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+The Project Gutenberg EBook of The Brochure Series of Architectural
+Illustration, Vol. 01, No. 12, December 1895, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Brochure Series of Architectural Illustration, Vol. 01, No. 12, December 1895
+       English Country Houses
+
+Author: Various
+
+Release Date: March 8, 2008 [EBook #24776]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ENGLISH COUNTRY HOUSES ***
+
+
+
+
+Produced by Louise Hope, Juliet Sutherland and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+  [Illustration:
+  HOUSE AT MONUMENT BEACH, BUZZARDS BAY, MASS.
+  W. R. EMERSON, Architect.
+  Stained with Dexter Bros. English Shingle Stains (Dark Brown).]
+
+  [Illustration:
+  HOUSE AT WOBURN, MASS.
+  E. A. P. NEWCOMB, Architect.
+  Stained with Dexter Bros. English Shingle Stains.]
+
+  [Illustration:
+  HOUSE AT CHESTNUT HILL, BROOKLINE, MASS.
+  W. R. EMERSON, Architect.
+  Stained with Dexter Bros. English Shingle Stains.]
+
+  [Illustration:
+  HOUSE AT BROOKLINE, MASS. View from Rear.
+  KENDALL & STEVENS, Architects.
+  Stained with Dexter Bros. English Shingle Stains
+    (Body No. 12, Roof No. 31).]
+
+  [Illustration:
+  HOUSE AT BAR HARBOR, ME.
+  W. R. EMERSON, Architect.
+  Stained with Dexter Bros. English Shingle Stains (Dark Brown).]
+
+  [Illustration:
+  HOUSE IN BROOKLINE, MASS.
+  EUGENE L. CLARK, Architect.
+  Stained with Dexter Bros. English Shingle Stain (No. 4).]
+
+  [Illustration:
+  HOUSE AT NEWPORT, R.I.
+  W. R. EMERSON, Architect.
+  Stained with Dexter Bros. English Shingle Stains.]
+
+  [Illustration:
+  HOUSE AT ROXBURY, MASS.
+  GAY & PROCTOR, Architects.
+  Stained with Dexter Bros. English Shingle Stains
+    (Roof No. 11, Walls No. 41).]
+
+  Dexter Bros., 55 and 57 Broad Street, Boston, Mass.
+
+  [Illustration:
+  HOUSES ON THE GODDARD ESTATE,
+  BROOKLINE, MASS.
+  SHEPLEY, RUTAN & COOLIDGE, Architects.
+  STAINED WITH DEXTER BROS. ENGLISH SHINGLE STAINS.]
+
+
+       *       *       *       *       *
+           *       *       *       *
+       *       *       *       *       *
+
+
+  [Illustration: LXXXIX.
+  Old Houses, Hanover, England.]
+
+  [Illustration: XC.
+  Middle House, Mayfield, Sussex, England.]
+
+  [Illustration: XCI.
+  Worsley, Old Hall, England.]
+
+  [Illustration: XCII.
+  Speke Hall, England.]
+
+  [Illustration: XCIII.
+  Speke Hall, England.]
+
+
+
+
+THE BROCHURE SERIES
+
+OF ARCHITECTURAL ILLUSTRATION.
+
+Vol. I.  DECEMBER, 1895.  No. 12.
+
+ENGLISH COUNTRY HOUSES.
+
+
+  [Illustration:
+  OLD HOUSE NEAR WARWICK. SKETCH BY WILSON EYRE, Jr.
+  From The Architectural Review, Vol. IV, No. 1.]
+
+
+Mr. Wilson Eyre, Jr., in an article in _The Architectural Review_ for
+January, which has been alluded to in our issue for October, and from
+which we have borrowed the three charming illustrations reproduced from
+his drawings, speaks as follows of English domestic architecture:
+
+"There is much to be seen from the railroad in the way of long rambling
+farmhouses and country houses of the modest kind, and there is much to
+be gained by studying these for use in our own domestic architecture;
+their average work is so much less pretentious, so much more homelike
+than ours; their surroundings are studied so carefully, the garden
+forming as much part of the house as the roof, and great pains being
+taken that the garden wall, hedges, terraces, the little tea houses, in
+fact all the immediate surroundings, should form a harmonious effect.
