diff options
Diffstat (limited to '38056-h')
| -rw-r--r-- | 38056-h/38056-h.htm | 3330 | ||||
| -rw-r--r-- | 38056-h/images/i003.png | bin | 0 -> 140565 bytes | |||
| -rw-r--r-- | 38056-h/images/i003tb.png | bin | 0 -> 14663 bytes | |||
| -rw-r--r-- | 38056-h/images/i004.jpg | bin | 0 -> 23962 bytes | |||
| -rw-r--r-- | 38056-h/images/i012.png | bin | 0 -> 117927 bytes | |||
| -rw-r--r-- | 38056-h/images/i012tb.png | bin | 0 -> 15401 bytes | |||
| -rw-r--r-- | 38056-h/images/i014.png | bin | 0 -> 154000 bytes | |||
| -rw-r--r-- | 38056-h/images/i014tb.png | bin | 0 -> 17904 bytes | |||
| -rw-r--r-- | 38056-h/images/i016.png | bin | 0 -> 125971 bytes | |||
| -rw-r--r-- | 38056-h/images/i016tb.png | bin | 0 -> 16225 bytes | |||
| -rw-r--r-- | 38056-h/images/i018.png | bin | 0 -> 145628 bytes | |||
| -rw-r--r-- | 38056-h/images/i018tb.png | bin | 0 -> 17822 bytes | |||
| -rw-r--r-- | 38056-h/images/i020.png | bin | 0 -> 167168 bytes | |||
| -rw-r--r-- | 38056-h/images/i020tb.png | bin | 0 -> 18977 bytes | |||
| -rw-r--r-- | 38056-h/images/i022.png | bin | 0 -> 178377 bytes | |||
| -rw-r--r-- | 38056-h/images/i022tb.png | bin | 0 -> 18443 bytes | |||
| -rw-r--r-- | 38056-h/images/i024.png | bin | 0 -> 115002 bytes | |||
| -rw-r--r-- | 38056-h/images/i024tb.png | bin | 0 -> 17869 bytes | |||
| -rw-r--r-- | 38056-h/images/i026.png | bin | 0 -> 130577 bytes | |||
| -rw-r--r-- | 38056-h/images/i026tb.png | bin | 0 -> 16327 bytes | |||
| -rw-r--r-- | 38056-h/images/i028.png | bin | 0 -> 155097 bytes | |||
| -rw-r--r-- | 38056-h/images/i028tb.png | bin | 0 -> 16494 bytes | |||
| -rw-r--r-- | 38056-h/images/i030.png | bin | 0 -> 114592 bytes | |||
| -rw-r--r-- | 38056-h/images/i030tb.png | bin | 0 -> 14130 bytes | |||
| -rw-r--r-- | 38056-h/images/i032.png | bin | 0 -> 175293 bytes | |||
| -rw-r--r-- | 38056-h/images/i032tb.png | bin | 0 -> 17744 bytes | |||
| -rw-r--r-- | 38056-h/images/i034.png | bin | 0 -> 135496 bytes | |||
| -rw-r--r-- | 38056-h/images/i034tb.png | bin | 0 -> 16592 bytes | |||
| -rw-r--r-- | 38056-h/images/i036.png | bin | 0 -> 80320 bytes | |||
| -rw-r--r-- | 38056-h/images/i036tb.png | bin | 0 -> 8894 bytes | |||
| -rw-r--r-- | 38056-h/images/i038.png | bin | 0 -> 131289 bytes | |||
| -rw-r--r-- | 38056-h/images/i038tb.png | bin | 0 -> 15293 bytes | |||
| -rw-r--r-- | 38056-h/images/i040.png | bin | 0 -> 117897 bytes | |||
| -rw-r--r-- | 38056-h/images/i040tb.png | bin | 0 -> 15035 bytes | |||
| -rw-r--r-- | 38056-h/images/i042.png | bin | 0 -> 133517 bytes | |||
| -rw-r--r-- | 38056-h/images/i042tb.png | bin | 0 -> 14360 bytes | |||
| -rw-r--r-- | 38056-h/images/i044.png | bin | 0 -> 153594 bytes | |||
| -rw-r--r-- | 38056-h/images/i044tb.png | bin | 0 -> 19076 bytes | |||
| -rw-r--r-- | 38056-h/images/i046.png | bin | 0 -> 153447 bytes | |||
| -rw-r--r-- | 38056-h/images/i046tb.png | bin | 0 -> 18225 bytes | |||
| -rw-r--r-- | 38056-h/images/i048.png | bin | 0 -> 145893 bytes | |||
| -rw-r--r-- | 38056-h/images/i048tb.png | bin | 0 -> 18432 bytes | |||
| -rw-r--r-- | 38056-h/images/i050.png | bin | 0 -> 126195 bytes | |||
| -rw-r--r-- | 38056-h/images/i050tb.png | bin | 0 -> 15575 bytes | |||
| -rw-r--r-- | 38056-h/images/i052.png | bin | 0 -> 149679 bytes | |||
| -rw-r--r-- | 38056-h/images/i052tb.png | bin | 0 -> 17544 bytes | |||
| -rw-r--r-- | 38056-h/images/i054.png | bin | 0 -> 153139 bytes | |||
| -rw-r--r-- | 38056-h/images/i054tb.png | bin | 0 -> 18523 bytes | |||
| -rw-r--r-- | 38056-h/images/i056.png | bin | 0 -> 129577 bytes | |||
| -rw-r--r-- | 38056-h/images/i056tb.png | bin | 0 -> 16635 bytes | |||
| -rw-r--r-- | 38056-h/images/i058.png | bin | 0 -> 139752 bytes | |||
| -rw-r--r-- | 38056-h/images/i058tb.png | bin | 0 -> 15502 bytes | |||
| -rw-r--r-- | 38056-h/images/i060.png | bin | 0 -> 141501 bytes | |||
| -rw-r--r-- | 38056-h/images/i060tb.png | bin | 0 -> 17818 bytes | |||
| -rw-r--r-- | 38056-h/images/i062.png | bin | 0 -> 129222 bytes | |||
| -rw-r--r-- | 38056-h/images/i062tb.png | bin | 0 -> 13498 bytes | |||
| -rw-r--r-- | 38056-h/images/i064.png | bin | 0 -> 154059 bytes | |||
| -rw-r--r-- | 38056-h/images/i064tb.png | bin | 0 -> 17934 bytes | |||
| -rw-r--r-- | 38056-h/images/i066.png | bin | 0 -> 150658 bytes | |||
| -rw-r--r-- | 38056-h/images/i066tb.png | bin | 0 -> 15552 bytes | |||
| -rw-r--r-- | 38056-h/images/i068.png | bin | 0 -> 128006 bytes | |||
| -rw-r--r-- | 38056-h/images/i068tb.png | bin | 0 -> 17470 bytes | |||
| -rw-r--r-- | 38056-h/images/i070.png | bin | 0 -> 177491 bytes | |||
| -rw-r--r-- | 38056-h/images/i070tb.png | bin | 0 -> 17485 bytes | |||
| -rw-r--r-- | 38056-h/images/i072.png | bin | 0 -> 190467 bytes | |||
| -rw-r--r-- | 38056-h/images/i072tb.png | bin | 0 -> 19341 bytes | |||
| -rw-r--r-- | 38056-h/images/i074.png | bin | 0 -> 187548 bytes | |||
| -rw-r--r-- | 38056-h/images/i074tb.png | bin | 0 -> 19524 bytes | |||
| -rw-r--r-- | 38056-h/images/i076.png | bin | 0 -> 153218 bytes | |||
| -rw-r--r-- | 38056-h/images/i076tb.png | bin | 0 -> 19436 bytes | |||
| -rw-r--r-- | 38056-h/images/i078.png | bin | 0 -> 152740 bytes | |||
| -rw-r--r-- | 38056-h/images/i078tb.png | bin | 0 -> 19657 bytes | |||
| -rw-r--r-- | 38056-h/images/i080.png | bin | 0 -> 139816 bytes | |||
| -rw-r--r-- | 38056-h/images/i080tb.png | bin | 0 -> 17098 bytes | |||
| -rw-r--r-- | 38056-h/images/i082.png | bin | 0 -> 146375 bytes | |||
| -rw-r--r-- | 38056-h/images/i082tb.png | bin | 0 -> 17228 bytes | |||
| -rw-r--r-- | 38056-h/images/i084.png | bin | 0 -> 179529 bytes | |||
| -rw-r--r-- | 38056-h/images/i084tb.png | bin | 0 -> 18988 bytes | |||
| -rw-r--r-- | 38056-h/images/i086.png | bin | 0 -> 146789 bytes | |||
| -rw-r--r-- | 38056-h/images/i086tb.png | bin | 0 -> 18494 bytes | |||
| -rw-r--r-- | 38056-h/images/i088.png | bin | 0 -> 140185 bytes | |||
| -rw-r--r-- | 38056-h/images/i088tb.png | bin | 0 -> 17944 bytes | |||
| -rw-r--r-- | 38056-h/images/i090.png | bin | 0 -> 137456 bytes | |||
| -rw-r--r-- | 38056-h/images/i090tb.png | bin | 0 -> 17028 bytes | |||
| -rw-r--r-- | 38056-h/images/i092.png | bin | 0 -> 153575 bytes | |||
| -rw-r--r-- | 38056-h/images/i092tb.png | bin | 0 -> 17210 bytes | |||
| -rw-r--r-- | 38056-h/images/i094.png | bin | 0 -> 160175 bytes | |||
| -rw-r--r-- | 38056-h/images/i094tb.png | bin | 0 -> 16538 bytes | |||
| -rw-r--r-- | 38056-h/images/i096.png | bin | 0 -> 142673 bytes | |||
| -rw-r--r-- | 38056-h/images/i096tb.png | bin | 0 -> 17795 bytes | |||
| -rw-r--r-- | 38056-h/images/i098.png | bin | 0 -> 122608 bytes | |||
| -rw-r--r-- | 38056-h/images/i098tb.png | bin | 0 -> 15625 bytes | |||
| -rw-r--r-- | 38056-h/images/i100.png | bin | 0 -> 149853 bytes | |||
| -rw-r--r-- | 38056-h/images/i100tb.png | bin | 0 -> 17495 bytes | |||
| -rw-r--r-- | 38056-h/images/i101.png | bin | 0 -> 137798 bytes | |||
| -rw-r--r-- | 38056-h/images/i101tb.png | bin | 0 -> 16375 bytes | |||
| -rw-r--r-- | 38056-h/images/i102.png | bin | 0 -> 150348 bytes | |||
| -rw-r--r-- | 38056-h/images/i102tb.png | bin | 0 -> 15626 bytes | |||
| -rw-r--r-- | 38056-h/images/i104.png | bin | 0 -> 162584 bytes | |||
| -rw-r--r-- | 38056-h/images/i104tb.png | bin | 0 -> 18343 bytes | |||
| -rw-r--r-- | 38056-h/images/i105.png | bin | 0 -> 114109 bytes | |||
| -rw-r--r-- | 38056-h/images/i105tb.png | bin | 0 -> 13374 bytes | |||
| -rw-r--r-- | 38056-h/images/i106.png | bin | 0 -> 143718 bytes | |||
| -rw-r--r-- | 38056-h/images/i106tb.png | bin | 0 -> 17446 bytes | |||
| -rw-r--r-- | 38056-h/images/i108.png | bin | 0 -> 145875 bytes | |||
| -rw-r--r-- | 38056-h/images/i108tb.png | bin | 0 -> 15587 bytes | |||
| -rw-r--r-- | 38056-h/images/i109.png | bin | 0 -> 139057 bytes | |||
| -rw-r--r-- | 38056-h/images/i109tb.png | bin | 0 -> 15100 bytes | |||
| -rw-r--r-- | 38056-h/images/i110.png | bin | 0 -> 185445 bytes | |||
| -rw-r--r-- | 38056-h/images/i110tb.png | bin | 0 -> 18574 bytes | |||
| -rw-r--r-- | 38056-h/images/i111.png | bin | 0 -> 121224 bytes | |||
| -rw-r--r-- | 38056-h/images/i111tb.png | bin | 0 -> 15222 bytes |
112 files changed, 3330 insertions, 0 deletions
diff --git a/38056-h/38056-h.htm b/38056-h/38056-h.htm new file mode 100644 index 0000000..2d5cb80 --- /dev/null +++ b/38056-h/38056-h.htm @@ -0,0 +1,3330 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" /> +<title>The Project Gutenberg eBook of Abraham Lincoln and the London Punch, by William Shepard Walsh</title> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; + font-size: 12pt; + font-family: serif; +} + + h1,h2,h3,h4,h5,h6 { + text-align: center; + clear: both; +} + +p { + margin-top: .75em; + text-align: justify; + margin-bottom: .75em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; +} + +table { + margin-left: auto; + margin-right: auto; +} + +.pagenum { + position: absolute; + left: 93%; + font-size: smaller; + text-align: right; +} + +.blockquote { + margin-left: 10%; + margin-right: 10%; + font-size: 11pt; +} + +.center {text-align: center;} + +.smcap {font-variant: small-caps;} + +.caption {font-weight: bold; + font-size: 9pt; + text-align: center; + margin-left: auto; + margin-right: auto; +} + + hr.full { width: 100%; + margin-top: 3em; + margin-bottom: 0em; + margin-left: auto; + margin-right: auto; + height: 4px; + border-width: 4px 0 0 0; /* remove all borders except the top one */ + border-style: solid; + border-color: #000000; + clear: both; } + pre {font-size: 85%;} + </style> +</head> +<body> +<h1>The Project Gutenberg eBook, Abraham Lincoln and the London Punch, Edited +by William Shepard Walsh</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: Abraham Lincoln and the London Punch</p> +<p> Cartoons, Comments and Poems, Published in the London Charivari, During the American Civil War (1861-1865)</p> +<p>Editor: William Shepard Walsh</p> +<p>Release Date: November 19, 2011 [eBook #38056]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK ABRAHAM LINCOLN AND THE LONDON PUNCH***</p> +<p> </p> +<h4>E-text prepared by Chris Curnow, Eric Skeet,<br /> + and the Online Distributed Proofreading Team<br /> + (<a href="http://www.pgdp.net">http://www.pgdp.net</a>)<br /> + from page images generously made available by<br /> + Internet Archive<br /> + (<a href="http://www.archive.org/">http://www.archive.org</a>)</h4> +<p> </p> +<table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10"> + <tr> + <td valign="top"> + Note: + </td> + <td> + Images of the original pages are available through + Internet Archive. See + <a href="http://www.archive.org/details/abrahamlincolnth00walsrich"> + http://www.archive.org/details/abrahamlincolnth00walsrich</a> + </td> + </tr> +</table> +<p> </p> +<hr class="full" /> +<p> </p> +<p> </p> +<p> </p> + +<h1>ABRAHAM LINCOLN</h1> + +<h3>AND THE</h3> + +<h1>LONDON PUNCH</h1> + + +<p><a name="n003"></a></p> +<div class="caption"> +<a href="images/i003.png"> +<img style="width: 30%;" src="images/i003tb.png" alt=" " title=" " /><br /> +THE AMERICAN JUGGERNAUT<br /> +[Punch: <span class="smcap">September</span> 3, 1864]</a><br /> +Click image to enlarge<br /> +Use browser's "previous page" button to return +</div> + +<p> </p> + +<p style="font-weight: 600; text-align: center; "> +CARTOONS, COMMENTS AND POEMS, PUBLISHED<br /> +IN THE LONDON CHARIVARI, DURING THE<br /> +AMERICAN CIVIL WAR (1861-1865)<br /> +<br /> + +EDITED BY<br /> +WILLIAM S. WALSH<br /> +</p> + +<p class="center"> +Author of "A Handbook of Literary Curiosities," "Curiosities of<br /> +Popular Customs," "Faust, the Legend and the Poem," etc.<br /> +</p> + +<p class="center"><img style="width: 15%; " src="images/i004.jpg" alt="[Publisher's logo]" /></p> + +<p style="text-align: center; ">NEW YORK<br /> +MOFFAT, YARD AND COMPANY<br /> +1909<br /> +<br /> +Copyright 1909, by<br /> +WILLIAM S. WALSH<br /> +New York<br /> +Published March 1909 +</p> + +<hr style="width: 65%;" /> + +<p><a name="nlist"></a></p> + + + + +<h2>LIST OF ILLUSTRATIONS</h2> + + +<table style="margin-left: auto; margin-right: auto; " summary="List of Illustrations"> + +<tr> +<td>The American Juggernaut</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n003"><i>Frontispiece</i></a></td> +</tr> +<tr> +<td> [All illustrations are at end of text]</td> +<td style="padding-left: 2pt; text-align: right;">PAGE</td> +</tr> +<tr> +<td>Divorce A Vinculo</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n114">114</a></td> +</tr> +<tr> +<td>The American Difficulty</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n115">115</a></td> +</tr> +<tr> +<td>The American Gladiators</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n116">116</a></td> +</tr> +<tr> +<td>Naughty Jonathan</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n117">117</a></td> +</tr> +<tr> +<td>How they went to take Canada</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n118">118</a></td> +</tr> +<tr> +<td>A Family Quarrel</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n119">119</a></td> +</tr> +<tr> +<td>King Cotton Bound</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n120">120</a></td> +</tr> +<tr> +<td>The Genu-ine Othello</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n121">121</a></td> +</tr> +<tr> +<td>Over the Way</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n122">122</a></td> +</tr> +<tr> +<td>The Wilful Boy</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n123">123</a></td> +</tr> +<tr> +<td>Look out for Squalls</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n124">124</a></td> +</tr> +<tr> +<td>A Bad Case of Throwing Stones</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n125">125</a></td> +</tr> +<tr> +<td>Waiting for an Answer</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n126">126</a></td> +</tr> +<tr> +<td>A Likely Story</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n127">127</a></td> +</tr> +<tr> +<td>Columbia's Fix</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n128">128</a></td> +</tr> +<tr> +<td>Boxing Day</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n129">129</a></td> +</tr> +<tr> +<td>"Up a Tree"</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n130">130</a></td> +</tr> +<tr> +<td>Naughty Jonathan</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n131">131</a></td> +</tr> +<tr> +<td>Oberon and Titania</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n132">132</a></td> +</tr> +<tr> +<td>Peace</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n133">133</a></td> +</tr> +<tr> +<td>The New Orleans Plume</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n134">134</a></td> +</tr> +<tr> +<td>The "Sensation" Struggle in America</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n135">135</a></td> +</tr> +<tr> +<td>The Latest from America</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n136">136</a></td> +</tr> +<tr> +<td>One Good Turn Deserves Another</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n137">137</a></td> +</tr> +<tr> +<td>Lincoln's Two Dificulties</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n138">138</a></td> +</tr> +<tr> +<td>"Not up to Time"</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n139">139</a></td> +</tr> +<tr> +<td>The Overdue Bill</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n140">140</a></td> +</tr> +<tr> +<td>More Free than Welcome</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n141">141</a></td> +</tr> +<tr> +<td>Abe Lincoln's Last Card</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n142">142</a></td> +</tr> +<tr> +<td>Latest from Spirit-Land</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n143">143</a></td> +</tr> +<tr> +<td>Scene from the American "Tempest"</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n144">144</a></td> +</tr> +<tr> +<td>"Beware"</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n145">145</a></td> +</tr> +<tr> +<td>The Great "Cannon Game" </td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n146">146</a></td> +</tr> +<tr> +<td>"Rowdy" Notions of Emancipation</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n147">147</a></td> +</tr> +<tr> +<td>Brutus and Cæsar</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n148">148</a></td> +</tr> +<tr> +<td>The Black Conscription</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n149">149</a></td> +</tr> +<tr> +<td>John Bull's Neutrality</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n150">150</a></td> +</tr> +<tr> +<td>Scylla and Charybdis</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n151">151</a></td> +</tr> +<tr> +<td>The Storm-Signal</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n152">152</a></td> +</tr> +<tr> +<td>Extremes Meet</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n153">153</a></td> +</tr> +<tr> +<td>"Beecher's American Soothing Syrup"</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n154">154</a></td> +</tr> +<tr> +<td>"Holding a Candle to the ****"</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n155">155</a></td> +</tr> +<tr> +<td>Neutrality</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n156">156</a></td> +</tr> +<tr> +<td>Something for Paddy</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n157">157</a></td> +</tr> +<tr> +<td>Very Probable</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n158">158</a></td> +</tr> +<tr> +<td>Mrs. North and her Attorney</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n159">159</a></td> +</tr> +<tr> +<td>Columbia's Sewing-Machine</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n160">160</a></td> +</tr> +<tr> +<td>The Black Draft</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n161">161</a></td> +</tr> +<tr> +<td>The Federal Phœnix</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n162">162</a></td> +</tr> +<tr> +<td>Grand Transformation Scene</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n163">163</a></td> +</tr> +<tr> +<td>The Threatening Notice</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n164">164</a></td> +</tr> +<tr> +<td>Vulcan in the Sulks</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n165">165</a></td> +</tr> +<tr> +<td>The American Gladiators—Habet!