diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:09:26 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:09:26 -0700 |
| commit | 0a3b07253188511c97ae0c642337999e401a1814 (patch) | |
| tree | 5c61b3a425a90044e8cfe3d20cad76343200bbe9 /38056.txt | |
Diffstat (limited to '38056.txt')
| -rw-r--r-- | 38056.txt | 2224 |
1 files changed, 2224 insertions, 0 deletions
diff --git a/38056.txt b/38056.txt new file mode 100644 index 0000000..dcb8512 --- /dev/null +++ b/38056.txt @@ -0,0 +1,2224 @@ +The Project Gutenberg eBook, Abraham Lincoln and the London Punch, Edited +by William Shepard Walsh + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Abraham Lincoln and the London Punch + Cartoons, Comments and Poems, Published in the London Charivari, During the American Civil War (1861-1865) + + +Editor: William Shepard Walsh + +Release Date: November 19, 2011 [eBook #38056] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK ABRAHAM LINCOLN AND THE LONDON +PUNCH*** + + +E-text prepared by Chris Curnow, Eric Skeet, and the Online Distributed +Proofreading Team (http://www.pgdp.net) from page images generously made +available by Internet Archive (http://www.archive.org) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 38056-h.htm or 38056-h.zip: + (http://www.gutenberg.org/files/38056/38056-h/38056-h.htm) + or + (http://www.gutenberg.org/files/38056/38056-h.zip) + + + Images of the original pages are available through + Internet Archive. See + http://www.archive.org/details/abrahamlincolnth00walsrich + + +Transcriber's note: + + Text enclosed by underscores is in italics (_italics_). + + Text enclosed by equal signs is in bold face (=bold=). + + The oe-ligature is represented by [oe] or [OE]. + + + + + +ABRAHAM LINCOLN AND THE LONDON PUNCH + + +[Illustration: THE AMERICAN JUGGERNAUT] + + +ABRAHAM LINCOLN AND THE LONDON PUNCH + +Cartoons, Comments and Poems, Published in the London Charivari, +During the American Civil War (1861-1865) + +Edited by + +WILLIAM S. WALSH + +Author of "A Handbook of Literary Curiosities," "Curiosities of +Popular Customs," "Faust, the Legend and the Poem," etc. + + + + + + + +New York +Moffat, Yard and Company +1909 + +Copyright 1909, by +William S. Walsh +New York +Published March 1909 + + + + +LIST OF ILLUSTRATIONS + + + PAGE + + The American Juggernaut _Frontispiece_ + + Divorce A Vinculo 12 + + The American Difficulty 14 + + The American Gladiators 14 + + Naughty Jonathan 20 + + How they went to take Canada 20 + + A Family Quarrel 20 + + King Cotton Bound 22 + + The Genu-ine Othello 26 + + Over the Way 28 + + The Wilful Boy 33 + + A Likely Story 34 + + Look out for Squalls 40 + + A Bad Case of Throwing Stones 42 + + Waiting for an Answer 42 + + Columbia's Fix 42 + + Boxing Day 46 + + "Up a Tree" 46 + + Naughty Jonathan 48 + + Oberon and Titania 50 + + The New Orleans Plume 52 + + The "Sensation" Struggle in America 54 + + The Latest from America 56 + + One Good Turn Deserves Another 58 + + "Not up to Time" 60 + + Lincoln's Two Difficulties 60 + + More Free than Welcome 60 + + The Overdue Bill 62 + + Abe Lincoln's Last Card 64 + + Latest from Spirit-Land 64 + + Scene from the American "Tempest" 64 + + "Beware" 66 + + The Great "Cannon Game" 70 + + "Rowdy" Notions of Emancipation 72 + + Brutus and Caesar 74 + + The Black Conscription 74 + + John Bull's Neutrality 76 + + Scylla and Charybdis 79 + + The Storm-Signal 84 + + Extremes Meet 86 + + "Beecher's American Soothing Syrup" 88 + + "Holding a Candle to the ****" 97 + + Neutrality 98 + + Something for Paddy 98 + + Very Probable 98 + + Mrs. North and her Attorney 106 + + Columbia's Sewing-Machine 106 + + The Black Draft 109 + + The Federal Ph[oe]nix 109 + + Grand Transformation Scene 109 + + The Threatening Notice 109 + + Vulcan in the Sulks 109 + + The American Gladiators--Habet! 111 + + Brittania Sympathises with Columbia 111 + + Peace 112 + + + + +ABRAHAM LINCOLN +AND THE +LONDON PUNCH + + +"Tell me what a man laughs at, and I will tell you what he is," was one +of Goethe's pregnant apothegms. + +Laughter, one of the chief lines of cleavage between man and beast, is +one of the chief points of differentiation between man and man. From the +good-natured banter which kins all the world to the envenomed sneer that +sunders it, laughter runs the whole gamut of human emotions. + +It is always sincere, even in its own despite. No subterfuge, when +subterfuge underlies it, is more easily unmasked. A man may smile and +smile and be a villain, but villainy by the seeing eye can be infallibly +detected beneath the smile. + +A counterfeit laugh may be uttered, as counterfeit coin is uttered, but +it does not ring true. Its baseness reveals itself to more senses than +one. + +Now for more than sixty years the recognized organ of British laughter +has been the London _Punch_. The contemporary mood of John Bull towards +Brother Jonathan has always voiced itself through the grinning lips of +this chartered jester. + +It cannot be said that even before the outbreak of the Civil War _Punch_ +had shown itself friendly to America or Americans. Why should it? The +British mob disliked us and flouted us. _Punch_ as the mouthpiece of the +mob, followed suit. In the original prospectus of that journal, issued +in 1845, it was expressly announced that the paper was to be devoted in +part to "Yankee yarns," to "the naturalization of those alien Jonathans +whose adherence to the truth has forced them to emigrate from their +native land." It would appear from this new crook-backed Daniel come to +judgment, that Ananias and Autolycus were models of punctilious honesty +and meticulous truthfulness compared with the average American. + +[Illustration: DIVORCE A VINCULO. +Mrs. Carolina Asserts her Right to "Larrup" her Nigger.] + +Writing from Boston to Sir Edward Head, in 1854, George Ticknor said: "I +am much struck with what you say about the ignorance that prevails in +England, concerning this country and its institutions, and the mischief +likely to spring from it. From _Punch_ up to your leading statesmen, +things are constantly said and done out of sheer misapprehension, or +ignorance, that have for some time been breeding ill-will here, and are +likely to breed more." + +[Illustration: THE AMERICAN DIFFICULTY. +PRESIDENT ABE. "WHAT A NICE WHITE HOUSE THIS WOULD BE, +IF IT WERE NOT FOR THE BLACKS!"] + +Up to, and even immediately after the war, +_Punch's_ sympathies professedly leaned towards +the North, though it took occasion to lecture both +sides from the standpoint of a disinterested and +superior friend, who saw that neither side was +absolutely and unconditionally right. + +When the news of the secession of South Carolina +reached England, in January, 1861, John +Tenniel contributed a cartoon to the jester's pages +entitled: "Divorce a Vinculo" with the explanatory +subtitle "Mrs. Carolina asserts her rights to +'larrup' her nigger." Mrs. Carolina was represented +as a vulgar virago holding a cat-o-nine tails +in her right hand, and shaking her clenched left +fist in the face of a serenely defiant youth, +clad in a star-spangled shirt, to whom a +little brat of a nigger appealed with clasped +hands. + +[Illustration: "CAESAR IMPERATOR!" +OR, THE AMERICAN GLADIATORS.] + +In the same number the following poem breathed a similar anti-secession +sentiment. + + + + + SECESSION AND SLAVERY + + + Secede, ye Southern States, secede, + No better plan could be, + If you of niggers would be freed, + To set your niggers free. + Runaway slaves by federal law + At present you reclaim; + So from the Union straight withdraw + And play the Free Soil game. + + What, when you've once the knot untied, + Will bind the Northern men? + And who'll resign to your cow-hide + The fugitives again? + Absquatulate, then, slick as grease, + And break up unity, + Or take your president in peace + And eat your humble pie. + + But if your stomachs proud disdain + That salutary meal + And you, in passion worse than vain, + Must rend the commonweal, + Then all mankind will jest and scoff + At people in the case + Of him that hastily cut off + His nose to spite his face. + +Later, _Punch_ applauded that portion of Abraham Lincoln's first +inaugural, which dealt with the question of secession. + + + + + THE COMMINUTED STATES + + + Who can say where Secession will stop? That is a question which is + raised by MR. LINCOLN, in a part of his inaugural address, directed + to enforce upon fools and madmen the necessity of acquiescence by + minorities in the decision of majorities. The President tells the + frantic portion of his fellow countrymen that:-- + + "There is no alternative for continuing the Government but + acquiescence on one side or the other. If a minority in such a case + will secede rather than acquiesce, they make a precedent which in + turn will ruin and divide them, for a minority of their own will + secede from