name="Page_4" id="Page_4">[Pg 4]</a></span></p> - -<hr class="chap" /> - -<p><b>In the Press.</b></p> - -<p class="center"><big><b>Modern Orchestral Instruments</b></big></p> - -<p class="center"><b>Their Origin, Construction, and Use.</b></p> - -<hr /> - -<p class="center"><i>BEING A PRACTICAL ILLUSTRATED HANDBOOK<br /> -<small>For the use of</small><br /> -AMATEURS OR STUDENTS.</i></p> - -<p class="center">With many additional Illustrations, Tables, an . . . . . .<br /> -. . . . . . . . . . . . Appendix, and an Explanatory Index.</p> - -<p class="center"><small>BY</small><br /> -K. SCHLESINGER.</p> - -<hr class="chap" /> - -<p class="center"><b><big>Classical Works.</big></b></p> - -<p class="center"><b>Edited by Prof. Anthon.</b></p> - - -<p><span class="smcap">Anthon's Horace</span>, Edited by Rev. James Boyd, -LL.D., thick post 8vo, 5s. 6d.</p> - -<p><span class="smcap">Anthon's Homer's Iliad</span>, First Three Books, Edited -by B. Davies, LL.D., thick post 8vo, 5s. 6d.</p> - -<p><span class="smcap">Anthon's Cæsar's Commentaries</span>, Edited by Rev. -G. B. Wheeler, thick post 8vo, 4s. 6d.</p> - -<p><span class="smcap">Anthon's Eclogues and Georgics of Virgil</span>, with -English Notes, Critical and Explanatory, and a Metrical -Index, post 8vo, price 4s. 6d.</p> - -<p><span class="smcap">Anthon's Sallust</span>, Edited by Rev. J. Boyd, LL.D., -post 8vo, 4s. 6d.</p> - -<p><span class="smcap">Anthon's Juvenal and Persius' Satires</span>, Edited -by J. T. Wheeler, post 8vo, 4s. 6d.</p> - -<p><span class="smcap">Anthon's Cicero's Orations</span>, with English Commentary -and Historical, Geographical and Legal Indexes, -Revised and Edited by Rev. G. B. Wheeler, post -8vo, 4s. 6d.</p> - -<p><span class="pagenum"><a name="Page_5" id="Page_5">[Pg 5]</a></span></p> - -<hr class="chap" /> - -<p class="center"><b>Crown 8vo, Special Designed Cover. 5/-</b></p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="Mastersingers"> -<tr><td><b><big>MASTERSINGERS</big></b></td> - <td align="left" rowspan="2">APPRECIATIONS OF MUSIC AND<br /> -MUSICIANS WITH AN ESSAY ON<br /> -HECTOR BERLIOZ . . . . . .</td></tr> -<tr><td><b>By FILSON YOUNG</b></td></tr> -</table></div> - -<p><span class="smcap">Contents.</span>—The Pastoral Symphony—Tristan and Isolda—Bach's Organ -Fugues—Mozart's Requiem—Tschiakowsky's Sixth Symphony—The Composer -in England—Charles Hallé—Camille Saint-Saëns—An Irish Musician—Hector -Berlioz.</p> - -<hr class="chap" /> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" width="90%" summary="Thus Spake Zarathustra"> -<tr><td align="left"><b><i>Ready.</i></b></td><td align="right"><b>roy. 8vo, boards, 1/6</b></td></tr> -</table></div> - -<p><b><big>"THUS SPAKE ZARATHUSTRA"</big></b></p> - -<blockquote><p><span class="smcap">By</span> F. NIETZSCHE, <i>A BOOK FOR ALL AND NONE</i>. -<span class="smcap">TRANSLATED BY</span> THOMAS COMMON, containing Zarathustra's -Prefatory Discourse, with Critical and Bibliographical -Notices, Part I.</p></blockquote> - -<p>"<i>Nietzsche's Ethics, however are not the Ethics for boys, nor for old -women, nor for dreamers either; <span style="text-decoration: underline;">they are the Ethics for full grown men</span>, -the noble, strong, wide-awake men, who shape the world's destiny.</i>"</p> - -<p class="right close-above">—EDITOR.</p> - -<hr class="chap" /> - -<p class="right"><b>crown 8vo, Limp Cloth, 2/-</b></p> - -<p><b><big>THE ART OF MODULATING.</big></b></p> - -<blockquote><p><i>A SERIES OF PAPERS ON MODULATING -AT THE PIANOFORTE. WITH 62 MUSICAL -EXAMPLES.</i> <span class="smcap">By</span> HENRY C. BANISTER.</p></blockquote> - -<p><i>Not only at Examinations—viva voce—but in Actual Experience, is ability -required to pass rapidly, with very little "process" from one key to another.</i></p> - -<hr class="chap" /> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" width="90%" summary="The Life of Henry George"> -<tr><td align="left"><i>2nd Edition.</i></td><td align="right">Thick Crown 8vo. Cloth, Price <b>7/6</b>.</td></tr> -</table></div> - -<p><big><b>THE LIFE OF HENRY GEORGE.</b></big></p> - -<blockquote><p>Author of "Progress and Poverty,"</p></blockquote> - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" width="90%" summary="The Life of Henry George"> -<tr><td align="left"><i>With Portraits.</i></td><td align="right">By his Son, HENRY GEORGE, JUN.</td></tr> -</table></div> -<hr class="chap" /> - -<p class="right"><b>Thick Crown 8vo., Cloth 10s.</b></p> - -<p><i>Important Critical Contribution.</i></p> - -<p><big><b><span class="smcap">CHOPIN: the man and his music.</span></b></big></p> - -<p class="center">BY JAMES HUNEKER,<br /> -Author of "Mezzotints in Modern Music."</p> - -<p>"Mr Huneker is a Chopin enthusiast. He accords admiration -to Brahms, to Wagner, to Tchaïkovsky: his worship is -reserved for Chopin. Being gifted with clear insight and imagination -which grasp many and diverse moods Mr. Huneker is a sane -critic and a manly.... There is no pretence at new material -in the book. Mr. Huneker has garnered all that has been written -about the composer and he has threshed out the grain from the -chaff. The result is, therefore, of value."—<i>Musical Standard.</i></p> - -<p><span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span></p> - -<hr class="chap" /> - -<p class="center"><span class="smcap">The Large Edition</span>, over 1,000 pp., imp. 8vo.</p> - -<p><b>CHAFFERS (Wm.), MARKS AND MONOGRAMS ON -EUROPEAN AND ORIENTAL POTTERY AND -PORCELAIN</b>, with Historical Notices of each Manufactory, -preceded by an Introductory Essay on Ancient -Pottery and on the Vasa Fictilia of England and -Mediæval Earthenware Vessels, with over 3,500 Potters -Marks and Illustrations, revised and edited by F. -Litchfield, ornamental cloth, Ninth Edition, with Additional -Information and Marks, 42s.</p> - -<hr class="chap" /> - -<p class="center"><i>New Edition</i> (1904.) Entirely Revised and Enlarged by -<span class="smcap">C. A. Markham</span>, <i>F.S.A.</i></p> - -<p><b>CHAFFERS (W.), HALL MARKS ON GOLD AND -SILVER PLATE</b>, Illustrated with Revised Tables of -Annual Date Letters employed in the Assay Offices -of the United Kingdom, roy. 8vo, cloth, 16s. <i>net</i>.</p> - -<hr class="chap" /> - -<p class="center"><span class="smcap">The Companion to "Hall Marks on Gold and Silver -Plate."</span></p> - -<p><b>CHAFFERS (W.), A HISTORY OF ENGLISH GOLDSMITHS -AND PLATEWORKERS</b> (Gilda Aurifa-brorum) -and their Marks stamped on Plate, copied in -<i>facsimile</i> from celebrated Examples and the earliest -Records preserved at Goldsmiths' Hall, London, with -their names, addresses and dates of entry, 2,500 <i>Illustrations</i>; -also Historical Account of the Goldsmiths' -Company and their Hall Marks and Regalia; the -Mint; Closing of the Exchequer; Goldsmith Bankers; -Shop Signs, a Copious Index, etc., a New Edition, 267 -pp., roy. 8vo, cloth, 12s.</p> - -<hr class="chap" /> - -<p><b>CHAFFERS (W.), COLLECTOR'S HANDBOOK OF -MARKS AND MONOGRAMS ON POTTERY AND -PORCELAIN OF THE RENAISSANCE AND MODERN -PERIOD</b>, selected from his larger work, New -Edition Revised and considerably Augmented by F. -Litchfield, Twelfth Thousand, 234 pp., post 8vo, cloth, -gilt, 6s.</p> - -<hr class="chap" /> - -<p><b>CHAFFERS (Wm.) HANDBOOK TO HALL MARKS ON -GOLD AND SILVER PLATE</b>, with Revised Tables -of Annual Date Letters Employed in the Assay -Offices of England, Scotland and Ireland, Extended -by C. A. Markham, <i>F.S.A.</i>, cr. 8vo, cloth, 5s. -<span style="margin-left:3em;">1902</span></p> - -<p><span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span></p> - -<hr class="chap" /> - -<p><b>MARKHAM (Chr. A.</b>, <i>F.S.A.</i>) <b>HANDBOOK TO -FOREIGN HALL MARKS ON GOLD AND -SILVER PLATE</b> (except those on French Plate), -containing 163 stamps, cr. 8vo, cloth, 5s.</p> - -<hr class="chap" /> - -<p><b>MARKHAM (C.), HANDBOOK TO FRENCH HALL -MARKS ON GOLD AND SILVER PLATE.</b> Illustrated. -Crown, 8vo, cloth, 5s.<span style="margin-left:3em;">1900</span></p> - -<hr class="chap" /> - -<p><b>COBBETT (W.), RURAL RIDES</b> in the Counties of -Surrey, Kent, Sussex, Hants., Wilts., Gloucestershire, -etc., edited with Life, New Notes, and the addition of -a copious Index, New Edition by <span class="smcap">Pitt Cobbett</span>, <i>map -and portrait</i>, 2 vols, cr. 8vo (xlviii. and 806 pp.), cloth -gilt, 12s. 6d.</p> - -<p><small>Cobbett's "Rural Rides" is to us a delightful book, but it is one which -few people know. We are not sure that up to the present time it was impossible -to get a nice edition of it. We are therefore glad to see that Messrs. -Reeves & Turner's recently published edition is a very creditable production—two -handy well-filled volumes.—<i>Gardening.</i></small></p> - -<hr class="chap" /> - -<p><b>KEATS</b> (John), <b>THE POETICAL WORKS OF JOHN -KEATS</b> (large type), given from his own Editions and -other Authentic Sources, and collated with many -Manuscripts, edited by H. Buxton Forman, <i>portrait</i>, -<span class="smcap">Seventh Edition</span>, 8 pp., cr. 8vo, buckram, 7s. 6d.</p> - -<hr class="chap" /> - -<p><b>THE LETTERS OF JOHN KEATS</b> (Large type), Complete -Revised Edition, with a Portrait not published in -previous Editions and 24 Contemporary Views of -Places visited by Keats, Edited by H. Duxton Forman, -519 pages, cr. 8vo. buckram. 8s.</p> - -<hr class="chap" /> - -<p><b>LORD CHESTERFIELD'S LETTERS TO HIS SON.</b>—Edited -with Occasional Elucidatory Notes, Translations -of all the Latin, French and Italian Quotations, and -a Biographical Notice of the Author. By Chas. Stokes -Carey, 2 vols, cr. 8vo, bevelled cloth, 10s. 6d.</p> - -<hr class="chap" /> - -<p><b>FLAGELLATION AND THE FLAGELLANTS</b>, A -History of the Rod, in all Countries by the Rev. W. M. -Cooper. <i>Plates and Cuts</i>, thick cr. 8vo, cloth, 7s. 6d. (pub. -12s. 6d.)</p> - -<hr class="chap" /> - -<p><b>THE AWAKENING OF WOMEN</b>: or Woman's Part in -Evolution, by Frances Swiney, crown 8vo, cloth, 5s. <i>net</i>.</p> - -<p><small>"Strong and soul-stirring.... The Book of the age on the woman -question."—<i>The Woman's Tribune.</i></small></p> - -<p><small>It is most carefully thought out.... The authorities quoted all seem -to point to the fact that woman is more highly evolved than man.—<i>Mrs. Ada -Ballin, Editor of</i> "<span class="smcap">Womanhood</span>."