</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n166">166</a></td> +</tr> +<tr> +<td>Brittania Sympathises with Columbia</td> +<td style="padding-left: 2pt; text-align: right;"><a href="#n167">167</a></td> +</tr> +</table> + +<hr /> + +<p><span class="pagenum"><a name="n11">[11]</a></span></p> + + + + +<h3>ABRAHAM LINCOLN</h3> + +<h4>AND THE</h4> + +<h3>LONDON PUNCH</h3> + + +<p>"Tell me what a man laughs at, and I will tell +you what he is," was one of Goethe's pregnant apothegms.</p> + +<p>Laughter, one of the chief lines of cleavage +between man and beast, is one of the chief points +of differentiation between man and man. From +the good-natured banter which kins all the world +to the envenomed sneer that sunders it, laughter +runs the whole gamut of human emotions.</p> + +<p>It is always sincere, even in its own despite. +No subterfuge, when subterfuge underlies it, is +more easily unmasked. A man may smile and +smile and be a villain, but villainy by the seeing +eye can be infallibly detected beneath the smile.</p> + +<p>A counterfeit laugh may be uttered, as counterfeit +coin is uttered, but it does not ring true. Its +baseness reveals itself to more senses than one.</p> + +<p>Now for more than sixty years the recognized +organ of British laughter has been the London +<span class="pagenum"><a name="n12">[12]</a></span> +<i>Punch</i>. The contemporary mood of John Bull +towards Brother Jonathan has always voiced +itself through the grinning lips of this chartered +jester.</p> + +<p>It cannot be said that even before the outbreak +of the Civil War <i>Punch</i> had shown itself friendly +to America or Americans. Why should it? The +British mob disliked us and flouted us. <i>Punch</i> +as the mouthpiece of the mob, followed suit. In +the original prospectus of that journal, issued in +1845, it was expressly announced that the paper +was to be devoted in part to "Yankee yarns," to +"the naturalization of those alien Jonathans +whose adherence to the truth has forced them to +emigrate from their native land." It would appear +from this new crook-backed Daniel come +to judgment, that Ananias and Autolycus were +models of punctilious honesty and meticulous +truthfulness compared with the average American.</p> + +<p>Writing from Boston to Sir Edward Head, in +1854, George Ticknor said: "I am much struck +with what you say about the ignorance that prevails +in England, concerning this country and its +institutions, and the mischief likely to spring from +<span class="pagenum"><a name="n14">[14]</a></span> +it. From <i>Punch</i> up to your leading statesmen, +things are constantly said and done out of sheer +misapprehension, or ignorance, that have for +some time been breeding ill-will here, and are +likely to breed more."</p> + +<p>Up to, and even immediately after the war, +<i>Punch's</i> sympathies professedly leaned towards +the North, though it took occasion to lecture both +sides from the standpoint of a disinterested and +superior friend, who saw that neither side was +absolutely and unconditionally right.</p> + +<p>When the news of the secession of South Carolina reached England, in +January, 1861, John Tenniel contributed a cartoon to the jester's pages +entitled: "Divorce a Vinculo" with the explanatory subtitle "Mrs. +Carolina asserts her rights to 'larrup' her nigger." Mrs. Carolina was +represented as a vulgar virago holding a cat-o-nine tails in her right +hand, and shaking her clenched left fist in the face of a serenely +defiant youth, clad in a star-spangled shirt, to whom a little brat +of a nigger appealed with clasped hands.</p> + +<p>In the same number the following poem breathed +a similar anti-secession sentiment.</p> + +<p><span class="pagenum"><a name="n16">[16]</a></span></p> + +<p class="center">SECESSION AND SLAVERY</p> + +<div style="margin-left: 30%; "> + +<p>Secede, ye Southern States, secede,<br /> + No better plan could be,<br /> +If you of niggers would be freed,<br /> + To set your niggers free.<br /> +Runaway slaves by federal law<br /> + At present you reclaim;<br /> +So from the Union straight withdraw<br /> + And play the Free Soil game.</p> + +<p>What, when you've once the knot untied,<br /> + Will bind the Northern men?<br /> +And who'll resign to your cow-hide<br /> + The fugitives again?<br /> +Absquatulate, then, slick as grease,<br /> + And break up unity,<br /> +Or take your president in peace<br /> + And eat your humble pie.</p> + +<p>But if your stomachs proud disdain<br /> + That salutary meal<br /> +And you, in passion worse than vain,<br /> + Must rend the commonweal,<br /> +Then all mankind will jest and scoff<br /> + At people in the case<br /> +Of him that hastily cut off<br /> + His nose to spite his face.</p> + +</div> + +<p>Later, <i>Punch</i> applauded that portion of Abraham +Lincoln's first inaugural, which dealt with +the question of secession.</p> + +<p><span class="pagenum"><a name="n18">[18]</a></span></p> + +<p class="center">THE COMMINUTED STATES</p> + +<div class="blockquote"> + +<p>Who can say where Secession will stop? That is a question +which is raised by <span class="smcap">Mr. Lincoln</span>, in a part of his inaugural +address, directed to enforce upon fools and madmen +the necessity of acquiescence by minorities in the decision +of majorities. The President tells the frantic portion of his +fellow countrymen that:—</p> + +<p>"There is no alternative for continuing the Government +but acquiescence on one side or the other. If a minority +in such a case will secede rather than acquiesce, they +make a precedent which in turn will ruin and divide them, +for a minority of their own will secede from them whenever +a majority refuses to be controlled by such a minority. For +instance, why may not any portion of a new confederacy, a +year or two hence, arbitrarily secede again, precisely as portions +of the present Union now claim to secede from it? +All who cherish disunion sentiments are now being educated +to the exact temper of doing this."</p> + +<p>The force of this simple reasoning will be seen by the +lunatics to whom it is addressed, during their lucid intervals, +if they have any. It may even be hoped that some of them +may recover the use of their reflecting faculties so far as to +be enabled to follow out <span class="smcap">President Lincoln's</span> argument, +and their own folly, into ultimate consequences and conclusions. +Then they will see what is likely to be the end of +Secession, for it is not quite true that there is no end to +<span class="pagenum"><a name="n20">[20]</a></span> +Secession, and the end of Secession will be for the Secessionists +an end of everything. Seceders will go on seceding +and subseceding, until at last every citizen will secede from +every other citizen, and each individual will be a sovereign +state in himself, self-government personified, a walking +autonomy, a lone star, doing business and supporting itself +off its own hook.</p> +</div> + +<p>When the seceding states were in search of a +name, <i>Punch</i> suggested that of Slaveownia, and +when at the convention held February 9, 1861, +at Montgomery, Alabama, they adopted the title of +the Confederate States of America, <i>Punch</i> reopened +his battery in this fashion:</p> + +<div class="blockquote"> + +<p>"The Southern Secessionists must be admitted to be +blessed with at least the philosophical virtue of self-knowledge. +They term this new league the 'Confederate States +of America'; thus they call themselves by what they doubtless +feel to be their right name. They are confederates in +the crime of upholding slavery. A correct estimate of their +moral position is manifest in that distinctive denomination +of theirs, 'Confederate States.' This title is a beautiful +antithesis to that of the United States of America. The +more doggedly confederate slave mongers combine, the more +firmly good republicans should unite."</p> +</div> + +<p>Once more when reviewing Jefferson Davis' +<span class="pagenum"><a name="n22">[22]</a></span> +message to the Confederate Congress, <i>Punch</i> +recognized that slavery was really the bone of +contention between the two sections:</p> + +<p class="center">THE JUST AND HOLY CAUSE OF SLAVERY</p> + +<div class="blockquote"> + +<p>"<span class="smcap">We</span> feel," says <span class="smcap">President Jefferson Davis</span>, in his +Message to the Secessional Congress, "that our cause is +just and holy." Could not the negroes of the Southern +States, if they rose against their masters, say just as much, +with at least equal justice, for their own insurrection? The +less <span class="smcap">Mr Davis</span> says about justice and holiness the better, +if he does not want to preach a dangerous doctrine, besides +being considered a humbug. "Dash holiness, and justice +be blanked!" is the consistent language for <span class="smcap">Mr. Jefferson +Davis</span>. "Might is right; we expect to thrash the Northerners; +and the Institution of Slavery for ever!"</p> +</div> + +<p>Again, when General Beauregard declared in a +proclamation to the South that "unborn generations +would arise and call them blessed," <i>Punch</i> +declared that the reporters, with their proverbial +inaccuracy, had omitted the concluding word +"rascals."</p> + +<p>Yet even now, it appealed to both sections to +restrain their hands from flying at each other's +throats: +<span class="pagenum"><a name="n24">[24]</a></span></p> + +<p class="center">ODE TO THE NORTH AND SOUTH</p> + +<div style="margin-left: 30%"> + +<p>O <span class="smcap">Jonathan</span> and <span class="smcap">Jefferson</span>,<br /> + Come listen to my song;<br /> +I can't decide, my word upon,<br /> + Which of you is most wrong.<br /> +I do declare I am afraid<br /> + To say which worse behaves,<br /> +The North, imposing bonds on Trade,<br /> + Or South, that Man enslaves.</p> + +<p>And here you are about to fight,<br /> + And wage intestine war,<br /> +Not either of you in the right:<br /> + What simpletons you are!<br /> +Too late your madness you will see,<br /> + And when your passion cools,<br /> +"Snakes!" you will bellow, "How could we<br /> + Have been such 'tarnal fools!"</p> + +<p>One thing is certain; that if you<br /> + Blow out each other's brains,<br /> +'Twill be apparent what a few<br /> + Each blockhead's skull contains.<br /> +You'll have just nothing for your cost,<br /> + To show, when all is done.<br /> +Greatness and glory you'll have lost;<br /> + And not a dollar won.</p> + +<p>Oh, joined to us by blood, and by<br /> + The bond of kindred speech,<br /> +<span class="pagenum"><a name="n26">[26]</a></span> +And further, by the special tie<br /> + Of slang, bound each to each,<br /> +All-fired gonies, softhorn'd pair,<br /> + Each other will you lick?<br /> +You everlastin' dolts, forbear!<br /> + Throw down your arms right slick.</p> + +<p>You'll chaw each other up, you two,<br /> + Like those Kilkenny cats,<br /> +When they had better things to do,<br /> + Improvin' off the rats.<br /> +Now come, shake hands, together jog<br /> + On friendly yet once more;<br /> +Whip one another not: and flog<br /> + Creation, as before!</p> + +</div> + +<p>Still again, <i>Punch</i> showed good feeling in admonishing +Lord Palmerston, after firing on Sumter, +to keep Great Britain neutral.</p> + +<p>"Well Pam," says Mr. Punch to his workman, +"of course I shall keep you on, but you must stick +to peace-work."</p> + +<p>Nor could the North object to the cartoon, in +May, 1861, in which Lincoln made his first appearance +in <i>Punch</i>. The face, faithfully limned from +the early beardless photographs, represented him +as a man of clean-cut intelligent features,—in +marked contrast to the bearded ruffian, a repulsive +<span class="pagenum"><a name="n28">[28]</a></span> +compound of malice, vulgarity and cunning +which John Tenniel's pencil subsequently delighted +to give to the world as a counterfeit presentment +of the President of the United States.</p> + +<p>In this first picture Lincoln is represented as +poking the fire and filling the room with particles +of soot, saying with downcast look:</p> + +<p>"What a nice White House it would be, if it +were not for the blacks."</p> + +<p>Nevertheless, the poem with which <i>Punch</i> +greeted the news of the fall of Fort Sumter was not +calculated to arouse kindly sentiments in the +North.</p> + +<p class="center">INK, BLOOD AND TEARS</p> + +<p class="center">(THE TAKING OF FORT SUMTER.)</p> + +<div style="margin-left: 20%"> + +<p>A Forty hours' bombardment! Great guns throwing<br /> + Their iron hail: shells their mad mines exploding:<br /> +Furnaces lighted: shot at red-heat glowing:<br /> + Shore-battr'ies and fort-armament, firing, loading—<br /> +War's visible hell let loose for forty hours,<br /> +And all her devils free to use their powers—<br /> +And yet not one man hit, her flag when Sumter lowers.</p> + +<p>"Oh, here's a theme!" quoth Punch, of brag abhorrent,<br /> + "'Twixt promise and performance rare proportion!<br /> +This show-cloth, of live lions, giving warrant,<br /> + Masking some mangy, stunted, stuffed abortion:<br /> +<span class="pagenum"><a name="n30">[30]</a></span> +These gorgeous covers hiding empty dishes,<br /> +These whale-like antics among little fishes—<br /> +Here is the very stuff to meet my dearest wishes.</p> + +<p>What ringing of each change on brag and bluster!<br /> + These figures huge of speech, summed in a zero:<br /> +This war-march, ushering in <i>Bombastes'</i> muster:<br /> + This entry of <i>Tom Thumb</i>, armed like a hero.<br /> +Of all great cries e'er raised o'er little wool,<br /> +Of all big bubbles by fools' breath filled full,<br /> +Sure here's the greatest yet, and emptiest, for <span class="smcap">John Bull</span>!</p> + +<p><span class="smcap">John</span> always thought <span class="smcap">Jonathan</span>, his young brother,<br /> + A little of a bully; said he swaggered:<br /> +But in all change of chaff with one another,<br /> + Nor <span class="smcap">John</span> nor <span class="smcap">Jonathan</span> was e'er called 'laggard.'<br /> +But now, if <span class="smcap">John</span> mayn't <span class="smcap">Jonathan</span> style 'coward,'<br /> +He <i>may</i> hint Stripes and Stars were better lowered<br /> +From that tall height to which, till now, their flag-staff towered."</p> + +<p><i>Punch</i> nibbed his pen, all jubilant, for galling—<br /> + When suddenly a weight weighed down the feather,<br /> +And a red liquid, drop by drop, slow falling,<br /> + Came from the nib; and the drops rolled together,<br /> +And steamed and smoked and sung—"Not ink, but blood;<br /> +Drops now, but soon to swell into a flood,<br /> +Perchance e'er Summer's leaf has burst Spring's guarding bud.