summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--41057-0.txt (renamed from 41057-8.txt)420
-rw-r--r--41057-8.zipbin64068 -> 0 bytes
-rw-r--r--41057-h.zipbin17291966 -> 0 bytes
-rw-r--r--41057-h/41057-h.htm385
-rw-r--r--41057.txt4761
-rw-r--r--41057.zipbin64040 -> 0 bytes
6 files changed, 21 insertions, 5545 deletions
diff --git a/41057-8.txt b/41057-0.txt
index dbe267b..53a7478 100644
--- a/41057-8.txt
+++ b/41057-0.txt
@@ -1,38 +1,4 @@
-The Project Gutenberg eBook, Our People, by Charles Samuel Keene
-
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-
-
-
-Title: Our People
- From the Collection of "Mr. Punch"
-
-
-Author: Charles Samuel Keene
-
-
-
-Release Date: October 14, 2012 [eBook #41057]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-
-***START OF THE PROJECT GUTENBERG EBOOK OUR PEOPLE***
-
-
-E-text prepared by Chris Curnow, Sue Fleming, and the Online Distributed
-Proofreading Team (http://www.pgdp.net) from page images generously made
-available by Internet Archive (http://archive.org)
-
-
+*** START OF THE PROJECT GUTENBERG EBOOK 41057 ***
Note: Project Gutenberg also has an HTML version of this
file which includes the original illustrations.
@@ -375,9 +341,9 @@ holidays_). "IT'S ALL UP!"
MATTER?"
=Paterfamilias.= "TELEGRAM! SHE SAYS THEY'VE ARRIVED SAFE AT FOLKESTONE,
-AND WILL BE HOME ABOUT 10·30!"
+AND WILL BE HOME ABOUT 10·30!"
-Illustration: "Res Angustæ Domi."
+Illustration: "Res Angustæ Domi."
=Family Man.= "WHERE DO YOU GO THIS YEAR, JINNINGS?"
@@ -1459,8 +1425,8 @@ _VIXEN_ AT HOME, SIR!"
Illustration: _How We Arrange Our Little Dinners._
=Mistress.= "OH, COOK, WE SHALL WANT DINNER FOR FOUR THIS EVENING. WHAT DO
-YOU THINK, BESIDES THE JOINT, OF OX-TAIL SOUP, LOBSTER PATÉS, AND AN
-ENTRÉE--SAY, BEEF?"
+YOU THINK, BESIDES THE JOINT, OF OX-TAIL SOUP, LOBSTER PATÉS, AND AN
+ENTRÉE--SAY, BEEF?"
=Cook.= "YES, 'M--FRESH, OR AUSTR----?"
@@ -1560,7 +1526,7 @@ _Train rushes in, and the Parties rush off._
Illustration: _The Golden Age Restored._
=Young Lady= (_Through Passenger, at West Riding Station_). "WHAT'S GOING
-ON HERE TO-DAY, PORTER? HAS THERE BEEN A FÊTE?"
+ON HERE TO-DAY, PORTER? HAS THERE BEEN A FÊTE?"
=Porter= (_astonished_). "BLESS THEE, LASS! THERE'S NEA FEIGHTIN'
NOO-A-DAYS; 'T'S AGIN T' LA-AW!--NOBBUT A FLOOER-SHOW!"
@@ -1833,7 +1799,7 @@ Illustration: _Silly Suffolk (?) Pastorals. Reciprocity._
BUT--Y' SEE, SIR, THE REVEREND MR. SCOWLES O' THE CHAPEL, HE BOUGHT SOME
PIGS O' ME, AND I THOUGHT I OUGHT TO GI' 'M A TARN!!"
-Illustration: Lapsus Linguæ.
+Illustration: Lapsus Linguæ.
=Our Athletic Curate= (_who, with the young men of his parish, had been
victorious in a great match the day before; please forgive him this
@@ -2561,7 +2527,7 @@ I'D PUT OFF CUTTIN' CAUSE YOU HADN'T FINISHED, TO OBLIGE YER, I DIDN'T
THINK YOU'D A DONE IT! YOU DON'T COME A P'INTIN' ON MY LAND ANY MORE!"
_Exit, in great dudgeon._
-Illustration: _À Fortiori._
+Illustration: _À Fortiori._
=Ticket Collector.= "NOW, THEN, MAKE HASTE! WHERE'S YOUR TICKET?"
@@ -3338,7 +3304,7 @@ MUM! ALL RIGHT--DRIVE ON, CABBY!"
_Old Lady saves the train._
-Illustration: "Bric à Brac."
+Illustration: "Bric à Brac."
=Mamma= } { {SAM!"
}_together_ {"GOODNESS, GRACIOUS, {
@@ -3515,7 +3481,7 @@ KNEES AN' ALL, WORSE LUCK!"
Illustration: "Bon Voyage!"
=Mossu= (_shot into a nice soft loam_) _exultingly_. "A--HA--A! I AM SAFE
-O-VÈRE! NOW IT IS YOUR TURN, MEESTER TIMBRE JOMPRE! COME ON, SABE!"
+O-VÈRE! NOW IT IS YOUR TURN, MEESTER TIMBRE JOMPRE! COME ON, SABE!"
Illustration: "Fiat Experimentum," &c.
@@ -3665,7 +3631,7 @@ UP, JAMES, PICK 'EM UP! WHY DON'T YOU PICK 'EM UP?"
Breaking the Ice 24, 156
- Bric à Brac 144
+ Bric à Brac 144
Brother Brush 84
@@ -3955,7 +3921,7 @@ UP, JAMES, PICK 'EM UP! WHY DON'T YOU PICK 'EM UP?"
Labour, Division of 38
- Lapsus Linguæ 76
+ Lapsus Linguæ 76
Last Word, the 91
@@ -4177,7 +4143,7 @@ UP, JAMES, PICK 'EM UP! WHY DON'T YOU PICK 'EM UP?"
Reproof, Proper 135
- Res Angustæ Domi 11
+ Res Angustæ Domi 11
Reserves, Our--the Battle of Amesbury 59
@@ -4400,362 +4366,4 @@ end for the reader's convenience.
The punctuation and spelling are as printed in the original
publication.
-
-
-***END OF THE PROJECT GUTENBERG EBOOK OUR PEOPLE***
-
-
-******* This file should be named 41057-8.txt or 41057-8.zip *******
-
-
-This and all associated files of various formats will be found in:
-http://www.gutenberg.org/dirs/4/1/0/5/41057
-
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
+*** END OF THE PROJECT GUTENBERG EBOOK 41057 ***
diff --git a/41057-8.zip b/41057-8.zip
deleted file mode 100644
index 9e68bbe..0000000
--- a/41057-8.zip
+++ /dev/null
Binary files differ
diff --git a/41057-h.zip b/41057-h.zip
deleted file mode 100644
index 71e5a0c..0000000
--- a/41057-h.zip
+++ /dev/null
Binary files differ
diff --git a/41057-h/41057-h.htm b/41057-h/41057-h.htm
index b8d387e..a8f9466 100644
--- a/41057-h/41057-h.htm
+++ b/41057-h/41057-h.htm
@@ -2,7 +2,7 @@
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html xmlns="http://www.w3.org/1999/xhtml">
<head>
-<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" />
<title>The Project Gutenberg eBook of Our People, by Charles Samuel Keene</title>
<style type="text/css">
@@ -71,26 +71,9 @@ table {border-collapse: collapse;}
</style>
</head>
<body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 41057 ***</div>
<h1>The Project Gutenberg eBook, Our People, by Charles Samuel Keene</h1>
-<p>This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at <a
-href="http://www.gutenberg.org">www.gutenberg.org</a></p>
-<p>Title: Our People</p>
-<p> From the Collection of "Mr. Punch"</p>
-<p>Author: Charles Samuel Keene</p>
-<p>Release Date: October 14, 2012 [eBook #41057]</p>
-<p>Language: English</p>
-<p>Character set encoding: ISO-8859-1</p>
-<p>***START OF THE PROJECT GUTENBERG EBOOK OUR PEOPLE***</p>
<p>&nbsp;</p>
-<h4>E-text prepared by Chris Curnow, Sue Fleming,<br />
- and the Online Distributed Proofreading Team<br />
- (<a href="http://www.pgdp.net">http://www.pgdp.net</a>)<br />
- from page images generously made available by<br />
- Internet Archive<br />
- (<a href="http://archive.org">http://archive.org</a>)</h4>
<p>&nbsp;</p>
<table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10">
<tr>
@@ -568,7 +551,7 @@ and will be Home about 10&middot;30!</span>"</div></div>
<p><span class="pagenum"><a name="Page_11b" id="Page_11b">[Pg 11b]</a></span></p>
<div class="figcenter"><a name="illo11b" id="illo11b"></a>
<img src="images/i_020b.jpg" width="600" height="400" alt="" />
-<div class="caption"><p class="center"> "Res Angustæ Domi."</p>
+<div class="caption"><p class="center"> "Res Angustæ Domi."</p>
<b>Family Man.</b> "<span class="smcap">Where do you go this Year, Jinnings?</span>"<br />
@@ -2880,7 +2863,7 @@ Pigs o' me, and I thought I ought to gi' 'm a Tarn!!</span>"</div></div>
<p><span class="pagenum"><a name="Page_76b" id="Page_76b">[Pg 76b]</a></span></p>
<div class="figcenter"><a name="illo76b" id="illo76b"></a>
<img src="images/i_085b.jpg" width="339" height="400" alt="" />
-<div class="caption"><p class="center">Lapsus Linguæ.</p>
+<div class="caption"><p class="center">Lapsus Linguæ.</p>
<b>Our Athletic Curate</b> (<i>who, with the young men of his parish, had been
victorious in a great match the day before; please forgive him this
@@ -6523,7 +6506,7 @@ up, James, pick 'em up! Why don't you pick 'em up?</span>"<br />
<td align="right">38</td>
</tr>
<tr>
- <td align="left"><a href="#illo76b">Lapsus Linguæ</a></td>
+ <td align="left"><a href="#illo76b">Lapsus Linguæ</a></td>
<td align="left">&nbsp;</td>
<td align="right">76</td>
</tr>
@@ -7073,7 +7056,7 @@ up, James, pick 'em up! Why don't you pick 'em up?</span>"<br />
<td align="right">135</td>
</tr>
<tr>
- <td align="left"><a href="#illo11b">Res Angustæ Domi</a></td>
+ <td align="left"><a href="#illo11b">Res Angustæ Domi</a></td>
<td align="left">&nbsp;</td>
<td align="right">11</td>
</tr>
@@ -7607,360 +7590,6 @@ publication.</div>
<p>&nbsp;</p>
<p>&nbsp;</p>
-<hr class="pg" />
-<p>***END OF THE PROJECT GUTENBERG EBOOK OUR PEOPLE***</p>
-<p>******* This file should be named 41057-h.txt or 41057-h.zip *******</p>
-<p>This and all associated files of various formats will be found in:<br />
-<a href="http://www.gutenberg.org/dirs/4/1/0/5/41057">http://www.gutenberg.org/4/1/0/5/41057</a></p>
-<p>
-Updated editions will replace the previous one--the old editions
-will be renamed.</p>
-
-<p>
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-</p>
-
-<h2>*** START: FULL LICENSE ***<br />
-
-THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</h2>
-
-<p>To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
-<a href="http://www.gutenberg.org/license">www.gutenberg.org/license</a>.</p>
-
-<h3>Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works</h3>
-
-<p>1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.</p>
-
-<p>1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.</p>
-
-<p>1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.</p>
-
-<p>1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.</p>
-
-<p>1.E. Unless you have removed all references to Project Gutenberg:</p>
-
-<p>1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:</p>
-
-<p>This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at <a
-href="http://www.gutenberg.org">www.gutenberg.org</a></p>
-
-<p>1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.</p>
-
-<p>1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.</p>
-
-<p>1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.</p>
-
-<p>1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.</p>
-
-<p>1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.</p>
-
-<p>1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.</p>
-
-<p>1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that</p>
-
-<ul>
-<li>You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."</li>
-
-<li>You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.</li>
-
-<li>You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.</li>
-
-<li>You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.</li>
-</ul>
-
-<p>1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.</p>
-
-<p>1.F.</p>
-
-<p>1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.</p>
-
-<p>1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.</p>
-
-<p>1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.</p>
-
-<p>1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.</p>
-
-<p>1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.</p>
-
-<p>1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.</p>
-
-<h3>Section 2. Information about the Mission of Project Gutenberg-tm</h3>
-
-<p>Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.</p>
-
-<p>Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4 and
-the Foundation information page at <a
-href="http://www.gutenberg.org">www.gutenberg.org</a></p>
-
-<h3>Section 3. Information about the Project Gutenberg Literary Archive
-Foundation</h3>
-
-<p>The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.</p>
-
-<p>The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at <a
-href="http://www.gutenberg.org/contact">www.gutenberg.org/contact</a></p>
-
-<p>For additional contact information:<br />
- Dr. Gregory B. Newby<br />
- Chief Executive and Director<br />
- gbnewby@pglaf.org</p>
-
-<h3>Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation</h3>
-
-<p>Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.</p>
-
-<p>The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit <a
-href="http://www.gutenberg.org/donate">www.gutenberg.org/donate</a></p>
-
-<p>While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.</p>
-
-<p>International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.</p>
-
-<p>Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: <a
-href="http://www.gutenberg.org/donate">www.gutenberg.org/donate</a></p>
-
-<h3>Section 5. General Information About Project Gutenberg-tm electronic
-works.</h3>
-
-<p>Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.</p>
-
-<p>Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.</p>
-
-<p>Most people start at our Web site which has the main PG search facility:
-<a href="http://www.gutenberg.org">www.gutenberg.org</a></p>
-
-<p>This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.</p>
-
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 41057 ***</div>
</body>
</html>
diff --git a/41057.txt b/41057.txt
deleted file mode 100644
index d343a7a..0000000
--- a/41057.txt
+++ /dev/null
@@ -1,4761 +0,0 @@
-The Project Gutenberg eBook, Our People, by Charles Samuel Keene
-
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-
-
-
-Title: Our People
- From the Collection of "Mr. Punch"
-
-
-Author: Charles Samuel Keene
-
-
-
-Release Date: October 14, 2012 [eBook #41057]
-
-Language: English
-
-Character set encoding: ISO-646-US (US-ASCII)
-
-
-***START OF THE PROJECT GUTENBERG EBOOK OUR PEOPLE***
-
-
-E-text prepared by Chris Curnow, Sue Fleming, and the Online Distributed
-Proofreading Team (http://www.pgdp.net) from page images generously made
-available by Internet Archive (http://archive.org)
-
-
-
-Note: Project Gutenberg also has an HTML version of this
- file which includes the original illustrations.
- See 41057-h.htm or 41057-h.zip:
- (http://www.gutenberg.org/files/41057/41057-h/41057-h.htm)
- or
- (http://www.gutenberg.org/files/41057/41057-h.zip)
-
-
- Images of the original pages are available through
- Internet Archive. See
- http://archive.org/details/ourpeople00keen
-
-
-Transcriber's note:
-
- Text enclosed by underscores is in italics (_italics_).
-
- Text enclosed by equal signs is in bold face (=bold=).
-
- The oe ligature is shown as [oe].
-
-
-
-
-
-OUR PEOPLE
-
-Sketched by
-
-CHARLES KEENE.
-
-from the Collection of "Mr. Punch."
-
-
-
-
-
-
-
-Boston,
-James R. Osgood & Co.
-1881.
-
-
-
-"Our People."
-Sketches from 'Punch' by
-'C. K.'
-
-Illustration
-
-
- OUR PEOPLE. AT HOME.
-
- OUR PEOPLE. STREET-LIFE.
-
- OUR PEOPLE. IN THE COUNTRY.
-
- OUR PEOPLE. TRAVELLING.
-
- OUR PEOPLE. PROFESSIONAL.
-
- OUR PEOPLE. OFFICIAL.
-
- OUR PEOPLE. IN THE ARMY.
-
- OUR PEOPLE. ART AND ARTISTS.
-
- OUR PEOPLE. VOLUNTEERS.
-
- OUR PEOPLE. AT BUSINESS.
-
- OUR PEOPLE. DOMESTICS.
-
- OUR PEOPLE. WORKING FOLK.
-
- OUR PEOPLE. IN IRELAND.
-
- OUR PEOPLE. IN SCOTLAND.
-
- &c., &c.
-
-
-
-
-Illustration: Toots! theres no a Jok' i' th' 'hale beuk!
-
-
- COMPANION to "OUR PEOPLE,"
-
- ENGLISH SOCIETY AT HOME,
-
- Society Pictures By
-
- GEORGE DU MAURIER.
-
- JAMES R. OSGOOD & Co., PUBLISHERS.
-
-
-
-
-Illustration: Mens Conscia.
-
-=Inspector= (_who notices a backwardness in History_). "WHO SIGNED MAGNA
-CHARTA?" (_No answer._)
-
-=Inspector= (_more urgently_). "WHO SIGNED MAGNA CHARTA?" (_No answer._)
-
-=Inspector= (_angrily_). "WHO SIGNED MAGNA CHARTA!!?"
-
-=Scapegrace= (_Thinking matters are beginning to look serious_). "PLEASE,
-SIR, 'TWASN'T ME, SIR!!"
-
-Illustration: _Dignity._
-
-=Club "Buttons."= "I'M AT THE 'JUNIOR PENINSULAR' NOW."
-
-=Friend.= "WHAT! DID YOU 'GET THE SACK' FROM 'THE REYNOLDS'?"
-
-=Buttons= (_indignant_). "GO ALONG WITH YER! 'GET THE SACK!' I SENT IN MY
-RESI'NATION TO THE C'MMITTEE!"
-
-Illustration: _Family Pride._
-
-=First Boy.= "MY FATHER'S A ORFICER." =Second Boy.= "WHAT ORFICER?" =First
-Boy.= "WHY, A CORPORAL!" =Third Boy= (_evidently "comic"_). "SO'S MY
-FATHER--HE'S A ORFICER, TOO--A GENERAL, HE IS!" =Fourth Boy.= "GO ALONG
-WITH YER!" =Third Boy.= "SO HE IS--HE'S A _GENERAL DEALER_!!"
-
-Illustration: _Bad Customer._
-
-=Landlady.= "WHAT GENTLEMAN'S LUGGAGE IS THIS, SAM?"
-
-=Ancient Waiter.= "GE'TLEMAN'S LUGGAGE, 'M! 'OR' BLESHYER, NO, MUM! THAT'S
-_ARTIS'S TRAPS_, THAT IS. THEY'LL 'AVE TEA HERE TO-NIGHT, TAKE A LITTLE
-LODGIN' TO-MORROW, AND THERE THEY'LL BE A LOAFIN ABOUT THE PLACE FOR
-MONTHS, DOIN' NO GOOD TO NOBODY!"
-
-Illustration: "_March of Refinement._"
-
-=Brown= (_behind the Age, but hungry_). "GIVE ME THE BILL OF FARE,
-WAITER."
-
-=Head Waiter.= "BEG PARDON, SIR?"
-
-=Brown.= "THE BILL OF FARE."
-
-=Head Waiter.= "THE WHAT, SIR? O!--AH!--YES!"--(_to
-Subordinate_)--"CHAWLES, BRING THIS--THIS--A--GEN'LEMAN--THE _MENOO_!!"
-
-Illustration: _Refrigerated Tourists._
-
-=Provincial Waiter.= "ICE! GENTLEMEN! THERE AIN'T NO ICE IN AUTUMN TIME.
-BUT IT'S EASY TO SEE YOU ARE GENTS FROM LONDON, AS DON'T KNOW MUCH ABOUT
-NATURE, AND I DON'T BLAME YOU FOR IT, IN COURSE. BUT, ICE IN AUGUST!"
-_Exit, sniggering._
-
-Illustration: Intelligent Pet.
-
-"MA, DEAR, WHAT DO THEY PLAY THE ORGAN SO LOUD FOR, WHEN 'CHURCH' IS
-OVER? IS IT TO WAKE US UP?"
-
-Illustration: "Durance."
-
-=Little Daughter.= "WON'T THEY LET US OUT WITHOUT PAYING, MA'?"
-
-Illustration: _The Mystery Solved._
-
-=Effie= (_our Parson's little daughter: her first experience of "Church."
-Aloud--with intense surprise_). "PA AND ALL THE DEAR LITTLE BOYS, IN
-THEIR NIGHTGOWNS, GOING TO BYE-BYE!!"
-
-Illustration: _A Pledged M. P._
-
-=M. P.'s Bride= "OH! WILLIAM, DEAR--IF YOU ARE--A LIBERAL--DO BRING IN A
-BILL--NEXT SESSION--FOR THAT UNDERGROUND TUNNEL!!"
-
-Illustration: "_Perils of the Deep._"
-
-=Unprotected Female= (_awaking old Gent., who is not very well_). "O,
-MISTER, WOULD YOU FIND THE CAPTAIN? I'M SURE WE'RE IN DANGER! I'VE BEEN
-WATCHING THE MAN AT THE WHEEL; HE KEEPS TURNING IT ROUND FIRST ONE WAY
-AND THEN THE OTHER, AND EVIDENTLY DOESN'T KNOW HIS OWN MIND!!"
-
-Illustration: "_The Pink of Fashion._"
-
-"OUR FLOWER SHOW WAS A DECIDED SUCCESS THIS YEAR, AND LITTLE FIDKINS IN
-AN EMBROIDERED FLORAL WAISTCOAT WAS KILLING!"
-
-Illustration: _The Bird Show._
-
-=That Charming Gal= _with the blue feather_ (_to Prize Canary_). "SWEETY,
-DEAR!"
-
-=Comic Man= (_"Dolcissimo con Brio," from the other side of the
-pedestal_). "YES, DUCKY!"
-
-_Utterly ruining the hopes, and taking the wind out o' the sails of his
-tall friend (serious man), who had been spoonying about her all the
-afternoon, and thought he had made an impression!_
-
-Illustration: "_Trying._"
-
-=Happy Swain= (_she has "named the day"_). "AND NOW, DEAREST EDITH, THAT
-IS ALL SETTLED. WITH REGARD TO JEWELLERY, MY LOVE; WOULD YOU LIKE A SET
-IN PLAIN GOLD, OR----"
-
-=Edith= (_economical and courageous, and who suffers a good
-deal from toothache_). "OH, AUGUSTUS, NOW YOU ASK ME--DO YOU
-KNOW--I--REALLY--BUT--MR. CLINCH TOLD ME YESTERDAY THAT HE COULD EXTRACT
-ALL I HAVE, AND PUT IN A BEAUTIFUL NEW SET FOR ONLY FIFTEEN GUINEAS!!"
-
-Illustration: Common Prudence.
-
-=Snob.= "OH, LET'S GET OUT O' THIS MOB, 'ARRY! THEY'LL THINK WE'RE A GOIN'
-TO _CHURCH_!"
-
-Illustration: The Triumphs of Temper.
-
-=Fare= (_out of patience at the fourth "jib" in a Mile_). "HI, THIS WON'T
-DO! I SHALL GET OUT!"
-
-=Cabby= (_through the trap, in a whisper_). "AH THIN, SOR, NIVER MIND HER!
-SIT STILL! DON'T GIVE HER THE SATISFACTION AV KNOWIN' SHE'S GOT RID AV
-YE!!"
-
-Illustration: "For Better for Worse."
-
-_Our friend Bagnidge (hasn't a rap) has just married the widow (rich) of
-old Harlesden the stockbroker._
-
-=Mrs. B.= (_Retiring_). "SHALL I SEND MY POPPET HIS SLIPPERS?"
-
-=Mr. B.= "N-N-N-N-O--NOT AT PRESENT, THANKS!" (_Sotto voce to his guest
-when the door was closed._) "NOT SO FOND OF HAVING THE MUZZLES ON MY
-FEET AT EIGHT O'CLOCK IN THE EVENING, YOU KNOW, BARNEY!!"
-
-Illustration: A Half Truth.
-
-=Guard= (_of the Fatuous Railway Company, that still forbids tobacco_).
-"STRONG SMELL OF SMOKE, SIR!"
-
-=Passenger= (_his cigar covered by his newspaper_). "YA-AS; THE PARTY WHO
-HAS JUST GOT OUT HAS BEEN SMOKING FURIOUSLY!!"
-
-Illustration: Poor Humanity!
-
-=Bride.= "I THINK--GEORGE, DEAR--I SHOULD--BE BETTER--IF WE WALKED
-ABOUT----"
-
-=Husband= (_one wouldn't have believed it of him_). "YOU CAN DO AS YOU
-LIKE, LOVE. I'M VERY WELL(!) AS I AM!!"
-
-Illustration: _Family Ties._
-
-(_Respec'fully dedicated to Mr. Punch's excellent friends at the
-Egyptian Hall--M. and C._)
-
-=Aunt.= "GRACIOUS GOODNESS! WHAT ARE YOU DOING IN MY CUPBOARD, YOU NAUGHTY
-BOYS?"
-
-=Jacky.= "OH, AUNT, WE'RE PLAYING 'MASCULINE AND COOK'! I TIE HIM TO THE
-CHAIR, AND WHEN THE DOOR'S OPENED HIS HANDS ARE FREE. THEN HE DOES
-ME!!"
-
-Illustration: "_Prevention Better than Cure._"
-
-=Jeames= (_excitedly_). "HERE--HERE--HERE'S THE SHILLIN'!
-QUICK--QUICK--OFF WITH YOU!"
-
-=German Impostor= (_affecting concern_). "DERE IS SOME VUN ILL?"
-
-=Jeames.= "WELL, NOT JUST YET! BUT THERE PRECIOUS SOON WILL BE, IF YOU
-DON'T KNOCK OFF!"
-
-Illustration: The Roll-Call.
-
-=Sergeant.= "ALISTER MCALISTER!"
-
-=Answer.= "HAMISHO!"
-
-=Sergeant.= "DONAL' MCBEAN!"
-
-=Answer.= "HAMISHO!"
-
-=Sergeant.= "PETER MCKAY!"
-
-ANSWER. "HAMISHO!"
-
-=Sergeant.= "JOHN SMITH!"
-
-=Answer.= "HERE, SIR!"
-
-=Sergeant= (_with a Sniff_). "UGH! 'ENGLISH POCK-PUDDING'"!!
-
-Illustration: _Gentility in Greens._
-
-(_Mrs. Brown finds Sandymouth a very different place from what she
-remembers it years ago!_)
-
-=Greengrocer.= "CABBAGE, MUM!? WE DON'T KEEP NO SECOND-CLASS VEGETABLES,
-MUM. YOU'LL GET IT AT THE LOWER END O' THE TOWN!"
-
-Illustration: _Plain to Demonstration._
-
-=Customer= (_nervously_). "AH! THEY MUST BE VERY IRKSOME AT FIRST."
