diff options
Diffstat (limited to '35770.txt')
| -rw-r--r-- | 35770.txt | 1014 |
1 files changed, 0 insertions, 1014 deletions
diff --git a/35770.txt b/35770.txt deleted file mode 100644 index 194e4a4..0000000 --- a/35770.txt +++ /dev/null @@ -1,1014 +0,0 @@ - THE HERO - - -This eBook is for the use of anyone anywhere at no cost and with almost -no restrictions whatsoever. You may copy it, give it away or re-use it -under the terms of the Project Gutenberg License included with this -eBook or online at http://www.gutenberg.org/license. - -Title: The Hero - -Author: Elaine Wilber - -Release Date: April 04, 2011 [EBook #35770] - -Language: English - -Character set encoding: US-ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK THE HERO *** - - - - -Produced by Frank van Drogen, Greg Weeks, and the Online Distributed -Proofreading Team at http://www.pgdp.net. - - - - - - - - THE HERO - - BY ELAINE WILBER - - _Willy was undoubtedly a hero. The difficulty lies in deciding - which side he was on...._ - - -[Illustration: __Illustrated by Paul Orban__] - - -Two months after the landing, Ship UXB-69311 was rigged out with most -things needed to make life bearable, if not interesting, for the crew. -Perched on the manicured, blue-green sod of the planet Engraham, its -inner parts were transformed and refitted for the many months of the -Exploration. No effort and no flight of imagination had been spared to -make the ship resemble more a country club than a barracks. With the -permission of Colonel Mondrain, the crew's bunkroom had been completely -rearranged, and a segment thereof made into a quietly elegant bar. Plans -for this eventual rejuvenation had been fomenting throughout the very -tiresome and very monotonous journey. - -When they first landed, the natives fled, and thus it was easy to -liberate furnishings from the adjacent village. When the inhabitants -returned, after the purposes of the visiting Earthman were acknowledged -to be harmless, they proved to be too courteous to carp about a few -missing articles. - -The chairs, of a very advanced design and most comfortable, were made of -a light and durable metal alloy thus far unknown to Earth. The bar -(which was probably not its purpose on Engraham, no one knew or cared -what its function had been) was of a design so futuristic that it would -have turned a modern artist mad. The utensils, also liberated, were -unbelievably delicate, yet strong and easy to wash. At first, since the -Earth had not intended the Exploration to resemble the type that -Texas-stationed servicemen like to run in Matamoros, there was nothing -to drink in the utensils. But hardly six weeks had passed before the -first hero of the Exploration, a man named O'Connors, discovered a -palatable fruit growing on nearby bushes. By means of a system of -improvised pipes (also liberated) it was no time at all before tasty -beverages, somewhat strident but quite effective, were being run off and -consumed in quantities. The machine known as O'Connors Joy-Juicer was -concealed behind the bar, and all that was ever seen on the bar when -Colonel Mondrain or the Doctors were around was an innocuous fruit -juice. - -The Earth Command had stocked the ship with reading material, most of it -of a disgustingly educational nature, in photostatic cards: and the -second hero of the Exploration was a man named Kosalowsky, who -discovered in the psychology sections the works of Freud and -Krafft-Ebing. After this discovery, a few interesting discussions arose. - -After these changes had been made, there was very little to do. - -The Earth Command had assumed that the natives of Engraham would resent -the Explorations (most planets did), and so had sent along the crew of -thirty men for protection. All had labored mightily to become part of -this special crew, chosen for endurance and known war-like qualities. -For once they got back to Earth, all were slated to be mustered out of -service immediately, decorated to the ears, and awarded full, life-time -pensions. Many already had contracts to appear on television and one -man, Blunt, hinted at a long term Hollywood contract. - -But once they got there, there was little to do after all. A guard was -posted; instruments were checked; and, although the necessity seemed -slight, the ship was kept primed for instantaneous emergency take-off. -On the day corresponding to Earth's Saturday, the ship was G. I.'d from -stem to stern. The maintenance crew made sure that no parts deteriorated -or got liberated by enterprising natives. But the natives were not an -inventive race. It was discovered by the Doctors (Anker, Frank, Pelham -and Flandeau) that the natives literally did not know how to steal. They -were backward. Dr. Flandeau, who was making great strides with the -language, reported that there was some evidence that the Engrahamites -had once possessed this skill, along with murder, mayhem, bad faith, and -politics, but had lost it, through a deterioration of the species. - -Thus, once the ship had been transformed into a place worthy of human -dwelling, and the beverage question had been solved, and utter, -imbecilic boredom circumvented by the timely discoveries of Freud and -Krafft-Ebing, the men found time hanging heavily on their hands; and the -more the doctors discovered about the Engrahamites, the more dismal the -situation became. The doctors, growing more and more fascinated by their -tasks, left the ship bright and early each day, returning around -nightfall to reduce their growing stacks of data to points of Earthly -relevance. The Colonel was also out most of the time. He paid many -social calls on the natives, who, being courteous, received him, and was -often returned at night in a chauffeured native Hop-Hop. Life in the -bunkroom became a sullen round of poker, reading of Krafft-Ebing, and -gab: and Earth currency changed hands daily in the never-ending crap -game. - -For there was one great lack in their lives. This lack, and the -inability to do anything about it, absorbed many hours of conversation. -At first, complaints only occurred at intervals; but as weeks passed, -the lamentations became so fervent, so constant, and so heart-rending, -that Dr. Flandeau observed to Dr. Frank that more stirring passages had -not been made since the Jeremiad. For Dr. Flandeau, although aging, was -in his off hours a poet, and a Frenchman always. - -Dr. Frank said, "Yes, well, poor bastards." - -At first, nostalgically, the crew harked back to happier times on Earth. -Soon not one young lady of their collective acquaintance had escaped the -most minute analysis. They were young men--the oldest, Blunt, was only -twenty-six--and several of them had married young, greatly limiting -their activities so that even their cumulative memories could not last -forever. After several weeks, repetition began to set in. Once all -successes had been lovingly remembered, down to the last, exquisite -detail, they began recalling their failures. The master strategist, the -unofficial referee of these seminars, was Dick Blunt. - -"Now where you went wrong there," he would tell a fledgling reporting -complete zero with a YWCA resident, "was in making her feel that you -were interested. Your line with a girl like that should be one of -charity. Pure charity. You impress on her that you're doing her a -terrific favor. You offer to bring to her dull life romance, adventure, -tenderness." - -"I couldn't even get my hands on her," complained the reproved failure, -Herbert Banks. - -"I've always found that type the easiest ones of all," Blunt said -indifferently. "Dull, of course." - -The testiness, the self-pity, the shortness of temper and the near-riots -over stolen packages of cigarettes, were not improved after the Doctors, -having surveyed the situation thoroughly, decided that it would do no -harm to let the men of the crew go out on Liberty. - -Fraternizing with natives was, of course, strictly forbidden. They were -not to drink off premises. (Nor on, for that matter.) They were exhorted -not to steal, not to engage in fights. - -Still, they could walk around, take pictures of the strange pink houses -and the dazzling cities. They could watch a covey of children swim in -the municipal pools. They could look at the fountains, the so-called -"miraculous fountains of Engraham", or climb the strange, glassy -mountains. The natives, although shy of them, were most polite, and some -smiled enchantingly--especially the women. - - ---- - -This was the worst rub of all: there were women, and they were gorgeous. -A little smaller than most Earth women, with bright eyes, and high, -arched eyebrows, looking forever as if they had heard the most priceless -joke. Their faces conformed to the most rigid standards of Caucasian -beauty. Their legs, so delicate, so tapering, so fantastically small of -ankle, were breath-taking. Their clothes, which would have driven a -Parisian designer to suicide, were draped carelessly over the most -exquisite figures. True, they were a little deficient in one department, -and this was explained, before they were granted liberty, by Dr. -Flandeau. The women of Engraham, he said, did not bear children. - -This announcement was not received with special gloom, for until then, -none of the crew had seen an Engrahamite woman. But Willy Lanham, a -dark-haired, skinny boy from Tennessee, asked, unhappily, "Don't they -even go in for games or nothin'?" - -Flandeau understood instantly. He shook his head sadly. "I should think -not. It has been a long time since they have observed the normal -functions. The women are mainly for decoration, although it is said that -some are also created for brains. They are a most strange people." - -After this--granted these agonizing liberties, and able to see that -which was biologically unattainable--the crew became