</small></p> - -<p><span class="pagenum"><a name="Page_8" id="Page_8">[Pg 8]</a></span></p> - -<hr class="chap" /> - -<p><b>SHELLEY'S PRINCIPLES</b> has time refuted or confirmed -them, a Retrospect and Forecast, by H. S. Salt, post -8vo, 1s.</p> - -<hr class="chap" /> - -<p><b>PERCY BYSSHE SHELLEY</b>, Poet and Pioneer, a Biographical -Study by H. S. Salt, etched portrait, cr. 8vo, -cloth, 3s. 6d.</p> - -<hr class="chap" /> - -<p><b>SHELLEY LIBRARY (The)</b>, An Essay in Bibliography, -by H. Buxton Forman, Shelley's Books, Pamphlets -and Broadsides, Posthumous Separate Issues, and -Posthumous Books, wholly or mainly by him, 127 pp., -8vo, parts 1 and 2, wrappers, 3s. 6d. each.</p> - -<hr class="chap" /> - -<p><b>A SHELLEY PRIMER</b>, By H. S. Salt, cr. 8vo, bds -2s. 6d.</p> - -<hr class="chap" /> - -<p><b>SHELLEY (Percy Bysshe), THE POETICAL WORKS</b> -(in large type), given from his own Editions and -other Authentic Sources, collated with many MSS., -and with all Editions of Authority, together with his -Prefaces and Notes, his Poetical Translations and -Fragments, and an Appendix of Juvenalia, Edited by -H. Buxton Forman, with the Notes of Mary Wollstonecraft -Shelley, <i>fine etched portrait</i>, 2 vols., cr. 8vo, -cloth (with Design in Gold on cover by Rossetti), 12s. -<i>Fourth Edition in the press</i>.</p> - -<hr class="chap" /> - -<p><b>SIDONIA THE SORCERESS</b>, by William Meinhold. -Translated by Lady Wilde, with the Amber Witch, -translated by Lady Duff Gordon, in 2 vols., crown 8vo, -8s. 6d. 1894</p> - -<hr class="chap" /> - -<p><b>THOMSON (James, "B. V."), POETICAL WORKS</b>, -The City of Dreadful Night, Vane's Story, Weddah -and Om-el-Bonain, Voice from the Hell, and Poetical -Remains, Edited by B. 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Bishop, cr. 8vo, cloth, 3s.</p> - -<p><span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span></p> - - -<p class="center"><span style="text-decoration: underline;">ORGAN WORKS.</span></p> - -<p><span class="smcap">Modern Organ Tuning</span>, the How and Why, clearly -explaining the Nature of the Organ Pipe and the System -of Equal Temperament together with an Historic Record -of the Evolution of the Diatonic Scale from the Greek -Tetrachord by Hermann Smith, crown 8vo, cloth, 3s. 6d.</p> - -<p><span class="smcap">Analysis of Mendelssohn's Organ Works</span>, a Study -of their Structural Features, for the use of Students, -127 Musical Examples, portrait and facsimiles, cr. 8vo, -bevelled cloth, 4s. 6d.</p> - -<p><span class="smcap">Organist's Quarterly Journal</span> of Original Compositions. -Edited by Dr. W. Spark, 5s. per part. <i>For -Contents see end of Catalogue.</i></p> - -<p>New Series Volume, 160 large pages, oblong folio, bound -in cloth, 18s.</p> - -<p><span class="smcap">Rink's Practical Organ School</span>: A New Edition, -Carefully Revised. The Pedal Part printed on a separate -Staff, and the Preface, Remarks and Technical -Terms translated from the German, expressly for this -edition by John Hiles. The Six Books Complete, handsomely -bound in red cloth, gilt edges, ob. folio, 10s. 6d. -(issued at 20s.), or the six parts 7s. 6d. (issued at 6s. each.)</p> - -<p><span class="smcap">Organs and Organists in Parish Churches</span>, A -Handbook of the Law relating to the Custody, Control -and Use of Organs, and to the Position, Lights, and -Disabilities of Organists, to which is Added a Chapter -on the Hiring of Pianos, and on "The Three Years -System," by William C. A. Blow, M.A., Oxon., of the -Inner Temple, Esq., Barrister-at-Law, cr. 8vo, cloth, -2s. 6d.</p> - -<p><span class="smcap">A Short History of the Organ</span>, Organists, and -Services of the Chapel of Alleyn's College, Dulwich, -with Extracts from the Diary of the Founder, by W. H. -Stocks, cr. 8vo, sewed, 1s.</p> - -<p><span class="smcap">The Influence of the Organ in History.</span> By -Dudley Buck, 1s.</p> - -<p><span class="smcap">Henry Smart's Organ Compositions</span> Analysed. -By J. Broadhouse, cr. 8vo, cloth, 2s. 6d.</p> - -<p><span class="smcap">Reform in Organ Building</span>, by Thomas Casson, 6d.</p> - -<p><span class="smcap">The Organ</span>, Its Compass, Tablature, and Short -and Incomplete Octaves, by John W. Warman, A.C.O., -imp. 8vo, sewed, 3s. 6d. or boards, cloth back, 4s. 6d.</p> - -<p><span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span></p> - -<p><span class="smcap">Catechism</span> for the Harmonium and American Organ, -by John Hiles, post 8vo, sewed, 1s.</p> - -<p><span class="smcap">Rimbault</span> (Dr. E. F.), The Early English Organ -Builders and their Works, from the 15th Century to the -Period of the Great Rebellion, an unwritten chapter on -the History of the Organ, Well printed, with woodcuts, -post 8vo, cloth, 3s. 6d.</p> - - -<p class="center"><span style="text-decoration: underline;">VOICE AND SINGING.</span></p> - -<p><span class="smcap">Twelve Lessons on Breathing and Breath Control</span>, -for Singers, Speakers and Teachers, by Geo. E. -Thorp, crown 8vo, limp cloth, 1s.</p> - -<p><span class="smcap">Twenty Lessons on the Development of the -Voice</span>, or Singers, Speakers and Teachers, by Geo. E. -Thorp, crown 8vo, limp cloth, 1s.</p> - -<p><span class="smcap">50 Musical Hints to Clergymen</span>, Management of -Breath, Classification of Male Voices, Management of -the Voice, The Service, with twenty specially written -Exercises by Geo. F. Grover, 1s.</p> - -<p><span class="smcap">Catechism of Part Singing and the Choral Services.</span> -By John Hiles, 3rd Edition, thick post 8vo, price 1s.</p> - -<p><small><i>Advice to Singers on every point of interest in reference -to the Vocal Organs</i>.</small></p> - -<p><span class="smcap">How to Sing an English Ballad.</span> By E. Philp, -7th Edition, 6d.</p> - -<p><span class="smcap">Vocal Exercises for Choirs and Schools.</span> By Dr. -Westbrook, 2d.</p> - -<p><span class="smcap">Rudiments of Vocal Music.</span> With 42 Preparatory -Exercises, Rounds and Songs in the Treble Clef, by -T. Mee Pattison, 2nd Ed., 4d.</p> - -<p><span class="smcap">Some Famous Songs</span>, an Art Historical Sketch. By -F. R. Ritter, 1s.</p> - -<p><span class="smcap">Voice Production and Vowel Enunciation</span>, by -F. F. Mewburn Levien, Diagrams by Arthur C. Behrend, -post 8vo, 6d.</p> - -<p><span class="smcap">Position and Action in Singing</span>, a Study of the -True Conditions of Tone, a Solution of Automatic (Artistic) -Breath Control, by Edmund J. Myer, cr. 8vo, -4s. 6d.</p> - -<p><span class="smcap">National School of Opera in England</span>; being The -Substance of a Paper read before the Licentiates of -Trinity College, March, 1882, by Frank Austin, post 8vo, -sewed, 6d.</p> - -<p><span class="pagenum"><a name="Page_19" id="Page_19">[Pg 19]</a></span></p> - -<p><span class="smcap">How to Understand Wagner's "Ring of the -Nibelung</span>," being the Story and a Descriptive Analysis -of the "Rheingold," the "Valkyr," "Siegfried" and -the "Dusk of the Gods," with a number of Musical -Examples by Gustave Kobbé, Sixth Edition, post 8vo, -cloth, 3s. 6d.</p> - -<p><small>"To be appreciated in the smallest way Wagner must be studied in -advance."—<i>Illustrated London News.</i></small></p> - -<p><span class="smcap">Rational Accompaniment to the Psalms</span> by F. Gilbert -Webb, post 8vo, 6d.</p> - -<p><span class="smcap">How to Play from Score.</span>—Treatise on Accompaniment -from Score on the Organ or Pianoforte by -F. Fetis, trans. by A. Whittingham, cr. 8vo, cloth, 3s. 6d.</p> - -<hr class="chap" /> - -<p><span class="smcap">Choir Lists for Sunday Services.</span></p> - -<blockquote><p>No. 1. Morning and Evening, printed in red, 1s. 4d. -per 100.</p> - -<p>No. 2. Morning, Afternoon, and Evening, printed in -red, 1s. 6d. per 100.</p> - -<p>No. 3. Morning and Evening, printed in red and -black, 1s. 8d. per 100.</p> - -<p>No. 4. Morning and Even., printed in red, 1s. 6d. -per 100.</p> - -<p>No. 5. Quarto Size, Matins, Litany, Holy Communion, -First Evensong, Second Evensong, Gothic -Letter, printed in red, 6d. per dozen, 3s. per 100.</p> -</blockquote> - -<hr class="chap" /> - -<p><span class="smcap">Choir Attendance Register</span>, 8vo, cloth.</p> - -<blockquote><p>No. 1. Ruled for a Choir of 20 or less, for one year, -beginning at any date, 1s. 6d.</p> - -<p>No. 2. Ruled for a Choir of 40 or less, for one year, -beginning at any date, 2s.</p> - -<p>No. 3. Ruled for a choir of 60 or less, for one year, -beginning at any date, 2s. 6d.</p> -</blockquote> - -<hr class="chap" /> - -<p class="center"><i>Performing Edition.</i></p> - -<p><span class="smcap">The Creation</span>, A Sacred Oratorio composed by -Joseph Haydn, Vocal Score, The Pianoforte Accompaniment -arranged and the whole edited by G. A. -Macfarren, 8vo, paper covers, 2s., boards, 2s. 6d., scarlet -cloth, 4s.</p> - -<hr class="chap" /> - -<p><span class="smcap">From Lyre to Muse</span>, A History of the Aboriginal -Union of Music and Poetry, By J. Donovan, cr. 8vo, -cloth, 2s. 6d.</p> - -<p><span class="pagenum"><a name="Page_20" id="Page_20">[Pg 20]</a></span></p> - -<hr class="chap" /> - -<p><span class="smcap">Popular Part Songs.</span></p> - -<blockquote><p>1. Merrily goes the Mill, by T. B. Southgate, 1d.</p> - -<p>2. Take, O Take those Lips away, Part Song for -S.A.T.B. by Claude E. Cover, A.R.C.O., 1-1/2d.</p> - -<p>3. Pack Clouds Away, for S.A.T.B., by Claude E. -Cover, A.R.C.O., 2d.</p> - -<p>4. Summer Roses, for S.A.T.B., by G. Rayleigh -Vicars, 2d.</p> - -<p>5. Erin, Dear Erin, for T.A.T.B., by Churchill -Sibley, 2d.</p> - -<p>6. Caledonia! Land o' the Rocky Dell, for S.A.T.B., -by Churchill Sibley, 3d.</p> -</blockquote> -<hr class="chap" /> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="To All Musicians"> -<tr><td><span style="text-decoration: underline;"><big><b>TO ALL MUSICIANS.</b></big></span>—<br /> -<div class="figcenter" style="width: 55px;"> -<img src="images/i_p20.jpg" width="55" height="24" alt="" /> -</div></td> - <td align="left" rowspan="2">Here is something worth<br /> -reading and when you<br /> -have read it send for<br /> -a copy without delay.</td></tr> -<tr><td><big><b>[Special price see below.]</b></big></td></tr> -</table></div> - -<p>The Publisher of The Musical Standard has secured the -whole of the copies left unsold at <b>14</b>/-net by Messrs. S. Low, -Marston and Company, Ltd., of the work entitled</p> - -<p class="center">THE<br /> -<big><b>NATIONAL PORTRAIT GALLERY</b></big><br /> -OF<br /> -<big><b>BRITISH MUSICIANS.