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diff --git a/old/mdmmc10.txt b/old/mdmmc10.txt new file mode 100644 index 0000000..a6cd32d --- /dev/null +++ b/old/mdmmc10.txt @@ -0,0 +1,11314 @@ +Project Gutenberg's Mademoiselle of Monte Carlo, by William Le Queux + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg file. + +We encourage you to keep this file, exactly as it is, on your own disk, +thereby keeping an electronic path open for future readers. + +Please do not remove this. + +This header should be the first thing seen when anyone starts to +view the etext. 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We need your donations. + +The Project Gutenberg Literary Archive Foundation is a 501(c)(3) +organization with EIN [Employee Identification Number] 64-6221541 +Find out about how to make a donation at the bottom of this file. + + + +Title: Mademoiselle of Monte Carlo + +Author: William Le Queux + +Release Date: November, 2003 [Etext #4694] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on March 3, 2002] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + +Project Gutenberg's Mademoiselle of Monte Carlo, by William Le Queux +********This file should be named mdmmc10.txt or mdmmc10.zip******** + +Corrected EDITIONS of our etexts get a new NUMBER, mdmmc11.txt +VERSIONS based on separate sources get new LETTER, mdmmc10a.txt + +Etext prepared by Dagny, dagnypg@yahoo.com + and John Bickers, jbickers@ihug.co.nz + + +Project Gutenberg Etexts are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep etexts in compliance with any particular paper edition. + +The "legal small print" and other information about this book +may now be found at the end of this file. Please read this +important information, as it gives you specific rights and +tells you about restrictions in how the file may be used. + + + + + + + + + + + + + MADEMOISELLE OF MONTE CARLO + + BY + + WILLIAM LE QUEUX + + 1921 + + + + + MADEMOISELLE OF MONTE CARLO + + + + FIRST CHAPTER + + THE SUICIDE'S CHAIR + +"Yes! I'm not mistaken at all! /It's the same woman!/" whispered the +tall, good-looking young Englishman in a well-cut navy suit as he +stood with his friend, a man some ten years older than himself, at one +of the roulette tables at Monte Carlo, the first on the right on +entering the room--that one known to habitual gamblers as "The +Suicide's Table." + +"Are you quite certain?" asked his friend. + +"Positive. I should know her again anywhere." + +"She's very handsome. And look, too, by Jove!--how she is winning!" + +"Yes. But let's get away. She might recognize me," exclaimed the +younger man anxiously. "Ah! If I could only induce her to disclose +what she knows about my poor father's mysterious end then we might +clear up the mystery." + +"I'm afraid, if all we hear is true about her, Mademoiselle of Monte +Carlo will never do that," was the other's reply as they moved away +together down the long saloon towards the trente-et-quarante room. + +"/Messieurs! Faites vos jeux/," the croupiers were crying in their +strident, monotonous voices, inviting players to stake their counters +of cent-sous, their louis, or their hundred or five hundred franc +notes upon the spin of the red and black wheel. It was the month of +March, the height of the Riviera season, the fetes of Mi-Careme were +in full swing. That afternoon the rooms were overcrowded, and the +tense atmosphere of gambling was laden with the combined odours of +perspiration and perfume. + +Around each table were crowds four or five deep behind those fortunate +enough to obtain seats, all eager and anxious to try their fortune +upon the rouge or noir, or upon one of the thirty-six numbers, the +columns, or the transversales. There was but little chatter. The +hundreds of well-dressed idlers escaping the winter were too intent +upon the game. But above the click of the plaques, blue and red of +different sizes, as they were raked into the bank by the croupiers, +and the clatter of counters as the lucky players were paid with deft +hands, there rose ever and anon: + +"/Messieurs! Faites vos jeux!/" + +Here English duchesses rubbed shoulders with the most notorious women +in Europe, and men who at home in England were good churchmen and +exemplary fathers of families, laughed merrily with the most +gorgeously attired cocottes from Paris, or the stars of the film world +or the variety stage. Upon that wide polished floor of the splendidly +decorated Rooms, with their beautiful mural paintings and heavy gilt +ornamentation, the world and the half-world were upon equal footing. + +Into that stifling atmosphere--for the Administration of the Bains de +Mer of Monaco seem as afraid of fresh air as of purity propaganda--the +glorious afternoon sunlight struggled through the curtained windows, +while over each table, in addition to the electric light, oil-lamps +shaded green with a billiard-table effect cast a dull, ghastly +illumination upon the eager countenances of the players. Most of those +who go to Monte Carlo wonder at the antiquated mode of illumination. +It is, however, in consequence of an attempted raid upon the tables +one night, when some adventurers cut the electric-light main, and in +the darkness grabbed all they could get from the bank. + +The two English visitors, both men of refinement and culture, who had +watched the tall, very handsome woman in black, to whom the older man +had referred as Mademoiselle of Monte Carlo, wandered through the +trente-et-quarante rooms where all was silence, and counters, +representing gold, were being staked with a twelve-thousand franc +maximum. + +Those rooms beyond are the haunt of the professional gambler, the man +or woman who has been seized by the demon of speculation, just as +others have been seized by that of drugs or drink. Curiously enough +women are more prone to gamble than men, and the Administration of the +Etablissement will tell you that when a woman of any nationality +starts to gamble she will become reckless until her last throw with +the devil. + +Those who know Monte Carlo, those who have been habitues for twenty +years--as the present writer has been--know too well, and have seen +too often, the deadly influence of the tables upon the lighter side of +woman's nature. The smart woman from Paris, Vienna, or Rome never +loses her head. She gambles always discreetly. The fashionable +cocottes seldom lose much. They gamble at the tables discreetly and +make eyes at men if they win, or if they lose. If the latter they +generally obtain a "loan" from somebody. What matter? When one is at +"Monty" one is not in a Wesleyan chapel. English men and women when +they go to the Riviera leave their morals at home with their silk hats +and Sunday gowns. And it is strange to see the perfectly respectable +Englishwoman admiring the same daring costumes of the French pseudo- +"countesses" at which they have held up their hands in horror when +they have seen them pictured in the papers wearing those latest +"creations" of the Place Vendome. + +Yes. It is a hypocritical world, and nowhere is canting hypocrisy more +apparent than inside the Casino at Monte Carlo. + +While the two Englishmen were strolling over the polished parquet of +the elegant world-famous /salles-de-jeu/ "Mademoiselle of Monte Carlo" +was experiencing quite an extraordinary run of luck. + +But "Mademoiselle," as the croupiers always called her, was usually +lucky. She was an experienced, and therefore a careful player. When +she staked a maximum it was not without very careful calculation upon +the chances. Mademoiselle was well known to the Administration. Often +her winnings were sensational, hence she served as an advertisement to +the Casino, for her success always induced the uninitiated and unwary +to stake heavily, and usually with disastrous results. + +The green-covered gaming table, at which she was sitting next to the +end croupier on the left-hand side, was crowded. She sat in what is +known at Monte as "the Suicide's Chair," for during the past eight +years ten men and women had sat in that fatal chair and had afterwards +ended their lives abruptly, and been buried in secret in the Suicide's +Cemetery. + +The croupiers at that table are ever watchful of the visitor who, all +unawares, occupies that fatal chair. But Mademoiselle, who knew of it, +always laughed the superstition to scorn. She habitually sat in that +chair--and won. + +Indeed, that afternoon she was winning--and very considerably too. She +had won four maximums /en plein/ within the last half-hour, and the +crowd around the table noting her good fortune were now following her. + +It was easy for any novice in the Rooms to see that the handsome, +dark-eyed woman was a practised player. Time after time she let the +coups pass. The croupiers' invitation to play did not interest her. +She simply toyed with her big gold-chain purse, or fingered her dozen +piles or so of plaques in a manner quite disinterested. + +She heard the croupier announce the winning number and saw the rakes +at work dragging in the stakes to swell the bank. But she only smiled, +and now and then shrugged her shoulders. + +Whether she won or lost, or whether she did not risk a stake, she +simply smiled and elevated her shoulders, muttering something to +herself. + +Mademoiselle of Monte Carlo was, truth to tell, a sphinx to the staff +of the Casino. She looked about thirty, but probably she was older. +For five years she had been there each season and gambled heavily with +unvarying success. Always well but quietly dressed, her nationality +was as obscure as her past. To the staff she was always polite, and +she pressed hundred-franc notes into many a palm in the Rooms. But who +she was or what were her antecedents nobody in the Principality of +Monaco could ever tell. + +The whole Cote d'Azur from Hyeres to Ventimiglia knew of her. She was +one of the famous characters of Monte Carlo, just as famous, indeed, +as old Mr. Drewett, the Englishman who lost his big fortune at the +tables, and who was pensioned off by the Administration on condition +that he never gamble at the Casino again. For fifteen years he lived +in Nice upon the meagre pittance until suddenly another fortune was +left him, whereupon he promptly paid up the whole of his pension and +started at the tables again. In a month, however, he had lost his +second fortune. Such is gambling in the little country ruled over by +Prince Rouge-et-Noir. + +As the two Englishmen slipped past the end table unseen on their way +out into the big atrium with its many columns--the hall in which +players go out to cool themselves, or collect their determination for +a final flutter--Mademoiselle had just won the maximum upon the number +four, as well as the column, and the croupier was in the act of +pushing towards her a big pile of counters each representing a +thousand francs. + +The eager excited throng around the table looked across at her with +envy. But her handsome countenance was quite expressionless. She +simply thrust the counters into the big gold-chain purse at her side, +glanced at the white-gloved fingers which were soiled by handling the +counters, and then counting out twenty-five, each representing a +louis, gave them to the croupier, exclaiming: + +"/Zero-trois!/" + +Next moment a dozen persons followed her play, staking their cent-sous +and louis upon the spot where she had asked the croupier at the end of +the table to place her stake. + +"/Messieurs! Faites vos jeux!/" came the strident cry again. + +Then a few seconds later the croupier cried: + +"/Rien ne vas plus!/" + +The red and black wheel was already spinning, and the little ivory +ball sent by the croupier's hand in the opposite direction was +clicking quickly over the numbered spaces. + +Six hundred or more eyes of men and women, fevered by the gambling +mania, watched the result. Slowly it lost its impetus, and after +spinning about unevenly it made a final jump and fell with a loud +click. + +"/Zer-r-o!/" cried the croupier. + +And a moment later Mademoiselle had pushed before her at the end of +the croupier's rake another pile of counters, while all those who had +followed the remarkable woman's play were also paid. + +"Mademoiselle is in good form to-day," remarked one ugly old +Frenchwoman who had been a well-known figure at the tables for the +past ten years, and who played carefully and lived by gambling. She +was one of those queer, mysterious old creatures who enter the Rooms +each morning as soon as they are open, secure the best seats, occupy +them all the luncheon hour pretending to play, and then sell them to +wealthy gamblers for a consideration--two or three louis--perhaps--and +then at once go to their ease in their own obscure abode. + +The public who go to Monte know little of its strange mysteries, or of +the odd people who pick up livings there in all sorts of queer ways. + +"Ah!" exclaimed a man who overheard her. "Mademoiselle has wonderful +luck! She won seventy-five thousand francs at the /Cercle Prive/ last +night. She won /en plein/ five times running. /Dieu!/ Such luck! And +it never causes her the slightest excitement." + +"The lady must be very rich!" remarked an American woman sitting next +to the old Frenchwoman, and who knew French well. + +"Rich! Of course! She must have won several million francs from the +Administration. They don't like to see her here. But I suppose her +success attracts others to play. The gambling fever is as infectious +as the influenza," declared the old Frenchwoman. "Everyone tries to +discover who she is, and where she came from five years ago. But +nobody has yet found out. Even Monsieur Bernard, the chief of the +Surveillance, does not know," she went on in a whisper. "He is a +friend of mine, and I asked him one day. She came from Paris, he told +me. She may be American, she may be Belgian, or she may be English. +She speaks English and French so well that nobody can tell her true +nationality." + +"And she makes money at the tables," said the American woman in the +well-cut coat and skirt and small hat. She came from Chelsea, Mass., +and it was her first visit to what her pious father had always +referred to as the plague spot of Europe. + +"Money!" exclaimed the old woman. "Money! /Dieu!/ She has losses, it +is true, but oh!--what she wins! I only wish I had ten per cent of it. +I should then be rich. Mine is a poor game, madame--waiting for +someone to buy my seat instead of standing the whole afternoon. You +see, there is only one row of chairs all around. So if a smart woman +wants to play, some man always buys her a chair--and that is how I +live. Ah! madame, life is a great game here in the Principality." + +Meanwhile young Hugh Henfrey, who had travelled from London to the +Riviera and identified the mysterious mademoiselle, had passed with +his friend, Walter Brock, through the atrium and out into the +afternoon sunshine. + +As they turned upon the broad gravelled terrace in front of the great +white facade of the Casino amid the palms, the giant geraniums and +mimosa, the sapphire Mediterranean stretched before them. Below, +beyond the railway line which is the one blemish to the picturesque +scene, out upon the point in the sea the constant pop-pop showed that +the tir-aux-pigeons was in progress; while up and down the terrace, +enjoying the quiet silence of the warm winter sunshine with the blue +hills of the Italian coast to the left, strolled a gay, irresponsible +crowd--the cosmopolitans of the world: politicians, financiers, +merchants, princes, authors, and artists--the crowd which puts off its +morals as easily as it discards its fur coats and its silk hats, and +which lives only for gaiety and without thought of the morrow. + +"Let's sit down," suggested Hugh wearily. "I'm sure that she's the +same woman--absolutely certain!" + +"You are quite confident you have made no mistake--eh?" + +"Quite, my dear Walter. I'd know that woman among ten thousand. I only +know that her surname is Ferad. Her Christian name I do not know." + +"And you suspect that she knows the secret of your father's death?" + +"I'm confident that she does," replied the good-looking young +Englishman. "But it is a secret she will, I fear, never reveal, unless +--unless I compel her." + +"And how can you compel her?" asked the elder of the two men, whose +dark hair was slightly tinged with grey. "It is difficult to compel a +woman to do anything," he added. + +"I mean to know the truth!" cried Hugh Henfrey fiercely, a look of +determination in his eyes. "That woman knows the true story of my +father's death, and I'll make her reveal it. By gad--I will! I mean +it!" + +"Don't be rash, Hugh," urged the other. + +"Rash!" he cried. "It's true that when my father died so suddenly I +had an amazing surprise. My father was a very curious man. I always +thought him to be on the verge of bankruptcy and that the Manor and +the land might be sold up any day. When old Charman, the solicitor, +read the will, I found that my father had a quarter of a million lying +at the bank, and that he had left it all to me--provided I married +Louise!" + +"Well, why not marry her?" queried Brock lazily. "You're always so +mysterious, my dear Hugh." + +"Why!--because I love Dorise Ranscomb. But Louise interests me, and +I'm worried on her account because of that infernal fellow Charles +Benton. Louise poses as his adopted daughter. Benton is a bachelor of +forty-five, and, according to his story, he adopted Louise when she +was a child and put her to school. Her parentage is a mystery. After +leaving school she at first went to live with a Mrs. Sheldon, a young +widow, in an expensive suite in Queen Anne's Mansions, Westminster. +After that she has travelled about with friends and has, I believe, +been abroad quite a lot. I've nothing against Louise, except--well, +except for the strange uncanny influence which that man Benton has +over her. I hate the fellow!" + +"I see! And as you cannot yet reach Woodthorpe and your father's +fortune, except by marrying Louise--which you don't intend to do--what +are you going to do now?" + +"First, I intend that this woman they call 'Mademoiselle of Monte +Carlo,' the lucky woman who is a decoy of the Administration of the +Bains de Mer, shall tell me the true circumstance of my father's +death. If I know them--then my hand will be strengthened." + +"Meanwhile you love Lady Ranscomb's daughter, you say?" + +"Yes. I love Dorise with all my heart. She, of course, knows nothing +of the conditions of the will." + +There was a silence of some moments, interrupted only by the pop-pop +of the pigeon-shots below. + +Away across the white balustrade of the broad magnificent terrace the +calm sapphire sea was deepening as the winter afternoon drew in. An +engine whistled--that of the flower train which daily travels express +from Cannes to Boulogne faster than the passenger train-deluxe, and +bearing mimosa, carnations, and violets from the Cote d'Azur to Covent +Garden, and to the florists' shops in England. + +"You've never told me the exact circumstances of your father's death, +Hugh," remarked Brock at last. + +"Exact circumstances? Ah! That's what I want to know. Only that woman +knows the secret," answered the young man. "All I know is that the +poor old guv'-nor was called up to London by an urgent letter. We had +a shooting party at Woodthorpe and he left me in charge, saying that +he had some business in London and might return on the following night +--or he might be away a week. Days passed and he did not return. +Several letters came for him which I kept in the library. I was +surprised that he neither wrote nor returned, when, suddenly, ten days +later, we had a telegram from the London police informing me that my +father was lying in St. George's Hospital. I dashed up to town, but +when I arrived I found him dead. At the inquest, evidence was given to +show that at half-past two in the morning a constable going along +Albemarle Street found him in evening dress lying huddled up in a +doorway. Thinking him intoxicated, he tried to rouse him, but could +not. A doctor who was called pronounced that he was suffering from +some sort of poisoning. He was taken to St. George's Hospital in an +ambulance, but he never recovered. The post-mortem investigation +showed a small scratch on the palm of the hand. That scratch had been +produced by a pin or a needle which had been infected by one of the +newly discovered poisons which, administered secretly, give a post- +mortem appearance of death from heart disease." + +"Then your father was murdered--eh?" exclaimed the elder man. + +"Most certainly he was. And that woman is aware of the whole +circumstances and of the identity of the assassin." + +"How do you know that?" + +"By a letter I afterwards opened--one that had been addressed to him +at Woodthorpe in his absence. It was anonymous, written in bad +English, in an illiterate hand, warning him to 'beware of that woman +you know--Mademoiselle of Monte Carlo.' It bore the French stamp and +the postmark of Tours." + +"I never knew all this," Brock said. "You are quite right, Hugh! The +whole affair is a tangled mystery. But the first point we must +establish before we commence to investigate is--who is Mademoiselle of +Monte Carlo?" + + + + SECOND CHAPTER + + CONCERNS A GUILTY SECRET + +Just after seven o'clock that same evening young Henfrey and his +friend Brock met in the small lounge of the Hotel des Palmiers, a +rather obscure little establishment in the Avenue de la Costa, behind +the Gardens, much frequented by the habitues of the Rooms who know +Monte Carlo and prefer the little place to life at the Paris, the +Hermitage, and the Riviera Palace, or the Gallia, up at Beausoleil. + +The Palmiers was a place where one met a merry cosmopolitan crowd, but +where the cocotte in her bright plumage was absent--an advantage which +only the male habitue of Monte Carlo can fully realize. The eternal +feminine is always so very much in evidence around the Casino, and the +most smartly dressed woman whom one might easily take for the wife of +an eminent politician or financier will deplore her bad luck and beg +for "a little loan." + +"Well," said Hugh as his friend came down from his room to the lounge, +"I suppose we ought to be going--eh? Dorise said half-past seven, and +we'll just get across to the Metropole in time. Lady Ranscomb is +always awfully punctual at home, and I expect she carries out her +time-table here." + +The two men put on light overcoats over their dinner-jackets and +strolled in the warm dusk across the Gardens and up the Galerie, with +its expensive little shops, past the original Ciro's to the Metropole. + +In the big hall they were greeted by a well-preserved, grey-haired +Englishwoman, Lady Ranscomb, the widow of old Sir Richard Ranscomb, +who had been one of the greatest engineers and contractors of modern +times. He had begun life as a small jerry-builder at Golder's Green, +and had ended it a millionaire and a knight. Lady Ranscomb was seated +at a little wicker table with her daughter Dorise, a dainty, fair- +haired girl with intense blue eyes, who was wearing a rather daring +jazzing gown of pale-blue, the scantiness of which a year or two +before would have been voted quite beyond the pale for a lady, and yet +in our broad-minded to-day, the day of undressing on the stage and in +the home, it was nothing more than "smart." + +Mother and daughter greeted the two men enthusiastically, and at Lady +Ranscomb's orders the waiter brought them small glasses of an +aperitif. + +"We've been all day motoring up to the Col di Tenda. Sospel is +lovely!" declared Dorise's mother. "Have you ever been there?" she +asked of Brock, who was an habitue of the Riviera. + +"Once and only once. I motored from Nice across to Turin," was his +reply. "Yes. It is truly a lovely run there. The Alps are gorgeous. I +like San Dalmazzo and the chestnut groves there," he added. "But the +frontiers are annoying. All those restrictions. Nevertheless, the run +to Turin is one of the finest I know." + +Presently they rose, and all four walked into the crowded /salle-a- +manger/, where the chatter was in every European language, and the gay +crowd were gossiping mostly of their luck or their bad fortune at the +/tapis vert/. At Monte Carlo the talk is always of the run of +sequences, the many times the zero-trois has turned up, and of how +little one ever wins /en plein/ on thirty-six. + +To those who visit "Charley's Mount" for the first time all this is as +Yiddish, but soon he or she, when initiated into the games of roulette +and trente-et-quarante, quickly gets bitten by the fever and enters +into the spirit of the discussions. They produce their "records"-- +printed cards in red and black numbers with which they have carefully +pricked off the winning numbers with a pin as they have turned up. + +The quartette enjoyed a costly but exquisite dinner, chatting and +laughing the while. + +Both men were friends of Lady Ranscomb and frequent visitors to her +fine house in Mount Street. Hugh's father, a country landowner, had +known Sir Richard for many years, while Walter Brock had made the +acquaintance of Lady Ranscomb a couple of years ago in connexion with +some charity in which she had been interested. + +Both were also good friends of Dorise. Both were excellent dancers, +and Lady Ranscomb often allowed them to take her daughter to the +Grafton, Ciro's, or the Embassy. Lady Ranscomb was Hugh's old friend, +and he and Dorise having been thrown together a good deal ever since +the girl returned from Versailles after finishing her education, it +was hardly surprising that the pair should have fallen in love with +each other. + +As they sat opposite each other that night, the young fellow gazed +into her wonderful blue eyes, yet, alas! with a sinking heart. How +could they ever marry? + +He had about six hundred a year--only just sufficient to live upon in +these days. His father had never put him to anything since he left +Brasenose, and now on his death he had found that, in order to recover +the estate, it was necessary for him to marry Louise Lambert, a girl +for whom he had never had a spark of affection. Louise was good- +looking, it was true, but could he sacrifice his happiness; could he +ever cut himself adrift from Dorise for mercenary motives--in order to +get back what was surely by right his inheritance? + +Yet, after all, as he again met Dorise's calm, wide-open eyes, the +grim truth arose in his mind, as it ever did, that Lady Ranscomb, even +though she had been so kind to him, would never allow her only +daughter to marry a man who was not rich. Had not Dorise told him of +the sly hints her mother had recently given her regarding a certain +very wealthy man named George Sherrard, an eligible bachelor who lived +in one of the most expensive flats in Park Lane, and who was being +generally sought after by mothers with marriageable daughters. In many +cases mothers--and especially young, good-looking widows with +daughters "on their hands"--are too prone to try and get rid of them +"because my daughter makes me look so old," as they whisper to their +intimates of their own age. + +After dinner all four strolled across to the Casino, presenting their +yellow cards of admission--the monthly cards granted to those who are +approved by the smug-looking, black-coated committee of inspection, +who judge by one's appearance whether one had money to lose. + +Dorise soon detached herself from her mother and strolled up the Rooms +with Hugh, Lady Ranscomb and Brock following. + +None of them intended to play, but they were strolling prior to going +to the opera which was beneath the same roof, and for which Lady +Ranscomb had tickets. + +Suddenly Dorise exclaimed: + +"Look over there--at that table in the corner. There's that remarkable +woman they call 'Mademoiselle of Monte Carlo'!" + +Hugh started, and glancing in the direction she indicated saw the +handsome woman seated at the table staking her counters quite +unconcernedly and entirely absorbed in the game. She was wearing a +dead black dress cut slightly low in the neck, but half-bare +shoulders, with a string of magnificent Chinese jade beads of that +pale apple green so prized by connoisseurs. + +Her eyes were fixed upon the revolving wheel, for upon the number +sixteen she had just thrown a couple of thousand franc counters. The +ball dropped with a sudden click, the croupier announced that number +five had won, and at once raked in the two thousand francs among +others. + +Mademoiselle shrugged her shoulders and smiled faintly. Yvonne Ferad +was a born gambler. To her losses came as easily as gains. The +Administration knew that--and they also knew how at the little pigeon- +hole where counters were exchanged for cheques she came often and +handed over big sums in exchange for drafts upon certain banks, both +in Paris and in London. + +Yet they never worried. Her lucky play attracted others who usually +lost. Once, a year before, a Frenchman who occupied a seat next to her +daily for a month lost over a quarter of a million sterling, and one +night threw himself under the Paris /rapide/ at the long bridge over +the Var. But on hearing of it the next day from a croupier +Mademoiselle merely shrugged her shoulders, and said: + +"I warned him to return to Paris. The fool! It is only what I +expected." + +Hugh looked only once across at the mysterious woman whom Dorise had +indicated, and then drew her away. As a matter of fact he had no +intention that mademoiselle should notice him. + +"What do you know of her?" he asked in a casual way when they were on +the other side of the great saloon. + +"Well, a Frenchman I met in the hotel the day before yesterday told me +all sorts of queer stories about her," replied the girl. "She's +apparently a most weird person, and she has uncanny good luck at the +tables. He said that she had won a large fortune during the last +couple of years or so." + +Hugh made no remark as to the reason of his visit to the Riviera, for, +indeed, he had arrived only the day previously, and she had welcomed +him joyously. Little did she dream that her lover had come out from +London to see that woman who was declared to be so notorious. + +"I noticed her playing this afternoon," Hugh said a moment later in a +quiet reflective tone. "What do the gossips really say about her, +Dorise? All this is interesting. But there are so many interesting +people here." + +"Well, the man who told me about her was sitting with me outside the +Cafe de Paris when she passed across the Place to the Casino. That +caused him to make the remarks. He said that her past was obscure. +Some people say that she was a Danish opera singer, others declare +that she was the daughter of a humble tobacconist in Marseilles, and +others assert that she is English. But all agree that she is a clever +and very dangerous woman." + +"Why dangerous?" inquired Hugh in surprise. + +"Ah! That I don't know. The man who told me merely hinted at her past +career, and added that she was quite a respectable person nowadays in +her affluence. But--well----" added the girl with a laugh, "I suppose +people gossip about everyone in this place." + +"Who was your informant?" asked her lover, much interested. + +"His name is Courtin. I believe he is an official of one of the +departments of the Ministry of Justice in Paris. At least somebody +said so yesterday." + +"Ah! Then he probably knew more about her than he told you, I expect." + +"No doubt, for he warned my mother and myself against making her +acquaintance," said the girl. "He said she was a most undesirable +person." + +At that moment Lady Ranscomb and Walter Brock joined them, whereupon +the former exclaimed to her daughter: + +"Did you see that woman over there?--still playing--the woman in black +and the jade beads, against whom Monsieur Courtin warned us?" + +"Yes, mother, I noticed her. I've just been telling Hugh about her." + +"A mysterious person--eh?" laughed Hugh with well-affected +indifference. "But one never knows who's who in Monte Carlo." + +"Well, Mademoiselle is apparently something of a mystery," remarked +Brock. "I've seen her here before several times. Once, about two years +ago, I heard that she was mixed up in a very celebrated criminal case, +but exactly what it was the man who told me could not recollect. She +is, however, one of the handsomest women in the Rooms." + +"And one of the wealthiest--if report be true," said Lady Ranscomb. + +"She fascinates me," Dorise declared. "If Monsieur Courtin had not +warned us I should most probably have spoken to her." + +"Oh, my dear, you must do no such thing!" cried her mother, horrified. +"It was extremely kind of monsieur to give us the hint. He has +probably seen how unconventional you are, Dorise." + +And then, as they strolled on into the farther room, the conversation +dropped. + +"So they've heard about Mademoiselle, it seems!" remarked Brock to his +friend as they walked back to the Palmiers together in the moonlight +after having seen Lady Ranscomb and her daughter to their hotel. + +"Yes," growled the other. "I wish we could get hold of that Monsieur +Courtin. He might tell us a bit about her." + +"I doubt if he would. These French officials are always close as +oysters." + +"At any rate, I will try and make his acquaintance at the Metropole +to-morrow," Hugh said. "There's no harm in trying." + +Next morning he called again at the Metropole before the ladies were +about, but to his chagrin, he learnt from the blue-and-gold concierge +that Monsieur Courtin, of the Ministry of Justice, had left at ten- +fifteen o'clock on the previous night by the /rapide/ for Paris. He +had been recalled urgently, and a special /coupe-lit/ had been +reserved for him from Ventimiglia. + +That day Hugh Henfrey wandered about the well-kept palm-lined gardens +with their great beds of geraniums, carnations and roses. Brock had +accepted the invitation of a bald-headed London stock-broker he knew +to motor over to lunch and tennis at the Beau Site, at Cannes, while +Dorise and her mother had gone with some people to lunch at the +Reserve at Beaulieu, one of the best and yet least pretentious +restaurants in all Europe, only equalled perhaps by Capsa's, in +Bucharest. + +"Ah! If she would only tell!" Hugh muttered fiercely to himself as he +walked alone and self-absorbed. His footsteps led him out of Monte +Carlo and up the winding road which runs to La Turbie, above the +beautiful bay. Ever and anon powerful cars climbing the hill smothered +him in white dust, yet he heeded them not. He was too full of thought. + +"Ah!" he kept on repeating to himself. "If she would only tell the +truth--if she would only tell!" + +Hugh Henfrey had not travelled to Monte Carlo without much careful +reflection and many hours of wakefulness. He intended to clear up the +mystery of his father's death--and more, the reason of that strange +incomprehensible will which was intended to wed him to Louise. + +At four o'clock that afternoon he entered the Rooms to gain another +surreptitious look at Mademoiselle. Yes! She was there, still playing +on as imperturbably as ever, with that half-suppressed sinister smile +always upon her full red lips. + +Sight of her aroused his fury. Was that smile really intended for +himself? People said she was a sphinx, but he drew his breath, and +when outside the Casino again in the warm sunshine he halted upon the +broad red-carpeted steps and beneath his breath said in a hard, +determined tone: + +"Gad! She shall tell me! She shall! I'll compel her to speak--to tell +me the truth--or--or----!" + +That evening he wrote a note to Dorise explaining to her that he was +not feeling very well and excusing himself from going round to the +hotel. This he sent by hand to the Metropole. + +Brock did not turn up at dinner. Indeed, he did not expect his friend +back till late. So he ate his meal alone, and then went out to the +Cafe de Paris, where for an hour he sat upon the /terrasse/ smoking +and listening to the weird music of the red-coated orchestra of +Roumanian gipsies. + +All the evening, indeed, he idled, chatting with men and women he +knew. /Carmen/ was being given at the Opera opposite, but though he +loved music he had no heart to go. The one thought obsessing him was +of the handsome and fascinating woman who was such a mystery to all. + +At eleven o'clock he returned to the cafe and took a seat on the +/terrasse/ in a dark corner, in such a position that he could see +anyone who entered or left the Casino. For half an hour he watched the +people passing to and fro. At last, in a long jade-green coat, +Mademoiselle emerged alone, and, crossing the gardens, made her way +leisurely home on foot, as was her habit. Monte Carlo is not a large +place, therefore there is little use for taxis. + +When she was out of sight, he called the waiter to bring him a liqueur +of old cognac, which he sipped, and then lit another cigarette. When +he had finished it he drained the little glass, and rising, strolled +in the direction the woman of mystery had taken. + +A walk of ten minutes brought him to the iron gates of a great white +villa, over the high walls of which climbing roses and geraniums and +jasmine ran riot. The night air was heavy with their perfume. He +opened the side gate and walked up the gravelled drive to the terrace +whereon stood the house, commanding a wonderful view of the moon-lit +Mediterranean and the far-off mountains of Italy. + +His ring at the door was answered by a staid elderly Italian +manservant. + +"I believe Mademoiselle is at home," Hugh said in French. "I desire to +see her, and also to apologize for the lateness of the hour. My visit +is one of urgency." + +"Mademoiselle sees nobody except by appointment," was the man's polite +but firm reply. + +"I think she will see me if you give her this card," answered Hugh in +a strained, unusual voice. + +The man took it hesitatingly, glanced at it, placed it upon a silver +salver, and, leaving the visitor standing on the mat, passed through +the glass swing-doors into the house. + +For some moments the servant did not reappear. + +Hugh, standing there, entertained just a faint suspicion that he heard +a woman's shrill exclamation of surprise. And that sound emboldened +him. + +At last, after an age it seemed, the man returned, saying: + +"Mademoiselle will see you, Monsieur. Please come this way." + +He left his hat and stick and followed the man along a corridor richly +carpeted in red to a door on the opposite side of the house, which the +servant threw open and announced the visitor. + +Mademoiselle had risen to receive him. Her countenance was, Hugh saw, +blanched almost to the lips. Her black dress caused her pallor to be +more apparent. + +"Well, sir? Pray what do you mean by resorting to this ruse in order +to see me? Who are you?" she demanded. + +Hugh was silent for a moment. Then in a hard voice he said: + +"I am the son of the dead man whose card is in your hands, +Mademoiselle! And I am here to ask you a few questions!" + +The handsome woman smiled sarcastically and shrugged her half-bare +shoulders, her fingers trembling with her jade beads. + +"Oh! Your father is dead--is he?" she asked with an air of +indifference. + +"Yes. /He is dead/," Hugh said meaningly, as he glanced around the +luxurious little room with its soft rose-shaded lights and pale-blue +and gold decorations. On her right as she stood were long French +windows which opened on to a balcony. One of the windows stood ajar, +and it was apparent that when he had called she had been seated in the +long wicker chair outside enjoying the balmy moonlight after the +stifling atmosphere of the Rooms. + +"And, Mademoiselle," he went on, "I happen to be aware that you knew +my father, and--that you are cognizant of certain facts concerning his +mysterious end." + +"I!" she cried, raising her voice in sudden indignation. "What on +earth do you mean?" She spoke in perfect English, though he had +hitherto spoken in French. + +"I mean, Mademoiselle, that I intend to know the truth," said Hugh, +fixing his eyes determinedly upon hers. "I am here to learn it from +your lips." + +"You must be mad!" cried the woman. "I know nothing of the affair. You +are mistaken!" + +"Do you, then, deny that you have ever met a man named Charles +Benton?" demanded the young fellow, raising his voice. "Perhaps, +however, that is a bitter memory, Mademoiselle--eh?" + +The strikingly handsome woman pursed her lips. There was a strange +look in her eyes. For several moments she did not speak. It was clear +that the sudden appearance of the dead man's son had utterly unnerved +her. What could he know concerning Charles Benton? How much of the +affair did he suspect? + +"I have met many people, Mr.--er--Mr. Henfrey," she replied quietly at +last. "I may have met somebody named Benton." + +"Ah! I see," the young man said. "It is a memory that you do not wish +to recall any more than that of my dead father." + +"Your father was a good man. Benton was not." + +"Ah! Then you admit knowing both of them, Mademoiselle," cried Hugh +quickly. + +"Yes. I--well--I may as well admit it! Why, indeed, should I seek to +hide the truth--/from you/," she said in a changed voice. "Pardon me. +I was very upset at receiving the card. Pardon me--will you not?" + +"I will not, unless you tell me the truth concerning my father's death +and his iniquitous will left concerning myself. I am here to ascertain +that, Mademoiselle," he said in a hard voice. + +"And if I tell you--what then?" she asked with knit brows. + +"If you tell me, then I am prepared to promise you on oath secrecy +concerning yourself--provided you allow me to punish those who are +responsible. Remember, my father died by foul means. /And you know +it!/" + +The woman faced him boldly, but she was very pale. + +"So that is a promise?" she asked. "You will protect me--you will be +silent regarding me--you swear to be so--if--if I tell you something. +I repeat that your father was a good man. I held him in the highest +esteem, and--and--after all--it is but right that you, his son, should +know the truth." + +"Thank you Mademoiselle. I will protect you if you will only reveal to +me the devilish plot which resulted in his untimely end," Hugh assured +her. + +Again she knit her brows and reflected for a few moments. Then in a +low, intense, unnatural voice she said: + +"Listen, Mr. Henfrey. I feel that, after all, my conscience would be +relieved if I revealed to you the truth. First--well, it is no use +denying the fact that your father was not exactly the man you and his +friends believed him to be. He led a strange dual existence, and I +will disclose to you one or two facts concerning his untimely end +which will show you how cleverly devised and how cunning was the +plot--how----" + +At that instant Hugh was startled by a bright flash outside the half- +open window, a loud report, followed by a woman's shrill shriek of +pain. + +Then, next moment, ere he could rush forward to save her, +Mademoiselle, with the truth upon her lips unuttered, staggered and +fell back heavily upon the carpet! + + + + THIRD CHAPTER + + IN THE NIGHT + +Hugh Henfrey, startled by the sudden shot, shouted for assistance, and +then threw himself upon his knees beside the prostrate woman. + +From a bullet wound over the right ear blood was slowly oozing and +trickling over her white cheek. + +"Help! Help!" he shouted loudly. "Mademoiselle has been shot from +outside! /Help!/" + +In a few seconds the elderly manservant burst into the room in a state +of intense excitement. + +"Quick!" cried Hugh. "Telephone for a doctor at once. I fear your +mistress is dying!" + +Henfrey had placed his hand upon Mademoiselle's heart, but could +detect no movement. While the servant dashed to the telephone, he +listened for her breathing, but could hear nothing. From the wall he +tore down a small circular mirror and held it against her mouth. There +was no clouding. + +There was every apparent sign that the small blue wound had proved +fatal. + +"Inform the police also!" Hugh shouted to the elderly Italian who was +at the telephone in the adjoining room. "The murderer must be found!" + +By this time four female servants had entered the room where their +mistress was lying huddled and motionless. All of them were in +/deshabille/. Then all became excitement and confusion. Hugh left them +to unloosen her clothing and hastened out upon the veranda whereon the +assassin must have stood when firing the shot. + +Outside in the brilliant Riviera moonlight the scent of a wealth of +flowers greeted his nostrils. It was almost bright as day. From the +veranda spread a wide, fairy-like view of the many lights of Monte +Carlo and La Condamine, with the sea beyond shimmering in the +moonlight. + +The veranda, he saw, led by several steps down into the beautiful +garden, while beyond, a distance of a hundred yards, was the main gate +leading to the roadway. The assassin, after taking careful aim and +firing, had, no doubt, slipped along, and out of the gate. + +But why had Mademoiselle been shot just at the moment when she was +about to reveal the secret of his lamented father's death? + +He descended to the garden, where he examined the bushes which cast +their dark shadows. But all was silence. The assassin had escaped! + +Then he hurried out into the road, but again all was silence. The only +hope of discovering the identity of the criminal was by means of the +police vigilance. Truth to tell, however, the police of Monte Carlo +are never over anxious to arrest a criminal, because Monte Carlo +attracts the higher criminal class of both sexes from all over Europe. +If the police of the Principality were constantly making arrests it +would be bad advertisement for the Rooms. Hence, though the Monte +Carlo police are extremely vigilant and an expert body of officers, +they prefer to watch and to give information to the bureaux of police +of other countries, so that arrests invariably take place beyond the +frontiers of the Principality of Monaco. + +It was not long before Doctor Leneveu, a short, stout, bald-headed +little man, well known to habitues of the Rooms, among whom he had a +large practice, entered the house of Mademoiselle and was greeted by +Hugh. The latter briefly explained the tragic circumstances, whereupon +the little doctor at once became fussy and excited. + +Having ordered everyone out of the room except Henfrey, he bent and +made an examination of the prostrate woman. + +"Ah! m'sieur," he said, "the unfortunate lady has certainly been shot +at close quarters. The wound is, I tell you at once, extremely +dangerous," he added, after a searching investigation. "But she is +still alive," he declared. "Yes--she is still breathing." + +"Still alive!" gasped Henfrey. "That's excellent! I--I feared that she +was dead!" + +"No. She still breathes," the doctor replied. "But, tell me exactly +what has occurred. First, however, we will get them to remove her +upstairs. I will telephone to my colleague Duponteil, and we will +endeavour to extract the bullet." + +"But will she recover, doctor?" asked Hugh eagerly in French. "What do +you think?" + +The little man became serious and shook his head gravely. + +"Ah! m'sieur, that I cannot say," was his reply. "She is in a very +grave state--very! And the brain may be affected." + +Hugh held his breath. /Surely Yvonne Ferad was not to die with the +secret upon her lips!/ + +At the doctor's orders the servants were about to remove their +mistress to her room when two well-dressed men of official aspect +entered. They were officers of the Bureau of Police. + +"Stop!" cried the elder, who was the one in authority, a tall, +lantern-jawed man with a dark brown beard and yellow teeth. "Do not +touch that lady! What has happened here?" + +Hugh came forward, and in his best French explained the circumstances +of the tragedy--how Mademoiselle had been shot in his presence by an +unknown hand. + +"The assassin, whoever he was, stood out yonder--upon the veranda--but +I never saw him," he added. "It was all over in a second--and he has +escaped!" + +"And pray who are you?" demanded the police officer bluntly. "Please +explain." + +Hugh was rather nonplussed. The question required explanation, no +doubt. It would, he saw, appear very curious that he should visit +Mademoiselle of Monte Carlo at that late hour. + +"I--well, I called upon Mademoiselle because I wished to obtain some +important information from her." + +"What information? Rather late for a call, surely?" + +The young Englishman hesitated. Then, with true British grit, he +assumed an attitude of boldness, and asked: + +"Am I compelled to answer that question?" + +"I am Charles Ogier, chief inspector of the Surete of Monaco, and I +press for a reply," answered the other firmly. + +"And I, Hugh Henfrey, a British subject, at present decline to satisfy +you," was the young man's bold response. + +"Is the lady still alive?" inquired the inspector of Doctor Leneveu. + +"Yes. I have ordered her to be taken up to her room--of course, when +m'sieur the inspector gives permission." + +Ogier looked at the deathly countenance with the closed eyes, and +noted that the wound in the skull had been bound up with a cotton +handkerchief belonging to one of the maids. Mademoiselle's dark well- +dressed hair had become unbound and was straying across her face, +while her handsome gown had been torn in the attempt to unloosen her +corsets. + +"Yes," said the police officer; "they had better take her upstairs. We +will remain here and make inquiries. This is a very queer affair--to +say the least," he added, glancing suspiciously at Henfrey. + +While the servants carried their unconscious mistress tenderly +upstairs, the fussy little doctor went to the telephone to call Doctor +Duponteil, the principal surgeon of Monaco. He had hesitated whether +to take the victim to the hospital, but had decided that the operation +could be done just as effectively upstairs. So, after speaking to +Duponteil, he also spoke to the sister at the hospital, asking her to +send up two nurses immediately to the Villa Amette. + +In the meantime Inspector Ogier was closely questioning the young +Englishman. + +Like everyone in Monte Carlo he knew the mysterious Mademoiselle by +sight. More than once the suspicions of the police had been aroused +against her. Indeed, in the archives of the Prefecture there reposed a +bulky dossier containing reports of her doings and those of her +friends. Yet there had never been anything which would warrant the +authorities to forbid her from remaining in the Principality. + +This tragedy, therefore, greatly interested Ogier and his colleague. +Both of them had spent many years in the service of the Paris Surete +under the great Goron before being appointed to the responsible +positions in the detective service of Monaco. + +"Then you knew the lady?" Ogier asked of the young man who was +naturally much upset over the startling affair, and the more so +because the secret of his father's mysterious death had been filched +from him by the hand of some unknown assassin. + +"No, I did not know her personally," Henfrey replied somewhat lamely. +"I came to call upon her, and she received me." + +"Why did you call at this hour? Could you not have called in the +daytime?" + +"Mademoiselle was in the Rooms until late," he said. + +"Ah! Then you followed her home--eh?" + +"Yes," he admitted. + +The police officer pursed his lips and raised his eyes significantly +at his colleague. + +"And what was actually happening when the shot was fired? Describe it +to me, please," he demanded. + +"I was standing just here"--and he crossed the room and stood upon the +spot where he had been--"Mademoiselle was over there beside the +window. I had my back to the window. She was about to tell me +something--to answer a question I had put to her--when someone from +outside shot her through the open glass door." + +"And you did not see her assailant?" + +"I saw nothing. The shot startled me, and, seeing her staggering, I +rushed to her. In the meantime the assailant--whoever he was-- +disappeared!" + +The brown-bearded man smiled dubiously. As he stood beneath the +electric light Hugh saw doubt written largely upon his countenance. He +instantly realized that Ogier disbelieved his story. + +After all it was a very lame one. He would not fully admit the reason +of his visit. + +"But tell me, m'sieur," exclaimed the police officer. "It seems +extraordinary that any person should creep along this veranda." And he +walked out and looked about in the moonlight. "If the culprit wished +to shoot Mademoiselle in secret, then he would surely not have done so +in your presence. He might easily have shot her as she was on her way +home. The road is lonely up here." + +"I agree, monsieur," replied the Englishman. "The whole affair is, to +me, a complete mystery. I saw nobody. But it was plain to me that when +I called Mademoiselle was seated out upon the veranda. Look at her +chair--and the cushions! It was very hot and close in the Rooms +to-night, and probably she was enjoying the moonlight before retiring +to bed." + +"Quite possibly," he agreed. "But that does not alter the fact that +the assassin ran considerable risk in coming along the veranda in the +full moonlight and firing through the open door. Are you quite certain +that Mademoiselle's assailant was outside--and not inside?" he asked, +with a queer expression upon his aquiline face. + +Hugh saw that he was hinting at his suspicion that he himself had shot +her! + +"Quite certain," he assured him. "Why do you ask?" + +"I have my own reasons," replied the police officer with a hard laugh. +"Now, tell me what do you know about Mademoiselle Ferad?" + +"Practically nothing." + +"Then why did you call upon her?" + +"I have told you. I desired some information, and she was about to +give it to me when the weapon was fired by an unknown hand." + +"Unknown--eh?" + +"Yes. Unknown to me. It might be known to Mademoiselle." + +"And what was this information you so urgently desired?" + +"Some important information. I travelled from London to Monte Carlo in +order to obtain it." + +"Ah! Then you had a motive in coming here--some strong motive, I take +it?" + +"Yes. A very strong motive. I wanted her to clear up certain +mysterious happenings in England." + +Ogier was instantly alert. + +"What happenings?" he asked, for he recollected the big dossier and +the suspicions extending over four or five years concerning the real +identity and mode of life of the handsome, sphinx-like woman Yvonne +Ferad. + +Hugh Henfrey was silent for a few moments. Then he said: + +"Happenings in London that--well, that I do not wish to recall." + +Ogier again looked him straight in the face. + +"I suggest, M'sieur Henfrey"--for Hugh had given him his name--"I +suggest that you have been attracted by Mademoiselle as so many other +men have been. She seems to exercise a fatal influence upon some +people." + +"I know," Hugh said. "I have heard lots of things about her. Her +success at the tables is constant and uncanny. Even the Administration +are interested in her winnings, and are often filled with wonder." + +"True, m'sieur. She keeps herself apart. She is a mysterious person-- +the most remarkable in all the Principality. We, at the Bureau, have +heard all sorts of curious stories concerning her--once it was +rumoured that she was the daughter of a reigning European sovereign. +Then we take all the reports with the proverbial grain of salt. That +Mademoiselle is a woman of outstanding intellect and courage, as well +as of great beauty, cannot be denied. Therefore I tell you that I am +intensely interested in this attempt upon her life." + +"And so am I," Hugh said. "I have a strong reason to be." + +"Cannot you tell me that reason?" inquired the officer of the Surete, +still looking at him very shrewdly. "Why fence with me?" + +Henfrey hesitated. Then he replied: + +"It is a purely personal matter." + +"And yet, you have said that you were not acquainted with +Mademoiselle!" remarked Ogier suspiciously. + +"That is quite true. The first time I have spoken to her was this +evening, a few minutes before the attempt was made upon her life." + +"Then your theory is that while you stood in conversation with her +somebody crept along the veranda and shot her--eh?" + +"Yes." + +Ogier smiled sarcastically, and turning to his colleague, ordered him +to search the room. The inspector evidently suspected the young +Englishman of having shot Mademoiselle, and the search was in order to +try and discover the weapon. + +Meanwhile the brown-bearded officer called the Italian manservant, who +gave his name as Giulio Cataldi, and who stated that he had been in +Mademoiselle Ferad's service a little over five years. + +"Have you ever seen this Englishman before?" Ogier asked, indicating +Hugh. + +"Never, until to-night, m'sieur," was the reply. "He called about +twenty minutes after Mademoiselle's return from the Rooms." + +"Has Mademoiselle quarrelled with anybody of late?" + +"Not to my knowledge, m'sieur. She is of a very quiet and even +disposition." + +"Is there anyone you know who might possess a motive to shoot her?" +asked Ogier. "The crime has not been committed with a motive of +robbery, but either out of jealousy or revenge." + +"I know of nobody," declared the highly respectable Italian, whose +moustache was tinged with grey. He shrugged his shoulders and showed +his palms as he spoke. + +"Mademoiselle arrived here two months ago, I believe?" queried the +police official. + +"Yes, m'sieur. She spent the autumn in Paris, and during the summer +she was at Deauville. She also went to London for a brief time, I +believe." + +"Did she ever live in London?" asked Hugh eagerly, interrupting +Ogier's interrogation. + +"Yes--once. She had a furnished house on the Cromwell Road for about +six months." + +"How long ago?" asked Henfrey. + +"Please allow me to make my inquiries, monsieur!" exclaimed the +detective angrily. + +"But the question I ask is of greatest importance to me in my own +inquiries," Hugh persisted. + +"I am here to discover the identity of Mademoiselle's assailant," +Ogier asserted. "And I will not brook your interference." + +"Mademoiselle has been shot, and it is for you to discover who fired +at her," snapped the young Englishman. "I consider that I have just as +much right to put a question to this man as you have, that is"--he +added with sarcasm--"that is, of course, if you don't suspect him of +shooting his mistress." + +"Well, I certainly do not suspect that," the Frenchman said. "But, to +tell you candidly, your story of the affair strikes me as a very +improbable one." + +"Ah!" laughed Hugh, "I thought so! You suspect me--eh? Very well. +Where is the weapon?" + +"Perhaps you have hidden it," suggested the other meaningly. "We +shall, no doubt, find it somewhere." + +"I hope you will, and that will lead to the arrest of the guilty +person," Hugh laughed. Then he was about to put further questions to +the man Cataldi when Doctor Leneveu entered the room. + +"How is she?" demanded Hugh breathlessly. + +The countenance of the fussy little doctor fell. + +"Monsieur," he said in a low earnest voice, "I much fear that +Mademoiselle will not recover. My colleague Duponteil concurs with +that view. We have done our best, but neither of us entertain any hope +that she will live!" Then turning to Ogier, the doctor exclaimed: +"This is an amazing affair--especially in face of what is whispered +concerning the unfortunate lady. What do you make of it?" + +The officer of the Surete knit his brows, and with frankness replied: + +"At present I am entirely mystified--entirely mystified!" + + + + FOURTH CHAPTER + + WHAT THE DOSSIER CONTAINED + +Walter Brock was awakened at four o'clock that morning by Hugh +touching him upon the shoulder. + +He started up in bed and staring at his friend's pale, haggard face +exclaimed: + +"Good Heavens!