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diff --git a/24776.txt b/24776.txt new file mode 100644 index 0000000..6e9fd53 --- /dev/null +++ b/24776.txt @@ -0,0 +1,922 @@ +The Project Gutenberg EBook of The Brochure Series of Architectural +Illustration, Vol. 01, No. 12, December 1895, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Brochure Series of Architectural Illustration, Vol. 01, No. 12, December 1895 + English Country Houses + +Author: Various + +Release Date: March 8, 2008 [EBook #24776] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK ENGLISH COUNTRY HOUSES *** + + + + +Produced by Louise Hope, Juliet Sutherland and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + [Illustration: + HOUSE AT MONUMENT BEACH, BUZZARDS BAY, MASS. + W. R. EMERSON, Architect. + Stained with Dexter Bros. English Shingle Stains (Dark Brown).] + + [Illustration: + HOUSE AT WOBURN, MASS. + E. A. P. NEWCOMB, Architect. + Stained with Dexter Bros. English Shingle Stains.] + + [Illustration: + HOUSE AT CHESTNUT HILL, BROOKLINE, MASS. + W. R. EMERSON, Architect. + Stained with Dexter Bros. English Shingle Stains.] + + [Illustration: + HOUSE AT BROOKLINE, MASS. View from Rear. + KENDALL & STEVENS, Architects. + Stained with Dexter Bros. English Shingle Stains + (Body No. 12, Roof No. 31).] + + [Illustration: + HOUSE AT BAR HARBOR, ME. + W. R. EMERSON, Architect. + Stained with Dexter Bros. English Shingle Stains (Dark Brown).] + + [Illustration: + HOUSE IN BROOKLINE, MASS. + EUGENE L. CLARK, Architect. + Stained with Dexter Bros. English Shingle Stain (No. 4).] + + [Illustration: + HOUSE AT NEWPORT, R.I. + W. R. EMERSON, Architect. + Stained with Dexter Bros. English Shingle Stains.] + + [Illustration: + HOUSE AT ROXBURY, MASS. + GAY & PROCTOR, Architects. + Stained with Dexter Bros. English Shingle Stains + (Roof No. 11, Walls No. 41).] + + Dexter Bros., 55 and 57 Broad Street, Boston, Mass. + + [Illustration: + HOUSES ON THE GODDARD ESTATE, + BROOKLINE, MASS. + SHEPLEY, RUTAN & COOLIDGE, Architects. + STAINED WITH DEXTER BROS. ENGLISH SHINGLE STAINS.] + + + * * * * * + * * * * + * * * * * + + + [Illustration: LXXXIX. + Old Houses, Hanover, England.] + + [Illustration: XC. + Middle House, Mayfield, Sussex, England.] + + [Illustration: XCI. + Worsley, Old Hall, England.] + + [Illustration: XCII. + Speke Hall, England.] + + [Illustration: XCIII. + Speke Hall, England.] + + + + +THE BROCHURE SERIES + +OF ARCHITECTURAL ILLUSTRATION. + +Vol. I. DECEMBER, 1895. No. 12. + +ENGLISH COUNTRY HOUSES. + + + [Illustration: + OLD HOUSE NEAR WARWICK. SKETCH BY WILSON EYRE, Jr. + From The Architectural Review, Vol. IV, No. 1.] + + +Mr. Wilson Eyre, Jr., in an article in _The Architectural Review_ for +January, which has been alluded to in our issue for October, and from +which we have borrowed the three charming illustrations reproduced from +his drawings, speaks as follows of English domestic architecture: + +"There is much to be seen from the railroad in the way of long rambling +farmhouses and country houses of the modest kind, and there is much to +be gained by studying these for use in our own domestic architecture; +their average work is so much less pretentious, so much more homelike +than ours; their surroundings are studied so carefully, the garden +forming as much part of the house as the roof, and great pains being +taken that the garden wall, hedges, terraces, the little tea houses, in +fact all the immediate surroundings, should form a harmonious effect. +Photographs and measured drawings of the well-known and monumental +buildings are at hand whenever we need them, but no idea can be gained, +except from personal study, of the completeness and fitness of the +country houses and farmhouses and of their surroundings, their "flocks +of gables," the grouping and composition which through the most careful +study arrive at the entirely unstudied and almost haphazard effect, and +above all the impression produced that the building belongs to the spot +upon which it is built and to no other. This is what makes the English +domestic work better, to my mind, than any I have seen, and so well +worthy of study, especially by our American architects." + + [Illustration: + OLD HOUSE, LICHFIELD. SKETCH BY WILSON EYRE, Esq. + From The Architectural Review, Vol. IV, No. 1.] + +The one distinguishing characteristic upon which all observers agree +when comparing the houses of England with those of any other country is +the importance given to the idea of a "home." This