</b></big></p> - -<p class="center">BY JOHN WARRINER, <span class="smcap">Mus.D.</span>,<br /> -<span class="smcap">Trinity College, Dublin</span>.</p> - -<p class="center"><b>INTRODUCTION BY JOSEPH BENNETT.</b></p> - -<p class="center"><b>Over 500 Photo Portraits</b><br /> -Of well-known and eminent living Musicians of Great Britain -and Ireland, with short Biographical notice of each.</p> - -<hr /> - -<p class="center"><b>The Whole Bound in One Handsome oblong folio -Volume, cloth lettered. Offered for 7/6 post free -(or 8/-post free abroad).</b></p> - -<p><span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span></p> - -<hr class="chap" /> - -<p class="center"><b>KING'S ROYAL ALBUMS, Nos. 1 and 2.</b></p> - -<p>NATIONAL AND PATRIOTIC SONG ALBUM.</p> - -<p>With Pianoforte Accompaniment. In 2 Bks., 1s. each.</p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Albums No. 1 and 2"> -<tr><td><span class="smcap">Book 1.</span></td><td><span class="smcap">Book 2.</span></td></tr> -<tr><td align="left">God Save the King</td><td align="left">Hearts of Oak</td></tr> -<tr><td align="left">God Bless the Prince of Wales</td><td align="left">Stand United</td></tr> -<tr><td align="left">There's a Land (Dear England)</td><td align="left">The Cause of England's Greatness</td></tr> -<tr><td align="left">Victoria</td><td align="left">The Last Rose of Summer</td></tr> -<tr><td align="left">God Bless our Sailor Prince</td><td align="left">The Leather Bottle</td></tr> -<tr><td align="left">Here's a Health unto His Majesty</td><td align="left">Home, Sweet Home</td></tr> -<tr><td align="left">Lord of the Sea</td><td align="left">Three Cheers for the Red, White and Blue</td></tr> -<tr><td align="left">Roast Beef of Old England</td><td align="left">The Minstrel Boy</td></tr> -<tr><td align="left">The Blue Bells of Scotland</td><td align="left">The British Grenadiers</td></tr> -<tr><td align="left">Tom Bowling</td><td align="left">Auld Lang Syne</td></tr> -<tr><td align="left">Come Lassies and Lads</td><td align="left">Rule Britannia</td></tr> -<tr><td align="left">Ye Mariners of England</td></tr> -<tr><td align="left">The Bay of Biscay</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Albums, No. 3. Price 1/-</b></p> - -<p>10 MARCHES FOR THE PIANO. BY J. P. SOUSA.</p> - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Albums No. 3"> -<tr><td align="left">1. The Washington Post.</td><td align="left">6. The Corcoran Cadets.</td></tr> -<tr><td align="left">2. Manhatton Beach.</td><td align="left">7. Our Flirtation.</td></tr> -<tr><td align="left">3. The Liberty Bell.</td><td align="left">8. March past of the Rifle Regiment.</td></tr> -<tr><td align="left">4. High School Cadets.</td><td align="left">9. March past of the National Fencibles.</td></tr> -<tr><td align="left">5. The Belle of Chicago.</td><td align="left">10. Semper Fidelis.</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 4. Price 1/-</b></p> - -<p>SIX ORGAN PIECES FOR CHURCH USE.</p> - -<p class="center"><span class="smcap">Edited by William Smallwood.</span></p> - -<p>With Ped. Obb., Selections from rarely known works.</p> - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album No. 4"> -<tr><td align="left">1. Moderato con moto</td><td align="left">4. Andante Religioso</td></tr> -<tr><td align="left">2. Adagio Expressivo</td><td align="left">5. Andante con moto</td></tr> -<tr><td align="left">3. Andante Moderato</td><td align="left">6. Lento Cantabile</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 5. Price 1/-</b></p> - -<p>SMALLWOOD'S ESMERALDA ALBUM FOR PIANO.</p> - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album No. 5"> -<tr><td align="left">Belgium (Galop).</td><td align="left">Esmeralda (Transcription on Levey's Popular Song).</td></tr> -<tr><td align="left">Belle of Madrid (Tempi di Polka).</td><td align="left">Placid Stream (Morceau).</td></tr> -<tr><td align="left">Emmeline (Galop).</td><td align="left">The Seasons (Galop).</td></tr> -</table></div> - -<p><span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span></p> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 6. Price 6d.</b></p> - -<p>BALFE'S ROSE OF CASTILLE, 6 <span class="smcap">Favourite Melodies</span>, -easily arranged for the Pianoforte by E. F. Rimbault.</p> - -<blockquote><p>1. Convent Cell (The).<br /> -2. 'Twas Rank and Fame.<br /> -3. Tho' fortune darkly o'er me frown.<br /> -4. I am a simple Muleteer.<br /> -5. I'm not the Queen.<br /> -6. List to the Gay Castanet.</p> -</blockquote> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 7. Price 1s.</b></p> - -<p>10 MARCHES. By J. P. SOUSA.</p> - -<p class="center">Arranged for Mandoline and Piano.</p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album No. 7"> -<tr><td align="left">1. The Washington Post.</td><td align="left">6. The Corcoran Cadets.</td></tr> -<tr><td align="left">2. Manhatton Beach.</td><td align="left">7. Our Flirtation.</td></tr> -<tr><td align="left">3. The Liberty Bell.</td><td align="left">8. March past of the Rifle Regiment.</td></tr> -<tr><td align="left">4. High School Cadets.</td><td align="left">9. March past of the National Fencibles.</td></tr> -<tr><td align="left">5. The Bell of Chicago.</td><td align="left">10. Semper Fidelis.</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 8. Price 1s.</b></p> - -<p>10 MARCHES. By J. P. SOUSA.</p> - -<blockquote><p>Arranged for Banjo and Piano. (Contents as No. 7.)</p> -</blockquote> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 9. Price 1s.</b></p> - -<p>10 MARCHES. By J. P. SOUSA.</p> - -<blockquote><p>Arranged for Violin and Piano. (Contents as No. 7.)</p></blockquote> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 10. Price 1s.</b></p> - -<p>10 MARCHES. By J. P. SOUSA.</p> - -<blockquote><p>Arranged for American Organ. (Contents as No. 7.)</p></blockquote> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. XI.</b></p> - -<p>GRIEG'S "PEER GYNT" SUITE.</p> - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album No. XI"> -<tr><td align="left">1. Dance of the Gnomes.</td><td align="left">4. Amitrass' Dance.</td></tr> -<tr><td align="left">2. Ases Death.</td><td align="left">5. Solvejags Song.</td></tr> -<tr><td align="left">3. Morning.</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 12.</b></p> - -<p>GRIEG'S LYRISCHE STUCKE AND NORWEGIAN -BRIDAL PROCESSION.</p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album No. 12"> -<tr><td align="left">1. Arietta.</td><td align="left">5. Popular Melody.</td></tr> -<tr><td align="left">2. Waltzer.</td><td align="left">6. Norwegian Melody.</td></tr> -<tr><td align="left">3. Watchman's Song.</td><td align="left">7. National Song.</td></tr> -<tr><td align="left">4. Fairy Dance.</td><td align="left">8. Norwegian Bridal March.</td></tr> -</table></div> - -<p><span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span></p> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 13.</b></p> - -<p>GRIEG'S FOUR HUMOURESKES, MINUETS AND -FUNERAL MARCH.</p> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 14.</b></p> - -<p>HIAWATHA MANDOLINE ALBUM.</p> - -<p class="center"><span class="smcap">Arranged by Sydney Osborne.</span></p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album, No. 14."> -<tr><td align="left">1. Hiawatha Cake Walk</td><td align="left">5. Over the Waves Waltz</td></tr> -<tr><td align="left">2. Minnehaha Cake Walk</td><td align="left">6. Donau Wellen Waltz</td></tr> -<tr><td align="left">3. Alice Where Art Thou</td><td align="left">7. Blue Danube Waltz</td></tr> -<tr><td align="left">4. Kathleen Mavourneen</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 15.</b></p> - -<p>ORIGINAL VOLUNTARIES FOR AMERICAN ORGAN -OR HARMONIUM.</p> - -<p class="center"><span class="smcap">By Edwin M. Flavell.</span></p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album, No. 15."> -<tr><td align="left">1. Andante con Moto</td><td align="left">6. Prayer</td></tr> -<tr><td align="left">2. Evensong</td><td align="left">7. Canzonetta</td></tr> -<tr><td align="left">3. March in F</td><td align="left">8. A Call to Battle</td></tr> -<tr><td align="left">4. Chorale</td><td align="left">9. Souvenir</td></tr> -<tr><td align="left">5. A Plaintive Song</td><td align="left">10. Allegro</td></tr> -</table></div> - -<hr class="chap" /> - -<p class="center"><b>King's Royal Album, No. 16.</b></p> - -<p>12 VOLUNTARIES FOR THE AMERICAN ORGAN -OR HARMONIUM.</p> - -<p class="center"><span class="smcap">By J. E. Newell.</span></p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="King's Royal Album, No. 16."> -<tr><td align="left">1. Postludium</td><td align="left">7. Offertoire</td></tr> -<tr><td align="left">2. Communion</td><td align="left">8. Andante Piacevole</td></tr> -<tr><td align="left">3. Andante con Moto</td><td align="left">9. Morning Prayer</td></tr> -<tr><td align="left">4. Prelude</td><td align="left">10. Loud Voluntary</td></tr> -<tr><td align="left">5. Diapason Movement</td><td align="left">11. Sketch</td></tr> -<tr><td align="left">6. Faith "Melody"</td><td align="left">12. Recessional March</td></tr> -</table></div> - -<hr class="chap" /> - -<p><span class="smcap">Modern Church Music.</span></p> - -<blockquote><p>1. Easter Anthem, "Jesus Lives!" by Rev. T. -Herbert Spinney, price 2d.</p> - -<p>2. Anthem for Whitsuntide and General Use, "Come -Holy Ghost our Souls Inspire," by Thomas -Adams, F.R.C.O., price 2d.</p> - -<p>3. Story of the Ascension, by Rev. John Napleton, -price 1-1/2d.</p> - -<p>4. Anthem, "God so Loved the World," by J. Jamouneau, -price 2d.</p> - -<p><span class="pagenum"><a name="Page_24" id="Page_24">[Pg 24]</a></span></p> - -<p>5. Magnificat in B flat, by Thomas Adams, F.R.C.O., -Price 3d.</p> - -<p>6. Nunc Dimittis in B flat, by Thomas Adams, -F.R.C.O., Price 2d.</p> - -<p>7. Four Kyries, by Charles Steggall, Berthold Tours, -E. J. Hopkins, J. M. W. Young, price 1-1/2d.</p> - -<p>8. Te Deum, by T. E. Spinney, 1-1/2d.</p> - -<p>9. Anthem, "I am the Good Shepherd," by G. -Rayleigh Vicars, 2d.</p> - -<p>10. Story of the Cross, Music by H. Clifton Bowker, 2d.</p> - -<p>12. Story of the Cross, Music by Dr. Geo. Prior, 2d.</p> - -<p>13. The Lord's Prayer, Music by Ernest Austin, 2d.</p> -</blockquote> - -<hr class="chap" /> - -<p><span class="smcap">American Organ</span>, Folio, Edited by Alfred Whittingham, -in Six Books, 1s. each, complete paper covers, 3s., -cloth bound, 5s.