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+The Project Gutenberg EBook of The Man Who Pleases and the Woman Who Charms, by
+John A. Cone
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Man Who Pleases and the Woman Who Charms
+
+Author: John A. Cone
+
+Release Date: April 3, 2011 [EBook #35761]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MAN WHO PLEASES, WOMAN WHO CHARMS ***
+
+
+
+
+Produced by Heather Clark and the Online Distributed
+Proofreading Team at https://www.pgdp.net (This file was
+produced from images generously made available by The
+Internet Archive)
+
+
+
+
+
+
+
+
+
+ THE MAN WHO PLEASES
+ AND
+ THE WOMAN WHO CHARMS
+
+ BY
+ JOHN A. CONE
+
+ "Look out lovingly upon the world and the
+ world will look lovingly in upon you."
+
+ HINDS & NOBLE, Publishers
+ 31-33-35 WEST 15TH STREET, NEW YORK CITY
+
+ _Schoolbooks of all publishers at one store_
+
+
+
+ _Third printing, February, 1904._
+
+ Copyright, 1901.
+ by
+ JOHN A. CONE,
+ in the
+ United States
+ and
+ Great Britain.
+ Entered at Stationer's Hall,
+ London.
+
+ All Rights Reserved.
+
+
+
+ TO
+ MY MOTHER.
+
+
+
+
+CONTENTS.
+
+
+ PAGE
+ THE MAN WHO PLEASES 1
+ THE WOMAN WHO CHARMS 16
+ THE ART OF CONVERSATION 29
+ GOOD ENGLISH 37
+ TACT IN CONVERSATION 48
+ THE COMPLIMENT OF ATTENTION 57
+ THE VOICE 65
+ GOOD MANNERS 73
+ DRESS 84
+ THE OPTIMIST 97
+ PERSONAL PECULIARITIES 106
+ SUGGESTIONS FROM MANY SOURCES 114
+
+
+
+
+PREFACE.
+
+
+The makers of books have been divided into two classes--the creators and
+the collectors. In preparing this volume the author has made no claim to
+a place in the first division, for he has been, to a great extent, only
+a collector. The facts which the book contains are familiar to
+intelligent people, and the only excuse offered for presenting them in a
+new dress is that we need to be reminded often of some truths with which
+we are most familiar.
+
+In our daily intercourse with one another, we may forget to render to
+others that thoughtfulness and attention which we exact from them.
+
+We all know that the essence of courtesy is the purpose, in speech and
+manner, to be agreeable, attractive, and lovable, to awaken by our
+presence happy impressions in another. We all understand this, but we so
+easily forget it, or, at least, forget to put it into practice.
+
+Courtesy is not the least of the Christian virtues, and it should be
+studied as an art.
+
+The reader is requested to accept these chapters in the spirit in which
+they were prepared. They are not profound psychological studies, or even
+original essays, but only a bringing together of simple, yet important
+truths, which are of concern to us all. Possibly they may be of some
+help--"Lest we forget,----"
+
+
+
+
+THE MAN WHO PLEASES.
+
+ _The dearest friend to me, the kindest man,
+ The best-conditioned and unwearied spirit
+ In doing courtesies._
+ MERCHANT OF VENICE.
+
+ _He hath a daily beauty in his life._
+ OTHELLO.
+
+ _Such a man would win any woman in the world if a' could get her
+ good will._
+ MUCH ADO ABOUT NOTHING.
+
+
+There are few subjects of deeper interest to men and women than that of
+personal fascination, or what is sometimes called "personal magnetism."
+We commonly talk about it as though it were some mysterious quality of
+which no definite account could be given.
+
+"A man is fascinating," we say, "he is born magnetic; he has an
+indefinable charm which cannot be analyzed or understood," and, with the
+term "naturally magnetic," we hand the matter over to the world of
+mystery.
+
+Is this quality of so bewildering a nature that it cannot be understood,
+or will a study of those men and women who possess preëminently the
+power of pleasing show us the secret of their influence, and prove to us
+that the gift of fascination is not, necessarily, innate, but that it
+can, to a great degree, be acquired?
+
+Will we not find that what appears to be the perfection of naturalness
+is often but the perfection of culture?
+
+From all our well-known public men who have won the reputation of being
+"naturally magnetic," perhaps we could not select a better example than
+James G. Blaine. With the possible exception of Henry Clay, no other
+political leader in our history, under all circumstances, had so devoted
+and determined a following. Both Clay and Blaine possessed sympathetic
+and affectionate dispositions, and both understood human nature and the
+art of pleasing. It may be said that Mr. Blaine's popularity was due, in
+a great measure, to the brilliant and attractive nature of his public
+service, and this was, no doubt, true to a certain extent. No man knew
+better than he the importance of making the most of opportunities for
+dramatic and sensational display, and his methods of statesmanship were
+always calculated to please the multitude.
+
+His greatest power, however, was manifested in his winning men by direct
+and individual contact. One thing which assisted him in this direction
+was the fact that he was, perhaps, the most courteous of all the public
+men of his generation. Whenever a stranger was introduced to him, a
+hearty handshake, a look of interest and an attentive and cordial manner
+assured him that Mr. Blaine was very glad to see him. If they chanced to
+meet again, after months or even years, the man was delighted to find
+that Mr. Blaine not only remembered his name, but that he had seemed to
+treasure even the most trivial recollections of their short
+acquaintance. He had a marvellous memory for faces and names, and he
+understood the value of this gift.
+
+This ability to remember faces is not difficult to acquire. We could all
+possess it if we would make sufficient effort. No two figures or
+countenances are precisely alike, and it is by noting how they differ
+one from another that you will remember them.
+
+In explaining his own remarkable memory for faces, Thomas B. Reed once
+said to a reporter that he never looked a man in the face that some
+striking peculiarity, a line, a wrinkle, an expression about the eye,
+the set of the lips, the shape of the nose, something set that man's
+face down in his mind indelibly, and distinguished him from the rest of
+mankind.
+
+Blaine carefully trained himself to pick out some feature or peculiarity
+by which he could distinguish one face or person from all others and by
+which he could associate the name of the individual.
+
+The ability to remember names and faces is one of the most valuable
+accomplishments for the man in public life, or, indeed, for any man or
+woman who wishes social success. Not only does it insure comfort to
+one's self, but it is especially pleasing to others. Next to the comfort
+of being able to address by name and without hesitation a person one has
+met but once, and without mistake, is the comfort of being recognized
+one's self.
+
+Another reason why Mr. Blaine was popular with the masses was because he
+was not difficult to approach, and he never missed a chance to be useful
+to a person who might some time, in turn, be useful to him.
+
+The _St. Louis Globe-Democrat_ said shortly after his death: "It was not
+the habit of Mr. Blaine to wait for men to seek favors from him. He
+anticipated their desires, and doubled their obligations to him by
+doing voluntarily what might have been delayed for solicitation. That
+gave him the kind of popularity which outlasts defeat and resists all
+ordinary influences of criticism and hostility. He could always count
+upon a certain measure of unflinching and unconditional support,
+whatever forces happened to be arrayed against him; and he changed
+bitter enemies into zealous friends with a facility that was a source of
+constant surprise and wonder."
+
+But why should his success in attracting others to himself be a source
+of "surprise and wonder"?
+
+Mr. Blaine, in common with many other magnetic men and women, understood
+that the secret of personal fascination lies in one single point; that
+is, "in the power to excite in another person happy feelings of a high
+degree of intensity, and to make that person identify such feelings with
+the charm and power of the cherished cause of them."
+
+Any quality, good or evil, that enables a man to do this, renders him
+fascinating, whether he be saint or sinner. Indeed, some of the men who
+have been the most skilful in the art of pleasing have been scoundrels.
+
+Said a writer in the _Boston Herald_: "It used to be said of Aaron
+Burr--so irresistible in charm of manner was the man--that he could
+never stop at the stand of the ugliest old crone of an apple-woman,
+without leaving on her mind when he went away the conviction that he
+regarded her as the fairest and most gracious of her sex. And so, had
+woman suffrage prevailed in his day, he would have had the solid vote of
+the apple-women for any office he might aspire to."
+
+Aaron Burr clearly understood that the woman does not exist who is
+wholly without sentiment, and he always appealed to that part of a
+woman's nature.
+
+He understood very well the truth of these words written by Croly: "In
+the whole course of my life I never met a woman, from the flat-nosed and
+ebony-colored inhabitant of the tropics to the snow-white and sublime
+divinity of a Greek isle, without a touch of romance; repulsiveness
+could not conceal it, age could not extinguish it, viscissitude could
+not change it. I have found it in all times and places, like a spring of
+fresh water, starting up even from the flint, cheering the cheerless,
+softening the insensible, renovating the withered; a secret whisper in
+the ear of every woman alive that to the last, affection might flutter
+its rosy pinions around her brow."
+
+Burr, understanding this, left in the mind of the apple-woman the firm
+impression that he thought she must have been at one time a duchess,
+reduced in fortune by some accident, and now driven to the last refuge
+of an apple-stand, and that those sad facts evidently accounted for the
+traits of high breeding and delicate refinement so visible through all
+her present poverty.
+
+He understood the fact that all people live in two distinct worlds--the
+world of reality and the world of imagination. In the world of reality
+they use brooms and shovels, wash floors and dishes, or sell apples; in
+the other, they live in drawing rooms, feast sumptuously and are the
+wonder and admiration of mankind.
+
+"Few people," continues the writer in the _Herald_, "would believe that
+an ugly, dilapidated looking apple-woman could dwell in the enchanted
+realm of imagination just as much as the rich and favored do. But Burr
+believed it, so when he spoke to the old crone, he went up, not to her
+withered and beggarly self, but to her ideal self, imaginatively
+entering into the duchess dream in her, and instinctively became
+deferential in his bearing.
+
+"Forthwith the duchess in her came out to meet the courtly gentleman in
+him, and greetings were exchanged as between two incognito scions of
+noble lineage. Each enjoyed the meeting, each had vividness enough of
+imagination to impart to it the flavor of reality, and to keep out of
+sight common, material facts."
+
+"But," you say, "not every man can make such an impression, for few are
+able to do and say things with the ease and grace of a Burr. There must
+be a naturalness of manner which never suggests suspicion. Let the
+average man attempt to force his nature and to manufacture smiles and
+looks of pleasure, and the old apple-woman will know at once that she is
+being fooled." Very true, and it is not desirable that the average man
+should possess the ability of an Aaron Burr to influence others. Few
+persons try as he did to acquire that power, but because the average man
+cannot at once exercise that potent influence over others which he did,
+it does not follow that we are unable to understand the secret of Burr's
+success, nor is it evident that other men cannot acquire something of
+this power by thinking it worth while to do so.
+
+It would not be safe to say that all men can be equally successful, try
+as they will, in inspiring in others "happy feelings of a high degree of
+intensity," for nature has not been impartial in bestowing equally upon
+all the gifts of adaptation and expression.
+
+There are a few persons so constituted by temperament and mental
+organism that they exercise a depressing influence over their
+associates. They have a negative, flabby spirit that seems to operate,
+speaking figuratively, much as a wet shoe does upon one who is compelled
+to wear it. They draw upon the nervous strength and exhaust the patience
+of those who are compelled to be much in their company. But there are
+not many of this type. Most of us could make far more progress in
+acquiring social graces and in the art of pleasing than we do.
+
+Let us now consider some of the particular qualities which render a man
+pleasing to the opposite sex.
+
+Of course different types of men please different women. Some women care
+little for the moral element in men. They do not admire them for their
+goodness or nobility of character, but rather for their manners and
+their ability to flatter and say pleasing things. Some women are
+fascinated by mere brute strength, but they are not many. Rank, wealth,
+and social position are very attractive to some, but these things do not
+make the man himself more attractive to the true woman.
+
+While a girl is young, she may go into raptures over "a cameo profile, a
+Burnes-Jones head of hair, or a pre-Raphaelite languor and pallor," but
+these things are bound to pall, and become absolutely distasteful. Some
+even admire downright wickedness in men, and these are the women who
+send delicacies to murderers in prison, and overwhelm them with
+bouquets. But, fortunately, these types represent but a small fraction
+of the fair sex, and this chapter has to do only with the great
+majority; the intelligent, moral, cultured women of the land. What
+qualities in men are most attractive to them?
+
+Physical beauty is always attractive in either sex, yet the handsome man
+has the advantage of his plainer rival only in this--he is able to draw
+attention to himself at once. He must, however, have something more to
+hold that attention. He may be physically an Apollo, but if he be
+ill-mannered, dull or ignorant, he will stand no chance beside the man
+skilled in the artful polished ways of what is called society, who is
+master of that grace of manner and flexibility of speech which more than
+wealth, reputation, or personal attractiveness, win their way with
+women.
+
+It has been proven, again and again, that even ugliness of face and form
+is not, by any means, a bar to popularity with women, and while we are
+often amazed at the choice which brilliant, beautiful women sometimes
+make from a crowd of admirers, at the bottom of every apparent fantastic
+selection, there is a solid, and, usually, a sensible reason.
+
+Ernest Renan was certainly not handsome. He was exceedingly corpulent,
+his complexion was said to resemble nothing else so closely as tallow.
+He had claw-shaped hands, bushy gray eyebrows, and thin gray hair, yet
+wherever he went into society he was sure to be the center of an
+admiring group of women. He was not fascinating by reason of his
+ugliness, but in spite of it. There was enough in the subtle charm of
+his manner, and the melodious flow of his conversation, to make up for
+all outward deficiencies.
+
+Liszt was not a handsome man--quite the contrary; yet probably no other
+man ever lived who exercised a more magnetic and potent influence over
+women. Even when he had become gaunt and old, his eyes dim, his blonde
+hair snow-white, his spare, lean figure wrapped in a black, priestly
+gown, he was followed about by a train of fair admirers.
+
+Chauteaubriand could charm at eighty-four, the Abbé Liszt at
+seventy-five, and Aaron Burr--who was by no means handsome--had at
+seventy a charm of manner that was irresistible.
+
+The fact is, one cannot recall half a dozen very talented men who were
+admired for their personal beauty. Pope was very plain; Dr. Johnson was
+no better; Mirabeau was "the ugliest man in France," and yet he was the
+greatest favorite with the fair sex.
+
+These examples are not cited to prove that women do not care for
+physical beauty in men. On the contrary, that is a very strong
+attraction, but not the most powerful factor in holding them. Women more
+frequently prize men for their sterling qualities of mind than men do
+women. A perfection of physical beauty rarely associates itself with
+great mental ability in either sex, but still there have been some
+notable exceptions, especially among women, and every pretty woman who
+reads this may consider herself one of these exceptions.
+
+As a general thing, the man who pleases is the man who understands. It
+does not matter much to a woman whether a man has great and brilliant
+thoughts of his own, if he comprehends her wishes and her feelings, as
+well as her thoughts. He should, if he desires to please, make a careful
+study of that mysterious and complex thing--a woman's nature. He must
+understand that it is of a finer fibre than his own; that it is
+sensitive and easily hurt. He should have sentiment, but not be a
+sentimentalist. He will be wise, indeed, if he can skilfully draw the
+line between the two things. "Sentiment is divine: sentimentalism
+absurd." He should be able to say much in little and he must not be a
+chatterer. A woman who talks too much becomes tiresome; a man who is an
+aimless talker is an intolerable bore to both sexes.
+
+Few men understand a woman. They do not look at things from her point of
+view, and, therefore, do not realize to what extent civilized life has
+permitted her to assume that convention of manner and those civilities
+of speech which are in some harmless degree hypocritical. It could not
+be otherwise. Her ideal of a man is a very high one, but she rarely
+meets him, and so she accepts the one who comes nearest to her ideal and
+makes the most of the situation. She would that he were different, but a
+woman can love in spite of very many things. Usually she is obliged to
+if to love at all. She is much cleverer at love-making than a man. "She
+is an artist where he is a crude workman, and she does not go through a
+love scene without realizing how much better she could have done it if
+the title rôle had been given to her."
+
+If she is a woman of sensibility, she is shocked by a hundred
+disagreeable habits which many men think justifiable. She is repelled by
+awkwardness of manner, coarse modes of speech, by carelessness of person
+and dress, and yet, for all that, she loves.
+
+The lover who is most successful in retaining the affection of a
+sweetheart or a wife is the one who expresses over and over again the
+love and the tenderness he feels. Women, more than men, like to hear
+things talked about. They are far more wide-awake to the value of
+trifles, and more sensitive to changes of mood. They are given to saying
+in many ways, with delicate variations, what a man is satisfied to state
+once for all, even to state badly.
+
+A man will believe in a woman's love and be satisfied with far fewer
+visible tokens of it than are necessary to confirm his tenderness and
+keep her convinced of it.
