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diff --git a/28447-8.txt b/28447-8.txt new file mode 100644 index 0000000..44ea914 --- /dev/null +++ b/28447-8.txt @@ -0,0 +1,3253 @@ +Project Gutenberg's A Treatise of Schemes and Tropes, by Richard Sherry + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: A Treatise of Schemes and Tropes + +Author: Richard Sherry + +Commentator: Herbert W. Hildebrandt + +Release Date: March 30, 2009 [EBook #28447] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK A TREATISE OF SCHEMES AND TROPES *** + + + + +Produced by Louise Hope, Joseph Cooper, Chris Curnow, Greg +Lindahl and the Online Distributed Proofreading Team at +http://www.pgdp.net + + + + + +[Transcriber's Note: + +This text is intended for users whose text readers cannot use the "real" (Unicode/UTF-8) version of the file. Characters that could not be fully displayed have been "unpacked" and shown in brackets: + + [en], [em] = e with overline + [un], [um] = u with overline + [in] = i with overline (once only) + +The forms ã (for an, am) and õ (for om, on) have been retained. + +The text is based on scans of two different physical copies of the same +edition; see end of e-text for one variant reading. Other errors are +also listed at the end of the e-text. + +Superscripts are shown with carets: w^t, y^e. All pilcrows ¶ in the +body text were added by the transcriber (see endnotes). + +The book was originally (1550) printed together with Erasmus's _The +Education of Children_. The introduction (1961) mentions Erasmus +briefly; the Index refers only to Sherry's _Treatise_. Since the +two texts have no connection except that Sherry is assumed to be the +translator of the Erasmus essay, they have been made into separate +e-texts.] + + + + +A TREATISE OF SCHEMES AND TROPES + + + + + A TREATISE + OF SCHEMES AND TROPES + (1550) + by + RICHARD SHERRY + + and his translation of + + THE EDUCATION OF CHILDREN + by + DESIDERIUS ERASMUS + + + A facsimile reproduction + with an introduction and index + by + HERBERT W. HILDEBRANDT + _The University of Michigan_ + + + Gainesville, Florida + SCHOLARS' FACSIMILES & REPRINTS + 1961 + + + + + SCHOLARS' FACSIMILES & REPRINTS + 118 N.W. 26th Street + Gainesville, Florida, U.S.A. + Harry R. Warfel, General Editor + + + Reproduced from a copy in + and with the permission of + BODLEIAN LIBRARY + _Oxford_ + + L.C. Catalog Card Number: 61-5030 + + + Manufactured in the U.S.A. + Letterpress by J. N. Anzel, Inc. + Photolithography by Edwards Brothers + Binding by Universal-Dixie Bindery + + + + +INTRODUCTION + + +Richard Sherry's _A Treatise of Schemes and Tropes_ (1550), a familiar +work of the Renaissance, is primarily thought of as a sixteenth-century +English textbook on the figures. Yet it is also a mirror of one +variation of rhetoric which came to be called the rhetoric of style. As +a representative of this stylistic school, it offers little that is new +to the third part of classical rhetoric. Instead, it carries forward the +medieval concept that ornateness in communication is desirable; it +suggests that figures are tools for achieving this ornateness; it +supplies examples of ornateness to be imitated in writing and speaking; +it supports knowing the figures in order to understand both secular and +religious writings; it proposes that clarity is found in the figures. In +short, the work assisted Englishmen to understand eloquence as well as +to create it. + +Four-fifths of ancient rhetoric is omitted in the _Treatise_. The nod is +given to elocution. Invention is discussed, but only as a tool to assist +the communicator in amplifying his ideas, as a means to spin out his +thoughts to extreme lengths. Arrangement, memory, and delivery are +overlooked. Accordingly, the _Treatise_ neatly fits into the category of +a Renaissance rhetoric on style. It is this school which recognized the +traditional five Ciceronian parts of rhetoric, but considered style to +be the most significant precept. The _Treatise_ is not the first to +support an emphasis wholly on style, nor the foremost. We know that +Aristotle's _Rhetoric_, Cicero's works on rhetoric, and Quintilian's +_Institutes_ discussed the significance of style, but they had a broad +view. However, in England, about the time of Bede, arose a limited +concept that rhetoric is mainly style, particularly that of the figures. +It is this latter truncated version of rhetoric that the _Treatise_ +continues in the Renaissance. Rhetoric in Sherry's work has lost its +ancient meaning. + +The _Treatise_ is highly prescriptive. It was born in an age of rules. +So much so, that the rhetorician who named his rules and tools was not +out of rapport with the period. This accounts for the rigidity, the love +of classification, and the schematic presentation of the work. It is +nothing more than a highly organized dictionary of ancient, medieval, +and Renaissance schemes and tropes. In fact, the major variation from +previous Latin compilers is to be found in the headnotes relative to the +various kinds of figures. Nor is it as thorough in handling the figures +as its predecessors. It utilizes, however, the customary Greek and Latin +terms and supplies a definition, but here the similarity with +contemporaries and ancients ends. It is weak in amplification of +examples during an age when amplification was practiced. Sherry +economizes by selecting usually one example in support of a figure while +contemporary cataloguers, and ancients for that matter, are more +definitive. + +Whether the work was ever popular within the schools or without is +unclear. Probably it did not have extensive success because only one +issue of the work appeared and a revised edition was brought out in +1555. By contrast, during the sixteenth century, Erasmus' _De Copia_ +(1512) had at least eleven printings, Mosellanus' _Table_ (c. 1529) had +at least eight editions, Susenbrotus' _Epitome_ (1541) had at least +twenty printings, Peacham's _Garden_ (1577) had two editions, and Day's +_Secretorie_ (1586) underwent at least five editions. Some of these +works had new editions printed in the seventeenth century and would seem +to reflect a greater public acceptance than the _Treatise_. Some were +also written in Latin while Sherry moves in the vernacular. It still was +an age of Latin, and Sherry in part recognized this by his alternate +Latin and English movement in his second rhetoric on style published in +1555. Moreover, people seemed content to remain with the giants of the +Renaissance, notably Erasmus and his _De Copia_ instead of turning to a +lesser light such as Sherry. + +The _Treatise_ does have merit. The work cannot be judged entirely by +tallying its meager number of editions, its lack of thoroughness, or its +artificial divisions. Its signal contribution rests upon the fact that +it is a pioneering effort at permitting the figures to march, for the +first time, in English. Here Sherry had an opportunity to provide the +English reader with additional words, ideas, and material to be employed +in vernacular communication. His efforts in his works on rhetoric, +the two editions of the _Treatise_, provided the sixteenth century +Englishman with the identical schemes and tropes which had been a +heritage of the Latin language since antiquity. Hence the work can be +called a complicated ordering of the figures, but it is also a sincere +attempt to provide in English those figures which would lend ornateness +to the expression of an idea. + +To indicate that the _Treatise_ was part of a continuing school of +rhetoric, we must consider a few rhetoricians subsequent to Sherry's +work. Indeed, one notices the continuance of dictionaries of figures +which carry the admonition that the usual manner of utterance was to be +despised. Thomas Wilson's _The Arte of Rhetorique_ (1553), although +preserving the classical idea of rhetoric, also felt the definition of a +figure employed in communication involved the uncommon. Twenty-seven +years subsequent to Sherry, England again has a pure catalogue of the +figures; this is Peacham's _Garden of Eloquence_. More elaborate than +the _Treatise_, it too suggests that rhetoric is decoration. Continued +interest in the stylistic tools is also seen in Puttenham's The _Arte of +English Poesie_ (1589). When we move to the latter part of the sixteenth +century and then change the genre as exemplified in Day's _The English +Secretorie_, we see a stylistic extension to the art of letter writing +which borrowed rhetorical terms and rules and applied them to written +correspondence. The emphasis in these rhetorics on style is the same: +ornateness in communication is achieved through using the figures. + +When we look in the opposite direction, to works which preceded Sherry, +the figures, definitions, and examples in the _Treatise_ derive more +from contemporaries than from the ancients. It relies extensively upon +intermediaries. Sherry explains that Erasmus and Mosellanus will be +major sources. Hence the _De Copia_, the _Ecclesiastae_, and the +_Tabulae de schematibus et tropis_ are used with regularity. Although +further removed in time, the _Rhetorica ad Herennium_ is the primary +ancient source. But beyond this first-hand reliance on the ancients, +examples from Vergil, Cicero, and Terence, to mention several, as well +as definitions of the figures, depend heavily upon neo-classical +intermediaries. + +Appended to the text on the figures of rhetoric is a seemingly +gratuitous section entitled "That chyldren oughte to be taught and +brought vp gently in vertue and learnynge, and that euen forthwyth from +theyr natiuitie: a declamacion of a briefe theme, by Erasmus of +Roterodame." This essay occupies almost two-thirds of the _Treatise_ and +receives its first English translation from the Latin at the hands of +Sherry. William Woodward in his _Desiderius Erasmus Concerning the Aim +and Method of Education_ gave us another English translation in 1904. +One other translation, in German, by August Israel, is entitled "Vortrag +über die Nothwendigkeit, die Knaben gleich von der Geburt an in einer +für Freigeborne würdigen Weise sittlich und wissenschaftlich ausbilden +zu lassen." + +The reason for the inclusion of the Erasmian essay is never clearly +stated in the other sections of the _Treatise_. Nor do the other +translators suppose a reason. From the internal evidence of the essay +and from headnotes preceding it, we may assume that the purpose is one +of supplying readers with an example of amplification of a brief theme, +first illustrated in miniature, and then full blown into a long +declamation. The essay does not appear to be illustrating the numerous +figures discussed in the initial section of the work. + +Of Sherry we know little. Beyond the dates in the DNB, we infer from his +works that he had an intense interest in English and had a desire for +his countrymen to communicate well in the vernacular. He was interested +in religion, was most likely a Protestant, and hoped to continue an +interest in religion which he developed in his youth. He was also a +teacher. And although Latin was still a living language, the task of +inculcating a new tongue in the students fell to the schoolmaster; +Sherry was active in this capacity. This does not weaken an acclamation +we possess of the man: "He was a Person elegantly learned." + + HERBERT W. HILDEBRANDT + + _The University of Michigan + February 25, 1960_ + + + + +TABLE OF CONTENTS + + + A TREATISE OF SCHEMES AND TROPES + by _Richard Sherry_ 1 + + Introduction 2 + Eloquucion 17 + Of Evidence and Plainness 19 + Of the Three Kyndes of Style 21 + Scheme and Figure 25 + Faute 32 + Garnyshyng and His Kyndes 38 + Figures of Sentence 62 + Proves 78 + + THE EDUCATION OF CHILDREN + by _Desiderius Erasmus_ 97 + + + + + ¶ A treatise + of Schemes & Tropes + very profytable + for the better vnderstanding of good + authors, gathered out of the best + Grammarians & Oratours + by Rychard Sherry Lon + doner. + + Whervnto is added a declamacion, + That chyldren euen strayt frõ their + infancie should be well and gent- + ly broughte vp in learnynge. + Written fyrst in Latin + by the most excel- + lent and + famous Clearke, Erasmus + of Rotero- + dame. + + + + + To the ryght worshyp + ful Master Thomas Brooke + Esquire, Rychard Shyrrey + wysheth health euer- + lastynge. + + +[Sidenote: The tytle of thys worcke straunge.] I doubt +not but that the title of this treatise all straunge +vnto our Englyshe eares, wil cause some men at the +fyrst syghte to maruayle what the matter of it should +meane: yea, and peraduenture if they be rashe of +iudgement, to cal it some newe fangle, and so casting +it hastily from th[em], wil not once vouchsafe to reade +it: and if they do, yet perceiuynge nothing to be +therin that pleaseth their phansy, wyl count it but a +tryfle, & a tale of Robynhoode. But of thys sorte as I +doubte not to fynde manye, so perhaps there wyll be +other, whiche moued with the noueltye thereof, wyll +thynke it worthye to be looked vpon, and se what is +contained therin. [Sidenote: Sheme and Trope.] These +words, _Scheme_ and _Trope_, are not vsed in our +Englishe tongue, neither bene they Englyshe wordes. +[Sidenote: Vse maketh stra[un]ge thinges familier.] No +more be manye whiche nowe in oure tyme be made by +continual vse, very familier to most men, and come so +often in speakyng, that aswel is knowen amongest vs +the meanyng of them, as if they had bene of oure owne +natiue broode. Who hath not in hys mouthe nowe thys +worde Paraphrasis, homelies, vsurped, abolyshed, wyth +manye other lyke? And what maruail is it if these +words haue not bene vsed heretofore, seynge there was +no suche thynge in oure Englishe tõgue where vnto they +shuld be applyed? Good cause haue we therefore to gyue +thankes vnto certayne godlye and well learned men, +whych by their greate studye enrychynge our tongue +both wyth matter and wordes, haue endeuoured to make +it so copyous and plentyfull that therein it maye +compare wyth anye other whiche so euer is the best. +[Sidenote: Oure language falsely accused of +barbarousnes.] It is not vnknowen that oure language +for the barbarousnes and lacke of eloquence hathe bene +complayned of, and yet not trewely, for anye defaut in +the toungue it selfe, but rather for slackenes of our +co[un]trimen, whiche haue alwayes set lyght by searchyng +out the elegance and proper speaches that be ful many +in it: as plainly doth appere not only by the most +excellent monumentes of our a[un]ci[en]t forewriters, +[Sidenote: Gower. Chawcer. Lidgate.] Gower, Chawcer +and Lydgate, but also by the famous