so demoralized that -not even Kosalowsky's discovery of the works of Wilhelm Reik relieved -the deep gloom. - -However, they had reckoned without the superior genius of Dick Blunt. -Blunt received Flandeau's news as unhappily as the others, and, like the -rest, was made miserable by the sight of the glorious damozels. But he -was a reasonable man and he put his reasoning powers to work. Soon he -alone was cheerful. He went around with the absorbed, other-world look -of a physicist grappling with a problem in ionospheric mathematics -without the use of an IBM calculator. One day he went on Liberty alone. -He did not return until the fall of night, and when he came in his -elation was so immoderate that the others thought there must be bars on -Engraham after all. - -"I have found the answer to our question," he said. - -No one needed to ask what question. O'Connors hurried to pour Blunt a -drink. - -"I have spent the day pursuing this answer logically," said Blunt. "I -have done what any thoughtful man would do. I have read up on it." - -"How?" cried Henderson. - -"At the library." - -Blunt then described his day: finding his way to the library by means of -pantomime; and finding at last, that file of photographs--photographs of -an utterly self-explanatory nature. And these he pulled from his pocket, -for ignoring all discipline, he had stolen them. - -The pictures passed from hand to hand. O'Connors passed them on to Pane, -and suddenly felt the need to open the window behind him. It was Willy -Lanham, the boy from Tennessee, who voiced those exultant words that -rose to the throats of all: - -He said, "Hey! They're made just like the Earth girls." - -The conversation, at this intensely interesting point, was cut short by -the arrival of the Colonel. He alighted from the native Hop-Hop--waved -cheerily to its driver, and began coming up. The bottle and glasses -vanished, and Kosalowsky began to read aloud from a book especially -reserved for these occasions. The men maintained looks of studious -interest as the officer went through. He went up the ladder to his own -quarters, there to write in his growing volume, THE COMING OCCUPATION -AND GOVERNMENT OF ENGRAHAM. They listened until his door clicked. - -The conversation was resumed in more subdued tones. - -"Do you think," said Pane shakily, "They still _could_?" - -"Not a question of it," Blunt said. "These pictures prove it. It's what -you might call a lost art. Once upon a time, as with all the fortunate -parts of the galaxy, this art was known to the Engrahamites. Through -some terrific foul-up, they lost it. Probably a combination of the -science of incubation, and the reign of some ghastly square, like Queen -Victoria. Thus were the girls of Engraham deprived of the pleasures of -love." - -"The men, too," said Willy. All glared at him reproachfully. To care -about the happiness of the Engrahamite men was thought not quite -patriotic. - -"Gradually," Blunt went on, "they must have begun to lose interest. -Probably there was some taboo. In the end they probably all thought, oh, -to hell with it, and began serving on committees." - -A long sigh went up. - -"It is for us," Blunt said softly, treasuring each word, "to restore -these unhappy maidens to their original human rights. - -"But it isn't going to be easy," Blunt went on. His voice dropped even -lower. "Think what would happen if it went sour. Those Doctors would get -wind of it. We'd be stuck in the Ship for the rest of the Exploration." - -There was a sober pause. Finally Banks cleared his throat and said, -"Well, how do you think it should be handled, Blunt?" - -"Well, every beachhead needs an invasion," Blunt said, casually holding -out his glass. O'Connors leapt to fill it. "One guy has got to lay the -groundwork. Let him enlighten one quail. Explain things to her." He took -a long, leisurely drink, and sighed. "This quail will rush around -telling the others. Pretty soon there'll be so many hanging around the -ship that--" - -There was a general rush for cooling beverages. - -"Right," someone said, when the faculty of speech was recovered. - -"And necessarily," said Blunt, "this has to be the guy with the most -savvy. The one who knows the score. The one most likely to succeed. -Check?" - -All knew what this was leading up to. Martin said unhappily, "Check, -Blunt, You're our boy." - - ---- - -Blunt was scheduled to stand guard the next day, but Willy Lanham, eager -to assist the cause, volunteered to take over for him. The hours seemed -to creep by. His air was swaggering and cool when he returned, and all -gathered round with eager curiosity--all but Lanham, who had not -recovered from standing guard. - -Blunt sauntered to the bar, accepted a drink, sipped it, lighted a -cigarette, and took a long, pensive drag. Finally he said reminiscently, -"What a doll!" - -Pane, never a subtle man, cried in anguish, "Well, how'd you make