+
+The truth is that a man's power of pleasing does not depend upon some
+occult quality of which no account can be given, but upon the degree in
+which he holds certain attractive qualities--innate or acquired. We have
+no difficulty in understanding any single one of these qualities, yet
+when a man possesses such a combination of them as to entitle him to the
+term "fascinating" we pronounce it incomprehensible, and fall back upon
+that vague term, "personal magnetism."
+
+The personal elements which are most conducive to our influence over
+others are, in a broad way: good manners, a pleasing voice, the ability
+to converse well, personal neatness, taste in dress, tact, good morals,
+culture and refinement, physical beauty, and intellectual force. We are
+pleasing or offensive just in proportion to our possession of these very
+desirable characteristics, and, possibly, what we term "personal
+magnetism" is simply the result of a well-balanced development of some,
+or all, of these enviable characteristics.
+
+
+
+
+THE WOMAN WHO CHARMS.
+
+ _Look on this woman. There is not beauty, not brilliant sayings,
+ nor distinguished power to serve you; but all see her gladly; her
+ whole air and impression are healthful. Manners require time, as
+ nothing is more vulgar than haste._
+ EMERSON.
+
+ _Possessed with such a gentle, sovereign grace,
+ With such enchanting presence and discourse._
+ COMEDY OF ERRORS.
+
+ _She's a most exquisite lady._
+ OTHELLO.
+
+
+Is it the handsome woman? Yes, sometimes, but not always. Beauty is
+always attractive, but the handsome woman has the same advantage only
+that the handsome man possesses--she draws attention to herself at once.
+If she has nothing but her beauty to rely upon, she does not hold the
+attention.
+
+It was Balzac who reminded us of the fact that nearly all of the most
+celebrated attachments in history were inspired by women in whom there
+were noticeable physical defects. Mme. de Pompadour, Joanna of Naples,
+Cleopatra, La Valliere--in fact, almost all the women whom a romantic
+love has invested with a halo of interest--were not without
+imperfections and even infirmities, while nearly all the women whose
+beauty is described to us as perfect, have been finally unhappy in their
+loves.
+
+"Perhaps," says Balzac, "men live by sentiment more than by pleasure.
+Perhaps the charm, wholly physical, of a beautiful woman has its bounds,
+while the charm, essentially moral, of a woman of moderate beauty may be
+infinite."
+
+Whether this be true or not, women surely overestimate the influence of
+mere physical beauty to attract and hold men. Madame de Staël, whose
+dominion over the hearts of all those with whom she came in contact is
+well known, declared that she would gladly give up all her gifts of
+person, and all her learning, if she could receive beauty in exchange.
+It was fortunate for her that her wish was not granted, for, had it
+been, probably she would have found her kingdom slipping away. While
+she did not have a beautiful face, she possessed physical
+characteristics and personal traits which rendered her absolutely
+fascinating.
+
+To a sensible man nothing is quite so insipid as a vain, brainless,
+tactless beauty, whose opinions are but echoes, and who imagines that
+her beauty alone will hold him chained to her chariot.
+
+Beauty holds for a time, but after a man's eyes are satisfied, he must
+be entertained, and the plain girl who possesses brains and tact need
+have no fear of her more beautiful rival. Modern research has proved
+that not Sappho, not Aspasia, nor even Cleopatra were women who would
+have attracted any special attention by reason of their physical beauty.
+Their highest charm was intellectual--the possession of an "immensity to
+give," as Plutarch expresses it, in the way of grace and accomplishment.
+
+The idea that plain girls are allowed to run to waste as "unappropriated
+blessings," is not supported by evidence, for we are constantly meeting
+wives far plainer than the majority of the unmarried women of our
+acquaintance; and it frequently happens that a man who has a wife
+physically beautiful, becomes enamored of an exceedingly plain woman who
+possesses a certain quality of congeniality, some trait of adaptability
+which he misses in his partner.
+
+Says a writer in _Lippincott's_: "It is safe to make the broad
+generalization that a homely girl, all other things being equal, is
+likely to have fewer offers than a pretty girl, but quite as likely to
+receive the one offer which will make her a happy wife. But all other
+things (save the gift of beauty) seldom are equal between the homely and
+the pretty girl; by the natural law of compensation, the homely girl has
+either some inherent or some acquired ability that is lacking in the
+other, which asserts its charm as acquaintance progresses. Beauty only
+has the start in the race."
+
+It frequently happens that the beauty makes the mistake of expecting to
+be entertained by her admirers, and does not exert herself to please.
+The plain girl, however, is often superior in tact, for being obliged to
+study human nature closely in order to get the most out of
+companionship, she learns to depend upon this knowledge in her efforts
+to please. She is not dazzled by admiration, nor is she unduly confident
+when she obtains it that she will retain it.
+
+Mme. Hading, who is a strikingly handsome woman, and, therefore, can
+discuss beauty without falling under suspicion, once said:
+
+"A woman is very unfortunate who has nothing but beauty to insure her
+success. There are other things superior to beauty. Taste, good taste,
+brains, tact, health, those are the things a woman must have to hold
+people. And then there are good manners--so rare and yet so easily
+cultivated. To be refined, to be gentle, to be amiable, to be charitable
+in thought and in speech, to be intelligent, is to be charming, in spite
+of an unattractive body and an ugly face. To be well born is, indeed, to
+be blessed, but to rise above low birth is sublime. The greatest painter
+of the age could make only a caricature of a face for the Empress
+Josephine, and yet the sweetness of her smile and the charm of her
+pleasing and gracious ways immortalized her name. There are other ends
+to happiness than mere wealth; there are sweeter things in a woman's
+face than beauty."
+
+Again, the woman who charms is not necessarily young. History is full of
+accounts of women who have been fascinating when beyond middle life. The
+truest and strongest love is not always inspired by the beauty of
+twenty. The enthusiasm over sweet sixteen is not supported by the old
+experience which teaches that the highest beauty is not found in
+immaturity. Louis XIV. wedded Mme. Maintenon when she was forty-three
+years old. Catherine II. of Russia was thirty-three when she seized the
+Empire of Russia and captivated the dashing young Gen. Orloff. Even up
+to the time of her death--at sixty-seven--she seemed to have retained
+the same bewitching power, for the lamentations were heartfelt among all
+those who had ever known her personally.
+
+Cleopatra was considerably over thirty when Antony fell under her spell,
+which never lessened until her death, nearly ten years later.
+
+Livia was thirty-three when she won the heart of Augustus, over whom she
+maintained her ascendancy until the last. Aspasia did not wed Pericles
+until she was thirty-seven, and for more than thirty years after that
+she was regarded as one of the most fascinating women of her time. Ninon
+de l'Enclos, the most celebrated wit of her day, was the idol of three
+generations of the golden youth of France, and she was seventy-two when
+the Abbé de Berais fell in love with her.
+
+Helen of Troy, the celebrated Greek beauty, was over forty-five when she
+took part in the most famous elopement in history; and as the siege of
+Troy lasted ten years, she must have been at least fifty-five when the
+ill-fortune of Paris restored her to her husband, who is reported to
+have received her with unquestioned love and gratitude. Mlle. Mars, the
+celebrated actress, was most attractive at forty-five, and Mme. Récamier
+was at the zenith of her good looks and of her power to please when
+between thirty-five and fifty-five. Diana de Poitiers was over
+thirty-six when Henry II., then Duke of Orleans, and just half her age,
+became attached to her, and she was regarded as the first lady and the
+most beautiful woman at court up to the time of the monarch's death and
+the accession to power of Catherine de Medici.
+
+The common idea that the mature beauty of forty is less fascinating than
+that of the girl of seventeen or eighteen is without foundation. By
+beauty is not meant merely well-formed features and a fresh
+complexion--these things even dolls possess. In spite of the rosy, fresh
+complexion bestowed upon youth by nature, a woman's best and richest age
+is really between thirty-five and forty-five, and sometimes considerably
+beyond that period.
+
+No one would dare say how old Madame Patti is. Everyone who meets her
+exclaims at her marvellous youthfulness and vivacity. Patti's
+explanation of her bright eyes, smooth skin and happy expression is
+given in a few words: "I have kept my temper. No woman can remain young
+who often loses her temper."
+
+As a woman grows older, she ought to become more attractive in certain
+ways than she could be in her youth. One of the most needful things for
+attaining this result is good health. Fine muscles, a healthy, glowing
+skin, eyes bright with energy and ambition--these make a valuable
+foundation for the woman who would be attractive. The woman who, at a
+certain age, considers herself _passé_, commits a great error. If she so
+regards herself; if she believes she has passed the time when she can be
+interesting, others are quite likely to find her unattractive. Surely a
+woman should be more interesting after she leaves the period of
+girlhood. She ought to be able to converse better, she should possess
+more wisdom, greater tact, broader knowledge of human nature; and she
+should have more repose, more grace of manner. Indeed, she should have
+all her accomplishments well in hand, and be more facile in their use
+for the pleasure of others; and she will be able to use them to better
+advantage if she has cultivated placidity of temper, human sympathy and
+generosity, and is not careless of her personal appearance. It
+frequently happens that women who have reached middle life neglect many
+of the aids to physical beauty which they once carefully followed. They
+are careless about dress, and grow to esteem it excusable to dispense
+with those simple and necessary accessories of the toilet which formerly
+helped to make them so exquisitely fresh and dainty. They grow
+accustomed to think that untidiness must necessarily be associated with
+drudgery. But in these days it is becoming more possible to carry the
+element of refinement and beauty with us everywhere.
+
+Many women could seem much finer, more delicate than they appear, if
+they were not accustomed to think that a certain homeliness, and even
+negligence of attire is quite excusable, and, indeed, almost inseparable
+from common work-a-day life. As we grow older, it becomes more necessary
+that we use care in always presenting that appearance of personal
+neatness which never fails to be attractive to those with whom we come
+in contact.
+
+One of the strongest elements a woman can possess to attract the other
+sex is a sympathetic interest in a man's work. This was what attracted
+Dr. Schliemann, the famous Greek scholar and explorer, to the young
+woman whom he married. She was familiar with the Iliad and the Odyssey,
+and was an enthusiast upon the subject of uncovering the ancient cities
+of Homer.
+
+Men like to have women interested in the things in which they themselves
+are interested.
+
+One who has read Richard Harding Davis' "Soldiers of Fortune" may
+remember that Clay grew very fond of Miss Langham. His first
+disappointment in her came to him when he discovered her lack of
+interest in his work of opening up the iron mines in South America. Miss
+Langham's younger sister, Hope, was, on the other hand, extremely
+interested in the mines, made an exhaustive study of the methods of
+mining, and when she, with the other members of the family, visited the
+scene of Clay's engineering operations, it was she who drew Clay's
+attention to herself by intelligent questions and suggestive remarks. He
+was delighted with her, admired her, fell in love with her, and then
+married her. That day at the mines was the beginning of the end of the
+old love, and the awakening of the new.
+
+To interest men a woman should, by reading the papers, acquire, and be
+able to express, a reasonably clear idea of what is happening in the
+world. She should ascertain what is of special interest to the
+particular man she wishes to attract, and, whether the subject be
+politics, business, out-door sports, art, science, or literature, she
+should be able to contribute something in a conversation upon that
+subject more interesting than a mere yes or no.
+
+As it is the manly man who wins and satisfies a good woman, so it is the
+womanly woman who pleases and retains the regard of the estimable man.
+
+Men like the womanly woman. She need not be soft or silly, weak or
+nervous; she may be strong, vigorous, resolute, and brave. A man has
+little sympathy for the girl who imitates men either in dress, manner
+or conversation. If a womanly man is not pleasing to either sex, what
+shall we say of a manlike woman!
+
+He thoroughly expresses the writer's view who said: "A perfect woman may
+be adorable; a woman who is perfect would be beyond endurance." Yet,
+however irreligious a man may be himself, he always dislikes irreverence
+in a woman. He wishes and expects his wife to be better than he is, and,
+generally, she is.
+
+Men do not like the over-dressed woman--the one who goes to the extreme
+of a fashion and a little further. He does not care for costliness of
+apparel, but he is always attracted by freshness and daintiness.
+
+A sense of humor is a valuable gift in a woman who wishes to please. Men
+like the girl who sees the funny side of a thing; who can make them
+laugh; who can be witty without being sarcastic; who can jest and not be
+malicious; who can relate humorous experiences without saying things
+calculated to make others uncomfortable.
+
+A man likes a woman who entertains and amuses him. Young girls often
+express surprise that one of their number is so popular among men. They
+know she is not so pretty as dozens of other girls. She is not dressed
+so richly as they are, yet, at a party, she will have half a dozen
+young men about her while they are neglected and alone. She must, they
+conclude, have that indefinable quality of magnetism, and that is all
+that can be said about it, and they could not find out the secret if
+they tried. But probably there is no secret about it. Although she is
+not pretty, and does not possess a vast amount of information, she has
+tact, and a quick and electric vivacity of spirit which acts as a breeze
+on the sluggish waters, making ripples of pleasure and laughter, and so
+produces an exhilarating effect upon all about her.
+
+Many young men, if diffident or awkward, feel, it may be, a little out
+of place. They hardly know what to do or say, but this particular girl
+wakes them up, and they find themselves laughing and talking with
+astonishing ease. She understands how to make them feel at ease, how to
+draw them out, and as they associate with her they become unusually
+elated, and it is not at all strange that in every company they look
+eagerly for her presence.
+
+While, judging from the descriptions and representations which we have
+of her, Cleopatra was by no means beautiful, there is no mystery about
+her fascinating influence over men.
+
+"She had," said a writer in _The Boston Herald_, "jaded Roman conquerors
+to deal with, men sated with every form of mere animal pleasure. There
+was no piquancy left in anything; all had palled and staled on their
+cloyed palates. But in Cleopatra was evermore something fresh,
+unexpected, perfectly original!
+
+"No wonder the bystanders cried, 'Age cannot wither nor custom stale her
+infinite variety.' What had she to fear from the rivalship of mere youth
+and beauty so long as her nimble intellect was fertile, like the Nile
+floods, in successive harvests, in the one quality her lovers were ready
+to lavish kingdoms for, namely, 'infinite variety.'"
+
+To go back to the definition of personal fascination given in the
+preceding chapter, we repeat that it consists "in the power to excite in
+another person happy feelings of a high degree of intensity, and to make
+that person identify such feelings with the charm and power of the
+cherished cause of them."
+
+There may be such a thing as the "indefinite quality of magnetism" which
+draws people to the possessor whether they will or no; but there are
+many personalities who are charming because they have willed to be,
+because by painstaking perseverance they have acquired those
+characteristics which enable them to please and charm all with whom they
+come in contact.
+
+
+
+
+THE ART OF CONVERSATION.
+
+ "_Though conversation, in its better part,
+ May be esteemed a gift and not an art,
+ Yet much depends, as in the tiller's toil,
+ On culture and the sowing of the soil._"
+ COWPER.
+
+ _In all countries where intelligence is prized, a talent for
+ conversation ranks high among accomplishments. To clothe the
+ thoughts in clear and elegant language, and to convey them
+ impressively to the mind of another, is no common attainment._
+ MRS. SIGOURNEY.
+
+
+The man or woman who is an intelligent, tactful conversationalist,
+commands one of the most essential elements of a pleasing address. While
+all of us may have certain defects which we cannot wholly overcome,
+however earnestly we may try, we can, if we will, re-form our
+conversation. We can so train ourselves that good nature,
+considerateness and benevolence will always have a place in our
+intercourse with others. We can, if we will, use good English, and we
+can avoid the temptation, so common, to talk of persons rather than of
+things. Theoretically, we despise gossip; practically, most of us add
+our mite to the common fund. We may not be ill-natured, and the sweet
+charity that "thinketh no evil" may have a home in our hearts; yet
+sometimes, if we are not watchful, it may fall asleep, and bitterness,
+or the spirit of spitefulness come creeping stealthily to the surface.
+
+We can, if we will, be intellectually honest--a kind of honesty which is
+indeed rare. The principal reason why arguments and discussions lead to
+so must dissatisfaction and ill-feeling on the part of the disputants,
+is the lack of this quality.
+
+Two men are engaged in conversation and a question of religious belief
+or of politics is brought to the front. Each takes a side in the
+discussion and maintains his opinions to the end. Neither is searching
+for the truth, but is eager to defend his side of the question against
+the attacks of his opponent. It does not occur to either that anything
+else can be the truth except the things he has been taught to believe.
+To both, the truth simply takes the form of their own opinions; and
+since they are most firmly attached to their opinions, neither ever
+questions his own devotion to the truth. Such persons can scarcely be
+said to use their minds at all, for their thinking has been done by some
+one else. Many a hostess is obliged tactfully to separate aggressively
+argumentative and disputatious guests, who have never learned that
+others have an equal right to their own opinions, and that not every
+dinner party is the proper occasion to plunge into heated argument in
+the hope of changing another's views.