them whenever a majority refuses to be controlled by + such a minority. For instance, why may not any portion of a new + confederacy, a year or two hence, arbitrarily secede again, + precisely as portions of the present Union now claim to secede from + it? All who cherish disunion sentiments are now being educated to + the exact temper of doing this." + + The force of this simple reasoning will be seen by the lunatics to + whom it is addressed, during their lucid intervals, if they have + any. It may even be hoped that some of them may recover the use of + their reflecting faculties so far as to be enabled to follow out + PRESIDENT LINCOLN'S argument, and their own folly, into ultimate + consequences and conclusions. Then they will see what is likely to + be the end of Secession, for it is not quite true that there is no + end to Secession, and the end of Secession will be for the + Secessionists an end of everything. Seceders will go on seceding + and subseceding, until at last every citizen will secede from every + other citizen, and each individual will be a sovereign state in + himself, self-government personified, a walking autonomy, a lone + star, doing business and supporting itself off its own hook. + +[Illustration: NAUGHTY JONATHAN. +"YOU SHAN'T INTERFERE, MOTHER--AND YOU OUGHT TO BE ON MY SIDE--AND +IT'S A GREAT SHAME--AND I DON'T CARE--AND YOU SHALL INTERFERE--AND +I WON'T HAVE IT."] + +When the seceding states were in search of a name, _Punch_ suggested +that of Slaveownia, and when at the convention held February 9, 1861, at +Montgomery, Alabama, they adopted the title of the Confederate States of +America, _Punch_ reopened his battery in this fashion: + +[Illustration: HOW THEY WENT TO TAKE CANADA. +"For the outrage offered in the Queen's Proclamation, the +United States will possess itself of Canada,"--New York Herald.] + + "The Southern Secessionists must be admitted to be blessed with at + least the philosophical virtue of self-knowledge. They term this + new league the 'Confederate States of America'; thus they call + themselves by what they doubtless feel to be their right name. They + are confederates in the crime of upholding slavery. A correct + estimate of their moral position is manifest in that distinctive + denomination of theirs, 'Confederate States.' This title is a + beautiful antithesis to that of the United States of America. The + more doggedly confederate slave mongers combine, the more firmly + good republicans should unite." + +[Illustration: SEPTEMBER 28, 1861. +A FAMILY QUARREL] + +Once more when reviewing Jefferson Davis' message to the Confederate +Congress, _Punch_ recognized that slavery was really the bone of +contention between the two sections: + + + + + THE JUST AND HOLY CAUSE OF SLAVERY + + + "We feel," says PRESIDENT JEFFERSON DAVIS, in his Message to the + Secessional Congress, "that our cause is just and holy." Could not + the negroes of the Southern States, if they rose against their + masters, say just as much, with at least equal justice, for their + own insurrection? The less MR DAVIS says about justice and holiness + the better, if he does not want to preach a dangerous doctrine, + besides being considered a humbug. "Dash holiness, and justice be + blanked!" is the consistent language for MR. JEFFERSON DAVIS. + "Might is right; we expect to thrash the Northerners; and the + Institution of Slavery for ever!" + +Again, when General Beauregard declared in a proclamation to the South +that "unborn generations would arise and call them blessed," _Punch_ +declared that the reporters, with their proverbial inaccuracy, had +omitted the concluding word "rascals." + +[Illustration: KING COTTON BOUND; +Or, The Modern Prometheus.] + +Yet even now, it appealed to both sections to restrain their hands from +flying at each other's throats: + + + + + ODE TO THE NORTH AND SOUTH + + + O JONATHAN and JEFFERSON, + Come listen to my song; + I can't decide, my word upon, + Which of you is most wrong. + I do declare I am afraid + To say which worse behaves, + The North, imposing bonds on Trade, + Or South, that Man enslaves. + + And here you are about to fight, + And wage intestine war, + Not either of you in the right: + What simpletons you are! + Too late your madness you will see, + And when your passion cools, + "Snakes!" you will bellow, "How could we + Have been such 'tarnal fools!" + + One thing is certain; that if you + Blow out each other's brains, + 'Twill be apparent what a few + Each blockhead's skull contains. + You'll have just nothing for your cost, + To show, when all is done. + Greatness and glory you'll have lost; + And not a dollar won. + + Oh, joined to us by blood, and by + The bond of kindred speech, + And further, by the special tie + Of slang, bound each to each, + All-fired gonies, softhorn'd pair, + Each other will you lick? + You everlastin' dolts, forbear! + Throw down your arms right slick. + + You'll chaw each other up, you two, + Like those Kilkenny cats, + When they had better things to do, + Improvin' off the rats. + Now come, shake hands, together jog + On friendly yet once more; + Whip one another not: and flog + Creation, as before! + +Still again, _Punch_ showed good feeling in admonishing Lord Palmerston, +after firing on Sumter, to keep Great Britain neutral. + +[Illustration: THE GENU-INE OTHELLO. +OTHELLO. "KEEP UP YOUR BRIGHT SWORDS, FOR DE DEW +WILL RUST DEM. . . . . BOTH YOU OB MY INCLINING, AND DE REST."] + +"Well Pam," says Mr. Punch to his workman, "of course I shall keep you +on, but you must stick to peace-work." + +Nor could the North object to the cartoon, in May, 1861, in which +Lincoln made his first appearance in _Punch_. The face, faithfully +limned from the early beardless photographs, represented him as a man of +clean-cut intelligent features,--in marked contrast to the bearded +ruffian, a repulsive compound of malice, vulgarity and cunning which +John Tenniel's pencil subsequently delighted to give to the world as a +counterfeit presentment of the President of the United States. + +In this first picture Lincoln is represented as poking the fire and +filling the room with particles of soot, saying with downcast look: + +"What a nice White House it would be, if it were not for the blacks." + +[Illustration: OVER THE WAY. +MR. BULL. "OH! IF YOU TWO LIKE FIGHTING BETTER THAN BUSINESS, +I SHALL DEAL AT THE OTHER SHOP."] + +Nevertheless, the poem with which _Punch_ greeted the news of the fall +of Fort Sumter was not calculated to arouse kindly sentiments in the +North. + + + + + INK, BLOOD AND TEARS + + (THE TAKING OF FORT SUMTER.) + + + A Forty hours' bombardment! Great guns throwing + Their iron hail: shells their mad mines exploding: + Furnaces lighted: shot at red-heat glowing: + Shore-battr'ies and fort-armament, firing, loading-- + War's visible hell let loose for forty hours, + And all her devils free to use their powers-- + And yet not one man hit, her flag when Sumter lowers. + + "Oh, here's a theme!" quoth Punch, of brag abhorrent, + "'Twixt promise and performance rare proportion! + This show-cloth, of live lions, giving warrant, + Masking some mangy, stunted, stuffed abortion: + These gorgeous covers hiding empty dishes, + These whale-like antics among little fishes-- + Here is the very stuff to meet my dearest wishes. + + What ringing of each change on brag and bluster! + These figures huge of speech, summed in a zero: + This war-march, ushering in _Bombastes'_ muster: + This entry of _Tom Thumb_, armed like a hero. + Of all great cries e'er raised o'er little wool, + Of all big bubbles by fools' breath filled full, + Sure here's the greatest yet, and emptiest, for JOHN BULL! + + JOHN always thought JONATHAN, his young brother, + A little of a bully; said he swaggered: + But in all change of chaff with one another, + Nor JOHN nor JONATHAN was e'er called 'laggard.' + But now, if JOHN mayn't JONATHAN style 'coward,' + He _may_ hint Stripes and Stars were better lowered + From that tall height to which, till now, their flag-staff towered." + + _Punch_ nibbed his pen, all jubilant, for galling-- + When suddenly a weight weighed down the feather, + And a red liquid, drop by drop, slow falling, + Came from the nib; and the drops rolled together, + And steamed and smoked and sung--"Not ink, but blood; + Drops now, but soon to swell into a flood, + Perchance e'er Summer's leaf has burst Spring's guarding bud. + + Blood by a brother's hand drawn from a brother-- + And they by whom 'tis ta'en, by whom 'tis given, + Are both the children of an English mother; + Once with that mother, in her wrath, they've striven: + Was't not enough, that parricidal jar, + But they must now meet in fraternal war? + If such strife draw no blood shall England scoff therefore? + + If she will laugh, through thee, her chartered wit, + Use thou no ink wherewith to pen thy scoff: + We'll find a liquor for thy pen more fit-- + We blood drops--see how smartly thou'lt round off + Point, pun and paragraph in this new way: + Till men shall read and laugh, and, laughing, say, + 'Well thrust! _Punch_ is in vein: 'tis his red-letter day.'" + + The weight sat on my quill: I could not write; + The red drops lustered to my pen--in vain; + I had my theme--"Brothers that meet in fight, + Yet shed no blood!"