diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-03-03 20:19:35 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-03-03 20:19:35 -0800 |
| commit | 40602785ba23a963971cf7a42cc4afe0964597b4 (patch) | |
| tree | 7cb1907ec3b9ba9badef09f7b51447edc9efeecb /old | |
| parent | 4c5b9a99c7d8854a77d422023eed907bd826a918 (diff) | |
Diffstat (limited to 'old')
| -rw-r--r-- | old/44146-0.txt | 1436 | ||||
| -rw-r--r-- | old/44146-0.zip | bin | 28336 -> 0 bytes | |||
| -rw-r--r-- | old/44146-h.zip | bin | 1462443 -> 0 bytes | |||
| -rw-r--r-- | old/44146-h/44146-h.htm | 1730 | ||||
| -rw-r--r-- | old/44146-h/images/26.jpg | bin | 205568 -> 0 bytes | |||
| -rw-r--r-- | old/44146-h/images/32.jpg | bin | 184712 -> 0 bytes | |||
| -rw-r--r-- | old/44146-h/images/46.jpg | bin | 145346 -> 0 bytes | |||
| -rw-r--r-- | old/44146-h/images/52.jpg | bin | 236312 -> 0 bytes | |||
| -rw-r--r-- | old/44146-h/images/62.jpg | bin | 142871 -> 0 bytes | |||
| -rw-r--r-- | old/44146-h/images/72.jpg | bin | 151427 -> 0 bytes | |||
| -rw-r--r-- | old/44146-h/images/82.jpg | bin | 177153 -> 0 bytes | |||
| -rw-r--r-- | old/44146-h/images/dogVS.jpg | bin | 25392 -> 0 bytes | |||
| -rw-r--r-- | old/44146-h/images/frontispiece.jpg | bin | 149724 -> 0 bytes | |||
| -rw-r--r-- | old/44146-h/images/titlepage.jpg | bin | 92862 -> 0 bytes | |||
| -rw-r--r-- | old/44146.txt | 1435 | ||||
| -rw-r--r-- | old/44146.zip | bin | 28222 -> 0 bytes | |||
| -rw-r--r-- | old/readme.htm | 13 |
17 files changed, 0 insertions, 4614 deletions
diff --git a/old/44146-0.txt b/old/44146-0.txt deleted file mode 100644 index b69c88e..0000000 --- a/old/44146-0.txt +++ /dev/null @@ -1,1436 +0,0 @@ -The Project Gutenberg EBook of That Pup, by Ellis Parker Butler - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: That Pup - -Author: Ellis Parker Butler - -Release Date: November 10, 2013 [EBook #44146] -Last Updated: March 11, 2018 - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK THAT PUP *** - - - - -Produced by David Widger - - - - - - -THAT PUP - -By Ellis Parker Butler - -Author Of Pigs Is Pigs, Kilo, Etc. - -Illustrated - -New York The Mcclure Company, MCMVII - - - - -I. THE EDUCATION OF FLUFF - -Murchison, who lives next door to me, wants to get rid of a dog, and if -you know of anyone who wants a dog I wish you would let Murchison know. -Murchison doesn't need it. He is tired of dogs, anyway. That is just -like Murchison. 'Way up in an enthusiasm one day and sick of it the -next. - -Brownlee--Brownlee lives on the other side of Murchison--remembers when -Murchison got the dog. It was the queerest thing, so Murchison says, -you ever heard of. Here came the express wagon--Adams' Express Company's -wagon--and delivered the dog. The name was all right--“C. P. Murchison, -Gallatin, Iowa”--and the charges were paid. The charges were $2.80, and -paid, and the dog had been shipped from New York. Think of that! Twelve -hundred miles in a box, with a can of condensed milk tied to the box and -“Please feed” written on it. - -[Illustration: frontispiece] - -When Murchison came home to dinner, there was the dog. At first -Murchison was pleased; then he was surprised; then he was worried. He -hadn't ordered a dog. The more he thought about it the more he worried. - -“If I could just _think_ who sent it,” he said to Brownlee, “then I -would know who sent it; but I can't think. It is evidently a valuable -dog. I can see that. People don't send cheap, inferior dogs twelve -hundred miles. But I can't _think_ who sent it.” - -“What worries me,” he said to Brownlee another time, “is who sent it. -I can't _imagine_ who would send me a dog from New York. I know so many -people, and, like as not, some influential friend of mine has meant to -make me a nice present, and now he is probably mad because I haven't -acknowledged it. I'd like to know what he thinks of me about now!” - -It almost worried him sick. Murchison never did care for dogs, but when -a man is presented with a valuable dog, all the way from New York, with -$2.80 charges paid, he simply _has_ to admire that dog. So Murchison got -into the habit of admiring the dog, and so did Mrs. Murchison. From what -they tell me, it was rather a nice dog in its infancy, for it was only a -pup then. Infant dogs have a habit of being pups. - -As near as I could gather from what Murchison and Mrs. Murchison -told me, it was a little, fluffy, yellow ball, with bright eyes and -ever-moving tail. It was the kind of a dog that bounces around like a -rubber ball, and eats the evening newspaper, and rolls down the porch -steps with short, little squawks of surprise, and lies down on its back -with its four legs in the air whenever a bigger dog comes near. In color -it was something like a camel, but a little redder where the hair was -long, and its hair was like beaver fur--soft and woolly inside, with a -few long hairs that were not so soft. It was so little and fluffy that -Mrs. Murchison called it Fluff. Pretty name for a soft, little dog is -Fluff. - -“If I only _knew_ who sent that dog,” Murchison used to say to Brownlee, -“I would like to make some return. I'd send him a barrel of my best -melons, express paid, if it cost me five dollars!” - -Murchison was in the produce business, and he knew all about melons, but -not so much about dogs. Of course he could tell a dog from a cat, and a -few things of that sort, but Brownlee was the real dog man. Brownlee had -two Irish pointers or setters--I forget which they were; the black dogs -with the long, floppy ears. I don't know much about dogs myself. I hate -dogs. - -Brownlee knows a great deal about dogs. He isn't one of the book-taught -sort; he knows dogs by instinct. As soon as he sees a dog he can make -a guess at its breed, and out our way that is a pretty good test, for -Gallatin dogs are rather cosmopolitan. That is what makes good stock in -men--Scotch grandmother and German grandfather on one side and English -grandmother and Swedish grandfather on the other--and I don't see why -the same isn't true of dogs. There are numbers of dogs in Gallatin that -can trace their ancestry through nearly every breed of dog that ever -lived, and Brownlee can look at any one of them and immediately guess -at its formula--one part Spitz, three parts greyhound, two parts collie, -and so on. I have heard him guess more kinds of dog than I ever knew -existed. - -As soon as he saw Murchison's dog he guessed it was a pure bred Shepherd -with a trace of Eskimo. Massett, who thinks he knows as much about dogs -as Brownlee does, didn't believe it. The moment he saw the pup he said -it was a pedigree dog, half St. Bernard and half Spitz. - -Brownlee and Massett used to sit on Murchison's steps after supper and -point out the proofs to each other. They would argue for hours. - -“All right, Massett,” Brownlee would say, “but you can't fool _me_. I -Look at that nose! If that isn't a Shepherd nose, I'll eat it. And see -that tail! Did you ever see a tail like that on a Spitz? That is an -Eskimo tail as sure as I am a foot high.” - -“Tail fiddlesticks!” Massett would reply. “You can't tell anything by -a pup's tail. Look at his ears! _There_ is St. Bernard for you! And see -his lower jaw. Isn't that Spitz? I'll leave it to Murchison. Isn't that -lower jaw Spitz, Murchison?” - -Then all three would tackle the puppy and open its mouth and feel its -jaw, and the pup would wriggle and squeak, and back away, opening and -shutting its mouth to see if its works had been damaged. - -“All right!” Brownlee would say. “You wait a year or two and you'll -see!” - -About three months later the pup was as big as an ordinary full-grown -dog, and his coat looked like a compromise between a calfskin and one of -these hairbrush door mats you use to wipe your feet on in muddy weather. -He did not look like the same pup. He was long limbed and awkward and -useless, and homely as a shopworn fifty-cent yellow plush manicure set. -Murchison began to feel that he didn't really need a dog, but Brownlee -was as enthusiastic as ever. He would go over to Murchison's fairly -oozing dog knowledge. - -“I'll tell you what that dog is,” he would say. “That dog is a cross -between a Great Dane and an English Deerhound. You've got a very -valuable dog there, Murchison, a very valuable dog. He comes of fine -stock on both sides, and it is a cross you don't often see. I never saw -it, and I've seen all kinds of crossed dogs.” - -Then Massett would drop in and walk around the dog admiringly for a few -minutes and absorb his beauties. - -“Murchison,” he would say, “do you know what that dog is? That dog is -a pure cross between a Siberian wolfhound and a Newfoundland. You treat -that dog right and you'll have a fortune in him. Why, a pure Siberian -wolfhound is worth a thousand dollars, and a good--a really good -Newfoundland, mind you--is worth two thousand, and you've got both in -one dog. That's three thousand dollars' worth of dog!” - -In the next six months Fluff grew. He broadened out and lengthened and -heightened, and every day or two Brownlee or Massett would discover a -new strain of dog in him. They pointed out to Murchison all the marks -by which he could tell the different kinds of dog that were combined -in Fluff, and every time they discovered a new one they held a sort of -jubilee, and bragged and swelled their chests. They seemed to spend all -their time thinking up odd and strange kinds of dog that Fluff had in -him. Brownlee discovered the traces of Cuban bloodhound, Kamtchatka -hound, beagle, Brague de Bengale, and Thibet mastiff, but Massett first -traced the stag-hound, Turkoman watchdog, Dachshund, and Harrier in him. - -[Illustration: 26] - -Murchison, not being a doggish man, never claimed to have noticed any of -these family resemblances, and never said what he thought the dog really -was until a month or two later, when he gave it as his opinion that the -dog was a cross between a wolf, a Shetland pony, and hyena. It was about -that time that Fluff had to be chained. He had begun to eat other dogs, -and children and chickens. The first night Murchison chained him to his -kennel Fluff walked half a mile, taking the kennel along, and then only -stopped because the kennel got tangled with a lamp-post. The man who -brought him home claimed that Fluff was nearly asphyxiated when he found -him; said he gnawed half through the lamp-post, and that gas got in his -lungs, but this was not true. Murchison learned afterwards that it was -only a gasoline lamp-post, and a wooden one. - -“If there were only some stags around this part of the country,” said -Massett, “the stag-hound strain in that dog would be mighty valuable. -You could rent him out to everybody who wanted to go stag hunting; and -you'd have a regular monopoly, because he's the only staghound in this -part of the country. And stag hunting would be popular, too, out here, -because there are no game laws that interfere with stag hunting in this -State. There is no closed season. People could hunt stags all the year -round, and you'd have that dog busy every day of the year.” - -“Yes!” sneered Brownlee, “only there are no stags. And he hasn't any -staghound blood in him. Pity there are no Dachs in this State, too, -isn't it? Then Murchison could hire his dog at night, too. They hunt -Dachs at night, don't they, Massett? Only there is no Dachshund blood in -him, either. If there was, and if there were a few Dachs-” - -Massett was mad. - -“Yes!” he cried. “And you, with your Cuban bloodhound strain! I suppose -if it was the open season for Cubans, you'd go out with the dog and tree -a few! Or put on snowshoes and follow the Kamtchat to his icy lair!” - Brownlee doesn't get mad easily. - -“Murchison,” he said, “leaving out Mas-sett's dreary nonsense about -staghounds, I can tell you that dog would make the finest duck dog in -the State. He's got all the points for a good duck dog, and I ought to -know for I have two of the best duck dogs that ever lived. All he needs -is training. If you will train him right you'll have a mighty valuable -dog.” - -“But I don't hunt ducks,” said Murchison, “and I don't know how to train -even a lap-dog.” - -“You let me attend to his education,” said Brownlee. “I just want to -show Massett here that I know a dog when I see one. I'll show Massett -the finest duck dog he ever saw when I get through with Fluff.” - -So he went over and got his shotgun, just to give Fluff his first -lesson. The first thing a duck dog must learn is not to be afraid of a -gun, and Brownlee said that if a dog first learned about guns right at -his home he was not so apt to be afraid of them. He said that if a dog -heard a gun for the first time when he was away from home and in strange -surroundings he was quite right to be surprised and startled, but if he -heard it in the bosom of his family, with all his friends calmly seated -about, he would think it was a natural thing, and accept it as such. - -So Brownlee put a shell in his gun and Mas-sett and Murchison sat on the -porch steps and pretended to be uninterested and normal, and Brownlee -stood up and aimed the gun in the air. Fluff was eating a bone, but -Brownlee spoke to him and he looked up, and Brownlee pulled the trigger. -It seemed about five minutes before Fluff struck the ground, he jumped -so high when the gun was fired, and then he started north by northeast -at about sixty miles an hour. He came back all right, three weeks later, -but his tail was still between his legs. - -[Illustration: 32] - -Brownlee didn't feel the least discouraged. He said he saw now that -the whole principle of what he had done was wrong; that no dog with any -brains whatever could be anything but frightened to hear a gun shot off -right in the bosom of his family. That was no place to fire a gun. He -said Fluff evidently thought the whole lot of us were crazy, and ran in -fear of his life, thinking we were insane and might shoot him next. -He said the thing to do was to take the shotgun into its natural -surroundings and let Fluff learn to love it there. He pictured Fluff -enjoying the sound of the gun when he heard it at the edge of the lake. - -Murchison never hunted ducks, but as Fluff was his dog, he went with -Brownlee, and of course Massett went. Massett wanted to see the failure. -He said he wished stags were as plentiful as ducks, and he would show -Brownlee! - -Fluff was a strong dog--he seemed to have a strain of ox in him, so far -as strength went--and as long as he saw the gun he insisted that he -would stay at home; but when Brownlee wrapped the gun in brown paper so -it looked like a big parcel from the meat shop, the horse that they had -hitched to the buck-board was able to drag Fluff along without straining -itself. Fluff was fastened to the rear axle with a chain. - -When they reached Duck Lake, Brownlee untied Fluff and patted him, -and then unwrapped the gun. Fluff gave one pained glance and made the -six-mile run home in seven minutes without stopping. He was home before -Brownlee could think of anything to say, and he went so far into his -kennel that Murchison had to take off the boards at the back to find him -that night. - -“That's nothing,” was what Brownlee said when he did speak; “young dogs -are often that way. Gun fright. They have to be gun broken. You come out -to-morrow, and I'll show you how a man who really knows how to handle a -dog does the trick.” - -The next day, when Fluff saw the buck-board he went into his kennel, and -they couldn't pry him out with the hoe-handle. He connected buckboards -and guns in his mind, so Brownlee borrowed the butcher's delivery wagon, -and they drove to Wild Lake. It was seven miles, but Fluff seemed more -willing to go in that direction than toward Duck Lake. He did not seem -to care to go to Duck Lake at all. - -“Now, then,” said Brownlee, “I'll show you the intelligent way to handle -a dog. I'll prove to him that he has nothing to fear, that I am his -comrade and friend. And at the same time,” he said, “I'll not have him -running off home and spoiling our day's sport.” - -So he took the chain and fastened it around his waist, and then he sat -down and talked to Fluff like an old friend, and got him in a playful -mood. Then he had Murchison get the gun out of the wagon and lay it on -the ground about twenty feet off. It was wrapped in brown paper. - -Brownlee talked to Fluff and told him what fine sport duck hunting is, -and then, as if by chance, he got on his hands and knees and crawled -toward the gun. Fluff hung back a little, but the chain just coaxed him -a little, too, and they edged up to the gun, and Brownlee pretended to -discover it unexpectedly. - -“Well, well!” he said. “What's this?” - -Fluff nosed up to it and sniffed it, and then went at it as if it was -Massett's cat. That Brownlee had wrapped a beefsteak around the gun, -inside the paper, and Fluff tore off the paper and ate the steak, and -Brownlee winked at Murchison. - -“I declare,” he said, “if here isn't a gun! Look at this, Fluff--a gun! -Gosh! but we are in luck!” - -Would you believe it, that dog sniffed at the gun, and did not fear it -in the least? You could have hit him on the head with it and he would -not have minded it. He never did mind being hit with small things like -guns and ax handles. - -Brownlee got up and stood erect. - -“You see!” he said proudly. “All a man needs with a dog like this is -intelligence. A dog is like a horse. He wants his reason appealed to. -Now, if I fire the gun, he may be a little startled, but I have created -a faith in me in him. He knows there is nothing dangerous in a gun _as_ -a gun. He knows I am not afraid of it, so he is not afraid. He realizes -that we are chained together, and that proves to him that he need not -run unless I run. Now watch.” - -Brownlee fired the shotgun. - -Instantly he started for home. He did not start lazily, like a boy -starting to the wood pile, but went promptly and with a dash. His first -jump was only ten feet, and we heard him grunt as he landed, but after -that he got into his stride and made fourteen feet each jump. He was -bent forward a good deal in the middle, where the chain was, and in many -ways he was not as graceful as a professional cinder-path track runner, -but, in running, the main thing is to cover the ground rapidly. Brownlee -did that. - -Massett said it was a bad start. He said it was all right to start a -hundred-yard dash that way, but for a long-distance run--a run of seven -miles across country--the start was too impetuous; that it showed a lack -of generalship, and that when it came to the finish the affair would be -tame; but it wasn't. - -Brownlee said afterwards that there wasn't a tame moment in the entire -seven miles. It was rather more wild than tame. He felt right from the -start that the finish would be sensational, unless the chain cut him -quite in two, and it didn't. He said that when the chain had cut as far -as his spinal column it could go no farther, and it stopped and clung -there, but it was the only thing that did stop, except his breath. It -was several years later that I first met Brownlee, and he was still -breathing hard, like a man who has just been running rapidly. Brownlee -says when he shuts his eyes his legs still seem to be going. - -The first mile was through underbrush, and that was lucky, for the -underbrush removed most of Brownlee's clothing, and put him in better -running weight, but at the mile and a quarter they struck the road. -He said at two miles he thought he might be overexercising the dog and -maybe he had better stop, but the dog seemed anxious to get home so he -didn't stop there. He said that at three miles he was sure the dog was -overdoing, and that with his knowledge of dogs he was perfectly able -to stop a running dog in its own length if he could speak to it, but -he couldn't speak to this dog for two reasons. One was that he couldn't -overtake the dog and the other was that all the speak was yanked out of -him. - -When they reached five miles the dog seemed to think they were taking -too much time to get home, and let out a few more laps of speed, and -it was right there that Brownlee decided that Fluff had some greyhound -blood in him. - -He said that when they reached town he felt as if he would have been -glad to stop at his own house and lie down for awhile, but the dog -didn't want to, and so they went on; but that he ought to be thankful -that the dog was willing to stop at that town at all. The next town was -twelve miles farther on, and the roads were bad. But the dog turned into -Murchison's yard and went right into his kennel. - -When Murchison and Massett got home, an hour or so later, after driving -the horse all the way at a gallop, they found old Gregg, the carpenter, -prying the roof off the kennel. You see, Murchison had knocked the rear -out of the kennel the day before, and so when the dog aimed for -the front he went straight through, and as Brownlee was built more -perpendicular than the dog, Brownlee didn't go quite through. He went -in something like doubling up a dollar bill to put it into a thimble. -I don't suppose anyone would want to double up a dollar bill to put it -into a thimble, but neither did Brownlee want to be doubled up and -put into the kennel. It was the dog's thought. So they had to take the -kennel roof off. - -When they got Brownlee out they laid him on the grass, and covered him -up with a porch rug, and let him lie there a couple of hours to pant, -for that seemed what he wanted to do just then. It was the longest -period Brownlee ever spent awake without talking about dog. - -Murchison and Massett and old Gregg and twenty-six informal guests stood -around and gazed at Brownlee panting. Presently Brownlee was able to -gasp out a few words. - -“Murchison,” he gasped, “Murchison, if you just had that dog in -Florence--or wherever it is they race dogs--you'd have a fortune.” - -He panted awhile, and then gasped out: - -“He's a great runner; a phenomenal runner!” - -He had to pant more, and then he gasped with pride: - -“But I wasn't three feet behind him all the way!” - - - - -II. GETTING RID OF FLUFF - -So after that Murchison decided to get rid of Fluff. He told me that he -had never really-wanted a dog, anyway, but that when a dog is sent, all -the way from New York, anonymously, with $2.80 charges paid, it is hard -to cast the dog out into the cold world without giving it a trial. So -Murchison tried the dog for a few more years, and at last he decided -he would have to get rid of him. He came over and spoke to me about it, -because I had just moved in next door. - -“Do you like dogs?” he asked, and that was the first word of -conversation I ever had with Murchison. I told him frankly that I did -not like dogs, and that my wife did not like them, and Murchison seemed -more pleased than if I had offered him a thousand dollars. - -“Now, I am glad of that,” he said, “for Mrs. Murchison and I hate dogs. -If you do not like dogs, I will get rid of Fluff. I made