--why, what's the matter?" + +"Mademoiselle of Monte Carlo has been shot!" the other replied in a +hard voice. + +"Shot!" gasped Brock, startled. "What do you mean?" + +Briefly Hugh who had only just entered the hotel, explained the +curious circumstances--how, just at the moment she had been about to +reveal the secret of his father's death she was shot. + +"Most extraordinary!" declared his friend. "Surely, we have not been +followed here by someone who is determined to prevent you from knowing +the truth!" + +"It seems much like it, Walter," replied the younger man very +seriously. "There must be some strong motive or no person would dare +to shoot her right before my eyes." + +"Agreed. Somebody who is concerned in your father's death has adopted +this desperate measure in order to prevent Mademoiselle from telling +you the truth." + +"That's exactly my opinion, my dear Walter. If it was a crime for +gain, or through motives of either jealousy or revenge, Mademoiselle +would certainly have been attacked on her way home. The road is quite +deserted towards the crest of the hill." + +"What do the police say?" + +"They do not appear to trouble to track Mademoiselle's assailant. They +say they will wait until daylight before searching for footprints on +the gravel outside." + +"Ah! They are not very fond of making arrests within the Principality. +It's such a bad advertisement for the Rooms. The Administration like +to show a clean sheet as regards serious crime. Our friends here leave +it to the French or Italian police to deal with the criminals so that +the Principality shall prove itself the most honest State in Europe," +Brock said. + +"The police, I believe, suspect me of shooting her," said Hugh +bluntly. + +"That's very awkward. Why?" + +"Well--they don't know the true reason I went to see her, or they +would never believe me to be guilty of a crime so much against my own +interests." + +Brock, who was still sitting up in bed in his pale blue silk pyjamas, +reflected a few moments. + +"Well, Hugh," he said at last, "after all it is only natural that they +should believe that you had a hand in the matter. Even though she told +you the truth, it is quite within reason that you should have suddenly +become incensed against her for the part she must have played in your +father's mysterious death, and in a frenzy of anger you shot her." + +Hugh drew a long breath, and his eyebrows narrowed. + +"By Jove! I had never regarded it in that light before!" he gasped. +"But what about the weapon?" + +"You might easily have hidden it before the arrival of the police. You +admit that you went out on the veranda. Therefore if they do chance to +find the weapon in the garden then their suspicions will, no doubt, be +considerably increased. It's a pity, old man, that you didn't make a +clean breast of the motive of your visit." + +"I now see my horrible mistake," Henfrey admitted. "I thought myself +wise to preserve silence, to know nothing, and now I see quite plainly +that I have only brought suspicion unduly upon myself. The police, +however, know Yvonne Ferad to be a somewhat mysterious person." + +"Which renders the situation only worse," Brock said. Then, after a +pause, he added: "Now that you have declined to tell the police why +you visited the Villa Amette and have, in a way, defied them, it will +be best to maintain that attitude. Tell them nothing, no matter what +happens." + +"I intend to pursue that course. But the worst of it is, Walter, that +the doctors hold out no hope of Mademoiselle's recovery. I saw +Duponteil half an hour ago, and he told me that he could give me no +encouraging information. The bullet has been extracted, but she is +hovering between life and death. I suppose it will be in the papers +to-morrow, and Dorise and her mother will know of my nocturnal visit +to the house of a notorious woman." + +"Don't let that worry you, my dear chap. Here, they keep the news of +all tragedies out of the papers, because shooting affairs may be +thought by the public to be due to losses at the Rooms. Recollect that +of all the suicides here--the dozens upon dozens of poor ruined +gamesters who are yearly laid to rest in the Suicides' Cemetery--not a +single report has appeared in any newspaper. So I think you may remain +assured that Lady Ranscomb and her daughter will not learn anything." + +"I sincerely hope they won't, otherwise it will go very hard with me," +Hugh said in a low, intense voice. "Ah! What a night it has been for +me!" + +"And if Mademoiselle dies the assailant, whoever he was, will be +guilty of wilful murder; while you, on your part, will never know the +truth concerning your father's death," remarked the elder man, running +his fingers through his hair. + +"Yes. That is the position of this moment. But further, I am suspected +of the crime!" + +Brock dressed while his friend sat upon the edge of the bed, pale- +faced and agitated. Suppose that the assailant had flung his pistol +into the bushes, and the police eventually discovered it? Then, no +doubt, he would be put across the frontier to be arrested by the +police of the Department of the Alpes Maritimes. + +Truly, the situation was most serious. + +Together the two men strolled out into the early morning air and sat +upon a seat on the terrace of the Casino watching the sun as it rose +over the tideless sea. + +For nearly an hour they sat discussing the affair; then they ascended +the white, dusty road to the beautiful Villa Amette, the home of the +mysterious Mademoiselle. + +Old Giulio Cataldi opened the door. + +"Alas! m'sieur, Mademoiselle is just the same," he replied in response +to Hugh's eager inquiry. "The police have gone, but Doctor Leneveu is +still upstairs." + +"Have the police searched the garden?" inquired Hugh eagerly. + +"Yes, m'sieur. They made a thorough examination, but have discovered +no marks of footprints except those of yourself, myself, and a +tradesman's lad who brought up a parcel late last night." + +"Then they found no weapon?" asked the young Englishman. + +"No, m'sieur. There is no clue whatever to the assailant." + +"Curious that there should be no footmarks," remarked Brock. "Yet they +found yours, Hugh." + +"Yes. The man must surely have left some trace outside!" + +"One would certainly have thought so," Brock said. "I wonder if we may +go into the room where the tragedy happened?" he asked of the servant. + +"Certainly, m'sieur," was the courteous reply, and he conducted them +both into the apartment wherein Mademoiselle of Monte Carlo had been +shot down. + +"Did you accompany Mademoiselle when she went to London, Giulio?" +asked young Henfrey of the old Italian, after he had described to +Brock exactly what had occurred. + +"Yes, m'sieur," he replied. "I was at Cromwell Road for a short time. +But I do not care for London, so Mademoiselle sent me back here to +look after the Villa because old Jean, the concierge, had been taken +to the hospital." + +"When in London you knew some of Mademoiselle's friends, I suppose?" + +"A few--only a few," was the Italian's reply. + +"Did you ever know a certain Mr. Benton?" + +The old fellow shook his head blankly. + +"Not to my knowledge, m'sieur," he replied. "Mademoiselle had really +very few friends in London. There was a Mrs. Matthews and her husband, +Americans whom she met here in Monte Carlo, and Sir George Cave- +Knight, who died a few weeks ago." + +"Do you remember an elderly gentleman named Henfrey calling?" asked +Hugh. + +Old Cataldi reflected for a moment, and then answered: + +"The name sounds familiar to me, m'sieur, but in what connexion I +cannot recollect. That is your name, is it not?" he asked, remembering +the card he had taken to his mistress. + +"Yes," Hugh replied. "I have reason to believe that my late father was +acquainted with your mistress, and that he called upon her in London." + +"I believe that a gentleman named Henfrey did call, because when I +glanced at the card you gave me last night the name struck me as +familiar," the servant said. "But whether he actually called, or +whether someone at table mentioned his name I really cannot +recollect." + +"Ah! That's a pity," exclaimed Hugh with a sigh. "As a matter of fact +it was in order to make certain inquiries regarding my late father +that I called upon Mademoiselle last night." + +Giulio Cataldi turned in pretence of rearranging a chair, but in +reality to avert his face from the young man's gaze--a fact which Hugh +did not fail to notice. + +Had he really told the truth when he declared that he could not +recollect his father calling? + +"How long were you in London with Mademoiselle?" asked Henfrey. + +"About six weeks--not longer." + +Was it because of some untoward occurrence that the old Italian did +not like London, Hugh wondered. + +"And you are quite sure that you do not recollect my father calling +upon your mistress?" + +"As I have said, m'sieur, I do not remember. Yet I recall the name, as +it is a rather unusual one." + +"And you have never heard of Mr. Benton?" + +Cataldi shook his head. + +"Well," Hugh went on, "tell me whether you entertain any suspicions of +anyone who might be tempted to kill your mistress. Mademoiselle has +enemies, has she not?" + +"Who knows?" exclaimed the man with the grey moustache and small, +black furtive eyes. + +"Everyone has enemies of one sort or another," Walter remarked. "And +no doubt Mademoiselle has. It is for us to discover the enemy who shot +her." + +"Ah! yes, it is, m'sieur," exclaimed the servant. "The poor Signorina! +I do hope that the police will discover who tried to kill her." + +"For aught we know the attempt upon the lady's life may prove +successful after all," said Hugh despairingly. "The doctors hold out +no hope of her recovery." + +"None. A third doctor has been in consultation--Doctor Bazin, from +Beaulieu. He only left a quarter of an hour ago. He told me that the +poor Signorina cannot possibly live! Ah! messieurs, how terrible all +this is--/povera Signorina/! She was always so kind and considerate to +us all." And the old man's voice trembled with emotion. + +Walter Brock gazed around the luxurious room and at the long open +window through which streamed the bright morning sun, with the perfume +of the flowers outside. What was the mystery concerning Mademoiselle +Yvonne? What foundation had the gossips for those constant whisperings +which had rendered the handsome woman so notorious? + +True, the story of the death of Hugh's father was an unusually strange +one, curious in every particular--and stranger still that the secret +was held by this beautiful, but mysterious, woman who lived in such +luxury, and who gambled so recklessly and with invariable good +fortune. + +As they walked back to the town Hugh's heart sank within him. + +"She will die," he muttered bitterly to himself. "She'll die, and I +shall never learn the truth of the poor guv'nor's sad end, or the +reason why I am being forced to marry Louise Lambert." + +"It's an iniquitous will, Hugh!" declared his friend. "And it's +infernally hard on you that just at the very moment when you could +have learnt the truth that shot was fired." + +"Do you think the woman had any hand in my father's death?" Hugh +asked. "Do you think that she had repented, and was about to try and +atone for what she had done by confessing the whole affair?" + +"Yes. That is just the view I take," answered Brock. "Of course, we +have no idea what part she played in the business. But my idea is that +she alone knows the reason why this marriage with Louise is being +forced upon you." + +"In that case, then, it seems more than likely that I've been followed +here to Monte Carlo, and my movements watched. But why has she been +shot? Why did not her enemies shoot me? They could have done so twenty +times during the past few days. Perhaps the shot which hit her was +really intended for me?" + +"I don't think so. There is a monetary motive behind your marriage +with Louise. If you died, your enemy would gain nothing. That seems +clear." + +"But who can be my secret enemy?" asked the young man in dismay. + +"Mademoiselle alone knows that, and it was undoubtedly her intention +to warn you." + +"Yes. But if she dies I shall remain in ignorance," he declared in a +hard voice. "The whole affair is so tangled that I can see nothing +clearly--only that my refusal to marry Louise will mean ruin to me-- +and I shall lose Dorise in the bargain!" + +Walter Brock, older and more experienced, was equally mystified. The +pessimistic attitude of the three doctors who had attended the injured +woman was, indeed, far from reassuring. The injury to the head caused +by the assailant's bullet was, they declared, most dangerous. Indeed, +the three medical men marvelled that she still lived. + +The two men walked through the palm-lined garden, bright with flowers, +back to their hotel, wondering whether news of the tragedy had yet got +abroad. But they heard nothing of it, and it seemed true, as Walter +Brock had declared, that the police make haste to suppress any tragic +happenings in the Principality. + +Though they were unconscious of it, a middle-aged, well-dressed +Frenchman had, during their absence from the hotel, been making +diligent inquiries regarding them of the night concierge and some of +the staff. + +The concierge had recognized the visitor as Armand Buisson, of the +police bureau at Nice. It seemed as though the French police were +unduly inquisitive concerning the well-conducted young Englishman and +his companion. + +Now, as a matter of fact, half an hour after Hugh had left the Villa +Amette, Ogier had telegraphed to Buisson in Nice, and the latter had +come along the Corniche road in a fast car to make his own inquiries +and observations upon the pair of Englishmen. Ogier strongly suspected +Henfrey of firing the shot, but was, nevertheless, determined to +remain inactive and leave the matter to the Prefecture of the +Department of Alpes Maritimes. Hence the reason that the well-dressed +Frenchman lounged in the hall of the hotel pretending to read the +"Phare du Littoral." + +Just before noon Hugh went to the telephone in the hotel and inquired +of Cataldi the progress of his mistress. + +"She is just the same, m'sieur," came the voice in broken English. +"/Santa Madonna!/ How terrible it all is! Doctor Leneveu has left, and +Doctor Duponteil is now here." + +"Have the police been again?" + +"No, m'sieur. Nobody has been," was the reply. + +So Hugh rang off and crossed the hall, little dreaming that the well- +dressed Frenchman had been highly interested in his questions. + +Half an hour later he went along to the Metropole, where he had an +engagement to lunch with Dorise and her mother. + +When they met, however, Lady Ranscomb exclaimed: + +"Why, Hugh, you look very pale. What's the matter?" + +"Oh, nothing," he laughed forcedly. "I'm not very bright to-day. I +think it was the sirocco of yesterday that has upset me a little, +that's all." + +Then, while they were seated at table, Dorise suddenly exclaimed: + +"Oh! do you know, mother, that young French lady over yonder, Madame +Jacomet, has just told me something. There's a whisper that the +mysterious woman, Mademoiselle of Monte Carlo, was shot during the +night by a discarded lover!" + +"Shot!" exclaimed Lady Ranscomb. "Dear me! How very dreadful. What +really happened?" + +"I don't know. Madame Jacomet was told by her husband, who heard it in +Ciro's this morning." + +"How terrible!" remarked Hugh, striving to remain calm. + +"Yes. But women of her class invariably come to a bad end," remarked +the widow. "How pleased I am, Dorise, that you never spoke to her. +She's a most dreadful person, they say." + +"Well, she evidently knows how to win money at the tables, mother," +said the girl, lifting her clear blue eyes to those of her lover. + +"Yes. But I wonder what the scandal is all about?" said the widow of +the great engineer. + +"Oh! don't trouble to inquire Lady Ranscomb," Hugh hastened to remark. +"One hears scandal on every hand in Monte Carlo." + +"Yes. I suppose so," replied the elder woman, and then the subject was +dropped. + +So the ugly affair was being rumoured. It caused Hugh a good deal of +apprehension, for he feared that his name would be associated with +that of the mysterious Mademoiselle. Evidently one or other of the +servants at the Villa Amette had been indiscreet. + +At that moment, in his private room at the bureau of police down in +Monaco, Superintendent Ogier was carefully perusing a dossier of +official papers which had been brought to him by the archivist. + +Between his thin lips was a long, thin, Swiss cigar--his favorite +smoke--and with his gold-rimmed pince-nez poised upon his aquiline +nose he was reading a document which would certainly have been of +considerable interest to Hugh Henfrey and his friend Walter Brock +could they have seen it. + +Upon the pale yellow paper were many lines of typewriting in French--a +carbon copy evidently. + +It was headed: "Republique Francaise. Department of Herault. +Prefecture of Police. Bureau of the Director of Police. Reference +Number 20197.B.," and was dated nearly a year before. + +It commenced: + + + "Copy of an 'information' in the archives of the Prefecture of the + Department of Herault concerning the woman Marie Mignot, or + Leullier, now passing under the name of Yvonne Ferad and living at + the Villa Amette at Monte Carlo. + + "The woman in question was born in 1884 at Number 45 Rue des + Etuves, in Montpellier, and was the daughter of one Doctor Rigaud, + a noted toxicologist of the Faculty of Medicine, and curator of + the University Library. At the age of seventeen, after her + father's death, she became a school teacher at a small school in + the Rue Morceau, and at nineteen married Charles Leullier, a good- + looking young scoundrel who posed as being well off, but who was + afterwards proved to be an expert international thief, a member of + a gang of dangerous thieves who committed robberies in the + European express trains. + + "This fact was unknown to the girl, therefore at first all went + smoothly, until the wife discovered the truth and left him. She + then joined the chorus of a revue at the Jardin de Paris, where + she met a well-to-do Englishman named Bryant. The pair went to + England, where she married him, and they resided in the county of + Northampton. Six months later Bryant died, leaving her a large sum + of money. In the meantime Leullier had been arrested by the + Italian police for a daring robbery with violence in a train + traveling between Milan and Turin and been sentenced to ten years + on the penal island of Gorgona. His wife, hearing of this from an + Englishman named Houghton, who, though she was unaware of it, was + following the same profession as her husband, returned to France. + She rented an apartment in Paris, and afterwards played at Monte + Carlo, where she won a considerable sum, with the proceeds of + which she purchased the Villa Amette, which she now occupies each + season." + + + "Extracts of reports concerning Marie Leullier, alias Yvonne Ferad, + are herewith appended: + + "Criminal Investigation Department, New Scotland Yard, London--to + the Prefecture of Police, Paris. + + "Mademoiselle Yvonne Ferad rented a furnished house at Hove, near + Brighton, in June, 1918. Afterwards moved to Worthing and to + Exeter, and later took a house in the Cromwell Road, London, in + 1919. She was accompanied by an Italian manservant named Cataldi. + Her conduct was suspicious, though she was undoubtedly possessed + of considerable means. She was often seen at the best restaurants + with various male acquaintances, more especially with a man named + Kenworthy. Her association with this person, and with another man + named Percy Stendall, was curious, as both men were habitual + criminals and had served several terms of penal servitude each. + Certain suspicions were aroused, and observation was kept, but + nothing tangible was discovered. It is agreed, however, that some + mystery surrounds this woman in question. She left London quite + suddenly, but left no debts behind." + + + "Information from the Borough Police Office, Worthing, to the + Prefecture of Police, Department of Herault. + + "Mademoiselle Yvonne Ferad has been identified by the photograph + sent as having lived in Worthing in December, 1918. She rented a + small furnished house facing the sea, and was accompanied by an + Italian manservant and a French maid. Her movements were + distinctly mysterious. A serious fracas occurred at the house on + the evening of December 18th, 1918. A middle-aged gentleman, whose + name is unknown, called there about seven o'clock and a violent + quarrel ensued between the lady and her visitor, the latter being + very seriously assaulted by the Italian. The constable on duty was + called in, but the visitor refused to prosecute, and after having + his injuries attended to by a doctor left for London. Three days + later Mademoiselle disappeared from Worthing. It is believed by + the Chief Constable that the woman is of the criminal class." + + +Then Charles Ogier, inspector of the detective police of Monaco, +smiled, laid down his cigar, and took up another and even more +interesting document. + + + + FIFTH CHAPTER + + ON THE HOG'S BACK + +Three days later. On a cold afternoon just as the wintry light was +fading a tall, dark, middle-aged, rather handsome man with black hair +and moustache, and wearing a well-cut, dark-grey overcoat and green +velour hat, alighted from the train at the wayside station of +Wanborough, in Surrey, and inquired of the porter the way to Shapley +Manor. + +"Shapley, sir? Why, take the road there yonder up the hill till you +get to the main road which runs along the Hog's Back from Guildford to +Farnborough. When you get on the main road, turn sharp to the left +past the old toll-gate, and you'll find the Manor on the left in among +a big clump of trees." + +"How far?" + +"About a mile, sir." + +The stranger, the only passenger who had alighted, slipped sixpence +into the man's hand, buttoned his coat, and started out to walk in the +direction indicated, breasting the keen east wind. + +He was well-set-up, and of athletic bearing. He took long strides as +with swinging gait he went up the hill. As he did so, he muttered to +himself: + +"I was an infernal fool not to have come down in a car! I hate these +beastly muddy country roads. But Molly has the telephone--so I can +ring up for a car to fetch me--which is a consolation, after all." + +And with his keen eyes set before him, he pressed forward up the steep +incline to where, for ten miles, ran the straight broad highway over +the high ridge known as the Hog's Back. The road is very popular with +motorists, for so high is it that on either side there stretches a +wide panorama of country, the view on the north being towards the +Thames Valley and London, while on the south Hindhead with the South +Downs in the blue distance show beyond. + +Having reached the high road the stranger paused to take breath, and +incidentally to admire the magnificent view. Indeed, an expression of +admiration fell involuntarily from his lips. Then he went along for +another half-mile in the teeth of the cutting wind with the twilight +rapidly coming on, until he came to the clump of dark firs and +presently walked up a gravelled drive to a large, but somewhat +inartistic, Georgian house of red brick with long square windows. In +parts the ivy was trying to hide its terribly ugly architecture for +around the deep porch it grew thickly and spread around one corner of +the building. + +A ring at the door brought a young manservant whom the caller +addressed as Arthur, and, wishing him good afternoon, asked if Mrs. +Bond were at home. + +"Yes, sir," was the reply. + +"Oh! good," said the caller. "Just tell her I'm here." And he +proceeded to remove his coat and to hang it up in the great flagged +hall with the air of one used to the house. + +The Manor was a spacious, well-furnished place, full of good pictures +and much old oak furniture. + +The servant passed along the corridor, and entering the drawing-room, +announced: + +"Mr. Benton is here, ma'am." + +"Oh! Mr. Benton! Show him in," cried his mistress enthusiastically. +"Show him in at once!" + +Next moment the caller entered the fine, old-fashioned room, where a +well-preserved, fair-haired woman of about forty was taking her tea +alone and petting her Pekinese. + +"Well, Charles? So you've discovered me here, eh?" she exclaimed, +jumping up and taking his hand. + +"Yes, Molly. And you seem to have very comfortable quarters," laughed +Benton as he threw himself unceremoniously into a chintz-covered +armchair. + +"They are, I assure you." + +"And I suppose you're quite a great lady in these parts--eh?--now that +you live at Shapley Manor. Where's Louise?" + +"She went up to town this morning. She won't be back till after +dinner. She's with her old school-fellow--that girl Bertha Trench." + +"Good. Then we can have a chat. I've several things to consult you +about and ask your opinion." + +"Have some tea first," urged his good-looking hostess, pouring him +some into a Crown Derby cup. + +"Well," he commenced. "I think you've done quite well to take this +place, as you've done, for three years. You are now safely out of the +way. The Paris Surete are making very diligent inquiries, but the +Surrey Constabulary will never identify you with the lady of the Rue +Racine. So you are quite safe here." + +"Are you sure of that, Charles?" she asked, fixing her big grey eyes +upon him. + +"Certain. It was the wisest course to get back here to England, +although you had to take a very round-about journey." + +"Yes. I got to Switzerland, then to Italy, and from Genoa took an +Anchor Line steamer across to New York. After that I came over to +Liverpool, and in the meantime I had become Mrs. Bond. Louise, of +course, thought we were travelling for pleasure. I had to explain my +change of name by telling her that I did not wish my divorced husband +to know that I was back in England." + +"And the girl believed it, of course," he laughed. + +"Of course. She believes anything I tell her," said the clever, +unscrupulous woman for whom the Paris police were in active search, +whose real name was Molly Maxwell, and whose amazing career was well +known to the French police. + +Only recently a sum of a quarter of a million francs had fallen into +her hands, and with it she now rented Shapley Manor and had set up as +a country lady. Benton gazed around the fine old room with its Adams +ceiling and its Georgian furniture, and reflected how different were +Molly's present surroundings from that stuffy little flat /au +troisieme/ in the Rue Racine. + +"Yes," he said. "You had a very narrow escape, Molly. I dared not come +near you, but I knew that you'd look after the girl." + +"Of course. I always look after her as though she were my own child." + +Benton's lip curled as he sipped his China tea, and said: + +"Because so much depends upon her--eh? I'm glad you view the situation +from a fair and proper stand-point. We're now out for a big thing, +therefore we must not allow any little hitch to prevent us from +bringing it off successfully." + +"I quite agree, Charles. Our great asset is Louise. But she must be +innocent of it all. She must know absolutely nothing." + +"True. If she had an inkling that we were forcing her to marry Hugh +she would fiercely resent it. She's a girl of spirit, after all." + +"My dear Charles, I know that," laughed the woman. "Ever since she +came home from school I've noticed how independent she is. She +certainly has a will of her own. But she likes Hugh, and we must +encourage it. Recollect that a fortune is at stake." + +"I have not overlooked that," the man said. "But of late I've come to +fear that we are treading upon thin ice. I don't like the look of +affairs at the present moment. Young Henfrey is head over ears in love +with that girl Dorise Ranscomb, and--" + +"Bah! It's only a flirtation, my dear Charles," laughed the woman. +"When just a little pressure is put upon the boy, and a sly hint to +Lady Ranscomb, then the affair will soon be off, and he'll fall into +Louise's arms. She's really very fond of him." + +"She may be, but he takes no notice of her. She told me so the other +day. He's gone to the Riviera--followed Dorise, I suppose," Benton +said. + +"Yvonne wrote me a few days ago to say that he was there with a friend +of his named Walter Brock. Who's he?" + +"Oh! a naval lieutenant-commander who served in the war and was +invalided out after the Battle of Jutland. He got the D.S.O. over the +Falklands affair, and has now some post at the Admiralty. He was in +command of a torpedo boat which sank a German cruiser, and was +afterwards blown up." + +"They are both out at Monte Carlo, Yvonne says. And Henfrey is with +Dorise daily," remarked the woman. + +"Yvonne is always apprehensive lest young Henfrey should learn the +secret of the old fellow's end," said Benton. "But I don't see how the +truth of the--well, rather ugly affair can ever come out, except by an +indiscretion by one or other of us." + +"And that is scarcely likely, Charles, is it?" his hostess laughed as +she pushed across to him a big silver box of cigarettes and then +reclined lazily among her cushions. + +"No. It would certainly be a very sensational affair if the newspapers +got hold of the facts, my dear Molly. But don't let us anticipate such +a thing. Fortunately Louise, in her girlish innocence, knows nothing. +Old Henfrey left his money to his son upon certain conditions, one of +which is that Hugh shall marry Louise. And that marriage must, at all +hazards, take place. After that, we care for nothing." + +The handsome woman who was rolling a cigarette between her well- +manicured fingers hesitated. Her countenance assumed a strange look as +she reflected. She was far too clever to express any off-hand opinion. +She had outwitted the police of Paris, Brussels, and Rome in turn. Her +whole career had been a criminal one, punctuated by periods of +pretended high respectability--while the funds to support it had +lasted. And upon her hands had been placed Louise Lambert, the child +Charles Benton had adopted ten years before. + +"We shall have to exercise a good deal of discretion and caution in +regard to Louise," she declared. "The affair is not at all so plain +sailing as I at first believed." + +"No. It is a serious contretemps that you had to leave Paris, Molly," +agreed her well-dressed visitor. "The young American was a fool, of +course, but I think--" + +"Paris was flooded by rich young men from the United States who came +over to fight the Boche and to spend their money like water when on +leave in Paris. Frank was only one of them." + +Benton was silent. The affair was a distinctly unsavoury one. Frank +van Geen, the son of the Dutch-American millionaire cocoa manufacturer +of Chicago, had, by reason of his association with Molly, found +himself the poorer by nearly a quarter of a million francs, and his +body had been found in the Seine between the Pont d'Auteuil and the +Ile St. Germain. At the inquiry some ugly disclosures were made, but +already the lady of the Rue Racine and her supposed niece had left +Paris; and though the affair was one of suicide, the police raised a +hue and cry, and the frontiers had been watched, but the pair had +disappeared. + +That was several months ago. And now Molly Maxwell the adventuress in +Paris had been transformed into the wealthy and highly respectable +widow Mrs. Bond, who having presented such excellent references had +become tenant of that well-furnished mansion, Shapley Manor, and the +beautiful grounds adjoining. For nearly two centuries it had been the +home of the Puttenhams, but Sir George Puttenham, Baronet, the present +owner, had found himself ruined by war-taxation, and as one of the new +poor he had been glad to let the place and live upon the rent obtained +for it. His case, indeed, was only one of thousands of others in +England, where adventurers and war-profiteers were ousting the landed +gentry. + +"Yvonne is evidently keeping a good watch upon young Hugh," remarked +Benton presently, as he blew a ring of cigarette smoke towards the +ceiling. + +"Yes," replied the woman, her eyes fixed out of the big window which +commanded a glorious view of Gibbet Hill, at Hindhead, and the blue +South Downs towards the English Channel. But all was dark and lowering +in the winter twilight, now fast darkening into night. + +In old-world Guildford, the county town of Surrey, with its steep High +Street containing many seventeenth-century houses, its old inns, and +its balconied Guildhall--the scene of so many unseemly wrangles among +the robed and cocked-hatted borough councillors who are, /par +excellence/, outstanding illustrations of the provincial petty +jealousies of bumbledom--Mrs. Bond was welcomed by the trades-people +who vied with each other to "serve her." Almost daily she went up and +down the High Street in her fine Rolls-Royce driven by Mead, an ex- +soldier and a worthy fellow whom she had engaged through an +advertisement in the /Surrey Advertiser/. He had been in the Queen's +West Surrey, and his home being in Guildford, Molly knew that he would +serve as a testimonial to her high respectability. Molly Maxwell was +an outstandingly clever woman. She never let a chance slip by that +might be taken advantageously. + +Mead, who went on his "push-bike" every evening along the Hog's Back +to Guildford, was never tired of singing the praises of his generous +mistress. + +"She's a real good sort," he would tell his friends in the bar of the +Lion or the Angel. "She knows how to treat a man. She's a widow, and +good-looking. I suppose she'll marry again. Nearly all the best people +about here have called on her within the last week or two. Magistrates +and their wives, retired generals, and lots of the gentry. Yes, my job +isn't to be sneezed at, I can tell you. It's better than driving a +lorry outside Ypres!" + +Mrs. Bond treated Mead extremely well, and paid him well. She knew +that by so doing she would secure a good advertisement. She had done +so before, when four or five years ago she had lived at Keswick. + +"Do you know, Charles," she said presently, "I'm really very +apprehensive regarding the present situation. Yvonne is, no doubt, +keeping a watchful eye upon the young fellow. But what can she do if +he has followed the Ranscomb girl and is with her each day? Each day, +indeed, must bring the pair closer together, and--" + +"That's what we must prevent, my dear Molly!" exclaimed the lady's +visitor. "Think of all it means to us. You are quite safe here--as +safe as I am to-day. But we can't last out without money--either of +us. We must have cash-money--and cash-money always." + +"Yes. That's so. But Yvonne is wonderful--amazing." + +"She hasn't the same stake in the affair as we have." + +"Why not?" asked the woman for whom the European police were in +search. + +"Well, because she is rich--she's won pots of money at the tables--and +we--well, both of us have only limited means. Yours, Molly, are larger +than mine--thanks to Frank. But I must have money soon. My expenses in +town are mounting up daily." + +"But your rooms don't cost you very much! Old Mrs. Evans looks after +things as she has always done." + +"Yes. But everything is going up in price, and remember, I dare not +cross the Channel just now. At Calais, Boulogne, Cherbourg, and other +places, they have my photograph, and they are waiting for me to fall +into the trap. But the rat, once encaged, is shy! And I am very shy +just now," he added with a light laugh. + +"You'll stay and have dinner, won't you?" urged his hostess. + +Benton hesitated. + +"If I do Louise may return, and just now I don't want to meet her. It +is better not." + +"But she won't be back till the last train to Guildford. Mead is +meeting her. Yes--stay." + +"I must get a car to take me back to town. I have to go to Glasgow by +the early train in the morning." + +"Well, we're order one from one of the garages in Guildford. You +really must stay, Charles. There's lots we have to talk over--a lot of +things that are of vital consequence to us both." + +At that moment there came a rap at the door and the young manservant +entered, saying: + +"You're wanted on the telephone, ma'am." + +Mrs. Bond rose from the settee and went to the telephone in the +library, where she heard the voice of a female telephone operator. + +"Is that Shapley Manor?" she asked. "I have a telegram for Mrs. Bond. +Handed in at Nice at two twenty-five, received here at four twenty- +eight. 'To Bond, Shapley Manor, near Guildford. Yvonne shot by some +unknown person while with Hugh. In grave danger.--S.' That is the +message. Have you got it please?" + +Mrs. Bond held her breath. + +"Yes," she gasped. "Anything else?" + +"No, madam," replied the telephone operator at the Guildford Post +Office. "Nothing else. I will forward the duplicate by post." + +And she switched off. + + + + SIXTH CHAPTER + + FACING THE UNKNOWN + +That the police were convinced that Hugh Henfrey had shot Mademoiselle +was plain. + +Wherever he went an agent of detective police followed him. At the +Cafe de Paris as he took his aperitif on the /terrasse/ the man sat at +a table near, idly smoking a cigarette and glancing at an illustrated +paper on a wooden holder. In the gardens, in the Rooms, in the +Galerie, everywhere the same insignificant little man haunted him. + +Soon after luncheon he met Dorise and her mother in the Rooms. With +them were the Comte d'Autun, an elegant young Frenchman, well known at +the tables, and Madame Tavera, a very chic person who was one of the +most admired visitors of that season. They were only idling and +watching the players at the end table, where a stout, bearded Russian +was making some sensational coups /en plein/. + +Presently Hugh succeeded in getting Dorise alone. + +"It's awfully stuffy here," he said. "Let's go outside--eh?" + +Together they descended the red-carpeted steps and out into the palm- +lined Place, at that hour thronged by the smartest crowd in Europe. +Indeed, the war seemed to have led to increased extravagance and +daring in the dress of those gay Parisiennes, those butterflies of +fashion who were everywhere along the Cote d'Azur. + +They turned the corner by the Palais des Beaux Arts into the Boulevard +Peirara. + +"Let's walk out of the town," he suggested to the girl. "I'm tired of +the place." + +"So am I, Hugh," Dorise admitted. "For the first fortnight the +unceasing round of gaiety and the novelty of the Rooms are most +fascinating, but, after that, one seems cooped up in an atmosphere of +vicious unreality. One longs for the open air and open country after +this enervating, exotic life." + +So when they arrived at the little church of Ste. Devote, the patron +saint of Monaco, that little building which everyone knows standing at +the entrance to that deep gorge the Vallon des Gaumates, they +descended the steep, narrow path which runs beside the mountain +torrent and were soon alone in the beautiful little valley where the +grey-green olives overhang the rippling stream. The little valley was +delightfully quiet and rural after the garish scenes in Monte Carlo, +the cosmopolitan chatter, and the vulgar display of the war-rich. The +old habitue of pre-war days lifts his hands as he watches the post-war +life around the Casino and listens to the loud uneducated chatter of +the profiteer's womenfolk. + +As the pair went along in the welcome shadows, for the sun fell strong +upon the tumbling stream, Hugh was remarking upon it. + +He had been at Monte Carlo with his father before the war, and +realized the change. + +"I only wish mother would move on," Dorise exclaimed as they strolled +slowly together. + +She presented a dainty figure in cream gabardine and a broad-brimmed +straw hat which suited her admirably. Her clothes were made by a +certain famous /couturiere/ in Hanover Square, for Lady Ranscomb had +the art of dressing her daughter as well as she did herself. Gowns +make the lady nowadays, or the fashionable dressmakers dare not make +their exorbitant charges. + +"Then you also are tired of the place?" asked Hugh, as he strolled +slowly at her side in a dark-blue suit and straw hat. They made a +handsome pair, and were indeed well suited to each other. Lady +Ranscomb liked Hugh, but she had no idea that the young people had +fallen so violently in love with each other. + +"Yes," said the girl. "Mother promised to spend Easter in Florence. +I've never been there and am looking forward to it so much. The +Marchesa Ruggeri, whom we met at Harrogate last summer, has a villa +there, and has invited us for Easter. But mother said this morning +that she preferred to remain here." + +"Why?" + +"Oh! Somebody in the hotel has put her off. An old Englishwoman who +lives in Florence told her that there's nothing to see beyond the +Galleries, and that the place is very catty." + +Hugh laughed and replied: + +"All British colonies in Continental cities are catty, my dear Dorise. +They say that for scandal Florence takes the palm. I went there for +two seasons in succession before the war, and found the place +delightful." + +"The Marchesa is a charming woman. Her husband was an attache at the +Italian Embassy in Paris. But he has been transferred to Washington, +so she has gone back to Florence. I like her immensely, and I do so +want to visit her." + +"Oh, you must persuade your mother to take you," he said. "She'll be +easily persuaded." + +"I don't know. She doesn't like travelling in Italy. She once had her +dressing-case stolen from the train between Milan and Genoa, so she's +always horribly bitter against all Italians." + +"There are thieves also on English railways, Dorise," Hugh remarked. +"People are far too prone to exaggerate the shortcomings of +foreigners, and close their eyes to the faults of the British." + +"But everybody is not so cosmopolitan as you are, Hugh," the girl +laughed, raising her eyes to those of her lover. + +"No," he replied with a sigh. + +"Why do you sigh?" asked the girl, having noticed a change in her +companion ever since they had met in the Rooms. He seemed strangely +thoughtful and preoccupied. + +"Did I?" he asked, suddenly pulling himself together. "I didn't know," +he added with a forced laugh. + +"You don't look yourself to-day, Hugh," she said. + +"I've been told that once before," he replied. "The weather--I think! +Are you going over to the /bal blanc/ at Nice to-night?" + +"Of course. And you are coming also. Hasn't mother asked you?" she +inquired in surprise. + +"No." + +"How silly! She must have forgotten. She told me she intended to ask +you to have a seat in the car. The Comte d'Autun is coming with us." + +"Ah! He admires you, Dorise, hence I don't like him," Hugh blurted +forth. + +"But, surely, you're not jealous, you dear old thing!" laughed the +girl, tantalizing him. Perhaps she would not have uttered those words +which cut deeply into his heart had she known the truth concerning the +tragedy at the Villa Amette. + +"I don't like him because he seems to live by gambling," Hugh +declared. "I know your mother likes him very much--of course!" + +"And she likes you, too, dear." + +"She may like me, but I fear she begins to suspect that we love each +other, dearest," he said in a hard tone. "If she does, she will take +care in future to keep us apart, and I--I shall lose you, Dorise!" + +"No--no, you won't." + +"Ah! But I shall! Your mother will never allow you to marry a man who +has only just sufficient to rub along with, and who is already in debt +to his tailor. What hope is there that we can ever marry?" + +"My dear Hugh, you are awfully pessimistic to-day," the girl cried. +"What is up with you? Have you lost heavily at the tables--or what?" + +"No. I have been thinking of the future," he said in a hard voice so +very unusual to him. "I am thinking of your mother's choice of a +husband for you--George Sherrard." + +"I hate him--the egotistical puppy!" exclaimed the girl, her fine eyes +flashing with anger. "I'll never marry him--/never/!" + +But Hugh Henfrey made no reply, and they went on together in silence. + +"Cannot you trust me, Hugh?" asked the girl at last in a low earnest +tone. + +"Yes, dearest. I trust you, of course. But I feel certain that your +mother, when she knows our secret, will forbid your seeing me, and +press on your marriage with Sherrard. Remember, he's a rich man, and +your mother adores the Golden Calf." + +"I know she does. If people have money she wants to know them. Her +first inquiry is whether they have money." + +It was on the tip of Hugh's tongue to remark with sarcasm that such +ideals might well be expected of the wife of a jerry-builder in +Golder's green. But he hesitated. Lady Ranscomb was always well +disposed towards him, and he had had many good times at her house and +on the grouse moor she rented in Scotland each year for the benefit of +her intimate friends. Though she had been the wife of a small builder +and had commenced her married life in an eight-roomed house on the +fringe of Hampstead Heath, yet she had picked up society manners +marvellously well, being a woman of quick intelligence and +considerable wit. Nevertheless, she had no soul above money, and +gaiety was as life to her. She could not live without it. Dorise had +been given an excellent education, and after three years at Versailles +was now voted one of the prettiest and most charming girls in London +society. Hence mother and daughter were sought after everywhere, and +their doings were constantly being chronicled in the newspapers. + +"Yes," he said. "Your mother has not asked me over to Nice to-night +because she believes you and I have been too much together of late." + +"No," declared Dorise. "I'm sure it's not that, Hugh--I'm quite sure! +It's simply an oversight. I'll see about it when we get back. We leave +the hotel at half-past nine. It is the great White Ball of the Nice +season." + +"Please don't mention it to her on any account, Dorise," Hugh urged. +"If you did it would at once show her that you preferred my company to +that of the Count. Go with him. I shan't be jealous! Besides, in view +of my financial circumstances, what right have I to be jealous? You +can't marry a fellow like myself, Dorise. It wouldn't be fair to you." + +The girl halted. In her eyes shone the light of unshed tears. + +"Hugh! What do you mean? What are you saying?" she asked in a low, +faltering voice. "Have I not told you that whatever happens I shall +never love another man but yourself?" + +He drew a long breath, and without replying placed his strong arms +around her and, drawing her to him, kissed her passionately upon the +lips. + +"Thank you, my darling," he murmured. "Thank you for those words. They +put into me a fresh hope, a fresh determination, and a fearlessness-- +oh! you--you don't know!" he added in a low, earnest voice. + +"All I know, Hugh, is that you love me," was the simple response as +she reciprocated his fierce caress. + +"Love you, darling!" he cried. "Yes. You are mine--mine!" + +"True, Hugh. I love no other man. I hate that tailor's dummy, George +Sherrard, and as for the Count--well, he's an idiotic Frenchman--the +'hardy annual of Monte Carlo' I heard him called the other day. No, +Hugh, I assure you that you have no cause for jealousy." + +And she smiled sweetly into his eyes. + +They were standing together beneath a twisted old olive tree through +the dark foliage of which the sun shone in patches, while by their +feet the mountain torrent from the high, snow-clad Alps rippled and +splashed over the great grey boulders towards the sea. + +"I know it, darling! I know it," Hugh said in a stifled voice. He was +thinking of the tragedy of that night, but dare not disclose to her +his connexion with it, because he knew the police suspected him of +making that murderous attack upon the famous "Mademoiselle." + +"Forgive me, Hugh," exclaimed the girl, still clasped in her lover's +arms. "But somehow you don't seem your old self to-day. What is the +matter? Can't you tell me?" + +He drew a long breath. + +"No, darling. Excuse me. I--I'm a bit upset that's all." + +"Why?" + +"I'm upset because for the last day or two I have begun to realize +that our secret must very soon come out, and then--well, your mother +will forbid me the house because I have no money. You know that she +worships Mammon always--just as your father did--forgive me for my +words." + +"I do forgive you because you speak the truth," Dorise replied. "I +know that mother wants me to marry a rich man, and--" + +"And she will compel you to do so, darling. I am convinced of that." + +"She won't!" cried the girl. "I will never marry a man I do not love!" + +"Your mother, if she doesn't suspect our compact, will soon do so," he +said. "She's a clever woman. She is on the alert, because she intends +you to marry soon, and to marry a rich man." + +"Mother is far too fond of society, I admit. She lives only for her +gay friends now that father is dead. She spends lavishly upon +luncheons and dinners at the Ritz, the Carlton, and Claridge's; and by +doing so we get to know all the best people. But what does it matter +to me? I hate it all because----" + +And she looked straight into his eyes as she broke off. + +"Because," she whispered, "because--because I love you, Hugh!" + +"Ah! darling! You have never been so frank with me before," he said +softly. "You do not know how much those words of yours mean to me! You +do not know how all my life, all my hopes, all my future, is centred +in your own dear self!" and clasping her again tightly in his arms he +pressed his lips fondly to hers in a long passionate embrace. + +Yet within the stout heart of Hugh Henfrey, who was so straight, +honest and upright a young fellow as ever trod the Broad at Oxford, +lay that ghastly secret--indeed, a double secret--that of his revered +father's mysterious end and the inexplicable attack upon Yvonne Ferad +at the very moment when he had been about to learn the truth. + +They lingered there beside the mountain stream for a long time, until +the sun sank and the light began to fail. Again and again he told her +of his great love for her, but he said nothing of the strange clause +in his father's will. She knew Louise Lambert, having met her once +walking in the park with her lover. Hugh had introduced them, and had +afterwards explained that the girl was the adopted daughter of a great +friend of his father. + +Dorise little dreamed that if her lover married her he would inherit +the remainder of old Mr. Henfrey's fortune. + +"Do come over to the ball at Nice to-night," the girl urged presently +as they stood with hands clasped gazing into each other's eyes. "It +will be nothing without you." + +"Ah! darling, that's very nice of you to say so, but I think we ought +to be discreet. Your mother has invited the Count to go with you." + +"I hate him!" Dorise declared. "He's all elegance, bows and flattery. +He bores me to death." + +"I can quite understand that. But your mother is fond of his society. +She declares that he is so amusing, and in Paris he knows everyone +worth knowing." + +"Oh, yes. He gave us an awfully good time in Paris last season--took +us to Longchamps, and we afterwards went to Deauville with him. He +wins and loses big sums on the turf." + +"A born gambler. Everyone knows that. I heard a lot about him in the +Travellers' Club, in Paris." + +"But if mother telephones to you, you'll come with us--won't you?" +entreated the girl again. + +The young man hesitated. His mind was full of the tragic affair of the +previous night. He was wondering whether the end had come--whether +Mademoiselle's lips were already sealed by Death. + +He gave an evasive reply, whereupon Dorise, taking his hand in hers, +said: + +"What is your objection to going out with us to-night, Hugh? Do tell +me. If you don't wish me to go, I'll make an excuse to mother and she +can take the Count." + +"I have not the slightest objection," he declared at once. "Go, +dearest--only leave me out of it. The /bal blanc/ is always good fun." + +"I shall not go if you refuse to go," she said with a pout. + +Therefore in order to please her he consented--providing Lady Ranscomb +invited him. + +They had wandered a long way up the narrow, secluded valley, but had +met not a soul. All was delightful and picturesque, the profusion of +wild flowers, the huge grey moss-grown boulders, the overhanging +ilexes and olives, and the music of the tumbling current through a +crooked course worn deep by the waters of primeval ages. + +It was seldom that in the whirl of society the pair could get a couple +of hours together without interruption. And under the blue Riviera sky +they were indeed fraught with bliss to both. + +When they returned to the town the dusk was already falling, and the +great arc lamps along the terrace in front of the Casino were already +lit. Hugh took her as far as the entrance to the Metropole and then, +after wishing her au revoir and promising to go with her to Nice if +invited, he hastily retraced his steps to the Palmiers. Five minutes +later he was speaking to the old Italian at the Villa Amette. + +"Mademoiselle is still unconscious, m'sieur," was the servant's reply +to his eager inquiry. "The doctors have been several times this +afternoon, but they hold out no hope." + +"I wonder if I can be of any assistance?" Hugh asked in French. + +"I think not, m'sieur. What assistance can any of us give poor +Mademoiselle?" + +Ah, what indeed, Hugh thought as he put down the receiver. + +Yet while she lived, there was still a faint hope that he would be +able to learn the secret which he anticipated would place him in such +a position that he might defy those who had raised their hands against +his father and himself. + +His marriage with Dorise, indeed his whole future, depended upon the +disclosure of the clever plot whereby Louise Lambert was to become his +wife. + +His friend Brock was not in the hotel, so he went to his room to dress +for dinner. Ten minutes later a page brought a message from Lady +Ranscomb inviting him to go over to Nice to the ball. + +He drew a long breath. He was in no mood for dancing that night, for +he was far too perturbed regarding the critical condition of the +notorious woman who had turned his friend. + +On every hand there were whispers and wild reports concerning the +tragedy at the Villa Amette. He had heard about it from a dozen +people, though not a word was in the papers. Yet nobody dreamed that +he, of all men, had been present when the mysterious shot was fired, +or that he was, indeed, the cause of the secret attack. + +He dressed slowly, and having done so, descended to the /salle a +manger/. The big white room was filled with a gay, reckless +cosmopolitan crowd--the crowd of well-dressed moths of both sexes +which eternally flutters at night at Monte Carlo, attracted by the +candle held by the great god Hazard. + +Brock was not there, and he seated himself alone at their table near +the long-curtained window. He was surprised at his friend's absence. +Perhaps, however, he had met friends and gone over to Beaulieu, Nice, +or Mentone with them. + +He had but little appetite. He ate a small portion of langouste with +an exquisite salad, and drank a single glass of chablis. Then he rose +and quitted the chattering, laughing crowd of diners, whose gossip was +mainly upon a sensational run on the red at five o'clock that evening. +One woman, stout and of Hebrew type, sitting with three men, was +wildly merry, for she had won the equivalent to sixty thousand pounds. + +All that recklessness jarred upon the young man's nerves. He tried to +close his ears to it all, and ascended again to his room, where he sat +in silent despondency till it was time for him to go round to the +Metropole to join Lady Ranscomb and Dorise. + +He had brushed his hair and rearranged his tie, and was about to put +on the pierrot's costume of white satin with big buttons of black +velvet which he had worn at the /bal blanc/ at Mentone about a week +before, when the page handed him another note. + +Written in a distinctly foreign hand, it read: + + + "Instantly you receive this get into a travelling-suit and put what + money and valuables you have into your pockets. Then go to a dark- + green car which will await you by the reservoir in the Boulevard + du Midi. Trust the driver. You must get over the frontier into + Italy at the earliest moment. Every second's delay is dangerous to + you. Do not trouble to find out who sends you this warning! /Bon + voyage!