+
+Again, we can all avoid the habit of exaggeration--a fault which does
+not get itself called by the name of "falsehood," but which is in
+dangerously close proximity to it. A man hears something, true enough in
+its original shape, but he passes it on with a little addition of his
+own. The one to whom he tells it adds his touch of exaggeration, until,
+at last, the statement is so swollen and distorted as to convey anything
+but the real truth. It would be difficult to charge any one with
+deliberate prevarication. The result is a sort of accumulative lie, made
+by successive individual contributions of little dashes of exaggeration.
+Thousands who would never be guilty of inventing an entire story
+derogatory to the reputation of another, are constantly contributing to
+the formation of these accumulative falsehoods, which are quite as evil
+in their results as though conceived and concocted by one person.
+
+We can put into requisition a nice sense of honor in our conversation.
+In a hundred different ways this most fitting attribute of the true
+woman and the real gentleman is often put to the test. We can remember
+that it is quite as easy to be ill-mannered in speech as in conduct.
+
+There are men and women who, at a dinner, would not under any
+circumstances, transgress the rules of table etiquette, but who may
+offend quite as grossly by a thoughtless or an intemperate use of words.
+They may not dispense with the fork, but they wound the heart by unkind
+words. They may observe all the amenities from oyster-fork to
+finger-bowl, yet they offend some member of the company by sarcasm or
+personal innuendo. They may not misplace or misuse the napkin, but they
+may render the entire company uncomfortable by declining to yield, in
+argument, to the greater weight of evidence; or by overloading a story
+with unimportant details. They may be scrupulously neat, and of easy and
+graceful deportment, but may never have learned the gentle art of
+keeping one's temper sweet when criticised or when confronted by a
+contradiction.
+
+These very suggestive words appeared in "The Churchman": "It is almost a
+definition of a gentleman to say that he is one who never inflicts
+pain. The true gentleman carefully avoids whatever may cause a jar or a
+jolt in the minds of those with whom he is cast. He has his eyes on all
+his company; he is tender toward the bashful, gentle toward the distant,
+and merciful toward the absurd. He avoids unreasonable allusions on
+topics which may irritate; he is seldom prominent in conversation, and
+never wearisome. Another delightful trait in him is that he makes light
+of favors when he bestows them, and seems to be receiving when he is
+conferring. He never speaks of himself except when compelled, never
+defends himself by a mere retort. He has no ears for slander or gossip;
+is scrupulous in imputing motives to those who interfere with him, and
+interprets everything for the best. He is never mean or small in his
+disputes, never insinuates evil which he dare not say out. He has too
+much good sense to be affronted at insults, and is too well employed to
+remember injuries. He may be right or wrong in his opinions, but he is
+too clear-headed to be unjust. He is as simple as he is forcible, and as
+brief as he is decisive."
+
+The entertaining talker is not, of necessity, a great talker; he is
+often a good listener. He understands that a bright story, briefly told,
+will amuse, but that people are bored by a long story, filled with
+pointless details. He is not necessarily learned or profound. He
+understands that small change is of as much importance in social
+intercourse as it is between men in business. "Although deprecated by
+some wise people as vain and frivolous," says _Zion's Herald_, "small
+talk has a legitimate function in human intercourse. It is the small
+coin of conversation. Those who despise its use often get on as badly in
+social life as would the merchant who should exclude the dimes and
+quarters from his money-drawer. Without them, the wheels of trade would
+be blocked. An honest old copper penny will often turn the corner of a
+good bargain. Chit-chat gives ease to conversation. The strait-jacket is
+removed; the mental forces have full play; the man acts himself; and the
+communication of soul with soul becomes free and delightful. With small
+talk he is familiar, and can toss it about as a juggler does his cards.
+The philosopher with his learned and exact phrases at once deadens the
+flow of soul."
+
+Men and women are not strictly original. The things we say to-day have
+been said just as well a thousand times before; but that forms no reason
+why we should not say them again. The coins in your purse have been
+through a hundred hands and are not the less useful in serving you
+again.
+
+The fellowship enjoyed rather than the store of wisdom communicated, is
+the end of conversation. Whether they say anything of importance or not,
+we like to hear some persons talk; they inspire us and set our own
+mental machinery in motion. Small talk often brings us most readily in
+contact with another soul.
+
+All good conversationalists know the use of small talk. To be sure, they
+know something more, something larger and better, but the chinks in the
+larger subject are filled in wonderfully by a familiar interpolation of
+the smaller things in a chatty way. Many a wise and learned man would be
+a better talker if he had at hand a supply of small coin. He can talk
+extremely well on serious and recondite subjects, but the quick jest and
+easy repartee of the parlor and the dining-room are beyond him. He is,
+in spite of his learned lore, at a disadvantage in society, where there
+is no time for homilies or for treatises on erudite topics. Persons less
+gifted chat and laugh and have a good time while he sits in gloomy
+silence. Those who would please and be pleased in social intercourse
+must carry with them and be ready to dispense the small change of light
+and witty conversation.
+
+To be popular in society, find out whether your companion prefers to
+talk or listen; avoid personalities; endeavor to lead the conversation
+to subjects familiar and interesting to others rather than especially
+pleasing to yourself; never indulge in sarcasm; be good-natured and
+sympathetic; strive to be tactful; exchange small courtesies; talk to
+all with equal attention and interest, and whatever the topic of
+conversation, or wherever you may be, appear cheerfully contented.
+Acquire, and then exhibit, that adaptability to place and people which
+conduces ever to grateful and pleasing companionship.
+
+William Mathews writes in _Success_: "Conversation rules the destiny of
+the state and of the individual; from diplomacy, which is essentially
+the art of conversing skilfully on political themes, down to the daily
+transactions of the mart and the exchange, its empire is evident to all.
+
+"Such being the potency and importance of conversation, why is so little
+attention given to its culture to-day? Why is it that so many educated
+men, who are fastidious regarding their personal appearance, and bestow
+upon their bodies the most solicitous care, are yet willing to send
+their minds abroad in a state of slovenliness, regardless of the
+impression they make?"
+
+
+
+
+GOOD ENGLISH.
+
+ _We should be as careful of our words as of our actions._
+ CICERO.
+
+
+An accomplishment, in its accepted meaning, is "something acquired which
+perfects or makes complete; an attainment which tends to equip in
+character, manner, or person, and which gives pleasure to others."
+
+Surely, then, the man or woman who desires to please cannot possess too
+many accomplishments; and, accepting the definition just given, is there
+any other accomplishment of greater importance than facility in speaking
+and writing one's native language with ease and with elegance? Is there
+any other single test of culture so conclusive as this? Is it not the
+matter, and, particularly, the method of one's speech more than anything
+else which impresses the person whom we meet for the first time, either
+favorably or unfavorably in regard to our acquirements? We may have but
+few opportunities during a lifetime to display our knowledge of
+geometry, algebra or astronomy; we may be for weeks in the company of
+other people without giving them an opportunity to suspect that we
+possess any knowledge of Latin or Greek, but as long as we live, and
+every day we live, we are giving evidences of facility or awkwardness in
+the use of our mother tongue.
+
+How much time is wasted in practicing upon unresponsive musical
+instruments--unresponsive because not touched by sympathetic fingers!
+How much time is spent in acquiring a slight knowledge of French and
+German, which results, generally, in an ability to use a few simple
+phrases, and to translate easy sentences with the aid of a dictionary!
+How many young women, with no artistic ability whatever, spend weeks and
+months under the instruction of teachers in vain attempts to produce
+something in oil or in water-color worthy to be called a picture! How
+much more to the advantage of these young women would it be if a part of
+this time were spent in acquiring a better understanding of the use of
+English!
+
+The writer once knew a girl who, after playing a selection upon the
+piano, left the room and burst into tears because she had been guilty of
+a slight blunder in her execution--a blunder not noticed by two of the
+twenty persons assembled in the parlor. This same girl, however,
+exhibited, habitually, a carelessness in pronunciation, and an
+ignorance of English grammar of which she should have been heartily
+ashamed, and which caused far more annoyance to her friends than her
+blunders in music.
+
+Boys and girls should be trained to feel that it is as discreditable to
+them to confound the parts of speech in conversation, as it is to make
+discords in music, or to finish a picture out of drawing, or to be
+guilty of some inadvertence of manner. They should be made to feel that
+proficiency in music, French, German, or painting, or any other
+accomplishment, so-called, will not compensate for slovenliness of
+diction.
+
+In addressing a girl's school, Bishop Huntington once said: "Probably
+there is not an instrument in common use, from a pencil to a piano,
+which is used so imperfectly as language. If you will let me be plain, I
+suspect that it would be safe to offer a gold medal as a prize to any
+young lady here who will not, before to-morrow night, utter some
+sentence that cannot be parsed; will put no singulars and plurals in
+forbidden connections; will drop no particles, double no negatives, mix
+no metaphors, tangle no parentheses; begin no statement two or three
+times over without finishing it; and not once construct a proposition
+after this manner:
+
+"When a person talks like that, they ought to be ashamed of it.'"
+
+These are frank statements to address to a class of young ladies; but
+the Bishop's implication would hold with equal truth not only in the
+case in point, but also with a large number of the high schools,
+seminaries and colleges of this country. Surely such a charge against
+the other practical branches of study could not be made and sustained.
+
+When James Russell Lowell said: "We are the most common-schooled and the
+least educated people in the world," he might have added that the
+statement was especially applicable to our habits of using or abusing
+our mother tongue.
+
+This general indifference to good English is not, in most instances, the
+result of a lack of knowledge, for time enough is devoted to the study
+of technical grammar in almost all schools, to enable the pupil to
+become thoroughly acquainted with the principles which govern the use of
+our language.
+
+It is because many persons, not having acquired the habit of correct
+speech, do not think to apply the rules of grammar in conversation. Were
+children accustomed from infancy to hear only correct English, there
+would be but little need to memorize arbitrary rules of grammar, for
+they would, from habit, speak and write correctly. Thus it is that the
+children of educated parents are generally so easy and graceful in their
+conversation, contrasted with the children of the uneducated. Our
+language, like our manners, is caught from those with whom we associate.
+
+Several other nations are far in advance of our own in the thoroughness
+with which their youth are drilled in the use of language.
+
+In France, a knowledge of the French language, spoken and written, is
+regarded as of special importance. In all entrance examinations, or
+examinations for promotion or graduation, the pupil's knowledge of his
+native tongue is first determined; and no promotions are allowed, and no
+diplomas granted, if the student is notably deficient in this regard,
+even though his knowledge of the other required branches should prove to
+be all that could be desired. We have not so high a standard in the
+United States. It has been but a few years since a definite knowledge of
+English was added to the requirements for admission to American
+colleges, and even now it has not, in any of our educational
+institutions, the relative weight in determining examinations which
+French and German have in the systems of those countries. While great
+improvement has been made in teaching English, and while better methods
+are employed than formerly, it is still safe to say that in no other
+branch of study, pursued with equal diligence, are the results so
+unsatisfactory.
+
+Surely in no other way do we so clearly show the degree of our culture
+and refinement as by our every-day conversation. Is it not important,
+then, that we devote our efforts seriously, and with infinite patience,
+if necessary, to mastering a matter so essential?
+
+The selection of good English does not necessarily imply either a
+stilted monotony of speech, or a tiresome affectation. It is simply
+elegance and naturalness. There is no reason why any person, however
+humble his station in life, should not hope to speak his native language
+correctly. It is an accomplishment which is not expensive. In its
+acquirement one does not require high-priced teachers. It demands only
+care and attention. Be critical of yourself. Watch your sentences. Get
+your companions to correct your slips of the tongue. Say over correctly
+the troublesome sentence until the mistake becomes impossible. Listening
+to well educated persons and reading the best literature are both of
+great assistance in this direction, especially if we offer to both the
+sincere flattery of imitation. Our literature teems with masterpieces of
+style. To read them consistently is to imbibe a certain facility of
+diction.
+
+There are many persons who, while they do not violate the rules of
+technical grammar, habitually indulge in slang, hyperbole, and in many
+"weeds of speech" which should be pulled up promptly and cast aside. A
+great many boys and girls, and even some older persons, imagine that the
+use of slang lends piquancy and force to their conversation. Slang is
+always an element of weakness. It is bad enough in a man, but in women
+it is far more questionable. It is not the expression of the refined. To
+the cultivated taste it is discordant.
+
+Another fault prevalent among girls is the habit of hyperbole.
+Perfectly, awfully, nice, and splendid, are the four most overworked
+words, and awfully is the most abused of them all. It is strange, the
+hold this word has secured in the vocabulary of girls who, in almost all
+other respects, are considerate in their use of English. Persons are
+called awfully good, awfully bad, awfully clever, awfully stupid,
+awfully nice, awfully jolly and awfully kind. It is made to do duty on
+all occasions and under all circumstances, as though it were the only
+adverb admissible in good society. Among adjectives, splendid easily
+ranks as the most popular. To many, everything is splendid, whether it
+is a flower, a sunset, a dinner, a football game, a friend, a sermon, or
+a book. Then we are continually hearing that certain things are
+_perfectly_ splendid, _perfectly_ lovely, _perfectly_ hateful,
+_perfectly_ glorious, _perfectly_ magnificent and _perfectly_ sweet. How
+word-stricken society would do without these expressions it is difficult
+to determine, yet certain it is that the woman who deals recklessly in
+superlatives demonstrates forthwith that her judgment is dominated by
+her impulses, that her opinions are of doubtful reliability, and her
+criticisms valueless.
+
+In a recent number of one of the popular magazines Prof. Brander
+Matthews has an article on the prevailing indifference in regard to the
+proper use of words. The points which he emphasizes are these:
+
+The gentleman is never indifferent, never reckless in his language. The
+sloven in speech is quite as offensive as a sloven in manner and dress.
+The neat turning of a phrase is as agreeable to the ear as neatness of
+person is to the refined taste. A man should choose his words at least
+as carefully as he chooses his clothing; even a hint of the dandy is not
+objectionable, if it be but a hint. It is even better to go to the
+extreme of fastidiousness than to indulge the opposite extreme of
+negligence.
+
+The art of writing letters is but another phase of the same matter.
+Indeed it is but conversation carried on with the pen, when distance or
+circumstances prevent the easier method of exchanging ideas by spoken
+words. It is an art which should be faithfully cultivated by those who
+desire to please. In social life, in business, in almost every other
+circumstance of life, we find our pen called into requisition. Yet while
+it is an almost indispensable accomplishment, it is one which is
+pitifully neglected. The art of letter-writing is becoming obsolete;
+that is, the art of writing such letters as enriched the epistolary
+literature of a former generation. This is unfortunate, as there is
+nothing that will so stimulate thought, and bring into activity,
+practical, every-day niceties of phrase as the exercise of this art.
+Constant drill in letter-writing will tend to take from one's vocabulary
+words which have no place there, and will accomplish quite as much as
+any other means to broaden, beautify, and to refine the language at our
+command, as well as to train the mind to exact habits of thinking. A
+further important consideration is the charm which "a gem of a letter"
+has for the delighted recipient.
+
+The indispensable requisites of a good letter are neatness of
+chirography, simplicity, and grammatical correctness. Defects in any one
+of these particulars are scarcely pardonable. We cannot all be pretty
+writers, but we can all write legibly and give to the page the
+appearance of neatness. Scribbling is inexcusable.
+
+"A scribbled page points to a scribbling mind, while clear, legible
+handwriting is not only an indication of clear thinking, but a means and
+promoter of accurate thought. Indeed, simply as a business proposition,
+one cannot afford to become a slovenly penman."
+
+"And who," says _The Philadelphia Record_, "does not know the charm of a
+gracefully worded, legibly written letter, with its wide margins, its
+clear, black ink and dainty stationery? An art, indeed, is the writing
+of such a missive; an art which it behooves every woman to cultivate.
+A hastily written line betraying signs of carelessness, and scrawled
+on an indifferent sheet of paper is a poor compliment, indeed, to the
+receiver, and elicits anything but flattering comments upon the writer."
+
+Careless speech is quite bad enough, but the charm of the speaker may be
+so great as to disarm criticism. The letter, however, the written word,
+stands on its own merits; "what is writ is writ." There is no graceful
+vivacity to plead for the writer; no coquetry of manner to distract the
+glance of the reader from the errors coldly set forth in black and
+white. Observe, then, the utmost care in inditing an epistle, whether to
+a friend or foe or to a lover. Never send forth a letter in undress, so
+to speak, scarcely more than you would present yourself _en dishabille_
+before your most formal acquaintances. The one is almost as flagrant as
+the other.
+
+
+
+
+TACT IN CONVERSATION.
+
+ _"Ask only the well about their health."_
+
+ _Discretion in speech is more than eloquence._
+ BACON.