up my mind -several years ago to get rid of Fluff, but when I heard you were going -to move into this house, I decided not to get rid of him until I knew -whether you liked dogs or not. I told Mrs. Murchison that if we got rid -of Fluff before you came, and then found that you loved dogs and owned -one, you might take our getting rid of Fluff as a hint that your dog was -distasteful to us, and it might hurt your feelings. And Mrs. Murchison -said that if you had a dog, your dog might feel lonely in a strange -place and might like to have Fluff to play with until your dog got used -to the neighborhood. So we did not get rid of him; but if you do not -like dogs we will get rid of him right away.” - -I told Murchison that I saw he was the kind of a neighbor a man liked to -have, and that it was kind of him to offer to get rid of Fluff, but that -he mustn't do so just on our account. - -I said that if he wanted to keep the dog, he had better do so. - -“Now, that is kind of you,” said Murchison, “but we would really rather -get rid of him. I decided several years ago that I would get rid of him, -but Brownlee likes dogs, and took an interest in Fluff, and wanted to -make a bird dog of him, so we kept Fluff for his sake. But now Brownlee -is tired of making a bird dog of him. He says Fluff is too strong to -make a good bird dog, and not strong enough to rent out as a horse, and -he is willing I should get rid of him. He says he is anxious for me to -get rid of him as soon as I can.” - -When I saw Fluff I agreed with Brownlee. At the first glance I saw that -Fluff was a failure as a dog, and that to make a good camel he needed -a shorter neck and more hump, but he had the general appearance of an -amateur camel. He looked as if some one who had never seen a dog, but -had heard of one, had started out to make a dog, and got to thinking of -a camel every once in a while, and had tried to show me Fluff that day -worked in parts of what he thought a camel was like with what he thought -a dog was like, and then--when the job was about done--had decided it -was a failure, and had just finished it up any way, sticking on the -meanest and cheapest hair he could find, and getting most of it on wrong -side to. - -[Illustration: 52] - -But the cheap hair did not matter much. Murchison and Brownlee showed me -the place where Fluff had worn most of it off the ridge pole of his back -crawling under the porch. He tried to show me Fluff that day, but it was -so dark under the porch that I could not tell which was Fluff and which -was simply underneathness of porch. But from what Brownlee told me -that day, I knew that Fluff had suffered a permanent dislocation of the -spirits. He told me he had taken Fluff out to make a duck dog of him, -and that all the duck Fluff was interested in was to duck when he saw a -gun, and that after he had heard a gun fired once or twice he had become -sad and dejected, and had acquired a permanently ingrowing tail, and an -expression of face like a coyote, but more mournful. He had acquired a -habit of carrying his head down and forward, as if he was about to lay -it on the headsman's block, and knew he deserved that and more, and the -sooner it was over the better. He couldn't even scratch fleas correctly. -Brownlee said that when he met a flea in the road he would not even go -around it, but would stoop down like a camel to let the flea get aboard. -He was that kind of a dog. He was the most discouraged dog I ever knew. - -The next day I was putting down the carpet in the back bedroom, when in -came Murchison. - -“I came over to speak to you about Fluff,” he said. “I am afraid he -must have annoyed you last night. I suppose you heard him howl?” - -“Yes, Murchison,” I said, “I did hear him. I never knew a dog could howl -so loud and long as that. He must have been very ill.” - -“Oh, no!” said Murchison cheerfully. “That is the way he always howls. -That is one of the reasons I have decided to get rid of Fluff. But it -is a great deal worse for us than it is for you. The air inlet of our -furnace is at the side of the house just where Fluff puts his head when -he howls, and the register in our room is right at the head of our bed. -So his howl goes in at the inlet and down through the furnace and up -the furnace pipes, and is delivered right in our room, just as clear and -strong as if he was in the room. That is one reason I have fully decided -to get rid of Fluff. It would not be so bad if we had only one register -in our house, but we have ten, and when Fluff howls, his voice is -delivered by all ten registers, so it is just as if we had ten Fluffs -in the house at one time. And ten howls like Fluff's are too much. -Even Brownlee says so.” I told Murchison that I agreed with Brownlee -perfectly. Fluff had a bad howl. It sounded as if Cruel Fate, with -spikes in his shoes, had stepped on Fluff's inmost soul, and then jogged -up and down on the tenderest spot, and Fluff was trying to reproduce his -feelings in vocal exercises. It sounded like a cheap phonograph giving -a symphony in the key of woe minor, with a megaphone attachment and bad -places in the record. Judging by his voice, the machine needed a new -needle. But the megaphone attachment was all right. - -Brownlee--who knows all about dogs--said that he knew what was -the matter with Fluff. He said Fluff had a very high-grade musical -temperament, and that he longed to be the Caruso of dogs. He said that -he could see that all through his bright and hopeful puppyhood he had -looked forward to being a great singer, with a Wagner repertoire and -tremolo stops in his song organ, and that he had early set his aim at -perfection. He said Fluff was that kind of a dog, and that when he saw -what his voice had turned out to be he was dissatisfied, and became -morbid. He said that any dog that had a voice like Fluff's had a right -to be dissatisfied with it--he would be dissatisfied himself with -that voice. He said he did not wonder that Fluff slunk around all day, -feeling he was no good on earth, and that he could understand that when -night came and everything was still, so that Fluff could judge of the -purity of his tonal quality better, he would pull out his voice, and -tune it up and look it over and try it again, hoping it had improved -since he tried it last. Brownlee said it never had improved, and that -was what made Fluff's howl so mournful--it was full of tears. He said -Fluff would go to G flat and B flat and D flat, and so on until he -struck a note he felt he was pretty good at, and then he would cling to -that note and weep it full of tears. - -[Illustration: 52] - -He asked Murchison if he hadn't noticed that the howl was sort of damp -and salty from the tears, but Murchison said he hadn't noticed the -dampness. He said it probably got dried out of the howl before it -readied him, coming through the furnace. Then Brownlee said that if -there was only some way of regulating Fluff, so that he could be turned -on and off, Murchison would have a fortune in him: he could turn his -howl off when people wanted to be cheerful, and then, when a time of -great national woe occurred, Murchison could turn Fluff on and set him -going. He said he never heard anything in his life that came so near -expressing in sound a great national woe as Fluff's howl did. He said -Fluff might lack finish in tonal quality, but that in woe quality he was -a master: he was stuffed so full of woe quality that it oozed out of his -pores. He said he always thought what a pity it was for dogs like Fluff -that people preferred cheerful songs like “Annie Rooney” and “Waltz me -around again, Willie” to the nobler woe operas. He said he had tried -to like good music himself, but it was no use: whenever he heard Fluff -sing, he felt that Murchison ought to get rid of Fluff. Then Murchison -said that was just what he was going to do. What he wanted to talk about -was how to get rid of Fluff. - -But I am getting too far ahead of my story. Whenever I get to talking -about the howl of Fluff, I find I wander on for hours at a time. - -It takes hours of talk to explain just what a mean howl Fluff had. - -But as I was saying, Murchison came over while I was putting down the -carpet in my back bedroom, and told me he had fully decided to get rid -of Fluff. - -“I have fully decided to get rid of him,” he said, “and the only thing -that bothers me is how to get rid of him.” - -“Give him away,” I suggested. - -“That's a good idea!” said Murchison gratefully. “That's the very idea -that occurred to me when I first thought of getting rid of Fluff. It is -an idea that just matches Fluff all over. That is just the kind of dog -Fluff is. If ever a dog was made to give away, Fluff was made for it. -The more I think about him and look at him and study him, the surer I am -that the only thing he is good for is to give away.” - -Then he shook his head and sighed. - -“The only trouble,” he said, “is that Fluff _is_ the give-away kind of -dog. That is the only kind you can't give away. There is only one time -of the year that a person can make presents of things that are good for -nothing but to give away, and that is at Christmas. Now, I might--” - -“Murchison,” I said, laying my tack hammer on the floor and standing up, -“you don't mean to keep that infernal, howling beast until Christmas, do -you? If you do, I shall stop putting down this carpet. I shall pull out -the tacks that are already in and move elsewhere. Why, this is only -the first of May, and if I have to sleep--if I have to keep awake every -night and listen to that animated foghorn drag his raw soul over the -teeth of a rusty harrow--I shall go crazy. Can't you think of some one -that is going to have a birthday sooner than that?” - -“I wish I could,” said Murchison wistfully, “but I can't. I want to get -rid of Fluff, and so does Brownlee, and so does Massett, but I can't -think of a way to get rid of him, and neither can they.” - -“Murchison,” I said, with some asperity, for I hate a man who trifles, -“if I really thought you and Brownlee and Massett were as stupid as -all that, I would be sorry I moved into this neighborhood, but I don't -believe it. I believe you do not mean to get rid of Fluff. I believe you -and Brownlee and Massett want to keep him. If you wanted to get rid of -him, you could do it the same way you got him.” - -“That's an excellent idea!” exclaimed Murchison. “That is one of the -best ideas I ever heard, and I would go and do it if I hadn't done it so -often already. As soon as Brownlee suggested that idea I did it. I sent -Fluff by express to a man--to John Smith--at Worcester, Mass., and when -Fluff came back I had to pay $8.55 charges. But I didn't begrudge the -money. The trip did Fluff a world of good--it strengthened his voice, -and made him broader-minded. I tell you,” he said enthusiastically, -“there's nothing like travel for broadening the mind! Look at Fluff! -Maybe he don't show it, but that dog's mind is so broadened by travel -that if he was turned loose in Alaska he would find his way home. When -I found his mind was getting so tremendously broad I stopped sending him -to places. Brownlee--Brownlee knows all about dogs--said it would not -hurt Fluff a bit; he said a dog's mind could not get too broad, and -that as far as he was concerned he would just like to see once how -broad-minded a dog could become; he would like to have Fluff sent out -by express every time he came back. He told me it was an interesting -experiment--that so far as he knew it had never been tried before--and -that the thing I ought to do was to keep Fluff traveling all the time. -He said that so far as he knew it was the only way to get rid of Fluff; -that some time while he was traveling around in the express car there -might be a wreck, and we would be rid of Fluff; and if there wasn't a -wreck, it would be interesting to see what effect constant travel would -have on a coarse dog. He said I might find after a year or two that I -had the most cultured dog in the United States. Brownlee was willing to -have me send Fluff anywhere. He suggested a lot of good places to -send dogs, but he didn't care enough about dog culture to help pay the -express charges.” - -“I see, Murchison,” I said scornfully, “I see! You are the kind of a man -who would let a little money stand between you and getting rid of a -dog like Fluff! If I had a dog like Fluff, nothing in the world could -prevent me from getting rid of him. I only wish, he was my dog.” - -“Take him!” said Murchison generously; “I make you a full and free -present of him. You can have that dog absolutely and wholly. He is -yours.” - -“I will take the dog,” I said haughtily, “not because I really want a -dog, nor because I hanker for that particular dog, but because I can see -that you and Brownlee and Massett have been trifling with him. Bring him -over in my yard, and I will show you in very short measure how to get -rid of Fluff.” - -That afternoon both Brownlee and Massett called on me. They came and sat -on my porch steps, and Murchison came and sat with them, and all three -sat and looked at Fluff and talked him over. Every few minutes -they would--Brownlee and Massett would--get up and shake hands with -Murchison, and congratulate him on having gotten rid of Fluff, and -Murchison would blush modestly and say: - -“Oh, that is nothing! I always knew I would get rid of him.” And there -was the dog not five feet from them, tied to my lawn hydrant. I watched -and listened to them until I had had enough of it, and then I went into -the house and got my shotgun. I loaded it with a good BB shell and went -out. - -[Illustration: 62] - -Fluff saw me first. I never saw a dog exhibit such intelligence as Fluff -exhibited right then. I suppose travel had broadened him, and probably -the hydrant was old and rusted out, anyway. When a man moves into a -house he ought to have _all_ the plumbing attended to the first thing. -Any ordinary, unbroadened dog would have lain down and pulled, but Fluff -didn't. First he jumped six feet straight into the air, and that pulled -the four feet of hydrant pipe up by the roots, and then he went away. -He took the hydrant and the pipe with him, and that might have surprised -me, but I saw that he did not know where he was going nor how long he -would stay there when he reached the place, and a dog can never tell -what will come handy when he is away from home. A hydrant and a piece of -iron pipe might be the very thing he would need. So he took them along. - -If I had wanted a fountain in my front yard, I could not have got one -half as quickly as Fluff furnished that one, and I would never have -thought of pulling out the hydrant to make me one. Fluff thought of -that--at least Brownlee said he thought of it--but I think all Fluff -wanted was to get away. And he got away, and the fountain didn't happen -to be attached to the hydrant, so he left it behind. If it had been -attached to the hydrant, he would have taken it with him. He was a -strong dog. - -“There!” said Brownlee, when we had heard the pipe rattle across the -Eighth Street bridge--“there is intelligence for you! You ought to be -grateful to that dog all your life. _You_ didn't know it was against -the law to discharge a gun in the city limits, but Fluff did, and he -wouldn't wait to see you get into trouble. He has heard us talking about -it, Murchison. I tell you travel has broadened that dog! Look what he -has saved you,” he said to me, “by going away at just the psychological -moment. We should have told you about not firing a gun in the city -limits. You can't get rid of Fluff that way. It is against the law.” - -“Yes,” said Massett; “and if you knew Fluff as well as we do you would -know that he is a dog you can't shoot. He is a wonderful dog. He knows -all about guns. Brownlee tried to make a duck dog out of him, and took -him out where the ducks were--showed him the ducks--shot a gun at the -ducks--and what do you think that dog learned?” - -“To run,” I said, for I had heard about Brownlee teaching Fluff to -retrieve. Brownlee blushed. - -“Yes,” said Massett, “but that wasn't all. It doesn't take intelligence -to make a dog run when he sees a gun, but Fluff did not run like an -ordinary dog. He saw the gun and he saw the ducks, and he saw that -Brownlee only shot at ducks when they were on the wing. And he thought -Brownlee meant to shoot him, so what does he do? Stand still? No; he -tries to fly. Gets right up and tries to fly. He thought that was what -Brownlee was trying to teach him. He couldn't fly, but he did his -best. So whenever Fluff sees a gun, he is on the wing, so to speak. You -noticed he was on the wing, didn't you?” - -I told him I had noticed it. I said that as far as I could judge, Fluff -had a good strong wing. I said I didn't mind losing a little thing like -a hydrant and a length or two of pipe, but I was glad I hadn't fastened -Fluff to the house--I always liked my house to have a cellar---and it -would be just like Fluff to stop flying at some place where there wasn't -any cellar. - -“Oh,” said Massett, “he wouldn't have gone far with the house. A house -is a great deal heavier than a hydrant. He would probably have moved the -house off the foundation a little, but, judging by the direction Fluff -took, the house would have wedged between those two trees, and you would -have only lost a piece of the porch, or whatever he was tied to. But -the lesson is that you must not try to shoot Fluff unless you are a good -wing shot. Unless you can shoot like Davy Crockett, you would be apt to -wound Fluff without killing him, and then there _would_ be trouble!” - -“Yes,” said Murchison, “the Prevention of Cruelty to Animals folks. -There is only one way in which a dog can be killed according to law in -this place, and that is to have the Prevention of Cruelty to Animals -folks do it. You send them a letter telling them you have a dog you want -killed, and asking them to come and kill it. That is according to law.” - -“That,” I said firmly, “is what I will do.” - -“It won't do any good,” said Murchison sadly; “they never come. This -addition to Gallatin is too far from their offices to be handy, and they -never come. I have eighteen deaths for Fluff on file at their offices -already, and not one of them has killed him. When you have had as much -experience with dogs as I have had you will know that the Prevention -of Cruelty to them in this town does not include killing them when -they live in the suburbs. The only way a dog can die in the suburbs of -Gallatin is to die of old age.” - -“How old is Fluff?” I asked. - -“Fluff is a young dog,” said Brownlee. “If he had an ordinary dog -constitution, he would live fifteen years yet, but he hasn't. He has an -extra strong constitution, and I should say he was good for twenty years -more. But that isn't what we came over for. We came over to learn how -you mean to get rid of Fluff.” - -“Brownlee,” I said, “I shall think up some way to get rid of Fluff. -Getting rid of a dog is no task for a mind like mine. But until he -returns and gives me back my hydrant, I shall do nothing further. I am -not going to bother about getting rid of a dog that is not here to be -got rid of.” - -By the time Fluff returned I had thought out a plan. Murchison had never -paid the dog tax on Fluff, and that was the same as condemning him to -death if he was ever caught outside of the yard, but when he was outside -he could not be caught. He was a hasty mover, and little things such as -closed gates never prevented him from entering the yard when in haste. -When he did not jump over he could get right through a fence. But to -a man of my ability these things are trifles. I knew how to get rid of -Fluff. I knew how to have him caught in the street without a license. I -chained him there. - -Brownlee and Massett and Murchison came and watched me do it. Our street -is not much used, and the big stake I drove in the street was not much -in the way of passing grocery delivery wagons. I fastened Fluff to -the stake with a chain, and then I wrote to the city authorities -and complained. I said there was a dog without a license that was -continually in front of my house, and I wished it removed; and a week or -so later the dog-catcher came around and had a look at Fluff: He walked -all around him while Massett and Brownlee and Murchison and I leaned -over our gates and looked on. He was not at all what I should have -expected a dog-catcher to be, being thin and rather gentlemanly in -appearance; and after he had looked Fluff over well he came over and -spoke to me. He asked me if Fluff was my dog. I said he was. - -“I see!” said the dog-catcher. “And you want to get rid of him. If he -was my dog, I would want to get rid of him, too. I have seen lots of -dogs, but I never saw one that was like this, and I do not blame you for -wanting to part with him. I have had my eye on him for several years, -but this is the first opportunity I have had to approach him. Now, -however, he seems to have broken all the dog laws. He has not secured a -license, and he is in the public highway. It will be my duty to take him -up and gently chloroform him as soon as I make sure of one thing.” - -“Tell me what it is,” I said, “and I will help you make sure of ft.” - -“Thank you,” he said, “but I will attend to it,” and with that he got on -his wagon and drove off. He returned in about an hour. - -“I came back,” he said, “not because my legal duty compels me, but -because I knew you would be anxious. If I owned a dog like that, I would -be anxious, too. I can't take that dog.” - -“Why not?” we all asked. - -“Because,” he said, “I have been down to the city hall, and I have -looked up the records, and I find that the streets of this addition to -the city have not been accepted by the city. The titles to the property -are so made out that until the city legally accepts the streets, each -property owner owns to the middle of the street fronting his property. -If you will step out and look, you will see that the dog is on your own -property.” - -[Illustration: 72] - -“If that is all,” I said, “I will move the stake. I will put him on the -other side of the street.” - -“If you would like him any better there,” said the dog-catcher, “you can -move him, but it would make no difference to me. Then he would be on the -private property of the man who owns the property across the street.” - -“But, my good man,” I said, “how _is_ a man to get rid of a dog he does -not want?” - -The dog-catcher frowned. - -“That,” he said, “seems to be one of the things our lawmakers have not -thought of. But whatever you do, I advise you to be careful. Do not try -any underhand methods, for now that my attention has been called to the -dog, I shall have to watch his future and see that he is not badly used. -I am an officer of the Prevention of Cruelty to Animals as well as a -dog-catcher, and I warn you to be careful what you do with that dog.” - -Then he got on his wagon