</p> + +<p>Blood by a brother's hand drawn from a brother—<br /> + And they by whom 'tis ta'en, by whom 'tis given,<br /> +<span class="pagenum"><a name="n32">[32]</a></span> +Are both the children of an English mother;<br /> + Once with that mother, in her wrath, they've striven:<br /> +Was't not enough, that parricidal jar,<br /> +But they must now meet in fraternal war?<br /> +If such strife draw no blood shall England scoff therefore?</p> + +<p>If she will laugh, through thee, her chartered wit,<br /> + Use thou no ink wherewith to pen thy scoff:<br /> +We'll find a liquor for thy pen more fit—<br /> + We blood drops—see how smartly thou'lt round off<br /> +Point, pun and paragraph in this new way:<br /> +Till men shall read and laugh, and, laughing, say,<br /> +'Well thrust! <i>Punch</i> is in vein: 'tis his red-letter day.'"</p> + +<p>The weight sat on my quill: I could not write;<br /> + The red drops lustered to my pen—in vain;<br /> +I had my theme—"Brothers that meet in fight,<br /> + Yet shed no blood!"—my jesting mood turned pain.<br /> +I thought of all that civil love endears,<br /> +That civil strife breaks up and rends and sears,<br /> +And lo! the blood-drops in my pen were changed to tears!</p> + +<p>And for the hoarse tongues that those bloody gouts<br /> + Had found, or seemed to find, upon my ears<br /> +Came up a gentle song in linkèd bouts,<br /> + Of long-drawn sweetness—pity breathed through tears.</p> + +<p> And thus they sang—"'Twas not by chance,<br /> + Still less by fraud or fear,<br /> + That Sumter's battle came and closed,<br /> + Nor cost the world a tear."</p> + +</div> + +<p><span class="pagenum"><a name="n34">[34]</a></span></p> + +<p>It was the Southern victory of Bull Run and the +Northern policy of blockade that finally and definitely +changed the attitude of England and of +<i>Punch</i>. The victory gave hopes that the Confederates +might be successful in overturning a +hated and dreaded republic; the blockade aroused +fears that the pocket of the British manufacturer +might be damaged. All pretence of love for the +negro was swallowed up by these more potent and +more personal emotions.</p> + +<p>On November 2, 1861, in a cartoon and an +accompanying poem <i>Punch</i> sought to put its commercial +anxiety on an altruistic plane. Here +is the poem:</p> + +<p class="center">KING COTTON BOUND; OR, THE NEW +PROMETHEUS.</p> + +<div style="margin-left: 30%; "> + +<p>Far across Atlantic waters<br /> + Groans in chains a Giant King;<br /> +Like to him, whom Ocean's daughters<br /> + Wail around in mournful ring,<br /> +In the grand old Grecian strains<br /> +Of <span class="smcap">Prometheus</span> in his chains!</p> + +<p>Needs but Fancy's pencil pliant<br /> + Both to paint till both agree;<br /> +<span class="pagenum"><a name="n36">[36]</a></span> +For King Cotton is a giant,<br /> + As <span class="smcap">Prometheus</span> claimed to be.<br /> +Each gave blessings unto men,<br /> +Each dishonour reaped again.</p> + +<p>From the gods to sons of clay<br /> + If <span class="smcap">Prometheus</span> brought the flame,<br /> +Who King Cotton can gainsay,<br /> + Should he equal honour claim?<br /> +Fire and life to millions giving,<br /> +That, without him, had no living.</p> + +<p>And if they are one in blessing,<br /> + So in suffering they are one;<br /> + Freeze in frost and scorch in sun:<br /> +That, upon his mountain chain,<br /> +This, upon his parching plain.</p> + +<p>Nor the wild bird's self is wanting—<br /> + Either giant's torment sore;<br /> +If <span class="smcap">Prometheus</span> writhed, while panting<br /> + Heart and lungs the vulture tore,<br /> +So Columbia's eagle fierce,<br /> +Doth King Cotton's vitals pierce.</p> + +<p>On those wings so widely sweeping<br /> + In its poise the bird to keep,<br /> +See, if you can see for weeping.<br /> + "North" and "South" are branded deep—<br /> +<span class="pagenum"><a name="n38">[38]</a></span> +On the beak all reeking red,<br /> +On the talons blood-bespread!</p> + +<p>But 'tis not so much the anguish<br /> + Of the wound that rends his side,<br /> +Makes this fettered giant languish,<br /> + As the thought how once, in pride,<br /> +That great eagle took its stand,<br /> +Gently on his giant hand!</p> + +<p>How to it the meat he'd carry<br /> + In its mew to feed secure;<br /> +How he'd fling it on the quarry,<br /> + How recall it to the lure,<br /> +Make it stoop, to his caresses,<br /> +Hooded neck and jingling jesses.</p> + +<p>And another thought is pressing,<br /> + Like hot iron on his brain—<br /> +Millions that would fain be blessing,<br /> + Ban, e'en now, King Cotton's name.<br /> +Oh, that here those hands are bound,<br /> +Which should scatter wealth around!</p> + +<p>"Not this Eagle's screaming smothers<br /> + That sad sound across the sea—<br /> +Wailing babes and weeping mothers,<br /> + Wailing, weeping, wanting me.<br /> +Hands that I would fain employ,<br /> +Hearts that I would fill with joy!</p> + +<span class="pagenum"><a name="n40">[40]</a></span> + +<p>"I must writhe—a giant fettered,—<br /> + While those millions peak and pine;<br /> +By my wealth their lot unbettered,<br /> + And their suffering worse than mine.<br /> +For they know that I would fain<br /> +Help their need, were't not my chain!</p> + +<p>"But <i>I</i> know not where to turn me<br /> + For relief from bonds and woe;<br /> +Frosts may pinch and suns may burn me,<br /> + But for rescue—none I know,<br /> +Save the millions I have fed,<br /> +Should they rise for lack of bread—</p> + +<p>"Saying, 'We will brook no longer,<br /> + That King Cotton bound should be:<br /> +Be his gaolers strong, <i>we</i>'re stronger,<br /> + In our hunger o'er sea—<br /> +More for want, than love, uprisen,<br /> +We are come to break his prison!'</p> + +<p>"Welcome even such releasing,<br /> + Fain my work I'd be about:<br /> +Soon would want and wail be ceasing,<br /> + Were King Cotton once let out—<br /> +Though all torn and faint and bleeding,<br /> +Millions still I've strength for feeding."</p> +</div> + +<p>Then came an episode which did for the moment +set John Bull and <i>Punch</i> on a nobler basis. All +<span class="pagenum"><a name="n42">[42]</a></span> +during the Trent affair—when the United States +was obviously wrong in arresting the Confederate +Commissioners, Mason and Slidell, on board an +English ship—the Tenniel cartoons rose to the +higher level of just indignation.</p> + +<p>Even now, however, <i>Punch</i> was unable or unwilling +to see the magnanimity of Abraham Lincoln's +apology for an error not his own.</p> + +<p>This was all the more unjust because <i>Punch</i> was +both able and willing to discriminate between the +level-headed men of the North and the jingoes, +as this extract will show.</p> + +<p class="center">OUR DEAR BROTHER JONATHAN</p> + +<div class="blockquote"> + +<p>This delightful ebullition of fervent brotherly love has +most fittingly appeared in a Philadelphia paper:—</p> + +<p>"It may be, in view of all these grave considerations and +the sad necessities of the case, that, in order to avoid a war +which could only end in our discomfiture, the Administration +may be compelled to concede the demands of England, +and perhaps release <span class="smcap">Messrs. Mason</span> and <span class="smcap">Slidell</span>. God +forbid!—but in a crisis like this we must adapt ourselves to +stern circumstances, and yield every feeling of pride to maintain +our existence. If this contingency should ever arise—and +I am only speculating upon a disagreeable possibility—then +let us swear, not only to ourselves but our children +<span class="pagenum"><a name="n44">[44]</a></span> +who come after us, to repay this greedy, insolent, and cowardly +Power with the retribution of a just and fearful vengeance. +If England in our time of distress makes herself our foe, and +offers to be our assassin, we will treat her as a foe when we +can do so untrammeled and unmenaced by another enemy."</p> + +<p>"Greedy, insolent, and cowardly," these are nice fraternal +terms; and what a truly loving spirit is evinced by swearing +"fearful vengeance" upon the "assassin," and handing +to posterity the keeping of the oath!</p> + +<p>No whit less affectionate in feeling is what follows:—</p> + +<p>"If we do concede the demands of England, however, it +will only be because we desire to crush this rebellion, as a +duty we owe to mankind. It will be because we prefer to +master the great evil, and do not wish to be alienated from +our duty by an international and comparatively unimportant +quarrel; it will be because we prefer national salvation to +the gratification of any feeling of national pride. It will be +a great act of self-denial. But when we come from this rebellion +it will be with a magnificent army, educated and organised, +and with the sense of this wrong weighing upon +them. It will be with a navy competent to meet any navy +upon the globe. It will be for us then to remember how +England was our enemy in the day of our misfortune, and +to make that remembrance a dark and fearful page of her +history, and an eternal memory of our own."</p> + +<p>That these are the opinions of most people in America +nobody on this side of the Atlantic will believe. But that +<span class="pagenum"><a name="n46">[46]</a></span> +there are roughs and rowdies in the States, who as they have +nothing they can lose by war are always full of bluster and +warlike in their talk, this may any one in England very easily +conceive. Of course it is to please them that such stuff as we +have quoted is stuck in Yankee newspapers; and our sole +surprise is that the journals which admit it find it pays them +so to do. The rowdies as a rule are not overflushed with +wealth and can ill afford to spend their coppers upon literature, +which, the chances are, they scarcely would know +how to read.</p> +</div> + +<p>For the benefit of the American jingoes <i>Punch</i> +on December 7th, issued the following warning, +with an appropriate cartoon:</p> + +<p class="center">A WARNING TO JONATHAN;</p> + +<p class="center">OR, "DOTH HE WAG HIS TAIL?"</p> + +<div style="margin-left: 15%;"> + +<p><span class="smcap">Jonathan</span>, <span class="smcap">Jonathan</span>, 'ware of the Lion:<br /> + He's patient, he's placable, slow to take fire:<br /> +There are tricks which in safety a puppy might try on,<br /> + But from dogs of his <i>own</i> size they waken his ire.</p> + +<p>With your bounce and your bunkum you've pelted him often,<br /> + Good humoured he laughed as the missiles flew by,<br /> +Hard words you've employed, which he ne'er bid you soften,<br /> + As knowing your tallest of talk all my eye.</p> +<span class="pagenum"><a name="n48">[48]</a></span> + +<p>When you blustered he still was content with pooh-poohing,<br /> + When you flared up he just let the shavings burn out:<br /> +He knew you were fonder of talking than doing,<br /> + And Lions for trifles don't put themselves out.</p> + +<p>But beware how you tempt even leonine patience,<br /> + Or presume the old strength has forsaken his paw:<br /> +He's proud to admit you and he are relations,<br /> + But even relations may take too much law.</p> + +<p>If there's one thing he values, 'tis right of asylum;<br /> + Safe who rests 'neath the guard of the Lion must be:<br /> +In that shelter the hard-hunted fugitive whilome<br /> + Must be able to sleep the deep sleep of the free.</p> + +<p>Then think twice, and think well, ere from guard of the Lion<br /> + Those who seek his protection you try to withdraw:<br /> +Though <span class="smcap">Stowell</span> and <span class="smcap">Wheaten</span> and <span class="smcap">Kent</span> you rely on,<br /> + There are points on which Lions won't listen to jaw.</p> + +<p>Remember in time the old tale of the showman,<br /> + Who his head in the mouth of the Lion would sheath,<br /> +Till with lengthened impunity, bold as a Roman,<br /> + He seemed to forget that the Lion had teeth.</p> + +<p>But the time came at last, when all risks madly scorning,<br /> + He went just too far down that road rough and red,<br /> +When, with only one wag of his tail for a warning,<br /> + Snap went Leo's jaws, and off went <span class="smcap">Barnum's</span> head!</p> +</div> + +<p>This was followed up on December 14th, with one +<span class="pagenum"><a name="n50">[50]</a></span> +of Tenniel's finest cartoons, that entitled "Waiting +for an Answer."</p> + +<p>Two amusing bits of doggerel appeared in the +same number, one representing the British nation's +view of the international episode.</p> + +<p class="center">MRS. DURDEN ON THE AMERICAN DIFFICULTY</p> + +<div style="margin-left: 10%; "> + +<p>"Them there nasty good-for-nothing Yankees!" cried old <span class="smcap">Mrs. Durden</span>,<br /> +"Worrits me to that degree, it makes my life almost a burden.<br /> +Board our mail and seize our passengers, the ribbles! Goodness, gracious!<br /> +Like their imperence to be sure; 'tis that what makes 'em so owdacious.<br /> +<br /> +"What next now I wonder, Captain?" Answer <span class="smcap">Captain Skipper</span> made,<br /> +"Well Ma'am, our next move, I fancy, will be breaking their blockade."<br /> +"Blockhead! Ah!" exclaimed the lady. "Truer word was never spoken.<br /> +Drat the blockheads, all says I; may every head on 'em be broken!"</p> +</div> + +<p>The other is a bit of broad fun, in mockery of +the profuse volumes of smoke and sound which +were emitted by Yankee fire-eaters. +<span class="pagenum"><a name="n52">[52]</a></span></p> + +<p class="center">A VOICE FROM WASHINGTON</p> + +<p class="center"><i>From our Special Correspondent</i></p> + +<div style="margin-left: 30%;"> + +<p>We Yankees ain't given to brag;<br /> + <span class="smcap">John Bull</span>, we expect, has no notion<br /> +Of going to war; but his flag<br /> + If he does, we shall sweep from the ocean<br /> +And when the old vagabond lies<br /> + In a state of teetotal prostration,<br /> +Old Ireland in glory will rise,<br /> + Independence to win as a nation.</p> + +<p>Our breadstuffs from England kept back,<br /> + The sequel must be destitution.<br /> +Her famishing millions, in lack<br /> + Of food, will force on revolution.<br /> +<span class="smcap">Victoria</span> will have to retire;<br /> + Aristocracy, friends of Secession<br /> +Will be hurled down, and trod in the mire;<br /> + No more for to practise oppression.</p> + +<p>Rebellion we'll bring to an end,<br /> + The slaves 'mongst our heroes dividing,<br /> +Or arms to the niggers we'll lend,<br /> + To give their darned masters a hiding.<br /> +Work up all our cotton at home,<br /> + Let not one more bale be exported,<br /> +Have the world at our feet, like old Rome,<br /> + By the kings of the airth as was courted.</p> + +<p>Want money? I reckon not we;<br /> + A national debt we'll create,<br /> +<span class="pagenum"><a name="n54">[54]</a></span> +Twice as heavy as yourn, which will be,<br /> + For <span class="smcap">Samsons</span> like we air, no weight.<br /> +On Government bonds we shall borrow<br /> + Any money in Europe with ease.<br /> +Why London and Paris, to-morrow<br /> + Will lend us as much as we please.</p> + +<p>Foreign goods we shall purchase with paper,<br /> + Which let foreign usurers hold;<br /> +The British may swagger and vapour,<br /> + At home whilst we keep all our gold.<br /> +As <span class="smcap">Belmont</span> to <span class="smcap">Seward</span> has written,<br /> + Any stock may in Europe be "placed,"<br /> +And the chance, if the <span class="smcap">Rothschilds</span> ain't bitten,<br /> + Will be by the <span class="smcap">Barings</span> embraced</p> + +<p>We've twice before whipped all creation,<br /> + We've now got to whip it again.<br /> +We air a remarkable nation<br /> + Of modest, but resolute men.<br /> +<span class="smcap">John Bull</span>, then, allow us to kick you,<br /> + And don't go resenting the act,<br /> +Or into a cocked hat we'll lick you,<br /> + Yes, Sir-ree, you old hoss, that's a fact.</p> +</div> + +<p>The manly and tactful apology which represented +the feeling of the better sort of folk in America, +and which was wrung from a reluctant +cabinet by Abraham Lincoln, softened for a moment +the asperity of our old antagonist. The +<span class="pagenum"><a name="n56">[56]</a></span> +following rather amiable verses were written in +anticipation of the amicable settlement which +already (January 11, 1862), seemed probable:</p> + +<p class="center">A FAIR OFFER FROM JOHN BULL TO MISS COLUMBIA</p> + +<div style="margin-left: 15%"> + +<p>Shall we kiss and be friends? Why not? Sister <span class="smcap">Columbia</span>,<br /> + No more ugly faces let you and me pull;<br /> +Though we both have our tempers, our worries and troubles,<br /> + Let "bygones be bygones" for me, says <span class="smcap">John Bull</span>.