+Photographs and measured drawings of the well-known and monumental
+buildings are at hand whenever we need them, but no idea can be gained,
+except from personal study, of the completeness and fitness of the
+country houses and farmhouses and of their surroundings, their "flocks
+of gables," the grouping and composition which through the most careful
+study arrive at the entirely unstudied and almost haphazard effect, and
+above all the impression produced that the building belongs to the spot
+upon which it is built and to no other. This is what makes the English
+domestic work better, to my mind, than any I have seen, and so well
+worthy of study, especially by our American architects."
+
+  [Illustration:
+  OLD HOUSE, LICHFIELD. SKETCH BY WILSON EYRE, Esq.
+  From The Architectural Review, Vol. IV, No. 1.]
+
+The one distinguishing characteristic upon which all observers agree
+when comparing the houses of England with those of any other country is
+the importance given to the idea of a "home." This idea of the family
+life, more fully carried out by the Anglo-Saxon race than by any other,
+has given rise to conditions differing essentially from those governing
+the domestic architecture of other races. As pointed out in the last
+issue in speaking of the country houses of France, the impulse to
+associate in communities has been a stronger power in moulding the
+domestic architecture of France than the desire to have an independent
+home. In England the isolated house is the type. The social unit is the
+family, and consequently the architectural unit is the "home." The
+English character has given to the family an independence and privacy,
+a permanence and sacredness which are all reflected in the English
+houses, and it is this which makes them homes. The evidence of these
+characteristics is what has attracted Mr. Eyre and many other Americans
+besides, and will continue to do so for years to come.
+
+  [Illustration:
+  CHAPEL, DEERHURST. SKETCH BY WILSON EYRE, Jr.
+  From The Architectural Review, Vol. IV, No. 1.]
+
+English architecture is not all and never has been all of the sort here
+indicated, but where it departs from this type we feel the peculiar
+charm somewhat lacking. The early Saxon hut, the Norman castle, have
+each their especial interest, and we feel that the home has culminated
+in the Elizabethan and Tudor mansions and the simpler homes of later
+days which are adjusted to the needs of the family and suited to its
+surroundings, because built honestly with due regard to the necessities,
+and even if, as Ruskin says, their detail is abominable and there is no
+precedent, no right nor reason in the square drip moulding over the
+windows, yet we love them as a whole, and cannot help feeling that they
+expressed truly the story they were intended to tell. But we do not feel
+the same instinctive attraction in the Palladian mansions of Jones,
+however accurately classical are their proportions or their mouldings,
+nor in any other of the dignified importations transplanted from Greece
+or Rome and forced to grow on uncongenial soil. They must ever be to us
+exotics, with perhaps the beauty of the exotic, but without the homely
+qualities which endear to us the real home.
+
+
+  [Illustration: XCIV.
+  Smithells, England.]
+
+  [Illustration: XCV.
+  Saintesbury Hall, England.]
+
+
+  LXXXIX.
+  OLD HOUSES, HANOVER, ENGLAND.
+
+  XC.
+  MIDDLE HOUSE, MAYFIELD, SUSSEX, ENGLAND.
+
+  XCI.
+  OLD HALL, WORSLEY, ENGLAND.
+
+  XCII AND XCIII.
+  SPEKE HALL, ENGLAND.
+
+  XCIV.
+  SMITHELLS, ENGLAND.
+
+  XCV.
+  SAINTESBURY HALL, ENGLAND.
+
+  XCVI TO XCVIII.
+  OLD MANOR HOUSE, LYTHE HILL, ENGLAND.
+
+  XCIX.
+  OLD FARM HOUSE, LYTHE HILL, ENGLAND.
+
+  C.
+  THE GATE HOUSE, STOKESAY CASTLE, ENGLAND.
+
+
+
+
++Club Notes.+
+
+Nearly simultaneously with the announcement that the T Square Club,
+of Philadelphia, has been awarded the medal offered by the St. Louis
+Architectural Club for the best Club-exhibit of Mention Designs comes
+the news of John Stewardson's lamentable death. As a founder of the
+Club, as its president, and for years a member of its Executive
+Committee, he remained to the last one of its most enthusiastic
+supporters. Many of his drawings are now in the Club rooms, and his
+record as the winner of many competitions is upon the minutes of the
+Club.
+
+His generous aid, sincere criticism, and deep interest in the welfare
+of the Club contributed more to the advancement of architecture in
+Philadelphia than can now be realized.