/" + + +Hugh Henfrey read it and re-read it. The truth was plain. The police +of Monaco suspected him, and intended that he should be arrested on +suspicion of having committed the crime. + +But who was his unknown friend? + +He stood at the window reflecting. If he did not keep his appointment +with Dorise she would reproach him for breaking his word to her. On +the other hand, if he motored to Nice he would no doubt be arrested on +the French frontier a few miles along the Corniche road. + +Inspector Ogier suspected him, hence discretion was the better part of +valour. So, after brief consideration, he threw off his dress clothes +and assumed a suit of dark tweed. He put his money and a few articles +of jewellry in his pockets, and getting into his overcoat he slipped +out of the hotel by the back entrance used by the staff. + +Outside, he walked in the darkness along the Boulevard du Nord, past +the Turbie station, until he came to the long blank wall behind which +lay the reservoir. + +At the kerb he saw the dim red rear-light of a car, and almost at the +same moment a rough-looking Italian chauffeur approached him. + +"Quick, signore!" he whispered excitedly. "Every moment is full of +danger. There is a warrant out for your arrest! The police know that +you intended to go to Nice and they are watching for you on the +Corniche road. But we will try to get into Italy. You are an invalid, +remember! You'll find in the car a few things with which you can make +up to look the part. You are an American subject and a cripple, who +cannot leave the car when the customs officers search it. Now, +signore, let's be off and trust to our good fortune in getting away. I +will tell the officers of the /dogana/ at Ventimiglia a good story-- +trust me! I haven't been smuggling backwards and forwards for ten +years without knowing the ropes!" + +"But where are we going?" asked Hugh bewildered. + +"You, signore, are going to prison if we fail on this venture, I +fear," was the rough-looking driver's reply. + +So urged by him Hugh got into the car, and then they drove swiftly +along the sea-road of the littoral towards the rugged Italian +frontier. + +Hugh Henfrey was going forth to face the unknown. + + + + SEVENTH CHAPTER + + FROM DARK TO DAWN + +In the darkness the car went swiftly through Mentone and along the +steep winding road which leads around the rugged coast close to the +sea--the road over the yellow rocks which Napoleon made into Italy. + +Presently they began to ascend a hill, a lonely, wind-swept highway +with the sea plashing deep below, when, after a sudden bend, some +lights came into view. It was the wayside Italian Customs House. + +They had arrived at the frontier. + +Hugh, by the aid of a flash-lamp, had put on a grey moustache and +changed his clothes, putting his own into the suit case wherein he had +found the suit already prepared for him. He had wrapped himself up in +a heavy travelling-rug, and by his side reposed a pair of crutches, so +that when they drew up before the little roadside office of the +Italian /dogana/ he was reclining upon a cushion presenting quite a +pathetic figure. + +But who had made all these preparations for his flight? + +He held his breath as the chauffeur sounded his horn to announce his +arrival. Then the door opened, shedding a long ray of light across the +white dusty road. + +"/Buona sera, signore/!" cried the chauffeur merrily, as a Customs +officer in uniform came forward. "Here's my driving licence and papers +for the car. And our two passports." + +The man took them, examined them by the light of his electric torch, +and told the chauffeur to go into the office for the visas. + +"Have you anything to declare?" he added in Italian. + +"Half a dozen very bad cigarettes," replied the other, laughing. +"They're French! And also I've got a very bad cold! No duty on that, I +suppose?" + +The officer laughed, and then turned his attention to the petrol tank, +into which he put his measuring iron to see how much it contained, +while the facetious chauffeur stood by. + +During this operation two other men came out of the building, one an +Italian carabineer in epaulettes and cocked hat, while the other, tall +and shrewd-faced, was in mufti. The latter was the agent of French +police who inspects all travellers leaving France by road. + +The chauffeur realized that the moment was a critical one. + +He was rolling a cigarette unconcernedly, but bending to the Customs +officer, he said in a low voice: + +"My /padrone/ is an /Americano/. An invalid, and a bit eccentric. Lots +of money. A long time ago he injured his spine and can hardly move. He +fell down a few days ago, and now I've got to take him to Professor +Landrini, in Turin. He's pretty bad. We've come from Hyeres. His +doctor ordered me to take him to Turin at once. We don't want any +delay. He told me to give you this," and he slipped a note for a +hundred lire into the man's hand. + +The officer expressed surprise, but the merry chauffeur of the rich +American exclaimed: + +"Don't worry. The /Americano/ is very rich; I only wish there were +more of his sort about. He's the great Headon, the meat-canner of +Chicago. You see his name on the tins." + +The man recognized the name, and at once desisted in his examination. + +Then to the two police officers who came to his side, he explained: + +"The American gentleman inside is an invalid, going to Turin to +Professor Landrini. He wants to get off at once, for he has a long +journey over the Alps." + +The French agent of police grunted suspiciously. Both the French and +Italian police are very astute, but money always talks. It is the same +at a far-remote frontier station as in any circle of society. + +Here was a well-known American--the Customs officer had mentioned the +name of Headon, which both police officers recognized--an invalid sent +with all haste to the famous surgeon in Turin. It was not likely that +he would be carrying contraband, or be an escaping criminal. + +Besides, the chauffeur, in full view of the two police agents, slipped +a second note into the hand of the Customs officer, and said: + +"So all is well, isn't it, signori? Just visa my papers, and we'll get +along. It looks as though we're to have a bad thunderstorm, and, if +so, we shall catch it up on the Col di Tenda!" + +Thus impelled, the quartette went back to the well-lit little +building, where the beetle-browed driver again chaffed the police- +agents, while the Customs officer placed his rubber stamp upon the +paper, scribbled his initials and charged three-lire-twenty as fee. + +All this was being watched with breathless anxiety by the supposed +invalid reclining against the cushion with his crutches at his side. + +Again the mysterious chauffeur reappeared, and with him the French +police officer in plain clothes. + +"We are keeping watch for a young Englishman from Monte Carlo who has +shot a woman," remarked the latter. + +"Oh! But they arrested him to-night in Mentone," replied the driver. +"I heard it half an hour ago as I came through." + +"Are you sure?" + +"Well, they told me so at the Garage Grimaldi. He shot a woman known +as Mademoiselle of Monte Carlo--didn't he?" + +"Yes, that's the man! But they have not informed us yet. I'll +telephone to Mentone." Then he added: "As a formality I'll just have a +peep at your master." + +The chauffeur held his breath. + +"He's pretty bad, I think. I hope we shall be in Turin early in the +morning." + +Advancing to the car, the police officer opened the door and flashed +his torch upon the occupant. + +He saw a pale, elderly man, with a grey moustache, wearing a golf cape +and reclining uneasily upon the pillow, with his leg propped up and +wrapped with a heavy travelling-rug. Upon the white countenance was an +expression of pain as he turned wearily, his eyes dazzled by the +sudden light. + +"Where are we?" he asked faintly in English. + +"At the Italian /douane/, m'sieur," was the police officer's reply, as +for a few seconds he gazed upon the invalid's face, seconds that +seemed hours to Hugh. He was, of course, unaware of the cock-and-bull +story which his strange chauffeur had told, and feared that at any +moment he might find himself under arrest. + +While the door remained open there was danger. At last, however, the +man reclosed it. + +Hugh's heart gave a great bound. The chauffeur had restarted the +engine, and mounting to the wheel shouted a merry: + +"/Buona notte, signori/!" + +Then the car moved away along the winding road and Hugh knew that he +was on Italian soil--that he had happily escaped from France. + +But why had he escaped, he reflected? He was innocent. Would not his +flight lend colour to the theory that Yvonne Ferad had been shot by +his hand? + +Again, who was his unknown friend who had warned him of his peril and +made those elaborate arrangements for his escape? Besides, where was +Walter? + +His brain was awhirl. As they tore along in the darkness ever beside +the sea over that steep and dangerous road along the rock coast, Hugh +Henfrey fell to wondering what the motive of it all could be. Why had +Yvonne been shot just at that critical moment? It was evident that she +had been closely watched by someone to whom her silence meant a very +great deal. + +She had told him that his father had been a good man, and she was on +the point of disclosing to him the great secret when she had been +struck down. + +What was the mystery of it all? Ay, what indeed? + +He recalled every incident of that fateful night, her indignation at +his presence in her house, and her curious softening of manner towards +him, as though repentant and ready to make amends. + +Then he wondered what Dorise would think when he failed to put in an +appearance to go with her to the ball at Nice. He pictured the car +waiting outside the hotel, Lady Ranscomb fidgeting and annoyed, the +count elegant and all smiles and graces, and Dorise, anxious and +eager, going to the telephone and speaking to the concierge at the +Palmiers. Then inquiry for Monsieur Henfrey, and the discovery that he +had left the hotel unseen. + +So far Dorise knew nothing of Hugh's part in the drama of the Villa +Amette, but suddenly he was horrified by the thought that the police, +finding he had escaped, would question her. They had been seen +together many times in Monte Carlo, and the eyes of the police of +Monaco are always very wide open. They know much, but are usually +inactive. When one recollects that all the /escrocs/ of Europe gather +at the /tapis vert/ in winter and spring, it is not surprising that +they close their eyes to such minor crimes as theft, blackmail and +false pretences. + +In his excited and unnerved state, he pictured Ogier calling upon Lady +Ranscomb and questioning her closely concerning her young English +friend who was so frequently seen with her daughter. That would, +surely, end their friendship! Lady Ranscomb would never allow her +daughter to associate further with a man accused of attempting to +murder a notorious woman after midnight! + +The car presently descended the steep rocky road which wound up over +the promontory and back again down to the sea, until they passed +through the little frontier town of Ventimiglia. + +It was late, and few people were about in the narrow, ill-lit streets. + +Suddenly, a couple of Italian carabineers stopped the car. + +Hugh's heart beat quickly. Had they at the /dogana/ discovered the +trick and telephoned from the frontier? + +Instantly the fugitive reassumed his role of invalid, and no sooner +had he settled himself than the second man in a cocked hat and heavy +black cloak opened the door and peered within. + +Another lamp was flashed upon his face. + +The carabineer asked in Italian: + +"What is your name, signore?" + +But Hugh, pretending that he did not understand the language, asked: + +"Eh? What?" + +"Here are our papers, signore," interrupted the ever-ready chauffeur, +and he produced the papers for the officer's inspection. + +He looked at them, bending to read them by the light of the torch +which his companion held. + +Then, after an officious gesture, he handed them back, saying: + +"/Benissimo/! You may pass!" + +Again Hugh was free! Yet he wondered if that examination had been +consequent upon the hue and cry set up now that he had escaped from +Monaco. + +They passed out of the straggling town of Ventimiglia, but instead of +turning up the valley by that long road which winds up over the Alps +until it reaches the snow and then passes through the tunnel on the +Col di Tenda and on to Cuneo and Turin, the mysterious driver kept on +by the sea-road towards Bordighera. + +Hugh realised that his guide's intention was to go in the direction of +Genoa. + +About two miles out of Ospedaletti, on the road to San Remo, Henfrey +rapped at the window, and the chauffeur, who was travelling at high +speed, pulled up. + +Hugh got out and said in French: + +"Well, so far we've been successful. I admire your ingenuity and your +pluck." + +The man laughed and thanked him. + +"I have done what I was told to do," he replied simply. "Monsieur is, +I understand, in a bit of a scrape, and it is for all of us to assist +each other--is it not?" + +"Of course. But who told you to do all this?" Hugh inquired, standing +in the dark road beside the car. The pair could not see each other's +faces, though the big head-lamps glared far ahead over the white road. + +"Well--a friend of yours, m'sieur." + +"What is his name?" + +"Pardon, I am not allowed to say." + +"But all this is so very strange--so utterly mysterious!" cried Hugh. +"I have not committed any crime, and yet I am hunted by the police! +They are anxious to arrest me for an offence of which I am entirely +innocent." + +"I know that, m'sieur," was the fellow's reply. "At the /dogana/, +however, we had a narrow escape. The man who looked at you was Morain, +the chief inspector of the Surete of the Alpes-Maritimes, and he was +at the outpost especially to stop you!" + +"Again I admire your perfect nonchalance and ingenuity," Hugh said. "I +owe my liberty entirely to you." + +"Not liberty, m'sieur. We are not yet what you say in English 'out of +the wood.'" + +"Where are we going now?" + +"To Genoa. We ought to be there by early morning," was the reply. +"Morain has, no doubt, telephoned to Mentone and discovered that my +story is false. So if later, on, they suspect the American invalid +they will be looking out for him on the Col di Tenda, in Cuneo, and in +Turin." + +"And what shall we do in Genoa?" + +"Let us get there first--and see." + +"But I wish you would tell me who you are--and why you take such a +keen interest in my welfare," Hugh said. + +The man gave vent to an irritating laugh. + +"I am not permitted to disclose the identity of your friend," he +answered. "All I know is that you are innocent." + +"Then perhaps you know the guilty person?" Hugh suggested. + +"Ah! Let us talk of something else, signore," was the mysterious +chauffeur's reply. + +"But I confess to you that I am bent upon solving the mystery of +Mademoiselle's assailant. It means a very great deal to me." + +"How?" asked the man. + +Hugh hesitated. + +"Well," he replied. "If the culprit is found, then there would no +longer be any suspicion against myself." + +"Probably he never will be found," the man said. + +"But tell me, how did you know about the affair, and why are you +risking arrest by driving me to-night?" + +"I have reasons," was all he would say. "I obey the demands of those +who are your friends." + +"Who are they?" + +"They desire to conceal their identity. There is a strong reason why +this should be done." + +"Why?" + +"Are they not protecting one who is suspected of a serious crime? If +discovered they would be punished," was the quiet response. + +"Ah! There is some hidden motive behind all this!" declared the young +Englishman. "I rather regret that I did not remain and face the +music." + +"It would have been far too dangerous, signore. Your enemies would +have contrived to convict you of the crime." + +"My enemies--but who are they?" + +"Of that, signore, I am ignorant. Only I have been told that you have +enemies, and very bitter ones." + +"But I have committed no crime, and yet I am a fugitive from justice!" +Hugh cried. + +"You escaped in the very nick of time," the man replied. "But had we +not better be moving again? We must be in Genoa by daybreak." + +"But do, I beg of you, tell me more," the young man implored. "To whom +do I owe my liberty?" + +"As I have already told you, signore, you owe it to those who intend +to protect you from a false charge." + +"Yes. But there is a lady in the case," Hugh said. "I fear that if she +hears that I am a fugitive she will misjudge me and believe me to be +guilty." + +"Probably so. That is, I admit, unfortunate--but, alas! it cannot be +avoided. It was, however, better for you to get out of France." + +"But the French police, when they know that I have escaped, will +probably ask the Italian police to arrest me, and then apply for my +extradition." + +"If they did, I doubt whether you would be surrendered. The police of +my country are not too fond of assisting those of other countries. +Thus if an Italian commits murder in a foreign country and gets back +to Italy, our Government will refuse to give him up. There have been +many such cases, and the murderer goes scot free." + +"Then you think I am safe in Italy?" + +"Oh, no, not by any means. You are not an Italian subject. No, you +must not be very long in Italy." + +"But what am I to do when we get to Genoa?" Hugh asked. + +"The signore had better wait until we arrive there," was the driver's +enigmatical reply. + +Then the supposed invalid re-entered the car and they continued on +their way along the bleak, storm-swept road beside the sea towards +that favourite resort of the English, San Remo. + +The night had grown pitch dark, and rain had commenced to fall. Before +the car the great head-lamps threw long beams of white light against +which Hugh saw the silhouette of the muffled-up mysterious driver, +with his keen eyes fixed straight before him, and driving at such a +pace that it was apparent that he knew every inch of the dangerous +road. + +What could it all mean? What, indeed? + + + + EIGHTH CHAPTER + + THE WHITE CAVALIER + +While Hugh Henfrey was travelling along that winding road over high +headlands and down steep gradients to the sea which stretched the +whole length of the Italian Riviera, Dorise Ranscomb in a white silk +domino and black velvet mask was pretending to enjoy herself amid the +mad gaiety at the Casino in Nice. + +The great /bal blanc/ is always one of the most important events of +the Nice season, and everyone of note wintering on the Riviera was +there, yet all carefully masked, both men and women. + +"I wonder what prevented Hugh from coming with us, mother?" the girl +remarked as she sat with Lady Ranscomb watching the merriment and the +throwing of serpentines and confetti. + +"I don't know. He certainly ought to have let me know, and not have +kept me waiting nearly half an hour, as he did," her mother snapped. + +The girl did not reply. The truth was that while her mother and the +Count had been waiting for Hugh's appearance, she had gone to the +telephone and inquired for Mr. Henfrey. Walter Brock had spoken to +her. + +"I'm awfully sorry, Miss Ranscomb," he had replied. "But I don't know +where Hugh can be. I've just been up to his room, but his fancy dress +is there, flung down as though he had suddenly discarded it and gone +out. Nobody noticed him leave. The page at the door is certain that he +did not go out. So he must have left by the staff entrance." + +"That's very curious, isn't it?" Dorise remarked. + +"Very. I can't understand it." + +"But he promised to go with us to the ball at Nice to-night!" + +"Well, Miss Ranscomb, all I can think is that something--something +very important must have detained him somewhere." + +Walter knew that his friend was suspected by the police, but dared not +tell her the truth. Hugh's disappearance had caused him considerable +anxiety because, for aught he knew, he might already be arrested. + +So Dorise, much perplexed, but resolving not to say to her mother that +she had telephoned to the Palmiers, rejoined the Count in the hotel +lounge, where they waited a further ten minutes. Then they entered the +car and drove along to Nice. + +There are few merrier gatherings in all Europe than the /bal blanc/. +The Municipal Casino, at all times the center of revelry, of mild +gambling, smart dresses and gay suppers, is on that night an amazing +spectacle of black and white. The carnival colours--the two shades of +colour chosen yearly by the International Fetes Committee--are +abandoned, and only white is worn. + +When the trio entered the fun was already in full swing. The gay crowd +disguised by their masks and fancy costumes were revelling as happily +as school children. A party of girls dressed as clowns were playing +leap-frog. Another party were dancing in a great and ever-widening +ring. Girls armed with jesters' bladders were being carried high on +the shoulders of their male acquaintances, and striking all and sundry +as they passed, staid, elderly folk were performing grotesque antics +for persons of their age. The very air of the Riviera seems to be +exhilarating to both old and young, and the constant church-goers at +home quickly become infected by the spirit of gaiety, and conduct +themselves on the Continental Sabbath in a manner which would horribly +disgust their particular vicar. + +"Hugh must have been detained by something very unexpected, mother," +Dorise said. "He never disappoints us." + +"Oh, yes, he does. One night we were going to the Embassy Club--don't +you recollect it--and he never turned up." + +"Oh, well, mother. It was really excusable. His cousin arrived from +New York quite unexpectedly upon some family business. He phoned to +you and explained," said the girl. + +"Well, what about that night when I asked him to dinner at the Ritz to +meet the Courtenays and he rang up to say he was not well? Yet I saw +him hale and hearty next day at a matinee at the Comedy." + +"He may have been indisposed, mother," Dorise said. "Really I think +you judge him just a little too harshly." + +"I don't. I take people as I find them. Your father always said that, +and he was no fool, my dear. He made a fortune by his cleverness, and +we now enjoy it. Never associate with unsuccessful persons. It's +fatal!" + +"That's just what old Sir Dudley Ash, the steel millionaire, told me +the other day when we were over at Cannes, mother. Never associate +with the unlucky. Bad luck, he says, is a contagious malady." + +"And I believe it--I firmly believe it," declared Lady Ranscomb. "Your +poor father pointed it out to me long ago, and I find that what he +said is too true." + +"But we can't all be lucky, mother," said the girl, watching the +revelry before her blankly as she reflected upon the mystery of Hugh's +absence. + +"No. But we can, nevertheless, be rich, if we look always to the main +chance and make the best of our opportunities," her mother said +meaningly. + +At that moment the Count d'Autun approached them. He was dressed as a +pierrot, but being masked was only recognizable by the fine ruby ring +upon his finger. + +"Will mademoiselle do me the honour?" he said in French, bowing +elegantly. "They are dancing in the theatre. Will you come, +Mademoiselle Dorise?" + +"Delighted," she said, with an inward sigh, for the dressed-up +Parisian always bored her. She rose quickly, and promising her mother +to be back soon, she linked her arm to that of the notorious gambler +and passed through the great palm-court into the theatre. + +Then, a few moments later, she found herself carried around amid the +mad crowd of revellers, who laughed merrily as the coloured +serpentines thrown from the boxes fell upon them. + +To lift one's /loup/ was a breach of etiquette. Everyone was closely +masked. British members of Parliament, French senators, Italian +members of the Camera, Spanish grandees and Russian princes, all with +their womenfolk, hob-nobbed with cocottes, /escrocs/, and the most +notorious adventurers and adventuresses in all Europe. Truly, it was a +never-to-be-forgotten scene of cosmopolitan fun. + +The Count, who was a bad dancer, collided with a slim, well-dressed +French girl, but did not apologize. + +"Oh! la la!" cried the girl to her partner, a stout figure in +Mephistophelian garb. "An exquisitely polite gentleman that, mon cher +Alphonse! I believe he must really be the Pork King from Chicago--eh?" + +The Count heard it, and was furious. Dorise, however, said nothing. +She was thinking of Hugh's strange disappearance, and how he had +broken his word to her. + +Meanwhile, Lady Ranscomb, secretly very glad that Hugh had been +prevented from accompanying them, and centring all her hopes upon her +daughter's marriage with George Sherrard, sat chattering with a Mrs. +Down, the fat wife of a war-profiteer, whose acquaintance she had made +in Paris six months before. + +Dorise made pretense of enjoying the dance though eager to get back +again to Monte Carlo in order to learn the reason of her lover's +absence. She was devoted to Hugh. He was all in all to her. + +She danced with several partners, having first made a rendezvous with +her mother at midnight at a certain spot under one of the great palms +in the promenade. At masked balls the chaperon is useless, and +everyone, being masked, looks so much alike that mistakes are easy. + +About half-past one o'clock a big motor-car drew up in the Place +before the Casino, and a tall man in a white fancy dress of a +cavalier, with wide-brimmed hat and staggering plume, stepped from it +and, presenting his ticket, passed at once into the crowded ball-room. +For a full ten minutes he stood watching the crowd of revellers +intently, eyeing each of them keenly, though the expression on his +countenance was hidden by the strip of black velvet. + +His eyes, shining through the slits in the mask, were, however, dark +and brilliant. In them could be seen alertness and eagerness, for it +was apparent that he had come there hot-foot in search of someone. In +any case he had a difficult task, for in the whirling, laughing, +chattering crowd each person resembled the other save for their feet +and their stature. + +It was the feet of the dancers that the tall masked man was watching. +He stood in the crowd near the doorway with his hand upon his sword- +hilt, a striking figure remarked by many. His large eyes were fixed +upon the shoes of the dancers, until, of a sudden, he seemed to +discover that for which he was in search, and made his way quickly +after a pair who, having finished a dance, were walking in the +direction of the great hall. + +The stranger never took his eyes off the pair. The man was slightly +taller than the woman, and the latter wore upon her white kid shoes a +pair of old paste buckles. It was for those buckles that he had been +searching. + +"Yes," he muttered in English beneath his breath. "That's she--without +a doubt!" + +He drew back to near where the pair had halted and were laughing +together. The girl with the glittering buckles upon her shoes was +Dorise Ranscomb. The man with her was the Count d'Autun. + +The white cavalier pretended to take no interest in them, but was, +nevertheless, watching intently. At last he saw the girl's partner +bow, and leaving her, he crossed to greet a stout Frenchwoman in a +plain domino. In a moment the cavalier was at the girl's side. + +"Please do not betray surprise, Miss Ranscomb," he said in a low, +refined voice. "We may be watched. But I have a message for you." + +"For me?" she asked, peering through her mask at the man in the plumed +hat. + +"Yes. But I cannot speak to you here. It is too public. Besides, your +mother yonder may notice us." + +"Who are you?" asked the girl, naturally curious. + +"Do not let us talk here. See, right over yonder in the corner behind +where they are dancing in a ring--under the balcony. Let us meet there +at once. /Au revoir/." + +And he left her. + +Three minutes later they met again out of sight of Lady Ranscomb, who +was still sitting at one of the little wicker tables talking to three +other women. + +"Tell me, who are you?" Dorise inquired. + +The white cavalier laughed. + +"I'm Mr. X," was his reply. + +"Mr. X? Who's that?" + +"Myself. But my name matters nothing, Miss Ranscomb," he said. "I have +come here to give you a confidential message." + +"Why confidential--and from whom?" she asked, standing against the +wall and surveying the mysterious masker. + +"From a gentleman friend of yours--Mr. Henfrey." + +"From Hugh?" she gasped. "Do you know him?" + +"Yes." + +"I expected him to come with us to-night, but he has vanished from his +hotel." + +"I know. That is why I am here," was the reply. + +There was a note in the stranger's voice which struck her as somehow +familiar, but she failed to recognize the individual. She was as quick +at remembering voices as she was at recollecting faces. Who could he +be, she wondered? + +"You said you had a message for me," she remarked. + +"Yes," he replied. "I am here to tell you that a serious contretemps +has occurred, and that Mr. Henfrey has escaped from France." + +"Escaped!" she echoed. "Why?" + +"Because the police suspect him of a crime." + +"Crime! What crime? Surely he is innocent?" she cried. + +"He certainly is. His friends know that. Therefore, Miss Ranscomb, I +beg of you to betray no undue anxiety even if you do not hear from him +for many weeks." + +"But will he write to me?" she asked in despair. "Surely he will not +keep me in suspense?" + +"He will not if he can avoid it. But as soon as the French police +realize that he has got away a watch will be kept upon his +correspondence." Then, lowering his voice, he urged her to move away, +as he thought that an idling masker was trying to overhear their +conversation. + +"You see," he went on a few moments later, "it might be dangerous if +he were to write to you." + +Dorise was thinking of what her mother would say when the truth +reached her ears. Hugh was a /fugitive/! + +"Of what crime is he suspected?" asked the girl. + +"I--well, I don't exactly know," was the stranger's faltering +response. "I was told by a friend of his that it was a serious one, +and that he might find it extremely difficult to prove himself +innocent. The circumstantial evidence against him is very strong." + +"Do you know where he is now?" + +"Not in the least. All I know is that he is safely across the frontier +into Italy," was the reply of the tall white cavalier. + +"I wish I could see your face," declared Dorise frankly. + +"And I might express a similar desire, Miss Ranscomb. But for the +present it is best as it is. I have sought you here to tell you the +truth in secret, and to urge you to remain calm and patient." + +"Is that a message from Hugh?" + +"No--not exactly. It is a message from one who is his friend." + +"You are very mysterious," she declared. "If you do not know where he +is at the moment, perhaps you know where we can find him later." + +"Yes. He is making his way to Brussels. A letter addressed to Mr. +Godfrey Brown, Poste Restante, Brussels, will eventually find him. +Recollect the name," he added. "Disguise your handwriting on the +envelope, and when you post it see that you are not observed. +Recollect that his safety lies in your hands." + +"Trust me," she said. "But do let me know your name," she implored. + +"Any old name is good enough for me," he replied. "Call me Mr. X." + +"Don't mystify me further, please." + +"Well, call me Smith, Jones, Robinson--whatever you like." + +"Then you refuse to satisfy my curiosity--eh?" + +"I regret that I am compelled to do so--for certain reasons." + +"Are you a detective?" Dorise suddenly inquired. + +The stranger laughed. + +"If I were a police officer I should scarcely act as an intermediary +between Mr. Henfrey and yourself, Miss Ranscomb." + +"But you say he is innocent. Are you certain of that? May I set my +mind at rest that he never committed this crime of which the police +suspect him?" she asked eagerly. + +"Yes. I repeat that he is entirely innocent," was the earnest +response. "But I would advise you to affect ignorance. The police may +question you. If they do, you know nothing, remember--absolutely +nothing. If you write to Mr. Henfrey, take every precaution that +nobody sees you post the letter. Give him a secret address in London, +or anywhere in England, so that he can write to you there." + +"But how long will it be before I can see him again?" + +"Ah! That I cannot tell. There is a mystery underlying it all that +even I cannot fathom, Miss Ranscomb." + +"What kind of mystery?" + +The white cavalier shrugged his shoulders. + +"You must ask Mr. Henfrey. Or perhaps his friend Brock knows. Yet if +he does, I do not suppose he would disclose anything his friend may +have told him in confidence." + +"I am bewildered!" the girl declared. "It is all so very mysterious-- +Hugh a fugitive from justice! I--I really cannot believe it! What can +the mystery be?" + +"Of that I have no means of ascertaining, Miss Ranscomb. I am here +merely to tell you what has happened and to give you in secret the +name and address to which to send a letter to him," the masked man +said very politely. "And now I think we must part. Perhaps if ever we +meet again--which is scarcely probable--you will recognize my voice. +And always recollect that should you or Mr. Henfrey ever receive a +message from 'Silverado' it will be from myself." And he spelt the +name. + +"Silverado. Yes, I shall not forget you, my mysterious friend." + +"/Au revoir/!" he said as, bowing gracefully, he turned and left her. + +The sun was rising from the sea when Dorise entered her bedroom at the +hotel. Her maid had retired, so she undressed herself, and putting on +a dressing-gown, she pulled up the blinds and sat down to write a +letter to Hugh. + +She could not sleep before she had sent him a reassuring message. + +In the frenzy of her despair she wrote one letter and addressed it, +but having done so she changed her mind. It was not sufficiently +reassuring, she decided. It contained an element of doubt. Therefore +she tore it up and wrote a second one which she locked safely in her +jewel case, and then pulled the blinds and retired. + +It was nearly noon next day before she left her room, yet almost as +soon as she had descended in the lift the head /femme de chambre/, a +stout Frenchwoman in a frilled cap, entered the room, and walking +straight to the waste-paper basket gathered up the contents into her +apron and went back along the corridor with an expression of +satisfaction upon her full round face. + + + + NINTH CHAPTER + + CONCERNS THE SPARROW + +With the rosy dawn rising behind them the big dusty car tore along +over the white road which led through Pegli and Cornigliano, with +their wealth of olives and palms, into the industrial suburbs of old- +world Genoa. Then, passing around by the port, the driver turned the +car up past Palazzo Doria and along that street of fifteenth-century +palaces, the Via Garibaldi, into the little piazza in front of the +Annunziata Church. + +There he pulled up after a run of two hours from the last of the many +railway crossings, most of which they had found closed. + +When Hugh got out, the mysterious man, whose face was more forbidding +in the light of day, exclaimed: + +"Here I must leave you very shortly, signore. But first I have certain +instructions to give you, namely, that you remain for the present in a +house in the Via della Maddalena to which I shall take you. The man +and the woman there you can trust. It will be as well not to walk +about in the daytime. Remain here for a fortnight, and then by the +best means, without, of course, re-entering France, you must get to +Brussels. There you will receive letters at the Poste Restante in the +name of Godfrey Brown. That, indeed, is the name you will use here." + +"Well, all this is very strange!" remarked Hugh, utterly bewildered as +he glanced at the forbidding-looking chauffeur and the dust-covered +car. + +"I agree, signore," the man laughed. "But get in again and I will +drive to the Via della Maddalena." + +Five minutes later the car pulled up at the end of a narrow stuffy +ancient street of high houses with closed wooden shutters. From house +to house across the road household linen was flying in the wind, for +the neighbourhood was certainly a poverty-stricken one. + +The place did not appeal to Hugh in the least. He, however, +recollected that he was about to hide from the police. Italians are +early risers, and though it was only just after dawn, Genoa was +already agog with life and movement. + +Leaving the car, the mysterious chauffeur conduced the young +Englishman along the street, where women were calling to each other +from the windows of their apartments and exchanging salutations, until +they came to an entrance over which there was an old blue majolica +Madonna. The house had no outer door, but at the end of the passage +was a flight of stone steps leading up to the five storeys above. + +At the third flight Hugh's conductor paused, and finding a piece of +cord protruding from a hole in a door, pulled it. A slight tinkle was +heard within, and a few moments later the sound of wooden shoes was +heard upon the tiles inside. + +The door opened, revealing an ugly old woman whose face was sallow and +wrinkled, and who wore a red kerchief tied over her white hair. + +As soon as she saw the chauffeur she welcomed him, addressing him as +Paolo, and invited them in. + +"This is the English signore," explained the man. "He has come to stay +with you." + +"The signore is welcome," replied the old woman as she clattered into +the narrow, cheaply furnished little sitting-room, which was in half +darkness owing to the /persiennes/ being closed. + +Truly, it was an uninviting place, which smelt of garlic and of the +paraffin oil with which the tiled floors had been rubbed. + +"You will require another certificate of identity, signore," said the +man, who admitted that he had been engaged in smuggling contraband +across the Alps. And delving into his pocket he produced an American +passport. It was blank, though the embossed stamp of the United States +Government was upon it. The places were ready for the photograph and +signature. With it the man handed him a large metal disc, saying: + +"When you have your picture taken and affixed to it, all you have to +do is to damp the paper slightly and impress this stamp. It will then +defy detection." + +"Where on earth did you get this from?" asked Hugh, noticing that it +was a replica of the United States consular seal. + +The man smiled, replying: + +"They make passports of all countries in Spain. You pay for them, and +you can get them by the dozen. The embossing stamps are extra. There +is a big trade in them now owing to the passport restrictions. +Besides, in every country there are passport officers who are amenable +to a little baksheesh!" And he grinned. + +What he said was true. At no period has it ever been more easy for a +criminal to escape than it is to-day, providing, of course, that he is +a cosmopolitan and has money. + +Hugh took the passport and the disc, adding: + +"How am I to repay you for all this?" + +"I want no payment, signore. All I ask you is to conform to the +suggestions of the worthy Signore Ravecca and his good wife here. You +are not the first guest they have had for whom the police searched in +vain." + +"No," laughed the old woman. "Do you recollect the syndic of +Porticello, how we had him here for nearly three years, and then he +got safely away to Argentina and took the money, three million lire, +with him?" + +"Yes," was the man's reply. "I recollect it, signora. But the Signore +Inglese must be very careful--very careful. He must never go out in +the daytime. You can buy him English papers and books of Luccoli, in +the Via Bosco. They will serve to while away the time." + +"I shall, no doubt, pass the time very pleasantly," laughed Hugh, +speaking in French. + +Then the old crone left them and returned with two cups of excellent +/cafe nero/, that coffee which, roasted at home one can get only in +Italy. + +It was indeed refreshing after that long night drive. + +Hugh stood there without luggage, and with only about thirty pounds in +his pocket. + +Suddenly the man who had driven him looked him curiously in the face, +and said: + +"Ah! I know you are wondering what your lady friend in Monte Carlo +will think. Well, I can tell you this. She already knows that you have +escaped, and she had been told to write to you in secret at the Poste +Restante at Brussels." + +Hugh started. + +"Who has told her? Surely she knows nothing of the affair at the Villa +Amette?" + +"She will not be told that. But she has been told that you are going +to Brussels, and that in future your name is Monsieur Godfrey Brown." + +"But why have all these elaborate arrangements been made for my +security?" Hugh demanded, more than ever nonplussed. + +"It is useless to take one precaution unless the whole are taken," +laughed the sphinx-like fellow whose cheerful banter had so +successfully passed them through the customs barrier. + +Then, swallowing his coffee, he wished Hugh, "buon viaggio" and was +about to depart, when Hugh said: + +"Look here. Is it quite impossible for you to give me any inkling +concerning this astounding affair? I know that some unknown friend, or +friends, are looking after my welfare. But why? To whom am I indebted +for all this? Who has warned Miss Ranscomb and told her of my alias +and my journey to Brussels?" + +"A friend of hers and of yourself," was the chauffeur's reply. "No, +please do not question me, signore," he added. "I have done my best +for you. And now my journey is at an end, while yours is only +beginning. Pardon me--but you have money with you, I suppose? If you +have not, these good people here will trust you." + +"But what is this house?" + +The man laughed. Then he said: + +"Well, really it is a bolt-hole used by those who wish to evade our +very astute police. If one conforms to the rules of Signora Ravecca +and her husband, then one is quite safe and most comfortable." + +Hugh realized that he was in a hiding-place used by thieves. A little +later he knew that the ugly old woman's husband paid toll to a certain +/delegato/ of police, hence their house was never searched. While the +criminal was in those shabby rooms he was immune from arrest. The +place was, indeed, one of many hundreds scattered over Europe, asylums +known to the international thief as places ever open so long as they +can pay for their board and lodging and their contribution towards the +police bribes. + +A few moments later the ugly, uncouth man who had brought him from +Monte Carlo lit a cigarette, and wishing the old woman a merry "addio" +left and descended the stairs. + +The signora then showed Hugh to his room, a small, dispiriting and not +overclean little chamber which looked out upon the backs of the +adjoining houses, all of which were high and inartistic. Above, +however, was a narrow strip of brilliantly blue sunlit sky. + +A quarter of an hour later he made the acquaintance of the woman's +husband, a brown-faced, sinister-looking individual whose black bushy +eyebrows met, and who greeted the young Englishman familiarly in +atrocious French, offering him a glass of red wine from a big rush- +covered flask. + +"We only had word of your coming late last night," the man said. "You +had already started from Monte Carlo, and we wondered if you would get +past the frontier all right." + +"Yes," replied Hugh, sipping the wine out of courtesy. "We got out of +France quite safely. But tell me, who made all these arrangements for +me?" + +"Why, Il Passero, of course," replied the man, whose wife addressed +him affectionately as Beppo. + +"Who is Il Passero, pray?" + +"Well, you know him surely. Il Passero, or The Sparrow. We call him so +because he is always flitting about Europe, and always elusive." + +"The police want him, I suppose." + +"I should rather think they do. They have been searching for him for +these past five years, but he always dodges them, first in France, +then here, then in Spain, and then in England." + +"But what is this mysterious and unknown friend of mine?" + +"Il Passero is the chief of the most daring of all the gangs of +international thieves. We all work at his direction." + +"But how did he know of my danger?" asked Hugh, mystified and +dismayed. + +"Il Passero knows many strange things," he replied with a grin. "It is +his business to know them. And besides, he has some friends in the +police--persons who never suspect him." + +"What nationality is he?" + +The man Beppo shrugged his shoulders. + +"He is not Italian," he replied. "Yet he speaks the /lingua Toscano/ +perfectly and French and English and /Tedesco/. He might be Belgian or +German, or even English. Nobody knows his true nationality." + +"And the man who brought me here?" + +"Ah! that was Paolo, Il Passero's chauffeur--a merry fellow--eh?" + +"Remarkable," laughed Hugh. "But I cannot see why The Sparrow has +taken such a paternal interest in me," he added. + +"He no doubt has, for he has, apparently, arranged for your safe +return to England." + +"You know him, of course. What manner of man is he?" + +"A signore--a great signore," replied Beppo. "He is rich, and is often +on the Riviera in winter. He's probably there now. Nobody suspects +him. He is often in England, too. I believe he has a house in London. +During the war he worked for the French Secret Service under the name +of Monsieur Franqueville, and the French Government never suspected +that they actually had in their employ the famous Passero for whom the +Surete were looking everywhere." + +"You have no idea where he lives in London?" + +"I was once told that he had a big house somewhere in what you call +the West End--somewhere near Piccadilly. I have, however, only seen +him once. About eighteen months ago he was hard pressed by the police +and took refuge here for two nights, till Paolo called for him in his +fine car and he passed out of Italy as a Swiss hotel-proprietor." + +"Then he is head of a gang--is he?" + +"Yes," was the man's reply. "He is marvellous, and has indeed well +earned his sobriquet 'Il Passero.'" + +A sudden thought flitted through Hugh's mind. + +"I suppose he is a friend of Mademoiselle of Monte Carlo?" + +"Ah, signore, I do not know. Il Passero had many friends. He is rich, +prosperous, well-dressed, and has influential friends in France, in +Italy and in England who never suspect him to be the notorious king of +the thieves." + +"Now, tell me," urged young Henfrey. "What do you know concerning +Mademoiselle of Monte Carlo?" + +The Italian looked at him strangely. + +"Nothing," he replied, still speaking bad French. + +"You are not speaking the truth." + +"Why should I tell it to you? I do not know you!" was the quick +retort. + +"But you are harbouring me." + +"At the orders of Il Passero." + +"You surely can tell me what you know of Mademoiselle," Hugh persisted +after a brief pause. "We are mutually her friends. The attempt to kill +her is outrageous, and I, for one, intend to do all I can to trace and +punish the culprit." + +"They say that you shot her." + +"Well--you know that I did not," Henfrey said. "Have you yourself ever +met Mademoiselle?" + +"I have seen her. She was living for a time at Santa Margherita last +year. I had a friend of hers living here with me and I went to her +with a message. She is a very charming lady." + +"And a friend of Il Passero?" + +The Italian shrugged his shoulders with a gesture of ignorance. + +Hugh Henfrey had certainly learned much that was curious. He had never +before heard of the interesting cosmopolitan thief known as The +Sparrow, but it seemed evident that the person in question had +suddenly become interested in him for some obscure and quite +unaccountable reason. + +As day followed day in that humble place of concealment, Beppo told +him many things concerning the famous criminal Il Passero, describing +his exploits in terms of admiration. Hugh learnt that it was The +Sparrow who had planned the great jewel robbery at Binet's, in the Rue +de la Paix, when some famous diamonds belonging to the Shah of Persia, +which had been sent to Paris to be reset, were stolen. It was The +Sparrow, too, who had planned the burglary at the art gallery of Evans +and Davies in Bond Street and stolen Raphael's famous Madonna. + +During the daytime Hugh, anxious to get away to Brussels, but +compelled to obey the order of the mysterious Passero, spent the time +in smoking and reading books and newspapers with which Beppo's wife +provided him, while at night he would take long walks through the +silent city, with its gloomy old palaces, the courtyards of which +echoed to his footsteps. At such times he was alone with his thoughts +and would walk around the port and out upon the hills which surrounded +the bay, and then sit down and gaze out to the twinkling lights across +the sea and watch the long beams of the great lighthouse searching in +the darkness. + +His host and hostess were undoubtedly criminals. Indeed, they did not +hide the fact. Both were paid by The Sparrow to conceal and provide +for anyone whom he sent there. + +He had been there four weary, anxious days when one evening a pretty, +well-dressed young French girl called, and after a short chat with +Beppo's wife became installed there as his fellow-guest. He did not +know her name and she did not tell him. + +She was known to them as Lisette, and Hugh found her a most vivacious +and interesting companion. Truly, he had been thrown into very queer +company, and he often wondered what his friends would say if they knew +that he was guest in a hiding-place of thieves. + + + + TENTH CHAPTER + + A LESSON IN ARGOT + +Late one evening the dainty girl thief, Lisette, went out for a stroll +with Hugh, but in the Via Roma they met an agent of police. + +"Look!" whispered the girl in French, "there's a /pince sans rire/! Be +careful!" + +She constantly used the argot of French thieves, which was often +difficult for the young Englishman to understand. And the dark-haired +girl would laugh, apologize, and explain the meaning of her strange +expressions. + +Outside the city they were soon upon the high road which wound up the +deep green valley of the Bisagno away into the mountains, ever +ascending to the little hill-town of Molassana. The scene was +delightful in the moonlight as they climbed the steep hill and then +descended again into the valley, Lisette all the time gossiping on in +a manner which interested and amused him. + +Her arrival had put an end to his boredom, and, though he was longing +to get away from his surroundings, she certainly cheered him up. + +They had walked for nearly an hour, when, declaring she felt tired, +they sat upon a rock to rest and eat the sandwiches with which they +had provided themselves. + +Two carabineers in cloaks and cocked hats who met them on the road put +them down as lovers keeping a clandestine tryst. They never dreamed +that for both of them the police were in search. + +"Now tell me something concerning yourself, mademoiselle," Hugh urged +presently. + +"Myself! Oh! la la!" she laughed. "What is there to tell? I am just of +/la haute pegre--a truqueuse/. Ah! you will not know the expression. +Well--I am a thief in high society. I give indications where we can +make a coup, and afterwards /bruler le pegriot/--efface the trace of +the affair." + +"And why are you here?" + +"/Malheureusement/! I was in Orleans and a /friquet/ nearly captured +me. So Il Passero sent me here for a while." + +"You help Il Passero--eh?" + +"Yes. Very often. Ah! m'sieur, he is a most wonderful man--English, I +think. /Girofle/ (genteel and amiable), like yourself." + +"No, no, mademoiselle," Hugh protested, laughing. + +"But I mean it. Il Passero is a real gentleman--but--/maquiller son +truc/, and he is marvellous. When he exercises his wonderful talent +and forms a plan it is always flawless." + +"Everyone seems to hold him in high esteem. I have never met him," +Hugh remarked. + +"He was in Genoa on the day that I arrived. Curious that he did not +call and see Beppo. I lunched with him at the Concordia, and he paid +me five thousand francs, which he owed me. He has gone to London now +with his /ecrache-tarte/." + +"What is that, pray?" + +"His false passport. He has always a good supply of them for anyone in +need of one. They are printed secretly in Spain. But m'sieur," she +added, "you are not of our world. You are in just a little temporary +trouble. Over what?" + +In reply he was perfectly frank with her. He told her of the suspicion +against him because of the affair of the Villa Amette. + +"Ah!" she replied, her manner changing, "I have heard that +Mademoiselle was shot, but I had no idea that you had any connexion +with that ugly business." + +"Yes. Unfortunately I have. Do you happen to know Yvonne Ferad?" + +"Of course. Everyone knows her. She is very charming. Nobody knows the +truth." + +"What truth?" inquired Hugh quickly. + +"Well--that she is a /marque de ce/." + +"A /marque de ce/--what is that?" asked Hugh eagerly. + +"Ah! /non/, m'sieur. I must not tell you anything against her. You are +her friend." + +"But I am endeavouring to find out something about her. To me she is a +mystery." + +"No doubt. She is to everybody." + +"What did you mean by that expression?" he demanded. "Do tell me. I am +very anxious to know your opinion of her, and something about her. I +have a very earnest motive in trying to discover who and what she +really is." + +"If I told you I should offend Il Passero," replied the girl simply. +"It is evident that he wishes you should remain in ignorance." + +"But surely, you can tell me in confidence? I will divulge nothing." + +"No," answered the girl, whose face he could not see in the shadow. "I +am sorry, M'sieur Brown"--she had not been told his Christian name-- +"but I am not permitted to tell you anything concerning Mademoiselle +Yvonne." + +"She is a very remarkable person--eh?" said Henfrey, again defeated. + +"Remarkable! Oh, yes. She is of the /grande monde/." + +"Is that still your argot?" he asked. + +"Oh no. Mademoiselle Yvonne is a lady. Some say she is the daughter of +a rich Englishman. Others say she is just a common adventuress." + +"The latter is true, I suppose?" + +"I think not. She has /le clou/ for the /eponge d'or/." + +"I do not follow that." + +"Well," she laughed, "she has the attraction for those who hold the +golden sponge--the Ministers of State. Our argot is difficult for you, +m'sieur--eh?" + +"I see! Your expressions are a kind of cipher, unintelligible to the +ordinary person--eh?" + +"That is so. If I exclaim, /par exemple, tarte/, it means false; if I +say /gilet de flanelle/, it is lemonade; if I say /frise/, it means a +Jew; or /casserole/, which is in our own tongue a police officer. So +you see it is a little difficult--is it not? To us /tire-jus/ is a +handkerchief, and we call the ville de Paris /Pantruche/." + +Hugh sat in wonder. It was certainly a strange experience to be on a +moonlight ramble with a girl thief who had, according to her own +confession, been born in Paris the daughter of a man who was still one +of Il Passero's clever and desperate band. + +"Yes, m'sieur," she said a few moments later. "They are all dangerous. +They do not fear to use the knife or automatic pistol when cornered. +For myself, I simply move about Europe and make discoveries as to +where little affairs can be negotiated. I tell Il Passero, and he then +works out the plans. /Dieu/! But I had a narrow escape the other day +in Orleans!" + +"Do tell me about Mademoiselle of Monte Carlo. I beg of you to tell me +something, Mademoiselle Lisette," Hugh urged, turning to the girl of +many adventures who was seated at his side upon the big rock +overlooking the ravine down which the bright moon was shining. + +"I would if I were permitted," she replied. "Mademoiselle Yvonne is +charming. You know her, so I need say nothing, but----" + +"Well--what?" + +"She is clever--very clever," said the girl. "As Il Passero is clever, +so is she." + +"Then she is actively associated with him--eh?" + +"Yes. She is cognizant of all his movements, and of all his plans. +While she moves in one sphere--often in a lower sphere, like myself-- +yet in society she moves in the higher sphere, and she 'indicates,' +just as I do." + +"So she is one of The Sparrow's associates?" Hugh said. + +"Yes," was the reply. "From what you have told me I gather that Il +Passero knew by one of his many secret sources of information that you +were in danger of arrest, and sent Paolo to rescue you--which he did." + +"No doubt that is so. But why should he take all this interest in me? +I don't know and have never even met him." + +"Il Passero is always courteous. He assists the weak against the +strong. He is like your English bandit Claude Duval of the old days. +He always robs with exquisite courtesy, and impresses the same trait +upon all who are in his service. And I may add that all are well paid +and all devoted to their great master." + +"I have heard that he has a house in London," Hugh said. "Do you know +where it is situated?" + +"Somewhere near Piccadilly. But I do not know exactly where it is. He +is always vague regarding his address. His letters he receives in +several names at a newspaper shop in Hammersmith and at the Poste +Restante at Charing Cross." + +"What names?" asked Hugh, highly interested. + +"Oh! a number. They are always being changed," the French girl +replied. + +"Where do you write when you want to communicate with him?" + +"Generally to the Poste Restante in the Avenue de l'Opera, in Paris. +Letters received there are collected for him and forwarded every day." + +"And so clever is he that nobody suspects him--eh?" + +"Exactly, m'sieur. His policy is always '/Rengraciez/!' and he cares +not a single /rotin/ for /La Reniffe/," she replied, dropping again +into the slang of French thieves. + +"Of course he is on friendly terms with Mademoiselle of Monte Carlo?" +Hugh remarked. "He may have been at Monte Carlo on the night of the +tragic affair." + +"He may have been. He was, no doubt, somewhere on the Riviera, and he +sent Paolo in one of the cars to rescue you from the police." + +"In that case, he at least knows that I am innocent." + +"Yes. And he probably knows the guilty person. That would account for +the interest he takes in you, though you do not know him," said +Lisette. "I have known Il Passero perform many kindly acts to persons +in distress who have never dreamed that they have received money from +a notorious international thief." + +"Well, in my case he has, no doubt, done me signal service," young +Henfrey replied. "But," he added, "why cannot you tell me something +more concerning Mademoiselle? What did you mean by saying that she was +a /marque de ce/? I know it is your slang, but won't you explain what +it means? You have explained most of your other expressions." + +But the girl thief was obdurate. She was