</p> - -<hr class="chap" /> - -<p><span class="smcap">Pianoforte (Solo).</span></p> - -<p>Coon Band Contest, Cake Walk, by Arthur Pryor, 2s.</p> - -<p>Lefebure-Wely's St. Sulpice. Reminiscence by <span class="smcap">W. -Smallwood</span>, 1s. 6d.</p> - -<p>Album Leaves: Pianoforte Sketches, without Octaves, -by F. W. Davenport, 1s. 6d. each Number.</p> - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" summary="Pianoforte (Solo)"> -<tr><td align="left">No. 1.</td><td align="left">Waltz in F</td></tr> -<tr><td></td><td align="left">Dance in G</td></tr> -<tr><td align="left">No. 2.</td><td align="left">A Little Fugue in F minor</td></tr> -<tr><td></td><td align="left">Caprice in C</td></tr> -<tr><td align="left">No. 3.</td><td align="left">Prelude in G</td></tr> -<tr><td></td><td align="left">Melody in G</td></tr> -<tr><td align="left">No. 4.</td><td align="left">Sonatina in C</td></tr> -</table></div> -<p>Tschaikowsky's 1812 Overture, arr. by E. Evans, 2s.</p> - -<p>Amarylliss, Morceaux de Salon, by Leonard Gautier, -1s. 6d.</p> - -<p>Tschaikowsky's Casse Noisette Suite, arr. by E. Evans, -2s.</p> - -<p>Grand Festival March, "Illogan," by H. C. Tonking, 2s.</p> - -<hr class="chap" /> - -<p><span class="smcap">Pianoforte (4 Hands.)</span></p> - -<p>Tschaikowsky's 1812 Overture, arr. from the Full Score -by E. Evans, 3s.</p> - -<p>Tschaikovsky's Casse Noisette Suite, arr. by E. Evans, -3s.</p> - -<p><span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span></p> - -<hr class="chap" /> - -<p><span class="smcap">Violin.</span></p> - -<p>A Selection of Favourite Airs arranged for the Violin by -Henry Farmer, complete 1s. 6d., Piano Acc. <i>ad lib.</i> -2s. 6d.</p> - -<p class="center"><span class="smcap">Contents.</span></p> - -<blockquote><p>1. Theme. Variations (Mozart).</p> -<p>2. With Verdure Clad (Haydn).</p> -<p>3. German Shepherd's Song and Rataplain (Figlia -del Reggimento).</p> -<p>4. Da Qual di (Anna Bolena), Souave Immagine -(Mercadante).</p> -<p>5. Mecco tu Vieni (La Straniera).</p> -</blockquote> - -<hr class="chap" /> - -<p><span class="smcap">Violin and piano.</span></p> - -<p>Grand Festival March, "Illogan," by H. C. Tonking, 2s.</p> - -<hr class="chap" /> - -<p class="center"><b>MANUSCRIPT MUSIC PAPER.</b></p> - -<p>(<i>a</i>) 12 Staves, roy. 8vo (10 by 6-1/2) ruled plain in quires (120 -sheets), the lot 2/6.</p> - -<blockquote> - -<p>This is pre-eminently the Musical Students' Paper, as it is light, portable, -smooth and easy to write upon; each sheet, too, will hold a large quantity of -matter. There is no paper better suited for Exercises on Counterpoint and -Harmony.</p></blockquote> - -<p>(<i>b</i>) 12 Staves, oblong, folio (14 by 10), ruled in groups of 3 -staves or Organ Music, 5 quires (120 sheets), the lot, -5/-</p> - -<blockquote> - -<p>The paper is of the same size as ordianry oblong folio, Organ Music, -<i>e.g.</i>, English Organ Music, Best's Arrangements, etc.</p></blockquote> - -<p>(<i>c</i>) 12 Staves, folio, music size (10 by 14), 5 quires (120 sheets), -the lot 5/-</p> - -<blockquote> - -<p>Exactly the same in size as ordinary folio printed music so that upon it -Songs of Organ Pieces may be written just as they are to be printed. It -is a very useful paper, as Manuscript music written on it can be bound with -Printed Music.</p></blockquote> - -<p>(<i>d</i>) 12 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), -the lot 3/6.</p> - -<p>(<i>e</i>) 12 Staves, oblong quarto (9-1/4 by 11-3/4), 5 quires (120 sheets), -the lot 3/6.</p> - -<p>(<i>f</i>) 12 Staves, folio music size (10 by 14), 5 quires (120 sheets), -the lot 5/-</p> - -<p>(<i>g</i>) 12 Staves, folio music size (ruled even), 10 by 14, 5 quires -(120 sheets), the lot 5/-</p> - -<p>(<i>h</i>) 14 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), -the lot 3/6.</p> - -<p><span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span></p> - -<hr class="chap" /> - -<p class="center"><span style="text-decoration: underline;"><big><b><span class="smcap">The Organist's Quarterly Journal.</span></b></big></span></p> - - -<div class="center"> -<table border="0" cellpadding="0" cellspacing="0" summary="Of Original Composition"> -<tr><td align="center"><div class="figcenter" style="width: 55px;"> -<img src="images/i_p26.jpg" width="55" height="29" alt="" /> -</div></td> - <td><span style="margin-left:3em;"><b>Of Original Compositions.</b></span></td></tr> -</table></div> - -<p class="center">Founded by DR. Wm. SPARK, Late Organist, Town Hall, Leeds.<br /> -<small>Price 5/-each, or Subscription, 10/6 for 4 issues.</small></p> - -<hr /> - -<p class="center">New Series, Volume, containing 160 large pages, all with -<i>ped. obb.</i>, bound in cloth, 18<i>s.</i></p> - -<hr /> - -<p class="center"><b>Part 12, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 12"> -<tr><td align="left">1. <span class="smcap">In Memoriam</span></td> - <td align="right"><span class="smcap">Rev. Geof. C. Ryly</span>, M.A., Mus. Bac. Oxon.</td></tr> -<tr><td align="left">2. <span class="smcap">Toccata</span></td> - <td align="right"><span class="smcap">G. B. Polleri</span>.</td></tr> -<tr><td align="left">3. <span class="smcap">Overture</span> from Epiphany</td> - <td align="right"><span class="smcap">Alfred King</span>, M.D.</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part XI., New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part XI"> -<tr><td align="left">1. <span class="smcap">Prelude and Fugue with Postlude</span></td> - <td align="right"><span class="smcap">E. A. Chamberlayne.</span></td></tr> -<tr><td align="left">2. <span class="smcap">Prelude and Fugue</span></td> - <td align="right"><span class="smcap">F. Young.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Fugue</span></td> - <td align="right"><span class="smcap">Archibald Donald.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Fugue</span></td> - <td align="right"><span class="smcap">William Hope.</span></td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 10, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 10"> -<tr><td align="left">1. <span class="smcap">Fugue</span></td> - <td align="right"><span class="smcap">Archibald Donald.</span></td></tr> -<tr><td align="left">2. <span class="smcap">Prelude and Fugue with Postlude</span></td> - <td align="right"><span class="smcap">E. A. Chamberlayne.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Prelude and Fugue</span></td> - <td align="right"><span class="smcap">F. Young.</span></td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 9, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 9"> -<tr><td align="left">1. <span class="smcap">Andante con Moto</span></td> - <td align="right"><span class="smcap">W. A. Montgomery</span>, L.T.C.L.</td></tr> -<tr><td align="left">2. <span class="smcap">Fantasia</span> in E minor</td> - <td align="right"><span class="smcap">Cuthbert Harris</span>, Mus. B.</td></tr> -<tr><td align="left" colspan="2">3. <span class="smcap">Postlude</span> at Ephes. V. v. 19. Si tibi placeat, Mihi con displicet <span class="smcap">W. Conradi</span>,(Y. of B. 1816), Paul's Org. St. Church, Schwerin i/m Germany.</td></tr> -<tr><td align="left">4. <span class="smcap">Harvest March</span></td> - <td align="right"><span class="smcap">Henry J. Poole.</span></td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 8, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 8"> -<tr><td align="left">1. <span class="smcap">Scherzo Minuet</span></td> - <td align="right"><span class="smcap">W. Mullineux</span>, Organist of the Town Hall, Bolton.</td></tr> -<tr><td align="left">2. <span class="smcap">Introduction</span> to the Hymn on the Passion, "O Haupt Voll Blut und Wunden"</td> - <td align="right"><span class="smcap">W. Conradi.</span> Organist Paul's Church, Schwerin, Germany.</td></tr> -<tr><td align="left">3. <span class="smcap">Thesis and Antithesis</span>, or <span class="smcap">Dispute, Appeasement, Conciliation</span>.</td> - <td align="right"><span class="smcap">W. Conradi</span>, Organist Paul's Church, Schwerin, Germany.</td></tr> -<tr><td align="left">4. <span class="smcap">Carillon</span> in E</td> - <td align="right"><span class="smcap">Cuthbert Harris</span>, Mus.B., F.R.C.O., &c.</td></tr> -<tr><td align="left">5. <span class="smcap">Andante</span> "Hope"</td> - <td align="right"><span class="smcap">Inglis Bervon.</span></td></tr> -<tr><td align="left">6. <span class="smcap">Orchestral March</span> in C</td> - <td align="right"><span class="smcap">James Crapper</span>, L. Mus., Organist of the Parish Ch., Kirkcudbright.</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 7, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 7"> -<tr><td align="left">1. <span class="smcap">Andante Grazioso</span> in G</td> - <td align="right"><span class="smcap">Chas. E. Melville</span>, F.R.C.O.</td></tr> -<tr><td align="left">2. <span class="smcap">Polish Song</span>, Arranged for the organ by <span class="smcap">Percival Garrett</span>.</td> - <td align="right"><span class="smcap">Chopin.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Introduction, Variations, and Finale</span> on the Hymn Tune "Rockingham."</td> - <td align="right"><span class="smcap">Ch. R. Fisher</span>, Mus. B.</td></tr> -<tr><td align="left">4. <span class="smcap">Two Soft Movements</span></td> - <td align="right"><span class="smcap">W. C. Filey</span>, I.S.M.</td></tr> -<tr><td>1. "Espérance."</td> - <td>2. "Tendrerse."</td></tr> -<tr><td align="left">5. <span class="smcap">Andante</span> in A flat</td> - <td align="right"><span class="smcap">W. Griffiths</span>, Mus. B., Org. of St. Sepulchre Church, Northampton.</td></tr> -<tr><td align="left">6. <span class="smcap">Fugue</span>, 4 Voice, 3 Subjects</td> - <td align="right"><span class="smcap">Dr. J. C. Tilly.</span></td></tr> -</table></div> - -<p><span class="pagenum"><a name="Page_27" id="Page_27">[Pg 27]</a></span></p> - -<hr /> - -<p class="center"><b>Part 6, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 6"> -<tr><td align="left">1. <span class="smcap">Con Moto Moderato in C</span></td> - <td align="right"><span class="smcap">Orlando A. Mansfield</span>, Mus.B., F.R.C.O.</td></tr> -<tr><td align="left">2. <span class="smcap">Tempo Di Menuetto</span></td> - <td align="right"><span class="smcap">Geo. H. Ely.