--my jesting mood turned pain. + I thought of all that civil love endears, + That civil strife breaks up and rends and sears, + And lo! the blood-drops in my pen were changed to tears! + + And for the hoarse tongues that those bloody gouts + Had found, or seemed to find, upon my ears + Came up a gentle song in linked bouts, + Of long-drawn sweetness--pity breathed through tears. + + And thus they sang--"'Twas not by chance, + Still less by fraud or fear, + That Sumter's battle came and closed, + Nor cost the world a tear." + +[Illustration: THE WILFUL BOY. +JONATHAN. "I WILL FIGHT--I WILL HAVE A =NATIONAL DEBT= +LIKE OTHER PEOPLE"] + +It was the Southern victory of Bull Run and the Northern policy of +blockade that finally and definitely changed the attitude of England and +of _Punch_. The victory gave hopes that the Confederates might be +successful in overturning a hated and dreaded republic; the blockade +aroused fears that the pocket of the British manufacturer might be +damaged. All pretence of love for the negro was swallowed up by these +more potent and more personal emotions. + +[Illustration: A LIKELY STORY. +CAPTAIN JONATHAN, F.N. "JIST LOOK'D IN TO SEE IF +THAR'S ANY REBELS HE-ARR." +MR. BULL. "OH, INDEED!--JOHN! LOOK AFTER THE PLATE-BASKET, +AND THEN FETCH A POLICEMAN."] + +On November 2, 1861, in a cartoon and an accompanying poem _Punch_ +sought to put its commercial anxiety on an altruistic plane. Here is the +poem: + + + + + KING COTTON BOUND; OR, THE NEW PROMETHEUS. + + + Far across Atlantic waters + Groans in chains a Giant King; + Like to him, whom Ocean's daughters + Wail around in mournful ring, + In the grand old Grecian strains + Of PROMETHEUS in his chains! + + Needs but Fancy's pencil pliant + Both to paint till both agree; + For King Cotton is a giant, + As PROMETHEUS claimed to be. + Each gave blessings unto men, + Each dishonour reaped again. + + From the gods to sons of clay + If PROMETHEUS brought the flame, + Who King Cotton can gainsay, + Should he equal honour claim? + Fire and life to millions giving, + That, without him, had no living. + + And if they are one in blessing, + So in suffering they are one; + Both, their captive state confessing, + Freeze in frost and scorch in sun: + That, upon his mountain chain, + This, upon his parching plain. + + Nor the wild bird's self is wanting-- + Either giant's torment sore; + If PROMETHEUS writhed, while panting + Heart and lungs the vulture tore, + So Columbia's eagle fierce, + Doth King Cotton's vitals pierce. + + On those wings so widely sweeping + In its poise the bird to keep, + See, if you can see for weeping. + "North" and "South" are branded deep-- + On the beak all reeking red, + On the talons blood-bespread! + + But 'tis not so much the anguish + Of the wound that rends his side, + Makes this fettered giant languish, + As the thought how once, in pride, + That great eagle took its stand, + Gently on his giant hand! + + How to it the meat he'd carry + In its mew to feed secure; + How he'd fling it on the quarry, + How recall it to the lure, + Make it stoop, to his caresses, + Hooded neck and jingling jesses. + + And another thought is pressing, + Like hot iron on his brain-- + Millions that would fain be blessing, + Ban, e'en now, King Cotton's name. + Oh, that here those hands are bound, + Which should scatter wealth around! + + "Not this Eagle's screaming smothers + That sad sound across the sea-- + Wailing babes and weeping mothers, + Wailing, weeping, wanting me. + Hands that I would fain employ, + Hearts that I would fill with joy! + + "I must writhe--a giant fettered,-- + While those millions peak and pine; + By my wealth their lot unbettered, + And their suffering worse than mine. + For they know that I would fain + Help their need, were't not my chain! + + "But _I_ know not where to turn me + For relief from bonds and woe; + Frosts may pinch and suns may burn me, + But for rescue--none I know, + Save the millions I have fed, + Should they rise for lack of bread-- + + "Saying, 'We will brook no longer, + That King Cotton bound should be: + Be his gaolers strong, _we_'re stronger, + In our hunger o'er sea-- + More for want, than love, uprisen, + We are come to break his prison!' + + "Welcome even such releasing, + Fain my work I'd be about: + Soon would want and wail be ceasing, + Were King Cotton once let out-- + Though all torn and faint and bleeding, + Millions still I've strength for feeding." + +[Illustration: +LOOK OUT FOR SQUALLS. +JACK BULL. "YOU DO WHAT'S RIGHT, MY SON, +OR I'LL BLOW YOU OUT OF THE WATER."] + +Then came an episode which did for the moment set John Bull and _Punch_ +on a nobler basis. All during the Trent affair--when the United States +was obviously wrong in arresting the Confederate Commissioners, Mason +and Slidell, on board an English ship--the Tenniel cartoons rose to the +higher level of just indignation. + +[Illustration: A BAD CASE OF THROWING STONES. +_Mr Bull._ "NOW MIND YOU, SIR--NO SHUFFLING--AN AMPLE APOLOGY--OR +I PUT THE MATTER INTO THE HANDS OF MY LAWYERS, MESSRS. WHITWORTH AND +ARMSTRONG."] + +Even now, however, _Punch_ was unable or unwilling to see the +magnanimity of Abraham Lincoln's apology for an error not his own. + +[Illustration: WAITING FOR AN ANSWER.] + +This was all the more unjust because _Punch_ was both able and willing +to discriminate between the level-headed men of the North and the +jingoes, as this extract will show. + +[Illustration: COLUMBIA'S FIX. +COLUMBIA. "WHICH ANSWER SHALL I SEND?"] + + + + + OUR DEAR BROTHER JONATHAN + + + This delightful ebullition of fervent brotherly love has most + fittingly appeared in a Philadelphia paper:-- + + "It may be, in view of all these grave considerations and the sad + necessities of the case, that, in order to avoid a war which could + only end in our discomfiture, the Administration may be compelled + to concede the demands of England, and perhaps release MESSRS. + MASON and SLIDELL. God forbid!--but in a crisis like this we must + adapt ourselves to stern circumstances, and yield every feeling of + pride to maintain our existence. If this contingency should ever + arise--and I am only speculating upon a disagreeable + possibility--then let us swear, not only to ourselves but our + children who come after us, to repay this greedy, insolent, and + cowardly Power with the retribution of a just and fearful + vengeance. If England in our time of distress makes herself our + foe, and offers to be our assassin, we will treat her as a foe when + we can do so untrammeled and unmenaced by another enemy." + + "Greedy, insolent, and cowardly," these are nice fraternal terms; + and what a truly loving spirit is evinced by swearing "fearful + vengeance" upon the "assassin," and handing to posterity the + keeping of the oath! + + No whit less affectionate in feeling is what follows:-- + + "If we do concede the demands of England, however, it will only be + because we desire to crush this rebellion, as a duty we owe to + mankind. It will be because we prefer to master the great evil, and + do not wish to be alienated from our duty by an international and + comparatively unimportant quarrel; it will be because we prefer + national salvation to the gratification of any feeling of national + pride. It will be a great act of self-denial. But when we come from + this rebellion it will be with a magnificent army, educated and + organised, and with the sense of this wrong weighing upon them. It + will be with a navy competent to meet any navy upon the globe. It + will be for us then to remember how England was our enemy in the + day of our misfortune, and to make that remembrance a dark and + fearful page of her history, and an eternal memory of our own." + + That these are the opinions of most people in America nobody on + this side of the Atlantic will believe. But that there are roughs + and rowdies in the States, who as they have nothing they can lose + by war are always full of bluster and warlike in their talk, this + may any one in England very easily conceive. Of course it is to + please them that such stuff as we have quoted is stuck in Yankee + newspapers; and our sole surprise is that the journals which admit + it find it pays them so to do. The rowdies as a rule are not + overflushed with wealth and can ill afford to spend their coppers + upon literature, which, the chances are, they scarcely would know + how to read. + +[Illustration: BOXING DAY. +MR PUNCH. "NOW THEN! WHICH