idea of the family +life, more fully carried out by the Anglo-Saxon race than by any other, +has given rise to conditions differing essentially from those governing +the domestic architecture of other races. As pointed out in the last +issue in speaking of the country houses of France, the impulse to +associate in communities has been a stronger power in moulding the +domestic architecture of France than the desire to have an independent +home. In England the isolated house is the type. The social unit is the +family, and consequently the architectural unit is the "home." The +English character has given to the family an independence and privacy, +a permanence and sacredness which are all reflected in the English +houses, and it is this which makes them homes. The evidence of these +characteristics is what has attracted Mr. Eyre and many other Americans +besides, and will continue to do so for years to come. + + [Illustration: + CHAPEL, DEERHURST. SKETCH BY WILSON EYRE, Jr. + From The Architectural Review, Vol. IV, No. 1.] + +English architecture is not all and never has been all of the sort here +indicated, but where it departs from this type we feel the peculiar +charm somewhat lacking. The early Saxon hut, the Norman castle, have +each their especial interest, and we feel that the home has culminated +in the Elizabethan and Tudor mansions and the simpler homes of later +days which are adjusted to the needs of the family and suited to its +surroundings, because built honestly with due regard to the necessities, +and even if, as Ruskin says, their detail is abominable and there is no +precedent, no right nor reason in the square drip moulding over the +windows, yet we love them as a whole, and cannot help feeling that they +expressed truly the story they were intended to tell. But we do not feel +the same instinctive attraction in the Palladian mansions of Jones, +however accurately classical are their proportions or their mouldings, +nor in any other of the dignified importations transplanted from Greece +or Rome and forced to grow on uncongenial soil. They must ever be to us +exotics, with perhaps the beauty of the exotic, but without the homely +qualities which endear to us the real home. + + + [Illustration: XCIV. + Smithells, England.] + + [Illustration: XCV. + Saintesbury Hall, England.] + + + LXXXIX. + OLD HOUSES, HANOVER, ENGLAND. + + XC. + MIDDLE HOUSE, MAYFIELD, SUSSEX, ENGLAND. + + XCI. + OLD HALL, WORSLEY, ENGLAND. + + XCII AND XCIII. + SPEKE HALL, ENGLAND. + + XCIV. + SMITHELLS, ENGLAND. + + XCV. + SAINTESBURY HALL, ENGLAND. + + XCVI TO XCVIII. + OLD MANOR HOUSE, LYTHE HILL, ENGLAND. + + XCIX. + OLD FARM HOUSE, LYTHE HILL, ENGLAND. + + C. + THE GATE HOUSE, STOKESAY CASTLE, ENGLAND. + + + + ++Club Notes.+ + +Nearly simultaneously with the announcement that the T Square Club, +of Philadelphia, has been awarded the medal offered by the St. Louis +Architectural Club for the best Club-exhibit of Mention Designs comes +the news of John Stewardson's lamentable death. As a founder of the +Club, as its president, and for years a member of its Executive +Committee, he remained to the last one of its most enthusiastic +supporters. Many of his drawings are now in the Club rooms, and his +record as the winner of many competitions is upon the minutes of the +Club. + +His generous aid, sincere criticism, and deep interest in the welfare +of the Club contributed more to the advancement of architecture in +Philadelphia than can now be realized. + + +The ninth annual Exhibition of the Chicago Architectural Club will be +held at the Art Institute, Chicago, opening March 27, 1896. + +This exhibition will include architectural drawings and perspectives +in all renderings, scale, details of public and private work, projets, +landscape drawings of parks and other public improvements, works of +sculpture and artistic exhibits of works of the allied arts. + +Detailed information with circular of instructions and application +blanks can be had by addressing Frank M. Garden, Secretary, Chicago +Architectural Club, 274 Michigan Ave., Chicago. + + +In the seventh annual competition for the Robert Clark testimonials, +held under the auspices of the Chicago Architectural Club, the prize +winners are as follows: Addison B. Le Boutillier, Boston, Mass., gold +medal; William Leslie Welton, Lynn, Mass., silver medal; John F. +Jackson, Buffalo, N.Y., bronze medal; Harry C. Starr, Chicago, first +honorable mention (bronze medal); Edward T. Wilder, Chicago, second +honorable mention (bronze medal). L. J. Millet, R. C. Spencer, and +Irving K. Pond composed the adjudicating committee. + + +Messrs. Thomas Hastings, John Galen Howard, and Albert L. Brockway, +the committee of the Architectural League of New York upon the annual +competition for the League gold and silver medals, announce the program +for this year. Drawings are to be submitted on or before February 6. The +problem is the principal entrance of a terminal railroad station. Plan, +elevation, and detail are required. + + [Illustration: XCVI. + Old Manor House, Lythe Hill, England.] + + + + + +The Brochure Series + of Architectural Illustration.