-
-=Dentist= (_exultantly_). "NOT A BIT OF IT, SIR! LOOK HERE, SIR!"
-(_Dexterously catching his entire set._) "HERE'S MY UPPERS, AND HERE'S
-MY UNDERS!"
-
-Illustration: Unprejudiced!
-
-=Swell= (_at the R. A. Exhibition_). "Haw! 've you any Idea--w what
-Fellaw's Pictu-ars we're to Admi-are this Ye-ar!!!?"
-
-Illustration: A Kind Son.
-
-=Paterfamilias= (_to his Eldest Son, who is at Bartholomew's_). "GEORGE,
-THESE ARE UNCOMMONLY GOOD CIGARS! I CAN'T AFFORD TO SMOKE SUCH EXPENSIVE
-CIGARS AS THESE."
-
-=George= (_grandly_). "FILL YOUR CASE--FILL YOUR CASE, GOV'NER!!"
-
-Illustration: Crass Ignorance.
-
-=First Swell.= "LET'S SEE--TO-MORROW'S----WHAT'S T'DAY, BYTH'BY?"
-
-=Second Swell.= "TUESDAY, ISN'T IT?--OR MONDAY?--WAS YEST'DAY SUNDAY? NE'
-MIND--(_yawns_)--MY MAN'LL BE HERE PWESENTLY--PWECIOUS SHWEWD
-FELLOW--'TELL US LIKE A SHOT!!"
-
-Illustration: A Change in the Weather.
-
-=Paterfamilias= (_with a sigh: his family have been to Boulogne for the
-holidays_). "IT'S ALL UP!"
-
-=Bachelor Friend= (_who has enjoyed these little Dinners_). "WHAT'S THE
-MATTER?"
-
-=Paterfamilias.= "TELEGRAM! SHE SAYS THEY'VE ARRIVED SAFE AT FOLKESTONE,
-AND WILL BE HOME ABOUT 10.30!"
-
-Illustration: "Res Angustae Domi."
-
-=Family Man.= "WHERE DO YOU GO THIS YEAR, JINNINGS?"
-
-=Bachelor= (_in a sketchy manner_). "OH--BADEN FOR A FEW WEEKS, AND THE
-WHINE, BELGIUM--P'WAPS GET AS FAR'S VIENNAH! WHERE 'YOU OFF TO?"
-
-=Family Man.= "OH, I SUPPOSE I SHALL TAKE THE OLD WOMAN DOWN TO
-WORTHING--AS USUAL!"
-
-_And he says this in anything but a sprightly manner--which was weak
-and injudicious._
-
-Illustration: _Irish Ingenuity._
-
-=Saxon Tourist.= "WHAT ON EARTH ARE YOU LOWERING THE SHAFTS FOR?" (_He has
-just found out that this manoeuvre is gone through at every ascent._)
-
-=Car-Driver.= "SHURE, YER 'ONNER, WE'LL MAKE 'M B'LAVE HE'S GOIN' DOWN
-HILL!"
-
-Illustration: _Scrupulous._
-
-=Shepherd.= "O, JIMS, MUN! CAN YE NO GIE A WHUSTLE ON THA RAM'LIN' BRUTE
-O' MINE? I DAURNA MYSEL'; IT'S JUST FAST-DAY IN OOR PARISH!!"
-
-Illustration: A Game Two can Play at.
-
-=Guard= (_to Excited Passenger at the Edinburgh Station, just as the Train
-is Starting_). "YE'RE TOO LATE, SIR. YE CANNA ENTER."
-
-=Stalwart Aberdonian.= "A' MAUN!"
-
-=Guard= (_holding him back_). "YE CANNA!"
-
-=Aberdonian.= "TELL YE A' MAUN--A' WEEL!" (_Gripping Guard._) "IF A'
-MAUNNA, YE SANNA!!!"
-
-Illustration: Decimals on Deck.
-
-=Irish Mate.= "HOW MANNY IV YE DOWN THER-RE?!"
-
-=Voice from the Hold.= "THREE, SOR!"
-
-=Mate.= "THIN HALF IV YE COME UP HERE IMMADIATELY!!"
-
-Illustration: More "Revenge for the Union."
-
-=Saxon Tourist= (_at Irish Railway Station_). "WHAT TIME DOES THE
-HALF-PAST ELEVEN TRAIN START, PADDY?"
-
-=Porter.= "AT THRUTTY MINUTES TO TWILVE--SHARRUP, SOR!"
-
-_Tourist retires up, discomfited._
-
-Illustration: _The Ulster._
-
-=Schoolboy= (_to Brown, in his new great-coat_). "YAH! COME OUT OF IT!
-D'YOU THINK I DON'T SEE YER!!"
-
-Illustration: "_Silence is Golden._"
-
-=Chatty Old Gent.= "HAVE YOU LONG HOURS, HE-AR, PORTAR?"
-
-=Railway Porter= (_whose Temper has been spoilt_). "SAME AS ANYWHERES
-ELSE, I S'POSE--SIXTY MINUTES!"----(_Bell rings, Railway Porter touches
-up Old Gent's favourite corn, and rushes off!_)
-
-=Old Gent.= "PH--O--O--O--O--!"
-
-Illustration: _Barometrical._
-
-=Draper.= "LIGHT SUMMER DRESS? YES, M'M. SOLD A GREAT MANY THE LAST FEW
-DAYS, M'M, THE WEATHER HAVIN' RISEN FROM A FRENCH MERINO TO A
-GRENADINE!"
-
-Illustration: _A Family Man._
-
-=Cabby.= "VY, I'M A FATHER OF A FAM'LY MYSELF, MUM,--NOT SO 'ANDSOME AS
-YOUR LITTLE DEARS, MUM, I DON'T SAY,--AN' D'YOU THINK I'D GO FOR TO
-OVERCHARGE FOR 'EM? NOT I, MUM! NOT A SIXPENCE, BLESS THEIR LITTLE
-'EARTS!" &c., &c.
-
-_Claim allowed._
-
-Illustration: _Unconscionable._
-
-=Head of the Firm.= "WANT A HOLIDAY!? WHY, YOU'VE JUST BEEN AT HOME ILL
-FOR A MONTH!"
-
-Illustration: _A Narcotic._
-
-=Doctor.= "LOOK HERE, MRS. MCCAWDLE. DON'T GIVE HIM ANY MORE PHYSIC. A
-SOUND SLEEP WILL DO HIM MORE GOOD THAN ANYTHING."
-
-=Gudewife.= "E-H, DOCTHOR, IF WE COULD ONLY GET HIM TAE THE KIRK!!"
-
-Illustration: The Connoisseur.
-
-=Host= (_smacking his lips_). "THERE, MY BOY, WHAT DO YOU THINK OF THAT? I
-THOUGHT I'D GIVE YOU A TREAT. THAT'S '34 PORT, SIR!"
-
-=Guest.= "AH! AND A VERY NICE, SOUND WINE, I SHOULD SAY! I BELIEVE IT'S
-QUITE AS GOOD AS SOME I GAVE 37S. FOR THE OTHER DAY."
-
-Illustration: Awful Warning!
-
-=Guest= (_at City Company Dinner._) "I'M UNCOMMONLY HUNGRY!"
-
-=Ancient Liveryman= (_with feeling_). "TAKE CARE, MY DEAR SIR, FOR
-GOODNESS' SAKE, TAKE CARE! D'YOU KNOW IT HAPPENED TO ME AT THE LAST LORD
-MAYOR'S DINNER TO BURN MY TONGUE WITH MY FIRST SPOONFUL OF CLEAR TURTLE;
-'CONSEQUENCE WAS--(_sighs_)--'COULDN'T TASTE AT ALL--ANYTHING--FOR THE
-REST OF THE EVENING!!"
-
-Illustration: _The Sausage Machine._
-
-=Cook= (_in a fluster_). "O 'F Y' PLEASE, 'M, NO WONDER THE FLAVIOUR O'
-THEM SASSENGERS WASN'T TO-RIGHTS, 'M, WHICH I'VE JEST NOW KETCHED MASTER
-ALFRED A CUTTIN' HIS 'CAVENDISH' IN THE MACHINE!"
-
-Illustration: Just in Time.
-
-=Veteran Piscator.= "HECH! BUT YON'S A MUCKLE FESH LOUPIN' AHINT
-ME!"----(_It was lucky he looked round!--his Friend from London had
-preferred Sketching on the Banks, had stumbled over a Boulder, and "Gone
-a Header" into a deep hole. He was gaffed at his last kick!_)
-
-Illustration: _Words and Weights._
-
-=Angler.= "DEUCED ODD, DONALD, I CAN'T GET A FISH OVER SEVEN POUNDS, WHEN
-THEY SAY MAJOR GRANT ABOVE US KILLED HALF A DOZEN LAST WEEK THAT TURNED
-TWENTY POUNDS APIECE!"
-
-=Donald.= "AWEEL, SIR, IT'S NO THAT MUCKLE ODDS I'TH' SAWMON,--BUT THAE
-FOWK UP THE WATTER IS BIGGER LEEARS THAN WE ARE DOON HERE!"
-
-Illustration: "_Mal Apropos._"
-
-=Rector's Wife.= "WELL, VENABLES, HOW DO YOU THINK WE SOLD THE JERSEY
-COW?"
-
-=Venables.= (_Factotum and Gardener_) "WELL, M'M, MASTER BYLES HAS GOT THE
-BETTER O' WE A MANY TIMES, BUT--(_proudly_)--I THINK AS WE A' DONE HE
-TO-RIGHTS THIS TURN!!" "_So awkward! and before the Archdeacon, too!_"
-
-Illustration: "_A Slip o' the Tongue._"
-
-=Yachting Biped.= "THEN YOU'LL LOOK US UP AT PRIMROSE 'ILL?"
-
-=New Acquaintance= (_gentlemanly man_). "OH, YES--NEAR THE 'ZOO,' ISN'T
-IT? WE OFTEN DROP IN AND HAVE A LOOK AT THE MONKEYS!"
-
-Illustration: _Confession in Confusion._
-
-=Priest.= "NOW, TELL ME, DOOLAN, TRUTHFULLY, HOW OFTEN DO YOU GO TO
-CHAPEL?"
-
-=Pat.= "WILL, NOW, SHURE OI'LL TILL YER RIV'RENCE THE TRUT'. FAIX, I GO AS
-OFTEN I CAN AVOID!"
-
-Illustration: _The New Running Drill._
-
-(_A respectful appeal to His Royal Highness the Commander-in-Chief._)
-
-CAPTAIN BLUARD, AS HE APPEARED IN COMMAND OF HIS COMPANY.
-
-Illustration: _Our Military Manoeuvres._
-
-=Irish Drill-Sergeant= (_to Squad of Militiamen_). "PR'S'NT
-'RRMS!"--(_Astonishing result._)--"HIV'NS! WHAT A 'PRISINT'! JIST STIP
-OUT HERE NOW, AN' LOOK AT YERSILVES!!"
-
-Illustration: The Race not yet Extinct.
-
-=Country Excursionist= (_just landed at G. W. Terminus_). "COULD YOU
-INFORM ME WHAT THESE 'ERE BUSSES CHARGE FROM PADDINGTON TO THE BANK?"
-
-=Dundreary= (_with an effort_). "AU-H, PO' M'SOUL, HAVEN'T AN IDEA-H!
-NEVER WODE 'N ONE IN M'LIFE! SHOULD SAY A MERE TWIFLE! P'WAPS A
-SHILLING, OR TWO SHILLINGS. 'DON'T THINK THE WASCALS COULD HAVE THE
-CONSCIENCE TO CHARGE YOU MORE THAN THWEE SHILLINGS! 'WOULDN'T PAY MORE
-THAN FOUR! I'D SEE 'EM AT THE D-D-DOO-OOCE!"
-
-Illustration: _A Dilemma._
-
-=Party= (_overcome by the heat of the Weather_). "HOY! CAB!"
-
-=Driver.= "ALL RIGHT, SIR, IF YOU'LL JUST WALK TO THE GATE."
-
-=Party.= "O, BOTHER! WALKING TO 'GATE!"
-
-=Driver.= "WELL, SIR, IF YOU CAN'T GET THROUGH, I DON'T SEE HOW I CAN GET
-OVER!"
-
-Illustration: Adjustment.
-
-=Bootmaker= (_who has a deal of trouble with this Customer_). "I THINK,
-SIR, IF YOU WERE TO CUT YOUR CORNS, I COULD MORE EASILY FIND YOU A
-PAIR----"
-
-=Choleric Old Gentleman=. "CUT MY CORNS, SIR!--I ASK YOU TO FIT ME A PAIR
-O' BOOTS TO MY FEET, SIR!--I'M NOT GOING TO PLANE MY FEET DOWN TO FIT
-YOUR BOOTS!!!"
-
-Illustration: A Mine of Speculation.
-
-=Dealer= (_to Wavering Customer_). "WELL, OF COURSE WE ALL KNOW THAT--HE'S
-GOT 'IS BAD POINTS AN' 'IS GOOD POINTS; BUT WHAT I SAY IS, THERE'S NO
-DECEPTION ABOUT 'IS BAD POINTS--WE CAN SEE 'EM. BUT WE CAN'T NONE OF US
-TELL 'OW MANY GOOD POINTS HE MAY 'AVE TILL WE COMES TO KNOW 'IM!!" _The
-"Party" took time to consider._
-
-Illustration: "Argumentum ad Hominem!"
-
-=Dealer.= "I KNOW YOU DON'T LIKE HIS 'EAD, AND I ALLOW HE AIN'T GOT A
-PURTY 'EAD; BUT LOR'--NOW LOOK AT GLADSTONE, THE CLEVEREST MAN IN ALL
-ENGLAND!--AND LOOK AT 'IS 'EAD"!!!
-
-Illustration: Veneration.
-
-=Lodger.= "I SHALL NOT DINE AT HOME TO-DAY, MA'AM, BUT I'VE A FRIEND
-COMING THIS EVENING. IF YOU COULD GIVE US SOMETHING NICE FOR SUPPER----"
-
-=Landlady= (_Low Church_). "WOULD YOU LIKE THE REMAINDER OF THE COLD
-TURKEY--AH ('_feels a delicacy_')--HEM! _BEELZE-BUBBED_, SIR?"
-
-Illustration: A Soft Answer.
-
-=Irascible Old Gent.= "WAITER! THIS PLATE IS QUITE COLD!"
-
-=Waiter.= "YESSIR, BUT THE CHOP IS 'OT, SIR, WHICH I THINK YOU'LL FIND
-IT'LL WARM UP THE PLATE NICELY, SIR!"
-
-Illustration: Seasonable Luxury.
-
-=Old Gent= (_disgusted_). "HECK, WAITER! HERE'S A--HERE'S
-A--A--CATERPILLAR IN THIS CHOP!"
-
-=Waiter= (_flippantly_). "YESSIR. ABOUT THE TIME O' YEAR FOR 'EM JUST NOW,
-SIR!"
-
-Illustration: Education!
-
-=Papa= (_improving the occasion at Luncheon_). "NOW, LOOK, HARRY, THE
-CIRCUMFERENCE OF THIS CAKE IS EQUAL TO ABOUT THREE TIMES THE DIAMETER,
-AND----"
-
-=Harry.= "OH, THEN, PA', LET ME HAVE THE C'CUMF'RENCE FOR MY SHARE!!"
-
-Illustration: Cricket!
-
-=Uncle.= "WELL, TOM, AND WHAT HAVE YOU DONE IN CRICKET THIS HALF?"
-
-=Tom.= "OH, BLESS YOU, UNCLE, WE'VE BEEN 'NOWHERE,' THIS SEASON; ALL OUR
-BEST 'MEN,' YOU KNOW, WERE DOWN WITH THE _MEASLES_!"
-
-Illustration: Treacherous Confederate.
-
-=Uncle George= (_who has been amusing the Young People with some clever
-Conjuring_). "NOW, LADIES AND GENTLEMEN, YOU SAW ME BURN THE
-HANDKERCHIEF.--WOULD YOU BE SURPRISED TO FIND--(_Roars of Laughter_)--I
-SHALL PRODUCE THE ORANGE OUR YOUNG FRIEND HERE WAS SO OBLIGING AS TO
-OFFER TO TAKE CARE OF, AND INSIDE WHICH, I'VE NO DOUBT, WE SHALL FIND
-THE SHILLING?!"
-
-Illustration: Breaking the Ice.
-
-=Sprightly Lady.= "MR. DORMERS, WOULD YOU OBLIGE ME WITH----"
-
-=Bashful Curate= (_who had scarcely spoken to his Fair Neighbour_). "O,
-CERTAINLY. WHAT SHALL I HAVE THE PLEASURE TO OFFER?----"
-
-=Lady.= "----A REMARK!!"
-
-Illustration: The First Sermon.
-
-=Aunt.= "WELL, DAISY, HOW DID YOU LIKE 'CHURCH' YESTERDAY?"
-
-=Daisy.= "O, AUNTY, THEY WERE ALL SO QUIET AND LOOKED SO CROSS, I THOUGHT
-I MUST 'A' SCREAMED!!"
-
-Illustration: "Sweet is Revenge, Especially to Women!"
-
-CAPTAIN OGLEBY, WHO ANNOYS THE MISS LANKYSTERS SO MUCH ON THE PROMENADE
-BY HIS OBTRUSIVE ADMIRATION, IS DISCOVERED EARLY ONE MORNING, BY HIS
-EXULTANT VICTIMS, IN THE ACT OF HAVING AN "EASY SHAVE" IN THE SOMEWHAT
-LIMITED PREMISES OF THE VILLAGE FIGARO.
-
-Illustration: Desperate Case!
-
-=M. A.= (_endeavouring to instil Euclid into the mind of Private Pupil
-going into the Army_). "NOW, IF THE THREE SIDES OF THIS TRIANGLE ARE ALL
-EQUAL, WHAT WILL HAPPEN?"
-
-=Pupil= (_confidently_). "WELL, SIR, I SHOULD SAY THE FOURTH WOULD BE
-EQUAL, TOO!!"
-
-Illustration: Exchange!
-
-=Togswell= (_in the Washing Room at the Office, proceeding to dress for
-the De Browney's Dinner-Party_). "HULLO! WHAT THE DOOCE"--(_Pulling out,
-in dismay, from black bag, a pair of blue flannel Tights, a pink striped
-Jersey, and a spiked canvas Shoe._)--"CONFOUND IT! YES!--I MUST HAVE
-TAKEN THAT FELLOW'S BAG WHO SAID HE WAS GOING TO THE ATHLETIC SPORTS
-THIS AFTERNOON, AND HE'S GOT MINE WITH MY DRESS CLOTHES!!"
-
-Illustration: _A Degenerate Son._
-
-=The Governor= (_indignantly_). "GEORGE, I'M SURPRISED AT YOU! I SHOULD
-HAVE THOUGHT YOU KNEW BETTER! IT'S DISGRACEFUL! IS IT FOR THIS I'VE PAID
-HUNDREDS OF POUNDS TO GIVE YOU AN UNIVERSITY EDUCATION, THAT YOU
-SHOULD----"
-
-=Son and Heir= (_with cigar_). "WHY--WHAT HAVE I DONE, GOVERNOR?"
-
-=The Governor.= "DONE? DARED TO SMOKE, SIR, WHILE YOU ARE _DRINKING MY '34
-PORT_!!"
-
-Illustration: _Lucid!_
-
-=Irish Sergeant= (_to Squad at Judging-Distance Drill_). "NOW, YE'LL PAY
-THE GREATEST OF ATTINTION TO THE MAN AT EIGHT HUNDRED YAR-RDS: BECASE,
-IF YE CAN'T SEE 'M, YE'LL BE DECEIVED IN HIS 'APPARANCE!!"
-
-Illustration: _The Riding Lesson._
-
-=Riding Master= (_to Sub, who is qualifying himself for the Punjaub
-Cavalry_). "IF YER 'EAD WAS ONLY TURNED THE OTHER WAY, WHAT A SPLENDID
-CHEST YOU'D 'AVE, MR. BOWDRIB!"
-
-Illustration: _Look before you Leap._
-
-=Middle-Aged Uncle.= "NOT PROPOSED TO HER YET! WHY, WHAT A
-SHILLY-SHALLYING FELLOW YOU ARE, GEORGE! YOU'LL HAVE THAT LITTLE WIDOW
-SNAPPED UP FROM UNDER YOUR NOSE, AS SURE AS YOU'RE BORN! PRETTY GAL LIKE
-THAT--NICE LITTLE PROPERTY--EVIDENTLY LIKES YOU--WITH AN ESTATE IN THE
-HIGHLANDS, TOO, AND YOU A SPORTING MAN----"
-
-=Nephew.= "AH! THAT'S WHERE IT IS, UNCLE! HER FISHING'S GOOD, I KNOW; BUT
-I'M NOT SO SURE ABOUT HER _GROUSE_!"
-
-Illustration: _No Mistake, this Time._
-
-=Lodger.= "DEAR ME, MRS. CRIBBLES, YOUR CAT'S BEEN AT THIS MUTTON AGAIN!"
-
-=Landlady.= "OH NO, MUM, IT CAN'T BE THE CAT. MY 'USBAND SAYS HE B'LIEVES
-IT'S THE COLLERLARDA BEETLE!"
-
-Illustration: _State o' Trade._
-
-=Small Girl.= "PLEASE, MRS. GREENSTOUGH, MOTHER SAYS WILL YOU GIVE HER A
-LETTUCE?"
-
-=Mrs. G.= "GIVE?! TELL THEE MOTHER GIV'UM'S DEAD, AND LENDUM'S VERY BAD.
-NOTHINK FOR NOTHINK 'ERE, AND PRECIOUS LITTLE FOR SIX-PENCE!!"
-
-Illustration: "Let Well Alone!"
-
-=Swell.= "AH--WHAT'S YOUR FARE TO HAMPSTEAD BY THE--AH--NEW LAW?!"
-
-=Cabby.= "OH, I DON'T KNOW NOTHIN' 'BOUT NO NEW LAWS, SIR!--SAME OLD FARE,
-SIR--'LEAVE IT TO YOU,' SIR!"
-
-Illustration: "_Le Jeu ne Vaut pas la Chandelle._"
-
-=Old Gent= (_having had to pay twice_). "BUT I'M POSITIVE I HANDED YOU THE
-MONEY! IT MAY PROBABLY HAVE DROPPED DOWN THE SLIT IN THE DOOR!"
-
-=Conductor.= "SLIT IN THE DOOR!--WELL, 'TAIN'T LIKELY I'M GOIN' TO TURN
-THE BUS UPSIDE-DOWN FOR SIXPENCE!"
-
-Illustration: "Tho' Lost to Sight----"
-
-=Aunt Jemima= (_from the country--her first experience of a "Hansom"_).
-"HOY! HOY! STOP THE HORSE! WHERE'S THE COACHMAN!"
-
-Illustration: Precise.
-
-=Driver= (_impatient_). "NOW, BILL, WHAT'S IT ALL ABOUT?"
-
-=Conductor.= "GE'TLEMAN WANTS TO BE PUT DOWN AT NO. 20 A IN CLARINGDON
-SQUARE, FUST PORTICO ON THE RIGHT AFTER YOU PASS THE 'RED LION,' PRIVATE
-ENTRANCE ROUND THE CORNER!"
-
-=Driver.= "O, CERTAINLY! ASK THE GE'TLEMAN IF WE SHALL DRIVE UP-STAIRS,
-AN' SET 'IM DOWN AT 'IS BED-ROOM DOOR IN THE THREE-PAIR BACK?"
-
-Illustration: _An Extensive Order._
-
-"O, PLEASE, MISS, WILL YOU GIVE US TWO 'A'PENNIES FOR A PENNY, AND GI'
-ME A DRINK O' WATER, AN' TELL US THE RIGHT TIME? AN' FATHER WANTS A
-PIPE; AND LEND MOTHER YESTERDAY'S _'TIZER_."!!!
-
-Illustration: "_No such Luck._"
-
-=Young Lady.= "IS IT HUNGRY, THEN? COME ALONG, LITTLE DARLING, IT SHALL
-HAVE ITS DINNER."
-
-=Street-Sweeper= (_overhearing, and misapplying_). "HERE Y'ARE, MISS!
-RIGHT YOU ARE! I JEST AM!" _Ah! but it was Fido she was speaking to!_
-
-Illustration: "_'Tis Better not to Know._"
-
-=Impudent Boy= (_generally_). "TRY YER WEIGHT--ONLY A PENNY!" (_To Lady of
-commanding proportions in particular._) "TELL YER 'XACT WEIGHT TO A
-HOUNCE, MUM!"
-
-Illustration: _Vested Interests._
-
-=Sweeper.= "IF YOU DON'T GET OFF MY CROSSIN', I'LL 'EV YOUR NUMBER!"
-
-Illustration: "_Chaff._"
-
-=Apple-Stall Keeper= (_to the Boys_). "NOW, THEN, WHAT ARE YOU GAPING AT?
-WHAT DO YOU WANT?"
-
-=Street Boy.= "NOTHIN'."
-
-=Apple-Stall Keeper.= "THEN TAKE IT, AND BE OFF!"
-
-=Street Boy.= "VERY WELL: WRAP IT UP FOR US IN A PIECE O' PAPER!"
-
-_Bolts._
-
-Illustration: "_Is It Possible?!_"
-
-=Swell= (_lecturing Juvenile Member of Manufacturing Centre_). "YOU SHOULD
-ALWAYS--AH--TOUCH YOUR HAT TO A GENTLEMAN----"
-
-=Factory Lad.= "PLEASE, SIR, I DIDN'T KNOW AS YER WAS ONE!!"
-
-Illustration: A Panic in the Kitchen.
-
-=Facetious Page.= "NOW, THEN, HERE'S THE CENSUS, AND MASTER'S ORDERED ME
-TO FILL IT UP. I'VE PUT DOWN YOUR AGES WITHIN A YEAR OR SO, AND YOU'RE
-TO 'RETURN' YOUR FOLLERERS, IF ANY, HOW MANY, AND STATE 'P'LICE OR
-MILITARY,' FEES AND TIPS FROM TRADESMEN AND WISITORS 'PER ANN.,' PRICE
-O' KITCHEN-STUFF, AVERAGE O' BREAKAGES, &C., &C."
-
-Illustration: _Proof Positive._
-
-=Mistress.= "YOUR CHARACTER IS SATISFACTORY, BUT I'M VERY PARTICULAR ABOUT
-ONE THING: I WISH MY SERVANTS TO HAVE PLENTY, BUT I DON'T ALLOW ANY
-WASTE."
-
-=Page.= "OH, NO, 'M, WHICH I'D EAT AND DRINK TILL I BUSTED, 'M, RATHER
-THAN WASTE ANYTHINK, 'M!!"