+
+ _Brilliancy in conversation is to the company what a lighted
+ candle is to a dark room--it lightens the whole of it. But every
+ now and then some unskilful person, in attempting to clip the
+ wick to make it brighter, snuffs it out._
+ JAMES C. BEEKS.
+
+
+Seldom does there occur in society any lapse so astonishing as the
+uncomfortable remarks innocently made by men and women to each other.
+Some persons who are careful and considerate in other respects, seem to
+have a woeful lack of that quality which we call tact. They wish to be
+pleasing; they would not for the world intentionally say or do anything
+to injure or wound the sensitiveness of a friend; yet they are
+continually saying those "things that would better have been left
+unsaid."
+
+_Harper's Bazar_ mentions some of these speeches which have no excuse
+for being.
+
+"What a dear little fellow that is!" said a caller to the mother of a
+three-year-old.
+
+"He is a great comfort to us," replied the mother, stroking the child's
+long curls.
+
+"Yes; I should think so. He is not pretty, is he? His hair is so
+beautiful now that at the first glance one would call him pretty. But if
+you imagine how he will look when those golden curls are cut off, you
+will see that he will be a very plain child."
+
+Said another woman to an acquaintance: "Mrs. A., I hope you will pardon
+me for saying that I think I never saw a more beautiful piece of lace
+than the flounce on the gown that you wore to the Assembly Ball last
+week. I said to my husband afterward that if Mr. A. should fail again
+and lose everything, as he has done once or twice already, you could
+sell that lace and easily get a good price for it."
+
+The same woman, while making a visit of several weeks, said to her
+hostess, as the time of her departure drew near: "I always think that
+the nicest thing about making a visit is the returning to one's home.
+One's family are always so glad to see one, and there is always great
+luxury to me in getting back to my own house, where I can do what I
+please, say what I please, and order what I want to eat."
+
+Again, there are people who seem to think that it is their mission to
+puncture every person's infirmity with whom they come in contact. They
+study to speak disagreeably. They corner you in the social circle, and
+talk about the subject they know to be most disagreeable to you, and
+talk in a tone sufficiently loud to be heard by all the other persons in
+the room. If you have made a blunder they reveal it. If you have been
+unsuccessful in any of your undertakings they are sure to inquire about
+it, even to details. They unroll your past and dilate upon your future.
+They put you on the rack every time you meet them and there is an
+instinctive recoil when you perceive their approach.
+
+"We all know these persons," says _Zion's Herald_, "the persons who
+always utter the unsuitable word, who make themselves generally
+disagreeable, who never, apparently, try to make a pleasing impression
+upon others, but who delight to sting and wound."
+
+Are we not all acquainted with the neighbor mentioned in this quotation:
+"As a brief and sharp tormentor, as a nail in the boot, a rocker for
+the shins on a dark night, or a sharp angle for the ulnar nerve, Mrs.
+R----, our neighbor, excels all persons I ever saw. I am quite sure if
+she could disturb a corpse by whispering to it that its shroud was
+ill-fitting, and the floral gifts were not what had been expected, she
+would do it."
+
+If you are a woman have you not more than once gone out for a walk with
+some other woman who is never satisfied with your appearance?
+
+She gives your gown a pull, saying: "This dress never did fit you; it
+isn't at all becoming to you, why didn't you wear your other one?" You
+soon begin to feel uncomfortable, and to wish you were at home again.
+Your bonnet may be never so becoming, or your new jacket may fit you to
+perfection, but she never mentions either. She notices only defects; she
+sees all that is disagreeable. Such persons always leave an
+uncomfortable feeling behind them when they leave you.
+
+Sarcasm is not a quality to be cultivated by either sex. Men do not like
+it in women. It may be amusing when it is directed against another, but
+there is always a lurking fear that it may some time be directed against
+one's self. Sarcasm is a rank weed, that, once sprouted, grows and
+grows, choking out the little plants of kindness, forethought and
+consideration, until it overruns the garden of the mind, dominating and
+controlling every thought with a disagreeable, pungent odor that cannot
+be eradicated.
+
+The sarcastic girl is not fascinating, for she is not a pleasing
+companion. She is too sharp to be agreeable. She may possess talent
+above the average of her acquaintances; she may be able to talk in half
+a dozen different languages; she may be as beautiful as a Greek statue;
+but men fight shy of her. Sarcasm is not wit, though wit may be
+sarcastic. One may be bright and say all manner of clever things without
+hurting the feelings of others by keen, knife-edged opinions that are
+full of bitterness and teeming with gall.
+
+The tactful person does not make the mistake of talking too much about
+himself. While we are young, at least, we are very interesting to
+ourselves, and we are likely to imagine that all the world is interested
+in our opinions, prejudices and tastes. But though this may be true of
+our dearest friends, it is not true as far as other people are
+concerned.
+
+"Without question," says the _Magnet_, "our conversation must be based
+upon what we have experienced in one way or another. But that does not
+make it necessary for us to talk continually about ourselves. If we
+should examine carefully the things we say to the merest acquaintances,
+we would be astonished, oftentimes, to see that we assume an interest
+in ourselves which we have no right to expect." People who are ill are
+likely to make indiscriminate claims upon sympathy, entertaining
+strangers as well as friends with detailed descriptions of their latest
+symptoms, and the doctor's latest remedies. Some of us who have not the
+excuse of illness, impose on the persons we meet by obliging them to
+listen to a great deal of personal information which may be of interest
+to ourselves, and possibly to those who love us very dearly, but
+scarcely to any one else.
+
+Several years ago the _Christian Union_ related this incident: The
+social occasion was a dinner. One of the guests was a woman who had
+passed middle life; good taste, ample means, with womanly grace and
+natural refinement, made her an addition to any circle. The hostess of
+the occasion was a woman who prided herself on her ability to meet the
+requirements of her station. She had no doubt as to her fitness in any
+social capacity, but her friends had not the same unquestioning faith in
+her tact.
+
+The gentle guest found to her delight that she was assigned to the care
+of the son of an old school friend, and inwardly thanked her hostess for
+the consideration and thoughtfulness which made it possible for her to
+hear from her friend, whom she had not met in years. The guests were no
+sooner seated at the table than the hostess leaned toward the young man,
+and, in a voice perfectly audible to the entire company, said: "Never
+mind, Bob, I will do better for you next time."
+
+For one minute there was perfect silence, the lady and her escort alike
+appalled by what had been said; but the kindliness of the guest overcame
+the embarrassing moment by calling the attention of the young man to the
+roses on the table, which, she said to him with a smile, were great
+favorites of his mother when she was in school. This broke the ice. The
+hostess was perfectly unconscious that she had been guilty of any
+rudeness. Her intention was to be particularly polite to the young man;
+first to assure him that he would be her guest again, and, secondly,
+that she would then have a rosebud to assign to his care. The amusing
+part was that the young man greatly admired his mother's friend, and had
+frequently been her guest on his visits to the city.
+
+It is difficult to imagine how a woman could move in society to any
+extent and remain capable of such a blunder, and yet we have all passed
+through similar experiences at the hands of people whose social
+experience should render such tactlessness impossible. There comes to
+mind now an imposing woman, who prided herself on the fact that she
+always said just what she thought. At a reception, she filled the room
+by her manner; it was impossible to continue oblivious of her presence.
+
+Bowing affably to her acquaintances, she sailed--for women of this type
+do not walk--up to a modest little lady whose health, she had heard, was
+declining, and in a loud voice exclaimed: "What have you been doing to
+yourself? You have aged fifteen years since last I saw you!" Not unkind
+by intention, she was but practising her system of saying just what she
+thought, and she was constantly urging upon her friends the propriety of
+this course; but what an unbearable place our world would be if we all
+followed this example of inane and inconsiderate bluntness.
+
+So the woman who is always finding in you resemblances to some other
+person whom she has met, creates many of the uncomfortable experiences
+of social life, and when she thinks it interesting to exploit the
+character of your prototype, dwelling upon the mental and physical
+defects, she becomes unbearable. Yet society has, as yet, found no sure
+way to eliminate her.
+
+Such infelicities are not the outcrop of unkindness so much as of a
+certain ineptitude or lack of _savoir faire_. Such people feel
+constrained to do their share of the talking, but have not acquired
+tactfulness in selecting the topic, nor alertness to avoid the
+pitfalls--both of which traits may by sedulous self-training be acquired
+by any one in whom, unhappily, they are not innate.
+
+In one of these instances bad manners were the natural expression of the
+woman, because her impulse was selfish; for it is certainly true that a
+person of truly unselfish nature will not offend by making personal
+remarks. Manners are the expression of the heart, and the man or woman
+who lives mentally in kindly, thoughtful relations with fellow men and
+women will refrain from expressing the thought which might possibly give
+offence. There is no mystery in social grace. It is remembering other
+people in their several relations to us. The woman who is a social
+success is not the one who has for her purpose in life so much the
+desire merely to please, but the one whose desire, rather, is to make
+others happy. One is a polite purpose; the other is a fine type of
+unselfishness that makes impossible the utterance of unwelcome truths to
+the chagrin of anyone encountered in the casual personal contact that we
+term society.
+
+Holmes gave us some good advice when he said: "Don't flatter yourselves
+that friendship authorizes you to say disagreeable things to your
+intimates. On the contrary, the nearer you come into relation with a
+person, the more necessary do tact and courtesy become."
+
+
+
+
+THE COMPLIMENT OF ATTENTION.
+
+ _"Were we as eloquent as angels we should please some people more
+ by listening than by talking."_
+
+ _"A good listener is as needful to a witty talker as steel to
+ flint. It is the sharp contact of the two which makes the sparks
+ fly."_
+
+
+There are certain amenities attending social intercourse with which we
+are all familiar, yet we are constantly forgetting to put them into
+practice. In no respect is this forgetfulness more noticeable than in
+conversation, and especially in connection with what may be called "the
+compliment of attention."
+
+If you despair of becoming a good talker you can, at least, make
+yourself a good listener, and that is something not to be despised.
+There are apt to be more good talkers than good listeners, and, although
+to say so may sound paradoxical, the better you listen, the greater
+will be your reputation as a conversationalist.
+
+In the opinion of the cynical Rochefoucauld, the reason why so few
+persons make themselves agreeable in conversation, is because they are
+more concerned about what they are themselves going to say, than what
+others are saying to them.
+
+If you have read "Nicholas Nickleby," you remember Mrs. Nickleby tells
+how remarkable Smike was as a converser. She entertained poor Smike for
+several hours with a genealogical account of her family, including
+biographical sketches, while he sat looking at her and wondering what it
+was all about, and whether she learned it from a book or said it from
+her own head.
+
+Said a writer in the _Chicago Herald_: "What is there, indeed, more
+colloquial than an intelligent countenance, eagerly intent upon one
+while telling a story? What language can be compared to the speaking
+blush or flashing eye of an earnest listener? It was Desdemona, with
+greedy ear devouring his discourse, who won Othello's heart. He told his
+wondrous story, and she listened--that only was the witchcraft he had
+used."
+
+It is said of Sir Walter Scott that, although one of the best talkers in
+the world, he was also the best listener. With the same bland look he
+would watch, throughout an entire evening, the lips of his garrulous
+tormentor ignorantly discoursing on Greek epigrams, or crassly dilating
+on the intricacies of a parliamentary debate.
+
+It was said of Madame Récamier that she listened most winningly, and
+this was one secret of her wonderful power to charm.
+
+We have all heard the story of Madame de Staël, who, by a clever
+stratagem, was introduced to a deaf mute at a party. She talked to him
+the whole evening, and afterward declared that never before had she met
+so intelligent a listener and so fine a conversationalist.
+
+Do you remember the story told by Sterne in "The Sentimental Journey"?
+
+He had been represented to a French lady as a great wit and an engaging
+converser, and the lady was impatient for an introduction that she might
+hear him talk.
+
+They met, and, writes Sterne: "I had not taken my seat before I saw she
+did not care a sou whether I had any wit or no. I was to be convinced
+that she had. I call heaven to witness I never once opened the door of
+my lips."
+
+The lady afterward said she never in her life had a more improving
+conversation with a man.
+
+Many other instances might be mentioned derived from both fact and
+fiction, to show how attentive listening may enhance the delights of
+conversation, and that one may sometimes gain a reputation for
+conversational powers by exercising one's ear instead of one's tongue.
+
+"A frequent caller at my home," said a lady, "is a capital story-teller,
+always instructive and pleasing; but she is a poor listener. When my
+part of the conversation comes in, her manner is depressing. I feel
+embarrassed, my words become tangled, my memory leaves me, and I hurry
+to close my remarks, conscious of having made a weak argument, although
+I had a point when I began. My friend loses her easy manner when I
+speak, becomes restless, and breaks in upon me before I have fairly
+begun. Her unresponsive eyes tell me as plainly of her superiority as
+though she had written it in black and white."
+
+Clergymen, teachers, and public speakers understand and appreciate
+better than others "the compliment of attention." Embarrassing, indeed,
+is it to anyone who is talking to observe signs of weariness and
+inattention on the part of one's hearers. Those not accustomed to stand
+before an audience seldom realize that a speaker feels and understands,
+without conscious endeavor, the attitude toward him of every member of
+his audience. The good listener inspires and encourages him, while the
+restless, inattentive auditor is a thorn in the flesh, irritating and
+distracting.
+
+At the close of a lecture given a few years ago in a town in Maine, the
+lecturer--who was a state superintendent of schools--turned to the
+writer and asked:
+
+"Who are those two ladies dressed in black, standing there by the
+window?"
+
+After telling him their names the writer said, "Why do you ask?"
+
+The lecturer replied: "They have been of great help to me all the
+evening. They are delightful listeners. They appeared to appreciate so
+thoroughly everything I said that I seemed to be talking especially for
+their benefit."
+
+"That girl," said a teacher, pointing to an attractive young lady just
+leaving the school-room, "is the most restful pupil I ever had in my
+school. She is so gentle in her demeanor, so thoughtful and so attentive
+during recitations, that one cannot help loving her. No matter how
+restless the other members of the school become, she is always giving
+the closest attention. If one could have an entire school like her,
+teaching would be a delight; but she is one among fifty."
+
+We gain many things besides the good will of others, by being good
+listeners, even though we must sometimes submit to be bored to an
+unlimited degree without interrupting the speaker, or responding in any
+other way than by "nods and becks and wreathéd smiles."
+
+"Open your mouth and shut your eyes and see what heaven will send you,"
+says the old maxim; but, "shut your mouth and open your eyes," has been
+suggested as much more sensible advice under some circumstances.
+
+"But," you say, "we are told that Samuel Johnson, Tennyson and Macaulay,
+and many other great thinkers, usually monopolized the conversation when
+they were in company, and their friends delighted to listen to them.
+Surely they gave but little heed to 'the compliment of attention.'" Very
+true, but no doubt they would have been sometimes more agreeable to the
+company if they had been more considerate of the wishes of other people.
+Great men are great in spite of their weaknesses, not because of them.
+We can forgive unpleasant propensities in a genius more easily than in
+the average mortal, and as almost all of us are average mortals, without
+a trace of anything akin to genius, we cannot afford to dispense with
+any of those qualities which help to make us pleasing to others. We
+should remember that there was but one Macaulay--a man who could talk
+brilliantly on almost all subjects--and notwithstanding his brilliancy,
+his friends admitted that he was often something of a bore.
+
+A very useful lesson may be learned from a little story which appeared
+some years ago in _The Youth's Companion_:
+
+George Paul, a young civil engineer, while surveying a railway in the
+Pennsylvania hills, met a plain, lovable little country girl, and
+married her. After a few weeks he brought her home to his family in New
+York, and left her there while he returned to camp.
+
+Marian had laid many plans to win the affections of her new kinsfolk.
+She had practiced diligently at her music; she was sure they would be
+pleased to hear her stories of her beautiful sister and her brother; she
+imagined their admiration of her new blue silk gown and winter bonnet.
+But the Pauls, one and all, were indifferent to her music, her family
+and her gowns. They gave "George's wife" a friendly welcome, and then
+each went on his or her way, and paid no more attention to her.
+
+After the first shock of disappointment Marian summoned her courage.
+
+"If I have nothing to give them, they have much to give me," she
+thought, cheerfully. She listened eagerly when Isabel sung, and her
+smiles and tears showed how keenly she appreciated the music. She
+examined Louisa's paintings every day with unflagging interest,
+discussed every effect, and was happy if she could help mix the colors
+or prepare the canvas. She questioned grandma about her neuralgia,
+advised new remedies, or listened unwearied to the account of old ones
+day after day. When Uncle John, just returned from Japan, began to
+describe his adventures, Marian was the only auditor who never grew
+tired nor interrupted him.
+
+After a two hours' lecture, in which her part had been that of a dumb,
+bright-faced listener, Uncle John declared that George's wife was the
+most intelligent woman he had ever met.