END WILL YOU HAVE, JONATHAN?"] + +For the benefit of the American jingoes _Punch_ on December 7th, issued +the following warning, with an appropriate cartoon: + +[Illustration: "UP A TREE." +Colonel Bull and the Yankee 'Coon. +'COON. "AIR YOU IN ARNEST, COLONEL?" +COLONEL BULL. "I AM." +'COON. "DON'T FIRE--I'LL COME DOWN."] + + + + + A WARNING TO JONATHAN; + + OR, "DOTH HE WAG HIS TAIL?" + + + JONATHAN, JONATHAN, 'ware of the Lion: + He's patient, he's placable, slow to take fire: + There are tricks which in safety a puppy might try on, + But from dogs of his _own_ size they waken his ire. + + With your bounce and your bunkum you've pelted him often, + Good humoured he laughed as the missiles flew by, + Hard words you've employed, which he ne'er bid you soften, + As knowing your tallest of talk all my eye. + + When you blustered he still was content with pooh-poohing, + When you flared up he just let the shavings burn out: + He knew you were fonder of talking than doing, + And Lions for trifles don't put themselves out. + + But beware how you tempt even leonine patience, + Or presume the old strength has forsaken his paw: + He's proud to admit you and he are relations, + But even relations may take too much law. + + If there's one thing he values, 'tis right of asylum; + Safe who rests 'neath the guard of the Lion must be: + In that shelter the hard-hunted fugitive whilome + Must be able to sleep the deep sleep of the free. + + Then think twice, and think well, ere from guard of the Lion + Those who seek his protection you try to withdraw: + Though STOWELL and WHEATEN and KENT you rely on, + There are points on which Lions won't listen to jaw. + + Remember in time the old tale of the showman, + Who his head in the mouth of the Lion would sheath, + Till with lengthened impunity, bold as a Roman, + He seemed to forget that the Lion had teeth. + + But the time came at last, when all risks madly scorning, + He went just too far down that road rough and red, + When, with only one wag of his tail for a warning, + Snap went Leo's jaws, and off went BARNUM'S head! + +[Illustration: NAUGHTY JONATHAN. +MRS BRITANNIA. "THERE, JOHN! HE SAYS HE IS VERY SORRY, +AND THAT HE DIDN'T MEAN TO DO IT--SO YOU CAN PUT THIS BACK INTO +THE PICKLE-TUB."] + +This was followed up on December 14th, with one of Tenniel's finest +cartoons, that entitled "Waiting for an Answer." + +[Illustration: OBERON AND TITANIA. +OBERON (MR. PRESIDENT LINCOLN) "I DO BUT BEG A +LITTLE =NIGGER= BOY, TO BE MY HENCHMAN." +TITANIA (MISS VIRGINIA) "SET YOUR HEART AT REST, +THE =NORTHERN= LAND BUYS NOT THE CHILD OF ME."] + +Two amusing bits of doggerel appeared in the same number, one +representing the British nation's view of the international episode. + + MRS. DURDEN ON THE AMERICAN DIFFICULTY + + "Them there nasty good-for-nothing Yankees!" cried old MRS. DURDEN, + "Worrits me to that degree, it makes my life almost a burden. + Board our mail and seize our passengers, the ribbles! Goodness, gracious! + Like their imperence to be sure; 'tis that what makes 'em so owdacious. + + "What next now I wonder, Captain?" Answer CAPTAIN SKIPPER made, + "Well Ma'am, our next move, I fancy, will be breaking their blockade." + "Blockhead! Ah!" exclaimed the lady. "Truer word was never spoken. + Drat the blockheads, all says I; may every head on 'em be broken!" + +The other is a bit of broad fun, in mockery of the profuse volumes of +smoke and sound which were emitted by Yankee fire-eaters. + +[Illustration: THE NEW ORLEANS PLUM. +BIG LINCOLN HORNER, +UP IN A CORNER, +THINKING OF HUMBLE PIE; +FOUND UNDER HIS THUMB, +A NEW ORLEANS PLUM, +AND SAID, WHAT A CUTE YANKEE AM I!] + + + + + A VOICE FROM WASHINGTON + + + _From our Special Correspondent_ + + We Yankees ain't given to brag; + JOHN BULL, we expect, has no notion + Of going to war; but his flag + If he does, we shall sweep from the ocean + And when the old vagabond lies + In a state of teetotal prostration, + Old Ireland in glory will rise, + Independence to win as a nation. + + Our breadstuffs from England kept back, + The sequel must be destitution. + Her famishing millions, in lack + Of food, will force on revolution. + VICTORIA will have to retire; + Aristocracy, friends of Secession, + Will be hurled down, and trod in the mire; + No more for to practise oppression. + + Rebellion we'll bring to an end, + The slaves 'mongst our heroes dividing, + Or arms to the niggers we'll lend, + To give their darned masters a hiding. + Work up all our cotton at home, + Let not one more bale be exported, + Have the world at our feet, like old Rome, + By the kings of the airth as was courted. + + Want money? I reckon not we; + A national debt we'll create, + Twice as heavy as yourn, which will be, + For SAMSONS like we air, no weight. + On Government bonds we shall borrow + Any money in Europe with ease. + Why London and Paris, to-morrow + Will lend us as much as we please. + + Foreign goods we shall purchase with paper, + Which let foreign usurers hold; + The British may swagger and vapour, + At home whilst we keep all our gold. + As BELMONT to SEWARD has written, + Any stock may in Europe be "placed," + And the chance, if the ROTHSCHILDS ain't bitten, + Will be by the BARINGS embraced. + + We've twice before whipped all creation, + We've now got to whip it again. + We air a remarkable nation + Of modest, but resolute men. + JOHN BULL, then, allow us to kick you, + And don't go resenting the act, + Or into a cocked hat we'll lick you, + Yes, Sir-ree, you old hoss, that's a fact. + +[Illustration: THE "SENSATION" STRUGGLE IN AMERICA.] + +The manly and tactful apology which represented the feeling of the +better sort of folk in America, and which was wrung from a reluctant +cabinet by Abraham Lincoln, softened for a moment the asperity of our +old antagonist. The following rather amiable verses were written in +anticipation of the amicable settlement which already (January 11, +1862), seemed probable: + +[Illustration: THE LATEST FROM AMERICA; +Or, the New York "Eye-Duster," to be taken Every Day.] + + + + + A FAIR OFFER FROM JOHN BULL TO MISS COLUMBIA + + + Shall we kiss and be friends? Why not? Sister COLUMBIA, + No more ugly faces let you and me pull; + Though we both have our tempers, our worries and troubles, + Let "bygones be bygones" for me, says JOHN BULL. + + You must own that you've given me a deal of bad language, + And have been far too free with your bunkum and brag; + _That_ I'll pocket, if now, like a sensible woman, + You'll disclaim your friend WILKES, and salute the old flag. + + Fools may sneer and call family feelings all humbug, + But I feel that one blood in the veins of us flows: + Our tongues are the same, though I don't like your fashion + Of talking, (as you'd make _me_ pay) through the nose. + + We snarled and we scratched, in the days of our folly, + When you wanted to leave me and start for yourself; + To think of those times makes me quite melancholy---- + The blood that we wasted----the temper and pelf! + + When I vowed that I'd tame you, and make you knock under, + And you dared me and bit, like a vixen as well; + I did think by this time we had both seen our blunder; + Meant to live as good friends and in peace buy and sell. + + But of late I can't think what the deuce has come o'er you: + First, you turn your own house out of window, and then, + Declare that _I_ want to o'erreach you and floor you, + Stop my ships, seize my passengers, bully my men! + + I can stand a great deal from my own blood-relations, + And I know that your troubles your temper have soured; + But I can't take a blow, in the face of all nations, + And consent to see law by brute force overpowered. + + Only own your friend WILKES is a blundering bully, + And make over MASON and SLIDELL to me, + And all that is past, I'll condone, fair and fully, + Kiss you now, and in future, I _do_ hope, agree! + +[Illustration: ONE GOOD TURN DESERVES ANOTHER. +OLD ABE. "WHY I DU DECLARE IT'S MY DEAR OLD FRIEND SAMBO! +COURSE YOU'LL FIGHT FOR US, SAMBO. LEND US A HAND, OLD HOSS, DU!"] + +Yet Lincoln, the peacemaker of the occasion, got little credit from +_Punch_, which, indeed, began now to pursue him with unremitting +invective. + +The gorilla-like caricature of Lincoln's features makes its first +appearance in a cartoon wherein this repulsive face is joined to a +raccoon's body. + +The "coon" is shown up a tree, Colonel Bull, standing below, has drawn a +bead on him with his gun. + +"Air you in earnest, Colonel?" asks the coon. + +"I am," replies the mighty Bull. + +"Don't fire," says the coon, "I'll come down." + +[Illustration: "NOT UP TO TIME;" +Or, Interference would be very Welcome.] + +Even Lincoln's proclamation emancipating the slaves in the seceding +states did not soften the asperity of the old-time anti-slavery +advocate. _Punch_ feigned to see in this message only the ruse of a