workes of many +other later: [Sidenote: Syr Thomas Elyot.] inespeciall +of y^e ryght worshipful knyght syr Thomas Eliot, which +first in hys dictionarye as it were generallye +searchinge oute the copye of oure language in all +kynde of wordes and phrases, after that setting abrode +goodlye monumentes of hys wytte, lernynge and +industrye, aswell in historycall knowledge, as of +eyther the Philosophies, hathe herebi declared the +plentyfulnes of our mother to[un]ge, loue toward hys +country, hys tyme not spent in vanitye and tryfles. +What shuld I speake of that ornamente Syr Thomas Wyat? +which beside most excellente gyftes bothe of fortune +and bodye, so flouryshed in the eloquence of hys +natiue tongue, that as he passed therin those wyth +whome he lyued, so was he lykelye to haue bene equal +wyth anye other before hym, had not enuious death to +hastely beriued vs of thys iewel: teachyng al men +verely, no filicitie in thys worlde to be so suer and +stable, but that quicklye it may be ouerthrowen and +broughte to the grounde. Manye other there be yet +lyuynge whose excellente wrytynges do testifye wyth vs +to be wordes apte and mete elogantly to declare oure +myndes in al kindes of Sciences: and that, what +sentence soeuer we conceiue, the same to haue Englyshe +oracion natural, and holp[en] by art, wherby it may most +eloqu[en]tly be vttered. [Sidenote: The occasion of thys +treatise.] Of the whych thynge as I fortuned to talke +wyth you, Master Brooke, among other matters this +present argument of Schemes and Tropes came in place, +and offered it selfe, demed to be bothe profitable and +pleasaunte if they were gathered together, and +handsomelye set in a playne ordre, and wyth theire +descriptions hansomely put into our Englishe tongue. +And bicause longe ago, I was well acquaynted with +them, when I red them to other in y^e Latin, and that +they holpe me verye muche in the exposicion of goode +authores, I was so muche the more ready to make them +speak English, partli to renew the pleasure of mine +old studies, and partelye to satysfy your request. + +¶ [Sidenote: Rodulphus Agricola.] Beside this, I was +moued also wyth the authorytye of that famous clarke +Rodulphus Agricola, whyche in a certeine epistle +wryten vnto a frynde of hys, exhorteth m[en] what soeuer +they reade in straunge tongues, diligently to +translate the same into their owne language: because +that in it we sonar perceiue if there be any faute in +our speaking, and howe euerye thynge eyther rightly +hangeth together or is darkely, ruggishly, and +superfluously wrytt[en]. No lerned nacion hath there +bene but y^e learned in it haue written of schemes & +fygures, which thei wold not haue don, except thei had +perceyued the valewe. + +¶ Wherefore after theyr example obtaynyng a lytle +lesure, I red ouer sundrye treatises, as wel of those +which wrot long ago, as of other now in our daies: +fyndynge amonge them some to haue wrytten ouer +brieflye, some confuselye, and falselye some. +[Sidenote: Mosellain.] Mosellane hathe in hys tables +shewed a fewe fygures of grammer, and so hathe +confo[un]ded them together, that his second order called +of Loquucion pertayneth rather to the rhetoricians +then to hys purpose. [Sidenote: Quintilian.] +Quintilian briefly hathe wrytten bothe of the +Gramatical and rhetorical Shemes, but so that you may +soone perceyue he did it by the waye, as muche as +serued hys purpose. [Sidenote: Cicero.] Cicero in hys +boke of an oratour with hys incompetable eloquence +hathe so hid the preceptes, that scarselye they may be +tryed oute by theyr names, or by theyr exãples. +[Sidenote: Erasmus.] Erasmus in hys double copye of +words and thynges, hath made as y^e tytle declareth +but a comentarye of them bothe, and as it wer a litle +bil of remembra[un]ce. Wherefore to make these thinges +more playne to y^e students that lyst to reade them in +oure tongue, I haue taken a lytle payne, more +thorowelye to try the definicions, to apply the +examples more aptly, & to make things defused more +plaine, as in dede it shal ryght wel apere to the +dylygente. I haue not translated them orderly out of +anye one author, but runninge as I sayde thorowe many, +and vsyng myne owne iudgement, haue broughte them into +this body as you se, and set them in so playne an +order, that redelye maye be founde the figure, and the +vse wherevnto it serueth. Thoughe vnto greate wittes +occupyed with weightye matters, they do not greatelye +pertayne, yet to such as percha[un]ce shal not haue +perfecte instructoures, they may be commodious to +helpe them selues for y^e better vnderstandynge of +such good authors as they reade. ¶ For thys darre I +saye, no eloquente wryter maye be perceiued as he +shulde be, wythoute the knowledge of them: for asmuche +as al togethers they belonge to Eloquucion, whyche is +the thyrde and pryncipall parte of rhetorique. The +common scholemasters be wont in readynge, to saye vnto +their scholers: _Hic est figura_: and sometyme to axe +them, _Per quam figuram?_ But what profit is herein if +they go no further? In speakynge and wrytynge nothyng +is more folyshe than to affecte or fondly to laboure +to speake darkelye for the nonce, sithe the proper vse +of speach is to vtter the meaning of our mynd with as +playne wordes as maye be. [Sidenote: A figure not to +be vsed but for a cause.] But syth it so chaunseth y^t +somtyme ether of necessitie, or to set out the matter +more pla[in]ly we be compelled to speake otherwyse then +after common facion, onles we wil be ignorante in the +sence or meaninge of the mater that excellente authors +do wryghte of, we muste nedes runne to the helpe of +schemes & fygures: which verely come no sildomer in +the writing and speaking of eloquente english men, +then either of Grecians or Latins. Many thinges might +I brynge in to proue not onely a great profyt to be in +them but that they are to be learned euen of +necessitie, for as muche as not only prophane authors +wythout them may not be wel vnderstand, but that also +they greatelye profit vs in the readinge of holye +scripture, where if you be ignoraunte in the +fyguratiue speches and Tropes, you are lyke in manye +greate doubtes to make but a slender solucion: +[Sidenote: Westimerus] as ryght wyll do testefy +_Castelio Vestimerus_ and [Sidenote: Augustinus] y^t +noble doctor saint Augustine. I confesse I haue not +made the matter here so perfecte as my wyll and desyer +is it shoulde haue ben, and that I haue but brieflye +touched, and as it were with my litle fynger poynted +to these thinges, which require a l[en]ger declaracion. +For what can be hasted, and absolute to? But if God +spare me lyfe, I truste hereafter to make it an +introducciõ, wherbi our youth not onlye shall saue +that moste precious Iewell, Time, whyle they wander by +them selues, readynge at all aduentures sundry and +varyous authors: but that also thei shalbe able better +to vnderstande and iudge of the goodlye gyftes and +ornamentes in mooste famous and eloquente oratoures. +[Sidenote: And apte similitude.] For as lyke plesure +is not to him whiche gooeth into a goodlye garden +garnyshed wyth dyuers kindes of herbes and flowers, +and that there doeth no more but beholde them, of +whome it maye be sayde that he wente in for nothynge +but that he wold come out, and to hym which besyde the +corporall eie pleasure, knoeth of eueri one the name & +propertye: so verelye much difference is there in +readynge good authors, and in sundrye sortes of menne +that do it: and muche more pleasure, and profit hathe +he whiche vseth arte and iudgement, then the other, +whiche wyth greate studye in dede turneth them ouer +but for lacke of the knowledge of preceptes wanteth +also the fruite and delectacyon that he more amplye +myghte obtayne. The lyuynge God from whome all good +giftes do procede, gyue vs grace so to order all oure +words and speache, that it may be to his honour and +glory for euer and euer. Amen. + + ¶ Geuen at London the. + xiii. day of Decembre. + Anno .M.D.L. + + + + + ¶ A briefe note of eloquciõ, the third + parte of Rhetoricke, wherunto + all Figures and Tropes be + referred. + + +[Sidenote: Eloquucion] _Eloquucion_, which the Greekes +call Phrase, whereof also the name of eloquence dothe +ryse, as of al partes it is the goodlyest, so also is +it the most profitable and hardeste: in the whyche is +seene that diuine myghte and vertue of an oratoure, +whych as Cicero in hys oratorie particions defineth, +is nothyng else but wisedom speakyng eloquently. For +vnto the maruelous greate inuencion of all thynges, +bothe it addeth a fulnes, and varietie: it setteth +oute & garnysheth wyth lyghtes of eloquent speche, +the thinges that be spoken of and also wyth very graue +sentences, choyse wordes, proper, aptly translated, +and wel soundyng, it bryngeth that greate fludde of +eloquence vnto a certein kynd of stile and indyghtyng. +And oute of thys greate streame of eloquucion, not +only must we chose apte, and mete wordes, but also +take hede of placinge, and settinge them in order. +For the myghte and power of eloquucion consisteth in +wordes considered by them selues, and when they be +ioyned together. Apt wordes by searchyng muste be +founde oute, and after by diligence conueniently +coupled. For there is a garnyshynge, euen when they be +pure and fyne by them selues, and an other, wh[en] they +be ioyned together. To chose th[em] oute finely, and +handsomlye to bestow them in their places, after the +mynde of Cicero and Quintilian, is no easy thynge. So +Marcus Antonius was wonte to say, that he had knowen +many wel spoken men, but none eloquente. ¶ Tullye and +Quintilian thoughte that inuencion and disposiciõ were +the partes of a wytty and prudent man, but eloquence +of an oratour. For howe to finde out matter, and set +it in order, may be comen to all men, whyche eyther +make abridgementes of the excellent workes of +aunciente wryters, and put histories in rem[em]braunce, +or that speake of anye matter them selues: but to +vtter the mynde aptely, distinctly, and ornately, is a +gyft geuen to very fewe. And because we haue deuided +eloquucion into two partes, that is, wordes symple, +or considered by them selues, and compound or ioyned +together in speache, accordyng to thys we saye, that +euerye eloquente oracion must haue in it thre poyntes: +euidence, which belongeth to the fyrst parte of +eloquucion, composicion & dignitie, which belongeth to +the other. + + +Of Euidence and plainenes. + +Of these thynges that we put in eloquucion, lette thys +be the fyrste care, to speake euidentlye after the +dignitye and nature of thynges, and to vtter suche +wordes, whych as Cicero sayth in hys oratour, no man +may iustely reprehende. The playne and euident speche +is learned of Gramarians, and it keepeth the oracion +pure, and without all faute, and maketh that euerye +thyng may seme to be spoken purelye apertlye, and +clerelye. Euerye speche standeth by vsuall wordes that +be in vse of daylye talke, and proper wordes that +belonge to the thinge, of the which we shal speke. +Neyther be properties to be referred onely to the name +of the thing, but much more to the strength and power +of the significacion: & must be considered not by +hearyng, but by vnderstandyng. So translacion in the +whych comonly is the greatest vse of eloquuciõ, +applieth wordes not the selfe proper thinges. But yet +an vnvsed worde or poetical, hath also somtyme in the +oracion hys dignitie, and beyng put in place (as +Cicero sayeth) oftentymes the oracion may seme +greater, and of more antiquitie, for that Poetes do +speake in a maner as it were in another tonge, it is +righte sone perceiued. Finally two fautes are cõmitted +in euerye language, whereby it is not pure: +Barbarisme, and Solecisme. Of the whych, that on is +committed, when anye worde is fautely spoken or +writen: that other, when in many wordes ioyned +together, the worde that foloweth is not wel applyed +to that that goeth before. Of composicion and +dygnitye, we wyll speake here after, when we come to +the figures of rethoryque. + + +Of the three kyndes of style or endyghtynge. + +Before we come to the precepts of garnishing an +oraciõ, we thinke good, bryeflye, to shewe you of the +thre kyndes of stile or endyghting, in the whych all +the eloquucion of an oratoure is occupied. For that +there be thre sundry kyndes, called of the Grekes +characters, of vs figures, I trowe there is no man, +though he be meanlye learned, but he knoweth, namely +when we se so manye wryters of sciences, bothe Greke +and latine, whych haue ben before tyme, to haue +folowed for the mooste parte sundrye sortes of +wrytyng, the one vnlyke to the other. And there hath +bene marked inespecially thre kyndes of endightynge: +The greate, the small, the meane. + + +The greate kynde. + +The greate, the noble, the mightye, and the full kynde +of endyghtynge, wyth an incredible, & a certen diuine +power of oracion, is vsed in wayghty causes: for it +hathe wyth an ample maiestye verye garnyshed wordes, +proper, translated, & graue sentences, whych ar +handled in amplificacion, and commiseracion, and it +hathe exornations bothe of woordes and sentences, +wherunto in oracions they ascribe verye great strength +and grauitie. And they that vse thys kynde, bee +vehement, various, copious, graue, appoynted and +readye thorowlye to moue and turne mens myndes. +Thys kynd dyd Cicero vse in the oracion for Aulus +Cluencius, for Sylla, for Titus Annius Milo, for Caius +Rabirius: agaynste Catiline, agaynste Verres, agaynste +Piso. But they that can not skyll of it oftentimes +fall into fautes, when vnto them that seemeth a graue +oracion, whych swelleth, and is puffed vp, whych vseth +straunge wordes hardelye translated, or to olde, and +that be nowe longe sythens lefte of from vse of daylye +talke, or more graue then the thing requyreth. + + +The small kynde. + +The small kynde of indighting, is in a subtile, +pressed, and fyled oracion, meete for causes that be a +lytel sharper then are in the comon vse of speakynge. +For it is a kynde of oracion that is lette downe euen +to the mooste vsed custume of pure and clere speakyng. +It hathe fyne sentences, subtile, sharpe, teachyng all +thynges, and makynge them more playne, not more ample. +¶ And in the same kynde (as Cicero sayeth in hys +oratoure) some bee craftye, but vnpolyshed, and of +purpose lyke the rude and vnskylfull: Other in that +leaues are trymme, that is somwhat floryshynge also +and garnyshed. Cicero vsed thys kynde in hys +philosophicall disputacions, in the oraciõ for +Quincius for Roscius y^e Comedy plaier, & Ter[en]ce, +& Plautus