+
+
+The ninth annual Exhibition of the Chicago Architectural Club will be
+held at the Art Institute, Chicago, opening March 27, 1896.
+
+This exhibition will include architectural drawings and perspectives
+in all renderings, scale, details of public and private work, projets,
+landscape drawings of parks and other public improvements, works of
+sculpture and artistic exhibits of works of the allied arts.
+
+Detailed information with circular of instructions and application
+blanks can be had by addressing Frank M. Garden, Secretary, Chicago
+Architectural Club, 274 Michigan Ave., Chicago.
+
+
+In the seventh annual competition for the Robert Clark testimonials,
+held under the auspices of the Chicago Architectural Club, the prize
+winners are as follows: Addison B. Le Boutillier, Boston, Mass., gold
+medal; William Leslie Welton, Lynn, Mass., silver medal; John F.
+Jackson, Buffalo, N.Y., bronze medal; Harry C. Starr, Chicago, first
+honorable mention (bronze medal); Edward T. Wilder, Chicago, second
+honorable mention (bronze medal). L. J. Millet, R. C. Spencer, and
+Irving K. Pond composed the adjudicating committee.
+
+
+Messrs. Thomas Hastings, John Galen Howard, and Albert L. Brockway,
+the committee of the Architectural League of New York upon the annual
+competition for the League gold and silver medals, announce the program
+for this year. Drawings are to be submitted on or before February 6. The
+problem is the principal entrance of a terminal railroad station. Plan,
+elevation, and detail are required.
+
+  [Illustration: XCVI.
+  Old Manor House, Lythe Hill, England.]
+
+
+
+
+  +The Brochure Series
+  of Architectural Illustration.+
+
+  PUBLISHED MONTHLY BY
+  BATES & GUILD,
+  6 BEACON STREET, BOSTON, MASS.
+
+  Subscription Rates per year               50 cents, in advance
+  Special Club Rates for five subscriptions                $2.00
+
+  Entered at the Boston Post Office as Second-class Matter.
+
+
+Renew your subscription promptly if you do not wish to miss any numbers.
+Single renewals must be accompanied by a remittance of fifty cents. Five
+or more names (new or renewals) must be sent in together to secure the
+club rate of forty cents.
+
+
+SPECIAL NOTICE.
+
+New subscribers should order at once, thus securing a complete volume,
+containing one hundred illustrations. Considering the selection and
+quality of reproduction, fifty cents is an exceedingly low rate for
+these.
+
+
+An index and title-page for the first volume of THE BROCHURE SERIES
+have been prepared for the convenience of those who wish to bind their
+copies, and they will be mailed free to any subscriber upon request.
+
+
+Since the introduction to the public of THE BROCHURE SERIES in its
+present form a year ago, five-cent magazines have been made fashionable.
+Their number is countless, and they are of all degrees of value and
+interest. A year ago the experiment was a comparatively untried one
+and the policy of THE BROCHURE SERIES was necessarily more or less
+experimental, but it has now crystalized into fairly settled shape. In
+its main feature, the illustration of historic architecture, it must
+appeal to all who have any connection with the architectural profession.
+An architect can never have too many photographs, provided they are well
+classified and accessible; and it is practically impossible that anyone
+shall have _all_ of the one hundred photographs given in a year's
+volumes of the magazine, as they are drawn from so many different
+sources. The classification of subjects is of itself sufficient reason
+for buying THE BROCHURES, even provided they duplicate photographs
+already owned.
+
+The educational features of the magazine relating to architectural
+societies, schools, and public competitions have proved of unusual
+interest to the younger members of the profession, and during the coming
+year it is hoped that more importance can be given to this work. The
+cooperation of all who are concerned in organizations of this character
+is earnestly solicited.
+
+The competitions which have been offered from time to time under the
+direction of the magazine have proved so successful that an effort will
+be made to establish them as a regular feature, and it is hoped that at
+least one competition a month can be looked for in future.
+
+
++Wanted+
+
+Draughtsmen's Addresses.