wily +combatant driven to a last resource. This idea is put into a quatrain, +as follows: + + + + + THE AMERICAN CHESS-PLAYERS + + + Although of conquest Yankee North despairs, + His brain for some expedient wild he racks, + And thinks that having failed on the white squares, + He can't do worse by moving on the Blacks. + +[Illustration: LINCOLN'S TWO DIFFICULTIES. +LIN. "WHAT? NO MONEY! NO MEN!"] + +Under the heading "One Good Turn Deserves Another," Old Abe is shown +extending musket, sword and knapsack to a negro who refuses to be +cajoled by his honeyed words. + +[Illustration: MORE FREE THAN WELCOME--A PROSPECTIVE FIX. +_Nigger._ "NOW DEN, MASSA JONATHAN, WHAT YOU GOIN' TO DO +WID DIS CHILD? EH?"] + +"Why I do declare," says Abe, "it's my dear old friend, Sambo! Course +you'll fight for us, Sambo. Lend us a hand, old hoss, do." + +[Illustration: THE OVERDUE BILL. +MR. SOUTH TO MR. NORTH. "YOUR 'NINETY DAYS' PROMISSORY NOTE +ISN'T TAKEN UP YET, SIRREE!"] + +The same jibe finds vent in the following poems: + + + + + ABE'S LAST CARD; OR, ROUGE-ET-NOIR + + + Brag's our game: and awful losers + We've been on the _Red_. + Under and above the table, + Awfully we've bled. + Ne'er a stake have we adventured, + But we've lost it still, + From Bull's Run and mad Manassas, + Down to Sharpsburg Hill. + + When luck's desperate, desperate venture + Still may bring it back: + So I'll chance it--neck or nothing-- + Here I lead THE BLACK! + If I win, the South must pay for't, + Pay in fire and gore: + If I lose, I'm ne'er a dollar + Worse off than before. + + From the Slaves of Southern rebels + Thus I strike the chain: + But the slaves of loyal owners + Still shall slaves remain. + If their owners like to wop 'em, + They to wop are masters; + Or if they prefer to swop 'em, + Here are our shin-plasters! + + There! If that 'ere Proclamation + Does its holy work, + Rebeldom's annihilation + It did oughter work: + Back to Union, and you're welcome + Each to wop his nigger: + If not, at White let slip darky-- + Guess I call that vigour! + +[Illustration: ABE LINCOLN'S LAST CARD; OR, ROUGE-ET-NOIR.] + +In September, 1862, the two combatants are represented as sinking +exhausted into the arms of negro backers, who are vainly attempting to +put them on their feet. In the background stands a self-important eagle +arrayed in the Napoleonic uniform and a biped lion dressed in a sack +coat and an air of conscious superiority. + +[Illustration: LATEST FROM SPIRIT-LAND. +GHOST OF KING GEORGE III. "WELL, MR. WASHINGTON, WHAT DO YOU +THINK OF YOUR FINE REPUBLIC NOW, EH?--WHAT D'YE THINK? WHAT D'YE THINK, +EH?" GHOST OF MR. WASHINGTON. "HUMPH!"] + +Says the eagle to the lion, "Don't you think we ought to fetch the +police?" + +The legend under the cartoon runs, "Not Up to Time, or Interference +Would Be Very Welcome." + +[Illustration: SCENE FROM THE AMERICAN "TEMPEST." +CALIBAN (SAMBO). "_YOU_ BEAT HIM 'NOUGH, MASSA! +BERRY LITTLE TIME, I'LL _BEAT HIM TOO_."--SHAKSPEARE. +(_Nigger Translation._)] + +In the following January comes a well imagined cartoon entitled "The +Latest From Spirit Land," showing the bluff and kindly ghost of George +III trying to enter into conversation with the stiffly stupid ghost of +Mr. Washington. "Well, Mr. Washington," says George, "what do you think +of your fine republic now, eh? What d'ye think? What d'ye think, eh?" To +which Mr. Washington retorts with an inarticulate "Humph!" + +In May of 1863 a cartoon entitled "The Great Cannon Game" shows Abe +Lincoln playing billiards with Jeff Davis. It is the latter's shot. + +"Hurrah for Charleston!" he cries; "that's another to me." + +Abe Lincoln mutters in an aside, "Darned if he ain't scored ag'in! I +wish I could make a few winning hazards for a change." + +[Illustration: "BEWARE!" +KEEPER. "HE AIN'T ASLEEP, YOUNG JONATHAN, SO YOU'D BEST NOT IRRITATE HIM".] + +An accompanying article entitled "The Great American Billiard Match" is +amusing enough when read to-day in the light of the great "winning +hazards" that were to be made by Abe within less than sixty days. + + "Considerable excitement," it runs, "has been caused in sporting + circles by this long protracted match, which, owing to the style of + play adopted by the parties, appears to make but very little + progress toward a finish. The largeness of the stakes depending on + the contest might be supposed to make the players careful in their + strokes, but few expected that the game would last so long as it + has done, and no one now dare prophesy when it will be finished. It + having been resolved to play the cannon game, some anxiety at first + was not unreasonably felt among the backers of Jeff Davis, the + crack player for the South; but the knowing ones, who knew their + man, made no attempt to hedge, notwithstanding what was said about + his being out of play and, in the cannon game especially, somewhat + overmatched. It is needless to remark here that the first strokes + which he made quite justified their confidence, and, indeed, + throughout the game he has done nothing yet to shake it, so that if + he have but a fair amount of luck, his backers feel assured that he + won't easily be beaten, and an extra fluke or two might make him + win the match. + + "As for old Abe Lincoln, the champion player of the North, his + backers, we believe, are as confident as ever that he is the best + man, although at times his play has not appeared to prove it. There + is no doubt that he has more strength at his command, but strength + is of small use without knowing how to use it. Abe Lincoln may have + skill, but he has not yet shown much of it; and certainly he more + than once has shown himself outgeneralled. His backers say he + purposely is playing a slow game, just to draw out his opponent and + see what he can do. In ninety days, they say, he is cocksure of a + victory, but this is an old boast, and nobody except themselves now + places any faith in it. Abe's famous Bull Run stroke was a bad + start to begin with, and his Charleston break has ended in his + having to screw back, and thus slip into balk to save himself from + mischief. + + How the game will end we won't pretend to prophesy. There are + plenty of good judges, who still appear inclined to bet in favor of + the South and longish odds are offered that the game will be a + drawn one. Abe's attempt to pot the niggers some put down as a foul + stroke, but whether foul or not, it added little to his score. Upon + the whole we think his play has not been much admired, although his + backers have been vehement in superlatively praising it. There is + more sympathy for the South, as being the weaker side--a fact which + Jeff's supporters indignantly deny, and which certainly the North + has not done much as yet toward proving. Without ourselves + inclining one way or the other, we may express a neutral hope that + the best player may win; and we certainly shall echo the desire of + all who watch the game if we add that the sooner it is now played + out the better." + +[Illustration: THE GREAT "CANNON GAME." +ABE LINCOLN (ASIDE). "DARN'D IF HE AIN'T SCORED AG'IN!--WISH +I COULD MAKE A FEW _WINNING_ HAZARDS FOR A CHANGE."] + +The boasted "neutrality" was put to a rather severe test when, in less +than "ninety days," the victory of which Abe's backers were "cock sure" +proved a double barrelled one at Vicksburg, in Mississippi, and at +Gettysburg, in Pennsylvania. The news of these tremendous events set all +the Federal States of America shouting with triumph on the succeeding +Fourth of July. There were no international cables in those days. +Consequently it was not until two weeks later that the news reached +England. + +In the interim, on that very July 4, certain Northern Americans in +London, all unconscious of what had happened, celebrated their national +anniversary almost in earshot of the _Punch_ office to the great disgust +of the gentlemen on its staff. + +[Illustration: "ROWDY" NOTIONS OF EMANCIPATION. +"The mob on the corner, below my house, had hung up a negro to the +lamp-post. In mockery, a cigar was placed in his mouth. * * * For +hours these scared negroes poured up Twenty-seventh Street, passing +my house. * * * One old negro, 70 years old, blind as a bat, and +such a cripple that he could hardly move, was led along by his +equally aged wife with a few rags they had saved, trembling with +fright, and not knowing where to go."