</p> + +<p>You must own that you've given me a deal of bad language,<br /> + And have been far too free with your bunkum and brag;<br /> +<i>That</i> I'll pocket, if now, like a sensible woman,<br /> + You'll disclaim your friend <span class="smcap">Wilkes</span>, and salute the old flag.</p> + +<p>Fools may sneer and call family feelings all humbug,<br /> + But I feel that one blood in the veins of us flows:<br /> +Our tongues are the same, though I don't like your fashion<br /> + Of talking, (as you'd make <i>me</i> pay) through the nose.</p> + +<p>We snarled and we scratched, in the days of our folly,<br /> + When you wanted to leave me and start for yourself;<br /> +To think of those times makes me quite melancholy——<br /> + The blood that we wasted——the temper and pelf!</p> + +<p>When I vowed that I'd tame you, and make you knock under,<br /> + And you dared me and bit, like a vixen as well;<br /> +<span class="pagenum"><a name="n58">[58]</a></span> +I did think by this time we had both seen our blunder;<br /> + Meant to live as good friends and in peace buy and sell.</p> + +<p>But of late I can't think what the deuce has come o'er you:<br /> + First, you turn your own house out of window, and then,<br /> +Declare that <i>I</i> want to o'erreach you and floor you,<br /> + Stop my ships, seize my passengers, bully my men!</p> + +<p>I can stand a great deal from my own blood-relations,<br /> + And I know that your troubles your temper have soured;<br /> +But I can't take a blow, in the face of all nations,<br /> + And consent to see law by brute force overpowered.</p> + +<p>Only own your friend <span class="smcap">Wilkes</span> is a blundering bully,<br /> + And make over <span class="smcap">Mason</span> and <span class="smcap">Slidell</span> to me,<br /> +And all that is past, I'll condone, fair and fully,<br /> + Kiss you now, and in future, I <i>do</i> hope, agree!</p> +</div> + +<p>Yet Lincoln, the peacemaker of the occasion, +got little credit from <i>Punch</i>, which, indeed, began +now to pursue him with unremitting invective.</p> + +<p>The gorilla-like caricature of Lincoln's features +makes its first appearance in a cartoon wherein +this repulsive face is joined to a raccoon's +body.</p> + +<p>The "coon" is shown up a tree, Colonel Bull, +standing below, has drawn a bead on him with his +gun.</p> + +<p><span class="pagenum"><a name="n60">[60]</a></span></p> + +<p>"Air you in earnest, Colonel?" asks the +coon.</p> + +<p>"I am," replies the mighty Bull.</p> + +<p>"Don't fire," says the coon, "I'll come +down."</p> + +<p>Even Lincoln's proclamation emancipating the +slaves in the seceding states did not soften the +asperity of the old-time anti-slavery advocate. +<i>Punch</i> feigned to see in this message only the +ruse of a wily combatant driven to a last resource. +This idea is put into a quatrain, as follows:</p> + +<p class="center"><span class="smcap">The American Chess-Players</span></p> + +<p style="margin-left: 25%">Although of conquest Yankee North despairs,<br /> + His brain for some expedient wild he racks,<br /> +And thinks that having failed on the white squares,<br /> + He can't do worse by moving on the Blacks.</p> + +<p>Under the heading "One Good Turn Deserves +Another," Old Abe is shown extending musket, +sword and knapsack to a negro who refuses to be +cajoled by his honeyed words.</p> + +<p>"Why I do declare," says Abe, "it's my dear old +friend, Sambo! Course you'll fight for us, Sambo. +Lend us a hand, old hoss, do." +</p> + +<p><span class="pagenum"><a name="n62">[62]</a></span> +The same jibe finds vent in the following +poems:</p> + +<p class="center">ABE'S LAST CARD; OR, ROUGE-ET-NOIR</p> + +<div style="margin-left: 30%"> + +<p>Brag's our game: and awful losers<br /> + We've been on the <i>Red</i>.<br /> +Under and above the table,<br /> + Awfully we've bled.<br /> +Ne'er a stake have we adventured,<br /> + But we've lost it still<br /> +From Bull's Run and mad Manassas,<br /> + Down to Sharpsburg Hill.</p> + +<p>When luck's desperate, desperate venture<br /> + Still may bring it back:<br /> +So I'll chance it—neck or nothing—<br /> + Here I lead THE BLACK!<br /> +If I win, the South must pay for't,<br /> + Pay in fire and gore:<br /> +If I lose, I'm ne'er a dollar<br /> + Worse off than before.</p> + +<p>From the Slaves of Southern rebels<br /> + Thus I strike the chain:<br /> +But the slaves of loyal owners<br /> + Still shall slaves remain.<br /> +If their owners like to wop 'em,<br /> + They to wop are masters;<br /> +Or if they prefer to swop 'em,<br /> + Here are our shin-plasters!</p> + +<p><span class="pagenum"><a name="n64">[64]</a></span> +There! If that 'ere Proclamation<br /> + Does its holy work,<br /> +Rebeldom's annihilation<br /> + It did oughter work:<br /> +Back to Union, and you're welcome<br /> + Each to wop his nigger:<br /> +If not, at White let slip darky—<br /> + Guess I call that vigour!</p> +</div> + +<p>In September, 1862, the two combatants are +represented as sinking exhausted into the arms of +negro backers, who are vainly attempting to put +them on their feet. In the background stands a +self-important eagle arrayed in the Napoleonic +uniform and a biped lion dressed in a sack coat +and an air of conscious superiority.</p> + +<p>Says the eagle to the lion, "Don't you think we +ought to fetch the police?"</p> + +<p>The legend under the cartoon runs, "Not Up +to Time, or Interference Would Be Very Welcome."</p> + +<p>In the following January comes a well imagined +cartoon entitled "The Latest From Spirit Land," +showing the bluff and kindly ghost of George III +trying to enter into conversation with the stiffly +stupid ghost of Mr. Washington. "Well, Mr. +Washington," says George, "what do you think +<span class="pagenum"><a name="n66">[66]</a></span> +of your fine republic now, eh? What d'ye think? +What d'ye think, eh?" To which Mr. Washington +retorts with an inarticulate "Humph!"</p> + +<p>In May of 1863 a cartoon entitled "The Great +Cannon Game" shows Abe Lincoln playing billiards +with Jeff Davis. It is the latter's shot.</p> + +<p>"Hurrah for Charleston!" he cries; "that's +another to me."</p> + +<p>Abe Lincoln mutters in an aside, "Darned if he +ain't scored ag'in! I wish I could make a few +winning hazards for a change."</p> + +<p>An accompanying article entitled "The Great +American Billiard Match" is amusing enough +when read to-day in the light of the great "winning +hazards" that were to be made by Abe within less +than sixty days.</p> + +<div class="blockquote"> + +<p>"Considerable excitement," it runs, "has been caused in +sporting circles by this long protracted match, which, owing +to the style of play adopted by the parties, appears to make +but very little progress toward a finish. The largeness of +the stakes depending on the contest might be supposed to +make the players careful in their strokes, but few expected +that the game would last so long as it has done, and no one +now dare prophesy when it will be finished. It having been +resolved to play the cannon game, some anxiety at first was +<span class="pagenum"><a name="n68">[68]</a></span> +not unreasonably felt among the backers of Jeff Davis, +the crack player for the South; but the knowing ones, who +knew their man, made no attempt to hedge, notwithstanding +what was said about his being out of play and, in the cannon +game especially, somewhat overmatched. It is needless to +remark here that the first strokes which he made quite +justified their confidence, and, indeed, throughout the game +he has done nothing yet to shake it, so that if he have but a +fair amount of luck, his backers feel assured that he won't +easily be beaten, and an extra fluke or two might make +him win the match.</p> + +<p>"As for old Abe Lincoln, the champion player of the +North, his backers, we believe, are as confident as ever that +he is the best man, although at times his play has not appeared +to prove it. There is no doubt that he has more strength +at his command, but strength is of small use without knowing +how to use it. Abe Lincoln may have skill, but he has +not yet shown much of it; and certainly he more than once +has shown himself outgeneralled. His backers say he purposely +is playing a slow game, just to draw out his opponent +and see what he can do. In ninety days, they say, he is +cocksure of a victory, but this is an old boast, and nobody +except themselves now places any faith in it. Abe's famous +Bull Run stroke was a bad start to begin with, and his +Charleston break has ended in his having to screw back, +and thus slip into balk to save himself from mischief.</p> + +<p>How the game will end we won't pretend to prophesy. +<span class="pagenum"><a name="n70">[70]</a></span> +There are plenty of good judges, who still appear inclined +to bet in favor of the South and longish odds are offered +that the game will be a drawn one. Abe's attempt to pot +the niggers some put down as a foul stroke, but whether +foul or not, it added little to his score. Upon the whole +we think his play has not been much admired, although his +backers have been vehement in superlatively praising it. +There is more sympathy for the South, as being the weaker +side—a fact which Jeff's supporters indignantly deny, and +which certainly the North has not done much as yet toward +proving. Without ourselves inclining one way or the other, +we may express a neutral hope that the best player may win; +and we certainly shall echo the desire of all who watch the +game if we add that the sooner it is now played out the +better."</p> +</div> + +<p>The boasted "neutrality" was put to a rather +severe test when, in less than "ninety days," the +victory of which Abe's backers were "cock sure" +proved a double barrelled one at Vicksburg, in +Mississippi, and at Gettysburg, in Pennsylvania. +The news of these tremendous events set all the +Federal States of America shouting with triumph +on the succeeding Fourth of July. There were no +international cables in those days. Consequently +it was not until two weeks later that the news +reached England.</p> + +<p><span class="pagenum"><a name="n72">[72]</a></span></p> + +<p>In the interim, on that very July 4, certain +Northern Americans in London, all unconscious of +what had happened, celebrated their national +anniversary almost in earshot of the <i>Punch</i> office +to the great disgust of the gentlemen on its +staff.</p> + +<div class="blockquote"> + +<p>"There is something peculiarly graceful," [snarls Punch +in the issue for July 18th], "in celebrating Independence +Day in London. 'The Britishers whipped all the world +and we whipped the Britishers,' used to be the established +formula of Yankee self-glorification. It is the Yankees' +belief that they accomplished their secession from England +by simple conquest; triumphant superiority in arms. To +hold the anniversary of successful insurrection, not to say +rebellion, in the very den of the British lion, treading on +his tail and gently poking him with a playful boot tip, is to +compliment that noble animal with credit for some magnanimity. +The British residents in Paris would hardly +have the confiding generosity and the taste in like manner to +celebrate the return day of the Battle of Waterloo in the +French capital.</p> + +<p>"We pause here to ask whether the Confederates do not, +as they reasonably may, repeat the Yankee boast above +quoted with brag additional? Have they not begun to say, +'The Britishers whipped all the world, the Yankees whipped +the Britishers and we whipped the Yankees'? Not yet, +<span class="pagenum"><a name="n74">[74]</a></span> +perhaps. Averse to indulgence in premature exultation, +they may reserve that saying for Independence Day No. 2."</p> +</div> + +<p>In conclusion <i>Punch</i> makes this comment on +the fact that in honor of the anniversary the flag +of the United States had been hoisted on the summit +of certain buildings, "Shouldn't it have been hoisted +halfmast high?"</p> + +<p>The answer came in the form of a thunderous +negative with the next mail from America.</p> + +<p>Thereafter <i>Punch</i> lost his supreme interest in +the great Civil War. He made no allusions to +Gettysburg or to Vicksburg. The "neutral hope" +was painfully dampened by Northern triumphs. +His commercial sympathy was all with the losing +side. The wish was father to the not very neutral +thought that the negro might prove the undoing +of his Northern allies. On August 15 appeared a +cartoon entitled "Brutus and Cæsar, from the +American Edition of Shakespeare." To the tent +of Brutus (Lincoln) enters at night the ghost of +Cæsar, a black spectre. This colloquy occurs:—</p> + +<div class="blockquote"> + +<p>Brutus—Wall, now, do tell! Who's you?</p> + +<p>Cæsar—I am dy ebil genius, massa <span class="smcap"> Linking</span>. Dis child +am awful Inimpressional.</p> +</div> + +<p>In October appeared a cartoon headed with +<span class="pagenum"><a name="n76">[76]</a></span> +unconscious satire, "John Bull's Neutrality." +John Bull standing with his arms akimbo in the +doorway of his shop is glaring defiantly at two +bad boys, clad respectively in federal and in confederate +uniforms, who slink away before his +glance and drop the stones they were preparing +to hurl at his windows.</p> + +<p>"Look here, boys," says John, "I don't care +twopence for your noise, but if you throw stones +at my windows I must thrash you both."</p> + +<p>The same moral is enforced in the following +poem:—</p> + +<p class="center">MR. BULL TO HIS AMERICAN BULLIES</p> + +<div style="margin-left: 30%"> + +<p>Hoy, I say you two there, kicking<br /> + Up that row before my shop!<br /> +Do you want a good sound licking<br /> + Both? If not, you'd better stop.<br /> +Peg away at one another,<br /> + If you choose such fools to be:<br /> +But leave me alone; don't bother,<br /> + Bullyrag and worry me!</p> + +<p>Into your confounded quarrel!<br /> + Let myself be dragged I'll not<br /> +By you, fighting for a Merrill<br /> + Tariff; or your slavery lot.<br /> +<span class="pagenum"><a name="n78">[78]</a></span> +What I want to do with either<br /> + Is impartially to trade:<br /> +Nonsense I will stand from neither<br /> + Past the bounds of gasconade.</p> + +<p>You North, roaring, raving, yelling,<br /> + Hold your jaw, you booby, do;<br /> +What, d'ye threaten me for selling<br /> + Arms to South, as well as you?<br /> +South, at me don't bawl and bellow,<br /> + That won't make me take your part;<br /> +So you just be off, young fellow:<br /> + Now, you noisy chap, too, start!</p> + +<p>To be called names 'tis unpleasant;<br /> + Words, however, break no bones:<br /> +I control myself at present;<br /> + But beware of throwing stones!<br /> +I won't have my windows broken,<br /> + Mind, you brawlers, what I say,<br /> +See this stick, a striking token;<br /> + Cut your own, or civil stay.</p> +</div> + +<p>In a succeeding cartoon <i>Punch</i> called for a +separation between the fighters, for now, said he, +"dis-union is strength." Another cartoon hails +the fraternization—reported to have taken place +between negroes bearing the flags of the rival +armies—with the epigram "When black meets +black then comes the end of war." +<span class="pagenum"><a name="n80">[80]</a></span></p> + +<p>Henry Ward Beecher's visit to England, in +the autumn of 1863, is celebrated by a cartoon +and by a poem in which due praise is given to the +vigor of his oratory and to the excellence of his +intentions.</p> + +<p class="center">BRITISHER TO BEECHER</p> + +<div style="margin-left: 20%"> + +<p>Alas! what a pity it is, <span class="smcap">Parson Beecher</span>,<br /> + That you came not at once when Secession broke out,<br /> +As <span class="smcap">Abraham Lincoln's</span> Apostle, a preacher<br /> + Of the Union; a gospel which Englishmen doubt;<br /> + For that Union, you see,<br /> + Was a limb of our tree:<br /> + Its own branches to break themselves off are as free.