+
+When George came home the whole family was loud in her praises.
+She was a fine musician; she had unerring taste in art; she was
+charming, witty and lovable. But George soon saw that she had won them
+unconsciously--not by displaying her own merits, but by appreciating
+theirs.
+
+This is a true story in fact, but the truth of its meaning is repeated
+wherever a woman is found who has that quality called charm. She may be
+plain or even deformed, but she will win friendship and love.
+
+Many an attractive girl would save herself much anxiety and vain effort
+on her entrance into the world of society, if she understood that
+society, so called, is composed of individuals, the most of whom desire
+not to find the beauty, the wit, the talent of others, but to elicit the
+cordial recognition by others, of their own.
+
+
+
+
+THE VOICE.
+
+ _"Tender tones prevent severe truths from offending."_
+
+ _"There are tones which set commonplace words apart, and give them
+ lights and deeps of meaning, just as one fine emotion idealizes
+ and exalts a homely face."_
+
+ _"There is no power of love so effective as a kind voice. A kind
+ hand is deaf and dumb. It may be rough in flesh and blood, yet do
+ the work of a soft heart, and do it with a soft touch. But there
+ is no one thing that love so much needs as a sweet voice to tell
+ what it means and feels."_
+
+
+In our efforts to please, while much depends upon what we say, quite as
+much depends upon how we say it. The influence of a pleasing voice is
+wonderful; who has not felt its charm?
+
+It has been said that the greatest defect in the American woman is her
+voice, and while this may not be strictly true, there are heard in
+conversation at home and abroad many voices more unpleasant than
+necessary--more harsh, more rasping.
+
+A woman's voice may imply good breeding, or the reverse, and in
+estimating the power of feminine charms, a pleasing voice should be
+placed very near the head of the list. Is it not strange, then, that so
+little effort is made to remedy defects in vocal expression?
+
+We cultivate the voice for singing and for elocutionary effects, but
+little is done for the average boy or girl by way of training the voice
+for the everyday effect. Only a few can sing well enough to give
+pleasure to others, but we all talk every day of our lives, and often
+the quality of our voice speaks more significantly than the words we
+utter. A sympathetic tone will often win us a friend, though what we say
+may be of little importance. Purity of accent plays a great part in the
+art of charming, and it has been truly said that "a woman may be ugly,
+old, without distinction or instruction, but if she have a soft,
+insinuating, mellow-toned voice, she will charm as much as her more
+beautiful sister."
+
+A telephone operator in a place near New York was on a certain Christmas
+the recipient of checks for five, ten and a hundred dollars, a diamond
+pin, a dress pattern, and eight boxes of confectionery; although she was
+known to the donors only by her gentle voice, by the deference of its
+tone, by her readiness to accommodate, and by her office number as one
+of the operators.
+
+Why is it that we regard vocal training and oral expression as something
+to be confined wholly to the specialists? We think such training is
+needed by public speakers and readers, and by all who intend to make a
+professional use of the voice, but we do not appreciate its value for
+the average man or woman.
+
+"What should we think," says _Expression_, "of a woman who dresses in
+the richest of apparel, who is extremely careful of every point of
+dress, but who speaks with a nasal twang and throaty tone, and makes no
+effort to correct the fault? We know that this is often the case. Why is
+not the inconsistency corrected? Why is there no endeavor to improve the
+voice and make it beautiful and winning? What a sensitiveness people
+exhibit about going abroad with a smudge on the face; but, alas! there
+is little sensitiveness regarding a smudge on one's voice.
+
+The truth is that voice culture should not be confined to the few, but
+should become a prescribed branch of the education of boys and girls
+generally. Not alone are the voices of the women too often unmelodious,
+but those of the men also need attention. A fine voice may be of
+inestimable value to a man. The majority of the celebrated orators have
+been aided by the possession of a good voice, along with the knowledge
+requisite to enable them to employ it effectively. Mr. Lecky says that
+O'Connell's voice, rising with a melodiously modulated swell, filled the
+largest auditoriums and triumphed over the wildest tumult, while at the
+same time it conveyed every shade of feeling with the most delicate
+flexibility.
+
+Mr. Gladstone's voice is said to have had the musical quality and the
+resonance of a silver trumpet; while William Pitt, who was a ruler in
+Parliament at the age of twenty-one, possessed a voice of masterful
+power yet of a wonderful sweetness.
+
+Webster's voice, on the occasion of his reply to Senator Dickinson, was
+so commanding, so forceful, that one of his listeners said he felt all
+the night as if a heavy cannonade had been resounding in his ears.
+
+Garrick used to say that he would give one hundred guineas if he could
+say "Oh" as Whitefield would say it.
+
+"But," you declare, "nature has not given us voices like the voices of
+those celebrated men, and we must be content with what we have."
+
+While nature may not have bestowed upon us their melodious voices, we
+can do much to improve our own. A study of biography will inform us that
+many of the most successful speakers, whether actors or orators, have
+been men and women possessing some native defect of speech or figure
+which they resolutely mastered by patient, persevering application. We
+all know of Demosthenes' impediment of speech, and are familiar with the
+story of his months of struggle and his final success.
+
+Savonarola, when he first spoke in the cathedral at Florence, was
+considered a failure, on account of his wretched voice and awkward
+manner. Phillips Brooks, one of the greatest preachers America has
+produced, was told by his college president that the ministry was out of
+the question for him because of his nervousness and the defects of his
+speech.
+
+It would be easy to multiply instances to show that the most awkward
+body and the roughest voice may be brought under control. In fact, where
+the voice is imperfect and the man is obliged to make a determined
+effort to master it, he attains by this means, a mental vigor and an
+emotional strength and a flexibility of voice and mind, as well as a
+command over the body, which render his delivery in the highest degree
+effective.
+
+Again, it is not sufficient that we have naturally a melodious voice;
+we must know how, or else learn how, to use it. There must be feeling
+and expression in one's tones. If we wish to express cordiality, words
+are futile unless the voice sounds the feeling we wish to express. We
+need to learn how to modulate the voice so as to make it a true reflex
+of the mind and mood. Unless it tells of sincerity, apologies fail to
+convince of a contrite spirit. Unless it conveys confidence,
+protestations are in vain; yet the very tone of one's voice may allay
+bitterness, though one may stumble over the words of an apology. If,
+then, one recognizes the fact that his voice is colorless and devoid of
+feeling, though his heart be warm, let him at once apply himself to
+remedying the defect.
+
+Listen to your own voice when speaking, and note the harsh, strident
+tones, and the imperfect inflection, and correct them. Many girls speak
+in a nervous, jerky, rapid way, beginning a sentence and repeating a
+portion of it two or three times before completing it. Some speak in
+high, shrill tones which are not only displeasing but positively
+irritating because discordant. Some speak too fast, while others, going
+to the opposite extreme, simply drawl. These are defects which can be
+corrected, and, by correcting them we add measurably to our power to
+charm.
+
+If you do not understand the imperfections of your tone productions, or
+the faults in your manner of speaking, or if you have trouble in
+correcting them, go to one who does know, and who is as sensitive to the
+speaking voice as he is to the singing voice. It may cost you something
+to do this, but it will be money judiciously expended. You take music
+lessons, both vocal and instrumental, and you do not consider the money
+expended for such lessons as wasted even though you have no intention of
+going upon the stage in opera or of becoming a professional pianist. You
+study music as an accomplishment. Why then should you not give some
+time, and if need be, a little money for the purpose of perfecting your
+speaking voice, if by so doing you can make yourself more agreeable to
+others. You may not be called upon very often to sing or play for other
+people, but you will talk every day and many times each day, and the
+voice is "the agent of the soul's expression."
+
+"The art of singing," says _The Boston Herald_, "strange to say, does
+not include the art of speaking, for some very fine singers have harsh
+and unmusical voices in conversation. But with all the training now
+given to the rising generation, voice education should be considered.
+Take the rasp and the hardness out of your sons' and daughters' speech,
+and give them another grace with which to conquer society."
+
+The importance of what we say and how we say it, has never been more
+clearly or pointedly expressed than in this quotation from an American
+writer: "A man may look like a monkey and yet turn out to be a
+philosopher; a man may dress like a vagabond, and yet have the
+intuitions of a scholar and a gentleman. The face, the expression of the
+eye, the dress, the manner even, may all be deceptive, but the voice and
+speech of men and women classify them infallibly."
+
+
+
+
+GOOD MANNERS.
+
+ _Life is not so short but that there is always time for
+ courtesy._
+ EMERSON.
+
+ _"Politeness is real kindness kindly expressed. This is the sum
+ and substance of all true politeness. Put it in practice and all
+ will be charmed with your manner."_
+
+ _Young men generally would doubtless be thoroughly astonished
+ if they could comprehend at a single glance how greatly their
+ personal happiness, popularity, prosperity, and usefulness
+ depend on their manners._
+ J. G. HOLLAND.
+
+
+In attracting others to us the value of a pleasing manner cannot be
+estimated. It is like sunshine. We feel it at once, and we are attracted
+to the person who possesses it.
+
+"Give a boy address and accomplishments," said Emerson, "and you give
+him the mastery of palaces and fortunes wherever he goes; he has not
+the trouble of earning or owning them: they solicit him to enter and
+possess."
+
+Much has been written upon this subject. Indeed, so much has been said,
+and said so well, that there will be little attempt to do anything else
+in this chapter than to bring together some of the best thoughts of the
+best authors.
+
+The men and women who have accomplished great things in the world have,
+as a rule, understood the value of politeness, and have acted in
+accordance with that knowledge. You can, possibly, recall a very few
+exceptions, but these were persons great in spite of their lack of
+courtesy, and they would have been even greater had they practiced the
+art of gentle manners.
+
+The Duke of Marlborough, whose general education was in some respects
+sadly neglected, had so irresistible a charm of manner that he swayed
+the destinies of nations. Mirabeau, who was unattractive in person, won
+by his politeness the good will of all with whom he came in contact.
+There has been no time in the history of the world when good manners
+counted for more than they do at the present time. In fact, to-day more
+than ever before a man is dependent for success upon his personality.
+Good manners often bring to one many things that wealth cannot procure,
+and "politeness has won more victories than powder."
+
+"No one," says an American writer, "who has any appreciation of grace
+and beauty in nature or in art can fail to recognize the charm of fine
+manners in an individual. We rejoice in them as we do in a lovely sunset
+view, or a beautiful piece of architecture, or a fascinating poem, for
+their own sake and for what they express; but even beyond this they have
+another attraction in the magnetic power they exert upon all beholders
+in setting them at ease, in sweeping away shyness, awkwardness and
+restraint, and in stimulating them to the expression of whatever is best
+worth cherishing within them."
+
+It is undoubtedly true that the presence of fine manners, whether it be
+in the home or the social circle, in the workshop or the counting-room,
+in the visit of charity or the halls of legislation, has an immediate
+effect in reproducing itself, in diffusing happiness, in developing the
+faculties, and in eliciting the best that is in everybody.
+
+Surely there is no quality that a girl or a woman can possess which
+recommends her more favorably to the good opinion of others than that of
+uniform courtesy and good manners.
+
+William Wirt's letter to his daughter on the "small, sweet courtesies of
+life," contains a passage from which a deal of happiness may be
+learned. "I want to tell you a secret. The way to make yourself pleasant
+to others is to show them attention. The whole world is like the miller
+at Mansfield, who cared for nobody--no not he, because nobody cared for
+him. And the whole world would serve you so, if you gave them the same
+cause. Let everyone, therefore, see that you do care for them by showing
+them the small courtesies in which there is no parade, whose voice is
+still to please; and which manifest themselves by tender and
+affectionate looks, and little acts of attention, giving others the
+preference in every little enjoyment at the table, walking, sitting, or
+standing."
+
+Young men who wish to make their way in the world cannot afford to
+forget that there is not in all the world a talisman of such potent
+magic as the irresistible spell of a charming manner. While in some
+cases it seems innate, it can, in a great measure, be acquired. Yet a
+careful observer of the young men of the present generation cannot fail
+to notice a tendency, on the part of some at least, to disregard the
+small courtesies of life--the intangible, yet very perceptible little
+things which make the man a gentleman. Some people even contend that
+outward manner is a secondary consideration if the head is well stored
+with knowledge, and that if a young man has the faculty to get on in
+the world, it is a matter of very little importance if he have not the
+manners of a Chesterfield. That this idea is prevalent is accounted for
+by the great number of well-educated men--men of ability and power--who,
+clever and with no lack of brains, are painfully deficient in good
+breeding. With no intentional lapses they are awkward, presuming, and
+even vulgar.
+
+"In most countries," says the _Toronto Week_, "an educated man and a
+gentleman are almost synonymous terms. On this side of the Atlantic they
+by no means always apply to the same man. Educational advantages are
+within the reach of all classes of people--even persons who have missed
+the benefit of home training for their manners, or who have not numbered
+cultured persons among their acquaintances. Such persons by native
+ability and hard work often attain to high positions of honor and trust
+in the various professions, and win for themselves the title of
+'self-made.'
+
+"Yet because a man by his brains, energy, and pluck carves out his own
+fortune, putting himself in a prominent position, is it not very
+desirable that he should also cultivate the courtesies of life so that
+the talent be not hidden by roughness and uncultivated bearing."
+
+We frequently meet college students--especially from the smaller
+colleges--good, honest, earnest, ambitious fellows, who are working hard
+to make their way in the world. They are poor, and have come from homes
+where the stern realities of gaining a livelihood have left, apparently,
+no time for culture; where the table manners are but little better than
+those of the logging camp, and where the graces of refined speech and
+manners have never even taken root. They may take never so high a rank
+in their college studies, may pursue the work preparatory to a
+profession with never so much diligence, yet they will always be
+handicapped by their ignorance of those embellishments so necessary to
+social, and even business, success. They find themselves continually
+placed at a disadvantage, and their lack of social training is
+responsible for failures which might have been avoided.
+
+Because a man is a successful lawyer he is not justified in saying that
+he can be his own tailor, or that ill-fitting clothes, if belonging to
+him and of his own make, are as suitable as those of a good cut. So it
+is with the intellectual giant who takes no heed of his manners. He may
+learn much from less talented persons, who are, nevertheless, his
+superiors in many respects. Desirable as it may be for a young man to
+shun the extravagance of the æsthete, and to despise the shams of
+society, he cannot afford to neglect the courtesies of life; and he
+does well who, while devoting his energies to mathematics and the
+classics, pays attention to the improvement of his manners. It is while
+young that manners are formed; the most strenuous efforts will not
+wholly eradicate in after life the awkward habits formed in youth.
+
+The young man who is ambitious, upon whom Dame Fortune is already
+turning a dawning smile, should pause and think about this matter. Some
+time he may be rich; some time he may aspire to a high position in
+society or in public life, and he should begin early to fit himself for
+the proud position he means to occupy.
+
+The outward address of a man has no little influence upon his success in
+business. The polite attention and readiness to meet every reasonable,
+and often unreasonable, demand of his customers, on the part of A. T.
+Stewart, when he opened his narrow linen store on Broadway, was almost
+as important a factor in his rapid success in securing business as his
+remarkable quickness in discovering changes in the market, and in
+adapting his goods to the taste and necessities of his patrons. This
+marked self-restraint and politeness of manner he retained to the last.
+
+It is strange that every business man does not appreciate the commercial
+value of politeness. The writer knows a clerk who is employed in a drug
+store in one of the largest towns of Maine. So polite is he in his
+attentions to customers, so willing to be helpful, so pleasing in his
+manner, with that restraint and quietness which mark the gentleman and
+destroy every trace of effusion, that he has made himself invaluable to
+his employer. It is reported that, more than once, his friends have
+urged him to establish a business of his own, but his employer,
+realizing his value in attracting and holding customers, has turned him
+from the idea by a generous increase of salary. Thousands of clerks and
+thousands of professional and business men could greatly increase their
+earning power by closer attention to the accepted rules of courtesy.
+
+Some people excuse a roughness of manner by saying that they detest
+affectations of all kinds, that they love the truth, that they are
+perfectly frank and outspoken. Such people pride themselves upon their
+naturalness, and on the ground of frankness they will wound by rude
+language, will insult you, and defend their awkwardness and ill-breeding
+by the plea of "natural manners." Naturalness is not always commendable.
+If nature has not invested us with those qualities which are pleasing to
+others, we should try to improve upon nature. The plainest truths may be
+conveyed in civil speech, and it is better to "assume a virtue if you
+have it not." To object to politeness on the ground that its language is
+sometimes unmeaning and expressed for effect, is as foolish as it would
+be to object to the decoration of our parlors or the wearing of good
+clothes.
+
+In the ordinary compliments of good society there is no intention to
+deceive. Polite language is pleasant to the ear, and soothing to the
+heart, while rough words are the reverse, and while they may not always
+be the result of bad temper, they are quite likely to cause it.
+
+The motive for politeness should not be the desire to shine, or to raise
+one's self into society supposed to be better than one's own. The
+cultivation of good manners is not merely a means to the gratification
+of personal vanity, but it is a duty we owe not only to other people but
+to ourselves; a duty to make ourselves better in every respect than we
+are. Indeed, the true spirit of good manners is so nearly allied to that
+of good morals that they seem almost inseparable.
+
+"Did you ever think how invisible is the armor of defence afforded by
+perfect politeness?" asks _Harper's Bazar_. "Neither man, woman nor
+child can resist it. The quick tempered Irish maid who loses her hold on
+her tongue so easily and 'answers back' with a hot retort is abashed
+when her mistress meets her with quiet courtesy. The angry person, off
+guard and saying what he really does not mean, is foiled by the
+self-control of his interlocutor, who has not, for an instant, forgotten
+the gracious manner of good breeding."
+
+Politeness is, perhaps, instinctive with some, but with the majority it
+is a matter of training, of the slow and careful discipline of voice and
+eye and carriage. Under this training all the angles of personal vanity
+and self-consciousness are rubbed off, the person becomes adorned with
+grace, ease, simplicity and gentleness, and what may seem to the
+untrained observer as the perfection of naturalness may be simply the
+perfection of culture.
+
+Very sensitive persons who suffer acutely from fancied slights can save
+themselves many wounds by always being as scrupulous in giving as they
+are in exacting courtesy. To suffer one's self to perpetrate a rudeness
+is to lay one's self open to the same. In nothing should we be less
+economical than in politeness. It should lead us to prompt and generous
+acknowledgment of every kindness, to responsive thanks when a gift,
+however small, is brought to our door. It should oblige us to listen
+with patient attention even to the person whose conversation is not
+entertaining, to sit apparently absorbed when in public we are present
+at concert or lecture. This defensive armor, so smooth, so polished, so
+easily worn, will make our intercourse with society agreeable.
+
+The fact is, that when we come in contact with human beings anywhere and
+in any occupation, we are quite likely to get in return just what we
+give.
+
+A man who is always the gentleman seldom meets with rebuffs from even
+the most unpolished and crude. The employer who uses kind words with his
+workmen, usually gets kind words in return.
+
+
+
+
+DRESS.
+
+ _"No woman is ugly who is well dressed."_
+ SPANISH PROVERB.
+
+ _For the apparel oft proclaims the man._
+ HAMLET.
+
+ _I believe in dress. I believe that God delights in beautiful
+ things, and as he has never made anything more beautiful than
+ woman, I believe that that mode of dressing the form and face
+ which best harmonizes with her beauty is that which pleases him
+ best._
+ J. G. HOLLAND.
+
+
+As the author of this volume is a man, this chapter on dress is, of
+course, written from a man's point of view. He knows very well that,
+were he to attempt to write scientifically of woman's clothes he would
+be lost. No one but a woman can do that. The man who tried it would soon
+find himself bewildered by a maze of technical terms and expressions
+which seem absolutely necessary to describe exactly what is meant.
+Possibly, however, the author can take a broad, mental grasp of the
+subject apart from and above the pretty finesse with which feminine
+writers would treat the subject. Clothes are the woman's weapons, one of
+the resources of civilization, with which woman marches forth to the
+conquest of the masculine world, and the writer wishes to estimate from
+the man's standpoint just how much the silks, the laces, the ribbons and
+the velvets have to do in influencing the masculine heart.
+
+What one wears is accepted as an index of one's character. Whether this
+is as it should be or not, yet it is true; and we all feel, more or
+less, that coarseness or refinement finds visible expression in apparel
+as in no other way. "Surely," says _The Boston Journal_, "nothing so
+intensifies the personality as the clothes one wears; through
+association they become a part of us, help to identify us, even in some
+peculiar, reactionary way, serve to control our mental states."
+
+Many women will tell you that their most infallible cure for weariness
+and the blues is to go and dress up in one of their prettiest gowns.
+Many men will tell you that a clean shave, clean linen, and a fresh suit
+of clothes are most reviving and soothing in their effect upon the
+psychical as well as the physical man.
+
+The statement, often made, that women dress well only to please the
+men, is only a fraction of the truth.
+
+They dress to please the men; to please one another, and to please
+themselves. Which of these three motives is the strongest depends upon
+the individual, for,--"while there are men and men, there are women and
+women and women," and it is absurd to make any attempt to analyze
+motives or to formulate principles which will apply to all women.
+
+The men who dress well do it for the women and for themselves. The
+effect that their apparel has upon others of their own sex, gives men
+but little concern. If all the women should be taken from the world
+tailors would at once lose half their business, for the men would
+immediately begin to wear out their old clothes.
+
+As a rule, few men care very much for fine clothes for their own sake,
+but a love of dress is natural in woman, and one who exhibits
+indifference in regard to her personal appearance convicts herself of
+either indolence, self-righteousness or pedantry. A woman who has not
+some natural taste in dress, who does not take a positive delight in
+combinations of colors, who is not fond of fine apparel for its own
+sake, is an anomaly.
+
+Men do not notice details of a woman's dress. Few know enough about the
+subject to distinguish cheese-cloth from _point d'esprit_. The
+description in detail of a new gown as given in a fashion journal is
+about as intelligible to the average man as the inscriptions on an
+Assyrian tablet.
+
+They accept the woman as a whole, and consider her, and what she has on,
+as one harmonious, homogeneous, unanalyzable completeness. If you doubt
+this ask a man to tell you how a certain lady was dressed at a reception
+he attended the evening before. Perhaps he noticed her particularly
+while there, and told you at the time that she was becomingly attired.
+He may be able to tell you that she wore a pink waist, or that the
+prevailing color of her costume was blue, but there his knowledge of the
+subject ends.
+
+While it is true that men give but little thought to the details of a
+woman's dress, unless it is conspicuously bad, very many of them know
+whether she is becomingly attired or not. While they may have no clear
+idea as to whether the material of a gown cost five cents or five
+dollars a yard, or whether the gown itself is quite in fashion, they
+know whether the owner carries it well, and whether the material, style
+and color are becoming to her. Perhaps, on the whole, a man of good
+taste is a better judge than a woman as to whether she is becomingly
+dressed. This is because they regard the subject from entirely different
+standpoints. The stylishly gowned woman is, to the average woman, well
+dressed, but not necessarily so to the man. It is a perpetual wonder to
+some men why women have not the courage to reject certain combinations
+and certain styles of dress that are inharmonious and ugly in
+themselves, and, consequently, unbecoming to the one who wears them.
+
+Years ago certain colors were thought to be becoming to certain types of
+women. There was an undisputed tradition in regard to the colors which
+the blonde should wear, and also what ones were becoming to the
+brunette. This was not a dictate of fashion; it was a fact ascertained
+by experience. Of late these traditions have been disregarded by
+fashion, and the stylish woman wears any color or combination she
+pleases, but often at the sacrifice of her good looks.
+
+Fashion cannot change the laws of cause and effect--the laws of
+harmony--and if the decided brunette chooses to wear colors which are
+becoming only to blondes she does it at the expense of half her natural
+beauty. Men feel this and wonder what is amiss.
+
+A few years ago fashion made quite common a style of sailor hat with
+diminutive crown made in the shape of an hour-glass. They were ugly in
+themselves, and when perched upon the head detracted from the beauty of
+any face. Nothing could be more ridiculous than the sight of a stout,
+tall girl, with broad hips and prominent features, marching along the
+street with her head surmounted by that parody on the most becoming of
+all hats for a young woman--the sailor. One at once called to mind the
+dice-box which the negro minstrel wears to make himself appear as funny
+as possible. One man wittily characterized them as "the hats that wore
+corsets." Men never liked them, but thousands of them were worn.
+
+From a man's point of view it would be far better if women made a more
+comprehensive and sensible study of their individual needs in dress and
+did not blindly follow the decrees of fashion; if more women would
+realize that the garment suitable to a tall, slim figure, is utterly
+inappropriate to a stout, short one. When Sara Bernhardt invented the
+glove which was to give size and form to her thin and poorly shaped arm,
+she recognized the highest aim of fashion. When a woman is in need of a
+new hat or bonnet, a man's advice would be: "Hunt the tables until you
+find one which, in shape and trimming, is suitable and becoming to you.
+Never mind if it is not the very latest style; if it suits your face and
+figure, take it, and you will not be sorry."
+
+In furnishing a room we understand that we should put in it only what
+makes the room look better--not what is simply pretty in itself; and if
+women would follow a similar plan in dress,--wear only what is becoming
+to them, and not wear things, simply because they think them pretty and
+fashionable, men would be better pleased. Man is attracted by a woman's
+beauty itself, and whether she has just the latest modes or not seldom
+interests him in the least. So the girl who would dress to please men,
+should, first of all, wear what will show off her natural attractiveness
+of face and figure to the best advantage; after that she may be as
+fashionable as possible.
+
+Without doubt many girls attach too much importance to dress as a means
+of attracting the other sex. It is frequently the case that, when a
+young lady is invited to a social function, her first thought is, "What
+shall I wear?" Her second thought is, "What shall I wear?" This question
+is with her much of the time until she goes to the place where she is to
+be entertained; and as she enters the room her first thought is, "I
+wonder how I look." If, upon an examination of the other young ladies
+present, she concludes that she is as well dressed as anyone there, she
+experiences a feeling of restfulness and of satisfaction, and enjoys the
+evening. She imagines she must be an object of interest to the men, and
+to an extent she is.
+
+Men like women to be "well groomed." They take in her whole appearance
+at a glance, and then pay but little further attention to the question
+of gowns, ribbons, slippers or sashes. They want to be entertained and
+amused. If the only preparation a young lady has made to render herself
+attractive and interesting is the care bestowed upon her personal
+appearance; if her resources for attracting consist only of a pretty
+face and a graceful figure in a pretty gown, she will never become
+famous for her conquests.
+
+Simplicity and exquisitely fresh neatness and daintiness are to a man
+more attractive than any extravagance of fashion or costliness of
+material. No man was ever induced to propose to a girl by the splendor
+of her costume. Of course it would be absurd to assert that physical
+beauty is of no value, or that dress is of little importance. That girl
+who is born physically beautiful, is fortunate indeed, and any girl of
+common sense knows that an attractive gown or a becoming hat is of
+importance. The great thing for her to understand is that there must be
+something better under the becoming hat than a pretty face, for her own
+happiness, and if she would be very attractive to others.
+
+Just as there are some persons who are said to be born magnetic, so some
+women are supposed to have a peculiarly attractive way of wearing
+clothes which defies imitation.
+
+Said a writer in the _Springfield Republican_: "There is a subtle
+something which one cannot get on the microscopic slide, which refuses
+to be reduced to percentages, which baffles description, and that is the
+manner in which some women wear their clothes. Two girls with faces of
+equal value and garments of identical texture will fail to produce
+equivalent effects, because one has this indefinable quality, and the
+other has not. Consequently we often hear it said that some girls are
+more attractive in calico than others in richer material."
+
+That there is a marked difference in the way different women wear their
+clothes, no one will deny, but because some girls look and appear to
+better advantage than others in the same material, is it necessary to
+regard it as beyond comprehension, or to declare that it "baffles
+description"? The writer did not go far enough in his description of the
+two girls. While their faces were of equal value, and their clothing was
+of the same material, there might be other differences which would
+account for the "indefinable quality." Possibly one was pleasing in
+manner and the other not. One was awkward in person and in speech,
+while the other was tactful and graceful. One was dull; the other
+interesting. The difference was one of physical and mental
+characteristics, and not a quality that "baffles description." Indeed it
+is a difference easily understood and analyzed.
+
+If two girls have faces and forms of equal value, and are equally
+graceful, tactful and well mannered, their clothes, if of the same form
+and material, will be worn in much the same way, and will produce much
+the same effect.
+
+ * * * * *
+
+No man, whatever his position in the world may be, can afford to be
+careless about his personal appearance. Dress may not make the man, but
+we all form in our minds a very clear idea of what a man is by his
+dress. We gain our first impression of persons by what they have on; our
+second judgment is formed from their conversation and manner.
+
+The well dressed man is more attractive to others, and he feels much
+better himself than he would if carelessly attired. Have you noticed the
+wonderful transformation which takes place in a man when he doffs his
+everyday clothes and dons a dress suit? During the day he may have an
+untidy and even a slovenly appearance, but as soon as he puts on a well
+laundered shirt, a high standing collar, a fresh lawn tie, and a dress
+suit, he seems completely changed. He looks from five to ten years
+younger, and from his manner you know that he feels younger. He is on
+better terms with himself and with the world.
+
+Every woman likes a man better for being well dressed. She may excuse,
+or overlook, carelessness or even slovenliness in his personal
+appearance, if she is very fond of him, but she would like him much more
+if he were neat and tidy and tasteful. She may forgive his green and
+yellow necktie, she may overlook his soiled linen, she may make no
+reference to his coat with its collar covered with dust and dandruff;
+she may not let him know that she has even noticed any of these things,
+but she has. She thinks of them whenever he is with her, and sometimes
+when she is away from him, and she wishes he were different. She may
+like him in spite of these defects. Women usually like a man in spite of
+things. If a man noticed half as many things about a woman that did not
+please him, he would never love her at all.
+
+Leaving out of the question the fact that women like to have men neat
+and even elegant in their raiment, no man who is seeking to make his way
+in business or in a profession, can afford to be careless about his
+clothes.
+
+"A few men," says _The Lewiston Journal_, "clothed in the serenity of
+soul that approaches the insanity of genius can afford to go
+illy-clothed. President Lincoln was given free license to wear frock
+coats unbecomingly. Horace Greeley could wear a linen duster with grace
+and equanimity. But they were unique. They could make fashion look
+insignificant, but you and I cannot, if we care to move amid the throng
+of busy people seeking passage on the car of progress."
+
+No better advice has been given to men on the subject of dress than in
+an article which appeared in _Success_. A short extract from the article
+will close this chapter.
+
+"Clothes are one of the accepted standards by which men are judged the
+world over. They form the chief standard of first impression; so, for
+that reason alone, it would be difficult to overestimate their
+importance. They show at a glance whether a man is neat or untidy;
+careful or careless; methodical or shiftless, and what sort of taste he
+has. Nothing else about him reflects so much of his personal
+characteristics. So it is not surprising to be told by those who yearly
+give employment to thousands of men and boys, that more applicants are
+turned away on account of their personal appearance than for all other
+reasons put together. But it would surprise some people very much if
+they knew how widely this rule is applied.
+
+The well dressed man is one whose clothes do not make him the object of
+comment, either because they are showy or shabby. He never goes to the
+extremes of fashion, thereby courting notoriety; he never goes to the
+other extreme by paying no attention at all to what he wears or how he
+wears it. He is always modest in his attire. He conforms to the
+established customs of changing his attire as the occasion demands,
+without making himself a slave to reform. He does not always wear
+expensive clothes, nor is it at all necessary that he should. But he is
+always clean and neat, or, as the present day has it, he is "well
+groomed."
+
+
+
+
+THE OPTIMIST.
+
+ _The habit of looking on the bright side of things is worth far
+ more than a thousand pounds a year._
+ --SAMUEL JOHNSON.
+
+ _"More than half the unhappiness in the world comes from a
+ person's unwillingness to look on the bright side so long as
+ a dark side can be discovered."_
+
+
+We all like the optimist. The bright, cheerful, good-natured fellow, who
+always looks through the cloud and sees its silver lining, is as good as
+a tonic to our most pessimistic dispositions. If, then, you wish to make
+yourself agreeable to others and to yourself, cultivate the habit of
+cheerfulness--of always looking on the bright side. Wear a pleasant
+countenance; let cheerfulness beam in your eye; let love write its mark
+on your forehead, and have kind words and a pleasant greeting for those
+whom you meet. Don't forget to say "good morning!" and say it heartily.
+Say it to your brothers and sisters, your school-mates, your parents,
+your teachers and your friends. Pleasant, hearty greetings cheer the
+discouraged, rest the tired, and make the wheels of life run more
+smoothly. They clear up the thorny pathways, win friends, and confound
+enemies. In fact, it is impossible to resist the influence of
+cheerfulness. Let a bright face beam on the darkness of defeat, shine on
+the abode of poverty; illumine the chamber of sickness, and how
+everything changes under its benign influence.
+
+Victory becomes possible, competence promises a golden future, and
+health is wooed back again.
+
+On the other hand, you cannot estimate the amount of unhappiness you may
+cause by wearing a clouded face and by speaking harsh, unkind words.
+
+Many persons fret and whine all through life. They never appear to have
+a generous impulse.
+
+"They seem to have come into the world during one of those cold, bleak,
+gloomy days, when there was nothing with which to build a fire. They,
+apparently, grew up in the same bleak atmosphere, and they live in it
+all their lives. You see their smallness in everything they do and say.
+You see it in their buying and in their selling, in their talk and in
+their actions. They have been well called 'the frogs that constitute
+one of the plagues of society.' They have never made one heart glad, nor
+shed one ray of sunshine upon man, woman, or child."
+
+It is just as easy to be kind as to be cross, and as easy to give
+pleasure as pain. It costs nothing; it is a smile, an appreciative word,
+a mention of what one likes to hear spoken of rather than an irritating
+reference.
+
+If your minister has preached a sermon that interested and helped you,
+tell him so. It will encourage and cheer him, and he will try to give
+you still better sermons in the future. Remember that the preacher is
+much more human than most people think, and that no man more highly
+prizes the genuine, manly word of good cheer, sympathy and affection. If
+your grocer has sold you something that was particularly good, tell him
+so. No doubt you have often found fault with the tea and the flour and
+the meat; then why not surprise him by letting him know that you
+appreciate a good thing when you get it.
+
+Perhaps you have children who are attending the public schools. Perhaps
+their teacher by patience, tact, and the expenditure of much nerve
+force, has succeeded in interesting them in their studies as they have
+never been before. Don't you think it would stimulate her to still
+greater effort if you should say to her when you meet: "My children are
+doing well at school this term. They like you and are interested in
+their work." No doubt you have often severely criticised teachers,
+methods, and school management, and you have been very free with your
+words of condemnation. Why not help a little by some expression of
+approval if you can honestly do so.
+
+Give pleasure to your wife, if you have one. Notice her painstaking
+efforts to make home comfortable; compliment her dinner and show that
+you appreciate the thousand things she does for your comfort. There is
+no greater exhibition of heroic fortitude than is seen in one who dwells
+in a cheerless home she does her best to brighten, and who wears away
+the years in an unsatisfied desire for words and tokens of love and
+sympathy which never come to her.
+
+Do not be afraid of giving something of yourself, of letting yourself
+out a little; and do not fear that your heart will run away with your
+head. Do not confound sentiment with sentimentalism, and do not hesitate
+to praise a thing or an act if it is really worthy of it. You need to do
+this for your own sake as well as for the sake of making others happy.
+
+"For my own sake," you say. "In what way will it help me if I bestow
+praise upon another?" Praise, when it is deserved, is of more
+importance to the giver than the receiver.
+
+"Praise does not immediately affect the merit of him to whom it is
+awarded," said a writer recently, "but it does immediately affect the
+merit of him to whom its awarding belongs. If a man deserves praise he
+is quite as much of a man without it as with it; but no man can be so
+much of a man, nor seem so much of a man, while withholding just praise
+as while bestowing it."
+
+In little matters as well as in large ones, to acknowledge the merit of
+others is a duty, the performance of which is even more important to the
+one who owes it, than to the one to whom it is owed. We do not fail to
+express our appreciation of heroic deeds, but it is in the common,
+everyday life that the words of appreciation are most sorely needed, and
+too seldom spoken. Many a woman would have been greatly cheered and
+helped over many hard places, if, while living, she could have heard
+half as many nice things said to her by those she loved, as were put
+into her funeral sermon and obituary notice.
+
+There is, of course, a great difference between the expression of a due
+and delicate appreciation of merit, and that false and exaggerated
+praise which is dictated by the desire to flatter. The former is always
+received with pleasure, but the latter wounds the susceptibility of
+those on whom it is lavished. To a mind rightly constituted, there are
+few things more painful than undeserved, or even excessive commendation.
+Flattery is never excusable; deserved praise should never be withheld.
+
+Do not be a grumbler. Is there any person more unwelcome than the
+chronic growler? When we meet him he begins by growling about the
+weather; then you are entertained with a long account of his aches and
+pains, his trials and his losses. Nothing pleases him. His neighbors are
+dishonest, church members are hypocrites, public officials are, in his
+estimation, all rascals, law makers are corrupt, and the country is
+going to the dogs. If you speak in commendation of an individual, he at
+once attempts to belittle him in your estimation. If you praise a cause
+or an institution, he is sure to find fault with what you say. He wishes
+your sympathy for his troubles, but he has none to give.
+
+We all crave sympathy, but, if we are not careful, we may exhaust the
+patience, even of our best friends, with the recital of our troubles. If
+your aches and pains are ever so bad, the best advice for you is "grin
+and bear it." It is all very well to be an interesting invalid for a
+short time. Your neighbors will bring you in good things to eat, and
+your friends will bring you pretty flowers to look at, and books to
+read, but do not remain too long in bed if you can help it, and do not
+wear too long and sad a face when you are recovering. It will not
+relieve your pain at all to tell everyone you meet how much you suffer,
+and when your friends have sympathized with you a dozen times they
+become a little tired of it. This advice is worthy of practice, not for
+the sake of your friends only, but for your own. The burden cheerfully
+borne becomes light, and any physician knows that the hopeful, cheerful
+patient has many more chances of recovery than the despondent one. In
+the lives of us all there are hours of anxiety, disappointment, pain and
+vexation; seasons of trial that are to be met only with stubborn
+patience. Greatness of soul is tested by the serenity with which these
+inevitable ills are borne and finally overcome. The little mind will
+fret and chafe and fume over little things, even as the petty stream
+over its narrow, pebbly bed, while the deep, strong river moves swiftly
+and silently over the boulders that lie at its bottom.
+
+"But," you say, "while the advice is good it is very hard to follow it."
+Yes, but it is really harder not to heed it. "The bird that beats
+against the iron bars of its cage suffers more than the patient
+captive."
+
+Laugh all you can. It is good for you. Physicians tell us that laughing
+has a direct and positive effect upon one's health. The physical
+movement caused by a hearty laugh causes the arteries to dilate and the
+flow of blood to hasten, thus promoting an acceleration of vital
+processes; and a mental action through stimulating the blood vessels of
+the brain. He who administers medicine in the shape of wit and humor to
+the sad heart is most assuredly a "good Samaritan."
+
+The irresistible, good-humored philosophy of Mark Twain has relieved the
+depression and sorrow of multitudes. He has compelled us to laugh, and
+his mission in the world has been a beneficent one. A cheerful face is
+as good for an invalid as pleasant weather. Cheerfulness is health,
+melancholy is disease. Cheerfulness is just as natural to the heart of a
+man in sound moral and physical health as color to his cheeks, and
+wherever we see habitual gloom we may be sure there is something
+radically wrong in the animal economy or the moral sense.
+
+Sydney Smith once gave a lady two-and-twenty receipts against
+melancholy. One was a bright fire; another, to remember all the pleasant
+things said to her; another, to keep a box of sugar plums on the chimney
+piece and a kettle simmering on the hob. These are trivial things in
+themselves but life is made up of these little pleasures and none
+should be neglected because of their seemingly trifling nature.
+
+If our temperament does not make us naturally cheerful, we can, at
+least, cultivate those habits of body and mind which seem most favorable
+to the growth of this condition. We can keep the mind open to cheerful
+impressions, and close it to those that are gloomy. It is far better to
+magnify our blessings than to depreciate them. The Spaniard of whom
+Southey tells that he always put on his magnifying glasses when he ate
+cherries, in order to make them seem larger, had the true philosophy of
+life. So the ancient Pompeiians seem to have well understood the art of
+making the most of everything. Their gardens were very small, but by
+painting the surrounding walls with plants and landscapes their little
+area became indefinitely enlarged to the eye of the observer.
+
+
+
+
+PERSONAL PECULIARITIES.
+
+ _"Eccentricity may be harmless, but it never can be commendable;
+ it is one of the children of that prolific failing--vanity. And
+ whether it shows in feeling, manners, or peculiarities of dress,
+ it is clearly acted upon from the presumptuous supposition that
+ the many are in the wrong, the individual in the right."_
+
+ _Society will pardon much to genius and special gifts, but, being
+ in its nature a convention, it loves what is conventional or what
+ belongs to coming together. That makes the good and bad of
+ manners, namely, what helps or hinders fellowship._
+ EMERSON.
+
+
+We all know that the outward address of a person has great influence
+upon his success both in the social and the business world. Thousands of
+men and women are, in their efforts to please, hindered by some
+personal peculiarity which is painfully apparent to other people, but of
+which they themselves seem wholly ignorant. Thousands of professional
+and business men are prevented from attaining the success they might
+reach by some infelicity of manner or speech which could be remedied by
+a little painstaking effort.
+
+Here is a physician who has prepared himself thoroughly for his
+profession by years of hard study and by the expenditure of a
+considerable sum of money, but he knows little of human nature, and but
+little of the requirements of good society. He has no tact, and has not
+thought it necessary to cultivate that quality. He is cold and
+unsympathetic. He has no ability to make friends or to keep them. He is
+not sociable, and he does not make himself agreeable to his patients by
+those little kindly acts and sympathetic speeches so comforting to
+invalids. He feels that he is well prepared to practice his profession,
+and he regards any personal defects as of little importance. Other men
+of less ability, but with more tact, soon outstrip him in the race for
+public favor. He never succeeds in acquiring a large practice, and,
+possibly, never knows the reason why.
+
+A young man applies for a position as a teacher. He is well equipped in
+scholarship for the place he wishes, for he led his class in college,
+and he comes highly recommended as a young man of integrity and
+earnestness. After a short interview the superintendent of schools
+decides that he is not the man for the position and the applicant goes
+away disappointed. Why was he rejected? Not by reason of poor
+scholarship, nor for lack of moral character, but simply on account of
+his personal appearance. He was untidy in his dress. His linen was
+soiled, his coat was not brushed, his cuffs were frayed at the edges,
+while his finger-nails gave evidence that he was habitually careless
+about personal neatness and cleanliness. The superintendent decided at
+once that he did not want him, and the young man did not know why.
+
+Here is a young woman who is fine looking, intelligent and accomplished.
+Apparently she possesses all those qualities which are necessary to make
+her a favorite in society and she seems to deserve a host of friends.
+Yet she is not greatly sought after by her acquaintances, and she has
+few firm friends. Young men pay her but little attention, and seem
+afraid of her. Other girls, less brilliant intellectually, with fewer
+accomplishments, and with plainer faces, are far greater favorites in
+society. Her particular weakness is that she has allowed herself to
+fall into the practice of employing sarcasm to an extent which is
+offensive to those with whom she talks. She has a habit of saying
+disagreeable, biting things in a humorous way, and she never suspects
+that people are hurt by them. She has cultivated the habit to such a
+degree that she can always raise a laugh at some person's expense, and
+she is constantly on the watch for opportunities to exercise this
+accomplishment. Finally it dawns upon her that she does not hold her
+friends; that she is sometimes slighted in the matter of invitations;
+that she is not a popular girl, and she doesn't know why.
+
+A certain clergyman is a fine preacher, capable of attracting,
+instructing, and inspiring the most cultivated audiences, but he is shut
+out from his proper sphere of usefulness and influence, and prevented
+from reaching the position for which his endowments qualify him, by a
+matter which might seem trifling in itself, but which has become
+offensive through its persistent hold upon him. He exhibits a lack of
+proper deference to the feelings of others, an arrogant and
+unsympathetic tone of voice, and sometimes yields, under opposition, to
+unrestrained violence of language. He betrays his weakness every time
+anyone crosses his plans and desires. It seems hard for him to
+understand that others have an equal right to their preference and
+opinions. He forgets that while it is easy to be amiable when everyone
+agrees with him, the test of character is in keeping the temper sweet
+and reasonable when people differ from him and criticise him. He
+understands his power to move audiences; he is told by persons competent
+to judge that his sermons are superior; he knows that in higher
+intellectual qualities he surpasses many other clergymen who secure and
+retain prominent positions; yet the painful truth is forced upon him
+that his services as a pastor are not sought for, while inferior
+preachers are selected for places of power and influence.
+
+A man goes into trade. He is a shrewd buyer, energetic, honest, and
+keeps a good assortment of goods, but he is not obliging to customers.
+He is short and crusty in his speech, irritable and sometimes almost
+rude in his manner; consequently he does not hold his patrons. They
+leave him, one by one, and do their purchasing at other stores where
+they receive polite attention. The merchant does not prosper in
+business, and he never knows why.
+
+Here is a woman who prides herself upon her plain speaking. She boasts
+that when she has anything to say she is willing to say it to one's
+face, and not behind one's back. She thinks it is a mark of sincerity
+and frankness to say disagreeable things and to bring one's infirmities
+to the surface. Her tendencies finally become fixed habits. She finds
+herself shunned by her acquaintances, and she does not know why.
+
+Then there is the loquacious woman, the woman who monopolizes the
+conversation, the woman who has an apparent contempt for paragraph and
+punctuation. No matter what the topic of conversation may be, she at
+once takes the management of it into her own hands, and the other
+members of the company are made to feel at once that they are expected
+to be only listeners. The loquacious woman may talk well--she often
+does--but she fails to understand that there may be such a thing as too
+much even of good things, and so she talks on and on, with an utter
+disregard for the rights and the comfort of those around her.
+
+A professional man, who possesses much intellectual force and
+originality, takes pride in his unconventionality in the matter of
+dress. His garments are so far from the prevailing style that they
+attract attention and invite comment. He does not realize that the man
+who rebels against fashion may be open even more to the imputation of
+vanity than he who obeys it, because he makes himself conspicuous, and
+practically announces that he is wiser than his associates. An
+affectation of superior simplicity is vulgarity.
+
+Stop a moment and recall twenty men and women of your acquaintance. You
+will probably remember that two-thirds of them have some peculiarity,
+some defect of speech or manner which detracts from their social and
+business success, or from their usefulness. One is a gossip; another
+possesses a hasty temper, while a third is intellectually dishonest,
+never yielding his position, even under the most absolute proof that he
+is in the wrong. One of your friends is a pessimist, and is continually
+attempting to convert you to his point of view, while his wife is so
+inquisitive that you at once become nervous when you perceive her
+approach. A young woman of your acquaintance would be a most charming
+person if she did not laugh too much. A conversation with her is, upon
+her part, a perpetual giggle.
+
+These may generally be good, intelligent, and, in many respects,
+charming people, but unfortunately they are hampered by these
+deficiencies. They have become so unconscious of these personal traits
+that, doubtless, they would be greatly surprised were their attention
+called to them. The effect of these shortcomings upon others is,
+however, just as unfortunate as if they were intentionally retained and
+nourished, for we usually regard the outward manner as a true index of
+the inward emotion.
+
+If so many of our acquaintances display idiosyncrasies that affect us
+disagreeably, is it not possible that we too may be harboring some
+remediable evil of temper, some superable infirmity of manner or of
+speech which is a bar to our own usefulness, because distressing to
+those with whom we are thrown?
+
+Let us think about this.
+
+
+
+
+SUGGESTIONS FROM MANY SOURCES
+
+ FOR
+
+ THE MAN WHO WOULD PLEASE AND
+ THE WOMAN WHO WOULD CHARM.
+
+
+A gentleman makes no noise; a lady is serene.
+
+ EMERSON.
+
+ * * * * *
+
+So I talked a great deal and found myself infinitely pleased with
+Brandon's conversational powers, which were rare; being no less than the
+capacity for saying nothing, and listening politely to an indefinite
+deal of the same thing, in another form, from me.
+
+ CHARLES MAJOR.
+
+ * * * * *
+
+Talk about those subjects you have had long in your mind, and listen to
+what others say about subjects you have studied but recently. Knowledge
+and timber should not be much used till they are seasoned.
+
+ O. W. HOLMES.
+
+ * * * * *
+
+A beautiful form is better than a beautiful face; a beautiful behavior
+is better than a beautiful form; it gives a higher pleasure than statues
+or pictures; it is the finest of the fine arts.
+
+ EMERSON.
+
+ * * * * *
+
+Believe nothing against another but on good authority, nor report what
+may hurt another, unless it be a greater hurt to another to conceal it.
+
+ WILLIAM PENN.
+
+ * * * * *
+
+"Life is like a mirror. It reflects the face you bring to it. Look out
+lovingly upon the world, and the world will look lovingly in upon you."
+
+ * * * * *
+
+But it is mostly my own dreams I talk of, and that will somewhat excuse
+me for talking of dreams at all. Everyone knows how delightful the
+dreams are that one dreams one's self, and how insipid the dreams of
+others are. I had an illustration of this fact not many evenings ago,
+when a company of us got telling dreams. I had by far the best dreams of
+any; to be quite frank, mine were the only dreams worth listening to;
+they were richly imaginative, delicately fantastic, exquisitely
+whimsical, and humorous in the last degree; and I wondered that when the
+rest could have listened to them they were always eager to cut in with
+some silly, senseless, tasteless thing, that made me sorry and ashamed
+for them. I shall not be going too far if I say that it was on their
+part the grossest betrayal of vanity that I ever witnessed.
