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diff --git a/41589-h/41589-h.htm b/41589-h/41589-h.htm index 5d31650..848c20e 100644 --- a/41589-h/41589-h.htm +++ b/41589-h/41589-h.htm @@ -3,7 +3,7 @@ <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of Lyre and Lancet, by F. Anstey. @@ -139,49 +139,7 @@ ul li {list-style-type: none; </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Lyre and Lancet, by F. Anstey - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Lyre and Lancet - A Story in Scenes - -Author: F. Anstey - -Release Date: December 9, 2012 [EBook #41589] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK LYRE AND LANCET *** - - - - -Produced by David Clarke, JoAnn Greenwood, and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive/Canadian Libraries) - - - - - - -</pre> - - - - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 41589 ***</div> <h1> <big>LYRE AND LANCET</big><br /> @@ -191,7 +149,7 @@ by The Internet Archive/Canadian Libraries) <big>F. ANSTEY</big> <br /> AUTHOR OF<br /> -"VICE VERSÂ," "THE GIANT'S ROBE," "VOCES POPULI," ETC.</p> +"VICE VERSÂ," "THE GIANT'S ROBE," "VOCES POPULI," ETC.</p> <p class="center space-above">LONDON:<br /> SMITH, ELDER & CO., 15, WATERLOO PLACE.<br /> @@ -227,7 +185,7 @@ SMITH, ELDER & CO., 15, WATERLOO PLACE.<br /> <tr><td align="right">XI.</td><td align="left"><a href="#PART_XI"><span class="smcap">Time and the Hour</span></a></td><td align="right">109</td></tr> <tr><td align="right">XII.</td><td align="left"><a href="#PART_XII"><span class="smcap">Dignity Under Difficulties</span></a></td><td align="right">119</td></tr> <tr><td align="right">XIII.</td><td align="left"><a href="#PART_XIII"><span class="smcap">What's in a Name?</span></a></td><td align="right">130</td></tr> -<tr><td align="right">XIV.</td><td align="left"><a href="#PART_XIV"><span class="smcap"><span lang="fr" xml:lang="fr">Le Vétérinaire Malgré Lui</span></span></a></td><td align="right">141</td></tr> +<tr><td align="right">XIV.</td><td align="left"><a href="#PART_XIV"><span class="smcap"><span lang="fr" xml:lang="fr">Le Vétérinaire Malgré Lui</span></span></a></td><td align="right">141</td></tr> <tr><td align="right">XV.</td><td align="left"><a href="#PART_XV"><span class="smcap">Trapped!</span></a></td><td align="right">152</td></tr> <tr><td align="right">XVI.</td><td align="left"><a href="#PART_XVI"><span class="smcap">An Intellectual Privilege</span></a></td><td align="right">163</td></tr> <tr><td align="right">XVII.</td><td align="left"><a href="#PART_XVII"><span class="smcap">A Bomb Shell</span></a></td><td align="right">174</td></tr> @@ -694,7 +652,7 @@ next poem. This is his idea of "Abasement."</p> <div class="poem"><div class="stanza"> <span class="i0">"With matted head a-dabble in the dust,<br /></span> -<span class="i0">And eyes tear-sealèd in a saline crust,<br /></span> +<span class="i0">And eyes tear-sealèd in a saline crust,<br /></span> <span class="i0">I lie all loathly in my rags and rust—<br /></span> <span class="i0">Yet learn that strange delight may lurk in self-disgust."<br /></span> </div></div> @@ -762,7 +720,7 @@ tight, everybody!</p> <div class="poem"><div class="stanza"> <span class="i0">"Pale Patricians, sunk in self-indulgence, (One for <em>you</em>, dear Archie!)<br /></span> -<span class="i2">Blink your blearèd eyes. (Blink, pretty creatures, blink!) Behold the Sun—<br /></span> +<span class="i2">Blink your blearèd eyes. (Blink, pretty creatures, blink!) Behold the Sun—<br /></span> <span class="i0">Burst proclaim, in purpurate effulgence,<br /></span> <span class="i2">Demos dawning, and the Darkness—done!"<br /></span> </div></div> @@ -1640,7 +1598,7 @@ with your ladyships, I mean!</p> heard such nonsense! Did you expect to be asked to run behind? You really mustn't be so ridiculously modest. As if your <i>Andromeda</i> hadn't procured you -the <i>entrée</i> everywhere!</p> +the <i>entrée</i> everywhere!</p> <p class="rdir hang">[<i>The omnibus starts.</i></p> @@ -2823,7 +2781,7 @@ thing that <em>I</em> value. I look <em>below</em> the surface, and I find a great deal that is very original and charming in this young man. And surely, my dear, if I find myself able to associate with him, <em>you</em> need not be so -fastidious! I consider him my <i>protégé</i>, and I won't +fastidious! I consider him my <i>protégé</i>, and I won't have him slighted. He is far too good for Vivien Spelwane!</p> @@ -3231,7 +3189,7 @@ to see that I've got some imagination in me, though she <em>does</em> think me such an ass. (<i>Aloud, to</i> Lady <span class="smcap">Maisie</span>.) Jolly old hall this is, with the banners, and the gallery, and that—makes you fancy some of -those old mediæval Johnnies in armour—knights, +those old mediæval Johnnies in armour—knights, you know—comin' clankin' in and turnin' us all out.