</p> + +<p>Still, <span class="smcap">Beecher</span>, if you had been only sent hither,<br /> + When at first the Palmetto flag flouted the sky,<br /> +Commissioned foul slavery's faction to wither,<br /> + And this nation invoke to be Freedom's ally,<br /> + With your eloquent art<br /> + You had won England's heart;<br /> + We were fully disposed towards taking your part.</p> + +<p>Instead of a Reverend <span class="smcap">Beecher</span>, appealing<br /> + To our conscience, in Liberty's name, for the right,<br /> +We heard a cool scoundrel advise in the stealing<br /> + Of <span class="smcap">Britannia's</span> domains, North and South to unite;<br /> + And your papers were full<br /> + Of abuse of <span class="smcap">John Bull</span>;<br /> + Whilst he bore the blockade which withheld cotton wool.</p> +<span class="pagenum"><a name="n82">[82]</a></span> + +<p>Malevolence, taking our ill-will for granted,<br /> + Has reviled us, pursued us with bluster and threat,<br /> +Supposing itself the remembrance had planted<br /> + In our bosom of wrongs which we couldn't forget,<br /> + And should take, in its case<br /> + Of misfortune, as base<br /> + A revenge as itself would have ta'en in our place.</p> + +<p>Tirades against England, with menace of slaughter,<br /> + Never yet have your <span class="smcap">Sumners</span>, and such, ceased to pour,<br /> +Your bards talk of blowing us out of the water,<br /> + And threaten to "punish <span class="smcap">John Bull</span> at his door."<br /> + Now this isn't the way<br /> + To make Englishmen pray<br /> + That the Yankees may finish by gaining the day.</p> + +<p>An afterthought only is "Justice to Niggers;"<br /> + 'Tis a cry which those Yankees raised not till they found<br /> +That they for a long time had been pulling triggers,<br /> + At their slaveholding brothers, and gained little ground.<br /> + First <span class="smcap">Abe Lincoln</span> gave out<br /> + That he'd fain bring about,<br /> + The Re-union with slavery too, or without.</p> + +<p>So don't waste your words in attempts at persuasion,<br /> + Which impose on no Britain alive but a fool,<br /> +But husband your breath for another occasion,<br /> + That is, <span class="smcap">Beecher</span>, keep it your porridge to cool.<br /> + "Strictly neutral will I<br /> + Still remain standing by."<br /> + Says <span class="smcap">Britannia</span>: "D'ye see any green in my eye?"</p> +</div> + +<p><span class="pagenum"><a name="n84">[84]</a></span></p> + +<p>Later, <i>Punch</i> published this:</p> + +<p class="center">ADIEU TO MR. BEECHER</p> + +<div class="blockquote"> + +<p><span class="smcap">Mr. Beecher</span> has left us; he has sailed for America, +where he can tell his congregation just what he likes, but +where he will, we are sure, tell <span class="smcap">Messrs. Lincoln</span> and <span class="smcap">Seward</span> +the exact truth, namely that large numbers of the uneducated +classes crowded to hear a celebrated orator, and +that the press has been very good-natured to him. Also, +we hope he will say, because he knows it, that the educated +classes are at the present date just as Neutral in the matter +of the American quarrel as they were before the reverend +gentleman's arrival. Having duly stated these facts to the +<span class="smcap">President</span> and the Minister, <span class="smcap">Mr. Beecher</span> may put them +in any form he pleases before the delightful congregation, +whose members pay £40 a-year, each, for pews. And to +show that we part with him in all good nature, we immortalise +his witty allusion to ourselves in his farewell speech:—</p> + +<p>"I know my friend <i>Punch</i> thinks I have been serving out +'soothing syrup' to the British Lion. (<i>Laughter.</i>) Very +properly the picture represents me as putting a spoon into +the lion's ear instead of his mouth; and I don't wonder that +the great brute turns away very sternly from that plan of +feeding." (<i>Renewed Laughter.</i>)</p> + +<p>A gentler criticism upon us could not be, and we scorn to +retort that, having a respect for anatomy, we did not make +the lion's ear large enough to hold the other spoon depicted +<span class="pagenum"><a name="n86">[86]</a></span> +in that magnificent engraving. For the <span class="smcap">Reverend Beecher</span> +is not a spoon, whatever we may think of his audiences in +England. And so we wish him good-bye, and plenty of +greenbacks and green believers.</p> +</div> + +<p>The re-election of Abraham Lincoln, in November, +1864, called forth a grotesque and unpleasant +caricature of Lincoln as the "Federal Phœnix." +It was accompanied by these verses:</p> + +<p class="center">THE FEDERAL PHŒNIX</p> + +<div style="margin-left: 20%"> + +<p>When <span class="smcap">Herodotus</span>, surnamed "The Father of History"<br /> + (We are not informed who was History's mother),<br /> +Went a travelling to Egypt, that region of mystery,<br /> + Where each step presented some marvel or other,</p> + +<p>In a great city there, called (in Greek) Heliopolis,<br /> + The priests put him up to a strange story—rather—<br /> +Of a bird, who came up to that priestly metropolis,<br /> + Once in five hundred years, to inter its own father.</p> + +<p>When to filial feeling apparently callous,<br /> + Not a plume ruffled (as <i>we</i> should say, not a hair rent),<br /> +In a <i>pot-pourri</i> made of sweet-spice, myrrh, and aloes,<br /> + He flagrantly, burnt, after burying, his parent.</p> + +<p>But <span class="smcap">Pomponius Mela</span> has managed to gather<br /> + Of this curious story a modified version,<br /> +In which the bird burns up itself, not its father,<br /> + And soars to new life from its fiery immersion.</p> + +<p><span class="pagenum"><a name="n88">[88]</a></span> +This bird has oft figured in emblems and prophecies—<br /> + And though <span class="smcap">Snyders</span> ne'er painted its picture, nor <span class="smcap">Weenix</span><br /> +Its portraits on plates of a well-known fire-office is,<br /> + Which, after this bird's name, is christened the Phœnix.</p> + +<p>Henceforth a new Phœnix, from o'er the Atlantic,<br /> + Our old fire-office friend from his brass-plate displaces;<br /> +With a plumage of greenbacks, all ruffled, and antic<br /> + In <span class="smcap">Old Abe's</span> rueful phiz and <span class="smcap">Old Abe's</span> shambling graces.</p> + +<p>As the bird of Arabia wrought resurrection<br /> + By a flame all whose virtues grew out of what fed it,<br /> +So the Federal Phœnix has earned re-election<br /> + By a holocaust huge of rights, commerce, and credit.</p> +</div> + +<p>On December 10th, <i>Punch</i> published this brutal +burlesque anticipation of that noble speech made +by President Lincoln at his second Inauguration, +which has now taken its due rank among +the great masterpieces of forensic English:</p> + +<p class="center">PRESIDENT LINCOLN'S INAUGURAL SPEECH</p> + +<p class="center"><i>(By Ultramarine Telegraph)</i></p> + +<div class="blockquote"> + +<p><span class="smcap">Well</span>, we've done it, gentlemen. Bully for us. Cowhided +the Copperheads considerable. <i>Non nobis</i>, of course, but +still I reckon we have had a hand in the glory, some. That +reminds me of the Old World story about the Hand of Glory, +which I take to have been the limb of a gentleman who had +<span class="pagenum"><a name="n90">[90]</a></span> +been justified on the gallows, and which the witches turned +into a patent moderator lamp, as would lead a burglar safe +into any domicile which he might wish to plunder. We ain't +burglars, quite t'other, but I fancy that if <span class="smcap">Uly Grant</span> could +get hold of that kind and description of thing to help him into +Richmond, he'd not be so un-Christian proud as to refuse the +hand of a malefactor. (<i>Right, right!</i>) Well, right or left +hand, that's no odds, gentlemen. (<i>Laughter.</i>) Now I am +sovereign of the sovereign people of this great and united +republic for four years next ensuing the date hereof, as I +used to say when I was a lawyer. (<i>You are! Bully for you!</i>) +Yes, gentlemen, but you must do something more than bully +for me, you must fight for me, if you please, and whether you +please or not. As the old joke says, there's no compulsion, +only you must. Must is for the King, they say in the rotten +Old world. Well, I'm King, and you shall be Viceroys over +me. But I tell you again, and in fact I repeat it, that there's +man's work to do to beat these rebels. They <i>may</i> run away, +no doubt. As the Irishman says, pigs may fly, but they're +darned onlikely birds to do it. They must be well whipped, +gentlemen, and I must trouble you for the whipcord. (<i>You +shall have it!</i>) Rebellion is a wicked thing, gentlemen, an +awful wicked thing, and the mere nomenclating thereof +would make my hair stand on end, if it could be more standonender +than it is. (<i>Laughter.</i>) Truly awful, that is when +it is performed against mild, free, constitutional sway like +that of the White House, but of course right and glorious +<span class="pagenum"><a name="n92">[92]</a></span> +when perpetrated against ferocious, cruel, bloodthirsty old +tyrants like <span class="smcap">George the Third</span>. We must punish these +rebels for their own good, and to teach them the blessings of +this mighty and transcendental Union. (<i>We will, we will!</i>) All +very tall talking, gentlemen, but talking won't take Richmond. +If it would, and there had been six Richmonds in the field, +we should long since have took them all. If Richmond would +fall like Jericho, by every man blowing of his own trumpet, +we've brass enough in our band for that little feat in acoustics. +But when a cow sticks, as <span class="smcap">Grant</span> does, in the mud, +how then? (<i>Great laughter.</i>) Incontestably, gentlemen, +this great and mighty nation must give her a shove on. Shove +for Richmond, gentlemen. (<i>That's the talk!</i>) Now about +these eternal blacks, you expect me to say something touching +them, though I suppose we're none of us too fond of +touching them, for reasons in that case made and provided, +as I used to say. Well, listen. We've got them on our +hands, that's a fact, and it reminds me of a nigger story. +Two of these blacks met, and one had a fine new hat. +"Where you got dat hat, <span class="smcap">Sambo</span>?" says t'other. "Out ob +a shop, nigger," says <span class="smcap">Sambo</span>. "'Spex so," says t'other, "and +what might be the price ob dat hat?" "Can't say, zactly, +nigger, the shopkeeper didn't happen to be on the premises." +(<i>Laughter.</i>) Well, we've got the niggers, and I can't exactly +say—or at least I don't think you'd like to hear—what might +be the price of those articles. But we must utilise our hats, +gentlemen. We must make them dig and fight, that's a fact. +<span class="pagenum"><a name="n94">[94]</a></span> +There's no shame in digging, I suppose. Adam digged, and he +is a gentleman of older line than any of the bloated and slavish +aristocracies of Europe. And as for fighting, they must feel +honoured at doing that for the glorious old flag that has braved +for eighty-nine years and a-half, be the same little more or +less, the battle and the breeze. (<i>Cheers.</i>) Yes, and when +the rebellion's put down, we'll see what's to be done with +them. Perhaps if the naughty boys down South get uncommon +contrite hearts, we may make them a little present +of the blacks, not as slaves, of course, but as legal apprentices +with undefined salaries determinable on misconduct. +(<i>Cheers.</i>) Meantime, gentlemen, I won't deny that the +niggers are useful in the way of moral support. They give +this here war a holy character, and we can call it a crusade +for freedom. A man may call his house an island if he likes, +as has been said by one of those fiendish British writers who +abuse our hospitality by not cracking us up. (<i>War with +England!</i>) Well, all in good time, gentlemen. Let our +generals learn their business first. I don't blame them, +mind you, that they haven't learned it yet, for when a man +has kept a whiskey-store, or a bar, or an oyster-cellar, or an +old-clothes' shop for years, he can't be expected, merely +because he puts on a uniform, to become a Hannibal or a +Napoleon, or even a Marlborough or a Wellington. Likewise, +they must learn to keep reasonable sober. Friends at +a distance will please accept this intimation. (<i>Roars of +Laughter.</i>) When that's done, and the rebels are whipped, +<span class="pagenum"><a name="n96">[96]</a></span> +and we are in want of more fighting, we'll see whether Richmond +in England, where the <span class="smcap">Queen's</span> palace of Windsor +Castle is situate lying and being, is a harder nut to crack than +Richmond nearer us. (<i>Cheers.</i>) Gentlemen, one thing +more. Did you ever hear the story of the farmer who had +been insulted by an exciseman? "He wur so rude," said +the farmer, "that I wur obliged to remonstrate with him." +"And to what effect did you remonstrate?" asked a friend. +"Well I don't know about effect, but I bent the poker so that +I was obliged to get a hammer to straighten it." Gentlemen, +we must straighten this glorious Union, and the hammer is +taxes. (<i>Laughter.</i>) You may laugh, but you must pay. +I don't mean to be hard upon this mighty nation, and our +friend <span class="smcap">Mr. Cobden</span> (<i>cheers</i>) has already indirectly informed +the besotted masses of British slaves that we intend to repudiate +our greenbacks, except to the amount they may be +worth in the market when redeemed. But the poker wants +a deal of hammering, nevertheless, and you must pay up. +You'll hear more about this from a friend of mine in the +Government, so I only give you the hint, as the man said +when he kicked his uncle down-stairs. (<i>Laughter.</i>) I +believe that's about all I had to say, and this almighty Union +will be conserved to shine through the countless ages an +ineffable beacon and symbol of blessed and everlasting light +and glory if you will only mind the proverb of Sancho Panza, +which says, "Pray to God devoutly, and hammer on stoutly." +(<i>Laughter, cheers, and cries of "Bully for you!"</i>)</p> +</div> + +<p><span class="pagenum"><a name="n98">[98]</a></span></p> + +<p>On April 15, 1865, came a cartoon, a really +superb one, which is sometimes reckoned Tenniel's +masterpiece, entitled "Habet!" It represents the +combatants as gladiators before the enthroned and +imperial negroes ("Ave Cæsar!").</p> + +<p>But in sentiment at least a nobler was to come, +the affecting picture of Britannia's tribute and +<i>Punch's</i> amende, called simply "Abraham Lincoln, +foully assassinated April 14, 1865."</p> + +<p>The accompanying verses, by Tom Taylor, not, +as has sometimes been asserted, by Shirley +Brooks, were a complete recantation for former +misunderstanding and wrongdoing. They will +bear quoting again:—</p> + +<p class="center">ABRAHAM LINCOLN</p> + +<p class="center"><i>Foully Assassinated April, 14, 1865</i></p> + +<div style="margin-left: 25%"> + +<p>You lay a wreath on murdered Lincoln's bier,<br /> + You, who with mocking pencil wont to trace<br /> +Broad for the self-complacent British sneer<br /> + His length of shambling limb, his furrowed face,</p> + +<p>His gaunt, gnarled hands, his unkempt, bristling hair,<br /> + His garb uncouth, his bearing ill at ease;<br /> +His lack of all we prize as debonair,<br /> + Of power or will to shine, of art to please.</p> + +<p><span class="pagenum"><a name="n100">[100]</a></span> +You, whose smart pen backed up the pencil's laugh,<br /> + Judging each step, as though the way were plain;<br /> +Reckless, so it could point its paragraph<br /> + Of chief's perplexity or people's pain.</p> + +<p>Beside this corps, that beats for winding sheet<br /> + The Stars and Stripes he lived to rear anew,<br /> +Between the mourners at his head and feet,<br /> + Say, scurril-jester, is there room for you?</p> + +<p>Yes, he had lived to shame me from my sneer,<br /> + To lame my pencil, and confute my pen—<br /> +To make me own this hind of princes peer,<br /> + This rail-splitter a true-born king of men.</p> + +<p>My shallow judgment I had learnt to rue,<br /> + Noting how to occasion's height he rose,<br /> +How his quaint wit made home-truth seem more true,<br /> + How, iron-like, his temper grew by blows.</p> + +<p>How humble yet how hopeful he could be;<br /> + How in good fortune and in ill the same;<br /> +Nor bitter in success, nor boastful he,<br /> + Thirsty for gold, nor feverish for fame.