-
-Illustration: "_Qualifications._"
-
-=Painter= (_who has always been ambitious of "writing himself down an
-R. A._"). "THINK THEY MIGHT HAVE ELECTED ME, HAVING EXHIBITED AND HAD MY
-NAME DOWN ALL THESE YEARS! I MIGHT HAVE----"
-
-=Friend= (_Man o' the World_). "MY DEAR FELLOW, I'VE ALWAYS TOLD YOU, YOU
-DON'T GO THE RIGHT WAY TO WORK. YOU SEE THEY COULD ONLY ELECT YOU FOR
-YOUR PAINTING, FOR----WHY DO YOU WEAR SUCH THICK BOOTS?!!"
-
-Illustration: _Temptation._
-
-=Painter.= "YOU DON'T MEAN TO SAY YOU WANT ME TO SIGN IT, WHEN I TELL YOU
-I DID NOT PAINT IT? AND A BEASTLY COPY IT IS, TOO!"
-
-=Picture-Dealer.= "VY NOT, GOOT SIR? VY NOT? TUT! TUT! TUT! I ONLY VISH
-YOU ARTIS'S VOS MEN OF BIS'NESS!"
-
-Illustration: "_Spoiling It._"
-
-=Lord Dabbley.= "WA-AL, STREAKY, WHY I'VE HEARD--AH--YOU'RE NOT GOING
-TO--(_yawns_)--HAVE A PICT-YAR AT THE EXHIBITION!"
-
-=Streaky, R. A.= "HAW, VERY PROBABLY NOT, M'LORD. WELL, I THINK IT
-ONLY--AH--GRACEFUL, M'LORD, WE SHOULD OCCASIONALLY FOREGO OUR PRIVILEGED
-SPACE FOR THE SAKE OF OUR YOUNGER PAINTERS--AH! BESIDES--I QUESTION IF I
-SHALL BE ABLE TO FINISH MY PUBLIC PORTRAITS IN TIME THIS YE-AR!"
-
-Illustration: "_Particular!_"
-
-=Young Mumford= (_airily, having learnt that the Lady comes from his part
-of the country_). "DESSAY YOU KNOW THE CADGEBYS OF BILCHESTER?--AWFULLY
-JOLLY PEOPLE! I----"
-
-=Haughty Beauty.= "OH NO, WE ONLY VISIT THE COUNTY FAMILIES AND WE _WEED_
-THEM!!"
-
-_Her partner wishes this "First Set" was "The Lancers."_
-
-Illustration: _Vivifying Treatment of a Partner._
-
-(_A Tragedy of the last Harrogate Season._)
-
-=Young Lady= (_to Partner, instantly on their taking their Places_).
-"NOW----I'VE BEEN TO FOUNTAINS ABBEY, AND TO BOLTON, AND I'VE SEEN THE
-BRIMHAM ROCKS, AND THE DROPPING WELL, AND THE VIEW FROM THE OBSERVATORY,
-AND WE HAD A MORNING IN YORK MINSTER, AND WE HAVE BEEN HERE A FORTNIGHT,
-AND WE ARE GOING TO STAY ANOTHER, AND PAPA TAKES THE CHALYBEATE WATERS,
-AND I AM VERY GLAD THE CAVALRY ARE COMING. NOW YOU MAY BEGIN
-CONVERSATION."
-
-_Utter Collapse of Partner._
-
-Illustration: _Arbiter Elegantiarum._
-
-=Housemaid.= "OH, PLEASE, 'M, COULD I GO OUT THIS EVENING? 'CAUSE COOK
-NEX' DOOR'S GOT A 'LANG'AGE O' FLOWERS BEE,' AND SHE_'s_ REQUESTED ME TO
-BE ONE O' THE JUDGES!"
-
-Illustration: "_The Servants._"
-
-=Cook.= "THEN, SHALL YOU GO AS 'OUSEMAID?"
-
-=Young Person.= "NO, INDEED! IF I GO AT ALL, I GO AS LADY 'ELP!"
-
-Illustration: "_Hard Lines._"
-
-=Mistress= (_to former Cook_). "WELL, ELIZA, WHAT ARE YOU DOING NOW?"
-
-=Ex-Cook.= "WELL, MUM, AS YOU WOULDN'T GIVE ME NO CHARACTER, I'VE BEEN
-OBLIGED TO MARRY A SOLDIER!"
-
-Illustration: "_Not to Put too Fine a Point on It._"
-
-_Transatlantic Party._ "LOOK 'ERE, WAITER! CHANGE THIS KNIFE FOR A
-PEA-EATER. STRANGER AND ME AIR ON DIFFERENT PLATFORMS, AND I MIGHT HURT
-HIM."
-
-Illustration: "_Never Say 'Die'_"
-
-=Nephew.= "SURE IT ISN'T GOUT, UNCLE?"
-
-=Uncle.= "GOUT! SHTUFF AN' NONSHENSH! NOT A BIT OF IT! NO, FACT
-IS--PHEW--(_winces_) THESE CON-FOUNDED BOOTMAKERS--THEY MAKE YOUR BOOTS
-SO _TIGHT_!!"
-
-Illustration: _"Ingenuas Didicisse" &c._
-
-=Urbane Foreigner.= "THE--AH--CONTEMPLATION OF THESE--AH--RELICS OF
-ANCIENT ART IN THE GALLERIES OF EUROPE, MUST BE MOST INT'R'STING TO
-THE--AH--EDUCATED AMERICAN!"
-
-=American Tourist.= "WA'AL, DON'T SEEM TO CARE MUCH FOR THESE _STONE GALS_
-SOMEHOW, STRANGER!"
-
-Illustration: A Plutocrat.
-
-=Swell.= "'D YOU OBLIGE ME--AH--BY SHUTTING YOUR WINDOW?--AH----"
-
-=Second Passenger= (_politely_). "REALLY, SIR, IF YOU WILL NOT PRESS IT,
-AS YOURS IS SHUT, THE AIR IS SO WARM I WOULD RATHER KEEP THIS OPEN. YOU
-SEEM TO TAKE GREAT CARE OF YOURSELF, SIR----"
-
-=Swell.= "CARE OF MYSELF! SHOULD WATHER THINK SO. SO WOULD YOU, MY DEAR
-FEL-LAH, IF YOU'D SIX THOUSAND A YE-AR!!"
-
-Illustration: "Matter!"
-
-=Portly Old Swell= (_on reading Professor Tyndall's Speech_). "DEAR ME! IS
-IT POSS'BLE! MOST 'XTR'ORD'NARY!--(_throws down the Review_)--THAT I
-SHOULD HAVE BEEN ORIGINALLY A 'PRIMORDIAL ATOMIC GLOBULE'!!"
-
-Illustration: A Final Appeal.
-
-"NOW, GENTLEMEN OF THE JURY, I THROW MYSELF UPON YOUR IMPARTIAL
-JUDGEMENT AS HUSBANDS AND FATHERS, AND I CONFIDENTLY ASK, DOES THE
-PRISONER LOOK LIKE A MAN WHO WOULD KNOCK DOWN AND TRAMPLE UPON THE WIFE
-OF HIS BOSOM? GENTLEMEN, I HAVE DONE!"
-
-Illustration: _Division of Labor._
-
-=Facetious Volunteer Sub.= "LOOK HERE, CAPTAIN; I'M TIRED OF THIS FUN. DO
-YOU MIND LOOKING AFTER THE MEN WHILE I GO AND GET TAKEN PRISONER?"
-
-Illustration: "_Off._"
-
-=Sergeant O'Leary.= "DOUBLE! LEFT! RIGHT! WHAT THE BLAZES, PAT ROONEY,
-D'YE MANE BY NOT DOUBLIN' WID THE SQUAD!?"
-
-=Pat.= "SHURE, SERGEANT, 'TWASN'T A FAIR START!"
-
-Illustration: _"Where Ignorance is Bliss" &c._
-
-=Frugal Housewife= (_has a large Family_). "OH, MR. STICKINGS, I SEE BY
-THE DAILY PAPERS THAT THE PRICE OF MEAT HAS FALLEN TWOPENCE A POUND. I
-THINK YOU OUGHT TO MAKE SOME REDUCTION IN YOUR CHARGES!"
-
-=Country Butcher.= "WERRY SORRY, MUM, BUT WE DON'T TAKE IN NO DAILY
-PAPERS, MUM!!"
-
-Illustration: _Complimentary._
-
-=Collier= (_about the Dog_). "YES, SIR, AW GOT HIM IN MANCHESTER, YONDER,
-AN' DOCTOR AW'S GOING T' AX YE, HEY Y' ONY OBJECTION TIN US NAMIN' HIM
-EFTHER YE?!"
-
-=Young Medical Man= (_rather pleased_). "OH, DEAR NO, BY ALL MEANS--'DON'T
-KNOW ABOUT THE COMPLIMENT, THOUGH, HE'S NOT A BEAUTY TO LOOK AT!"
-
-=Collier.= "MEBBEES NOT, DOCTOR; BUT--SMASH!--MUN, HE'S A BEGGAR TO
-KILL!!"
-
-Illustration: "(_Not_) _Thankful for Small Mercies_"
-
-=Cat's-Meat Man.= "WHAT 'A YER GOT FOR DINNER TO-DAY, JOE?"
-
-=Crossing-Sweeper.= "OH, A BIT O' ROAST WEAL, SENT ME UP FROM NO. 6 IN
-THE CRESCENT 'ERE--AN' YER WOULDN'T B'LLEVE IT!--NOT A MOSSEL O'
-STUFFIN--AH, AN' NOT SO MUCH AS A SLICE O' LEMON!--AND (_with a sneer_)
-CALLS THEIRSELVES RESPECT'BLE PEOPLE, I'VE NO DOUBT!!"
-
-Illustration: _Delicacy._
-
-=Edwin= (_as the Servant is present_). "AH--J'ETTAY SEE--AH--DISAPPOINTAY
-DE NE PAS VOO VWORE A LA RINK CE MATTANG--POORQWAW ESKER----?"
-
-=Angelina.= "AH WEE, MAIS MOMMONG----"
-
-=Parlour-Maid.= "HEM! BEG YOUR PARDON, MISS; BUT I UNDERSTAND THE
-LANGVIDGE!!"
-
-Illustration: "The Servants."
-
-=Mistress.= "JANE, TELL COOK I'LL COME DOWN AND SEE WHAT SHE WANTS DONE TO
-THAT STOVE, AS THE BUILDER'S COMING TO-MORROW."
-
-=Jane.= "O, PLEASE, 'UM, I DON'T THINK WE CAN AST YOU INTO THE KITCHING TO
-DAY, MUM, AS COOK AND ME'S GOT A SMALL AND EARLY 'AT OME' THIS
-AFTERNOON, MUM!"
-
-Illustration: Retributive Justice.
-
-=Farmer= (_giving the Culprit a Box o' the Ear_). "HOW DARE YOU BEAT THOSE
-GOSLINS, YOU YOUNG RASCAL? I SAW YOU!"
-
-=Boy.= "BOO, OO, OO, WHAT FURR'D THEY GORS-CHICKS FEYTHER BOITE OI THEN
-FURR?!"
-
-Illustration: "By the Card."
-
-=Pedestrian.= "HOW FAR IS IT TO SLUDGECOMBE, BOY?"
-
-=Boy.= "WHY 'BOUT TWENTY 'UNDERD THEAUSAN' MILD 'F Y' GOO 'S Y'ARE AGOOIN'
-NOW, AN' 'BOUT HALF A MILD 'F YOU TURN RIGHT REAOUND AN' GOO T' OTHER
-WAY!!"
-
-Illustration: _In Jeopardy._
-
-THE NEW BOY WAS ENJOINED TO BE VERY CAREFUL HOW HE CARRIED THE
-FIDDLE-CASE--"BY THE HANDLE, AND TO MIND NOT TO KNOCK IT AGAINST
-ANYTHING!" IMAGINE THE HORROR OF MR. PITSEY CARTER, HIS MASTER, WHO WAS
-FOLLOWING, TO COME UPON THE RASCAL, WITH THE INVALUABLE "JOSEPH" ON HIS
-HEAD, EXECUTING A PAS-SEUL OVER A SKIPPING-ROPE!!
-
-Illustration: Heresy.
-
-=Mamma.= "YOU KNOW WHO BUILT THE ARK, GEORGE?"
-
-=George= (_promptly_). "NOAH, 'MA."
-
-=Mamma.= "AND WHAT DID HE BUILD IT FOR?"
-
-=George= (_dubiously_). "FOR LITTLE BOYS TO PLAY WITH, 'MA?!"
-
-Illustration: "Oh, the Mistletoe Bough!"
-
-=Greengrocer, Jun.= (_to whom our Little Friend in Velvet had applied for
-a piece of Mistletoe for his own private diversion_). "I'VE GOT YER A
-BIT, MASTER GEORGE. IT AIN'T A VERY BIG PIECE, BUT THERE'S LOTS O'
-BERRIES ON IT; _AN' IT'S THE BERRIES AS DOES IT_"!!!
-
-Illustration: Culture for the Working Classes.
-
-=Philanthropic Employer= (_who has paid his Workpeople's expenses to a
-neighbouring Fine-Art Exhibition_). "WELL, JOHNSON, WHAT DID YOU THINK
-OF IT? 'PICK UP AN IDEA OR TWO?"
-
-=Foreman.= "WELL, YER SEE, SIR, IT WERE A THIS WAY. WHEN US GOT THERE, WE
-WAS A CONSIDERIN' WHAT WAS BEST TO BE DONE, SO WE APP'INTED A
-DEPPERTATION O' THREE ON US TO SEE WHAT IT WERE LIKE; AN' WHEN THEY COME
-OUT AN' SAID IT WERE ONLY PICTURS AN' SUCH, WE THOUGHT IT A PITY TO
-SPEND OUR SHILLINS ON 'EM. SO WE WENT TO THE TEA-GARDENS, AND WERY
-PLEASANT IT WERE, TOO. THANK YER KINDLY, SIR!"
-
-Illustration: A Casual Acquaintance.
-
-=West-End Man= (_addressing, as he supposes, Intelligent Mechanic_). "CAN
-YOU DIRECT ME TO THE MOORGATE STREET STATION?"
-
-=Seedy Party.= "MO'RGATE STREET STATION, SIR? STRAIGHT ON, SIR, FUST
-TURNIN' T' THE RIGHT, AND IT'S JUST OPPOSYTE. AND NOW, YOU'VE
-INTERDOOCED THE SUBJECT, SIR, IF YOU COULD ASSIST ME WITH A TRIFLE, SIR,
-WHICH I'VE 'AD NOTHIN' TO EAT SINCE LAST FRIDAY----"
-
-_West-End Man not having an answer ready, forks out, and exit._
-
-Illustration: "Circumlocutory!"
-
-=Polite Coster= (_seeing Smoke issuing from Brown's coat-pocket_). "YOU'LL
-EXCUSE ME ADDRESSIN' O' YOU, SIR,--COMMON MAN IN A MANNER O'
-SPEAKIN'--GEN'LEMAN LIKE YOU, SIR--BEGGIN' PARDON FOR TAKIN' THE
-LIBERTY, WHICH I SHOULD NEVER A' THOUGHT O' DOIN' UNDER ORDINARY
-SUCCUMSTANCES, SIR, ON'Y YOU DIDN'T SEEM TO BE AWARE ON IT, BUT IT
-STRUCK ME AS I SEE YOU A GOIN' ALONG, AS YOU WERE A-FIRE, SIR!"
-
-_By this time Brown's right coat-tail was entirely consumed. His fuzees
-had ignited by private arrangement among themselves._
-
-Illustration: _Alarming._
-
-=Buttons= (_as he burst into his Master's room on the night of Wednesday,
-the 7th: he had just seen that wonderful shooting star_). "OH, PLEASE,
-SIR, THEM METEORS IS A GOIN' OFF AG'IN!!"
-
-=Scientific Old Gent= (_startled out of his first sleep, and
-misunderstanding the intelligence_). "OH!--EH!--WHAT!--TURN IT OFF AT
-THE _MAIN_!!"
-
-Illustration: _Weights and Measures._
-
-=Valetudinarian= (_in the course of Conversation with intelligent
-Passenger, whom he takes to be a Dignitary of the Church_). "NOW, WHAT
-SHOULD YOU THINK WAS MY WEIGHT?"
-
-=Gentleman in Black.= "WELL, SIR--LET ME SEE--YOU STAND ABOUT FIVE FEET
-ELEVEN, THIRTY INCHES ACROSS CHEST, AND WE'LL SAY ELEVEN INCHES
-DEEP--WELL, I SHOULD SAY, SPEAKING AT RANDOM, YOU WOULD 'LIFT' AT ABOUT
-ELEVEN STUN' AND THREE QUARTERS!"
-
-_Horror of Invalid--his fellow-passenger was an UNDERTAKER!_
-
-Illustration: "_Small Mercies._"
-
-=First Jolly Angler= (_with empty Creel_). "WELL, WE'VE HAD A VERY
-PLEASANT DAY! WHAT A DELIGHTFUL PURSUIT IT IS!"
-
-=Second Ditto= (_with ditto_). "GLORIOUS! I SHAN'T FORGET THAT NIBBLE WE
-HAD JUST AFTER LUNCH, AS LONG AS I LIVE!"
-
-=Both.= "AH!!"
-
-Illustration: Tyranny.
-
-=First Rough.= "WE'RE A GOIN' TO BE EDGICATED NOW, C'MPULSORY, OR ELSE GO
-TO THE TREADMILL!"
-
-=Second Rough.= "AH! NO VUNDER SO MANY POOR PEOPLE'S A EMIGRATIN'!"
-
-Illustration: A Perfect Cure.
-
-=Town Man.= "HOW JOLLY IT MUST BE, LIVING DOWN HERE IN THE COUNTRY!"
-
-=Country Gentleman.= "OH, I DON'T KNOW. IT'S RATHER TORPID SORT OF LIFE;
-TIME PASSES VERY SLOWLY."
-
-=Town Man.= "TIME PASSES SLOWLY? YOU SHOULD GET SOMEBODY TO DRAW ON YOU AT
-THREE MONTHS!!"
-
-Illustration: In Consequence of the Tailors' Strike.
-
-GEORGE AND THE GOVERNOR HAVE THEIR CLOTHES MADE AT HOME.
-
-=George.= "ARE YOU SURE YOU TOOK MY RIGHT MEASURE, CHARLOTTE?"
-
-=Charlotte.= "OH, GEORGE, I'M SURE IT FITS BEAUTIFULLY!!"
-
-Illustration: "As Well as Can be Expected."
-
-=Horsey Parish Doctor= (_late for the Meet_). "WELL, MOTHER, AND HOW'S
-YOUR DAUGHTER, AND THE BABBY--POORLY, EH? AH, WELL, GIVE HIM A PINCH O'
-BRIMSTONE IN HIS PAP, AND I'LL LOOK IN TO-MORROW."
-
-Illustration: Penny Wise.
-
-=National Schoolmaster= (_going round with Government Inspector_).
-"WILKINS, HOW DO YOU BRING SHILLINGS INTO PENCE?"
-
-=Pupil.= "PLEASE, SIR, 'TAKES IT ROUND TO THE PUBLIC-'OUSE, SIR!!"
-
-Illustration: Reminiscences.
-
-=Governess.= "SHOW MR. SMITHERS YOUR NEW DOLL, ADA."
-
-=Old Rustic.= "AH--LOR'--DEARY ME, MUM, IF IT AIN'T THE VERY MODAL OF MY
-OLD WOMAN WHEN SHE WAS IN HER PRIME!!"
-
-Illustration: "Hoist with His Own 'Pomade'!"
-
-=Customer= (_worried into it_). "WELL, I DON'T MIND TAKING A SMALL
-BOTTLE----"
-
-=Barber.= "BETTER 'AVE A TWO SHILLIN' ONE, SIR; IT 'OLDS FOUR TIMES AS
-MUCH AS THE OTHER----"
-
-=Customer= (_turning upon him_). "O, THEN IF I TAKE THIS SHILLING BOTTLE,
-I SHALL BE DONE OUT OF HALF MY MONEY'S WORTH! THEN I WON'T HAVE ANY!"
-_Escapes in triumph!_
-
-Illustration: Distracting.
-
-=Customer.= "WHAT DID YOU THINK OF THE BISHOP'S SERMON ON SUNDAY, MR.
-WIGSBY?"
-
-=Hairdresser.= "WELL, REALLY, SIR, THERE WAS A GENT A-SETTIN' IN FRONT O'
-ME AS 'AD HIS 'AIR PARTED THAT CROOKED I COULDN'T 'EAR A WORD!"
-
-Illustration: A Compliment.
-
-=Hairdresser.= "ANY OFF THE BEARD, SIR?"
-
-=Customer.= "NO, THANK YOU. I'VE LATELY TRIMMED IT MYSELF."
-
-=Hairdresser.= "INDEED, SIR! I SHOULD NOT HAVE THOUGHT ANY GENTLEMAN OUT
-OF THE PROFESSION COULD HAVE DONE IT SO WELL!!"
-
-Illustration: XXX Cellent Reasons.
-
-=Free and Independent= (_to wavering_) =Elector=. "YOU DON'T ADMIRE HIS
-POLITICS? POLITICS BE BLOWED! LOOK AT HIS PRINCIPLES! THAT MAN ALLUS
-BREWS FIVE-AND-TWENTY BUSHELS TO THE HOGSHEAD!"
-
-Illustration: Sympathy.
-
-=Giles= (_ruefully_). "VILLIAM, I'VE BEEN AN' GONE AN' 'LISTED!"
-
-=William.= "LOR'! 'AVE YER, THOUGH? GOT THE SHILLIN'?"
-
-=Giles.= "YES."
-
-=William.= "WELL, THEN, LET'S GO AN' 'AVE A GLASS AT THE 'BARLEY-MOW.'
-DON'T LET'S BE DOWN'EARTED!"
-
-Illustration: Liberal to a Fault.
-
-=the missus= (_affably_). "MY 'USBAN'S OUT JUST NOW, SIR. CAN I GIVE HIM
-ANY MESSAGE?"
-
-=liberal candidate.= "AH--I HAVE CALLED WITH THE HOPE THAT--AH--HE'D
-PROMISE ME HIS VOTE AT THE APPROACH----"
-
-=the missus.= "OH, YES, SIR. YOU'RE CAP'M BILKE, THE 'YALLOW,' I S'POSE,
-SIR! YES, I'M SURE HE'LL BE MOST 'APPY, SIR!"
-
-=the captain= (_delighted_). "YA-AS--I SHALL BE MUCH OBLIGED TO
-HIM--AND--AH--HE MAY DEPEND UPON MY----"
-
-=the missus.= "YES, I'M SURE HE'D PROMISE YOU IF HE WAS AT HOME, SIR;
-'CAUSE WHEN THE TWO 'BLUE' GENTS CALLED AND AS'ED HIM THE OTHER DAY,
-SIR, HE PROMISED 'EM D'REC'LY, SIR!!"
-
-Illustration: Civil Service Miseries.
-
-=Mamma= (_who has been Shopping at the Co-Operative_). "GOOD GRACIOUS,
-DEARS, WHAT SHALL WE DO WITH THESE PARCELS?"
-
-=Youngest Daughter.= "OH, PA' CAN TAKE THE LARGE ONE, MA', AND HE MIGHT
-CARRY SOME OF THE SMALL ONES IN HIS POCKETS!!" _Pa', who has been
-waiting outside, feels he's in for it._
-
-Illustration: "Men were Deceivers Ever."
-
-=Swell= (_at the Civil Service Co-Operative Store_). "HAW! I WANT TWO OR
-THWEE POUNDS--BACON--AND--AW--'BLIGE ME BY DOING IT UP LIKE BOX--GLOVES
-OR FLOWERS, OR SOMETHING O' THAT SORT!!"
-
-Illustration: A Sinister Slip.
-
-=Smith.= "HULLO, BROWN! 'BEEN FOR YOUR ANNUAL COLLIS----I MEAN YOUR ANNUAL
-EXCURSION, YET?"
-
-_Brown was highly nervous, and this malign suggestion quite upset him.
-He spent his holiday at home!_
-
-Illustration: Force of Habit.
-
-=City Merchant= (_blissfully dozing in his Country Church_). "SEASON
-TICKET!!"
-
-Illustration: "_Alma Mater._"
-
-_Young Puncheonby "cuts" the Army, and goes to Oxford to read for "the
-Church."_
-
-=Tutor.= "YOU ARE PREPARED IN SUBSCRIBE TO THE THIRTY-NINE ARTICLES----"
-
-=Puncheonby= (_with alacrity_). "AH 'TH PLEASH 'AH,--AH--HOW MU-CH--."
-
-Illustration: _Embarrassing._
-
-=Nervous Spinster= (_to wary Old Bachelor_). "OH, MR. MARIGOLD, I'M SO
-FRIGHTENED! MAY I TAKE HOLD OF YOUR HAND WHILE WE'RE GOING THROUGH THIS
-TUNNEL?"
-
-Illustration: A Straightforward View.
-
-=High Church Curate.= "AND WHAT DO YOU THINK, MR. SIMPSON, ABOUT A
-CLERGYMAN'S TURNING TO THE EAST?"
-
-=Literal Churchwarden.= "WELL, SIR, MY OPINION IS, THAT IF THE CLERGY MAN
-IS GOODLOOKIN', HE DON'T WANT TO TURN HIS BACK TO THE CONGREGATION!"
-
-Illustration: "The Better the Day." &c.
-
-=Rustic= (_to Curate who dabbles in Photography_). "I'D BE TURR'BLE MUCH
-OBLIGED, ZUR, IF YOU'D MAP OFF MY PICTUR', ZUR!"
-
-=Curate.= "WELL, MY MAN, I'LL TAKE YOUR LIKENESS FOR YOU. WHEN WILL YOU
-COME?"
-
-=Rustic.= "WELL, ZUR, IF YOU'VE NO 'BJECTIONS, I BE MOASTLY CLEANED UP AND
-HAS MOAST TIME O' ZUNDAY MARNINS, ZUR!!"
-
-Illustration: A Distinction.
-
-=The "Good Parson"= (_to Applicant for Instruction in the Night School_).
-"HAVE YOU BEEN CONFIRMED, MY BOY?"
-
-=Boy= (_hesitating_). "PLEASE, SIR--I--DON'T KNOW----"
-
-=Parson.= "YOU UNDERSTAND ME; HAS THE BISHOP LAID HIS HANDS ON YOU?"
-
-=Boy.= "OH, NO, SIR; BUT HIS KEEPER HAVE, SIR--VERY OFTEN, SIR!!"
-
-Illustration: Considerate.
-
-=Churchwarden.= "TELL YE WHAT 'TIS, SIR. THE CONGREGATION DO WISH YOU
-WOULDN'T PUT THAT 'ERE CURATE UP IN PULPIT--NOBODY CAN'T HEAR UN."