certainly a /chic/ and +engaging little person, apparently well educated and refined, but she +was as sly as her notorious employer, whom she served so faithfully. +She was, she had already told Hugh, the daughter of a man who had made +jewel thefts his speciality and after many convictions was now serving +ten years at the convict prison at Toulon. She had been bred in the +Montmartre, and trained and educated to a criminal life. Il Passero +had found her, and, after several times successfully "indicating" +where coups could be made, she had been taken into his employment as a +decoy, frequently travelling on the international /wagon-lits/ and +restaurants, where she succeeded in attracting the attention of men +and holding them in conversation with a mild flirtation while other +members of the gang investigated the contents of their valises. From +one well-known diamond dealer travelling between Paris and Amsterdam, +she and the man working with her had stolen a packet containing +diamonds of the value of two hundred thousand francs, while from an +English business man travelling from Boulogne to Paris, two days +later, she had herself taken a wallet containing nearly four thousand +pounds in English bank-notes. It was her share of the recent robbery +that Il Passero had paid her three days before at the Concordia +Restaurant in the Via Garibaldi, in Genoa. + +Hugh pressed her many times to tell him something concerning the +mysterious Mademoiselle, but he failed to elicit any further +information of interest. + +"Her fortune at the Rooms is wonderful, they say," Lisette said. "She +must be very rich." + +"But she is one of Il Passero's assistants--eh?" + +The girl laughed lightly. + +"Perhaps," was her enigmatical reply. "Who knows? It is, however, +evident that Il Passero is seriously concerned at the tragic affair at +the Villa Amette." + +"Have you ever been there?" + +She hesitated a few moments, then said: "Yes, once." + +"And you know the old Italian servant Cataldi?" + +She replied in the affirmative. Then she added: + +"I know him, but I do not like him. She trusts him, but----" + +"But what?" + +"I would not. I should be afraid, for to my knowledge he is a +/saigneur a musique/." + +"And what is that?" + +"An assassin." + +"What?" cried Henfrey. "Is he guilty of murder--and Mademoiselle knows +it?" + +"Mademoiselle may not know about it. She is probably in ignorance, or +she would not employ him." + +Her remark was of considerable interest, inasmuch as old Cataldi had +seemed to be most devoted to his mistress, and entirely trusted by +her. + +"Do you know the circumstances?" asked Hugh. + +"Yes. But it is not our habit to speak of another's--well, +shortcomings," was her reply. + +"Surely, Mademoiselle should have been told the truth! Does not Il +Passero know?" he asked. + +There flitted across his mind at that moment the recollection of +Dorise. What could she think of his disappearance? He longed to write +to her, but The Sparrow's chauffeur had impressed upon him the serious +danger he would be running if he wrote to her while she was at Monte +Carlo. + +"I question whether he does know. But if he does he would say +nothing." + +"Ah!" sighed Hugh. "Yours is indeed a queer world, mademoiselle. And +not without interest." + +"It is full of adventure and excitement, of ups and downs, of constant +travel and change, and of eternal apprehension of arrest," replied the +girl, with a laugh. + +"I wish you would tell me something about Yvonne Ferad," he repeated. + +"Alas! m'sieur, I am not permitted," was her obdurate reply. "I am +truly sorry to hear of the dastardly attack upon her. She once did me +a very kind and friendly action at a moment when I was in sore need of +a friend." + +"Who could have fired the shot, do you think?" Henfrey asked. "You +know her friends. Perhaps you know her enemies?" + +Mademoiselle Lisette was silent for some moments. + +"Yes," she replied reflectively. "She has enemies, I know. But who has +not?" + +"Is there any person who, to your knowledge, would have any motive to +kill her?" + +Again she was silent. + +"There are several people who hate her. One of them might have done it +out of revenge. You say you saw nobody?" + +"Nobody." + +"Why did you go and see her at that hour?" asked the girl. + +"Because I wanted her to tell me something--something of greatest +importance to me." + +"And she refused, of course? She keeps her own secrets." + +"No. On the other hand, she was about to disclose to me the +information I sought when someone fired through the open window." + +"The shot might have been intended for you--eh?" + +Hugh paused. + +"It certainly might," he admitted. "But with what motive?" + +"To prevent you from learning the truth." + +"She was on the point of telling me what I wanted to know." + +"Exactly. And what more likely than someone outside, realizing that +Mademoiselle was about to make a disclosure, fired at you." + +"But you said that Mademoiselle had enemies." + +"So she has. But I think my theory is the correct one," replied the +girl. "What was it that you asked her to reveal to you?" + +"Well," he replied, after a brief hesitation, "my father died +mysteriously in London some time ago, and I have reason to believe +that she knows the truth concerning the sad affair." + +"Where did it happen?" + +"My father was found in the early morning lying in a doorway in +Albemarle Street, close to Piccadilly. The only wound found was a +slight scratch in the palm of the hand. The police constable at first +thought he was intoxicated, but the doctor, on being called, declared +that my father was suffering from poison. He was at once taken to St. +George's Hospital, but an hour later he died without recovering +consciousness." + +"And what was your father's name?" asked Lisette in a strangely +altered voice. + +"Henfrey." + +"Henfrey!" gasped the girl, starting up at mention of the name. +"/Henfrey/! And--and are--you--/his son/?" + +"Yes," replied Hugh. "Why? You know about the affair, mademoiselle! +Tell me all you know," he cried. "I--the son of the dead man--have a +right to demand the truth." + +"Henfrey!" repeated the girl hoarsely in a state of intense agitation. +"Monsieur Henfrey! And--and to think that I am here--with you--/his +son/! Ah! forgive me!" she gasped. "I--I---- Let us return." + +"But you shall tell me the truth!" cried Hugh excitedly. "You know it! +You cannot deny that you know it!" + +All, however, he could get from her were the words: + +"You--Monsieur Henfrey's son! /Surely Il Passero does not know this/!" + + + + ELEVENTH CHAPTER + + MORE ABOUT THE SPARROW + +A month of weary anxiety and nervous tension had gone by. + +Yvonne Ferad had slowly struggled back to health, but the injury to +the brain had, alas! seriously upset the balance of her mind. Three of +the greatest French specialists upon mental diseases had seen her and +expressed little hope of her ever regaining her reason. + +It was a sad affair which the police of Monaco had, by dint of much +bribery and the telling of many untruths, successfully kept out of the +newspapers. + +The evening after Hugh's disappearance, Monsieur Ogier had called upon +Dorise Ranscomb--her mother happily being away at the Rooms at the +time. In one of the sitting-rooms of the hotel the official of police +closely questioned the girl, but she, of course made pretense of +complete ignorance. Naturally Ogier was annoyed at being unable to +obtain the slightest information, and after being very rude, he told +the girl the charge against her lover and then left the hotel in +undisguised anger. + +Lady Ranscomb was very much mystified at Hugh's disappearance, though +secretly she was very glad. She questioned Brock, but he, on his part, +expressed himself very much puzzled. A week later, however, Walter +returned to London, and on the following night Lady Ranscomb and her +daughter took the train-de-luxe for Boulogne, and duly arrived home. + +As day followed day, Dorise grew more mystified and still more anxious +concerning Hugh. What was the truth? She had written to Brussels three +times, but her letters had elicited no response. He might be already +under arrest, for aught she knew. Besides, she could not rid herself +of the recollection of the white cavalier, that mysterious masker who +had told her of her lover's escape. + +In this state of keen anxiety and overstrung nerves she was compelled +to meet almost daily, and be civil to, her mother's friend, the odious +George Sherrard. + +Lady Ranscomb was for ever singing the man's praises, and never weary +of expressing her surprise at Hugh's unforgivable behaviour. + +"He simply disappeared, and nobody has heard a word of him since!" she +remarked one day as they sat at breakfast. "I'm quite certain he's +done something wrong. I've never liked him, Dorise." + +"You don't like him, mother, because he hasn't money," remarked the +girl bitterly. "If he were rich and entertained you, you would call +him a delightful man!" + +"Dorise! What are you saying? What's the good of life without money?" +queried the widow of the great contractor. + +"Everyone can't be rich," the girl averred simply. "I think it's +positively hateful to judge people by their pockets." + +"Well, has Hugh written to you?" snapped her mother. + +Dorise replied in the negative, stifling a sigh. + +"And he isn't likely to. He's probably hiding somewhere. I wonder what +he's done?" + +"Nothing. I'm sure of that!" + +"Well, I'm not so sure," was her mother's response. "I was chatting +about it to Mr. Sherrard last night, and he's promised to make +inquiry." + +"Let Mr. Sherrard inquire as much as he likes," cried the girl +angrily. "He'll find nothing against Hugh, except that he's poor." + +"H'm! And he's been far too much in your company of late, Dorise. +People were beginning to talk at Monte Carlo." + +"Oh! Let them talk, mother! I don't care a scrap. I'm my own +mistress!" + +"Yes, but I tell you frankly that I'm very glad that we've seen the +last of the fellow." + +"Mother! You are really horrid!" cried the girl, rising abruptly and +leaving the table. When out of the room she burst into tears. + +Poor girl, her heart was indeed full. + +Now it happened that early on that same morning Hugh Henfrey stepped +from a train which had brought him from Aix-la-Chapelle to the Gare du +Nord, in Brussels. He had spent three weeks with the Raveccas, in +Genoa, whence he had travelled to Milan and Bale, and on into Belgium +by way of Germany. + +From Lisette he had failed to elicit any further facts concerning his +father's death, though it was apparent that she knew something about +it--something she dared not tell. + +On the day following their midnight stroll, he had done all in his +power to induce her to reveal something at least of the affair, but, +alas! to no avail. Then, two days later, she had suddenly left--at +orders of The Sparrow, she said. + +Before Hugh left Ravecca had given him eighty pounds in English notes, +saying that he acted at Il Passero's orders, for Hugh would no doubt +need the money, and it would be most dangerous for him to write to his +bankers. + +At first Henfrey protested, but, as his funds were nearly exhausted, +he had accepted the money. + +As he left the station in Brussels on that bright spring morning and +crossed the busy Place, he was wondering to what hotel he should go. +He had left his scanty luggage in the /consigne/, intending to go out +on foot and search for some cheap and obscure hotel, there being many +such in the vicinity of the station. After half an hour he chose a +small and apparently clean little place in a narrow street off the +Place de Brouckere, and there, later on, he carried his handbag. Then, +after a wash, he set out for the Central Post Office in the Place de +la Monnaie. + +He had not gone far along the busy boulevard when he was startled to +hear his name uttered from behind, and, turning, encountered a short, +thick-set little man wearing a brown overcoat. + +The man, noticing the effect his words had upon him, smiled +reassuringly, and said in broken English: "It is all right! I am not a +police officer, Monsieur Henfrey. Cross the road and walk down that +street yonder. I will follow in a few moments." + +And then the man walked on, leaving Hugh alone. + +Much surprised, Hugh did as he was bid, and a few minutes later the +Belgian met him again. + +"It is very dangerous for us to be seen together," he said quickly, +scarcely pausing as he walked. "Do not go near the Post Office, but go +straight to 14 Rue Beyaert, first floor. I shall be there awaiting +you. I have a message for you from a friend. You will find the street +close to the Porte de Hal." + +And the man continued on his way, leaving Hugh in wonder. He had been +on the point of turning from the boulevard into the Place de la +Monnaie to obtain Dorise's long looked for letter. Indeed, he had been +hastening his footsteps full of keen apprehension when the stranger +had accosted him. + +But in accordance with the man's suggestion, he turned back towards +the station, where he entered a taxi and drove across the city to the +corner of Rue Beyaert, a highly respectable thoroughfare. He +experienced no difficulty in finding the house indicated, and on +ascending the stairs, found the stranger awaiting him. + +"Ah!" he cried. "Come in! I am glad that I discovered you! I have been +awaiting your arrival from Italy for the past fortnight. It is indeed +fortunate that I found you in time to warn you not to go to the Poste +Restante." He spoke in French, and had shown his visitor into a small +but well furnished room. + +"Why?" asked Hugh. "Is there danger in that quarter?" + +"Yes, Monsieur Henfrey. The French police have, by some unknown means, +discovered that you were coming here, and a strict watch is being kept +for anyone calling for letters addressed to Godfrey Brown." + +"But how could they know?" asked Hugh. + +"Ah! That is the mystery! Perhaps your lady friend has been +indiscreet. She was told in strict confidence, and was warned that +your safety was in her hands." + +"Surely, Dorise would be most careful not to betray me!" cried the +young Englishman. + +"Well, somebody undoubtedly has." + +"I presume you are one of Il Passero's friends?" Hugh said with a +smile. + +"Yes. Hence I am your friend," was the reply. + +"Have you heard of late how Mademoiselle Yvonne is progressing?" + +The man, who told his visitor his name was Jules Vervoort, shook his +head. + +"She is no better. I heard last week that the doctors have said that +she will never recover her mental balance." + +"What! Is she demented?" + +"Yes. The report I had was that she recognized nobody, except at +intervals she knows her Italian manservant and calls him by name. I +was ordered to tell you this." + +"Ordered by Il Passero--eh?" + +The man Vervoort nodded in the affirmative. Then he went on to warn +his visitor that the Brussels police were on the eager watch for his +arrival. "It is fortunate that you were not recognized when you came +this morning," he said. "I had secret warning and was at the station, +but I dared not approach you. You passed under the very nose of two +detectives, but luckily for you, their attention had been diverted to +a woman who is a well-known pickpocket. I followed you to your hotel +and then waited for you to go to the Poste Restante." + +"But I want my letters," said Hugh. + +"Naturally, but it is far too dangerous to go near there. You, of +course, want news of your lady friend. That you will have by special +messenger very soon. Therefore remain patient." + +"Why are all these precautions being taken to prevent my arrest?" Hugh +asked. "I confess I don't understand it." + +"Neither do I. But when Il Passero commands we all obey." + +"You are, I presume, his agent in Brussels?" + +"His friend--not his agent," Vervoort replied with a smile. + +"Do you know Mademoiselle Lisette?" Hugh asked. "She was with me in +Genoa." + +"Yes. We have met. A very clever little person. Il Passero thinks very +highly of her. She has been educated in the higher schools, and is +perhaps one of our cleverest decoys." + +Hugh Henfrey paused. + +"Now look here, Monsieur Vervoort," he exclaimed at last, "I'm very +much in the dark about all this curious business. Lisette knows a lot +concerning Mademoiselle Yvonne." + +"Admitted. She acted once as her maid, I believe, in some big affair. +But I don't know much about it." + +"Well, you know what happened at the Villa Amette that night? Have you +any idea of the identity of the person who shot poor Mademoiselle--the +lady they call Mademoiselle of Monte Carlo?" + +"Not in the least," was the reply. "All I know is that Il Passero has +some very keen and personal interest in the affair. He has sent +further orders to you. It is imperative, he says, that you should get +away from Brussels. The police are too keen here." + +"Where shall I go?" + +"I suggest that you go at once to Malines. Go to Madame Maupoil, 208 +Rue de Stassart, opposite the Military Hospital. It is far too +dangerous for you to remain here in Brussels. I have already written +that you are coming. Her house is one of the sanctuaries of the +friends of Il Passero. Remember the name and address." + +"The Sparrow seems to be ubiquitous," Hugh remarked. + +"He is. No really great robbery can be accomplished unless he plans +and finances it." + +"I cannot think why he takes so keen an interest in me." + +"He often does in persons who are quite ignorant of his existence." + +"That is my own case. I never heard of him until I was in Genoa, a +fugitive," said Hugh. "But you told me I shall receive a message from +Miss Ranscomb by special messenger. When?" + +"When you are in Malines." + +"But all this is very strange. Will the mysterious messenger call upon +Miss Ranscomb in London?" + +"Of course. Il Passero has several messengers who travel to and fro in +secret. Mademoiselle Lisette was once one of them. She has travelled +many times the length and breadth of Europe. But nowadays she is an +indicator--and a very clever one indeed," he added with a laugh. + +"I suppose I had better get away to Malines without delay?" Hugh +remarked. + +"Yes. Go to your hotel, pay them for your room and get your valise. I +shall be waiting for you at noon in a car in the Rue Gretry, close to +the Palais d'Ete. Then we can slip away to Malines. Have you +sufficient money? If not, I can give you some. Il Passero has ordered +me to do so." + +"Thanks," replied Hugh. "I have enough for the present. My only desire +is to be back again in London." + +"Ah! I am afraid that is not possible for some time to come." + +"But I shall hear from Miss Ranscomb?" + +"Oh, yes. The messenger will come to you in Malines." + +"Who is the messenger?" + +"Of that I have no knowledge," was Vervoort's reply. He seemed a very +refined man, and was no doubt an extremely clever crook. He said +little of himself, but sufficient to cause Hugh to realize that his +was one of the master minds of underground Europe. + +The young Englishman was naturally eager to further penetrate the veil +of mystery surrounding Mademoiselle Yvonne, but he learned little or +nothing. Vervoort either knew nothing, or else refused to disclose +what he knew. Which, Hugh could not exactly decide. + +Therefore, in accordance with the Belgian's instructions, he left the +house and at noon carried his valise to the Rue Gretry, where he found +his friend awaiting him in a closed car, which quickly moved off out +of the city by the Laeken road. Travelling by way of Vilvorde they +were within an hour in old-world Malines, famous for its magnificent +cathedral and its musical carillon. Crossing the Louvain Canal and +entering by the Porte de Bruxelles, they were soon in an inartistic +cobbled street under the shadow of St. Rombold, and a few minutes +later Hugh was introduced to a short, stout Belgian woman, Madame +Maupoil. The place was meagrely furnished, but scrupulously clean. The +floor of the room to which Hugh was shown shone with beeswax, and the +walls were whitewashed. + +"I hope monsieur will make himself quite comfortable," madame said, a +broad smile of welcome upon her round face. + +"You will be comfortable enough under madame's care," Vervoort assured +him. "She has had some well-known guests before now." + +"True, monsieur. More than one of them have been world-famous and-- +well--believed to be perfectly honest and upright." + +"Yes," laughed Vervoort. "Do you remember the English ex-member of +Parliament?" + +"Ah! He was with me nearly four months when supposed to be in South +America. There was a warrant out for him on account of some great +financial frauds--all of which was, of course, hushed up. But he +stayed here in strict concealment and his friends managed to get the +warrant withdrawn. He was known to Il Passero, and the latter aided +him--in return for certain facilities regarding the English police." + +"What do you think of the English police, madame?" Hugh asked. The fat +woman grinned expressively and shrugged her broad shoulders. + +"Since the war they have been effete as regards serious crime. At +least, that is what Il Passero told me when he was here a month ago." + +"Someone is coming here to meet Monsieur Henfrey," Vervoort said. "Who +is it?" + +"I don't know. I only received word of it the day before yesterday. A +messenger from London, I believe." + +"Well, each day I become more and more mystified," Hugh declared. "Why +Il Passero, whom I do not know, should take all this interest in me, I +cannot imagine." + +"Il Passero very often assists those against whom a false charge is +laid," the woman remarked. "There is no better friend when one is in +trouble, for so clever and ubiquitous is he, and so many friends in +high quarters does he possess, that he can usually work his will. His +is the master-mind, and we obey without question." + + + + TWELFTH CHAPTER + + THE STRANGER IN BOND STREET + +As Dorise walked up Bond Street, smartly dressed, next afternoon, on +her way to her dressmaker's, she was followed by a well-dressed young +girl in black, dark-eyed, with well-cut, refined features, and +apparently a lady. + +From Piccadilly the stranger had followed Dorise unseen, until at the +corner of Maddox Street she overtook her, and smiling, uttered her +name. + +"Yes," responded Doris in surprise. "But I regret--you have the +advantage of me?" + +"Probably," replied the stranger. "Do you recollect the /bal blanc/ at +Nice and a certain white cavalier? I have a message from him to give +you in secret." + +"Why in secret?" Dorise asked rather defiantly. + +"Well--for certain reasons which I think you can guess," answered the +girl in black, as she strolled at Dorise's side. + +"Why did not you call on me at home?" + +"Because of your mother. She would probably have been a little +inquisitive. Let us go into some place--a tea-room--where we can +talk," she suggested. "I have come to see you concerning Mr. Henfrey." + +"Where is he?" asked Dorise, in an instant anxious. + +"Quite safe. He arrived in Malines yesterday--and is with friends." + +"Has he had my letters?" + +"Unfortunately, no. But do not let us talk here. Let's go in yonder," +and she indicated the Laurel Tea Rooms, which, the hour being early, +they found, to their satisfaction, practically deserted. + +At a table in the far corner they resumed their conversation. + +"Why has he not received my letters?" asked Dorise. "It is nearly a +month ago since I first wrote." + +"By some mysterious means the police got to know of your friend's +intended visit to Brussels to obtain his letters. Therefore, it was +too dangerous for him to go to the Poste Restante, or even to send +anyone there. The Brussels police were watching constantly. How they +have gained their knowledge is a complete mystery." + +"Who sent you to me?" + +"A friend of Mr. Henfrey. My instructions are to see you, and to +convey any message you may wish to send to Mr. Henfrey to him direct +in Malines." + +"I'm sure it's awfully good of you," Dorise replied. "Does he know you +are here?" + +"Yes. But I have not met him. I am simply a messenger. In fact, I +travel far and wide for those who employ me." + +"And who are they?" + +"I regret, but they must remain nameless," said the girl, with a +smile. + +Dorise was puzzled as to how the French police could have gained any +knowledge of Hugh's intentions. Then suddenly, she became horrified as +a forgotten fact flashed across her mind. She recollected how, early +in the grey morning, after her return from the ball at Nice, she had +written and addressed a letter to Hugh. On reflection, she had +realized that it was not sufficiently reassuring, so she had torn it +up and thrown it into the waste-paper basket instead of burning it. + +She had, she remembered, addressed the envelope to Mr. Godfrey Brown, +at the Poste Restante in Brussels. + +Was it possible that the torn fragments had fallen into the hands of +the police? She knew that they had been watching her closely. Her +surmise was, as a matter of fact, the correct one. Ogier had employed +the head chambermaid to give him the contents of Dorise's waste-paper +basket from time to time, hence the knowledge he had gained. + +"Are you actually going to Malines?" asked Dorise of the girl. + +"Yes. As your messenger," the other replied with a smile. "I am +leaving to-night. If you care to write him a letter, I will deliver +it." + +"Will you come with me over to the Empress Club, and I will write the +letter there?" Dorise suggested, still entirely mystified. + +To this the stranger agreed, and they left the tea-shop and walked +together to the well-known ladies' club, where, while the mysterious +messenger sipped tea, Dorise sat down and wrote a long and +affectionate letter to her lover, urging him to exercise the greatest +caution and to get back to London as soon as he could. + +When she had finished it, she placed it in an envelope. + +"I would not address it," remarked the other girl. "It will be safer +blank, for I shall give it into his hand." + +And ten minute later the mysterious girl departed, leaving Dorise to +reflect over the curious encounter. + +So Hugh was in Malines. She went to the telephone, rang up Walter +Brock, and told him the reassuring news. + +"In Malines?" he cried over the wire. "I wonder if I dare go there to +see him? What a dead-alive hole!" + +Not until then did Dorise recollect that the girl had not given her +Hugh's address. She had, perhaps, purposely withheld it. + +This fact she told Hugh's friend, who replied over the wire: + +"Well, it is highly satisfactory news, in any case. We can only wait, +Miss Ranscomb. But this must relieve your mind, I feel sure." + +"Yes, it does," admitted Dorise, and a few moments later she rang off. + +That evening Il Passero's /chic/ messenger crossed from Dover to +Ostend, and next morning she called at Madame Maupoil's, in Malines, +where she delivered Dorise's note into Hugh's own hand. She was an +expert and hardened traveller. + +Hugh eagerly devoured its contents, for it was the first communication +he had had from her since that fateful night at Monte Carlo. Then, +having thanked the girl again, and again, the latter said: + +"If you wish to write back to Miss Ranscomb do so. I will address the +envelope, and as I am going to Cologne to-night I will post it on my +arrival." + +Hugh thanked her cordially, and while she sat chatting with Madame +Maupoil, sipping her /cafe au lait/, he sat down and wrote a long +letter to the girl he loved so deeply--a letter which reached its +destination four days later. + +One morning about ten days afterwards, when the sun shone brightly +upon the fresh green of the Surrey hills, Mrs. Bond was sitting before +a fire in the pretty morning room at Shapley Manor, a room filled with +antique furniture and old blue china, reading an illustrated paper. At +the long, leaded window stood a tall, fair-faced girl in a smart navy- +suit. She was decidedly pretty, with large, soft grey eyes, dimpled +cheeks, and a small, well-formed mouth. She gazed abstractedly out of +the window over the beautiful panorama to where Hindhead rose abruptly +in the blue distance. The view from the moss-grown terrace at Shapley, +high upon the Hog's back, was surely one of the finest within a couple +of hundred miles of London. + +Since Mrs. Bond's arrival there she had had many callers among the +/nouveau riche/, those persons who, having made money at the expense +of our gallant British soldiers, have now ousted half the county +families from their solid and responsible homes. Mrs. Bond, being +wealthy, had displayed her riches ostentatiously. She had subscribed +lavishly to charities both in Guildford and in Farnham, and hence, +among her callers there had been at least three magistrates and their +flat-footed wives, as well as a plethoric alderman, and half a dozen +insignificant persons possessing minor titles. + +The display of wealth had always been one of Molly Maxwell's games. It +always paid. She knew that to succeed one must spend, and now, with +her recently acquired "fortune," she spent to a very considerable +tune. + +"I do wish you'd go in the car to Guildford and exchange those library +books, Louise," exclaimed the handsome woman, suddenly looking up from +her paper. "We've got those horrid Brailsfords coming to lunch. I was +bound to ask them back." + +"Can't you come, too?" asked the girl. + +"No. I expect Mr. Benton this morning." + +"I didn't know he was back from Paris. I'm so glad he's coming," +replied the girl. "He'll stay all the afternoon, of course?" + +"I hope so. Go at once and get back as soon as you can, dear. Choose +me some nice new books, won't you?" + +Louise Lambert, Benton's adopted daughter, turned from the leaded +window. In the strong morning light she looked extremely charming, but +upon her countenance there was a deep, thoughtful expression, as +though she were entirely preoccupied. + +"I've been thinking of Hugh Henfrey," the woman remarked suddenly. "I +wonder why he never writes to you?" she added, watching the girl's +face. + +Louise's cheeks reddened slightly, as she replied with affected +carelessness: + +"If he doesn't care to write, I shall trouble no longer." + +"He's still abroad, is he not? The last I heard of him was that he was +at Monte Carlo with that Ranscomb girl." + +Mention of Dorise Ranscomb caused the girl's cheeks to colour more +deeply. + +"Yes," she said, "I heard that also." + +"You don't seem to care very much, Louise," remarked the woman. "And +yet, he's such an awfully nice young fellow." + +"You've said that dozens of times before," was Louise's abrupt reply. + +"And I mean it. You could do a lot worse than to marry him, remember, +though he is a bit hard-up nowadays. But things with him will right +themselves before long." + +"Why do you suggest that?" asked the girl resentfully. + +"Well--because, my dear, I know that you are very fond of him," the +woman laughed. "Now, you can't deny it--can you?" + +The girl, who had travelled so widely ever since she had left school, +drew a deep breath and, turning her head, gazed blankly out of the +window again. + +What Mrs. Bond had said was her secret. She was very fond of Hugh. +They had not met very often, but he had attracted her--a fact of which +both Benton and his female accomplice were well aware. + +"You don't reply," laughed the woman for whom the Paris Surete was +searching everywhere; "but your face betrays the truth, my dear. Don't +worry," she added in a tone of sympathy. "No doubt he'll write as soon +as he is back in England. Personally, I don't believe he really cares +a rap for the Ranscomb girl. It's only a matter of money--and Dorise +has plenty." + +"I don't wish to hear anything about Mr. Henfrey's love affairs!" +cried the girl petulantly. "I tell you that they do not interest me." + +"Because you are piqued that he does not write, child. Ah, dear, I +know!" she laughed, as the girl left the room. + +A quarter of an hour later Louise was seated in the car, while Mead +drove her along the broad highway over the Hog's Back into Guildford. +The morning was delightful, the trees wore their spring green, and all +along in the fields, as they went over the high ridge, the larks were +singing gaily the music of a glad morning of the English spring, and +the view spread wide on either side. + +Life in Surrey was, she found, much preferable to that on the +Continent. True, in the Rue Racine they had entertained a great deal, +and she had, during the war, met many very pleasant young English and +American officers; but the sudden journey to Switzerland, then on into +Italy, and across to New York, had been a whirl of excitement. Mrs. +Maxwell had changed her name several times, because she said that she +did not want her divorced husband, a ne'er-do-well, to know of her +whereabouts. He was for ever molesting her, she had told Louise, and +for that reason she had passed in different names. + +The girl was in complete ignorance of the truth. She never dreamed +that the source of the woman's wealth was highly suspicious, or that +the constant travelling was in order to evade the police. + +As she was driven along, she sat back reflecting. Truth to tell, she +was much in love with Hugh. Benton had first introduced him one night +at the Spa in Scarborough, and after that they had met several times +on the Esplanade, then again in London, and once in Paris. Yet while +she, on her part, became filled with admiration, he was, apparently, +quite unconscious of it. + +At last she had heard of Hugh's infatuation for Dorise Ranscomb, the +daughter of the great engineer who had recently died, and indeed she +had met her once and been introduced to her. + +Of the conditions of old Mr. Henfrey's will she was, of course, in +ignorance. The girl had no idea of the great plot which had been +formed by her foster father and his clever female friend. + +The world is a strange one beneath the surface of things. Those who +passed the imposing gates of the beautiful old English manor-house +never dreamed that it sheltered one of the most notorious female +criminals in Europe. And the worshipful magistrates and their wives +who visited her would have received a rude shock had they but known. +But many modern adventuresses have been able to bamboozle the mighty. +Madame Humbert of Paris, in whose imagination were "The Humbert +Millions," used to entertain Ministers of State, aristocrats, +financiers, and others of lower degree, and show them the sealed-up +safe in which she declared reposed millions' worth of negotiable +securities which might not see the light of day until a certain date. +The avaricious, even shrewd, bankers advanced loans upon things they +had never seen, and the Humberts were the most sought-after family in +Paris until the bubble burst and they fled and were afterwards +arrested in Spain. + +Molly Maxwell was a marvel of ingenuity, of criminal foresight, and of +amazing elusiveness. Louise, young and unsuspicious, looked upon her +as a mother. Benton she called "Uncle," and was always grateful to him +for all he did for her. She understood that they were cousins, and +that Benton advised Mrs. Maxwell in her disastrous matrimonial +affairs. + +Yet the life she had led ever since leaving school had been a truly +adventurous one. She had been in half the watering places of Europe, +and in most of its capitals, leading, with the woman who now called +herself Mrs. Bond, a most extravagant life at hotels of the first +order. + +The car at last ran into the station yard at Guildford, and at the +bookstall Louise exchanged her books with the courteous manager. + +She was passing through the booking-office back to the car, when a +voice behind her called: + +"Hallo, Louise!" + +Turning, she found her "uncle," Charles Benton, who, wearing a light +overcoat and grey velour hat, grasped her hand. + +"Well, dear," he exclaimed. "This is fortunate. Mead is here, I +suppose?" + +"Yes, uncle," replied the girl, much gratified at meeting him. + +"I was about to engage a taxi to take me up to the Manor, but now you +can take me there," said the rather handsome man. "How is Mrs. Bond?" +he asked, calling her by her new name. + +"Quite well. She's expecting you to lunch. But she has some impossible +people there to-day--the Brailsfords, father, mother, and son. He made +his money in motor-cars during the war. They live over at Dorking in a +house with forty-nine bedrooms, and only fifteen years ago Mrs. +Brailsford used to do the housework herself. Now they're rolling in +money, but can't keep servants." + +"Ah, my dear, it's the same everywhere," said Benton as he entered the +car after her. "I've just got back from Madrid. It is the same there. +The world is changing. Crooks prosper while white men starve. Honesty +spells ruin in these days." + +They drove over the railway bridge and up the steep hill out of +Guildford seated side by side. Benton had been her "uncle" ever since +her childhood days, and a most kind and considerate one he had always +proved. + +Sometimes when at school she did not see him for periods of a year or +more and she had no home to go to for holidays. Her foster-father was +abroad. Yet her school fees were paid regularly, her allowance had +been ample, and her clothes were always slightly better than those of +the other girls. Therefore, though she called him "uncle," she looked +upon Benton as her father and obeyed all his commands. + +Just about noon the car swung into the gates of Shapley, and soon they +were indoors. Benton threw off his coat, and in an abrupt manner said +to the servant: + +"I want to see Mrs. Bond at once." + +Then, turning to Louise, he exclaimed: + +"I want to see Molly privately. I have some urgent business to discuss +with her before your profiteer friends arrive." + +"All right," replied the girl cheerily. "I'll leave you alone," and +she ascended the broad oak staircase, the steps of which were worn +thin by the tramp of many generations. + +A few moments later Charles Benton stood in the morning-room, where +Mrs. Bond still sat before the welcome log fire. + +"Back again, Charles!" she exclaimed, rising to greet him. "Well, how +goes it?" + +"Not too well," was his reply as he closed the door. "I only got back +last night. Five days ago I saw The Sparrow at the Palace Hotel in +Madrid. He's doing all he can in young Henfrey's interests, but he is +not too hopeful." + +"Why?" + +"I can't make out," said the man, apparently much perturbed. "He wired +me to go to Madrid, and I went. But it seems that I've been on a +fool's errand." + +"That's very unsatisfactory," said the woman. + +"It is, my dear Molly! From his attitude it seemed to me that he is +protecting Henfrey from some secret motive of his own--one that is not +at all in accordance with our plans." + +"But he is surely acting in our interests!" + +"Ah! I'm not so sure about that." + +"You surprise me. He knows our intentions and approved of them!" + +"His approval has, I think, been upset by the murderous attack upon +Yvonne." + +"But he surely will not act against us! If he does----" + +"If he does--then we may as well throw up the sponge, Molly." + +"We could give it all away to the police," remarked the woman. + +"And by so doing give ourselves away!" answered Benton. "The Sparrow +has many friends in the police, recollect. Abroad, he distributes a +quantity of annual /douceurs/, and hence he is practically immune from +arrest." + +"I wish we were," laughed the handsome adventuress. + +"Yes. We have only to dance to his tune," said he. "And the tune just +now is not one which is pleasing to us--eh?" + +"You seem strangely apprehensive." + +"I am. I believe that The Sparrow, while making pretence of supporting +our little affair, is in favour of Hugh's marriage with Dorise +Ranscomb." + +The woman looked him straight in the face. + +"He could never go back on his word!" she declared. + +"The Sparrow is a curious combination of the crook--chivalrous and +philanthropic--as you already know." + +"But surely, he wouldn't let us down?" + +Benton paused. He was thinking deeply. A certain fact had suddenly +occurred to him. + +"If he does, then we must, I suppose, do our best to expose him. I +happen to know that he has quarrelled with Henri Michaux, the under- +secretary of the Surete in Paris, who has declared that his payment is +not sufficient. Michaux is anxious to get even with him. A word from +us would result in The Sparrow's arrest." + +"Excellent!" exclaimed Molly. "If we fail we can, after all, have our +revenge. But," she added, "would not he suspect us both, and, in turn, +give us away?" + +"No. He will never suspect, my dear Molly. Leave it to me. Are we not +his dearest and most trusted friends?" and the man, who was as keenly +sought by the police of Europe, grinned sardonically and took a +cigarette from the big silver box on the little table at his elbow. + + + + THIRTEENTH CHAPTER + + POISONED LIPS + +Week after week passed. + +Spring was slowly developing into summer and the woods around +Blairglas, the fine estate in Perthshire which old Sir Richard +Ranscomb had left to his wife, were delightful. + +Blairglas Castle, a grand old turreted pile, was perched on the edge +of a wooded glen through which flowed a picturesque burn well known to +tourists in Scotland. Once Blairglas Burn had been a mighty river +which had, in the bygone ages, worn its way deep through the grey +granite down to the broad Tay and onward to the sea. On the estate was +some excellent salmon-fishing, as well as grouse on Blairglas Moor, +and trout in Blairglas Loch. Here Lady Ranscomb entertained her +wealthy Society friends, and certainly she did so lavishly and well. +Twice each year she went up for the fishing and for the shooting. Old +Sir Richard, notwithstanding his gout, had been fond of sport, and for +that reason he had given a fabulous price for the place, which had +belonged to a certain Duke who, like others, had become impoverished +by excessive taxation and the death duties. + +Built in the fifteenth century as a fortress, it was, for a time, the +home of James V. after his marriage with Mary of Guise. It was to +Blairglas that, after his defeat on Solway Moss, he retired, +subsequently dying of a broken heart. Twenty years later Darnley, the +elegant husband of Mary Stuart, had lived there, and on the level +bowling green he used to indulge in his favourite sport. + +The grim old place, with its towers, its dimly-lit long stone +corridors, cyclopean ivy-clad walls, narrow windows, and great +panelled chambers, breathed an atmosphere of the long ago. So +extensive was it that only one wing--that which looked far down the +glen to the blue distant mountains--had been modernised; yet that, in +itself, was sufficiently spacious for the entertainment of large +house-parties. + +One morning, early in June, Dorise, in a rough tweed suit and a pearl- +grey suede tam-o'shanter, carrying a mackintosh across her shoulder, +and accompanied by a tall, dark-haired, clean-shaven man of thirty- +two, with rather thick lips and bushy eyebrows, walked down through +the woods to the river. The man, who was in fishing clothes, sauntered +at her side, smoking a cigarette; while behind them came old Sandy +Murray, the grizzled, fair-bearded head keeper, carrying the salmon +rods, the gaff, creel, and luncheon basket. + +"The spate is excellent for us," exclaimed George Sherrard. "We ought +to kill a salmon to-day, Dorise." + +"I sincerely hope so," replied the girl; "but somehow I never have any +luck in these days." + +"No, you really don't! But Marjorie killed a twelve-pounder last week, +your mother tells me." + +"Yes. She went out with Murray every day for a whole fortnight, and +then on the day before she went back to town she landed a splendid +fish." + +On arrival at the bank of the broad shallow Tay, Murray stepped +forward, and in his pleasant Perthshire accent suggested that a trial +might be made near the Ardcraig, a short walk to the left. + +After fixing the rods and baiting them, the head keeper discreetly +withdrew, leaving the pair alone. In the servants' hall at Blairglas +it was quite understood that Miss Dorise and Mr. Sherrard were to +marry, and that the announcement would be made in due course. + +"What a lovely day--and what a silent, delightful spot," Sherrard +remarked, as he filled his pipe preparatory to walking up-stream, +while the girl remained beside the dark pool where sport seemed +likely. + +"Yes," she replied, inwardly wishing to get rid of her companion so as +to be left alone with her own thoughts. "I'll remain here for a little +and then go down-stream to the end of our water." + +"Right oh!" he replied cheerily as he moved away. + +Dorise breathed more freely when he had gone. + +George Sherrard had arrived from London quite unexpectedly at nine +o'clock on the previous morning. She had been alone with her mother +after the last guest of a gay house-party had departed, when, unknown +to Dorise, Lady Ranscomb had telegraphed to her friend George to "run +up for a few days' fishing." + +Lady Ranscomb's scheme was to throw the pair into each other's society +as much as possible. She petted George, flattered him, and in every +way tried to entertain him with one sole object, namely, to induce him +to propose to Dorise, and so get the girl "off her hands." + +On the contrary, the girl's thoughts were for ever centred upon Hugh, +even though he remained under that dark cloud of suspicion. To her the +chief element in the affair was the mystery why her lover had gone on +that fateful night to the Villa Amette, the house of that notorious +Mademoiselle. What had really occurred? + +Twice she had received letters from him brought to her by the +mysterious girl-messenger from Belgium. From them she knew how grey +and dull was his life, hiding there from those who were so intent upon +his arrest. + +Indeed, within her blouse she carried his last letter which she had +received three weeks before when in London--a letter in which he +implored her not to misjudge him, and in which he promised that, as +soon as he dared to leave his hiding-place and meet her, he would +explain everything. In return, she had again written to him, but +though three weary weeks had passed, she had received no word in +reply. She could neither write by post, nor could she telegraph. It +was far too dangerous. In addition, his address had been purposely +withheld from her. + +Walter Brock had tried to ascertain it. He had even seen the +mysterious messenger on her last visit to England, but she had refused +point-blank, declaring that she had been ordered to disclose nothing. +She was merely a messenger. + +That her correspondence was still being watched by the police, Dorise +was quite well aware. Her maid, Duncan, had told her in confidence +quite recently that while crossing Berkeley Square one evening she had +been accosted by a good-looking young man who, having pressed his +attentions upon her, had prevailed upon her to meet him on the +following evening. + +He then took her to dinner to a restaurant in Soho, and to the +pictures afterwards. They had met half a dozen times, when he began to +cleverly question her concerning her mistress, asking whether she had +letters from her gentleman friends. At this Duncan had grown +suspicious, and she had not met the young fellow since. + +That, in itself, showed her that the police were bent on discovering +and arresting Hugh. + +The great mystery of it all was why Hugh should have gone deliberately +and clandestinely to the Villa Amette on the night of the tragic +affair. + +Dorise was really an expert in casting a fly; also she excelled in +several branches of sport. She was a splendid tennis-player, she rode +well to hounds, and was very fair at golf. But that morning she had no +heart for fishing, and especially in such company. She despised George +Sherrard as a prig, fond of boasting of his means, and, indeed, so +terribly self-conscious was he that in many circles he was declared +impossible. Men disliked him for his swagger and conceit, and women +despised him for his superior attitude towards them. + +For a full hour Dorise continued making casts, but in vain. She +changed her flies once or twice, until at last, by a careless throw, +she got her tackle hooked high in a willow, with the result that, in +endeavouring to extricate it, she broke off the hook. Then with an +exclamation of impatience, she wound up her line and threw her rod +upon the grass. + +"Hallo, Dorise!" cried a voice. "No luck, eh?" + +Sherrard had returned and had witnessed her outbreak of impatience. + +"None!" she snapped, for the loss of her fly annoyed her. She knew +that she had been careless, because under old Murray's careful tuition +she had become quite expert with the rod, both with trout and salmon. + +"Never mind," he said, "I've had similar luck. I've just got hooked up +in a root and lost a fly. Let's have lunch--shall we?" + +Dorise was in no mood to lunch with her mother's visitor, but, +nevertheless, was compelled to be polite. + +After washing their hands in the stream, they sat down together upon a +great, grey boulder that had been worn smooth by the action of the +water, and, taking out their sandwiches, began to eat them. + +"Oh, I say!" exclaimed Sherrard suddenly, after they had been +gossiping for some time. "Have you heard from your friend Henfrey +lately?" + +"Not lately," replied the girl, a trifle resentful that he should +obtrude upon her private affairs. + +"I only ask because--well, because there are some jolly queer stories +going about town of him." + +"Queer stories!" she echoed quickly. "What are they? What do people +say?" + +"Oh! They say lots of extraordinary things. I think your mother has +done very well to drop him." + +"Has mother dropped him?" asked the girl in pretence of ignorance. + +"She told me so last night, and I was extremely glad to hear it-- +though he is your friend. It seems that he's hardly the kind of fellow +you should know, Dorise." + +"Why do you say that?" his companion asked, her eyes flashing +instantly. + +"What! Haven't you heard?" + +"Heard what?" + +"The story that's going round the clubs. He's missing, and has been so +for quite a long time. You haven't seen him--have you?" + +The girl was compelled to reply in the negative. + +"But what do they say against him?" she demanded breathlessly. + +"There's a lot of funny stories," was Sherrard's reply. "They say he's +hiding from the police because he attempted to murder a notorious +woman called Mademoiselle of Monte Carlo. Do you know about it?" + +"It's a wicked lie!" blurted forth the girl. "Hugh never attempted to +kill the woman!" + +Sherrard looked straight into her blue eyes, and asked: + +"Then why was he in her room at midnight? They say the reason Henfrey +is hard-up is because he spent all he possessed upon the woman, and on +going there that night she laughed him to scorn and told him she had +grown fond of a rich Austrian banker. After mutual recriminations, +Henfrey, knowing the woman had ruined him, drew out a revolver and +shot her." + +"I tell you it's an abominable lie! Hugh is not an assassin!" cried +the girl fiercely. + +"I merely repeat what I have heard on very good authority," replied +the smug-faced man with the thick red lips. + +"And you have of course told my mother that--eh?" + +"I didn't think it was any secret," he said. "Indeed, I think it most +fortunate we all know the truth. The police must get him one day-- +before long." + +For a few moments Dorise remained silent, her eyes fixed across the +broad river to the opposite bank. + +"And if they do, he will most certainly clear himself, Mr. Sherrard," +she said coldly. + +"Ah! You still have great faith in him," he laughed airily. "Well--we +shall see," and he grinned. + +"Yes, Mr. Sherrard. I still have faith in Mr. Henfrey. I know him well +enough to be certain that he is no assassin." + +"Then I ask you, Dorise, why is he hiding?" said her companion. "If he +is innocent, what can he fear?" + +"I know he is innocent." + +"Of course. You must remain in that belief until he is found guilty." + +"You already condemn him!" the girl cried in anger. "By what right do +you do this, I ask?" + +"Well, common sense shows that he is in fear lest the truth should +come to light," was Sherrard's lame reply. "He escaped very cleverly +from Monte Carlo the moment he heard that the police suspected him, +but where is he now? Nobody knows. Haynes, of Scotland Yard, who made +the inquiries when my flat in Park Lane was broken into, tells me they +have had a description of him from the Paris police, and that a +general hue-and-cry has been circulated." + +"But the woman is still alive, is she not?" + +"Yes. She's a hopeless idiot, Haynes tells me. She had developed +homicidal mania as a result of the bullet wound in the head, and they +have had to send her to a private asylum at Cannes. She's there in +close confinement." + +Dorise paused. Her anger had risen, and her cheeks were flushed. The +sandwich she was eating choked her, so she cast it into the river. + +Then she rose abruptly, and looking very straight into the man's eyes, +said: + +"I consider, Mr. Sherrard, that you are absolutely horrid. Mr. Henfrey +is a friend of mine, and whatever gossip there is concerning him I +will not believe until I hear his story from his own lips." + +"I merely tell you of the report from France to Scotland Yard," said +Sherrard. + +"You tell me this in order to prejudice me against Hugh--to--to----" + +"Hugh! Whom you love--eh?" sneered Sherrard. + +"Yes. I /do/ love him," the girl blurted forth. "I make no secret of +it. And if you like you can tell my mother that! You are very fond of +acting as her factotum!" + +"It is to be regretted, Dorise, that you have fallen in love with a +fellow who is wanted by the police," he remarked with a sigh. + +"At any rate, I love a genuine man," she retorted with bitter sarcasm. +"I know my mother's intention is that I shall marry you. But I tell +you here frankly--as I stand here--I would rather kill myself first!" + +George Sherrard with his dark bushy brows and thick lips only laughed +at her indignation. This incensed her the more. + +"Yes," she went on. "You may be amused at my distress. You have +laughed at the distress of other women, Mr. Sherrard. Do not think +that I am blind. I have watched you, and I know more concerning your +love affairs of the past than you ever dream. So please leave +Blairglas as soon as you can with decency excuse yourself, and keep +away from me in future." + +"But really, Dorise----!" he cried, advancing towards her. + +"I mean exactly what I say. Let me get back. When I go fishing I +prefer to go alone," the girl said. + +"But what am I to say to Lady Ranscomb?" + +"Tell her that I love Hugh," laughed the girl defiantly. "Tell her +that I intend to defeat all her clever intrigues and sly devices!" + +His countenance now showed that he was angry. He and Lady Ranscomb +thoroughly understood each other. He admired the girl, and her mother +had assured him her affection for Hugh Henfrey was but a passing +fancy. This stubborn outburst was to him a complete revelation. + +"I have no knowledge of any intrigue, Dorise," he said in that bland, +superior manner which always irritated her. She knew that a dozen +mothers with eligible feminine encumbrances were trying to angle him, +and that Lady Ranscomb was greatly envied by them. But to be the wife +of the self-conscious ass--well, as she has already bluntly told him, +she would die rather than become Mrs. George Sherrard. + +"Intrigue!" the girl retorted. "Why, from first to last the whole +thing is a plot between my mother and yourself. Please give me credit +for just a little intelligence. First, I despise you as a coward. +During the war you crept into a little clerkship in the Home Office in +order to save your precious skin, while Hugh went to the front and +risked his life flying a 'bomber' over the enemy's lines. You were a +miserable stay-at-home, hiding in your little bolt-hole in Whitehall +when the Zepps came over, while Hugh Henfrey fought for his King and +for Britain. Now I am quite frank, Mr. Sherrard. That's why I despise +you!" and the girl's pale face showed two pink spots in the centre of +her cheeks. + +"Really," he said in that same superior tone which he so constantly +assumed. "I must say that you are the reverse of polite, Miss Dorise," +and his colour heightened. + +"I am! And I intend to be so!" she cried in a frenzy, for all her +affection for Hugh had in those moments been redoubled. Her lover was +accused and had no chance of self-defence. "Go back to my mother," she +went on. "Tell her every word I have said and embroider it as much as +you like. Then you can both put your wits together a little further. +But, remember, I shall exert my own woman's wits against yours. And as +soon as you feel it practicable, I hope you will leave Blairglas. And +further, if you have not left by noon to-morrow, I will tell my maid, +Duncan, the whole story of this sinister plot to part me from Hugh. +She will spread it, I assure you. Maids gossip--and to a purpose when +their mistresses will it so." + +"But Dorise--" + +"Enough! Mr. Sherrard. I prefer to walk up to the Castle by myself. +Murray will bring up the rods. Please tell my mother what I say when +you get back," she added. "The night train from Perth to London leaves +at nine-forty to-night," she said with biting sarcasm. + +Then turning, she began to ascend the steep path which led from the +river bank into a cornfield and through the wood, while the man stood +and bit his lip. + +"H'm!" he growled beneath his breath. "We shall see!