in their Comedies. Such as cã not hãdsomly +vse them selues in that mery conceyted slendernes of +wordes, fall into a drye and feble kynde of oracion. + + +The meane kynde. + +The mean and temperate kynd of indyghting standeth of +the lower, and yet not of the loweste, and moste comen +wordes and sent[en]ces. And it is ryghtyly called the +temperate kynde of speakyng, because it is very nygh +vnto the small, and to the greate kynde, folowyng a +moderacion and temper betwyxt th[em]. And it foloweth as +we saye in one tenour, distinguyshyng all the oracion +wyth small ornamentes both of wordes, and sentences. +Cicero vseth thys for the lawe of Manilius, for Aulus +Cecinna, for Marcus Marcellus, and moste of all in hys +bookes of offices. In this it is fautye to come to the +kynd that is nye vnto it, whyche is called dissolute, +because it waueth hyther and thyther, as it were +wythout senowes and ioyntes, standyng surely in no +poynte. And suche an oracion can not cause the hearer +to take anye heede, when it goeth so in and out, and +comprehendeth not any thyng wyth perfecte wordes. + + +Of Schemes and Tropes. + +[Sidenote: Scheme] Scheme is a Greke worde, and +signifyeth properlye the maner of gesture that +daunsers vse to make, wh[en] they haue won the best game, +but by translacion is taken for the fourme, fashion, +and shape of anye thynge expressed in wrytynge or +payntinge: and is taken here now of vs for the fashion +of a word, sayynge, or sentence, otherwyse wrytten or +spoken then after the vulgar and comen vsage, and that +thre s[un]dry waies: by figure, faute, vertue. + + +Figure. + +Fygure, of Scheme y^e fyrst part, is a behaueoure, +maner, or fashion eyther of sentence, oracion, or +wordes after some new wyse, other th[en] men do commenlye +vse to wryte or speake: and is of two sortes. +Dianoias, that is of sentence, and Lexeos of worde. + +Figure of Dianoias, or sentence, because it properlye +belongeth to oratoures, we wyll speake of it hereafter +in place conuenient, now wyll we entrete of the figure +Lexeos, or of worde, as it perteyneth to the +Gramarians. + + +Figure of worde. + +Figure Lexeos, or of worde, is when in speakyng or +wrytyng any thynge touchynge the wordes is made newe +or straunge, otherwyse then after y^e comen custume: +& is of .ii. kyndes; diccion, & construccion. + + +Figure of Diccion. + +Figure of diccion is the transformacion of one word, +either written or prono[un]ced: & hath these partes. + +[Sidenote: Prosthesis.] _Appositio_, apposiciõ, +the putting to, eyther of letter or sillable at the +begynnyng of a worde, as: He all to bewretched hym. + +[Sidenote: Apheresis] _Ablatio_, the takynge awaye of +a letter or sillable from the begynnynge of a worde, +of a letter, when we say: The p[en]thesis of thys house +is to low, for the epenthesis. Wher note this y^e word +p[en]thesis is a greke worde, & yet is vsed as an +englishe, as many mo be, and is called a pentis by +these figures, Sincope and Apheresis, the whole word +beynge as is before, epenthesis, so called because it +is betwyxt y^e lyght & vs, as in al occupiers shops +cõmenli it is. + +[Sidenote: Epenthesis.] _Interpositio_, when a letter +is added betwene the fyrste sillable of a word and the +laste, as: Relligiõ for religion, relliques for +reliques. + +[Sidenote: Syncope.] _Consicio_, contrary to +Epenthesis, is when somewhat is cutte of from the +myddeste of the worde, as: Idolatry for Idololatry. + +[Sidenote: Proparalepsis.] _Preassumpcio_, when a +sillable is added to a word, the significacion of the +worde therby nothyng altered, as: He vseth to slacken +his matters, for to slacke his matters. + +[Sidenote: Apocope.] _Absissio_, y^e cuttyng away of a +letter or sillable frõ the end of a word, as: She is a +wel fayr may, for maid. + +[Sidenote: Ectasis.] _Extensio_, the making lõg of a +sillable whych by nature is short, as: This was +ordeined by acte, for ordined. + +[Sidenote: Systole.] _Contractio_, the makynge short +of a sillable which bi nature is lõg, as He is a man +of good perseuera[un]ce: wher some men cõmit .ii. fautes +at once, one y^t they take perseuera[un]ce for +knoweledge, which signifieth alwais cõtinuance, an +other y^t they make this sillable (ue) short, where it +is euer longe: and so do they erre in thys worde, +adherentes, also, makyng (he) short, when it is +alwayes longe, as when they saye: I defye hym, and all +his adherentes. + +[Sidenote: Synolephe.] _Delecio_, puttynge oute, when +.ii. vowels comyng together, the first is as it were +put out: as thone and thother, for the one and the +other. + +[Sidenote: Antisthecon.] _Littera pro littera._ One +letter for an other, as akecorne for okecorne. + +_Transposicio._ Transposing of letters in wrytynge, +as chambre, for chamber. + + +Figure of construccion. + +Figure of construccion is when the order of +construccion is otherwyse then after the comen maner. +And the kyndes be these. + +[Sidenote: Prolepsis.] _Presumpcio_, a takynge before, +or generall speakynge of those thynges whych +afterwardes be declared more perticulerlye: as, in the +meane seasõ that kyng Henry rode royally to Calais on +a sumpteous courser, Lewes in a gorgeous chariot was +caried to Boloygne. + +[Sidenote: Zeugma.] _Iunctio_, ioynyng, as Linacer +sayeth, is when in lyke sentences a certen comen thyng +that is put in the one, and not chaunged in the other +is not expressed, but lefte out: as in Vyrgyll. Before +I forget Cesar, eyther the Parthian shall drynke of +the flud Araris, or Germany of Tigris: here is left +out, shall drynke. Or to define it more playnelye. +¶ _Iniunctio_, is when the verbe in diuerse lyke +sentences is referred to one: and that thre maner of +waies. + +[Sidenote: Presozeugma.] Fyrste when it is set before, +and is called _preiunctio_, as: There dyd ouercome in +hym, lechery, his chastitie, saucines his feare, +madnesse hys reason. + +[Sidenote: Mesozeugma.] Secondlye when it is set in +the middes, & is called, _Media iunctio_, as bewtye, +eyther by age decaieth, or by syckenes. + +[Sidenote: Hypozeugma.] Thyrdly wh[en] it is put in the +end and is called _Postiunctio_, as bewtie by +syckenes, by sorowe, or by age decayeth. + +[Sidenote: Diazeugma.] _Disiunctio_, disiunccion, when +of those thynges of whych we speake, eyther both, or +eche one of them is concluded with their certen verbe, +thus: The people of Rome destroyed Numance, ouerthrew +Cartage, cast downe Corinth, and raced Fregels. +Couetousnes hurteth the bodye, and corrupteth the +mynd. + +[Sidenote: Silepsis.] _Concepcio_, when in vnlike +clauses a certeyn cõmon thynge that is put in one of +th[em], can not agre with the other, excepte it be +chaunged. But thys is more playne in the latine +because of the concordes, albeit in englyshe for the +verbe we may vse this example. The Nobles and the +Kynge was taken. Hys head and hys handes were cutte +of: In the whyche sentences the verbe agreeth wyth the +nexte. + +[Sidenote: Epergesis.] _Appositio_, when two +substãtiues are put together immediatly withoute any +verbe betwyxt, the one to declare the other, as in +Vyrgyll. ¶ Coridõ loued faire Alexis his masters +darlynge. + +[Sidenote: Hyperbaton] _Transgressio_, when the +ryghte order of wordes is troubled, & hath these +kyndes. + +[Sidenote: Anastrophe.] _Reuersio_, a preposterous +order of the woordes contrarye to the good order of +speakyng, as: He fell from of the wall, for he fel of +from the walle. + +[Sidenote: Hysterologia.] _Prepostera loquutio_, when +y^t that is done afterwardes, is set in speaking in +the former place, as: plucke of my bootes and spurres. + +[Sidenote: Tmesis] _Dissectio_, a cutting, when the +ioynyng of a compound worde is losed by putting +somewhat betwixt, as: Hys saying was true, as here +shal appere after, for hereafter. He shal by punyshed +what man so euer off[en]deth, for whatsoeuer man. + +[Sidenote: Parenthesis] _Interpositio_, Interposicion, +is a dissoluciõ of the order of the words by putting a +sentence betwixt, as: The man (I speke it for no +harme) wyl somtime haue his owne wyll. + +[Sidenote: Eclipsis.] _Defectus_, when somewhat +lacketh in speakyng, but cõmenlye vsed to be +vnderstand, as: Good morowe, good nyght. + +[Sidenote: Antiptosis.] _Casus pro casu_, when one +case is putte for another, as me thynke it is so. + + +Faute. + +Of Scheme, the second parte is in speach as it were a +faute, which though it be pardoned in Poetes, yet in +prose it is not to be suffered. The kyndes bee these: +obscure, inordinate, barbarous. + + +Obscure and hys partes. + +Obscure is, when ther is a darknes thorow faut, eyther +of the wordes, or of the settynge of them, and these +ben the partes. + +[Sidenote: Acyrologia.] _Improprietas_, when a worde +nothynge at all in hys proper significacion is +broughte into a sentence as a cloude: as you shall +haue syxe strypes you longe for. + +[Sidenote: Pleonasmus.] _Superabundancia_, when y^e +sentence is laden with superfluous wordes, as, he +spake it wyth his mouthe, he sawe it wyth hys eyes. + +[Sidenote: Perissologia.] _Sermo superfluus_, when a +sent[en]ce is added, y^e matter therby made neuer the +waightyer, as y^e Embassadours obteining no peace, +returned backe home, frõ wh[en]ce they came. + +[Sidenote: Tautologia.] _Inutilis repeticio eiusdem_, +is a vayne repeting agayn of one word or moe in all +one sentence, whyche faute by takyng lytle heede, +Cicero also fell into, as in the oracion for Aulus +Cluencius. Therefore that iudgem[en]t was not lyke a +iudgem[en]t O Iudges. + +[Sidenote: Homiologia.] _Sermo ubique sui similis_, +a greater faute then the other, is when the whole +matter is all alyke, and hath no varietie to auoyde +tediousnes, as: He came thither to y^e bath, yet he +saide afterwardes. Here one seruaunt bet me. +Afterwardes he sayde vnto hym: I wyll consider. +Afterwardes he chyd wyth hym, & cryed more and more +when manye were presente. Suche a folyshe tellyng of a +tale shall you heare in many simple & halfe folyshe +persons. + +[Sidenote: Amphibologia.] _Ambiguitas_, when thorow +faute of ioynyng the wordes, it is doutefull to whych +the verbe belongeth, as: Hys father loueth hym better +then hys mother. + +[Sidenote: Periergia.] _Sedulitas superflua_, when +ther is in speakyng to much diligence and curiositye, +and the sentence ouerladen with superfluous wordes, +whiche faute is the same, or verye lyke to that, +[Sidenote: Macrologia] that is called _Macrologia_, +whych is when the sentence vpon desyre to seme fyne +and eloquent, is longer then it shulde be. + + +Inordinate and his partes. + +Inordinate is, when eyther order or dignitie lacketh +in the wordes: and the kyndes ben these: + +[Sidenote: Tapinosis.] _Humiliatio_, when the dygnitye +of the thyng is diminyshed by basenes of the worde: as +if we shuld say to a greate prynce or a kynge: If it +please your mastershyp. + +[Sidenote: Aschrologia.] _Turpis loquutio_, when the +words be spoken, or ioyned together, that they may be +wronge into a fylthye sence. Of thys it nedeth not to +put any example, when lewde wanton persons wyl soone +fynde inowe. + +[Sidenote: Cacozelia.] _Mala affectatio_, euyll +affectaciõ or leude folowyng, when the wytte lacketh +iudgement, and fondlye folowyng a good maner of +speaking, runne into a faute, as when affectyng copy, +we fall into a vaine bablynge, or laboryng to be +brief, wax bare & drye. Also if we shuld saye: +a phrase of building, or an audi[en]ce of shepe, as a +cert[en] homely felow dyd. + +[Sidenote: Aschematistõ] _Male figuratum_, when the +oracion is all playne and symple, & lacketh his +figures, wherby as it wer wyth starres it might shyne: +which faute is counted of wryters, not amonge the +leaste. + +[Sidenote: Cacosintheton.] _Male collocatum_, when +wordes be naughtelye ioyned together, or set in a +place wher thei shuld not be. + +[Sidenote: Soraismus.] _Cumulatio_, a mynglyng and +heapyng together of wordes of diuerse languages into +one speche: as of Frenche, welche, spanyshe, into +englyshe: and an vsynge of wordes be they pure or +barbarous. And although great authors somtyme in long +workes vse some of these fautes, yet must not their +examples be folowed, nor brought into a cõmon vsage of +speakyng. + + +Barbarie and hys partes. + +Barbarie is a faute, whych turneth the speche frõ his +purenes, and maketh it foule and rude, and the partes +be these. + +[Sidenote: Barbarismus.] Barbarismus is, when a worde +is either naughtely wrytten or prono[un]ced cõtrary to +the ryght law & maner of speakynge. And it is done by +addicion, detracciõ, chaunging, transposynge, eyther +of a letter, a syllable, tyme, accent or aspiraciõ. +Hereof we haue shewed exampels partly wher they be +called figures, and partly, doute ye not, but both the +speakynge and wrytyng of barbarouse men wyll gyue you +inow. Hytherto be referred the fautes of euil +pronouncing certein letters, & of to much gapyng, +or contrarye of speakyng in the mouth. + +[Sidenote: Solecismus.] _Inconueniens structura_, +is an vnmete and vnconuenient ioynynge together the +partes of spech in construccion, whych is marked by +all thynges that belong to the partes of speche: as +when one parte is put for another, when gender for +gender, case for case, tyme for tyme, mode for mode, +number for number, aduerbe for aduerbe, preposicion +for preposiciõ, whych because it is vsed of famous +authores, instede of fautes, be called figures. + + +Vertue. + +Vertue, or as we saye, a grace & dygnitye in +speakynge, the thyrde kynde of Scheme, is when the +sentence is bewtyfied and lyfte vp aboue the comen +maner of speaking of the people. Of it be two kyndes: +Proprietie and garnyshyng. + + +Proprietie and his partes. + +Proprietie is when in wryting and pronunciacion ther +be no fautes committed, but thynges done as they +shulde be. The partes bee proposicion, and accenting. + +[Sidenote: Analogia.] _Proportio_, proporcion is, +whereby the maner of true wrytynge is conserued. By +thys the barbarous tonge is seperated from the verye +true and naturall speche, as be the fyne metals from +the grosser. To speke is no faute, but an obseruacion +or markyng, not leanyng vpõ cause, but vpon example. +For in eloquence, the iudgement of excell[en]t men +standeth for reason, as saythe Quintilian in hys fyrst +boke. + +[Sidenote: Tasis.] _Extensio_, is that wherby a swete +and pleasaunt modulacion or tunablenes of wordes is +kepte, because some are spoken wyth a sharpe tenure or +accent, some wyth a flatte, some strayned out. This +grace specially perteineth to a turnyng of y^e voyce +in pleasaunte pronunciation. + + +Garnyshyng and his kyndes. + +Garnishyng