summaryrefslogtreecommitdiff
path: root/old/51902-8.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/51902-8.txt')
-rw-r--r--old/51902-8.txt2488
1 files changed, 0 insertions, 2488 deletions
diff --git a/old/51902-8.txt b/old/51902-8.txt
deleted file mode 100644
index b6c73ac..0000000
--- a/old/51902-8.txt
+++ /dev/null
@@ -1,2488 +0,0 @@
-Project Gutenberg's Catalogue of Works Literary Art and Music, by W. Reeves
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Catalogue of Works Literary Art and Music
-
-Author: W. Reeves
-
-Release Date: May 1, 2016 [EBook #51902]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CATALOGUE OF WORKS LITERARY ***
-
-
-
-
-Produced by Judith Wirawan, deaurider and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-
-
-
-
-
-
-
-TRANSCRIBER NOTES
-
-
-Words surrounded by / are italicized.
-
-Words surrounded by = are bold.
-
-Words surrounded by _ are underlined.
-
-Small capitals are presented as all capitals in this e-text.
-
-Inconsistent spelling and apparent printer errors have been retained
-as printed in original book, except obvious punctuation errors have
-been repaired.
-
-Asterism (a symbol consisting of three asterisks arranged in a
-triangle) is presented as *** in this e-text.
-
-
-
-
- W. REEVES
-
- AND
-
- REEVES & TURNER'S
-
- Publications
-
- * * * * *
-
- CATALOGUE
-
- OF WORKS
-
- Literary
- Art and
- Music.
-
- ALSO ...
- Books on ...
- Freemasonry.
-
- [Illustration: Logo]
-
- London:
- 83, Charing Cross Rd.
- W.C.
-
- * * * * *
-
-HOW TO MEMORIZE MUSIC: With numerous Musical Examples. By C. F.
-Kenyon, cr. 8vo, 1s.
-
- * * * * *
-
-TREATISE ON THE TRAINING OF BOY'S VOICES: With Examples and Exercises
-and Chapters on Choir-Organization. Compiled for the Use of
-Choirmasters. By George T. Fleming, cr. 8vo, cloth, 2s.
-
- * * * * *
-
-GRADUATED COURSE OF EXERCISES FOR BOY CHORISTERS: With Pianoforte
-Accompaniment. For Use inconjunction with above. By G. T. Fleming, 1s.
-
- * * * * *
-
-INTERLUDES. Seven Lectures by H. C. Banister. Collected and Edited by
-Stewart Macpherson, with Portrait, cr. 8vo, cloth, 2s. (pub. at 5s.)
-
- * * * * *
-
- ORGAN MUSIC.
- (All with ped. obb.) (Prices Music-net).
-
- Chopin's Nocturne (Op. 9, No. 2) 1s. 6d. /E. H. Lemare/.
- Forward! Grand March 1s. 6d. /E. H. Sugg/.
- Lebanon March (Smallwood) 2s. /Dr. Westbrook/.
- Grand Festival March, "Illogan" 2s. /H. C. Tonking/.
- (also arr. for Piano solo; and Vn. & Pi.)
- Overture to William Tell (Rossini) 2s. 6d. /A. Whittingham/.
- Overture to Oberon (Weber) 2s. /A. Whittingham/.
- Overture to Freischütz (Weber) 2s. /A. Whittingham/.
- Six Pieces for Church Use (arr.) 1s. /W. Smallwood/.
-
- * * * * *
-
- 8vo cloth, 300 pp., 3s. 6d.
-
-=HONE (William), Ancient Mysteries described=, especially the English
-Miracle Plays founded on the Apocryphal New Testament Story, extant
-among the unpublished MSS. in the British Museum, including notices of
-Ecclesiastical Shows and Festivals of Fools and Asses, the English Boy
-Bishop, Descent into Hell, the Lord Mayor's Show, the Guildhall
-Giants, Christmas Carols, etc., with Engravings and Index.
-
- * * * * *
-
- 8vo, cloth, 3s. 6d.
-
-=HONE (William), The Apocryphal New Testament=, being all the Gospels,
-Epistles and other pieces now extant attributed in the first four
-centuries to Jesus Christ, his Apostles and their Companions and not
-included in the New Testament by its compilers.
-
- * * * * *
-
- In 4 Volumes, 8vo. Price £2 2s.
- Handsomely bound in designed buckram cloth.
-
-*** /_One Hundred Copies specially printed on hand-made paper supplied
-By Spalding & Hodge. Price £4 4s. net, bound in Vellum._/
-
-
- Essays & Letters of MONTAIGNE.
-
- Edited by WILLIAM CAREW HAZLITT.
- _NEW AND ENLARGED INDEX_
-
-AN ENTIRELY NEW EDITION formed from a Collation of the Foreign
-Quotations; a fresh English rendering and a careful revision of the
-text throughout. Some account of the Life of Montaigne, Notes to which
-are added, a Translation of all the Letters known to be extant.
-
-
-MR. HAZLITT'S MONTAIGNE,--An entirely new Edition text of Montaigne's
-Essays and Letters (founded on the now extremely scarce one published
-in 1877 in three volumes octavo) has now been brought to completion
-(Publisher, Messrs. Reeves and Turner) and will, partly by reason of
-enlarged introductory matter and partly by additional notes, extend to
-four volumes. The Edition of 1877 was superintended by Mr. Hazlitt's
-father, though bearing his own name on the title, and he merely
-contributed the Preface. The book has now at length been adapted to
-the last French /Variorum/ so far as possible, and innumerable errors
-of the former English versions have been rectified. The Biographical
-account of the essayist has been considerably amplified and =instead
-of the sixteen Letters= given in 1877 =there are thirty-five=, many of
-which are of interest and importance towards understanding the Life of
-the Author. A salient feature in the present undertaking is to have
-substituted for the English colloquial equivalents, or rather supposed
-equivalents of the great Frenchman's language, the words which he
-actually uses or the sense, which he actually intends to convey; and
-the difference is often curious and sometimes immense between him and
-his English renderers.--/The Athenæum./
-
- * * * * *
-
-In the Press.
-
-
- Modern Orchestral Instruments
-
- Their Origin, Construction, and Use.
-
- /BEING A PRACTICAL ILLUSTRATED HANDBOOK/
- /For the use of/
- /AMATEURS OR STUDENTS./
-
-With many additional Illustrations, Tables, an Appendix, and an
-Explanatory Index.
-
- BY
- K. SCHLESINGER.
-
- * * * * *
-
-
- Classical Works.
-
- Edited by Prof. Anthon.
-
-ANTHON'S HORACE, Edited by Rev. James Boyd, LL.D., thick post 8vo, 5s.
-6d.
-
-ANTHON'S HOMER'S ILIAD, First Three Books, Edited by B. Davies, LL.D.,
-thick post 8vo, 5s. 6d.
-
-ANTHON'S CÆSAR'S COMMENTARIES, Edited by Rev. G. B. Wheeler, thick
-post 8vo, 4s. 6d.
-
-ANTHON'S ECLOGUES AND GEORGICS OF VIRGIL, with English Notes, Critical
-and Explanatory, and a Metrical Index, post 8vo, price 4s. 6d.
-
-ANTHON'S SALLUST, Edited by Rev. J. Boyd, LL.D., post 8vo, 4s. 6d.
-
-ANTHON'S JUVENAL AND PERSIUS' SATIRES, Edited by J. T. Wheeler, post
-8vo, 4s. 6d.
-
-ANTHON'S CICERO'S ORATIONS, with English Commentary and Historical,
-Geographical and Legal Indexes, Revised and Edited by Rev. G. B.
-Wheeler, post 8vo, 4s. 6d.
-
- * * * * *
-
- =Crown 8vo, Special Designed Cover. 5/-=
-
-
- MASTERSINGERS APPRECIATIONS OF MUSIC AND
- MUSICIANS WITH AN ESSAY ON
- By FILSON YOUNG HECTOR BERLIOZ....
-
-CONTENTS.--The Pastoral Symphony--Tristan and Isolda--Bach's Organ
-Fugues--Mozart's Requiem--Tschiakowsky's Sixth Symphony--The Composer
-in England--Charles Hallé--Camille Saint-Saëns--An Irish
-Musician--Hector Berlioz.
-
- * * * * *
-
-/=Ready.=/ =roy. 8vo, boards, 1/6=
-
-
- "THUS SPAKE ZARATHUSTRA"
-
- BY F. NIETZSCHE, /A BOOK FOR ALL AND NONE/.
-
-TRANSLATED BY THOMAS COMMON, containing Zarathustra's Prefatory
-Discourse, with Critical and Bibliographical Notices, Part I.
-
-/"Nietzsche's Ethics, however are not the Ethics for boys, nor for old
-women, nor for dreamers either; _they are the Ethics for full grown
-men_, the noble, strong, wide-awake men, who shape the world's
-destiny."/
- --EDITOR.
-
- * * * * *
-
- =crown 8vo, Limp Cloth, 2/-=
-
-
- THE ART OF MODULATING.
-
-/A SERIES OF PAPERS ON MODULATING AT THE PIANOFORTE. WITH 62 MUSICAL
-EXAMPLES./ BY HENRY C. BANISTER.
-
-/Not only at Examinations--viva voce--but in Actual Experience, is
-ability required to pass rapidly, with very little "process" from one
-key to another./
-
- * * * * *
-
-/2nd Edition./ Thick Crown 8vo. Cloth, Price =7/6=.
-
-
- THE LIFE OF HENRY GEORGE.
-
- Author of "Progress and Poverty,"
- /With Portraits./ By his Son, HENRY GEORGE, JUN.
-
- * * * * *
-
- =Thick Crown 8vo., Cloth 10s.=
- /Important Critical Contribution./
-
-
- CHOPIN: THE MAN AND HIS MUSIC.
-
- BY JAMES HUNEKER,
- Author of "Mezzotints in Modern Music."
-
-"Mr Huneker is a Chopin enthusiast. He accords admiration to Brahms,
-to Wagner, to Tchaïkovsky: his worship is reserved for Chopin. Being
-gifted with clear insight and imagination which grasp many and diverse
-moods Mr. Huneker is a sane critic and a manly.... There is no
-pretence at new material in the book. Mr. Huneker has garnered all
-that has been written about the composer and he has threshed out the
-grain from the chaff. The result is, therefore, of value."--/Musical
-Standard./
-
- * * * * *
-
- THE LARGE EDITION, over 1,000 pp., imp. 8vo.
-
-=CHAFFERS (Wm.), MARKS AND MONOGRAMS ON EUROPEAN AND ORIENTAL POTTERY
-AND PORCELAIN=, with Historical Notices of each Manufactory, preceded
-by an Introductory Essay on Ancient Pottery and on the Vasa Fictilia
-of England and Mediæval Earthenware Vessels, with over 3,500 Potters
-Marks and Illustrations, revised and edited by F. Litchfield,
-ornamental cloth, Ninth Edition, with Additional Information and
-Marks, 42s.
-
- * * * * *
-
-/New Edition/ (1904.) Entirely Revised and Enlarged by C. A. MARKHAM,
-
-=CHAFFERS (W.), HALL MARKS ON GOLD AND SILVER PLATE=, Illustrated with
-Revised Tables of Annual Date Letters employed in the Assay Offices of
-the United Kingdom, roy. 8vo, cloth, 16s. /net/.
-
- * * * * *
-
-THE COMPANION TO "HALL MARKS ON GOLD AND SILVER PLATE."