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Dirge In Memoriam, Reginald Adkins</span></td> - <td align="right"><span class="smcap">J. E. Adkins</span>, F.R.C.O.</td></tr> -<tr><td align="left">4. <span class="smcap">Andante</span> in F</td> - <td align="right"><span class="smcap">R. H. Heath.</span></td></tr> -<tr><td align="left">5. <span class="smcap">Aberystwyth Offertoire</span></td> - <td align="right"><span class="smcap">J. G. Mountford.</span></td></tr> -<tr><td align="left">6. <span class="smcap">Andante</span> in D (Prière)</td> - <td align="right">E. Evelyn <span class="smcap">Barron</span>, M.A.</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 5, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 5"> -<tr><td align="left">1. <span class="smcap">Allegretto Scherzando</span> in A flat</td> - <td align="right"><span class="smcap">W. E. Ashmall.</span></td></tr> -<tr><td align="left">2. <span class="smcap">Andante Religioso</span> in G</td> - <td align="right"><span class="smcap">Dr. J. Bradford.</span></td></tr> -<tr><td align="left">3. <span class="smcap">March Pomposo</span> in E flat</td> - <td align="right"><span class="smcap">Charles Darnton.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Andante Con Moto</span> "Twilight"</td> - <td align="right"><span class="smcap">Ch. R. Fisher</span>, Mus.B.</td></tr> -<tr><td align="left">5. <span class="smcap">Minuet</span> In F</td> - <td align="right"><span class="smcap">W. E. Belcher</span>, F.R.C.O.</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 4, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 4"> -<tr><td align="left">1. <span class="smcap">Andante Moderato</span></td> - <td align="right"><span class="smcap">F. Read.</span></td></tr> -<tr><td align="left">2. <span class="smcap">Prelude and Fugue</span> in D minor</td> - <td align="right"><span class="smcap">E. A. Chamberlayne.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Sketch</span></td> - <td align="right"><span class="smcap">Arthur Geo. Colborn.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Fugue</span></td> - <td align="right"><span class="smcap">James Turpin.</span></td></tr> -<tr><td align="left">5. <span class="smcap">Allegro</span></td> - <td align="right"><span class="smcap">Charles H. Fisher.</span></td></tr> -<tr><td align="left">6. <span class="smcap">Marche Mystique</span></td> - <td align="right"><span class="smcap">Theme by Roland, de Lassus.</span>—A Relic of Ancient Times.</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 3, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 3"> -<tr><td align="left">1. <span class="smcap">Minuet And Trio</span> in F</td> - <td align="right"><span class="smcap">Ed. J. Bellerby</span>, Mus. B., Oxon.</td></tr> -<tr><td align="left">2. "<span class="smcap">Dundee</span>" ("or French")</td> - <td align="right"><span class="smcap">John P. Attwater.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Adagio.</span> An Elegy in G minor</td> - <td align="right"><span class="smcap">Chas. R. Fisher</span>, Mus. B.</td></tr> -<tr><td align="left">4. <span class="smcap">Andante,</span> A major</td> - <td align="right"><span class="smcap">F. Hone.</span></td></tr> -<tr><td align="left">5. <span class="smcap">Allegro</span>, D minor</td> - <td align="right"><span class="smcap">Geo. Minns</span> (Ely).</td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 2, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 2"> -<tr><td align="left">1. <span class="smcap">Toccata Fantasia</span> (<i>Study in C minor</i>)</td> - <td align="right"><span class="smcap">E. T. Driffiel.</span></td></tr> -<tr><td align="left">2. <span class="smcap">Andante Grazioso</span></td> - <td align="right"><span class="smcap">W. Faulkes.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Marche Funebre</span></td> - <td align="right"><span class="smcap">Arthur Wanderer.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Andante Semplice</span></td> - <td align="right"><span class="smcap">E. A. Chamberlayne.</span></td></tr> -<tr><td align="left">5. <span class="smcap">Festal March</span></td> - <td align="right"><span class="smcap">A. W. Ketelbey.</span></td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 1, New Series.</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 1"> -<tr><td align="left">1. <span class="smcap">Offertoire</span> in A minor</td> - <td align="right"><span class="smcap">Fred. W. Dal</span> (Leipzig).</td></tr> -<tr><td align="left">2. <span class="smcap">Second Fantasia</span> on <span class="smcap">Scotch Airs</span></td> - <td align="right"><span class="smcap">William Spark.</span></td></tr> -<tr><td align="left">3. <span class="smcap">Adeste Fideles</span> (with Variations and Fugue)</td> - <td align="right"><span class="smcap">Charles Hunt.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Intermezzo</span></td> - <td align="right"><span class="smcap">G. Townshend Driffield.</span></td></tr> -</table></div> - -<hr /> - -<p class="center"><b>Part 103 (Old Series).</b></p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Part 103"> -<tr><td align="left">1. <span class="smcap">Postlude</span> in G</td> - <td align="right"><span class="smcap">Frederick W. Holloway</span>, F.C.O.</td></tr> -<tr><td align="left">2. <span class="smcap">Suite</span>: <span class="smcap">No. 1, Prelude</span>; <span class="smcap">No. 2, Berceuse</span>; <span class="smcap">No. 3, Toccata</span></td> - <td align="right"><span class="smcap">Laurent Parodi</span> (Genoa).</td></tr> -<tr><td align="left">3. <span class="smcap">Nocturne</span></td> - <td align="right"><span class="smcap">William Lockett.</span></td></tr> -<tr><td align="left">4. <span class="smcap">Andante Pastorale</span> in B minor</td> - <td align="right"><span class="smcap">Jacob Bradford</span>, Mus. D., Oxon.</td></tr> -<tr><td align="left">5. <span class="smcap">Introductory Voluntary</span></td> - <td align="right"><span class="smcap">Albert W. Ketelbey.</span></td></tr> -<tr><td align="left">6. <span class="smcap">Fugue</span></td> - <td align="right"><span class="smcap">R. J. Rowe</span>, L.R.A.M.</td></tr> -</table></div> - -<hr /> - -<p class="center">LONDON: WILLIAM REEVES, 83, CHARING CROSS ROAD, W.</p> - -<p><span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span></p> - -<hr class="chap" /> - -<p class="center">Note the Price, PENCE not SHILLINGS.</p> - -<p class="center"><b><big>POPULAR AND COPYRIGHT MUSIC.</big></b></p> - -<p class="center">Full Music Size, Well Printed and Critically Correct.</p> - -<p class="center">ISSUED BY</p> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" width="90%" summary="William Reeves"> -<tr><td align="left" rowspan="2"><b><big>2<sup>D</sup></big></b></td> - <td colspan="2"><b>WILLIAM REEVES.</b></td> - <td align="left" rowspan="2"><b><big>2<sup>D</sup></big></b></td></tr> -<tr><td align="left">(Postage ½d. each.)</td> - <td align="right">(Postage ½d. each.)</td></tr> -</table></div> - - -<p class="center">VOCAL.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Vocal"> -<tr><td align="left">273. Alice where art thou?</td><td align="left"><i>J. Ascher</i></td></tr> -<tr><td align="left">396. Always do as I do</td><td align="left"><i>Tinney</i></td></tr> -<tr><td align="left">174. Angels at the Casement, A flat</td><td align="left"><i>W. M. Hutchison</i></td></tr> -<tr><td align="left">105. Banner of the King</td><td align="left"><i>H. Fortesque</i></td></tr> -<tr><td align="left">172. Barney O'Hea</td><td align="left"><i>S. Lover</i></td></tr> -<tr><td align="left">224. Bay of Biscay</td><td align="left"><i>J. Davey</i></td></tr> -<tr><td align="left">181. Border Lands (Sacred)</td><td align="left"><i>Miss Lindsay</i></td></tr> -<tr><td align="left">180. Borderer's Challenge</td><td align="left"><i>H. J. Stark</i></td></tr> -<tr><td align="left">390. Cat in the Chimney</td><td align="left"><i>L. Kingsmill</i></td></tr> -<tr><td align="left">392. Child's Good Morning</td><td align="left"><i>O. Barri</i></td></tr> -<tr><td align="left">391. Child's Good Night</td><td align="left"><i>O. Barri</i></td></tr> -<tr><td align="left">383. Come into the Garden Maud</td><td align="left"><i>Balfe</i></td></tr> -<tr><td align="left">184. Crossing the Brook</td><td align="left"><i>Edith Cooke</i></td></tr> -<tr><td align="left">389. Dawn of Heaven</td><td align="left"><i>Buonetti</i></td></tr> -<tr><td align="left">188. Diver, The</td><td align="left"><i>E. J. Loder</i></td></tr> -<tr><td align="left">384. God Save the King</td><td align="left"><i>Dr. Jno. Bull</i></td></tr> -<tr><td align="left">226. Hearts of Oak</td><td align="left"><i>Dr. W. Boyce</i></td></tr> -<tr><td align="left">100. Honey Are You True to Me (Coon Song)</td><td align="left"><i>Lindsay Lennox</i></td></tr> -<tr><td align="left">266. Kathleen Mavourneen</td><td align="left"><i>Crouch</i></td></tr> -<tr><td align="left">213. Lady Clara Vere de Vere</td><td align="left"><i>Miss Lindsay</i></td></tr> -<tr><td align="left">404. Last Good Bye to Mother</td><td align="left"><i>C. Dargan</i></td></tr> -<tr><td align="left">227. Last Rose of Summer</td><td align="left"><i>Thos. Moore</i></td></tr> -<tr><td align="left">215. Listen</td><td align="left"><i>A. H. Behrend</i></td></tr> -<tr><td align="left">249. Maggie's Promise</td><td align="left"><i>W. Gordon</i></td></tr> -<tr><td align="left">115. Sharing the Burden</td><td align="left"><i>J. E. Webster</i></td></tr> -<tr><td align="left">225. Tom Bowling</td><td align="left"><i>C. Dibdin</i></td></tr> -<tr><td align="left">236. When other Lips (Then you'll remember me)</td><td align="left"><i>Balfe</i></td></tr> -</table></div> - -<p class="center">VOCAL DUETS.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Vocal Duets"> -<tr><td align="left">190. Flow on thou Shining River</td><td align="left"><i>Sir J. Stevenson</i></td></tr> -<tr><td align="left">116. Gipsy Countess</td><td align="left"><i>Glover</i></td></tr> -</table></div> - -<p class="center">PIANOFORTE.