+ + + PUBLISHED MONTHLY BY + BATES & GUILD, + 6 BEACON STREET, BOSTON, MASS. + + Subscription Rates per year 50 cents, in advance + Special Club Rates for five subscriptions $2.00 + + Entered at the Boston Post Office as Second-class Matter. + + +Renew your subscription promptly if you do not wish to miss any numbers. +Single renewals must be accompanied by a remittance of fifty cents. Five +or more names (new or renewals) must be sent in together to secure the +club rate of forty cents. + + +SPECIAL NOTICE. + +New subscribers should order at once, thus securing a complete volume, +containing one hundred illustrations. Considering the selection and +quality of reproduction, fifty cents is an exceedingly low rate for +these. + + +An index and title-page for the first volume of THE BROCHURE SERIES +have been prepared for the convenience of those who wish to bind their +copies, and they will be mailed free to any subscriber upon request. + + +Since the introduction to the public of THE BROCHURE SERIES in its +present form a year ago, five-cent magazines have been made fashionable. +Their number is countless, and they are of all degrees of value and +interest. A year ago the experiment was a comparatively untried one +and the policy of THE BROCHURE SERIES was necessarily more or less +experimental, but it has now crystalized into fairly settled shape. In +its main feature, the illustration of historic architecture, it must +appeal to all who have any connection with the architectural profession. +An architect can never have too many photographs, provided they are well +classified and accessible; and it is practically impossible that anyone +shall have _all_ of the one hundred photographs given in a year's +volumes of the magazine, as they are drawn from so many different +sources. The classification of subjects is of itself sufficient reason +for buying THE BROCHURES, even provided they duplicate photographs +already owned. + +The educational features of the magazine relating to architectural +societies, schools, and public competitions have proved of unusual +interest to the younger members of the profession, and during the coming +year it is hoped that more importance can be given to this work. The +cooperation of all who are concerned in organizations of this character +is earnestly solicited. + +The competitions which have been offered from time to time under the +direction of the magazine have proved so successful that an effort will +be made to establish them as a regular feature, and it is hoped that at +least one competition a month can be looked for in future. + + ++Wanted+ + +Draughtsmen's Addresses. + +We intend issuing, the coming year, a number of interestingly +illustrated announcements of new architectural publications and +importations. We want to send these to every architectural student +and draughtsman in the United States and Canada. If you are not on our +subscription list, send us your _residence_ address for our circular +mailing list. Address a postal card as below, putting simply your +address on the back. If you are in an office, have the other fellows put +their residence addresses on the same card. We prefer to address mail +matter to your residence, as there is less danger of miscarriage. Do not +get the idea that by sending your address you are ordering something you +will be asked to pay for. All the expense, except the postal card, is +on our side. If we can't get out announcements interesting enough to +attract your attention and occasionally secure an order, it will be our +loss. Address:-- + + Bates & Guild, + 6 Beacon Street, + Boston, Mass. + _For Circular List._ + + + [Illustration: XCVII. + Old Manor House, Lythe Hill, England.] + + ++Brochure Series Competition No. 3.