-
-=CHAFFERS (W.), A HISTORY OF ENGLISH GOLDSMITHS AND PLATEWORKERS=
-(Gilda Aurifa-brorum) and their Marks stamped on Plate, copied in
-preserved at Goldsmiths' Hall, London, with their names, addresses and
-dates of entry, 2,500 /Illustrations/; also Historical Account of the
-Goldsmiths' Company and their Hall Marks and Regalia; the Mint;
-Closing of the Exchequer; Goldsmith Bankers; Shop Signs, a Copious
-Index, etc., a New Edition, 267 pp., roy. 8vo, cloth, 12s.
-
- * * * * *
-
-=CHAFFERS (W.), COLLECTOR'S HANDBOOK OF MARKS AND MONOGRAMS ON POTTERY
-AND PORCELAIN OF THE RENAISSANCE AND MODERN PERIOD=, selected from his
-larger work, New Edition Revised and considerably Augmented by F.
-Litchfield, Twelfth Thousand, 234 pp., post 8vo, cloth, gilt, 6s.
-
- * * * * *
-
-=CHAFFERS (Wm.) HANDBOOK TO HALL MARKS ON GOLD AND SILVER PLATE=, with
-Revised Tables of Annual Date Letters Employed in the Assay Offices of
-England, Scotland and Ireland, Extended by C. A. Markham, /F.S.A./,
-cr. 8vo, cloth, 5s. 1902
-
- * * * * *
-
-=MARKHAM (Chr. A.=, /F.S.A./) =HANDBOOK TO FOREIGN HALL MARKS ON GOLD
-AND SILVER PLATE= (except those on French Plate), containing 163
-stamps, cr. 8vo, cloth, 5s.
-
- * * * * *
-
-=MARKHAM (C.), HANDBOOK TO FRENCH HALL MARKS ON GOLD AND SILVER
-PLATE.= Illustrated. Crown, 8vo, cloth, 5s. 1900
-
- * * * * *
-
-=COBBETT (W.), RURAL RIDES= in the Counties of Surrey, Kent, Sussex,
-Hants., Wilts., Gloucestershire, etc., edited with Life, New Notes,
-and the addition of a copious Index, New Edition by PITT COBBETT, /map
-and portrait/, 2 vols, cr. 8vo (xlviii. and 806 pp.), cloth gilt, 12s.
-6d.
-
-Cobbett's "Rural Rides" is to us a delightful book, but it is one
-which few people know. We are not sure that up to the present time it
-was impossible to get a nice edition of it. We are therefore glad to
-see that Messrs. Reeves & Turner's recently published edition
-is a very creditable production--two handy well-filled
-volumes.--/Gardening./
-
- * * * * *
-
-=KEATS= (John), =THE POETICAL WORKS OF JOHN KEATS= (large type), given
-from his own Editions and other Authentic Sources, and collated with
-many Manuscripts, edited by H. Buxton Forman, /portrait/, SEVENTH
-EDITION, 8 pp., cr. 8vo, buckram, 7s. 6d.
-
- * * * * *
-
-=THE LETTERS OF JOHN KEATS= (Large type), Complete Revised Edition,
-with a Portrait not published in previous Editions and 24 Contemporary
-Views of Places visited by Keats, Edited by H. Duxton Forman, 519
-pages, cr. 8vo. buckram. 8s.
-
- * * * * *
-
-=LORD CHESTERFIELD'S LETTERS TO HIS SON.=--Edited with Occasional
-Elucidatory Notes, Translations of all the Latin, French and Italian
-Quotations, and a Biographical Notice of the Author. By Chas. Stokes
-Carey, 2 vols, cr. 8vo, bevelled cloth, 10s. 6d.
-
- * * * * *
-
-=FLAGELLATION AND THE FLAGELLANTS=, A History of the Rod, in all
-Countries by the Rev. W. M. Cooper. /Plates and Cuts/, thick cr. 8vo,
-cloth, 7s. 6d. (pub. 12s. 6d.)
-
- * * * * *
-
-=THE AWAKENING OF WOMEN=: or Woman's Part in Evolution, by Frances
-Swiney, crown 8vo, cloth, 5s. /net/.
-
-"Strong and soul-stirring.... The Book of the age on the woman
-question."--/The Woman's Tribune./
-
-It is most carefully thought out.... The authorities quoted all seem
-to point to the fact that woman is more highly evolved than
-man.--/Mrs. Ada Ballin, Editor of/ "WOMANHOOD."
-
- * * * * *
-
-=SHELLEY'S PRINCIPLES= has time refuted or confirmed them, a
-Retrospect and Forecast, by H. S. Salt, post 8vo, 1s.
-
- * * * * *
-
-=PERCY BYSSHE SHELLEY=, Poet and Pioneer, a Biographical Study by H.
-S. Salt, etched portrait, cr. 8vo, cloth, 3s. 6d.
-
- * * * * *
-
-=SHELLEY LIBRARY (The)=, An Essay in Bibliography, by H. Buxton
-Forman, Shelley's Books, Pamphlets and Broadsides, Posthumous Separate
-Issues, and Posthumous Books, wholly or mainly by him, 127 pp., 8vo,
-parts 1 and 2, wrappers, 3s. 6d. each.
-
- * * * * *
-
-=A SHELLEY PRIMER=, By H. S. Salt, cr. 8vo, bds 2s. 6d.
-
- * * * * *
-
-=SHELLEY (Percy Bysshe), THE POETICAL WORKS= (in large type), given
-from his own Editions and other Authentic Sources, collated with many
-MSS., and with all Editions of Authority, together with his Prefaces
-and Notes, his Poetical Translations and Fragments, and an Appendix of
-Juvenalia, Edited by H. Buxton Forman, with the Notes of Mary
-Wollstonecraft Shelley, /fine etched portrait/, 2 vols., cr. 8vo,
-cloth (with Design in Gold on cover by Rossetti), 12s. /Fourth Edition
-in the press/.
-
- * * * * *
-
-=SIDONIA THE SORCERESS=, by William Meinhold. Translated by Lady
-Wilde, with the Amber Witch, translated by Lady Duff Gordon, in 2
-vols., crown 8vo, 8s. 6d. 1894
-
- * * * * *
-
-=THOMSON (James, "B. V."), POETICAL WORKS=, The City of Dreadful
-Night, Vane's Story, Weddah and Om-el-Bonain, Voice from the Hell, and
-Poetical Remains, Edited by B. Dobell, with Memoir and Portrait, 2
-vols, thick cr. 8vo, cloth, 12s. 6d.
-
- * * * * *
-
-=THOMSON (James, "B. V."), BIOGRAPHICAL AND CRITICAL STUDIES=, 483
-pages, cr. 8vo, cloth. 6s.
-
- * * * * *
-
-=LIFE OF DAVID GARRICK=, by J. Smyth, post 8vo, boards, 1s.
-
- * * * * *
-
-=RUDIMENTS OF GREEK GRAMMAR=, by E. Wettenhall, D.D., translated by
-Rev. G. N. Wright, numerous annotations and Questions for Examination,
-by Rev. G. B. Wheeler, 3s.
-
- * * * * *
-
-COMTE (Auguste), A Discourse on the Positive Spirit, Explanatory Notes
-by E. S. Beesly, M.A., cr. 8vo. cloth, 2s. /net/.
-
- * * * * *
-
-OUTSPOKEN ESSAYS ON SOCIAL SUBJECTS: By Ernest Belfort Bax, cr. 8vo,
-cloth, 2s. 6d.
-
- * * * * *
-
-A CREED FOR CHRISTIAN SOCIALISTS, with Expositions by Charles William
-Stubbs, D.D. (The Dean of Ely). Cr. 8vo, cloth, 2s. (paper, 1s.)
-
- * * * * *
-
-COMTE (Auguste), General View of Positivism, translated by J. H.
-Bridges. 2nd Edition, cr. 8vo, cloth, 2s. 6d.
-
- * * * * *
-
-THE SOCIAL ASPECTS OF CHRISTIANITY, and other Essays by Richard T.
-Ely, Ph.D. Cr. 8vo, cloth, 2s. (paper, 1s.)
-
- * * * * *
-
-PROGRESS AND POVERTY, by Henry George. Cloth, 1s. 6d., (paper, 1s.) or
-Cabinet Edition, cloth, 2s. 6d.
-
- * * * * *
-
-KARL MARX'S THEORY OF VALUE (Complete), forming the First 9 Chapters
-of "Capital." Cr. 8vo, cloth, 2s. (paper, 1s.)
-
- * * * * *
-
-LOOKING BACKWARD, by Edward Bellamy, with copious Index and Portrait.
-Limp cloth, 1s. 6d., Cabinet Edition, Steel Portrait, 2s. 6d. (also
-cheap editions, paper covers, 6d. and 1s.)
-
- * * * * *
-
-CO-OPERATIVE COMMONWEALTH: Exposition of Modern Socialism, by L.
-Gronlund. English Edition. Third Edition. Edited by B. Shaw. Cr. 8vo,
-cloth, 2s. (paper, 1s.)
-
- * * * * *
-
-TENNYSON AS A THINKER, by Henry S. Salt, paper, 6d. (or large paper
-copies, 1s. 6d.)
-
- * * * * *
-
-PATRIOTISM AND CHRISTIANITY, by Count Leo Tolstoy. Cr. 8vo, cloth, 1s.
-(paper, 6d.)
-
- * * * * *
-
-LAWS OF ETERNAL LIFE: Being Studies in the Church Catechism by Rev.
-Stewart D. Headlam. Cr. 8vo, cloth, 2s. (paper, 1s.)
-
- * * * * *
-
-LONDON ROOKERIES AND COLLIER'S SLUMS.--A Plea for More Breathing Room.
-By Robert Williams, A.R.I.B.A., with numerous Diagrams, sm. sewed, 1s.
-
- * * * * *
-
-MORE LIGHT AND AIR FOR LONDONERS.--By Robert Williams, A.R.I.B.A.,
-with numerous Diagrams, sm. 4to, sewed, 1s.
-
- * * * * *
-
-RUSKIN'S NOTES OF THE PICTURES OF MR. HOLMAN HUNT, Exhibited at the
-Rooms of the Fine Art Society, 1886, With Criticisms by John Ruskin
-and other Comments, sewed, 8vo, 1s.
-
-RUSKIN'S NOTES ON SOME OF THE PRINCIPAL PICTURES OF SIR JOHN EVERETT
-MILLAIS, Exhibited at the Grosvenor Gallery, 1886, with a Preface and
-Original and Selected Criticisms by John Ruskin and other Comments,
-8vo, sewed, 1s.
-
-WHAT IS PROPERTY? An Inquiry into the Principle of Right and of
-Government, by P. J. PROUDHON, Translated by B. R. TUCKER, crown 8vo,
-cloth, 3s. 6d.
-
-DISCOURSES ON POSITIVE RELIGION: By J. H. Bridges, M.B., Second
-Edition Revised and Enlarged, 8vo, boards, 1s.
-
-RENT, INTEREST AND WAGES, or the Real Bearings of the Land Question.
-By Michael Flürscheim. Third Edition, Revised, cr. 8vo, paper 1s.
-(cloth 2s.)
-
- * * * * *
-
-
- HISTORICAL, BIOGRAPHICAL WORKS, ETC.
-
-MUSICAL HISTORY AND BIOGRAPHY (Revised Edition to 1903). By F. J.
-Crowest, post 8vo, sewed 1s. (cloth, 2s.)