out?" - -Blunt smiled smugly. He began his recital. He was walking along the -street and he met this gorgeous creature. A full description followed -(broken by the arrival of the Colonel and two paragraphs of the DECLINE -AND FALL) making it clear that this was the dish of dishes, the most -beautiful of the beautiful, the most charming, and the most intelligent. -She allowed herself to be addressed in Blunt's few words of Engrahamic -and, smiling ever patiently, sat with him for several hours. Their talk -took place in a secluded bower, in one of the many parks. She was -agreeable and charmed and promised to see him again. He even managed, -through terrific feats of pantomime, to impress on her the need of -secrecy in future meetings. - -"That was all?" someone said, when he finished. - -"For the first meeting, I think I did wonders," said Blunt. "After all, -sex hasn't been known here since a time corresponding to our Stone Age." - -Later, when the nightly poker game was beginning, Willy Lanham said, -"Why didn't you just make a grab for her?" - -"That's the hill-billy approach," Blunt said disdainfully. "These girls -are civilized--very, very civilized. It's important not to shock them." - - ---- - -Blunt's next gambit was to set about learning the language. For this he -went not to Flandeau, who best knew it, but to Ankers, who was a pure -scientist in every sense of the word, and not so likely to suspect his -motives. The girl proved very cultured. She took him to art galleries, -to symphonies, and mountain climbing, for scrambling up and down the -glassy hills was a favorite Engrahamic sport. As he advanced in the -language, he learned that her name was Catataphinaria, which meant "she -will attain relative wisdom". He found that she worked for the Eleven -who, while not rulers, offered general suggestions which the populace -more or less followed. - -Although his slow progress inevitably bored the crew, still, it offered -that one precious ray of hope, and they became so tractable that even -the Doctors noticed it. They laid it to the secret ingredient that Dr. -Frank had introduced into the drinking water. - -The summer wore on, becoming hotter each day. By the end of the second -month of his courtship, Blunt began to speak to her of love. - -She laughed. She said that she had little curiosity on the subject, -although it was now and then mentioned by the students of antiquity. -Assured that it was pleasurable, she said that she heard that barbarians -also enjoyed murdering people and making them butts of jokes. - -Willy Lanham said, "Don't listen to what a girl _says_. Just make a grab -for her." - -This suggestion was laughed to scorn. - -Weeks passed, the summer began to wane. Tempers again began to shorten. -Flandeau said to Frank, "The men are worse again." - -"Yes, perhaps we should increase the dosage." - -The fruits for the Joy-Juicer grew thin on the silvery bushes, and men -ranged far and wide, putting in supplies for the winter. - - ---- - -One night, when Blunt had won at poker, all the men lay in their bunks, -too dispirited to drink, to shoot craps, almost too miserable even for -speech. Blunt again began talking of Catataphinaria. Drowsily Lanham -said, "I think you're going at it the wrong way, Dick. Try some real -rough stuff. You know--kiss her. She might like it." - -Before Blunt could defend his strategy, Kosalowsky sat up in his bunk. -"Yes, for cripes sake," he said, "Move in for the kill. Or shut up about -it. You're driving us all nuts." - -"Would you like to try?" Blunt suggested softly. - -"Sure I'll try," Kosalowsky said. He turned on the light over his bunk. -"Give me a crack at her. I could have managed it weeks ago. All you've -done is talk to the quail." - -"Yah, Dick, maybe you're using the wrong approach on this one," -O'Connors suggested. - -"It's the damn places you take her," Kosalowsky said. "Art galleries. -Anybody ever seduce a girl in an art gallery? Symphonies. Popping around -in her damn Hop-Hop. Can't you ever get her alone?" - -"She lives with ten other girls," Blunt said sulkily. "They're all home -all the time." - -"Well, bring her here, then," Pane suggested. "We'll all take a powder." - -"Where?" - -There was no answer. They could not all, by day, desert the ship, and it -was getting too chilly for the crew to hide in adjacent shrubbery. "We -could put up a wall," Pane said suddenly, "between the bunks and the -bar." - -"With what?" - -"I know," Banks said eagerly, "where there's a whole pile of stuff. It's -nice thin metal, just lying there getting rusty." - -"I think you're premature--" - -"Premature!" Kosalowsky shouted. "Six months you've been chasing this -tomato. You call that premature?" - -"Only four by Engrahamic time," Blunt said, insulted. - -"Listen," Kosalowsky said, "that wall goes up tomorrow. And you're -smuggling her in tomorrow night. Or else," he said, glaring at Blunt, -"after that it's