+ + +The designs submitted in the competition closing December 20 for the +advertising page of the Boynton Furnace Co. proved of even greater merit +as a whole than those submitted in the first competition, and it has +been difficult to decide which has the best claim to the prize; but the +judges have finally decided to award the first place to Mr. William L. +Welton, of Lynn, Mass., and his design is given on advertising page xiii +of this number. Of the reasons for this award some will be evident at a +glance. The effect of the page as a whole is striking and unique. To +be sure, there is a certain suggestiveness of Mr. Binner's familiar +advertisements for the Pabst Brewing Co., but the similarity goes no +further than the selection of Egyptian motives and the simple, flat, +silhouette-like treatment. Mr. Welton has merely gone to the same +source of inspiration, and his design is just as good in its way as Mr. +Binner's. The idea of connecting the character of the ornament with the +advertisement is carried out in both cases. The Pabst advertisements all +state that the history of brewing begins with Egypt, while Mr. Welton +has very cleverly used the Great Pyramid of Cheops as a graphic +illustration to indicate the area covered by the heaters built by the +Boynton Furnace Company. + + [Illustration: + DESIGN BY W. B. OLMSTED.] + +If any suggestions were to be offered towards the improvement of this +design, they would be mainly in the direction of refinement in drawing. +The lettering is not what it might be, especially at the top in the name +of the company, which is somewhat confused. The monogram, an unimportant +feature from an advertising point of view, is given the most important +position in the design. + + [Illustration: + DESIGN BY PIERRE LIESCH.] + +The following competitors, in the opinion of the judges, deserve +honorable mention: W. B. Olmsted, 118 Lake Street, Elmira, N.Y.; Pierre +Liesch, 53 State Street, Boston, Mass.; P. G. Gulbranson, 31 West +Street, Boston, Mass.; F. Chouteau Brown, 31 East Newton Street, Boston, +Mass.; William J. Freethy, 85 Water Street, Boston, Mass. + +Mr. Olmsted's design, which is illustrated herewith, is, like the design +which he submitted in the last competition, in many respects distinctly +the best of the collection. It is unfortunate in representing a heater +not made by the Boynton Furnace Company, but very suggestive of a +pattern made by one of their competitors in the trade. If it were not +for this unfortunate slip, it would be given first place. The idea is +good and the treatment all that could be desired. It is good advertising +and meets the conditions directly and well. + + [Illustration: + DESIGN BY P. G. GULBRANSON.] + +The design of Mr. Liesch has the virtue of being unusual, and would +arrest the attention of many who might not be attracted by the preceding +one. The lettering in this case, although done with exceptional taste, +is not sufficiently clear and readable to be entirely satisfactory as +an advertisement. + +Mr. Gulbranson's design is of more interest as a drawing than as an +advertisement. To the readers of THE BROCHURE SERIES this characteristic +would doubtless appeal, while it might be of no value in an +advertisement intended for a different clientage. + + [Illustration: + DESIGN BY F. CHOUTEAU BROWN.] + +Mr. Brown's design has an interest of a different sort. It is crude in +treatment, purposely so no doubt, but the idea is so unusual, with a +quaint touch of humor, that it would be sure to attract attention. If +space would allow, several of the remaining designs could be reproduced +to advantage, and would give a wider field for comparison. + + + [Illustration: XCVIII. + Old Manor House, Lythe Hill, England.] + + ++Notes.+ + +Attention has already been called in these columns to the efforts of +the Henry F. Miller Piano Co. to foster the designing of artistic piano +cases. Their later designs are a long step away from the conventional +and hopelessly ugly piano cases that have been put out by the piano +trade universally. They reason that the piano, as an artistic +instrument, should have an artistic setting, and it is to draw the +attention of architectural designers to this point that they have +already given prizes for one competition, and purpose offering another +prize, probably of $100, for a second competition. The making of +special designs for piano cases has fallen largely into the hands of +custom-furniture makers simply because the work of piano factories has +for years carried its own condemnation. The furniture maker often is +forced to buy a new piano, from