-
-MAKERS OF MUSIC, Biographical Sketches of the Great Composers, With
-Chronological Summaries of their Works, and Facsimiles from Musical
-MSS. of Bach, Handel, Purcell, Dr. Arne, Gluck, Haydn, Mozart,
-Beethoven, Weber, Schubert, Berlioz, Mendelssohn, Chopin, Schumann,
-Wagner, Verdi, Gounod, Brahms and Greig, with General Chronological
-Table. By R. Farquharson Sharp, Portrait of Purcell, /Second Edition/,
-cr. 8vo, cloth, 5s.
-
-HOW TO MANAGE A CHORAL SOCIETY. By N. Kilburn, 2nd Edition, post 8vo.,
-6d.
-
-WAGNER'S PARSIFAL and the Bayreuth Fest-Spielhaus. By N. Kilburn, cr.
-8vo., 6d.
-
-WAGNER, A Sketch of his Life and Works, by N. Kilburn, 6d.
-
-WOMAN AS A MUSICIAN, an art Historical Study by F. R. Ritter, 8vo.,
-1s.
-
-SIXTY YEARS OF MUSIC: A Record of the Art in England during the
-Victorian Era, containing 70 Portrait of the most Eminent Musicians,
-oblong quarto, boards, cloth back, 2s. 6d.
-
-CHERUBINI, Memorials illustrative of his Life, by E. Bellasis, thick
-cr. 8vo, cloth, 6s.
-
-THE BACH LETTERS. Letters of Samuel Wesley, relating to the
-Introduction into England of the Works of Bach. Ed. by E. Wesley. 2nd
-Edition, 8vo, cl., 2s. 6d.
-
-MEZZOTINTS IN MODERN MUSIC, Brahms, Tchaïkovsky, Chopin, Strauss,
-Liszt, and Wagner, By Jas. Huneker, cr. 8vo, cloth, gilt top, 7s. 6d.
-
-SKETCHES OF ENGLISH GLEE COMPOSERS, Historical, Biographical and
-Critical (From about 1735-1866), by D. Baptie, post 8vo, cloth, 5s.
-
-HISTORY OF HUNGARIAN MUSIC, by J. Kaldy (/Director of the Royal
-Hungarian Opera/), cr. 8vo, bevelled cloth, 2s. 6d. /net/.
-
-FRANZ LISZT, by T. Carlaw Martin, 6d.
-
-HALF A CENTURY OF MUSIC IN ENGLAND, 1837-1887, By F. Hueffer, 8vo,
-cloth, 3s. 6d. (pub. 8s. 6d.)
-
-TEMPLETON AND MALIBRAN: Reminiscences of these Renowned Singers, with
-Original Letters and Anecdotes, 3 Authentic Portraits by Mayall, 8vo,
-cloth, 2s. 6d.
-
-BALFE, His Life and Works, by W. A. Barrett, cr. 8vo, bevelled cloth,
-3s. 6d. (pub. 7s. 6d.)
-
-STATHAM (H. H.), Form and Design in Music, a Brief Outline of the
-Æsthetic conditions of the Art, addressed to general Readers (in a
-readable Literary form ... in everyday language), 8vo, cloth, 2s (pub.
-5s.)
-
-BEETHOVEN, by Richard Wagner, with a Supplement from the Philosophical
-Works of Arthur Schopenhauer, trans. by Edward Dannreuther, 2nd Ed.,
-cr. 8vo, cl., 6s.
-
-CHOPIN, LIFE OF, by Franz Liszt, new and very much Enlarged Edition,
-Englished in full now for the first time by John Broadhouse, cr. 8vo,
-cloth, 6s.
-
-WAGNER, Der Ring des Nibelungen, being the story concisely told of Das
-Rhinegold, Die Walküre, Siegfried and Götterdämmerung, by N. Kilburn,
-post 8vo, 9d.
-
-BOX (C.), Church Music in the Metropolis, its Past and present
-Condition, with Notes Critical and Explanatory, post 8vo, cloth, 3s.
-
-THE PAST AND THE FUTURE, INAUGURAL LECTURE AT GRESHAM COLLEGE, Nov.
-1890, by J. Frederick Bridge Mus. Doc., cr. 8vo, sewed, 6d.
-
-ENGLISH HYMN TUNES from the 16th Century to the Present Time, by the
-Rev. A. W. Malim, containing 21 Musical Illustrations, 8vo, sewed, 1s.
-
-BEETHOVEN, Life of, by Louis Nohl, translated by John J. Lalor, 2nd
-Edition, cr. 8vo, bevelled cloth, gilt edges, 3s. 6d.
-
-ENGLISH GLEE AND MADRIGAL WRITERS, by W. A. Barrett, 8vo, cloth, 2s.
-6d.
-
-LIFE AND WORKS OF HANDEL. By A. Whittingham. 1s. (cloth, 1s. 6d.)
-
-LIFE AND WORKS OF MOZART. By A. Whittingham. 1s. (cloth, 1s. 6d.)
-
-BEETHOVEN DEPICTED BY HIS CONTEMPORARIES, by Ludwig Nohl, translated
-by E. Hill, 2nd Edition, thick cr. 8vo, cloth, 7s. 6d.
-
- * * * * *
-
- EDUCATIONAL.
-
-DICTIONARY OF MUSICIANS, (Cocks') New and Enlarged Edition brought
-completely up to date, post 8vo, sewed, 1s., cloth, 1s. 6d.
-
-MUSIC, A First Book for Beginners embodying the most recent English
-and Continental Teaching by a Professor [Alfred Whittingham], post
-8vo, 4d.
-
-The two principal objects kept in view in writing this little book
-were Thoroughness of Definition and Regular Order in the arrangement
-of Subjects. =It differs from all other similar Works in that all the
-Technical Terms in Music are introduced in the Answers not in the
-Questions.=
-
-COUNTERPOINT: A Simple and Intelligible Treatise, Containing the most
-Important Rules of all Text Books, in Catechetical Form; (Forming an
-Answer to the Question "What is Counterpoint?") Intended for
-Beginners. By A. Livingstone Hirst, cr. 8vo, sewed, 9d.
-
-DICTIONARY OF 2500 BRITISH MUSICIANS, from the Earliest Times, by F.
-J. Crowest, cr. 8vo, stiff cover, 1s.
-
-MANUAL OF MUSICAL HISTORY, from the Epoch of Ancient Greece to our
-present time by Dr. F. L. Ritter, 2nd Edition, cr. 8vo, cl., 2s. 6d.
-
-ON CONDUCTING, by Richard Wagner, translated by E. Dannreuther, Second
-Edition, cr. 8vo, cloth, 5s.
-
-=DUDLEY BUCK'S Complete Pronouncing Dictionary of Musical Terms. By
-Dr. Dudley Buck.= /Third Edition with the Pronunciation of each Term
-accurately given/, =cr. 8vo, paper cover 6d., (cloth 1s.)=
-
-THE STUDENT'S HELMHOLTZ, Musical Acoustics or the Phenomena of Sound
-as connected with Music, by John Broadhouse, with more than 100
-Illustrations, 3rd Edition, cr. 8vo, cloth, 7s. 6d.
-
-THE STUDENT'S HISTORY OF MUSIC. History of Music, from the Christian
-Era to the present time by Dr. F. L. Ritter. 3rd Edition, thick cr.
-8vo., cloth, 7s. 6d.
-
-HARMONY AND THE CLASSIFICATION OF CHORDS, with Questions and
-Exercises, by Dr. J. H. Lewis, Vol. 1, 8vo, boards, cloth back, 5s.
-
-MUSICAL ANALYSIS. A Handbook for Students, with Musical Illustrations,
-by H. C. Banister, crown 8vo, folio, cloth, 2s.
-
-ELEMENTARY MUSIC. A book for Beginners, by Dr. Westbrook, with
-Questions and Vocal Exercises, Thirteenth Edition, 1s., (cloth, 1s.
-6d.)
-
-PURITY IN MUSIC, by A. F. Thibaut. Translated by J. Broadhouse.
-Schumann says: "A fine book about music, read it frequently." Crown
-8vo., cloth, 2s. 6d.
-
-EXERCISES ON GENERAL ELEMENTARY MUSIC. A Book for Beginners, by K.
-Paige, 4th Edition, Part I. price 9d., Part II. price 1s. (2 parts
-complete in cloth, 2/4)
-
-The /Musical Times/ speaks in the highest terms of above work.
-
-DR. AHN'S FIRST FRENCH COURSE. Edited by S. Bartlett (Head Master
-Mercers' and Stationers' School), Post 8vo., cloth, 1s. 6d.
-
-HARMONISING OF MELODIES, A Text-Book for Students and Beginners, by H.
-C. Banister, cr. 8vo, cloth, 2s.
-
-MUSICAL SHORTHAND for Composers, Students of Harmony, Counterpoint,
-etc., can be written very rapidly and is more legible than printed
-music, with Specimens from Bach, Handel, Chopin, Wagner, Mendelssohn,
-Spohr, Mozart, etc., by Francis Taylor, 14 pages, 12mo, 6d.
-
-"Composers and Students of Music expend a vast amount of time in mere
-painful mechanism." We have only six totally unlike signs. These from
-their simplicity can be written with great rapidity, one dip of the
-pen sufficing for an entire page, and the writing being as legible as
-possible.--/Preface/.
-
- * * * * *
-
- WORKS ON THE PIANOFORTE, &c.
-
-PIANO TEACHING. Advice to Pupils and Young Teachers, by F. Le Couppey
-(Prof. in the Conservatory of Paris, etc.), Translated from the 3rd
-French Edition by M. A. Bierstadt, post 8vo, cloth, 2s.
-
-GREATER WORKS OF CHOPIN, (Polonaises, Mazurkas, Nocturnes, etc.), and
-how they should be played, by J. Kleczynski, translated by Miss N.
-Janotha and edited by Sutherland Edwards, with Portrait, Facsimile,
-etc., cr. 8vo, cloth, 5s.
-
-PIANOFORTE TEACHER'S GUIDE, by L. Plaidy, translated by Fanny Raymond
-Ritter, cr. 8vo, boards, 1s.
-
-MUSIC AND MUSICIANS, Essays and Criticisms, by Robert Schumann,
-translated, edited and annotated by F. R. Ritter, Portrait of Robert
-Schumann, photographed from a Crayon by Bendemann, First Series,
-/Sixth Edition/, thick cr. 8vo, cloth, 8s. 6d.
-
-/Ditto/, 2nd Series, 2nd Edition, thick cr. 8vo, cloth, 10s. 6d.
-
-EHRENFECHTER (C. A.), Technical Study in the art of Pianoforte Playing
-(Deppe's principles), with numerous illustrations, fourth edition, cr.
-8vo, bevelled cl., 2s. 6d.
-
-AN ESSAY ON THE THEORY AND PRACTICE OF TUNING IN GENERAL, and on
-Schiebler's Invention of Tuning Pianofortes and Organs by the
-Metronome in Particular. Trans. by A. Wehrhan, sewed, 1s.
-
-THE ART OF MODULATION, A Hand-book Showing at a Glance the Modulations
-from one Key to any other on the Octave, etc., Edited by Carli
-Zoeller, 2nd Edition, roy. 8vo, paper, 2s. 6d. or (cloth, 4s.)
-
-EHRENFECHTER (C. A.), Delivery in the Art of Pianoforte Playing, on
-Rhythm, Measure, Phrasing, Tempo, cr. 8vo, cloth, 2s.