as the word it selfe declareth, is wh[en] the +oraciõ is gaylye set oute and floryshed w^t diuerse +goodly figures, causyng much pleasauntnes and +delectaciõ to the hearer: and hath two kyndes, +composicion, and exornacion. + +[Sidenote: Sinthesis.] Composicion is an apte settinge +together of wordes, whych causeth all the partes of an +oracion to bee trymmed al alyke. And in it muste be +considered that we so order our wordes, that the +sentence decrease not by puttynge a weaker word after +a stronger, but that it styl go vpwarde and increase. +There is also a naturall order, as to saye: men & +women, daye and nyght, easte, and weste, rather then +backewardes. In thys muste be auoyded also to often +comyng together of vowels, which make the oracion wyde +and gapyng. To muche repetyng of all one letter in the +beginning of wordes, to much repeting of one word, +and that they ende not to much all alyke, that the +sentence be not held on to longe, which werieth the +hearer, and the speaker: nor that manye consonãtes run +not to harshely together, wyth many other, which +Cicero speaketh of in hys thyrde booke of hys oratour, +and Quintilian in hys nynth, wherof here to put +examples were to longe. + +Exornacion is a fyne polyshinge of wordes and +sentences by disseueryng th[em] w^t diuerse goodly +colours and tropes or cha[un]gings of speach. + + +Tropes. + +Emonge authors manye tymes vnder the name of figures, +Tropes also be comprehended: Neuerthelesse ther +is a notable difference betwixt th[em]. In figure +is no alteracion in the wordes frõ their proper +significacions, but only is the oracion & s[en]tence +made by th[em] more plesa[un]t, sharpe & vehem[en]t, +after y^e affecciõ of him that speketh or writeth: +to y^e which vse although tropes also do serue, yet +properlye be they so called, because in them for +necessitye or garnyshynge, there is a mouynge and +chaungynge of a worde and sentence, from theyr owne +significaciõ into another, whych may agre wyth it by +a similitude. The former partes ben these. + +[Sidenote: Metaphora.] _Translatio_, translacion, that +is a worde translated from the thynge that it +properlye signifieth, vnto another whych may agre +with it by a similitude. And amonge all vertues +of speche, this is the chyefe. ¶ None perswadeth more +effecteouslye, none sheweth the thyng before oure eyes +more euidently, none moueth more mightily the +affeccions, none maketh the oraciõ more goodlye, +pleasaunt, nor copious. + + +Translacions be diuerse. + +[Sidenote: i.] Some frõ the body to the mynd, as: +I haue but lately tasted the Hebrue tonge, for newely +begunne it. Also I smell where aboute you go, for I +perceyue. + +[Sidenote: ii.] From the reasonable to the +vnresonable, as Vyrgyll in hys Georgexe applyed the +counselles and fashion of warres belongynge to men; +to bees. + +[Sidenote: iii.] From the vnreasonable to the +resonable. What whinest thou, what chatterest thou? +That one taken of a wolfe, that other of a pye. + +[Sidenote: iiii.] From the liuinge to the not liuyng. +The mouthe of the well, the fatnes of the earth. The +lande wyl spewe them oute. + +[Sidenote: v.] From the not lyuynge to the liuyng. +Cicero florisheth in eloqu[en]ce. + +[Sidenote: vi.] From the liuyng, to the liuynge. +The iews winched against Moses. + +[Sidenote: vii.] From the not liuinge to the not +liuynge. The wordes flewe oute of hys mouth. He is +good for a greue wounde. + +[Sidenote: Catachresis.] _Abusio_, when for a certeyne +and proper worde, we abuse a lyke, or that is nie vnto +it, as when we say: longe counsel, lytle talke, smal +matter. Here maye we soone perceyue that by abusion +wee take wordes that be somwhat nye, whych property do +belong to vnlyke thinges. + +[Sidenote: Metalepsis.] _Transsumptio_, Transs[um]pcion, +is when by degrees we go to y^t that is shewed as: +he hyd hym selfe in the blacke dennes. By blacke is +vnderstand ful of darkenes & consequently stepe downe +and verye depe. + +[Sidenote: Metonomia.] _Metonomya_, Transnominacion, +when a worde that hathe a proper significacion of hys +owne, beynge referred to another thing, hath another: +& this is done diuerse waies. + +[Sidenote: i.] When the chiefe master or doar of a +thyng is put for y^e thing it self, as: Put vpon you +the Lorde Iesus Christ. Also: you play Iudas w^t me. + +[Sidenote: ii.] When the place, or that that +cõteineth, is put for the thyng that is in it, as: All +the round earthe prayseth God. Oxforth (some say) hath +not forsaken all popery, for the studentes therin. + +[Sidenote: iii.] When that that is conteyned is put +for that that doth conteine, as: The fryer Austens is +goodly buylded, for y^e house wher y^e fryers wer. + +[Sidenote: iiii.] When the doer is put for that y^t is +done, as: God brought the Israelites out of Egypte +wyth a stretched out arme, and stronge hande. Also: +Is gods hand drawen in? for power and strength. + +[Sidenote: v.] When y^t is done is put for y^e doer. + +[Sidenote: Synecdoche.] _Intellectio_, Intelleccion +wh[en] one thyng is vnderstand by another y^t is of the +same maner and kynd, and this is done many wayes. + +[Sidenote: i.] When of the whole is vnderstãd a parte, +as: Abraham set a calfe before them, for calues +fleshe. + +[Sidenote: ii.] By a parte the whole, as: He receyued +the stra[un]gers vnder the succour of hys house rofe, for +into hys house. + +[Sidenote: iii.] By one many, as: The Frenchemã in y^e +batail had the ouerthrow. + +[Sidenote: iiii.] By a kynd y^e general, as: If thou +se thyne enemies Asse fal vnder his burden, for +cattell. + +[Sidenote: v.] By the general the kynd: Eue the mother +of al liuing things, for of al m[en]: Preach to al +creaturs, to al m[en] + +[Sidenote: vi.] By that goeth before, the thynge that +foloweth, as: He set hys spurres to hys horse, for he +rode a pace, or fled faste awaye. + +[Sidenote: vii.] By that y^t foloweth, the thinge +wente before, as: I got it wyth the swete of my face, +for w^t my labour. + +[Sidenote: viii.] By the matter, y^e thynge that is +made of it, as: Fleshe and bloude shewed the not it. + +¶ [Sidenote: ix.] By the signe, y^e thyng y^t is +signified as: Lo, naw the toppe of the chymneyes in +the villages smoke a farre of: wherby Vyrgyl +signifieth night to be at hande. + +[Sidenote: Pronominacio.] _Antonomasia_ is, whych for +y^e proper name putteth some other word: As: the +Archebyshop confuted the errour, for Cranmer. The +Philosopher lyed that the worlde was eternall, for +Aristotle. The Apostle sayeth wee be iustified by +faythe, for Paule. + +[Sidenote: Periphrasis.] _Circuicio_, is a larger +descripcion eyther to garnyshe it, or if it bee foule +to hyde it, or if it be bryefe to make it more playn: +by etimology, by sygnes, by definicion. ¶ Example of +the fyrste: The prouid[en]ce of Scipio ouerthrew y^e +might of Carthage. Here saue onlye for garnyshyng sake +he myghte haue sayde playnlye: Scipio ouerthrew +Carthage. Of the nexte: When Saule was doyng his +busines, Dauid might haue killed hym. Doyng hys +busines, ye wot what it meaneth. Of y^e thyrd, you +haue the larger exposicions vpon the Gospels called by +the name of thys figure. + +By Etymologie or shewyng the reasõ of the name. Well +maye he be called a parasite, for a parasite is y^t +loueth other because of his meat. + +By sygnes, as when by certeine notes, we describe +anye thynge, as if a man vnderstãdyng anger wyll +saye that it is the boylynge of the mynde, or color +whych bryngeth in palenes into the co[un]tena[un]ce, +fiersenes of the eies, and tr[em]blyng in the members. + +By destincion. The arte of well indyghting, for +Rethorique. + + +The second parte of Trope. + +_Allegoria_, the seconde parte of Trope is an +inuersion of wordes, where it is one in wordes, +and another in sentence or meanynge. + +[Sidenote: Aenigma.] _Sermo obscurus_, a riddle or +darke allegorie, as: The halfe is more th[en] the hole. + +[Sidenote: Paremia.] _Adagium_, a sayinge muche vsed +and notable for some noueltye, as: The wolfe is in our +tale. + +[Sidenote: Ironia.] _Dissimulatio_, is a mockyng +whiche is not perceiued by the wordes but eyther by +the pron[un]ciacion, or by the behaueour of the person or +by the nature of the thyng, as You are an honest man +in deede. + +[Sidenote: Sarcasmus.] _Amara irrisio_, is a bitter +sporting & mocke of our enemye, of a maner of iestyng +or scoffinge bytynglye, a nyppyng tawnte, as: The +Iewes saide to Christ, he saued other, but he could +not saue hym selfe. + +[Sidenote: Astysmus.] _Festiua urbanitas_, is a certen +mery conceyted speakyng, as on a tyme a mery felow +metynge w^t one that had a very whyte head, axed him +if he had lyen in the snowe al nyght. + +[Sidenote: Mycterismus.] _Subsannatio_, a skornyng by +some iesture of the face, as by wrythinge the nose, +putting out the tonge, pottyng, or suche lyke. + +[Sidenote: Antiphrasis.] _Dictio cõtrari[um] +significans_, when the mock is in a worde by a +contrarye sence, as when we call a fustilugges, +a minion. + +[Sidenote: Charientismus.] _Graciosa nugatio_, when +wordes roughly spok[en] be molified by pleasaunt wordes: +as when we saye to hym that threatneth vs: I praye you +be good master to me. + + +The fyrst order of the figures Rethoricall. + +[Sidenote: Epanaphora] _Repeticio_, repeticion, when +in lyke and diuerse thynges, we take our begynnyng +cõtinually at one & the selfe same word, thus: To you +this thyng is to be ascribed, to you thanke is to be +geuen, to you thys thynge shal be honour. In this +exornacion is much plesantnes, grauitie, and sharpnes, +& it is much vsed of al oratours, & notably setteth +oute, and garnysheth the oracion. + +[Sidenote: Antistrophe.] _Conuersio_, conuersion is +whych taketh not hys begynnynges at al one and the +same worde, but w^t all one worde styll closeth vp the +sentence, & it is contrary to that other before, as: +Sence the time y^e cõcord was tak[en] awaye from the +citie, lyberty was tak[en] awai: fidelity was tak[en] +away: fr[en]ship was tak[en] away. + +[Sidenote: Symploce.] _Cõplexio_, complexion cõpriseth +both two exornacions, both this, & that whych we +declared before, y^t both all one fyrste worde shulde +be oft[en] repeted, & we shuld turne often to all one +laste word, as: Who toke Sedechias prisoner, & put out +both hys eyes? Nabuchodonozer. Who put Daniell and hys +felowes into the burnyng furnace? Nabuchodonozer. Who +was transformed frõ a man into a beast, & eate haye +wyth oxen? Nabuchodonozer. + +[Sidenote: Anadiplosis.] _Reduplicatio_, is a +continent rehearsyng agayne of all one worde, or +wordes, for the more vehemence, and some affect of the +mynde. Cicero agaynst Catiline. Yet he liueth, liueth: +yea commeth also into the counsel house. It is thou, +it is thou that troublest all the houshold. ¶ Also, +dareste thou nowe come into our syght, y^e traitour of +thy cõtrei? Thou traitour I say of thy contrei, darest +thou come into oure syght? + +[Sidenote: Epanodus.] _Traduccio_, Traduccion is, +whyche maketh that wh[en] all one word is oftentymes +vsed, that yet it doth not onlye not displease the +mynde, but also make y^e oracion more trim in this +wyse: Suffer ryches to belonge to riche men, but +prefer thou vertue before ryches. For if y^u wylt +compare ryches wyth vertue, thou shalte scarse thynke +them meete to be called ryches, whych ar but +hãdmaydens to vertue. Also, we are vnto God the swete +sauour of Christ. To the one part are we the sauour of +death vnto deathe, and vnto the other part are we the +sauour of lyfe vnto lyfe .ii.Cor.ii. + +[Sidenote: Sinonimia] _Nominis cõmunio_, cõmunion of +the word, when we renewe not the selfe same worde by +rehearsyng agayn, but chaunge that that is put wyth an +other word of the same valewe, thus: Thou hast +ouerthrowen the comon wealth euen from the foundacion, +and cast downe the citye, euen from the roote. The +iuste man shall floryshe as the palme tre, and +shall be multiplyed as the Ceder tre. Cicero for +.Q. Ligarius. ¶ Whose syde wolde that poynte of thy +swerd haue pricked? what meaned thy weapons? what was +thy mynde? what meante thyne eyes? handes, that +burning of thy mynd? what desiredst y^u? what +wyshedste thou? Lytle differeth thys figure from the +other before, only because the wordes be cha[un]ged, the +sent[en]ce remayning. + +[Sidenote: Sinathrismus.] _Frequentacio_, +frequentacion is, when the thynges that be dispersed +thorowout all the cause, are gathered together into +one place that y^e oracion shulde be the wayghtier, +& rebukefuller, thus: What faute is he without? why +shuld you O Iudges be mynded to deliuer hym? He is an +harlot of hys owne bodye, he lyeth in wayte for +others, gredy, intemperate, wanton, proud, vnnatural +to his parentes, vnkynd to hys frindes, troubleous to +hys kynsefolke, stubborn to hys betters, dysdaynful to +his equals, cruel to hys inferiours, finally, +intollerable to all men. + +[Sidenote: Epiphonesis.] _Exclamacio_, exclamaciõ is, +whiche sheweth the signification of sorowe, or of +anger, by callyng vpon eyther a man, a place, or a +thynge? Cicero in hys oratour: O deceitful hope of +men, and frayle fortune: & our vayne contencions, +whych oft[en] tymes are broken in the myd way, rushe +downe, and in the fal ar quite ouerthrowen before they +can se the hauen. Hereunto belõgeth expectaciõ, +obtestaciõ, wishyng, rebuking. + +[Sidenote: Areia.] _Execracio_, execracion: O fye vpon +Idolatry, that taketh away the honoure due vnto God +alone, and geueth it to synfull creatures, and Images +made by mans hand. + +[Sidenote: Deesis.] _Obtestacio_, obtestacion, wh[en] for +God, or for mannes sake we vehemently desyre to haue +any thynge. As Cicero for Publius Sestius: O I praye +you, & for the Gods sakes most herteli besech you, y^t +as it was your wylles to saue me, so you wyl vouchsaf +to saue th[em] thorew whose helpe you receiued me agayne. + +[Sidenote: Euche.] _Votum_, wyshynge: O wolde God that +the adulterer had bene drowned in the ragyng sea, whan +wyth hys nauye of shyppes he sayled to Lacedemonia. + +[Sidenote: Epiplexis] _Increpacio_, Cicero agaynst +Catiline: Thynkest thou that thy counselles are not +knowen? and that we knowe not what thou dyddest the +laste nyghte? and what the nyghte before? + +[Sidenote: Erotesis.] _Interrogacio_, Euerye +interrogaciõ is not of grauity, neither yet a Scheme, +but thys whyche when those thinges be rehearsed vp +whiche hurte oure aduersaryes cause, strengthneth that +thynge that is gone before, thus seynge then that he +spake all these wordes, and dyd all these thynges, +whether dyd he put away our felowes myndes frõ the +cõmon wealthe or not? + +[Sidenote: Erotema.] _Raciocinatio_, raciocinacion is, +by the whych we our selues axe a reason of oure selfe, +wherefore euerye thynge shulde be spoken, & that +oftentymes we demaund of our selues a declaracion of +euery proposicion after thys maner: Thys was well +ordeined of oure elders to depryue no kynge of hys +lyfe whome they had taken in batayl. Why so? for the +power whyche fortune had geuen vs, it to consume in +the punyshement of them whom the same fortune a lytle +before had set in hyeste degree, were agaynste reason. +Yea but he brought a greate army agaynst you? I wyl +not remember it. Why so? For it is the poynte of a +valiaunte man, suche as contend for the vyctorye, them +to count enemyes: suche as be ouercome, those to count +m[en]: so that fortitude maye diminishe war, humanitie +increase peace. But he if he had ouercome, wolde he +haue done so? Verelye he wolde not haue bene so wyse. +Why shulde ye spare hym then? because such foly I am +wont to despise, not to folowe. + +[Sidenote: Prosapodosis.] _Subiectio_, when we axe of +oure selfe what can be saide agaynst vs, and answere +to our selues thus: ¶ Shall we tary in synne? God +forbyd. Or compell our aduersarye to answer thus: +O Iewes, what can you say for denyall of Christe. Wyl +you saye that you haue not youre Messias? but your +prophets say the contrarye. Your Types are confo[un]ded. +Whom wyl you be iudged by? by Hystories? Oures declare +that you be out of the way, & shall come agayne to +Christ. + +[Sidenote: Antiphora.] _Tacite obiectioni responsio._ +wh[en] we make answere to a thynge that myght priuely be +obiected agaynst vs, as in the fyrst epystle of Ouide, +Penelope wylling her husband Vlysses to come home +hymselfe, and wryte nothyng vnto her. Wher he myght +haue layed for hys tarying the warres, she priuely +toke away y^t excuse, saying: Troy is destroied. + +[Sidenote: Aporia.] _Dubitatio_, Dubitacion; when wee +doute of two thynges, or of many, which we shuld +inespecially speke of. Much hurted the cõmonwealth at +that tyme, whether I shuld saye the folyshenesse of +the consolles, or the malyce, or bothe, I can not +tell. + +[Sidenote: Apophasis.] _Expeditio_, expedicion, when +many reasons rehearsed vp, wherby a thynge myghte be +done or not, the other are taken away, and one left +that we entende, thus: It muste needes bee that thys +controuersie touching the sacrament must stand eyther +vpon the much pressyng and rigour of the wordes; or +vpon the meanynge and vnderstandynge of them. The +wordes as they stande, brynge wyth them greate +inconuenience, to wytte, to expositoures, and the +other textes. The meaning doth not so but auoydeth al +these incõueniences, & satisfieth reason, expositours, +& texts of the scripture, wherfore wyt, expositour, +& scripture thinketh it better to take the sentence, +then the worde. + +[Sidenote: Epilogus.] _Conclusio_, conclusiõ is, which +by a brief argum[en]tacion of these thinges that be +spoken before or done, inferreth that thynge that +necessarilye shulde folowe, thus: And if a reuelacion +wer geuen to the Troianes, y^t Troy myght not be taken +without y^e arowes of Philectetes, and thei did +nothing else but strike Alexander to kyl him that in +dede was Troy to be taken. + +[Sidenote: Epitrope.] _Permissio_, permission, when we +shew y^t we geue & gra[un]t any thyng altogether to a +mans wyll, thus: ¶ Because al thynges tak[en] away, only +is left vnto me my body & mynd, these thynges, whych +only ar lefte vnto me of many, I graunte th[em] to you +and to your power. + +[Sidenote: Anacinosis.] _Cõmunicacio_, cõmunicacion +is, when we leaue sumwhat to y^e Iudges to be estemed, +thus: I leaue vnto you o iudges to be thought what +hurt y^e cõmõ welth shal take hereof _Diuisio_, +[Sidenote: Dialisis.] diuision is which diuiding one +thyng frõ another, endeth th[em] both by shewing a reasõ, +thus: why shuld I lay ani thing to thi charge? if y^u +bee good, y^u haste not deserued it, if thou be +naught, thou carest not for it. Also, what shuld I +speake of myne owne good turnes towarde the. If thou +do remember them, I shuld but trouble you: If you haue +forgotten them, when by deede I haue profited nothyng, +what good can I do in wordes? + +[Sidenote: Antitheton.] _Contentio_, contencion, when +the reason stãdeth by contrary wordes or contraries be +rehearsed by cõparison, thus: Flattery hath pleasa[un]t +begynnynges, but the same hathe verye bytter endynges. +Cicero agaynst Catiline: when they coulde not lyue +honestlye, they had rather dye shamefully. They that +be after the fleshe, care for these thynges y^t be of +the fleshe. They that be after the spirite, care for +the thynges of the spirite. + +[Sidenote: Antithesis.] _Contrarium_, contrary is, +that of two diuerse thynges confirmeth y^e one +bryefely and easelye, thus: For he that alwayes wyll +be an enemy to hys owne rekenyngs, how shuld a man +trust that he wold be a frind to other mens matters? +He that in familiare cõmunicacion and company of hys +friendes wyl neuer say truth, thinkest th[en] y^t he wil +absteine from a lye in a cõmon audience. + +[Sidenote: Colon.] _Membrum oracionis_, a m[em]ber of the +reasõ is so called when a thinge is shewed perfitely +in fewe wordes the whole sentence not shewed, but +receyued agayne w^t an other parte, thus: Thou dyddest +bothe profite thyne enemie, and hurte thy frynd. Thys +exornacion may be made of two partes only, but the +perfiteste is made of thre, thus: Thou diddest profite +thine enemy, hurt thi frind, and dydst no good to thy +selfe. + +[Sidenote: Dialyton.] _Articulus_, article is, when +eche word is set asunder by cutting the oracion thus. +By sharpnes, voyce, countenaunce, thou madeste thyne +enemyes afrayd. Thou destroyedst thyne enemyes wyth +enuye, wronges, power, falsehead. + +[Sidenote: Isocolon.] _Compar_, euen or equall, is +when the oracion hath in it the partes of the whyche +we spake before, & that they be made of euen number of +sillables: but thys equalitie must not stand by +numbrynge of them, but by perceyuyng of it in y^e +mynd. Christe afore the Iudge was led, & on hys head a +croune of thorne was putte, in token that in dede, the +kynge of Iews he was borne. Here be some mo wordes in +on m[em]ber then in an other, yet sound they to the eare +of lyke lengthe. + +[Sidenote: Homioptotõ] _Similiter cadens_, fallyng al +alike is, when in the same construccion of wordes ther +be two wordes or mo which be spoken alyke in the selfe +same cases, thus: Thou praysest a man nedye of vertue, +plenteful of money. Cicero for Flaccus: There is in +th[em] no varietie of opinion, none of wyll, none of +talke. + +[Sidenote: Homoteleto.] _Similiter desinens_, endynge +al alyke, when words or sent[en]ces haue alyke endyng, +as: Thou dareste do fylthely, and studiest to speke +baudely. Content thy selfe w^t thy state, in thy herte +do no man hate, be not the cause of stryfe and bate. + +[Sidenote: Climax.] _Gradacio_, is, when we rehearse +again the word y^t goth next before, & desc[en]d to other +thinges by degrees thus: To Affrican industry gat +vertue, vertue glory, glory hatered. [Sidenote: +Orismus.] _Definicio_, definiciõ, wher by y^e proper +effect of any thynge is declared briefely & absolutely +in this wyse: This is not dilig[en]ce but couetousnes, +because y^t dilig[en]ce is a nedy sauing of thine own: +couetousnes is a wrongful desyre of other mens. +¶ [Sidenote: Metabasis.] _Transicio_, transiciõ is, +wherby briefly we monyshe what hath ben spoken, & what +may folowe, as: What he hath ben to hys contrey I haue +told, now ye shal hear how he hath shewed him self to +hys par[en]tes. Also Cicero for the law of Manilius: +Because we haue spoken of y^e kind of the warre, now +wyll we shewe a fewe thynges of the greatnes of it. +¶ [Sidenote: Paralepsis.] _Occupatia_, occupacion is, +when we make as though we do not knowe, or wyl not +know of y^e thyng y^t wee speke of most of al, in this +wyse: I wyl not say that y^u tokest money of our +felowes, I wyl not stand much in thys that y^u +robbedst kingdoms, cityes, and al mens houses: I passe +ouer thy theftes, & al thy rauyns. ¶ [Sidenote: +Asindeton.] _Dissolutio_, when the oracion lacketh +coni[un]ccions, thus: Obey thy par[en]tes, be ruled by +thi kinsfolke, folow thy fryndes, obey the lawes. + +[Sidenote: Apostrophe.] _Auersio_, auersion, when we +turne our speche from them to whom we dyd speake to +another personne, eyther present or absent, or to a +thing to the whych we fayne a person, as a precher, +speaking of priestes, that feede not the flocke, may +fytly turn hys speche vnto Peter, sayinge: O Peter, +I wold thou liuedst, & sawest what thy brethren do, +howe far they be gone frõ that thou prescribedst them +to do. Againe: O world, howe pleasant be the thynges +that thou dost promyse, how bytter ben they that thou +geuest. + +[Sidenote: Anangeon.] _Necessum_, necessitie, when we +cõfesse the thynge to be done, but excuse it by +necessitye, eyther of y^e person or tyme, thus: +I confesse that thys I dyd. But the woman that thou +gauest me, dyd deceyue me. Also, somtyme I was in that +opinion, but the tyme so required. + +[Sidenote: Anaclasis.] _Refractio_, that is the +turninge backe agayne of a worde into a cõtrary +significacion, thus: I knowe kynge Ezechias that all +thys lyfe is but bitternes, but I praye thee, gyue me +suche bytternes. + +[Sidenote: Bomphiologia.] _Verborum bombus_, when +small & triflyng thynges are set out wyth great gasyng +wordes. Example of this haue you in Terrence of the +boasting souldiar, & creping smel feast. + +[Sidenote: Miosis.] _Diminutio_, when greate matters +are made lyghte of by wordes, as when he was wel beat[en] +bi a knaue, that knaue wyll saye he dyd but a lytle +stryke hym. + +[Sidenote: Liptote.] _Extenuatio_, the makyng lesse of +a thynge to auoyde arrogance, thus: If I haue any wit +O Iudges, if any exercyse of endyghtyng, al may I +thanke Archias the Poete of. ¶ Cicero for Archias. + +[Sidenote: Diasirmus.] _Eleuacio_, when we make lyghte +of, and dyspyse great argumentes brought agaynst vs, +whych to aunswer vnto it is labour, and we saye they +perteyne not to the purpose, or that they are vnworthy +to be answered vnto, or that we kepe them tyll another +tyme: Of thys ther nedeth none example. + + + + +As oute of lytle springs ariseth greate fluddes: +so now these preceptes of grammer finyshed, and the +fyrste order of the Rethorical figures: We nowe come +vnto that greate declaracion of eloquence, called of +Quintilian & Cicero, the ornamet[en]s of sentence. + + +Figures of sentence. + +[Sidenote: Particio.] Particion called also diuision & +distribucion rethoricall, is when a thing that mai be +generally spok[en], is more largely declared, and diuided +into partes. Example: He is perfitely seene in all the +sciences. ¶ This s[en]tence spoken as it were in a s[um]me, +may be enlarged, if seuerally you reherse vp al the +kindes of learning. There is no kynd of doctrine at al +but he is exquisitely sene in it. There is no science, +but he hathe learned it thorowly, and so learned it, +that you wolde thynke he had labored onely in it. +So maruelouslye he knoweth all the fables of al the +Poetes, he so aboundeth in the floures of the +Rethoricians: He hath so boulted oute the paynefull +rules of the gramarians. So perfitely knoweth he the +subtilnesse of the Logicians, and hath so soughte oute +the priuities of natural thynges, and ouercome the +harde poyntes of supernaturall wisedome: he hathe +passed thorowe the secretes of the diuines, and hath +thorowlie perceyued the mathematical demõstracions. He +so knoweth the mocions of the starres, the reasons of +numbers, the measurynges of the earth, the situacions, +names & spaces of cities, mountaynes, fluddes, and +fountaynes, he so knoweth the difference and harmonies +of tunes: He so rem[em]breth all hystoryes olde and late: +So knoweth all good authors, all antiquities & +nouelties, and also is perfitelye well seene as wel in +Greke as latyne. Finallye whatsoeuer learnynge hathe +bene found and taught of good authors, al that +thorowlye hath he perceyued, knowen and rem[em]bred. Here +these wordes, he is perfitelye seene in all the +sciences, bee declared in theyr partes. + +[Sidenote: Enumeracio.] Enumeracion is much lyke vnto +thys, when not beynge contente at once to declare the +ende of the matter, we rehearse vp all y^t went before +it was done. [Sidenote: Enumeraciõ of thynges that go +before] Example: Cicero oppressed the mischeuous +purposes of Catiline. Thus maye you set it forth: The +myscheuous enterpryses of Catiline by most vngracious +yonge men, whych went about the destruccion of the +citie of Rome, M Tullius the consull dyd quickelye +smell out by hys foresyghte, and by hys singuler +vigilancye sought th[em] oute, by his hyghe prudence +espyed them, by his incredible eloquence conuinced +them, and by hys graue authoritie repressed th[em], by +force of armes subdued them, & with great happines +toke them quyte awaye. + +[Sidenote: Enumeraciõ of the causes.] Hitherto also +apperteineth, wh[en] we expo[un]d a thyng not barely, +but repete the causes also sumwhat before, and of what +begynnynges it came of. As if not contente to haue +sayd, that the Frenchmen made bataile with the +Neapolitans, we rehearse also what wer the causes of +theyr stryfe, who was the setter forward, and what was +the occasion of the warre, what hope and truste eyther +of them had to the victorye. Of these ar many examples +in Saluste & Liuie. [Sidenote: Enumeraciõ of effectes, +& consequ[en]tes.] From thys differeth not when we do not +simplye shewe forthe the matter, but reherse also +those thynges that eyther go with it, or folowe it, +as thus: We thanke the of thys warre. Thus maye you +dilate the matter. The treasure spente vpon the +Barbariens, the youthe broken wyth laboures, the corne +troden downe, the catel driuen awaye, stretes and +vyllages euery where set on fyre, fieldes lefte +desolate, walles ouerthrowen, houses robbed, temples +spoyled, so many olde men chylderles, so manye +orphanes, so manye wyddowes, so many virgins +shamefully defiled, y^e maners of so many yong m[en] made +worse by leude liberty, so many m[en] slayne, so great +mourning, so many good artes loste, lawes oppressed, +religion blotted, al thynges of god and man +confounded, all good order of the citie corrupted: +I say all this heape of myschiefs that riseth of war, +we mai thãke the only of it, which wast y^e beginner +of this war + +[Sidenote: Energia.] _Enargia_, euidence or +perspicuitie called also descripcion rethoricall, is +when a thynge is so described that it semeth to the +reader or hearer y^t he beholdeth it as it were in +doyng. Of thys figure ben many kyndes. + +The fyrste, called effiguracion or descripcion of a +thynge, whereby the figure and forme of it is set out: +as of the vniuersall flud. + +The seconde, the descripcion of a personne, when a man +is described, as are the noble menne in Plutarch, +and the Emperours in Suetonius. Howe be it the +rethoricianes vse thys worde _Prosopopeia_, that is +descripcion of a personne to comprehende the sixe +kyndes folowinge. + +[Sidenote: Charactirismus.] The thyrde kinde is called +_Charactirismus_, that is the efficcion or pycture of +the bodye or mynde, as Dauus describeth Crito, & Mitio +describeth Demea. + +[Sidenote: Prosopographia.] The .iiii. is the fainyng +of a persõ called _Prosopographia_, and is of .ii. +sorts. Fyrst y^e descripciõ of a fained person, as +Vyrgyl in the syxt of Eneid, faineth Sibil to be mad, +& fayneth the persons in hell. An other forme is wh[en] +we fayne persõ, cõmunicacion, or affecte of a man or +of a beaste, to a dumme thynge, or that hath no bodye, +or to a dead man: as to the Harpies, furies, deuils, +slepe hongar, enuie, fame, vertue, iustice, and suche +lyke, the poetes fayne a person, and communicacion. +This seconde fashion the Poetes do call _Prosopopey_. +[Sidenote: Aetopeia.] The fyrst kind is called +_AEtopeia_, that is an expressiõ of maners or mylde +affeccions, and hath thre kyndes: of the whych the +fyrst is a significacion or expression of maners +somewhat longer, as of wittes, artes, vertues, vices. +Thus we expresse Thraso a boaster, and Demea a sowre +felowe. + +The seconde forme, is an expression of naturall +propensitie, and inclinacions to naturall affeccions, +as of the fathers loue toward the chyldren .