</p> + +<p>He went about his work—such work as few<br /> + Ever had laid on head and heart and hand—<br /> +As one who knows where there's a task to do<br /> + Man's honest will must heaven's good grace command:</p> + +<p><span class="pagenum"><a name="n102">[102]</a></span> +Who trusts the strength will with the burden grow,<br /> + That God makes instruments to work his will,<br /> +If but that will we can arrive to know,<br /> + Nor tamper with the weights of good and ill.</p> + +<p>So he went forth to battle on the side<br /> + That he felt clear was liberty's and right's,<br /> +As in his peasant boyhood he had plied<br /> + His warfare with rude nature's thwarting mights—</p> + +<p>The uncleared forest, the unbroken soil,<br /> + The iron back, that turns the lumberer's axe;<br /> +The rapid, that o'erbears the boatman's toil,<br /> + The prairie, hiding the mazed wanderer's tracks,</p> + +<p>The ambushed Indian, and the prowling bear—<br /> + Such were the needs that helped his youth to train:<br /> +Rough culture—but such trees large fruit may bear<br /> + If but their stocks be of right girth and grain.</p> + +<p>So he grew up, a destined work to do,<br /> +<span class="pagenum"><a name="n104">[104]</a></span> + And lived to do it; four long-suffering years'<br /> +Ill-fate, ill-feeling, ill-report lived through,<br /> + And then he heard the hisses change to cheers,</p> + +<p>The taunts to tribute, the abuse to praise,<br /> + And took both with the same unwavering mood:<br /> +Till, as he came on light from darkling days<br /> + And seemed to touch the goal from where he stood,</p> + +<p>A felon hand, between the goal and him,<br /> + Reached from behind his back, a trigger prest—<br /> +<span class="pagenum"><a name="n108">[108]</a></span> +And those perplexed and patient eyes were dim,<br /> + Those gaunt, long-laboring limbs were laid to rest.</p> + +<p>The words of mercy were upon his lips,<br /> + Forgiveness in his heart and on his pen,<br /> +When this vile murderer brought swift eclipse<br /> + To thoughts of peace on earth, good will to men.</p> + +<p>The Old World and the New, from sea to sea,<br /> + Utter one voice of sympathy and shame!<br /> +Sore heart, so stopped when it at last beat high,<br /> + Sad life, cut short just as its triumph came.</p> + +<p>A deed accurst! Strokes have been struck before<br /> + By the assassin's hand, whereof men doubt<br /> +If more of horror or disgrace they bore;<br /> + But thy foul crime, like Cain's, stands darkly out.</p> + +<p>Vile hand, that brandest murder on a strife,<br /> + Whate'er its grounds, stoutly and nobly striven;<br /> +And with the martyr's crown crownest a life<br /> + With much to praise, little to be forgiven!</p> +</div> + +<p>From that time forward <i>Punch</i> took seriously +to heart the lesson he had taught himself, and his +relations with Brother Jonathan were thereafter +of a very different and a far more cordial kind. +of a very different and a far more cordial kind.</p> + +<p>That these verses made a profound impression +in the United States is undoubted. It has even +been opined that they were largely instrumental +<span class="pagenum"><a name="n113">[113]</a></span> +in preventing an imminent war between Great +Britain and the United States.</p> + +<p>Perhaps the effect would have been less if we +on this side had known how grudgingly the amende +was offered. Mr. A. H. Layard in his recent +"Life of Shirley Brooks" has invited us to take +a peep behind the <i>Punch</i> curtain. He shows +that the editorial staff of the paper was divided +in the matter, Shirley Brooks leading the opposition +against the publication of the poem. In Brooks' +diary Mr. Layard discovered the following entry:—</p> + +<p>"Dined <i>Punch</i>. All there. Let out my views +against some verses on Lincoln in which T. T. +(Tom Taylor) had not only made P. eat humble +pie, but swallow dish and all."</p> + +<hr style="width: 70%" /> + + + + +<h2>ILLUSTRATIONS</h2> + + +<p class="center"> Click image to enlarge<br /> +Use browser's "previous page" button to return</p> + +<hr style="width: 70%" /> + +<p><span class="pagenum"><a name="n114">[114]</a></span></p> + +<div class="caption"> +<a href="images/i012.png"> +<img style="width: 20%" src="images/i012tb.png" alt=" " title=" " /><br /> +DIVORCE A VINCULO.<br /> +Mrs. Carolina Asserts her Right to "Larrup" her Nigger.<br /> +[Punch: <span class="smcap">January</span> 19, 1861]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n115">[115]</a></span></p> + +<div class="caption"> +<a href="images/i014.png"> +<img style="width: 20%" src="images/i014tb.png" alt=" " title=" " /><br /> +THE AMERICAN DIFFICULTY.<br /> +<span class="smcap">President Abe</span>. "WHAT A NICE WHITE HOUSE THIS WOULD BE,<br /> +IF IT WERE NOT FOR THE BLACKS!"<br /> +[Punch: <span class="smcap">May</span> 11, 1861]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n116">[116]</a></span></p> + +<div class="caption"> +<a href="images/i016.png"> +<img style="width: 20%" src="images/i016tb.png" alt=" " title=" " /><br /> +"CÆSAR IMPERATOR!"<br /> +OR, THE AMERICAN GLADIATORS.<br /> +[Punch: <span class="smcap">May</span> 18, 1861]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n117">[117]</a></span></p> + +<div class="caption"> +<a href="images/i018.png"> +<img style="width: 30%" src="images/i018tb.png" alt=" " title=" " /><br /> +NAUGHTY JONATHAN.<br /> +"YOU SHAN'T INTERFERE, MOTHER—AND YOU OUGHT TO BE ON MY SIDE—AND +IT'S A GREAT SHAME—AND I DON'T<br />CARE—AND YOU SHALL INTERFERE—AND +I WON'T HAVE IT."<br /> +[Punch: <span class="smcap">July</span> 6, 1861]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n118">[118]</a></span></p> + +<div class="caption"> +<a href="images/i020.png"> +<img style="width: 30%" src="images/i020tb.png" alt=" " title=" " /><br /> +HOW THEY WENT TO TAKE CANADA.<br /> +"For the outrage offered in the Queen's Proclamation, the<br /> +United States will possess itself of Canada,"—New York Herald.<br /> +[Punch: <span class="smcap">August</span> 17, 1861]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n119">[119]</a></span></p> + +<div class="caption"> +<a href="images/i022.png"> +<img style="width: 30%" src="images/i022tb.png" alt=" " title=" " /><br /> +A FAMILY QUARREL<br /> +[Punch: <span class="smcap">September</span> 28, 1861.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n120">[120]</a></span></p> + +<div class="caption"> +<a href="images/i024.png"> +<img style="width: 20%" src="images/i024tb.png" alt=" " title=" " /><br /> +KING COTTON BOUND;<br />Or, The Modern Prometheus.<br /> +[Punch: <span class="smcap">November</span> 2, 1861.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n121">[121]</a></span></p> + +<div class="caption"> +<a href="images/i026.png"> +<img style="width: 30%" src="images/i026tb.png" alt=" " title=" " /><br /> +THE GENU-INE OTHELLO.<br /> +<span class="smcap">Othello.</span> "KEEP UP YOUR BRIGHT SWORDS, FOR DE DEW<br /> +WILL RUST DEM. · · · · BOTH YOU OB MY INCLINING, AND DE REST."<br /> +[Punch: <span class="smcap">November</span> 9, 1861.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n122">[122]</a></span></p> + +<div class="caption"> +<a href="images/i028.png"> +<img style="width: 30%" src="images/i028tb.png" alt=" " title=" " /><br /> +<span class="smcap">Mr. Bull.</span> "OH! IF YOU TWO LIKE FIGHTING BETTER THAN BUSINESS,<br /> +I SHALL DEAL AT THE OTHER SHOP."<br /> +[Punch: <span class="smcap">November</span> 16, 1861.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n123">[123]</a></span></p> + +<div class="caption"> +<a href="images/i030.png"> +<img style="width: 20%" src="images/i030tb.png" alt=" " title=" " /><br /> +THE WILFUL BOY.<br /> +<span class="smcap">Jonathan.</span> "I WILL FIGHT—I WILL HAVE A <b>NATIONAL DEBT</b><br /> +LIKE OTHER PEOPLE"<br /> +[Punch: <span class="smcap">November</span> 23, 1861.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n124">[124]</a></span></p> + +<div class="caption"> +<a href="images/i034.png"> +<img style="width: 20%" src="images/i034tb.png" alt=" " title=" " /><br /> +LOOK OUT FOR SQUALLS.<br /> +<span class="smcap">Jack Bull.</span> "YOU DO WHAT'S RIGHT, MY SON,<br /> +OR I'LL BLOW YOU OUT OF THE WATER."<br /> +[Punch: <span class="smcap">December</span> 7, 1861.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n125">[125]</a></span></p> + +<div class="caption"> +<a href="images/i036.png"> +<img style="width: 30%" src="images/i036tb.png" alt=" " title=" " /><br /> +A BAD CASE OF THROWING STONES.<br /> +<i>Mr Bull.</i> "<span class="smcap">Now mind You, Sir—no Shuffling—an ample Apology—or<br /> +I put the Matter into the hands of my Lawyers, Messrs. Whitworth and<br /> +Armstrong.</span>"<br /> +[Punch: <span class="smcap">December</span> 7, 1861.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n126">[126]</a></span></p> + +<div class="caption"> +<a href="images/i038.png"> +<img style="width: 20%" src="images/i038tb.png" alt=" " title=" " /><br /> +WAITING FOR AN ANSWER.<br /> +[Punch: <span class="smcap">December</span> 14, 1861.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n127">[127]</a></span></p> + +<div class="caption"> +<a href="images/i032.png"> +<img style="width: 30%" src="images/i032tb.png" alt=" " title=" " /><br /> +A LIKELY STORY.<br /> +<span class="smcap">Captain Jonathan, F.N.</span> "JIST LOOK'D IN TO SEE IF<br /> +THAR'S ANY REBELS HE-ARR."<br /> +<span class="smcap">Mr. Bull.</span> "OH, INDEED!—JOHN! LOOK AFTER THE PLATE-BASKET,<br /> +AND THEN FETCH A POLICEMAN."<br /> +[Punch: <span class="smcap">December</span> 21, 1861.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n128">[128]</a></span></p> + +<div class="caption"> +<a href="images/i040.png"> +<img style="width: 20%" src="images/i040tb.png" alt=" " title=" " /><br /> +COLUMBIA'S FIX.<br /> +<span class="smcap">Columbia.</span> "WHICH ANSWER SHALL I SEND?"<br /> +[Punch: <span class="smcap">December</span> 28, 1861.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n129">[129]</a></span></p> + +<div class="caption"> +<a href="images/i042.png"> +<img style="width: 30%" src="images/i042tb.png" alt=" " title=" " /><br /> +BOXING DAY.<br /> +<span class="smcap">Mr Punch.</span> "NOW THEN! WHICH END WILL YOU HAVE, JONATHAN?"<br /> +[Punch: <span class="smcap">January</span> 4, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n130">[130]</a></span></p> + +<div class="caption"> +<a href="images/i044.png"> +<img style="width: 20%" src="images/i044tb.png" alt=" " title=" " /><br /> +"UP A TREE."<br /> +Colonel Bull and the Yankee 'Coon.<br /> +<span class="smcap">'Coon.</span> "AIR YOU IN ARNEST, COLONEL?"<br /> +<span class="smcap">Colonel Bull.</span> "I AM."<br /> +<span class="smcap">'Coon.</span> "DON'T FIRE—I'LL COME DOWN."<br /> +[Punch: <span class="smcap">January</span> 11, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n131">[131]</a></span></p> + +<div class="caption"> +<a href="images/i046.png"> +<img style="width: 30%" src="images/i046tb.png" alt=" " title=" " /><br /> +NAUGHTY JONATHAN.<br /> +<span class="smcap">Mrs Britannia.</span> "THERE, JOHN! HE SAYS HE IS VERY SORRY,<br /> +AND THAT HE DIDN'T MEAN TO DO IT—SO YOU CAN PUT THIS BACK INTO<br /> +THE PICKLE-TUB."<br /> +[Punch: <span class="smcap">January</span> 18, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n132">[132]</a></span></p> + +<div class="caption"> +<a href="images/i048.png"> +<img style="width: 20%" src="images/i048tb.png" alt=" " title=" " /><br /> +OBERON AND TITANIA.<br /> +<span class="smcap">Oberon (Mr. President Lincoln)</span> "I DO BUT BEG A<br /> +LITTLE <b>NIGGER</b> BOY, TO BE MY HENCHMAN."<br /> +<span class="smcap">Titania (Miss Virginia)</span> "SET YOUR HEART AT REST,<br /> +THE <b>NORTHERN</b> LAND BUYS NOT THE CHILD OF ME."<br /> +[Punch: <span class="smcap">April</span> 5, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n133">[133]</a></span></p> + +<div class="caption"> +<a href="images/i111.png"> +<img style="width: 20%" src="images/i111tb.png" alt=" " title=" " /><br /> +PEACE.<br /> +MR. PUNCH'S DESIGN FOR A COLOSSAL STATUE, WHICH OUGHT TO HAVE<br /> +BEEN PLACED IN THE INTERNATIONAL EXHIBITION.<br /> +[Punch: <span class="smcap">May</span> 3, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n134">[134]</a></span></p> + +<div class="caption"> +<a href="images/i050.png"> +<img style="width: 20%" src="images/i050tb.png" alt=" " title=" " /><br /> +THE NEW ORLEANS PLUM.<br /> +BIG LINCOLN HORNER, UP IN A CORNER,<br /> +THINKING OF HUMBLE PIE; FOUND UNDER HIS THUMB,<br /> +A NEW ORLEANS PLUM, AND SAID, WHAT A 'CUTE YANKEE AM I!<br /> +[Punch: <span class="smcap">May</span> 24, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n135">[135]</a></span></p> + +<div class="caption"> +<a href="images/i052.png"> +<img style="width: 20%" src="images/i052tb.png" alt=" " title=" " /><br /> +THE "SENSATION" STRUGGLE IN AMERICA.<br /> +[Punch: <span class="smcap">June</span> 7, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n136">[136]</a></span></p> + +<div class="caption"> +<a href="images/i054.png"> +<img style="width: 20%" src="images/i054tb.png" alt=" " title=" " /><br /> +THE LATEST FROM AMERICA;<br /> +Or, the New York "Eye-Duster," to be taken Every Day.<br /> +[Punch: <span class="smcap">July</span> 26, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n137">[137]</a></span></p> + +<div class="caption"> +<a href="images/i056.png"> +<img style="width: 20%" src="images/i056tb.png" alt=" " title=" " /><br /> +ONE GOOD TURN DESERVES ANOTHER.<br /> +<span class="smcap">Old Abe.</span> "WHY I DU DECLARE IT'S MY DEAR OLD FRIEND SAMBO!<br /> +COURSE YOU'LL FIGHT FOR US, SAMBO. LEND US A HAND, OLD HOSS, DU!"<br /> +[Punch: <span class="smcap">August</span> 9, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n138">[138]</a></span></p> + +<div class="caption"> +<a href="images/i060.png"> +<img style="width: 20%" src="images/i060tb.png" alt=" " title=" " /><br /> +LINCOLN'S TWO DIFFICULTIES.<br /> +<span class="smcap">Lin.</span> "WHAT? NO MONEY! NO MEN!"<br /> +[Punch: <span class="smcap">August</span> 23, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n139">[139]</a></span></p> + +<div class="caption"> +<a href="images/i058.png"> +<img style="width: 30%" src="images/i058tb.png" alt=" " title=" " /><br /> +"NOT UP TO TIME;"<br /> +Or, Interference would be very Welcome.<br /> +[Punch: <span class="smcap">September</span> 13, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n140">[140]</a></span></p> + +<div class="caption"> +<a href="images/i064.png"> +<img style="width: 20%" src="images/i064tb.png" alt=" " title=" " /><br /> +THE OVERDUE BILL.<br /> +<span class="smcap">Mr. South to Mr. North.</span> "YOUR 'NINETY DAYS' PROMISSORY NOTE<br /> +ISN'T TAKEN UP YET, SIRREE!"<br /> +[Punch: <span class="smcap">September</span> 27, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n141">[141]</a></span></p> + +<div class="caption"> +<a href="images/i062.png"> +<img style="width: 30%" src="images/i062tb.png" alt=" " title=" " /><br /> +MORE FREE THAN WELCOME—A PROSPECTIVE FIX.<br /> +<i>Nigger.</i> "<span class="smcap">Now den, Massa Jonathan, what you goin' to do +wid dis Child? Eh?</span>"<br /> +[Punch: <span class="smcap">October</span> 18, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n142">[142]</a></span></p> + +<div class="caption"> +<a href="images/i066.png"> +<img style="width: 30%" src="images/i066tb.png" alt=" " title=" " /><br /> +ABE LINCOLN'S LAST CARD; OR, ROUGE-ET-NOIR.<br /> +[Punch: <span class="smcap">October</span> 18, 1862.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n143">[143]</a></span></p> + +<div class="caption"> +<a href="images/i068.png"> +<img style="width: 20%" src="images/i068tb.png" alt=" " title=" " /><br /> +LATEST FROM SPIRIT-LAND.<br /> +<span class="smcap">Ghost of King George III.</span> "WELL, MR. WASHINGTON, WHAT DO YOU<br /> +THINK OF YOUR FINE REPUBLIC NOW, EH?—WHAT D'YE THINK? WHAT D'YE THINK, EH?"<br /> +<span class="smcap">Ghost of Mr. Washington.</span> "HUMPH!"<br /> +[Punch: <span class="smcap">January</span> 10, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n144">[144]</a></span></p> + +<div class="caption"> +<a href="images/i070.png"> +<img style="width: 30%" src="images/i070tb.png" alt=" " title=" " /><br /> +SCENE FROM THE AMERICAN "TEMPEST."