-
-BEETHOVEN'S PIANOFORTE SONATAS Explained by Ernst von Elterlein trans.
-by E. Hill, with Preface by Ernst Pauer, entirely new and revised
-edition (the Fifth), with Portrait, Facsimile and View of House, cr.
-8vo, cloth, 3s. 6d.
-
-BEETHOVEN'S SYMPHONIES in their Ideal Significance, explained by Ernst
-von Elterlein, translated by Francis Weber, with an account of the
-facts relating to Beethoven's 10th Symphony, by L. Nohl, /Second
-Edition/, with Portrait, cr. 8vo, cloth, 3s. 6d.
-
-PIANOFORTE SCALES in Thirds and Sixths for Each Hand in all the Major
-and Minor Keys, Fingered and Arranged by M. Rock, folio, 2s.
-
-BEETHOVEN'S SYMPHONIES Critically discussed by A. T. Teetgen. /Second
-Edition/, cloth, 3s. 6d.
-
-THE DEPPE FINGER EXERCISES for rapidly developing an Artistic Touch in
-Pianoforte Playing, carefully arranged, classified and explained by
-Amy Fay, English Fingering, folio, 1s. 6d. (Continental Fingering, 1s.
-6d.)
-
-HOW TO PLAY CHOPIN. The Works of Chopin and their proper
-Interpretation. By KLECZYNSKI, translated by A. WHITTINGHAM, 5th. Ed.,
-/Woodcut and Music Illus/. Post 8vo, cloth, 3s. 6d.
-
-SCHUMANN'S RULES MAXIMS for young Musicians, 4d.
-
-PRACTICE REGISTER for Pupil's Daily Practice. A specimen, 1d., or 1s.
-4d. per 100.
-
-REEVES' VAMPING TUTOR, Art of Extemporaneous Accompaniment or Playing
-by ear on the Pianoforte, rapidly enabling anyone having an ear for
-music (with or without any knowledge of musical notation) to accompany
-Waltzes, Polkas, Songs, and with equal facility in any key, with
-practical examples, including Ma Normandi (in C), Lilla's a Lady, The
-Swiss Boy, Home Sweet Home, Blue Bells of Scotland, Nancy Dawson, Ma
-Normandi (in A), The Miller of the Dee by Francis Taylor, folio, 2s.
-
-MOZART'S Don Giovanni, a Commentary, from the 3rd French Edition of
-Charles Gounod, by W. Clark and J. T. Hutchinson, cr. 8vo, cloth, 3s.
-6d.
-
-TUNING THE PIANOFORTE.--SMITH (Hermann), The Art of Tuning the
-Pianoforte, a New and Comprehensive Treatise to enable the musician to
-Tune his Pf. upon the system founded on the Theory of Equal
-Temperament, cr. 8vo, limp cloth, /New Edition Thoroughly Revised/,
-2s.
-
-A HISTORY OF PIANOFORTE MUSIC, With Critical Estimates of its Greatest
-Masters and Sketches of their Lives by John C. Fillmore, cr. 8vo,
-cloth, 3s. 6d.
-
-TRANSPOSITION AT SIGHT, For Students of the Organ and Pianoforte, by
-H. Ernst Nichol, 2nd Edition, cr. 8vo, sewed, 1s. cloth, 1s. 6d.
-
- * * * * *
-
- THE VIOLIN.
-
-HOW TO REPAIR VIOLINS AND OTHER MUSICAL INSTRUMENTS With Diagrams, by
-Alfred F. Common, cr. 8vo, boards, 1s.
-
-INFORMATION FOR PLAYERS, OWNERS, DEALERS AND MAKERS OF BOW
-INSTRUMENTS, ALSO FOR STRING MANUFACTURERS, taken from Personal
-Experiences, Studies and Observations by William Hepworth, with
-Illustrations of Stainer and Guarnerius Violins, etc., cr. 8vo, cloth,
-2s. 6d.
-
-NOTICE OF ANTHONY STRADIVARI, the celebrated Violin Maker known by the
-name of Stradivarius, preceded by Historical and Critical Researches
-on the origin and Transformations of Bow Instruments, and followed by
-a Theoretical Analysis of the Bow etc., by F. J. Fetis, translated by
-J. Bishop, Facsimile, 8vo, cloth, 5s.
-
-BIOGRAPHICAL DICTIONARY OF FIDDLERS, including Performers on the
-Violoncello and Double Bass, Past and Present, containing a Sketch of
-their Artistic Career, together with Notes of their Compositions, by
-A. Mason Clarke, 9 /Portraits/, post 8vo, cloth, 5s.
-
-HOW TO MAKE A VIOLIN, Practically Treated, 2 Folding Plates and many
-Illustrations, by J. Broadhouse, cr. 8vo, bevelled cloth, 3s. 6d.
-
-VIOLIN MANUFACTURE IN ITALY AND ITS GERMAN ORIGIN, by Dr. E. Schebek,
-translated by W. E. Lawson, 8vo., sewed, 1s.
-
-SKETCHES OF GREAT VIOLINISTS AND GREAT PIANISTS. Biographical and
-Anecdotal, with Account of the Violin and Early Violinists (Viotti,
-Spohr, Paganini, De Beriot, Ole Bull, Clementi, Moscheles, Schumann
-(Robert and Clara), Chopin, Thalberg, Gottschalk, Liszt), by G. T.
-Ferris; /Second Edition/, cr. 8vo, bevelled cloth, 3s. 6d. (or gilt
-edges, 4s. 6d.)
-
-FACTS ABOUT FIDDLES, Violins Old and New. By J. Broadhouse, 3rd
-Edition, 6d.
-
-TECHNICS OF VIOLIN PLAYING. BY KARL COURVOISIER. /With Illustrations/,
-8th Edition, paper 1s. (or cloth, thick paper, 2s. 6d.) /Highly
-commended by Joachim./
-
-HOW TO PLAY THE FIDDLE, for Beginners on the Violin. By H. W. and G.
-Gresswell. 7th edition, 1s. (cloth, 2s.)
-
-AUTOBIOGRAPHY OF LOUIS SPOHR. 2 vols in 1, thick 8vo, cloth, 7s. 6d.
-(pub. 15s.)
-
-TREATISE ON THE STRUCTURE AND PRESERVATION OF THE VIOLIN AND ALL OTHER
-BOW INSTRUMENTS, together with an account of the most celebrated
-makers and of the genuine characteristics of their Instruments, by J.
-A. Otto, with additions by J. Bishop, cr. 8vo, cloth, 3s.
-
- * * * * *
-
- ORGAN WORKS.
-
-MODERN ORGAN TUNING, the How and Why, clearly explaining the Nature of
-the Organ Pipe and the System of Equal Temperament together with an
-Historic Record of the Evolution of the Diatonic Scale from the Greek
-Tetrachord by Hermann Smith, crown 8vo, cloth, 3s. 6d.
-
-ANALYSIS OF MENDELSSOHN'S ORGAN WORKS, a Study of their Structural
-Features, for the use of Students, 127 Musical Examples, portrait and
-facsimiles, cr. 8vo, bevelled cloth, 4s. 6d.
-
-ORGANIST'S QUARTERLY JOURNAL of Original Compositions. Edited by Dr.
-W. Spark, 5s. per part. /For Contents see end of Catalogue./
-
-New Series Volume, 160 large pages, oblong folio, bound in cloth, 18s.
-
-RINK'S PRACTICAL ORGAN SCHOOL: A New Edition, Carefully Revised. The
-Pedal Part printed on a separate Staff, and the Preface, Remarks and
-Technical Terms translated from the German, expressly for this edition
-by John Hiles. The Six Books Complete, handsomely bound in red cloth,
-gilt edges, ob. folio, 10s. 6d. (issued at 20s.), or the six parts 7s.
-6d. (issued at 6s. each.)
-
-ORGANS AND ORGANISTS IN PARISH CHURCHES, A Handbook of the Law
-relating to the Custody, Control and Use of Organs, and to the
-Position, Lights, and Disabilities of Organists, to which is Added a
-Chapter on the Hiring of Pianos, and on "The Three Years System," by
-William C. A. Blow, M.A., Oxon., of the Inner Temple, Esq.,
-Barrister-at-Law, cr. 8vo, cloth, 2s. 6d.
-
-A SHORT HISTORY OF THE ORGAN, Organists, and Services of the Chapel of
-Alleyn's College, Dulwich, with Extracts from the Diary of the
-Founder, by W. H. Stocks, cr. 8vo, sewed, 1s.
-
-THE INFLUENCE OF THE ORGAN IN HISTORY. By Dudley Buck, 1s.
-
-HENRY SMART'S ORGAN COMPOSITIONS Analysed. By J. Broadhouse, cr. 8vo,
-cloth, 2s. 6d.
-
-REFORM IN ORGAN BUILDING, by Thomas Casson, 6d.
-
-THE ORGAN, Its Compass, Tablature, and Short and Incomplete Octaves,
-by John W. Warman, A.C.O., imp. 8vo, sewed, 3s. 6d. or boards, cloth
-back, 4s. 6d.
-
-CATECHISM for the Harmonium and American Organ, by John Hiles, post
-8vo, sewed, 1s.
-
-RIMBAULT (Dr. E. F.), The Early English Organ Builders and their
-Works, from the 15th Century to the Period of the Great Rebellion, an
-unwritten chapter on the History of the Organ, Well printed, with
-woodcuts, post 8vo, cloth, 3s. 6d.
-
- * * * * *
-
- VOICE AND SINGING.
-
-TWELVE LESSONS ON BREATHING AND BREATH CONTROL, for Singers, Speakers
-and Teachers, by Geo. E. Thorp, crown 8vo, limp cloth, 1s.
-
-TWENTY LESSONS ON THE DEVELOPMENT OF THE VOICE, or Singers, Speakers
-and Teachers, by Geo. E. Thorp, crown 8vo, limp cloth, 1s.
-
-50 MUSICAL HINTS TO CLERGYMEN, Management of Breath, Classification of
-Male Voices, Management of the Voice, The Service, with twenty
-specially written Exercises by Geo. F. Grover, 1s.
-
-CATECHISM OF PART SINGING AND THE CHORAL SERVICES. By John Hiles, 3rd
-Edition, thick post 8vo, price 1s.
-
-/Advice to Singers on every point of interest in reference to the
-Vocal Organs/.
-
-HOW TO SING AN ENGLISH BALLAD. By E. Philp, 7th Edition, 6d.
-
-VOCAL EXERCISES FOR CHOIRS AND SCHOOLS. By Dr. Westbrook, 2d.
-
-RUDIMENTS OF VOCAL MUSIC. With 42 Preparatory Exercises, Rounds and
-Songs in the Treble Clef, by T. Mee Pattison, 2nd Ed., 4d.
-
-SOME FAMOUS SONGS, an Art Historical Sketch. By F. R. Ritter, 1s.
-
-VOICE PRODUCTION AND VOWEL ENUNCIATION, by F. F. Mewburn Levien,
-Diagrams by Arthur C. Behrend, post 8vo, 6d.
-
-POSITION AND ACTION IN SINGING, a Study of the True Conditions of
-Tone, a Solution of Automatic (Artistic) Breath Control, by Edmund J.
-Myer, cr. 8vo, 4s. 6d.
-
-NATIONAL SCHOOL OF OPERA IN ENGLAND; being The Substance of a Paper
-read before the Licentiates of Trinity College, March, 1882, by Frank
-Austin, post 8vo, sewed, 6d.