&c. of +fryendshyppe, neyghbourhod & cetr. as you maye se in +hystoryes. + +¶ The thyrd kynde is the expression of lighter +affeccions, as when wee go about by fayre meanes to +gette the mery affeccions of menne to vs ward or to +other, & when the mynd is lyft vp into hope, myrth, +& laughter, and as be louyng salutations, promises, +& cõmunynges together in familiar epistles and +dialogues, and the getting of loue and fauour in the +begynnynges, and finallye thys figure doth teach, that +Rethorique is a part of flattery. [Sidenote: +Pathopeia.] The sixt kynde of rethoricall descripcion +is _Pathopeia_, that is expressyng of vehement +affeccions and perturbacions, of y^e whych ther be two +sortes. The fyrste called _Donysis_, or intencion, and +some call it imaginacion, wherby feare, anger, madnes, +hatered, enuye, and lyke other perturbacions of mynde +is shewed and described, as in Ciceros inuectiues. +Another forme is called _Oictros_, or cõmiseracion, +wherby teares be pyked out, or pyty is moued, or +forgeuenes, as in Ciceros peroraciõs, and complaintes +in Poets: And to be shorte ther is gotten no greater +admiracion or commendacion of eloquence then of these +two, _AEtopeia_, and _Pathopeia_, if they be vsed in +place. [Sidenote: dialogismus] The .vii. kind is +_Dialogismus_ whych is how often a short or long +communicacion is fayned to a person, accordyng to the +comelines of it. Such be the concious in Liuie, & +other historians. [Sidenote: Mimisis.] The .viii. kynd +is called _Mimisis_, that is folowing eyther of the +wordes or manoures whereby we expresse not onlye the +wordes of the person, but also the gesture: and these +foresayd sixe kindes Quintiliane dothe put vnder +_Prosopopeia_. The .ix. kynde is the descripcion of a +place, as of Carthage in the fyrst of Eneid. Referre +hither Cosmographie and Geographie. The .x. kynd is +called _Topotesia_, that is ficcion of a place, when +a place is described such one peraduenture as is not, +as of the fieldes called Elisii in Virgil: refer +hither _Astrothesiam_, that is the descripciõ of +starres. The .xi. kinde is _Chronographia_, that is +the descripcion of the tyme, as of nyght, daye, and +the foure tymes of the yere. + +[Sidenote: Amplificacio] A greate parte of eloquence +is set in increasing and diminyshing, and serueth for +thys purpose, that the thyng shulde seme as great as +it is in dede, lesser or greater then it seemeth +to manye. For the rude people haue commonly a +preposterous iudgem[en]t, and take the worst thynges +for the beste, and the beste for the worst. Al +amplificacion and diminucion is taken eyther of +thinges, or of wordes. Of thynges ryse effeccions, of +words those fashions that nowe I wyll shewe. The first +waye of increasyng or diminishing is by chaungynge the +worde of the thynge, when in encreasynge we vse a more +cruell worde, and a softer in diminyshynge, as when we +call an euyll man a thiefe, and saye he hathe kylled +vs, when he hathe beaten vs. And it is more vehem[en]te +if by correccion we compare greater wordes wyth those +that we put before: As thou haste broughte not a +thyefe, but an extorcioner, not an adulterer, but a +rauysher. &c. ¶ Lyke vnto this is _Hyperbole_, whyche +say the more then the truthe is in deede, as when we +saye: The crye was hearde to heauen, meanyng it was a +greate crye. An other kynde is by increase, whyche is +when the thynges goyng before beynge exaggerate, +we come from them to the hyeste: As agaynste Verres. +It is a myscheuous deede to bynde a Citizen of Rome, +haynous to beate hym, what? shall I saye to hange hym? +An other waye of increase is, when wythoute +distinccion in the context and course of the oracion, +the circumstaunces sette in order, somewhat alwayes is +added bygger then the fyrste, and that we come to the +hyest by a swyfte pace. As he was not ashamed to playe +at dyce wyth iesters in the common cokerye, beynge a +prieste, a Person, a Diuine, and a Monke. There is +another kynde of amplyfienge that is by comparison +contrary to increase. For as in increase the thynges +that go before beyng exaggerat, we go from them to the +hyest, so comparison taketh increase of the lesser, +whych if they be greater in all mens opinions, that +must nedes appeare verie greate that we wyll haue +amplified: And comparison is made by ficcion, & by +puttynge to an example. By ficcion, eyther in one +degree, or in many. As in the fyrst part of the +amplifiyng of Antonies vomite, for he fayneth it had +happened vnto hym at supper beyng but a priuate +person. If at supper in these great bowles of thine +thys happened vnto thee, who wolde not haue counted it +a shame: But now in y^e syght of the people of Rome +beynge a cõmon officer, master of the horse, to whom +it was shame once to belch, he wyth hys gobbets of +meat that stanke al of wyne, fylled al his lap, and +the iudgement seate. Here amplificacion is taken of +smaller thinges, and is made by one degree of many +degrees, this maye be an example. If a mã gaue the +euery yere .xl. po[un]d, woldest y^u not thanke him? If a +friend had redemed the out of prison w^t hys money, +woldest thou not loue hym? If eyther in battell or +shypwracke a man by hys valiantnes had saued the, +woldest thou not worshyp hym as God, and saye thou +were neuer able to make hym amendes? What ingratitude +is it then that Christ God & man, which hathe made +the, to whom thou dost owe al that thou hast, &c. so +to dispyse hym, so wyth dayely fautes to anger him, +& for so great beniuol[en]ce to geue hym agayn so great +contumelye and despyte? Neyther skylleth it that we +haue rehearsed ficcion and comparicion amonge +argumentes, for there is no cause why that +amplificacion and oruacion shuld not be taken out of +the same places from whence ther commeth probacion. +Nor it is no newes the selfe same thynges to be +applyed to diuerse vses. As of all circumstaunces both +of the thyng, and of the person are taken argumentes, +but euen oute of the selfe same are set affeccions and +exaggeracions, whych is manifest in the kynde +demonstratiue: As when we prayse chastitie in a yonge +man, we go not aboute to perswade that he was chaste, +but that that vertue shulde appeare greater in +floryshyng age. To lyke vse serue examples and +similitudes, as in Esaye: The Oxe knewe hys owner, and +the Asse the maunger of hys master, but Israel hathe +not knowen me. The example of the Oxe & the Asse is +not vsed for this to proue that the Hebrewes dyd not +knowe their God, but that the impietie and folishnes +of that nacion shulde be amplified. The same may be +applied to profe after thys maner. If the Oxe and Asse +knowledge theyr masters, of whõ they are norished and +do serue them, how much more conueniente is it, that +mã shuld knowledge hys maker and norisher, and serue +him bothe in bodye and mynd. Contrarye, when Paul +sayth: no man serueth in warre on his owne wages, he +proueth by similitudes, that it is not comelye, that +they that war vnder the gospell, shulde be compelled +to be carefull for their liuynge. He shuld haue +applied it to amplifiyng, if he had propouned it thus. +They that serue vnder a capteine be not careful for +their liuyng, but lokinge for the sustenaunce of their +capteine, only studye for thys to do hym faythful +seruice, howe muche more shame is it that some menne +that haue promised to fyght vnder Christ in the +gospel, to distrust such a capteyne, and studye all +they can to gather riches. Cõparison by puttyng to +example is, wh[en] by setting out as it were a lyke +example, wee brynge to passe that that we exaggerate +may be thought either very lyke, eyther equal, either +bygger. ¶ And in this kynd both the whole is cõpared +to the whole, & the partes to partes: as in the +oracion of Cicero for Milo. Did I pray you y^t noble +mã Scipio being a priuat persõ kil Tiberius Gracchus +whych shaked the cõmõ wealthe but a lytle, & shall wee +beynge consulles suffer Catiline, that gothe aboute to +wast the whole worlde wyth murther and fyre? Here both +Catiline is compared to Gracchus, and the estate of +the common wealthe to the whole world, & a lytle +shakyng to slaughter, fyer and wastyng, and a priuate +person to the consuls. ¶ Ther is an amplificacion also +wh[en] contraries be set together, wherby bothe the +partes seme bygger, and more euidente. As when +exhorting men to liberalitie, we shewe howe foule a +faute couetousenes is, that the foulnes of the faute +being exaggerate, the goodlines of the vertue shulde +be more encreased. There is another kynd of amplifiyng +called reasonynge, when of those thinges that eyther +folowe or go before, the hearer doth gather how great +that thynge is that we wolde to be amplified. By +thynges that go before, as when Homer armeth Achylles, +or Hector to batayle, by the greate preparacion, we +gather how sore y^e sight shal be. Of thinges y^t +folowe: How much wyne Antony dranke, when y^t hauyng +such a strong body he was not able to digeste it, but +spewed it vp the nexte daye after. Of thynges ioyned +to: as wh[en] Maro sayeth to Poliphemus: He had the bodye +of a pineapple tree for a staffe in hys hande. Manye +other kyndes ben there of amplifiynge, which who so +wyl se more at large, may read that right excellent +boke of the famouse doctor Erasmus, whych he intituled +the preacher. + +The inuencion of many proposicions is, when the chyefe +state or principal proposion of the cause is declared +and proued by manye other proposicions and argum[en]tes, +so set in iuste order that there be no confusion of +proposions. And proposicions be taken partely of those +that be cõmon, and partly of those thynges that +belonge properlye to the cause: As if a man wolde +counsell Tullye not to take the condicion offered of +Antony, that is, that by burnynge of hys bookes called +philippia, he shulde haue hys lyfe, hy myght vse +commonly these proposicions. Fyrste y^t no man oughte +to by his life so dere, that therby he shulde lose hys +immortall name. ¶ To thys generall may serue a +perticuler taken oute of circumstaunces, that it +oughte not to be done, inespecialy of Cicero, whych by +so many laboures hathe gotten vnto hym selfe an +excellente and euerlastyng name, and that hath shewed +moste eloquently by putting out so manye noble workes +that deathe ought to be despised, inespeciallye seynge +that now he hath not much tyme to lyue beynge an olde +man. ¶ Agayn, another principall proposicion shall be +taken of the circ[um]sta[un]ces. That nothynge is worse, +then that Cicero beyng a very good mã shulde owe his +lyfe to Antonye the worst man of the world. The third +proposicion shal be cõiectural: how that Antony +craftely goeth about that the bookes beynge burned, +in the whych he perceiueth bothe hys owne immortal +infamye to be, and the immortal glory of Cicero, wh[en] +he hath afterwardes taken awaye hys lyfe, he maye +vtterlye extinguyshe Cicero. + + +¶ A copious heaping of probacions. + +[Sidenote: Proues.] So when proposicions be found, +remaineth argum[en]taciõ or proues, called in Greke +_Pistis_, because they make suretye of a doutefull +thyng. [Sidenote: Two sortes of proues.] Of proues +some be artificiall, some vnartificial. Vnartificial +be, foreiudgementes, rumoures, tormentes, tabelles, +othe, wytnesses, diuinacion, oracles. [Sidenote: +Signes be referred to proues vnartificial, & why?] To +these be referred whych the Greekes cal _Symeia_ or +sygnes: For they also commonlye are not set by the +wytte of hym that disputeth, but are ministred +otherwyse. [Sidenote: Signes wherfore.] They be called +signes properlye, whyche rysynge of the thynge it +selfe that is in question come vnder the sences of +menne, [Sidenote: Signes be referred to tyme.] as +threatninges, whych be of the time that is paste, +cryinge herde oute of a place, whyche is of the tyme +presente, palenesse of hym whyche is axed of the +murther, whyche is of the tyme folowynge, or that +bloud leapte oute of the bodye latelye slayne, when he +came that dyd the murther. [Sidenote: Two maner of +signes.] Also of signes some bee necessary, as that he +liueth whiche dothe breathe, and some probable, as +bloude in the garmente, whych myghte also come oute of +the nose, or otherwyse. [Sidenote: Proues tak[en] oute of +circ[um]stauces.] Also proues and argumentes are taken +oute of circ[um]staunces, partly of the person, partlye +of the cause or thyng it self, and be called also of +the Rethoricians places, neyther cleane contrarie to +those that Aristotle hath taughte, neyther the very +same: for some agree wyth them, some be all one, and +some diuerse. [Sidenote: How proues of circ[um]sta[un]ces +differ frõ Aristotels places.] Onlye differeth the +manour of teachynge, because the Rethoricianes do +teache a patrone, the philosopher generally helpeth +iudgement. [Sidenote: Circ[um]stãces of person.] +Circumstaunces