--yes, we shall +see!" + + + + FOURTEENTH CHAPTER + + RED DAWN + +That night when Dorise, in a pretty, pale-blue evening gown, entered +the great, old panelled dining-room rather late for dinner, her mother +exclaimed petulantly: + +"How late you are, dear! Mr. Sherrard has had a telegram recalling him +to London. He has to catch the nine-something train from Perth." + +"Have you?" she asked the man who was odious to her. "I'm so sorry I'm +late, but that Mackenzie girl called. They are getting up a bazaar for +the old people down in the village, and we have to help it, I suppose. +Oh! these bazaars, sales of work, and other little excuses for +extracting shillings from the pockets of everybody! They are most +wearying." + +"She called on me last week," said Lady Ranscomb. "Newte told her I +was not at home." + +The old-fashioned butler, John Newte, a white-haired, rosy-faced man, +who had seen forty years' service with the ducal owner of Blairglas, +served the dinner in his own stately style. Sir Richard had been a +good master, but things had never been the same since the castle had +passed into its new owner's hands. + +Dorise endeavoured to be quite affable to the smooth-haired man seated +before her, expressing regret that he was called away so suddenly, +while he, on his part, declared that it was "awful hard luck," as he +had been looking forward to a week's good sport on the river. + +"Do come back, George," Lady Ranscomb urged. "Get your business over +and get back here for the weekend." + +"I'll try," was Sherrard's half-hearted response, whereat Newte +entered to announce that the car was ready. + +Then he bade mother and daughter adieu, and went out. + +Dorise could see that her mother was considerably annoyed at her plans +being so abruptly frustrated. + +"We must ask somebody else," she said, as they lingered over the +dessert. "Whom shall we ask?" + +"I really don't care in the least, mother. I'm quite happy here alone. +It is a rest. We shall have to be back in town in a fortnight, I +suppose." + +"George could quite well have waited for a day or two," Lady Ranscomb +declared. "I went out to see the Muirs, at Forteviot, and when I got +back he told me he had just had a telegram telling him that it was +imperative he should be in town to-morrow morning. I tried to persuade +him to stay, but he declared it to be impossible." + +"An appointment with a lady, perhaps," laughed Dorise mischievously. + +"What next, my dear! You know he is over head and ears in love with +you!" + +"Oh! That's quite enough, mother. You've told me that lots of times +before. But I tell you quite frankly his love leaves me quite cold." + +"Ah! dear. That reply is, after all, but natural. You, of course, +won't confess the truth," her mother laughed. + +"I do, mother. I'm heartily glad the fellow has gone. I hate his +supercilious manner, his superior tone, and his unctuous bearing. He's +simply odious! That's my opinion." + +Her mother looked at her severely across the table. + +"Please remember, Dorise, that George is my friend." + +"I never forget that," said the girl meaningly, as she rose and left +the table. + +Half an hour later, when she entered her bedroom, she found Duncan, +her maid, awaiting her. + +"Oh! I've been waiting to see you this half hour, miss," she said. "I +couldn't get you alone. Just before eight o'clock, as I was about to +enter the park by the side gate near Bervie Farm, a gentleman +approached me and asked if my name was Duncan. I told him it was, and +then he gave me this to give to you in secret. He also gave me a pound +note, miss, to say nothing about it." And the prim lady's maid handed +her young mistress a small white envelope upon which her name was +written. + +Opening it, she found a plain visiting card which bore the words in a +man's handwriting: + + + "Would it be possible for you to meet me to-night at ten at the + spot where I have given this to your maid? Urgent.--SILVERADO." + + +Dorise held her breath. It was a message from the mysterious white +cavalier who had sought her out at the /bal blanc/ at Nice, and told +her of Hugh's peril! + +Duncan was naturally curious owing to the effect the card had had upon +her mistress, but she was too well trained to make any comment. +Instead, she busied herself at the wardrobe, and a few moments +afterwards left the room. + +Dorise stood before the long cheval glass, the card still in her hand. + +What did it mean? Why was the mysterious white cavalier in Scotland? +At least she would now be able to see his face. It was past nine, and +the moon was already shining. She had still more than half an hour +before she went forth to meet the man of mystery. + +She descended to the drawing-room, where her mother was reading, and +after playing over a couple of songs as a camouflage, she pretended to +be tired and announced her intention of retiring. + +"We have to go into Edinburgh to-morrow morning," her mother remarked. +"So we should start pretty early. I've ordered the car for nine +o'clock." + +"All right, mother. Good-night," said the girl as she closed the door. + +Then hastening to her room she threw off her dinner gown, and putting +on a coat and skirt and the boots which she had worn when fishing that +morning, she went out by a door which led from the great old library, +with its thousands of brown-backed volumes, on to the broad terrace +which overlooked the glen, now a veritable fairyland beneath the light +of the moon. + +Outside the silence was only broken by the ripple of the burn over its +pebbles deep below, and the cry of the night-bird upon the steep rock +whereon the historic old castle was built. By a path known to her she +descended swiftly, and away into the park by yet another path, used +almost exclusively by the servants and the postman, down to a gate +which led out into the high road to Perth by one of the farms on the +estate, the one known as the Bervie. + +As she was about to pass through the small swing gate, she heard a +voice which she recognized exclaim: + +"Miss Ranscomb! I have to apologize!" And from the dark shadow a +rather tall man emerged and barred her path. + +"I daresay you will think this all very mysterious," he went on, +laughing lightly. "But I do hope I have not inconvenienced you. If so, +pray accept my deepest apologies. Will you?" + +"Not at all," the girl replied, though somewhat taken aback by the +suddenness of the encounter. The man spoke slowly and with evident +refinement. His voice was the same she had heard at Nice on that +memorable night of gaiety. She recognized it instantly. + +As he stood before her, his countenance became revealed in the +moonlight, and she saw a well-moulded, strongly-marked face, with a +pair of dark, penetrating eyes, set a little too close perhaps, but +denoting strong will and keen intelligence. + +"Yes," he laughed. "Look at me well, Miss Ranscomb. I am the white +cavalier whom you last saw disguised by a black velvet mask. Look at +me again, because perhaps you may wish to recognize me later on." + +"And you are still Mr. X--eh?" asked the girl, who had halted, and was +gazing upon his rather striking face. + +"Still the same," he said, smiling. "Or you may call me Brown, Jones, +or Robinson--or any of the other saints' names if you prefer." + +"You have been very kind to me. Surely I may know your real name?" + +"No, Miss Ranscomb. For certain very important reasons I do not wish +to disclose it. Pardon me--will you not? I ask that favour of you." + +"But will you not satisfy my curiosity?" + +"At my personal risk? No. I do not think you would wish me to do that +--eh?" he asked in a tone of mild reproof. + +Then he went on: + +"I'm awfully sorry I could not approach you openly. In London I found +out that you were up here, so I thought it best to see you in secret. +You know why I have come to you, Miss Ranscomb--eh?" + +"On behalf of Mr. Henfrey." + +"Yes. He is still in hiding. It has been impossible--through force of +circumstances--for him to send you further messages." + +"Where is he? I want to see him." + +"Have patience, Miss Ranscomb, and I will arrange a meeting between +you." + +"But why do the police still search for him?" + +"Because of an unfortunate fact. The lady, Mademoiselle Ferad, is now +confined to a private asylum at Cannes, but all the time she raves +furiously about Monsieur Henfrey. Hence the French police are +convinced that he shot her--and they are determined upon his arrest." + +"But do you think he is guilty?" + +"I know he is not. Yet by force of adverse circumstances, he is +compelled to conceal himself until such time that we can prove his +innocence." + +"Ah! But shall we ever be in a position to prove that?" + +"I hope so. We must have patience--and still more patience," urged the +mysterious man as he stood in the full light of the brilliant moon. "I +have here a letter for you which Mr. Henfrey wrote a week ago. It only +came into my hands yesterday." And he gave her an envelope. + +"Tell me something about this woman, Mademoiselle of Monte Carlo. Who +is she?" asked Dorise excitedly. + +"Well--she is a person who was notorious at the Rooms, as you yourself +know. You have seen her." + +"And tell me, why do you take such an interest in Hugh?" inquired the +girl, not without a note of suspicion in her voice. + +"For reasons best known to myself, Miss Ranscomb. Reasons which are +personal." + +"That's hardly a satisfactory reply." + +"I fear I can give few satisfactory replies until we succeed in +ascertaining the truth of what occurred at the Villa Amette," he said. +"I must urge you, Miss Ranscomb, to remain patient, and--and not to +lose faith in the man who is wrongfully accused." + +"But when can I see him?" asked Dorise eagerly. + +"Soon. But you must be discreet--and you must ask no questions. Just +place yourself in my hands--that is, if you can trust me." + +"I do, even though I am ignorant of your name." + +"It is best that you remain in ignorance," was his reply. "Otherwise +perhaps you would hesitate to trust me." + +"Why?" + +But the tall, good-looking man only laughed, and then he said: + +"My name really doesn't matter at present. Later, Miss Ranscomb, you +will no doubt know it. I am only acting in the interests of Henfrey." + +Again she looked at him. His face was smiling, and yet was sphinx-like +in the moonlight. His voice was certainly that of the white cavalier +which she recollected so well, but his personality, so strongly +marked, was a little overbearing. + +"I know you mistrust me," he went on. "If I were in your place I +certainly should do so. A thousand pities it is that I cannot tell you +who I am. But--well--I tell you in confidence that I dare not!" + +"Dare not! Of what are you afraid?" inquired Dorise. The man she had +met under such romantic circumstances interested her keenly. He was +Hugh's go-between. Poor Hugh! She knew he was suffering severely in +his loneliness, and his incapability to clear himself of the terrible +stigma upon him. + +"I'm afraid of several things," replied the white cavalier. "The +greatest fear I have is that you may not believe in me." + +"I do believe in you," declared the girl. + +"Excellent!" he replied enthusiastically. "Then let us get to business +--pardon me for putting it so. But I am, after all, a business man. I +am interested in a lot of different businesses, you see." + +"Of what character?" + +"No, Miss Ranscomb. That is another point upon which I regret that I +cannot satisfy your pardonable curiosity. Please allow your mind to +rest upon the one main point--that I am acting in the interests of the +man with--the man who is, I believe, your greatest and most intimate +friend." + +"I understood that when we met in Nice." + +"Good! Now I understand that your mother, Lady Ranscomb, is much +against your marriage with Hugh Henfrey. She has other views." + +"Really! Who told you that?" + +"I have ascertained it in the course of my inquiry." + +Dorise paused, and then looking the man of mystery straight in the +face, asked: + +"What do you really know about me?" + +"Well," he laughed lightly. "A good deal. Now tell me when could you +be free to get away from your mother for a whole day?" + +"Why?" + +"I want to know. Just tell me the date. When are you returning to +London?" + +"On Saturday week. I could get away--say--on Tuesday week." + +"Very good. You would have to leave London by an early train in the +morning--if I fail to send a car for you, which I hope to do. And be +back again late at night." + +"Why?" + +"Why," he echoed. "Because I have a reason." + +"I believe you will take me to meet Hugh--eh? Ah! How good you are!" +cried the girl in deep emotion. "I shall never be able to thank you +sufficiently for all you are doing. I--I have been longing all these +weeks to see him again--to hear his explanation why he went to the +woman's house at that hour--why----" + +"He will tell you everything, no doubt," said her mysterious visitor. +"He will tell you everything except one fact." + +"And what is that?" she asked breathlessly. + +"One fact he will not tell you. But you will know it later. Hugh +Henfrey is a fine manly fellow, Miss Ranscomb. That is why I have done +my level best in his interest." + +"But why should you?" she asked. "You are, after all, a stranger." + +"True. But you will know the truth some day. Meanwhile, leave matters +as they are. Do not prejudge him, even if the police are convinced of +his guilt. Could you be at King's Cross station at ten o'clock on the +morning of Tuesday week? If so, I will meet you there." + +"Yes," she replied. "But where are we going?" + +"At present I have no idea. When one is escaping from the police one's +movements have to be ruled by circumstances from hour to hour. I will +do my best on that day to arrange a meeting between you," he added. + +She thanked him very sincerely. He was still a mystery, but his face +and his whole bearing attracted her. He was her friend. She +recollected his words amid that gay revelry at Nice--words of +encouragement and sympathy. And he had travelled there, far north into +Perthshire, in order to carry the letter which she had thrust into her +pocket, yet still holding it in her clenched hand. + +"I do wish you would tell me the motive of your extreme kindness +towards us both," Dorise urged. "I can't make it out at all. I am +bewildered." + +"Well--so am I, Miss Ranscomb," replied the tall, elegant man who +spoke with such refinement, and was so shrewd and alert. "There are +certain facts--facts of which I have no knowledge. The affair at the +Villa Amette is still, to me, a most profound mystery." + +"Why did Hugh go there at all? That is what I fail to understand," she +declared. + +"Don't wonder any longer. He had, I know, an urgent and distinct +motive to call that night." + +"But the woman! I hear she is a notorious adventuress." + +"And the adventuress, Miss Ranscomb, often has, deep in her soul, the +heart of a pure woman," he said. "One must never judge by appearance +or gossip. What people may think is the curse of many of our lives. I +hope you do not misjudge Mr. Henfrey." + +"I do not. But I am anxious to hear his explanation." + +"You shall--and before long, too," he replied. "But I want you, if you +will, to answer a question. I do not put it from mere idle curiosity, +but it very closely concerns you both. Have you ever heard him speak +of a girl named Louise Lambert?" + +"Louise Lambert? Why, yes! He introduced her to me once. She is, I +understand, the adopted daughter of a man named Benton, an intimate +friend of old Mr. Henfrey." + +"Has he ever told you anything concerning her?" + +"Nothing much. Why?" + +"He has never told you the conditions of his father's will?" + +"Never--except that he has been left very poorly off, though his +father died in affluent circumstances. What are the conditions?" + +The mysterious stranger paused for a moment. + +"Have you, of late, formed an acquaintance of a certain Mrs. Bond, a +widow?" + +"I met her recently in South Kensington, at the house of a friend of +my mother, Mrs. Binyon. Why?" + +"How many times have you met her?" + +"Two--or I think three. She came to tea with us the day before we came +up here." + +"H'm! Your mother seems rather prone to make easy acquaintanceships-- +eh? The Hardcastles were distinctly undesirable, were they not?--and +the Jameses also?" + +"Why, what do you know about them?" asked the girl, much surprised, as +they were two families who had been discovered to be not what they +represented. + +"Well," he laughed. "I happen to be aware of your mother's charm-- +that's all." + +"You seem to know quite a bit about us," she remarked. "How is it?" + +"Because I have made it my business to know, Miss Ranscomb," he +replied. "Further, I would urge upon you to have nothing to do with +Mrs. Bond." + +"Why not? We found her most pleasant. She is the widow of a wealthy +man who died abroad about two years ago, and she lives somewhere down +in Surrey." + +"I know all about that," he answered in a curious tone. "But I repeat +my warning that Mrs. Bond is by no means a desirable acquaintance. I +tell you so for your own benefit." + +Inwardly he was angry that the woman should have so cleverly made the +acquaintance of the girl. It showed him plainly that Benton and she +were working on a set and desperate plan, while the girl before him +was entirely ignorant of the plot. + +"Now, Miss Ranscomb," he added, "I want you to please make me a +promise--namely, that you will say nothing to a single soul of what I +have said this evening--not even to your friend, Mr. Henfrey. I have +very strong reasons for this. Remember, I am acting in the interests +of you both, and secrecy is the essence of success." + +"I understand. But you really mystify me. I know you are my friend," +she said, "but why are you doing all this for our benefit?" + +"In order that Hugh Henfrey may return to your side, and that hand in +hand you may be able to defeat your enemies." + +"My enemies! Who are they?" asked the girl. + +"One day, very soon, they must reveal themselves. When they do, and +you find yourself in difficulties, you have only to call upon me, and +I will further assist you. Advertise in the /Times/ newspaper at any +time for an appointment with 'Silverado.' Give me seven days, and I +will keep it." + +"But do tell me your name!" she urged, as they moved together from the +pathway along the road in the direction of Perth. "I beg of you to do +so." + +"I have already begged a favour of you, Miss Ranscomb," he answered in +a soft, refined voice. "I ask you not to press your question. Suffice +it that I am your sincere friend." + +"But when shall I see Hugh?" she cried, again halting. "I cannot bear +this terrible suspense any longer--indeed I can't! Can I go to him +soon?" + +"No!" cried a voice from the shadow of a bush close beside them as a +dark alert figure sprang forth into the light. "It is needless. I am +here, dearest!--/at last/!" + +And next second she found herself clasped in her lover's strong +embrace, while the stranger, utterly taken aback, stood looking on, +absolutely mystified. + + + + FIFTEENTH CHAPTER + + THE NAMELESS MAN + +"Who is this gentleman, Dorise?" asked Hugh, when a moment later the +girl and her companion had recovered from their surprise. + +"I cannot introduce you," was her reply. "He refuses to give his +name." + +The tall man laughed, and said: + +"I have already told you that my name is X." + +Hugh regarded the stranger with distinct suspicion. It was curious +that he should discover them together, yet he made but little comment. + +"We were just speaking about you, Mr. Henfrey," the tall man went on. +"I believed that you were still in Belgium." + +"How did you know I was there?" + +"Oh!--well, information concerning your hiding-place reached me," was +his enigmatical reply. "I am, however, glad you have been able to +return to England in safety. I was about to arrange a meeting between +you. But I advise you to be most careful." + +"You seem to know a good deal concerning me," Hugh remarked +resentfully, looking at the stern, rather handsome face in the +moonlight. + +"This is the gentleman who sought me out in Nice, and first told me of +your peril, Hugh. I recognize his voice, and have to thank him for a +good deal," the girl declared. + +"Really, Miss Ranscomb, I require no thanks," the polite stranger +assured her. "If I have been able to render Mr. Henfrey a little +service it has been a pleasure to me. And now that you are together +again I will leave you." + +"But who are you?" demanded Hugh, filled with curiosity. + +"That matters not, now that you are back in England. Only I beseech of +you to be very careful," said the tall man. Then he added: "There are +pitfalls into which you may very easily fall--traps set by your +enemies." + +"Well, sir, I thank you sincerely for what you have done for Miss +Ranscomb during my absence," said the young man, much mystified at +finding Dorise strolling at that hour with a man of whose name even +she was ignorant. "I know I have enemies, and I shall certainly heed +your warning." + +"Your enemies must not know you are in England. If they do, they will +most certainly inform the police." + +"I shall take care of that," was Hugh's reply. "I shall be compelled +to go into hiding again--but where, I do not know." + +"Yes, you must certainly continue to lie low for a time," the man +urged. "I know how very dull it must have been for you through all +those weeks. But even that is better than the scandal of arrest and +trial." + +"Ah! I know of what you are accused, Hugh!" cried the girl. "And I +also know you are innocent!" + +"Mr. Henfrey is innocent," said the tall stranger. "But there must be +no publicity, hence his only chance of safety lies in strict +concealment." + +"It is difficult to conceal oneself in England," replied Hugh. + +The stranger laughed, as he slowly answered: + +"There are certain places where no questions are asked--if you know +where to look for them. But first, I am very interested to know how +you got over here." + +"I went to Ostend, and for twenty pounds induced a Belgian fisherman +to put me ashore at night near Caister, in Norfolk. I went to London +at once, only to discover that Miss Ranscomb was at Blairglas--and +here I am. But I assure you it was an adventurous crossing, for the +weather was terrible--a gale blew nearly the whole time." + +"You are here, it is true, Mr. Henfrey. But you mustn't remain here," +the stranger declared. "Though I refuse to give you my name, I will +nevertheless try to render you further assistance. Go back to London +by the next train you can get, and then call upon Mrs. Mason, who +lives at a house called 'Heathcote,' in Abingdon Road, Kensington. She +is a friend of mine, and I will advise her by telegram that she will +have a visitor. Take apartments at her house, and remain there in +strict seclusion. Will you remember the address--shall I write it +down?" + +"Thanks very much indeed," Hugh replied. "I shall remember it. Mrs. +Mason, 'Heathcote,' Abingdon Road, Kensington." + +"That's it. Get there as soon as ever you can," urged the stranger. +"Recollect that your enemies are still in active search of you." + +Hugh looked his mysterious friend full in the face. + +"Look here!" he said, in a firm, hard voice. "Are you known as Il +Passero?" + +"Pardon me," answered the stranger. "I refuse to satisfy your +curiosity as to who I may be. I am your friend--that is all that +concerns you." + +"But the famous Passero--The Sparrow--is my unknown friend," he said, +"and I have a suspicion that you and he are identical!" + +"I have a motive in not disclosing my identity," was the man's reply +in a curious tone. "Get to Mrs. Mason's as quickly as you can. Perhaps +one day soon we may meet again. Till then, I wish both of you the best +of luck. /Au revoir/!" + +And, raising his hat, he turned abruptly, and, leaving them, set off +up the high road which led to Perth. + +"But, listen, sir--one moment!" cried Hugh, as he turned away. + +Nevertheless the stranger heeded not, and a few seconds later his +figure was lost in the shadow of the high hedgerow. + +"Well," said Hugh, a few moments later, "all this is most amazing. I +feel certain that he is either the mysterious Sparrow himself, or one +of his chief accomplices." + +"The Sparrow? Who is he--dear?" asked Dorise, her hand upon her +lover's shoulder. + +"Let's sit down somewhere, and I will tell you," he said. Then, re- +entering the park by the small iron gate, Dorise led him to a fallen +tree where, as they sat together, he related all he had been told +concerning the notorious head of a criminal gang known to his +confederates, and the underworld of Europe generally, as Il Passero, +or The Sparrow. + +"How very remarkable!" exclaimed Dorise, when he had finished, and +she, in turn, had told him of the encounter at the White Ball at Nice, +and the coming and going of the messenger from Malines. "I wonder if +he really is the notorious Sparrow?" + +"I feel convinced he is," declared Hugh. "He sent me a message in +secret to Malines a fortnight ago forbidding me to attempt to leave +Belgium, because he considered the danger too great. He was, no doubt, +much surprised to-night when he found me here." + +"He certainly was quite as surprised as myself," the girl replied, +happy beyond expression that her lover was once again at her side. + +In his strong arms he held her in a long, tight embrace, kissing her +upon the lips in a frenzy of satisfaction--long, sweet kisses which +she reciprocated with a whole-heartedness that told him of her +devotion. There, in the shadow, he whispered to her his love, +repeating what he had told her in London, and again in Monte Carlo. + +Suddenly he put a question to her: + +"Do you really believe I am innocent of the charge against me, +darling?" + +"I do, Hugh," she answered frankly. + +"Ah! Thank you for those words," he said, in a broken voice. "I feared +that you might think because of my flight that I was guilty." + +"I know you are not. Mother, of course, says all sorts of nasty things +--that you must have done something very wrong--and all that." + +"My escape certainly gives colour to the belief that I am in fear of +arrest. And so I am. Yet I swear that I never attempted to harm the +lady at the Villa Amette." + +"But why did you go there at all, dear?" the girl asked. "You surely +knew the unenviable reputation borne by that woman!" + +"I know it quite well," he said. "I expected to meet an adventuress-- +but, on the contrary, I met a real good woman!" + +"I don't understand you, Hugh," she said. + +"No, darling. You, of course, cannot understand!" he exclaimed. "I +admit that I followed her home, and I demanded an interview." + +"Why?" + +"Because I was determined she should divulge to me a secret of her +own." + +"What secret?" + +"One that concerns my whole future." + +"Cannot you tell me what it is?" she asked, looking into his face, +which in the moonlight she saw was much changed, for it was unusually +pale and haggard. + +"I--well--at the present moment I am myself mystified, darling. Hence +I cannot explain the truth," he replied. "Will you trust me if I +promise to tell you the whole facts as soon as I have learnt them? One +day I hope I shall know all, yet----" + +"Yes--yet--what?" + +He drew a deep breath. + +"The poor unfortunate lady has lost her reason as the result of the +attempt upon her life. Therefore, after all, I may never be in a +position to know the truth which died upon her lips." + +For nearly two hours the pair remained together. Often she was locked +in her lover's arms, heedless of everything save her unbounded joy at +his return, and of the fierce, passionate caresses he bestowed upon +her. Truly, that was a night of supreme delight as they held each +other's hands, and their lips met time after time in ecstasy. + +He inquired about George Sherrard, but she said little. She hesitated +to tell him of the incident while fishing that morning, but merely +said: + +"Oh! He was up here for two or three days, but had to go back to +London on business. And I was very glad." + +"Of course, dearest, your mother still presses you to marry him." + +"Yes," laughed the girl. "But she will continue to press. She's +constantly singing his praises until I'm utterly sick of hearing of +all his good qualities." + +Hugh sighed, and replied: + +"All men who are rich are possessed of good qualities in the +estimation of the world. The poor and hard-up are the despised. But, +after all, Dorise," he added, in a changed voice, "you have not +forgotten what you told me at Monte Carlo--that you love me?" + +"I repeat it, Hugh!" declared the girl, deeply in earnest, her hand +stealing into his. "I love only you!--/you/!" + +Then again he took her in his arms, and imprinted a fierce, passionate +kiss upon her ready lips. + +"I suppose we must part again," he sighed. "I am compelled to keep +away from you because no doubt a watch has been set upon you, and upon +your correspondence. Up to the present, I have been able, by the good +grace of unknown friends, to slip through the meshes of the net spread +for me. But how long this will continue, I know not." + +"Oh! do be careful, Hugh, won't you?" urged the girl, as they sat side +by side. The only sound was the rippling of the burn deep down in the +glen, and the distant barking of a shepherd's dog. + +"Yes. I'll get away into the wilds of Kensington--to Abingdon Road. +One is safer in a London suburb than in a desert, no doubt. West +London is a good hiding-place." + +"Recollect the name. Mason, wasn't it? And she lives at 'Heathcote.'" + +"That was it. But do not communicate with me, otherwise my place of +concealment will most certainly be discovered." + +"But can't I see you, Hugh?" implored the girl. "Must we again be +parted?" + +"Yes. It seems so, according to our mysterious friend, whom I believe +most firmly to be the notorious thief known by the Italian sobriquet +of Il Passero--The Sparrow." + +"Do you think he is a thief?" asked the girl. + +"Yes. I am convinced that your friend is none other than the +picturesque and romantic criminal whose octopus hand is upon almost +every great theft in Europe, and whom the police always fail to catch, +so elusive and clever is he." + +She gave him further details of their first meeting at Nice. + +"Exactly. That is one of his methods--secrecy and generosity are his +two traits. He and his accomplices rob the wealthy, and assist those +wrongly accused. It must be he--or one of his assistants. Otherwise he +would not know of the secret hiding-place for those after whom a hue- +and-cry has been raised." + +He recollected at that moment the girl who had been his fellow-guest +in Genoa--the dainty mademoiselle who evidently had some secret +knowledge of his father's death, and yet refused to divulge a single +word. + +Ever since that memorable night at the Villa Amette, he had existed in +a mist of suspicion and uncertainty. Yet, after all, he cared little +for anything so long as Dorise still believed in his innocence, and +she still loved him. His one great object was to clear up the mystery +of his father's tragic end, and thus defeat the clever plot of those +whose intention it, apparently, was to marry him to Louise Lambert. + +On every hand there was mystification. The one woman--notorious as she +was--who knew the truth had been rendered mentally incompetent by an +assassin's bullet, while he, himself, was accused of the crime. + +Hugh Henfrey would have long ago confessed to Dorise the whole facts +concerning his father's death, but his delicacy prevented him. He +honoured his dead father, and was averse to telling the girl he loved +that he had been found in a curious state in a West End street late at +night. He was loyal to his poor father's memory, and, until he knew +the actual truth, he did not intend that Dorise should be in a +position to misconstrue the facts, or to misjudge. + +On the face of it, his father's death was exceedingly suspicious. He +had left his home in the country and gone to town upon pretence. Why? +That a woman was connected with his journey was now apparent. Hugh had +ascertained certain facts which he had resolved to withhold from +everybody. + +But why should the notorious Sparrow, the King of the Underworld, +interest himself so actively on his behalf as to travel up there to +Perthshire, after making those secret, but elaborate, arrangements for +safety? The whole affair was a mystery, complete and insoluble. + +It was early morning, after they had rambled for several hours in the +moonlight, when Hugh bade his well-beloved farewell. + +They had returned through the park and were at a gate quite close to +the castle when they halted. It had crossed Hugh's mind that they +might be seen by one of the keepers, and he had mentioned this to +Dorise. + +"What matter?" she replied. "They do not know you, and probably will +not recognize me." + +So after promising Hugh to remain discreet, she told him they were +returning to London in a few days. + +"Look here!" he said suddenly. "We must meet again very soon, darling. +I daresay I may venture out at night, therefore why not let us make an +appointment--say, for Tuesday week. Where shall we meet? At midnight +at the first seat on the right on entering the part at the Marble +Arch? You remember, we met there once before--about a year ago." + +"Yes. I know the spot," the girl replied. "I remember what a cold, wet +night it was, too!" and she laughed at the recollection. "Very well. I +will contrive to be there. That night we are due at a dance at the +Gordons' in Grosvenor Gardens. But I'll manage to be there somehow--if +only for five minutes." + +"Good," he exclaimed, again kissing her fondly. "Now I must make all +speed to Kensington and there go once more into hiding. When--oh, when +will this wearying life be over!" + +"You have a friend, as I have, in the mysterious white cavalier," she +said. "I wonder who he really is?" + +"The Sparrow--without a doubt--the famous 'Il Passero' for whom the +police of Europe are ever searching, the man who at one moment lives +in affluence and the highest respectability in a house somewhere near +Piccadilly, and at another is tearing over the French, Spanish, or +Italian roads in his powerful car directing all sorts of crooked +business. It's a strange world in which I find myself, Dorise, I +assure you! Good-bye, darling--good-bye!" and he took her in a final +embrace. "Good-bye--till Tuesday week." + +Then stepping on to the grass, where his feet fell noiselessly, he +disappeared in the dark shadow of the great avenue of beeches. + + + + SIXTEENTH CHAPTER + + THE ESCROCS OF LONDON + +For ten weary days Hugh Henfrey had lived in the close, frowsy- +smelling house in Abingdon Road, Kensington, a small, old-fashioned +place, once a residence of well-to-do persons, but now sadly out of +repair. + +Its occupier was a worthy, and somewhat wizened, widow named Mason, +who was supposed to be the relict of an army surgeon who had been +killed at the Battle of the Marne. She was about sixty, and suffered +badly from asthma. Her house was too large for one maid, a stout, +matronly person called Emily, hence the place was not kept as clean as +it ought to have been, and the cuisine left much to be desired. + +Still, it appeared to be a safe harbour of refuge for certain strange +persons who came there, men who looked more or less decent members of +society, but whose talk and whose slang was certainly that of crooks. +That house in the back street of old-world Kensington, a place built +before Victoria ascended the throne, was undoubtedly on a par with the +flat of the Reveccas in Genoa, and the thieves' sanctuary in the +shadow of the cathedral at Malines. + +Adversity brings with it queer company, and Hugh had found himself +among a mixed society of men who had been gentlemen and had taken up +the criminal life as an up-to-date profession. They all spoke of The +Sparrow with awe; and they all wondered what his next great coup would +be. + +Hugh became more than ever satisfied that Il Passero was one of the +greatest and most astute criminals who have graced the annals of our +time. + +Everyone sang his praise. The queer visitors who lodged there for a +day, a couple of days, or more; the guests who came suddenly, and who +disappeared just as quickly, were one and all loud in their admiration +of Il Passero, though Hugh could discover nobody who had actually seen +the arch-thief in the flesh. + +On the Tuesday night Hugh had had a frugal and badly-cooked meal with +three mysterious men who had arrived as Mrs. Mason's guests during the +day. After supper the widow rose and left the room, whereupon the +trio, all well-dressed men-about-town, began to chatter openly about a +little "deal" in diamonds in which they had been interested. The +"deal" in question had been reported in the newspapers on the previous +morning, namely, how a Dutch diamond dealer's office in Hatton Garden +had been broken into, the safe cut open by the most scientific means, +and a very valuable parcel of stones extracted. + +"Harry Austen has gone down to Surrey to stay with Molly." + +"Molly? Why, I thought she was in Paris!" + +"She was--but she went to America for a trip and she finds it more +pleasant to live down in Surrey just now," replied the other with a +grin. "She has Charlie's girl living with her." + +"H'm!" grunted the third man. "Not quite the sort of companion Charlie +might choose for his daughter--eh?" + +Hugh took but little notice of the conversation. It was drawing near +the time when he would go forth to meet Dorise at their trysting +place. In anxiety he went into the adjoining room, and there smoked +alone until just past eleven o'clock, when he put on his hat and went +forth into the dark, deserted street. + +Opposite High Street Kensington Station he jumped upon a bus, and at +five minutes to midnight alighted at the Marble Arch. On entering the +park he quickly found the seat he had indicated as their meeting +place, and sat down to wait. + +The home-going theatre traffic behind him in the Bayswater Road had +nearly ceased as the church clocks chimed the midnight hour. In the +semi-darkness of the park dark figures were moving, lovers with +midnight trysts like his own. In the long, well-lit road behind him +motors full of gaily-dressed women flashed homeward from suppers or +theatres, while from the open windows of a ballroom in a great +mansion, the house of an iron magnate, came the distant strains of +waltz music. + +Time dragged along. He strained his eyes down the dark pathway, but +could see no approaching figure. Had she at the last moment been +prevented from coming? He knew how difficult it was for her to slip +away at night, for Lady Ranscomb was always so full of engagements, +and Dorise was compelled to go everywhere with her. + +At last he saw a female figure in the distance, as she turned into the +park from the Marble Arch, and springing to his feet, he went forward +to meet her. At first he was not certain that it was Dorise, but as he +approached nearer he recognized her gait. + +A few seconds later he confronted her and grasped her warmly by the +hand. The black cloak she was wearing revealed a handsome jade- +coloured evening gown, while her shoes were not those one would wear +for promenading in the park. + +"Welcome at last, darling!" he cried. "I was wondering if you could +get away, after all!" + +"I had a little difficulty," she laughed. "I'm at a dance at the +Gordons' in Grosvenor Gardens, but I managed to slip out, find a taxi, +and run along here. I fear I can't stay long, or they will miss me." + +"Even five minutes with you is bliss to me, darling," he said, +grasping her ungloved hand and raising it to his lips. + +"Ah! Hugh. If you could only return to us, instead of living under +this awful cloud of suspicion!" the girl cried. "Every day, and every +night, I think of you, dear, and wonder how you are dragging out your +days in obscurity down in Kensington. Twice this week I drove along +the Earl's Court Road, quite close to you." + +"Oh! life is a bit dull, certainly," he replied cheerfully. "But I +have papers and books--and I can look out of the window on to the +houses opposite." + +"But you go out for a ramble at night?" + +"Oh! yes," he replied. "Last night I set out at one o'clock and walked +up to Hampstead Heath, as far as Jack Straw's Castle and back. The +night was perfect. Really, Londoners who sleep heavily all night lose +the best part of their lives. London is only beautiful in the night +hours and at early dawn. I often watch the sun rise from the Thames +Embankment. I have a favourite seat--just beyond Scotland Yard. I've +become quite a night-bird these days. I sleep when the sun shines, and +with a sandwich box and a flask I go long tramps at night, just as +others do who, like myself, are concealing their identity." + +"But when will all this end?" queried the girl, as together they +strolled in the direction of Bayswater, passing many whispering +couples sitting on seats. London lovers enjoy the park at all hours of +the twenty-four. + +"It will only end when I am able to discover the truth," he said +vaguely. "Meanwhile I am not disheartened, darling, because--because I +know that you believe in me--that you still trust me." + +"That man whom I saw in Nice dressed as a cavalier, and who again came +to me in Scotland, is a mystery," she said. "Do you really believe he +is the person you suspect?" + +"I do. I still believe he is the notorious and defiant criminal 'Il +Passero'--the most daring and ingenious thief of the present century." + +"But he is evidently your friend." + +"Yes. That is the great mystery of it all. I cannot discern his +motive." + +"Is it a sinister one, do you think?" + +"No. I do not believe so. I have heard of The Sparrow's fame from the +lips of many criminals, but none has uttered a single word against +him. He is, I hear, fierce, bitter, and relentless towards those who +are his enemies. To his friends, however, he is staunchly loyal. That +is what is said of him." + +"But, Hugh, I wish you would be more frank with me," the girl said. +"There are several things you are hiding from me." + +"I admit it, darling," he blurted forth, holding her hand in the +darkness as they walked. The ecstasy and the bliss of that moment held +him almost without words. She was as life to him. He pursued that +soul-deadening evasion, and lived that grey, sordid life among men and +women escaping from justice solely for her sake. If he married Louise +Lambert and then cast off the matrimonial shackles he would recover +his patrimony and be well-off. + +To many men the temptation would have proved too great. The +inheritance of his father's fortune was so very easy. Louise was a +pretty girl, well educated, bright, vivacious, and thoroughly up to +date. Yet somehow, he always mistrusted Benton, though his father, +perhaps blinded in his years, had reckoned him his best and most +sincere friend. There are many unscrupulous men who pose as dear, +devoted friends of those who they know are doomed by disease to die-- +men who hope to be left executors with attaching emoluments, and men +who have some deep game to play either by swindling the orphans, or by +advancing one of their own kith and kin in the social scale. + +Old Mr. Henfrey, a genuine country landowner of the good old school, a +man who lived in tweeds and leggings, and who rode regularly to hounds +and enjoyed his days across the stubble, was one of the unsuspicious. +Charles Benton he had first met long ago in the Hotel de Russie in +Rome while he was wintering there. Benton was merry, and, apparently, +a gentleman. He talked of his days at Harrow, and afterwards at +Cambridge, of being sent down because of a big "rag" in the +Gladstonian days, and of his life since as a fairly well-off bachelor +with rooms in London. + +Thus a close intimacy had sprung up between them, and Hugh had +naturally regarded his father's friend with entire confidence. + +"You admit that you are not telling me the whole truth, Hugh," +remarked the girl after a long pause. "It is hardly fair of you, is +it?" + +"Ah! darling, you do not know my position," he hastened to explain as +he gripped her little hand more tightly in his own. "I only wish I +could learn the truth myself so as to make complete explanation. But +at present all is doubt and uncertainty. Won't you trust me, Dorise?" + +"Trust you!" she echoed. "Why, of course I will! You surely know that, +Hugh." + +The young man was again silent for some moments. Then he exclaimed: + +"Yet, after all, I can see no ray of hope." + +"Why?" + +"Hope of our marriage, Dorise," he said hoarsely. "How can I, without +money, ever hope to make you my wife?" + +"But you will have your father's estate in due course, won't you?" she +asked quite innocently. "You always plead poverty. You are so like a +man." + +"Ah! Dorise, I am really poor. You don't understand--/you can't/!" + +"But I do," she said. "You may have debts. Every man has them-- +tailor's bills, restaurant bills, betting debts, jewellery debts. Oh! +I know. I've heard all about these things from another. Well, if you +have them, you'll be able to settle them out of your father's estate +all in due course." + +"And if he has left me nothing?" + +"Nothing!" exclaimed the handsome girl at his side. "What do you +mean?" + +"Well----" he said very slowly. "At present I have nothing--that's +all. That is why at Monte Carlo I suggested that--that----" + +He did not conclude the sentence. + +"I remember. You said that I had better marry George Sherrard--that +thick-lipped ass. You said that because you are hard-up?" + +"Yes. I am hard-up. Very hard-up. At present I am existing in an +obscure lodging practically upon the charity of a man upon whom, so +far as I can ascertain, I have no claim whatsoever." + +"The notorious thief?" + +Hugh nodded, and said: + +"That fact in itself mystifies me. I can see no motive. I am entirely +innocent of the crime attributed to me, and if Mademoiselle were in +her right mind she would instantly clear me of this terrible charge." + +"But why did you go to her home that night, Hugh?" + +"As I have already told you, I went to demand a reply to a single +question I put to her," he said. "But please do no let us discuss the +affair further. The whole circumstances are painful to me--more +painful than you can possibly imagine. One day--and I hope it will be +soon--you will fully realize what all this has cost me." + +The girl drew a long breath. + +"I know, Hugh," she said. "I know, dear--and I do trust you." + +They halted, and he bent and impressed upon her lips a fierce caress. + +So entirely absorbed in each other were the pair that they failed to +notice the slim figure of a man who had followed the girl at some +distance. Indeed, the individual in question had been lurking outside +the house in Grosvenor Gardens, and had watched Dorise leave. At the +end of the street a taxi was drawn up at the kerb awaiting him. Dorise +had hailed the man, but his reply was a surly "Engaged." + +Then, walking about a couple of hundred yards, she had found another, +and entering it, had driven to the Marble Arch. But the first taxi had +followed the second one, and in it was the well-set-up man who was +silently watching her in the park as she walked with her lover towards +the Victoria Gate. + +"What can I say to you in reply to your words of hope, darling?" +exclaimed Hugh as he walked beside her. "I know full well how much all +this must puzzle you. Have you seen Brock?" + +"Oh! yes. I saw him two days ago. He called upon mother and had tea. I +managed to get five minutes alone with him, and I asked if he had +heard from you. He replied that he had not. He's much worried about +you." + +"Is he, dear old chap? I only wish I dared write to him, and give him +my address." + +"I told him that you were back in London. But I did not give him your +address. You told me to disclose nothing." + +"Quite right, Dorise," he said. "If, as I hope one day to do, I can +ever clear myself and combat my secret enemies, then there will be +revealed to you a state of things of which you little dream. To-day I +confess I am under a cloud. In the to-morrow I hope and pray that I +may be able to expose the guilty and throw a new light upon those who +have conspired to secure my downfall." + +They had halted in the dark path, and again their lips met in fond +caress. Behind them was the silent watcher, the tall man who had +followed Dorise when she had made her secret exit from the house +wherein the gay dance was till in progress. + +An empty seat was near, and with one accord the lovers sank upon it, +Hugh still holding the girl's soft hand. + +"I must really go," she said. "Mother will miss me, no doubt." + +"And George Sherrard, too?" asked her companion bitterly. + +"He may, of course." + +"Ah! Then he is with you to-night?" + +"Yes. Unfortunately, he is. Ah! Hugh! How I hate his exquisite and +superior manners. But he is such a close friend of mother's that I can +never escape him." + +"And he still pesters you with his attentions, of course," remarked +Hugh in a hard voice. + +"Oh! yes, he is always pretending to be in love with me." + +"Love!" echoed Hugh. "Can such a man ever love a woman? Never, Dorise. +He does not love you as I love you--with my whole heart and my whole +soul." + +"Of course the fellow cannot," she replied. "But, for mother's sake, I +have to suffer his presence." + +"At least you are frank, darling," he laughed. + +"I only tell you the truth, dear. Mother thinks she can induce me to +marry him because he is so rich, but I repeat that I have no intention +whatever of doing so. I love you, Hugh--and only you." + +Again he took her in his strong arms and pressed her to him, still +being watched by the mysterious individual who had followed Dorise. + +"Ah! my darling, these are, indeed, moments of supreme happiness," +Hugh exclaimed as he held her tightly in his arms. "I wonder when we +dare meet again?" + +"Soon, dear--very soon, I hope. Let us make another appointment," she +said. "On Friday week mother is going to spend the night with Mrs. +Deane down at Ascot. I shall make excuse to stay at home." + +"Right. Friday week at the same place and time," he said cheerily. + +"I'll have to go now," she said regretfully. "I only wish I could stay +longer, but I must get back at once. If mother misses me she'll have a +fit." + +So he walked with her out of the Victoria Gate into the Bayswater Road +and put her into an empty taxi which was passing back to Oxford +Street. + +Then, when he had pressed her hand and wished her adieu, he continued, +towards Notting Hill Gate, and thence returned to Kensington. + +But, though he was ignorant of the fact, the rather lank figure which +had been waiting outside the house in Grosvenor Gardens now followed +him almost as noiselessly as a shadow. Never once did the watcher lose +sight of him until he saw him enter the house in Abingdon Road with +his latchkey. + +Then, when the door had closed, the mysterious watcher passed by and +scrutinized the number, after which he hastened back to Kensington +High Street, where he found a belated taxi in which he drove away. + + + + SEVENTEENTH CHAPTER + + ON THE SURREY HILLS + +On the following morning, about twelve o'clock, Emily, Mrs. Mason's +stout maid-of-all-work, showed a tall, well-dressed man into Hugh's +frowsy little sitting-room where he sat reading. + +He sprang to his feet when he recognized his visitor to be Charles +Benton. + +"Well my boy!" cried his visitor cheerily. "So I've found you at last! +We all thought you were on the Continent, lying low somewhere." + +"So I have been," replied the young man faintly. "You've heard of that +affair at Monte Carlo?" + +"Of course. And you are suspected--wanted by the police? That's why +I'm here," Benton replied. "This place isn't safe for you. You must +get away from it at once," he added, lowering his voice. + +"Why isn't it safe?" + +"Because at Scotland Yard they know you are somewhere in Kensington, +and they're hunting high and low for you." + +"How do you know?" + +"Because Harpur, one of the assistant Commissioners of Police, +happened to be in the club yesterday, and we chatted. So I pumped him +as to the suspected person from Monte Carlo, and he declared that you +were known to be in this district, and your arrest was only a matter +of time. So you must clear out at once." + +"Where to?" asked Hugh blankly. + +"Well, there's a lady you met once or twice with me, Mrs. Bond. She +will be delighted to put you up for a few weeks. She has a charming +house down in Surrey--a place called Shapley Manor." + +"She might learn the truth and give me away," remarked Hugh dubiously. + +"She won't. Recollect, Hugh, that I was your father's friend, and am +yours. What advice I give you is for your own good. You can't stay +here--it's impossible." + +The name of The Sparrow was upon Hugh's lips, and he was about to tell +Benton of that mysterious person's efforts on his behalf, but, on +reflection, he saw that he had no right to expose The Sparrow's +existence to others. The very house in which they were was one of the +bolt-holes of the wonderfully organized gang of crooks which Il +Passero controlled. + +"How did you know that I was here?" asked Hugh suddenly in curiosity. + +"That I'm not at liberty to say. It was not a friend of yours, but +rather an enemy who told me--hence I tell you that you run the gravest +risk in remaining here a moment longer. As soon as I heard you were +here, I telephoned to Mrs. Bond, and she has very generously asked us +both to stay with her," Benton went on. "If you agree, I'll get a car +now, without delay, and we'll run down into Surrey together," he +added. + +Hugh glanced at the tall, well-dressed man of whom his father had +thought so highly. Charles Benton, in spite of his hair tuning grey, +was a handsome man, and moved in a very good circle of society. Nobody +knew his source of income, and nobody cared. In these days clothes +make the gentleman, and a knighthood a lady. + +Like many others, old Mr. Henfrey had been sadly deceived by Charles +Benton, and had taken him into his family as a friend. Other men had +done the same. His geniality, his handsome, open face, and his +plausible manner, proved the open sesame to many doors of the wealthy, +and the latter were robbed in various ways, yet never dreaming that +Benton was the instigator of it all. He never committed a theft +himself. He gave the information--and others did the dirty work. + +"You recollect Mrs. Bond," said Benton. "But I believe Maxwell, her +first husband, was alive then, wasn't he?" + +"I have a faint recollection of meeting a Mrs. Maxwell in Paris--at +lunch at the Pre Catalan--was it not?" + +"Yes, of course. About six years ago. That's quite right!" laughed +Benton. "Well, Maxwell died and she married again--a Colonel Bond. He +was killed in Mesopotamia, and now she's living up on the Hog's Back, +beyond Guildford, on the road to Farnham." + +Hugh again reflected. He had come to Abingdon Road at the suggestion +of the mysterious White Cavalier. Ought he to leave the place without +first consulting him? Yet he had no knowledge of the whereabouts of +the man of mystery whom he firmly believed was none other than the +elusive Sparrow. Besides, was not Benton, his father's closest friend, +warning him of his peril? + +The latter thought decided him. + +"I'm sure it's awfully good of Mrs. Bond whom I know so slightly to +invite me to stay with her." + +"Nothing, my dear boy. She's a very old friend of mine. I once did her +a rather good turn when Maxwell was alive, and she's never forgotten +it. She's one of the best women in the world, I assure you," Benton +declared. "I'll run along to a garage I know in Knightsbridge and get +a car to take us down to Shapley. It's right out in the country, and +as long as you keep clear of the town of Guildford--where the police +are unusually wary under one of the shrewdest chief constables in +England--then you needn't have much fear. Pack up your traps, Hugh, +and I'll call for you at the end of the road in half an hour." + +"Yes. But I'll want a dress suit and lots of other things if I'm going +to stay at a country house," the young man demurred. + +"Rot! You can get all you want in Aldershot, Farnham or Portsmouth. +Come just as you are. Mrs. Bond will make all allowances." + +"And probably have her suspicions aroused at the same time?" + +"No, she won't. This is a sudden trip into the country. I told her you +had been taken unwell--a nervous breakdown--and that the doctor had +ordered you complete rest at once." + +"I wish I had stayed in Monte Carlo and faced the charge against me," +declared Hugh fervently. "Being hunted from pillar to post like this +is so absolutely nerve-racking." + +"Why did you go to that woman's house, Hugh?" Benton asked. "What +business had you that led you to call at that hour upon such a +notorious person?" + +Hugh remained silent. He saw that to tell Benton the truth would be to +reopen the whole question of the will and of Louise. + +So he merely shrugged his shoulders. + +"Won't you tell me what really happened at the Villa Amette, Hugh?" +asked the elder man persuasively. "I've seen Brock, but he apparently +knows nothing." + +"Of course he does not. I was alone," was Hugh's answer. "The least +said about that night of horror the better, Benton." + +So his father's friend left the house, while Hugh sought Mrs. Mason, +settled his bill with her, packed his meagre wardrobe into a suit- +case, and half an hour later entered the heavy old limousine which he +found at the end of the road. + +They took the main Portsmouth road, by way of Kingston, Cobham and +Ripley, until in the cold grey afternoon they descended the steep hill +through Guildford High Street, and crossing the bridge, instead of +continuing along the road to Portsmouth, bore to the right, past the +station, and up the steep wide road over that long hill, the Hog's +Back, whence a great misty panorama was spread out on either side of +the long, high-up ridge which in the sunshine gives such a wonderful +view to motorists on their way out of London southward. + +Presently the car turned into the gravelled drive, and Hugh found +himself at Shapley. + +In the chintz-hung, old-world morning-room, lit by the last rays of +the declining sun, for the sky had suddenly cleared, Mrs. Bond +entered, loud-voiced and merry. + +"Why, Mr. Henfrey! I'm so awfully pleased to see you. Charles +telephoned to me that you were a bit out of sorts. So you must stay +with me for a little while--both of you. It's very healthy up here on +the Surrey hills, and you'll soon be quite right again." + +"I'm sure, Mrs. Bond, it is most hospitable of you," Hugh said. +"London in these after the war days is quite impossible. I always long +for the country. Certainly your house is delightful," he added, +looking round. + +"It's one of the nicest houses in the whole county of Surrey, my boy," +Benton declared enthusiastically. "Mrs. Bond was awfully lucky in +securing it. The family are unfortunately ruined, as so many others +are by excessive taxation and high prices, and she just stepped in at +the psychological moment." + +"Well, I really don't know how to thank you sufficiently, Mrs. Bond," +Hugh declared. "It is really extremely good of you." + +"Remember, Mr. Henfrey, we are not strangers," exclaimed the handsome +woman. "Do you recollect