-
-=Old Sporting Rector.= "WELL, BLUNT, THE FACT IS, TWEEDLER'S SUCH A GOOD
-FELLOW FOR PARISH WORK, I'M OBLIGED TO GIVE HIM _A MOUNT_ SOMETIMES."
-
-Illustration: Rustic Recollections.
-
-=Boy.= "PLEASE, PA-ARSON, MOTHER WANTS SOME SOUP."
-
-=The Rector.= "BUT I TOLD YOUR MOTHER SHE MUST SEND SOMETHING TO PUT IT
-IN."
-
-=Boy.= "OH, PLEASE, SHE'VE SENT THIS YEAR PA-AIL VOR 'UN, PA-ARSON!!"
-
-Illustration: _Not a "Silver Lining" to a Cloud._
-
-=Adolphus= (_grandly; he is giving his future brother-in-law a little
-dinner down the river_). "WAITAR, YOU CAN--AH--LEAVE US!"
-
-=Old Waiter.= "HEM!--YESSIR--BUT--YOU'LL PARD'N ME, SIR--WE'VE SO MANY
-GENTS--'DON'T WISH TO IMPUTE NOTHINK, SIR--BUT MASTER--'FACT IS,
-SIR--(_evidently feels a delicacy about mentioning it_)--WE'RE--YOU SEE,
-SIR--_'SPONSIBLE FOR THE PLATE, SIR!!!_"
-
-Illustration: "_What's in a Name?_"
-
-=Waiter= (_to nervous invalid_). "THERE'S THE OLD CHURCH, SIR, CLOSE BY,
-BUT SOME VISITORS GOES TO ST. WOBBLEOE'S, SIR. THERE THE CLERGYMAN
-PREACHES _DISTEMPERY_!!"
-
-_Clearly not the place for him, the old gentleman thinks, with a
-shudder._
-
-Illustration: _A New Dish._
-
-=Sympathising Swell= (_waiting for some chicken_). "YOU'VE GOT NO SINECURE
-THERE, THOMAS!"
-
-=Perspiring Footman.= "VERY SORRY, SIR--JUST 'ELPED THE LAST OF IT AWAY,
-SIR!"
-
-Illustration: Our Artist
-
-IS NOT IN THE BEST OF TEMPERS. HE HAS BEEN DISTURBED OFTEN BY BARGES,
-AND BOTHERED BY THE BLUEBOTTLES, AND THEN HE'S ACCOSTED BY WHAT APPEARS
-TO HIM IN THIS IRRITABLE MOOD TO BE AN
-
-=Art-Critic= (_loq._) "THE PICTURE LOOKS BETTER A GOODISH BIT OFF,
-GOV'NOUR!"
-
-=Artist= (_maddened_). "CON--FOUND----SO DO YOU, SIR!" _Party makes off
-hastily, "not liking the looks of him."_
-
-Illustration: Hunting Idiot,
-
-RETURNING FROM THE CHASE, PROPOSES TO "CHAFF THAT ARTIST FELLER."
-
-=Huntsman.= "WHAT'LL YER TAKE ME FOR, GOV'NOUR?"
-
-=Painter= (_without the slightest hesitation_). A _SNOB_!
-
-Illustration: Boxing-Day.
-
-(_Mrs. Bustleton's favourite Cabman has called for his usual
-Christmas-Box in a state of----never mind._)
-
-=Mrs. B.= "OH, SAWYER, I'M SURPRISED--I THOUGHT YOU SUCH A STEADY MAN! I'M
-SORRY TO SEE YOU GIVEN TO DRINK!"
-
-=Sawyer.= "BEG Y' PAR'N MUM, NO S'H 'HING MUM (_hic_). DRINK 'ASH GI'N T'
-ME, MUM, 'SH MORN'N, MUM!!"
-
-Illustration: An Old Offender.
-
-=Country Gentleman= (_eyeing his Gardener suspiciously_). "DEAR, DEAR MR.
-JEFFRIES, THIS IS TOO BAD! AFTER WHAT I SAID TO YOU YESTERDAY, I DIDN'T
-THINK TO FIND YOU----"
-
-=Gardener.= "YOU CAN'T SHAY--(_hic_)--I WASH DRUNK YESHT'DAY, SH----!"
-
-=Country Gentleman= (_sternly_). "ARE YOU SOBER THIS MORNING, SIR?"
-
-=Gardener.= "I'M--SHLIGHTLY SHOBER, SHIR!!"
-
-Illustration: Irrevocable.
-
-=Customer= (_for the Royal Wedding photograph_). "CAN'T I HAVE THE LADY
-ONLY? I DON'T SO MUCH WANT THE GENTLEMAN!!"
-
-=Young Person= (_with decision_). "NO, SIR; WE CAN'T PART THEM, SIR,
-_NOW_!"
-
-Illustration: Mrs. Jingleton. Learning that Young M Skirlygy
-
-(FROM WHOSE FAMILY SHE RECEIVED SUCH POLITENESS WHEN SHE WAS IN THE
-HIGHLANDS) WAS IN TOWN, AND HAVING HEARD SO MUCH OF HIS PLAYING, ASKS
-HIM TO ONE OF HER LITTLE PARTIES FOR CLASSICAL MUSIC, AND HOPES HE WILL
-'OBLIGE' DURING THE EVENING.--HA! HA! SHE DIDN'T KNOW WHAT HIS
-INSTRUMENT WAS!
-
-Illustration: Arcadian Amenities.
-
-=Little Rustic= (_after a "game" struggle, evidently overweighted_). "OH,
-PLEASE, HELP US ALONG 'ITH THIS LINEN UP TO MOTHER'S----"
-
-=Amiable Swell= (_aghast_). "EH! OH, RIDICULOUS--HOW CAN I?--LOOK HERE,
-I'VE GOT A BAG--HEAVY BAG--TO CARRY MYSELF----"
-
-=Little Rustic.= "I'LL CARRY YOUR BAG, SIR."
-
-=Swell.= "EH--BUT (_to gain time_) WH--WHAT'S YOUR MOTHER'S ABSURD NAME?"
-_This did not help him much. There was no escape; and ultimately----but
-we draw a veil over the humiliating sequel._
-
-Illustration: A Big Fish.
-
-=Artful Damsel= (_who has made a successful throw_). "O, LORD FEUBIGGIN,
-HOWEVER SHALL I MANAGE----."
-
-=Lord Feubiggin= (_caught, two_). "PRAY LET ME SHOW YOU! ALL DEPENDS ON
-HOW YOU PLAY YOUR FISH!" _We betray confidence for once. This Picture
-comes from a Letter sent by a newly-married Lady (now of title), to a
-particular Friend of hers, and is called a "Reminiscence of Scotland."
-Perhaps our Readers can guess at the Story--we cannot._
-
-Illustration: The Pic-Nic.
-
-=Playful Widow.= "JUMP ME DOWN, MR. FIGGINS!!"
-
-_The gallant little Man did his best, but fell--in her estimation for
-ever!_
-
-Illustration: Artful--Very!
-
-=Mary.= "DON'T KEEP A SCREOUGIN' O' ME, JOHN!"
-
-=John.= "WH'OI BEAN'T A SCREOUGIN' ON YER!"
-
-=Mary= (_ingenuously_). "WELL, Y' CAN I' Y' LIKE, JOHN!"
-
-Illustration: "_The Grey Mare!_"
-
-=Mrs. B.= (_taking the reins_). "NO, BROWN, I WILL NOT HAVE THE PONY
-BACKED! NO! THAT PERSON MUST HAVE SEEN US COME INTO THE LANE FIRST; AND
-IF THE MAN'S GOT COMMON POLITENESS----"
-
-=Mr. B.= "BUT, MY DEAR, WE'VE ONLY JUST TURNED THE----"
-
-=Mrs. B.= "I DON'T CARE, BROWN! NO! I WON'T GO BACK, IF I STAY HERE
-TILL----"
-
-=Farmer.= "ALL RIGHT, SIR!--I'LL BACK, SIR. I'VE GOT JUST SUCH ANOTHER
-_VIXEN_ AT HOME, SIR!"
-
-Illustration: _How We Arrange Our Little Dinners._
-
-=Mistress.= "OH, COOK, WE SHALL WANT DINNER FOR FOUR THIS EVENING. WHAT DO
-YOU THINK, BESIDES THE JOINT, OF OX-TAIL SOUP, LOBSTER PATES, AND AN
-ENTREE--SAY, BEEF?"
-
-=Cook.= "YES, 'M--FRESH, OR AUSTR----?"
-
-=Mistress.= "LET'S SEE! IT'S ONLY THE BROWNS--TINNED WILL DO!"
-
-Illustration: _Conclusive._
-
-=Lodger.= "I DETECT RATHER A DISAGREEABLE SMELL IN THE HOUSE, MRS. JONES.
-ARE YOU SURE THE DRAINS----"
-
-=Welsh Landlady.= "OH, IT CAN'T BE THE DRAINS, SIR, WHATEVER. THERE ARE
-NONE, SIR!!"
-
-Illustration: _Our Manoeuvres._
-
-=Captain of Skirmishers= (_rushing in to seize Picket Sentries of the
-Enemy_). "HULLO! HE-AR! YOU SURRENDER TO THIS COMPANY!"
-
-=Opposition Lance-Corporal.= "BEG PARDON, SIR! IT'S THE OTHER WAY, SIR.
-WE'RE A BRIGADE, SIR!!!"
-
-Illustration: "Our Reserves,"--The Battle of Amesbury.
-
-=Aide-de-Camp.= "GOOD GRACIOUS, SIR! WHY DON'T YOU ORDER YOUR MEN TO LIE
-DOWN UNDER THIS HILL? CAN'T YOU SEE THAT BATTERY PLAYING RIGHT ON THEM?"
-
-=Colonel of Volunteers.= "SO I DID, SIR. BUT THEY WON'T LIE DOWN. THEY SAY
-THEY WANT TO SEE THE REVIEW!!"
-
-Illustration: A Little Failing.
-
-=Nervous Old Lady.= "NOW, CABMAN, YOU'RE SURE YOUR HORSE IS QUIET? WHAT'S
-HE LAYING BACK HIS EARS LIKE THAT FOR? LOOK!"
-
-=Cabby.= "O THAT'S ONLY HER FEMI-NINE CUR'OSITY, MUM. SHE LIKES TO HEAR
-WHERE SHE'S A GOIN' TO!"
-
-Illustration: The Connoisseurs.
-
-=Groom.= "WHEW'S BEER DO YOU LIKE BEST--THIS 'ERE HOM'BREWED O' FISK'S, OR
-THAT THERE ALE THEY GIVES YER AT THE WHITE HO'S?"
-
-=Keeper= (_critically_). "WELL, O' THE TEW I PREFERS THIS 'ERE. THAT THERE
-O' WUM'OOD'S DON'T FARE TO ME TO TASTE O' NAWTHUN AT ALL. NOW THIS 'ERE
-DEW TASTE O' THE CASK!!"
-
-Illustration: "Io Bacche!"
-
-=Jeames.= "MORNIN', MR. JARVICE. WHAT'S THE NEWS?"
-
-=Mr. J.= (_the old Coachman_). "WELL, I'VE 'EARD THE BEST BIT O' NEWS THIS
-MORNING AS I'VE 'EARD FOR MANY A DAY, FROM OUR BUTLER. HE TELL ME THE
-WIN'YARDS IS 'A COMIN' ROUND,' AND THERE'S EVERY PROSPEC' OF OUR GETTIN'
-SOME MORE GOOD MADEIRY!!"
-
-Illustration: A Veteran.
-
-=Civil Service Captain.= "WILL--HE--AH--STAND POW-DAR?"
-
-=Dealer.= "'POWDER?' WHY HE WAS ALL THROUGH THE BATTLE O' WATERLOO THAT
-CHARGER WAS!!"
-
-Illustration: "What's the Odds?"
-
-=Purchaser.= "HE'S RATHER HEAVY ABOUT THE HEAD, ISN'T HE?"
-
-=Dealer= (_can't deny it_). "WELL, SIR! (_Happy thought._) BUT Y'SEE, SIR,
-HE'LL HEV TO CARRY IT HISSELF!"
-
-Illustration: _"There's Many a Slip" &c._
-
-WAGGLES SAW A SPLENDID THREE-POUND TROUT FEEDING IN A QUIET PLACE ON THE
-THAMES ONE EVENING LAST WEEK. DOWN HE COMES THE NEXT NIGHT, MAKING SURE
-OF HIM! BUT SOME OTHER PEOPLE HAD SEEN HIM TOO!!!
-
-Illustration: _Lingua "East Anglia."_
-
-=First Angler= (_to Country Boy_). "I SAY, MY LAD, JUST GO TO MY FRIEND ON
-THE BRIDGE THERE, AND SAY I SHOULD BE MUCH OBLIGED TO HIM IF HE'D SEND
-ME SOME BAIT."
-
-=Country Boy= (_to Second Angler, in the Eastern Counties language_).
-"THA' THERE BO' SAHY HE WANT A WURRUM!!"
-
-Illustration: _A Luxurious Habit._
-
-=Philanthropist= (_to Railway Porter_). "THEN WHAT TIME DO YOU GET TO
-BED?"
-
-=Porter.= "WELL, I SELDOM WHAT YER MAY CALL GETS TO BED MYSELF, 'CAUSE O'
-THE NIGHT TRAINS. BUT MY BROTHER, AS USED TO WORK THE P'INTS FURTHER
-DOWN THE LINE, WENT TO BED LAST CHRISTMAS AFTER THE ACCIDENT, AND
-NEVER----"
-
-_Train rushes in, and the Parties rush off._
-
-Illustration: _The Golden Age Restored._
-
-=Young Lady= (_Through Passenger, at West Riding Station_). "WHAT'S GOING
-ON HERE TO-DAY, PORTER? HAS THERE BEEN A FETE?"
-
-=Porter= (_astonished_). "BLESS THEE, LASS! THERE'S NEA FEIGHTIN'
-NOO-A-DAYS; 'T'S AGIN T' LA-AW!--NOBBUT A FLOOER-SHOW!"
-
-Illustration: "No Accounting for Taste."
-
-=Materfamilias= (_just arrived at Shrimpville--the Children had been down
-a Month before_). "WELL, JANE, HAVE YOU FOUND IT DULL?"
-
-=Nurse.= "IT WAS AT FUST, M'M. THERE WAS NOTHINK TO IMPROVE THE MIND, M'M,
-TILL THE NIGGERS COME DOWN!!"
-
-Illustration: Sold Cheap.
-
-=Little Brown= (_to "Nigger Minstrel," who always addresses his listeners
-as "My Lord"_). "AH, HOW DID YOU KNOW MY----AH--HOW DID YOU KNOW I WAS A
-LORD?" _Sensation among the bystanders!_
-
-=Minstrel.= "BLESS YER, MY LORD, I NEVER LOSE SIGHT O' MY SCHOOLFELLERS!"
-
-_Roars of laughter. Little B. caves in, and bolts!_
-
-Illustration: Selling Him a Pennyworth.
-
-=Philanthropist.= "THERE'S A PENNY FOR YOU, MY LAD. WHAT WILL YOU DO WITH
-IT?"
-
-=Sweeper.= "WHAT ALL THIS AT ONCE! I'LL TOSS YER FOR IT, DOUBLE OR
-QUITS!"
-
-Illustration: A Change for the Better.
-
-=Greengrocer.= "WANT A PENN'ORTH O' COALS, DO YER? YOU WON'T BE ABLE TO
-'AVE A PENN'ORTH MUCH LONGER. THEY'RE A GOING UP. COALS IS COALS NOW, I
-CAN TELL YER!"
-
-=Boy.= "AH, WELL, MOTHER'LL BE GLAD O' THAT, 'CAUSE SHE SAYS THE LAST
-COALS SHE HAD O' YOU WAS ALL SLATES!!"
-
-Illustration: _Colloquial Equivalents._
-
-=Papa.= "NOW, MY DEAR GIRLS, YOUR BROTHER IS RECEIVING A MOST EXPENSIVE
-EDUCATION, AND I THINK THAT WHILE HE IS AT HOME FOR THE HOLIDAYS YOU
-SHOULD TRY TO LEARN SOMETHING FROM HIM."
-
-=Emily.= "SO WE DO, 'PA. WE'VE LEARNT THAT A BOY WHO CRIES IS A 'BLUB,'
-THAT A BOY WHO WORKS HARD IS A 'SWOT'"----
-
-=Flora.= "YES, AND THAT ANYBODY YOU DON'T LIKE IS A 'CAD;' AND WE KNOW THE
-MEANING OF 'GRUB,' 'PROG,' AND A 'WAX'"
-
-Illustration: "The Meat Supply."
-
-=Bathing-Man.= "YES, MUM, HE'S A GOOD OLD 'ORSE YET. AND HE'S BEEN IN THE
-SALT WATER SO LONG, HE'LL MAKE CAPITAL BILED BEEF WHEN WE'RE DONE WITH
-HIM!!!"
-
-Illustration: "_Tracts._"
-
-=First Navvy.= "T' NEW MISSION-ARY GAVE ME THIS 'ERE TRACK JUST NOW,
-BILL."
-
-=Second Navvy.= "AIN'T SEEN HIM. WHAT LOIKE IS HE?"
-
-=First Navvy.= "LITTLE CHAP--PREACHES ABOUT EIGHT STUN TEN, I SHOULD
-GUESS!"
-
-Illustration: "_A Ticket of Leave_."
-
-=Swell= (_who won't be done_). "H'YARS MY KYARD IF YOU'D--AH--LIKE TO
-SUMMON ME."
-
-=Cabby= (_who has pulled up and heard the dispute_). "DON'T YOU TAKE IT,
-BILL. IT'S HIS TICKET O' LEAVE!"
-
-Illustration: A Pleasant Prospect.
-
-=Traveller= (_in Ireland_). "HI,--PULL HER UP, MAN! DON'T YOU SEE THE MARE
-IS RUNNING AWAY?"
-
-=Paddy.= "HOULD TIGHT, YER 'ONOR! FOR YER LIFE DON'T TOUCH THE
-REINS!--SURE THEY'RE AS ROTTEN AS PEARS! I'LL TURN HER INTO THE RIVER AT
-THE BRIDGE BELOW HERE. SURE THAT'LL STOP HER, THE BLAGYARD!"
-
-Illustration: Reassuring.
-
-=Traveller in Ireland= (_rheumatic, and very particular_). "NOW, I HOPE
-THE SHEETS ARE CLEAN!"
-
-=Kathleen= (_the Chambermaid_). "CLANE, SOR? SHURE THEY'RE JUST _DAMP_
-FROM THE MANGLE, SOR!!"
-
-Illustration: _Woman's Rights._
-
-=Scotch Lady= (_who has taken a House in the Highlands, her Servants
-suddenly giving "warning"_). "WHAT'S THE REASON OF THIS? HAVE YOU NOT
-ALL YOU WANT?--GOOD ROOMS, AND GOOD FRESH AIR AND FOOD, AND EASY WORK?"
-
-=Spokeswoman.= "YES, MEM--BUT--BUT THERE'S NO A DECENT LAAD WITHIN CRY O'
-US!"
-
-Illustration: "_Canny._"
-
-=Sportsman.= "THAT'S A TOUGH OLD FELLOW, JEMMY?"
-
-=Keeper.= "AY, SIR, A GRAND BIRD TO SEND TO YOUR FREENS!"
-
-Illustration: _Stern Pulpit Critics._
-
-=First Scot.= "FAT SORT O' MINISTER HAE YE GOTTEN, GEORDIE?"
-
-=Second Ditto.= "OH, WEEL, HE'S NO MUCKLE WORTH. WE SELDOM GET A GLINT O'
-HIM. SAX DAYS O' TH' WEEK HE'S ENVEES'BLE, AND ON THE SEVENTH HE'S
-ENCOMPREHENS'BLE!!"
-
-Illustration: The Commissariat.
-
-=Squire= (_to new Butler_). "I HAVE THREE OR FOUR CLERGYMEN COMING TO DINE
-WITH ME TO-MORROW, PRODGERS, AND----"
-
-=Mr. Prodgers.= "'IGH OR LOW, SIR?"
-
-=Squire.= "WELL--I HARDLY----BUT WHY DO YOU ASK, PRODGERS?"
-
-=Mr. Prodgers.= "WELL, YOU SEE, SIR, THE 'IGH' DRINKS MOST WINE, AND THE
-'LOW' EATS MOST VITTLES, AND I MUST PERWIDE ACCORDIN!!"
-
-Illustration: Duty and Pleasure.
-
-=Rural Butler= (_deferentially_). "AND WHAT DO YOU THINK OF OUR COUNTRY
-QUALITY DOWN HERE, SIR?"
-
-=Town Gentleman= (_"in waiting" to Lord Marybone, who was visiting the
-Squire_). "WELL, 'F COURSE, YOU SEE, SMITHARS, I DON'T MIND WAITIN' ON
-'EM,--BUT--'CAN'T SAY I SHOULD CARE TO SIT DOWN WITH 'EM"!!!
-
-Illustration: "Business!"
-
-=Bath-Chairman.= "I S'POSE THE DUKE OF EDINBORO' AND HIS MISSIS WILL BE BY
-DIRECTLY?"
-
-=Policeman.= "NO, THEY WON'T. THEY AIN'T IN TOWN."
-
-=Bath-Chairman.= "AIN'T THEY?--I SAY, IF THAT OLD LADY IN MY CHAIR ASTS
-YOU, SAY 'YOU DON'T KNOW,' 'CAUSE SHE'S A WAITIN' TO SEE 'EM, AND I'M
-ENGAGED BY THE HOUR!"
-
-Illustration: _Sacrifice._
-
-=Good Templar.= "TUT--T--T--REALLY, SWIZZLE, IT'S DISGRACEFUL TO SEE A MAN
-IN YOUR POSITION IN THIS STATE, AFTER THE EXPENSE WE'VE INCURRED AND THE
-EXERTIONS WE'VE USED TO PUT DOWN THE LIQUOR TRAFFIC!"
-
-=Swizzle.= "Y' MAY PREASH AS MUSH AS Y' LIKE, GEN'L'M'N, BUR I CAN TELL Y'
-I'VE MADE MORE PERSH'NAL EFFORSH TO (_hic_) PURROWN LIQUOR THAN ANY OF
-YE!"
-
-Illustration: _Extenuating Circumstances._
-
-=Employer= (_on his way to business on Monday morning_). "AH, SAUNDERS!
-I'M SORRY TO SEE YOU IN THIS WAY. I THOUGHT YOU'D TURNED OVER A NEW
-LEAF!"
-
-=Saunders= (_repentant_). "SHO I'AD, SHIR, BUT (_hic_) 'TSH ALL ALONG O'
-THESH 'ERE WA'ER CO'PANIES--I 'SSHURE YOU, SHIR, 'ERE WASHN'T 'DROP O'
-WA'ER IN OUR SHISHT'RN ALL YESHT'RDAY!!!"
-
-Illustration: _A Definition._
-
-=Shoeblack= (_pointing to Unsteady Party by the lamp-post_). "TEA-TOTALLER
-ON 'THE STRIKE,' SIR!"
-
-Illustration: _Mystification._
-
-_Our young Landscape Painter's Preparations are Regarded with Intense
-Interest by the Village Juveniles, yet evidently expect a Gymnastic
-Entertainment_--(_he frames an Imaginary Picture with his Hands_).
-
-=Omnes.= "HE'S A GOIN' TO SAY HIS PRAYERS FUST!!"
-
-Illustration: _Obliging._
-
-=Excursionist= (_to himself_). "ULLO! 'ERE'S ONE O' THEM ARTISTS. 'DESSAY
-'E'LL WANT A GENTEEL FIGGER FOR 'IS FOREGROUND. I'LL _STAND FOR
-'IM_!!!"
-
-Illustration: Our Theatricals.
-
-=Brown= (_rehearsing his part as the "Vicomte de Cherisac"_). "YAS, MARIE!
-I'VE FONDLY LOVED YE. (_Sobs dramatically._) 'TIS WELL--BUT NO
-MAT-TAR-R!"
-
-=Housemaid= (_to Cook, outside the Door_). "LAUKS, 'LIZ'BETH, AIN'T MASTER
-A GIVIN' IT TO MISSIS!"
-
-Illustration: Flattering.
-
-=Housemaid= (_to Cook, behind the laurels_). "HE'S A HAFFABLE YOUNG MAN,
-THAT CAP'AIN LIMBER, MISSUS'S BROTHER. HOW BECOMIN' HE'D LOOK IN OUR
-LIVERY, WOULDN'T HE?!!"
-
-Illustration: _Comparisons._
-
-=Barber.= "'AIR'S EXTR'ORDINARY DRY, SIR. (_Customer explains he has been
-in the Country, and out o' doors a good deal._) AH! JUS' SO, SIR.
-RUINATION TO THE 'AIR, SIR! IF I WAS TO BE KNOCKIN' ABOUT 'UNTING AND
-FISHIN', LOR', SIR, MY 'AIR WOULDN'T BE IN NO BETTER STATE THAN YOURS,
-SIR!!"
-
-Illustration: _Delicately Put._
-
-=Customer.= "I'M AFRAID I'M GETTING A LITTLE BALD!"
-
-=Operator.= "WELL, SIR, I THINK, SIR, WHEN YOU ATTEND PUBLIC WUSHIP, IF I
-WAS YOU, I'D SIT IN THE GALLERY."
-
-Illustration: _A Rash Refusal._
-
-=Customer= (_flying from Importunate Tradesman_). "NO, THANK YOU, NOTHING
-MORE, REALLY! NOT ANOTHER ARTICLE, THANK YOU! GOOD MORNING!"
-
-_Escapes--ha! ha! refusing his own Umbrella!!_
-
-Illustration: _A Guilty Conscience._
-
-=Country Parson= (_to hard-drinking Old Pauper_). "WHY, SURELY, MUGGRIDGE,
-YOU WERE RELIEVED LAST WEEK FROM THE COMMUNION ALMS!"
-
-=Muggridge.= "COMMUNION ARMS, SIR! 'S TRUE'S I STAND HERE, NEVER VAS
-INSIDE THE 'OUSE IN ALL MY LIFE, SIR; NEVER HEERD OF IT, SIR!"
-
-Illustration: _Equal to the Situation._
-
-=The Parson.= "WELL, LIZZIE, YOUR MOTHER'S COME OUT OF PRISON, I HEAR. HOW
-IS SHE NOW?"
-
-=Lizzie.= "O, THANKY', SIR, SHE'S EV' SO MUCH BETTER. SHE'VE HAD CAPITAL
-TIMES IN THERE. FATHER'S OUT O' WORK, AND RATHER POORLY, SO HE GOT TOOK
-UP LAST NIGHT!!"
-
-Illustration: _The Convalescent._
-
-=New Curate= (_tenderly_). "MY GOOD MAN, WHAT INDUCED YOU TO SEND FOR ME?"