again and drove away. - -The next morning I was a nervous wreck, for Fluff had howled all night, -and Murchison came over soon after breakfast. He was accompanied by -Brownlee and Massett. - -“Now, I am the last man in the world to do anything that my neighbors -would take offense at,” he said, as soon as they were seated on my -porch, “and Brownlee and Massett love dogs as few men ever love them; -but something has to be done about Fluff. The time has come when we must -sleep with our windows open, and neither Massett nor Brownlee nor I got -a minute of sleep last night.” - -“Neither did I,” I said. - -“That is different entirely,” said Murchison. “Fluff is your dog, and if -you want to keep a howling dog, you would be inclined to put up with the -howl, but we have no interest in the dog at all. We do not own him, and -we consider him a nuisance. We have decided to ask you to get rid of -him. It is unjust to your neighbors to keep a howling dog. You will have -to get rid of Fluff.” - -“Exactly!” said Massett. “For ten nights I have not slept a wink, and -neither has Murchison, nor has Brownlee--” - -“Nor I,” I added. - -“Exactly!” said Massett. “And four men going without sleep for ten -nights is equal to one man going without sleep forty nights, which would -kill any man. Practically, Fluff has killed a man, and is a murderer, -and as you are responsible for him, it is the same as if you were a -murderer yourself; and as you were one of the four who did not sleep, -you may also be said to have committed suicide. But we do not mean to -give you into the hands of the law until we have remonstrated with you. -But we feel deeply, and the more so because you could easily give us -some nights of sleep in which to recuperate.” - -“If you can tell me how,” I said, “I will gladly do it. I need sleep -more at this minute than I ever needed it in my life.” - -“Very well,” said Massett; “just get out your shotgun and show it to -Fluff. When he sees the gun he will run. He will take wings like a -duck, and while he is away we can get a few nights' rest. That will be -something. And if we are not in good condition by that time, you can -show him the shotgun again. Why!” he exclaimed, as he grew enthusiastic -over his idea, “you can keep Fluff eternally on the wing!” - -I felt that I needed a vacation from Fluff. I unchained him and went in -to get my shotgun. Then I showed him the shotgun, and we had two good -nights of sleep. After that, whenever we felt that we needed a few -nights in peace, I just showed Fluff the shotgun and he went away on one -of his flying trips. - -But it was Brownlee--Brownlee knew all about dogs--who first called my -attention to what he called the periodicity of Fluff. - -“Now, you would never have noticed it,” he said one day when Murchison -and I were sitting on my porch with him, “but I did. That is because I -have studied dogs. I know all about dogs, and I know Fluff can run. This -is because he has greyhound blood in him. With a little wolf. That is -why I studied Fluff, and how I came to notice that every time you show -him the shotgun he is gone just forty-eight hours. Now, you go and get -your shotgun and try it.” - -So I tried it, and Fluff went away as he always did; and Brownlee sat -there bragging about how Fluff could run, and about how wonderful he was -himself to have thought of the periodicity of Fluff. - -“Did you see how he went?” he asked enthusiastically. “That gait was a -thirty-mile-an-hour gait. Why, that dog travels--he travels--” He took -out a piece of paper and a pencil and figured it out. “In forty-eight -hours he travels fourteen hundred and forty miles! He gets seven hundred -and twenty miles from home!” - -“It doesn't seem possible,” said Murchison. “No,” said Brownlee frankly, -“it doesn't.” He went over his figures again. “But that is figured -correctly,” he said. “If--but maybe I did not gauge his speed correctly. -And I didn't allow for stopping to turn around at the end of the out -sprint. What we ought to have on that dog is a pedometer. If I owned a -dog like that, the first thing I would get would be a pedometer.” - -I told Brownlee that if he wished I would give him Fluff, and he could -put a pedometer, or anything else, on him; but Brownlee remembered he -had some work to do and went home. - -But he was right about the periodicity of Fluff. Almost on the minute at -the end of forty-eight hours Fluff returned, and Brownlee and Murchison, -who were there to receive him, were as pleased as if Fluff had been -going away instead of returning. - -“That dog,” said Brownlee, “is a wonderful animal. If Sir Isaac Newton -had that dog, he would have proved something or other of universal value -by him. That dog is plumb full of ratios and things, if we only knew how -to get them out of him. I bet if Sir Isaac Newton had had Fluff as -long as you have had him he would have had a formula all worked -out--x/y(2xz-dog)=2(4ab-3x) or something of that kind, so that -anyone with half a knowledge of algebra could figure out the square root -of any dog any time of the day or night. I could get up a Law of Dog -myself if I had the time, with a dog like Fluff to work on. 'If one dog -travels fourteen hundred and forty miles at the sight of a gun, how far -would two dogs travel?' All that sort of thing. Stop!” he ejaculated -suddenly. “If one dog travels forty-eight hours at the sight of one gun, -how far would he travel at the sight of two guns? Murchison,” he -cried enthusiastically, “I've got it! I've got the fundamental law of -periodicity in dogs! Go get your gun,” he said to me, “and I will get -mine.” - -[Illustration: 82] - -He stopped at the gate long enough to say: - -“I tell you, Murchison, we are on the verge of a mighty important -discovery--a mighty important discovery! If this thing turns out -right, we will be at the root of all dog nature. We will have the great -underlying law of scared dogs.” - -He came back with his shotgun carefully hidden behind him, and then he -and I showed Fluff the two guns simultaneously. For one minute Fluff was -startled. Then he vanished. All we saw of him as he went was the dust he -left in his wake. Massett had come over when Brownlee brought over -his gun, and Murchison and I sat and smoked while Massett and Brownlee -fought out the periodicity of Fluff. Brownlee said that for two guns -Fluff would traverse the same distance as for one, but twice as quickly; -but Massett said Brownlee was foolish, and that anyone who knew anything -about dogs would know that no dog could go faster than Fluff had gone -at the sight of one gun. Massett said Fluff would travel at his regular -one-gun speed, but would travel a two-gun distance. He said Fluff would -not be back for ninety-six hours. Brownlee said he would be back in -forty-eight hours, but both agreed that he would travel twenty-eight -hundred and eighty miles. Then Murchison went home and got a map, and -showed Brownlee and Massett that if Fluff traveled fourteen hundred -miles in the direction he had started he would have to do the last two -hundred miles as a swim, because he would strike the Atlantic Ocean -at the twelve hundredth mile. But Brownlee just turned up his nose and -sneered. He said Fluff was no fool, and that when he reached the coast -he would veer to the north and travel along the beach for two hundred -miles or so. Then Massett said that he had been thinking about -Brownlee's theory, and he _knew_ no dog could do what Brownlee said -Fluff would do--sixty miles an hour. He said he agreed that a dog like -Fluff could do thirty miles an hour if he did not stop to howl, because -his howl represented about sixty horse power, but that no dog could ever -do sixty miles an hour. Then Brownlee got mad and said Massett was a -born idiot, and that Fluff not only _could_ do sixty miles, but he -could keep on increasing his speed at the rate of thirty miles per gun -indefinitely. Then they went home mad, but they agreed to be on hand -when Fluff returned. But they were not. Fluff came home in twenty-four -hours, almost to the minute. - -When I went over and told Brownlee, he wouldn't believe it at first, but -when I showed him Fluff, he cheered up and clapped me on the back. - -“I tell you,” he exclaimed, “we have made a great discovery. We have -discovered the law of scared dogs. 'A dog is scared in inverse ratio to -the number of guns!' Now, it wouldn't be fair to try Fluff again without -giving him a breathing spell, but to-morrow I will come over, and we -will try him with four guns. We will work this thing out thoroughly,” he -said, “before we write to the Academy of Science, or whatever a person -would write to, so that there will be no mistake. Before we give this -secret to the world we want to have it complete. We will try Fluff with -any number of guns, and with pistols and rifles, and if we can get one -we will try him with a cannon. We will keep at it for years and years. -You and I will be famous.” - -I told Brownlee that if he wanted to experiment for years with Fluff -he could have him, but that all I wanted was to get rid of him; but -Brownlee wouldn't hear of that. He said he would buy Fluff of me if he -was rich enough, but that Fluff was so valuable he couldn't think of -buying him. He would let me keep him. He said he would be over the next -day to try Fluff again. - -So the next day he and Murchison and Massett came over and held a -consultation on my porch to decide how many guns they would try on -Fluff. They could not agree. Massett wanted to try four guns and have -Fluff absent only half a day, but Brownlee wanted to have me break my -shotgun in two and try that on Fluff. He said that according to the law -of scared dogs, a half a gun, working it out by inverse ratio, would -keep Fluff away for twice as long as one gun, which would be ninety-six -hours; and while they were arguing it out Fluff came around the house -unsuspectingly and saw us on the porch. He gave us one startled glance -and started north by northeast at what Brownlee said was the most -marvelous rate of speed he ever saw. Then he and Massett got down off -the porch and looked for guns, but there were none in sight. There -wasn't anything that looked the least like a gun. Not even a broomstick. -Brownlee said he knew what was the matter--Fluff was having a little -practice run to keep in good condition, and would be back in a few -hours; but, judging by the look he gave us as he went, I thought he -would be gone longer than that. - -I could see that Brownlee was worried, and as day followed day without -any return of Fluff, Murchison and I tried to cheer him up, showing him -how much better we all slept while Fluff was away; but it did not cheer -up poor Brownlee. He had set his faith on that dog, and the dog had -deceived him. We all became anxious about Brownlee's health--he moped -around so; and just when we began to be afraid he was going into a -decline he cheered up, and came over as bright and happy as a man could -be. - -“I told you so!” he exclaimed joyfully, as soon as he was inside my -gate. “And it makes me ashamed of myself that I didn't think of it the -moment I saw Fluff start off. You will never see that dog again.” - -I told Brownlee that that was good news, anyway, even if it did upset -his law of scared dogs; but he smiled a superior smile. - -“Disprove nothing!” he said. “It proves my law. Didn't I say in the -first place that the time a dog would be gone was in inverse ratio -to the number of guns? Well, the inverse ratio to no guns is infinite -time--that is how long Fluff will be gone; that is how long he will run. -Why, that dog will never stop running while there is any dog left in -him. He can't help it--it is the law of scared dogs.” - -“Do you mean to say,” I asked him, “that that dog will run on and on -forever?” - -“Exactly!” said Brownlee proudly. “As long as there is a particle of him -left he will keep on running. That is the law.” - -Maybe Brownlee was right. I don't know. But what I would like to know is -the name of some one who would like a dog that looks like Fluff, and is -his size, and that howls like him and that answers to his name. A dog of -that kind returned to Murchison's house a long time before infinity, and -I would like to get rid of him. Brownlee says it isn't Fluff; that his -law couldn't be wrong, and that this is merely a dog that resembles -Fluff. Maybe Brownlee is right, but I would like to know some one that -wants a dog with a richly melodious voice. - -THE END - - - - - - - -End of the Project Gutenberg EBook of That Pup, by Ellis Parker Butler - -*** END OF THIS PROJECT GUTENBERG EBOOK THAT PUP *** - -***** This file should be named 44146-0.txt or 44146-0.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/4/1/4/44146/ - -Produced by David Widger - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” - or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase “Project Gutenberg” appears, or with which the phrase “Project -Gutenberg” is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase “Project Gutenberg” associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -“Plain Vanilla ASCII” or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original “Plain Vanilla ASCII” or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, “Information about donations to - the Project Gutenberg Literary Archive Foundation.” - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -“Defects,” such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - diff --git a/old/44146-0.zip b/old/44146-0.zip Binary files differdeleted file mode 100644 index 0fd2c1d..0000000 --- a/old/44146-0.zip +++ /dev/null diff --git a/old/44146-h.zip b/old/44146-h.zip Binary files differdeleted file mode 100644 index 673bb75..0000000 --- a/old/44146-h.zip +++ /dev/null diff --git a/old/44146-h/44146-h.htm b/old/44146-h/44146-h.htm deleted file mode 100644 index 21d4928..0000000 --- a/old/44146-h/44146-h.htm +++ /dev/null @@ -1,1730 +0,0 @@ -<?xml version="1.0" encoding="utf-8"?> - -<!DOCTYPE html - PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > - -<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> - <head> - <title> - That Pup, by Ellis Parker Butler - </title> - <style type="text/css" xml:space="preserve"> - - body { margin:5%; background:#faebd0; text-align:justify} - P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } - H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } - hr { width: 50%; text-align: center;} - .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } - blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} - .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} - .toc { margin-left: 10%; margin-bottom: .75em;} - .toc2 { margin-left: 20%;} - div.fig { display:block; margin:0 auto; text-align:center; } - div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } - .figleft {float: left; margin-left: 0%; margin-right: 1%;} - .figright {float: right; margin-right: 0%; margin-left: 1%;} - .pagenum {display:inline; font-size: 100%; font-style:normal; - margin: 0; padding: 0; position: absolute; right: 1%; - text-align: right;} - .side { float: left; font-size: 75%; width: 25%; padding-left: 0.8em; - border-left: dashed thin; text-align: left; - text-indent: 0; font-weight: bold; font-style: italic; - font-weight: bold; color: black; background: #eeeeee; border: solid 1px;} - pre { font-style: italic; font-size: 90%; margin-left: 10%;} - -</style> - </head> - <body> - - -<pre> - -The Project Gutenberg EBook of That Pup, by Ellis Parker Butler - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: That Pup - -Author: Ellis Parker Butler - -Release Date: November 10, 2013 [EBook #44146] -Last Updated: March 11, 2018 - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK THAT PUP *** - - - - -Produced by David Widger - - - - - -</pre> - - <div style="height: 8em;"> - <br /><br /><br /><br /><br /><br /><br /><br /> - </div> - <h1> - THAT PUP - </h1> - <h2> - By Ellis Parker Butler - </h2> - <h5> - Author Of Pigs Is Pigs, Kilo, Etc. - </h5> - <p> - <br /> - </p> - <h4> - Illustrated - </h4> - <p> - <br /> <br /> - </p> - <h5> - New York The McClure Company, MCMVII - </h5> - <div class="fig" style="width:80%;"> - <img src="images/frontispiece.jpg" alt="frontispiece" width="100%" /><br /> - </div> - <div class="fig" style="width:80%;"> - <img src="images/titlepage.jpg" alt="titlepage" width="100%" /><br /> - </div> - <p> - <br /><br /> - </p> - <hr /> - <p> - <br /><br /> - </p> - <p> - <b>CONTENTS</b> - </p> - <p class="toc"> - <a href="#link2H_4_0001"> I. THE EDUCATION OF FLUFF </a> - </p> - <p class="toc"> - <a href="#link2H_4_0002"> II. GETTING RID OF FLUFF </a> - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2H_4_0001" id="link2H_4_0001"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - I. THE EDUCATION OF FLUFF - </h2> - <p> - Murchison, who lives next door to me, wants to get rid of a dog, and if - you know of anyone who wants a dog I wish you would let Murchison know. - Murchison doesn't need it. He is tired of dogs, anyway. That is just like - Murchison. 'Way up in an enthusiasm one day and sick of it the next. - </p> - <p> - Brownlee—Brownlee lives on the other side of Murchison—remembers - when Murchison got the dog. It was the queerest thing, so Murchison says, - you ever heard of. Here came the express wagon—Adams' Express - Company's wagon—and delivered the dog. The name was all right—“C. - P. Murchison, Gallatin, Iowa”—and the charges were paid. The charges - were $2.80, and paid, and the dog had been shipped from New York. Think of - that! Twelve hundred miles in a box, with a can of condensed milk tied to - the box and “Please feed” written on it. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="linkimage-0001" id="linkimage-0001"> </a> - </p> - <div class="fig" style="width:80%;"> - <img src="images/frontispiece.jpg" alt="frontispiece" width="100%" /><br /> - </div> - <p> - When Murchison came home to dinner, there was the dog. At first Murchison - was pleased; then he was surprised; then he was worried. He hadn't ordered - a dog. The more he thought about it the more he worried. - </p> - <p> - “If I could just <i>think</i> who sent it,” he said to Brownlee, “then I - would know who sent it; but I can't think. It is evidently a valuable dog. - I can see that. People don't send cheap, inferior dogs twelve hundred - miles. But I can't <i>think</i> who sent it.” - </p> - <p> - “What worries me,” he said to Brownlee another time, “is who sent it. I - can't <i>imagine</i> who would send me a dog from New York. I know so many - people, and, like as not, some influential friend of mine has meant to - make me a nice present, and now he is probably mad because I haven't - acknowledged it. I'd like to know what he thinks of me about now!” - </p> - <p> - It almost worried him sick. Murchison never did care for dogs, but when a - man is presented with a valuable dog, all the way from New York, with - $2.80 charges paid, he simply <i>has</i> to admire that dog. So Murchison - got into the habit of admiring the dog, and so did Mrs. Murchison. From - what they tell me, it was rather a nice dog in its infancy, for it was - only a pup then. Infant dogs have a habit of being pups. - </p> - <p> - As near as I could gather from what Murchison and Mrs. Murchison told me, - it was a little, fluffy, yellow ball, with bright eyes and ever-moving - tail. It was the kind of a dog that bounces around like a rubber ball, and - eats the evening newspaper, and rolls down the porch steps with short, - little squawks of surprise, and lies down on its back with its four legs - in the air whenever a bigger dog comes near. In color it was something - like a camel, but a little redder where the hair was long, and its hair - was like beaver fur—soft and woolly inside, with a few long hairs - that were not so soft. It was so little and fluffy that Mrs. Murchison - called it Fluff. Pretty name for a soft, little dog is Fluff. - </p> - <p> - “If I only <i>knew</i> who sent that dog,” Murchison used to say to - Brownlee, “I would like to make some return. I'd send him a barrel of my - best melons, express paid, if it cost me five dollars!” - </p> - <p> - Murchison was in the produce business, and he knew all about melons, but - not so much about dogs. Of course he could tell a dog from a cat, and a - few things of that sort, but Brownlee was the real dog man. Brownlee had - two Irish pointers or setters—I forget which they were; the black - dogs with the long, floppy ears. I don't know much about dogs myself. I - hate dogs. - </p> - <p> - Brownlee knows a great deal about dogs. He isn't one of the book-taught - sort; he knows dogs by instinct. As soon as he sees a dog he can make a - guess at its breed, and out our way that is a pretty good test, for - Gallatin dogs are rather cosmopolitan. That is what makes good stock in - men—Scotch grandmother and German grandfather on one side and - English grandmother and Swedish grandfather on the other—and I don't - see why the same isn't true of dogs. There are numbers of dogs in Gallatin - that can trace their ancestry through nearly every breed of dog that ever - lived, and Brownlee can look at any one of them and immediately guess at - its formula—one part Spitz, three parts greyhound, two parts collie, - and so on. I have heard him guess more kinds of dog than I ever knew - existed. - </p> - <p> - As soon as he saw Murchison's dog he guessed it was a pure bred Shepherd - with a trace of Eskimo. Massett, who thinks he knows as much about dogs as - Brownlee does, didn't believe it. The moment he saw the pup he said it was - a pedigree dog, half St. Bernard and half Spitz. - </p> - <p> - Brownlee and Massett used to sit on Murchison's steps after supper and - point out the proofs to each other. They would argue for hours. - </p> - <p> - “All right, Massett,” Brownlee would say, “but you can't fool <i>me</i>. I - Look at that nose! If that isn't a Shepherd nose, I'll eat it. And see - that tail! Did you ever see a tail like that on a Spitz? That is an Eskimo - tail as sure as I am a foot high.” - </p> - <p> - “Tail fiddlesticks!” Massett would reply. “You can't tell anything by a - pup's tail. Look at his ears! <i>There</i> is St. Bernard for you! And see - his lower jaw. Isn't that Spitz? I'll leave it to Murchison. Isn't that - lower jaw Spitz, Murchison?” - </p> - <p> - Then all three would tackle the puppy and open its mouth and feel its jaw, - and the pup would wriggle and squeak, and back away, opening and shutting - its mouth to see if its works had been damaged. - </p> - <p> - “All right!” Brownlee would say. “You wait a year or two and you'll see!” - </p> - <p> - About three months later the pup was as big as an ordinary full-grown dog, - and his coat looked like a compromise between a calfskin and one of these - hairbrush door mats you use to wipe your feet on in muddy weather. He did - not look like the same pup. He was long limbed and awkward and useless, - and homely as a shopworn fifty-cent yellow plush manicure set. Murchison - began to feel that he didn't really need a dog, but Brownlee was as - enthusiastic as ever. He would go over to Murchison's fairly oozing dog - knowledge. - </p> - <p> - “I'll tell you what that dog is,” he would say. “That dog is a cross - between a Great Dane and an English Deerhound. You've got a very valuable - dog there, Murchison, a very valuable dog. He comes of fine stock on both - sides, and it is a cross you don't often see. I never saw it, and I've - seen all kinds of crossed dogs.” - </p> - <p> - Then Massett would drop in and walk around the dog admiringly for a few - minutes and absorb his beauties. - </p> - <p> - “Murchison,” he would say, “do you know what that dog is? That dog is a - pure cross between a Siberian wolfhound and a Newfoundland. You treat that - dog right and you'll have a fortune in him. Why, a pure Siberian wolfhound - is worth a thousand dollars, and a good—a really good Newfoundland, - mind you—is worth two thousand, and you've got both in one dog. - That's three thousand dollars' worth of dog!” - </p> - <p> - In the next six months Fluff grew. He broadened out and lengthened and - heightened, and every day or two Brownlee or Massett would discover a new - strain of dog in him. They pointed out to Murchison all the marks by which - he could tell the different kinds of dog that were combined in Fluff, and - every time they discovered a new one they held a sort of jubilee, and - bragged and swelled their chests. They seemed to spend all their time - thinking up odd and strange kinds of dog that Fluff had in him. Brownlee - discovered the traces of Cuban bloodhound, Kamtchatka hound, beagle, - Brague de Bengale, and Thibet mastiff, but Massett first traced the - stag-hound, Turkoman watchdog, Dachshund, and Harrier in him. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="linkimage-0002" id="linkimage-0002"> </a> - </p> - <div class="fig" style="width:80%;"> - <img src="images/26.jpg" alt="26" width="100%" /><br /> - </div> - <p> - Murchison, not being a doggish man, never claimed to have noticed any of - these family resemblances, and never said what he thought the dog really - was until a month or two later, when he gave it as his opinion that the - dog was a cross between a wolf, a Shetland pony, and hyena. It was about - that time that Fluff had to be chained. He had begun to eat other dogs, - and children and chickens. The first night Murchison chained him to his - kennel Fluff walked half a mile, taking the kennel along, and then only - stopped because the kennel got tangled with a lamp-post. The man who - brought him home claimed that Fluff was nearly asphyxiated when he found - him; said he gnawed half through the lamp-post, and that gas got in his - lungs, but this was not true. Murchison learned afterwards that it was - only a gasoline lamp-post, and a wooden one. - </p> - <p> - “If there were only some stags around this part of the country,” said - Massett, “the stag-hound strain in that dog would be mighty valuable. You - could rent him out to everybody who wanted to go stag hunting; and you'd - have a regular monopoly, because he's the only staghound in this part of - the country. And stag hunting would be popular, too, out here, because - there are no game laws that interfere with stag hunting in this State. - There is no closed season. People could hunt stags all the year round, and - you'd have that dog busy every day of the year.” - </p> - <p> - “Yes!” sneered Brownlee, “only there are no stags. And he hasn't any - staghound blood in him. Pity there are no Dachs in this State, too, isn't - it? Then Murchison could hire his dog at night, too. They hunt Dachs at - night, don't they, Massett? Only there is no Dachshund blood in him, - either. If there was, and if there were a few Dachs-” - </p> - <p> - Massett was mad. - </p> - <p> - “Yes!” he cried. “And you, with your Cuban bloodhound strain! I suppose if - it was the open season for Cubans, you'd go out with the dog and tree a - few! Or put on snowshoes and follow the Kamtchat to his icy lair!” - Brownlee doesn't get mad easily. - </p> - <p> - “Murchison,” he said, “leaving out Mas-sett's dreary nonsense about - staghounds, I can tell you that dog would make the finest duck dog in the - State. He's got all the points for a good duck dog, and I ought to know - for I have two of the best duck dogs that ever lived. All he needs is - training. If you will train him right you'll have a mighty valuable dog.” - </p> - <p> - “But I don't hunt ducks,” said Murchison, “and I don't know how to train - even a lap-dog.” - </p> - <p> - “You let me attend to his education,” said Brownlee. “I just want to show - Massett here that I know a dog when I see one. I'll show Massett the - finest duck dog he ever saw when I get through with Fluff.” - </p> - <p> - So he went over and got his shotgun, just to give Fluff his first lesson. - The first thing a duck dog must learn is not to be afraid of a gun, and - Brownlee said that if a dog first learned about guns right at his home he - was not so apt to be afraid of them. He said that if a dog heard a gun for - the first time when he was away from home and in strange surroundings he - was quite right to be surprised and startled, but if he heard it in the - bosom of his family, with all his friends calmly seated about, he would - think it was a natural thing, and accept it as such. - </p> - <p> - So Brownlee put a shell in his gun and Mas-sett and Murchison sat on the - porch steps and pretended to be uninterested and normal, and Brownlee - stood up and aimed the gun in the air. Fluff was eating a bone, but - Brownlee spoke to him and he looked up, and Brownlee pulled the trigger. - It seemed about five minutes before Fluff struck the ground, he jumped so - high when the gun was fired, and then he started north by northeast at - about sixty miles an hour. He came back all right, three weeks later, but - his tail was still between his legs. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="linkimage-0003" id="linkimage-0003"> </a> - </p> - <div class="fig" style="width:80%;"> - <img src="images/32.jpg" alt="32" width="100%" /><br /> - </div> - <p> - Brownlee didn't feel the least discouraged. He said he saw now that the - whole principle of what he had done was wrong; that no dog with any brains - whatever could be anything but frightened to hear a gun shot off right in - the bosom of his family. That was no place to fire a gun. He said Fluff - evidently thought the whole lot of us were crazy, and ran in fear of his - life, thinking we were insane and might shoot him next. He said the thing - to do was to take the shotgun into its natural surroundings and let Fluff - learn to love it there. He pictured Fluff enjoying the sound of the gun - when he heard it at the edge of the lake. - </p> - <p> - Murchison never hunted ducks, but as Fluff was his dog, he went with - Brownlee, and of course Massett went. Massett wanted to see the failure. - He said he wished stags were as plentiful as ducks, and he would show - Brownlee! - </p> - <p> - Fluff was a strong dog—he seemed to have a strain of ox in him, so - far as strength went—and as long as he saw the gun he insisted that - he would stay at home; but when Brownlee wrapped the gun in brown paper so - it looked like a big parcel from the meat shop, the horse that they had - hitched to the buck-board was able to drag Fluff along without straining - itself. Fluff was fastened to the rear axle with a chain. - </p> - <p> - When they reached Duck Lake, Brownlee untied Fluff and patted him, and - then unwrapped the gun. Fluff gave one pained glance and made the six-mile - run home in seven minutes without stopping. He was home before Brownlee - could think of anything to say, and he went so far into his kennel that - Murchison had to take off the boards at the back to find him that night. - </p> - <p> - “That's nothing,” was what Brownlee said when he did speak; “young dogs - are often that way. Gun fright. They have to be gun broken. You come out - to-morrow, and I'll show you how a man who really knows how to handle a - dog does the trick.” - </p> - <p> - The next day, when Fluff saw the buck-board he went into his kennel, and - they couldn't pry him out with the hoe-handle. He connected buckboards and - guns in his mind, so Brownlee borrowed the butcher's delivery wagon, and - they drove to Wild Lake. It was seven miles, but Fluff seemed more willing - to go in that direction than toward Duck Lake. He did not seem to care to - go to Duck Lake at all. - </p> - <p> - “Now, then,” said Brownlee, “I'll show you the intelligent way to handle a - dog. I'll prove to him that he has nothing to fear, that I am his comrade - and friend. And at the same time,” he said, “I'll not have him running off - home and spoiling our day's sport.” - </p> - <p> - So he took the chain and fastened it around his waist, and then he sat - down and talked to Fluff like an old friend, and got him in a playful - mood. Then he had Murchison get the gun out of the wagon and lay it on the - ground about twenty feet off. It was wrapped in brown paper. - </p> - <p> - Brownlee talked to Fluff and told him what fine sport duck hunting is, and - then, as if by chance, he got on his hands and knees and crawled toward - the gun. Fluff hung back a little, but the chain just coaxed him a little, - too, and they edged up to the gun, and Brownlee pretended to discover it - unexpectedly. - </p> - <p> - “Well, well!” he said. “What's this?” - </p> - <p> - Fluff nosed up to it and sniffed it, and then went at it as if it was - Massett's cat. That Brownlee had wrapped a beefsteak around the gun, - inside the paper, and Fluff tore off the paper and ate the steak, and - Brownlee winked at Murchison. - </p> - <p> - “I declare,” he said, “if here isn't a gun! Look at this, Fluff—a - gun! Gosh! but we are in luck!” - </p> - <p> - Would you believe it, that dog sniffed at the gun, and did not fear it in - the least? You could have hit him on the head with it and he would not - have minded it. He never did mind being hit with small things like guns - and ax handles. - </p> - <p> - Brownlee got up and stood erect. - </p> - <p> - “You see!” he said proudly. “All a man needs with a dog like this is - intelligence. A dog is like a horse. He wants his reason appealed to. Now, - if I fire the gun, he may be a little startled, but I have created a faith - in me in him. He knows there is nothing dangerous in a gun <i>as</i> a - gun. He knows I am not afraid of it, so he is not afraid. He realizes that - we are chained together, and that proves to him that he need not run - unless I run. Now watch.” - </p> - <p> - Brownlee fired the shotgun. - </p> - <p> - Instantly he started for home. He did not start lazily, like a boy - starting to the wood pile, but went promptly and with a dash. His first - jump was only ten feet, and we heard him grunt as he landed, but after - that he got into his stride and made fourteen feet each jump. He was bent - forward a good deal in the middle, where the chain was, and in many ways - he was not as graceful as a professional cinder-path track runner, but, in - running, the main thing is to cover the ground rapidly. Brownlee did that. - </p> - <p> - Massett said it was a bad start. He said it was all right to start a - hundred-yard dash that way, but for a long-distance run—a run of - seven miles across country—the start was too impetuous; that it - showed a lack of generalship, and that when it came to the finish the - affair would be tame; but it wasn't. - </p> - <p> - Brownlee said afterwards that there wasn't a tame moment in the entire - seven miles. It was rather more wild than tame. He felt right from the - start that the finish would be sensational, unless the chain cut him quite - in two, and it didn't. He said that when the chain had cut as far as his - spinal column it could go no farther, and it stopped and clung there, but - it was the only thing that did stop, except his breath. It was several - years later that I first met Brownlee, and he was still breathing hard, - like a man who has just been running rapidly. Brownlee says when he shuts - his eyes his legs still seem to be going. - </p> - <p> - The first mile was through underbrush, and that was lucky, for the - underbrush removed most of Brownlee's clothing, and put him in better - running weight, but at the mile and a quarter they struck the road. He - said at two miles he thought he might be overexercising the dog and maybe - he had better stop, but the dog seemed anxious to get home so he didn't - stop there. He said that at three miles he was sure the dog was overdoing, - and that with his knowledge of dogs he was perfectly able to stop a - running dog in its own length if he could speak to it, but he couldn't - speak to this dog for two reasons. One was that he couldn't overtake the - dog and the other was that all the speak was yanked out of him. - </p> - <p> - When they reached five miles the dog seemed to think they were taking too - much time to get home, and let out a few more laps of speed, and it was - right there that Brownlee decided that Fluff had some greyhound blood in - him. - </p> - <p> - He said that when they reached town he felt as if he would have been glad - to stop at his own house and lie down for awhile, but the dog didn't want - to, and so they went on; but that he ought to be thankful that the dog was - willing to stop at that town at all. The next town was twelve miles - farther on, and the roads were bad. But the dog turned into Murchison's - yard and went right into his kennel. - </p> - <p> - When Murchison and Massett got home, an hour or so later, after driving - the horse all the way at a gallop, they found old Gregg, the carpenter, - prying the roof off the kennel. You see, Murchison had knocked the rear - out of the kennel the day before, and so when the dog aimed for the front - he went straight through, and as Brownlee was built more perpendicular - than the dog, Brownlee didn't go quite through. He went in something like - doubling up a dollar bill to put it into a thimble. I don't suppose anyone - would want to double up a dollar bill to put it into a thimble, but - neither did Brownlee want to be doubled up and put into the kennel. It was - the dog's thought. So they had to take the kennel roof off. - </p> - <p> - When they got Brownlee out they laid him on the grass, and covered him up - with a porch rug, and let him lie there a couple of hours to pant, for - that seemed what he wanted to do just then. It was the longest period - Brownlee ever spent awake without talking about dog. - </p> - <p> - Murchison and Massett and old Gregg and twenty-six informal guests stood - around and gazed at Brownlee panting. Presently Brownlee was able to gasp - out a few words. - </p> - <p> - “Murchison,” he gasped, “Murchison, if you just had that dog in Florence—or - wherever it is they race dogs—you'd have a fortune.” - </p> - <p> - He panted awhile, and then gasped out: - </p> - <p> - “He's a great runner; a phenomenal runner!” - </p> - <p> - He had to pant more, and then he gasped with pride: - </p> - <p> - “But I wasn't three feet behind him all the way!” - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2H_4_0002" id="link2H_4_0002"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - II. GETTING RID OF FLUFF - </h2> - <p> - So after that Murchison decided to get rid of Fluff. He told me that he - had never really-wanted a dog, anyway, but that when a dog is sent, all - the way from New York, anonymously, with $2.80 charges paid, it is hard to - cast the dog out into the cold world without giving it a trial. So - Murchison tried the dog for a few more years, and at last he decided he - would have to get rid of him. He came over and spoke to me about it, - because I had just moved in next door. - </p> - <p> - “Do you like dogs?” he asked, and that was the first word of conversation - I ever had with Murchison. I told him frankly that I did not like dogs, - and that my wife did not like them, and Murchison seemed more pleased than - if I had offered him a thousand dollars. - </p> - <p> - “Now, I am glad of that,” he said, “for Mrs. Murchison and I hate dogs. If - you do not like dogs, I will get rid of Fluff. I made up my mind several - years ago to get rid of Fluff, but when I heard you were going to move - into this house, I decided not to get rid of him until I knew whether you - liked dogs or not. I told Mrs. Murchison that if we got rid of Fluff - before you came, and then found that you loved dogs and owned one, you - might take our getting rid of Fluff as a hint that your dog was - distasteful to us, and it might hurt your feelings. And Mrs. Murchison - said that if you had a dog, your dog might feel lonely in a strange place - and might like to have Fluff to play with until your dog got used to the - neighborhood. So we did not get rid of him; but if you do not like dogs we - will get rid of him right away.” - </p> - <p> - I told Murchison that I saw he was the kind of a neighbor a man liked to - have, and that it was kind of him to offer to get rid of Fluff, but that - he mustn't do so just on our account. - </p> - <p> - I said that if he wanted to keep the dog, he had better do so. - </p> - <p> - “Now, that is kind of you,” said Murchison, “but we would really rather - get rid of him. I decided several years ago that I would get rid of him, - but Brownlee likes dogs, and took an interest in Fluff, and wanted to make - a bird dog of him, so we kept Fluff for his sake. But now Brownlee is - tired of making a bird dog of him. He says Fluff is too strong to make a - good bird dog, and not strong enough to rent out as a horse, and he is - willing I should get rid of him. He says he is anxious for me to get rid - of him as soon as I can.” - </p> - <p> - When I saw Fluff I agreed with Brownlee. At the first glance I saw that - Fluff was a failure as a dog, and that to make a good camel he needed a - shorter neck and more hump, but he had the general appearance of an - amateur camel. He looked as if some one who had never seen a dog, but had - heard of one, had started out to make a dog, and got to thinking of a - camel every once in a while, and had tried to show me Fluff that day - worked in parts of what he thought a camel was like with what he thought a - dog was like, and then—when the job was about done—had decided - it was a failure, and had just finished it up any way, sticking on the - meanest and cheapest hair he could find, and getting most of it on wrong - side to. - </p> - <p> - But the cheap hair did not matter much. Murchison and Brownlee showed me - the place where Fluff had worn most of it off the ridge pole of his back - crawling under the porch. He tried to show me Fluff that day, but it was - so dark under the porch that I could not tell which was Fluff and which - was simply underneathness of porch. But from what Brownlee told me that - day, I knew that Fluff had suffered a permanent dislocation of the - spirits. He told me he had taken Fluff out to make a duck dog of him, and - that all the duck Fluff was interested in was to duck when he saw a gun, - and that after he had heard a gun fired once or twice he had become sad - and dejected, and had acquired a permanently ingrowing tail, and an - expression of face like a coyote, but more mournful. He had acquired a - habit of carrying his head down and forward, as if he was about to lay it - on the headsman's block, and knew he deserved that and more, and the - sooner it was over the better. He couldn't even scratch fleas correctly. - Brownlee said that when he met a flea in the road he would not even go - around it, but would stoop down like a camel to let the flea get aboard. - He was that kind of a dog. He was the most discouraged dog I ever knew. - </p> - <div class="fig" style="width:80%;"> - <img src="images/46.jpg" alt="46" width="100%" /><br /> - </div> - <p> - The next day I was putting down the carpet in the back bedroom, when in - came Murchison. - </p> - <p> - “I came over to speak to you about Fluff,” he said. “I am afraid he must - have annoyed you last night. I suppose you heard him howl?” - </p> - <p> - “Yes, Murchison,” I said, “I did hear him. I never knew a dog could howl - so loud and long as that. He must have been very ill.” - </p> - <p> - “Oh, no!” said Murchison cheerfully. “That is the way he always howls. - That is one of the reasons I have decided to get rid of Fluff. But it is a - great deal worse for us than it is for you. The air inlet of our furnace - is at the side of the house just where Fluff puts his head when he howls, - and the register in our room is right at the head of our bed. So his howl - goes in at the inlet and down through the furnace and up the furnace - pipes, and is delivered right in our room, just as clear and strong as if - he was in the room. That is one reason I have fully decided to get rid of - Fluff. It would not be so bad if we had only one register in our house, - but we have ten, and when Fluff howls, his voice is delivered by all ten - registers, so it is just as if we had ten Fluffs in the house at one time. - And ten howls like Fluff's are too much. Even Brownlee says so.” I told - Murchison that I agreed with Brownlee perfectly. Fluff had a bad howl. It - sounded as if Cruel Fate, with spikes in his shoes, had stepped on Fluff's - inmost soul, and then jogged up and down on the tenderest spot, and Fluff - was trying to reproduce his feelings in vocal exercises. It sounded like a - cheap phonograph giving a symphony in the key of woe minor, with a - megaphone attachment and bad places in the record. Judging by his voice, - the machine needed a new needle. But the megaphone attachment was all - right. - </p> - <p> - Brownlee—who knows all about dogs—said that he knew what was - the matter with Fluff. He said Fluff had a very high-grade musical - temperament, and that he longed to be the Caruso of dogs. He said that he - could see that all through his bright and hopeful puppyhood he had looked - forward to being a great singer, with a Wagner repertoire and tremolo - stops in his song organ, and that he had early set his aim at perfection. - He said Fluff was that kind of a dog, and that when he saw what his voice - had turned out to be he was dissatisfied, and became morbid. He said that - any dog that had a voice like Fluff's had a right to be dissatisfied with - it—he would be dissatisfied himself with that voice. He said he did - not wonder that Fluff slunk around all day, feeling he was no good on - earth, and that he could understand that when night came and everything - was still, so that Fluff could judge of the purity of his tonal quality - better, he would pull out his voice, and tune it up and look it over and - try it again, hoping it had improved since he tried it last. Brownlee said - it never had improved, and that was what made Fluff's howl so mournful—it - was full of tears. He said Fluff would go to G flat and B flat and D flat, - and so on until he struck a note he felt he was pretty good at, and then - he would cling to that note and weep it full of tears. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="linkimage-0005" id="linkimage-0005"> </a> - </p> - <div class="fig" style="width:80%;"> - <img src="images/52.jpg" alt="52" width="100%" /><br /> - </div> - <p> - He asked Murchison if he hadn't noticed that the howl was sort of damp and - salty from the tears, but Murchison said he hadn't noticed the dampness. - He said it probably got dried out of the howl before it readied him, - coming through the furnace. Then Brownlee said that if there was only some - way of regulating Fluff, so that he could be turned on and off, Murchison - would have a fortune in him: he could turn his howl off when people wanted - to be cheerful, and then, when a time of great national woe occurred, - Murchison could turn Fluff on and set him going. He said he never heard - anything in his life that came so near expressing in sound a great - national woe as Fluff's howl did. He said Fluff might lack finish in tonal - quality, but that in woe quality he was a master: he was stuffed so full - of woe quality that it oozed out of his pores. He said he always thought - what a pity it was for dogs like Fluff that people preferred cheerful - songs like “Annie Rooney” and “Waltz me around again, Willie” to the - nobler woe operas. He said he had tried to like good music himself, but it - was no use: whenever he heard Fluff sing, he felt that Murchison ought to - get rid of Fluff. Then Murchison said that was just what he was going to - do. What he wanted to talk about was how to get rid of Fluff. - </p> - <p> - But I am getting too far ahead of my story. Whenever I get to talking - about the howl of Fluff, I find I wander on for hours at a time. - </p> - <p> - It takes hours of talk to explain just what a mean howl Fluff had. - </p> - <p> - But as I was saying, Murchison came over while I was putting down the - carpet in my back bedroom, and told me he had fully decided to get rid of - Fluff. - </p> - <p> - “I have fully decided to get rid of him,” he said, “and the only thing - that bothers me is how to get rid of him.” - </p> - <p> - “Give him away,” I suggested. - </p> - <p> - “That's a good idea!” said Murchison gratefully. “That's the very idea - that occurred to me when I first thought of getting rid of Fluff. It is an - idea that just matches Fluff all over. That is just the kind of dog Fluff - is. If ever a dog was made to give away, Fluff was made for it. The more I - think about him and look at him and study him, the surer I am that the - only thing he is good for is to give away.” - </p> - <p> - Then he shook his head and sighed. - </p> - <p> - “The only trouble,” he said, “is that Fluff <i>is</i> the give-away kind - of dog. That is the only kind you can't give away. There is only one time - of the year that a person can make presents of things that are good for - nothing but to give away, and that is at Christmas. Now, I might—” - </p> - <p> - “Murchison,” I said, laying my tack hammer on the floor and standing up, - “you don't mean to keep that infernal, howling beast until Christmas, do - you? If you do, I shall stop putting down this carpet. I shall pull out - the tacks that are already in and move elsewhere. Why, this is only the - first of May, and if I have to sleep—if I have to keep awake every - night and listen to that animated foghorn drag his raw soul over the teeth - of a rusty harrow—I shall go crazy. Can't you think of some one that - is going to have a birthday sooner than that?” - </p> - <p> - “I wish I could,” said Murchison wistfully, “but I can't. I want to get - rid of Fluff, and so does Brownlee, and so does Massett, but I can't think - of a way to get rid of him, and neither can they.” - </p> - <p> - “Murchison,” I said, with some asperity, for I hate a man who trifles, “if - I really thought you and Brownlee and Massett were as stupid as all that, - I would be sorry I moved into this neighborhood, but I don't believe it. I - believe you do not mean to get rid of Fluff. I believe you and Brownlee - and Massett want to keep him. If you wanted to get rid of him, you could - do it the same way you got him.” - </p> - <p> - “That's an excellent idea!” exclaimed Murchison. “That is one of the best - ideas I ever heard, and I would go and do it if I hadn't done it so often - already. As soon as Brownlee suggested that idea I did it. I sent Fluff by - express to a man—to John Smith—at Worcester, Mass., and when - Fluff came back I had to pay $8.55 charges. But I didn't begrudge the - money. The trip did Fluff a world of good—it strengthened his voice, - and made him broader-minded. I tell you,” he said enthusiastically, - “there's nothing like travel for broadening the mind! Look at Fluff! Maybe - he don't show it, but that dog's mind is so broadened by travel that if he - was turned loose in Alaska he would find his way home. When I found his - mind was getting so tremendously broad I stopped sending him to places. - Brownlee—Brownlee knows all about dogs—said it would not hurt - Fluff a bit; he said a dog's mind could not get too broad, and that as far - as he was concerned he would just like to see once how broad-minded a dog - could become; he would like to have Fluff sent out by express every time - he came back. He told me it was an interesting experiment—that so - far as he knew it had never been tried before—and that the thing I - ought to do was to keep Fluff traveling all the time. He said that so far - as he knew it was the only way to get rid of Fluff; that some time while - he was traveling around in the express car there might be a wreck, and we - would be rid of Fluff; and if there wasn't a wreck, it would be - interesting to see what effect constant travel would have on a coarse dog. - He said I might find after a year or two that I had the most cultured dog - in the United States. Brownlee was willing to have me send Fluff anywhere. - He suggested a lot of good places to send dogs, but he didn't care enough - about dog culture to help pay the express charges.” - </p> - <p> - “I see, Murchison,” I said scornfully, “I see! You are the kind of a man - who would let a little money stand between you and getting rid of a dog - like Fluff! If I had a dog like Fluff, nothing in the world could prevent - me from getting rid of him. I only wish, he was my dog.” - </p> - <p> - “Take him!” said Murchison generously; “I make you a full and free present - of him. You can have that dog absolutely and wholly. He is yours.” - </p> - <p> - “I will take the dog,” I said haughtily, “not because I really want a dog, - nor because I hanker for that particular dog, but because I can see that - you and Brownlee and Massett have been trifling with him. Bring him over - in my yard, and I will show you in very short measure how to get rid of - Fluff.” - </p> - <p> - That afternoon both Brownlee and Massett called on me. They came and sat - on my porch steps, and Murchison came and sat with them, and all three sat - and looked at Fluff and talked him over. Every few minutes they would—Brownlee - and Massett would—get up and shake hands with Murchison, and - congratulate him on having gotten rid of Fluff, and Murchison would blush - modestly and say: - </p> - <p> - “Oh, that is nothing! I always knew I would get rid of him.” And there was - the dog not five feet from them, tied to my lawn hydrant. I watched and - listened to them until I had had enough of it, and then I went into the - house and got my shotgun. I loaded it with a good BB shell and went out. - </p> - <div class="fig" style="width:80%;"> - <img src="images/62.jpg" alt="62" width="100%" /><br /> - </div> - <p> - Fluff saw me first. I never saw a dog exhibit such intelligence as Fluff - exhibited right then. I suppose travel had broadened him, and probably the - hydrant was old and rusted out, anyway. When a man moves into a house he - ought to have <i>all</i> the plumbing attended to the first thing. Any - ordinary, unbroadened dog would have lain down and pulled, but Fluff - didn't. First he jumped six feet straight into the air, and that pulled - the four feet of hydrant pipe up by the roots, and then he went away. He - took the hydrant and the pipe with him, and that might have surprised me, - but I saw that he did not know where he was going nor how long he would - stay there when he reached the place, and a dog can never tell what will - come handy when he is away from home. A hydrant and a piece of iron pipe - might be the very thing he would need. So he took them along. - </p> - <p> - If I had wanted a fountain in my front yard, I could not have got one half - as quickly as Fluff furnished that one, and I would never have thought of - pulling out the hydrant to make me one. Fluff thought of that—at - least Brownlee said he thought of it—but I think all Fluff wanted - was to get away. And he got away, and the fountain didn't happen to be - attached to the hydrant, so he left it behind. If it had been attached to - the hydrant, he would have taken it with him. He was a strong dog. - </p> - <p> - “There!” said Brownlee, when we had heard the pipe rattle across the - Eighth Street bridge—“there is intelligence for you! You ought to be - grateful to that dog all your life. <i>You</i> didn't know it was against - the law to discharge a gun in the city limits, but Fluff did, and he - wouldn't wait to see you get into trouble. He has heard us talking about - it, Murchison. I tell you travel has broadened that dog! Look what he has - saved you,” he said to me, “by going away at just the psychological - moment. We should have told you about not firing a gun in the city limits. - You can't get rid of Fluff that way. It is against the law.” - </p> - <p> - “Yes,” said Massett; “and if you knew Fluff as well as we do you would - know that he is a dog you can't shoot. He is a wonderful dog. He knows all - about guns. Brownlee tried to make a duck dog out of him, and took him out - where the ducks were—showed him the ducks—shot a gun at the - ducks—and what do you think that dog learned?” - </p> - <p> - “To run,” I said, for I had heard about Brownlee teaching Fluff to - retrieve. Brownlee blushed. - </p> - <p> - “Yes,” said Massett, “but that wasn't all. It doesn't take intelligence to - make a dog run when he sees a gun, but Fluff did not run like an ordinary - dog. He saw the gun and he saw the ducks, and he saw that Brownlee only - shot at ducks when they were on the wing. And he thought Brownlee meant to - shoot him, so what does he do? Stand still? No; he tries to fly. Gets - right up and tries to fly. He thought that was what Brownlee was trying to - teach him. He couldn't fly, but he did his best. So whenever Fluff sees a - gun, he is on the wing, so to speak. You noticed he was on the wing, - didn't you?” - </p> - <p> - I told him I had noticed it. I said that as far as I could judge, Fluff - had a good strong wing. I said I didn't mind losing a little thing like a - hydrant and a length or two of pipe, but I was glad I hadn't fastened - Fluff to the house—I always liked my house to have a cellar—-and - it would be just like Fluff to stop flying at some place where there - wasn't any cellar. - </p> - <p> - “Oh,” said Massett, “he wouldn't have gone far with the house. A house is - a great deal heavier than a hydrant. He would probably have moved the - house off the foundation a little, but, judging by the direction Fluff - took, the house would have wedged between those two trees, and you would - have only lost a piece of the porch, or whatever he was tied to. But the - lesson is that you must not try to shoot Fluff unless you are a good wing - shot. Unless you can shoot like Davy Crockett, you would be apt to wound - Fluff without killing him, and then there <i>would</i> be trouble!” - </p> - <p> - “Yes,” said Murchison, “the Prevention of Cruelty to Animals folks. There - is only one way in which a dog can be killed according to law in this - place, and that is to have the Prevention of Cruelty to Animals folks do - it. You send them a letter telling them you have a dog you want killed, - and asking them to come and kill it. That is according to law.” - </p> - <p> - “That,” I said firmly, “is what I will do.” - </p> - <p> - “It won't do any good,” said Murchison sadly; “they never come. This - addition to Gallatin is too far from their offices to be handy, and they - never come. I have eighteen deaths for Fluff on file at their offices - already, and not one of them has killed him. When you have had as much - experience with dogs as I have had you will know that the Prevention of - Cruelty to them in this town does not include killing them when they live - in the suburbs. The only way a dog can die in the suburbs of Gallatin is - to die of old age.” - </p> - <p> - “How old is Fluff?” I asked. - </p> - <p> - “Fluff is a young dog,” said Brownlee. “If he had an ordinary dog - constitution, he would live fifteen years yet, but he hasn't. He has an - extra strong constitution, and I should say he was good for twenty years - more. But that isn't what we came over for. We came over to learn how you - mean to get rid of Fluff.” - </p> - <p> - “Brownlee,” I said, “I shall think up some way to get rid of Fluff. - Getting rid of a dog is no task for a mind like mine. But until he returns - and gives me back my hydrant, I shall do nothing further. I am not going - to bother about getting rid of a dog that is not here to be got rid of.” - </p> - <p> - By the time Fluff returned I had thought out a plan. Murchison had never - paid the dog tax on Fluff, and that was the same as condemning him to - death if he was ever caught outside of the yard, but when he was outside - he could not be caught. He was a hasty mover, and little things such as - closed gates never prevented him from entering the yard when in haste. - When he did not jump over he could get right through a fence. But to a man - of my ability these things are trifles. I knew how to get rid of Fluff. I - knew how to have him caught in the street without a license. I chained him - there. - </p> - <p> - Brownlee and Massett and Murchison came and watched me do it. Our street - is not much used, and the big stake I drove in the street was not much in - the way of passing grocery delivery wagons. I fastened Fluff to the stake - with a chain, and then I wrote to the city authorities and complained. I - said there was a dog without a license that was continually in front of my - house, and I wished it removed; and a week or so later the dog-catcher - came around and had a look at Fluff: He walked all around him while - Massett and Brownlee and Murchison and I leaned over our gates and looked - on. He was not at all what I should have expected a dog-catcher to be, - being thin and rather gentlemanly in appearance; and after he had looked - Fluff over well he came over and spoke to me. He asked me if Fluff was my - dog. I said he was. - </p> - <p> - “I see!” said the dog-catcher. “And you want to get rid of him. If he was - my dog, I would want to get rid of him, too. I have seen lots of dogs, but - I never saw one that was like this, and I do not blame you for wanting to - part with him. I have had my eye on him for several years, but this is the - first opportunity I have had to approach him. Now, however, he seems to - have broken all the dog laws. He has not secured a license, and he is in - the public highway. It will be my duty to take him up and gently - chloroform him as soon as I make sure of one thing.” - </p> - <p> - “Tell me what it is,” I said, “and I will help you make sure of ft.” - </p> - <p> - “Thank you,” he said, “but I will attend to it,” and with that he got on - his wagon and drove off. He returned in about an hour. - </p> - <p> - “I came back,” he said, “not because my legal duty compels me, but because - I knew you would be anxious. If I owned a dog like that, I would be - anxious, too. I can't take that dog.” - </p> - <p> - “Why not?” we all asked. - </p> - <p> - “Because,” he said, “I have been down to the city hall, and I have looked - up the records, and I find that the streets of this addition to the city - have not been accepted by the city. The titles to the property are so made - out that until the city legally accepts the streets, each property owner - owns to the middle of the street fronting his property. If you will step - out and look, you will see that the dog is on your own property.” - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="linkimage-0007" id="linkimage-0007"> </a> - </p> - <div class="fig" style="width:80%;"> - <img src="images/72.jpg" alt="72" width="100%" /><br /> - </div> - <p> - “If that is all,” I said, “I will move the stake. I will put him on the - other side of the street.” - </p> - <p> - “If you would like him any better there,” said the dog-catcher, “you can - move him, but it would make no difference to me. Then he would be on the - private property of the man who owns the property across the street.” - </p> - <p> - “But, my good man,” I said, “how <i>is</i> a man to get rid of a dog he - does not want?” - </p> - <p> - The dog-catcher frowned. - </p> - <p> - “That,” he said, “seems to be one of the things our lawmakers have not - thought of. But whatever you do, I advise you to be careful. Do not try - any underhand methods, for now that my attention has been called to the - dog, I shall have to watch his future and see that he is not badly used. I - am an officer of the Prevention of Cruelty to Animals as well as a - dog-catcher, and I warn you to be careful what you do with that dog.” - </p> - <p> - Then he got on his wagon again and drove away. - </p> - <p> - The next morning I was a nervous wreck, for Fluff had howled all night, - and Murchison came over soon after breakfast. He was accompanied by - Brownlee and Massett. - </p> - <p> - “Now, I am the last man in the world to do anything that my neighbors - would take offense at,” he said, as soon as they were seated on my porch, - “and Brownlee and Massett love dogs as few men ever love them; but - something has to be done about Fluff. The time has come when we must sleep - with our windows open, and neither Massett nor Brownlee nor I got a minute - of sleep last night.” - </p> - <p> - “Neither did I,” I said. - </p> - <p> - “That is different entirely,” said Murchison. “Fluff is your dog, and if - you want to keep a howling dog, you would be inclined to put up with the - howl, but we have no interest in the dog at all. We do not own him, and we - consider him a nuisance. We have decided to ask you to get rid of him. It - is unjust to your neighbors to keep a howling dog. You will have to get - rid of Fluff.” - </p> - <p> - “Exactly!” said Massett. “For ten nights I have not slept a wink, and - neither has Murchison, nor has Brownlee—” - </p> - <p> - “Nor I,” I added. - </p> - <p> - “Exactly!” said Massett. “And four men going without sleep for ten nights - is equal to one man going without sleep forty nights, which would kill any - man. Practically, Fluff has killed a man, and is a murderer, and as you - are responsible for him, it is the same as if you were a murderer - yourself; and as you were one of the four who did not sleep, you may also - be said to have committed suicide. But we do not mean to give you into the - hands of the law until we have remonstrated with you. But we feel deeply, - and the more so because you could easily give us some nights of sleep in - which to recuperate.” - </p> - <p> - “If you can tell me how,” I said, “I will gladly do it. I need sleep more - at this minute than I ever needed it in my life.” - </p> - <p> - “Very well,” said Massett; “just get out your shotgun and show it to - Fluff. When he sees the gun he will run. He will take wings like a duck, - and while he is away we can get a few nights' rest. That will be - something. And if we are not in good condition by that time, you can show - him the shotgun again. Why!” he exclaimed, as he grew enthusiastic over - his idea, “you can keep Fluff eternally on the wing!” - </p> - <p> - I felt that I needed a vacation from Fluff. I unchained him and went in to - get my shotgun. Then I showed him the shotgun, and we had two good nights - of sleep. After that, whenever we felt that we needed a few nights in - peace, I just showed Fluff the shotgun and he went away on one of his - flying trips. - </p> - <p> - But it was Brownlee—Brownlee knew all about dogs—who first - called my attention to what he called the periodicity of Fluff. - </p> - <p> - “Now, you would never have noticed it,” he said one day when Murchison and - I were sitting on my porch with him, “but I did. That is because I have - studied dogs. I know all about dogs, and I know Fluff can run. This is - because he has greyhound blood in him. With a little wolf. That is why I - studied Fluff, and how I came to notice that every time you show him the - shotgun he is gone just forty-eight hours. Now, you go and get your - shotgun and try it.” - </p> - <p> - So I tried it, and Fluff went away as he always did; and Brownlee sat - there bragging about how Fluff could run, and about how wonderful he was - himself to have thought of the periodicity of Fluff. - </p> - <p> - “Did you see how he went?” he asked enthusiastically. “That gait was a - thirty-mile-an-hour gait. Why, that dog travels—he travels—” - He took out a piece of paper and a pencil and figured it out. “In - forty-eight hours he travels fourteen hundred and forty miles! He gets - seven hundred and twenty miles from home!” - </p> - <p> - “It doesn't seem possible,” said Murchison. “No,” said Brownlee frankly, - “it doesn't.” He went over his figures again. “But that is figured - correctly,” he said. “If—but maybe I did not gauge his speed - correctly. And I didn't allow for stopping to turn around at the end of - the out sprint. What we ought to have on that dog is a pedometer. If I - owned a dog like that, the first thing I would get would be a pedometer.” - </p> - <p> - I told Brownlee that if he wished I would give him Fluff, and he could put - a pedometer, or anything else, on him; but Brownlee remembered he had some - work to do and went home. - </p> - <p> - But he was right about the periodicity of Fluff. Almost on the minute at - the end of forty-eight hours Fluff returned, and Brownlee and Murchison, - who were there to receive him, were as pleased as if Fluff had been going - away instead of returning. - </p> - <p> - “That dog,” said Brownlee, “is a wonderful animal. If Sir Isaac Newton had - that dog, he would have proved something or other of universal value by - him. That dog is plumb full of ratios and things, if we only knew how to - get them out of him. I bet if Sir Isaac Newton had had Fluff as long as - you have had him he would have had a formula all worked out—x/y(2xz-dog)=2(4ab-3x) - or something of that kind, so that anyone with half a knowledge of algebra - could figure out the square root of any dog any time of the day or night. - I could get up a Law of Dog myself if I had the time, with a dog like - Fluff to work on. 