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Pianoforte"> -<tr><td align="left">118. A la Valse</td><td align="left"><i>Roeckel</i></td></tr> -<tr><td align="left">275. Alice where art thou? (easily arr. by)</td><td align="left"><i>Percy E. Douglas</i></td></tr> -<tr><td align="left">278. Army and Navy March</td><td align="left"><i>Henzell</i></td></tr> -<tr><td align="left">457. Au Village</td><td align="left"><i>Tschaikowsky</i></td></tr> -<tr><td align="left">268. Battle March (Delhi)</td><td align="left"><i>Pridham</i></td></tr> -<tr><td align="left">373. Belgium Galop</td><td align="left"><i>Smallwood</i></td></tr> -<tr><td align="left"><span class="pagenum"><a name="Page_29" id="Page_29">[Pg 29]</a></span>437. Belle of Chicago March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">122. Berceuse</td><td align="left"><i>Roeckel</i></td></tr> -<tr><td align="left">376. Blumenlied</td><td align="left"><i>Gustav Lange</i></td></tr> -<tr><td align="left">379. Bridal Chorus and Wedding March</td><td align="left"><i>Wagner</i></td></tr> -<tr><td align="left">453. Cadet Two Step (easily arranged)</td><td align="left"><i>Alard</i></td></tr> -<tr><td align="left">142. Charming Mazurka</td><td align="left"><i>Gungl</i></td></tr> -<tr><td align="left">456. Chanson Triste</td><td align="left"><i>Tschaikowsky</i></td></tr> -<tr><td align="left">456. Chant sans Paroles</td><td align="left"><i>Tschaikowsky</i></td></tr> -<tr><td align="left">393. Chinese Patrol March</td><td align="left"><i>D. Pecorini</i></td></tr> -<tr><td align="left">243. Cloches du Monastere</td><td align="left"><i>Lefebure-Wely</i></td></tr> -<tr><td align="left">458. Coon Band Contest</td><td align="left"><i>A. Pryor</i></td></tr> -<tr><td align="left">438. Corcoran Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">125. Corricolo Galop (Easily arranged)</td><td align="left"><i>L. Mullen</i></td></tr> -<tr><td align="left">377. Edelweiss</td><td align="left"><i>Gustav Lange</i></td></tr> -<tr><td align="left">374. Emmeline Galop</td><td align="left"><i>Smallwood</i></td></tr> -<tr><td align="left">308. Fille du Regiment</td><td align="left"><i>Oesten</i></td></tr> -<tr><td align="left">167. Flying Dutchman (La Vaisseau Fantome)</td><td align="left"><i>Wagner</i></td></tr> -<tr><td align="left">244. Forward March</td><td align="left"><i>E. H. Sugg</i></td></tr> -<tr><td align="left"><span style="margin-left: 2em;">Four Humoresques:</span></td></tr> -<tr><td align="left">206.<span style="margin-left: 3em;">Valse in D, No. 1</span></td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">207.<span style="margin-left: 3em;">Minuetto in A minor, No. 2</span></td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">208.<span style="margin-left: 3em;">Allegretto, No. 3</span></td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">209.<span style="margin-left: 3em;">Allegro Alla Burla, No. 4</span></td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">210. Funeral March</td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">305. French Air (Marseillaise)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">306. German Air (Watch on Rhine)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">264. Gipsies' March</td><td align="left"><i>C. Heins</i></td></tr> -<tr><td align="left">252. Grand March (arr. by P. E. Douglas)</td><td align="left"><i>Blake</i></td></tr> -<tr><td align="left">151. Grand March of the Warriors</td><td align="left"><i>H. V. Lewis</i></td></tr> -<tr><td align="left">276. Hiawatha Cake Walk, (arr. by P. E. Douglas)</td><td align="left"><i>Moret</i></td></tr> -<tr><td align="left">436. High School Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">304. Irish Air (Last Rose of Summer)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">303. Italian Air (Ah che la Morte)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">288. Japanese National Hymn, Harmonized by Sydney Osborne.</td></tr> -<tr><td align="left">133. Kassala Gavotte</td><td align="left"><i>H. Wilcock</i></td></tr> -<tr><td align="left">270. Kathleen Mavourneen</td><td align="left"><i>P. E. Douglas</i></td></tr> -<tr><td align="left">171. Khartoum Quick March</td><td align="left"><i>F. P. Rabottini</i></td></tr> -<tr><td align="left">286. King's Own March</td><td align="left"><i>Warwick Williams</i></td></tr> -<tr><td align="left">246. Liberty Bell March</td><td align="left"><i>Sousa</i></td></tr> -<tr><td align="left">135. Little Dear Gavotte</td><td align="left"><i>F. Astrella</i></td></tr> -<tr><td align="left">162. Lohengrin</td><td align="left"><i>Wagner</i></td></tr> -<tr><td align="left">136. Maiden's Prayer</td><td align="left"><i>Badarazewska</i></td></tr> -<tr><td align="left">435. Manhattan Beach March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">137. March in E flat</td><td align="left"><i>J. B. Mallett</i></td></tr> -<tr><td align="left">441. March Past of the National Fencibles</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">440. March Past of the Rifle Regiment</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">140. May-Day Galopade</td><td align="left"><i>J. Gungl</i></td></tr> -<tr><td align="left"><span class="pagenum"><a name="Page_30" id="Page_30">[Pg 30]</a></span>141. Mazurka</td><td align="left"><i>Badarazewska</i></td></tr> -<tr><td align="left">143. Melodie</td><td align="left"><i>Roeckel</i></td></tr> -<tr><td align="left">247. Melody in F</td><td align="left"><i>Rubinstein</i></td></tr> -<tr><td align="left">211. Minuetto (from E minor Sonata)</td><td align="left"><i>Grieg</i></td></tr> -<tr><td align="left">163. Mountain Echo March</td><td align="left"><i>G. Gariboldi</i></td></tr> -<tr><td align="left">385. Narcissus</td><td align="left"><i>Nevin</i></td></tr> -<tr><td align="left">439. Our Flirtation March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">147. Placid Stream</td><td align="left"><i>Smallwood</i></td></tr> -<tr><td align="left">103. Queenie (Intermezzo)</td><td align="left"><i>P. D'Orsay</i></td></tr> -<tr><td align="left">165. Rienzi</td><td align="left"><i>Wagner</i></td></tr> -<tr><td align="left">253. Robin's Return (arr. by P. E. Douglas)</td><td align="left"><i>Fischer</i></td></tr> -<tr><td align="left">148. Scherzino</td><td align="left"><i>Roeckel</i></td></tr> -<tr><td align="left">301. Scotch Air (Blue Bells of Scotland)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">375. Seasons Galop</td><td align="left"><i>Smallwood</i></td></tr> -<tr><td align="left">442. Semper Fidelis</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">196. Silvery Echoes</td><td align="left"><i>Blake</i></td></tr> -<tr><td align="left">394. Soldiers' Chorus (Faust)</td><td align="left"><i>Gounod</i></td></tr> -<tr><td align="left">381. Sonatina in F</td><td align="left"><i>Beethoven</i></td></tr> -<tr><td align="left">380. Sonatina in G</td><td align="left"><i>Beethoven</i></td></tr> -<tr><td align="left">302. Spanish Air (Dance)</td><td align="left"><i>Eric Stapleton</i></td></tr> -<tr><td align="left">378. Stephanie Gavotte</td><td align="left"><i>A. Czibulka</i></td></tr> -<tr><td align="left">166. Tannhauser</td><td align="left"><i>Wagner</i></td></tr> -<tr><td align="left">150. Tarantella</td><td align="left"><i>L. B. Mallett</i></td></tr> -<tr><td align="left">290. Washington Post March (easy)</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">454. White Wings (Transcription)</td><td align="left"><i>Smallwood</i></td></tr> -<tr><td align="left">291. Woodland Echoes</td><td align="left"><i>Wyman</i></td></tr> -</table></div> - - -<p class="center">PIANO DUETS.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Piano Duets"> -<tr><td align="left">367. Come o'er the Stream Charlie</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">371. From Greenland's Icy Mountains</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">372. I'd Choose to be a Daisy</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">154. Maiden's Prayer</td><td align="left"><i>Badarazewka</i></td></tr> -<tr><td align="left">156. March of the Cameron Men</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">155. Marche des Croates</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">159. Minnie, or Lilly Dale</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">353. Silvery Waves (Wyman)</td><td align="left"><i>Andre</i></td></tr> -</table></div> - -<p class="center">DANCE.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Dance"> -<tr><td align="left">388. Amorosa Mazurka</td><td align="left"><i>A. H. Oswald</i></td></tr> -<tr><td align="left">387. Blue Bells Schottische</td><td align="left"><i>S. Leslie</i></td></tr> -<tr><td align="left">262. Blue Danube Waltz</td><td align="left"><i>Strauss</i></td></tr> -<tr><td align="left">382. British Army Polka</td><td align="left"><i>Alec Carlton</i></td></tr> -<tr><td align="left">285. City Polka</td><td align="left"><i>J. D. Wimpenny</i></td></tr> -<tr><td align="left">161. Cosmopolitan Quadrille</td><td align="left"><i>L. Gautier</i></td></tr> -<tr><td align="left">127. Cyprus Polka</td><td align="left"><i>Scotson Clark</i></td></tr> -<tr><td align="left">402. Donau Wellen Waltz (Easily arr. by)</td><td align="left"><i>Percy E. Douglas</i></td></tr> -<tr><td align="left">101. Electric Waltz</td><td align="left"><i>H. Klein</i></td></tr> -<tr><td align="left">397. Esmeralda Waltz (easily arranged)</td><td align="left"><i>S. Osborne</i></td></tr> -<tr><td align="left">395. Fancy Dress Ball Quadrille</td><td align="left"><i>Rosenberg</i></td></tr> -<tr><td align="left">413. Faust Waltz (arr. by P. E. Douglas)</td><td align="left"><i>Gouno</i></td></tr> -<tr><td align="left"><span class="pagenum"><a name="Page_31" id="Page_31">[Pg 31]</a></span>250. Flora Waltz</td><td align="left"><i>W. Gordon</i></td></tr> -<tr><td align="left">386. Horse Guards Schottische</td><td align="left"><i>S. Leslie</i></td></tr> -<tr><td align="left">102. Lucifer Polka</td><td align="left"><i>H. Klein</i></td></tr> -<tr><td align="left">251. Niagara Waltz</td><td align="left"><i>Vorzanger</i></td></tr> -<tr><td align="left">144. Munich Polka</td><td align="left"><i>Jos. Gungl</i></td></tr> -<tr><td align="left">403. Olympia Schottische</td><td align="left"><i>Sydney J. Smith</i></td></tr> -<tr><td align="left">254. Over the Waves (Sobra las Olas)</td><td align="left"><i>Rosas</i></td></tr> -<tr><td align="left">366. Roseland Waltz</td><td align="left"><i>Marietta Lena</i></td></tr> -<tr><td align="left">415. Sweetheart Polka</td><td align="left"><i>Gounod</i></td></tr> -<tr><td align="left">265. Vinolia Schottische</td><td align="left"><i>P. Lester</i></td></tr> -<tr><td align="left">268. Woodland Whispers Waltz</td><td align="left"><i>Stanley</i></td></tr> -</table></div> - -<p class="center">VIOLIN AND PIANO.