-
-=Oldest Inhabitant.= "WHAT DOES HE SAY, BETTY?"
-
-=Betty.= "'SAYS WHAT THE DEUCE DID YOU SEND FOR HIM, FOR!!"
-
-Illustration: Awkward!
-
-=Literal Servant Girl= (_to Brown, who was calling for the first time on
-the Dibsworths_). "PLEASE SIR, YOUR CABMAN SAY HE DON'T HALF LIKE THE
-LOOK OF THIS HERE HALF-CROWN YOU'VE GIVE HIM!!"
-
-Illustration: "Suit Your Talk to Your Company."
-
-=Mrs. Clovermead.= "AND, DAN, YOU'LL BRING THE TRAP--(_recollecting
-herself--her fashionable Cousin, from London, is on a Visit at the
-Farm_)--WE SHALL WANT THE CARRIAGE TO DRIVE INTO THE TOWN AFTER
-LUNCHEON, DANIEL."
-
-=Daniel.= "YES, MUM--(_hesitating--he had noticed the correction_)--BE
-I--(_in a loud whisper_)--BE I TO CHANGE MY TROWSE'S, MUM?"!!
-
-Illustration: _Silly Suffolk (?) Pastorals. Reciprocity._
-
-=Parson.= "I HAVE MISSED YOU FROM YOUR PEW OF LATE, MR. STUBBINGS----"
-
-=Farmer= (_apologetically_). "WELL, SIR, I HEV' BEEN TO MEET'N' LATELY.
-BUT--Y' SEE, SIR, THE REVEREND MR. SCOWLES O' THE CHAPEL, HE BOUGHT SOME
-PIGS O' ME, AND I THOUGHT I OUGHT TO GI' 'M A TARN!!"
-
-Illustration: Lapsus Linguae.
-
-=Our Athletic Curate= (_who, with the young men of his parish, had been
-victorious in a great match the day before; please forgive him this
-once, only_). "HE-AR ENDETH THE FIRST INNINGS!!"
-
-Illustration: The Archery Meeting.
-
-=Curate= (_to Fair Stranger_). "I PERCEIVE YOU ARE NOT A TOXOPHILITE!"
-
-=Fair Stranger= (_promptly_). "OH DEAR NO! 'CHURCH OF ENGLAND,' I ASSURE
-YOU!"
-
-Illustration: _Grandiloquence_
-
-=Captain of Schooner.= "WHAT 'A' YOU GOT THERE, PAT?"
-
-=Pat.= (_who has been laying in some Firewood and Potatoes_). "TIMBER AND
-FRUIT, YER HONOUR!!"
-
-Illustration: _Levelling Up._
-
-=Sub.= (_just arrived by rail_). "HOW MUCH TO THE BARRACKS?"
-
-=Car-Driver.= "AH, SHURE THIN, CAPTIN, THE MANEST OV 'EM GIVES ME T'REE
-AND SIXPENCE!"
-
-Illustration: Rural Simplicity.
-
-"BEEN TO SCHOOL, LITTLE LASSIE?" "AY, SIR." "GOOD GIRL--THERE'S A PENNY
-FOR YOU." "THANK YOU, SIR. I'LL HAE TO BE STEPPIN'--BUT AWM GAUN TO
-SKEULL I' THE MORNIN'--WULL YE BE THIS WAY I' THE EFTERNEUN?!"
-
-Illustration: _Catechism under Difficulties._
-
-=Free Kirk Elder= (_preparatory to presenting a Tract_). "MY FRIEND, DO
-YOU KNOW THE CHIEF END OF MAN?"
-
-=Piper= (_innocently_). "NA, I DINNA MIND THE CHUNE! CAN YE NO WHUSTLE
-IT?"!!
-
-Illustration: _In Vino Memoria._
-
-=Major Portsoken= (_a pretty constant Guest_). "I SAY, BUCHANAN, THIS
-ISN'T--(_another sip_)--THE SAME CHAMPAGNE----!"
-
-=Scotch Butler.= "NA, THAT'S A' DUNE! THERE WAS THRUTTY DIZZEN; AND YE'VE
-HAD YERE SHARE O'T, MAJOR!!"
-
-Illustration: Mind and Matter.
-
-=Augustus= (_poetical_). "LOOK, EDITH! HOW LOVELY ARE THOSE FLEECY
-CLOUDLETS DAPPLED OVER THE----"
-
-=Edith= (_prosaic_). "YES. 'XACTLY LIKE GRAVY WHEN IT'S GETTING COLD.
-ISN'T IT?"!!
-
-Illustration: Perspective!
-
-IN CRITICISING AND CORRECTING HIS PRETTY COUSIN'S PERSPECTIVE, OF COURSE
-FREDERICK'S FACE MUST BE AS NEARLY AS POSSIBLE IN THE SAME PLACE AS
-HERS!--TABLEAU!--PA (IN THE BACKGROUND) IS EVIDENTLY MAKING UP HIS MIND
-TO SEE ABOUT THIS! _Note._ FRED _hasn't a rap!_
-
-Illustration: Those Dreadful Boys!
-
-=Algernon.= "AND, DEAREST, IF THE DEVOTION OF A LIFE----" (_At this moment
-his hat is knocked over his eyes by a common Starfish, or Five-fingers
-(Asterias rubens), thrown, with considerable force and precision, by one
-of those_ infern----_high-spirited little fellows her younger brothers_,
-TOMMY _and_ BERTIE!!!)
-
-Illustration: Profanation.
-
-=Gent.= "I LEFT A LOCK OF HAIR HERE A FEW DAYS AGO TO BE FITTED IN A
-LOCKET, IS IT--AH--READY?"
-
-=Artiste.= "VERY SORRY, SIR, IT HAS BEEN MISLAID. BUT IT'S OF NO
-CONSEQUENCE, SIR--WE CAN EASILY GET IT MATCHED, SIR."!!
-
-Illustration: "Turn About."
-
-=George.= "I SAY, TOM, DO TAKE CARE! YOU NEARLY SHOT MY FATHER THEN!"
-
-=Tom.= "'SH! DON'T SAY ANYTHING, THERE'S A GOOD FELLOW! TAKE A SHOT AT
-MINE!!"
-
-Illustration: Making Things Pleasant.
-
-=Irishman= (_to English Sportsman_). "IS IT THROUTS? BE JABERS, THE
-WATTHER'S STIFF WID 'EM!!!"
-
-"_Regardless of strict truth, in his love of hyperbole and generous
-desire to please," as our Friend recorded in his Diary after a blank
-day._
-
-Illustration: Angling Extraordinary.
-
-=Customer= (_in a great hurry_). "A SMALL BOX OF GENTLES, PLEASE. AND LOOK
-SHARP! I WANT TO CATCH A 'BUS'!!"
-
-Illustration: "Happy Thought."
-
-=Mistress= (_who had come down to see about the Bass Voice she had heard
-in the Kitchen--Guardsman discovered!_). "O, YOU DECEITFUL GIRL, TO SAY
-THERE WAS NOBODY HERE! AND AFTER I'D GIVEN YOU DISTINCTLY TO UNDERSTAND
-I DIDN'T ALLOW 'FOLLOWERS'; AND HERE, YOU HAVEN'T BEEN HERE A WEEK----"
-
-=Cook.= "LAUKS, M'M, IT MUST BE ONE O' THE FOLLERERS AS THE LAST COOK LEFT
-BE'IND 'ER!!"
-
-Illustration: _Romance of the Kitchen._
-
-=Cook= (_from the Area_). "O, 'LIZA, GI' ME MY WINIGRETTE--I'VE 'AD
-A--OFFER--FROM THE DUSTMAN!!"
-
-Illustration: "_Compliments of the Season._"
-
-=Comely Housemaid.= "O, MR. JAMES, I'M SO FRIGHTENED IN THE RAILWAY!
-SUPPOSE THE BILER WAS TO BUST!"
-
-=Mr. James.= "THEN, MY DEAR, YOU'D BE A SINGIN' AMONG THE ANGELS IN ABOUT
-TEN MINUTES!!"
-
-Illustration: "Ready!"
-
-=Emily.= "WHAT'S CAPITAL PUNISHMENT, MAMMA?"
-
-=Master Harry.= "WHY, BEING LOCKED UP IN THE PANTRY! _I_ SHOULD CONSIDER
-IT SO!"
-
-Illustration: Dear, Dear Boy!
-
-=George.= "OH! SHOULDN'T I JUST LIKE TO SEE SOMEBODY IN THAT DEN, AUNT!"
-
-=Serious Aunt.= "YE-ES. DANIEL, I SUPPOSE, DEAR?"
-
-=George.= "OH NO, AUNT; I MEAN 'OLD TWIGSBY,' OUR HEAD-MASTER!!"
-
-Illustration: "Brother Brush."
-
-=Ship-Painter.= "NICE DRYIN' WEATHER FOR OUR BUSINESS, AIN'T IT, SIR?"
-
-=Amateur= (_disconcerted_). "YA-A-S!"----
-
-_Takes a dislike to the place._
-
-Illustration: "The Compliments of the (Sketching) Season."
-
-=Papa.= "THERE, HENRY! IF YOU COULD DO LIKE THAT, I'D HAVE YOU _TAUGHT
-DRAWING_, MY BOY!"
-
-Illustration: A Pleasant Prospect.
-
-=English Tourist.= "I SAY, LOOK HERE. HOW FAR IS IT TO THIS GLENSTARVIT?
-THEY TOLD US IT WAS ONLY----"
-
-=Native.= "ABOOT FOUR MILES."
-
-=Tourist= (_aghast_). "ALL BOG LIKE THIS?"
-
-=Native.= "EH--H--THIS IS JUST NAETHIN' TILL'T!!"
-
-Illustration: Compliments of the Season.
-
-=Squire= (_who interests himself with the Moral and Material Condition of
-his Peasantry_). "HULLO, WOODRUFF! WHAT AN EYE YOU'VE GOT! HOW DID YOU
-GET THAT?!"
-
-=Labourer.= "O, IT'S NAWTHIN' PARTIC'LAR, SIR. LAST NIGHT--AT THE WHITE
-'ART, SIR. BUT--(_in extenuation_)--CHRISHMASH TIME, SIR--ON'Y ONCE A
-YEAR!"
-
-Illustration: Two Sides to a Question.
-
-=Squire.= "YOUR NAME SMITH?"
-
-=Smith.= "YESSIR."
-
-=Squire.= "AH, I UNDERSTAND YOU'RE THE MAN WHO GIVES SO MUCH TROUBLE TO MY
-KEEPERS!"
-
-=Smith.= "AX YER PARDON, SQUIRE, YOUR KEEPERS IS MUCH MORE TROUBLE TO
-ME!"
-
-Illustration: Suspicion!
-
-=Stout Visitor= (_on discovering that, during his usual Nap after
-Luncheon, he has been subjected to a grossly personal Practical Joke_).
-"IT'S ONE O' THOSE DASHED ARTISTS THAT ARE STAYING AT THE 'LORD NELSON'
-'A' DONE THIS, I KNOW!"
-
-Illustration: Depression.
-
-SCENE--_The Exchange. Industrial Centre._
-
-=First Commercial Man= (_dryly_). "MORNIN'!"
-
-=Second ditto= (_coldly_). "MORNIN'!"
-
-=First C. M.= (_hopelessly_). "OWT?"
-
-=Second ditto= (_mournfully_). "NOWT!"
-
-=First C. M.= (_gloomily_). "MORNIN'!"
-
-=Second ditto= (_despairingly_). "MORNIN'!"
-
-_They part._
-
-Illustration: Reductio ad Absurdum.
-
-=Stout Party= (_the first time he went for his Dividends since his Aunt
-left him that Legacy_). "WHERE DO YOU GO FOR THESE DIVIDEND WARRANTS?"
-
-=Bank Beadle.= "WHAT STOCK, SIR?"
-
-=Stout Party.= "WELL, THREE PER CENT. SOMETHING "----(_The word stuck in
-his throat_).
-
-=Bank Beadle.= "AH!--(_giving him the Information, and saying the word for
-him_)--_REDOOCED,_ SIR!!"
-
-_Stout Party sighs, and exit._
-
-Illustration: "The More Haste the Less Speed."
-
-=Intelligent Peasant= (_who has been overlooking our Artists with much
-interest_). "YAR MATE'S A STAININ' O' HIS'N A'READY, SIR!"
-
-Illustration: The Point of View.
-
-=Tomkins= (_he has heard his friend Stodge talk so much about that lovely
-spot Wobbleswick, whither he was going sketching, that he was induced to
-accompany him. A day has elapsed, and he is awaking to the horror of his
-situation!_) "SEEMS TO ME AN INFERN----I CALL IT RATHER A DULL PLACE!"
-
-=Stodge.= "DULL, MY DEAR FELLOW! HOW CAN YOU SAY SO? LOOK AT THIS
-BEAUTIFUL, BREEZY COMMON! AND THE LINES OF THOSE OLD HOUSES ON THE
-BEACH, BREAKING THE HORIZON, AND THE COLOUR! AND THE JOLLY QUIET OF THE
-PLACE! NONE O' YOUR BEASTLY BARREL-ORGANS OR GAPING TOURISTS SWARMING
-ABOUT! I THOUGHT YOU'D LIKE IT!!"
-
-Illustration: "Lucus a Non" &c.
-
-=Visitor.= "HOW LONG HAS YOUR MASTER BEEN AWAY?"
-
-=Irish Footman.= "WELL, SORR, IF HE'D COME HOME YISTHERDAY, HE'D A' BEEN
-GONE A WAKE TO-MORROW; BUT EV HE DOESN'T RETURN THE DAY AFTHER, SHURE
-HE'LL A' BEEN AWAY A FORTNIGHT NEXT THORSDAY!!"
-
-Illustration: Hyperbole.
-
-=Saxon Sportsman.= "ANY SNIPE ABOUT HERE, MY MAN?"
-
-=Pat.= "SNIPES, IS IT?! FAIX, THEY'RE GINERALLY JOSTLIN' 'ACH OTHER
-HEREABOUTS!"
-
-Illustration: Real Irish Grievance.
-
-=Irish Model= (_requested to put on rather a dilapidated costume_). "THE
-BLISSED SAINTS DIRICT ME INTO THIS COAT, SOR!"
-
-Illustration: Our Inspection.
-
-=Lieutenant-Colonel.= "HULLO! CONFOUND IT! THERE'S A MAN BLOWING HIS
-NOSE--AND WITH A POCKET-HANDKERCHIEF, TOO! TUT-T-T-T-T!"
-
-Illustration: Hunting Appointments.
-
-=Scientific Colonel.= "ARE YOU GOING TO THE 'KRIEGSPIEL' TO-MORROW?"
-
-=Cavalry Sub.= (_Hunting Man_). "AUGH! 'THINK NOT, SIR. AUGH! 'MEET
-THE-ARE, DO THEY? NEVAR HEARD OF THE PLACE! WHERWE ON EARTH IS I--T?"!!
-
-Illustration: Encouraging!
-
-=Riding-Master= (_to Sub. belonging to one of the new Mounted Batteries_).
-"WELL, SIR! YOU'RE ALL 'OF A HEAP' ON THE HORSE'S NECK--YOU'VE LOST YOUR
-SWORD AND YOUR FORAGE-CAP, AND YOU'VE LOST YOUR STIRRUPS--AND----YOU'LL
-LOSE YOURSELF NEXT!!"
-
-Illustration: "It's an Ill Wind" &c.
-
-=Sporting Sub.= "I SHOULD LIKE TO HAVE MY LEAVE AS SOON AS POSSIBLE,
-COLONEL, FOR I'VE JUST HEARD MY FATHER'S HAD A BAD FALL OUT HUNTING."
-
-=Colonel.= "DEAR ME! I'M SORRY TO HEAR THAT! I HOPE HE'S NOT HURT!"
-
-=Sporting Sub.= "OH, IT ISN'T THAT!--ONLY I WANT TO HAVE HIS HORSE!!"
-
-Illustration: Particular!
-
-=Adjutant of Volunteers= (_to Recruit_). "WELL, SIR, AND WHAT COMPANY DO
-YOU WISH TO BE IN?"
-
-=Recruit.= "AUGH! I'VE BEEN--AH--USED TO THE CO'PANY OF--AH--GE'TLEMEN,
-SIR!!!!"
-
-Illustration: The Last Word.
-
-=Cabby= (_to stately Party, who has given him his legal Fare_). "MAKIN'
-YER FORTUNE, SIR, NO DOUBT!"
-
-=Swell= (_not exactly catching the Remark_). "EH?"
-
-=Cabby.= "YOU'RE A LAYIN' BY A GOOD BIT O' MONEY, SIR, I'LL BE BOUND!"
-
-=Swell= (_indignantly_). "What d'you mean, Sir?"
-
-Cabby. "WHY YOU DON'T SPEND MUCH, SEEMIN'LY!"
-
-_Drives off in triumph._
-
-Illustration: A Dilemma.
-
-=Cabby.= "ERE'S A GO, P'LICEMAN! WHAT AM I TO DO?--I VOS ORDERED TO TAKE
-THESE 'ERE GENTS AS 'A BEEN A DININ' YOU SEE, TO THEIR 'SPECTABLE 'OMES,
-VUN VOS FOR 'ANOVER SQUARE, ANOTHER FOR THE HALBANY, AND THE TOTHERS
-ELSEVERES----VELL, THEY VOS ALL CAREFULLY SORTED VEN I STARTED, AN' NOW
-THEY'VE BEEN AN' GONE AN' MIXED THE'RSELVES UP, AN' I DON'T KNOW VICH IS
-VICH!!"
-
-Illustration: Too True!
-
-=Mamma.= "MY DEAR CHILD, WHERE DID YOU GET THAT DREADFUL SCRATCH ON YOUR
-ARM?"
-
-=Little Ada.= "OH, 'MA, IT WAS 'LISBETH'S BIG BRASS BROOCH WITH THE GREEN
-GLASS IN IT, THAT THE TALL SOLDIER GAVE HER!"
-
-Illustration: "Once for All."
-
-=Mistress.= "BY THE WAY--ANNA--HANNAH--I'M NOT SURE. IS YOUR NAME ANNA, OR
-HANNAH?"
-
-=New Cook= (_tartly_). "WHICH MY NAME IS ANNA, MUM--HAICH, HA, HEN, HEN,
-HA, HAICH,--'ANNA'"----
-
-=Mistress= (_giving it up in despair_). "AH! THANK YOU."
-
-Illustration: Up and Down Stairs.
-
-=Young Mistress= (_at the Parlour Door_). "ELIZA, WHAT IS THAT BELL
-RINGING FOR SO VIOLENTLY?"
-
-=Cook= (_below_). "IT'S ON'Y ME, M'UM. I WANT YOU DOWN IN THE KITCHING A
-MINUTE!!"
-
-Illustration: Terms--Cash.
-
-=Lady Bountiful.= "HERE, MY GOOD MAN, HERE'S A TICKET FOR THE ORGANISING
-CHARITABLE RELIEF AND REPRESSING MENDI----"
-
-=Professional Beggar= (_with a sneer_). "O, THANKY FOR NOTHINK, MUM,
-_HOURS IS A READY MONEY BUSINESS_!"
-
-Illustration: Gratitude.
-
-=Fastidious Vagrant.= "AND THEY AIN'T 'ALF BUTTERED! I COULD 'A DONE AS
-WELL IF I'D GONE UP THE LANE TO THE 'UNION!'"
-
-Illustration: Music of the Future. Sensation Opera.
-
-=Manager= (_to his Primo Tenore, triumphantly_). "MY DEAR FELLOW, I'VE
-BROUGHT YOU THE SCORE OF THE NEW OPERA. WE'VE ARRANGED SUCH A SCENE FOR
-YOU IN THE THIRD ACT! O' BOARD OF THE PIRATE SCREW, AFTER THE
-KEELHAULING SCENE, YOU KNOW! HEAVY ROLLING SEA, EH?--YES, AND WE CAN
-HAVE SOME REAL SPRAY PUMPED ON TO YOU FROM THE FIRE-ENGINE! VOLUMES OF
-SMOKE FROM THE FUNNEL, CLOSE BEHIND YOUR HEAD--IN FACT, YOU'LL BE
-ENVELOPED AS YOU RUSH ON TO THE BRIDGE! AND THEN YOU'LL SING THAT LOVELY
-BARCAROLLE THROUGH THE SPEAKING-TRUMPET! AND MIND YOU HOLD TIGHT, AS THE
-SHIP BLOWS UP JUST AS YOU COME UPON YOUR HIGH D IN THE LAST BAR!!!"
-
-Illustration: Club Law.
-
-=Waiter.= "DID YOU RING, SIR?"
-
-=Member= (_trying to be calm_). "YES. WILL YOU WAKE THIS GENTLEMAN, AND
-SAY I SHOULD BE OBLIGED IF HE'D LET ME HAVE THE _SPECTATOR_, IF HE'S NOT
-READING IT."
-
-_Old Wacklethorpe has been asleep, with the Paper firmly clutched, for
-the last two hours._
-
-Illustration: "'High' Life Below Stairs!"
-
-=Master= (_sniffing_). "THERE'S A MOST EXTRAORDINARY SMELL, JAMES. I'VE
-NOTICED IT SEVERAL----"
-
-=Hall Porter.= "I DON'T WONDER AT IT, SIR. I'VE SPOKE ABOUT IT
-DOWN-STAIRS. THE BUTLER, SIR, YOU SEE IS ''IGH CHURCH,' WHICH HE 'AS FIT
-UP A HORATORY IN THE PANTRY, AND BURNS HINCENSE. WE COULD STAND THAT;
-BUT THE COOK IS THE 'LOW CHURCH' PERSUASION, AND SHE BURNS BROWN PAPER
-TO HOBVIATE THE HINCENSE. IT'S PERFECTLY HAWFUL ON SAINTS' DAYS,
-SIR!!!"
-
-Illustration: Wages and Wives.
-
-=Philanthropic Farmer.= "WELL, TOMKINS, AFTER THIS WEEK, INSTEAD OF PAYING
-YOU PARTLY IN CIDER, I SHALL GIVE YOU TWO SHILLINGS EXTRA WAGES."
-
-=Tomkins.= "NO, THANKY', MASTER; THAT WON'T DO FOR ME!"
-
-=Farmer.= "WHY, MAN, YOU'LL BE THE GAINER; FOR THE CIDER YOU HAD WASN'T
-WORTH TWO SHILLINGS!"
-
-=Tomkins. ="AH, BUT YOU SEE I DRINKS THE CIDER MYSELF; BUT THE OW'D OOMAN
-'LL 'EV THE TWO SHILLUN'!!"
-
-Illustration: Pursuit o' Knowledge!
-
-=First Agricultural= (_quite a Year after our Branch had been Opened_).
-"WHAT BE THEY POST-ES VUR, MAS'R SAM'L?"
-
-=Second Ditto= (_Wag of the Village_). "WHY, TO CARRY THE TELEGRAFT
-WOIRES, GEARGE!"
-
-=First Ditto.= "WHAT BE THE WOIRES VUR, THEN?"
-
-=Second Ditto.= "WHAT BE THE WOIRES FUR? WHY, TO HOOLD UP THE POST-ES,
-SART'N'Y, GEARGE."!!!
-
-Illustration: A Nice Prospect!
-
-=Traveller= (_benighted in the Black Country_). "NOT A BEDROOM DISENGAGED!
-TUT-T-T-T!"
-
-=Landlady= (_who is evidently in the Coal Business as well_). "OH, WE'LL
-ACCOMMODATE YOU SOMEHOW, SIR, IF ME AND MY 'USBAND GIVES YOU UP OUR OWN
-BED, SIR!"
-
-Illustration: Boon Companions!
-
-=Bargee.= "WHAT! GE-ARGE!"
-
-_Rustic grins in response._
-
-=Bargee.= "I'M ALLUS MAIN GLAD TO SEE THEE, GE-ARGE!"
-
-=Rustic.= "WHOY?"
-
-=Bargee.= "'CAUSE I KNOW THERE MUST BE A PUBLIC-'OUSE CLOSE BY!"
-
-Illustration: Bereaved.
-
-=First Pitman.= "THOU HESSENT BEEN AT THE TOUN LATELY, GEORDIE. HOO'S
-THAT, MAN?"
-
-=Second Pitman.= "THOU KNAWS THE DOG'S DEED, AND AW KENNET GETTEN ANOTHER;
-AN' A CHAP LECKS SA FOND WITOUT A DOG!"
-
-Illustration: Geology.
-
-=Scientific Pedestrian.= "DO YOU FIND ANY FOSSILS HERE?"
-
-=Excavator.= "DUNNO WHAT YUH CALLS 'VOSSULS.' WE FINDS NOWT HERE BUT MUCK
-AND 'ARD WORK!"
-
-Illustration: The Morning Concert.
-
-=Swell= (_doesn't care for music himself_). "MY DEAR, IS
-THIS--AH--(_yawns_)--TE-DIUM OVAR?"!!
-
-Illustration: A Cool Card.
-
-=Swell= (_handing "Sporting Life" to Clerical Party_). "AW--WOULD
-YOU--AW--DO ME THE FAVOUR TO WEAD THE LIST OF THE WACES TO ME WHILE
-WE'RE WUNNING DOWN?--I'VE--AW--FORGOTTEN MY EYEGLASS. DON'T MIND WAISING
-YOUR VOICE--I'M PWECIOUS DEAF!"
-
-Illustration: "Relapse."
-
-=Squire.= "WHY, PAT, WHAT ARE YOU DOING, STANDING BY THE WALL OF THE
-PUBLIC-HOUSE? I THOUGHT YOU WERE A TEETOTALLER!"
-
-=Pat.= "YES, YER HONNOR. I'M JUST LISTENIN' TO THEM IMPENITENT BOYS
-DRINKING INSIDE!"
-
-Illustration: "_In Confidence._"
-
-=Hungry Customer.= "'TAINT BAD."
-
-=Chef.= "GLAD YOU LIKE IT; FOR, TO TELL YER THE TRUTH, A'THOUGH I'VE BEEN
-A MAKIN' O' THIS SOUP FOR FIFTEEN YEAR, I AIN'T NEVER TASTED IT
-MYSELF!!"
-
-Illustration: "_The Struggle for Existence._"
-
-=Darwinian Coster= (_to thrifty Housewife_). "WELL, FISH IS DEAR, MUM; YOU
-SEE IT'S A-GETTIN' WERY SCA'CE IN CONSEKENCE O' THESE 'ERE AQUERIUNS!"
-
-Illustration: _A Satisfactory Character._
-
-Mrs. Brisket (_about the Squire's new Bride_). "OH, YES, MUM, SHE COME
-IN 'ERE YESTERDAY, MUM. BLESS YER! A PUFFECT LADY. MUM! DON'T KNOW ONE
-J'INT O' MEAT FROM ANOTHER, MUM!!"