+
+We intend issuing, the coming year, a number of interestingly
+illustrated announcements of new architectural publications and
+importations. We want to send these to every architectural student
+and draughtsman in the United States and Canada. If you are not on our
+subscription list, send us your _residence_ address for our circular
+mailing list. Address a postal card as below, putting simply your
+address on the back. If you are in an office, have the other fellows put
+their residence addresses on the same card. We prefer to address mail
+matter to your residence, as there is less danger of miscarriage. Do not
+get the idea that by sending your address you are ordering something you
+will be asked to pay for. All the expense, except the postal card, is
+on our side. If we can't get out announcements interesting enough to
+attract your attention and occasionally secure an order, it will be our
+loss. Address:--
+
+  Bates & Guild,
+  6 Beacon Street,
+  Boston, Mass.
+  _For Circular List._
+
+
+  [Illustration: XCVII.
+  Old Manor House, Lythe Hill, England.]
+
+
++Brochure Series Competition No. 3.+
+
+The designs submitted in the competition closing December 20 for the
+advertising page of the Boynton Furnace Co. proved of even greater merit
+as a whole than those submitted in the first competition, and it has
+been difficult to decide which has the best claim to the prize; but the
+judges have finally decided to award the first place to Mr. William L.
+Welton, of Lynn, Mass., and his design is given on advertising page xiii
+of this number. Of the reasons for this award some will be evident at a
+glance. The effect of the page as a whole is striking and unique. To
+be sure, there is a certain suggestiveness of Mr. Binner's familiar
+advertisements for the Pabst Brewing Co., but the similarity goes no
+further than the selection of Egyptian motives and the simple, flat,
+silhouette-like treatment. Mr. Welton has merely gone to the same
+source of inspiration, and his design is just as good in its way as Mr.
+Binner's. The idea of connecting the character of the ornament with the
+advertisement is carried out in both cases. The Pabst advertisements all
+state that the history of brewing begins with Egypt, while Mr. Welton
+has very cleverly used the Great Pyramid of Cheops as a graphic
+illustration to indicate the area covered by the heaters built by the
+Boynton Furnace Company.
+
+  [Illustration:
+  DESIGN BY W. B. OLMSTED.]
+
+If any suggestions were to be offered towards the improvement of this
+design, they would be mainly in the direction of refinement in drawing.
+The lettering is not what it might be, especially at the top in the name
+of the company, which is somewhat confused. The monogram, an unimportant
+feature from an advertising point of view, is given the most important
+position in the design.
+
+  [Illustration:
+  DESIGN BY PIERRE LIESCH.]
+
+The following competitors, in the opinion of the judges, deserve
+honorable mention: W. B. Olmsted, 118 Lake Street, Elmira, N.Y.; Pierre
+Liesch, 53 State Street, Boston, Mass.; P. G. Gulbranson, 31 West
+Street, Boston, Mass.; F. Chouteau Brown, 31 East Newton Street, Boston,
+Mass.; William J. Freethy, 85 Water Street, Boston, Mass.
+
+Mr. Olmsted's design, which is illustrated herewith, is, like the design
+which he submitted in the last competition, in many respects distinctly
+the best of the collection. It is unfortunate in representing a heater
+not made by the Boynton Furnace Company, but very suggestive of a
+pattern made by one of their competitors in the trade. If it were not
+for this unfortunate slip, it would be given first place. The idea is
+good and the treatment all that could be desired. It is good advertising
+and meets the conditions directly and well.
+
+  [Illustration:
+  DESIGN BY P. G. GULBRANSON.]
+
+The design of Mr. Liesch has the virtue of being unusual, and would
+arrest the attention of many who might not be attracted by the preceding
+one. The lettering in this case, although done with exceptional taste,
+is not sufficiently clear and readable to be entirely satisfactory as
+an advertisement.
+
+Mr. Gulbranson's design is of more interest as a drawing than as an
+advertisement. To the readers of THE BROCHURE SERIES this characteristic
+would doubtless appeal, while it might be of no value in an
+advertisement intended for a different clientage.
+
+  [Illustration:
+  DESIGN BY F. CHOUTEAU BROWN.]
+
+Mr. Brown's design has an interest of a different sort. It is crude in
+treatment, purposely so no doubt, but the idea is so unusual, with a
+quaint touch of humor, that it would be sure to attract attention. If
+space would allow, several of the remaining designs could be reproduced
+to advantage, and would give a wider field for comparison.
+
+
+  [Illustration: XCVIII.
+  Old Manor House, Lythe Hill, England.]