--MANHATTAN'S _Letter in the +Standard, July 30th._] + + "There is something peculiarly graceful," [snarls Punch in the + issue for July 18th], "in celebrating Independence Day in London. + 'The Britishers whipped all the world and we whipped the + Britishers,' used to be the established formula of Yankee + self-glorification. It is the Yankees' belief that they + accomplished their secession from England by simple conquest; + triumphant superiority in arms. To hold the anniversary of + successful insurrection, not to say rebellion, in the very den of + the British lion, treading on his tail and gently poking him with a + playful boot tip, is to compliment that noble animal with credit + for some magnanimity. The British residents in Paris would hardly + have the confiding generosity and the taste in like manner to + celebrate the return day of the Battle of Waterloo in the French + capital. + + "We pause here to ask whether the Confederates do not, as they + reasonably may, repeat the Yankee boast above quoted with brag + additional? Have they not begun to say, 'The Britishers whipped all + the world, the Yankees whipped the Britishers and we whipped the + Yankees'? Not yet, perhaps. Averse to indulgence in premature + exultation, they may reserve that saying for Independence Day No. + 2." + +In conclusion _Punch_ makes this comment on the fact that in honor of +the anniversary the flag of the United States had been hoisted on the +summit of certain buildings, "Shouldn't it have been hoisted halfmast +high?" + +The answer came in the form of a thunderous negative with the next mail +from America. + +[Illustration: BRUTUS AND CAESAR. +(From the American Edition of Shakspeare.) +_The Tent of_ BRUTUS (LINCOLN). _Night. Enter the +Ghost of_ CAESAR. +_Brutus._ Wall, now! Do tell! Who's you? +_Caesar._ I am dy ebil genus, massa LINKING. +Dis child am awful Inimpressional.] + +Thereafter _Punch_ lost his supreme interest in the great Civil War. He +made no allusions to Gettysburg or to Vicksburg. The "neutral hope" was +painfully dampened by Northern triumphs. His commercial sympathy was all +with the losing side. The wish was father to the not very neutral +thought that the negro might prove the undoing of his Northern allies. +On August 15 appeared a cartoon entitled "Brutus and Caesar, from the +American Edition of Shakespeare." To the tent of Brutus (Lincoln) enters +at night the ghost of Caesar, a black spectre. This colloquy occurs:-- + + Brutus--Wall, now, do tell! Who's you? + + Caesar--I am dy ebil genius, massa LINKING. Dis child am awful + Inimpressional. + +[Illustration: THE BLACK CONSCRIPTION. +"WHEN BLACK MEETS BLACK THEN COMES THE END (?) OF WAR."] + +In October appeared a cartoon headed with unconscious satire, "John +Bull's Neutrality." John Bull standing with his arms akimbo in the +doorway of his shop is glaring defiantly at two bad boys, clad +respectively in federal and in confederate uniforms, who slink away +before his glance and drop the stones they were preparing to hurl at his +windows. + +[Illustration: JOHN BULL'S NEUTRALITY. +"LOOK HERE, BOYS, I DON'T CARE TWOPENCE FOR YOUR NOISE, BUT IF YOU +THROW STONES AT MY WINDOWS, I MUST _THRASH YOU BOTH_."] + +"Look here, boys," says John, "I don't care twopence for your noise, but +if you throw stones at my windows I must thrash you both." + +The same moral is enforced in the following poem:-- + + MR. BULL TO HIS AMERICAN BULLIES + + Hoy, I say you two there, kicking + Up that row before my shop! + Do you want a good sound licking + Both? If not, you'd better stop. + Peg away at one another, + If you choose such fools to be: + But leave me alone; don't bother, + Bullyrag and worry me! + + Into your confounded quarrel! + Let myself be dragged I'll not + By you, fighting for a Merrill + Tariff; or your slavery lot. + What I want to do with either + Is impartially to trade: + Nonsense I will stand from neither + Past the bounds of gasconade. + + You North, roaring, raving, yelling, + Hold your jaw, you booby, do; + What, d'ye threaten me for selling + Arms to South, as well as you? + South, at me don't bawl and bellow, + That won't make me take your part; + So you just be off, young fellow: + Now, you noisy chap, too, start! + + To be called names 'tis unpleasant; + Words, however, break no bones: + I control myself at present; + But beware of throwing stones! + I won't have my windows broken, + Mind, you brawlers, what I say, + See this stick, a striking token; + Cut your own, or civil stay. + +In a succeeding cartoon _Punch_ called for a separation between the +fighters, for now, said he, "dis-union is strength." Another cartoon +hails the fraternization--reported to have taken place between negroes +bearing the flags of the rival armies--with the epigram "When black +meets black then comes the end of war." + +[Illustration: SCYLLA AND CHARYBDIS, OR THE MODERN ULYSSES.] + +Henry Ward Beecher's visit to England, in the autumn of 1863, is +celebrated by a cartoon and by a poem in which due praise is given to +the vigor of his oratory and to the excellence of his intentions. + + + + + BRITISHER TO BEECHER + + + Alas! what a pity it is, PARSON BEECHER, + That you came not at once when Secession broke out, + As ABRAHAM LINCOLN'S Apostle, a preacher + Of the Union; a gospel which Englishmen doubt; + For that Union, you see, + Was a limb of our tree: + Its own branches to break themselves off are as free. + + Still, BEECHER, if you had been only sent hither, + When at first the Palmetto flag flouted the sky, + Commissioned foul slavery's faction to wither, + And this nation invoke to be Freedom's ally, + With your eloquent art + You had won England's heart; + We were fully disposed towards taking your part. + + Instead of a Reverend BEECHER, appealing + To our conscience, in Liberty's name, for the right, + We heard a cool scoundrel advise in the stealing + Of BRITANNIA'S domains, North and South to unite; + And your papers were full + Of abuse of JOHN BULL; + Whilst he bore the blockade which withheld cotton wool. + + Malevolence, taking our ill-will for granted, + Has reviled us, pursued us with bluster and threat, + Supposing itself the remembrance had planted + In our bosom of wrongs which we couldn't forget, + And should take, in its case + Of misfortune, as base + A revenge as itself would have ta'en in our place. + + Tirades against England, with menace of slaughter, + Never yet have your SUMNERS, and such, ceased to pour, + Your bards talk of blowing us out of the water, + And threaten to "punish JOHN BULL at his door." + Now this isn't the way + To make Englishmen pray + That the Yankees may finish by gaining the day. + + An afterthought only is "Justice to Niggers;" + 'Tis a cry which those Yankees raised not till they found + That they for a long time had been pulling triggers, + At their slaveholding brothers, and gained little ground. + First ABE LINCOLN gave out + That he'd fain bring about, + The Re-union with slavery too, or without. + + So don't waste your words in attempts at persuasion, + Which impose on no Britain alive but a fool, + But husband your breath for another occasion, + That is, BEECHER, keep it your porridge to cool. + "Strictly neutral will I + Still remain standing by." + Says BRITANNIA: "D'ye see any green in my eye?" + +[Illustration: THE STORM-SIGNAL. +We know not whence the storm may come, + But its coming's in the air, +And this is the warning of the drum, + Against the storm, PREPARE!] + +Later, _Punch_ published this: + + + + + ADIEU TO MR. BEECHER + + + MR. BEECHER has left us; he has sailed for America, where he can + tell his congregation just what he likes, but where he will, we are + sure, tell MESSRS. LINCOLN and SEWARD the exact truth, namely that + large numbers of the uneducated classes crowded to hear a + celebrated orator, and that the press has been very good-natured to + him. Also, we hope he will say, because he knows it, that the + educated classes are at the present date just as Neutral in the + matter of the American quarrel as they were before the reverend + gentleman's arrival. Having duly stated these facts to the + PRESIDENT and the Minister, MR. BEECHER may put them in any form he + pleases before the delightful congregation, whose members pay L40 + a-year, each, for pews. And to show that we part with him in all + good nature, we immortalise his witty allusion to ourselves in his + farewell speech:-- + + "I know my friend _Punch_ thinks I have been serving out 'soothing + syrup' to the British Lion. (_Laughter._) Very properly the picture + represents me as putting a spoon into the lion's ear instead of his + mouth; and I don't wonder that the great brute turns away very + sternly from that plan of feeding." (_Renewed Laughter._) + + A gentler criticism upon us could not be, and we scorn to retort + that, having a respect for anatomy, we did not make the lion's ear + large enough to hold the other spoon depicted in that magnificent + engraving. For the REVEREND BEECHER is not a spoon, whatever we may + think of his audiences in England. And so we wish him good-bye, and + plenty of greenbacks and green believers. + +[Illustration: EXTREMES MEET. +_Abe._ Imperial son of NICHOLAS the Great, +We air in the same fix, I calculate, +You with your Poles, with Southern rebels I, +Who spurn my rule and my