-
-Illustration: _Hard Up on a Wet Day._
-
-=Richard.= "WHAT ARE YOU RINGING FOR, BOB?"
-
-=Robert.= "THE BEEF!"
-
-=Richard.= "YOU'RE NEVER GOING TO EAT BEEF AGAIN, BOB, ARE YOU? WHY IT
-ISN'T HALF-AN-HOUR SINCE BREAKFAST!"
-
-=Robert.= "WELL, I'M NOT EXACTLY HUNGRY, BUT ONE MUST DO SOMETHING!"
-
-Illustration: _Incombinable Elements._
-
-=First Medical Student.= "WHAT ARE YOU SIGHING FOR, JACK?"
-
-Second Ditto. "UGH! I WAS THINKING OF THAT INFERNAL CHEMISTRY CRAM
-TO-MORROW, AND WHAT A DEUCED PRETTY GIRL I SAW IN GOWER STREET JUST
-NOW!!"
-
-Illustration: A Desperate Case!
-
-=First Driver.= "HOW'S POOR BOB?"
-
-=Second Driver.= "OH, HE'S A GOOD DEAL BETTER--TAKES HIS _LOTIONS_ MORE
-REG'LAR----"
-
-=First Driver= (_reassured_). "AH!"
-
-Illustration: "Bon Voyage!"
-
-=Bus-Conductor= (_to Portly Female, who was indignant at having been
-carried a little beyond her destination_). "WELL, THERE Y'ARE, MUM, FUST
-TO YER LEFT. Y'AINT GOT SO VERY FAR TO GO, AND THE _WIND'S AT YER
-BACK_!!"
-
-Illustration: _Personal!_
-
-=Driver= (_impatient_). "NOW THEN, BILL!"
-
-=Conductor.= "O, LOOK ALIVE, PLEASE, M'M! (_To the Driver._) CAN'T HELP
-IT! ALL IN THE 'ANTIQUE' LINE THIS MORNIN'! 'ERE'S THREE MORE ON 'EM!"
-_"'Antique,' indeed! Odious Wretch!" thought one of the parties alluded
-to._
-
-Illustration: "_The Conscience Clause_"
-
-=Rector's Wife.= "AND WHAT'S YOUR FATHER, MY BOY?"
-
-=Boy.= "MY FATHER'S A 'HAGITATOR,' AN' HE SAYS HE WON'T HAVE ME LEARNT NO
-CATECHISM, 'R ELSE YOU'LL ALL OF YER EAR OV IT!"
-
-Illustration: _Education._
-
-=Squire.= "HOBSON, THEY TELL ME YOU'VE TAKEN YOUR BOY AWAY FROM THE
-NATIONAL SCHOOL. WHAT'S THAT FOR?"
-
-=Villager.= "'CAUSE THE MASTER AIN'T FIT TO TEACH UN!"
-
-=Squire.= "O, I'VE HEARD HE'S A VERY GOOD MASTER."
-
-=Villager.= "WELL, ALL I KNOWS IS, HE WANTED TO TEACH MY BOY TO SPELL
-'TATERS' WITH A 'P'!!!"
-
-Illustration: "Exempli Gratia."
-
-=Ancient Mariner= (_to credulous Yachtsman_). "A'MIRAL LORD NELSON! BLESS
-YER, I KNOWED HIM; SERVED UNDER HIM. MANY'S THE TIME I'VE AS'ED HIM FOR
-A BIT O' 'BACCO, AS I MIGHT BE A ASTIN' O' YOU; AND SAYS HE, 'WELL, I
-'AIN'T GOT NO 'BACCO,' JEST AS YOU MIGHT SAY TO ME; 'BUT HERE'S A
-SHILLIN' FOR YER,' SAYS HE"!!
-
-Illustration: Dignity.
-
-=Shipping Clerk.= "ARE YOU THE MATE O' THE '_MAGGIE LAUDER_,' OF
-STONEHAVEN?"
-
-=Mate= (_sternly_). "ASK IF I'M THE FIR-R-R-ST OFFICER, YOUNG MAN, AN'
-MAYBE I'LL GIE YE AN ANSWER!"
-
-Illustration: _A Woman-Hater._
-
-=Spiteful Old Party= (_who is tarring the Stays of the Flagstaff_).
-"STRIPED GOWNDS SEEM ALL THE 'GO' WITH 'EM, EH? (_Chuckles._) I'LL
-STRIPE 'EM! PUT A EXTRA STREAK O' ILE IN, O' PURPOSE--WON'T DRY FOR A
-MONTH! COME LOLLOPIN' ABOUT HERE WITH THEIR CRIN'LYNES AN' TR'INES, THEY
-MUST TAKE THE CONSEKENSES!!"
-
-Illustration: _When You are About it._
-
-=Magister Familias= (_parting with his Butler_). "HERE IS THE LETTER,
-FLANAGAN. I CAN CONSCIENTIOUSLY SAY YOU ARE HONEST AND ATTENTIVE, BUT I
-SHOULD HAVE TO STRETCH A POINT IF I WERE TO SAY YOU ARE SOBER."
-
-=Mr. Flanagan.= "THANK YOU, SOR. BUT WHEN YOU _ARE_ AFTHER STHRITCHIN' A
-POINT, SOR, WOULDN'T YOU, PLASE, STHRITCH IT A LITTLE FURTHER, AND SAY
-I'M _AFTEN_ SOBER!!"
-
-Illustration: _Sympathy._
-
-=Epicurus.= "PAH! O, GOOD GRACIOUS, MIVINS, THAT LAST OYSTER WAS--UGH!"
-
-=Butler= (_with feeling_). "T-T-T-T--DEAR ME! CORKED, SIR?!!"
-
-Illustration: _The Run of the House._
-
-=First Flunkey.= "WON'T YOU COME IN, JOHN, AND TAKE SOMETHING?"
-
-=Second Ditto.= "THANKS, NO; I'LL LOOK YOU UP NEXT WEEK. 'BE ON
-BOARD-WAGES THEN, YOU KNOW!"
-
-Illustration: "_What Next?_"
-
-=Mistress= (_to New Housemaid_). "JANE, I'M QUITE SURPRISED TO HEAR YOU
-CAN'T READ OR WRITE! I'M SURE ONE OF MY DAUGHTERS WOULD GLADLY UNDERTAKE
-TO TEACH YOU----"
-
-=Maid.= "O, LOR', MUM, IF THE YOUNG LADIES WOULD BE SO KIND AS TO LEARN ME
-ANYTHING, I SHOULD SO LIKE TO PLAY THE PIANNER."!!
-
-Illustration: "_The Servants._"
-
-=Cook.= "YES, SUSAN, I'M A WRITIN' TO MARY HANN MIGGS. SHE'VE APPLIED TO
-ME FOR THE CHARICTER OF MY LAST MISSUS, WHICH SHE'S THINKIN' OF TAKIN'
-THE SITIWATION----" =Susan.= "WILL YOU GIVE HER ONE?"
-
-=Cook.= "WELL, I'VE SAID THIS. (_Reads._) 'MRS. PERKSITS PRESENTS HER
-COMPLIMINKS TO MISS MIGGS, AND BEGS TO INFORM HER THAT I CONSIDER MRS.
-BROWN A RESPEK'ABLE YOUNG PERSON, AND ONE AS KNOWS HER DOOTIES; BUT SHE
-CAN'T CONSHESALY RECOMMEND HER TEMPER, WHICH I HAD TO PART WITH HER ON
-THAT ACCOUNT.' IT'S ALLUS BEST TO BE CANDIED, YOU KNOW, SUSAN!"
-
-Illustration: _Quite Superfluous._
-
-=Stout Passenger= (_obstreperously_). "HOY! HOY! HOY!!"
-
-=Bus-Driver.= "ALL RIGHT, SIR, WE CAN SEE YER, SIR; WE CAN SEE YER VITH
-THE NAKED EYE, SIR!"
-
-Illustration: "_Noblesse Oblige._"
-
-=Stodge= (_in answer to the reproachful look of his Cabman_). "WELL, IT'S
-YOUR RIGHT FARE; YOU KNOW THAT AS WELL AS I DO!"
-
-=Cabby.= "OH! WHICH I'M WELL AWARE O' THAT, SIR! BUT----("_more in sorrow
-than in anger_")--AN' YOU A ARTIS', SIR!!"
-
-_Gets another Shilling!_
-
-Illustration: _The Beard Movement._
-
-=Policeman= (_invidiously_). "IT'S PUFFECTLY HOPTIONAL VITH US, YOU KNOW!"
-
-(_"The Hairs them P'licemen give theirselves," John remarked afterwards,
-in the Servants' Hall._)
-
-Illustration: _Too Late._
-
-=Departing Guest.= "BUT MY HAT WAS A BRAN-NEW ONE!"
-
-=Greengrocer= (_Footman for the nonce_). "OH, SIR! THE SECOND-BEST 'ATS A'
-BEEN GONE 'ALF-AN-HOUR AGO, SIR!"
-
-Illustration: _Music in the Midlands._
-
-=Intelligent Youth of Country Town.= "AH SAY, BILL, ULL THAT BE T' ELIJAH
-GOIN' OOP I' THAT BIG BOX?!"
-
-Illustration: _A Perfect Excuse._
-
-=Rector= (_to his Keeper_). "'MORNING, WOODGATE. DIDN'T I SEE YOU AT
-CHURCH YESTERDAY?"
-
-=Keeper= (_apologetically_). "YES, SIR. BUT--I FELT I WAS A DOIN' WRONG
-ALL THE TIME, SIR!"
-
-Illustration: "_Fahrenheit._"
-
-=Rector.= "AH, WE SHALL BE COMFORTABLE THIS MORNING, GRUFFLES, I SEE
-YOU'VE GOT THE TEMPERATURE UP NICELY. SIXTY, I DECLARE!"
-
-=Clerk.= "YES, SIR, I ALLUS HEV A TROUBLE TO GET THAT THING UP. I TOOK AND
-WARMED IT JEST THIS MINUTE!"
-
-Illustration: _Pleasuring!_
-
-=Vicar= (_to Old Lady, who is returning from a Funeral_). "WELL, MARTHA,
-I'M AFRAID YOU'VE HAD A SAD AFTERNOON. IT HAS BEEN A LONG WALK, TOO, FOR
-YOU----"
-
-=Martha.= "SURE-LY, 'TIS, SIR! AH, SIR, 'TAIN'T MUCH PLEASURE NOW FOR ME
-TO GO TO FUNERALS; I BE TOO OLD AND FULL O' RHEUMATIZ. IT WAS VERY
-DIFFERENT WHEN WE WAS YOUNG--THAT 'TWER!!"
-
-Illustration: _Awkward!_
-
-FLITHERS SPENDS HIS CHRISTMAS AT A COUNTRY HOUSE, AND THE FIRST DAY, ON
-THE LADIES LEAVING THE TABLE AFTER DINNER, HE JUMPS UP, AND OPENS THE
-_WRONG DOOR_!!
-
-Illustration: _He Thought He was Safe_
-
-=Irascible Old Gentleman.= "BUY A COMB! WHAT THE DEVIL SHOULD I BUY A COMB
-FOR! YOU DON'T SEE ANY HAIR ON MY HEAD, DO YOU?"
-
-=Unlicensed Hawker.= "LOR' BLESS YER, SIR!--YER DON'T WANT NO 'AIR ON YER
-'EAD FOR A TOOTH-COMB!!"
-
-Illustration: _Hygiene._
-
-=Hearty Old Gentleman= (_to dyspeptic Friend_). "DOESN'T AGREE WITH YOU?!
-OH, I NEVER LET ANYTHING OF THAT SORT BOTHER ME! I ALWAYS EAT WHAT I
-LIKE, AND DRINK WHAT I LIKE, AND FINISH OFF WITH A GOOD STIFF GLASS O'
-GROG AT BED-TIME, AND GO FAST ASLEEP, _AN' LET 'M FIGHT 'T OUT 'MONG
-'MSELVES_!!!"
-
-Illustration: _Considerate Criticism._
-
-=Rustic= (_to his friend_). "WA--AT, THA'S BETTER THAN DOIN' O' NAWTH'N'.
-I S'POOS', GEARGE!!"
-
-Illustration: "_The Finishing Touch!_"
-
-=Farmer= (_who has been most Obliging, and taken great Interest in the
-Picture_). "GOOD MORN'N', SIR! BUT--(_aghast_)--I SAY, WHAT ARE YOU A
-DOIN' OF, MISTER?! A P'INTIN' ALL THEM BEASTLY POPPIES IN MY CORN!--'A
-BIT O' COLOUR?'--WHAT 'OULD MY LANDLORD SAY, D' YOU THINK?--AND AFTER
-I'D PUT OFF CUTTIN' CAUSE YOU HADN'T FINISHED, TO OBLIGE YER, I DIDN'T
-THINK YOU'D A DONE IT! YOU DON'T COME A P'INTIN' ON MY LAND ANY MORE!"
-_Exit, in great dudgeon._
-
-Illustration: _A Fortiori._
-
-=Ticket Collector.= "NOW, THEN, MAKE HASTE! WHERE'S YOUR TICKET?"
-
-=Bandsman= (_refreshed_). "AU'VE LOST IT!"
-
-=Ticket Collector.= "NONSENSE! FEEL IN YOUR POCKETS. YE CANNOT HEV LOST
-IT!"
-
-=Bandsman.= "AW CANNOT?! WHY, MAN, AU'VE LOST THE _BIG DRUM_!"
-
-Illustration: "_Nae That Fou!_"
-
-=Country Gentlemen= (_who thought he'd got such a treasure of a new
-Gardener_). "TUT, TUT, TUT! BLESS MY SOUL, SAUNDERS! HOW--WHAT'S ALL
-THIS? DISGRACEFULLY INTOXICATED AT THIS HOUR OF THE MORNING! AIN'T YOU
-ASHAMED OF YOURSELF?!"
-
-=Saunders.= "'SH-HAMED? (_Hic._) NA, NA, 'M NAE SAE DRUNK AS THAT COMES
-T'! AH KEN VARRA WEEL WHAT A'M ABOOT!!"
-
-Illustration: Hibernian Veracity.
-
-=Paterfamilias= (_with his Family in Ireland_). "HAVE YOU ANY WEST INDIA
-PICKLES, WAITER?"
-
-=Paddy.= "WE'VE NOT, SOR."
-
-=Paterfamilias.= "NO HOT PICKLES OF ANY DESCRIPTION?"
-
-=Paddy.= "NO; SHURE THEY'RE ALL COULD, SOR."
-
-Illustration: Quite Another Thing.
-
-=Paddy= (_the loser_). "ABRAM, G'ALONG! I SAID I'D LAY YOU FOIVE TO WAN,
-BUT I WASN'T GOIN' TO BET MY HA'F-CROWN AGIN YOUR TATH'RIN LITTLE
-SIXPENCE!"
-
-_Exeunt fighting._
-
-Illustration: A Fair Offer.
-
-=Athletic Barman.= "NOW, IF YOU DON'T TAKE YOURSELF OFF, I'LL PRECIOUS
-SOON TURN YOU OUT!"
-
-=Pat= (_with a yell_). "TUR-R-RN ME OUT? IS IT TUR-R-RN ME OUT? THIN,
-BEDAD! COME OUTSIDE, AN' TUR-R-RN ME OUT!!"
-
-Illustration: "The Way We Live Now."
-
-=Swell Coachman= (_with his eye on the Brougham's cockade_). "YOUR GUV'NER
-IN THE ARMY?"
-
-=Brougham= (_artlessly_). "NOT 'ZACTLY IN THE HARMY. BUT MISSIS SAY AS
-THEY SOLD MILINGTARY CUR'OSITIES WHEN THEY KEP' A SHOP IN 'OLBORN!!"
-
-Illustration: Re-Assuring.
-
-=Nervous Old Lady= (_Band in the Distance_). "OH, THERE ARE THOSE DREADFUL
-VOLUNTEERS, JOSEPH! I KNOW THE HORSE WILL TAKE FRIGHT! HADN'T YOU BETTER
-TURN HIM ROUND?!"
-
-=Coachman= (_who will have his own way_). "OH, LET 'IM ALONE, 'M; HE'LL
-TURN 'ISSELF ROUND, AND PRETTY QUICK, TOO, IF HE'S FRIGHTENED!!"
-
-Illustration: Well Meant.
-
-=Shoeblack= (_to daily Customer_). "SUCH A TREAT WE'VE GOT TO-NIGHT, SIR!
-TEA AN' BUNS, AN' SPEECHES AT EXETER 'ALL! WOULDN'T YOU LIKE TO GO,
-SIR?"
-
-=City Magnate.= "OH, THEY WOULDN'T LET ME IN, MY BOY."
-
-=Shoeblack.= "UM!" (_Ponders._) "WELL--LOOK 'ERE. I THINK I COULD SMUG YER
-IN AS MY _FATHER_!!"
-
-Illustration: Nature and Art.
-
-=Pedestrian.= "THAT'S AN EXTRAORDINARY LOOKING DOG, MY BOY. WHAT DO YOU
-CALL HIM?"
-
-=Boy.= "FUST OF ALL HE WER' A GREY'OUND, SIR, AN' 'IS NAME WAS 'FLY,' AS'
-THEN THEY CUT 'IS EARS AN' TAIL OFF, AN' MADE A MASTI' DOG ON 'IM, AN'
-NOW 'IS NAME'S 'LION'!"
-
-Illustration: Natural Advantages.
-
-=Teacher.= "WHAT BIRD DID NOAH SEND OUT OF THE ARK?"
-
-=Smallest Boy In the Class= (_after a Pause_). "A DOVE, SIR."
-
-=Teacher.= "VERY WELL. BUT I SHOULD HAVE THOUGHT SOME OF YOU BIG BOYS
-WOULD HAVE KNOWN THAT!"
-
-=Tall Pupil.= "PLEASE, SIR, THAT BOY OUGHT TO KNOW, SIR, 'CAUSE HIS
-FATHER'S A BIRD-KETCHER, SIR!!!"
-
-Illustration: The Restraints of Society.
-
-=Juvenile Bohemian.= "HATE GOIN' OUT TO TEA! 'HAVE TO BE GOOD SUCH A
-PRECIOUS LONG TIME!!"
-
-Illustration: Simple Addition.
-
-=New Governess.= "WHY ARE YOU STARING SO INTENTLY, BLANCHE, DEAR?"
-
-=Blanche.= "I WAS TRYING TO COUNT THE FRECKLES ON YOUR FACE, MISS
-SANDYPOLE, BUT I CAN'T!"
-
-Illustration: Secrets.
-
-=Intelligent Housemaid.= "OH, PLEASE, MISS, THERE WAS A YOUNG GENTLEMAN
-CALLED WHEN YOU WAS OUT. HE DIDN'T LEAVE NO CARD, MISS; BUT I CAN SHOW
-YOU WHO HE IS, 'CAUSE THERE'S THREE OF HIS PHOTYGRAPHS IN YOUR ALBUM."
-
-Illustration: "A Parthian Shaft."
-
-=Cook.= "NOW, I'M A LEAVIN' OF YER, M'UM, I MAY AS WELL TELL YER AS THE
-KEY O' THE KITCHING-DOOR FITS YOUR STORE-ROOM!"
-
-Illustration: Sweet Simplicity.
-
-=Visitor.= "JANE, HAS YOUR MISTRESS GOT A BOOT-JACK?"
-
-=Maid-of-all-Work.= "NO, SIR; PLEASE, SIR, I CLEAN ALL THE BOOTS, SIR!"
-
-
-Illustration: Master of the Situation?!
-
-SCENE--_Mr. Tethershort's Sanctum._ ENTER _Mrs. T. and her Cook._
-
-=Cook= (_with her usual promptitude--SHE never kept anybody waiting_).
-"OH, IF YOU PLEASE, SIR, I WISH TO COMPLAIN OF MISSIS! WHICH SHE COME A
-DICTATERIN' AND A HINTERFERIN' IN YOUR KITCHING IN A WAY AS I'M SURE YOU
-WOULDN'T APPROVE ON," &C., &C., &C.!!
-
-_T. confesses he felt (for the first and last time) a delicious
-sensation of being apparently master in his own house. She was an
-admirable Cook, and altogether a most excell---- BUT HOWEVER SHE HAD TO
-GO_!
-
-Illustration: Manners!
-
-=Young Mistress.= "JANE, I'M SURPRISED THAT NONE OF YOU STOOD UP WHEN I
-WENT INTO THE KITCHEN JUST NOW!"
-
-=Jane.= "INDEED, MUM! WHICH WE WAS SU'PRISED OURSELVES AT YOUR A COMIN'
-INTO THE KITCHING WHILE WE WAS A 'AVIN' OUR _LUNCHEONS_!!"
-
-Illustration: A Regular Turk!
-
-=Adjutant.= "WELL, SERGEANT, HOW'S YOUR PRISONER GETTING ON?"
-
-=Sergeant of the Guard.= "BEDAD, SOR, HE'S THE VI'LENTEST BLAGGYARD I IVER
-HAD TO DO WID! WE'RE ALL IN TIRROR IV OUR LOIVES! SHURE WE'RE OBLIGED TO
-FEED HIM WID FIXED BAY'NITS!"
-
-Illustration: "Incidit in Scyllam," &c.
-
-=Ensign Muffles= (_alluding to his Moustache_). "YOU SEE, SOME SAY, 'WEAR
-IT,' YOU KNOW; AND SOME SAY, 'CUT IT OFF,' YOU KNOW; BUT IF I TOOK
-EVERYBODY'S ADVICE I SHOULD BE LIKE THE OLD MAN AND HIS DONKEY."
-
-=Sergeant O'Rourke.= "YOUR'R HON'RR WOULD--(BUT NOT WISHING TO BE PERSONAL
-ABOUT HIS OFFICER'S AGE) THAT IS--LASTE-WAYS,--BARRIN THE OULD MAN, YOUR
-HON-R-R-R!!!"
-
-Illustration: What H. M. Civil Servants have to Endure.
-
-(BESIDES THE RIDICULOUSLY LOW SALARIES.)
-
-=Mr. Registrar.= "WHAT'S THE NUMBER OF YOUR DEED, SIR?"
-
-=Attorney's Clerk.= "H-eight, H-ought H-eight, H-ought, Sevin, Sir!"
-
-=Mr. Registrar= (_faintly_). "OH DEAR! OH DEAR!--(NOTES DOWN THE
-NUMBER)--THAT WILL DO."
-
-_And is so upset that he takes a month's holiday on the spot._
-
-Illustration: Curious.
-
-=English Tourist= (_in Ireland_). "TELL ME, WAITER, AT WHAT HOUR DOES THE
-FIRST TRAIN LEAVE FOR CLONMEL?"
-
-=Waiter.= "IS IT THE FURRST THRAIN, SOR? I'M NOT RIGHTLY SHURE. THE NOINE
-THRAIN UP USED TO LAVE AT HA'F-PAST NOINE--BUT FAIX IT GOES AT TIN NOW,
-AND THERE'S NO FURRST THRAIN NOW AT ALL AT ALL. BUT I'LL AX AT THE BAR,
-SORR!!"
-
-Illustration: Anything for a Change.
-
-=Artist= (_to Old Fellow-Student_). "AND WHAT HAVE YOU BEEN DOING ALL
-THESE YEARS,--WHAT ARE YOU PAINTING?"
-
-=Swell.= "OH, I GAVE UP PAINTING, MY DEAR FELLOW--THEN I TOOK TO TEACHING!
-BUT YOU CAN'T FIND PUPILS IN GENIUS, YOU KNOW, SO NOW I GO IN FOR ART
-CRITICISM! I KNOW I'M STRONG IN THAT! DID YOU SEE MY ARTICLE IN THIS
-WEEK'S 'NOW A DAYS?'"
-
-Illustration: Appearances.
-
-=Plushington.= "I SAY, STODGE, SINGULAR THING--YOUR LANDLADY ADDRESSED ME
-'MY LORD' WHEN I ASKED IF YOU WERE WITHIN!"
-
-=Artist.= "NOT AT ALL, MY DEAR FELLOW. IT'S YOUR HAT AND PERSONAL
-APPEARANCE! IF YOU DON'T MIND, WE'LL ENCOURAGE THE IDEA. IT WILL GIVE
-HER CONFIDENCE IN ME, AND----EH?"
-
-_Plushington will be delighted._
-
-Illustration: From One Point of View.
-
-SCENE--_British Jury Room. All agreed on their Verdict except_----
-
-=Irish Juryman= (_who holds out_). "AH, THIN, ILIV'N MORE OBSTINIT' MEN I
-NIVIR MET IN ALL ME LOIFE!!"
-
-Illustration: Our Art-School Conversazione
-
-AT WHICH (IN CONSEQUENCE OF THE INCREASED SPACE ANTICIPATED AT THE R. A.
-EXHIBITION) THERE IS A GREATER CROWD THAN USUAL.
-
-=Model= (_who has charge of the Hats and Coats_). "NO. 97? YESSIR. THERE
-NOW! IF I DIDN'T SEE THAT 'AT--AH--NOT A QUARTER OF AN HOUR AGO!!"
-
-_Not a very satisfactory look-out for Bouncefield, who has barely time
-to catch his last train!_
-
-Illustration: Between Two Shoeblacks We Fall to, &c.
-
-=First Shoeblack.= "I COTCHED 'OLD ON 'IM FUST!"
-
-=Second Ditto.= "YOU'RE A ----!"
-
-_Old Gentleman is flung heavily._
-
-Illustration: Im-pertinent.
-
-=Stout Gent.= (_naturally suspicious of the Street Boy_). "GE' OUT O' MY
-WAY, YOU YOUNG RASCAL!"
-
-=Street Boy.= "VICH VAY ROUND, GOV'NOUR?"
-
-Illustration: Register! Register!!
-
-=Aunt Sophy.= "NOW SUPPOSE, GEORGE, AS A SINGLE WOMAN I SHOULD HAVE MY
-NAME PUT ON THE REGISTER, WHAT SHOULD I GET BY IT?"
-
-=Pet Nephew.= "OH, A GOOD DEAL. YOU'D BE ALLOWED TO SERVE ON CORONER
-JURIES, COMMON JURIES, ANNOYANCE JURIES, PAY POWDER TAX AND ARMORIAL
-BEARINGS, ACT AS PARISH BEADLE AND NIGHT CONSTABLE OF THE CASUAL WARD,
-AND INSPECTOR OF NUISANCES, REPORT ON FEVER DISTRICTS, AND ALL JOLLY
-THINGS OF THAT SORT."
-
-Illustration: "Not Proven."
-
-=Presbyterian Minister.= "DON'T YOU KNOW IT'S WICKED TO CATCH FISH ON THE
-SAWBATH!?"