of the person ben these. Kinred, +nacion, contrey, kynde, age, bryngynge vp, or +discipline, hauioure of the body, fortune, condicion, +nature of the mynde, studies, affectacion, wordes +forespoken, & deedes done before, commocion, counsell, +name. [Sidenote: Kynred.] Kynred monisheth vs to +cõsider of what progeny a man dothe come. For it is +semely, and happeneth cõmonlye that the sonnes be lyke +the forefathers, and thereof procedeth causes to lyue +well or euyll: [Sidenote: Nacion] Naciõ sheweth what +disposicion and maners euery nacion hath peculiarly of +theyr owne. [Sidenote: Kynd.] The difference of kynde +is knowen to euerye man: [Sidenote: Age.] To diuerse +ages diuerse thyngs be conueniente. [Sidenote: +Educacion.] It skylleth more by whom, and by what +wayes men be brought vp, then of whom they be +begotten. [Sidenote: Hauiour of the bodie.] The +hauioure of the bodye comprehendeth fayrnes or +foulnes, strength or weaknes: For more credible is the +accusacion of lecherye in a fayre body then in a +foule, and violence more probable in the strong, then +in the weake. [Sidenote: Fortune] Fortune perteineth +to ryches, kynred, friendes, seruitures, dignities, +honours. [Sidenote: Condicion.] Condicion +comprehendeth manye thynges: as whether he be noble or +not noble, an officer, or a priuate person, a father +or a sonne, a citizen or a straunger, a fre man, or a +seruaunt, a maried manne, or a single man, a father or +none, hauinge had but one wyfe, or two. [Sidenote: +The nature of the mynd] The nature of the mynde hath +manifold varieties in men. Some be fearful, some +strong, some gentle, some vehem[en]t, chaste, lecherous, +glorious, modeste &c. [Sidenote: Studies] Studies, +for other be the maners of the rustical, then of the +lawyer, of the marchaunte, then of the Soldier, +of the shipman then of the phisicion. [Sidenote: +Affectacion.] To these they adde affectacion: For it +skylleth muche what maner man euerye one wolde seme +to be, whether he be y^e same or not: as ryche, or +eloquent, iuste or mightie, mery or sad, a fauorer of +the people, or of the great men. [Sidenote: Wordes +spoken, & deedes done before] Both wordes that be +spoken before time, and dedes that be done, be also +considered. For of thynges that be paste, the present +be estemed, & also thinges that be to come. [Sidenote: +Commocion] Cõmocion in thys differeth from the nature +of the mynde, because that one is perpetuall, that +other for a whyle: as anger is commocion, rancour +the nature of the mynde, and feare a cõmocion, +fearefulnesse nature. + +¶ [Sidenote: Name.] To these they adde the name of the +person, of whence many tymes an argument is tak[en]: as +Cicero iesteth muche vpon Verres, or sweepers name, +because beyng a strong thief, he swepte altogether. +Thus haue we shewed that much matter may be taken of +thynges belongyng to a personne, so maye be also of +those that belonge to a thynge or cause, whiche places +bee so handeled of Quintiliane, that he myngleth th[em] +wyth the places whyche Aristotle hathe comprehended +in hys eyghte bookes of Topyckes. [Sidenote: +Circ[um]staunces of things be these.] Circumstances of +the thynges be these: Cause, place, tyme, chaunce, +facultie, instrumente, manour. And fyrste of euerye +thinge there be foure causes, efficient, materiall, +formall and finall. Matter is the receptacle of al +formes. The forme causeth it to be thys, and not +another thynge: as the reasonable soule geueth to the +body that it is a man, and the soule because it is a +substaunce hathe her vnnamed forme, whereby she is a +soule, and not an aungel. [Sidenote: Fine or ende.] +And what soeuer is made, is made to a certen ende, and +one thynge maye haue diuerse endes: as nature hathe +geuen brestes vnto women to geue milke, and also for +comlynesse of theyr bodies, neyther doth any man that +is of a sounde mynde take vpon hym anye businesse, but +for that he desyreth to haue some thynge: nor there is +nothynge desyred, but vnder the consideracion of good +or profite. ¶ So the ende whyche is laste in effecte, +and fyrste in intencion, loketh vpon the gettinge of +profites, increase, and cõfirmacion of them, and also +vpon them, eschuynge of disprofites, diminyshynge, +or puttyng them awaye. But in chosyng them, false +perswacion deceyueth manye, whylest by errour they +beleue that to be good y^t is naughte. ¶ This place +therfore serueth for many thynges, to make more or +lesse. ¶ Greatly happy shulde men be, if euerye man +wolde looke vpon the marke, not the whych desyre hathe +sette before hym, but whyche God and honest reason +hath prefixed. ¶ And of such strengthe is the ende, +that hereof is taken the felicitie of euery thyng. To +fast that the body maye obeye the mynde, to do good +workes is an holy deede. To fast to be counted holye, +is hypocrisie. To faste to encrease thy good, is +couetousenesse. To faste to be whole in thy bodie is +phisycke, and so of praiynge, almose, and other +laudable workes. After lyke maner must be wayed the +secondarie endes. [Sidenote: Place.] An other +circumstaunce of a thynge, is the place, whose +qualitie oftentimes maketh the faute either greter or +lesser: as to steale an holye thing out of an holy +place, is worse then some other kynde of theft. +[Sidenote: Tyme.] No lesse matter of argumentacion +ministreth the qualitie of time, which signifieth two +thynges. [Sidenote: Time hathe two significacions.] +Fyrst it is taken playnly for the time present, past, +or to come: Seconde it signifieth oportunitie to do a +thynge, and so when a man cometh as we wold haue it, +we saye he cometh in time. And in the seuenth of Ihon, +when Christ sayth: My tyme is not yet come, tyme is +taken for oportunitie of tyme. And lykewyse in the +syxt to the Galat. Therfore whyle we haue tyme. &c. +[Sidenote: Chaunce.] The Rethoricianes put chaunce +vnder tyme, because the ende of a thynge perteyneth to +the time that foloweth: but of thys wyll we speke in +the place called Euent. Facultie is a power to do the +thynge that is taken in hand: and in coniectures two +thinges speciallye be considered: whether he could or +wold. Wyll is gathered of hope to performe it, and is +made more probable wh[en] the nature of the mynde is +ioyned to it: as it is not like he wyl abide in his +glorye, because he is enuious and ambicious. Also when +we counsell one to leaue of vayne mournynge, when it +is not in his power to get agayne that is gone. + +[Sidenote: Instrument.] Instrument semeth to be a part +of facultie: for instrumentes sometyme are cause of +oure hablenes to do a thinge: and it is a more +mischeuous deede to kyl with venome th[en] with swearde. +And to instrum[en]t so nie is the manour of doyng, that +almoste it is all one. But more properlye perteyne to +the manour or fashion, those thynges that be eyther +excused, or made greater by wyl: As lesse faute is it +to fall into a vice by ignorance or frailtie, then of +a purpose and full deliberacion. The vse of +circ[um]stances profiteth to amplifie, to extenuate, +to euidence, to confirmacion, and probabilitie. And +hytherto be referred also the common places that +indifferentlye apperteyne to all kyndes and partes +of causes, of the whyche Rodulphe entreateth, and +Aristotle in his Topyckes. But before we speake of +them, it is to be noted, that thys woorde place, is +taken foure maner of wayes. They are called common +places, because thei be entreated of, of bothe partes, +althoughe not in all one cause: as he that is sore +spoken agaynste by witnesses, swadeth that we shulde +not geue credite to witnesses. Contrarye, he that is +holpen by them speaketh in defence of wytnesses, and +so of other that we spake of before, when we entreated +of vnartificial argumentes. Lyke to thys sorte be +sentences, whyche wee exaggerate as it were wythoute +the cause, but so that they serue to the cause whiche +wee haue in hande: as bee the amplificacions of +vertues, and the exaggeracions of vices. As when wee +accuse anye manne that by euyll companions he was +broughte to do also the mischeuouse deede. ¶ A common +place shall bee, wyth wordes to exaggerate howe much +it profiteth to keepe goodnesse, to bee in companye +wyth good men, and contrarye howe greate myschyefe the +companye of euyll men dothe cause. + +¶ In the third sence places be called seates of +argumentes, whyche the Rethoricianes do applie to eche +kyndes of causes: As in the kynde suasorie, honest, +profitable, pleasa[un]t easye, necessarie. &c. In +demonstratiue kynde, kynred, contrey, goodes of the +bodye and of the mynde. In the Iudiciall kynde, +inespecial deniall, those that we spake of euen nowe. +The fourth places be general, whych declare what +belongeth to euerye thynge, and howe oute of eche of +them there be taken argumentes, partly necessary, and +partlye probable. These be commen to the Oratours with +the Logicians, albeit Aristotle hathe seperatelye +written of them in hys Topickes; and in his +Rethorickes hathe not touched th[em], and they profite +much both to iudgement, and to endightynge, but the +varietie of authors hath made the handlynge of them +sumwhat darke, because amonge them selues they can not +wel agre, neyther of the names, neyther of the number, +neyther of the order. + +[Sidenote: Examples.] An example is a rehearsall of a +thynge that is done, and an applyynge of it vnto our +cause, eyther for similitude or dissimilitude, +profitable to perswade, garnyshe, and delyght. +Examples, some be taken out of hystories, some of +tales, some of fayned argum[en]tes, in comedies; and +bothe sortes be dilated by parable and comparacion. +Comparacion sheweth it equall, lesse, or bygger. +Parable is a feete similitude, whych sheweth y^e +example that is brought, either like, vnlyke or +cõtrarye. Lyke as Camillus restored the common wealth +of the Romaines that was oppressed by the Frenchmen, +and when it was brought into extreme losse, by theyr +valiauntnesse expelled the Barbariens: So Valla, whan +thorowe the ignorãce of y^e Barbarians, learnyng was +destroyed, restored it agayn, as it wer from death +into hys former brightnes. Vnlike. As not lyke thanke +is done to Laurence and Camillus, because that the one +moued by vertue wyth the ieopardie of hys lyfe +deliuered his contrey from the vngracious, that other +styrred vp by desyre of fame, or rather wyth an euyll +luste to checke manye, not restored agayn the latt[en] +tong oppressed, but brought it as it were into certen +rules. Cõtrary, Brutus kylled hys chyldren goyng about +treason, Manlius punished by death the valiauntnes of +hys sonne. Comparacion sheweth y^e thing y^t is +brought, eyther equall, lesse, or bigger: Lesse, as +our elders haue warred oftentymes, because theyr +marcha[un]tes and mariners wer euyl entreated. What mynd +ought you to be in, so many thousande citizens of Rome +slaine at one message, and one time? Equall, as in the +same Cicero. ¶ For it happed vnto me to stand for an +offyce wyth two gentlemenne, that one very naughte, +that other very gentle, yet ouercame I Catiline by +dignitie, and Galba by fauoure. Bygger: As for Milo, +they saye he shulde not lyue that confesseth he hathe +kylled a man, when M. Horacius was quitte, whyche +kylled hys owne syster. + +[Sidenote: Parable.] Parable, which some call +similitude, some cõparacion, is a comparyng of a thyng +y^t hath no life, or no bodye to our cause and +purpose, for some thyng that is lyke or vnlyke. And as +example is taken of y^e dede of a man, and the person +of an hystorye, or that is fabulous and fayned, so is +comparison taken of thinges that be done, or that be +ioyned to them by nature, or by chaunce. ¶ As Attilius +retournyng agayne to hys enemies is an example of +kepynge faythe and promise: But a shyp in the whych +the sayles be hoysed vp, or tak[en] down after the +blowyng of the winde, is a parable whiche teacheth a +wyse man to geue place to tyme, and applye hymselfe to +the world that is presente. And lyke fashion is of +dilatyng a parable, as we haue shewed in example. +For sometime it is noted in a word as: Doest thou not +vnderstand that the sayles muste be turned? Sometyme +it is more largelye declared, as in the oracion for +Murena. And if vnto menne that sayle out of the hauen. +&c. Analogie. + +_Icon_, called of the latines _Imago_, an Image in +Englyshe, is muche lyke to a similitude, and if you +declare it is a similitude: as if you saye: As an Asse +wyll not be driuen from her meat, no not with a club, +vntyl she be full: no more wil a warriour reste from +murther vntyll he hath fylled his mynd with it. This +is a similitude: but if you saye that a man flewe vpon +his enemies like a dragon, or lyke a lyon, it is an +Image. Howbeit an Image serueth rather to euidence or +grauitie, or iocunditie, then to a profe. There is +also a general comparacion, speciallye in the kynde +demonstratiue, person wyth person, and one thing with +an other, for praise or dispraise + +[Sidenote: Indicacio.] _Indicacio_, or authoritie, +is the cõparing of an other mans saying or sentence +vnto our cause: of the whiche ther be seuen principal +kyndes. The fyrst a comon morall sentence, as a common +principle perteyning to maners: as continuall laboure +ouercommeth all thynges, and as be the sentences of +Salomon and Cato: and all morall philosophy is ful of +suche sentences. The seconde are common rules, whych +be called dignities in euery science. The .iii. +a prouerb. The fourth called _Chria_, which is a very +short exposicion of any dede or worde wyth the name of +the author recited. The fyfte an _Enthimeme_, whyche +is a sentence of contraries: as if it be a great +praise to please good men, surely to please euyl men +it is a greate shame. The syxte called _AEnos_, that +is a saying or a sentence, taken out of a tale, as be +the interpretacions of fables, and theyr allegories. +The seuen is any answere tak[en] out of the mouth of God, +or taken out of the cõmaundement of God. + +[Sidenote: Exergasia.] Expolicion is, when we tarye in +one thynge, speakynge the same in diuerse wordes and +fashions, as though it were not one matter but +diuerse. A goodlye example of the moste largest +expolicion is rehearsed in Erasmus, whych, because it +is very profitable, I wyll wholye rehearse it. A wyse +man for the cõmon wealth sake shall eschue no peryll: +euen for thys cause that it happeneth oft[en], that wher +he wold not dye for the common wealth, he perysheth +yet of necessitie wyth the cõmon wealth. And because +all the commodities we haue be taken of our contrey, +ther ought no incõmoditie to be counted paynfull, +taken for our contrey. They