revenge defy. +_Alex._ Vengeance is mine, old man; see where it falls, +Behold yon hearths laid waste, and ruined walls, +Yon gibbets, where the struggling patriot hangs, +Whilst my brave myrmidons enjoy his pangs.] + +The re-election of Abraham Lincoln, in November, 1864, called forth a +grotesque and unpleasant caricature of Lincoln as the "Federal Ph[oe]nix." +It was accompanied by these verses: + + + + + THE FEDERAL PH[OE]NIX + + + When HERODOTUS, surnamed "The Father of History" + (We are not informed who was History's mother), + Went a travelling to Egypt, that region of mystery, + Where each step presented some marvel or other, + + In a great city there, called (in Greek) Heliopolis, + The priests put him up to a strange story--rather-- + Of a bird, who came up to that priestly metropolis, + Once in five hundred years, to inter its own father. + + When to filial feeling apparently callous, + Not a plume ruffled (as _we_ should say, not a hair rent), + In a _pot-pourri_ made of sweet-spice, myrrh, and aloes, + He flagrantly, burnt, after burying, his parent. + + But POMPONIUS MELA has managed to gather + Of this curious story a modified version, + In which the bird burns up itself, not its father, + And soars to new life from its fiery immersion. + + This bird has oft figured in emblems and prophecies-- + And though SNYDERS ne'er painted its picture, nor WEENIX + Its portraits on plates of a well-known fire-office is, + Which, after this bird's name, is christened the Ph[oe]nix. + + Henceforth a new Ph[oe]nix, from o'er the Atlantic, + Our old fire-office friend from his brass-plate displaces; + With a plumage of greenbacks, all ruffled, and antic + In OLD ABE'S rueful phiz and OLD ABE'S shambling graces. + + As the bird of Arabia wrought resurrection + By a flame all whose virtues grew out of what fed it, + So the Federal Ph[oe]nix has earned re-election + By a holocaust huge of rights, commerce, and credit. + +[Illustration: "BEECHER'S AMERICAN SOOTHING SYRUP." +"If I have said anything against England, I'll stick to it. + * * * When I look not to the sentiments of popular assemblies, +but to such significant acts as the detention of those Rams at +Liverpool (_cheers_); when I look to such weighty words +as those spoken by EARL RUSSELL at Glasgow, and by +the Attorney General at Richmond * * * I feel that the two +nations are still one in the cause of civilisation, of religion, +and I trust we shall continue to be one in international policy, +and one in every enterprise."--_Rev. Ward Beecher at Exeter Hall._] + +On December 10th, _Punch_ published this brutal burlesque anticipation +of that noble speech made by President Lincoln at his second +Inauguration, which has now taken its due rank among the great +masterpieces of forensic English: + + + + + PRESIDENT LINCOLN'S INAUGURAL SPEECH + + _(By Ultramarine Telegraph)_ + + +Well, we've done it, gentlemen. Bully for us. Cowhided the Copperheads +considerable. _Non nobis_, of course, but still I reckon we have had a +hand in the glory, some. That reminds me of the Old World story about +the Hand of Glory, which I take to have been the limb of a gentleman who +had been justified on the gallows, and which the witches turned into a +patent moderator lamp, as would lead a burglar safe into any domicile +which he might wish to plunder. We ain't burglars, quite t'other, but I +fancy that if ULY GRANT could get hold of that kind and description of +thing to help him into Richmond, he'd not be so un-Christian proud as to +refuse the hand of a malefactor. (_Right, right!_) Well, right or left +hand, that's no odds, gentlemen. (_Laughter._) Now I am sovereign of the +sovereign people of this great and united republic for four years next +ensuing the date hereof, as I used to say when I was a lawyer. (_You +are! Bully for you!_) Yes, gentlemen, but you must do something more +than bully for me, you must fight for me, if you please, and whether you +please or not. As the old joke says, there's no compulsion, only you +must. Must is for the King, they say in the rotten Old world. Well, I'm +King, and you shall be Viceroys over me. But I tell you again, and in +fact I repeat it, that there's man's work to do to beat these rebels. +They _may_ run away, no doubt. As the Irishman says, pigs may fly, but +they're darned onlikely birds to do it. They must be well whipped, +gentlemen, and I must trouble you for the whipcord. (_You shall have +it!_) Rebellion is a wicked thing, gentlemen, an awful wicked thing, and +the mere nomenclating thereof would make my hair stand on end, if it +could be more standonender than it is. (_Laughter._) Truly awful, that +is when it is performed against mild, free, constitutional sway like +that of the White House, but of course right and glorious when +perpetrated against ferocious, cruel, bloodthirsty old tyrants like +GEORGE THE THIRD. We must punish these rebels for their own good, and to +teach them the blessings of this mighty and transcendental Union. (_We +will, we will!_) All very tall talking, gentlemen, but talking won't +take Richmond. If it would, and there had been six Richmonds in the +field, we should long since have took them all. If Richmond would fall +like Jericho, by every man blowing of his own trumpet, we've brass +enough in our band for that little feat in acoustics. But when a cow +sticks, as GRANT does, in the mud, how then? (_Great laughter._) +Incontestably, gentlemen, this great and mighty nation must give her a +shove on. Shove for Richmond, gentlemen. (_That's the talk!_) Now about +these eternal blacks, you expect me to say something touching them, +though I suppose we're none of us too fond of touching them, for reasons +in that case made and provided, as I used to say. Well, listen. We've +got them on our hands, that's a fact, and it reminds me of a nigger +story. Two of these blacks met, and one had a fine new hat. "Where you +got dat hat, SAMBO?" says t'other. "Out ob a shop, nigger," says SAMBO. +"'Spex so," says t'other, "and what might be the price ob dat hat?" +"Can't say, zactly, nigger, the shopkeeper didn't happen to be on the +premises." (_Laughter._) Well, we've got the niggers, and I can't +exactly say--or at least I don't think you'd like to hear--what might be +the price of those articles. But we must utilise our hats, gentlemen. We +must make them dig and fight, that's a fact. + +There's no shame in digging, I suppose. Adam digged, and he is a +gentleman of older line than any of the bloated and slavish +aristocracies of Europe. And as for fighting, they must feel honoured at +doing that for the glorious old flag that has braved for eighty-nine +years and a-half, be the same little more or less, the battle and the +breeze. (_Cheers._) Yes, and when the rebellion's put down, we'll see +what's to be done with them. Perhaps if the naughty boys down South get +uncommon contrite hearts, we may make them a little present of the +blacks, not as slaves, of course, but as legal apprentices with +undefined salaries determinable on misconduct. (_Cheers._) Meantime, +gentlemen, I won't deny that the niggers are useful in the way of moral +support. They give this here war a holy character, and we can call it a +crusade for freedom. A man may call his house an island if he likes, as +has been said by one of those fiendish British writers who abuse our +hospitality by not cracking us up. (_War with England!_) Well, all in +good time, gentlemen. Let our generals learn their business first. I +don't blame them, mind you, that they haven't learned it yet, for when a +man has kept a whiskey-store, or a bar, or an oyster-cellar, or an +old-clothes' shop for years, he can't be expected, merely because he +puts on a uniform, to become a Hannibal or a Napoleon, or even a +Marlborough or a Wellington. Likewise, they must learn to keep +reasonable sober. Friends at a distance will please accept this +intimation. (_Roars of Laughter._) When that's done, and the rebels are +whipped, and we are in want of more fighting, we'll see whether +Richmond in England, where the QUEEN'S palace of Windsor Castle is +situate lying and being, is a harder nut to crack than Richmond nearer +us. (_Cheers._) Gentlemen, one thing more. Did you ever hear the story +of the farmer who had been insulted by an exciseman? "He wur so rude," +said the farmer, "that I wur obliged to remonstrate with him." "And to +what effect did you remonstrate?" asked a friend. "Well I don't know +about effect, but I bent the poker so that I was obliged to get a hammer +to straighten it." Gentlemen, we must straighten this glorious Union, +and the hammer is taxes. (_Laughter._) You may laugh, but you must pay. +I don't mean to be hard upon this mighty nation, and our friend MR. +COBDEN (_cheers_) has already indirectly informed the besotted masses of +British slaves that we intend to repudiate our greenbacks, except to the +amount they may be worth in the market when redeemed. But the poker +wants a deal of hammering, nevertheless, and you must pay up. You'll +hear more about this from a friend of mine in the Government, so I only +give you the hint, as the man said when he kicked his uncle down-stairs. +(_Laughter._) I believe that's about all I had to say, and this almighty +Union will be conserved to shine through the countless ages an ineffable +beacon and symbol of blessed and everlasting light and glory if you will +only mind the proverb of Sancho Panza, which says, "Pray to God +devoutly, and hammer on stoutly." (_Laughter, cheers, and cries of +"Bully for you!"