stock, and build it over as best he can, +charging a price that is almost prohibitory. Since the Miller factory +has been equipped with the best facilities for special case work it has +become possible for architects to have their own designs intelligently +executed without unreasonable expense, or to secure unfinished cases +should they wish a cabinet maker to execute their designs. The Miller +Company is one of the few piano companies in a position to undertake +this departure. The character of their pianos as superior instruments +was established years ago, and every succeeding year has added to their +reputation. The fight for a front-rank position as instrument makers has +been won. Now they begin to fight for artistic case building, and they +deserve the sympathy and encouragement of every American architect. The +work of the pioneer is always hard, and it is seldom the pioneer who +gets the benefits from this work. Should this move of the Miller Company +prove that better designed cases will be appreciated by the public, +every piano maker in the country will follow suit, but none seem to have +the courage to strike out independently with the same aim. The piano +shown on this page is the Wagner Grand exhibited at the World's Fair, +while their Colonial design is shown in their advertisement. They are +the two extremes. + + [Illustration.] + +One could hardly get a more attractive case for ordinary purposes than +the Colonial pattern. + + + [Illustration: XCIX. + Old Farm House, Lythe Hill, England.] + + +SHINGLE STAINED HOUSES. + +In this number we present to our readers a class of advertisement +that cannot but prove acceptable, owing to the intrinsic interest +of the subjects published in it. The seven pages preceding our first +frontispiece show an attractive collection of country and suburban +residences by Boston architects. The fact that these residences are +stained with Dexter Brothers' English Shingle Stains, which constitutes +the advertising character of the illustrations, adds to rather than +detracts from their value, for each subject is remarkably satisfactory +for its color scheme, and while a photograph does not give the effect, +the selection was made very largely on the basis of good coloring. + +No further word concerning the stains is necessary. The fact that they +have been used on these houses, let alone thousands of others throughout +the country, is sufficient. + + +OPEN PLUMBING. + +The Dalton-Ingersoll Co. have come to the front with an improved style +of lavatory, which presents many new features all in the line of open +fixtures. A cut is shown in their advertisement where a description of +the lavatory is given. The same arguments in favor of the porcelain, or +enameled bath, standing clear of everything, apply with equal force to +the lavatory. + + +The attention of all readers of THE BROCHURE SERIES is called to the +announcements of our advertisers whose goods are offered as premiums in +the subscription competitions, which will be found in the advertising +pages of this number. None of these offers have been made without +careful personal investigation on our part, and all the goods we can +confidently recommend as strictly high-class in all respects. Those +who may have occasion to make purchases in any of the various lines +represented will do well to look up this matter. A few moments spent +in writing for information may save much time and money. + + + [Illustration: C. + The Gatehouse, Stokesay Castle, England.] + + + * * * * * + * * * * + * * * * * + + +ERRATA + + Illustration: HOUSE AT BAR HARBOR, ME. [BAP HARBOR] + public and private work, projets ... [_spelling unchanged_] + Illustration: XCIX. Old Farm House, Lythe Hill, England. + [_"Farm" illegible: supplied from printed list of illustrations_] + + The piano shown on this page is the Wagner Grand exhibited + at the World's Fair + [_text damaged: reconstructions in braces_ + The piano shown on this page {is th}e Wagner {Gra}nd exhib{it}ed + at the World's Fair] + + + + + + +End of the Project Gutenberg EBook of The Brochure Series of Architectural +Illustration, Vol. 01, No. 12, December 1895, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK ENGLISH COUNTRY HOUSES *** + +***** This file should be named 24776.txt or 24776.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/4/7/7/24776/ + +Produced by Louise Hope, Juliet Sutherland and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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