-
-=Small Boy= (_not having had a rise all the Morning_). "WHA'S CATCHIN'
-FESH?!"
-
-Illustration: An Evening's Fishing (Behind the Distillery at Sligo).
-
-=First Factory Lad.= "DOM'NICK, DID YOU GET E'ER A BITE AT ALL?"
-
-=Second Ditto.= "SORRA WAN, PAT. ONLY WAN SMALL WAN!"
-
-=First Ditto.= "YERRAD! LAVE IT THERE, AN' COME HOME. SHURE
-YOU'LL GET MORE THAN THAT IN BED!"
-
-Illustration: "The Harp in the Air."
-
-=Irish Gentleman= (_who has vainly endeavoured to execute a Jig to the
-fitful Music of the Telegraph Wires_). "SHURE! WHOIVER Y'ARE YE CAN'T
-PLAY A BIT! HOW CAN A JINTLEMAN DANCE--(_hic!_)--IV YE DON'T KAPE
-THIME?"!!
-
-Illustration: Irish Ideal of Themis.
-
-=Biddy= (_to Pat in charge about a difficulty_). "NEVER FEAR, PAT! SHURE
-Y'AVE GOT AN UPRIGHT JIDGE TO THRY YE!"
-
-=Pat.= "AH, BIDDY DARLIN', THE DIVEL AN UPRIGHT JIDGE I WANT! 'TIS WONE
-THAT'LL _LANE_ A LITTLE!!"
-
-Illustration: "Canny."
-
-=First North Briton.= "'T'S A FINE DAY, THIS?"
-
-=Second Ditto.= "NO ILL, AVA."
-
-=First North Briton.= "YE'LL BE TRAVELLIN'?"
-
-=Second Ditto.= "WEEL, MAYBE I'M NO."
-
-=First North Briton.= "GAUN T'ABERDEEN, MAYBE?"
-
-=Second Ditto.= "YE'RE NO FAUR AFF'T!!"
-
-_Mutually satisfied, each goes his respective way._
-
-Illustration: _Irish Architecture._
-
-=Angler= (_in Ireland_). "HULLO, PAT, WHAT ARE YOU ABOUT NOW?"
-
-=Pat.= "SHURE, I'M RAISIN' ME ROOF A BIT, YER HONOUR-R!!"
-
-Illustration: _Thrift_.
-
-=Peebles Body= (_to Townsman who was supposed to be in London on a
-visit_). "E--EH, MAC! YE'RE SUNE HAME AGAIN!"
-
-=Mac.= "E--EH, IT'S JUST A RUINOUS PLACE, THAT! MUN, A HAD NA' BEEN
-THE-ERRE ABUNE TWA HOOURS WHEN--_BANG_--WENT _SAXPENCE_!!!"
-
-Illustration: _Scruples._
-
-=English Tourist= (_having arrived at Greenock on Sunday morning_). "MY
-MAN, WHAT'S YOUR CHARGE FOR ROWING ME ACROSS THE FRITH?"
-
-=Boatman.= "WEEL, SIR, I WAS JIST THINKIN' I CANNA BREAK THE SAWBATH-DAY
-FOR NO LESS THAN F'FTEEN SHULL'N'S!!"
-
-Illustration: A Bad Season.
-
-=Sportsman.= "I CAN ASSURE YOU, WHAT WITH THE RENT OF THE MOOR, AND MY
-EXPENSES, AND 'WHAT NOT,' THE BIRDS HAVE COST ME--AH--A SOVEREIGN
-APIECE!!"
-
-=Keeper.= "A' weel, Sir! 'Deed it's a Maircy ye didna Kill na mair o'
-'em!!"
-
-Illustration: "Familiarity breeds Contempt."
-
-=Keeper= (_who wants to drive the Pheasants to the Squire's corner_).
-"HOOO-O-O-SH! HERE, BILL, COME HERE! THEY 'ON'T GET UP FOR ME! THEY KNOW
-ME TOO WELL!"
-
-Illustration: Intelligent!
-
-=Artist= (_who thinks he has found a good Model for his TOUCHSTONE_.)
-"HAVE YOU ANY SENSE OF HUMOUR, MR. BINGLES?"
-
-=Model.= "THANK Y' SIR, NO, SIR, THANK Y'. I ENJ'YS PRETTY GOOD 'EALTH,
-SIR, THANK Y' SIR!"
-
-Illustration: The "Nimble Ninepence."
-
-=City Gent= (_after a critical Inspection_). "WHAT DO YOU WANT FOR THAT
-MOONLIGHT?"
-
-=Picture-Dealer.= "I'LL SHELL YER THE TWO A BARGAIN, SHIR! CHEAP ASH DIRT,
-SHIR! SHEVENTY-FIVE GUINEASH APEICSHE, SHIR! I'LL WARRANT 'EM UNDOUBTED
-SMETHERS'S. SHEVENTY-FIVE----"
-
-=City Gent.= "O, COME, I DON'T MIND GIVING YOU--THIRTY SHILLINGS FOR THE
-PAIR."
-
-=Picture-Dealer= (_closing with alacrity_). "DONE! WITH YOU, SHIR!!"
-
-_City Gent is in for 'em!_
-
-Illustration: Menace.
-
-=Little Angler= (_to her refractory Bait_). "KEEP STILL, YOU TIRESOME
-LITTLE THING! IF YOU DON'T LEAVE OFF SKRIGGLING, I'LL THROW YOU AWAY,
-AND TAKE ANOTHER!"
-
-Illustration: "A Thing of Beauty."
-
-=Visitor.= "WELL, GEORGE, AND WHAT DO YOU MEAN TO BE, WHEN YOU HAVE GROWN
-UP?"
-
-=George= (_promptly_). "AN ARTIST!"
-
-=Visitor.= "WELL, THEN, YOU SHALL PAINT MY PORTRAIT."
-
-=George.= "AH! BUT I MEAN TO PAINT PRETTY THINGS!!"
-
-Illustration: Mixed Pickles.
-
-=Domestic= (_in terrified accents_). "O, MUM, HERE'S MASTER PLANTAG'N'T,
-'M, HAS BEEN AND BROKE HIS GRAN'PA'S INK-BOTTLE IN THE LIB'ARY, AND CUT
-HIS FINGER DREADFUL, 'M!!"
-
-=Grandmamma's Darling= (_gleefully alluding to his Nasal Organ_). "AND GOT
-A MARBLE UP BY DOZE, GRA'DBA'!!"
-
-Illustration: The Trials of a District Visitor.
-
-=The Honourable Miss Fuzbuz= (_loq._). "IS MRS. HIGGINS WITHIN?"
-
-=Mrs. Tomkins.= "I'LL CALL 'ER, M'UM." (_At the top of her Voice._) "MRS.
-'IG----GINS! ERE'S THE PERSON WITH THE TRAC'S!" (_To the Honourable
-Miss._) "THE LADY WILL BE DOWN PRESENTLY, M'UM!!"
-
-Illustration: Legitimate Criticism.
-
-=Aged Village Matron= (_to Sympathising Visitor_). "IT'S A 'COOKERY BOOK,'
-AS MRS. PENEWISE, OUR 'DISTRICT LADY,' GIVE ME THIS CHRISTMAS, MISS. I'D
-A DEAL SOONER A' HAD THE INGRIDDIMENTS, MISS!!"
-
-Illustration: "The Servants."
-
-=Old Lady.= "THEY'RE ALL ALIKE, MY DEAR. THERE'S OUR SUSAN (IT'S TRUE
-SHE'S A DISSENTER), BUT I'VE ALLOWED HER TO GO TO CHAPEL THREE TIMES
-EVERY SUNDAY SINCE SHE HAS LIVED WITH ME, AND I ASSURE YOU SHE DOESN'T
-COOK A BIT BETTER THAN SHE DID THE FIRST DAY!!"
-
-Illustration: Pleasant for Simpkins!
-
-=Photographer= (_to Mr. Simpkins_). "KEEP YOUR HEAD STEADY, PLEASE, SIR,
-AND LOOK IN THE DIRECTION OF THOSE YOUNG LADIES. STEADY NOW, SIR! DON'T
-WINK, SIR!"
-
-=Mrs. S.= (_by a look that Mr. S. quite understood_). "JUST LET ME SEE HIM
-WINK!!"
-
-Illustration: A Misnomer.
-
-=Country Valetudinarian.= "AH YES, MU'M, I'VE HAD THE 'LUMBAGER TURR'BLE
-BAD, MU'M! 'KETCHES ME IN THE _SMALL_ O' THE BACK 'ERE, MU'M!!"
-
-Illustration: "Winkles!"
-
-=Philanthropic Coster'= (_who has been crying "Perry-wink--wink--wink!"
-till he's hoarse--and no buyers_). "I WONDER WHAT THE P'OR UNFORT'NATE
-CREETERS IN THESE 'ERE LOW NEIGHB'R'OODS DO LIVE ON!!"
-
-Illustration: "The Last (Co-operative) Feather."
-
-'=My Lady.=' "JUST TAKE AND TIE UP A COUPLE OF THOSE SACKS BEHIND THE
-CARRIAGE, JAMES. THERE'LL BE ROOM, IF ONE OF YOU RIDES ON THE BOX!!"
-
-Illustration: Disaffection!
-
-=Adjutant.= "What's the Matter, Drum-Major?"
-
-=Drum-Major.= "Please, Sir, the Drums is in a state of Mutiny, and these
-are the Ringleaders!!"
-
-Illustration: Zoology.
-
-=Railway Porter= (_to Old Lady travelling with a Menagerie of Pets_).
-"'STATION MASTER SAY, MUM, AS CATS IS 'DOGS,' AND RABBITS IS 'DOGS,' AND
-SO'S PARROTS; BUT THIS ERE 'TORTIS' IS A INSECT, SO THERE AIN'T NO
-CHARGE FOR IT!"
-
-Illustration: Extortion.
-
-=Porter, S. E. R.= "TICKET FOR MUSICAL INSTRUMENT, PLEASE, SIR."
-
-=Amateur Violoncellist= (_who never travels without his bass,
-indignantly_). "WHAT! PAY FOR THIS? I'VE NEVER HAD TO PAY ON ANY OTHER
-LINE. THIS IS MY 'CELLO!"
-
-=Porter= (_calmly_). "NOT PERSONAL LUGGAGE, SIR. ALL THE SAME IF YOU'D A
-HURDY-GURDY, SIR!!"
-
-_Our Amateur's feelings are too much for him._
-
-Illustration: "Any Ornaments for your Fire-Stoves?"
-
-=Little Flora= (_in great distress_). "OH, MAMMA, LOOK HERE! JACK SAYS
-IT'S AUNT FANNY! SHE'S GOT ON HER BEAUTIFUL BALL-DRESS WITH THE ROSES ON
-IT, AND SHE'S _STUCK IN THE CHIMNEY_!"
-
-Illustration: Compliments of the Season.
-
-=Fond Parent.= "I HOPE YOU WILL BE VERY CAREFUL, MR. STIMPSON. I HAVE
-ALWAYS BEEN ACCUSTOMED TO CUT THEIR HAIR MYSELF."
-
-=Mr. Stimpson.= "SO I SHOULD HAVE THOUGHT, MADAM!"
-
-Illustration: On the Face of It.
-
-=Pretty Teacher.= "NOW, JOHNNY WELLS, CAN YOU TELL ME WHAT IS MEANT BY A
-MIRACLE?"
-
-=Johnny.= "YES, TEACHER. MOTHER SAYS IF YOU DUN'T MARRY NEW PARSON, 'TWULL
-BE A MURRACLE!"
-
-Illustration: Obvious Initiative.
-
-(_A lively Native of the Deep Sea seizes hold of a Shepherd's Dog by the
-Tail, who makes off as fast as he can._)
-
-=Fishmonger= (_in a rage_). "WHUSTLE ON YER DOG, MUN!"
-
-=Highlander= (_coolly_). "WHUSTLE ON M' DOG? NA, NA, FRIEND! WHUSTLE YOU
-ON YOUR _PARTAN_!!"
-
-Illustration: Driving a Bargain.
-
-=Economical Drover.= "A TEECK'T TAE FAA'KIRK."
-
-=Polite Clerk.= "FIVE-AND-NINEPENCE, PLEASE."
-
-=Drover.= "AH'LL GIE YE FIVE SHILLINGS!"
-
-=Clerk= (_astonished_). "EH!"
-
-=Drover=. "WEEL, AH'LL GIE YE FIVE-AN'-THRIPPENCE, AN' DEIL A BAWBEE MAIR!
-IS'T A BARGAIN?!"
-
-Illustration: Candid.
-
-=Tam= (_very dry, at door of Country Inn, Sunday Morning_). "AYE, MAN, YE
-MICHT GIE ME A BIT GILL OOT IN A BOTTLE!"
-
-=Landlord= (_from within_). "WEEL, YE KEN, TAMMAS, I DAURNA SELL ONYTHING
-THE DAY. AND FORBYE YE GOT A HALF-MUTCHKIN AWA' WI' YE LAST NICHT (AFTER
-HOORS TAE); IT CANNA BE A' DUNE YET!"
-
-=Tam.= "DUNE! LOSH, MAN, D'YE THINK A' COULD SLEEP AN' WHUSKEY I' THE
-HOOSE?!"
-
-Illustration: An Irish Model.
-
-=Mrs. Magillicuddy= (_to her Daughter_). "WHY, WHY, ROSEEN! WHAT'S BEEN
-DELAYIN' YE? WHY! AND ME WAITIN' THIS HOUR PAST TO COME IN WID THE
-MILK!"
-
-=Rose.= "O, SURE, THIN, MOTHER DEAR, ON ME WAY BACK FROM THE MEADA' I MET
-SUCH A DARLIN' ENGLISH JINTLEMAN--A RALE ARTIST. WHY, AND HE AXED ME TO
-ALLOW HIM TO TAKE ME LANDSKIP; AND O, MOTHER MAVRONE, IT'S A WONDER HOW
-LIKE ME HE'S MED IT, GLORY BE TO THE SAINTS!"
-
-Illustration: A Benediction!
-
-=Irish Beggarwoman= (_to our friend, Dr. O'Gorman, whose Nose is of the
-shortest_). "WON'T YE GIVE ME A COPPER, DOCTHER DEAR? THEY, NOW, IF YE
-HAVEN'T WAN PENNY CONVANIENT!--AND MAY THE BLISSED SAINTS INCRASE YE!"
-
-=Dr. O'Gorman.= "STAND ASIDE, MY GOOD WOMAN. I'VE NOTHING FOR YOU."
-
-=Beggarwoman.= "O, THIN, THE LARD PRESARVE YER EYESIGHT, FOR THE DIVIL A
-NOSE YE HAVE TO MOUNT THE 'SPECS' UPON!!"
-
-Illustration: Mrs. Frummage's Birthday Dinner-Party.
-
-=Mrs. F.= ("_coming from behind the Screen, sneakin' just like her_").
-"THERE! OH YOU GOODFORNOTHING BOY, NOW I'VE FOUND YOU OUT. HOW DARE YOU
-TOUCH THE WINE, SIR?"
-
-=Robert.= "PLEASE 'M, I WAS--I WAS ONLY JUST A GOIN' TO WISH YOURS AN'
-MASTER'S WERY GOOD 'EALTH 'M!"
-
-Illustration: Confession.
-
-=Old Lady= (_who can't stand her Page's destructive carelessness any
-longer_). "NOW, ROBERT, I WANT YOU CLEARLY TO UNDERSTAND THE REASON I
-PART WITH YOU. CAN YOU TELL ME?"
-
-=Robert= (_affected to tears_). "YES, 'M."
-
-=Old Lady.= "WHAT, ROBERT?"
-
-=Robert.= "'CAUSE I'M--(_SNIFF_)--'CAUSE I'M--'CAUSE I'M _SO UGLY_!!"
-
-Illustration: A Stroke of Business.
-
-=Village Hampden= (_"who with dauntless breast" has undertaken, for
-sixpence, to keep off the other boys_). "IF ANY OF YER WANTS TO SEE WHAT
-WE'RE A PAINTIN' OF, IT'S A 'ALFPENNY A 'EAD, BUT YOU MARN'T MAKE NO
-REMARKS."
-
-Illustration: Proper Reproof.
-
-=Fussy Party.= "WHY DON'T YOU TOUCH YOUR HAT TO ME, BOY?"
-
-=Country Boy.= "SO I WUL I' YEAOU'LL HOWD THE CA-ALF!"
-
-Illustration: Little and Good.
-
-=Gentleman.= "WHO DO THESE PIGS BELONG TO, BOY?"
-
-'=Chaw.=' "WHY, THIS 'ERE OWD ZOW."
-
-=Gentleman.= "YES, YES; BUT I MEAN WHO'S THEIR MASTER?"
-
-'=Chaw.=' "WHY, THAT THERE LITTLE 'UN; HE'S A VARMUN TO FOIGHT!"
-
-Illustration: "Mistakes Will Happen."
-
-=Mamma= (_alarmed_). "WHAT IS IT, MY DARLING?"
-
-=Pet.= "YA--AH, BOO--OOH--AH!"
-
-=Mamma.= "WHAT'S THE MATTER, THEN? COME AND TELL ITS OWN----"
-
-=Pet.= "BA--H-OO-H--SHE--SHE DID--WASH ME ONCE--AN'--SAYS--SHE
-DIDN'T--AN'--SHE'S BEEN--AN' GONE AN' WASHED ME OVER AGAIN!!"
-
-Illustration: Brushing Pa's New Hat.
-
-=Edith.= "NOW, TOMMY, YOU KEEP TURNING SLOWLY, TILL WE'VE DONE IT ALL
-ROUND."
-
-Illustration: More Than One for His Nob.
-
-=Irritable Old Gentleman= (_who is rather particular about his
-appearance_). "I WISH YOU'D BE CAREFUL. THAT'S THE THIRD OR FOURTH TIME
-YOU'VE PRICKED ME WITH YOUR SCISSORS!"
-
-=Young Man= (_from "Round the Corner"_). "BEG YER PARDON, SIR, BUT THE
-FACT IS, SIR, I 'AVEN'T BEEN IN THE 'ABIT O' CUTTIN' 'AIR, SIR. WE'RE
-RATHER SHORT OF 'ANDS, SO----"
-
-_Old Gent explodes._
-
-Illustration: A Passage of Arms.
-
-=Hairdresser.= "'AIR'S VERY DRY, SIR!"
-
-=Customer= (_who knows what's coming_). "I LIKE IT DRY!"
-
-=Hairdresser= (_after awhile, again advancing to the attack_). "'EAD'S
-VERY SCURFY, SIR!"
-
-=Customer= (_still cautiously retiring_). "YA-AS, I PREFER IT SCURFY!"
-
-_Assailant gives in defeated_
-
-Illustration: Flunkeianum.
-
-=Master.= "THOMPSON, I BELIEVE THAT I HAVE REPEATEDLY EXPRESSED AN
-OBJECTION TO BEING SERVED WITH STALE BREAD AT DINNER. HOW IS IT MY
-WISHES HAVE NOT BEEN ATTENDED TO?"
-
-=Thompson.= "WELL, SIR, I REELY DON'T KNOW WHAT IS TO BE DONE! IT WON'T DO
-TO WASTE IT, AND WE _CAN'T_ EAT IT DOWN-STAIRS!!"
-
-Illustration: _A Dilemma._
-
-=Auxiliary Recruit= (_to himself_). "MURDER! MURDER! WHAT'LL I DO NOW?
-'DRILL-SARJINT TOULD ME ALWAYS TO SALUTE ME OFFICER WID THE FAR-OFF
-HAND, AND HERE'S TWO IV EM! FAIX, I'LL MAKE IT STRAIGHT FOR MESELF
-ANYHOW!"
-
-_Throws up both Hands._
-
-Illustration: _Lessons in the Vacation._
-
-=Public School-man.= "HE-AR, CABBY, WE'LL GIVE YOU EIGHTEEN-PENCE TO TAKE
-US TO BRIXTON."
-
-=Cabby.= "WELL, I GENERALLY DO CARRY CHILDREN 'ALF PRICE, BUT I'M ENGAGED
-THIS MORNING, GENTS!"
-
-Illustration: Wimbledon.
-
-=The Irrepressible 'Arry= (_to Swell--Small-bore Man--who has just
-fired_). "YA--AH! NEVER 'IT IT!!"
-
-Illustration: Wimbledon.
-
-=Volunteer Mounted Officer= (_Midnight_). "HULLO HERE! WHY DON'T YOU TURN
-OUT THE GUARD? I'M THE FIELD-OFFICER OF THE DAY!"
-
-=Volunteer Sentry.= "THEN WHAT THE DEUCE ARE YOU DOIN' OUT THIS TIME O'
-NIGHT?"
-
-Illustration: A Hardship.
-
-=Mistress.= "I THINK, ELIZABETH, I MUST ASK YOU TO GO TO CHURCH THIS
-AFTERNOON INSTEAD OF THIS MORNING, BECAUSE----"
-
-=Elizabeth= (_indignantly_). "WELL, MUM, WHICH IN MY LAST PLACE I WAS
-NEVER AS'ED TO GO AN' 'EAR A CURATE PREACH!"
-
-Illustration: "Like her Impudence."
-
-=Missis and the Young Ladies= (_together_). "GOODNESS GRACIOUS, J'MIMA!
-WHAT HAVE YOU----_WHERE'S_ YOUR CR'N'LIN?" (_This word snappishly._)
-
-=Jemima.= "OH 'M, PLEASE 'M, WHICH I UNDERSTOOD AS THEY WAS A GOIN' OUT,
-'M----"
-
-_Receives warning on the spot._
-
-Illustration: "Too Bad!"
-
-=Comic Man= (_in an audible Whisper, while his Friend is "obliging" with
-"Adelaide"_). "LOOK OUT! HE'S COMING TO THE PASSIONATE PART NOW. YOU'LL
-SEE HIM WAG HIS SHOULDERS!"
-
-Illustration: "It's the Pace that Kills."
-
-=Miss Rattleton= (_who means Waltzing_). "OH, I DID NOT SAY 'STOP,' MR.
-PLUMPLEY."
-
-=Mr. Plumpley= (_utterly blown, in gasps_). "'MSURE YOU--MUSTBETIRED----"
-
-_And joins the Card-players._
-
-Illustration: The Gamut.
-
-=Jack Bowbell= (_beginning his Song_). "'APPY LAND, 'APPY LAND----"
-
-=Tom Belgrave.= "ONE MOMENT--EXCUSE ME, MY DEAR FELLOW--BUT DON'T YOU
-THINK THE SONG WOULD GO BETTER IF YOU WERE TO SOUND YOUR _H_'S JUST A
-LITTLE?"
-
-=Jack Bowbell.= "EH? SOUND MY _H_'S?" (_Chuckles._) "SHOWS HOW MUCH YOU
-KNOW ABOUT MUSIC!--NO SUCH NOTE--ONLY GOES UP TO _G_!" (_Continues._)
-"'APPY LAND, 'APPY LAND----"
-
-Illustration: _Garrison Instruction._
-
-=Instructor= (_lecturing_). "GENTLEMEN, A THREE-LEGGED TRESTLE IS A
-TRESTLE WITH THREE LEGS. YOU HAD BETTER MAKE A NOTE OF THAT, GENTLEMEN."
-(_Intense scribbling._)
-
-=General in Embryo= (_but not at present noted for smartness_), _after a
-pause of some Minutes_. "I BEG YOUR PARDON, MAJOR, BUT HOW MANY LEGS DID
-YOU SAY THE TRESTLE HAD?" (_Left sitting._)
-
-Illustration: Cavalry Criticism.
-
-=Adjutant= (_to Riding-Master_). "AH, THERE'S MR. QUICKSTEP!" (_Who had
-just Exchanged into the Regiment from the Infantry_.) "HOW DOES HE GET
-ON?"
-
-=Riding-Master=. "WELL, SIR, I THINK HE'S THE HOSSIEST GEN'LEMAN AFUT--AND
-THE FUTTIEST GEN'LEMAN ON A HOS THAT EVER I'VE MET WITH SINCE I'VE BEEN
-IN THE REG'MENT!"
-
-Illustration: "_The Way we Had in the Army._"
-
-=Colonel= (_of the pre-Examination period--to studious Sub_). "I SAY,
-YOUNGSTER, YOU'LL NEVER MAKE A SOLDIER IF YOU DON'T MIND WHAT YOU'RE
-ABOUT!"
-
-=Sub= (_mildly_). "I SHOULD BE SORRY TO THINK THAT, SIR!"
-
-=Colonel.= "I SAW YOU SNEAKING UP THE HIGH STREET YESTERDAY, LOOKING LIKE
-A METHODIST PARSON IN REDUCED CIRCUMSTANCES!--HOLD UP YOUR HEAD, SIR!
-BUY A STICK, SIR! SLAP YOUR LEG, SIR! AND STARE AT THE GIRLS AT THE
-WINDOWS!"
-
-Illustration: "An Officer and a Gentleman!"
-
-=Volunteer Captain= (_bumptiously_). "OFFICER'S TICKET!"
-
-=Considerate Clerk=. "GOVER'MENT TARIFF'S HIGH ON THIS LINE, SIR. YOU'D
-BETTER GO AS A GENTLEMAN! CHEAPER!"
-
-_The Captain is shocked, loses his presence of mind, and takes advantage
-of the suggestion_.
-
-Illustration: "The Service going to, &c.!"
-
-ENSIGN BROWN SHARES A TENT AT WIMBLEDON WITH HIS FRIEND JONES, PRIVATE
-IN THE SAME COMPANY.
-
-=Ensign Brown=. "OH, I SAY, JO--MR. JONES, THERE'S ONE OF THOSE PEGS
-LOOSE. HEM--WILL YOU--I WISH--JUST JUMP OUT, AND MAKE IT FAST!"
-
-=Private Jones=. "OH, HANG IT, BR--MR. BROWN! COME, I DON'T MIND TOSSING
-YOU!!"
-
-Illustration: Presence of Mind.
-
-=Constables= (_in chorus_). "HOY! HULLO! STOP! TURN BACK THERE! CAN'T COME
-THROUGH THE PARK!"
-
-=Elderly Female= (_in a hurry to catch a train_). "P'LICEMAN, I'M THE
-_'OME SECRETARY_!!!"
-
-=Sergeant of Police= (_taken aback_). "OH, I BEG YOUR PARDON, I'M SURE,
-MUM! ALL RIGHT--DRIVE ON, CABBY!"
-
-_Old Lady saves the train._
-
-Illustration: "Bric a Brac."
-
-=Mamma= } { {SAM!"
- }_together_ {"GOODNESS, GRACIOUS, {
-=Daughters=} { {PA'!"
-
-=Papa= (_who has a passion for Antiques_). "MY DEARS, I THOUGHT IT WOULD
-DO SO NICELY FOR THE LANDING AT THE TOP OF THE STAIRS, EH."