'If one dog travels fourteen hundred and forty miles at - the sight of a gun, how far would two dogs travel?' All that sort of - thing. Stop!” he ejaculated suddenly. “If one dog travels forty-eight - hours at the sight of one gun, how far would he travel at the sight of two - guns? Murchison,” he cried enthusiastically, “I've got it! I've got the - fundamental law of periodicity in dogs! Go get your gun,” he said to me, - “and I will get mine.” - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="linkimage-0008" id="linkimage-0008"> </a> - </p> - <div class="fig" style="width:80%;"> - <img src="images/82.jpg" alt="82" width="100%" /><br /> - </div> - <p> - He stopped at the gate long enough to say: - </p> - <p> - “I tell you, Murchison, we are on the verge of a mighty important - discovery—a mighty important discovery! If this thing turns out - right, we will be at the root of all dog nature. We will have the great - underlying law of scared dogs.” - </p> - <p> - He came back with his shotgun carefully hidden behind him, and then he and - I showed Fluff the two guns simultaneously. For one minute Fluff was - startled. Then he vanished. All we saw of him as he went was the dust he - left in his wake. Massett had come over when Brownlee brought over his - gun, and Murchison and I sat and smoked while Massett and Brownlee fought - out the periodicity of Fluff. Brownlee said that for two guns Fluff would - traverse the same distance as for one, but twice as quickly; but Massett - said Brownlee was foolish, and that anyone who knew anything about dogs - would know that no dog could go faster than Fluff had gone at the sight of - one gun. Massett said Fluff would travel at his regular one-gun speed, but - would travel a two-gun distance. He said Fluff would not be back for - ninety-six hours. Brownlee said he would be back in forty-eight hours, but - both agreed that he would travel twenty-eight hundred and eighty miles. - Then Murchison went home and got a map, and showed Brownlee and Massett - that if Fluff traveled fourteen hundred miles in the direction he had - started he would have to do the last two hundred miles as a swim, because - he would strike the Atlantic Ocean at the twelve hundredth mile. But - Brownlee just turned up his nose and sneered. He said Fluff was no fool, - and that when he reached the coast he would veer to the north and travel - along the beach for two hundred miles or so. Then Massett said that he had - been thinking about Brownlee's theory, and he <i>knew</i> no dog could do - what Brownlee said Fluff would do—sixty miles an hour. He said he - agreed that a dog like Fluff could do thirty miles an hour if he did not - stop to howl, because his howl represented about sixty horse power, but - that no dog could ever do sixty miles an hour. Then Brownlee got mad and - said Massett was a born idiot, and that Fluff not only <i>could</i> do - sixty miles, but he could keep on increasing his speed at the rate of - thirty miles per gun indefinitely. Then they went home mad, but they - agreed to be on hand when Fluff returned. But they were not. Fluff came - home in twenty-four hours, almost to the minute. - </p> - <p> - When I went over and told Brownlee, he wouldn't believe it at first, but - when I showed him Fluff, he cheered up and clapped me on the back. - </p> - <p> - “I tell you,” he exclaimed, “we have made a great discovery. We have - discovered the law of scared dogs. 'A dog is scared in inverse ratio to - the number of guns!' Now, it wouldn't be fair to try Fluff again without - giving him a breathing spell, but to-morrow I will come over, and we will - try him with four guns. We will work this thing out thoroughly,” he said, - “before we write to the Academy of Science, or whatever a person would - write to, so that there will be no mistake. Before we give this secret to - the world we want to have it complete. We will try Fluff with any number - of guns, and with pistols and rifles, and if we can get one we will try - him with a cannon. We will keep at it for years and years. You and I will - be famous.” - </p> - <p> - I told Brownlee that if he wanted to experiment for years with Fluff he - could have him, but that all I wanted was to get rid of him; but Brownlee - wouldn't hear of that. He said he would buy Fluff of me if he was rich - enough, but that Fluff was so valuable he couldn't think of buying him. He - would let me keep him. He said he would be over the next day to try Fluff - again. - </p> - <p> - So the next day he and Murchison and Massett came over and held a - consultation on my porch to decide how many guns they would try on Fluff. - They could not agree. Massett wanted to try four guns and have Fluff - absent only half a day, but Brownlee wanted to have me break my shotgun in - two and try that on Fluff. He said that according to the law of scared - dogs, a half a gun, working it out by inverse ratio, would keep Fluff away - for twice as long as one gun, which would be ninety-six hours; and while - they were arguing it out Fluff came around the house unsuspectingly and - saw us on the porch. He gave us one startled glance and started north by - northeast at what Brownlee said was the most marvelous rate of speed he - ever saw. Then he and Massett got down off the porch and looked for guns, - but there were none in sight. There wasn't anything that looked the least - like a gun. Not even a broomstick. Brownlee said he knew what was the - matter—Fluff was having a little practice run to keep in good - condition, and would be back in a few hours; but, judging by the look he - gave us as he went, I thought he would be gone longer than that. - </p> - <p> - I could see that Brownlee was worried, and as day followed day without any - return of Fluff, Murchison and I tried to cheer him up, showing him how - much better we all slept while Fluff was away; but it did not cheer up - poor Brownlee. He had set his faith on that dog, and the dog had deceived - him. We all became anxious about Brownlee's health—he moped around - so; and just when we began to be afraid he was going into a decline he - cheered up, and came over as bright and happy as a man could be. - </p> - <p> - “I told you so!” he exclaimed joyfully, as soon as he was inside my gate. - “And it makes me ashamed of myself that I didn't think of it the moment I - saw Fluff start off. You will never see that dog again.” - </p> - <p> - I told Brownlee that that was good news, anyway, even if it did upset his - law of scared dogs; but he smiled a superior smile. - </p> - <p> - “Disprove nothing!” he said. “It proves my law. Didn't I say in the first - place that the time a dog would be gone was in inverse ratio to the number - of guns? Well, the inverse ratio to no guns is infinite time—that is - how long Fluff will be gone; that is how long he will run. Why, that dog - will never stop running while there is any dog left in him. He can't help - it—it is the law of scared dogs.” - </p> - <p> - “Do you mean to say,” I asked him, “that that dog will run on and on - forever?” - </p> - <p> - “Exactly!” said Brownlee proudly. “As long as there is a particle of him - left he will keep on running. That is the law.” - </p> - <p> - Maybe Brownlee was right. I don't know. But what I would like to know is - the name of some one who would like a dog that looks like Fluff, and is - his size, and that howls like him and that answers to his name. A dog of - that kind returned to Murchison's house a long time before infinity, and I - would like to get rid of him. Brownlee says it isn't Fluff; that his law - couldn't be wrong, and that this is merely a dog that resembles Fluff. - Maybe Brownlee is right, but I would like to know some one that wants a - dog with a richly melodious voice. - </p> - <h3> - THE END - </h3> - <div style="height: 6em;"> - <br /><br /><br /><br /><br /><br /> - </div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of That Pup, by Ellis Parker Butler - -*** END OF THIS PROJECT GUTENBERG EBOOK THAT PUP *** - -***** This file should be named 44146-h.htm or 44146-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/4/1/4/44146/ - -Produced by David Widger - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” - or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase “Project Gutenberg” appears, or with which the phrase “Project -Gutenberg” is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase “Project Gutenberg” associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -“Plain Vanilla ASCII” or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original “Plain Vanilla ASCII” or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, “Information about donations to - the Project Gutenberg Literary Archive Foundation.” - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -“Defects,” such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - - -</pre> - - </body> -</html> diff --git a/old/44146-h/images/26.jpg b/old/44146-h/images/26.jpg Binary files differdeleted file mode 100644 index c571451..0000000 --- a/old/44146-h/images/26.jpg +++ /dev/null diff --git a/old/44146-h/images/32.jpg b/old/44146-h/images/32.jpg Binary files differdeleted file mode 100644 index c3ad366..0000000 --- a/old/44146-h/images/32.jpg +++ /dev/null diff --git a/old/44146-h/images/46.jpg b/old/44146-h/images/46.jpg Binary files differdeleted file mode 100644 index cff6e07..0000000 --- a/old/44146-h/images/46.jpg +++ /dev/null diff --git a/old/44146-h/images/52.jpg b/old/44146-h/images/52.jpg Binary files differdeleted file mode 100644 index 9122d9b..0000000 --- a/old/44146-h/images/52.jpg +++ /dev/null diff --git a/old/44146-h/images/62.jpg b/old/44146-h/images/62.jpg Binary files differdeleted file mode 100644 index fc44f99..0000000 --- a/old/44146-h/images/62.jpg +++ /dev/null diff --git a/old/44146-h/images/72.jpg b/old/44146-h/images/72.jpg Binary files differdeleted file mode 100644 index 85808e6..0000000 --- a/old/44146-h/images/72.jpg +++ /dev/null diff --git a/old/44146-h/images/82.jpg b/old/44146-h/images/82.jpg Binary files differdeleted file mode 100644 index 2ae84a0..0000000 --- a/old/44146-h/images/82.jpg +++ /dev/null diff --git a/old/44146-h/images/dogVS.jpg b/old/44146-h/images/dogVS.jpg Binary files differdeleted file mode 100644 index 764333a..0000000 --- a/old/44146-h/images/dogVS.jpg +++ /dev/null diff --git a/old/44146-h/images/frontispiece.jpg b/old/44146-h/images/frontispiece.jpg Binary files differdeleted file mode 100644 index 963ae5d..0000000 --- a/old/44146-h/images/frontispiece.jpg +++ /dev/null diff --git a/old/44146-h/images/titlepage.jpg b/old/44146-h/images/titlepage.jpg Binary files differdeleted file mode 100644 index 3b7a6a7..0000000 --- a/old/44146-h/images/titlepage.jpg +++ /dev/null diff --git a/old/44146.txt b/old/44146.txt deleted file mode 100644 index 7cad0a7..0000000 --- a/old/44146.txt +++ /dev/null @@ -1,1435 +0,0 @@ -The Project Gutenberg EBook of That Pup, by Ellis Parker Butler - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: That Pup - -Author: Ellis Parker Butler - -Release Date: November 10, 2013 [EBook #44146] - -Language: English - -Character set encoding: ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK THAT PUP *** - - - - -Produced by David Widger - - - - - - -THAT PUP - -By Ellis Parker Butler - -Author Of Pigs Is Pigs, Kilo, Etc. - -Illustrated - -New York The Mcclure Company, MCMVII - - - - -I. THE EDUCATION OF FLUFF - -Murchison, who lives next door to me, wants to get rid of a dog, and if -you know of anyone who wants a dog I wish you would let Murchison know. -Murchison doesn't need it. He is tired of dogs, anyway. That is just -like Murchison. 'Way up in an enthusiasm one day and sick of it the -next. - -Brownlee--Brownlee lives on the other side of Murchison--remembers when -Murchison got the dog. It was the queerest thing, so Murchison says, -you ever heard of. Here came the express wagon--Adams' Express Company's -wagon--and delivered the dog. The name was all right--"C. P. Murchison, -Gallatin, Iowa"--and the charges were paid. The charges were $2.80, and -paid, and the dog had been shipped from New York. Think of that! Twelve -hundred miles in a box, with a can of condensed milk tied to the box and -"Please feed" written on it. - -[Illustration: frontispiece] - -When Murchison came home to dinner, there was the dog. At first -Murchison was pleased; then he was surprised; then he was worried. He -hadn't ordered a dog. The more he thought about it the more he worried. - -"If I could just _think_ who sent it," he said to Brownlee, "then I -would know who sent it; but I can't think. It is evidently a valuable -dog. I can see that. People don't send cheap, inferior dogs twelve -hundred miles. But I can't _think_ who sent it." - -"What worries me," he said to Brownlee another time, "is who sent it. -I can't _imagine_ who would send me a dog from New York. I know so many -people, and, like as not, some influential friend of mine has meant to -make me a nice present, and now he is probably mad because I haven't -acknowledged it. I'd like to know what he thinks of me about now!" - -It almost worried him sick. Murchison never did care for dogs, but when -a man is presented with a valuable dog, all the way from New York, with -$2.80 charges paid, he simply _has_ to admire that dog. So Murchison got -into the habit of admiring the dog, and so did Mrs. Murchison. From what -they tell me, it was rather a nice dog in its infancy, for it was only a -pup then. Infant dogs have a habit of being pups. - -As near as I could gather from what Murchison and Mrs. Murchison -told me, it was a little, fluffy, yellow ball, with bright eyes and -ever-moving tail. It was the kind of a dog that bounces around like a -rubber ball, and eats the evening newspaper, and rolls down the porch -steps with short, little squawks of surprise, and lies down on its back -with its four legs in the air whenever a bigger dog comes near. In color -it was something like a camel, but a little redder where the hair was -long, and its hair was like beaver fur--soft and woolly inside, with a -few long hairs that were not so soft. It was so little and fluffy that -Mrs. Murchison called it Fluff. Pretty name for a soft, little dog is -Fluff. - -"If I only _knew_ who sent that dog," Murchison used to say to Brownlee, -"I would like to make some return. I'd send him a barrel of my best -melons, express paid, if it cost me five dollars!" - -Murchison was in the produce business, and he knew all about melons, but -not so much about dogs. Of course he could tell a dog from a cat, and a -few things of that sort, but Brownlee was the real dog man. Brownlee had -two Irish pointers or setters--I forget which they were; the black dogs -with the long, floppy ears. I don't know much about dogs myself. I hate -dogs. - -Brownlee knows a great deal about dogs. He isn't one of the book-taught -sort; he knows dogs by instinct. As soon as he sees a dog he can make -a guess at its breed, and out our way that is a pretty good test, for -Gallatin dogs are rather cosmopolitan. That is what makes good stock in -men--Scotch grandmother and German grandfather on one side and English -grandmother and Swedish grandfather on the other--and I don't see why -the same isn't true of dogs. There are numbers of dogs in Gallatin that -can trace their ancestry through nearly every breed of dog that ever -lived, and Brownlee can look at any one of them and immediately guess -at its formula--one part Spitz, three parts greyhound, two parts collie, -and so on. I have heard him guess more kinds of dog than I ever knew -existed. - -As soon as he saw Murchison's dog he guessed it was a pure bred Shepherd -with a trace of Eskimo. Massett, who thinks he knows as much about dogs -as Brownlee does, didn't believe it. The moment he saw the pup he said -it was a pedigree dog, half St. Bernard and half Spitz. - -Brownlee and Massett used to sit on Murchison's steps after supper and -point out the proofs to each other. They would argue for hours. - -"All right, Massett," Brownlee would say, "but you can't fool _me_. I -Look at that nose! If that isn't a Shepherd nose, I'll eat it. And see -that tail! Did you ever see a tail like that on a Spitz? That is an -Eskimo tail as sure as I am a foot high." - -"Tail fiddlesticks!" Massett would reply. "You can't tell anything by -a pup's tail. Look at his ears! _There_ is St. Bernard for you! And see -his lower jaw. Isn't that Spitz? I'll leave it to Murchison. Isn't that -lower jaw Spitz, Murchison?" - -Then all three would tackle the puppy and open its mouth and feel its -jaw, and the pup would wriggle and squeak, and back away, opening and -shutting its mouth to see if its works had been damaged. - -"All right!" Brownlee would say. "You wait a year or two and you'll -see!" - -About three months later the pup was as big as an ordinary full-grown -dog, and his coat looked like a compromise between a calfskin and one of -these hairbrush door mats you use to wipe your feet on in muddy weather. -He did not look like the same pup. He was long limbed and awkward and -useless, and homely as a shopworn fifty-cent yellow plush manicure set. -Murchison began to feel that he didn't really need a dog, but Brownlee -was as enthusiastic as ever. He would go over to Murchison's fairly -oozing dog knowledge. - -"I'll tell you what that dog is," he would say. "That dog is a cross -between a Great Dane and an English Deerhound. You've got a very -valuable dog there, Murchison, a very valuable dog. He comes of fine -stock on both sides, and it is a cross you don't often see. I never saw -it, and I've seen all kinds of crossed dogs." - -Then Massett would drop in and walk around the dog admiringly for a few -minutes and absorb his beauties. - -"Murchison," he would say, "do you know what that dog is? That dog is -a pure cross between a Siberian wolfhound and a Newfoundland. You treat -that dog right and you'll have a fortune in him. Why, a pure Siberian -wolfhound is worth a thousand dollars, and a good--a really good -Newfoundland, mind you--is worth two thousand, and you've got both in -one dog. That's three thousand dollars' worth of dog!" - -In the next six months Fluff grew. He broadened out and lengthened and -heightened, and every day or two Brownlee or Massett would discover a -new strain of dog in him. They pointed out to Murchison all the marks -by which he could tell the different kinds of dog that were combined -in Fluff, and every time they discovered a new one they held a sort of -jubilee, and bragged and swelled their chests. They seemed to spend all -their time thinking up odd and strange kinds of dog that Fluff had in -him. Brownlee discovered the traces of Cuban bloodhound, Kamtchatka -hound, beagle, Brague de Bengale, and Thibet mastiff, but Massett first -traced the stag-hound, Turkoman watchdog, Dachshund, and Harrier in him. - -[Illustration: 26] - -Murchison, not being a doggish man, never claimed to have noticed any of -these family resemblances, and never said what he thought the dog really -was until a month or two later, when he gave it as his opinion that the -dog was a cross between a wolf, a Shetland pony, and hyena. It was about -that time that Fluff had to be chained. He had begun to eat other dogs, -and children and chickens. The first night Murchison chained him to his -kennel Fluff walked half a mile, taking the kennel along, and then only -stopped because the kennel got tangled with a lamp-post. The man who -brought him home claimed that Fluff was nearly asphyxiated when he found -him; said he gnawed half through the lamp-post, and that gas got in his -lungs, but this was not true. Murchison learned afterwards that it was -only a gasoline lamp-post, and a wooden one. - -"If there were only some stags around this part of the country," said -Massett, "the stag-hound strain in that dog would be mighty valuable. -You could rent him out to everybody who wanted to go stag hunting; and -you'd have a regular monopoly, because he's the only staghound in this -part of the country. And stag hunting would be popular, too, out here, -because there are no game laws that interfere with stag hunting in this -State. There is no closed season. People could hunt stags all the year -round, and you'd have that dog busy every day of the year." - -"Yes!" sneered Brownlee, "only there are no stags. And he hasn't any -staghound blood in him. Pity there are no Dachs in this State, too, -isn't it? Then Murchison could hire his dog at night, too. They hunt -Dachs at night, don't they, Massett? Only there is no Dachshund blood in -him, either. If there was, and if there were a few Dachs-" - -Massett was mad. - -"Yes!" he cried. "And you, with your Cuban bloodhound strain! I suppose -if it was the open season for Cubans, you'd go out with the dog and tree -a few! Or put on snowshoes and follow the Kamtchat to his icy lair!" -Brownlee doesn't get mad easily. - -"Murchison," he said, "leaving out Mas-sett's dreary nonsense about -staghounds, I can tell you that dog would make the finest duck dog in -the State. He's got all the points for a good duck dog, and I ought to -know for I have two of the best duck dogs that ever lived. All he needs -is training. If you will train him right you'll have a mighty valuable -dog." - -"But I don't hunt ducks," said Murchison, "and I don't know how to train -even a lap-dog." - -"You let me attend to his education," said Brownlee. "I just want to -show Massett here that I know a dog when I see one. I'll show Massett -the finest duck dog he ever saw when I get through with Fluff." - -So he went over and got his shotgun, just to give Fluff his first -lesson. The first thing a duck dog must learn is not to be afraid of a -gun, and Brownlee said that if a dog first learned about guns right at -his home he was not so apt to be afraid of them. He said that if a dog -heard a gun for the first time when he was away from home and in strange -surroundings he was quite right to be surprised and startled, but if he -heard it in the bosom of his family, with all his friends calmly seated -about, he would think it was a natural thing, and accept it as such. - -So Brownlee put a shell in his gun and Mas-sett and Murchison sat on the -porch steps and pretended to be uninterested and normal, and Brownlee -stood up and aimed the gun in the air. Fluff was eating a bone, but -Brownlee spoke to him and he looked up, and Brownlee pulled the trigger. -It seemed about five minutes before Fluff struck the ground, he jumped -so high when the gun was fired, and then he started north by northeast -at about sixty miles an hour. He came back all right, three weeks later, -but his tail was still between his legs. - -[Illustration: 