</p> @@ -4169,7 +4127,7 @@ that they haven't even touched upstairs!</p> <p><i>M. Ridevos.</i> It is for zat I do not remmain! Zey 'ave not toch him; my pyramide, result of a genius -stupend, énorme! to zem he is nossing; zey retturn +stupend, énorme! to zem he is nossing; zey retturn him to crash me! To-morrow I demmand zat miladi accept my demission. <i lang="fr" xml:lang="fr">Ici je souffre trop!</i></p> @@ -4337,7 +4295,7 @@ is only too painfully recognisable</i>.</p> <hr style="width: 65%;" /> <h2><a name="PART_XIV" id="PART_XIV"></a>PART XIV<br /> -<small><span lang="fr" xml:lang="fr">LE VÉTÉRINAIRE MALGRÉ LUI</span></small></h2> +<small><span lang="fr" xml:lang="fr">LE VÉTÉRINAIRE MALGRÉ LUI</span></small></h2> <blockquote><p class="hang"><i>Outside the Stables at Wyvern.</i> <span class="smcap">Time</span>—<i>About</i> 10 <span class="smcap">P.M</span>.</p></blockquote> @@ -5548,7 +5506,7 @@ with deepening bewilderment and disgust</i>—</p> <span class="i12"><i>Mistress o' mine! or glamour it green</i>.<br /></span> <span class="i0">One last long kiss, ere I seek the fray ...<br /></span> <span class="i12"><i>Mistress o' mine! though I quit my sell</i>,<br /></span> -<span class="i0">I would meet the foe i' the mad mêlée.<br /></span> +<span class="i0">I would meet the foe i' the mad mêlée.<br /></span> <span class="i12"><i>Mistress o' mine! an' I were but well!</i>"<br /></span> </div></div> @@ -6597,7 +6555,7 @@ of us will be walking over to service presently, if you would like to——</p> <p><i>Undershell</i> (<i>outside—to himself</i>). And lose my -<i lang="fr" xml:lang="fr">tête-à-tête</i> with Lady Maisie! Not exactly! (<i>Aloud.</i>) +<i lang="fr" xml:lang="fr">tête-à -tête</i> with Lady Maisie! Not exactly! (<i>Aloud.</i>) I am afraid, Sir Rupert, that I cannot conscientiously——</p> <p><i>Sir Rupert</i> (<i>hastily</i>). Oh, very well, very well; @@ -7476,9 +7434,9 @@ unnecessary trouble.</p> <p><i>Undershell</i> (<i>detaining her, as she seemed about to pass on</i>). I have another piece of intelligence which you may hear less—er—philosophically, Lady Maisie. -Your <i>bête noire</i> has returned.</p> +Your <i>bête noire</i> has returned.</p> -<p><i>Lady Maisie</i> (<i>with lifted eyebrows</i>). My <i>bête noire</i>, +<p><i>Lady Maisie</i> (<i>with lifted eyebrows</i>). My <i>bête noire</i>, Mr. Blair?</p> <p><i>Undershell.</i> Why affect not to understand? I @@ -7830,7 +7788,7 @@ AND OTHER TALES.</p> <p>From THE SATURDAY REVIEW.—"A capital set of stories, thoroughly clever and witty, often pathetic, and always humorous."</p> -<p>From THE ATHENÆUM.—"The grimmest of mortals, in his most surly mood, +<p>From THE ATHENÆUM.—"The grimmest of mortals, in his most surly mood, could hardly resist the fun of 'The Talking Horse.'"</p> @@ -7862,7 +7820,7 @@ cleverness, humour, wit, and sarcasm can give is left out."</p> <p class="center space-above"><i>CHEAP EDITION</i>, Crown 8vo, limp red cloth, 2<i>s.</i> 6<i>d.</i></p> -<p class="center spaced">VICE VERSÂ;<br /> +<p class="center spaced">VICE VERSÂ;<br /> OR, A LESSON TO FATHERS.</p> @@ -7870,7 +7828,7 @@ OR, A LESSON TO FATHERS.</p> beginning to end of laughter, and yet not a comic book, or a 'merry' book, or a book of jokes, or a book of pictures, or a jest book, or a tomfool book, but a perfectly sober and serious book, in the reading of which a sober man may laugh without shame from -beginning to end, it is the book called 'Vice Versâ; or, a Lesson to Fathers.'... We +beginning to end, it is the book called 'Vice Versâ; or, a Lesson to Fathers.'... We close the book, recommending it very earnestly to all fathers in the first instance, and their sons, nephews, uncles, and male cousins next."</p> @@ -7880,7 +7838,7 @@ their sons, nephews, uncles, and male cousins next."</p> <p class="center spaced">A FALLEN IDOL.</p> <p>From THE TIMES.—"Mr. Anstey's new story will delight the multitudinous public -that laughed over 'Vice Versâ'.... The boy who brings the accursed image to +that laughed over 'Vice Versâ'.... The boy who brings the accursed image to Champion's house, Mr. Bales, the artist's factotum, and above all Mr. Yarker, the ex-butler who has turned policeman, are figures whom it is as pleasant to meet as it is impossible to forget."</p> @@ -7902,382 +7860,6 @@ the scene.</p> </div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Lyre and Lancet, by F. 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