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Violin and Piano"> -<tr><td align="left">256. Campbells are Coming</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">257. British Grenadiers</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">258. A Life on the Ocean Wave</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">259. Hearts of Oak</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">260. Ivy Green</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">261. Red, White and Blue</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">317. Ben Bolt</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">312. Low Back'd Car</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">313. Sprig of Shillelagh</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">314. March from Norma</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">315. March, Guillaume Tell</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">316. Lass O'Gowrie</td><td align="left"><i>A. Mullen</i></td></tr> -<tr><td align="left">284. Réverie (E min.)</td><td align="left"><i>W. Vinnicombe</i></td></tr> -</table></div> - -<p class="center">VIOLIN.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Violin"> -<tr><td align="left">170. March St. Olave</td><td align="left"><i>F. James</i></td></tr> -</table></div> - -<p class="center">MANDOLINE AND PIANO.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Mandoline and Piano"> -<tr><td align="left">274. Alice where art Thou?</td></tr> -<tr><td align="left">407. Belle of Chicago March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">406. Blue Danube Waltz</td><td align="left"><i>Strauss</i></td></tr> -<tr><td align="left">416. Cadet Two Step (arranged)</td><td align="left"><i>Alard</i></td></tr> -<tr><td align="left">408. Corcoran Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">272. Donau Wellen Waltz</td><td align="left"><i>Ivanovici</i></td></tr> -<tr><td align="left">414. Faust Waltz and Flower Song</td><td align="left"><i>Gounod</i></td></tr> -<tr><td align="left">277. Hiawatha Popular Cake Walk</td><td align="left"><i>Neil Moret</i></td></tr> -<tr><td align="left">401. High School Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">289. Honey are you true</td><td align="left"><i>Sydney Osborne</i></td></tr> -<tr><td align="left">267. Kathleen Mavourneen</td><td align="left"><i>Crouch</i></td></tr> -<tr><td align="left">399. Liberty Bell March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">400. Manhattan Beach March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">411. March Past of the National Fencibles</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">410. March Past of the Rifle Regiment</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">255. Oceana Schottische</td><td align="left"><i>W. H. Stevens</i></td></tr> -<tr><td align="left">279. Over the Waves</td><td align="left"><i>Rosas</i></td></tr> -<tr><td align="left">409. Our Flirtation March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">412. Semper Fidelis March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">398. Washington Post March</td><td align="left"><i>J. P. Sousa</i></td></tr> -</table></div> - -<p><span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span></p> - -<p class="center">BANJO AND PIANO.</p> - - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Banjo and Piano"> -<tr><td align="left">429. Belle of Chicago March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">406. Cadet Two Step (arranged)</td><td align="left"><i>Alard</i></td></tr> -<tr><td align="left">430. Corcoran Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">428. High School Cadets March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">419. Liberty Belle March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">418. Manhattan Beach March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">433. March Past of the National Fencibles</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">432. March Past of the Rifle Regiment</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">431. Our Flirtation March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">434. Semper Fidelis March</td><td align="left"><i>J. P. Sousa</i></td></tr> -<tr><td align="left">417. Washington Post March</td><td align="left"><i>J. P. Sousa</i></td></tr> -</table></div> - -<hr class="chap" /> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" width="90%" summary="The Violin Times"> -<tr><td><big><b>THE VIOLIN TIMES,</b></big></td> - <td align="left" rowspan="2">Monthly, 2d.,<br /> - <span style="margin-left:1.5em;">(by post 2-1/2d,)</span><br /> - <span style="margin-left:1.5em;"><i><b>Abroad, 3s.</b></i></span></td></tr> -<tr><td><i>Edited by E. POLONASKI</i>.<br /> - <hr /></td></tr> -<tr><td align="left"><i><b>Subscription, 2s, 6d., per Year</b></i></td> - <td rowspan="2">Covers for binding<br /> - 2s. each.<br /> - Index 2d. each.</td></tr> -<tr><td><span class="smcap">Vols. 1 to 8, bound, price 6/-Each.</span></td></tr> -</table></div> - -<p><i>Illustrated Supplements have appeared Including the following</i> (<i>2-1/2d. each.</i>)</p> - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" summary="The Violin Times"> -<tr><td><b>PORTRAITS.</b></td> - <td class="bor_left"><b>PORTRAITS (continued)</b></td> - <td class="bor_left"><b>PORTRAITS (continued)</b></td></tr> -<tr><td>VOL. 8.</td> - <td class="bor_left" align="left">Ferdinand David</td> - <td align="left" class="bor_left"></td></tr> -<tr><td align="left">Prof. and Mrs. Holloway and Family</td> - <td align="left" class="bor_left">Elderhorst Quartette</td> - <td align="left" class="bor_left">I. B. Poznanski</td></tr> -<tr><td align="left">Eugene Polonaski</td> - <td align="left" class="bor_left">H. Wilhelm Ernst</td> - <td align="left" class="bor_left">Rene Ortmans</td></tr> -<tr><td align="left">Hugo Kupferschmidt</td> - <td align="left" class="bor_left">Miss Muriel Handley</td> - <td align="left" class="bor_left">A. Simonetti</td></tr> -<tr><td align="left">Dr. Joachim</td> - <td align="left" class="bor_left">Miska Hauser</td> - <td align="left" class="bor_left">W. Ten Have</td></tr> -<tr><td align="left">Anton Schumacher</td> - <td align="left" class="bor_left">M. Paganini</td> - <td align="left" class="bor_left">Mdlle. Wietrowitz</td></tr> -<tr><td align="left">William Christ Basle</td> - <td align="left" class="bor_left">Louis Spohr</td> - <td align="left" class="bor_left">Miss Hildegard Werner</td></tr> -<tr><td align="left">M. Coward-Klee</td> - <td align="left" class="bor_left">A. Stradivarius</td> - <td align="left" class="bor_left">Fred Furnace</td></tr> -<tr><td align="left">Dettmar Dressel</td> - <td align="left" class="bor_left">H. Vieuxtemps</td> - <td align="left" class="bor_left">Miss Kathleen Thomas</td></tr> -<tr><td align="left">The Joachim Quartet</td> - <td align="left" class="bor_left">G. Viotti</td> - <td align="left" class="bor_left">M. Césare Thomson</td></tr> -<tr><td align="left">Kubelik</td> - <td class="bor_left">VOL. 5.</td> - <td align="left" class="bor_left">F. Whiteley</td></tr> -<tr><td align="left">C. M. Hawcroft</td> - <td align="left" class="bor_left">T. G. Briggs</td> - <td align="left" class="bor_left">H. Lyell Tayler</td></tr> -<tr><td>VOL. 7.</td> - <td align="left" class="bor_left">Cologne Gurzenich Quartette</td> - <td align="left" class="bor_left">Stanley W. G. Barfoot</td></tr> -<tr><td align="left">W. A. Mozart</td> - <td align="left" class="bor_left">Wm. Henley</td> - <td align="left" class="bor_left">G. de Angelis</td></tr> -<tr><td align="left">Miss Kate Lee</td> - <td align="left" class="bor_left">Miss Leonora Jackson</td> - <td align="left" class="bor_left">Marcello Rossi</td></tr> -<tr><td align="left">R. Peckotsch</td> - <td align="left" class="bor_left">J. Koh-Alblas</td> - <td class="bor_left"><b>FACSIMILES AND PICTURES.</b></td></tr> -<tr><td align="left">Gordon Tanner</td> - <td align="left" class="bor_left">A. Oppenheim (violinist)</td> - <td align="left" class="bor_left">Paganini on his Death-bed</td></tr> -<tr><td align="left">Eugene Meier</td> - <td align="left" class="bor_left">A. Oppenheim (pianist)</td> - <td align="left" class="bor_left">Letter of Ch. de Bériot</td></tr> -<tr><td align="left">W. V. Fisher</td> - <td align="left" class="bor_left">Mdlle. Jeanette Orloff</td> - <td align="left" class="bor_left">Letter of Camillo Sivori</td></tr> -<tr><td align="left">Paganini</td> - <td align="left" class="bor_left">Dr. H. Pudor</td> - <td align="left" class="bor_left">Defeasance of a bond by Roger Wade Crowder</td></tr> -<tr><td align="left">T. B. Parsons</td> - <td align="left" class="bor_left">C. L. Walger</td> - <td align="left" class="bor_left">Viola di Gamba by Carlo Bergonzi, 1713</td></tr> -<tr><td align="left">Joseph Guarnerius del Gesu Violin, 1733</td> - <td align="left" class="bor_left">W. E. Whitehouse</td> - <td align="left" class="bor_left">Facsimile Labels in Nos. 32, 34, 35, 37, 505, 58</td></tr> -<tr><td>VOL. 6.</td> - <td align="left" class="bor_left">Miss Gladys May Hooley</td> - <td align="left" class="bor_left">Lira da Gamba, by Linarolo, reproduction of Painting by Tintoretto</td></tr> -<tr><td align="left">Pierre Baillot</td> - <td align="left" class="bor_left">J. Harold Henry</td> - <td align="left" class="bor_left">David Techler's Viola</td></tr> -<tr><td align="left">C. A. de Beriot</td> - <td align="left" class="bor_left">Adolphe Pollitzer</td> - <td align="left" class="bor_left">Stradivari's Scroll</td></tr> -<tr><td align="left">J. R. Bingley</td> - <td align="left" class="bor_left">Mdlle. Edith Smith</td> - <td align="left" class="bor_left">Jacob Stainer's House</td></tr> -<tr><td align="left">Ole Bull</td> - <td align="left" class="bor_left">John Dunn</td> - <td class="bor_left"></td></tr> -<tr><td align="left">Arcangelo Corelli</td> - <td align="left" class="bor_left">Heinrich Maria Hain</td> - <td class="bor_left"></td></tr> -<tr><td></td> - <td align="left" class="bor_left">Edina Bligh</td> - <td class="bor_left"></td></tr> -</table></div> - -<p><span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span></p> - -<hr class="chap" /> - - -<div class="center"> -<table border="0" cellpadding="4" cellspacing="0" summary="Books on Fremansory"> -<tr><td rowspan="2"><big><b>Books on Freemasonry</b></big></td> - <td align="left"><small><b>Published by W. REEVES,<br /> - 83, Charing Cross Road, W.C.