every man for himself. Check?" - -Blunt, only slightly seen in the light from Kosalowsky's bunk, was white -with rage. "All right, guys," he said stonily. "I've been trying to do -right by this frail. Nothing abrupt or hillbilly. Nothing to hurt her -delicate feelings or her fine mind. But if this is how you want -it--Okay!" - - ---- - -The next day the wall went up. - -Hardly a word was said as it was hammered in place. Once up, the place -was G. I.'d thoroughly. The ash trays were washed, the floor vacuumed, -and the lights adjusted to achieve the most tellingly seductive effect. -Blunt went out at two, thin-lipped and silent. - -"The jerk," Kosalowsky said, "I think he's a lot of hot air. That's what -_I_ think." - -The Colonel came in at nightfall and asked about the wall. They told him -that it was to cut off the recreation section from the sleeping -quarters, for the protection of those who wanted more sleep to prepare -for the grueling winter watches. - -"Very good idea men," the Colonel said, and went upstairs to write -another chapter in his book. - -At nine the men disappeared into their bunks. O'Connors won the -responsible job of peering through the narrow slit in the wall. Behind -him could be heard the labored breathing of twenty-seven distraught men. -One man snored. "Wake up, you stupid ass," Pane told Lanham. "You'll -wreck the show." - -At last the door opened and Blunt came in--with the girl. - -She was breath-taking. She wore, O'Connors reported, a dress cut to -here--and her hair was piled high on her patrician head. Blunt had not -lied. She was even prettier than the usual run of Engraham girls. - -"He's offering her a drink," O'Connors whispered. - -"She take it?" - -"No--she's sitting at the bar. He's having one, though. He's turning on -the hi-fi." - -He did not have to tell them, since all could hear the soft music. They -had selected a program of melodies considered sure-fire. - -"He's talking to her--putting his arm around her waist. Oh-oh. She -knocked it off. She's laughing, though." - -In the silence they all heard her laugh. Several men moved -uncomfortably. "He's leading her toward the couch--oh-oh--she stopped to -look at the radar screen." - -It was the auxiliary radar, not the important one in the control room. -"What's he doing?" - -"Telling her--he's edging her to the couch again--now she's asking about -the Bassett Blaster. They're fooling around with the gun. He's showing -her how it works--trying to put his hands--!" - -This last was lost, for there was a sudden, resounding blast. Their -bunks, the entire ship, trembled. - -The meaning was clear to all. They flattened to their bunks, and waited -tensely. They heard a sound, the sound of a foot kicking a body. A hand -scratched tentatively along the wall. - -No one moved. "She killed him." O'Connors voice was no more than a -slight whisper. "Lay low--lay low."' - -Then a woman's voice said, in perfect English, "All right, you men. Come -out of there." - -The door was found and flung open. Catataphinaria stood in the dim -light--still holding the Blaster. She said again, more sharply, "I said, -Come out of there!" - -Clumsily, they came down from their bunks. - -"Now," she said, as she had them all against the wall, "call down the -others." - -But this was unnecessary, for the Doctors and the Colonel were already -descending the ladder. They turned quite white at the sight of her. -Wordlessly, she indicated that they were to join the others. The Doctors -found it harder to adjust to a purely military sort of emergency. Ankers -asked clearly, "What on earth is this nonsense?" - -"No nonsense," the girl said. "Just do as I say. First, surrender all -your papers." - -"Our papers?" - -"Your research. Your conclusions. Everything." - -Henderson said, "I'll go get it, Ma'am." - -"I would also like the Colonel's amusing work on the coming occupation." - -"I know where it is, sir," Martin said swiftly. "I'll get it." - -The Colonel's expression was stony. He nodded to Martin to get it, and -it occurred to him that the girl was one of those whom he had personally -selected as the most promising for the puppet governments. But when he -asked about her identity, she cut him off without a word. - -"Then, may I ask where you learned such flawless English?" - -"All of us know English," she said. "It is a very stupid language." - -Martin and Henderson returned with the papers. Gingerly they approached -her, handed the papers to her, and darted back to their places in the -line. She placed the stack on the bar, leafed through it, all the while -keeping them covered with the Blaster, and remarked on finishing, "It is -exactly what one would expect barbarians to find interesting." - -Flandeau, however, remained a scientist to the last. - -"We find ourselves unhappily deceived," he said. "We were certain--that -you were utterly without defenses. We were told that you did not know -_how_ to lie, cheat, dissemble, or fight." - -"Only not with each other." she said. "It was, so to speak, a lost art." -She glanced at Blunt. Several men squirmed. "But it is one that we have -regained," she said. - -"And what will you do with us?" Flandeau asked. - -"We have decided to let you go," she said. "Now that we possess this -weapon,"--she brandished the Blaster--"which we can copy, we think we -can prevent more Explorations. At least this is the opinion of the -Eleven. So I am instructed to let you leave--at once, of course." - -"You are most charming," said Flandeau. - -"At once," she repeated. - -"Yes, of course. Men! Prepare for blastoff!" - - ---- - -The way back was tedious--the floating around, the boredom, the unending -blackness of space--but at least it was going home. After the first -weeks of space-sickness, things returned to near normal, and the Doctors -conferred with the Colonel. It was decided that the best report should -be that Engraham was uninviting, bleak, and of no interest to Earthmen. -The reputations of all were at stake (the doctors found themselves, -stripped of their papers, unable to recollect enough, and the Colonel -desperately feared a court-martial) and the crew was thus advised. All -agreed to keep their mouths shut. Thus their honorable discharges, -medals, and life-time pensions would be safe. - -So, with all this decided, and Earth only a few months away, relative -cheerfulness reigned. Only Willy Lanham continued to mope. - -"What's biting you?" Kosalowsky asked, one day as they lay strapped in -adjacent bunks. "Your face is as long as this ship." - -"I just feel bad," Willy said. "I can feel bad if I want to, can't I?" - -"What the hell, we'll soon be home. We can really raise some hell, -then." - -"I miss my girl," Willy blurted out. - -"You'll see her pretty soon." - -"I mean my girl on Engraham." - -It happened that just then several other men, bored with lying still, -were floating past. They gripped the edges of Willy's bunk. - -"You mean you had," Kosalowsky said cunningly, "a girl on Engraham?" - -"Sure I did," said Willy defensively. "Didn't all you guys?" - -More and more men joined the knot of bodies around Willy's bunk. The -atmosphere became distinctly menacing. - -"You mean you didn't?" Willy said. "You mean it wasn't a gag we were -pulling on Blunt?" - -They were silent. One pair of floating hands neared Willy's throat. - -"Honest," he said. "I didn't think you were that dumb. I thought you -were just letting Blunt make an ass of himself. I thought that--well, it -was so easy. I even told Dick a couple of times. You just had to make a -grab for 'em." - -Pane suddenly let out a harsh sound, like the cry of a wounded bull. - -"So who was this frail?" Kosalowsky asked heavily. - -"Yeah!" echoed the others. - -"Well, she was just a frail, I guess," Willy said. "I used to see her -around the ship. On guard duty. I used to see her all the time. What the -hell," he said, "You think I'm dumb or something? Why'd you think I was -willing to stand guard all the time?" - - - *END* - - - - _Transcribers note_: This etext was produced from If Worlds of Science - Fiction February 1958. Extensive research did not uncover any evidence - that the U.S. copyright on this publication was renewed. - - - - - - - -*** END OF THIS PROJECT GUTENBERG EBOOK THE HERO *** - - - - -A Word from Project Gutenberg - - -We will update this book if we find any errors. - -This book can be found under: http://www.gutenberg.org/ebooks/35770 - -Creating the works from public domain print editions means that no one -owns a United States copyright in these works, so the Foundation (and -you!) can copy and distribute it in the United States without permission -and without paying copyright royalties. Special rules, set forth in the -General Terms of Use part of this license, apply to copying and -distributing Project Gutenberg(tm) electronic works to protect the -Project Gutenberg(tm) concept and trademark. Project Gutenberg is a -registered trademark, and may not be used if you charge for the eBooks, -unless you receive specific permission. If you do not charge anything -for copies of this eBook, complying with the rules is very easy. You may -use this eBook for nearly any purpose such as creation of derivative -works, reports, performances and research. They may be modified and -printed and given away - you may do practically _anything_ with public -domain eBooks. Redistribution is subject to the trademark license, -especially commercial redistribution. - - - -The Full Project Gutenberg License - - -_Please read this before you distribute or use this work._ - -To protect the Project Gutenberg(tm) mission of promoting the free -distribution of electronic works, by using or distributing this work (or -any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg(tm) License available with this file or online at -http://www.gutenberg.org/license. - - -Section 1. General Terms of Use & Redistributing Project Gutenberg(tm) -electronic works - - -*1.A.