32] - -Brownlee didn't feel the least discouraged. He said he saw now that -the whole principle of what he had done was wrong; that no dog with any -brains whatever could be anything but frightened to hear a gun shot off -right in the bosom of his family. That was no place to fire a gun. He -said Fluff evidently thought the whole lot of us were crazy, and ran in -fear of his life, thinking we were insane and might shoot him next. -He said the thing to do was to take the shotgun into its natural -surroundings and let Fluff learn to love it there. He pictured Fluff -enjoying the sound of the gun when he heard it at the edge of the lake. - -Murchison never hunted ducks, but as Fluff was his dog, he went with -Brownlee, and of course Massett went. Massett wanted to see the failure. -He said he wished stags were as plentiful as ducks, and he would show -Brownlee! - -Fluff was a strong dog--he seemed to have a strain of ox in him, so far -as strength went--and as long as he saw the gun he insisted that he -would stay at home; but when Brownlee wrapped the gun in brown paper so -it looked like a big parcel from the meat shop, the horse that they had -hitched to the buck-board was able to drag Fluff along without straining -itself. Fluff was fastened to the rear axle with a chain. - -When they reached Duck Lake, Brownlee untied Fluff and patted him, -and then unwrapped the gun. Fluff gave one pained glance and made the -six-mile run home in seven minutes without stopping. He was home before -Brownlee could think of anything to say, and he went so far into his -kennel that Murchison had to take off the boards at the back to find him -that night. - -"That's nothing," was what Brownlee said when he did speak; "young dogs -are often that way. Gun fright. They have to be gun broken. You come out -to-morrow, and I'll show you how a man who really knows how to handle a -dog does the trick." - -The next day, when Fluff saw the buck-board he went into his kennel, and -they couldn't pry him out with the hoe-handle. He connected buckboards -and guns in his mind, so Brownlee borrowed the butcher's delivery wagon, -and they drove to Wild Lake. It was seven miles, but Fluff seemed more -willing to go in that direction than toward Duck Lake. He did not seem -to care to go to Duck Lake at all. - -"Now, then," said Brownlee, "I'll show you the intelligent way to handle -a dog. I'll prove to him that he has nothing to fear, that I am his -comrade and friend. And at the same time," he said, "I'll not have him -running off home and spoiling our day's sport." - -So he took the chain and fastened it around his waist, and then he sat -down and talked to Fluff like an old friend, and got him in a playful -mood. Then he had Murchison get the gun out of the wagon and lay it on -the ground about twenty feet off. It was wrapped in brown paper. - -Brownlee talked to Fluff and told him what fine sport duck hunting is, -and then, as if by chance, he got on his hands and knees and crawled -toward the gun. Fluff hung back a little, but the chain just coaxed him -a little, too, and they edged up to the gun, and Brownlee pretended to -discover it unexpectedly. - -"Well, well!" he said. "What's this?" - -Fluff nosed up to it and sniffed it, and then went at it as if it was -Massett's cat. That Brownlee had wrapped a beefsteak around the gun, -inside the paper, and Fluff tore off the paper and ate the steak, and -Brownlee winked at Murchison. - -"I declare," he said, "if here isn't a gun! Look at this, Fluff--a gun! -Gosh! but we are in luck!" - -Would you believe it, that dog sniffed at the gun, and did not fear it -in the least? You could have hit him on the head with it and he would -not have minded it. He never did mind being hit with small things like -guns and ax handles. - -Brownlee got up and stood erect. - -"You see!" he said proudly. "All a man needs with a dog like this is -intelligence. A dog is like a horse. He wants his reason appealed to. -Now, if I fire the gun, he may be a little startled, but I have created -a faith in me in him. He knows there is nothing dangerous in a gun _as_ -a gun. He knows I am not afraid of it, so he is not afraid. He realizes -that we are chained together, and that proves to him that he need not -run unless I run. Now watch." - -Brownlee fired the shotgun. - -Instantly he started for home. He did not start lazily, like a boy -starting to the wood pile, but went promptly and with a dash. His first -jump was only ten feet, and we heard him grunt as he landed, but after -that he got into his stride and made fourteen feet each jump. He was -bent forward a good deal in the middle, where the chain was, and in many -ways he was not as graceful as a professional cinder-path track runner, -but, in running, the main thing is to cover the ground rapidly. Brownlee -did that. - -Massett said it was a bad start. He said it was all right to start a -hundred-yard dash that way, but for a long-distance run--a run of seven -miles across country--the start was too impetuous; that it showed a lack -of generalship, and that when it came to the finish the affair would be -tame; but it wasn't. - -Brownlee said afterwards that there wasn't a tame moment in the entire -seven miles. It was rather more wild than tame. He felt right from the -start that the finish would be sensational, unless the chain cut him -quite in two, and it didn't. He said that when the chain had cut as far -as his spinal column it could go no farther, and it stopped and clung -there, but it was the only thing that did stop, except his breath. It -was several years later that I first met Brownlee, and he was still -breathing hard, like a man who has just been running rapidly. Brownlee -says when he shuts his eyes his legs still seem to be going. - -The first mile was through underbrush, and that was lucky, for the -underbrush removed most of Brownlee's clothing, and put him in better -running weight, but at the mile and a quarter they struck the road. -He said at two miles he thought he might be overexercising the dog and -maybe he had better stop, but the dog seemed anxious to get home so he -didn't stop there. He said that at three miles he was sure the dog was -overdoing, and that with his knowledge of dogs he was perfectly able -to stop a running dog in its own length if he could speak to it, but -he couldn't speak to this dog for two reasons. One was that he couldn't -overtake the dog and the other was that all the speak was yanked out of -him. - -When they reached five miles the dog seemed to think they were taking -too much time to get home, and let out a few more laps of speed, and -it was right there that Brownlee decided that Fluff had some greyhound -blood in him. - -He said that when they reached town he felt as if he would have been -glad to stop at his own house and lie down for awhile, but the dog -didn't want to, and so they went on; but that he ought to be thankful -that the dog was willing to stop at that town at all. The next town was -twelve miles farther on, and the roads were bad. But the dog turned into -Murchison's yard and went right into his kennel. - -When Murchison and Massett got home, an hour or so later, after driving -the horse all the way at a gallop, they found old Gregg, the carpenter, -prying the roof off the kennel. You see, Murchison had knocked the rear -out of the kennel the day before, and so when the dog aimed for -the front he went straight through, and as Brownlee was built more -perpendicular than the dog, Brownlee didn't go quite through. He went -in something like doubling up a dollar bill to put it into a thimble. -I don't suppose anyone would want to double up a dollar bill to put it -into a thimble, but neither did Brownlee want to be doubled up and -put into the kennel. It was the dog's thought. So they had to take the -kennel roof off. - -When they got Brownlee out they laid him on the grass, and covered him -up with a porch rug, and let him lie there a couple of hours to pant, -for that seemed what he wanted to do just then. It was the longest -period Brownlee ever spent awake without talking about dog. - -Murchison and Massett and old Gregg and twenty-six informal guests stood -around and gazed at Brownlee panting. Presently Brownlee was able to -gasp out a few words. - -"Murchison," he gasped, "Murchison, if you just had that dog in -Florence--or wherever it is they race dogs--you'd have a fortune." - -He panted awhile, and then gasped out: - -"He's a great runner; a phenomenal runner!" - -He had to pant more, and then he gasped with pride: - -"But I wasn't three feet behind him all the way!" - - - - -II. GETTING RID OF FLUFF - -So after that Murchison decided to get rid of Fluff. He told me that he -had never really-wanted a dog, anyway, but that when a dog is sent, all -the way from New York, anonymously, with $2.80 charges paid, it is hard -to cast the dog out into the cold world without giving it a trial. So -Murchison tried the dog for a few more years, and at last he decided -he would have to get rid of him. He came over and spoke to me about it, -because I had just moved in next door. - -"Do you like dogs?" he asked, and that was the first word of -conversation I ever had with Murchison. I told him frankly that I did -not like dogs, and that my wife did not like them, and Murchison seemed -more pleased than if I had offered him a thousand dollars. - -"Now, I am glad of that," he said, "for Mrs. Murchison and I hate dogs. -If you do not like dogs, I will get rid of Fluff. I made up my mind -several years ago to get rid of Fluff, but when I heard you were going -to move into this house, I decided not to get rid of him until I knew -whether you liked dogs or not. I told Mrs. Murchison that if we got rid -of Fluff before you came, and then found that you loved dogs and owned -one, you might take our getting rid of Fluff as a hint that your dog was -distasteful to us, and it might hurt your feelings. And Mrs. Murchison -said that if you had a dog, your dog might feel lonely in a strange -place and might like to have Fluff to play with until your dog got used -to the neighborhood. So we did not get rid of him; but if you do not -like dogs we will get rid of him right away." - -I told Murchison that I saw he was the kind of a neighbor a man liked to -have, and that it was kind of him to offer to get rid of Fluff, but that -he mustn't do so just on our account. - -I said that if he wanted to keep the dog, he had better do so. - -"Now, that is kind of you," said Murchison, "but we would really rather -get rid of him. I decided several years ago that I would get rid of him, -but Brownlee likes dogs, and took an interest in Fluff, and wanted to -make a bird dog of him, so we kept Fluff for his sake. But now Brownlee -is tired of making a bird dog of him. He says Fluff is too strong to -make a good bird dog, and not strong enough to rent out as a horse, and -he is willing I should get rid of him. He says he is anxious for me to -get rid of him as soon as I can." - -When I saw Fluff I agreed with Brownlee. At the first glance I saw that -Fluff was a failure as a dog, and that to make a good camel he needed -a shorter neck and more hump, but he had the general appearance of an -amateur camel. He looked as if some one who had never seen a dog, but -had heard of one, had started out to make a dog, and got to thinking of -a camel every once in a while, and had tried to show me Fluff that day -worked in parts of what he thought a camel was like with what he thought -a dog was like, and then--when the job was about done--had decided it -was a failure, and had just finished it up any way, sticking on the -meanest and cheapest hair he could find, and getting most of it on wrong -side to. - -[Illustration: 52] - -But the cheap hair did not matter much. Murchison and Brownlee showed me -the place where Fluff had worn most of it off the ridge pole of his back -crawling under the porch. He tried to show me Fluff that day, but it was -so dark under the porch that I could not tell which was Fluff and which -was simply underneathness of porch. But from what Brownlee told me -that day, I knew that Fluff had suffered a permanent dislocation of the -spirits. He told me he had taken Fluff out to make a duck dog of him, -and that all the duck Fluff was interested in was to duck when he saw a -gun, and that after he had heard a gun fired once or twice he had become -sad and dejected, and had acquired a permanently ingrowing tail, and an -expression of face like a coyote, but more mournful. He had acquired a -habit of carrying his head down and forward, as if he was about to lay -it on the headsman's block, and knew he deserved that and more, and the -sooner it was over the better. He couldn't even scratch fleas correctly. -Brownlee said that when he met a flea in the road he would not even go -around it, but would stoop down like a camel to let the flea get aboard. -He was that kind of a dog. He was the most discouraged dog I ever knew. - -The next day I was putting down the carpet in the back bedroom, when in -came Murchison. - -"I came over to speak to you about Fluff," he said. "I am afraid he -must have annoyed you last night. I suppose you heard him howl?" - -"Yes, Murchison," I said, "I did hear him. I never knew a dog could howl -so loud and long as that. He must have been very ill." - -"Oh, no!" said Murchison cheerfully. "That is the way he always howls. -That is one of the reasons I have decided to get rid of Fluff. But it -is a great deal worse for us than it is for you. The air inlet of our -furnace is at the side of the house just where Fluff puts his head when -he howls, and the register in our room is right at the head of our bed. -So his howl goes in at the inlet and down through the furnace and up -the furnace pipes, and is delivered right in our room, just as clear and -strong as if he was in the room. That is one reason I have fully decided -to get rid of Fluff. It would not be so bad if we had only one register -in our house, but we have ten, and when Fluff howls, his voice is -delivered by all ten registers, so it is just as if we had ten Fluffs -in the house at one time. And ten howls like Fluff's are too much. -Even Brownlee says so." I told Murchison that I agreed with Brownlee -perfectly. Fluff had a bad howl. It sounded as if Cruel Fate, with -spikes in his shoes, had stepped on Fluff's inmost soul, and then jogged -up and down on the tenderest spot, and Fluff was trying to reproduce his -feelings in vocal exercises. It sounded like a cheap phonograph giving -a symphony in the key of woe minor, with a megaphone attachment and bad -places in the record. Judging by his voice, the machine needed a new -needle. But the megaphone attachment was all right. - -Brownlee--who knows all about dogs--said that he knew what was -the matter with Fluff. He said Fluff had a very high-grade musical -temperament, and that he longed to be the Caruso of dogs. He said that -he could see that all through his bright and hopeful puppyhood he had -looked forward to being a great singer, with a Wagner repertoire and -tremolo stops in his song organ, and that he had early set his aim at -perfection. He said Fluff was that kind of a dog, and that when he saw -what his voice had turned out to be he was dissatisfied, and became -morbid. He said that any dog that had a voice like Fluff's had a right -to be dissatisfied with it--he would be dissatisfied himself with -that voice. He said he did not wonder that Fluff slunk around all day, -feeling he was no good on earth, and that he could understand that when -night came and everything was still, so that Fluff could judge of the -purity of his tonal quality better, he would pull out his voice, and -tune it up and look it over and try it again, hoping it had improved -since he tried it last. Brownlee said it never had improved, and that -was what made Fluff's howl so mournful--it was full of tears. He said -Fluff would go to G flat and B flat and D flat, and so on until he -struck a note he felt he was pretty good at, and then he would cling to -that note and weep it full of tears. - -[Illustration: 52] - -He asked Murchison if he hadn't noticed that the howl was sort of damp -and salty from the tears, but Murchison said he hadn't noticed the -dampness. He said it probably got dried out of the howl before it -readied him, coming through the furnace. Then Brownlee said that if -there was only some way of regulating Fluff, so that he could be turned -on and off, Murchison would have a fortune in him: he could turn his -howl off when people wanted to be cheerful, and then, when a time of -great national woe occurred, Murchison could turn Fluff on and set him -going. He said he never heard anything in his life that came so near -expressing in sound a great national woe as Fluff's howl did. He said -Fluff might lack finish in tonal quality, but that in woe quality he was -a master: he was stuffed so full of woe quality that it oozed out of his -pores. He said he always thought what a pity it was for dogs like Fluff -that people preferred cheerful songs like "Annie Rooney" and "Waltz me -around again, Willie" to the nobler woe operas. He said he had tried -to like good music himself, but it was no use: whenever he heard Fluff -sing, he felt that Murchison ought to get rid of Fluff. Then Murchison -said that was just what he was going to do. What he wanted to talk about -was how to get rid of Fluff. - -But I am getting too far ahead of my story. Whenever I get to talking -about the howl of Fluff, I find I wander on for hours at a time. - -It takes hours of talk to explain just what a mean howl Fluff had. - -But as I was saying, Murchison came over while I was putting down the -carpet in my back bedroom, and told me he had fully decided to get rid -of Fluff. - -"I have fully decided to get rid of him," he said, "and the only thing -that bothers me is how to get rid of him." - -"Give him away," I suggested. - -"That's a good idea!" said Murchison gratefully. "That's the very idea -that occurred to me when I first thought of getting rid of Fluff. It is -an idea that just matches Fluff all over. That is just the kind of dog -Fluff is. If ever a dog was made to give away, Fluff was made for it. -The more I think about him and look at him and study him, the surer I am -that the only thing he is good for is to give away." - -Then he shook his head and sighed. - -"The only trouble," he said, "is that Fluff _is_ the give-away kind of -dog. That is the only kind you can't give away. There is only one time -of the year that a person can make presents of things that are good for -nothing but to give away, and that is at Christmas. Now, I might--" - -"Murchison," I said, laying my tack hammer on the floor and standing up, -"you don't mean to keep that infernal, howling beast until Christmas, do -you? If you do, I shall stop putting down this carpet. I shall pull out -the tacks that are already in and move elsewhere. Why, this is only -the first of May, and if I have to sleep--if I have to keep awake every -night and listen to that animated foghorn drag his raw soul over the -teeth of a rusty harrow--I shall go crazy. Can't you think of some one -that is going to have a birthday sooner than that?" - -"I wish I could," said Murchison wistfully, "but I can't. I want to get -rid of Fluff, and so does Brownlee, and so does Massett, but I can't -think of a way to get rid of him, and neither can they." - -"Murchison," I said, with some asperity, for I hate a man who trifles, -"if I really thought you and Brownlee and Massett were as stupid as -all that, I would be sorry I moved into this neighborhood, but I don't -believe it. I believe you do not mean to get rid of Fluff. I believe you -and Brownlee and Massett want to keep him. If you wanted to get rid of -him, you could do it the same way you got him." - -"That's an excellent idea!" exclaimed Murchison. "That is one of the -best ideas I ever heard, and I would go and do it if I hadn't done it so -often already. As soon as Brownlee suggested that idea I did it. I sent -Fluff by express to a man--to John Smith--at Worcester, Mass., and when -Fluff came back I had to pay $8.55 charges. But I didn't begrudge the -money. The trip did Fluff a world of good--it strengthened his voice, -and made him broader-minded. I tell you," he said enthusiastically, -"there's nothing like travel for broadening the mind! Look at Fluff! -Maybe he don't show it, but that dog's mind is so broadened by travel -that if he was turned loose in Alaska he would find his way home. When -I found his mind was getting so tremendously broad I stopped sending him -to places. Brownlee--Brownlee knows all about dogs--said it would not -hurt Fluff a bit; he said a dog's mind could not get too broad, and -that as far as he was concerned he would just like to see once how -broad-minded a dog could become; he would like to have Fluff sent out -by express every time he came back. He told me it was an interesting -experiment--that so far as he knew it had never been tried before--and -that the thing I ought to do was to keep Fluff traveling all the time. -He said that so far as he knew it was the only way to get rid of Fluff; -that some time while he was traveling around in the express car there -might be a wreck, and we would be rid of Fluff; and if there wasn't a -wreck, it would be interesting to see what effect constant travel would -have on a coarse dog. He said I might find after a year or two that I -had the most cultured dog in the United States. Brownlee was willing to -have me send Fluff anywhere. He suggested a lot of good places to -send dogs, but he didn't care enough about dog culture to help pay the -express charges." - -"I see, Murchison," I said scornfully, "I see! You are the kind of a man -who would let a little money stand between you and getting rid of a -dog like Fluff! If I had a dog like Fluff, nothing in the world could -prevent me from getting rid of him. I only wish, he was my dog." - -"Take him!" said Murchison generously; "I make you a full and free -present of him. You can have that dog absolutely and wholly. He is -yours." - -"I will take the dog," I said haughtily, "not because I really want a -dog, nor because I hanker for that particular dog, but because I can see -that you and Brownlee and Massett have been trifling with him. Bring him -over in my yard, and I will show you in very short measure how to get -rid of Fluff." - -That afternoon both Brownlee and Massett called on me. They came and sat -on my porch steps, and Murchison came and sat with them, and all three -sat and looked at Fluff and talked him over. Every few minutes -they would--Brownlee and Massett would--get up and shake hands with -Murchison, and congratulate him on having gotten rid of Fluff, and -Murchison would blush modestly and say: - -"Oh, that is nothing! I always knew I would get rid of him." And there -was the dog not five feet from them, tied to my lawn hydrant. I watched -and