-
-HOW TO UNDERSTAND WAGNER'S "RING OF THE NIBELUNG," being the Story and
-a Descriptive Analysis of the "Rheingold," the "Valkyr," "Siegfried"
-and the "Dusk of the Gods," with a number of Musical Examples by
-Gustave Kobbé, Sixth Edition, post 8vo, cloth, 3s. 6d.
-
-"To be appreciated in the smallest way Wagner must be studied in
-advance."--/Illustrated London News./
-
-RATIONAL ACCOMPANIMENT TO THE PSALMS by F. Gilbert Webb, post 8vo, 6d.
-
-HOW TO PLAY FROM SCORE.--Treatise on Accompaniment from Score on the
-Organ or Pianoforte by F. Fetis, trans. by A. Whittingham, cr. 8vo,
-cloth, 3s. 6d.
-
- * * * * *
-
-CHOIR LISTS FOR SUNDAY SERVICES.
-
- No. 1. Morning and Evening, printed in red, 1s. 4d. per 100.
- No. 2. Morning, Afternoon, and Evening, printed in red, 1s. 6d. per
- 100.
- No. 3. Morning and Evening, printed in red and black, 1s. 8d. per 100.
- No. 4. Morning and Even., printed in red, 1s. 6d. per 100.
- No. 5. Quarto Size, Matins, Litany, Holy Communion, First Evensong,
- Second Evensong, Gothic Letter, printed in red, 6d. per dozen,
- 3s. per 100.
-
- * * * * *
-
-CHOIR ATTENDANCE REGISTER, 8vo, cloth.
-
- No. 1. Ruled for a Choir of 20 or less, for one year, beginning at
- any date, 1s. 6d.
- No. 2. Ruled for a Choir of 40 or less, for one year, beginning at
- any date, 2s.
- No. 3. Ruled for a choir of 60 or less, for one year, beginning at
- any date, 2s. 6d.
-
- * * * * *
-
- /Performing Edition./
-
-THE CREATION, A Sacred Oratorio composed by Joseph Haydn, Vocal Score,
-The Pianoforte Accompaniment arranged and the whole edited by G. A.
-Macfarren, 8vo, paper covers, 2s., boards, 2s. 6d., scarlet cloth, 4s.
-
- * * * * *
-
-FROM LYRE TO MUSE, A History of the Aboriginal Union of Music and
-Poetry, By J. Donovan, cr. 8vo, cloth, 2s. 6d.
-
- * * * * *
-
-POPULAR PART SONGS.
-
- 1. Merrily goes the Mill, by T. B. Southgate, 1d.
- 2. Take, O Take those Lips away, Part Song for S.A.T.B. by Claude E.
- Cover, A.R.C.O., 1-1/2d.
- 3. Pack Clouds Away, for S.A.T.B., by Claude E. Cover, A.R.C.O., 2d.
- 4. Summer Roses, for S.A.T.B., by G. Rayleigh Vicars, 2d.
- 5. Erin, Dear Erin, for T.A.T.B., by Churchill Sibley, 2d.
- 6. Caledonia! Land o' the Rocky Dell, for S.A.T.B., by Churchill
- Sibley, 3d.
-
- * * * * *
-
- =_TO ALL MUSICIANS._= --Here is something worth
- reading and when you
- =[Special price see below.]= have read it send for
- a copy without delay.
-
-The Publisher of The Musical Standard has secured the whole of the
-copies left unsold at =14=/-net by Messrs. S. Low, Marston and
-Company, Ltd., of the work entitled
-
-
- THE
- NATIONAL PORTRAIT GALLERY
- OF
- BRITISH MUSICIANS.
-
- BY JOHN WARRINER, MUS.D.,
- TRINITY COLLEGE, DUBLIN.
-
- INTRODUCTION BY JOSEPH BENNETT.
-
- =Over 500 Photo Portraits=
-
-Of well-known and eminent living Musicians of Great Britain and
-Ireland, with short Biographical notice of each.
-
-The Whole Bound in One Handsome oblong folio Volume, cloth lettered.
-Offered for 7/6 post free (or 8/-post free abroad).
-
- * * * * *
-
-
- KING'S ROYAL ALBUMS, Nos. 1 and 2.
-
- NATIONAL AND PATRIOTIC SONG ALBUM.
-
-With Pianoforte Accompaniment. In 2 Bks., 1s. each.
-
- BOOK 1. BOOK 2.
- God Save the King Hearts of Oak
- God Bless the Prince of Wales Stand United
- There's a Land (Dear England) The Cause of England's Greatness
- Victoria The Last Rose of Summer
- God Bless our Sailor Prince The Leather Bottle
- Here's a Health unto His Majesty Home, Sweet Home
- Lord of the Sea Three Cheers for the Red, White
- Roast Beef of Old England and Blue
- The Blue Bells of Scotland The Minstrel Boy
- Tom Bowling The British Grenadiers
- Come Lassies and Lads Auld Lang Syne
- Ye Mariners of England Rule Britannia
- The Bay of Biscay
-
- * * * * *
-
- King's Royal Albums, No. 3. Price 1/-
-
- 10 MARCHES FOR THE PIANO. BY J. P. SOUSA.
-
- 1. The Washington Post. 6. The Corcoran Cadets.
- 2. Manhatton Beach. 7. Our Flirtation.
- 3. The Liberty Bell. 8. March past of the Rifle Regiment.
- 4. High School Cadets. 9. March past of the National Fencibles.
- 5. The Belle of Chicago. 10. Semper Fidelis.
-
- * * * * *
-
- King's Royal Album, No. 4. Price 1/-
-
- SIX ORGAN PIECES FOR CHURCH USE.
-
- EDITED BY WILLIAM SMALLWOOD.
-
- With Ped. Obb., Selections from rarely known works.
- 1. Moderato con moto 4. Andante Religioso
- 2. Adagio Expressivo 5. Andante con moto
- 3. Andante Moderato 6. Lento Cantabile
-
- * * * * *
-
- King's Royal Album, No. 5. Price 1/-
-
- SMALLWOOD'S ESMERALDA ALBUM FOR PIANO.
- Belgium (Galop). Esmeralda (Transcription on
- Belle of Madrid (Tempi di Polka). Levey's Popular Song).
- Emmeline (Galop). Placid Stream (Morceau).
- The Seasons (Galop).
-
- * * * * *
-
- King's Royal Album, No. 6. Price 6d.
-
-BALFE'S ROSE OF CASTILLE, 6 FAVOURITE MELODIES, easily arranged for
-the Pianoforte by E. F. Rimbault.
-
- 1. Convent Cell (The).
- 2. 'Twas Rank and Fame.
- 3. Tho' fortune darkly o'er me frown.
- 4. I am a simple Muleteer.
- 5. I'm not the Queen.
- 6. List to the Gay Castanet.
-
- * * * * *
-
- King's Royal Album, No. 7. Price 1s.
-
- 10 MARCHES. By J. P. SOUSA.
-
- Arranged for Mandoline and Piano.
-
- 1. The Washington Post. 6. The Corcoran Cadets.
- 2. Manhatton Beach. 7. Our Flirtation.
- 3. The Liberty Bell. 8. March past of the Rifle Regiment.
- 4. High School Cadets. 9. March past of the National Fencibles.
- 5. The Bell of Chicago. 10. Semper Fidelis.
-
- * * * * *
-
- King's Royal Album, No. 8. Price 1s.
-
- 10 MARCHES. By J. P. SOUSA.
-
-Arranged for Banjo and Piano. (Contents as No. 7.)
-
- * * * * *
-
- King's Royal Album, No. 9. Price 1s.
-
- 10 MARCHES. By J. P. SOUSA.
-
-Arranged for Violin and Piano. (Contents as No. 7.)
-
- * * * * *
-
- King's Royal Album, No. 10. Price 1s.
-
- 10 MARCHES. By J. P. SOUSA.
-
-Arranged for American Organ. (Contents as No. 7.)
-
- * * * * *
-
- King's Royal Album, No. XI.
-
- GRIEG'S "PEER GYNT" SUITE.
- 1. Dance of the Gnomes. 4. Amitrass' Dance.
- 2. Ases Death. 5. Solvejags Song.
- 3. Morning.
-
- * * * * *
-
- King's Royal Album, No. 12.
-
- GRIEG'S LYRISCHE STUCKE AND NORWEGIAN BRIDAL PROCESSION.
- 1. Arietta. 5. Popular Melody.
- 2. Waltzer. 6. Norwegian Melody.
- 3. Watchman's Song. 7. National Song.
- 4. Fairy Dance. 8. Norwegian Bridal March.
-
- * * * * *
-
- King's Royal Album, No. 13.
-
-GRIEG'S FOUR HUMOURESKES, MINUETS AND FUNERAL MARCH.
-
- * * * * *
-
- King's Royal Album, No. 14.
-
- HIAWATHA MANDOLINE ALBUM.
-
- ARRANGED BY SYDNEY OSBORNE.
-
- 1. Hiawatha Cake Walk 5. Over the Waves Waltz
- 2. Minnehaha Cake Walk 6. Donau Wellen Waltz
- 3. Alice Where Art Thou 7. Blue Danube Waltz
- 4. Kathleen Mavourneen
-
- * * * * *
-
- King's Royal Album, No. 15.
-
-ORIGINAL VOLUNTARIES FOR AMERICAN ORGAN OR HARMONIUM.
-
- BY EDWIN M. FLAVELL.
-
- 1. Andante con Moto 6. Prayer
- 2. Evensong 7. Canzonetta
- 3. March in F 8. A Call to Battle
- 4. Chorale 9. Souvenir
- 5. A Plaintive Song 10. Allegro
-
- * * * * *
-
- King's Royal Album, No. 16.
-
-12 VOLUNTARIES FOR THE AMERICAN ORGAN OR HARMONIUM.
-
- BY J. E. NEWELL.
-
- 1. Postludium 7. Offertoire
- 2. Communion 8. Andante Piacevole
- 3. Andante con Moto 9. Morning Prayer
- 4. Prelude 10. Loud Voluntary
- 5. Diapason Movement 11. Sketch
- 6. Faith "Melody" 12. Recessional March
-
- * * * * *
-
-MODERN CHURCH MUSIC.
-
- 1. Easter Anthem, "Jesus Lives!" by Rev. T. Herbert Spinney, price
- 2d.
- 2. Anthem for Whitsuntide and General Use, "Come Holy Ghost our
- Souls Inspire," by Thomas Adams, F.R.C.O., price 2d.
- 3. Story of the Ascension, by Rev. John Napleton, price 1-1/2d.
- 4. Anthem, "God so Loved the World," by J. Jamouneau, price 2d.
- 5. Magnificat in B flat, by Thomas Adams, F.R.C.O., Price 3d.
- 6. Nunc Dimittis in B flat, by Thomas Adams, F.R.C.O., Price 2d.
- 7. Four Kyries, by Charles Steggall, Berthold Tours, E. J. Hopkins,
- J. M. W. Young, price 1-1/2d.
- 8. Te Deum, by T. E. Spinney, 1-1/2d.
- 9. Anthem, "I am the Good Shepherd," by G. Rayleigh Vicars, 2d.
- 10. Story of the Cross, Music by H. Clifton Bowker, 2d.
- 12. Story of the Cross, Music by Dr. Geo. Prior, 2d.
- 13. The Lord's Prayer, Music by Ernest Austin, 2d.
-
- * * * * *
-
-AMERICAN ORGAN, Folio, Edited by Alfred Whittingham, in Six Books, 1s.