<br /> +<span class="smcap">Caliban (Sambo).</span> "<i>YOU</i> BEAT HIM 'NOUGH, MASSA!<br /> +BERRY LITTLE TIME, I'LL <i>BEAT HIM TOO</i>."—<span class="smcap">Shakspeare.</span><br /> +(<i>Nigger Translation.</i>)<br /> +[Punch: <span class="smcap">January</span> 24, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n145">[145]</a></span></p> + +<div class="caption"> +<a href="images/i072.png"> +<img style="width: 30%" src="images/i072tb.png" alt=" " title=" " /><br /> +"BEWARE!"<br /> +<span class="smcap">Keeper.</span>"HE AIN'T ASLEEP, YOUNG JONATHAN, SO YOU'D BEST NOT IRRITATE HIM".<br /> +[Punch: <span class="smcap">May</span> 2, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n146">[146]</a></span></p> + +<div class="caption"> +<a href="images/i074.png"> +<img style="width: 30%" src="images/i074tb.png" alt=" " title=" " /><br /> +THE GREAT "CANNON GAME."<br /> +<span class="smcap">Abe Lincoln (aside).</span> "DARN'D IF HE AIN'T SCORED AG'IN!—WISH<br /> +I COULD MAKE A FEW <i>WINNING</i> HAZARDS FOR A CHANGE."<br /> +[Punch: <span class="smcap">May</span> 9, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n147">[147]</a></span></p> + +<div class="caption"> +<a href="images/i076.png"> +<img style="width: 30%" src="images/i076tb.png" alt=" " title=" " /><br /> +"ROWDY" NOTIONS OF EMANCIPATION.<br /> +"The mob on the corner, below my house, had hung up a negro to the<br /> +lamp-post. In mockery, a cigar was placed in his mouth. * * * For<br /> +hours these scared negroes poured up Twenty-seventh Street, passing<br /> +my house. * * * One old negro, 70 years old, blind as a bat, and<br /> +such a cripple that he could hardly move, was led along by his<br /> +equally aged wife with a few rags they had saved, trembling with<br /> +fright, and not knowing where to go."—<span class="smcap">Manhattan's</span> <i>Letter in the Standard, July 30th.</i><br /> +[Punch: <span class="smcap">August</span> 8, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n148">[148]</a></span></p> + +<div class="caption"> +<a href="images/i078.png"> +<img style="width: 20%" src="images/i078tb.png" alt=" " title=" " /><br /> +BRUTUS AND CÆSAR.<br /> +(From the American Edition of Shakspeare.)<br /> +<i>The Tent of</i> <span class="smcap">Brutus (Lincoln)</span>. <i>Night. Enter the +Ghost of</i> <span class="smcap">Cæsar</span>.<br /> +<i>Brutus.</i> Wall, now! Do tell! Who's you?<br /> +<i>Cæsar.</i> I am dy ebil genus, massa <span class="smcap">Linking</span>.<br /> +Dis child am awful Inimpressional.<br /> +[Punch: <span class="smcap">August</span> 15, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n149">[149]</a></span></p> + +<div class="caption"> +<a href="images/i080.png"> +<img style="width: 20%" src="images/i080tb.png" alt=" " title=" " /><br /> +THE BLACK CONSCRIPTION.<br /> +"WHEN BLACK MEETS BLACK THEN COMES THE END (?) OF WAR.<br /> +[Punch: <span class="smcap">September</span> 26, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n150">[150]</a></span></p> + +<div class="caption"> +<a href="images/i082.png"> +<img style="width: 20%" src="images/i082tb.png" alt=" " title=" " /><br /> +JOHN BULL'S NEUTRALITY.<br /> +"LOOK HERE, BOYS, I DON'T CARE TWOPENCE FOR YOUR NOISE, BUT IF YOU<br /> +THROW STONES AT MY WINDOWS, I MUST <i>THRASH YOU BOTH</i>.<br /> +[Punch: <span class="smcap">October</span> 3, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n151">[151]</a></span></p> + +<div class="caption"> +<a href="images/i084.png"> +<img style="width: 30%" src="images/i084tb.png" alt=" " title=" " /><br /> +SCYLLA AND CHARYBDIS, OR THE MODERN ULYSSES.<br /> +[Punch: <span class="smcap">October</span> 10, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n152">[152]</a></span></p> + +<div class="caption"> +<a href="images/i086.png"> +<img style="width: 20%" src="images/i086tb.png" alt=" " title=" " /><br /> +THE STORM-SIGNAL.<br /> +We know not whence the storm may come,<br /> +<span style="margin-left: 0.5em;">But its coming's in the air,</span><br /> +And this is the warning of the drum,<br /> + Against the storm, <span class="smcap">Prepare</span>!<br /> +[Punch: <span class="smcap">October</span> 17, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n153">[153]</a></span></p> + +<div class="caption"> +<a href="images/i088.png"> +<img style="width: 30%" src="images/i088tb.png" alt=" " title=" " /><br /> +EXTREMES MEET.<br /> +<i>Abe.</i> Imperial son of <span class="smcap">Nicholas</span> the Great,<br /> +We air in the same fix, I calculate,<br /> +You with your Poles, with Southern rebels I,<br /> +Who spurn my rule and my revenge defy.<br /> +<i>Alex.</i> Vengeance is mine, old man; see where it falls,<br /> +Behold yon hearths laid waste, and ruined walls,<br /> +Yon gibbets, where the struggling patriot hangs,<br /> +Whilst my brave myrmidons enjoy his pangs.<br /> +[Punch: <span class="smcap">October</span> 24, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n154">[154]</a></span></p> + +<div class="caption"> +<a href="images/i090.png"> +<img style="width: 30%" src="images/i090tb.png" alt=" " title=" " /><br /> +"BEECHER'S AMERICAN SOOTHING SYRUP."<br /> +"If I have said anything against England, I'll stick to it.<br /> +<span style="margin-left: 0.5em;">* * * When I look not to the sentiments of popular assemblies,</span><br /> +but to such significant acts as the detention of those Rams at<br /> +Liverpool (<i>cheers</i>); when I look to such weighty words<br /> +as those spoken by <span class="smcap">Earl Russell</span> at Glasgow, and by<br /> +the Attorney General at Richmond * * * I feel that the two<br /> +nations are still one in the cause of civilisation, of religion,<br /> +and I trust we shall continue to be one in international policy,<br /> +and one in every enterprise."—<i>Rev. Ward Beecher at Exeter Hall.</i><br /> +[Punch: <span class="smcap">October</span> 31, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n155">[155]</a></span></p> + +<div class="caption"> +<a href="images/i092.png"> +<img style="width: 30%" src="images/i092tb.png" alt=" " title=" " /><br /> +"HOLDING A CANDLE TO THE *****" (MUCH THE SAME THING.)<br /> +[Punch: <span class="smcap">November</span> 7, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n156">[156]</a></span></p> + +<div class="caption"> +<a href="images/i094.png"> +<img style="width: 30%" src="images/i094tb.png" alt=" " title=" " /><br /> +NEUTRALITY.<br /> +<span class="smcap">Mrs. North.</span> "HOW ABOUT THE <i>ALABAMA</i> YOU WICKED OLD MAN?"<br /> +<span class="smcap">Mrs. South.</span> "WHERE'S MY RAMS? TAKE BACK YOUR PRECIOUS<br /> +CONSULS—THERE!!!"<br /> +[Punch: <span class="smcap">November</span> 14, 1863.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n157">[157]</a></span></p> + +<div class="caption"> +<a href="images/i096.png"> +<img style="width: 20%" src="images/i096tb.png" alt=" " title=" " /><br /> +SOMETHING FOR PADDY.<br /> +<span class="smcap">O'Connell's Statue (loq).</span> "IT'S A <i>REPALER</i> YE CALL<br /> +YOURSELF, YE SPALPEEN, AND YOU'RE GOIN' TO DIE FOR THE <i>UNION</i>."<br /> +[Punch: <span class="smcap">August</span> 20, 1864.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n158">[158]</a></span></p> + +<div class="caption"> +<a href="images/i098.png"> +<img style="width: 20%" src="images/i098tb.png" alt=" " title=" " /><br /> +VERY PROBABLE.<br /> +<span class="smcap">Lord Punch.</span> "THAT WAS JEFF DAVIS, PAM! DON'T YOU RECOGNISE HIM?"<br /> +<span class="smcap">Lord Pam.</span> "HM! WELL, NOT EXACTLY—MAY HAVE TO DO SO SOME OF THESE DAYS."<br /> +[Punch: <span class="smcap">August</span> 27, 1864.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n159">[159]</a></span></p> + +<div class="caption"> +<a href="images/i100.png"> +<img style="width: 30%" src="images/i100tb.png" alt=" " title=" " /><br /> +MRS. NORTH AND HER ATTORNEY.<br /> +<span class="smcap">Mrs. North.</span> "YOU SEE, MR. LINCOLN, WE HAVE FAILED UTTERLY IN<br /> +OUR COURSE OF ACTION; I WANT PEACE, AND SO, IF YOU CANNOT<br /> +EFFECT AN AMICABLE ARRANGEMENT, I MUST PUT THE CASE INTO OTHER HANDS."<br /> +[Punch: <span class="smcap">September</span> 24, 1864.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n160">[160]</a></span></p> + +<div class="caption"> +<a href="images/i101.png"> +<img style="width: 30%" src="images/i101tb.png" alt=" " title=" " /><br /> +COLUMBIA'S SEWING-MACHINE.<br /> +<span class="smcap">Mrs. Britannia.</span> "AH, MY DEAR COLUMBIA, IT'S ALL VERY WELL;<br /> +BUT I'M AFRAID YOU'LL FIND IT DIFFICULT TO JOIN <i>THAT</i> NEATLY."<br /> +[Punch: <span class="smcap">October</span> 1, 1864.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n161">[161]</a></span></p> + +<div class="caption"> +<a href="images/i102.png"> +<img style="width: 30%" src="images/i102tb.png" alt=" " title=" " /><br /> +THE BLACK DRAFT.<br /> +[Punch: <span class="smcap">November</span> 19, 1864.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n162">[162]</a></span></p> + +<div class="caption"> +<a href="images/i104.png"> +<img style="width: 20%" src="images/i104tb.png" alt=" " title=" " /><br /> +THE FEDERAL PHŒNIX.<br /> +[Punch: <span class="smcap">December</span> 3, 1864.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n163">[163]</a></span></p> + +<div class="caption"> +<a href="images/i105.png"> +<img style="width: 20%" src="images/i105tb.png" alt=" " title=" " /><br /> +GRAND TRANSFORMATION SCENE FOR THE END OF THE YEAR 1864.<br /> +[Punch: <span class="smcap">December</span> 31, 1864.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n164">[164]</a></span></p> + +<div class="caption"> +<a href="images/i106.png"> +<img style="width: 20%" src="images/i106tb.png" alt=" " title=" " /><br /> +THE THREATENING NOTICE.<br /> +<span class="smcap">Attorney Lincoln.</span> "NOW UNCLE SAM, YOU'RE IN A DARNED HURRY TO<br /> +SERVE THIS HERE NOTICE ON JOHN BULL. NOW, IT'S MY DUTY, AS YOUR<br /> +ATTORNEY, TO TELL YOU THAT YOU <i>MAY</i> DRIVE HIM TO GO OVER TO<br /> +THAT CUSS, DAVIS——" (<i>Uncle Sam Considers.</i>)<br /> +[Punch: <span class="smcap">February</span> 181, 1865.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n165">[165]</a></span></p> + +<div class="caption"> +<a href="images/i108.png"> +<img style="width: 30%" src="images/i108tb.png" alt=" " title=" " /><br /> +VULCAN IN THE SULKS.<br /> +<span class="smcap">Britannia.</span> "IF YOU TURN SULKY, AND WON'T MAKE MY ARMOUR,<br /> +<span style="margin-left: 0.5em;">HOW SHALL I BE ABLE TO RESIST MARS?"</span><br /> +[Punch: <span class="smcap">March</span> 25, 1865.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n166">[166]</a></span></p> + +<div class="caption"> +<a href="images/i109.png"> +<img style="width: 30%" src="images/i109tb.png" alt=" " title=" " /><br /> +THE AMERICAN GLADIATORS—HABET!<br /> +[Punch: <span class="smcap">April</span> 29, 1865.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<p> </p> + +<p><span class="pagenum"><a name="n167">[167]</a></span></p> + +<div class="caption"> +<a href="images/i110.png"> +<img style="width: 30%" src="images/i110tb.png" alt=" " title=" " /><br /> +BRITANNIA SYMPATHISES WITH COLUMBIA.<br /> +[Punch: <span class="smcap">May</span> 6, 1865.]</a> +</div> + +<p class="pagenum"><a href="#nlist">To top<br />of list</a></p> + +<p> </p> + +<hr style="width: 70%" /> + +<p> +Transcriber's Note.<br /> +(1) Spelling, punctuation and typographical errors have been corrected,<br /> +with the exception of those which occur in the illustrations and text<br /> +copied directly from "Punch".<br /> +(2) The book titles on images 4 and 8 have been removed as unnecessary<br /> +duplications.<br /> +(3) Most of the 49 pages of text consist of lengthy paragraphs, blockquotes<br /> +and poems. Only a small proportion relate to specific adjacent cartoons,<br /> +which are nearly all in chronological order, full-size on alternate pages of the<br /> +book. As a result of these two factors, normal HTML-version procedures<br /> +created an unacceptably uncomfortable read, often breaking with only a few<br /> +lines of text between two screen-width illustrations, completely irrelevant<br /> +to the nearby text. It was therefore decided to move all the cartoons to the<br /> +end of the book, with links to the List of Illustrations.<br /> +(4) Resulting from the decision in (3), the page numbers in the List of<br /> +Illustrations coincide with the restructured format, not with the original book. +</p> +<p>***END OF THE PROJECT GUTENBERG EBOOK ABRAHAM LINCOLN AND THE LONDON PUNCH***</p> +<p>******* This file should be named 38056-h.txt or 38056-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="http://www.gutenberg.org/dirs/3/8/0/5/38056">http://www.gutenberg.org/3/8/0/5/38056</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution.</p> + + + +<pre> +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +<a href="http://www.gutenberg.org/license">http://www.gutenberg.org/license)</a>. + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://www.gutenberg.org/fundraising/pglaf + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + +<a href="http://www.gutenberg.org">http://www.gutenberg.org</a> + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + +<a href="http://www.gutenberg.org/dirs/etext06/">http://www.gutenberg.org/dirs/etext06/</a> + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + +http://www.gutenberg.org/dirs/1/0/2/3/10234 + +or filename 24689 would be found at: +http://www.gutenberg.org/dirs/2/4/6/8/24689 + +An alternative method of locating eBooks: +<a href="http://www.gutenberg.org/dirs/GUTINDEX.ALL">http://www.gutenberg.org/dirs/GUTINDEX.ALL</a> + +*** END: FULL LICENSE *** +</pre> +</body> +</html> diff --git a/38056-h/images/i003.png b/38056-h/images/i003.png Binary files differnew file mode 100644 index 0000000..f5ea2a1 --- /dev/null +++ b/38056-h/images/i003.png diff --git a/38056-h/images/i003tb.png b/38056-h/images/i003tb.png Binary files differnew file mode 100644 index 0000000..eae7350 --- /dev/null +++ b/38056-h/images/i003tb.png diff --git a/38056-h/images/i004.jpg b/38056-h/images/i004.jpg Binary files differnew file mode 100644 index 0000000..e420163 --- /dev/null +++ b/38056-h/images/i004.jpg diff --git a/38056-h/images/i012.png b/38056-h/images/i012.png Binary files differnew file mode 100644 index 0000000..0a19822 --- /dev/null +++ b/38056-h/images/i012.png diff --git a/38056-h/images/i012tb.png b/38056-h/images/i012tb.png Binary files differnew file mode 100644 index 0000000..051cb4f --- /dev/null +++ b/38056-h/images/i012tb.png diff --git a/38056-h/images/i014.png b/38056-h/images/i014.png Binary files differnew file mode 100644 index 0000000..b629668 --- /dev/null +++ b/38056-h/images/i014.png diff --git a/38056-h/images/i014tb.png b/38056-h/images/i014tb.png Binary files differnew file mode 100644 index 0000000..beba86f --- /dev/null +++ b/38056-h/images/i014tb.png diff --git a/38056-h/images/i016.png b/38056-h/images/i016.png Binary files differnew file mode 100644 index 0000000..bcc6a55 --- /dev/null +++ b/38056-h/images/i016.png diff --git a/38056-h/images/i016tb.png b/38056-h/images/i016tb.png Binary files differnew file mode 100644 index 0000000..d67d020 --- /dev/null +++ b/38056-h/images/i016tb.png diff --git a/38056-h/images/i018.png b/38056-h/images/i018.png Binary files differnew file mode 100644 index 0000000..93bb6fb --- /dev/null +++ b/38056-h/images/i018.png diff --git a/38056-h/images/i018tb.png b/38056-h/images/i018tb.png Binary files differnew file mode 100644 index 0000000..eb50cb1 --- /dev/null +++ b/38056-h/images/i018tb.png diff --git a/38056-h/images/i020.png b/38056-h/images/i020.png Binary files differnew file mode 100644 index 0000000..ec0f2f4 --- /dev/null +++ b/38056-h/images/i020.png diff --git a/38056-h/images/i020tb.png b/38056-h/images/i020tb.png Binary files differnew file mode 100644 index 0000000..8c4c48b --- /dev/null +++ b/38056-h/images/i020tb.png diff --git a/38056-h/images/i022.png b/38056-h/images/i022.png Binary files differnew file mode 100644 index 0000000..6ec3b29 --- /dev/null +++ b/38056-h/images/i022.png diff --git a/38056-h/images/i022tb.png b/38056-h/images/i022tb.png Binary files differnew file mode 100644 index 0000000..ada4957 --- /dev/null +++ b/38056-h/images/i022tb.png diff --git a/38056-h/images/i024.png b/38056-h/images/i024.png Binary files differnew file mode 100644 