-
-Illustration: Encouraging.
-
-=First Bystander= (_evidently Village Schoolmaster--ignorant set of people
-generally!_). "DON'T SEEM TO BE MAKING MUCH OF IT, DO 'E?"
-
-=Second Bystander= (_you'd have thought him an intelligent Farmer, by the
-look of him_). "AMMY-TOOR, SEEMIN'LY!!"
-
-Illustration: "Fine Art."
-
-=Rural Connoisseur.= "HE'S A P'INTIN' TWO PICTUR'S AT ONCE, D' YER SEE?
-'BLEST IF I DON'T LIKE THAT THERE LITTLE 'UN AS HE'S GOT HIS THUMB
-THROUGH, THE BEST!"
-
-Illustration: _Our Reserves._
-
-(AUXILIARY FORCES, NORTH OF IRELAND.)
-
-=Last Joined Supernumerary.= "NOW, THEN, SENTRY, WHY DON'T YOU SALUTE YOUR
-OFFICER?"
-
-=Militia Sentry= (_old Yankee Irish Veteran, who has been through the
-"Secesh" War_). "SALUTE, IS IT? DIVEL A SALUTE YOU'LL GET ONTILL YE PAY
-YER FUTTIN'!!"
-
-Illustration: _Badinage._
-
-=Facetious 'Bus-Driver= (_offering to pull up_). "'ERE Y'ARE, SIR. LOOK
-SHARP, BILL AND 'ELP THE GEN'LEMAN IN WITH HIS LUGGAGE!"
-
-=Chimney-Sweep= (_whose self-respect is hurt_) _uses strong language!_
-
-='Bus-Driver.= "BEG PARD'N, SIR. GEN'LEMAN AIN'T FOR US, BILL. HE'S A
-LOOKIN' OUT FOR A 'HATLAS. GOIN' TO MADAM TOOSAWD'S, TO 'AVE HIS STATTY
-DONE IN WAX-WORK!!"
-
-Illustration: _Particular to a Hair._
-
-=Irate Major= (_to hairy Sub._). "WHEN NEXT YOU COME ON PARADE, SIR, HAVE
-THE GOODNESS TO LEAVE THOSE CONFOUNDED WEATHERCOCKS BEHIND YOU!"
-
-Illustration: _Chronology._
-
-='Bus-Driver.= "THEY TELL ME THERE'VE BEEN SOME COINS FOUND IN THESE 'ERE
-'EXKYVATIONS THAT 'A BEEN BURIED THERE A MATTER O' FOUR OR FIVE 'UNDRED
-YEAR!!"
-
-=Passenger Friend.= "OH, THAT'S NOTHIN'! WHY, THERE'S SOME IN THE BRI'SH
-MUSEUM--AH--MORE THAN TWO THOUSAND YEAR OLD!!"
-
-='Bus-Driver= (_after a pause_). "COME, GEORGE, THAT WON'T DO, YER KNOW!
-'CAUSE WE'RE ONLY IN EIGHT'N 'UNDRED AN' SIXTY-NINE NOW!!!"
-
-Illustration: "_Bus-Measure._"
-
-='Bus-Driver.= "NEVER SEE THE COMET?! WHY, WHEREVER COULD YOU 'A'----"
-(_Notices Shortness of "Ge'tleman's" hair, &c., and hesitates_).
-"HOWSOMEVER----"
-
-=Passenger= (_relieving his embarrassment_). "WHEREABOUTS WAS IT?"
-
-=Driver.= "WELL, I'LL TELL YER. IT WAS ABOUT THE LENGTH O' THIS YERE BUS
-FROM THE FORRARDEST LEADER IN THE GREAT BEAR!"
-
-Illustration: Tricks upon Travellers.
-
-=Bonsor= (_down upon little Stannery, who's a great boaster about his
-"Swell" acquaintance, and his extensive "Travel," and this year
-especially, down Palestine way_). "DID YOU SEE THE DARDANELLES?"
-
-=Stannery.= "EH! THE--EH? OH, YE'--YES! JOLLY FELLARS AS EVER I MET! DINED
-WITH 'EM AT VIENNAH!"
-
-_Little S. has left the Club._
-
-Illustration: Quantity not Quality.
-
-=Brown, Senior.= "WELL, FRED, WHAT DID YOU SEE DURING YOUR TRIP ABROAD?"
-
-=Brown, Junior.= "AW--'PON M'WORD, 'DON'T KNOW WHAT I SAW 'XACTLY, 'ONLY
-KNOW I DID MORE BY THREE COUNTRIES, EIGHT TOWNS, AND FOUR MOUNTAINS,
-THAN SMITH DID IN THE SAME TIME!"
-
-Illustration: "A Woman of Business."
-
-=Husband= (_who has been on the Continent, and left his Wife some Blank
-Cheques_). "MY DEAR LOUISA, I FIND YOU HAVE CONSIDERABLY OVERDRAWN AT
-THE BANK!"
-
-=Wife.= "O, NONSENSE, WILLY, HOW CAN THAT BE? WHY, I'VE TWO OF THOSE BLANK
-CHEQUES LEFT YET!!"
-
-Illustration: "Reason in Woman."
-
-=Young Wife.= "GEORGE, DEAR, I'VE HAD A TALK WITH THE SERVANTS THIS
-MORNING, AND I'VE AGREED TO RAISE THEIR WAGES. THEY SAID EVERYTHING WAS
-SO DEAR NOW--MEAT WAS SO HIGH, AND COALS HAD RISEN TO SUCH A PRICE, AND
-EVERYTHING----I THOUGHT THIS WAS REASONABLE, BECAUSE I'VE SO OFTEN HEARD
-YOU COMPLAIN OF THE SAME THING."
-
-Illustration: "Our Failures."
-
-=Husband.= "I SAY, LIZZIE, WHAT ON EARTH DID YOU MAKE THIS MINT-SAUCE OF?"
-
-=Young Wife= (_who has been "helping" Cook_). "PARSLEY, TO BE SURE!"
-
-Illustration: "_Where there's a Will there's a Way!_"
-
-=Cook.= "PLEASE, 'M, I WISHES TO GIVE WARNING----"
-
-=Mistress= (_surprised_). "WHY, WHAT'S THE MATTER?"
-
-=Cook.= "THE FACT IS, MUM, I'M GOING TO GET MARRIED!"
-
-=Mistress.= "WHY, COOK, I DID NOT KNOW YOU WERE ENGAGED!"
-
-=Cook.= "WHICH I HAM NOT AZACTLY ENGAGED AS YET, MUM; BUT I FEELS MYSELF
-TO BE OF THAT 'APPY DISPOSITION AS I COULD LOVE HANY MAN, MUM!"
-
-Illustration: "_Satisfactory!_"
-
-=Mistress.= "WELL, JESSIE, I'M GOING INTO NAIRNE, AND WILL SEE YOUR
-MOTHER. CAN I GIVE HER ANY MESSAGE FROM YOU?"
-
-=Jessie= (_her first "place"_). "OU, MEM, YE CAN JUST SAY I'M UNCO' WEEL
-PLEASED WI' YE!!"
-
-Illustration: "_Ha! Ha! The Wooin' O't!_"
-
-=Young Mistress= (_gravely; she had seen an affectionate parting at the
-garden-gate_). "I SEE YOU'VE GOT A YOUNG MAN, JANE!"
-
-=Jane= (_apologetically_). "ONLY WALKED OUT WITH HIM ONCE, M'UM!"
-
-=Mistress.= "O, BUT I THOUGHT I SAW--DIDN'T YOU--DIDN'T HE--TAKE A KISS,
-JANE?"
-
-=Jane.= "O, M'M, ONLY AS A FRIEND, M'M!!"
-
-Illustration: "_The Way we Build now._"
-
-=Indignant Houseowner= (_he had heard it was so much cheaper, in the end,
-to buy your House_). "WH' WHAT'S THE--WHAT AM I!--WHA'--WHAT DO YOU
-SUPPOSE IS THE MEANING OF THIS, MR. SCAMPLING!?"
-
-=Local Builder.= "T' TUT, TUT! WELL, SIR, I 'SPECTS SOME ONE'S BEEN
-A-LEANIN' AGIN IT!!"
-
-Illustration: "In the Long Run."
-
-=Town Gent.= "NOW DO YOU FIND KEEPING POULTRY ANSWERS?"
-
-=Country Gent= (_lately retired_). "O, 'ES, S'POSED TO ANSWER. Y' SEE
-THERE'S THE ORIGINAL COST OF THE FOWLS--'F COURSE THE FOOD GOES DOWN TO
-ME, Y' KNOW. WELL, THEN, I PURCHASE THE EGGS FROM THE CHILDREN, AND THEY
-EAT THEM!!!"
-
-Illustration: Rather too Literal.
-
-=Country Gentleman= (_in a rage_). "WHY, WHAT HAVE YOU BEEN UP TO, YOU
-IDIOT! YOU'VE LET HIM DOWN, AND----"
-
-=New Groom.= "YES, YER HONNER, YE TOULD ME TO BREAK HIM; AN' BRUK HE IS,
-KNEES AN' ALL, WORSE LUCK!"
-
-Illustration: "Bon Voyage!"
-
-=Mossu= (_shot into a nice soft loam_) _exultingly_. "A--HA--A! I AM SAFE
-O-VERE! NOW IT IS YOUR TURN, MEESTER TIMBRE JOMPRE! COME ON, SABE!"
-
-Illustration: "Fiat Experimentum," &c.
-
-=The Rector.= "GOOD MORNING, MRS. SMITHERS. HOW'S THE BABY? ISN'T IT
-RATHER EARLY TO BRING HIM TO CHURCH? DON'T YOU THINK HE'LL BE RESTLESS?"
-
-=Mrs. Smithers.= "O, NO, SIR, HE'LL BE QUIET, SIR, WHICH WE TOOK HIM TO
-THE METHODIS' CHAPEL LAST SUNDAY O' PURPOSE TO TRY HIM, SIR!"
-
-Illustration: Irreverent.
-
-=Policeman= (_on the occasion of our "Confirmation"_). "STOP! STOP! GO
-BACK! YOU MUSTN'T COME IN HERE! WE'RE EXPECTIN' O' THE BISHOP EVERY
-MINUTE!"
-
-=Cabby= (_fortissimo_). "ALL RIGHT! WHY'VE GOT THE OLD BUFFER INSIDE!"
-
-Illustration: Wet and Dry.
-
-=Careful Wife.= "ARE YOU VERY WET, DEAR?"
-
-=Ardent Angler= (_turning up his flask_). "NO; DRY AS A LIME-KILN--HAVEN'T
-HAD A DROP THESE TWO HOURS!"
-
-Illustration: "_Not so Fast!_"
-
-=Old Gent.= (_soliloquising, in the Wilds of Glenmuchie_). "AH, WELL, THIS
-IS VERY JOLLY! WEALTH'S A GREAT BLESSING--NOT THAT I'M A RICH MAN--BUT
-AFTER THE TURMOIL AND WORRY OF BUSINESS, TO BE ABLE TO RETIRE TO THESE
-CHARMING SOLITUDES, THE SILENCE ONLY BROKEN BY THE GRATEFUL SOUNDS OF
-THE RIPPLING STREAM ('BURN,' I MEAN. AH! I NEARLY HAD HIM THEN!), AND
-THE HUM OF THE BEE! TO BE ABLE TO LEAVE LONDON AND ITS TIRESOME
-MILLIONS, AND FORGET ALL THE LOW----"
-
-=Voice from the Bridge= (_the ubiquitous "'Arry"_). "COULD YER 'BLIGE US
-WITH A WORM, GOV'NOUR?"!!
-
-Illustration: Banting in the Yeomanry.
-
-=Troop-Sergeant Major.= "IT COMES TO THIS, CAPTAIN, 'A MUN E'THER HEV' A
-NEW JACKET OR KNOCK OFF ONE O' MY MEALS!"
-
-Illustration: Something from the Provinces.
-
-=Excursionist= (_politely_). "CAN YOU KINDLY DIRECT ME THE NEAREST WAY TO
-SLAGLEY?"
-
-=Powerful Navvy.= "AH CAN POONCH TH' HEAD O' THEE!"
-
-_Excursionist retires hastily._
-
-Illustration: "Ways and Means."
-
-=First Country Gentleman.= "'MEAN HUNTING THIS WINTER, CHARLIE?"
-
-=Second Country Gentleman= (_doubtfully_). "'SHALL TRY AND 'WORK' IT."
-
-=First Country Gentleman.= "HOW?"
-
-=Second Country Gentleman.= "GIVE UP THE UNDER-NURSE, I THINK."
-
-Illustration: Blank Firing.
-
-=Ancient Sportsman= (_whose Sight is not what it used to be_). "PICK 'EM
-UP, JAMES, PICK 'EM UP! WHY DON'T YOU PICK 'EM UP?"
-
-=Veteran Keeper.= "'CAUSE THERE BEAN'T ANY DOWN, MY LORD!"
-
-
- CONTENTS.
- PAGE
-
- Adjustment 25
-
- A Fortiori 110
-
- Alarming 44
-
- Alma Mater 50
-
- Angling Extraordinary 81
-
- Answer, a Soft 22
-
- Anything for a Change 118
-
- Appeal, a Final 37
-
- Appearances 118
-
- Arbiter Elegantiarum 35
-
- Arcadian Amenities 56
-
- Archery Meeting, the 76
-
- Architecture (Irish) 123
-
- Argumentum ad Hominem 21
-
- Artful--Very! 57
-
- Artist, Our 54
-
- Art-School Conversazione, Our 119
-
- As Well as can be Expected 46
-
- Awkward! 75, 108
-
-
- Badinage 146
-
- Bagpipes and Classical Music 56
-
- Banting in the Yeomanry 155
-
- Bargain, Driving a 132
-
- Barometrical 14
-
- Beard Movement, the 106
-
- Beauty, a Thing of 126
-
- Benediction! a 133
-
- Bereaved 96
-
- Between two Shoeblacks
- we fall, &c. 120
-
- Bird Show, the 5
-
- Birthday Dinner-Party,
- Mrs. Frummage's 134
-
- Blank Firing 155
-
- Bon Voyage! 100, 152
-
- Boon Companions 96
-
- Boxing-Day 55
-
- Boys, those Dreadful 80
-
- Breaking the Ice 24, 156
-
- Bric a Brac 144
-
- Brother Brush 84
-
- Brushing Pa's New Hat 136
-
- Business! 69
-
- " a Stroke of 135
-
- Bus-Measure 147
-
- By the Card 41
-
-
- Candid 132
-
- Canny 68, 122
-
- Casual Acquaintance, a 43
-
- Catechism under Difficulties 78
-
- Cavalry Criticism 142
-
- Chaff 31
-
- Change for the Better, a , 65
-
- Character, a Satisfactory 98
-
- Chronology 147
-
- Circumlocutory! 43
-
- Civil Servants, H. M., What
- they have to Endure 117
-
- Civil Service Miseries 49
-
- Club Law 94
-
- Colloquial Equivalents 65
-
- Commissariat, the 69
-
- Comparisons 73
-
- Compliment, a 47
-
- Complimentary 39
-
- Compliments of the Season 82, 85, 131
-
- Compliments of the (Sketching) Season 84
-
- Concert, the Morning 97
-
- Conclusive 58
-
- Confederate, a Treacherous 23
-
- Confession 134
-
- " in Confusion 18
-
- Confidence, in 93
-
- Connoisseur, the 16
-
- Connoisseurs, the 60
-
- Conscience, a Guilty 74
-
- Conscience Clause, the 101
-
- Considerate 52
-
- Convalescent, the 74
-
- Cool Card, a 97
-
- Cricket 23
-
- Criticism, Considerate 109
-
- " Legitimate 127
-
- Culture for the Working Classes 43
-
- Cure, a Perfect 45
-
- Curious 118
-
- Customer, Bad 2
-
-
- Dear, Dear Boy! 83
-
- Decimals on Deck 13
-
- Definition, a 70
-
- Degenerate Son, a 25
-
- Delicacy 40
-
- Delicately Put 73
-
- Depression 86
-
- Desperate Case! 25, 100
-
- Dignity 1, 102
-
- Dilemma, a 20, 91, 138
-
- Dinners, Little, How we
- arrange our 58
-
- Disaffection! 125
-
- Dish, a New 53
-
- Distinction, a 51
-
- Distracting 47
-
- District Visitor, Trials of a 127
-
- Durance 3
-
- Duty and Pleasure 69
-
-
- Education! 23, 101
-
- Embarrassing 50
-
- Encouraging! 90, 145
-
- Equal to the Situation 74
-
- Exchange! 25
-
- Excuse, a Perfect 107
-
- Exempli Gratia 102
-
- Extenuating Circumstances 70
-
- Extortion 130
-
-
- Fahrenheit 107
-
- Failing, a Little 60
-
- Failures, Our 149
-
- Familiarity breeds Contempt
- 124
-
- Family Man, a 15
-
- Family Pride 1
-
- Family Ties 8
-
- Feather, the last (Co-operative) 125
-
- Fiat Experimentum 153
-
- Fine Art 145
-
- Finishing Touch, the 109
-
- Fish, a Big 56
-
- Fishing, an Evening's (behind the
- Distillery at Sligo) 121
-
- Flattering 72
-
- Flunkeianum 137
-
- For Better for Worse 7
-
-
- Game (a) Two can Play at 13
-
- Gamut, the 141
-
- Garrison Instruction 142
-
- Grandiloquence 77
-
- Gratitude 93
-
- Grey Mare, the 58
-
- Gentility in Greens 9
-
- Geology 96
-
- Golden Age Restored, the 63
-
-
- Habit, Force of 50
-
- " a Luxurious 63
-
- Ha! Ha! the Wooin' o' it 150
-
- Happy Thought 82
-
- Hard Lines 35
-
- Hardship, a 140
-
- Hard-up on a Wet Day 99
-
- Harp in the Air, the 122
-
- Heresy 42
-
- He thought he was Safe 108
-
- Hibernian Veracity 111
-
- High Life below Stairs! 94
-
- Hoist with his own Pomade 47
-
- Hunting Appointments 89
-
- Hunting Idiot 54
-
- Hygiene 108
-
- Hyperbole 88
-
-
- Ignorance, Crass 10
-
- Im-pertinent 120
-
- Incidit in Scyllam, &c. 117
-
- Incombinable Elements 99
-
- Ingenuas Didicisse, &c. 36
-
- Ingenuity, Irish 12
-
- In the Long Run 151
-
- Initiative, Obvious 132
-
- Inspection, Our 89
-
- Intelligent! 129
-
- In Vino Memoria 78
-
- Io Bacche! 60
-
- Irish Grievances, Real 88
-
- Irreverent 153
-
- Irrevocable 55
-
- Is it Pos-sible?! 31
-
- It's an Ill Wind, &c. 90
-
- It's the Pace that Kills 141
-
-
- Jeopardy, in 41
-
- Just in Time 17
-
-
- Knowledge, Pursuit of 95
-
-
- Labour, Division of 38
-
- Lapsus Linguae 76
-
- Last Word, the 91
-
- Le Jeu ne vaut pas la Chandelle 28
-
- Lessons in the Vacation 138
-
- Let Well alone! 28
-
- Levelling Up 77
-
- Liberal to a Fault 48
-
- Like her Impudence 140
-
- Lingua East Anglia 62
-
- Little and Good 135
-
- Look before you Leap 27
-
- Lucid! 26
-
- Lucus a Non, &c. 88
-
- Luxury, Seasonable 22
-
-
- Making Things Pleasant 81
-
- Mal Apropos 18
-
- Manners! 116
-
- Manoeuvres, Our 19, 59
-
- March of Refinement 2
-
- Master of the Situation?! 116
-
- Matter! 37
-
- Meat Supply, the 66
-
- Menace 126
-
- Men were Deceivers ever 49
-
- Mens Conscia 1
-
- Mercies, Small, (not) Thankful for 39
-
- Military Manoeuvres 19
-
- Mind and Matter 79
-
- Mine of Speculation, a 21
-
- Misnomer, a 128
-
- Mistakes will Happen 136
-
- Mistletoe Bough, Oh the 42
-
- Model, an Irish 133
-
- More than one for his Nob 137
-
- M. P., a Pledged 4
-
- Music in the Midlands 106
-
- Music of the Future--Sensation Opera 94
-
- Mystery solved, the 3
-
- Mystification 71
-
-
- Nae that Fou! 110
-
- Narcotic, a 15
-
- Natural Advantages 113
-
- Nature and Art 113
-
- Never say 'Die' 36
-
- Nimble Ninepence, the 129
-
- No accounting for Taste 64
-
- Noblesse oblige! 105
-
- No Mistake, this Time 27
-
- No such Luck 30
-
- Not Proven 121
-
- Not so Fast! 154
-
- Not to put too fine a Point on it 36
-
-
- Obliging 71
-
- Off! 38
-
- Offender, an Old 55
-
- Offer, a Fair 111
-
- Officer (an) and a Gentleman! 143
-
- Once for All 92
-
- On the Face of it 131
-
- Order, an Extensive 30
-
- Ornaments for your Fire-Stoves 131
-
-
- Panic in the Kitchen, a 32
-
- Parthian Shaft, a 115
-
- Particular! 34, 90
-
- " to a Hair 147
-
- Partner, Vivifying Treatment of a 34
-
- Passage of Arms, a 137
-
- Penny Wise 46
-
- Perils of the Deep 4
-
- Personal! 100
-
- Perspective! 79
-
- Pet, Intelligent 3
-
- Pickles, Mixed 126
-
- Pic-nic, the 57
-
- Pink of Fashion, the 5
-
- Plain to Demonstration 9
-
- Pleasant for Simpkins! 128
-
- Pleasuring! 107
-
- Plutocrat, a 37
-
- Point of View, a 87
-
- Point of View, from one 119
-
- Poor Humanity! 7
-
- Precise 29
-
- Presence of Mind 144
-
- Prevention's better than Cure 8
-
- Profanation 80
-
- Proof Positive 32
-
- Prospect, a Pleasant 67, 85
-
- Prospect, a Nice 95
-
- Provinces, Something from the 155
-
- Prudence, Common 6
-
- Pulpit-Critics, Stern 68
-
-
- Qualifications 33
-
- Quantity, not Quality 148
-
- Quite another Thing 111
-
- Quite Superfluous 105
-
-
- Races not yet Extinct 20
-
- Rather too Literal 152
-
- Ready! 83
-
- Reason in Woman 149
-
- Reassuring 67, 112
-
- Reductio ad Absurdum 86
-
- Refrigerated Tourists 2
-
- Refusal, a Rash 73
-
- Register! Register! 120
-
- Relapse 97
-
- Reminiscences 46
-
- Reproof, Proper 135
-
- Res Angustae Domi 11
-
- Reserves, Our--the Battle of Amesbury 59
-
- " Auxiliary Forces, North of Ireland 146
-
- Restraints of Society 114
-
- Retributive Justice 41
-
- Revenge for the Union, More 13
-
- Riding Lesson, the 26
-
- Roll-Call, the 9
-
- Romance of the Kitchen 82
-
- Run of the House, the 103
-
- Running Drill, the New 19
-
- Rural Simplicity 78
-
- Rustic Recollections 52
-
-
- Sacrifice 70
-
- Satisfactory! 150
-
- Sausage Machine, the 16
-
- Scruples 123
-
- Scrupulous 12
-
- Season, a Bad 124
-
- Secrets 115
-
- Selling him a Pennyworth 65
-
- Sermon, the First 24
-
- Servants, the 35, 40, 104, 127
-
- Service (the) going to, &c. 143
-
- Shocking! 156
-
- Silence is Golden 14
-
- Silly Suffolk (?) Pastorals--Reciprocity 76
-
- Silver Lining to a Cloud, not a 53
-
- Simple Addition 114
-
- Simplicity, Sweet 115
-
- Sinister Slip, a 49
-
- Slip o' the Tongue, a 18
-
- Small Mercies 44
-
- Sold--Cheap 64
-
- Son, a Kind 10
-
- " a Degenerate 25
-
- Spoiling it 33
-
- Straightforward View, a 51
-
- Struggle for Existence, the 98
-
- Suit your Talk to your Company 75
-
- Suspicion! 86
-
- Sweet is Revenge--especially to Women! 24
-
- Sympathy 48, 103
-
-
- Tailors' Strike, in consequence of the 45
-
- Temper, the Triumphs of 6
-
- Temptation 33
-
- Terms, Cash 93
-
- Theatricals, Our 72
-
- The Better the Day, &c. 51
-
- The Way we Build now 151
-
- The Way we had in the Army 143
-
- The Way we Live now 112
-
- The more Haste, the less Speed 87
-
- Themis, Irish Ideal of 122
-
- There's many a Slip 62
-
- Tho' lost to Sight-- 29
-
- Thrift 123
-
- Ticket of Leave, a 66
-
- 'Tis better not to Know 30
-
- Too Bad! 141
-
- Too Late 106
-
- Too True! 92
-
- Tourists, Refrigerated 2
-
- Tracts! 66
-
- Trade, State of 27
-
- Travellers, Tricks upon 148
-
- Truth, a Half 7
-
- Trying 5
-
- Turk, a Regular 117
-
- Turn about 81
-
- Two Sides to a Question 85
-
- Tyranny 45
-
-
- Ulster, the 14
-
- Unconscionable 15
-
- Unprejudiced! 10
-
- Up and Down Stairs 92
-
-
- Veneration 22
-
- Vested Interests 31
-
- Veteran, a 61
-
-
- Wages and Wives 95
-
- Warning, Awful 16
-
- Ways and Means 155
-
- Weather, a Change in the 11
-
- Weights and Measures 44
-
- Well Meant 113
-
- Wet and Dry 154
-
- What Next? 104
-
- What's in a Name? 35
-
- What's the Odds? 61
-
- When you are about it 103
-
- Where Ignorance is Bliss &c. 39
-
- Where there's a Will there's a Way! 150
-
- Wimbledon 139
-
- Winkles! 128
-
- Woman-hater, a 102
-
- Woman of Business, a 149
-
- Woman's Rights 68
-
- Words and Weights 17
-
-
- XXX cellent Reasons 48
-
-
- Zoology 130
-
-
-
-
- * * * * * *
-
-
-
-
-Transcriber's note:
-
-The index has been moved from the beginning of the book to the
-end for the reader's convenience.
-
-The punctuation and spelling are as printed in the original
-publication.
-
-
-
-***END OF THE PROJECT GUTENBERG EBOOK OUR PEOPLE***
-
-
-******* This file should be named 41057.txt or 41057.zip *******
-
-
-This and all associated files of various formats will be found in:
-http://www.gutenberg.org/dirs/4/1/0/5/41057
-
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/41057.zip b/41057.zip
deleted file mode 100644
index 0649556..0000000
--- a/41057.zip
+++ /dev/null
Binary files differ