_) + +[Illustration: "HOLDING A CANDLE TO THE *****" (MUCH THE SAME THING.]) + +On April 15, 1865, came a cartoon, a really superb one, which is +sometimes reckoned Tenniel's masterpiece, entitled "Habet!" It +represents the combatants as gladiators before the enthroned and +imperial negroes ("Ave Caesar!"). + +[Illustration: NEUTRALITY. +MRS. NORTH. "HOW ABOUT THE _ALABAMA_ YOU WICKED OLD MAN?" +MRS. SOUTH. "WHERE'S MY RAMS? TAKE BACK YOUR PRECIOUS +CONSULS--THERE!!!"] + +But in sentiment at least a nobler was to come, the affecting picture of +Britannia's tribute and _Punch's_ amende, called simply "Abraham +Lincoln, foully assassinated April 14, 1865." + +[Illustration: SOMETHING FOR PADDY. +O'CONNELL'S STATUE (LOQ). "IT'S A _REPALER_ YE CALL +YOURSELF, YE SPALPEEN, AND YOU'RE GOIN' TO DIE FOR THE _UNION_."] + +The accompanying verses, by Tom Taylor, not, as has sometimes been +asserted, by Shirley Brooks, were a complete recantation for former +misunderstanding and wrongdoing. They will bear quoting again:-- + +[Illustration: VERY PROBABLE. +LORD PUNCH. "THAT WAS JEFF DAVIS, PAM! DON'T YOU RECOGNISE HIM?" +LORD PAM. "HM! WELL, NOT EXACTLY--MAY HAVE TO DO SO SOME OF THESE DAYS."] + + + + + ABRAHAM LINCOLN + + _Foully Assassinated April, 14, 1865_ + + + You lay a wreath on murdered Lincoln's bier, + You, who with mocking pencil wont to trace + Broad for the self-complacent British sneer + His length of shambling limb, his furrowed face, + + His gaunt, gnarled hands, his unkempt, bristling hair, + His garb uncouth, his bearing ill at ease; + His lack of all we prize as debonair, + Of power or will to shine, of art to please. + + You, whose smart pen backed up the pencil's laugh, + Judging each step, as though the way were plain; + Reckless, so it could point its paragraph + Of chief's perplexity or people's pain. + + Beside this corps, that beats for winding sheet + The Stars and Stripes he lived to rear anew, + Between the mourners at his head and feet, + Say, scurril-jester, is there room for you? + + Yes, he had lived to shame me from my sneer, + To lame my pencil, and confute my pen-- + To make me own this hind of princes peer, + This rail-splitter a true-born king of men. + + My shallow judgment I had learnt to rue, + Noting how to occasion's height he rose, + How his quaint wit made home-truth seem more true, + How, iron-like, his temper grew by blows. + + How humble yet how hopeful he could be; + How in good fortune and in ill the same; + Nor bitter in success, nor boastful he, + Thirsty for gold, nor feverish for fame. + + He went about his work--such work as few + Ever had laid on head and heart and hand-- + As one who knows where there's a task to do + Man's honest will must heaven's good grace command: + + Who trusts the strength will with the burden grow, + That God makes instruments to work his will, + If but that will we can arrive to know, + Nor tamper with the weights of good and ill. + + So he went forth to battle on the side + That he felt clear was liberty's and right's, + As in his peasant boyhood he had plied + His warfare with rude nature's thwarting mights-- + + The uncleared forest, the unbroken soil, + The iron back, that turns the lumberer's axe; + The rapid, that o'erbears the boatman's toil, + The prairie, hiding the mazed wanderer's tracks, + + The ambushed Indian, and the prowling bear-- + Such were the needs that helped his youth to train: + Rough culture--but such trees large fruit may bear + If but their stocks be of right girth and grain. + + So he grew up, a destined work to do, + And lived to do it; four long-suffering years' + Ill-fate, ill-feeling, ill-report lived through, + And then he heard the hisses change to cheers, + + The taunts to tribute, the abuse to praise, + And took both with the same unwavering mood: + Till, as he came on light from darkling days + And seemed to touch the goal from where he stood, + + A felon hand, between the goal and him, + Reached from behind his back, a trigger prest-- + And those perplexed and patient eyes were dim, + Those gaunt, long-laboring limbs were laid to rest. + + The words of mercy were upon his lips, + Forgiveness in his heart and on his pen, + When this vile murderer brought swift eclipse + To thoughts of peace on earth, good will to men. + + The Old World and the New, from sea to sea, + Utter one voice of sympathy and shame! + Sore heart, so stopped when it at last beat high, + Sad life, cut short just as its triumph came. + + A deed accurst! Strokes have been struck before + By the assassin's hand, whereof men doubt + If more of horror or disgrace they bore; + But thy foul crime, like Cain's, stands darkly out. + + Vile hand, that brandest murder on a strife, + Whate'er its grounds, stoutly and nobly striven; + And with the martyr's crown crownest a life + With much to praise, little to be forgiven! + +[Illustration: MRS. NORTH AND HER ATTORNEY. +MRS. NORTH. "YOU SEE, MR. LINCOLN, WE HAVE FAILED UTTERLY IN +OUR COURSE OF ACTION; I WANT PEACE, AND SO, IF YOU CANNOT +EFFECT AN AMICABLE ARRANGEMENT, I MUST PUT THE CASE INTO OTHER HANDS."] + +From that time forward _Punch_ took seriously to heart the lesson he had +taught himself, and his relations with Brother Jonathan were thereafter +of a very different and a far more cordial kind. + +[Illustration: +COLUMBIA'S SEWING-MACHINE. MRS. BRITANNIA. "AH, MY DEAR COLUMBIA, IT'S +ALL VERY WELL; BUT I'M AFRAID YOU'LL FIND IT DIFFICULT TO JOIN _THAT_ +NEATLY."] + +That these verses made a profound impression in the United States is +undoubted. It has even been opined that they were largely instrumental +in preventing an imminent war between Great Britain and the United +States. + +[Illustration: THE BLACK DRAFT.] + +Perhaps the effect would have been less if we on this side had known how +grudgingly the amende was offered. Mr. A. H. Layard in his recent "Life +of Shirley Brooks" has invited us to take a peep behind the _Punch_ +curtain. He shows that the editorial staff of the paper was divided in +the matter, Shirley Brooks leading the opposition against the +publication of the poem. In Brooks' diary Mr. Layard discovered the +following entry:-- + +"Dined _Punch_. All there. Let out my views against some verses on +Lincoln in which T. T. (Tom Taylor) had not only made P. eat humble pie, +but swallow dish and all." + +[Illustration: THE FEDERAL PH[OE]NIX.] + +[Illustration: GRAND TRANSFORMATION SCENE FOR THE END OF THE YEAR 1864.] + +[Illustration: THE THREATENING NOTICE. +ATTORNEY LINCOLN. "NOW UNCLE SAM, YOU'RE IN A DARNED HURRY TO +SERVE THIS HERE NOTICE ON JOHN BULL. NOW, IT'S MY DUTY, AS YOUR +ATTORNEY, TO TELL YOU THAT YOU _MAY_ DRIVE HIM TO GO OVER TO +THAT CUSS, DAVIS----" (_Uncle Sam Considers._)] + +[Illustration: VULCAN IN THE SULKS. +BRITANNIA. "IF YOU TURN SULKY, AND WON'T MAKE MY ARMOUR, +HOW SHALL I BE ABLE TO RESIST MARS?"] + +[Illustration: THE AMERICAN GLADIATORS--HABET!] + +[Illustration: BRITANNIA SYMPATHISES WITH COLUMBIA.] + +[Illustration: PEACE. +MR. PUNCH'S DESIGN FOR A COLOSSAL STATUE, WHICH OUGHT TO HAVE +BEEN PLACED IN THE INTERNATIONAL EXHIBITION]. + + + + + * * * * * * + + + + +Transcriber's note: + +(1) Spelling, punctuation and typographical errors have been corrected, +with the exception of those which occur in the illustrations and text +copied directly from "Punch". + +(2) The cartoons have been left in chronological order, ignoring +their possible relevance to surrounding text. + +(3) To avoid irritating breaks for the reader, illustrations have been +moved to the nearest end of a paragraph, poem or quotation. The page +numbers in the List of Illustrations have been adjusted accordingly, +as far as page 100. The remaining illustrations, being beyond the end of +the text, have been given arbitrary page numbers to assist any reader +trying to locate them. + + + +***END OF THE PROJECT GUTENBERG EBOOK ABRAHAM LINCOLN AND THE LONDON +PUNCH*** + + +******* This file should be named 38056.txt or 38056.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/3/8/0/5/38056 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://www.gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: +http://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + |
