summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--33828-8.txt2651
-rw-r--r--33828-8.zipbin0 -> 36892 bytes
-rw-r--r--33828-h.zipbin0 -> 77462 bytes
-rw-r--r--33828-h/33828-h.htm3448
-rw-r--r--33828-h/images/$rbrace.pngbin0 -> 596 bytes
-rw-r--r--33828-h/images/001.pngbin0 -> 1831 bytes
-rw-r--r--33828-h/images/angle.pngbin0 -> 212 bytes
-rw-r--r--33828-h/images/aquarius.pngbin0 -> 234 bytes
-rw-r--r--33828-h/images/aries.pngbin0 -> 250 bytes
-rw-r--r--33828-h/images/ascnode.pngbin0 -> 266 bytes
-rw-r--r--33828-h/images/because.pngbin0 -> 193 bytes
-rw-r--r--33828-h/images/cancer.pngbin0 -> 271 bytes
-rw-r--r--33828-h/images/capricornus.pngbin0 -> 261 bytes
-rw-r--r--33828-h/images/celebrant.pngbin0 -> 242 bytes
-rw-r--r--33828-h/images/cong.pngbin0 -> 208 bytes
-rw-r--r--33828-h/images/conjunction.pngbin0 -> 231 bytes
-rw-r--r--33828-h/images/contract.pngbin0 -> 202 bytes
-rw-r--r--33828-h/images/degree.pngbin0 -> 245 bytes
-rw-r--r--33828-h/images/depress.pngbin0 -> 188 bytes
-rw-r--r--33828-h/images/descnode.pngbin0 -> 266 bytes
-rw-r--r--33828-h/images/diff.pngbin0 -> 269 bytes
-rw-r--r--33828-h/images/diphthong.pngbin0 -> 329 bytes
-rw-r--r--33828-h/images/dollar.pngbin0 -> 249 bytes
-rw-r--r--33828-h/images/doteq.pngbin0 -> 214 bytes
-rw-r--r--33828-h/images/drachm.pngbin0 -> 249 bytes
-rw-r--r--33828-h/images/earth.pngbin0 -> 256 bytes
-rw-r--r--33828-h/images/emdash.pngbin0 -> 300 bytes
-rw-r--r--33828-h/images/emdash2.pngbin0 -> 324 bytes
-rw-r--r--33828-h/images/equiv.pngbin0 -> 220 bytes
-rw-r--r--33828-h/images/firstqtr.pngbin0 -> 258 bytes
-rw-r--r--33828-h/images/frown.pngbin0 -> 213 bytes
-rw-r--r--33828-h/images/fullmoon.pngbin0 -> 293 bytes
-rw-r--r--33828-h/images/gemini.pngbin0 -> 224 bytes
-rw-r--r--33828-h/images/ident.pngbin0 -> 198 bytes
-rw-r--r--33828-h/images/inapost.pngbin0 -> 240 bytes
-rw-r--r--33828-h/images/indent.pngbin0 -> 206 bytes
-rw-r--r--33828-h/images/ininf1.pngbin0 -> 244 bytes
-rw-r--r--33828-h/images/inperiod.pngbin0 -> 248 bytes
-rw-r--r--33828-h/images/insert.pngbin0 -> 227 bytes
-rw-r--r--33828-h/images/insupa.pngbin0 -> 260 bytes
-rw-r--r--33828-h/images/insupo.pngbin0 -> 247 bytes
-rw-r--r--33828-h/images/jupiter.pngbin0 -> 248 bytes
-rw-r--r--33828-h/images/lastqtr.pngbin0 -> 261 bytes
-rw-r--r--33828-h/images/leo.pngbin0 -> 265 bytes
-rw-r--r--33828-h/images/libra.pngbin0 -> 241 bytes
-rw-r--r--33828-h/images/maltese.pngbin0 -> 263 bytes
-rw-r--r--33828-h/images/mars.pngbin0 -> 254 bytes
-rw-r--r--33828-h/images/mercury.pngbin0 -> 242 bytes
-rw-r--r--33828-h/images/minpl.pngbin0 -> 202 bytes
-rw-r--r--33828-h/images/neptune.pngbin0 -> 259 bytes
-rw-r--r--33828-h/images/neq.pngbin0 -> 228 bytes
-rw-r--r--33828-h/images/newmoon.pngbin0 -> 294 bytes
-rw-r--r--33828-h/images/opposition.pngbin0 -> 246 bytes
-rw-r--r--33828-h/images/ounce.pngbin0 -> 258 bytes
-rw-r--r--33828-h/images/parallel.pngbin0 -> 189 bytes
-rw-r--r--33828-h/images/perp.pngbin0 -> 183 bytes
-rw-r--r--33828-h/images/pisces.pngbin0 -> 253 bytes
-rw-r--r--33828-h/images/pushdown.pngbin0 -> 244 bytes
-rw-r--r--33828-h/images/quadrature.pngbin0 -> 220 bytes
-rw-r--r--33828-h/images/quintile.pngbin0 -> 267 bytes
-rw-r--r--33828-h/images/quintile2.pngbin0 -> 250 bytes
-rw-r--r--33828-h/images/raise.pngbin0 -> 184 bytes
-rw-r--r--33828-h/images/recipe.pngbin0 -> 281 bytes
-rw-r--r--33828-h/images/rectangle.pngbin0 -> 201 bytes
-rw-r--r--33828-h/images/response.pngbin0 -> 281 bytes
-rw-r--r--33828-h/images/reverse.pngbin0 -> 287 bytes
-rw-r--r--33828-h/images/rightangle.pngbin0 -> 171 bytes
-rw-r--r--33828-h/images/sagittarius.pngbin0 -> 258 bytes
-rw-r--r--33828-h/images/saturn.pngbin0 -> 227 bytes
-rw-r--r--33828-h/images/scorpio.pngbin0 -> 242 bytes
-rw-r--r--33828-h/images/scruple.pngbin0 -> 267 bytes
-rw-r--r--33828-h/images/sextile.pngbin0 -> 256 bytes
-rw-r--r--33828-h/images/square.pngbin0 -> 208 bytes
-rw-r--r--33828-h/images/straighten.pngbin0 -> 257 bytes
-rw-r--r--33828-h/images/strike.pngbin0 -> 293 bytes
-rw-r--r--33828-h/images/sun.pngbin0 -> 270 bytes
-rw-r--r--33828-h/images/takeout.pngbin0 -> 252 bytes
-rw-r--r--33828-h/images/takeoutchar.pngbin0 -> 335 bytes
-rw-r--r--33828-h/images/taurus.pngbin0 -> 254 bytes
-rw-r--r--33828-h/images/therefore.pngbin0 -> 192 bytes
-rw-r--r--33828-h/images/triangle.pngbin0 -> 241 bytes
-rw-r--r--33828-h/images/trine.pngbin0 -> 251 bytes
-rw-r--r--33828-h/images/uneven.pngbin0 -> 309 bytes
-rw-r--r--33828-h/images/uranus.pngbin0 -> 254 bytes
-rw-r--r--33828-h/images/varpropto.pngbin0 -> 210 bytes
-rw-r--r--33828-h/images/venus.pngbin0 -> 234 bytes
-rw-r--r--33828-h/images/versicle.pngbin0 -> 291 bytes
-rw-r--r--33828-h/images/virgo.pngbin0 -> 270 bytes
-rw-r--r--33828.txt2651
-rw-r--r--33828.zipbin0 -> 36827 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
93 files changed, 8766 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/33828-8.txt b/33828-8.txt
new file mode 100644
index 0000000..ef32a75
--- /dev/null
+++ b/33828-8.txt
@@ -0,0 +1,2651 @@
+Project Gutenberg's Abbreviations and Signs, by Frederick W. Hamilton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Abbreviations and Signs
+ A Primer of Information about Abbreviations and Signs,
+ with Classified Lists of Those in Most Common Use
+
+Author: Frederick W. Hamilton
+
+Release Date: October 1, 2010 [EBook #33828]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ABBREVIATIONS AND SIGNS ***
+
+
+
+
+Produced by Barbara Tozier, Bill Tozier, Keith Edkins and
+the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+
+
+
+Transcriber's note: A few typographical errors have been corrected: they
+are listed at the end of the text.
+
+ * * * * *
+
+
+TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES--PART VI, NO. 37
+
+ABBREVIATIONS
+
+AND SIGNS
+
+A PRIMER OF INFORMATION ABOUT
+ABBREVIATIONS AND SIGNS, WITH
+CLASSIFIED LISTS OF THOSE
+IN MOST COMMON USE
+
+
+
+BY
+
+FREDERICK W. HAMILTON, LL. D.
+
+EDUCATIONAL DIRECTOR
+
+UNITED TYPOTHETÆ OF AMERICA
+
+
+
+[Illustration]
+
+
+
+
+
+PUBLISHED BY THE COMMITTEE ON EDUCATION
+UNITED TYPOTHETAE OF AMERICA
+1918
+
+ * * * * *
+
+
+COPYRIGHT, 1918
+UNITED TYPOTHETAE OF AMERICA
+CHICAGO, ILL.
+
+ * * * * *
+
+
+PREFACE
+
+The use of abbreviations and signs is often a convenience and sometimes a
+temptation. It is a saving of time and labor which is entirely justifiable
+under certain conditions, one of which is that all such short cuts should
+be sufficiently conventional and familiar to be intelligible to any person
+likely to read the printed matter in which they occur. Scientific and
+technical signs and abbreviations are part of the nomenclature of the
+subject to which they belong and must be learned by students of it. General
+readers are not particularly concerned with them.
+
+The use of abbreviations and signs is partly a matter of office style and
+partly a matter of author's preference. Certain fairly well established
+rules have, however, emerged from the varieties of usage in vogue. An
+attempt has been made in the following pages to state these rules clearly
+and concisely and to illustrate their application.
+
+Classified lists of the most common abbreviations and signs have been
+inserted and will be found useful for reference and practice. Sources of
+further information on these points will be found under the head of
+Supplementary Reading.
+
+ * * * * *
+
+
+CONTENTS
+
+ PAGE
+ INTRODUCTION 1
+ GENERAL RULES FOR THE USE OF ABBREVIATIONS 3
+ DATES 3
+ TIME 5
+ OTHER ABBREVIATIONS INVOLVING NUMERALS 5
+ GEOGRAPHICAL ABBREVIATIONS, WITH LIST 7
+ ABBREVIATIONS OF NAMES, WITH LIST 10
+ ABBREVIATIONS OF TITLES, WITH LIST 12
+ SIZES OF BOOKS 18
+ WEIGHTS AND MEASURES 19
+ FOOTNOTES 19
+ SCRIPTURAL ABBREVIATIONS 23
+ COMMERCIAL ABBREVIATIONS 24
+ MISCELLANEOUS ABBREVIATIONS 25
+ MONETARY SIGNS 35
+ MATHEMATICAL SIGNS 35
+ MEDICAL SIGNS 36
+ ASTRONOMICAL SIGNS 37
+ ECCLESIASTICAL SIGNS 37
+ PROOFREADER'S SIGNS 38
+ GENERAL OBSERVATIONS 40
+ SUPPLEMENTARY READING 41
+ REVIEW QUESTIONS 42
+
+ * * * * *
+
+
+{1}
+
+ABBREVIATIONS AND SIGNS
+
+INTRODUCTION
+
+The use of abbreviations is as old as the use of alphabets. In inscriptions
+and on coins and in other places where room is limited they have always
+been used in order to save space. The words GUILIELMUS QUARTUS DEI GRATIA
+REX BRITANNIARUM FIDEI DEFENSOR would hardly go around the circumference of
+a sixpence, three quarters of an inch in diameter. Therefore, we find them
+written GUILIELMUS IIII D: G: BRITANNIAR: REX F: D: In the manuscript
+period abbreviations were very extensively used. This was done partly to
+lighten the great labor of hand copying and partly to effect a double
+saving of expense, in labor and in costly material. Certain of these
+abbreviations were in common use and perfectly intelligible. Unfortunately
+the copyists did not limit their abbreviations to these, but devised others
+for their own use much to the discomfort of their readers, especially after
+the lapse of centuries.
+
+The introduction of printing removed the pressing necessity for the
+extensive use of abbreviations, but the actual use continued much longer
+than one would think. The early printed books were reproductions of
+manuscripts. In some cases the earliest were almost forgeries, and were
+probably intended to be sold as manuscripts. The types were cut in
+imitation of the handwriting of some well-known scribe and all his
+mannerisms and peculiarities were faithfully copied. An incidental result
+was the expansion of fonts of type by the inclusion of a great number of
+ligatures and of characters indicating the omission or combination of
+letters. Habit dies hard, and even after the type founders had freed
+themselves from the tyranny of manuscript printers continued to follow the
+habits of the copyist. The saving of material and labor still continued to
+be considered. The {2} methods of abbreviation in use in written matter
+continued to be followed in print even down to the first quarter of the
+last century.
+
+The result of all this abbreviation was serious and well-founded complaint
+about the difficulty of reading books thus printed. De Vinne gives the
+following astonishing example, said to be taken practically at random from
+a Latin copy of the Logic of Ockham printed at Paris in 1488.
+
+ "Sic his e fal sm qd ad simplr a e pducibile a Deo g a e silr hic a n e
+ g a n e pducibile a Deo."
+
+These are the abbreviations for Sicut his est fallacia secundum quid ad
+simpliciter. A est producibile a Deo. Ergo A est. Et similiter hic. A non
+est. Ergo A non est producibile a Deo.
+
+The best present usage is to use abbreviations very sparingly. Certain
+recognized abbreviations are used under certain conditions, but generally
+only under constraint of limited space.
+
+ * * * * *
+
+
+{3}
+
+RULES FOR THE USE OF ABBREVIATIONS
+
+I. GENERAL RULES.
+
+Use no contractions or abbreviations in any place where there is room to
+print the words in full.
+
+All legitimate words should be spelled out in full in text matter, but
+abbreviations are often needed in book work for footnotes and tables and in
+commercial work, where many brief forms and signs are used which are
+commonly understood and are as intelligible as words.
+
+Certain special forms of printing such as market and stock reports,
+sporting news, price lists, directories, telephone directories, and the
+like make extensive use of abbreviations and signs. These abbreviations are
+of very limited use and often of only temporary life. They are not
+intelligible to general readers and should never be used outside the
+particular form of composition to which they pertain. De Vinne suggests
+that in the absence of printed authority (many of these abbreviations not
+appearing in the dictionary lists) every proofreader would do well to keep
+a manuscript book of unlisted abbreviations which he has to use repeatedly
+as a means of securing uniformity of form.
+
+II. DATES.
+
+Dates are not generally abbreviated in regular text matter; _The
+Declaration of Independence was signed on July the fourth, 1776._ The word
+_the_ is sometimes omitted. The date might be written _July fourth_ but
+never _July four_.
+
+The abbreviations _ult._ _inst._ and _prox._ with a numeral (meaning _the
+25th of last month_, _the 25th of this month_, _the 25th of next month_)
+are often used in letters, but should not be used in print unless the
+literal reproduction of a letter is intended. {4}
+
+Do not use _st_, _d_, _rd_, or _th_ after a date given in figures; _August
+the sixth_, not _August 6th_.
+
+The accepted abbreviations for the months are:
+
+ _Jan._ _Apr._ _July_ _Oct._
+ _Feb._ _May_ _Aug._ _Nov._
+ _Mar._ _June_ _Sept._ _Dec._
+
+The accepted abbreviations for the days of the week are:
+
+ _Sun._ _Tues._ _Thurs._ _Sat._
+ _Mon._ _Wed._ _Fri._
+
+The accepted abbreviations may be used for the months when the day is
+given, but not when the month and year alone are given;
+
+ _Jan. 15, 1916_, but _January 1916_.
+
+Some good authorities prefer the order day, month, year; _15 Jan., 1916_,
+but this is a matter of office style. Generally speaking the more common
+order is the better quite regardless of the logical character because it
+requires less mental effort on the part of the reader. For example in
+writing addresses English speaking people put the number before the street,
+_59 Wall St._, while others put the number after the street, _Wall St.,
+59_. This is the logical order, because one goes to the street and then
+finds the number, but it gives to the American reader a curious sensation
+of mentally standing on one's head.
+
+There is another set of abbreviations, known as the Dewey dates, as
+follows:
+
+ Months Days of Week
+ _Ja._ _Apr._ _Ju._ _O._ _Su._ _W._ _S._
+ _F._ _My._ _Ag._ _N._ _M._ _Th._
+ _Mr._ _Je._ _S._ _D._ _Tu._ _F._
+
+These may be used in tables and in other places where very great
+condensation is necessary, but not elsewhere.
+
+In general, much greater abbreviation is permissible in the tables, notes,
+and other condensed matter than in the body of the text. {5}
+
+III. TIME.
+
+Statements of time should not be abbreviated in ordinary reading matter;
+_at half past two o'clock in the afternoon_. If the context makes it clear
+whether forenoon or afternoon is meant one may write:
+
+ _at three, at seven o' clock_.
+
+This form is used statistically, in enumerations, in tables, and the like.
+
+IV. OTHER ABBREVIATIONS INVOLVING THE USE OF NUMERALS.
+
+The use of numerals and the spelling of numbers in full will be found
+treated at length in the Printer's Manual of Style (No. 42). As the use of
+the numeral is in a sense an abbreviation a few general rules may properly
+be given here.
+
+ 1. Spell out ages;
+
+ _eighty-two years and four months old_.
+ _in his eighty-third year_.
+ _children between the ages of six and fourteen_.
+
+ 2. Spell out references to decades;
+
+ _in the early eighties_.
+
+ The form _in the '80s_, is very objectionable.
+
+ 3. Spell out numbers of centuries, of sessions of Congress, of military
+ bodies, of political divisions, of Egyptian Dynasties, of streets, and
+ the like unless lack of space renders the abbreviation absolutely
+ necessary.
+
+ _Twentieth century_.
+ _Forty-second Congress_.
+ _One hundred and first Pennsylvania Infantry_.
+ _Eighteenth Dynasty_.
+ _Ninth Ward_.
+ _Fifth Avenue_.
+
+ In case numerals are used, Egyptian Dynasties are always designated by
+ Roman numerals. Writers on Egypt usually use this form:
+
+ XVIII_th Dynasty_.
+
+ {6}
+
+ 4. Spell out sums of money when occurring in ordinary reading matter in
+ isolated cases:
+
+ _That press cost five thousand dollars._
+
+ When several such numbers occur close together, and in all statistical
+ matter, use figures.
+
+ _Those three presses cost $2,500, $3,600, and $5,000._
+
+ 5. Spell out round numbers, that is, approximate numbers in units of
+ 100 in numbers of less than 1000 and in units of 1000 if the numbers
+ are more.
+
+ _An army corps numbers forty thousand men._
+ _The Fifth Corps numbers 37,462._
+ _There are about five hundred officers._
+
+ Write _fifteen hundred_ and the like when the phrase is in common use,
+ not _one thousand five hundred_.
+
+ 6. Spell out all numbers, no matter how high, when they begin a
+ sentence.
+
+ _Four thousand nine hundred and sixty-four soldiers, 109 officers,
+ and 10,000 civilians were surrendered with the fort._
+
+ 7. Spell out in ordinary reading matter all numbers of less than three
+ digits, unless they are of a statistical or technical character or
+ occur in groups of six or more in close connection.
+
+ _There are sixty cities in the United States with a population of
+ 100,000 or over._
+ _a ninety-ton engine_.
+ _five pounds of butter_.
+ _He lived only two years, one month, and twenty days._
+ _He spent 137 days in prison._
+ _A ratio of 16 to 1_.
+ _The death rate varies from 1 in 15 to 1 in 65._
+ _Send home:_
+ _2 pounds of butter_
+ _1 pound of sugar_
+ _½ pound of coffee_
+ _¼ pound of tea_
+ _2 pecks of potatoes_
+ _1 pound of salt pork_
+ _2 pounds of lard_
+ _1 quart of milk_
+
+ {7}
+
+ Treat all numbers in collected groups alike if possible, that is use
+ either the long or the short form for all. If the largest contains
+ three or more digits use figures for all.
+
+ _They came in groups of 50, 80, 100, and even 200._
+
+ 8. Express in figures as a rule decimals, degrees, dimensions,
+ distances, enumerations, money, (but see 4 above), percentage, weights,
+ and the like.
+
+ _.542, 98°_, _9 cubic yards_, _37 miles_, _24 pages_, _$1000_,
+ _6 per cent_ (_or 6% but never six %_), _175 pounds_.
+
+V. GEOGRAPHICAL ABBREVIATIONS.
+
+Geographical names are ordinarily not abbreviated in text matter. The
+abbreviations in the subjoined lists are commonly recognized and may be
+used in lists, bibliographical matter, and elsewhere where condensation is
+desired.
+
+UNITED STATES AND TERRITORIES
+
+ Ala. Alabama N. D. North Dakota
+ Alaska Alaska Neb. Nebraska
+ Ariz. Arizona Nev. Nevada
+ Ark. Arkansas N. H. New Hampshire
+ Cal. California N. J. New Jersey
+ Colo. Colorado N. M. New Mexico
+ Conn. Connecticut N. Y. New York
+ D. C. District of Columbia Ohio Ohio
+ Del. Delaware Okla. Oklahoma
+ Fla. Florida Ore. Oregon
+ Ga. Georgia Pa. Pennsylvania
+ H. I. Hawaiian Islands P. I. Philippine Islands
+ Idaho Idaho P. R. Porto Rico
+ Ill. Illinois R. I. Rhode Island
+ Ind. Indiana Samoa Samoa
+ Ia. Iowa S. C. South Carolina
+ Kan. Kansas S. D. South Dakota
+ Ky. Kentucky Tenn. Tennessee
+ La. Louisiana Tex. Texas
+ Me. Maine T. H. Territory of Hawaii
+ Mass. Massachusetts Utah Utah
+ Md. Maryland Vt. Vermont
+ Mich. Michigan Va. Virginia
+ Minn. Minnesota Wash. Washington
+ Mo. Missouri Wis. Wisconsin
+ Mont. Montana W. Va. West Virginia
+ N. C. North Carolina Wyo. Wyoming
+
+{8}
+
+FOREIGN COUNTRIES
+
+ Aus. Austria
+ Austral. Australasia
+ B. A. British America
+ Br. Col. British Columbia
+ Can. Canada
+ C. B. Cape Breton
+ C. W. Canada West (Ontario)
+ Den. Denmark
+ E. East (London Postal District)
+ East Isl. Eastern Islands
+ E. C. East Central (London Postal District)
+ E. I. East Indies
+ Eng. England, English
+ Fin. Finland
+ G. B. Great Britain
+ Glas. Glasgow
+ Ire. Ireland
+ It. Italy
+ Jam. Jamaica
+ Jap. Japan
+ L. C. Lower Canada
+ Man. Manitoba
+ Mex. Mexico
+ N. North (London Postal District)
+ N. A. North America
+ {9}
+ N. B. New Brunswick, North Britain
+ N. E. New England, Northeast (London Postal District)
+ Neth. Netherlands
+ N. F. Newfoundland
+ Norw. Norway
+ N. S. Nova Scotia
+ N. W. Northwest (London Postal District)
+ N. Zeal. New Zealand
+ Ont. Ontario
+ Pal. Palestine
+ P. D. Postal District (London)
+ P. E. I. Prince Edward Island
+ Per. Persia
+ Port. Portugal
+ Prus. Prussia
+ Que. Quebec
+ Russ. Russia
+ S. South (London Postal District)
+ S. A. South America
+ Scot. Scotland
+ Sc. Pen. Scandinavian Peninsula
+ S. E. Southeast (London Postal District)
+ Sic. Sicily
+ S. Isl. Sandwich Islands
+ Soc. Isl. Society Islands
+ S. Lat. South Latitude
+ Sp. Spain
+ Sw. Sweden
+ Switz. Switzerland
+ Syr. Syria
+ U. C. Upper Canada (Ontario)
+ U. K. United Kingdom
+ V. Victoria
+ W. Welsh, West. West (London Postal District)
+ W. C. West Central (London Postal District)
+ W. I. West Indies
+ W. lon. West longitude
+
+{10}
+
+VI. NAMES.
+
+ 1. Abbreviate _Saint_ in names of persons, cities, streets, churches,
+ etc.
+
+ _St. John Chrysostom_, _St. Paul_, _St. Botolph Street_,
+ _The Church of SS_ (_Saints_) _Peter and Paul_.
+
+ The word _Saint_ is now omitted in speaking of the evangelists, the
+ apostles, or the church fathers.
+
+ _The Gospel according to Luke_.
+ _Paul's doctrine of salvation_.
+ _Augustine's_ "_City of God_."
+
+ 2. In technical matter (footnotes, references etc.) use _Co._, _Bros._,
+ and _ampersand_ (_&_) in firm names and names of corporations.
+
+ _The Rand-McNalley Co._
+ _Macmillan & Co._
+ _Harper Bros._
+ _New York, New Haven, & Hartford Railroad_.
+
+ In text matter not of a technical character it is better not to
+ abbreviate.
+
+ _Harper Brothers have published._
+ _It was printed by the Rand-McNalley Company._
+ _The romantic history of the East India Company_.
+
+ Do not use _ampersand_ except with names of persons.
+
+ _John Brown & Co._
+ _The Brown Printing and Publishing Co._
+
+ When railroad names or other long names are abbreviated, use no spaces
+ between the letters.
+
+ _N.Y.N.H. & H.R.R._
+ _U.T. & F.C. of A._
+
+ 3. Do not abbreviate _United States_ except:
+
+ (_a_) in immediate connection with the name of an officer in the army
+ or navy.
+
+ _Capt. John Smith, U.S.A._
+ _Lieut. William Brown, U.S.N._
+
+ (_b_) When it is part of the name of an organization.
+
+ _First Regiment, U.S.V._
+
+ {11}
+
+ (_c_) When preceding the name of a ship.
+
+ _U.S.S. Texas_.
+
+ 4. Christian names should be spelled in full in text matter, except in
+ an original signature or when following copy in a quotation.
+
+ The following is a list of the accepted abbreviations of the more
+ common Christian names.
+
+ Alex. Alexander Fred. Frederick
+ And. Andrew Geo. George
+ Anth. Anthony Herbt. Herbert
+ Ap. Appius Hos. Hosea
+ Arch. Archibald Jas. James
+ Aug. August, Augustus Jona. Jonathan
+ Benj. Benjamin Jos. Joseph
+ C. Cæsar Josh. Joshua
+ Cæs. Aug. Cæsar Augustus Matt. Matthew
+ Cath. Catherine Nath. Nathaniel
+ Chas. Charles Pet. Peter
+ Dan. Daniel Phil. Philip, Philander
+ Eben. Ebenezer Phile. Philemon
+ Edm. Edmund Reg. Reginald
+ Edw. Edward Richd. Richard
+ Eliz. Elizabeth Robt. Robert
+ Esd. Esdras Sam. Samuel
+ Esth. Esther Theo. Theodore
+ Ez. Ezra Thos. Thomas
+ Ezek. Ezekiel Tim. Timothy
+ Ferd. Ferdinand Wm. William
+ Fran. Francis
+
+ _Alex_, _Ben_, _Ed_, _Fred_, _Sam_, and _Tom_ are not always
+ abbreviations and copy should be followed as regards the period. Any
+ unusual abbreviations used by an individual should be followed in
+ giving an original signature.
+
+ _G^o. Washington_.
+
+{12}
+
+VII. TITLES.
+
+ 1. As a rule titles prefixed to a name should not be abbreviated except
+ _Mr._, _Messrs._, _Mrs._ (French _M._, _MM._, _Mme._, _Mlle._), _Dr._,
+ _Rev._, and _Hon._
+
+ _Professor_, _Colonel_, _General_ and some others may be abbreviated
+ when the initials of the name are used;
+
+ _Professor Smith_ _Prof. J. T. Smith_
+ _General Grant_ _Gen. U. S. Grant_
+
+ _Hon._ and _Rev._, which are similarly used, need special attention as
+ they are often used wrongly. The following is the correct use;
+
+ _The Reverend John Smith_ (formal reference)
+ _The Rev. John Smith_ (quotation or correspondence)
+ _Rev. Mr. Smith_
+ _Rev. John Smith_
+
+ _Rev. Smith_ is wrong and should never be used except as any illiterate
+ form may be used in a quotation. When the names of sovereigns are
+ mentioned only occasionally such names may be given in full.
+
+ _George the Fifth_, _William the Second_.
+
+ When such names occur frequently, as in historical writing, they may be
+ printed with Roman numerals without a period;
+
+ _George V_, _William II_
+
+ Other titles following a name are abbreviated in accordance with the
+ following list.
+
+ A.B. or B.A. (_Artium Baccalaureus_) Bachelor of Arts
+ Abp. Archbishop
+ A.C. Archchancellor
+ A.D. Archduke
+ A.D.C. Aide-de-camp
+ Adjt. Adjutant
+ Adm. Admiral
+ Admr. Administrator
+ {13}
+ Admx., Admrx. Administratrix
+ Adv. Advocate
+ Agt. Agent
+ Aldm. Alderman
+ A.M. or M.A. (_Artium Magister_) Master of Arts
+ Amb. Ambassador
+ A.P.A. American Protective Association
+ Asst. Assistant
+ A.T. Archtreasurer
+ Atty. Attorney
+ B.A. or A.B. Bachelor of Arts
+ Bart. Baronet
+ B.C.L. Bachelor of Civil Law
+ B.D. (_Baccalaureus Divinitatis_) Bachelor of Divinity
+ B.LL. (_Baccalaureus Legum_) Bachelor of Laws
+ B.M. (_Baccalaureus Medicinæ_) Bachelor of Medicine
+ Bp. Bishop
+ B.R. (_Banco Regis_ or _Reginæ_) The King's or Queen's
+ Bench
+ Brig.-Gen. Brigadier-General
+ Bro(s). Brother(s)
+ B.S. Bachelor of Science or Bachelor of Surgery
+ B.V. (_Beata Virgo_) Blessed Virgin
+ Cantab. (_Cantabrigia_) Cambridge
+ Capt. Captain
+ Capt.-Gen. Captain-General
+ Cash. Cashier
+ C.B. Companion of the Bath
+ C.C.P. Court of Common Pleas
+ C.E. Civil Engineer
+ C.J. Chief Justice
+ C.M.G. Companion of the Order of St. Michael and St. George
+ Col. Colonel
+ Com. Commander, Commodore
+ Corp. Corporal
+ Cor. Sec. Corresponding Secretary
+ {14}
+ C.S. Court of Sessions
+ C.S. (_Custos Sigilli_) Keeper of the Seal
+ D.C.L. Doctor of Civil Law
+ D. D. Doctor of Divinity
+ D.D.S. Doctor of Dental Surgery
+ Dea. Deacon
+ Dep. Deputy
+ D. F. Defender of the Faith
+ D.M. Doctor of Music
+ Dr. Doctor
+ D.Sc. Doctor of Science
+ D.T. (_Doctor Theologiæ_) Doctor of Divinity
+ D.V.M or M.D.V. Doctor of Veterinary Medicine
+ E. (_after titles_) Edinburgh
+ Esq. Esquire
+ F.D. (_Fidei Defensor_) Defender of the Faith
+ F.G.S. Fellow of the Geological Society
+ Fr. Father
+ F.R.G.S. Fellow of the Royal Geographical Society
+ F.R.S. Fellow of the Royal Society
+ F.R.S.A. Fellow of the Royal Society of Arts
+ F.S.A. Fellow of the Society of Arts
+ G.C.B. Knight of the Grand Cross of the Bath
+ G.C.H. Knight of the Grand Cross of Hanover
+ G.C.M.G. Knight of the Grand Cross, Order of St. Michael and
+ St. George
+ Gen. General
+ Gov. Governor
+ Govt. Government
+ G.R. (_Georgius Rex_) King George
+ H.B.M. His or Her Britannic Majesty
+ H.M. His or Her Majesty
+ H.M.S. His or Her Majesty's Service
+ Hon. Honorable
+ H.R. House of Representatives
+ H.R.E. Holy Roman Emperor
+ H.R.H. His or Her Royal Highness
+ H.S.H. His or Her Serene Highness
+ {15}
+ I.N.R.I (_Jesus Nazarenus Rex Judæorum_) Jesus of Nazareth,
+ King of the Jews
+ Insp. Inspector
+ Insp. Gen. Inspector General
+ I.O.O.F. Independent Order of Odd Fellows
+ J.A. Judge-Advocate
+ J.P. Justice of the Peace
+ J. Prob. Judge of the Probate
+ Jr. or Jun. Junior
+ K. King
+ K.A. Knight of St. Andrew, in Russia
+ K.A.N. Knight of Alexander Newski, in Russia
+ K.B. King's Bench; Knight of the Bath
+ K.B.A. Knight of St. Bento d'Avis, in Portugal
+ K.B.E. Knight of the Black Eagle, in Prussia
+ K.C. Knight of the Crescent, in Turkey; King's Council
+ K.C.B. Knight Commander of the Bath
+ K.C.H. Knight Commander of Hanover
+ K.C.M.G. Knight Commander, Order of St. Michael and St. George
+ K.C.S. Knight of Charles III, in Spain
+ K.E. Knight of the Elephant, in Denmark
+ K.F. Knight of Ferdinand of Spain
+ K.F.M. Knight of Ferdinand and Merit, in Sicily
+ K.G. Knight of the Garter
+ K.G.C. Knight of the Grand Cross
+ K.G.C.B. Knight of the Grand Cross of the Bath
+ K.G.F Knight of the Golden Fleece
+ K.G.H. Knight of the Guelph of Hanover
+ K.G.V. Knight of Gustavus Vasa of Sweden
+ K.H. Knight of Hanover
+ K.J. Knight of St. Joachim
+ K.L.H. Knight of the Legion of Honor
+ K.M. Knight of Malta
+ K. Mess. King's Messenger
+ K.M.H. Knight of Merit, in Holstein
+ K.M.J. Knight of Maximilian Joseph of Bavaria
+ K.M.T. Knight of Maria Theresa of Austria
+ {16}
+ K.N.S. Knight of the Royal North Star, in Sweden
+ K.P. Knight of St. Patrick
+ K.R.E. Knight of the Red Eagle, in Prussia
+ K.S. Knight of the Sword, in Sweden
+ K.S.A. Knight of St. Anne of Russia
+ K.S.E. Knight of St. Esprit, in France
+ K.S.F. Knight of St. Fernando of Spain
+ K.S.F.M. Knight of St. Ferdinand and Merit, in Naples
+ K.S.G. Knight of St. George of Russia
+ K.S.H. Knight of St. Hubert of Bavaria
+ K.S.J. Knight of St. Januarius of Naples
+ K.S.L. Knight of the Sun and Lion, in Persia
+ K.S.M. & S.G. Knight of St. Michael and St. George, in the Ionian
+ Isles
+ K.S.P. Knight of St. Stanislaus of Poland
+ K.S.S. Knight of the Southern Star of the Brazils, Knight of
+ the Sword, in Sweden
+ K.S.W. Knight of St. Wladimir of Russia
+ Kt. Knight
+ K.T. Knight of the Thistle
+ K.T.S. Knight of the Tower and Sword, in Portugal
+ K.W. Knight of William of the Netherlands
+ K.W.E. Knight of the White Eagle, in Poland
+ L. (_after titles_) London
+ L.C. Lord Chancellor
+ L.C.J. Lord Chief Justice
+ Leg. Legate
+ Legis. Legislature
+ Lieut. Lieutenant
+ Lieut.-Col. Lieutenant-Colonel
+ Lieut.-Gen. Lieutenant-General
+ Litt. D. (_Litterarum Doctor_) Doctor of Literature
+ LL.B. (_Legum Baccalaureus_) Bachelor of Laws
+ LL.D. (_Legum Doctor_) Doctor of Laws
+ M. Monsieur
+ M.A. Master of Arts
+ Maj. Major
+ {17}
+ Maj.-Gen. Major-General
+ M.B. (_Medicinæ Baccalaureus_) Bachelor of Medicine;
+ (_Musicæ Baccalaureus_) Bachelor of Music
+ M. C. Member of Congress
+ M. D. (_Medicinæ Doctor_) Doctor of Medicine
+ Messrs. Messieurs
+ Mgr. Manager; Monsignor
+ Min. Plen. Minister Plenipotentiary
+ Mlle. Mademoiselle
+ Mme. Madame
+ M.P. Member of Parliament
+ M.R. Master of the Rolls
+ Mr. Mister or Master
+ Mrs. Mistress
+ Mus. Doc. Doctor of Music
+ Oxon. (_Oxoniensis_) Oxford
+ P.C. (_Patres Conscripti_, Conscript Fathers) Senators;
+ Privy Counsellor
+ Ph. D. Doctor of Philosophy
+ Ph. G. Graduate in Pharmacy
+ P.M. Postmaster
+ P.M.G. Postmaster-General
+ P.R.A. President of the Royal Academy
+ Pres. President
+ Prov. Provost
+ P.R.S. President of the Royal Society
+ Q. Queen
+ Q.M. Quartermaster
+ R.A. Royal Academician
+ R.E. Royal Engineers
+ Reg. Prof. Regius Professor
+ Rev. Reverend
+ R.M. Royal Marines
+ R.N. Royal Navy
+ R.N.O. (_Riddare of Nordstjerneorden_) Knight of the Order
+ of Polar Star
+ R.S.S. (_Regiæ Societatis Socius_) Fellow of the Royal
+ Society
+ {18}
+ Rt. Hon. Right Honorable
+ Rt. Rev. Right Reverend
+ Rt. Wpful. Right Worshipful
+ R.W. Right Worthy
+ R.W.O. (_Riddare of Wasa Order_) Knight of the Order of Wasa
+ Sec. Secretary
+ Sec. Leg. Secretary of Legation
+ Serg. Sergeant
+ Serg.-Maj. Sergeant-Major
+ S.J. Society of Jesus
+ S.J.C. Supreme Judicial Court
+ Sol. Solicitor
+ Sol. Gen. Solicitor-General
+ Sr., Sen. Senior
+ S.R.S. (_Societatis Regiæ Socius_) Fellow of the Royal
+ Society
+ S.T.D. (_Sacræ Theologiæ Doctor_) Doctor of Divinity
+ S.T.P. (_Sacræ Theologiæ Professor_) Professor of Divinity
+ St. Saint, Street
+ Supt. Superintendent
+ Tr(s). Trustee(s)
+ Treas. Treasurer
+ U.J.C. (_Utriusque Juris Doctor_) Doctor of both Laws
+ V.C. Vice-Chancellor
+ V.D.M. (_Verbi Dei Minister_) Preacher of the Word
+ Vice-Pres. Vice-President
+ Visc. Viscount
+ W.S. Writer to the Signet
+
+VIII. SIZES OF BOOKS.
+
+The shorter names for book sizes are usually written out;
+
+ _folio_, _quarto_, _octavo_.
+
+Beyond that they are usually abbreviated by using the Arabic numeral and
+_mo_, but without a period;
+
+ _12 mo_, _16 mo_, etc.
+
+{19}
+
+IX. WEIGHTS AND MEASURES.
+
+Abbreviate the common designations of weights and measures in the metric
+system, as well as other symbols of measurement in common use when
+following a numeral;
+
+ _1 m._, _5 dm._, _4 cm._, _2 mm._, _c.m._ (_cubic meter_), _c.d._,
+ _min._ (_minute_), _sec._ (_second_), _lb._ (_pound_), _oz._ (_ounce_),
+ _yd._, _ft._, _in._, _A._ (_Anglestrom units_), _H.P._ (_Horse power_),
+ _C._ (_Centigrade_ [_Thermometer_]).
+
+X. FOOTNOTES.
+
+Authorities cited in footnotes should be specified in the following order:
+
+ 1. The best known name of the author. Give initials only when necessary
+ to distinguish between several authors of the same name. Set in roman
+ lower-case unless otherwise ordered.
+
+ 2. The name of the book in roman lower-case. If there is a
+ Bibliography, or list of authorities attached to the book the names of
+ all works referred to should there appear in full, but should be
+ abbreviated in the notes. Otherwise, the name is sometimes written in
+ full the first time it is referred to in a footnote and afterward
+ abbreviated. If the book has but few references to authorities the
+ names may be given in full in the footnotes especially when the
+ reference is to the book as a whole and not to a particular paragraph.
+ In such a case as this last the name is often printed in italics.
+
+ Always abbreviate uniformly in the same book.
+
+ 3. The number of the volume in roman numerals of capital letters. No
+ period.
+
+ 4. The numbers of the pages in Arabic figures. If there are several
+ editions varying in subject matter and paging the edition used should
+ be specified. If the edition has been specified in the Bibliography
+ this information should not be repeated in the footnotes. {20} In books
+ like the Bible, Shakespeare, Blackstone, or Milton, which have been
+ printed in innumerable editions book, chapter and verse; act, scene and
+ line; section and paragraph, or canto, stanza, and line must be
+ specified.
+
+ Number of paragraph only No. 68
+ Stanza only st. 18
+ Page only P. 213
+ Line only l. 384
+ Paragraph only ¶ 34
+ Section only § 5
+ Chapter only } xiv
+ Canto only }
+ Book only iii
+ Book and chapter }
+ Part and chapter } iii 2
+ Book and line }
+ Act and scene }
+ Act, scene, and line iv. 3. 45
+ Chapter and verse }
+ Number and page } II 34
+ Volume and page }
+ Volume and chapter IV. iv.
+ Part, book, and chapter } II. iv. 12
+ Part, canto, and stanza }
+ Chapter, section, paragraph vii. § 3, ¶ 4
+ Volume, part, section, paragraph } I. i. § 2, ¶ 6
+ Book, chapter, section, paragraph }
+
+ In abbreviated references to the Bible or to the plays of Shakespeare
+ use Arabic figures prefixed to the name to indicate part of succession
+ of the book, play, or letter.
+
+ 2 Kings II: 5
+ 3 John 11
+ 1 Henry VI, iii. 2. 14
+
+{21}
+
+The following excellently chosen illustrations of good methods in handling
+numerous footnotes in learned works are taken from De Vinne's "Correct
+Composition."
+
+_From English Past and Present, by R. C. Trench_
+
+ ^1 Guest, Hist. of English Rhythms, vol. I. p. 280.
+ ^2 Hooker, Eccles. Pol. i. 3, 5.
+ ^3 Craik, On the English of Shakespeare, 2nd edit. p. 97.
+ ^4 Marsh, Manual of the English Language, Engl. edit. p. 278.
+
+_From Gibbon's Decline and Fall of the Roman Empire, Murray's edition of
+1881 (8 vols. 8 vo)_
+
+ ^1 Orosius, I. ii. c. 19, p. 143.
+ ^2 Heineccius, Antiquitat. Juris Roman, tom. i, p. 96.
+ ^3 Jornandes, de Reb. Get. c. 30, p. 654 [p. 87, ed. Lugd. B. 1597].
+ ^4 Ausonius (de Claris Urbibus. p. 257-262 [No. 14]).
+ ^5 A. Thierry, Lettres sur l'Histoire de France, p. 90.
+ ^6 Procopius, de Bell. Vanda., I. i. c. 7, p. 194 [tom. I. p. 341, ed.
+ Bonn].
+
+_From Hume's History of England, Cadell's edition of 1841 (6 vols. 8 vo)_
+
+ ^1 Herbert, p. 431, 432. ^4 Burnet, p. 322.
+ ^2 Collier, vol. ii. p. 176. ^5 34 and 35 Hen. VIII. c. i.
+ ^3 Stowe, p. 575. ^6 Mémoires du Bellay, lib. x.
+
+The comma is often omitted after the period in footnotes. The abbreviation
+_ch_, _p_, and _pp_, may be made in notes, but not in text matter.
+
+In lower-case text do not use _&c_, use _etc._
+
+By-laws are often printed with side-headings _Art. 1_, _Sec. 2_, _etc._ It
+is better to print the words, _article_ and _section_ in full in the
+paragraph where they first appear and to omit the word in subsequent
+paragraphs, using the proper figure only.
+
+Figures used in illustrations to facilitate their understanding and
+explained in small text below the illustration or in the text matter itself
+do not have No. before them either in the illustration or in the
+explanation. {22}
+
+Figures and letters used as references to footnotes do not take a period.
+
+Where two or more pages are specified in the text set them thus: _Pages 24,
+25, 57_ not _pp. 24-5, 57_ nor _25-57_. When the reference is to several
+pages continually set _pages 24 to 32_.
+
+When a period of time is expressed by the dates of two or more consecutive
+years, set thus: _1846-7_, _1861-5_, when there is a lapse of a year or
+more, set thus: _1866-7-1869-70_. Do not abbreviate into _'66-'7-'69-'70_.
+
+ * * * * *
+
+
+{23}
+
+LISTS OF ABBREVIATIONS
+
+The following lists of abbreviations will be found useful.
+
+SCRIPTURAL ABBREVIATIONS
+
+Old Testament (O.T.)
+
+ Gen. Esth. Joel
+ Exod. Job Amos
+ Lev. Ps. (Pss.) Obad.
+ Num. Prov. Jonah
+ Deut. Eccles. Mic.
+ Josh. Song of Sol. Nah.
+ Judg. (or Cant.) Hab.
+ Ruth Isa. Zeph.
+ I and II Sam. Jer. Hag.
+ I and II Kings Lam. Zech.
+ I and II Chron. Ezek. Mal.
+ Ezra Dan.
+ Neh. Hos.
+
+New Testament (N.T.)
+
+ Matt. Gal. Philem.
+ Mark Eph. Heb.
+ Luke Phil. Jas.
+ John Col. I and II Pet.
+ Acts I and II Thess. I, II and III John
+ Rom. I and II Tim. Jude
+ I and II Cor. Titus Rev.
+
+Apocrypha
+
+ I and II Esd. Eccles. Bel and Dragon
+ Tob. Bar. Pr. of Man
+ Jud. Song of Three I, II, III and IV
+ Rest of Esther Children Macc.
+ Wisd. of Sol. Sus.
+
+{24}
+
+COMMERCIAL ABBREVIATIONS
+
+ A1 Highest class or grade
+ Acct. Account
+ Advt., Ad. Advertisement
+ Agt. Agent
+ Amt. Amount
+ Anon. Anonymous
+ Ans. Answer
+ Art. Article
+ Av., Ave. Avenue
+ Bal. Balance
+ Bd. Bound
+ Bdl. Bundle
+ Bds. Boards
+ Bldg. Building
+ B.O. Buyer's Option
+ Bro(s). Brother; Brothers
+ Chap. Chapter
+ C.I.F. Cost, insurance, freight
+ Co. Company
+ C.O.D. Cash on delivery
+ Cr. Creditor
+ Dept. Department
+ Do. Ditto, the same
+ Dr. Debtor
+ E.E. Errors excepted
+ E.O.D. Every other day
+ E. & O.E. Errors and omissions excepted
+ Etc. (_Et cætera_) and so forth
+ Ex., Exch. Exchange
+ Exp. Express
+ Fgt. Freight
+ F.O.B. Free on Board
+ H. Hour
+ H.P. Half pay, horse power
+ Incor. Incorporated
+ Ins. Insurance
+ K.D. Knock down (_of furniture, etc._)
+ {25}
+ L.P. Large Paper
+ Memo. Memorandum
+ Mfg. Manufacturing
+ Mfr. Manufacturer
+ Min. Minute
+ No. (_numero_) number
+ O.K. All right
+ Payt. Payment
+ Pd. Paid
+ Per an. (_Per annum_) by the year
+ Per cent (_Per centum_) by the hundred
+ Pkg. Package
+ Pl. Plate, plates
+ Pref. Preface
+ Rd. Road
+ Rem. Remarks
+ Rep. Reports
+ R.R. Railroad
+ Ry. Railway
+ Ser. Series
+ Sq. Square
+ S.S. Steamship, steamer
+ T.F. Till forbidden
+
+MISCELLANEOUS ABBREVIATIONS
+
+ A.C. (_Ante Christum_) before Christ
+ A.D. (_Anno Domini_) in the year of our Lord
+ Ad lib. (_Ad libitum_) at pleasure
+ Adj. Adjective
+ Adv. Adverb
+ Æt (_Ætatis_) of age, aged
+ A.H. (_Anno Hegiræ_) in the year of the Hegira
+ Alt. Altitude
+ A.M. (_Anno Mundi_) in the year of the world
+ An. (_Anno_) in the year
+ {26}
+ An. A. C. (_Anno ante Christum_) in the year before Christ
+ Anat. Anatomy
+ Anc. Ancient
+ Ang.-Sax. Anglo-Saxon
+ Anom. Anomalous
+ Anon. Anonymous
+ Ap. Apostle
+ Apo. Apogee
+ Apoc. Apocalypse, Apocrypha
+ A.R. (_Anno regni_) in the year of the reign
+ Arch. Architecture
+ A.R.R. (_Anno regni regis_) in the year of the reign of the king
+ Arr. Arrival
+ Art. Article
+ Assoc., Assn. Association
+ Astrol. Astrology
+ Astron. Astronomy
+ A.U.C. (_Anno urbis Conditæ_) in the year of the building of
+ the city of Rome
+ Auth. Ver. } Authorized Version of the Bible
+ or A.V. }
+ Av. Average
+ Ave. Avenue
+ B. (_Basso_) Bass; bay; born
+ B.C. Before Christ
+ Boul. Boulevard
+ B.V. (_Bene Vale_) Farewell
+ C. Cape
+ Cæt. par. (_Cæteris paribus_) other things being equal
+ Cap. (_caput_) Chapter
+ C. or Cent. Centigrade
+ Cf. (_conferre_) compare
+ Ch. Child or children
+ C.H. Court House
+ Chap. Chapter
+ {27}
+ Circ. Circle(s)
+ Cit. Citizen
+ Col. Column
+ Coll. College
+ Comp. Companion, comparative
+ Cong. Congress
+ C.Q.D. Marconi Distress signal
+ D.B. Domesday Book
+ D.C. (_Da Capo_) From the beginning; again
+ Dec. Declination
+ Deg. Degree(s)
+ Del. (_Delineavit_) he drew it
+ Dem. Democrat
+ D.G. (_Dei gratia_) by the grace of God; (_Deo gratias_)
+ thanks to God
+ D.V. (_Deo volente_) God willing
+ E. East, Eagle(s)
+ Ea. Each
+ E.B. English Bible (common)
+ Ed. Editor, Edition
+ E.E. Errors excepted
+ E.G. (_Exempli gratia_) by way of example
+ Elec. Electricity
+ E.N.E. East-northeast
+ Ent. Entomology
+ E.S.E. East-southeast
+ Etal. (_Et alibi_) and elsewhere; (_et alii_) and others
+ Etc. (_Et cætera_) and so forth
+ Et seq. (_Et sequentia_) the following
+ Ex. Example
+ Exc. Exception
+ F., Fahr. Fahrenheit (thermometer)
+ Fec. (_Fecit_) he made it
+ Fem. or f. Feminine
+ Fig(s). Figure(s)
+ Finn. Finnish
+ {28}
+ Fol. or f., ff. Folio(s)
+ For. Foreign
+ Ft. Fort
+ Gent. Gentleman
+ Ger. German
+ Goth. Gothic
+ Gr. Greek
+ H. Husband
+ Hdkf. Handkerchief
+ H.e. (_Hoc est_) that is, or, this is
+ Hist. History, Historical
+ H.J.S. (_Hic jacet sepultus_) here lies buried
+ H.M.P. (_Hoc monumentum posuit_) erected this monument
+ H.R.I.P. (_Hic requiescit in pace_) here lies in peace
+ H.S. (_Hic situs_) here lies
+ Ibid. Ib. (_Ibidem_) in the same place
+ Id. (_Idem_) the same
+ I.e. (_Id est_) that is
+ I.H.S. First letters of [Greek: IÊSOUS], Greek for _Jesus_, or
+ _Iesus hominum salvator_, Jesus the Savior of Mankind
+ Illus. Illustrated
+ Imp. Imperative (mood)
+ Incog. (_Incognito_) Unknown
+ Indef. Indefinite
+ Indic. Indicative (mood)
+ Infin. Infinitive (mood)
+ In lim. (_In limine_) at the outset
+ In loc. (_In loco_) in the place
+ Inst. (_instante_) the current month
+ Int. Interest
+ Interj. Interjection
+ In trans. (_In transit_) On the passage
+ Ion. Ionic
+ Ir. Irish
+ Irreg. Irregular
+ {29}
+ Isl. Island
+ Ital. Italic
+ Itin. Itinerary
+ J.H.S. See I.H.S.
+ Jour. Journal
+ Lat. Latin, latitude
+ L.c. (_Loco citato_) in the place cited
+ L.l. (_Loco laudato_) in the place quoted
+ Long. or long. Longitude
+ L.S. (_Locus sigilli_) place of the seal
+ LXX The Septuagint
+ M. (_Meridies_) noon
+ M. Married
+ Mem. Memorandum, Memoranda
+ Mgr. Manager
+ Misc. Miscellaneous
+ Mo(s). Month, months
+ M.S. (_Memoriæ sacrum_) sacred to the memory
+ MS. (_Manuscriptum_) manuscript
+ MSS. Manuscripts
+ Mt. Mount, Mont
+ Myth. Mythology
+ N. Noun, note(s)
+ Nat. National
+ Naut. Nautical
+ N.B. (_Nota Bene_) note well
+ Nem. con or } (_Nemine contradicente_ or _nemine dissentiente_) none
+ nem. diss. } opposing
+ N.L. (_Non liquet_) It does not appear
+ N. lat. North latitude
+ N.N.E. North-northeast
+ N.N.W. North-northwest
+ Nom. Nominative
+ Nol. Pros. (_Nol prosequi_) indicates in law that a complaint will
+ not be prosecuted
+ N.S. New Style (After 1752)
+ N.T. New Testament
+ {30}
+ N.u. Name(s) unknown
+ N.V.M. Nativity of the Virgin Mary
+ N.W. Northwest
+ Ob. (_Obiit_) he or she died
+ Obj. Objective (case)
+ Obs. Obsolete
+ O.F. Odd Fellow(s)
+ O.H.M.S. On His Majesty's Service
+ Olym. Olympiad
+ Op. Opposite
+ O.S. Old Style (before 1752)
+ O.T. Old Testament
+ P. or pp. Page or pages
+ Par. Paragraph
+ Par. pas. Parallel passage(s)
+ Parl. Parliament
+ Part. Participle
+ Partic. Particle
+ Pass. Passive (voice)
+ Pen. Peninsula
+ Pent. Pentecost
+ Perf. Perfect (tense)
+ Pers. Person
+ Pers. pron. Personal pronoun
+ Persp. Perspective
+ Phil. Philosophy
+ Pinx. (_Pinxit_) he painted it
+ Pl. Plate(s)
+ Plff. Plaintiff
+ Plup. Pluperfect
+ Plur. Plural
+ P.M. (_Post Meridiem_) afternoon to midnight
+ P.O. Post-office
+ Pop. Population
+ Posit. Positive
+ P.p. Past participle
+ P.P.C. (_Pour prendre congé_) to take leave
+ {31}
+ P. pr. Participle present
+ P.R. (_Populus Romanus_) the Roman people
+ Pref. Preface
+ Pret. Preterite tense
+ Pron. Pronoun
+ Pro tem. (_Pro tempore_) for the time being
+ Pr. p. Present participle
+ P.S. Privy Seal
+ P.T.O. Please turn over
+ Pt. Point
+ Pub. Publisher
+ Pub. Doc. Public Documents
+ Q. Question
+ Q.B. Queen's Bench
+ Q.C. Queen's College, Queen's Council
+ Q.d. (_Quasi dicat_) as if he should say; (_Quasi dictum_) as
+ if said; (_Quasi dixisset_) as if he had said
+ Q.E. (_Quod est_) which is
+ Q.E.D. (_Quod erat demonstrandum_) which was to be proved
+ Q.E.F. (_Quod erat faciendum_) which was to be done
+ Q.l. (_Quantum libet_) as much as you please
+ Q. Mess. Queen's Messenger
+ Qm. (_Quomodo_) by what means, how
+ Q.p. or q. pl. (_Quantum placet_) as much as you please
+ Qr. Quarter
+ Q.S. (_Quantum sufficit_) a sufficient quantity
+ Q.v. (_Quantum vis_) as much as you will
+ Q.v. (_Quod vide_) which see
+ Qy. Query
+ R., Reaum. Reaumur (_thermometer_)
+ R.A. Royal Academy; Royal Academician; Royal Artillery
+ R.E. Royal Engineers
+ Recd. Received
+ Rect. Rector
+ {32}
+ Ref. Reformation, reformed
+ Ref. Ch. Reformed Church
+ Ref. Reference
+ Regr. Registrar
+ Regt. Regiment
+ Rel. pron. Relative pronoun
+ Rep. Representative
+ Repub. Republican
+ R.M. Royal Marines
+ R.N. Royal Navy
+ Ro. (_Recto_) Right-hand page
+ Rom. Cath. Roman Catholic
+ R.P. (_Res Publica_) Republic
+ Ru. Runic
+ S. Solo (_In Italian Music_); South
+ S. SS. Section(s), Saint(s)
+ S.a. (_Secundum artem_) According to Art
+ Sax. Saxon
+ S.C. (_Senatus Consultum_) A decree of the Senate
+ S.C. (_In Law_) same case
+ Sch. Schooner(s)
+ Schol. (_Scholium_) a note
+ Sci. Science
+ Sculp. (_Sculpsit_) he engraved
+ S.E. Southeast
+ Sen. Senate, Senator
+ Seq. or sq. (_Sequente_) and in what follows
+ Seqq. or sqq. (_Sequentibus_) and in the following (places)
+ Ser. Series
+ Shak. Shakespeare
+ Sing. Singular (number)
+ S.J.C. Supreme Judicial Court
+ S. lat. South latitude
+ S.O.S. Marconi Distress Signal
+ S.P. (_Sine prole_) without issue
+ Sp. gr. Specific gravity
+ {33}
+ S.P.Q.R. (_Senatus Populusque Romanus_) the Senate and the Roman
+ people
+ S.R.I. (_Sacrum Romanum Imperium_) The Holy Roman Empire
+ S.R.S. (_Societatis Regiæ Socius_) Fellow of the Royal Society
+ S.S. Sunday School
+ S.S.E. South-southeast
+ S.S.W. South-southwest
+ St. Saint, Street
+ Stat. Statute(s)
+ Ster. Sterling
+ Subj. Subjunctive
+ Subst. Substantive
+ Su.-Goth. Suio-Gothic
+ Super. Superfine
+ Superl. Superlative
+ S.W. Southwest
+ T. Tenor (_in music_); (_Tutti_) the whole orchestra after a
+ solo
+ Ter. Territory
+ Term. Termination
+ Theor. Theorem
+ Tr. Translator, transpose
+ Um. Unmarried
+ Univ. University
+ U.S.A. United States Army
+ U.S.M. United States Mail
+ U.S.N. United States Navy
+ U.S.S. United States Ship
+ U.s. (_Ut supra_) as above
+ Vat. Vatican
+ V.a. Verb active
+ V. aux. Verb auxiliary
+ V. def. Verb defective
+ V. dep. Verb deponent
+ Ven. Venerable
+ {34}
+ V.g. (_Verbi gratia_) for example
+ V. imp. Verb impersonal
+ V. in. Verb intransitive
+ V. irr. Verb irregular
+ V.n. Verb neuter
+ Vo. (_verso_) left-hand page
+ Voc. Vocative
+ Vol. Volume
+ V.r. Verb reflexive
+ V. tr. Verb transitive
+ V. Vulgate (Version)
+ W. West, wife
+ W. lon. West longitude
+ W.N.W. West-northwest
+ W.S.W. West-southwest
+ Xmas Christmas
+ Zool. Zoology
+
+ * * * * *
+
+
+{35}
+
+SIGNS
+
+In addition to the abbreviations, strictly so called, there are many signs
+used in various kinds of composition. The most common are included in the
+following lists.
+
+MONETARY SIGNS
+
+ $ Dollar or dollars
+ cts. Cents
+ Gn. Guinea
+ £ (_English_) Pound or pounds
+ / or s Shilling or shillings
+ d. (_Denarius_) penny or pence
+ fr. Franc or francs
+ c. (_French_) Centime or centimes
+ m. (_German_) Mark or marks
+ Pf. (_German_) Pfennig or pfennigs
+ cr. (_Austrian_) Crown or crowns
+ hr. (_Austrian_) Heller or hellers
+ rub. (_Russian_) Ruble or rubles
+ kop. (_Russian_) Kopec or kopecs
+ kr. (_Danish_) Crown or crowns
+ öro, öre Oro or öre
+ £ (_Italian_) Lira or lire
+ c. (_Italian_) Centesimo or centesimi
+
+MATHEMATICAL SIGNS
+
+ + Plus
+ - Minus
+ ± Plus or minus
+ [**] Minus or plus
+ × Multiplied by
+ {36}
+ ÷ Divided by
+ = Equal to
+ [**] Not equal to
+ [**] Identical with
+ [**] Congruent to
+ > Greater than
+ < Less than
+ [**] The difference between
+ [**] Is equivalent to
+ : and :: Proportion
+ [**] Varies as
+ [**] Approaches as a limit
+ [**] Infinity
+ [**] Therefore
+ [**] Because
+ . . . Continuation
+ [**] The radical sign
+ [**] Perpendicular to
+ [**] Parallel
+ [**] Arc of circle
+ [**] Degree of circle
+ [**] Minute of circle
+ [**] Second of circle
+ [**] Angle
+ [**] Right angle
+ [**] Square
+ [**] Rectangle
+ [**] Triangle
+
+MEDICAL SIGNS
+
+ ãã (_ava_) of each
+ [**] (_Recipe_) take
+ [**], [**]i Ounce, one ounce
+ [**]ss Half an ounce
+ [**]iss One ounce and a half
+ [**]ij Two ounces
+ [**] Drachm
+ [**] Scruple
+ O (_Octarius_) Pint
+ [**] Fluid ounce
+ [**] Fluid Drachm
+ _m_ Minim or drop
+
+{37}
+
+ASTRONOMICAL SIGNS
+
+Planets
+
+ [**] Sun [**] Earth [**] Saturn
+ [**] Mercury [**] Mars [**] Uranus
+ [**] Venus [**] Jupiter [**] Neptune
+
+Phases
+
+ [**] New moon [**] first quarter [**] full moon
+ [**] last quarter
+
+Zodiacal
+
+ [**] Aries, the ram [**] Libra, the scales
+ [**] Taurus, the bull [**] Scorpio, scorpion
+ [**] Gemini, the twins [**] Sagittarius, archer
+ [**] Cancer, the crab [**] Capricornus, goat
+ [**] Leo, the lion [**] Aquarius, waterman
+ [**] Virgo, the virgin [**] Pisces, the fishes
+
+Aspects and Nodes
+
+ [**] Conjunction [**] opposition
+ [**] Quadrature [**] or [**] quintile
+ [**] Ascending node [**] sextile
+ [**] Descending node [**] trine
+
+ECCLESIASTICAL SIGNS
+
+ [**] The Maltese cross is used before their signatures by
+ certain dignitaries of the Roman Catholic Church.
+ It is also used in the service-books of that church to
+ notify the reader when to make the sign of the cross.
+ The ordinary reference mark [dagger] (the dagger) should
+ not be used as a substitute.
+
+ [**] Response in service-books. The apothecaries' sign [**]
+ is not an entirely acceptable substitute.
+
+ [**] Versicle in service-books.
+
+ [**] indicates the words intoned by the celebrant.
+
+{38}
+
+PROOFREADER'S SIGNS
+
+ No ¶ No new paragraph.
+ Run in Let there be no break in the reading.
+ ¶ Make a new paragraph.
+ [**] Correct uneven spacing of words.
+ [**] Strike out the marked type, word, or sentence.
+ [**] Reverse this type.
+ # More space where caret is marked,
+ [**] Contract the spacing.
+ [**] Take out all spacing.
+ [ Move this to the left.
+ ] Move this to the right.
+ [**] Raise this line or letter.
+ [**] Depress this line or letter.
+ || Make parallel at the side with other lines.
+ [**] Indent line an em.
+ [**] Push down a space that blackens the proof.
+ x Change this bruised type.
+ w.f. Change this faulty type of wrong font.
+ tr. Transpose words or letters underlined.
+ l.c. Put in lower-case, or small letters.
+ s.c. Put in small capitals.
+ caps. Put in capitals.
+ [**] Insert apostrophe. Superior characters are put over an
+ inverted caret, as, [**] [**] etc.; for inferior
+ characters the caret is put in its usual position, as
+ in [**].
+ rom. Change from italic to roman.
+ ital. Change from roman to italic.
+ [**] Insert period.
+ ,/ Insert comma.
+ ;/ Insert semicolon.
+ :/ Insert colon.
+ =/ Insert hyphen.
+ /--/ One-em dash.
+ /-²-/ Two-em dash.
+ [**] Take out cancelled character and close up.
+ {39}
+ Qu. or? Is this right? See to it.
+ ^ Insert letter or word marked in margin.
+ |||| Hair-space letters as marked.
+ Stet Restore crossed-out word or letter.
+ . . . . Dots put below the crossed word mean:
+ Cancel the correction first made, and let the types stand
+ as they were.
+ [**] Over two or three letters. Change for the diphthong or
+ for a logotype, as _æ_, _ffi_.
+ [**] Straighten lines.
+ ///// Diagonal lines crossing the text indicate that the
+ composition is out of square.
+ Out, see Copy Here is an omission; see copy.
+
+Corrections or textual improvements suggested to the author should be
+accompanied by the interrogation-point and be enclosed in parentheses or
+"ringed."
+
+Corrections should always be made in the margin, and never in the text:
+faults in the types or text to be indicated only by light pen marks.
+
+ * * * * *
+
+
+{40}
+
+GENERAL OBSERVATIONS
+
+There are many other signs and abbreviations used in works on the various
+sciences. Approved modern text-books are the only safe guides to the proper
+use of these.
+
+In printing dialect, slang, and colloquialisms the only general rule is to
+follow copy.
+
+Such abbreviations as _I've_, _you'll_, _'t'was_, _'t'is n't_, and the like
+are more clearly expressed when a thin space is put between the words.
+
+Old Style contractions should follow the original even if special sorts
+have to be obtained for the purpose.
+
+Abbreviations like _dept_, _dep't_, _gov't_, _sec_, _sec'y_, _sect'y_,
+_pres't_, and _treas._ are indefensible. Even in letter heads and the like
+it is better to spell out the words in two lines.
+
+ * * * * *
+
+
+{41}
+
+SUPPLEMENTARY READING
+
+ Correct Composition. By Theodore Low De Vinne. Oswald Publishing Co.,
+ New York.
+
+ The Writer's Desk Book. By William Dana Orcutt.
+
+ The list of abbreviations and signs in many of the principal
+ dictionaries may be studied with profit.
+
+ Scientific text-books may be profitably used to study the abbreviations
+ and signs used in mathematics and the sciences.
+
+ * * * * *
+
+
+{42}
+
+QUESTIONS
+
+ 1. How and why were abbreviations used before typography?
+ 2. How did the early printers use abbreviations?
+ 3. What is the best usage with regard to abbreviations?
+ 4. What is the general rule for the use of abbreviations?
+ 5. What is the difference in usage between book work and some other kinds
+ of printing?
+ 6. What use of abbreviations do we find in certain special work and what
+ may be done to make their use easier?
+ 7. What are the rules for the use of abbreviations in dates?
+ 8. What are the common abbreviations for the names of the months and the
+ days of the week?
+ 9. Give the Dewey dates.
+ 10. What is the rule for ages?
+ 11. How do we treat references to decades?
+ 12. How do we treat numbers of centuries and the like?
+ 13. What is the rule for sums of money?
+ 14. What is the rule for round numbers?
+ 15. How do we treat numbers when they begin a sentence?
+ 16. What is the rule about numbers of less than three digits?
+ 17. What classes of numbers are ordinarily expressed in figures?
+ 18. What is the usage with regard to geographical names?
+ 19. What are the rules for names?
+ 20. What is the usage in printing titles?
+ 21. How do we treat names of book sizes?
+ 22. How do we treat weights and measures?
+ 23. Give the order of specification in footnotes.
+ 24. Where is &c not used?
+ 25. How are by-laws treated?
+ {43}
+ 26. How are figures used with illustrations?
+ 27. What is said of the use of the period in footnotes?
+ 28. How do we treat page references in the text?
+ 29. How do we treat references to series of years?
+ 30. How do we print dialect, slang, and the like?
+ 31. How do we print such abbreviations as _I've_, _you've_, and the like?
+ 32. What is said of certain improper abbreviations and how to avoid them?
+
+ The teacher should give frequent drills in the application of these
+ rules. Sentences containing matter which involves the use of
+ abbreviations and signs should be given out orally and the pupil
+ required to write them out and set them up. The pupil should be
+ required to explain by reference to the rules the use and the omission
+ of abbreviations and the work should be criticised by the class or by
+ the instructor with reference to the rules.
+
+ * * * * *
+
+
+{i}
+
+TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES
+
+The following list of publications, comprising the TYPOGRAPHIC TECHNICAL
+SERIES FOR APPRENTICES, has been prepared under the supervision of the
+Committee on Education of the United Typothetae of America for use in trade
+classes, in course of printing instruction, and by individuals.
+
+Each publication has been compiled by a competent author or group of
+authors, and carefully edited, the purpose being to provide the printers of
+the United States--employers, journeymen, and apprentices--with a
+comprehensive series of handy and inexpensive compendiums of reliable,
+up-to-date information upon the various branches and specialties of the
+printing craft, all arranged in orderly fashion for progressive study.
+
+The publications of the series are of uniform size, 5 × 8 inches. Their
+general make-up, in typography, illustrations, etc., has been, as far as
+practicable, kept in harmony throughout. A brief synopsis of the particular
+contents and other chief features of each volume will be found under each
+title in the following list.
+
+Each topic is treated in a concise manner, the aim being to embody in each
+publication as completely as possible all the rudimentary information and
+essential facts necessary to an understanding of the subject. Care has been
+taken to make all statements accurate and clear, with the purpose of
+bringing essential information within the understanding of beginners in the
+different fields of study. Wherever practicable, simple and well-defined
+drawings and illustrations have been used to assist in giving additional
+clearness to the text.
+
+In order that the pamphlets may be of the greatest possible help for use in
+trade-school classes and for self-instruction, each title is accompanied by
+a list of Review Questions covering essential items of the subject matter.
+A short Glossary of technical terms belonging to the subject or department
+treated is also added to many of the books.
+
+These are the Official Text-books of the United Typothetae of America.
+
+Address all orders and inquiries to COMMITTEE ON EDUCATION, UNITED
+TYPOTHETAE OF AMERICA, CHICAGO, ILLINOIS, U. S. A. {ii}
+
+PART I--_Types, Tools, Machines, and Materials_
+
+1. TYPE: A PRIMER OF INFORMATION By A. A. Stewart
+
+ Relating to the mechanical features of printing types; their sizes,
+ font schemes, etc., with a brief description of their manufacture. 44
+ pp.; illustrated; 74 review questions; glossary.
+
+2. COMPOSITORS' TOOLS AND MATERIALS By A. A. Stewart
+
+ A primer of information about composing sticks, galleys, leads, brass
+ rules, cutting and mitering machines, etc. 47 pp.; illustrated; 50
+ review questions; glossary.
+
+3. TYPE CASES, COMPOSING ROOM FURNITURE By A. A. Stewart
+
+ A primer of information about type cases, work stands, cabinets, case
+ racks, galley racks, standing galleys, etc. 43 pp.; illustrated; 33
+ review questions; glossary.
+
+4. IMPOSING TABLES AND LOCK-UP APPLIANCES By A. A. Stewart
+
+ Describing the tools and materials used in locking up forms for the
+ press, including some modern utilities for special purposes. 59 pp.;
+ illustrated; 70 review questions; glossary.
+
+5. PROOF PRESSES By A. A. Stewart
+
+ A primer of information about the customary methods and machines for
+ taking printers' proofs. 40 pp.; illustrated; 41 review questions;
+ glossary.
+
+6. PLATEN PRINTING PRESSES By Daniel Baker
+
+ A primer of information regarding the history and mechanical
+ construction of platen printing presses, from the original hand press
+ to the modern job press, to which is added a chapter on automatic
+ presses of small size. 51 pp.; illustrated; 49 review questions;
+ glossary.
+
+7. CYLINDER PRINTING PRESSES By Herbert L. Baker
+
+ Being a study of the mechanism and operation of the principal types of
+ cylinder printing machines. 64 pp.; illustrated; 47 review questions;
+ glossary.
+
+8. MECHANICAL FEEDERS AND FOLDERS By William E. Spurrier
+
+ The history and operation of modern feeding and folding machines; with
+ hints on their care and adjustments. Illustrated; review questions;
+ glossary.
+
+9. POWER FOR MACHINERY IN PRINTING HOUSES By Carl F. Scott
+
+ A treatise on the methods of applying power to printing presses and
+ allied machinery with particular reference to electric drive. 53 pp.;
+ illustrated; 69 review questions; glossary.
+
+10. PAPER CUTTING MACHINES By Niel Gray, Jr.
+
+ A primer of information about paper and card trimmers, hand-lever
+ cutters, power cutters, and other automatic machines for cutting paper.
+ 70 pp.; illustrated; 115 review questions; glossary.
+
+11. PRINTERS' ROLLERS By A. A. Stewart
+
+ A primer of information about the composition, manufacture, and care of
+ inking rollers. 46 pp.; illustrated; 61 review questions; glossary.
+
+12. PRINTING INKS By Philip Ruxton
+
+ Their composition, properties and manufacture (reprinted by permission
+ from Circular No. 53, United States Bureau of Standards); together with
+ some helpful suggestions about the everyday use of printing inks by
+ Philip Ruxton. 80 pp.; 100 review questions; glossary.
+
+{iii}
+
+13. HOW PAPER IS MADE By William Bond Wheelwright
+
+ A primer of information about the materials and processes of
+ manufacturing paper for printing and writing. 68 pp.; illustrated; 62
+ review questions; glossary.
+
+14. RELIEF ENGRAVINGS By Joseph P. Donovan
+
+ Brief history and non-technical description of modern methods of
+ engraving; woodcut, zinc plate, halftone; kind of copy for
+ reproduction; things to remember when ordering engravings. Illustrated;
+ review questions; glossary.
+
+15. ELECTROTYPING AND STEROTYPING By Harris B. Hatch and A. A. Stewart
+
+ A primer of information about the processes of electrotyping and
+ stereotyping. 94 pp.; illustrated; 129 review questions; glossaries.
+
+PART II--_Hand and Machine Composition_
+
+16. TYPESETTING By A. A. Stewart
+
+ A handbook for beginners, giving information about justifying, spacing,
+ correcting, and other matters relating to typesetting. Illustrated;
+ review questions; glossary.
+
+17. PRINTERS' PROOFS By A. A. Stewart
+
+ The methods by which they are made, marked, and corrected, with
+ observations on proofreading. Illustrated; review questions; glossary.
+
+18. FIRST STEPS IN JOB COMPOSITION By Camille DeVéze
+
+ Suggestions for the apprentice compositor in setting his first jobs,
+ especially about the important little things which go to make good
+ display in typography. 63 pp.; examples; 55 review questions; glossary.
+
+19. GENERAL JOB COMPOSITION
+
+ How the job compositor handles business stationery, programs and
+ miscellaneous work. Illustrated; review questions; glossary.
+
+20. BOOK COMPOSITION By J. W. Bothwell
+
+ Chapters from DeVinne's "Modern Methods of Book Composition," revised
+ and arranged for this series of text-books by J. W. Bothwell of The
+ DeVinne Press, New York. Part I: Composition of pages. Part II:
+ Imposition of pages. 229 pp.; illustrated; 525 review questions;
+ glossary.
+
+21. TABULAR COMPOSITION By Robert Seaver
+
+ A study of the elementary forms of table composition, with examples of
+ more difficult composition. 36 pp.; examples; 45 review questions.
+
+22. APPLIED ARITHMETIC By E. E. Sheldon
+
+ Elementary arithmetic applied to problems of the printing trade,
+ calculation of materials, paper weights and sizes, with standard tables
+ and rules for computation, each subject amplified with examples and
+ exercises. 159 pp.
+
+23. TYPECASTING AND COMPOSING MACHINES A. W. Finlay, Editor
+
+ Section I--The Linotype By L. A. Hornstein
+ Section II--The Monotype By Joseph Hays
+ Section III--The Intertype By Henry W. Cozzens
+ Section IV--Other Typecasting and Typesetting By Frank H. Smith
+ Machines
+
+ A brief history of typesetting machines, with descriptions of their
+ mechanical principles and operations. Illustrated; review questions;
+ glossary.
+
+{iv}
+
+PART III--_Imposition and Stonework_
+
+24. LOCKING FORMS FOR THE JOB PRESS By Frank S. Henry
+
+ Things the apprentice should know about locking up small forms, and
+ about general work on the stone. Illustrated; review questions;
+ glossary.
+
+25. PREPARING FORMS FOR THE CYLINDER PRESS By Frank S. Henry
+
+ Pamphlet and catalog imposition; margins; fold marks, etc. Methods of
+ handling type forms and electrotype forms. Illustrated; review
+ questions; glossary.
+
+PART IV--_Presswork_
+
+26. MAKING READY ON PLATEN PRESSES By T. G. McGrew
+
+ The essential parts of a press and their functions; distinctive
+ features of commonly used machines. Preparing the tympan, regulating
+ the impression, underlaying and overlaying, setting gauges, and other
+ details explained. Illustrated; review questions; glossary.
+
+27. CYLINDER PRESSWORK By T. G. McGrew
+
+ Preparing the press; adjustment of bed and cylinder, form rollers, ink
+ fountain, grippers and delivery systems. Underlaying and overlaying;
+ modern overlay methods. Illustrated; review questions; glossary.
+
+28. PRESSROOM HINTS AND HELPS By Charles L. Dunton
+
+ Describing some practical methods of pressroom work, with directions
+ and useful information relating to a variety of printing-press
+ problems. 87 pp.; 176 review questions.
+
+29. REPRODUCTIVE PROCESSES OF THE GRAPHIC ARTS By A. W. Elson
+
+ A primer of information about the distinctive features of the relief,
+ the intaglio, and the planographic processes of printing. 84 pp.;
+ illustrated; 100 review questions; glossary.
+
+PART V--_Pamphlet and Book Binding_
+
+30. PAMPHLET BINDING By Bancroft L. Goodwin
+
+ A primer of information about the various operations employed in
+ binding pamphlets and other work in the bindery. Illustrated; review
+ questions; glossary.
+
+31. BOOK BINDING By John J. Pleger
+
+ Practical information about the usual operations in binding books;
+ folding; gathering, collating, sewing, forwarding, finishing. Case
+ making and cased-in books. Hand work and machine work. Job and
+ blank-book binding. Illustrated; review questions; glossary.
+
+PART VI--_Correct Literary Composition_
+
+32. WORD STUDY AND ENGLISH GRAMMAR By F. W. Hamilton
+
+ A primer of information about words, their relations, and their uses.
+ 68 pp.; 84 review questions; glossary.
+
+33. PUNCTUATION By F. W. Hamilton
+
+ A primer of information about the marks of punctuation and their use,
+ both grammatically and typographically. 56 pp.; 59 review questions;
+ glossary.
+
+{v}
+
+34. CAPITALS By F. W. Hamilton
+
+ A primer of information about capitalization, with some practical
+ typographic hints as to the use of capitals. 48 pp.; 92 review
+ questions; glossary.
+
+35. DIVISION OF WORDS By F. W. Hamilton
+
+ Rules for the division of words at the ends of lines, with remarks on
+ spelling, syllabication and pronunciation. 42 pp.; 70 review questions.
+
+36. COMPOUND WORDS By F. W. Hamilton
+
+ A study of the principles of compounding, the components of compounds,
+ and the use of the hyphen. 34 pp.; 62 review questions.
+
+37. ABBREVIATIONS AND SIGNS By F. W. Hamilton
+
+ A primer of information about abbreviations and signs, with classified
+ lists of those in most common use. 58 pp.; 32 review questions.
+
+38. THE USES OF ITALIC By F. W. Hamilton
+
+ A primer of information about the history and uses of italic letters.
+ 31 pp.; 37 review questions.
+
+39. PROOFREADING By Arnold Levitas
+
+ The technical phases of the proofreader's work; reading, marking,
+ revising, etc.; methods of handling proofs and copy. Illustrated by
+ examples. 59 pp.; 69 review questions; glossary.
+
+40. PREPARATION OF PRINTERS' COPY By F. W. Hamilton
+
+ Suggestions for authors, editors, and all who are engaged in preparing
+ copy for the composing room. 36 pp.; 67 review questions.
+
+41. PRINTERS' MANUAL OF STYLE
+
+ A reference compilation of approved rules, usages, and suggestions
+ relating to uniformity in punctuation, capitalization, abbreviations,
+ numerals, and kindred features of composition.
+
+42. THE PRINTER'S DICTIONARY By A. A. Stewart
+
+ A handbook of definitions and miscellaneous information about various
+ processes of printing, alphabetically arranged. Technical terms
+ explained. Illustrated.
+
+PART VII--_Design, Color, and Lettering_
+
+43. APPLIED DESIGN FOR PRINTERS By Harry L. Gage
+
+ A handbook of the principles of arrangement, with brief comment on the
+ periods of design which have most influenced printing Treats of
+ harmony, balance, proportion, and rhythm; motion; symmetry and variety;
+ ornament, esthetic and symbolic. 37 illustrations; 46 review questions;
+ glossary; bibliography.
+
+44. ELEMENTS OF TYPOGRAPHIC DESIGN By Harry L. Gage
+
+ Applications of the principles of decorative design. Building material
+ of typography: paper, types, ink, decorations and illustrations.
+ Handling of shapes. Design of complete book, treating each part. Design
+ of commercial forms and single units. Illustrations; review questions,
+ glossary; bibliography.
+
+{vi}
+
+45. RUDIMENTS OF COLOR IN PRINTING By Harry L. Gage
+
+ Use of color: for decoration of black and white, for broad poster
+ effect, in combinations of two, three, or more printings with process
+ engravings. Scientific nature of color, physical and chemical. Terms in
+ which color may be discussed: hue, value, intensity. Diagrams in color,
+ scales and combinations. Color theory of process engraving. Experiments
+ with color. Illustrations in full color, and on various papers. Review
+ questions; glossary; bibliography.
+
+46. LETTERING IN TYPOGRAPHY By Harry L. Gage
+
+ Printer's use of lettering: adaptability and decorative effect.
+ Development of historic writing and lettering and its influence on type
+ design. Classification of general forms in lettering. Application of
+ design to lettering. Drawing for reproduction. Fully illustrated;
+ review questions; glossary; bibliography.
+
+47. TYPOGRAPHIC DESIGN IN ADVERTISING By Harry L. Gage
+
+ The printer's function in advertising. Precepts upon which advertising
+ is based. Printer's analysis of his copy. Emphasis, legibility,
+ attention, color. Method of studying advertising typography.
+ Illustrations; review questions; glossary; bibliography.
+
+48. MAKING DUMMIES AND LAYOUTS By Harry L. Gage
+
+ A layout: the architectural plan. A dummy: the imitation of a proposed
+ final effect. Use of dummy in sales work. Use of layout. Function of
+ layout man. Binding schemes for dummies. Dummy envelopes.
+ Illustrations; review questions; glossary; bibliography.
+
+PART VIII--_History of Printing_
+
+49. BOOKS BEFORE TYPOGRAPHY By F. W. Hamilton
+
+ A primer of information about the invention of the alphabet and the
+ history of bookmaking up to the invention of movable types. 62 pp.;
+ illustrated; 64 review questions.
+
+50. THE INVENTION OF TYPOGRAPHY By F. W. Hamilton
+
+ A brief sketch of the invention of printing and how it came about. 64
+ pp.; 62 review questions.
+
+51. HISTORY OF PRINTING--Part I By F. W. Hamilton
+
+ A primer of information about the beginnings of printing, the
+ development of the book, the development of printers' materials, and
+ the work of the great pioneers. 63 pp.; 55 review questions.
+
+52. HISTORY OF PRINTING--Part II By F. W. Hamilton
+
+ A brief sketch of the economic conditions of the printing industry from
+ 1450 to 1789, including government regulations, censorship, internal
+ conditions and industrial relations. 94 pp.; 128 review questions.
+
+53. PRINTING IN ENGLAND By F. W. Hamilton
+
+ A short history of printing in England from Caxton to the present time.
+ 89 pp.; 65 review questions.
+
+54. PRINTING IN AMERICA By F. W. Hamilton
+
+ A brief sketch of the development of the newspaper, and some notes on
+ publishers who have especially contributed to printing. 98 pp.; 84
+ review questions.
+
+55. TYPE AND PRESSES IN AMERICA By F. W. Hamilton
+
+ A brief historical sketch of the development of type casting and press
+ building in the United States. 52 pp.; 61 review questions.
+
+{vii}
+
+PART IX--_Cost Finding and Accounting_
+
+56. ELEMENTS OF COST IN PRINTING By Henry P. Porter
+
+ The Standard Cost-Finding Forms and their uses. What they should show.
+ How to utilize the information they give. Review questions. Glossary.
+
+57. USE OF A COST SYSTEM By Henry P. Porter
+
+ The Standard Cost-Finding Forms and their uses. What they should show.
+ How to utilize the information they give Review questions. Glossary.
+
+58. THE PRINTER AS A MERCHANT By Henry P. Porter
+
+ The selection and purchase of materials and supplies for printing. The
+ relation of the cost of raw material and the selling price of the
+ finished product. Review questions. Glossary.
+
+59. FUNDAMENTAL PRINCIPLES OF ESTIMATING By Henry P. Porter
+
+ The estimator and his work; forms to use; general rules for estimating.
+ Review questions. Glossary.
+
+60. ESTIMATING AND SELLING By Henry P. Porter
+
+ An insight into the methods used in making estimates, and their
+ relation to selling. Review questions. Glossary.
+
+61. ACCOUNTING FOR PRINTERS By Henry P. Porter
+
+ A brief outline of an accounting system for printers; necessary books
+ and accessory records. Review questions. Glossary.
+
+PART X--_Miscellaneous_
+
+62. HEALTH, SANITATION, AND SAFETY By Henry P. Porter
+
+ Hygiene in the printing trade; a study of conditions old and new;
+ practical suggestions for improvement; protective appliances and rules
+ for safety.
+
+63. TOPICAL INDEX By F. W. Hamilton
+
+ A book of reference covering the topics treated in the Typographic
+ Technical Series, alphabetically arranged.
+
+64. COURSES OF STUDY By F. W. Hamilton
+
+ A guidebook for teachers, with outlines and suggestions for classroom
+ and shop work.
+
+{viii}
+
+ACKNOWLEDGMENT
+
+This series of Typographic Text-books is the result of the splendid
+co-operation of a large number of firms and individuals engaged in the
+printing business and its allied industries in the United States of
+America.
+
+The Committee on Education of the United Typothetae of America, under whose
+auspices the books have been prepared and published, acknowledges its
+indebtedness for the generous assistance rendered by the many authors,
+printers, and others identified with this work.
+
+While due acknowledgment is made on the title and copyright pages of those
+contributing to each book, the Committee nevertheless felt that a group
+list of co-operating firms would be of interest.
+
+The following list is not complete, as it includes only those who have
+co-operated in the production of a portion of the volumes, constituting the
+first printing. As soon as the entire list of books comprising the
+Typographic Technical Series has been completed (which the Committee hopes
+will be at an early date), the full list will be printed in each volume.
+
+The Committee also desires to acknowledge its indebtedness to the many
+subscribers to this Series who have patiently awaited its publication.
+
+ COMMITTEE ON EDUCATION,
+ UNITED TYPOTHETAE OF AMERICA.
+
+ HENRY P. PORTER, _Chairman_,
+ E. LAWRENCE FELL,
+ A. M. GLOSSBRENNER,
+ J. CLYDE OSWALD,
+ TOBY RUBOVITS.
+
+ FREDERICK W. HAMILTON, _Education Director_.
+
+{ix}
+
+CONTRIBUTORS
+
+FOR COMPOSITION AND ELECTROTYPES
+
+ ISAAC H. BLANCHARD COMPANY, New York, N. Y.
+ S. H. BURBANK & CO., Philadelphia, Pa.
+ J. S. CUSHING & CO., Norwood, Mass.
+ THE DEVINNE PRESS, New York, N. Y.
+ R. R. DONNELLEY & SONS CO., Chicago, Ill.
+ GEO. H. ELLIS CO., Boston, Mass.
+ EVANS-WINTER-HEBB, Detroit, Mich.
+ FRANKLIN PRINTING COMPANY, Philadelphia, Pa.
+ F. H. GILSON COMPANY, Boston, Mass.
+ STEPHEN GREENE & CO., Philadelphia, Pa.
+ W. F. HALL PRINTING CO., Chicago, Ill.
+ J. B. LIPPINCOTT CO., Philadelphia, Pa.
+ MCCALLA & CO. INC., Philadelphia, Pa.
+ THE PATTESON PRESS, New York, New York
+ THE PLIMPTON PRESS, Norwood, Mass.
+ POOLE BROS., Chicago, Ill.
+ EDWARD STERN & CO., Philadelphia, Pa.
+ THE STONE PRINTING & MFG. CO., Roanoke, Va.
+ C. D. TRAPHAGEN, Lincoln, Neb.
+ THE UNIVERSITY PRESS, Cambridge, Mass.
+
+FOR COMPOSITION
+
+ BOSTON TYPOTHETAE SCHOOL OF PRINTING, Boston, Mass.
+ WILLIAM F. FELL CO., Philadelphia, Pa.
+ THE KALKHOFF COMPANY, New York, N. Y.
+ OXFORD-PRINT, Boston, Mass.
+ TOBY RUBOVITS, Chicago, Ill.
+
+FOR ELECTROTYPES
+
+ BLOMGREN BROTHERS CO., Chicago, Ill.
+ FLOWER STEEL ELECTROTYPING CO., New York, N. Y.
+ C. J. PETERS & SON CO., Boston, Mass.
+ ROYAL ELECTROTYPE CO., Philadelphia, Pa.
+ H. C. WHITCOMB & CO., Boston, Mass.
+
+FOR ENGRAVINGS
+
+ AMERICAN TYPE FOUNDERS CO., Boston, Mass.
+ C. B. COTTRELL & SONS CO., Westerly, R. I.
+ GOLDING MANUFACTURING CO., Franklin, Mass.
+ HARVARD UNIVERSITY, Cambridge, Mass.
+ INLAND PRINTER CO., Chicago, Ill.
+ LANSTON MONOTYPE MACHINE COMPANY, Philadelphia, Pa.
+ MERGENTHALER LINOTYPE COMPANY, New York, N. Y.
+ GEO. H. MORRILL CO., Norwood, Mass.
+ OSWALD PUBLISHING CO., New York, N. Y.
+ THE PRINTING ART, Cambridge, Mass.
+ B. D. RISING PAPER COMPANY, Housatonic, Mass.
+ THE VANDERCOOK PRESS, Chicago, Ill.
+
+FOR BOOK PAPER
+
+ AMERICAN WRITING PAPER CO., Holyoke, Mass.
+ WEST VIRGINIA PULP & PAPER CO., Mechanicville, N. Y.
+
+
+
+
+
+
+End of Project Gutenberg's Abbreviations and Signs, by Frederick W. Hamilton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ABBREVIATIONS AND SIGNS ***
+
+***** This file should be named 33828-8.txt or 33828-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/3/8/2/33828/
+
+Produced by Barbara Tozier, Bill Tozier, Keith Edkins and
+the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/33828-8.zip b/33828-8.zip
new file mode 100644
index 0000000..13c5d04
--- /dev/null
+++ b/33828-8.zip
Binary files differ
diff --git a/33828-h.zip b/33828-h.zip
new file mode 100644
index 0000000..dbaf41a
--- /dev/null
+++ b/33828-h.zip
Binary files differ
diff --git a/33828-h/33828-h.htm b/33828-h/33828-h.htm
new file mode 100644
index 0000000..51c9c82
--- /dev/null
+++ b/33828-h/33828-h.htm
@@ -0,0 +1,3448 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+ <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+ <title>
+ Abbreviations and Signs.
+ </title>
+
+ <style type="text/css">
+
+ p { margin-top: .75em;
+ margin-bottom: .75em;
+ }
+ H1,H2,H3,H4,H5,H6 {
+ text-align: center; /* all headings centered */
+ }
+ hr {margin-left: auto; margin-right: auto; width: 50%;}
+ hr.full {width: 100%;}
+ hr.short {margin-left: auto; margin-right: auto; width: 20%;}
+ hr.tb {text-align: left; border-top: 1px dotted #000; color: #fff; background-color: #fff; width: 40%;}
+ body { margin-left: 10%;
+ margin-right: 10%;
+ text-align: justify; font-family: serif;
+ }
+
+ table.allbnomar { border : 1px solid black; border-collapse: collapse; }
+ table.allb { border : 1px solid black; border-collapse: collapse; margin-left: 4em }
+ table.tpbtb { border-top : 1px solid black; border-bottom : 1px solid black; border-collapse: collapse; margin-left: 4em }
+ table.allbctr { border : 1px solid black; border-collapse: collapse;
+ margin-left: auto; margin-right: auto; }
+ table.nob { margin-left: 4em }
+ table.nobctr { margin-left: auto; margin-right: auto; border-collapse: collapse;}
+
+ table.math { margin-left:10%;vertical-align: middle; text-align:center; }
+ table.math0 { vertical-align: middle; text-align:center; }
+ table.math15 { margin-left:15%;vertical-align: middle; text-align:center; }
+ table.maths { font-size:smaller; vertical-align: middle; text-align:center; }
+
+ /*td { border : 1px solid black;}*/
+ td.allb { border : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.spac { padding-left: 1em; padding-right: 1em; }
+ td.tpb { border-top : 1px solid black; padding-left: 1em; padding-right: 1em; }
+ td.tpbtb { border-top : 1px solid black; border-bottom : 1px solid black; padding-left: 1em; padding-right: 1em; }
+ td.tspacsingle { padding-left: 3em; padding-right: 3em; }
+ td.dspacsingle { padding-left: 2em; padding-right: 2em; }
+ td.dlsrsingle { padding-left: 2em; padding-right: 1em; }
+ td.spacsingle { padding-left: 1em; padding-right: 1em; }
+ td.hspcsingle { padding-left: 0.5em; padding-right: 0.5em; }
+ td.qspcsingle { padding-left: 0.25em; padding-right: 0.25em; }
+ td.qlsrsingle { padding-left: 0.25em; padding-right: 1em; }
+ td.slqrsingle { padding-left: 1em; padding-right: 0.25em; }
+ td.nspac { padding-left: 0em; padding-right: 0em; }
+ td.muspac { padding-left: 0.2em; padding-right: 0.2em; }
+ td.nspcsingle { padding-left: 0em; padding-right: 0em;}
+ td.rightb { border-right : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.vertb { border-left : 1px solid black; border-right : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.vertbsing { border-left : 1px solid black; border-right : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.leftbsing { border-left : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.rightbsing { border-right : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.rightbbsing { border-right : 3px double black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.vertbotb { border-left : 1px solid black; border-right : 1px solid black; border-bottom : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.vertbotbsing { border-left : 1px solid black; border-right : 1px solid black; border-bottom : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.botbsing { border-bottom : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.rightbotbsing{ border-bottom : 1px solid black; border-right : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.leftbotbsing { border-bottom : 1px solid black; border-left : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.verttopb { border-left : 1px solid black; border-right : 1px solid black; border-top : 1px solid black; padding-left: 0.5em; padding-right: 0.5em; }
+ td.denom { border-top: 1px solid black; }
+ .single p {margin: 0;}
+ .tspacsingle p {margin: 0;}
+ .dlsrsingle p {margin: 0;}
+ .dspacsingle p {margin: 0;}
+ .spacsingle p {margin: 0;}
+ .hspcsingle p {margin: 0;}
+ .qspcsingle p {margin: 0;}
+ .qlsrsingle p {margin: 0;}
+ .slqrsingle p {margin: 0;}
+ .nspcsingle p {margin: 0;}
+ .vertbsing p {margin: 0;}
+ .vertbotbsing p {margin: 0;}
+ .leftbsing p {margin: 0;}
+ .rightbsing p {margin: 0;}
+ .rightbbsing p {margin: 0;}
+ .rightbotbsing p{margin: 0;}
+ .leftbotbsing p {margin: 0;}
+ .botbsing p {margin: 0;}
+
+ .contents
+ {margin-left:30%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+ .contents .stanza {margin: 1em 0em 1em 0em;}
+ .contents p {margin: 0; padding-left: 3em; text-indent: -3em;}
+
+ .poem
+ {margin-left:10%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ p.hg3 {margin-left: -0.3em;}
+ p.hg1 {margin-left: -0.1em;}
+ p.i2hg3 {margin-left: 0.7em;}
+ p.i2 {margin-left: 1em;}
+ p.i4 {margin-left: 2em;}
+ p.i4hg3 {margin-left: 1.7em;}
+ p.i6 {margin-left: 3em;}
+ p.i8hg3 {margin-left: 3.7em;}
+ p.i8 {margin-left: 4em;}
+ p.z8 {margin-left: 4em; font-style: italic;}
+ p.i10 {margin-left: 5em;}
+ p.z10 {margin-left: 5em; font-style: italic;}
+ p.i12 {margin-left: 6em;}
+ p.i12hg3 {margin-left: 5.7em;}
+ p.i16 {margin-left: 8em;}
+ p.i16hg3 {margin-left: 7.7em;}
+ p.i20 {margin-left: 10em;}
+ p.i20hg3 {margin-left: 9.7em;}
+ p.i24 {margin-left: 12em;}
+ p.i24hg3 {margin-left: 11.7em;}
+ p.i30 {margin-left: 15em;}
+ p.i30hg3 {margin-left: 14.7em;}
+ p.i40 {margin-left: 20em;}
+ .unpoem {position: absolute; left: 10.0%;}
+ .b1n .unpoem {position: absolute; left: 12.5%;}
+ .note .unpoem {position: absolute; left: 12.5%;}
+ /*a:link {color:blue; text-decoration:underline}*/
+ /*a:visited {color:blue; text-decoration:underline}*/
+ a:link {color:blue;text-decoration: none;}
+ a:visited {color:blue;text-decoration: none;}
+ a:hover {color:red}
+ /*link {color:blue; text-decoration:underline}*/
+ link {color:blue;text-decoration: none;}
+
+ .noflo
+ {margin-bottom: 1em; text-align: left;}
+ .noflo .stanza {margin: 1em 0em 1em 0em;}
+ .noflo p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .noflo p.i2 {margin-left: 1em;}
+ .noflo p.i16 {margin-left: 8em;}
+
+ .author {text-align: right; margin-top: -1em;}
+ .center {text-align: center; }
+ .cenhead {text-align: center; margin-top: 1em;}
+ .right {text-align: right; }
+ .t {vertical-align: top; }
+ .tr {vertical-align: top;}
+ .tc {vertical-align: top;}
+ .tr p {text-align: right;}
+ .tc p {text-align: center;}
+ .m {vertical-align: middle; }
+ .mr {vertical-align: middle;}
+ .mc {vertical-align: middle;}
+ .mr p {text-align: right;}
+ .mc p {text-align: center;}
+ .b {vertical-align: bottom; }
+ .vol {/*font-weight: bold;*/ font-size: small;}
+ .grk {font-style: normal;
+ font-family:"Palatino Linotype","New Athena Unicode",Gentium,"Lucida Grande", Galilee, "Arial Unicode MS", sans-serif;}
+ .heb {font-style: normal; font-family:"Times New Roman", serif;}
+
+ sup {font-style: normal; font-size: small;}
+ sub {font-style: normal; font-size: small;}
+ pre {font-family: "Courier New", Courier, monospace; margin-left: 1em; }
+ .sc {font-variant: small-caps; }
+ .scac {font-size: small;}
+ .gsp {font-size:0.5em;}
+ .linenum {position: absolute; top: auto; left: 60%;} /* poetry number */
+
+ blockquote {margin-left: 3.2%; margin-right: 3.2%; }
+ blockquote.b1n {font-size: medium; }
+ blockquote.b1s {font-size: small; }
+ .pagenum {position: absolute; left: 92%; font-size: smaller; text-align: right; font-style: normal;} /* page numbers */
+ .x1 {position: relative;} /* shifting accents */
+ .x2 {position: absolute; left: -0.4em;}
+ .x3 {position: absolute; top: 1.75ex; left: -0.4em;}
+ .sidenote {width: 20%; margin-bottom: 1em; margin-top: 1em; padding-left: 1em;
+ font-size: smaller; float: right; clear: right; font-weight: bold; font-style: italic;}
+ .sidenotel {margin-left: -22%; width: 20%; margin-bottom: 0.2em; margin-top: 0.2em; padding-right: 1em;
+ font-size: smaller; float: left; clear: left; text-align: left;}
+ blockquote.forsidenotel {margin-left: 12%; margin-right: 0%;}
+ .sidenoter {width: 20%; margin-bottom: 1em; margin-top: 1em; padding-left: 1em;
+ font-size: smaller; float: right; clear: right;}
+ .note {margin-left: 2em; margin-right: 2em;
+ } /* footnote - removed font-size: small; */
+ span.extra {border-bottom: thin dotted green;}
+ span.correction {border-bottom: thin dotted red;}
+ span.special {text-decoration: none;}
+ span.intlim {font-size:small; position:relative; top:-2ex; left:-0.4em;}
+ span.lower {position:relative; top:0.5ex;}
+ span.over {text-decoration: overline;}
+ span.under {text-decoration: underline;}
+ span.pbar {position:relative; top:0.7ex; left:0.4em;}
+ .nobo {border: thin;}
+ .red {color: red;}
+ .figure, .figcenter, .figright, .figleft
+ {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figdrop {padding-top: 0.5em; padding-right: 0.5em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figure img, .figcenter img, .figright img, .figleft img, .figdrop img
+ {border: none;}
+ .figure p, .figcenter p, .figright p, .figleft p, .figdrop p
+ {margin: 0; text-indent: 1em;}
+ .figure p.in, .figcenter p.in, .figright p.in, .figleft p.in , .figdrop p.in {margin: 0; text-indent: 8em;}
+ .figcenter p.poem {margin-left: 1em; text-align: left; text-indent: 0;}
+ .figcenter {margin: auto;}
+ .figright {float: right;}
+ .figleft, .figdrop {float: left;}
+ img.middle { border: none; vertical-align: middle }
+ /*img { border: 1px solid black;}*/
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's Abbreviations and Signs, by Frederick W. Hamilton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Abbreviations and Signs
+ A Primer of Information about Abbreviations and Signs,
+ with Classified Lists of Those in Most Common Use
+
+Author: Frederick W. Hamilton
+
+Release Date: October 1, 2010 [EBook #33828]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ABBREVIATIONS AND SIGNS ***
+
+
+
+
+Produced by Barbara Tozier, Bill Tozier, Keith Edkins and
+the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<table border="0" cellpadding="10" style="background-color: #ccccff;">
+<tr>
+<td style="width:25%; vertical-align:top">
+Transcriber's note:
+</td>
+<td>
+A few typographical errors have been corrected. They
+appear in the text <span class="correction" title="explanation will pop up">like this</span>, and the
+explanation will appear when the mouse pointer is moved over the marked
+passage.
+</td>
+</tr>
+</table>
+
+<p class="cenhead">TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES&mdash;PART VI, NO. 37</p>
+
+<h1>A<span class="gsp">&nbsp;</span>B<span class="gsp">&nbsp;</span>B<span class="gsp">&nbsp;</span>R<span class="gsp">&nbsp;</span>E<span class="gsp">&nbsp;</span>V<span class="gsp">&nbsp;</span>I<span class="gsp">&nbsp;</span>A<span class="gsp">&nbsp;</span>T<span class="gsp">&nbsp;</span>I<span class="gsp">&nbsp;</span>O<span class="gsp">&nbsp;</span>N<span class="gsp">&nbsp;</span>S</h1>
+
+<h1>A<span class="gsp">&nbsp;</span>N<span class="gsp">&nbsp;</span>D S<span class="gsp">&nbsp;</span>I<span class="gsp">&nbsp;</span>G<span class="gsp">&nbsp;</span>N<span class="gsp">&nbsp;</span>S</h1>
+
+<h2>A PRIMER OF INFORMATION ABOUT<br />
+ABBREVIATIONS AND SIGNS, WITH<br />
+CLASSIFIED LISTS OF THOSE<br />
+IN MOST COMMON USE</h2>
+
+ <p>&nbsp;</p>
+
+<h3>BY</h3>
+
+<h2>FREDERICK W. HAMILTON, LL. D.</h2>
+
+<p class="cenhead"><span class="scac">EDUCATIONAL DIRECTOR</span></p>
+
+<p class="cenhead"><span class="scac">UNITED TYPOTHETÆ OF AMERICA</span></p>
+
+ <p>&nbsp;</p>
+
+ <div class="figcenter" style="width:10%;">
+ <a href="images/001.png"><img style="width:100%" src="images/001.png"
+ alt="Publishers Mark." title="Publishers Mark." /></a>
+ </div>
+ <p>&nbsp;</p>
+
+ <p>&nbsp;</p>
+
+<p class="cenhead">PUBLISHED BY THE COMMITTEE ON EDUCATION<br />
+UNITED TYPOTHETAE OF AMERICA<br />
+1918</p>
+
+ <p><br style="clear:both" /></p>
+<hr class="full" />
+
+<p class="cenhead"><span class="sc">Copyright, 1918</span><br />
+<span class="sc">United Typothetae of America</span><br />
+<span class="sc">Chicago, Ill.</span></p>
+
+ <p><br style="clear:both" /></p>
+<hr class="full" />
+
+<h3>PREFACE</h3>
+
+ <p>The use of abbreviations and signs is often a convenience and
+ sometimes a temptation. It is a saving of time and labor which is
+ entirely justifiable under certain conditions, one of which is that all
+ such short cuts should be sufficiently conventional and familiar to be
+ intelligible to any person likely to read the printed matter in which
+ they occur. Scientific and technical signs and abbreviations are part of
+ the nomenclature of the subject to which they belong and must be learned
+ by students of it. General readers are not particularly concerned with
+ them.</p>
+
+ <p>The use of abbreviations and signs is partly a matter of office style
+ and partly a matter of author's preference. Certain fairly well
+ established rules have, however, emerged from the varieties of usage in
+ vogue. An attempt has been made in the following pages to state these
+ rules clearly and concisely and to illustrate their application.</p>
+
+ <p>Classified lists of the most common abbreviations and signs have been
+ inserted and will be found useful for reference and practice. Sources of
+ further information on these points will be found under the head of
+ Supplementary Reading.</p>
+
+ <p><br style="clear:both" /></p>
+<hr class="full" />
+
+<h3>CONTENTS</h3>
+
+<table class="nobctr" summary="Contents." title="Contents.">
+<tr><td class="nspacsingle"> </td><td class="nspacsingle" style="text-align:right"> <span class="scac">PAGE</span></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Introduction</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page1">1</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">General Rules for the Use of Abbreviations</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page3">3</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Dates</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page3">3</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Time</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page5">5</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Other Abbreviations Involving Numerals</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page5">5</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Geographical Abbreviations, with List</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page7">7</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Abbreviations of Names, with List</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page10">10</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Abbreviations of Titles, with List</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page12">12</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Sizes of Books</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page18">18</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Weights and Measures</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page19">19</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Footnotes</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page19">19</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Scriptural Abbreviations</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page23">23</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Commercial Abbreviations</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page24">24</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Miscellaneous Abbreviations</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page25">25</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Monetary Signs</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page35">35</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Mathematical Signs</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page35">35</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Medical Signs</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page36">36</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Astronomical Signs</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page37">37</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Ecclesiastical Signs</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page37">37</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Proofreader's Signs</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page38">38</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">General Observations</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page40">40</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Supplementary Reading</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page41">41</a></td></tr>
+<tr><td class="nspacsingle"> <span class="sc">Review Questions</span> </td><td class="nspacsingle" style="text-align:right"> <a href="#page42">42</a></td></tr>
+</table>
+
+ <p><br style="clear:both" /></p>
+<hr class="full" />
+
+<p><!-- Page 1 --><span class="pagenum"><a name="page1"></a>{1}</span></p>
+
+<h3>ABBREVIATIONS AND SIGNS</h3>
+
+<p class="cenhead">INTRODUCTION</p>
+
+ <p>The use of abbreviations is as old as the use of alphabets. In
+ inscriptions and on coins and in other places where room is limited they
+ have always been used in order to save space. The words GUILIELMUS
+ QUARTUS DEI GRATIA REX BRITANNIARUM FIDEI DEFENSOR would hardly go around
+ the circumference of a sixpence, three quarters of an inch in diameter.
+ Therefore, we find them written GUILIELMUS IIII D: G: BRITANNIAR: REX F:
+ D: In the manuscript period abbreviations were very extensively used.
+ This was done partly to lighten the great labor of hand copying and
+ partly to effect a double saving of expense, in labor and in costly
+ material. Certain of these abbreviations were in common use and perfectly
+ intelligible. Unfortunately the copyists did not limit their
+ abbreviations to these, but devised others for their own use much to the
+ discomfort of their readers, especially after the lapse of centuries.</p>
+
+ <p>The introduction of printing removed the pressing necessity for the
+ extensive use of abbreviations, but the actual use continued much longer
+ than one would think. The early printed books were reproductions of
+ manuscripts. In some cases the earliest were almost forgeries, and were
+ probably intended to be sold as manuscripts. The types were cut in
+ imitation of the handwriting of some well-known scribe and all his
+ mannerisms and peculiarities were faithfully copied. An incidental result
+ was the expansion of fonts of type by the inclusion of a great number of
+ ligatures and of characters indicating the omission or combination of
+ letters. Habit dies hard, and even after the type founders had freed
+ themselves from the tyranny of manuscript printers continued to follow
+ the habits of the copyist. The saving of material and labor still
+ continued to be considered. The <!-- Page 2 --><span class="pagenum"><a
+ name="page2"></a>{2}</span>methods of abbreviation in use in written
+ matter continued to be followed in print even down to the first quarter
+ of the last century.</p>
+
+ <p>The result of all this abbreviation was serious and well-founded
+ complaint about the difficulty of reading books thus printed. De Vinne
+ gives the following astonishing example, said to be taken practically at
+ random from a Latin copy of the Logic of Ockham printed at Paris in
+ 1488.</p>
+
+<blockquote class="b1n">
+
+ <p>"Sic his e fal sm qd ad simplr a e pducibile a Deo g a e silr hic a n
+ e g a n e pducibile a Deo."</p>
+
+</blockquote>
+
+ <p>These are the abbreviations for Sicut his est fallacia secundum quid
+ ad simpliciter. A est producibile a Deo. Ergo A est. Et similiter hic. A
+ non est. Ergo A non est producibile a Deo.</p>
+
+ <p>The best present usage is to use abbreviations very sparingly. Certain
+ recognized abbreviations are used under certain conditions, but generally
+ only under constraint of limited space.</p>
+
+ <p><br style="clear:both" /></p>
+<hr class="full" />
+
+<p><!-- Page 3 --><span class="pagenum"><a name="page3"></a>{3}</span></p>
+
+<h3>RULES FOR THE USE OF
+ABBREVIATIONS</h3>
+
+ <p>I. GENERAL RULES.</p>
+
+ <p>Use no contractions or abbreviations in any place where there is room
+ to print the words in full.</p>
+
+ <p>All legitimate words should be spelled out in full in text matter, but
+ abbreviations are often needed in book work for footnotes and tables and
+ in commercial work, where many brief forms and signs are used which are
+ commonly understood and are as intelligible as words.</p>
+
+ <p>Certain special forms of printing such as market and stock reports,
+ sporting news, price lists, directories, telephone directories, and the
+ like make extensive use of abbreviations and signs. These abbreviations
+ are of very limited use and often of only temporary life. They are not
+ intelligible to general readers and should never be used outside the
+ particular form of composition to which they pertain. De Vinne suggests
+ that in the absence of printed authority (many of these abbreviations not
+ appearing in the dictionary lists) every proofreader would do well to
+ keep a manuscript book of unlisted abbreviations which he has to use
+ repeatedly as a means of securing uniformity of form.</p>
+
+ <p>II. DATES.</p>
+
+ <p>Dates are not generally abbreviated in regular text matter; <i>The
+ Declaration of Independence was signed on July the fourth, 1776.</i> The
+ word <i>the</i> is sometimes omitted. The date might be written <i>July
+ fourth</i> but never <i>July four</i>.</p>
+
+ <p>The abbreviations <i>ult.</i> <i>inst.</i> and <i>prox.</i> with a
+ numeral (meaning <i>the 25th of last month</i>, <i>the 25th of this
+ month</i>, <i>the 25th of next month</i>) are often used in letters, but
+ should not be used in print unless the literal reproduction of a letter
+ is intended. <!-- Page 4 --><span class="pagenum"><a
+ name="page4"></a>{4}</span></p>
+
+ <p>Do not use <i>st</i>, <i>d</i>, <i>rd</i>, or <i>th</i> after a date
+ given in figures; <i>August the sixth</i>, not <i>August 6th</i>.</p>
+
+ <p>The accepted abbreviations for the months are:</p>
+
+<table class="nobctr" summary="Months." title="Months.">
+<tr><td class="nspacsingle"> <i>Jan.</i>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <i>Apr.</i>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <i>July</i>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <i>Oct.</i></td></tr>
+<tr><td class="nspacsingle"> <i>Feb.</i> </td><td class="nspacsingle"> <i>May</i> </td><td class="nspacsingle"> <i>Aug.</i> </td><td class="nspacsingle"> <i>Nov.</i></td></tr>
+<tr><td class="nspacsingle"> <i>Mar.</i> </td><td class="nspacsingle"> <i>June</i> </td><td class="nspacsingle"> <i>Sept.</i> </td><td class="nspacsingle"> <i>Dec.</i></td></tr>
+</table>
+
+ <p>The accepted abbreviations for the days of the week are:</p>
+
+<table class="nobctr" summary="Days." title="Days.">
+<tr><td class="nspacsingle"> <i>Sun.</i>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <i>Tues.</i>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <i>Thurs.</i>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <i>Sat.</i></td></tr>
+<tr><td class="nspacsingle"> <i>Mon.</i> </td><td class="nspacsingle"> <i>Wed.</i> </td><td class="nspacsingle"> <i>Fri.</i></td></tr>
+</table>
+
+ <p>The accepted abbreviations may be used for the months when the day is
+ given, but not when the month and year alone are given;</p>
+
+<p class="cenhead"><i>Jan. 15, 1916</i>, but <i>January 1916</i>.</p>
+
+ <p>Some good authorities prefer the order day, month, year; <i>15 Jan.,
+ 1916</i>, but this is a matter of office style. Generally speaking the
+ more common order is the better quite regardless of the logical character
+ because it requires less mental effort on the part of the reader. For
+ example in writing addresses English speaking people put the number
+ before the street, <i>59 Wall St.</i>, while others put the number after
+ the street, <i>Wall St., 59</i>. This is the logical order, because one
+ goes to the street and then finds the number, but it gives to the
+ American reader a curious sensation of mentally standing on one's
+ head.</p>
+
+ <p>There is another set of abbreviations, known as the Dewey dates, as
+ follows:</p>
+
+<table class="nobctr" summary="Dewey dates." title="Dewey dates.">
+<tr><td class="nspacsingle" style="text-align:center" colspan= "4"> Months &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle" style="text-align:center" colspan= "3"> Days of Week</td></tr>
+<tr><td class="nspacsingle"> <i>Ja.</i> &nbsp;</td><td class="nspacsingle"> <i>Apr.</i> &nbsp;</td><td class="nspacsingle"><i>Ju.</i> &nbsp;</td><td class="nspacsingle"> <i>O.</i> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <i>Su.</i> </td><td class="nspacsingle"> <i>W.</i> </td><td class="nspacsingle"> <i>S.</i></td></tr>
+<tr><td class="nspacsingle"> <i>F.</i> </td><td class="nspacsingle"> <i>My.</i> </td><td class="nspacsingle"> <i>Ag.</i> </td><td class="nspacsingle"> <i>N.</i> </td><td class="nspacsingle"> <i>M.</i> </td><td class="nspacsingle"> <i>Th.</i></td></tr>
+<tr><td class="nspacsingle"> <i>Mr.</i> </td><td class="nspacsingle"> <i>Je.</i> </td><td class="nspacsingle"> <i>S.</i> </td><td class="nspacsingle"> <i>D.</i> </td><td class="nspacsingle"> <i>Tu.</i> </td><td class="nspacsingle"> <i>F.</i></td></tr>
+</table>
+
+ <p>These may be used in tables and in other places where very great
+ condensation is necessary, but not elsewhere.</p>
+
+ <p>In general, much greater abbreviation is permissible in the tables,
+ notes, and other condensed matter than in the body of the text. <!-- Page
+ 5 --><span class="pagenum"><a name="page5"></a>{5}</span></p>
+
+ <p>III. TIME.</p>
+
+ <p>Statements of time should not be abbreviated in ordinary reading
+ matter; <i>at half past two o'clock in the afternoon</i>. If the context
+ makes it clear whether forenoon or afternoon is meant one may write:</p>
+
+<p class="cenhead"><i>at three, at seven o' clock</i>.</p>
+
+ <p>This form is used statistically, in enumerations, in tables, and the
+ like.</p>
+
+ <p>IV. OTHER ABBREVIATIONS INVOLVING THE USE OF NUMERALS.</p>
+
+ <p>The use of numerals and the spelling of numbers in full will be found
+ treated at length in the Printer's Manual of Style (No. 42). As the use
+ of the numeral is in a sense an abbreviation a few general rules may
+ properly be given here.</p>
+
+<blockquote class="b1n">
+
+ <p>1. Spell out ages;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>eighty-two years and four months old</i>.</p>
+ <p><i>in his eighty-third year</i>.</p>
+ <p><i>children between the ages of six and fourteen</i>.</p>
+ </div>
+ </div>
+
+ <p>2. Spell out references to decades;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>in the early eighties</i>.</p>
+ </div>
+ </div>
+
+ <p>The form <i>in the '80s</i>, is very objectionable.</p>
+
+ <p>3. Spell out numbers of centuries, of sessions of Congress, of
+ military bodies, of political divisions, of Egyptian Dynasties, of
+ streets, and the like unless lack of space renders the abbreviation
+ absolutely necessary.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>Twentieth century</i>.</p>
+ <p><i>Forty-second Congress</i>.</p>
+ <p><i>One hundred and first Pennsylvania Infantry</i>.</p>
+ <p><i>Eighteenth Dynasty</i>.</p>
+ <p><i>Ninth Ward</i>.</p>
+ <p><i>Fifth Avenue</i>.</p>
+ </div>
+ </div>
+
+ <p>In case numerals are used, Egyptian Dynasties are always designated by
+ Roman numerals. Writers on Egypt usually use this form:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>XVIII<i>th Dynasty</i>.</p>
+ </div>
+ </div>
+
+<p><!-- Page 6 --><span class="pagenum"><a name="page6"></a>{6}</span></p>
+
+ <p>4. Spell out sums of money when occurring in ordinary reading matter
+ in isolated cases:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>That press cost five thousand dollars.</i></p>
+ </div>
+ </div>
+
+ <p>When several such numbers occur close together, and in all statistical
+ matter, use figures.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>Those three presses cost $2,500, $3,600, and $5,000.</i></p>
+ </div>
+ </div>
+
+ <p>5. Spell out round numbers, that is, approximate numbers in units of
+ 100 in numbers of less than 1000 and in units of 1000 if the numbers are
+ more.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>An army corps numbers forty thousand men.</i></p>
+ <p><i>The Fifth Corps numbers 37,462.</i></p>
+ <p><i>There are about five hundred officers.</i></p>
+ </div>
+ </div>
+
+ <p>Write <i>fifteen hundred</i> and the like when the phrase is in common
+ use, not <i>one thousand five hundred</i>.</p>
+
+ <p>6. Spell out all numbers, no matter how high, when they begin a
+ sentence.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>Four thousand nine hundred and sixty-four soldiers, 109 officers, and 10,000 civilians were surrendered with the fort.</i></p>
+ </div>
+ </div>
+
+ <p>7. Spell out in ordinary reading matter all numbers of less than three
+ digits, unless they are of a statistical or technical character or occur
+ in groups of six or more in close connection.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>There are sixty cities in the United States with a population of 100,000 or over.</i></p>
+ <p><i>a ninety-ton engine</i>.</p>
+ <p><i>five pounds of butter</i>.</p>
+ <p><i>He lived only two years, one month, and twenty days.</i></p>
+ <p><i>He spent 137 days in prison.</i></p>
+ <p><i>A ratio of 16 to 1</i>.</p>
+ <p><i>The death rate varies from 1 in 15 to 1 in 65.</i></p>
+ <p><i>Send home:</i></p>
+ <p class="i2"><i>2 pounds of butter</i></p>
+ <p class="i2"><i>1 pound of sugar</i></p>
+ <p class="i2"><i>½ pound of coffee</i></p>
+ <p class="i2"><i>¼ pound of tea</i></p>
+ <p class="i2"><i>2 pecks of potatoes</i></p>
+ <p class="i2"><i>1 pound of salt pork</i></p>
+ <p class="i2"><i>2 pounds of lard</i></p>
+ <p class="i2"><i>1 quart of milk</i></p>
+ </div>
+ </div>
+
+<p><!-- Page 7 --><span class="pagenum"><a name="page7"></a>{7}</span></p>
+
+ <p>Treat all numbers in collected groups alike if possible, that is use
+ either the long or the short form for all. If the largest contains three
+ or more digits use figures for all.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>They came in groups of 50, 80, 100, and even 200.</i></p>
+ </div>
+ </div>
+
+ <p>8. Express in figures as a rule decimals, degrees, dimensions,
+ distances, enumerations, money, (but see 4 above), percentage, weights,
+ and the like.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>.542, 98°</i>, <i>9 cubic yards</i>, <i>37 miles</i>, <i>24 pages</i>, <i>$1000</i>,</p>
+ <p><i>6 per cent</i> (<i>or 6% but never six %</i>), <i>175 pounds</i>.</p>
+ </div>
+ </div>
+
+</blockquote>
+
+ <p>V. GEOGRAPHICAL ABBREVIATIONS.</p>
+
+ <p>Geographical names are ordinarily not abbreviated in text matter. The
+ abbreviations in the subjoined lists are commonly recognized and may be
+ used in lists, bibliographical matter, and elsewhere where condensation
+ is desired.</p>
+
+<p class="cenhead"><span class="sc">United States and Territories</span></p>
+
+<table class="nobctr" summary="U.S. States." title="U.S. States.">
+<tr><td class="nspacsingle"> Ala. </td><td class="nspacsingle"> Alabama </td><td class="nspacsingle"> N. D. </td><td class="nspacsingle"> North Dakota</td></tr>
+<tr><td class="nspacsingle"> Alaska &nbsp;</td><td class="nspacsingle"> Alaska </td><td class="nspacsingle"> Neb. </td><td class="nspacsingle"> Nebraska</td></tr>
+<tr><td class="nspacsingle"> Ariz. </td><td class="nspacsingle"> Arizona </td><td class="nspacsingle"> Nev. </td><td class="nspacsingle"> Nevada</td></tr>
+<tr><td class="nspacsingle"> Ark. </td><td class="nspacsingle"> Arkansas </td><td class="nspacsingle"> N. H. </td><td class="nspacsingle"> New Hampshire</td></tr>
+<tr><td class="nspacsingle"> Cal. </td><td class="nspacsingle"> California </td><td class="nspacsingle"> N. J. </td><td class="nspacsingle"> New Jersey</td></tr>
+<tr><td class="nspacsingle"> Colo. </td><td class="nspacsingle"> Colorado </td><td class="nspacsingle"> N. M. </td><td class="nspacsingle"> New Mexico</td></tr>
+<tr><td class="nspacsingle"> Conn. </td><td class="nspacsingle"> Connecticut </td><td class="nspacsingle"> N. Y. </td><td class="nspacsingle"> New York</td></tr>
+<tr><td class="nspacsingle"> D. C. </td><td class="nspacsingle"> District of Columbia &nbsp; &nbsp; </td><td class="nspacsingle"> Ohio </td><td class="nspacsingle"> Ohio</td></tr>
+<tr><td class="nspacsingle"> Del. </td><td class="nspacsingle"> Delaware </td><td class="nspacsingle"> Okla. </td><td class="nspacsingle"> Oklahoma</td></tr>
+<tr><td class="nspacsingle"> Fla. </td><td class="nspacsingle"> Florida </td><td class="nspacsingle"> Ore. </td><td class="nspacsingle"> Oregon</td></tr>
+<tr><td class="nspacsingle"> Ga. </td><td class="nspacsingle"> Georgia </td><td class="nspacsingle"> Pa. </td><td class="nspacsingle"> Pennsylvania</td></tr>
+<tr><td class="nspacsingle"> H. I. </td><td class="nspacsingle"> Hawaiian Islands </td><td class="nspacsingle"> P. I. </td><td class="nspacsingle"> Philippine Islands</td></tr>
+<tr><td class="nspacsingle"> Idaho </td><td class="nspacsingle"> Idaho </td><td class="nspacsingle"> P. R. </td><td class="nspacsingle"> Porto Rico</td></tr>
+<tr><td class="nspacsingle"> Ill. </td><td class="nspacsingle"> Illinois </td><td class="nspacsingle"> R. I. </td><td class="nspacsingle"> Rhode Island</td></tr>
+<tr><td class="nspacsingle"> Ind. </td><td class="nspacsingle"> Indiana </td><td class="nspacsingle"> Samoa &nbsp;</td><td class="nspacsingle"> Samoa</td></tr>
+<tr><td class="nspacsingle"> Ia. </td><td class="nspacsingle"> Iowa </td><td class="nspacsingle"> S. C. </td><td class="nspacsingle"> South Carolina</td></tr>
+<tr><td class="nspacsingle"> Kan. </td><td class="nspacsingle"> Kansas </td><td class="nspacsingle"> S. D. </td><td class="nspacsingle"> South Dakota</td></tr>
+<tr><td class="nspacsingle"> Ky. </td><td class="nspacsingle"> Kentucky </td><td class="nspacsingle"> Tenn. </td><td class="nspacsingle"> Tennessee</td></tr>
+<tr><td class="nspacsingle"> La. </td><td class="nspacsingle"> Louisiana </td><td class="nspacsingle"> Tex. </td><td class="nspacsingle"> Texas</td></tr>
+<tr><td class="nspacsingle"> Me. </td><td class="nspacsingle"> Maine </td><td class="nspacsingle"> T. H. </td><td class="nspacsingle"> Territory of Hawaii</td></tr>
+<tr><td class="nspacsingle"> Mass. </td><td class="nspacsingle"> Massachusetts </td><td class="nspacsingle"> Utah </td><td class="nspacsingle"> Utah</td></tr>
+<tr><td class="nspacsingle"> Md. </td><td class="nspacsingle"> Maryland </td><td class="nspacsingle"> Vt. </td><td class="nspacsingle"> Vermont</td></tr>
+<tr><td class="nspacsingle"> Mich. </td><td class="nspacsingle"> Michigan </td><td class="nspacsingle"> Va. </td><td class="nspacsingle"> Virginia</td></tr>
+<tr><td class="nspacsingle"> Minn. </td><td class="nspacsingle"> Minnesota </td><td class="nspacsingle"> Wash. </td><td class="nspacsingle"> Washington</td></tr>
+<tr><td class="nspacsingle"> Mo. </td><td class="nspacsingle"> Missouri </td><td class="nspacsingle"> Wis. </td><td class="nspacsingle"> Wisconsin</td></tr>
+<tr><td class="nspacsingle"> Mont. </td><td class="nspacsingle"> Montana </td><td class="nspacsingle"> W. Va.</td><td class="nspacsingle"> West Virginia</td></tr>
+<tr><td class="nspacsingle"> N. C. </td><td class="nspacsingle"> North Carolina </td><td class="nspacsingle"> Wyo. </td><td class="nspacsingle"> Wyoming</td></tr>
+</table>
+
+<p><!-- Page 8 --><span class="pagenum"><a name="page8"></a>{8}</span></p>
+
+<p class="cenhead"><span class="sc">Foreign Countries</span></p>
+
+<table class="nobctr" summary="Foreign Countries." title="Foreign Countries.">
+<tr><td class="nspacsingle"> Aus. </td><td class="nspacsingle"> Austria</td></tr>
+<tr><td class="nspacsingle"> Austral. </td><td class="nspacsingle"> Australasia</td></tr>
+<tr><td class="nspacsingle"> B. A. </td><td class="nspacsingle"> British America</td></tr>
+<tr><td class="nspacsingle"> Br. Col. </td><td class="nspacsingle"> British Columbia</td></tr>
+<tr><td class="nspacsingle"> Can. </td><td class="nspacsingle"> Canada</td></tr>
+<tr><td class="nspacsingle"> C. B. </td><td class="nspacsingle"> Cape Breton</td></tr>
+<tr><td class="nspacsingle"> C. W. </td><td class="nspacsingle"> Canada West (Ontario)</td></tr>
+<tr><td class="nspacsingle"> Den. </td><td class="nspacsingle"> Denmark</td></tr>
+<tr><td class="nspacsingle"> E. </td><td class="nspacsingle"> East (London Postal District)</td></tr>
+<tr><td class="nspacsingle"> East Isl. </td><td class="nspacsingle"> Eastern Islands</td></tr>
+<tr><td class="nspacsingle"> E. C. </td><td class="nspacsingle"> East Central (London Postal District)</td></tr>
+<tr><td class="nspacsingle"> E. I. </td><td class="nspacsingle"> East Indies</td></tr>
+<tr><td class="nspacsingle"> Eng. </td><td class="nspacsingle"> England, English</td></tr>
+<tr><td class="nspacsingle"> Fin. </td><td class="nspacsingle"> Finland</td></tr>
+<tr><td class="nspacsingle"> G. B. </td><td class="nspacsingle"> Great Britain</td></tr>
+<tr><td class="nspacsingle"> Glas. </td><td class="nspacsingle"> Glasgow</td></tr>
+<tr><td class="nspacsingle"> Ire. </td><td class="nspacsingle"> Ireland</td></tr>
+<tr><td class="nspacsingle"> It. </td><td class="nspacsingle"> Italy</td></tr>
+<tr><td class="nspacsingle"> Jam. </td><td class="nspacsingle"> Jamaica</td></tr>
+<tr><td class="nspacsingle"> Jap. </td><td class="nspacsingle"> Japan</td></tr>
+<tr><td class="nspacsingle"> L. C. </td><td class="nspacsingle"> Lower Canada</td></tr>
+<tr><td class="nspacsingle"> Man. </td><td class="nspacsingle"> Manitoba</td></tr>
+<tr><td class="nspacsingle"> Mex. </td><td class="nspacsingle"> Mexico</td></tr>
+<tr><td class="nspacsingle"> N. </td><td class="nspacsingle"> North (London Postal District)</td></tr>
+<tr><td class="nspacsingle"> N. A. </td><td class="nspacsingle"> North America</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 9 --><span class="pagenum"><a name="page9"></a>{9}</span>
+ N. B. </td><td class="nspacsingle"> New Brunswick, North Britain</td></tr>
+<tr><td class="nspacsingle"> N. E. </td><td class="nspacsingle"> New England, Northeast (London Postal District)</td></tr>
+<tr><td class="nspacsingle"> Neth. </td><td class="nspacsingle"> Netherlands</td></tr>
+<tr><td class="nspacsingle"> N. F. </td><td class="nspacsingle"> Newfoundland</td></tr>
+<tr><td class="nspacsingle"> Norw. </td><td class="nspacsingle"> Norway</td></tr>
+<tr><td class="nspacsingle"> N. S. </td><td class="nspacsingle"> Nova Scotia</td></tr>
+<tr><td class="nspacsingle"> N. W. </td><td class="nspacsingle"> Northwest (London Postal District)</td></tr>
+<tr><td class="nspacsingle"> N. Zeal. </td><td class="nspacsingle"> New Zealand</td></tr>
+<tr><td class="nspacsingle"> Ont. </td><td class="nspacsingle"> Ontario</td></tr>
+<tr><td class="nspacsingle"> Pal. </td><td class="nspacsingle"> Palestine</td></tr>
+<tr><td class="nspacsingle"> P. D. </td><td class="nspacsingle"> Postal District (London)</td></tr>
+<tr><td class="nspacsingle"> P. E. I. </td><td class="nspacsingle"> Prince Edward Island</td></tr>
+<tr><td class="nspacsingle"> Per. </td><td class="nspacsingle"> Persia</td></tr>
+<tr><td class="nspacsingle"> Port. </td><td class="nspacsingle"> Portugal</td></tr>
+<tr><td class="nspacsingle"> Prus. </td><td class="nspacsingle"> Prussia</td></tr>
+<tr><td class="nspacsingle"> Que. </td><td class="nspacsingle"> Quebec</td></tr>
+<tr><td class="nspacsingle"> Russ. </td><td class="nspacsingle"> Russia</td></tr>
+<tr><td class="nspacsingle"> S. </td><td class="nspacsingle"> South (London Postal District)</td></tr>
+<tr><td class="nspacsingle"> S. A. </td><td class="nspacsingle"> South America</td></tr>
+<tr><td class="nspacsingle"> Scot. </td><td class="nspacsingle"> Scotland</td></tr>
+<tr><td class="nspacsingle"> Sc. Pen. </td><td class="nspacsingle"> Scandinavian Peninsula</td></tr>
+<tr><td class="nspacsingle"> S. E. </td><td class="nspacsingle"> Southeast (London Postal District)</td></tr>
+<tr><td class="nspacsingle"> Sic. </td><td class="nspacsingle"> Sicily</td></tr>
+<tr><td class="nspacsingle"> S. Isl. </td><td class="nspacsingle"> Sandwich Islands</td></tr>
+<tr><td class="nspacsingle"> Soc. Isl. &nbsp; &nbsp;</td><td class="nspacsingle"> Society Islands</td></tr>
+<tr><td class="nspacsingle"> S. Lat. </td><td class="nspacsingle"> South Latitude</td></tr>
+<tr><td class="nspacsingle"> Sp. </td><td class="nspacsingle"> Spain</td></tr>
+<tr><td class="nspacsingle"> Sw. </td><td class="nspacsingle"> Sweden</td></tr>
+<tr><td class="nspacsingle"> Switz. </td><td class="nspacsingle"> Switzerland</td></tr>
+<tr><td class="nspacsingle"> Syr. </td><td class="nspacsingle"> Syria</td></tr>
+<tr><td class="nspacsingle"> U. C. </td><td class="nspacsingle"> Upper Canada (Ontario)</td></tr>
+<tr><td class="nspacsingle"> U. K. </td><td class="nspacsingle"> United Kingdom</td></tr>
+<tr><td class="nspacsingle"> V. </td><td class="nspacsingle"> Victoria</td></tr>
+<tr><td class="nspacsingle"> W. </td><td class="nspacsingle"> Welsh, West. West (London Postal District)</td></tr>
+<tr><td class="nspacsingle"> W. C. </td><td class="nspacsingle"> West Central (London Postal District)</td></tr>
+<tr><td class="nspacsingle"> W. I. </td><td class="nspacsingle"> West Indies</td></tr>
+<tr><td class="nspacsingle"> W. lon. </td><td class="nspacsingle"> West longitude</td></tr>
+</table>
+
+<p><!-- Page 10 --><span class="pagenum"><a name="page10"></a>{10}</span></p>
+
+ <p>VI. NAMES.</p>
+
+<blockquote class="b1n">
+
+ <p>1. Abbreviate <i>Saint</i> in names of persons, cities, streets,
+ churches, etc.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>St. John Chrysostom</i>, <i>St. Paul</i>, <i>St. Botolph Street</i>,</p>
+ <p><i>The Church of SS</i> (<i>Saints</i>) <i>Peter and Paul</i>.</p>
+ </div>
+ </div>
+
+ <p>The word <i>Saint</i> is now omitted in speaking of the evangelists,
+ the apostles, or the church fathers.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>The Gospel according to Luke</i>.</p>
+ <p><i>Paul's doctrine of salvation</i>.</p>
+ <p><i>Augustine's</i> "<i>City of God</i>."</p>
+ </div>
+ </div>
+
+ <p>2. In technical matter (footnotes, references etc.) use <i>Co.</i>,
+ <i>Bros.</i>, and <i>ampersand</i> (<i>&amp;</i>) in firm names and names
+ of corporations.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>The Rand-McNalley Co.</i></p>
+ <p><i>Macmillan &amp; Co.</i></p>
+ <p><i>Harper Bros.</i></p>
+ <p><i>New York, New Haven, &amp; Hartford Railroad</i>.</p>
+ </div>
+ </div>
+
+ <p>In text matter not of a technical character it is better not to
+ abbreviate.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>Harper Brothers have published.</i></p>
+ <p><i>It was printed by the Rand-McNalley Company.</i></p>
+ <p><i>The romantic history of the East India Company</i>.</p>
+ </div>
+ </div>
+
+ <p>Do not use <i>ampersand</i> except with names of persons.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>John Brown &amp; Co.</i></p>
+ <p><i>The Brown Printing and Publishing Co.</i></p>
+ </div>
+ </div>
+
+ <p>When railroad names or other long names are abbreviated, use no spaces
+ between the letters.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>N.Y.N.H. &amp; H.R.R.</i></p>
+ <p><i>U.T. &amp; F.C. of A.</i></p>
+ </div>
+ </div>
+
+ <p>3. Do not abbreviate <i>United States</i> except:</p>
+
+ <p>(<i>a</i>) in immediate connection with the name of an officer in the
+ army or navy.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>Capt. John Smith, U.S.A.</i></p>
+ <p><i>Lieut. William Brown, U.S.N.</i></p>
+ </div>
+ </div>
+
+ <p>(<i>b</i>) When it is part of the name of an organization.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>First Regiment, U.S.V.</i></p>
+ </div>
+ </div>
+
+<p><!-- Page 11 --><span class="pagenum"><a name="page11"></a>{11}</span></p>
+
+ <p>(<i>c</i>) When preceding the name of a ship.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>U.S.S. Texas</i>.</p>
+ </div>
+ </div>
+
+ <p>4. Christian names should be spelled in full in text matter, except in
+ an original signature or when following copy in a quotation.</p>
+
+ <p>The following is a list of the accepted abbreviations of the more
+ common Christian names.</p>
+
+<table class="nobctr" summary="Christian names." title="Christian names.">
+<tr><td class="nspacsingle"> Alex. </td><td class="nspacsingle"> Alexander </td><td class="nspacsingle"> Fred. </td><td class="nspacsingle"> Frederick</td></tr>
+<tr><td class="nspacsingle"> And. </td><td class="nspacsingle"> Andrew </td><td class="nspacsingle"> Geo. </td><td class="nspacsingle"> George</td></tr>
+<tr><td class="nspacsingle"> Anth. </td><td class="nspacsingle"> Anthony </td><td class="nspacsingle"> Herbt. </td><td class="nspacsingle"> Herbert</td></tr>
+<tr><td class="nspacsingle"> Ap. </td><td class="nspacsingle"> Appius </td><td class="nspacsingle"> Hos. </td><td class="nspacsingle"> Hosea</td></tr>
+<tr><td class="nspacsingle"> Arch. </td><td class="nspacsingle"> Archibald </td><td class="nspacsingle"> Jas. </td><td class="nspacsingle"> James</td></tr>
+<tr><td class="nspacsingle"> Aug. </td><td class="nspacsingle"> August, Augustus&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> Jona. </td><td class="nspacsingle"> Jonathan</td></tr>
+<tr><td class="nspacsingle"> Benj. </td><td class="nspacsingle"> Benjamin </td><td class="nspacsingle"> Jos. </td><td class="nspacsingle"> Joseph</td></tr>
+<tr><td class="nspacsingle"> C. </td><td class="nspacsingle"> Cæsar </td><td class="nspacsingle"> Josh. </td><td class="nspacsingle"> Joshua</td></tr>
+<tr><td class="nspacsingle"> Cæs. Aug. &nbsp;</td><td class="nspacsingle"> Cæsar Augustus </td><td class="nspacsingle"> Matt. </td><td class="nspacsingle"> Matthew</td></tr>
+<tr><td class="nspacsingle"> Cath. </td><td class="nspacsingle"> Catherine </td><td class="nspacsingle"> Nath. </td><td class="nspacsingle"> Nathaniel</td></tr>
+<tr><td class="nspacsingle"> Chas. </td><td class="nspacsingle"> Charles </td><td class="nspacsingle"> Pet. </td><td class="nspacsingle"> Peter</td></tr>
+<tr><td class="nspacsingle"> Dan. </td><td class="nspacsingle"> Daniel </td><td class="nspacsingle"> Phil. </td><td class="nspacsingle"> Philip, Philander</td></tr>
+<tr><td class="nspacsingle"> Eben. </td><td class="nspacsingle"> Ebenezer </td><td class="nspacsingle"> Phile. </td><td class="nspacsingle"> Philemon</td></tr>
+<tr><td class="nspacsingle"> Edm. </td><td class="nspacsingle"> Edmund </td><td class="nspacsingle"> Reg. </td><td class="nspacsingle"> Reginald</td></tr>
+<tr><td class="nspacsingle"> Edw. </td><td class="nspacsingle"> Edward </td><td class="nspacsingle"> Richd. &nbsp; &nbsp; &nbsp;</td><td class="nspacsingle"> Richard</td></tr>
+<tr><td class="nspacsingle"> Eliz. </td><td class="nspacsingle"> Elizabeth </td><td class="nspacsingle"> Robt. </td><td class="nspacsingle"> Robert</td></tr>
+<tr><td class="nspacsingle"> Esd. </td><td class="nspacsingle"> Esdras </td><td class="nspacsingle"> Sam. </td><td class="nspacsingle"> Samuel</td></tr>
+<tr><td class="nspacsingle"> Esth. </td><td class="nspacsingle"> Esther </td><td class="nspacsingle"> Theo. </td><td class="nspacsingle"> Theodore</td></tr>
+<tr><td class="nspacsingle"> Ez. </td><td class="nspacsingle"> Ezra </td><td class="nspacsingle"> Thos. </td><td class="nspacsingle"> Thomas</td></tr>
+<tr><td class="nspacsingle"> Ezek. </td><td class="nspacsingle"> Ezekiel </td><td class="nspacsingle"> Tim. </td><td class="nspacsingle"> Timothy</td></tr>
+<tr><td class="nspacsingle"> Ferd. </td><td class="nspacsingle"> Ferdinand </td><td class="nspacsingle"> Wm. </td><td class="nspacsingle"> William</td></tr>
+<tr><td class="nspacsingle"> Fran. </td><td class="nspacsingle"> Francis </td><td class="nspacsingle"> </td></tr>
+</table>
+
+ <p><i>Alex</i>, <i>Ben</i>, <i>Ed</i>, <i>Fred</i>, <i>Sam</i>, and
+ <i>Tom</i> are not always abbreviations and copy should be followed as
+ regards the period. Any unusual abbreviations used by an individual
+ should be followed in giving an original signature.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>G<sup>o</sup>. Washington</i>.</p>
+ </div>
+ </div>
+
+</blockquote>
+
+<p><!-- Page 12 --><span class="pagenum"><a name="page12"></a>{12}</span></p>
+
+ <p>VII. TITLES.</p>
+
+<blockquote class="b1n">
+
+ <p>1. As a rule titles prefixed to a name should not be abbreviated
+ except <i>Mr.</i>, <i>Messrs.</i>, <i>Mrs.</i> (French <i>M.</i>,
+ <i>MM.</i>, <i>Mme.</i>, <i>Mlle.</i>), <i>Dr.</i>, <i>Rev.</i>, and
+ <i>Hon.</i></p>
+
+ <p><i>Professor</i>, <i>Colonel</i>, <i>General</i> and some others may
+ be abbreviated when the initials of the name are used;</p>
+
+<table class="nobctr" summary="Professor and General." title="Professor and General.">
+<tr><td class="nspacsingle"> <i>Professor Smith</i> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <i>Prof. J. T. Smith</i></td></tr>
+<tr><td class="nspacsingle"> <i>General Grant</i> </td><td class="nspacsingle"> <i>Gen. U. S. Grant</i></td></tr>
+</table>
+
+ <p><i>Hon.</i> and <i>Rev.</i>, which are similarly used, need special
+ attention as they are often used wrongly. The following is the correct
+ use;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>The Reverend John Smith</i> (formal reference)</p>
+ <p><i>The Rev. John Smith</i> (quotation or correspondence)</p>
+ <p><i>Rev. Mr. Smith</i></p>
+ <p><i>Rev. John Smith</i></p>
+ </div>
+ </div>
+
+ <p><i>Rev. Smith</i> is wrong and should never be used except as any
+ illiterate form may be used in a quotation. When the names of sovereigns
+ are mentioned only occasionally such names may be given in full.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>George the Fifth</i>, <i>William the Second</i>.</p>
+ </div>
+ </div>
+
+ <p>When such names occur frequently, as in historical writing, they may
+ be printed with Roman numerals without a period;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>George V</i>, <i>William II</i></p>
+ </div>
+ </div>
+
+ <p>Other titles following a name are abbreviated in accordance with the
+ following list.</p>
+
+<table class="nobctr" summary="Titles after names." title="Titles after names.">
+<tr><td class="nspacsingle"> A.B. or B.A. </td><td class="nspacsingle"> (<i>Artium Baccalaureus</i>) Bachelor of Arts</td></tr>
+<tr><td class="nspacsingle"> Abp. </td><td class="nspacsingle"> Archbishop</td></tr>
+<tr><td class="nspacsingle"> A.C. </td><td class="nspacsingle"> Archchancellor</td></tr>
+<tr><td class="nspacsingle"> A.D. </td><td class="nspacsingle"> Archduke</td></tr>
+<tr><td class="nspacsingle"> A.D.C. </td><td class="nspacsingle"> Aide-de-camp</td></tr>
+<tr><td class="nspacsingle"> Adjt. </td><td class="nspacsingle"> Adjutant</td></tr>
+<tr><td class="nspacsingle"> Adm. </td><td class="nspacsingle"> Admiral</td></tr>
+<tr><td class="nspacsingle"> Admr. </td><td class="nspacsingle"> Administrator</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 13 --><span class="pagenum"><a name="page13"></a>{13}</span>
+ Admx., Admrx. </td><td class="nspacsingle"> Administratrix</td></tr>
+<tr><td class="nspacsingle"> Adv. </td><td class="nspacsingle"> Advocate</td></tr>
+<tr><td class="nspacsingle"> Agt. </td><td class="nspacsingle"> Agent</td></tr>
+<tr><td class="nspacsingle"> Aldm. </td><td class="nspacsingle"> Alderman</td></tr>
+<tr><td class="nspacsingle"> A.M. or M.A. </td><td class="nspacsingle"> (<i>Artium Magister</i>) Master of Arts</td></tr>
+<tr><td class="nspacsingle"> Amb. </td><td class="nspacsingle"> Ambassador</td></tr>
+<tr><td class="nspacsingle"> A.P.A. </td><td class="nspacsingle"> American Protective Association</td></tr>
+<tr><td class="nspacsingle"> Asst. </td><td class="nspacsingle"> Assistant</td></tr>
+<tr><td class="nspacsingle"> A.T. </td><td class="nspacsingle"> Archtreasurer</td></tr>
+<tr><td class="nspacsingle"> Atty. </td><td class="nspacsingle"> Attorney</td></tr>
+<tr><td class="nspacsingle"> B.A. or A.B. </td><td class="nspacsingle"> Bachelor of Arts</td></tr>
+<tr><td class="nspacsingle"> Bart. </td><td class="nspacsingle"> Baronet</td></tr>
+<tr><td class="nspacsingle"> B.C.L. </td><td class="nspacsingle"> Bachelor of Civil Law</td></tr>
+<tr><td class="nspacsingle"> B.D. </td><td class="nspacsingle"> (<i>Baccalaureus Divinitatis</i>) Bachelor of Divinity</td></tr>
+<tr><td class="nspacsingle"> B.LL. </td><td class="nspacsingle"> (<i>Baccalaureus Legum</i>) Bachelor of Laws</td></tr>
+<tr><td class="nspacsingle"> B.M. </td><td class="nspacsingle"> (<i>Baccalaureus Medicinæ</i>) Bachelor of Medicine</td></tr>
+<tr><td class="nspacsingle"> Bp. </td><td class="nspacsingle"> Bishop</td></tr>
+<tr><td class="nspacsingle"> B.R. </td><td class="nspacsingle"> (<i>Banco Regis</i> or <i>Reginæ</i>) The King's or Queen's Bench</td></tr>
+<tr><td class="nspacsingle"> Brig.-Gen. </td><td class="nspacsingle"> Brigadier-General</td></tr>
+<tr><td class="nspacsingle"> Bro(s). </td><td class="nspacsingle"> Brother(s)</td></tr>
+<tr><td class="nspacsingle"> B.S. </td><td class="nspacsingle"> Bachelor of Science or Bachelor of Surgery</td></tr>
+<tr><td class="nspacsingle"> B.V. </td><td class="nspacsingle"> (<i>Beata Virgo</i>) Blessed Virgin</td></tr>
+<tr><td class="nspacsingle"> Cantab. </td><td class="nspacsingle"> (<i>Cantabrigia</i>) Cambridge</td></tr>
+<tr><td class="nspacsingle"> Capt. </td><td class="nspacsingle"> Captain</td></tr>
+<tr><td class="nspacsingle"> Capt.-Gen. </td><td class="nspacsingle"> Captain-General</td></tr>
+<tr><td class="nspacsingle"> Cash. </td><td class="nspacsingle"> Cashier</td></tr>
+<tr><td class="nspacsingle"> C.B. </td><td class="nspacsingle"> Companion of the Bath</td></tr>
+<tr><td class="nspacsingle"> C.C.P. </td><td class="nspacsingle"> Court of Common Pleas</td></tr>
+<tr><td class="nspacsingle"> C.E. </td><td class="nspacsingle"> Civil Engineer</td></tr>
+<tr><td class="nspacsingle"> C.J. </td><td class="nspacsingle"> Chief Justice</td></tr>
+<tr><td class="nspacsingle"> C.M.G. </td><td class="nspacsingle"> Companion of the Order of St. Michael and St. George</td></tr>
+<tr><td class="nspacsingle"> Col. </td><td class="nspacsingle"> Colonel</td></tr>
+<tr><td class="nspacsingle"> Com. </td><td class="nspacsingle"> Commander, Commodore</td></tr>
+<tr><td class="nspacsingle"> Corp. </td><td class="nspacsingle"> Corporal</td></tr>
+<tr><td class="nspacsingle"> Cor. Sec. </td><td class="nspacsingle"> Corresponding Secretary</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 14 --><span class="pagenum"><a name="page14"></a>{14}</span>
+ C.S. </td><td class="nspacsingle"> Court of Sessions</td></tr>
+<tr><td class="nspacsingle"> C.S. </td><td class="nspacsingle"> (<i>Custos Sigilli</i>) Keeper of the Seal</td></tr>
+<tr><td class="nspacsingle"> D.C.L. </td><td class="nspacsingle"> Doctor of Civil Law</td></tr>
+<tr><td class="nspacsingle"> D. D. </td><td class="nspacsingle"> Doctor of Divinity</td></tr>
+<tr><td class="nspacsingle"> D.D.S. </td><td class="nspacsingle"> Doctor of Dental Surgery</td></tr>
+<tr><td class="nspacsingle"> Dea. </td><td class="nspacsingle"> Deacon</td></tr>
+<tr><td class="nspacsingle"> Dep. </td><td class="nspacsingle"> Deputy</td></tr>
+<tr><td class="nspacsingle"> D. F. </td><td class="nspacsingle"> Defender of the Faith</td></tr>
+<tr><td class="nspacsingle"> D.M. </td><td class="nspacsingle"> Doctor of Music</td></tr>
+<tr><td class="nspacsingle"> Dr. </td><td class="nspacsingle"> Doctor</td></tr>
+<tr><td class="nspacsingle"> D.Sc. </td><td class="nspacsingle"> Doctor of Science</td></tr>
+<tr><td class="nspacsingle"> D.T. </td><td class="nspacsingle"> (<i>Doctor Theologiæ</i>) Doctor of Divinity</td></tr>
+<tr><td class="nspacsingle"> D.V.M or M.D.V. &nbsp; &nbsp; </td><td class="nspacsingle"> Doctor of Veterinary Medicine</td></tr>
+<tr><td class="nspacsingle"> E. </td><td class="nspacsingle"> (<i>after titles</i>) Edinburgh</td></tr>
+<tr><td class="nspacsingle"> Esq. </td><td class="nspacsingle"> Esquire</td></tr>
+<tr><td class="nspacsingle"> F.D. </td><td class="nspacsingle"> (<i>Fidei Defensor</i>) Defender of the Faith</td></tr>
+<tr><td class="nspacsingle"> F.G.S. </td><td class="nspacsingle"> Fellow of the Geological Society</td></tr>
+<tr><td class="nspacsingle"> Fr. </td><td class="nspacsingle"> Father</td></tr>
+<tr><td class="nspacsingle"> F.R.G.S. </td><td class="nspacsingle"> Fellow of the Royal Geographical Society</td></tr>
+<tr><td class="nspacsingle"> F.R.S. </td><td class="nspacsingle"> Fellow of the Royal Society</td></tr>
+<tr><td class="nspacsingle"> F.R.S.A. </td><td class="nspacsingle"> Fellow of the Royal Society of Arts</td></tr>
+<tr><td class="nspacsingle"> F.S.A. </td><td class="nspacsingle"> Fellow of the Society of Arts</td></tr>
+<tr><td class="nspacsingle"> G.C.B. </td><td class="nspacsingle"> Knight of the Grand Cross of the Bath</td></tr>
+<tr><td class="nspacsingle"> G.C.H. </td><td class="nspacsingle"> Knight of the Grand Cross of Hanover</td></tr>
+<tr><td class="nspacsingle"> G.C.M.G. </td><td class="nspacsingle"> Knight of the Grand Cross, Order of St. Michael and St. George</td></tr>
+<tr><td class="nspacsingle"> Gen. </td><td class="nspacsingle"> General</td></tr>
+<tr><td class="nspacsingle"> Gov. </td><td class="nspacsingle"> Governor</td></tr>
+<tr><td class="nspacsingle"> Govt. </td><td class="nspacsingle"> Government</td></tr>
+<tr><td class="nspacsingle"> G.R. </td><td class="nspacsingle"> (<i>Georgius Rex</i>) King George</td></tr>
+<tr><td class="nspacsingle"> H.B.M. </td><td class="nspacsingle"> His or Her Britannic Majesty</td></tr>
+<tr><td class="nspacsingle"> H.M. </td><td class="nspacsingle"> His or Her Majesty</td></tr>
+<tr><td class="nspacsingle"> H.M.S. </td><td class="nspacsingle"> His or Her Majesty's Service</td></tr>
+<tr><td class="nspacsingle"> Hon. </td><td class="nspacsingle"> Honorable</td></tr>
+<tr><td class="nspacsingle"> H.R. </td><td class="nspacsingle"> House of Representatives</td></tr>
+<tr><td class="nspacsingle"> H.R.E. </td><td class="nspacsingle"> Holy Roman Emperor</td></tr>
+<tr><td class="nspacsingle"> H.R.H. </td><td class="nspacsingle"> His or Her Royal Highness</td></tr>
+<tr><td class="nspacsingle"> H.S.H. </td><td class="nspacsingle"> His or Her Serene Highness</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 15 --><span class="pagenum"><a name="page15"></a>{15}</span>
+ I.N.R.I </td><td class="nspacsingle"> (<i>Jesus Nazarenus Rex Judæorum</i>) Jesus of Nazareth, King of the Jews</td></tr>
+<tr><td class="nspacsingle"> Insp. </td><td class="nspacsingle"> Inspector</td></tr>
+<tr><td class="nspacsingle"> Insp. Gen. </td><td class="nspacsingle"> Inspector General</td></tr>
+<tr><td class="nspacsingle"> I.O.O.F. </td><td class="nspacsingle"> Independent Order of Odd Fellows</td></tr>
+<tr><td class="nspacsingle"> J.A. </td><td class="nspacsingle"> Judge-Advocate</td></tr>
+<tr><td class="nspacsingle"> J.P. </td><td class="nspacsingle"> Justice of the Peace</td></tr>
+<tr><td class="nspacsingle"> J. Prob. </td><td class="nspacsingle"> Judge of the Probate</td></tr>
+<tr><td class="nspacsingle"> Jr. or Jun. </td><td class="nspacsingle"> Junior</td></tr>
+<tr><td class="nspacsingle"> K. </td><td class="nspacsingle"> King</td></tr>
+<tr><td class="nspacsingle"> K.A. </td><td class="nspacsingle"> Knight of St. Andrew, in Russia</td></tr>
+<tr><td class="nspacsingle"> K.A.N. </td><td class="nspacsingle"> Knight of Alexander Newski, in Russia</td></tr>
+<tr><td class="nspacsingle"> K.B. </td><td class="nspacsingle"> King's Bench; Knight of the Bath</td></tr>
+<tr><td class="nspacsingle"> K.B.A. </td><td class="nspacsingle"> Knight of St. Bento d'Avis, in Portugal</td></tr>
+<tr><td class="nspacsingle"> K.B.E. </td><td class="nspacsingle"> Knight of the Black Eagle, in Prussia</td></tr>
+<tr><td class="nspacsingle"> K.C. </td><td class="nspacsingle"> Knight of the Crescent, in Turkey; King's Council</td></tr>
+<tr><td class="nspacsingle"> K.C.B. </td><td class="nspacsingle"> Knight Commander of the Bath</td></tr>
+<tr><td class="nspacsingle"> K.C.H. </td><td class="nspacsingle"> Knight Commander of Hanover</td></tr>
+<tr><td class="nspacsingle"> K.C.M.G. </td><td class="nspacsingle"> Knight Commander, Order of St. Michael and St. George</td></tr>
+<tr><td class="nspacsingle"> K.C.S. </td><td class="nspacsingle"> Knight of Charles III, in Spain</td></tr>
+<tr><td class="nspacsingle"> K.E. </td><td class="nspacsingle"> Knight of the Elephant, in Denmark</td></tr>
+<tr><td class="nspacsingle"> K.F. </td><td class="nspacsingle"> Knight of Ferdinand of Spain</td></tr>
+<tr><td class="nspacsingle"> K.F.M. </td><td class="nspacsingle"> Knight of Ferdinand and Merit, in Sicily</td></tr>
+<tr><td class="nspacsingle"> K.G. </td><td class="nspacsingle"> Knight of the Garter</td></tr>
+<tr><td class="nspacsingle"> K.G.C. </td><td class="nspacsingle"> Knight of the Grand Cross</td></tr>
+<tr><td class="nspacsingle"> K.G.C.B. </td><td class="nspacsingle"> Knight of the Grand Cross of the Bath</td></tr>
+<tr><td class="nspacsingle"> K.G.F </td><td class="nspacsingle"> Knight of the Golden Fleece</td></tr>
+<tr><td class="nspacsingle"> K.G.H. </td><td class="nspacsingle"> Knight of the Guelph of Hanover</td></tr>
+<tr><td class="nspacsingle"> K.G.V. </td><td class="nspacsingle"> Knight of Gustavus Vasa of Sweden</td></tr>
+<tr><td class="nspacsingle"> K.H. </td><td class="nspacsingle"> Knight of Hanover</td></tr>
+<tr><td class="nspacsingle"> K.J. </td><td class="nspacsingle"> Knight of St. Joachim</td></tr>
+<tr><td class="nspacsingle"> K.L.H. </td><td class="nspacsingle"> Knight of the Legion of Honor</td></tr>
+<tr><td class="nspacsingle"> K.M. </td><td class="nspacsingle"> Knight of Malta</td></tr>
+<tr><td class="nspacsingle"> K. Mess. </td><td class="nspacsingle"> King's Messenger</td></tr>
+<tr><td class="nspacsingle"> K.M.H. </td><td class="nspacsingle"> Knight of Merit, in Holstein</td></tr>
+<tr><td class="nspacsingle"> K.M.J. </td><td class="nspacsingle"> Knight of Maximilian Joseph of Bavaria</td></tr>
+<tr><td class="nspacsingle"> K.M.T. </td><td class="nspacsingle"> Knight of Maria Theresa of Austria</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 16 --><span class="pagenum"><a name="page16"></a>{16}</span>
+ K.N.S. </td><td class="nspacsingle"> Knight of the Royal North Star, in Sweden</td></tr>
+<tr><td class="nspacsingle"> K.P. </td><td class="nspacsingle"> Knight of St. Patrick</td></tr>
+<tr><td class="nspacsingle"> K.R.E. </td><td class="nspacsingle"> Knight of the Red Eagle, in Prussia</td></tr>
+<tr><td class="nspacsingle"> K.S. </td><td class="nspacsingle"> Knight of the Sword, in Sweden</td></tr>
+<tr><td class="nspacsingle"> K.S.A. </td><td class="nspacsingle"> Knight of St. Anne of Russia</td></tr>
+<tr><td class="nspacsingle"> K.S.E. </td><td class="nspacsingle"> Knight of St. Esprit, in France</td></tr>
+<tr><td class="nspacsingle"> K.S.F. </td><td class="nspacsingle"> Knight of St. Fernando of Spain</td></tr>
+<tr><td class="nspacsingle"> K.S.F.M. </td><td class="nspacsingle"> Knight of St. Ferdinand and Merit, in Naples</td></tr>
+<tr><td class="nspacsingle"> K.S.G. </td><td class="nspacsingle"> Knight of St. George of Russia</td></tr>
+<tr><td class="nspacsingle"> K.S.H. </td><td class="nspacsingle"> Knight of St. Hubert of Bavaria</td></tr>
+<tr><td class="nspacsingle"> K.S.J. </td><td class="nspacsingle"> Knight of St. Januarius of Naples</td></tr>
+<tr><td class="nspacsingle"> K.S.L. </td><td class="nspacsingle"> Knight of the Sun and Lion, in Persia</td></tr>
+<tr><td class="nspacsingle"> K.S.M. &amp; S.G. </td><td class="nspacsingle"> Knight of St. Michael and St. George, in the Ionian Isles</td></tr>
+<tr><td class="nspacsingle"> K.S.P. </td><td class="nspacsingle"> Knight of St. Stanislaus of Poland</td></tr>
+<tr><td class="nspacsingle"> K.S.S. </td><td class="nspacsingle"> Knight of the Southern Star of the Brazils, Knight of the Sword, in Sweden</td></tr>
+<tr><td class="nspacsingle"> K.S.W. </td><td class="nspacsingle"> Knight of St. Wladimir of Russia</td></tr>
+<tr><td class="nspacsingle"> Kt. </td><td class="nspacsingle"> Knight</td></tr>
+<tr><td class="nspacsingle"> K.T. </td><td class="nspacsingle"> Knight of the Thistle</td></tr>
+<tr><td class="nspacsingle"> K.T.S. </td><td class="nspacsingle"> Knight of the Tower and Sword, in Portugal</td></tr>
+<tr><td class="nspacsingle"> K.W. </td><td class="nspacsingle"> Knight of William of the Netherlands</td></tr>
+<tr><td class="nspacsingle"> K.W.E. </td><td class="nspacsingle"> Knight of the White Eagle, in Poland</td></tr>
+<tr><td class="nspacsingle"> L. </td><td class="nspacsingle"> (<i>after titles</i>) London</td></tr>
+<tr><td class="nspacsingle"> L.C. </td><td class="nspacsingle"> Lord Chancellor</td></tr>
+<tr><td class="nspacsingle"> L.C.J. </td><td class="nspacsingle"> Lord Chief Justice</td></tr>
+<tr><td class="nspacsingle"> Leg. </td><td class="nspacsingle"> Legate</td></tr>
+<tr><td class="nspacsingle"> Legis. </td><td class="nspacsingle"> Legislature</td></tr>
+<tr><td class="nspacsingle"> Lieut. </td><td class="nspacsingle"> Lieutenant</td></tr>
+<tr><td class="nspacsingle"> Lieut.-Col. </td><td class="nspacsingle"> Lieutenant-Colonel</td></tr>
+<tr><td class="nspacsingle"> Lieut.-Gen. </td><td class="nspacsingle"> Lieutenant-General</td></tr>
+<tr><td class="nspacsingle"> Litt. D. </td><td class="nspacsingle"> (<i>Litterarum Doctor</i>) Doctor of Literature</td></tr>
+<tr><td class="nspacsingle"> LL.B. </td><td class="nspacsingle"> (<i>Legum Baccalaureus</i>) Bachelor of Laws</td></tr>
+<tr><td class="nspacsingle"> LL.D. </td><td class="nspacsingle"> (<i>Legum Doctor</i>) Doctor of Laws</td></tr>
+<tr><td class="nspacsingle"> M. </td><td class="nspacsingle"> Monsieur</td></tr>
+<tr><td class="nspacsingle"> M.A. </td><td class="nspacsingle"> Master of Arts</td></tr>
+<tr><td class="nspacsingle"> Maj. </td><td class="nspacsingle"> Major</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 17 --><span class="pagenum"><a name="page17"></a>{17}</span>
+ Maj.-Gen. </td><td class="nspacsingle"> Major-General</td></tr>
+<tr><td class="nspacsingle"> M.B. </td><td class="nspacsingle"> (<i>Medicinæ Baccalaureus</i>) Bachelor of Medicine;</td></tr>
+<tr><td class="nspacsingle"> </td><td class="nspacsingle"> (<i>Musicæ Baccalaureus</i>) Bachelor of Music</td></tr>
+<tr><td class="nspacsingle"> M. C. </td><td class="nspacsingle"> Member of Congress</td></tr>
+<tr><td class="nspacsingle"> M. D. </td><td class="nspacsingle"> (<i>Medicinæ Doctor</i>) Doctor of Medicine</td></tr>
+<tr><td class="nspacsingle"> Messrs. </td><td class="nspacsingle"> Messieurs</td></tr>
+<tr><td class="nspacsingle"> Mgr. </td><td class="nspacsingle"> Manager; Monsignor</td></tr>
+<tr><td class="nspacsingle"> Min. Plen. </td><td class="nspacsingle"> Minister Plenipotentiary</td></tr>
+<tr><td class="nspacsingle"> Mlle. </td><td class="nspacsingle"> Mademoiselle</td></tr>
+<tr><td class="nspacsingle"> Mme. </td><td class="nspacsingle"> Madame</td></tr>
+<tr><td class="nspacsingle"> M.P. </td><td class="nspacsingle"> Member of Parliament</td></tr>
+<tr><td class="nspacsingle"> M.R. </td><td class="nspacsingle"> Master of the Rolls</td></tr>
+<tr><td class="nspacsingle"> Mr. </td><td class="nspacsingle"> Mister or Master</td></tr>
+<tr><td class="nspacsingle"> Mrs. </td><td class="nspacsingle"> Mistress</td></tr>
+<tr><td class="nspacsingle"> Mus. Doc. </td><td class="nspacsingle"> Doctor of Music</td></tr>
+<tr><td class="nspacsingle"> Oxon. </td><td class="nspacsingle"> (<i>Oxoniensis</i>) Oxford</td></tr>
+<tr><td class="nspacsingle"> P.C. </td><td class="nspacsingle"> (<i>Patres Conscripti</i>, Conscript Fathers) Senators; Privy Counsellor</td></tr>
+<tr><td class="nspacsingle"> Ph. D. </td><td class="nspacsingle"> Doctor of Philosophy</td></tr>
+<tr><td class="nspacsingle"> Ph. G. </td><td class="nspacsingle"> Graduate in Pharmacy</td></tr>
+<tr><td class="nspacsingle"> P.M. </td><td class="nspacsingle"> Postmaster</td></tr>
+<tr><td class="nspacsingle"> P.M.G. </td><td class="nspacsingle"> Postmaster-General</td></tr>
+<tr><td class="nspacsingle"> P.R.A. </td><td class="nspacsingle"> President of the Royal Academy</td></tr>
+<tr><td class="nspacsingle"> Pres. </td><td class="nspacsingle"> President</td></tr>
+<tr><td class="nspacsingle"> Prov. </td><td class="nspacsingle"> Provost</td></tr>
+<tr><td class="nspacsingle"> P.R.S. </td><td class="nspacsingle"> President of the Royal Society</td></tr>
+<tr><td class="nspacsingle"> Q. </td><td class="nspacsingle"> Queen</td></tr>
+<tr><td class="nspacsingle"> Q.M. </td><td class="nspacsingle"> Quartermaster</td></tr>
+<tr><td class="nspacsingle"> R.A. </td><td class="nspacsingle"> Royal Academician</td></tr>
+<tr><td class="nspacsingle"> R.E. </td><td class="nspacsingle"> Royal Engineers</td></tr>
+<tr><td class="nspacsingle"> Reg. Prof. </td><td class="nspacsingle"> Regius Professor</td></tr>
+<tr><td class="nspacsingle"> Rev. </td><td class="nspacsingle"> Reverend</td></tr>
+<tr><td class="nspacsingle"> R.M. </td><td class="nspacsingle"> Royal Marines</td></tr>
+<tr><td class="nspacsingle"> R.N. </td><td class="nspacsingle"> Royal Navy</td></tr>
+<tr><td class="nspacsingle"> R.N.O. </td><td class="nspacsingle"> (<i>Riddare of Nordstjerneorden</i>) Knight of the Order of Polar Star</td></tr>
+<tr><td class="nspacsingle"> R.S.S. </td><td class="nspacsingle"> (<i>Regiæ Societatis Socius</i>) Fellow of the Royal Society</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 18 --><span class="pagenum"><a name="page18"></a>{18}</span>
+ Rt. Hon. </td><td class="nspacsingle"> Right Honorable</td></tr>
+<tr><td class="nspacsingle"> Rt. Rev. </td><td class="nspacsingle"> Right Reverend</td></tr>
+<tr><td class="nspacsingle"> Rt. Wpful. </td><td class="nspacsingle"> Right Worshipful</td></tr>
+<tr><td class="nspacsingle"> R.W. </td><td class="nspacsingle"> Right Worthy</td></tr>
+<tr><td class="nspacsingle"> R.W.O. </td><td class="nspacsingle"> (<i>Riddare of Wasa Order</i>) Knight of the Order of Wasa</td></tr>
+<tr><td class="nspacsingle"> Sec. </td><td class="nspacsingle"> Secretary</td></tr>
+<tr><td class="nspacsingle"> Sec. Leg. </td><td class="nspacsingle"> Secretary of Legation</td></tr>
+<tr><td class="nspacsingle"> Serg. </td><td class="nspacsingle"> Sergeant</td></tr>
+<tr><td class="nspacsingle"> Serg.-Maj. </td><td class="nspacsingle"> Sergeant-Major</td></tr>
+<tr><td class="nspacsingle"> S.J. </td><td class="nspacsingle"> Society of Jesus</td></tr>
+<tr><td class="nspacsingle"> S.J.C. </td><td class="nspacsingle"> Supreme Judicial Court</td></tr>
+<tr><td class="nspacsingle"> Sol. </td><td class="nspacsingle"> Solicitor</td></tr>
+<tr><td class="nspacsingle"> Sol. Gen. </td><td class="nspacsingle"> Solicitor-General</td></tr>
+<tr><td class="nspacsingle"> Sr., Sen. </td><td class="nspacsingle"> Senior</td></tr>
+<tr><td class="nspacsingle"> S.R.S. </td><td class="nspacsingle"> (<i>Societatis Regiæ Socius</i>) Fellow of the Royal Society</td></tr>
+<tr><td class="nspacsingle"> S.T.D. </td><td class="nspacsingle"> (<i>Sacræ Theologiæ Doctor</i>) Doctor of Divinity</td></tr>
+<tr><td class="nspacsingle"> S.T.P. </td><td class="nspacsingle"> (<i>Sacræ Theologiæ Professor</i>) Professor of Divinity</td></tr>
+<tr><td class="nspacsingle"> St. </td><td class="nspacsingle"> Saint, Street</td></tr>
+<tr><td class="nspacsingle"> Supt. </td><td class="nspacsingle"> Superintendent</td></tr>
+<tr><td class="nspacsingle"> Tr(s). </td><td class="nspacsingle"> Trustee(s)</td></tr>
+<tr><td class="nspacsingle"> Treas. </td><td class="nspacsingle"> Treasurer</td></tr>
+<tr><td class="nspacsingle"> U.J.C. </td><td class="nspacsingle"> (<i>Utriusque Juris Doctor</i>) Doctor of both Laws</td></tr>
+<tr><td class="nspacsingle"> V.C. </td><td class="nspacsingle"> Vice-Chancellor</td></tr>
+<tr><td class="nspacsingle"> V.D.M. </td><td class="nspacsingle"> (<i>Verbi Dei Minister</i>) Preacher of the Word</td></tr>
+<tr><td class="nspacsingle"> Vice-Pres. </td><td class="nspacsingle"> Vice-President</td></tr>
+<tr><td class="nspacsingle"> Visc. </td><td class="nspacsingle"> Viscount</td></tr>
+<tr><td class="nspacsingle"> W.S. </td><td class="nspacsingle"> Writer to the Signet</td></tr>
+</table>
+
+</blockquote>
+
+ <p>VIII. SIZES OF BOOKS.</p>
+
+ <p>The shorter names for book sizes are usually written out;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>folio</i>, <i>quarto</i>, <i>octavo</i>.</p>
+ </div>
+ </div>
+
+ <p>Beyond that they are usually abbreviated by using the Arabic numeral
+ and <i>mo</i>, but without a period;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><i>12 mo</i>, <i>16 mo</i>, etc.</p>
+ </div>
+ </div>
+
+<p><!-- Page 19 --><span class="pagenum"><a name="page19"></a>{19}</span></p>
+
+ <p>IX. WEIGHTS AND MEASURES.</p>
+
+ <p>Abbreviate the common designations of weights and measures in the
+ metric system, as well as other symbols of measurement in common use when
+ following a numeral;</p>
+
+<blockquote class="b1n">
+
+ <p><i>1 m.</i>, <i>5 dm.</i>, <i>4 cm.</i>, <i>2 mm.</i>, <i>c.m.</i>
+ (<i>cubic meter</i>), <i>c.d.</i>, <i>min.</i>&nbsp;(<i>minute</i>),
+ <i>sec.</i>&nbsp;(<i>second</i>), <i>lb.</i>&nbsp;(<i>pound</i>),
+ <i>oz.</i>&nbsp;(<i>ounce</i>), <i>yd.</i>, <i>ft.</i>, <i>in.</i>,
+ <i>A.</i>&nbsp;(<i>Anglestrom units</i>), <i>H.P.</i>&nbsp;(<i>Horse power</i>),
+ <i>C.</i>&nbsp;(<i>Centigrade</i> [<i>Thermometer</i>]).</p>
+
+</blockquote>
+
+ <p>X. FOOTNOTES.</p>
+
+ <p>Authorities cited in footnotes should be specified in the following
+ order:</p>
+
+<blockquote class="b1n">
+
+ <p>1. The best known name of the author. Give initials only when
+ necessary to distinguish between several authors of the same name. Set in
+ roman lower-case unless otherwise ordered.</p>
+
+ <p>2. The name of the book in roman lower-case. If there is a
+ Bibliography, or list of authorities attached to the book the names of
+ all works referred to should there appear in full, but should be
+ abbreviated in the notes. Otherwise, the name is sometimes written in
+ full the first time it is referred to in a footnote and afterward
+ abbreviated. If the book has but few references to authorities the names
+ may be given in full in the footnotes especially when the reference is to
+ the book as a whole and not to a particular paragraph. In such a case as
+ this last the name is often printed in italics.</p>
+
+ <p>Always abbreviate uniformly in the same book.</p>
+
+ <p>3. The number of the volume in roman numerals of capital letters. No
+ period.</p>
+
+ <p>4. The numbers of the pages in Arabic figures. If there are several
+ editions varying in subject matter and paging the edition used should be
+ specified. If the edition has been specified in the Bibliography this
+ information should not be repeated in the footnotes. <!-- Page 20
+ --><span class="pagenum"><a name="page20"></a>{20}</span>In books like
+ the Bible, Shakespeare, Blackstone, or Milton, which have been printed in
+ innumerable editions book, chapter and verse; act, scene and line;
+ section and paragraph, or canto, stanza, and line must be specified.</p>
+
+<table class="nobctr" summary="Book references." title="Book references.">
+<tr><td class="nspacsingle"> Number of paragraph only </td><td class="nspacsingle"> No. 68</td></tr>
+<tr><td class="nspacsingle"> Stanza only </td><td class="nspacsingle"> st. 18</td></tr>
+<tr><td class="nspacsingle"> Page only </td><td class="nspacsingle"> P. 213</td></tr>
+<tr><td class="nspacsingle"> Line only </td><td class="nspacsingle"> l. 384</td></tr>
+<tr><td class="nspacsingle"> Paragraph only </td><td class="nspacsingle"> ¶ 34</td></tr>
+<tr><td class="nspacsingle"> Section only </td><td class="nspacsingle"> § 5</td></tr>
+
+<tr><td class="nspacsingle">
+<table class="nob" style="margin-left: -0.25em">
+<tr><td class="nspacsingle"> Chapter only </td><td class="nspacsingle" style="text-align:center" colspan= "1" rowspan="2"> <a href="images/$rbrace.png"><img src="images/$rbrace.png" class="middle" style="height:6.5ex; width:0.75em" alt="brace" /></a> </td></tr>
+<tr><td class="nspacsingle"> Canto only </td></tr>
+</table>
+</td><td class="nspacsingle"> xiv</td></tr>
+
+<tr><td class="nspacsingle"> Book only </td><td class="nspacsingle"> iii</td></tr>
+
+<tr><td class="nspacsingle">
+<table class="nob" style="margin-left: -0.25em">
+<tr><td class="nspacsingle"> Book and chapter </td><td class="nspacsingle" style="text-align:center" colspan= "1" rowspan="4"> <a href="images/$rbrace.png"><img src="images/$rbrace.png" class="middle" style="height:14ex; width:0.75em" alt="brace" /></a> </td></tr>
+<tr><td class="nspacsingle"> Part and chapter </td></tr>
+<tr><td class="nspacsingle"> Book and line </td></tr>
+<tr><td class="nspacsingle"> Act and scene </td></tr>
+</table>
+</td><td class="nspacsingle"> iii 2</td></tr>
+
+<tr><td class="nspacsingle"> Act, scene, and line </td><td class="nspacsingle"> iv. 3. 45</td></tr>
+
+<tr><td class="nspacsingle">
+<table class="nob" style="margin-left: -0.25em">
+<tr><td class="nspacsingle"> Chapter and verse </td><td class="nspacsingle" style="text-align:center" colspan= "1" rowspan="4"> <a href="images/$rbrace.png"><img src="images/$rbrace.png" class="middle" style="height:10ex; width:0.75em" alt="brace" /></a> </td></tr>
+<tr><td class="nspacsingle"> Number and page </td></tr>
+<tr><td class="nspacsingle"> Volume and page </td></tr>
+</table>
+</td><td class="nspacsingle"> II 34</td></tr>
+
+<tr><td class="nspacsingle"> Volume and chapter </td><td class="nspacsingle"> IV. iv.</td></tr>
+
+<tr><td class="nspacsingle">
+<table class="nob" style="margin-left: -0.25em">
+<tr><td class="nspacsingle"> Part, book, and chapter </td><td class="nspacsingle" style="text-align:center" colspan= "1" rowspan="2"> <a href="images/$rbrace.png"><img src="images/$rbrace.png" class="middle" style="height:6.5ex; width:0.75em" alt="brace" /></a> </td></tr>
+<tr><td class="nspacsingle"> Part, canto, and stanza </td></tr>
+</table>
+</td><td class="nspacsingle"> II. iv. 12</td></tr>
+
+<tr><td class="nspacsingle"> Chapter, section, paragraph </td><td class="nspacsingle"> vii. § 3, ¶ 4</td></tr>
+
+<tr><td class="nspacsingle">
+<table class="nob" style="margin-left: -0.25em">
+<tr><td class="nspacsingle"> Volume, part, section, paragraph </td><td class="nspacsingle" style="text-align:center" colspan= "1" rowspan="2"> <a href="images/$rbrace.png"><img src="images/$rbrace.png" class="middle" style="height:6.5ex; width:0.75em" alt="brace" /></a> </td></tr>
+<tr><td class="nspacsingle"> Book, chapter, section, paragraph </td></tr>
+</table>
+</td><td class="nspacsingle"> I. i. § 2, ¶ 6</td></tr>
+
+</table>
+
+ <p>In abbreviated references to the Bible or to the plays of Shakespeare
+ use Arabic figures prefixed to the name to indicate part of succession of
+ the book, play, or letter.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>2 Kings II: 5</p>
+ <p>3 John 11</p>
+ <p>1 Henry VI, iii. 2. 14</p>
+ </div>
+ </div>
+
+</blockquote>
+
+<p><!-- Page 21 --><span class="pagenum"><a name="page21"></a>{21}</span></p>
+
+ <p>The following excellently chosen illustrations of good methods in
+ handling numerous footnotes in learned works are taken from De Vinne's
+ "Correct Composition."</p>
+
+ <p><i>From English Past and Present, by R. C. Trench</i></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><sup>1</sup> Guest, Hist. of English Rhythms, vol. I. p. 280.</p>
+ <p><sup>2</sup> Hooker, Eccles. Pol. i. 3, 5.</p>
+ <p><sup>3</sup> Craik, On the English of Shakespeare, 2nd edit. p. 97.</p>
+ <p><sup>4</sup> Marsh, Manual of the English Language, Engl. edit. p. 278.</p>
+ </div>
+ </div>
+
+ <p><i>From Gibbon's Decline and Fall of the Roman Empire, Murray's
+ edition of 1881 (8 vols. 8 vo)</i></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><sup>1</sup> Orosius, I. ii. c. 19, p. 143.</p>
+ <p><sup>2</sup> Heineccius, Antiquitat. Juris Roman, tom. i, p. 96.</p>
+ <p><sup>3</sup> Jornandes, de Reb. Get. c. 30, p. 654 [p. 87, ed. Lugd. B. 1597].</p>
+ <p><sup>4</sup> Ausonius (de Claris Urbibus. p. 257-262 [No. 14]).</p>
+ <p><sup>5</sup> A. Thierry, Lettres sur l'Histoire de France, p. 90.</p>
+ <p><sup>6</sup> Procopius, de Bell. Vanda., I. i. c. 7, p. 194 [tom. I. p. 341, ed. Bonn].</p>
+ </div>
+ </div>
+
+ <p><i>From Hume's History of England, Cadell's edition of 1841 (6 vols. 8
+ vo)</i></p>
+
+<table class="nob" summary="Footnote references." title="Footnote references.">
+<tr><td class="nspacsingle"> <sup>1</sup> Herbert, p. 431, 432. </td><td class="nspacsingle"> <sup>4</sup> Burnet, p. 322.</td></tr>
+<tr><td class="nspacsingle"> <sup>2</sup> Collier, vol. ii. p. 176.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <sup>5</sup> 34 and 35 Hen. VIII. c. i.</td></tr>
+<tr><td class="nspacsingle"> <sup>3</sup> Stowe, p. 575. </td><td class="nspacsingle"> <sup>6</sup> Mémoires du Bellay, lib. x.</td></tr>
+</table>
+
+ <p>The comma is often omitted after the period in footnotes. The
+ abbreviation <i>ch</i>, <i>p</i>, and <i>pp</i>, may be made in notes,
+ but not in text matter.</p>
+
+ <p>In lower-case text do not use <i>&amp;c</i>, use <i>etc.</i></p>
+
+ <p>By-laws are often printed with side-headings <i>Art. 1</i>, <i>Sec.
+ 2</i>, <i>etc.</i> It is better to print the words, <i>article</i> and
+ <i>section</i> in full in the paragraph where they first appear and to
+ omit the word in subsequent paragraphs, using the proper figure only.</p>
+
+ <p>Figures used in illustrations to facilitate their understanding and
+ explained in small text below the illustration or in the text matter
+ itself do not have No. before them either in the illustration or in the
+ explanation. <!-- Page 22 --><span class="pagenum"><a
+ name="page22"></a>{22}</span></p>
+
+ <p>Figures and letters used as references to footnotes do not take a
+ period.</p>
+
+ <p>Where two or more pages are specified in the text set them thus:
+ <i>Pages 24, 25, 57</i> not <i>pp. 24-5, 57</i> nor <i>25-57</i>. When
+ the reference is to several pages continually set <i>pages 24 to
+ 32</i>.</p>
+
+ <p>When a period of time is expressed by the dates of two or more
+ consecutive years, set thus: <i>1846-7</i>, <i>1861-5</i>, when there is
+ a lapse of a year or more, set thus: <i>1866-7-1869-70</i>. Do not
+ abbreviate into <i>'66-'7-'69-'70</i>.</p>
+
+ <p><br style="clear:both" /></p>
+<hr class="full" />
+
+<p><!-- Page 23 --><span class="pagenum"><a name="page23"></a>{23}</span></p>
+
+<h3>LISTS OF ABBREVIATIONS</h3>
+
+ <p>The following lists of abbreviations will be found useful.</p>
+
+<p class="cenhead"><span class="sc">Scriptural Abbreviations</span></p>
+
+<table class="nobctr" summary="Bible books." title="Bible books.">
+<tr><td></td></tr>
+<tr><td class="nspacsingle" style="text-align:center" colspan= "3"> Old Testament (O.T.)</td></tr>
+<tr><td></td></tr>
+<tr><td class="nspacsingle"> Gen. </td><td class="nspacsingle"> Esth. </td><td class="nspacsingle"> Joel</td></tr>
+<tr><td class="nspacsingle"> Exod. </td><td class="nspacsingle"> Job </td><td class="nspacsingle"> Amos</td></tr>
+<tr><td class="nspacsingle"> Lev. </td><td class="nspacsingle"> Ps. (Pss.) </td><td class="nspacsingle"> Obad.</td></tr>
+<tr><td class="nspacsingle"> Num. </td><td class="nspacsingle"> Prov. </td><td class="nspacsingle"> Jonah</td></tr>
+<tr><td class="nspacsingle"> Deut. </td><td class="nspacsingle"> Eccles. </td><td class="nspacsingle"> Mic.</td></tr>
+<tr><td class="nspacsingle"> Josh. </td><td class="nspacsingle"> Song of Sol. </td><td class="nspacsingle"> Nah.</td></tr>
+<tr><td class="nspacsingle"> Judg. </td><td class="nspacsingle"> (or Cant.) </td><td class="nspacsingle"> Hab.</td></tr>
+<tr><td class="nspacsingle"> Ruth </td><td class="nspacsingle"> Isa. </td><td class="nspacsingle"> Zeph.</td></tr>
+<tr><td class="nspacsingle"> I and II Sam. </td><td class="nspacsingle"> Jer. </td><td class="nspacsingle"> Hag.</td></tr>
+<tr><td class="nspacsingle"> I and II Kings </td><td class="nspacsingle"> Lam. </td><td class="nspacsingle"> Zech.</td></tr>
+<tr><td class="nspacsingle"> I and II Chron. &nbsp; &nbsp;</td><td class="nspacsingle"> Ezek. </td><td class="nspacsingle"> Mal.</td></tr>
+<tr><td class="nspacsingle"> Ezra </td><td class="nspacsingle"> Dan. </td><td class="nspacsingle"> </td></tr>
+<tr><td class="nspacsingle"> Neh. </td><td class="nspacsingle"> Hos. </td><td class="nspacsingle"> </td></tr>
+<tr><td></td></tr>
+<tr><td class="nspacsingle" style="text-align:center" colspan= "3"> New Testament (N.T.)</td></tr>
+<tr><td></td></tr>
+<tr><td class="nspacsingle"> Matt. </td><td class="nspacsingle"> Gal. </td><td class="nspacsingle"> Philem.</td></tr>
+<tr><td class="nspacsingle"> Mark </td><td class="nspacsingle"> Eph. </td><td class="nspacsingle"> Heb.</td></tr>
+<tr><td class="nspacsingle"> Luke </td><td class="nspacsingle"> Phil. </td><td class="nspacsingle"> Jas.</td></tr>
+<tr><td class="nspacsingle"> John </td><td class="nspacsingle"> Col. </td><td class="nspacsingle"> I and II Pet.</td></tr>
+<tr><td class="nspacsingle"> Acts </td><td class="nspacsingle"> I and II Thess. &nbsp; &nbsp;</td><td class="nspacsingle"> I, II and III John</td></tr>
+<tr><td class="nspacsingle"> Rom. </td><td class="nspacsingle"> I and II Tim. </td><td class="nspacsingle"> Jude</td></tr>
+<tr><td class="nspacsingle"> I and II Cor. </td><td class="nspacsingle"> Titus </td><td class="nspacsingle"> Rev.</td></tr>
+<tr><td></td></tr>
+<tr><td class="nspacsingle" style="text-align:center" colspan= "3"> Apocrypha</td></tr>
+<tr><td></td></tr>
+<tr><td class="nspacsingle"> I and II Esd. </td><td class="nspacsingle"> Eccles. </td><td class="nspacsingle"> Bel and Dragon</td></tr>
+<tr><td class="nspacsingle"> Tob. </td><td class="nspacsingle"> Bar. </td><td class="nspacsingle"> Pr. of Man</td></tr>
+<tr><td class="nspacsingle"> Jud. </td><td class="nspacsingle"> Song of Three </td><td class="nspacsingle"> I, II, III and IV </td></tr>
+<tr><td class="nspacsingle"> Rest of Esther </td><td class="nspacsingle"> Children </td><td class="nspacsingle"> Macc.</td></tr>
+<tr><td class="nspacsingle"> Wisd. of Sol. </td><td class="nspacsingle"> Sus. </td><td class="nspacsingle"> </td></tr>
+</table>
+
+<p><!-- Page 24 --><span class="pagenum"><a name="page24"></a>{24}</span></p>
+
+<p class="cenhead"><span class="sc">Commercial Abbreviations</span></p>
+
+<table class="nobctr" summary="Commercial abbreviations." title="Commercial abbreviations.">
+<tr><td class="nspacsingle"> A1 </td><td class="nspacsingle"> Highest class or grade</td></tr>
+<tr><td class="nspacsingle"> Acct. </td><td class="nspacsingle"> Account</td></tr>
+<tr><td class="nspacsingle"> Advt., Ad. &nbsp; &nbsp;</td><td class="nspacsingle"> Advertisement</td></tr>
+<tr><td class="nspacsingle"> Agt. </td><td class="nspacsingle"> Agent</td></tr>
+<tr><td class="nspacsingle"> Amt. </td><td class="nspacsingle"> Amount</td></tr>
+<tr><td class="nspacsingle"> Anon. </td><td class="nspacsingle"> Anonymous</td></tr>
+<tr><td class="nspacsingle"> Ans. </td><td class="nspacsingle"> Answer</td></tr>
+<tr><td class="nspacsingle"> Art. </td><td class="nspacsingle"> Article</td></tr>
+<tr><td class="nspacsingle"> Av., Ave. </td><td class="nspacsingle"> Avenue</td></tr>
+<tr><td class="nspacsingle"> Bal. </td><td class="nspacsingle"> Balance</td></tr>
+<tr><td class="nspacsingle"> Bd. </td><td class="nspacsingle"> Bound</td></tr>
+<tr><td class="nspacsingle"> Bdl. </td><td class="nspacsingle"> Bundle</td></tr>
+<tr><td class="nspacsingle"> Bds. </td><td class="nspacsingle"> Boards</td></tr>
+<tr><td class="nspacsingle"> Bldg. </td><td class="nspacsingle"> Building</td></tr>
+<tr><td class="nspacsingle"> B.O. </td><td class="nspacsingle"> Buyer's Option</td></tr>
+<tr><td class="nspacsingle"> Bro(s). </td><td class="nspacsingle"> Brother; Brothers</td></tr>
+<tr><td class="nspacsingle"> Chap. </td><td class="nspacsingle"> Chapter</td></tr>
+<tr><td class="nspacsingle"> C.I.F. </td><td class="nspacsingle"> Cost, insurance, freight</td></tr>
+<tr><td class="nspacsingle"> Co. </td><td class="nspacsingle"> Company</td></tr>
+<tr><td class="nspacsingle"> C.O.D. </td><td class="nspacsingle"> Cash on delivery</td></tr>
+<tr><td class="nspacsingle"> Cr. </td><td class="nspacsingle"> Creditor</td></tr>
+<tr><td class="nspacsingle"> Dept. </td><td class="nspacsingle"> Department</td></tr>
+<tr><td class="nspacsingle"> Do. </td><td class="nspacsingle"> Ditto, the same</td></tr>
+<tr><td class="nspacsingle"> Dr. </td><td class="nspacsingle"> Debtor</td></tr>
+<tr><td class="nspacsingle"> E.E. </td><td class="nspacsingle"> Errors excepted</td></tr>
+<tr><td class="nspacsingle"> E.O.D. </td><td class="nspacsingle"> Every other day</td></tr>
+<tr><td class="nspacsingle"> E. &amp; O.E. </td><td class="nspacsingle"> Errors and omissions excepted</td></tr>
+<tr><td class="nspacsingle"> Etc. </td><td class="nspacsingle"> (<i>Et cætera</i>) and so forth</td></tr>
+<tr><td class="nspacsingle"> Ex., Exch. </td><td class="nspacsingle"> Exchange</td></tr>
+<tr><td class="nspacsingle"> Exp. </td><td class="nspacsingle"> Express</td></tr>
+<tr><td class="nspacsingle"> Fgt. </td><td class="nspacsingle"> Freight</td></tr>
+<tr><td class="nspacsingle"> F.O.B. </td><td class="nspacsingle"> Free on Board</td></tr>
+<tr><td class="nspacsingle"> H. </td><td class="nspacsingle"> Hour</td></tr>
+<tr><td class="nspacsingle"> H.P. </td><td class="nspacsingle"> Half pay, horse power</td></tr>
+<tr><td class="nspacsingle"> Incor. </td><td class="nspacsingle"> Incorporated</td></tr>
+<tr><td class="nspacsingle"> Ins. </td><td class="nspacsingle"> Insurance</td></tr>
+<tr><td class="nspacsingle"> K.D. </td><td class="nspacsingle"> Knock down (<i>of furniture, etc.</i>)</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 25 --><span class="pagenum"><a name="page25"></a>{25}</span>
+ L.P. </td><td class="nspacsingle"> Large Paper</td></tr>
+<tr><td class="nspacsingle"> Memo. </td><td class="nspacsingle"> Memorandum</td></tr>
+<tr><td class="nspacsingle"> Mfg. </td><td class="nspacsingle"> Manufacturing</td></tr>
+<tr><td class="nspacsingle"> Mfr. </td><td class="nspacsingle"> Manufacturer</td></tr>
+<tr><td class="nspacsingle"> Min. </td><td class="nspacsingle"> Minute</td></tr>
+<tr><td class="nspacsingle"> No. </td><td class="nspacsingle"> (<i>numero</i>) number</td></tr>
+<tr><td class="nspacsingle"> O.K. </td><td class="nspacsingle"> All right</td></tr>
+<tr><td class="nspacsingle"> Payt. </td><td class="nspacsingle"> Payment</td></tr>
+<tr><td class="nspacsingle"> Pd. </td><td class="nspacsingle"> Paid</td></tr>
+<tr><td class="nspacsingle"> Per an. </td><td class="nspacsingle"> (<i>Per annum</i>) by the year</td></tr>
+<tr><td class="nspacsingle"> Per cent </td><td class="nspacsingle"> (<i>Per centum</i>) by the hundred</td></tr>
+<tr><td class="nspacsingle"> Pkg. </td><td class="nspacsingle"> Package</td></tr>
+<tr><td class="nspacsingle"> Pl. </td><td class="nspacsingle"> Plate, plates</td></tr>
+<tr><td class="nspacsingle"> Pref. </td><td class="nspacsingle"> Preface</td></tr>
+<tr><td class="nspacsingle"> Rd. </td><td class="nspacsingle"> Road</td></tr>
+<tr><td class="nspacsingle"> Rem. </td><td class="nspacsingle"> Remarks</td></tr>
+<tr><td class="nspacsingle"> Rep. </td><td class="nspacsingle"> Reports</td></tr>
+<tr><td class="nspacsingle"> R.R. </td><td class="nspacsingle"> Railroad</td></tr>
+<tr><td class="nspacsingle"> Ry. </td><td class="nspacsingle"> Railway</td></tr>
+<tr><td class="nspacsingle"> Ser. </td><td class="nspacsingle"> Series</td></tr>
+<tr><td class="nspacsingle"> Sq. </td><td class="nspacsingle"> Square</td></tr>
+<tr><td class="nspacsingle"> S.S. </td><td class="nspacsingle"> Steamship, steamer</td></tr>
+<tr><td class="nspacsingle"> T.F. </td><td class="nspacsingle"> Till forbidden</td></tr>
+</table>
+
+<p class="cenhead"><span class="sc">Miscellaneous Abbreviations</span></p>
+
+<table class="nobctr" summary="Miscellaneous abbreviations." title="Miscellaneous abbreviations.">
+<tr><td class="nspacsingle"> A.C. </td><td class="nspacsingle"> (<i>Ante Christum</i>) before Christ</td></tr>
+<tr><td class="nspacsingle"> A.D. </td><td class="nspacsingle"> (<i>Anno Domini</i>) in the year of our Lord</td></tr>
+<tr><td class="nspacsingle"> Ad lib. </td><td class="nspacsingle"> (<i>Ad libitum</i>) at pleasure</td></tr>
+<tr><td class="nspacsingle"> Adj. </td><td class="nspacsingle"> Adjective</td></tr>
+<tr><td class="nspacsingle"> Adv. </td><td class="nspacsingle"> Adverb</td></tr>
+<tr><td class="nspacsingle"> Æt </td><td class="nspacsingle"> (<i>Ætatis</i>) of age, aged</td></tr>
+<tr><td class="nspacsingle"> A.H. </td><td class="nspacsingle"> (<i>Anno Hegiræ</i>) in the year of the Hegira</td></tr>
+<tr><td class="nspacsingle"> Alt. </td><td class="nspacsingle"> Altitude</td></tr>
+<tr><td class="nspacsingle"> A.M. </td><td class="nspacsingle"> (<i>Anno Mundi</i>) in the year of the world</td></tr>
+<tr><td class="nspacsingle"> An. </td><td class="nspacsingle"> (<i>Anno</i>) in the year</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 26 --><span class="pagenum"><a name="page26"></a>{26}</span>
+ An. A. C. </td><td class="nspacsingle"> (<i>Anno ante Christum</i>) in the year before Christ</td></tr>
+<tr><td class="nspacsingle"> Anat. </td><td class="nspacsingle"> Anatomy</td></tr>
+<tr><td class="nspacsingle"> Anc. </td><td class="nspacsingle"> Ancient</td></tr>
+<tr><td class="nspacsingle"> Ang.-Sax. </td><td class="nspacsingle"> Anglo-Saxon</td></tr>
+<tr><td class="nspacsingle"> Anom. </td><td class="nspacsingle"> Anomalous</td></tr>
+<tr><td class="nspacsingle"> Anon. </td><td class="nspacsingle"> Anonymous</td></tr>
+<tr><td class="nspacsingle"> Ap. </td><td class="nspacsingle"> Apostle</td></tr>
+<tr><td class="nspacsingle"> Apo. </td><td class="nspacsingle"> Apogee</td></tr>
+<tr><td class="nspacsingle"> Apoc. </td><td class="nspacsingle"> Apocalypse, Apocrypha</td></tr>
+<tr><td class="nspacsingle"> A.R. </td><td class="nspacsingle"> (<i>Anno regni</i>) in the year of the reign</td></tr>
+<tr><td class="nspacsingle"> Arch. </td><td class="nspacsingle"> Architecture</td></tr>
+<tr><td class="nspacsingle"> A.R.R. </td><td class="nspacsingle"> (<i>Anno regni regis</i>) in the year of the reign of the king</td></tr>
+<tr><td class="nspacsingle"> Arr. </td><td class="nspacsingle"> Arrival</td></tr>
+<tr><td class="nspacsingle"> Art. </td><td class="nspacsingle"> Article</td></tr>
+<tr><td class="nspacsingle"> Assoc., Assn. </td><td class="nspacsingle"> Association</td></tr>
+<tr><td class="nspacsingle"> Astrol. </td><td class="nspacsingle"> Astrology</td></tr>
+<tr><td class="nspacsingle"> Astron. </td><td class="nspacsingle"> Astronomy</td></tr>
+<tr><td class="nspacsingle"> A.U.C. </td><td class="nspacsingle"> (<i>Anno urbis Conditæ</i>) in the year of the building of the city of Rome</td></tr>
+
+<tr><td class="nspacsingle">
+<table class="nob" style="margin-left: -0.25em">
+<tr><td class="nspacsingle"> Auth. Ver. </td><td class="nspacsingle" style="text-align:center" colspan= "1" rowspan="2"> <a href="images/$rbrace.png"><img src="images/$rbrace.png" class="middle" style="height:6.5ex; width:0.75em" alt="brace" /></a> </td></tr>
+<tr><td class="nspacsingle"> or A.V. </td></tr>
+</table>
+</td><td class="nspacsingle"> Authorized Version of the Bible</td></tr>
+
+<tr><td class="nspacsingle"> Av. </td><td class="nspacsingle"> Average</td></tr>
+<tr><td class="nspacsingle"> Ave. </td><td class="nspacsingle"> Avenue</td></tr>
+<tr><td class="nspacsingle"> B. </td><td class="nspacsingle"> (<i>Basso</i>) Bass; bay; born</td></tr>
+<tr><td class="nspacsingle"> B.C. </td><td class="nspacsingle"> Before Christ</td></tr>
+<tr><td class="nspacsingle"> Boul. </td><td class="nspacsingle"> Boulevard</td></tr>
+<tr><td class="nspacsingle"> B.V. </td><td class="nspacsingle"> (<i>Bene Vale</i>) Farewell</td></tr>
+<tr><td class="nspacsingle"> C. </td><td class="nspacsingle"> Cape</td></tr>
+<tr><td class="nspacsingle"> Cæt. par. </td><td class="nspacsingle"> (<i>Cæteris paribus</i>) other things being equal</td></tr>
+<tr><td class="nspacsingle"> Cap. </td><td class="nspacsingle"> (<i>caput</i>) Chapter</td></tr>
+<tr><td class="nspacsingle"> C. or Cent. </td><td class="nspacsingle"> Centigrade</td></tr>
+<tr><td class="nspacsingle"> Cf. </td><td class="nspacsingle"> (<i>conferre</i>) compare</td></tr>
+<tr><td class="nspacsingle"> Ch. </td><td class="nspacsingle"> Child or children</td></tr>
+<tr><td class="nspacsingle"> C.H. </td><td class="nspacsingle"> Court House</td></tr>
+<tr><td class="nspacsingle"> Chap. </td><td class="nspacsingle"> Chapter</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 27 --><span class="pagenum"><a name="page27"></a>{27}</span>
+ Circ. </td><td class="nspacsingle"> Circle(s)</td></tr>
+<tr><td class="nspacsingle"> Cit. </td><td class="nspacsingle"> Citizen</td></tr>
+<tr><td class="nspacsingle"> Col. </td><td class="nspacsingle"> Column</td></tr>
+<tr><td class="nspacsingle"> Coll. </td><td class="nspacsingle"> College</td></tr>
+<tr><td class="nspacsingle"> Comp. </td><td class="nspacsingle"> Companion, comparative</td></tr>
+<tr><td class="nspacsingle"> Cong. </td><td class="nspacsingle"> Congress</td></tr>
+<tr><td class="nspacsingle"> C.Q.D. </td><td class="nspacsingle"> Marconi Distress signal</td></tr>
+<tr><td class="nspacsingle"> D.B. </td><td class="nspacsingle"> Domesday Book</td></tr>
+<tr><td class="nspacsingle"> D.C. </td><td class="nspacsingle"> (<i>Da Capo</i>) From the beginning; again</td></tr>
+<tr><td class="nspacsingle"> Dec. </td><td class="nspacsingle"> Declination</td></tr>
+<tr><td class="nspacsingle"> Deg. </td><td class="nspacsingle"> Degree(s)</td></tr>
+<tr><td class="nspacsingle"> Del. </td><td class="nspacsingle"> (<i>Delineavit</i>) he drew it</td></tr>
+<tr><td class="nspacsingle"> Dem. </td><td class="nspacsingle"> Democrat</td></tr>
+<tr><td class="nspacsingle"> D.G. </td><td class="nspacsingle"> (<i>Dei gratia</i>) by the grace of God; (<i>Deo gratias</i>) thanks to God</td></tr>
+<tr><td class="nspacsingle"> D.V. </td><td class="nspacsingle"> (<i>Deo volente</i>) God willing</td></tr>
+<tr><td class="nspacsingle"> E. </td><td class="nspacsingle"> East, Eagle(s)</td></tr>
+<tr><td class="nspacsingle"> Ea. </td><td class="nspacsingle"> Each</td></tr>
+<tr><td class="nspacsingle"> E.B. </td><td class="nspacsingle"> English Bible (common)</td></tr>
+<tr><td class="nspacsingle"> Ed. </td><td class="nspacsingle"> Editor, Edition</td></tr>
+<tr><td class="nspacsingle"> E.E. </td><td class="nspacsingle"> Errors excepted</td></tr>
+<tr><td class="nspacsingle"> E.G. </td><td class="nspacsingle"> (<i>Exempli gratia</i>) by way of example</td></tr>
+<tr><td class="nspacsingle"> Elec. </td><td class="nspacsingle"> Electricity</td></tr>
+<tr><td class="nspacsingle"> E.N.E. </td><td class="nspacsingle"> East-northeast</td></tr>
+<tr><td class="nspacsingle"> Ent. </td><td class="nspacsingle"> Entomology</td></tr>
+<tr><td class="nspacsingle"> E.S.E. </td><td class="nspacsingle"> East-southeast</td></tr>
+<tr><td class="nspacsingle"> Etal. </td><td class="nspacsingle"> (<i>Et alibi</i>) and elsewhere; (<i>et alii</i>) and others</td></tr>
+<tr><td class="nspacsingle"> Etc. </td><td class="nspacsingle"> (<i>Et cætera</i>) and so forth</td></tr>
+<tr><td class="nspacsingle"> Et seq. </td><td class="nspacsingle"> (<i>Et sequentia</i>) the following</td></tr>
+<tr><td class="nspacsingle"> Ex. </td><td class="nspacsingle"> Example</td></tr>
+<tr><td class="nspacsingle"> Exc. </td><td class="nspacsingle"> Exception</td></tr>
+<tr><td class="nspacsingle"> F., Fahr. </td><td class="nspacsingle"> Fahrenheit (thermometer)</td></tr>
+<tr><td class="nspacsingle"> Fec. </td><td class="nspacsingle"> (<i>Fecit</i>) he made it</td></tr>
+<tr><td class="nspacsingle"> Fem. or f. </td><td class="nspacsingle"> Feminine</td></tr>
+<tr><td class="nspacsingle"> Fig(s). </td><td class="nspacsingle"> Figure(s)</td></tr>
+<tr><td class="nspacsingle"> Finn. </td><td class="nspacsingle"> Finnish</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 28 --><span class="pagenum"><a name="page28"></a>{28}</span>
+ Fol. or f., ff. </td><td class="nspacsingle"> Folio(s)</td></tr>
+<tr><td class="nspacsingle"> For. </td><td class="nspacsingle"> Foreign</td></tr>
+<tr><td class="nspacsingle"> Ft. </td><td class="nspacsingle"> Fort</td></tr>
+<tr><td class="nspacsingle"> Gent. </td><td class="nspacsingle"> Gentleman</td></tr>
+<tr><td class="nspacsingle"> Ger. </td><td class="nspacsingle"> German</td></tr>
+<tr><td class="nspacsingle"> Goth. </td><td class="nspacsingle"> Gothic</td></tr>
+<tr><td class="nspacsingle"> Gr. </td><td class="nspacsingle"> Greek</td></tr>
+<tr><td class="nspacsingle"> H. </td><td class="nspacsingle"> Husband</td></tr>
+<tr><td class="nspacsingle"> Hdkf. </td><td class="nspacsingle"> Handkerchief</td></tr>
+<tr><td class="nspacsingle"> H.e. </td><td class="nspacsingle"> (<i>Hoc est</i>) that is, or, this is</td></tr>
+<tr><td class="nspacsingle"> Hist. </td><td class="nspacsingle"> History, Historical</td></tr>
+<tr><td class="nspacsingle"> H.J.S. </td><td class="nspacsingle"> (<i>Hic jacet sepultus</i>) here lies buried</td></tr>
+<tr><td class="nspacsingle"> H.M.P. </td><td class="nspacsingle"> (<i>Hoc monumentum posuit</i>) erected this monument</td></tr>
+<tr><td class="nspacsingle"> H.R.I.P. </td><td class="nspacsingle"> (<i>Hic requiescit in pace</i>) here lies in peace</td></tr>
+<tr><td class="nspacsingle"> H.S. </td><td class="nspacsingle"> (<i>Hic situs</i>) here lies</td></tr>
+<tr><td class="nspacsingle"> Ibid. Ib. </td><td class="nspacsingle"> (<i>Ibidem</i>) in the same place</td></tr>
+<tr><td class="nspacsingle"> Id. </td><td class="nspacsingle"> (<i>Idem</i>) the same</td></tr>
+<tr><td class="nspacsingle"> I.e. </td><td class="nspacsingle"> (<i>Id est</i>) that is</td></tr>
+<tr><td class="nspacsingle"> I.H.S. </td><td class="nspacsingle"> First letters of <span title="IÊSOUS" class="grk">&Iota;&Eta;&Sigma;&Omicron;&Upsilon;&Sigma;</span>, Greek for <i>Jesus</i>, or <i>Iesus hominum salvator</i>, Jesus the Savior of Mankind</td></tr>
+<tr><td class="nspacsingle"> Illus. </td><td class="nspacsingle"> Illustrated</td></tr>
+<tr><td class="nspacsingle"> Imp. </td><td class="nspacsingle"> Imperative (mood)</td></tr>
+<tr><td class="nspacsingle"> Incog. </td><td class="nspacsingle"> (<i>Incognito</i>) Unknown</td></tr>
+<tr><td class="nspacsingle"> Indef. </td><td class="nspacsingle"> Indefinite</td></tr>
+<tr><td class="nspacsingle"> Indic. </td><td class="nspacsingle"> Indicative (mood)</td></tr>
+<tr><td class="nspacsingle"> Infin. </td><td class="nspacsingle"> Infinitive (mood)</td></tr>
+<tr><td class="nspacsingle"> In lim. </td><td class="nspacsingle"> (<i>In limine</i>) at the outset</td></tr>
+<tr><td class="nspacsingle"> In loc. </td><td class="nspacsingle"> (<i>In loco</i>) in the place</td></tr>
+<tr><td class="nspacsingle"> Inst. </td><td class="nspacsingle"> (<i>instante</i>) the current month</td></tr>
+<tr><td class="nspacsingle"> Int. </td><td class="nspacsingle"> Interest</td></tr>
+<tr><td class="nspacsingle"> Interj. </td><td class="nspacsingle"> Interjection</td></tr>
+<tr><td class="nspacsingle"> In trans. </td><td class="nspacsingle"> (<i>In transit</i>) On the passage</td></tr>
+<tr><td class="nspacsingle"> Ion. </td><td class="nspacsingle"> Ionic</td></tr>
+<tr><td class="nspacsingle"> Ir. </td><td class="nspacsingle"> Irish</td></tr>
+<tr><td class="nspacsingle"> Irreg. </td><td class="nspacsingle"> Irregular</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 29 --><span class="pagenum"><a name="page29"></a>{29}</span>
+ Isl. </td><td class="nspacsingle"> Island</td></tr>
+<tr><td class="nspacsingle"> Ital. </td><td class="nspacsingle"> Italic</td></tr>
+<tr><td class="nspacsingle"> Itin. </td><td class="nspacsingle"> Itinerary</td></tr>
+<tr><td class="nspacsingle"> J.H.S. </td><td class="nspacsingle"> See I.H.S.</td></tr>
+<tr><td class="nspacsingle"> Jour. </td><td class="nspacsingle"> Journal</td></tr>
+<tr><td class="nspacsingle"> Lat. </td><td class="nspacsingle"> Latin, latitude</td></tr>
+<tr><td class="nspacsingle"> L.c. </td><td class="nspacsingle"> (<i>Loco citato</i>) in the place cited</td></tr>
+<tr><td class="nspacsingle"> L.l. </td><td class="nspacsingle"> (<i>Loco laudato</i>) in the place quoted</td></tr>
+<tr><td class="nspacsingle"> Long. or long.</td><td class="nspacsingle"> Longitude</td></tr>
+<tr><td class="nspacsingle"> L.S. </td><td class="nspacsingle"> (<i>Locus sigilli</i>) place of the seal</td></tr>
+<tr><td class="nspacsingle"> LXX </td><td class="nspacsingle"> The Septuagint</td></tr>
+<tr><td class="nspacsingle"> M. </td><td class="nspacsingle"> (<i>Meridies</i>) noon</td></tr>
+<tr><td class="nspacsingle"> M. </td><td class="nspacsingle"> Married</td></tr>
+<tr><td class="nspacsingle"> Mem. </td><td class="nspacsingle"> Memorandum, Memoranda</td></tr>
+<tr><td class="nspacsingle"> Mgr. </td><td class="nspacsingle"> Manager</td></tr>
+<tr><td class="nspacsingle"> Misc. </td><td class="nspacsingle"> Miscellaneous</td></tr>
+<tr><td class="nspacsingle"> Mo(s). </td><td class="nspacsingle"> Month, months</td></tr>
+<tr><td class="nspacsingle"> M.S. </td><td class="nspacsingle"> (<i>Memoriæ sacrum</i>) sacred to the memory</td></tr>
+<tr><td class="nspacsingle"> MS. </td><td class="nspacsingle"> (<i>Manuscriptum</i>) manuscript</td></tr>
+<tr><td class="nspacsingle"> MSS. </td><td class="nspacsingle"> Manuscripts</td></tr>
+<tr><td class="nspacsingle"> Mt. </td><td class="nspacsingle"> Mount, Mont</td></tr>
+<tr><td class="nspacsingle"> Myth. </td><td class="nspacsingle"> Mythology</td></tr>
+<tr><td class="nspacsingle"> N. </td><td class="nspacsingle"> Noun, note(s)</td></tr>
+<tr><td class="nspacsingle"> Nat. </td><td class="nspacsingle"> National</td></tr>
+<tr><td class="nspacsingle"> Naut. </td><td class="nspacsingle"> Nautical</td></tr>
+<tr><td class="nspacsingle"> N.B. </td><td class="nspacsingle"> (<i>Nota Bene</i>) note well</td></tr>
+
+<tr><td class="nspacsingle">
+<table class="nob" style="margin-left: -0.25em">
+<tr><td class="nspacsingle"> Nem. con or </td><td class="nspacsingle" style="text-align:center" colspan= "1" rowspan="2"> <a href="images/$rbrace.png"><img src="images/$rbrace.png" class="middle" style="height:6.5ex; width:0.75em" alt="brace" /></a> </td></tr>
+<tr><td class="nspacsingle"> nem. diss. </td></tr>
+</table>
+</td><td class="nspacsingle"> (<i>Nemine contradicente</i> or <i>nemine dissentiente</i>) none opposing</td></tr>
+
+<tr><td class="nspacsingle"> N.L. </td><td class="nspacsingle"> (<i>Non liquet</i>) It does not appear</td></tr>
+<tr><td class="nspacsingle"> N. lat. </td><td class="nspacsingle"> North latitude</td></tr>
+<tr><td class="nspacsingle"> N.N.E. </td><td class="nspacsingle"> North-northeast</td></tr>
+<tr><td class="nspacsingle"> N.N.W. </td><td class="nspacsingle"> North-northwest</td></tr>
+<tr><td class="nspacsingle"> Nom. </td><td class="nspacsingle"> Nominative</td></tr>
+<tr><td class="nspacsingle"> Nol. Pros. </td><td class="nspacsingle"> (<i>Nol prosequi</i>) indicates in law that a complaint will not be prosecuted</td></tr>
+<tr><td class="nspacsingle"> N.S. </td><td class="nspacsingle"> New Style (After 1752)</td></tr>
+<tr><td class="nspacsingle"> N.T. </td><td class="nspacsingle"> New Testament</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 30 --><span class="pagenum"><a name="page30"></a>{30}</span>
+ N.u. </td><td class="nspacsingle"> Name(s) unknown</td></tr>
+<tr><td class="nspacsingle"> N.V.M. </td><td class="nspacsingle"> Nativity of the Virgin Mary</td></tr>
+<tr><td class="nspacsingle"> N.W. </td><td class="nspacsingle"> Northwest</td></tr>
+<tr><td class="nspacsingle"> Ob. </td><td class="nspacsingle"> (<i>Obiit</i>) he or she died</td></tr>
+<tr><td class="nspacsingle"> Obj. </td><td class="nspacsingle"> Objective (case)</td></tr>
+<tr><td class="nspacsingle"> Obs. </td><td class="nspacsingle"> Obsolete</td></tr>
+<tr><td class="nspacsingle"> O.F. </td><td class="nspacsingle"> Odd Fellow(s)</td></tr>
+<tr><td class="nspacsingle"> O.H.M.S. </td><td class="nspacsingle"> On His Majesty's Service</td></tr>
+<tr><td class="nspacsingle"> Olym. </td><td class="nspacsingle"> Olympiad</td></tr>
+<tr><td class="nspacsingle"> Op. </td><td class="nspacsingle"> Opposite</td></tr>
+<tr><td class="nspacsingle"> O.S. </td><td class="nspacsingle"> Old Style (before 1752)</td></tr>
+<tr><td class="nspacsingle"> O.T. </td><td class="nspacsingle"> Old Testament</td></tr>
+<tr><td class="nspacsingle"> P. or pp. </td><td class="nspacsingle"> Page or pages</td></tr>
+<tr><td class="nspacsingle"> Par. </td><td class="nspacsingle"> Paragraph</td></tr>
+<tr><td class="nspacsingle"> Par. pas. </td><td class="nspacsingle"> Parallel passage(s)</td></tr>
+<tr><td class="nspacsingle"> Parl. </td><td class="nspacsingle"> Parliament</td></tr>
+<tr><td class="nspacsingle"> Part. </td><td class="nspacsingle"> Participle</td></tr>
+<tr><td class="nspacsingle"> Partic. </td><td class="nspacsingle"> Particle</td></tr>
+<tr><td class="nspacsingle"> Pass. </td><td class="nspacsingle"> Passive (voice)</td></tr>
+<tr><td class="nspacsingle"> Pen. </td><td class="nspacsingle"> Peninsula</td></tr>
+<tr><td class="nspacsingle"> Pent. </td><td class="nspacsingle"> Pentecost</td></tr>
+<tr><td class="nspacsingle"> Perf. </td><td class="nspacsingle"> Perfect (tense)</td></tr>
+<tr><td class="nspacsingle"> Pers. </td><td class="nspacsingle"> Person</td></tr>
+<tr><td class="nspacsingle"> Pers. pron. </td><td class="nspacsingle"> Personal pronoun</td></tr>
+<tr><td class="nspacsingle"> Persp. </td><td class="nspacsingle"> Perspective</td></tr>
+<tr><td class="nspacsingle"> Phil. </td><td class="nspacsingle"> Philosophy</td></tr>
+<tr><td class="nspacsingle"> Pinx. </td><td class="nspacsingle"> (<i>Pinxit</i>) he painted it</td></tr>
+<tr><td class="nspacsingle"> Pl. </td><td class="nspacsingle"> Plate(s)</td></tr>
+<tr><td class="nspacsingle"> Plff. </td><td class="nspacsingle"> Plaintiff</td></tr>
+<tr><td class="nspacsingle"> Plup. </td><td class="nspacsingle"> Pluperfect</td></tr>
+<tr><td class="nspacsingle"> Plur. </td><td class="nspacsingle"> Plural</td></tr>
+<tr><td class="nspacsingle"> P.M. </td><td class="nspacsingle"> (<i>Post Meridiem</i>) afternoon to midnight</td></tr>
+<tr><td class="nspacsingle"> P.O. </td><td class="nspacsingle"> Post-office</td></tr>
+<tr><td class="nspacsingle"> Pop. </td><td class="nspacsingle"> Population</td></tr>
+<tr><td class="nspacsingle"> Posit. </td><td class="nspacsingle"> Positive</td></tr>
+<tr><td class="nspacsingle"> P.p. </td><td class="nspacsingle"> Past participle</td></tr>
+<tr><td class="nspacsingle"> P.P.C. </td><td class="nspacsingle"> (<i>Pour prendre congé</i>) to take leave</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 31 --><span class="pagenum"><a name="page31"></a>{31}</span>
+ P. pr. </td><td class="nspacsingle"> Participle present</td></tr>
+<tr><td class="nspacsingle"> P.R. </td><td class="nspacsingle"> (<i>Populus Romanus</i>) the Roman people</td></tr>
+<tr><td class="nspacsingle"> Pref. </td><td class="nspacsingle"> Preface</td></tr>
+<tr><td class="nspacsingle"> Pret. </td><td class="nspacsingle"> Preterite tense</td></tr>
+<tr><td class="nspacsingle"> Pron. </td><td class="nspacsingle"> Pronoun</td></tr>
+<tr><td class="nspacsingle"> Pro tem. </td><td class="nspacsingle"> (<i>Pro tempore</i>) for the time being</td></tr>
+<tr><td class="nspacsingle"> Pr. p. </td><td class="nspacsingle"> Present participle</td></tr>
+<tr><td class="nspacsingle"> P.S. </td><td class="nspacsingle"> Privy Seal</td></tr>
+<tr><td class="nspacsingle"> P.T.O. </td><td class="nspacsingle"> Please turn over</td></tr>
+<tr><td class="nspacsingle"> Pt. </td><td class="nspacsingle"> Point</td></tr>
+<tr><td class="nspacsingle"> Pub. </td><td class="nspacsingle"> Publisher</td></tr>
+<tr><td class="nspacsingle"> Pub. Doc. </td><td class="nspacsingle"> Public Documents</td></tr>
+<tr><td class="nspacsingle"> Q. </td><td class="nspacsingle"> Question</td></tr>
+<tr><td class="nspacsingle"> Q.B. </td><td class="nspacsingle"> Queen's Bench</td></tr>
+<tr><td class="nspacsingle"> Q.C. </td><td class="nspacsingle"> Queen's College, Queen's Council</td></tr>
+<tr><td class="nspacsingle"> Q.d. </td><td class="nspacsingle"> (<i>Quasi dicat</i>) as if he should say; (<i>Quasi dictum</i>) as if said; (<i>Quasi dixisset</i>) as if he had said</td></tr>
+<tr><td class="nspacsingle"> Q.E. </td><td class="nspacsingle"> (<i>Quod est</i>) which is</td></tr>
+<tr><td class="nspacsingle"> Q.E.D. </td><td class="nspacsingle"> (<i>Quod erat demonstrandum</i>) which was to be proved</td></tr>
+<tr><td class="nspacsingle"> Q.E.F. </td><td class="nspacsingle"> (<i>Quod erat faciendum</i>) which was to be done</td></tr>
+<tr><td class="nspacsingle"> Q.l. </td><td class="nspacsingle"> (<i>Quantum libet</i>) as much as you please</td></tr>
+<tr><td class="nspacsingle"> Q. Mess. </td><td class="nspacsingle"> Queen's Messenger</td></tr>
+<tr><td class="nspacsingle"> Qm. </td><td class="nspacsingle"> (<i>Quomodo</i>) by what means, how</td></tr>
+<tr><td class="nspacsingle"> Q.p. or q. pl.</td><td class="nspacsingle"> (<i>Quantum placet</i>) as much as you please</td></tr>
+<tr><td class="nspacsingle"> Qr. </td><td class="nspacsingle"> Quarter</td></tr>
+<tr><td class="nspacsingle"> Q.S. </td><td class="nspacsingle"> (<i>Quantum sufficit</i>) a sufficient quantity</td></tr>
+<tr><td class="nspacsingle"> Q.v. </td><td class="nspacsingle"> (<i>Quantum vis</i>) as much as you will</td></tr>
+<tr><td class="nspacsingle"> Q.v. </td><td class="nspacsingle"> (<i>Quod vide</i>) which see</td></tr>
+<tr><td class="nspacsingle"> Qy. </td><td class="nspacsingle"> Query</td></tr>
+<tr><td class="nspacsingle"> R., </td><td class="nspacsingle"> Reaum. Reaumur (<i>thermometer</i>)</td></tr>
+<tr><td class="nspacsingle"> R.A. </td><td class="nspacsingle"> Royal Academy; Royal Academician; Royal Artillery</td></tr>
+<tr><td class="nspacsingle"> R.E. </td><td class="nspacsingle"> Royal Engineers</td></tr>
+<tr><td class="nspacsingle"> Recd. </td><td class="nspacsingle"> Received</td></tr>
+<tr><td class="nspacsingle"> Rect. </td><td class="nspacsingle"> Rector</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 32 --><span class="pagenum"><a name="page32"></a>{32}</span>
+ Ref. </td><td class="nspacsingle"> Reformation, reformed</td></tr>
+<tr><td class="nspacsingle"> Ref. Ch. </td><td class="nspacsingle"> Reformed Church</td></tr>
+<tr><td class="nspacsingle"> Ref. </td><td class="nspacsingle"> Reference</td></tr>
+<tr><td class="nspacsingle"> Regr. </td><td class="nspacsingle"> Registrar</td></tr>
+<tr><td class="nspacsingle"> Regt. </td><td class="nspacsingle"> Regiment</td></tr>
+<tr><td class="nspacsingle"> Rel. pron. </td><td class="nspacsingle"> Relative pronoun</td></tr>
+<tr><td class="nspacsingle"> Rep. </td><td class="nspacsingle"> Representative</td></tr>
+<tr><td class="nspacsingle"> Repub. </td><td class="nspacsingle"> Republican</td></tr>
+<tr><td class="nspacsingle"> R.M. </td><td class="nspacsingle"> Royal Marines</td></tr>
+<tr><td class="nspacsingle"> R.N. </td><td class="nspacsingle"> Royal Navy</td></tr>
+<tr><td class="nspacsingle"> Ro. </td><td class="nspacsingle"> (<i>Recto</i>) Right-hand page</td></tr>
+<tr><td class="nspacsingle"> Rom. Cath. </td><td class="nspacsingle"> Roman Catholic</td></tr>
+<tr><td class="nspacsingle"> R.P. </td><td class="nspacsingle"> (<i>Res Publica</i>) Republic</td></tr>
+<tr><td class="nspacsingle"> Ru. </td><td class="nspacsingle"> Runic</td></tr>
+<tr><td class="nspacsingle"> S. </td><td class="nspacsingle"> Solo (<i>In Italian Music</i>); South</td></tr>
+<tr><td class="nspacsingle"> S. SS. </td><td class="nspacsingle"> Section(s), Saint(s)</td></tr>
+<tr><td class="nspacsingle"> S.a. </td><td class="nspacsingle"> (<i>Secundum artem</i>) According to Art</td></tr>
+<tr><td class="nspacsingle"> Sax. </td><td class="nspacsingle"> Saxon</td></tr>
+<tr><td class="nspacsingle"> S.C. </td><td class="nspacsingle"> (<i>Senatus Consultum</i>) A decree of the Senate</td></tr>
+<tr><td class="nspacsingle"> S.C. </td><td class="nspacsingle"> (<i>In Law</i>) same case</td></tr>
+<tr><td class="nspacsingle"> Sch. </td><td class="nspacsingle"> Schooner(s)</td></tr>
+<tr><td class="nspacsingle"> Schol. </td><td class="nspacsingle"> (<i>Scholium</i>) a note</td></tr>
+<tr><td class="nspacsingle"> Sci. </td><td class="nspacsingle"> Science</td></tr>
+<tr><td class="nspacsingle"> Sculp. </td><td class="nspacsingle"> (<i>Sculpsit</i>) he engraved</td></tr>
+<tr><td class="nspacsingle"> S.E. </td><td class="nspacsingle"> Southeast</td></tr>
+<tr><td class="nspacsingle"> Sen. </td><td class="nspacsingle"> Senate, Senator</td></tr>
+<tr><td class="nspacsingle"> Seq. or sq. </td><td class="nspacsingle"> (<i>Sequente</i>) and in what follows</td></tr>
+<tr><td class="nspacsingle"> Seqq. or sqq. </td><td class="nspacsingle"> (<i>Sequentibus</i>) and in the following (places)</td></tr>
+<tr><td class="nspacsingle"> Ser. </td><td class="nspacsingle"> Series</td></tr>
+<tr><td class="nspacsingle"> Shak. </td><td class="nspacsingle"> Shakespeare</td></tr>
+<tr><td class="nspacsingle"> Sing. </td><td class="nspacsingle"> Singular (number)</td></tr>
+<tr><td class="nspacsingle"> S.J.C. </td><td class="nspacsingle"> Supreme Judicial Court</td></tr>
+<tr><td class="nspacsingle"> S. lat. </td><td class="nspacsingle"> South latitude</td></tr>
+<tr><td class="nspacsingle"> S.O.S. </td><td class="nspacsingle"> Marconi Distress Signal</td></tr>
+<tr><td class="nspacsingle"> S.P. </td><td class="nspacsingle"> (<i>Sine prole</i>) without issue</td></tr>
+<tr><td class="nspacsingle"> Sp. gr. </td><td class="nspacsingle"> Specific gravity</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 33 --><span class="pagenum"><a name="page33"></a>{33}</span>
+ S.P.Q.R. </td><td class="nspacsingle"> (<i>Senatus Populusque Romanus</i>) the Senate and the Roman people</td></tr>
+<tr><td class="nspacsingle"> S.R.I. </td><td class="nspacsingle"> (<i>Sacrum Romanum Imperium</i>) The Holy Roman Empire</td></tr>
+<tr><td class="nspacsingle"> S.R.S. </td><td class="nspacsingle"> (<i>Societatis Regiæ Socius</i>) Fellow of the Royal Society</td></tr>
+<tr><td class="nspacsingle"> S.S. </td><td class="nspacsingle"> Sunday School</td></tr>
+<tr><td class="nspacsingle"> S.S.E. </td><td class="nspacsingle"> South-southeast</td></tr>
+<tr><td class="nspacsingle"> S.S.W. </td><td class="nspacsingle"> South-southwest</td></tr>
+<tr><td class="nspacsingle"> St. </td><td class="nspacsingle"> Saint, Street</td></tr>
+<tr><td class="nspacsingle"> Stat. </td><td class="nspacsingle"> Statute(s)</td></tr>
+<tr><td class="nspacsingle"> Ster. </td><td class="nspacsingle"> Sterling</td></tr>
+<tr><td class="nspacsingle"> Subj. </td><td class="nspacsingle"> Subjunctive</td></tr>
+<tr><td class="nspacsingle"> Subst. </td><td class="nspacsingle"> Substantive</td></tr>
+<tr><td class="nspacsingle"> Su.-Goth. </td><td class="nspacsingle"> Suio-Gothic</td></tr>
+<tr><td class="nspacsingle"> Super. </td><td class="nspacsingle"> Superfine</td></tr>
+<tr><td class="nspacsingle"> Superl. </td><td class="nspacsingle"> Superlative</td></tr>
+<tr><td class="nspacsingle"> S.W. </td><td class="nspacsingle"> Southwest</td></tr>
+<tr><td class="nspacsingle"> T. </td><td class="nspacsingle"> Tenor (<i>in music</i>); (<i>Tutti</i>) the whole orchestra after a solo</td></tr>
+<tr><td class="nspacsingle"> Ter. </td><td class="nspacsingle"> Territory</td></tr>
+<tr><td class="nspacsingle"> Term. </td><td class="nspacsingle"> Termination</td></tr>
+<tr><td class="nspacsingle"> Theor. </td><td class="nspacsingle"> Theorem</td></tr>
+<tr><td class="nspacsingle"> Tr. </td><td class="nspacsingle"> Translator, transpose</td></tr>
+<tr><td class="nspacsingle"> Um. </td><td class="nspacsingle"> Unmarried</td></tr>
+<tr><td class="nspacsingle"> Univ. </td><td class="nspacsingle"> University</td></tr>
+<tr><td class="nspacsingle"> U.S.A. </td><td class="nspacsingle"> United States Army</td></tr>
+<tr><td class="nspacsingle"> U.S.M. </td><td class="nspacsingle"> United States Mail</td></tr>
+<tr><td class="nspacsingle"> U.S.N. </td><td class="nspacsingle"> United States Navy</td></tr>
+<tr><td class="nspacsingle"> U.S.S. </td><td class="nspacsingle"> United States Ship</td></tr>
+<tr><td class="nspacsingle"> U.s. </td><td class="nspacsingle"> (<i>Ut supra</i>) as above</td></tr>
+<tr><td class="nspacsingle"> Vat. </td><td class="nspacsingle"> Vatican</td></tr>
+<tr><td class="nspacsingle"> V.a. </td><td class="nspacsingle"> Verb active</td></tr>
+<tr><td class="nspacsingle"> V. aux. </td><td class="nspacsingle"> Verb auxiliary</td></tr>
+<tr><td class="nspacsingle"> V. def. </td><td class="nspacsingle"> Verb defective</td></tr>
+<tr><td class="nspacsingle"> V. dep. </td><td class="nspacsingle"> Verb deponent</td></tr>
+<tr><td class="nspacsingle"> Ven. </td><td class="nspacsingle"> Venerable</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 34 --><span class="pagenum"><a name="page34"></a>{34}</span>
+ V.g. </td><td class="nspacsingle"> (<i>Verbi gratia</i>) for example</td></tr>
+<tr><td class="nspacsingle"> V. imp. </td><td class="nspacsingle"> Verb impersonal</td></tr>
+<tr><td class="nspacsingle"> V. in. </td><td class="nspacsingle"> Verb intransitive</td></tr>
+<tr><td class="nspacsingle"> V. irr. </td><td class="nspacsingle"> Verb irregular</td></tr>
+<tr><td class="nspacsingle"> V.n. </td><td class="nspacsingle"> Verb neuter</td></tr>
+<tr><td class="nspacsingle"> Vo. </td><td class="nspacsingle"> (<i>verso</i>) left-hand page</td></tr>
+<tr><td class="nspacsingle"> Voc. </td><td class="nspacsingle"> Vocative</td></tr>
+<tr><td class="nspacsingle"> Vol. </td><td class="nspacsingle"> Volume</td></tr>
+<tr><td class="nspacsingle"> V.r. </td><td class="nspacsingle"> Verb reflexive</td></tr>
+<tr><td class="nspacsingle"> V. tr. </td><td class="nspacsingle"> Verb transitive</td></tr>
+<tr><td class="nspacsingle"> V. </td><td class="nspacsingle"> Vulgate (Version)</td></tr>
+<tr><td class="nspacsingle"> W. </td><td class="nspacsingle"> West, wife</td></tr>
+<tr><td class="nspacsingle"> W. lon. </td><td class="nspacsingle"> West longitude</td></tr>
+<tr><td class="nspacsingle"> W.N.W. </td><td class="nspacsingle"> West-northwest</td></tr>
+<tr><td class="nspacsingle"> W.S.W. </td><td class="nspacsingle"> West-southwest</td></tr>
+<tr><td class="nspacsingle"> Xmas </td><td class="nspacsingle"> Christmas</td></tr>
+<tr><td class="nspacsingle"> Zool. </td><td class="nspacsingle"> Zoology</td></tr>
+</table>
+
+ <p><br style="clear:both" /></p>
+<hr class="full" />
+
+<p><!-- Page 35 --><span class="pagenum"><a name="page35"></a>{35}</span></p>
+
+<h3>SIGNS</h3>
+
+ <p>In addition to the abbreviations, strictly so called, there are many
+ signs used in various kinds of composition. The most common are included
+ in the following lists.</p>
+
+<p class="cenhead"><span class="sc">Monetary Signs</span></p>
+
+<table class="nobctr" summary="Monetary signs." title="Monetary signs.">
+<tr><td class="nspacsingle"> <a href="images/dollar.png"><img src="images/dollar.png" class="middle" style="height:2ex" alt="dollar" /></a>
+ </td><td class="nspacsingle"> Dollar or dollars</td></tr>
+<tr><td class="nspacsingle"> cts. </td><td class="nspacsingle"> Cents</td></tr>
+<tr><td class="nspacsingle"> Gn. </td><td class="nspacsingle"> Guinea</td></tr>
+<tr><td class="nspacsingle"> £ (<i>English</i>) </td><td class="nspacsingle"> Pound or pounds</td></tr>
+<tr><td class="nspacsingle"> / or s </td><td class="nspacsingle"> Shilling or shillings</td></tr>
+<tr><td class="nspacsingle"> d. </td><td class="nspacsingle"> (<i>Denarius</i>) penny or pence</td></tr>
+<tr><td class="nspacsingle"> fr. </td><td class="nspacsingle"> Franc or francs</td></tr>
+<tr><td class="nspacsingle"> c. (<i>French</i>) </td><td class="nspacsingle"> Centime or centimes</td></tr>
+<tr><td class="nspacsingle"> m. (<i>German</i>) </td><td class="nspacsingle"> Mark or marks</td></tr>
+<tr><td class="nspacsingle"> Pf. (<i>German</i>) </td><td class="nspacsingle"> Pfennig or pfennigs</td></tr>
+<tr><td class="nspacsingle"> cr. (<i>Austrian</i>) </td><td class="nspacsingle"> Crown or crowns</td></tr>
+<tr><td class="nspacsingle"> hr. (<i>Austrian</i>) </td><td class="nspacsingle"> Heller or hellers</td></tr>
+<tr><td class="nspacsingle"> rub. (<i>Russian</i>) </td><td class="nspacsingle"> Ruble or rubles</td></tr>
+<tr><td class="nspacsingle"> kop. (<i>Russian</i>) &nbsp; &nbsp;</td><td class="nspacsingle"> Kopec or kopecs</td></tr>
+<tr><td class="nspacsingle"> kr. (<i>Danish</i>) </td><td class="nspacsingle"> Crown or crowns</td></tr>
+<tr><td class="nspacsingle"> öro, öre </td><td class="nspacsingle"> Oro or öre</td></tr>
+<tr><td class="nspacsingle"> £ (<i>Italian</i>) </td><td class="nspacsingle"> Lira or lire</td></tr>
+<tr><td class="nspacsingle"> c. (<i>Italian</i>) </td><td class="nspacsingle"> Centesimo or centesimi</td></tr>
+</table>
+
+<p class="cenhead"><span class="sc">Mathematical Signs</span></p>
+
+<table class="nobctr" summary="Mathematical signs." title="Mathematical signs.">
+<tr><td class="nspacsingle"> + </td><td class="nspacsingle"> Plus</td></tr>
+<tr><td class="nspacsingle"> - </td><td class="nspacsingle"> Minus</td></tr>
+<tr><td class="nspacsingle"> ± </td><td class="nspacsingle"> Plus or minus</td></tr>
+<tr><td class="nspacsingle"> <a href="images/minpl.png"><img src="images/minpl.png" class="middle" style="height:1.6ex" alt="Minus or plus" /></a> </td><td class="nspacsingle"> Minus or plus</td></tr>
+<tr><td class="nspacsingle"> × </td><td class="nspacsingle"> Multiplied by</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 36 --><span class="pagenum"><a name="page36"></a>{36}</span>
+ ÷ </td><td class="nspacsingle"> Divided by</td></tr>
+<tr><td class="nspacsingle"> = </td><td class="nspacsingle"> Equal to</td></tr>
+<tr><td class="nspacsingle"> <a href="images/neq.png"><img src="images/neq.png" class="middle" style="height:1.8ex" alt="Not equal to" /></a> </td><td class="nspacsingle"> Not equal to</td></tr>
+<tr><td class="nspacsingle"> <a href="images/ident.png"><img src="images/ident.png" class="middle" style="height:1.3ex" alt="Identical with" /></a> </td><td class="nspacsingle"> Identical with</td></tr>
+<tr><td class="nspacsingle"> <a href="images/cong.png"><img src="images/cong.png" class="middle" style="height:0.9ex" alt="Congruent to" /></a> </td><td class="nspacsingle"> Congruent to</td></tr>
+<tr><td class="nspacsingle"> > </td><td class="nspacsingle"> Greater than</td></tr>
+<tr><td class="nspacsingle"> &lt; </td><td class="nspacsingle"> Less than</td></tr>
+<tr><td class="nspacsingle"> <a href="images/diff.png"><img src="images/diff.png" class="middle" style="height:2.6ex" alt="The difference between" /></a> </td><td class="nspacsingle"> The difference between</td></tr>
+<tr><td class="nspacsingle"> <a href="images/equiv.png"><img src="images/equiv.png" class="middle" style="height:1.1ex" alt="Is equivalent to" /></a> </td><td class="nspacsingle"> Is equivalent to</td></tr>
+<tr><td class="nspacsingle"> : and :: &nbsp; &nbsp; </td><td class="nspacsingle"> Proportion</td></tr>
+<tr><td class="nspacsingle"> <a href="images/varpropto.png"><img src="images/varpropto.png" class="middle" style="height:1.0ex" alt="Varies as" /></a> </td><td class="nspacsingle"> Varies as</td></tr>
+<tr><td class="nspacsingle"> <a href="images/doteq.png"><img src="images/doteq.png" class="middle" style="height:1.4ex" alt="Approaches as a limit" /></a> </td><td class="nspacsingle"> Approaches as a limit</td></tr>
+<tr><td class="nspacsingle"> &infin; </td><td class="nspacsingle"> Infinity</td></tr>
+<tr><td class="nspacsingle"> <a href="images/therefore.png"><img src="images/therefore.png" class="middle" style="height:1.7ex" alt="Therefore" /></a> </td><td class="nspacsingle"> Therefore</td></tr>
+<tr><td class="nspacsingle"> <a href="images/because.png"><img src="images/because.png" class="middle" style="height:1.7ex" alt="Because" /></a> </td><td class="nspacsingle"> Because</td></tr>
+<tr><td class="nspacsingle"> . . . </td><td class="nspacsingle"> Continuation</td></tr>
+<tr><td class="nspacsingle"> &radic; </td><td class="nspacsingle"> The radical sign</td></tr>
+<tr><td class="nspacsingle"> <a href="images/perp.png"><img src="images/perp.png" class="middle" style="height:2.6ex" alt="Perpendicular to" /></a> </td><td class="nspacsingle"> Perpendicular to</td></tr>
+<tr><td class="nspacsingle"> <a href="images/parallel.png"><img src="images/parallel.png" class="middle" style="height:2.4ex" alt="Parallel" /></a> </td><td class="nspacsingle"> Parallel</td></tr>
+<tr><td class="nspacsingle"> <a href="images/frown.png"><img src="images/frown.png" class="middle" style="height:0.9ex" alt="Arc of circle" /></a> </td><td class="nspacsingle"> Arc of circle</td></tr>
+<tr><td class="nspacsingle"> <a href="images/degree.png"><img src="images/degree.png" class="middle" style="height:1.8ex" alt="Degree of circle" /></a> </td><td class="nspacsingle"> Degree of circle</td></tr>
+<tr><td class="nspacsingle"> &prime; </td><td class="nspacsingle"> Minute of circle</td></tr>
+<tr><td class="nspacsingle"> &Prime; </td><td class="nspacsingle"> Second of circle</td></tr>
+<tr><td class="nspacsingle"> <a href="images/angle.png"><img src="images/angle.png" class="middle" style="height:1.8ex" alt="Angle" /></a> </td><td class="nspacsingle"> Angle</td></tr>
+<tr><td class="nspacsingle"> <a href="images/rightangle.png"><img src="images/rightangle.png" class="middle" style="height:1.8ex" alt="Right Angle" /></a> </td><td class="nspacsingle"> Right angle</td></tr>
+<tr><td class="nspacsingle"> <a href="images/square.png"><img src="images/square.png" class="middle" style="height:2.2ex" alt="Square" /></a> </td><td class="nspacsingle"> Square</td></tr>
+<tr><td class="nspacsingle"> <a href="images/rectangle.png"><img src="images/rectangle.png" class="middle" style="height:1.8ex" alt="Rectangle" /></a> </td><td class="nspacsingle"> Rectangle</td></tr>
+<tr><td class="nspacsingle"> <a href="images/triangle.png"><img src="images/triangle.png" class="middle" style="height:1.8ex" alt="Triangle" /></a> </td><td class="nspacsingle"> Triangle</td></tr>
+</table>
+
+<p class="cenhead"><span class="sc">Medical Signs</span></p>
+
+<table class="nobctr" summary="Medical signs." title="Medical signs.">
+<tr><td class="nspacsingle"> ãã </td><td class="nspacsingle"> (<i>ava</i>) of each </td><td class="nspacsingle"> <a href="images/drachm.png"><img src="images/drachm.png" class="middle" style="height:2.2ex" alt="Drachm" /></a> </td><td class="nspacsingle"> Drachm</td></tr>
+<tr><td class="nspacsingle"> <a href="images/recipe.png"><img src="images/recipe.png" class="middle" style="height:2.6ex" alt="Recipe" /></a> </td><td class="nspacsingle"> (<i>Recipe</i>) take </td><td class="nspacsingle"> <a href="images/scruple.png"><img src="images/scruple.png" class="middle" style="height:2.2ex" alt="Scruple" /></a> </td><td class="nspacsingle"> Scruple</td></tr>
+<tr><td class="nspacsingle"> <a href="images/ounce.png"><img src="images/ounce.png" class="middle" style="height:2.2ex" alt="Ounce" /></a>, <a href="images/ounce.png"><img src="images/ounce.png" class="middle" style="height:2.2ex" alt="Ounce" /></a>i &nbsp; &nbsp;</td><td class="nspacsingle"> Ounce, one ounce </td><td class="nspacsingle"> O &nbsp; &nbsp; </td><td class="nspacsingle"> (<i>Octarius</i>) Pint</td></tr>
+<tr><td class="nspacsingle"> <a href="images/ounce.png"><img src="images/ounce.png" class="middle" style="height:2.2ex" alt="Ounce" /></a>ss </td><td class="nspacsingle"> Half an ounce </td><td class="nspacsingle"> <a href="images/ounce.png"><img src="images/ounce.png" class="middle" style="height:2.2ex" alt="Ounce" /></a> </td><td class="nspacsingle"> Fluid ounce</td></tr>
+<tr><td class="nspacsingle"> <a href="images/ounce.png"><img src="images/ounce.png" class="middle" style="height:2.2ex" alt="Ounce" /></a>iss </td><td class="nspacsingle"> One ounce and a half &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <a href="images/drachm.png"><img src="images/drachm.png" class="middle" style="height:2.2ex" alt="Drachm" /></a> </td><td class="nspacsingle"> Fluid Drachm</td></tr>
+<tr><td class="nspacsingle"> <a href="images/ounce.png"><img src="images/ounce.png" class="middle" style="height:2.2ex" alt="Ounce" /></a>ij </td><td class="nspacsingle"> Two ounces </td><td class="nspacsingle"> <i>m</i> </td><td class="nspacsingle"> Minim or drop</td></tr>
+</table>
+
+<p><!-- Page 37 --><span class="pagenum"><a name="page37"></a>{37}</span></p>
+
+<p class="cenhead"><span class="sc">Astronomical Signs</span></p>
+
+<p class="cenhead">Planets</p>
+
+<table class="nobctr" summary="Planets." title="Planets.">
+<tr><td class="nspacsingle"> <a href="images/sun.png"><img src="images/sun.png" class="middle" style="height:2.1ex" alt="Sun" /></a> &nbsp; &nbsp;</td><td class="nspacsingle"> Sun </td><td class="nspacsingle"> <a href="images/earth.png"><img src="images/earth.png" class="middle" style="height:2.1ex" alt="Earth" /></a> &nbsp; &nbsp;</td><td class="nspacsingle"> Earth </td><td class="nspacsingle"> <a href="images/saturn.png"><img src="images/saturn.png" class="middle" style="height:2.1ex" alt="Saturn" /></a> &nbsp; &nbsp;</td><td class="nspacsingle"> Saturn</td></tr>
+<tr><td class="nspacsingle"> <a href="images/mercury.png"><img src="images/mercury.png" class="middle" style="height:2.1ex" alt="Mercury" /></a> </td><td class="nspacsingle"> Mercury &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <a href="images/mars.png"><img src="images/mars.png" class="middle" style="height:2.1ex" alt="Mars" /></a> </td><td class="nspacsingle"> Mars </td><td class="nspacsingle"> <a href="images/uranus.png"><img src="images/uranus.png" class="middle" style="height:2.1ex" alt="Uranus" /></a> </td><td class="nspacsingle"> Uranus</td></tr>
+<tr><td class="nspacsingle"> <a href="images/venus.png"><img src="images/venus.png" class="middle" style="height:2.1ex" alt="Venus" /></a> </td><td class="nspacsingle"> Venus </td><td class="nspacsingle"> <a href="images/jupiter.png"><img src="images/jupiter.png" class="middle" style="height:2.1ex" alt="Jupiter" /></a> </td><td class="nspacsingle"> Jupiter &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <a href="images/neptune.png"><img src="images/neptune.png" class="middle" style="height:2.1ex" alt="Neptune" /></a> </td><td class="nspacsingle"> Neptune</td></tr>
+</table>
+
+<p class="cenhead">Phases</p>
+
+<table class="nobctr" summary="Phases." title="Phases.">
+<tr><td class="nspacsingle"> <a href="images/newmoon.png"><img src="images/newmoon.png" class="middle" style="height:2.1ex" alt="New moon" /></a> &nbsp; &nbsp;</td><td class="nspacsingle"> New moon&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <a href="images/firstqtr.png"><img src="images/firstqtr.png" class="middle" style="height:2.1ex" alt="first quarter" /></a> &nbsp; &nbsp;</td><td class="nspacsingle"> first quarter &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <a href="images/fullmoon.png"><img src="images/fullmoon.png" class="middle" style="height:2.1ex" alt="full moon" /></a> &nbsp; &nbsp;</td><td class="nspacsingle"> full moon</td></tr>
+<tr><td class="nspacsingle"> </td><td class="nspacsingle"> </td><td class="nspacsingle"> <a href="images/lastqtr.png"><img src="images/lastqtr.png" class="middle" style="height:2.1ex" alt="last quarter" /></a> </td><td class="nspacsingle"> last quarter</td></tr>
+</table>
+
+<p class="cenhead">Zodiacal</p>
+
+<table class="nobctr" summary="Zodiacal." title="Zodiacal.">
+<tr><td class="nspacsingle"> <a href="images/aries.png"><img src="images/aries.png" class="middle" style="height:2.1ex" alt="Aries" /></a> &nbsp; &nbsp; </td><td class="nspacsingle"> Aries, the ram </td><td class="nspacsingle"> <a href="images/libra.png"><img src="images/libra.png" class="middle" style="height:2.1ex" alt="Libra" /></a> &nbsp; &nbsp; </td><td class="nspacsingle"> Libra, the scales</td></tr>
+<tr><td class="nspacsingle"> <a href="images/taurus.png"><img src="images/taurus.png" class="middle" style="height:2.1ex" alt="Taurus" /></a> </td><td class="nspacsingle"> Taurus, the bull </td><td class="nspacsingle"> <a href="images/scorpio.png"><img src="images/scorpio.png" class="middle" style="height:2.1ex" alt="Scorpio" /></a> </td><td class="nspacsingle"> Scorpio, scorpion</td></tr>
+<tr><td class="nspacsingle"> <a href="images/gemini.png"><img src="images/gemini.png" class="middle" style="height:2.1ex" alt="Gemini" /></a> </td><td class="nspacsingle"> Gemini, the twins </td><td class="nspacsingle"> <a href="images/sagittarius.png"><img src="images/sagittarius.png" class="middle" style="height:2.1ex" alt="Sagittarius" /></a> </td><td class="nspacsingle"> Sagittarius, archer</td></tr>
+<tr><td class="nspacsingle"> <a href="images/cancer.png"><img src="images/cancer.png" class="middle" style="height:2.1ex" alt="Cancer" /></a> </td><td class="nspacsingle"> Cancer, the crab &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <a href="images/capricornus.png"><img src="images/capricornus.png" class="middle" style="height:2.1ex" alt="Capricornus" /></a> </td><td class="nspacsingle"> Capricornus, goat</td></tr>
+<tr><td class="nspacsingle"> <a href="images/leo.png"><img src="images/leo.png" class="middle" style="height:2.1ex" alt="Leo" /></a> </td><td class="nspacsingle"> Leo, the lion </td><td class="nspacsingle"> <a href="images/aquarius.png"><img src="images/aquarius.png" class="middle" style="height:2.1ex" alt="Aquarius" /></a> </td><td class="nspacsingle"> Aquarius, waterman</td></tr>
+<tr><td class="nspacsingle"> <a href="images/virgo.png"><img src="images/virgo.png" class="middle" style="height:2.1ex" alt="Virgo" /></a> </td><td class="nspacsingle"> Virgo, the virgin </td><td class="nspacsingle"> <a href="images/pisces.png"><img src="images/pisces.png" class="middle" style="height:2.1ex" alt="Pisces" /></a> </td><td class="nspacsingle"> Pisces, the fishes</td></tr>
+</table>
+
+<p class="cenhead">Aspects and Nodes</p>
+
+<table class="nobctr" summary="Aspects and Nodes." title="Aspects and Nodes.">
+<tr><td class="nspacsingle"> <a href="images/conjunction.png"><img src="images/conjunction.png" class="middle" style="height:2.1ex" alt="Conjunction" /></a> &nbsp; &nbsp;</td><td class="nspacsingle"> Conjunction </td><td class="nspacsingle"> <a href="images/opposition.png"><img src="images/opposition.png" class="middle" style="height:2.1ex" alt="opposition" /></a> &nbsp; &nbsp;</td><td class="nspacsingle"> opposition</td></tr>
+<tr><td class="nspacsingle"> <a href="images/quadrature.png"><img src="images/quadrature.png" class="middle" style="height:2.1ex" alt="Quadrature" /></a> </td><td class="nspacsingle"> Quadrature </td><td class="nspacsingle"> <a href="images/quintile.png"><img src="images/quintile.png" class="middle" style="height:2.1ex" alt="quintile" /></a> </td><td class="nspacsingle"> or &nbsp; <a href="images/quintile2.png"><img src="images/quintile2.png" class="middle" style="height:2.1ex" alt="quintile" /></a> &nbsp; quintile</td></tr>
+<tr><td class="nspacsingle"> <a href="images/ascnode.png"><img src="images/ascnode.png" class="middle" style="height:2.1ex" alt="Ascending node" /></a> </td><td class="nspacsingle"> Ascending node </td><td class="nspacsingle"> <a href="images/sextile.png"><img src="images/sextile.png" class="middle" style="height:2.1ex" alt="sextile" /></a> </td><td class="nspacsingle"> sextile</td></tr>
+<tr><td class="nspacsingle"> <a href="images/descnode.png"><img src="images/descnode.png" class="middle" style="height:2.1ex" alt="Descending node" /></a> </td><td class="nspacsingle"> Descending node &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td class="nspacsingle"> <a href="images/trine.png"><img src="images/trine.png" class="middle" style="height:2.1ex" alt="trine" /></a> </td><td class="nspacsingle"> trine</td></tr>
+</table>
+
+<p class="cenhead"><span class="sc">Ecclesiastical Signs</span></p>
+
+<table class="nobctr" summary="Ecclesiastical Signs." title="Ecclesiastical Signs.">
+<tr><td class="nspacsingle"> <a href="images/maltese.png"><img src="images/maltese.png" class="middle" style="height:2.1ex" alt="Maltese cross" /></a> &nbsp; &nbsp;</td><td class="nspacsingle"> The Maltese cross is used before their signatures by
+certain dignitaries of the Roman Catholic Church.
+It is also used in the service-books of that church to
+notify the reader when to make the sign of the cross.
+The ordinary reference mark [dagger] (the dagger) should
+not be used as a substitute.</td></tr>
+<tr><td>&nbsp;</td></tr>
+<tr><td class="nspacsingle"> <a href="images/response.png"><img src="images/response.png" class="middle" style="height:2.5ex" alt="Response" /></a> </td><td class="nspacsingle"> Response in service-books. The apothecaries' sign <a href="images/recipe.png"><img src="images/recipe.png" class="middle" style="height:2.6ex" alt="Recipe" /></a>
+is not an entirely acceptable substitute.</td></tr>
+<tr><td>&nbsp;</td></tr>
+<tr><td class="nspacsingle"> <a href="images/versicle.png"><img src="images/versicle.png" class="middle" style="height:2.9ex" alt="Versicle" /></a> </td><td class="nspacsingle"> Versicle in service-books.</td></tr>
+<tr><td>&nbsp;</td></tr>
+<tr><td class="nspacsingle"> <a href="images/celebrant.png"><img src="images/celebrant.png" class="middle" style="height:1.7ex" alt="Celebrant" /></a> </td><td class="nspacsingle"> indicates the words intoned by the celebrant.</td></tr>
+</table>
+
+<p><!-- Page 38 --><span class="pagenum"><a name="page38"></a>{38}</span></p>
+
+<p class="cenhead"><span class="sc">Proofreader's Signs</span></p>
+
+<table class="nobctr" summary="Proofreaders Signs." title="Proofreaders Signs.">
+<tr><td class="nspacsingle"> No ¶ </td><td class="nspacsingle"> No new paragraph.</td></tr>
+<tr><td class="nspacsingle"> Run in </td><td class="nspacsingle"> Let there be no break in the reading.</td></tr>
+<tr><td class="nspacsingle"> ¶ </td><td class="nspacsingle"> Make a new paragraph.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/uneven.png"><img src="images/uneven.png" class="middle" style="height:2.0ex" alt="Uneven spacing" /></a> </td><td class="nspacsingle"> Correct uneven spacing of words.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/strike.png"><img src="images/strike.png" class="middle" style="height:2.4ex" alt="Strike out" /></a> </td><td class="nspacsingle"> Strike out the marked type, word, or sentence.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/reverse.png"><img src="images/reverse.png" class="middle" style="height:2.1ex" alt="Reverse" /></a> </td><td class="nspacsingle"> Reverse this type.</td></tr>
+<tr><td class="nspacsingle"> # </td><td class="nspacsingle"> More space where caret is marked,</td></tr>
+<tr><td class="nspacsingle"> <a href="images/contract.png"><img src="images/contract.png" class="middle" style="height:0.7ex" alt="Contract spacing" /></a> </td><td class="nspacsingle"> Contract the spacing.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/takeout.png"><img src="images/takeout.png" class="middle" style="height:1.5ex" alt="Take out spacing" /></a> </td><td class="nspacsingle"> Take out all spacing.</td></tr>
+<tr><td class="nspacsingle"> [ </td><td class="nspacsingle"> Move this to the left.</td></tr>
+<tr><td class="nspacsingle"> ] </td><td class="nspacsingle"> Move this to the right.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/raise.png"><img src="images/raise.png" class="middle" style="height:0.9ex" alt="Raise" /></a> </td><td class="nspacsingle"> Raise this line or letter.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/depress.png"><img src="images/depress.png" class="middle" style="height:0.9ex" alt="Depress" /></a> </td><td class="nspacsingle"> Depress this line or letter.</td></tr>
+<tr><td class="nspacsingle"> || </td><td class="nspacsingle"> Make parallel at the side with other lines.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/indent.png"><img src="images/indent.png" class="middle" style="height:2.2ex" alt="Indent" /></a> </td><td class="nspacsingle"> Indent line an em.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/pushdown.png"><img src="images/pushdown.png" class="middle" style="height:2.1ex" alt="Push down" /></a> </td><td class="nspacsingle"> Push down a space that blackens the proof.</td></tr>
+<tr><td class="nspacsingle"> x </td><td class="nspacsingle"> Change this bruised type.</td></tr>
+<tr><td class="nspacsingle"> w.f. </td><td class="nspacsingle"> Change this faulty type of wrong font.</td></tr>
+<tr><td class="nspacsingle"> tr. </td><td class="nspacsingle"> Transpose words or letters underlined.</td></tr>
+<tr><td class="nspacsingle"> l.c. </td><td class="nspacsingle"> Put in lower-case, or small letters.</td></tr>
+<tr><td class="nspacsingle"> s.c. </td><td class="nspacsingle"> Put in small capitals.</td></tr>
+<tr><td class="nspacsingle"> caps. </td><td class="nspacsingle"> Put in capitals.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/inapost.png"><img src="images/inapost.png" class="middle" style="height:2.2ex" alt="Insert Apostrophe" /></a> </td><td class="nspacsingle"> Insert apostrophe. Superior characters are
+put over an inverted caret, as, <a href="images/insupa.png"><img src="images/insupa.png" class="middle" style="height:2.6ex" alt="Insert a" /></a> <a href="images/insupo.png"><img src="images/insupo.png" class="middle" style="height:2.2ex" alt="Insert o" /></a>
+etc.;<br />
+for inferior characters the caret is
+put in its usual position, as in <a href="images/ininf1.png"><img src="images/ininf1.png" class="middle" style="height:2.8ex" alt="Insert 1" /></a>.</td></tr>
+<tr><td class="nspacsingle"> rom. </td><td class="nspacsingle"> Change from italic to roman.</td></tr>
+<tr><td class="nspacsingle"> ital. </td><td class="nspacsingle"> Change from roman to italic.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/inperiod.png"><img src="images/inperiod.png" class="middle" style="height:1.8ex" alt="Insert period" /></a> </td><td class="nspacsingle"> Insert period.</td></tr>
+<tr><td class="nspacsingle"> ,&nbsp;/ </td><td class="nspacsingle"> Insert comma.</td></tr>
+<tr><td class="nspacsingle"> ;&nbsp;/ </td><td class="nspacsingle"> Insert semicolon.</td></tr>
+<tr><td class="nspacsingle"> :&nbsp;/ </td><td class="nspacsingle"> Insert colon.</td></tr>
+<tr><td class="nspacsingle"> =/ </td><td class="nspacsingle"> Insert hyphen.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/emdash.png"><img src="images/emdash.png" class="middle" style="height:2.5ex" alt="One-em dash" /></a> </td><td class="nspacsingle"> One-em dash.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/emdash2.png"><img src="images/emdash2.png" class="middle" style="height:2.1ex" alt="Two-em dash" /></a> </td><td class="nspacsingle"> Two-em dash.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/takeoutchar.png"><img src="images/takeoutchar.png" class="middle" style="height:3.3ex" alt="Take out character" /></a> </td><td class="nspacsingle"> Take out cancelled character and close up.</td></tr>
+<tr><td class="nspacsingle">
+<!-- Page 39 --><span class="pagenum"><a name="page39"></a>{39}</span>
+ Qu. or? </td><td class="nspacsingle"> Is this right? See to it.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/insert.png"><img src="images/insert.png" class="middle" style="height:1.6ex" alt="Insert" /></a> </td><td class="nspacsingle"> Insert letter or word marked in margin.</td></tr>
+<tr><td class="nspacsingle"> |||| </td><td class="nspacsingle"> Hair-space letters as marked.</td></tr>
+<tr><td class="nspacsingle"> Stet </td><td class="nspacsingle"> Restore crossed-out word or letter.</td></tr>
+<tr><td class="nspacsingle"> . . . . </td><td class="nspacsingle"> Dots put below the crossed word mean:<br />
+Cancel the correction first made, and let the types stand as they were.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/diphthong.png"><img src="images/diphthong.png" class="middle" style="height:3.3ex" alt="Diphthong" /></a> </td><td class="nspacsingle"> Over two or three letters. Change for the diphthong or for a logotype, as <i>æ</i>, <i>ffi</i>.</td></tr>
+<tr><td class="nspacsingle"> <a href="images/straighten.png"><img src="images/straighten.png" class="middle" style="height:1.8ex" alt="Straighten" /></a> </td><td class="nspacsingle"> Straighten lines.</td></tr>
+<tr><td class="nspacsingle"> ///// </td><td class="nspacsingle"> Diagonal lines crossing the text indicate that the composition is out of square.</td></tr>
+<tr><td class="nspacsingle"> Out, see Copy &nbsp; &nbsp;</td><td class="nspacsingle"> Here is an omission; see copy.</td></tr>
+</table>
+
+ <p>Corrections or textual improvements suggested to the author should be
+ accompanied by the interrogation-point and be enclosed in parentheses or
+ "ringed."</p>
+
+ <p>Corrections should always be made in the margin, and never in the
+ text: faults in the types or text to be indicated only by light pen
+ marks.</p>
+
+ <p><br style="clear:both" /></p>
+<hr class="full" />
+
+<p><!-- Page 40 --><span class="pagenum"><a name="page40"></a>{40}</span></p>
+
+<h3>GENERAL OBSERVATIONS</h3>
+
+ <p>There are many other signs and abbreviations used in works on the
+ various sciences. Approved modern text-books are the only safe guides to
+ the proper use of these.</p>
+
+ <p>In printing dialect, slang, and colloquialisms the only general rule
+ is to follow copy.</p>
+
+ <p>Such abbreviations as <i>I've</i>, <i>you'll</i>, <i>'t'was</i>,
+ <i>'t'is n't</i>, and the like are more clearly expressed when a thin
+ space is put between the words.</p>
+
+ <p>Old Style contractions should follow the original even if special
+ sorts have to be obtained for the purpose.</p>
+
+ <p>Abbreviations like <i>dept</i>, <i>dep't</i>, <i>gov't</i>,
+ <i>sec</i>, <i>sec'y</i>, <i>sect'y</i>, <i>pres't</i>, and <i>treas.</i>
+ are indefensible. Even in letter heads and the like it is better to spell
+ out the words in two lines.</p>
+
+ <p><br style="clear:both" /></p>
+<hr class="full" />
+
+<p><!-- Page 41 --><span class="pagenum"><a name="page41"></a>{41}</span></p>
+
+<h3>SUPPLEMENTARY READING</h3>
+
+<blockquote class="b1n">
+
+ <p>Correct Composition. By Theodore Low De Vinne. Oswald Publishing Co.,
+ New York.</p>
+
+ <p>The Writer's Desk Book. By William Dana Orcutt.</p>
+
+ <p>The list of abbreviations and signs in many of the principal
+ dictionaries may be studied with profit.</p>
+
+ <p>Scientific text-books may be profitably used to study the
+ abbreviations and signs used in mathematics and the sciences.</p>
+
+</blockquote>
+
+ <p><br style="clear:both" /></p>
+<hr class="full" />
+
+<p><!-- Page 42 --><span class="pagenum"><a name="page42"></a>{42}</span></p>
+
+<h3>QUESTIONS</h3>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>1. How and why were abbreviations used before typography?</p>
+ <p>2. How did the early printers use abbreviations?</p>
+ <p>3. What is the best usage with regard to abbreviations?</p>
+ <p>4. What is the general rule for the use of abbreviations?</p>
+ <p>5. What is the difference in usage between book work and some other kinds of printing?</p>
+ <p>6. What use of abbreviations do we find in certain special work and what may be done to make their use easier?</p>
+ <p>7. What are the rules for the use of abbreviations in dates?</p>
+ <p>8. What are the common abbreviations for the names of the months and the days of the week?</p>
+ <p>9. Give the Dewey dates.</p>
+ <p>10. What is the rule for ages?</p>
+ <p>11. How do we treat references to decades?</p>
+ <p>12. How do we treat numbers of centuries and the like?</p>
+ <p>13. What is the rule for sums of money?</p>
+ <p>14. What is the rule for round numbers?</p>
+ <p>15. How do we treat numbers when they begin a sentence?</p>
+ <p>16. What is the rule about numbers of less than three digits?</p>
+ <p>17. What classes of numbers are ordinarily expressed in figures?</p>
+ <p>18. What is the usage with regard to geographical names?</p>
+ <p>19. What are the rules for names?</p>
+ <p>20. What is the usage in printing titles?</p>
+ <p>21. How do we treat names of book sizes?</p>
+ <p>22. How do we treat weights and measures?</p>
+ <p>23. Give the order of specification in footnotes.</p>
+ <p>24. Where is &amp;c not used?</p>
+ <p>25. How are by-laws treated?</p>
+<!-- Page 43 --><span class="pagenum"><a name="page43"></a>{43}</span>
+ <p>26. How are figures used with illustrations?</p>
+ <p>27. What is said of the use of the period in footnotes?</p>
+ <p>28. How do we treat page references in the text?</p>
+ <p>29. How do we treat references to series of years?</p>
+ <p>30. How do we print dialect, slang, and the like?</p>
+ <p>31. How do we print such abbreviations as <i>I've</i>, <i>you've</i>, and the like?</p>
+ <p>32. What is said of certain improper abbreviations and how to avoid them?</p>
+ </div>
+ </div>
+
+<blockquote class="b1n">
+
+ <p>The teacher should give frequent drills in the application of these
+ rules. Sentences containing matter which involves the use of
+ abbreviations and signs should be given out orally and the pupil required
+ to write them out and set them up. The pupil should be required to
+ explain by reference to the rules the use and the omission of
+ abbreviations and the work should be criticised by the class or by the
+ instructor with reference to the rules.</p>
+
+</blockquote>
+
+ <p><br style="clear:both" /></p>
+<hr class="full" />
+
+<p><!-- Page i --><span class="pagenum"><a name="pagei"></a>{i}</span></p>
+
+<h3>TYPOGRAPHIC TECHNICAL SERIES
+FOR APPRENTICES</h3>
+
+ <p>The following list of publications, comprising the <span
+ class="sc">Typographic Technical Series for Apprentices</span>, has been
+ prepared under the supervision of the Committee on Education of the
+ United Typothetae of America for use in trade classes, in course of
+ printing instruction, and by individuals.</p>
+
+ <p>Each publication has been compiled by a competent author or group of
+ authors, and carefully edited, the purpose being to provide the printers
+ of the United States&mdash;employers, journeymen, and
+ apprentices&mdash;with a comprehensive series of handy and inexpensive
+ compendiums of reliable, up-to-date information upon the various branches
+ and specialties of the printing craft, all arranged in orderly fashion
+ for progressive study.</p>
+
+ <p>The publications of the series are of uniform size, 5 × 8 inches.
+ Their general make-up, in typography, illustrations, etc., has been, as
+ far as practicable, kept in harmony throughout. A brief synopsis of the
+ particular contents and other chief features of each volume will be found
+ under each title in the following list.</p>
+
+ <p>Each topic is treated in a concise manner, the aim being to embody in
+ each publication as completely as possible all the rudimentary
+ information and essential facts necessary to an understanding of the
+ subject. Care has been taken to make all statements accurate and clear,
+ with the purpose of bringing essential information within the
+ understanding of beginners in the different fields of study. Wherever
+ practicable, simple and well-defined drawings and illustrations have been
+ used to assist in giving additional clearness to the text.</p>
+
+ <p>In order that the pamphlets may be of the greatest possible help for
+ use in trade-school classes and for self-instruction, each title is
+ accompanied by a list of Review Questions covering essential items of the
+ subject matter. A short Glossary of technical terms belonging to the
+ subject or department treated is also added to many of the books.</p>
+
+ <p>These are the Official Text-books of the United Typothetae of
+ America.</p>
+
+ <p>Address all orders and inquiries to <span class="sc">Committee on
+ Education, United Typothetae of America, Chicago, Illinois, U. S.
+ A.</span> <!-- Page ii --><span class="pagenum"><a
+ name="pageii"></a>{ii}</span></p>
+
+<p class="cenhead">PART I&mdash;<i>Types, Tools, Machines, and Materials</i></p>
+
+ <p>1. <b>Type: a Primer of Information</b> By A. A. Stewart</p>
+
+<blockquote class="b1n">
+
+ <p>Relating to the mechanical features of printing types; their sizes,
+ font schemes, etc., with a brief description of their manufacture. 44
+ pp.; illustrated; 74 review questions; glossary.</p>
+
+</blockquote>
+
+ <p>2. <b>Compositors' Tools and Materials</b> By A. A. Stewart</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about composing sticks, galleys, leads, brass
+ rules, cutting and mitering machines, etc. 47 pp.; illustrated; 50 review
+ questions; glossary.</p>
+
+</blockquote>
+
+ <p>3. <b>Type Cases, Composing Room Furniture</b> By A. A. Stewart</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about type cases, work stands, cabinets, case
+ racks, galley racks, standing galleys, etc. 43 pp.; illustrated; 33
+ review questions; glossary.</p>
+
+</blockquote>
+
+ <p>4. <b>Imposing Tables and Lock-up Appliances</b> By A. A. Stewart</p>
+
+<blockquote class="b1n">
+
+ <p>Describing the tools and materials used in locking up forms for the
+ press, including some modern utilities for special purposes. 59 pp.;
+ illustrated; 70 review questions; glossary.</p>
+
+</blockquote>
+
+ <p>5. <b>Proof Presses</b> By A. A. Stewart</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about the customary methods and machines for
+ taking printers' proofs. 40 pp.; illustrated; 41 review questions;
+ glossary.</p>
+
+</blockquote>
+
+ <p>6. <b>Platen Printing Presses</b> By Daniel Baker</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information regarding the history and mechanical
+ construction of platen printing presses, from the original hand press to
+ the modern job press, to which is added a chapter on automatic presses of
+ small size. 51 pp.; illustrated; 49 review questions; glossary.</p>
+
+</blockquote>
+
+ <p>7. <b>Cylinder Printing Presses</b> By Herbert L. Baker</p>
+
+<blockquote class="b1n">
+
+ <p>Being a study of the mechanism and operation of the principal types of
+ cylinder printing machines. 64 pp.; illustrated; 47 review questions;
+ glossary.</p>
+
+</blockquote>
+
+ <p>8. <b>Mechanical Feeders and Folders</b> By William E. Spurrier</p>
+
+<blockquote class="b1n">
+
+ <p>The history and operation of modern feeding and folding machines; with
+ hints on their care and adjustments. Illustrated; review questions;
+ glossary.</p>
+
+</blockquote>
+
+ <p>9. <b>Power for Machinery in Printing Houses</b> By Carl F. Scott</p>
+
+<blockquote class="b1n">
+
+ <p>A treatise on the methods of applying power to printing presses and
+ allied machinery with particular reference to electric drive. 53 pp.;
+ illustrated; 69 review questions; glossary.</p>
+
+</blockquote>
+
+ <p>10. <b>Paper Cutting Machines</b> By Niel Gray, Jr.</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about paper and card trimmers, hand-lever
+ cutters, power cutters, and other automatic machines for cutting paper.
+ 70 pp.; illustrated; 115 review questions; glossary.</p>
+
+</blockquote>
+
+ <p>11. <b>Printers' Rollers</b> By A. A. Stewart</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about the composition, manufacture, and care
+ of inking rollers. 46 pp.; illustrated; 61 review questions;
+ glossary.</p>
+
+</blockquote>
+
+ <p>12. <b>Printing Inks</b> By Philip Ruxton</p>
+
+<blockquote class="b1n">
+
+ <p>Their composition, properties and manufacture (reprinted by permission
+ from Circular No. 53, United States Bureau of Standards); together with
+ some helpful suggestions about the everyday use of printing inks by
+ Philip Ruxton. 80 pp.; 100 review questions; glossary.</p>
+
+</blockquote>
+
+<p><!-- Page iii --><span class="pagenum"><a name="pageiii"></a>{iii}</span></p>
+
+ <p>13. <b>How Paper is Made</b> By William Bond Wheelwright</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about the materials and processes of
+ manufacturing paper for printing and writing. 68 pp.; illustrated; 62
+ review questions; glossary.</p>
+
+</blockquote>
+
+ <p>14. <b>Relief Engravings</b> By Joseph P. Donovan</p>
+
+<blockquote class="b1n">
+
+ <p>Brief history and non-technical description of modern methods of
+ engraving; woodcut, zinc plate, halftone; kind of copy for reproduction;
+ things to remember when ordering engravings. Illustrated; review
+ questions; glossary.</p>
+
+</blockquote>
+
+ <p>15. <b>Electrotyping and Sterotyping</b> By Harris B. Hatch and A. A.
+ Stewart</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about the processes of electrotyping and
+ stereotyping. 94 pp.; illustrated; 129 review questions; glossaries.</p>
+
+</blockquote>
+
+<p class="cenhead">PART II&mdash;<i>Hand and Machine Composition</i></p>
+
+ <p>16. <b>Typesetting</b> By A. A. Stewart</p>
+
+<blockquote class="b1n">
+
+ <p>A handbook for beginners, giving information about justifying,
+ spacing, correcting, and other matters relating to typesetting.
+ Illustrated; review questions; glossary.</p>
+
+</blockquote>
+
+ <p>17. <b>Printers' Proofs</b> By A. A. Stewart</p>
+
+<blockquote class="b1n">
+
+ <p>The methods by which they are made, marked, and corrected, with
+ observations on proofreading. Illustrated; review questions;
+ glossary.</p>
+
+</blockquote>
+
+ <p>18. <b>First Steps in Job Composition</b> By Camille DeVéze</p>
+
+<blockquote class="b1n">
+
+ <p>Suggestions for the apprentice compositor in setting his first jobs,
+ especially about the important little things which go to make good
+ display in typography. 63 pp.; examples; 55 review questions;
+ glossary.</p>
+
+</blockquote>
+
+ <p>19. <b>General Job Composition</b></p>
+
+<blockquote class="b1n">
+
+ <p>How the job compositor handles business stationery, programs and
+ miscellaneous work. Illustrated; review questions; glossary.</p>
+
+</blockquote>
+
+ <p>20. <b>Book Composition</b> By J. W. Bothwell</p>
+
+<blockquote class="b1n">
+
+ <p>Chapters from DeVinne's "Modern Methods of Book Composition," revised
+ and arranged for this series of text-books by J. W. Bothwell of The
+ DeVinne Press, New York. Part I: Composition of pages. Part II:
+ Imposition of pages. 229 pp.; illustrated; 525 review questions;
+ glossary.</p>
+
+</blockquote>
+
+ <p>21. <b>Tabular Composition</b> By Robert Seaver</p>
+
+<blockquote class="b1n">
+
+ <p>A study of the elementary forms of table composition, with examples of
+ more difficult composition. 36 pp.; examples; 45 review questions.</p>
+
+</blockquote>
+
+ <p>22. <b>Applied Arithmetic</b> By E. E. Sheldon</p>
+
+<blockquote class="b1n">
+
+ <p>Elementary arithmetic applied to problems of the printing trade,
+ calculation of materials, paper weights and sizes, with standard tables
+ and rules for computation, each subject amplified with examples and
+ exercises. 159 pp.</p>
+
+</blockquote>
+
+ <p>23. <b>Typecasting and Composing Machines</b> A. W. Finlay, Editor</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Section I&mdash;The Linotype By L. A. Hornstein</p>
+ <p>Section II&mdash;The Monotype By Joseph Hays</p>
+ <p>Section III&mdash;The Intertype By Henry W. Cozzens</p>
+ <p>Section IV&mdash;Other Typecasting and Typesetting By Frank H. Smith</p>
+ <p class="i12">Machines</p>
+ </div>
+ </div>
+
+<blockquote class="b1n">
+
+ <p>A brief history of typesetting machines, with descriptions of their
+ mechanical principles and operations. Illustrated; review questions;
+ glossary.</p>
+
+</blockquote>
+
+<p><!-- Page iv --><span class="pagenum"><a name="pageiv"></a>{iv}</span></p>
+
+<p class="cenhead">PART III&mdash;<i>Imposition and Stonework</i></p>
+
+ <p>24. <b>Locking Forms for the Job Press</b> By Frank S. Henry</p>
+
+<blockquote class="b1n">
+
+ <p>Things the apprentice should know about locking up small forms, and
+ about general work on the stone. Illustrated; review questions;
+ glossary.</p>
+
+</blockquote>
+
+ <p>25. <b>Preparing Forms for the Cylinder Press</b> By Frank S.
+ Henry</p>
+
+<blockquote class="b1n">
+
+ <p>Pamphlet and catalog imposition; margins; fold marks, etc. Methods of
+ handling type forms and electrotype forms. Illustrated; review questions;
+ glossary.</p>
+
+</blockquote>
+
+<p class="cenhead">PART IV&mdash;<i>Presswork</i></p>
+
+ <p>26. <b>Making Ready on Platen Presses</b> By T. G. McGrew</p>
+
+<blockquote class="b1n">
+
+ <p>The essential parts of a press and their functions; distinctive
+ features of commonly used machines. Preparing the tympan, regulating the
+ impression, underlaying and overlaying, setting gauges, and other details
+ explained. Illustrated; review questions; glossary.</p>
+
+</blockquote>
+
+ <p>27. <b>Cylinder Presswork</b> By T. G. McGrew</p>
+
+<blockquote class="b1n">
+
+ <p>Preparing the press; adjustment of bed and cylinder, form rollers, ink
+ fountain, grippers and delivery systems. Underlaying and overlaying;
+ modern overlay methods. Illustrated; review questions; glossary.</p>
+
+</blockquote>
+
+ <p>28. <b>Pressroom Hints and Helps</b> By Charles L. Dunton</p>
+
+<blockquote class="b1n">
+
+ <p>Describing some practical methods of pressroom work, with directions
+ and useful information relating to a variety of printing-press problems.
+ 87 pp.; 176 review questions.</p>
+
+</blockquote>
+
+ <p>29. <b>Reproductive Processes of the Graphic Arts</b> By A. W.
+ Elson</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about the distinctive features of the relief,
+ the intaglio, and the planographic processes of printing. 84 pp.;
+ illustrated; 100 review questions; glossary.</p>
+
+</blockquote>
+
+<p class="cenhead">PART V&mdash;<i>Pamphlet and Book Binding</i></p>
+
+ <p>30. <b>Pamphlet Binding</b> By Bancroft L. Goodwin</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about the various operations employed in
+ binding pamphlets and other work in the bindery. Illustrated; review
+ questions; glossary.</p>
+
+</blockquote>
+
+ <p>31. <b>Book Binding</b> By John J. Pleger</p>
+
+<blockquote class="b1n">
+
+ <p>Practical information about the usual operations in binding books;
+ folding; gathering, collating, sewing, forwarding, finishing. Case making
+ and cased-in books. Hand work and machine work. Job and blank-book
+ binding. Illustrated; review questions; glossary.</p>
+
+</blockquote>
+
+<p class="cenhead">PART VI&mdash;<i>Correct Literary Composition</i></p>
+
+ <p>32. <b>Word Study and English Grammar</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about words, their relations, and their uses.
+ 68 pp.; 84 review questions; glossary.</p>
+
+</blockquote>
+
+ <p>33. <b>Punctuation</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about the marks of punctuation and their use,
+ both grammatically and typographically. 56 pp.; 59 review questions;
+ glossary.</p>
+
+</blockquote>
+
+<p><!-- Page v --><span class="pagenum"><a name="pagev"></a>{v}</span></p>
+
+ <p>34. <b>Capitals</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about capitalization, with some practical
+ typographic hints as to the use of capitals. 48 pp.; 92 review questions;
+ glossary.</p>
+
+</blockquote>
+
+ <p>35. <b>Division of Words</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>Rules for the division of words at the ends of lines, with remarks on
+ spelling, syllabication and pronunciation. 42 pp.; 70 review
+ questions.</p>
+
+</blockquote>
+
+ <p>36. <b>Compound Words</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A study of the principles of compounding, the components of compounds,
+ and the use of the hyphen. 34 pp.; 62 review questions.</p>
+
+</blockquote>
+
+ <p>37. <b>Abbreviations and Signs</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about abbreviations and signs, with classified
+ lists of those in most common use. 58 pp.; 32 review questions.</p>
+
+</blockquote>
+
+ <p>38. <b>The Uses of Italic</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about the history and uses of italic letters.
+ 31 pp.; 37 review questions.</p>
+
+</blockquote>
+
+ <p>39. <b>Proofreading</b> By Arnold Levitas</p>
+
+<blockquote class="b1n">
+
+ <p>The technical phases of the proofreader's work; reading, marking,
+ revising, etc.; methods of handling proofs and copy. Illustrated by
+ examples. 59 pp.; 69 review questions; glossary.</p>
+
+</blockquote>
+
+ <p>40. <b>Preparation of Printers' Copy</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>Suggestions for authors, editors, and all who are engaged in preparing
+ copy for the composing room. 36 pp.; 67 review questions.</p>
+
+</blockquote>
+
+ <p>41. <b>Printers' Manual of Style</b></p>
+
+<blockquote class="b1n">
+
+ <p>A reference compilation of approved rules, usages, and suggestions
+ relating to uniformity in punctuation, capitalization, abbreviations,
+ numerals, and kindred features of composition.</p>
+
+</blockquote>
+
+ <p>42. <b>The Printer's Dictionary</b> By A. A. Stewart</p>
+
+<blockquote class="b1n">
+
+ <p>A handbook of definitions and miscellaneous information about various
+ processes of printing, alphabetically arranged. Technical terms
+ explained. Illustrated.</p>
+
+</blockquote>
+
+<p class="cenhead">PART VII&mdash;<i>Design, Color, and Lettering</i></p>
+
+ <p>43. <b>Applied Design for Printers</b> By Harry L. Gage</p>
+
+<blockquote class="b1n">
+
+ <p>A handbook of the principles of arrangement, with brief comment on the
+ periods of design which have most influenced printing Treats of harmony,
+ balance, proportion, and rhythm; motion; symmetry and variety; ornament,
+ esthetic and symbolic. 37 illustrations; 46 review questions; glossary;
+ bibliography.</p>
+
+</blockquote>
+
+ <p>44. <b>Elements of Typographic Design</b> By Harry L. Gage</p>
+
+<blockquote class="b1n">
+
+ <p>Applications of the principles of decorative design. Building material
+ of typography: paper, types, ink, decorations and illustrations. Handling
+ of shapes. Design of complete book, treating each part. Design of
+ commercial forms and single units. Illustrations; review questions,
+ glossary; bibliography.</p>
+
+</blockquote>
+
+<p><!-- Page vi --><span class="pagenum"><a name="pagevi"></a>{vi}</span></p>
+
+ <p>45. <b>Rudiments of Color in Printing</b> By Harry L. Gage</p>
+
+<blockquote class="b1n">
+
+ <p>Use of color: for decoration of black and white, for broad poster
+ effect, in combinations of two, three, or more printings with process
+ engravings. Scientific nature of color, physical and chemical. Terms in
+ which color may be discussed: hue, value, intensity. Diagrams in color,
+ scales and combinations. Color theory of process engraving. Experiments
+ with color. Illustrations in full color, and on various papers. Review
+ questions; glossary; bibliography.</p>
+
+</blockquote>
+
+ <p>46. <b>Lettering in Typography</b> By Harry L. Gage</p>
+
+<blockquote class="b1n">
+
+ <p>Printer's use of lettering: adaptability and decorative effect.
+ Development of historic writing and lettering and its influence on type
+ design. Classification of general forms in lettering. Application of
+ design to lettering. Drawing for reproduction. Fully illustrated; review
+ questions; glossary; bibliography.</p>
+
+</blockquote>
+
+ <p>47. <b>Typographic Design in Advertising</b> By Harry L. Gage</p>
+
+<blockquote class="b1n">
+
+ <p>The printer's function in advertising. Precepts upon which advertising
+ is based. Printer's analysis of his copy. Emphasis, legibility,
+ attention, color. Method of studying advertising typography.
+ Illustrations; review questions; glossary; bibliography.</p>
+
+</blockquote>
+
+ <p>48. <b>Making Dummies and Layouts</b> By Harry L. Gage</p>
+
+<blockquote class="b1n">
+
+ <p>A layout: the architectural plan. A dummy: the imitation of a proposed
+ final effect. Use of dummy in sales work. Use of layout. Function of
+ layout man. Binding schemes for dummies. Dummy envelopes. Illustrations;
+ review questions; glossary; bibliography.</p>
+
+</blockquote>
+
+<p class="cenhead">PART VIII&mdash;<i>History of Printing</i></p>
+
+ <p>49. <b>Books Before Typography</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about the invention of the alphabet and the
+ history of bookmaking up to the invention of movable types. 62 pp.;
+ illustrated; 64 review questions.</p>
+
+</blockquote>
+
+ <p>50. <b>The Invention of Typography</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A brief sketch of the invention of printing and how it came about. 64
+ pp.; 62 review questions.</p>
+
+</blockquote>
+
+ <p>51. <b>History of Printing</b>&mdash;Part I By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A primer of information about the beginnings of printing, the
+ development of the book, the development of printers' materials, and the
+ work of the great pioneers. 63 pp.; 55 review questions.</p>
+
+</blockquote>
+
+ <p>52. <b>History of Printing</b>&mdash;Part II By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A brief sketch of the economic conditions of the printing industry
+ from 1450 to 1789, including government regulations, censorship, internal
+ conditions and industrial relations. 94 pp.; 128 review questions.</p>
+
+</blockquote>
+
+ <p>53. <b>Printing in England</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A short history of printing in England from Caxton to the present
+ time. 89 pp.; 65 review questions.</p>
+
+</blockquote>
+
+ <p>54. <b>Printing in America</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A brief sketch of the development of the newspaper, and some notes on
+ publishers who have especially contributed to printing. 98 pp.; 84 review
+ questions.</p>
+
+</blockquote>
+
+ <p>55. <b>Type and Presses in America</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A brief historical sketch of the development of type casting and press
+ building in the United States. 52 pp.; 61 review questions.</p>
+
+</blockquote>
+
+<p><!-- Page vii --><span class="pagenum"><a name="pagevii"></a>{vii}</span></p>
+
+<p class="cenhead">PART IX&mdash;<i>Cost Finding and Accounting</i></p>
+
+ <p>56. <b>Elements of Cost in Printing</b> By Henry P. Porter</p>
+
+<blockquote class="b1n">
+
+ <p>The Standard Cost-Finding Forms and their uses. What they should show.
+ How to utilize the information they give. Review questions. Glossary.</p>
+
+</blockquote>
+
+ <p>57. <b>Use of a Cost System</b> By Henry P. Porter</p>
+
+<blockquote class="b1n">
+
+ <p>The Standard Cost-Finding Forms and their uses. What they should show.
+ How to utilize the information they give Review questions. Glossary.</p>
+
+</blockquote>
+
+ <p>58. <b>The Printer as a Merchant</b> By Henry P. Porter</p>
+
+<blockquote class="b1n">
+
+ <p>The selection and purchase of materials and supplies for printing. The
+ relation of the cost of raw material and the selling price of the
+ finished product. Review questions. Glossary.</p>
+
+</blockquote>
+
+ <p>59. <b>Fundamental Principles of Estimating</b> By Henry P. Porter</p>
+
+<blockquote class="b1n">
+
+ <p>The estimator and his work; forms to use; general rules for
+ estimating. Review questions. Glossary.</p>
+
+</blockquote>
+
+ <p>60. <b>Estimating and Selling</b> By Henry P. Porter</p>
+
+<blockquote class="b1n">
+
+ <p>An insight into the methods used in making estimates, and their
+ relation to selling. Review questions. Glossary.</p>
+
+</blockquote>
+
+ <p>61. <b>Accounting for Printers</b> By Henry P. Porter</p>
+
+<blockquote class="b1n">
+
+ <p>A brief outline of an accounting system for printers; necessary books
+ and accessory records. Review questions. Glossary.</p>
+
+</blockquote>
+
+<p class="cenhead">PART X&mdash;<i>Miscellaneous</i></p>
+
+ <p>62. <b>Health, Sanitation, and Safety</b> By Henry P. Porter</p>
+
+<blockquote class="b1n">
+
+ <p>Hygiene in the printing trade; a study of conditions old and new;
+ practical suggestions for improvement; protective appliances and rules
+ for safety.</p>
+
+</blockquote>
+
+ <p>63. <b>Topical Index</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A book of reference covering the topics treated in the Typographic
+ Technical Series, alphabetically arranged.</p>
+
+</blockquote>
+
+ <p>64. <b>Courses of Study</b> By F. W. Hamilton</p>
+
+<blockquote class="b1n">
+
+ <p>A guidebook for teachers, with outlines and suggestions for classroom
+ and shop work.</p>
+
+</blockquote>
+
+<p><!-- Page viii --><span class="pagenum"><a name="pageviii"></a>{viii}</span></p>
+
+<h3>ACKNOWLEDGMENT</h3>
+
+ <p>This series of Typographic Text-books is the result of the splendid
+ co-operation of a large number of firms and individuals engaged in the
+ printing business and its allied industries in the United States of
+ America.</p>
+
+ <p>The Committee on Education of the United Typothetae of America, under
+ whose auspices the books have been prepared and published, acknowledges
+ its indebtedness for the generous assistance rendered by the many
+ authors, printers, and others identified with this work.</p>
+
+ <p>While due acknowledgment is made on the title and copyright pages of
+ those contributing to each book, the Committee nevertheless felt that a
+ group list of co-operating firms would be of interest.</p>
+
+ <p>The following list is not complete, as it includes only those who have
+ co-operated in the production of a portion of the volumes, constituting
+ the first printing. As soon as the entire list of books comprising the
+ Typographic Technical Series has been completed (which the Committee
+ hopes will be at an early date), the full list will be printed in each
+ volume.</p>
+
+ <p>The Committee also desires to acknowledge its indebtedness to the many
+ subscribers to this Series who have patiently awaited its
+ publication.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><span class="sc">Committee on Education, </span></p>
+ <p><span class="sc">United Typothetae of America.</span></p>
+ </div>
+
+ <div class="stanza">
+ <p><span class="sc">Henry P. Porter</span>, <i>Chairman</i>,</p>
+ <p><span class="sc">E. Lawrence Fell</span>,</p>
+ <p><span class="sc">A. M. Glossbrenner</span>,</p>
+ <p><span class="sc">J. Clyde Oswald</span>,</p>
+ <p><span class="sc">Toby Rubovits</span>.</p>
+ </div>
+
+ <div class="stanza">
+ <p><span class="sc">Frederick W. Hamilton</span>, <i>Education Director</i>.</p>
+ </div>
+ </div>
+
+<p><!-- Page ix --><span class="pagenum"><a name="pageix"></a>{ix}</span></p>
+
+ <p>CONTRIBUTORS</p>
+
+ <p><b>For Composition and Electrotypes</b></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><span class="sc">Isaac H. Blanchard Company</span>, New York, N. Y.</p>
+ <p><span class="sc">S. H. Burbank &amp; Co.</span>, Philadelphia, Pa.</p>
+ <p><span class="sc">J. S. Cushing &amp; Co.</span>, Norwood, Mass.</p>
+ <p><span class="sc">The DeVinne Press</span>, New York, N. Y.</p>
+ <p><span class="sc">R. R. Donnelley &amp; Sons Co.</span>, Chicago, Ill.</p>
+ <p><span class="sc">Geo. H. Ellis Co.</span>, Boston, Mass.</p>
+ <p><span class="sc">Evans-Winter-Hebb</span>, Detroit, Mich.</p>
+ <p><span class="sc">Franklin Printing Company</span>, Philadelphia, Pa.</p>
+ <p><span class="sc">F. H. Gilson Company</span>, Boston, Mass.</p>
+ <p><span class="sc">Stephen Greene &amp; Co.</span>, Philadelphia, Pa.</p>
+ <p><span class="sc">W. F. Hall Printing Co.</span>, Chicago, Ill.</p>
+ <p><span class="sc">J. B. Lippincott Co.</span>, Philadelphia, Pa.</p>
+ <p><span class="sc">McCalla &amp; Co. Inc.</span>, Philadelphia, Pa.</p>
+ <p><span class="sc">The Patteson Press</span>, New York, New York</p>
+ <p><span class="sc">The Plimpton Press</span>, Norwood, Mass.</p>
+ <p><span class="sc">Poole Bros.</span>, Chicago, Ill.</p>
+ <p><span class="sc">Edward Stern &amp; Co.</span>, Philadelphia, Pa.</p>
+ <p><span class="sc">The Stone Printing &amp; Mfg. Co.</span>, Roanoke, Va.</p>
+ <p><span class="sc">C. D. Traphagen</span>, Lincoln, Neb.</p>
+ <p><span class="sc">The University Press</span>, Cambridge, Mass.</p>
+ </div>
+ </div>
+
+ <p><b>For Composition</b></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><span class="sc">Boston Typothetae School of Printing</span>, Boston, Mass.</p>
+ <p><span class="sc">William F. Fell Co.</span>, Philadelphia, Pa.</p>
+ <p><span class="sc">The Kalkhoff Company</span>, New York, N. Y.</p>
+ <p><span class="sc">Oxford-Print</span>, Boston, Mass.</p>
+ <p><span class="sc">Toby Rubovits</span>, Chicago, Ill.</p>
+ </div>
+ </div>
+
+ <p><b>For Electrotypes</b></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><span class="sc">Blomgren Brothers Co.</span>, Chicago, Ill.</p>
+ <p><span class="sc">Flower Steel Electrotyping Co.</span>, New York, N. Y.</p>
+ <p><span class="sc">C. J. Peters &amp; Son Co.</span>, Boston, Mass.</p>
+ <p><span class="sc">Royal Electrotype Co.</span>, Philadelphia, Pa.</p>
+ <p><span class="sc">H. C. Whitcomb &amp; Co.</span>, Boston, Mass.</p>
+ </div>
+ </div>
+
+ <p><b>For Engravings</b></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><span class="sc">American Type Founders Co.</span>, Boston, Mass.</p>
+ <p><span class="sc">C. B. Cottrell &amp; Sons Co.</span>, Westerly, R. I.</p>
+ <p><span class="sc">Golding Manufacturing Co.</span>, Franklin, Mass.</p>
+ <p><span class="sc">Harvard University</span>, Cambridge, Mass.</p>
+ <p><span class="sc">Inland Printer Co.</span>, Chicago, Ill.</p>
+ <p><span class="sc">Lanston Monotype Machine Company</span>, Philadelphia, Pa.</p>
+ <p><span class="sc">Mergenthaler Linotype Company</span>, New York, N. Y.</p>
+ <p><span class="sc">Geo. H. Morrill Co.</span>, Norwood, Mass.</p>
+ <p><span class="sc">Oswald Publishing Co.</span>, New York, N. Y.</p>
+ <p><span class="sc">The Printing Art</span>, Cambridge, Mass.</p>
+ <p><span class="sc">B. D. Rising Paper Company</span>, Housatonic, Mass.</p>
+ <p><span class="sc">The Vandercook Press</span>, Chicago, Ill.</p>
+ </div>
+ </div>
+
+ <p><b>For Book Paper</b></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><span class="sc">American Writing Paper Co.</span>, Holyoke, Mass.</p>
+ <p><span class="sc">West Virginia Pulp &amp; Paper Co.</span>, Mechanicville, N. Y.</p>
+ </div>
+ </div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's Abbreviations and Signs, by Frederick W. Hamilton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ABBREVIATIONS AND SIGNS ***
+
+***** This file should be named 33828-h.htm or 33828-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/3/8/2/33828/
+
+Produced by Barbara Tozier, Bill Tozier, Keith Edkins and
+the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/33828-h/images/$rbrace.png b/33828-h/images/$rbrace.png
new file mode 100644
index 0000000..0f40954
--- /dev/null
+++ b/33828-h/images/$rbrace.png
Binary files differ
diff --git a/33828-h/images/001.png b/33828-h/images/001.png
new file mode 100644
index 0000000..c169847
--- /dev/null
+++ b/33828-h/images/001.png
Binary files differ
diff --git a/33828-h/images/angle.png b/33828-h/images/angle.png
new file mode 100644
index 0000000..cc94b37
--- /dev/null
+++ b/33828-h/images/angle.png
Binary files differ
diff --git a/33828-h/images/aquarius.png b/33828-h/images/aquarius.png
new file mode 100644
index 0000000..d44b974
--- /dev/null
+++ b/33828-h/images/aquarius.png
Binary files differ
diff --git a/33828-h/images/aries.png b/33828-h/images/aries.png
new file mode 100644
index 0000000..eaa5ed7
--- /dev/null
+++ b/33828-h/images/aries.png
Binary files differ
diff --git a/33828-h/images/ascnode.png b/33828-h/images/ascnode.png
new file mode 100644
index 0000000..b680599
--- /dev/null
+++ b/33828-h/images/ascnode.png
Binary files differ
diff --git a/33828-h/images/because.png b/33828-h/images/because.png
new file mode 100644
index 0000000..78909c1
--- /dev/null
+++ b/33828-h/images/because.png
Binary files differ
diff --git a/33828-h/images/cancer.png b/33828-h/images/cancer.png
new file mode 100644
index 0000000..effa419
--- /dev/null
+++ b/33828-h/images/cancer.png
Binary files differ
diff --git a/33828-h/images/capricornus.png b/33828-h/images/capricornus.png
new file mode 100644
index 0000000..f22bc14
--- /dev/null
+++ b/33828-h/images/capricornus.png
Binary files differ
diff --git a/33828-h/images/celebrant.png b/33828-h/images/celebrant.png
new file mode 100644
index 0000000..429a557
--- /dev/null
+++ b/33828-h/images/celebrant.png
Binary files differ
diff --git a/33828-h/images/cong.png b/33828-h/images/cong.png
new file mode 100644
index 0000000..9a762d7
--- /dev/null
+++ b/33828-h/images/cong.png
Binary files differ
diff --git a/33828-h/images/conjunction.png b/33828-h/images/conjunction.png
new file mode 100644
index 0000000..86ed63a
--- /dev/null
+++ b/33828-h/images/conjunction.png
Binary files differ
diff --git a/33828-h/images/contract.png b/33828-h/images/contract.png
new file mode 100644
index 0000000..5a675c4
--- /dev/null
+++ b/33828-h/images/contract.png
Binary files differ
diff --git a/33828-h/images/degree.png b/33828-h/images/degree.png
new file mode 100644
index 0000000..71e3086
--- /dev/null
+++ b/33828-h/images/degree.png
Binary files differ
diff --git a/33828-h/images/depress.png b/33828-h/images/depress.png
new file mode 100644
index 0000000..d61706d
--- /dev/null
+++ b/33828-h/images/depress.png
Binary files differ
diff --git a/33828-h/images/descnode.png b/33828-h/images/descnode.png
new file mode 100644
index 0000000..695db2a
--- /dev/null
+++ b/33828-h/images/descnode.png
Binary files differ
diff --git a/33828-h/images/diff.png b/33828-h/images/diff.png
new file mode 100644
index 0000000..37293f8
--- /dev/null
+++ b/33828-h/images/diff.png
Binary files differ
diff --git a/33828-h/images/diphthong.png b/33828-h/images/diphthong.png
new file mode 100644
index 0000000..53e9a08
--- /dev/null
+++ b/33828-h/images/diphthong.png
Binary files differ
diff --git a/33828-h/images/dollar.png b/33828-h/images/dollar.png
new file mode 100644
index 0000000..bf0a3c3
--- /dev/null
+++ b/33828-h/images/dollar.png
Binary files differ
diff --git a/33828-h/images/doteq.png b/33828-h/images/doteq.png
new file mode 100644
index 0000000..3c0ec59
--- /dev/null
+++ b/33828-h/images/doteq.png
Binary files differ
diff --git a/33828-h/images/drachm.png b/33828-h/images/drachm.png
new file mode 100644
index 0000000..8bb5a27
--- /dev/null
+++ b/33828-h/images/drachm.png
Binary files differ
diff --git a/33828-h/images/earth.png b/33828-h/images/earth.png
new file mode 100644
index 0000000..f184182
--- /dev/null
+++ b/33828-h/images/earth.png
Binary files differ
diff --git a/33828-h/images/emdash.png b/33828-h/images/emdash.png
new file mode 100644
index 0000000..b3c448d
--- /dev/null
+++ b/33828-h/images/emdash.png
Binary files differ
diff --git a/33828-h/images/emdash2.png b/33828-h/images/emdash2.png
new file mode 100644
index 0000000..c0c39f0
--- /dev/null
+++ b/33828-h/images/emdash2.png
Binary files differ
diff --git a/33828-h/images/equiv.png b/33828-h/images/equiv.png
new file mode 100644
index 0000000..a3ffa2f
--- /dev/null
+++ b/33828-h/images/equiv.png
Binary files differ
diff --git a/33828-h/images/firstqtr.png b/33828-h/images/firstqtr.png
new file mode 100644
index 0000000..170e690
--- /dev/null
+++ b/33828-h/images/firstqtr.png
Binary files differ
diff --git a/33828-h/images/frown.png b/33828-h/images/frown.png
new file mode 100644
index 0000000..8738e4a
--- /dev/null
+++ b/33828-h/images/frown.png
Binary files differ
diff --git a/33828-h/images/fullmoon.png b/33828-h/images/fullmoon.png
new file mode 100644
index 0000000..b021074
--- /dev/null
+++ b/33828-h/images/fullmoon.png
Binary files differ
diff --git a/33828-h/images/gemini.png b/33828-h/images/gemini.png
new file mode 100644
index 0000000..caed7e7
--- /dev/null
+++ b/33828-h/images/gemini.png
Binary files differ
diff --git a/33828-h/images/ident.png b/33828-h/images/ident.png
new file mode 100644
index 0000000..aff9e8f
--- /dev/null
+++ b/33828-h/images/ident.png
Binary files differ
diff --git a/33828-h/images/inapost.png b/33828-h/images/inapost.png
new file mode 100644
index 0000000..2cc8c73
--- /dev/null
+++ b/33828-h/images/inapost.png
Binary files differ
diff --git a/33828-h/images/indent.png b/33828-h/images/indent.png
new file mode 100644
index 0000000..07f793d
--- /dev/null
+++ b/33828-h/images/indent.png
Binary files differ
diff --git a/33828-h/images/ininf1.png b/33828-h/images/ininf1.png
new file mode 100644
index 0000000..59330b7
--- /dev/null
+++ b/33828-h/images/ininf1.png
Binary files differ
diff --git a/33828-h/images/inperiod.png b/33828-h/images/inperiod.png
new file mode 100644
index 0000000..fffe46a
--- /dev/null
+++ b/33828-h/images/inperiod.png
Binary files differ
diff --git a/33828-h/images/insert.png b/33828-h/images/insert.png
new file mode 100644
index 0000000..a8cebc2
--- /dev/null
+++ b/33828-h/images/insert.png
Binary files differ
diff --git a/33828-h/images/insupa.png b/33828-h/images/insupa.png
new file mode 100644
index 0000000..49632a0
--- /dev/null
+++ b/33828-h/images/insupa.png
Binary files differ
diff --git a/33828-h/images/insupo.png b/33828-h/images/insupo.png
new file mode 100644
index 0000000..c8eb05a
--- /dev/null
+++ b/33828-h/images/insupo.png
Binary files differ
diff --git a/33828-h/images/jupiter.png b/33828-h/images/jupiter.png
new file mode 100644
index 0000000..e3aafed
--- /dev/null
+++ b/33828-h/images/jupiter.png
Binary files differ
diff --git a/33828-h/images/lastqtr.png b/33828-h/images/lastqtr.png
new file mode 100644
index 0000000..988f5d9
--- /dev/null
+++ b/33828-h/images/lastqtr.png
Binary files differ
diff --git a/33828-h/images/leo.png b/33828-h/images/leo.png
new file mode 100644
index 0000000..0d511cb
--- /dev/null
+++ b/33828-h/images/leo.png
Binary files differ
diff --git a/33828-h/images/libra.png b/33828-h/images/libra.png
new file mode 100644
index 0000000..bec3c92
--- /dev/null
+++ b/33828-h/images/libra.png
Binary files differ
diff --git a/33828-h/images/maltese.png b/33828-h/images/maltese.png
new file mode 100644
index 0000000..fc4f00d
--- /dev/null
+++ b/33828-h/images/maltese.png
Binary files differ
diff --git a/33828-h/images/mars.png b/33828-h/images/mars.png
new file mode 100644
index 0000000..ba92450
--- /dev/null
+++ b/33828-h/images/mars.png
Binary files differ
diff --git a/33828-h/images/mercury.png b/33828-h/images/mercury.png
new file mode 100644
index 0000000..b0c0a1e
--- /dev/null
+++ b/33828-h/images/mercury.png
Binary files differ
diff --git a/33828-h/images/minpl.png b/33828-h/images/minpl.png
new file mode 100644
index 0000000..f100036
--- /dev/null
+++ b/33828-h/images/minpl.png
Binary files differ
diff --git a/33828-h/images/neptune.png b/33828-h/images/neptune.png
new file mode 100644
index 0000000..e841103
--- /dev/null
+++ b/33828-h/images/neptune.png
Binary files differ
diff --git a/33828-h/images/neq.png b/33828-h/images/neq.png
new file mode 100644
index 0000000..8941a9a
--- /dev/null
+++ b/33828-h/images/neq.png
Binary files differ
diff --git a/33828-h/images/newmoon.png b/33828-h/images/newmoon.png
new file mode 100644
index 0000000..eb6b0ba
--- /dev/null
+++ b/33828-h/images/newmoon.png
Binary files differ
diff --git a/33828-h/images/opposition.png b/33828-h/images/opposition.png
new file mode 100644
index 0000000..ba60217
--- /dev/null
+++ b/33828-h/images/opposition.png
Binary files differ
diff --git a/33828-h/images/ounce.png b/33828-h/images/ounce.png
new file mode 100644
index 0000000..0ae60da
--- /dev/null
+++ b/33828-h/images/ounce.png
Binary files differ
diff --git a/33828-h/images/parallel.png b/33828-h/images/parallel.png
new file mode 100644
index 0000000..5365dc2
--- /dev/null
+++ b/33828-h/images/parallel.png
Binary files differ
diff --git a/33828-h/images/perp.png b/33828-h/images/perp.png
new file mode 100644
index 0000000..80b1454
--- /dev/null
+++ b/33828-h/images/perp.png
Binary files differ
diff --git a/33828-h/images/pisces.png b/33828-h/images/pisces.png
new file mode 100644
index 0000000..65b42d2
--- /dev/null
+++ b/33828-h/images/pisces.png
Binary files differ
diff --git a/33828-h/images/pushdown.png b/33828-h/images/pushdown.png
new file mode 100644
index 0000000..a359f84
--- /dev/null
+++ b/33828-h/images/pushdown.png
Binary files differ
diff --git a/33828-h/images/quadrature.png b/33828-h/images/quadrature.png
new file mode 100644
index 0000000..61bd0b5
--- /dev/null
+++ b/33828-h/images/quadrature.png
Binary files differ
diff --git a/33828-h/images/quintile.png b/33828-h/images/quintile.png
new file mode 100644
index 0000000..cd34e3c
--- /dev/null
+++ b/33828-h/images/quintile.png
Binary files differ
diff --git a/33828-h/images/quintile2.png b/33828-h/images/quintile2.png
new file mode 100644
index 0000000..3f61e01
--- /dev/null
+++ b/33828-h/images/quintile2.png
Binary files differ
diff --git a/33828-h/images/raise.png b/33828-h/images/raise.png
new file mode 100644
index 0000000..39b1c1f
--- /dev/null
+++ b/33828-h/images/raise.png
Binary files differ
diff --git a/33828-h/images/recipe.png b/33828-h/images/recipe.png
new file mode 100644
index 0000000..6c056ec
--- /dev/null
+++ b/33828-h/images/recipe.png
Binary files differ
diff --git a/33828-h/images/rectangle.png b/33828-h/images/rectangle.png
new file mode 100644
index 0000000..3ff4d1c
--- /dev/null
+++ b/33828-h/images/rectangle.png
Binary files differ
diff --git a/33828-h/images/response.png b/33828-h/images/response.png
new file mode 100644
index 0000000..236a611
--- /dev/null
+++ b/33828-h/images/response.png
Binary files differ
diff --git a/33828-h/images/reverse.png b/33828-h/images/reverse.png
new file mode 100644
index 0000000..15b27ca
--- /dev/null
+++ b/33828-h/images/reverse.png
Binary files differ
diff --git a/33828-h/images/rightangle.png b/33828-h/images/rightangle.png
new file mode 100644
index 0000000..80f93a3
--- /dev/null
+++ b/33828-h/images/rightangle.png
Binary files differ
diff --git a/33828-h/images/sagittarius.png b/33828-h/images/sagittarius.png
new file mode 100644
index 0000000..29f6541
--- /dev/null
+++ b/33828-h/images/sagittarius.png
Binary files differ
diff --git a/33828-h/images/saturn.png b/33828-h/images/saturn.png
new file mode 100644
index 0000000..bcc33f4
--- /dev/null
+++ b/33828-h/images/saturn.png
Binary files differ
diff --git a/33828-h/images/scorpio.png b/33828-h/images/scorpio.png
new file mode 100644
index 0000000..9a3e87b
--- /dev/null
+++ b/33828-h/images/scorpio.png
Binary files differ
diff --git a/33828-h/images/scruple.png b/33828-h/images/scruple.png
new file mode 100644
index 0000000..66f7b8f
--- /dev/null
+++ b/33828-h/images/scruple.png
Binary files differ
diff --git a/33828-h/images/sextile.png b/33828-h/images/sextile.png
new file mode 100644
index 0000000..cbe29a2
--- /dev/null
+++ b/33828-h/images/sextile.png
Binary files differ
diff --git a/33828-h/images/square.png b/33828-h/images/square.png
new file mode 100644
index 0000000..d9f0ccf
--- /dev/null
+++ b/33828-h/images/square.png
Binary files differ
diff --git a/33828-h/images/straighten.png b/33828-h/images/straighten.png
new file mode 100644
index 0000000..c5bdc6c
--- /dev/null
+++ b/33828-h/images/straighten.png
Binary files differ
diff --git a/33828-h/images/strike.png b/33828-h/images/strike.png
new file mode 100644
index 0000000..2bf2606
--- /dev/null
+++ b/33828-h/images/strike.png
Binary files differ
diff --git a/33828-h/images/sun.png b/33828-h/images/sun.png
new file mode 100644
index 0000000..024ff9c
--- /dev/null
+++ b/33828-h/images/sun.png
Binary files differ
diff --git a/33828-h/images/takeout.png b/33828-h/images/takeout.png
new file mode 100644
index 0000000..0428fb6
--- /dev/null
+++ b/33828-h/images/takeout.png
Binary files differ
diff --git a/33828-h/images/takeoutchar.png b/33828-h/images/takeoutchar.png
new file mode 100644
index 0000000..d6bcddc
--- /dev/null
+++ b/33828-h/images/takeoutchar.png
Binary files differ
diff --git a/33828-h/images/taurus.png b/33828-h/images/taurus.png
new file mode 100644
index 0000000..928d700
--- /dev/null
+++ b/33828-h/images/taurus.png
Binary files differ
diff --git a/33828-h/images/therefore.png b/33828-h/images/therefore.png
new file mode 100644
index 0000000..6f24100
--- /dev/null
+++ b/33828-h/images/therefore.png
Binary files differ
diff --git a/33828-h/images/triangle.png b/33828-h/images/triangle.png
new file mode 100644
index 0000000..9ed364b
--- /dev/null
+++ b/33828-h/images/triangle.png
Binary files differ
diff --git a/33828-h/images/trine.png b/33828-h/images/trine.png
new file mode 100644
index 0000000..10b0787
--- /dev/null
+++ b/33828-h/images/trine.png
Binary files differ
diff --git a/33828-h/images/uneven.png b/33828-h/images/uneven.png
new file mode 100644
index 0000000..8842a76
--- /dev/null
+++ b/33828-h/images/uneven.png
Binary files differ
diff --git a/33828-h/images/uranus.png b/33828-h/images/uranus.png
new file mode 100644
index 0000000..6b4b846
--- /dev/null
+++ b/33828-h/images/uranus.png
Binary files differ
diff --git a/33828-h/images/varpropto.png b/33828-h/images/varpropto.png
new file mode 100644
index 0000000..5c32c8a
--- /dev/null
+++ b/33828-h/images/varpropto.png
Binary files differ
diff --git a/33828-h/images/venus.png b/33828-h/images/venus.png
new file mode 100644
index 0000000..509c4c9
--- /dev/null
+++ b/33828-h/images/venus.png
Binary files differ
diff --git a/33828-h/images/versicle.png b/33828-h/images/versicle.png
new file mode 100644
index 0000000..65aca8b
--- /dev/null
+++ b/33828-h/images/versicle.png
Binary files differ
diff --git a/33828-h/images/virgo.png b/33828-h/images/virgo.png
new file mode 100644
index 0000000..ed73b9f
--- /dev/null
+++ b/33828-h/images/virgo.png
Binary files differ
diff --git a/33828.txt b/33828.txt
new file mode 100644
index 0000000..6c1b09e
--- /dev/null
+++ b/33828.txt
@@ -0,0 +1,2651 @@
+Project Gutenberg's Abbreviations and Signs, by Frederick W. Hamilton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Abbreviations and Signs
+ A Primer of Information about Abbreviations and Signs,
+ with Classified Lists of Those in Most Common Use
+
+Author: Frederick W. Hamilton
+
+Release Date: October 1, 2010 [EBook #33828]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ABBREVIATIONS AND SIGNS ***
+
+
+
+
+Produced by Barbara Tozier, Bill Tozier, Keith Edkins and
+the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+
+
+
+Transcriber's note: A few typographical errors have been corrected: they
+are listed at the end of the text.
+
+ * * * * *
+
+
+TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES--PART VI, NO. 37
+
+ABBREVIATIONS
+
+AND SIGNS
+
+A PRIMER OF INFORMATION ABOUT
+ABBREVIATIONS AND SIGNS, WITH
+CLASSIFIED LISTS OF THOSE
+IN MOST COMMON USE
+
+
+
+BY
+
+FREDERICK W. HAMILTON, LL. D.
+
+EDUCATIONAL DIRECTOR
+
+UNITED TYPOTHETAE OF AMERICA
+
+
+
+[Illustration]
+
+
+
+
+
+PUBLISHED BY THE COMMITTEE ON EDUCATION
+UNITED TYPOTHETAE OF AMERICA
+1918
+
+ * * * * *
+
+
+COPYRIGHT, 1918
+UNITED TYPOTHETAE OF AMERICA
+CHICAGO, ILL.
+
+ * * * * *
+
+
+PREFACE
+
+The use of abbreviations and signs is often a convenience and sometimes a
+temptation. It is a saving of time and labor which is entirely justifiable
+under certain conditions, one of which is that all such short cuts should
+be sufficiently conventional and familiar to be intelligible to any person
+likely to read the printed matter in which they occur. Scientific and
+technical signs and abbreviations are part of the nomenclature of the
+subject to which they belong and must be learned by students of it. General
+readers are not particularly concerned with them.
+
+The use of abbreviations and signs is partly a matter of office style and
+partly a matter of author's preference. Certain fairly well established
+rules have, however, emerged from the varieties of usage in vogue. An
+attempt has been made in the following pages to state these rules clearly
+and concisely and to illustrate their application.
+
+Classified lists of the most common abbreviations and signs have been
+inserted and will be found useful for reference and practice. Sources of
+further information on these points will be found under the head of
+Supplementary Reading.
+
+ * * * * *
+
+
+CONTENTS
+
+ PAGE
+ INTRODUCTION 1
+ GENERAL RULES FOR THE USE OF ABBREVIATIONS 3
+ DATES 3
+ TIME 5
+ OTHER ABBREVIATIONS INVOLVING NUMERALS 5
+ GEOGRAPHICAL ABBREVIATIONS, WITH LIST 7
+ ABBREVIATIONS OF NAMES, WITH LIST 10
+ ABBREVIATIONS OF TITLES, WITH LIST 12
+ SIZES OF BOOKS 18
+ WEIGHTS AND MEASURES 19
+ FOOTNOTES 19
+ SCRIPTURAL ABBREVIATIONS 23
+ COMMERCIAL ABBREVIATIONS 24
+ MISCELLANEOUS ABBREVIATIONS 25
+ MONETARY SIGNS 35
+ MATHEMATICAL SIGNS 35
+ MEDICAL SIGNS 36
+ ASTRONOMICAL SIGNS 37
+ ECCLESIASTICAL SIGNS 37
+ PROOFREADER'S SIGNS 38
+ GENERAL OBSERVATIONS 40
+ SUPPLEMENTARY READING 41
+ REVIEW QUESTIONS 42
+
+ * * * * *
+
+
+{1}
+
+ABBREVIATIONS AND SIGNS
+
+INTRODUCTION
+
+The use of abbreviations is as old as the use of alphabets. In inscriptions
+and on coins and in other places where room is limited they have always
+been used in order to save space. The words GUILIELMUS QUARTUS DEI GRATIA
+REX BRITANNIARUM FIDEI DEFENSOR would hardly go around the circumference of
+a sixpence, three quarters of an inch in diameter. Therefore, we find them
+written GUILIELMUS IIII D: G: BRITANNIAR: REX F: D: In the manuscript
+period abbreviations were very extensively used. This was done partly to
+lighten the great labor of hand copying and partly to effect a double
+saving of expense, in labor and in costly material. Certain of these
+abbreviations were in common use and perfectly intelligible. Unfortunately
+the copyists did not limit their abbreviations to these, but devised others
+for their own use much to the discomfort of their readers, especially after
+the lapse of centuries.
+
+The introduction of printing removed the pressing necessity for the
+extensive use of abbreviations, but the actual use continued much longer
+than one would think. The early printed books were reproductions of
+manuscripts. In some cases the earliest were almost forgeries, and were
+probably intended to be sold as manuscripts. The types were cut in
+imitation of the handwriting of some well-known scribe and all his
+mannerisms and peculiarities were faithfully copied. An incidental result
+was the expansion of fonts of type by the inclusion of a great number of
+ligatures and of characters indicating the omission or combination of
+letters. Habit dies hard, and even after the type founders had freed
+themselves from the tyranny of manuscript printers continued to follow the
+habits of the copyist. The saving of material and labor still continued to
+be considered. The {2} methods of abbreviation in use in written matter
+continued to be followed in print even down to the first quarter of the
+last century.
+
+The result of all this abbreviation was serious and well-founded complaint
+about the difficulty of reading books thus printed. De Vinne gives the
+following astonishing example, said to be taken practically at random from
+a Latin copy of the Logic of Ockham printed at Paris in 1488.
+
+ "Sic his e fal sm qd ad simplr a e pducibile a Deo g a e silr hic a n e
+ g a n e pducibile a Deo."
+
+These are the abbreviations for Sicut his est fallacia secundum quid ad
+simpliciter. A est producibile a Deo. Ergo A est. Et similiter hic. A non
+est. Ergo A non est producibile a Deo.
+
+The best present usage is to use abbreviations very sparingly. Certain
+recognized abbreviations are used under certain conditions, but generally
+only under constraint of limited space.
+
+ * * * * *
+
+
+{3}
+
+RULES FOR THE USE OF ABBREVIATIONS
+
+I. GENERAL RULES.
+
+Use no contractions or abbreviations in any place where there is room to
+print the words in full.
+
+All legitimate words should be spelled out in full in text matter, but
+abbreviations are often needed in book work for footnotes and tables and in
+commercial work, where many brief forms and signs are used which are
+commonly understood and are as intelligible as words.
+
+Certain special forms of printing such as market and stock reports,
+sporting news, price lists, directories, telephone directories, and the
+like make extensive use of abbreviations and signs. These abbreviations are
+of very limited use and often of only temporary life. They are not
+intelligible to general readers and should never be used outside the
+particular form of composition to which they pertain. De Vinne suggests
+that in the absence of printed authority (many of these abbreviations not
+appearing in the dictionary lists) every proofreader would do well to keep
+a manuscript book of unlisted abbreviations which he has to use repeatedly
+as a means of securing uniformity of form.
+
+II. DATES.
+
+Dates are not generally abbreviated in regular text matter; _The
+Declaration of Independence was signed on July the fourth, 1776._ The word
+_the_ is sometimes omitted. The date might be written _July fourth_ but
+never _July four_.
+
+The abbreviations _ult._ _inst._ and _prox._ with a numeral (meaning _the
+25th of last month_, _the 25th of this month_, _the 25th of next month_)
+are often used in letters, but should not be used in print unless the
+literal reproduction of a letter is intended. {4}
+
+Do not use _st_, _d_, _rd_, or _th_ after a date given in figures; _August
+the sixth_, not _August 6th_.
+
+The accepted abbreviations for the months are:
+
+ _Jan._ _Apr._ _July_ _Oct._
+ _Feb._ _May_ _Aug._ _Nov._
+ _Mar._ _June_ _Sept._ _Dec._
+
+The accepted abbreviations for the days of the week are:
+
+ _Sun._ _Tues._ _Thurs._ _Sat._
+ _Mon._ _Wed._ _Fri._
+
+The accepted abbreviations may be used for the months when the day is
+given, but not when the month and year alone are given;
+
+ _Jan. 15, 1916_, but _January 1916_.
+
+Some good authorities prefer the order day, month, year; _15 Jan., 1916_,
+but this is a matter of office style. Generally speaking the more common
+order is the better quite regardless of the logical character because it
+requires less mental effort on the part of the reader. For example in
+writing addresses English speaking people put the number before the street,
+_59 Wall St._, while others put the number after the street, _Wall St.,
+59_. This is the logical order, because one goes to the street and then
+finds the number, but it gives to the American reader a curious sensation
+of mentally standing on one's head.
+
+There is another set of abbreviations, known as the Dewey dates, as
+follows:
+
+ Months Days of Week
+ _Ja._ _Apr._ _Ju._ _O._ _Su._ _W._ _S._
+ _F._ _My._ _Ag._ _N._ _M._ _Th._
+ _Mr._ _Je._ _S._ _D._ _Tu._ _F._
+
+These may be used in tables and in other places where very great
+condensation is necessary, but not elsewhere.
+
+In general, much greater abbreviation is permissible in the tables, notes,
+and other condensed matter than in the body of the text. {5}
+
+III. TIME.
+
+Statements of time should not be abbreviated in ordinary reading matter;
+_at half past two o'clock in the afternoon_. If the context makes it clear
+whether forenoon or afternoon is meant one may write:
+
+ _at three, at seven o' clock_.
+
+This form is used statistically, in enumerations, in tables, and the like.
+
+IV. OTHER ABBREVIATIONS INVOLVING THE USE OF NUMERALS.
+
+The use of numerals and the spelling of numbers in full will be found
+treated at length in the Printer's Manual of Style (No. 42). As the use of
+the numeral is in a sense an abbreviation a few general rules may properly
+be given here.
+
+ 1. Spell out ages;
+
+ _eighty-two years and four months old_.
+ _in his eighty-third year_.
+ _children between the ages of six and fourteen_.
+
+ 2. Spell out references to decades;
+
+ _in the early eighties_.
+
+ The form _in the '80s_, is very objectionable.
+
+ 3. Spell out numbers of centuries, of sessions of Congress, of military
+ bodies, of political divisions, of Egyptian Dynasties, of streets, and
+ the like unless lack of space renders the abbreviation absolutely
+ necessary.
+
+ _Twentieth century_.
+ _Forty-second Congress_.
+ _One hundred and first Pennsylvania Infantry_.
+ _Eighteenth Dynasty_.
+ _Ninth Ward_.
+ _Fifth Avenue_.
+
+ In case numerals are used, Egyptian Dynasties are always designated by
+ Roman numerals. Writers on Egypt usually use this form:
+
+ XVIII_th Dynasty_.
+
+ {6}
+
+ 4. Spell out sums of money when occurring in ordinary reading matter in
+ isolated cases:
+
+ _That press cost five thousand dollars._
+
+ When several such numbers occur close together, and in all statistical
+ matter, use figures.
+
+ _Those three presses cost $2,500, $3,600, and $5,000._
+
+ 5. Spell out round numbers, that is, approximate numbers in units of
+ 100 in numbers of less than 1000 and in units of 1000 if the numbers
+ are more.
+
+ _An army corps numbers forty thousand men._
+ _The Fifth Corps numbers 37,462._
+ _There are about five hundred officers._
+
+ Write _fifteen hundred_ and the like when the phrase is in common use,
+ not _one thousand five hundred_.
+
+ 6. Spell out all numbers, no matter how high, when they begin a
+ sentence.
+
+ _Four thousand nine hundred and sixty-four soldiers, 109 officers,
+ and 10,000 civilians were surrendered with the fort._
+
+ 7. Spell out in ordinary reading matter all numbers of less than three
+ digits, unless they are of a statistical or technical character or
+ occur in groups of six or more in close connection.
+
+ _There are sixty cities in the United States with a population of
+ 100,000 or over._
+ _a ninety-ton engine_.
+ _five pounds of butter_.
+ _He lived only two years, one month, and twenty days._
+ _He spent 137 days in prison._
+ _A ratio of 16 to 1_.
+ _The death rate varies from 1 in 15 to 1 in 65._
+ _Send home:_
+ _2 pounds of butter_
+ _1 pound of sugar_
+ _1/2 pound of coffee_
+ _1/4 pound of tea_
+ _2 pecks of potatoes_
+ _1 pound of salt pork_
+ _2 pounds of lard_
+ _1 quart of milk_
+
+ {7}
+
+ Treat all numbers in collected groups alike if possible, that is use
+ either the long or the short form for all. If the largest contains
+ three or more digits use figures for all.
+
+ _They came in groups of 50, 80, 100, and even 200._
+
+ 8. Express in figures as a rule decimals, degrees, dimensions,
+ distances, enumerations, money, (but see 4 above), percentage, weights,
+ and the like.
+
+ _.542, 98deg_, _9 cubic yards_, _37 miles_, _24 pages_, _$1000_,
+ _6 per cent_ (_or 6% but never six %_), _175 pounds_.
+
+V. GEOGRAPHICAL ABBREVIATIONS.
+
+Geographical names are ordinarily not abbreviated in text matter. The
+abbreviations in the subjoined lists are commonly recognized and may be
+used in lists, bibliographical matter, and elsewhere where condensation is
+desired.
+
+UNITED STATES AND TERRITORIES
+
+ Ala. Alabama N. D. North Dakota
+ Alaska Alaska Neb. Nebraska
+ Ariz. Arizona Nev. Nevada
+ Ark. Arkansas N. H. New Hampshire
+ Cal. California N. J. New Jersey
+ Colo. Colorado N. M. New Mexico
+ Conn. Connecticut N. Y. New York
+ D. C. District of Columbia Ohio Ohio
+ Del. Delaware Okla. Oklahoma
+ Fla. Florida Ore. Oregon
+ Ga. Georgia Pa. Pennsylvania
+ H. I. Hawaiian Islands P. I. Philippine Islands
+ Idaho Idaho P. R. Porto Rico
+ Ill. Illinois R. I. Rhode Island
+ Ind. Indiana Samoa Samoa
+ Ia. Iowa S. C. South Carolina
+ Kan. Kansas S. D. South Dakota
+ Ky. Kentucky Tenn. Tennessee
+ La. Louisiana Tex. Texas
+ Me. Maine T. H. Territory of Hawaii
+ Mass. Massachusetts Utah Utah
+ Md. Maryland Vt. Vermont
+ Mich. Michigan Va. Virginia
+ Minn. Minnesota Wash. Washington
+ Mo. Missouri Wis. Wisconsin
+ Mont. Montana W. Va. West Virginia
+ N. C. North Carolina Wyo. Wyoming
+
+{8}
+
+FOREIGN COUNTRIES
+
+ Aus. Austria
+ Austral. Australasia
+ B. A. British America
+ Br. Col. British Columbia
+ Can. Canada
+ C. B. Cape Breton
+ C. W. Canada West (Ontario)
+ Den. Denmark
+ E. East (London Postal District)
+ East Isl. Eastern Islands
+ E. C. East Central (London Postal District)
+ E. I. East Indies
+ Eng. England, English
+ Fin. Finland
+ G. B. Great Britain
+ Glas. Glasgow
+ Ire. Ireland
+ It. Italy
+ Jam. Jamaica
+ Jap. Japan
+ L. C. Lower Canada
+ Man. Manitoba
+ Mex. Mexico
+ N. North (London Postal District)
+ N. A. North America
+ {9}
+ N. B. New Brunswick, North Britain
+ N. E. New England, Northeast (London Postal District)
+ Neth. Netherlands
+ N. F. Newfoundland
+ Norw. Norway
+ N. S. Nova Scotia
+ N. W. Northwest (London Postal District)
+ N. Zeal. New Zealand
+ Ont. Ontario
+ Pal. Palestine
+ P. D. Postal District (London)
+ P. E. I. Prince Edward Island
+ Per. Persia
+ Port. Portugal
+ Prus. Prussia
+ Que. Quebec
+ Russ. Russia
+ S. South (London Postal District)
+ S. A. South America
+ Scot. Scotland
+ Sc. Pen. Scandinavian Peninsula
+ S. E. Southeast (London Postal District)
+ Sic. Sicily
+ S. Isl. Sandwich Islands
+ Soc. Isl. Society Islands
+ S. Lat. South Latitude
+ Sp. Spain
+ Sw. Sweden
+ Switz. Switzerland
+ Syr. Syria
+ U. C. Upper Canada (Ontario)
+ U. K. United Kingdom
+ V. Victoria
+ W. Welsh, West. West (London Postal District)
+ W. C. West Central (London Postal District)
+ W. I. West Indies
+ W. lon. West longitude
+
+{10}
+
+VI. NAMES.
+
+ 1. Abbreviate _Saint_ in names of persons, cities, streets, churches,
+ etc.
+
+ _St. John Chrysostom_, _St. Paul_, _St. Botolph Street_,
+ _The Church of SS_ (_Saints_) _Peter and Paul_.
+
+ The word _Saint_ is now omitted in speaking of the evangelists, the
+ apostles, or the church fathers.
+
+ _The Gospel according to Luke_.
+ _Paul's doctrine of salvation_.
+ _Augustine's_ "_City of God_."
+
+ 2. In technical matter (footnotes, references etc.) use _Co._, _Bros._,
+ and _ampersand_ (_&_) in firm names and names of corporations.
+
+ _The Rand-McNalley Co._
+ _Macmillan & Co._
+ _Harper Bros._
+ _New York, New Haven, & Hartford Railroad_.
+
+ In text matter not of a technical character it is better not to
+ abbreviate.
+
+ _Harper Brothers have published._
+ _It was printed by the Rand-McNalley Company._
+ _The romantic history of the East India Company_.
+
+ Do not use _ampersand_ except with names of persons.
+
+ _John Brown & Co._
+ _The Brown Printing and Publishing Co._
+
+ When railroad names or other long names are abbreviated, use no spaces
+ between the letters.
+
+ _N.Y.N.H. & H.R.R._
+ _U.T. & F.C. of A._
+
+ 3. Do not abbreviate _United States_ except:
+
+ (_a_) in immediate connection with the name of an officer in the army
+ or navy.
+
+ _Capt. John Smith, U.S.A._
+ _Lieut. William Brown, U.S.N._
+
+ (_b_) When it is part of the name of an organization.
+
+ _First Regiment, U.S.V._
+
+ {11}
+
+ (_c_) When preceding the name of a ship.
+
+ _U.S.S. Texas_.
+
+ 4. Christian names should be spelled in full in text matter, except in
+ an original signature or when following copy in a quotation.
+
+ The following is a list of the accepted abbreviations of the more
+ common Christian names.
+
+ Alex. Alexander Fred. Frederick
+ And. Andrew Geo. George
+ Anth. Anthony Herbt. Herbert
+ Ap. Appius Hos. Hosea
+ Arch. Archibald Jas. James
+ Aug. August, Augustus Jona. Jonathan
+ Benj. Benjamin Jos. Joseph
+ C. Caesar Josh. Joshua
+ Caes. Aug. Caesar Augustus Matt. Matthew
+ Cath. Catherine Nath. Nathaniel
+ Chas. Charles Pet. Peter
+ Dan. Daniel Phil. Philip, Philander
+ Eben. Ebenezer Phile. Philemon
+ Edm. Edmund Reg. Reginald
+ Edw. Edward Richd. Richard
+ Eliz. Elizabeth Robt. Robert
+ Esd. Esdras Sam. Samuel
+ Esth. Esther Theo. Theodore
+ Ez. Ezra Thos. Thomas
+ Ezek. Ezekiel Tim. Timothy
+ Ferd. Ferdinand Wm. William
+ Fran. Francis
+
+ _Alex_, _Ben_, _Ed_, _Fred_, _Sam_, and _Tom_ are not always
+ abbreviations and copy should be followed as regards the period. Any
+ unusual abbreviations used by an individual should be followed in
+ giving an original signature.
+
+ _G^o. Washington_.
+
+{12}
+
+VII. TITLES.
+
+ 1. As a rule titles prefixed to a name should not be abbreviated except
+ _Mr._, _Messrs._, _Mrs._ (French _M._, _MM._, _Mme._, _Mlle._), _Dr._,
+ _Rev._, and _Hon._
+
+ _Professor_, _Colonel_, _General_ and some others may be abbreviated
+ when the initials of the name are used;
+
+ _Professor Smith_ _Prof. J. T. Smith_
+ _General Grant_ _Gen. U. S. Grant_
+
+ _Hon._ and _Rev._, which are similarly used, need special attention as
+ they are often used wrongly. The following is the correct use;
+
+ _The Reverend John Smith_ (formal reference)
+ _The Rev. John Smith_ (quotation or correspondence)
+ _Rev. Mr. Smith_
+ _Rev. John Smith_
+
+ _Rev. Smith_ is wrong and should never be used except as any illiterate
+ form may be used in a quotation. When the names of sovereigns are
+ mentioned only occasionally such names may be given in full.
+
+ _George the Fifth_, _William the Second_.
+
+ When such names occur frequently, as in historical writing, they may be
+ printed with Roman numerals without a period;
+
+ _George V_, _William II_
+
+ Other titles following a name are abbreviated in accordance with the
+ following list.
+
+ A.B. or B.A. (_Artium Baccalaureus_) Bachelor of Arts
+ Abp. Archbishop
+ A.C. Archchancellor
+ A.D. Archduke
+ A.D.C. Aide-de-camp
+ Adjt. Adjutant
+ Adm. Admiral
+ Admr. Administrator
+ {13}
+ Admx., Admrx. Administratrix
+ Adv. Advocate
+ Agt. Agent
+ Aldm. Alderman
+ A.M. or M.A. (_Artium Magister_) Master of Arts
+ Amb. Ambassador
+ A.P.A. American Protective Association
+ Asst. Assistant
+ A.T. Archtreasurer
+ Atty. Attorney
+ B.A. or A.B. Bachelor of Arts
+ Bart. Baronet
+ B.C.L. Bachelor of Civil Law
+ B.D. (_Baccalaureus Divinitatis_) Bachelor of Divinity
+ B.LL. (_Baccalaureus Legum_) Bachelor of Laws
+ B.M. (_Baccalaureus Medicinae_) Bachelor of Medicine
+ Bp. Bishop
+ B.R. (_Banco Regis_ or _Reginae_) The King's or Queen's
+ Bench
+ Brig.-Gen. Brigadier-General
+ Bro(s). Brother(s)
+ B.S. Bachelor of Science or Bachelor of Surgery
+ B.V. (_Beata Virgo_) Blessed Virgin
+ Cantab. (_Cantabrigia_) Cambridge
+ Capt. Captain
+ Capt.-Gen. Captain-General
+ Cash. Cashier
+ C.B. Companion of the Bath
+ C.C.P. Court of Common Pleas
+ C.E. Civil Engineer
+ C.J. Chief Justice
+ C.M.G. Companion of the Order of St. Michael and St. George
+ Col. Colonel
+ Com. Commander, Commodore
+ Corp. Corporal
+ Cor. Sec. Corresponding Secretary
+ {14}
+ C.S. Court of Sessions
+ C.S. (_Custos Sigilli_) Keeper of the Seal
+ D.C.L. Doctor of Civil Law
+ D. D. Doctor of Divinity
+ D.D.S. Doctor of Dental Surgery
+ Dea. Deacon
+ Dep. Deputy
+ D. F. Defender of the Faith
+ D.M. Doctor of Music
+ Dr. Doctor
+ D.Sc. Doctor of Science
+ D.T. (_Doctor Theologiae_) Doctor of Divinity
+ D.V.M or M.D.V. Doctor of Veterinary Medicine
+ E. (_after titles_) Edinburgh
+ Esq. Esquire
+ F.D. (_Fidei Defensor_) Defender of the Faith
+ F.G.S. Fellow of the Geological Society
+ Fr. Father
+ F.R.G.S. Fellow of the Royal Geographical Society
+ F.R.S. Fellow of the Royal Society
+ F.R.S.A. Fellow of the Royal Society of Arts
+ F.S.A. Fellow of the Society of Arts
+ G.C.B. Knight of the Grand Cross of the Bath
+ G.C.H. Knight of the Grand Cross of Hanover
+ G.C.M.G. Knight of the Grand Cross, Order of St. Michael and
+ St. George
+ Gen. General
+ Gov. Governor
+ Govt. Government
+ G.R. (_Georgius Rex_) King George
+ H.B.M. His or Her Britannic Majesty
+ H.M. His or Her Majesty
+ H.M.S. His or Her Majesty's Service
+ Hon. Honorable
+ H.R. House of Representatives
+ H.R.E. Holy Roman Emperor
+ H.R.H. His or Her Royal Highness
+ H.S.H. His or Her Serene Highness
+ {15}
+ I.N.R.I (_Jesus Nazarenus Rex Judaeorum_) Jesus of Nazareth,
+ King of the Jews
+ Insp. Inspector
+ Insp. Gen. Inspector General
+ I.O.O.F. Independent Order of Odd Fellows
+ J.A. Judge-Advocate
+ J.P. Justice of the Peace
+ J. Prob. Judge of the Probate
+ Jr. or Jun. Junior
+ K. King
+ K.A. Knight of St. Andrew, in Russia
+ K.A.N. Knight of Alexander Newski, in Russia
+ K.B. King's Bench; Knight of the Bath
+ K.B.A. Knight of St. Bento d'Avis, in Portugal
+ K.B.E. Knight of the Black Eagle, in Prussia
+ K.C. Knight of the Crescent, in Turkey; King's Council
+ K.C.B. Knight Commander of the Bath
+ K.C.H. Knight Commander of Hanover
+ K.C.M.G. Knight Commander, Order of St. Michael and St. George
+ K.C.S. Knight of Charles III, in Spain
+ K.E. Knight of the Elephant, in Denmark
+ K.F. Knight of Ferdinand of Spain
+ K.F.M. Knight of Ferdinand and Merit, in Sicily
+ K.G. Knight of the Garter
+ K.G.C. Knight of the Grand Cross
+ K.G.C.B. Knight of the Grand Cross of the Bath
+ K.G.F Knight of the Golden Fleece
+ K.G.H. Knight of the Guelph of Hanover
+ K.G.V. Knight of Gustavus Vasa of Sweden
+ K.H. Knight of Hanover
+ K.J. Knight of St. Joachim
+ K.L.H. Knight of the Legion of Honor
+ K.M. Knight of Malta
+ K. Mess. King's Messenger
+ K.M.H. Knight of Merit, in Holstein
+ K.M.J. Knight of Maximilian Joseph of Bavaria
+ K.M.T. Knight of Maria Theresa of Austria
+ {16}
+ K.N.S. Knight of the Royal North Star, in Sweden
+ K.P. Knight of St. Patrick
+ K.R.E. Knight of the Red Eagle, in Prussia
+ K.S. Knight of the Sword, in Sweden
+ K.S.A. Knight of St. Anne of Russia
+ K.S.E. Knight of St. Esprit, in France
+ K.S.F. Knight of St. Fernando of Spain
+ K.S.F.M. Knight of St. Ferdinand and Merit, in Naples
+ K.S.G. Knight of St. George of Russia
+ K.S.H. Knight of St. Hubert of Bavaria
+ K.S.J. Knight of St. Januarius of Naples
+ K.S.L. Knight of the Sun and Lion, in Persia
+ K.S.M. & S.G. Knight of St. Michael and St. George, in the Ionian
+ Isles
+ K.S.P. Knight of St. Stanislaus of Poland
+ K.S.S. Knight of the Southern Star of the Brazils, Knight of
+ the Sword, in Sweden
+ K.S.W. Knight of St. Wladimir of Russia
+ Kt. Knight
+ K.T. Knight of the Thistle
+ K.T.S. Knight of the Tower and Sword, in Portugal
+ K.W. Knight of William of the Netherlands
+ K.W.E. Knight of the White Eagle, in Poland
+ L. (_after titles_) London
+ L.C. Lord Chancellor
+ L.C.J. Lord Chief Justice
+ Leg. Legate
+ Legis. Legislature
+ Lieut. Lieutenant
+ Lieut.-Col. Lieutenant-Colonel
+ Lieut.-Gen. Lieutenant-General
+ Litt. D. (_Litterarum Doctor_) Doctor of Literature
+ LL.B. (_Legum Baccalaureus_) Bachelor of Laws
+ LL.D. (_Legum Doctor_) Doctor of Laws
+ M. Monsieur
+ M.A. Master of Arts
+ Maj. Major
+ {17}
+ Maj.-Gen. Major-General
+ M.B. (_Medicinae Baccalaureus_) Bachelor of Medicine;
+ (_Musicae Baccalaureus_) Bachelor of Music
+ M. C. Member of Congress
+ M. D. (_Medicinae Doctor_) Doctor of Medicine
+ Messrs. Messieurs
+ Mgr. Manager; Monsignor
+ Min. Plen. Minister Plenipotentiary
+ Mlle. Mademoiselle
+ Mme. Madame
+ M.P. Member of Parliament
+ M.R. Master of the Rolls
+ Mr. Mister or Master
+ Mrs. Mistress
+ Mus. Doc. Doctor of Music
+ Oxon. (_Oxoniensis_) Oxford
+ P.C. (_Patres Conscripti_, Conscript Fathers) Senators;
+ Privy Counsellor
+ Ph. D. Doctor of Philosophy
+ Ph. G. Graduate in Pharmacy
+ P.M. Postmaster
+ P.M.G. Postmaster-General
+ P.R.A. President of the Royal Academy
+ Pres. President
+ Prov. Provost
+ P.R.S. President of the Royal Society
+ Q. Queen
+ Q.M. Quartermaster
+ R.A. Royal Academician
+ R.E. Royal Engineers
+ Reg. Prof. Regius Professor
+ Rev. Reverend
+ R.M. Royal Marines
+ R.N. Royal Navy
+ R.N.O. (_Riddare of Nordstjerneorden_) Knight of the Order
+ of Polar Star
+ R.S.S. (_Regiae Societatis Socius_) Fellow of the Royal
+ Society
+ {18}
+ Rt. Hon. Right Honorable
+ Rt. Rev. Right Reverend
+ Rt. Wpful. Right Worshipful
+ R.W. Right Worthy
+ R.W.O. (_Riddare of Wasa Order_) Knight of the Order of Wasa
+ Sec. Secretary
+ Sec. Leg. Secretary of Legation
+ Serg. Sergeant
+ Serg.-Maj. Sergeant-Major
+ S.J. Society of Jesus
+ S.J.C. Supreme Judicial Court
+ Sol. Solicitor
+ Sol. Gen. Solicitor-General
+ Sr., Sen. Senior
+ S.R.S. (_Societatis Regiae Socius_) Fellow of the Royal
+ Society
+ S.T.D. (_Sacrae Theologiae Doctor_) Doctor of Divinity
+ S.T.P. (_Sacrae Theologiae Professor_) Professor of Divinity
+ St. Saint, Street
+ Supt. Superintendent
+ Tr(s). Trustee(s)
+ Treas. Treasurer
+ U.J.C. (_Utriusque Juris Doctor_) Doctor of both Laws
+ V.C. Vice-Chancellor
+ V.D.M. (_Verbi Dei Minister_) Preacher of the Word
+ Vice-Pres. Vice-President
+ Visc. Viscount
+ W.S. Writer to the Signet
+
+VIII. SIZES OF BOOKS.
+
+The shorter names for book sizes are usually written out;
+
+ _folio_, _quarto_, _octavo_.
+
+Beyond that they are usually abbreviated by using the Arabic numeral and
+_mo_, but without a period;
+
+ _12 mo_, _16 mo_, etc.
+
+{19}
+
+IX. WEIGHTS AND MEASURES.
+
+Abbreviate the common designations of weights and measures in the metric
+system, as well as other symbols of measurement in common use when
+following a numeral;
+
+ _1 m._, _5 dm._, _4 cm._, _2 mm._, _c.m._ (_cubic meter_), _c.d._,
+ _min._ (_minute_), _sec._ (_second_), _lb._ (_pound_), _oz._ (_ounce_),
+ _yd._, _ft._, _in._, _A._ (_Anglestrom units_), _H.P._ (_Horse power_),
+ _C._ (_Centigrade_ [_Thermometer_]).
+
+X. FOOTNOTES.
+
+Authorities cited in footnotes should be specified in the following order:
+
+ 1. The best known name of the author. Give initials only when necessary
+ to distinguish between several authors of the same name. Set in roman
+ lower-case unless otherwise ordered.
+
+ 2. The name of the book in roman lower-case. If there is a
+ Bibliography, or list of authorities attached to the book the names of
+ all works referred to should there appear in full, but should be
+ abbreviated in the notes. Otherwise, the name is sometimes written in
+ full the first time it is referred to in a footnote and afterward
+ abbreviated. If the book has but few references to authorities the
+ names may be given in full in the footnotes especially when the
+ reference is to the book as a whole and not to a particular paragraph.
+ In such a case as this last the name is often printed in italics.
+
+ Always abbreviate uniformly in the same book.
+
+ 3. The number of the volume in roman numerals of capital letters. No
+ period.
+
+ 4. The numbers of the pages in Arabic figures. If there are several
+ editions varying in subject matter and paging the edition used should
+ be specified. If the edition has been specified in the Bibliography
+ this information should not be repeated in the footnotes. {20} In books
+ like the Bible, Shakespeare, Blackstone, or Milton, which have been
+ printed in innumerable editions book, chapter and verse; act, scene and
+ line; section and paragraph, or canto, stanza, and line must be
+ specified.
+
+ Number of paragraph only No. 68
+ Stanza only st. 18
+ Page only P. 213
+ Line only l. 384
+ Paragraph only [**] 34
+ Section only [**] 5
+ Chapter only } xiv
+ Canto only }
+ Book only iii
+ Book and chapter }
+ Part and chapter } iii 2
+ Book and line }
+ Act and scene }
+ Act, scene, and line iv. 3. 45
+ Chapter and verse }
+ Number and page } II 34
+ Volume and page }
+ Volume and chapter IV. iv.
+ Part, book, and chapter } II. iv. 12
+ Part, canto, and stanza }
+ Chapter, section, paragraph vii. [**] 3, [**] 4
+ Volume, part, section, paragraph } I. i. [**] 2, [**] 6
+ Book, chapter, section, paragraph }
+
+ In abbreviated references to the Bible or to the plays of Shakespeare
+ use Arabic figures prefixed to the name to indicate part of succession
+ of the book, play, or letter.
+
+ 2 Kings II: 5
+ 3 John 11
+ 1 Henry VI, iii. 2. 14
+
+{21}
+
+The following excellently chosen illustrations of good methods in handling
+numerous footnotes in learned works are taken from De Vinne's "Correct
+Composition."
+
+_From English Past and Present, by R. C. Trench_
+
+ ^1 Guest, Hist. of English Rhythms, vol. I. p. 280.
+ ^2 Hooker, Eccles. Pol. i. 3, 5.
+ ^3 Craik, On the English of Shakespeare, 2nd edit. p. 97.
+ ^4 Marsh, Manual of the English Language, Engl. edit. p. 278.
+
+_From Gibbon's Decline and Fall of the Roman Empire, Murray's edition of
+1881 (8 vols. 8 vo)_
+
+ ^1 Orosius, I. ii. c. 19, p. 143.
+ ^2 Heineccius, Antiquitat. Juris Roman, tom. i, p. 96.
+ ^3 Jornandes, de Reb. Get. c. 30, p. 654 [p. 87, ed. Lugd. B. 1597].
+ ^4 Ausonius (de Claris Urbibus. p. 257-262 [No. 14]).
+ ^5 A. Thierry, Lettres sur l'Histoire de France, p. 90.
+ ^6 Procopius, de Bell. Vanda., I. i. c. 7, p. 194 [tom. I. p. 341, ed.
+ Bonn].
+
+_From Hume's History of England, Cadell's edition of 1841 (6 vols. 8 vo)_
+
+ ^1 Herbert, p. 431, 432. ^4 Burnet, p. 322.
+ ^2 Collier, vol. ii. p. 176. ^5 34 and 35 Hen. VIII. c. i.
+ ^3 Stowe, p. 575. ^6 Memoires du Bellay, lib. x.
+
+The comma is often omitted after the period in footnotes. The abbreviation
+_ch_, _p_, and _pp_, may be made in notes, but not in text matter.
+
+In lower-case text do not use _&c_, use _etc._
+
+By-laws are often printed with side-headings _Art. 1_, _Sec. 2_, _etc._ It
+is better to print the words, _article_ and _section_ in full in the
+paragraph where they first appear and to omit the word in subsequent
+paragraphs, using the proper figure only.
+
+Figures used in illustrations to facilitate their understanding and
+explained in small text below the illustration or in the text matter itself
+do not have No. before them either in the illustration or in the
+explanation. {22}
+
+Figures and letters used as references to footnotes do not take a period.
+
+Where two or more pages are specified in the text set them thus: _Pages 24,
+25, 57_ not _pp. 24-5, 57_ nor _25-57_. When the reference is to several
+pages continually set _pages 24 to 32_.
+
+When a period of time is expressed by the dates of two or more consecutive
+years, set thus: _1846-7_, _1861-5_, when there is a lapse of a year or
+more, set thus: _1866-7-1869-70_. Do not abbreviate into _'66-'7-'69-'70_.
+
+ * * * * *
+
+
+{23}
+
+LISTS OF ABBREVIATIONS
+
+The following lists of abbreviations will be found useful.
+
+SCRIPTURAL ABBREVIATIONS
+
+Old Testament (O.T.)
+
+ Gen. Esth. Joel
+ Exod. Job Amos
+ Lev. Ps. (Pss.) Obad.
+ Num. Prov. Jonah
+ Deut. Eccles. Mic.
+ Josh. Song of Sol. Nah.
+ Judg. (or Cant.) Hab.
+ Ruth Isa. Zeph.
+ I and II Sam. Jer. Hag.
+ I and II Kings Lam. Zech.
+ I and II Chron. Ezek. Mal.
+ Ezra Dan.
+ Neh. Hos.
+
+New Testament (N.T.)
+
+ Matt. Gal. Philem.
+ Mark Eph. Heb.
+ Luke Phil. Jas.
+ John Col. I and II Pet.
+ Acts I and II Thess. I, II and III John
+ Rom. I and II Tim. Jude
+ I and II Cor. Titus Rev.
+
+Apocrypha
+
+ I and II Esd. Eccles. Bel and Dragon
+ Tob. Bar. Pr. of Man
+ Jud. Song of Three I, II, III and IV
+ Rest of Esther Children Macc.
+ Wisd. of Sol. Sus.
+
+{24}
+
+COMMERCIAL ABBREVIATIONS
+
+ A1 Highest class or grade
+ Acct. Account
+ Advt., Ad. Advertisement
+ Agt. Agent
+ Amt. Amount
+ Anon. Anonymous
+ Ans. Answer
+ Art. Article
+ Av., Ave. Avenue
+ Bal. Balance
+ Bd. Bound
+ Bdl. Bundle
+ Bds. Boards
+ Bldg. Building
+ B.O. Buyer's Option
+ Bro(s). Brother; Brothers
+ Chap. Chapter
+ C.I.F. Cost, insurance, freight
+ Co. Company
+ C.O.D. Cash on delivery
+ Cr. Creditor
+ Dept. Department
+ Do. Ditto, the same
+ Dr. Debtor
+ E.E. Errors excepted
+ E.O.D. Every other day
+ E. & O.E. Errors and omissions excepted
+ Etc. (_Et caetera_) and so forth
+ Ex., Exch. Exchange
+ Exp. Express
+ Fgt. Freight
+ F.O.B. Free on Board
+ H. Hour
+ H.P. Half pay, horse power
+ Incor. Incorporated
+ Ins. Insurance
+ K.D. Knock down (_of furniture, etc._)
+ {25}
+ L.P. Large Paper
+ Memo. Memorandum
+ Mfg. Manufacturing
+ Mfr. Manufacturer
+ Min. Minute
+ No. (_numero_) number
+ O.K. All right
+ Payt. Payment
+ Pd. Paid
+ Per an. (_Per annum_) by the year
+ Per cent (_Per centum_) by the hundred
+ Pkg. Package
+ Pl. Plate, plates
+ Pref. Preface
+ Rd. Road
+ Rem. Remarks
+ Rep. Reports
+ R.R. Railroad
+ Ry. Railway
+ Ser. Series
+ Sq. Square
+ S.S. Steamship, steamer
+ T.F. Till forbidden
+
+MISCELLANEOUS ABBREVIATIONS
+
+ A.C. (_Ante Christum_) before Christ
+ A.D. (_Anno Domini_) in the year of our Lord
+ Ad lib. (_Ad libitum_) at pleasure
+ Adj. Adjective
+ Adv. Adverb
+ Aet (_Aetatis_) of age, aged
+ A.H. (_Anno Hegirae_) in the year of the Hegira
+ Alt. Altitude
+ A.M. (_Anno Mundi_) in the year of the world
+ An. (_Anno_) in the year
+ {26}
+ An. A. C. (_Anno ante Christum_) in the year before Christ
+ Anat. Anatomy
+ Anc. Ancient
+ Ang.-Sax. Anglo-Saxon
+ Anom. Anomalous
+ Anon. Anonymous
+ Ap. Apostle
+ Apo. Apogee
+ Apoc. Apocalypse, Apocrypha
+ A.R. (_Anno regni_) in the year of the reign
+ Arch. Architecture
+ A.R.R. (_Anno regni regis_) in the year of the reign of the king
+ Arr. Arrival
+ Art. Article
+ Assoc., Assn. Association
+ Astrol. Astrology
+ Astron. Astronomy
+ A.U.C. (_Anno urbis Conditae_) in the year of the building of
+ the city of Rome
+ Auth. Ver. } Authorized Version of the Bible
+ or A.V. }
+ Av. Average
+ Ave. Avenue
+ B. (_Basso_) Bass; bay; born
+ B.C. Before Christ
+ Boul. Boulevard
+ B.V. (_Bene Vale_) Farewell
+ C. Cape
+ Caet. par. (_Caeteris paribus_) other things being equal
+ Cap. (_caput_) Chapter
+ C. or Cent. Centigrade
+ Cf. (_conferre_) compare
+ Ch. Child or children
+ C.H. Court House
+ Chap. Chapter
+ {27}
+ Circ. Circle(s)
+ Cit. Citizen
+ Col. Column
+ Coll. College
+ Comp. Companion, comparative
+ Cong. Congress
+ C.Q.D. Marconi Distress signal
+ D.B. Domesday Book
+ D.C. (_Da Capo_) From the beginning; again
+ Dec. Declination
+ Deg. Degree(s)
+ Del. (_Delineavit_) he drew it
+ Dem. Democrat
+ D.G. (_Dei gratia_) by the grace of God; (_Deo gratias_)
+ thanks to God
+ D.V. (_Deo volente_) God willing
+ E. East, Eagle(s)
+ Ea. Each
+ E.B. English Bible (common)
+ Ed. Editor, Edition
+ E.E. Errors excepted
+ E.G. (_Exempli gratia_) by way of example
+ Elec. Electricity
+ E.N.E. East-northeast
+ Ent. Entomology
+ E.S.E. East-southeast
+ Etal. (_Et alibi_) and elsewhere; (_et alii_) and others
+ Etc. (_Et caetera_) and so forth
+ Et seq. (_Et sequentia_) the following
+ Ex. Example
+ Exc. Exception
+ F., Fahr. Fahrenheit (thermometer)
+ Fec. (_Fecit_) he made it
+ Fem. or f. Feminine
+ Fig(s). Figure(s)
+ Finn. Finnish
+ {28}
+ Fol. or f., ff. Folio(s)
+ For. Foreign
+ Ft. Fort
+ Gent. Gentleman
+ Ger. German
+ Goth. Gothic
+ Gr. Greek
+ H. Husband
+ Hdkf. Handkerchief
+ H.e. (_Hoc est_) that is, or, this is
+ Hist. History, Historical
+ H.J.S. (_Hic jacet sepultus_) here lies buried
+ H.M.P. (_Hoc monumentum posuit_) erected this monument
+ H.R.I.P. (_Hic requiescit in pace_) here lies in peace
+ H.S. (_Hic situs_) here lies
+ Ibid. Ib. (_Ibidem_) in the same place
+ Id. (_Idem_) the same
+ I.e. (_Id est_) that is
+ I.H.S. First letters of [Greek: IESOUS], Greek for _Jesus_, or
+ _Iesus hominum salvator_, Jesus the Savior of Mankind
+ Illus. Illustrated
+ Imp. Imperative (mood)
+ Incog. (_Incognito_) Unknown
+ Indef. Indefinite
+ Indic. Indicative (mood)
+ Infin. Infinitive (mood)
+ In lim. (_In limine_) at the outset
+ In loc. (_In loco_) in the place
+ Inst. (_instante_) the current month
+ Int. Interest
+ Interj. Interjection
+ In trans. (_In transit_) On the passage
+ Ion. Ionic
+ Ir. Irish
+ Irreg. Irregular
+ {29}
+ Isl. Island
+ Ital. Italic
+ Itin. Itinerary
+ J.H.S. See I.H.S.
+ Jour. Journal
+ Lat. Latin, latitude
+ L.c. (_Loco citato_) in the place cited
+ L.l. (_Loco laudato_) in the place quoted
+ Long. or long. Longitude
+ L.S. (_Locus sigilli_) place of the seal
+ LXX The Septuagint
+ M. (_Meridies_) noon
+ M. Married
+ Mem. Memorandum, Memoranda
+ Mgr. Manager
+ Misc. Miscellaneous
+ Mo(s). Month, months
+ M.S. (_Memoriae sacrum_) sacred to the memory
+ MS. (_Manuscriptum_) manuscript
+ MSS. Manuscripts
+ Mt. Mount, Mont
+ Myth. Mythology
+ N. Noun, note(s)
+ Nat. National
+ Naut. Nautical
+ N.B. (_Nota Bene_) note well
+ Nem. con or } (_Nemine contradicente_ or _nemine dissentiente_) none
+ nem. diss. } opposing
+ N.L. (_Non liquet_) It does not appear
+ N. lat. North latitude
+ N.N.E. North-northeast
+ N.N.W. North-northwest
+ Nom. Nominative
+ Nol. Pros. (_Nol prosequi_) indicates in law that a complaint will
+ not be prosecuted
+ N.S. New Style (After 1752)
+ N.T. New Testament
+ {30}
+ N.u. Name(s) unknown
+ N.V.M. Nativity of the Virgin Mary
+ N.W. Northwest
+ Ob. (_Obiit_) he or she died
+ Obj. Objective (case)
+ Obs. Obsolete
+ O.F. Odd Fellow(s)
+ O.H.M.S. On His Majesty's Service
+ Olym. Olympiad
+ Op. Opposite
+ O.S. Old Style (before 1752)
+ O.T. Old Testament
+ P. or pp. Page or pages
+ Par. Paragraph
+ Par. pas. Parallel passage(s)
+ Parl. Parliament
+ Part. Participle
+ Partic. Particle
+ Pass. Passive (voice)
+ Pen. Peninsula
+ Pent. Pentecost
+ Perf. Perfect (tense)
+ Pers. Person
+ Pers. pron. Personal pronoun
+ Persp. Perspective
+ Phil. Philosophy
+ Pinx. (_Pinxit_) he painted it
+ Pl. Plate(s)
+ Plff. Plaintiff
+ Plup. Pluperfect
+ Plur. Plural
+ P.M. (_Post Meridiem_) afternoon to midnight
+ P.O. Post-office
+ Pop. Population
+ Posit. Positive
+ P.p. Past participle
+ P.P.C. (_Pour prendre conge_) to take leave
+ {31}
+ P. pr. Participle present
+ P.R. (_Populus Romanus_) the Roman people
+ Pref. Preface
+ Pret. Preterite tense
+ Pron. Pronoun
+ Pro tem. (_Pro tempore_) for the time being
+ Pr. p. Present participle
+ P.S. Privy Seal
+ P.T.O. Please turn over
+ Pt. Point
+ Pub. Publisher
+ Pub. Doc. Public Documents
+ Q. Question
+ Q.B. Queen's Bench
+ Q.C. Queen's College, Queen's Council
+ Q.d. (_Quasi dicat_) as if he should say; (_Quasi dictum_) as
+ if said; (_Quasi dixisset_) as if he had said
+ Q.E. (_Quod est_) which is
+ Q.E.D. (_Quod erat demonstrandum_) which was to be proved
+ Q.E.F. (_Quod erat faciendum_) which was to be done
+ Q.l. (_Quantum libet_) as much as you please
+ Q. Mess. Queen's Messenger
+ Qm. (_Quomodo_) by what means, how
+ Q.p. or q. pl. (_Quantum placet_) as much as you please
+ Qr. Quarter
+ Q.S. (_Quantum sufficit_) a sufficient quantity
+ Q.v. (_Quantum vis_) as much as you will
+ Q.v. (_Quod vide_) which see
+ Qy. Query
+ R., Reaum. Reaumur (_thermometer_)
+ R.A. Royal Academy; Royal Academician; Royal Artillery
+ R.E. Royal Engineers
+ Recd. Received
+ Rect. Rector
+ {32}
+ Ref. Reformation, reformed
+ Ref. Ch. Reformed Church
+ Ref. Reference
+ Regr. Registrar
+ Regt. Regiment
+ Rel. pron. Relative pronoun
+ Rep. Representative
+ Repub. Republican
+ R.M. Royal Marines
+ R.N. Royal Navy
+ Ro. (_Recto_) Right-hand page
+ Rom. Cath. Roman Catholic
+ R.P. (_Res Publica_) Republic
+ Ru. Runic
+ S. Solo (_In Italian Music_); South
+ S. SS. Section(s), Saint(s)
+ S.a. (_Secundum artem_) According to Art
+ Sax. Saxon
+ S.C. (_Senatus Consultum_) A decree of the Senate
+ S.C. (_In Law_) same case
+ Sch. Schooner(s)
+ Schol. (_Scholium_) a note
+ Sci. Science
+ Sculp. (_Sculpsit_) he engraved
+ S.E. Southeast
+ Sen. Senate, Senator
+ Seq. or sq. (_Sequente_) and in what follows
+ Seqq. or sqq. (_Sequentibus_) and in the following (places)
+ Ser. Series
+ Shak. Shakespeare
+ Sing. Singular (number)
+ S.J.C. Supreme Judicial Court
+ S. lat. South latitude
+ S.O.S. Marconi Distress Signal
+ S.P. (_Sine prole_) without issue
+ Sp. gr. Specific gravity
+ {33}
+ S.P.Q.R. (_Senatus Populusque Romanus_) the Senate and the Roman
+ people
+ S.R.I. (_Sacrum Romanum Imperium_) The Holy Roman Empire
+ S.R.S. (_Societatis Regiae Socius_) Fellow of the Royal Society
+ S.S. Sunday School
+ S.S.E. South-southeast
+ S.S.W. South-southwest
+ St. Saint, Street
+ Stat. Statute(s)
+ Ster. Sterling
+ Subj. Subjunctive
+ Subst. Substantive
+ Su.-Goth. Suio-Gothic
+ Super. Superfine
+ Superl. Superlative
+ S.W. Southwest
+ T. Tenor (_in music_); (_Tutti_) the whole orchestra after a
+ solo
+ Ter. Territory
+ Term. Termination
+ Theor. Theorem
+ Tr. Translator, transpose
+ Um. Unmarried
+ Univ. University
+ U.S.A. United States Army
+ U.S.M. United States Mail
+ U.S.N. United States Navy
+ U.S.S. United States Ship
+ U.s. (_Ut supra_) as above
+ Vat. Vatican
+ V.a. Verb active
+ V. aux. Verb auxiliary
+ V. def. Verb defective
+ V. dep. Verb deponent
+ Ven. Venerable
+ {34}
+ V.g. (_Verbi gratia_) for example
+ V. imp. Verb impersonal
+ V. in. Verb intransitive
+ V. irr. Verb irregular
+ V.n. Verb neuter
+ Vo. (_verso_) left-hand page
+ Voc. Vocative
+ Vol. Volume
+ V.r. Verb reflexive
+ V. tr. Verb transitive
+ V. Vulgate (Version)
+ W. West, wife
+ W. lon. West longitude
+ W.N.W. West-northwest
+ W.S.W. West-southwest
+ Xmas Christmas
+ Zool. Zoology
+
+ * * * * *
+
+
+{35}
+
+SIGNS
+
+In addition to the abbreviations, strictly so called, there are many signs
+used in various kinds of composition. The most common are included in the
+following lists.
+
+MONETARY SIGNS
+
+ $ Dollar or dollars
+ cts. Cents
+ Gn. Guinea
+ L (_English_) Pound or pounds
+ / or s Shilling or shillings
+ d. (_Denarius_) penny or pence
+ fr. Franc or francs
+ c. (_French_) Centime or centimes
+ m. (_German_) Mark or marks
+ Pf. (_German_) Pfennig or pfennigs
+ cr. (_Austrian_) Crown or crowns
+ hr. (_Austrian_) Heller or hellers
+ rub. (_Russian_) Ruble or rubles
+ kop. (_Russian_) Kopec or kopecs
+ kr. (_Danish_) Crown or crowns
+ oero, oere Oro or oere
+ L (_Italian_) Lira or lire
+ c. (_Italian_) Centesimo or centesimi
+
+MATHEMATICAL SIGNS
+
+ + Plus
+ - Minus
+ [**] Plus or minus
+ [**] Minus or plus
+ x Multiplied by
+ {36}
+ [**] Divided by
+ = Equal to
+ [**] Not equal to
+ [**] Identical with
+ [**] Congruent to
+ > Greater than
+ < Less than
+ [**] The difference between
+ [**] Is equivalent to
+ : and :: Proportion
+ [**] Varies as
+ [**] Approaches as a limit
+ [**] Infinity
+ [**] Therefore
+ [**] Because
+ . . . Continuation
+ [**] The radical sign
+ [**] Perpendicular to
+ [**] Parallel
+ [**] Arc of circle
+ [**] Degree of circle
+ [**] Minute of circle
+ [**] Second of circle
+ [**] Angle
+ [**] Right angle
+ [**] Square
+ [**] Rectangle
+ [**] Triangle
+
+MEDICAL SIGNS
+
+ aa (_ava_) of each
+ [**] (_Recipe_) take
+ [**], [**]i Ounce, one ounce
+ [**]ss Half an ounce
+ [**]iss One ounce and a half
+ [**]ij Two ounces
+ [**] Drachm
+ [**] Scruple
+ O (_Octarius_) Pint
+ [**] Fluid ounce
+ [**] Fluid Drachm
+ _m_ Minim or drop
+
+{37}
+
+ASTRONOMICAL SIGNS
+
+Planets
+
+ [**] Sun [**] Earth [**] Saturn
+ [**] Mercury [**] Mars [**] Uranus
+ [**] Venus [**] Jupiter [**] Neptune
+
+Phases
+
+ [**] New moon [**] first quarter [**] full moon
+ [**] last quarter
+
+Zodiacal
+
+ [**] Aries, the ram [**] Libra, the scales
+ [**] Taurus, the bull [**] Scorpio, scorpion
+ [**] Gemini, the twins [**] Sagittarius, archer
+ [**] Cancer, the crab [**] Capricornus, goat
+ [**] Leo, the lion [**] Aquarius, waterman
+ [**] Virgo, the virgin [**] Pisces, the fishes
+
+Aspects and Nodes
+
+ [**] Conjunction [**] opposition
+ [**] Quadrature [**] or [**] quintile
+ [**] Ascending node [**] sextile
+ [**] Descending node [**] trine
+
+ECCLESIASTICAL SIGNS
+
+ [**] The Maltese cross is used before their signatures by
+ certain dignitaries of the Roman Catholic Church.
+ It is also used in the service-books of that church to
+ notify the reader when to make the sign of the cross.
+ The ordinary reference mark [dagger] (the dagger) should
+ not be used as a substitute.
+
+ [**] Response in service-books. The apothecaries' sign [**]
+ is not an entirely acceptable substitute.
+
+ [**] Versicle in service-books.
+
+ [**] indicates the words intoned by the celebrant.
+
+{38}
+
+PROOFREADER'S SIGNS
+
+ No [**] No new paragraph.
+ Run in Let there be no break in the reading.
+ [**] Make a new paragraph.
+ [**] Correct uneven spacing of words.
+ [**] Strike out the marked type, word, or sentence.
+ [**] Reverse this type.
+ # More space where caret is marked,
+ [**] Contract the spacing.
+ [**] Take out all spacing.
+ [ Move this to the left.
+ ] Move this to the right.
+ [**] Raise this line or letter.
+ [**] Depress this line or letter.
+ || Make parallel at the side with other lines.
+ [**] Indent line an em.
+ [**] Push down a space that blackens the proof.
+ x Change this bruised type.
+ w.f. Change this faulty type of wrong font.
+ tr. Transpose words or letters underlined.
+ l.c. Put in lower-case, or small letters.
+ s.c. Put in small capitals.
+ caps. Put in capitals.
+ [**] Insert apostrophe. Superior characters are put over an
+ inverted caret, as, [**] [**] etc.; for inferior
+ characters the caret is put in its usual position, as
+ in [**].
+ rom. Change from italic to roman.
+ ital. Change from roman to italic.
+ [**] Insert period.
+ ,/ Insert comma.
+ ;/ Insert semicolon.
+ :/ Insert colon.
+ =/ Insert hyphen.
+ /--/ One-em dash.
+ /-^2-/ Two-em dash.
+ [**] Take out cancelled character and close up.
+ {39}
+ Qu. or? Is this right? See to it.
+ ^ Insert letter or word marked in margin.
+ |||| Hair-space letters as marked.
+ Stet Restore crossed-out word or letter.
+ . . . . Dots put below the crossed word mean:
+ Cancel the correction first made, and let the types stand
+ as they were.
+ [**] Over two or three letters. Change for the diphthong or
+ for a logotype, as _ae_, _ffi_.
+ [**] Straighten lines.
+ ///// Diagonal lines crossing the text indicate that the
+ composition is out of square.
+ Out, see Copy Here is an omission; see copy.
+
+Corrections or textual improvements suggested to the author should be
+accompanied by the interrogation-point and be enclosed in parentheses or
+"ringed."
+
+Corrections should always be made in the margin, and never in the text:
+faults in the types or text to be indicated only by light pen marks.
+
+ * * * * *
+
+
+{40}
+
+GENERAL OBSERVATIONS
+
+There are many other signs and abbreviations used in works on the various
+sciences. Approved modern text-books are the only safe guides to the proper
+use of these.
+
+In printing dialect, slang, and colloquialisms the only general rule is to
+follow copy.
+
+Such abbreviations as _I've_, _you'll_, _'t'was_, _'t'is n't_, and the like
+are more clearly expressed when a thin space is put between the words.
+
+Old Style contractions should follow the original even if special sorts
+have to be obtained for the purpose.
+
+Abbreviations like _dept_, _dep't_, _gov't_, _sec_, _sec'y_, _sect'y_,
+_pres't_, and _treas._ are indefensible. Even in letter heads and the like
+it is better to spell out the words in two lines.
+
+ * * * * *
+
+
+{41}
+
+SUPPLEMENTARY READING
+
+ Correct Composition. By Theodore Low De Vinne. Oswald Publishing Co.,
+ New York.
+
+ The Writer's Desk Book. By William Dana Orcutt.
+
+ The list of abbreviations and signs in many of the principal
+ dictionaries may be studied with profit.
+
+ Scientific text-books may be profitably used to study the abbreviations
+ and signs used in mathematics and the sciences.
+
+ * * * * *
+
+
+{42}
+
+QUESTIONS
+
+ 1. How and why were abbreviations used before typography?
+ 2. How did the early printers use abbreviations?
+ 3. What is the best usage with regard to abbreviations?
+ 4. What is the general rule for the use of abbreviations?
+ 5. What is the difference in usage between book work and some other kinds
+ of printing?
+ 6. What use of abbreviations do we find in certain special work and what
+ may be done to make their use easier?
+ 7. What are the rules for the use of abbreviations in dates?
+ 8. What are the common abbreviations for the names of the months and the
+ days of the week?
+ 9. Give the Dewey dates.
+ 10. What is the rule for ages?
+ 11. How do we treat references to decades?
+ 12. How do we treat numbers of centuries and the like?
+ 13. What is the rule for sums of money?
+ 14. What is the rule for round numbers?
+ 15. How do we treat numbers when they begin a sentence?
+ 16. What is the rule about numbers of less than three digits?
+ 17. What classes of numbers are ordinarily expressed in figures?
+ 18. What is the usage with regard to geographical names?
+ 19. What are the rules for names?
+ 20. What is the usage in printing titles?
+ 21. How do we treat names of book sizes?
+ 22. How do we treat weights and measures?
+ 23. Give the order of specification in footnotes.
+ 24. Where is &c not used?
+ 25. How are by-laws treated?
+ {43}
+ 26. How are figures used with illustrations?
+ 27. What is said of the use of the period in footnotes?
+ 28. How do we treat page references in the text?
+ 29. How do we treat references to series of years?
+ 30. How do we print dialect, slang, and the like?
+ 31. How do we print such abbreviations as _I've_, _you've_, and the like?
+ 32. What is said of certain improper abbreviations and how to avoid them?
+
+ The teacher should give frequent drills in the application of these
+ rules. Sentences containing matter which involves the use of
+ abbreviations and signs should be given out orally and the pupil
+ required to write them out and set them up. The pupil should be
+ required to explain by reference to the rules the use and the omission
+ of abbreviations and the work should be criticised by the class or by
+ the instructor with reference to the rules.
+
+ * * * * *
+
+
+{i}
+
+TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES
+
+The following list of publications, comprising the TYPOGRAPHIC TECHNICAL
+SERIES FOR APPRENTICES, has been prepared under the supervision of the
+Committee on Education of the United Typothetae of America for use in trade
+classes, in course of printing instruction, and by individuals.
+
+Each publication has been compiled by a competent author or group of
+authors, and carefully edited, the purpose being to provide the printers of
+the United States--employers, journeymen, and apprentices--with a
+comprehensive series of handy and inexpensive compendiums of reliable,
+up-to-date information upon the various branches and specialties of the
+printing craft, all arranged in orderly fashion for progressive study.
+
+The publications of the series are of uniform size, 5 x 8 inches. Their
+general make-up, in typography, illustrations, etc., has been, as far as
+practicable, kept in harmony throughout. A brief synopsis of the particular
+contents and other chief features of each volume will be found under each
+title in the following list.
+
+Each topic is treated in a concise manner, the aim being to embody in each
+publication as completely as possible all the rudimentary information and
+essential facts necessary to an understanding of the subject. Care has been
+taken to make all statements accurate and clear, with the purpose of
+bringing essential information within the understanding of beginners in the
+different fields of study. Wherever practicable, simple and well-defined
+drawings and illustrations have been used to assist in giving additional
+clearness to the text.
+
+In order that the pamphlets may be of the greatest possible help for use in
+trade-school classes and for self-instruction, each title is accompanied by
+a list of Review Questions covering essential items of the subject matter.
+A short Glossary of technical terms belonging to the subject or department
+treated is also added to many of the books.
+
+These are the Official Text-books of the United Typothetae of America.
+
+Address all orders and inquiries to COMMITTEE ON EDUCATION, UNITED
+TYPOTHETAE OF AMERICA, CHICAGO, ILLINOIS, U. S. A. {ii}
+
+PART I--_Types, Tools, Machines, and Materials_
+
+1. TYPE: A PRIMER OF INFORMATION By A. A. Stewart
+
+ Relating to the mechanical features of printing types; their sizes,
+ font schemes, etc., with a brief description of their manufacture. 44
+ pp.; illustrated; 74 review questions; glossary.
+
+2. COMPOSITORS' TOOLS AND MATERIALS By A. A. Stewart
+
+ A primer of information about composing sticks, galleys, leads, brass
+ rules, cutting and mitering machines, etc. 47 pp.; illustrated; 50
+ review questions; glossary.
+
+3. TYPE CASES, COMPOSING ROOM FURNITURE By A. A. Stewart
+
+ A primer of information about type cases, work stands, cabinets, case
+ racks, galley racks, standing galleys, etc. 43 pp.; illustrated; 33
+ review questions; glossary.
+
+4. IMPOSING TABLES AND LOCK-UP APPLIANCES By A. A. Stewart
+
+ Describing the tools and materials used in locking up forms for the
+ press, including some modern utilities for special purposes. 59 pp.;
+ illustrated; 70 review questions; glossary.
+
+5. PROOF PRESSES By A. A. Stewart
+
+ A primer of information about the customary methods and machines for
+ taking printers' proofs. 40 pp.; illustrated; 41 review questions;
+ glossary.
+
+6. PLATEN PRINTING PRESSES By Daniel Baker
+
+ A primer of information regarding the history and mechanical
+ construction of platen printing presses, from the original hand press
+ to the modern job press, to which is added a chapter on automatic
+ presses of small size. 51 pp.; illustrated; 49 review questions;
+ glossary.
+
+7. CYLINDER PRINTING PRESSES By Herbert L. Baker
+
+ Being a study of the mechanism and operation of the principal types of
+ cylinder printing machines. 64 pp.; illustrated; 47 review questions;
+ glossary.
+
+8. MECHANICAL FEEDERS AND FOLDERS By William E. Spurrier
+
+ The history and operation of modern feeding and folding machines; with
+ hints on their care and adjustments. Illustrated; review questions;
+ glossary.
+
+9. POWER FOR MACHINERY IN PRINTING HOUSES By Carl F. Scott
+
+ A treatise on the methods of applying power to printing presses and
+ allied machinery with particular reference to electric drive. 53 pp.;
+ illustrated; 69 review questions; glossary.
+
+10. PAPER CUTTING MACHINES By Niel Gray, Jr.
+
+ A primer of information about paper and card trimmers, hand-lever
+ cutters, power cutters, and other automatic machines for cutting paper.
+ 70 pp.; illustrated; 115 review questions; glossary.
+
+11. PRINTERS' ROLLERS By A. A. Stewart
+
+ A primer of information about the composition, manufacture, and care of
+ inking rollers. 46 pp.; illustrated; 61 review questions; glossary.
+
+12. PRINTING INKS By Philip Ruxton
+
+ Their composition, properties and manufacture (reprinted by permission
+ from Circular No. 53, United States Bureau of Standards); together with
+ some helpful suggestions about the everyday use of printing inks by
+ Philip Ruxton. 80 pp.; 100 review questions; glossary.
+
+{iii}
+
+13. HOW PAPER IS MADE By William Bond Wheelwright
+
+ A primer of information about the materials and processes of
+ manufacturing paper for printing and writing. 68 pp.; illustrated; 62
+ review questions; glossary.
+
+14. RELIEF ENGRAVINGS By Joseph P. Donovan
+
+ Brief history and non-technical description of modern methods of
+ engraving; woodcut, zinc plate, halftone; kind of copy for
+ reproduction; things to remember when ordering engravings. Illustrated;
+ review questions; glossary.
+
+15. ELECTROTYPING AND STEROTYPING By Harris B. Hatch and A. A. Stewart
+
+ A primer of information about the processes of electrotyping and
+ stereotyping. 94 pp.; illustrated; 129 review questions; glossaries.
+
+PART II--_Hand and Machine Composition_
+
+16. TYPESETTING By A. A. Stewart
+
+ A handbook for beginners, giving information about justifying, spacing,
+ correcting, and other matters relating to typesetting. Illustrated;
+ review questions; glossary.
+
+17. PRINTERS' PROOFS By A. A. Stewart
+
+ The methods by which they are made, marked, and corrected, with
+ observations on proofreading. Illustrated; review questions; glossary.
+
+18. FIRST STEPS IN JOB COMPOSITION By Camille DeVeze
+
+ Suggestions for the apprentice compositor in setting his first jobs,
+ especially about the important little things which go to make good
+ display in typography. 63 pp.; examples; 55 review questions; glossary.
+
+19. GENERAL JOB COMPOSITION
+
+ How the job compositor handles business stationery, programs and
+ miscellaneous work. Illustrated; review questions; glossary.
+
+20. BOOK COMPOSITION By J. W. Bothwell
+
+ Chapters from DeVinne's "Modern Methods of Book Composition," revised
+ and arranged for this series of text-books by J. W. Bothwell of The
+ DeVinne Press, New York. Part I: Composition of pages. Part II:
+ Imposition of pages. 229 pp.; illustrated; 525 review questions;
+ glossary.
+
+21. TABULAR COMPOSITION By Robert Seaver
+
+ A study of the elementary forms of table composition, with examples of
+ more difficult composition. 36 pp.; examples; 45 review questions.
+
+22. APPLIED ARITHMETIC By E. E. Sheldon
+
+ Elementary arithmetic applied to problems of the printing trade,
+ calculation of materials, paper weights and sizes, with standard tables
+ and rules for computation, each subject amplified with examples and
+ exercises. 159 pp.
+
+23. TYPECASTING AND COMPOSING MACHINES A. W. Finlay, Editor
+
+ Section I--The Linotype By L. A. Hornstein
+ Section II--The Monotype By Joseph Hays
+ Section III--The Intertype By Henry W. Cozzens
+ Section IV--Other Typecasting and Typesetting By Frank H. Smith
+ Machines
+
+ A brief history of typesetting machines, with descriptions of their
+ mechanical principles and operations. Illustrated; review questions;
+ glossary.
+
+{iv}
+
+PART III--_Imposition and Stonework_
+
+24. LOCKING FORMS FOR THE JOB PRESS By Frank S. Henry
+
+ Things the apprentice should know about locking up small forms, and
+ about general work on the stone. Illustrated; review questions;
+ glossary.
+
+25. PREPARING FORMS FOR THE CYLINDER PRESS By Frank S. Henry
+
+ Pamphlet and catalog imposition; margins; fold marks, etc. Methods of
+ handling type forms and electrotype forms. Illustrated; review
+ questions; glossary.
+
+PART IV--_Presswork_
+
+26. MAKING READY ON PLATEN PRESSES By T. G. McGrew
+
+ The essential parts of a press and their functions; distinctive
+ features of commonly used machines. Preparing the tympan, regulating
+ the impression, underlaying and overlaying, setting gauges, and other
+ details explained. Illustrated; review questions; glossary.
+
+27. CYLINDER PRESSWORK By T. G. McGrew
+
+ Preparing the press; adjustment of bed and cylinder, form rollers, ink
+ fountain, grippers and delivery systems. Underlaying and overlaying;
+ modern overlay methods. Illustrated; review questions; glossary.
+
+28. PRESSROOM HINTS AND HELPS By Charles L. Dunton
+
+ Describing some practical methods of pressroom work, with directions
+ and useful information relating to a variety of printing-press
+ problems. 87 pp.; 176 review questions.
+
+29. REPRODUCTIVE PROCESSES OF THE GRAPHIC ARTS By A. W. Elson
+
+ A primer of information about the distinctive features of the relief,
+ the intaglio, and the planographic processes of printing. 84 pp.;
+ illustrated; 100 review questions; glossary.
+
+PART V--_Pamphlet and Book Binding_
+
+30. PAMPHLET BINDING By Bancroft L. Goodwin
+
+ A primer of information about the various operations employed in
+ binding pamphlets and other work in the bindery. Illustrated; review
+ questions; glossary.
+
+31. BOOK BINDING By John J. Pleger
+
+ Practical information about the usual operations in binding books;
+ folding; gathering, collating, sewing, forwarding, finishing. Case
+ making and cased-in books. Hand work and machine work. Job and
+ blank-book binding. Illustrated; review questions; glossary.
+
+PART VI--_Correct Literary Composition_
+
+32. WORD STUDY AND ENGLISH GRAMMAR By F. W. Hamilton
+
+ A primer of information about words, their relations, and their uses.
+ 68 pp.; 84 review questions; glossary.
+
+33. PUNCTUATION By F. W. Hamilton
+
+ A primer of information about the marks of punctuation and their use,
+ both grammatically and typographically. 56 pp.; 59 review questions;
+ glossary.
+
+{v}
+
+34. CAPITALS By F. W. Hamilton
+
+ A primer of information about capitalization, with some practical
+ typographic hints as to the use of capitals. 48 pp.; 92 review
+ questions; glossary.
+
+35. DIVISION OF WORDS By F. W. Hamilton
+
+ Rules for the division of words at the ends of lines, with remarks on
+ spelling, syllabication and pronunciation. 42 pp.; 70 review questions.
+
+36. COMPOUND WORDS By F. W. Hamilton
+
+ A study of the principles of compounding, the components of compounds,
+ and the use of the hyphen. 34 pp.; 62 review questions.
+
+37. ABBREVIATIONS AND SIGNS By F. W. Hamilton
+
+ A primer of information about abbreviations and signs, with classified
+ lists of those in most common use. 58 pp.; 32 review questions.
+
+38. THE USES OF ITALIC By F. W. Hamilton
+
+ A primer of information about the history and uses of italic letters.
+ 31 pp.; 37 review questions.
+
+39. PROOFREADING By Arnold Levitas
+
+ The technical phases of the proofreader's work; reading, marking,
+ revising, etc.; methods of handling proofs and copy. Illustrated by
+ examples. 59 pp.; 69 review questions; glossary.
+
+40. PREPARATION OF PRINTERS' COPY By F. W. Hamilton
+
+ Suggestions for authors, editors, and all who are engaged in preparing
+ copy for the composing room. 36 pp.; 67 review questions.
+
+41. PRINTERS' MANUAL OF STYLE
+
+ A reference compilation of approved rules, usages, and suggestions
+ relating to uniformity in punctuation, capitalization, abbreviations,
+ numerals, and kindred features of composition.
+
+42. THE PRINTER'S DICTIONARY By A. A. Stewart
+
+ A handbook of definitions and miscellaneous information about various
+ processes of printing, alphabetically arranged. Technical terms
+ explained. Illustrated.
+
+PART VII--_Design, Color, and Lettering_
+
+43. APPLIED DESIGN FOR PRINTERS By Harry L. Gage
+
+ A handbook of the principles of arrangement, with brief comment on the
+ periods of design which have most influenced printing Treats of
+ harmony, balance, proportion, and rhythm; motion; symmetry and variety;
+ ornament, esthetic and symbolic. 37 illustrations; 46 review questions;
+ glossary; bibliography.
+
+44. ELEMENTS OF TYPOGRAPHIC DESIGN By Harry L. Gage
+
+ Applications of the principles of decorative design. Building material
+ of typography: paper, types, ink, decorations and illustrations.
+ Handling of shapes. Design of complete book, treating each part. Design
+ of commercial forms and single units. Illustrations; review questions,
+ glossary; bibliography.
+
+{vi}
+
+45. RUDIMENTS OF COLOR IN PRINTING By Harry L. Gage
+
+ Use of color: for decoration of black and white, for broad poster
+ effect, in combinations of two, three, or more printings with process
+ engravings. Scientific nature of color, physical and chemical. Terms in
+ which color may be discussed: hue, value, intensity. Diagrams in color,
+ scales and combinations. Color theory of process engraving. Experiments
+ with color. Illustrations in full color, and on various papers. Review
+ questions; glossary; bibliography.
+
+46. LETTERING IN TYPOGRAPHY By Harry L. Gage
+
+ Printer's use of lettering: adaptability and decorative effect.
+ Development of historic writing and lettering and its influence on type
+ design. Classification of general forms in lettering. Application of
+ design to lettering. Drawing for reproduction. Fully illustrated;
+ review questions; glossary; bibliography.
+
+47. TYPOGRAPHIC DESIGN IN ADVERTISING By Harry L. Gage
+
+ The printer's function in advertising. Precepts upon which advertising
+ is based. Printer's analysis of his copy. Emphasis, legibility,
+ attention, color. Method of studying advertising typography.
+ Illustrations; review questions; glossary; bibliography.
+
+48. MAKING DUMMIES AND LAYOUTS By Harry L. Gage
+
+ A layout: the architectural plan. A dummy: the imitation of a proposed
+ final effect. Use of dummy in sales work. Use of layout. Function of
+ layout man. Binding schemes for dummies. Dummy envelopes.
+ Illustrations; review questions; glossary; bibliography.
+
+PART VIII--_History of Printing_
+
+49. BOOKS BEFORE TYPOGRAPHY By F. W. Hamilton
+
+ A primer of information about the invention of the alphabet and the
+ history of bookmaking up to the invention of movable types. 62 pp.;
+ illustrated; 64 review questions.
+
+50. THE INVENTION OF TYPOGRAPHY By F. W. Hamilton
+
+ A brief sketch of the invention of printing and how it came about. 64
+ pp.; 62 review questions.
+
+51. HISTORY OF PRINTING--Part I By F. W. Hamilton
+
+ A primer of information about the beginnings of printing, the
+ development of the book, the development of printers' materials, and
+ the work of the great pioneers. 63 pp.; 55 review questions.
+
+52. HISTORY OF PRINTING--Part II By F. W. Hamilton
+
+ A brief sketch of the economic conditions of the printing industry from
+ 1450 to 1789, including government regulations, censorship, internal
+ conditions and industrial relations. 94 pp.; 128 review questions.
+
+53. PRINTING IN ENGLAND By F. W. Hamilton
+
+ A short history of printing in England from Caxton to the present time.
+ 89 pp.; 65 review questions.
+
+54. PRINTING IN AMERICA By F. W. Hamilton
+
+ A brief sketch of the development of the newspaper, and some notes on
+ publishers who have especially contributed to printing. 98 pp.; 84
+ review questions.
+
+55. TYPE AND PRESSES IN AMERICA By F. W. Hamilton
+
+ A brief historical sketch of the development of type casting and press
+ building in the United States. 52 pp.; 61 review questions.
+
+{vii}
+
+PART IX--_Cost Finding and Accounting_
+
+56. ELEMENTS OF COST IN PRINTING By Henry P. Porter
+
+ The Standard Cost-Finding Forms and their uses. What they should show.
+ How to utilize the information they give. Review questions. Glossary.
+
+57. USE OF A COST SYSTEM By Henry P. Porter
+
+ The Standard Cost-Finding Forms and their uses. What they should show.
+ How to utilize the information they give Review questions. Glossary.
+
+58. THE PRINTER AS A MERCHANT By Henry P. Porter
+
+ The selection and purchase of materials and supplies for printing. The
+ relation of the cost of raw material and the selling price of the
+ finished product. Review questions. Glossary.
+
+59. FUNDAMENTAL PRINCIPLES OF ESTIMATING By Henry P. Porter
+
+ The estimator and his work; forms to use; general rules for estimating.
+ Review questions. Glossary.
+
+60. ESTIMATING AND SELLING By Henry P. Porter
+
+ An insight into the methods used in making estimates, and their
+ relation to selling. Review questions. Glossary.
+
+61. ACCOUNTING FOR PRINTERS By Henry P. Porter
+
+ A brief outline of an accounting system for printers; necessary books
+ and accessory records. Review questions. Glossary.
+
+PART X--_Miscellaneous_
+
+62. HEALTH, SANITATION, AND SAFETY By Henry P. Porter
+
+ Hygiene in the printing trade; a study of conditions old and new;
+ practical suggestions for improvement; protective appliances and rules
+ for safety.
+
+63. TOPICAL INDEX By F. W. Hamilton
+
+ A book of reference covering the topics treated in the Typographic
+ Technical Series, alphabetically arranged.
+
+64. COURSES OF STUDY By F. W. Hamilton
+
+ A guidebook for teachers, with outlines and suggestions for classroom
+ and shop work.
+
+{viii}
+
+ACKNOWLEDGMENT
+
+This series of Typographic Text-books is the result of the splendid
+co-operation of a large number of firms and individuals engaged in the
+printing business and its allied industries in the United States of
+America.
+
+The Committee on Education of the United Typothetae of America, under whose
+auspices the books have been prepared and published, acknowledges its
+indebtedness for the generous assistance rendered by the many authors,
+printers, and others identified with this work.
+
+While due acknowledgment is made on the title and copyright pages of those
+contributing to each book, the Committee nevertheless felt that a group
+list of co-operating firms would be of interest.
+
+The following list is not complete, as it includes only those who have
+co-operated in the production of a portion of the volumes, constituting the
+first printing. As soon as the entire list of books comprising the
+Typographic Technical Series has been completed (which the Committee hopes
+will be at an early date), the full list will be printed in each volume.
+
+The Committee also desires to acknowledge its indebtedness to the many
+subscribers to this Series who have patiently awaited its publication.
+
+ COMMITTEE ON EDUCATION,
+ UNITED TYPOTHETAE OF AMERICA.
+
+ HENRY P. PORTER, _Chairman_,
+ E. LAWRENCE FELL,
+ A. M. GLOSSBRENNER,
+ J. CLYDE OSWALD,
+ TOBY RUBOVITS.
+
+ FREDERICK W. HAMILTON, _Education Director_.
+
+{ix}
+
+CONTRIBUTORS
+
+FOR COMPOSITION AND ELECTROTYPES
+
+ ISAAC H. BLANCHARD COMPANY, New York, N. Y.
+ S. H. BURBANK & CO., Philadelphia, Pa.
+ J. S. CUSHING & CO., Norwood, Mass.
+ THE DEVINNE PRESS, New York, N. Y.
+ R. R. DONNELLEY & SONS CO., Chicago, Ill.
+ GEO. H. ELLIS CO., Boston, Mass.
+ EVANS-WINTER-HEBB, Detroit, Mich.
+ FRANKLIN PRINTING COMPANY, Philadelphia, Pa.
+ F. H. GILSON COMPANY, Boston, Mass.
+ STEPHEN GREENE & CO., Philadelphia, Pa.
+ W. F. HALL PRINTING CO., Chicago, Ill.
+ J. B. LIPPINCOTT CO., Philadelphia, Pa.
+ MCCALLA & CO. INC., Philadelphia, Pa.
+ THE PATTESON PRESS, New York, New York
+ THE PLIMPTON PRESS, Norwood, Mass.
+ POOLE BROS., Chicago, Ill.
+ EDWARD STERN & CO., Philadelphia, Pa.
+ THE STONE PRINTING & MFG. CO., Roanoke, Va.
+ C. D. TRAPHAGEN, Lincoln, Neb.
+ THE UNIVERSITY PRESS, Cambridge, Mass.
+
+FOR COMPOSITION
+
+ BOSTON TYPOTHETAE SCHOOL OF PRINTING, Boston, Mass.
+ WILLIAM F. FELL CO., Philadelphia, Pa.
+ THE KALKHOFF COMPANY, New York, N. Y.
+ OXFORD-PRINT, Boston, Mass.
+ TOBY RUBOVITS, Chicago, Ill.
+
+FOR ELECTROTYPES
+
+ BLOMGREN BROTHERS CO., Chicago, Ill.
+ FLOWER STEEL ELECTROTYPING CO., New York, N. Y.
+ C. J. PETERS & SON CO., Boston, Mass.
+ ROYAL ELECTROTYPE CO., Philadelphia, Pa.
+ H. C. WHITCOMB & CO., Boston, Mass.
+
+FOR ENGRAVINGS
+
+ AMERICAN TYPE FOUNDERS CO., Boston, Mass.
+ C. B. COTTRELL & SONS CO., Westerly, R. I.
+ GOLDING MANUFACTURING CO., Franklin, Mass.
+ HARVARD UNIVERSITY, Cambridge, Mass.
+ INLAND PRINTER CO., Chicago, Ill.
+ LANSTON MONOTYPE MACHINE COMPANY, Philadelphia, Pa.
+ MERGENTHALER LINOTYPE COMPANY, New York, N. Y.
+ GEO. H. MORRILL CO., Norwood, Mass.
+ OSWALD PUBLISHING CO., New York, N. Y.
+ THE PRINTING ART, Cambridge, Mass.
+ B. D. RISING PAPER COMPANY, Housatonic, Mass.
+ THE VANDERCOOK PRESS, Chicago, Ill.
+
+FOR BOOK PAPER
+
+ AMERICAN WRITING PAPER CO., Holyoke, Mass.
+ WEST VIRGINIA PULP & PAPER CO., Mechanicville, N. Y.
+
+
+
+
+
+
+End of Project Gutenberg's Abbreviations and Signs, by Frederick W. Hamilton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ABBREVIATIONS AND SIGNS ***
+
+***** This file should be named 33828.txt or 33828.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/3/8/2/33828/
+
+Produced by Barbara Tozier, Bill Tozier, Keith Edkins and
+the Online Distributed Proofreading Team at
+http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/33828.zip b/33828.zip
new file mode 100644
index 0000000..3503fd6
--- /dev/null
+++ b/33828.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..f4db7a4
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #33828 (https://www.gutenberg.org/ebooks/33828)