when we met in Paris, and afterwards in +Biarritz, and then that night at the Carlton?" + +"I recollect perfectly well. We met before the war, when one could +really enjoy oneself contentedly." + +"Since then I have been travelling a great deal," said the woman. +"I've been in Italy, the South of Spain, the Azores, and over to the +States. I got back only a few months ago." + +And so after a chat Hugh was shown to his room, a pretty apartment, +from the diamond-paned windows of which spread out a lovely view +across to Godalming and Hindhead, with the South Downs in the blue far +away. + +"Now you must make yourselves at home, both of you," the handsome +woman urged as they came down into the drawing-room after a wash. + +Tea was served, and over it much chatter about people and places. Mrs. +Bond was, like her friend Benton, a thorough-going cosmopolitan. Hugh +had no idea of her real reputation, or of her remarkable adventures. +Neither had he any idea that Molly Maxwell was wanted by the Paris +Surete, just as he himself was wanted. + +"Isn't this a charming place?" remarked Benton as, an hour later, they +strolled on the long terrace smoking cigarettes before dinner. "Mrs. +Bond was indeed fortunate in finding it." + +"Beautiful!" declared Hugh in genuine admiration. Since that memorable +night in Monte Carlo he had been living in frowsy surroundings, +concealed in thieves' hiding-places, eating coarse food, and hearing +the slang of the underworld of Europe. + +It had been exciting, yet he had been drawn into it against his will-- +just because he had feared for Dorise's sake, to face the music after +that mysterious shot had been fired at the Villa Amette. + +Mrs. Bond was most courteous to her guests, and as Hugh and Benton +strolled up and down the terrace in the fast growing darkness, the +elder man remarked: + +"You'll be quite safe here, you know, Hugh. Don't worry. I'm truly +sorry that you have landed yourself into this hole, but--well, for the +life of me I can't see what led you to seek out that woman, Yvonne +Ferad. Why ever did you go there?" + +Hugh paused. + +"I--I had reasons--private reasons of my own," he replied. + +"That's vague enough. We all have private reasons for doing silly +things, and it seems that you did an exceptionally silly thing. I hear +that Mademoiselle of Monte Carlo, after the doctors operated upon her +brain, has now become a hopeless idiot." + +"So I've been told. It is all so very sad--so horrible. Though people +have denounced her as an adventuress, yet I know that at heart she is +a real good woman." + +"Is she? How do you know?" asked Benton quickly, for instantly he was +on the alert. + +"I know. And that is all." + +"But tell me, Hugh--tell me in confidence, my boy--what led you to +seek her that night. You must have followed her from the Casino and +have seen her enter the Villa. Then you rang at the door and asked to +see her?" + +"Yes, I did." + +"Why?" + +"I had my own reasons." + +"Can't you tell them to me, Hugh?" asked the tall man in a strange, +low voice. "Remember, I am an old friend of your father. And I am +still your best friend." + +Hugh pursued his walk in silence. + +"No," he said at last, "I prefer not to discuss the affair. That night +is one full of painful memories." + +"Very well," answered Benton shortly. "If you don't want to tell me, +Hugh, I quite understand. That's enough. Have another cigarette," and +he handed the young fellow his heavy gold case. + +A week passed. Hugh Henfrey and Charles Benton greatly enjoyed their +stay at Shapley Manor. With their hostess they motored almost daily to +many points of interest in the neighbourhood, never, by the way, +descending into the town of Guildford, where the police were so +unusually alert and shrewd. + +More than once when alone with Benton, Hugh felt impelled to refer to +the mysterious death of his father, but it was a very painful subject. +The last time Hugh had referred to it, about a month before his visit +to Monte Carlo, Benton had been greatly upset, and had begged the +young man not to mention the tragic affair. + +Constantly, however, Benton, on his part, would put cunning questions +to him concerning Yvonne Ferad, as to what he knew concerning her, and +how he had managed to escape over the frontier into Italy. + +Late one night as they sat together in the billiard-room after their +final game, Benton, removing the cigar from his lips, exclaimed: + +"Oh! I quite forgot to tell you, Mrs. Bond has been awfully good to +Louise. She took her from Paris with her and they went quite a long +tour, first to Spain and other places, and then to New York and back." + +"Has she?" exclaimed Hugh in surprise. Only once before had Benton +mentioned Louise's name, then he had casually remarked that she was on +a visit to some friends in Yorkshire. + +"Yes. She's making her home with Mrs. Bond for the present. She +returns here to-morrow." + +As he said this, he watched the young man's face. It was sphinx-like. + +"Oh! That's jolly!" he replied, with well assumed satisfaction. "It +seems such an age since we last met--nearly a year before my father's +death, I believe." + +In his heart he had no great liking for the girl, although she was +bright, vivacious and extremely good company. + +Next afternoon the pair met in the hall after the car had brought her +from Guildford station. + +"Hallo, Hugh!" she cried as she grasped his hand. "Uncle wrote and +told me you were here! How jolly, isn't it? Why--you seem to have +grown older," she laughed. + +"And you younger," he replied, bending over her hand gallantly. "I +hear you've been all over the world of late!" + +"Yes. Wasn't it awfully good of Mrs. Bond? I had a ripping time. I +enjoyed New York ever so much. I find this place a bit dull after +Paris though, so I'm often away with friends." + +And he followed her into the big morning-room where Mrs. Bond, alias +Molly Maxwell, was awaiting her. + +That afternoon there had been several callers; a retired admiral and +his wife, and two county magistrates with their womenfolk, for since +her residence at Shapley Mrs. Bond had been received in a good many +smart houses, especially by the /nouveau riche/ who abound in that +neighbourhood. But the callers had left and they were now alone. + +As Louise sat opposite the woman who had taken her under her charge, +Hugh gazed at her furtively and saw that there was no comparison +between her and the girl he loved so deeply. + +How strange it was, he thought. If he asked her to be his wife and +they married, he would at once become a wealthy man and inherit all +his father's possessions. True, she was very sweet and possessed more +than the ordinary /chic/ and good taste in dress. Yet he felt that he +could never fulfil his dead father's curious desire. + +He could never marry her--/never/! + + + + EIGHTEENTH CHAPTER + + THE MAN WITH THE BLACK GLOVE + +On his way out of London, Hugh had made excuse and stopped the car at +a post office in Putney, whence he sent an express note to Dorise, +telling her his change of address. He though it wiser not to post it. + +Hence it was on the morning following Louise's arrival at Shapley, he +received a letter from Dorise, enclosing one she had received under +cover for him. He had told Dorise to address him as "Mr. Carlton +Symes." + +It was on dark-blue paper, such as is usually associated with the law +or officialdom. Written in a neat, educated hand, it read: + + + "DEAR MR. HENFREY,--I hear that you have left Abingdon Road, and am + greatly interested to know the reason. You will, no doubt, + recognize me as the friend who sent a car for you at Monte Carlo. + Please call at the above address at the earliest possible moment. + Be careful that you are not watched. Say nothing to anybody, + wherever you may be. Better call about ten-thirty P.M., and ask + for me. Have no fear. I am still your friend, + + "GEORGE PETERS." + + +The address given was 14, Ellerston Street, Mayfair. + +Hugh knew the street, which turned off Curzon Street, a short +thoroughfare, but very exclusive. Some smart society folk lived there. + +But who was George Peters? Was it not The Sparrow who had sent him the +car with the facetious chauffeur to that spot in Monte Carlo? Perhaps +the writer was the White Cavalier! + +During the morning Hugh strolled down the hill and through the woods +with Louise. The latter was dressed in a neat country kit, a tweed +suit, a suede tam-o'-shanter, and carried a stout ash-plant as a +walking-stick. They were out together until luncheon time. + +Meanwhile, Benton sat with his hostess, and had a long confidential +chat. + +"You see, Molly," he said, as he smoked lazily, "I thought it an +excellent plan to bring them together, and to let them have an +opportunity of really knowing each other. It's no doubt true that he's +over head and ears in love with the Ranscomb girl, but Lady Ranscomb +has set her mind on having Sherrard as her son-in-law. She's a clever +woman, Lady Ranscomb, and of course, in her eyes, Hugh is for ever +beneath a cloud. That he went to the woman's house at night is quite +sufficient." + +"Well, if I know anything of young men, Charles, I don't think you'll +ever induce that boy to marry Louise," remarked the handsome +adventuress whom nobody suspected. + +"Then if he doesn't, we'll just turn him over to Scotland Yard. We +haven't any further use for him," said Benton savagely. "It's the +money we want." + +"And I fear we shall go on wanting it, my dear Charles," declared the +woman, who was so well versed in the ways of men. "Louise likes him. +She has told me so. But he only tolerates her--that's all! He's +obsessed by the mystery of old Henfrey's death." + +"I wonder if that was the reason he went that night to see Yvonne?" +exclaimed Benton in a changed voice, as the idea suddenly occurred to +him. "I wonder if--if he suspected something, and went boldly and +asked her?" + +"Ah! I wonder!" echoed the woman. "But Yvonne would surely tell him +nothing. It would implicate her far too deeply if she did. Yvonne is a +very shrewd person. She isn't likely to have told the old man's son +very much." + +"No, you're right, Molly," replied the man. "You're quite right! I +don't think we have much to fear on that score. We've got Hugh with +us, and if he again turns antagonistic the end is quite easy--just an +anonymous line to the police." + +"We don't want to do that if there is any other way," the woman said. + +"I don't see any other way," replied the adventurer. "If he won't +marry Louise, then the money passes out of our reach." + +"I don't like The Sparrow taking such a deep interest in his welfare," +growled the woman beneath her breath. + +"And I don't like the fact that Yvonne is still alive. If she were +dead--then we should have nothing to fear--nothing!" Benton said +grimly. + +"But who fired the shot if Hugh didn't?" asked Mrs. Bond. + +"Personally, I think he did. He discovered something--something we +don't yet know--and he went to the Villa Amette and shot her in +revenge for the old man's death. That's my firm belief." + +"Then why has The Sparrow taken all these elaborate precautions?" + +"Because he's afraid himself of the truth coming out," said Benton. +"He certainly has looked after Hugh very well. I had some trouble to +persuade the lad to come down here, for he evidently believes that The +Sparrow is his best friend." + +"He may find him his enemy one day," laughed the woman. And then they +rose and strolled out into the grounds, across the lawn down to the +great pond. + +When at half-past seven they sat down to dinner, Hugh suddenly +remarked that he found it imperative to go to London that evening, and +asked Mrs. Bond if he might have the car. + +Benton looked up at him quickly, but said nothing before Louise. + +"Certainly; Mead shall take you," was the woman's reply, though she +was greatly surprised at the sudden request. Both she and Benton +instantly foresaw that his intention was to visit Dorise in secret. +For what other reason could he wish to run the risk of returning to +London? + +"When do you wish to start?" asked his hostess. + +"Oh! about nine--if I may," was the young man's reply. + +"Will you be back to-night?" asked the girl who, in a pretty pink +dinner frock, sat opposite him. + +"Yes. But it won't be till late, I expect," he replied. + +"Remember, to-morrow we are going for a run to Bournemouth and back," +said the girl. "Mrs. Bond has kindly arranged it, and I daresay she +will come, too." + +"I don't know yet, dear," replied Mrs. Bond. The truth was that she +intended that the young couple should spend the day alone together. + +Benton was filled with curiosity. + +As soon as the meal was over, and the two ladies had left the room, he +poured out a glass of port and turning to the young fellow, remarked: + +"Don't you think it's a bit dangerous to go to town, Hugh?" + +"It may be, but I must take the risk," was the other's reply. + +"What are you going up for?" asked Benton bluntly. + +"To see somebody--important," was his vague answer. And though the +elder man tried time after time to get something more definite from +him, he remained silent. Had not his unknown friend urged him to say +nothing to anybody wherever he might be? + +So at nine Mead drove up the car to the door, and Hugh, slipping on +his light overcoat, bade his hostess good-night, thanked her for +allowing him the use of the limousine, and promised to be back soon +after midnight. + +"Good-night, Hugh!" cried Louise from the other end of the fine old +hall. And a moment later the car drove away in the darkness. + +Along the Hog's Back they went, and down into Guildford. Then up the +long steep High Street, past the ancient, overhanging clock at the +Guildhall, and out again on the long straight road to Ripley and +London. + +As soon as they were beyond Guildford, he knocked at the window, and +afterwards mounted beside Mead. He hated to be in a car alone, for he +himself was a good driver and used always to drive his father's old +"'bus." + +"I'll go to the Berkeley Hotel," he said to the man. "Drop me there, +and pick me up outside there at twelve, will you?" + +The man promised to do so, and then they chatted as they continued on +their way to London. Mead, a Guildfordian, knew every inch of the +road. Before entering Mrs. Bond's service he had, for a month, driven +a lorry for a local firm of builders, and went constantly to and from +London. + +They arrived at the corner of St. James's Street at half-past ten. +Hugh gave Mead five shillings to get his evening meal, and said: + +"Be back here at midnight, Mead. I expect I'll be through my business +long before that. But it's a clear night, and we shall have a splendid +run home." + +"Very well, sir. Thank you," replied his hostess's chauffeur. + +Hugh Henfrey, instead of entering the smart Society hotel, turned up +the street, and, walking quickly, found himself ten minutes later in +Ellerston Street before a spacious house, upon the pale-green door of +which was marked in Roman numerals the number fourteen. + +By the light of the street lamp he saw it was an old Georgian town +house. In the ironwork were two-foot-scrapers, relics of a time long +before macadam or wood paving. + +The house, high and inartistic, was a relic of the days of the +dandies, when country squires had their town houses, and before labour +found itself in London drawing-rooms. Consumed by curiosity, Hugh +pressed the electric button marked "visitors," and a few moments later +a smart young footman opened the door. + +"Mr. George Peters?" inquired Hugh. "I have an appointment." + +"What name, sir?" the young, narrow-eyed man asked. + +"Henfrey." + +"Oh, yes, sir! Mr. Peters is expecting you," he said. And at once he +conducted him along the narrow hall to a room beyond. + +The house was beautifully appointed. Everywhere was taste and luxury. +Even in the hall there were portraits by old Spanish masters and many +rare English sporting prints. + +The room into which he was shown was a long apartment furnished in the +style of the Georgian era. The genuine Adams ceiling, mantelpiece, and +dead white walls, with the faintly faded carpet of old rose and light- +blue, were all in keeping. The lights, too, were shaded, and over all +was an old-world atmosphere of quiet and dignified repose. + +The room was empty, and Hugh crossed to examine a beautiful little +marble statuette of a girl bather, with her arms raised and about to +dive. It was, no doubt, a gem of the art of sculpture, mounted upon a +pedestal of dark-green marble which revolved. + +The whole conception was delightful, and the girl's laughing face was +most perfect in its portraiture. + +Of a sudden the door reopened, and he was met by a stout, rather +wizened old gentleman with white bristly hair and closely cropped +moustache, a man whose ruddy face showed good living, and who moved +with the brisk alertness of a man twenty years his junior. + +"Ah! here you are, Mr. Henfrey!" he exclaimed warmly, as he offered +his visitor his hand. Upon the latter was a well-worn black glove-- +evidently to hide either some disease or deformity. "I was wondering +if you received my letter safely?" + +"Yes," replied Hugh, glancing at the shrewd little man whose gloved +right hand attracted him. + +"Sit down," the other said, as he closed the door. "I'm very anxious +to have a little chat with you." + +Hugh took the arm-chair which Mr. Peters indicated. Somehow he viewed +the man with suspicion. His eyes were small and piercing, and his face +with its broad brow and narrow chin was almost triangular. He was a +man of considerable personality, without a doubt. His voice was high +pitched and rather petulant. + +"Now," he said. "I was surprised to learn that you had left your safe +asylum in Kensington. Not only was I surprised--but I confess, I was +alarmed." + +"I take it that I have to thank you for making those arrangements for +my escape from Monte Carlo?" remarked Hugh, looking him straight in +the face. + +"No thanks are needed, my dear Mr. Henfrey," replied the elder man. +"So long as you are free, what matters? But I do not wish you to +deliberately run risks which are so easily avoided. Why did you leave +Abingdon Road?" + +"I was advised to do so by a friend." + +"Not by Miss Ranscomb, I am sure." + +"No, by a Mr. Benton, whom I know." + +The old man's eyebrows narrowed for a second. + +"Benton?" he echoed. "Charles Benton--is he?" + +"Yes. As he was a friend of my late father I naturally trust him." + +Mr. Peters paused. + +"Oh, naturally," he said a second later. "But where are you living +now?" + +Hugh told him that he was the guest of Mrs. Bond of Shapley Manor, +whereupon Mr. Peters sniffed sharply, and rising, obtained a box of +good cigars from a cupboard near the fireplace. + +"You went there at Benton's suggestion?" + +"Yes, I did." + +Mr. Peters gave a grunt of undisguised dissatisfaction, as he curled +himself in his chair and examined carefully the young man before him. + +"Now, Mr. Henfrey," he said at last. "I am very sorry for you. I +happen to know something of your present position, and the great +difficulty in which you are to-day placed by the clever roguery of +others. Will you please describe to me accurately exactly what +occurred on that fateful night at the Villa Amette? If I am to assist +you further it is necessary for you to tell me everything--remember, +/everything/!" + +Hugh paused and looked the stranger straight in the face. + +"I thought you knew all about it," he said. + +"I know a little--not all. I want to know everything. Why did you +venture there at all? You did not know the lady. It was surely a very +unusual hour to pay a call?" said the little man, his shrewd eyes +fixed upon his visitor. + +"Well, Mr. Peters, the fact is that my father died in very suspicious +circumstances, and I was led to believe the Mademoiselle was cognizant +of the truth." + +The other man frowned slightly. + +"And so you went there with the purpose of getting the truth from +her?" he remarked, with a grunt. + +Hugh nodded in the affirmative. + +"What did she tell you?" + +"Nothing. She was about to tell me something when the shot was fired +by someone on the veranda outside." + +"H'm! Then the natural surmise would be that you, suspecting that +woman of causing your father's death, shot her because she refused to +tell you anything?" + +"I repeat she was about to disclose the circumstances--to divulge her +secret, when she was struck down." + +"You have no suspicion of anyone? You don't think that her manservant +--I forget the fellow's name--fired the shot? Remember, he was not in +the room at the time!" + +"I feel confident that he did not. He was far too distressed at the +terrible affair," said Hugh. "The outrage must have been committed by +someone to whom the preservation of the secret of my father's end was +of most vital importance." + +"Agreed," replied the man with the black glove. "The problem we have +to solve is who was responsible for your father's death." + +"Yes," said Hugh. "If that shot had not been fired I should have known +the truth." + +"You think, then, that Mademoiselle of Monte Carlo would have told you +the truth?" asked the bristly-haired man with a mysterious smile. + +"Yes. She would." + +"Well, Mr. Henfrey, I think I am not of your opinion." + +"You think possibly she would have implicated herself if she had told +me the truth?" + +"I do. But the chief reason I asked you to call and see me to-night is +to learn for what reason you have been induced to go on a visit to +this Mrs. Bond." + +"Because Benton suggested it. He told me that Scotland Yard knew of my +presence in Kensington, making further residence there dangerous." + +"H'm!" And the man with the black glove paused again. + +"You don't like Benton, do you?" + +"I have no real reason to dislike him. He has always been very +friendly towards me--as he was to my late father. The only thing which +causes me to hold aloof from him as much as I can is the strange +clause in my father's will." + +"Strange clause?" echoed the old man. "What clause?" + +"My father, in his will, cut me off every benefit he could unless I +married Benton's adopted daughter, Louise. If I marry her, then I +obtain a quarter of a million. I at first thought of disputing the +will, but Mr. Charman, our family solicitor, says that it is perfectly +in order. The will was made in Paris two years before his death. He +went over there on some financial business." + +"Was Benton with him?" asked Mr. Peters. + +"No. Benton went to New York about two months before." + +"H'm! And how soon after your father's return did he come home?" + +"I think it was about three months. He was in America five months +altogether, I believe." + +The old man, still curled in his chair, smoked his cigar in silence. +Apparently he was thinking deeply. + +"So Benton has induced you to go down to Shapley in order that you may +be near his adopted daughter, in the hope that you will marry her! In +the meantime you are deeply in love with Lady Ranscomb's daughter. I +know her--a truly charming girl. I congratulate you," he added, as +though speaking to himself. "But the situation is indeed a very +complicated one." + +"For me it is terrible. I am living under a cloud, and in constant +fear of arrest. What can be done?" + +"I fear nothing much can be done at present," said the old man, +shaking his head gravely. "I quite realize that you are victim of +certain enemies who intend to get hold of your father's fortune. It is +for us to combat them--if we can." + +"Then you will continue to help me?" asked Hugh eagerly, looking into +the mysterious face of the old fellow who wore the black glove. + +"I promise you my aid," he replied, putting out his gloved hand as +pledge. + +Then, as Hugh took it, he looked straight into those keen eyes, and +asked: + +"You have asked me many questions, sir, and I have replied to them +all. May I ask one of you--my friend?" + +"Certainly," replied the older man. + +"Then am I correct in assuming that you are actually the person of +whom I have heard so much up and down Europe--the man of whom certain +men and women speak with admiration, and with bated breath--the man +known in certain circles as--as /Il Passero/?" + +The countenance of the little man with the bristly white hair and the +black glove relaxed into a smile, as, still holding Hugh's hand in +friendship, he replied: + +"Yes. It is true. Some know me as 'The Sparrow!'" + + + + NINETEENTH CHAPTER + + THE SPARROW + +Hugh Henfrey was at last face to face with the most notorious criminal +in Europe! + +The black-gloved hand of the wizened, bristly-haired old man was the +hand that controlled a great organization spread all over Europe--an +organization which only knew Il Passero by repute, but had never seen +him in the flesh. + +Yet there he was, a discreet, rather petulant old gentleman, who lived +at ease in an exclusive West End street, and was entirely unsuspected! + +When "Mr. Peters" admitted his identity, Hugh drew a long breath. He +was staggered. He was profuse in his thanks, but "The Sparrow" merely +smiled, saying: + +"It is true that I and certain of my friends make war upon Society-- +and more especially upon those who have profiteered upon those brave +fellows who laid down their lives for us in the war. Whatever you have +heard concerning me I hope you will forgive, Mr. Henfrey. At least I +am the friend of those who are in distress, or who are wrongly judged +--as you are to-day." + +"I have heard many strange things concerning you from those who have +never met you," Hugh said frankly. "But nothing to your detriment. +Everyone speaks of you, sir, as a gallant sportsman, possessed of an +almost uncanny cleverness in outwitting the authorities." + +"Oh, well!" laughed the shrewd old man. "By the exercise of a little +wit, and the possession of a little knowledge of the /personnel/ of +the police, one can usually outwit them. Curious as you may think it, +a very high official at Scotland Yard dined with me here only last +night. As I am known as a student of criminology, and reputed to be +the author of a book upon that subject, he discussed with me the +latest crime problem with which he had been called upon to deal--the +mysterious murder of a young girl upon the beach on the north-east +coast. His frankness rather amused me. It was, indeed, a quaint +situation," he laughed. + +"But does he not recognize you, or suspect?" asked Hugh. + +"Why should he? I have never been through the hands of the police in +my life. Hence I have never been photographed, nor have my finger +prints been taken. I merely organize--that is all." + +"Your organization is most wonderful, Mr.--er--Mr. Peters," declared +the young man. "Since my flight I have had opportunity of learning +something concerning it. And frankly, I am utterly astounded." + +The old man's face again relaxed into a sphinx-like smile. + +"When I order, I am obeyed," he said in a curious tone. "I ordered +your rescue from that ugly situation in Monte Carlo. You and Miss +Ranscomb no doubt believed the tall man who went to the ball at Nice +as a cavalier to be myself. He did not tell you anything to the +contrary, because I only reveal my identity to persons whom I can +trust, and then only in cases of extreme necessity." + +"Then I take it, sir, that you trust me, and that my case is one of +extreme necessity?" + +"It is," was The Sparrow's reply. "At present I can see no solution of +the problem. It will be best, perhaps, for you to remain where you are +for the present," he added. He did not tell the young man of his +knowledge of Benton and his hostess. + +"But I am very desirous of seeing Miss Ranscomb," Hugh said. "Is there +any way possible by which I can meet her without running too great a +risk?" + +The Sparrow reflected in silence for some moments. + +"To-day is Wednesday," he remarked slowly at last. "Miss Ranscomb is +in London. That I happen to know. Well, go to the Bush Hotel, in +Farnham, on Friday afternoon and have tea. She will probably motor +there and take tea with you." + +"Will she?" cried Hugh eagerly. "Will you arrange it? You are, indeed, +a good Samaritan!" + +The little old man smiled. + +"I quite understand that this enforced parting under such +circumstances is most unfortunate for you both," he said. "But I have +done, and will continue to do, all I can in your interest." + +"I can't quite make you out, Mr. Peters," said the young man. "Why +should you evince such a paternal interest in me?" + +The Sparrow did not at once reply. A strange expression played about +his lips. + +"Have I not already answered that question twice?" he asked. "Rest +assured, Mr. Henfrey, that I have your interests very much at heart." + +"You have some reason for that, I'm sure." + +"Well--yes, I have a reason--a reason which is my own affair." And he +rose to wish his visitor "good-night." + +"I'll not forget to let Miss Ranscomb know that you will be at +Farnham. She will, no doubt, manage to get her mother's car for the +afternoon," he said. "Good-night!" and with his gloved fingers he took +the young man's outstretched hand. + +The instant he heard the front door close he crossed to the telephone, +and asking for a number, told the person who answered it to come round +and see him without a moment's delay. + +Thus, while Hugh Henfrey was seated beside Mead as Mrs. Bond's car +went swiftly towards Kensington, a thin, rather wiry-looking man of +middle age entered The Sparrow's room. + +The latter sprang to his feet quickly at sight of his visitor. + +"Ah! Howell! I'm glad you've come. Benton and Molly Maxwell are +deceiving us. They mean mischief!" + +The man he addressed as Howell looked aghast. + +"Mischief?" he echoed. "In what way?" + +"I've not yet arrived at a full conclusion. But we must be on the +alert and ready to act whenever the time is ripe. You know what they +did over that little affair in Marseilles not so very long ago? +They'll repeat, if we're not very careful. That girl of Benton's they +are using as a decoy--and she's a dangerous one." + +"For whom?" + +"For old Henfrey's son." + +The Sparrow's visitor gave vent to a low whistle. + +"They intend to get old Henfrey's money?" + +"Yes--and they will if we are not very wary," declared the little, +bristly-haired old gentleman known as The Sparrow. "The boy has been +entirely entrapped. They made one /faux pas/, and it is upon that we +may--if we are careful--get the better of them. I don't like the +situation at all. They have a distinctly evil design against the boy." + +"Benton and Molly are a combination pretty hard to beat," remarked Mr. +Howell. "But I thought they were friends of ours." + +"True. They were. But after the little affair in Marseilles I don't +trust them," replied The Sparrow. "When anyone makes a slip, either by +design or sheer carelessness, or perhaps by reason of inordinate +avarice, then I always have to safeguard myself. I suspect--and my +suspicion usually proves correct." + +His midnight visitor drew a long breath. + +"What we all say of you is that The Sparrow is gifted with an extra +sense," he said. + +The little old man with the gloved hand smiled contentedly. + +"I really don't know why," he said. "But I scent danger long before +others have any suspicion of it. If I did not, you would, many of you +who are my friends, have been in prison long ago." + +"But you have such a marvellous memory." + +"Memory!" he echoed. "Quite wrong. I keep everything filed. I work +yonder at my desk all day. See this old wardrobe," and he crossed to a +long, genuine Jacobean wardrobe which stood in a corner and, unlocking +it, opened the carved doors. "There you see all my plans arranged and +docketed. I can tell you what has been attempted to-night. Whether the +coup is successful I do not yet know." + +Within were shelves containing many bundles of papers, each tied with +pink tape in legal fashion. He took out a small, black-covered index +book and, after consulting it, drew out a file of papers from the +second shelf. + +These he brought to his table, and opened. + +"Ah, yes!" he said, knitting his brows as he read a document beneath +the green-shaded electric lamp. "You know Franklyn, don't you?" + +"Harold Franklyn?" + +"Yes. Well, he's in the Tatra, in Hungary. He and Matthews are with +three Austrian friends of ours, and to-night they are at the Castle of +Szombat, belonging to Count Zsolcza, the millionaire banker of Vienna. +The Countess has some very valuable jewels, which were indicated to me +several months ago by her discharged lady's maid--through another +channel, of course. I hope that before dawn the jewels will be no +longer at Szombat, for the Count is an old scoundrel who cornered the +people's food in Austria just before the Armistice and is directly +responsible for an enormous amount of suffering. The Countess was a +cafe singer in Budapest. Her name was Anna Torna." + +Mr. Howell sat open-mouthed. He was a crook and the bosom friend of +the great Passero. Like all others who knew him, he held the master +criminal in awe and admiration. The Sparrow, whatever he was, never +did a mean action and never took advantage of youth or inexperience. +To his finger-tips he was a sportsman, whose chief delight in life was +to outwit and puzzle the police of Europe. In the underworld he was +believed to be fabulously wealthy, as no doubt he was. To the outside +world he was a very rich old gentleman, who contributed generously to +charities, kept two fine cars, and, as well as his town house, had a +pretty place down in Gloucestershire, and usually rented a grouse moor +in Scotland, where he entertained Mr. Howell and several other of his +intimate friends who were in the same profitable profession as +himself, and in whose "business" he held a controlling interest. + +In Paris, Rome, Madrid, or Brussels, he was well known as an idler who +stayed at the best hotels and patronized the most expensive +restaurants, while his villa on the Riviera he had purchased from a +Roumanian prince who had ruined himself by gambling. His gloved hand-- +gloved because of a natural deformity--was the hand which controlled +most of the greater robberies, for his war upon society was constantly +far-reaching. + +"Is Franklyn coming straight back?" asked Howell. + +"That is the plan. He should leave Vienna to-morrow night," said The +Sparrow, again consulting the papers. "And he comes home with all +speed. But first he travels to Brussels, and afterwards to The Hague, +where he will hand over Anna Torna's jewels to old Van Ort, and +they'll be cut out of all recognition by the following day. Franklyn +will then cross from the Hook to Harwich. He will wire me his +departure from Vienna. He's bought a car for the job, and will have to +abandon it somewhere outside of Vienna, for, as in most of our games, +time is the essence of the contract," and the old fellow laughed +oddly. + +"I thought Franklyn worked with Molly," said Mr. Howell. + +"So he does. I want him back, for I've a delicate mission for him," +replied the sphinx-like man known as The Sparrow. + +Mr. Howell, at the invitation of the arch-criminal, helped himself to +a drink. Then The Sparrow said: + +"You are due to leave London the day after to-morrow on that little +business in Madrid. You must remain in town. I may want you." + +"Very well. But Tresham is already there. I had a letter from him from +the Palace Hotel yesterday." + +"I will recall him by wire to-morrow. Our plans are complete. The +Marquis's picture will still hang in his house until we are ready for +it. It is the best specimen of Antonio del Rincon, and will fetch a +big price in New York--when we have time to go and get it," he +laughed. + +"Is Franklyn to help the Maxwell woman again?" asked Mr. Howell, who +was known as an expert valuer of antiques and articles of worth, and +who had an office in St. James's. He only dealt in collectors' pieces, +and in the trade bore an unblemished reputation, on account of his +expert knowledge and his sound financial condition. He bought old +masters and pieces of antique silver now and then, but none suspected +that the genuine purchases at big prices were only made in order to +blind his friends as to the actual nature of his business. + +Indeed, to his office came many an art gem stolen from its owner on +the Continent and smuggled over by devious ways known only to The +Sparrow and his associates. And just as ingeniously the stolen +property was sent across to America, so well camouflaged that the +United States Customs officers were deceived. With pictures it was +their usual method to coat the genuine picture with a certain varnish, +over which one of the organization, an old artist living in Chelsea, +would paint a modern and quite passable picture and add a new canvas +back. + +Then, on its arrival in America, the new picture was easily cleaned +off, the back removed, and lo! it was an old master once more ready +for purchase at a high price by American collectors. + +Truly, the gloved hand of The Sparrow was a master hand. He had +brought well-financed and well-organized theft to a fine art. His +"indicators," both male and female, were everywhere, and cosmopolitan +as he was himself, and a wealthy man, he was able to direct--and +finance--all sorts of coups, from a barefaced jewel theft to the +forgery of American banknotes. + +And yet, so strange and mysterious a personality was he that not +twenty persons in the whole criminal world had ever met him in the +flesh. The tall, good-looking man whom Dorise knew as the White +Cavalier was one of four other men who posed in his stead when +occasion arose. + +Scotland Yard, the Surete in Paris, the Pubblica Sicurezza in Rome, +and the Detective Department of the New York police knew, quite +naturally, of the existence of the elusive Sparrow, but none of them +had been able to trace him. + +Why? Because he was only the brains of the great, widespread criminal +organization. He remained in smug respectability, while others beneath +his hand carried out his orders--they were the servants, well-paid +too, and he was the master. + +No more widespread nor more wonderful criminal combine had ever been +organized than that headed by The Sparrow, the little old man whom +Londoners believed to be Cockney, yet Italians believed to be pure- +bred Tuscan, while in Paris he was a true Parisian who could speak the +argot of the Montmartre without a trace of English accent. + +As a politician, as a City man, as a professional man, The Sparrow, +whose real name was as obscure as his personality, would have made his +mark. If a lawyer, he would have secured the honour of a knighthood-- +or of a baronetcy, and more than probable he would have entered +Parliament. + +The Sparrow was a philosopher, and a thorough-going Englishman to +boot. Though none knew it, he was able by his unique knowledge of the +underworld of Europe to give information--as he did anonymously to the +War Office--of certain trusted persons who were, at the moment of the +outbreak of war, betraying Britain's secrets. + +The Department of Military Operations was, by means of the anonymous +information, able to quash a gigantic German plot against us; but they +had been unable to discover either the true source of their +information or the identity of their informant. + +"I'd better be off. It's late!" said Mr. Howell, after they had been +in close conversation for nearly half an hour. + +"Yes; I suppose you must go," The Sparrow remarked, rising. "I must +get Franklyn back. He must get to the bottom of this curious affair. I +fell that I am being bamboozled by Benton and Molly Maxwell. The boy +is innocent--he is their victim," he added; "but if I can save him, by +gad! I will! Yet it will be difficult. There is much trouble ahead, I +anticipate, and it is up to us, Howell, to combat it!" + +"Perhaps Franklyn can assist us?" + +"Perhaps. I shall not, however, know before he gets back here from his +adventures in Hungary. But I tell you, Howell, I am greatly concerned +about the lad. He has fallen into the hands of a bad crowd--a very bad +crowd indeed." + + + + TWENTIETH CHAPTER + + THE MAN WHO KNEW + +Late on Thursday night Dorise and her mother were driving home from +Lady Strathbayne's, in Grosvenor Square, where they had been dining. +It was a bright starlight night, and the myriad lamps of the London +traffic flashed past the windows as Dorise sat back in silence. + +She was tired. The dinner had been followed by a small dance, and she +had greatly enjoyed it. For once, George Sherrard, her mother's +friend, had not accompanied them. As a matter of fact, Lady +Strathbayne disliked the man, hence he had not been invited. + +Suddenly Lady Ranscomb exclaimed: + +"I heard about Hugh Henfrey this evening." + +"From whom?" asked her daughter, instantly aroused. + +"From that man who took me in to dinner. I think his name was Bowden." + +"Oh! That stout, red-faced man. I don't know him." + +"Neither do I. He was, however, very pleasant, and seems to have +travelled a lot," replied her mother. "He told me that your precious +friend, Henfrey, is back, and is staying down in Surrey as guest of +some woman named Bond." + +Dorise sat staggered. Then her lover's secret was out! If his +whereabouts were known in Society, then the police would quickly get +upon his track! She felt she must warn him instantly of his peril. + +"How did he know, I wonder?" she asked anxiously. + +"Oh! I suppose he's heard. He seemed to know all about the fellow. It +appears that at last he's become engaged." + +"Engaged? Hugh engaged?" + +"Yes, to a girl named Louise Lambert. She's the adopted daughter of a +man named Benton, who was, by the way, a great friend of old Mr. +Henfrey." + +Hugh engaged to Louise Lambert! Dorise sat bewildered. + +"I--I don't believe it!" she blurted forth at last. + +"Ah, my dear. You mean you don't want to believe it--because you are +in love with him!" said her mother as the car rushed homeward. "Now +put all this silly girlish nonsense aside. The fellow is under a +cloud, and no good. I tell you frankly I will never have him as my +son-in-law. How he has escaped the police is a marvel; but if the man +Bowden knows where he is, Scotland Yard will, no doubt, soon hear." + +The girl remained silent. Could it be possible that, after all, Hugh +had asked Louise Lambert to be his wife? She had known of her, and had +met her with Hugh, but he had always assured her that they were merely +friends. Yet it appeared that he was now living in concealment under +the same roof as she! + +Lady Ranscomb, clever woman of the world as she was, watched her +daughter's face in the fleeting lights as they sped homeward, and saw +what a crushing blow the announcement had dealt her. + +"I don't believe it," the girl cried. + +She had received word in secret--presumably from the White Cavalier-- +to meet Hugh at the Bush Hotel at Farnham on the following afternoon, +but this secret news held her in doubt and despair. + +Lady Ranscomb dropped the subject, and began to speak of other things +--of a visit to the flying-ground at Hendon on the following day, and +of an invitation they had received to spend the following week with a +friend at Cowes. + +On arrival home Dorise went at once to her room, where her maid +awaited her. + +After the distracted girl had thrown off her cloak, her maid unhooked +her dress, whereupon Dorise dismissed her to bed. + +"I want to read, so go to bed," she said in a petulant voice which +rather surprised the neat muslin-aproned maid. + +"Very well, miss. Good-night," the latter replied meekly. + +But as soon as the door was closed Dorise flung herself upon the +chintz-covered couch and wept bitterly as though her heart would +break. + +She had met Louise Lambert--it was Hugh who had introduced them. +George Sherrard had several times told her of the friendship between +the pair, and one night at the Haymarket Theatre she had seen them +together in a box. On another occasion she had met them at Ciro's, and +they had been together at the Embassy, at Ranelagh, and yet again she +had seen them lunching together one Sunday at the Metropole at +Brighton. + +All this had aroused suspicion and jealousy in her mind. It was all +very well for Hugh to disclaim anything further than pure friendship, +but now that Gossip was casting her hydra-headed venom upon their +affairs, it was surely time to act. + +Hugh would be awaiting her at Farnham next afternoon. + +She crossed to the window and looked at the bright stars. In war time +she used to see the long beams of searchlights playing to and fro. But +now all was peace in London, and the world-war half forgotten. + +Within herself arose a great struggle. Hugh was accused of a crime--an +accusation of which he could not clear himself. He had been hunted +across Europe by the police and had, up to the present, been +successful in slipping through their fingers. + +But why did he visit that notorious woman at that hour of the night? +What could have been the secret bond between them? + +The woman had narrowly escaped death presumably on account of his +murderous attack upon her, while he had cleverly evaded arrest, until, +at the present moment, his whereabouts was known only to a dinner- +table gossip, and he was staying in the same house as the girl, love +for whom he had always so vehemently disclaimed. + +Poor Dorise spent a sleepless night. She lay awake thinking--and yet +thinking! + +At breakfast her mother looked at her and, with satisfaction, saw that +she had gained a point nearer her object. + +Dorise went into Bond Street shopping at eleven o'clock, still +undecided whether to face Hugh or not. The shopping was a fiasco. She +bought only a bunch of flowers. + +But in her walk she made a resolve not to make further excuse. She +would not ask her mother for the car, and Hugh, by waiting alone, +should be left guessing. + +On returning home, her mother told her of George's acceptance of an +invitation to lunch. + +"There's a matinee at the Lyric, and he's taking us there," she added. +"But, dear," she went on, "you look ever so pale! What is worrying +you? I hope you are not fretting over that good-for-nothing waster, +Henfrey! Personally, I'm glad to be rid of a fellow who is wanted by +the police for a very serious crime. Do brighten up, dear. This is not +like you!" + +"I--well, mother, I--I don't know what to do," the girl confessed. + +"Do! Take my advice, darling. Think no more of the fellow. He's no use +to you--or to me." + +"But, mother dear--" + +"No, Dorise, no more need be said!" interrupted Lady Ranscomb +severely. "You surely would not be so idiotic as to throw in your lot +with a man who is certainly a criminal." + +"A criminal! Why do you denounce him, mother?" + +"Well, he stands self-condemned. He has been in hiding ever since that +night at Monte Carlo. If he were innocent, he would surely, for your +sake, come forward and clear himself. Are you mad, Dorise--or are you +blind?" + +The girl remained silent. Her mother's argument was certainly a very +sound one. Had Hugh deceived her? + +Her lover's attitude was certainly that of a guilty man. She could not +disguise from herself the fact that he was fleeing from justice, and +that he was unable to give an explanation why he went to the house of +Mademoiselle at all. + +Yvonne Ferad, the only person who could tell the truth, was a hopeless +idiot because of the murderous attack. Hence, the onus of clearing +himself rested upon Hugh. + +She loved him, but could she really trust him in face of the fact that +he was concealed comfortably beneath the same roof as Louise Lambert? + +She recalled that once, when they had met at Newquay in Cornwall over +a tete-a-tete lunch, he had said, in reply to her banter, that Louise +was a darling! That he was awfully fond of her, that she had the most +wonderful eyes, and that she was always alert and full of a keen sense +of humour. + +Such a compliment Hugh had never paid to her. The recollection of it +stung her. + +She wondered what sort of woman was the person named Bond. Then she +decided that she had acted wisely in not going to Farnham. Why should +she? If Hugh was with the girl he admired, then he might return with +her. + +Her only fear was lest he should be arrested. If his place of +concealment were spoken of over a West End dinner-table, then it could +not be long before detectives arrested him for the affair at the Villa +Amette. + +On that afternoon Hugh had borrowed Mrs. Bond's car upon a rather lame +pretext, and had pulled up in the square, inartistic yard before the +Bush--the old coaching house, popular before the new road over the +Hog's Back was made, and when the coaches had to ascend that steep +hill out of Guildford, now known as The Mount. For miles the old road +is now grass-grown and forms a most delightful walk, with magnificent +views from the Thames Valley to the South Downs. The days of the +coaches have, alas! passed, and the new road, with its tangle of +telegraph wires, is beloved by every motorist and motor-cyclist who +spins westward in Surrey. + +Hugh waited anxiously in the little lounge which overlooks the +courtyard. He went into the garden, and afterwards stood in impatience +beneath the archway from which the street is approached. Later, he +strolled along the road over which he knew Dorise must come. But all +to no avail. + +There was no sign of her. + +Until six o'clock he waited, when, in blank despair, he mounted beside +Mead again and drove back to Shapley Manor. It was curious that Dorise +had not come to meet him, but he attributed it to The Sparrow's +inability to convey a message to her. She might have gone out of town +with her mother, he thought. Or, perhaps, at the last moment, she had +been unable to get away. + +On his return to Shapley he found Louise and Mrs. Bond sitting +together in the charming, old-world drawing-room. A log fire was +burning brightly. + +"Did you have a nice run, Hugh?" asked the girl, clasping her hands +behind her head and looking up at him as he stood upon the pale-blue +hearthrug. + +"Quite," he replied. "I went around Hindhead down to Frensham Ponds +and back through Farnham--quite a pleasant run." + +"Mr. Benton has had to go to town," said his hostess. "Almost as soon +as you had gone he was rung up, and he had to get a taxi out from +Guildford. He'll be back to-morrow." + +"Oh, yes--and, by the way, Hugh," exclaimed Louise, "there was a call +for you about a quarter of an hour afterwards. I thought nobody knew +you were down here." + +"For me!" gasped Henfrey, instantly alarmed. + +"Yes, I answered the 'phone. It was a girl's voice!" + +"A girl! Who?" + +"I don't know who she was. She wouldn't give her name," Louise +replied. "She asked if we were Shapley, and I replied. Then she asked +for you. I told her that you were out in the car and asked her name. +But she said it didn't matter at all, and rang off." + +"I wonder who she was?" remarked Hugh, much puzzled and, at the same +time, greatly alarmed. He scented danger. The fact in itself showed +that somebody knew the secret of his hiding-place, and, if they did, +then the police were bound to discover him sooner or later. + +Half an hour afterwards he took Mrs. Bond aside, and pointed out the +peril in which he was placed. His hostess, on her part, grew alarmed, +for though Hugh was unaware of it, she had no desire to meet the +police. That little affair in Paris was by no means forgotten. + +"It is certainly rather curious," the woman admitted. "Evidently it is +known by somebody that you are staying with me. Don't you think it +would be wiser to leave?" + +Hugh hesitated. He wished to take Benton's advice, and told his +hostess so. With this she agreed, yet she was inwardly highly nervous +at the situation. Any police inquiry at Shapley would certainly be +most unwelcome to her, and she blamed herself for agreeing to Benton's +proposal that Hugh should stay there. + +"Benton will be back to-morrow," Hugh said. "Do you think it safe for +me to remain here till then?" he added anxiously. + +"I hardly know what to think," replied the woman. She herself had a +haunting dread of recognition as Molly Maxwell. She had crossed and +recrossed the Atlantic, carefully covering her tracks, and she did not +intend to be cornered at last. + +After dinner, Hugh, still greatly perturbed at the mysterious +telephone call, played billiards with Louise. About a quarter to +eleven, however, Mrs. Bond was called to the telephone and, closing +the door, listened to an urgent message. + +It was from Benton, who spoke from London--a few quick, cryptic, but +reassuring words--and when the woman left the room three minutes later +all her anxiety as to the police had apparently passed. + +She joined the young couple and watched their game. Louise handled her +cue well, and very nearly beat her opponent. Afterwards, when Louise +went out, Mrs. Bond closed the door swiftly, and said: + +"I've been thinking over that little matter, Mr. Henfrey. I really +don't think there is much cause for alarm. Charles will be back +to-morrow, and we can consult him." + +Hugh shrugged his shoulders. He was much puzzled. + +"The fact is, Mrs. Bond, I'm tired of being hunted like this!" he +said. "This eternal fear of arrest has got upon my nerves to such an +extent that I feel if they want to bring me for trial--well, they can. +I'm innocent--therefore, how can they prove me guilty?" + +"Oh! you mustn't let it obsess you," the woman urged. "Mr. Benton has +told me all about the unfortunate affair, and I greatly sympathize +with you. Of course, to court the publicity of a trial would be fatal. +What would your poor father think, I wonder, if he were still alive?" + +"He's dead," said the young man in a low, hoarse voice; "but +Mademoiselle Ferad knows the secret of his death." + +"He died suddenly--did he not?" + +"Yes. He was murdered, Mrs. Bond. I'm certain of it. My father was +murdered!" + +"Murdered?" she echoed. "What did the doctors say?" + +"They arrived at no definite conclusion," was Hugh's response. "He +left home and went up to London on some secret and mysterious errand. +Later, he was found lying upon the pavement in a dying condition. He +never recovered consciousness, but sank a few hours afterwards. His +death is one of the many unsolved mysteries of London." + +"The police believe that you went to the Villa Amette and murdered +Mademoiselle out of revenge." + +"Let them prove it!" said the young fellow defiantly. "Let them prove +it!" + +"Prove what?" asked Louise, as she suddenly reopened the door, greatly +to the woman's consternation. + +"Oh! Only somebody--that Spicer woman over at Godalming--has been +saying some wicked and nasty things about Mr. Henfrey," replied Mrs. +Bond. "Personally, I should be annoyed. Really those gossiping people +are simply intolerable." + +"What have they been saying, Hugh?" asked the girl. + +"Oh, it's really nothing," laughed Henfrey. "I apologize. I was put +out a moment ago, but I now see the absurdity of it. Forgive me, +Louise." + +The girl looked from Mrs. Bond to her guest in amazement. + +"What is there to forgive?" she asked. + +"The fact that I was in the very act of losing my temper. That's all." + +Presently, when Louise was ascending the stairs with Mrs. Bond, the +girl asked: + +"Why was Hugh so put out? What has Mrs. Spicer been saying about him?" + +"Only that he was a shirker during the war. And, naturally, he is +highly indignant." + +"He has a right to be. He did splendidly. His record shows that," +declared the girl. + +"I urged him to take no notice of the insults. The Spicer woman has a +very venomous tongue, my dear! She is a vicar's widow!" + +And then they separated to their respective rooms. + +Half an hour later Hugh Henfrey retired, but he found sleep +impossible; so he got up and sat at the open window, gazing across to +the dim outlines of the Surrey hills, picturesque and undulating +beneath the stars. + +Who could have called him on the telephone? It was a woman, but the +voice might have been that of a female telephone operator. Or yet--it +might have been that of Dorise! She knew that he was at Shapley and +looked it up in the telephone directory. If that were the explanation, +then she certainly would not give away the secret of his hiding-place. + +Still he was haunted by a great dread the whole of that night. The +Sparrow had told him he had acted foolishly in leaving his place of +concealment in Kensington. The Sparrow was his firm friend, and in +future he intended to obey the little old man's orders implicitly--as +so many others did. + +Next morning he came down to breakfast before the ladies, and beside +his plate he found a letter--addressed to him openly. He had not +received one addressed in his real name for many months. Sight of it +caused his heart to bound in anxiety, but when he read it he stood +rooted to the spot. + +Those lines which he read staggered him; the room seemed to revolve, +and he re-read them, scarce believing his own eyes. + +He realized in that instant that a great blow had fallen upon him, and +that all was now hopeless. The sunshine of his life, had in that +single instant, been blotted out! + + + + TWENTY-FIRST CHAPTER + + THE MAN WITH MANY NAMES + +At the moment he had read the letter Mrs. Bond entered the room. + +"Hallo! You're down early," she remarked. "And already had your +letters, I see! They don't generally come so early. The postman has to +walk over from Puttenham." + +Then she took up her own and carelessly placed them aside. They +consisted mostly of circulars and the accounts of Guildford tradesmen. + +"Yes," he said, "I was down early. Lately I've acquired the habit of +early rising." + +"An excellent habit in a young man," she laughed. "All men who achieve +success are early risers--so a Cabinet Minister said the other day. +And really, I believe it." + +"An hour in the early morning is worth three after dinner. That is why +Cabinet Ministers entertain people at breakfast nowadays instead of at +dinner. In the morning the brain is fresh and active--a fact recently +discovered in our post-war days," Hugh said. + +Then, as his hostess turned to the hot-plate upon the sideboard, +lifting the covers to see what her cook had provided, he re-scanned +the letter which had been openly addressed to him. It was from Dorise: + + + "I refuse to be deceived any longer, I have discovered that you are + now a fellow-guest with the girl Louise, to whom you introduced + me. And yet you arranged to meet me at Farnham, believing that I + was not aware of your close friendship with her! I have believed + in you up to the present, but the scales have now fallen from my + eyes. I thought you loved me too well to deceive me--as you are + doing. Hard things are being said about you--but you can rest + content that I shall reveal nothing that I happen to know. What I + do know, however, has changed my thoughts concerning you. I + believed you to be the victim of circumstance. Now I know you have + deceived me, and that I, myself, am the victim. I need only add + that someone else--whom I know not--knows of your hiding-place, + for, by a roundabout way, I heard of it, and hence, I address this + letter to you.--DORISE." + + +Hugh Henfrey stood staggered. There was no mistaking the meaning of +that letter now that he had read it a second time. + +Dorise doubted him! And what answer could he give her? Any explanation +must, to her, be but a lame excuse. + +Hugh ate his breakfast sullenly. To Louise, who put in a late +appearance, and helped herself off the hot-plate, he said cheerfully: + +"How lazy you are!" + +"It's not laziness, Hugh," replied the girl. "The maid was so late +with my tea--and--well, to tell the truth, I upset a whole new box of +powder on my dressing-table and had to clean up the mess." + +"More haste--less speed," laughed Hugh. "It is always the same in the +morning--eh?" + +When the girl sat down at the table Hugh had brightened up. Still the +load upon his shoulders was a heavy one. He was ever obsessed by the +mystery of his father's death, combined with that extraordinary will +by which it was decreed that if he married Louise he would acquire his +father's fortune. + +Louise was certainly very good-looking, and quite charming. He +admitted that as he gazed across at her fresh figure on the opposite +side of the table. He, of course, was in ignorance of the fact that +Benton, who had adopted her, was a clever and unscrupulous adventurer, +whose accomplice was the handsome woman who was his hostess. + +Naturally, he never dreamed that that quiet and respectable house, +high on the beautiful Surrey hills, was the abode of a woman for whom +the police of Europe were everywhere searching. + +His thoughts all through breakfast were of The Sparrow--the great +criminal, who was his friend. Hence, after they rose, he strolled into +the morning-room with his hostess, and said: + +"I'll have to go to town again this morning. I have an urgent letter. +Can Mead take me?" + +"Certainly," was the woman's reply. "I have to make a call at +Worplesdon this afternoon, and Louise is going with me. But Mead can +be back before then to take us." + +So half an hour later Hugh was driving up the steep High Street of +Guildford on his way to London. + +He alighted in Piccadilly, at the end of Half Moon Street, soon after +eleven, and, dismissing Mead, made his way to Ellerston Street to the +house of Mr. George Peters. + +He rang the bell at the old-fashioned mansion, and a few moments later +the door was opened by the manservant he had previously seen. + +In an instant the servant recognized the visitor. + +"Mr. Peters will not be in for a quarter of an hour," he said. "Would +you care to wait, sir?" + +"Yes," Hugh replied. "I want to see him very urgently." + +"Will you come in? Mr. Peters has left instructions that you might +probably call; Mr. Henfrey, is it not?" + +"Yes," replied Hugh. The man seemed to possess a memory like that of a +club hall-porter. + +Young Henfrey was ushered into a small but cosy little room, which, in +the light of day, he saw was well-furnished and upholstered. The door +closed, and he waited. + +A few moments after he distinctly heard a man's voice, which he at +once recognized as that of The Sparrow. + +The servant had told him that Mr. Peters was absent, yet he recognized +his voice--a rather high-pitched, musical one. + +"Mr. Henfrey is waiting," he heard the servant say. + +"Right! I hope you told him I was out," The Sparrow replied. + +Then there was silence. + +Hugh stood there very much puzzled. The room was cosy and well- +furnished, but the light was somewhat dim, while the atmosphere was +decidedly murky, as it is in any house in Mayfair. One cannot obtain +brightness and light in a West End house, where one's vista is bounded +by bricks and mortar. The dukes in their great town mansions are no +better off for light and air than the hard-working and worthy wage- +earners of Walworth, Deptford, or Peckham. The air in the working- +class districts of London is not one whit worse than it is in Mayfair +or in Belgravia. + +Hugh stood before an old coloured print representing the hobby-horse +school--the days of the "bone-shakers"--and studied it. He awaited Il +Passero and the advice which he had promised to give. + +His ears were strained. That house was curiously quiet and forbidding. +The White Cavalier, whom he had believed to be the notorious Sparrow, +had been proved to be one of his assistants. He had now met the real, +elusive adventurer, who controlled half the criminal adventurers in +Europe, and had found in him a most genial friend. He was there to +seek his advice and to act upon it. + +As he reflected, he realized that without the aid of The Sparrow he +would have long ago been in the hands of the police. So widespread was +the organization which The Sparrow controlled that it mattered not in +what capital he might be, the paternal hand of protection was placed +upon him--in Genoa, in Brussels, in London--anywhere. + +It seemed that when The Sparrow protected any criminal the fugitive +was safe. He had been sent to Mrs. Mason in Kensington, and he had +left her room against The Sparrow's will. + +Hence his peril of arrest. It was that point which he wished to +discuss with the great arch-criminal of Europe. + +That house was one of mystery. The servant had told him that he was +expected. Why? What did The Sparrow suspect? + +The whole atmosphere of that old-fashioned place was mysterious and +apprehensive. And yet its owner had succeeded in extricating him from +that very perilous position at Monte Carlo! + +Suddenly, as he stood there, he heard voices again. They were raised +in discussion. + +One voice he recognized as that of The Sparrow. + +"Well, I tell you my view is still the same," he exclaimed. "What you +have told me does not alter it, however much you may ridicule me!" + +"Then you know the truth--eh?" + +"I really didn't say so, my dear Howell. But I have my suspicions-- +strong suspicions." + +"Which you will, in due course, impart to young Henfrey, I suppose?" + +"I shall do nothing of the sort," was The Sparrow's reply. "The lad is +in serious peril. I happen to know that." + +"Then why don't you warn him at once?" + +"That's my affair!" snapped the gentleman known in Mayfair as Mr. +Peters. + +"IF Henfrey is here, then I'd like to meet him," Howell said. + +It seemed as though the pair were in a room on the opposite side of +the passage, and yet, though Hugh stood at some distance away, he +could hear the words quite distinctly. At this he was much surprised. +He did not, however, know that in that house in Ellerston Street there +had been constructed a curious system of ventilation of the rooms by +which a conversation taking place in a distant apartment could be +heard in certain other rooms. + +The fact was that The Sparrow received a good many queer visitors, and +some of their whispered conversations while they awaited him were +often full of interest. + +The house was, in more than one way, a curiosity. It had a secret exit +through a mews at the rear--now converted into a garage--and several +other mysterious contrivances which were unsuspected by visitors. + +"It would hardly do for him to know what we know, Mr. Peters--eh?" +Hugh heard Howell say a moment later. It was the habit of The +Sparrow's accomplices to address their great director--the brain of +criminal Europe--by the name under which they inquired for him. The +Sparrow had twenty names--one for every city in which he had a cosy +/pied-a-terre/. In Paris, Lisbon, Madrid, Marseilles, Vienna, Hamburg, +Budapest, Stockholm and on the Riviera, he was, in all the cities, +known by a different name. Yet each was so distinct, and each +individuality so well kept up, that he snapped his fingers at the +police and pitied them their red tape, ignorance, and lack of +initiative. + +Truly, Il Passero, the cosmopolitan of many names and half a dozen +nationalities, had brought criminality to a fine art. + +Hugh, standing there breathless, listened to every word. Who was this +man Howell? + +"Hush!" cried The Sparrow suddenly. "What a fool I am! I quite forgot +to close the ventilator in the room to which the young fellow has been +shown! I hope he hasn't overheard! I had Evans and Janson in there an +hour ago, and they were discussing me, as I expected they would! It +was a good job that I took the precaution of opening the ventilator, +because I learned a good deal that I had never suspected. It has +placed me on my guard. I'll go and get young Henfrey. But," he added, +"be extremely careful. Disclose nothing you know concerning the +affair." + +"I shall be discreet, never fear," replied his visitor. + +A moment later The Sparrow entered the room where Henfrey was, and +greeted him warmly. Then he ushered him down the passage to the room +wherein stood his mysterious visitor. + +The room was such a distance away that Hugh was surprised that he +could have heard so distinctly. But, after all, it was an uncanny +experience to be associated with that man of mystery, whose very name +was uttered by his accomplices with bated breath. + +"My friend, Mr. George Howell," said The Sparrow, introducing the +slim, wiry-looking, middle-aged man, who was alert and clean-shaven, +and plainly but well dressed--a man whom the casual acquaintance would +take to be a solicitor of a fair practice. He bore the stamp of +suburbia all over him, and his accent was peculiarly that of London. + +His bearing was that of high respectability. The diamond scarf-pin was +his only ornament--a fine one, which sparkled even in that dull London +light. He was a square-shouldered man, with peculiarly shrewd, rather +narrow eyes, and dark, bushy eyebrows. + +"Glad to meet you, Mr. Henfrey," he replied, with a gay, rather +nonchalant air. "My friend Mr. Peters has been speaking about you. Had +a rather anxious time, I hear." + +Henfrey looked at the stranger inquisitively, and then glanced at The +Sparrow. + +"Mr. Howell is quite safe," declared the man with the gloved hand. "He +is one of Us. So you may speak without fear." + +"Well," replied the young man, "the fact is, I've had a very +apprehensive time. I'm here to seek Mr. Peters' kind advice, for +without him I'm sure I'd have been arrested and perhaps convicted long +ago." + +"Oh! A bit of bad luck--eh? Nearly found out, have you been? Ah! All +of us have our narrow escapes. I've had many in my time," and he +grinned. + +"So have all of us," laughed the bristly-haired man. "But tell me, +Henfrey, why have you come to see me so quickly?" + +"Because they know where I'm in hiding!" + +"They know? Who knows?" + +"Miss Ranscomb knows my whereabouts and has written to me in my real +name and addressed the letter to Shapley." + +"Well, what of that?" he asked. "I told her." + +"She tells me that my present hiding-place is known!" + +"Not known to the police? /Impossible/!" gasped the black-gloved man. + +"I take it that such is a fact." + +"Why, Molly is there!" cried the man Howell. "If the police suspect +that Henfrey is at Shapley, then they'll visit the place and have a +decided haul." + +"Why?" asked Hugh in ignorance. + +"Nothing. I never discuss other people's private affairs, Mr. +Henfrey," Howell answered very quietly. + +Hugh was surprised at the familiar mention of "Molly," and the +declaration that if the Manor were searched the police would have "a +decided haul." + +"This is very interesting," declared The Sparrow. "What did Miss +Ranscomb say in her letter?" + +For a second Hugh hesitated; then, drawing it from his pocket, he gave +it to the gloved man to read. + +Hugh knew that The Sparrow was withholding certain truths from him, +yet had he not already proved himself his best and only friend? Brock +was a good friend, but unable to assist him. + +The Sparrow's strongly marked face changed as he read Dorise's angry +letter. + +"H'm!" he grunted. "I will see her. We must discover why she has sent +you this warning. Come back again this evening. But be very careful +where you go in the meantime." + +Thus dismissed, Hugh walked along Ellerston Street into Curzon Street +towards Piccadilly, not knowing where to go to spend the intervening +hours. + +The instant he had gone, however, The Sparrow turned to his companion, +who said: + +"I wonder if Lisette has revealed anything?" + +"By Jove!" remarked The Sparrow, for once suddenly perturbed. /"I +never thought of that!"/ + + + + TWENTY-SECOND CHAPTER + + CLOSING THE NET + +"Well--recollect how much the girl knows!" Howell remarked as he stood +before The Sparrow in the latter's room. + +"I have not forgotten," said the other. "The whole circumstances of +old Henfrey's death are not known to me. That it was an unfortunate +affair has long ago been proved." + +"Yvonne was the culprit, of course," said Howell. "That was apparent +from the first." + +"I suppose she was," remarked The Sparrow reflectively. "But that +attempt upon her life puzzles me." + +"Who could have greater motive in killing her out of revenge than the +dead man's son?" + +"Agreed. But I am convinced that the lad is innocent. Therefore I gave +him our protection." + +"I was travelling abroad at the time, you recollect. When I learnt of +the affair through Franklyn about a week afterwards I was amazed. The +loss of Yvonne to us is a serious one." + +"Very--I agree. She had done some excellent work--the affair in the +Rue Royale, for instance." + +"And the clever ruse by which she got those emeralds of the Roumanian +princess. The Vienna police are still searching for her--after three +years," laughed the companion of the chief of the international +organization, whose word was law in the criminal underworld of Europe. + +"Knowing what you did regarding the knowledge of old Mr. Henfrey's +death possessed by Lisette, I have been surprised that you placed her +beneath your protection." + +"If she had been arrested she might have told some very unpleasant +truths, in order to save herself," The Sparrow remarked, "so I chose +the latter evil." + +"Young Henfrey met her. I wonder whether she told him anything?" + +"No. I questioned her. She was discreet, it seems. Or at least, she +declares that she was." + +"That's a good feature. But, speaking frankly, have you any idea of +the identity of the person--man or woman--who attempted to kill +Yvonne?" asked Howell. + +"I have a suspicion--a pretty shrewd suspicion," replied the little +bristly-haired man. + +His companion was silent. + +"And you don't offer to confide in me your suspicions--eh?" + +"It is wiser to obtain proof before making any allegations," answered +The Sparrow, smiling. + +"You will still protect Lisette?" Howell asked. "I agree that, like +Yvonne, she has been of great use to us in many ways. Beauty and wit +are always assets in our rather ticklish branch of commerce. Where is +Lisette now?" + +"At the moment, she's in Madrid," The Sparrow replied. "There is a +little affair there--the jewels of a Belgian's wife--a fellow who, +successfully posing as a German during the occupation of Brussels, +made a big fortune by profiteering in leather. They are in Madrid for +six months, in order to escape unwelcome inquiries by the Government +in Brussels. They have a villa just outside the city, and I have sent +Lisette there with certain instructions." + +"Who is with her?" + +"Nobody yet. Franklyn will go in due course." + +Howell's thin lips relaxed into a curious smile. + +"Franklyn is in love with Lisette," he remarked. + +"That is why I am sending them together to execute the little +mission," The Sparrow said. "Lisette was here a fortnight ago, and I +mapped out for her a plan. I went myself to Madrid not long ago, in +order to survey the situation." + +"The game is worth the candle, I suppose--eh?" + +"Yes. If we get the lot Van Groot, in Amsterdam, will give at least +fifteen thousand for them. Moulaert bought most of them from old +Leplae in the Rue de la Paix. There are some beautiful rubies among +them. I saw Madame wearing some of the jewels at the Palace Hotel, in +Madrid, while they were staying there before their villa was ready. +Moulaert, with his wife and two friends from the Belgian Legation, +dined at a table next to mine, little dreaming with what purpose I ate +my meal alone." + +Truly, the intuition and cleverness of The Sparrow were wonderful. He +never moved without fully considering every phase of the consequences. +Unlike most adventurers, he drank hardly anything. Half a glass of dry +sherry at eleven in the morning, the same at luncheon, and one glass +of claret for his dinner. + +Yet often at restaurants he would order champagne, choice vintage +clarets, and liqueurs--when occasion demanded. He would offer them to +his friends, but just sip them himself, having previously arranged +with the waiter to miss filling his glass. + +Of the peril of drink "Mr. Peters" was constantly lecturing the great +circle of his friends. + +Each year--on the 26th of February to be exact--there was held a +dinner at a well-known restaurant in the West End--the annual dinner +of a club known as "The Wonder Wizards." It was supposed to be a +circle of professional conjurers. + +This dinner was usually attended by fifty guests of both sexes, all +well-dressed and prosperous, and of several nationalities. It was +presided over by a Mr. Charles Williams. + +Now, to tell the truth, the guests believed him to be The Sparrow; but +in reality Mr. Williams was the tall White Cavalier whom Hugh had +believed to be the great leader, until he had gone to Mayfair and met +the impelling personality whom the police had for so long failed to +arrest. + +The situation was indeed humorous. It was The Sparrow's fancy to hold +the reunion at a public restaurant instead of at a private house. +Under the very nose of Scotland Yard the deputy of the notorious +Sparrow entertained the chiefs of the great criminal octopus. There +were speeches, but from them the waiters learned nothing. It was +simply a club of conjurers. None suspected that the guests were those +who conjured fortunes out of the pockets of the unsuspecting. And +while the chairman--believed by those who attended to be The Sparrow +himself--sat there, the bristly-haired, rather insignificant-looking +little man occupied a seat in a far-off corner, from where he +scrutinized his guests very closely, and smiled at the excellent +manner in which his deputy performed the duties of chairman. + +Because it was a club of conjurers, and because the conjurers +displayed their new tricks and illusions, after an excellent dinner +the waiters were excluded and the doors locked after the coffee. + +It was then that the bogus Sparrow addressed those present, and gave +certain instructions which were later on carried into every corner of +Europe. Each member had his speciality, and each group its district +and its sanctuary, in case of a hue-and-cry. Every crime that could be +committed was committed by them--everything save murder. + +The tall, thin man whom everyone believed to be The Sparrow never +failed to impress upon his hearers, after the doors were carefully +locked, that however they might attack and rob the rich, human life +was sacred. + +It was the real Sparrow's order. He abominated the thought of taking +human life, hence when old Mr. Henfrey had been foully done to death +in the West End he had at once set to work to discover the actual +criminal. This he had failed to do. And afterwards there had followed +the attempted assassination of Yvonne Ferad, known as Mademoiselle of +Monte Carlo. + +The two men stood discussing the young French girl, Lisette, whom Hugh +had met when in hiding in the Via della Maddalena in Genoa. + +"I only hope; that she has not told young Henfrey anything," Howell +said, with distinct apprehension. + +"No," laughed The Sparrow. "She came to me and told me how she had met +him in Genoa and discovered to her amazement that he was old Henfrey's +son." + +"How curious that the pair should meet by accident," remarked Howell. +"I tell you that Benton is not playing a straight game. That +iniquitous will which the old man left he surely must have signed +under some misapprehension. Perhaps he thought he was applying for a +life policy--or something of that short. Signatures to wills have been +procured under many pretexts by scoundrelly relatives and unscrupulous +lawyers." + +"I know. And the witnesses have placed their signatures afterward," +remarked The Sparrow thoughtfully. "But in this case all seems above +board--at least so far as the will is concerned. Benton was old +Henfrey's bosom friend. Henfrey was very taken with Louise, and I know +that he was desirous Hugh should marry her." + +"And if he did, Hugh would acquire the old man's fortune, and Benton +would step in and seize it--as is his intention." + +"Undoubtedly. All we can do is to keep Hugh and Louise apart. The +latter is in entire ignorance of the true profession of her adopted +father, and she'd be horrified if she knew that Molly was simply a +clever adventuress, who is very much wanted in Paris and in Brussels," +said the gloved man. + +"A good job that she knows nothing," said Howell. "But it would be a +revelation to her if the police descended upon Shapley Manor--wouldn't +it?" + +"Yes. That is why I must see Dorise Ranscomb and ascertain from her +exactly what she has heard. I know the police tracked Hugh to London, +and for that reason he went with Benton down into Surrey--out of the +frying-pan into the fire." + +"Well, before we can go farther, it seems that we should ascertain who +shot Yvonne," Howell suggested. "It was a most dastardly thing, and +whoever did it ought to be punished." + +"He ought. But I'm as much in the dark as you are, Howell; but, as I +have already said, I entertain strong suspicions." + +"I'll suggest one name--Benton?" + +The Sparrow shook his head. + +"The manservant, Giulio Cataldi?" Howell ventured. "I never liked that +sly old Italian." + +"What motive could the old fellow have had?" + +"Robbery, probably. We have no idea what were Yvonne's winnings that +night--or of the money she had in her bag." + +"Yes, we do know," was The Sparrow's reply. "According to the police +report, Yvonne, on her return home, went to her room, carrying her +bag, which she placed upon her dressing-table. Then, after removing +her cloak and hat, she went downstairs again and out on to the +veranda. A few minutes later the young man was announced. High words +were heard by old Cataldi, and then a shot." + +"And Yvonne's bag?" + +"It was found where she had left it. In it were three thousand eight +hundred francs, all in notes." + +"Yet Franklyn told me that he had heard how Yvonne won quite a large +sum that night." + +"She might have done so--and have lost the greater part of it," The +Sparrow replied. + +"On the other hand, what more feasible than that the old manservant, +watching her place it there, abstracted the bulk of the money--a large +sum, no doubt--and afterwards, in order to conceal his crime, shot his +mistress in such circumstances as to place the onus of the crime upon +her midnight visitor?" + +"That the affair was very cleverly planned there is no doubt," said +The Sparrow. "There is a distinct intention to fasten the guilt upon +young Henfrey, because he alone would have a motive for revenge for +the death of his father. Of that fact the man or woman who fired the +shot was most certainly aware. How could Cataldi have known of it?" + +"I certainly believe the Italian robbed his mistress and afterwards +attempted to murder her," Howell insisted. + +"He might rob his mistress, certainly. He might even have robbed her +of considerable sums systematically," The Sparrow assented. "The maids +told the police that Mademoiselle's habit was to leave her bag with +her winnings upon the dressing-table while she went downstairs and +took a glass of wine." + +"Exactly. She did so every evening. Her habits were regular. Yet she +never knew the extent of her winnings at the tables before she counted +them. And she never did so until the following morning. That is what +Franklyn told me in Venice when we met a month afterwards." + +"He learnt that from me," The Sparrow said with a smile. "No," he went +on; "though old Cataldi could well have robbed his mistress, just as +the maids could have done, and Yvonne would have been none the wiser, +yet I do not think he would attempt to conceal his crime by shooting +her, because by so doing he cut off all future supplies. If he were a +thief he would not be such a fool. Therefore you may rest assured, +Howell, that the hand that fired the shot was that of some person who +desired to close Yvonne's mouth." + +"She might have held some secret concerning old Cataldi. Or, on his +part, he might have cherished some grievance against her. Italians are +usually very vindictive," replied the visitor. "On the other hand, it +would be to Benton's advantage that the truth concerning old Henfrey's +death was suppressed. Yvonne was about to tell the young man something +--perhaps confess the truth, who knows?--when the shot was fired." + +"Well, my dear Howell, you have your opinion and I have mine," laughed +The Sparrow. "The latter I shall keep to myself--until my theory is +disproved." + +Thereupon Howell took a cigar that his host offered him, and while he +slowly lit it, The Sparrow crossed to the telephone. + +He quickly found Lady Ranscomb's number in the directory, and a few +moments later was talking to the butler, of whom he inquired for Miss +Dorise. + +"Tell her," he added, "that a friend of Mr. Henfrey's wishes to speak +to her." + +In a few moments The Sparrow heard the girl's voice. + +"Yes?" she inquired. "Who is speaking?" + +"A friend of Mr. Henfrey," was the reply of the man with the gloved +hand. "You will probably guess who it is." + +He heard a little nervous laugh, and then: + +"Oh, yes. I--I have an idea, but I can't talk to you over the 'phone. +I've got somebody who's just called. Mother is out--and----" Then she +lowered her voice, evidently not desirous of being heard in the +adjoining room. "Well, I don't know what to do." + +"What do you mean? Does it concern Mr. Henfrey?" + +"Yes. It does. There's a man here to see me from Scotland Yard! What +shall I do?" + +The Sparrow gasped at the girl's announcement. + +Next second he recovered himself. + +"A man from Scotland Yard!" he echoed. "Why has he called?" + +"He knows that Mr. Henfrey is living at Shapley, in Surrey. And he has +been asking whether I am acquainted with you." + + + + TWENTY-THIRD CHAPTER + + WHAT LISETTE KNEW + +A fortnight had gone by. + +Ten o'clock in the morning in the Puerta del Sol, that great plaza in +Madrid--the fine square which, like the similarly-named gates at +Toledo and Segovia, commands a view of the rising sun, as does the +ancient Temple of Abu Simbel on the Nile. + +Hugh Henfrey--a smart, lithe figure in blue serge--had been lounging +for ten minutes before the long facade of the Ministerio de la +Gobernacion (or Ministry of the Interior) smoking a cigarette and +looking eagerly across the great square. The two soldiers on sentry at +the door, suspicious of all foreigners in the days of Bolshevism and +revolution, had eyed him narrowly. But he appeared to be inoffensive, +so they had passed him by as a harmless lounger. + +Five minutes later a smartly-dressed girl, with short skirt, silk +stockings, and a pretty hat, came along the pavement, and Hugh sprang +forward to greet her. + +It was Lisette, the girl whom he had met when in hiding in that back +street in Genoa. + +"Well?" he exclaimed. "So here we are! The Sparrow sent me to you." + +"Yes. I had a telegram from him four days ago ordering me to meet you. +Strange things are happening--it seems!" + +"How?" asked the young Englishman, in ignorance of the great +conspiracy or of what was taking place. "Since I saw you last, +mademoiselle, I have been moving about rapidly, and always in danger +of arrest." + +"So have I. But I am here at The Sparrow's orders--on a little +business which I hope to bring off successfully on any evening. I have +an English friend with me--a Mr. Franklyn." + +"I left London suddenly. I saw The Sparrow in the evening, and next +morning, at eleven o'clock, without even a bag, I left London for +Madrid with a very useful passport." + +"You are here because Madrid is safer for you than London, I suppose?" +said the girl in broken English. + +"That is so. A certain Mr. Howell, a friend of The Sparrow's suggested +that I should come here," Hugh explained. "Ever since we met in Italy +I have been in close hiding until, by some means, my whereabouts +became known, and I had to fly." + +The smartly-dressed girl walked slowly at his side and, for some +moments, remained silent. + +"Ah! So you have met Hamilton Shaw--alias Howell?" she remarked at +last in a changed voice. "He certainly is not your friend." + +"Not my friend! Why? I've only met him lately." + +"You say that the police knew of your hiding-place," said +mademoiselle, speaking in French, as it was easier for her. "Would you +be surprised if Howell had revealed your secret?" + +"Howell!" gasped Hugh. "Yes, I certainly would. He is a close friend +of The Sparrow!" + +"That may be. But that does not prove that he is any friend of yours. +If you came here at Howell's suggestion--then, Mr. Henfrey, I should +advise you to leave Madrid at once. I say this because I have a +suspicion that he intends both of us to fall into a trap!" + +"But why? I don't understand." + +"I can give you no explanation," said the girl. "Now I know that +Hamilton Shaw sent you here, I can, I think, discern his motive. I +myself will see Mr. Franklyn at once, and shall leave Madrid as soon +as possible. And I advise you, Mr. Henfrey, to do the same." + +"Surely you don't suspect that it was this Mr. Howell who gave me away +to Scotland Yard!" exclaimed Hugh, surprised, but at the same time +recollecting that The Sparrow had been alarmed at the detective's +visit to Dorise. He knew that Benton and Mrs. Bond had suddenly +disappeared from Shapley, but the reason he could only guess. He had, +of course, no proof that Benton and Molly were members of the great +criminal organization. He only knew that Benton had been his late +father's closest friend. + +He discussed the situation with the girl jewel-thief as they walked +along the busy Carrera de San Jeronimo wherein are the best shops in +Madrid, to the great Plaza de Canovas in the leafy Prado. + +Again he tried to extract from her what she knew concerning his +father's death. But she would tell him nothing. + +"I am not permitted to say anything, Mr. Henfrey. I can only regret +it," she said quietly. "Mr. Franklyn is at the Ritz opposite. I should +like you to meet him." + +And she took him across to the elegant hotel opposite the Neptune +fountain, where, in a private sitting-room on the second floor, she +introduced him to a rather elderly, aristocratic-looking Englishman, +whom none would take to be one of the most expert jewel-thieves in +Europe. + +When the door was closed and they were alone, mademoiselle suddenly +revealed to her friend what Hugh had said concerning Howell's +suggestion that he should travel to Madrid. + +Franklyn's face changed. He was instantly apprehensive. + +"Then we certainly are not safe here any longer. Howell probably +intends to play us false! We shall know from The Sparrow the reason we +are here, and, for aught we know, the police are watching and will +arrest us red-handed. No," he added, "we must leave this place--all +three of us--as soon as possible. You, Lisette, had better go to Paris +and explain matters to The Sparrow, while I shall fade away to +Switzerland. And you, Mr. Henfrey? Where will you go?" + +"To France," was Hugh's reply, on the spur of the moment. "I can get +to Marseilles." + +"Yes. Go by way of Barcelona. It is quickest," said the Englishman. +"The express leaves just after three o'clock." + +Then, after he had thanked Hugh for his timely warning, the latter +walked out more than ever mystified at the attitude of The Sparrow's +accomplices. + +It did not seem possible that Howell should have told Scotland Yard +that he was hiding at Shapley; yet it was quite evident that both +mademoiselle and her companion were equally in fear of the man Howell, +whose real name was Hamilton Shaw. The theory seemed to him a thin +one, for Howell was The Sparrow's intimate friend. + +Yet, mademoiselle, while they had been discussing the situation, had +denounced him as their enemy, declaring that The Sparrow himself +should be warned of him. + +That afternoon Hugh, having only been in Madrid twelve hours, left +again on the long, dusty railway journey across Spain to Zaragoza and +down the valley of the Ebro to the Mediterranean. After crossing the +French frontier, he broke the journey at the old-world town of Nimes +for a couple of days, and then went on to Marseilles, where he took up +his quarters in the big Louvre et Paix Hotel, still utterly mystified, +and still not daring to write to Dorise. + +It was as well that he left Madrid, for, just as Lisette and Franklyn +had suspected, the police called at his hotel--an obscure one near the +station--only two hours after his departure. Then, finding him gone, +they sought both mademoiselle and Franklyn, only to find that they +also had fled. + +/Someone had given away their secret!/ + +On arrival at Marseilles in the evening Hugh ate his dinner alone in +the hotel, and then strolled up the well-lit Cannebiere, with its many +smart shops and gay cafes--that street which, to many thousands on +their way to the Near or Far East, is their last glimpse of European +life. He was entirely at a loose end. + +Unnoticed behind him there walked an undersized little Frenchman, an +alert, business-like man of about forty-five, who had awaited him +outside his hotel, and who leisurely followed him up the broad, main +street of that busy city. + +He was well-dressed, possessing a pair of shrewd, searching eyes, and +a moustache carefully trimmed. His appearance was that of a prosperous +French tradesman--one of thousands one meets in the city of +Marseilles. + +As Hugh idled along, gazing into some of the shop windows as he lazily +smoked his cigarette, the under-sized stranger kept very careful watch +upon his movements. He evidently intended that he should not escape +observation. Hugh paused at a tobacconist's and bought some stamps, +but as he came out of the shop, the watcher drew back suddenly and in +such a manner as to reveal to anyone who might have observed him that +he was no tyro in the art of surveillance. + +Walking a little farther along, Hugh came to the corner of the broad +Rue de Rome, where he entered a crowded cafe in which an orchestra was +playing. + +He had taken a corner seat in the window, had ordered his coffee, and +was glancing at the /Petit Parisien/, which he had taken from his +pocket, when another man entered, gazed around in search of a seat +and, noticing one at Hugh's table, crossed, lifted his hat, and took +the vacant chair. + +He was the stranger who had followed him from the Louvre et Paix. + +The young Englishman, all unsuspecting, glanced at the newcomer, and +then resumed his paper, while the keen-eyed little man took a long, +thin cigar which the waiter brought, lit it carefully, and sipped his +coffee, his interest apparently centred in the music. + +Suddenly a tall, dark-haired woman, who had been sitting near by with +a man who seemed to be her husband, rose and left. A moment before she +had exchanged glances with the watcher, who, apparently at her +bidding, rose and followed her. + +All this seemed quite unnoticed by Hugh, immersed as he was in his +newspaper. + +Outside the man and woman met. They held hurried consultation. The +woman told him something which evidently caused him sudden surprise. + +"I will call on you at eleven to-morrow morning, madame," he said. + +"No. I will meet you at the Reserve. I will lunch there at twelve. You +will lunch with me?" + +"Very well," he answered. "/Au revoir/," and he returned to his seat +in the cafe, while she disappeared without returning to her companion. + +The mysterious watcher resumed his coffee, for he had only been absent +for a few moments, and the waiter had not cleared it away. + +Hugh took out his cigarette-case and, suddenly finding himself without +a match, made the opportunity for which the mysterious stranger had +been waiting. + +He struck one and handed it to his /vis-a-vis/, bowing with his +foreign grace. + +Then they naturally dropped into conversation. + +"Ah! m'sieur is English!" exclaimed the shrewd-eyed little man. "Here, +in Marseilles, we have many English who pass to and fro from the +boats. I suppose, m'sieur is going East?" he suggested affably. + +"No," replied Hugh, speaking in French, "I have some business here-- +that is all." He was highly suspicious of all strangers, and the more +so of anyone who endeavoured to get into conversation with him. + +"You know Marseilles--of course?" asked the stranger, sharply +scrutinizing him. + +"I have been here several times before. I find the city always gay and +bright." + +"Not so bright as before the war," declared the little man, smoking at +his ease. "There have been many changes lately." + +Hugh Henfrey could not make the fellow out. Yet many times before he +had been addressed by strangers who seemed to question him out of +curiosity, and for no apparent reason. This man was one of them, no +doubt. + +The man, who had accompanied the woman whom the stranger had followed +out, rose, exchanged a significant glance with the little man, and +walked out. That the three were in accord seemed quite apparent, +though Hugh was still unsuspicious. + +He chatted merrily with the stranger for nearly half an hour, and then +rose and left the cafe. When quite close to the hotel the stranger +overtook him, and halting, asked in a low voice, in very good English: + +"I believe you are Mr. Henfrey--are you not?" + +"Why do you ask that?" inquired Hugh, much surprised. "My name is +Jordan--William Jordan." + +"Yes," laughed the man. "That is, I know, the name you have given at +the hotel. But your real name is Henfrey." + +Hugh started. The stranger, noticing his alarm, hastened to reassure +him. + + + + TWENTY-FOURTH CHAPTER + + FRIEND OR ENEMY? + +"You need not worry," said the stranger to Hugh. "I am not your enemy, +but a friend. I warn you that Marseilles is unsafe for you. Get away +as soon as possible. The Spanish police have learnt that you have come +here," he went on as he strolled at his side. + +Hugh was amazed. + +"How did you know my identity?" he asked eagerly. + +"I was instructed to watch for your arrival--and to warn you." + +"Who instructed you?" + +"A friend of yours--and mine--The Sparrow." + +"Has he been here?" + +"No. He spoke to me on the telephone from Paris." + +"What were his instructions?" + +"That you were to go at once--to-night--by car to the Hotel de Paris, +at Cette. A car and driver awaits you at the Garage Beauvau, in the +Rue Beauvau. I have arranged everything at The Sparrow's orders. You +are one of Us, I understand," and the man laughed lightly. + +"But my bag?" exclaimed Hugh. + +"Go to the hotel, pay your bill, and take your bag to the station +cloak-room. Then go and get the car, pick up your bag, and get out on +the road to Cette as soon as ever you can. Your driver will ask no +questions, and will remain silent. He has his orders from The +Sparrow." + +"Does The Sparrow ever come to Marseilles?" Hugh asked. + +"Yes, sometimes--when anything really big brings him here. I have, +however, only seen him once, five years ago. He was at your hotel, and +the police were so hot upon his track that only by dint of great +promptitude and courage he escaped by getting out of the window of his +room and descending by means of the rain-water pipe. It was one of the +narrowest escapes he has ever had." + +As the words left the man's mouth, they were passing a well-lit +brasserie. A tall, cadaverous man passed them and Hugh had a suspicion +that they exchanged glances of recognition. + +Was his pretended friend an agent of the police? + +For a few seconds he debated within himself how he should act. To +refuse to do as he was bid might be to bring instant arrest upon +himself. If the stranger were actually a detective--which he certainly +did not appear to be--then the ruse was to get him on the road to +Cette because the legal formalities were not yet complete for his +arrest as a British subject. + +Yet he knew all about The Sparrow, and his attitude was not in the +least hostile. + +Hugh could not make up his mind whether the stranger was an associate +of the famous Sparrow, or whether he was very cleverly inveigling him +into the net. + +It was only that exchange of glances with the passer-by which had +aroused Hugh's suspicions. + +But that significant look caused him to hesitate to accept the +mysterious stranger as his friend. + +True, he had accepted as friends numbers of other unknown persons +since that fateful night at Monte Carlo. Yet in this case, he felt, by +intuition, that all was not plain sailing. + +"Very well," he said, at last. "I esteem it a very great favour that +you should have interested yourself on behalf of one who is an entire +stranger to you, and I heartily thank you for warning me of my danger. +When I see The Sparrow I shall tell him how cleverly you approached +me, and how perfect were your arrangements for my escape." + +"I require no thanks or reward, Mr. Henfrey," replied the man +politely. "My one desire is to get you safely out of Marseilles." + +And with that the stranger lifted his hat and left him. + +Hugh went about fifty yards farther along the broad, well-lit street +full of life and movement, for the main streets of Marseilles are +alive both day and night. + +By some intuition--why, he knew not--he suspected that affable little +man who had posed as his friend. Was it possible that, believing the +notorious Sparrow to be his friend, he had at haphazard invented the +story, and posed as one of The Sparrow's gang? + +If so, it was certainly a very clever and ingenious subterfuge. + +He was undecided how to act. He did not wish to give offence to his +friend, the king of the underworld, and yet he felt a distinct +suspicion of the man who had so cleverly approached him, and who had +openly declared himself to be a crook. + +That strange glance he had exchanged with the passer-by beneath the +rays of the street-lamp had been mysterious and significant. If the +passer-by had been a crook, like himself, the sign of recognition +would be one of salutation. But the expression upon his alleged +friend's face was one of triumph. That made all the difference, and to +Hugh, with his observation quickened as it had been in those months of +living with daily dread of arrest, it had caused him to be seized with +strong and distinct suspicions. + +He felt in his hip pocket and found that his revolver, an American +Smith-Wesson, was there. He had a dislike of automatic pistols, as he +had once had a very narrow escape. He had been teaching a girl to +shoot with a revolver, when, believing that she had discharged the +whole magazine, he was examining the weapon and pulled the trigger, +narrowly escaping shooting her dead. + +For a few seconds he stood upon the broad pavement. Then he drew out +his cigarette-case. In it were four cigarettes, two of which The +Sparrow had given him when in London. + +"Yes," he muttered to himself. "Somebody must have given me away at +Shapley, and now they have followed me! I will act for myself, and +take the risks." + +Then he walked boldly on, crossed the road, and entered the big Hotel +de Louvre et Paix. To appear unconcerned he had a drink at the bar, +and ascending in the lift, called the floor-waiter, asked for his +bill, and packed his bag. + +"Ah!" he said to himself. "If I could only get to know where The +Sparrow is and ask him the truth! He may be at that address in Paris +which he gave me." + +After a little delay the bill was brought and he paid it. Then in a +taxi he drove to the station where he deposited his bag in the cloak- +room. + +Close by the /consigne/ a woman was standing. He glanced at her, when, +to his surprise, he saw that she was the same woman who had been +sitting in the cafe with a male companion. + +Was she, he wondered, in league with his so-called friend? And if so, +what was intended. + +Sight of that woman lounging there, however, decided him. She was, no +doubt, awaiting his coming. + +He walked out of the great railway terminus, and, inquiring the way to +the Rue Beauvau, soon found the garage where a powerful open car was +awaiting him in the roadway outside. + +A smart driver in a dark overcoat came forward, and apparently +recognizing Hugh from a description that had been given to him, +touched his cap, and asked in French: + +"Where does m'sieur wish to go?" + +"To the station to fetch my coat and bag," replied the young +Englishman, peering into the driver's face. He was a clean-shaven man +of about forty, broad-shouldered and stalwart. Was it possible that +the car had been hired by the police, and the driver was himself a +police agent? + +"Very well, m'sieur," the man answered politely. And Hugh having +entered, he drove up the Boulevard de la Liberte to the Gare St. +Charles. + +As he approached the /consigne/, he looked along the platform, and +there, sure enough, was the same woman on the watch, though she +pretended to be without the slightest interest in his movements. + +Hugh put on his coat, and, carrying his bag, placed it in the car. + +"You have your orders?" asked Hugh. + +"Yes, m'sieur. We are to go to Cette with all speed. Is not that so?" + +"Yes," was Hugh's reply. "I will come up beside you. I prefer it. We +shall have a long, dark ride to-night." + +"Ah! but the roads are good," was the man's reply. "I came from Cette +yesterday," he added, as he mounted to his seat and the passenger got +up beside him. + +Hugh sat there very thoughtful as the car sped out of the city of +noise and bustle. The man's remark that he had come from Cette on the +previous day gave colour to the idea that no net had been spread, but +that the stranger was acting at the orders of the ubiquitous Sparrow. +Indeed, were it not for the strange glance the undersized little man +had given to the passer-by, he would have been convinced that he was +actually once again under the protection of the all-powerful ruler of +the criminal underworld. + +As it was, he remained suspicious. He did not like that woman who had +watched so patiently his coming and going at the station. + +With strong headlights glaring--for the night was extremely dark and a +strong wind was blowing--they were soon out on the broad highway which +leads first across the plain and then beside the sea, and again across +the lowlands to old-world Arles. + +It was midnight before they got to the village of Lancon, an obscure +little place in total darkness. + +But on the way the driver, who had told Hugh that his name was Henri +Aramon, and who insinuated that he was one of The Sparrow's +associates, became most affable and talkative. Over those miles of +dark roads, unfamiliar to Hugh, they travelled at high speed, for +Henri had from the first showed himself to be an expert driver, not +only in the unceasing traffic of the main streets of Marseilles, but +also on the dark, much-worn roads leading out of the city. The roads +around Marseilles have never been outstanding for their excellence, +and after the war they were indeed execrable. + +"This is Lancon," the driver remarked, as they sped through the dark +little town. "We now go on to Salon, where we have a direct road +across the plain they call the Crau into Arles. From there the road to +Cette is quite good and straight. The road we are now on is the +worst," he added. + +Hugh was undecided. Was the man who was driving him so rapidly out of +the danger zone his friend--or his enemy? + +He sat there for over an hour unable to decide. + +"This is an outlandish part of France," he remarked to the driver +presently. + +"Yes. But after Salon it is more desolate." + +"And is there no railway near?" + +"After Salon, yes. It runs parallel with the road about two miles to +the north--the railway between Arles and Aix-en-Provence." + +"So if we get a breakdown, which I hope we shall not, we are not far +from a railway?" Hugh remarked, as through the night the heavy car +tore along that open desolate road. + +As he sat there he thought of Dorise, wondering what had happened--and +of Louise. If he had obeyed his father's wishes and married the latter +all the trouble would have been avoided, he thought. Yet he loved +Dorise--loved her with his whole soul. + +And she doubted him. + +Poor fellow! Hustled from pillar to post, and compelled to resort to +every ruse in order to avoid arrest for a crime which he did not +commit, yet about which he could not establish his innocence, he very +often despaired. At that moment he felt somehow--how he could not +explain--that he was in a very tight corner. He felt confident after +two hours of reflection that he was being driven over these roads that +night in order that the police should gain time to execute some legal +formality for his arrest. + +Why had not the police of Marseilles arrested him? There was some +subtle motive for sending him to Cette. + +He had not had time to send a telegram to Mr. Peters in London, or to +Monsieur Gautier, the name by which The Sparrow told him he was known +at his flat in the Rue des Petits Champs, in the centre of Paris. He +longed to be able to communicate with his all-powerful friend, but +there had been no opportunity. + +Suddenly the car began to pass through banks of mist, which are usual +at night over the low marshes around the mouths of the Rhone. It was +about half-past two in the morning. They had passed through the long +dark streets of Salon, and were already five or six miles on the broad +straight road which runs across the marshes through St. Martin-de-Crau +into Arles. + +Of a sudden Hugh declared that he must have a cigarette, and producing +his case handed one to the driver and took one himself. Then he lit +the man's, and afterwards his own. + +"It is cold here on the marshes, monsieur," remarked the driver, his +cigarette between his lips. "This mist, too, is puzzling. But it is +nearly always like this at night. That is why nobody lives about +here." + +"Is it quite deserted?" + +"Yes, except for a few shepherds, and they live up north at the foot +of the hills." + +For some ten minutes or so they kept on, but Hugh had suddenly become +very watchful of the driver. + +Presently the man exclaimed in French: + +"I do not feel very well!" + +"What is the matter?" asked Hugh in alarm. "You must not be taken ill +here--so far from anywhere!" + +But the man was evidently unwell, for he pulled up the car. + +"Oh! my head!" he cried, putting both hands to his brow as the +cigarette dropped from his lips. "My head! It seems as if it will +burst! And--and I can't see! Everything is going round--round! Where-- +/where am I/?" + +"You are all right, my friend. Get into the back of the car and rest. +You will be yourself very quickly." + +And he half dragged the man from his seat and placed him in the back +of the car, where he fell inert and unconscious. + +The cigarette which The Sparrow had given to Hugh only to be used in +case of urgent necessity had certainly done its work. The man, whether +friend or enemy, would now remain unconscious for many hours. + +Hugh, having settled him in the bottom of the car, placed a rug over +him. Then, mounting to the driver's place, he turned the car and drove +as rapidly as he dared back over the roads to Salon. + +Time after time, he wondered whether he had been misled; whether, +after all, the man who had driven him was actually acting under The +Sparrow's orders. If so, then he had committed a fatal error! + +However, the die was cast. He had acted upon his own initiative, and +if a net had actually been spread to catch him he had successfully +broken through it. He laughed as he thought of the police at Cette +awaiting his arrival, and their consternation when hour after hour +passed without news of the car from Marseilles. + +At Salon he passed half way through the town to cross roads where he +had noticed in passing a sign-board which indicated the road to +Avignon--the broad high road from Marseilles to Paris. + +Already he had made up his mind how to act. He would get to Avignon, +and thence by express to Paris. The /rapides/ from Marseilles and the +Riviera all stopped at the ancient city of the Popes. + +Therefore, being a good motor driver, Hugh started away down the long +road which led through the valley to Orgon, and thence direct to +Avignon, which came into sight about seven o'clock in the morning. + +Before entering the old city of walls and castles Hugh turned into a +side road about two miles distant, drove the car to the end, and +opening a gate succeeded in getting it some little distance into a +wood, where it was well concealed from anyone passing along the road. + +Then, descending and ascertaining that the driver was sleeping +comfortably from the effects of the strong narcotic, he took his bag +and walked into the town. + +At the railway station he found the through express from Ventimiglia-- +the Italian frontier--to Paris would be due in twenty minutes, +therefore he purchased a first-class ticket for Paris, and in a short +time was taking his morning coffee in the /wagon-restaurant/ on his +way to the French capital. + + + + TWENTY-FIFTH CHAPTER + + THE MAN CATALDI + +On the day that Hugh was travelling in hot haste to Paris, Charles +Benton arrived in Nice early in the afternoon. + +Leaving the station it was apparent he knew his way about the town, +for passing down the Avenue de la Gare, with its row of high +eucalyptus trees, to the Place Massena, he plunged into the narrow, +rather evil-smelling streets of the old quarter. + +Before a house in the Rue Rossette he paused, and ascending to a flat +on the third floor, rang the bell. The door was slowly opened by an +elderly, rather shabbily-attired Italian. + +It was Yvonne's late servant at the Villa Amette, Giulio Cataldi. + +The old man drew back on recognizing his visitor. + +"Well, Cataldi!" exclaimed the well-dressed adventurer cheerily. "I'm +quite a stranger--am I not? I was in Nice, and I could not leave +without calling to see you." + +The old man, with ill-grace scarcely concealed, invited him into his +shabby room, saying: + +"Well, Signor Benton, I never thought to see you again." + +"Perhaps you didn't want to--eh? After that little affair in Brussels. +But I assure you it was not my fault. Mademoiselle Yvonne made the +blunder." + +"And nearly let us all into the hands of the police--including The +Sparrow himself!" growled the old fellow. + +"Ah! But all that has long blown over. Now," he went on, after he had +offered the old man a cigar. "Now the real reason I've called is to +ask you about this nasty affair concerning Mademoiselle Yvonne. You +were there that night. What do you know about it?" + +"Nothing," the old fellow declared promptly. "Since that night I've +earned an honest living. I'm a waiter in a cafe in the Avenue de la +Gare." + +"A most excellent decision," laughed the well-dressed man. "It is not +everyone who can afford to be honest in these hard times. I wish I +could be, but I find it impossible. Now, tell me, Giulio, what do you +know about the affair at the Villa Amette? The boy, Henfrey, went +there to demand of Mademoiselle how his father died. She refused to +tell him, angry words arose--and he shot her. Now, isn't that your +theory--the same as that held by the police?" + +The old man looked straight into his visitor's face for a few moments. +Then he replied quite calmly: + +"I know nothing, Signor Benton--and I don't want to know anything. +I've told the police all I know. Indeed, when they began to inquire +into my antecedents I was not very reassured, I can tell you." + +"I should think not," laughed Benton. "Still, they never suspected you +to be the man wanted for the Morel affair--an unfortunate matter that +was." + +"Yes," sighed the old fellow. "Please do not mention it," and he +turned away to the window as though to conceal his guilty countenance. + +"You mean that you /know/ something--but you won't tell it!" Benton +said. + +"I know nothing," was the old fellow's stubborn reply. + +"But you know that the young fellow, Henfrey, is guilty!" exclaimed +Benton. "Come! you were there at the time! You heard high words +between them--didn't you?" + +"I have already made my statement to the police," declared the old +Italian. "What else I know I shall keep to myself." + +"But I'm interested in ascertaining whether Henfrey is innocent or +guilty. Only two persons can tell us that--Mademoiselle, who is, alas! +in a hopeless mental state, and yourself. You know--but you refuse to +incriminate the guilty person. Why don't you tell the truth? You know +that Henfrey shot her!" + +"I tell you I know nothing," retorted the old man. "Why do you come +here and disturb me?" he added peevishly. + +"Because I want to know the truth," Benton answered. "And I mean to!" + +"Go away!" snapped the wilful old fellow. "I've done with you all--all +the crowd of you!" + +"Ah!" laughed Benton. "Then you forget the little matter of the man +Morel--eh? That is not forgotten by the police, remember!" + +"And if you said a word to them, Signor Benton, then you would +implicate yourself," the old man growled. Seeing hostility in the +Englishman's attitude he instantly resented it. + +"Probably. But as I have no intention of giving you away, my dear +Giulio, I do not think we need discuss it. What I am anxious to do is +to establish the guilt--or the innocence--of Hugh Henfrey," he went +on. + +"No doubt. You have reason for establishing his guilt--eh?" + +"No. Reasons for establishing his innocence." + +"For your own ends, Signor Benton," was the shrewd old man's reply. + +"At one time there was a suspicion that you yourself had fired at +Mademoiselle." + +"What!" gasped the old man, his countenance changing instantly. "Who +says that?" he asked angrily. + +"The police were suspicious, I believe. And as far as I can gather +they are not yet altogether satisfied." + +"Ah!" growled the old Italian in a changed voice. "They will have to +prove it!" + +"Well, they declare that the shot was fired by either one or the other +of you," Benton said, much surprised at the curious effect the +allegation had upon the old fellow. + +"So they think that if the Signorino Henfrey is innocent I am guilty +of the murderous attack--eh?" + +Benton nodded. + +"But they are seeking to arrest the signorino!" remarked the Italian. + +"Yes. That is why I am here--to establish his innocence." + +"And if I were to tell you that he was innocent I should condemn +myself!" laughed the crafty old man. + +"Look here, Giulio," said Benton. "I confess that I have long ago +regretted the shabby manner in which I treated you when we were all in +Brussels, and I hope you will allow me to make some little amend." +Then, taking from his pocket-book several hundred-franc notes, he +doubled them up and placed them on the table. + +"Ah!" said the old man. "I see! You want to /buy/ my secret! No, take +your money!" he cried, pushing it back towards him contemptuously. "I +want none of it." + +"Because you are now earning an honest living," Benton sneered. + +"Yes--and Il Passero knows it!" was Cataldi's bold reply. + +"Then you refuse to tell me anything you know concerning the events of +that night at the Villa Amette?" + +"Yes," he snapped. "Take your money, and leave me in peace!" + +"And I have come all the way from England to see you," remarked the +disappointed man. + +"Be extremely careful. You have enemies, so have I. They are the same +as those who denounced the signorino to the police--as they will no +doubt, before long, denounce you!" said the old man. + +"Bah! You always were a pessimist, Giulio," Benton laughed. "I do not +fear any enemies--I assure you. The Sparrow takes good care that we +are prevented from falling into any traps the police may set," he +added after a moment's pause. + +The old waiter shook his head dubiously. + +"One day there may be a slip--and it will cost you all very dearly," +he said. + +"You are in a bad mood, Giulio--like all those who exist by being +honest," Benton laughed, though he was extremely annoyed at his +failure to learn anything from the old fellow. + +Was it possible that the suspicions which both Molly and he had +entertained were true--namely, that the old man had attempted to kill +his mistress? After all, the hue-and-cry had been raised by the police +merely because Hugh Henfrey had fled and successfully escaped. + +Benton, after grumbling because the old man would make no statement, +and again hinting at the fact that he might be the culprit, left with +very ill grace, his long journey from London having been in vain. + +If Henfrey was to be free to marry Louise, then his innocence must +first be proved. Charles Benton had for many weeks realized that his +chance of securing old Mr. Henfrey's great fortune was slowly slipping +from him. Once Hugh had married Louise and settled the money upon her, +then the rest would be easy. He had many times discussed it with +Molly, and they were both agreed upon a vile, despicable plot which +would result in the young man's sudden end and the diversion of his +father's fortune. + +The whole plot against old Mr. Henfrey was truly one of the most +elaborate and amazing ones ever conceived by criminal minds. + +Charles Benton was a little too well known in Nice, hence he took care +to leave the place by an early train, and went on to Cannes, where he +was a little less known. As an international crook he had spent +several seasons at Nice and Monte Carlo, but had seldom gone to +Cannes, as it was too aristocratic and too slow for an /escroc/ like +himself. + +Arrived at Cannes he put up at the Hotel Beau Site, and that night ate +an expensive dinner in the restaurant at the Casino. Then, next day, +he took the /train-de-luxe/ direct for Calais, and went on to London, +all unconscious of the sensational events which were then happening. + +On arrival in London he found a telegram lying upon his table among +some letters. It was signed "Shaw," and urged him to meet him "at the +usual place" at seven o'clock in the evening. "I know you are away, +but I'll look in each night at seven," it concluded. + +It was just six o'clock, therefore Benton washed and changed, and just +before seven o'clock entered a little cafe off Wardour Street, +patronized mostly by foreigners. At one of the tables, sitting alone, +was a wiry-looking, middle-aged man--Mr. Howell, The Sparrow's friend. + +"Well?" asked Howell, when a few minutes later they were walking along +Wardour Street together. "How did you get on in Nice?" + +"Had my journey for nothing." + +"Wouldn't the old man tell anything?" asked Howell eagerly. + +"Not a word," Benton replied. "But my firm opinion is that he himself +tried to kill Yvonne--that he shot her." + +"Do you really agree with me?" gasped Howell excitedly. "Of course, +there has, all along, been a certain amount of suspicion against him. +The police were once on the point of arresting him. I happen to know +that." + +"Well, my belief is that young Henfrey is innocent. I never thought so +until now." + +"Then we must prove Cataldi guilty, and Henfrey can marry Louise," +Howell said. "But the reason I wanted to get in touch with you is that +the police went to Shapley." + +"To Shapley!" gasped Benton. + +"Yes. They went there the night you left London. Evidently somebody +has given you away!" + +"Given me away! Who in the devil's name can it be? If I get to know +who the traitor is I--I'll--by gad, I'll kill him. I swear I will!" + +"Who knows? Some secret enemy of yours--no doubt. Molly has been +arrested and has been up at Bow Street. They also arrested Louise, but +there being no charge against her, she has been released. I've sent +her up to Cambridge--to old Mrs. Curtis. I thought she'd be quite +quiet and safe there for a time." + +"But Molly arrested! What's the charge?" + +"Theft. An extradition warrant from Paris. That jeweller's affair in +the Rue St. Honore, eighteen months ago." + +"Well, I hope they won't bring forward other charges, or it will go +infernally bad with her. What has The Sparrow done?" + +"He's abroad somewhere--but I've had five hundred pounds from an +unknown source to pay for her defence. I saw the solicitors. +Brigthorne, the well-known barrister, appeared for her." + +"But all this is very serious, my dear Howell," Benton declared, much +alarmed. + +"Of course it is. You can't marry the girl to young Henfrey until he +is proved innocent, and that cannot be until the guilt is fixed upon +the crafty old Giulio." + +"Exactly. That's what we must do. But with Molly arrested we shall be +compelled to be very careful," said Benton, as they turned toward +Piccadilly Circus. "I don't see how we dare move until Molly is either +free or convicted. If she knew our game she might give us away. +Remember that if we bring off the Henfrey affair Molly has to have a +share in the spoils. But if she happens to be in a French prison she +won't get much chance--eh?" + +"If she goes it will be ten years, without a doubt," Howell remarked. + +"Yes. And in the meantime much can happen--eh?" laughed Benton. + +"Lots. But one reassuring fact is that, as far as old Henfrey's fate +is concerned, Mademoiselle's lips are closed. Whoever shot her did us +a very good turn." + +"Of course. But I agree we must fix the guilt upon old Cataldi. He +almost as good as admitted it by his face when I taxed him with it. +Why not give him away to the Nice police?" + +"No, not yet. Certainly not," exclaimed Howell. + +"It's a pity The Sparrow does not know about the Henfrey business. He +might help us. Dare we tell him? What do you think?" + +"Tell him! Good Heavens! No! Surely you are fully aware how he always +sets his face against any attempt upon human life, and no one who has +taken life has ever had his forgiveness," said Howell. "The Sparrow is +our master--a fine and marvellous mind which has no equal in Europe. +If he had gone into politics he could have been the greatest statesman +of the age. But he is Il Passero, the man who directs affairs of every +kind, and the man at the helm of every great enterprise. Yet his one +fixed motto is that life shall not be taken." + +"But in old Henfrey's case we acted upon our own initiative," remarked +Benton. + +"Yes. Yours was a wonderfully well-conceived idea. And all worked +without a hitch until young Henfrey's visit to Monte Carlo, and his +affection for that girl Ranscomb." + +"We are weaning him away from her," Benton said. "At last the girl's +suspicions are excited, and there is just that little disagreement +which, broadening, leads to the open breach. Oh! my dear Howell, how +could you and I live if it were not for that silly infection called +love? In our profession love is all-conquering. Without it we could +make no progress, no smart coups, no conquests of women who afterwards +shed out to us money which at the assizes they would designate by the +ugly word 'blackmail.'" + +"Ah! Charles. You were always a philosopher," laughed his companion-- +the man who was a bosom friend of The Sparrow. "But it carries us no +nearer. We must, at all costs, fix the hand that shot Yvonne." + +"Giulio shot her--without a doubt!" was Benton's quick reply. + +They were standing together on the kerb outside the Tube station at +Piccadilly Circus as Benton uttered the words. + +"Well, my dear fellow, then let us prove it," said Howell. "But not +yet, remember. We must first see how it goes with Molly. She must be +watched carefully. Of course, I agree that Giulio Cataldi shot Yvonne. +Later we will prove that fact, but the worst of it is that the French +police are hot on the track of young Henfrey." + +"How do you know that?" asked his companion quickly. + +"Well," he answered, after a second's hesitation, "I heard so two days +ago." + +Then Howell, pleading an urgent meeting with a mutual friend, also a +crook like themselves, grasped the other's hand, and they parted. + + + + TWENTY-SIXTH CHAPTER + + LISETTE'S DISCLOSURES + +At ten o'clock on the morning that Hugh Henfrey left Avignon for +Paris, The Sparrow stood at the window of his cozy little flat in the +Rue des Petits Champs, where he was known to his elderly housekeeper-- +a worthy old soul from Yvetot, in the north--as Guillaume Gautier. + +The house was one of those great old ones built in the days of the +First Empire, with a narrow entrance and square courtyard into which +the stage coaches with postilions rumbled before the days of the +P.L.M. and aircraft. In the Napoleonic days it had been the residence +of the Dukes de Vizelle, but in modern times it had been converted +into a series of very commodious flats. + +The Sparrow, sprightly and alert, stood, after taking his /cafe au +lait/, looking down into the courtyard. He had been reading through +several letters and telegrams which had caused him some perturbation. + +"They are playing me false!" he muttered, as he gazed out of the +window. "I'm certain of it--quite certain! But, Gad! If they do I'll +be even with them! Who could have given Henfrey away in London--/and +why/?" + +He paced the length of the room, his teeth hard set and his hands +clenched. + +"I thought they were all loyal after what I have done for them--after +the fortunes I have put into their pockets. Fancy! One of them a well- +known member of Parliament--another a director of one of the soundest +insurance companies! Nobody suspects the really great crooks. It is +only the little clumsy muddlers whom the police catch and the judge +makes examples of!" + +Then crossing back to the window, he said aloud: + +"Lisette ought to be here! She was due in from Toulouse at nine +o'clock. I hope nothing further has happened. One thing is +satisfactory--young Henfrey is safe." + +As a matter of fact, the girl had spoken to The Sparrow from her hotel +in Toulouse late on the previous night, and told him that her "friend +Hugh" was in Marseilles. + +Even to the master criminal the whole problem was increasingly +complicated. He could not prove the innocence of young Henfrey, +because of the mysterious, sinister influence being brought to bear +against him. He had interested himself in aiding the young fellow to +evade arrest, because he had no desire that there should be a trial in +which he and his associates might be implicated. + +The Sparrow hated trials of any sort. With him silence was golden, and +very wisely he would pay any sum rather than court publicity. + +Half an hour went past, but the girl he expected did not put in an +appearance. + +Monsieur Gautier--the man with the gloved hand--was believed by his +old housekeeper to be a rich and somewhat eccentric bachelor, who was +interested in old clocks and antique silver, and who travelled +extensively in order to purchase fine specimens. Indeed it was by that +description he was registered in the archives of the Surete, with the +observation that notwithstanding his foreign name he was an Englishman +of highest standing. + +It was never dreamed that the bristly-haired alert little man, who was +so often seen in the salerooms of Paris when antique silver was being +sold, was the notorious Sparrow. + +Lisette's failure to arrive considerably disturbed him. He hoped that +nothing had happened to her. Time after time, he walked to the window +and looked out eagerly for her to cross the courtyard. In those rooms +he sometimes lived for weeks in safe obscurity, his neighbours +regarding him as a man of the greatest integrity, though a trifle +eccentric in his habits. + +At last, just before eleven, he saw Lisette's smart figure in a heavy +travelling coat crossing the courtyard, and a few moments later she +was shown into his room. + +"You're late!" the old man said, as soon as the door was closed. "I +feared that something had gone wrong! Why did you leave Madrid? What +has happened?" he asked eagerly. + +"Happened!" she echoed in French. "Why, very nearly a disaster! +Someone has given us away--at least, Monsieur Henfrey was given away +to the police!" + +"Not arrested?" he asked breathlessly. + +"No. We all three managed to get away--but only just in time! I had a +wire to-night from Monsieur Tresham, telling me guardedly that within +an hour or so after we left Madrid the police called at my hotel--and +at Henfrey's." + +"Who can have done that?" asked The Sparrow, his eyes narrowing in +anger, his gloved hand clenched. + +"Your enemy--and mine!" was the girl's reply. "Franklyn is in +Switzerland. Monsieur Henfrey is in Marseilles--at the Louvre et Paix +--and I am here." + +"Then we have a secret enemy--eh?" + +"Yes--and he is not very far to seek. Monsieur Howell has done this!" + +"Howell! He would never do such a thing, my dear mademoiselle," +replied the gloved man, smiling. + +"Oh! wouldn't he? I would not trust either Benton or Howell!" + +"I think you are mistaken, mademoiselle. They have never shown much +friendship towards each other." + +"They are close friends as far as concerns the Henfrey affair," +declared mademoiselle. "I happen to know that it was Howell who +prepared the old man's will. It is in his handwriting, and his +manservant, Cooke, is one of the witnesses." + +"What? /You know about that will, Lisette?/ Tell me everything." + +"Howell himself let it out to me. They were careful that you should +not know. At the time I was in London with Franklyn and Benton over +the jewels of that ship-owner's wife, I forget her name--the affair in +Carlton House Terrace." + +"Yes. I recollect. A very neat piece of business." + +"Well--Howell told me how he had prepared the will, and how Benton, +who was staying with old Mr. Henfrey away in the country, got him to +put his signature to it by pretending it to be for the purchase of a +house at Eltham, in Kent. The house was, indeed, purchased at Benton's +suggestion, but the signature was to a will which Howell's man, Cooke, +and a friend of his, named Saunders, afterwards witnessed, and which +has now been proved--the will by which the young man is compelled to +marry Benton's adopted daughter before he inherits his father's +estates." + +"You actually know this?" + +"Howell told me so with his own lips." + +"Then why is young Henfrey being made the victim?" asked The Sparrow +shrewdly. "Why, indeed, have you not revealed this to me before?" + +"Because I had no proof before that Howell is /our/ enemy. He has now +given us away. He has some motive. What is it?" + +The bristly-haired little man of twenty names and as many +individualities pondered for a moment. It was evident that he was both +apprehensive and amazed at the suggestion the pretty young French girl +had placed before him. + +When one finds a betrayer, then in order to fix his guilt it becomes +necessary to discover the motive. + +The Sparrow was in a quandary. Seldom was he in such a perturbed state +of mind. He and his accomplices could always defy the police. It was +not the first time in his career, however, that he had found a traitor +in his camp. If Howell was really a traitor, then he would pay dearly +for it. Three times within the last ten years there had been traitors +in the great criminal organization. One was a Dutchman; the second was +a Greek; and the third a Swiss. Each died--for dead men tell no tales. + +The Sparrow ordered some /cafe noir/ from his housekeeper and produced +a particularly seductive brand of liqueur, which mademoiselle took-- +together with a cigarette. + +Then she left, he giving her the parting injunction: + +"It is probable that you will go to Marseilles and meet young Henfrey. +I will think it all over. You will have a note from me at the Grand +Hotel before noon to-morrow." + + + + TWENTY-SEVENTH CHAPTER + + THE INQUISITIVE MR. SHRIMPTON + +An hour later Hugh stood in The Sparrow's room, and related his +exciting adventure in Marseilles and on the high road. + +"H'm!" remarked the man with the gloved hand. "A very pretty piece of +business. The police endeavoured to mislead you, and you, by a very +fortunate circumstance, suspected. That cigarette, my dear young +friend, stood you in very good stead. It was fortunate that I gave it +to you." + +"By this time the driver of the car has, of course, recovered and told +his story," Hugh remarked. + +"And by this time the police probably know that you have come to +Paris," remarked The Sparrow. "Now, Mr. Henfrey, only an hour ago I +learnt something which has altered my plans entirely. There is a +traitor somewhere--somebody has given you away." + +"Who?" + +"At present I have not decided. But we must all be wary and watchful," +was The Sparrow's reply. "In any case, it is a happy circumstance that +you saw through the ruse of the police to get you to Cette. First the +Madrid police were put upon your track, and then, as you eluded them, +the Marseilles police were given timely information--a clever trap," +he laughed. "I admire it. But at Marseilles they are even more shrewd +than in Paris. Maillot, the /chef de la Surete/ at Marseilles, is a +really capable official. I know him well. A year ago he dined with me +at the Palais de la Bouillabaisse. I pretended that I had been the +victim of a great theft, and he accepted my invitation. He little +dreamed that I was Il Passero, for whom he had been spreading the net +for years!" + +"You are really marvellous, Mr. Peters," remarked Hugh. "And I have to +thank you for the way in which you have protected me time after time. +Your organization is simply wonderful." + +The man with the black glove laughed. + +"Nothing really wonderful," he said. "Those who are innocent I +protect, those who are traitors I condemn. And they never escape me. +We have traitors at work now. It is for me to fix the identity. And in +this you, Mr. Henfrey, must help me. Have you heard from Miss +Ranscomb?" + +"No. Not a word," replied the young man. "I dare not write to her." + +"No, don't. A man from Scotland Yard went to see her. So it is best to +remain apart--my dear boy--even though that unfortunate +misunderstanding concerning Louise Lambert has arisen between you." + +"But I am anxious to put it right," the young fellow said. "Dorise +misjudges me." + +"Ah! I know. But at present you must allow her to think ill of you. +You must not court arrest. We now know that you have enemies who +intend you to be the victim, while they reap the profit," said The +Sparrow kindly. "Leave matters to me and act at my suggestion." + +"That I certainly will," Hugh replied. "You have never yet advised me +wrongly." + +"Ah! I am not infallible," laughed the master criminal. + +Then he rose, and crossing to the telephone, he inquired for the Grand +Hotel. After a few minutes he spoke to Mademoiselle Lisette, telling +her that she need not go to Marseilles, and asking her to call upon +him again at nine o'clock that night. + +"Monsieur Hugh has returned from the south," he added. "He is anxious +to see you again." + +"/Tres bien, m'sieur/," answered the smart Parisienne. "I will be +there. But will you not dine with me--eh? At Vian's at seven. You know +the place." + +"Mademoiselle Lisette asks us to dine with her at Vian's," The Sparrow +said, turning to Hugh. + +"Yes, I shall be delighted," replied the young man. + +So The Sparrow accepted the girl's invitation. + +On that same morning, Dorise Ranscomb had, after breakfast, settled +herself to write some letters. Her mother had gone to Warwickshire for +the week-end, and she was alone with the maids. + +The whole matter concerning Hugh puzzled her. She could not bring +herself to a decision as to his innocence or his guilt. + +As she sat writing in the morning-room, the maid announced that Mr. +Shrimpton wished to see her. + +She started at the name. It was the detective inspector from Scotland +Yard who had called upon her on a previous occasion. + +A few moments afterwards he was shown in, a tall figure in a rough +tweed suit. + +"I really must apologize, Miss Ranscomb, for disturbing you, but I +have heard news of Mr. Henfrey. He has been in Marseilles. Have you +heard from him?" + +"Not a word," the girl replied. "And, Mr. Shrimpton, I am growing very +concerned. I really can't think that he tried to kill the young +Frenchwoman. Why should he?" + +"Well, because she had connived at his father's death. That seems to +be proved." + +"Then your theory is that it was an act of vengeance?" + +"Exactly, Miss Ranscomb. That is our opinion, and a warrant being out +for his arrest both in France and in England, we are doing all we can +to get him." + +"But are you certain?" asked the girl, much distressed. "After all, +though on the face of things it seems that there is a distinct motive, +I do not think that Hugh would be guilty of such a thing." + +"Naturally. Forgive me for saying so, miss, but I quite appreciate +your point of view. If I were in your place I should regard the matter +in just the same light. I, however, wondered whether you had heard +news of him during the last day or two." + +"No. I have heard nothing." + +"And," he said, "I suppose if you did hear, you would not tell me?" + +"That is my own affair, Mr. Shrimpton," she replied resentfully. "If +you desire to arrest Mr. Henfrey it is your own affair. Why do you ask +me to assist you?" + +"In the interests of justice," was the inspector's reply. + +"Well," said the girl, very promptly, "I tell you at once that I +refuse to assist you in your endeavour to arrest Mr. Henfrey. Whether +he is guilty or not guilty I have not yet decided." + +"But he must be guilty. There was the motive. He shot the woman who +had enticed his father to his death." + +"And how have you ascertained that?" + +"By logical deduction." + +"Then you are trying to convict Mr. Henfrey upon circumstantial +evidence alone?" + +"Others have gone to the gallows on circumstantial evidence--Crippen, +for instance. There was no actual witness of his crime." + +"I fear I must allow you to continue your investigations, Mr. +Shrimpton," she said coldly. + +"But your lover has deceived you. He was staying down in Surrey with +the girl, Miss Lambert, as his fellow-guest." + +"I know that," was Dorise's reply. "But I have since come to the +conclusion that my surmise--my jealousy if you like to call it so--is +unfounded." + +"Ah! then you refuse to assist justice?" + +"No, I do not. But knowing nothing of the circumstances I do not see +how I can assist you." + +"But no doubt you know that Mr. Henfrey evaded us and went away--that +he was assisted by a man whom we know as The Sparrow." + +"I do not know where he is," replied the girl with truth. + +"But you know The Sparrow," said the detective. "You admitted that you +had met him when I last called here." + +"I have met him," she replied. + +"Where does he live?" + +She smiled, recollecting that even though she had quarrelled with +Hugh, the strange old fellow had been his best friend. She remembered +how the White Cavalier had been sent by him with messages to reassure +her. + +"I refuse to give away the secrets of my friends," she responded a +trifle haughtily. + +"Then you prefer to shield the master criminal of Europe?" + +"I have no knowledge that The Sparrow is a criminal." + +"Ask the police of any city in Europe. They will tell you that they +have for years been endeavouring to capture Il Passero. Yet so +cleverly is his gang organized that never once has he been betrayed. +All his friends are so loyal to him." + +"Yet you want me to betray him!" + +"You are not a member of the gang of criminals, Miss Ranscomb," +replied Shrimpton. + +"Whether I am or not, I refuse to say a word concerning anyone who has +been of service to me," was her stubborn reply. And with that the man +from the Criminal Investigation Department had to be content. + +Even then, Dorise was not quite certain whether she had misjudged the +man who loved her so well, but who was beneath a cloud. She had acted +hastily in writing that letter, she felt. Yet she had successfully +warned him of his peril, and he had been able to extricate himself +from the net spread for him. + +It was evident that The Sparrow, who was her friend and Hugh's, was a +most elusive person. + +She recollected the White Cavalier at the ball at Nice, and how she +had never suspected him to be the deputy of the King of the +Underworld--the man whose one hand was gloved. + +Within half an hour of the departure of her visitor from Scotland +Yard, the maid announced Mr. Sherrard. + +Dorise, with a frown, arose from her chair, and a few seconds later +faced the man who was her mother's intimate friend, and who daily +forced his unwelcome attentions upon her. + +"Your mother told me you would be alone, Dorise," he said in his +forced manner of affected elegance. "So I just dropped in. I hope I'm +not worrying you." + +"Oh! not at all," replied the girl, sealing a letter which she had +just written. "Mother has gone to Warwickshire, and I'm going out to +lunch with May Petheridge, an old schoolfellow of mine." + +"Oh! Then I won't keep you," said the smug lover of Lady Ranscomb's +choice. He was one of those over-dressed fops who haunted the lounges +of the Ritz and the Carlton, and who scraped acquaintance with anybody +with a title. At tea parties he would refer to Lord This and Lady That +as intimate friends, whereas he had only been introduced to them by +some fat wife of a fatter profiteer. + +Sherrard saw that Dorise's attitude was one of hostility, but with his +superior overbearing manner he pretended not to notice it. + +"You were not at Lady Oundle's the night before last," he remarked, +for want of something better to say. "I went there specially to meet +you, Dorise." + +"I hate Lady Oundle's dances," was the girl's reply. "Such a lot of +fearful old fogies go there." + +"True, but a lot of your mother's friends are in her set." + +"I know. But mother always avoids going to her dances if she possibly +can. We had a good excuse to be away, as mother was packing." + +"Elise was there," he remarked. + +"And you danced with her, of course. She's such a ripping dancer." + +"Twice. When I found you were not there I went on to the club," he +replied, with his usual air of boredom. "When do you expect your +mother back?" + +"Next Tuesday. I'm going down to Huntingdon to-morrow to stay with the +Fishers." + +"Oh! by the way," he remarked suddenly. "Tubby Hall, who is just back +from Madrid, told me in the club last night that he'd seen your friend +Henfrey in a restaurant there with a pretty French girl." + +"In Madrid!" echoed Dorise, for she had no idea of her lover's +whereabouts. "He must have been mistaken surely." + +"No. Tubby is an old friend of Henfrey's. He says that he and the girl +seemed to be particularly good friends." + +Dorise hesitated. + +"You tell me this in order to cause me annoyance!" she exclaimed. + +"Not at all. I've only told you what Tubby said." + +"Did your friend speak to Mr. Henfrey?" + +"I think not. But I really didn't inquire," Sherrard replied, not +failing, however, to note how puzzled she was. + +Lady Ranscomb was already assuring him that the girl's affection for +the absconding Henfrey would, sooner or later, fade out. More than +once he and she had held consultation concerning the proposed +marriage, and more than once Sherrard had been on the point of +withdrawing from the contest for the young girl's heart. But her +mother was never tired of bidding him be patient, and saying that in +the end he would obtain his desire. + +Sherrard, however, little dreamed how great was Dorise's love for +Hugh, and how deeply she regretted having written that hasty letter to +Shapley. + +Yet one of Hugh's friends had met him in Madrid in company with what +was described as a pretty young French girl! + +What was the secret of it all? Was Hugh really guilty of the attempt +upon the notorious Mademoiselle? If not, why did he not face the +charge like a man? + +Such were her thoughts when, an hour later, her mother's car took her +out to Kensington to lunch with her old school friend who was on the +point of being married to a man who had won great distinction in the +Air Force, and whose portrait was almost daily in the papers. + +Would she ever marry Hugh, she wondered, as she sat gazing blankly out +upon the London traffic. She would write to him, but, alas! she knew +neither the name under which he was going, nor his address. + +And a telephone message to Mr. Peters's house had been answered to the +effect that the man whose hand was gloved was abroad, and the date of +his return uncertain. + + + + TWENTY-EIGHTH CHAPTER + + THE SPARROW'S NEST + +Mademoiselle Lisette met her two guests at Vian's small but exclusive +restaurant in the Rue Daunou, and all three had a merry meal together. +Afterwards The Sparrow smoked a good cigar and became amused at the +young girl's chatter. + +She was a sprightly little person, and had effectively brought off +several highly successful coups. Before leaving his cosy flat in the +Rue des Petits Champs, The Sparrow had sat for an hour calmly +reviewing the situation in the light of what Lisette had told him and +of Hugh's exciting adventure on the Arles road. + +That he had successfully escaped from a very clever trap was plain, +but who was the traitor? Who, indeed, had fired that shot which, +failing to kill Yvonne, had unbalanced her brain so that no attention +could be paid to her wandering remarks? + +He had that morning been on the point of trying to get into touch with +his friend Howell, but after Lisette's disclosures, he was very glad +that he had not done so. His master-mind worked quickly. He could sum +up a situation and act almost instantly where other men would be +inclined to waver. But when The Sparrow arrived at a decision it was +unalterable. All his associates knew that too well. Some of them +called him stubborn, but they had to agree that he was invariably +right in his suspicions and conclusions. + +He had debated whether he should tell Hugh what Lisette had alleged +concerning the forgery of his father's will, but had decided to keep +the matter to himself and see what further proof he could obtain. +Therefore he had forbidden the girl to tell Henfrey anything, for, +after all, it was quite likely that her statements could not be +substantiated. + +After their coffee all three returned to the Rue des Petits Champs +where Lisette, merry and full of vivacity, joined them in a cigarette. + +The Sparrow had been preoccupied and thoughtful the whole evening. But +at last, as they sat together, he said: + +"We shall all three go south to-morrow--to Nice direct." + +"To Nice!" exclaimed Lisette. "It is hardly safe--is it?" + +"Yes. You will leave by the midday train from the Gare de Lyon--and go +to Madame Odette's in the boulevard Gambetta. I may want you. We shall +follow by the /train-de-luxe/. It is best that Mr. Henfrey is out of +Paris. The Surete will certainly be searching for him." + +Then, turning to Hugh, he told him that he had better remain his guest +that night, and in the morning he would buy him another suit, hat and +coat. + +"There will not be so much risk in Nice as here in Paris," he added. +"After all, we ought not to have ventured out to Vian's." + +Later he sat down, and after referring to a pocket-book containing +certain entries, he scribbled four cryptic telegrams which were, +apparently, Bourse quotations, but when read by their addressees were +of quite a different character. + +He went out and himself dispatched these from the office of the Grand +Hotel. He never entrusted his telegrams of instructions to others. + +When he returned ten minutes later he took up /Le Soir/, and searching +it eagerly, suddenly exclaimed: + +"Ah! Here it is! Manfield has been successful and got away all right +with the German countess's trinkets!" + +And with a laugh he handed the paper to Lisette, who read aloud an +account of a daring robbery in one of the best hotels in Cologne-- +jewels valued at a hundred thousand marks having mysteriously +disappeared. International thieves were suspected, but the Cologne +police had no clue. + +"M'sieur Manfield is always extremely shrewd. He is such a real +ladies' man," laughed Lisette, using some of the /argot/ of the +Montmartre. + +"Yes. Do you recollect that American, Lindsay--with whom you had +something to do?" + +"Oh, yes, I remember. I was in London and we went out to dinner +together quite a lot. Manfield was with me and we got from his +dispatch-box the papers concerning that oil well at Baku. The company +was started later on in Chicago, and only two months ago I received my +dividend." + +"Teddy Manfield is a very good friend," declared the man with the +gloved hand. "Birth and education always count, even in these days. To +any ex-service man I hold out my hand as the unit who saved us from +becoming a German colony. But do others? I make war upon those who +have profited by war. I have never attacked those who have remained +honest during the great struggle. In the case of dog-eat-dog I place +myself on the side of the worker and the misled patriot--not only in +Britain, but in all the countries of the Allies. If members of the +Allied Governments are profiteers what can the man-in-the-street +expect of the poor little scraping-up tradesman oppressed by taxation +and bewildered by waste? But there!" he added, "I am no politician! My +only object is to solve the mystery of who shot poor Mademoiselle +Yvonne." + +The pretty decoy of the great association of /escrocs/ smoked another +cigarette, and gazed into the young man's face. Sometimes she +shuddered when she reflected upon all she knew concerning his father's +unfortunate end, and of the cleverly concocted will by which he was to +marry Louise Lambert, and afterwards enjoy but a short career. + +Fate had made Lisette what she was--a child of fortune. Her own life +would, if written, form a strange and sensational narrative. For she +had been implicated in a number of great robberies which had startled +the world. + +She knew much of the truth of the Henfrey affair, and she had now +decided to assist Hugh to vanquish those whose intentions were +distinctly evil. + +At last she rose and wished them /bon soir/. + +"I shall leave the Gare de Lyon at eleven fifty-eight to-morrow, and +go direct to Madame Odette's in Nice," she said. + +"Yes. Remain there. If I want you I will let you know," answered The +Sparrow. + +And then she descended the stairs and walked to her hotel. + +Next evening Hugh and The Sparrow, both dressed quite differently, +left by the Riviera /train-de-luxe/. As The Sparrow lay that night in +the /wagon-lit/ he tried to sleep, but the roar and rattle of the +train prevented it. Therefore he calmly thought out a complete and +deliberate plan. + +From one of his friends in London he had had secret warning that the +police, on the day he left Charing Cross, had descended upon Shapley +Manor and had arrested Mrs. Bond under a warrant applied for by the +French police, and he also knew that her extradition for trial in +Paris had been granted. + +That there was a traitor in the camp was proved, but happily Hugh +Henfrey had escaped just in time. + +For himself The Sparrow cared little. He seemed to be immune from +arrest, so cleverly did he disguise his true identity; yet now that +some person had revealed his secrets, what more likely than the +person, whoever it was, would also give him away for the sake of the +big reward which he knew was offered for his apprehension. + +Before leaving Paris that evening he had dispatched a telegram, a +reply to which was handed him in the train when it stopped at Lyons +early next morning. + +This decided him. He sent another telegram and then returned to where +Hugh was lying half awake. When they stopped at Marseilles, both men +were careful not to leave the train, but continued in it, arriving at +the great station of Nice in the early afternoon. + +They left their bags at a small hotel just outside the station, and +taking a cab, they drove away into the old town. Afterwards they +proceeded on foot to the Rue Rossetti, where they climbed to the flat +occupied by old Giulio Cataldi. + +The old fellow was out, but the elderly Italian woman who kept house +for him said she expected him back at any moment. He was due to come +off duty at the cafe where he was employed. + +So Hugh and his companion waited, examining the poorly-furnished +little room. + +Now The Sparrow entertained a strong suspicion that Cataldi knew more +of the tragedy at the Villa Amette than anyone else. Indeed, of late, +it had more than once crossed his mind that he might be the actual +culprit. + +At last the door opened and the old man entered, surprised to find +himself in the presence of the master criminal, The Sparrow, whom he +had only met once before. + +He greeted his visitors rather timidly. + +After a short chat The Sparrow, who had offered the old man a +cigarette from a cheap plated case much worn, began to make certain +inquiries. + +"This is a very serious and confidential affair, Cataldi," he said. "I +want to know the absolute truth--and I must have it." + +"I know it is serious, signore," replied the old man, much perturbed +by the unexpected visit of the king of the underworld, the elusive +Sparrow of whom everyone spoke in awe. "But I only know one or two +facts. I recognize Signor Henfrey." + +"Ah! Then you know me!" exclaimed Hugh. "You recognized me on that +night at the Villa Amette, when you opened the door to me." + +"I do, signore. I recollect everything. It is all photographed upon my +memory. Poor Mademoiselle! You questioned her--as a gentleman would-- +and you demanded to know about your father's death. She prevaricated-- +and----" + +"Then you overheard it?" said Hugh. + +"Yes, I listened. Was I not Mademoiselle's servant? On that night she +had won quite a large sum at the Rooms, and she had given me--ah! she +was always most generous--five hundred francs--twenty pounds in your +English money. And they were acceptable in these days of high prices. +I heard much. I was interested. Mademoiselle was my mistress whom I +had served faithfully." + +"You wondered why this young Englishman should call upon her at that +hour?" said The Sparrow. + +"I did. She never received visitors after her five o'clock tea. It was +the habit at the Villa Amette to lunch at one o'clock, English tea at +five o'clock, and dinner at eight--when the Rooms were slack save for +the tourists from seven till ten. Strange! The tourists always think +they can win while the gambling world has gone to its meals! They get +seats, it is true, but they always lose." + +"Yes," replied The Sparrow. "It is a strange fact that the greatest +losses are sustained by the players when the Rooms are most empty. +Nobody has yet ever been able to account for it." + +"And yet it is so," declared old Cataldi. "I have watched it day by +day. But poor Mademoiselle! What can we do to solve the mystery?" + +"Were you not with Mademoiselle and Mr. Benton when you both brought +off that great coup in the Avenue Louise, in Brussels?" asked The +Sparrow. + +"Yes, signore," said the old man. "But I do not wish to speak of it +now." + +"Quite naturally. I quite appreciate it. Since Mademoiselle's--er-- +accident you have, I suppose, been leading an honest life?" + +"Yes. I have tried to do so. At present I am a cafe waiter." + +"And you can tell me nothing further regarding the affair at the Villa +Amette?" asked The Sparrow, eyeing him narrowly. + +"I regret, signore, I can tell you nothing further," replied the +staid, rather sad-looking old man; "nothing." And he sighed. + +"Why?" asked the man whose tentacles were, like an octopus, upon a +hundred schemes, and as many criminal coups in Europe. He sought a +solution of the problem, but nothing appeared forthcoming. + +He had strained every effort, but he could ascertain nothing. + +That Cataldi knew the key to the whole problem The Sparrow felt +assured. Yet why did not the old fellow tell the truth? + +At last The Sparrow rose and left, and Hugh followed him. Both were +bitterly disappointed. The old man refused to say more than that he +was ignorant of the whole affair. + +Cataldi's attitude annoyed the master criminal. + +For three days he remained in Nice with Hugh, at great risk of +recognition and arrest. + +On the fourth day they went together in a hired car along the winding +road across the Var to Cannes. + +At a big white villa a little distance outside the pretty winter town +of flowers and palms, they halted. The house, which was on the Frejus +road, was once the residence of a Russian prince. + +With The Sparrow Hugh was ushered into a big, sunny room overlooking +the beautiful garden where climbing geraniums ran riot with carnations +and violets, and for some minutes they waited. From the windows spread +a wide view of the calm sapphire sea. + +Then suddenly the door opened. + + + + TWENTY-NINTH CHAPTER + + THE STORY OF MADEMOISELLE + +Both men turned and before them they saw the plainly dressed figure of +a beautiful woman, and behind her an elderly, grey-faced man. + +For a few seconds the woman stared at The Sparrow blankly. Then she +turned her gaze upon Hugh. + +Her lips parted. Suddenly she gave vent to a loud cry, almost of pain, +and placing both hands to her head, gasped: + +/"Dieu!"/ + +It was Yvonne Ferad. And the cry was one of recognition. + +Hugh dashed forward with the doctor, for she was on the point of +collapse at recognizing them. But in a few seconds she recovered +herself, though she was deathly pale and much agitated. + +"Yvonne!" exclaimed The Sparrow in a low, kindly voice. "Then you know +who we really are? Your reason has returned?" + +"Yes," she answered in French. "I remember who you are. Ah! But--but +it is all so strange!" she cried wildly. "I--I--I can't think! At +last! Yes. I know. I recollect! You!" And she stared at Hugh. "You-- +you are /Monsieur Henfrey/!" + +"That is so, mademoiselle." + +"Ah, messieurs," remarked the elderly doctor, who was standing behind +his patient. "She recognized you both--after all! The sudden shock at +seeing you has accomplished what we have failed all these months to +accomplish. It is efficacious only in some few cases. In this it is +successful. But be careful. I beg of you not to overtax poor +mademoiselle's brain with many questions. I will leave you." + +And he withdrew, closing the door softly after him. + +For a few minutes The Sparrow spoke to Mademoiselle of Monte Carlo +about general things. + +"I have been very ill," she said in a low, tremulous voice. "I could +think of nothing since my accident, until now--and now"--and she gazed +around her with a new interest upon her handsome countenance--"and now +I remember!--but it all seems too hazy and indistinct." + +"You recollect things--eh?" asked The Sparrow in a kindly voice, +placing his hand upon her shoulder and looking into her tired eyes. + +"Yes. I remember. All the past is slowly returning to me. It seems +ages and ages since I last met you, Mr.--Mr. Peters," and she laughed +lightly. "Peters--that is the name?" + +"It is, mademoiselle," he laughed. "And it is a happy event that, by +seeing us unexpectedly, your memory has returned. But the reason Mr. +Henfrey is here is to resume that conversation which was so suddenly +interrupted at the Villa Amette." + +Mademoiselle was silent for some moments. Her face was averted, for +she was gazing out of the window to the distant sea. + +"Do you wish me to reveal to Monsieur Henfrey the--the secret of his +father's death?" she asked of The Sparrow. + +"Certainly. You were about to do so when--when the accident happened." + +"Yes. But--but, oh!--how can I tell him the actual truth when--when, +alas! I am so guilty?" cried the woman, much distressed. + +"No, no, mademoiselle," said Hugh, placing his hand tenderly upon her +shoulder. "Calm yourself. You did not kill my father. Of that I am +quite convinced. Do not distress yourself, but tell me all that you +know." + +"Mr. Peters knows something of the affair, I believe," she said +slowly. "But he never planned it. The whole plot was concocted by +Benton." Then, turning to Hugh, Mademoiselle said almost in her +natural tone, though slightly high-pitched and nervous: + +"Benton, the blackguard, was your father's friend at Woodthorpe. With +a man named Howell, known also as Shaw, he prepared a will which your +father signed unconsciously, and which provided that in the event of +his death you should be cut off from almost every benefit if you did +not marry Louise Lambert, Benton's adopted daughter." + +"But who is Louise actually?" asked Hugh interrupting. + +"The real daughter of Benton, who has made pretence of adopting her. +Of course Louise is unaware of that fact," Yvonne replied. + +Hugh was much surprised at this. But he now saw the reason why Mrs. +Bond was so solicitous of the poor girl's welfare. + +"Now I happened to be in London, and on one of your father's visits to +town, Benton, his friend, introduced us. Naturally I had no knowledge +of the plot which Benton and Howell had formed, and finding your +father a very agreeable gentleman, I invited him to the furnished flat +I had taken at Queen's Gate. I went to the theatre with him on two +occasions, Benton accompanying us, and then your father returned to +the country. One day, about two months later Howell happened to be in +London, and presumably they decided that the plot was ripe for +execution, for they asked me to write to Mr. Henfrey at Woodthorpe, +and suggest that he should come to London, have an early supper with +us, and go to a big charity ball at the Albert Hall. In due course I +received a wire from Mr. Henfrey, who came to London, had supper with +me, Benton and Howell being also present, while Howell's small closed +car, which he always drove himself, was waiting outside to take us to +the ball." + +Then she paused and drew a long breath, as though the recollection of +that night horrified her--as indeed it did. + +"After supper I rose and left the room to speak to my servant for a +moment, when, just as I re-entered, I saw Howell, who was standing +behind Mr. Henfrey's chair, suddenly bend, place his left arm around +your father's neck, and with his right hand press on the nape of the +neck just above his collar. 'Here!' your father cried out, thinking it +was a joke, 'what's the game?' But the last word was scarcely audible, +for he collapsed across the table. I stood there aghast. Howell, +suddenly noticing me, told me roughly to clear out, as I was not +wanted. I demanded to know what had happened, but I was told that it +did not concern me. My idea was that Mr. Henfrey had been drugged, for +he was still alive and apparently dazed. I afterwards heard, however, +that Howell had pressed the needle of a hypodermic syringe containing +a newly discovered and untraceable poison which he had obtained in +secret from a certain chemist in Frankfort, who makes a speciality of +such things." + +"And what happened then?" asked Hugh, aghast and astounded at the +story. + +"Benton and Howell sent me out of the room. They waited for over an +hour. Then Howell went down to the car. Afterwards, when all was +clear, they half carried poor Mr. Henfrey downstairs, placed him in +the car, and drove away. Next day I heard that my guest had been found +by a constable in a doorway in Albemarle Street. The officer, who +first thought he was intoxicated, later took him to St. George's +Hospital, where he died. Afterwards a scratch was found on the palm of +his hand, and the doctors believed it had been caused by a pin +infected with some poison. The truth was, however, that his hand was +scratched in opening a bottle of champagne at supper. The doctors +never suspected the tiny puncture in the hair at the nape of the neck, +and they never discovered it." + +"I knew nothing of the affair," declared The Sparrow, his face clouded +by anger. "Then Howell was the actual murderer?" + +"He was," Yvonne replied. "I saw him press the needle into Mr. +Henfrey's neck, while Benton stood by, ready to seize the victim if he +resisted. Benton and Howell had agreed to kill Mr. Henfrey, compel his +son to marry Louise, and then get Hugh out of the world by one or +other of their devilish schemes. Ah!" she sighed, looking sadly before +her. "I see it all now--everything." + +"Then it was arranged that after I had married Louise I should also +meet with an unexpected end?" + +"Yes. One that should discredit you in the eyes of your wife and your +own friends--an end probably like your father's. A secret visit to +London, and a mysterious death," Mademoiselle replied. + +She spoke quite calmly and rationally. The shock of suddenly +encountering the two persons who had been uppermost in her thoughts +before those terrible injuries to her brain had balanced it again. +Though the pains in her head were excruciating, as she explained, yet +she could now think, and she remembered all the bitterness of the +past. + +"You, M'sieur Henfrey, are the son of my dead friend. You have been +the victim of a great and dastardly conspiracy," she said. "But I ask +your forgiveness, for I assure you that when I invited your father up +from Woodthorpe I had no idea whatever of what those assassins +intended." + +"Benton is already under arrest for another affair," broke in The +Sparrow quietly. "I heard so from London yesterday." + +"Ah! And I hope that Howell will also be punished for his crime," the +handsome woman cried. "Though I have been a thief, a swindler, and a +decoy--ah! yes, I admit it all--I have never committed the crime of +murder. I know, messieurs," she went on--"I know that I am a social +outcast, the mysterious Mademoiselle of Monte Carlo, they call me! But +I have suffered. I have indeed in these past months paid my debt to +Society, and of you, Mr. Henfrey, I beg forgiveness." + +"I forgive you, Mademoiselle," Hugh replied, grasping her slim, white +hand. + +"Mademoiselle will, I hope, meet Miss Ranscomb, Mr. Henfrey's fiancee, +and tell her the whole truth," said The Sparrow. + +"That I certainly will," Yvonne replied. "Now that I can think I shall +be allowed to leave this place--eh?" + +"Of course. I will see after that," said the man known as Mr. Peters. +"You must return to the Villa Amette--for you are still Mademoiselle +of Monte Carlo, remember! Leave it all to me." And he laughed happily. + +"But we are no nearer the solution of the mystery as to who attempted +to kill you, Mademoiselle," Hugh remarked. + +"There can be but one person. Old Cataldi knows who it is," she +answered. + +"Cataldi? Then why has he not told me? I questioned him closely only +the other day," said The Sparrow. + +"For certain reasons," Mademoiselle replied. "He /dare/ not tell the +truth!" + +"Why?" asked Hugh. + +"Because--well----" and she turned to The Sparrow. "You will recollect +the affair we brought off in Brussels at that house of the Belgian +baroness close to the Bois de la Cambre. A servant was shot dead. +Giulio Cataldi shot him in self-defence. But Howell knows of it." + +"Well?" asked The Sparrow. + +"Howell was in Monte Carlo on the night of the attempt upon me. I met +him in the Casino half an hour before I left to walk home. He no doubt +recognized Mr. Henfrey, who was also there, as the son of the man whom +he had murdered, watched him, and followed him up to my villa. He +suspected that Mr. Henfrey's object was to face me and demand an +explanation." + +"Do you really think so?" gasped Hugh. + +"Of that I feel positive. Only Cataldi can prove it." + +"Why Cataldi?" inquired Hugh. + +"See him again and tell him what I have revealed to you," answered +Mademoiselle of Monte Carlo. + +"Who was it who warned me against you by that letter posted in Tours?" + +"It was part of Howell's scheme, no doubt. I have no idea of the +identity of the writer of any anonymous letter. But Howell, no doubt, +saw that if he rid himself of me it would be to his great advantage." + +"Then Cataldi will not speak the truth because he fears Howell?" +remarked the notorious chief of Europe's underworld. + +"Exactly. Now that I can think, I can piece the whole puzzle together. +It is all quite plain. Do you not recollect Howell's curious rifle +fashioned in the form of a walking-stick? When I halted to speak to +Madame Beranger on the steps of the Casino as I came out that night, +he passed me carrying that stick. Indeed, he is seldom without it. By +means of that disguised rifle I was shot!" + +"But you speak of Cataldi. How can he know?" + +"When I entered the house I told him quickly that I believed Howell +was following me. I ordered him to watch. This no doubt he did. He has +ever been faithful to me." + +"Buy why should Howell have attempted to fix his guilt upon Mr. +Henfrey?" asked The Sparrow. "In doing so he was defeating his own +aims. If Mr. Henfrey were sent to prison he could not marry Louise +Lambert, and if he had married Louise he would have benefited Howell! +Therefore the whole plot was nullified." + +"Exactly, m'sieur. Howell attempted to kill me in order to preserve +his secret, fearing that if I told Mr. Henfrey the truth he would +inform the police of the circumstances of his father's assassination. +In making the attempt he defeated his own ends--a fact which he only +realized when too late!" + + + + CONCLUSION + +The foregoing is perhaps one of the most remarkable stories of the +underworld of Europe. + +Its details are set down in full in three big portfolios in the +archives of the Surete in Paris--where the present writer has had +access to them. + +In that bald official narrative which is docketed under the heading +"No. 23489/263--Henfrey" there is no mention of the love affair +between Dorise Ranscomb and Hugh Henfrey of Woodthorpe. + +But the true facts are that within three days of Mademoiselle's +recovery of her mental balance, old Giulio Cataldi made a sworn +statement to the police at Nice, and in consequence two gendarmes of +the Department of Seine et Oise went one night to a small hotel at +Provins, where they arrested the Englishman, Shaw, alias Howell, who +had gone there in what he thought was safe hiding. + +The arrest took place at midnight, but Howell, on being cornered in +his bedroom, showed fight, and raising an automatic pistol, which he +had under his pillow, shot and wounded one of the gendarmes. Whereupon +his companion drew his revolver in self-defence and shot the +Englishman dead. + +Benton, a few months later, was sentenced to forced labour for fifteen +years, while his accomplice, Molly Bond, received a sentence of ten +years. Only one case--that of jewel robbery--was, however, proved +against her. + +Dorise, about six weeks after Mademoiselle Yvonne's explanation, met +her in London, and there she and Hugh became reconciled. Her jealousy +of Louise Lambert disappeared when she knew the actual truth, and she +admired her lover all the more for his generosity in promising, when +the Probate Court had set aside the false will, that he would settle a +comfortable income upon the poor innocent girl. + +This, indeed, he did. + +The Sparrow has never since been traced, though Scotland Yard and the +Surete have searched everywhere for him. But he is far too clever. The +writer believes he is now living in obscurity, but perfectly happy, in +a little village outside Barcelona. He loves the sunshine. + +As for Hugh, he is now happily married to Dorise, and as the Probate +Court has decided that Woodthorpe and the substantial income are his, +he is enjoying all his father's wealth. + +Yvonne Ferad is still Mademoiselle of Monte Carlo. She still lives on +the hill in the picturesque Villa Amette, and is still known to the +habitues of the Rooms as--Mademoiselle of Monte Carlo. + +On most nights in spring she can be seen at the Rooms, and those who +know the truth tell the queer story which I have in the foregoing +pages attempted to relate. + + + + + + + +Project Gutenberg's Mademoiselle of Monte Carlo, by William Le Queux +********This file should be named mdmmc10.txt or mdmmc10.zip******** + +Corrected EDITIONS of our etexts get a new NUMBER, mdmmc11.txt +VERSIONS based on separate sources get new LETTER, mdmmc10a.txt + +Etext prepared by Dagny, dagnypg@yahoo.com + and John Bickers, jbickers@ihug.co.nz + +More information about this book is at the top of this file. + +We are now trying to release all our etexts one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. 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