therfore that flye that +peryll which must be tak[en] for the cõmon wealth, do +folyshely: for neither can they auoyde it, and they be +found vngrate to the citie. But they that by their +owne peril put away the perils of their cõtrei, they +are to be counted wyse, seyng that bothe they geue to +the cõmon wealth that honour y^t they shulde geue, and +had rather dye for many, th[en] w^t many. For it is much +against reason that receiuing thy naturall lyfe by thy +contrey, to deliuer it agayne to nature when she +compelleth the, and not to geue it to thy cõtrey when +she desyreth the. And where y^u mayst wyth hye +valiauntnes & honour die for thy contrei, to haue +rather lyke a cowarde to liue in shame. And for thy +fryndes and parentes, and other acquayntance to put +thy selfe in peryll: for the cõmon wealth in the +whyche both it & that most reuerende name of the +contrey is conteyned, not to be willynge to come in +ieopardye. Wherfore as he is to be dyspised whyche +being vpon the sea had rather haue hym selfe safe, +then the ship: so is he to be rebuked, whych in +ieopardye of the commen wealthe, prouideth more for +his own then for y^e cõmon wealthe. When the shyppe +hathe ben broken, many haue ben saued: But after the +shypwrake of the cõtrey no man can escape. Whyche +thynge me thynketh Decius dyd wel perceiue, whych +reported wholy to haue bestowed hym selfe, and for the +sauegard of his men of war to haue run amonge the +myddest of hys enemyes. Wherfore he loste not hys +lyfe, but let it go: for he redemed for a thynge of +verye small pryce, a ryght dere thyng. He gaue his +life, but he receiued his contrei. He loste his life, +but he inioyed glorye, whyche written to his greate +prayse, shyneth euerye daye more and more. Wherefore +if we haue proued both by reason & by exãple, that we +be bounde to put oure selfe in peryll for the common +wealthe, they are to be counted wyse men, whych for +the sauegarde of the contrey auoyde no peryll. It +wolde be meete to exercyse chyldren in suche themes, +wherby shal be gott[en] bothe wysedome and eloquence. +And here me thynketh I maye ryghte well ende these +Rethoricall preceptes, although I be not ignoraunt +that much helpeth bothe to persuasions and copye, the +proper handlyng of tales taken oute of the nature of +beastes, dreames, fayned narracions, sumwhat lyke vnto +the truth, w^t allegories much vsed of diuines. But +because they requyre a longer treatie, for this tyme I +leaue them of, addynge vnto these before written rules +of oratory, a declamacion + bothe profitable and verye elo- + quente, wrytten by Erasmus + vnto the moste noble Duke + of Cleue, as here appe- + reth after. + + + + + ¶ Impryn- + ted at London by Iohn Day, + dwellinge ouer Aldersgate, beneth + saint Martyns. And are to be sold + at his shop by the litle conduit + in Chepesyde at the sygne + of the Resurrec- + tion. + + _Cum priuilegio ad imprimendum + solum. Per septennium._ + + + + +INDEX TO AUTHORS AND ORATORS + + + Afer, Publius Terentius, 23, 61 + Africanus, Julius, 58 + Agricola, Rodolphus, 8, 86 + Antonius, Marcus (143-87 B.C.), 18 + Archias, Aulus, 61 + Aristotle, 80, 82, 86, 88 + Augustine, Saint, 14 + Brooke, Thomas, 2, 7 + Caecina, Aulus, 24 + Calpurnius, Lucius (Piso), 22 + Castellio, Sebastianus, 14 + Catiline, Lucius, 22, 48, 51, 56, 64, 75, 90 + Chaucer, Geoffrey, 5 + Cicero, Marcus Tullius, 10, 17, 18, 19, 20, 22, 23, 24, 33, 39, 41, + 48, 49, 50, 51, 56, 58, 59, 61, 62, 64, 68, 75, 77, 78, 82, 90 + Cluencius, Aulus, 22, 33 + Elyot, Thomas, 5 + Erasmus, Desiderius, 1, 10, 77, 93, 96, 97 + Flaccus, Lucius, 58 + Gower, John, 5 + Homer, 76 + Ligarius, Quintus, 49 + Linacre, Thomas, 29 + Livy, Titus, 65, 69 + Lydgate, John, 5 + Manilius, Gaius, 24, 59 + Marcellus, Marcus Claudius, 24 + Milo, Titus Annius, 22, 75, 90 + Mosellanus, Petrus (Peter Schade), 9 + Murena, Lucius, 91 + Ovid, 53 + Plautus, Titus, 23 + Plutarch, 86 + Quintilian, 10, 18, 37, 39, 62, 69, 82 + Quintus, Caius, 23 + Rabirius, Gaius, 22 + Roscius, Quintus, 23 + Sallust, Gaius, 65 + Sestius, Publius, 51 + Sulla, Lucius, 22 + Suetonius, Gaius, 66 + Vergil, 29, 30, 40, 44, 67, 69 + Verres, Gaius, 22, 71, 82 + Westimerus, Bartholomew (Westheimer), 14 + Wyatt, Thomas, 6 + + + + +INDEX OF FIGURES + +[Transcriber's Note: Spelling in the Index generally corresponds to +spelling in the body text. When the spelling in the body text is +different, it is shown here in {braces}.] + + + Ablatio, 26 + Absissio, 27 + Abusio, 41 + Acyrologia, 32 + Adagium, 45 + Aenigma, 45 + Aenos, 93 + Aetopeia, 67, 69 + Allegoria, 45 + Amara irrisio, 46 + Ambiguitas, 33 + Amphibologia, 33 + Amplificacio, 70, 76 + Anacinosis, 55 + Anaclasis, 60 + Anadiplosis, 48 + Analogia, 37, 91 + Anangeon, 60 + Anastrophe, 31 + Antiphora, 53 + Antiphrasis, 46 + Antiptosis, 31 + Antisthecon, 28 + Antithesis, 56 + Antitheton, 56 + Antistrophe, 47 + Antonomasia, 44 + Apheresis, 26 + Apocope, 27 + Apophasis, 54 + Aporia, 54 + Apostrophe, 60 + Appositio, 26, 30 + Areia, 51 + Articulus, 57 + Aschematiston, 35 {Aschematistõ} + Aschrologia, 34 + Asindeton, 59 + Astrothesiam, 69 + Astysmus, 46 + Auersio, 60 + + Barbarie, 35 + Barbarismus, 36 + Bomphiologia, 61 + + Cacosintheton, 35 + Cacozelia, 34 + Casus pro casu, 31 + Catachresis, 41 + Charactirismus, 66 + Charientismus, 46 + Chria, 93 + Chronographia, 69 + Circuicio, 44 + Circumstances of thynges, 83 + Climax, 58 + Colon, 57 + Commonplaces, 86 {Common places} + Common rules, 92 + Communicacio, 55 {Cõmunicacio} + Compar, 57 + Comparison, 71, 75, 90 {75 Cõparison} + Complexio, 47 {Cõplexio} + Composicion, 38 + Concepcio, 30 + Conclusio, 55 + Consicio, 27 + Construccion, 28 + Contentio, 56 + Contractio, 27 + Contraries, 76 + Contrarium, 56 + Conuersio, 47 + Correction, 70 {Correccion} + Cosmographie, 69 + Cumulatio, 35 + + Deesis, 51 + Defectus, 31 + Definicio, 58 + Definicion, 45 + Delecio, 28 + Description, 66, 69 {Descripcion} + Dialisis, 55 + Dialogismus, 69 + Dialyton, 57 + Dianoias, 25 + Diasirmus, 61 + Diazeugma, 30 + Diccion, 26 + Dictio contrarium significans, 46 {Dictio cõtrari[um] significans} + Diminutio, 61 + Disiunctio, 30 + Dissectio, 31 + Dissimulatio, 45 + Dissolutio, 59 + Distribucion, 62 + Diuisio, 55 + Donysis, 68 + Dubitatio, 54 + + Eclipsis, 31 + Ectasis, 27 + Effiguracion, 66 + Eleuacio, 61 + Eloquucion, 17 + Energia, 66 + Enthimeme, 93 + Enumeracio, 63 + Epanaphora, 47 + Epanodus, 48 + Epenthesis, 27 + Epergesis, 30 + Epilogus, 55 + Epiphonesis, 50 + Epiplexis, 51 + Epitrope, 55 + Erotema, 52 + Erotesis, 51 + Etymologie, 45 + Euche, 51 + Exaggeration, 71 {exaggerate} + Example, 74, 75, 88 + Exclamacio, 50 + Execracio, 51 + Exergasia, 93 + Exornacion, 39 + Expeditio, 54 + Expolicion, 93 + Extensio, 27, 37 + Extenuatio, 61 + + Faute (fault), 32; + obscure, 32; + inordinate, 34; + barbarous, 35 + Festiua urbanitas, 46 + Ficcion, 72 + Frequentacio, 50 + Fygure, of scheme, 25; + of diccion, 26; + of words, 26; + of construction, 28; + rethoricall, 47; + of sentences, 62 + + Garnyshyng, 38 + Geographie, 69 + Graciosa nugatio, 46 + Gradacio, 58 + + Homiologia, 33 + Homioptoton, 58 {Homioptotõ} + Homotelento, 58 {Homotel[en]to} + Humiliatio, 34 + Hyperbaton, 30 (last line) + Hyperbole, 71 + Hypozeugma, 29 + Hysterologia, 31 + + Icon, 91 + Image, 91 + Improprietas, 32 + Inconueniens structura, 36 + Increase, 71 + Increpacio, 51 + Indicacio, 92 + Iniunctio, 29 + Inordinate, 34 + Intellectio, 42 + Interpositio, 27, 31 + Interrogacio, 51 + Inuencion, 77; + proposicions, 77; + artificial proues, 78; + unartificial proues, 79, 80; {Vnartificial} + circumstances of thynges, 83; + commonplaces, 86 {Common places} + Ironia, 45 + Isocolon, 57 + Iunctio, 29 + + Lexeos, 25, 26 + Liptote, 61 + Littera pro littera, 28 + + Macrologia, 34 + Mala affectatio, 34 + Male collocatum, 35 + Male figuratum, 35 + Media iunctio, 29 + Membrum oracionis, 57 + Mesezeugma, 29 + Metabasis, 59 + Metalepsis, 41 + Metaphora, 40 + Metonomia, 42 + Mimisis, 69 + Miosis, 61 + Morall sentence, 92 + Mouth of God, 93 + Mycterismus, 46 + + Necessum, 60 + Nominis communio, 49 {Nominis cõmunio} + + Obscure, 32 + Obtestacio, 51 + Occupatia, 59 + Oictros, 68 + Orismus, 58 + + Parable, 90 + Paralepsis, 59 + Paremia, 45 + Parenthesis, 31 + Particio, 62 + Pathopeia, 68, 69 + Periergia, 33 + Periphrasis, 44 + Perissologia, 32 + Permissio, 55 + Pistis, 78 + Pleonasmus, 32 + Postiunctio, 29 + Preassumpcio, 27 + Preiunctio, 29 + Prepostera loquutio, 31 + Presozeugma, 29 + Presumpcio, 28 + Probacions, 78 + Prolepsis, 28 + Pronominacio, 44 + Proparalepsis, 27 + Proportio, 37 + Proposicions, 77 + Proprietie, 37 + Prosapodosis, 53 + Prosopographia, 66 + Prosopopeia, 66, 67, 69 {67 Prosopopey} + Prosthesis, 26 + Prouerb, 93 + Proues (proof), 78-90 + + Raciocinatio, 52 + Reasonynge, 76 + Reduplicatio, 48 + Refractio, 60 + Repeticio, 47; + inutilis, 33 + Rethoricall, figures, 47; + diuision, 62 + Reuersio, 31 + + Sarcasmus, 46 + Scheme, 3, 25; + faute of, 32; + vertue of, 37 + Sedulitas superflua, 33 + Sentence, figures of, 62 + Sermo, superfluus, 32; + ubique sui similis, 33; + obscurus, 45 + Silepsis, 30 + Similiter cadens, 58; + desinens, 58 + Similitudes, 74 + Sinathrismus, 50 + Sinonimia, 49 + Sinthesis, 38 + Solecismus, 36 + Soraismus, 35 + Style, kinds, 21; + greate, 22; + small, 23; + meane, 24 + Subsannatio, 46 + Subiectio, 53 + Superabundancia, 32 + Sygnes, 45, 79 + Symeia, 79 + Symploce, 47 + Syncope, 27 + Synecdoche, 42 + Synolephe, 28 + Systole, 27 + + Tapinosis, 34 + Tacite objectioni responsio, 53 {obiectioni} + Tasis, 37 + Tautologia, 33 + Tmesis, 31 + Topotesia, 69 + Traduccio, 48 + Transgressio, 30 + Transicio, 59 + Translatio, 40 + Transposicio, 28 + Transsumptio, 41 + Tropes, 3, 39-46 + Turpis loquutio, 34 + + Verborum bombus, 61 + Votum, 51 + + Worde, 26; + compound, 19; + simple, 19 {symple} + + Zeugma, 29 + + * * * * * + * * * * + * * * * * + +_Paragraphs_ + +Some paragraph breaks in this e-text are conjectural. The printed book +had the following kinds of breaks: + + --conventional paragraph with indented first line + --unambiguous paragraph with non-indented first line + --ambiguous paragraph: previous line ends with blank space, but the + space is not large enough to contain the first syllable of the + following line + --sentence break corresponds to line break: this happens randomly in + any printed book, and only becomes ambiguous when the book also has + non-indented paragraphs + +In this e-text, the second type of paragraph is marked with a pilcrow ¶. +The third type has a pilcrow ¶ but no paragraph break. The fourth type +is not marked. + + +_Errors and Inconsistencies_ (Noted by Transcriber) + +Unless otherwise noted, spelling and punctuation are unchanged. + +_Note on "homotele(n)to"_ + +In the facsimile edition, the body text has _homoteleto_ but the Index +has _homotelento_. In the other available text, the body text has +_homotel[en]to_ with clear overline. The correct form is "homeoteleuton" +(in this book's spelling, probably "homioteleuton"). + +Spelling: + + The pattern of initial "v", non-initial "u" is followed consistently. + The spelling "they" is more common than "thei". + The form "then" is normally used for both "then" and "than"; + "than" is rare. + The most common spelling is "wyll", but "wyl", "wil" and "will" + also occur. + +Word Division: + +Line-end hyphens were completely arbitrary; words split at line break +were hyphenated about two-thirds of the time. The presence or absence +of a hyphen has not been noted. Hyphenless words at line-end were joined +or separated depending on behavior elsewhere in the text: + + Always one word (re-joined at line break): + som(e)what, without, afterward(e)s + Usually one word: often()times, what()so()euer + One or two words: an()other + Usually two words: it/him/my...()self/selues; shal()be; + straight()way + Always two words: here to + +Roman Numerals: + +Numbers were printed with leading and following .period. When the number +came at the beginning or end of a line, the "outer" period was sometimes +omitted. These have been silently supplied for consistency. + +Contents: + + Faute 32 [33] + +Text: + + because that in it we sonar perceiue + [_text unchanged: "sooner"_] + to make things defused more plaine + [_text unchanged: variant of "diffused"?_] + [Sidenote: And apte similitude.] [_text unchanged: error for "An"_] + wordes not the selfe proper thinges + [_text unchanged: error for "th[em] selfe"?_] + Idolatry for Idololatry. [Idololatty] + [Sidenote: Presozeugma.] + [_text unchanged: usual form is "Prozeugma"_] + [Sidenote: Hyperbaton] ["Hyperbation"] + _Antonomasia_ [Antonomasias] + _Occupatia_, occupacion + [_text unchanged: correct form is "Occupatio"_] + [Sidenote: Energia.] [_text reads "Euergia": intended form may be + "Enargia" as in Latin_] + [Sidenote: Charactirismus.] + [_text unchanged: usual form is "Characterismus"_] + and these foresayd sixe kindes + [_text unchanged: eight items have been listed_] + The inuencion of many proposicions is, when the chyefe state or + principal proposion of the cause is declared and proued by manye + other proposicions and argum[en]tes, so set in iuste order that there + be no confusion of proposions. + [_text unchanged: "proposion" (twice) may be errors for + "proposicion"_] + Kynred monisheth vs to cõsider [Rynred] + +Punctuation and mechanical errors: + + [Sidenote: The occasion of thys treatise.] + [_"trea/ ise" at line break with invisible t_] + to al m[en] [. missing] + by etimology, by sygnes, by definicion. [. missing] + Cicero for .Q. Ligarius. [_punctuation as shown_] + by callyng vpon eyther a man, a place, or a thynge? + [? in original] + I graunte th[em] to you and to your power + [_"to / to" at line break_] + y^e beginner of this war [. missing] + the fyrst is a significacion or expression of maners + [_"of / of" at line break_] + he was broughte to do also the mischeuouse deede. [, for .] + for praise or dispraise [. missing] + +Index: + + Cicero ... 90 [90,] + Vergil, 29, 30, 40, 44, 67, 69 [67 69] + + Charientismus [Charietismus] + Execracio [Excracio] + Media iunctio [iniunctio] + Mesozeugma [Mesezeugma] + + + + + +End of Project Gutenberg's A Treatise of Schemes and Tropes, by Richard Sherry + +*** END OF THIS PROJECT GUTENBERG EBOOK A TREATISE OF SCHEMES AND TROPES *** + +***** This file should be named 28447-8.txt or 28447-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/8/4/4/28447/ + +Produced by Louise Hope, Joseph Cooper, Chris Curnow, Greg +Lindahl and the Online Distributed Proofreading Team at +http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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