+
+
++Notes.+
+
+Attention has already been called in these columns to the efforts of
+the Henry F. Miller Piano Co. to foster the designing of artistic piano
+cases. Their later designs are a long step away from the conventional
+and hopelessly ugly piano cases that have been put out by the piano
+trade universally. They reason that the piano, as an artistic
+instrument, should have an artistic setting, and it is to draw the
+attention of architectural designers to this point that they have
+already given prizes for one competition, and purpose offering another
+prize, probably of $100, for a second competition. The making of
+special designs for piano cases has fallen largely into the hands of
+custom-furniture makers simply because the work of piano factories has
+for years carried its own condemnation. The furniture maker often is
+forced to buy a new piano, from stock, and build it over as best he can,
+charging a price that is almost prohibitory. Since the Miller factory
+has been equipped with the best facilities for special case work it has
+become possible for architects to have their own designs intelligently
+executed without unreasonable expense, or to secure unfinished cases
+should they wish a cabinet maker to execute their designs. The Miller
+Company is one of the few piano companies in a position to undertake
+this departure. The character of their pianos as superior instruments
+was established years ago, and every succeeding year has added to their
+reputation. The fight for a front-rank position as instrument makers has
+been won. Now they begin to fight for artistic case building, and they
+deserve the sympathy and encouragement of every American architect. The
+work of the pioneer is always hard, and it is seldom the pioneer who
+gets the benefits from this work. Should this move of the Miller Company
+prove that better designed cases will be appreciated by the public,
+every piano maker in the country will follow suit, but none seem to have
+the courage to strike out independently with the same aim. The piano
+shown on this page is the Wagner Grand exhibited at the World's Fair,
+while their Colonial design is shown in their advertisement. They are
+the two extremes.
+
+  [Illustration.]
+
+One could hardly get a more attractive case for ordinary purposes than
+the Colonial pattern.
+
+
+  [Illustration: XCIX.
+  Old Farm House, Lythe Hill, England.]
+
+
+SHINGLE STAINED HOUSES.
+
+In this number we present to our readers a class of advertisement
+that cannot but prove acceptable, owing to the intrinsic interest
+of the subjects published in it. The seven pages preceding our first
+frontispiece show an attractive collection of country and suburban
+residences by Boston architects. The fact that these residences are
+stained with Dexter Brothers' English Shingle Stains, which constitutes
+the advertising character of the illustrations, adds to rather than
+detracts from their value, for each subject is remarkably satisfactory
+for its color scheme, and while a photograph does not give the effect,
+the selection was made very largely on the basis of good coloring.
+
+No further word concerning the stains is necessary. The fact that they
+have been used on these houses, let alone thousands of others throughout
+the country, is sufficient.
+
+
+OPEN PLUMBING.
+
+The Dalton-Ingersoll Co. have come to the front with an improved style
+of lavatory, which presents many new features all in the line of open
+fixtures. A cut is shown in their advertisement where a description of
+the lavatory is given. The same arguments in favor of the porcelain, or
+enameled bath, standing clear of everything, apply with equal force to
+the lavatory.
+
+
+The attention of all readers of THE BROCHURE SERIES is called to the
+announcements of our advertisers whose goods are offered as premiums in
+the subscription competitions, which will be found in the advertising
+pages of this number. None of these offers have been made without
+careful personal investigation on our part, and all the goods we can
+confidently recommend as strictly high-class in all respects. Those
+who may have occasion to make purchases in any of the various lines
+represented will do well to look up this matter. A few moments spent
+in writing for information may save much time and money.
+
+
+  [Illustration: C.
+  The Gatehouse, Stokesay Castle, England.]
+
+
+       *       *       *       *       *
+           *       *       *       *
+       *       *       *       *       *
+
+
+ERRATA
+
+  Illustration: HOUSE AT BAR HARBOR, ME.  [BAP HARBOR]
+  public and private work, projets ...  [_spelling unchanged_]
+  Illustration: XCIX. Old Farm House, Lythe Hill, England.
+    [_"Farm" illegible: supplied from printed list of illustrations_]
+
+  The piano shown on this page is the Wagner Grand exhibited
+  at the World's Fair
+  [_text damaged: reconstructions in braces_
+  The piano shown on this page {is th}e Wagner {Gra}nd exhib{it}ed
+  at the World's Fair]
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Brochure Series of Architectural
+Illustration, Vol. 01, No. 12, December 1895, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ENGLISH COUNTRY HOUSES ***
+
+***** This file should be named 24776.txt or 24776.zip *****
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