-each, complete paper covers, 3s., cloth bound, 5s.
-
- * * * * *
-
-PIANOFORTE (SOLO).
-
-Coon Band Contest, Cake Walk, by Arthur Pryor, 2s.
-
-Lefebure-Wely's St. Sulpice. Reminiscence by W. SMALLWOOD, 1s. 6d.
-
-Album Leaves: Pianoforte Sketches, without Octaves, by F. W.
-Davenport, 1s. 6d. each Number.
-
- No. 1. Waltz in F
- Dance in G
- No. 2. A Little Fugue in F minor
- Caprice in C
- No. 3. Prelude in G
- Melody in G
- No. 4. Sonatina in C
-
-Tschaikowsky's 1812 Overture, arr. by E. Evans, 2s.
-
-Amarylliss, Morceaux de Salon, by Leonard Gautier, 1s. 6d.
-
-Tschaikowsky's Casse Noisette Suite, arr. by E. Evans, 2s.
-
-Grand Festival March, "Illogan," by H. C. Tonking, 2s.
-
- * * * * *
-
-PIANOFORTE (4 HANDS.)
-
-Tschaikowsky's 1812 Overture, arr. from the Full Score by E. Evans,
-3s.
-
-Tschaikovsky's Casse Noisette Suite, arr. by E. Evans, 3s.
-
- * * * * *
-
-VIOLIN.
-
-A Selection of Favourite Airs arranged for the Violin by Henry Farmer,
-complete 1s. 6d., Piano Acc. /ad lib./ 2s. 6d.
-
- CONTENTS.
- 1. Theme. Variations (Mozart).
- 2. With Verdure Clad (Haydn).
- 3. German Shepherd's Song and Rataplain (Figlia del Reggimento).
- 4. Da Qual di (Anna Bolena), Souave Immagine (Mercadante).
- 5. Mecco tu Vieni (La Straniera).
-
- * * * * *
-
-VIOLIN AND PIANO.
-
-Grand Festival March, "Illogan," by H. C. Tonking, 2s.
-
- * * * * *
-
- MANUSCRIPT MUSIC PAPER.
-
- /(a)/ 12 Staves, roy. 8vo (10 by 6-1/2) ruled plain in quires (120
- sheets), the lot 2/6.
-
-This is pre-eminently the Musical Students' Paper, as it is light,
-portable, smooth and easy to write upon; each sheet, too, will hold a
-large quantity of matter. There is no paper better suited for
-Exercises on Counterpoint and Harmony.
-
- /(b)/ 12 Staves, oblong, folio (14 by 10), ruled in groups of 3
- staves or Organ Music, 5 quires (120 sheets), the lot, 5/-
-
-The paper is of the same size as ordianry oblong folio, Organ Music,
-/e.g./, English Organ Music, Best's Arrangements, etc.
-
- /(c)/ 12 Staves, folio, music size (10 by 14), 5 quires (120
- sheets), the lot 5/-
-
-Exactly the same in size as ordinary folio printed music so that upon
-it Songs of Organ Pieces may be written just as they are to be
-printed. It is a very useful paper, as Manuscript music written on it
-can be bound with Printed Music.
-
- /(d)/ 12 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120
- sheets), the lot 3/6.
-
- /(e)/ 12 Staves, oblong quarto (9-1/4 by 11-3/4), 5 quires (120
- sheets), the lot 3/6.
-
- /(f)/ 12 Staves, folio music size (10 by 14), 5 quires (120
- sheets), the lot 5/-
-
- /(g)/ 12 Staves, folio music size (ruled even), 10 by 14, 5 quires
- (120 sheets), the lot 5/-
-
- /(h)/ 14 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120
- sheets), the lot 3/6.
-
- * * * * *
-
-
- THE ORGANIST'S QUARTERLY JOURNAL.
- Of Original Compositions.
-
-Founded by DR. Wm. SPARK, Late Organist, Town Hall, Leeds.
-
-Price 5/-each, or Subscription, 10/6 for 4 issues.
-
-New Series, Volume, containing 160 large pages, all with /ped. obb./,
-bound in cloth, 18/s./
-
-
- =Part 12, New Series.=
-
- 1. IN MEMORIAM REV. GEOF. C. RYLY, M.A., Mus. Bac. Oxon.
- 2. TOCCATA G. B. POLLERI.
- 3. OVERTURE from Epiphany ALFRED KING, M.D.
-
-
- =Part XI., New Series.=
-
- 1. PRELUDE AND FUGUE WITH POSTLUDE E. A. CHAMBERLAYNE.
- 2. PRELUDE AND FUGUE F. YOUNG.
- 3. FUGUE ARCHIBALD DONALD.
- 4. FUGUE WILLIAM HOPE.
-
-
- =Part 10, New Series.=
-
- 1. FUGUE ARCHIBALD DONALD.
- 2. PRELUDE AND FUGUE WITH POSTLUDE E. A. CHAMBERLAYNE.
- 3. PRELUDE AND FUGUE F. YOUNG.
-
-
- =Part 9, New Series.=
-
- 1. ANDANTE CON MOTO W. A. MONTGOMERY, L.T.C.L.
- 2. FANTASIA in E minor CUTHBERT HARRIS, Mus. B.
- 3. POSTLUDE at Ephes. V. v. 19. Si tibi placeat, Mihi con displicet
- W. CONRADI,(Y. of B. 1816), Paul's Org. St. Church, Schwerin i/m
- Germany.
- 4. HARVEST MARCH HENRY J. POOLE.
-
-
- =Part 8, New Series.=
-
- 1. SCHERZO MINUET W. MULLINEUX, Organist of the Town Hall, Bolton.
- 2. INTRODUCTION to the Hymn on the Passion, "O Haupt Voll Blut und
- Wunden" W. CONRADI. Organist Paul's Church, Schwerin, Germany.
- 3. THESIS AND ANTITHESIS, or DISPUTE, APPEASEMENT, CONCILIATION.
- W. CONRADI, Organist Paul's Church, Schwerin, Germany.
- 4. CARILLON in E CUTHBERT HARRIS, Mus.B., F.R.C.O., &c.
- 5. ANDANTE "Hope" INGLIS BERVON.
- 6. ORCHESTRAL MARCH in C
- JAMES CRAPPER, L.Mus., Organist of the Parish Ch., Kirkcudbright.
-
-
- =Part 7, New Series.=
-
- 1. ANDANTE GRAZIOSO in G CHAS. E. MELVILLE, F.R.C.O.
- 2. POLISH SONG, Arranged for the organ by PERCIVAL GARRETT. CHOPIN.
- 3. INTRODUCTION, VARIATIONS, AND FINALE on the Hymn Tune
- "Rockingham." CH. R. FISHER, Mus. B.
- 4. TWO SOFT MOVEMENTS W. C. FILEY, I.S.M.
- 1. "Espérance." 2. "Tendrerse."
- 5. ANDANTE in A flat
- W. GRIFFITHS, Mus. B., Org. of St. Sepulchre Church, Northampton.
- 6. FUGUE, 4 Voice, 3 Subjects DR. J. C. TILLY.
-
-
- =Part 6, New Series.=
-
- 1. CON MOTO MODERATO IN C ORLANDO A. MANSFIELD, Mus.B., F.R.C.O.
- 2. TEMPO DI MENUETTO GEO. H. ELY.
- 3. DIRGE IN MEMORIAM, REGINALD ADKINS J. E. ADKINS, F.R.C.O.
- 4. ANDANTE in F R. H. HEATH.
- 5. ABERYSTWYTH OFFERTOIRE J. G. MOUNTFORD.
- 6. ANDANTE in D (Prière) E. Evelyn BARRON, M.A.
-
-
- =Part 5, New Series.=
-
- 1. ALLEGRETTO SCHERZANDO in A flat W. E. ASHMALL.
- 2. ANDANTE RELIGIOSO in G DR. J. BRADFORD.
- 3. MARCH POMPOSO in E flat CHARLES DARNTON.
- 4. ANDANTE CON MOTO "Twilight" CH. R. FISHER, Mus.B.
- 5. MINUET In F W. E. BELCHER, F.R.C.O.
-
-
- =Part 4, New Series.=
-
- 1. ANDANTE MODERATO F. READ.
- 2. PRELUDE AND FUGUE in D minor E. A. CHAMBERLAYNE.
- 3. SKETCH ARTHUR GEO. COLBORN.
- 4. FUGUE JAMES TURPIN.
- 5. ALLEGRO CHARLES H. FISHER.
- 6. MARCHE MYSTIQUE
- THEME BY ROLAND, DE LASSUS.--A Relic of Ancient Times.
-
-
- =Part 3, New Series.=
-
- 1. MINUET AND TRIO in F ED. J. BELLERBY, Mus. B., Oxon.
- 2. "DUNDEE" ("or French") JOHN P. ATTWATER.
- 3. ADAGIO. An Elegy in G minor CHAS. R. FISHER, Mus. B.
- 4. ANDANTE, A major F. HONE.
- 5. ALLEGRO, D minor GEO. MINNS (Ely).
-
-
- =Part 2, New Series.=
-
- 1. TOCCATA FANTASIA (/Study in C minor/) E. T. DRIFFIEL.
- 2. ANDANTE GRAZIOSO W. FAULKES.
- 3. MARCHE FUNEBRE ARTHUR WANDERER.
- 4. ANDANTE SEMPLICE E. A. CHAMBERLAYNE.
- 5. FESTAL MARCH A. W. KETELBEY.
-
-
- =Part 1, New Series.=
-
- 1. OFFERTOIRE in A minor FRED. W. DAL (Leipzig).
- 2. SECOND FANTASIA on SCOTCH AIRS WILLIAM SPARK.
- 3. ADESTE FIDELES (with Variations and Fugue) CHARLES HUNT.
- 4. INTERMEZZO G. TOWNSHEND DRIFFIELD.
-
-
- =Part 103 (Old Series).=
-
- 1. POSTLUDE in G FREDERICK W. HOLLOWAY, F.C.O.
- 2. SUITE: NO. 1, PRELUDE; NO. 2, BERCEUSE; NO. 3, TOCCATA
- LAURENT PARODI (Genoa).
- 3. NOCTURNE WILLIAM LOCKETT.
- 4. ANDANTE PASTORALE in B minor JACOB BRADFORD, Mus. D., Oxon.
- 5. INTRODUCTORY VOLUNTARY ALBERT W. KETELBEY.
- 6. FUGUE R. J. ROWE, L.R.A.M.
-
-
-LONDON: WILLIAM REEVES, 83, CHARING CROSS ROAD, W.
-
- * * * * *
-
- Note the Price, PENCE not SHILLINGS.
-
-
- POPULAR AND COPYRIGHT MUSIC.
-
-Full Music Size, Well Printed and Critically Correct.
-
- ISSUED BY
- WILLIAM REEVES.
-
- 2^D (Postage 1/2d. each.) (Postage 1/2d. each.) 2^D
-
-
- VOCAL.