* By reading or using any part of this Project Gutenberg(tm) -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all the -terms of this agreement, you must cease using and return or destroy all -copies of Project Gutenberg(tm) electronic works in your possession. If -you paid a fee for obtaining a copy of or access to a Project -Gutenberg(tm) electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -*1.B.* "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few things -that you can do with most Project Gutenberg(tm) electronic works even -without complying with the full terms of this agreement. See paragraph -1.C below. There are a lot of things you can do with Project -Gutenberg(tm) electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg(tm) electronic -works. See paragraph 1.E below. - -*1.C.* The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection of -Project Gutenberg(tm) electronic works. Nearly all the individual works -in the collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you -from copying, distributing, performing, displaying or creating -derivative works based on the work as long as all references to Project -Gutenberg are removed. Of course, we hope that you will support the -Project Gutenberg(tm) mission of promoting free access to electronic -works by freely sharing Project Gutenberg(tm) works in compliance with -the terms of this agreement for keeping the Project Gutenberg(tm) name -associated with the work. You can easily comply with the terms of this -agreement by keeping this work in the same format with its attached full -Project Gutenberg(tm) License when you share it without charge with -others. - -*1.D.* The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg(tm) work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -*1.E.* Unless you have removed all references to Project Gutenberg: - -*1.E.1.* The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg(tm) License must appear -prominently whenever any copy of a Project Gutenberg(tm) work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere at no cost and with - almost no restrictions whatsoever. You may copy it, give it away - or re-use it under the terms of the Project Gutenberg License - included with this eBook or online at http://www.gutenberg.org - -*1.E.2.* If an individual Project Gutenberg(tm) electronic work is -derived from the public domain (does not contain a notice indicating -that it is posted with permission of the copyright holder), the work can -be copied and distributed to anyone in the United States without paying -any fees or charges. If you are redistributing or providing access to a -work with the phrase "Project Gutenberg" associated with or appearing on -the work, you must comply either with the requirements of paragraphs -1.E.1 through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg(tm) trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -*1.E.3.* If an individual Project Gutenberg(tm) electronic work is -posted with the permission of the copyright holder, your use and -distribution must comply with both paragraphs 1.E.1 through 1.E.7 and -any additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg(tm) License for all works posted -with the permission of the copyright holder found at the beginning of -this work. - -*1.E.4.* Do not unlink or detach or remove the full Project -Gutenberg(tm) License terms from this work, or any files containing a -part of this work or any other work associated with Project -Gutenberg(tm). - -*1.E.5.* Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg(tm) License. - -*1.E.6.* You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg(tm) work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg(tm) web site -(http://www.gutenberg.org), you must, at no additional cost, fee or -expense to the user, provide a copy, a means of exporting a copy, or a -means of obtaining a copy upon request, of the work in its original -"Plain Vanilla ASCII" or other form. Any alternate format must include -the full Project Gutenberg(tm) License as specified in paragraph 1.E.1. - -*1.E.7.* Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg(tm) works -unless you comply with paragraph 1.E.8 or 1.E.9. - -*1.E.8.* You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg(tm) electronic works -provided that - - - You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg(tm) works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg(tm) trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - - - You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg(tm) - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg(tm) - works. - - - You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - - - You comply with all other terms of this agreement for free - distribution of Project Gutenberg(tm) works. - - -*1.E.9.