</b></small></td></tr> -</table></div> - -<hr /> - -<p class="center">12mo, red cloth, gilt, 323 pp., 3/6.</p> - -<p><b>Carlile (R.), Manual of Freemasonry</b>, containing the First -Three Degrees, The Royal Arch and Knights' Templar -Druids, The Degrees of Mark Man, Mark Master, Architect, -Grand Architect., etc., etc.</p> - -<hr class="chap" /> - -<p class="center">12mo, blue cloth, gilt, 374 pp., 3/6.</p> - -<p><b>Fellows (J.), Mysteries of Freemasonry</b>; or, An Exposition -of the Religious Dogmas and Customs of the Ancient -Egyptians; showing, from the origin, nature and objects of -the rites and ceremonies of remote antiquity, their identity -with the Order of Modern Masonry, with some remarks on -the Metamorphosis of Apuleius, <i>with numerous woodcuts</i>.</p> - -<hr class="chap" /> - -<p class="center">12mo, green cloth, gilt, 254 pp., 3/6.</p> - -<p><b>Ritual and Illustrations of Freemasonry</b>, <i>accompanied by -very numerous engravings</i>, and a Key to the Phi Beta Kappa.</p> - -<hr class="chap" /> - -<p class="center">8vo, sewed, 26 pp., 1/-</p> - -<p><b>Investigation into the Cause of the Hostility of the Church -of Rome to Freemasonry</b>, and an Inquiry into Freemasonry -as it Was, and Is: with Criticism as to how far the Order fulfils -its Functions, by Author of "Text Book of Freemasonry."</p> - -<hr class="chap" /> - -<p class="center">Post 8vo, sewed, 48 pp., 1/-</p> - -<p><b>Joachin and Boaz</b>; or, an Authentic Key to the Door of -Freemasonry, both Ancient and Modern.</p> - -<hr class="chap" /> - -<p class="center">Post 8vo, sewed, 50 pp., 1/-</p> - -<p><b>Three Distinct Knocks at the Door of the Most Ancient -Freemasonry.</b></p> - -<hr class="chap" /> - -<p class="center">8vo, sewed, 1/-</p> - -<p><b>The Origin of Freemasonry</b>, or the 1717 Theory Exploded -by C. J. Paton.</p> - -<hr class="chap" /> - -<p class="center">8vo, paper, 2/6 (post free 3/-)</p> - -<p><b>Weisse (John A.), The Obelisk of Freemasonry</b>, according -to the Discoveries of Belzoni and Commander Gorringe: -also Egyptian Symbols compared with those discovered in -American Mounds.</p> - -<hr class="chap" /> - -<p class="center">Fifth thousand, 12mo, cloth 1/-<i>net</i>.</p> - -<p><b>Pocket Lexicon of Freemasonry</b>, by W. J. Morris 18<sup>o</sup> -P.D.D.G.M., St. Lawrence, District and Past Inspector -Gen. Royal and Select Masters.</p> - -<hr class="chap" /> - -<p class="center">12mo, cloth, 62 pp., 2/-</p> - -<p><b>Fox (T. L.), Freemasonry</b>; An Account of the Early History -of Freemasonry in England, with Illustrations of the -Principles and Precepts advocated by that Institution.</p> - -<hr /> - -<p class="center"><i>The above</i> <span class="smcap">Post Free</span> <i>on receipt of remittance -for price named</i>.</p> - -<p><span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span></p> - -<hr class="chap" /> - -<p class="center">12mo, blue cloth, red edges, 270 pp., 5/-</p> - -<p><b>Text Book of Freemasonry</b>; a Complete Handbook of Instruction -to all the Workings in the Various Mysteries and -Ceremonies of <span class="smcap">Craft Masonry</span>, containing the Entered -Apprentice, Fellow-craft, and Master Mason's degrees; the -Ceremony of Installation of the W. Master and Officers of the -Lodge, together with the whole of the Three Lectures; also -the Ceremony of Exhaltation in the Supreme Order of the -Holy Royal Arch, a Selection of Masonic Songs, etc., <i>illustrated -with four engravings of the</i> <b>TRACING BOARDS</b>, by -"A Member of the Craft," new and revised edition.</p> - -<p><b>Ditto, Ditto</b>, on thin paper, bound in leather pocket-book -style, 5s.</p> - -<p><b>The Three Tracing Boards</b>, in 12mo, cloth line, 1s. 6d.</p> - -<hr class="chap" /> - -<p>Post 8vo, cloth, 10/-(or crimson calf limp, gilt edges, 15/-net.)</p> - -<p><b>Text Book of Advanced Freemasonry</b>, containing for the -self-Instruction of Candidates, the <span class="smcap">Complete Rituals</span> of the -<span class="smcap">Higher Degrees</span>, viz., Royal Ark Mariners, Mark Master, -Royal Arch, Red Cross of Rome and Constantinople, Knights' -Templar and Rose Croix de Heredom; also Monitorial Instructions -on the 30th to the 33rd and last degree of Freemasonry, -to which are added Historical Introductions and -Explanatory remarks by the Author of the "Text Book."</p> - -<hr class="chap" /> - -<p class="center"><big><b>MASONIC SONGS AND POEMS</b></big></p> - -<p class="center"><big>BY BARDS CHIEFLY OF THE<br /> -19th AND 20th CENTURIES</big></p> - -<p class="center">COMPILED BY<br /> - -<big>A. C. STEPHEN.</big></p> - -<hr class="chap" /> - -<p class="center">Third Edition, 8vo. boards, cloth back, <b>6/-net</b> (by post 6/4.)</p> - -<p class="center"><span class="smcap">The International</span></p> - -<p class="center"><big><b>DIRECTORY OF PATENT AGENTS.</b></big></p> - -<p class="center"><span class="smcap">New and Enlarged Edition</span> (<i>the third</i>),</p> - -<p class="center">Contains over <b>4000</b> Patent Agents, practising in all parts of the -world. Arranged Alphabetically, and, also Geographically.</p> - -<hr /> - -<p class="center"><b>London: W. Reeves, 83, Charing Cross Road, W.C.</b></p> - -<p><span class="pagenum"><a name="Page_35" id="Page_35">[Pg 35]</a></span></p> - -<hr class="chap" /> - -<p class="center">The Set of 15 Numbers 2/6 post free. Or 2d. each (Post free 2-1/2)</p> - -<p class="center"><big><b>PARISH CHURCH MUSIC.</b></big></p> - -<p class="center">A Collection of Original, Practical, Modern Compositions—Tunes, Canticles, -Chants, etc., for use in "Choirs and Places where they Sing.":—</p> - -<p>No. 1.—Ten Tunes to the Hymn, "<b>ABIDE WITH ME</b>," -including Three Prize Tunes.</p> - -<p>No. 2.—Ferial Confession, "<b>STORY OF THE CROSS</b>," -Choir Prayers with Antiphon, by G. E. Lake.</p> - -<p>No. 3.—Five Tunes to the Hymn, "<b>ROCK OF AGES</b>," -including Three Prize Tunes.</p> - -<p>No. 4.—Six Quadruple Chants for the "<b>TE DEUM</b>," -including the Three Prize Tunes.</p> - -<p>No. 5.—Ten Tunes to the Hymn, "<b>SUN OF MY SOUL</b>," -including Three Prize Tunes.</p> - -<p>No. 6.—Ten Tunes to "<b>JERUSALEM THE GOLDEN</b>," -including Three Prize Tunes.</p> - -<p>No. 7.—Six Tunes to the Hymn "<b>NEARER MY GOD -TO THEE</b>," including the Three Prize Tunes.</p> - -<p>No. 8.—Eleven Tunes to the Hymn, "<b>HARK, HARK, -MY SOUL</b>," including Three Prize Tunes.</p> - -<p>No. 9.—Six Tunes to the Hymn "<b>LEAD KINDLY -LIGHT</b>," including the Three Prize Tunes.</p> - -<p>No. 10.—Four Tunes to the Hymn, "<b>JESUS, LOVER OF -MY SOUL</b>," including the Three Prize Tunes.</p> - -<p>No. 11.—Five Tunes to the Hymn, "<b>LO! HE COMES -WITH CLOUDS DESCENDING</b>," including the -Three Prize Tunes.</p> - -<p>No. 12.—Five Tunes to the Hymn, "<b>I HEARD THE -VOICE OF JESUS SAY</b>," including the Three -Prize Tunes.</p> - -<p>No. 13.—Six Tunes to the Hymn, "<b>FOR THEE, O DEAR, -DEAR COUNTRY</b>," including the Three Prize Tunes.</p> - -<p>No. 14.—Four Tunes to the Hymn, "<b>O LOVE WHO -FORMEDST ME TO WEAR</b>."</p> - -<p>No. 15.—Six Tunes to the Hymn, "<b>THE KING OF -LOVE</b>," including Three Prize Tunes.</p> - -<hr class="chap" /> - -<p class="center"><i>Price <span style="text-decoration: underline;">One Shilling</span>.</i> -<span style="margin-left:3em;">(<i>Cloth 1/6</i>)</span></p> - -<div class="center"> -<table border="0" cellpadding="1" cellspacing="0" width="90%" summary="Notes"> -<tr><td><b><big><i>Notes</i></big></b></td> - <td><i>on</i></td> - <td><big><b><span style="text-decoration: underline;">CONDUCTORS</span></b></big></td></tr> -<tr><td><small><i>New and Enlarged<br /> - Edition</i></small></td> - <td>AND</td> - <td><big><b><span style="text-decoration: underline;">CONDUCTING</span>.</b></big></td></tr> -</table></div> - -<p class="center"><span class="smcap">BY</span> T. R. CROGER, F.R.G.S., F.Z.S.,</p> - -<p><i>With three Full-page Illustrations of the various "Beats," and Plan of an Orchestra</i>.</p> - -<blockquote> - -<p>"A mine of good things."—<i>Musical Opinion.</i></p> - -<p>"One of the best guides to conducting."—<i>P. and M. T. Review.</i></p></blockquote> - -<p><span class="pagenum"><a name="Page_36" id="Page_36">[Pg 36]</a></span></p> - -<hr class="chap" /> - -<p class="center">Weekly, with Supplement, 2d.</p> - -<p>THE</p> - -<p class="center close-above"><big><b>"<span class="smcap">Musical Standard</span>,"</b></big></p> - -<p>A NEWSPAPER FOR MUSICIANS,<span style="margin-left:1em;">_</span><span style="margin-left:1em;">_</span><span style="margin-left:1em;">_</span><span style="margin-left:1em;">_</span><br /> -<span style="margin-left:5em;">PROFESSIONAL AND AMATEUR.</span></p> - -<p>Gives Supplements of Illustrations of British and Foreign -Organs, Portraits of Eminent Musicians, Organ Music, -Violin Music, Anthems, Part Songs, Songs, Piano -Pieces,</p> - -<p><span class="smcap">Subscription</span>, one year, 10s. 10d., six months, 5s. 5d. -Abroad, one year, 13s., six months, 6s. 6d.</p> - -<hr /> - -<p class="center"><small><i>Illustrated Series</i>, Vols. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 & onward, bound in -brown cloth, 5s. each.</small></p> - -<hr /> - -<p class="center"><small>Handsome Covers for Binding, 1s. 6d. each, (by post 1s. 9d).</small></p> - -<hr /> - -<p>Publishing and Advertising Offices:</p> - -<p class="right close-above">83, CHARING CROSS ROAD, LONDON, W.C.</p> - -<hr class="chap" /> - -<p class="center">1902-3 Edition. Paper, 2s. net: or Cloth, 3s. 6d. net.</p> - -<p class="center"><big><b>MUSICAL DIRECTORY</b></big></p> - -<p class="right close-above"><i>FOR GREAT BRITAIN AND IRELAND</i>.</p> - -<p class="center"><small>THE TRADES, PROFESSORS AND OTHERS CONNECTED -WITH MUSIC, CHORAL SOCIETIES, STAFF OF -CATHEDRALS, COLLEGES AND ABBEY CHURCHES, ETC.</small></p> - -<hr /> - -<p class="center"><b>W. REEVES, 83, CHARING CROSS RD., LONDON, W.C.</b></p> - - - -<hr class="chap" /> - -<div class="transnote"> -<p class="center">TRANSCRIBER NOTES</p> - - -<p>Symbol inverted asterism (three asterisks arranged as inverted triangle) is presented as ⁂ (asterism) in this e-text.</p> - -<p>Inconsistent spelling and apparent printer errors have been -retained as printed in original book, except obvious punctuation -errors have been repaired.</p> -</div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Catalogue of Works Literary Art and -Music, by W. 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