-
- 273. Alice where art thou? /J. Ascher/
- 396. Always do as I do /Tinney/
- 174. Angels at the Casement, A flat /W. M. Hutchison/
- 105. Banner of the King /H. Fortesque/
- 172. Barney O'Hea /S. Lover/
- 224. Bay of Biscay /J. Davey/
- 181. Border Lands (Sacred) /Miss Lindsay/
- 180. Borderer's Challenge /H. J. Stark/
- 390. Cat in the Chimney /L. Kingsmill/
- 392. Child's Good Morning /O. Barri/
- 391. Child's Good Night /O. Barri/
- 383. Come into the Garden Maud /Balfe/
- 184. Crossing the Brook /Edith Cooke/
- 389. Dawn of Heaven /Buonetti/
- 188. Diver, The /E. J. Loder/
- 384. God Save the King /Dr. Jno. Bull/
- 226. Hearts of Oak /Dr. W. Boyce/
- 100. Honey Are You True to Me (Coon Song) /Lindsay Lennox/
- 266. Kathleen Mavourneen /Crouch/
- 213. Lady Clara Vere de Vere /Miss Lindsay/
- 404. Last Good Bye to Mother /C. Dargan/
- 227. Last Rose of Summer /Thos. Moore/
- 215. Listen /A. H. Behrend/
- 249. Maggie's Promise /W. Gordon/
- 115. Sharing the Burden /J. E. Webster/
- 225. Tom Bowling /C. Dibdin/
- 236. When other Lips (Then you'll remember me) /Balfe/
-
-
- VOCAL DUETS.
-
- 190. Flow on thou Shining River /Sir J. Stevenson/
- 116. Gipsy Countess /Glover/
-
-
- PIANOFORTE.
-
- 118. A la Valse /Roeckel/
- 275. Alice where art thou? (easily arr. by) /Percy E. Douglas/
- 278. Army and Navy March /Henzell/
- 457. Au Village /Tschaikowsky/
- 268. Battle March (Delhi) /Pridham/
- 373. Belgium Galop /Smallwood/
- 437. Belle of Chicago March /J. P. Sousa/
- 122. Berceuse /Roeckel/
- 376. Blumenlied /Gustav Lange/
- 379. Bridal Chorus and Wedding March /Wagner/
- 453. Cadet Two Step (easily arranged) /Alard/
- 142. Charming Mazurka /Gungl/
- 456. Chanson Triste /Tschaikowsky/
- 456. Chant sans Paroles /Tschaikowsky/
- 393. Chinese Patrol March /D. Pecorini/
- 243. Cloches du Monastere /Lefebure-Wely/
- 458. Coon Band Contest /A. Pryor/
- 438. Corcoran Cadets March /J. P. Sousa/
- 125. Corricolo Galop (Easily arranged) /L. Mullen/
- 377. Edelweiss /Gustav Lange/
- 374. Emmeline Galop /Smallwood/
- 308. Fille du Regiment /Oesten/
- 167. Flying Dutchman (La Vaisseau Fantome) /Wagner/
- 244. Forward March /E. H. Sugg/
- Four Humoresques:
- 206. Valse in D, No. 1 /Grieg/
- 207. Minuetto in A minor, No. 2 /Grieg/
- 208. Allegretto, No. 3 /Grieg/
- 209. Allegro Alla Burla, No. 4 /Grieg/
- 210. Funeral March /Grieg/
- 305. French Air (Marseillaise) /Eric Stapleton/
- 306. German Air (Watch on Rhine) /Eric Stapleton/
- 264. Gipsies' March /C. Heins/
- 252. Grand March (arr. by P. E. Douglas) /Blake/
- 151. Grand March of the Warriors /H. V. Lewis/
- 276. Hiawatha Cake Walk, (arr. by P. E. Douglas) /Moret/
- 436. High School Cadets March /J. P. Sousa/
- 304. Irish Air (Last Rose of Summer) /Eric Stapleton/
- 303. Italian Air (Ah che la Morte) /Eric Stapleton/
- 288. Japanese National Hymn, Harmonized by Sydney Osborne.
- 133. Kassala Gavotte /H. Wilcock/
- 270. Kathleen Mavourneen /P. E. Douglas/
- 171. Khartoum Quick March /F. P. Rabottini/
- 286. King's Own March /Warwick Williams/
- 246. Liberty Bell March /Sousa/
- 135. Little Dear Gavotte /F. Astrella/
- 162. Lohengrin /Wagner/
- 136. Maiden's Prayer /Badarazewska/
- 435. Manhattan Beach March /J. P. Sousa/
- 137. March in E flat /J. B. Mallett/
- 441. March Past of the National Fencibles /J. P. Sousa/
- 440. March Past of the Rifle Regiment /J. P. Sousa/
- 140. May-Day Galopade /J. Gungl/
- 141. Mazurka /Badarazewska/
- 143. Melodie /Roeckel/
- 247. Melody in F /Rubinstein/
- 211. Minuetto (from E minor Sonata) /Grieg/
- 163. Mountain Echo March /G. Gariboldi/
- 385. Narcissus /Nevin/
- 439. Our Flirtation March /J. P. Sousa/
- 147. Placid Stream /Smallwood/
- 103. Queenie (Intermezzo) /P. D'Orsay/
- 165. Rienzi /Wagner/
- 253. Robin's Return (arr. by P. E. Douglas) /Fischer/
- 148. Scherzino /Roeckel/
- 301. Scotch Air (Blue Bells of Scotland) /Eric Stapleton/
- 375. Seasons Galop /Smallwood/
- 442. Semper Fidelis /J. P. Sousa/
- 196. Silvery Echoes /Blake/
- 394. Soldiers' Chorus (Faust) /Gounod/
- 381. Sonatina in F /Beethoven/
- 380. Sonatina in G /Beethoven/
- 302. Spanish Air (Dance) /Eric Stapleton/
- 378. Stephanie Gavotte /A. Czibulka/
- 166. Tannhauser /Wagner/
- 150. Tarantella /L. B. Mallett/
- 290. Washington Post March (easy) /J. P. Sousa/
- 454. White Wings (Transcription) /Smallwood/
- 291. Woodland Echoes /Wyman/
-
-
- PIANO DUETS.
-
- 367. Come o'er the Stream Charlie /A. Mullen/
- 371. From Greenland's Icy Mountains /A. Mullen/
- 372. I'd Choose to be a Daisy /A. Mullen/
- 154. Maiden's Prayer /Badarazewka/
- 156. March of the Cameron Men /A. Mullen/
- 155. Marche des Croates /A. Mullen/
- 159. Minnie, or Lilly Dale /A. Mullen/
- 353. Silvery Waves (Wyman) /Andre/
-
-
- DANCE.
-
- 388. Amorosa Mazurka /A. H. Oswald/
- 387. Blue Bells Schottische /S. Leslie/
- 262. Blue Danube Waltz /Strauss/
- 382. British Army Polka /Alec Carlton/
- 285. City Polka /J. D. Wimpenny/
- 161. Cosmopolitan Quadrille /L. Gautier/
- 127. Cyprus Polka /Scotson Clark/
- 402. Donau Wellen Waltz (Easily arr. by) /Percy E. Douglas/
- 101. Electric Waltz /H. Klein/
- 397. Esmeralda Waltz (easily arranged) /S. Osborne/
- 395. Fancy Dress Ball Quadrille /Rosenberg/
- 413. Faust Waltz (arr. by P. E. Douglas) /Gouno/
- 250. Flora Waltz /W. Gordon/
- 386. Horse Guards Schottische /S. Leslie/
- 102. Lucifer Polka /H. Klein/
- 251. Niagara Waltz /Vorzanger/
- 144. Munich Polka /Jos. Gungl/
- 403. Olympia Schottische /Sydney J. Smith/
- 254. Over the Waves (Sobra las Olas) /Rosas/
- 366. Roseland Waltz /Marietta Lena/
- 415. Sweetheart Polka /Gounod/
- 265. Vinolia Schottische /P. Lester/
- 268. Woodland Whispers Waltz /Stanley/
-
-
- VIOLIN AND PIANO.
-
- 256. Campbells are Coming /A. Mullen/
- 257. British Grenadiers /A. Mullen/
- 258. A Life on the Ocean Wave /A. Mullen/
- 259. Hearts of Oak /A. Mullen/
- 260. Ivy Green /A. Mullen/
- 261. Red, White and Blue /A. Mullen/
- 317. Ben Bolt /A. Mullen/
- 312. Low Back'd Car /A. Mullen/
- 313. Sprig of Shillelagh /A. Mullen/
- 314. March from Norma /A. Mullen/
- 315. March, Guillaume Tell /A. Mullen/
- 316. Lass O'Gowrie /A. Mullen/
- 284. Réverie (E min.) /W. Vinnicombe/
-
-
- VIOLIN.
-
- 170. March St. Olave /F. James/
-
-
- MANDOLINE AND PIANO.
-
- 274. Alice where art Thou?
- 407. Belle of Chicago March /J. P. Sousa/
- 406. Blue Danube Waltz /Strauss/
- 416. Cadet Two Step (arranged) /Alard/
- 408. Corcoran Cadets March /J. P. Sousa/
- 272. Donau Wellen Waltz /Ivanovici/
- 414. Faust Waltz and Flower Song /Gounod/
- 277. Hiawatha Popular Cake Walk /Neil Moret/
- 401. High School Cadets March /J. P. Sousa/
- 289. Honey are you true /Sydney Osborne/
- 267. Kathleen Mavourneen /Crouch/
- 399. Liberty Bell March /J. P. Sousa/
- 400. Manhattan Beach March /J. P. Sousa/
- 411. March Past of the National Fencibles /J. P. Sousa/
- 410. March Past of the Rifle Regiment /J. P. Sousa/
- 255. Oceana Schottische /W. H. Stevens/
- 279. Over the Waves /Rosas/
- 409. Our Flirtation March /J. P. Sousa/
- 412. Semper Fidelis March /J. P. Sousa/
- 398. Washington Post March /J. P. Sousa/
-
-
- BANJO AND PIANO.
-
- 429. Belle of Chicago March /J. P. Sousa/
- 406. Cadet Two Step (arranged) /Alard/
- 430. Corcoran Cadets March /J. P. Sousa/
- 428. High School Cadets March /J. P. Sousa/
- 419. Liberty Belle March /J. P. Sousa/
- 418. Manhattan Beach March /J. P. Sousa/
- 433. March Past of the National Fencibles /J. P. Sousa/
- 432. March Past of the Rifle Regiment /J. P. Sousa/
- 431. Our Flirtation March /J. P. Sousa/
- 434. Semper Fidelis March /J. P. Sousa/
- 417. Washington Post March /J. P. Sousa/
-
- * * * * *
-
-
- THE VIOLIN TIMES, Monthly, 2d.,
- (by post 2-1/2d,)
- /Edited by E. POLONASKI/. /=Abroad, 3s.=/
-
- /=Subscription, 2s, 6d., per Year=/ Covers for binding
- 2s. each.
- VOLS. 1 TO 8, BOUND, PRICE 6/-EACH. Index 2d. each.
-
-/Illustrated Supplements have appeared Including the following/
-(/2-1/2d. each./)
-
- PORTRAITS.
-
- VOL. 8.
- Prof. and Mrs. Holloway and Family
- Eugene Polonaski
- Hugo Kupferschmidt
- Dr. Joachim
- Anton Schumacher
- William Christ Basle
- M. Coward-Klee
- Dettmar Dressel
- The Joachim Quartet
- Kubelik
- C. M. Hawcroft
-
- VOL. 7.
- W. A. Mozart
- Miss Kate Lee
- R. Peckotsch
- Gordon Tanner
- Eugene Meier
- W. V. Fisher
- Paganini
- T. B. Parsons
- Joseph Guarnerius del Gesu Violin, 1733
-
- VOL. 6.