listened to them until I had had enough of it, and then I went into -the house and got my shotgun. I loaded it with a good BB shell and went -out. - -[Illustration: 62] - -Fluff saw me first. I never saw a dog exhibit such intelligence as Fluff -exhibited right then. I suppose travel had broadened him, and probably -the hydrant was old and rusted out, anyway. When a man moves into a -house he ought to have _all_ the plumbing attended to the first thing. -Any ordinary, unbroadened dog would have lain down and pulled, but Fluff -didn't. First he jumped six feet straight into the air, and that pulled -the four feet of hydrant pipe up by the roots, and then he went away. -He took the hydrant and the pipe with him, and that might have surprised -me, but I saw that he did not know where he was going nor how long he -would stay there when he reached the place, and a dog can never tell -what will come handy when he is away from home. A hydrant and a piece of -iron pipe might be the very thing he would need. So he took them along. - -If I had wanted a fountain in my front yard, I could not have got one -half as quickly as Fluff furnished that one, and I would never have -thought of pulling out the hydrant to make me one. Fluff thought of -that--at least Brownlee said he thought of it--but I think all Fluff -wanted was to get away. And he got away, and the fountain didn't happen -to be attached to the hydrant, so he left it behind. If it had been -attached to the hydrant, he would have taken it with him. He was a -strong dog. - -"There!" said Brownlee, when we had heard the pipe rattle across the -Eighth Street bridge--"there is intelligence for you! You ought to be -grateful to that dog all your life. _You_ didn't know it was against -the law to discharge a gun in the city limits, but Fluff did, and he -wouldn't wait to see you get into trouble. He has heard us talking about -it, Murchison. I tell you travel has broadened that dog! Look what he -has saved you," he said to me, "by going away at just the psychological -moment. We should have told you about not firing a gun in the city -limits. You can't get rid of Fluff that way. It is against the law." - -"Yes," said Massett; "and if you knew Fluff as well as we do you would -know that he is a dog you can't shoot. He is a wonderful dog. He knows -all about guns. Brownlee tried to make a duck dog out of him, and took -him out where the ducks were--showed him the ducks--shot a gun at the -ducks--and what do you think that dog learned?" - -"To run," I said, for I had heard about Brownlee teaching Fluff to -retrieve. Brownlee blushed. - -"Yes," said Massett, "but that wasn't all. It doesn't take intelligence -to make a dog run when he sees a gun, but Fluff did not run like an -ordinary dog. He saw the gun and he saw the ducks, and he saw that -Brownlee only shot at ducks when they were on the wing. And he thought -Brownlee meant to shoot him, so what does he do? Stand still? No; he -tries to fly. Gets right up and tries to fly. He thought that was what -Brownlee was trying to teach him. He couldn't fly, but he did his -best. So whenever Fluff sees a gun, he is on the wing, so to speak. You -noticed he was on the wing, didn't you?" - -I told him I had noticed it. I said that as far as I could judge, Fluff -had a good strong wing. I said I didn't mind losing a little thing like -a hydrant and a length or two of pipe, but I was glad I hadn't fastened -Fluff to the house--I always liked my house to have a cellar---and it -would be just like Fluff to stop flying at some place where there wasn't -any cellar. - -"Oh," said Massett, "he wouldn't have gone far with the house. A house -is a great deal heavier than a hydrant. He would probably have moved the -house off the foundation a little, but, judging by the direction Fluff -took, the house would have wedged between those two trees, and you would -have only lost a piece of the porch, or whatever he was tied to. But -the lesson is that you must not try to shoot Fluff unless you are a good -wing shot. Unless you can shoot like Davy Crockett, you would be apt to -wound Fluff without killing him, and then there _would_ be trouble!" - -"Yes," said Murchison, "the Prevention of Cruelty to Animals folks. -There is only one way in which a dog can be killed according to law in -this place, and that is to have the Prevention of Cruelty to Animals -folks do it. You send them a letter telling them you have a dog you want -killed, and asking them to come and kill it. That is according to law." - -"That," I said firmly, "is what I will do." - -"It won't do any good," said Murchison sadly; "they never come. This -addition to Gallatin is too far from their offices to be handy, and they -never come. I have eighteen deaths for Fluff on file at their offices -already, and not one of them has killed him. When you have had as much -experience with dogs as I have had you will know that the Prevention -of Cruelty to them in this town does not include killing them when -they live in the suburbs. The only way a dog can die in the suburbs of -Gallatin is to die of old age." - -"How old is Fluff?" I asked. - -"Fluff is a young dog," said Brownlee. "If he had an ordinary dog -constitution, he would live fifteen years yet, but he hasn't. He has an -extra strong constitution, and I should say he was good for twenty years -more. But that isn't what we came over for. We came over to learn how -you mean to get rid of Fluff." - -"Brownlee," I said, "I shall think up some way to get rid of Fluff. -Getting rid of a dog is no task for a mind like mine. But until he -returns and gives me back my hydrant, I shall do nothing further. I am -not going to bother about getting rid of a dog that is not here to be -got rid of." - -By the time Fluff returned I had thought out a plan. Murchison had never -paid the dog tax on Fluff, and that was the same as condemning him to -death if he was ever caught outside of the yard, but when he was outside -he could not be caught. He was a hasty mover, and little things such as -closed gates never prevented him from entering the yard when in haste. -When he did not jump over he could get right through a fence. But to -a man of my ability these things are trifles. I knew how to get rid of -Fluff. I knew how to have him caught in the street without a license. I -chained him there. - -Brownlee and Massett and Murchison came and watched me do it. Our street -is not much used, and the big stake I drove in the street was not much -in the way of passing grocery delivery wagons. I fastened Fluff to -the stake with a chain, and then I wrote to the city authorities -and complained. I said there was a dog without a license that was -continually in front of my house, and I wished it removed; and a week or -so later the dog-catcher came around and had a look at Fluff: He walked -all around him while Massett and Brownlee and Murchison and I leaned -over our gates and looked on. He was not at all what I should have -expected a dog-catcher to be, being thin and rather gentlemanly in -appearance; and after he had looked Fluff over well he came over and -spoke to me. He asked me if Fluff was my dog. I said he was. - -"I see!" said the dog-catcher. "And you want to get rid of him. If he -was my dog, I would want to get rid of him, too. I have seen lots of -dogs, but I never saw one that was like this, and I do not blame you for -wanting to part with him. I have had my eye on him for several years, -but this is the first opportunity I have had to approach him. Now, -however, he seems to have broken all the dog laws. He has not secured a -license, and he is in the public highway. It will be my duty to take him -up and gently chloroform him as soon as I make sure of one thing." - -"Tell me what it is," I said, "and I will help you make sure of ft." - -"Thank you," he said, "but I will attend to it," and with that he got on -his wagon and drove off. He returned in about an hour. - -"I came back," he said, "not because my legal duty compels me, but -because I knew you would be anxious. If I owned a dog like that, I would -be anxious, too. I can't take that dog." - -"Why not?" we all asked. - -"Because," he said, "I have been down to the city hall, and I have -looked up the records, and I find that the streets of this addition to -the city have not been accepted by the city. The titles to the property -are so made out that until the city legally accepts the streets, each -property owner owns to the middle of the street fronting his property. -If you will step out and look, you will see that the dog is on your own -property." - -[Illustration: 72] - -"If that is all," I said, "I will move the stake. I will put him on the -other side of the street." - -"If you would like him any better there," said the dog-catcher, "you can -move him, but it would make no difference to me. Then he would be on the -private property of the man who owns the property across the street." - -"But, my good man," I said, "how _is_ a man to get rid of a dog he does -not want?" - -The dog-catcher frowned. - -"That," he said, "seems to be one of the things our lawmakers have not -thought of. But whatever you do, I advise you to be careful. Do not try -any underhand methods, for now that my attention has been called to the -dog, I shall have to watch his future and see that he is not badly used. -I am an officer of the Prevention of Cruelty to Animals as well as a -dog-catcher, and I warn you to be careful what you do with that dog." - -Then he got on his wagon again and drove away. - -The next morning I was a nervous wreck, for Fluff had howled all night, -and Murchison came over soon after breakfast. He was accompanied by -Brownlee and Massett. - -"Now, I am the last man in the world to do anything that my neighbors -would take offense at," he said, as soon as they were seated on my -porch, "and Brownlee and Massett love dogs as few men ever love them; -but something has to be done about Fluff. The time has come when we must -sleep with our windows open, and neither Massett nor Brownlee nor I got -a minute of sleep last night." - -"Neither did I," I said. - -"That is different entirely," said Murchison. "Fluff is your dog, and if -you want to keep a howling dog, you would be inclined to put up with the -howl, but we have no interest in the dog at all. We do not own him, and -we consider him a nuisance. We have decided to ask you to get rid of -him. It is unjust to your neighbors to keep a howling dog. You will have -to get rid of Fluff." - -"Exactly!" said Massett. "For ten nights I have not slept a wink, and -neither has Murchison, nor has Brownlee--" - -"Nor I," I added. - -"Exactly!" said Massett. "And four men going without sleep for ten -nights is equal to one man going without sleep forty nights, which would -kill any man. Practically, Fluff has killed a man, and is a murderer, -and as you are responsible for him, it is the same as if you were a -murderer yourself; and as you were one of the four who did not sleep, -you may also be said to have committed suicide. But we do not mean to -give you into the hands of the law until we have remonstrated with you. -But we feel deeply, and the more so because you could easily give us -some nights of sleep in which to recuperate." - -"If you can tell me how," I said, "I will gladly do it. I need sleep -more at this minute than I ever needed it in my life." - -"Very well," said Massett; "just get out your shotgun and show it to -Fluff. When he sees the gun he will run. He will take wings like a -duck, and while he is away we can get a few nights' rest. That will be -something. And if we are not in good condition by that time, you can -show him the shotgun again. Why!" he exclaimed, as he grew enthusiastic -over his idea, "you can keep Fluff eternally on the wing!" - -I felt that I needed a vacation from Fluff. I unchained him and went in -to get my shotgun. Then I showed him the shotgun, and we had two good -nights of sleep. After that, whenever we felt that we needed a few -nights in peace, I just showed Fluff the shotgun and he went away on one -of his flying trips. - -But it was Brownlee--Brownlee knew all about dogs--who first called my -attention to what he called the periodicity of Fluff. - -"Now, you would never have noticed it," he said one day when Murchison -and I were sitting on my porch with him, "but I did. That is because I -have studied dogs. I know all about dogs, and I know Fluff can run. This -is because he has greyhound blood in him. With a little wolf. That is -why I studied Fluff, and how I came to notice that every time you show -him the shotgun he is gone just forty-eight hours. Now, you go and get -your shotgun and try it." - -So I tried it, and Fluff went away as he always did; and Brownlee sat -there bragging about how Fluff could run, and about how wonderful he was -himself to have thought of the periodicity of Fluff. - -"Did you see how he went?" he asked enthusiastically. "That gait was a -thirty-mile-an-hour gait. Why, that dog travels--he travels--" He took -out a piece of paper and a pencil and figured it out. "In forty-eight -hours he travels fourteen hundred and forty miles! He gets seven hundred -and twenty miles from home!" - -"It doesn't seem possible," said Murchison. "No," said Brownlee frankly, -"it doesn't." He went over his figures again. "But that is figured -correctly," he said. "If--but maybe I did not gauge his speed correctly. -And I didn't allow for stopping to turn around at the end of the out -sprint. What we ought to have on that dog is a pedometer. If I owned a -dog like that, the first thing I would get would be a pedometer." - -I told Brownlee that if he wished I would give him Fluff, and he could -put a pedometer, or anything else, on him; but Brownlee remembered he -had some work to do and went home. - -But he was right about the periodicity of Fluff. Almost on the minute at -the end of forty-eight hours Fluff returned, and Brownlee and Murchison, -who were there to receive him, were as pleased as if Fluff had been -going away instead of returning. - -"That dog," said Brownlee, "is a wonderful animal. If Sir Isaac Newton -had that dog, he would have proved something or other of universal value -by him. That dog is plumb full of ratios and things, if we only knew how -to get them out of him. I bet if Sir Isaac Newton had had Fluff as -long as you have had him he would have had a formula all worked -out--x/y(2xz-dog)=2(4ab-3x) or something of that kind, so that -anyone with half a knowledge of algebra could figure out the square root -of any dog any time of the day or night. I could get up a Law of Dog -myself if I had the time, with a dog like Fluff to work on. 'If one dog -travels fourteen hundred and forty miles at the sight of a gun, how far -would two dogs travel?' All that sort of thing. Stop!" he ejaculated -suddenly. "If one dog travels forty-eight hours at the sight of one gun, -how far would he travel at the sight of two guns? Murchison," he -cried enthusiastically, "I've got it! I've got the fundamental law of -periodicity in dogs! Go get your gun," he said to me, "and I will get -mine." - -[Illustration: 82] - -He stopped at the gate long enough to say: - -"I tell you, Murchison, we are on the verge of a mighty important -discovery--a mighty important discovery! If this thing turns out -right, we will be at the root of all dog nature. We will have the great -underlying law of scared dogs." - -He came back with his shotgun carefully hidden behind him, and then he -and I showed Fluff the two guns simultaneously. For one minute Fluff was -startled. Then he vanished. All we saw of him as he went was the dust he -left in his wake. Massett had come over when Brownlee brought over -his gun, and Murchison and I sat and smoked while Massett and Brownlee -fought out the periodicity of Fluff. Brownlee said that for two guns -Fluff would traverse the same distance as for one, but twice as quickly; -but Massett said Brownlee was foolish, and that anyone who knew anything -about dogs would know that no dog could go faster than Fluff had gone -at the sight of one gun. Massett said Fluff would travel at his regular -one-gun speed, but would travel a two-gun distance. He said Fluff would -not be back for ninety-six hours. Brownlee said he would be back in -forty-eight hours, but both agreed that he would travel twenty-eight -hundred and eighty miles. Then Murchison went home and got a map, and -showed Brownlee and Massett that if Fluff traveled fourteen hundred -miles in the direction he had started he would have to do the last two -hundred miles as a swim, because he would strike the Atlantic Ocean -at the twelve hundredth mile. But Brownlee just turned up his nose and -sneered. He said Fluff was no fool, and that when he reached the coast -he would veer to the north and travel along the beach for two hundred -miles or so. Then Massett said that he had been thinking about -Brownlee's theory, and he _knew_ no dog could do what Brownlee said -Fluff would do--sixty miles an hour. He said he agreed that a dog like -Fluff could do thirty miles an hour if he did not stop to howl, because -his howl represented about sixty horse power, but that no dog could ever -do sixty miles an hour. Then Brownlee got mad and said Massett was a -born idiot, and that Fluff not only _could_ do sixty miles, but he -could keep on increasing his speed at the rate of thirty miles per gun -indefinitely. Then they went home mad, but they agreed to be on hand -when Fluff returned. But they were not. Fluff came home in twenty-four -hours, almost to the minute. - -When I went over and told Brownlee, he wouldn't believe it at first, but -when I showed him Fluff, he cheered up and clapped me on the back. - -"I tell you," he exclaimed, "we have made a great discovery. We have -discovered the law of scared dogs. 'A dog is scared in inverse ratio to -the number of guns!' Now, it wouldn't be fair to try Fluff again without -giving him a breathing spell, but to-morrow I will come over, and we -will try him with four guns. We will work this thing out thoroughly," he -said, "before we write to the Academy of Science, or whatever a person -would write to, so that there will be no mistake. Before we give this -secret to the world we want to have it complete. We will try Fluff with -any number of guns, and with pistols and rifles, and if we can get one -we will try him with a cannon. We will keep at it for years and years. -You and I will be famous." - -I told Brownlee that if he wanted to experiment for years with Fluff -he could have him, but that all I wanted was to get rid of him; but -Brownlee wouldn't hear of that. He said he would buy Fluff of me if he -was rich enough, but that Fluff was so valuable he couldn't think of -buying him. He would let me keep him. He said he would be over the next -day to try Fluff again. - -So the next day he and Murchison and Massett came over and held a -consultation on my porch to decide how many guns they would try on -Fluff. They could not agree. Massett wanted to try four guns and have -Fluff absent only half a day, but Brownlee wanted to have me break my -shotgun in two and try that on Fluff. He said that according to the law -of scared dogs, a half a gun, working it out by inverse ratio, would -keep Fluff away for twice as long as one gun, which would be ninety-six -hours; and while they were arguing it out Fluff came around the house -unsuspectingly and saw us on the porch. He gave us one startled glance -and started north by northeast at what Brownlee said was the most -marvelous rate of speed he ever saw. Then he and Massett got down off -the porch and looked for guns, but there were none in sight. There -wasn't anything that looked the least like a gun. Not even a broomstick. -Brownlee said he knew what was the matter--Fluff was having a little -practice run to keep in good condition, and would be back in a few -hours; but, judging by the look he gave us as he went, I thought he -would be gone longer than that. - -I could see that Brownlee was worried, and as day followed day without -any return of Fluff, Murchison and I tried to cheer him up, showing him -how much better we all slept while Fluff was away; but it did not cheer -up poor Brownlee. He had set his faith on that dog, and the dog had -deceived him. We all became anxious about Brownlee's health--he moped -around so; and just when we began to be afraid he was going into a -decline he cheered up, and came over as bright and happy as a man could -be. - -"I told you so!" he exclaimed joyfully, as soon as he was inside my -gate. "And it makes me ashamed of myself that I didn't think of it the -moment I saw Fluff start off. You will never see that dog again." - -I told Brownlee that that was good news, anyway, even if it did upset -his law of scared dogs; but he smiled a superior smile. - -"Disprove nothing!" he said. "It proves my law. Didn't I say in the -first place that the time a dog would be gone was in inverse ratio -to the number of guns? Well, the inverse ratio to no guns is infinite -time--that is how long Fluff will be gone; that is how long he will run. -Why, that dog will never stop running while there is any dog left in -him. He can't help it--it is the law of scared dogs." - -"Do you mean to say," I asked him, "that that dog will run on and on -forever?" - -"Exactly!" said Brownlee proudly. "As long as there is a particle of him -left he will keep on running. That is the law." - -Maybe Brownlee was right. I don't know. But what I would like to know is -the name of some one who would like a dog that looks like Fluff, and is -his size, and that howls like him and that answers to his name. A dog of -that kind returned to Murchison's house a long time before infinity, and -I would like to get rid of him. Brownlee says it isn't Fluff; that his -law couldn't be wrong, and that this is merely a dog that resembles -Fluff. Maybe Brownlee is right, but I would like to know some one that -wants a dog with a richly melodious voice. - -THE END - - - - - - - -End of the Project Gutenberg EBook of That Pup, by Ellis Parker Butler - -*** END OF THIS PROJECT GUTENBERG EBOOK THAT PUP *** - -***** This file should be named 44146.txt or 44146.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/4/1/4/44146/ - -Produced by David Widger - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - diff --git a/old/44146.zip b/old/44146.zip Binary files differdeleted file mode 100644 index 911ee49..0000000 --- a/old/44146.zip +++ /dev/null diff --git a/old/readme.htm b/old/readme.htm deleted file mode 100644 index 4afe879..0000000 --- a/old/readme.htm +++ /dev/null @@ -1,13 +0,0 @@ -<!DOCTYPE html> -<html lang="en"> -<head> - <meta charset="utf-8"> -</head> -<body> -<div> -Versions of this book's files up to October 2024 are here.<br> -More recent changes, if any, are reflected in the GitHub repository: -<a href="https://github.com/gutenbergbooks/44146">https://github.com/gutenbergbooks/44146</a> -</div> -</body> -</html> |