+
+ WILLIAM DEAN HOWELLS.
+
+ * * * * *
+
+"There is a great mistake in supposing that giving is concerned only
+with material benefits. These form indeed but a small part of its
+mission. Whoever creates happiness, whether by a kindly greeting, or
+tender sympathy, or inspiring presence, or stimulating thought, is as
+true a giver as he who empties his purse to feed the hungry."
+
+ * * * * *
+
+Politeness and good breeding are absolutely necessary to adorn any or
+all other good qualities or talents. Without them no knowledge, no
+perfection whatever, is seen in its best light. The scholar, without
+good breeding, is a pedant; the philosopher, a cynic; the soldier a
+brute; and every man, disagreeable.
+
+ LORD CHESTERFIELD.
+
+ * * * * *
+
+"Tact, though partly a natural gift, is a good deal indebted to
+education and early habits. The superiority of one sex to the other in
+this respect will often be found to depend on art quite as much as upon
+nature."
+
+ * * * * *
+
+"Never is silence more eloquent than when it is preserved toward persons
+older than ourselves when they voice opinions long since proven
+erroneous. Age doesn't like to be contradicted, right or wrong."
+
+ * * * * *
+
+In the supremacy of self-control consists one of the perfections of the
+ideal man: not to be impulsive, not to be spurred hither and thither by
+each desire that in turn comes uppermost; but to be restrained,
+self-balanced, governed by the joint decision of the feelings in council
+assembled, before whom every action shall have been fully debated and
+calmly determined.
+
+ HERBERT SPENCER.
+
+ * * * * *
+
+In the exhaustless catalogue of heaven's mercies to mankind, the power
+we have of finding some germs of comfort in the hardest trials must ever
+occupy the foremost place; not only because it supports and upholds us
+when we most require to be sustained, but because in this source of
+consolation there is something, we have every reason to believe, of the
+Divine Spirit; something which, even in our fallen nature we possess in
+common with the angels.
+
+ DICKENS.
+
+ * * * * *
+
+"When you bury animosity don't set up a headstone over its grave."
+
+ * * * * *
+
+I don't never hav truble in regulating mi own kondukt, but tew keep
+other pholks straight iz what bothers me.
+
+ JOSH BILLINGS.
+
+ * * * * *
+
+"Hundreds of the most agreeable persons in fashionable society are those
+who are content to be taught the things they already know."
+
+ * * * * *
+
+It is better to return a dropped fan genteelly than give a thousand
+pounds awkwardly; you had better refuse a favor gracefully than grant it
+clumsily. All your Greek can never advance you from secretary to envoy,
+or from envoy to embassador, but your address, your air, your manner, if
+good, may.
+
+ LORD CHESTERFIELD.
+
+ * * * * *
+
+"The art of not hearing should be learned by all. It is fully as
+important to domestic happiness as a cultivated ear, for which both
+money and time are expended. There are so many things which it is
+painful to hear, so many which we ought not to hear, so very many which
+if heard will disturb the temper, corrupt simplicity and modesty,
+detract from contentment and happiness that everyone should be educated
+to take in or shut out sounds according to his or her pleasure."
+
+ _Once A Week._
+
+ * * * * *
+
+"The bitterest tears shed over graves are for words left unsaid and
+deeds left undone. She never knew how I loved her. He never knew what he
+was to me. I always meant to make more of your friendship. I did not
+know what he was to me till he was gone. Such are the poisoned arrows
+which cruel death shoots back at us from the door of the sepulchre."
+
+ * * * * *
+
+We are only really alive when we enjoy the good will of others.
+
+ GOETHE.
+
+ * * * * *
+
+A difference of taste in jokes is a great strain on the affections.
+
+ GEORGE ELIOT.
+
+ * * * * *
+
+"Power hath not one-half the might of gentleness."
+
+ * * * * *
+
+Manner is of importance. A kind no is often more agreeable than a rough
+yes.
+
+ BENGEL.
+
+ * * * * *
+
+We are always clever with those who imagine we think as they do. To be
+shallow you must differ from people; to be profound you must agree with
+them.
+
+ BULWER.
+
+ * * * * *
+
+If you want to spoil all that God gives you; if you want to be miserable
+yourself and a maker of misery to others, the way is easy enough. Only
+be selfish, and it is done at once.
+
+ CHARLES KINGSLEY.
+
+ * * * * *
+
+Language was given us that we might say pleasant things.
+
+ BOVEE.
+
+ * * * * *
+
+"The specially social qualities are good nature, amiability, the desire
+to please, and the kindness of heart that avoids giving offence. A good
+natured person may frankly disagree with you, but he never offends."
+
+ * * * * *
+
+Good manners are made up of petty sacrifices.
+
+ EMERSON.
+
+ * * * * *
+
+Pride of origin, whether high or low, springs from the same principle of
+human nature; one is but the positive, the other the negative pole of a
+single weakness.
+
+ LOWELL.
+
+ * * * * *
+
+The best possible impression that you can make by your dress is to make
+no separate impression at all; but so to harmonize its material and
+shape with your personality, that it becomes tributary in the general
+effect, and so exclusively tributary that people cannot tell after
+seeing you what kind of clothes you wear.
+
+ J. G. HOLLAND.
+
+ * * * * *
+
+Nothing is more dangerous than to paint men as they are when by chance
+they are not as handsome as they would wish to be.
+
+ EDMOND ABOUT.
+
+ * * * * *
+
+"Borrow trouble if you have not enough already."
+
+ * * * * *
+
+Refinement creates beauty everywhere.
+
+ HAZLITT.
+
+ * * * * *
+
+"A lady may always judge of the estimation in which she is held by the
+conversation which is addressed to her."
+
+ * * * * *
+
+Some people cannot drive to happiness with four horses, and others can
+reach the goal on foot.
+
+ THACKERAY.
+
+ * * * * *
+
+"The clown who excites the multitudes to mirth is more a benefactor than
+the conqueror who drapes a thousand homes in mourning."
+
+ * * * * *
+
+"Tact is the art of putting yourself in another's place, and being quick
+about it."
+
+ * * * * *
+
+"It pays 100 per cent. to be polite to everyone, from the garbage
+gatherer to the governor."
+
+ * * * * *
+
+"If you wish that your own merit should be recognized, recognize the
+merits of others."
+
+ * * * * *
+
+"If you cannot be happy in one way, be happy in another; and this
+facility of disposition wants but little aid from philosophy, for health
+and good humor are almost the whole affair. Many run about after
+felicity, like an absent man hunting for his hat while it is on his head
+or in his hand. Such persons want nothing to make them the happiest
+people in the world but the knowledge that they are so."
+
+ * * * * *
+
+"An Atchison woman, who three days ago was considered the most popular
+woman in town, has not one friend left; instead of sympathizing with her
+friends, as she has heretofore, she began telling them her troubles."
+
+ _Atchison Globe._
+
+ * * * * *
+
+It is the characteristic of folly to discern the faults of others and to
+forget one's own.
+
+ CICERO.
+
+ * * * * *
+
+What is it to be a gentleman? It is to be honest, to be gentle, to be
+generous, to be brave, to be wise, and, possessing all these qualities,
+to exercise them in the most graceful outward manner.
+
+ THACKERAY.
+
+ * * * * *
+
+ _Teach me to feel another's woe,
+ To hide the fault I see;
+ That mercy I to others show,
+ That mercy show to me._
+ POPE.
+
+ * * * * *
+
+"The Persians say of noisy, unreasonable talk: 'I hear the noise of the
+mill-stone, but I see no meal.'"
+
+ * * * * *
+
+We give advice by the bucket, but take it by the grain.
+
+ ALGER.
+
+ * * * * *
+
+It is much easier to be critical than correct.
+
+ BEACONSFIELD.
+
+ * * * * *
+
+"'I am busy, Johnnie, and can't help it,' said the father, writing away
+when the little fellow hurt his finger. 'Yes, you could--you might have
+said oh!' sobbed Johnnie. There's a Johnnie in tears inside all of us
+upon occasions."
+
+ REV. W. C. GANNETT.
+
+ * * * * *
+
+"You cannot prevent the birds of sadness from flying over your head, but
+you may prevent them from stopping to build their nests there."
+
+ * * * * *
+
+In general society one should always avoid discussions upon two
+subjects--religion and politics. In a discussion upon either of these
+subjects you will find very little intellectual honesty, and it will
+almost invariably lead to irritating differences of opinion.
+
+ * * * * *
+
+A gentleman is one who understands and shows every mark of deference to
+the claims of self-love in others and exacts it in return from them.
+
+ HAZLITT.
+
+ * * * * *
+
+"There is no real conflict between truth and politeness; what is
+imagined to be such is only the crude mistake of those who fail to
+discover their harmony. Politeness, taken in its best sense, is the
+graceful expression of respect, kind feeling, and good will."
+
+ * * * * *
+
+"Beloved among women is she who, having warned a friend of the
+consequences to follow rash doings, will, when her prophecies have
+come true, withhold the triumphant: I told you so!"
+
+ _Boston Journal._
+
+ * * * * *
+
+"No one loses by politeness to, or by the trifling exercise of apparent
+pleasure in a caller. While I have no wish to counsel insincerity, there
+is a wide difference between that offensive veneer and the pure metal of
+consideration for the feelings of a stranger within one's gate."
+
+
+
+LADY BELLAIR'S ADVICE TO GIRLS.
+
+
+WHAT TO AVOID.
+
+A loud, weak, affected, whining, harsh or shrill tone of voice.
+Extravagances in conversation--such phrases as "Awfully this," "Beastly
+that," "Loads of time," "Don't you know," "Hate" for "dislike," etc.
+
+Sudden exclamations of annoyance, surprise and joy,--often dangerously
+approaching to "female swearing"--as "Bother!" "Gracious!" "How jolly!"
+
+Yawning when listening to anyone.
+
+Talking on family matters, even to bosom friends.
+
+Attempting any vocal or instrumental piece of music that you cannot
+execute with ease.
+
+Crossing your letters.
+
+Making a sharp, short nod with the head, intended to do duty as a bow.
+
+
+WHAT TO CULTIVATE.
+
+An unaffected, low, distinct, silver-toned voice.
+
+The art of pleasing those around you, and seeming pleased with them and
+all they may do for you.
+
+The charm of making little sacrifices quite naturally, as if of no
+account to yourself.
+
+The habit of making allowances for the opinions, feelings, or prejudices
+of others.
+
+An erect carriage--that is, a sound body.
+
+A good memory for faces, and facts connected with them--thus avoiding
+giving offence through not recognizing or bowing to people, or saying to
+them what had best been left unsaid.
+
+The art of listening without impatience to prosy talkers, and smiling at
+the twice-told tale or joke.
+
+ * * * * *
+
+"He who would see his sons and daughters thoroughly and truly gentle,
+must forbid selfishness of action, rudeness of speech, carelessness of
+forms, impoliteness of conduct from the first, and demand that in
+childhood and the nursery shall be laid the foundation of that good
+breeding which is as a jewel of price to the mature man and woman."
+
+ * * * * *
+
+"Many persons consider that 'bad temper' is entirely voluntary on the
+part of the person who displays it. As a matter of fact it is often, to
+a very great extent, involuntary, and no one is more angry at it than
+the bad tempered person himself. Of course everyone, whether he is born
+with a bad temper or has acquired one from habit, or has been visited
+with one as the result of disease or injury, should at least try to
+control it. But his friends should also bear in mind that bad temper may
+be, and often is, an affliction to be sympathized with, not an offence
+to be punished."
+
+ _Once A Week._
+
+ * * * * *
+
+There are some people so given over to the pettiness of fault-picking,
+that if they should suddenly see the handwriting on the wall, they would
+disregard its awful warning in their eager haste to point out its
+defective penmanship.
+
+ BRANDER MATTHEWS.
+
+ * * * * *
+
+"We are all dissatisfied. The only difference is that some of us sit
+down in the squalor of our dissatisfaction, while others make a ladder
+of it."
+
+ * * * * *
+
+Mrs. Julia Ward Howe said, in speaking of Longfellow, that "his personal
+charm was in a delicateness of mind that was truly cosmopolitan; he had
+a vivid appreciation of what was beautiful and noble, and he represented
+the purest taste and the most perfect feeling." Was there ever given a
+finer definition of a gentleman?
+
+ * * * * *
+
+"Set a watch over thy mouth, and keep the door of thy lips, for a
+tale-bearer is worse than a thief."
+
+ THE BIBLE.
+
+ * * * * *
+
+"He submits to be seen through a microscope who suffers himself to be
+caught in a passion."
+
+ * * * * *
+
+"It isn't what you wear in this life, gentlemen; it is how you wear it.
+It isn't so much what you do; it is how you do it. There are people who
+do tasteful things vulgarly, and vulgar things tastefully. Who was it
+that
+
+ _'Kicked them downstairs with such very fine grace,
+ They thought he was handing them up'?_
+
+"A sense of humor is one of the most precious gifts that can be
+vouchsafed to a human being. He is not necessarily a better man for
+having it, but he is a happier one. It renders him indifferent to good
+or bad fortune. It enables him to enjoy his own discomfiture. Blessed
+with this sense, he is never unduly elated or cast down. No one can
+ruffle his temper. No abuse disturbs his equanimity. Bores do not bore
+him. Humbugs do not humbug him. Solemn airs do not impose on him.
+Sentimental gush does not influence him. The follies of the moment have
+no hold on him."
+
+ _Boston Journal._
+
+ * * * * *
+
+There is always a best way of doing everything, if it be but to boil an
+egg. Manners are the happy way of doing things; each one the stroke of
+genius or of love--now repeated and hardened into usage. Your manners
+are always under examination, and by committees little suspected--a
+police in citizen's clothes--but are awarding or denying you very high
+prizes when you least think of it.
+
+ EMERSON.
+
+ * * * * *
+
+My experience of life makes me sure of one truth, which I do not try to
+explain; that the sweetest happiness we ever know, the very wine of
+human life, comes not from love, but from sacrifice--from the effort to
+make others happy. This is as true to me as that my flesh will burn if I
+touch red-hot metal.
+
+ JOHN BOYLE O'REILLY.
+
+ * * * * *
+
+"A wise man will turn adverse criticism and malicious attacks to good
+account. He will consider carefully whether there is not in him some
+weakness or fault which, although he never discovered, was plain to the
+eye of his enemy. Many men profit more by the assaults of foes than by
+the kindness of friends."
+
+ * * * * *
+
+"Politeness is like an air cushion: there may be nothing in it, but it
+eases our jolts wonderfully."
+
+ * * * * *
+
+Don't flatter yourself that friendship authorizes you to say
+disagreeable things to your intimates. On the contrary, the nearer you
+come into relation with a person the more necessary do tact and courtesy
+become. Except in cases of necessity, which are rare, leave your friend
+to learn unpleasant truths from his enemies: they are ready enough to
+tell them. Good breeding never forgets that _amour-propre_ is universal.
+
+ O. W. HOLMES.
+
+ * * * * *
+
+Whatever our disbeliefs, most of us profoundly believe in goodness; and
+we incline to believe that a man who has practically learned the secret
+of noble living has somehow got near the truth of things.
+
+ GEO. S. MERRIAM.
+
+ * * * * *
+
+"A man's bad temper sometimes does more toward spoiling a dinner than a
+woman's bad cooking."
+
+ * * * * *
+
+ _Her voice was ever soft,
+ Gentle and low; an excellent thing in
+ Woman._
+
+ SHAKESPEARE.
+
+ * * * * *
+
+True politeness is perfect ease and freedom. It simply consists in
+treating others just as you love to be treated yourself.
+
+ CHESTERFIELD.
+
+ * * * * *
+
+A man has no more right to say an uncivil thing than to act one, no more
+right to say a rude thing to another than to knock him down.
+
+ JOHNSON.
+
+ * * * * *
+
+ How sweet and gracious, even in common speech,
+ Is that fine sense which men call courtesy!
+ Wholesome as air and genial as the light,
+ Welcome in every clime as breath of flowers,----
+ It transmutes aliens into trusting friends,
+ And gives its owner passport round the globe.
+
+ J. T. FIELDS.
+
+
+THE END.
+
+
+
+
+TRANSCRIBER'S NOTES
+
+1. Passages in italics are surrounded by _underscores_.
+
+2. Punctuation errors have been corrected without note.
+
+3. The following misprints have been corrected:
+ "repuation" corrected to "reputation" (page 2)
+ "sympatheic" corrected to "sympathetic" (page 38)
+ "Stael" corrected to "Staël" (page 59)
+
+4. Other than the corrections listed above, printer's inconsistencies
+in spelling and hyphenation have been retained.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Man Who Pleases and the Woman Who
+Charms, by John A. Cone
+
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