* If you wish to charge a fee or distribute a Project -Gutenberg(tm) electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg(tm) trademark. Contact the -Foundation as set forth in Section 3. below. - -*1.F.* - -*1.F.1.* Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg(tm) collection. -Despite these efforts, Project Gutenberg(tm) electronic works, and the -medium on which they may be stored, may contain "Defects," such as, but -not limited to, incomplete, inaccurate or corrupt data, transcription -errors, a copyright or other intellectual property infringement, a -defective or damaged disk or other medium, a computer virus, or computer -codes that damage or cannot be read by your equipment. - -*1.F.2.* LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg(tm) trademark, and any other party distributing a Project -Gutenberg(tm) electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal fees. -YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, -BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN -PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND -ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR -ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES -EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. - -*1.F.3.* LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -*1.F.4.* Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. - -*1.F.5.* Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -*1.F.6.* INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg(tm) electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg(tm) electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg(tm) -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg(tm) work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg(tm) - - -Project Gutenberg(tm) is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need, is critical to reaching Project Gutenberg(tm)'s -goals and ensuring that the Project Gutenberg(tm) collection will remain -freely available for generations to come. In 2001, the Project Gutenberg -Literary Archive Foundation was created to provide a secure and -permanent future for Project Gutenberg(tm) and future generations. To -learn more about the Project Gutenberg Literary Archive Foundation and -how your efforts and donations can help, see Sections 3 and 4 and the -Foundation web page at http://www.pglaf.org . - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the state -of Mississippi and granted tax exempt status by the Internal Revenue -Service. The Foundation's EIN or federal tax identification number is -64-6221541. Its 501(c)(3) letter is posted at -http://www.gutenberg.org/fundraising/pglaf . Contributions to the -Project Gutenberg Literary Archive Foundation are tax deductible to the -full extent permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email -business@pglaf.org. Email contact links and up to date contact -information can be found at the Foundation's web site and official page -at http://www.pglaf.org - -For additional contact information: - - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - - -Section 4. Information about Donations to the Project Gutenberg Literary -Archive Foundation - - -Project Gutenberg(tm) depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations where -we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit http://www.gutenberg.org/fundraising/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make any -statements concerning tax treatment of donations received from outside -the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other ways -including checks, online payments and credit card donations. To donate, -please visit: http://www.gutenberg.org/fundraising/donate - - -Section 5. General Information About Project Gutenberg(tm) electronic -works. - - -Professor Michael S. Hart is the originator of the Project Gutenberg(tm) -concept of a library of electronic works that could be freely shared -with anyone. For thirty years, he produced and distributed Project -Gutenberg(tm) eBooks with only a loose network of volunteer support. - -Project Gutenberg(tm) eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. unless -a copyright notice is included. Thus, we do not necessarily keep eBooks -in compliance with any particular paper edition. - -Each eBook is in a subdirectory of the same number as the eBook's eBook -number, often in several formats including plain vanilla ASCII, -compressed (zipped), HTML and others. - -Corrected _editions_ of our eBooks replace the old file and take over -the old filename and etext number. The replaced older file is renamed. -_Versions_ based on separate sources are treated as new eBooks receiving -new filenames and etext numbers. - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.org - -This Web site includes information about Project Gutenberg(tm), -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. |