index 0000000..882fa98 --- /dev/null +++ b/38056-h/images/i024.png diff --git a/38056-h/images/i024tb.png b/38056-h/images/i024tb.png Binary files differnew file mode 100644 index 0000000..0e67504 --- /dev/null +++ b/38056-h/images/i024tb.png diff --git a/38056-h/images/i026.png b/38056-h/images/i026.png Binary files differnew file mode 100644 index 0000000..39918f3 --- /dev/null +++ b/38056-h/images/i026.png diff --git a/38056-h/images/i026tb.png b/38056-h/images/i026tb.png Binary files differnew file mode 100644 index 0000000..30c93a3 --- /dev/null +++ b/38056-h/images/i026tb.png diff --git a/38056-h/images/i028.png b/38056-h/images/i028.png Binary files differnew file mode 100644 index 0000000..536724a --- /dev/null +++ b/38056-h/images/i028.png diff --git a/38056-h/images/i028tb.png b/38056-h/images/i028tb.png Binary files differnew file mode 100644 index 0000000..0bdb7df --- /dev/null +++ b/38056-h/images/i028tb.png diff --git a/38056-h/images/i030.png b/38056-h/images/i030.png Binary files differnew file mode 100644 index 0000000..cb3b7cd --- /dev/null +++ b/38056-h/images/i030.png diff --git a/38056-h/images/i030tb.png b/38056-h/images/i030tb.png Binary files differnew file mode 100644 index 0000000..e21d3b5 --- /dev/null +++ b/38056-h/images/i030tb.png diff --git a/38056-h/images/i032.png b/38056-h/images/i032.png Binary files differnew file mode 100644 index 0000000..3b4cbf9 --- /dev/null +++ b/38056-h/images/i032.png diff --git a/38056-h/images/i032tb.png b/38056-h/images/i032tb.png Binary files differnew file mode 100644 index 0000000..c7ad04b --- /dev/null +++ b/38056-h/images/i032tb.png diff --git a/38056-h/images/i034.png b/38056-h/images/i034.png Binary files differnew file mode 100644 index 0000000..27b1578 --- /dev/null +++ b/38056-h/images/i034.png diff --git a/38056-h/images/i034tb.png b/38056-h/images/i034tb.png Binary files differnew file mode 100644 index 0000000..0086829 --- /dev/null +++ b/38056-h/images/i034tb.png diff --git a/38056-h/images/i036.png b/38056-h/images/i036.png Binary files differnew file mode 100644 index 0000000..4b445c0 --- /dev/null +++ b/38056-h/images/i036.png diff --git a/38056-h/images/i036tb.png b/38056-h/images/i036tb.png Binary files differnew file mode 100644 index 0000000..570d9cc --- /dev/null +++ b/38056-h/images/i036tb.png diff --git a/38056-h/images/i038.png b/38056-h/images/i038.png Binary files differnew file mode 100644 index 0000000..74a6318 --- /dev/null +++ b/38056-h/images/i038.png diff --git a/38056-h/images/i038tb.png b/38056-h/images/i038tb.png Binary files differnew file mode 100644 index 0000000..2952b9a --- /dev/null +++ b/38056-h/images/i038tb.png diff --git a/38056-h/images/i040.png b/38056-h/images/i040.png Binary files differnew file mode 100644 index 0000000..ee5a532 --- /dev/null +++ b/38056-h/images/i040.png diff --git a/38056-h/images/i040tb.png b/38056-h/images/i040tb.png Binary files differnew file mode 100644 index 0000000..cded029 --- /dev/null +++ b/38056-h/images/i040tb.png diff --git a/38056-h/images/i042.png b/38056-h/images/i042.png Binary files differnew file mode 100644 index 0000000..b806082 --- /dev/null +++ b/38056-h/images/i042.png diff --git a/38056-h/images/i042tb.png b/38056-h/images/i042tb.png Binary files differnew file mode 100644 index 0000000..70f304e --- /dev/null +++ b/38056-h/images/i042tb.png diff --git a/38056-h/images/i044.png b/38056-h/images/i044.png Binary files differnew file mode 100644 index 0000000..3abaf63 --- /dev/null +++ b/38056-h/images/i044.png diff --git a/38056-h/images/i044tb.png b/38056-h/images/i044tb.png Binary files differnew file mode 100644 index 0000000..b74fef5 --- /dev/null +++ b/38056-h/images/i044tb.png diff --git a/38056-h/images/i046.png b/38056-h/images/i046.png Binary files differnew file mode 100644 index 0000000..a36b15f --- /dev/null +++ b/38056-h/images/i046.png diff --git a/38056-h/images/i046tb.png b/38056-h/images/i046tb.png Binary files differnew file mode 100644 index 0000000..e2cf576 --- /dev/null +++ b/38056-h/images/i046tb.png diff --git a/38056-h/images/i048.png b/38056-h/images/i048.png Binary files differnew file mode 100644 index 0000000..af660d4 --- /dev/null +++ b/38056-h/images/i048.png diff --git a/38056-h/images/i048tb.png b/38056-h/images/i048tb.png Binary files differnew file mode 100644 index 0000000..e2d3aa8 --- /dev/null +++ b/38056-h/images/i048tb.png diff --git a/38056-h/images/i050.png b/38056-h/images/i050.png Binary files differnew file mode 100644 index 0000000..801d2a9 --- /dev/null +++ b/38056-h/images/i050.png diff --git a/38056-h/images/i050tb.png b/38056-h/images/i050tb.png Binary files differnew file mode 100644 index 0000000..5af6b5f --- /dev/null +++ b/38056-h/images/i050tb.png diff --git a/38056-h/images/i052.png b/38056-h/images/i052.png Binary files differnew file mode 100644 index 0000000..8c5b9ee --- /dev/null +++ b/38056-h/images/i052.png diff --git a/38056-h/images/i052tb.png b/38056-h/images/i052tb.png Binary files differnew file mode 100644 index 0000000..8f12d44 --- /dev/null +++ b/38056-h/images/i052tb.png diff --git a/38056-h/images/i054.png b/38056-h/images/i054.png Binary files differnew file mode 100644 index 0000000..a1f6454 --- /dev/null +++ b/38056-h/images/i054.png diff --git a/38056-h/images/i054tb.png b/38056-h/images/i054tb.png Binary files differnew file mode 100644 index 0000000..79e02bd --- /dev/null +++ b/38056-h/images/i054tb.png diff --git a/38056-h/images/i056.png b/38056-h/images/i056.png Binary files differnew file mode 100644 index 0000000..e105c36 --- /dev/null +++ b/38056-h/images/i056.png diff --git a/38056-h/images/i056tb.png b/38056-h/images/i056tb.png Binary files differnew file mode 100644 index 0000000..aa774c3 --- /dev/null +++ b/38056-h/images/i056tb.png diff --git a/38056-h/images/i058.png b/38056-h/images/i058.png Binary files differnew file mode 100644 index 0000000..6e4ac7f --- /dev/null +++ b/38056-h/images/i058.png diff --git a/38056-h/images/i058tb.png b/38056-h/images/i058tb.png Binary files differnew file mode 100644 index 0000000..10b43b3 --- /dev/null +++ b/38056-h/images/i058tb.png diff --git a/38056-h/images/i060.png b/38056-h/images/i060.png Binary files differnew file mode 100644 index 0000000..bbff000 --- /dev/null +++ b/38056-h/images/i060.png diff --git a/38056-h/images/i060tb.png b/38056-h/images/i060tb.png Binary files differnew file mode 100644 index 0000000..4db48e8 --- /dev/null +++ b/38056-h/images/i060tb.png diff --git a/38056-h/images/i062.png b/38056-h/images/i062.png Binary files differnew file mode 100644 index 0000000..974915a --- /dev/null +++ b/38056-h/images/i062.png diff --git a/38056-h/images/i062tb.png b/38056-h/images/i062tb.png Binary files differnew file mode 100644 index 0000000..fa50979 --- /dev/null +++ b/38056-h/images/i062tb.png diff --git a/38056-h/images/i064.png b/38056-h/images/i064.png Binary files differnew file mode 100644 index 0000000..64bad2d --- /dev/null +++ b/38056-h/images/i064.png diff --git a/38056-h/images/i064tb.png b/38056-h/images/i064tb.png Binary files differnew file mode 100644 index 0000000..196a0dd --- /dev/null +++ b/38056-h/images/i064tb.png diff --git a/38056-h/images/i066.png b/38056-h/images/i066.png Binary files differnew file mode 100644 index 0000000..213a4c9 --- /dev/null +++ b/38056-h/images/i066.png diff --git a/38056-h/images/i066tb.png b/38056-h/images/i066tb.png Binary files differnew file mode 100644 index 0000000..b491317 --- /dev/null +++ b/38056-h/images/i066tb.png diff --git a/38056-h/images/i068.png b/38056-h/images/i068.png Binary files differnew file mode 100644 index 0000000..d4aa698 --- /dev/null +++ b/38056-h/images/i068.png diff --git a/38056-h/images/i068tb.png b/38056-h/images/i068tb.png Binary files differnew file mode 100644 index 0000000..b4a1611 --- /dev/null +++ b/38056-h/images/i068tb.png diff --git a/38056-h/images/i070.png b/38056-h/images/i070.png Binary files differnew file mode 100644 index 0000000..245aff1 --- /dev/null +++ b/38056-h/images/i070.png diff --git a/38056-h/images/i070tb.png b/38056-h/images/i070tb.png Binary files differnew file mode 100644 index 0000000..0c20b7e --- /dev/null +++ b/38056-h/images/i070tb.png diff --git a/38056-h/images/i072.png b/38056-h/images/i072.png Binary files differnew file mode 100644 index 0000000..c0202f9 --- /dev/null +++ b/38056-h/images/i072.png diff --git a/38056-h/images/i072tb.png b/38056-h/images/i072tb.png Binary files differnew file mode 100644 index 0000000..c3d1a48 --- /dev/null +++ b/38056-h/images/i072tb.png diff --git a/38056-h/images/i074.png b/38056-h/images/i074.png Binary files differnew file mode 100644 index 0000000..44e556a --- /dev/null +++ b/38056-h/images/i074.png diff --git a/38056-h/images/i074tb.png b/38056-h/images/i074tb.png Binary files differnew file mode 100644 index 0000000..eab74b9 --- /dev/null +++ b/38056-h/images/i074tb.png diff --git a/38056-h/images/i076.png b/38056-h/images/i076.png Binary files differnew file mode 100644 index 0000000..a026e08 --- /dev/null +++ b/38056-h/images/i076.png diff --git a/38056-h/images/i076tb.png b/38056-h/images/i076tb.png Binary files differnew file mode 100644 index 0000000..5299b29 --- /dev/null +++ b/38056-h/images/i076tb.png diff --git a/38056-h/images/i078.png b/38056-h/images/i078.png Binary files differnew file mode 100644 index 0000000..bd5d123 --- /dev/null +++ b/38056-h/images/i078.png diff --git a/38056-h/images/i078tb.png b/38056-h/images/i078tb.png Binary files differnew file mode 100644 index 0000000..fc742f0 --- /dev/null +++ b/38056-h/images/i078tb.png diff --git a/38056-h/images/i080.png b/38056-h/images/i080.png Binary files differnew file mode 100644 index 0000000..19ab496 --- /dev/null +++ b/38056-h/images/i080.png diff --git a/38056-h/images/i080tb.png b/38056-h/images/i080tb.png Binary files differnew file mode 100644 index 0000000..5d867e1 --- /dev/null +++ b/38056-h/images/i080tb.png diff --git a/38056-h/images/i082.png b/38056-h/images/i082.png Binary files differnew file mode 100644 index 0000000..88e88de --- /dev/null +++ b/38056-h/images/i082.png diff --git a/38056-h/images/i082tb.png b/38056-h/images/i082tb.png Binary files differnew file mode 100644 index 0000000..fdc2d3e --- /dev/null +++ b/38056-h/images/i082tb.png diff --git a/38056-h/images/i084.png b/38056-h/images/i084.png Binary files differnew file mode 100644 index 0000000..71bad45 --- /dev/null +++ b/38056-h/images/i084.png diff --git a/38056-h/images/i084tb.png b/38056-h/images/i084tb.png Binary files differnew file mode 100644 index 0000000..394a11e --- /dev/null +++ b/38056-h/images/i084tb.png diff --git a/38056-h/images/i086.png b/38056-h/images/i086.png Binary files differnew file mode 100644 index 0000000..e4417d8 --- /dev/null +++ b/38056-h/images/i086.png diff --git a/38056-h/images/i086tb.png b/38056-h/images/i086tb.png Binary files differnew file mode 100644 index 0000000..10f2ee8 --- /dev/null +++ b/38056-h/images/i086tb.png diff --git a/38056-h/images/i088.png b/38056-h/images/i088.png Binary files differnew file mode 100644 index 0000000..0080bac --- /dev/null +++ b/38056-h/images/i088.png diff --git a/38056-h/images/i088tb.png b/38056-h/images/i088tb.png Binary files differnew file mode 100644 index 0000000..b06fdd0 --- /dev/null +++ b/38056-h/images/i088tb.png diff --git a/38056-h/images/i090.png b/38056-h/images/i090.png Binary files differnew file mode 100644 index 0000000..2c2a49e --- /dev/null +++ b/38056-h/images/i090.png diff --git a/38056-h/images/i090tb.png b/38056-h/images/i090tb.png Binary files differnew file mode 100644 index 0000000..5859d8d --- /dev/null +++ b/38056-h/images/i090tb.png diff --git a/38056-h/images/i092.png b/38056-h/images/i092.png Binary files differnew file mode 100644 index 0000000..378af32 --- /dev/null +++ b/38056-h/images/i092.png diff --git a/38056-h/images/i092tb.png b/38056-h/images/i092tb.png Binary files differnew file mode 100644 index 0000000..1565a30 --- /dev/null +++ b/38056-h/images/i092tb.png diff --git a/38056-h/images/i094.png b/38056-h/images/i094.png Binary files differnew file mode 100644 index 0000000..1d43511 --- /dev/null +++ b/38056-h/images/i094.png diff --git a/38056-h/images/i094tb.png b/38056-h/images/i094tb.png Binary files differnew file mode 100644 index 0000000..82effa2 --- /dev/null +++ b/38056-h/images/i094tb.png diff --git a/38056-h/images/i096.png b/38056-h/images/i096.png Binary files differnew file mode 100644 index 0000000..a2961b2 --- /dev/null +++ b/38056-h/images/i096.png diff --git a/38056-h/images/i096tb.png b/38056-h/images/i096tb.png Binary files differnew file mode 100644 index 0000000..49a9a3a --- /dev/null +++ b/38056-h/images/i096tb.png diff --git a/38056-h/images/i098.png b/38056-h/images/i098.png Binary files differnew file mode 100644 index 0000000..5f1bf8a --- /dev/null +++ b/38056-h/images/i098.png diff --git a/38056-h/images/i098tb.png b/38056-h/images/i098tb.png Binary files differnew file mode 100644 index 0000000..dd3ac57 --- /dev/null +++ b/38056-h/images/i098tb.png diff --git a/38056-h/images/i100.png b/38056-h/images/i100.png Binary files differnew file mode 100644 index 0000000..1f4ca39 --- /dev/null +++ b/38056-h/images/i100.png diff --git a/38056-h/images/i100tb.png b/38056-h/images/i100tb.png Binary files differnew file mode 100644 index 0000000..2c7ea0d --- /dev/null +++ b/38056-h/images/i100tb.png diff --git a/38056-h/images/i101.png b/38056-h/images/i101.png Binary files differnew file mode 100644 index 0000000..8101559 --- /dev/null +++ b/38056-h/images/i101.png diff --git a/38056-h/images/i101tb.png b/38056-h/images/i101tb.png Binary files differnew file mode 100644 index 0000000..339a776 --- /dev/null +++ b/38056-h/images/i101tb.png diff --git a/38056-h/images/i102.png b/38056-h/images/i102.png Binary files differnew file mode 100644 index 0000000..e0fc6db --- /dev/null +++ b/38056-h/images/i102.png diff --git a/38056-h/images/i102tb.png b/38056-h/images/i102tb.png Binary files differnew file mode 100644 index 0000000..5b574a4 --- /dev/null +++ b/38056-h/images/i102tb.png diff --git a/38056-h/images/i104.png b/38056-h/images/i104.png Binary files differnew file mode 100644 index 0000000..a0acbc1 --- /dev/null +++ b/38056-h/images/i104.png diff --git a/38056-h/images/i104tb.png b/38056-h/images/i104tb.png Binary files differnew file mode 100644 index 0000000..863d269 --- /dev/null +++ b/38056-h/images/i104tb.png diff --git a/38056-h/images/i105.png b/38056-h/images/i105.png Binary files differnew file mode 100644 index 0000000..8268e68 --- /dev/null +++ b/38056-h/images/i105.png diff --git a/38056-h/images/i105tb.png b/38056-h/images/i105tb.png Binary files differnew file mode 100644 index 0000000..5d20902 --- /dev/null +++ b/38056-h/images/i105tb.png diff --git a/38056-h/images/i106.png b/38056-h/images/i106.png Binary files differnew file mode 100644 index 0000000..d883708 --- /dev/null +++ b/38056-h/images/i106.png diff --git a/38056-h/images/i106tb.png b/38056-h/images/i106tb.png Binary files differnew file mode 100644 index 0000000..ab05fcd --- /dev/null +++ b/38056-h/images/i106tb.png diff --git a/38056-h/images/i108.png b/38056-h/images/i108.png Binary files differnew file mode 100644 index 0000000..4508cb0 --- /dev/null +++ b/38056-h/images/i108.png diff --git a/38056-h/images/i108tb.png b/38056-h/images/i108tb.png Binary files differnew file mode 100644 index 0000000..977fd86 --- /dev/null +++ b/38056-h/images/i108tb.png diff --git a/38056-h/images/i109.png b/38056-h/images/i109.png Binary files differnew file mode 100644 index 0000000..b83f4ff --- /dev/null +++ b/38056-h/images/i109.png diff --git a/38056-h/images/i109tb.png b/38056-h/images/i109tb.png Binary files differnew file mode 100644 index 0000000..7af9dda --- /dev/null +++ b/38056-h/images/i109tb.png diff --git a/38056-h/images/i110.png b/38056-h/images/i110.png Binary files differnew file mode 100644 index 0000000..aa5fdf0 --- /dev/null +++ b/38056-h/images/i110.png diff --git a/38056-h/images/i110tb.png b/38056-h/images/i110tb.png Binary files differnew file mode 100644 index 0000000..904682a --- /dev/null +++ b/38056-h/images/i110tb.png diff --git a/38056-h/images/i111.png b/38056-h/images/i111.png Binary files differnew file mode 100644 index 0000000..5eb60d7 --- /dev/null +++ b/38056-h/images/i111.png diff --git a/38056-h/images/i111tb.png b/38056-h/images/i111tb.png Binary files differnew file mode 100644 index 0000000..80dbfbd --- /dev/null +++ b/38056-h/images/i111tb.png |