- Pierre Baillot
- C. A. de Beriot
- J. R. Bingley
- Ole Bull
- Arcangelo Corelli
- Ferdinand David
- Elderhorst Quartette
- H. Wilhelm Ernst
- Miss Muriel Handley
- Miska Hauser
- M. Paganini
- Louis Spohr
- A. Stradivarius
- H. Vieuxtemps
- G. Viotti
-
- VOL. 5.
- T. G. Briggs
- Cologne Gurzenich Quartette
- Wm. Henley
- Miss Leonora Jackson
- J. Koh-Alblas
- A. Oppenheim (violinist)
- A. Oppenheim (pianist)
- Mdlle. Jeanette Orloff
- Dr. H. Pudor
- C. L. Walger
- W. E. Whitehouse
- Miss Gladys May Hooley
- J. Harold Henry
- Adolphe Pollitzer
- Mdlle. Edith Smith
- John Dunn
- Heinrich Maria Hain
- Edina Bligh
- I. B. Poznanski
- Rene Ortmans
- A. Simonetti
- W. Ten Have
- Mdlle. Wietrowitz
- Miss Hildegard Werner
- Fred Furnace
- Miss Kathleen Thomas
- M. Césare Thomson
- F. Whiteley
- H. Lyell Tayler
- Stanley W. G. Barfoot
- G. de Angelis
- Marcello Rossi
-
- FACSIMILES AND PICTURES.
-
- Paganini on his Death-bed
- Letter of Ch. de Bériot
- Letter of Camillo Sivori
- Defeasance of a bond by Roger Wade Crowder
- Viola di Gamba by Carlo Bergonzi, 1713
- Facsimile Labels in Nos. 32, 34, 35, 37, 505, 58
- Lira da Gamba, by Linarolo, reproduction of Painting by Tintoretto
- David Techler's Viola
- Stradivari's Scroll
- Jacob Stainer's House
-
- * * * * *
-
-
- Books on Freemasonry Published by W. REEVES,
- 83, Charing Cross Road, W.C.
-
-
- 12mo, red cloth, gilt, 323 pp., 3/6.
-
-=Carlile (R.), Manual of Freemasonry=, containing the First Three
-Degrees, The Royal Arch and Knights' Templar Druids, The Degrees of
-Mark Man, Mark Master, Architect, Grand Architect., etc., etc.
-
- * * * * *
-
- 12mo, blue cloth, gilt, 374 pp., 3/6.
-
-=Fellows (J.), Mysteries of Freemasonry=; or, An Exposition of the
-Religious Dogmas and Customs of the Ancient Egyptians; showing, from
-the origin, nature and objects of the rites and ceremonies of remote
-antiquity, their identity with the Order of Modern Masonry, with some
-remarks on the Metamorphosis of Apuleius, /with numerous woodcuts/.
-
- * * * * *
-
- 12mo, green cloth, gilt, 254 pp., 3/6.
-
-=Ritual and Illustrations of Freemasonry=, /accompanied by very
-numerous engravings/, and a Key to the Phi Beta Kappa.
-
- * * * * *
-
- 8vo, sewed, 26 pp., 1/-
-
-=Investigation into the Cause of the Hostility of the Church of Rome
-to Freemasonry=, and an Inquiry into Freemasonry as it Was, and Is:
-with Criticism as to how far the Order fulfils its Functions, by
-Author of "Text Book of Freemasonry."
-
- * * * * *
-
- Post 8vo, sewed, 48 pp., 1/-
-
-=Joachin and Boaz=; or, an Authentic Key to the Door of Freemasonry,
-both Ancient and Modern.
-
- * * * * *
-
- Post 8vo, sewed, 50 pp., 1/-
-
-=Three Distinct Knocks at the Door of the Most Ancient Freemasonry.=
-
- * * * * *
-
- 8vo, sewed, 1/-
-
-=The Origin of Freemasonry=, or the 1717 Theory Exploded by C. J.
-Paton.
-
- * * * * *
-
- 8vo, paper, 2/6 (post free 3/-)
-
-=Weisse (John A.), The Obelisk of Freemasonry=, according to the
-Discoveries of Belzoni and Commander Gorringe: also Egyptian Symbols
-compared with those discovered in American Mounds.
-
- * * * * *
-
- Fifth thousand, 12mo, cloth 1/-/net/.
-
-=Pocket Lexicon of Freemasonry=, by W. J. Morris 18^o P.D.D.G.M., St.
-Lawrence, District and Past Inspector Gen. Royal and Select Masters.
-
- * * * * *
-
- 12mo, cloth, 62 pp., 2/-
-
-=Fox (T. L.), Freemasonry=; An Account of the Early History of
-Freemasonry in England, with Illustrations of the Principles and
-Precepts advocated by that Institution.
-
-/The above/ POST FREE /on receipt of remittance for price named/.
-
- * * * * *
-
- 12mo, blue cloth, red edges, 270 pp., 5/-
-
-=Text Book of Freemasonry=; a Complete Handbook of Instruction to all
-the Workings in the Various Mysteries and Ceremonies of CRAFT MASONRY,
-containing the Entered Apprentice, Fellow-craft, and Master Mason's
-degrees; the Ceremony of Installation of the W. Master and Officers of
-the Lodge, together with the whole of the Three Lectures; also the
-Ceremony of Exhaltation in the Supreme Order of the Holy Royal Arch, a
-Selection of Masonic Songs, etc., /illustrated with four engravings of
-the/ =TRACING BOARDS=, by "A Member of the Craft," new and revised
-edition.
-
-=Ditto, Ditto=, on thin paper, bound in leather pocket-book style, 5s.
-
-=The Three Tracing Boards=, in 12mo, cloth line, 1s. 6d.
-
- * * * * *
-
-Post 8vo, cloth, 10/-(or crimson calf limp, gilt edges, 15/-net.)
-
-=Text Book of Advanced Freemasonry=, containing for the
-self-Instruction of Candidates, the COMPLETE RITUALS of the HIGHER
-DEGREES, viz., Royal Ark Mariners, Mark Master, Royal Arch, Red Cross
-of Rome and Constantinople, Knights' Templar and Rose Croix de
-Heredom; also Monitorial Instructions on the 30th to the 33rd and last
-degree of Freemasonry, to which are added Historical Introductions and
-Explanatory remarks by the Author of the "Text Book."
-
- * * * * *
-
-
- MASONIC SONGS AND POEMS
-
- BY BARDS CHIEFLY OF THE
- 19th AND 20th CENTURIES
-
- COMPILED BY
- A. C. STEPHEN.
-
- * * * * *
-
-Third Edition, 8vo. boards, cloth back, =6/-net= (by post 6/4.)
-
-
- THE INTERNATIONAL
- DIRECTORY OF PATENT AGENTS.
-
- NEW AND ENLARGED EDITION (/the third/),
-
-Contains over =4000= Patent Agents, practising in all parts of the
-world. Arranged Alphabetically, and, also Geographically.
-
-
-London: W. Reeves, 83, Charing Cross Road, W.C.
-
- * * * * *
-
-The Set of 15 Numbers 2/6 post free. Or 2d. each (Post free 2-1/2)
-
-
- PARISH CHURCH MUSIC.
-
-A Collection of Original, Practical, Modern Compositions--Tunes,
-Canticles, Chants, etc., for use in "Choirs and Places where they
-Sing.":--
-
-No. 1.--Ten Tunes to the Hymn, "=ABIDE WITH ME=," including Three
-Prize Tunes.
-
-No. 2.--Ferial Confession, "=STORY OF THE CROSS=," Choir Prayers with
-Antiphon, by G. E. Lake.
-
-No. 3.--Five Tunes to the Hymn, "=ROCK OF AGES=," including Three
-Prize Tunes.
-
-No. 4.--Six Quadruple Chants for the "=TE DEUM=," including the Three
-Prize Tunes.
-
-No. 5.--Ten Tunes to the Hymn, "=SUN OF MY SOUL=," including Three
-Prize Tunes.
-
-No. 6.--Ten Tunes to "=JERUSALEM THE GOLDEN=," including Three Prize
-Tunes.
-
-No. 7.--Six Tunes to the Hymn "=NEARER MY GOD TO THEE=," including the
-Three Prize Tunes.
-
-No. 8.--Eleven Tunes to the Hymn, "=HARK, HARK, MY SOUL=," including
-Three Prize Tunes.
-
-No. 9.--Six Tunes to the Hymn "=LEAD KINDLY LIGHT=," including the
-Three Prize Tunes.
-
-No. 10.--Four Tunes to the Hymn, "=JESUS, LOVER OF MY SOUL=,"
-including the Three Prize Tunes.
-
-No. 11.--Five Tunes to the Hymn, "=LO! HE COMES WITH CLOUDS
-DESCENDING=," including the Three Prize Tunes.
-
-No. 12.--Five Tunes to the Hymn, "=I HEARD THE VOICE OF JESUS SAY=,"
-including the Three Prize Tunes.
-
-No. 13.--Six Tunes to the Hymn, "=FOR THEE, O DEAR, DEAR COUNTRY=,"
-including the Three Prize Tunes.
-
-No. 14.--Four Tunes to the Hymn, "=O LOVE WHO FORMEDST ME TO WEAR=."
-
-No. 15.--Six Tunes to the Hymn, "=THE KING OF LOVE=," including Three
-Prize Tunes.
-
- * * * * *
-
- /Price _One Shilling_./ (/Cloth 1/6/)
-
- /Notes/ /on/ _CONDUCTORS_
- AND _CONDUCTING._
- /New and Enlarged
- Edition/
-
- BY T. R. CROGER, F.R.G.S., F.Z.S.,
-
-/With three Full-page Illustrations of the various "Beats," and Plan
-of an Orchestra/.
-
- "A mine of good things."--/Musical Opinion./
-
- "One of the best guides to conducting."--/P. and M. T. Review./
-
- * * * * *
-
- Weekly, with Supplement, 2d.
-
-
- THE
- "MUSICAL STANDARD,"
-
- A NEWSPAPER FOR MUSICIANS, ...
- PROFESSIONAL AND AMATEUR.
-
-Gives Supplements of Illustrations of British and Foreign Organs,
-Portraits of Eminent Musicians, Organ Music, Violin Music, Anthems,
-Part Songs, Songs, Piano Pieces,
-
-SUBSCRIPTION, one year, 10s. 10d., six months, 5s. 5d. Abroad, one
-year, 13s., six months, 6s. 6d.
-
-/Illustrated Series/, Vols. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 & onward,
-bound in brown cloth, 5s. each.
-
-Handsome Covers for Binding, 1s. 6d. each, (by post 1s. 9d).
-
- Publishing and Advertising Offices:
- 83, CHARING CROSS ROAD, LONDON, W.C.
-
- * * * * *
-
-1902-3 Edition. Paper, 2s. net: or Cloth, 3s. 6d. net.
-
-
- MUSICAL DIRECTORY
-
- /FOR GREAT BRITAIN AND IRELAND/.
-
-THE TRADES, PROFESSORS AND OTHERS CONNECTED WITH MUSIC, CHORAL
-SOCIETIES, STAFF OF CATHEDRALS, COLLEGES AND ABBEY CHURCHES, ETC.
-
-
-W. REEVES, 83, CHARING CROSS RD., LONDON, W.C.
-
-
-
-
-
-End of the Project Gutenberg EBook of Catalogue of Works Literary Art and
-Music, by W. Reeves
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CATALOGUE OF WORKS LITERARY ***
-
-***** This file should be named 51902-8.txt or 51902-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/9/0/51902/
-
-Produced by Judith Wirawan, deaurider and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.